Screen Directors Playhouse, Stars, Joan Caulfield, John Lund, Production, Lady Takes a Chance, Director, William Citer. This is the Screen Directors Playhouse, one of the weekly features on NBC's All-Star Festival of Comedy, Music, Mystery and Drama. Brought to you by RCA Victor, world leader in radio, first in recorded music, first in television. By Chesterfield, always milder, better tasting, cooler smoking, plus no unpleasant aftertaste. And that's the biggest plus in cigarette history. And by the makers of Amazon, for fast relief from the pain of headache, neuritis and neuralgia. Tonight, the Screen Directors Playhouse is pleased to present transcribed, for the first time on the air, a classic in comedy. Our story is, Lady Takes a Chance. And now, ladies and gentlemen, here are our stars, John Lund and Joan Caulfield. Thank you, Jimmy. It's a pleasure to be co-starring with Joan Caulfield. Now, this is your first appearance on Screen Directors Playhouse, isn't it, Joan? Yes, John. And I'm particularly happy that we're going to do a comedy originally produced by my husband, Frank Ross. And Frank and I are both happy over the fact that you're going to be the co-star. For ladies and gentlemen, with John Lund playing opposite her, no Lady Takes a Chance. Thank you, Miss Caulfield. And now, before we present the first act, here's a word from RCA Victor. Just up the street or around the corner from your home is a man who provides a very important service to you and your neighbors. He's your local radio and television service man. Yet curiously enough, the importance of his services is not fully recognized until your radio or television set develops trouble. And then he's needed, just as a policeman or a doctor or a fireman is needed when the occasion arises. And like these other community servants, your neighborhood repairman has the experience and equipment to provide you with prompt, dependable service. Now, for example, if your television set requires a new picture tube, he'll recommend a genuine RCA picture tube. Your repairman knows from experience that an RCA picture tube will give you the clearest, sharpest picture your set is capable of delivering. He'll tell you, in fact, that television is an RCA development. So next time your set develops trouble, regardless of its make, model, or size, rely on your local radio television technician for fast economical repair. And don't forget to ask him for genuine RCA tubes and parts. And then you're sure of enjoying the very best that your television set has to offer. Now the first act of the Screen Directors Playhouse production of Lady Takes a Chance, starring Joan Caulfield as Molly and John Lund as Duke. Wonders of the West, 14 breathless days, all expenses paid, only $137.50. Well, that was the ad for Rainbow Tours, which set Molly J. Truesdale to saving $3 a week until she had amassed the cost of her ticket. And Molly, escaping even temporarily from New York and her humdrum existence as a bank teller counting other people's money, was already breathless when she boarded her bus, as was her seat bait, Flory Bendix. Gee, for all three of those fellas who kissed you goodbye, boyfriend. Uh-huh. Gee, if I had three boyfriends in New York, I'd look at the wonders of the West on a stereopticon. And I'd spend my $137.50 on a hope chest. I guess some people are just different from other people. Yeah, particularly fellas and girls, huh? See, you know, I hope you don't think I'm forward for speaking first and then introducing myself, but I'm Flory Bendix. Of course not. I'm Molly J. Truesdale. After all, what if I have to speak first? What's the difference? Which one? You're absolutely right. Well, how do you like the trip so far? Well, of course we haven't left the bus station yet, but so far I think it's wonderful. Not me. I wish I'd known. I bet I wouldn't have come. Why not? Why not? Look at the no-fellows on the bus. Yeah, how many have 14 breathless days with no-fellows? I think it'll be wonderful. Hello, everybody. Well, I still think so. Flory, the guide wants to tell us something. Hello, hello. I'd like to have your attention, folks, for just a minute. You're going to have my attention for the next 14 days, so it isn't too much to ask, is it? No, no. That's what I thought. Now, still, mind, I'd like to introduce myself. My name is Smiley Lambert, but you folks can call me Smiley Lambert. Nothing. Now, I'm going to pass among you and get acquainted. If you have any complaints, now's the time to mention them, because by the end of the trip, you'll have forgotten them. I've got a feeling you don't like me right now, but that's all right. I'll grow on you. Sitting beside you might as well tell me, or I'll look you up on my seating chart. I'm Ms. Truesdale. Should be Ms. Sexypill, eh, folks? I'll be back and see you later. Now, I find this easy as comfortable as smooth as easy as ride that you've ever had. Okay, driver? Thinking about Molly. This wonderful country we're seeing. I'm thinking about fellas. Well, there aren't many secrets between seat mates after almost a week on a bus. Besides, you haven't talked about anything else, Flory. Scenery and sights, sights and scenery. Take a gander, folks. If you're really interested in just any fellow, Flory, I'm sure that Smiley's available. Oh, as a matter of fact, he doesn't look nearly as repulsive as he did five days ago. Look at that view, Flory, the mountains and the sky and the trees. Well, can you honestly think of anything more beautiful than Oregon, Flory? I thought of not me bull-legged bald-headed single fella. Frankly, Molly, I find this a most unsatisfactory trip. I overheard that remark, Miss Bandixon. I'm going to take great pleasure in listening to you retract that statement. What happens? Do we change tour guides? No, we reach Fairfield, Oregon. We arrive 1 p.m. to part 10 p.m. They're having a rodeo there, and the town will be full of cowboys. So to the shoots, I want to get a good picture of one of these riders. Next rider will be Duke Edkinson. It's the opening in the crowd right next to the field. Yeah, but people get hurt down there, you know. Oh, I'm just going to take a picture. Here they come, folks. We just made it. Oh, now if I can just get him in focus... Oh, darn. What's wrong? Well, that silly horse keeps jumping up and down. Well, sure, it's bucking. Well, it might try bucking a little closer so that I can get a decent picture. He has mustered you. Right in the cowboys. Oh, it's getting much clearer. If it gets any more clearer, the horse will be taking a picture of you. It's a birthday. He sure snatched you down. I want you to get up your big lug and let the lady ride. Oh, I'm sorry. I'm sorry I hit you too. I'm glad I was there to break your fall. You're what? Here, here, let me help you. Oh, thank you. Thank you for that very nice of you, I'm sure. You must be hurt worse than I thought. She hates solace. Are you all right? Oh, sure. You sure you ain't busted in any place? Well, pretty sure. Well, I'm sure she's had a brain's jaw to loose. Hi, is that... Okay then. So long. You call me, lady? Yeah, wait a second. Well, what can I do for you? Would you mind giving me your autograph? Uh, what's that? You just signed my rodeo program for a kind of souvenir. Oh, well, I don't mind. Oh, this is certainly one of those breathless days they advertise. There you are. Oh, let me see. Duke Hudkins. Thank you very much, Mr. Hudkins. I don't get sad on every day. Well, goodbye, I guess. Did you get his phone number, Molly? No, just his autograph. I was hoping he'd asked for mine, and that, well, one thing might lead to another. Yeah, I've been thinking that for ten years. Oh, for me? No, your friend. For me? Yeah, can I borrow your rodeo program? Can I have your autograph? No, your friend's. Mr. Hudkins, I don't see why. Well, I don't sit on people every day. Oh. And I just got to thinking that, uh... There you are. Oh, thanks. I don't know if you can read it very well. My signature's kind of fancy. Molly J. Truesdale. Well, what's your name, miss? A Flora Bendix could be changed. Who'd want to change a nice name like that? Yeah, who? For sure. Well, thanks for the use of your program, Flora. Well, don't you want her autograph? No, I got her name. Come on, Molly. Let's see you, Flora. Well, where are we going? Oh, have a beer or something. Gee, a beer. So long, Molly. So long, Flora. See you at the bus. Yeah. I'll be the gal admiring smiley. It's funny the things that can happen just because somebody sits on somebody. Is that so? You like beer? I don't know. I never had any. You'll like it. Two beers, Mabel. Well, I must say that this is certainly an extra added attraction. How's that? Well, there was nothing like this included in the all expenses paid, at least not in the folder. Oh. Do you mind if I feel your muscle? Huh? This arm. Thank you very much. Well, now, what was that for? I was just comparing eastern muscles and western muscles. Oh. They aren't putting that kind of muscle in arms back east anymore. For discriminating smokers, science discovered it. You can prove it. No unpleasant aftertaste when you smoke Chesterfields. The biggest plus in cigarette history added to Chesterfield's world-famous ABCs. Always milder, better tasting, cooler smoking. Only Chesterfield gives you all that, plus the added pleasure of no unpleasant aftertaste. Science discovered it. The country's first and only cigarette taste panel reported that of all brands tested, only Chesterfield leaves no