Going on everyone Sam here with late sports cards. We've been 23 panini certified football hobby four box break number one pick your team style Got a sham's Texans Alexander T with the Panthers Alvin S. Falcons Alvin W. Colts Brandon I patriots Christopher C. Cardinals Daniel B Eagles Edward P with the Cowboys Eric B with the Lions Greg M Niners James that Vikings Jason K. Bills Jason G at Bucks Joe H with the Ravens Jonathan W. Rams Joseph M Jags Justin K. with the Steelers Kyle R Raiders Leone G with the Packers Mark L. Commanders Mark S. Saints Mark SC with the Saints Mark SE with the Dolphins Matt K. Bears Matthew G. Titans Maximilian H. Chargers Nicholas S. Giant Seahawks Ryan C. Bengals Sean P. Jetsch Steve R. Browns Terry F. Broncos and William S. with the Chiefs So good luck here everybody Vaughn picking up the Jags and our patriots in four and five Jags and seven William H. with the Commanders in four I'm dropping you guys a link to speaking of four number four one two three four five six seven eight I might even drop a link to five at this point one two three four five six seven eight nine ten ten to go a number five everybody Hornets wizards tonight. Oh god and number five. All right. Here we go. Let's do it certified time two autos two men They have the certified gamers in here too, which is all game use stuff. Oh, really? That's awesome. It's one of the nicer sets for sure Franchise foundations Josh Allen got. Oh, man Johnny Manziel. Really good Lord Dude what a start bro.  Oh my god mirror signatures unreal Jalen Carter freshen fabric. Let's go Donnie and base All right, that's a way to jump into this That is a way to jump into this for sure Okay, so that's gonna be on the front like that Terry McLauren certified stars tomorrow chase the 149. Thank God the number is on the front this year Kevin goes burn it to 125 is immortals of Kellan Winslow senior nice certified ballers to 99 is a patch my homes Congrats on that And I haven't did not have that on my bingo card either did not have that on my bingo card either My lord, dude. Nice sauce gardener on the gold team. I like the gold teams will McDonald's a 325 Yes, Marley 1 through 4 will be from the same case 5 to 8 will be from the same case correct That is calling cards of Dalvin Cook Jonathan mingo to 199 last team taken the Panthers very nice And base base base base That is the 249 DK got to 99 Aaron Jones and base Just go to bed certified stars Justin Herbert And mace What a bed Make me time you out early. I know gold team Josh Jacobs We've got a Kendra Miller to 199 for Saints nice one there congrats Saints. That's mark right there good stuff mark Kendra, I like the look of those this year. I like them. I'm in on that Calling cards of DK Juju Brents to 399 again all the rookies are gonna be numbered in here as well, which is really nice base base and base That is a Joe Namath. We've got my homes the 275 for the chiefs on the bronze Got Jude on Russ and Josh Allen That's all kid reporters Give those to your dad give us the shiz now give those to Jake right there Jake's such a baby, dude Oh my god, let me see if they still have the certified gamers in this one. They had them last year I don't know if they're in this year They don't That's all right Or no, it's a piece of the game. I suppose so I think those now those aren't gonna be because that's all rookie Piece of the game. Yeah, I guess I don't have the gamers this year. That's too bad. Oh well All right, Willie mates with the Jets and eats Austin F with the Falcons and six and Don F with the Jets Dolphins and four and five Jets and six and seven. So thank you guys there. We are getting very close to be in Almost all the way sold out Yeah, the stitches in time quad is sick here at Wilson Mark Brunel for the Jags to 50 the Vaughn card right there I'm so I love the mirror signatures do the checklist is always kind of nutty Calling cards of Kelsey Chris Godwin to 275 again, like I said, I kind of Skipped by it, but they Piece of the game fabric. Yeah, I don't think they're they're not game used though because it's all rookie stuff Dick Buccas price young to 249 on the rookie jersey. There we go Nice one there. Congrats Panthers and base God, I love this product dude. I really really truly do CMC franchise foundations to 249 Eric Gray to 199 for the Giants Again always gonna be three base on the back Derek Henry franchise foundations. That's a Hinden Hooker to 249 for the Lions on the new generation jersey card and base Got a Mark Andrews calling cards Zack Pickens to 99. It's kind of a wild name to spell Zag ZACCH. It's insane, dude So hey, we're gonna give you some extra letters, buddy to 149 Joe Nameth Wilkins Jones Surtain Derek Henry Yeah, rookies are sweet man. That is gonna be a Randy Moss. We've got Michael Meyer freshman fabric mirror signatures Going to the Raiders. There it is Kyle. Good stuff, buddy. Michael Meyer going to the Raiders certified stars Trevor Lawrence bronze Don Tavion wicks to 275 for the Packers Yeah, I always like picking up certified rookies because you can get a lot of cool rookies that aren't in a lot of checklists to DK got green to five deuce Vaughn for the Cowboys on the rookie. There we go. Congrats Cowboys Deuce Vaughn Yeah, I'm liking the design so far. I like the RPA is better than last year for sure plus to the graffiti ones Those are like their SSPs this year Micah Parsons Dwayne McBride to 149 for the Vikings And base I kind of agree on that Vaughn. They look really good man certified stars Travis Kelsey Got a Devonte Smith Kenny Pickett and base Jason Hill Do you taste the milk and play any position on the field you really can certified stars of Herbie that is a will levis to 49 three colored patch great time to start getting this stuff man Good stuff there Sean be with the commanders in five. Thank you Sean really nice levis for sure Good to see a bunch of new rookie stuff start to hit the market as well Goal team Josh Jacobs J.S. Ended 399 rookie Jackson Smith and Jigba to 399 and base DK we've got a Chase Brown to 399 rookie Jersey card for the Bengals Very nice.  Yeah, Matthew's got the Titans in a couple of breaks So good stuff Matthew really nice levis there for you buddy like to see a couple a couple of colors on there as well Immortals of Dante Hall. We've got mirror signatures Brandon Schrieff Vaughn.  Congrats at Jacksonville. That's Mitchell I believe think Mitchell's got the Jags in this one Brandon Schrieff auto dude. I haven't seen this guy sign since like 15 bro since his rookie stuff as a Jaguar Some O-line love there. That's freaking cool There you go, Mitchell Congrats, buddy. That's unreal TJ Watt Jake Moody to 75 for the Niners I was gonna say it's gonna need to grab one of those for sure dude. Those are cool, man Absolutely. I'm always in on that Jordan Brooks. We've got a Jaden Reed rookie Jersey auto to 399 Congrats on that Dude the one-on-one shield auto sell really well out of this to like that you can get a pretty like high premium for them Yeah, Tony Pollard Keon White to 199 and base and then we've got big Ben to One at 49 you got a red tank Dell to 99 nice one there for the Texans. Yeah, these look great man and base God, I love this product. I was so sad when we were out of it last year, dude So sad when we ran out of it. So happy. We're back. We're so back on it now So back with certified they'll so back with certified. I gotta see who my vends got in the checklist, too Let me see that really quick Who's a Ravens hat for funny otters, let's see Say Tucker OBJ as a Raven. Oh Suggs has an auto. Really? Oh Tucker Bateman say Wow, dude, that's kind of insane. Hello, Alvin, it's not okay Derek Henry Eric Ray rookie auto to 149. There you go. Congrats to the Giants on the Eric Ray auto base base base Just an H with a random team spot. Thank you, buddy Might be in on this at $41 a spot, dude Justin Fields certified stars. That's a Isaiah Foskey 299 for the Saints and some more base Good to hear Alvin. I'm glad you are good gold team of Justin Tucker We've got Quentin Johnson to 249 or 349. Excuse me for the Charges nice one there Miles Garrett base and more base Nothing in this break yet I don't think Alvin this Falcons are good because they've got Bijan they got Bijan So you're chilling on that for sure Patrick Mahomes Josh Downs to 399 This guy is super under like low-key good right here, too for the for the Colts So congrats on that Colts base base base. We've got Alex P with the commanders in six All right, let me double-check what we're looking at on number three now I think we just have the Ravens bills Panthers three to go on number three Drop a guy's a link to that three two go.  