When BBS came out, I was doing these car side reviews where I would give initial impressions, reactions, right after seeing the film. Oftentimes, I think people right after a movie's over, they're more optimistic and more positive and then they let the film sink in for a day or two and they sleep on it and it either gets better or oftentimes it gets worse because they judge things more. With Batman versus Superman, it never really got worse for me, it never got better. I think I gave it, and this is me not looking, you could probably find the video if it's up still. I think I gave it a five out of 10. I think a lot of ideas were rushed. I think Wonder Woman had no place in that film. We didn't know her in that universe. We of course know Wonder Woman outside of the movie. We know her from the comics, from the cartoons, from all these different iterations, but a movie's job, especially the first in a new series, is to establish the character the audience doesn't know who it is. I think that's truly important and not knowing this princess Diana, having her jump in willy nilly at the end, it didn't deserve the applause to me. It didn't deserve the tip of the hat. It didn't earn it. It also didn't earn the death of Superman who in the previous film was the man of steel. He was Cal-L, he hadn't really gotten the label as the patriot, the earth savior, the God. He was just, he was a guy that caused a lot of damage. He probably killed a lot of people fighting Zod, snapped a neck or two, and he had a lot of growing to do. And I defended Man of Steel because I happened to enjoy that movie quite a bit.  He's still learning and growing. That's why the movie's not called Superman. It's called Man of Steel. And the second movie's gonna address that. The second movie's gonna really build this character up into the smiling, happy, proud, all-American boy who ends up saving the day and then saving cats and trees and all this stuff. But no, we didn't even get Superman, too. We didn't get Man of Steel, too. We got a jump into BVS. He's very moody. He's very mad. He's upset with people. They're not appreciative. So we totally leapfrogged the Superman aspect. The reason I'm dwelling on this is I did that Car Side review, but then I also did a rant a week or so later about my movie experience, which is lost in the internet. It's gone to the world. I have two channels and I pulled off a lot of my R-rated swearing rants and moved them to my second channel, Adam Olinger. And somehow that one missed the transition over and it's just gone now. I deleted it or something. And I'm kind of ashamed by that because it was a pretty funny story of my movie experience. But I will just summarize a couple of the highlights of what happened when I went to the theater March 25th, 2016. I don't know if you know this or not, but I like movies. I like getting in line. I like the pageantry of the theaters. That experience is gone now. I think it's been dead for a while since people have been sitting on their phones through entire feature length pictures. That kind of ruined it for me. Anyway, I was excited. Sure, I felt it was rushed. I felt they were trying to be an MCU too quickly without establishing a new Batman for the universe in his own picture, without giving Superman a true follow-up film first, without giving Wonder Woman a film first. There was a lot going against it. Snyder had a lot of characters to build up quickly. Even though we know these icons off the picture, once again, you still have to lay the groundwork. That foundation has to be strong. So I'm there with my buddies. We're chatting it up, waiting for my brother to show up. He doesn't often go to movies with me. And when he does, it's kind of a nice treat. You know, a little brother bonding experience. And I think he also liked The Man of Steel. So we were looking forward to this. Snyder has rarely let me down. I didn't like Sucker Punch. Thought that was, once again, a narrative disaster. Beautifully filmed. Loved the Dawn of the Dead remake. Absolutely adore 300. He's doing really well for me. So we go into the theater finally after chatting it up for a long time. Get our seats. Think we're in the middle, upper middle. Right, kind of where I like to live. Things started out on a really good note, I thought. It addresses Man of Steel's ending, all the destruction and chaos. It puts it right into BVS's world. We see Wayne, Bruce Wayne sitting down there, seeing the buildings go down, seeing the explosions, the smoke. I have no idea. I have to say though, I have no idea why he's got people still working while this is going on. Like, he's got dudes inside the building looking outside and there's just like explosions three blocks down. He's looking out with his cup of coffee. He's like, man, it's really coming down out there. As in people are really coming down out of those buildings and dying. We should maybe pack up for the day. But Bruce Wayne on a typical suicide mission sprints full bore into the smoke cloud. You know, he finds a fallen friend, looks up and sees Man of Steel's soups, and he's pissed. Rightfully so. Who's this guy? I think he is flying in here, causing all this destruction, all this pain and anguish. And so we jump ahead. We see the build up. You know, Wayne's getting jacked. He's getting pumped up. He's got a suit of armor. He's souping out the car.  Because Bruce Wayne, master detective, can't take 10 minutes to do some research on who Kal-El possibly is, where he lives, who raised him. Any of the things, you know, like a detective does. Batman, I'm pretty sure, is supposed to be like the world's greatest detective. I didn't give him the tagline. Some writer did. And they kind of went with it for, you know, decade after decade. I can turn my brain off to that though. I can even forgive the really bizarre Lex Luthor by Jesse Eisenberg. Haha, it's the greatest matchup in the history of the world. The Dark Knight versus the Son of Krypton. I love bringing people together. He was just so odd.  He's just standing there and it's super surreal. It's like, whoa, are they framing him for this? Is this some conspiracy now? And we have a lot of layers to this. But then immediately in the next scene, the news anchor's like, well, he clearly didn't do it. And then we just move on. There's tons of that kind of stuff where it feels like Snyder's building to something bigger. But because there's 20 storylines going on, nothing has a chance to breathe and half of the stuff doesn't need to be in there.  But I'm getting a little ahead of myself where things really go off the rails. And this was perfect in the theater when I saw it because my brother gets up and he goes to the bathroom quickly. And as he's leaving, Bruce Wayne looks like a boring scene. He's sitting at his computer, I believe, doing some research. This might have been the part, but I'm not entirely sure where he opens his computer and he finds out what's on the drive that Lex Luthor had. And it has all these personalized files with custom icons for each of the heroes. You got Flash, Aquaman, Wonder Woman, all have their Justice League symbols. Like he hired out a graphic artist to come in and do these. Either that or Lex is pretty good with Photoshop. Either way, hilarious thinking how this came about. I need to give them symbols. I need to give them logos. They have to be bigger than the world. They have to be bigger than the brand itself. So I'm gonna give them names. I'm gonna give them symbols. We're gonna put them in folders. We need to have websites. We need to have Twitter followers. We need to have a full social media presence for each of these superheroes. Ha ha, falls asleep, wakes up in a Mad Max post-apocalyptic world where he's fighting, you know, these alien flying creatures. He's got a freaking SMG. He goes down in a hallway.  He gets captured. Now we got Superman down in a hallway. He's shackled up, you know, Superman's smiling. He's evil. And that's when my brother walks back. Like this is like a three minute span. This all happens. And he looks at me, looks at the screen, looks back at me, he's like, what the hell is going on? And I look at him and I go, I don't know. We sit there perplexed for another minute. Then Bruce Wayne wakes up and I think Flash is now in a portal and he's warning him about something. And then he goes. And then Jake, my brother turns to me again. He's like, what did I miss? And I turn to him, I go, nothing, absolutely nothing. You have the same context as I do. And then it's never addressed again in the entirety of the picture. And I don't think it's addressed injusticesly. Not that it matters. It's just a complete narrative disaster. And that kind of logic creeps through the whole film. So if we see that kind of narration, that kind of story structure in Zack Snyder's Justice League, holy hell, this is gonna be fun. This is gonna be wacky, complete shenanigans. And I can't wait to watch it. Not because once again, I think it's good. If you love Batman v Superman, that's perfectly fine too. I know plenty of people that think the Star Wars prequels are really good. I can't fathom how or why, but that's our opinions. Movies are subjective. We can like and dislike other things. Just don't think you need to come White Knight for Zack Snyder, because I think he is a great filmmaker. I just think that the stories need a lot of work. And I know he didn't write this. I don't know if he even wrote the script for that. I think it was David S. Goyer, who's really all over the place. He's probably one of the most inconsistent writers there is in Hollywood. I also have to point out that when Superman's fighting Doomsday at the end, he couldn't have just thrown the Kryptonite spear at him. I feel like there's a lot of different ways that could have killed this dude. And it just felt really unearned once again. And then to immediately jump to the coffin scene where the dirt comes up again, it's like, what the hell was the point of any of that? The zero stakes. Absolutely none. I'm gonna leave it there. I apologize that I lost the initial BVS rant. I mean, it was destroyed. I deleted it. I had to of, during the transition. People have asked. That's why I'm doing this video. And because it's somewhat timely again with the HBO Max stuff. I know my previous version talked about a lot of non-related Batman v Superman stuff, such as the order of Buffalo wings I had placed and they went lost. I just can't recreate that because that was a magical moment in time that I couldn't possibly get to the emotional point that I was then where it completely broke me. So thank you for watching this kind of nonsensical pointless thing. But I mean, it's YouTube. A lot of the stuff that people digest on there is completely useless information. And yeah, I look forward to hopefully still being around in a year on the channel doing this to feud Zack Snyder's version versus Josh Whedon's. I think it's an even match. You know, I think it'll be fun. I think it'll be a good time. All right, take care. Thanks for watching the video. I try to put out new stuff on a weekly basis. So make sure to subscribe if you haven't already. I have a second channel full of more shenanigans and I'm also on Twitch now. So there's a lot of variety, a lot of options and hopefully you can find these channels via links on this video itself, if I did my job correctly. Otherwise they might be in the description below or you can just visit the channel page. All right, take care.