unpleasant aftertaste. You can prove it. Smoke a pack of Chesterfields. You'll find Chesterfields taste better while you smoke them. And after smoking, no unpleasant aftertaste. The biggest plus in cigarette history by Chesterfields today. Now the second act of the Screen Directors Playhouse production of Lady Takes a Chance, starring John Lund and Joan Caulfields. When a Rodale bronc tossed Duke Hudkins off his back, Molly Truesdale was there to break Duke's fall. And while the chance encounter ruined Molly's camera, he prepared Molly's shattered fate in cross-country tour advertising. For as far as Molly was concerned, Duke was the personification of the tour's heralded breathless days. At the moment, Molly and Duke are seated in a tavern looking at each other and liking what they see. Oh, thanks. Why, is she going to drink your beer? Oh, I didn't even notice it was here. Maybe you don't like beer. Oh, no. No? Let me drink it and see. It tastes sort of like pop, doesn't it? How's that? Oh, in a much different way. Yeah. Yeah. Oh, Waco. Yeah, Duke? Come on over here. I want you to meet Waco. He's my better half. What's wrong, Duke? Oh, nothing. Why? All the gas is lasting all you hurt. Oh, no, no, not a bit. It's nice of him to ask, though. Yeah. Waco, this is Molly. Good to see you, Molly. How you been? Very well, thank you. I don't believe I got your name. Waco, like in Texas. Oh, isn't that interesting. Well, how did you happen to get named after some place in Texas? Other way around. Huh.  Oh, when he mentioned all your girls, well, I thought maybe I was intruding. No. They won't mind. Well, then you do have several girls. Oh, sure, sure. You'll meet them all when they drop in. Oh, no, thank you, Mr. Hutkin. What's the matter? What's the matter? What do you think what's the matter? Well, I don't know what I think what's the matter. Well, then it doesn't matter. Look, when I take a girl places, it's kind of unusual if she don't have a good time. I'm sorry you haven't. I'm sorry, too. Uh, would you like to give me another chance? Well, it wouldn't do you any good if all your girls were around. Well, I know a place where my girls won't find me. Really? Yeah. Would you give me another chance? All right. I have to have something to do until the bus leaves. And it's seven again. Kiss the dice again for luck, Molly. Add a girl. Four is my point. Kiss them again, Molly. Little Joe. Right back. How much does that give us, Molly? Two hundred and thirty-eight dollars. Aren't you sure? Positive. Well, let's shoot the bundle. Not if the girl kisses the dice. What do you mean? We got a twenty-five dollar limit here. Since when? Look, why don't you start over and let the lady roll the dice? Okay. Roll them, Molly. All right. I'll try my best. What's the limit for her? Twenty-five. Okay. Shooting twenty-five. I don't feel that lucky, Duke. Okay. Shootin' fifteen. I don't feel that lucky, Duke. Okay. Shoot five. Uh, mister, make up your mind. Now, take it easy, mister. The switchin' the dice was your idea. Gee, Duke, I don't feel lucky at all. Okay, then we'll just shoot a buck. A buck? Look, Mac, where do you think you're playing? In a clip joint. Go ahead, Molly, roll them. There you see, Duke. Snake-eyes. Jumpin' Josephette. Don't never leave me, Molly. Don't never leave me. The dice still belong to the lady. She don't want them, thanks. Come on, Molly. Let's do something different. Dolly, I just about think this is the most interesting afternoon and evening I've ever spent. Ah, this wasn't nothin'. Gee, what more could happen? Winning all that money and drinking half this milk and the big fight and everything. Oh, Rainbow Tours certainly gave me my money's worth today. You got the time. My bus leaves at 10. Well, according to my watch, you're okay. Uh... You, uh, married? Well, my gosh, if I was, would I be doing this? Why? What are you doing? This! You're not married? No. Of course I don't want you to get the impression that I haven't been asked. I have. Well, what happened? Oh, I just never met the right fellow, that's all. You married? Nope. Of course I don't want you to get the impression that I haven't asked anybody. Why not? Don't believe in it. Oh, well, lots of people are married and they seem to like it fine. Oh, no, they don't. They just make out they like it, because they're ashamed to admit they made a mistake. Well, I think we better go put me on my bus. Well, you're the boss. Come on. Isn't that the bus station? Yep. Well, there isn't anyone around. We must be early. Yep. I'm usually early for buses. Trains, too. That's how I am. Good way to be. Well, if you ever come east, New Yorker... I'll call you. Oh, Dunbar 35678. If you call around six, I'll be there. Well, I might not be heading east for a year. Well, I'll be there if you call around six. Six? All right. I wonder where that bus is. Well, maybe it's in the back of the station. Maybe we better go in this... Hey! What? My suitcase. Where? In there on the bus station floor. But the station door is locked. You don't suppose the bus went and left before 10 o'clock? How do you know that's your suitcase? I can see my pink pajamas hanging out. I always leave my pink pajamas hanging out so I'll know which suitcase is mine. Hey, open the door! The man's coming. You can stop pounding. Yep. Look, mister, I want to ask... You the lady with the rainbow torch? What happened to my bus? Well, they left your suitcase. They had to tell you that... What's the idea of them leaving before 10 o'clock, like they said? Well, you must have had a right good time, lady. I did. Well, what do you mean? According to bus time, which is specific standard, it's 20 minutes after 12. Oh, no! That's what the clock in that wall says, Molly. What am I going to do? The guide said to tell you you can catch the bus when it gets to coming back. Back? Yep. Come back through Gold City. Well, we're playing Gold City Thursday Friday and Saturday. You can catch a bus there Saturday at 8 a.m. I'll miss the Columbia Gorge and the Pacific Ocean and the Puget Sound and the Waterfalls of Seven Delights. Lots of folks has missed them. Me and Waco are driving to Gold City tomorrow. All that way across the country, sitting down and what do I get for it? Gold City. Good night, lady.  Oh, Duke, you don't know how I've been counting on the Waterfalls of Seven Delights. Oh, they ain't anything. But when you've never ever seen or even seen a waterfall with one delight... Well, I guess I better go find a hotel. You might have a little trouble. Why? Well, with a rodeo in town, a hotel is usually full. Oh, dear. But you can have Waco's in my room. Well, where are you sleep? Oh, I don't usually have much trouble. Let's go. Duke, I just wish all of you ladies in distress could meet up with fellas like you. It's a lovely room, Duke. Oh, I'm glad you like it. It doesn't seem fair, though, to put Waco out when he didn't sit on me or anything. Oh, he's used to it. Why did you close the door? Why not?  Winky! Duke! What's the matter? Well, I don't like that look in your eye. That look is just for you, Molly. Well, couldn't you save it for somebody else? Molly, are you trembling? Please let me go, Duke, please. Well, now, what's the matter? Well, now, listen, honey. Just because you're sat on me doesn't give you any right to... Any right to what? I was only trying to kiss you good night. Well, good night. I'll tell Mr. Waco he can have his room back. Hey, where you going? I can sleep in the park, Cat Eye. All they've got out there is bears and hyenas.  No. Friend of mine did. We called him No-No's Jackson.   Here is something you should know if you ever suffer from the sudden pain of headaches, arthritis, or neuralgia. It's a way to ease the pain, often within a few minutes. A way that is incredibly fast and effective. It's anison. Anison is like a doctor's prescription. That is, anison contains not just one, but a combination of medically proven, active ingredients in easy-to-take tablet form. Thousands of people were first introduced to anison through their own physicians or dentists. But today these tablets are in such widespread use that all drug counters have them, and anyone may enjoy their benefits. Next time you suffer from the pains of a headache, neuritis, or neuralgia, by all means try anison. You'll like the convenience of anison tablets, and you'll be delighted with anison's incredibly fast action. A-N-A-C-I-N. Anison. Ask for anison by name today at your drugists. You are listening to the Screen Directors Playhouse, one of the weekly features on NBC's All-Star Festival. Brought to you by RCA Victor, world leader in radio, first in recorded music, first in television, by Chesterfield, always milder, better tasting, cooler smoking, plus no unpleasant aftertaste. And that's the biggest plus in cigarette history. And by the makers of anison for fast relief from the pain of headache, neuritis, and neuralgia. The Screen Directors Playhouse presentation of Lady Takes a Chance, starring Joan Caulfield and John Lund, will continue in just a moment after a brief pause for station identification. This is the Screen Directors Playhouse. We continue with the third act of Lady Takes a Chance, starring John Lund as Duke, and Joan Caulfield as Molly. When Duke Hudkins attempted to kiss her goodnight, Molly ordered him out of his own room. While this morning ashamed of her misunderstanding, she's unable to face Duke and his partner, Waco. So she's standing out at the edge of Fairfield attempting to