Item Number – SCP-483 Object Class – Safe Special Containment Procedures – SCP-483 needs no special containment, other than to prevent use outside of authorized testing. SCP-483-1 is not to be administered to subjects for whom there exist living humans outside the Foundation, who are significantly acquainted with the subject and aware of the subject's age. Under no circumstances is SCP-483-1 to be administered to those known by overseers. If SCP-483-1 is to be administered to a subject in a quantity in excess of their original age, all documents detailing and suggesting the test should exclude any and all information about the subject in question, especially the proposed original age to be tested. Information recorded from and for these tests should not be taken from the subject directly, but rather from a clone of the subject created using SCP-222, using a double blind procedure, until all tablets designated for the test have been successfully administered. In cases where the subject is an SCP-222 clone created for this test, the recommended procedure, the original may be used for initial records. Description – SCP-483 is a standard orange prescription bottle, filled with up to 50 spherical grey tablets, SCP-483-1. The label indicates that it was issued to a Sherman, David A., and in place of a prescription name, the label reads, anti-aging. The remainder of the label has been torn off. Analysis of the tablets shows that they are chemically identical to placebos. When SCP-483-1 is ingested by an organism possessing a stomach capable of digesting medication, its effect takes place. All existing memories, documents and records regarding the organism's age are altered, decreasing the organism's recorded age by one full year. All numerical values and memories relative to the organism's age are altered correspondingly. The ingesting organism displays no biological change, apart from the aforementioned memory adjustment. Individual pills or tablets of any kind which are placed in SCP-483 become SCP-483-1. Individuals affected by SCP-483-1 will remember accurately how many years have passed since certain events in their lives, accepting the ingesting subject's date of birth. Affected individuals may be convinced that their interpretation of the subject's age is wrong and revise it. Further ingestion of SCP-483-1 by the original subject will reduce the revised age. Addendum 483-A SCP-483 was recovered from the home of... After wide discrepancies were reported between his medical records and physical condition with regard to his age, his official documents as well as his nearby relatives and friends reported that he was 8 years old, though they could recall events involving him over a decade ago. A year old newspaper story listing his name corroborated this discrepancy. His physical stature and development showed that he was at least 20 years of age, and his growth rate was that of a normal human. Upon confiscation and discovery of the effect of SCP-483-1, subject was terminated, and his records corrected. Addendum 483-B If SCP-483-1 is ingested in a quantity greater than an organism's original age, the organism loses all memory, aside from functional memory, skills, language, etc. All existing recorded information regarding the subject vanishes, and all those who knew the subject lose any and all memories regarding the subject. When questioned as to past events having involved the subject, affected individuals simply note there having been another person, or a stranger present. Note, I've always been paranoid about mimetic and mind-altering effects. Lucky for me, my countermeasures saved my memory from the overdose. Unfortunately, however, I've lost my clearance, seniority, staff, awards, retirement date, and the opportunity to have my aging mother ever recognize me again. Fixing at least some of these problems would be simple.  That's the last time I get a rookie to draw up experimental procedure for me. God damn it. Dr. Blast Note, Dr. Blast, please refrain from using official documentation as a medium to voice complaint, that your two weeks old is no excuse. Dr. Blast Lesson complete. If you missed the previous orientation, go watch SCP-482, mentally mutating straight jacket, right now. Or for the complete course, watch this playlist.


Hey guys it's Nate aka The Photo Count and welcome back to the channel. Out of nowhere yesterday we had our first look inside the next FIFA, even though it's not called that, with a cover reveal and a trailer for the new EAFC 24. So along with our normal FIFA 23 content and market video today, I want to take you through this EAFC 24 news and why some people are very confused about some of the images that we have seen. So if you're excited for this new game all this information drop a thumbs up on the video and of course subscribe if you're new. First of all, let's start where EA started yesterday with this tweet right here showing us the ultimate edition cover for FC 24 and this is where it all started guys. Because this is where we got confused, we started looking at some of the players on this cover and it's very different normally than what we see for a cover. Usually it's one player on the cover with an action shot like Mbappe like we've had in previous years. But this year we're going for 31 players on this cover and when you zoom in which is what you really don't want to do, that's where the issues arise, right? You take a look at some of these player faces in here, Ronaldinho, it looks a little bit off guys. When you look at these images, I'm sure a lot of you have seen this, the real question is was this intentional by EA or is this the actual graphics from inside of the game? Of course you look at Saka, who's a little hard to see at the moment we zoom in a bit more. Guys, that image on Saka does not look like him at all, right? It looks very different. Same thing with Pirlo. Pirlo looks scared out of his mind, man. So you look through the images on this team, some of the players in here, the guys and the girls, they look accurate like I would say Vinny, Holland and Sam Kerr all look like themselves but not everybody in this picture does. Jude Bellingham kind of looks like himself, Rashford kind of looks like himself but like Ronaldinho, Saka, some of these players in here, I mean Esok looks pretty much like himself as well over there on the left. So it was just confusing to see this and everybody in the uproar in the comments down below like EA, what is this? What are these images? What is this cover? Why does it look like this? Now just after EA posted this cover, they also went on to post an official trailer for EAFC. What I want to do in this video with you guys today is just kind of take a quick look through this trailer really fast, let it play through, I'll make a couple comments over it and point out maybe some things that you maybe have missed. If you watched this the first time, if you haven't seen it at all, it isn't a link to this video as well if you want to see the raw footage itself but let's take a quick look through this because there's a lot in here, a lot of hidden things that I think are very interesting to point out. 30 years of packing the stands and putting you on the pitch, but it's time to get closer. In the dressing room with Pev, this is a whole different game. This is what I want to talk about first, right? You see there in the beginning, 30 years being on the pitch, what they're doing right here in this part of the video is saying EA, we're acknowledging that the end of the FIFA era has happened, right? We are now not in the normal, the past 30 years that FIFA has been a part of this. We are no longer a part of that. It is now going to bring this game to a whole new level and a whole new experience. One that spirit can't be broken. Not the women in the other locker room as well. All right, speaking of icons, as you see here is Zidane with the official icon kit. First time we get to see the icon kit in the EAFC 24 change up, I guess you could say. One thing I noticed is, check out right here, you can see UT instead of foot. It's Ultimate Team instead of FIFA Ultimate Team. See some of the branding with that change? That's probably going to be consistent throughout the rest of this video and throughout the rest of the year on Ultimate Team. Now next thing I want to point out, see Jude Bellingham transfers, tons of transfers in this video, everywhere, players that have just moved, even like really, really recent transfers you're going to see here in a second. Like right here, in this clip right here before we get there, Phil Foden, rizzing it up right here with a women's footballer. And one mistake in this video as well, Benteke and Insignia. Insignia is what? 5'3", 5'4"? Benteke is like 6'3", so literally a foot taller than him. But in this video, he just shows us maybe like the same height or an inch or two taller. That's very interesting. Highest Generations, gives us legends to learn from, pushes us to become better. And Marta, right? Everybody's looking for Marta to be potentially one of the first, if not the first women's icons in the game. So she's making an appearance on the cover and in this trailer. It dares us to take risks and we back those. Boom! James Madison, another transfer. That transfer literally happened like a week and a half ago. That's really recent from EA. GG's for being up to date. And then we get our first bit of gameplay with a nice Venetius Junior finish shot. And boom, we're back into the tunnel with a very interesting animation of Ertling Holland walking. It doesn't look all that natural. Alexis McAllister with a transfer there, Ronaldinho. And then boom, I really love this scene. This scene is, I think, telling us a lot. Without saying it, it's kind of confirming mixed men's and women's available to be played in the same team and on the same pitch at the same time. Kind of confirming that with this view right here. Right? You see Holland, Marta, Sun, Sam Kerr all walking out to the pitch at the same time. Beautiful ending. Just kind of like the cover photo as well of the Ultimate Edition. All the players there at the end. Boom. So that is the trailer. I'll leave the link down below in the description once again. And the biggest part of all this is there's so many little Easter eggs hidden inside there. Right? There's so many things that EA kind of change and show that we have to like deep dive and read into. Now, all in all, does that tell us a lot? It really doesn't tell us that much. It just kind of shows us a few things that we kind of already confirmed that we knew through the leaks. Now one thing that's very interesting guys is EA is doing a full reveal of this on