Vegetables. Vegetables. Vegetables. Good, good, good. Vegetables. Vegetables. Different, different, different. Vegetables. Vegetables. Good, good, good. Carrot. Carrot. Carrot. Orange, orange, orange. Carrot. Carrot. Crunch, crunch, crunch. Carrot. Carrot. Orange, orange, orange.  Potato, potato, potato. Brown, brown, brown. Potato, potato. French fries, can. Potato, potato. Brown, brown, brown. Onion, onion, onion. White, white, white. Onion, onion. Chop, chop, cry. Onion, onion. White, white, white. Celery, celery, celery. Eat, yum, yum. Celery, celery. Peanut butter spread. Celery, celery. Eat, yum, yum. Lettuce, lettuce. Green, green, green. Lettuce, lettuce. Salad, salad, salad. Lettuce, lettuce. Green, green, green. Mushroom, mushroom. Mushroom, mushroom. Brown, brown, white. Mushroom, mushroom. Small, little. Mushroom, mushroom. Brown, brown, white. Vegetables, vegetables, vegetables. Good, good, good. Vegetables, vegetables. Different, different, different. Vegetables, vegetables. Good, good, good.


This was my best time in Namibia and I really don't want it to end but Anything that has a beginning has an end but this ending is something that I really don't want but you know what it's time To go back home I'm going back home just because I miss my wife. That's it. I was in Namibia for ten good days And believe me it was the best time of my life even though I was going through a lot I think I need to come in here sit in here and speak to you guys about the struggles that I face in 2022 I know most of you are expecting videos from me every single day But majority of you don't know what happens behind the scene I think I'm the strongest guy in the whole world But hey, I won't let this prevent me from sharing beautiful moment with you all I mean if you haven't been to Namibia, what are you waiting for if you have never booked a ticket to visit Namibia? What are you waiting for? Listen, I Went to the northern part of Namibia and it was amazing and I would love to do this over and over again I met the nicest people in Namibia Especially timey if you have a YouTube channel, please the link is in the description go subscribe and support timey I mean the Namibian tourism board showed me exceptional up Gondwana lodges. Oh my goodness I Slept in all the log almost all the lodges of Gondwana now just Six or seven of them and it was an incredible experience that I would love to do this over and over again But listen, I know you all expecting the videos from Namibia who done we're working on it But I feel like sharing this video with you before anything else You know, Namibia is amazing. I'm having a good time, but all the places that they take me It's not a place for one. It's always a place for two and the more you sleep in places like this The more you feel more depressed because if you like nah nah So yeah, come along with me I'm gonna travel again one more time without a passport and I hope that I make it to Ghana So when I get to Ghana you guys, you know, we are gonna have fun together. So come along with me I've got Giovanni right here. Giovanni say hello. Hello everyone Big uncle. Oh, so our car is just right here. Okay, that's cool Our car is parked right there. They came to pick me up. So yeah, let's go to Ghana together We're about to drive to Vindu Which is four hours away. So Gotta move from here straight to the airport. Wow Don't know if you guys can see them These are Oryx, the national animal of Namibia. They are all over the national park. Oh my god Bobo Oryx Finally in Vindu It was a very interesting trip. He nearly got lost We drove that road to go here, but I have like Two hours more to go and I have some few people that I really would love to say hello to before I head to the airport I can't leave Namibia without saying hello to Dr. Andume because I'm more like his adoptive son When you go to Namibia, that is the only Namibian mom that I have and when he times he calls me my son I feel so happy in my heart Dr. Andume has done a lot for me that I cannot even explain on camera Dr. Andume and I met the last time I went to Namibia and Listen, she is a magician when I say a magician and I'm a magician I mean she's touching a lot of lives in Namibia that I think she needs to be celebrated The Nelson Mandela said that it doesn't matter how many hours you get or how much money you have But how many people's life a few change and that no money in this world Can pay for the happiness of someone who was blind and when you take of that I come and I pad and they tell you doctor or my child I can see That is very very gratifying and that's why we keep on going back all the time My name is Helen Andume. I was born in Tume. When I met her the first time Yeah, it was amazing when I came back to Ghana We still kept on communicating until my own mom got blind when my own mom got blind Dr. Andume came through for me. I wanted to fly my mom to Namibia and Dr. Andume said no I'm not gonna allow you to come to Namibia because I have a friend in Ghana who can actually work on your mom's eye Glory be to God. My mom can see again just because I got to know Dr. Andume I'm sorry.  Yeah, and what was I studying? Listen You guys are Africans, right? We are all Africans So if you have a message for Africans, oh that message Love home Love home. Stay shining. Yes, and you are beautiful black kings and queens You're doing great. We're amazing black, but we are amazing Africans. We are amazing Nice to meet you all. I'm going to see Dr. Andume and it's a pleasure meeting you all here. All right. Bye. Oh My goodness. I was on my way to go see Dr. Andume and then they were looking at me I'm like, are you the YouTuber or the Maya? I'm like, yeah So I had to let them say something since it's a vlog. So come along. Let's go meet Dr. Andume I got in there. Someone recognized me. She was so excited to go call Dr. Andume from the theater room just to come and see me Oh my goodness I'm the one A lot of people really consume the content My YouTube channel I would say this is one of the scariest moments in my entire life Because this was actually my first time of entering a theater I was about to do a surgery and I'm invited unexpectedly I don't even know if I should tell you guys that I'm even scared of pregnant women Like I don't know how I'm gonna react the day my wife becomes pregnant Because any time you see a pregnant woman passing What am I will be the other side? I Hate blood so much. I'm speaking straight from the heart. Yeah to the standard when I was offered to study science I chose that. Hey, you know what? I won't do biology. I'll replace my biology with a technical skills That's why I had to go with the part of becoming an engineer instead of becoming a doctor because I don't have the heart for it Listen, I've never killed a chicken before in my entire life I've never killed a goat in my entire life. Anytime I see animal being slaughtered.  Yeah now and you can't take down Because the Is it only Namibians you treat or you can treat anyone? So they can slide in here Do it so much money to come exactly But I guess if you live in the southern Africa, and they are Yeah I felt so proud seeing dr. Andoume doing what she does best and She she's so good at what she does That she was even explaining things to me at the same time doing the surgery. Oh my goodness She asked me to look through the microscope And what I saw and this is gonna be the last time Anyone will invite me to a theater that I'm gonna accept I'm not entering the theater anytime soon It was an incredible feeling when the woman works up And start saying that she can see again God bless you dr. Andoume for what you're doing for Africa God bless you for what you're doing for Namibia I think the entire Namibian population is so proud of you and listen. I am more proud to be your adoptive son and I Just want to tell you. I love you so much Keep adding value to the continent So, yeah We're out of dr. Andoume's office. We head into the airport. I think we are almost late Febronia You guys have seen her again Country manager, I couldn't rush to the airport without saying hello to Febronia our country manager in Namibia If I say country manager, the last time we came in here She was the one who facilitated everything that we did in this beautiful country driving us around the entire time that we're in Namibia Namibia is looking all clean and fresh Laughing because an immigration officer just asked me how did you travel with TC and came back with TC I mean a traveling certificate Without visa without anything. How did you do it? And I'm like, I have no idea Probably When God calls you to do his work, it will always lead the way and you're gonna follow and Probably I know most of you will not understand but if God is with you, yeah Even the immigration officers can show you love without knowing that they're showing you love It is what it is man. I simply can't believe what I've done Probably without a passport for the first time. It was super crazy, but I did it Look at you man You see, I was even telling them that He's the first person that I called to ask him can I travel without a passport? What did he say? He said no I did it So good You know I was recording I didn't even know you I just saw you Oh my goodness.  The newlywed I'm the one What am I I have to take a picture for my sister Shelly one second one second It's a little bit you have a honeymoon I'll be around here What's her name I know she watch this video Holly we bump into your friend Okay, the newlywed No, she's the newlywed not me.  I will see you all in the next one More content from Namibia coming up. My name is water Maya. You're one and only a knowing village boy from God


