In this video we're going to find the critical point using Van der Waal's equation. We call that the critical point is PCVCTC, pressure, critical volume, critical temperature, and at this point the system is teetering between liquid and gaseous phases. Van der Waal showed that this is the saddle point of his equation, so that means it satisfies the two, so that means that it satisfies these two equations. The first partial of pressure with respect to volume evaluated at the point Tc and Vc must be zero, and the second partial derivative of P with respect to V evaluated at the same point must also be zero. So let's see if we can work this out mathematically and find the point like Van der Waal did. The first thing we need to do is to solve his equation for P and then take the partials with respect to V. So solving this equation for P we would get this is equal to RT over V minus P, so P plus A over V squared equals RT divided by V minus B, so P equals RT over V minus B minus A over V squared. Notice that V, which we're going to take the derivative with respect to, is here and here. So this is our equation that we're working on with respect to the partial derivatives. So let's do the first one, delta P delta V is equal to, and RT would be, in this case, in this place they're quite constant, so we have RT over delta V of 1 over V minus B minus A times, same thing it's constant, delta V of 1 over V squared. So this is V minus B to the minus 1, so its derivative is minus 1 V minus B to the minus 2. So we're going to put the minus up front and then we have 1 over V minus B squared. And now this is V to the minus 2, so its derivative is minus 2, so we will have plus 2A here, and then V to the minus 3, so 1 over V cubed. So this is the first partial with respect to V. Now what we're going to do is, because we're looking for Tc, Vc, and Pc, we're going to set this equal to 0, like it says here, and write T equal to Tc and V equal to Vc, and because it's easiest to solve this for Tc, we're going to solve it for Tc. So what we would have is at 0 equal to this, 0 equal to RTc times 1 over Vc minus B squared plus 2A times 1 over Vc cubed, and we can solve that fairly easily for, we'll solve it for RTc. So it would be this times this, so we would have 2A times Vc minus B squared over Vc cubed. Now we're going to find the second partial, which means we take the partial derivative of this with respect to V and set it equal to 0 and then use this equation to find the rest. Remember we have the first partial is this, and setting it equal to 0, we got this equation. So now we're looking for the second partial, so that's delta squared of P delta V squared, and so now we have plus 2 here, RT times 1 over V minus B cubed minus, and then there's three times this, 6A times 1 over V to the fourth. So now we set this equal to 0 with Tc and Vc, and we get 0 equals 2RTc times 1 over Vc minus B cubed minus 6A times 1 over Vc to the fourth. And we substitute this into that, we get 0 equals 4A Vc minus B squared over Vc cubed times 1 over Vc minus B cubed minus 6A times 1 over Vc to the fourth. Now we can cancel these things because they're not 0. Because A is different than 0, we can cancel A. Because Vc is different than 0, we can cancel Vc cubed, and because Vc minus B is different than 0, we can cancel, we can multiply by it, right? So we're going to cancel this part and then multiply. We're left with 4 over Vc minus B equals 6 over Vc. And now we can cross-multiply, we get 4Vc equals 6Vc minus 6B. So we get 2Vc equals 6B, or Vc equals 3B. So that's our first thing that we got, Vc equals 3B. We substitute that back in here to get Tc, and then we'll go to the original equation to get Pc. So RTc equals 2A times Vc, which is 3B, so 2B squared over 3B. Cute. Equals 2, 4, 8A over 27, and there's 1B left at the bottom. So Tc equals 8A over 27B, R. And that is our second equation. And now we need to go back to the original Van der Waal equation to get Pc. So here we have Van der Waal's original equation, here's Vc and Tc, and we're going to substitute these into this to get Pc. So we have Pc plus A over V squared is 3B squared, parentheses, parentheses, times 3B minus B equal to R times 8A over 27B, R. So we see the R cancels here. This is 2B. And so the first thing we have is Pc plus A over 9B squared is equal to 8A over 27B divided by 2B. So this would be 4 and B squared. So we have Pc equals 4A over 27B squared minus 8 over 9B squared. So that's equal to, this is going to be 3, so A left up at the top and 27B squared. So Pc equals A over 27B squared. So there's our critical point. And a final thing here is that Pc times Vc over Tc, we would find that P equals A over 27B squared times 3B over 8A over 27B, R and all the A's and B's cancel and we get 3 over 8. And the R comes up at the top, R.


