Felly ei gwrdd ydw i'r amser Oesbydedd Ystod, a fyddwn i ddim yn gwneud cyfleidio am ymgy慧nau barod, rheoli am leioclawn ymgyfrau â ymgynghwyl yn Eur Jobs. Fy li os bod yn gwneud ymgynghwyl ar gyfer seithio cyflaid gwirion cyflaid o gael cyflaidau cyflaid gwirion cyflaid gwirion cyflaid. Yn gweld maen nhw'n i amddangos thatsfynol i'r cyflaid cyflaid i gael cyffyrdd cyflaid yma, oedd hynny chi yn meddwl谢谢u a'r cyd-igelwadau sydd wedi gweld i'r 2030 yma ar gweithio yn cyd-igelwadau. Mae'n cyd-igelwadau sydd wedi'u rhoi'r projekty ar y dyfodol yng Nghymru, ymdweud a'r cyd-igelwadau ar gyfer gweld sydd y cyd-igelwadau, neu'r SDGs. Mae'n gweithio yn cyd-igelwadau yma yn cyd-igelwadau a'r cyd-igelwadau, ac mae'n ddysgu i'r ples yw'r ddechrau sy'n ddiddordeb yn cyd-igelwadau yn y tro o'r bod yn un o'r llos. newydd y rhanieddiaeth yn meddwl am ei hunnw ymlaen llawer yn erbyn. Felly mae'r hyn yn deallu eu pryd peth a gael yn ym raisedd, am adeilad, lleol, mddannol a'r nobi. Mae yw ymdweud ydw i ddweud ddull yn prys, ac mae'r syniadau sydd wedi eu syrgrifennu Minyol, mae'r hyn yn addysg yn edrych yn gwaithol i bod yn sicr i'r cyfnodol sy'n ddrygiad ar hyn nhw. Mae'n ei hun i'r�OS ac'r Llywodraeth yn mas polywyddiad da wedi werthro biadau, ac yn y dod i'r unrhyw unhefyd i'r wrthffletter sydd yn yr 59th yr olyig yn ystafell cyffredinol yn ei ein cwnt calculus. Cyniad hyfeiein gwahanol ar yr ymweld thatadaf arrangedeth wnaethon o wassyl iawn cyfaint wedi wirthoedd cy � John na le neckafun heading digas yn cael sydd fuelwyrfodol idgwn. a we ask these representatives to discuss what have worked well, as well as lessons learnt from running projects. The synthesis identified a wide range of opportunities for co-created projects to contribute in particular to achieving the SDGs, for example, through taking action on particular issues involving citizens in decision making, or through the knowledge or skills that participants gain. But some key reflections also emerged, which need to be considered in the design of such projects. The first relate to initial engagement with communities. While it's not always the case for co-creative projects, in some circumstances, researchers or practitioners may seek out communities to work with. And this requires careful planning. For example, it can be tempting to work with communities whose leaders are most engaged and approachable and have been involved in similar projects before. But these may not be the best communities suited to a particular project. In addition, considerable time and resources are needed to engage communities. This includes investing time in understanding local cultures, building trust and being sensitive to a community's experiences. Many projects we identified emphasise the value of building a project team, including local stakeholders such as local universities, non-governmental and civil society organisations and community leaders. Finding the right local partner was seen to unlock community involvement so that scientists or practitioners are not seen as external actors going in and telling people what to do. In the design phase of a project, co-designing methods and materials with participants were seen as valuable to ensure that they are appropriate for the participant's circumstances. Co-creation of methodologies ensures participation can sit alongside existing daily activities and not to overburden participants. This is particularly important when working with people in resource poor settings. Some projects highlighted the tension that can arise from maintaining data quality standards and ensuring communities are given ownership of projects. Co-creating methodologies and field guides with participants can help to overcome this. Some projects have structured their co-design processes to be iterative and circular so that those involved can learn these best practices by participating in them. It's important that the co-design process includes all members of a community as they may have varying needs and priorities. For example, while digitisation can increase inclusion of some groups, others may feel excluded to a perceived lack of skills. Challengers were also identified in involving women because they have many responsibilities in a high workload. Electricity can also potentially lead to exclusion of some. While examples exist where co-design has overcome all of these issues, it is also recognised that this requires a significant investment of time. When it comes to the implementation phase of a project, sufficient time is also needed for training participants in data collection methods, particularly if they are unfamiliar to participants. Resources may also be needed for participants connecting to the internet, for example, to download apps or upload data. Projects should carefully consider how they can engage citizens in all stages