Lux presents Hollywood. The Lux Radio Theatre brings you Jeanette McDonald, Brianna Hearn and Jean Raymond in Smiling Through. Ladies and gentlemen, your producer, Mr. Cecil B. DeMille. Greetings from Hollywood, ladies and gentlemen. The first greetings from this stage in 1942. This is an exciting evening for the Lux Radio Theatre because we welcome back the golden voice of Jeanette McDonald. And she's escorted tonight by Brianna Hearn and Jean Raymond. All three of them starred in Metro Goldwyn Mayer's new technical production, Smiling Through. Fortunately, we were able to borrow Miss McDonald this week from another MGM picture. I married an angel. So that gives me something to sing about. But don't be alarmed. Jeanette McDonald is going to do the singing. Certain stories and dramas have a timeless quality. An appeal that reaches across the years to all people in all lands. I suppose a great love story is most likely to do this. And Smiling Through is one of the tenderest love stories to come out of the American theater. And its title certainly gives us a fitting cue for this new year. A poet once said, without a smile from partial beauty one, what is man, a world without a sun? Of course, it was never quite clear to me why the poet was willing to settle for partial beauty. But then perhaps the ladies couldn't get lux toilets open those days. The science of beauty has been a slow development that probably began with civilization in Egypt about 8,000 years ago. But today it's in full flower. Complexion secrets that Cleopatra would have sent an army to take the modern woman can buy for a few cents at the corner store. So the next time you're feeling sorry for yourself, just think how much more fortunate you are than that great Queen of Egypt who had half the world at her feet and couldn't trade it for a single cake of lux toilets open. And remember that a complexion, a lux complexion, puts a good complexion on anything. So we start Smiling Through, starring Jeanette MacDonald as Mounine Clare and as Kathleen, Brianna Hearn as Sir John Carteret, Jean Raymond as Kenneth Wayne and as Jeremy Wayne, with Dennis Hoey as Owen. The curtain rises for the first act. In 1897, Paul England joined in a great celebration, the Diamond Jubilee, commemorating the 60th year of Queen Victoria's reign, churches throughout the country held services in the Good Queen's honor. In one of these, an ancient church in Kent, the service is just over. The vicar, the reverend Owen Harding, stands in the old churchyard, talking quietly with his friend, Sir John Carteret. Well, John, everyone came. Must have been like this in every church in the country. Yes, I suppose so. When will England see a day like this? Sixty years, our Queen. I don't like anniversary sign. I know. I didn't forget, John, most of the others have. I saw you putting flowers on her grave just before the service. They're very beautiful, John. Yes, they're the kind she liked. Oh, well, I must be getting along home. John, wait. You're not going to sit in the garden again tonight, are you? Yes, why not? John, sometimes I wish you try to live more in the present and not just with your memories. There are times, Owen, when I'm sure that she's very close to me. Well, I believe that, whatever anyone else may think. Goodbye, Owen. Goodbye, John. Mounine Clare. Born 1845. Died 1868. Aged 23 years. Poor John. Mounine. Another year gone. John. If I only knew the way to you, Mounine. I'm always near you when you need me, John. Every night in this garden I come to you. Mounine, I feel... Mounine, are you here? You know I am here. You don't see me and you don't hear me. But you feel in your heart that I am here. Mounine. Be patient, dear heart. Years have been only moments. The years we must still wait will be just as sure as time. Mounine. Sir John. Sir John. Sir John. The vicar's here. And why must you come out here? Oh, well, it's not your fault, Helen. Now, sir John, I've told you and told you no good will come of all these broodings and imaginings. Yes, yes, yes. I know. I'm afraid I'm a hopeless case, Helen. The vicar's come. Oh, has he? I'll see him in the library. There's your chair, Owen. The chessboard's all set up. I suppose you've come for your revenge for last night. No, John. I won't be able to play tonight. There's something I want to talk to you about. Yes? There was a letter from Ireland last week about Mounine's sister. She and her husband were drowned sailing in Dublin Bay. Drowned? Oh, that's horrible. Yes. It leaves their little girl unprovided for. They're talking of putting her into an orphanage. Impossible. That's what I thought. So you see... Well, in fact, I... I sent for her. What? John, she's Mounine's niece. What would you say to having her here with you? Here? Well, a child in this house. You could do with a child in this house, John. Give you something to think about beside yourself. Oh, then, Owen, I'll thank you not to preach at me. Well, that's that, then. Good night. Good night. Good night. If the child needs any money, of course you can count on me for any amount, but...  Yes, dear. John, this is Mounine's little niece. I see. Come here, child. What's your name? Kathleen. What's yours? John, how do you do? How do you do? How old are you, Kathleen? Five in August. How old are you? I'm a little older than that, I'm afraid. Who brought you from Ireland, Kathleen? I came alone. Uncle Owen sent for me. Ah, yes, quite so. Uncle Owen sent for me. If you don't mind, John, I'll step over to the church for a little while. Owen, now you come back here. I won't be long. Owen, Owen. Well...  Thank you. Can I, uh... Would you like me to show you some, uh, pretty pictures in a book? No, thank you. I think I'll be going now. With Uncle Owen, I suppose. Mm-hmm. I'm visiting him all the summer. Then I'm going home to mommy and daddy. To mommy?  Kathleen, perhaps you'll come and visit me every now and again, hm? I don't know. I don't think I like you very much. Oh! But I might like you better if I get to know you. Oh, that's very kind of you. Some people do improve on acquaintance. Oh, you've got a piano. Yes, would you like to learn to play the piano? I can play the piano. Oh, really? I could show you if you'd asked me to. Oh, nobody's played that piano for... for 29 years. Very well, then. I won't. Oh, no, no, no, I didn't mean it that way. Here, come and sit down and play. Oh, please. Thank you. Now let me think. Oh! Oh, yes, I know that song. If you know the words, will you sing them for me, too? If it isn't asking too much. I know the words. All the days of the carry dancing All the ring of the car... Was the river sweet of Colleen In the dance than Eileenmore? Or a proud lad than Thaddee As he boldly took The lads and lasses to your plasses Of the middle... Our Uncle John. First time I heard you sing that song, you were five years old. Yes, the night you came to live here. The night you were going to have nothing to do with her. That's enough of that, Owen. You're confounded, young woman. Isn't today your birthday or something? It is. April the 2nd, 1915. Which makes me 23 years to the day. Now, don't tell me you've forgotten. Well, well, well. Here's something I found in my dual case. Uncle John, how beautiful. Let's see. A ring, eh? Oh, my John, that's Moonine's ring. My Aunt Moonine? Oh, Uncle John, you couldn't have given me anything I'd rather have had. Anything in the world. It's an old-fashioned thing. Belong to her great-great-grandmother. Does it fit? Here, you put it on. I'm sure it fits, my dear. But don't you want to put it on, may? No, no, no. Listen, window's rattling again. It's a hundred miles away, at least. The wind must be from France. There's probably the guns at Eep. Miss Kathleen, your young man's come for you. Oh, Ellen, he's not my young man. Well, anyway, he's got on his new uniform, and I don't like his hat. Oh, poor Willie. Better take a Macintosh, it's going to rain. No, I won't need it. Doesn't sound too hopeful for that young man. Oh, well, there's not Willie. It'll be one of the others. I'll be losing her one of these days. Come on, shall we get on with the game? It's your move. Oh, John, there was a nice thing you just did. Come on, move, move. I say it was a nice thing to give that girl Moonine's ring. Ha! Checkmate. Down to my skin. Down to this tree is hardly the spot for romance. But you see, old girl, if a fellow happens to feel the way I do... The way I feel, Willie, is wet. Right. But you see, if a fellow... And cold. Right. If a fellow makes up his mind to get married... Willie, we can't stay here. Come on. There's a house. I'm going to get out of this. Girl, there's no use banging that knocker. This is the old Wain House, you know. Of course I know it's the old Wain House. Well, then why... I'm wanting the exercise. Well, do you know there's not been a chap in it for 50 years? Look, there's a window open. Well, there'll be two chaps in it in 50 seconds, Willie. You and I. Yes, Willie. You and I. Come on. It's like an old vault. Light a match, Willie. This is all frightfully illegal, you know. Frightfully? There are some candles, Willie. Oh, good. That ought to make things a bit more... cheerful. Oh, look at this dust. It's an inch thick, at least. Well, I say... it's all rather... you know. Isn't it? Oh, look. Look, there's some old logs. Will you build a fire, Willie? I don't want to get pneumonia. Right. These must be good and dry. They should be. It's 50 years since that fire was laid. Gives me the shivers. What does? This room. Oh, yes. It's a good cleaning, doesn't it?  