Welcome to InterGEO TV studio here in Frankfurt at InterGEO 2018 and welcome also Anil Nanduri we met the last years nice to have you again here vice president of Intel and general manager of the drone group. Thank you very much it's great to be back again. You had a great day yesterday the opening day that was the Congress about drones which is a very interesting topic for you especially. Yes I mean this is a first-ever European drone summit that was organized by the UAV dock and I think it was a great event with a very good you know attendee list and a wide range of topics that were covered yesterday about regulation about the readiness of drone technology and what are the challenges not only this industry but also different harmonization requirements that have to be addressed so we can bring this technology to broader scale and adoption. Looking on the industry at the present what has to be done. So we have been looking at it from a perspective you know I've been working in the industry over four years now and we started from an hardware and hardware getting more automated and interesting but if you look at the commercial use cases you think about utilities or construction industry more and more the workflows and what we are trying to replace have been decades of use and the people who are in those workflows today are not familiar with technology as much and what they really care about is applying technology to get answers. So automation and when we talk about automation it's the simplicity where all the technology is hidden and it's seamless to the user but it's the technology that's going to drive the automation but for the user it's going to be simple as simple as press a button and say I want to inspect this building and the automation should be able to handle the mission planning the drone should be able to fly and collect the right data at the right angles and resolution and ground sample distance the data should seamlessly move into the cloud be able to process AI should apply on it and analytics should work on it and then the user gets back a report saying hey here are the damages we see on this building it should be as simple as that. Having a look on the last situation somebody's talking it's a little bit confused. Yeah so there's different aspects and if coming from the US if you look at what US has taken an approach we had the part 107 rule it was the best first baseline for pilots in fact one of the requirements was you have to take a written test and become a certified UAS pilot or a remote pilot in the US you actually get something like a driver's license I think that approach on a worldwide scale in the EU today is there a license for a drone pilot and is there a EU standard for it not yet and I think these are the kinds of steps that have to be worked towards in trying to come up with a mechanism that is scalable. Concrete steps are the one thing technology and solutions are the two keywords but looking on the big picture what is for you the important perspective. So if you look at the industry you look at the opportunity what the drone industry is we've all seen huge amounts of economic value billions of dollars of opportunity wide-ranging use cases but if you look at the adoption and realization of that opportunity it's been a lot slower than people have anticipated but the fact doesn't change that the opportunity exists why because drones are going to make the operationals and the workflows safer faster and cheaper so that economic value is always going to be a key driver. The second thing we see is you see investment from regulatory bodies around the world. You look at the NASA with the UTM, FAA with the integration with the drone pilot program in the US, YASA and the you know European Union just put out the draft regulations. You start to see a lot of investment coming in from the regulatory bodies to actually move this forward. They're investing their resources and time to accelerate that process as well as lawmakers understand this and are also putting in frameworks to help move this forward. So you know you know as we think about the timelines the positive momentum is clearly there and what we had the industry have to do is make the technology seamless so it should be one-click button and you get the answers and the good thing is that the technology exists it's more about integration, software, AI and analytics to be applied. I think all the problems and the workflows have been we have solutions for it they just need to be integrated seamlessly and the drone systems are getting much much smarter if you look at it from five years ago to where we are and so I think from our standpoint and from Intel's perspective how can we make this automation process seamless that will help deploy with the various industry verticals and then regulation will come together and we all know regulation will happen and usually regulation is slightly behind where technology is but they do catch up and once we have that you will see scale. Looking shortly into the future with Intel which are the answers you just mentioned one of them you want to give with Intel for the industry for the market. So for us the ability to do this end to end and think about it is that a person doesn't need to care about what drone it is what solution it is he cares about the problems he needs to solve and for us the answer is through the aerial and global geospatial technology that the drones bring to the space is what's going to solve it and end of the day the IT person and the company are the business unit person is making sure that his problems are solved and he can make this a mainstream workflow for inspections. Anil and Dury I wish you a successful stay here at Intergeo nice to having you. Yeah the show looks like a great start and congratulations and yet another successful Intergeo. Thanks a lot. Thank you.


