And now, Roma Wines, R-O-M-A, made in California for enjoyment throughout the world. Roma Wines, present. Suspense.  Suspense. Radio's outstanding theater of thrills is presented for your enjoyment by Roma Wines. That's R-O-M-A, Roma Wines. Those excellent California wines that can add so much pleasantness to the way you live, to your happiness in entertaining guests, to your enjoyment of everyday meals. Yes, right now, a glass full would be very pleasant, as Roma Wines bring you Jack Carson in a remarkable tale of... Suspense. Tonight I'm telling about that Easy Money was hanging up there somewhere just waiting to fall right into my lap. I didn't even know it. All I knew was I had business elsewhere. I was playing the piano at Mario's over in Brooklyn, but that night I slipped out early. I didn't even tell Ellen, I just left. Because for the first time in 14 years, I had a purpose in life, a plan and an objective, and I wanted to think. I was sitting in Gus's grill over a cup of coffee still thinking. When I looked up suddenly and there was Ellen. Where'd you come from? I followed you. I think I'll have something to eat too. A girl can sure work up an appetite chasing a man. Well, go away, will you? I'm depressed. That's all the more reason you need me, darling. The food here is terrible. Some of Gus's customers have to be treated for shock. Let's go somewhere else. This is the only place where my credit's still good. I stopped at your rooming house yesterday. Somebody said you had to move. If you need money, Paul, why didn't you tell me? Because I'm through taking money from you. You're only borrowing it. Look, this is a terrible blow to my pride, darling. But for the tenth time, will you marry me? Nope. Why not? It'd make me terribly happy. You'd be happy for a month and miserable for the rest of your life. Is this a kind way of telling me that you don't love me? You're never out of my mind. But just walking in the street, I get lonely for you. Then marry me, Paul. I'd be good for you. I'd always be nagging you and driving you to work harder and get someplace. I'm just exactly where I belong. Walling a piano at Mario's for those lecherous legbreakers. I know better. You know, a couple of times I was there when you stayed after closing. You thought you were all alone? I heard you're playing. How did you ever get like this? You're imagining things. Well, you never tell me anything about yourself. Paul. When I stopped at your room yesterday, I saw something on the floor that kind of puzzled me. You did? A page torn out of last week's Destiny magazine. What's so puzzling about that? It was all carefully folded. You know, it looked like something you'd been carrying in your pocket. I thought maybe you dropped it, so I brought it along. What would I want that for? It's just a full page ad about the diary of Martha Lathrop that's starting next week. It says, After ten years abroad, Martha Lathrop has just come back to America. Her authoritative books have opened the secret doors of politics. Her keen mind has alerted America on world affairs and punctured the stuffed shirts of important men. Now read the sensational story behind all her stories. Extraordinary woman. Oh, well. You didn't answer my question yet. Which question? The only one that really interests a woman. Are you going to marry me? I'm already married. You're married? That happens to men, you know. Why didn't you ever tell me, Paul? Well, because it's something that happened a long time ago. It's fourteen years since I last saw her. Fourteen years? And you never did anything about it? There was nothing I could do until now. Until Martha came back to this country. Martha? You mean this woman in the... Yeah, yeah, she's my wife. Martha Lathrop? Your wife. I'm going to see her tonight. But why? In all these years, why didn't you ever... Because sometimes marriage really seems to mean what it says. Till death do us part. I left Alan and went up there. She was living in a big, converted brownstone on Gramercy Plate overlooking the park. The door was opened by a rough-looking character and a lot more convincing as a private dick than as a butler. Which is what he was apparently supposed to be. For a moment I wondered if he knew anything about me. If this watchdog might be the one person she could have told to warn him against me. But of course I was wrong. Not with her pride, not her, not Martha. Yes? I want to see Miss Lathrop. You have an appointment? No, but... Then you can't see her. No, no, wait a minute. Without an appointment, you can't see her. Nobody can see her.  Sick? The newspapers didn't say anything about her. Never mind what the newspaper said. You heard what I said. Well, look, just give her this watch, I'll wait. What about the watch? Well, just give it to her. I think she'll see me. It has her name in it. Oh. Something you found? Uh... Yeah. Something I found. He took the watch and went upstairs. I knew the watch would work because Martha herself had given it to me as a wedding present. I knew exactly how it would work, up to a point. And if she still wouldn't give me what I wanted, I was ready for that, too. But there was something about the whole setup that I didn't get. The house itself, dark and somber as a prison. The pug-ugly butler. The potter-butter being sick. It didn't fit. It just didn't fit with what I knew about Martha Lathrop. I sat down in the living room to wait. I almost jumped out of my skin. It was a big bird like a parrot, a macaw or mackaw, whatever it's called, peering at me through the bars of a cage. I remembered now reading about how some big game hunter had given it to her. It was big and bright-colored and mean-looking, with a green stripe between its eyes, which gave a really quite startling impression that the thing was wearing spectacles. I was still staring at it when I turned and... I saw Martha for the first time in 14 years. She was pale, thinner than I remembered, with the same hard and tense blue eyes, the same air of cold condescension, but there was something else. Suddenly I knew what it was. It was fear. A look of hidden fear was almost shocking to me, who had almost known Martha as utterly even cruelly fearless. I was in for another shock. She didn't speak to me, she spoke to the butler. Robert, have you searched him? Not yet, Miss Lathrop. Please do. Turn around. What's the idea? I said turn around. He's all right, Miss Lathrop. Very well, you may go now, Robert. Yes, Miss Lathrop. May I ask what that was all about? I've had some very trying experiences since I saw you, Paul. You must have, if you have to search all the callers for concealed weapons. What are you afraid of, Martha? I'd rather not discuss it, if you don't mind. What do you want? You're not exactly overjoyed to see me, are you? I said what do you want? Well, I read about your diary. I came to congratulate you. Then congratulate me and get out. Look, Martha, that bird seems to be as bad tempered as you are. Can you keep him out of this conversation? This conversation is over. Not my end of it, no. What did you come here for? Money? Because the answers no. No, not this time. This time I want something money can't buy. One of the very few things it can't. What's that? To be free, Martha. Why? So that I can marry again. Did I happen to say something funny? It's supposed to some people, love isn't funny, is it? It wasn't to me when I married you. That was the one bad miscalculation I made in my life. I know. I knew that first time you went to Paris for a newspaper I'd never see you again. You said going away would only be temporary, but as the French say, there's nothing so permanent as the temporary. Why don't you get a divorce then? Don't you think then that someday you might want to marry again? After my experience with you? My dear Martha, what I thought of women after that isn't fit language even for your ears. But you weren't above taking money from a woman, were you? You weren't above forging checks with my name, were you? I needed it. And I knew your vanity. That was my temptation and my safety. That you couldn't bear to look ridiculous by admitting that you had a... no good bum of a husband. We've made our bargain. I could have sent you to jail. I still can't remember that. No, why didn't you divorce me? Because you didn't want me, but you couldn't bear the thought that I might be completely free of you.  