Sonnets 1 to 10 of Shakespeare's Sonnets. From fairest creatures we desire increase, That thereby beauty's rose might never die, But as the riper should by time decease, His tender air might bear his memory. But thou, contracted to thine own bright eyes, Feeds thy light's flame with self-substantial fuel, Making a famine where abundance lies, Thy self thy foe, to thy sweet self too cruel. Thou that art now the world's fresh ornament, And only herald to the gory spring, within thine own bud, bery as thy content, And tender churl makes waste in niggarding. Pity the world, or else this glutton bee, To eat the world's dew by the grave and thee too. When forty winters shall besiege thy brow, And dig deep trenches in thy beauty's field, Thy youth's proud livery, so gazed on now, Will be a tattered weed of small worth held. Then being asked where all thy beauty lies, Where all the treasure of thy lusty days, to say, Within thine own deep sunken eyes, Were an all-eating shame, and thriftless praise. How much more praise deserve thy beauty's use, If thou couldst answer, this fair child of mine shall sum my count, And make my old excuse, proving his beauty by succession thine. This were to be new-made when thou art old, And see thy blood warm when thou feelst it cold. 3.  For where is she so fair, whose uneared womb Destains the tillage of thy husbandry? Or who is he so fond, will be the tomb Of his self-love, to stop posterity? Thou art thy mother's glass, And she in thee calls back the lovely April of her prime, so thou, through windows of thine age, Shall see, despite of wrinkles, this thy golden time. But if thou live, remember not to be, Die single, and thine image dies with thee. 4. Unthrifty loveliness, why dost thou spend Upon thyself thy beauty's legacy? Nature's bequest gives nothing, but doth lend, And being frank, she lends to those are free. Then, beautyous-niggered, why dost thou abuse The bounteous-largest given thee to give? Profitless usurer, why dost thou use So great a sum of sums, yet canst not live? For having traffic with thyself alone, Thou of thyself thy sweet self dost deceive, Then how, when nature calls thee to be gone, What acceptable audit canst thou leave? Thy unused beauty must be tomb'd with thee, Which used lives the executor to be. 5. Those hours that with gentle work did frame The lovely gaze where every eye doth dwell, Will play the tyrants to the very same, And that unfair which fairly doth excel, For never resting time leads summer on To hideous winter and confounds him there. Checked with frost, and lusty leaves quite gone, Beauty o'er snowed, and bareness everywhere. Then were not summer's distillation left, A liquid prisoner pent in walls of glass, Beauty's effect with beauty were bereft, Nor it, nor no remembrance what it was. But flowers distilled, though they with winter meet, Peace but their show, their substance still lives sweet. 6. Then let not winter's ragged hand To face in thee thy summer ere thou be distilled, Make sweet some vile, treasure thou some place With beauty's treasure ere it be self-killed. That use is not forbidden usually, Which happy's those that pay the willing loan, That's for thyself to breed another thee, Or ten times happier be it ten for one, Ten times thyself were happier than thou art, If ten o' thine ten times refigured thee, Then what could death do if thou shouldst depart Leaving thee living in posterity? Be not self-willed, for thou art much too fair To be death's conquest, And make worms thine ere. 7. Though in the Orient when the gracious light Lifts up his burning head, Each under-eye doth homage To his new appearing sight serving with looks His sacred majesty. And having climbed the steep-up heavenly hill, Resembling strong youth in his middle age, Yet mortal looks adore his beauty still, Attending on his golden pilgrimage. But when, from highmost pitch With weary car like feeble age, Be realeth from the day, The eyes for dutious now converted are From his low tract, And look another way. So thou, thyself outgoing in thy noon, Unlooked on, diest, Unless thou get a sun. 8. Music to hear, Why hears thou music sadly? Sweets with sweets war not, Joy delights in joy, Why loves thou that which thou receives not gladly, Or else receives with pleasure thine annoy? If the true concord of well-tuned sounds By unions married to offend thine ear, They do but sweetly chide thee, Who confounds in singleness the parts that thou should bear. Mark how one string, sweet husband to another, Strikes each in each by mutual ordering, Resembling sire and child and happy mother, 2. All in one, one pleasing note to sing, Whose speechless song, being many, Seeming one, sings this to thee, Thou single wilt prove none. 9. Is it for fear to wet a widow's eye That thou consumes thyself in single life? Ah! If thou issueless shall have to die, The world will wail thee like a Makeless wife, the world will be thy widow, And still weep that thou no form of thee Has left behind, when every private widow Well may keep by children's eyes Her husband's shape in mind.  No love towards others in that bosom sits, That on himself such murderous shame commits. 10. For shame, deny that thou beest loved to any, Who for thyself art so unprovident, Grant if thou wilt thou art beloved of many, But that thou none lovest is most evident. For thou art so possessed with murderous hate, That against thyself thou sticks not to conspire, Seeking that beauty's roof to ruinate, Which to repair should be thy chief desire. O change thy thought, that I may change my mind, Shall hate be fairer lodge than gentle love, Be as thy presence is, gracious and kind, Or to thyself at least kind-hearted prove, Make thee another self for love of me, That beauty still may live in thine or thee. Second of Sonnets, one to ten of Shakespeare's Sonnets. 11. As fast as thou shalt wane, so fast thou growest in one of thine, From that which thou departest, And that fresh blood which youngly thou bestowest, Thou mayst call thine when thou from youth convertest. Herein lies wisdom, beauty, and increase, Without this folly, age, and cold decay. If all were minded so, the times should cease, And three-score year would make the world away. Let those whom nature hath not made for store, Harsh, featureless, and rude, barrenly perish, Look whom she best endowed, she gave thee more, Which bounteous gift thou shouldst in bounty cherish. She carved thee for her seal, And meant thereby thou shouldst print more. Not let that copy die. 12. When I do count the clock that tells the time, And see the brave day sunk in hideous night, When I behold the violet past-prime, And sable curls, all silvered o'er with white. When lofty trees I see barren of leaves, Which erst from heat did canopy the herd, And summer's green all girded up in sheaves, Born on the beer with white and bristly beard. Of thy beauty do I question make, That thou among the wastes of time must go, Since sweets and beauties do themselves forsake, And die as fast as they see others grow. And nothing against time's scythe Can make defence save breed to brave him, When he takes the hence. 13.  So should that beauty which you hold in lease find no determination, Then you were yourself again after yourself's decease, When your sweet issue your sweet form should bear. You let so fair a house fall to decay, Which husbandry in honour might uphold, Against the stormy gusts of winter's day, And barren rage of death's eternal cold. Oh, none but unthrifts!  14. Not from the stars do I my judgment pluck, And yet me thinks I have astronomy, But not to tell of good or evil luck Of plagues or dearths or seasons' quality. Nor can I fortune to brief minutes tell, Pointing to each his thunder, rain and wind, Or say with princes if it shall go well, By oft predict that I in heaven find. But from thine eyes my knowledge I derive, And constant stars in them I read such art As truth and beauty shall together strive, If from thyself to store thou would's convert. For else of thee this I prognosticate, Thy end is truths and beauty's doom and date. 15. When I consider everything that grows Holds in perfection but a little moment, That this huge stage presenteth naught but shows Whereon the stars in secret influence comment, When I perceive that men as plants increase Cheered and checked even by the self-same sky Vaunt in their youthful sap at height decrease, And wear their brave state out of memory, Then the conceit of this inconstant stay sets You most rich in youth before my sight, Where wasteful time debateth with decay To change your day of youth to solid night. And all in war with time, for love of you, As he takes from you, I engraft you new. 16.  Now stand you on the top of happy hours And many maiden gardens yet unset, With virtuous wish would bear you living flowers, Much likeer than your painted count of it. So should the lines of life that life repair Which this time's pencil or my pupil pen, Neither in inward worth nor outward fare Can make you live yourself in eyes of men. To give away yourself keeps yourself still, And you must live, drawn by your own sweet skill. 