My name is Hiftheker and I'm sorry I kind of like I shaped my head.  But in this video today I'm going to show you how I made $12,500 selling t-shirts on Treespring and my niche is actually COVID-19. It's a t-shirt about COVID-19 so here is the design that I made. It's like I survived COVID-19 and I was selling this for $19.99 so if I look at my analytics, Actip is like 620 products has been sold and the profit is $12,500. So I'm going to show you how to create the design for your shirts today. I'm not going to talk about how to market and all this stuff but this is for the next video that I'm going to teach you. But today I'm going to only show you how you can create a really really good design t-shirt. And so I actually marketed this product only for the US customers but I saw one or two sales from the Europe but again we're not going to talk about marketing and stuff. Today we're only going to talk about how you can create a really really good design. So first of all we're going to open the Photoshop, sorry, so we're going to open the Photoshop. I'm actually using Photoshop, I don't know what version this is probably 2019 or something. Who cares? Who cares? Sorry. So it's opening actually and all right. So I'm going to create a new document. So this document will be 4500 wide and then the height will be 5400 pixel. So this is the best one that actually I recommend. So the background contents will be transparent and after getting this kind of canvas what we're going to do we're going to go to Google Chrome and we're going to type this website called PNGPress. So after going to the Google we're going to do a search about a website called PNGPress.com. PNGPress.com. So this website actually has like designs that you can use for your t-shirts and everything. So we're going to go and we're going to write coronavirus. Oh there's actually a lot of designs. Oh this design is actually really good for children. It's really good but this one's good too. But today we're going to go for why I'm recommending this website is because of one reason. Their content is actually licensed under Creative Common 4.0. So I'm a law student and I know that if you put contents that you don't own you might really really get in trouble. You might get somebody else going to sue you like if you put something like a Disney type of character or keyword or something from Disney without their permission you'll get sued and trust me guys it's not worth it. So try to find the contents that that are like for the public use you know so that you can actually make money from it. So we're gonna we're gonna just gonna use this kind of website but if you look around you will see a lot of websites like this. So I'm gonna click download here. So it's gonna download and you are done. So after downloading this what I'm gonna oh this so one of the thing is that this website has a really really good quality images like png images. Their png images are really really good. So this one is like 1.5 megabytes or something. That's a really high for a png image trust me. So we're just gonna drag and drop this on the png one and shift oh sorry okay so we're gonna click on shift and make sure that it's it's perfectly wise. All right so we can just put it right here or something and let's give it like some text. So we're not like gonna create really really good type of design but a design that people actually like and the message gets spread. That's what we are all gonna do to get our message spread you know. So we can we can write something like we are in this together and put this on the red color because the thing is red. So I have downloaded a couple of forms you can google about really good forms and install those on your computer. So this one is like this you'll see.  Let's put the virus sign a little bit uh down so there it is and yeah there you go. Another thing is we need we can we can make this one more bold type of thing. So we're just gonna click on here I think uh edit layer type. I forgot how you can change this one maybe this. Oh there you go if you right click on the on the text button you will see an option called the blending options.  It looks much better now. Make this a selection type of thing. All right so we're just gonna put this just make sure that you know everything's uh sound looks like you know kind of professional but the message is out there it's like we are in this together the coronavirus type of thing and and then we're gonna save this one actually uh control shift plus s so in that way we can actually see where we are saving this one so we're gonna save this as a png file because if you save this as a jpg it's not gonna it's not gonna work for the t-shirt design so just you know write something down and click on save all right so we're gonna go to the t-spring again and then we're gonna click on start designing so choose your product i always go for the t-shirts but there's like tons of products you can create with t-spring just your you know imagination or your choice whatever so unisex man t-shirt classic t's do you want to sell or do you want to buy do you you put the option sell all the time so i'm gonna add the image where is my download button yep there you go it's on the front okay okay so another point of thing make sure that your image and the the color of the shirt matches really really good so this is like white shirt and we're gonna see what kind of other color t-shirts work with this design as well so let's go for the the silver or kind of the gray type of color i think the black one works good that looks good how about purple purple doesn't look good this color is called i think royal blue you can also use this one this one's actually looks good you know make a comment what kind of color actually goes with this kind of design i'm gonna show you a really good website that you can see what kind of color goes with other colors it's called flat color ui i've been using this website since 2013 this is really good actually it actually shows you what like it gives kind of like a really good idea like here it's flat ui palette american palette like what kind of colors americans like osi what kind of people sorry what kind of colors australian like british people like canadian people like chinese palette dutch this is actually really good so let's look at the dutch palette right so here we can see that uh let's say your design is actually this color so the best way it goes with this color t-shirts or this color t-shirts which is actually by the way royal blue that we have here you see kind of matches so what we're doing is we're putting a red in front of royal blue which is kind of like a you know working and not working at the same time but you know so this is only for the design and education purposes but you know right the comment section if you have more ideas about how the color matching works uh i always appreciate when people you know when we all share our knowledges together so here we're gonna set our prices i always go for the 1999 price tag $19.99 says i don't know why but it just makes me really just it just feels better you know also with the uh europe thing 1999 girl 1999 so we're gonna put continue and that's it so so what's this doing right now is it's kind of like uploading the design on other uh designs so what kind of name we can give so let's say we are giving this corona virus no let's put this we are in this together for the description we're gonna put grab one before it finish something like that so so right now it's publishing the design so what happened is that when someone orders in their website you will get a profit and they will get the shipment of your product that's it so it's like a fulfillment type of business yeah so we got three colors over t-shirts royal blue gray and the white i'm pretty i'm hoping that the white one sells better but who knows maybe the royal blue you know sometimes i put all the all the colors together because i know you know different kind of people one different kind of results different kind of colors so it's their own choice so you know let's let's them be so guys this is the way that i get my designs and everything so to you know have a mpop uh pngpress.com so the website is called pngpress.com you get the designs from there because they have because they're content so this website is called the pngpress.com they have the designs there which are publicly available you don't need to pay anything to anyone just grab your design from there see the color palette what kind of design goes with what kind of shirts and everything and make your design in in the photoshop and that's it so subscribe click on the subscribe button if i get you know and the likes button if i get enough i will create another videos about how you can market this where's the what kind of the people are gonna buy and where you can actually find the people so all my sales are actually organic so i'm not doing any kind of uh facebook promotions or anything because i don't want to spend money on facebook it's always like i don't i don't actually i would like to but i don't want to if that makes any sense so i will see you guys for the next video have a great day and stay safe thank you


For today's video, I'm going to provide some tips for college students who are interested in advocating for open educational resources or OER on their campus. But before I move on, I'll recap a little of what I covered last week. Open educational resources are openly licensed educational materials that are available online at no cost to users. That means that OER are free textbooks, free lecture videos, free lab books, and even free lesson plans and quizzes that your professors can use instead of expensive textbooks and access codes. They aren't just free to access. Because of their open licenses, many of these resources are also free to edit to make them really fit in with what a class covers. No more read chapters one, three, and seven. With OER, instructors can rearrange textbook chapters or cut out sections they don't cover in a given class. That can make the whole course experience better and more focused on what you need to learn. So why aren't instructors already using open educational resources in their classes? Well, there are a few reasons. Although work is being done to educate instructors on college campuses about the various resources available to them, the majority of instructors just don't know that OER exist. So don't blame your professors if they aren't using open textbooks right now. There's a fairly good chance that they just don't know they're out there. And there are plenty of other reasons faculty aren't using OER too. So if you'd like to understand their side of things a little better, check out my video on barriers to open education. So what can you do to help if there's so many different barriers to overcome? Well, you do have options, but you'll need some support. First, you'll want to raise awareness on campus.  Even if it's something small, like having to put off buying a textbook until your next paycheck comes in, sharing your story can help people understand that there's a problem. But don't just leave it there. While you're raising awareness about the cost of textbooks, provide examples of great open textbooks and other OER that professors can use instead. Remember, you're the ones trying to make change, so you've got to provide proof that there's a problem and you've got to provide a possible solution as well. Don't push that off or tell faculty they need to do all the work themselves. Point them to places where they can learn more about OER and share what open resources are and how they can be just as good as traditional textbooks. While you're talking on campus about the cost of textbooks and alternatives available, you'll probably meet some interested and engaged individuals who can support you in your cause. These individuals, students, and instructors alike are important. Listen to them, let them help, and use their voices to amplify your message. Getting faculty on your side is an important step for student groups on campus. You can share information about OER, but when it comes right down to it, faculty trust each other's opinions more than they trust your judgment when it comes to textbooks. After all, as students who pay for textbooks, you're coming from a biased perspective. Getting faculty allies to talk to their peers for you can really help your case. Finally, once you've spread the word about open textbooks on campus and gained support of students and faculty alike, the people you'll really need to talk to are the ones in charge, the administration. Talk to them about supporting instructors who use OER and explain why these issues matter to you. By this point, you should have some good data and anecdotes to support your cause, so use them. But remember while you're speaking up that you need to fight for something. You can get your administration to understand why you care, but then what? Give them something to invest in, a program, an initiative joining a national network supporting OER. But make sure that whatever you do, you're making a good case for why it matters to you, the other students in your college, and the faculty as well. And remember, you can always find allies if you're willing to listen and reach out to other groups on campus, like your library. Thanks for watching my video. Feel free to visit our library guide on open educational resources if you'd like to find some more information about OER and check out our other links in the description for student groups you can contact about organizing an OER initiative on your own campus.


