Craft presents the Great Gilder Sleeves. Hee hee hee. Cheese Company will also bring you Bing Crosby every Thursday night. Present each week at this time. Harold Parry as the Great Gilder Sleeve, written by John Wheaton. Here from the Great Gilder Sleeve in just a moment. Christmas is still in most of our minds these days, but after all, food is something we have to think about the year round. So even though the Christmas festivities are still going on in many of your homes, let me say a word about parquet margarine, the delicious spread for bread made by craft.  Yes, parquet is the margarine with a very special flavor. It's so delicate and appetizing, so wholesome and good. Just try parquet spread on bread or rolls, and you'll quickly see what I mean. You see, parquet is the margarine that's made by craft, and you know that craft is famous for fine quality foods. And remember, parquet is wholesome and nutritious, an excellent energy food that contains vitamin A. So order parquet tomorrow. Just ask for parquet, P-A-R-K-A-Y, parquet margarine made by craft. Now Christmas is over, New Year's is four days off, and in that lull that comes between the two, we find the Great Gilder Sleeve. As he lingers at the breakfast table, trying to get up enough steam to drag himself down to the office from Leroy comes the old refrain. What can I do, Uncle? What can I do? Leroy, how can you say that? It's only three days after Christmas. Well, I know, but I don't know what to do.  You've got all those presents. You've got your erector set? Yes, go make something. What? I don't know what. Do I have to tell you what to make? Well, if you'd just let me use my chemistry set, I could really... No, for the last time, no. Well, there you are. I've told you, you're not to use that unless I'm around to supervise it. Gosh, what's the use of having a chemistry set? It's too old for you, Leroy. I'm sorry now that I bought it. I wish I'd gotten you 2A instead of a 4B. I'll be careful. It's too late.  You made a nasty brown stain on the rug. What's that? I hadn't heard about that. Well, nothing. I just did what it said in the book. That's what I mean. You've no judgment. Out of the whole book, the first thing you had to make was a stink bomb. Now you can just find something else to play with. You've got other things, Leroy. What about that wood-burning set?  I don't want to. Young man, you do what I tell you to.  Haven't you got any homework or anything you can do? Yes, how about that theme? You keep out of this, Marge. What theme? Leroy's supposed to write a theme for his English class. The day he gets back to school. All right for you. How I spent my Christmas vacation. Griping. Yeah, that's not it at all. Well, whatever the theme is, Leroy, you better get at it. This is an ideal time for it. What's the topic? Oh, it's corny. Corny? What is it? My new year's resolutions. What's corny about that? I think it's a very good idea. You're kidding. I can't make resolutions anymore. Jack Benny. Well, you could do with a few, young man. Why don't you write the theme for me then? I could write a book. Resolved. One, I will not come to the table without first washing my hands. I washed them. Two, I will not consider my hands washed until I clean my nails. All right, who had the nail brush last? Pickle pus. I did not. Three, I will not be rude to my sister. Four, my sister will not be rude to me. Five, no. Four. I will not leave any roller skates on the front stoop again.  Five, I will always keep my shoes tied. They're tied. Six, I will always tuck in my shirt tails. Seven, I will give up the idea of the expression, are you kidding? Are you kidding? And eight, just for that, you can go and get to work on that theme right now. Well, I was only kidding, Uncle. Well, I'm not. Get busy. Okay. Can't even make a joke around here. I don't know what's the matter with kids these days. They have all these things, fancy erector sets, electric trains, electric wood burning outfits. They can't think of anything to do but hang around and pester their elders. When I was a boy, we didn't have any of those things. And what did you use to do, Uncle Mort? Hang around and pester my elders. But I had a better excuse. Here's the paper, Uncle. I thought you might like to read the morning paper. Oh, thank you, Leeroy. Seedingly thoughtful of you. Oh, not at all. You're not forgetting about the theme. Oh, no, no. Yes, don't. Well, listen to this in the paper. Summerfield to have war plans. What else does it say? Summerfield Rattrap Company converts to arms production. By George, now we're getting someplace that the rat's weight will exterminate the jabs first. After 23 years of building better mousetraps, Washington has finally beaten the path to the door of the Summerfield Trap Company. It was revealed today upon arrival of Leonard P. Brody of the WPB. Ordnance expert and right-hand man to Donald Nelson. Brody will consult with civic leaders today about plans for the immediate expansion and conversion of the plant. You see his picture standing here with the mayor. Trust is honored to get his picture taken from Washington. Yeah. I suppose Brody will be wanting to see me, too, as water commissioner. Those plants use plenty of water. Maybe I'd better be getting down to the office. Here's the mail, Mr. Gillsney. Still getting Christmas cards, it looks like. No time for the mail now, Bertie. You've got to get down to the office and see a man from Washington. Oh. Is there any mail from me? Just leave it on my desk. Yes, sir. There's a letter here from Savannah, Georgia. Savannah? Why, it must be from Mrs. Ransome. Well, just leave it on his desk, Bertie. Yeah. Here, give it to me. Yes, sir. What do you know? She's got the stamp on upside down. Oh, let's see it. I love coffee. I love tea. Leroy? I love the girls. The girls love me. Give me that. Come on, catch. Leroy. From Savannah. I don't know what she'd be writing to me about, I'm sure. Why don't you open it and read it, Uncle More? Yeah, out loud. Beautiful.  I'll read my own letters in my own way and in my own good time. Well, what's this on the back of it? S-W-A-K. What does that mean? If you didn't know. I don't. Oh, for peace sake, Uncle. Well, if you know what it means, tell me. S-W-A-K. Some women are crazy. Leroy, you find something to do and find it quickly before I lose my temper. Okay, Uncle. Only kidding. Yes, I know. Marjorie, can you tell me what S-W-A-K means? Well, if you must know, Uncle More, S-W-A-K on a letter means sealed with a kiss. Yeah, I don't believe it. Is there a lipstick mark on the flap? Yeah. No. Let me see. No. All right. You'll pardon me if I read this. Oh, yeah. Yeah. All right. He-he. He-he. He-he. He-he. He-he. He-he. What do you say, Uncle More? He says the weather's fine. Oh, good. Well, well, well. He-he. Weather getting worse? Would you mind not interrupting me? He-he. Can I carry away the dishes, Mr. Gilslee? Oh, for heaven's sakes. Yes, Birdie. I'm finished. Can I play with the chemistry set if I get Piggy to help me out? Can I? No. Where can I go to? Can I use the chemistry set if Piggy is with me? Lee Roy, I don't care what you do.  