Good afternoon everybody and a very warm welcome to our Marketing Club webinar series. We've got a fantastic session for you today on filmmaking with Amy Bryant and Sarah Swafferton. If you've watched any of our Marketing Club webinars before, you'll know how this works, but for those joining us for the first time today, I'll very quickly give you some info about the session, how you can submit your questions for the Q&A and where to go if you want to watch the session again. So I'll be hearing from Amy and Sarah for around 45 minutes. We'll then move into a 10 to 15 minute Q&A to answer some of your questions. Please do post your questions at any time during the session by clicking on the question mark. You'll see on screen. We've circled the question mark for you, so if you're watching on a laptop, you'll find it on the right-hand side of your screen or on the top or bottom if watching on a tablet or a smartphone. Both Amy and Sarah have very kindly agreed for the slides to be available to download what's for broadcasting. So if you pop into the handout section, which looks a little like a memo icon with the top edge folded over, you can download them from there. If you want to watch the session again, it will be available on our YouTube channel shortly after the broadcast. Just head into the Marketing Club folder, which you'll find under Playlists. You'll find the entire back catalog of the Marketing Club series in there too, with sessions covering a broad range of marketing skills and personal skills, all free to access and available whenever you want. So do take a look, as we've had some fantastic sessions since the series started. If you'd like to share any thoughts about today's webinar on the socials, you can use the hashtag CIMEvents. We'd love to see your comments on the socials, so we'll pop the hashtag up again after Amy and Sarah have finished their presentations. So before we get into the presentation, I'd just quickly explain what the Marketing Club is. It was created primarily to help students get the most from the CIME accredited degree and prepare them for career in marketing. Although the Marketing Club is designed for students, CIME members and other marketing practitioners are also welcome to attend the sessions. For the uninitiated, the CIME accredited degree program enables students to gain a professional marketing qualification by taking advantage of the exemptions the accredited degree provides. So if you're a university student, you can sign up now to receive the Marketing Club newsletter. What you need to do is take a photo of the QR code on screen. Alternatively, you can hop onto our website to find the Marketing Club webpage with the qualifications drop down menu. Each edition of the newsletter will provide you with content designed to support your studies and actively manage your professional development by keeping you up to date with the latest trends, innovations and concepts in the marketing industry. So it really is worth taking a look and signing up. We'll pop the QR code up again a little later when we head into the Q&A. If you want to find out further information or sign up. OK, so I'd now like to introduce our guest speakers, Amy Bryant and Sarah Swartafine. I'll pass again things over to you, Amy, and the floor is yours when you're ready. Great, thanks very much. Thank you, everyone, for joining us today. I'm Amy and my colleague, Sarah, will be coming online to speak to you shortly. And we both work for the BFI, the British Film Institute, and we're a charity and the UK's leading organisation for film and the moving image. This picture on the screen at the moment is one of the many vaults at the BFI National Archive, where we look at after one of the largest and most important collections of film and TV in the world. The films in our collection are a fascinating record of the history, culture and art of filmmaking and TV production. As well as a document of daily life in the UK from the late 19th century to today. I wanted to flag that some of the collection is available to view online and there's nearly 500 adverts, including an amazing 1942 Purcell Advertorial and a 15-second Bramston Pickle ad from 1957. I'm going to ask Leith to put the links in the chat to the Purcell and Bramston Pickle adverts because they're great and a link where you can search to view others and it's all free. I just thought I'd flag it because alongside the kind of film and TV programmes we do hold this amazing collection of adverts. I wanted to start by talking about this work to say that we do it, that it's preserved for future generations. And when I say we, what I really mean is our colleagues because I work in business development and Sara works in education. And have a much of my role and career has been in marketing and Sara is a filmmaker as well as the course director on our Chartered Institute of Marketing courses. We're both passionate about developing filmmaking skills and helping people understand what these transferable skills can help with. So we hope you'll come away from today feeling that you have either started on or moved forwards in your filmmaking journey. We're going to focus on smartphone shooting and Sara is going to invite you to have a go at some of the techniques and tips she gives you as we go along. But before I hand over to Sara to introduce herself and get stuck into today's webinar, I wanted to set the scene. Why does film and storytelling matter and why should we give it a second thought? This on the screen is a picture of Paul Mezcal and Frankie Corrio from director Charlotte Wells's film After Some. Charlotte actually won a BAFTA for outstanding debut by a British writer, director or producer last month. And after some issues, one of the many films backed by the BFI film fund with national lottery money. So if you've seen a BFI logo at the start of a film, it means that we've funded it. As a government arms length body alongside funding and preserving film, the BFI work with government and industry on policy and strategy, the distribution of funds, conducting research and much, much more. And we do this because society needs stories and film, TV and the moving image bring stories to life, helping us to connect and understand each other better. So what I'm saying is the BFI champion the moving image in all of its forms to create the greatest possible choice, access and opportunity for all. Because film allows us to tell stories and start conversations. And as I mentioned earlier, we want to educate and deepen public appreciation and understanding of film and the moving image. And the term moving image is deliberately used here because we all engage with different forms of content. And the move towards a digital world combined with the quality, accessibility and ease of smartphone filmmaking means we can all tell stories. Our mission at the BFI includes supporting creativity and actively seeking out the next generation of UK storytellers. And while this is people like Charlotte Wells, I mentioned earlier, this also means you. In his article, Why Filmmaking is a must-have skill in a digital world, journalist Steve Hemsley wrote that marketing directors and managers will be looking for filmmaking skills on marketers' CVs in the future. They know that in a digital world and with growing demand from consumers, the compelling video, marketing teams must be able to make the most of moving image content to serve brands and deliver results from different platforms. If you want to read that article, by the way, it's available on the Charles Sinshu Marketing's Content Hub. Lisa's going to put the link in the chat for you again. The title of the article is Why Filmmaking is a must-have in a digital world. My team delivered some training for Durham University recently and what stuck in my mind was a student that had a part-time job as a content creator said that the training got her thinking about what draws her attention and how she can channel that reflection into her work. One of the things I want to share with you was Tim Platt, who's our head of marketing at the BFI, wrote in the Chartered Institutes of Marketing's CASIS magazine that the flexibility of moving image is its strength. He said that in a crowded market, a compelling story alongside a skilled use of image and sound can deliver impacts in many areas, such as recruitment, thought leadership, infographics, events and charitable appeals to name just a few. As mentioned previously, we have a couple of courses with the Chartered Institute of Marketing, a 3.5-hour principles level filmmaking storytelling fundamentals course and a two-day intermediate course filmmaking and video production for marketers. They are both online and taught by the lovely Sarah. They're both available to search on the Charles Sinshu Marketing website if you just go to the training courses list and type in BFI, it will come up there. We may well develop new courses, so searching BFI is the best way to keep up to date. We've got the two courses. They're both taught by the lovely Sarah, so I'm going to hand you over to. Sarah is going to give you a taster of how you can start capturing high-quality smartphone content. Oh, thank you so much, Amy, for that. OK, so, yes. Hello, everyone. It's a pleasure to speak to you today on the Chartered Institute of Marketing's filmmaking for marketers webinar. As Amy said, my name is Sarah and I work for the British Film Institute. I'm a film educator and I have been teaching filmmaking and film production to children, teenagers, university students and professionals. And I've been doing this for about 10 years now. I've worked for different cultural organizations internationally. And right now, as Amy said, I also teach on a few Chartered Institute for marketing courses that I can show you now, actually. Maybe that would be nice. So we've got the we've got the three and a half hour fundamentals course and we've got the two day filmmaking and video production for marketers course that I teach online. OK, so let's get started on filmmaking then. So filmmaking can be broken down into five different stages and you would usually follow this this kind of sequence of stages. So you usually start with development. This is where you come up with ideas for your video or for your film. Then you go into pre production, which is the stage where you plan everything before you start shooting. The shooting of your video would be the production stage. Once you finished filming everything, you go into post production. So think about editing, sound mixing, color grading, adding, you know, effects, graphics, et cetera. And once everything is finalized, you finish your edit.  