So, last Tuesday I had introduced to you two methods to find the intersection between two solids. The first one was the select line method or the generator method and the second one was the cutting plane method. So, here is a little revision. So, the first one is the generator method, important points or salient features. Step one that is something which is critical you have to figure out the view where the intersection points are obvious and the way to figure that thing out is to figure if the intersection points are going to be lying on one of the solids. Look at the front view, look at the top view and look at the profile view and you will figure that your intersection points will be lying on this circle in the profile view. So, once you have figured that thing out the next thing you would do is you would generate a bunch of lines that would represent the surface of the other solid. You would generate again a bunch of lines that would represent the surface of the other solid and that is the reason why the name the generator method or the select line method. Step two use generators to represent the other solid. For example, this line would be a line on the slant surface of the cone. So, this line is 3 11 line 3 11. In fact, these are two lines the first one is towards you and the second one is away from you that is behind the cone. So, first one is towards you the second one is behind the cone and the best way to visualize this in the front view is this. So, this is the first line line 11 and this is the second line line number 3. So, this line that is on the slant surface of the cone is in fact, representing two lines in the front view and in the top view of course, if you project this guy over here this would be line 11 and this one here would be line number 3. Step three and this is something which is important you have to exercise care in labeling and following them. If you do not label these lines properly and these intersection points properly it will be difficult for you to connect the dots later on. Now, Vasu was asking me this before how did I connect these intersection points here and here. So, if I look at the intersection points on the circle in the profile view I go A B C D E. So, I go in order and I follow the same order in the front view as well as in the top view. So, I go A B and then C and then D and then E and so on like was here A B C D and so on. Now, if you notice from this height and above this part will be visible in the top view. So, this part is going to be visible in the top view and from D onwards from this height down below these guys will be hidden they will be invisible that is the reason why these lines are shown using hidden lines or dotted lines. So, you have to be very careful in following the labels properly because if you do not then you will mess up the connections between dots between the intersection points. So, once you have all these lines ready you figure out the intersection. For example, this is one of the intersection points I call it I project it on to the front view. Now, these are in fact two intersection points again one is towards you and the other one is behind the cone. So, this intersection points get mapped at these two points in the front view and these intersection points lie on lines or generators number 3 and 11 respectively 3 and 11. Now, which of these 3 and 11 generators is towards you is it 3 or is it 11. If you stand here and if you look at this view which one of these will be towards you all right. So, once you have these intersection points map them on to the front view. So, this one will be lying on generator 11 and this one will be lying on generator number 3. Importantly do not miss any intersection point all right. So, this was the select line method or the generator method and works only when the intersection points are obvious in one of the views. The other method was the cutting plane method and look at these views for example, and the method works better when the intersection points are not obvious. And I will give you an example later today step number 2 you should know what the intersection between the cutting plane and solids yield. For example, if I you know cut through this assembly of the cone and the cylinder through these horizontal planes the intersection between the cone and the horizontal plane will be a circle of course, and the intersection between the cylinder this cylinder and the horizontal plane will be a rectangle. So, eventually determining intersection would boil down to determining the intersection between the circles and the rectangles in the top view. So, this step is critical you should know what the intersection between the cutting plane and solid yields. Let us take an example. So, let us take plane D slicing the assembly of cone and cylinder. So, corresponding to this plane the intersection between this plane and the cone gives me a circle and the intersection between this plane and the cylinder gives me a rectangle. So, in the top view how many intersection points would you see you would see 4 intersection points. So, you need to compute the intersection number 1, number 2, number 3 and number 4 these intersection points are going to be lying on which plane in the front view plane number D plane number 4 project points of intersection to the respective planes.  So, be very very careful and that is where labeling happens to be very important. So, all you need to do is project these points down on to the respective plane and in this case these are the two intersection points in the front view. So, summary of what we had discussed on Tuesday notice here that you will have two other intersection points on the back side of the cone. Which ones are going to be in the front this one and this one which ones are going to be the back these two guys. Once again do not and do not miss out on any intersection point otherwise your connectivity will not be proper. So, the connection or this contour or rather these contours will not be proper alright. Another example and I will give you a slightly different angle to solve this. So, this is the example of determining the intersection between two prisons two rectangular prisons one is vertical the other one is horizontal. Inspect the three views are the intersection points obvious are the intersection points obvious yes or no yes from where do you think you would be getting the intersection points profile here wonderful. So, you can use the generator method to solve this, but I will give you another method and this is something along the lines of the lines and planes the concepts that you had learnt in previous lectures hopefully first thing you would want to do is start labeling. So, p q r s is this prison that is penetrating the vertical prison inside.  So, p is this line q is a line which is closer to you away from you which is closer to r and then s is another horizontal line which is away from you. So, if you go on to your top view line p appears here q appears here r again at the center and s on to the top all right label the vertical prison in the front view. So, a b c d. So, this is a b backside or the back edge c and d likewise over here a comes from here b comes from here the center c comes from the top over here and d again at the center step one you have to do labeling properly. Now, you can think about these two prisons as being composed of four different planes a b c d is composed of four planes and p q r s is also composed of four planes all right. So, the problem walls down to figuring out the intersection between any two planes. So, it is like a plane plane intersection now notice again that in the profile view p q q r r s and p s they happen to be in the edge view. So, this plane this plane and this plane here they happen to be all in the edge view in the profile view. So, it is easier for us to figure out the intersection between planes and planes if we have a view where one of the planes is in the edge view now all right. So, extend this plane p q where do you expect the first point of intersection. So, if you are trying to figure the intersection between two planes a b and p q. So, this is plane a b and this is plane p q where do you expect your first point of intersection to be here it is quite obvious now it is quite obvious. Now, this point of intersections lying on which of the edges which of the edges in or on the vertical present a and do not miss any intersection point a and would be a b and d. So, one point is here the second point is here all right. Now, this point the intersection correspond to this point will not be obvious and that is the reason why I had extended this plane. Now, it is easier for me to locate this intersection point. So, this intersection point will be lying on edge a point number 2, but the intersection is actually happening here, but before that plane plane intersection would give me what a line intersection between two planes implies a straight line. So, one line would be this one joining 1 and 2 the second line will be this one joining 1 and 2 all right. Now, my actual intersection is happening here right. So, if I extend this edge q s these are the two points where my actual intersection is happening all right. This is like a pseudo intersection point this is not the real intersection point this is where the actual intersections are happening these two points having said that it is actually the edge q which is going inside which is kind of you know hampering this intersection from happening. So, you need to extend edge q from both sides because edge q is going to be visible in the front view. Second guy intersection between which of the two planes q r and well are you solving the intersection between two planes or three planes notice this is q r and q r is intersecting with plane a b and plane a d on the back side. So, be very careful and that is the reason why labels help all right. So, extend this one obvious intersection point is point number three this point on the vertical prism is going to be lying on edges b and d. So, this point three will lie here this point three will lie here and this pseudo intersection point that will lie on a if I call it point number four extended a lie here again intersection between two planes will give me a straight line in this case that straight line will be joining points three and four I will get one of these and the second one of these. Once again this is not my actual intersection point in section actual intersections happening over here all right. So, my intersection lines they get extended only to this point r s point number five project that point number four and five they will be essentially here same point p q extend that get the pseudo intersection point number six project that your point number six will be here relatively simpler example. Now, notice that the intersection between plane r s and the back side of the vertical prism is hidden and. So, is the intersection line between p s and the back side of the prism and they are hidden precisely behind these lines and that is the reason why they are not visible. So, that is something that you will have to keep in mind all right. So, the horizontal prism is penetrating inside the vertical prism. So, you will have a hidden line there a hidden line there and a hidden line there notice how these two points they correlate with the top view. So, if you take the projections up from these two points this is where they occur won't there be a hidden line that is what my next questions think and analyze. What you have to think about what you have to say about these hidden lines this one this one and this one are they going to be there or are they not going to be there are they going to be there or are they not going to be there I for the drawing think about that all right. So, let me do a little what we say in I T Bombay Kira you know what Kira is. So, it is one of the linga words in I T Bombay. So, this was a relatively simpler example. So, let me rotate this horizontal prism by some angle and see how interesting my problem becomes I rotate it clock wise by some angle similar story in section between two planes four planes forming a vertical prism four planes forming