adventure, intrigue, mystery, romance, starring Humphrey Bogart and Lauren Bacall together in the sultry setting of tropical Havana and the mysterious islands of the Caribbean Once again, the magic names of Humphrey Bogart and Hull Venture and a tale of mystery and intrigue In Havana they got the chicken and rice and all danger and ladies of spice In Havana there is the Shannon's place rooms to let tobacco in the case mosquito netting to hide the bed and the desperate effort to keep out of the red You see, even your King Moses confesses to it. You need me you too. The impression left hanging in the air before the musical interlude was that you needed us, Mr. Reed. Go on, have another banana. Go on, take another one. I love to watch you eat. We don't get much chance to feed actors around here. Gee, Slate. Look how he peels a banana. The grace. The flourish. The drama. That's because when Mr. Reed was a boy he had advantages. And stardom, Mr. Shannon. Do you realize that when I was a boy only a shade younger than I am now that is. When I was a youngster on top of the heap it took ten persons to handle my fan meal alone. Don't drop the banana peel on the floor, Mr. Reed. I'll pick it up. Take this away, King. And bring another dish of fruit for Mr. Reed. A pomegranate would be nice if it doesn't deprive you. Oh, we got cans of them, Mr. Reed. We have saved them for such as you. Just open a number two can and bring it in, huh, King? As you say, Mr. Slate.  With the only way she could make me take my afternoon nap.  And now here I am talking to you in person. I will thrill again if you will only consent to the use of your boat and your knowledge of Manay Island. I don't know, Mr. Reed, running this whole talent. Listen to me, Mr. Shannon. All I have left in the world I've put into this venture, it'll bring me back to the top of the heap. Laszlo, the director, Billy Craig, the cameraman. They are the best. I could get them only by making them equal partners in the company. And all you want is for us to lead you to good background shots in Manay Island. Is that it, Mr. Reed? You find the backgrounds and I'll illuminate them with my talent, and my virility bring romance back to the starving women of the world. Slate. For my mom, huh? She's got a picture of Mr. Reed on her dresser. Make it live again for her. Oh, for your mom and for the starving women of the world. Well, there's King with your palm granted, Mr. Reed. Take it out on the patio, huh? Out there so you can throw the peel to the winds. In front of this jeweler's window I could stand all day, Billy Boy. Just to look at that, for instance, over there. That three-carat diamond.  Wood and will. When we return to Hollywood, I will have a party for the occasion. Well, let's walk. Guy in the shop's croaking a finger at it. That will be pleasant to have money again. Personally, I think it's a chance to take. Killing Ricky? I don't know. I got penalties for knocking off in Cuba, too, you know. Yes, but on Money Island, so many pitfalls, so many chances for accidental death. Ricky Reed will die and the funds which he has set up for the operation will be to us. Of us, ours. Mine and yours, Billy. Mine and yours. So it is simple. Uh, here's another jewelry store, Laszlo. You want to stop and lock? At your insistence, Billy Boy. There's a heart, sir. Where's Ricky Reed? Out on the patio, acting out in Cognito. I'll bet that's something to see. Oh, it is. Still, he doesn't want us to let anyone know he's here. For a magical figure like him, he's not being very cooperative, sailor. You know what else he is, Slate? Likeable. I like him. Yeah, me too. Well, I hope he gets what he wants. The comeback, the tiger skin upholstery, the aftershave lotion in the swimming pool, the whole deal, whatever he wants. Amen. When do we take him and his crew to Money Island? He's been consulting his astrology chart. He says he'll let me know. Customers, sailor. Do your nip-ups. Welcome to Shannon's place, madam. The hotel nifty, room 350, the moon in your lap, the wave slap slap. All I want is Ricky Reed. Give him back to me. It's where Ricky belongs. It's where he can be safe. Where he can live out his days in dignity and love. Gee, if we knew a fellow like that, we'd sure want him to have all those good things. Wouldn't we, Slate? Gee, and gosh, we sure would. You want him dead. You win that Laszlo and Billy Craig. Death incorporated. You want him dead.  Make a fool of him. That's not the way the plot goes, madam. The plot says Ricky Reed's going to star in his own motion picture on a tropical island. Make a comeback and be famous again and live to autograph again. Ricky told you that. The boy, the dreamer. He's through, finished, a flickering candle, sick with young dreams. Please don't kill him. Just give him back to me. I'll save his money. If we ever run across him, we'll tell him we've got a plan for his investment. Who should we say has this plan? Thelma Bronson, number three wife. He had six, you know. But all the five put together never loved him as much as I. It was at all the newspapers how much I love him, how I follow him through the world. Run through a scrapbook with it, will you, sailor? I want to check with a man about his old age pension. Two fellas. I brought Slade Shannon with me, Laszlo. He's a... Skipper. Come in, come in, come in, come in. A skipper. A skipper? Ricky means he's chartered my boat for the trip to Monet Island. That means skipper. Where's the boat captain? Where's Billy? Like a carefree scamp, he's Billy. With a camera he is on the sidewalks of Havana taking pictures for sending back. Mr. Shannon wants to ask you something, Laszlo. Uh-huh. Sure, ask something? A little while ago a woman walked into my place. Her name was Thelma Bronson. You remember Thelma, Laszlo? Could I forget her? Ask me. Could I forget her? Such anklets and delicate wrists.  But she had no talent. Absolutely she had no talent by the pick. She said you've organized this company with Ricky's money. If Ricky dies, all the money goes to you and your boy. Ricky, Ricky, Ricky. Thelma was lying, wasn't she? Then why should she follow you all the way to Havana? Ricky, tell him. Thelma has never stopped loving me. She has dedicated her life to following me, following me and loving me. That's Thelma's career, and we mustn't speak harshly of her.  We will make him epic. Laszlo, you wouldn't. We will leave as soon as possible, Shannon. With a tight skipper. Honest to Betsy, Slade. To who? To Betsy. Honest to her, Slade. I'm enjoying myself. Small, deserted island in the Caribbean. Walking along the beach at midnight in Slade, Shannon. Yeah, makes a girl flip, huh? In spades. Let's just stand here for a minute, huh, Slade? Slade, I feel... Yeah, I know. That's because you're standing in water. Your feet are wet.  Right. Slade, look. Hey, what's the matter with you, Buster? What's the big idea of taking putts shots at people? It's a whimsy of mine. I've been taking putts shots at birds for six years. People are bigger. I thought this island was deserted. It's going to be. But first, the humanities. I'm Edward Sloan. I only tell you because it doesn't matter. Slade, Shannon. This is Sailor de Val. Who's she? You know, I ask myself the same question many times a day. You came on this island with three other men. Where are they? Out, looking around the island. For shots for motion pictures. Get out of here. All of you. Because you say so, Buster? I don't want this place cluttered. People come here one, two at a time. They come, go. I watch them. Five people, you, that's too many. Get out. I asked you a question a few seconds ago. We go because you say so? You'll go. I bet he won't shave until we do, Slade. You'll go one way or another. Because I say so. Good night, you two. Stay happy.  Who can sleep? Slade? Slade, you awake? I'm asking you something. You awake? No, baby. I just bolt out of my bedroom like this whenever one hand slaps another one around. Let's go wake up Ricky, huh? I want to check on how movie actors wake up. There you go, Sailor. I don't think I could. Not without my breakfast first. All right.  