Why didn't the maids tidy things up a bit? Put that chair on its legs and clear this stuff off the table. I wouldn't know. Here's a newspaper. The Times. June 14th, 1868. And a letter. It's addressed to Jeremy Wayne, a squire. You know, old girl, if a fellow makes up his mind to tell a girl how he feels... Jeremy Wayne. Well, that must be his portrait on the wall here. It is where... Look, Jeremy Wayne. It must be dark and handsome. What fire in those eyes! Listen, Kathy, I came out this afternoon to tell you something. The morning paper. The drink half finished. The riding crop on the floor. This letter. Look, look, Willie, it's an invitation. Mr. and Mrs. Richard Clare request the pleasure of the company of Jeremy Wayne, a squire, at the wedding of their daughter, Moonin, to Sir John Carter at St. Mary's Kent. Wednesday, June 14th, 1868. Willie, something happened here in this room. Something strange and terrible and romantic. Oh, bother romance. I want to ask you to marry me. Oh, Willie, please, not again today. They shut the doors and went away forever, as though there were a curse on the house. Probably meant to come back. Oh, no. No other shutters wouldn't be nailed up. All right, have it your way, old girl. The place is haunted. Listen, was that a door? Sounded like it. Willie, somebody's coming. Very strange, what? Whoever it is, I think we... Oh, hello. How do you do? Terrible weather, isn't it? Frightful. Yes, frightful. Yeah, terrible. Pardon me for being inquisitive, but are you stopping here? Oh, dear, no. No, it was raining very heavily. We were standing under a tree and lightning struck the next tree. It was raining very heavily. Oh, so that's why I got so wet. So we broke in to get out of the storm. Oh, well, I'm glad you were able to start a fire. I said, thank you. I'm afraid you've caught cold. I wish I could offer you something warm to drink. Excuse me a minute, maybe I can find something. Come, old girl, let's get out of this. Oh, no, not just yet. Who is that fellow? What's he doing here? That's what I'd like to find out. I don't like this. I think we ought to... Oh, Willie, look at that old spinet. Isn't it marvelous? Kathy, listen, for all we know... I wonder if it still plays. For all we know, he might be some kind of a maniac or something. Oh, don't be silly. Why not? After all... Here we are. I found the very thing for you. Old port. Look at that. 1847. Mm-hmm. 47. The best I could find. Yes. Well, I suppose we really ought to introduce ourselves. My name's Inslee. Oh, pleased to meet you. How do you do? You surely aren't going to open that bottle, are you? I'm going to do my best. Well, it's not your property, you know.  I thought of doing just that. There we are. Oh, just a very little for me, please. Fellow criminal. Won't you join us? Certainly not. Oh, I'm sorry. Well, how about a toast? I know one. All right. Here's to your health, your honor, and the health of all your descendants, great and small. That's a mighty, handsome toast. It's an Irish toast, and the best I know. May you keep as young and as pretty as you are until doom's day. And never forget the man who wished it. I wonder now, as I look at you, have we never met before? No, I'm afraid we haven't. I shouldn't have forgotten. Oh, could you be Irish, too? I could, if I saw enough of you. Well, if you're not Irish, you're an American. Well, how did you know that? By the way, you said pleased to meet you. Oh, well, how should I have said it? Well, if you mean how do I say it? How'd you do? How'd you do? Oh, well, let's not worry about it. Tell me, what are you doing in England? I came over to join up. It's not your war. Well, I'm half English, and a scrap's a scrap. I like that. You know, this is scandalous of us, but I don't think he'd mind. Who? The man in the portrait, the owner, Jeremy Wayne. He's a neuromatic figure. Yeah, grand. I like that devil take you look, don't you? You know, you don't look unlike him. That's my father. Your father? Yes. Yes, I'm Kenneth Wayne. Well, this is romance. You're telling me? How about another toast? Oh, no. No, you've said quite enough. Tell me, what was the name of that song you were playing, just as I came in? Drink to me only with thine eyes. And I will pledge with mine. Go on, finish it. When were you in the Wayne House? One afternoon, about a week ago. What's the matter, Uncle John?  John, there's no use getting excited about this. Well, what happened there? Well, nothing except the owner happened to arrive from America. He's here. Jeremy Wayne? No, no, Uncle John. Jeremy Wayne is dead. Dead? Well, this was his son. He came over to join up. Kenneth Wayne. Dead. And he'd be alive. And come here. Uncle John, what is it? Your face. Why do you hate him so? John, listen to me. Let me alone. John! Get out of my way. Oh, and what did this Jeremy Wayne do? I can't tell you. But in heaven's name. That's his wish, Kathleen. Then I must ask him. No, don't. You don't know how it would hurt him. Yes, my dear. It's better so. Believe me. Well, he's gone out into the garden. He'll take hold. I'll go bring him back. Uncle John, won't you please come inside, dear? There's a heavy dew. Uncle John, I'm sorry if I said anything to hurt you. Kathleen, this young man, this Wayne, he's in the army, is he? Yes, he's in camp near here. He's really awfully nice. We, uh, we've become rather good friends. Friends? Yes, and I'm sure that you... Be quiet.  When did you meet this man? A week ago, almost. Have you seen him since? Yes. How often? Quite often. Kathleen, you must promise me never to see him again. But I can't promise. I want to see him. Why shouldn't I? Are you in love with him? Are you? Answer me. I don't know. But if I am in love with him, I... I don't know. He's not in love with me anyway. At least he's never said anything. I only know I... I can't bear the thought of not seeing him again. I... I'm sorry, Uncle John. I... I can't help it. I just can't. Listen, listen, my child. I'm going to tell you something that you should have known long ago. Oh, it's been my fault, I suppose. But I'd hoped I'd never have to tell you. I'd hoped I'd never have to live it all over again. Come, come and sit here beside me. I want to tell you something about a man named Wayne. Mr. DeMille and our stars, Jeanette McDonald, Brian Ahern and Jean Raymond, will return in act two of Smiling Through. Now, for a minute, let's listen to a conversation that took place in a college dormitory the other day. The girls had just come back from their Christmas holidays. Came to look at your Christmas leaf. Okay. Just take a peek at the things in that dresser drawer. Oh, my, all those lovely things. All that peach-colored slips on honey. And just look at this nightie. Gorgeous. Even got sachet in them, too. Oh, it smells delish. Smells expensive, too. Christmas present? No, that's a present I gave myself. I buy it all year round. Look, why... Why, it's some cakes of luxe toilet soap. Of course, Dopey dear. I buy it half a dozen cakes at a time and slip a few in my dresser drawer till I want to use them. Then I put new cakes in. That luxe soap fragrance makes a wonderful sachet. Always said you were the smartest girl in the class, Suzy. Thanks for tipping me off to that idea. I'm going to get some extra luxe soap right away and do the same. Yes, clever women have made a discovery. They find the delicate distinctive perfume of luxe toilet soap makes a perfect sachet. Slip a few wrapped cakes into bureau drawers. You'll love the dainty fragrance that leaves on your handkerchiefs and nice silk things. It's a costly fragrance. A blend of 34 rare ingredients. But luxe toilet soap costs you only a few cents because millions of cakes of this famous toilet soap are sold each year. 9 out of 10 lovely screen stars use luxe toilet soap, you know, because it's as fine a soap as money can buy. When next you unwrap a cake, notice how satin smooth, how white it is. Luxe soap is hard milled too. That makes it last down to the thinnest sliver so it's thrifty as well as luxurious. Why not make Hollywood's famous beauty soap your beauty soap too? You'll love its creamy caressing lather, its delicate clinging fragrance. Try it. Put three cakes of luxe toilet soap on your shopping list tomorrow. We pause now for station identification. This is the Columbia Broadcasting System. Act two of Smiling Through, starring Jeanette MacDonald as Mounine Clare and as Kathleen, Brianna Hearn as Sir John Carteret and Jean Raymond as Kenneth Wayne and as Jeremy Wayne. The Old Garden, the full round moon, shines down on the shadowy figures of Sir John Carteret and Kathleen. Slowly Sir John begins his story. His eyes bright again as they were almost 50 years before. Almost 50 years, but I can see it as though it were yesterday. This garden, a June night, the scent of roses in the air, excitement, people coming and going and from the house the faint strains of music. It was the night before our wedding, Mounine Clare. She was very much like you, my dear. She had the same eyes and the same laugh. She was laughing at me as we danced together. It was something I said. I can't quite remember what it was. John, my darling, you're quite mad. I know it. Have you two got a moment to spare for an old friend? Oh, and where on earth have you been? Yes, what kind of a best friend are you? Let me look at you, Mounine. John, you don't deserve this. I'm sorry, old man, but you don't. I know, I know, but it's too late now. Oh, and he hasn't said a sensible thing all evening. Can you blame him? I've been making much sense myself. I've never been so happy. Miss Mounine, isn't this my dance? Oh, dear, I forgot. Excuse me, John. Well, come right back. John, could I have a word with you? Yes, of course, Owen. What is it? I saw Jeremy Wayne outside the Georgian dragon. Oh, yes? Why didn't you bring him along? Well, he was in pretty bad shape, John. Drinking, all of them was good for him. Ah, it takes it pretty hard, doesn't it? Poor devil. Well, I can't say I blame him either. You know, Wayne's a wild sort of fellow, John. Making vague sorts of threats against you. You know what that is, Owen? That's that Georgian dragon brandy. Just the same. I don't like it. I suppose, I suppose he should come here tonight. Oh, I don't believe he will. Now stop worrying, Owen. You mean Mr. Wayne's here now, Mary? Yes, Miss. But I wouldn't see him, Miss Mounine. Not if I was you. I don't think he's quite himself, Miss. I'll tell Sir John. Oh, no, no, Mary. You mustn't. Don't tell Sir John. I'll see him in the garden. Mounine. Don't let me get married without coming to wish me joy. Joy? What's the matter, Jerry? What is it? You know what it is. Won't you come into the house? We're expecting you. Oh, no, you're not. Oh, please, Jerry, don't act like this. You're really going to marry him tomorrow. Oh, Jerry, dear, we're not going to go over all that again, are we? You look so beautiful in that dress. Thank you, Jerry. Oh, Mounine. Mounine. Jerry, please, don't. You're not going to marry him?  