Hi, I'm Matt from the IDT Tech Show and I'm the stand with Stephen Bagshaw from the Centre of Process Innovation or CPI from the UK. Welcome Stephen, thanks very much. Hi, how are you doing? You OK? Thanks for coming to the show. Very good, thanks. You've got lots of exciting things here. Tell us what they are. Let's go through them. Yes, so CPI we're based in the UK. We're what we call the Technology Innovation Centre. What does that mean? That means that we help companies in print electronics go from research through to the commercial market. So we work across a range of different applications, but basically we have the equipment and the people to help people to scale up their applications to market. So some of the things that we're working on, what you can see here, this is a prototype for Smart Packaging. So it's actually for a pharmaceutical company. So the idea behind this is that pharmaceutical companies can track and trace their pharmaceutical products across the world. But by adding print electronics into it, they can tell whether their pharmaceuticals are still fit for consumption, whether they've been subject to temperature, moisture or shock, things like that. So it's basically adding electronics functionality to packaging. How much of that is printed? Are there any silicon chips in there? Is it a hybrid device? Yes, so it's a hybrid device. I actually have a label here. So as you can see, there's a printed battery. Some of the circuits are used in printed techniques, but there's also electrical components pick and place on the lamp. So it's kind of a hybrid device to create a workable prototype. How long does it last for with the battery? So how many sensor readings can it take? So the idea behind this prototype is to look for around lifetimes of around a year. But I can't go into too much detail about that. But yeah, it's about to create an application that the battery lasts for the lifetime of the product. So it's about finding applications where the battery is viable for that lifetime of the product. Right. And then tell me a bit about this lighting. So this lighting that we have here, we're working with a UK-based company called Design Lead Products. They're actually also exhibiting at the show. So what they're trying to do is use micro LEDs and printed electronic circuitry to create uniform and flexible light. So similar to the characteristics that you see with OLED, but using the LEDs. So what you can see here is a lightened tile that CPI have worked with Design Lead Products on. It's using an inkjet of copper on the reverse side and then LEDs are SMT mounted onto that and then Design Lead and capsulate and take it and then turn it into various different lighting applications. And they've got traction in the automotive market for us in other market sectors as well. And so is this panel that's behind each of these? Yeah. So that panel essentially goes into that. But there's a lot of different applications associated with that. Right. So what we have here is a printed pressure sensor. This application is actually associated with a biker's helmet. So the pressure sensor, the reason why they're interested in printing electronics for that is because it can be conformable to the shape of the skull. Meaning that after impact on if there was to be a crash then they can quickly diagnose how severe the impact is. So it's about the reason why print electronics benefits that is goes back to the flexibility benefits. Right. Now notice you had a label here which says graphene temperature sensor. Yes. So that CPI also works in graphene based technologies as well. That application is using graphene for temperature sensing but we're also working on a number of different areas as well involved in graphene. I think the message that it depends on the application really. Right. If there's benefits of introducing graphene then it's worthwhile doing. If there isn't then it depends on the application. It's the right tool for the technology. Yeah. That's all. What are we looking at here? So that's another printed pressure sensor. Okay. So it's just to show that you can print those different pressure sensors and utilise and print the techniques. So CPI you've got a lot of capability, different printing equipment, pick and place machines, conventional vacuum processing machines as well. Great. And are you seeing more interest and more end users coming to you with their ideas and concepts? Yeah. I think what I like about my job is that you work with large companies but also work with small companies as well and universities as well. So it depends really on the application. I think a key driver for us is around the internet of things. That's where we're receiving a lot of interest from various different clients for different market applications. So connecting everyday objects to the internet. And the reason it seems to be a common driver that the advantage of print electronics is that you can put electronics into places which weren't previously possible using conventional electronics. And it's bringing hybrid electronics together. So yeah. It's quite a cool place to work as well as this thing. Thanks Stephen. Cheers. Alright brilliant. Thanks.


I work with Fedora in community operations, diversity and metrics, and I am an outreach intern with Mozilla this time, and my work is sort of similar, mostly in community, diversity and metrics there too, and I really like analyzing data and finding patterns. So whatever I try to do, I mean whatever strategies I try to generate for the community, I try to get a support with data for them, like so in this talk I will mostly be talking about how to improve contributor retention rates in your community, and I have some data to support whatever thoughts or whatever plans I am proposing here, and along with that I have also tried to find some patterns from successful contributors, and I have also taken help from Mozilla research in this area, and I also, I will also be talking about my experiences and how it can help. We will also have some time for open discussion and questions, so I think it should be enough. So metrics, I am very excited about metrics always. So these are some graphs from the Fedora community. So in Fedora we have a FAS account system for contributors, so if you want to contribute to Fedora everyone has to sign up for a FAS account and then you can go on to contributing in whichever area you like, whether you want to file a bug or I don't know, put some packages or contribute code or translate documentation, anything. So this shows the number of new users who signed up for FAS account in that year, and in this graph I have tried to contribute, I have tried to analyze the users according to their contribution activity. So just before I explain anything I want you to remember that this data is on until June 2016 and not post that because I haven't worked on pulling data after that yet, but I am working on it and yeah. So as you can see, so there is a, there is quite a rise in the number of Fedora accounts, but here if you can see the orange represents short term contributors, these are contributors who joined the Fedora community and left within 3 months, so they joined the community and after 3 months of the joining date there was no activity for these accounts. The blue ones are the long term ones which also had an activity after 3 months and even after 1 year, so they continued and the inactive ones are ones which just created accounts and they had very few activity, so I mean I don't want to club them with the short term ones because for short term I actually wanted only those contributors who joined and contributed something to the community, did some work, but then the left, I don't know why, but the left and I want to, I want to help in increasing the retention rates of these short term contributors, these orange blocks, so as you can see this number has been rising over the years, I mean I am not sure if you should consider the 2016 data because it is only for 6 months and we have a long list of inactive contributors because there was a lot of spamming in Fedora accounts, like a lot of spammers just created fast accounts and they didn't do anything, so don't consider the 2016 one but at least till 2015 as you can see the numbers have been rising and I don't know about more than 50% of the contributors are just short term, I mean they joined, they contribute for sometime and leave within the first 3 months, so we have had 5000 new fast accounts but only like 20% of these remain active after 1 year, they go on to become long term contributors and 50% of them actually contribute but then they leave and I don't know why, so these 50% they must be interested in contributing, they came, they did some activity but they left, so we want to increase this, we want to help reduce this number and probably improve the community health too, so I have been talking with other people in Mozilla and other force communities and they also have this problem of retaining their contributors, so I have been trying to analyze why this happens and what we can do to stop it, so I tried to talk to some contributors in Fedora community and I mean I sort of conducted a survey and the participants in the survey had contributions in technical and non-technical areas, they contributed to different parts of the Fedora project, they also contributed to some other projects and they were not necessarily red hat employees, I mean and they have been, as you can see this is a pie chart of how long they had been contributing in the community, so they are equally well distributed amongst long term contributors, short term ones and like contributors have been in the Fedora community for really really long time, that's like more than 3 years. That is what I learned from it, so a strong positive and inclusive community matters a lot, so I mean this graph shows the primary reasons of why contributors continue contributing to Fedora project and why some people said work, some people just said like they like the project, that's what I mean by work, they like their contribution, they like the area and what they work on, some people said the community motivates them, but mostly it's a factor of both, as you can see it's 75% of the respondents are like yes the work and community both matters a lot to them, so it just won't matter if your project is very interesting, if what you are giving out, I mean if someone is very interested in that area and they are bringing a lot to your project, the community in your project also needs to be inclusive and positive and you are the people who can help make that.