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So the first thing we're gonna do is we're gonna make the base colors But we're not gonna color the skin yet. We're just gonna color the eyes In the mouth in the hair because these are the things that will be sitting on top of the skin layer So let's go ahead and do that and I'll show you why we're gonna color that first and on his own layer so Let me go ahead and get out my pencil tool Double-click it make sure your settings on your pencil to look exactly like mine's because that's what I use to do all my shader And my color so let's hit okay Sample this color right here with our drop tool and Instead of doing my method of coloring we're gonna just do it the long way so Zoom right in with our pencil to make sure your color is sitting on the top in this bottom layer is locked Now we just gonna Color all the same with the pencil to Color the scene This hair gonna be sitting on top. We're gonna make it to perfect Long as y'all know and it's here real quick. You see how I'm tracing it And it's filling in the inner area That's why you got to make sure your color is at the top your bottom color is locked in your own you're using your pencil to I Use this to do it to save you a lot of time as far as filling in colors without just manually coloring it Just making a selection for Come up here so we can Get to the main part the shading So we can just color this rough long as y'all Long as y'all know color that in bit Now let's sample the white Get our pencil tool out gonna color Teeth gonna color this side Oh This And in the future, I will have my own preset like the color packages For you guys who have a hard time finding the right tones of the skins and lips I will have different presets for y'all So it's coming mine The dope color package is coming on sample this It is right here We ain't gonna color the skin. We're gonna put the skin on a layer underneath this one And then we're gonna color this bottom It is this pencil tool coming handy man for that bottom loop Top lip a little darker Let's come right here Make us a selection Around this top little Now what we feel to do we finna create a layer underneath that color layer we just made And we're gonna select the base tone of the skin layer And this while we put that first color layer on top so everything can just fall behind it Easy we just put in a base tone down and it's done pretty nice little base tone Now it's time To start the shading process. So what you want to do you want to create you a new layer Right above the skin layer. We just made And I like to start with my darker tones first so What I'm gonna do is I'm gonna select This dark tone right here Go back to my pencil tool make sure my color is on top make sure this bottle on its lock We're gonna zoom into this picture now as you see The dark shadows is Right above the eyes Right under his nose right here and on this cheek So those are the shadows we're gonna tackle first and I see a dark dark shadows right here So we're gonna start with the nose. It's a shadow right here All I'm gonna do I'm gonna Look at my picture I'm gonna place my shadow where I see it make a selection Looking at my picture and copying exactly what I see That's the first shadow Now we're gonna tackle this shadow. He got a shadow above his eye That touches his eyebrow Don't come up here Make this shape Come back come down Right there We got another shadow on this side. We're gonna do the same thing. We just copy what we see Curves right here.  I put it on a layer by itself So when I go lighter with my shadows, I'm I create a new layer for We just put in all our dark shadows on this one layer right here I'm looking exactly exactly at my picture and I'm copying what I see Right there you just slowly build your picture. He got one on his lips Then he got one on his cheek. They come up. He got a big shadow Nick Come on right here. No, you got one on his ears. They come back Okay, cool.  So Just create us a layer right underneath Because every I start with my dark tones first and then I go lighter But every time I go lighter, I create a new layer and I put it under the layer I just made so to fall underneath it So we're gonna go a little lighter with our shadows. So let's go Find us a lighter tone. Let me make sure I got the lighter tone selected Yeah, that's a little lighter. And we're gonna look for Mid-tone shadows on the picture.   I want to go even darker in certain areas to give it more detail So the dark shadow under here I'm still looking at my reference and that's all it is you guys. You just slowly build your picture piece by piece And you just follow your picture It's a dark shadow right here My eyes stand out a little more on back in this pocket I'm back here Come over I'm under There we go under here Following my picture And the reason I went back to the top of the layers because I told you I like to start with my dark tones and Work my way down But I created a darker tone that was even darker than the tone I was using so I had to put it at the top so to Make everything else fall into place But yeah, there we go Now that we got that in we can add some highlights What you want to do you want to create our last layer? Put it at the bottom But above our base layer We're gonna sample our base layer and we just need a fun. That's a little brighter tone But we can put the shine on this face. I see you got a shine right here in this