I've loved you. Oh, Jerry, it isn't easy for me either to have you say things like this. I'm so fond of you. It was understood between our families that we were to marry. It was understood by everyone. Yes, but, Jerry, it doesn't mean the end of our friendship. Nothing could end that. Tomorrow you'll be in his arms. This man you're marrying. What right has he to take you from me? Why is he better than I? What is there in me that's wrong? Nothing, Jerry, nothing, nothing. Is it because I drink? No. I drink because I'm unhappy and I'm unhappy because of you. This other man, he has no faults. He's perfect.  The man doesn't live who can take you from me. The man will not live who takes you from me. Jerry, I'm marrying John tomorrow. I'm marrying him because I love him. I shall always love him because he stands for everything that's beautiful and fine and true. And even if he didn't, I should still love him. Morning. Wait, John, please go now, Jerry. I'll go. Kiss me, morning. No, Jerry, no, let me be. You're mine, you're mine. Jerry, let me go. Goodbye, morning. Here, John. Good evening, madam. If you're not too busy tomorrow afternoon, how would you like to marry me? What's the matter, dear? Is something wrong? No, nothing. Something I've done? Something I've said? Because if it is, I didn't mean it. John, dear, hold me close. Anything about the wedding? No. Listen, listen to your song. Would you sing it for me? Oh, please, John, I... if you don't mind. Morning. You're not unhappy, are you? How could I possibly be unhappy tonight?  How on earth did we two ever happen to get together? I know. To think that out of all the millions of people in the world... Well, fun, it's going to be in this house. Just you and I. Oh, darling, everything's fun. Oh, do you like my ring? It's a beauty, isn't it? It belonged to my great-great-grandmother. I say, let's practice, shall we? With this ring, I... the wedding. Now, it was pretty good, wasn't it? Perhaps I better practice dropping it once or twice. Ha-ha-ha. There's a little brown-road white car. This man to thy wedded husband to live together after God's ordinance in the holy state of matrimony will though obey him and serve him, love honor and keep him in sickness and in health, and forsaking all others, keep thee only unto him so long as ye both shall live. I will. Mr. Dory Wayne. Jerry. He'll never have you. I told you. I warned you. What does this mean? Jerry, surely you can't mean to make a scene at my wedding. Ah, there'll be no wedding. He's drunk. He's mad. Get out of here. Jerry, put down that gun. She will never have her. Never! No, Jerry! No, don't! I never meant that. I never meant that. I swear. Tell me, is she all right? I'm sorry, John, that you must do something. Oh, Muneen. Make it stop. Yes, dear. Yes, we'll make it stop. Is it? No, it's nothing, darling. John, there is the ring on my finger. I'll be waiting for you. Our love could never die, John. Muneen, my love. Oh, darling, don't leave me. Don't leave me. Isn't it a pity? Isn't it? Muneen. It was the end.  She was dead. All that I lived for was gone.  I sat alone where I sit now. The whole night through. Poor darling. I've said him many times since. Whenever I'm in trouble or sorrow, I come here. It was here that she returned to me. Year after year she'd come. Always. When I needed her. She was here. Beside me. Here, in this garden. I know, dear. I understand. Kathleen, tonight you told me that Jeremy Wayne was dead. I'm sorry I didn't kill him. Uncle John! After the police had given up the search, I'd tracked him for years through half the ports in South America. For years I hunted him in my dreams. I killed him in my dreams. And his son. His son. He must promise me to have nothing more to do with that man. You mean it's... it's never? Never. Good night. Thanks for coming to the canteen. It was a grand concert. Thanks to you. I was glad to come. Can I see you home? No thanks. I'll be all right. Good night. Good night. Kathleen. Kathleen, wait. I can't talk to you. Now, wait a minute. I've got to talk to you. I've got to know more than you told me in your letter. A lot more. Well, walk home with me then. I'll try to tell you. So, you see, there's really nothing else we can do, is there? No, I... Oh, I guess the whole thing was cock-eyed anyway with me going to the front so soon. Besides, we hardly know each other, do we? No. And these poor boy rich girl things usually are busts anyway. Yes. I guess we were just as lucky to have stopped it now when... we were pretty close shave, though. We really might have got to have... Yes. Well, it's... it's been nice to have known you, Kathleen. Goodbye, Kenneth. Oh, Kathleen, we can't do this. Kenneth, I promise. I know, but... We mustn't see each other. I'm going to France soon anyway. But wouldn't it be easier then if we didn't? I don't know that it would. We can't just... we aren't children, are we? No. We're not children. And I love you, Kathleen. I love you. Oh. Stand much, darling. Another Kenneth Wayne special. No, thanks. I couldn't. Why? On our last picnic, you ate six. Did I? What's the matter with you? Are you in love or something? In love? How would you know how a person in love feels? Because I'm in love myself. Kathleen. Yes, dear. We're pushing off. When? Tonight. Tonight? Oh, no. Steady, dear. How can? How can? You're not half-trained. I guess they need more men. Yes, but so soon. Well, I'll get leave, you know, darling. Of course. Of course you will. You'll be home often and... You'll... We'll be crossing tomorrow night. Kenneth, take me with you tonight. Darling. Oh, no, I know I couldn't. It's only a few hours, and I'll leave you, and I may not come back. But we shall have had those hours. It will help me to wait. And if it's all we ever have, it will help me to live. I shall have been your wife. Kathleen. What about your uncle? What do you tell him? The only thing I can. I'll tell him the truth. Besides, I'd better come along too. We want to be married. I hope you understand, sir. I understand only one thing about Wayne. Uncle John. The quality of your breed is not to take his medicine. That's why your father took the life of one person and ruined that of another. He couldn't take his medicine. I don't think you have any right to put it like that, sir. Ken, I'm going with you just as I promised. If she marries you, if she becomes your wife and you never come back, you'll have smashed into her life for the cowardly hours, because I shall never forgive any part of it. Kathleen, if he takes you from me, then he can take care of you. That's my last word. Come, darling. Let's get out of here. What time is it? 12.30. I'm afraid she's not coming back, John. Oh, she couldn't do this to me. She couldn't. Is that the door? Yeah, it's Kathleen. Kathleen. You knew I'd come back, didn't you? He wouldn't marry me because of your threat. And now he may not come back at all. If God is just, he never will. Uncle John! Oh, I never thought you could be so cruel. John, what the devil has got into you? Go after her. Big hurt to forgive you if she ever can. I haven't asked your advice. I'm giving it. That boy you wish dead is a fine chap, one of the best. So you're on his side, too. I'm on Kathleen's side. And I say you're wrong, wickedly wrong. I may be all you say, Owen, but I'm loyal to her. And who pays the price of your loyalty? You must think of the living as well as the dead. That's how you feel, Owen. You and I can't go on as we have. You mean that, John? I never meant anything so much. You're willing to sacrifice every decent human sentiment to a bitter memory that should be forgotten. You've said enough, Owen. It's been a great many years, John. I've said my last word. Very well. Goodbye, John. You must come. I could only reach you, dear. If I could only make you understand that they love each other as we did long ago. He may never come back to her again. If you build a barrier between those who love, it will stand between your soul and mine for all eternity. Oh, John, can't you hear me? Unless you dry this hatred out of your heart, unless you right this wrong, you can never come to me. I have you deserted me. In just a few moments, Mr. DeMille presents Jeanette McDonald, Brian Ahern, and Jean Raymond in Act 3 of Smiling Through.  