That's so funny. I want to see one of those so bad. Gold team, Young Way Koo, four of ten. That's dope, dude. They're black, Admiral. They're black. The greens are to five, and I think the to tens are like purple, like this color right here. Young Way Koo on the Gold team, Tai-J Spears, freshman fabric to 199, rookie jersey auto for the Titans. Is that a good break? There you go, Matthew G. Congrats, buddy. Minka and some more base. On to the next one here, Travis Kelsey calling cards. Pink, Devon Witherspoon. Nice one there to 199. He's nasty. He is, so he's like a top five, statistically like a top five corn in the NFL right now. He's so good. Illinois fighting a line-eye legend. Immortals, Big Ben to 249. Zach Charbonnet to 349, rookie jersey for the Seahawks. Nice one, Seattle, base, base, and base. And then we've got our last back-and-break. Good luck here, everybody. Let's see something cool.  Key on white to 149 for the Patriots. Go a line-eye, Mike. Hell yeah. And base. That will do it. Let's do a quick recap here, everybody. Again, your kid reporters, all the trash. I'll just have you switch my trash out after this one, if that's cool. Young Way Koo to 10. Our jerseys, we had Chase Brown, Will Leviss, a Hinden Hooker, Bryce Young, that Jonathan Mingo, Patrick Mahomes, certified ballers, Zach Charbonnet, Quentin Johnson, and that'll do it for the jerseys. Onto our autos now. Wild autos out of this one, dude. We had Michael Meyer, Eric Gray, Brandon Shreve, that's so sick. Mark Brunel, Johnny Mansell. Unreal, man. Kendra Miller, Jaden Reed, and Ty J Spears. That'll do it for the break, everybody. Thanks again for the fill. Coming up next is number two.


KNX, A.M. and F.M. Los Angles. There's more wallop less waste in every drop of gasoline you buy because only the 1948 Kaiser and Fraser, among full-sized American motor cars, have highest compression engines as standard equipment. Ladies and gentlemen, tonight the Whistler will be heard after the following special broadcast. We are speaking to you from the White House in Washington. In a moment, the President of the United States will give you a brief address on the eve of the United States Security Loan Drive. Ladies and gentlemen, the President. My fellow Americans, I'm speaking to you tonight about something that each of us as individuals can do to contribute to the winning of the peace. That is the purchase of United States savings bonds. Any workable program for world peace must depend upon a sound, strong and expanding American economy. Only by savings bonds, we contribute directly to the strength of our economy, upon which so much depends. By investing in savings bonds, we are fighting inflation, which is still our greatest economic danger. At the same time, we are building toward the economic security of ourselves and our families. At such a time as this, all of us can serve both ourselves and our country by saving all we can against the day when we can spend our dollars to better advantage. Our economic system, which has given us the greatest productive power and the highest standard of living in the world, is based upon individual enterprise, industry and thrift. We need these qualities at all times in order to prosper. Under present world conditions, we need them more than ever before. Tomorrow, April the 15th, the nation launches its security loan campaign. As your president, I ask each of you to back the security loan to the limit by buying extra savings bonds, by signing up for payroll savings plans, where you work or borrow the bond a month plan where you bank and by volunteering to help sell bonds to others. This is the most important campaign for the United States savings bonds we have had since 1945. It calls for everything we can put into it. It calls for volunteer work in every community, freely and patriotically given. It requires enough volunteers to talk to every American where he works or where he lives. The experience of all the war loan drives has proved that if Americans who can buy bonds are asked personally to buy them and told the personal and national reasons for buying them, the goal will be reached. Last Thursday, the city of Sandusky and Erie County, Ohio, began a week's campaign to sell their share of the security loan bonds in advance of the national campaign. Sandusky and Erie County wanted to be the first in the nation to do the job and show the country how well it can be done if everybody pitches in. Volunteers set out to visit every factory, office, farm and home in Erie County. The newspapers and radio stations and every civic, fraternal, veterans, women's and farm organization backed them up. I am happy to be able to tell you that Sandusky and Erie County over-subscribed their goal by 25% in one week. What Sandusky and Erie County have done in one week, every community and county in the United States can do, beginning tomorrow. How well you do the job in your community will depend upon the number and the spirit of the volunteers who tackle it. This is a call to the minute men and women to rally again to build up the defenses of our national economy. For, as the slogan of the security loan puts it, America's security is your security. This campaign presents to us a responsibility and an opportunity. Every dollar that a family puts into savings bonds now will be a dollar building for the family's security. It will be a dollar fighting against inflation and high prices. It will be a dollar working to win the peace. You have just heard the President of the United States, Harry S. Truman, speaking in connection with the United States security loan drive which opens tomorrow. The President spoke from the White House in Washington. This is CVS, the Columbia Broadcasting System. KNX AM & FM, Los Angeles. A KNX reminder, veteran, can you make the grade, the grade you held on discharge from the service? The Army has openings up to Tech Sergeant just for you. If you've still got what it takes, come on down to your Army recruiting office and see a button listing in your old grade tomorrow. The signal oil program, the Whistler, is your signal for the signal oil program, the Whistler. I'm the Whistler and I know many things for I walk by night. I know many strange tales hidden in the hearts of men and women who have stepped into the shadows. Yes, I know the nameless terrors of which they dare not speak. Yes, friends, it's time for the signal oil program, the Whistler, rated tops in popularity for a longer period of time than any other West Coast program in radio history. And signal gasoline is tops, too. And now the Whistler's strange story. Till death do us part. Norman Grayson was an art dealer, an enterprising young man who usually wore a friendly smile. Only last night, the sale of six original German manuscripts to the wealthy Richard Morris had brought him $50,000, enough to make anyone smile. But now the smile was gone and Norman Grayson wasn't at all pleased with the way things were going. As he alighted from the cable car and walked along Divisidero Street toward the sumptuous funeral parlors of Carter and Duff, a thousand confused thoughts raced through Grayson's mind. Thoughts that went back to last night at the Morris home in the Heights where Morris's young and attractive wife had received him in the study. I hope you'll forgive me for asking you to come all the way out here at this late hour, Mr. Grayson. Forgive? I was glad to come. It's only because of Richard. He's ill, you know, his heart. Yeah, so