I'm going upstairs. How many pieces around here do you have to lock yourself in? Uh, now. Uh, sealed with a kiss. Mmm, smells good, too. My own dear Throckmorton, just a line to say thank you, thank you, thank you for your gorgeous Christmas present, but just arrived by air mail. Santa was very good to Little Lila this year, but of all the presents I received, yours was the one I loved the most. How do you like that, Hooker, you old goat? How did you ever guess that passion flower is my favorite perfume? Oh, I just guessed. I have been having a perfectly marvelous time here in Savannah with teas in my honor and eggnog parties and whatnot. Life has been just a round of dances, and I've met some of the most attractive men. But I do miss you terribly. The other night I had the sweetest dream about you. Yes, who's there? It's me, Mr. Gil, it's me, it's Bertie. What is it, Bertie? I'm sick today.  All right, Bertie, no privacy anyplace. Won't be for the minute, Mr. Gil Sleeve, and I'll be right out of here. Take your time, I'll go in here. Just a minute for you, dude, let me get the bath mat out of there. Well, let it go, I'll go somewhere else. Oh, you won't be in my way, Mr. Gil Sleeve. No, but you'll be in mine, I'll go downstairs. This house has as much privacy as a bus. There's no room in the whole place where there isn't somebody reading over your shoulder. I'll buy the den. I suppose there's a convention in here. Ah, this is more like it. Eh, let's see now. But I do miss you terribly. The other night I had the sweetest dream about you. Uncle Mort, do you like me in navy blue? Huh? Yes, it's all right with me. But you don't really like me. Well, if you say so, where was I now? I don't really think it does anything for me. The other night I had the sweetest dream about you.  Maybe you're right. The day I bought you. What did you buy it for then? Uncle Mort, you're not looking at me. Young lady, I'm in my private den trying to read a letter. Oh, you don't have to be so cross. I don't know what's come over you. You haven't been yourself lately. Not since Mrs. Ransom left. Well, Mrs. Ransom has nothing whatever to do with it. I'll thank you to keep her out of it. She'd merely like to be left alone with her for a few moments. I mean with her letter. Well, close your door, nobody will bother you. Eh, that's too late now. Where are you going? I'm going down in the cellar where I hope to enjoy the privacy of the coal bin if nobody has any objections. What are you doing down here? I'll go down to the office. I beg your pardon. Why don't you watch where you're going? Oh, I'm sorry. I was reading a letter, I didn't see it. Why don't you read your letters at home? Yeah, why don't I? I could tell you why, brother. She called me her own dear Rockmorton and she sealed it with a kiss. Gildy! This as far as the barbershop, if you will, judge. No trouble at all, Gildy. Climb in. Well, it's really a pleasure, judge. Pleasure's all mine. I stopped by your house just now but Marjorie said you'd just left. Well, it was such a fine day I just thought I'd walk down to the office today. Well, if you really want to walk, I can let you out. No, no, no, no. I've had enough. You can overdo a thing like this. Well, how have you been, judge? Just fine, Gildy. Just fine. How have you been? Oh, fine. That's fine. Fine day, isn't it? Yes, fine. You're looking well. Never better. You look pretty chipper yourself. I can't complain. And you? There must be a way out of this. Well, I got to get downtown and see a man who just came in from Washington. Oh, you mean that fellow from Donald Nelson's office, Brody? Yep. He sent for me to talk over some of the problems on the plant. It's going to be a great thing for summer for you, Gildy. Yes, it is. You'll probably be wanting to see me sometime today. Well, here you are, Gildy. Well, thanks very much, judge. Oh, by the way, Gildy. Yes, Horace? Heard from Lila Ransom since she left. Why do you want to know? Well, I just wondering. Well, don't. You're wasting your time. Yeah? What makes you think so? Because I had a letter from her this morning. Congratulations. So did I. You did? Yep. Gildy, maybe you could tell me something. What? What does SWAK mean? Home! Gilderslee will be with us again in a few seconds. We all make good resolutions on New Year's Day, so here's one for you good homemakers listening in. Resolve in 1943 to serve your families more of the highly nutritious foods, and at the same time, to keep your food budget in line. Now, one of the foods that can be a big help in keeping that resolution is delicious nourishing parquet margarine, the economical spread for bread made by Kraft. Yes, grand-tasting parquet margarine is a thrifty source of mighty important food elements. It's one of the best energy foods you can serve your family. What's more, every pound contains 9,000 units of important vitamin A the year round. So, you see, by using parquet margarine in your household, you can economize and feed your family better, too. Resolve today to get acquainted with delicious parquet margarine before the New Year sets in. Tomorrow, when you shop, ask for a pound or two of parquet, P-A-R-K-A-Y. Parquet, the margarine that's made by Kraft. Now, let's return to the great Gilderslee, whom we'll find a few minutes later, reclining in a chair at the barber shop while Floyd does a little trimming of his mustache.  You're telling me. She lure you and trick you and make you wish you'd never been born. Brother, you're talking to a guy that married one. And I'm here to tell you last week we went over to her family's house for Sunday dinner. Well, sir, from the time we started to the time we got back, all I hear from her is... Floyd, I'm in no mood for any domestic sagas just now. Do you mind? Not at all. Not at all. Stay, it's too bad you didn't get here a few minutes earlier. Why? I bet you'd give a lot to know who I just finished shaving right in this very chair where you are. Who? Well, some fellow I don't know, his name Brody Brady, something like a government man. Keep it under your hat, but I hear he's right-hand man to Donald Nelson. Why keep it under your hat? It's all over the newspapers. It's in the indicator. Yeah, I haven't read it. Tell me, what kind of a fellow is he?  You can tell that the minute you shave him. He wasn't born yesterday. He's an ordinance expert, whatever that is. He knows all about guns and explosives. Yeah, well, anyway, he told me some things that if I was at liberty to reveal them, you wouldn't believe them. One thing, do you know what he came out here for? Why, certainly. To get the rat-crap company switched over to war production. Who told you? The indicator. Read it. It's all in there. Well, you can't believe everything you read in the newspapers. You can't believe everything you hear in barbershops either. I'll tell you one thing I heard. I have an un-good authority from this fellow Brody that the government may spend as much as a quarter of a million dollars on this plant. Who told you that? Well, I heard him tell Sparks the power commissioner. Yep, a quarter of a million dollars. Just think of it, a quarter of a million. That's more than I make here in a year.  