July 13th. So this Thursday, if you want to learn more about Ultimate Team, we'll be looking at it live on stream. That link is down below in the description as well. We'll be reacting to that live. We'll be talking all things EAFC. And yeah, I'm excited for that. Now overall, between the cover photo and the actual trailer itself, I mean, we're still really confused with this cover photo. Like I don't understand what's going on here because even if you look at like Holland in this cover photo compared to the graphics like in here, like he looked way better inside of the actual like footage in this trailer than he does on this cover photo. I don't understand what's going on with this, but I think the trailer is really sick. Like that might be one of the better trailers for a new FIFA game that I think I've ever seen. Just all of the cinematography in there, I don't know if that's a word or not, but the cinematics, right? It just was super duper sick. The storyline that was inside of it was really cool. All the players, Pat being in there, the icons, it was really, really cool. So big W in my opinion, and I'm excited to learn a bit more. Now let's turn it back to FIFA 23, the game that we're currently in because there's a lot going on in this game as well. We had one big SBC yesterday. I want to look at yesterday's content and look ahead into today on Tuesday as well because hopefully EA gives us something that we can craft and that we can grind because we are desperately needing an SBC to craft. Now yesterday we had one, but it was really easy to do and not as much of a craft as I think this game would really benefit from an 83 times 25 upgrade pack repeatable every other day. So that means I think we'll be able to do it twice. You'll be able to do it yesterday or if you haven't done it yet right now and then you'll be able to do it tomorrow on a Wednesday once again before it expires on Friday. So it's only an SBC that we can get done twice, but it's not that expensive. It's what was it, 84 and 85 rated squads, 85 and 86. No special requirements in there. You just get lots of fodder, right? Anytime you turn in to an SBC, less players than what you get out of it. That's always a dub. So a chance here to pack some level up players and to potentially hit something big from that one, but I mean, all the fodder that I got back from this, all the fodder that a lot of you guys are maybe getting back from it. I have not done the 90 plus icon player picks yet, but with those 83, 25s, all that fodder, man, I'll say it again. I said it yesterday's video, guys, we need badly. We need another icon player SBC. We need like a hullet. We need a Pele. We've had the Dinho. We've had a couple like we had shapeshipped through Zambranto. We had foot birthday Cantina. We need another top tier, top level icon, whether it's a prime version for the some of those icons I just mentioned. I doubt EA would give us a shapeshifter Pele or even a team of the year root hullet. I doubt they would do that. But we just need a big time SBC to craft to work for to chip away because right now on this game, the upgrade pack content is unbelievable. One of the other SBCs we had yesterday was the 81 plus player pick. And at first, when this was dropped, EA incorrectly dropped it. And you could only do it one time. It was not unlimited, repeatable. They've redropped it. It is the same exact requirements, the same exact SBC, five golds. And you get an 81 plus player pick one of three. But the issue is this SBC expires now in four days, which according to the way that it's expiring, it's going to be out for Friday for level up team two at content unless EA change that timer. And that is very interesting. Not often do we have player picks available on a promo Friday. That's actually a big W, in my opinion. So those were all our SBCs yesterday. Really not a lot going on besides that 83 times 25. But maybe you want to see this. Maybe you've thought other people opening some Ultimate Tots player picks yesterday, EA compensated the Brazilian Portuguese packs from like a month ago during ultimate team this season that had the glitched wording here inside of the store. If you remember people changing their languages and opening packs, that was one of that compensation, what it was for. Basically, I don't think they're done with it yet. They haven't not they haven't tweeted anything. So if you're still waiting compensation, they still may not be done with that. We also had a brand new 500 K pack. And I got to tell you guys, this is the biggest scam of a store pack. I have ever seen literally ever. You're paying 500,000 coins for three players. Or if you're going to spend 500 K or the 3000 FIFA points, you could spend 500 K or 300,000 FIFA points for 100 players and be able to craft all that back into an SBC. Guys, we opened a couple of these on stream yesterday as people were very brave to test it out. And the best card that we had, I think, was like team of the season. Honorable mentions Shun Min Sun. There was a lot of low level, very fodder Tots cards inside of this. We didn't see a single trophy Titans icon as a part of this pack as well, even though it's all 93 plus with 194. Guys, this is not good value at all. It is fun to gamble on it. But I mean, it just seemed like the weight was really, really bad on that. That was kind of crazy. I did open the 500 K pack yesterday. I opened the Super Elite pack, the one with 100 players in it. And I packed Golden Bapé for the first time this entire FIFA. That was that was kind of cool to pack in Bapé for in his gold version for the first time. Now, let's talk about the market a little bit, because as expected, there was a pretty crazy rise on a couple of these guys. I bought Davies at 700 in the video yesterday. He went all the way to 930. I bought Timo Werner at about 515 K. No, I bought I bought Timo in the in the video, not Afonso Davies. But I mean, Timo went up really nicely yesterday. Went up about 100,000 coins, who's about 650 K at his peak. And some of these guys, you know what? They actually haven't had big drop offs. I was wondering if into the nighttime, Monday night into Tuesday, early morning hours today on Tuesday, if they would get really, really low and they really haven't, which is interesting, because I guess people aren't feeling the need to sell these cards in a panic sell them if there's not weak and weak rewards that are being opened. Even though I'm sure just hour by hour that we keep going on, people are completing these objectives and not needing these lower tier cards anymore. Because again, we've been talking about it. Once you complete the objective, the lower tier card literally becomes irrelevant. Right. So I would still be careful when trading and trying to mess around with these cards. If you're trying to get the objectives done, I think they're still going to have some price fluctuations. They just might not be as crazy a fluctuations that we saw, of course, on the weekend when like we're not those Sanchez went from 10 million coins all the way down to, you know, 5.8 and then back to seven. And now it's just yesterday, the graphs are yes, you had a nice rise in the morning, but they're a lot more, you know, like level, right? So that's kind of where these cards are at right now. They're not moving as much. I still think it all depends on content as to where they move throughout the rest of the week in terms of big panic sell-offs. But again, the more we go throughout the week, the more and more people are getting these objectives done. And especially by the time we get to like Thursday, even as we get towards Friday with a new team, a second team of level upcoming, I would still have to imagine that these guys would end up dropping down a bit further and then potentially rising a bit out of packs after that. But until we get to Friday, I'm still being very careful with these. If you're doing the objectives, like I'm grinding, I'm sterling right now. I'm also grinding at the end of Charlotte glue and Cavani. And I'm very tempted to go after Alfonso Davies, because that card looks phenomenal for his upgraded card. Now, let's talk about today on FIFA a bit more. What kind of content could we have on a Tuesday? EA, we need a player as PC. We already talked about it in icon player, PC, or like an end of an era is a lot of time would be the perfect grind right now for this game with the upgrade packs being as good as they are. The level of crafting upgrade, we're giving you three 80 plus is back and an 81 plus player pick, which requires less golds than the level of crafting by one. And it's still a player pick, which is very nice as well. It's so nice to have both options. We need another SBC to craft something recent, something new, not like an upgrade pack, but like a player, SBC, that would be the biggest thing that would help content out today. Apart from that, maybe we get some other sort of like a year in review type of vibe today, like Tuesdays, you know, player, SBCs are very common on Tuesdays. But again, I'm just unsure how they would add a player SBC in as a part of this level up promo, since they don't seem to want to upgrade the level up your game objectives with new players. They dropped Savner near. He was kind of all by his own self here with the crafting objective. So that was a bit different. So maybe we get an SBC today for a player. Watch out for leaks, but hopefully it's something that is nice and grindable with many squads, or at least a couple of squads that would be just craftable at the stage of the game. Because man, these 80 times three packs are just so good. The crafting right now is so incredible, and it's slightly annoying, actually. I've started to pack one-fourth multiple times. I think I've packed Corona Tegatito multiple times as well. But when you're getting like a board in every single one of these, like two 83s and then 80 plus double, these packs are so nice. I mean, I'm running out of places to put my 82s and my 83s. And if there was at least maybe even a year in review player pick that would be fun to submit some of those guys into to at least have something else to put them into. That would be nice, because at this point, I'm just putting 83s right back into this crafting upgrade. Yeah, boom, right there, another duplicate 83. So that's going to be the video for today, guys. If you did enjoy it, drop a thumbs up on it. Comment down below if you have any questions. And of course, subscribe if you're new. Check those links down in the description for the EFC video. And for the Twitch stream link where we will be live to day. It's been David with Accountant. I'll see you guys on stream today. Peace out.