catch a ride to Gold City, where she can once again board her bus. A car is approaching her. Up in, Molly. No thank you, Mr. Hudkins. I told you last night we're driving right to Gold City. I'll get a ride to Gold City. You've done enough for me. Okay, but I'm warning you, there isn't much true traffic on this road. The gal's wacky, Waco. Why? Because you said no? She and my type. Too suspicious. She's ramparty. She's wacky. I suppose. Still, I gotta admit Duke, you feel kind of sorry for the poor little type, all alone, big heavy suit case. You want me to turn around? Try again? Well, wouldn't hurt. This is a great road to try and turn a horse trailer on. Well, we could on hits the trailer. And leave Sammy here? I'd let her walk every step of the way before I leave Sammy here. Just thought I'd save you some work. I can handle it. Holly. Wise guy. Wise gal. Huh? Molly was in that great big, beautiful car. She turned back the way we was going. Easy, Duke. Oh, what are you afraid of? Nothing in particular, but just one headlight, you can't see so good in the dark. Yeah, that's better. Hey, what's that up ahead? Uh-oh. Looks like that big, beautiful car ain't going all the way to Gold City. Nuts to her. Molly? Yeah, but I'm not gonna stop. You'd leave her out here in the middle of nowhere at night? Anywhere, anytime. Oh, I didn't know of you as I'd gone on her. Who's gone on who? Well, there can't be any other reason for being afraid to stop and pick up a little girl. I'm not afraid to stop. I bet you won't get in. You lose, Duke. Huh? Thank you for stopping. Thank you very, very much. Oh, don't mention it. Now, maybe Duke can stop someplace and eat. Them beans tasted even better and free of us. I must say, Mr. Hudkins, this is a very peculiar place to stop. Very. Wow. Considering, Mr. Hudkins, you've passed up several very attractive auto camps. Slammy don't like garages.   I was trapping with kick-tars in the day. No, no, I was working as sheriff and they're all right with pictures at the time. Clean up the tinware, will you, Waco? No, just when I was about to tell Molly. Yeah, one of your lies. No, anything you say, Duke. I'm not about to lead him, Molly. I ought to make a real interesting story. In fact, I'm anxious to hear about myself.  I insulted you, Mr. Hudkins? I'm sorry. Now, quit calling me Mr. Hudkins. Anything else I might call you, Mr. Hudkins, would hardly be appropriate for a lady to utter. What did I ever do to you? Oh, nothing, Mr. Hudkins, not a thing. Well, is that what you're mad about? Are you all washed, Waco? Man, I didn't... don't exactly wash them. I noticed. I could keep them a lot cleaner. I had a dog. Who needs to talk, Waco? Time to get to bed. Hope you don't mind sleeping on the same desert with me, Miss Truesale. He's pretty fresh, isn't he, Waco? You don't know the half. Funny, last night for a while, I thought he was the nicest fellow I'd ever met. Yep. He generally has that effect on him, at first. Here's a blanket for you, Miss Truesale. You wrap yourself in it and curl up by the fire. It'll keep you from freezing anyway. Thank you, Mr. Hudkins. I'm sorry I can't give you this heavy one. It's for Sammy. The horse? Sure. Come here, Sammy. Truesale, this is Sammy. How do you do, I'm sure. Sammy, this is Miss Truesale. Oh, come on, come on now. Quit showing off and hold still. It's bedtime. You have to have this blanket on you. You're welcome. Ah, there you are.  Good night, boy. Well, aren't you going to put a rope on him? Well, how would you like me to put a rope on you? Well, I wouldn't. But I'm not a horse. What's the difference? Not to me. At least not about a thing like that. I don't like ropes. Good night, Miss Truesale. Good night, Mr. Hudkins. A snore like that. How can they keep warm enough to sleep well enough to snore like that? Oh, one thin little blanket. Wouldn't keep a horse warm. A horse? Sammy, it's Miss Truesale, Sammy. Remember, Mr. Hudkins Duke introduced us. I need your blanket, Sammy. But it's you and me and you have a horse-eyed coat.  Aren't you got no respect for nothing? Stealing a horse's blanket? The things I ever heard. Sammy, sneeze. Start the car. Get going. We got to get the gold city in a bet fast. What's wrong with Sammy, Doc? Can't tell for sure yet. Maybe it's just a cold, maybe it's pneumonia. Pneumonia? I didn't know horses could get pneumonia. Well, do everything you can, Doc. I'll do my best, Mr. You got to find a horse. Yeah. Duke, oh, Duke, it was my fault. If anything should happen, well, I don't know what I can do. It's all right, Molly. You didn't know. It's been nice knowing you. Duke, I... Goodbye. See you at the arena, Waco. Okay, boy. I was right about him, Waco. He's the most unusual man I've ever met. Sure is. He certainly is the right fellow for the right girl. Huh? So long, Molly. Oh, I'm not leaving just yet. You better. No, I'll stay here with Sammy, then I can let Duke know if anything happens or... Molly, I want to give you some advice. What? Go home. Well, I'm going when my bus comes back through here tomorrow. Don't wait for it, Molly. Go now. Listen, any fellow who can love a horse the way Duke loves Sammy can love a girl. Bet you. It's a bet. Now, you run along to the arena and I'll bring the news about Sammy just as soon as there is any. How's Sammy, Molly? Oh, he's okay. Okay? You sure? That's what the vet said. Sammy's going to be all right. Waco, he's okay. Oh, good doctor, that bet. He's a man I'm going to see if I ever get sick. Where are you going now, Molly? Hotel, I guess. Well, with a rodeo in town, hotel is usually full. Where are you staying? Over at the Mullen Hotel. I don't suppose they'd have a room there. It's just for overnight. Well, they might. Well, let's go see. Doesn't look like a hotel at all, Duke. Well, it charges like one.  Oh, they look very nice. Number 12. Right next to mine. Hey, where are you going? This is number 12. I know, but I usually walk before I eat. Don't you? I usually walk after I eat. People are different. Yep, sure are. That's why they don't understand each other. Why? Because they don't know each other. How could they? How could everybody know everybody? Oh, sure, that is it. Well, take us, for instance, the other night when you wanted to kiss me goodnight, I misunderstood you.    Yeah. What's the matter with that? In fact, I can understand your feeling in the matter very clearly now. Is that a fact? Well, I thought I could. I try to understand everybody, especially if I like them. Oh, me too. Of course, it's harder for men and women to understand each other than this for men and men. Oh, of course, by far. If they're in love, then it don't matter if they understand each other or not. They think they do. Have you ever been in love? Oh, millions of times. Oh, you couldn't have been. Who couldn't? Why? Nobody. How many times could you? Once. I've never heard that before. Which is harder? Bulldogging or calf roping? Oh, bulldogging. I've never been in love once. Especially if you miss their horns. I'm very glad I met you, Duke. I've had a wonderful time. Well, glad to have met you. It's a shame it couldn't be longer. Yeah. We might have got to be very good friends. Yeah. If we had the time. Well, we're back to my cabin. Oh, so... If you'd like to come in and... Hey, Duke. Say, where you been, Duke? I've been waiting so we could eat. Why, I guess I'm not hungry. You look hungry. Duke and I decided to eat here. Where? Right here in my cabin. A little home cooking for a change, right, Duke? Oh, yeah. Is there a store near here? No. Oh, find one. Will you wake up? I've got to get cleaned up before we eat. Here's the store, Molly. We're then going to do you a bit of good. Well, standing out here talking won't, that's for sure. Oh, let's see. I need four nice lamb chops. Lamb chops? What are going to get Duke? Well, they're for Duke. He won't eat them. Oh, yes, he will. I fix them a special way. I need a can of tomato juice, can of grapefruit, can of peas. I don't care how you fix them. Duke won't eat lamb chops. Half a pound of butter, a head of lettuce, it's going to work. It may. Anyway, it's worth trying. Oh, and I have to have some candles. Candles? Well, certainly. And some paper napkins. Oh, that just seems to cover about everything. Except dessert. What'll I get for dessert? Don't bother. Oh, here are some pastries. What's this sunset on the desert special? Looks like just one more gooey mess to me. Well, I'm going to take two and some after-dinner mints. Those you positively won't need. Why not? Mainly because there ain't going to be no after-dinner. Duke will walk out right after he sees the lamb chops. And if he doesn't? In that case, heaven helped you both. What's Monty fixing for dinner, Waco? Wish I could tell you. What's to stop you? You look crazy.  Well, take the first time I've done it. Well, it's the first time you've done it with this one. Miles will tell you, Duke, I don't approve of this whole thing. What whole thing, Grandma? All the fresh shave, the clean shirt, the goo on the hands, going over there for dinner, everything. Well, man's got to eat, don't he? Not like this, you don't. That little old gal over there means business.   Oh, sure, sure. Never a horse couldn't be rode, never a rider couldn't be throwed. Don't worry, Waco. I can take care of myself in the clinches. Yeah, maybe in the clinches. But this gal's going to left hand you to death. She's far, you do. Remember how you told me? Women are like socks. You got to change them regularly. Okay, this gal's different. Come on, Duke, dinner's ready. So am I. I'm warned, Duke, this gal's different, and you're going to find it out. You talk like a wife, Waco.  