I've got to get to the office. If Brody's getting it together with the power commissioner, he's probably been going crazy trying to get in touch with me. Good morning, Miss Fitch. Good morning, Mr. Commissioner. Happy New Year to the main spring of the waterworks. Thank you, sir. Miss Fitch, have there been any important calls from me this morning? There was one, Mr. Commissioner, yes. I knew it. The printer called about your annual report. Should the binding be in blue or buff? What color is buff? Well, a buff is between a beige and a puce. Puce? That's three colors I never heard of. Tell him to make it blue. Yes, sir. Did I have any other calls? Not this morning, Mr. Commissioner. Were you expecting someone else to call? Miss Fitch, I'll leave it to you. Mr. Brody's in town from the WPB in Washington. You know, Donald Nelson's department. Oh, that Mr. Nelson. Well, I'm glad to see you admire him, too. But this fellow Brody's here to convert the trap factory into a munitions plant. He's sent for the mayor. He's sent for Hooker. He's sent for Sparks, the power commissioner. Does he think he can run the place without water? Well, of course, the Rattap factory has always been one of our biggest subscribers. I know, but there isn't much water in a Rattrap. They may need twice as much water as they've been getting. They may... You all right, Mr. Commissioner? Yes. What's happened is that Brody's fallen into the hands of a few chisellers like Sparks and Hooker. They're trying to prevent him from seeing me. Why should they do that? Stupidity, that's all. I'm going to call up Brody and set him right. I think you should. Hand me the phone, please, Miss Fitch. What's the number of the Summerfield House? A 3894. Thank you very much. If there's trouble, would he follow us from Washington? I don't understand local conditions. I'm out here and get in with the wrong crowd. Summerfield House. Mr. Leonard P. Brody. Just a moment, please. Hello. This is Throckmorton P. Gildersleeve, and I'm the water commissioner of this town. Yes, sir.  And if I... Wait a minute. I'm not Mr. Brody. I'm his assistant. Oh. Mr. Brody has gone out to look at the plant. Oh. Well, I'll call him back later. Brody's gone out to inspect the plant. At least that's what his assistant says.  We'd go over the problem right on the ground. That might be very helpful. Yes. Water Department. Ms. Pitch speaking. Mr. Gildersleeve there. I'll see. Who is it, please? Tell him this is Brody and he'd better come quick. Something terrible has happened. Just a minute. Mr. Commissioner, you're cooked. She says something has happened. Oh. Hello. What is it, Brody? What is it? Oh, Mr. Gildersleeve, you'd better come down here right away and don't let no grass grow. I can't, Brody. Can't you tell me what's the matter? No, sir, I can't. I can't do that. I've got an appointment with an important man about a new explosives factory. Well, you'd better come What? Oh, my goodness. Keep calm, Brody. Don't let it go off like it there. What is this, Brody, tells me? He wasn't honest. Didn't mean to do what? Piggy did it. Now, wait a minute. Wait a minute. Get a hold of yourself, young man. What is it that you did? I made a bottle of nitroglycerin. Nonsense. You can't make nitroglycerin with a 4B chemistry set. Can you? That's what Piggy said. He said it would blow us all up. Where's Piggy? He beat it. He beat it the minute I did it. He was scared. Well, where is the stuff? That's it right there on the table. That? Why, that looks like nothing but water. Don't do this! No! Don't do that, Brody! Don't touch it, Mr. Gale Steve. It's bad luck that touched nitroglycerin. Bad luck, nitroglycerin. Come, come. Let's keep our wits now, folks. What did you make this out of, young man? I don't know, onk. There were two things and I just poured one into the other like he told me. Piggy did. He made me do it. Well, let's be sensible about this. Lee Roy, you get the dictionary. Let me see who would know about such things. Hey, Brody, you go and phone Mr. Peavey down at the drugstore. Ask him if you'd be kind enough to drop over here. Shall I tell him this? Tell him nothing. Just ask him if he'd mind dropping over. That's all. Yes, sir. I'll do that. Here's the dictionary, uncle. Quit shaking, Lee Roy. Quit shaking. Now, let's see. Probably just a lot of nonsense. Here we are. Nitroglycerin. A colorless, heavy, oily liquid. Well, it's that all right. The highly explosive quality. The pain by mixing nitric and sulfuric acids. That's what it was. Nitric and sulfuric. Those were the things. Wait a minute. It explodes by percussion. What does that mean? The least little jar will set it off. Oh, let's get out of here. It's not a bad idea. Mr. Peavey's coming out over, Mr. Gilles Peavey. Peavey, what we need is a bomb squad.  Just as fast as you can go. A cop? Okay, I'll... Thank goodness you've come, Peavey. What can I do for you, Mr. Gilles Peavey? Is there sickness in the house? Not yet.  You know all about chemistry. Well, no, I wouldn't say that. We've got a little chemical problem here. I gave my nephew a chemistry set for Christmas, and I'm afraid the boy's gotten a little over his death. In fact, he appears to have made a quantity of nitroglycerin. Well, Mr. Gilles, these boys will be boys. Yeah. There's the stuff in that little bottle there. You think there's enough of it to do much damage? Well, if it's nitroglycerin, yes. I'd say that it could easily blow out all the walls of the house and probably kill all of us at the same time. Break all the windows, too. Yep. That is, if it's nitroglycerin. Yes. Well, I ain't staying around to find out. I'm getting out of this house. Don't slam the door, birdie. Not me. Oh, go away. Go away, Esop. Give the cat a boot if he bothers you, Peavey. That's all right, Mr. Gilles. I like cats. I find that cats generally like me, too. Well, so does Mr. Peavey. No time to be standing around admiring cats, Peavey. What are we going to do about that darn bottle? How are we going to get rid of it? It does present a problem. Yeah. Esop. Esop, get down off of there. Esop, get away from that bottle. He seems to like nitroglycerin. Esop! It's nice, Esop. He's rubbing up against it. If he knocks that thing over a good night, it... A saucer of milk might be effective. Yes. Birdie! Birdie, bring us a saucer of milk. Quickly. I can't hear you, Mr. Gilles. Besides, we ain't got no milk. Righto, sardines might be good. Oh, look what he's doing now. He's licking the bottle where it ran down the outside. Here, Esop. Nice, Esop. Look at that. He's crazy about that stuff. Come on, boy, come on. That's it. Come, come, come, come. There, you see, PV, he likes me. Come on, Esop, old fellow. That's a nice, Esop. No, I don't know that I'd pat that cat if I were you. Why not? He's bloated. Go away, Esop. Go away! Go away, scat! Get him off of me, somebody! Here's the chief of police, honk. Oh, Chief Gates, am I glad to see you. Hello, Mr. Gillisly.  Nitroglycerin. There it is, right on the table there. How do you know it's nitroglycerin? Yeah, how do you know it isn't? Well, that's a point. Let's have a look at it. Don't touch it! Don't shout!  I thought you said it wasn't nitroglycerin. You've got me nervous now. All right. Now, how do we decide whether it is or whether it isn't? I don't rightly know. This kind of a job calls for a bomb squad. We've got no bomb squad. Hey, wait a minute. What? He's from the town from Washington who's supposed to be an ordinance expert. Oh, you mean Brody? That's the fella. Come on, we'll take this stuff down to his hotel or show it to him. I've been trying to see Brody all day. He'll see me. Come on. All right. I'll carry the cat. You carry the bottle, Chief. You've got rubber heels. Yes, what is it, officer? Oh, who are all these people? I'm a Throckmorton P. Gillisly, Mr. Brody. I'm the water commissioner of Summerfield. I've been trying to get in touch with you all day. I just wanted to assure you of my cooperation.  