Huge injury news from the Baltimore Ravens. Let's just get straight into it because we got a lot to go over. First, Marcus Williams. Marcus Williams tore his peck in the game yesterday. That was the fear that he tore his peck. The MRI confirmed that he tore his peck. But how long will he be out for? We don't know yet. Harbaugh did say today when he spoke to the media that Marcus Williams will be out for a while. How long of a while? We don't know. Last time when Harbaugh said a while for Marcus Williams just last year, I think it ended up being like eight to 10 games that he was out for. I know he was out for a little minute, but he did come back. So that was nice last year. This year we'll see. It's to be determined because he has to determine if he's going to get the surgery or not. Now I wonder if what's going through his mind, if he's thinking, all right, you know what, I can rehab this thing and I can come back later on in a year and I'll be straight. Or if he goes like sort of the Ronnie Stanley approach from, was that last year or the year before? Ronnie Stanley, he got hurt and he didn't want to have surgery. He tried to rehab it, tried to rehab it some more and the rehab didn't work.  So we'll see what happens with Marcus Williams. I don't know every single detail about it, but it's again, like we always say, it's just a wait and see approach. It's crazy because I was reading something yesterday and I'm not sure if this was overblown or not. I'm not sure if it was exaggerated a bit or not, but it was saying that with Marcus Williams with the Saints, he only missed like five games in his four or five years that he had with the Saints and with the Ravens, like he already missed, I think last year he missed like, what was it, eight to 10 games, something like that. And now this year, he's getting ready to miss a chunk of games, it's crazy. I do not know what it is with the Baltimore Ravens and these injuries because it seems like injuries with the Baltimore Ravens, they come all the time and they don't just happen because injuries are gonna happen in football. They happen, they are significant injuries on an annual basis, man. And it's the craziest thing I just, I don't know. And I know every team, they got injuries, but it just seems like with the Baltimore Ravens, it's on a whole nother level. It's the craziest thing. Anyway, continuing, I mean, speaking of Ronnie Stanley, Ronnie Stanley, he has a knee injury and he's week to week. Ooh, hardball, hardball's back with the week to week stuff. And we know like week to week, that can mean anything. I mean, it can mean week to week, but it covers a lot of ground. Because if you say somebody's week to week, I mean, hey, they can show up this week and be back. They can show up next week and be back. Or it could be a couple of weeks, or it could be a lot of weeks. So, Ronnie Stanley's week to week with a knee injury. So that's that. Hardball just say it's not likely that he's gonna be playing Sunday though. Linderbaum. Linderflinder, he is going to be out for a little bit week to week as well, but he also has an ankle injury. I know some, one of those, the Twitter doctor said it looked like a high ankle sprain, but we'll see he has an ankle injury. He's week to week and he will also likely not be available on Sunday. Nothing's confirmed yet. They're not ruled out yet. Friday would be the day where they get officially ruled out. But yeah, so Linderbaum is week to week as well. Of course, JK Dobbins, that was already confirmed that he is out for the year.  And we'll see. We'll see. We'll see what happens with him. I think Hardball said that he talked to JK and JK said he's gonna be back in better than ever. I don't know if he's gonna be back with the Ravens. But again, like we talked about yesterday, if he does end up coming back to the Ravens, they gonna be able to, they will be able to sign him for Super Cheap because the leverage is all there for them. I mean, not even just for them, for any team in the NFL that signs JK Dobbins, he'll get another opportunity. He'll get another chance for sure. But it's obviously not gonna be for big money. But anyway, moving on, Bowser, even update on Bowser, he said with Bowser, he still has his knee injury. He's on IR, so he's out until at least week five. So we'll see what happens with that. Now, let's get to the encouraging news because it wasn't all bad. We got the bad news out the way. So those guys, Marcus Williams out for a while, Linda Baum and Ronnie Stanley, they weak to weekend, of course, JK Dobbins, he's out for the season. But the good news, Marlon Humphrey, Harbaugh said that he actually got a chance to play this week. Now, look, if it's John Harbaugh saying that somebody has a chance to play this week, like he gave a definitive date. He got a chance to play this week. Harbaugh don't just be throwing stuff out there like that anymore, especially when it's about people coming back. For people being out, oh yeah, week to week. Oh, what was it? But for somebody coming back and him being specific, oh yeah, he's only specific if he's for sure about it. So with Marlon Humphrey, Marlon, if you want to come back this week, be my guest, my friend, because, ooh. Ronald Dobby, he had his moments against the Texans. He had some good moments against the Texans. Alderis Washington did too. Brandon Stevens, he did as well, but like going from the Texans to the Bengals. What, Joe Barrow pass for what, 82 yards, 84 yards? Some crazy low amount of yards in yesterday's game, but going from the Texans to the Bengals, wide receivers, I don't care what they did against the Browns. I ain't worried about that, man. They're gonna be looking for blood, man. So Ravens cornerbacks better be ready. So Marlon Humphrey, you want to come back this week, especially now that we ain't got market swings for, wow, and that, hey, Geno Stone could play now. I ain't sleeping on Geno Stone now, but I would have much rather Geno Stone be a rotational piece because that would mean we had market swings and that would mean we had more depth. But Geno Stone is quality depth. Got Kyle Hamilton as well, and he was playing center field in the game yesterday. So that's a lot different from the role that he had last year when they had him more around the line, around the box and whatnot in the slot and whatnot. So we'll see how it goes with that. But Marlon Humphrey, if he got a chance to play this week, I ain't mad at that at all.  