I understand. Oh, but he'll be up and around very soon. Richard's like that, bounces right back. Glad to hear that. The manuscripts, Mr. Grayson, that's all he's been talking about the past few days. He's determined to add them to his collection. I, uh, I do hope the price will be right. Uh, $35,000, Mrs. Morris. $35,000? Mm-hmm. I see. Well, perhaps I shouldn't say this, Mr. Grayson. I suppose it's good business. Uh, what's that, Mrs. Morris? $35,000. It's really a bargain. Oh, you think so? I know so. I know manuscripts, too, Mr. Grayson. I've worked with them for some time. The Winston Galleries. I was there for five years. That's why I met Richard. You didn't know that? Uh, no, no, I had no idea, Mrs. Morris. Sometimes I think that's why Richard asked me to marry him. Just to have someone around to help with his collection. Oh, that must be Dr. Reed. Come in. Oh, come in, Doctor. Oh, pardon me, Mrs. Morris. I believe I left my overcoat in... Oh, yes. There it is. How is Richard? Slight improvement, I'd say, but still a pretty sick chap. Oh, Doctor, this is Mr. Grayson, Dr. Reed. Hello, Doctor. How are you, Mr. Grayson? Doctor, about Richard, is there anything I... No, if he becomes restless later in the evening and can't sleep. Yes, the prescription. Same dose as usual, I suppose. That's right. Call me in the morning. Good night, Mrs. Morris. Good night, Doctor Reed. Good night, Mr. Grayson. Night, Doctor. Oh, he's a dear. Really worries about Richard as much as I do. Well, Mr. Grayson, shall we go on up and have a chat with Richard? Richard. Richard. Janet? Yes, darling. Mr. Grayson is here. Grayson? The gentleman with the manuscripts. The German manuscripts for your collection. Oh, yes, the manuscripts. Yes, Mr. Grayson and I talked it all over. He's going to sell them to you. Darling, aren't you listening to me? Mrs. Morris, perhaps we'd better not talk. No, it's quite all right, Mr. Grayson. Here, Richard, let me help you set up. What for, Janet? The check, you have to sign it. It's all made out. Everything except the signature, Richard. That's it. That's a good boy. Now, is the pen? All right. Oh, that's right. There we are. Ah, that's fine, Richard. Now I'll give the check to Mr. Grayson. Thank you. And the manuscripts are all yours. Isn't that wonderful, Richard? Yes, yes. Janet, a glass of water please. Oh, of course, darling. Yes, the water. And here's something to make you sleep, doctor's orders.  Good night, Richard. You didn't know quite what to make of it, did you, Norman? You were puzzled about Mrs. Morris and the way she rushed the sale and then the check that puzzled you even more. Downstairs as you walked towards the front entrance with Mrs. Morris. Mrs. Morris, the price I gave you on the manuscript was $35,000 but this check is for... $50,000? Yes. That was the sum my husband intended to pay. I... we feel it's no more than right. We still consider it a bargain. Thank you, Mrs. Morris. Of course I won't refuse it. Good. You must prop around to see us soon. Perhaps we can have dinner when Richard's up and around again. Oh, thanks, Mrs. Morris, but I'm flying to New York at the end of the week and I... Oh, dear. I see more of each other. We, uh, we have so much to talk about. Well, I, uh, I'm not leaving until Friday. Dinner tomorrow night then? Sounds wonderful. We'll have cocktails at six. I couldn't think of a better time. Love to have you, Mr. Grayson. Uh, Norman, isn't it? That's right. I'm Janet. See you tomorrow evening then. Tomorrow evening it is, Janet. When you left the Morris home, you weren't at all quite certain that business in New York was important enough to drag you away by Friday. You could put that off for a while yet, as long as there was someone as attractive and as interesting as Janet Morris in San Francisco. No business in New York could wait. Early the next morning you cashed the $50,000 check, then spent the rest of the day roaming around town. Later that afternoon when you returned to your hotel... Oh, Mr. Grayson, someone's been calling you all afternoon. Wouldn't leave a message. Oh? A young lady. No message, huh? No, sir. Here's your keys. Oh, thanks. Oh, by the way, Mr. Grayson, you've seen the papers, I suppose. Papers? Yes, the gentleman you were asking me about several weeks ago, Mr. Morris. Morris? What about him? Well, you didn't know. He died this morning. Heart attack. Yes, it was all there in the evening paper. Richard J. Morris. Prominent Bay Area businessman. Art collector. Dead. You hurried up to your room and began to pack. And then the phone rang. Hello? Norman? Oh, yes. Yeah, I just read the papers. I'm terribly sorry, Janet. Is there anything I can do? Yes, yes. Oh? What, uh, what is there to talk about, Janet? Don't. I'll come right up. No, no, no. I suppose you meet me in, say, two hours from now. I'll be at the funeral parlor making arrangements for Richard. It's under visit arrow. Yeah, I know. You'll be there, won't you? Yes. I'll, uh, I'll be there. Good. Do anything foolish, like leaving town. Prologue of Till Death Do Us Part. The Signal Oil Company is bringing you another strange story by The Whistler. But now, friends, a special announcement. The first announcement on what we honestly believe is today's greatest tire value barring none. You can now buy a nationally advertised Bleed Deluxe Four-Ply Tire with a one-year written guarantee against road hazards for only $12.95 plus tax at Signal Dealers from Canada to Mexico. That's in the popular 616 size. Other sizes proportionately low priced. Yes, you heard right. I said a top quality 616 Bleed Deluxe Four-Ply Tire. The same tire that sold until yesterday for $15.25. Now reduced to $12.95. This is your Signal Dealers special for summer driving safety. Just compare why that's actually less than you would pay for a second line quality tire of some brands. But get this. Never in 45 years has Lee of Koncho Haken ever made anything less than top quality. And this rugged Lee tire at $12.95 with its patented double life cord construction is the same quality that has made Lee tires outstanding among leading brands. So now, right now, get your Signal Dealers trade-in offer for your old tires. When you do, you'll agree that comparison proves for quality, for value, your best tire by today is a Lee Deluxe Tire for only $12.95 plus tax exclusively at Signal Dealers. And now back to the Whistler. It had been a profitable business deal hadn't it, Norman? Selling the sixth original German manuscript to Richard Morris. But less than 18 hours after he signed a check to you for $50,000, Richard Morris is dead of a heart attack. And now his widow, the young attractive Janet Morris, summons you to see her and of all places at a funeral home. When you reach the funeral home, a slender, solemn-faced young man leads you down a long, thickly carpeted corridor toward the rear of the building into a private waiting room. The door closes softly behind you and you're alone with Janet. Oh, Norman. Yeah, I'm sorry, Janet. Oh, it's so awful, I just can't believe it. Poor Richard. And to think I let you swindle a matter of $50,000. Look, Janet, I... Please don't bother to deny it. The manuscripts are forgeries, I know. You knew it all the time? Yes. Did he? Of course not. At first you wanted me to take him to Mansfield for appraisal. Mansfield? Fred Mansfield? Yes. But I talked Richard out of it. He had a lot of respect for my judgment. I see. So no one knows about this, but us and the man responsible for the manuscripts. They're quite good. Ziggler's work, isn't it? I understand he's back in this country. Hmm. I told you yesterday I knew manuscripts had to be Ziggler or Klein. By the way, where is Klein these days? In a Berlin cemetery. He made a mistake. A bad one. Oh, he was such an artist. Oh, I wish they'd stopped that music. I don't like it. Janet. Yes. What, uh, what are we going to do about the manuscripts? Well, I could turn the whole matter over to the police, but it would be such a bother. And, well, after what's happened, I just want to get away somewhere. So? So I think I'll give you the manuscripts. That is, I'll sell them back to you, Norman. For 50,000 bucks? Yes. You, uh, wouldn't consider the original price. 