Saya tahu bahawa pada topik ia berkata bahawa Adobe Mix, tapi kita juga akan melihat Adobe Fix juga. Untuk semua orang yang tak pernah menggunakan aplikasi ini sebelumnya, nampaknya sedikit penasaran. Pertama-tama, dua nama saja diperlukan oleh satu latihan. Adobe Fix dan Adobe Mix. Dan kedua ikon juga nampak sangat berbeza. Jadi saya selalu menggunakan yang salah. Jika saya tahu tentang kamu, saya akan menggunakan yang salah. Okey, satu lagi panggilan. Baiklah, siapa yang memakai aplikasi? Atau aplikasi? Siapa yang memakai aplikasi Android? Okey, ini ada berita yang teruk untuk kamu. Adakah aplikasi Android ada peraturan yang memiliki kemampuan kemampuan? Pertama-tama, saya tidak tahu jika anda beritahu ini, Android yang menggunakan Android yang lebih rendah daripada Apple. Mereka juga perlu menghargai perubahan minimum. Dalam keadaan itu, Apple tidak lebih baik kerana mereka mempunyai perubahan konsisten. Ia lebih mudah untuk mengubah software untuk Apple. Dan jika anda cuba mencari untuk Adobe Photoshop Fix di tempat yang digunakan, anda tidak akan mencari di sini. Ia tidak berada di sini. Ia masih membuat peluang. Sebab itulah saya menggunakan iPad hari ini. Saya tidak menggunakan device Android saya. Tetapi bagi anda yang menggunakan Android, jangan risau. Anda masih dapat menggunakan Adobe Photoshop Mix. Tetapi saya boleh beritahu bahawa ia ada perubahan yang anda dapat menggunakan. Bagaimana saya beritahu bahawa semua orang sudah mempunyai perubahan Photoshop di satu cara atau lainnya? Atau di mana-mana yang anda menggunakan sebelumnya? Ini adalah untuk anda. Bagaimana anda menggunakan Photoshop sebelumnya? Atau anda tidak menggunakan Photoshop sebelumnya? Anda beritahu bahawa saya beri anda sedikit perubahan. Anda dapat menggunakan pencuci untuk mengerahkan. Yang kedua adalah untuk anda untuk mengambil gambar. Kerana kita perlu mengambil gambar pada bagian penghantaran yang panjang. Jadi anda dapat menggunakan pencuci untuk pencuci. Sebenarnya ketika anda menggunakan pencuci, saya cuba mencuba untuk mengingat dengan terlalu panjang. Mungkin ketika anda mengambil gambar, kita boleh butuh gambar jenis. Atau anda boleh menggunakan pencuci. pencuci erak, saya rasa ia benar-benar bagus. Saya tidak ingat, saya ingat yang pencuci adalah teksur merudit. Bagaimana anda akan menggunakan pencuci sekarang? Sebenarnya, saya akan mulakan dengan FullShop. Sebenarnya, ini adalah satu. Jadi, saya akan beri kepada semua orang. Untuk semua orang yang mempunyai device Apple, anda boleh pergi ke sini dan menggunakan app sekarang. Jika anda tidak mempunyai app, anda mungkin mahu menggunakan app sekarang. Mari kita dapatkan semua orang pada pakaian yang sama. Dan apabila anda menggunakan app, anda tahu kita akan menggunakan Adobe FullShop. Maksudnya, anda mungkin akan mendapatkan kedua-dua download yang sama. Jadi, anda boleh menggunakan yang sama. Oh, saya akan melihat keadaan yang tidak teruk. Okey, saya akan melihat keadaan yang tidak teruk. Saya akan melihat keadaan yang tidak teruk. Jadi, saya akan melihat keadaan yang tidak teruk. Itu foto itu sudah mengambil beberapa tahun lalu. Saya mencari gambar untuk menggunakan. Jadi, saya mengubahkan keadaan yang tidak teruk. Saya memperkenalkan bahawa, kita membuat foto yang teruk, dan semua orang membuat itu. Terima kasih. Jadi, kami akan memberikan semua orang pada masa yang lebih daripada 3-5 minit. Saya tidak tahu seberapa cepat adalah 4G B atau 3G. Apabila anda dapat. Saya rasa ia sangat besar. Ia sangat besar? Saya rasa ini adalah 5G, 5G, 5G, 5G, 5G. Saya rasa ini adalah 60GB. 60GB dan 7GB. Tapi dengan 4G, biasanya 60GB tidak ada 3GB. Itu saja. Saya rasa 3G, 5GB, 5GB, 5GB, 5GB. Bukan sebab 4G, 5GB, 5GB, 5GB, 5GB. Nampaklah, saya dapat 4G di sini. Saya quasi tak bergantung. Kami mempunyai 3.5G, dan saya mengahwini banyak suatu dahulu. Kami mempunyai... Kami mempunyai pembunyi ke sana. Jadi apabila anda ada yang membuat saya melawan, saya akan mengambil masa untuk membuat t bagi tanda. Untuk 1, 2, 3, 4, saya tanya, ke tanda bagi tanda berasal. Kata saya saya hanya akan membuat tanda-tanda. Jadi, saya fikir, apa yang kita akan lakukan pada hari ini? Ini hari 8, bukan? Saya ada hari 8. Anda membuat hari ini? Apa hari saya? Hari ini, saya akan membuat hari ini. Saya bermakna, ia menghidupkan kerja anda. Kita akan menghidupkan kerja anda. Baiklah, saya akan menghidupkan kerja anda. Saya akan menghidupkan kerja anda. Okey? Saya akan menunjukkan kepada anda, apabila anda membuat kerja yang pertama, apa yang anda akan dapat adalah bahawa anda akan mempunyai beberapa projek yang sudah telah dibuat untuk anda. Ini adalah apa yang Apple beri kepada anda. Tapi, tentu saja, kami mahu membuat kerja kita sendiri. Jadi, biar saya beritahu anda sebuah idea bagaimana apa yang saya fikir. Okey, itu. Jadi, ada pilihan yang besar di belakang. Dengan keadaan yang besar di sini. Jadi, itu yang anda mahu menghidupkan. Anda mahu menghidupkan keadaan yang besar. Jadi, semasa anda menghidupkan keadaan yang besar di sini, saya akan menghidupkan pilihan saya. Jadi, ini adalah pilihan yang digunakan. Saya tidak melihat pilihan yang besar di sini. Okey, hanya untuk berikan anda contoh apa yang anda lakukan. Saya dapat beberapa foto di sini yang saya akan menggunakan untuk pilihan saya. Jadi, kami akan mulakan dengan pilihan yang sangat bagus di sini. Okey, pilihan yang besar di sini. Jadi, ia mengambil banyak gambar. Jadi, gambar ini, saya rasa, telah mengambil... Bagaimana kita mengambil gambar ini? Tiga tahun lalu? Tiga tahun lalu? Ya. Jadi, ini adalah bagaimana bagaimana bagaimana bagaimnya tiga tahun lalu. Jadi, okey, jika anda melihat sekarang di bawah, anda mungkin akan melihat sesuatu yang sangat mengingat. Seperti contoh, memperbaiki perlukan. Jadi, sekarang apa yang mereka lakukan adalah, satu perkara yang saya sangat berminat adalah, mereka sebenarnya memperbaiki perlukan untuk mengambil foto di sini. Jadi, anda dapat menjadikan apa yang boleh kita lakukan kemudian. Jadi, anda juga ada gambar di sini. Kita ada fungsi yang mudah, fungsi warna, fungsi warna, dan juga diperlukan. Saya akan mengambil semua ini satu-satunya. Jadi, anda tahu apa yang mereka lakukan. Ada beberapa perkara yang sangat standard, seperti bagaimana cropped. Anda tahu cropped. Apa yang cropped lakukan? Jadi, perkara yang terbaik untuk mengambil cropped, adalah bahawa ia tidak hanya cropped. Anda juga dapat menjadikan apa yang anda inginkan. Apabila anda ingin menjadi 3x4, atau 4x3, 2x3, ia adalah gambar yang biasa jika anda tidak tahu, ia adalah 2x3. Atau 16x9, ia seperti bagaimana anda. Jika anda ingin menunjukkan gambar, ia harus menjadi 16x9. Tapi saya akan mengambilnya kepada gambar yang terbaik. Saya tidak mahu berada di perjalanan tinggi untuk berubah. Saya ingin mengambilnya. Seperti yang anda lihat, apa yang saya benar-benar inginkan adalah, apabila anda memulangkan cropped, ia juga memulangkan gambar yang terbaik untuk anda. Dan saya akan memulangkan, itu adalah salah satu perkara yang terbaik yang saya inginkan tentang gambar yang terbaik. Apabila anda memulangkan, dan kemudian menjadi begitu kecil, kerana anda memilangkan gambar yang terbaik. Apabila anda memulangkan cropped, anda tidak tak dapat menumpangkan dan saya boleh mengalami soda di dalam sini. Saya menolonglah kepadaleeda yg memilangkan gambar yang terbaik untuk anda, yang ingin anda. Dan kemudian jika anda membuat gambar yang terbaik, anda boleh lihat bahawa anda boleh lihat bahwa gambar yang perah, ia lebih creak. Anda boleh lihat di atas tangan, anda dapat membuat gambar ini ini, anda boleh memulangkan gambar. B><u><u><u><u><u><u><u><u><u><u><u><u><u><u><u><u><u><u><u><u><u><u><u><u><u><u><u><u><u><u bukkan yang each pato. Anda boleh memulangkan gambar yang terbaik. Jika tidak, jika anda duduk di sini, jika tidak, anda boleh bergerak ke sini sehingga ia berada di sini. Okey, jadi kami gembira dengan itu. Saya hanya akan memperbaiki perkembangan yang sedikit lebih tinggi di dalam sini. Jadi kami gembira dengan sekarang. Sekarang, jika saya memperbaiki perkembangan ini, saya akan menentukan bahawa saya sebenarnya menggunakan sebuah iPad yang lebih tinggi. Ini adalah iPad 2. Ia tidak selalu menggunakan Lightning. Anda dapat menggunakan sebuah adapter di sini. Ia berikan kepada anda, anda tidak perlu menggunakan iPad yang lebih tinggi dengan iPad yang lebih tinggi. Anda akan sangat memperbaiki iPad. Saya tidak tahu jika anda memperbaiki iPad yang lebih tinggi di sini. Saya akan menjaga jika anda mencuba. Ini adalah pro. Okey, jadi fungsi pro sangat mudah. Saya akan memperbaiki perkembangan. Jika anda sudah memperbaiki perkembangan ini dan anda ingin memperbaiki ini sekarang, jika anda tidak memperbaiki ini, anda akan memperbaiki perkembangan. Oleh itu, anda dapat faoi sendiri. oralitas begini. Jika anda sudah tidakhaو fantasydan, anda boleh saja memperbaiki.气 freak. Bagaimana berapa maksud saya? Saya boleh membeli dengan seperti ini. Jadi, kita tidak perlu guna skor. Jadi, ini sangat mudah. Dan sangat berkaitan dengan kerajaan. Awak tidak perlu gunakan pakaian anda. Di mana-mana anda mahu, nanti kita akan membeli keberatangan yang lebih spesifik. Bukan perubahan dan menahan. Kita hanya gunakan pakaian dan menjaga area spesifik. Tapi, di masa ini, jika anda mahu memandangkan eksposure, anda boleh memandangkan eksposure, membuat keberatangan lebih tinggi.   Keadaan-keadaan, anda hanya akan mengawal keadaan yang sangat tepat di sini. Yang terbaik, 80% di keadaan-keadaan. Jadi, jika anda melihat ini, anda dapat lihat bahawa sekarang, yang sangat-banyak di bawah, ia nampak sangat keadaan yang sangat keadaan. Jika anda meletakkan, anda tahu, ini adalah sebuah fungsi yang sangat baik. Anda tahu bagaimana kadang-kadang anda ambil gambar, dan anda membuat pembunuh, atau anda membuat keadaan yang sangat keadaan, dan anda dapat sangat-mangat, yang sangat keadaan. Ini akan sangat-mangat membantu. Ada banyak cara untuk membuat keadaan. Ini adalah salah satu cara untuk membuat keadaan. Jadi, saya sebenarnya sangat gembira dengan semua pembunuh di sini. Jadi, saya hanya mengubahnya dengan sedikit. Saya akan memilih keadaan. Pada keadaan-keadaan, anda dapat melihat bahawa, walaupun untuk OIPAC yang sebenarnya cukup besar. Mari kita melihat keadaan yang sangat keadaan di sini. Pada keadaan yang sangat keadaan. Sekarang kita dapat melihat keadaan. Jadi, pada masa ini, saya tahu anda tidak boleh mempunyai gambar dengan anda. Jadi, pada masa ini, jika anda terpaksa mempunyai gambar ini, anda akan mencoba. Saya akan meminta anda mengambil gambar diri sendiri. Kedua-dua anda menerima bahawa anda adalah teman-teman, anda dapat mencoba mengambil gambar dengan anda. Anda akan melihat bahawa, apakah gambar sebenarnya telah memperkenalkan, seperti sebuah pembunuh. Walaupun ia sangat keadaan, ia memperkenalkan di mana ia memasak, di mana ia memasak, di mana ia memasak, di mana ia memasak, dan di mana ia memasak. Anda tahu bahawa ini sebenarnya adalah pembunuh yang paling penting. Saya akan menunjukkan kepada anda semua apa yang akan berlaku selepas ini. Kerana kawan saya datang ke pejabat tadi, dan dia berkata, dia telah melihat saya melakukan ini, kerana saya bersiap-siap untuk melakukannya. Jadi, dia berkata, apa yang saya lakukan? Mereka menunjukkan apa yang boleh saya lakukan. Dan dia berkata, oh, kita mengambil gambar dari gambar keluarga saya. Anda tahu bagaimana ibu bapa-bapa yang telah diperkenalkan, mengambil gambar keluarga saya. Saya juga berkata, hey, awak fikir saya boleh mengambil gambar ini? Saya kata, saya tidak tahu. Saya akan cuba. Kerana ada banyak gambar di dalam gambar. Sebenarnya, saya sebenarnya memperkenalkan setiap gambar di dalam gambar. Dan kami dapat mengambil gambar kecil dan kami juga dapat mengambil gambar kecil. Saya akan menunjukkan bagaimana yang akan berlaku selepas ini. Tetapi, semasa anda menambah, jika anda tidak mahu menggunakan gambar sendiri, anda akan mencari gambar dari gambar. Anda akan mencari gambar dari gambar. Anda akan mencari gambar dari gambar. Mari kita mencari gambar di sini. Saya akan membuat sesuatu untuk gambar. Saya akan beri anda beberapa masa. Anda dapat mengambil gambar ke dalam gambar. Anda dapat menerima gambar dari gambar, dari gambar. Jika anda... Saya tidak rasa ini akan membuat anda mengambil gambar. Saya tidak pernah mengambil gambar sebelumnya. Tetapi, saya akan mencari gambar di dalam gambar. Sebenarnya, saya akan mengambil gambar untuk gambar. Jadi, jika anda mempunyai gambar, anda dapat mengambil gambar di dalam gambar. Anda dapat mengambil gambar untuk gambar dan mempercabungkan di dalam gambar. Ia harus dipenalikan semasa anda mengambil gambar. Sebenarnya, tidak ada kemahiran yang seronok. Saya mengambil gambar di dalam gambar. Tidak menjadi kemahiran, bagi aplikasi yang tidak memperkenalkan gambar. Jika anda membuat gambar untuk mengambil gambar, saya akan mengambil gambar yang bergaduh. Untuk kemahiran yang selalu dipercabungkan. Jadi anda patut mendapatkan 1,2,3,4,5,6,7,7 poin di sini Semua orang okey?   