Come through, man, please. And also somebody else who we were missing this past week, Mark Andrews. Mark Andrews with his quad injury. He also has a chance to play on Sunday. So more, I expected like, I'm like, all right, Mark Andrews is out. I'd say a likely Charlie Cola. All right, do your thing. And I expected to see a little bit of Paracord maybe, but they were like, Paracord, you ain't going out for no routes. Paracord, you are going to stay back here because we need all the protection we possibly can get because it's rough. But I expected Isaiah likely to do something, but he got one catch. I think he only had that one target too, but we didn't hear his name called Harley at all. And I mean, if it's only 22 passes, it's only so much to go around, but I didn't see him like Harley at all. But yeah, having Mark Andrews back will make the Ravens offense that much better. Having him back will make them that much more dangerous and having him back can also make them that less predictable too. Because you saw how much they were involved in, I said, okay, all right, Zay. Zay would get in all the Mark Andrews target. Mark Andrews going to be back. Now he going to be like, Zay, look, chill out, man, but y'all better still feed Zay too. Feed all them boys, man. But if Mark Andrews can play this week, that would be great because I feel like this is definitely going to be a week where we rely heavily on the offense. I feel like this could be a shootout type of game because yeah, our offense, like, I mean, our defense going against those wide receivers, that worries me. It really does. I would love if they do something crazy, because we still got Roquan Smith, we still got Patrick Queen, they going to make their plays and whatnot. But yeah, man, we going to need something. So Marlon Humphrey, you want to come through? Ain't no problem. Mark Andrews, you want to come through too? Hey, no problem. But we'll see. So that's everybody. That's everybody. Just to give y'all a quick little update on what we got going on. Of course, our post-game thoughts, our recap of the game from yesterday, that will be out tomorrow. We'll drop that tomorrow. And of course, subscribe to the other channel too. This channel's EngravenVision on here, we're going to be covering the Ravens. It's going to be like 100% Ravens moving forward now. But for all the NFL, for the entire NFL, for everything that's going on around the league and the NFL, you can subscribe to our new channel, our other channel, more EngravenVids. Team Keep It Clean, I appreciate y'all. Make sure you subscribe to both channels, turn your notifications on for both channels so when we drop something, you do not miss it. I don't want y'all missing anything on either channel. See, now we can say that now. Yeah, I don't want you missing nothing here. I don't want you missing nothing over there either. I love y'all, I appreciate y'all. Leave a like on the video. If you like the videos and stuff, I appreciate that because it helps out the channel more than you realize. It really does. Thank you, thank y'all for being great. Thank y'all for a great week. One, we had a lot of fun this week. Now we'll be in week two.  So we all used to this. Team Keep It Clean, like a lot of Ravens players are gonna be, a lot of significant Ravens players are gonna be this week. We out.


Hi, beautiful. How you doin' today? Today, we're transforming this ratchet, $100 wig into a beautiful, glamorous, red carpet ready $1,000 wig. You hear that? You're getting transformed today, honey. So actually this wig cost at $135, but I rounded down to make a catchy title. Sorry about that. This wig is available on Amazon. I bought this directly from Amazon just like this. It is cute, but not that cute, honey. It is not wearable. We need to make her glamorous and red carpet ready, and we're gonna do just that today. Most of the time celebrity hairstyles will buy wigs just like this, okay? They are raw. Nothing has really been done to them. They are that yellow color. They are just ready to be played with and manipulated into a beautiful, gorgeous, very expensive wig. We're gonna give this wig the celebrity treatment. It's gonna get plucked. It's gonna get cut. It's gonna get colored. We're gonna add some tracks into it, and it is going to be transformed. You're not going to be able to recognize it by the end of this video.  I'm gonna show you some of the techniques celebrity hairstyles use to transform wigs and customize them for their celebrity clientele so that when they wear the wigs on the red carpet, you have no idea if it's their real hair or if it's a wig. And most of the time, if it's done very well, you'll have no idea that that person was wearing a wig. All right, I got my wig. I got these hands. I got a lot of color over here. So let's get started. Woo! Hi guys, you can't see my face anymore.  I'll be back on camera in a few. But first, I'm gonna show you how you can add wefts to your wigs to make them more full or whatever you wanna do, add more volume. But here I'm just trying to add a little bit more fullness to our ends because they are lacking. So what we're gonna do is take our bundle over here. This is an 18 inch bundle. Everything I'm using today will be linked below for you guys. Let's get a section right at the wefts. Towards the bottom of our hair would be good. I don't want more bulk at the top. This wig is already really bulky. It's gonna make it even more volumous and bulky. So I'm trying to go really low to the bottom for hair. I'm just gonna measure out the length of this one and cut it to the right size. All right, as you can see, I just started sewing the weft in. It's really easy. You don't have to make it perfect. It's really not that serious. You're never gonna see these. And you basically just go through the weft on the wig and then through the weft that you're attaching.  And it makes like a little knot at the top. I am not an expert weave sewer, but this always works for me. Go right through that loop and you pull it tight. And you just keep going. I go like every three quarters of an inch. And now you can pull on it and it won't come out. That is one weft. I'm probably gonna do like one more. Let's put it underneath this one. And we're gonna cut them at the same length. We'll take our needle and thread and we'll start over here. And then you make the loop on the second one. So you pull that through and then loop it through the previous. And that's your first little knot. It shouldn't take very long. It's actually quite a quick process. If I were standing actually in front of the mannequin, this would be a lot easier for me, but I am standing off to the side and my back really hurts. And make sure when you are going through, you are going through the actual weft at the top of the hair and not underneath it. That way it's very sturdy. Otherwise it's just not gonna be sturdy. It's not gonna be in the hair very well. Ooh, it's so pretty. And there we go. We got a little more fullness going on. I think that's good. I think that'll do it. It's a subtle difference, but it will make a big difference at the end. So now you can always make the hair thicker if you want. Of course, you can keep adding as many tracks as you want and as many tracks as you can fit in the hair, except I do tend to like when the hair is a little bit sparse at the bottom because naturally hair isn't that thick at the bottom anyways. So when it is a little tiny bit straggly, it just makes it look more real. You don't wanna have all of that bulk at the bottom or else it's a