All right. Ricky, Mr. Reed. Wake up. It's the dawn of a glorious tropical day. It's get-up-in-a-mote time. It's... Ricky. Slade, Slade, come here quick. Please, Slade. Your actor friend hates you in the morning? Look at him, Slade. Dagger in his chest. When I turned him over... Yeah. He's dead. Ricky paid for his own comeback, Sailor. He never made it. Our stars Humphrey Bulgard and Lauren Bacall and the second act of our story. One moment dead, one moment alive. Why should it happen to him? Well, lady warned us it might happen. And it did. We woke you and Billy up so that maybe you could tell why it should happen to him. What's with her, Sailor? What's with her is a question. Somebody stabbed him during the night. Terrible, terrible. Question. How much money did Ricky have invested in this nothing-type production? You will wait, I will think. 100,000, 200,000? About in the middle. A little to this side. Approximately $160,000. Imagine that. And now it belongs to you. Him and me. According to the terms of the contract in Hollywood, everything is contract. He forgets about it, Slate. We're liable to whisper it around that Ricky's murder had something to do with Billy and Lieslow. Or equally you too. You will need proof. Personally, Billy and I resign from the responsibility. That's right, Sailor. Leave us not forget the man with the beard that he slone. He threatened us, remember? Who threatened? What threatened? He shot at us, a guy who lives on this island warned us away. So we're waiting for what? Let's get out of here. There he is, Sailor. He's on our boat. Come on, we're duck standing here. Lieslow, quick, behind these rocks. Hold on your face, Sailor. You all right? I hope these palms are the sheltering-type palms. I'll dig a hole in the sand for your head, baby. You're gonna have a long time finding out. Kill me that madman with the beard.  He's reached me. It was for all of us. Shannon, his girl, me, and you. No matter, can't you spare a tear of genius for the rest of us, Lieslow? What matters the rest of us? It is Lieslow who will murder.  There's too much in me left to live. Reads money, waiting only for me. The persons they will buy for me. And I only have to write on a piece of paper. I was there when Ricky Reed died. Leave something out, genius? What's too left out? I do not wish to die. You've lost life. What is more is there? Me. When you die, I will take an ad in the papers for a eulogy for your splendid camera work. I don't die, genius. I don't die. You kill.  For this, you must die sometime. But not now. Not here. In the States, maybe. Yeah. With a glass in my hand and a blonde at my side, lighting sea notes to keep us warm. You got the plan, Billy boy. You got the plan for both of us to stay alive? You got the plan? I know what you got. What include me in? All I've been to you, Billy boy, include me in. All you've been to me, huh? Pick a rock, Laszlo. Any rock. You'll need one to mark your grave. Ten hours, Taylor. That's a pleasant thought. I thought it was ten hours, ten hours ago. I wonder where they got this heat. Yeah. Hey, what are you doing? I want to see if a flag of truth will work. Slate, listen to me. That heat's been beating against the back of your neck. A Digest magazine say that's not healthy. You should take a little, uh, a lot of time. Slate, come back here. Stay there, silly. Eddie! Waving at something, Shannon? Yeah. You. Why do I come aboard my boat? I don't mind. As long as there's people around, I could use a conversation. Just keep your distance, Shannon. What's on your mind? Did you stab a man last night? Never did. All the nights I remember. Never stabbed.  What made you change your mind?  Now you gotta go my way, Shannon. How I want it and when I want it. One by one, huh? And your turn isn't yet. Go on back to your lady, Shannon. Hey! Hey, mister! Another white flag, weaver, Shannon. Yeah? I wanna talk. Come on. Talk. I wanna give you something. Money. You don't look like you're carrying very much. I got it. Over a hundred grand in the States. And you'll bring it back? Is that what you're saying? Yeah, I'll leave Shannon the dame I'll leave it. Honest? You shot him down in cold blood, Eddie. You want yours now? No? Get back to your dame. What kind of a man is he, Slate? Kill like that in cold blood. I met his type before. Something turns him sour, the world maybe. The way things crowd in maybe. Put your mind to it and it's not so hard to understand. He's an animal. That's all I need to understand. Maybe you've got enough trouble. Keep him simple.  How simple does it have to get? That could be worse. You could die someplace other than the Caribbean island.  Cut it out, Slate. You make it so attractive. You should sell insurance. You should. Whatever bill of goods I sold you hasn't brought you much hazard sailor. You've got any now is the time to turn him in. Last chance, kid. The windows can close without you knowing it. Let me think. Well? Let's see.   One more try, kid. There's the time you'll never let me finish telling you what it is to be a good cook. There's the time you'll never let me finish telling you what it is to be with you. The hurt, the laughs, the free rides.  Slate.  Come here, Slate. What was that for? Just to prove something to myself. Like what? Like I'd be crazy to deprive myself of that stuff. Don't go there, Slate.   Not if I move in the right direction.  This will be a part you never came in on. Help me aboard the boat, Eddie. I remember how to do this. I came down here to get an opinion. I'll put the gun down and consider it. You know, when I was running from the cops in Havana, a girl on the street stood there and watched.  How do you know? You never found out? Maybe I missed a lot of things. A man like you?  You selling Shannon out? I haven't made up my mind. Help me. You want me to let that director and Shannon go, don't you? That's not a bad bargain. You'll see. It wouldn't be of that. I'm sorry. It wouldn't be of that. Only this. A monkey's a start laughing at me. You know why? Because your fellas would bring back other fellas for me. For you. Take us both away. If I tell Shannon that's the way it is, that's the way it'll be. Those six years I've been on this island, you could wipe it all out. It's a deal? I don't know. It's a deal. Sit down, honey. What for? When it's a deal, I'll tell you. Right now, you stay. Listen to me. You stay. Reach over and hand me that rope, honey. Thanks. Put your hands behind you. It's going to take me time to make up my mind. I don't want you to go away. I don't want to have to hurt you. I want you to stay right here. Hey, Laszlo. Stay away from me. Billy tried to get me killed. Now you stay away from me. You got a knife. I want it. I have no knife. The man on the boat killed Ricky. Give it to me. Oh, you're going to give it to me? Here, here. I give it to you in the heart. Give me this much trouble, diddy. I'll get back to you later. After I see the man on the boat. Oh, you will see.  I will. Mr. Shannon with a knife. Be careful. I shut him. Thanks. You want to keep coming or you want me to go after you?  You figure it. Let's make this brief. I'll come after you. I'll get you, Shannon. You and me, baby. You and me. My rifle gives me a long reach, kid. It's your breeze. Let's stop playing marbles, huh? Don't do it, Shannon. Don't stick. Don't talk, kid. You'll get throat scratch. Take your daemon, get off the island. He'll kill two men. Look, you're alive, aren't you? Go home. Forget about it. On your feet, Eddie. What did you do with Sailor? Tie her up. She's okay. Walk. Sailor, keep your ropes on, kid. I'll be right there. It's late.  Tell, baby. I had a chance to get in talking pictures and you blew it. It was late. You want to be a talking picture actor? Once in the life of every man. Well, we got to find out till you got talent. Hoist your pants, leg. Let's take a look at the ankle. Hmm. Boney. What's boney? It'll be a sensation in technicolor. Come here, baby. No, no, not like that. Pucker. Like this? That's right. Hold for a still. Bye, baby. It's time for another exciting adventure starring Humphrey Bogart and Lauren Bacall together in Bold Adventure.