RCA Victor, world leader in radio, first in recorded music and first in television, presents transcribed the Phil Harris Alice Faye Show. For your enjoyment here is the Phil Harris Alice Faye Show, written by Ray Singer and Nick Chevrolet, with Elliot Lewis, Walter Tetzli, Robert North, Janine Roos and Whitfield, Walter Sharf and his music, and yours truly, Bill Foreman. Everybody makes New Year's resolutions, but nobody makes them like Phil Harris. This year he's resolved to, but more about that later. First the word from RCA Victor. Folks, today two great names, RCA, world leader at radio and television, and a state maker of quality stoves since 1842, have been joined to bring you the new RCA Estate Range. The RCA Estate Range, with its exclusive grill, bake and barbecue features, offers new unique cooking methods, new flavors, new adventures in cooking. Take the hideaway griddle as designed for greaseless grilling. You'll enjoy steak, sandwiches, fruit or vegetable rings cooked by this new method better and much better for you than frying. Then there's RCA Estate's Barbecueer Separate Meat Ovens. Its radiant heat, just like glowing charcoal, gives real barbecued flavor to roasts, hams and chickens. The barbecueer lets you cook your meat while the big RCA Estate balanced heat bake oven is busy with pies or cakes. Both ovens are automatically controlled to turn on or off while you're out shopping, saving you precious hours. Stop at your RCA Estate dealers and ask to see an RCA Estate, the range used by the nation's foremost authority on good food, Duncan Hines in his own kitchen. Remember, for the finest in gas or electric ranges, it's RCA Estate. And now the stars of the RCA Victor program, Alice Faye and Phil Harris. On New Year's Eve, Phil and Elliot went to a party sponsored by the Musician's Union. It was quite an affair and the boys haven't seen each other since then. And now as we look in, Elliot has just come over to the Harris House to see Phil. Well, how do you feel this morning, Curly? Like a two dollar cornet. One that's been hanging in a cold hawk shop when we overdid it a little bit, didn't we Clyde? I don't know, we're still alive. This is living. Look Elliot, we got to make a New Year's resolution to cut it out. You're absolutely right, Curly. All right, now here's the resolution. Starting today, we both agreed to give up drinking. Right. The thing I'm going to give up drinking is water. How about you? Well I was thinking of papaya juice. Or my ostrich egg flips. But maybe water would be, no look, now Elliot, we're going to do this right. I got a list here of things that we're not going to do anymore. Now listen closely to this. We hereby resolve to give up drinking, smoking, gambling and carousing. Now let's sign this paper. All right, we'll sign your paper first, then we'll sign mine. What's yours? A suicide pack. Oh but this time I'm keeping my resolutions and I got a few others too. Look, I'm giving up all my bad habits, especially the one vice that's been ruining my life more than anything else. What's that? You. You're giving me up? Not all at once. I'll cut down on you gradually. I may even have to take a cure to get rid of Curly, all right. What's this all about? I've suddenly realized that I've been neglecting my wife all because of you.  You know, you're right, Curly, I have been thoughtless. I'll tell you what I'll do. From now on, whenever I go any place, I'll take Alice with me and you can sit home alone. That's not exactly what I had in mind.  I've been neglecting her for 12 years, but starting today, I'm going to be a model husband. I am not going to leave her side. Curly, you can't do that. We're supposed to leave on a three-day duck hunting trip tonight. I don't care. Duck hunting, huh? Yeah. Well, I've been neglecting her for 12 years, three more days, ain't I? No, no, look, I'm not going to put this off, Elliot. I've been taking Alice for granted, but from now on, that's going to change.  I don't think you can. He's much younger than you are. She ain't got no boyfriend. Look, I'm going to make love to her, Elliot. I'm going to make love to her the way I used to when we were courting. I'm going to sweep her into my arms.  I hope she can still take it. I better make the kisses lukewarm for a starter. Really don't flatter yourself. It's been a long time since you've been a lover boy. Your technique may be a little rusty. Yeah, maybe you're right. Maybe I should go into training. Maybe I ought to get a couple of sparring partners and brush up. Have you tried this romantic approach on Alice yet? No, no, she's out shopping. But as soon as she gets back from the market, I'm going to let her know that her husband is still her lover. I'm going to prove to her that... I'm home, honey, and... you're back at last. Every moment you've been away has seemed like an eternity. But now that you're back, my precious one, I can live again. I must be in the wrong house. I'm sorry, Mr. I thought you were my husband. I'm more than your husband. I'm your sweetheart, the same freckle-faced boy you married 12 years ago. When I've missed you, my sweet, come into my arms so I can crush you to my bosom. Oh, Phil, be careful of these groceries I'm carrying. I forget everything when I see you, sweetheart. I just want to take you in my arms and squeeze you like this. You're getting brittle, Myrtle.  Phil, those were the eggs I was carrying. You've broken every one of them. This guy's clever. He can make love and scramble eggs at the same time. Phil, what's the matter? What's come over you? Love! Mad, wild, impetuous love! Oh, I knew I shouldn't have bought him that Marilyn Monroe-ass tray. What's wrong with you? Nothing's wrong, honey. Can a man be in love with his wife? I haven't told you for a long time, but I think you're beautiful. You still possess the same qualities that made me take you for my wife. You have the same sparkling personality, the same beautiful face, the same slim figure, and the same fat bank account. That has changed. It's put on a little weight. Phil, why this sudden burst of affection? It isn't sudden, dear. It's always been there, but I've been thoughtless and haven't shown it, and I'm going to make up for that. Well, that's very sweet of you, honey. I'm going to act just the way I used to when I first met you. Do you have to? Please, I think ours was a beautiful romance, and I've made up my mind to marry you the first time I saw you.  You were singing with Rudy Vallet's band. Ooh, those pains. And I used to come in every night, honey. I'd sit there and thrall, and I got a thrill every time you picked up your megaphone and sang, raise the steins to dear old Maine, shout till the rafters ring. That was Rudy. How do you like that? I married the wrong person. Oh, but, Alice, I used to love the way you sang, and I still do. In fact, I want you to sing for me right now. Ah, now you're talking sense. You'll be out of here in no time. I doubt it. I doubt it. It takes an earthquake to move a mountain. It takes a typhoon to turn up the sea.  It takes a heat wave to melt an iceberg. It takes a blossom to bother a beard.  You could have your way. Any way you want. You could have the moon. The moon, the moon. Anything you say. Anything you say. Only say it soon. When you're around, it takes a feather to knock me over. It takes a nitwit to tell you I'm free. Cause, baby, I'm just your humble servant, making your servant clean.  To me, to me, to me. We don't believe in letting problems hang around unsolved. But, oh, isn't this involved? It takes a windstorm to blow down buildings. It takes a shipwreck to create debris.  It takes a rainstorm to melt a snowdrift. It takes a big shift to sail on the sea. Oh, but what does it take to make you take to Maine? You could have your way. You could have the moon. Anything you say. Only say it soon. When you're around, it takes a feather to knock me over. It takes a nitwit to tell you I'm free. Cause, baby, I'm just your humble servant, making this fervent plea.  Hey, Alice. Wasn't it curly? Yeah. And now, Alice, if you'll get your best clothes on, I'm going to take you wherever you want to go. This is your day.  Now, first of all, we'll go to my dressmaker for a fitting. Then to the hairdressers for a couple of hours. Then we'll go to the Garden Girls of America for the flower arranging class. From there, we'll go to Mother's for Tea.  And then Phil will... Phil, where'd he go? I'm down here on the floor with a teaspoon and a needle. What happened? Well, the excitement was too much for me. I blacked out. I thought of spending a day with the Garden Girls of America so I, ooh, hold me. I'm starting to go again. Needn't be sarcastic. You asked me what I want to do, and I told you. I know, honey, but I want you to have fun. I want to take you to romantic places where the two of us can really enjoy ourselves. Now, let me plan the day. All right, dear. What do we do? Okay. Now, we're going to start out by going down to the pool room and shooting a few games of snooker. Then we'll go over to the barber shop to get it all. Then down to the follies for a burlesque matinee and then we'll top it off by going to the main street, Jim, and watch the fighters work out. Can I go like this, or should I wear me broken nose and cauliflower ear? Thanks, Rocky. Phil, I'm not going. That's appreciation. The guy tries to get romantic and his wife turns him down. Yeah, well, you tried, Curly. Now, let's forget her and go duck hunting. Yeah, that's right. You fellas, we're supposed to go duck hunting tonight. When are you leaving? Right now. Come on, Curly. Wait a minute. I ain't going. Alice, I'm staying with you. Oh, but, Phil, you can go duck hunting. No, sir, I'm not going to do anything without you. I ain't... Hey, wait a minute. Hey, I got a wonderful idea.  I wish I was dead. Phil, I don't know anything about duck hunting. I wouldn't enjoy it. Now, don't tell me what you'll enjoy. I'll say you'll love it. Won't she, Elliot? No. She will, too. Alice, it's a great sport. It's very exciting. Well, I suppose I could try it. Is it really a lot of fun? Oh, gobs and oodles. You're just love getting up at 3 o'clock in the morning. The cold, damp air is so invigorating. Then we get out to the marsh. We have to be quiet so you get on your stomach and crawl out to that nice, wet duck blind. Then you have to be perfectly still. You just lie there for about three hours. You can't move. Why not? You're frozen stiff. But then comes the exciting part. I blow the duck call. The ducks come flying over. Curly raises his gun and shoots them, and they fall. What do I do?  