Hi, everybody. I'm Bill Perthes, the Benartzi Watson Director of Adult Education at the Barnes Foundation, and I'd like to welcome you to another edition of Barnes Takeout, your daily dose of art coming to you from the Barnes Foundation in Philadelphia. The work I've chosen to talk about today is this picture by William Glackens called Racetrack. I'm going to show you this is where Racetrack is. You see it here in the center of the north wall of Gallery 12. If you joined me for my talk on Harris Pippin's Supper Time, it's on the wall just to the right here. You can see giving thanks and other of Pippin's pictures here. And here's that picture by Maurice Prendergast. I'll be going back to Prendergast shortly in a future takeout discussion. But this is the picture we're looking at today. So this painting was started in 1907 by William Glackens, but the dates that you'll see on it are 1908 to 1909. And the reason for that, those dates and the length of those dates is really an important aspect of the importance of this picture and the kind of transformation that this picture undertook. 1908 was a really pivotal year for William Glackens. William Glackens and Albert Barnes were classmates together at Central High School. So they knew each other from the time they were teens. They were close friends. They shared a love of baseball together at Central High. And after Barnes went out and made his fortune and began to have an interest or growing interest in art and not just any art, but modern art in particular, he reconnected with William Glackens, who by the early part of the 20th century had really built a reputation for being on the forefront of American painting. He was part of a group called the Eight Around the Painter Robert Henry at the Pennsylvania Academy of Fine Arts here in Philadelphia. And this is a group that evolved into being called the Ashkan Group. I'll probably talk about some of those artists a little in a future takeout. So 1908 rather, Glackens started intentionally to change the way that he was painting. If we go back to that gallery view, off to the right here is a self-portrait of William Glackens painted in 1908. And if you look at the palette, while there are some areas of bolder color, and it's a picture that's very much dominated by or characterized by aggressive paint applications, so you get a sense of the sort of texture and build up quality of the paint, what's called impasto. Very obvious brushwork, directional brush stroke. It gives a really strong texture to the picture. But the palette here is fairly subdued. And this is the palette that Glackens had been working on up until this point. And then in 1908, very much under the influence of the European impressionists and post-impressionists, Glackens changed his palette and started to use these bold and dynamic and dramatic colors and dramatic color contrasts. So we go back to the picture here. The contrast between this startling green grass, this hyperreal green grass, and the reds and yellows that make up the, quote, dirt of the racetrack, if we zoom in on them, you get a sense of that, again, that very aggressive, active brushwork and the high-key quality of the color. It's just luminous in and of itself. And in this detail, you see that areas where he's trying to indicate shadow, look at the colors that he's using. So he's not deadening or darkening the color, but instead he's infusing it with these reds and oranges so that it retains this incredible vibrancy. And if we go up into the, here's the crowd, and you'll see that the crowd is just indicated by these stabbing dabs of color, blues and reds. And if we go up into the canopy of that, look at the, almost the explosion of color that happens in what's, again, we're reading as the shadowed underside of this pavilion. Again, where he's picking up colors from elsewhere in the picture. So here's those reds and oranges, the blues of the crowd now all mixed together to create this sort of shadowed underside of the pavilion. So what Glackens was doing was he was drawing from the lessons of impressionism and post-impressionism, but doing it in his own way. He was taking, for instance, his love of the color of Auguste Renoir and making it even brighter, even what's called juicier. It has a sort of unctuous, oily, vibrant quality to it. And infusing that this new palette into his work and experimenting with the, again, very dynamic qualities that colors and color contrasts can create. And this work was really important for Albert Barnes as well, because it was in looking at this work that Barnes began to confront his understanding of what modern art was. It really challenged him to think very much sort of progressively about what art can and should be. And so this connection, both the close personal connection that he had with Glackens and then Glackens very much through his own artwork sort of demonstrating to Barnes what modern art of his time was and should be. And Barnes at this stage really being the student of Glackens, really learning from Glackens example as to what modern art was. And this comes to a head in 1912, in the spring of 1912, when Barnes gives Glackens a line of credit of $20,000 to go to Paris and to buy the best examples of modern painting that he can find. When Glackens does that, he meets up with his, the ex-patriot American painter, Alfred Maher, whose works we see here on either side of the north wall of 12. So Glackens with Maher, Salve Maher had been living in Paris for a while. They go around and they buy works by Cézanne and Renoir and Van Gogh, and these are the works that become the core of the Barnes Foundation collection. Many of them remain in the collection. If you tuned in very early in this series to Martha Lucy's talk of Van Gogh's The Postman, that picture was one of the pictures that Glackens purchased on that 1912 Buying Spree for Barnes. Interestingly enough, that was the last time that Barnes allowed anybody else to buy works for him. He would consult others, but he did the buying from there on out. And the work of William Glackens remained and actually grew in importance to the collection of the Barnes Foundation. Glackens is featured in two works in the main gallery, really pivotal works for the collection. And really, when Barnes and his colleague Violette de Maisie had published their monograph on Renoir, Barnes sent a signed copy to Glackens, crediting him with opening his eyes to Renoir, Renoir and artists that is really perhaps most identified with the Barnes Foundation collection. And it all began in this picture, or with this picture, by William Glackens, painted 1908, 1909. Its first title was Brighton Beach Racetrack, giving you an idea of where in New York it was painted now, simply called Racetrack. Again, a central work to understanding the Barnes Foundation collection and also what guided Barnes's collecting practices. So I hope this perhaps shows you a picture that you might not have looked at before. When you have an opportunity and come back to the Barnes Foundation, I will always direct your attention to Gallery 12, Gallery 12 being the American Room, and look for this picture by William Glackens. And I hope you'll join us again for another edition of Barnes Takeout still to come. Thank you.