مرحباً بكم. my name is Sabir Ngayidi. I am the delegate of the General Union of Tunisia students in the faculty of my Nuba. So it is an organization that represents all the students and fight for their rights. At first we went to the ministry with a range of problems that the ministry didn't solve for us. So we went into an open strike and it is going on until now. Until we can reach our demands. We have a few demands. The ministry of publication number 60 and the education science section. It is a new section that they brought to us and want us to continue our education in it that is equivalent to some other sections. It is not really, can help the education system at all. It is a problem and we are fighting to reject it or not to work with it. That's all. So until now we are going on strike an open line and we are not passing our exams until they accept all our demands. They are not responding to it at any level. They are ignoring it. They are just putting on Facebook, online some declarations. They invite us for some meetings sometimes with people from the ministry and they are not discussing the real problems. They are just talking that they invited students and they discussed with them about the problems. Finally, they are not giving us any salvation of any problem. Some policies that are imposed by the International Monetary Fund which originally envisaged it in the Tunisian economy as well as the public universities. It is really imposing some problems in our universities and what is affecting on the general economy and the society issues and the university issues also. Actually, I talked about the ministerial publication number 60. It is some of the declarations of the ministry that may harm the public education because it is going to put some master's sections in the private universities and it is not going to be able to study them and it will put some money in it.


Hello, hello everybody at Wikimania. Welcome to this session about the colonizing history of data. I am Mariana, I am with Zim, Kelly and Ekta, and let me share my screen, full screen. So welcome to this conversation. This is an invitation from Who's Knowledge, Wikimoviment to Brazil and Wikimedia Deutschland for joining a conversation that started last year. I am Mariana Fosati, Who's Knowledge, the colonizing Wikimedia program coordinator. I am with Erika Aselini, community manager at Wikimoviment to Brazil. Zim Pietersmann, she's the project management of Knowledge Justice at Wikimedia Deutschland and Kelly Foster, my colleague at Who's Knowledge, the program coordinator for Who's Digital Archives. So this conversation just started, it started on October 2021 when over 40 participants from around the world started this conversation about the colonizing the internet-structured data as part of a broader conversation about the colonizing the internet. These 40 participants were mostly female identifiers in or from the global south. They were mostly indigenous black people of colors in origin. And these 40 participants had together at the pre-conference of the Wikidata.com that last year was held in Brazil by Wikimoviment to Brazil. And this pre-conference where organizer between Who's Knowledge, Wikimedia Deutschland and Wikimoviment to Brazil. But for starting or restarting this conversation with you at Wikimedia, it's important to just talk a bit about what does structured data mean, especially for newcomers because this Wikimedia is especially focused on welcome newcomers. So let me just say that without not too much technical details that structured data are pieces of information that can be easily read, understood not only by humans, but by machines, especially by machines. Humans give the dictionaries, the vocabularies, the ontologies to machines for understand us, understand the meaning of the objects, events, places, people, relationships that are part of a structured data system. And these systems are used in countless apps, tools, platforms on the Internet that are built upon such as structured data systems from Google to Wikidata. For instance, let's think on the infoboxes that you can see when you do a search on Google, for instance, the Google Knowledge Graph or the Google Knowledge Panel is made using data from different sources structured in a certain way and is ready for answer your questions when you search online. And in Wikidata and Wikimedia are important parts of these kind of knowledge panels that you can see when you search on Google, but also there are other ways of using structured data. For instance, just yesterday in Wikimedia we shared about a database in Wikibase that can be used for instance for creating a chat bot in kitchen language for kitchen speakers. So there are a lot of different ways in which structured data can be used and a way in which you can see structured data on Wikimedia projects is structured data on commons. This is something that I don't know if everybody knows about this project, maybe the newcomers don't, but this is about the media files the millions of media files we have stored in Wikimedia commons can be connected with concepts where their representations come as data on Wikidata in a multilingual way. This is possible because every item, every entity, every object that you can find on Wikidata, which is a huge database is identified by a code this new follower by a number that identifies this unique entity this unique object like a book or a light bulb or a computer or even a feminist strike any event that you can find on Wikidata but also in a multilingual way because every entity on Wikidata is available in many different languages this is a collaborative database commons is a collaborative media project and both together make easy for people, for instance to search images in different languages and to let the sunshine shine on Wikimedia commons find images in a more contextualised way because the images are related with data in different languages this is a way in which you can experiment directly structured data and also you can contribute adding descriptions, linking the images with the data using Wikimedia commons but beyond the technical this session is about the political and the policy of epistemology in this technical developments so why does structured data need knowledge justice? that's our question today for different reasons at least these four important reasons structured data is at the core of how the internet works nowadays currently as I said before you can find structured data searching online when you do questions to a voice assistant or when you look for a translation you can find structured data everywhere, especially because artificial intelligence is deeply based in these datasets that are structured in specific ways but these systems are far for neutrality because, and this is something that we bring all the time to the conversation in whose knowledge is that the knowledge that you can find online in which structured data systems are based that feed these systems are not mainly created for and by women people of colors, LGBTQIA plus folks, indigenous communities and peoples in and from the global south on the contrary we are the ones that are more impacted by how structured data is used or even abused so there is an urgent need for centering those who are often marginalized in the build in the develop, in the process in the uses and abuses of structured data online for having this deeply political conversation we at the pre-conference at the wiki data pre-conference we set the conversation based on guiding principles that are love, respect and solidarity because we wanted participants to be aware of their positionalities and privileges and to be able to be their full multiple self during the whole session so that's why we grounded the session in these principles of love respect and solidarity and also we we had a commitment for the privacy and safety and well-being of the participants and also with language justice this session we had a simultaneous interpretation between Spanish, Portuguese and English because the pre-conference was very focused in Latin America because the wiki conf was held in Latin America last year but also because at least if we can just bring a bit of language justice this is so basic because language is a proxy of knowledge, especially online so that's why we were