tell-tale sign you're wearing a wig. You wanna keep it natural. You don't wanna go overboard. I know it's very easy when it's a wig to go overboard. Just calm down. Just stay in your lane, girl. Don't go too crazy. I know it's fun, but if you want it to look natural, just keep it a little bit more thin at the bottom. Now on to the fun part. Let's move on to doing color. So what I have mixed here for my root shadow is Goldwell 8NN with 7NA. I don't think you're really supposed to do that because one of them is a gray coverage, the 8NN, which is double natural. And 7NA is a color on, so which is a permanent color in Goldwell. So that's exactly what I have on my hair. Actually, that is the color I use, that really natural looking level seven on my hair without it being too dark and without grabbing too dark onto my blonde hair. So what's gonna happen is that 8NN that we have in the formula, it's gonna act as kind of a barrier so it doesn't turn kind of muddy or green because when you don't fill the hair before applying color that is this dark, sometimes you can get that muddy kind of nasty color. So this is what I've found to be the perfect root shadow for me. I love it, I use it on a lot of people. You can also add a little bit of gold pigment in there. That way it gives you even more filling properties when you're working on hair that is even more white than this. I mean, this is pretty yellow, so it's gonna give us a nice ash toned root drop without it being overly ash toned. It's gonna be beautiful, I hope. You never know what happens with these wigs, sometimes color picks up really weird because of the chemicals they use to straighten them or color them. I'm sure it'll be fine. I did some tests earlier, it looked good. Then for our other color kind of color, we're gonna be using Prismatic Glow, my hair mask. You can really use any hair mask you want. This is going to act as our barrier, okay? So we're just gonna put a bit of that into the bowl and we're gonna do some highlights with this. Now, because I'm not trying to actually put more lightness into her hair, I am using the conditioner in place of actual lightener. You'll see what I mean in a second. So basically, this is kind of what I'm going for. This sort of root shadow with some really nice highlights that are bright in the front, those money pieces, but we still want a lot of dimension in the hair. We don't want it to look flat and boring. So we're gonna do a lot of work here because right now it's kind of yellow and flat and boring. What we're gonna do first is add some foil highlights with our conditioner and then we're gonna go in between all of those foil highlights we did with our root shadow. Okay, let's take out the front section here.  We don't want chunky highlights here. This is just gonna add a little bit of sparkle to her hair once the rest of it is all sort of dark around it, all right? It's gonna look really weird before we do the last toning process that looks good. So that is gonna add a nice dimensional highlight at the top and we'll just put the conditioner in there. And this is awesome too because it's gonna really condition the hair while we're coloring. I'm just gonna add one more here at the top. We really don't want a lot of lightness showing through when we're done with this. I'm trying to go for a very smoked out kind of blonde look. Yeah, we're not gonna do too many highlights here. I'm gonna do a bit of a chunkier highlight underneath. We're going for high impact here, all right? And the cool part about prismatic glow is it colors the hair kind of pink temporarily until you wash it out. Super fun. All right, I know I said that's the last one but we're gonna do one more underneath that.  And this is only our first round of kind of toning we're gonna do today. The second round will be after we wash everything out. Then we'll add another root glaze to these highlights that we're doing right now and boom, just a few simple highlights and we'll add one more. We wanna make sure that we don't color this section in the front, because this is our money piece, right? We all need a little money piece in our life. So we're just gonna take out not the baby hairs but the hair right behind it. That looks good, it's a little thick but we're gonna do some plucking at the end anyway. So we're just gonna take this, put conditioner on it and put it in a foil so that we don't touch it later. I don't usually foil with gloves on. I've already put them on, I don't wanna take them off again. I'm making it really difficult. I don't recommend it. All right, and that's our money piece. We're gonna keep that in that foil so it doesn't get colored by the darker stuff we're gonna put on right now. Boom, that's it, all right? So now that I have that side done, I'm gonna repeat the exact same process on the other side and we're not gonna add any foils to the back of our hair but we will have that highlight effect and I'll show you how we're gonna do that when we get in the back. All right, so that is our conditioner foiling all done. We have a total of eight foils going on. We have two in the front and three on each side. These are kind of our baby lights and these are our thick highlights underneath. This is just gonna add a beautiful amount of dimension on the top without it being over dimensional and overdone. Okay, and then we're gonna work through the rest of the hair and sort of make highlights with our root shadow. So this is super easy. Just start painting away, all right? It's not that serious. Try to knock it on the lace because it is a dark color. However, pretty hard to avoid here. Just avoid it as much as possible. So I'm just gonna work through this section, pulling these sections back and this is definitely much easier on a real human. I am also trying to show you guys at the same time. There's a lot going on right now. Because this is the side of her head and it's underneath the rest of the foils, what we're trying to do is create a lot of depth. So what you're gonna do here, bring this kind of low light root shadow formula pretty far down. It's gonna feel kind of unnatural to make the hair look so dark. At least that's how I feel it. I'm like, oh shoot, am I making the hair too dark? No, never. Like you always feel like you're going too far down with the root shadow, but usually you're not.  