Right now at Appalachian Wireless you can get the Samsung Galaxy S7 for just $99.99 and get a second one Service agreement is required on both devices serving you for the last 25 years with better service and bigger savings at today's Appalachian Wireless It's time for mountain music presented by mountain music exchange the heart of music in the mountain Welcome to another edition of mountain music this week down at mountain music exchange. We've got Cody Morgan take a listen There's a running theme that most artists in these mountains share and that's the heavy influence of gospel music and Cody is no different I was raised up in a very like gospel country based All my family played in church and stuff like that You know, so I ended up getting into like the more Americana indie scene But like yeah, that's a lot of my roots are like gospel and country which I do a lot of country music But like my predominant writing style. It's like, you know, Americana Cody says the ability to connect with someone through music is like nothing else Yeah, I like to write stuff that I feel like inspires people that somebody might hear it and be like Oh, you know, I feel something I like the personal connection of somebody being like, you know, I'm feeling this too So, you know, I want to listen this because it's gonna make me feel better for what I'm feeling, you know I write for me and I also write for other people. So Although love inspires many songs It's being able to connect and relate to a song that makes it so powerful the name of the song is love songs I wrote it and it's really about just saying that you know Even though like just at the end of the day that like there's a love song for you out there Even though you have a broken heart There's a song that's probably gonna make you feel better because it's about the same thing that you're going through


rally south Australia, the sunshine is still out, fights going on in the four wheel drive series, Marcus and Scott Walkham likely to bring home that series with a good solid finish this afternoon. We just saw Molly, Taylor and Bill Hayes they will of course get second in our championship and one of an addition she's been to this series making history for being the first woman to even win a round of the Australian rally championship. Young Mackenzie's although out and very disappointed they will still finish third for this year's championship. We were having a real crack on that stage I reckon we were at least ten seconds up on our previous run through so we would have been on the money but on a cut earlier in the stage I think I've hit something and slightly bent something in front end and then now coming up over the jump just down the road there once we've landed the wheels broken something then folded back and the wheel off eventually so here we are parked here we've had a I guess a really tough year the guys have had to work at every event quite hard so credit to the boys to come away with third for the year is excellent obviously didn't start out too well we've been able to get a few points over the last couple of events so yeah as good as it could have gone it has but a few unfortunate things this really helps back this year


Alright, Nico Carver from Nebula Photos here. I'm here with Christopher Baker in the Chicago land area. Christopher is an excellent amateur astrophotographer and he's agreed to show me his home observatory. So, when did you build this, Christopher? I've been building it over the last couple years, essentially since COVID started. So, what was the motivation for building the observatory? Were you just on a tripod before? Yeah, I would haul the tripod and out from the inside and I got a couple stairs and I'm getting older and my back doesn't like to scream at me when I carry too much weight. So, it just got to a point where I'm just, you know, I couldn't go out as much as I wanted to. And we have such crazy weather here, we'll get clouds part of the night and be perfectly clear the rest of the night. So, there's a lot of times I was missing nights of imaging and I felt so frustrated having gear that I wasn't able to use just sitting there. So, I decided that to me it was worth building an observatory so that I could take full advantage of the equipment that I have. And when you were building it, so did you start by doing the pier first and then build the structure around it? Yeah, I built the pier first and I had a design for that and, you know, I did a CAD drawing first because I'm in the CAD and that kind of stuff. So, I did a CAD drawing and came up with all my dimensions and figured out essentially the lumber that I would need and then figured out where the pier was going to go and, you know, I didn't build it to the exact height, I built the pier shorter on purpose so I can make that final calculation when it was all built. So, yeah, I started the pier first and then we moved on to the shed. Well, I actually did the electrical first, then the pier and then the shed. And how did you design where to put it in the yard and like how high to make the walls and all that kind of stuff? Well, like I said, I didn't want to crawl into it. I wanted to be more of a like an actual shed that we could use in the future if we saw the house and we could come in here and use it for an actual shed. Tell us a little bit about the mural on the outside of the observatory. Oh, so, yeah, I painted it all one color and then I decided that, you know, I have all this astrophotography that I'd like. I'd really like to put a mural on there and I had a