So there was an assembly at school and all the families are together together and three kids are on the stage and the teacher comes out and says, Bobby, can you do this? And he goes, and she goes, Tina, can you do this? And she goes, she goes to the third kid says, Randy, can you do this? Randy goes and his mom and dad go, what? My juicy content was mixed up so strong right there, it curdled. Jay, we've got a new trailer that dropped last night for us, but we'll just get into it. Sorry about that. It's an Amazon, so I'm guessing it'll be a prime, but it's called Jungle Cruise. Oh, have you seen that trailer? No, it is dreadful. Oh, really? It looks like a giant pile of dogma. Well, it is a rock. But it's Emily Blunt. I feel bad. She got paid a lot. She can do stuff for money. That was millions of dollars.  Shusha trailer, Vishnu Varanjan, Sirath Mohathra and Kiara Advani. Shusha is a true story of Captain Vikram Bhattra PVC, who was an officer of the Indian Army, aborted with the Param Vir Chakra, India's highest and most prestigious award for valor, for his actions, valor for his actions during the 1999 Kargil war. He led one of the toughest operations in mountain warfare in Indian history. Oh, wow. I believe we saw him in Kapoor and Sons. Oh, Vishnu. Okay, Vishnu. I think he was one of the sons. Okay. I believe. And we just, I wasn't too long ago. We were saying how we were looking forward to the next Uri or yeah. Well, we got obviously there's this one. I don't know. Then there is that a Jade Devgun one that we saw right a little ago. Yeah. So yeah, we'll see. I don't know. Let's check this bad boy. How? Yeah, just so far. That was very, that was very Michael Scott of you. Him and Bruce Almighty. That's exactly who it was. It was Steve Carell and Bruce Almighty. That's why I thought it was Michael Scott. Yeah. Yeah. I was on the set, not the set, but where they filmed the office. It was very cool. It was in Dwight parking spot. It was fun. Here we go. I want to see that on a big screen. Yeah, don't look that great. It looks like August 12th. I think the best part, even though it looked really interesting was it had great special effects in terms of not only explosions, but like kills as well. Yeah. Everything looked spot, it looked Hacksaw Ridgegood. Yeah. Didn't look as graphic, but the quality of the visuals and the sound and Hacksaw Ridge got an Oscar for sound. So yeah, that looked great. Yeah. The only concerns I would have is if it, I don't want to use the word Bollywood eyes, is it too much? That's like, if there's like a, these style of films, even though, you know, we like the songs and films that it fits, right? Yeah. But if like, if there's like this big battle and then there's like this big song and dance number, right? And the tents afterwards. It might bother me. And if it's not as graphic as it should be, even though, this trailer did look, it had normal ones, they kind of go away from the kills. Right. This had some blood and people would shot point blank. Right. So in terms of depicting war, obviously it's a violent thing, very violent thing.  Yeah. And don't know this, this battle or this war. But when, when it amazes me how often filmmakers take liberties with true stories because I just, it boggles my mind. It's like, you're retelling something. So what you're doing is you're, you're, you're lying by taking the events that took place and only including some of them. Now it's one thing to say based on true events. Or if you go all over and like Quinton does. Exactly. You've completely hyper stylized. Yeah. But I hope this isn't a romanticized version of the true stories that we miss the real essence of this obviously important person. But it looks really, really good. Sorry. Yeah. I thought the trailer actually looked quite good. The score was exactly what you want. Yeah. They are like an epic military with emotion and the love interests, great line when he said, I'm either going to come back, hoisting a flag or be wrapped up in it. But either way, I'm coming back. I love that. So I'm trying to count Johar produced this, but there was there's like six producers, six producers. So he could just be for his money. Yeah. He has a lot of it. Probably just wrote a check. Is she from Coversing? No, did we not pick up on that? Is she? Is she the rat? Yeah. Wow. She's pretty. She's pretty. We loved pretty. Love pretty. Oh, yes. I did not pick up. I did not pick up on that either. See, we're done. We're very done. And then I'm sure VJ Ross was in there somewhere too. Sardarev who I believe we saw him on Board of Sons. Yes, yes, yes. He got to start in the first year, not student year two, like with Alia. I believe that's where he got his start. The poster looks cool. It looks more gritty there. That's another one of the things when, when films make something look too pretty when it's supposed to look dirty. Right. Like it's supposed to look like an on your Akashi up dirty film, but Disney does this all the time. All the time. It's one of my least favorite parts about Disney films. Everything is clean. You have everything. Yes. It's nauseating sometimes. But like if you have a war film where they're supposed to have dirt and grime and blood all over the place and then you're like really clean. There was nothing that's going to be that, but I don't I don't want it to be. There was an awful civil war film that was made and many, many years ago and it was a faith based film. So I knew going in it was probably going to be not good. And that was the biggest problem. Everything looked like it had just been made. Every Confederate uniform, all of the wagons, everything was like freshly right out of the soundstage where they had cut and paint everything. I'm like, could you guys age it a little bit for me? And it costs believe it or not. It costs a lot of money to make stuff look bad. There's a, there's a reason to give Oscars to production design and art direction because it's a lot of work to make it look and a lot of money, a lot of money and not just not just in that. You've got to do that. Start to finish. The whole thing's got to look the same. It says coming August, August 12th, I think. You know, it's funny. They every there's now a steady release of stuff coming up, but it's all obviously OTT. Yeah. So we'll see if once we get to I think, didn't they say RR coming in October in October? We'll see. We'll see. And I know distributors here are hesitant. They're thinking, oh crap, we're hitting August. So anybody with a Halloween film is like got to bite the bullet and then all of the Oscar stuff that usually comes out of the holidays, they've got to have the release dates and get ready for distribution. And I'd be, I wouldn't know what to do if I was a producer on a film right now. Amazon Netflix are like, give me please. Yeah. I, what I don't like and who was it that complained about this, a movie that just released here where they released it simultaneous online and in theaters. And I think you've got a space jam. I don't know because space jam did well. Um, but I think at the very, you don't need to wait three months anymore, like they used to, but give it two weeks. Yeah. Let the theaters take the bulk of the people who are vacation. I got to watch quiet place too because it's on iTunes now, but it was in theaters. It was months. Yeah. It's still in theaters. Yeah. And that's cool. So let the first two weeks be in theaters and see 20 bucks for it to buy it cheaper than going to the movies here. Right. Exactly. It's expensive in Los Angeles to go to the film. Yeah. Get to go to the theater. Yeah. I don't know if you knew this, but the average cost of going is 15 bucks. Yeah. Which is per person. So you're talking about 1200 rupees a ticket and that's that's you're going at night. Not matinee matinee. We got some cheaper prices. You could get in for 900 rupees at an early show. If you go to an eye, I actually like 20 bucks. Oh yeah. But anyway, this looks really good. I hope it is actually as good as it does look. We got there's actually another phone coming out next week. Mimi with. Oh, yes. Pankaj is my hope that one's good because that one also looks really good. So we'll see. Let us know any other information we need to know about this in down the comments below. Just.