Someone once said that we kill the thing we love. Are you trying to say I still love you? You? Maybe in a twisted sort of a way. Because mine was the only love you ever really had. Maybe somewhere deep in your mind you're trying to keep the bleached bones of it. I... I'm not completely... I wonder, Martha, I've always wanted. Get out of here. Without an answer, without my freedom? The answer's no. Never. Do you hear? Never. Get out. All right, Martha. But never is a long, long time. For Suspense, Roma Wines are bringing you Jack Carson in Easy Money, a radio play by Sidney Renthal. Roma Wines' presentation tonight in Radio's Outstanding Theatre of Thrills. Suspense. Between the acts of suspense, this is Ken Niles for Roma Wines. Whether you've been hunting ducks or houses, there's no pleasenter ending to a busy day than a quiet family evening at home. Lights low, fire lit, an attempting glass of Roma wine to enjoy. For Roma California sherry, Port or Muscatel, add maloness to any occasion. And better tasting Roma wines are sure to please, because more Americans enjoy Roma than any other wine. To give you better tasting wine, Roma starts with California's Choiceist grapes. Then with winemaking resources and skill unmatched in America, Roma guides this abundant grape treasure unhurriedly to tempting taste perfection. Later, at peak taste richness, Roma selects from the world's greatest wine reserves for your pleasure. Take advantage of Roma's present low prices. Buy Roma by the case. Buy now for the holidays and save on Roma, America's favorite wine. And now Roma Wines bring back to our Hollywood soundstage Jack Carson in Easy Money, a tale well calculated to keep you in suspense. So Martha wouldn't give me a divorce. All right, I could have stood that. But that business about sending me to jail, it was different. And I knew my Martha. And I knew that now that she was back from Europe and could do it, she still hated me enough so that someday she'd yield to the temptation and would do it. Yeah, but that was all right too. Martha wanted to play that way, I was ready. I was way ahead of her.  So the first thing I got was nitrogen because it was the easiest and one of the deadliest. And the next was a bunch of keys, pass keys. And that was all I needed. So the next night after I left Mario's, I just waited out in the park across the street. I was prepared to wait there every night for a week if I had to. But it was less than an hour.  A well-dressed, well-heeled looking gent got out and went in. The taxi waited.  A little time after that, the butler left. I walked across the street and the third key I tried let me in the door. Fiend of a bird. And it only stopped me for a minute. I won't say I wasn't nervous.  But I hadn't any reason to be. I kept telling myself, who was going to pin it on me? As far as anybody who knew Martha was concerned, I didn't even exist. Well, I went upstairs and found her bedroom. And on the bedside table, I found the bottle of sleeping pills just as I expected. She'd always use them and she was the type that always would. Very carefully, I took each little capsule apart and emptied its contents down the wash basin in the bathroom. And I filled each one up again with nitrogen.  I was down at the bottom of the stairs again when a light went on in the vestibule. She was coming back. I had just tried to slip behind one of the heavy curtains in the living room, but that was all. Respect me of all people. Please, Martin, I would rather not discuss it. Martha, you must realize that these obsessions are symptoms of a sick mind. I said I would rather not discuss it. Good night. Ah. She'd had a quarrel with someone. That was good. Now I knew she'd take the sleeping pills. She went directly upstairs. I waited. Five minutes later the bottle came in but it went straight on to his own quarters somewhere in the back of the house. I waited some more. It seemed like hours when I suppose it was only a few minutes. I wondered if she'd taken the sleeping pills yet. I wondered if I'd hear her when she fell. Finally, I didn't dare wait any longer. I slipped out from behind the curtain and crossed the living room and I just closed the front door quietly behind me when a light went on inside. I looked in the corner of the vestibule. Through the glass panel of the door, I could see Martha and a negligee coming down the stairs and she had a bottle in her hand. The bottle of sleeping pills. For a second I thought she must have found out somehow that she was going to call the police. But she wasn't. Moving like a sleepwalker, she crossed the living room. She was dumping one of the pills out of the bottle into her hand and then she stopped.  Suddenly I saw the whole thing. The tough bottle who said she was sick and searched people for weapons, the fear behind her eyes, the man she just quarreled with about obsessions and symptoms of a sick mind. Martha was insane. I watched while she took the sleeping pill in her fingers and held it through the bars of the cage for the bird. I saw the bird grab it in his beak but I didn't wait for the rest. Totally as I could, I opened the outer door and went down to the street. Martha was insane.  Nobody could ever kill her. What time is it? 11 o'clock. I just saw the papers. Saw the papers? About Martha Lathrop. What about her? Poisoned. Poisoned? They found nitrosine. That's impossible. It couldn't be. Ellen, Ellen, where are you? At Gus's. Wait there. Paul, let's go away. Where there was. I've got a little money. Enough to get us to Chicago, maybe Los Angeles. We could change our names and start over again. Why, Ellen? You think I killed it, don't you? Paul, if you did, I know why you did. And I don't care.  