crease Oh, that's all we're gonna do just gonna make us a little shine right there And you got a shine above his nose Right there as well You got a little shine right here. Let's put a little shine right there That's all you do man. You just study the picture you looking at Don't overthink it Place the shadows and the highlights exactly where you sit on the picture. I see you got some shot Right here Listen right here Son of Buddha us May they stand out The shine in the ear See what else we can do Okay, let's go to the top now We got to create us a little right above the top line where we got to add some shadows side the eyes And the lips So we're gonna do our shadows first as you look on this picture You see he got like a gray shadow right here. So Got a little gray shadow So we're gonna come to our picture And we're gonna add us a gray shadow It's gonna come over like this Then we're gonna do the other side just like we did that one Gonna add us that little Gray shadow add us a shadow down here in the teeth For that look coming over just like that.  That's not a good Let's change that color That's cool color right there add a little shadow under this bottom shadow Underneath just like so I'm gonna select it make it a little darker Sing a little shine right now I'm just trying to teach you guys how to find your shadows so You can see how simple it is To draw it on your pictures See we go back to our dark shuttle there Because I want to make this dark tone right here a little more. I wanted to stand out And there you have it you guys how to shade in Adobe illustrator all you have to do is do it Draw exactly what you see put your place your shadows exactly what you seem Practice so you can train your eyes so you can be able to find shadows Be able to find your dark shadows from your light shadows and slowly build your picture.


Mr. President, Secretary General, Excellencies, distinguished colleagues, on behalf of the Government and people of the Republic of Ghana, I extend our sincere appreciation to the Government of Romania for hosting this conference and for the warm welcome and hospitality accorded to me and my delegation since our arrival in the beautiful city of Euporist. Your spectacular reception last night made it difficult for some delegates to be on time this morning. Mr. President, accept our heartfelt congratulations on your election, and we trust in your capabilities to steer this conference to a successful end. Ghana is fully committed to the strategic direction set by the ITU to ensure the universal connectivity that will propel the needed global digital transformation. Closing the digital divide to facilitate equitable connectivity, which is vital to support the economic transformation of Ghana is our primary objective. We believe that we can transform COVID-19 from a global crisis to an opportunity through digital technology. And in this respect, under President Okufu Agu, a firm believer in the power of digital technology to drive social economic development, we're actively implementing our digital Ghana agenda, which is intended to position Ghana as a digital gateway to the African continent. Indeed, the creation of the African continental free trade area with its headquarters in Ghana is a pointer to the African continent-wide marketing strategy which is powered by digitalization. We're therefore extending our digital infrastructure to our borders to enable seamless connection to our neighbours. We've also introduced initiatives to narrow the digital divide and empower citizens to embrace the use of ICT, and are implementing a rural telephony project to connect over three million people, and these previously unconnected people now have access to the innovations introduced by the government in our digital transformation journey, which include mobile money interoperability, which has brought over 15 million previously unbanked persons onto the financial digital platform, an EID for digital transactions to prevent identity theft and cyber fraud, skills development offered through a nationwide network of digital transformation centres, and focused interventions to reduce the gender digital divide and create opportunities for the youth through the girls and ICT programme and nurturing of new businesses at digital incubation centres to ensure a secure and resilient cyberspace for sustained transformation utilizing ITU guidelines. Ghana is actively promoting cyber security not only for our benefit, but for the sub-region as a whole, and our ranking on the 2021 ITU Global Cyber Security Index improved from 32.6% in 2017 to 86.6% in 2021. We seek partnerships and international cooperation to do even better for the entire sub-region. So President, Ghana remains an active member of the ITU, fully committed to the work of the council, and we will continue to align our goals with the strategic plan which we adopted here in Bucharest. Ghana considers the collaborative platforms initiated by the ITU and the regional and global partnerships essential to the growth of not only the Africa region, but all member states for our collective benefit. And to this end, as we seek re-election to the council, we're counting on your vote and support to retain Ghana as a council member and to vote for Mr Edmond Fianco, our candidate for the Radio Regulations Bureau, to continue serving you diligently. I wish the ITU any potential re-conference every success. Thank you.