Hello, I'm Christina Drummond, and I'm the Program Officer for the Open Access e-book usage data trust effort. Today, I'll be providing a project update about our two-year pilot, which is generously supported by the Andrew W. Mellon Foundation. This project is a global collaborative effort to explore infrastructure and data governance mechanisms that would be required to facilitate usage data aggregation, benchmarking, and economies of scale, specifically for open access e-books. To date, we have engaged dozens of thought leaders representing the leading organizations and projects working on open access monograph analytics. To start, I want to recognize that I'm here today representing a remarkable team of advisors and principal investigators, hailing from a wide array of organizations, including university presses, commercial and not-for-profit publishers, and U.S.-based projects such as Projects Muse and Toe. From a ground-table SCI conversation in 2015, our effort has grown into our current project engaging these 23 advisors representing public and private e-book publishing, distribution, and analytics efforts across five continents. This is in addition to over 100 individuals who are informing our work through our community consultation process, which I'll describe later in this session. Now that you have a sense of who is involved in developing the pilot usage data trust, let's walk through four topics over the next 20 minutes. I'll step by contextualizing our work within the broader research enterprise to then focus in on the nuances to open access e-books. With that background, I'll present the data trust model we're piloting to govern community-based public-private data stewardship. Then we'll walk through our project outputs to date and what's queued up for the coming year. To start us off, I'd like to invite you all to take a step back and think about the research enterprise broadly from scholarly idea inception through fundraising, grant administration, and scholarly communication. Each of these areas involve their own activity life cycles, such as research data management, scholarly publication life cycle, or even grant administration life cycle. Today, I want to draw your attention to the nexus point where usage and engagement data intersects with each of these domains as each looks to incorporate information about impact into their planning and reporting. To put it simply, usage data at my talk refers to more than just counts and downloads. It refers to data about impact and that data surfaces through the amassing of online access information, usage, and link engagement data. Across the research enterprise, there is a need to establish and trust impact from pursuing support and reporting scholarship impacts on a funding agency's mission or program goals to understanding the audience and reach of one's work. Linked data is what makes it possible to provide the context and surface engagement beyond counts. Yet, doing this effectively requires amassing usage data from across platforms and repositories, and sometimes across scholarly outputs such as research data sets, journal articles, or as-is-are-focused eBooks, our open access eBook usage data trust project, or OA eBoo for short, and is looking to facilitate the exchange and use of such linked usage data. In our project's planning phase from 2018 to 2019, we gathered stakeholders to establish common needs for OA eBoo data across publisher types, platforms, and services. These discussions surface the need for improved data exchange to enable benchmarking, return on investment tracking for open access investments, and marketing outreach efforts of services. Since multiple hosting, aggregation, distribution, and reference data sources come together to generate that information about a single work's impact, we need to think through how to combine these individual elements in order to scaffold to a broader analysis. Today, the open access eBook usage data that one needs to create usage reports may be publicly available via an open APIs or metric services, or it may be siloed and provisioned within individual repositories, publishers, or platforms. Each press, publisher, library, metric service, and platform generates data, and that data goes to contribute to a story of how a book has impact. Today, each of these independently are going through the same motions of trying to combine data and place it alongside their own institutional data to tell a broader story. The further challenge is that an institution can only access data that is openly shared or for which they have negotiated access privileges, making benchmarking incredibly challenging within a global landscape that includes private publishers, platforms, and service offerings. It's within this context that our project asks two questions. Can OI monograph publishers and libraries be better equipped to understand the impacts of their collections or open access book collections by facilitating the comparison of data in a global cross-platform context? And can we as scholarly communication stakeholders do this while managing the privacy and ethical questions that emerge when aggregating usage information at such a large scale? Compared to journals, open access books flow through a wider number of dissemination and aggregation platforms. The resulting usage data itself is diverse and may be potentially seen as commercially valuable or sensitive. Yet, there remains an interest in figuring out how to get to comparable trusted benchmark data that's really trusted across the ecosystem. Whether different stakeholders see their usage data as private or public good is a complicated question. For the sake of argument, let's presume that relevant data may be sensitive or proprietary, and that expecting presses or publishers and commercial platforms to openly share all their raw usage data may be unrealistic. Especially if you're looking to link that usage data with other data related to sales, for example. So if we have sensitive data sets that we require for benchmarking, the question becomes, can we create a trusted environment for moderated data sharing by a grade upon community rule? And can we do this as the world around us shifts into a data economy in the age of AI? Amazon's Decommissioning of Goodreads API is a stark reminder that ongoing data access is fluid and it's not guaranteed. From a metadata perspective, open monograph information has often been wedged into standards and schemas developed for journals or for processes built around paid access. Right now, it is hard to track through systems second order impacts that result from a work of becoming open or being made away. To support one of the aims of our project, Michael Clark and Laura Ritchie produced the open access book supply chain mapping report referenced on your screen. In that report, Michael and Laura visualized the OA monograph publishing data supply chains. And here you see the data flows between stakeholders that are involved in the usage data capture and reporting. Solid black lines represent the generation of structured usage reports theoretically governed by counter in practice. That doesn't happen entirely. And I want to bring your attention to the areas in yellow where you see how publishers, libraries, and library management systems must work to compile data from multiple upstream data providers. This is usage data that may or may not be open. And this aggregation process, I'll note, requires significant data science expertise and deep OA book metadata knowledge. This visual, also from that same report, illustrates how different data transfer protocols are flowing through these processes for their complicating matters of data brokerage and stewardship. Onyx is reflected in green, K-Barton red, Mark in blue, and OIA, PMH, and orange. And the black lines here represent no common standard in use. It's within this complex environment that we're looking to steward aggregate and benchmark usage data at the global level. This brings me to the data trust model as a concept that we might look to for community-based data stewardship. Our team looked at a data trust as a data governance mechanism and organizational structure. Data trust emerged in civil society as a way for public-private partnerships to govern data access and aggregation to facilitate data reporting across controlled datasets. As a unique type of data commons, they allow you to work across open and closed datasets by brokering community norms, and those norms that set the rules of the road for data aggregation and use among competitors. Applying a legal trust concept to data governance, these governance structures empower data trustees to manage their singular access security and privacy control needs, while also creating shared frameworks and data-oriented outputs that benefit all participating parties. To paraphrase our co-PI's Cameron Neal and Lucy Montgomery, the hope is that by working together, data trust participants can gain access to comparative analytics and economies of scale, while also addressing resource challenges within organizations that may have less technical capacity. In other words, a data trust is a way to have multi-stakeholder governance of both open and privately shared data. With that in mind, I'll now provide a status update for the OAEBOO Data Trust pilot. While the project started at SEI Conversation in 2015, the effort is now in its second phase of funding from the Andrew