Come in, Duke. Your hat, please. Huh? Oh, sure. Would you like to sit in that rocker? Why, ain't supper ready? Oh, yes, but I thought we'd have our cocktails here. Oh, well, whatever you say. Mmm, smells good. What do we got? You'll see, after our cocktail. Here. Here's to you. Thanks. Not much kick to it. It's tomato juice. How it tastes like it? It's the way I prepare it, with lime juice. Oh. It's good this way, isn't it? Oh, yeah, very. If you can stand tomato juice. Hungry? Well, to tell you the truth, yes. Oh, well, let's start then. Anytime. Now, this is your place over here. Okay.  I'll be right back. Right. I didn't call you until everything was ready, so you wouldn't have to wait. And I hope you really brought your appetite, because there's plenty of everything. Well, go right ahead, Duke. There's nothing you're cooked like better than to see a man eat. What are you staring at? Lamb chops. Oh, yes. Well, they're wonderful, too. Why, I never ate lamb chops in my life. But they're good.  Please try them. I don't like them. Why? I never ate them. Why? Because I don't like them. I'm a cow man. I like steak. I prepare them in a special way, and I hope... Hold on. Okay. Okay. I'll eat them. Hey. Hey. All right. I knew you'd like them. Tastes like steak. What's wrong? Don't your lights work? Why, the candle's awful dark in here. Well, I don't think so. They don't charge you extra for electricity. What's so wonderful about life? Well, nothing, I guess, except I just bit my thumb. Any more lamb chops out there? No. Well, here. Have one of mine. Oh, and Waco said you didn't like lamb chops.  Who's a salad duke? It's good for you. I'll get the dessert. Oh, I hope you like the dessert. It's a surprise, too. There we are. What is it, for guys' sakes? Well, I got it at the store, so it's kind of a surprise for me, too. They call it a sunset on the desert special. I couldn't help thinking of you. Me? You want your coffee an hour later? Well, it's... Well, it's... so much matter. Oh, it's a pleasure to see you eat the dessert, Duke. Duke? Hmm?  Oh, well, that's not it. You know, there's about a million things. What's the matter, Duke? Hmm? You look funny. Oh, well, Duke. The dessert's giving you luck, or something. Oh, here, here, drink some coffee that may loosen it up. Oh, well. What? Ah! Are you... are you all right? Yeah, it was... it was, uh, kind of sticky. What's wrong? Oh, it's nothing. It's just that I wanted to have everything perfect. Oh... Oh, Duke. Molly. I've never been kissed like that before. Hmm. Neither. Let's clean things up around here then maybe we can talk. We can talk and... and... Yeah. Everything's stacked in the sink anyway, except our dessert dishes and coffee cups. I'll tie the towel around your waist so you can't ruin your clothes. Why sure. This won't take a minute. Well, come on, slow pose. Molly. Yes, Duke? Look in that mirror down there. Yes? Why, us silly. Us silly is right anyway, me silly. Duke, what's the matter? I must be drunk. What? We're in a towel for an apron, wiping dishes. I am drunk.  I thought we were... I know what you thought, Molly, only you thought wrong. I guess you don't want any more than any other girl wants, but you've come to the wrong place, Molly. I ain't built that way. Built what way? Maybe this kind of stuff works where you come from, but don't work around here. Let me alone. Quit trying to hook me. I wasn't trying. I got my own way of living. I don't want nobody changing it. That isn't what I was... Now don't start crying. Who's crying? Now just let me finish. If I wanted to get hooked, Molly, how about you hook me? I don't know. Nobody else I would. But I don't want to get hooked. Goodbye, Molly. I just missed the bus. Sorry, that's all. It happens. To you, maybe. To me, never. Hey, where's your cowboy? I don't have any cowboy. Oh, you got rid of them, huh? Yeah, we should tell me where you throw your old boy friends.  Well, there's nothing to tell. Molly, look. I read three concession magazines a month. I am a very sophisticated woman. You can tell me everything. Well... The days were breathless, all right. Oh, I knew it. And the nights, Molly.  Well, folks, this brings us to the end of our little adventure. I'm sure you're all gonna remember your 14 breathless days and one of the high spots of your life. Yeah. But no, fellas. Oh, please, Miss Fendix. There are some things more important than fellas. Not to girls. Come on, Molly, let's go. Here's my favor, a part of the whole trip. Now, remember, Molly, in case you got stuck, you know, some night for an extra female, you got my number. OK, Flory. Well, look, Molly. What? Come and tour this. The camera buster. Hi, Molly. What Duke, I thought you were... I know what you thought. Oh, Duke, Duke, put me down. You can't carry me in a bus station. Who says a cast? Why, well, nobody, I guess. Nothing happens, huh? Right back where you come from.  What are you doing in New York, Duke? I told you, I came to take you back. Right now? Awful soon. Now, come on. Duke, Duke, what's Flory going to think? Well, now, stop dragging me. Now, look, just a minute, Duke. I'm not going anyplace. No matter with you, anyway, you must be crazy. Well, haven't I got anything to say about it? I am not getting back on the bus. I can tell you that. I just got off a bus. Who do you think you are, anyway? This is New York City, you know. You just can't come charging in here and decide everything about it. I'm not going anywhere. I can't come charging in here and decide everything for everybody. If you want to talk things over, we'll say so.  It doesn't mean you've made up my mind. You better hold your own ticket here. Do you wish you could be taking a lot for granted? Well, I'm not even sure I should be speaking to you after all the things you... But I'll tell you one thing. I'm certainly not getting on any bus. I'll give the man your ticket. Here. You first, Molly. Duke, I mean it. If you want to sit down... I'll look out for that step. I see it. Sit down and talk a few things over. Well, that's one thing. Now, give me your suitcase so I can put it on the rack. But if you think that I'm going to go through again what I just went through before, well, you're certainly mistaken, Duke. I know. Listen, Duke, even if I changed my mind and even if I wanted to go back with you, I couldn't. I'd lose my job. You'll never miss it. I got a job for you. Have your attention, folks, for just a minute. You're going to have my attention for the next 14 days, so it isn't too much to ask, isn't it? I know that's what I thought. 14 days? Duke, we aren't going to take the same trip I just came back from. Sure. We'll get married when the bus stops for an hour in Phoenix. Oh, not till then. But that's almost the end of the trip. No, not quite. We'll still have the Columbia Guards, the Pacific Ocean, Puget Sound, and... Oh, and the Waterfalls of Seven Delights. Thank you, John Lund and Joan Caulfield for a most exciting performance. Our stars will return in just a moment. Next week, the Screen Directors Playhouse will bring you an adaptation of the beautiful screenplay only yesterday. And our stars will be Mercedes McCambridge and Jeff Chandler. And now, here again are tonight's stars, Joan Caulfield and John Lund Screen Director William Sider. Thank you, Jimmy. I'm sure now you all understand what I meant earlier when I said, with John Lund as the co-star, no lady takes a chance. Oh, cut, Joan. Cut. What's wrong, John? Well, two things, Joan. In the first place, you embarrass me. And in the second, the praise should be reserved for the man who originally brought the characters to life. The director of such entertaining pictures is hired wife and the affairs of Susan William Sider. John, yes, Bill? Now, you're embarrassing me. After all, it was you and Joan who brought Duke Amali to life for our radio audience. In fact, I've often wondered why Frank had never before permitted Lady Take a Chance to be broadcast. Well, Frank told me why, Bill. It was because he was afraid that radio could never recapture the charm of the piece as you directed it. He's a great admirer of yours. Well, that's very flattering. I hope that he realizes now how mistaken he's been about keeping his stories in the air. We hope so, too, Bill. Well, if he does, it will mean many more pleasant hours for screen directors' playhouse. Good night, Joan. Good night, John. Good night, Bill. Good night. Lady Takes a Chance was presented through the courtesy of Frank Ross. John Lund can currently be seen co-starring with Joan Fontaine in the Paramount production, Darling, How Could You? Joan Caulfield may soon be seen with David Niven in the Ross Stillman production. The lady says no. William Sider's current release for Paramount is Dear Brad. Included in tonight's cast were Gigi Pearson, Jim Bacchus, Whitfield Conner, Horace Murphy, Tony Barrett, and Herb Butterfield. Lady Takes a Chance was adapted for radio by Bill Hampton. Screen directors' playhouses produced under the supervision of Howard Wiley and directed by Bill Carn. This is Jimmy Wallington speaking and inviting you to listen again next Thursday when the screen directors' playhouse will bring you only yesterday starring Mercedes McCambridge and Jeff Chandler with screen director Albert Rogel. Tomorrow you too can live the life of Wiley on NBC.