35,000. Oh, no. No, Richard wouldn't like that. I'm afraid I'll have to insist on 50,000. Are you in the market, Norman? I'll have to think it over. Who else? Janet. Yes. You know, I can't figure you out. Oh. I mean about the money. Morris must have left you a fortune. Why should you worry about 50,000? 50,000 is very important. You see, there's a catch to the fortune. It's tied up in trust. I'm to get only 800 a month. Oh, that's awfully tough, isn't it? It is, when one is used to the things I am. Richard planned it that way. My own good, you know. Wasn't that thoughtful of him? Yeah. When I came along, you saw your chance to grab off a little pin money, huh? Money that he'd never know you had. That's why you whipped the ante from 35 to 50 grand on that check. Yes. Wasn't that thoughtful of me? You knew it was coming back to baby. Smart. Very smart. Norman, people will be arriving soon. I'm afraid I can't talk to you anymore. I'll give you till tomorrow night. Think it over. It's nice of you. Eight o'clock. The house. Norman. Yeah? Don't forget to bring the money. I'll tie a string around my finger. Come in. Sorry I took so long. I was taking a nap. The servants are all gone. They're at the funeral party. Touching. Very touching. Why don't you go into the study? I want to freshen up a bit. Fix yourself a drink. Thanks. Popular prices, of course. Norman, you're bitter. Let's just say I got up on the wrong side of the world this morning. Oh, I'm so sorry. Okay. Okay, I'm sold. I better go in and fix a drink before the prices change. I will be more than ten minutes, Norman. Make yourself at home. You stand in the hallway, listening to Janet's footsteps overhead. Then a door closes. Silently you slip up the stairs, past Janet's room to the far end of the corridor. If only you can get your hands on the manuscripts. A moment later you step into Richard's room, quickly crossed to the desk by the window and begin your search. Minutes pass. Frantically you continue to look for the manuscripts. You glance at your watch. Janet will be going back downstairs any minute. You need time, Norman, more time. The manuscripts are in the house somewhere. Then your eyes fall on the nightstand next to the empty bed. The nightstand. And the half dozen bottles of medicine. You pick up the small blue bottle. You remember this one, don't you? Sleeping tablets.  Why not? I may even go to a soft shoe routine. Want to see it? Later, perhaps. Oh, you fixed me a drink. How nice. Here you are, sweetheart. Thank you. To us, Norman. Yeah. To us. You know, Janet, it's a funny thing about Ziegler. He seems to pop up in the most unexpected places. I remember the last time I saw him. London. It was right after the Marcus affair. You remember it, don't you, Janet? Janet. Oh, what? What did you say, Norman? The Marcus affair. The paintings. Oh, yes. Yes, I seem to remember. What's the matter, sweetheart? Don't you feel well? No, no. I feel fine, just sleepy, I guess. I suppose it's stuffy in here. Oh. What you need is another drink, huh? Janet. Oh, no, no. I don't think so. What were you saying about... Ziegler? Oh, yes. Right after the war. It won't be long now, will it, Norman? Your voice drones on and on. Janet can hardly keep her eyes open. And then, finally, she drops off to sleep. You keep talking, then you get to your feet and walk over to her. Janet? Janet? Janet! Ha, ha, ha. Falling asleep, have you, darling? Ha, ha, ha. Don't worry. You haven't got enough to keep you asleep. Too long. Just long enough for me to finish here. Oh, by the way, I hadn't finished telling you how I got the manuscripts, how clients sold them from Ziegler, and how I had to kill client to get them back. Ha, ha, yes. It was a bad mistake on client's part. You haven't much time now, Norman. The servants may be coming home at any moment. Quickly you begin a systematic search of the study and you're in luck. In less than five minutes, the manuscripts are tucked away and you're inside coat pocket. You leave Janet sleeping peacefully in the chair and slip out the front door. As you stroll down the walk, you toss the bottle of sleeping tablets into the bushes. Then when you reach the gate, you turn and look back at the house. Ha, ha, so long, sweetheart. Sleep tight. The whistler will return in just a moment with a change ending to tonight's story. Meantime, since this is spring, the season when a young man's thoughts turn to love and also to oil changes if he has a car, I'd like to say a word tonight on both subjects. Love, that is, and oil changes. If you really love your car and want to keep it young, happy, and purring with contentment, make this spring's oil change a change for the better. In short, make it a change to that new type signal lubricant that's your guarantee of a sweeter running motor, signal premium compounded motor oil. You see, because it combines 100% pure paraffin base with protective compounds, signal premium does much more than just lubricate. In fact, tests prove signal premium compounded motor oil reduces cylinder wear one third and keeps motor six times cleaner than today's finest regular oils. So remember, if you want a sweeter running motor, if you want to keep wear down and performance up, the oil to change to this spring is signal premium compounded motor oil. And now, back to the Whistler. You're quite pleased with the way things have turned out, aren't you, Norman? The money you receive from Richard Morris is tucked away in a San Francisco bank. The manuscripts are in the mail for New York. And in a matter of hours now, you'll be on the plane heading east. And you're not too worried about Jan, what she'll do. You've just outsmarted her, that's all. She won't do a thing.  Then an hour before your plane time, you're about to leave the hotel when there's a knock on the door. Yes? Lieutenant Benson, San Francisco Police. Your duration? Uh, yes. Yes, what is... Can I come in? Thanks. Uh, leaving town, Mr. Gerson? Yes. You had some sort of a business deal with the gentleman named Richard Morris a couple of days ago, didn't you? Did I? An art dealer named Mansfield dropped over to have a little chat with us yesterday. Seems Morris had asked him to check on some German manuscripts you had for sale. So, the manuscripts were forgeries according to Mansfield. And when Morris died, sort of suddenly, well, Mansfield thought he should bring it to our attention. I don't know what you're talking about, Lieutenant. You were at the Morris home last night, weren't you? Okay. I just dropped in to say goodbye, that's all. Mm-hmm. You were there the night before Morris died, weren't you? The night you poisoned him because he was going to turn you in for fraud. Poisoned him? Wait a minute. Yeah, he was poisoned. Looked just like a heart attack. Now listen, I didn't poison him. Janet, she must have. Well, of course, that's it. She had everything to gain. Don't you see? Money and... Then last night she turns right around and takes some of the stuff herself. What? Yeah, the sleeping tablets. It turned out to be poison. She's dead, Grayson. We found a half empty bottle hidden in some bushes in front of the house. That's some fingerprints on it. It'd be very interesting to see how they stack up with yours. Mm-hmm. Let that whistle be your signal for the signal oil program The Whistler, each Wednesday night at this same time, brought to you by The Signal Oil Company, marketers of signal gasoline and motor oil, and fine quality automotive accessories. Featured in tonight's story were Doris Singleton and Gerald Moore. The Whistler was produced by George W. Allen, with story by John W. Hart, and music by Wilbur Hatch. This is Marvin Miller speaking. This is CBS, the Columbia Broadcasting System. This is K. N. X. Los Angeles, the voice of Hollywood. 25 seconds until 9 p.m. B-U-L-O-V-A, Boulevard Watchtime. We're a 21-jewel boulevard, one of life's choices possessions, superlatively dependable always.