a horizontal prism the labels happen to be the same you know p q q r r s and p s they all happen to appear in the h view in the profile view. So, it is kind of obvious for me to extract the intersection point information from the profile view having said that of course when I rotate this horizontal prism p q r s the corresponding projections in the front view and the top view they will change. Now, first intersection point we need to figure out the intersection visibility of both the prisms extend this prism. So, you will have one intersection point zero intersection point. Now, do you say that the first intersection point which is kind of obvious is going to be this one yes where is that intersection point going to lie b d all right this is my second section point zero intersection point not real project this guy on to b and d. So, this is one and this is one. So, notice that I am labeling my intersection points as I identify them and as I project them on to different views because if I do not you know what is going to happen project point number two point number two is going to be lying on edge a not c, but a intersection of two planes they give me a line. So, the real intersection is going to be happening here at point number three likewise over there at point number three. I am not formalizing my drawings as yet I will go forward I will extend q r now in this case I do not have real intersection points here and here. So, I will need to extend this plane on both sides till I hit the two edges of the vertical prism zero intersection point number four and number five four lies on edge a project that this is where my four is five lies on b and d project these and this is where point number five or points number five they lie straight lines joining four and five. So, if you extend this plane four and five will be the actual straight line between the two planes that will be representing the intersection between two of them this is point number six which is the actual or real intersection and point number six is going to be lying on four five here and here point number six is there and six is there with me let us continue extend this guy once again we will get two pseudo intersection points number seven number eight seven lies on a eight lies on edge c of the vertical prism project seven seven lies on a eight lies on c the back side the back side. So, seven and eight will be a straight line point number nine this is where the actual intersections happening project that number nine would lie on b and d b and d. So, nine would lie here on b and it would lie here on d and the actual intersection line will be the line joining points eight and nine there and there, but this one is the actual intersection point. So, if I project that identified as ten if I project that point number ten is here and here messy already messy and the final thing extend p s identify that intersection point is eleven this one as twelve project eleven eleven is going to be lying on the back side or the vertical prism c and twelve will be lying on b and d join eleven and twelve or may be join ten and twelve. In fact, they would essentially happen to be on the same straight line same straight line. So, join eleven and twelve the actual intersection is happening here thirteen thirteen lies somewhere over here and here once you have identified these intersection points. Now, you need to connect them which ones of these will be real which ones of these will not be real all those points which lie on the horizontal prism for example, one three six nine ten and thirteen they will be real intersection points number one number three number six number nine ten and thirteen. Once you identify the loop the connectivity you can connect the dots in the front view. Now, one two three is that line going to be visible one two three line one three is that going to be visible well of course, you need to project these intersection points up that is something which is going to be a little tedious, but you should be able to do that this would be an exercise for you all right. So, line one three that is going to be visible how about the next one three six three six is that going to be visible now six to nine will be a hidden line because it is going to be on the back side of this prism if you are looking at the assembly from here this guy is going to be behind nine to ten nine to ten visible not visible ten to thirteen visible not visible hidden thirteen to one thirteen to one you need to be a little careful because this guy here although it might appear to you that this would be visible actually these two points are lying on the back side of the vertical prism. So, be very very careful be very careful this would be hidden.  So, very nice example of how labeling helps you connect the dots better yeah yeah you can if you want to easier less messy yeah you can you can all right you figure out the visibility of the prisms now figure out the visibility of the prisms. So, you know the concepts from lines and planes the visibility try to figure that thing out I would not say a word I just keep flashing different lines which are going to be green in color this is going to be visible that will be visible this will be visible this one here will be hidden why is that why is that s is on the back side yeah this guy here this line here is hidden and so is this line mirror image the same thing and you will get the result this line is going to be hidden peace inside of peace penetrating the vertical prism and so is our what about T 3 10 10 this guy yeah yeah yeah yeah if they are equal in size yeah no it was no in that model it was the cone that was cut yes quite obvious yeah what come again yeah which one has been cut in which one has not been cut if they are of the same size no no yeah so there should be so you are saying that there should not be any lines here because you have you do not have much clue about which one is penetrating which one this could be a single piece yeah yeah yeah this could be a single piece yeah true true so the question is this so given two prisms the horizontal one the vertical one how do you figure which one is penetrating the other one okay number one question number two a related question is what if the entire thing is a single piece that none of the prism is penetrating the other one so if the latter is the case then these horizontal lines may not be shown but if the former is the case then you need to show those horizontal lines and the q has to be derived from the three views that are given to you the clue has to be taken from the three views which are given to you yeah I haven't actually shown the intersection the top you or have I yeah yeah so no no no so you guys are in a habit of getting everything on the plate no don't don't don't you figure it out there has to be some thinking and analyzing that you need to do so if you are going to be using or if you are going to be drawing these lines of course you need to figure out the corresponding lines whether they are going to be there or not in top view you figure it out I have to go how does the three views communicate to you if one of the solids is penetrating the other solid what if I give that information that one of the solids is penetrating the other solid that's going to be clear otherwise not going to be clear so assume that I am going to be giving that information to you alright so this one is quite interesting intersection between two cones a vertical cone and horizontal cone the three views are shown to you and my first question is are the intersection points obvious from these three views are the intersection points obvious from these three views is it possible for you to figure out the intersection points just by inspecting each of these views yeah order 9 no no so it is not going to be easy for you to use the generator method or the select line method so instead you would want to use the cutting plane method so the intersection points to me at least they don't seem to be obvious use the cutting plane method okay so use use a bunch of horizontal planes slicing the assembly of these two cones okay now if you slice the assembly using a bunch of these horizontal planes intersection between one horizontal plane and this vertical cone will give you what they give you a circle intersection between the same horizontal plane and this horizontal flown horizontal cone is going to give me what a hyperbola so your intersection problem your problem of intersection boils down to figuring out the intersection between the circle and a hyperbola okay alright now what I have done what I have done is I have you know use the information that the sections going to be over here in sections going to be happening over here and here correspondingly I have chosen the respective horizontal planes to slice the assembly it makes my work a little easier but I do not guarantee that my solution is going to be accurate okay for more accurate solution you should be using more number of horizontal planes slicing the assembly of these cones okay so the first horizontal plane is this one second one is this one third one is the center or third one contains the axis of the horizontal cone both one and the fifth one okay now follow this very carefully because things are going to be a little messy alright so plane number one if I look at the intersection between horizontal plane number one and the vertical cone I am going to be expecting a expecting a circle in the top view okay and this plane when cutting this cone will give me a hyperbola the vertex of the hyperbola is going to be lying over here so essentially I will be expecting a single point of intersection there and there okay okay stay with me stay with me stay with me stay with me stay with me now this one this one is just a fluke I do not need to actually draw this because I know the intersection points just going to be a single section point wait for the rest of the construction alright so plane number two intersecting with the vertical cone will give me this circle and when intersecting with the horizontal cone will give me a hyperbola the vertex of that hyperbola is going to be here okay we need to construct it we need to construct that hyperbola so for that for that how is the base of the hyperbola going to be how is the base of the hyperbola going to be so the two points which will be lying on this edge of the horizontal cone they are going to be separated by twice this distance from here to here and from here to here one and two once I know that and once I know the fact that my apex or the vertex of the hyperbola is going to be lying over here I can draw a box once I draw a box I would divide this edge of the box into equal number of parts and this edge of the box into equal number of parts okay now from this point I am going to be joining all the points on this edge and from this point the apex of the cone I am going to be joining all these guys alright okay so let us say equal number of parts I am just using a bunch of points for demonstration not so very many join this point or the box with that point over there on that edge okay likewise for the second set this one where this one and this one with this one okay so you get a bunch of intersection points so intersection between this line and this line which is this point here will give you the first point on the hyperbola and intersection between this line and this one here will give you the second point okay two points you already know that this point is going to be lying on the hyperbola the vertex draw this hyperbola draw the mirror image of that okay so once you have the hyperbola in order find the intersection between the circle and the hyperbola okay this guy projected down on to the same plane this guy projected down on to the same plane so this would be one section point two intersection points over here and this one okay plane number three and the assembly the vertical cone will give me a circle the horizontal cone will give me kind of a triangle so intersection points getting that is not a problem to intersection points over here and two intersection points over there being projected downward on to plane number three we will get