paying attention especially to that so those principles in mind and in practice what did we do and how did we do it in that session we organized this session in three in three parts a panel called Perspectives and Provocations with the words of a special guest their provocations their deep provocations with us then a small group session with all the participants split in smaller groups called Imaginations and Implementations and finally a plenary called Listening and Learning from each group reported back to the plenary that was the organization of this of the whole session the provocations of the panelists were about some specific questions what does Structural Data mean and why it is important that we talk about it what does it mean to have multiple knowledge frames, multiple epistemic frames or epistemologies at the heart of Structural Data how can we rematch in Structural Data especially from a feminist and anti-colonial lens what is one thing you would like to see done differently in Structural Data today that will help us come to that space of emancipation and liberation and I want to invite you to keep these provocations in mind and share about this in the chat especially by the end of the session today and especially the last question but after this provocation and the small groups work key insights emerged from the conversation and let me share a bit about this this topics one of the topics was access and control of data who control the data who govern and who is excluded of data governance online we identified here the need of granted fully access to knowledge and tools especially to the majority of the world who is marginalized from data governance to being able to participate in governance to create to develop Structural Data system to use it, reuse it process data but also and this is very important we identified here a conflict between the actors that use Structural Data in commercial ways and for profits versus some human rights issues that can be in conflicts with that such a profitable use of Structural Data online another topic was agency and engagement and here people talk about the importance of that there are no excuses for people to engage with Structural Data bringing the diversity of context and epistemologies that exist and if we create knowledge resources and a full ecosystem based in this debate diversity there is no excuse to not engage but also is important here to acknowledge that some specific knowledge especially in indigenous communities communities maybe shouldn't be online if the community don't give the consensus for that and there is a right to refuse thatification especially for indigenous communities another topic was distributed data as a smarter solution in comparison in opposition to big data maybe smaller and connected data sets governed by marginalized communities at a much better solution than a big centralized database and this is related with another topic Planet centered redesign of Structural Data the environmental impacts of data infrastructure and questioning the purpose of every new develop every new data set every new engine every new artificial intelligence application keeping in mind doing an assessment of these environmental impacts especially the impacts of big data and finally the importance of the plurality of data and to create models based on different knowledges and the glorious complexities of our communities the importance to go beyond text because not all knowledges can be encoded by text images, sounds, signs, other ways and also the importance of the local specificities and the critical need of listening because the colonizing Structural Data, the colonizing the internet is a process colonization is a process which needs time and effort, intentional time and intentional efforts so listening is critical here so before talk about what is next, I want to invite my colleagues to share some thoughts after these presentations I will stop sharing and I want to invite Erika Zin and Kelly maybe Erika can you go first Yes sure thank you very much for the invitation for this conversation for me is a very special moment because it's been almost a year now since we did this event last year and I think I can start from the beginning so we were organizing Wikidata Con in partnership with Media Deutschland and we thought that this shouldn't be a conference just for people who are already in the Wikidata Universe and heavily focused on their contributions in there so we wanted to take the opportunity to bring more people to the conversation and we also didn't want this to be a technical conference as well we wanted to focus on the social side of Wikidata because Wikidata is constantly growing it's scaling up at some say and still there are a lot of people who are not in there so this implies in how structured data on Wikidata is being organized at this moment and who are not there so which knowledge are not there so this conversation we had was very important not only because of the content itself but I think of the methodology that we use for the event so the way that we selected people to attend the session and the way that they were invited to provide their thoughts as well is very important for not only the engagement but for the way that they feel that their ideas were received and welcomed and valued at the same time because this is not something very intuitive in other spaces so the way that we organize this sort of conversation may be as important as the outcomes of the conversations as well because it helps us to build stronger connections in people in communities who have been marginalized from such processes so this is my perspective on everything that we did I feel that more than the outcomes because we'll see in the long run not on the short run of course but how we make this done is very important as well and I'm really proud to be part of this and thank you so much for being here I'm really curious to see what my colleagues here think about what happens in the near future as well Thank you so much Thank you Erika, thank you so much and I will pass the word to Sine I hope you can hear me Yes Oh sorry Sine, I can't hear you now I don't know why Okay, again No, now I can't hear It's audio I'm kind of human kind for forever but yeah I joined Wikimedia Germany actually like two months ago so I wasn't present for your conference last year but I still witnessed it as a person outside of Wikimedia so I'm super happy to be here and I'm kind of honored to working on knowledge equity with you and other communities and myself I have a background also like in tech and intersectional educational approaches to it and I would totally agree that we also have like to get to the point that more people just like learn and know that tech and structured data is not neutral and not objective and it's like created and formed by people and their beliefs and perspectives and as of now like a very specific kind and group of people so we definitely have to change that and also let people know about it because most people just don't know they think like it's a physical science but tech and data is not like it's just so influenced by people and so I think this would be a first step definitely and also a lot of people still have to learn and yeah like we are building our team up in Wikimedia Germany that's like where I joined two months ago and other colleagues as well because Wikimedia Germany in the Wikimedia universe has a lot of researchers to share and that's what we're here for like we want to get engaged with marginalized communities get their perspectives and of course share our resources and support them in their work so thank you very much I only speak a little Spanish but I can say thank you very much for all of your work I hope this was right so thank you so much for your work Thank you very much Mariano and hello to the other panelists my name is Kelly Foster and I attended both the workshops that were done to produce the Decolonizing the Internet Structure Data Report and I was part of the programming team for WikidataCon last year as well so a couple of reflections really all to emphasize some of the points that Mariano brought up in the presentation and one of the key themes that I remember from the workshop was around the right to refuse datafication and the right to opacity as it's called