friend that's an artist and she does that kind of work. So I asked her if she could come by and paint the one end. She did that and I absolutely loved it. So then, you know, about six months later I had her just recently come and do this side. So two of the four walls are done with the mural. This side is based on one of my, you know, pillars of creation photos, but then this is just a whimsical interpretation of a galaxy that she did. And you've also decorated inside with mission patches? Oh, yeah. So I've been into space since I was a little kid, so I've been trying to purchase all the human spaceflight mission patches for all the human spaceflight in the U.S. So I have like the Mercury and the Gemini and the Apollo and SpaceX ones. I don't have the shuttle ones yet, but I'm hoping that's on my Christmas list. So one other thing that you'll probably want to consider, I don't know how you want to end up doing your track. People do the track different ways. Some people use a V-shaped track that sits on top and then you have V-shaped rollers. So the whole roof rides on a rail. It's not really held down by anything. So I decided against that because I didn't want any chance of it getting blown off. So this is captured basically. So it's a garage track with garage rollers. And there's different ways of doing this. Mine's adjustable. You could also put them in a fixed way. So it's just mounted right on the two by four. So my roof really can't come off unless you take all these rollers off. But on top of that, I also have hurricane, what I call her, you know, tornado straps. So basically I can put these on. I have one on the other side too, and then tighten these up. So if I'm going out of town or something or there's a storm, I'll come on here and just put these on just for peace of mind. But I mean, it's not going anywhere, but it's just, it gives me some peace of mind that I don't have to worry about it. And tell us about the split roof design. Because this is my first one seeing that kind of design and tell us sort of the advantages, disadvantages of the split roof. Well, I wanted the split roof, A, because I didn't want the extension to go too far out. And B, I wanted to have that little space on the other side where I could actually work. Because my pier is on one side and then the right side is more like a workbench and stuff. So I wanted that space. I wanted a fixed roof on that side. It also helps stiffen up the walls as well. So for all those reasons that I decided to do the split roof, is it necessary? I don't know. Most people don't do that. They just roll the whole roof. But again, the more you do that, the more the farther out it's going to go. And for me, I just didn't have the space to do that. If you were to, you said you were thinking of doing a remote observatory, would you sort of build it the same way as this one? Or would you do things differently? I think I, the size wise, I would build it bigger because if I didn't know the limitations to put a second pier in. So I would definitely have a second pier because then I have my solar rig or my long focal length rig and then a second, you know. So that's the only change that I would do differently, major change. Again, besides the mistake of buying the wrong motor. The only other thing that happened that I wish I would have paid more attention to. But again, I was just doing this on my own. I bought a couple, a book, you know, one of the books that's out there. I bought that and read through it. But just browsing the internet, looking at other people's designs, watching YouTube. The only thing that I did wrong in my mind was I didn't, when this rolling roof was built, we built it on top of the structure. And they made one mistake in that they didn't square it up. So there's a gap down here. So there's a like an inch gap. I still have to fill it with, you know, some weather stripping. But the roof twisted. So when I put it, essentially when we put it up onto the rails, it twisted the seat itself. And when that happened, that gap formed. So the only thing that I would do different is I probably would measure the first square and then strap it because we built just the rafters and then we put the plywood and then the roof on. So if we would have strapped it all together and then built it all, it wouldn't have twisted when we actually finished it. But it's, you know, if that's my only headache, then so that'd be about the only thing I'd change. I really, I love it. To me, a lot of people say, well, why did you build an observatory in a, you know, a Bordel seven, eight area right next to a busy road? Well, because I got a lot of money in scopes and other equipment, right? So I want to use that every day that I can. So right now it takes me less than five minutes to start imaging. I can decide inside, I want to image tonight because it's clear, go outside, take out my lens caps, open the roof and go back inside and hit play and it's going. So for me, even though it's not, I don't get 30 nights a month that I can image, I can still get 10 or 15. And it's not like, even if it's a partial night, I can take it out.  And then at the, you know, at the end of the night, I was bringing it back in. So it's like three in the morning, I'm lugging it back inside. So this is just like, I get so much more use out. So to me, it's worth every penny. If I spent, let's say I spent $3,500 when I, you know, all the other stuff, 4,000 most on the observatory, it's worth it because now all this equipment that I have so much money invested and I can use all the time.