And no nibbling on the way back. You please keep quiet, Elliot. Alice, you won't have to grab no ducks in your teeth. We'll tie a bag around your neck for Karen. You think I'm going swimming after ducks? You're crazy. Look, honey, we're only kidding. What are you talking about?  Will you believe me? Well, how do you go about it? What do you have to do? I mean, it's a cinch. The main thing is the way you approach the duck. Wait a minute. I'll show you what I mean.  Why do I have to be the duck? You're the only one with webbed feet. Get down there. Now, look, Alice, you got in the other room, and when he starts quacking, you wiggle in on your stomach and see if you can sneak up without his hearing you. Go ahead. Oh, Phil, I don't want to wiggle in on my stomach. Don't argue. Now, if you're going to go duck hunting, you have to know how to do it. Now, go outside and wait for the duck call. Go ahead. All right, Elliot, let's hear your duck call. Honk, honk, honk, honk, honk, honk. Are you a duck or a Model T call? Look, give me something that sounds like a duck. Will you please? Hey, Alice, get ready to wiggle in now. Go ahead, Elliot, duck it. Quack, quack. That's better. Quack, quack, quack, quack. A little louder. Quack, quack, quack, quack. Anybody home? I brought it. Quack, quack, quack. What? Electric goose. He would have to drop in at a time like this. Look, Julius, I don't... Mr. Harris, I'm high-ing you looking. Wise guy, Julius. That's Mr. Lewis, and he ain't a goose. He's a duck. Not long. He went to Denmark and got a hold of a quack doctor. He just flew back today. Mr. Harris, I don't want you to think I'm nosy. What do you mean? Nothing unusual is happening. Nothing unusual? He's squatting out. What's the matter, kid? Look, there's a blonde water moccasin wriggling in there. A water moccasin. A salmon? Alice, you're not doing it right.  You're supposed to slide smoothly. Why don't you butter our stomach? Will you please get out of here? We could use chicken fat to make her glide better.  No, we better... Well, Phil, can I get up now? Honey, I want you to stay down there. You haven't shot a duck yet. Curly letter, get up. She don't want to go to the ducks. Be quiet, will you?  Now look, while Alice is lying there, Elliot, you fly over. I ain't gonna do it. I don't feel like flying today. I'll go ahead, Mr. Lewis. Just cycle the room once. This is silly and I ain't gonna do it.  I'm gonna show Alice how to shoot a duck. Now will you come on, Elliot? Start flying. Flap, flap, quack, quack. Flap, flap, quack, quack. Flap, flap, quack, quack. Flap, flap, quack, quack. Flap, flap, quack, quack. Flap, flap, quack, quack. Flap, flap, quack, quack. All right, Alice, get your gun ready. Flap, flap, quack, quack. Here he comes. Flap, flap, quack, quack. Fire! You got him, Alice, on your first shot. Flop, flop, flop, flop, flop, flop, flop, flop, flop, flop. And splash. Nuts, he fell in the water. Now I'll have to row out and get him. I think I heard enough. I'll show you to the door, kid. Oh, don't get out of your swamp.  I'm starting to mold. I don't want to go duck hunting. Now don't argue. This is to make you happy and you're going whether you like it or not. Just trying to brief you so that you'll know what you're doing. Otherwise you can get in as much trouble hunting as the preacher. What preacher? One that went after the bear. I better do this with music. And he ran, and he ran for about a mile. And the preacher sat down and rested a while. Preacher got up, started again. Bear right after him with more thin. And he ran, and he ran till he spotted the tree. Said, up on the limb, it's the place for me. Bear reached up, made a grab for him. Preacher leaped and he made the limb. Pulled himself up and turned about. Cast his eyes and skies and he did shout, Oh, Lord, you delivered Daniel from the lion's den. All souls delivered Jonah from the belly of the whale and them. The brute children from the fiery furnace of the good book do declare, yes, Lord. If you can't help me for goodness' sake, don't help that bad. Just about then, that limb let go and the preacher come tumbling down. Reached in his pocket, pulled his razor out just before he hit the ground. He hit the ground with an awful bang. It was a terrible sight. That preacher and the bear with a razor in his hair just to cut and left and right. Well, they rolled around on the ground. The preacher was up and then he was down. The bear let out an awful moan and looked like the preacher was holding his own.  I'll never sin on Sabbath day and Sunday come all pray and pray and to the heavens. He did glance at the Lord, just give me one more chance than his suspenders gave away and he knocked that bat ten feet away. The preacher got up, made a bound for the tree where he'd be safe and sound. Pulled himself up and turned about. Cast his eyes and skies and he did shout, Oh, Lord, you delivered Daniel from the lion's den. All souls delivered Jonah from the belly of the whale and them. The brood chillin' from the fire at the furnace. The good book do declare you as a lord. If you can't help me for good and sakes, don't help that bat. Gallus, about that duck hunting trip, I'll have to show you how to handle a gun because... Hey, wait a minute, that reminds me, I ain't got no gun for you. I got it. Hey, wait here. I'll go over to Mr. Scott's house and borrow one. But, Phil, I... I don't go away because I'll be right back. Ridiculous. Women shouldn't go on hunting trips with guys. Well, I don't want to go, but Phil won't take no for an answer. I'm frightened of guns. I don't know how to shoot. Hey, it gives me an idea. Maybe we could scare Curly out of taking you. What do you mean? Well, as soon as he comes back with the gun, you grab it and take a couple of pot shots at him. Try to miss him a little. Oh, Elliot. Elliot, that's too dangerous. You'll think I'm trying to kill him. Yeah, that's it. If we can make him think you're trying to do away with him, he won't take your hunting with him. Oh, I'm not shooting any guns at my husband. No, no, you don't have to. All you gotta do is make Curly think you're anxious to go hunting with him, and my insurance agent friend will take care of the rest. What's the insurance agent for? If Curly thought you were taking out a policy on his life just before you go hunting with him, he wouldn't want to take it. Elliot, do you think we ought to do it? This calls for drastic measures. I'll call my friend Nelson and get him over here. I'll tell him to lay it on good. Okay. Hey, honey, honey, I'm back, and here's the gun. Oh, goody. I can't wait to get started on this hunting trip. Wait a minute. I thought you didn't want to go. I changed my mind. I'm anxious to go. Give me that gun. I can't wait to get out there and point this gun at a duck like this. Hold on a minute. Don't point that thing at me. I ain't no duck. You gotta be careful with guns, honey. That's liable to be an accident. Oh, don't worry about that. I'm taking care of it. I figured one of us might get shot while hunting, so I'm taking out an insurance policy on your life. Makes you think I'm going to get shot. I'm going to be the... Oh, Alice, Alice, that must be my insurance agent friend. Oh, yes. Come in. Oh, hello. Are you Mr. Nelson? Yes. Well, I'm Mrs. Harris. How do you do? Which one of these guys are you shooting in the duck hunting accident? Well, this is my husband. Look, Mr....  But she can't miss you. What kind of an insurance salesman is this? What company are you with, bud? I'm with the national. If you go duck hunting with your wife, we'll give you eight to five. You don't come back alive insurance company. I don't need no insurance. You stay out of this. I'm here to see your wife. Now, Mrs. Harris, may I suggest our all-inclusive policy? What's that?  Isn't that a wonderful policy? Eww, that's peachy. I knew you would like it. I think I heard enough. Beat it, Mr. Look, we don't need you around here because I ain't going duck hunting. Oh, you're just an old yellow belly. I said beat it. Maybe you'd better go, Mr. Nelson. You very well, I'll go. But don't worry, Blondie. We'll get him yet.  Slow poison policy. Alice, are you trying to doom me in? Oh, don't be silly. Look, Phillip, if you want me to go duck hunting with you, I'll go. Or don't you trust me? Well, of course I do, but I ain't taking you hunting. We'll go someplace else instead. Where? To your knitting class. And now, if you'll excuse me, I have something to do. Where are you going? Upstairs to file a point so for your knitting needles. I ain't taking no chance. Alison Phil will be back in just a moment. Your radio can give you long and faithful service if it's given regular and proper care. So if you notice your radio isn't up to par, if, for example, the volume rises and falls unexpectedly, or the sound is tinny, or if there's an annoying hum in the background, see your local radio service man. He has the proper testing equipment to find the source of radio troubles. And he's a radio expert trained to adjust and repair your radio to restore it to its original performance. If worn out receiving tubes are the cause of your radio's poor performance, your neighborhood radio man will be glad to install top quality RCA tubes. He knows from experience that RCA radio tubes last longer and give the best service. Always insist on RCA tubes. They're the industry's finest, yet they cost no more. Hey, this is Phil.  I have all the boys from the wonderful Wisconsin football team that were nice enough to come down to say hello to Alison and me. I know that you mothers and fathers and you brothers and sisters back there are wondering how they're doing. I just want to tell you that they look wonderful, they look in great shape, and I want them all to stand up and give you a little greeting. Now, mothers, get up close to the radios because, actually, these are all your sons. Are you ready, fellas? Good night, everybody, and thanks for listening. Good night, everybody. Truded in this program transcribed was Frank Nelson. The part of Julius was played by Walter Tetley. You'll hear music that's excitingly different. Music that starts a new trend in the popular field when you get RCA Victor's latest album, New Directions in Music. In this new album, Eddie Sotter and Bill Finnegan, the talented arrangers turned band leaders, turned loose their unlimited musical imagination. And the entire album of eight colorful selections costs only $2.80 on 45 extended play records, or $3 on long play records. Ask for RCA Victor's new Sotter Finnegan album, New Directions in Music at your dealers tomorrow. Next here, Theatre Guild on the Air over NBC.