We've got a problem for you, Mr. Brody. Mr. Gillisly's nephew here thinks he made some nitroglycerin. Is that so? Yeah, but I didn't mean to do it. Well, let's have a look at it before you start worrying about it. Here it is in the bottle. Well, there isn't enough here to do any real harm, even if it were nitroglycerin. Well, we'll have a look at it. Nitroglycerin. Yes. You mean it isn't, huh? Well, if it were nitroglycerin, I wouldn't dare do this with it. Here, catch. Hey! Oh, well, it was a two-pants suit anyway.  And tomorrow will be another. I've got to go to Whistle Vista to see about some business interests I've got there. A little tax matter. Oh, well, a trip will do me good. Help to take my mind off Lila and give me a chance to use that new military brush set I got for Christmas. I'll arrive in Whistle Vista on Tuesday and I'll be there over New Year's. That means I'll be spending New Year's Eve with my little chums, Fiver McGee and Molly. I can't think of a better way to spend it. Should all the quaintance be forgot and never brought to mind? Should all the quaintance be forgot and days in Whistle Vista? Good night, Dary. Good night, everybody, and happy New Year. Close and conducted by Billy Mills. Your favorite motion picture theater will soon be showing the Great Gilder Sleeves starring Harold Perry. We hope you'll see it. This is Ken Crawfordner speaking for the makers of Kraft Cheese and inviting you to tune in again next week for the further adventures of the Great Gilder Sleeves. Ladies, be good. To yourselves, I mean. Don't worry about what to have to dinner after a busy afternoon. Just open a package of that wonderful food product called Kraft Dinner, and in a very few minutes, you'll have delicious macaroni and cheese all ready to serve. Yes, in just seven minutes' cooking time, you can make that favorite American dish, macaroni and cheese, if you make it with Kraft Dinner. Because the macaroni in a package of Kraft Dinner is a very special kind, it cooks up fluffy and tender in just seven minutes. And also in the package of Kraft Dinner is some Kraft Grated. You sprinkle this Kraft Grated on the macaroni, stirring its mild cheese flavor through and through. That's all. Your Kraft Dinner is ready. Now, ladies, because of the great demand for economical, nutritious Kraft Dinner, your dealer may be out of it if you wait until Saturday to order. Help him keek stocked by ordering early in the week. You ask for Kraft Dinner. This program came to you from Holl-


I've been just been able to find the barrel really I mean I haven't been trying to do too much my rhythm Timing has been good at the plate. I've been seeing the ball well particularly from the left side and You know when that happens and I can get the barrel the ball usually good things happen And I'm able to you know slugging some balls and getting some extra base hits and you know kind of tonight What's one of those cases and moving around to a lot? What has this year been like for you just kind of doing a little bit of everything? Yeah, it's been it's been interesting it's been fun, you know to To be asked to bounce around with something I knew was gonna happen when I came here, but I didn't think I'd find myself in the outfield in August But you know, it doesn't matter to me. It's just whatever whatever it takes to help the team in it You know to win that's that's what's most important point big night for him Is it difficult for a player who isn't getting you know a lot of opportunities? I know you went through it a little bit in the beginning of the season to come in and have success like that Yeah, you know he's worked his tail off since he's gotten here and obviously he went down for a little bit But coming back up, you know, he hasn't hasn't played a whole lot and nights like tonight He went up there and had had some really good at bats and obviously, you know the two homers in a big spot That was you know, you feel really happy for him, but at the same time It's you know, however we can however we can school runs and win Especially with some of the guys out. It's it's awesome. So you feel really good for him


Thanks for checking out this movie review video So this is for the 2019 release ready or not which it's a film I've heard a lot about a lot of people included it in their top 10 films of 2019 I actually saw I think a person or two who put it in their top 10 top 10 or 20 or whatever best horror films of the 2010s which I wouldn't agree with that, but it is good maybe 2019 actually. Yes, 2019 and the top 10 most likely So let me get into it. Oh, I will say I'm not doing spoilers for this review since it just came out last year I know there are a lot of people who still have to go see it So you can watch this review The only thing there will be kind of spoilery is I will talk about anything that's been in the trailers Like I may hint at things that the trailers are already Revealed and some thematic stuff, but it's not gonna ruin the film for you at all Especially if you've already seen the trailer So this was directed by Matt Bettolini open and Tyler Gillette who have done a film called devils do They also did a short on the V8 one of the VHS Movies Anthologies and that also a short for the southbound anthology and I've seen the VHS one I haven't seen southbound and I haven't seen their show movie devils do But after seeing this I kind of want to their directing is good. I'll say that It's written by guide Busek and our Christopher Murphy They have mainly just done like TV stuff that they've written a few episodes of stand against evil Which is a show I have not yet seen but I've heard good things about kind of in the same vein as ash versus evil dead So I definitely want to check it out plus as John C. McGinley in it who I really like and they've also done some episodes of castle rock which Castle rock is good. I haven't seen season two yet, but season one was really good really dig it So Samara weaving is the main character in this That's the actress who plays the main character on this and I like her quite a bit. I love her acting I think she does an outstanding job. So pretty much if you tell me here's a new horror film Samara weavings in it. I'm gonna be like gotta see it. I'm definitely gonna do it So this this title just adds to that list of ones that I like So she's been in the babysitter which I really really liked and even more so the movie mayhem Which is on shutter. I think it's a shutter exclusive so Make sure you check out mayhem on there her acting is just she does such a good job with her acting I really really dig how she how she does it and pretty demanding roles too So the budget on this film was about six million dollars and it ended up making 57.4. So awesome. It's profitable Love it. Love to see horror movies that are Well done. There's a lot put into them good script good directing acting all that I love to see those actually make money in the theaters because then it means we can get more of that And that's one of the big things about going to the theaters. I mean Obviously, I didn't make it to the theater for this. So I wanted to I just didn't have the time But I need to make more time for doing things like that So they take an approach of showing a clip from the past in the beginning that makes you kind of wonder What's going on unless you've actually seen it in the unless you've actually seen the trailer? This is one of those things where like trailers kind of ruin things a lot of the time because They we've gotten to a point in society where