What's up everybody Jason from jazby's case breaks calm We are trying the jazby's high roller mystery crate over here on the YouTube side So we actually do these weekly couple days out of the week We do these high roller mystery crates on Instagram at jazby's breaks, but today we are trying this out on YouTube So same thing as it is over there on the Instagram side where there's five spots five items hit draft style So I know we do a lot of random hits, but this one is a hit draft So basically what we're gonna do is we're gonna show you what's in the crate There's five items and that could be boxes packs cases break credit graded cards autograph You name it could be anything in here And sometimes the values can be super high It could be a really really high-end car that is double the spot or it could be a lower-end hit that maybe half the spot Of course it hit draft so you know everybody's gonna get something of value at the end of the day And when they're high roller stuff like this guys, it's usually really really nice stuff People do love this so remember it could be a box or all cards in here depending on what it is And again, what we're gonna do is we're gonna showcase the five items first Right, then we'll pop over here back onto this page roll the dice Randomize the five customer names, which is Matt Gale David J and Steven Customer number one gets to pick anything they want out of the crate Just think of it as you got the number one overall pick What do you want and of course committed number five means you don't get to choose you're gonna get what's remaining But again, everything does have value in this crate. I think everybody will like it And then of course I did reach out to us a couple customers here Gale J and Steven. Like I said, if you are not here We choose for you based on value. So it doesn't matter what it is If it's the best available based on value, we're gonna choose that for you So hopefully you guys are here watching everybody's here And again, we do have another one on the website if you guys want to give it a shot number two But let's get this rolling guys. So good luck to the five of you. Let's showcase the hits in this crate There you go Try to see if I can lift this up so it looks a little better It's gonna see the crate Just leave it like that though Got the little keys right here guys pulling holding some heat in here So yeah, we do these weekly on on Instagram guys See if we're want to pop both on that side we do hip hacks. We do these crates We do it all Basically just a repack product and a lot some of these cards that are in here guys are New new cards that we picked up at the Dallas car show this past weekend All right, so looks like there is one box in here and here you go guys First item out of the crate is a 2020 prism multi-pack cell box So there you go. Very nice. And again, you can sell this box I believe they retail between five five or so five hundred bucks or You can choose to rip this box and potentially pull yourself some Herbert Silver some pink camos Sorry, not camos red white and blues You know potentially getting some really nice stuff out of your Herbert to a and burrow So that's one item out of the crate right here guys is a prism multi-pack cello box and the rest are cards So let's actually put the cards right up here And then we'll showcase them right now one by one. Alrighty guys. Well, good luck The first card looks like they're all graded to us The first one is a wow. Look at that tops 1956 Jackie Robinson grayback and it is a SGC six That is beautiful SGC six and of course if you guys are all about the values you guys can pop up to ebay 130 point whatever you guys want to do to check up and see what value is it for you Wow a six is not bad at all. So that is a second second hit. That is nice I love this card coming up next guys how about a stained glass 2019 20 LeBron James Which is a 9-5? Perfect. I mean not a perfect card, but perfect gem in all 9-5 Wow, this is a beautiful car guys. I love these things last One so for one last one so for 885. Well, there you go. I love that card actually Alrighty next thing we got How about a PSA 10 2018 Panini prism red white and blue Trey young Trey young little barbershop feel that is a beauty as well Some good stuff here guys tell you that All have value at the end of the day. Some of these cards we've done in crates in the past guys One card was like 500 bucks the next day was like $600 a week later was like a thousand depending on the player in the sport Values change daily. So there you go and the final hits How about a kaboom Tom Brady?  That is pretty nice PSA 9 Tom Brady kaboom Alrighty guys, let me move the crate out of here Empty alrighty guys, so there you go quick little recap You got the 2020 prism multi-pack cello box You have the kaboom Tom Brady PSA 9 Yeah, this one this one seems like it was a more value hit crate where pretty much they're all in the same ballpark Some some may be a little higher than others, but everybody's getting good value Like I said, there's been some crates that we've done before Mojo will tell you There's been crates where it's like one monstrous hit and then it hits like pretty low Which they're all changed every once in a while. Usually we tell people ahead of time too Because some people rather do something like that, you know Be greedy with it, but this one has all great value All really nice hits Of course the one thing you hear is that this box is only gonna be this is probably the lowest amount right here But you don't know what's in this box They get to be in the highest amount at the end of the day if you pull all the right rookies and silvers and stuff like that Hank I mean sorry this Jackie Robinson man. This is beautiful Six is not bad. It looks pretty good. You know what? I mean some of the corners a little messed up But I feel like a little bit of the borders right here being a little dirty This looks pretty good. All right, so there you go guys. There's the five hits now Let's switch it over