by a Martin Eakin philosopher Edward Glisson the right not to be understood and definitely in the sessions that I was in that was a strong theme how can we how can we ensure that we respect rights not to be understood and right to refuse datafication as the report put it the other thing reflecting on the conference last October in discussing Decolonizing the Internet or Decolonizing structured data one of the things that's less able to be communicated by a report by the recordings of some of the sessions was the very palpable pain that came along with the discussions that were being had especially the discussions around data modeling and taxonomies that reflect and reinscribe colonial violence I think it's something that partly because a lot of the structured data that we are importing into the Wikimedia projects especially on commons as well as Wikidata is using data sets from colonial institutions namely museums and other types of institutions that have been established to categorize people and cultures and often that categorization comes with the colonial violence of alienation and franchisement so being as I said that is something that is perhaps that pain that comes along with confronting those realities of the data sets as we come across them is something that is perhaps more difficult to communicate through the reports and other documentation of the events and then finally always as I'm thinking through these things Marianna's presentation concluded with emphasizing the need for plurality and plurality and creativity really in how we think about the data sets that we work with on Wikidata and on commons and when I think and speak about plurality I'm thinking not only about the language that we use not only about the semantics of the machine readable data but also about the kind of ontological structures that underline and that undergird the databases as well. Currently in my opinion Wikidata is imposing the ontological structure of the western encyclopedia but there is a potential for more plurality, more multi-vocality on a database like Wikidata but perhaps there is scope to do some more experimentation in thinking about how linked data can provide or work towards having these multiple or pluralistic views of the world and of being in the world. There was a really interesting conversation as well in the Wikidata conference about the potentials of using decolonial English as an alternative language option and again because so much of that taxonomical classifications and language language violence understanding that has been inscribed and imposed by colonial violence. So these are just some potentials or perhaps unfulfilled potential that is ahead of us as we're thinking about ways in which to bring in more ethical considerations into structured data in the Wikimedia projects. Thank you Kelly. I think that maybe this connect with a question we have in the chat by Jan about which data are you talking about access and control of. If we are talking about Wikidata, we are talking in general Wikidata is a reference of course here is one of the projects that we are thinking when we talk about structured data but there are other projects too and even interconnected with Wikidata for instance through and even Wikibase is another project we can also do the same question and I just remember the chat yesterday by Elwin Waman about the use of Wikibase for Kitra and this is a small project but it's connected with another big project so we are talking about different projects that can be interconnected and when we talk about access and control we are talking about different configurations for instance Wikidata is a cloud source database controlled by the community with almost the same rules we know and we practice on the Wikimedia community and this is but even when this is a community organizer and community led anyway, structures of power and privileges that are that are previews of the creation and the management of the databases itself are influencing the process so when we talk about access and control we are talking about access to tools for using this database, knowledge on how to use it, knowledge on how to create new things based on this data and these tools so control and access are the meaning of control and access is broader and it is beyond the data infrastructure itself and it is rooted in social structures of power and privileges that influence the whole process that's more or less our understanding of this issue and I see other questions could you share your thoughts on what we as individual Wikimedia and content uploaders could do to work on this important issue thanks Michelle and this is a question for you and for everybody in this session for people that is listening so please this is our question for you and we would love to see your suggestions, your thoughts, your ideas in the chat or in the other part and another question by Jan, what can should Wikidata editors than don't do, must import but should regular editing do different better when they get back to editing after Wikimedia another super important question and we really would love to hear from you from your perspectives and this is an invitation also to create more spaces and more opportunities for continue the conversation and let me share my screen the question is next because we started the conversation in October last year and of course these questions and these problems exist before the conference and the session of October so one of the main conclusion was that we need more to create and convene more opportunities to radically reimagine and redesign the structure of data through a feminist anti-colonial and anti-racist lens and for that we need more so that's the question for you in the Wikimedia community for us, for everybody what can we do as Wikimedians and how would you like to see happen next to move from conversation to action and how would you like to contribute in different ways so please if you have talk if you have links, if you have resources if you know more conferences spaces in which we can continue the conversation and go deep in the conversation please share because this is something that it reminds open for us and for everybody in this conversation so we are looking for ways to imagine radical possibilities to stay connected around these topics to make concrete steps towards emancipatory practices in the structured data and to join more collective spaces and to connect even small or individual projects to other projects and to create a space for this conversation and a space for practice and for experimentation too so if you wish to read more to learn more you can download the report of the session whose knowledge web page is available in English, in Spanish and in Portuguese so far and you can see the faces of the diverse participants that joined that first that open conversation so let me see if there are more comments or questions and to my colleague the questions or comments please feel free Erika, Cyn, Kelly I am just looking to the chat Mariana I think Ian had a question earlier on and if there's time to at least address it and also to say I will be in and hopefully some of the other panelists will join me in the networking session for 10 minutes or so after this session so you can join me and hopefully some of the panelists will also be there to talk a bit more so Ian was asking can you say a little bit more about decolonial English and arguably this could be decolonial any language and what is the issue that for example the way that the taxonomies, the taxonomic language around nationhood and citizenship works on wiki data both the language and the data modeling as far as I can tell resists the complicated ways in which nationality citizenship, tribal citizenship can be expressed or even ethnicity can be expressed as well so some examples for that is in are we calling North America Turtle Island or are we calling it America are we calling the people of the Navajo Nation Navajo or does wiki data identify that they call themselves Dine are we labeling someone as an object or are we recognizing that they're in a enslaved status that is their social and legal status so these are just some examples and I'm sure there are many others and how do we model that in the data but also then how do the ways that the languages modeled on wiki data reflect