Jadi, orang-orang yang suka mempunyai sebuah bayi Angela, Tawaii, anda boleh akhirnya mempunyai mata besar, bahkan tetapi dengan arah mata anda. Jadi, jika anda mencari sahaja, anda dapat melihat bahawa saya boleh membuat mata ini lebih besar. Biasanya akan bergerak dan bersama pada masa yang sama. Jika anda membuat mata ini lebih besar, anda juga dapat mengubah mata ini. Maksudnya anda membuat mata di dalam, membuat mata di luar. Kemudian, bahan mata ini tidak membuatnya lebih besar atau lebih kecil. Semua yang ia lakukan adalah ia mengubah posisi mata. Anda dapat membuatnya lebih tinggi seperti ini. Seperti yang saya katakan, ia sangat terkejut. Atau sangat terkejut. Biasanya ia akan berada di sisi antara tepung ke mata. Jadi, ia akan bergerak seperti ini. Biasanya ia tidak akan menyerah. Biasanya mata adalah perkara yang akan dikenali kepada orang lain. Jadi, ia tidak akan menyerah lebih mudah. Biasanya ia akan mencari sebuah bayi. Biasanya ia tidak akan menyerah. Jadi, jika anda selesai dan mahu mengubah sesuatu yang lain di kerajaan, anda boleh masih mengubah kerajaan lagi. Anda dapat melihat bahawa setiap kali, cara untuk mengingatkan, jika anda mahu mengubah sesuatu, anda akan mengubah kerajaan lagi. Anda akan kembali ke setiap kali. Setiap kali ia adalah apakah anda mahu berada di mana. Jika anda mahu mengubah sesuatu. Jadi, saya dapat mengklik kerajaan. Anda dapat melihat kerajaan. Di mana yang anda akan mempunyai tentang kerajaan, adalah bagaimana cara mengubah kerajaan. Kerajaan dengan kecil. Jadi, kita dapat mengklik kerajaan. Anda dapat melihat kerajaan lebih besar. Anda akan melihat kerajaan kecil di sini. Ya, ia adalah yang mengubah kerajaan. Jika anda mempunyai hanya satu alasan, saya tidak fikir sesiapa-siapa akan mengubah kerajaan. Ya, alasan itu adalah perkara yang hanya anda dapat mengubah kerajaan. Tapi jika anda ingin mengubah kerajaan, saya akan menunjukkan sesuatu yang anda dapat melihat nanti. Saya akan kembali ke kerajaan. Sekarang, yang terakhir akan berada pada bulan. Lihatlah. Ini adalah yang saya suka. Seperti jika seseorang tidak mencari, anda dapat mengubah kerajaan. Jika seseorang mengubah kerajaan terlalu banyak, anda dapat mengubah kerajaan. Jadi, bagaimanapun, anda 보akan harapan di tengah kesihatan. Jadi, jika seseorang digunakan dan menakutkan dunia terdengar, dengan ikan-ikanfun. Senang kuasa yang tidak cukup terdengar, kami akan menakutkan suara yang lebih kuasa. Ok.  Kamu tahu apa yang kamu ambil gambar, bukan? Ia adalah salah satu perkara yang paling teruk Kerana ia seperti... Ia sangat susah untuk dapatkan semua orang berbicara Semua orang bercakap dengan sekolah Semua orang bercakap dengan semua orang Untuk menjadi sempurna Pada satu masa Okey, jadi... Ia adalah pilihan kamu Okey Sekarang jika kamu telah melakukan ini Saya akan minta maaf untuk melakukan ini Okey, tidak selesai dengan kamu Jadi... Ia adalah pilihan kamu 7 Jadi ingat, ia adalah pilihan yang memakai muka Dan pilihan yang dapat diadak Sekarang, jika kamu masih tidak gembira dengan ia Baiklah, bagi contoh Kamu masih ingin melihat kelihatan Atau kamu masih ingin melihat...  You can see what I've done is that you can see how the grids are bending. So that's what I've done. I've squished in that part there. If you want to know what are the pixels that has been affected, that's those area. If you see the light bending, it means that some of the pixels has been pushed and distorted. So if you want to get rid of this, simply press the grid again and the grid will disappear. There are a few more things that we can actually do. We've got this thing here for swell. Swell will make something bulge up in size. Typically, we will use this for something like eyes or nose if you want to make the eyes bigger. But obviously, we already made the eyes bigger just to demonstrate how this actually works. I'm going to reduce this to maybe the size of the eyes. I'm just going to cut inside here. I'm going to just drag it across the right hand. What it does is it makes it bulge up and it makes it bulge down. If you click here and drag it to the right or drag it to the left. It will make his eyes bigger and smaller. But sometimes when people smile, it's just maybe not intentionally one eye will go bigger than the other and we can fix that problem here. Both the eyes are the same size now. We're going to go to twirl. Twirl is actually quite interesting. Twirl, actually, if you look at the pattern that we have on twirl, that is actually exactly what it does.  That is the kind of direction that your pixel will be going. It kind of swishes around and pulls around in a circular pattern. So let's say, I'm just going to make this size a little bit smaller. Let's say, I find that minus is minus. I'm just going to click here. Now, this one here is a little bit funny. I don't want this the right way of doing it. I'm trying to move it left and right so it really works so well. But I find that the best way to make this work right is to actually go with a circular pattern this way and this way. It actually recognises the direction that it's actually turning. So let's say, I want it to turn anti-clockwise. I just turn this way. Okay. So, I don't know how many of you managed to download it to try it. If you did manage to download it in time, because we are doing two different softwares. When we finish the software, we will take a break. And hopefully that will allow you guys to download it, those who haven't finished downloading. In the second session, we will take a 5 minute break for people to go to the toilet. And then we will come back and we will do a lot of things. Now, what is the Reconstruct tool here? Now, the Reconstruct tool, right? What it does is that it simply restores. Let's say, for example, if you feel that you've done too much in one area. Let's say, I feel like too much for the eyes. I can simply come over here, reduce the size and just try to restore a little bit of the eye here and restore a little bit of the eye here. I feel that minus doesn't look the same if you try to mess up his eye. So, what we have now is back to his original eye from the original photo. So, that's what Reconstruct actually does. So, once you're done with this, you're happy with this. You can just go ahead and click on the tick button. And then, I'm guessing that this is going to take a while to save. But actually it's quite fast. Okay, when I did it this afternoon, it was like, it took a while. So, we have one plus, adjust, liquefied, okay. Now, don't worry, the rest of it is it's going to be a lot faster. Okay, it doesn't take as long as this. So, I'm going to go over the healing. Now, again, you will see some very familiar friends here. You will see spot healing, spot healing 2. You will see close them 2. You will see a fixed red eye and you will see restore. Now, the last icon, right, usually you see restore, reconstruct. It always does the same thing. You will basically restore the original pixels of the photo. So, no matter what they call it, right, it always does the same thing, okay. So, maybe, now, this is the best part about using a tablet or any touch device to do spot healing. You can do this. Although you can do this on a DC2, but I can just zoom right in to the area, the problem area. So, oops, that's not what I meant to do. So, you can actually now, I'm spot healing. So, you can pick an area that you feel that has a problem and then Photoshop will try to replace it with the most appropriate pixels. Like, for example, maybe I want to fix this point here. Eh, not so good. I'm going to just undo it. Maybe I'll try to fix this area here. There it goes, not so bad that I managed to fix. So, this tool, right, works if you do small little depths. I don't feel that it works very well if you try to be too greedy and go like big, large areas. It tends to fail. Eh, let's say I do a small area here, but you can let it go.     Okay, fix.  Okay, let's say, for example, like this big area, right. You can try to fix this big area. I doubt that you will be able to fix this big area here. Look at that. You can try to fix this big area here. But never fret, okay. Because it didn't manage to fix this area, right. The next two, next to it is a very, very useful tool. Now, how this patch tool actually works, right, is that notice that the moment I can patch it circles the area that I previously highlighted. Okay, so patch, right, by default is not selected. It's actually deselected. You can't choose patch if you don't select an area. You need to select an area first, then choose patch. That's how it works. Okay, so if that's like that I can now drag around and try to find area of the skin that will work well for line of the space that I can write with here. I just want to find an area that is nice and easy for it to fix. The AP survey and whoops. I just want to do that. Okay, I'll try to patch it again. Okay. Okay, let's just okay, we need to choose a spot heal first. Select this area. Okay, once it's like this area then we're just going to do this patch and then we're going to drag it around. Okay, hopefully we may not necessarily always find a spot that is very, very fun to see. I'm just going to try my best. Okay. And sometimes if it still has a little bit of problem, you can still use the spot heal and just try to heal around the edges here. Okay, I'm not doing such easy. Okay. If you find that there is a problem with small areas, the third tool here is the closed end tool. Okay. So, the closed end tool is different from the spot heal tool in the sense that you need to do two actions. Okay. You need to first select the area that you want to clone from. Let's say for example here. Okay, now I'm going to reduce the size a little bit more. Okay, it's a little bit and I'm going to reduce clone from here and then I'm going to clone over in this area here. So, I'm copying the pixels from here to the top. So, say clone from here and then I'm going to clone over this side here. Just brush over this area here like that. So, clone from here and then brush over this area here. Okay. So, just want to