This is part two of a talk on the current economic crisis in Pakistan and its solutions. In part one we analyzed the problem and presented the solution. In this part two we explained why almost no one is presenting this solution and problem and instead they are presenting very complex diagnosis and solutions which will not actually work. So one of the basic problems is that there are false economic theories being taught all around the world which misdiagnose our problems and correspondingly give us the wrong solutions to them. So even though as we discussed in part one the problem is simple and the solutions are simple no one is seeing it and no one is saying it because economic theory blindfolds our eyes and make us look in the wrong direction for solutions. We cannot understand economic theory without understanding the history which led to the creation of this economic theory. This modern economic theory which teaches us how we can improve how we can grow how we can become have more wealth as a nation was put together in 1995 or so after a set of circumstances which led to the collapse of Russia and this led to American view China was not in the field competing for global power at that time. So China thought Americans thought that this is now our century for the next hundred years we will rule the world and they took together a path to do this and this path was in the form of economic policies designed to enslave the rest of the world to American domination. Prior to the fall of Russia the Americans could not do this because there was a competing power and they had to appeal to persuade others not to follow the Russian path because the Russian and China communist evolution had been amazingly successful in bringing two peasant societies into the industrial age and had created astonishing progress. So it was a very viable alternative paradigm but after the fall of Russia the American way became the only way. So a set of policies was created which was called the Washington consensus it was a one-size-fits-all this is the policy that would be followed by all developing nations to grow. Now this is a bit strange because obviously the development strategy for Peru would be different from the one from Nigeria and that would be different from the one from Pakistan but no all of these policies were the same because they were not catering to our interests they were catering to the interests of the big corporations which were running the USA and they were all designed with only one end in mind how to allow corporations to come into our countries put in foreign direct investment and make money from it and take it back out. So one part of it was to cripple the government because the government could interfere throughout the world the government tended to interfere to protect the people from the bad effects of imperialism they would put up tariffs and barriers to prevent foreigners from coming in and exploiting their people. So the government had to be broken down this is done by fiscal adjustment making the budget of the government so small that it cannot do anything deregulation means that allowing people to do whatever they want in the private sector privatization means taking big government firms and making them private normally these would be bought up by foreigners or those with wealth and removal of subsidies basically social services are providing food to the people this makes them dependent and much more easy to exploit at the same time there are certain things that foreign is needed they wanted the stable exchange rate so that they could trade their dollars for rupees make their profits and bring them back if the foreign exchange rate is not too stable then it becomes difficult to move money in and out similarly they wanted to remove barriers to foreign investment so they they promoted the idea that foreign direct investment is the key to growth they introduced trade liberalization and rule of law property rights means that basically the foreigners should be able to invest and then get their money back nobody should seize their property so anyway all of these rules the Washington consensus was designed to ensure maximum profits for the corporation not to max and not to ensure maximum growth for our nation but this was sold as the set of policies which will create the maximum of economic growth for us these policies were implemented around the globe in by the World Bank in the 1990s and in the early in the early part of this century 2000 World Bank wrote a report on assessing the outcome and they themselves viewed understood that these policies have been complete failures John Williams and who is the author of these policies also admitted that these policies have failed around the globe they were tried implemented and they did not produce any worthwhile results but instead of rejecting these policies and saying that these are wrong and we should do something else he came up with an additional point 10 points that okay these 10 points did not work we need to actually have 20 points in order to make it work and obviously another 10 years later we're going to need the 30 points because these are not going to work either unfortunately all around the globe people serious economists are are thinking about and implementing these policies as the remedy for our poverty and as the means for growth the key thing to understand about economics is that it is not a set of policy designed to help us understand how the world works it is designed to deceive us about what we need to do and it works very well because economic pundits in Pakistan are all talking about basically Washington consensus policies as the means to get out of our current crisis so economic theory is designed to deceive us to lead us to the wrong understanding of what the problem is and to waste our efforts in in trying to achieve these solutions which will not work even if they can be achieved one of the most interesting examples to prove what I am saying about economic theory being a deception is the East Asian miracle this book has been written by World Bank itself and it starts out it opens with the paragraph which says that these Asian countries did everything against the rules they broke every rule of the Washington consensus and they achieved miraculous growth so then why is the World Bank saying this well this is very interesting this book is very subtle it says that even though these government broke the rules and they did not follow the Washington consensus and other governments should not follow their example that there were some special circumstances in East Asia which allowed this failure to succeed and also that their success is really not due to not not because they broke the rules but because they followed the sound stable policies of the Washington consensus and even though they broke the rules they still managed to achieve miraculous growth so this is a stupid lesson but this is the main lesson and the goal of this book was to make sure that nobody tries to follow their example so we can conclude this part two as follows the colonization never actually ended the white colonizers were replaced by the brown bureaucrats and they continue to exploit the country there's a two pronged mechanism for this exploitation the rich and powerful receive foreign aid which enables them to stay in power against the interests and the desires of the masses and the intellectuals are force-fed false economic theories which makes them not able to recognize the real sources of the problem and waste their effort and energy in fighting phantom enemies so this is the end of part two so stepping out of the framework of this talk for a moment we are some larger conclusions which we can draw and the larger conclusions is that economic theory cannot be understood outside of the historical context in which this theory has been created and modern economics textbooks and the way of teaching economics completely ignores history and that makes it impossible to understand economics and that's part of the game to keep us blind to what's really going on economics cannot actually be understood without politics without the power struggles without the fact that the people in power shape the knowledge that we have about this world and they shape it in such a way as to keep them in power so our minds are being manipulated for the purpose of the existing power structures and unless we learn to recognize this we cannot break free of these chains and one of the crucial drivers of history crucial drivers economics is the class struggle the struggle between the rich and the poor and this is not mentioned at all in economics so again economics serves to deceive us about what the real problems are what the real issues are and how we can solve them