So I'm just gonna go and section out just those baby hairs and not touch those. You can tell it's already getting darker. It kind of turns a weird color first. So don't be alarmed if you try this formula for the first time, it does look a little bit weird. And now we're gonna just see how the hair sits and I'm gonna lift this section up and I'm just gonna paint kind of a low light in here. You kind of want it random because we want it to look like hair painting. And hair painting is a very artistic, sort of random application method of highlighting. So I'm just gonna take that piece of hair and I'm gonna go down really far with this low light because we want that dimension, honey. I'm gonna go almost to the ends. And again, it's gonna look really dark and strange until we put the last and final toner on all of this. But I swear it's going to be awesome. Okay, so we make that low light right there and that's beautiful. All right, let's move fast because this is already processing and we don't want it to process unevenly throughout the head. Just go over this and bring this down a tad. All right, so we have a low light and a highlight and then we'll take the next section. And the reason why I'm doing it horizontally is because that is how the hair is going to lay. We wanna try and look at how the hair is gonna lay when it's styled. Low light and highlight based off that. All right, I'm gonna add another really long low light here because we want the underneath to be pretty dark.  I'm just gonna go like a third of the way that we just did before. That looks good. I love converting double process, bleaching tones to a highlighted look. I feel like it's just so easy and so effective and I love both of those things. So we're gonna leave this strand out and we're gonna bring down this a tad. And then of course, guys, when it starts processing, you can really look at it. Now this low light is gonna be pretty smoky. I think I said that before, but it's definitely gonna be much more on the ash tone side, which I usually prefer. I don't know, it depends on the person, but yeah. So don't be alarmed if it turns gray a little bit. All right, I'm gonna add a low light right here just because I feel like it needs it. If you don't know hair that well, maybe this isn't the right application method for you, but I happen to love stuff like this where it's kind of just your eyeballing it and you're really making an art piece out of the hair. And that is the reason why, you know, professional hair color costs so much money is because it really is art to a lot of us and we are creating a masterpiece of sorts on your head and not a lot of people can do that properly. All right, you can see the low lights starting to process here. I'm gonna bring this piece down a bit more. You can always work again through it, you know, change your mind and that is gonna do it. All right, so now that we have that first little bit done, let's move on to the top. I like to work from the bottom up. It's really annoying to try and get the hair out of the way when it's already colored on the top and you work your way down. Let's go in here and just color those roots and however you would like. Now I tend to go in a different pattern when I'm just quickly applying the root color. So I'm taking, you know, a vertical section and applying the root color and then I'll go in horizontally after to reapply.  Now this is sort of one of those processes that are gonna look really messy and crazy until it's all washed out. All right, we have all the roots painted and exaggerate some of it. Now you're gonna feel like you're doing maybe a lot of low lights, right? Like I'm gonna paint this entire section. The weird part about it is that when you wash it out it never looks that crazy. Like it doesn't look like you put chunks of low lights in. When you do like a very little amount of it it just doesn't look like anything. So I recommend, you know, doing more than you might think is necessary of low lighting and it'll have the perfect effect. Let's bring that root way down. Now you can even weave in highlights and low lights. I'm gonna leave that out as a highlight, paint that in and then I'm gonna take all of this hair and just paint it with our low light formula. Boom, dimension honey. Let's let down our foils and let's go in between them and add some root dimension. Now don't paint the lines too straight across this way. You'll literally have lines in your hair. What I'm doing is painting a few strands down a little further so it gives kind of variation in height of low light. All right, and that is it for this entire side. Now I'm just gonna gently place it in the other direction so we don't end up painting it again. It looks a little bit messy, I know, but I swear it's gonna be so good. It already looks amazing. You can see all that darkness coming through already. It's dark, like it's dark, but it won't look that crazy once we have the rest of the hair in more of an ash tone. All right, let's just let that process and don't touch it. And I'm gonna do the other side really quickly and come back and show you how the back is done, which is the fun part because it's the easiest part because people don't really see the back a lot and nobody really cares about the back. I like to do the front first because I have the most patience with the sections I start with. If I do the back first and the front last, I end up just like being burnt out by that. So it ends up not looking as good as it could.  Okay, that is the front all complete. I love when I'm done with the front. It means I'm halfway done and the back is easy. Okay. All right, guys. So I have finished the first portion of the coloring. This is the part where we're using that really dark color and you don't wanna screw it up. You don't wanna get it on the ends. You don't wanna get it anywhere. If you're not as experienced maybe or you're just not comfortable laying the dark hair on the light hair, which can be kind of sketchy but this is a wig, so I'm not too worried but I just really gently lay the hair on top of the dark hair and it doesn't touch and it's all good. But sometimes I will use Saram wrap to cover my sections of lowlights while I'm working through the hair and just like the front, I worked from the bottom up. I just freehand painted lowlights in where I felt like it was needed. I did a lot more at the bottom than at the top because hair is usually darker underneath and lighter on top because the sun is hitting your hair from the top. So I just really freehanded based off kind of my imagination and how I want the highlights and lowlights to land. That does take experience. If you're not as experienced, it might be very hard for you but that is just how I like to work and as you can see, this side has started processing and this side hasn't really but it looks amazing. That root color is gorgeous. Now when I rinse all this off in about 20 minutes, it's gonna look weird. It's gonna look really weird and not good but we have another process to do after this with color and I'll show you guys what that is in a few moments. Once I have this all rinsed off and I'll show you what the results of this round is and it's not gonna look good and then we're gonna do the actual finishing round where it's all gonna come together and make a beautiful low light highlight, hair painted, balayage style masterpiece. It's gonna look great. I'm excited about how this is processing. It looks amazing and cool. I'll see you guys when this is all rinsed off. Oh! I'm starting to go crazy. That's what happens every single time I record a wig video like this. Actually it looks amazing. I'm really happy with these