match the color so that you can actually use a few steps. I'm just going to follow Sorry, I messed up. So, obviously, not all areas as well as me. We want it to be. Okay. So, so, I mean, first case, we just restore and then we'll paint over this area. There you go. Restore. Okay. It's easiest there. Whenever you feel that you are dejected and you want to start over, just restore the area and just start over again. Okay. Right. So, the last one here is the fixed red eye. Now, obviously, we have no red eye problem, but I'm sure you guys have come across a red eye problem. You know, person's not ready. You take photo. You know, the iris is like wide open and then the bounces right back from the back of the eye. Come back out. You can blush your eyes. Okay. And this is where the red eye. No, because we have actually, sorry, my bad. It's actually automatic detection. Now, because it didn't it managed to detect where like this is eyes are and it did detect any red inside there. So, it gives me an error message. Okay. So, you don't actually have to click anything inside there at all. You know, it just automatically cleans up the red eye. And once you're done with that, just go ahead and click on the tick. And there you go. We are back on this. Now, the rest of it, you know, the smooth here. Okay. The smooth, right? If you have used Photoshop before, the smooth is like one of the worst tool that you want to use. It doesn't actually smooth out things nicely at all. Like, for example, right now, I'm just going to adjust the size here like that. And I'm going to choose the harm that's really, really low. And I'm also going to kind of drop you a little bit. So, I could like try to smooth out this area here of his face. Okay. You can see that it doesn't actually do a very, very good job. It's not really just sharpen. Also, probably not the best tool that you want to use. Like, for example, if I use sharpen, you can see that if I try to sharpen any area here, it doesn't really do any, I mean, the skin sharpen. It doesn't actually create the real, the very realistic looking kind of sharpness. I'm just going to use the restore brush to restore the skin back to the way that it was. But the left side, if I were to choose between the two, I would say smooth works a little bit better than sharpen. Honestly, I don't think that you guys will spend a lot of time using smooth and sharpen. Light is good. I like light because light actually allows you to, let's say, for example, we want to give light is a more dramatic look. We want it to have kind of like split lighting, one side dark, one side bright. We want it to have kind of split lighting. So, let's say left side will be brighter. So I'm going to choose lighter and I'm going to choose size. I'm going to make it a bit bigger, opacity, a little bit low. So I'm just going to paint over the left side of Anise's face. Make it a little bit brighter because it has a little bit more. There you go. And then I'm going to put the darker which is to complete opposite. Okay. Make it nice and big. Make it nice and lower. I'm just going to darken on the other side of his face like that. So we have a nice split lighting okay. So yeah. If you all don't mind there's two sides to it. Okay. If you feel that you went too much so restore. Now, one thing I do like about the restore is that you don't necessarily need to restore 100%. Let's say if you feel that I kind of went below but I kind of went a little too heavy to over. I can drop your opacity of this to something like maybe very, very low like maybe like 29, 25% and I'm just going to paint over the whole thing. So what it does now is that it basically restore 100% but not 100%. It restore 25% of him. Okay. So we still have the whole split lighting effect but you know less intense. If I still feel that it's too intense I can go over him one more time and then he reduces it by another 25%. Okay. It makes sense. Now I know a lot of people who will probably be thinking okay we got this new thing here called structure. What structure actually does is that because if you know some things may become too bright some things may become too dark so it basically adjust the overall brightness and just even things out a little bit. Okay. I can show you what it does for this picture. It's going to true structure. You can see there's spinning around a bit. Yeah. Just kind of like high ease up the brightness and darkness level a little bit more. There we go. We got a little bit more structure and it's part of time because this point it did a lot of pressure to me. There's two like color and paint. Okay. Oh by the way if you are using oh sorry my bad. Now now this is color. Okay. So you can choose to saturate certain areas of his face. For example if I'm choosing saturate I'm going to make this a little bit higher.  Let's just make it really high just for demonstration purposes. So if I would paint over his face you can see that now he's got very very nice orange face now. Okay. I'm going to undo it because that's not what we want. And we can probably also ease now this is probably the one that I use more because you know how maybe not for portrait photo let's say I find that his yellow shirt is like really really kind of brush it over the saturation of the shirt oh it's probably a little bit too much so I'm going to just undo it take down the old past even more and it decides more and it's kind of like kind of paint over here over his shirt yeah so you can see that his shirt is a little bit less saturated now. Okay less yellow. Okay. So and as usual we have restored and we have something here called pop now pop is almost exactly identical to structure it does what it does to brightness color because as you know sometimes color may become too light some color might become too saturated but in this case it's probably a bad idea to use pop because even out everything for me and then the yellow will become very very bright again so that's not what I want to do but just let I'm going to click okay now you may be asking you know why do we have to go through so many different steps to do all this now don't forget this is still a tablet device and a very very old tablet device and the fact that they need to split all these apps into Photoshop Mix Photoshop Fix and then there's also Photoshop Sketch it kind of gives you the idea that you know the mobile devices are not really ready to handle software as big as Photoshop no way you can so the way they try to solve this problem split all the different processes all the different tools that you need to use into different apps if you look at the app store now there's a ton of Adobe software some more useful than the others some more very very useful at all I guess they are really really going into this area now okay the next one we're going to do is paints so if you want to put some face paint on lightest we can or what instead of doing that so I'm going to pick a color I'm going to pick a very neutral area of this face let's say somewhere along the cheek area here so you can see that he has chosen a very nice skin color for brightness you can see that this is like a foundation padding here so what you can do right is now that I've picked the color you can pick the size of your foundation pad and then you can also pick the hardness so I'm going to pick maybe like that and no opacity is important you don't want to I'm just going to do this now okay let me just pick the color first the color and he's going to pick the color here like that the color okay something like that okay and I'm just going to go on 100 okay so I see here if I start painting over here oh like that what happened I forgot to change it I'm going to see your pink color okay that's the mistake that I made so I'm going to do it okay make sure you pick color pick a color first okay and then go over to paint if you start a paint over here like this okay you will start okay no opacity a little bit low so if I start to go higher if I start to paint over here you can see that his eyes are starting to turn orange as well so we don't want that to happen so I'm going to undo it so you want to be very very careful with the opacity you want to go down a little bit more you might want to zoom in a lot more as well so if you want to put a little bit foundation crazy on it just going to brush over the top here foundation here the foundation here okay there we go now I'm going to go too crazy on it now it looks a little bit more made up alright you can see that over here the blend option is actually turned on okay if you do not blend you can see that you kind of just like that now that's the foundation that I planted in so you want to make sure that you have blend turn on so that it blends nicely into the skin and it looks more like make up and less like face paint of course if you want to draw face paint like optimal warrior or you can just turn off the blend and paint red and green onto him you can so now that I've done this I'm happy I'm going to say okay and there you go okay and this one one or two more things that we need to do before we take a break okay now I'm going to go de-focus over here now de-focusing it's a very simple thing it does all you have to do is just you can see that all the tools are exactly the same you choose the size you choose this and this one what it does I'm going to keep it relatively small in this case is that you can de-focus certain areas of his body I say for example the ears I want it to be a bit out of focus over here there you go so you've got a bit out of focus here kind of bring attention more to his eyes okay if I zoom in here you can actually see that his ears you can say okay okay so you can see it's always the same you do it you press okay you come up and same thing for the vignette as well okay I'm going to choose the vignette vignette takes a long to look okay now if you guys know what a vignette is a vignette is the darkening of the edges pow edges and bottom edges due to the the lens usually very, very white lens there's not enough light you kind of come in by the side so I can actually darken so I can pull this it's a little bit bigger or smaller you can see that it got update now you need to drag this little spider here up and down you can see that now I can make him like this or so I can just darken it a little bit so that the bottom part of the shirt gets a little bit of vignetting okay the color by default we want it to be black it doesn't really make sense to use any other color other than black sometimes we use white but I'm just going to use black okay so I'm going to click okay and voila here we go we've got a nice picture of Linus now okay and so we've done this so how are we going to export the photo okay to export a photo if you look up to the top there's this square with the little arrow going up you click that and you can see one of the options that we have number one save the camera so obviously if you want to save it for the phone you want to keep it on the phone only you can do that so that he still show your friends you can show send it to Photoshop CC okay I think in a deal of time and I'm actually not going to do that okay but I'm going to tell you what happens okay if you send it to Photoshop CC you will upload it onto the you will upload it onto the creative cloud account okay that you get with your if you even have an Adobe creative suite membership you will upload there and then if you have Photoshop already on your machine you will just damn open it on Photoshop right away