17. Who will believe my verse in time to come, If it were filled with your most high deserts? Though yet heaven knows it is but as a tomb Which hides your life and shows not half your parts. If I could write the beauty of your eyes And in fresh numbers number all your graces, The age to come would say, This poet lies, such heavenly touches ne'er touched earthly faces. So should my papers, yellowed with their age, Be scorned like old men of less truth than tongue, And your true rites be termed a poet's rage And stretchered meter of an antique song. But were some child of yours alive that time? You should live twice, in it and in my rhyme. 18. Shall I compare thee to a summer's day, Thou art more lovely and more temperate, If winds do shake the darling buds of May, And summer's lease hath all too short a date? Sometime too hot the eye of heaven shines, And often is his gold complexion dimmed, And every fair from fair sometime declines By chance or nature's changing course untrimmed. But thy eternal summer shall not fade Nor lose possession of that fair thou o'est, Till death brag thou wondrous in his shade, When in eternal lines to time thou growest. So long as men can breathe, Or eyes can see, So long lives this, And this gives life to thee. 19. Devouring time, blunt thou the lion's paws, And make the earth devour her own sweet brood, Pluck the keen teeth from the fierce tiger's jaws, And burn the long-lived phoenix in her blood, Make glad and sorry seasons as thou fleeced, And do whatever thou wilt, swift footed time, To the wide world and all her fading sweets. But I forbid thee one most heinous crime, O carve not with thy hours on my love's fair brow, Nor draw no lines there with thine antique pen, Him in thy course untainted to allow, For beauty's pattern to succeeding men. Yet do thy worst old time, Despite thy wrong, My love shall in my verse ever live young. 20.   And for a woman what thou first created, Till nature, as she wrought thee, fell adoting, And by addition me of thee defeated, By adding one thing to my purpose nothing. But since she pricked thee out For women's pleasure, Mine be thy love, and thy love's use, their treasure. 21. So it is not with me, as with that muse, Stirred by a painted beauty to his verse, Who heaven itself for ornament doth use, And every fair with his fair doth rehearse, Making a couplement of proud compare, With sun and moon, with earth and seas rich Gems, with April's first-born flowers, And all things rare that heaven's air in this huge rondure hems. Oh, let me, true in love, but truly right, And then believe me, my love is as fair As any mother's child, though not so bright As those gold candles fixed in heaven's air. Let them say more that like of here say, Well, I will not praise that purpose not to sell. 22. My glass shall not persuade me I am old, So long as youth and thou are of one date, But when in thee times furrows I behold, Then look I death my days should expiate. For all that beauty that doth cover thee Is but the seemly raiment of my heart, Which in thy breast doth live as thine in me, How can I then be elder than thou art? Oh, therefore love, be of I self so wary As I not for myself but for thee will, Bearing thy heart, which I will keep so cherry As tender nurse her babe from fairing ill. Presume not on thy heart when mine is slain, Thou gafes me thine not to give back again. 23. As an unperfect actor on the stage, Who with his fear is put beside his part, For some fierce thing replete with too much rage, Whose strengths abundance weakens his own heart, So I, for fear of trust, forget to say The perfect ceremony of love's right, And in mine own love's strength seem to decay, Were charged with birthing of mine own love's might. Oh, let my looks be then the eloquence And dumb presages of my speaking breast Who plead for love, and look for recompense More than that tongue that more hath more expressed. Oh, learn to read what silent love hath writ, To hear with eyes belongs to love's fine wit. 24. Mine eye hath played the painter, And hath stell thy beauty's form in table of my heart, My body is the frame wherein't is held, And perspective it is best painter's art. But through the painter must you see his skill To find where your true image pictured lies, Which in my bosom's shop is hanging still That hath his windows glazed with thine eyes. Now see what good turns eyes for eyes have done, Mine eyes have drawn thy shape, And thine for me are windows to my breast, Where through the sun delights to peep To gaze therein on thee. Yet eyes this cunning want to grace their art, They draw but what they see, know not the heart. 25. Let those who are in favour with their stars Of public honour and proud titles boast, Whilst I, whom fortune of such triumph bars, Unlooked for joy in that I honour most. Great Prince's favourites their fair leaves spread, But as the marigold at the sun's eye And in themselves their pride lies buried, Or at a frown they in their glory die. The painful warrior, famous it for fight After a thousand victories once foiled, Is from the Book of Honour, raise it quite, And all the rest forgot for which he toiled. Then happy I, that love and amber loved Where I may not remove, nor be removed. 26. Lord of my life, to whom in vassalage Thy merit hath my duty strongly knit, To thee I send this written embersage To witness duty, not to show my wit. Duty so great which wit so poor as mine May make seem bare in wanting words to show it, But that I hope some good conceit of thine In thy soul's thought all-naked will bestow it.  Then may I dare to boast how I do love thee, Till then not show my head where thou mayst prove me. 27. Weary with toil I haste me to my bed, The dear repose for limbs with travel tired, But then begins a journey in my head To work my mind where body's works expired. For then my thoughts, from far where I abide, Intend a zealous pilgrimage to thee, And keep my drooping eyelids open wide, Looking on darkness which the blind do see.  Lo! thus by day my limbs, by night my mind, For thee, and for myself, no quiet find. 28. How can I then return in happy plight That I'm debarred the benefit of rest, When day's oppression is not eased by night, But day by night and night by day oppressed, And each, though enemies to either's reign, Do in consent shake hands to torture me, The one by toil, the other to complain, How far I toil still farther off from thee. I tell the day to please him thou art bright, And dust him grace when clouds do blot the heaven, So flatter I the swat complexioned night, When sparkling stars twire not, Thou guilts the even. But day doth daily draw my sorrows longer, And night doth nightly make grief's length Seem stronger. 29.  And then my state like to the lark at break of day arising From sullen earth sings hymns at heaven's gate, For thy sweet love remembered such wealth brings, That then I scorn to change my state with kings. 30. Then to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes knew wail my dear time's waste. Then can I drown an eye unused to flow For precious friends hid in death's stateless night, And weep afresh love's long since cancelled woe, And mown the expense of many a vanished sight. Then can I grieve, at grievances foregone, And heavily from woe to woe tell o'er the sad account of four bemoaned moan Which I knew pay as if not paid before. But if the wail I think on thee, dear friend, All losses are restored and sorrows end. Read of Sonnets 21 to 30 of Shakespeare's Sonnets. Shakespeare's Sonnets by William Shakespeare Sonnets 31 to 40. 31. Thy bosom is endeared with all hearts, Which I, by lacking, have supposed dead, And there reigns love, And all love's loving parts, And all those friends which I thought buried. How many a holy and obsequious tear hath dear religious love stolen from mine eye, As interest of the dead, which now appear, But things removed that hidden in thee lie? Thou art the grave where buried love doth live, Hung with the trophies of my lovers gone, Who all their parts of me to thee did give, That due of many now is thine alone. Their images I loved, I view in thee, And thou, all they, hast all the all of me. 32. If thou survive my well-contented day, When that churl death my bones with dust shall cover, And shalt by fortune once more resurvey These poor, rude lines of thy deceased lover, Compare them with the bettering of the time, And though they be outstripped by every pen, Reserve them for my love, not for their rhyme, Exceeded by the height of happier men. Oh, then vouchsafe me but this loving thought, Had my friends' muse grown with this growing age A dearer birth than this his love had brought, To march in ranks of better equippage, But since he died, and poets better prove, There's for their style I'll read, His for his love. 33. Full many a glorious morning have I seen, Flatter the mountain-tops with sovereign eye, Kissing with golden face the meadows-green, Gilding pale streams with heavenly alchemy. Anon permit the basest clouds to ride With ugly rack on his celestial face, And from the forlorn world his visage hide, Stealing unseen to west with this disgrace. Even so, my son, one early morn did shine, With all triumphant splendour on my brow, But out a lack. He was but one hour mine, The region cloud hath masked him from me now. Yet him for this my love no wit disdaineth, Sons of the world may stain when heaven's son staineth. 