these two points plane number four again the vertical cone is going to be giving me a circle the horizontal cone is going to be giving me a hyperbola so you need to draw that hyperbola I will quickly go through that so measure this distance make that distance over there and over there okay draw this box the same construction procedure okay divide this edge into equal number paths that edge into equal number paths okay start joining the lines find the intersection points you will have four intersection points in all of four points lying on a hyperbola in all draw that hyperbola draw the mirror image of that find the intersection between the corresponding circle and the hyperbola okay so of course one point will be here and the other point will be here and of course there would be a corresponding point at the top okay and the fifth point is quite obvious I mean it has to be lying here so you do not need to worry about that construction top it is it is quite messy so I can I can really understand the expression in the face yeah okay so once you figure out the intersection points as I said the number of planes that I have chosen they are not adequate okay so they have to be adequate for you to get the actual contour of intersection that's the first one that's the second one okay and if you realize if you map these intersection points properly in the top view these are going to be shown in red join them get the mirror image of these this is how your cone cone assembly is going to be looking in the front view and in the top view now here I'm assuming that the horizontal cone is absent so what it has done is it has cut away a portion from the vertical cone and like just gone for right okay and that's one of the reasons why this part is visible otherwise this part would have been you know below the cone so that is something that you need to be a little careful about okay and once again if you want to compare this drawing with autocad you know walk it out cone-cone interaction place your cones properly this is how it's going to look now we got a vehicle so I was in tracking with him yesterday right and he was like you know I mean you showed that cone hexagonal prism assembly yesterday or Tuesday and how did you cut the cone I mean for your hexagonal prism to be fit precisely into it and to which I said well if you want to learn how to cut it first you have to figure out the intersection contour between the two solids and use the information that one of the solids is develop in fact in the example on Tuesday both the solids are developable okay use the fact that the cone is developable cut the cone spread it out you already have the intersection contour in there cut that part out you know flap or fold your cone back into shape and then you have the slot so the first part intersection is something that is covered that has been covered today and last Tuesday development will involve two more lectures next week and then you will learn how to cut one solid to be able to precisely fit the other one


When people want to be negative and hurt you it will never be general. You'll never have a general enemy we are Very intentional about being negative and we are lazy about being positive So if you want to grow you in the way you talk to you and others You have to be you have to be just as intentional about saying something good to someone as saying something negative to someone


Have you ever wondered if someone's attracted to you and you don't even realize it? It can sometimes be hard to tell unless someone is obvious about their interest because attraction typically appears first on the micro level. It's important to first decipher if the person might simply be a highly effective communicator with a high social IQ who is adept at making people feel seen and heard with their attentiveness. On the contrary, people who are attracted to you might send mixed signals, especially if someone is anxious around someone they're attracted to. So for all these signs, please use your intuition to decipher the clues. Disclaimer, this video is for educational purposes and is based on personal opinions. This video is not a substitute for professional advice, but for general guidance. We advise you to always listen to your intuition and always do what is right for you. Let's begin. Number 1. Mirroring behavior. According to clinical psychologist Holly Schiff, mirroring is when someone subconsciously attempts to bond with you through matching your behavior. If you notice someone is making similar facial expressions as you, placing their body in a similar posture, or even matching your energy levels, they may find your presence attractive enough to express their interest through this non-verbal affirmation. Note that most people aren't likely to consciously catch themselves doing so, but if you start to notice your date as matching your standing posture and speech mannerisms, it's a great sign of attraction. It's also why couples tend to start looking and acting similar after some time. Number 2. Physical flirtation. People who have physical touch as their love language might throw in some physical flirtation to show their interest in you, such as a lingering hug, a pat on your arm or shoulder, accidentally grazing your hand, touching the mid to lower part of your back, take notice of whether they seem communicative with everyone with their physical touch, or if it's only you that they are extra attentive to in this form. Some people may use physical touch as a bonding technique to help themselves and others feel more comfortable in their presence, so it could be that they'd be nervous about acting that way towards someone they're attracted to. Number 3. Belly button alignment. Margaret Stone, a licensed therapist and dating coach, states that aligning one's belly button with another is a sign of attraction, trust, and security. Acting which is also done subconsciously. Couples who tend to face each other, even when in large groups, are doing so to feel socially safe on a subconscious level. Similarly, when someone is attracted to you, their body will give clues that they'd like to become closer to you physically or emotionally by pointing themselves directly to you. Or when someone is engaging in conversation, their feet may point towards the person they're speaking with that they're interested in. Number 4. Open body language. In a 2016 study on the importance and impact of body language on speed dating, researchers found that participants who displayed open, non-verbal behavior were deemed as dominant and attractive versus those who demonstrated contractive cues. While it's now considered scientifically proven that open body language, like uncrossing your arms, taking up space and standing with a straight posture, can make you seem more attractive, it's also true that those who are attracted to you will appear more open in their body language as well. If they're keeping their bodies vulnerable and in a welcoming stance, they feel comfortable and safe around you. On the other hand, if they seem to be closed off with their body, it might be their way of non-verbally asking for some space. Number 5. Eyebrow flash. This one might be hard to notice, but if you do catch it, take it as a good sign. An eyebrow flash or an eyebrow raise is considered a micro expression, which means it only appears on a person's face for a split second. Micro expressions are the most telling signs of someone's true emotions, even when their words or conscious actions say otherwise. A quick raising of the eyebrows, especially when someone first sees you walking towards them, for example, could be expressing their genuine excitement that you've arrived. Contrast that with eyes that narrow with downward turning eyebrows when someone is unhappy to see you. Strangers who find you attractive while walking past you might quickly flash their eyebrows as a subtle sign of surprise or delight in what they're seeing. But note that an eyebrow raise that remains raised might be less attraction and more surprise or shock. Number 6. Voice changes. Ever notice your best friend's voice becoming suddenly higher or deeper while in the company of their crush? Well, don't judge them for it, because it's quite likely that you unconsciously do the same in the presence of someone you're attracted to as well. A study conducted in 2014 found that people speaking to someone they find attractive tend to change the tone, strength, and pitch of their voice when doing so. According to the study, it's even possible for those listening in on conversations between two people who are attracted to each other to tell there's chemistry happening. Take note of how someone sounds when speaking to a family member or friend versus when they're speaking with you. They might seem more attentive in their speech style and desire to highlight their best qualities through their voice. For example, if they'd like for you to believe they're masculine, they might deepen their voice. And if they want you to think they're sweet, they might soften their voice. Number 7. Inward leaning. Jack Schaefer, PhD, states that as report increases between two people, inward leaning may increase as well. This happens gradually and will often include signs of belly button alignment and open body language. This might be easier to tell when involved in a one-on-one conversation than in a group. The best plan of action is to first notice if someone is making frequent eye contact with you. And if you reciprocate, they begin to turn their body towards you and inevitably lean in, especially if they're seated. Take this as a positive sign that they are interested in or attracted to you. On the other hand, those who aren't interested in the topic at hand or seem confusingly indifferent to your impossibly good looks and charm might lean back and keep themselves at a distance instead. And number eight, distracted behavior. Maybe you're noticing your crush seems more distracted in one-on-one study sessions with you than when in a group setting. Or perhaps you notice that in acquaintance you just met seems completely unaware of their surroundings while in conversation with you. It's even possible that strangers who walk past you are distracted and do a double take as you walk by. Someone's attraction to you, whether platonic or romantic might be obvious in their subconsciously focused attention on you while seeming distracted from their previous focus of attention. So as long as you're not out there causing traffic jams or having people trip from rubber nagging to get another look at you, keep being your enticingly attractive self. Have you noticed any of these signs? Let us know in the comments below and share this video with others who might like it. As always, the references and studies used are listed in the description below. Be sure to check out our Psych2Go YouTube channel for more videos like the one below on ways to become more attractive. Link to 10 surprising habits that make you more attractive. Until next time, Psych2Goers, take care and thanks for watching.