okay so you can start if there are some things I say adding tags that you can't do on this machine here this doesn't allow you to add tags you can just do it straight away on your machine here okay you can post to the Instagram or Facebook or e-heart straight away or just simply save it to your creative cloud library here okay or save it to like any questions that we have so far anything that you might be thinking about whether or not you can do that and you know you are unsure about that anything if nothing that I assume that I'm doing a pretty good presentation so far okay there is still Photoshop mix to go Photoshop mix will be a lot quicker okay it shouldn't take up to much so let's take a 5 minute break I think that you guys might need to start if you may need to freshen up a bit let's take a 5 minute 12 minute break we will resume in 5 minutes as you want this to go you still need a piece of paper you need a piece of paper and unless you still have paper or whatever but the reason why I have a piece of paper is okay here's the good news for those of you on android devices right you can now you can now participate because there is actually an android there is a Photoshop mix for android but that is that is only part of the good news the bad news is that there is limited functionality for the android version okay but Adobe has promised to release a Photoshop fix for android they are working on it it will be released soon and they will come up to date with the Photoshop mix right the android version that you are using was originally how it came up when it came up it was all on part Apple and android was all the same but then somehow Apple jump ahead first with the new releases Adobe jump ahead with the earlier releases so Photoshop mix you can see this is the logo here I'm going to fire it up the reason why I gave you guys a piece of paper is so that we can perform you can take some photos and give us a white background if you don't know what Photoshop mix actually does for you is that the difference between mix and fix is that fix is something for you to fix your photo like fix blemishes fix the eye fix the bow fix the brightness contrast crop although there are certain similarities but there are very few similarities Photoshop mix is really more of a compositing too when I say compositing I mean you put one link against another it's like you don't have money if you don't have money to go all the way to Paris so you cut yourself out and put yourself against an iPhone now that is compositing that is mix so as usual they will have some examples for you here already I'm going to press the plus button here so as usual actually this is a I actually have an example my friend actually sent it to me so I'm going to show you guys the end result here so this is what we did in my office today so my friend was saying my mom is not spicy the photo on the right she's not really smiling of course we didn't want to go too crazy to the point where she doesn't look real anymore so make the eye a little bit bigger and make her smile a little bit more so a real life example and this what he did himself I didn't do it for him so he picked up the whole I think I've been in a few seconds I'm going to go back to Photoshop next again so I'm going to go to old photos I was getting a bit cold even the presenter is feeling cold actually the presenter don't feel cold even the presenter is feeling cold so I'm going to start off right with this wooden block so you can use any photo for your phone if you want to to find a picture like this a very simple I didn't take a photo of this I downloaded this from Google Photos just do a Google image search fine do a search and whatever background and just edit it here so what I'm going to show you I'm going to use this as my base so I'm going to just cut stuff up put it down here and what we'll do in production so as usual we can crop if you crop that allows you to do your standard crop you can flip now I'm not going to do that because I want to keep the entire size and the whole thing now I'm not going to go through this all over again because this is almost exactly the same thing as we have in Photoshop fix so adjust also very very similar you can see that we can adjust things like exposure contrast highlight shadow so basically this entire almost this entire panel is exactly the same as Photoshop fix this thing called auto fix which it basically guesses the brightness and contrast and everything and gives it a slightly better rendition of the photo base on its own calculation so it's like an automatic setting kind of thing but I don't really like how it looks so I'm going to undo it and I'm going to get out of it I'm not actually going to accept the settings now let's get to the part where it's different from Photoshop fix ok so obviously we don't want to be doing the same thing as what we did in Photoshop fix now this thing here is called loose now looks right anybody who use Instagram who uses most photography software that actually have on your phone will probably be familiar with things like this you will give you let's say for example asian kind of look more black and white or you can give it I can give it a little bit more or let's say a cold fade like this ok so you can choose any kind of any kind of a patented one oh it's actually right you know what I'm going to do now is I'm going to show you something here how this actually works I'm actually going to go back here I'm sorry I'm actually forgot right there I actually forget so I'm just going to go back here for a second so maybe I'll take this opportunity to show you guys now I go back and you notice that this actually gets saved as a project it says here new competition because I didn't give it a name ok so that kind of gives you an idea right that I can actually save multiple projects inside here just like Photoshop ok so I save this and this is now one project so if I want to start another project I can just simply press plus and then now you ask me to choose another photo ok and this time round I'm going to start off this guy here ok so so maybe what you can do is you can start off with any kind of photo that you have on your phone ok now now why I want to choose this guy here is because if I go over to the loops now ok and this time round I'm going to choose what is the one that I want to choose portrait I think yeah if I choose portrait it will turn this entire picture black and white now this is a picture of a homeless guy that took me when I was in the US it was nice enough for me so I feel that well it's nice but it will be nice right to maintain the yellow color think that he's holding so what I'm going to do right is I'm going to make it like white but I'm going to just mask out the area around here around the think that he's holding so that that becomes yellow so I'm going to zoom in here oops and do that do that again ok sometimes this ok this is not the best feature of this ok I sometimes I had a lot of problem with this whenever I use it ok now it's spinning around we have to try to crash this off so it's finally crashed ok let me just crash this crash this let's go back to Photoshop I think I don't want the problem I think I know what the problem is the problem is always when I try to use the smart brush and I just try to show the problem is when you face ok so what I did just now was I went to looks and I went which is popular ok so that should turn this like white you notice that there's a smart brush at the corner here at the bottom right hand corner so I'm actually going to turn this off I'm going to change this from smart brush to basic brush first I realize that the smart brush always causes a bit of a problem ok so now I change this to basic right you notice that on the left there is air and there is also sun track ok so if I click on air it will become sun track so what I'm actually going to do is I'm actually going to sun track the filter from this picture here ok so I'm just going to use my finger and just kind of paint along this area here you can see that now ok ok what an easier way right I know that this is not supposed to work this way I'm just going to paint the whole thing make it like a white one ok then now I'm going to sun track from this area sometimes it's just this happening I'm just going to sun track this ok and just paint the mask now I know that I didn't do sort of hot job but what I'm going to do is I'm just going to zoom in here a little bit more now you can also add back ok so if you want to add back you can change the brush size a little bit smaller just going to add back here ok my fingers and just going to add it around here around here ok just want to sweep the yellow pot I think I stopped that but it's too big a brush but it's ok you can always add you can always sun track just add back sun track back and it's still looking the right way ok it's a bit of work but it's the idea ok so that's what I wanted to do I wanted to to show you guys that you can apply a filter and you can actually selectively select which part of the picture that you want to be affected with the filter ok I'm not a big Instagram guy so I don't know if Instagram can do stuff like that ok but I'm just going to go backwards ok I'm sorry if this crashes a little bit more ok I'm going to go back to this composition here ok ok we've only got about 10, 20 minutes left so we can finish this in time now this is the background that I was I was using now the reason why I gave you guys the white paper now you will finally get to use the white paper and put it to good use ok so if you notice that on the right there is actually this thing here with a plus sign on it ok if you don't see it what you can do is you can click on the little layer thing up there see things to the undo there's a layer thing if you don't see it you can click on this and it appears when I click on it again now it appears this is your add layer function ok it's just like adding a layer in your Photoshop layers so I can press plus and then you ask me to choose another picture ok so what I'm going to do now is I'm going to choose this picture here now this is a picture I took earlier today it's actually my necklace here ok so what I did was I took it on the white piece of paper if it asks you to resize canvas you just say cancel because if you say resize you will make it the size of this picture which is actually bigger and I don't want it to be that big so you're just going to click cancel you will fix it so yeah so I did exactly what I was asking you to do you can try to put it on a piece of paper now my advice for you is try to use flash ok because if you hold this over the lights it's going to be quite shadowy so use flash so that it bounces against the white and you can see that even by using flash it's still quite dark ok so because it's still quite dark what I'm going to do is follow this layer how do you know now that when you have multiple layers it becomes a problem because when I say if I crop or if I adjust I don't know which layer am I adjusting so if I now how you know is by looking on the right you can see that now the necklace is highlighted if I click on this then the background is highlighted if I click on this the necklace is highlighted ok so I can go ahead and just go to this fourth option here called cut out ok when I click on cut out you will just basically focus on the necklace itself ok now this is the best tool now every one of these apps I have the best tool and this I've used the best tool that