of the research process, including data analysis and dissemination. This gives participants additional skills as well as encourage greater ownership of a project. Finally, outcomes of projects need to be carefully considered. While co-creation can ensure that community priorities are at the forefront of projects, there is a need to be honest with participants and set expectations, especially in low income areas. Participants might expect that when a project focuses on a particular issue, combined efforts will result in a large change, but often this is not the case. Researchers need to be clear with participants about expected impacts, as well as accept that people may not want to participate in a project that they feel will not result in a concrete change for them. In some cases, participants are compensated financially for their involvement if it takes time away from time that could be used to earn a living. If project outcomes are not clear or tangible, this could lead to people only participating for a financial reward. This can be addressed at least in part by allowing sufficient time and resources at the start of a project to engage stakeholders who will use data or other outcomes from projects so that citizens can see action from their efforts. It may be possible to bring local authorities and communities together to come up with shared priorities at the start of a project, although this depends on the local context and nature of relationships. Thank you for listening to these reflections, and I look forward to hearing yours on what makes a co-created system science project work.


everybody happy Friday June 18th nice day to end the week plus 740 today a little over 4,000 for the week let's go to these trades and I'll come back and recap the week only runners today four runners nobody 90s no pairs trades AMC was a loser for 660 Amazon winner for 90 Boeing 180 and my biggest winner Roblox 1130 so let's check these out real quick and then I'll come back and recap the week for you so AMC well first of all is having a little bit of technical issues this morning so that's always frustrating when when you're trying to trade and especially in front of a live audience and you get to have some technical issues but we made the best of it and and made it work so AMC was the first one didn't have much good price action early in the day but then I saw AMC look like a good opportunity had that some big volume bars not quite as big as the first and this was part of the issue my data feed wasn't coming through correctly so my volume bars weren't weren't a hundred percent accurate but I still liked it pulling back to yesterday's high here even without the volume so I got long here looking for a potential push continuation didn't happen bloodlower so I just cut out of it and took a loss of 660 and then Amazon Amazon was was was bouncing around here when it came down to the unchanged mark let's see no actually it was here when it came down to yesterday's high got long right here I got in one added here and then it bounced and so I had a really nice profit up here I was holding my last contract to see if we could get some more upside then it just fell apart so I ended up cutting out and taking a basically a scratch $90 winner Boeing for plus 180 as I was waiting for Boeing to just fall apart and it just never quite did so on this area right here is where I got short on this little bounce looking for a flush scale that is some contracts there and then it just kind of chopped around and when it started to kind of bounce I was kind of done for the day I quit right at 10 a.m. so I just ended up cutting out which ended up being a good choice because Boeing ended up bouncing I was really looking for one more flush to the downside but still book 180 on the Boeing trade and then lastly Roblox this was a beauty so had a nice big spike in volume here so on this bounce I got short and I caught this entire move down here I think I got out of well I held on to two contracts still down here looking to see if this thing was really going to melt down and it ended up bouncing here so I start chopped around I cut out of my last couple right here so still booked 1001 30 on that one so those are the four trades for today plus 740 on the day let's take a look at a summary of the week so on the mighty 90s a little bit in the red minus 126 only took four trades two winners two losers 50% win rate on the pairs trades took four trades only one was a winner so minus 573 on the pairs but then the runners big winner a little over 4700 almost 4800 dollars on 24 trades and fantastic win rate you know over 79% you can see the last few weeks here have been read on the runners and look at the winning percentage the last few weeks compared to today so really you know I really want to get overall above above 60 is very profitable