that there are these differences between this kind of conventional but colonial way of classifying and ordering people and how people themselves identify the language that they use so hopefully that's giving you a bit more of an insight into the conversations that would be had around decolonial English but it could be decolonial any language for that matter thank you Kelly and another question maybe you addressed this Kelly can you share some specific example of the data structures we should try to change I don't know if any of you want to add more about this about more examples but I think that it is about to recognize to acknowledge that there are not only different sources of knowledge and not only it's about to think on different communities as a source of knowledge to complete the lacks of knowledge or the biases we have but this conversation is also about the ontologies and this is informational science but this is only the philosophy the philosophical systems that in which different datasets are based on and for instance it is also about the relationship between the different entities people, places, objects and so on and in different territories for different communities there are different ontologies and I think that we need to deconstruct the idea that there is one or ontology with a higher hierarchy that can dominate every ontology and on the contrary isn't how those different ontologies can talk and can interact in a transformative way not only coexist at separate things but also it's about if we can create this space for a conversation about there is no one, not only dominated ontology we can move forward to a transformation to a transformative way of doing structured data with a lot of potential also for knowledge justice and for justice itself so I think that we don't have more time so thank you everybody and I hope we can continue the conversation in many much opportunities bye bye, thank you everyone bye


Kwemba, but none touch omasubue so wa chatu nikukarebishe tena. Ya, habun tenasana omgash omgash. If you were here in the Biningi, thank you so much for staying with us. We appreciate you. This is the latest prefershow in this hair town. It's called what in the morning. It is a daily show. It means runs all the way from Monday through Friday weekend nisturingi. Yes, it's all right. Yeah, and then from seven all the way till ten in the morning. We want to start your day correct. We are so great, are we together? You can find us on Facebook, at Facebook, on Twitter, and Twitter. It's white and the money day is Thursday and we're giving you vibes on vibes. Are we together? Okay. Mi na itwa val, by the way. Mu na itwa. Mi ambihe paliko social media thanks. Na chano lisa swally, buno wan post-bay. Amapiyan na kuficha. I've had very many answers and they are very entertaining. So please continue with the creative answers. I like it. Mi nwa utu kuna wami mingine. Kwa set? We have another guest. Na Ni mi chote ama di chote, ni wahipo apacha di chote. Hai. Hai. Hawaii. I'm good. One of Wittonani. Papi yur rifa. Papi yur rifa sdruji salimeki hipo, ah uji, introduceki hipo? Eyo, wasa man, it's your boy Papi yur hipo. A-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a, I want something. Kemi. Nampe apresha. Yes. I did not see that coming here. It would really go things happen then when you watch whitewhite Wednesday Goodhtangs. Just give me vibe. How are you? Ma'am kaji? Ma'am kafiti. Niko fiti. Na shkulu mongu mwaze. What post bewa kwa? Viniwa na udleza kwa social media? Sikushuwa. Sikushuwa na nani nani nipenda. Sikushuwa na nika na bei. What do you mean ukushuwa? Sikushuwa kwa na ishi alone. Na jwa na ishi alone. Ukushuwa. Ok. So, akiwa na wewa niwa? Akiwa na mimi niwa nguantil. Akiwa ngu permanently. Na jana za kwa na mimi. Aka na mimi. But are you going to me? Ako just with me? Hei. Wei. Kanairo ita nimi za kichwa. Hei. Ok. Hashtags wide morning. Let's get to business. Tell me about your musical journey. Hei me kwa taf. Mwendaga tunashtag. Siora isi. So, that's fine. Siora isi kwa sababu. Hei me kwa taf. Na baduni taf. But na joku wa chalili. Ukui ready for your toughness. Yoko zendi na kumeku ku strong. Wei. Situ me tokapa kusema World Health Organization. Sema tuku namba 4 in Africa with depression. Mwantia yo ya kukusina kumembe apu boy chalili. Ya nima noma ya 5 kufia. Nini ya kwa yungumu. Mwendimu. Onini. Atu kumu boku wa soft. Kama chalili. Atu kumu boku wa soft. That's why it's easy to see in your own life. Seein do baby girl. Nini do. At least. Atu kumu boku wa soft.   See riba sedema kwa apu zi. Okukutsina. Wei. Ok. Two things. I've seen artists wakianza wakianza na sound flany. But maybe hakwanaji juwa nambuan. Ama wama evolve. So amenda waki change sound. So maybe akianza hakwana sound venya na sound say. But two, pen mona atu akshikana. So me watu atu atatu evi. Ma boys, ama ma dem, wakwana group but waki endenda wana anza ko pat pat. Is that any way your musical journey? Wei venya uli anza sayi, baduni venya tuko. Ama wama evolve. Lasmu evolve, min me evolve. Min me evolve kapsa. Nika and writing, shulev. Uli anza na wikam doggo. Uta ma liza na ayo. Hey, dibi mitua ma wumta kuna mistari. Wei atika ma and writing. Inu liza na ayo na so. Uta ma liza na ayo. Nukweli. So lasmu evolve. Lasmu jwe builds na pandam. Kateli kwa gatenbo. Biko 50. Lasmu to change. Lasmu jwe. Nukweli nangizi na faini. Ida bolap. Wami tripolap. Ume faini anza kufiri abeya gas. Inu jwa atu ame anza kudeti watua gas. Bebe tu me ngumu kwa ground. Nduma anili kwa mbe. Lasmu kwa mtafinda bibi a kwa sendemi kwa gas. Asmu faini bim. Adi mwa tatsen himself. Lasmu. Lasmu. Hashtag iswa in the morning. If you had a chance to colabo with anybody, anyone, it doesn't have to be in Africa. It doesn't even have to be in the states. Atu kwa mtu Brazil. Just anyone who you have heard the sound, no, no na. Om sit kishkana. It doesn't make sense. Who would you go for? Jay Z. I like your goals. Jay Z. Nepsitu bada yuko. Nge penda kwa kne. Chanasana Jay Z. DJ Khalid Eimbagi, but working with him to learn a lot. Coming to Africa, Kenya, Lasmu mtu intambulisha. The people I used to listen to. Bila kujiski asasa. Okto. Okto has been mse ini me look up to koza me toka from scratch. Like, you know. From scratch, nama nisha seti mulu kwa kwenya muna food. Like, ya kwa na food na zaz. You see. So, being like, pia mene, kwa toka ma li si kwa na iso zote, yula nuna, zaribu kongaleli, ni yamsali make it through your journey. So, that when I come up here, wa follow the first, the second, wa kone the third until, if Ike. So, nige pina kwa kuna Okto, JZ. And, na, we can gain it too. Ata damon, ata ka naimba. Ata ka naimba, muluza me make pia, nene fiti. Like, nene fiti, nene zata ka, ufa nene uki lan. So, mi na penda kwa kuna asa ko, fiti kibiasyara. Ubona kuna list, kuna demu kwa yo list. Ata ya nene me manze, nene nene nene nene. Nene kii? Aonwa dope. Sija sayama, nene nene nene nene, aonwa dope. Nene me nene, nene ata leo, nene nene nene. I don't know that after affair. Nene me nene, I'm like, I'm like, the best. Nene nene nene nene, nene nene. According to me, e manze nene the best, kwa kilamze, according to me, nene kwa kuna, nene nene, nene nene, nene nene, nene nene, nene nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, nene nene, na kumbe niya kule I need to humana kwa maini chalifteri yu ii maanishinda kwa depressed si ku endaitu kudu, kiki itu hiwa yahata niyona jamu zwadende vudegu na teka kwa chale gasi gani iakuli ya kwa nani liyaga kongoma ma yaku kukuam taf hwe okay not only you're an artist you're also an entrepreneur tell me about that I started as an artist I started as an artist I was in the school but I was born in a hasla I was born in a hasla I have been hustling I grew up in a kofanage I heard that there are tribes out there So I was saying that I thought I would be a fool We were five or six We were five or six I heard that there was a kofanage when we were on AX hani eni. So, hindi kapatana kulekono wasettofu uji gito, besi tia kwa sana wuita kono,ąm chukiwe, na kutakuna issue. We akehanda schulu, llutebaki nai, nai, situ desi tia kwa so, biological, nia upom ko kabura the Zenn Sisters. So, over time I knew I had to make it. I knew like kunna something iliko in me, eni ili ku anindu, of which bees was among the staff jitongu raima, nimi wuza