Hello friends, myself, Darshan Pandit, Assistant Professor, Department of Computer Science and Engineering, Walton the Institute of Technology, Solapur. Today we are going to discuss about coloring and other basic functions in computer graphics. So in this at the end of the session student will be able to set different colors and patterns for different graphical objects using various C functions. So in this session we are going to see how to set color, set fill styles, flood fill, out text, x, y, line style, text style and close graph. So set color and style functions. So in this set BK color white, set BK color is a function and white is a color which sets background color to white. This function is set line style. In this we need to pass parameter int, line style, unsigned pattern that is user pattern, you pattern is nothing but user pattern, int, thickness. Line style are 0 for solid line, 1 for dotted line, 2 for centered line, 3 for dashed line and if we specify 4 then it will be user defined line. So here in this int, line style we need to specify 0, 1, 2, 3 or 4 and if 4 is specified then u pattern is a 16 bit pattern. This will be applied when line style user bit pattern is 4. That is when we set line style as 4 then u pattern will be active. Thickness are as normal 1 and thickness 0. If we specify 1 then it will be normal line, if we specify 3 then it will be thick line. Next set color red or we can specify int, num, in this when we specify red, red color border will be set for all object which are placed below set color function. The set color function is used to fill boundary of the object. So let us see the example. So in this program, so first we need to initialize graphics card by giving path of BGI. After that set BK color here we are using white. So background color will be set as white. After that set color red, so red color is applied to this line which is having coordinate 100, 100, 100, 400. After that set color 1. So this will be applied to this line 200, 100, 200, 400 with the line style 303. So in this case set line style 453. So here the line style is 4 and here user bit pattern is 5 and this is the thickness 3. So this 5 will be active when we set u pattern as 4 and this will be applied to this line 300, 100, 300, 400. So in this way you will get the output. So this is the basic line. After that this is the line in which we have not used user bit pattern and the third line green line in which we are using user bit pattern. Next function is flood fill. So flood fill it fills the enclosed area of object like circle, rectangle, polygon etc. So in this int x and int y are known as seed point which should be inside the enclosed area and int border it should be matched with the set color value. After that set fill style it requires parameter int pattern and int color. It specifies the pattern and color in which color will be filled up till the border of the object. So pattern of 12 types are like 1 for solid, 2 for horizontal line, 3 for diagonal lines in this way till 12, 12 pattern we have in int pattern. After that out text xy it requires parameter int x int y and text string. So here it displays the text at specified x and y coordinate. Let us see the example. So in this example set color BK white that is background color is white, set color is 1. After that circle we have drawn with radius 17 at the coordinate position 200, 200. Flood fill style 1, 4. So 1 is the solid pattern and we are filling it with the color specified as 4. After that flood fill so 200, 800 so this is the seed point which is inside the circle and with the border with the solid fill pattern that is 1. So color will be flooded with the solid fill pattern 1. Next circle we have drawn circle with 70 at 350, 350 coordinate. After that set fill style 2, 5. So we have changed the pattern here 2 and different color that is 5. So out text x5 we are displaying circle at this coordinate position 300, 250. So in this way we will get the output 1 with solid pattern and 1 with horizontal pattern and with different color. So let us go with the quiz which function is used to fill color inside the object and second is which function is used to color the boundaries of the object. So first is set color and second is flood fill. Next is set text style it requires parameter in font, in direction, in care size. So it is used to set font style with in font second display of the text in horizontal or vertical direction that is set direction is used to display the text in horizontal or vertical direction after that size of the text. After that close graph it deallocates all memory allocated by graphics system. Secondly it then restores the screen to the mode it was before as you call init graph. So before calling init graph function. So this close graph deallocates all memory allocated by graphic system. So let us see the example. So in this example so here we have used various text at various coordinate we have used waltz on the institute of technology at 10.10 next is 50 comma 100 next coordinate position is 50 comma 200 after that 50 comma 300. So for all these text we have applied different set text style pattern like here 1, 2, 3, 4, 3. So let us see how this pattern will be displayed. So in this way we will get different pattern for different text. So that is horizontally and vertically we can display the text. So these are the references which I have used to create this video. Thank you.


Now the setting for this work is the law court. Here's a here's a diagram of the archaeological site We're in a law court within a building just off of the main Agra in Athens Now the genre of the work Technically, it's a dialogue a dialogue is where you have named speakers or characters exchanging speeches and that in fact occurs because Melitus and Socrates actually have a kind of conversation or argument or rather cross examination during the trial but the dialogue contains and is named after the fact that it contains a defense speech or Apologia and that's why the work is called the apology of Socrates. It's not Socrates saying. Oh, sorry Sorry, I bumped into you or sorry. I ruined your whole religious moral system It's a defense of his life It's an explanation for his activities and his explanation of what he did And and why what he thinks he did was right not wrong Now Plato is not the only person to have written for us a sample of Socrates defense speech so other Philosophers did and the one another one written by Xenophon Survives and so we can compare it to Plato's version and we find that it in fact differs in certain respects in certain details and So can't emphasize this often enough But keep in mind that the author of these works is Plato not Socrates Socrates wrote nothing He's not an author Okay, he's a character in a fictional dialogue written by Plato and Plato very much has his own Philosophical agenda and in a way uses Socrates and Meletus and other people as puppets for a little show and a little display of what he wants to say and what do you to think about and Keep in mind that Plato was a pupil of Socrates Imagine that you were charged with writing a dialogue about Monty Johnson's interaction with the UCSD administration or something and Then you knew I was going to see it or that people in the administration were going to see it There might be certain details or certain nuances of your characterization that wouldn't exactly be historically Sound you can think of all sorts of motives for that and all of those apply in this case But on the other hand the presence of this alternate version of the dispense defense speech in Xenophon and The similarity of certain arguments that are made in it Indicates some kind of objectivity of it because two sources Hostile to each other both represent the speech as being in certain respects similar and involving the same arguments And so that that there we can kind of triangulate those arguments and establish the kinds of things that Socrates said and so there is some historical versamillitude to it and we certainly know that Socrates was Executed in 399 that there was a trial held that there was a real person named Meletus that charged him and so forth And we also know other details like we As much as anyone now knows that Aristophanes actually did mock Socrates in the clouds a fact that is referred to in Plato's Apology So the philosophical implications of this trial and of Socrates defense can be disputed But the events certainly did happen Now just a couple of philosophical issues and by now these should be familiar to you first of all Socrates Disclaims or denies that he's a good speaker or an orator and he points out This is the first time I've been in court as a defendant and I've never myself brought charges against anyone So don't expect me to be good at this don't expect me to be a polished attorney Also, he was not a pupil of teachers of rhetoric. He didn't go to law school He wasn't a pupil of Gorgias to put it mildly. He was a very a Very annoying student of if he was he was a student that overthrew what his teacher was saying Now the virtue of a good judge is to discern what's true But remember from the Gorgias that there's an issue about whether the virtue of the Retirition is to tell the truth and basically no it's not the virtue of a good attorney or speech writer or Retirition is not to tell the truth but to secure Prosecution or acquittal in court and the truth is of secondary importance or rather It's of no importance except insofar as it serves that end But Socrates is in a situation where he's defending himself and so he cannot Be indifferent to the truth. He says for him the situation and what's actually on trial and Indisputed here is what kind of person he is and what kind of life He lives and what kind of life he thinks other people should live And so one of the most poignant moments of the whole thing is where he offers this Famous quotation the unexamined life isn't worth living for a human being going through life without Examining your life and having self-knowledge isn't one worth living and he's more Concerned with doing that and living an examined life than he is with securing acquittal in the trial and So he's committed to both Living and dying as a philosopher, which makes him a rare Philosopher and arguably it's what makes him a philosopher a lot of people are willing to live as a philosopher And by the way, please don't confuse people that teach academic philosophy with being philosophers Although there's a very annoying and pretentious trend for them to refer to each other as philosophers. They aren't philosophers They're people that study Philosophers Socrates is a philosopher and he not only lived according to philosophical principles but he died according to them and Made a display of dying according to those principles Now let's review the charges against him and some of the responses and there's two sets of charges There's an old set of charges and then a new set