rt that we didn't meet and I have nothing either um very good and Doug on the ag commission only to report that I am now officially a member of the ag commission you know having done all the paperwork with town hall and you changed your background now to like a museum thing versus your ag oh well you know when when spring comes maybe I'll get back outside Jack can we go back to your pvpc report and would you like to say one or two sentences about Mr. Hall and what he's okay so yeah so the yeah the presentation that will be provided it's going to be a joint meeting with well it depends how many town counselors so they are if they have a quorum it'll be a joint meeting but they town council is invited to join us and this fellow Doug Hall who I think lives in Amherst is a real good data analysis and planner and so he did you know studies on the impact of COVID and and all the trends and you know the closure of businesses and it kind of projected what ramifications there are currently and then you know in the near future and what might be down the road and it was it was pretty it was pretty eye-opening and I just think it just gets you thinking about you know what's a downtown without you know without businesses you know that that have been shuttered because of this this the economic trauma and I just I'm just hoping that you know we we can all collectively kind of get some insight from his presentation it's solid it's it's not too long and it can promote a little discussion afterward and you know that's pretty much yet thanks and the design review board Tom no no updates this week okay and then we have zoning subcommittee which we're going to talk about uh report of the chair I don't really have anything report of staff happy new year happy new year in adjourn at 9 20 9 21 good thank you very much so we got to get back to what news has happened since 6 30 everybody have a good evening we're meeting yeah the two weeks so and you're 20 good night good night good night thank you guys stop recording


So, okay. Hi. Or good morning for most of us. I'm Martin Koshtel and I'm here to talk you something about the archaeology and 3D models and how it works and what I do. So there is some main topics that will be discussed. It's about my department, 3D atelier where I work and study also archaeology, something about virtual archaeology, how it works, what's going on here, what type of data sets are available for 3D and 3D modeling, rendering and so on. And as a final, there will be something about the project archaeo models that I start. So you can hear, there you can see the location of Bernal, that's the second biggest city in Czech Republic and in this city is really cool university called Masaryk University. This university at Faculty of Arts, there is a department of archaeology and museology and there is, we've got the 3D atelier where I work. Our specialization is in the spatial documentation, 3D modeling, archaeology co-visualization and main workflow is in photogrammetry or image-based modeling as maybe you know and spatial analysis and 3D modeling. Here's some photos from the sites when we're doing documentation. So if we are doing virtual archaeology or archaeological visualizations, we must work with archaeological data sets and use them as a reference but we are more scientist than 3D models so we must use a huge bunch of softwares to do it easily and quickly because we haven't got time to do everything in blender. So what we do inside in blender? We are doing modeling, also retopology of the 3D scans, we are doing sculpting, optimize everything for, roads for scanning, analyzing, rendering and animation. So that's all, that's a joke. Here is some 3D scans, we are doing 3D scans of artifacts like pottery or iron things or scans on site so it's documentation for archaeological analysis and creation. Also we are doing reconstructions of the artifacts to popularize archaeology for people, even more reconstructions and not only the artifacts, we are doing reconstructions of the whole sites and even castles. So what's the virtual archaeology? This is the term that used power Rayleigh in 1990 and it's the usage of computer-based simulations of archaeological excavations. It's mean just classical visualization as we know but in archaeology there is two main ways, there is photorealistic renders that's only for popularization of archaeology for the public and also there is scientific renders that show the, how to say it, the validation of the data that create the visualization. Basically in archaeology visualization there is three basic LODs in the modeling, there is classic shape reconstruction, there is second is virtual visualization, that's mean we've got the basic, it's almost the same like architectural visualization because you've got the basic construction, it probably work that construction but you cannot use the construction or 3D model as a plan to rebuild or whole building in the real world and it's the same with the materials and virtual reconstruction basically it's the reconstruction of the whole thing and you can take the 3D model and build it in real world. So we always use virtual visualization because we always do huge arreals and there is lots of models and in two people it's really hard to recreate everything to the detail. So I've got here some case studies that I done. First is Rockstein Castle, you are looking to do LiDAR data, Rockstein is castle and castle in the valley, it's a specialization, it is here and I done the reconstruction of the state from the 13th century for my bachelor thesis, I use Blender as a main modeling tool, Unreal for rendering because that's a huge area and substance painter for texturing. So this is the look like, how it looks today, if you look to the plan the black spots are the remains that was been archeologically found in 13th century, no from the 13th century and this is the input data that I start, basic input data that I start with, sorry, this is the data that is in the start of my modeling. So to recreate it perfectly I choose to create a landscape not only for LiDAR data but create a smaller piece that will be much more precise so I choose photogrammetry for this but when you are working with photogrammetry you know it, sometimes you don't catch everything and you've got holes in the data and that's not good. So I decide to just fly around the castle, create really basic model to know where is vegetation, where are buildings and so on and this basic, I start planning my route. So the first thing to have got good photogrammetry result is a good overlap of the photos and second is ground sample distance, do you notice ground sample distance, no? That's how many pixels are for one centimeter at the photo, that basically means the resolution. If you take a photo of the texture and you take a close-up you will be really high details and so on but if you take a photo of the doors that's only black hole and nothing, no details. So that's the ground sample distance and if you are doing this type of scanning you really need the consistency in ground sample distance. So I wrote this, write this really basic script, take a NURBS, place a camera on that, take the parameters of this camera because the GSD depends on the parameters of camera which you use for photogrammetry and then I play animation when the camera project the black and white squares to the model and that's visualize me the ground sample distance. This is the basic visualization and that's mean in the center there is really small squares and as I said at the end of the picture there is really big squares and not so detailed at that. So I create this road for every part of the castle, every tower and wall and that helps me to reconstruct these 3D models and 3D reconstruction and create documentation of the buildings and also of the terrarium because I can filter that out. Here is some other scan of the some environment from the location as you can see I use a blender for retopology and baking normals and here is a red textured model in Substance Painter. But if I want to put my data into blender I mean GIS data, you know what is GIS, Geographic Information Systems, yeah yeah perfect. So if I want to put this data into blender I must use GIS add-on, that's a perfect add-on I absolutely recommend it, it helps you to import also LiDAR data but the shape files and so on from all of your data from the GIS GIS. So there is LiDAR around and this detail model is taken from photogrammetry, I place it in blender together this. Then I use shape files from the documentation from the parts of the 13th century that's the red points and then I can start doing reconstruction exactly on the side. And looking for some nuances doing analyzing this thing and so on. So here are some examples as I work, I must build a bridge that was detected archeologically, there is some visualization how it can work and it's based on the archeological data from the rich land, so that's research from 1980 I think and they found a whole bridge under the surface, yeah that's the word. Okay there is another thing like buildings and towers and constructions and about everything the archeology can tell us how it looks. So we've got really huge collections of the ground planes, in Germany's Grundris I think. Also there's found of real constructions from the 13th century or 14th century in Czech Republic that's fantastic and this basic I can start building and doing reconstructions. Here is some examples how it looks in Unreal Engine and now let me jump to the Unreal Engine I will show you the final data because I must import data from Blender to Unreal and