34. Why didst thou promise such a beautyous day, And make me travel forth without my cloak, To let base clouds or take me in my way, Hiding thy bravery in their rotten smoke? It is not enough that through the cloud thou break To dry the rain on my storm-beaten face, For no man well of such a salve can speak That heals the wound and cures not the disgrace. Nor can thy shame give physic to my grief, Though thou repent yet I have still a loss, The offender's sorrow lends but weak relief To him that bears the strong offence's cross. Ah, but those tears are pearl which thy love sheds, And they are rich and ransom all ill-deeds. 35. No more be grieved at that which thou hast done. Roses have thorns and silver fountains mud, Clouds and eclipses stain both moon and sun, And loathsome canker lives in sweetest bud. All men make faults. And even I in this, authorizing thy trespass with compare, Myself corrupting, salving thy amiss, excusing thy sins more than thy sins are. For to thy sensual fault I bring in sense, Thy adverse party is thy advocate, And against myself a lawful plea comments, Such civil war is in my love and hate, That I in accessory needs must be to that sweet thief Which sourly robs from me. 36. Let me confess that we too must be twain, Although our undivided loves are one. So shall those blots that do with me remain Without thy help by me be born alone. In our two loves there is but one respect, Though in our lives a separate spite, Which though it alter not loves sole effect, Yet doth it steal sweet hours from love's delight. I may not ever more acknowledge thee, Lest my bewailed guilt should do thee shame, Nor thou with public kindness honour me, Unless thou take that honour from thy name. But do not so. I love thee in such sort, As thou being mine, mine is thy good report. 37. As a decrepit father takes delight To see his active child do deeds of youth, So I, made lame by fortune's dearest spite, Take all my comfort of thy worth and truth. For whether beauty, birth, or wealth, or wit, Or any of these all, or all, or more Entitled in thy parts do crowned sit, I make my love engrafted to this store. So then I am not lame, poor, nor despised, Whilst that this shadow doth such substance Give that I in thy abundance am sufficed, And by a part of all thy glory live. Look what is best, that best I wish in thee, This wish I have, then, ten times happy me. 38. How can my muse want subject to invent, While thou dost breathe, that pours into my verse Thine own sweet argument, Too excellent for every vulgar paper to rehearse? Oh, give thyself the thanks, If, ought in me, worthy perusal stand against thy sight, For whoso done that cannot write to thee, When thou thyself dost give invention light? Be thou the tenth muse, ten times more in worth Than those old nine which rhymers invocate, And he that calls on thee, Let him bring forth eternal numbers to outlive long date. If my slight muse do please these curious days, The pain be mine, but thine shall be the praise. 39. Oh, how thy worth with manners may I sing, When thou art all the better part of me! What can mine own praise to mine own self bring, And what is but mine own, when I praise thee? Even for this let us divided live, And our dear love lose name of single one, That by this separation I may give that due to thee which thou deservedst alone. 40. Oh, absence, what a torment would thou prove, Were it not thy sour leisure gave sweet leave To entertain the time with thoughts of love, Which time and thoughts so sweetly doth deceive, And that thou teachest how to make one twain, By praising him here, who doth hence remain. 40. Take all my loves, my love, yea, take them all. What hast thou then more than thou hadst before? No love, my love, that thou mayst true love call, All mine was thine, before thou hadst this more. Then, if for my love thou my love receivest, I cannot blame thee, for my love thou usest, But yet be blamed if thou thyself deceivest By willful taste of what thyself refusest. I do forgive thy robbery, gentle thief, Although thou steal thee all my poverty, And yet love knows it is a greater grief To bear love's wrongs than hate, known injury. Lascivious grace in whom all ill well shows, Kill me with spites, yet we must not be foes. 40. Those pretty wrongs that liberty commits When I am sometimes absent from thy heart, Thy beauty and thy years full well befits, For still temptation follows where thou art, And therefore to be won, beautyous thou art, Therefore to be assailed, And when a woman woos, what woman's son Will sourly leave her till he hath prevailed. I me. But yet thou mightst my seat forbear, And shide thy beauty and thy straying youth, Who leads thee in their riot, even there, Where thou art forced to break a twofold truth. Hers by thy beauty tempting her to thee, Thine by thy beauty being false to me. 42. That thou hast her it is not all my grief, And yet it may be said I loved her dearly. That she hath thee is of my wailing chief, A loss in love that touches me more nearly. Loving offenders thus I will excuse ye, Thou dost love her because thou knowest I love her. And for my sake even so doth she abuse me, Suffering my friend for my sake to approve her.  Both find each other, and I lose both twain. And both for my sake lay on me this cross. But here's the joy. My friend and I are one. It flattery than she loves but me alone. 43. When most I wink, then do mine eyes best see, For all the day they view things unrespected. But when I sleep, in dreams they look on thee, And darkly bright are bright in dark directed. Then thou, whose shadows, shadows doth make bright, How would thy shadows form, form happy show, to the clear day, With thy much clearer light, when to unseeing eyes Thy shade shines so? How would I say, mine eyes be blessed made, By looking on thee in the living day, when in dead night Thy fair imperfect shade, Through heavy sleep on sightless eyes doth stay? All days are nights to see till I see thee, And nights bright days when dreams do show thee me. 44. If the dull substance of my flesh were thought, Endurious distance should not stop my way, For then, despite of space, I would be brought From limits far remote, where thou dost stay. No matter then, although my foot did stand Upon the farthest earth removed from thee, For nimble thought can jump both sea and land As soon as think the place where he would be. But ah, thought kills me that I am not thought To leap large lengths of miles when thou art gone. But that so much of earth and water wrought, I must attend time's leisure with my moan. Receiving nought by elements so slow, But heavy tears, badges of either's woe. 45. The other two, slight air and purging fire, Are both with thee, wherever I abide. For first my thought, the other, my desire, These present absent with swift motion slide. For when these quicker elements are gone In tender embassy of love to thee, my life, Being made of four, with two alone, Syncs down to death, oppressed with melancholy. Until life's composition be re-cured By those swift messengers returned from thee, Who even but now come back again, Assured of thy fair health, recounting it to me. This told, I joy. But then no longer glad, I send them back again, And straight grow sad. 46. Mine eye and heart are at a mortal war, How to divide the conquest of thy sight. Mine eye, my heart, Thy pictures sight would bar. My heart, mine eye, the freedom of that right. My heart doth plead that thou in him doth lie, A closet never pierced with crystal eyes, But the defendant doth that plead in eye, And says in him thy fair appearance lies. To side this title is in paneled a quest of thoughts, All tenants to the heart, And by their verdict is determined the clear eye's moity, And the dear heart's part, as thus. Mine eye's dew is thy outward part, And my heart's right thy inward love of heart. 47. Betwixt mine eye and heart a league is took, And each doth good turns now unto the other, When that mine eye is famished for a look, Or heart in love with size himself doth smother. With my love's picture, then, my eye doth feast, And the painted banquet bids my heart. Another time mine eye is my heart's guest, And in his thoughts of love doth share a part. So either by thy picture or my love Thy self away art present still with me, For thou not farther than my thoughts can move, And I am still with them, and they with thee. For if they sleep, thy picture is my sight, Awakes my heart to hearts and eyes delight. 48. How careful was I when I took my way, Each trifle under truest bars to thrust, That to my use it might unused stay From hands of falsehood insure wards of trust. But thou, to whom my jewels trifles are, Most worthy comfort, now my greatest grief, Thou best of dearest and mine only care, Art left the prey of every vulgar thief. Thou have I not locked up in any chest, Save where thou art not, though I feel thou art, Within the gentle closure of my breast, From whence at pleasure thou mayst come and part. And even thence thou wilt be stolen, I fear, For truth proves thievish for a prize so dear. 49. Against that time, if ever that time come, When I shall see thee frown on my defects, When as thy love hath cast his utmost sum, Called to that audit by advised respects, Against that time when thou shalt strangely pass, And scarcely greet me with that sun thine eye, When love, converted from the thing it was, Thou reasons find of settled gravity. Against that time, do I ensconce me here, Within the knowledge of my own dessert, And this my hand against myself uprear To guard the lawful reasons on thy part, To leave poor me, thou hast the strength of laws, Since why to love I can allege no cause. 