You were there. You said you were going. Yes, I was. I was, but I didn't kill her and I can prove it. Don't you believe me? He is. He is. Wait a minute. Give me a couple of those. Yes, sir. He is. All about the big murder. Murder? Yes, sir. A few. Okay, Paul, thanks. All right, now, Peter. Okay, take it easy. Paul, it wasn't you. Oh, Paul. Dr. Martin Osterman. Must have been the guy she went out with last night. And they've got him cold. They quarreled publicly. The restaurant. She said he was trying to poison her. He'd given her the prescription for the sleeping pills that killed her. Ellen, how would you like to have some real money and earn it? Money? Money? This Osterman is rich. Healthy rich. If I can prove I didn't do it, I can prove that he didn't do it. Which one is handling the Osterman case? I'll give you Mr. Harrison. Mr. Harrison? Yes. The papers say that you're Dr. Martin Osterman's lawyer. Is that right? Yes, yes, that's right. Who is this? Your client's in a pretty bad way, isn't he? Look here, I'm not in the habit of speaking over the phone to people that I... You'll speak to me because I can prove he's innocent. You can what? That's what I said. I can prove it. Your name is... If you have any evidence, I'd certainly be glad if you'd come down to my office and talk. Well, I'll send somebody else down. My secretary. She'll want money. Well, uh... $50,000. $50,000? Yeah, you get in touch with Dr. Osterman and see if he doesn't think his life is worth that. What you're suggesting is not only against the law... I don't care about the law and I don't think Osterman will either. I'll have somebody down there in an hour. Can you arrange it by then? Yes, please. All right. And we'll want the money in cash. There's a young lady waiting for this call in Mr. Harrison's office. I want to speak to her. Oh. Have they given you the money? Yes. Did you count it? Yes. All right, put Harrison on and then start for Grand Central Station. All right, Paul. He wants to talk to you. Mr. Harrison? Yes. All right, here's the dope. Martha Lathrop was not murdered. She committed suicide. What? Suicide. And here's the proof. She was suffering from delusions. She thought people were trying to kill her, poison her, and so on. Dr. Osterman confirms that, of course. Yes, he did. What he doesn't know is that it had gone so far she was trying out things she ate on that big parrot she had. The macaw? Yeah, the butthole confirmed that. Anyway, she tried out those sleeping pills on the bird before she took them. And you'll find a dead bird in the house to confirm that. Good heavens. So she knew those pills were poisoned before she took them. Martha Lathrop killed herself. I must say they took it like a sport.  An hour later, Ellen and I were on a train speeding along the banks of the Hudson River bound for California. Oh, Paul, $50,000. Easy money. That must be the easiest money any man ever made in his life. It must have been about two weeks after we got to California that I got the phone call. Really? Yeah. You must have the wrong number. Oh, no, no, no, I don't think so. I got something down here you might be interested in. A bird. A bird? Yeah. No. Uh, no, I'm... Oh, yeah. I got your address. No, I said I'm not interested. That night I told Helen I found bugs in the place, so we moved. Two nights later, I was alone and there was a knock on the door. Mr. Bentley, I thought sure you'd want him when you saw him. Look, I said... I had quite the time finding where you'd moved to, though. Oh, look, isn't he a... Look, I told you that... Did you see one like him before? What made you think I'd want him? I just thought you would. Don't you want him? How much? Well, now like I say, that's a very rare bird. Five hundred? Oh, yes, that'd be all right, Mr. Bentley. Here. Thank you, Mr. Bentley, and I'm sure you'll enjoy it. Now, get out. There could be no doubt about it. It was the same bird. I opened the cage and roughed his feathers to see if the markings might have been painted on. Hey! He bit me. But it was the same bird. He sat there staring evil at me through those spectacles of his laughing at me. I reached in the cage again. I wrapped the body up in a newspaper. I got a shovel out of the garage. I drove about five miles up to Panga Canyon and parked in the side road of my light cell. I went down into the canyon and started digging. I dug like a madman. A sweat was running into my eyes and I was gasping for air and suddenly a light was shining full on my face. All right, Bentley. Boy, wait, the bird is dead. I couldn't have done it. I couldn't have killed it. The bird is dead! Ellen had nothing to do with it. She thought I was innocent all along. Okay, we got nothing against her. But the bird, I... Well, Bentley, that was what you might call psychological warfare. We knew you were guilty, though, when you bought it. I mean, the poison. Oh, well, we found poison all right, still traces on its beacon claws when we got there. But there was one thing we couldn't understand for quite a while. Dr.  But if Martha took the poison, I saw her give it to that bird. I saw the bird gobble it up. Why didn't it die? Yeah. You see, with this nitrosine, some birds can take that stuff by the spoonful and it won't even phase them. You just picked the wrong kind of poison and the wrong kind of bird. And so, being a sound mind and somewhat relieved to know it, I do hereby bequeath in this my last will and testament witnessed here in the death house of Ossening, New York on this seventh day of November, to my wife, Ellen, the sum of $48,700. Remained her of that easy money, hoping that the facts herein said forth will assure her that she has a right to it, since I will shortly, to my regret, have earned every nickel of it. Suspense, Roma Wives, R-O-M-A, made in California for enjoyment throughout the world. This is Ken Niles presenting our Suspense Star of the Evening, the handsomest man in Hollywood, Jack Carson. Jack, you can stop twisting my arm now, I said it. I suppose I'm not really the handsomest, just one of the best-looking. Well, Jack, when it comes to looks, I'll take Eddie Lamar. But as an actor, believe me, Jack Carson ranks with the best. Gee, thanks, Ken. I'm sorry about your arm. That's all right, Jack. My arm is still in good enough shape to give you this gift basket of fine Roma wines with the compliments of Roma, your host tonight. Wonderful. That's a grand present, Ken. Why, thanks to Roma.  Well, Roma wine has a way of doing that, Jack. That's why your Roma gift basket includes Roma, California sherry. When friends drop in, share with them golden amber, fragrant Roma sherry. Roma sherry's tempting nut-like taste is the favorite of hosts and guests for afternoon or evening entertaining. And millions enjoy Roma sherry daily as the perfect first call to dinner. I'll buy that, Ken. And Jack, because Roma and only Roma selects from the world's greatest reserves of fine wines, Roma sherry, like all Roma wines, is better tasting every time. Yes, no other vintner selects for your pleasure from so vast a treasure of good taste. No other vintner can equal Roma in winemaking skills and resources. No wonder more Americans enjoy Roma than any other wine. Makes sense to me, Ken. Well, I must be going. Thanks for everything. And sincerely, it's been a stimulating and exciting experience tonight. I never miss suspense, and I've been looking forward to my appearance here for a long time. I hope you'll have me back again. Well, thank you, Jack. We thought you were great in your newest Warner Brothers picture, two guys from Milwaukee. And we'll be hearing you on your regular Wednesday night show for Campbell Seuss.  We'll have Hume Cronin as our star. I'll do it. Next Thursday, same time, you will hear Hume Cronin as star of Suspense. Produced and directed by William Spear for the Roma Wine Company of Fresno, California. In the coming weeks, Suspense will present such stars as Judy Garland, Chester Morris, Olivia DeHavilland, Kerry Grant, Joseph Cotton, Roddy McDowell, and others. Make it a point to listen each Thursday to Suspense, radio's outstanding theater of thrill. Suspense is broadcast from coast to coast and to our men and women overseas by shortwave, and through the worldwide facilities of the Armed Forces Radio Service. Stay tuned for the thrilling adventures of the FBI in peace and war following immediately over most of these stations. This is CBS, the Columbia Broadcasting System.