Hello community! I have two things I want to share with you today. One of them is GRIPS Pencil Updates related to the second thing which is the Work Bench. What is the Work Bench? Well it's also known as the Viewport, the Solid mode or the Wireframe mode that you use when you are working on your scene. We are actually doing stuff. So Solid mode, we know and love, it's been here forever. Then recently the Wireframe mode came back and it came back in the same way as in 2.7 where you have one color basically to see all the meshes based on your theme and you can also have, for example, you can now see through. This is a new setting from 2.8. You can select the object so yeah, you can kind of work in here but it's kind of hard to see because when you have a mesh that is too dense or just the color of your background is a bit not it's not bright enough then it's hard to see until now because you can now change from the shading panel up here you can change the color of your wires. So by default it's single it's basically it could be renamed to theme because it is a theme and then the object is a second setting where you can change the color of your object and your Wireframes from the object properties in the viewport display panel you just choose whatever color you want and the Wireframe is gonna be displayed using that color. So it's already good enough for like telling which objects to tell apart. I've been using it personally for like particle systems like making rain for example making a rain drop and then you just want to see everything white except the rain drops in like bright red or something just to tell them apart. So that's already really one of the uses I've been using it I've been also using it for like making volumes because in solid mode the object for example when you're previewing an object you can change not only the color but also you can change the alpha value of your mesh so you can make them half transparent and see through and stuff. So look at that you can have like a cloud of clouds. So I've been using it for volumes that is pretty pretty nice. The Wireframe mode for example you can see through with the x-ray or you can not see through if you want to and without the x-ray you can have like a solid mode and just it's easier to find the meshes that way as well. The color you can set per object but if you're a bit lazy or just want to have all the colors in the rainbow you can press random. This setting is basically the same way it would work in the solid mode it will apply a different hue to any object on an object level of your of your scene so that way you know exactly which objects are different from each other if they are part of the same object then and they will have the same color. So that is already pretty great. This feature was like all over internet people were crazy like oh my gosh we finally have it because it's been requested for so many years and now it really fits into inside blender because we already have different colors for the solid mode so in the wireframe it's just natural that it would come. So this is just great but you know what's great? Greater is that the Gris Pencil team took it as a challenge so the Gris Pencil developers took it like okay we can have Gris Pencil as a final render right we can also have as a solid mode and then let's join the wireframe party with the same setting just try to make it as close as possible with regular meshes. So the wireframe mode will show it with the theme color then you can change this color if you select instead of single object then in the object settings when you select this object which by the way just breaking news you can now select the Gris Pencil objects by just clicking on them. If you've been using Gris Pencil until now you will notice that it was only possible to select them via the outliner or via the center of the object. Now you can just click anywhere in the object and it will just work. Then you can change the settings from the color settings from the same place as the regular objects from the object properties viewport display so there's really no difference between having a regular mesh and a Gris Pencil object anymore. Although they really took a special attention for adding the extra level of amazing nests. Is that a word? No? Okay random. The random mode for Gris Pencil objects not only takes the objects themselves into account but also the layers within so that way you can tell for example in this character there's a layer for the outlines of the face and then the beard and then the rest of the body which by the way doesn't it look like Tom a little bit and he has a blender ish logo there Anyway the random mode is much more powerful in the Gris Pencil objects so that is also already really great but it took in another level further and they work on also supporting the regular colors for solid mode so for example you can have single color which will help you to see the silhouette of your characters in the entire all of the objects at the same time so you can quickly just assign a color to anything just quickly tell them from the background but what if you want to do it on an object level well you can also have that and that is super handy when for example the objects the characters overlap and you want to see if the silhouette is nice it drifts properly on an object level so that is already pretty great and also the random the random mode is supported in solid mode now for Gris Pencil and it will be like a mix of the the random for the wires and the random for the objects so you can even have an extra layer of randomness so it doesn't get more random than that it just works the another thing that changed for the Gris Pencil is that now for when you are in solid mode or wireframe it would not render the effects so that way you can work faster and the effects will be shown just like in EV or in in cycles when you're actually on the render mode or in this case for the look depth mode so these two little balls up here so isn't that great fantastic all these new things that are coming up with with the Gris Pencil it's just becoming one first-class citizen in the rest of the blender so of course this works with the rest of the objects if you have an object it will just just just work you have 3D objects 2D objects the solid lighting flat studio matcap still affects the regular object but it doesn't affect of course Gris Pencil wouldn't make sense because it's 2D and the single color the material the object and the random color they are also they are respected so it's just one big family of objects great news for all the 2D animators 3D animators 5D animators out there when I play with it go and check out the AI I will leave a link in the description but you can find it on the Blender cloud and it's also free you don't have to be a Blender cloud member you don't have to be even logged in you can just click on download and it's totally public for you to share to do whatever you want the software well of course you can go to builder.blender.org slash experimental it's like a shortcut like a quick redirect I will leave a link in the description as well but you can yes go download your Blender the latest Blender version the out 2.8 beta download the file and both are free free files free software like do you even do you want some fries with that is you can afford it though there's always ways you can help making Blender better by joining the Blender development fund with any of the options that you have here even for as little as five euro or six dollars per month you are helping Blender getting better getting more stable and and just getting awesomer and also making the 2.8 release closer which we hope is gonna get out as soon as possible but yes for now we're using any production here the studio so it is getting a getting better every day pretty much so stay tuned for more and it's been fun to share any big news with you so I'll see you and I hope to see you again in the next video ciao


Florida International, who normally looks like this on the football field, just released some Miami Vice Alternate Uniform. And as you can see, they're incredible. Another look here, specifically check out those palm trees on the sleeves. Now the Miami Vice Alternate Uniforms have been a hit for the Miami Heat on the hardwood. Can't wait to see these on the gridiron. And shout out to their photoshoot. This was one of the most Miami things ever, but I can't wait to see these on the field. What do you guys think?