50. How heavy do I journey on the way, When what I seek, my weary travel's end, Doth teach that ease, and that repose to say, Thus far the miles are measured from thy friend. The beast that bears me, tired with my woe, Plods dullly on, to bear that weight in me, As if by some instinct the wretch did know, His rider, love not speed, being made from thee.  For that same groan doth put this in my mind, My grief lies onward, and my joy behind. Read of Sonnets 41-50 of Shakespeare's Sonnets. Shakespeare's Sonnets by William Shakespeare. Sonnets 51-60. 51. Thus can my love excuse the slow offence of my dull bearer, When from thee I speed. From whence thou art, why should I haste me fence, Till I return of posting is no need. Oh, what excuse will my poor beast then find, When swift extremity can seem but slow, When should I spur, though mounted on the wind, In winged speed no motion shall I know? Then can no horse with my desire keep pace, Therefore desire of perfect's love being made, Shall nay no dull flesh in his fiery race, But love for love thus shall excuse my jade. Since from thee going he went willful slow, Towards thee I'll run, and give him leave to go. So am I as the rich, whose blessed key Can bring him to his sweet uplocked treasure, The which he will not every hour survey, For blunting the fine point of seldom pleasure. Therefore our feasts so solemn and so rare, Since seldom coming in that long year set, Like stones of worth they thinly place it are, Or captain jewels in the carkinet. So is the time that keeps you as my chest, Or as the wardrobe which the robe doth hide, To make some special instant special blessed, By new unfolding his imprisoned pride. Blessed are those whose worthiness gives scope, Being had to triumph, being lacked to hope. 53. What is your substance, whereof are you made, That millions of strange shadows on you tend, Since every one hath every one one shade, And you but one can every shadow lend? Describe Adonis, and the counterfeit is poorly Imitated after you, on Helen's cheek all art of beauty set, And you in Grecian tyres are painted new. Speak of the spring and foison of the year, The one doth shadow of your beauty show, The other as your bountiedeth appear, And you in every blessed shape we know. And all external grace you have some part, But you like none, none you for constant heart. 54. O how much more doth beauty-beautiest seem, By that sweet ornament which truth doth give! The rose looks fair, but fairer we it deem, For that sweet odour which doth in it live! The canker-blooms have full as deep a dye, As the perfumed tincture of the roses, Hang on such thorns and play as wantonly, In summer's breath their masquered bud discloses.  Sweet roses do not so, of their sweet deaths Are sweetest odours made, and so of you Beautyous and lovely youth, when that shall fade By verse distills your truth. 55. Not marble, nor the gilded monuments of princes, Shall outlive this powerful rhyme. But you shall shine more bright in these contents Than unswept stone besmeared with sluttish time. When wasteful war shall statues overturn, And broils root out the work of masonry, Nor Mars his sword, nor war's quick fire Shall burn the living record of your memory. Waste death and all oblivious enmity Shall you pace forth, your praise shall still find room, Even in the eyes of all posterity, That wear this world out to the ending doom. So till the judgment that yourself arise, You live in this, and dwell in lover's eyes. 56. Sweet love, renew thy force, Be it not said thy edge should blunter Beeth an appetite, which but to-day by feeding Is elade, to-morrow sharpened in his former might. So love, be thou, although to-day thou fill Thy hungry eyes, even till thy wink with fulness, To-morrow see again, and do not kill the spirit Of love with a perpetual dullness. Let this sad interim like the ocean be, Which parts the shore, where two contracted New come daily to the banks, that when they See return of love more blessed may be the view. Or call it winter, which being full of care Makes summer welcome, thrice more wished, more rare. 57. Being your slave, what should I do but tend Upon the hours and times of your desire? I have no precious time at all to spend, Nor services to do till you require. Nor dare I chide the world without end-hour, Nor must I, my sovereign, watch the clock for you, Nor think the bitterness of absence sour When you have bid your servant once adieu. Nor dare I question with my jealous thought Where you may be, or your affairs suppose, But like a sad slave stay, and think of nought Save where you are, how happy you make those. So true a fool is love, that in your will, Though you do anything, he thinks no ill. 58.  Oh, let me suffer, being at your beck The imprisoned absence of your liberty, And patience tamed to sufferance bide each check Without accusing you of injury. Beware you list, your charter is so strong That you yourself may privilege your time to what you will, To you aduth belong yourself to pardon of self-doing crime. I am to wait, though waiting so behel, Not blame your pleasure, be it ill or well. 59. If there be nothing new, but that which is hath been before, how are our brains beguiled, Which laboring for invention bear amiss the second-burthen Of a former child? Oh, that record could, with a backward look, Even of five hundred courses of the sun, Show me your image in some antique book, Since mind at first in character was done. That I might see what the old world could say To this composed wonder of your frame, Where we are mended, or where better they, Or whether revolution be the same. Oh, sure I am the wits of former days, To subjects worse have given admiring praise. 60. Like as the waves make towards the pebbled shore, So do our minutes hasten to their end, Each changing place with that which goes before, In sequent toil all forwards do contend. Nativity once in the mane of light crawls to maturity, Wherewith, being crowned, crooked eclipses Against his glory fight, and time that gave Doth now his gift confound. Time doth transfix the flourish set on youth, And delves the parallels in beauty's brow, Feeds on the rarities of nature's truth, And nothing stands but for his scythe to mow. And yet to times in hope my verse shall stand, Praising thy worth despite his cruel hand. End of Sonnets 51 to 60 of Shakespeare's Sonnets. Sonnets 61 to 70 of Shakespeare's Sonnets. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Recording by Chris Hughes, readear.blogspot.com. Shakespeare's Sonnets by William Shakespeare. Sonnets 61 to 70. 61. Is it thy will, thy image, Should keep open my heavy eyelids to the weary night? Does thou desire my slumbers should be broken, While shadows like to thee do mock my sight? Is it thy spirit that thou sense from thee So far from home into my deeds to pry, To find out shames and idle hours in me, The scope and tenure of thy jealousy? Oh no, thy love, though much, is not so great. It is my love that keeps mine eye awake, My own true love that doth my rest defeat To play the watchman ever for thy sake. For thee watch eye, whilst thou dost wake elsewhere, From me far off with others all too near. 62. Sin of self-love possesseth all mine eye, And all my soul, and all my every part, And for this sin there is no remedy, It is so grounded inward in my heart. Me thinks no face so gracious is as mine, No shape so true, no truth of such account, And for myself mine own worth so define, As I all other in all worths surmount. But when my glass shows me myself indeed, Beated and chopped with tanned antiquity, Mine own self-love quite contrary I read, Self so self-loving, we're iniquity. Tis thee, myself, that for myself I praise, Painting my age with beauty of thy days. 63. Against my love shall I be as I am now, With time's injurious hand crushed and o'erworn, When ours have drained his blood and filled his brow With lines and wrinkles, when his youthful mourn Hath travelled on to age's steepy night, And all those beauties whereof now he's king Are vanishing, or vanished out of sight, Stealing away the treasure of his spring. For such a time do I now fortify Against confounding age's cruel knife, That he shall never cut from memory My sweet love's beauty, though my lover's life. His beauty shall in these black lines be seen, And they shall live, and he in them still green. 