You just bet I have, Mr. Ruick. Oh, it was so sweet. Sally, let's begin at the beginning. Well, it was like this. I was in the bus on my way to the studio and I noticed a very attractive young couple sitting just ahead of me. They were looking at a movie magazine and all of a sudden the girl said... Oh, Johnny, just look at that picture of Virginia Bruce. She's a honey, all right. That lovely hair. And look, Johnny, did you ever see such a gorgeous complexion? Yes, dear. I'm looking at one right now. Why, Johnny, dear, I... Why, thank you. That just goes to show you a lovely complexion always wins. Well, I'd be willing to bet you three cakes of luck soap. That young lady was a luxe girl. She had really lovely skin, so smooth and fresh looking. Well then, she and Virginia Bruce have something in common because Virginia Bruce is one of our very loveliest luxe girls. Sally, why don't you tell the ladies in our audience just how Virginia Bruce takes care of that smooth complexion of hers? I'd like to. Because active lather facials are a beauty care every woman should know about. You just pat luxe soap's creamy, active lather gently in. Rinse with warm water and then a dash of cool. Pat your face dry with a towel. Now touch your skin. See if you don't agree with Virginia Bruce. She says active lather facials leave skin feeling smoother and softer, looking so fresh. Thank you, Sally. Now all you ladies who heard that, won't you try active lather facials with luxe toilet soap regularly for 30 days? Let this care help you when the flower fresh, appealing loveliness that men adore. Remember, 9 out of 10 famous Hollywood screen stars use luxe toilet soap. It's the beauty soap for you. Now, our producer, Mr. DeMille. The curtain rises on the third act of smiling through. Spring has come again. The spring of 1919. And once more, there is peace in the world. Unknown to Kathleen, Kenneth has returned to the old Wayne House. But he's not the same man who marched away to war. He's white and drawn. And he walks now with the aid of crutches. Owen, on hand to meet him, pretends not to notice. It's good to see you back, my boy. Captain, too. Splendid. Well, you do me a favor, Padre. Look at my legs and stop pretending you don't see the crutches. I see them. I see the DSO and your tunic, too. Did they send you down to our hospital? No, I'm discharged. Kathleen hasn't heard from you. Been worrying. I suppose you didn't want to tell her you were wounded. I came here to clear up the title on the house, put it up for sale, and I'm... I'm leaving for America tomorrow. What? Surely you'll be seeing Kathleen? Do I look like a man who wants to see a girl? She's been waiting three years for you.  Tell her I've gone back to America to marry a million dollars. Tell her I fell for the girl from arm and tears. Tell her anything. Why won't you see her? Because I haven't got the... Because I'm shot to pieces. Because I'm still in love with her, if you must know. Now will you let me alone? Kenneth. Oh, my boy. Let me help you up. Well, you see, Padre? I see. I'm sorry, my boy. Leave it, but it is, it is. Hello there. Oh, Kenneth, my darling. Do you mind if I don't get up? I'm kind of tired, tripping along. No, my darling, of course you're tired. Don't move. Just let me put my arms around you. Oh, Kenneth, I've waited so long. I wish I weren't crying like this. I can't see you properly. Darling, are you glad to see me? You haven't said so, you know. Of course I'm glad to see you. Oh, I have so much to ask you. Why didn't you write? I thought you were wounded or sick.  Oh, yes, I'm all right. Then why did you stop writing? Well, I'm sorry. I should have written a course, but I've been pretty busy making all my plans and everything. What plans, Kenneth? Well, I... I'm selling this house. But why? I'm leaving. I'm sailing for America tomorrow. Well, Kenneth, I don't understand you. You're really leaving. Ten o'clock boat train tonight. Lucky to get a passage. Oh, well, then there's no reason why you and I... I'll go along with you. You might not like it over there. Oh, Ken, what are you saying? I live anywhere in the world with you. But this is your home. You like it here. Of course I do. Well, that's fine. You see... I was right the night I made you go back to your uncle. By the way, how is he? He hasn't changed about you, but neither have I. Hasn't changed, huh? Still nursing that old sorrow of his, huh? Must be great to be like that. A love of one woman. All your life. Yes, it must be. Well, how's everything else been, huh? How's Willie Ainsley? Willie been all right? Yes. That's good. Willie might be just the type of that. Willie would love somebody.  Kenneth, what are you talking like this for? Oh, just rambling along, just reminiscing. We had a lot of fun together, didn't we? You remember the day we met? Right here in this room. It's too bad we had to grow up, isn't it? What are you saying? What are you trying to do? What's happened to you? I've been to war. I know you've been to war, and I've been waiting for you because I loved you. Oh, Kathleen, let's not... Let's not... The winter thing is over. It's over. I see. It's over. Then why did you come back here? Do you want to make sure you didn't love me? Well, I hope you're sure now. Just forget that I love you, that I waited for you, that I'd waited for you always. Kathleen, I've changed. Yes, you certainly have. Three years, and you changed, that's all. Of course. I'm sorry, Kenneth. I didn't mean to throw myself at your head. I didn't mean to embarrass you like this.  Taking it for granted that you'd still be... Well, there's not much more to say, is there? Except goodbye. Goodbye, Kenneth. Have you seen him? Kenneth Wayne, have you? I'm not quite sure. I went to his house. I'd give anything if I hadn't. He's going back to America. So he ended it, eh? Well, perhaps it's for the best. You'll get over it, my dear. You didn't. It's not quite the same, though, is it? You knew somebody loved you. You were sure of it. At least you had that memory. I... I had nothing. You don't understand that, do you? I understand. It's the little things that hurt most. The way he used to laugh. The full things he said and did. Oh, with no use. I'll always love him.  I've no pride. I'd love him whatever he'd done, however badly he'd treated me. And if he had died, I'd have loved him always, all my life, as you loved her. Kathleen, Kathleen, my child, listen. He's wounded. What do you mean? He's wounded. Badly, Owen was here. He saw him. Oh, why didn't he tell me? He didn't think it was fair. He was afraid you would marry him out of pity. Oh, then he does love me. Of course. His train leaves at 10, you know. Is that clock right? I must stop him. Uncle John, how badly is he wounded? It's nothing that love and kindness won't make right again. And Kathleen, I hope I should like it if you could possibly come back here again and bring him with you. Oh, Uncle John, darling. We'll both take care of him, won't we? Oh, come in, Owen. Have you sent for me, John? No. I didn't send for you. Oh, well, Kathleen told me. She did. Where did she go? I thought you said she told you. She told me to come to you. Where is Kathleen? On her way to the station. She'll be coming home. They'll be coming home. They? Yes, yes, that's what I said. I see. I'll be pushing along. Care for a game? Now that you are here. Well, don't mind if I do. Forgotten your chairs? Forgotten more than you were than you. I had white last time. Your first move. John, I know of someone who would be very glad of what you've done tonight. Yes. She is glad. I know. I feel it in my heart. Well, my first move, eh? Obviously. I'll, um... I'll start the same old way. It's your move, John. John? Well, yeah, you're asleep. I leave you alone then. Good old John. No, you've come to me. It's been so lonely without you. I almost made an awful mess of things, but I'm afraid I'm getting very old.  Just as you were. Oh, John, you? Oh, no. My hair is white. It's as brown as it ever was. You're straight and tall as a poplar. You see me. Look, John. That old man sitting in the chair there. Do you know him? Why? It's... It's you, John. Is this what they call... Isn't it foolish to be afraid of it? Come with me, John. We're together now. Forever. I am so with a banner of hate. In a performance we'll long remember for three very good reasons. And here they are. Jeanette McDonald, Brianna Hearn, and Jean Raymond. Thank you, Mr. DeMille. It was a very happy day for me when you asked us to play smiling through. And happier for us, Jeanette, when you accepted. Confidentially, CB, all you have to tell me is that Jeanette's going to sing, and I'll be right on hand. You know, I never can get her to sing at home. I have to go to the movies of the Lux Radio Theater to hear my wife sing. Jean's kidding me, Mr. DeMille. The dog howls when I sing at home. Probably wants you to make it a duet. Well, before we say good night, Mr. DeMille, I'd like to tell you how very much I enjoy listening to the Lux Radio Theater every week. And I know that it stands for a fine product, because out here in Hollywood they served Lux soap a long time ago. And I'm sure it deserves its great success. Lux soap never loses a friend, Jeanette, nor makes an enemy. What are we here in Lux Radio Theater next week, CB? A drama gene that one can truthfully call epic. Charles Dickens' immortal story, a tale of two cities. And starring in it will be Ronald Coleman and Edna Best. Ronald Coleman's magnificent screen acting in a tale of two cities will never be forgotten. And we consider it an honor to present his first radio performance of this play. So with this microphone next Monday night, you'll hear a story that combines action, adventure, romance, and breathtaking suspense. Well, that's a great favorite of mine, and I should think of everyone, CB. Good night. Good night. Good night. Good night. You three made a direct hit tonight. Our sponsors, the makers of Lux Toilet Soap, join me in inviting you to be with us again next Monday night when the Lux Radio Theater presents Ronald Coleman and Edna Best in a tale of two cities. There's a Cecil B. DeMille saying good night to you from Hollywood. Jeanette McDonald appeared through the courtesy of Metro Golden Mayor Studios and is now making the picture I Married an Angel in which she co-stars with Nelson Eddy. Gene Raymond appeared through the courtesy of RKO. Anne Todd appeared through the courtesy of 20th Century Fox Studios and is currently being seen in their production of Remember the Day. Heard in tonight's play were Fred Mackay, Verna Felton, Anthony Marsh, Betty Hill, Eric Snowden and Howard McNear. Tune in next Monday night to hear Ronald Coleman and Edna Best in a tale of two cities. Our Lux Radio Theater production of Smile and Through has come to you with the good wishes of the makers of Lux Toilet Soap, the beauty care that nine out of ten Hollywood stars use to help keep their complexions beautifully clear and smooth, flawless as every woman wants her skin to be. Join us again next week in the Lux Radio Theater to enjoy an hour of dramatic entertainment. This is your announcer Melville Royck bidding you goodnight on behalf of our guests, our cast and the Lux Radio Theater. This is the Columbia Broadcasting System.


