Well, hi there. My name is Sandi Almak. I'm an artist and paper crafter here on YouTube and I'm excited to bring you the 24 Tags of Christmas 2015. This is a series that I did last year and I'm doing it again this year with different ideas and I wanted to share a giveaway with you as well. So please visit my blog using the link in the description down below in order to get involved in that giveaway. I would love for you to be a winner. So today we're going to be embossing a scene. And yes, I said embossing a scene. Not coloring a scene. Oh my gosh, the world's gonna end. I'm not coloring. I have four different colors of paper and I want to test some gold embossing powder on both darks and lights and I'll be using the MISTI to do my stamping. I'm gonna use this Santas Flight stamp set from Ellen Hudson and the tag size is determined by the tag portion. There's a tag stamp and it has like a to and from from Santa. So it's perfect for the gifts for the kids or for a Secret Santa gift at work or in your craft club or whatever you might do a Secret Santa. So I'm gonna use my D staticifier. I never know what to call this thing. It's an embossing D static thing because it helps the embossing powder not to stick where you don't want it to stick. So whatever that thing is it's gonna be linked with the rest of the supplies in the description down below. So I have stamped it or inked up my stamp. Gosh, I can't talk today with VersaMark ink and it's a sticky-ish ink and it's going to stick to the embossing powder I'm gonna use. So I'm gonna tap it on here and then kind of shake it off into a coffee filter so I can easily return it to the jar and reuse that. Make sure that you clean out any stray hairs that are in there. I discovered that I haven't done that very well lately and I had a few spots where I had to pull some little hairs out of my embossing before I started heating it up. I'm using my new Wagner heat tool. The heating gun is really really nice. It does a very quick job of it and I just went through each one of them and embossed them. I used the wow embossing powder on two and I used the Stampendis on two and since this stamp has a lot of detail and all those little letters I wanted to see if there's a difference and I literally by looking at them cannot tell which one was which. So the wow and the Stampendis are pretty much exactly the same but this is the detail powder that wow has. We're also going to use one of the non-detail powders but the Stampendis one and the wow that are linked in the description are pretty much identical. I think the Stampendis is a slightly better deal per gram but that's about it. So now I'm trying to figure out my layout for the other side of it and that's where the cute design is going to come in. I was debating whether to have that little sign down there at the bottom and decided not to but first I'm going to stamp the little reindeer's. So I get them in place where I want them in the misty and then I line up the stamp and press it down so now the stamp is picked up on that clear acrylic glass portion. Put my de-static of fire thingy down there so that none of the powder sticks where I don't want it. Press it down and I'm going to use the same golds that I used on the other side. So I'm going to do the same thing and if you want to eliminate having extra stuff just put the powder right where you want it. There's no reason to go any further with it.   Some of it you can't avoid I think it's just the way that embossing is but you can pull off some of those bits of it so I do try to fix that as much as I can before I take it to the heat tool because that will melt it in place and it will end up being a little dot. You can use that little finger knife to flick off some of those tiny dots if they're small enough. Now after I got all the gold embossing on there I wanted to do some clear embossing of the H-O cubed which is a cute sentiment but I didn't want the sentiment to stick out on it too much. I wanted it to kind of be a subtle thing in the background so I'm doing it in clear embossing powder which I keep in my big container and I did all of them at the same time so I stamped all the H-O cubes and then just dumped them all dumped the clear embossing powder onto all of them at the same time just to make it quicker because this stuff does stay sticky for a little bit but you can see how it makes a tone-on-tone look and so it's not going to stick out as boldly as brightly.  Here's the one that I told you was a bigger crystal embossing powder and I'll have both of these linked so in case you want to get some of this ultra high I think is what it's called it really embosses really deeply but it doesn't do detail so I tried it on the detail of the reindeer and it was mush so that's why the reindeer got done in that gold detail but I'm taking the stamp pad I wanted to make a little house that Santa's flying over and I just made a triangle with the stamp pad and I'm going to use that with the silver powder to make my little house it's how fun is that don't even need a stamp for it you could also just use a couple sticky notes to make a little mask but why do that when you can just stamp on something and make a little triangle so I'm just going to shake on some of this powder you can see how giant those crystals really are and then heat set them and this stuff just pulls up and makes like this super shimmery shiny silver and it comes in a lot of different colors too so you can check out those if you have other ideas for ways that you might use this kind of a crazy embossing powder lots of fun of course it's blowing all that stuff off of my surface so next I needed to figure out a way after all this dried off make sure you don't touch them oh and another tip for you that I found out the hard way since you're embossing both sides the other side will re get re get stickified what is that I don't even know how to say that it will get stickified again so when you dry them don't lay them down flat as you're drying them because you want to stand them up so that the whole paper cools because the golden bossam on the other side will become messy then so I'm just using some distress inks both on the Nina cardstock and I'll use some as well on the shimmery to just put some blue in the sky and that makes the hoe cubed come out of the out of the the background I almost wish that I had done the hoe cubed after I had done the distressing because I think that would have darkened it and then it would have kind of been a little bit of a disappearing act like the other ones were I think that could have been fun but these actually do come out really cute the one on the cream is actually going to be my favorite but we're all done said and done here so I'm just kind of going over a couple layers until I get that color as smooth as I want it and of course I'm going to add a lot of snow to it so if there's any places where you don't get that ink on really perfectly not going to matter the ink went on really well on this shimmery cardstock it's a smoother surface than the Nina and it just went on beautifully and I love that peacock feathers color with the cream I think that is a beautiful combination absolutely gorgeous and I'm going to add snow to it which will be white and it feels very different than the cream so it just had a really different look and I really like that one a lot here's a couple ideas for snow you can use some regular acrylic white paint but I'm going to use some enamel accents white on some you can use some Copic opaque white which I showed you before this is the other size bottle that I told you about liquid pearls there is some uh white pens white gel pens lots of different ways to add snow now this bottle of opaque white is the small one and it has this little brush the little brush I find like incredibly annoying just can't use it I can't do it so I am using the regular brush with it and I want to make sure that you know that you need to clean off your brush after this because this stuff it's going to dry fairly hard so it's not a watercolor it's going to be more like a paint so if you use your good brushes then make sure you do that I'm just going to paint snow on the top really simply with a simple line and then you can add icicles to it you could leave it with just the white snow but if you add little little places where the paint drips down a little bit you can add like all kinds of extensive icicles making really long and tall I mean making just a few small ones and make make them somewhat irregular so it looks more like realistic snow looks really fun but how nice is that white pop against the cream ho cubed I think that really just looks beautiful now I wanted to add a moon to it so I decided to take a little three quarter it's a three quarter inch circle that I punched to put right over top of the ho cubed and that turns out to be my moon and here's the one on the the white paper and I'm just adding my stars to it before I added the moon you can do that with any of the other materials for making white snow that I already showed you and here's the enamel accents this stuff goes on a little bit thicker and it does take a little longer to dry but it also is pretty cool and you can make the dots of snow with it you can do a lot of different things with this enamel accents I forgot I even had it I can't remember how long I've had it in my collection but it was very cool and it it came out kind of thick so it felt very much like snow and then here is more of that going on to the black one so these were really fun little tags to make and I hope that you might consider doing something crazy and embossed like this see if you can make a whole embossed scene onto one of the tags I think that's a really different look it's something that at least for me I never do just embossing like this I always seem to have some kind of coloring or inking or watercolor or something on it and just the embossing was a really interesting challenge for me so on the top the scene there is for the playlist for this year all the videos that have gone up in this year's series are there if you want to see last year's series you can click on the little one at the bottom and I would recommend definitely checking out the links in the description for my blog or if there's any the supplies here that you're interested in they're linked there as well as over on the blog and you can hit the like button which is always a good thing for any youtuber to see and the subscribe button if you want to get more videos from me talk to you guys later take care bye bye


A bibliometric analysis was conducted on hepatitis A virus, HAV, research, revealing that the United States has published the most studies, with the Centers for Disease Control and Prevention being the organization with the highest number of publications. The most cited article is on HAV classification, while the most cited vaccine-related article is on a formalin inactivated hepatitis A vaccine in healthy children. The largest number of studies were funded by the United States Department of Health Human Services and a vaccine was the leading journal with 299 publications. This article was authored by Talsif Ahmed, Manu Abdul Aziz Murad, Simon Azir, and others.