the trailers just show you a lot and there are certain movies I've seen trailers for and I say I don't feel like I need to see that movie now because I got like the full story in the two minute or two and a half minute trailer and Not interested anymore. This movie was not one of them because I knew there'd be more to it but the beginning sequence kind of doesn't matter all that much if you've seen the trailer because It's supposed to give you this. Oh my gosh. What's going on? But if you've seen the trailer, you already know what that's hinting at basically But you know not to say that this is a totally straightforward film and that everything's ruined if you've seen the trailer Because it's not there are a bunch of cool surprises in it Thankfully and I was wondering like is this just gonna be straightforward or are they going to throw some twists and turns in there? And have fun with it and they definitely did that they twisted and turned and had some fun and I appreciated that It's cool to see Andy McDowell again. I haven't seen her since Groundhog day, which is an awesome film love Bill Murray and she did a really good job in this She was one of my favorite parts of the film acting lies She was awesome. So like I said just good again to see her There's a Victorian house that's used a lot in this very well Victorian era house And it looks cool. It's a really good setting for a horror film This is one of the things I'm really into is when I come across a horror film that has an interesting setting And this Victorian house is a very interesting setting. It's set kind of present day, but it feels Much older because of not only the setting that they use but also a lot of the music that they use is a lot older and feel And actually in actuality older And that's one of the things to say like the soundtrack to this is pretty well done And they actually have moments in it where they use Silence To great effect not as much as I probably would want Because if you've been watching my reviews, you know, I love it when silence is used well in horror films And they have a few of those moments in this. I just wish they would have used it Maybe a little bit more, but it was good You can sense that the movie is not straightforward from the start of it. There's kind of um It's one of those things again where it's like If you've seen the trailer it kind of messes up the the dynamic going on in the beginning with a bunch of the characters So you see how it was kind of written one way to make you think that Something benign is going on, but it's not but once again if you've seen the trailer, you know that so you're going through it and being like Oh, I see where this is kind of like a double speak moment where like it's presented like this, but it kind of means this So once again the trailer kind of screws that up As most people could probably tell from the trailer It's a twist on the old story the most dangerous game And that's cool. Like I like it when films take very old stories and they update them They have some cool twists to them. That's fine with me What I don't like is when they take an old story and do nothing new with it and make it very uninteresting Now this is a film Conceptually that could have been very boring very blah very whatever But I think the script writing came really came together And that's where the the the biggest thing the biggest Plus is for this because if there wasn't good script writing you could do everything you wanted with the acting the directing whatever It was not going to matter because it's an old story. So people just would have been bored with it This could have been a real I rolling film it really could have but they did a really good job with the script Like I said and one of the biggest things is which I was going to talk about next on here There's really good dark comedy moments in it and in my opinion that is what makes the film work If that dark comedy was not in here It wouldn't be nearly as good because there's also a lot of things that are kind of ridiculous or over the top that You then it just accept because it's funny and When they do the comedic moments, also if you've been watching a bunch of my reviews You know, I always say that you know comedy is hard to get right Mixture wise in in the horror genre and I feel like here They did a really good job kind of bringing that all together and putting it inappropriately and actually making the comedic moments Legitimately funny. That's another thing. There are plenty of times in films not just horror Where it'll be like, oh, this is supposed to be funny. This is supposed to be funny And it's just not funny But in this film every moment they were trying to be funny They were legitimately funny and that's awesome and it adds A level of fun to the film which you needed for this concept You need that level of comedy. You need that level of fun to it in order for it to actually work And like I said, that's the strength of the film. That's why it works because of that levity that's brought on by the comedic moments And there are some really like I kind of laugh like I watch this by myself And I laughed out loud at a little bit of it, which is a huge thing for me I don't laugh out loud by myself unless it's really funny and there's some really funny stuff Um, my favorite funny moment people who have already seen it will know what I'm talking about There's a scene in a car that is with with the main character Samara. Uh, Samara weaving's main character Uh, very funny. That was my my favorite comedic moment of the film There's also a really good one where it's kind of a reoccurring thing with one of the characters who Is kind of a klutz if you know what I mean in regards to what's going on in the film and That was really funny as well. So I yeah quite liked it So as you can tell from the trailer, it's just one big chase scene really this film I mean if you've seen the trailer, you know that it's it's gonna be one big chase scene. It is one big chase scene It's like the most dangerous game But it's about what they do during the chase to keep people's interest and like I said the comedy is a huge Component of that that keeps you interested But also, um, how they keep the tension up and part of that is the music versus not using music And part of it is, you know, just throwing moments at you that are not Super predictable and they do a good job with that So, uh, or talked about that one the death scenes are are not particularly good in this film to be honest That they're not really inventive or cool or interesting Except when there's a comedic element Uh rolled into it. So that's another thing that comes into play with Needing the comedy for this film to work a bunch of the death scenes if you didn't have the comedic moments there People would just be like, oh, okay. Like there's a very uninventive straightforward. Whatever death scene But they roll a comedic element into it and then it's fun and then it's interesting and then you laugh at it And then it works it it becomes so much more When you have the comedy to the death scene versus just playing it straight in this and you would just be like Seeing it before boring. Whatever. Let's move on So I love that aspect of it One of the characters ends up not really making sense in this though By the end, uh, and it has to do with the fact that they have some value and motivation changes That seem kind of abrupt and to not really make sense with the context of