to the channel, let's go slay some white bass today. Tidal around a little bit and try to find these schools of white bass. I haven't done any putting in the grease of any white bass this summer, so it is time. In today's video, y'all is brought to you by longtime partner and just great friends of the channel, Mystery Tackle Box. Let me tell you about why Mystery Tackle Box is awesome. Number one, you're getting great stuff bundled into a box together that's gonna save you money. So if you went out and you were trying to buy all these things individually, you'd end up spending a lot more. And plus, they pick out lures that are good for that particular month and then they just put them in the box and send them right to you, right to your doorstep. You don't even have to think about it. Just saw one jump over there. If you are new to this channel and you wanna get signed up for Mystery Tackle Box, you've never heard me talk about them. I'll leave a link down in the description. You can get signed up for as low as five bucks on your first box. Click that link down there. The code is Mondo. The code is Mondo. That's how you're gonna save five bucks. And then you can start getting Fishmas in a box to your doorstep every month. Oh my goodness, we have found... Little Bagley right here. Imitates those small little shad that they are chasing down right now. So, let's get to them.  Too much fun on the ultralight. I'm gonna be able to unhook them fast enough. Hook dip, yip, yip, yip, yip, yip, yip, yip. I've got another one on. It's insane. You may notice I'm wearing my Lake Louisville white bass rodeo championship shirt. I'm not on Lake Louisville today, but it's a lot of the guys call me because I don't know, I enjoy catching a white bass. I love eating them. And from my experience, a lot of bass hang around their schooling activity. Where are those donkeys at? This lure right here is just, it's insane. Me and John did a video featuring this lure and catching white bass one after the other just slabs. And they were down deep, but the way I'm fishing it right now is literally just reeling it in. That guy's not, he's on the edge, but we're not gonna keep him. Now that the action's calmed down, let me tell you about what happened yesterday. It's like my fishing experience yesterday, and you guys gotta just pay attention to this. It's full moons in the summer, no joke. There's another fish. Full moons, absolutely devastating to fishing. You know, here in Texas, it is at 100 degrees here. We are looking at full moon fish feeding at night, and then the day fishing just being bad. Let's keep her right here. Yep buddy, ow, gosh, he got me. We'll put this guy in the cooler. Full moons, oh yeah, can be extremely tough in whatever you're doing in the outdoors. Like if you're hunting or fishing, salt water is especially sensitive, but fresh water too, I mean, it could be really, really tough. Shad of just spawn two, and you'll see a lot of tiny, tiny shad, and you'll see both largemouth and white bass, just depending on where you are.  So that's why I'm using this, this Death Stalker. Plus they love spoons, they love flash. This thing's got a little blade on the back. It's perfect, perfect for this. Catch them out deep with it and catch them up shallow. But the bass fishing is just, ee, it is a doozy, it's tough.  I'm literally out of crappie, I'm out of white bass. I hardly have any catfish left, so. It's time, it is time to slay, and I need to find some more hammers here. See old Largie, come here bud. Got a mixy old green one in there every once in a while. I found this white bass here, but there's one little section that has some largemouth on it too. One absolutely bonkers on it. Now you're digging, now you're digging. Pushing them up on this flat. Pushing them up and annihilating them. Just got bit, just got bit. Tapping it, oh, chasing it. Got him. Sometimes with this bait, you just gotta let it drop just a second, got him now. This feels like a good one. Yes sir, there's a good one, and he's got more with him. That's a good sign. Well, I want to show you all the size shad that they are chasing. This includes a lot of bass right now too. Just look at that little guy there. That's what we have going on. So it becomes very difficult for a month or so in the summer, just spinning on the shad to really catch those fish that get so dialed into that. But there you go. If you look at the back blade on that death stalker, it's actually about the same size as that minnow which really helps too. So it's not a minnow by the way, it's a shad. But get that guy out of here. They're just loaded out here on this point. There's a point right there and then it extends out and they're all over it. And if you look out to the right side of the boat, you can see both sides here. Look if we get full screen for you. So all of these dots that have these shadows, those are all the white bass. Isn't that crazy? They cast those shadows. They're kind of high off the bottom. That's why the shadows are so big. But you'll also notice that it's moving through really quickly. So you'll see more constant action if it's bass. Like they'll kind of sit in one spot. But notice there's no cover out here. There's really no hard bottom. They're literally just using the point itself to kind of trap these shad and feed on them. And they're just moving around, chasing them. How does the shad move through? But that's one way you can just sit here and pay attention to your electronics and know which direction to cast and when exactly to cast when they're really out there. So there's white bass. They're shadows. And also I have triggers. So technique I'm using now is I'm letting it sink to the bottom and I'm just kind of like yo-yoing it coming back in. Just trying to just go up and down through the water column because they're not hitting the surface anymore. But I'm not sure if they're really not locked on the bottom. But they're just chasing those balls of shad. So just to optimize the water column, trying to hit most of it, just kind of yo-yoing it. There's bite. Chasing it. There we go. If I feel one biting it, I'll make the yo-yos a little bit tighter so that they have a better chance of getting it. So it's not moving around as much. Ah, I lost them right there. But if you're moving it big time up and down, a largemouth has no problem eating that. But a white bass with a real small mouth, will have a harder time keying in on it. Come on, get it. Yeah. Felt you getting it. I think I'm gonna give it one more cast out here. My retinas are about to burn out of my face. It's tough. No sunglasses. Couldn't resist catching another largemouth on a, on the recon, mini recon on these points. Sure. I think there might be a couple more in there. This one hit it a few times too. See you buddy. It's very windy and sunny now, but we have accomplished our goal. I've catching our white bass. Caught a few largemouth. Just had to get me a little green fish action in there and I'm ready to go in now, y'all. It is 7.30. All the fish are starting to move deeper and they'll come back up and they'll feed the same way they were this morning in the evening time, in that low light time. And then at night, as the full moon comes up and maybe right in the middle of the day, deep, you know, but of the offshore game. It's a lot of, it's a lot of work. So this is something that I feel like everybody can do. You can go out to the lake, go out to the pond really early, get that first couple of hours of action or late evening and then just, just put it up during the whole day for your, if you're Texas, especially when it's super hot. So we gotta go clean some fish now.  