So as I said, development is a stage where you brainstorm your ideas. You come up for ideas for your videos. This is usually the stage where you do research, you collect visual material to inspire your video. You may be right, like a one liner or an outline for your video, especially if you're doing this for work. This would be the stage where you write everything up so that you can maybe pass it on to your manager who can then sign it off. But this would also be the stage in which you are thinking about the aim of your video and what kind of video would suit this aim and suit your target audience. So I think I am talking to a mixture of people. Some of you might be students, some of you might be further along in your career. So I would like you guys to think about the content strategies that either a brand that you like and know well, or the company that you work for, for example, and I just have to think about what kind of content you see out there. So content on social media, content on YouTube, content on TV and cinemas. What style is this video in? Is it a professional and slick video? Or is it more an authentic and accessible video? Is it more like a short form video or a long advert, for example? So there's lots of different video content strategies that marketers use. And I've put two of them here on the screen. So on the left, we see thought leadership, which is basically the strategy where you want to showcase yourself as an expert and as an authority in your field or in your industry. Whereas on the right, we've got social proof. And this is where you want to get others. You can get your customers, your employees, your team members to show how great you are. So, as I said, if you work in marketing or if you study marketing, these might be familiar to you. But these two strategies work really well with video content. And if you're starting out with video marketing, these are really, really good strategies to start out with because the videos that I put underneath in the bullet points, the examples, they're easy to produce, they're quick to produce. And, yeah, really doable if you're starting out, especially, you know, you can just get your smartphone out and start filming some thought leadership videos, you can start filming some positive brand sentiment videos, etc. I just wanted to show you a couple of statistics that are compelling about video marketing. Obviously, video content in marketing has become content that is the most consumed and most engaged with by consumers and by your audience. Reportedly, the world watches a billion hours of video social content per day, a billion hours, can you imagine? And this is only on YouTube as well. So if you can't cut up all the other platforms, it's obviously more. And this is just because not only is video an engaging medium, but it can also unpack a lot of information in a short period of time. So obviously, if you think about videos that you watch on TikTok, for example, these are all really, you know, most of them are really short videos, you know, 10, 15 seconds long. And in that 15 seconds, you can tell a whole story, right? So this is why video is used a lot within marketing because it's useful and it's an engaging content. I've got these statistics from a few different sources, by the way. So from HubSpot, from Forbes and also from DemandSage, which is a business intelligence platform. So in 2023, online video is expected to account for 82 and a half percent of all web traffic. So this is this makes it the most popular kind of content and information that we see online. It's also reported that 95 percent of consumers retain information that is communicated by video compared to 10 percent who retain information by reading. And I think this is so true because I remember I was teaching a course three years ago, a similar course to this or a course on video marketing. And one of the students showed me a video of an advert of a product that they wanted to share because they really liked it. And to this day, I still remember what the brand was. I still remember what they were selling and the story that was sold within that advert, within that, I think 30 seconds advert. And that's crazy. I mean, that's three years ago. I can't remember anything that I read yesterday, for example. You know, word for word, I can't remember that. But I can remember a video that I watched three years ago. So this just kind of shows how what a great medium video is. Ninety percent of consumers have indicated that product videos inform their the purchasing decisions directly. This content is usually viewed on smartphones. Seventy five percent of video viewing worldwide happens on smartphones.  And then ninety two percent of those videos viewed on their smartphones are shared compared to other ways of viewing video. So this is quite an important statistic to keep in mind, because if you're making your videos and you know this fact, this number, this data, then obviously you want to make sure that your video would suit, you know, the smartphone viewing and smartphone sharing. So what does that mean? Does does that mean that you you might need to make a video or vertical video instead of one that's in landscape, one that's horizontal, for example? Ninety two percent of video marketers reported that video gives them a positive return on investment. Again, a really, really high statistic. And then the last stat here is ninety four percent of marketers claim that video has improved customer knowledge of their goods or services. So it's a really nice medium to engage with your audience and build relationships with your customers. OK, so now that we've kind of we've thought about the aim of our video, we have an idea of what we want to film. Then you go into the next stage, which is pre-production. This is the stage where you prepare everything that you need before you start filming. It's really, really important that when you that you actually plan your shoot because if you don't have a plan in advance, you end up wasting quite a bit of time and resources.  You turn up on that day and, you know, you need to spend some time on location thinking about what you're what you're going to do and where you're going to set up the camera, etc. So that's going to cost a lot of time. And especially if you have, let's say, people helping you with your shoot, you're wasting their time as well. Maybe, you know, you have to pay them for the day to come and help then you're wasting your money as well. Some of you might have to do ad hoc filming in their work. For example, if you say you work for a company and there's an event or whatever, and you have to capture that event on video, for example, you might think, oh, you know, well, I can't plan for that because, you know, I'm going to an event, I'll just see what happens in our film. But I think if you have an idea, even just like a really rough idea written down or even just in your head of what the shots are that you need to capture to make sure that you can sell a good story in your video, it will really, really help you. Because I think video is all about storytelling. So if you have an idea of what the story should be and what kind of images, what kind of clips you need to tell that story, it will really help make your video better and it will elevate it. So what do you need to plan your shoot? You might have some kind of scripts. You know, this is, it's not like for every time that you need a script. For example, if you're doing an event video, you might not need some kind of script. But maybe you're doing an interview video that needs a little bit of scripting, needs a little bit of like question prep, that kind of stuff. You might need a shot list. So this is what I was talking about earlier with the thinking about the shots that you need to tell your story. Having a shot list prepared is really, really helpful. You might want to draw some storyboards as well. You know, a list of locations that you need to film your video. Things like a list of props, your costumes. You know, if you're filming something that's around let's say cricket and teaching a course for cricketer. So cricket is the only example I can think of right now. But let's say you're filming something around cricket, then you might want, you know, to have someone play a bit of cricket. So you might need a cricket bat and a ball as your props. And then a list of people that you have involved in your shoot, when they need to be present, you know, what their roles are, what they need to bring, et cetera. You might also want to prepare your equipment as well and just make sure that you have enough like power and storage because you don't want to be on location and then your phone dies or something. Or you don't have enough. Yeah, you don't have enough memory on your phone or your SD card. So once you have a plan and you've done your pre-production, we go into the next stage, which is the production stage. So yeah, so you can start shooting your video. I put some tips here on the screen. So let's just go through them one by one. So make sure that your shots are as stable and as smooth as you can get them. So you might want to invest in like a tripod or a gimbal if your budget allows for it, for example, but it would just help you. Yeah, it would just help you stabilize your shots. You can turn on your grid lines on your smartphone if you're shooting on your smartphone to help you with composition. And I'll talk a little bit more about this in the next slide. Make sure that your framing is correct. So use the correct shot sizes and try not to cut off people's limbs awkwardly. So don't try, you know, don't cut them off by their feet, for example. Make sure that you just go a little bit further to show the feet or go a little bit closer to cut off at the knees, for example, which is the next correct shot size. Try to avoid using your zoom function, especially if you're filming on your smartphone, because this will reduce the quality of your image and make the video look more pixelated. So if you need to get a close up shot, just move your camera closer to the subject or get the subject to move closer to you, for example. Pay attention to your location and your set.  