the rest of the film It does become more of a minor thing because I guess in the grand scheme It doesn't matter that much, but it was just kind of a weird thing to me I didn't really think they needed to take it that direction with that particular character. They could have Made the character continue to make sense because the character makes sense throughout all the changes In the film until the very end and then it doesn't make sense for who that character is What their values are and what their motivations have been it's I understand There's there's a moment that's kind of supposed to be a catalyst for that individual Um having to do with that change that I feel like doesn't make sense, but it's still It's a stretch. It's a real big stretch in my opinion So I just didn't like that little portion. Uh, and then I put for the end of it There's a fantastically funny and gory ending to this film that I did not see coming I mean I saw the potential of a version of it coming But I didn't know that they would make it as gory and as funny as they did And that's what I loved like I I loved the ending for that reason.  The directing is quite good in this film Like I said the music is good the script writing is quite good taking something that could have been so boring but really dressing it up Um And then there were some thematic things because people might some people might see this film and be like Oh, it's relatively straightforward. It's just supposed to be fun. There are some themes at play here though There's a commentary on the disgusting personality of the rich That drives them to do whatever they think they have to in order to maintain their wealth and their stature Or status and um, I think they really drive that home and you know, you may not be looking for it But a kind of it's very there. It's not like in the forefront. It's not subtext. It's it's very In your face and they have some conversations amongst characters that hint at these themes or Drive pretty hard at the themes to be to be honest. There's a conversation that highlights how the rich hold Hold to the rules until they decide it's not actually convenient for them And then they have this thought of oh, well, you know, I'm rich. I have status in society I could really break these rules if I wanted to just because this isn't convenient for me anymore So thinking about breaking these rules and there probably won't actually be any consequences for that because I'm rich I can get whatever I want and that's a legitimate issue within our society. Obviously That people who are rich can do a lot more and get away with a lot more than they can It shouldn't be that way. But disgustingly it is that way And that's one of the points that this film kind of drives that So I I enjoyed that And then there's also a theme of having free will to go your own way to kind of break away from what Your intended path in life is just because your family is a certain way doesn't mean you have to be the same way And that happens, you know, that's not just rolled into being rich versus being not being rich It has to do with the environment you're brought into the expectations of your family traditions all that type of stuff When you grow up you become a can become a free thinker and hopefully you do And that means you don't have to go along with whatever your family is doing Especially if you end up not agreeing with what they're doing So Those are all the themes that play in this film. I as you can tell I enjoyed the film I I had a good time with that. I really did like it. So I was Let me get to my rating. So out of five stars with half stars in play. I was going to give it a three Until the ending happened the way it did and then I was like, you know what that's enough to bump it to a three and a half So I'm gonna give it a three and a half stars. That is a good quite good rating for these reviews that I do So if you haven't seen ready or not make sure you check it out Do me a quick favor though. Hit that subscribe if you can if you like any of the videos I do Including this one that's your way to pay me back because it keeps me motivated Put some comments down there if you've seen the film or if you just want to talk horror Because I love to do that That's why I do the channel and you can give me a thumbs up Especially if you're already subscribed just give me a thumbs up to let me know you're still there and watching That can help me out and then thank you for checking this out. So until next time keep it brutal


So now we're ready to define the notion of a function from a set theoretic prior to saying that though I should remind the viewer here the definition of a relation from the set theoretic point of view. In the previous video we had remind we reminded the viewer about the notion of a Cartesian product right the Cartesian product of A and B will be the set of all ordered pairs from things coming from A and things coming from B. A relation is is simply just a subset of this ordered pair. And so we would say that R is a relation on A and B as the subset of the ordered pair. And so the the the relation R we want to think of is that's a set of ordered pairs. It might not be the proper subset. So we don't necessarily expect all ordered pairs to be in there, although that is an acceptable possibility. So the relation is just a set of ordered pairs. And we say that an element A which is in capital A and little B which is in capital B. We say that A is related to B. If that ordered pair A comma B is inside of the relationship. And typically this will be denoted by A or B. We put the relation as a symbol between the two two elements which are related. Say A or B. Now of course if A comma B is an ordered pair that's not in the relationship we would say this happens if and only if A R B's A R slash B. So A A not R B. We can say something like that as well. Alright so that's a relationship. That's a very broad definition. There's lots of different types of relationships one could study. Right now our focus is to be on the special function relationship. But in future videos we'll talk about equivalence relationships. We'll talk about partial orders which are different ships on between two sets. And of course we could also take that the set A and B are actually the same set. And so you could have relationships of a set on itself. But for the moment being let's focus on the function relationship. So take two sets A and B and again the order does matter right. A is the first one B is the second one. So we say that a relation which we're going to call it F here F for function. We say that a relation F on A and B is a function or sometimes it's called a mapping. And the direction does matter. It's a function from A to B. So there is this idea of flow right here. A flows to B here. And so we will denote that indicating that flow. F is a function from A to B or sometimes you'll see people draw the little F above the arrow. That's okay too if you want to do that. So what's a function? It's a relationship from A to B such that for each element A inside of the first set capital A there exists exactly one ordered pair of A, B inside of F right there. So for every element in the set A there's exactly one ordered pair that has A as the first parameter right there. And which case we would then say that A is related to B and the way we typically denote that's in the following way. So if A comma B is inside of the relationship F then we would say that F of