it's me in the Terrarium 2 and so on. So if I look quickly you will see that's the really huge LiDAR data, the texture is not so good from this area but I do some close-ups. Basically I used the Unreal Engine because it has got LODs and I can use lots of agitation and in 13th century in highlands in Czech Republic there are lots of agitation so I choose Unreal Engine for this and this is the landscape how it looks like on the place and there are some nuances and how it can look. I will slow the camera a little bit. Okay there is the complete structure how it can look and if I filter the buildings you will see only the landscape. So if I want to import my LiDAR data into Unreal Engine I must use the hate map and recalculate it and it's not really good I must discuss with the Unreal guy that was here and it's really complicated to get exactly LiDAR data into your scene. In this point I just used my photogrammetry model, place it here and just scaling the hate map to match my photogrammetry model of the landscape. So this is about the Rockstein castle and next is virtual arc project that's an international project for valorize archeological locations and show them because classical archeological location is just a field because everything is underground. So we create a virtual guide for the mining center from 13th century to use Lumion as the rendering engine because the scientists from the department of archeological of Czech Academy of Science use it so I must prepare everything for Lumion in Blender and also we have Sketchup for quick sketches to discuss it with scientists because it's much more and they understand it better I don't know why they like the Sketchup models but they like it and there is some quick video it's the application for the mobile you just came to the location hit the point where are you and just you can look around to you and read some descriptions on it that's the educational part of the application and there is a storyline for the small kids because kids are real like games unfortunately and it's the story itself is not so big but it's classically if you know game books that works same so there is some you for this from this and we can continue to reconstruct views also next you know data like dendrology that's tell us something about vegetation geological profiles to tell something about the vegetation also we use geomagnetical measurement so we are able to reconstruct buildings exactly on the place they are they was without digging and also we will slide our data and some analogy to start building this is some example model how buildings looks like it's a motto and it's something like low cost medieval castle in the medieval it's just the building on the bike with some the vengeance around it and there is wife rhyme we really use basic geometry but combine it with some scans and normal maps and it allows us to create really nice-looking but still is it result second is to know this on this picture you can see the workflow of sketch up and blender and the left side there is the sketch up reconstruction quick how the or mill can look like the mechanism and on the second there is 3d reconstruction of that model inside the blender this is rendered in blender in cycles I think or I'm not sure now and of course there is samples processing on it next picture the charge from the location next visualization that we created for this with the grass fault that's cool add on and also we must create humans so we have got some concept art that we must use as a basic shapes and we just again we use the optimized topology sculpt or the face and there is final model and and has got the problem he cannot upload the animation so it's just this so-called sculptures there is some references for landscape such as later that a clondike or highlands without woods and when we build the of course there is some later visualization and this is the site how it looks in a real life I'm sorry also we use illuminations for to see how it works in a past and then we can start to construct the actual landscape we was particularly LiDAR and it's the ends we use only hate map from the Google Maps Google art so we start building some ways placing the buildings placing the other vegetation and this is the final results I've got a quick video for you so this is the mining site from the 13th century in highlands in Czech Republic as you can see there is lots of buildings and this is the ends of the mines that bikes there is some 3d characters rendered in Lumion it's not I don't actually like Lumion the characters not cool in that but they want to use it so I'll do the best to recreate it but for landscape Lumion is really cool it's really fast rendering and for scientists I think that's the way for the scientists so that's the end of the showcase from this project so why is important to use exerdata as a 3d modular because time travelers that's mean if you are modeling something and saying that's a little bit something like historical thing or medieval you can't you cannot take things from the 11th century and place it sorry you can take things from the 17th century and place it to the 11th century because for lots of people it's like that guy from the 1880 year 1980 years in 1930s it's the same if you you cannot take Lamborghini place it into the 1930s and say this is the reconstruction of the past or this is the 1930 render because everyone tell you hey man Lamborghinis are not in 1930s so what kind of data sets is fine for 3d modeling it's really it's depend what period period really doing is if you are doing prehistory or you are doing medieval things but these data sets are fine across all periods the first three are really cool for the landscape that can tell you something about landscape how it looks like in the past second is experimental archaeology archaeology sorry and the quantization of artifacts that's cool for tools or buildings and the last one are Borneo archaeology and anthropology I really don't go in the deep in the last part here so I will quickly describe it here Borneo archaeology can tell you something about the social structures and social position of the human in the past and anthropology can tell you lots of about the hate and weight and how they looks like but this is more archaeology anthropological things and I will not discuss this here but I will tell you something about the landscape archaeology because it's cool landscape archaeology basically can be LiDAR data UF or UAV photos or classic photos historical maps dendrology and if you look to this picture there you can see the site probably from the analytic period and there is lots of buildings and so on and in it can looks like this part that can tell you this is the vegetation vegetation science that mean where is building the vegetation grow different next are photos from the 19th century that's called archaeology of modernity also and and these photos you can see how the city or villages works and you can see all these small roads and every part of the past life and you can really analyze it next one I LiDAR data I'm not sure do you know what is LiDAR data someone knows someone not LiDAR data is the basically is the scan of the terrarium and it works how you can see it here the plane has got the sensor sent lasers point down then register it and because the plane and sensor know its location and rotation it's available to measure the terrarium and it's cool because if you've got this type of woods you can say okay it's only woods and it's not interesting but if you look it in LiDAR you will see okay there is some structures and if you will read something more about the location you will see okay it is the prehistoric files in the England wow it's interesting and it can tell you how the landscape look at that area and you can recreate it in your visualization it's good resource next is that mining area that I say show you and you can continue yes historical maps there is lots of historical maps especially from the 18th century or occurs maybe for the half of the Europe and they tell you about the usage landscape usage so our fields where our grass where trees and woods and so on so it's really good if you want to do something in medieval age it's almost the same because this type of parcels are in the medieval too and how to get these sources there some links there you can find them don't be scared that this until that point see that it's checked sites but in English also and perfect thing for the for the what not for reconstruction for if you use it the data as a reference yes for the referencing is server academia point edu where you just type that thing that you are interested in and this server find you scientist scientific scientific articles about that and you can imagine how it works and then you can recreate it and also I've got the dendrology in the landscape archaeology because that's tell you the everything about this piece she is that of the trees and quickly there is a geology and settlement archaeology that tells you everything about settlement how it works how it looks and something about the ground planes of the buildings and you can start doing reconstruction like this because it's a little bit tricky