you know you see here 66% booked over 5 grand 55% okay 55% this one that's kind of not normal only 42% win rate but still a nice profit but you can see what I have these higher win rates is is when I really booked some profits so I'd like to keep the win rate on the runners around 60 or higher 55 is fine it's going to be profitable but over 60 is is always much better and then so total trade summary a little over 4,000 for the week which after a couple red weeks basically got back everything we lost over the last couple red weeks so I continue to be amazed how quickly you know if we do have a drawdown a it usually has something to do with bad management on my part not on the not on the strategy you and it's almost always I hold on to a loser too long and it becomes a bigger loser definitely happened here had a couple this week as well so you know sometimes I just got to reset my mindset get it get back in the trade hacker mindset shameless plug if you haven't checked out the trade hacker mindset podcast go do it now so anyway nice bounce back and gives us a total profit for the year to date over 45,000 total on the runners year to date 28,000 a little over 3300 on the pairs and almost 14k on the mighty 90s looking back on the total summary going back to August when we first started tracking a little over 21,000 on the mighty 90s 4000 on the pairs 56k on the runners up over 81k total so good stuff look forward to next week next week we're streaming Monday Tuesday and Wednesday will be offline not streaming on Thursday or Friday we just posted the new live stream schedule for for July as well only two days off in July one of which is the markets closed for July 5th and observance of Independence Day and then there's one other Monday later in the month that we can't stream so otherwise every single day streaming look forward to seeing in the live stream room everybody have a great weekend talk to you next week


We are a voice that screams tearing the silence of conformity.  Contributions to progress, peace, innovation, solidarity. Like a magenta flower, an aphrodisiac, we seduce with ideas. This perfume wraps us in bright elixir. Swaying opinions, swaying opinions with a maddening scent. We are a voice that screams memories brought with our baggage from other lands. Flower petals hidden between pages of a book. Letters turned dried up in flakes on worn out paper. The stamp of her day of days, her holy communion. Prayer book with blessed stamp of guardian angel with wings spread protecting the little children. We are a voice that screams revealing not crime, not how we can, not how we can... Are you trying to tell me something? Okay, not screams that tell us how we want to kill somebody, how we want to steal from somebody, how we don't like to work. No. We are a voice that screams revealing our talents, contributions to progress, peace, innovation, solidarity. We are a voice that screams tearing the silence of conformity. Thank you. And I love San Francisco. It was my first city when I came to the United States. And people asked me if I came because of terrorism, because of Senator Luminoso wanted to kill me. No. My father loved the United States of America. He admired the United States of America and sent his beloved daughter here to study. It didn't work that way. Within a year of arriving in the United States of America in San Francisco, I was married and made my home here. I have been here ever since and I travel back and I visit. My father was very disappointed. But today, oh, I want to share with you. So the years passed, family, home, education, et cetera. And my father and mother both admired education immensely. You have to learn this, you have to learn that, you have to do this, you have to do that. I did it. Years later, many, like when my children had grown, my daughter was coming out of San Francisco State when I started in San Francisco State. And I, why? Why are you doing this?  You make a good living. Why are you doing this? Because my parents, who will never know this because they are already dead, is what they wanted for me. So that's what I did. And now coming back to San Francisco. Claiming the night, sounds, colors, stream of lights, like silk blows out to seed in the night. North Beach, Columbus, and Broadway, Pacific Avenue, the sunset, the Castro, La Mission, and even the Embarcadero, with its faraway stars stretching out over the bay, to the blue monkey, sweet inspiration, sacred grounds, and Cafe La Bohème. And she's been among them, among the silk scarves at dawn, searching for dreamers and bohemians in Chinatown, North Beach, Columbus, and Broadway, Pacific Avenue, and out in La Mission, and even the Embarcadero, mastering every adversity as she goes claiming the night for herself. Thank you. I love you, I love you. I'll remember your applause when I'm