Remember a Hallmark card when you carry it out to send the very best. Passionata, starring Charles Boyer on the Hallmark Playhouse. Chosen by one of the world's best-known authors, they distinguish novelist Mr. James Hilton.  I remember how I enjoyed writing it because it's here always a great pianist. And I am proud tonight that the distinguished actor Charles Boyer is to portray him. And now a word about Hallmark cards from Frank Goss before we begin the first act of a Passionata. Hallmark cards are like stories from daily life. There are Hallmark cards that are chapters of laughter and tears with their expressions of gay, good cheer and warm understanding. They mark the gala events of birthdays, anniversaries, holidays. For every day is a special day to someone dear to you and every Hallmark card is very special because it speaks for you. And that Hallmark on the back speaks a special message too. It says you cared enough to send the very best. Now Hallmark Playhouse, presenting James Hilton's a Passionata, starring Charles Boyer. Some years ago against the background of a world in which half of humanity was pitted against the other, Andre played Beethoven's a Passionata to a half empty hall in an event. As I sat listening to the fiery master brooding over the keyboard like some alternately avenging and caressing fury, I sensed a strangeness about his performance and I wondered what could be in his mind. Enhance the touch and voice that graze. Thirty years of concerts. What has it all meant? That life of applause. Loneliness in trains that leave at midnight, travel without discovery, sightseeing without vision, crowded streets, faces in auditoriums, reception rooms, night stars in the dark sky, other voices and hands. One or the other of a century ago we spent our honeymoon at... Look about you, those meadows sloping gently down to the lake. Let's never leave this paradise. Mushrooms, Terry. Mushrooms going here in the glass. Tonight I'll fix you a dinner fit for a queen. But Andre, how do we know they aren't probes too? They're not toadstools. Oh, they're not. I'd stick everything on it.  Lucky one, darling. I warn you. Besides, I know these are not toadstools. When I was young in Europe, I earned money by picking mushrooms. I wish I could be more like you. There are no dull colors in your life. Everything is brilliant. I'm your opposite. Cool and quiet. Your heart and quick temper. And all over in five minutes. All over in a lifetime. I love you, Terry. And I love you. You. Even if you are genius. How did you know? I read the papers. A critic said you played the appassionato the other day as if you had wings on your finger. Wings? But how? They would catch it away. Listen, I'll tell you about the appassionato. It as often as I like, but I cannot always count on hearing it. And sometimes I can hear it without playing it at all. Would you believe I heard it once on the subway? Partially not on the subway. I can't really believe that. But it's true. Well, you insist. Why do you suppose it happened? It was because I had just met you. I was thinking about you. And I had one of those perfect moments of happiness that fitted over my soul like a glove. Oh, my funny little cool way. I've never been so perfectly happy. Your funny little cool way. You're not cool at all. Have you really discovered that much? I've guessed it all the time. And shall I tell you what I guessed about you? What? That your bark is worse than your bite. Oh, my bark. But my bark is very good. My John Sebastian bark, I mean. He was a very accomplished artist. You know, altogether, if I remember, he created 48 preludes and fugues, dozens of concertos and masses and motifs and oratorios and cantatas and the children. Those children grew up to be a musician almost as great as his father.  My dear, I'm humble enough to hope that my son will excel me in every possible way. Darling, suppose he's a girl. Nonsense. My son will be a boy. At a christening, Terry whispered to me, I'll never doubt you again, for you are the luckiest gambler alive. During the next ten years, I could not lose at anything. We were celebrating our tenth anniversary with Jerry Rock, be my manager and best friend. I can recollect he and I went into Joe's nursery and found him asleep. I was carrying some Beethoven records. Streets up again, Andre? I do wish you'd sell out some of your stuff. Frankly, I don't like the way things look. Jerry, I bought these new records for little Joe. I know, I know. You think it's funny, but it's an idea I have.  