For the last 34 years, I've worked in the financial industry at major banks in downtown Chicago. For so many years, one thing that struck me was that I did not know a lot of people that truly loved what they were doing. If you love what you're doing, you don't work a day in your life. I really had to think about what I love to do, and development is what I love to do, and that's what led me toward FileMaker. As a developer, the point-and-click interface is excellent. I chose FileMaker because of the flexibility of the platform to create solutions that run on mobile devices such as the iPad and the iPhone. There's also a FileMaker certification program. I passed the test about a week ago, and that makes me confident that I could go into a new situation with a company or with a school district and create anything that would help them. I'm learning to become a top-shelf FileMaker developer.


Around Dodge City and in the territory on West there's just one way to handle the killers and the spoilers And that's with the US Marshal and the smell of guns smoke Starring William Conrad the story of the violence that moved West with young America and the story of a man who moved with it I'm that man Matt Dillon the United States Marshal the first man they look for and the last they want to meet It's a chance a job That it makes a man watchful At a little lonely you've traveled a fair piece from your lodges sometimes trail is long Come we will have food Hungry that's a fact Here antelope Eat out of fear for a while there My rib food gonna stick together You come with news Yeah, bigfoot.  Well, not yet. He ain't he may be soon enough Marshal's riding them out to Hay City tomorrow to be tried for murder. No, his life belonged to me Well, what do you care bigfoot just so they got him this man Rouse killed my father. His life belonged to me You're not thinking straight bigfoot forget all this and go home leave Rouse to the law Around my brother Yeah, your trail goes past the lodges of my people. I Should be riding past there tonight. I asked you to see my son young Hawk and send him here to me Sure, I can do that bigfoot, but I'm telling you again I wouldn't get myself mixed up in nothing if I was you the murder of my father must be answered Yeah, but the laws arrested this fellow Rouse. They'll take care of him. His life does not belong to white man It belonged to me Now eat You will need food to travel. Yeah Did it ever strike you how much time folks waste just writing things down I Can't say I've done much worrying about it. No, what do you see every day? How much other going on? How's that? Well, when I go to pick up the mail, there's always a whole pile of letters there anything That's what the mail is for Chester to bring letters. Yes, I know that but everyone of them letters has something wrote down in it Yeah, yeah, now I don't insert there's an important thing like that I mean all them letters that don't say nothing more and just howdy and how you've been Why if they would to take all the letters that was wrote in this country on a single day, they wouldn't be worth a whole boot You may be right Chester But I know one thing you'd be pretty hard to live with if you didn't get one of those worthless letters every now and then Yeah, come on. Let's get a beer and cool off Dark coming in now that bright sun any I can see well enough to make it out that doc beat us to it Just there Matt, come on sit down. Oh, thanks kitty I'm surprised to see you here at this time of day doc Oh, I don't think you're in any position to call attention to a man's taking time off for a little refreshment I wouldn't even notice any man but you What do you mean by that?  Yeah, I'm delivering a prisoner to Hays City Well, don't I just don't feel easy about you taking that cussid rouse up there all along What's the matter Chester? Don't you think Matt can take care of himself? Well, of course he can take care of himself miss kitty, but this fellow is awful mean You just might work out to be here if I just go along on the stage with you Why don't you take him with you Matt? I just had to stay in dodge kitty We got another man in jail It wouldn't hurt him then if we just left him locked up overnight mr. Dillon the way he is feeling this morning He probably wouldn't even know a difference. Chester. You're staying here Mr. Well Matt if this man is dangerous, maybe you'd better take Chester. Yes Matt by all means That's what I think mr. Dillon. I'll get him there alone I'm gonna go get that beer Nice to you marshal range in the private stage so to speak a marshal you hear me Yeah, I heard you My guess nobody wanted to ride that close to you I Don't know I ain't such a bad sort of a fella Hey marshal, you know, I could be real comfortable this trip if you just undo these here wrist arms marshal You've got the gun Ain't nobody else here to object I'd object Well, I don't make no sense marshal listen.  Yeah, you're feared about it.  Hey, we can talk to him.   Hey marshal Now I take your gun Big foot the gun throw it out. I didn't know you were a hold-up man big foot not hold-up man You've gone to a lot of trouble for nothing. There's no gold on this stage. I don't look for gold.  Big foot you and I have been friends. You've been able to take my word Marshal has always acted with honor. Well, then let me tell you something I'm taking this man to Hayes City to be tried for murder The evidence against him is great He'll probably hang now his life belongs to me. He may not have a life at all after the trial You take him you won't either. He killed my father. Let the law punish him then don't start trouble with the tribes I do not start trouble He started trouble Let me finish it for you then Let me take him out of Hayes City. I promise you're justice big foot.  I suppose you've got a plan for me. The marshal must come with me for a while You're making a mistake big foot. I would make mistake to let marshal go free All right, my son By the hands of marshal I will watch prisoner and you driver you free to go do not return to dodge Can't see in the engines Don't worry about it They can see you. I just thank you We might make break for it in the dark You wouldn't get ten feet a gamble a bullet at me They wouldn't waste a bullet on you Ross. They just drag you back The gamble isn't good enough Aren't you going to nothing? I have to be alive to do it What does that mean? It means I'm gonna wait for a better chance than making an open target of myself With my hands tied You should have left my hands free if your hands had been free and you'd try to do anything you'd be dead right now You know what they're gonna do Big foot wants to give you a fair trial Ross They're gonna walk us to the encampment. There's a meeting in the council of the tribe Dirty engines at least they're giving you a chance That's more than you did for Bigfoot's father when you all used just a no-good dirty engine marshal listen I want to tell you make me sick.  I want to get some sleep More shot tell you true. I Ain't gonna last much longer. What crying Ross. Well, you must have come 20 miles in son of Walking while am engines ride. I know how far we've come.  They're not worried about what you think Ross You sound like you on their side It's not an easy choice You wouldn't raise a finger to save me would you listen to me Ross? I may not like it, but it's my job to get you to Hayes City alive. You don't look like you're trying very hard. I Tell you marshal is ain't hardly human being drug-along prayer like this It's just more than a man can stand.  Aren't you?   You gotta live. I gotta make it much longer Marshal I got a rock in my boot. It's going right through my foot. That's too bad I mean it marshal. I just ain't gonna be able to walk no further. You want me to carry it off to them Make him stop just just while that they get out. I'm not likely to stop for you to feel easier Might if you ask them ain't got nothing against you They're just seeing you don't free me as all Please marshal ask him to stop just for a minute All right, but you keep quiet you hear let me do the talking sure Big foot big foot.   I Can't do nothing this way Marshall Yeah, this is where it will be done. I will water horses. You will take boot off My son will stay with you. He will watch I'd take my own boot all the Marshal will do it You better settle for that Ross if you want that rock out you stay son and watch Watch right Ross. What's foot is it? It's this right one brace yourself You want your boot off or not?  There's no no women at my time That's that's right slow Yeah, hey young Hawk you just look here. Just look lean over here lean up. Now you see See look out Got you Knifed it. I sure did marshal. I got it right in this belly young. Oh here.  I'd worry about that if I were you Won't grab his gun All right, I got it. That's the way you know you and me's got the deal All you got to do is shoot that engine when he comes back and we all set.  I'm a white man.   No big foot. I'm sorry. I couldn't stop it Dylan. He pulled a knife from will you shoot him?   He's again Just finished breakfast by now Kitty Holder miss kitty. Aren't you out kind of early? I'm bringing a message to Matt friend of his was in the long branch last night And wanted me to say hello for him and Matt got back He didn't get back. I thought he was due in on the stage this morning. That's what I thought to miss kitty And it's left me in an awful pickle. Well, what's the trouble? Just say That prisoner in there the one he left with me in the jail. What's the matter with him?  Haven't you? Yeah. Well doc, of course I got the key, but I ain't sure it's fitting to me to let anybody out about party Well, it looks like you can ask Matt Well, look at that I guess mr. Dylan decided to ride back. Well with an Indian and on an Indian pony That is kind of strange. No, ain't it? Hello, Matt Just doing a lot kitty doc mad Chester Mr Put this man on the cell will you lock him up? That's what I said Yes, sir All right, Bigfoot go with Chester Well mad I guess we need no worried about you you start off with one prisoner and you come back with another Just like a one-note shovel at all Yeah Now if you don't mind, I'll see you both later Sure man, wait, this is just something wrong man. What could be wrong doc? Like you said kitty. It's no trouble at all They would buy Norman McDonald stars William Conrad as Matt Dylan US Marshall The story was specially written for Gunsmoke by Marion Clark with editorial supervision by John Meston Featured in the cast were Ralph Moody Lawrence Dobkin and Vic Perron Barley bear is Chester Howard McNear is Doc and Georgia Ellis is kitty And now here's a special word from our star This is William Conrad. I Don't often step out of Matt Dylan's shoes on the air And I'm gonna do it today for an important reason called radio free Europe Did you know that 93% of the refugees escaping iron curtain countries proved to be radio free Europe listeners? At risk of life itself Captive people do listen hunger for the truth about the free world Your truth dollars your help whatever the amount will keep the truth going through the iron curtain Send it now To the crusade for freedom care of your post office Gunsmoke is a presentation of the CBS radio network


Life is good all this month at Appalachian Wireless. Get the LG G5 for just one penny with sign-up or renewal of a two-year service agreement. That's almost $100 off the regular price. Better service, bigger savings. That's today's Appalachian Wireless. Over 100 people teamed up with Appalachian Wireless today to give back to the community. Appalachian Wireless hosted its 11th annual charity outreach golf tournament at Stonecrest and Prestonsburg. Each year donations collected from the event benefit a local organization. We invite our largest business customers to come play golf. Kind of as a thank you for doing business with us. In lieu of an entry fee, we actually allow them to just bring donations for the charity of our choosing. And this year, those donations went to the Buckhorn Children and Family Services in Hazard. Anytime we can help kids at Appalachian Wireless and just in general throughout the community, I think most people are very much willing to jump on board. 32 teams participated in today's charity outreach golf tournament. Appalachian Wireless was able to collect over $8,100 to present to Buckhorn. It is absolutely an incredible thing because we're a non-profit entity and the rates we receive for services don't cover all our costs. So fundraisers this day and time with the economy the way it is is far and few between. There's not a lot of people donating. So Appalachian Wireless and what they've done today to help out Buckhorn Children and Family Services has been incredible. Buckhorn Children and Family Services is always accepting donations. Officials say bedding and clothing are needed the most. Reporting in Prestonsburg, I'm Shelby Still for EKB News.