last week a massive barge that had lost power rammed into one of the supports in the Francis Scott Key Bridge in Baltimore, basically obliterating the whole bridge, we've all seen the footage sending six construction workers to their probable deaths they've recovered to. The accident basically shut down the port of Baltimore, which is super not great for all that free trade stuff that we all enjoy. Peter, looking at the accidents and the rebuilding, what are some uniquely libertarian policy insights we might ponder? So I'm just going to be channeling Eric Baim here the entire time, a reason reporter Eric Baim who wrote a great piece, looking at the Foreign Dredge Act. The Foreign Dredge Act is not something you hear about very much, but it's basically just the Jones Act except for dredging. It says that if you're going to do dredge work in a harbor, you have to be an American company and this was a protectionist law passed around the early 1900s designed to protect American industries. What has it done?  So because you are restricting the supply of labor, that just means that there are fewer companies, fewer workers that you can contract with it. The labor supply is just not there. But the other thing is, by shielding American companies from competition, what they've done is they've ensured that American companies have not kept up with the times. Their equipment is out of date. Their work practices are out of date. They are going to be worse at the job than if we could bring in foreign companies that have competed better, that are doing better work. So they've made things more expensive. They've made the quality of the work worse and they've also made the labor supply. This law has also made the labor supply as smaller, which is not great when you have a real crisis like this. It's not great all the time though. This is, I think, one of the problems is it's unfortunate that the bridge collapsed. But it's also unfortunate that we have to wait until a bridge collapses to start talking about things like repealing the foreign dredge act. These policies are bad and destructive all the time. It's just that they are particularly bad and destructive in times of crisis. Catherine, what is something that occurred to your robot libertarian brain watching that bridge go down? Well, I wouldn't say that this occurred in the moment that the bridge went down. Immediately after the folks who died or who have been lost from the bridge, I think it's worth talking about those guys for a minute because those were foreign workers. So I guess not dredgers because that's probably illegal. I'm sure actually they can employ foreign nationals, I don't know. But the workers who were on the bridge at the time of the collapse were from El Salvador and Guatemala and Honduras and Mexico. And they were doing a hard job. They were filling potholes. They were doing repair work on the bridge and just a really, really classic example of exactly what I think motivates me to be pro-immigration. These are guys who had families. They were supporting people back home. They were supporting people here. They were doing super hard work. And by all accounts, doing it well, by all accounts, they were the quote from one of their colleagues is that they were all humble, hardworking men. And I believe it. And it makes it all the more shocking that some folks in the immediate aftermath of the collapse of the bridge tried to handwave that maybe somehow this was the fault of our wide open borders, that somehow the foreigners had done it, I guess, or something, exactly the opposite. The people who were trying to keep that bridge in good nick, who were trying to keep it functioning and healthy for Americans to drive over it and for our stuff to go under it, all had come here from other countries. And I think it's absolutely a tragedy that those guys died. And I hope that they get their due and not that they get scapegoated along with their fellow immigrants for anything that goes wrong. Nick, you saw some of that scapegoating on television, I understand? Well, I saw it on YouTube because I really don't use my TV for live broadcasts anymore. But Maria Bartobromo of Fox, who was Joey Ramone's money honey, he, despite being a left-wing hit in 2006, he wrote a song to her, which I'm going to recite some of the lyrics to, Matt, because I know you'll love it. He says, Joey Ramone, I watch you on the TV every single day. Those eyes make everything OK. I watch her every day. I watch her every night. She's really out of sight. Maria Bartobromo, Maria Bartobromo, Maria Bartobromo. Bartobromo was the quickest person.  And she said, you know, people are talking about this as having some foul play due to the wide open border on the South. So she immediately invoked the idea that somehow Mexico was going to get back at America by letting, you know, sneaking people across the border who would then collapse the bridge somehow, even though it was a Singaporean flag ship that lost control and slammed into it. That kind of reaction is just a reminder that politics can always be dumber and stupider than you can possibly imagine in any given moment. And that is wrong. And we should be thinking about that. And we should also be wary of the immediate responses of people like, you know, the president, who immediately went on TV to say, hey, don't worry. We're covering the entire cost. All sorts of things spin out. Attacks on the DEI selected mayor and governor of Maryland somehow, so people who were elected into office are somehow DEI hires.  And we will find out what happened. And that's really the starting point for this, other than, you know, kind of saying a prayer for the, you know, for the dead and their families. There's a great scene in front of The Bridge in the second season of The Wire, one of the very final episodes where things start to come to a head. If you want a great little remembrance of that show and The Bridge, recommend you watch it. Well, so we're talking about how many workers in the, you know, in that the dock workers will be affected by this. And it's like, it's 8,000 people. Maybe it's 15,000 people. And we're also just already in this place where it's like, we will make good on those guys' salaries for as long as it takes, I guess, to rebuild this bridge. Like the kind of immediate, reflexive, very, very expensive promises that have been made at all levels of government to just like cover everybody's costs forever. As a result of this, of this accident is, you know, it's really troubling. It's like, this is, you know, Joe Biden is not like our nice dad who's bailing us out after we got in a little fender bender. Like this is big money. This is like a very important stuff. This is people who should probably just retrain for their jobs. I will say reasons paper, like the paper that we print the magazine on comes through the Port of Baltimore. So if your magazine looks weird in a couple months, I guess that's what happened. I would point out a couple of things. One is that clearly we continue to lose the argument that the federal government should pay for any disaster. I think it was Glenn Garvin, Nick. I had a great piece in the 90s about one of the hurricanes and that was kind of the, that was the beginning of the end as far as the federal government just assuming that it must repay absolutely everything at all times. This bridge goes between Maryland and Maryland. And it seems really like cheap skating to point out such things, but it's also true. And like, what do you have a federal government for? What do you have state and local government for? But again, we lose that argument. I mean, like the federal government through so many hundreds of billions of dollars or close to $200 billion to K through 12 schools because COVID. And if you want to see something crazy, watch what happens when that money finally draws down over the next year, year and a half. It's gonna be nuts. All right, let's get to it. The government did, the feds did pay for the rebuilding of the bridge in Minnesota that collapsed back in 2007. I guess it was the I-35 bridge because there was the perfect mix of a bipartisan congressional delegation from Minnesota to, you know, in Washington at the time. So that is also gonna be a play here. Whatever we did then, we will do 10 times. Yeah, I mean, and like we're, the federal government is all in the California high-speed rail because the Lord knows, you know, you can't get a train from Fresno to Bakersfield without taxpayers from Massachusetts chipping in. It doesn't make any sense at all. But we're so far removed from a world where people are even conscious of the separate levels of governance. Got a long way ahead. That was a clip from the latest episode of the Reason Roundtable podcast. To watch more clips, go here or to watch the whole show, go here and subscribe to our podcast wherever you get yours.


Okay, so that was a very good talk. It's good. So the next talk we have actually a Marcin will be with us. Hello. Do I pronounce your name correctly? Marcin? Margin, exactly. Yes, that's good. So where are you calling in from? From Poland, Warsaw. Wow, good, good. So yeah. Actually, yeah, we want to know more about your talk. So when you're ready, you can start sharing your screen. So yeah, hyper tag is very, very interesting. I've never heard about that. I want to learn more about it. So yeah. Right. Okay, I see that you're ready to go. So I'll let you take us away. Thank you. Thank you for this introduction and hello everyone. I want to talk about hyper tag. It's a new language for web templating and document generation. I'm sure all of you know very well what web templating is. I want to show you possibly a better way to do web templating and document generation. In the beginning, I would like to tell you a few words about myself, about the motivation behind developing the new language for web templating. And then I present hyper tags taking into account two most important aspects. One is how to write clean code for document generation for HTML generation. And the other key aspect is how to make this code as modular as possible, which is very important for building large complex web applications. And I will conclude with some final remarks. I will not be able to present all the details of the language because there are too many of them. But I invite you to see the website hyper tag.io where all the information is very horribly documented. So let's go. I'm a Python programmer. I've been programming Python for many years. My profession is data science. I'm a data scientist. I've been working in this area for 20 years. So I'm not really a professional web developer. However, I built over time two large web applications on our website. One was tuned IT in 2009. And the other one, which exists today, Stakearity, which I built in 2014. And these two complex web applications came in some insights and experiences regarding of web templating and HTML documentation generation. Also, I designed and implemented a few other languages before, related to my work. Data science and web scripting. So hyper tag, which is designed and implemented in Python for it's not the first language that I developed. And I can say that hyper tag is a result of many years of experience in both web development and language design and part of implementation. So here is a screenshot of the paper website. And now what was the goal? There are mainly two goals when designing this new language. I couldn't satisfy existing templating languages. And I needed something that satisfies two goals. One is to have clean templating code as clean as possible. Easy to read, easy to maintain. And another thing is to have modular code where you can have code reuse and you don't have to repeat yourself. So let's start with the first thing, how to achieve clean code in web templating. If we take a look at existing most popular templating languages for Python, which is Jinja and Django template engine, template language, they are both quite similar. We can see in a simple example that this code is very convoluted. It contains a lot of boiler plate codes, a lot of special symbols. It's hard to read. This example prints a list of fewer names. It's not any complex things to do. This example is taken from Jinja documentation. And you can see here that less than half of this code does anything useful. And the rest is just a special symbol. And with words, this code is intermediate. Actually, you can see here two different languages. One is HTML and the other one is the template syntax. And these two different languages are mixed together. Such that when you read this code, you have to switch between analyzing HTML code and analyzing template code, template syntax, every few characters. I call it spaghetti code, which is not very helpful for readability of this code, and not very helpful for reducing the amount of code that has type. It doesn't work very well. And if we think for a while, we will discover that this approach to web templating actually is very old. It has origins in the days of HP. HP was the first language that took a similar approach, namely injecting of some foreign template syntax into the raw HTML document and mixing these two languages together. So we all know that HP somehow outdated of today. And Python template languages are still using this not very good approach to write templates. The question is, of course, can we do something better? Here is the same example written in HP. You can see this code is much cleaner, it's much much less code to write, and much easier to read. The question is how to achieve this kind of readability. And the idea is to use indentation for structuring your template code. Actually, three different ideas that have to combine together. The first one is to come up with single language for both the templating structure and for the contents of the document. So instead of using these two original languages, as before, we also have just one language that covers the entire document, including the templating logic. And when we do this, we can also use the idea of using indentation instead of closing tags, so that we can avoid closing tags and get shorter, more readable code. In Python world, we know very well how indentation helps, how much it helps in achieving more readable code. And it's kind of ironic that this idea of using indentation for web development, for web templating, it was first applied in the world of Ruby in some template languages for Ruby, while in Python world, we still use mainly the templating languages based on the idea derived from the base PHP. And the third thing which is important here is a different way of using special symbols in the language, because as you can see here, it's a comparison of the same code written in HTML, in raw HTML, and in type text. Here you can see that HTML uses special symbols, the angled brackets very intensely, which decreases the