Is there a lot of background noise? Can you move somewhere else, you know, where it's a little bit quiet? So is there anything messy and distracting in the background? I think that's a really important one. Yeah, so try to get the background and your set to enhance your story as well, if it's possible, you know. So, for example, if you're filming an interview video with a painter and artist, maybe film the interview at the studio so that the audience can become really immersed in the topic of the video. And it's just nice to see, you know, to see something that's relevant to that topic as well. So I would actually like to invite you to pick up your smartphone now if you haven't done this and just try one thing with me, which is to turn on your grid lines. So you should be able to go if you have an iPhone, you should be able to go to your settings and then look for a camera. Underneath the composition, you'll see something called grids and you can turn that on. And when you go back to your camera app, you should see these lines like you see on the screen. On other phones, I think you should be able to do the same. It would be either in settings or within your camera app that you can turn on the grid lines. But basically why why I'm asking you to do this is because the grid lines will help you with your composition, as I said, following a rule called the rule of thirds.  But with the rule of thirds, what you're doing is you divide your frame into nine rectangles using two vertical and then two horizontal lines. And what you want to do is you want to place the subject of your shot, which in this shot is for Mascall. And you want to make sure that you place that subject of your shot or whatever you want your audience to pay attention to around these intersecting points or where the vertical and the horizontal lines intersect. This is just because this is a very old rule, I think from like Renaissance painting. But basically our eyes are automatically drawn to those intersecting points. So yeah, so you can see we've got this intersecting point and just really close by it is his eyes. And again, if you're framing a subject, if you're framing a person, sorry, you want to make sure you want to keep in mind that the eyes of a person are the most important thing. So if, for example, you want your audience to relate to you, make sure that they can actually see your eyes in your video. So yeah, so in this shot, we've got his eyes close to that intersecting point. And what we've also got is we've got him placed on the left line in this image. And we've got him looking kind of towards his left or towards our right. And what we've got is we've got quite we've got an empty space here. We call this the looking space. So he's looking this way and that space that he's looking into is called the looking space. You want to make sure that you keep the looking space free. If, for example, you decide to place him on this side of the frame, but he's still looking the same way. So he's still looking towards our right and looking outside of the frame. What you've got here is you've got dead space and you want to avoid that. You want to make sure that everything in your shot contributes to telling your story. So if you do decide to put him on this side, make sure that he's looking towards his looking space. Or if he's looking that way towards his right still and we've got space behind him. You can do that as long as it has some kind of narrative function. So if something else is happening behind him, then of course you can put him on this side and make him look outside of the frame. OK, so I just wanted to quickly chat about shooting on your smartphone. So when you're shooting a video, whether on your smartphone or on your DSLR, actually, the more control you have over the technical aspects of the camera, the better the image will look. So technical aspects that you can keep in mind are things like your aperture. So your aperture is basically how big the opening is of your lens. So if you're using DSLR, obviously, you have a proper lens. If you're using a smartphone, the lens is already built in, so you can't really change that much about the aperture. But on some newer smartphones, you can see that you can kind of control it and it's expressed in like f-stop. So it will say f 2.8 or f 3.5 or whatever. So play around with that if your if your phone does have that function. You can also keep your shutter speed in mind. Things like your ISO or your gain. So these are all things that kind of control the exposure of your image. So how bright or how dark the image looks. Another kind of technical aspect that's really, really helpful to understand is your white balance. White balance is basically how the basically controlling the color temperature within your image. So if again, if your camera or your phone has that function, most DSLRs have that function anyway, you can play around with it. What you basically want is you want the whites in the image on your screen to be the same white as same color white as you see in real life. So play around with with the white balance. And then another thing that you can practice doing as well is things is your focus. So most of you probably use autofocus or probably have used autofocus. Try using the manual focus as well, especially if you're using a DSLR camera or a mirrorless camera with a detachable lens. Play around with your manual focus and see if you can experiment with depth of field. Depth of field is basically how much of your subject is in focus and how much of your background is autofocus. So I think what makes an image look really cinematic is to have that kind of blurry background that depth of field. So play around with the manual focus if you can. Another thing that I would like you to think about as well when you're shooting your videos is just to know where you are and what the light is like. So if you're shooting in daytime, make as much use of natural lighting as possible because, you know, natural light is the strongest light. Obviously the sun is the brightest light that there is. So try using using that sunlight as your main source of light.  You want to be either on its side or like behind it. So play around with with this stuff. You know, you can practice with maybe if there's someone living in your house place them, you know, against against the window or close to the window and see what what it looks like if you if you put your camera, you know, on its side by the window, if you place it or if you have your back against the window, just see what that looks like and see what what suits your aesthetic choices as well. If you're shooting in nighttime without extra lights, see if you can use things like table lamps to illuminate your subject as well. Obviously, you can also invest in some light as well if you're planning to use them a lot in your work. OK, so we've what we've got here is just a slide of a few short sizes. There's there's more short sizes out there, but these are, I would say, the most common ones and the the useful ones that you would use in your work. I'm not going to go through all of them, but I think what I want to what I want to point out is that every what you think about film film is a visual medium.  But because we've all grown up looking at images, whether it's photographs or whether it's films, we are all familiar with this kind of film language or the meaning behind different shots and and and and and an image. So, for example, if I were to use this very long shot in my narrative film and I want to introduce my main character with this very long shot, I might want to say, OK, well, you know, they're really, really small in the shot. Maybe I want to say that they're feeling quite overwhelmed by the world.  And yeah, they might be a little bit sad, right? Whereas if I decide to use this big close up, I might want to say, OK, this is a very dramatic moment. There's nothing else in the frame that distracts my audience from apart from the main characters. So the only thing they can see is this character's face. So that means that I want to draw all the attention onto this character. We want the audience to be right in the characters in a world.  