You weren't listening to my financial advice, were you? I shall be the first millionaire pianist in the world someday. And when I am, you know what I'll do? I'll found and endow the best school of music in America. Every youngster of talent shall have his chance, as good a chance as Joe has. Have you asked yourself whether Joe has any talent? No, you sound exactly like Terry. For years, she had tried to keep him from growing up in a world of music. A world where music is as natural as breathing. I expect she has her reasons. She's with him much more than you are, remember? Well, that's another point. Because I'm away so much, everything depends on her. She can make or mar the boy's entire future.  I'm not a marrying man myself, but if I were... You would steal her away from me, eh? Maybe. Ah, I do realize it, Terry. I'm very happy. Turn it off! I promise you... I won't! When I was your age, shall I turn it off? Mystic optimism in the air. As for my career, there were more bookings and more tools, but less time for Terry, and less time to make my son realize music was the most important function of his life. One evening, in Texas, after a concert, she introduced herself as the Baroness Reifenwald. She was a patron of the arts and, uh, very beautiful. Andre, now I've got you alone at last. I can be very personal and ask how you like America. Why, very much. You don't have to say that you know. Well, of course I don't, but I... I'm sure Europe would give you art or reach your soil. Well, of course I understand. It is the money that counts, just as it has to, I suppose, with so many first-class artists nowadays. That's not the reason. I happen to have made my home here, and my wife is in America. Oh, my see. Well, I'll be returning to Europe in a month or so. Andre, my husband and I still keep the Reifenwald place in Innsbruck. I hope you'll pay us a visit sometime. Perhaps on one of your European tours. I never make any European tours. Hmm? Well, someday you may. When you have a master fortune or a lost one. Because in Europe, you see, it won't matter either way. You'll just be valued as a great artist. So am I here? No. Here you are just priced as a great artist. I don't agree. I see it will take a great deal of time for me to convince you. Where is your next concert? New Orleans. Saturday night. I shall see you, sir. Would you like to have dinner with me in New Orleans? After the concert? Of course. But then you must promise the Paris-Français all the evening. People profiting what it's about Joseph Brayden. Pipps that would not have mattered if only Terry and I had not came in offer of an Australian tour on very good terms. And tell yourself surprisingly, helps me to take it. Oh, I love you, don't you, Andre? Yes, I do. But that's another reason for you to want to see me leave. We're quarreling too much, aren't we? No. Oh, I'm not saying it's all your fault. Very generous of you. I'm not saying it's all yours, either. No, please. Don't be sarcastic. I'm not. I'm deadly serious. I love you and I love our lives together. But there's something lost. And one of us has to find it again. Do you remember you once said you heard the poshionata on the subway? After first meeting me? Yes, I remember. I want you to hear it like that again. Maybe you will someday, somewhere. Good boy for telling me. Of course, I knew all the time. Are you so ridiculously modest as to think you can be seen with a pretty woman without news of it reaching your wife? She knew? Of course I knew. Oh, please, understand. She was not important to me. I hoped she wouldn't be. But why didn't you say anything? Was there to say? Everything you said, she didn't mean anything to you. I believe that. Doesn't it mean anything to you? Yes. There's your word, Mushrop, so soon. Me of the stuck market crash. Old Chinese proverb which says, words are the voice of the heart. And the makers of hallmark cards understand this proverb well. For their experts at making words truly the voice of the heart. You see, they realize it's the messages on hallmark cards which give them meaning. For greeting cards are not just material possessions that you purchase for yourself. You buy greeting cards only to send to others. And you want cards that will carry something of you across the miles.  