Hello everyone and welcome to this lesson on finding volumes of solids by using cross sections. There's a really great website. I'll be taking you to that will give you a great visualization of what it is. We're talking about you will see the URL there on the PowerPoint slide. You might also hear this topic talked about as finding volumes of solids by slicing. The analogy I like to use think of slicing a loaf of bread and you're trying to find the volume of that loaf of bread. So if you were to slice it up and find the volume of each individual slice and then add those volumes together, you would have the volume of the entire loaf of bread. That's basically what we're talking about here. So let me take you to the website. If you want to explore this later on your own, it's the bottom section parallel cross-section figure. So let's start with this one. Let me stop it right there for you. Now you'll notice at the bottom you have a base shape. That shape will be given to you created by equations that will be noted in the problem. What you're trying to do then is take cross-sections of certain shapes. In this case, it's an equilateral triangle. So if you notice the base of the equilateral triangle sits on that base shape of the solid and then it rises up from there. Here you're talking about three-dimensional shapes now. You have an x-axis, a y-axis and now a z-axis. That is the part coming up. Think of it out of the paper if you want to think of it that way. You'll notice that because of the shape of the cross-section that influences the basic shape of the solid overall. So in this case, it almost looks pointy at the top. So let me keep running this for you. So there's your base shape that looks like an ellipse and notice how this it's kind of pointy at the top almost like a helmet of sort and notice also that because of that shape of the ellipse and therefore the length of the base of that equilateral triangle cross-section. Notice how the size of the cross-section changes as you move across that base shape. So right now the equilateral triangle is kind of small. But notice it rises as it gets to towards the middle then decreases in size again. So let's go look at another shape. Let's try this one where our cross-sections are squares. Notice it's the same base shape for your solid. This time know the cross-sections are squares. Let me stop it for you right there. Again, notice that the size of that cross-section square changes as you move across the base shape. Again, because the length of that side of the square is changing. But notice how because now the cross-section is a square, notice how the shape of the solid overall has changed from how when it was an equilateral triangle. So let's try one more. The other one I like to do is the circles one because that's one you could see. Notice the same base shape. This time know your cross-sections are circles and this generates a solid that looks like an egg or a football. However you want to think of it. Notice how the cross-sections essentially cut through the the the center of the the base shape. All right, notice how it's the diameter of the circle that lies along the length of that base shape. So once again, the size of your circles changes as you move across that base shape. And that's really what creates that egg shape to the solid overall. So the question then becomes how do you do this? Well think of what you've learned so far. Remember that when you've learned about area under a curve we first talked about Riemann sums and the idea of using rectangles under a curve finding the area of each individual one and adding them up. And remember that turned into definite integrals as a means to find the definite area under the curve. You're going to do something similar here. So let's talk about then how we're going to use definite integrals to actually help us calculate these volumes. Once again, you're going to have the issue of your representative rectangles either being vertical or horizontal. If they are vertical and your cross sections you are told are perpendicular to the x-axis, that's going to make it a DX problem. And therefore, of course, your A and B values, your limits of integration are going to be x values as well. You are integrating the area of the type of cross section. So let's talk for a second about the types of cross sections you're mostly going to see. On this slide, you see the most common ones. Squares, obviously the length of your representative rectangle becomes the base of that cross sectional square. So to get the area of that, you simply do the side, the base squared. Rectangles, you will be told the height of the rectangle. The representative rectangle creates the base length of the rectangle, and then you'll be told the height by which to multiply. Semi-circles, one-half pi r squared, of course, is the formula. The big thing you need to remember is the radius calculation. The length of your representative rectangle is the diameter of the semi-circle. So you need to cut that in half first before squaring it. And isosceles triangle is simply going to be your usual area of a triangle formula. One-half the base, and remember the base length is the length of your representative rectangle, multiplied by the height. And finally, equilateral triangles is one that you'll see. You might remember that we saw one in the demonstration with the applet. The area of an equilateral triangle, of course, is square root of 3 over 4 times the base length squared. Think of it as it's almost a proportional part, a fractional part of the area of a square. It's square root of 3 fourths of the area of the square. So there's some of the common ones you're going to see as you go about doing the problems. So when we talk about taking the integral of the area of the type of cross-section you have, we're talking about using those area formulas you just saw. For cross-sections taken perpendicular to the y-axis, it then becomes a dy problem. Your limits of integration then are y-values. Your area that you're going to be integrating you need to remember must be in terms of y. So that might be some rearranging of an equation you'll have to do. So the basic process is a three-step simple one. The first thing you're going to want to do is come up with an expression for the length of the base of the type of cross-section you're told you have. You're going to use that representative rectangle idea and to come up with your expression for the length of that rectangle. You will use that top minus bottom or right minus left idea we've talked about before. Secondly, you're going to find an expression for the area of the type of cross-section that you're working with and those are these on this previous slide. Finally, you're going to set up your integral for finding the volume. You can either evaluate it by hand by finding the anti-derivative and evaluating that way or you are free to use your calculator to do that evaluation.


and we are testing testing one two three this is a quick run through I want to see if I can make this thing fit in a video without making it too long a couple of days ago weeks ago I made a video I don't know if you guys watched it was a thinkorswim and it was about how to create filters and that was over here in the scan tab right okay so we pretty much covered how to filter how to get for example scanning in the S&P 500 and excluding all the penny stocks we could create a filter in this case using a pattern although normally you would create it using specific parameters for a stock or an option or fundamental or study in this case the one that's added is one for a pattern so it would find stocks that had a double top for example within the last 10 days in the 15 minute time interval so he ran this scan it would go ahead and look and find let's say IBM or the NASDAQ itself so according to this you know you got IBM with a double top double top now it doesn't mean that you always find what it sees but let's see if we can do this real quick although this video is not on scans all right so here is this is 30 minutes so let's go to the last 10 days 15 minute I thought there was a well that should be actually should work see if we can find it exactly when a customize this and make it 10 day 15 minute and let's see here okay on the 15 minute and that apply it that's the one we want okay I guess it doesn't apply it automatically there it is okay so according to this scan IBM has a double top somewhere so it's probably looking at this one here you know bounced off of resistance bounce again that's the double top so it would be thinking that this thing is gonna start heading back down all right so we're not gonna review review any of that stuff but I will soon cover in a new video how to create automatic scans so you can actually save this and come back to this you can come like a watch list right so if you come over here to the hamburger icon you can save this as a watch list okay and you can call this let's say double top watch list right you know what let's make this shorter just because I know that later on things don't fit okay so there's the watch list and if you come over here then you can look for that watch list right in personal there it is okay now this is a watch list so what this means is that this will remain a list with these two items in it okay and you can go ahead and run this and actually set an alert for it if you want to right and and we'll run over that in another video basically just come over here and you say okay you know as a symbol is added in to top watch list we're gonna call it double top alert right then you can notify you know with a sound like a bell make it seeming different because everything else is a bell two chimes alright actually that's a very common sound as well let's do a ring yeah that's definitely not common okay and I can also have it send push notifications to my mobile device okay and don't not sure okay so yeah you can send me a message every time or every time or on an hourly basis if that change happens and from a certain date to a certain other date and that's it and then you create this and what will happen is that during the let's say during the day or the trading week the symbols might fall out eventually and new symbols will be added right and so whenever that happens and you'll get an alert so that's one way to do it with watch lists but you can also you can also save this as a scan query and what that does same thing here so it'll be a double top query okay you save that and you come over here okay and you go to personal and there it is and as you can see the difference between the top watch list and the top query is that the query has this purple icon on it and what that means is that this is an automatically updating scan okay so it will automatically update with any new changes you don't need to create an alert for it or anything and it'll just automatically add you know in or out whatever whatever fits the criteria of that scan query that you just create okay so having reviewed that it's just something which actually belonged to the previous video let's go ahead and move over to what we're gonna be looking at today and it's basically this analyzed have me get this out of the way basically this analyzed tab here okay and and also a little bit of the trade tab okay because there's a few things that a lot of people miss so for example this is when we're taking mostly single calls although it obviously you know the concepts apply to spread spread strategies like verticals and whatnot but let's just go ahead and look at a monthly expiration the May today is April 15 we're looking at about 30 days out 34 days out okay so you look at this and let's go and do Amazon because that's what I had worked this out on okay so you have Amazon right it's trading at 1 or 251 and here are your call strikes your calls and here are your puts right and we all know at the money which is which is actually in the money the 100 strike for May it's 695 to buy right now okay and what I want to cover over or go over are the Greeks and the fact of the matter is that not a lot of us traders use the Greeks and probabilities or statistics when we're looking at these trades that we're putting on so I wanted to quickly review and and maybe you know gloss over some of these less utilized although very helpful parameters so okay let's go over what this means we have the 100 strike 30 days out and this call or this option contract is going for 695 right and if we glance over to the Greeks over here the Delta is 62 now what does that mean it means a couple of things number one it means that there is a 62 or this is the way a lot of traders interpret this there's a 62% probability of that option ending up in the money okay now something that you might not be completely clear about is that that 62% is the probability of that option at that strike ending up or expiring in the money on that particular expiry date which is May 19th the thing is that that option might move up and down obviously is going to move up and down and oscillate quite a lot from