ability and is quite annoying for programmers to type these angled brackets every single character, but we can switch and change this instead of using special characters to mark tags inside text. We can assume that our document is a tree of tags, and only in some places we have text nodes, and we use special characters to delimit these text nodes inside a larger tree of different tags and different types of blocks. So this is the idea, and as you can see, by forgetting about closing tags, using indentation instead, you can achieve much more redability, much more redability. Okay, so this was that, that was a very simple example. Now I'd like to show you a few more examples of hypertext syntax. So the first one is in a syntax, we can we can say space, we can write more concise code if you want, by putting several tags on the same line, if we separate them by special simple column, and we can also put the text or contents on the same line as the tags. We can write multi-text, like here, put these vertical bars that indicate text blocks, and put them on each subsequent line, or we can just use this special simple on the first line, and drop, drop the subsequent one, this vertical bar section one is optional here, we can omit it. We also have auto-escaping, so there are actually three types of text blocks. A plain text block is, it starts with a vertical bar, and this text block is automatically escaped, htno escaped. So sometimes it's converted to an htno entity automatically, you don't have to care about it, but if you want to embed, inject some raw htno inside your text, you can overdo it if you put a slash at the beginning of this text block instead of a vertical bar, which signifies a raw htno text text block. There's also a third type of text block, which avoids the evaluation of expressions. Here in this block, expressions can be embedded and for the third type of text block, if you don't want to run the expression evaluation. Now the next thing is tags and attributes of tags, you can write attributes similar to what you would do in raw htno, but can also embed expressions both on the on the attribute list and inside text blocks. And here's one of the ways to embed expressions by using single braces, heavy braces. There's also an automated syntax to be used of all the dollar time. And here expressions can take arbitrary form, so the text block is very flexible in how you can write your expressions, you can use actually all operators and all the syntax that you know from Python, which is quite rare thing for completing languages. And of course we can have different control structures. Here's an example of a loop and here we can see conditional blocks and trial blocks, loops, for loops, while loops, and conditional blocks, they work similar to what they do in Python, although of course syntax is a little bit different here. Here we have some content, some body, can be text contents or you can just provide any structure content that you want. And regarding the trial block, it works a little bit different than in Python case. We don't really care about the exact type, the exact class of exception that is raised during renderings of again piece of document. Usually there's only one reason why, why a given piece of code fails and we just want to provide some alternative path of execution rendering. So here we assume that cars is a dictionary of cars and their prices, but not every maker is present in the dictionary. So if there is a price for a given car, we want to print it, but if a given name is missing, we want to provide an alternative message and we try blocks and do it very easily and in a clean way. I maybe will add one more thing, previous slide, as you can see here, with the use of this syntax where we use indentation and where we use the Vestal bars for marking text blocks, it in many cases is possible to maintain a vertical separation between text and text content, which is very, very useful and enhances the readability of the code even in a farther, because you can put text on the left and text on the right and when you take a look at the code, you instantly see which parts of the code provide styling and provide HTML structure at which parts of the code are just role tags that will be tied to the user. And I will show also comparison at the end of this part of the talk. We have some example template code written in hyper tags compared to the same code written in Django and Jinja template languages. So you can notice how much difference there is between these languages. In Django, Jinja, we have to use a lot of boilerplate codes, we have to use closing tags, we have to use closing statements for console statements, and we have to use double braces in multiple places. All these things reduce the readability of the code. Hyper tag is just five special symbols that need to be added to the actual contents of the document. And also, we can notice one thing in Django and Jinja, we cannot write a length of items. This is a very simple thing to do that we may want to do. And in Python, we would just write length of items. In Django and Jinja, it's more confusing because you have to use a filter and not just apply the standard length function, which also adds to the complexity and of the language and difficulty of using it. I have to mention also that this idea of using intentation to enhance the readability of templating code, it's not so new. It was already used in the Warp of Ruby in languages like CREAM and Khamo, and it's also present in Pooks in Django. Hyper tag was inspired by these languages and I tried to take the best things from these languages in terms of syntax, in terms of readability. I think hyper tag is somehow maybe even cleaner and more useful than these original approaches. And now I want to go to the second part of the talk and present you the more advanced features of hyper tag that are related to building modular codes. It's when you build a large application and you write a lot of codes, it's very important to be able to somehow split these codes into pieces and be able to reuse these different pieces in different combinations with each other. That's what modularity means. Modularity means that you can create such small pieces of your code in a typical programming language that we talk about functions and classes, but in weapon-pating it's a different story. We need some other kinds of tools of language structures to allow us to separate components and to build these reusable pieces of code. After that, when it has separation, it can reuse our code and this is something compared to code duplication. So whenever we see code duplication, it means that we miss code reuse. When we start with raw HTML, we can see that HTML is very notorious for code duplication. There are no means in HTML to deduplicate code. So here, the majority of the code is duplicated. If we go to hyper tag, this example is a little bit shorter and a little bit more readable, but we still have duplicate codes. These elements are duplicated. And the question is how to deal with that. The idea, could we, for example, define our own custom tags, just like we have table as a standard tag? Could we have table raw, our custom tags, to replace all these repetitions for these duplicated codes? And we could just provide the values of attributes to this custom tag and this tag would do the rest to generate the HTML that we need. We could do even better if we allow for positional attributes in this custom tag, which is very similar to how arguments in functions, in Python functions, work. We can have keyword arguments or positional arguments. So if, in such case, if we had such support in the language, we could make this code a lot shorter and more readable. And in hyper tag, we can do this. We can define custom tags. The way to do this is to use a so-called hyper tag definition tag. As this custom tag, we call here just hyper tag with lowercase h. And we can define such custom tags by using the special symbol custom, custom character, which introduces a new name, a new tag, and defines its attributes and attributes can have a default value like function in Python. And it has this body that will be substituted for this hyper tag name in every place of operas. So we just reduce the duplication. We just have one copy of this part of code and we insert attributes, which are variable. We inject them in appropriate places in the HTML code in the body. So that's the way to do this in hyper tag. And now we can reduce this initial code that we saw in HTML can be used just to be for lines of hyper tag code. And now the question is, because standard tags can have a body in the place of operas. And the question is, can we also provide body to this custom tag? And the answer is, yes, we can do this. We can do this. However, we have to change the definition of our hyper tag to be able to recognize that a body was provided. So here we want to extend this initial example. We printed a table with two columns, one of the car name, the second column of the price. And now we want to add the third column to the table, which contains rich text, which contains structured information, not just a single value, a comic value. But we want to put some funny quotes, we want to add styling to this funny quote, we want to put images, add images to this information. So we end up with rich text that cannot be passed by a single attribute. So that's the place where the ability to provide body to a custom tag plays a role. And to handle that, we need to define a special body attribute, which is done with a symbol as the S sign, which marks that the first attribute is a so-called body attribute. It will carry the document tree of the actual body that was passed to the hyper tag in the place of occurrence. And typically, we would just want to inject the place of the body in some place in our formal body. However, this is not the only thing you can do. Because hyper tag is somehow special compared to our translating languages, because it allows here a display. This body is represented as a DOM tree, a document object model tree, and this body can be manipulated. So we can not only paste it on chains, but we can also analyze it, modify it before pasting. And here's an example how this can be done. This is somehow exceptional, I think, and not possible in any other translating engine, I know. This example is about building a table of contents for documents. A typical use case when writing especially static documents. Maybe not so common for web pages, but when you build and you write static HTML documents, you often want to have a table of contents at the beginning, and so you can do it manually. But in such case, it is very hard to maintain these documents, if you add headings, if you add chapters, it's more difficult to remember to change the CLC at the beginning of the document up the field tree. In hyper tag, you can write a very short code that will build this CLC automatically. And here you can see how to do this. We need to define a hyper tag called CLC here that takes any body, any document as its actual body, and then we assume that all H2 headings are the headings that we are looking for want to put in the table of contents. So we are looking in this document for H2 headings, and we print each of these headings inside a list item, HTML, R9. We take text of these headings, and we wrap it up with a hyperlink that points to this heading inside the document. So we have to pull the ID attribute of its heading and paste into the HTML tag. So this is enough to build a list of headings in the document with hyperlink. We may need one more tag because usually we won't have both the CLC and the original document. So we need one more tag to concatenate these two things together, like here. And now after defining this tag, we can take any document, just an arbitrary document and target it with add the CLC, and it's enough to get the table of contents automatically. Here you can see the output of this example. After rendering, we have table of contents and we have the original document, and you can see that headings are copied from here to here, and we have correct hyperlink that points to these headings in the document A. I have to mention that these kind of add-ons functionalities some extent also available in other languages. So if you're interested, you can compare, you can check how these things work in macro-ginger pool. These are languages that provide all of some language features, some language structures that allow it to build these reusable pieces of code. It's only available in more advanced test-making engines. I think the simple ones don't provide that. However, even if you go to macro-ginger pool, you'll see that the syntax we provide is quite convoluted. It doesn't often, it doesn't fit very well in the syntax of other elements of the language. In hyper-tags, these custom tags behave exactly the same as standard tags. So we can use them in all the same context, in all the same places where you can use standard tags. There's no difference in syntax. And the most important difference is that hyper-tags implement two-stage rendering. So when you define this hyper-tags which takes body attributes, here this body is not rendered yet. It's partially rendered. It's only partially rendered. All the expressions here in this actual body are evaluated and all contra blocks have been executed. But otherwise, this body still preserves its tree structure. You can analyze the tag structure of this body and you can analyze it and it can manipulate it, which is not really possible in any other templating language. So this is something very unique for hyper-tags. And of course, we should add these aspects related to readable and clean code. So in macro and in JINJA, this code is not readable as much as it is in hyper-tags. And macro and JINJA use this traditional approach of ingesting foreign syntax into HTML documents. The last thing I mentioned is about importing things. It's when you can define custom tags. Of course, you'd like to reuse this hyper-tags in different files, different documents. And it's possible with the import syntax. In fact, the import syntax is similar to what we have in Python. You can use the same keyword from import. Here the import path has the same structure as the Python import path. You can import from other packages, from other modules. You can use absolute import and related import like here. You can use the renaming like in Python with your F. And what's important is this. So thank you so much, Masen. It's a really good talk, but I think it's very informative and we are running out of time. So what I suggest happening is that you can carry on in the breakout room, which you can run the GC there to continue the talk and maybe answers some questions. There are already some questions in the chat, which you can go and answer as well. Thank you so much. Thank you very much.