Photoshop makes actually has now this time round I'm going to keep it on a smart tool ok I'm going to keep it on smart because as usual they always have a smart and they have a makes it option because the smart actually I think that it is actually very smart I can I can go around and cancel out the background here but before I do that I'm just going to go ahead and adjust this first because I feel that the picture is a little bit too dark so I'm going to go to exposure and I'm going to increase the exposure all the way up ok so by increasing the exposure all the way up you can see that now the whole background is all white now ok now that makes it a lot easier for me to cut ok because now I can go to cut out now which is where I was going in just now and using the smart brush that I have here you can see that now you have an option to add they always have an option to add or subtract ok so I'm going to put subtract here which means say I'm going to cut away and I'm going to cut away this area you can see that it actually cuts I just swipe a few I didn't even go anywhere close to the necklace you can actually detect the edge and get rid of that white area for me and I'm just going to brush around this area you can see brush around here brush around here brush around here there you go cut out ok now this is really good when you have a white background but when you don't have a white background it gets a bit tricky if I want to remove this leather part here if I started to do this you might start to cut away too much of it ok and I might run and say ah bad, it's gone ok so I might end up with a little bit of a problem so if you find that is a problem ok let's wait for this Dear readers the library will be closing in 30 minutes if you wish to bury library materials we advise you to do so now at our self-check machine we thank you for your visit and hope to see you again soon ok so if you've run into this problem where the last bit I cannot remove I can change for smart to basic whatever I do I'm just going to zoom in a little bit more so I'm a bit more precise now you don't have to be a keyhole surgeon you can zoom whenever it detects two fingers so I can just basically brush area manually ok actually this part it looks kind of awful so I'm just going to brush away this part so you can choose where you want to kind of move it away double finger allows you to move it up and down and zoom maybe what I'll do is also just get me a little not very clean but just going to eyeball it if you I've made a mistake with this area here so I'm just going to add back ok a little too much ok alright it's not perfect but I'm just going to go ahead and click ok so you can see here now what we have here is just going to zoom oh so here's a thing you can do with it see now because I want a layer I can zoom I can scale it up and down now ok I can even turn it using two fingers I can write and if I want zoom outside I can click to a neutral area and just zoom the whole thing down so you control it by looking at this blue area if I select this one here I can scale it up and I can turn it if I select the background I can also I don't want to scale the background so obviously I'm not going to choose it ok but you can select the background scale and do whatever you want ok so what I'm going to do now is that I'm going to and I'm going to now this is now for those of you who are on the android device you will probably not see another plus sign here anymore you cannot add any more layers for the android device maximum you can go to layers if I go any more but for the app users guess what you can add some more ok you can add I never actually would try how many maximum layers you can actually add but you can add quite a bit more layers one more thing that the android users don't get at this moment ok you don't have blend you don't have upright you don't have shake reduction you don't have deal now although it may seem like a good thing guess what upright and shake reduction is a limited period free function for you after a certain period you have to start ok because I'm going to show you if we have time I'll show you how this works but let me show you what blend can do first ok I like blend blend is like it holds in your Photoshop ok there we go so if you look at the bottom right you will see that you have the normal things like multiply darken, lighten, screen, overlay soft light difference if you are a Photoshop user you should be quite familiar with this let me show you what you can actually do with let's say multiply there you go so you can see I've done multiply can I move it around no I can't move it around actually I should be able to move it around I think the iPad is slow so I can't move it around but it's ok I'm just going to click ok so that I can now hopefully move it around wrong one ok move this around so you can see that now it's actually blending with the background here ok now here's the best part if you do want to hear how that's very nice I want one more why would you simply click on this and duplicate one more and because for the ammo device you can add more than one look at that I can create one more put it here like that I can create ok click on this duplicate one more put it across here like that now we have three ok actually I wanted to do a text there more where I will actually use this and send up to Photoshop ok but I think in interest of time like we probably shouldn't do that but I just need you guys to trust me that when you press this you will actually go to Photoshop if you have a Photoshop CC account ok or you can share with your friends on any one of these social media ok ok just before I wrap up ok I think that this is really really cool but I don't know if the network will actually allow me to do this let's see that my phone is still connected ok it is still connected ok that's good ok because I have another device here I have another phone here that I prepared now this photo fresh from the oven I took it yesterday I was conducting a photography lesson and I did radar base in the gallery so I took this photo now very common problem with these kind of photos ok is that the buildings are not straight they are all kind of like slanted because using very wide lens so then this up right button actually comes in and comes in very very happy ok so you can see that it's uploading assets so let me just take a while to explain to you guys what is actually happening here ok what is actually happening is that the this whole function is not actually happening on your device this is actually a very very HAD function even for Photoshop so Adobe has come out in this very very genius way of charging you money that is we will send this up to the cloud somebody sub automated function on the Adobe server will perform that filter for you with that function for you and after we have done that we will send it back down again to your device and then presto is done ok so ah there we go it managed to upload so this is original i'm going to show you version number one there you go it's straightened ok version number two like this and version number three like this ok so obviously most people will choose version number two we will make do with a little bit of distortion but we don't have to crop anything at all ok but if you still feel that that is a problem you can go with this completely straight but that will mean that we have to crop off quite a little bit of stuff ok i'm just gonna go now you guys already know how to crop so you can crop if you want to ah actually you know what i'm just gonna go with number one just so that i can show you guys some stuff ok i'm gonna go ahead click ok now so you see that because i click ok now now we have a lot of blank space now so i'm gonna need to crop and i can crop in to here like so i have a little bit of space on top so i can actually go a little bit higher and now i'm gonna leave this hole here deliberately ok i'm gonna leave this hole here just so that i can actually show you guys some stuff later ok so i managed to crop it and which brings me to the very last one ok the the fill function here now the fill function right now because i have a hole here now i need to fill up this hole ok so this fill function works really really well now when i was trying this out right i realised that you cannot this the fill function in a weird way doesn't actually work on transparency ok it needs to actually work on pixels so that's weird right i mean it's like you have a blank hole it should be able to fill that up you know we should feed back to adobe and tell them hey what's going on man you should be able to fill up this blank hole here but it doesn't work so normally what i'll do is i'll add another layer and what i'm gonna do is i'm gonna add the same picture again ok i'm not gonna resize it so i'm gonna move this picture down to the bottom here ok so now you can see what i'm trying to do here i'm just trying to match this and put it up here like that now don't worry i know it looks funny ok we're gonna blend it together later we're gonna use the fill function to blend it together ok but before we do that now we have it on two separate layers now here's one thing that a lot of people don't know i can click on this drag on this move it up it's not going to me move it up ok move it up and merge on layer and ta-da these two merge together as one ok so now it's merged together as one now finally i can actually use the fill now i hope that don't miss a little problem because i was trying this this afternoon and then it has problem ok so what i'm gonna do now i'm gonna just you see that painting this area here now i'm painting this area in red so i'm telling it the software right ok can you try to fix this problem here ok i'm gonna subtract and i'm gonna subtract this area here so i want the software to fix this problem here ok and i'm gonna click on the fill button here so it says uploading assets again ok very soon this will start charging money so enjoy what you can i hope it doesn't fail and i got a feeling it's gonna fail again you got stuck here the last time ok it was successful once but for the full today it didn't work so about a very stable platform maybe that's maybe beta phase that's why they haven't charged money yet but once they perfected it they'll probably start charging money ya so i mean they have to make money somewhere right other than your subscription that you already paying ok while we are waiting for this to load any question so far i know a lot to take it ok but if you think about it right actually hey you almost have Photoshop on the fly already you can take photos you can do whatever you want to it and the best thing about this is that even if you don't have a paid CC subscription you can use the software for free just that you cannot upload to Photoshop to open because you don't have Photoshop to open ok so this is Adobe's way of actually it work ok it kind of work it has still some lavishes here but obviously right if you still have some lavishes right and the best way to try to solve this kind of problem is if you still want to close them to or whatever you can actually send this send this and send this over to Photoshop or you can save it on the camera row and then from the camera row you can actually use Photoshop fix to open it and then use a bit of close them to fix that problem ok and that concludes my presentation thank you if you have any questions for me you know i'll still be hanging around we're going to have dinner at Caesarea as usual feel free to join us