now until May 19th 34 days from now so what does that mean it means that this 62% although it might look might look great there will be a lot of ups and downs in between and I'm sure that all of you in the discord community have seen and taken alerts from analysts and the minute it starts going against us we jump out you know be it because we didn't really analyze the the trade enough before we jumped into it we just took the alert blindly as it is always discouraged and but you know that's what we signed up for a lot of us you know we want to get expert alerts expert signals and we don't want to do due diligence right well we get out of the trade for a loss and then a couple days later it goes in the money and weigh in the money and that's why a lot of us traders end up with losses you know and and you're like how can it be if we look through the discord community end of the day statistics we're like you know this guy made 60% 100% 200% and and we turned out a loss you know and then you know we start complaining in the chat in the chat like oh man I can't believe I lost so much money and then you know those analysts that put up those alerts and did really well during the day they come back and they're like well wait what do you mean you came out but I mean did you take my trade and they're like yeah I took your trade like well I got out for 100% what did you do oh I got out for like minus 50 well that's because they probably knew when to get out and that is what this delta is talking about this is referring to the probability of this specific option contract of a $100 May 19th being in the money on May 19th all right there's a lot of things that can happen from now until May 19th and it has to do with gamma and theta and Vega obviously and the underlying price now let me just show you something that you might not know about which is if you go up here to the gamma you click on this and you come down here to theoretical in Greeks look at this option here called probability of touching okay let me go ahead and click on that now let's look at the gamma before we do that what is the guy trying to get that off what is the gamma telling us on this 100 okay what it tells us is today which is April 15th assuming that this were a trading day okay the delta is telling us that this 695 is going to be $62 greater for every dollar that the factual price current price goes up so it's 102 51 on Monday if this thing opens at 102 51 and it goes up to 103 51 okay and that means that our option contract is going to go from 695 to 695 to 62 right so it's basically going to be worth see here 62 is 757 so 757 instead of 695 that's what that means and what does it also mean is that it has a negative theta of course time decay of $8 so that means that at the end of Monday even if this thing is up at 103 51 our contract is going to be 757 but it's at the end of Monday it's also going to be $8 less because of time decay so minus $8 it's actually going to be worth 749 okay and I'm going to open up real quick if I can find it here I believe in here I had a quick spreadsheet that I wanted to kind of use to draw up an example see here there it is options yeah all right okay so here it is you know you have your stock price you have I was looking at a different one I was looking at the 102 so that's 196 that's this one here okay because it wasn't May 19th let's jump over here to April right so here's the 102 right we can use this as an example so it's 59 10 and 14 right Delta gamma data so 59 right 10 and 13 okay so what that means is that this option price right now 196 which is right here on the next day if it goes up by $1 then it's going to go up $59 which is or 59 cents which is the Delta now the next day it's not going to be 255 plus 59 because Delta changes so once it not because of the day because of the new strike because of the new price okay so once it reaches 102 the Delta stops being 59 which is what we have here okay and once it reaches 103 the new Delta is 69 not 59 so how do we know that because that's what the gamma tells us gamma tells us how much the Delta is going to change based on whatever the strike price is so now our Delta is going to be 69 so for the next day we're not going to use the 59 on top of the actual price we're going to use the 69 on top of the 255 which was the new price and it keeps going right it keeps going all right so for every dollar it goes up it goes up because of the Delta but the Delta also goes up it goes up from 59 to 69 79 89 so on and so forth all right and then the Theta is the one that works against us when we're talking about calls because it decays every day all right and as you can see here this one is this one decays at 13 okay so this will go up 59 on the first day by the end of the first day it will also decline by 13 okay so it won't be 255 it'll be 242 so you take the current value of your of your option you add the Delta for that strike for that new strike that new dollar move and then you subtract the Theta right okay so over here you have the options and theoreticals something called the probability of touching now let's go ahead and add this in and it replaces the gamma with this probability what does this mean okay this means that because the actual you know chart or the actual movement let's say that we were here because it can go it can go up and down and up and down and up and down and up and down it might reach the price right but it might come back down from that price right so if it comes back down from that price it's no longer at that strike so you're losing money right now the Delta tells you what the probability of you reaching this price is on expiration date probability of touching just as you might expect is the probability probability of this of this option contract actually touching or the the strike actually touching that price okay so come back over here sorry okay what this is telling us is that even though the probability of this contract ending above 103 which is the strike right on April 21st which is six days from now it has a 93 percent probability of actually reaching 103 and then maybe pulling back from it okay so that is actually telling you it might reach that price it might not stay above that price that probability is a lot less it's only 48 but there is a 94 almost percent chance of that reaching that strike which is as you probably imagine a lot more useful but then you have to be on top of it right because it might reach it but then it might come right back down okay so that's one thing one thing that a lot of people don't usually know alright let me cover let me leave it back on gamma okay the other thing that a lot of traders don't use is this market move over here this is the market maker move which is something specific to the thinkorswim trading platform and what this is telling us is that this has an expected move expected move of either plus or minus three dollars and forty cents so what this means is that from 100 and 251 they are expecting a move of either up to 105 or low down to 99 alright so that will give you an idea as if you're going too far out of the money because you're looking for that cheaper contract well if it's above 103 or that would be 105 100 pretty much 106 anything above 106 should have a very low probability of actually ending up in the money which is also reflected in the delta because as you can see normally you want to take deltas 30 or above significant significantly below 30 is something that is considered you know a little bit or not a little bit but something that's considered statistically improbable so that is definitely above the market maker move alright so that is something that might also help you when you're reading through these options chain and the other one is what we talked about is this probability analysis alright now what is this thing telling us so this is really cool because you could actually track the probability of the different prices you have prices up on the vertical axis and you have days to expire your days from now rather on the horizontal axis so what is this telling us this is telling us that it's currently at 105 51 102 51 and if you're gonna be getting the which one did we say and go back here we're talking about the 102 that's obviously in the money let's talk about that 106 which is a you know way out let's see here okay so what about 106 okay well let's look for 106 on the vertical price chart or price axis and there's 106 what is the probability of this being at or above 106 on April 21st as you can see as I as I move horizontally that probability is going to be 27% alright which is pretty close to what the Delta was telling us here but this was going to be actually saying there it is hey the 106 or so yeah the 106 is 21% probability of being in the money so if you go to 106 on there it is that's right on it 106 kind of this is so sensitive there it is okay so 28% probability of that stock reaching 20 106 or above and that therefore it has a 71.1% probability of being at 106 or below okay so you can actually move around around these and it should make sense to you the further out you go if you go over to here you know a few days later then seven days later actually then the probability of it being at or above 106 actually jumped from 28 I believe to 34% right because there's more time if you go further out on the six there it is it's even greater it just went up to 37% okay and the same thing works to the downside right so if you're working with puts then you can also get the probability of this being at or below a certain price range as well and if you go down here at the table you can actually see those probabilities without you having to scroll around because you can see how sensitive this thing is without you having to scroll around all over the place you can actually get those probabilities here when what is the probability of this being you know between 102 and 112 well it's 44% that's actually pretty good and you can you know keep going further out you can also control these ranges by using these price slices okay and the price slices are very useful you can set them up to be 10% if you want to be 10% and you can set these over here I believe right so you can set slices if you want them to be at 10% plus or minus 50% much but plus or minus you want to be one standard deviation you know plus or minus and so that'll switch to one standard deviation above one was one or 2.7 and one standard deviation below 1 2.7 and then that automatically adjusts this as you can see anything above 109 which was your first target to the upside and anything below 96 28 which is your target to the downside and then you have the two ranges from from your lower target to your current and from your current to your higher target all right so this is a very useful table and chart because it lets you see what the probabilities of these things are okay and remember these probabilities are all at expiry the only one that's the probability of touching is the only one that'll give you something that might happen before expiry and there's the risk profile I believe we covered in a different video I'm going to tag to here as well and this has the same slices and you can see graphically what's going to happen between your price slices and your breakeven points on the red bars and you can see this gray area which is the probability range which is currently set for one standard deviation but you can also change that and you can also change the date right so I hope you found this video informative and I will be trying to cover some more of the things that thinkorswim has to offer is a very awesome platform don't forget to subscribe to the channel to be notified of all these events and also don't forget that if you use my link which is also linked here in the description my link to sign for sign up for a X trades membership plan I will personally give you a guided tour of the X cord sorry the discord X trades community and the mobile app as well if you want to and I'll even throw in your platform of choice if I happen to know about it enough that I can help you out with it and so don't forget to sign up for the X trades membership plan as well and use my link and I'll give you that free video guided tour all right happy trading and I will catch you guys next time


Feeling anxious, you're not alone. Start by taking slow, deep breaths. Inhale and exhale. Now, ground yourself in the present moment. Take a moment to observe your surroundings. What are five things you can see? Four things you can physically feel. Three things you can hear. Two things you can smell. And finally, one thing you can taste. Take a moment to appreciate the beauty of your environment and the sounds that surround you. It's often in these simple observations that we find solace and a sense of grounding. So how do you feel now? Know that you're feeling calmer. I want to remind you that everything you've experienced in the past, you've already overcome. Your resilience surpasses what you may perceive. And you're stronger than you think. You got this.