If you've never cleaned a fish before, I'm about to show you a bass species that is, a lot of catfish, catfish, different story. So I always like to let them sit on ice for a little while. Pressurably like overnight, but caught them early this morning and we were just gonna go ahead and do them now. They are pretty stiff. So that is good. Just firms that meat up, makes it easier to clean. And then I think the meat just, it's just taste better when you start cooking it. Got myself a nice little wooden ottoman here. Or some sort of desk. This is throwaway furniture from the tree house. Serving a great purpose today. You're gonna go in right behind the gills, just down to the spine. I'll always wanna make sure you're trying to get up high there on that back. And I like to flip the fish around and then just push, go down in the spine and push outward. Gotta be real careful with the electric delay knife so you don't go through the spine. You kinda pulse it, just be careful. Find that spine, feel it and then just do down and when you almost get to the end, flip it over and then you just wanna go right on the skin. Whole purpose of filet knife is that it's flexible.  Then I just like to cut that rib cage out. It's done, there's one. Creative, let's take a look at this. Isn't that nice? This table I've gone through so much. It's from William Sonoma. Oh is it? It's one of the finer fish cleaning stations out there. Do you want this table? You can get it, link in the description. Come pick it up. Plakelifeusefurniture.com. Also subscribe to our other channel because we're almost to 80,000 subs I believe. So link down below, check it out. Help us get to 100,000 subs. It is a good day y'all. Feels good to get up early, get out there, get on some fish and have them ready for dinner and OSG has given us the go to put them in the grease which is my favorite way to eat them. I call them golden crispy. When you cook them right, there's nothing better than a good fried fish. But while we're waiting on the grease to get hot, here's a flashback of what happened yesterday. I woke up super early in the morning and there was a fox just chilling in the yard kind of stalking the chickens. Didn't seem to be afraid of me. Afraid of the dangle. We got to the warehouse and then Rob took entirely too long getting his tackle ready. Then we got on the road and we realized it was a full blown full moon and the fishing was going to not be good. There it is. Well bam. The sun is in full effect. It's already 85 and a half degrees. We have no water. We're in search. We're in search of the water out here. I had a day's 100 glosses. Why do you keep passing every single gas issue? You look so red right now. I am very, oh my body.  What are you talking about? It just came out of an easy bag of it. I'm gonna pregnant. You're pregnant? Yeah. How did you get pregnant?  Then we arrived to the lake to find that there was tall grass and I was wearing sandals, which probably meant I was getting chiggers. Another hour unloading the kayaks and then we got into the baits. So in my NTB box, I had a chase baits wiggle bomb, a Lucky John X gear crank bait, an abrogast who's a popper. When's the last time you saw a daggop who's a popper? A biospawn exo swim and then I also had a 10,000 fish Koshybug brand new, paired with a hard baits jig, dead bolt. After not having my GoPro rolling and then missing a five pounder on my hula popper, I landed this guy. Give me a little buddy. A five pound blast it. That pretty much wrapped up the fishing day because then it was 102 degrees. So we went back to the warehouse where some new merch came in. Lake Lewisville white bass bash champion. I then proceeded back to the tree house to make sure the chickens had not been eaten. They had not been eaten. And then I discovered I did get those chiggers. It was a tough day. Pretty much past eight a.m. Pawn fishing in the kayaks in the wind. Just wasn't working out. I had way more fun this morning besides getting to hang out with my buddies. Talking about the grease here, a mixture tonight of half canola oil and half very high in 500 degree smoke point avocado oil. And OSG is graciously, let me use this. I don't know how much of stuff is, but I know it's pricey. When it's got a special cap on it on the end like that, you better ask first. Back in the kitchen with OSG. I'm gonna steal your thunder here. Back in the kitchen with OSG. I just gotta do it. Sorry. Hit us one time with a bag. What are you doing in here? All right, so this is egg white. You wanted to do milk, but I used the last bit of it, all the grits. So we're gonna have to improvise here. So we're doing egg white, even that doesn't look like egg whites. And what do we got in here? The flour spice mixture. Pretty much all flour. There is a little bit of cornmeal in there. And I use the SPG from- Cosmo Q. Cosmo Q. And I put some smoked paprika in there. Ah, look at you. Ready to hear that sizzle pop. Sizzle. Yes. And OSG, just offset. She has made us a delicious healthy juice salad. Gotta have your greens. Cause I'm gonna pretty much be eating that right there in the ice cream. Okay, ladies and gentlemen, we are ready for the grease. Before I pop them in, I'm gonna put a little extra Cosmo Q SPG on top of here. Hot. Just pulled the first batch out. Not that excited to tell you the truth. Don't think, I think there's a couple factors going on here. But we'll just give it a taste first. Got the grease too hot on the initial insertion. Kinda flash fried it. That's just a lot of burnt taste. I am not excited about that. Usually the first batch though is the worst. Then the second one is the best. And then the third one is, yeah, that's how it goes. Woo. Second batch looking tremendously better. Yeah, it's not bad right there. You know, flakiness is on point. Just a little burnt on the outside. Getting better though. That's the golden nugget right there. Yes, sir. Just look at the difference here in these two specimens. Those came out much better. You can see some of the SPG in there. Say OSG did a good job on that breading. That's a good, you know, medium size thickness. I like a little crunch to it, but I don't like gnawing on batter and I don't like it to be loose, like uncovered in places. This is a pastime for me in the summer. Going out, catching these white bass, crappie, whatever it is, and just putting them in the grease, having a couple cold ones with some friends, family, and just enjoying the fish that you got. You got to love it. Okay, what about some grits with it? Grits and a little salad. Come on, man. Come on. Gales and grits. Okay, here we go, here we go. Mm, there it is right there. Much better, y'all. Oh, the extra SPG, that stuff is awesome. There's a little bit of sugar in it too, I think. That's almost like fried chicken. I know it is. Ma'am, that is good. Serve with your favorite adult beverage and you have a good summer evening. Oh, I hate when that happens. Get that on out of there, there we go. It is time to go enjoy the fruits of my labor today. Actually, the fish of my labor. Hit the like button, y'all, for classic golden crispies. Go ahead and just smash it. And I got to say thanks again to MTV for sponsoring today's dangle and many of the dangles on this channel. They are a fantastic partner and I love those guys over there. Thank you very much, MTV. I'm going to go enjoy this delicious fried fish, y'all, because I may not get it for a very long time. I am leaving the country very soon with Lunkers TV. We're going very, very far away more to that, more on that to come. So subscribe right here to the channel so you don't miss a single video and I'll see you right back here on this.