Okay, good afternoon, everyone. Welcome to today's book launch. It is our great pleasure to welcome our speaker, Professor Xiao A-Ting from Academia Cineca. In today's session, he is going to talk about his new book, Politics and Cultural Nativism in 1970s Taiwan, Youth, Narrative and Nationalism. So the whole thing started off because I heard about the publication of this new book in the summer. I talked to David and we both agree that it would be fantastic to invite him to show us to share his research outcome. This book is hot off the press and was only on the market for a few days. The Sewers Library has already ordered an e-copy. I was told just now that a student will be able to access the e-book via a Sewers Library from tomorrow. So, you know, it's very lucky that you heard the introduction today, then you can actually read the book tomorrow. Before the talk, allow me introduce Professor Xiao. He gained his PhD in sociology at the University of California, San Diego. His expertise ranges from cultural nationalism, language, Taiwanese literature, ethnicity, collective memory, sociology of generation that's a new one, and discourse. He's now a research fellow, professor and deputy director of the Institute of Sociology Academia Cynica. Our students are familiar with his work, the first book in English, Contemporary Taiwanese Cultural Nationalism. Many chapters of this book are on our reading list and this book focuses on the rise of cultural nationalism in Taiwan and also its role in Taiwan's political change and democratization. This older book concentrates on the importance of intellectuals, writers and linguists. In many ways, that book explores the emergence of cultural nationalism in the 1980s and 90s. It is extremely helpful for students who are interested in Taiwan's nationalism or nation building through culture during this period. Compared to his first book, which was published in 2000, the new book Politics and Cultural Nativism in 1970s Taiwan has shifted his research focus to the earlier and seemingly more murkier 1970s. I always told students that cultural change as well as political transformation do not happen overnight. Taiwanese transition started well before the lifting of martial law. Unfortunately, there has been very little research on this period written in English, especially in the cultural fair. The publication of this book is timely and long overdue. I read his Chinese version. He describes these two books, one on cultural nationalism in the 80s and 90s and this new one like Twins. Okay, so in many ways, the two books are tightly interconnected and can be read in tandem. They enable us to get a more nuanced reading of Taiwan's cultural nationalism and political change. In this book, Professor Xiao explores the turning point in Taiwan's history and traces the trajectory of changing political climate from the perspective of generational change, especially focusing on the rise of Taiwan's baby boomers in the 1970s. It places particular importance on the rise of a younger generation who had no firsthand personal experience of life on the mainland and offers a closer reading of a period of drastic change, openly challenging the status quo and shifting their concerns from China to Taiwan. So this is really a crucial moment of bubbling and self-doubting and challenging the KMT regime. So apart from the two major monographs, you can see quite a few of his co-edited books in our library. So to find out more, please search our library. I think we have at least five books either authored by him or co-edited by him. By tomorrow, there will be six. So he told me that his recent research interests are drawn to the ocean. One direction explores the relationship between the ocean fishing village tourism and national imagination in Taiwan. And the other imagines the role of Taiwan's civil society actors in the territorial dispute over Diao Yutai Island. So two, again, links for very different topics. After his presentation, we will open the floor for Q&A. May I remind you to post your questions using the chat function? If we have loads, then we have to take chances that we probably will choose yours. If there are not so many, we can actually ask you to come and ask the question yourself. Okay, so you can find a speech bubble icon at the top of the screen and type your question there so we know you put your question forward. So without further ado, Professor Xiao, the floor is yours. Thank you. Okay, thank you. Thank you so much for the kind introduction. I would like to thank Professor Zhang Biyin for inviting me to talk about my new book. My book is a story about the 1970s Taiwan, about the critical role and the younger generation played in the political and cultural change in this decade. And about the relationship between the political and cultural change in the 1970s on the one hand and the democratization and the indigeneration of Taiwan since the 1980s on the other. Today I will introduce the new book to you by telling this story very briefly. So first let me show my PowerPoint. So did you see it? Yes, thank you. Is it okay? Yes. Okay. Okay. Before I talk about the new book, I would like to say something about my previous book, contemporary Taiwanese cultural nationalism. As Professor Zhang mentioned just now, this old book analyzed how Taiwanese nationalism influenced literature, historiography and language revival movement in the 1980s and 1990s. I deal with the 1970s very briefly in this previous book. And when I finished writing the script of this book, I realized that I think I have to work on 1970s Taiwan as an independent project. There are two reasons for this. First, so far most of the research on Taiwan's democratization, national identity and Taiwanese nationalism focuses on the 1980s and after. Except for the large number of studies of Xiang Tu, Wen Xue, nativist literature of the 1970s, this decade has been an understudied period, even up to now. The second reason is that even those scholars who acknowledge the significance of political cultural change in the 1970s have paid little attention to the effects of generational factors in political and cultural change in the 1970s. Also, scholars have ignored the continuing influence of Chinese nationalism on political and cultural activists of the younger generation in this decade. And that is in terms of national consciousness among political and cultural dissidents. Generally speaking, there was difference between the 1970s on the one hand and the 1980s and the mid-yard on the other. My new book is intended to fill these two research gaps. I argue that to achieve this purpose, we need a detailed investigation of the efforts of three groups of young intellectuals in the 1970s. The first group was cultural activists who rediscovered the Taiwan New Literature, Taiwan Xin Wen Xue. That is modern literature written by Chinese authors in the Japanese colonial period. The second group was writers and advocates of a socially conscious nativist literature. And the third group was young intellectuals who joined the political opposition movement. Especially those young political dissidents who studied the Chinese anti-colonial movement that challenged the Japanese rule in the 1920s. Okay, so far, so is my voice clear to you? Yes, very clear. Okay, then I will continue. Whether these groups or these young political and cultural dissidents were studying the colonial past or representing or even trying to change the present. These young dissidents were Chinese in their consciousness. In general, they drew on the Chinese national story constructed and allocated by the KMT to make sense of Taiwan's past and present. This story or narrative is just like what you see on my PowerPoint. But I'm sorry that I don't have time to get into these details. You can just read it. These young intellectuals narrated their lives in this public and collective story of China's fall and the rise. A story that situated them in time and structured their agency. What changed during this decade is that Taiwan's colonial history and contemporary problems became more and more important in this national narrative. We can say that for almost everyone, however, this master narrative, according to which they were all Chinese, went on challenges until the 1980s. The continued influence of this master narrative in Taiwan and its eventual decline are very important for us to study today because of the significance of the very same master narrative in the PRC. The key element of this national narrative is the same recovery from national humiliation. That once inspired the Chinese intellectuals to political and cultural activism in the 1970s. As I will show in the presentation today for many political and cultural dissidents, this decade was an early stage of transition from an old Chinese identity to a new Chinese consciousness. So where should a story about the 1970s Taiwan start? My book starts it with the 1960s. For the KM government in exile, the 1960s was a decade of consolidation and a successful replacement of the opposition. Like many countries, Taiwan experienced the rapid growth of both young population and higher education in the early post-war period. So as a result, a new highly educated generation, including members from local Tarnese and mainland backgrounds were emerging. Since the rise of modern Chinese nationalism in the late 19th century, young people in Taiwan that came to maturity in the 1960s was the first generation that the KM government had successfully indoctrinated with its particular version of Chinese nationalism in peacetime situation.  Also, the island society was shaped by the exile mentality of Marylanders, which emphasized the possibility of returning to their old homes on the Chinese mainland. The government initiated patriotism and anti-communism prevailed in the 1960s. But unlike many other places in the world that went through the disturbance of the 60s brought about by the student and youth movements, college students and young intellectuals in Taiwan did not create any significant disturbance. The KMT's tight political control created a politically inactive young generation. It was not until the 1970s that the KMT's authoritarian rule encountered major changes and significant political and cultural changes occurred. And these changes were brought about mainly by diplomatic failures. At the end of 1969, Taiwan and Japan began to dispute the sovereignty of the Delta Islands when the US was preparing to return them to Japan. Then and in the spring of 1971, college students in northern Taiwan organized the defense of the Delta Islands movement, to protest against the US and Japan. The Delta incident was a turning point, but it was only in the beginning of Taiwan's diplomatic failures in this decade. It was followed by the exclusion of Taiwan from the United Nations. Also, the US began to normalize the relations with China. Then Taiwan blocked off relations with increasingly more countries such as Japan when they recognized the PRC. From the very beginning of the Delta incident, college students, especially those at the National Taiwan University NTU, became more and more enthusiastic about the issues of social political reforms. As one NTU student put it at the time, the Delta incident created, I quote, a new situation that never happened in the previous 20 years. It was the first time student interest had been so eagerly focused on political and social issues. The students demanded