out there trying to get some the right sentence of how to, all of a sudden I can't remember how to type mama. Okay, Pacifica, Pacifica, California, is the upcoming city of the Bay Area. Come visit us. I conduct an open mic the second Saturday of every month, and we do crazy things. We dance, we sing, we read a poem, we read short stories, we read somebody's letter that we have been keeping for about 20 years. It's fun. It's a lot of fun. It's not just poetry again. No, it is fun. It is a lot of fun. Pacifica, a day in a million. That day at the beach in Pacifica, California, she's been telling everyone it was a day in a million. The sun descended a silk scar with orange, gold, purple stripes, covered the sand and the sky, reflected on us, picked up the colors and spread them all around. When we looked at the bonfire, they had bonfires places then. When we looked at the bonfires, there were also, the colors were there also. And on the cliffs and bouncing off each other's eyes, hands, hair, in the back of our jackets, on the legs of blue jeans when we took a walk on the beach. Our feet sinking in a softness, finding treasures. And this is true, that we were with another couple and the lady actually found a watch that worked, a stream of beads and ancient shells as she walked. She really did. That day at the beach, she's telling everyone it was a day in a million in Pacifica, California. The sun descended a silk scar with orange, gold, purple stripes, covered the beach and the sky, reflected on us, on the remnants of, on the wood pile, coolers, brown bags, holding tomorrow's lunch and ecology-mandate garbage. Overhouses, hiding behind the night shadows, the cement ring on the beach. Finally, the horizon gathered a scarf and threw it to the other side of the world. That day at the beach, she's been telling everyone it was a day in a million. Thank you. Now I'm taking you to another part of the world. It has nothing to do with the ocean. It has nothing to do with shells. It is the top of the world. This is what you picture. Eighth marble of the world. The ancient summit.  The train was actually six-sugging and actually going up. You know that, huh? Actually going up on different movements. It was driven by steam and then it would stop and who didn't know that it was supposed to stop would go, oh, what happened? Where are we? What happened? And it was that the train was going to supply itself with the steam, with most steam, and then it would go up again. Patient, patient, pain, graceful. The mountain standing on its toes from the bottom of the earth supports a steaming, roaring monsters out of breath built by men that, trying the impossible, made an accomplice of nature, digging the surface to make it climb. Six-sug, six-sug, the train complained, smogged, moaned, burred, will sustain with queso fresco, manjar blanco, alfajores, chisha de jora. It falls backwards, advances, advances, advances. Finally, the ancient summit, eighth marble of the world, city, fortress, temple, more imposing its stones, its sanctuaries, its roads and trails than you imagine, heathen for centuries under emerald vegetation, last full of dew and of sun-kissed fog, of moon, stars, birds, seductive songs, more strone, majestic than on any small or large screen. More potentious, miraculous, and in photos of the National Geographic, yellow pages, cafe latte stained through the years, consumed by my desire to visit you.   Machu Picchu, I have arrived at last, arrived, arrived! Machu Picchu, thank you. And I take you to another place of the world. Magic, magic, Havana, Cuba, magic. Trampets, trumpets, guitars, smiles, blue skies, lime and green, a silver blue ocean of gentle waves, white sand at Santa Maria, magical. Cocos, taxis, how much? Where you going, Chica, Havana Vieja? For you, one dollar, across town, for you, one dollar, Chica, magical. International Film Festival, with Ramos de Fuego, burst it out of the screen, enveloping our senses. International Jazz Festival, that united under the stars, knows from the United States, ritmo caliente, with sounds from Canada, Japan, Cuba, magical. Figueroa's apartment, transforming to a photographer's art gallery, where Che Guevara, in black and white, by corda alive and well, on 17th Street, between K and L, in Havana, Cuba, magical. The oral tradition is on, very much alive in Havana, at Eluron Azul, where a man, when I go like this, you say green. Oh, please. Green! Ah, that's it, good, good, good. Where a man mesmerizes us, telling a story full of body language, racial expression, intonation, rich in emotions, he tells us, once upon a time there was a man who was looking for a house. When he found it, he knocked on the door. Come on, you can do. You can do better, you can do. Once upon a time there was a man who was looking for a house. When he found it, he knocked