A equals B. And so the symbol F of A we can use interchangeably with B here. And since there's exactly one ordered pair that has A in the first slot there's never going to be a time where I say F of A equals B1 and F of A equals B2. The notion of a function requires this uniqueness for the elements in the first in the first slot. Now this element B which is connected to A we refer to this as the image of A and like we saw it's denoted as F of A. And we also might write this in the following manner we might say if and only if F maps A to B. So we draw this little arrow but there's always this vertical line attached to the left side of the arrow showing the flow right there. You can you can drop the F if by context it's clear which function we're talking about. If there's multiple functions then you probably need to write F right there so we can see it. A little bit of vocabulary that the set that we are leaving that is the set that the first set A we refer to this as the domain of the function and then the second set B that you're flowing into that is commonly referred to as the co-domain of the function. And so if we re-express the idea of a function what we mean is a function is a function if the domain has a unique image. Every element of the domain has something to show you to it. That means everyone in the domain is connected to some element of B. At least one element but also at most one element. Now one has to be careful here. When it comes to the definition of a function we are specifying a uniqueness of relationship on things in the domain. In terms of the co-domain we have no connection there whatsoever. At least not for the definition of function. It could be that multiple elements in the domain relate to the same element in the co-domain. There could be like some A1, A2, A2 there that both map to the same element B. We don't forbid that when we define a function. We just need that f of A1 is defined that could be B. We need f of A2 to be defined that could also be B. So there's no uniqueness of image in the definition of a function. Also there could be things in the co-domain right? You have things in the co-domain over here. This is our co-domain B. You have some domain over here A. It could be that this thing is mapping to this one. This one maps to this one. This one maps to this one right? And there could be someone in the co-domain that is not related to anyone in the domain. The function definition doesn't require that. The stipulation is uniqueness on relation for the domain. There's nothing about uniqueness of relation on the co-domain. We'll actually come back to that issue a little bit later in the next video. And because of this it often makes sense to define the image of the function. Now we're overloading this word a little bit. We've talked about the image of an element in the domain. But the image of the function, this is sometimes called the range. This will be the set of all images of the elements right? So as A ranges over the elements of the domain, you take the set of all images. That set is also called the image of A. Sorry the image of f often is denoted f of the whole set, the whole domain A right there. In like calculus settings, pre-calculus settings this is often called the range. But as people often use the word range to describe the image of the function and the co-domain of the function, in higher mathematics we often step away from the word range because again it can be a little bit confusing for more mathematical settings. So we'll typically call this the image of the set, the image of the function I should say. And so the co-domain and the image are not typically the same set although it is possible that is the case. But that's not always the case. If we ever have if we have any subset of the domain, for example let's say that y is some subset of the domain, we can then talk about the image of y f of y. This of course will naturally be a subset of the of the image of the whole function in which case we would define this set right here to be the set of all values f of y where y is the side of y right. So the image of the function is if you take the image of the entire domain but any subset of the domain we could also talk about the image of that set. And this process is also reversible. If we take these a subset of the co-domain call it x we can talk about the reverse image or the pre-image that's the word we're going to use here. With the pre-image this is also something that we don't often talk about in like calculus notions of function which is honestly a poor notion of functions we'll get into that a little bit more in this lecture. The pre-image which will write f inverse of x this would be the set of all elements a in the domain such that f of a is inside the x right there. So we think of x as a set of images it's part of the co-domain right. We want to think of x as a set of images and so the pre-image is going to be the set of all elements which map into x via this map x the map f excuse me. Now one has to be a little bit careful right because although x is a subset of b there could be things in the co-domain through which nothing maps to it. And so who's going to map to that little x there? Well maybe it's no one it could be that the pre-image of a non-empty set could be empty depending on the function. And also there could be multiple elements which map to these elements multiple elements in a that map to things inside of x. And so if you take the pre-image of a single element inside of the co-domain that could be empty if nothing maps on to it or it could be multiple elements if there's a lot going on there. We'll see some examples and play around with these things in the not too distant future here. One thing I do also want to make if you see the set a to the b so we take our sorry b to the a excuse me over that backwards order matters here. So we have a set b and superscript itself as a set. This is going to be the set of all functions of the form a to the b. A flows to b right here and so this might seem a little bit backwards. The a comes second as the superscript and the reason for that's the following. If a is a finite set which contains a mini elements and b is a finite set that contains b little elements then the set b to the a which is the set of functions from a to b it'll contain b to the a mini elements and as usual this denotes the cardinality of the sets here and basically the idea is the follow if you have a finite set right here and a finite set right here here's a here's b we have some objects in the domain do do do right we have to make a choice like okay a this one has to go here this one has to go here this one has to go here something so for each element in the domain we have to make a choice about how many where should those things go right so for the first element you have b options for the second element you have b options for the third element you have b options etc etc etc and so you're how many if you put all those together because these are independent choices for your general function you're going to have b times b times b times b times b how many b's are there well there's a mini b's and that's b to the a right there so let's look at some examples of functions now i'm going to start off with some examples we might have seen from calculus because that's probably one of our first exposures or at least in pre-calculations so in calculus we often define functions using formulas and this is sort of