Micah Redding grew up as a preacher's kid, spent eight years as a rock musician and was once involved in the high-speed pursuit of a spy plane. Now he developed software and writes about the intersection of human values and technology. Micah is executive director, a board member and a founder of the Christian Transhumanist Association. Thanks, Micah. Thank you guys very much. So I don't know what the timeline will look like, but if we have any extra time, I'd love to kind of get your comments or questions and see if any of this makes sense to you or kind of what you're thinking about it. So I think in many ways Christianity is the religion of resurrection, and it's not just that at the center of our religion we have this story about a man who comes back from the dead. It's also that from the very first moments Christians are going out into the world declaring the resurrection of every human being who has ever lived both good and evil. And I think there's this kind of remarkable fact about our world that if you were to survey a large number of people across the country or across the world, both Christian and non-Christian, and ask them what the central idea of Christianity is, most of them would say something like, well, you have an immortal soul, and when you die, you get to go to heaven. And I think what's remarkable is that the first Christians would not have recognized that as their message or their story. You see, across the ancient world, lots and lots of people believed in the immortality of the soul. But the idea of the resurrection of the body was almost unheard of outside of ancient Judaism. And so the New Testament and the book of Acts is full of stories about people being introduced to Christianity for the first time, and they mostly go a little bit like this. An apostle stands up before a crowd and starts to say, this is what we're about. And he says, there is one God. We are all children of that God. Abraham was commissioned to bless the nations. That's why we have Israel. That's how we got Jesus. And that's why I'm here to talk about the resurrection of the dead. And you can almost hear the kind of record scratch at that moment, because the people up until that moment have been curious and intrigued and interested in where are these people going with this? And then they hear resurrection of the dead, and they kind of go into uproar, maybe even violence some of the time. And early critics of Christianity were sometimes convinced that Christians had made a mistake. They'd read Plato, and they'd heard about this afterlife idea, and they'd been confused and thought that we were talking about bodies coming back. It's probably kind of a simplistic, uneducated mistake to make, but we got you. But the Christians were insistent that this was their message, the resurrection of the dead. And so one of the early Christian writers says, if all we were saying was that we had an immortal soul, then we had Plato and the philosophers. Why did we need Jesus? I think this is a difficult distinction for us to make in this day and time. It's difficult for us to understand what's so significant about the resurrection, specifically the resurrection of the body. Why did they care so much? Why were they so adamant about spreading this idea that was so, opposed by the culture of the time? And so I want to talk about three different things that I think are significant about the idea of resurrection, and why it was so important to them, and why it might be important to us. The first one is simply that resurrection affirms the value of physical, material existence. One of the early competing philosophies to Christianity was called Gnosticism. Gnosticism, like a lot of philosophies, affirmed the immortality of the soul and denied the resurrection of the body. And they denied it because they believed that physical reality was intrinsically evil. So the resurrection was almost a contradiction in terms. Now the ideas of Gnosticism have been compelling over the years. They're always compelling. They always kind of come back to haunt us. And the reason why is because they can answer, they can give us a compelling answer to the problem of evil. When we look around the world and we see suffering and pain and struggle and we ask why is this happening, Gnosticism can say, I know why. It's because material reality is fundamentally bad. And you're not going to get anything else until you escape it. That's in contrast to the ancient Jewish view that God had created a good world. That physical material reality was fundamentally good. And in affirming that physical reality was fundamentally good, they didn't have a good answer to the problem of evil. It's not easy to deal with the fact that there is suffering in the world. When we say that the physical existence has value, we don't have a great way to just kind of wrap that up. All we know is that when we see suffering and evil and anguish and pain, it means that we have to overcome it. And so this is the stark contrast between the position that the world is evil and must be escaped or ignored or destroyed, and the position that the world is fundamentally good and must be transformed. And the resurrection affirms that physical reality is good and must be transformed. Second thing I think is significant is the fact that the resurrection affirms the significance and intrinsic value of life. Gnosticism and other philosophies like that often see death as being the gateway to the real reality, to the real experience of whatever is good. And so the things that we do here don't have any intrinsic value, we're just kind of biding time. And that's in distinct contrast to the ancient Jewish view that life was the preeminent value, the thing that overrides almost everything else, life being a thing to be cherished and protected and held on to and fought for, and death being an unmistakable tragedy. The resurrection of the body affirms that the things we do right now, our food, our drink, our meals, our work, our efforts, our families, our play, all have intrinsic worth, and that we're not just biding time for death. The third thing that I think is significant about the resurrection is that the resurrection affirms that we have a shared path to the future. This is a little tricky, but in Gnosticism and other philosophies like that, when you reach the end of your physical life, then things go in two different directions. Your soul goes off into other realms to begin another journey, another process, and it goes off into its own future while the rest of the world goes off into its future. This means it fundamentally affirms the idea that we have two distinct futures, two distinct ultimate concerns, and in that kind of framework it becomes hard to understand why we should care about what's going to happen after we're gone. It's hard to care about what happens down the road. Why would you plant a tree now if you'll never see it actually bloom or blossom? And in contrast to that, the Jewish concept of the resurrection is always thought of in terms of the restoration to life in the community of the people of God. The dead are brought back to participate with the people of God and the ongoing efforts of humanity and the world. And so there aren't two futures or multiple futures. There's one future in which everyone is concerned. What this means is that the consequences of your actions matter. The things that you do that are good today, that are working for good in the world, you experience the results of that, the fruits of that down the road. And the things that you do that are bad, or that are investing in your own short-term benefit at the expense of the health of the larger world, you experience the fruits of that as well. And so at the culmination of Paul's biggest discussion on resurrection in 1 Corinthians 15, he says, stand firm knowing that your labor is not in vain, because for Paul this was the takeaway of resurrection, that none of your efforts were wasted, that it all had value, because it was all building towards a shared future which we would all participate in together. So up to this moment, I've simply been describing resurrection as understood by ancient Jews. And so we could ask the question, what did Christians bring to this? What did they have to offer? And I think it's only one thing. Christians believed that in Jesus, the resurrection had already begun. And because the resurrection had begun, they could no longer think of it as one event in history, one isolated phenomenon. Instead, they have had to come to see it as an ongoing organic process, an ever unfolding, unending process of growth and transformation. And so Paul in 1 Corinthians 15 can talk about the resurrection as starting with Jesus, moving outward through his followers, outward into all humanity and through the eradication of death itself. And then in Romans 8, he can see that continue on through the entire cosmos to the transformation of the entire creation so that the creation itself is liberated to participate in the joy and the freedom of the children of God. And so they fundamentally saw the resurrection not as one event, but as this unfolding process that they were compelled and called to participate in. This is how Christians understood their own work. This is how they took biblical injections such as heal the sick, feed the poor, free the captives, raise the dead, and they took them and applied them to their own work and their own lives. They understood themselves in every aspect of their world to be playing a part in the unfolding advancement of life and the pushing back of death. I think this is why we see so many metaphors in the Old Testament or in the New Testament that are organic such as the body of Christ or the first fruits of the harvest. It's all part of this vast connected system that's happening, the ongoing transformation of the universe through the power of the Spirit of God which indwells his people. So what I'm trying to say is that there are lots of philosophies and theologies that offer us comfort or offer us ways to think about our place in the world. But I think that the early Christian understanding of resurrection offers us something different. It offers us a comprehensive way of looking at how to engage our entire beings in what's happening. Fundamentally resurrection provokes action and action is dangerous. Maybe the most dangerous idea in the world. And I think this is why the ancient world was so up in arms by this idea, so opposed to this idea as the early critics of Christianity kept saying the Christians are turning the world on its head. And of course that was exactly the idea. Thank you.


Family members of the Abiola family are appealing to President Inubu to work towards ensuring that the late MKO's legacies do not fade away. One of such is poverty which is affecting a vast majority of Nigerians. One of Abiola's son, Amin Abiola, stated this during a prayer session held at the Biola family house in Abel Kuta. Said that democracy day would always continue to be a day that would never be forgotten in the history of our country. Why? Because of the sacrifice of our father, Latei Femkeu Abela, who made, who laid down his life for us to be able to appreciate and to be able to have a day like this as a worthy celebration nationwide. And we hope that subsequently the government would continue to ensure that this day stays in the lives and memories of every night. But what we will continue to clamor for is that a sacrifice, is entitlement, everything that they have fought for over 30 years ago would not be in vain. We will really appreciate that the government will continue to uphold this day as a day that every Nigerian that in one way or the other laid down their lives would always continue to cherish for life. And we hope that God's willing this government would use the opportunity to be able to secure opportunities for not only the Abel Kuta family but the generality of Nigeria's. Perhaps by providing more infrastructure, job opportunities, incentives just so that every Nigerian is happy, you understand. And then we can have a remarkable continuity in government. That's just to extend my condolences to the Abel Kuta family but to also let them know that we stand with them on this day 30 days on from the day of election and assure them that the government and people of Nigeria would always look back on that day and look back on Vashua Abel as the person who has guided democracy to where we are today. And we should be proud to be the legacy of this symbol of hope and symbol of democracy in Nigeria. Said democracy day would always continue to be a day that would never be forgotten in the history of our country. Why? Because of the sacrifice of...