gadi, nikuwa nasliki na nikuwa kata na wuza ndo ni pake tmani, kwa zoke tmeli pwafis niza, suma niza fana vichu zinu na tagaku, fana zako zinu zita kwa make but at the end of the day nita jinu naji sum kashu daku boost akili a kwa seto and then after high school like after raima and kengia kwa streeti o time niya kungangana wuza nikuwa nikuwa nisi kwa na stay in the open nikuwa nisi kwa na stay outside tidongu kia mahi uta kwa kwa you not handed a uko verified often what is a verified often? a verified often ni kama verified artist that means 100% sure like ana dad ana mum na uli kwa na either? ya I heard them but jini nili jipatadziu kwa so it's kind of long story I don't know maybe dad mum ii kwa chana stafka iizu jini nili jipatadziu kwa so awa kwa sure di nili kwa adu uko lezuma ukiwa often often that means you don't have a mum you don't have a dad 100% maybe they are gone stafka yo but maybe if you have a dad na you don't have a mum you still not an often so they can do the best they can kwa was ma often wengi so when you see often what can they do for you tapeli kwa shule ginau lezuma uko pe food yo time na shule and then yo time ingine plazma tutu kwa wana someone muka inje na jwa na you stay with of which misiku kwa na that someone so I used to go bak mufunga shule uji skikto kwa shule jiji where you going but now na namata una kanduka straighta bin ma ila lata ma li open you know an open place kili kibanda chipu noji le fika jiyo ni otwana na masufuri aizum and then na baki nakamoto kame baki you know and then kumbe yo kibanda ako nishel tamushel ya amtu noji so I used to do that for a couple of times until nikenda skumodze tu agis ni hipofili kwa inmi nili amkatu nikaba dum dog house like ebu ni hende nia mbiana kwa police station na zazmi nila lukona ala ya and nikenda bondeni police station kambiana na zazmi nika lala jevin nila two days naba dumi kwa ambia jiski na apaku na nibu na wakani atili anfairu di kwa straighta ala the adventurer's friend ya igneza sama god knows so from there ekimba kwa and then nikanda kuza sweets poli poli nikanda kuza cigarettes nikua kla nikua klazit nakuru badu and then nikara udishule laki lini kwa nambuan shule adi misiko ajiwa ajiwa what's up manjini kwa jina nambuan shule and then kenda high school one of the best ukobaringo nikasaoma and then nikakwa leader from the beginning like from from one leader leader leader nikari tizna nishule bombas and then the time sasa nili aza kpaterna nikua fom tu nikapatane a week later she passed so alipas nikua shule so I was told yo mum yo ni often me funga shule kuza kwa na job naso mewa apini na nini so na funga shule na come home na when I'm coming to meet mi mum na auto nge nani like yo mum passed shu muslim so ali nini ek then they finished so I was unable to attend so that's it tukujo me mum then nikaya paterna me dad and then ye piyo alikwa na another family then so I knew I had to be strong and stronger so nikua na Nairobi I came to Nairobi nikenda back to school selling funds nanda bondeni na bai kasimu nikiya na fika center shule na chemse flani nikiya uko shule na beni kuna simu na miya tumo bestiwa aliya so labna nini bai 15 bondeni 1500 and then so mi na wuzia 35 that's 2k so na jwa niki pailap say zi sota shule no one will know I'm from the orphanage shule a wakwa eji om from the orphanage a wakwa eji om mi na tribe gani a wakwa eji wa they knew na tukatuna Nairobi that's what I wanted them to know na tukana Nairobi to respect me so na hende kwa lida how has how you've grown up shaped your music actually ime shape my my business side of my music's business side of music ah some of the business side of music because at the end of the day when I'm bored una takaga rafiki wukunganae and because a wuku 100% na ni bestiwa ko you just listen to music you do music you just listen to so I sit down na nga lea ni ni neza fanya ni ita ni fanya I lose focus and hope so I sit na composing kumaflani na kumbuka me background seasons na kwa ambia shida people they don't care kwa kilamda kwa na shida ake I can relate so na kwa kumazene zita kwa nyesha I'm tough then later on nikiwa yaw time sa sana kwa mzae wiki na uta kwa na kamin that's when I'll be like nita isa sa zile nga mada shida ama ni andike kita abu ama nita a movie you see I just movie like he evi jania ngu yaw tundene ni ombe that's my story now like si kwa na wina wina so kii business last man fanya music na kii music last man fanya biz that's when ikona puppy collection like a clothing shop clothing store nwa na pugi atu eka kadi zango niwa niwa nia zi stuff fall zita kakuru diwa I'm from na nata kaku keep on breaking my records so far bleniko leo dikwa apa before that's a plus ni mimi tu ama are you impressed like his life is something na lafubu niwa na pigei story hana 2 ki yaa mi bambika 2 if you're just walking into the interview nona wina nga unge na kaini story but way anya ni story okay hashtag is one in the morning so kuna story ni kwa nmeskia si kitambosana kuli kwa na msani flani at the time nata tunkwa mbe umsani li kwa na hit like a li kwa na hit hit na banga after banga I think four of his songs sayi I think what one as you do have a verbatim like word for word like he was that good sasa kwa ground umtu ha kwa na kitu akula malai I met someone who told me wali kwa na beste kusai ameni pei OCD jutuli kwa close a bit so akwa ambe at the news sani sama niya mi hit like ame mwende ame tukastudio jo he I think a li pia li kwa na fane fane zohi tukastudio so ame tukastudio alafana ambe e bros to naivi unbe e KDF manze ni kula sapa is that something that we need to focus on kama wa Kenya because it's not enough to get views o watua kuchese o si jui kila klabi na kuchese kila mta ajutu saba we ni kuhundo ya but are you making money of it is this something that we need to sit down and discuss at Kenya ya actually uli zaliwa uli zaliwa kusai diyamsi flani kuna roliya kila msi en kila msa na faku keep on praying to God like Kenya je roliya mguni gani so kami mi siya ni ka ni poa kwa mba more than one mba leo wukapata wukapata try and keshu siya mbe ka leo ni me ni me kosa maji keshunda kosa maji kuka kosa maji ni me komba leo kansidia how can I make friends with you inie na kwa nisha si maji tu na kwa na kwa mba maybe peo uniza taka komba chubi from me my music labda ikuku inju na chizo na takai chizo na takai chizo api na api kuna asi awa kosa awa na iyo that's why na komba mba rapa wengia to jatoka yo side ya asi na kuna do kosa abu sisi siku ches na tupeki ake tu na taka kutizongu mozutu the hip-hop sukonga tuve ni kona ma pesa vengi kona ma gati pesa zako okay muna ni fana muna ni fana visuri muna na jio kitua na fana ara kone nisha pesa zini ni zake na muna kona pesa zake ni rea kone nisha ghe aki ponku kone nisha zeya na jioa ni kona do muna na do zake iso do awa si na nisha na iso do wengia raziza awa I'm not hating si juu na ni anu nisha na but mostly kitu ni sii ako that's when you tapata kaila kia tu sii aungu tapiga na awa picya ni ati le gadi sii aungu tapiga na awa picya ni ati ma lii kona sii kama ni dendio tapiga picya na awa niza pata dem rembu wone zengi aiji kuna asana toa ma ma picya zama demo meweza aiji like akudamta akumbe e bro checki bro checki sami mi oredi na juu ange kwa kunga kama na hee bro checki so awa na awa kuna e bro sii zi kwa mbea like sii zi kwa mbea dituwa ni kwa akuchukiya but nita habi like e bro sii charetu na ni anu na jama mei mi oredi na jama what's up so i guess watu inga na penda kufi kusana ini sii fiti do yo life ni life ana taka but but tafta plan ma lii zi ma fiki stil yu make it yo sii form wuna fiki 10% then 19 19 real be you I like that faking it nika sii na zaku na nita story ako kungomangu na ni nita kungomangu that's a story ni me fake it ain't mine actually ni me ngeka character plan ni kata yu so yu ni me fake so nita fake stories ase kada nita yungoma watu apendi zungoma and then dakuwa recognize so sa wei wei niki fake 90% ya ni me lii wene inida plan like kakaw na taka kumiki just find a plan find yourself ni ni neza fanya ni konasawitin gumu sii zimba kabaati lemi rap I love rapping how can I make my rap better nisi focus do na kandika rap na kuf focus na kumangu ase na artist niku suksesfo so na itajido na sasa me me nitu kwa me me sii dapenda kutrege mewa say sii jaza kutrege mewa say so me gumu nipata nikiwa signed niki fikiri ahini