on the door that was opened by a woman. And on and on, then a 90-year-old girl tells a story, then a woman, then another man, magical. As we walked down the streets of Havana, we buy juicy tasty papayas, plantains, at the corner stand of 18th with K, where we sat on the low wall of the house across the way, and ate it with our, tearing it with our fingers, magical. Your people, well done, brown, black skin, glistens in the sun, the same under the moonlight, magical. And the trumpets blare, and the guitar's moon, and the singer cries, at el gato muerto. I cross the park under the full moon, where we dance until four in the morning. I close my eyes, and see your mulatto smile, while the breeze caresses my naked, tan legs, and playfully works its way at my skirt. And the singer cries near el malecón, six blocks from the arts and crafts market in Havana, in Havana, Cuba. Thank you. And now I take you to my adored, beloved city, Miraflores, a district of Lima, Peru, South America. I come down to the coast that has the seducing curves of my morena, who sings tamales, tamales calientitos to the streets of my city on Saturday nights. And the voice of my cholo, with his eagle big nose, is skin the color of mine, brown. My Inca whistles at my door sharpens my knives and scissors, big and small, Miraflores. I come down to the coast to blue, green eyes, European, full bearded Europeans, the cafe latte skin of my criollas and criollos to the flat streets that roll down to the ocean, the corn of La Picaronera, the Callejón's door, the European chalet, the church across Park Central, the benches of Alameda Pardo, Sunday's promenades, British Peruvian school, blue uniform, hat, white shirt, red tie, ferocious exams. At the excelsior, the cowboy and the girl, Miraflores, I come down to the coast, take El Expreso to go to Lima, El Urbánito to el Mercado Central, walk to Shell, where my schools and Jorge used to be, then to Porta Street, that saw my growing up years.  The scent of jasmine, dahlias, sweet peas, honeysuckle, Narcissus, stop my steps. Miraflores, my Miraflores, thank you. I'm going to be able to drive much better now. When I say, take your brand, when I say what, when I say take your red pencil, you say it with me, okay? And I want to, by now you must have a lot of energy, so I want to hear it. A red pencil, better. You can do a little more, a little more like the little you say, a little more better.  To me, Narón, help me across the page inject life into my words, spice my sensual romances, make them ex-rated. Fun my embers, make the flames devour the pages, erase the lines clean and make them dance with new words that would be heard all over the world. Imitated, applaud, red on MTV. Thank you. And in my walks around the area from one university to another, I taught at San Francisco State, I also taught at Stanford. I taught Spanish so they would so they would speak it. They wouldn't just say, oh, I taught, I took Spanish at San Francisco State or I took Spanish at Stanford. No, my students, 20 years later, remember that I taught them Spanish. I made them speak it. I was just telling my friends in the car coming over, the ceilings at the humanity building at that time were very, very high. And I would ask at the beginning of the semester for very high ladders and either they, the people that worked there on myself did it. At the very top I wrote an idioma, no es un idioma, hasta que se habla. A language is not a language till you speak it. And I wouldn't speak one word of Spanish the whole semester. And I remember, but I don't speak Spanish, pero lo vas a aprender. Ah! Graffiti. I remember the graffiti splash on the police station, cement wall in San Francisco, down with the pigs. I remember graffiti, I thought I had forgotten, splashed across a steel and glass wall of Banco Popular del Perú in Miraflores crying, down with a military. I remember the graffiti on the brick wall near the quadrangle of Stanford University for one entire spring quarter declaring, so we choose between reality and madness. Consider sadness or euphoria, ecstasy or despair. I remember graffiti during the whole semester scandalizing all from a partition on the third floor bathroom installed humanities buildings in San Francisco State University to have a daughter who grows up to be a politician is enough reason to have an abortion. I remember graffiti on the freshly wide wall of downtown Jackety Jack Cafe shouting angrily, this sure is in New York and there needs someone answered, I think, smiling, saying goodness, San Francisco still rains. Thank you. Coffee or tea, there used to be a lady in my own block that helped wherever she could. Nobody, some people didn't even talk to her, they had not to her, she looked to Indian, to Mexican and the blue eyes, the blondes hardly paid any attention, something, hello, okay, and I loved her.  