here To draft now guys Switch sit Now again, remember I'm only randomizing the customer names I'm only randomizing the customer names dice roller here and the five names customer number one gets first pick and they get to decide what they want So here you go guys roll And it is a one and a six now we've been rolling sevens today guys Seven seven times customer number one gets first pick of everything available So one and a six seven times one two three four five six and seven Wow staying with Steven at the top One and a six seven times. So Steven you got first pick last spot mojo david at two matt at three gala at four and j at five So there you go. So Steven if you are here, please let me know So that way you can choose for yourself. If not, we are going to choose for you based on value And I'll give you a few minutes Is that you Steven? All right. Well just to confirm man. I just want to make sure Um, can you give me uh the state that you're in for the shipping just so I can that's usually how I confirm on instagram Just want to make sure man Perfect. Thank you, man. Well, there you go. So Steven you're up first in the man. Congrats So let me know what you would like. I can show you the hits again if you want just a little recap again And if like I said if not You know You let me know what you'd like This is a beautiful card. I can't stop looking at this one Also, too guys, uh, what I usually do with these hit drafts if the customer is here And they want me to rip it open. I usually rip it Like I said, if you are here, if not, then I'm gonna ship it to you sealed and you can do what you'd like with it Or you can choose to ship it sealed. It's up to you It is tough. It is tough. So I'll give you a minute or so to decide what you'd like But you know, all the hits are nice though, honestly This was a very nice hit draft when it came to the value of all the hits The broad is very gorgeous. The broad is very very gorgeous.  This is definitely gonna go up with time Tom Brady's proven Trey Young could be the little Could be the wall card just because he's only been in a couple years. You know what I mean So it just really depends You go LeBron as a cast fan. All right, very nice.  Alrighty. Thank you, man. So David you are up next Uh, let me know what you'd like r&b for j Yeah, man number 1956 tops card number 30 grayback SGC six Very nice looking part of six is strong You got Trey Young red white and blue prism Don't forget about the Coulomb guys Coulomb is nice Like I like to trade down I like to trade down for the last pick and uh Get into the next hit draft Jackie Robinson. All right, man sweet So we'll put 1956 tops Jackie Robinson SGC Six very nice. All right, Matt if you're here you're up next And you can choose either one of the three items or the Trey Young is still here The Kaboom still here and don't forget about the box, of course It's just I love these things last dude. It's so beautiful So remember guys, we have another one of these up if you guys want to do it You'll take the Trey young. All right, man Trey young off the board so that'll be prism red white blue young Qs a 10 All right, thank you, Matt All right, Gail if you're here, let me know it's either between the Kaboom or the prism multi-pack cello all right Well, I'll give Gail about a minute or so I mean, it's pretty obvious though. The Kaboom is definitely of the most value And honestly guys that kaboom Kaboom had Had a chance to potentially go one to be honest What's wild man a ps8 10 of this version guys sold for $5,000. Can you believe that just sold yesterday? Of this version ps8 10 though Jay unfortunately, I got to choose based on value of Gail's not here And it's gonna be the kaboom, but I just wanted to make sure maybe Gail wants the box But like I always tell people, you know, it's gonna go in order But if you're not here, I try to contact you and like I said, I'm gonna have to choose a kaboom You know because it is it is going up in value Yeah, there's different variations, but this 2018 version is actually pretty strong I was just talking to nick right now Fact that a ps8 10 wanted for $5,000 yesterday. Isn't that wild $5,000 guys $3,000 January 25th. So these are pretty strong. This like specific gear and specific version of him like this Yeah, all right, then well gail Like I said, I'm gonna choose for you based on value And who knows guys this guy wins another Super Bowl on Sunday This this part is worth more next week than it is this week You just never know All right, there you go and um Oh, well, yeah, I think the reason why I got a nine is you can see it's a little off-center already A little thicker on this side and that side and definitely the back shows you that It's probably why I got a nine. It's just the centering. I think everything else is fine Alrighty, so then Jay that would mean you get the sell box Remember you can I can ship this to you sealed if you want me to rip it. I can also rip it for you You just let me know and I can do that in this video really quick too So let me know Jay It's no problem if you want to ship it sealed you can rip it yourself Or you sell the box whatever you'd like to do with it Just let me know if not I can do this a little bit later when we get some time But I'd like to do them this video if we can Alrighty guys. Well, there you go. So Regardless, that was a hit job. So Steven got the LeBron James stained glass bgs 95. Perfect. Thank you, Jay Uh, David got the 1956 tops Jackie Robinson sgc matt with the prism red, white and blue tray young uh 2018 kaboom tom Brady ps a nine for gale and then jay got the prism multipack sell box sealed So there you go guys. That was the hit draft again. We have another one of these going up on the website Who knows how the next one we're gonna look of course, it'll be all different with different cards Potentially a box and packs is in there. So let's get it going guys. Jasper's case breaks.com