The Mutual Broadcasting System in cooperation with Family Theatre Incorporated presents Mr. Carousel, starring Jimmy Durante. Jeanette MacDonald is your hostess.  Prayer is a simple thing. A simple act of lifting our minds and hearts to God. A simple word of thanks, an act of love. With these convictions about prayer, Family Theatre comes to you each week. It comes with the knowledge that family prayer can give us the most powerful help to keep our families together. That's why Family Theatre is dedicated to your family, to all families. Your letters during the past two years have given us great encouragement. It's encouraging to know that listening to Family Theatre has become a habit. We sincerely hope that praying together, praying as a family, has also become a habit with you. When you gather your family together, when you make daily prayer a family practice, you'll know the joy and happiness of God's wonderful blessings. Jeanette MacDonald returns following this Family Theatre story, Mr. Carousel, starring Jimmy Durante. Brooklyn is famous for a number of things. A tree that grew there, a baseball team, a bridge, and 2,800,000 proud and highly volatile citizens. This is the story of one of them, James Delahante Clayton, and a memorable moment in his life. It's a nice balmy evening on Willow Street, and James Delahante Clayton sits on his front porch, as usual tinkering with a new music box when he has a visitor. Good evening, Mr. Carousel. Well, good evening, Mary Ann. Come on up here on the porch, I've got a new tune for you. Just got through putting together a new music box. Oh gee, a new song. No, sweetheart, an old, old one.  Now we'll wind it up and see how you like it. There it goes. There it goes. Gee, don't you mean ride, Chris? I don't understand the words. Well, if you meet somebody coming down the street, your smiles at them and say good morning or good afternoon. Just like we say to our teacher at school. That's it. Like, for instance, when I shows up at Carnegie Hall, I says good morning, Mr. Beam. That's the doorman. Or good morning, Mr. Upton. He's the manager of the hall. And they say good morning, Mr. Clayton. Don't they say good morning, Mr. Carousel? I only allow my special friends like you to call me Mr. Carousel. You're not going to forget about your promise. My promise? Yes, about taking me to the rehearsal with you tomorrow. Oh, yes. Why, of course. Are you going to sing and play your music box at Carnegie Hall, Mr. Carousel? Well, not exactly. Tomorrow my performance is along other lines. I'm assisting the world famous singer, Mr. Enrico Orlando. Now, don't you think it's about time for you to be running home and getting a good night's rest? Then you can be bright and fresh tomorrow when I introduce you to my very good friend, Mr. Enrico Orlando. Good morning, Mr. Beam. Morning, James. Good morning, Mr. Mack. Morning, James. Mr. Upton wants to see you in the auditorium. Thank you, Mr. Mack. Good morning, Mr. Upton. Looks like we'll have colossal weather for the opening night. Yeah, it should be a sellout. Oh, the accompanist is on the stage waiting for you. That's fine. Remember, I want that piano tuned right this time. Orlando complained about it yesterday. Leave it to me, Mr. Upton. I'll make that piano sound like a harp from heaven. Don't extend yourself. Just make it sound like a piano in Carnegie Hall. And be quick about it. The rehearsal starts in an hour. Indubitably, Mr. Upton. Indubitably. They all say, good morning, Mr. Clayton. Good morning, Mr. Clayton. Be, Mr. Clayton. All right, Clayton. Right away, Mr. Upton.  Someday they'll evaporate him into a vinegar jar. That does it. This baby sounds like a harp. Well, my good friend, Mr. Clayton. Oh, hello, Mr. Orlando. I see you've been a tune on the piano. How's she sound now? I was just saying to myself, this here piano is now in tune with the angels. And why not? Has she not had the touch of Jimmy Clayton, the best piano tuner in all America? Couldn't do less for the best singer in Brooklyn and the USA. This is what you call a mutual admiration society. As they say at Saratoga, it's paramuteral. I think that is very funny, no? A couple of more months in America and you'll have yourself a fine Brooklyn accent. Well, got to give this piano the final check. The Clayton Carousel. Yep, this here instrument gets the Clayton seal of approval. She's primed like a thoroughbred, rare in the gold. Just like me. It's what they say, a power immutual. There's a lady at the stage door. She wants to see you. A lady? To see me? Yes, Mr. Carousel.  None of you lip beam. Just send her in. She's a very special friend. Yes, Mr. Clayton. I see you have the eyes for the ladies. Is that Jimmy? This is a special one. She's nine years old and bright as a new nickel. Say, Mr. Olander, I want you to meet her. It will be a pleasure. I told her what pals we were. You know. So I thought maybe you'd... Not sure. I understand it perfectly. You leave it all to your friend, Olander. Say, look at that house. Packed to the rafters. What a nightingale. This Olander sure can pack him in. Sure can. Well, looks like the show is getting on the road. We take great pleasure in presenting Mr. Enrico Olander of the La Scala Opera Company. Mr. Olander will offer for his first election the flower song from Bizet's immortal opera, Carmen. Mr. Olander. Am I hearing right? It can't be. Mr. Optin, have you seen my tuning kit around? From the sound of that piano I'd say it's straddling an entire octave. Clayton, get out there.  And when you come back, keep walking until you get outside. And don't ever set foot inside again.  How uppity can you get?  Or even parasite. If his name was Pat, don't ever set foot inside here again, he said. Why, I wouldn't even put my big toe in the door or my protruding proboscis. The nerve of him. Firing me when my back was turned. Mary Ann, what are you doing out so late? You should be in bed. Oh, I just to find out about. You know what? Was it real good? Was what real good? Your opening night. Oh, that. Sweetheart, there's never been nothing like it in show business. Oh, gee, I'm glad. Did they clap real loud? Toward down the house. That's what they did. Toward down the house. If I ask my mommy, do you think I can come and see you on the stage? Well, Mary Ann, I got to thinking tonight that I'm getting a little tired of them command performances. I figured I'd get me a new kind of job. You mean give up your music? Oh, that would be awful, Mr. Carousel. Well, not exactly. Well, what would you do? Uh, be an impresario. Yeah, that's it. I always wanted to be an impresario. What does an impresario do, Mr. Carousel? Well, he, uh, he, like Mr. Upton, puts on big shows, gets important people to sing and act.  After all, there ain't a big name in the music world that don't know the wake of James Delahante Clayton. Oh, golly, Mr. Carousel, then maybe you'll bring them all to Willow Street and they'll sing for us, huh? You might do that someday. Now, uh, don't you think you'd better be running along home?  