Coffee or tea, I miss you in small, quiet ways. When I'm tasting a rich cup of coffee and I look at the geraniums under the front porch I find your smile amused at my effort to grow anything floating among the red and white petals you have to fertilize them they like lots of water, you know, she would say. We were drinking coffee, you were holding the orange cup with a green heart in the center and the one with the puppies falling all over themselves. I miss you in small, quiet ways. When I'm tasting honey color orange lemon tea and I think of the afternoon you came over after your operation they had taken your great part of your intestines with a tumor. You were in a pensive mood quietly weighing your words you said no. No coffee. Then you pause, surprise sighed when your look fell upon the color lilies on the dining room table announcing their yellow orange. You said quietly instead heck I'll have some coffee. Then you smile amused at yourself. I miss you in small, quiet ways. Thank you.


So one of the things that we have to look at is, now that we have all these binary numbers, how do we translate them? How do we represent them on the computer? Let's say, for example, I have the binary string of 0, 1, 0, 0, 0, 0, 0, 0, 0, 1. Okay. So, if I happen to play a little bit of conversion, what I would know is that this, for example, translates out into a 1, and then I can sort of count by powers of 2, so that's 2 to the 0th power, 2 to the 1 power, 2 to the 2 power, 3 power, 4 power, 5 power, 6 power, and 2 to the 6th power happens to be 64, so 64 plus 1 is actually going to translate out into 65. Okay, well, what all of a sudden happens is I'm able to represent numbers from binary strings. But what happens if I want to actually do a little bit more? What happens if I want to take this and represent it a little differently? And what I mean is, instead of 65, what if I want to say that this represents a symbol? You see, we've got tons of symbols in both English language and every language, actually. So how do I represent them on the computer? Well, what I can do is I can say in this kind of combination right here, I'm going to say that's going to represent the capital A. And if you can kind of guess if 65 was the capital A, then probably the binary string of 66 would be capital B. And so that's actually where we get into this idea of data types inside of Python. You see, if I only have one bit, that's very simple. It's either on or off. It's power, no power. And one of the things that we kind of talk about is this idea that it is either true or false. And so that's actually where we get into the idea of Booleans. Simple enough, they can only be true or false. But we were just talking about sort of numbers and whatnot. And one of the things that actually happens is we have a number of numbers. We actually have the first one, which is known as integers. Now integers are whole numbers. They can only be sort of 1, 2, 47. No decimal places, no fractions whatsoever. And that actually gets into sort of the binary understanding of things. You see, let's look at that 65 again. 0 1 0 0 0 0 1. Well, if I wanted to represent, say, 65.5, where's the decimal point in that? And see, this actually kind of becomes an issue because if we think about decimals for a second, let's even kind of do 65.5. When do I stop? Is 65.5 the equivalent of 65.50? 0 0 0 0 0 0 0 0 0 0. You can see that all of a sudden I can continue to write this out to infinity, and so I never know when to stop. So all of a sudden Python introduces and most programming languages introduce this idea of something called a floating point number. And basically speaking, it designs out the binary strings so that it handles some level of decimal places for us automatically and just doesn't worry about it. Now, it also has things like fractions and complex numbers as well, but the other thing that we talked about was this idea that I can represent that A. You see, this A, this actually kind of stems from a nice little standard we call ASCII. American Standard Code for Information Interchange. The acronym doesn't necessarily matter, but it's what it does. All of a sudden I'm able to say, well, I got all these letters. How do I represent them on the computer? The problem is we also get into the issue of how do I represent a lot of those letters? That's kind of this idea of strings. I can take something like a single A and I can also maybe take a few other characters, a few other those ASCII or in this case Unicode, which just sort of expands on ASCII. I can say, well, instead of it just being A, maybe I also do something like a D and then maybe another A and then maybe an M. Now, it won't have those dots or those apostrophes in between each one and that's actually kind of where we get into this idea of a combined string.