results. As you can see, she looks like she's been foil highlighted but all we did was a roof shadow. Kind of really cool. And it didn't take a ton of time. Of course I was working on a wig so it took a little bit more time but normally it would be really quick. Now that we have this all rinsed out we're gonna now apply the all over glaze or toner, whatever you wanna call it. I'm gonna be using Gaetang Mydentity in the colors Pearl mixed with golden sand and it's gonna give us a really beautiful cool toned neutral without it being too cool toned. You'll see what happens. If you're not a hairstylist it means nothing to you but I'm gonna show you what happens here. You could do a root glaze now on top of this but I don't think she needs it. Like if I wanted to blend in those highlights a little bit more, I would do a root glaze with the end glaze which is this but I actually really like that the highlights started the root. I think it just looks good. So I'm gonna leave it alone and I'm just gonna put this all over. Let it sit for I think it's like five or 10 minutes. I can't remember but I'll look that up. And then I'm gonna rinse it out and we'll get styling. We're gonna let that sit for however long I'm supposed to let it sit for which I don't know how long that is. I'm gonna rinse it off. It's already looking incredible. It's getting that like sandy pearly tone. Oh, I love it so much.  It's gonna be amazing. I can't wait. Okay, so I started blow drying a little bit because I got really impatient but I'm loving the outcome of this. It's such a beautiful blonde. I am obsessed. I want it on my head. I think it's gonna look so good on me so I never look good in wigs so maybe not but I'm so excited about this. It's gonna look so much better when it's all dry and styled but it looks amazing and it's exactly what I wanted to come out. It looks much more natural than what we started with. So I'm really happy. I'm gonna get started styling her hair. I'm gonna do a loose beach wave kind of a messy beach wave. I'm gonna use electric rain moisture cream in order to hydrate these ends and make them feel and look brand new again. And then I'm gonna blow dry heat style with a curling iron maybe a flat iron maybe make a loose kind of fun beach wave. I don't know yet. We'll see what happens. I'm excited. Okay, I am like three quarters of the way done here or making progress. As you can see I'm doing this really light light beach wave but it's so pretty. I'm gonna show you quickly how I do that. It's super easy. You just need to have skill with the Marcel iron. And if you don't know what that is I'll show you in a second. I'm using Beach Club by IGK to texturize the hair. This is gonna add hold and make it kinda peasy looking. So this is a Marcel iron. I think this is three quarters of an inch. It opens like that. So there's no spring on it. So you can easily twist it. It takes a little bit of practice but it's a super amazing tool that is super helpful when doing beach styles. Okay, so I am gonna take a piece, put it in there, twist halfway, drop it out. Twist halfway, drop it out. Twist halfway, drop it out. Twist halfway, drop it out. And that's it.  It's super fun. It's super easy. I love doing this because it makes the styling go by really fast and it's really pretty. Now let it cool down for a second. I don't have any patience so that's a very quick few seconds for me. And you get those beautiful beach waves. Ah, look how pretty that is. I'm obsessed. It's crazy to think where this wig started and now it's here. Color and styling is wild. It's a wild thing. I'm gonna clean up. I'm gonna put the finishing touches on this wig. I'm gonna cut the lace off with a little razor and make it a little bit jagged so it's not perfect. That's a great way to blend in the lace to your real skin. Otherwise, if you cut it straight across, it's a very harsh line. I'm gonna do that really quick.  Actually, hopefully this is kind of cute on me. I feel like it might be. We'll see. I just take one of these eyebrow razors and you can just cut along the lace and make it a little bit jagged but I'm not gonna do that until it's on my head and I'm not gonna do that on camera because it's way too difficult for me. So I'll see you when the wig is plopped on my head and I'll show you guys the finished result. Woo, I'm excited to finish this up. It's been 10,000 hours. Okay, you guys, so I look crazy like I do in every single wig video. Yeah, but I love the wig. Okay, I'm gonna show you in three, two, one. I feel like a Lauren or like a Whitney or like whatever but okay, I absolutely love it. Like if this was on a girl and this was glued down it would look stunning. I mean, hello, look at this color. It's like a bronzy silvery tan blonde and I'm obsessed with it.  It's crazy what you can do when you know good toning techniques and how to do a nice root drop. I spent not a lot of time coloring this. The outcome is so stunning and it looks like we spent days doing it. It's amazing that she came from, you know that yellowy blonde, platinum blonde, all over one color. And then we ended up with this, like what? How is that possible? Hello, I love a good transformation. I feel like I'm embracing my like Tarzan life right now but also like Whitney life, like I don't know. I love these waves. This is a great technique to use at home on yourself. It's super easy to get that kind of beach wave if you know how to use a Marcel iron. No, I could work it for sure. No, I can't, no I can't. I don't have the head or the face for wigs. It's so upsetting, but like whatever, you know? It was so much fun for me to do a wig that isn't totally like colorful and crazy because this is the stuff that I excel at is like natural colors. I just find it very therapeutic for me to transform hair from, you know yellow nastiness to stuff like this. I just think it takes a lot of hard work and talent and a lot of skill and I just love doing it. Update you guys, it looks a lot better with the side part.  I look way cuter with a side part and I have got to show everybody. It's like way cuter with the side part, right? Like come on, come on, hello, hello. Just a beach babe, just wanted to show you that. It's a very versatile wig and I feel cuter with the side part. Now back to your scheduled programming. So let me know what you guys think of my wig. What is your favorite part about it? This little wave and the beautiful highlighted color we have going on, it's just so fun for me. Anyways, so I am exhausted. I hope you guys learned a thing or two about how to properly color and style wigs. Don't forget to follow me on TikTok, Instagram, Twitter, at BradMondoNYC. Don't forget to follow my haircare brand, X-Mondo Hair on Instagram. We have amazing, fabulous, beautiful products. They'll make your hair glow and feel amazing. You can also shop the products I use in today's video below and that is all from me today. Thank you so much for watching. Don't forget to live your extra life and I'll see you next time. Bye.