Lady, when you look at me like that, what can I say? Why, Mary Ann and Mr. Roberts, this is an early morning surprise. How are you, Mr. Clayton? Fine, fine, come in. Nothing wrong, I hope. No, no, nothing's wrong. Have a seat. Thank you. Uh, Mr. Clayton, for the past many months we've heard nothing but Mr. Carousel from our daughter here, Mary Ann. Oh, she's a queen, that's what she is. My greatest audience. Well, Mr. Clayton, I've come to ask you a great favor. Anything, Mr. Roberts? That is, uh, within my humble spear of influence. Well, I've been appointed chairman of the Willow Street Committee for the new medical clinic. That's just what Willow Street needs, a nice, clean hospital, yes, sir. And the committee has decided that a benefit of some sort would help raise the necessary funds. And I told him for a scario, and that all sorts of people were going to sing an act for you. Yeah? I mean, uh, well, the truth is, Mr. Roberts, that I... And I told Daddy and Mommy that everybody knows you, just everybody, and that you said you'd bring them to Willow Street to sing for us. Well, I don't think I... that I could bring them to Willow Street. Well, Mr. Clayton, if you can get the talent, I'm sure we'll have no trouble finding a place to present the benefit. Oh, James, to Carousel. Oh, gosh, won't that be fun? And you being the Emperor, scario and everything. Well, I ask for it. Uh, Willow Street will never forget this, Mr. Clayton. That's what I'm afraid of. That's what I'm afraid of. Well, say there, James Delihante Clayton, and where do you think you're going, me fine friend? You can't come in here. I'll I'm away, Bean. Got a lot of things in my mind. Got a lot of work to do. Now, hold on. So, you've got things to do, have you? Well, according to the flat Busch Gazette, there's not piano tunin' that's keeping you busy. It says here, James Delihante Clayton has turned impresario.  Now, step aside, I've got no time for your society gossip. It says the rise of impresario Clayton is one of the greatest success stories of this great land of ours. For only last week, he was tunin' pianos at Carnegie Hall. Let me see that paper. I was framed. And before you was framed, you was fired. Who said I was fired? I quit. You was fired. And Mr. Upton said, to arrange for you not to re-enter these sacred portals ever. Well, I got news for you, Timothee Big Maltbeam. That's just where I'm gonna put these two feet of mine. Right inside these scarce portals. And should a certain mist up and provoke me further, I shall be forced to plant one of them right where he'll be most inconvenienced. Howdy, Marianne. Oh gee, it's real. I told my teacher about the concert and she said it was real wonderful and everything. Sit down here, Marianne. I want to talk to you. You don't act like you're feeling very good, Mr. Carousel. Well, I'm not Marianne. You see, I did something that was wrong. You did? You see, when a poison doesn't tell the truth or pretends to be what he ain't, he gets punished for it. That's what my daddy always says. And so? That's why I'm not feeling so good. I know what. Let's you and me play a happy song, Mr. Carousel. Then maybe you'll feel better, huh? No, Marianne. The only way I'll feel better is to tell you the truth. You see, I was always pretending I was a big man over at the hall. But do you know what I really was? Sure, I know. You were a, uh, a whatchamacallit. Um, um, an emperor's scario. No, sweetie. I was the piano tuner. You, you mean like Mr. Godowski at the school? Well, not in the same class. After all, tuning pianos at Carnegie Hall is a little different. Oh, who am I fooling? Yep, it's the same thing. But I thought you played the piano for Mr. Orlando. No. No, Marianne. I only tuned the piano for him. Oh. And after what happened the other night, I won't be doing that anymore. You mean Mr. Orlando is mad at you? I've got an idea to roll mad at me over at the hall. Why, I can't even get in the place to see anyone. Oh, gee whiz. Oh, golly, what'll we do now? I'm gonna have to tell your daddy and mommy tonight that there ain't gonna be any concert. I could tell them if you want me to. Unless you're honey. But I'll tell them. Say, where are you going? Oh, I just remembered. Mr. Orlando will see you. Go right in. Mr. Orlando, it's just real important. Darling, believe me, nothing would have given me more pleasure to sing for your friends on Willow Street. But I have a concert in Boston. But you could sing there some other night, couldn't you? But sweetheart, I have signed a contract. You know I have given my promise and my word. And thousands of people will be disappointed. But couldn't you tell them about your friend, Mr. Carousel? I'm sorry, Bambino, but it's impossible. I'm sure my friend, Jimmy, he will understand. Well, goodbye, Mr. Orlando, and thanks anyway. Goodbye, Gracieman. And I promise one day I'll recall Orlando's sings just for you alone. Goodbye. Hello? Yeah, this is Mr. Clayton. What's that? You want your piano tuned? Did you try Mr. Kodalski on Bay Street? He's not home? I see. Okay, okay, I'll help you out. What's the address? 6800 Willow Street. Yeah, yeah, I'll be there right away. Bye. Now I know how Officer Flannery must have felt when he transferred him from Times Square to the Bronx. I got to call the tune of the piano here. Huh? You're Mr. Clayton? Yeah, yeah, that's me. Now where's the piano? Come this way. Go right in, they're waiting for you. Wait a minute. Waiter joins jammed. Hello, Mr. Carousel? Mary Ann. Clayton, we thought you'd never get here. And Mr. Roberts, what is this? It's the Willow Street Clinic benefit. But someone wanted a piano tuned. I did. Mr. Orlando. And I refuse to go on until it is tuned by none other than my friend Jimmy. Keep talking, I'm still in a fog. Oh, there is no time to talk. People are waiting to hear Enrico Orlando sing. But I thought you was due to sing in Boston. I was, my friend. But a little angel who whispered in my ear about a very good friend who was very unhappy because he could not keep his promise. Tell me, did that angel look something like this little lady here? Exactly like her. But how did you get out of going to Boston? I tell the concert manager there, in my country it is very bad not to listen when the angel, she talks. Especially when this angel, she comes from Brooklyn. And you know what this concert manager, he say? No, what? He say, we in Boston also believe in angels, but who will sing instead of Enrico Orlando? I tell him, I have talked with my very good friend Arturo Hernandez. One of the great voices since the Bobber of Figaroa. Bobber of the Seville. That Bobber sure gets around. So it is arranged that Arturo sings in Boston. And as we say here in Brooklyn, everything is a parry-mutual. Call it G. They're playing your song, Mr. Carousel. And what else? Well, what are we waiting for? Let's put the show on the road. A one, a two, a three. This is Jeanette MacDonald again. You know, a home isn't just a house or four walls or a room. Home means understanding, affection and love. It takes all these to make a house a home. It means mother and father and children living, working and playing together. Yes, and praying together. Children must be taught to pray, you know, and they learn best by seeing and doing. A picture is worth ten thousand words, and the daily picture of father and mother, brothers and sisters, praying to God for the help they need will remain forever in the memory of a child. The toys of Christmas and the little family pleasures will soon be forgotten, but one memory the children will carry through life is the memory of a God-respecting, God-loving, prayerful home. I know because I come from such a home. That's why, week after week, we bring you this message. Pray together as a family. A family that prays together, stays together. This is Jeanette MacDonald saying, God bless you. Ed Coleman's and Fred Howard. Next week, our Family Theater star will be Moreno Sullivan in Violets for Courage. Your host will be Robert Ryan. This series of the Family Theater broadcast is made possible by the thousands of you who felt the need for this kind of program and by the mutual broadcasting system which has responded to this need. Be with us next week at this same time when Moreno Sullivan and Robert Ryan will star on Family Theater. Tony LaFranco speaking. Mutual Broadcasting System.