Hey everyone, welcome to Alchemy Stars. We have here the patch notes for the next event. So it's an 18 event announcement, trees, fish and slow life. So I guess they're taking it easy here. So limited time event overview event details would be a tea party, tea time lesson trees and a lot more. Okay, I'm gonna go through the details down below. So also this event includes around trial stages, limited login rewards and more fulfill the special conditions and you'll earn keeps or rewards or event unlock conditions. So be sure to clear main stage one dash 16 event time. So afternoon tea part the event period. So June 23 to July 11 tea time lesson trees is also from June 23 to July 11. But the event store Anderson association period is going to be available only on June 23 up to it's gonna be extended actually July 14. Okay, number two is event stages, a stage stages details. So stage content. This event contains two stages. So afternoon tea party and tea time lesson trees. No prism is required. The second stage is tea time lesson trees will only be unlocked once you have cleared all sub stages of the first stage afternoon tea party trial stages of the two new ororions will be also available. This is our usual navigators will have the opportunity to fight and Nina and at Nina and the sun eyes side event rewards overview clear all event stages and trial stages of afternoon tea party and tea time pleasantries to obtain Lou member 2000 and special flair times to number three is limited time event store Anderson association is now open redeem rules. So you'll get Anderson association ticket upon clearing event stages or consume prism to clear the specific stages. These only are applicable in the main story stages and resource stages. Every item Anderson association ticket can be used in the event store Anderson association to redeem rewards like a five star orion united kit to you can choose from hydrant Estevan Louise and Vivian special star for three limited furniture and the works additional description once Anderson association closes and use Anderson's association tickets will be converted to 90 home at a ratio of once to 15. Okay, you will receive these by a mail when logging into the game after an hour after the event ends. Number four is just an extension of the detailed investigation.  I'm gonna play it now hopefully I could probably finish some of those this will happen from 5th of July up to 14th of July. Next is going to be a new limited time log in event signed in begins. So these are going to be Lumembert, Nytium, Anderson association tickets, vintage wine. Those are our login rewards happening on the 23rd up to July 11th. 6th is going to be exclusive event rewards navigators can obtain a certain number of exclusive furniture so again exclusive furniture exclusive at Avatar Venus afternoon tea login for eight days college gardens furniture and all of the works are here. Number seven is the one I think you guys are looking forward to limited time recruitment and you are Nina and Sanae. I'm still actually looking forward to seeing their kit before we decide on pulling for this one. So limited time recruitment info Nina and Sanae will be obtainable during the limited time ill sorry cloudburst recruitment event. When recruiting a six-star there's a 50% chance to be Nina and when recruiting a five-star there's a 25% chance that it will be Sanae. So these are as will not be obtained from other recruitment manners and the limited time recruitment period is going to be from 23rd of June to the 14th of July. Note after the limited time recruitment and Nina and Sanae will be added to the main stay recruitment as we all know Umbleton recommended recruitment. I'm not sure if I'm recommending this one this is solely for Umbleton. So most of you guys I'm sure are gonna skip this and I recommend that we skip this as well. And no what six-star audience you can actually get Bethel here sorry. But again this is usually a skip banner. Bethel I actually learned my lesson pulling for the same banner so again skip even if Bethel is here and you have a chance to get her still skip for this one. Recruitment period is going to be June 30th to July 14th. Recruitment update Barton Deft Blaze the previous this one is just saying that Barton is going to be added to the main stay banner ready that goes live on June 23rd. So for those of you who have missed him there's a chance that you can get him there. Number 10 a special event book book 8 stage 2 is here after the event is live quest for second stage of special event book 8 will be available which it which will guide navigators to complete event quest complete the specific requirement to unlock rewards new outfits at 11. This is going to be Raphael this is going to be Fleur so they're gonna be available if you purchase them they're available from June 30th to July 14th. This is June 30th to July 14th is for Fleur and June 23 to July 14th is Raphael's availability. The reruns for the three returning outfits are here I think the ones that are worth it is going to be Sinsa I have this already this skin for Sinsa I also have the skin for Wrath but again Wrath is not used that much and also not Vice is not used that much but I'll leave it up to you guys whether you prefer to get the skin of Vice and of Wrath but definitely Sinsa skin is one of the best I think that I've seen so far outfit acquisition they are purchasable in the store for Lumu crystals and limited time gift in the store there are a couple that are going to be out care free free recharger pack I'm gonna I'm not gonna go into the details of this you may check this out once it launches in the store some of these are actually of good value so please discern among which are you going to get so these are available from 23rd of June to July 14 adjustment to calamity codex boss and calamity codex three times rewards this is new limited time event adjustment to calamity codex boss after this event new bosses will be added to the calamity codex gradually the first one for you to challenge is Barrel so Barrel is new she'll be added on June 23 to June 30 a lot of calamity codex three times two words limited event so the events will be times three so if the event runs for calamity codex terms event period is June 23 up to July 21 okay so every Thursday at 5 UTC Pasir new calamity codex Defarius dark summoner settlement time bonuses for everyone the trees fish is this is going to be additional bonuses in your inbox 120 prism and two carriers reward content so for every five days so every five days you'll get 120 prism and two carrier up to 600 prism and carrier 10 in total so again just log into the event to your game and this will happen from June 23 to June 27 only every reward is valid for 24 hours so you must claim it within 24 hours after the update new cloud garden furniture will be added to the system so again additional content for the cloud gardens claim period is a valid is for 30 days in your mail recommended recruitment update bonus during the return rotating recruitment period starting from 28 of June chances of recruiting aurorian will increase so heady cordy hydrant and they have bonuses here reward corner star flare recharge back and the event period is going to be on June 28 claim period valid for 14 days during the ombreton this is the last one during the ombreton recruitment starting from June 30 chance of recruiting the following increases as well so again I don't think I'm recommending this banner for you guys unless if you're really really want to play at a chance at getting Bethel be my guest so that is it new events a couple of tweaks for two calamity codecs and two new aurorians for us to summon which we will have or I will have a preview for you guys once I see the description of their skills so thank you guys so this is it so comment down below if you like this event and comment on below again if you don't like this event so thank you guys stay safe take care but don't forget subscribe to my channel this is the warden and I'm out of here


And on everyone, Sam here with late sports cards, Riffin 23, top stadium club baseball hobby, 8 box case, or half case number 14, picker team style names and teams, Adam H. Brewer's, Adam E. Athletics, Barton L. Nationals, Chris W. Yanks, Christopher R. Reds, Christopher C. Dodgers, Curtis D. with the White Sox, Daniel F. Rays, Dave A. Guardians, David G. Pirates, Donnie H. Twins. I saw that, thank you, Mac. Evan O. with the Phillies, Ferhan A. Rangers, HG Royals, Jason K. Orioles, Jason H. Angels, Jason G. Marlins, John S. Rockies, Luis V. Blue Jays, Naoki H. Pantax, I should say, with the Tigers, Shane C. Astros, S. Wang Cardinals, Steven C. Mets, D. Backs, Terry F. Braves, Giants, Tim O. Padres, Vaughn with the Red Sox, Wenshu L. Cubs, and Yusuke H. Mariners. So good luck here, everybody. Tracy picking up a spot at number 11, Ferhan picking up the Blue Jays in 16. Thank you, buddy. Appreciate that very much. All right, let's rock and roll. Rock and roll. We're down to 11 to go as well on number 16 and 9 to go on the next one. Gunner. Oversized box topper. Again, that'll be out of a fresh case as well. It'll be a fresh 16 box case split into two half cases being number 15 and 16. So thank you, guys, on that. Appreciate it very much. Chrome, Vaughn Grissom, Black and White. Nice one there for the Pirates, base and base. Red Foil, Aaron Nola, Freddie Freeman, Red Foil, Jacob DeGramme, Ethan Small on the Rookie Autograph going to the Brew Crew, Red Foil, George Kirby, Red Foil, Clayton Kershaw, base, base, base, space, and more base. Triumph Ritz, Freddie Freeman on the Refractor. Stel Marseille and Cabernet Hayes. Red Foil, Rogers Hornsby. Was that a Black Float? No, regular. Oh, regular? Gotcha. That real quick. There was a Max Scherzer base. Calculated switch to the Brewers this break. Red Foil of Ozzy Alves. I love it, Adam. Stowers, Dylan Cease, Francisco Alvarez. Red Foil, Tyler Freeman, Eve, but leave, we still should have one more Auto. Rookie Bets, base, base, and more base. 250 is Jonah Bride on the Red Foil Rookie Auto going to the A's. Congrats, Oakland. Here you go, A's. Very nice. Take a Red Foil Auto. Red Foil of Jordan Diaz also for the A's. That's on just on the Rookie and more base. And more base. A Cal Ripken Jr., Black Foil Josh Young, Oswald Paraza, Chrome for the Yanks, base, base, Godzilla on the Photographers Proof. Congrats on that one there, Yanks. Base proof of Hideki Matsui, Shorter Printed, Triumvirates of Shohei on the Red, Shorter Printed, one in about 263 packs. Thank you, Vaughn for telling us that. Base, base, base, I haven't changed the checklist. Austin Riley, that is going to be a 92 throwback variation of Vladimir Guerrero Jr., very cool. Congrats on that one there, Blue Jays, George Brett, base, base, and base. Thank you, Stephen, for picking up the Duke Blue Devils in Bowman Chrome University. That's cool. You need to go with the next one, guys. Franklin Hermon, Rookie Auto, 8-2-go, Andre Simonis. He's got a thumbs up, too. Oh, you, just for the stadium club thing, thank you Vaughn. Alex Braven, there's Gunner, crazy all over the place there. Keep it moving. Alonso, Blue Bob, Miguel Cabrera, Hank Aaron, Triumvirates, Red Foil of Brandon, or Brandon Rogers, Brandon Berrios, that would have been nobody. Red Foil, Tay Oscar, Hernandez, Olas, and Joey Lowe, Al Tsuve, and Will Brennan, base. Red Foil, Will the Thrill, Clark, Mountcastle, Garrett Mitchell, and base. I've got Kunya, and Justin Berlander. Red Foil, Verdugo, the new Yankee, Jonathan India. We've got both of those, we've just got one, right? We've just got one, and this one, okay. That's it, I figured. Soto Bench, and Robbie Wreck, should be in this, I believe. Double check. Just make sure the auto's in here before you put that away, in case I went by it accidentally. Dermis Garcia, that should be it right there, so we're good. Congrats on that again, Oakland. Picking up the Rookie Auto, Dermis Garcia, Andrew Vaughn, and base. All right, keep it moving, everybody.  