not only such campus reform as educational independence and university democratization. They also demanded a general social political reform. Even the complete re-election of the National Assembly, and the legislative union, which was still a politically sensitive issue at that time. These college students were supported by a group of young reformist intellectuals surrounding the journal, The Intellectual Daxue Zazi. As many researches have pointed out, rapid and dramatic social changes such as war, civil disorder, exile, and so on typically create painful experience to people and become major traumatic events. In history, the kind of traumatic events usually transform people of the same or similar age into politically or socially active groups with strong generational identity. This typically happens as a result of a process of awakening. In this process, people develop a critical consciousness about the status quo and may take action accordingly. This is pretty much the case of those college students and young intellectuals who were shocked by the deletion incident and Taiwan's continuing major diplomatic failures. They argued that for Taiwan to survive a difficult situation, the KMD government must abolish the exile mentality and wake up from the dream of retaking the Chinese mainland and open its eyes to the true reality of Taiwan. At the beginning of the 1970s, these awakened college students and young intellectuals became a new social force that demanded democracy and social political reforms best return to the reality idea. That is the idea of hui gui xian si. However, after two years of social political activism following the deletion incident, by 1974, the college students and young intellectuals were suppressed into silence by the KMD. But as we see that the suppression of the social and political activism did not mean the disappearance of what I called the return to reality generation. In the country, many awakened young people found alternative ways to realize their reformist aspiration, such as joining the emerging opposition movement, the Tanwai movement. Led by young local Chinese politicians, Huang Xinjie and Pan Linxiang. In addition, the nativist cultural currents began to arise, which included research on modern literature and social political activism of the Japanese colonial period. These cultural currents also included the promotion of nativist literature with strong social critical consciousness. The main initiators of these cultural currents were precisely awakened young intellectuals and college students. As I have mentioned, the KMD ideological indoctrination had a powerful assimilating effect on both local Chinese and male and young people. In this decade, those young political dissidents and cultural activists of local Chinese background who promoted nativism relied mainly on the historical narrative of Chinese nationalism as a frame of reference to make sense of their contemporary opposition movement or modern literature and social political activism of the Japanese colonial period. In general, they shared a sense of Chinese national identity, but they began to challenge the KMD ideology that they took for granted when they grew up in the 1960s by rediscovering Taiwan's past and promoting the return to reality and the nativist soil. Here are some publications authored by some intellectuals of the return to reality generation. All of these have titles which demonstrated their strong generational identity and reformist passion. These are just selective examples of many such publications in the 1970s. You can see those book titles. Now for the rest of my talk, I would like to focus on the three groups of young political and cultural activists in the 1970s which were most significant to the following political democratization, cultural indigenization, historical rewriting, and so on and so forth. Let me start with the rediscovery of modern literature of the Japanese colonial period. Until the beginning of the 1970s, little had been known about the history of modern literature written by Chinese authors under the Japanese. In the early 1970s, when the awakened young intellectuals of local Chinese background tried to rediscover Taiwan's past, their focus was on the Japanese colonial period. In May 1972, Chen Xiaoting published an article entitled China's Main Fourth Movement and the New Literature Movement in Taiwan in the magazine The Intellectual. So he became the pioneer of a general investigation of the colonial literary history in this decade. In the year before Chen Xiaoting published this article, Taiwan suffered a series of diplomatic setbacks, including the Giao Yitai incident, the withdrawal from the UN, and so on. As I mentioned during this period, the magazine The Intellectual, which supported the reformist college students, became a discursive center that called for political and social reforms. As a native Chinese, Chen Xiaoting was precisely the president of this magazine. Also, he was one of the major advocates of the complete re-election of the National Assembly and the Legislative Union, which was dominated by the older generation of Marylanders. In his pioneering article under the framework of the historical narrative of Chinese nationalism, he defined the nature of modern literature written by the Chinese authors under Japanese colonialism as a form of Chinese nationalist resistance. He also described it as part of the changes brought about by China's literary revolution of Main Fourth, 1919. After the publication of Chen Xiaoting's article, many young intellectuals followed him and devoted themselves to rediscovering the history of modern literature of the colonial period. The interpretive framework on which they relied to understand the significance of the modern literature written by the Chinese under the Japanese rule was a little different from that in Chen Xiaoting's article. As a result of more than a thousand of writers of an older generation including Yang Kui, Song Lihe, Lai He, Lv He, Ruo, Wu Zuo Liu, Wu Xinrong, Zhang Shengjie, and so on were rediscovered. Their works were republished and attributed an increasing number of young admirers. They were widely read with eagerness among these young admirers were, for example, Zhang Liangze and Lin Ruimin, who both later became leading researchers of Taiwanese literature and major promoters of cultural indigenousization. In discussing how Yang Kui's story describes the suffering of the Chinese people under Japanese rule, Lin Ruimin wrote at the time that, let me quote, This was a faith that the Chinese people had endured together. This is the larger meaning of Yang Kui's works. He wrote about the background with which he was familiar, about the grief of the sons and daughters of China. And in a broader sense, they are originally part of the harvest of Chinese literature. And the spirit of Yang Kui has already been revitalized by the younger generation. This new found stress is China's hope for the future. So like Lin Ruimin, many young intellectuals tried to define the present situation and find out the future by rediscovering the past under the framework of Chinese nationalist and national narrative. They tried to know who they said, who themselves were by connecting their own generation to the previous. Now I would like to move on to the relationship between native history literature and significant awakening in the younger generation. As I pointed out, the rediscovery of Taiwan's modern literature of the colonial period began with Chen Xiaotian's 1972 article, China's main fourth movement and the new literature movement in Taiwan. More and more young intellectuals were eager to rediscover and study the colonial literary legacy. Meanwhile, a native history literature was emerging. These literary currents mutually reinforced one another. Many promoters of native history literature were also involved in the re-examination of colonial Chinese literature. Over the next several years, up to the native history literature debate, Xiangdu, Wenxue, Lun, Zhan in 1977, a large number of assets supporting native history literature appeared in newspapers and magazines. Such localities writers as Chen Yin, Zheng, Huang Chunmin, Wang Zhenhe, Yang Qingchu and Wang Tuo became leading nativist writers. As a literary critic commented at the time, none of the young people of the nativist writers generation had ever seen what the Chinese mainland was like and all had received the same education in post-war Taiwan. The young writers of nativist literature were typical examples of this generation that was deeply influenced by the PMT ideology and the exile mentality. But they were also clear examples of the return to reality generation that emerged in the context of Taiwan's diplomatic failures. Let me take Wang Tuo for example. In 1978, Wang Tuo became a dan wise candidate for Ji Long city in national assembly elections. In an interview when asked about the event that had influenced him the most, that is the biggest turning point in his life, he replied in this way. Quote, I think what influenced me the most is a series of incidents from protecting the Taoist to leaving the event. I was educated by these continuing incidents. In the past, we only stayed in the classroom and only considered a few intellectual issues. But the defend the Taoist movement brought me in contact with the wider world of the masses. And for the first time in 30 years, we understand how to take action and how to think theoretically. Think about why this whole state and the nation have turned out like this on Quote. As for other native writers such as Chen Yenzhen, Huang Zemin, Yang Qinzu, they all shared experiences similar to Wang Tuo's. Moreover, as far as the readership is concerned, let me quote another important literary critic, He Xin, at this point. He Xin was also a professor of Western literature, as he pointed out in his 1978 article when talking about how the popularity of the reported literature, Baodao Wenxue, was stimulated by the native literature. He said, I quote, a new readership has formed many young intellectuals and youth who are entering the middle class. They are no longer in bondage to the past. They do not have experiences of the struggles against the Japanese and the communists on the Chinese mainland, which have become a psychological burden of their previous generation. Now they are getting to know themselves. These young people were born in Taiwan and have spent over 30 years growing up here. This explains why they are most concerned about their native land, the place where they were born and brought up on Quote. So in brief, not only the writers of native literature and the reporting literature, but also a readership to appreciate them represented the formation of the return to reality generation since the beginning of the 1970s. This generation's formation began at a time when Taiwan was confronting major international political change. Also, as I pointed out early, it involves a process of awakening for many young people to which native is the writers and their supporters belong. Now let's move to the third group, one part of my research in the new book. So let's look at the relationship between the return to reality generation and the Danwai opposition movement. The opposition movement again, momentum in this decade when anti-Campian political dissidents began to develop an island-wide network of connections. Both Huang Xinjie and Kang Yunxiang became leaders in Danwai. In this period, members of