Grades in Canvas There are a few ways that you can view grades in Canvas. The first way to view grades is by selecting the View Grades button in the sidebar. Here you can quickly see your grades for all courses you are enrolled in. To view your grades, just click the course name you want to see grading details for. Or you can access course grades by opening a specific course in your Canvas dashboard. For this demo, I am going to use a specific course from my Canvas dashboard. On the screen, you will see my Fall Idea demo course. If you look next to the Grades link, you will see there is a number 5 there. This means that I have 5 new assignment grades. Now I am going to click on the Grades link. When the Grades link opens, you will see an overview of all of my assignments and grades for this course. You will also see my current grade. I am going to sort my grades by module so I can easily see my grades in the order they were completed. I recommend that you do this too. But you can sort your grades by due date, assignment title, or assignment group using the Arrange By drop-down menu if you would like. Right now, it looks like I have a 73.77 hours in the Idea class. Let's look at the Grades table and review some of my grades. When you look at the table, you will see a list of my assignments including their due dates, my score, the total points that were possible, and if the assignment has been graded. First, let's look at the assignment called Learn. Project Idea. Do you see the dialogue bubble? This means that my teacher left me a comment. Let's click the bubble to see what she said. The comment says, You lost 5 points because you did not record. See me if you need help. I don't know what record means, so I will talk to my teacher tomorrow. Next, let's look at Practice. Practice quizzes. There isn't a comment from my teacher, but I can see I got a score of 7 out of 7 possible points. That means I got everything correct. Now let's look at Discuss using the computer. I can see that my score is 3.8 out of 5 points, and I see a dialogue bubble and a blue box with a star. Let's click on the box to see what it is. Oh, the blue box is a rubric that shows me how my assignment was graded. I can see that I lost .2 points for capitalization, punctuation, grammar, and spelling. I also see that I got a zero for student replied to a classmate's post. I wonder what that means. Maybe the dialogue bubble will have more information. Let's click on it and see. The first dialogue bubble shows me that I typed word and PowerPoint wrong. The second comment says I lost points because I didn't reply to a classmate. I still don't understand what that means, so I will ask my teacher tomorrow. Finally, let's look at Learn. Successful students. Under the score column, I see a circle with what looks like a squiggly line in it. We haven't seen that before, so let's see what it means. If I hover over it with my mouse, I will see that my instructor is working on grades. That means she hasn't graded the assignment yet. I will have to come back and check my grade later. When I look at my grades now, I see comments and rubrics that are open. I can leave them that way or I can click on close and close them. I am going to close them. One additional feature that I wanted to note is the scoring details feature. When you check your Canvas grades, you may also see a check mark with a plus sign to the right of it. This is the icon for scoring details. What this icon means is that after at least five students in your class complete an assignment and get a grade, you will be able to see the low, high, and average scores for your class. This feature is not one that you really need to use often, but I wanted to mention it in case you see it when you check your grades. Now that you have learned how to check grades in Canvas, it's time for you to check your grades. Be sure to ask your teacher if you don't understand a grade or a comment. You can watch the video again if you need to.


Live from Washington, D.C., it's theCUBE, covering AWS Public Sector Summit 2017. Brought to you by Amazon Web Services and its partner ecosystem. Welcome back here on theCUBE as we continue our coverage of the AWS Public Sector Summit 2017, along with John Furrier. I'm John Walls, we're in the World of Washington Convention Center for the sixth show of almost 10,000 attendees. Somewhere in that ballpark, it's come a long way in a very short period of time, so AWS has a lot, I think, to feel good about, a lot of good us. It's a new reinvent for public sector, it's huge. And not just, we think about government, we think about education as well, we've had a couple of segments about that. We are going to talk about government though with our next guest. And if we get a name wrong on this segment, shame on us. John Stevenson with John Walls and John Furrier. And John's the senior manager.  Yeah, JC, right. Public policy at AWS. John, nice to have you with us, we appreciate that. Thank you for having me. Thanks for taking the time. So you're focused primarily state and local governments. And then what exactly, as the conduit of what, in terms of what you want to bring to their table from AWS? Well, I'm a senior manager of public policy for Amazon Web Services in the Eastern United States. I handle state and local government relations in the Eastern US from Texas to Maine and then South to Florida. I help our business and also our partners in government understand how public policy can enable cloud and modern technologies. It's a very exciting place to be because there's a lot going on in state and local government when it comes to IT modernization and cloud right now. You know, I think about government too. I think there's a big umbrella we could put all in. Government, it's public service. But federal government I think has a place and then state and local I think much more responsive, much more grassroots. And so those applications are much more immediate, I would say. And so does that come into play with you that you need to be a little more nimble or you're helping your clients if you won't be a little more nimble or more agile? Absolutely. If you look at what state and local governments are doing, essential services from delivery, healthcare to taking out the trash, providing public safety, providing education. It's handled at the state and local government. And if you look at the number of times you touch government, it is state and local. Think about renewing a driver's license. Think about paying a parking ticket. Think about getting a zoning permit for remodeling of your house. You're dealing with state and local government. The demands on state and local government are also higher. They're holding more data on citizens than the federal government. They are undergoing massive population changes, either positive or negative. So state and local government, which also have budget constraints, need to be more nimble, more innovative. They're natural early adopters and first movers of technology. And if you look at some of the more exciting things about technology that are happening in the government space, I think it's happening at state and local government in the U.S. Yeah, and Smart Cities, by the way, is the hottest trend intel. One of the key sponsors of this show. And we had two folks on here. AI is really going to be a nice gateway for some of these innovations on their side. They have 5G opportunities, they have a transformation. A lot of technology going on under the covers, under the hood, if you will. One of them is Smart Cities. And that is something that is just mind-blowing, just from a technology standpoint. But we've been more mind-blowing from a policy perspective. Who sets the rules? What side does the car run on? What digital services are citizens going to get? Who pays for them? What does the government do? What does the private sector do? These are issues that need to be grappled with. Your thoughts on how you guys look at that and how are your constituents engaging with that and thinking about it? Well, I'm glad you mentioned Smart Cities because there's a lot of activity going on in that space. If you look at internet of things, technologies alone, one of the enablers of Smart Cities, as many as 53% of state and local governments, according to NACIO, are looking at these technologies or deploying them. So it's great to see that because that'll enable a lot of potential from smarter government services, better government services, improving service delivery and improving constituent fulfillment, which resonates with us as part of Amazon. We're all about customer fulfilling fulfillment and delighting our customers with new products and services. They'll ship things faster. That's Bezos' ethos, that's the Amazon's culture. And you can deliver services, any digital services. Everything we do starts with the customer and we work backwards. And in the conversations I've had with policymakers, the state and local government, they see Smart Cities as a way to do that. Everything from improving transportation in places like Columbus, Ohio, to improving connectivity and engagement with the internet in places like Kansas City, Missouri, and new ways of delivering services in places like New York and Los Angeles. It's very exciting stuff. Where policymakers are coming to us and others in the industry about are what are the policies? What are the best practices that can enable these technologies? And so we've been working with them providing information on what we're seeing around the world, how open data can be made and able how security and compliance can be built into applications. And we're happy to provide that because we know from working in the cloud ourselves, the potential that's there for state and local government. You want to foster innovation at the same time. You don't want to create such a restrictive environment or have legacy be the baggage that holds things back. In fact, if you look at some of the best Smart Cities implementations, it's Singapore, it's Dubai, it's areas all over the world that in some cases didn't have really strong infrastructure. So now come back to your role as you look at the U.S. which has great infrastructure except for broadband connectivity. We do faster, but they have some preexisting conditions. So they're under pressure. The cloud is a perfect vehicle for them because they can come in with their existing stuff, get apps and services online quicker. How are you dealing with the challenge of okay, calm down, you're not going to take over the world, you know, Skynet's not coming, you know, terminator reference as always. But you know, that's a concern. Privacy, a lot of policy issues to be dealt with. How do you handle those? Well, I think with any policy issue and I've been in public policy for a while now, it really starts with education. Understanding in very simple layman's terms what the cloud is and what it is not. It is a very transformative technology. It is not an end all one size fits all technology. So what we've done is help educate policy makers by understanding the potential of cloud, what it can do in terms of cost savings, improved security, and being more agile.  