W. Mellon Foundation. Our current grant is implementing recommendations that resulted from the stakeholder planning workshops in 2018. The findings in those workshops were published through the Book Industry Study Group and the report shown on the left. Working together with individuals, such of yourselves, through our community group, we are now looking to better understand and document the use cases and challenges that surround e-book usage analytics to then inform the development of open-source infrastructure, data governance policies, and sustainability models. Mapping the supply chain for OAE books, and we discussed this previously, that provided our project with a system-wide view of the stakeholders. We are now also looking to document the use cases of how these stakeholders use that monograph usage data to then consider how best a data trust can support the ecosystem. To foster engagement and feedback from the different types of stakeholders at the table, we launched seven open Google Group stakeholder communities to really foster these global conversations around specific usage data trust requirements, so we could not only understand those use cases, but also gather stakeholder-specific perspectives relating to the data policy governance and sustainability. For example, in partnership with TOME, we held author workshops to understand their uses of OAE book usage data, as we fully expect to author their best position to describe what they'd like to see and how, and they're also best positioned to flag data uses that might concern them. It's one of the examples that we have here in our stakeholder discussion groups, and while we hypothesize that the use cases for university presses and library publishers will be very similar, again, we're turning to our community members to help make that determination. I'll note that all of these are open, and people can opt in from around the world at any time. You're more than welcome to join using the link on your screen. To gather such user input, let's let a five-step virtual design thinking-based ideation process with those stakeholder communities to allow them to describe how they rely on usage data, to share their frustrations about doing so, and to capture their ideas on potential solutions. This ideation methodology has been documented in a recent volume of collaborative librarianship, as is cited on the slide. While we don't have the time to dig into our findings in detail, I'll note that everything is open for community review and comment. What you see here is an example of the summary findings contributed by our university press representatives, which suggests that the value of the usage data trust is really one in terms of data brokerage and standards development. Sticking with the university press example, you see here that the high-level operational functions and presses that engage with book usage data span everything from editorial strategy to administrative reporting, fund grant development, and open access knowledge transfer impact metrics and reporting. If you go to this document, clicking on those bubbles will take you to an eight-page detailed document that lists functional use cases by role. These use cases are available on our projects website for public comment once they are fully documented in partnership with the stakeholder community. And by the end of March, we should have those posted for university presses, publishing platforms and services, commercial publishers, and scholars. Cross stakeholder types may be interested in seeing where the functional interests overlap. Those marketing and selling publications or publishing services look to leverage the information, the usage information for marketing and sale strategy and supporting faculty use of the information of how these books are engaged with and used across the world is really of interest across stakeholders. But it's especially of interest to those that provide those analytics and dashboards as a value-added service. I'll also note an interesting finding to date has been an expectation of data control by faculty members. In a conversation with multiple authors, there was an expectation that current practices that empower individual faculty to decide what is viewable within a given P&T portfolio, for example. That decision what should be in the portfolio is something that the faculty gets to make and the expectation was that that should be maintained. In other words, scholars would continue to have a say over what usage data was and was not reviewed for hiring in P&T. This signals a growing issue where the privacy interests of scholars may come into conflict with the interests of funding agencies and university administration and necessitates broader conversations around the ethics of usage data use and careful consideration of the role of usage data in terms of potential harms to scholarly freedom and the disparate impacts of usage data use on particular communities of interest. Quickly, I'll note that for OA publishing platforms and services, economies of scale opportunities abound. Use cases surface the resourcing challenges faced by both public and private platforms and services that support scholarly publishing and rely on these communities financial support. To put it simply, they are currently working in parallel to manage data feeds and address and present information that's coming upstream. The question to the data trust is in what ways might core shared infrastructure reduce that burden? Is there rationale for community governed usage data infrastructure similar to how Internet2 and the global network of national research and education networks support data telecommunications or does siloed usage data flow management and aggregation foster innovation when different parties recreate those processes in-house in parallel? I suggest that there is a distinction between data dashboard visualizations and analytic services where innovation and competition are rampant and the data exchange and brokerage function, which I would suggest requires neutrality and commitment to abiding by community norms. So far in this session, we've discussed the documentation of the OA Ibu data supply chain personas and use cases. With this information in hand, the trust is currently focusing the second half of the project on working with community partners to develop and test the feasibility of pilot open-source infrastructure and to develop the budgetary staffing and data governance models that we would need to transition into an operational data trust. From a technical perspective, we are piloting open-source software for the data trust infrastructure. We're working with the Curtin Open Knowledge Initiative to study the technical feasibility of using the open academic observatory platform, Kibana and Elasticsearch for an operational data trust. Dashboard pilot partner organizations are working with our technical team to then pilot the ingestation, processing and presentation of commercially sensitive data unique to a single institution, while also exploring how a data like can leverage the data aggregation, privacy, security controls that will be required to manage the information securely and to derive aggregated benchmarks across the data that was contributed into the trust. We are fortunate to be working with a diverse group of global university presses, as well as Springer Nature's open access books program to model the data ingest workflows and the data visualizations through this project. In addition, we are working with the WAPIN, the Open Access Publishing for European Networks Initiative, to explore how a data trust may support their metric service. In this process, we have already discovered how critical data transfer and use agreements are. Given the proprietary and sensitive data that's being stewarded across national policy boundaries, this leads me to the role of the data governance mechanisms for the data trust. Our project policy working group will be working to develop a detailed data governance mechanism model that specifies the roles and responsibilities of the data providers, the trust as essential data steward, and downstream data users. These norms are crucial to developing streamlined processes for the legal review of standard contractual agreements about the usage data transfer at the beginning and the data use on the back end, especially when working with it international scale across public and private parties. In the coming months, our project will be publishing final versions of the supply chain report to new use cases. And by a third quarter of this year, we'll be learning from our dashboard pilot proof of concept as we move towards bottling and vetting, both the data and organizational sustainability mechanisms. All in all, I cannot thank our community enough as it is because of them that we've made such remarkable progress in the first year of our project during the pandemic. It speaks volumes to the level of community interest and commitment around this concept of finding ways to exchange data to achieve a greater public good that would benefit us all. So with that, thank you so much for listening. If you are interested in joining our community's stakeholders to inform the project, you can find our opt-in forum on our website. That is the end of this project update. Should you have questions, please do not hesitate to reach out to me at Christina at educopia.org. Thank you for listening. Take care.