So I might use this shot, you know, in in a moment of in a moment of heightened drama or just to show my character's emotion. So all of this, yeah, as I said, that's a really important thing to remember, anything that you put in frame from color to where your character is, to what the location is, to whether it's night time or daytime, everything of this, what we call Misan Sen has a meaning and can really contribute to your storytelling. OK, and then so you filmed everything and now you are ready for your post production. So you're going to edit your video. I think it's really important that when you're when you're planning and when you're shooting your video, you're already thinking of thinking ahead, thinking about your edits. So what I mean by that is when you're planning your video, for example, you're making your shot list, make sure that you you think about your edit in terms of maybe if you're filming a shot of the same person or the same subject, maybe get get a few different angles or a few different, you know, shot sizes of the same subject. Just so it gives you more choice when you're editing, but also make your film more engaging for the audience because they can see different sides of the same scene and different perspectives of the same scene. It will also make your film look more professional. It's also important to think about B-roll footage before you start shooting. So what I mean with B-roll is basically extra footage. So so you don't necessarily need the B-roll footage to tell your story, but it is really, really useful. So B-roll footage can help you set the tone of your video. It can illustrate things that are being said in the video. So thinking back to my video about the artist, my interview video about the artist, my B-roll footage could be some shots of her, maybe an action, maybe she's painting or maybe some shots of, I don't know, a gallery where we can see her works being displayed, for example. So these are not necessarily things that you need because the interview would be the thing that you need to tell your story, but it just helps, it just, you know, it just gives the audience a bit more excitement as well to see, you know, this other kind of footage rather than just someone talking to camera.  If you have that B-roll, what you can do is you can hide that mistake by overlaying that footage on top of your primary footage and essentially you're hiding that cut or that jarring cut. It can also help you pad your edit and get your pacing right.  Having a neat and well-paced edit will make your video more engaging to your audience. It will make your video look more professional as well. So I teach Adobe Premiere Pro on the two-day course that we mentioned at the start. This is the industry-grade software, but otherwise there are tons of free editing software that you can try out. I really like DaVinci Resolve because it's free and it's a really good one, especially if you want to learn a lot about color grading, that's a really good software. And what I have on my phone, I have a few free stuff on my phone as well. I usually use iMovie or an app called OpenShot, but there's tons out there. If you have some experience in editing, by the way, using any kind of software and you want to learn a new software, such as, for example, Premiere Pro, please don't be discouraged by like, you know, or overwhelmed by the interface of the software because once you actually know the editing principles, once you've learned editing on one software, you can always transfer these skills to any kind of software. The only thing that you would need to learn is just like the buttons and where everything is and the interface. So I think if you have experience in editing, you're already, yeah, it's already really, really good. Okay, so then the last stage is your distribution stage. Obviously you've created your video and now you want to share it with your audience. You don't want to keep it to yourself. You want to share it with the world. And a really good way to do this, obviously, is through social media. There's obviously lots of social media platforms. Some, maybe, you know, if you work for a company, you might have a few different accounts on different social media platforms. I think because there are so many, the ideal practice is to repurpose your video for each platform. So you might record one kind of like master video and edit that into one master video that's quite long. And then what you could do is you can edit, you can create different versions of that master video so that it's repurposeable for a specific social media platform because I think it's a known fact that people, users expect and consume videos differently on each platform depending on what they're using. So it's like things like length of the video, things like the video dimension. So is it a vertical video, is it a horizontal video, et cetera? These can really vary from platform to platform. I've put here some ideal lengths for your video. I've got this from Hootsuite. Obviously, you can like deviate a little bit from these lengths, but it's good to keep these in mind when you're editing your video for those specific social media platforms. And then just finally, a few tips to make your video stand out. So tell stories. I think I mentioned that a few times during this webinar. Yeah, tell a story in your video. Even if it's a five second video, 10 second video, try to tell some kind of story because it makes your audience remember your message and it makes your audience remember your brand better as well. Like the example that I said of the student who showed me something three years ago, I can still remember what is in that video because there was a story. Save the best for the first. Obviously, you go on a company social media platform and you want the users to see the best stuff first. That's why you can pin some videos on your Instagram or on your TikTok. Include a call to action. I think that makes sense. You want to direct your audience to something else. You want them to do something else after they've finished watching your video. Know how it's selling. So keeping things really authentic. Making the selling quite subtle is really, really helpful and doesn't put your audience off as well. And then adding captions is quite useful as well just to make your video a bit more accessible. Okay, and we've come to the end of my bit. So, I'm going to go ahead and show you So, we have made a really useful how-to video, how to get started with video marketing. So if you want to watch that, you can search BFI how-to video marketing in Google and you'll find it. It's on the BFI website. You can also sign up to our training if you want to learn more about this. You can just go to the cim.co.uk forward slash training and look for BFI on there. And yeah, just let us know what your thoughts are on this webinar. You can email the email address that's on the screen there. And I think, yeah, Amy mentioned this at the beginning. The BFI is a charity. So the more attractive our courses are, the more we can help fund our charitable activities as well, such as the education stuff that I do. So people who attend our courses are helping to support learning, training, and funding across film and the moving image. So thank you for listening. And I think we've got the Q&A now. That was really excellent. Thank you, Saran, and thank you, Amy. Yes, we are going to move into a Q&A session. So we've got quite a few questions that have come in, Saran and Amy, a lot of technical ones. So where do I start? Let's have a look. Yeah, somebody has asked what equipment would you recommend investing in as a standard kit for filming? Okay, so it really depends if you were thinking of purchasing a camera or just keeping, or just filming on your smartphone. I would say, yeah, so make a decision about that. If you do decide to purchase a camera, going for a mirrorless or DSLR camera is really good. You don't have to think about a 4K camera or proper film camera. Just have something that's compact that you can take with you to different locations. And then I think the most important things are things like maybe like a microphone if you're doing a lot of interviews. So investing in like a lapel mic or something like that is really, really useful. So the camera, tripod, and then maybe a set of LED lights so that you can control the lighting a little bit more. You don't have to rely on natural light all the time because in the UK it's quite difficult to rely on lights. Yeah. Okay, great. There are questions around editing. So could you please repeat the name of the editing towards you mentioned other than iMovie? Yeah, so on the phone, I also have OpenShot, which is a free editing app. And then the other one that I mentioned, the free one for your computer is the Vinci Resolve. Right, okay, thank you. Okay, so there's a couple of questions relating to the length of video. So first of all, what tactics can you use to get viewers engaged with your video content for longer? In a world of TikTok where short form is popular, do you think there's still a place for long form? I mean, I think so. I think what I see a lot on TikTok is the way that they grab the viewer's attention is to start, even like to start with the punchline, I guess. I get a lot of food videos, get a lot of recipe videos. So they usually show the final product first, the final dish, and then they go back and tell you how the dish is made. So I think thinking about these kind of tactics would be good to keep someone's attention because they already know, it's kind of strange, they know what's coming, but it makes people want to watch and see how it's done. What do you think, Amy? You have to say I agree. Like I think that there is a balance, isn't there, between we know that people are expecting quick engagement, quick answers to questions, and there is definitely, I don't know, think about like with John Lewis ads, how impactful they are and how people do really connect. And then that's because of the story. So I think if you have a story that's worth telling, then absolutely it can connect. But suppose it's always trying to find the most effective, compelling way to tell that story and not to just take longer for the sake of it. If you can tell that story well in a shorter length of time, then absolutely do it. Yeah, definitely. Just, yeah, select what is really, really necessary to tell your story and otherwise cut all the fluff out. Thank you. Some more technical questions. What's the best directional mic or lapel mic, would you suggest? I think anything by road, road is a really good brand for microphones. Yeah, that's my suggestion. You can get more affordable ones on Amazon, which are also quite good quality though. But yeah, road is a really good brand. Okay, so that sounds so lighting. Is there a cheap portable way to bounce natural light? Yes, actually. Well, you can buy a set of reflectors again through Amazon or any other online shop for, I think 50 pounds where you get different kinds of reflectors and stuff.  