of charges that have been added to those by Meletus and the old charges include so-called needless curiosity and meddling Interference inquiring into things beneath the earth and in the sky and Also Making the weak argument stronger and teaching other people how to make weak arguments appear strong Now the first charge seems to be a reference to the kind of caricature of Socrates in Aristophanes clouds and there's actually an Echo of that because this idea of inquiring to things under the earth and in the sky and in Aristophanes He added and things on the surface of the earth which meant the entire universe everything up there Everything on this level and everything beneath us So he investigates every corner and every domain of nature no matter how small So one response we could give to that is that if it was true That should be a good not a bad thing just like natural science and nowadays we think people who do natural science are great In fact, they're the only people should only be doing stem and so forth because that's the real stuff that we need people to know about So why would that be a bad thing? But the fact of the matter is it's not true Socrates does not focus on those kinds of things. He focuses on ethics unlike figures like annex agris and these other Philosophers who we now call pre-socratic philosophers and we call them that because they philosophized according to methods that existed before Socrates came on the scene and transformed philosophical methodology into making ethics Primary and in another dialogue by Plato called the Fido Socrates is depicted as Rejecting that kind of inquiry that annex agris and the pre-socratic philosophers conducted even though he says I had an interest in that when I was young. I ended up moving on to bigger and more important things Now the second charge about making weak arguments appear strong is essentially an accusation that he teaches rhetoric He has two responses to this first that he's not like gorgias or other Sophists and rhetoricians like hippies and prodigies because he doesn't charge fees for teaching He teaches people, but he doesn't charge them for it So he's not trying to make a profit off of it and his motive is not to make a profit off of it And for this he was ridiculed by other people. Oh, you don't charge for your teaching It must not be worth very much. In fact, it must be worthless if you don't charge anything for it, right? You want good teaching you go to an expensive university like Harvard where it costs you a quarter of a million dollars to get that Degree that must be a really a really good solid Education if it costs a lot but socrates says I'm not in this game I don't charge people for teaching my motives for doing it are totally Different so I'm not interested in trying to teach people how to Make weak arguments appear stronger. I'm in fact interested in the truth Also, he may have recommended others to go to teachers like that But he always disclaims that he himself has any kind of knowledge whatsoever not just knowledge of rhetoric But any knowledge the quotation made in the gorgias also repeated in youth the fro Many other dialogues and here in the apology is that all I know is that I don't know anything So you can hardly blame him of teaching something if the only Actual statement you can pin on him is that all I know is that I don't know anything like it's not a very good answer to give in a Hiring context if you're in a job interview to be hired as a teacher and you give the Socratic response Well, I don't actually know anything, but at least I know that they don't tend to think oh, this guy's are gonna be a great teacher So with Socrates Also, he of course wasn't a pupil of office like Gorgias Which he would have had to be in order to be able to teach what they teach In fact, he is portrayed at least by Plato as being vehemently hostile to teachers of rhetoric like Gorgias But that may be an artifact of how Plato is portraying him and a lot of his Contemporaries and successors according to evidence outside of Plato did perceive him as being exactly like a Sophist like prodigies or Gorgias or Protagoras and so on Now if Socrates claims that he doesn't know anything and he doesn't Investigate natural science and he doesn't teach rhetoric then the question arises. Why does he have a reputation for wisdom? And that has to do with a strange event that happened where his friend Carathon once consulted an oracle the oracle at Delphi a prophetic oracle and Who's sitting within this temple in Delphi a Temple which bears the inscription above it know thyself or know yourself Which is called the Delphic Maxim and Cherophon asked the oracle. Is there anyone wiser than Socrates and The oracle gave the very laconic answer no And the question is why the oracle said that So here is the explanation that Socrates gives so when Socrates heard that Supposedly nobody's wiser than him. He thought it was a riddle because he didn't consider himself wise So he went about questioning others to find out Who are thought to be wise to find out what their wisdom consisted in so he started with Politicians because politicians are these big powerful people that everybody looks up to and thinks are wise and Socrates examined some of them Thinking he'd find somebody wiser and then the oracle could be showed to be wrong or some kind of strange riddle But to no avail he came away convinced and you might yourself be convinced if you actually talk to politicians that they merely have a reputation for wisdom but aren't in fact wise and Then he investigated poets and other literary figures He examined them and found that they're like prophets or seers who say things that sound wise But who don't seem to understand the things that they say and that's why they're said to be divinely inspired They don't actually know the reasons for what they're talking about They just have some kind of inspiration that they can't account for and thus it doesn't constitute wisdom and finally ordinary craftsmen people who practice Medicine or architecture or shoe making actual areas where things are produced technologies that work are made and so forth those people think That those people are wise in those specific domains But the problem is you find that they think they're wise in all other domains as well So medical doctors think they know everything about ethics and architects think they know everything about the the Politics and economics of engineering and shoemakers think they know everything about everything and they can't however Defend their views or withstand examination outside of the limited context in which they have some wisdom Now remember that this word for examination Right like mid-term examination final examination Okay, the Greek concept behind all of this is a Lenkus, which means refutation right Where somebody pretends by writing an answer on an exam like they have some kind of knowledge and then we try to examine and try to refute that and see if it's actually true and Socrates exposes the incoherence or Tradition in the views of people like all the kinds that I just reviewed who present themselves and have the pretence of knowing lots of things and he says from this practice of Examining and refuting people a lot of enmity has risen against him So just like students hate it when professors give them exams So do shoe makers politicians poets and so forth when you examine and expose their ignorance tend to be annoyed and irritated by this and I Several of you have told me that you have the experience in reading the youth of Rhodogorgias that you really hate Socrates you read it and you just think God this guy is annoying. I mean not only is he ugly. He's just annoying, right? And that is an accurate portrayal. That is the effect he had on people. This wasn't a warm fuzzy guy Okay, so on every occasion those who see him do those who see him from afar Examining others and leading them into befuddlement and confusion and he's interviewing a professor of religion who can't even define what Holiness is they think oh, okay, that guy Socrates is really wise because he's undermining those people But Socrates himself if you actually listen to what he's saying doesn't claim to have any knowledge or wisdom But only to expose the ignorance of others by bringing out contradictions and inconsistencies in their own views and So he says this is what the oracle was talking about. This is why the oracle considers Socrates wiser than anyone else because he doesn't act like he knows things that he doesn't know And he shows that people who do have that pretense don't actually know what they're talking about and That's what his wisdom Consists in and here's the important point is not only doesn't he claim because it's bad enough to have a pretense To knowledge and act like you're somebody who knows a lot of stuff when you don't what's worse is to act on that To make decisions like political decisions as if you really know that this that such-and-such should happen These people really are invading this country and so this has got to happen or else there's going to be these big problems That's the real problem. I mean just being a pretentious person who who acts like you know Something is annoying, but then it becomes a big problem a problem of like war and peace and Internal political stability and so forth when you actually Act on these kind of things Now the students who follow Socrates imitate what he does and practice the Examination and the refutation the Alancas on other people and So that is where the idea that Socrates corrupts the youth Comes from that he gets other people to go out and do this annoying thing not only does he do it But you can avoid him right you can you can take a left when you see him coming down the street and not run into Socrates not have to talk to him But now he's getting more and more students and you're running into them everywhere you go In fact your own children are starting to do this now Okay, and so these people these people are everywhere and so he's corrupting the whole Youth of this population who now they're going around exposing that all these people talking like they know what they're doing with politics and and these important affairs of war and peace and alliances and revenues and Distributions and so forth don't actually know what they're Doing and so they perceive that the youth are being corrupted and being shown how to make a weak argument stronger Okay, so that explains why he had a reputation for wisdom and why so many people hated him and That addresses those old charges, but now we have a new set of charges coming from This guy who's almost as annoying as Socrates himself called mellitus But but mellitus is annoying for a different reason He's one of these people who really who's like youth of row and acts like he knows stuff that he doesn't know and He is trying to make a big name for himself as a big attorney He's sort of like a Michael Avenatti