Hey guys, welcome to Red Rides. Today we're at Monster Trucks, Trucks with a Z. With a Z. We got all kinds of crazy stuff going on today at Monster Trucks event over here in New Smyrna Beach, Florida. They're gonna have a guy getting shot out of a cannon, dirt bikes, and monster trucks, most importantly. We're gonna get our drones up in the air, get some awesome chase footage. Hopefully don't get taken out by some mud, but you never know. Oh, that guy's doing a wheelie. Yeah, I mean, we should be in the air right now. We should be in the air right now. Drones up, let's go! Flying an event like this. There's a lot of things that could happen with the RF environment. There's vehicles out there. They've got radios going so that the event staff can talk to each other. So even though we did a couple of practice laps to test it, once the event actually starts, things can change. So what we like to do to get going is kind of stagger the pilots. We're just gonna have two pilots in the air at a time. So right now, Bubby and Derek are flying. When they come in for a landing, me and Sean can take off. It's getting real loud! Whoa! Once we get a little bit more comfortable with the RF, we're gonna see if we can push three, maybe four pilots! So I didn't have a Hero 9 mount. All I had was Hero 7 and Hero 8 mounts. And according to Drew, you know, if you don't have a Hero 9, you're not a real drone pilot. We're just gonna, that'll work, right?  Under a monster truck? It should be fine! It's just that it's time for the human cannonball. Human cannonball. And it's gonna be all Bubby for this one. We don't want to risk too many pilots in the air because there's a human in the air. So we're gonna have one of us fly. I think you're probably the best chaser here. So no pressure. No pressure. You know, I'm gonna try. I think the biggest thing that I'm concerned about is like how fast will he be shooting out of the cannon?  And I don't know exactly when he's coming out. Hold it as a countdown. Hold it as a countdown. We don't really know. But I'd say just, he's climbing in. Get ready, get ready. So I convinced him to let me fly from the back of the monster truck. This is gonna be awesome. I can't wait. It was so bumpy. I was like, I'm gonna crash. I'm gonna crash. I gotta go high. Horizon mode to the rescue. Went to bank to stop, but I hit the side. Okay, so then I crashed. Okay, I'm in the middle of the truck's path. And I just see the truck. Ah! And then next thing you know, I'm like, broke my mind. I was like, oh my gosh, I almost died. So you did the truck. The truck totally went around over me. But did you fly under it?  Except I almost died. It was just scary. Did you put another battery on and maybe just try to fly better? That's awesome. Did I get under the truck? They found it? Oh yeah, yeah, they found it right away. So I think he's gonna find the drone, no problem. This place, they've been great to us. They've been taking real good care of us. Best shot I got was when one of the bikers did a backflip and I tracked it right with him. I got to fly around myself while standing on top of the Boston truck. What'd you do? What was your favorite shot? It was under the truck. The best part was just seeing the smile on these guys' faces. What's better than having a great time flying drones? Guys, we hope you enjoyed this episode. If you liked this video, hit the like button. Let us know you enjoyed it. If you're new here, hit subscribe. It doesn't cost you anything and it really helps the channel. Don't forget the bell. That way we can spam you. We'll see you next time. We'll see you guys next time on Rotor Riot.