Or if you have a mirror that you can move around, that can be a reflector as well. Okay, lenses next. Would you recommend lens filters, EG, ND or polarizing filters? How can you adapt these to work on mobile devices? Okay, so yeah, so if you have a DSLR or a mirrorless camera and you know that you're going to shoot outside a lot, I think getting an ND filter is really, really helpful. If you're shooting on your smartphone, I would say, yeah, you can get it, but because your smartphone, I think it's easier to control things like the exposure and stuff, you don't necessarily need to get a filter for it, but you can if you want and you can play around with that as well. Storage, video takes up so much storage, where and how do you store your footage? Okay, so I have a hard drive, so that's where I have all my footage and then for my phone, I pay for extra storage. So annoying, I pay for the iCloud storage thing, so I pay, what is it? I think it's only like one pound a month, so it's not too bad, but yeah, I do pay for extra storage. Having a hard drive is really helpful though, just to save all of your, if you have lots of projects going on, having that hard drive is really helpful. I don't trust my laptop. So coming from a, you are really interesting, thanks. Any tips on music for video? As in like, where to find music, do you think? I guess, or the types of middle, do you want to overlay the video with music? So I guess there's some implications around copyright with that as well isn't there? Yeah, yeah, so just yeah, making sure that the music is copyright free or if you want to get a specific song that you like, obviously you can pay for the license, but there's loads of royalty free music websites on the internet. My favorite is to go to like, if you have a Google account, you can go to YouTube studio and then in there there's an option called audio library and there's loads of royalty free music that doesn't sound very royalty free-ish, so that's the one that I like to use. I know that Sarah often covers, or like when she's sort of teaching editing, that editing to the beat just to address this kind of side of it is a kind of a good skill to develop as an editor is understanding how your music should interact with the edit. And I'm sure it's also one of the things that if you start to notice it when you watch either TV or film or adverts or things you see on social media, if you pay attention to the music, you then start to pick up like how people are making deliberate editing choices to interact with the music. Definitely. Yeah, it really, yeah. Because this is the, again, this is the great thing about film is that there's so many different dimensions that can help with your storytelling. So you've got the image, but then you've got the sound and the music, you can add text to it, you can have movement in it as well. There's lots of, yeah. So thinking about the music and how it can contribute to your story is really, really important. Thanks. We've got loads and loads of questions left, but we've actually really only got time for maybe one or two more. This next one is really, I guess, a hot topic currently. What are your thoughts on AI-generated videos? There seems to be several AI tools out there where there is no need for production anymore. Well, I don't think there's no need for production anymore. I'm scared like that. I think there is still need for a human, for a human kind of aspect to whatever art there is, right? This can go into a really long discussion, but yeah, I think there's always need for community and a human touch to everything that we interact with. What do you think, Amy? Yeah, absolutely. I think it's going to be, as professionals, both as a marketer or a filmmaker, it's going to be, I'm sure there is going to be change about how we can interact with different softwares and stuff, but it's still always going to require, as Sarah is saying, that human eye, that human touch to do something that appears, we can all, at the moment, at least, most of the time, tell if something has been written by a bot or if something has been, and that is, I'm sure, going to get harder, but I think it's about how I don't think AI makes us useless. It just means that maybe the way that we in the future learn to basically show our value in that, as Sarah said, it's the most human thing to tell stories and to have that kind of community and interaction. Well, Sarah and I, at least, I hope that's the case. Yeah, I totally agree. So I think that's probably a good point on which to end today. So thank you very much for that. That's a great Q&A session. Really, really useful presentation overall as well. Unfortunately, that's all the time we got for our webinar today. I'd just like to thank both Amy and Sarah for the fantastic presentation, as I say, and we do hope you've enjoyed the session and found it interesting and worthwhile. We'll be back with our next Marketing Club webinar on Wednesday 29th with CIM's very own content marketing manager, Stuart Thomas. You'll find further details listed on the events and marketing club pages on our website. We can also register for the session. Thank you again to Sarah and to Amy and to all of you for joining us today and we hope you've enjoyed the webinar. Take care everyone and we look forward to seeing you again soon.


When it comes to health emergencies, it's important not to delay care. We've implemented new protocols and safety procedures to protect you and our emergency departments. But we know that you may have questions about returning to our hospitals. Upon entering, a greeter will hand all emergency department patients a mask. All of our team members wear masks and proper personal protective equipment for safety as well. Our team members will take patient vital signs, including a temperature screening within minutes of arrival. All team members and visitors have their temperature monitored upon arrival as well. Whenever possible, patients are immediately placed in a private room or area to maximize safety. We are making every effort to evaluate and treat all emergency department patients in the same private room or area where they will be seen by their emergency provider. We aim to minimize movement of patients in the emergency department. For example, when possible, X-rays and diagnostic tests will be performed in a private room instead of a separate department or area of the hospital. We are also rigorously cleaning and sanitizing all hack-and-sack meridian facilities, including the use of ultraviolet light cleaning. When possible, we designate separate areas in the emergency department to care for suspected COVID patients. At this time, to ensure the safety of our visitations, we do not encourage visitors or companions during emergency department visits, but understand that exceptions must be made. Our care teams will check in frequently with patients and provide updates on the plan and progress of care. It can be hard to predict the timeframe of an emergency department visit as wait times can be impacted by other emergencies. Generally, patients can expect lab work results to take one to two hours. Imaging, such as X-rays and CT scans, may take two to four hours from start to finish. If needed, consultations with other specialists may take two to four hours depending on the complexity of each case. All patients who stay in hack-and-sack meridian health hospitals are tested for COVID-19. All of our hospitals have dedicated units especially for patients who do not have and who are not suspected to have COVID-19 infection. In addition, when available, admitted patients will be assigned to private rooms. All patients who are discharged from the emergency department will be provided with extensive instructions on how to care for themselves at home and instructions on whether or not quarantine is needed. We will also provide information on how and where to be tested for COVID, if appropriate. Hack-and-sack meridian urgent cares provide COVID-19 antibody tests and COVID-19 evaluations to patients with and without symptoms.


wa wati kwa wa ngao nekoo ni ngao ngao? Ngao na hebi informasiya na m explaining Kwa was nekoo ni ngao? kwa ana kama ni ngao? How much did you promise? $75.000 kwa you gave them money? 아무wa nga mb ещё ha m不好, we zem© a之後 na knese m Following Uど We used it. It was our first time in our area to encounter such kwaima, but I feel pain because it was so difficult and painful to see. We just saw pictures of the crime scene and pictures of how it remains. It's very gruesome.