I'm Evan Ames, I'm a photographer, I live in Brooklyn and I take a whole bunch of pictures of stuff that I put on Wikipedia. It really all started with video games. I was taking photos of video game consoles and putting them on Wikipedia. And I had reached a wall at some point where I couldn't get any more consoles because really they're physical objects and you kind of have to have them. So I put this Kickstarter together and I just made it very clear in the Kickstarter it's like I just want money to buy these consoles so I can take photos. I need the consoles to take photos. Like I ended up with 17,000 in the end. And that pretty much just all went right to, you know, buying stuff. One of the things that I thought would be a big sell for people to see the value of this is the fact that the pictures that I had put up already had gotten so much reuse. Literally within the span of just like one or two years, a lot of those pictures were becoming the default pictures for that item. Like if someone does a YouTube video about the Super Nintendo, they're going to show my picture when they're talking about it. And so like the whole Wikipedia fact is that you take these photos and you put them on the pages and they almost become the default photos for those items over time. So you think about like what kind of impact that can have over the history of something.


Who says you can't have it all? Not Appalachian Wireless, we know what you want. Appalachian Wireless offers the hottest smartphones and unlimited data plans, all on the region's number one network. Yesterday, before the ribbon-cutting ceremony and grand opening of Dulling Barrels Brewery and Distillery here in Pikeville, we had a chance to talk to Deidre Lyons and Dr. Mark Lyons about their family's vision for the distillery and the economic impact that all tech could have on this area. Well, it was Pierce's vision that we would come down to Pikeville and we met with Governor Patton and talked about the city and we were immediately struck with the similarity to Ireland, especially Ireland in the 50s. And Pierce had a vision to create jobs, good, hard-working, well-paying, secure jobs that would perhaps help with the tourist industry. And since he is a brewer and distiller, it seemed like a natural that we would start with that. Yeah, he became very good friends with Governor Patton and Governor Patton was telling him a lot about Eastern Kentucky and saying, come down and see what we're doing in Pikeville. We've got the university, the medical center and I think that he was quite taken when he visited and saw that link to Ireland, saw a lot of things that were quite similar. We have obviously the music and the culture and the storytelling and of course, then also whiskey and moonshine. I think he'd be overjoyed to see the way this is finished out, you know, it's a beautiful space, the light, he loved the smell now, the fermentation that started and certainly all the finishing and really, you know, he often had the big vision but he really left it to this lady to make it happen and that's exactly what she's done. The tour started today here at the distillery to book a tour or for more information, visit the website listed on the screen. Reporting in Pikeville, I'm Polly Hopkins for EKB News.


John, for the better majority of the past two weeks, we had seen the Brooklyn Nets not only as the favorites to win the NBA Eastern Conference, but also the odds-on favorite in minus money. They now find themselves back on the plus side at plus 155. Did you ever think that the Fandall Sportsbook would be flipping the Brooklyn Nets back to plus money to win the East? No, absolutely not. I mean, I don't think we would have if we hadn't if we had have seen Kyrie, James Harden's get back in the game and be healthy. So, you know, a little bit of it, a lot of it probably related to injury. But at the same time, I hope Brooklyn had shot the ball pretty poorly in Milwaukee, coming off how hot they've been in the postseason so far. So they've got to get back to basics in the Barclay Center tomorrow night, and hopefully they can do that and then get Kyrie back for maybe a later round, because I think he's done for this series.


Now Fraser trying to break away down the left-hand side. King busting a gut to get ahead of him, tries to find him now, it's King in space. We've got Lewis Cook in the middle, Wilson trying to get there too. King down the left-hand side, drives it across the goal to Calla Wilson. What a save! The rebound is in! And it's two-and-two with David Brooks! The counter-attack to absolute perfection. Down the left-hand side, King threading it right across the box. A world-class save from Foster, but a fine finish from Brooks and the cherries on the board, 14 minutes in here at Vickery's Road. It's King. He's already scored two penalties so far this season. He's got an opportunity. He did this last season, we scored a penalty here. And he's done it again. Same corner on the net. Joshua King is born with a 2-0 lead here at Watford, who are going to play the rest of the game with 10 men. And Bournemouth's away form, suddenly clicking into gear after 33 minutes here. Watford a long way back. So they try and put Wilson away, onside down the left-hand side. He's got Joshua King in the middle here. Wilson left side of the penalty here, Brooks at the top of the box. Wilson teases one in. King's there, across the face of goal. And the cherries have three! Made by Wilson, finished by King. And it gets better and better here at Hertfordshire for the cherries. Instubbished time at the end of the half. King on target for the second time in the afternoon. Watford nil, cherries three. And the ball with Lermer over on the left-hand side. Now Adam Smith down the left flank. Cherries fans are laying as Fraser now. Heads towards the penalty, which went in towards Wilson. His first touch is brilliant, and his second's into the net, and it's four-nil! Individual moment from Wilson, who just stuck out of boot, dinked it over the keeper, it was on the ground, and Wilson just finished it into the net. And it's remarkable.