of the ancient world He wears slick suits and shows up and and Prosecutes people brings charges against people so that by bringing them down. He can get fame for himself and He charges Socrates with corrupting the youth, but also not acknowledging the gods of the city acknowledges, but instead creating new divinities and as For the second charge creating new divinities We've already discussed that in the youth of fro the charges that he's impious or unholy mellitus exactly like youth of fro acts as if he knows about religious matters and charges Socrates with Impiety or unholiness But since we know from that other dialogue that it is not at all clear what holiness or Impiety are then it would be hazardous to charge somebody else on those grounds In fact somebody charging somebody else with being impious may themselves be acting impiously or un Being unholy Now the first charge corrupting the youth resembles the older charges about corrupting the youth and so the earlier Answer or defense against those charges still applies But Socrates makes a new set of arguments against the corrupting the youth charge That come out in the context of a dialogue or a cross examination with mellitus in which Socrates is displayed perhaps unrealistically as having an opportunity to employ his alencus within his own defense speech and So there are something like three different arguments that he makes in here The first one is that the accusation doesn't make any sense Socrates says do we agree that the youth should all be as good as possible Melodists replies of course we do Socrates and so I could he says well who improves them and Melodists examples are judges assemblymen counselors politicians the kind of people he thinks are Good people but basically turns out all Citizens improve the youth because all citizens are judges assemblymen counselors and politicians in a democracy So the charge amounts to saying Everybody in this entire country all of these citizens improve the youth, but some one man Socrates corrupts them all But this would be disanalogous to every other art in which we think that the majority of people aren't capable of Improving their subjects, but only one or a few people for example in horse breeding It's not the case that all of us could improve horses But there's just one of us in here that would make them worse rather all of us would make them worse except for the one person who's actually been trained in horse breeding and Melodists his failure to understand this shows that he hasn't actually given any thought as to how moral improvement or Education actually works in education You have a few people who devote their lives to teaching and those people are able to improve students in some one respect that is the area and domain of their teachers That they teach in and we don't think anyone can teach so We don't think anyone can teach astrophysics and there's just one person who would mislead people about astrophysics Rather we think that the few people who have devoted their lives to studying astrophysics are capable of improving people And so the charge that assumes everyone's Improving everyone except this one person Socrates doesn't make sense in his disanalogous to the way other arts work the second argument is that Essentially there is no motive for Socrates to miseducate people so he asks Melodists Do we agree that everyone wants fellow citizens to be as good as possible and that having bad fellow? Citizens causes one harm and Melodists says yes, of course We agree on that and Socrates says do we agree that no one wants? Voluntarily to be harmed by those with whom one associates and Melodists says yes, of course It follows from that that either Socrates does not corrupt the youth or if he does he must do so involuntarily So either he's not guilty as charge or he's doing something involuntarily But if it's involuntary then it's not a matter for the courts and he shouldn't be punished and said he should be privately Admonished or reformed So again this argument like the previous one shows that Socrates unlike Melodists has given a lot of thought to moral education and Melodists has rashly brought charges against Socrates in order to make a name for himself not out of any actual concern For morality of the young or how young the young are taught As for the charge of impiety Socrates says What are you claiming how why are you claiming that I am impious that I'm unholy that I don't observe these gods Do you say that I deny only some gods or all of them and Melodists says you deny all of them Socrates So the charge amounts to atheism not believing that there is any such thing as God or the gods But Socrates points out I consider the Sun moon and stars to be divine I'm not like annex agorus someone who had this crazy theory that the moon is just a rock like a piece of earth And that the Sun is just a flaming stone that kind of crazy idea. I don't believe that sort of thing Okay, I recognize that those heavenly bodies are divine. So don't don't worry. I'm not I'm not one of these crazy atheists Also, I believe in other gods and I have other forms of religious observance for example I believe in the god Apollo who stands behind the Pythian Oracle at Delphi. That's the one that said no one is wiser than Socrates In fact, I'm defending the pronouncement of the Oracle While you're denying it. So maybe you're the one that's being impious also Socrates has this strange Personal habit where he ten he says I'm following my own divine sign or Dymone which means something like my own Personal destiny, but with a sense that this has kind of agency like a guardian angel I'm following this Dymone of mine And he says that this Dymone or divine sign Comes to him sometimes and prevents him from acting It never tells him what he should do, but sometimes it appears to him and says don't do The following and then he refrains from that action. So that's another kind of religious Observance traditional religious idea that that Socrates makes his own Now if Socrates believes that these they these things pertaining to divinities Diamonds oracles prophecy Astral divinities and so forth then clearly he does believe in some gods So it's not true that he denies that all of them exist and so the charge of Impiety if it is atheism is false now Socrates addresses the the charge that was essentially made in the Gorgias by Calakles that Calakles made it sort of proleptically because remember That was way before any of these charges had been leveled or anything and Calakles says, you know Socrates You spend all your time doing philosophy and you reject the cultivation of rhetoric You might find yourself being charged at some point in your life By a really good attorney who knows rhetoric and then even if it was a false charge you wouldn't be able to defend yourself and Imagine that it was a charge on something like you're really immoral or you're impious or you're corrupting people Wouldn't you be ashamed not to be able to defend yourself and so here? There's a kind of digression in the dialogue where Socrates explains His view about that he says first of all if somebody charged me like that even if they Won a capital case and got me convicted sentenced to death I Don't actually care about living and dying as much as I care about Justice and injustice and doing the right thing and not doing the wrong thing In fact fearing death is cowardly and so it's a vicious thing It's a vice if you're afraid of death then you're a kind of coward Courage requires us to stand up for justice even when doing so is a threat to our lives and so Socrates manifests a Very traditional virtue of being courageous Furthermore Socrates points out to fear death is to pretend like you know something that you don't know and can't possibly know That death is a bad thing Death might be a good thing. We might go on to heaven or something Where is it where things are a lot better than they are in this hellish world or it could just be a neutral thing like a deep sleep? Which is very enjoyable I'm sure some of you would prefer it to what you're doing right now Right having no Impression of anything, but it's just sort of blank So nobody knows what happens after death and so to fear death is to pretend like you know something You don't know exactly the kind of thing Socrates doesn't do And he says suppose you offered to spare me on the condition that I no longer would do philosophy His answer to that is I shall obey the God rather than you And while I have breath and an able I shall not cease to pursue wisdom or to exhort you Charging any of you I happen to meet in my accustomed manner So again presents himself as essentially being more Pious and that I am observing a sort of higher law almost like a natural law as it were instead of this conventional law you're urging against me and I will not stop doing philosophy even if you threaten to put me to death And he turns the table on him and says that it would be shameful to allow the pursuit of money Reputation or honor, which is exactly what Meletus is doing in this case But I have no thought or concern for truth and understanding and the greatest excellence or virtue of the soul That's at 29e If anyone disputes this that it would be better to do those things then Socrates will subject him to in a Lencus a refutation or examination in order to see if their values can withhold scrutiny and So he says at 30a to b for the God commands this be well and assured And I believe that you have yet to gain in this city a greater good than my service to the God I go about doing nothing, but persuading you young and old to care not for body or money in place of or so much as excellence or virtue of the soul So he expresses a willingness to die rather than to stop improving the city in this way and Furthermore he argues that if you convict me you're going to be doing a lot more harm to yourself than you are to me Yeah, you get rid of me and that's that's a problem for me But you're creating a problem for the whole city and Meletus specifically by committing an injustice Would do something much worse than is going to happen to Socrates by dying and Meletus can't harm Socrates since as Socrates puts it here It doesn't accord with divine law that a better man can be harmed by a worse one and Socrates points out it's not going to be easy to replace me I've devoted my whole life to serving and it's interesting how he puts it here as a gadfly that's constantly Waking and bothering the sluggish horse of Athens into becoming better and he Suggests imagery a lot like the gadfly that's constantly bothering IO in the Prometheus bound and Socrates says I'm like that gadfly Constantly bothering people to find out examining their views about what's true and false just and unjust and so on and Socrates points out rightly that the whole city will suffer for condemning a bad a good man to death And for allowing an unjust conviction to take place and so he's unwilling