Hey everybody, what's up? It's Rob. We are back at the Progressive Web App Summit. I am joined by the one and only CIRMA. CIRMA, you just gave a talk on HTTP 2. It's a great word. I always mess it up. So I'm wondering for you, I'm not like a super networking pro. Can you tell me what is sort of the difference between HTTP and HTTP 2? So first of all, you can call it H2 because that is the official symbol, which makes it much much easier to say. There's two sizes. So most importantly, there is no big difference in terms of how the semantics of the protocol work. So all the web apps remain working the same. It's the request response. You still have the verbs, you have headers and the payload. So all that stays the same. The only thing that is actually different is how it goes over the wire. So instead of having at most six connections and each connection can only handle one, which was the case in H1. You can now only have one connection, but each of these individual streams, as they are called, can utilize this one connection to the fullest. So you don't have this head of line blocking issue anymore where you have to wait for a response to come in before you can send out the next request.  So stop doing that. Okay. And particularly for progressive web apps, did we get something, is there a cool benefit of using H2 for PWA? Well, apart from what I just said, there's also the, when you don't do bundling anymore, you get better caching because you can cache all the files individually because you don't do co-cache generation anymore, which means that apps tend to load faster. And then there's a new feature in HP2 called push, which allows you to push resources to watch the client that the client hasn't even requested yet. So when someone wants to have your index HTML, you pretty much know that they are going to request your JavaScript in your CSS as well. So you can just put that into their cache without them asking for it. And by the time the browser knows it needs it, it's already there. So that will basically make your app even more snappier and get it on screen so much faster. Okay. Now, I'm sold. That sounds awesome. I'm wondering, are there any tools or like, what is a good way for me to get started with H2? It's there. Well, I wrote a tool called Simple HTTP Server, which, if you know Python, there is the Simple HTTP Server, which basically serves the current directory. And I rewrote it in Go. So, and I'll just go because I wanted to have it on Windows, MacOS, and Linux alike, and it uses HTTP 2, obviously. For HTTP 2, you do need TLS, which can be very tedious, and that is why I wrote this tool because it generates that certificate for you. So you don't have to do it. It also has support for push, so you can actually just start it up and see what the impact on your app is when you switch to HTTP 2, which I think is really helpful. Cool. All right. So we will include a link to the fancy server, the Simple Go server for H2 down in the description. Also, links to Serma's talks and all of the other talks from the Progressive Web App Summit are available on the playlist. Serma, thank you so much for being with us today. I'm Rob Dodson from Beautiful Amsterdam here at the PWA Summit, signing off.


Tired of the everyday routine? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape, designed to free you from the four walls of today for a half hour of high adventure. Tired of the everyday routine? In his science fiction classic... Green Black Shoes No longer any doubt in my mind Though he walked like a man and fought like a man Mr. Three was not a man, but a plant And his country, which he called one, is not to be found upon the earth It is the only possible conclusion to make After what happened to us in the valley of the infernal river The three of us constituted the long geographical expedition to explore And map the wild uncharted region of the Andes between Peru and Chile There was our leader, Professor Anton Dimitrius Once at the University of Bucharest And now one of America's most distinguished adapted scientists In the valley of the Rio Internio We should find some very significant theological evidence Which may well change our present conception of the age of our planet There was young Leroy Haskell, the secretary of the expedition I made a Kappa PhD and as far as I was concerned The scientific camp follower, he had written a book The material I shall gather on this junket will make a book That should simply dwarf the success of my ring deer in Iceland And you know how well we see this one Then of course there was me, John Preston My job was to survey the region that mattered for the first time There were two native guys, Jose and Pablo We had been warned from the first Everyone told us to stay away from the valley of the infernal river From which they all said no traveler has ever returned But we were not to be dissuaded from our purposes So after a week on the high mountain trails We came at last to the entrance of the valley A chasm that could hold ten Grand Canyon A vast and forbidding valley Black, dark brown and deep grey A horrible scar The flesh of the earth burned to a crisp And far, far below the twisting grey shimmer of the Rio Internio This is the place, senior The valley of Rio Internio Do we start bugging up? We'll spend the next sixty days in this valley There was no trail The mules and packyamas fixed their way between boulders Ranging in size from a man's head to his house Jose left the body Rifle at ready or left for the flight of danger The way was steep, pitching us forward Against the pommels of our saddles Shostling and bouncing us It would not be exact to say that I was frightened by this forbidding valley of desolation But I was depressed by it as I rode along I was lost in speculation about the warnings we had received From the rifle shot ranger In your game What? In man or something, you have that rock Jose had slipped from his saddle His rifle barrel still smoking Jose, come back here But he had disappeared among the boulders swiftly sucking an unseen prey What was he, Pablo? Did you see? Yes, it was a man Look, there they go Down there between the rocks Come on They slipped from our mules and started down to the spot where we had seen Jose running after a fleeting yellowish figure This is Jose, hurry But when we got there, all we found was that was all except a splash of green liquid on the stone and smaller splashes of green splashed on one boulder after another leading off toward the river We followed the trail of green splashes but they dwindled out a quarter of a mile away We searched for Jose all afternoon and finally gave up So a sundown fixed our camp near the rocks for the green splashes Well, Pablo prepared the evening meal Professor Demetrius finished the chemical analysis of the green stain And this material is chlorophyll Chlorophyll Pure chlorophyll The substance that makes all plants green Where would chlorophyll come from in this kind of second place where there aren't even any plants? That is a mystery we must set out to solve Oh, look, not the moon's rising Apropos of nothing I like to watch the moon rise I find it a source of inspiration Source of inspiration Sometimes that knuckle-headed secretary was more than I could bear In the midst of the little of the chlorophyll he speaks the inspiration of the rising moon Nevertheless, a moment later the professor and I also stepped out of the center to the crisp easing air Far down at the eastern end of the valley exists the rising moon glimmer between two powering peaks It looks whiter and more silvery in this latitude He wears a cloud of mist That's it now That's it, that's it Just because you like to gift an image there's no reason to... My God! Look! The moon, the new moon Stacking in the west He is right Low in the luminescence, western sky with the thin delicate crescent of the new moon and with the east of full moon which we've been watching has disappeared The phosphorescent mist still hung about the peak and as we watched it slowly faded away and left the valley of the infernal river and deep as blackness that was more than my mind could cope with but it didn't bother our bright young man Next evening Leroy had a curious report for us Well, I've sold a copy of my book today Wayne Deer Nighting What? Yes, I got this for us Cool Not good for cool That's right Who did you sell it to?  