Eat to go on the next stadium club. Again, that'll come out of a new case. Anthony Rizzo, come out of a new case. Some teams are all marked on down, and then we've got Bowman Draft coming up as well. Bowman Draft coming up as well. Let me double check here for you. We're at 15 Rockies, Marlins, Brewers, Athletics, Pirates, Rays, Rangers, and Nationals. So again, inexpensive teams still on board. Eat to go on the next stadium club. And we've got a full case of Phoenix coming up later today, too. That is going to be at Random Division Style. Appreciate that again, everybody. That is Yadier Molina on the Chrome base. Red foil, Bryce Terrain in his face. Joe Morgan to 199 on the orange for the Reds. Alvarez, that was a variation. It is not. It is the regular Francisco Alvarez. Peter Lanza, Red foil, Mackenzie Gore. Fernando Tautes, Jr. Big puppy. Ford Proctor is going to be your rookie auto. Going to the Giants. Congrats, Higantes. San Fran, Ken Griffey, Jr. There's Triumvirates of Garrett Cole. Red foil of Will Brennan. Base, base, base. Red foil, Len Sosa. Red foil, Matthew Libertsor. Going to the next. Red foil, Joe Ryan. Prone Zoom. And last pack here. That is a Caleb Killian on the rookie auto. Congrats on that, Cubbies. On card, you got a red Ichiro on the foil. Frank C with a mixer spot tonight. Thank you, buddy. Appreciate that. Black foil, Noah Cindergaard. Michael Harris on the Chrome. Grats on that, Braves. Ernie Banks. Red foil of Virtuosos of Velocity by Aaron Buxton. Big Corbin Carroll's hit. Not... Not knowing anything. Super... Not anything super crazy. Pulled a couple of autos out of this. But thank you, by the way, Mike, for jumping in. Appreciate the support, buddy. But yeah, no. Nothing super, super wild, I would say, out of this. That's a black and white Gunnar Henderson. Not yet, at least. Yeah, not yet, exactly. Keyword is yet. Keyword is definitely yet. Red foil, Barry Larkin. Cody Thomas. Going to be your rookie auto for the Oakland days. Congrats on that, Oakland. Red foil, Luis Severina. Aaron Judge. Triumph Brits. Arson Judge. Arson Judge. Arson Judge heading to the Giants. Man, what a swing and a miss by Heyman, man. God. Hey, man. Word. Jeez. Arson Judge. Red foil of Spencer Steer. Sorry for you Giants fans. I'm not getting a lot of free agents. There's Red foil. I am sorry to the Giants for not getting a lot of free agents. I'm not sorry for that one. No, yeah. That one, no. That one, too bad. They did get to pick up, who did they pick up this all season? Pick up the Korean, I want to say. Yeah. Jung Hooli. Jung Hooli, yeah. Red foil of Garrett Mitchell. He's going to be a stud, man. He got a lot of money, too. Jung Hooli's sneaky good on MLB The Show. Very good. Yeah, oh, absolutely. Foil, Hosea El Tuzi. Trey Turner. Cover gets released tomorrow. Any predictions? Acunia. Jermaine Palacios. Rookie Auto for the Tagas. Nice one there. Castle. It's base base. It's Acunia. It hasn't been.  Oh, it's been leaks. Gotcha. At least pictures of him with the same kind of lighting that MLB The Show uses for the covering. Gotcha.  Yeah, you can kind of infer it. You can find it out on the interwebs. Infer. Chrome of Bregman. Someone put it on like their IG story or chat or whatever the hell it was. Going yard is Paul Gould Schmidt. Also makes sense.  Oh, yeah. I mean, he's electric. He's very relevant right now. Red Foil or Shea Ling? This. Very. Unless you're the NLE.  I mean, I got his brother, though. We got the little Acunia. Luis Angel. It's going to be many more. Yeah, it's going to be IK. Yeah, man. Yeah, yeah, yeah. It's going to be IKF. That is a rainbow foil. Adam Wayne Wright to 25. Nice one there for the Cardinals. That's pretty cool. Wayno. Wayno who just came out with a single of his. He's a good singer, man. Yeah, he's got his own like Spotify single out there. Obviously it's Connor Wong. Connor is going to be Connor Wong and Mookie Betts together. Here's the Matthewson. Obviously, Vaughn. My bad. Connor Wong. Leave on Soto Rookie Auto going to the Angels. Red Foil, Ted Williams. Jackie Robinson. Triumvirates. Red Foil is Buckst. Buxton. Black Foil, Vladding Jr. Sam's a funny guy. He was a funny guy. I thought it was pretty funny. I thought it was pretty funny. Red Foil, Rafi Devers. I thought that was pretty good. J-Rod199 on the Orange. Call now. Adley Rudgeman. Virtuosos of Velocity. Manny Margo. What are we doing? As a ray. Matthew B with the A's in 15 and 16. Thank you, buddy. Sean with the Nats, Rays, Pirates, Brewers, Marlins, and Rockies in 15. That may have just sold us out. Just the Rangers left. You are the man. Thank you so much. Sean, thank you. Matthew as well. We're sold out. Or not sold out. We have just the Rangers and we'll be sold out on the next one. So thank you guys. Appreciate that, everybody. And then just a couple of teams left in 16 and then we'll be in a bum and draft. That is Matt Walner. If I ever experience a worst trade in my life. That was rough, man. Urias. What trade is that one? That's Verdugo, Downs, and Connor Wong for Movie Butts. That's not good. Lenin Sosa, Rookie Auto. Yeah, Sox fans will never let that one go. That's like the only thing I can cling to as a Yankee fan whenever I try to go after Red Sox fans because it's like, well, we've won three World Series or two World Series since we won the last one. Since we won, yeah. Four to one since the century started, so. Alex Bregman. The only thing I can cling to is Mookie Betts. That's all I got, man. All I got is the Mookie Betts trade. That's okay. It's a sad Yankee fan. It's a miserable, cold, thrown to the side Yankee fan. Black foil, sunny gray. Boba Shet on the refractor. Get this guy out of here, please. Come on. Bass and bass. I would not take Jumbo Diaz's word. Red foil, Frank Thomas. Nor would I. Nor would I. Jumbo Diaz's slide in though. Blue Jumbo, I might. Blumbo. Blumbo? Jose Bedeos. Foil. Blumbo joined us earlier. Nice one there on the black and white. And then four of ten. Buddy Kennedy on the rainbow foil. Autograph. Congrats, Arizona. Very cool. Take a little Buddy Kennedy. Bye, buddy. Red foil. Way no. Boba Shet. Brett Baby on the 2023 rookie card. 92 throwback variation. Congrats on that one, Mets. That's dope. The Joe card right there. Certainly. He might be treated. There. As of January 29th, 2024, it is a Joe card though. At this very moment it is. Rookie Otto of Marcus Wilson. You better play his heart out this year or he's losing his job to Mauricio next season. Yeah, I know. He was cold the second after he was. He just sent down, didn't he? The triple. He did for a little bit. Alvarez. And then brought back up quite quickly. Not as like frequent as Jordan Walker's trip up and down, but... Kevin up with the Rangers. Kevin up with the Rangers on 16. So thank you, buddy. Oh no, sold out on 15. Thank you all. Was that? Did I just misread that? No, we're sold out on 15. We took the Rangers in 15, then. Why can't I see that? Somebody, whoever took the Rangers in 15, thank you. It's not Kevin. It's Kevin who took them in 16. Kevin. And then we are down to... Cubs, Marrakes, Marlins, Brewers, Twins, Pirates, Rays, Nats. So one, two, three, four, five, six, seven, eight. Eight to go on 16, everybody. Eight to go on Stadium Club 16. Thank you, everybody. Appreciate that very much. Filling that next one up. Red Foil of Michael Grove. If you're on chat, you took the Rangers in 15. Say, let me know so I can say thank you before the next one starts. Before it starts, at least. Juan Soto, Triumbrits. I will thank you. If you do not say who you are, I will thank you during the... That's great. Well, I'm reading the names off. Black Foil of Nolan Ryan. Marca Simeon, Red Foil. Stargel and... Again, Josh Gibson will go to the Pirates and all of this. Ferran! Thank you, brother. Appreciate you, my man. Thank you, Ferran. Selling this out on 15. Red Foil is Kevin Gaussman. Ferran took the Rangers in a cup. This break and the next one. So thank you, Ferran. As always. Shohei Otani. Appreciate you, Ferran. Red Foil, Toriancer. Stuck was a Garrick Mitchell. Julio Uryas. Alex Kahl. There you go, Nationals. Rookie Otto, congrats Washington. That's pretty sweet. Last team taken. Red Foil of Dwight Gooden. Is there someone stuck to the back? Yeah, there is, man. That is a Carlos Carrera. Stuck to the back of that. Gooden. And base. Two to go. That is a Shray Turner oversize box topper. For the Phillies. That's Philadelphia. Ferran taking the Cubs in 16, down to 7. Ferran. Appreciate you. Appreciate it. Black Foil Dwight Gooden. Sheen Bieber. Chrome Henderson. Going yard. Red Foil. Chuck Nasty. Johnny Bench. Red Foil. Giancarlo Stanton to 75 on the purple. Purple Chrome. That's kind of gross, man. Congrats on that Yankees. Very cool. Kitalonzo. Shohei Otani. Base, base, base. Eggy Rosario. That'll be going to the Padres. Rookie Autograph. Congrats San Diego. Red Foil. Labor Torres. Red Foil. Dennis Atkersley. Shohei Otani. So we're going to see Shohei in... Oh, for blue. Oh, my God. Kevin Gaussman. Black Foil. It's going to be gross, man. Man, I'm going to hate it. Actually, I'm not going to... Actually, I don't hate it that much, because now he's out of DAL. It's going to hate it's up for you, though.  That is going to be rough, for sure. We only have to play on three times a year, so one series a year, so it doesn't really matter now. Obviously, everyone in the division hates him, but it's going to be like the Braves, the Phillies. Yeah, the teams that are going to have... Cardinals. The teams are going to have to face him in the postseason. Yeah, those teams are going to hate... That's what's going to be rough. The Dodgers. Yamamoto had to join his boy. Yep. Red Foil is rather green on the rookie. Two packs left in this box. Aaron Judge. Got Corbin Burns to $1.99. The Brew Crew, and then to $50, is Logan Webb on the blue. Two numbered cards in that one. Yeah, not bad at all. More cards in that one than normal, which is kind of cool. I'm always in on that. Using the LDS. Rookie Otto going to the Dodgers. Congrats, Los Angeles. Very cool. Congrats, Boyers. Red Foil of Robbie Ray. Base, base, and base. I'm going to drop you guys a link to Bowman Draft now. Phillip G with a mixer spot. Chris H with the Angels and Best. Sean R with the Nats in 16 and 17. Alan R with the Twins in Stadium Club and the Twins and Best. So thank you guys. They appreciate that very much. Yep, Ferhan just got your, what's it called? Just went through. The order for the Dodgers. So thank you, buddy. Two, three, four, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, fifteen, sixteen to go on Bowman Draft Jumbo, everyone. Go on Bowman Draft Jumbo. All on sale. All on sale. Last... Did you do a recap? There's still one more box. You're getting my bad. That is A. Chipper Jones. Hello, Candler. Someone did say Jumbo. You missed it. There was multiple Jumbos crawling around. There's like three different Jumbos he has. That's one point. Blackfoil of Ted Williams. Jean-Carlo Stanton-Chrome. Base and base. Zach Gallin on the members only. Congrats on that one, Arizona. Take that. Very short printed members only. Come about one a case. Only if that. Very nice. Congrats there, Arizona. Redfoil, Carlton Fisk. That is in the first half. Yeah, congrats on that one. More like Handler, am I right? Ha, right? That was funny, man. That was funny. That was like potentially top five comment of all time. Redfoil, Joe Musgrove. Yeah, congrats on the dub there, John. That was big for the nine. That was quite possibly Candler.  I would say so. I would be in the camp of agreeing with that statement. Base, base, base. Redfoil, Cinegard. Base, that is Charles LeBlanc for the Marlins. Yeah, what can you do, man? There's certain teams that are just different in the playoffs, man. And the chiefs are that team. They are just not the same team they were in the regular season. They're so much better. Brandon Crawford. I know, I think of Raven's Niners. Super Bowl would have been exciting for sure. Anthony Arezzo. Triumvirates. Blackfoil, Andres Jimenez. Base, Donny baseball. Base, base, base. Redfoil, Pasquantino. Jordaan on the Chrome. Refracta. Grats on that one there. Astro, base. And more base. David VR to 199. Orange for the Giants. Color match. Francisco Alvarez. Shohei Otani. Marcus Strowman. Redfoil, Kirby Puckett. Brandon Woodruff. Luis Castillo on the Auto. Nice one there for the Mariners. Redfoil, Joe Maurer. You know what it is? He hasn't had his playoff, like, legacy moment yet. You know what I mean?  We're like, all right, you got over the hump of, like, the big, big, um... in, like, the big moment, basically. Mario's not had his big moment in the playoffs yet. Luis Castillo. Charles LeBlanc. Use the LDS. Eggy Rosario. Alex Kahl. Marcus Wilson. Lenin Sosa. Levon Soto. Jermaine Palacios. Colby Thomas. Caleb Killian. Ford Proctor. Thomas Garcia. Franklin Hermann. Ethan Small. Jonah Bride to 50. And Buddy Kennedy to 10. That's Will. All right, everybody. Thanks again for the fill. Coming up next is number 15.


Lots of things in life will get better by themselves if you'll learn to leave it alone. If you want to keep growing as a person, there are things inside you, you just got to let them develop and just see what happens. And some of you are obsessed with fixing other people. You got to just step back and learn what I call the art, the art of allowing. Just let it go. Just let it. Some things get better by themselves.