Sam, gofodd maen nhw'n bwysig i gael Gylffy Sigurdsson yma o'r rhaid i gael gwyfnodd a bydd yma – yw'n gweithio'r cyflwystau? Yn y gall weld mae'r gweld eich gweithio, mae gennym ni'n gallu gweld yma i gweld gweithio yma o'r helyg ac mae'n gweithio'n gweithio'n gweithio'n gweithio'n gweithio. Mae'r ystafell wedi'u fathrwyr i'w casig o'r cyfwyr mewn cyfwyr iawn, i'w ddweud o'r cyfwyr o'r cyfwyr sy'n cyfwyr o'r cyfwyr. Dyma'r ffordd o'r cyfwyr sy'n cyfwyr o'r cyfwyr o'r cyfwyr i ddweud. Ond nid i chi'n gwneud hwn i ddweud efallai'r cyfwyr o'r cyfwyr a'r cyfwyr rhai, ac hynny'n ymdau'r cyfwyr o'r cyfwyr o'r cyfwyr i'w ddweud. Felly yn ychydig yn ychydig yn y bwynt yn ychydig, mae'n meddwl a'r ffordd yn y cyfnod yn fan hynny'n'i gweithio'r wneud a'r swyddion. Ieithio'n gael gwylltio'n gweithio arall a'ch gwybod, ac yn ymwneud James MacArthur, ymwneud ymgyrch ac ymgyrch ymddangos yng ngyredig, Felly, mae'n gwybod yn ateb i ddweithio'r holl y maen nhw, ond, yn y ddweithio'r holl, ac mae gennym o'r effeithio, mewn gwahau y rhaid, oherwydd mae'r holl yn gwahaniaeth. Felly, mae'n gweithio'r holl, wrth gwrs mae'n gwahaniaeth i gael gwahaniaeth. Yr holl yma, yna maen nhw'n gweithio yma, mae'n gweithio'r holl o 10 o'r holl. Rhaid, mae'n gweithio'r holl o'r holl o'r holl. ac oes gael gweithio'r pwynt yma o'r 10 o'r 12. Rwy'n dechrau'n gweithio'n gweithio'n gweld o'r honnol, oes o'r prymlu o'r pwynt o'r honnol, ac oedd yr oedd yn rhaid i gael gweld i'r pwynt, a'n mynd i'n siarad o'r pwynt yn ystod yn ddiweddol. O'r Sigudson, y cwestiynau yn gweld i'r wneud o'r 8 oes. Pwysig oedd. A'r wneud i fynd i'r oedd yn ystafael. wrong赦 ym gyfo. The question was going to be easier now. It can be less than that. Whom I've given that statement to him it's going to make a mess here. Whoever gave it to that one right becomes strong. You can't predict a length of injury in your entirety because you've got people who heal quicker. Felly, we have a highly qualified medical staff and equipment to try and speed up any injury. I've always felt it the wrong thing to do to tag an injury for its time and its time limits because people recover quicker than others. You want to avoid setbacks so they don't reach that time and it's more, why is it and if you can get it before then you've perhaps done well. For me it's how is it in the next two weeks and what does it look like in the next two weeks when you sustain an injury immediately after there's a settling down period and then there's how quick the player recovers. And Guilfe's motivation is obviously to get back playing for us and obviously playing for Iceland in the World Cup. Does it mean we're likely to see Wayne Rooney play more then as a number 10? Who knows? I think he's played a number 10 role pretty much in a 4-3-3 before the role he played. He played the role on Saturday for the first time which he took over from Ghana. He was ill and sat in that position and produced a top quality performance all our performances at home at the highest level particularly since I've been here and the points that we've gained probably the only performance that wasn't that good was probably West Brom and we managed to get points out of that but all the rest have been exceptionally good and we've won those games. Like I said 12 points out of the last four games has been our mainstay of where we are in the league but our home form is a jackal and hide if you like. We need to improve it and we need to start on Saturday. With Rooney dropping into that deeper role for the last game how impressed were you with what he brought to that position and could he play that way going forward? Well I think we have a number of players that like that position themselves so I think these players have played that position for many seasons but we certainly know now if needed that he's more than capable like. I think the overall scenario is everybody to emulate a level of performance away from home as they've shown at home. I think that's been our problem that the players haven't hit that peak or that peak performance that they have done when they've played at home and then when they've been in a position to get a result particularly in the last two away games have slipped up and have ended up with no points at all and that's really disappointing not just for us but all the Everton fans that travel away from home because obviously they're there in the numbers, they sell their ticket allocation out and we want to get them as happy when they're travelling back as we get the fans at home as happy as they were last week when we beat Brighton. You've been linked with a move for Jack Wilshere who's out of contract in the summer and I know short of clubs I'm sure looking at him but is that the sort of player that you'd like to bring in in the middle to move the ball who's capable of doing a tempo? Next season is next season I think that our main aim is to have the right discussions at the right period of time when we can. I think that when you're living in it with a squad of 38 professionals and we certainly know that adding more players can only come about releasing some and moving some on, I think that the balance of ins and outs in the summer will be and will determine on who and what we bring in. I don't think there's any doubt about that. How much role are you playing in recruitment for next season at this point? I'm focusing on the first team and the first team we're in I think that's the first thing we do there's achieving the safety mark which we're very close to now achieving the safety mark on our secured position in the Premier League and then having those discussions and moving forward when that happens really as well as planning most of pre-season which is penciled in if you like. Big news last night was that Mark Hughes has taken over at Southampton as they're looking to avoid the draw being good challenge is that going into a club with eight games to go to try and survive and as you say get to that safety line. I think that Mark's experience in the Premier League would be very important for Southampton and hopefully they would hope that there would be a reaction to in walking through the door and giving the players a new direction I think that we all try and do that when we come into a club that's struggling and I think that that direction needs to be instant and we moved ourselves out of a relegation position very quickly when I arrived and that gave us a lot of confidence but obviously then you've got to sustain it and we've managed to sustain it home no problem but we haven't to sustain is the ongoing problem with the last two and a half to well two see two years and three months of Everton away results not being good enough and finally then you're at the Manchester United game on Tuesday what did you make of their performance and obviously English club's performance in the Champions League in general this week? Well I went to watch a couple of players from Seville and I think that obviously Manchester United and its fans were very disappointed on the night not just with the result but the fact that they didn't apply enough pressure against Seville I think everybody expected and you've got such a big expectation at Manchester United that they were going to get through after the 0-0 draw at their place but unfortunately missing your chances at key moments at that level was costly so it was a very disappointing night for the Manchester United fans So I understand you don't want to put a time frame on Guilfee Siginson but the time that he is out how much of an opportunity could it provide for Davy Classford? It may do I think that it's been a struggle for Davy since he arrived I think that there's been a struggle since I've been here but I mean I think that when he gets an opportunity and if he gets an opportunity like all players the players at home have got an opportunity to do very very well sometimes the players away from home have not lived up to the expectation I think so He's been in the squad and he managed a brief appearance and if he does get the opportunity hopefully he will shine and show what he achieved at Ajax but you know at the moment we've got a squad of players that are hopefully eager and looking forward to the game against Stoke How much have you spoken to him about the struggle that he's had to establish himself here? I think a few times I think that at the end of the day it's not just Davy that's struggled in his first season in the Premier League like many players that arrive in this country that the first year can be the very very hardest for them and then once they've actually had the first season under the belt and they come in for a new season this season after them and they know what it's all about and they felt the disappointment and not performing to the level that they wanted to or we expected then they've got a big opportunity to then show what they're made of and why we brought them to the club which is an ongoing focus on everybody and ongoing pressure on every manager and every player that's bought to a new football club particularly in today's prices the expectation starts right from the very beginning and sometimes that's very difficult to achieve your best performances in a season where you've arrived in a new culture a new environment and a new league and the best league in the world as it were What have you made of the job that Paul Lambert's doing at Stoke so far? Well he's made him very difficult to beat now I think that like us all the basis of winning football matches has been hard to break down I think that for us we looked at the fact that we've slipped up by not achieving as many clean sheets as we should have done and we've done that with a picked up more points he's working on the same lines and then in possession they're trying to use the new players that they've bought into to be a bit more creative How key is your name Shaquiri for them? Well is the key player from an assist I think and the goals that he scores I think that we need to keep a close watch on him and sat down and try to keep him as quiet as possible One of their key men to try and mark out the game if we can Hi Sam You're known to be innovative and try different things so have you tried anything different with this away record or looked anything differently this week? Well we've tried a number of things Systems, change of systems, change of personnel I think the change of mentality is the big one so we've been using a bit more work into the mind in the analysis room about who we are what do we want to get and what do we want to achieve that is the main aim is the focus of being mindful in terms of visualising your performance and visualising the performance that you give at the top level and thinking about that to put yourself in a positive frame of mind before you walk out or run onto the field on a Saturday I think that all your preparation technically is fine but if the player spends a little bit of time thinking about his best performance and putting himself in the right frame of mind then that best performance will have a better chance of being delivered Just a quick follow up Had the players getting help with that then? Support psychology or anything like that? Or you just put it on them? Yeah, getting some help with that I think that we've used our in-house support psychologists that have been here for quite some while so slowly has integrated himself with some of the sessions with the players Okay guys, thank you