64. When I have seen by time's fell hand To face the rich proud cost of outward buried age, When some time lofty towers I see downraised, And brass eternal slave to mortal rage, When I have seen the hungry ocean gain advantage On the kingdom of the shore, and the firm soil win Of the watery main, increasing store with loss And loss with store, when I have seen such interchange Of state, or state itself confounded to decay, When hath taught me thus to ruminate, That time will come, and take my love away. This thought is as a death which cannot choose, But weep to have, that which it fears to lose. 65. Since brass, nor stone, nor earth, nor boundless sea, But sad mortality o'er sways their power, How with this rage shall beauty hold a plea, Whose action is no stronger than a flower? Oh, how shall summer's honey-breath hold out Against the wrackful siege of battering days When rocks impregnable are not so stout, Nor gates of steel so strong, but time decays? Oh, fearful meditation, where a lack shall time's best Jewel from time's chest lie hid, Or what strong hand can hold his swift foot back, Or who his spoil of beauty can forbid? Oh, none, unless this miracle hath might, That in black ink my love may still shine bright. 66.  Tired with all these, from these would I be gone, Save that to die, I leave my love alone. 67. Ah, wherefore with infection should he live, And with his presence grace impiety, That sin by him advantage should achieve, And lace itself with his society? Why should false painting imitate his cheek, And steel-dead seeming of his living hue? Why should poor beauty indirectly seek roses of shadow, Since his rose is true? Why should he live, now nature bankrupt is, Begged of blood to blush through lively veins? For she hath no exchequer now but his, And proud of many lives upon his gains. Oh, him she stores, to show what wealth she had In days long since, before these last so bad. 68. Thus is his cheek the map of days outworn, When beauty lived and died as flowers do now, Before these bastard signs of fair were born, Or durced in habit on a living brow.   And him, as for a map doth nature store, To show false art what beauty was of yore. 69. Those parts of thee that the world's eye doth view Want nothing that the thought of hearts can mend, All tongues, the voice of souls, give thee that view, Uttering bare truth, even so as foes commend. Thy outward thus with outward praise is crowned, But those same tongues that give thee so thine own, In other accents do this praise confound By seeing farther than the eye hath shown. They look into the beauty of thy mind, And that in guess they measure by thy deeds, Then churls their thoughts, although their eyes were kind, To thy fair flower add the rank-smell of weeds. But why thy odour matcheth not thy show, The soil is this that thou dust common grow? 70. That thou art blamed shall not be thy defect, For Slander's mark was ever yet the fair, The ornament of beauty is suspect, A crow that flies in heaven's sweetest air. So thou be good, Slander doth but approve thy worth, The greater being wood of time, For canker vice the sweetest buds doth love, And thou presentest a pure unstained prime. Thou hast passed by the ambush of young days Either not assailed or victor being charged, Yet this thy praise cannot be so thy praise To tie up envy ever more enlarged. If some suspect of ill masked not thy show, Then thou alone kingdoms of hearts should stow. 70. No longer mourn for me when I am dead, Then you shall hear the surly sullen bell Give warning to the world that I am fled From this vile world with vilest worms to dwell. 80. Nay, if you read this line remember not the hand that rid it, For I love you so that I in your sweet thoughts Would be forgot if thinking on me then should make you woe. 80. Oh, if I say you look upon this verse When I perhaps compounded am with clay, Do not so much as my poor name rehearse, Let your love even with my life decay. Lest the wise world should look into your moan And mock you with me after I am gone. 72. Oh, lest the world should task you to recite What merit lived in me that you should love after my death, Dear love, forget me quite, For you in me can nothing worthy prove. Unless you would devise some virtuous lie To do more for me than mine own dessert And hang more praise upon deceased eye Than niggered truth would willingly impart. Oh, lest your true love may seem false in this That you for love speak well of me untrue, My name be buried where my body is And live no more to shame nor me nor you. For I am shamed by that which I bring forth, And so should you to love things nothing worth. 73. That time of year thou mayst in me behold, When yellow leaves, or none, or few, Do hang upon those boughs which shake against the cold, Bare ruined choirs where late the sweet birds sang. In me thou seest the twilight of such day As after sunset fadeeth in the west, Which by and by black night doth take away Death's second self that seals up all in rest. In me thou seest the glowing of such fire That on the ashes of his youth doth lie As the death-bed whereon it must expire Consumed with that which it was nourished by. This thou perceivest which makes thy love more strong To love that well which thou must leave ere long. 74. But be contented when that fell arrest Without all bale shall carry me away, My life hath in this line some interest Which for memorial still with thee shall stay. When thou reviewest this, thou dost review The very part was consecrate to thee. The earth can have but earth, which is its dew. My spirit is thine, the better part of me. So then thou hast but lost the dregs of life, The prey of worms, my body being dead, The cowered conquest of a wretched knife, To base of thee to be remembered. The worth of that is that which it contains, And that is this, and this with thee remains. 75. So are you to my thoughts as food to life, Or as sweet-seasoned showers are to the ground, And for the peace of you I hold such strife As Trixter Meiser and his wealth is found. Now proud as an enjoyer, and a non-doubting The Filching Age will steal his treasure, Now counting best to be with you alone, Then bettered that the world may see my pleasure. Sometime all full with feasting on your sight, And by and by clean starved for a look, Possessing or pursuing no delight, save what his had, Or must from you be took. Thus do I pine and surf it day by day, Or gluttoning on all or all away. 76. Why is my verse so barren of new pride, So far from variation or quick change? Why with the time do I not glance aside To new-found methods, or to compounds strange? Why write I still all one ever the same, And keep invention in a noted weed, That every word doth always tell my name, Showing their birth, and where they did proceed? Oh! No sweet love I always write of you, And you and love are still my argument, So all my best is dressing old words new, Spending again what is already spent. For as the sun is daily new and old, So is my love still telling what is told. 77. Thy glass will show thee how thy beauty's wear, Thy dial how thy precious minutes waste, These vacant leaves thy mind's imprint will bear, And of this book this learning mayst thou taste. The wrinkles which thy glass will truly show, Of mouthed graves will give thee memory, Thou by thy dials shady stealth mayst know, Times thievish progress to eternity. Look! What thy memory cannot contain, Commit to these waste-blanks, And thou shalt find those children nursed, Delivered from thy brain to take a new acquaintance of thy mind. These offices so often as thou wilt look, Shall profit thee and much enrich thy book. 78. So often have I invoked thee for my muse, And found such fair assistance in my verse, As every alien pen hath got my use, And under thee their posy disperse. Thine eyes that's taught the dumb on high to sing, And heavy ignorance aloft to fly, Have added feathers to the learned's wing, And given grace a double majesty. Yet be most proud of that which I compile, Whose influences thine and borne of thee. In other's works thou dost but mend the style, And arts with thy sweet graces graced be. But thou art all my art, And dost advance as high as learning my rude ignorance. While I alone did call upon thy aid, My verse alone had all thy gentle grace, But now my gracious numbers are decayed, And my sick muse doth give another place. I grant sweet love, thy lovely argument Deserves the travail of a worthier pen, Yet what of thee thy poet doth invent He robs thee of, and pays it thee again? He lends thee virtue, and he stole that word From thy behaviour. Which he doth he give, and found it in thy cheek He can afford no praise to thee, But what in thee doth live? Then thank him not for that which he doth say, Since what he owes thee, thou thyself dost pay. Eighty. O how I faint, when I of you do write, Knowing a better spirit doth use your name, And in the praise thereof spends all his might To make me tongue-tied speaking of your fame. But since your worth wide as the ocean is, The humble as the proudest sail doth bear, My saucy bark inferior far to his On your broad main doth willfully appear, Your shallowest help will hold me up afloat Whilst he upon your soundless deep doth ride, Or being wracked I am a worthless boat, He of tall building, and of goodly pride. Then if he thrive, and I be cast away, The worst is this, my love was my decay. Shakespeare's Sonnets by William Shakespeare Sonnets 81-90 Or I shall live your epitaph to make, Or you survive when I in earth am rotten, From hence your memory death cannot take, Although in me each part will be forgotten.  