We're not coming in and giving PowerPoint presentations, although I haven't- It's good old pound, slash pounding handshakes and hitting the streets. Well, more importantly, it's sharing the customer's stories. We're talking with them about what's happening at the New York City Department of Transportation. We're talking with them about what's happening at the city of Los Angeles with their emergency operation center about how cities are using cloud technologies to deliver far superior products and services faster. Well, I mean, hit on some of those. So what is New York doing? And what is LA doing specifically? So New York City, they have their iRide application to help citizens get from one point to the other much more quickly and safely as part of their Vision Zero campaign. Anyone who's been in New York and I've been in New York quite a few times knows that traffic can be a real pain in getting from one part of Manhattan to the other. So what iRide does is it helps people navigate Manhattan and the other boroughs much more quickly and efficiently using all the modes of transportation available to them. City of New York is able to deploy that much more quickly to many more people. They're able to update it, keep it secure thanks to cloud technology offered by AWS. City of Los Angeles, they face cyber attacks every day. Then they're the huge costs of maintaining that security. But with cloud, they're able to build out event management systems and integrate those with their Homeland Security technologies and practices and they're able to do it for a fraction of the cost using traditional systems, traditional IT and traditional practices. It's very exciting. Suddenly local government can move with the speed and agility of Astarta, which has made Amazon very innovative when last year we launched over 1,000 new services and features. So, state and local governments are seeing that they want to be more like us and others in the industry that are using cloud to deliver new products and services and be better at their jobs. In the education, I would also add probably patients in the educational role. Yeah, I mean you think about just the civil liberties of the citizens. That's really a job one because I think most people would get spooked, whoa, all the surveillance. But you think about just watching Patriots Day with my family, you know, the Boston bombing, Boston Strong with Mark Wahlberg. You know, these things actually happen all the time and we take for granted some of the things that we have in the surveillance community for the kinds of data that's out there. At the same time, that's the balance.  So it's all the same compliance game, same governance game. This is the public sector. Well, that's where I think cloud has a great story to tell. So with cloud, you get the benefits of economies of scale of Amazon with security and also with privacy. We have multiple compliance frameworks, everything from HIPAA, FERPA, Seegis, criminal justice information systems. We are zealous guardians of security and our customers' privacy. We don't look at data, we don't share data customers' permission. We have very strong safeguards and that's why if you look at the customer base of Amazon from banks to government agencies, healthcare companies, even companies like Netflix and you would think they're a competitor of ours, they're running their IT in AWS. They trust us even though with Amazon Video and Amazon Prime, you would think they're a competitor but they've put that level of trust in us and our systems and our practices that they can put their data there. And we're hearing it from customers after customer that they feel more safer and more secure with their data in the cloud offered by AWS and we've shared that with government officials and they take great comfort in those statements. You hit on something earlier when you said that state governments or local governments have more data at their disposal than the federal government has about their consumers, if you will, in quotation marks. Because of that, how much higher do you find their concerns to be in terms of cybersecurity in terms of hack-proof, secure networks and systems as opposed to what might happen on the federal level? Because we think federal, right? We think big about what happened with through the US government's payment systems, right? Last year, OPM, but you say state, local, they've got a lot more data they're protecting. Well, I've had a great opportunity in my current job to talk with a lot of IT officials and policy makers in the States. And oftentimes a meeting will start and they'll say, you know, I've read about this, I've heard about this. And we're often able to say that's not an issue with the cloud offered by AWS or that's something we've already addressed through our security and compliance frameworks. So for example, I was in one meeting and a state policy maker asked me, well, what do you do about HIPAA compliance? We have HIPAA compliance in AWS. And then he tried to ask questions, well, what about this? What about that? And each time our team was able to tell the state policy maker, we meet that, we exceed that, we actually helped write the standard for that compliance framework. So what we've been able to show that policy maker and others is that the cloud just offers a far superior security posture than what they can do on their own. It's taken some time because the cloud is new. And it's still, as we like to say, it's still day one in this field. And, but we are very confident that as the word gets out, more and more people will be trusting, particularly in state government, their data to the cloud because of the superiority it offers on so many different levels. Certainly the word is getting out. This event here is just as big as it's ever been. It's like, I almost reinvent now. These would be a little summit. Now it's grown, there's a lot of interest. It's very exciting. For me, I've been to reinvent now twice. And this is just so delightful to see so many people from government, from the US, from internationally here to learn about the cloud, share their story. It's really inspirational to see what's possible. It's a testament to Theresa Carlson, who was just years ago knocking on doors. No one, that was before cloud was cloud. And now it's just come a long way. Congratulations to the whole team. Thank you. It's really delightful to see and I can't wait to see what's in store for next year and after that. We still got a little bit to go here though, John. Don't kick us out quite yet. John Stevenson, public policy at AWS. Thanks for being with us, we appreciate that. Thank you. Thank you. With John Furrier, I'm John Walls and we'll be back with more here on theCUBE from Washington DC right after this.


Then we've got the accounts receivable. We did inventory. We did these two are related to property plants and equipment You could call them depreciable assets QuickBooks generally cause them fixed assets Now here we already have the fixed assets set up from our prior accounting system So I'm going to pull it in. I would like to find an account named furniture and equipment now note This one represents those large assets which are building Automobiles furniture and fixtures that we have to put on the books as an asset instead of expensing them when we buy them and Even if you are on a cash basis, you have to do this which is an accrual concept Even if nothing else for taxes generally now that means you're gonna have to have a sub ledger tracking the actual units of equipment as well as the depreciation and Possibly have one on a tax basis method, which is usually different than the book method Or if you're a small company you can just appreciate on a tax-based method. So you don't have different schedules possibly but Usually since you have to do it for taxes anyways The sub ledger is often useful to have done in the tax software by your tax preparer So when you set up these accounts I would not if I was I would use to talk to your CPA and use the accounts that are in the tax software as your guide In terms of what your subcategories will be QuickBooks adds a whole bunch of subcategories in here, which is not May not be the best way to go Depending on what your needs are there a little too detailed or and you might just again want to follow The software that you're gonna use to calculate your depreciation, which is actually which is often the tax software We'll talk more about that later, but right now. I'll just choose our normal strategy I'm gonna go to the tab to the left and I'm gonna look at my chart of accounts and I'm gonna try to find one that has an account type of fixed assets and One that has something that's similar to Furniture and fixer and again, you can look how many fixed assets they have they got building That's normal land and then they got all this stuff here long-term office equipment computers Copiers blah blah for there's furniture, but it's in that subcategory So I mean here's tools machinery and equipment So so they've got a whole lot of stuff which you might not need this detail in the subcategories, right? Because that might not be how it sorts out when you Look at your your tax returns and your depreciation schedules You want to make it as easy as possible To tie them out to whatever your subledgers are gonna be often done by the time Okay, I already said that so let's go ahead and just do use this one So I'm gonna hit the drop-down and I'm gonna say edit this and I want to change the name To the name that that I have here, so I'm just gonna use this similar account It's a fixed asset account, and I'm gonna call it. I'm gonna call it Furniture and equipment usually I would call it furniture and fixture as I think what you would call it on But we'll talk more about that later. So it's save under fixed assets, and I'm gonna call it That's that's the tax form section and then I'm gonna say okay furniture and equipment Okay description looks good I'm not gonna worry too much on the description So the main things I need to have right are this one the tax line could be important if you're if you're using the software To kind of locate your tax line exactly or exporting it to a software Exactly but oftentimes in my experience that doesn't like work perfectly you can have to use the financial statements anyways So I'm not overly concerned with that line Although I'm always hopeful that they get that to the point where it is a time efficient thing to do But I haven't seen it work perfectly and I've tested it out a few times in the case Then you've got the account name and so that's what we changed and the description isn't a big issue as well So I'm gonna hit the drop-down and then I'm gonna say that the date I'm gonna say other date, and I'm gonna be picking it up at the end of 2022 and then the amount we said was 75,000 75,000 and then it'll make a journal entry for that so I'm gonna say save it It'll probably just use a journal entry form because there's not usually a good form for this Meaning what I'll show you here. I'll go to the balance sheet and then let's run it to refresh it And so now we've got furniture and equipment boom if I go into that we're building the balance sheet We can see that we've got the journal entry So notice it used a journal entry unlike every time we did something else Where were they used a form last time they used a bank form and before we saw an invoice used a bill used Now it's used in the journal entry why because there is no form for for the purchase of equipment That's like a default form if you purchased it without cash like if you financed it or something So that's why because buying equipment isn't something that happens every day Therefore it went to the journal entry. So if I go into that, it's an actual debit and credit type of form that is being used Okay, let's close that back out the other side went to opening balance equity like we would expect So the other side is down here in opening balance equity So that looks good. Nothing happened to the income statement. So, okay