What happened? Well, I was down the valley with a big gathering of specimens on the floor and I just sat down to eat my lunch and I saw this Indian behind the rock staring at me Then he saw the corner of the book picking up my nap bag He pointed at it and he said What is that? Wayne Deer Nightingale? He surprised and then he said just what I have been thinking that book is a wider reputation than you imagine I thought it'd be quite a good because one of my books will be an Indian so I went into a long field about what a really fine and useful book it is That shouldn't have been difficult for you, Watson I ended by telling him that he could have this valuable and excellent example of American literature for only three dollars and a half What is three dollars and a half? He said, how about that three dollars and a half? I was just wondering about that, I said I turned the apocalyptic inside out in a suit He did and a lot of pieces of metal spilled on the ground I took the gold nugget and told him I'd include the other four copies I brought along He's dropping back more for them That's nice I think I've seen him since quite a while Yes He said, brought more copies of my book I could see enough time Next morning I was awakened by the sound of groaning coming from Haskell, Scotland What I saw there awakened me with a star and yanked me to my feet Professor Demetrius Oh John, what's the message? Come here quick, please Something's wrong with LaRoy What is it? LaRoy? Yes Here it turns white overnight What's the worst happen to you?  Do you hurt us anywhere? My leg My leg, then Where? Let me see That's a very nasty information More like a third degree burn It's under your father's pocket That's LaRoy Did you carry that gold in your pocket yesterday? I did And where was it last night? I put it under my pillow I put it under my pillow That gold is poisoned in some way Poisonous What's the matter? Here in the mirror, is that me? Something did that stuff turn my hair white? It just sounded, sounded Yes, my boy, it did Oh no, no, no, it looked It looked, looked very nice I looked at it Standing at the entrance of the fence was an Indian rift An enormous head and thickly painted face He was wearing the usual white shirt and trousers of the solo And he was smiling a faint, ironic smile Which made me just like him intensely The professor was first to recover from the shock of his appearance Eh, you Did you give our young man here some gold yesterday? I gave the young man some gold for some book Did you know that gold was poison? Poison? How? Well, that's what we want you to tell us I haven't any idea What effect did it have? Can you tell me for yourself? Is this the same young man? Yes, you nearly killed him Oh, how evil he is It must be the effect of a metal I carried with the gold I do not know what you call it in your language Possibly you may never have heard of it Here, here it comes But that's radium You're a metallic radium It's more radium than is known to exist in the entire civilized world And carried around casually in the pocket of the moon But I was burned by the gold That's right But the gold has become irradiated by this piece of radium Which I might add is worth several million dollars No matter how real or raw you should have taken the radium and left the gold alone I wish I'd given the book away Don't you gentlemen ever communicate with each other without using words and sentences? Right To present the presence, the desire to communicate with each other Beneath you How do you know my name? Have you met somewhere before? I'm sure we have not But when I called, you talked your name See, naturally I needed one I believe that the ancient word called it To present, I perceived that you want to know my name Well, I had a number In my country, the city's been got numbers I'm sure when your own country becomes densely populated You too will adopt an numerically known case What is your number? 1,753,000,000 days 1,657,109 days 654 days That's not the government's hard to remember Where do you come from, Mr. When my country is one or two I dare say to you that you come from a country that you call one No, I see I'm wrong America, you mean that Very pretty many But quite unscientific When you read our thoughts before we speak You can use I take the language form right out of your own mind If the teacher has no language at all One can see this in view Look at the aluminum age And that arose from the prehistoric sea age A very heavy clumsy metal I have heard Archeology saying it Oh, breakfast rubble Good, good Set it up on the table Till your breakfast He is the one What's that? That man there, he murdered Jose Everything he has on is Jose He went for Jose's cause and he shoot On his finger is Jose's silver ring, I know it I saw him that day when Jose disappeared Are you sure, Pablo?  Oh, yes You realize, Mr. 3, that your confession will break you in jeopardy of the law Oh, then you do have laws in your country Well, naturally Pablo takes that rope there and tie Mr. 3 to that chair Yes, sir, yes You may consider yourself under arrest, sir Can Pablo handle it, Roy? Time's the killing It will be a pleasure We will have to carry him before a magistrate That is no thing to do with it Professor Dmitri, you have studied physiology Yes And perhaps the detection Yes Then why all this fuss about the killing of a lower animal for scientific end? Animal? Mr. 3, we Are all human beings Granted, Jose did not have the intelligence or culture such as we had Nevertheless, he was a human being Mr. Dmitri? And back animal, of course, they broke him out of the carousel I rushed from the steps followed by the Roy and the Professor The mules from the Yamas had been paid broken for the carousel The stampeding down the valley is just as beautiful as ever So, Pablo tried to hit them off Gently shotting and waving his arms But his efforts seemed silly in the face of a headlong flight And then my attention was diverted in another direction First and look, our pants on fire It was, a sheet of flame licked up the oil canvass and enveloped the ridge Our prisoner, he burns the desk in there I'll get him I ran back to the tent, pulled up the stake to the rear wall And shoved into the smoke-filled tent Mr. 3 was still sitting in the chair while we tied him He slumped clearly and the brim of his hat had dropped down to his shirt There was no time to untie him I picked him up, carried on oil and rushed out of the tent Just as the walls fell out It occurred to me that he was remarkably light John, did you all right?  