So I would say we have this giant BIS innovation network where pretty much every central bank of the world can be a member. And so that's really the channel that we use internally to share, within central banking share all the lessons learned, but I don't think there's not that much that we haven't put out in the public in our reports. We're doing some work where we actually try. I think now we have four different projects on cross-border CBDC and we're working on kind of like comparing the results, right? It was all about getting ahead and now we're just taking a little step back and do what was the lessons learned across all four projects. So I think that's going to come out soon and be interesting. And Jennifer, how does it, you've announced some pilot projects, you know, how does it play into what DDP is doing? So similarly to our earlier discussion, part of DDP's value is that we see the financial infrastructure that's underpinning this work as a societal good. And because of that, we believe, again, not, well, obviously a central bank digital currency is a central bank digital currency because it is issued from a central bank. So we believe bringing the private sector together and using the skill set and the resources within the private sector in service of helping understand in an open way how, what some design, both technical and policy choices might look like to contribute to the conversation that perhaps central banks do not have. They do not have the speed or the resources necessarily. So doing that in service of the social good is very important to us. And I think, again, thinking about that interoperability, the central banks are going to have to work with the private sector, whether they choose to issue a central bank digital currency or not. We're looking at a future world where there will be all forms of money existing simultaneously, I think, for a while. So again, how are we building that infrastructure together to be able to support all the different shapes that that money might take globally? And that takes a diverse set of stakeholders. So it is the central banks, it is the commercial banks, it's the payment providers, etc. And we're just trying to fill that one piece of experimentation and data in this larger conversation. Just to be sure, like, any forms of money or payment system today is a public-private partnership. That's right. And it will also be so in the future.


Welcome to Toffy TV it's the start of 11 a show Everton versus Nottingham Forest Everton simply must get some points from this game two games without anything and yeah two weeks of the window open as well lots can change but ever need to get something out of this game let's start with our goalkeeper Jordan Pickford starts the game of course no issues there three at the back again it'd be the same three that started the game last week Connor Cody, Mason Holgate and James Tarkowski will be the back three so it's did okay last week you're looking solid offensively be great if we could see them maybe getting in on the action at the other end of the pitch I think certainly with our lack of goals at the moment that having that and the threat would be huge but yeah they did all right Mason Holgate I think obviously who had come in from Ben Godfrey I thought he did well last week so that would be the three for me and first opportunity for Everton is to see Connor Cody in the flesh as well so hoping hoping for a clean sheet and maybe something at the other end that would certainly help Evan get some points from this game the wing backs on the right Nathan Patterson who I thought played well a villa last week starting to get a little bit more confidence obviously again it was only his second game in the Premier League done well just need to get him higher up the pitch because he looked a threat and on the other side Michalenko wasn't the greatest game for him last week and Venagrae will be looking at that situation thinking maybe he can get in the side bit need a bit more from him offensively as well it's getting higher up the pitch and it not always being a five seeing in a game like this we're playing not in a forest at home you know it shouldn't be a five it should drop back into a five when needed but those two wing backs have to be the wit they have to be the players who are putting the crosses in the box playing the diagonals and and getting us going so hoping for more out of those two this week for me in midfield it's all changed after like the core is out for three weeks so I'm going for Alan it wasn't available last week but hoping he's fit he's exactly the kind of player I think we need we we've been chasing Ghana for a few weeks and who knows if that will be done but he is very similar to Ghana and I'm going to go for him alongside I'm going to go him alongside onana so that is the midfield two and I think if Ghana comes in that would be the two so Alan next to onana seems to make sense to me there is listen is onana 100% fit well last week when he came on he looked ready okay made a little mistake for villa second goal but rectified that by helping Evan get a second I just think the fans need a lift I think the fans need a lift going into this game need something to get behind and having having him and having Connor Cody to Debiton to go to some park would be would be really big for us and I think Alan can do the the doggy work and he can get you know he can he can we'll see more of the way he plays picking up the ball breaking with it and stopping the opposition attacks he's a big strong lad as well good in the air be great to see him start in front of those two I'm going to go for Anthony Gordon on the left and a woby on the right in front of them so obviously a woby done really really well in the in the in the game so far and I just think if you get on to the ball higher up on the pitch I think and there's a little bit less defensive responsibility from him I think you can create things and that's what we struggle to do in the first two games Gordon obviously on the other side he's had a bit of a strange week and lot to talk obviously about him leaving this is a big opportunity for him to show his worth show what he's all about and and show Evertonians why why he's so important to the team and ahead of them and going for Rondon I thought his little cameo last week was better than anything we've seen so far this season in terms of a centre forward so listening we might only get an hour out of him but for me I think we have to start on the right on the right foot and having him up front keeping the not on a forest team occupied or simply the centre backs occupied being somewhere we can feed off and if you've got a wobing you've got Gordon feeding off him getting on to the knockdowns even if even if the centre backs just don't get clear headers and that we pick up the bit I think that's a that would be a big one for us getting up getting the wing backs higher up the pitch getting the balls into the box and you have actually got someone in there's going to fight for it and knock knock allow the centre backs to have an easy day I think that's important as well so that's the start 11 I'm going for anyway let me know your thoughts in the comments do you agree do you disagree who would you have in the team let me know there's no wrong answers till two o'clock when Frank Lampard tells us what his team is there you go make sure to give this video a like subscribe if you haven't already if you want more great videos join us over on toffee tv premiere the link is in the description and it's on the screen now see you later


All right team, this is the most important mission of your life. That's why you all were chosen You're the most lethal Modern and best-trained armed force in the United States Army. Not fancy. Just tough Lock of the mine Identify target range 12-foot-a-meters Load the game Go Army!


Good day everyone. Being home at this unprecedented time is very challenging for many people and it is very easy to over eat and consume foods with low nutritional value. Such foods are usually high in calories and can result in weight gain. Therefore, one must be mindful of the food selection during shopping or stocking up on food. It's critical at this time to practice healthy habits that will promote a strong and healthy immune system which will combat viruses, diseases and also maintain good health. Good nutrition, physical activity, sleep and rest can strengthen one's immune system and likewise poor nutrition, alcohol consumption, stress and smoking can weaken your immune system. Some of the key nutrients that are essential in strengthening the immune system include proteins, minerals such as zinc, magnesium, selenium and iron and vitamins such as vitamins A, vitamin B6, vitamin C, vitamin D and vitamin E. Some are powerful antioxidants that help fight inflammation in the body and hence protect the body against diseases. Some tips to strengthen the immune system includes eating nutritious well-balanced meals, limit fried process and refined foods, maintain a healthy body weight, avoid alcoholic drinks, drink plenty water, exercise on a regular basis or be more physically active, get adequate rest and sleep, practice relaxation techniques such as meditation or yoga, manage stress levels, making healthy choices while at home may be challenging but is necessary to attain and maintain good health. Some guidelines to promote eating healthy include cut-back on foods and drinks high in sugar, salt, fats, especially saturated fats and trans fats, read labels on foods to ensure that hydrogenated fats are not listed on the ingredients. Foods with little or no nutritional value should be avoided as they are usually high in empty calories and can provide no benefit to the body. Such foods should only be eaten occasionally. Foods high in sugar and alcohol can weaken the immune system. Alcohol does not form part of a healthy lifestyle and therefore has a negative effect on the immune system. Limit the intake of refined or highly processed foods. Choose whole foods including provisions, cereals, pulses, nuts, seeds, fruits and vegetables instead because they are high in fiber, vitamins and minerals.  They also contain additives that have negative effects on health. Be mindful of portion sizes as overeating can lead to weight gain especially in school-aged children who are currently at home. There is the tendency to binge on food frequently. It is best for parents to refrain from stocking homes with unhealthy or junk foods. This will reduce access to such foods if they are unavailable in the home. When shopping choose healthy snacks that are low in sugar, salt and fat or prepare homemade healthy snacks for children. It's plenty of fruits and vegetables. They are high in vitamins, minerals and fiber. Foods high in fiber help to keep one full and can prevent overeating. Those include vegetables, fruits, whole grains, peas, beans, nuts and seeds. Ensure there are adequate protein sources in your diet. Some animal protein sources include meat, fish, eggs, cheese, milk and plant-based sources include pulses, peas and beans, seeds, nuts and cereals. Prepare home-cooked meals using fresh ingredients as ginger, turmeric, garlic and other herbs which have anti-inflammatory effects on the body. Avoid energy drinks. They are usually high in sugar and caffeine and may have a negative impact on health and sleep. And finally, practice good hygiene when preparing food to avoid food contamination and foodborne illnesses. Food must be prepared safely to be healthy. It's smart to protect your health. Thank you.