How's it going everybody, Dots and I here back with another video for you all today and if you've been around the channel long enough you might know that I really enjoy fighting games which is why usually when a new one gets announced I like to talk about it here on the channel and at least one video just because I'm usually so excited. Today's announcement though is one that I don't think anybody saw coming so we'll just cut straight to the chase. We're talking about Nickelodeon's All-Star Brawl. Yes, that's right, this is actually real. Nickelodeon is releasing a massive crossover fighter between all of their biggest franchises and while not a two-dimensional fighter it is taking on that smash style of gameplay so if smash can be at the big fighting game tournaments this should be at the big fighting game tournaments. And I genuinely mean that because I am actually very excited for this roster. Even in this very small trailer they have shown a wide array of characters from all across Nickelodeon's biggest properties. I mean they're showing stuff from the Loud House which to be honest I have no idea what the Loud House is I know it's popular nowadays. It wasn't really a show when I was around watching cartoons on Nickelodeon but I mean come on they also have Nigel Thornberry as a playable character Reptar. This is going to be a game for literally everybody that has ever watched a cartoon. And if Nickelodeon's going after their bigger franchises to put in this game does that mean we might be seeing some Avatar stuff in this game? That's what I would be really excited to see you know Aang would be a sick playable character Korra. The guy with the boomerang I don't know why I can't get his name right. Toph would also be another good one. Man there's just so many different choices you could use for the Avatar series. Hopefully they go with at least a few of those but man the roster is what has me excited the most like I said. I mean come on Danny Phantom's in the game. Danny Phantom's in the game.  And another thing I wanted to bring up early in this video just in case some of you aren't sold on this yet is that the game also reportedly has rollback netcode. That is right this game will have better netcode than a lot of other bigger fighting games. Now we're not totally sure on that yet this is coming to us from a dev on discord that said on supported platforms so we're definitely going to have to look at this closer but if it's true I mean rollback netcode on a game like this are we also going to get DLC? I mean how many characters are we going to see here? In the description of the video it also mentions that it's going to have 20 themed levels such as jellyfish feels and TMNT's Technodrome so they're also doing the smash thing of taking stages from across the universes as well so that's another thing to get really excited for. Man they are actually trying with this game it looks like. I'm excited now just because I know it's going to be fun to mess around with some friends online but if this game came out when I was younger man that would have been wild. So I guess my question to you all would be who are you going to main in this game? I mean Broly fans you might want to look into playing Patrick there's actually a lot of similarities there in their moveset personally I might be either a Danny Phantom main or if those avatar characters come out I might switch over maybe you might have to have a secondary Reptar you know just for some matchup I'm interested in seeing what characters you guys are looking forward to play and what characters you guys would like to see in a crossover game like this I feel like this video is mostly just talking about speculating characters but Timmy Turter, Jimmy Neutron I mean come on you gotta get some of the cli- maybe they'll even put Carl in the game bro also while we're making this video just in case the developers are watching please put in a final smash or kind of technique I would love to see like some high octane energy cutscene cinematic super I don't know why I would just love to see that but I need that I need that wait this is actually Dotto from a long time after I recorded the audio I just realized another character that has to be in the game. Next Jane Mellon. Yo get Jenny in the game as well bro I forgot about Jenny but Jenny in the game as well alright back to the back to the present Dotto but yeah that's pretty much everything I had to say I mostly just wanted to cover that this game is now coming into existence Cartoon Network hopefully will do something similar Cartoon Network between you and me if they're gonna do the smash style how about you do a 2D style you know maybe we see Ben 10 some day in a fighting game but yeah that's gonna cover it for now hopefully you guys enjoyed this video again let me know down below who you're going to main I don't even know what the point of this video was but man I'm just I'm excited to play this game with some friends online and maybe stream it or something like that but I'm gonna get out of here hopefully you enjoyed it if you did let me know down below in the comment section leave a like subscribe if you're excited and stick around for more Nickelodeon all-star gameplay we'll do some ranked matches I've been down to know you I'll see you in the next video have a good one


Happy holidays! Baked ricotta, we have spinach, bell peppers, onions, mushrooms, that's jalapeno, parsley, garlic, canned tomato sauce, a can of diced tomatoes, a jar of pasta sauce, some ricotta pasta, an assortment of Jesus. For seasonings, we have red pepper flakes. Oh, there's some butter. Onion powder, garlic powder, salt, pepper, paprika, Italian seasonings. I'm gonna go ahead and start to boil my pasta and I'm gonna go ahead and dice up all of my vegetables. Now, y'all, you can use whatever vegetables that you want. I just use whatever I had on hand. Yeah, I don't use recipes. I get inspired by recipes, but I don't use recipes. I don't measure. I've been cooking since I was 13, okay? I'm 39 doing the math. So I have started to jot down my recipes, but I don't even cook the same thing. I don't cook it the same recipe twice, the same way if that makes sense. Sorry, just fluttering with my words. So I'm gonna go ahead and saute my veggies in about two tablespoons of butter. And this is very quick, you guys. If you want it to add meat, you can do so. My husband doesn't eat much room, so I'm sauteing these on the side, and I'll just put these on one side of the... I'm actually doing everything in this pan besides boiling the pasta, of course. I'm gonna go ahead and bake it in this cast-iron skillet too. Now I'm just adding everything into this big pot. With a little bit more butter there. I bought one tablespoon, you guys, of butter. Also, tomatoes can be a little acidic, so to cut that acid, I add half a teaspoon of sugar. There's my fresh parsley, and that's it. Okay, I'm gonna pop this in the oven until the cheese melts. Now I only add the cheese on my side. I know my side seems a little bit bigger. I didn't add a lot of cheese on this side because my husband doesn't do a lot of cheese, so it's gonna go down the middle and he'll just have a little bit of cheese, and the mushrooms are underneath here on this side until the cheese melts again, and I will probably pop it under the broiler for about five minutes to get a little crisp to it. So, all right you guys, 30 minutes or less, and we're done.


So please tell me, who is going to score the touchdown for the Jets first? Let's go with the numbers, Matt Forte. Matt Forte? Um, Matt Forte doesn't play for the Jets. Oh, let's go Robbie Anderson, is he on the DL? Well, he might, he might not play. Robbie Anderson, thanks, sorry, that's your guy, put him on hold, let's move on. Oh, no, no, no, how many chances you get? Matt Forte's not a Jet. Robbie Anderson didn't practice, puff. How many guesses? Should he get seven? Andrew, let's give him 12. My God, we're giving you a chance to win money and you call up and you don't know who's on the team? You don't know the rules? Oh, keep picking, keep picking. I don't know, Sid Luckman. I'll go with Sid Luckman. Give me Joe Nameth. I think Joe Nameth will. Don Maynard, let's go with Don. Morons, I can't take it. Put him on hold, take it. That's what he gets. And I hope Robbie Anderson doesn't play. I hope he doesn't play. My dear Matt Forte. What was his last? Why not James Winston? James Winston. You know what? How about this? How about Jameson Winston? I think Jameson Winston is going to score the touchdown. My God, it's weird with your tolerance. It really is. But a guy does roll call. You want to stab him in the chest.  What? When you pick a high-grounded stick with it, for God's sake. He couldn't give him Matt Forte. He doesn't exist. Oh my. He doesn't exist. So you give him another chance? He should have been stuck with Matt Forte. Thanks for calling.  You give him a second guess. Robbie Anderson, who hasn't practiced all week. And you're like, well, maybe if he plays, well, let's give him a third chance. Well, he hung up. So we're going to take another contestant. Why? Roe, he's Robbie Anderson. He's hung up. We don't have his information. Listen, but you hear what I'm saying, Peter? You know, I hear it. The things that he has no tolerance for. The things that he has no tolerance for. You ever seen the movie Falling Down? Yes. This is that moment. But I don't understand. This is what you want. A guy says, hi, Peter. I love your work at Hot 97. You disconnect the guy. A guy called up and said, Matt Forte, who hasn't played for the Jets all year. Maybe he thought they were playing the Bears from last week when Forte was a bear, all right? So obviously, maybe he had a mini-stroke. So you give him a second chance. And he says, Robbie Anderson, guy hadn't practiced for a week. And all of a sudden, Mr. Tolerance over here is like, well, he hasn't practiced. Let's give him a third opportunity. But meanwhile, somebody calls up and says, hey, Don, I love the fact that you went to Rampo College. Click. Peter, see if you understand. Click. Don doesn't quite get how the bills are paid. This is a sponsored giveaway. Well, but, and you're right, I'm treating it with respect. And there's also legalese that's involved where you actually have to take a real contestant.  What does that have anything to do with it? Because I can't take a guy who says Matt Forte when he does it. He's not on the jet. Right. So three men. So get another. All right. All right. So fine. You gave him another chance. He says, Robbie Anderson hadn't practiced all week. And you're like, well, he hasn't practiced all week. But at what point do you move on? I was going to take him. But he hung up. So here's the deal, everybody. When he said Matt Forte, you go to somebody else. You have to take somebody. Not somebody who's going to have a yo-yo guess and play with us. Again, let me talk to you, Peter. So Andrew puts on one pigskin payoff guy. So if that guy happens to take Walter Payton as his guess, there's not another pigskin payoff guy lined up there.  I'm going to go 1-800-919-3776. And I'll do this again. So if you have an opportunity to pick the jet that's going to actually score the first touchdown. I'm trying to keep this all together, Peter. No, I understand. And it was an emotional time. It really wasn't. He turned it into a lunacy. I have to sit here. I have to sit here because Peter won't have my back, even though time and time again I hit him. I had your back just yesterday. Why is he doing this? Why is he being like this?  And meanwhile, we're getting trolled. And you just hang with it. No, you're not saying it's a troll, or you just didn't know what was going on. Well, all right. Either one, we either we're getting trolled or it's the king of all yoyos. Either one, we're not dealing with, buddy. Anybody that wants to be a troll and give up a chance at 500 miles, God bless them. Then Matt Forte, RJ, lock it in. And I'll anxiously anticipate Matt Forte scoring on Sunday for the jets. But no, you give him another opportunity. So who does he guess? The guy that we just talked about hasn't practiced all week. And then you say, well, he hasn't practiced all week. So let's give him a third chance. If it wasn't for me, we'd be going down the roster from the 76 jets to find a guy that could play. And I can't believe I can't get anybody to realize that I'm in the right here.