Today's episode is sponsored by Squarespace Well as this picture of a cat says you can't unmount and do what's already mountain done So I guess I'm still in this campaign to brutally pound one of these flaming hot Mountain Dews in an effort to get Kodak to bring back air chrome Well the new m6 reissue is got me thinking not about Leica But instead about shuffling some gear around there comes a time in everyone's life Where they have to let go of some of their film cameras because they got way too over addicted and now they have too many think of it Kind of like rehab. I mean the cameras. I'm letting go of will just be replaced by other film cameras So guess I'm not really rehabilitated But first why might someone want to downsize their gear There are a plethora of different reasons like too much gear Photographic style is moving in a different direction Or if you're like me you spend too much time on Instagram looking at gear and want to explore some options more Realistically I prefer to use some cameras over others which means that some cameras get left on the shelf and That ain't right after all film cameras are meant to be used That's why we buy them the cameras that I'm letting go of all have one consecutive theme in common They don't really fit into my typical field workflow and thus they're not conducive to the type of photography that I want to create Let's start with the Polaroid sx-70. I have two of them one that can shoot standard sx-70 film and one that can shoot 600 film here's the issue though. I don't ever shoot these I find Polaroid quality to be total ass and I never really know What to do with the images when they're done some people say just give them to your friends But you have to have friends for that to happen So I've never been happy with sx-70 film I just can never seem to get the results I was hoping for 600 film on the other hand is Fine, I guess I plan on keeping the sx-70 they can shoot 600 film The plan for now is to use it to take pictures of guests that we have over in our apartment Like the usual scholars diplomats and home intruders and I'm gonna put those Polaroids up on the refrigerator of shame for eternity I think it'll be a cool project, but not so much an artistic one So in my current workflow, there really isn't much room or need for a standard sx-70 camera Next up the holga. I think it's fairly obvious why I don't want this anymore I shot this camera once and it was cool for the time I guess but overall this camera's plastic build and it's mere image quality Is not really doing it for me friend of mine did ask if she can have it and I'm more than willing to hand it over to her It's kind of like handing over the cursed Jumanji board to the next person. Will I ever miss it? No, is this camera secretly an underground gem? Definitely not on my deathbed Will I ever regret getting rid of it? Probably not, but we'll find out in a year or two It's definitely a camera for some people, but it ain't for me So it's gonna be departing my film camera armory Okay, well no one said this would be easy and I'm sorry if I cry a little bit But the next camera I'm getting rid of is gonna be a hard goodbye the Pentax 6x7 This camera was my first 120 love and you never forget your first medium format camera The problem is the more I shoot with it the more I realize that I prefer a lighter and I guess more stealthy Set up to carry around and the Pentax 6x7 is literally the antithesis of that completely It weighs about as much as a baby gator if that helps you visualize it And the booming shutter slap will 100 give away your location if you're shooting in enemy territory It's the kind of shutter slap that makes babies cry and grown men tremble in fear because the Pentax is so bulky and heavy It's just not the first camera I pick up to go shoot with most of the time It's cumbersome and the more I used it the more I realized that that camera was meant to be a studio camera Or at least a barbell at the gym It's gonna be tough for me to let it go because I've taken some of my favorite photos on that camera It literally began my journey into analog superficiality The lenses on this system are truly unmatched as well. The 105 2.4 is godlike It's why people get into this system. If you've ever used it, you know what I'm talking about It's just a longer lens overall and I typically don't like to shoot that close I mean, I can't even remember the last time I used the 105 I'm also going to be getting rid of the 75 millimeter 2.8 Which is a totally ridiculous statement to some people because a lot of people search far and wide for this light sucking beast This lens is also on the daddy tier of lenses out there as illustrated by the price and lack of supply online This is one of the sharpest and most well corrected lenses I've ever used and I'll be sad to see it go But all good things must come to an end As my proctologist often says to me the 55 millimeter is going as well. It's a fine lens It's just really big and impossible to use filters with the Pentax soft lens However, I am keeping I ordered an adapter to mount Pentax 6 7 lenses on my Nikon f cameras Which makes it look totally ridiculous that soft lens is just such a unique look that I just can't let it fly away Overall the Pentax 6 by 7 is a great system But I just cannot justify its continued ownership if I don't use it very often more or less because it doesn't fit Into the typical workflow that I use out in the field Next up is a camera that I'll have no issues getting rid of because it's annoying and I hate it And see if you can guess what it is by solving this little riddle What's worse than puking and shitting at the exact same time? That's right. The Nishika N8000 When was the last time I even used this thing? Who cares?  These makinas are fantastic cameras But I kind of get the impression they aren't really made to stand the test of time There are countless stories online about the light meter cable within the bellows snapping and the more I use the camera The more I see it as a work of art instead of a machine that can handle a little abuse And if you're writing with me, there's always going to be some version of roughing it and awkward conversation Because I'm not a very social person I'm definitely sad about it and I'll be dealing with my sadness in the usual way eating a gallon of raw cookie dough Until I get salmonella poisoning and throw up I feel like I've taken some absolutely beautiful photos with this camera The nycore lens on it is a dream lens that automatically makes all your shots look good somehow It is a bit of a tighter lens than what I usually shoot and the lens itself is not interchangeable So I don't really see much of a reason to own both the makina 670 and the mamiya 7 Especially if i'm starting to grow more and more interested in shooting 35 millimeter anyway It would just kind of feel like I was missing the point Like the leica m6 reissue the focusing knob on the back of the body always took me some time to get used to Anyway, and the shutter speed and aperture selectors being on the front of the lens was not really ideal The makina suffers the same fate as a lot of the other cameras that I've mentioned here It just doesn't get used very often mostly because i'm afraid of taking it out and breaking it with my big meaty claws What did you say punk big meaty claws? So after much sad deliberation and finally understanding the pain involved for why wolves howl at the moon I have decided to free this beast back into the jungle. It's a decision I'll probably come to regret But it's better it goes to a good home than sitting around in my office collecting dust and stray quesadilla particles So what does the future hold? Who knows as I said before I think I'm moving into an era where 35 millimeter is the way to go I mean, I love six by seven, but it's not always the perfect choice for the stuff i'm shooting Especially because I've been seeing myself trend more towards 35 millimeter lately Even though ken the hammer rockwell says pros don't use 35 That and seeing the grain and overall imperfection of the film is what i'm after I think the texture is something that is slightly lost sometimes on bigger formats Especially when it's scaled and compressed down for youtube on your phone screen when you're taking a dump at work Not for nothing though I still like shooting those bigger formats in different scenarios, but for most of my work I think 35 millimeters is a sweet spot But speaking of things that are sweet I'd like to quickly thank today's sponsor square space Square space is an all-in-one website building platform that can deliver the website of your dreams The only ceiling is your own creativity start from the ground up by picking from hundreds of professionally designed templates that feature all sorts of classic style From there build your website with add-on modules like photo galleries and text blocks with square spaces intuitive user interface It's incredibly easy and fast to make on the fly adjustments and additions I've been using square space to host my own photography website and portfolio for a couple years now And it's incredibly easy, especially for someone like me who has never built a website before Plus if you run into a snag square space offers award-winning 24 7 customer service So what are you waiting for if you're ready to build a website? You can start a free trial today at squarespace.com slash grainy days And if you use the code grainy days at checkout you can get 10 off your first purchase


This is stock number 20 J122. We are here at Summit Automotive in Fond du Lac, Wisconsin. You're new and used Jeep and Jeep Wrangler headquarters. Today we are checking out this brand new 2020 Jeep Wrangler Unlimited Rubicon. This vehicle has a 3.6-liter Pentastar V6 motor with the 8-speed automatic transmission, gets 22 highway miles per gallon, 18 city for a total average of 20. Sting gray clear coat is the color. I would have to say that Sting gray is probably the most popular color on the Wranglers with the new JL body style that we've seen. And this one's got the nav and sound system, the leather, the LED lighting group and we're going to get up close and personal. If you'd like to check out all the photos on this Jeep in the upper right hand party screen, there's a link right to our website. Click that and check us out there. It comes with the painted and polished aluminum alloy rims, Wild Peak Falcon, Wild Peak LT28570R17 mud terrain tires and they do have that mud terrain on there. You get the blacked out Rubicon lettering with the red outlines, the trail rated badge, the outline red Jeep logo and the Wrangler Unlimited badge. This one has the color match hard top as well as the color match fenders. It also has the metal bumpers, the LED lighting group so you get the LED headlamps, LED running lights in those fenders and the halo around the headlights as well as the LED fog lamps. You get the red tow hooks, the seven slotted grille with the granite crystal inserts, the sport hood. Really love those color match fenders. You get the T50 on the door hinges there. Get the little sandals on the plastic there and the Jeep climbing up the side of the door or side of the windshield I should say and the rock rails on here as well has the enter and go system. We're going to take a look at the original window sticker here. Feel free to pause this and check out all the options on this vehicle. You can see that the options are the leather trimmed bucket seats, the cold weather group, the trailer tow and heavy duty electrical group which gives you the auxiliary switches and the receiver head to the LED lighting group which is an 1195 option. 8.4 and premium audio group gives you the five years of serious XM travel and travel link as well as guardian for a year and as well as emergency and assistance call. 1545 for those steel bumpers, 8 speed automatic transmission, the enter and go systems for 95, the color match hard top is 2295 and the color match fenders are 595 for a total of 58,790 on the MSRP here. If you'd like to see all the pricing and everything that is on this Jeep from our store in the upper right hand part of the screen is the link right to our website where you can check out this window sticker and get accurate pricing. 