the Danwai generally had a very strong historical consciousness, a powerful sense of history. Their historical sense had two fundamental aspects. First, a deep awareness of generational identity and second, a greater concern for Chinese history with a special interest in the history of Chinese anti-colonial movements in the 1920s. This Danwai special sense of history was first expressed by Kang Yunxiang. In February 1975, at the legislative end, as a legislator, Kang Yunxiang criticized the policy report given by the Prime Minister, Jiang Jingguo. He pointed out that people over 65 had dominated the leadership of government. He emphasized that about 87% of the population was composed of the generation under the age of 49. Therefore, he demanded that the KMD government listen to the voice of the younger generation which would decide the future of Taiwan. Equally important is the fact that he urged the government to appreciate the significance of Taiwanese history and culture, especially the history of a variety of anti-Japanese movements motivated by modern political ideology in the 1920s. He argued that in 50 years of Japanese rule, the Chinese people suffered a pain and a sacrifice, no less than their compatriots on the Chinese melancholy during the anti-Japanese war. In fact, in each issue of the Taiwan political review, Taiwan Zeng Lun, there was an article on the history of Chinese anti-colonial struggle. Taiwan political review was the very first Taiwan magazine in the 1970s, which was founded in 1975 by Huang Xinjie, Kang Yunxiang and Zhang Junhong and others. As I have mentioned, although the political and social activism was suppressed by the KMD government in the early 1970s, many awakened young intellectuals who were younger than Huang Xinjie and Kang Yunxiang joined the emerging opposition movement. These intellectuals represented a rising younger generation and show a strong generational consciousness. They usually referred to themselves as the new generation, the new generation, the new generation, the new generation. For example, Zhang Junhong, who later became the chairman of the DPP, once described his generation as anxious and frustrated new generation under the KMD rule. He was the chief editor of the Taiwan magazine, Zeyi Dai Zazi, which was precisely entitled New Generation in English. Like the Taiwan political review, the other three most important Taiwan political magazines published before the 1979 Kaohsiung incident. That is, New Generation, the 80s and Formosa represented many articles on the Taiwanese history, especially those about the anti-Japanese movements of the 1920s. Meanwhile, Huang Xiong wrote a series of books about the history of Chinese anti-colonialism, including the first biography of one of the major anti-colonial leaders, Jiang Weisui. Like many other young intellectuals who joined the Tang Wai, Huang Xiong compared the anti-KMD pro-democracy Tang Wai movement of the 1970s to the Chinese anti-colonial movement of the 1920s, showing the typical strong sense of history of the return to reality generation. According to Huang Xiong, Taiwanese anti-colonial activists were Chinese nationalists in their consciousness. He argued that their activities promoted the high national spirit of the Chinese people and made the Chinese compatriots proud of the Chinese nation. For this reason, they had nothing to apologize for to the ancestral land, much less to the Chinese nation. Huang Xiong hoped in his publications that his works would help the Chinese nation unite by promoting the spiritual legacy of the anti-colonial activists during the national crisis in the 1970s. Huang Xiong believed that the tradition of anti-colonial activism could give people a sense of connection and identity with the Chinese nation. By the way, as you may know, Huang Xiong served as chairperson of the Transitional Justice Commission, recently in 2018 under the Tsai Ing-wen's administration. Another example was a native Li Xiu Lian, who later became Chen Shui-bian's vice president. In 1978, as a Tan Wai candidate in the election for the National Assembly members, Li Xiu Lian published her book entitled, Taiwan's Past and Future, Taiwan's Guo Chi i Weilai. It was the most systematic presentation of Tan Wai's sense of history and their historical narrative. This book can be regarded as a precursor to the Chinese consciousness and the Chinese nationalism that arose in the 1980s. In her book, Li Xiu Lian emphasized Taiwan's positioning within China. Let me quote, Yes, Taiwan is a province of China. Most Taiwanese people's ancestors came from the Chinese mainland. And this is exactly why to love Taiwan is to love China. To talk Taiwanese is to talk Chinese. To change Taiwanese culture is to change Chinese culture. And to deal with Chinese history is of course to deal with Chinese history. But Li Xiu Lian also argued that there is a similarity between the basic problems of women and the historical fate of Taiwanese people. And that she wanted to transcend the traditional Sino-centric position and adopted the standpoint of Taiwan in itself. She described Taiwan's history as a continuous stream of immigration and colonization. The Spaniards, the Dutch, Chinese mean royalists under Kotsinga, the Chinese and the Japanese, here for her, Li Xiu Lian, were all colonizers who established foreign regimes, Weilai, Zhenquan. By saying this, Li Xiu Lian hinted that the KMT, like the previous rulers in Taiwan, was a colonizer, a foreign regime. She argued that the people of the island must fight for control of government and destiny. Li Xiu Lian's representation of Taiwanese history was radical and anticipated the later radicalization of the opposition movement. And its new historical narrative, due to the brutal suppression by the KMT government in the years following the Kaohsiung incident of December 1979. So like those cultural activists who rediscovered Taiwan's new literature in the Japanese colonial period, and the writers and supporters of native literature, the young political dissidents who studied the Taiwanese history, such as Huang Wangxiong, Li Xiu Lian, and other Danghua magazine authors, drew on the historical narrative of Chinese nationalism as a frame of reference on the one hand, but tried to broader Taiwan's history and contemporary reality to their fellow countrymen's attention on the other. Before I move to the conclusion of my new book, let me quote a short essay by the writer-journalist Yang Zhao. He once characterized the 1970s in Taiwan as a period of discovering China,發現 China, but he also argues, let me quote, We can use the term discover Taiwan to describe the call of thought in the 1970s, but people at the time in the 1970s thought what they discovered was China rather than Taiwan. As time passed into the 1970s, the concept of China itself became the most important object of controversy. The question for me in people's minds in fact was, could society we had developed and the life we were living in Taiwan be regarded as Chinese at all? Those who gave a positive answer to this question began to kiss the dubious eye on the historical and geographical symbolism used to represent China before, those byproducts of nostalgia, believing that they were really empty and ruthless. They argued that only when we grasped the present and what was close to us could we truly grasp China. This idea ran through the major cultural debates of the time, the idea that Taiwan in reality could stand for China. This idea was a way of spring of the subsequent discourse of native Chinese, but it first emerged in the form of a realment Chinese nationalism. I think the documentation and analysis in my new book supported Yang Zhao's tentative but insightful argument. In conclusion, I would like to say that Taiwan is still under the influence of the major political and cultural changes of the 1970s. My new book argues for a generational perspective on the political and cultural descent of this decade. My book analyzes the three major changes that were crucial to the following democratization and in digitalization process. They included the rediscovery of the history of modern literature and the social political activism of the Japanese colonial period, the promotion of nativist literature, and the opposition movement. I argue that these changes were pushed mainly by members of the post-war generation that had a strong generational consciousness as well as a sense of Chinese identity with an orientation to Taiwan. For many of them, this decade was an early stage of transition from an old Chinese identity to a new Chinese consciousness. The combination of a powerful generational identity and a strong historical consciousness was an important source of agency that motivated them to change the status quo. The Taiwan turned taken by the reality generation in the single mostly important reorientation in post-war Taiwan because it formed the matrix of the cultural politics of Taiwanese nationalism and democratization in the following decades. This return to reality generation has shaped the history of Taiwan over the last five decades. Now the members of this generation are getting old if not withering. Also, in terms of historical comparison, research on the role of the post-war generation in political and cultural change in Taiwan should emphasize the critical decade of the 1970s, not the 1960s, the decade that had received the most attention in the west. Okay, so thank you for your listening and patience. Let me just stop here. Thank you. Thank you.


At CES 2015, attendees commonly use their smartphones to get from place to place and to connect with colleagues. And innovative and user friendly accessories for these phones are truly becoming second nature. This is a signal enhancement case for iPhone 6 and 6 Plus. So we do 3G and LTE signal enhancement. This is useful for when you're in a low signal level area. Especially when you only have one to two signal bars, this can help you to get that connection going on when you need it. It is retailing at $40 worldwide and it's on sale in our website store. Yeah, it actually helps when you're on the phone, on the talking. You need 3G connection. Or when you're downloading or browsing internet or Facebook, Twitter, 4G is the one to go. Maldon, Massachusetts-based company CableDrive created an innovative way to charge your device. This product is called HeroDoc. It's a universal stand for iPhones and androids. It's fully adjustable to work with all sorts of cases and cables. It can adjust forward and back. And the cable on the inside can be adjusted higher or lower so that you can get a secure connection. There's suction on the bottom that keeps this aluminum base securely fastened to the tabletop that you're adjusting to. And it is a sleek design for Homer Office. It has a raised platform, which is great for FaceTime or other conference calls. And we love that it's universal and can work with any kind of Android, window, iPhone, any tablet, smartphone. It's a great product. You have a little hook on the back of the design here where you can attach your earbuds or a Bluetooth headset. You can store coins back here. It's pretty sleek looking. You really like it. It works with larger tablets or smaller iPods. We sell on CableDrive.com and Amazon. Smartphone accessories were some of the hottest gear that we saw today at the first official day of CES here in Las Vegas. For more, follow us on Twitter at BU News Service. Reporting from Las Vegas, I'm Justin Soto.