What's up everyone? Takedown here. Welcome back to another video. Today I'm going to share with you what to do if your PlayStation 4 is having network errors and you're not able to sign into the PlayStation network. These are a lot of easy fixes, so let's get right into this. So since these are a lot of easy fixes for us gamers, most of these are going to be considered as common sense, but some people do forget to check some of these. So let's start with the most easiest and the most common sense thing to do, and that is to make sure and to check that the PlayStation network is not down. Now I know for us gamers, me saying that should not need to be said, but there's a lot of people, a lot of newbies, and people that aren't hardcore gamers, that just forget to even check that the servers are working and the network's not actually down. Then the next thing you're going to want to do is to reset your internet modem or router. To do this you're going to unplug the power, you're going to wait one minute, you're going to plug it back in and you're going to let it reboots. Now sometimes this may take up to 15 minutes for your internet to reboots, just let it do its thing, and then you're going to want to go back on the PlayStation 4 and you're going to want to test the internet connection. Sometimes by you rebooting your internet and restarting your internet, sometimes that actually does work and now you will have a stronger signal for your PlayStation 4 and be able to get online. If it still doesn't work, now you're going to want to restart your PlayStation 4. To do this, you're going to turn off the PlayStation 4, wait one minutes, and turn it back on.  You want it to be completely turned off doing this. Now after it is turned back on, you are going to want to go back into the internet settings and you're going to want to test the internet connection again and see if that did help you. Now if that didn't work, you might want to go and re-enter all of your Wi-Fi settings. To do this, you're going to go into settings, then select network. Next, you're going to select setup internet connection. You're going to select custom and then select your Wi-Fi network and enter your password. And then whenever you get to the DNS settings, you're going to select manual and normally I would have a list of different codes that you can put in for your DNS settings. However, the last time I made a video on the DNS settings, I had a lot of people comment saying that the ones I mentioned in the video do not work and a lot of people saying that's the wrong ones and yada yada yada. What I found out later on doing my research for this video, some of those codes just don't work for some people and they don't work for everybody. So go and look up different DNS codes, try a few and see what works for you. The most common ones are <IP_ADDRESS> for the primary and the secondary is <IP_ADDRESS>. That is one of the most common ones. The other one is <IP_ADDRESS> and for the secondary <IP_ADDRESS>. Again, there is a whole bunch out there and I'm not saying just try those two. Look up, there's other ones that you can try. There's ones for Google and other servers and different things like that. Try different ones and see what works for you. And I just hope there's nobody down in the comments roasting me for saying that and not making it specific which ones to use because again, doing my research for this video, there is so many that actually can be seen and different ones that can be used and not all of them work for everybody. So if it doesn't work for you, it just doesn't mean that that DNS server doesn't work. It just doesn't work for you. Try other ones. And then while doing that, finish setting up your internet connection and see if it does work and test your internet connection. If it doesn't work, simply go and try different DNS settings and see if you can get one that will work for you and make the connection stronger for you.  And hopefully this has fixed your problem if it has. Great and I will see you guys in the next video. Please take care. Peace.


And so then when I was in middle school, I started this company called project 360 Which was kind of like a clothing company that that raised money for different charities and My first product that I did was this I don't know if you remember those Livestrong bracelets So there were like little skinny yellow braces of the words and so I got these really thick ones I got them from China with this girl Jack Vanick at the time I'm gonna go and take all these different words like empower love You know women exclamation marks stuff like that and put it on to these Bracelets and I'm gonna go and walk around the conference center and sell these and so I bought a bunch of pillows at a store And I took the pillows out and they were like clear pillow cases And I put them all with the different bracelets in it And then me my brother and two friends walked around Selling these things and I did like $20,000 of bracelets in the in a day. That's what's up And I was like, oh my god businesses, so fine


We're going to dive real deep back into a lot of stuff as we go, but again, we're just going to hit the high notes, get real comfortable in some of these positions, and then we're going to come back. Now, high crotch position, I kind of break down into three different levels, okay? So if I can get this guy all the way stretched out, two knees on the mat, hips engaged, kind of sprawled out, or if my knees are still bent, I consider this kind of level one, okay? Level two, I got him kind of stretched out, my dry leg knee, or his dry leg knee is not on the mat, all right? He's still kind of up and has a chance to build, but I've got a little bit of a sprawl. I've got space from his elbows to his ribs. This is important, okay? Level three, I really don't have a lot of options here. His heads up, hips in, back straight, all right, and I'm trying to get the leg back. Now, we're going to start level three just because this is a good, good mobile drill, all right? Frank Chamezo's a wizard here, all right? He has amazing hips, and he attacks with his hips, and by attacks with his hips, I mean, he uses his hips to run into guys.  Now, this is what I want you to think about. This baseline defense sprawl, if I take my hips and my legs away, my head's going to drop every single time. If I develop a habit of dropping my head when this guy's in on a leg attack, that's draping. When I drape, and this isn't scramble technique, this is baseline defense technique, any time my head drops, my feet get light. Any time my feet get light, this guy smiles on the inside, okay? So as my legs go back, my hips go in. Does everybody see that? This is a weird thing for your body to concept because you always have been taught a lot of times, hips and legs go back so head drops, all right? I want you guys to focus on, anytime you're sprawling, moving forward, hips are in, legs are back, okay? I'm putting a ton of tension on his grip. Now, in this particular instance, we're not going to fight our hips back near as much. We're going to drop our hips down, which is going to accomplish something similar because it's going to sag on his lock, all right? I'm going to pop his shoulder, and I'm going to replace it with my far side elbow. I'm going to step outside, I'm going to pop his shoulder, and I'm going to replace it with my elbow, all right? See how his shoulder shifted outside of my hip. Anytime he's in on a high crotch, his shoulder being in the pocket right here is important. Whether I'm on my feet or going to crack down any of those positions. So all we're going to do is we're going to step and pop and dig our elbow right here in the crease of his armpit, all right? We're going to pop, dig and squat. See how I'm in a good athletic position? I'm not bent over. I'm in an athletic position right here. And then all I want you to do is kind of drive into this guy. Don't do anything else. And then we'll start talking about our re-attack. So he shoots this high crotch. I'm going to pop the shoulder and beat it. Pop the shoulder as I step and dig. Everybody see this position right here? Elbow's tied in the armpit, and then I'm just driving into him a little bit. Butt stays low, chest stays up, all right? So I'm stepping, popping, digging right here. That's my motion. And then I'm just driving in, tied elbow. Go! You did it.


In terms of climate change mitigation, we're really at a point where we need to act. So our current focus is not so much the development of technologies but rather how to reach scale. So we ask ourselves what do our partners in the different countries need to bring the technologies to the field. And for that we, for example, conduct a lot of suitability analysis where we make use of satellite data together with our GIS lab and try to come up with national analysis of regions where technologies fit best. And we do a lot of feasibility studies where we analyze specific barriers to adoption in different agro-environmental zones and then find solutions how to overcome these barriers. And also more and more we look into the supporting background. So we look into policy frameworks and ask is this framework right to create an incentive for climate-friendly farming or at least not to create a disincentive. And we also ask can we help develop business opportunities so that more investment can be done into low-carbon rice farming. Those kinds of questions is what we're doing, what we're dealing with at the moment. And of course for all of that water is the key.