because settlement archaeology can tell you lots of things about the distribution but you must do lots of researching and expert look to the experimental archaeology how look that things that are about the ground about the ground for this I just picked these two big projects that you can just search and look at them there is lots of settlements and so on and you can read about it and use it maybe as the reference and the last thing is documentation of artifacts the condition of artifacts can tell you the generation of not generation but how artifacts are created and how they are about something about their their types and rotation you can use this classical drawings and so on but it's it's not good so our department has got a huge library of 3d scans of vessels and so on I can show you on sketchfab here so basically it's something about one or more hundred scans that you can use as a reference just type it actually it's in check but we are working to recreate it for recreated translate it to English and it's in sketch fob so you can rotate look at how it's created and use it as 3d reference that is not modelled that is scannet okay and the last thing that is really cool for artifacts are illuminations I've got another type for you that's this site that's full of illuminations with the notation and illumination can tell you lots of about the characters landscape as you saw and so on and here only on this picture you can see the style of the dresses weapons how look armor how look under dresses clothes and so on it's really cool if you just starting analyzing it I will show this again in this manuscript is you just type search choose your location where are you from and maybe for this need runs just type search and then it shows you tons of and tons of illuminations with the station and if you click it you can go to the original file to the libraries and have got the all data that is that you can have got for the illumination okay so I'm almost in the finish so there is experimental archaeology how in experimental archaeology can tell you how I said the things how that looks about the ground and so quickly about project are co-models I started this project as my master studies thesis and it's based in creating of 3d high quality 3d scan or models that will be described from which period they are and you can after that you can download it so there are some examples of this is kind of armor from the medieval it is a 3d scan retopologized optimized and there is also this kind of boots our shoes sorry yeah and that's the main idea what we will what I will do here is some art if another artifacts or even sports will be here so thank you for your attention have a nice day use your power as a 3d artist to popularize everything from the science


It's okay. Hey guys, so we have a client in and she has a dog that is really, really sweet, but she's a little reactive on the leash to other dogs and what we're gonna do right now is we're gonna introduce her to another dog. So I'm gonna go over the process of how to introduce another dog that you're unsure of. As soon as Taylor is done eating her yogurt, we're gonna head outside and get going. Also guys, we're gonna do a challenge. If we get 2,000 likes in the first 24 hours, I know you guys can do it. We've done it before. I'll go live this weekend and I'll answer all your dog training questions. Let's get it. You guys can also copy yourself, some no bad dog swag, link in the description below, but I'm gonna stop talking. Let's get into the video. What you don't wanna do with a dog like Zelda that's like a little unsure is just throw them together because that's just never good. It's just too much. So we'll just walk together. We'll walk to the end of the parking lot and then we'll come back.  So this way they can sniff eat, well she can sniff, Zelda can sniff Hawk. Good and then we'll switch. So we will go back this way and I'll trail you. Good.  Good job, Z. She's like, oh man. Good baby girl. And we have the X-Pen set up. So I'll put Hawk in the X-Pen and I'll get in there with them and then we'll just let them go nose to nose in the crate area. Did you see her yawn a couple of times? Yeah. So that's just like a stress thing. So I always tell people like stress is a part of like progression, like just same thing with people. Man, I don't wanna go to that job interview or I don't wanna go to that new yoga class or whatever like it's a little stressful and you get a little anxious. That's what she's doing. She's like, oh I'm just a little unsure. So stress. If you see her yawning and stuff, it's just part of it. Stress is part of evolution. You know, it's part of evolving into the next step. So that's why she keeps... That makes sense. Because sometimes I say it and for me I say it as almost like it's a little step closer to her getting more comfortable in a situation. Yeah. Well, she's just trying to, she's just wearing her stress. Like, yeah. And a lot of people like, there's so many different like articles and opinions on dogs should never be stressed when they're training. And for me, it's like, well, if you're trying to teach them something new, they're going to be stressed. Like it's part of life. So we'll come over here. So you just kind of go at her terms right now and let them be natural. Big thing is, is when you're introducing new dogs, watching body language. So that tail wag is pretty good. It's okay. Yep, that's good. She's just trying to figure it out. So you notice like when he turns his, like if he does this, she's right there. But as soon as he does this, she does that. Yeah, it's instant and it's behavior. It's real. It is funny. So when she comes up, you just make sure that your leash is nice and relaxed and you're not giving her any of that. Cause that's what people do. Is the dog comes up like this and all of a sudden they're a little unsure, but that's natural for new dogs. And then you're putting pressure and then you just kind of yank her away and boom, they react. So it's like the old Wild West. That's what happens. You just need to make sure that like you're super calm. And then like finding something like this is obviously because we're at a training facility. So we have this stuff around, but like chain link fence, a gate, just to make it safe. Because I find it more about you guys, about the owners than I do anything else because you're nervous that if it, and that's fair.   So if you have something like this for safety, it also eases your. Come on, baby girl. Oh, so a little bit different behavior here. Oh, good girl. Good job, Zelda. Good girl. So she just doesn't, she's just unsure of what to do. Good job, Zelda. So again, confidence. Yeah. Good job. So even her body changes. Watch her tail. Good girl. So after you've gotten to that point where you got a lot of good body language. So this is just like a classic case of she's just, she's just would rather not. I think one, if they like lived with each other, I think they'd be fine. I'm okay. And that's okay too. There's nothing wrong with that. Like I said, I think people just, they're like, hey, my dog's not playing with this cute puppy. What the hell's wrong? And it's like nothing. She just, certain dogs just like, for whatever reason, they maybe don't have enough confidence or they're just not interested in playing or they're like, I don't know you. I'd rather not play. But like all of these behaviors are just, okay, like you could tell like how much she's avoiding the situation. So that's very good. So like I said, that's exactly what I said. It's like, it may take her a couple of minutes, couple of days, but then as soon as she opens up, good job, Z. Good job. So she's just, oh my gosh, that's the cutest thing ever. Good job, baby. Good job. Good job. Good job, baby girl. Good job. Oh my gosh.  That's hysterical. Good job, Z. Good job. Good girl.  But anyway, she's like, oh, treats, treats, treats. Cause like where you live, this isn't, this isn't not ideal, but this isn't realistic.  Do you mind if we spend 45 minutes on the ground? Like, so the obedience that we've done before were just the leash, the flat collar and the look. Like when dogs come by, we'll put her into a sit, we'll ask her to look, she looks at me and the dog passes and then you break her. But I think it's great.  She's been corrected so many times for like trying to engage in another dog. She probably doesn't really know what to do. So if you're gonna do it, go for a walk. So guys, as you can see, super, super sweet dog, young pit bull, she's so sweet. I absolutely loved her. She got introduced to a couple different dogs, a couple different behaviors and she's doing really, really great. And the owner is now confident and knows how to progress in introducing the dogs. And I hope, and I know that this video is gonna help you guys at home because we get this question, one of the most frequently asked questions that we can get. Anyway guys, thank you guys so much again. Don't forget, smash that subscribe button. Like this video, let's hit that challenge mark, 2,000 freaking likes in the first 24 hours. Let's get it y'all. I will talk to you next time. Peace. Very good. Good girl. Good job. Good job. Good job.