But these are some of the best trained fighting men in the world. They are United States Army Rangers, soldiers who specialize in using muscle and mind to accomplish their mission. You all know what that mission is, the protection of our country. But as you can see, you don't get this kind of protection without work. And you don't get it unless you've got men who are in physical shape to do the job. That's what our big picture is about today. You might call it the shape of the nation. And these fellows going through their paces at Ranger Training Camp make a good jumping off point for our story on physical fitness. He gets trim regularly at this game and he needs trimming, especially around the bay window. The only part of him that gets a workout in this activity is his wristwatch. The way his exercise is a little more strenuous. He's got to move those eyeballs around pretty fast to keep dodging the other cars. But let's give him his due wherever he is, those jaws get a real workout. Picture of a man getting in shape for heart disease and a good case of hardening at the arteries to chip off the old block. It won't be long before junior begins to develop his own fifth grade spread. What our friends, big and little, are really suffering from is the same affliction that hits thousands of Americans under activity. Yes, sir, we're the sit-ness nation in the world. Never have so many sat while so few moved. Then there are the automatic gadgets to make the living easy. Grandma had to use her biceps to get these jobs done. Today, the little woman flips the switch and the machine sweats it out. We got it made.  And I'm glad to be in here pitching again for Uncle Sam. Well, hello. Sir, did you read the sign, no peddlers? Oh, let's see machines replace that. Say, you wouldn't think all of this has anything to do with defending our country, but it has. We've got this tendency over here to make things as easy as possible for ourselves. So we give the work to the gadgets, sit around and let ourselves spread and get soft. Now, when a country gets all flab and no flip, it's in for real trouble when the going gets rough. Let me show you. For instance, did you know that three out of every five men called up for military service are rejected for physical reasons? In order to get the 196,000 men needed for the Berlin crisis, the government have to call up over 700,000 men. That's the kind of statistics that should keep us upnights worrying about where we're heading. In a recent speech, President Kennedy said he was afraid we were getting to be a nation of spectators. That we prefer to look instead of play, ride instead of walk. Greetings, Kate. Meet my golfing mate. Well, I see you're still in the rough. I'll see you at the clubhouse. Say, Jerry, I was just telling the folks that most of us don't get enough physical activity. Oh, I'm just breaking it in for a friend. Now seriously, folks, Bob's right. It's great having all these gadgets provided we don't let them wreck our health. That's the big danger, Jerry. Too many of our people don't seem to realize how important it is to keep the flab down and the flip up. Well, there are a lot of other countries in the world that do know how important it is. I don't know if Khrushchev has one of these things, but one thing I do know, the people over in his part of the world really work at keeping fit. Yeah, maybe you've seen some of the pictures of those Eastern European athletic meets. These are not professional athletes. They're mostly young people who are trained from childhood to keep their bodies in top condition. Many of them will go into their country's armed forces, bringing with them the strength and coordination they've built up over the years. Others will bring honors to their nation and international sports competitions. Often the United States has fallen behind in the Olympic games. That's because other nations go in for more individual participation in a great variety of sports. With these people, physical fitness is a way of life. And while there isn't much over there, we care to copy. We could do with a little more of this kind of thing in our country. Most pictures certainly aren't to give us something to think about, Bob. Well, we're doing a lot more than just thinking, Jerry. Fortunately, we got people in our country who are doing something about it. One of them is President Kennedy's consultant on youth fitness. Famous coach of Oklahoma's football team, Bud Wilkinson.  We want you to key the guard. When the guard pulls, you've got to go with him. When he makes a pass protection block, you've got to drop out and cover the hooks. Got it, Roy? Got it. Good. The President's Council on Youth Fitness was created by an executive order of President Eisenhower in 1956. This action alerted the country to the problem that we face in the area of physical fitness. The cause is practically self-evident. Modern conveniences, our technology, have eliminated the muscular effort in our daily lives. Under President Kennedy, the Council decided to take more specific action aimed at specific groups. The majority of young Americans are in our schools. We felt first that we should identify the underdeveloped child and be sure that each school had a program to bring the underdeveloped child up to par. To our amazement in a preliminary survey, we found that only 28% of America's schools had adequate physical education programs and less than 50% had daily activity programs for each boy and girl. We feel that this situation obviously needs to be corrected. With the cooperation of 19 leading educational and medical organizations, the President's Council has developed a recommended basic physical fitness program for the nation's schools. Many of them have already responded to the urgent appeal of the President's Council for a more vigorous fitness program. Now I would like to show you a portion of a film report by the President's Council on Youth Fitness demonstrating what some schools in the country are doing about this vital problem. Here's what happened in one town, Muscogee, Oklahoma. Physical fitness program in our school wasn't easy. Our muscles weren't used to this kind of exercise, and we were sort of stiff the first few days. We found we could do a whole lot more than we thought without getting tired. And anybody who couldn't keep up was a real square. We found the exercises helped us to do our schoolwork better, and we slept better at night and felt better. In a couple of weeks, we were really with it. We could really dig what all that exercise was doing for us. It was just like the music man Robert Preston said in a song about keeping fit. That's where physical fitness gets off to a good start in the school during the vital formative years. And equally important is continuation of exercises in the home where the whole family can join in. Reverend Bob Richards, nationally known authority on physical fitness, is a firm believer in family participation in exercise and sports. That's right, bud. I think the home is one of the best places to emphasize physical fitness. Considering the amount of time we spend around the house, what could make more sense than to use a small portion of that time to keep ourselves in shape? You're all probably familiar with some of the basic exercise routines that almost anyone can run through every day. Let's take push-ups for a starter. According to studies, most Americans are weak in their upper body development. Here's one that'll build your upper body. Here's a wonderful one for the midsection that you can do in your living room. If your abdominal muscles aren't in shape, you can bet your whole body will get in shape. This can be a fun exercise. You can do it with members of the whole family. Still another exercise. And one that is good for the hips is the hip bend. From this one, you can go into running in place, touching your toes, and many other kinds of exercising. The important thing is to stick with your exercising. Make it a daily routine, like eating. Actually, the two do go hand in hand. Good nutrition is an important part of physical fitness. And as Bud Wilkinson said, we've got to start the whole process at the beginning with our children. In every place where there are children, there should be some provision for outdoor exercise. It doesn't have to be anything elaborate. Just a few things to hang on, swing from, or climb over. Anything to give young muscles a workout. A physically fit America might well begin in the backyard or the community playground, where kids can start laying the groundwork for strong, healthy bodies. There are many more ways to continue the chain of physical fitness training in and around the home. Sandlot baseball, touch football, skating, bicycle riding, and dad, what about taking the kids for a hike when you get the chance? Good old fashioned walking is still fine exercise. Unfortunately, these days, most of us, children grownups alike, we just don't do enough of it. More than anything else, however, physical fitness has to be a state of mind. An attitude developed early in life. The child must learn to want a strong body, not necessarily to allow him to lick every other kid on the block, but because a strong body will help make him a more secure person. Through his growing years, this constructive attitude toward physical fitness can be encouraged most effectively in the child, both by school programs as we've seen, and