How do you know? How do you know? See, their hands are empty But that's where the clock is I remember Jose had put it What does it mean? It means that somebody else, some thief has been stalking us disguised in this But I don't Exactly as a hunter stalks a deer in a deer robe Then it wasn't as human being Was it dinner? They wonder He knows he's a human being but he doubts that we are Did you notice how super silly if he was? He probably thinks of us as the missing link between the apes and himself We are animals to him He puts on one of our skins to hug us down We stood in the merciless sunshine in that black valley of hell We were four frightened men Powerless to combat the kind of magic or witchcraft or uber science which opposed us And then I noticed a strange thing A rabbit broke from behind a boulder and dashed between our feet scampering down the valley towards the river I looked up and saw a vikuna leaping from boulder to boulder and there slipping between the rocks was a panther Suddenly the whole valley seemed alive with flying animals all rushing headlong towards the river That's our exhibit And finally I saw a kukamare the great black bear of the Andes One foot by so close to it we had to jump out of his way but he made us no wish He was too intent on following the others from the river Now what in the world looked up the valley hopping from rock to rock What are they saying? They look like yellow fleas from here Whatever they are they must be what stem pieces of tech animals This is the devil's driving all the animals into hairs Look again Pablo They're getting bigger They look like men to me yellow men in the agility of mountain ghosts With strange hopping six figures approached we could see that they carried some kind of short metal rod that flashed in the sun The closer they came the more animals rushed by us Devil or no devil it was too much for Pablo As a beautiful speckled deer came in the view Pablo raised his rifle Thank you There must be no hold in the skin Which world around behind us on a large boulder stood Mr. Three He was naked having shed Jose's skin His face still carried the red paint of his Indian Masquerade but the rest of his body was as soft yellow like a ripe peach His feet were disagreeably small which accounted for the ease of which he escaped our rook and his handy carried a small metal rod I must apologize for setting fire to your tensions and may be quite accidental I did it with this focusing rod as I slipped out of your rope Focusing rod? Yes What does it focus? Radio power Why is that? It's the most compact That's what Mr. Michael I've ever seen It's really quite primitive I imagine it came into use among things in pieces along with fire the fusion of the art and the emotions of rockets They were all important additions to human knowledge but their discoveries and the dates of their discovery are lost in prehistoric eras You may well follow the rest of the quarry to the river Everyone must go What did you say? Follow the rest of the animals to the river Be quick about it Now look here We'll do as we please Why should we go? So our commander can select specimens to carry to the land of one Oh, I see He wishes our scientific advice on the selection of animals Ha ha ha ha Your advice You use monsters this year He's going to select one of you as a specimen to carry to one Now get along I don't want to have to use force You won't get us any other way Take cover men The four of us threw ourselves behind the boulders Mr. Tree didn't move He stood on top of his rock I doesn't see the way I raised my rifle Got his huge ugly head in my sight And squeezed the trigger But the gun never fired And suddenly my arms and legs were contorted in painful spasms My body stiffened and it seemed to throw my brain around fire But I opened my eyes I was flat on the ground And so were my companions I think that you are convinced now the utility of opposition But shall we throw together in the direction of the river? You realize that you're creating an international incident The United States of America does not stand for such treatment of its citizens You better think twice if things can get out of hand It may even become a matter for the consideration of the United Nations And it can certainly lead to war Indeed That should be interesting Professor You creatures really represent a scientific body But of course we do with a long institution How great And I'd like to have some things explained I'd be very happy to oblige if I can Oh yes I proceed your question We are here to extract radium from the pitch blend in this valley We do this with a portable furnace The things light we saw in the indies are called when we move our furnace from place to place We always do that at night To do so during the day we can leave because the sun's rays are left to create a local heat-up storm Yes, I can see that it's right Hey look What? Look ahead there A flying saucer to end all flying saucers If we round up a huge boulder that's good that an enormous cylinder with metal it's powered at least 750 feet into the air and that's the number of storms which could never have been more than 4 feet in diameter It's huge bulk sure enough by metal rods several hundred feet long which protruded from the ship where the barrel began to taper towards the field 500 feet up the side of the cylinder where a controlling drain which looked tiny in comparison to the great bulk and indicated that it must travel through space at inconceivable speeds Around the base of the ship blocks of yellow men were rounding up the animals and cages and throwing them aboard They worked with military precision obviously under orders although no sound was uttered since all communication was mental It reports that just four yellow men appeared with a large cage and from a port hole about 75 feet above the stern another yellow man with a scintillating scar on his forehead stared down at it Mr. Three drained forth up strictly in pollution What followed was the one-sided conversation put into words for Mr.  Three leveled his focusing rod and my brain seemed on fire and everything went black When I came true the yellow men were vanished The space just destroys in the light of the setting sun There are ports and I've been closed The professor and the lawyer were leaving an open mind John, are you alright John? I just don't Don't you think you must have been a nasty I'd rather I should have let this guy out I don't I don't I don't understand the place of the luminous gas in the boil-off and where it would kill you and you I don't understand I don't understand the good feeling they've got straight up to the air with a pretend I don't I don't Great, so fast The light of the exhaust ran through the entire color It was traveling at least at the speed of light 186,000 miles per second Look, with that faster I can blow It's all over the hill Yes It's all over us Yes I believe we are covered with the residual emanations of radium I suggest we go down to the river and wash it off otherwise it will present a killer Professor Yes If you notice the green liquid spurting from those creatures when Pablo Nassim liked green blood it was not blood but chlorophyll But how could you see gentlemen Mr. Three and his comrades were not animal were planned you should be able to write quite an interesting book about this expedition one that might even outsell reindeer in Iceland Yes, Professor But who would believe Directed by William N. Rowson tonight we have presented green splotches written in 1920 by T. S. Sribling and modernized and adapted for radio by Mr. Rowson Featured in the cast were Bill Conradis-Preston and Paul Freese as Professor Demetrius also heard were Ted DeCostia Harry Bartel, Barton Yarborough and Jane Avello Special music was arranged and conducted by Del Casillo The trap and a lost plateau in the shadowy depth of the Grand Canyon at your feet lies a fortune an ancient gold and beside you holding a gun at your head is a half crazed Indian from whom there is no escape The story of a man who faced the murderous fanaticism of an ancient tribe to recover a fabulous treasure in golden relics as Paul Pierce tells it in Grand Canyon's week Goodbye then until the same time next week when once again we offer you a scape to think there's no such thing as flying saucers but Charlie McAfee claims to have captured a flying saucer pilot and he gets Van Heflin into the process undeniable you'll find it as merry as thin as Charlie and Edgar Bergen have taken you on and there's plenty of fun earlier when Al Jolson made gags with...


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