The earth can yield me but a common grave, When you in tuned in men's eyes shall lie. Your monument shall be my gentle verse, Which eyes not yet created shall o'er read, And tongues to be your being shall rehearse, When all the breathers of this world are dead. You still shall live, such virtue hath my pen, Where breath most breathes even in the mouths of men. 82 I grant thou wert not married to my muse, And therefore maced without a taint or look, The dedicated words which writers use Of their fair subject, blessing every book. Thou art as fair in knowledge as in hue, Finding thy worth a limit past my praise, And therefore art enforced to seek anew Some fresher stamp of the time-bettering days. And do so, love, yet when they have devised What strained touches rhetoric can lend, Thou truly fair, works truly sympathized In true, plain words by thy true-telling friend. And there gross painting might be better used, Where cheeks need blood, in thee it is abused. 83 I never saw that you did painting need, And therefore to your fair no painting set. I found, or thought I found, you did exceed That barren tender of a poet's debt. And therefore have I slept in your report, That you yourself, being extant, might well show How far a modern quill doth come too short, Speaking of worth, what worth in you doth grow. This silence for my sin you did impute, Which shall be most my glory being dumb, For I impair not beauty being mute, When others would give life and bring a tomb. There lives more life in one of your fair eyes Than both your poets can in praise devise. 84 Who is it that says most, which can say more Than this rich praise, that you alone are you? In whose confine immure it is the store Which should example where your equal grew? Lean penury within that pen doth dwell, That to his subject lends not some small glory, But he that writes of you, if he can tell That you are you, so dignifies his story. Let him but copy what in you is writ, Not making worse what nature made so clear, And such a counterpart shall fame his wit, Making his style admired everywhere. You to your beautyous blessings add a curse, Being fond of praise which makes your praises worse. 85 My tongue-tied muse in manners holds her still, While comments of your praise richly compiled Reserve their character with golden quill, And precious phrase by all the muses filled. I think good thoughts, whilst others write good words, And like unlettered clerk still cry, Amen to every hymn that Abel's spirit affords In polished form of well-refined pen. Hearing you praised, I say, till so till true, And to the most of praise add something more, But that is in my thought, whose love to you, Though words come hindmost, holds his rank before.  Was it his spirit, by spirits taught to write, Above a mortal pitch that struck me dead? No, neither he, nor his compiers, By night giving him aid, my verse astonished. He, nor that affable familiar ghost, Which nightly gulls him with intelligence, As victors of my silence cannot boast, I was not sick of any fear from thence.  For how do I hold thee but by thy granting, Bound for that riches, where is my deserving? The cause of this fair gift in me is wanting, And so my patent back again is swerving. 87 Thy self thou gavest, thy own worth then not knowing, Or me to whom thou gavest it else mistaking, So thy great gift upon misprision growing, Comes home again on better judgment making. Thus have I had thee as a dream doth flatter, In sleep a king, but waking no such matter. 88 When thou shalt be disposed to set me light, And place my merit in the eye of scorn, Upon thy side against my self I'll fight, And prove thee virtuous, though thou art forsworn. With mine own weakness, being best acquainted, Upon thy part I can set down a story Of faults concealed wherein I am attainted, That thou in losing me shall win much glory. And I by this will be a gainer too, For bending all my loving thoughts on thee, The injuries that to myself I do, Doing thee vantage, double vantage me. Such is my love, to thee I so belong, That for thy right myself will bear all wrong. 89 Say that thou didst forsake me For some fault, and I will comment upon that offence. Speak of my lameness, and I straight will halt Against thy reasons making no defence. Thou canst not love disgrace me half so ill, To set a form upon desired change, As I'll myself disgrace, knowing thy will, I will acquaintance strangle, and look strange. Be absent from thy walks, and in my tongue Thy sweet beloved name no more shall dwell, Missed I too much profane should do it wrong, And happily of our old acquaintance tell, For thee against myself I'll vow debate, For I must ne'er love him whom thou dost hate. 90 Then hate me when thou wilt, If ever now, now, while the world is bent My deed to cross, join with the spite of fortune, Make me bow, and do not drop in for an afterloss, Ah, do not when my heart hath escaped this sorrow, Come in the rearward of a conquered woe, Give not a windy night a rainy morrow, To linger out a purposed overthrow. If thou wilt leave me, do not leave me last, When other petty griefs have done their spite, But in the onset come, so shall I taste at first The very worst of fortune's might. And other strains of woe, which now seem woe, Compared with loss of thee, will not seem so. Some glory in their birth, some in their skill, Some in their wealth, some in their body's force, Some in their garments, though new-fangled ill, Some in their hawks and hounds, some in their horse. But every humour hath his adjunct pleasure, Wherein it finds a joy above the rest. But these particulars are not my measure, All these I better in one general best. Thy love is better than high-birth to me, Richer than wealth, prouder than garments costs, Of more delight than hawks and horses be, And having thee, of all men's pride, I boast. But do thy worst to steal thyself away, For term of life thou art assured mine, And life no longer than thy love will stay, For it depends upon that love of thine. Then need I not to fear the worst of wrongs, When in the least of them my life hath end, I see a better state to me belongs Than that which on thy humour doth depend. Thou canst not vex me with inconstant mind, Since that my life on thy revolt doth lie. O, what a happy title do I find, Happy to have thy love, happy to die. But what so blessed fare that fears no blot, Thou mayst be false, and yet I know it not. 93. So shall I live, supposing thou art true, Like a deceived husband, so love's face May still seem love to me, though altered new, Thy looks with me, thy heart in other place. For there can live no hatred in thine eye, Therefore in that I cannot know thy change. In many's looks the false heart's history Is writ in moods and frowns and wrinkles Strange. But heaven in thy creation did decree That in thy face sweet love should ever dwell. Quater thy thoughts, or thy heart's workings be, Thy looks should nothing fence, but sweetness tell. How, like eaves, apple doth thy beauty grow, If thy sweet virtue answer not thy show. 94. They that have power to hurt, and will do none, That do not do the thing they most do show, Who, moving others, are themselves as stone, Unmoved cold and to temptation slow. They rightly do inherit heaven's graces, And husband nature's riches from expense. They are the lords and owners of their faces, Others but stewards of their excellence. The summer's flower is to the summer sweet, Though to itself it only live and die, But if that flower with base infection meet, The basest weed outbraves his dignity. For sweetest things turn sourest by their deeds, Lillies that fester smell far worse than weeds. 95. How sweet and lovely does thou make the shame, Which, like a canker in the fragrant rose, Doth spot the beauty of thy budding name, O, in what sweets does thou thy sins enclose? That tongue that tells the story of thy days, Making lascivious comments on thy sport, Cannot dispraise, but in a kind of praise, Naming thy name, blesses an ill report.  Take heed, dear heart, Of this large privilege, The hardest knife ill-used doth lose his edge. 96. Some say thy fault is youth, some wantonness, Some say thy grace is youth and gentle sport, Both grace and faults are loved of more and less, Thou makes'dt faults graces that to thee resort. As on the finger of a thrown-it queen The basest jewel will be well esteemed, So are those errors that in thee are seen To truths translated and for true things deemed. How many lambs might the stern wolf betray, If like a lamb he could his looks translate? How many gazers might thou lead away, If thou wouldst use the strength of all I state? But do not so. I love thee in such sort as, Thou being mine, mine is thy good report. 