And so hallmark cards are created to carry thoughts and feelings. For each person, each occasion, there is a hallmark card to say just what you want to say, the way you want to say it. And hallmark cards carry added meaning as you will find if you ask your friends any group what name they think of in greeting cards when they want to send the very best. Notice how immediately they answer hallmark cards. Indeed, it's easy to remember it would be difficult to forget that hallmark always means someone cared enough to send the very best. And now here is the second act of a fashion author, Stalin Charles Boye. I stayed at a ripe and wild place in Innsbruck. Those were the years when chains were taking place in central Europe. Chains that could most easily be ignored by those who believed art was all important. Over Austria, Innsbruck was our fate for the occasion. America, are you perhaps again thinking of Terry and yourself? I've never really stopped thinking of them.   What did you expect that she would wait for you eternally? Can you really blame her? She's only given you the freedom you seem to have wanted. I know, I know. I do not wish to discuss it. But my dear friend, you simply must reconcile yourself to the fact that she has since married Jerry Rook. Will you be quiet? Must you constantly remind me I'm leaving for America, Baroness. I'm sorry, I cannot laugh here. I get angry. I must go where I can breathe. Wait and sound. Please, don't shout now. Your husband has been very kind to me these past few years. You said why you are leaving?  You have here in this house all an artist needs beauty, peace, freedom. Take things calmly. You can afford to wait. For how long? How much time do you think God will give me? I've seen these past few months the savagery, men of culture dispossessed, starved, terrorized. So culture does matter to you. I said men of culture. Yes, men matter to me. Really? I'm surprised. I had never quite seen a new sort of lover of humanity. I should have thought being an artist was enough for one man's life. It's because I am an artist that I feel like that. Fool. Crawling back to a woman who has already forgotten. I pity you. You are getting on in years.  But as an artist you are bound to decline. And when your genius has left you people will find you just that burdensome and cantankerous old boy. I came that burdensome and cantankerous boy. For the Baroness was right. My powers were on the decline. I wasn't playing as well as I used to. Fortunately there were a few in any audience who could make the damaging comparison. On a stifling June day I arrived in New York for the second time in my life. Very tired and suffering from heart strain. The years that presented their account I was waiting for the steward when the door to my cabin opened and to my utter astonishment Jerry Rockby entered. Andre? What? Why did you meet me after? Now let's not talk about it now. I want to know why you came. Send you? Yes in a way. I'll tell you yet but I see that I must. I can't have you building hopes. Oh, but I have no hopes Jerry. I wouldn't dream of interfering. Don't think of me as if I had come back. Please was. Never intended to see her or you either. And yet to know that she isn't here makes the world a dark place. Tell me, God, you don't like him much. I don't dislike him. But I can't help resenting him for the headaches he gave his mother. I see. Tell me Jerry, that letter I sent.  He wanted you to have freedom. That's why she gave it to you. Because she knew you needy ever ceased to love you. How wrong you. It happened once by a lake in Pennsylvania where the difference between mushrooms and toad stools. That's like the difference between a... Remember them too. It was one of the last things she sent. She had a room facing the sunset. And as she looked at it, she sent. It's very beautiful. But there are no mushrooms. It sometimes takes a lifetime to learn certain tools. The primer was the artist to be a... What did they matter? Say, people... people just let me play for you. I'm not good at anything but that. Yes, even the fidgety boy. The bad to see you, Joe. And no new reader except for the papers. Oh, you read about me, then? Sometimes. Now, if I go for the music section, you'll remember that. Leaving at 7.20. But of course, if you're busy, I mean, if you have any... Now, why look for trouble? I was thinking that at all. Tell me, what are you doing here now? Well, I fly a plane from mining company. Oh. How do you like the music? Oh, fine, fine. Now, that's the kind of tune I can stand.  