Dear students, in this topic we shall discuss the pituitary gland and its hormones. The pituitary gland is also known as hypophysis. It is often called as master gland as it produces 9 hormones which affect virtually all tissues of the body including many other endocrine glands. The pituitary gland is a small gland about 1 cm in diameter and 0.5 to 1 gram in weight. It lies below the hypothalamus as a small protrusion. It is connected to the hypothalamus by a pituitary stalk which is known as infundibulum. Dear students, the pituitary gland has 3 lobes. The anterior lobe which is called adenohypophysis. The second lobe is the intermediate lobe or PERS intermediate. The third lobe is the posterior lobe also called neurohypophysis. We shall discuss the roles of all the 3 lobes. The anterior lobe or adenohypophysis is fleshy, glandular and highly vascularized in all animals. It contains 5 types of cells which are glandular and synthesize and secrete 6 hormones. Their secretions are controlled by the hypothalamic hormones. These 5 types of cells include number 1, the somatotropes which produce growth hormone. Number 2, carticotropes which produce the adenocarticotropic hormone ACTH. The third type of cells is the thyrotropes which produce thyroid-stimulating hormone TSH. The 4 types of cells are the gonadotropes which produce gonadotropic hormones, luteinizing hormone and follicle-stimulating hormone FSH. The 5th type of glandular cells in adenohypophysis are the lactotropes which produce prolactin. Dear students, these adenohypophysylhormones are classified into two groups. One the tropic hormones, the ACTH, TSH, LH and FSH are primarily tropic in their actions. They act on other endocrine tissues that is thyroid, gonads, adenocortex and regulate the activity of these target glands. The luteinizing hormone and follicle-stimulating hormones are called gonadotropin hormones. They act on gonads and stimulate the secretion of gonadal hormones. The other 3 hormones of adenohypophysis that is growth hormone, prolactin and endopropylactin are non-tropic hormones. Such hormones act directly on their target tissues and produce effect. They do not act on other endocrine glands, they don't act on other endocrine glands and they don't get any further release of any other hormone, they are called non-tropic hormones. Dear students, the intermediate lobe of pituitary is a vascular that is without high blood supply and is almost absent in humans. However, in rodents and many lower vertebrates, this lobe of pituitary is highly developed and produces the hormone MSH. In humans, MSH is secreted by the PERS intermediate which is considered as a part of anterior pituitary. The secretion of MSH is under the regulation of hypothalamic MIH that is inhibiting hormone for melanin site. The posterior lobe or neurohypophysis of pituitary is non-flashy and non-glandular. It has neural composition and is considered as an extension of the hypothalamus. It does not synthesize any hormone, but it releases two hormones which are synthesized by the hypothalamus and released in this part of the pituitary. These two hormones are the peptide hormones, anti-diuretic hormone ADH which is also known as vasopressin and oxytocin. The ADH and oxytocin are released by the axon terminals in the posterior pituitary. The posterior pituitary lobe stores these hormones and secretes them as per requirement.


Good morning, Shalom. Praise the Lord and welcome to class. We'll begin class. So last week we looked at the latter half of 1st Timothy chapter 1 and we also studied chapter 2. In 1st Timothy chapter 1, we saw, you know, Paul giving Timothy reasons why he should remain in Ephesus and minister there and he also emphasizes for living in love with the pure heart, clear conscience and genuine faith. And in chapter 2 he begins to deal with the matters related to a local church where Paul encourages Timothy and the believers, you know, to pray for all people including kings and those in positions of power. And he says that when we pray for others, what will be the result? He says the results in quiet and peaceful lives and that we will live in all godliness and reverence towards God. Okay. So Paul is emphasizing this practice and he says this is not only good but also this is very pleasing to our God and our Savior. And additionally we see that Paul provides instructions for women and gives them guidance on how to pray and he talks about, he addresses the role of a woman and when he's addressing the role of the women in the local church, you know, he's basically addressing it in the context of the cultural settings there in which they were living basically because, you know, of the goddess Diana and the priests who are very, okay, sorry, the students are not able to join because just a minute please, I'll just post the link again to the students because they're not able to join class. Okay, that is why we're wondering why students haven't joined classes yet. I hope they're able to join now. Okay, we'll continue with our recap and still the other online students can join in. So the priests who were in serving at the temple of Diana, they were very vocal about the superiority of women over men. Okay, so Paul did not want this cultural, you know, way of living that was their culture, that the way women were living. He did not want that to become part of the church and he also did not want heretical teaching and women establishing superiority over men in the church. So we see, you know, Paul goes on to mention in chapter two, you know, about God's governmental order in the church and where he talks about where man is the head and women are to walk in submission to men but he does not, you know, and this does not mean that, you know, women cannot preach or teach that, you know, this does not mean that women are deprived of operating in the gifts, they can operate in all the gifts, they can flow in their calling and operate in their calling and anointing that God has placed on their lives. Okay, so that was briefly a recap of what we looked at in chapter one and chapter two of First Timothy. Now we'll study First Timothy chapter three so can a few of you read First Timothy chapter three please, a few verses each. We'll begin our study of First Timothy chapter three this morning. This is a beautiful saying, if a man desires a position of a bishop, he desires a good thing. A bishop then must be blameless, a husband of one wife, temperate, subminded of good behavior, hospitable, able to teach, not given to wine, not violent, not greedy for money, but gentle, not quarrelsome, not covetous. Amen. Thank you. Can someone continue reading from verses four to verse eight please?  