within the framework of home and family where he spends most of his life. School and community, home and family. When these agencies unite in a concerted effort for physical fitness, our children are the beneficiaries. Sound bodies will enable them to lead healthy lives now and do their jobs better when they are grown. I guess we all recognize that there are many challenging jobs to be done in this country. Do you recognize this man? He's astronaut Alan Shepard, America's first man in space. Working out in the gymnasium may seem pretty tame compared to what astronaut Shepard and America's other astronauts have to go through, but it's all part of keeping fit for their job. And this is one job that calls for fitness right down to the fingertips. These are some of the physical tests our spacemen are put through by the National Aeronautics and Space Agency. Coordination, alertness, ability to withstand tremendous pressures. That's the order these men must fill. Only the best can make the grade. Perhaps Commander Shepard himself can tell us what it takes. More than anything else, it takes preparation in a way it's like baseball. Nobody ever made the big leagues without really being ready. And I think space flight is pretty big league too. You never really know what kind of an emergency situation may develop up there. A situation which often requires split second judgment. And it takes fast, cool-headed reaction to meet this kind of challenge. This reaction can only come from a body and mind that are healthy enough to accept a situation. Now over the years in the United States Armed Forces I've had to keep myself in good shape. And consequently it's become a habit for me and my family to maintain good physical fitness. I think this is a habit that would benefit all of us to enable us to meet our own individual challenges. Key words from a man who knows the importance of physical fitness. Whether we're talking about America's team of astronauts preparing for a shot into space or a much larger team which may someday have to defend our country. Like this team of West Point men in summer training at Camp Buckner. One day each of these men may be an officer in the United States Army. Like other West Pointers such as Dwight Eisenhower, Douglas MacArthur, George Patton and others some of these men may similarly be marked for fame. But all of them will become leaders with vital military assignments. Their preparedness, their readiness for important roles in the defense of their country is not a matter of accident. Their admission to the United States Military Academy depended on the highest degree of physical and mental fitness. They bring will and strength to their tasks. But they must have what it takes to make the grade and it takes plenty. A full program of athletic activities keep the men in shape during the long season of academic and technical studies. At the Academy, West Pointers get a workout in physical activities which stress individual performance. A sound mind and a sound body is an integral part of the educational program at West Point. Today we are engaged in a great challenge of ideologies. Our soldiers must be capable of clear swift thinking and intelligent judgment in order to meet the heavy demands of leadership in a technological age. Only a healthy and vigorous body is up to these demands. The end product of any effort is the sum of what you put into it. The foundation on which you build. The foundation of each man is his physical condition. And like every foundation, it must be strong. On its strength depends the safety and well-being of our nation. Today, as in World War II, we know that the building of the physical side of young Americans is one of our most crucial tasks. Former Secretary of the Navy, Frank Knox, said in 1944, it is the truth that only those men are fit to be free who can fight to win and maintain their freedom. Whenever a nation becomes incapable for physical reasons of maintaining itself in this world, its freedom will be destroyed. The price of freedom is the ability to defend it. That defense must begin early in life with girls and boys whose bodies are strong and healthy so that they will be prepared to meet the growing stresses of our time. The degree of their strength and of their purpose will determine our survival as a free nation. To those of us who've got school behind us and now have to make it down the long run to good jobs, a family, and everything that goes with healthy living, the example of men like Bud Wilkinson, Alan Shepard, and Bob Richards is an inspiration. My particular interest is skiing and I'm in pretty good shape, but I sure was shocked to learn that three out of five of my buddies couldn't pass the induction physical. There are many roads to physical fitness and there's sure to be one to fill the bill for each of us. Maybe it's the high board where the champs set their sights right at the top. Roll and timing needed here. In swimming, it's limber muscles and limbs that don't tire easily. Water sports of every kind are fun and good body building exercise. And we can do them in our local club and winter as well as at the beach or lake in warmer weather. Many of us take to the bowling alleys, a great indoor sport that can do a lot toward keeping us in shape. With strength and endurance, as a goal, all of us should set for ourselves. Very few of us will become strongmen at demonstrations or international competitions. Good pound barbell takes plenty of lifting power and calls for a lot more weight than is good for most of us. But this kind of strength is an example of what the body can do when it is trained for the job. For most of us, walking, as Bob Richards said, is one of the easiest kinds of exercise that one almost everybody can do. It doesn't have to be a 50-mile hike, but more power to the ones who can make it. The walking habit can go a long way toward keeping us physically fit. But whatever form of exercise we take, we know what's going to prepare us for what's up ahead, for helping us measure up to the demands of military service in the defense of our nation and for meeting our responsibilities as citizens. Now that's nice firm flat. Well, everybody can't make top grade in physical fitness, but everyone can make the most of what he is by following a daily program of exercises. That goes for juniors, sis, mom, and dad, and the rest of the family.  And remember, no matter what your job is, it can be done better when you're in good physical shape. And now the man behind the country's youth fitness program, President John F. Kennedy, has a personal message for all of us on this important subject. I welcome this opportunity to speak to the people of America about a subject which I believe to be most important, and that is the subject of physical fitness. And I speak not only as President of the United States, but also as a parent of two children who I hope will grow up with those qualities of vigor and energy which we identify with the best of America. This should be a matter of concern to us all. A country is as strong really as its citizens.  I hope that we will not find a day in the United States when all of us are spectators, except for a few who are out on the field. I hope all Americans will be on the field. That is, they will concern themselves with the education of their children, with the physical development of their children, with the participation in the vigorous life, and then also as their children get older, inculcate into them a desire to maintain that vigor through their normal life. Our citizens are living longer, and we want them to participate fully in that longer life. But they can only do so if they give some of their time and some of their effort to maintaining that vitality. This is a subject which should be of interest to us all. And I hope when we have seen the astonishing results which we have seen from our work in a few schools across the country, where we've been able in the short space of two and three months to change the physical habits and strength of our children, that this will spread to every school district in the United States, that all of us will participate in the life around us. And in so doing, we'll be better citizens and happier ones. This is a challenge for us all, children, boys and girls, college students, mothers and fathers, and all of us I think should welcome it. I hope all of you will join in a great national effort to build a strong and better America through physical effort and through the contributions we can make by the drive and force we bring to our daily lives.


Children are born creative. Sarah, for example, loves to dance. She doesn't care about making any wrong moves. At her first day at school, she can't wait to show her dancing skills to her new friends. They're so excited they even start copying her moves. But when the teacher comes in, he tells them to stop. School is not a place to dance. It's a place to get knowledge. So the first thing Sarah learns, school is not about her interests. When Sarah graduates, she has the best degree in her class. Great. But she doesn't dance anymore because she is afraid that somebody might judge her. The reason? The first global education system was invented during industrialization when medicine and mechanical machines were making huge steps forward. So the most important subjects to support these developments were at the top of the hierarchy. They are needed today as well. But we don't know what the world will look like in the future. With the advances in automation, we will need to develop new business ideas and lifestyles. But how will our children invent these in the future when they aren't educated to solve challenges in a creative way? Of course, our education system can change. On the one hand, it could put subjects like sports and arts on the same level like math, languages or humanities. At the same time, students more freedom to choose which topics they want to learn and which they don't. On the other hand, interdisciplinary tasks could teach teamwork to students with different strengths. The result? Success. And what about computers? No, not like this. In times of digitalization, schools should give students modern digital workspaces. Last but not least, start encouraging creative expression from students like Sarah. Because the more creative and fearless she is, the better her chances are of becoming whatever she wants to be. Even a dancing queen.