ase okona studio ase ni signed sii jayu lizei yo sii jayi tisha yo why? because I thought ok mimi venyomongia I can see you see the entirety of things nuna numa mali ikosai na malinenda mbono usi yange level level level haekusai de in my very uneducated opinion nili kwa nona nimi meji say ma uneducated opinion nimi ona level nikama it makes things a bit easier but I don't know if you're selling your soldier in the process to stay signing ya, it does it does make a bit easier kwa zi apu woman pata an already made team nuna but at the end of the day unangaliya unangaliya unangaliya gawina loses ni gani ikoju kaku ka los los ni mingi unachana like loads ikoju na juna wei balance na balance kitu kaya kufaidika kuangu naku kutua faidika kuangu ni gani ni gani kofiti kaa ini 70% mi kufaidika nachkua kaa ini 70% mi nabaki na 30 apu de depression inakam true so mi nataka nataka ni kue 70% nataka to ni konta ni kue tu yangundu iko winning like so nuna sayi siku zailu sija sayi diwa sana atu kwa ofan ofan ejma litu kwa diwa like grow kwa wei wei isi ita kwa ita kwa ii ya kumile lese kwenyu that's it's for the moment you see at the end of the day taji kwa kwa ita taji your family mei bi atu tako kitu shout out kwa zau kwen title too that's up to you so ori kwa na trambe nga nga na uke wei so it's up to you mei nili pewa masomo but siku pewa doze aku kwa after masomo so inu kwa ni kufikiri how can i get my own how can i get my own my own my own kuli kwa ni kusain kuli kwa ni sigin bora mi insuku sigin ee ni kue ni kona labo liangu hee what's up manzee ee tse mekani perpination amai yuri for whatever you see kasa ee bula ni kuna clothing store kuli kwa ni pe job bora mi insuku pe job bora mi insuku kuna job yaku kupatiya ee so ee ondi kitu mekwa in mi ni mawak na blaze I worked with blaze for a couple of times until nika mo let me just do my own stuff ee what's up ni kue me do na fuki goze ni eza kwa na kule ome trokaka background di kohad na vilo na vilo na isi nta juwa vilo na ongeya nta juwa so nta ja vile nta vibe na ee wei vila nta vibe na musiflani ee dangerous person na sumagam tu in few seconds na una tu liya na ongeya siuna sumana okay hashtag iso eni money what are you most proud of in your career your musical career living my own life bila stress living in the capital manzee kwishi na irobi in one of kwa moka you see ee like nika kwangu my own house doing my own stuff and being healthy and still inspiring kuna se wei ngingi aga kwa simi hangu kwa DM kwa IG and ama fubiwa kule kini aji broot kuna shida flam inimsa ni ni kuna kitu flam ni na flam ni itajima ni kuna sina job ama muna zantafte job na irobi kitu kayo ni kiangaliwa i came from nothing from the streets kula la inji ya kibanda often ni ni ni kuzi so fegitu aneksen someone is looking up to me I'm proud of myself I've already made something out of nothing already at this point na see see leaves de yonika na ni kilia so I'm still proud of myself skia manoma yuli aki oga doja tia zika inimaji nukweli siuli aki roh nandani yaa bai bai yuku oma you know kuna ilu na fail nika onata kuli puka see itu inafika ga point where I would live in Namachwezi iko inaku oma la kuna pata kuna enerji yo unai chainsas yo kuli atu an enerji flani eni ita kufan yudumu no no kami e did the challenge this is a challenge eni nandaliwa the ordinary ordinary I did it and in 2016 actually met weo Jamali kama na yo challenge and I was awarded this change day 2 pa awarded that's why you wear it like a chafi yaa nikiwa na yo inani kumbusha bana nili piaikitu asia ilu kawengi why me you see so maybe there's something you can expect from me like maybe there's something Kali can expect from me ama kuna kitu ailiwa na in me maybe it's yaya eni God through him you see so 2016 nili rap nika make it here so your challenge kuna challenge me to get using me final maybe it's a yon ama ita yon and maybe it's a post ama ita post you see but as per post what will I learn from that sitam hit because at the post ama sitam sitam tukia kusabusi jawin the mili because me him kwa game nikiwa nzakari aiku kwa to come to find the challenge and win the mili me him was like what can I do for the other guys that's why I'm gonna shop how many people can I employ in my shop how many people can I change their life nuna by doing the challenge nikiwa jarebo kuget recognize na kapulo ama kuskupu a couple of fans from the other side that's a win still so even if I don't win the mili me win something uli kwa api omoshakitu sumboa but nisawa squeezy anafanya kazi na shakitu me on a hashtag is where the money sasa nili imbisha getwa nani the other one kuchiboi so nama onifanya kakitu toa sauti guruma let's say where this chain came from this chain this chain this chain came thank you story nata kwa u guruma me labda nga penda kuguruma na the song in mefa na tofa uti and by the day damon da li li kopi something nisa wa tu ala ya kwanza imbalafu ni ambili kukopi ay so konei song ni nishwa kwaneni kesho i did nga penda niki sama na kwa asama something and then uta kona respond na konei ni kesho i get to participate okay okay so nasama lafu konei ni kesho uta konei ni kesho so ita konei papiyo rifa jina soli na nipatiasifaga deo nasama konei ni kesho konei ni kesho okay beti me piku flowi kona teachings zaka nisa ga de konei ni kesho aha yes okay let's go okay papiyo rifa jina soli na nipatiasifaga de konei ni kesho oh iiii okay beti me piku flowi kona teachings zaka nisa ga de konei ni kesho konei ni kesho aha wa shaking gwa inata kaku wa patiyama rifa ga de konei ni kesho konei ni kuelo je riyani sao salen mende na wakilisha ga de konei ni kesho si konei rudi baji ya yen yupuz yambak na ni full first umeshika so we can do it yes yes so we ready i hope camera yiko fitting atu anasiki za anasiki apu akabza ko zi it's about to change your life but go down yeah so papiyo rifa jina soli na nipatiasifaga de konei ni kesho beti me piku flowi kona teachings zaka nisa ga de konei ni kesho wa shaking wa inata kaku wa patiyama rifa ga de konei ni kesho je riyani sao salen mende na wakilisha ga de konei ni kesho streets mi na run koko streets itabidu kuhue fan sa isa ikonei ni kesho jis thick ni omu run koko fitness i hand to them gaal dem na daikonei ni kesho eh ah nisa za mi ni mengia apu ah nima na nima na liza ademwa ya tchaka wa isiki e ne ah ah aha ok ta isiki a yes but i was having a good time anyway what would you like to tell your fans like the next line ni ngeshikwa you know kuna skere libi wa sige konei kwa ah ah ah ah na ni kozone na gang chingafon Mr. Manu Siwempe kwa didi gero lafunia kukon na di weh weh nuna libo skere kudia kwa ya ok ok ok ok ya mwisha watu kwa kwa mbe ma fans ni ni mi actuali ni kwa mbe ingiya pala iji tafta papiyo rifa PAPI and then yu rifa it's funny din liza why yu rifa tell us why yu rifa young rich and famous abbreviation oh yu ina stand for young r i rich f a famous young rich and famous so nita kakwa yu know the yang which is famous from scratch so follow papiyo rifa pala iji everywhere na kumbuka kuna nipsia liza ma ok have strong faith yu god will love you so always make sure man ze kuna faith in whatever yu do nusi usili liye msi pia ya kuna shida zaka so make sure man ze mkwa taf me kwa tia asia kuliliye asia kuliliya asia pia sisi tkuna matchuzin nivi letu ma mwata tri kwa nda ni yutu so so jumili shmok pata api tanangas ripi youtube papiyo rifa PAPI and then space yo rifa yu rifa iji papiyo rifa kwa me shikana twitter papiyo rifa tukapiyo kladi ingi apo papiyo collection so ni papiyo then collection ya kawai unapenda kudrip na kubali siya tubitu zene yu ja auta pata asia yu ingi kwa naze just you so neza neza jiskiya naze kijom sefuna shwaka monewe that's why it's unique no, but then i thrift like me uneza pata ni kwa na baberi liya ni kwa na guchi kesho ni kwa na whatever ni bila sezes jiba aju bada ni rifa bada ladies and gentlemen it seems i do not want to finish this interview para gara so remember you can find us on white platform facebook white54channel on twitter hashtag is what is the morning we just had a papiyo yu yu rifa on a set na kona stories yu tumfuatetu tuwanetu maliata fika because if he's professing to preyangirich and famous i feel like we want to be around him moja maybe kika nae uneza rabofi uneza omokanae ya maybe perhaps alright we're gonna have a musical break and we'll be back in a little bit