For if a man does not know how to rule his own house, how will he take care of the church of God, not and love his, this being puffed up despite he fall into the same condemnation as the devil. Moreover, he must have a good testimony among those who are outside. This he fall into reproach and the snare of the devil. Likewise, because must be reverent, not double-tongued, not given to much wine, not creative for money. Thank you. Amen. Can somebody continue reading verses nine to the end of the chapter please? To verse sixteen. Anyone would like to read verses nine to the end of the chapter? Sorry to interrupt, sorry to interrupt Abu Bakr. Are you reading first Timothy chapter three verses nine to verse sixteen? First Timothy chapter three? Okay. First nine? Holding the mistress of faith in a pure conscience and let this fossil force be proved, then let them use the office of digging, being found blameless. Even so much there is wife be grieved, not them doers so bathed through power things. Where the digging be the first man of one wife, including their children and their whole housework. For they that have used this office of digging, were purchased to them, to themselves, a good degree and great goodness in the faith which is in Christ Jesus. This things right unto the open to come unto this shortly, unto this shortly. But if I tell you long that thou mayest know how thou art protected to behave thyself in the house of God, which is the church of the living God, the pillars and the grounds of the truth. And without controversy, this mistress of good, godliness, God was manifest in this place, justify in the spirit sense of Indian wish unto the gentile, believe on the word, receive of unto glory. Amen. Thank you. So that was first Timothy chapter three and we see that in first Timothy chapter two, but Lyndon is, I posted on the stream page again, so he can join if he clicks on the stream page. Okay, Buster. In the stream page is it, Buster? Yes. Okay, Buster. Sorry, Buster. No problem. Thank you, John, for, okay. So Paul has just written that women should not hold any position of spiritual or doctrinal authority over the congregations at the churches at Ephesus. But, you know, he does not want to leave this impression that, you know, because men are an authority in God's governmental structure in the church, which God has placed, that men are in places of authority or spiritual authority and leadership that any man is qualified, you know, to come to a position of spiritual authority or to be a spiritual leader. So no man is qualified to be a spiritual leader in the church just because of his gender, just because he's a male. But, you know, Paul goes on to list or list or, you know, he goes on to mention the qualifications required for church leadership, okay. Now, he's talking here in this passage, he's beginning talking in this passage about, you know, the qualifications required for a bishop and for a, then for a deacon. Now, in the early church, you know, the early church basically recognized those who served in a local church in two broad categories. One is bishops and the other is deacons, okay. Now, of course, the church comprised of saints. Saints means all believers and they also had people in responsibility who were the bishops and the deacons. Now, in the early church, bishop refers to those who were spiritual leaders or spiritual overseers of the church, okay. So, if you talk about bishops in the present day context, you know, it would basically mean those, if you look at it at all people's church, it would be people who are, bishops could be referred to as people who are worship pastors, children's church pastors, children's church ministers, you know, people basically in spiritual leadership, okay. And we'll come to that in detail. And we see that deacons is talking about people who are in the administration department, organization, you know, organizing things, people who are helping and supporting in the church, okay. So, the word bishop here in verse one, he says, you know, there's a faithful saying if a man desires a position of a bishop. So, the word bishop is from the Greek word episcope, which means a spiritual leader, someone who's involved in spiritual ministry, someone who's giving spiritual inputs in the lives of God's people, okay. If we read Acts chapter 20 verse 28, the early church refers to bishops as spiritual overseers who are to shepherd the people and take care of them. So, there were basically spiritual leaders who were spiritual overseers in spiritual ministry, taking care of God's people. So, in the present day context, in our church, bishops would mean, you know, worship pastor, children's church, pastor, children's church ministers like that. But, you know, I know in the mainline church, bishop means somebody who's the overall head, overall authority. And deacons comes from the Greek word means attendant, somebody who is waiting upon you or waiter, anyone serving in any capacity in the local church.  So, people who are basically responsible for any administrative, organizational support and help or function in the church.  But we see that their role was to serve food every day, okay. So, they're basically deacons and deacons grew out of this context.  