97. How like a winter hath my absence been From thee the pleasure of the fleeting year. What freezings have I felt? What dark days seen? What old December's bareness everywhere? And yet this time removed was summer's time, The teeming autumn big with rich increase, Bearing the wanton burden of the prime, Like widowed wounds after their lord's decease. Yet this abundant issue seemed to me But hope of orphans and unfathored fruit, For summer and his pleasures wait on thee, And thou away the very birds are mute. Or if they sing, it is with so dull a cheer That leaves look pale dreading the winter's near. 98. From you have I been absent in the spring, When proud pied April, dressed in all his trim, Hath put a spirit of youth in everything That heavy satan laughed and leaped with him. Yet nor the lays of birds, Nor the sweet smell of different flowers in odour and in hue, Could make me any summer's story tell, Or from their proud lap pluck them where they grew. Nor did I wonder at the lilies' white, Nor praise the deep vermillion in the rose. They were but sweet, but figures of delight, Drawn after you, you pattern of all those. Yet seemed it winter still, and you away, As with your shadow I with these did play. 99. The forward violet, thus did I chide. Sweet thief, whence didst thou steal Thy sweet that smells, if not from my love's breath? The purple pride which on thy soft cheek for complexion dwells, In my love's veins thou hast too grossly died. The lily I condemned for thy hand, And buds of marjoram had stolen thy hair. The roses fearfully on thorns did stand, One blushing shame, another, white despair. A third, nor red nor white, Had stolen of both, and to his robbery had annexed thy breath, But for his theft in pride of all his growth, A vengeful canker ate him up to death. More flowers, I noted, yet I none could see But sweet or colour it had stolen from thee. 100. Where art thou, muse, that thou forgetst so long To speak of that which gives thee all thy might? Spent thou thy fury on some worthless song, Darkening thy power to lend base subjects light? Return, forgetful muse, and straight redeem In gentle numbers time so idly spent, Sing to the ear that doth thy laze esteem, And gives thy pen both skill and argument. Rise, resty muse, my love's sweet face survey, If time have any wrinkle-graven there, If any beer satire to decay, And make time's spoils despise everywhere. Give my love fame faster than time wastes life, So thou preventionst his scythe and crooked knife. End of Sonnet's 91-100 of Shakespeare's Sonnets. Sonnet's 101-110 of Shakespeare's Sonnets. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Recording by Chris Hughes, readear.blogspot.com Shakespeare's Sonnets by William Shakespeare Sonnets 101-110 101 O truant muse, what shall be thy amends For thy neglect of truth in beauty died? Both truth and beauty on my love depends, So dost thou too, and therein dignified? Make answer, muse, wilt thou not happily say, Truth needs no colour with his colour fixed, Beauty no pencil, beauty's truth to lay, But best is best if never intermixed. Because he needs no praise, wilt thou be dumb? Excuse not, silence so, for it lies in thee To make him much out to live a gilded tomb, And to be praised of ages yet to be. Then, do thy office, muse, I teach thee how to make him seem long hence As he shows now. 102 My love is strengthened, though more weak in seeming. I love not less, though less the show appear. That love is merchandised, whose rich esteeming The owner's tongue doth publish everywhere. Our love was new, and then, but in the spring, When I was wont to greet it with my lays, As Philomel in summer's front doth sing, And stops her pipe in growth of riper days. Not that the summer is less pleasant now Than when her mournful hymns did hush the night, But that wild music berthens every bow, And sweets grown common, lose their dear delight. Therefore, like her, I sometime hold my tongue, Because I would not dull you with my song. 103 Alak! What poverty my muse brings forth, That having such a scope to show her pride, The argument, all bear, is of more worth Than when it hath my added praise beside.  Were it not sinful, then, Striving to mend, to mar the subject that before was well, For to know other past my verses tend Than of your graces and your gifts do tell? And more, much more than in my verse can sit, Your own glass shows you when you look in it. 104 To me, fair friend, you never can be old, For as you were when first your eye eye eyed, Such seems your beauty still. Three winters cold have from the forest's Shook three summers' pride, Three beautyous springs to yellow autumn turned In process of the seasons have I seen, Three April perfumes in three hot dunes burned, Since first I saw you fresh, which yet are green. Ah, yet doth beauty like a dial hand Steal from his figure, and no pace perceived. So your sweet hue, which me think still doth stand, hath motion, And my eye may be deceived, For fear of which hear this thou age unbred, ere you were born was beauty's summer dead. 105 Let not my love be called idolatry, Nor my beloved as an idle show, Since all alike my songs and praises be To one of one still such and ever so. Kind is my love to-day, Tomorrow kind, Still constant in a wondrous excellence, Therefore my verse to constancy confined, One thing expressing leaves out difference. Fair, kind and true is all my argument, Fair, kind and true, Varying to other words, and in this change is my invention spent, Three themes in one which wondrous scope affords. Fair, kind and true have often lived alone, Which three till now never kept seat in one. 106 When, in the chronicle of wasted time, I see descriptions of the fairest whites, And beauty making beautiful old rhyme In praise of ladies dead and lovely knights. Then, in the blazin' of sweet beauty's best Of hand, of foot, of lip, of eye, of brow, I see their antique pen would have expressed Even such a beauty as you, master now. So all their praises are but prophecies Of this our time, all you prefiguring, And for they looked but with divining eyes, They had not skill enough your worth to sing. For we, which now behold these present days, Have eyes to wonder, but lack tongues to praise. 107 Not my own fears, nor the prophetic soul Of the wide world dreaming on things to come, Can yet the lease of my true love control, Supposed as forfeit to a confined doom. The mortal moon hath her eclipse endured, And the sad augurs mock their own presage. Incertainties now crown themselves assured, And peace proclaims olives of endless age. Now, with the drops of this most barmy time, My love looks fresh, and death to me subscribes, Since spite of him I'll live in this poor rhyme, While he insults or dull and speechless tribes. And thou in this shall find thy monument, When tyrants crests and tombs of brass are spent. 108 What's in the brain that ink may character Which hath not figured to thee my true spirit? What's new to speak? What now to register That may express my love or thy dear merit? Nothing, sweet boy, But yet, like prayers divine, I must each day say ua the very same, Counting no old thing old, thou mine, I thine, Even as when first I hallow thy fair name. So that eternal love in love's fresh case Ways not the dust and injury of age, Nor gives to necessary wrinkles place, But makes antiquity for I his page. Finding the first conceit of love therebred, Where time and outward form would show it dead. 109 O, never say that I was false of heart, Though absence seemed my flame to qualify, As easy might I from myself depart As from my soul which in thy breasteth lie. That is my home of love. If I have ranged like him that travels, I return again, just to the time, Not with the time exchanged, So that myself bring water for my stain. Never believe though in my nature reigned All frailties that besiege all kinds of blood, That it could so preposterously be stained To leave for nothing all thy sum of good. For nothing this wide universe I call, Save thou my rose, in it thou art my all. 110 Alas, it is true, I have gone here and there, And made myself a motley to the view, Gored my known thoughts sold cheap what is most dear, Made old offences of affections new. Most true it is, That I have looked on truth escance and strangely, But by all above these blenches Give my heart another youth, And worse essays prove thee my best of love. Now all is done, Save what shall have no end, Mine appetite I never more will grind On newer proof to try an older friend, A god in love, To whom I am confined. Then give me welcome, Next my heaven the best, Even to thy pure and most, most loving breast. End of Sonnets 101-110 of Shakespeare's Sonnets Sonnets 111-120 of Shakespeare's Sonnets This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org Recording by Chris Hughes, readear.blogspot.com Shakespeare's Sonnets by William Shakespeare Sonnets 111-120 111 O, for my sake, do you with fortune chide The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, Like the dyer's hand. Pity me then, and wish I were renewed. Whilst, like a willing patient, I will drink potions of isle Against my strong infection, No bitterness that I will bitter think Nor double penance to correct correction.  For what care I who calls me well or ill, So you who agree my bad, My good allow? You are my all the world, And I must strive to know My shames and praises from your tongue. None else to me, Nor I to none alive That my steeled sense or changes right or wrong.  Mark how, with my neglect I do dispense, You are so strongly in my purpose bred That all the world besides me thinks are dead. 113 Since I left you, mine eye is in my mind, And that which governs me to go about, Doth part his function and is partly blind, Seems seeing, But effectually is out. For it no form delivers to the heart of bird, Of flower or shape which it doth latch, Of his quick objects hath the mind no part, Nor his own vision holds what it doth catch. For if it see the rudest or gentlest sight, The most sweet favour, or deformedest creature, The mountain or the sea, The day or night, the crow or dove, It shapes them to your feature. Incapable of more, replete with you, My most true mind, thus maketh mine untrue. 