Going on everyone Sam here with late sports cars from in 2324 Bowman University chrome basketball hobby in the late 7 box mission number 4 Random team style there's a look again at your random results as always you can find those all on the website under the results tab as well as the link in Chat we've got four to go now five to go on the first case of the light everybody Duke, Michigan State Maryland Houston Miami, St Sean's f a u So I think it's five eight and ten I believe remaining on Break for today Start with hobby You know, it's questionable. That's not good. I can do a pretty good job containing the Niners often so far. I gotta be honest Have you two years already? Do a random for all of the non-college guys ron holland we zealous and uh rissache We've got to know where I think it's because I got you with the box hard rock. Maybe That or he's not okay probably a little bit of both X-factor colic from marquette. Hey, Isaiah Collier That is a gold angel Reese 10 of 50 on the throwback congrats on that LSU very nice. That's clean too, man Good stuff, Bryce Hopkins Hey, Rob Dillingham Purple shimmer does Evans a little shimmy to 199 stephen castle X-factor brandon garrison a justin edwards First refractor stephen castle and mckenzie mbacca There's a rissache katelyn clark on the base auto. There we go. Iowa. Nice good box. Very good box. Congrats on that Hawkeyes, very nice That into a mag The scovie Isaiah Collier first refractor Zach Edie Ronnie james x-factor damn dude. Oh, shoot. I forgot to do the guess that is a purple devon williams. Let me uh Redo that everybody so we're up to 320 and the superfractor bounty is up to 225 Not very good. Um, all right. We'll do guess the superfractor everybody for 30 seconds to guess the superfractor guess is Stop 30 seconds. Oh Jeremy fears I like it josh williams. I like it proctor. I like it Be fine with any of those Dillingham that'd be that'd be insane When one guesses are clues There you go. Perfect. Thank you all. Sorry about that again everybody and we didn't pull the supers or a supers that worked out And and armando bake up rally coogle Gold shimmer quintin post to 50 Rats on that one bc Uh, brony james. Holy cow.  What a box wow to 250 congrats usc How's it really 109 out of 250? That's an it's an insane box man. Geez brony james Teran shannon first refractor Welcher a green shimmer read shepherd to at 99 and and I'll go hell. Yeah, let's do it mook. I'm in I'm in mook Hell yeah, let's go. That's awesome. Exquisite. Congrats. Go exquisite run with fanatics. It's freaking awesome. Dude. That's so nice and brady's on fanatics like that I'm very I'm very personally critical of the Exclusive deals, but I'm very happy with those two. That is awesome. We've got mr. Ron picking up three in a Bowman's best random team. Thank you buddy a page backers X Fractor coogle Mini diamonds rj jones to 399 Tyler colect to 299 congrats on that one marquette. Very nice a rob dillingham First refractor darin green jr. Oh marco jackson Sharpshooter's mookie cook gold to 50 jeremy fears And that's hailey. Oh, yeah, absolutely. Let's do it Uh, andrej stojakovic to 50 50 of 50 sharpshooter's auto congrats stanford. That's awesome stefan castle mckayla williams Caitlyn clark a cody williams Refractor sharpshooter's To one or 299 is christ johnson X Fractor erick dixon cody williams Isaac mcnealy first refractor and brawny james base Blue isaac holler to 199 for usc. Very nice x fracter and macko a rather coogle Rissache again, that'll just go with the uh, it's not numbered so I'll just go with the normal ones filipowski Purple shimmer of malik hall. I will I will X fractors and purple shimmers will be a part of just the base too We're not going to do a separate random for that to 150 oma habiliu and erin Bradshaw last hobby box It's three hobby Yeah, thank you. Thank you. Thank you God forbid Is that god forbid right now? All right, you're driving me dude. I was excited when I saw sick pull in the title. There we go obvi gulian bebop movie skill B pop Very bebop hatter bebop Hatter for huston up jason What up jason Jason, what's up, baby? John gave me a congrats on the ravens win Who did shawndead? Hey, that is mckenzie and baka. What a nice guy. Oh, yeah. Armando Baycott refractor jared mckeen X-fractor and baka Blue to one at 99 is bennett sevens Gold isiah collier for usc Gold lava to 50 insane man. What a break for usc Holy cow.  There you go, buddy Get that into a mad kale of love Boba miller. We need some church pants dj wagner Definitely got to get the baby some church 299 jamal sheet a little shimmy of mark sears To 299 ryan kulkbrunner. They have ronnie james insert angel grease. Hey kahuna mckenzie and baka Congrats on that one there Hopefully we do jason that'd be awesome. I you uh christ johnson Hopefully we do man Armando Baycott Blue ray wave mckenzie and baka to 199 on marco jackson purple to 399 kylan boswell A jackson shell stad to 250 for organ That's on that u of o ronnie james first A hannah hidalgo and hidden holloway hidden holloway x-fractor Isiah collier First of shell stad Is that eddy and bass All right four boxes to light everybody. Yeah, flawlessly just good stuff man. It's a lot of fun to open some game You stuff in there too from some vets tired guys Big names in there of course as always Boba miller to 199 A 299 2 3 Uh, 99 blake hinton to 199 rajon ellis To 299 erin bradshaw and then to 399 wuga poplar Wuga Simeon wilcher rajon ellis first of erin bradshaw hidden gems isiah collier Oh my god, dude, usc. Have a break man Have a break in sanity man In sanity in a mixer too in a mixer in a mix in a random team mixer 499 malik hall Or not 499 250 malik hall. Excuse me. We've got angel re space auto. Congrats. LSU Nice one there to go with the gold and then a green jamal sheet for houston. Congrats on that houston That's kind of insane. Good luck. You can get you something nutty to uh 299 zaden high 399 jamal sheet 2199 ryan kulkbrenner color match for cretin 399 steel ventors got a true orange to one robber for houston to 25 That's kind of nasty and then a gold step in castle first to 50 for the uconn huskies I'lls be within that antique collegiate randy. Thank you buddy. Mookie cook scottie middleton javante taylor angel reese image variation uh jordan dingle to 250 for st johns We've got a tray norman first base auto for marquette And then just an edwards on the throwback auto 299 for kentucky. That's u.k. University of kentucky Next box lava array wave i should say to 100 scottie middleton We've got to 199 aliyah edwards to 299 rakeha jackson 399 dylan jones To 299 dusty schromer and then yellow to 75 tyler burton dylan ova. It's too much. You can just do autos. That's fine Huh, you can just do autos if you want for the recap. It's easier Caleb love refractor first refractor garway duel dylan desu first refractor sharp shooters isaac collier We've got hailey vinn lith first base auto for lsu This one there at taggis Uh baba miller the guy who needs some church bands first base auto for florist state And then tyree's proctor first refractor auto Going to duke to 250 Nobody five to go on our first delight five to go Five to go five eight ten on those everyone get them filled up and filled up To 199 is dylan jones to 399 max adniss To 299 kwame evans the 399 devin williams and a 150 scottie middleton You can get emigrated to the last part Tyler Burton Coleman hawkins trevon brazil and sharp shooters of l marco jackson First base auto johnny broom Going to alburn Nice one there got a lava auto 2199 brice hopkins for providence A first base auto of mookie cook going to oregon And then going to kentucky yellow first auto of dj wagner Congrats on that one kentucky. That's awesome, man Going to brennan r. Good stuff brennan. That is nine of 75 Into a mac four. Let's do a quick random here For our non collegiate cards. All right, everybody going to roll the dice whatever Team or team combo is on top after six times to get all of the non Autographed uh or non college cards, which is not college cards. Yeah, one two three four five and six Going to the alburn florida state and baler spots Okay We've got quick recap here Uh, mackenzie and bako big kahuna greens and aina jamal sheed read shepherd to 75 Tyler Burton to 50 angel reese quinn post jeremy fears stefan castle to 25 joan roberts Got base autos of mookie cook johnny broom baba miller haley van lith Trey norman angel reese to 250 is jackson shellstad tyrese proctor jordan dingle Tyler coleck mille call to 199 brice hopkins to 99 jusson edwards jamal sheed and uh to 50 andre stojakovic We've got magd cards katlyn clark base auto for iowa A yellow dj wagner to 75 for kentucky A hidden gems isaac allier go into usc a brony james to Uh, two nine or two fifty on the refractor auto and then a gold lava isaac allier for usc Insane break for usc, man. Uh, that'll do it for the break everybody. Thanks again for the fill up next number five