22 Highway 18 City for an average of 20 and there are your safety ratings right there. I'm going to get back to it. The thing I like to point out when you get the color match fenders here you get the 3M tape which prevents rock chips and stuff like that and road rash on those fenders so that's kind of cool. Get that right from the factory. Four wheel disc brakes of course, the color match hard top, especially on the sting grade looks fantastic and for whatever reason this color is just the hottest color on the Wranglers that we've ever seen. Has the LED tail lamps as well, the backup camera is standard now, there's that trailer tow package, you get the four pin and seven pin wiring, the red tow hook, the LED lighting on the license plate light as well, matching tire and rim. Back here you get the subwoofer, the case for the front hard top pieces, this liner goes actually in here so that's pretty cool but you get a lot of nice storage space underneath here you get the door hinge bolts and roof bolts and windshield bolts that you can store there and underneath there are your jack tools. Color match bars up here, you get the eggshell finish on that hard top piece and it has three bolts on each side, two on the top for a total of eight and then there's two quick disconnects right here, one for your windshield washer fluid and then the electrical and they store right there which is nice and then the top just lifts right off but you got to take those front hard top pieces off first. The gate is a lot lighter than they used to be, you also have the JL badge back here and these gates shut nice and smoothly, once again LED tail lamps, you get the nice black gas door cover which is metal and I also want to point out again just that 3M tape on both fenders there which keeps your fenders looking good from rock chips, has the heated power mirrors, inside this one has the leather trimmed bucket seats, you get the Rubicon stitching, the backrest, the red stitching on the sides here, they all come with side curtain airbags now as standard, this one has the factory format auto headlamps, tilt and telescopic steering wheel that's controls for your audio and power locks and mirrors right there. As we hop inside here you can see that this one has the 7-inch LCD display, digital speedometer outside temp and compass display, you get the kind of anodized or flat red dash and that's metal, you get the heated leather wrapped steering wheel, cruise controls on the right, Bluetooth and information center controls on the left and audio controls on the back. Now this one has the 8.4 4C radio, I'm going to go through this kind of quick but probably the best radio we have has AM FM, Sirius XM radio capabilities and also has Android Auto and Apple CarPlay capabilities so you can project your cell phone to the screen if you got Waze or Google Maps on your phone, you can do it right from the screen there, control everything, you can play songs off your phone from the radio so you don't even have to touch your phone which is really great. This one also comes with the Sirius XM traffic and travel link and the Guardian service for one year, the Sirius travel link and traffic are for five years. You also get the assist and SOS buttons up here which are cool. I also want to check out the apps here because it does have these off-road pages which are really cool as well and while that's loading up you got audio and tune controls there, volume and tune, heated steering wheel, climate controls to start, stop capabilities, stability control, downhill assist control so you can do all those controls down here if you don't like doing them on the radio up here so off-road pages you can see your steering angle whether you're in four-wheel drive or two-wheel drive, axel locks, sway bar disconnect tells you all that cool stuff there. You also get the pitch and roll so it tells you if you're going downhill what the pitch is or if you're going uphill, same thing and if you're like off-road how far your vehicle has rolled on its side. You also got gauge temperatures there and all that good stuff, very cool things that you can do with this radio. It has the HID crystal clear backup camera with the dynamic grid lines. Those grid lines move as you turn the steering wheel and you've got a center lined up right with your receiver hitch so that you can hook up a trailer or bolt or something to this very easily. You've got power windows, you've got media center, AUGS, USB and USB-C. The four auxiliary switches, you get those with the tow package also sway bar disconnect front and rear axle locks. This is what makes a Rubicon a Rubicon this thing right here and the sway bar disconnect. Four-wheel drive, eight-speed automatic transmission, you get the keyless entry and turn-go system with the remote start and just the dash and everything is really cool on these vehicles. These top pieces come off a lot like the old ones do, you just don't get those screw-in pieces in the center there and the other thing I always like to show is that all the lights inside the Wrangler now are LED which is kind of cool. We'll take a quick look at the back seats and then we'll do one more walk around on the Jeep here. The back seats, more room back here on the JLs. You have the latch child safety systems. These seats do fold down the headrest fold down just the headrest which is kind of cool. I don't think you could do that with the JKs.  You do get a 115 volt 150 watt plug-in and you also get two USBs and two USB-C jacks right there. Kind of hard to see but they're there. Factory floor mats back here they got holders in them and you do get the child safety locks on the back doors. We're going to do one more walk around here. I would personally like to thank you for checking out the video today and hopefully from this HD video you will have been able to get a good idea of the overall styling and looks on this particular Wrangler. I'll learn a little bit about the options that come and are available on these Rubikons. This one's pretty loaded up. The only thing I think that it doesn't have is probably the advanced safety stuff but you can get that too. Anyways to see more pictures of this Jeep or one of our other 450 new and used car trucks, SUVs, minivans, Wranglers, you name it we got it go to our website www.summitauto.com full pictures and descriptions of every single vehicle from two locations all at summitauto.com go to youtube.com slash summit auto to check out more videos in fact you'll see a link to subscribe to our YouTube channel on your left he links more Wrangler videos like this one on your right if you haven't been to our website or link to this vehicle on our website on the bottom click those checks out and


Live from San Jose in the heart of Silicon Valley. It's theCUBE, covering DataWorks Summit 2018. Brought to you by Hortonworks. Welcome back to theCUBE's live coverage of DataWorks here in San Jose, California. I'm your host, Rebecca Knight, along with my co-host, James Kobielus. We're joined by Peter Smales. He is the Vice President of Marketing at Imanus Data. Thanks so much for coming on theCUBE. Thanks for having me, glad to be here. So you've been in the data storage solution industry for a long time, but you're new to Imanus. Thank you for a while. What made you jump? What was it about Imanus that? Yep, so very easy to answer that it's a hot market. So essentially what Imanus is all about is we're an enterprise data management company. So the reason I jumped here is because if I put it in market context, if I take a small step back, I put it in market context, here's what's happening. You've got your traditional application world, right? On-prem, typically RDMS-based applications. That's the old world. New world is everybody's moving to microservices-based applications. For IoT, for customer 360, for customer analysis, whatever you want, they're building these new modern applications. They're building those applications, not in traditional RDMS. They're building them on more microservices based on architectures built on top of Hadoop or built on no-SQL databases. Those applications, as they go mainstream and they'd be going to production environments, they require data management. They require backup, they require backup and recovery. They require disaster recovery. They require archiving, et cetera. They require the whole plethora of data management capabilities. Nobody's touching that market. It's a blue ocean. So that's why I'm here. And the amount of sales you were saying is sort of the greatest little company no one's ever heard of. You've been around five years. Yeah, no, the company is not new. So the thing that's exciting, as a marketer, what's exciting is that we're not sort of out there just pitching our wares, untested technology. We have blue chip. We're getting into customers that people would die to get into. Big blue chip companies, because we're addressing a problem that's materialist. They roll out these new applications. They've got to have data management solutions for them. The company's been around five years. And I've only been on about a month. But what that's related and resulted in is that over the last five years what they've had the opportunity, it's an enterprise product. And you don't build an enterprise product overnight. So they've had the last five years to really gestate the platform, gestate the technology, prove it in real world scenarios. And now the opportunity for us as a company is, we're doubling down from a marketing standpoint. We're doubling down from the sales infrastructure standpoint. So the timing's right to essentially put this thing on the map, make sure everybody does know exactly what we do because we're solving a real world problem. You're back up and restored, but much more. Can you lay out the broad set of enterprise data management capabilities that Manistata currently supports in your product portfolio and how you're going in terms of evolving what you offer? Yeah, that's great. I love that question. So think of us as the platform itself as this highly scalable distributor architecture. Okay, and so we scale in multiple, and it'll come directly to your question. We scale in a number of different ways. One is we're infinitely scalable just in terms of computational power. So we're built for big data by definition. Number two is we scale very well from a storage efficiency standpoint. So we can support very large volumes of storage, which is a requirement. We also scale very much from a use case standpoint. So we support use cases throughout the lifecycle. The one that gets all sort of the attention is obviously backup recovery because you have to protect your data. But if I look at it from a lifecycle standpoint, our number two use case is test dev. So a lot of these organizations building these new apps now, they want to spin up subsets of their data because they're supporting things like CICD, okay? So they want to be able to do rapid testing and such. Develop dev ops and stuff like that. Yeah, dev ops and so forth. So they need test dev. So we help them automate the process and orchestrate the process of test dev. Supporting things like sampling. I may have a one petabyte data set. I'm not going to do test dev against that. I want to do 10% of that and spin that up and I want to do some massing of private to PII data. So we can do massing and sampling against that sport test dev. We do backup and recovery. We do disaster recovery. So some customers, particularly in the big data space, they may for now say, well, I have replicas. So some of this data, it's not permanent data, it's transient data, but I do care about DR. So DR is a key use case. We also do archiving. So if you just think of data through the lifecycle, we support all those. The piece in terms of where we're going is that what's truly unique in addition to everything I just mentioned is that we're the only data management platform that's machine learning based. So machine learning gets a lot of attention and all that type of stuff, but we're actually delivering machine learning enabled capabilities to that. We discussed this before this interview. There's a bit of like anomaly detection. Correct. How exactly are you using machine learning in terms of what value does it provide to an enterprise data administrator? They have ML inside your tool. Inside our platform. Great question. Very specifically, the product we're delivering today, essentially there's a capability in the product called ThreatSense. Okay, so the number one use case as I mentioned is backup and recovery. So within backup and recovery, ThreatSense, what it will do with no user intervention whatsoever, what it will do is it will look, it will analyze your backup, your backups as they go forward. And what it will do is it will learn what a normal pattern looks like across like 50 different metrics, the details of which I couldn't give you right now, but essentially a whole bunch of different metrics that we look at to establish this is what a normal baseline looks like for you or for you kind of thing. Great, that's number one. Number two is then we look and constantly analyze does anything, is anything occurring that is knocking things