114 Or whether doth my mind, being crowned with you, Drink up the monarch's plague, this flattery, Or whether shall I say mine eye sayeth true, And that your love taught it this alchemy, To make of monsters and things indigest, Such cherubins as your sweet self resemble, Creating every bad a perfect best, As fast as objects to his beams assemble.  If it be poisoned, tis the lesser sin, That mine eye loves it, and doth first begin. 115 Those lines that I before have writ do lie, Even those that said I could not love you dearer, Yet then my judgment knew no reason why My most full flame should afterwards burn clearer. But reckoning time, whose millioned accidents Creep in, twixt vows, And change decrees of kings, Tan, sacred beauty, Blunt the sharpst intents, divert strong minds To the course of altering things. Alas, why fearing of times tyranny, Might I not then say, now I love you best, When I was certain or in certainty Crowning the present, doubting of the rest? Love is a babe. Then might I not say so, To give full growth to that which still doth grow? 116 Let me not to the marriage of true minds Admit impediments. Love is not love which alters When it alteration finds, Or bends with the remover to remove. Oh, no! It is an ever-fixit mark That looks on tempests and is never shaken. It is the star to every wandering bark Whose worths unknown, Although his height be taken. Love's not time's fool, Though rosy lips and cheeks within His bending sickles compass come. Love alters not with his brief hours and weeks, But bears it out even to the edge of doom. If this be error, and upon me proved I never writ, Nor no man ever loved. 117 Accuse me thus, that I have scanted all, Wherein I should your great deserts repay, Forgot upon your dearest love to call, Where to all bonds do tie me day by day, That I have frequent been with unknown minds, And given to time your own dear purchase right, That I have hoisted sail to all the winds Which should transport me farthest from your sight. Book both my willfulness and errors down, And on just proof some eyes accumulate, Bring me within the level of your frown, But shoot not at me in your wakened hate, Since my appeal says I did strive to prove The constancy and virtue of your love. 118 Like as, to make our appetite more keen, With eager compounds we our palate urge, As, to prevent our maladies unseen, We sicken to shun sickness when we purge. Even so, being full of your ne'ercloying sweetness, To bitter sources did I frame my feeding, And sick of welfare found a kind of meatness to be diseased, E'er that there was true needing. Thus policy and love, To anticipate the ills that were not, Grew to faults assured, And brought to medicine a healthful state Which, rank of goodness, would by ill be cured.  What wretched errors hath my heart committed, Whilst it hath thought itself so blessed never? How have my eyes out of their spheres been fitted In the distraction of this madding fever? O benefit of ill, now I find true that better is, By evil still made better, and ruined love, When it is built anew, grows fairer than at first, More strong, far greater. So I return rebuked to my content, And gain by ill thrice more than I have spent. 120 That you were once unkind befriends me now, And for that sorrow, which I then did feel, Needs must I under my transgression bow, Unless my nerves were brass or hammered steel.  O that our night of woe might have remembered My deepest sense, how hard true sorrow hits, And soon to you, as you to me, Then tended the humble salve, which wounded bosom fits.  End of Sonnets 111 to 120 of Shakespeare's Sonnets Sonnets 121 to 130 of Shakespeare's Sonnets This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Recording by Chris Hughes, readere.blogspot.com Shakespeare's Sonnets by William Shakespeare Sonnets 121 to 130 121 It is better to be vile than vile esteemed When not to be receives reproach of being, And the just pleasure lost, which is so deemed Not by our feeling, but by others seeing. For why should others false adulterate eyes Give salutation to my sportive blood, Or on my frailties, why our frailest spies Which in their wills count bad, what I think good? No, I am that I am, and they that level at my abuses Reckon up their own. I may be straighter they themselves be bevel, By their rank thoughts my deeds must not be shown. Unless this general evil they maintain, All men are bad, and in their badness reign. 122 Thy gift, thy tables, are within my brain Full charactered with a lasting memory, Which shall above that idle rank remain Beyond all date, even to eternity. Or at the least so long as brain and heart Have faculty by nature to subsist, Till each to raised oblivion yield his part of thee, Thy record never can be missed. That poor retention could not so much hold, Nor need I tallies thy dear love to score, Therefore to give them from me was I bold, To trust those tables that receive thee more. To keep an adjunct to remember thee Were to import forgetfulness in me. 123 Time, thou shalt not boast that I do change, Thy pyramids built up with newer might to me Are nothing novel, nothing strange, They are but dressings of a former sight. Our dates are brief, and therefore We admire what thou dost foist upon us that is old. And rather make them born to our desire Than think that we before have heard them told. Thy registers and thee I both defy, Not wondering at the present nor the past, For thy records and what we see doth lie, Made more or less by thy continual haste. This I do vow, and this shall ever be. I will be true, despite thy scythe, and thee. 124 If my dear love were but the child of state, It might for fortunes bastard be unfathard, As subject to time's love or to time's hate, Weeds among weeds, or flowers with flowers gathered. No, it was builded far from accident, It suffers not in smiling pomp, Nor falls under the blow of thralled discontent, Where, too, the inviting time our fashion calls. It fears not policy, that heretic, Which works on leases of short-numbered hours, But all alone stands hugely politic, That it nor grows with heat, nor drowns with showers.  Have I not seen dwellers on form and favour, Lose all and more by paying too much rent, For compound sweet, forgoing simple savor, Pitiful thrivers in their gazing spent? No. Let me be obsequious in thy heart, And take thou, my oblation, poor but free, Which is not mixed with seconds, knows not art, But mutual render only me for thee. Hence thou suborned informer, a true soul, When most impeached stands least in thy control. 126 O thou, my lovely boy, who in thy power, Dust hold times fickle glass his fickle hour, Who hast by waning grown, and therein showst Thy lovers withering, as thy sweet self-grossed? If nature, sovereign mistress over rack, As thou ghost onwards, still will pluck thee back, She keeps thee to this purpose, That her skill may time disgrace, And wretched minutes kill. Yet fear her, O thou minion of her pleasure, She may detain, but not still keep her treasure. Her audit, though delayed, answered must be, And her quietest is to render thee. 127 In the old age black was not counted fair, Or if it were it bore not beauty's name.  For since each hand hath put on nature's power, Fairing the fowl with art's false borrowed face, Sweet beauty hath no name, no holy bower, But is profane, if not lives in disgrace.  Yet so they mourn, becoming of their woe, That every tongue says beauty should look so. 128 How oft when thou my music, music placed, Upon that blessed wood whose motion sounds With thy sweet fingers, when thou gently swast The wiry concord that mine ear confounds, Do I envy those jacks that nimble leap To kiss the tender inward of thy hand, Whilst my poor lips, which should that harvest reap, Had the wood's boldness by thee blushing stand. To be so tickled, they would change their state and situation With those dancing chips, Whom thy fingers walk with gentle gait, Making dead wood more blessed than living lips, Since saucy jacks so happy are in this, Give them thy fingers, me thy lips to kiss. 129 The expense of spirit in a waste of shame Is lust in action, and till action Lust is perjured, murderous, bloody, Full of blame, savage, extreme, rude, cruel, Not to trust, enjoyed no sooner but despised straight, Past reason hunted, and no sooner had Past reason hated as a swallowed bait, On purpose laid to make the taker mad, Mad in pursuit and in possession so, Had, having, and in quest to have extreme, A bliss in proof, and proved a very woe, Before a joy proposed behind a dream.  Coral is far more red than her lips red. If snow be white, why, then her breasts are done.  I have seen roses damasked, red and white, But no such roses see I in her cheeks. And in some perfumes is there more delight Than in the breath that from my mistress reeks. I love to hear her speak, yet well I know That music hath a far more pleasing sound. I grant, I never saw her goddess go My mistress, when she walks, treads on the ground. And yet, by heaven, I think my love as rare As any she belied with false compare.