No, no, no, I... I was in Brazil. I didn't hear about the laughter. That's the reason. What I mean is... what I mean is I... treated her pretty badly one way and another. So did I. One way and another. I can never forgive myself. The one thing she would have hated you to say is that. You mean she talked to you about me? Yeah, she said you were good and great and I should be proud of you. Well, maybe I should. Although I don't think you're quite the sort of person I figured out. But I don't think you are either. We're the pot and kettle, anyhow. Joe, how do you start the music going again? You mean you've never played a jukebox before? No, no. Well, you just put a nickel in that slide. Oh, thanks. Wait. How do you like to take a ride in my plane? Well, I've never flown at all. Believe it or not. How'd you like to begin now? Sure. Why not? Fine. Now, you know, sometimes when I take folks up, I give them the whole work just to scare them. Oh, I don't mind. You won't scare me. Amber, it's said in the paper you've been sick. Oh, forget that. Give me the works. Give me everything you've got. That's funny, isn't it? I never thought I'd like you. Well, you have every right not to. You're all right. I've been on my own for a long time now. Well, sometimes it gets, as you say, lonesome, too. Yeah, I guess every man needs something besides his work. What do you say if now and then we would need? Yes, indeed. And we are certainly proud of the pianist in our own hallmark orchestra, Mr. Victor Pier Monte. What? Mr. Hilton, you seem to have painted the human emotions as richly as an artist paints on canvas. And speaking of artists, Mr. Boyer, I think you'll be interested in seeing the exhibition of the International Hallmark Art Award, which opened today in Los Angeles. The prize-winning paintings by French and American artists now hang in the county museum. Interested? Oh, but Mr. Hilton, much more than that. You see, I have almost a family feeling about the exhibition. I attended a French exhibition of the awards that they are first showing in Paris at the Galerie des Bousins. And as I said at that time, I believe that the Hallmark Art Award is a great service to both France and America. Yes, I think we all feel that way, Mr. Boyer, and when do you plan to see the exhibition? Tomorrow, definitely, Mr. Hilton. Fine, let's go together. Well, I shall enjoy that very much indeed. Good night, Mr. Hilton. Good night. As friends of Hallmark Playhouse, I think you all will be particularly interested in this exhibition of the International Hallmark Art Award, because the paintings are winners of $28,000 in prizes given by the makers of Hallmark Cards. You'll see the 70 French and American prize-winning paintings chosen from nearly 10,000 submitted. You have probably seen stories of the exhibition in newspapers and magazines, like the one recently in Look Magazine, for it is one of the outstanding art events of modern times, with the high purpose of stimulating the fine art of two nations and broadening public appreciation of art. Now here again is James Hilton to tell you about next week's story. I'm happy to announce that next Thursday we shall present that charming actress Rosalyn Russell in a delightful presentation of My Sister Eileen. So please be listening. Our Hallmark Playhouse is every Thursday. Our director-producer is Bill Gay. Our music was conducted by Lynn Murray, and our script tonight was adapted by Jack Rubin. Until next Thursday then, this is James Hilton saying, Good night. Doors that have been carefully selected to give you expert and friendly service. Remember Hallmark Cards, when you carry it out, you send the very best. This is Frank Goss saying good night to you all and see you next week at the same time when James Hilton returns to present My Sister Eileen, starring Rosalyn Russell. And the week following, Jean Grain and Alice McKay as they came to a river.  This is CBS The Columbia, Lord Kansas. DC, Kansas City, Missouri.