a poor way of doing it so we might say something like f of x equals x cubed and g of x equals e to the x the reason why i say this is a poor way of defining functions this doesn't specify the domain or codomain of the function which is an important concept but ignoring that issue for the moment when you define a function by a formula what you mean is if you take any number in the in the domain like say for the first one if you want to take say three f of three is just defined to be evaluate the formula where all the x's are replaced with your input right here this three so we get three cubed which equals 27 so f of three is 27 for example f of two would equal eight two cubed if you wanted to work with the function g g of zero would be e to the zero which is equal to one so it gives us the formula gives us how we evaluate the function but it turns out that specifying the domain does actually make sort of an important thing and now in calculus they usually follow the domain convention which says that you define the domain to be the set of real numbers for which the formula is well defined unless stated otherwise so for the function f you would probably say something like i'm taking all real numbers and then what's the output what's the codomain well in calculus you typically set the codomain to equal the range but then you have to figure out what the range is for x cubed you can get away with all real numbers for g though right you can take in all real numbers as your input but the output well for exponential the output would only be positive reels so you could end up with zero to infinity right but you could also let's call this g one you could also take g two to be the function where you take input as reels and you output a real the fact that our function the exponential function doesn't hit every real number doesn't actually forbid the codomain from being all real numbers and i should mention that these two functions g one and g two are considered different functions because their codomains are different it doesn't matter if they're derived by the same formula because the function is a rule between two sets the domain and the codomain if you switch the domain or the codomain the two functions are automatically different functions and if the two functions have the same domain and codomain they'll be equal if the rule is the same if the set of ordered pairs is all the same and so i mean again in the context of calculus the domain and codomain are usually not stated but we kind of choose do we kind of choose the domain to be maximal in the in the codomain to be minimal this can get into some problems right let's say we take the function f one you know we might say something like f of x equals one over x well in this situation again that typically would probably take the domain to be all numbers except for zero that's kind of the biggest allotment you can use there and then you take as the output well it would have to be kind of the biggest you could choose would be something like this zero is not an output there but this should be specified with the function calculus keeps us somewhat ambiguous um if we did something like a square root square root of x uh in that situation calculus if you want sort of like the maximal domain you would take zero to infinity and this is mostly so that the output is also real that's part of that domain convention in in real value calculus you want all input and output to be real numbers so for the square root even though the square root of negative one is defined it's out the output wouldn't be a real number so we end up with something like this so using tricks and other observations we can come up with an appropriate domain our codomain but be aware switching the codomain and domain does actually change the function and so this will be much more important as we talk about functions being surjective or injective we'll get to that in a moment talk just about when it comes to functions is the idea about being well defined because after all a function is a relation it's a subset of the ordered pair of the of the cartesian product now our relation is a function because a function a relation sorry a relation is a function is a relation and a relation is a set because the relation by definition is a subset of a cartesian product so as such we have to make sure the definition of the function which is a set is well defined and so you have issues like the following if one tried to define a function from the rational numbers to the integers one might define the following situation f of p over q equals p that is will just record the numerator but what happens when you take two different representations of the same rational number one half and two fourths are considered the same rational number but if you take f of one half it should give you a one f of two fourths should be two so those things are truly equal to each other we should expect that the mapping would be the same irrelevant so this is the concern about this function is not well defined and this this happens a lot in particular with equivalence relationships right if our set is a set of equivalence classes we want to make sure that our definition doesn't depend on the representative but it depends on the class itself and this equivalence relationships in a future lecture but as we've likely seen this before I don't think it's too obnoxious to bring it up right now one should be very cautious when we define a function we have to make sure that it is well defined


The first human space walker could be answering your questions tomorrow. This is your space pod for March 18, 2015. Russian cosmonaut Alexei Leonov was the first human to set foot outside of his spacecraft on March 18, 1965. Since then, 732 spacewalks have been completed. Spacewalking is a pretty dangerous activity. Spacewalkers have to wear special pressurized suits to protect them from the harsh environment of space. On Alexei Leonov's very first spacewalk, his space suit malfunctioned and inflated like a balloon. He was unable to fit back inside the door to his spacecraft. Luckily, he was able to deflate part of the suit and get back inside. We've come a long way since then. But in 2013, astronaut Luca Parmitiano had to abort his spacewalk when his helmet started filling with water, causing him to go blind, deaf and hardly able to breathe. Spacewalking can give us many beautiful moments as well as scary ones. Spacewalkers have described the experience as phenomenal and that stars appear more brighter and more colorful and that they are able to fully appreciate both the beauty and the isolation of our planet. Alexei Leonov will be recounting his first spacewalking experience live on YouTube tomorrow, March 19th, 11am, Coordinated Universal Time. You can even submit your questions to Alexei using the hashtag on Twitter, Ask a Cosmonaut. Thank you to the Russian Space Agency Roscosmos for organizing this event that celebrates one of the greatest milestones of humankind. Thank you for watching this space pod. My name is Lisa Studinovsky and I'd love to hear your thoughts on the history of spacewalking and of the future spacewalking of tomorrow. This is a crowdfunded show and I'd like to thank everyone who helped contribute to make this episode possible. Every penny counts and if you would like to know more information about how you can help us bring you cool space topics head on over to patreon.com. Stay tuned. More space sports coming soon.