Yeah, July 3rd leaving the office for the week. No, sorry for the week I wish for the week for the day because tomorrow is the 4th of July actually when you're watching us it's the 4th of July and that is the question of the day leaving it out favorite 4th of July tradition what does your family do on the 4th of July should be fresh in your mind because when you're watching this you might be doing it all right favorite tradition tradition on the 4th of July thanks for sharing I will try and remember to pin mine in the comment section below all right off to get some paint as we head home it's fine Tuesday afternoon I just making a quick observation I was standing in that Sherwood Williams store trying to support the small guys I stood there for five minutes nobody came out to help me I think I could hear somebody in the back but I just left I just left and I could have called out or whatever but it's like I'm sorry if you want to compete with the big dogs meaning Home Depot and Lowe's and even let's just say ace hardware you got to have enough staff on hand because that's what sets you apart is that personal customer service that's why people go to the small stores so they don't have to deal with the craziness of the big box stores but that's what set you apart hires hire a high schooler train him for you know 950 an hour to literally stand at your front door and greet people and get and basically they will direct it's like going into an Apple store there's some there's a greeter there they take your name down if you need a personal attention Apple has it down everyone should have that model especially in the 21st century when you can order I could order five gallons of paint online if I wanted and have it shipped to my house well I don't know about that but I bet you could somehow I'm off my hot horse going to Lowe's though I I don't like Lowe's but I'm gonna I want to save money and man sure when you missed us you missed a customer just saying breathe everybody it looks a little too gray but we're gonna give it a shot anyway this is why you do a test everybody right I might have to go back and get a new paint but why you do a test first color attempts not quite spot on and we want a little more blue little more blue so we're gonna try three more three more okay ready moving the dirt getting ready for the back of the house now priming it up prime it up prime it up boom boom boom boom boom good job boy you did it go so it's tight holding it kind of heavy going between get out of here wasp get out of here between this guy and this guy so basically I'm I'm being a little drawn to the one on the far right now question the day YouTube slate slate tile yeah slate tiles this one need a point Navy storm cloud pool house pool house we're nixie yep too light I mean it's pretty but I like this patch over here because you can see all three together and kind of really compare what do you think I think pool house is definitely out yeah glad we storm cloud I don't know these three can I tell them today I went to the place okay I'm driving and the winter wipers we need new winter wipers so I pull in auto lab and I say can you fix my thing right now my winter wipers and they say yes but we can only accept cash right now because something's going on with our system and I said oh perfect I only use cash so we're a match made in heaven credit card system was down and true love had cash love you if you're a long long time viewer of the VLOG you know that every summer at this house is pretty much a battle royale with wasp population not this year I'm taking them out take them out hard but they are thriving and I think all their eggs are about to hatch so we are going to take them down listen I don't really mind them but with kids around like I've heard of wasp attacks and it ain't good it ain't good all right so we're gonna I see one nest two nests and a third nest right there so wow baby you're amazing and then you're gonna get the actual honey comb it you get one thing done the wasps are under control now got six nests out of the house six wasp nests so one thing is done and then two things pop up isn't that home ownership for you our kitchen sink is leaking yeah first time in five years that it's not too bad not too bad all right I'm gonna call it we are tired we have dealt with a little bit on this fine day and we're gonna go to bed and pick it up tomorrow see beauty or car love each other see you on the 4th of July actually today's the fourth of July when you're watching this but you know you know


This is going to be a demonstration of the layers of the scalp. So this is supine cadaver and we are showing the left side of the scalp. We have elevated the head up. So the first layer is the skin. The skin as you know is rich in hair follicles. It's got sebaceous glands and sweat glands. So therefore the skin can be afflicted by any of the conditions involving the hair follicles, namely folliculitis, sebaceous glands, namely sebaceous cyst and sweat glands. Closely adherent to the skin are these fibro structure that we see here. And we can see part of that on this layer also. This is the dense connective tissue layer. These small, tight, dense connective tissue fibres, they connect the skin tightly to the next layer. That is the aponeurosis. So therefore this dense connective tissue layer is layer number two. But it normally cannot be separated from the layer number three, that is the aponeurosis. However we have dissected it out. That brings me to the third layer. And the third layer is the one which we have reflected up now. This is the aponeurosis. This is also called the galia aponeurotica. In the middle portion it is aponeurotic. Antiretally we can see these muscle fibres here. These are the frontalis muscle. The frontalis muscle gets inserted onto the skin of the eyebrow. And it merges with the orbicularis oculi fibres. Pustially we have another muscle which you cannot see in this dissection is the occipitalis muscle. It takes origin from the superior nuclei and gets inserted onto the galia aponeurotica. So therefore when the occipitalis muscle contracts it tightens the galia aponeurotica and increases the functionality of the frontalis muscle which is responsible for producing horizontal wrinkles on the forehead. So this is about the middle portion of the scalp which is the aponeurotic. If we trace it further laterally it is no more galia aponeurotica. Instead it becomes this layer that we see here. This is referred to as the temporal parietal fascia or the anatomy textbooks call it the superficial temporal fascia. And this is the layer in which we have the neurovascular structures running and we can see that here. This is the superficial temporal artery, superficial temporal vein and the auricular temporal nerve. They run in this. Plastic surgeons call this SMAS, subcutaneous musculo aponeurotic structures of the face. And they use it for various reconstructive procedures. If we were to remove this layer which as I said is also called the superficial temporal fascia then we will reach the deep temporal fascia or the true temporal fascia which we have not decided out. So that is layer number three. Now once we reflect rail number three, my finger has gone into this plane here. This is the loose aorticial layer. This is also referred to as the danger layer of the scalp because of various reasons. Number one, this layer is poorly vascularized and therefore infection can very easily and rapidly spread in this layer. The second reason is emissary veins pass through this layer. These emissary veins can carry infection from the scalp to the intracranial venous sinuses. This is an M.R. venogram to show the intracranial venous sinuses which can get thrombose from infection from outside. Another reason is when there is a blunt trauma to the scalp, these emissary veins can rupture and they can produce extravastation of blood which can then track down like this. It cannot go to the sides because the superficial temporal fascia is attached to the zygomatic arch. It cannot go posteriorly because the occipitalis muscle is attached to the superior nuclear line. So therefore the blood tracks anteriorly and it circles the eye and produces what is known as black eye. Also called the racoon eye. This is a clinical picture to show periorbitelechemosis also called racoon eye and insect shows a resemblance to a racoon. These are the reasons why this layer is referred to as the danger layer of the scalp. And incidentally in the condition called avulsion of the scalp where the whole scalp namely the skin, dense connected tissue and the aponeurosis can be completely pulled off from the skull if the long hair gets trapped in a machinery. And that avulsion of the scalp also occurs through this layer that is the loose aerial tissue layer. That is layer number four which is also called the danger layer of the scalp. And then we have the next layer, it is layer number five and that is the one which we have picked up here. This is the periosteum or the pericranium which covers the calvarium or the vault of the skull. In this particular cadaver we see that they have done some surgical procedure here and we can see some pins and clips here. Periosteum gets attached to the sutural membrane between the sutures of the bone of the skull and from there it becomes continuous with the endosteum of the skull. This is also continuous through the foramen magnum with the endosteum or the periosteum on the inner surface of the skull and this also continues and becomes known as the periosteum of the base of the skull. The periosteum of the base of the skull is more densely adherent than the periosteum of the calvarium of the skull. Therefore, when there is a fracture of the base of the skull, the periosteum ruptures more easily and there can be leakage of CSF. So these are the five layers of the scalp namely skin, connective tissue, dense, upper neurosis, loose aerial tissue and periosteum. Thank you very much for watching. Dr. Sanjay Sanyal signing out. David, who is the camera person? If you have any questions or comments, please put them in the comment section below. Have a nice day.