to beg for forgiveness and so as you can see this defense speech comes across as very defiant even strident and Is unlikely to Convince a jury So he is found guilty. They take a vote. There's 500 jurors 280 of them say to convict him 220 he did somehow manage to convince but the majority convict him and that's how it works So then they move on to the sentencing phase or the penalty phase Now the way this usually works as the prosecutor Says well, we'll give you death What do you think we should give you instead and then the defendant is supposed to give some strong? penalty that's As strong as possible, but falling short of death so that they have some other option Oh, I'll take life in prison or I'll take I'll take confiscation of all my property or I'm willing to be banished from the city and Never to come back So what does Socrates say in this case? Socrates says here's what I think my sentence should be I should be given free meals for life in the hall where they give Olympic victors free food Why because I didn't pursue money property honors offices Clubs political parties and so forth instead I Pursued my inquiries privately directed always at individuals I tried to persuade everyone to care about nothing other than becoming as good as possible So while Olympic victors make us think we're happy because we're entertained by them And we like watching their bodies and all these different configurations and so forth Socrates actually gives us a means to become happy by examining oneself and primarily by following the Delphic maxim to know oneself so then he's able to give a speech in this phase and These are these are some of the last words he says The greatest good for man is to fashion arguments each day about virtue and the other things you hear me discussing when I examine myself I Refute myself actually I employ this Alencus against myself and others and And this is where the crucial phrase comes in the unexamined life is not worth living for a human being Death on the other hand who knows again. I don't claim to know could be like a deep dreamless sleep That sounds great Or he says it might be a trip to the underworld where I could encounter Homer and he seed odysseus Achilles your rippities and all those guys and I can start examining them and their views about what's good And bad and figuring out if they're wise and if they're not showing that they're not and refuting their views And so even if you put me to death, I'll just keep doing this Right, you can send me to hell or heaven and either way I'm gonna keep examining whether people have consistent beliefs or they contradict themselves and don't actually Know what they're talking about So then they vote on the penalty and they choose death instead of instead of giving him giving him free lunch now Socrates again says that not only in the underworld But in this world there will come to be more and more people like Socrates and so far from eliminating this threat by getting rid of him They're actually gonna bring on more and more people and the example of his death is gonna inspire other people to practice philosophy and other people to Search for the truth and the difference between right and wrong and try to come up with a consistent and coherent moral theory that makes sense and Socrates life an example has in fact given rise to philosophy and shown how somebody could devote their lives to it and Other people will even be willing to die in order to prevent or show up in justice and the subsequent History after Socrates will actually show that other people willing to die in order to resist injustices and false claims of knowledge and so on and then Socrates employs another one of his Ironic gestures and he implores the jury.  Right and wrong and just and unjust is when they don't make sure to refute them Only then will they become better and here we see him really Walking the walk of his argument that it's better to be refuted than it is to refute other people that being refuted leads to an improvement He wants his children to be improved So he wants them to be refuted where they're wrong He doesn't want them to persist in false beliefs Particularly false beliefs that they will act on and thus do harm to themselves or to the rest of society And so it ends with him saying All right, this is over we're gonna leave you will live on I will die, but who's better off? God only knows and that's the end Now anybody have any Actually, that's not the very end because the next the next thing is him in prison and the depiction of Socrates in prison Now what does he do there? That's depicted in another a couple more Dialogues of Plato one called the Crito where some of Socrates friends try to Encourage him to escape and go into exile and not let the death sentence be carried out and Socrates explains why even though He doesn't think that the decision was right that it was justly arrived at through these Democratic processes and through the proper procedures and so he will not do the wrong thing and and Violate the laws and he explains there why one ought to be law abiding and then the Dialogue of Plato that depicts his death is called the Fido and What is he depicted is doing well first of all? He's a lot of his students and other followers are present and it's funny because in the Platonic dialogue It says except Plato wasn't there because he was sick that day But and yet Plato is writing the book that gives a description of everything that was happening and everything that was said there So that's the kind of literary trick that let the Plato likes to play But he's depicted as What does he do in his dying hours? Well, of course he does philosophy he does more philosophy and he keeps examining people


In this second section of the app note video, we are going to get started with the creation of the project using STM32Q IDE. We are going to start by opening STM32Q IDE and create a new project. To do so, you can simply click on File, New, STM32 project, go on the Board Selector tab, and search for BL475, select the first board, click Next, give a project name, finish here, and when prompted to initialize all the peripherals with the default mode, select No to avoid generating unused code. We will be configuring an I2C interface to communicate with the accelerometer and a UART interface for the basic logging. We are going to start by adding the accelerometer driver from the XCube MEMS components. To do so, we need to open the software pack selector in the Pinout configuration, apply the board part filter, and under the MEMS package, select the LSM6DSL as I2C. We are back to the main interface and now we need to configure the I2C peripheral that is under Connectivity. We are going to select I2C2 and configure it as I2C. Here we need to select the I2C mode and configure it as Fast mode. So it's going to work at 400kHz, and in the GPIO settings we should check that PB10 and PB11 are configured as I2C. We actually need one more pin to interface the sensor and receive the Intrap1 signal. You can check out the IUT node user manual for the schematics and I2C pinout and the Intrap1 signal from the accelerometer. As you can see in the schematic, we need to configure PD11. So under GPIO, we search for PD11 and we need to make sure that it's configured as external Intrap mode with rising edge. And then under NVIC, we need to make sure that the corresponding Intrap is enabled here and it should be already done. Now we need to configure the XCube MEMS1 package. So we are going to need to expand the software pack here, select the ST Microrotronix XCube MEMS1, enable the package and on the platform settings, select I2C2. The last peripheral that we are going to use is the Usart1. Select Usart1 under the connectivity interface, enable the asynchronous mode. If not already configured, set the BodeRate to 115200 here. And then under the GPIO settings, make sure that PB6 and PB7 are associated with the UART1. This UART will be used to send log messages to the PC. The MCU configuration is now complete and you can generate the code either by saving your project or by clicking Project Generate Code. All the code needed for the peripherals configuration has been generated. Now it's time to add our application code. To facilitate this step, we'll copy the code directly from the wiki page. In the Project Explorer panel, double-click on core-source-main.c to open the code editor for the user application code. The first section to be added is the Private Includes. Here we have three different files and are the header files for the accelerometer, the I2C bus and the SDIO used for the print-def output. Simply copy this code here. The second part is the Private Variable section and it's here. We can go back to the wiki page and copy these two lines. Here we have the definition of a structure for the motion sensor and that already received variable that is used to notify when new data is available. Copy here. Now we're going to copy the memc init function definition and go back. We're going to copy the actual function. This function has to be copied in the user code section 4. Go back here and use it after all the code generated by the tool here. This function is used to configure the accelerometer for a 26 Hz sample rate plus or minus 4G range and an intrap for the data radius. Now we need to copy the callback that's used when we receive an intrap from the sensor and this function also goes inside the code begin4. Then we're going to redefine the write. This is done in order to be able to use the print-def. Now we're going to copy a new definition of the error handler to have a toggle LED in case of errors. At this point we can go back to the main and start copying application code in the main. First we need to initialize the variable and initialize the sensor. It's done in the main here. And then in the while loop we implement a simple loop that waits for data to be available and then send data over UART to the PC. At this point we can simply project, compile. Here we have zero errors, zero warning, so we are ready to download and debug the project. I already have a board connected to the PC so I can simply download the binary by clicking run, run as, STM32 application. Now QBID is going to download the binary into the board. Here now it's done. Now once done I can simply open TerraTerm and connect to the STLINK virtual comport. Make sure that the serial part is set to 1500,200. And here we can see the data from the accelerometer. Now that we are done with the code we can go back to the weak page for a few remarks. First to capture data you can copy paste the serial output into a CSV text file or you can use the following command on a Linux machine. In the weak page you can also find a Python script that can be used to plot data. Here you can see the output. The CSV file can be manually edited for data cleanup and once you are satisfied with the capture that can be used for machine learning model training.