outside of that, creating an anomaly? Does something fall outside of that? And when it does, we're notifying the administrators, you might want to look at this, something could have happened. So the value very specifically is around ransomware. Typically the way you're going to, one of the ways you'll detect ransomware is you will see an anomaly in your backup set because your data set will change materially. So we will be able to tell you. Because somebody's holding it for ransom is what you're saying. Correct, so they might have blocked, something's going to happen to your data pattern. You lost data that should be there. Correct. Or whatever it might be. It could be that you lost data. Your change rate went way up or something. There's any number of things that could trigger it. And then we let the administrator know, it happened here. So today we don't then turn around and just automatically solve that, but to your point about where we're going, we've already broken the ice on delivering machine learning and able data management. In this case around anomaly detection. That might indicate you want to checkpoint your backups to like a few days before this was detected. So at least you have, you know what data is most likely missing. So yeah, I understand. Dingo, that's exactly right. Now where we're going with that is you can imagine having the machine learning powered data management platform at our core. How many different ways we can go with it? When do I backup? What data do I backup? How do I create the optimal RTO and IRPO? From a storage management standpoint, when do I put what data where? There's all kinds of the whole library science of data management. The future of data management is machine learning based. There's too much data. There's too much complexity for humans to just be able, you need to bring machine learning into the equation to help you harness the power of your data. We've broken the ice, we got a long way to go, but we've got the platform to start with and we've already introduced a first use case around this and you can imagine all the places we can take this going forward. So you're the company that's using machine learning right now, what in your opinion will separate the winners from the losers? In terms of vendors or in terms of the customers? In terms of, well in both, I mean. Yeah, well let me answer that too. So, well let me answer sort of the inward outward versus how we are unique. We are very unique in the sense we're infinitely scalable.  We are very unique in terms of our multi-stage data reduction and we're the only vendor that's doing, from a technology differentiation standpoint, we're the only vendor that's doing machine learning-based stuff. So we've got- Multi-stage data reduction, I'll break that out. What does that actually mean in practice? So, we get the question for you. Let's get that compression and deduplication, is there something else in there? There's a ration, there's a couple different things actually. So why does that matter? So a lot of customers will ask the question, well by definition, you know, no sequel or redupation environments, it's all based on replicas, so I don't need to back things up. First of all, replication is in backup. So that's lesson number one. Point in time backup is very different than replication. Replication replicates bad data just as quickly as it replicates good. When you back up these very large data sets, you have to be incredibly efficient in how you do that. What we do with multi-stage data reduction is one, we will do deduplication. So we'll do variable length deduplication, we will do compression, we will do erasure coding, but the other thing that we'll also do in there is what we call, we've got a global deduplication pool. So when we're dedupping your data, we're actually dedupping it against a very large data set. So there's value in, this is where size matters. So the larger the data set, your data is all secured, but the larger the size of the data that I'm actually storing, the higher percentage I can get of deduplication because I've got a higher pool to reduce against. So the net result is we're incredibly efficient when you're talking about petabyte scale data management, we're incredibly efficient to the tune of 10x, easily 10x over traditional deduplication and multi-x over technologies that are more current, if you will. So back to your question about the, we are confident that we have a very strong head start. Our opportunity now is we got to drive, why we're here, because we got to drive awareness, we got to make sure everybody knows who we are and how we're unique and how we're different. And you guys are great, love being on theCUBE. From a customer standpoint, the customers, they're going to win, and this is sort of a cliche, but it's true, it's like the customers that best harness their data are the ones that are going to win. They're going to be more competitive, they're going to be able to find ways of being differentiated, and the only way they're going to do that is they're going to make the appropriate investments in their data infrastructure, in their data lakes, in their data management tools so that they can harness all that data. Where do you see the future of your Hortonworks partnership going? So Hortonworks is, so we support a broad ecosystem. So Hortonworks is just as important as any of our other data source partners. So we are, where we see that unfolding is they're going to, we play an important part in, we feel our value when we put it that way. We feel our value in helping Hortonworks as more and more organizations go mainstream with these applications. These are not corner cases anymore. This is not sort of in the lab. This is like the real deal. You know, this is mainstream enterprises running business critical applications. The value we bring is you're not going to rely on those platforms without an enterprise data management solution that delivers what we deliver. So our value there is we can go to market, there's all kinds of ways we can go to market together, but net net our value there is that we provide a very important enterprise data management capability that's important for customers that are deploying this in these business critical environments. Great. Very good. As the, as more of the data gets persisted out at the edge devices and the internet of things and so forth, what are the challenges in terms of protecting that data, backup and restore, deduplication and so forth? And to what extent is your company's managed data to be addressing those kinds of more distributed data management requirements going forward? Do you see that on the horizon? Are you hearing that from customers? You want to do more of that? You know, more of an edge cloud environment? Or is that way too far in the future? I don't think it's way too far in the future, but I think that I do think there's an inside out. And so, so my position on that is it's not that there isn't edge work going on. What I would contend is that the big problem right now from an enterprise mainstream standpoint is more getting the house in order, just your core house in order from, you've moved from sort of a traditional four wall data center to a hybrid cloud environment, maybe not quite as edge. A combination of how do I leverage on-prem in the cloud, so to speak? And how do I get the core data lake in the case of Hortonworks? How do I get that big data lake sorted out?  You know, where's the data going to persist? You know, where do you do some of that computational work? So do you get all this information out at the edge? Does all that information end up going into the data lake? So do you move the storage to where the lake is? Do you start pushing some of the lake function out to the edge where you have to then start doing some of the, so it's a much more complicated discussion? I know we had this discussion over lunch. This may be outside your wheelhouse, but let me just ask it anyway. We see more at Wikibon, I cover AI and distributed training and distributed inferencing. So the edges are capturing the data and more and more there's a trend toward them performing local training of their models, their embedded models from the data they capture. But quite often edge devices don't have a ton of stores and they're not going to retain that long term. But some of that data will need to be archived, will need to be persisted in a way that, you know, and managed as a core resource. So we see that kind of requirement maybe not now, but in a few years time, distributed training and persistence of that data, protection of that data, becoming a mainstream enterprise requirement where AI and machine learning, the whole pipeline is concerned. That's, like I said, that's probably outside you guys' wheelhouse. That's probably outside the... The only thing I would add to... That kind of thing is coming out as the likes of Horton work and IBM and everybody else is starting to look at and implement containerization of analytics and data management out to all these micro devices. Yes, and I think you're right there. And to your point about the, we're kind of going where the data is if you will in volumes kind of thing. It's going that direction and frankly where we see that happening is that's where the cloud plays a big role as well, because there's edge, but how do you get to the edge? You can get to the edge of the cloud. So again, we run on AWS, we run on GCP, we run on Azure, we run, so to be clear in terms of the data we can protect, we've got a broad portfolio of, you know, a broad ecosystem of Hadoop based, big data, you know, data sources that we support as well as NoSQL. If they're running on AWS or GCP or Azure, we support ADLS, so we support Azure's data like stuff, HD inside and we support a whole bunch of different things, both from a cloud standpoint is on prem, which is where we're seeing some of that, some of that edge work happening. Well, Peter, thank you so much for coming on theCUBE. It's always a pleasure to have you on. Yes, thanks for having me and I look forward to being back sometime soon. We'll have you. Thank you both. When the time is right. Cool. Indeed. We will have more from theCUBE's live coverage of data works just after this.


What's up, everyone? It's your girl, Kenzie here from Leighton Sports Cards and I remember to personal for Allen V. We've got a 2023 Panini Prism WWE hobby. All right, best of luck, Allen. Here we go. You think so, Wahoos? Good point, you see. I'm happy for Izzy though. I love watching him fight. All right, here we go. Got Hyper of Shawn Michaels. Red of Edris Inoffe to $2.99. Hitman, heart legends of the whole. Got Orange, Roderick Strong. That one is $84 of $99. And Purple of Michael Satomura, $116 of $149. Top tier Brock Lesnar. She must almost, we've got Red Wave of Ava Rain on the rookie. Nice. Silver, Angelo Dawkins. Flare Prismatic. He's not used to having to actually fight people. Yeah, he's taking the head out of there. Kingston, got our first auto coming up here. It's going to be $2.99. How about Scarlett? Nice. On the red superstar. Nice sit there for you, Allen. Matt Riddle on the silver. Top tier Jey Uso. Got Blue Wave, Cameron Grimes. Red is going to be Edris Inoffe. I don't know what the heck is all over that. It's like someone was eating powdered donuts when they were packaging those. Out of $2.99. I'll send a box here with you, Allen. That's not coming off. Caked on there, too. Silver top tier Bianca Belair. We've got a Wendy Chu. This one's damaged, too. See, like a dent in that one. Jesus. What's going on with this box? Hyper of LA Knight. That one's even got a little crease in the bottom, too. It's hard to see on the camera. Got Blue of Brutus Cree. That one is $170 of $199. Brutus Cree. Top tier Cross. Got Red Bailey. Red Wave Bailey. Silver of Ridge Holland. Still looking for one more auto here. Hyper is going to be a Vader. Silver Wolfgang. Ring Royalty. Booker T. Jimmy Uso. Montess Ford. Red Wave of Tamina. Got Red the Godfather. That is to $2.99. Prismatic Entrances of Edge. We've got Hyper Goldberg. That's a cool one. Blue is going to be the Rock. Wow. $156 of $199. Sick hit there, Allen. The Rock. That's a beautiful card there. Very nice. Top tier Rousy. Got Red Wave Rookie of Quincy Elliott. Silver Ray Mysterio. Legends of the Hall. Sean Michaels. Getting his last pack here. Let's hope for that second auto. Yes, looks like we have it. Becky Lynch Silver. Top tier Kevin Owens.  It's going to be a Nova. On the blue Sensational Signatures. Colormax there with his shirt. Nova on the blue. All right. Solid box there for you, Allen. Congrats again on that blue rock.  Get that magged up for you. And right out to you. Thanks again, Allen.