Be gweithio'r tîm mwyaf o'r tîm. Mae'n gwneud i gynhyrchu'r tîm, ond mae'n golygu y gallwn gwaz i'w gwirio'r tîm. Felly, y gallwn gwirio'r tîm, ond mae'n gwneud i'r rhannu gwirio'r tîm. Felly, mae'r ysgol dŵr yn cyfrifio. Mae'n cyfrifio gyda'r cyfrifio, mae'r ysgol yw'r ysgol yn cyfrifio. Mae'r arferwad amser yn ysgol, mae'r ysgol ar gyferwad, ddwyain ma'wn ddoch chi'n gweld a'r rai ddlawn. Felly, mae'r yn teimlo 18 mlynedd ar y canoled. Mae'r amlwg yw'r teimlo yn ei ddop! Rydym yn gweithio'i licens. Mae'r yn ddoch chi hyn gwneud am ymddir i mi un i ar iciw. Mae llunog ffawr, bith cyfnodyniadau cwng digwydd. Rwy'n ffawr i chi'n gweld i chi i ffwyd i'ch wneud ein llunogau. For the benefit of people like me in that situation, they are essentially pushing notifications before the era of smartphones and so on. There are a couple of examples of pages on there. Those are both relatively modern. Both of them are ones that can be used on amateur paging networks, The one on the right is a recycled T-Mobile one, which would have seen commercial use at some point. Yeah, they're both relatively modern, they can do numbers and text, but yeah, mainly text is what we're concerned about for announcing talk schedules. I'll address the question of why, which I feel probably nobody's asking because of course the answer to why is always why not. It's a bit of fun. Yeah, the schedule just seemed like it's kind of a bit of fun way to use pages really. So technical stuff, so these pages, these use protocol called POXAG, which is something that came out of, said there, the post office code standardisation advisory group. A name is fitting of Ian Shartons. So yeah, this was a standard that came around in the early 80s for how to actually communicate to devices like this over the air with the intention that standardisation being able to just use one thing for many devices. Over the air it's essentially just FSK coding, which is just essentially binary encoding with two different frequencies offset from a carrier. Yeah, I've not got too much into details, plenty of better explanations than I can probably give. So DapNet is a paging network for radiometry use. Whilst it's for radiometry use, obviously there's no reason why you can't just have a pager and receive pages, for example for the EMF schedule because you're not actually putting anything to air. If you want to transmit a page, obviously you need the requisite licensing, but for receiving you're fine. So yes, paging since most of what you're doing is receiving, quite good for that. So DapNet itself, yes, it's essentially an orchestration and internet backhaul for paging transmitters. So you submit a request to an API, it says, yes, I will transmit this to whatever transmitters you wanted, and it will then send that out to the transmitters you requested. There's two main ways that you can use it, you can send what they call calls, I don't know where the terminology calls comes from, but it seems a bit odd. But essentially a page or a message to an individual, or you can send them to what they call rubrics, which are kind of the best way to put it, I guess sort of groups for more specialized interests. So for example, there's an EMF camp from rubric, which is where all of the event schedule has been going, and that's what you would use for messages that you want to have multiple, they're intended for multiple recipients. So, in terms of transmitters, what can you do? So just for trying it out and having a bit of a play, the MMDVM hotspot is a good option, they're relatively cheap, they're very available. If you've played with any digital voice modes, you might already have one, and in which case DapNet and HuxAgo are just another checkbox that you can tick to enable this. And yeah, they're fine for playing around with us, of trying it out, or personally, so if you just want something that works at home, for something a bit bigger, there's the option of doing the sort of pi plus radio, existing radio sort of transmitter. So the image there is, I think that's the Motorola GM 1200, it's one that I stole off the DapNet wiki. So yeah, this is just taking some software, in this case Unipagia, which I'll talk more on later, and yeah, you take the sort of flat or unmodified, unfiltered input into the radio, put audio in there, and it will transmit that. And yeah, they're a very good option if you want something that's all wider range, so for example what I have on the other side of the camp here. There's also the RASPager, which I believe is a project started by the same people behind DapNet, so this is just a pi add on board. As it is, it's good for a personal hotspot, or you can put it through a power amplifier, as per the photo on the right. Yeah, it's another option. I included it there because it's the third most popular according to DapNet in terms of what people are actually using. So yeah, in terms of the hardware that I'm actually using for the transmitter that I have at EMF, it's essentially similar to the photo from two slides ago. It's a Motorola GM 900 Raspberry Pi and what I've been accused of designing a very overengineered case. So yeah, you can see there, there's also a couple of, you can maybe just make out the blue PCB, also has a few relays on for things like turning the power off, which is a licensing condition. You have to comply with it, you have to be able to turn it off if something goes wrong. And there it is installed in the tent. It doesn't look like that now because the high winds might have had an interaction with the mast. So it's on its lowest sort of height now, although it seems to still reach most parts of the site fine, so yeah. So yeah, I now have many slides on software because as I said, I am a software person, so that side of things is very, very overengineered. So the most important piece of software is DapNet. This is the thing that connects, it bridges the radio with the paging network. So yeah, Unipadri is some software written by the people behind DapNet. It's, yeah, you can just take it and run it on a Raspberry Pi. It's, I do have to maintain a fork of it because of, so the way the, if you're just running a Raspberry Pi on the Pi, it's fine if you want to run something a little more resilient. That doesn't mind power being yanked out from the Pi, such as Alpine Linux. It's a bit more of a pain, which is why I have to maintain a fork of it, but yeah. Yeah, there is also a sort of version one, version two sort of divergence in DapNet as well. There's the idea to replace the backhaul with this version two of the network. But that makes it difficult because version one is what's currently deployed. If you take the current version of the software and try and use it on version one, it doesn't work. Yeah, it's not worth, it's not worth the rambling to go into that, I don't think. So yes, more software. So yes, remote closed down, the metrics remote closed down are a couple of things I wrote. These purely licensed compliance things, they allow me to enable and disable the power to the radio remotely. And it also serves this quite handy notification if there's any power or networking issues on the actual transmitter side, which has been quite handy. It's notified me a couple of times of there being something weird happening with the power distribution. And yeah, it's quite handy. It just presents itself as a matrix chatbot. Sorry, a notification trying to do the phone. MQTT actor and MQTT rubic publisher, again to fairly small things I wrote. So this is what does the queuing of virtual. So MQTT actor is why I used to queue up the messages to be sent specific times. It's a fairly simple thing. You should have timestamp message and that's that's about it. It's all you need. MQTT rubic publisher that takes those messages and sends them as rubic content on Daphnit. Config generator is a very purpose specific thing I wrote, which takes the EMF schedule API and creates content to go into MQTT actor. In hindsight, this was not the best way of doing things because whenever the schedule changes, it's then a manual sort of process to rerun all these scripts and read by configuration. So if anybody's actually been looking at the event schedule as per Poxag, if it's been wrong, this is why it's been wrong. I do try and keep it up to date every day, but for some reason I thought the schedule would be as fluid as it has been. So yeah, I think in the description I did say this talk would be a mix of things that worked and things that didn't. Everything I've said now has been the things that have worked. Now we're on to the things that haven't. So I did sort of loosely promise a firmer for these ttgo slash t-beam law reports because these have a RF chip on them that has inbuilt FSK decoding. So in theory, it should be fairly easy to get those to decode Poxag. They also have no LED display on the back of them. They have an 18650 battery holder. So yeah, it would be quite an ideal thing to use. This is a very low cost pager, which yeah, is quite a bit more low cost than these, which I think the AlphaPock is probably one of the cheaper pages and even then that's about £50 or something compared to this, which is about maybe £30, £35 or something, or cheaper if you get the Samsung GPS one. But yeah, I essentially ran out of time to do this. Yeah, they seem very particular about getting the center frequency and the deviation correct, which didn't immediately work and I just didn't have time to go into it any further. I do want to make that work though, so eventually hopefully I'll get that done. I think that is all I had. So I'll finish on this slide, which is, so the top one is a link to the GitHub repository, which has all of the things related to the page and transmitter deployed at EMF and links to all of the other obscure little pieces of software I had to write along the way to make it work. If anybody wants to get in touch, ask questions, you can do so via the second link, which is my website. Although I realised I finished in about half the time that I sat underneath, so I guess there's no issue with me taking questions if anybody has any immediately. I've got a question myself, actually. Are pages still used nowadays commercially in context? They are in some cases. Yeah, I can't think of examples off the top of my head where I know certainly that they're still used, but yes. Are they still used in hospitals? Are they still used in hospitals? That was one of the big cases before, or have they been replaced there now? Yeah, so I believe they are. I'm not certain exactly the specifics of where they're used, but yeah, I gather the NHS might still be somebody. Does anyone else have any questions? Lucy, do you want to throw the microphone over? So the one at EMF, this uses 439.9875 MHz, so that's kind of a standard frequency for Daphnit. There is on the Daphnit Wiki a list of the frequencies used per country. It's typically that countries will sort of settle on a standard frequency. For most of Europe and the UK, it's in the 77s band and 439.9875. Some countries use a frequency in the doomate band, but yeah, I think most countries that have Daphnit transmitters use 70s. So, could you repeat that? Was it when you want Europe to have one? I think it, yeah, I guess the shortest answer is it depends. So some, again on the Daphnit Wiki there's a list of the various pages that are known to work well. There are some that can be easily modified, so I think some of the skyper pages for example, I think you can do a crystal swap to change the band that they work on. I've never done any of that myself. I've just used the other things I've ever used with Pogsack are the Alpha Pog, which is on the right band and you can change the frequency anyway and SDRs. I've never had to do a hardware mod to a pager, but yeah, there's a community out there for people that have, so it's worth, if you've got them on a lump of the pager, just have a look on the Daphnit Wiki and see what they say. I think there was a question at the back. Ah, so a question, okay, that's easy. Any other questions? No? Okay, if anyone else has any questions, do feel free to ask later. Otherwise, thank you very much, Dan, for explaining pages to us.