So, the word deacon grew out of that context since deacons were involved in helping. But this does not mean that, you know, they are not involved in spiritual ministry because we know that there were deacons like Stephen who was involved in preaching and teaching in spiritual ministry. We also know that Philip was also a deacon, which is basically waiting upon people, widows and poor people serving them food, rationing out food, getting rations and getting food cooked. There were deacons, but we see Philip, at the time of persecution, goes to Samaria and he does mighty science miracles and wonders which are accompanied by his teaching. And people in Samaria where all of them, you know, became, most of them became believers and accepted the gospel, okay. So, that is the meaning of bishops and deacons in the context of the early church. So, he says that if a man desires this position of being a bishop and he desires a good work, that means it's a good desire to have, you know, to help to be involved in the church, to do some good work in the church. But, you know, he's saying don't quench that desire, you know, but there should be some standard that we need to live up to, something that God expects of leaders. Not that anyone and every man, because they have a desire, they, you know, they can become spiritual leaders of bishops and deacons, but he says, telling Timothy there should be certain qualifications.  There is some standard that they need to adhere to if they have to live up to. So, he says a bishop then must be, you know, and he lists out specific qualifications for the leaders in the church. And he says don't choose the leaders at random, just because they want to volunteer, just because they aspire to be in a position, you know, or not even because they are born leaders or natural leaders. Instead, they should be chosen primarily on how they match these qualifications that are listed here. And then he goes on to list those qualifications in verses 2 to 5, where he says they need to be blameless. You know what's the meaning of blameless, right?  No one should find fault with your life. You know, husband of one wife, you all know that. I'm not going to explain temperate. What does temperate mean? Anyone knows what's meaning of temperate? Anger. Okay. What does temperate mean? Any idea? Temperate basically means to be self-controlled, the idea of someone who is not given to extremes, but they are reliable and trustworthy, sober-minded. What does sober-minded mean? What do you mean by being sober-minded? Any idea? Sober-minded. To be kind, to be calm, to be calm person. I think that is calm, that has feeling. That's my own opinion. Okay. Thank you, success.  Somebody who's emotionally stable, this describes a person who is able to think clearly with clarity. Okay.  Then he goes on to say, be hospitable, able to teach. Okay. So if you notice, here is the only time where he, only once he mentions anything to do with their gift. What is a gift here? Hospitable, not able to teach. What is the gift here? Right. Yes. So, you know, it's only here, only once that he mentions anything to do with their gift. Able to teach. But the rest of the time, he's basically dealing with the character of the person, who the person is. Okay. So the kind of life you live is very, very important. Okay. It is God's standard and it's God's requirement to be a spiritual leader by the kind of life that you live. But in churches today, we look, or the emphasis more is on spiritual gifting. Right.  You know, you have the charisma, you have the gifts in those areas. You know, yes, it is important.  These things are important for spiritual leadership. But also it's in your nature, who you are, your character is very, very important for God. And we need to hold people accountable to this. And we need to hold people, hold people, and we need to hold ourselves accountable to our character. You know, I can't just put my gift on display, you know, and not have a good character and not live a good lifestyle. But, you know, I need to hold myself accountable to God, to the standards that he has set in his word in the way that I live my life, the way I conduct my life in my lifestyle and my behavior. So, I need to hold myself accountable to God's standards to ministers. So, when you are choosing people, you know, if you're a case of authority, you're choosing people for your church or in your ministry team, just don't look at the gifts, but it's also important to look at their character, their lifestyle. Okay. It was three, he says, not given to wine, not violent, not greedy for money, but gentle, not quarrelsome, and not covetous. Okay. So, not somebody who drinks wine, we also know what does it mean, you're violent, not greedy for money, but gentle, not quarrelsome, and not covetous. Okay.  What's the meaning of covetous? Sorry. Designing for others things. Okay. So, this is a more encompassing thought than merely being greedy for money or greedy for other things. A covetous man is never satisfied with anything. Okay. He's always demanding something more, something different. So, a man who's constantly dissatisfied is not fit for leadership among God's people. Okay. Because a man whose covetous is not satisfied with the things that he has, his wealth is which is his position, the honor is receiving, you know, would always be greedy for more and, you know, that will cause his downfall. So, you know, when we look at choosing people in ministry, we should not overlook these standards, but we need to uphold these standards in the house of God. So, even as we as ministers of God, we need to continue to keep going to this. This should be like a checklist for us. Keep checking, you know, and correcting ourselves and changing the areas that we need to change. Okay. Verse four, can one of you please read verse four, please?  Yes. So, he's saying that, you know, choose a bishop or choose a people in spiritual leadership, one, and it's important for them to have their own family in order. So, if their own family is in order, then, you know, they are in a place of strength to minister to others. If their own family is falling apart, they are not in a good position to minister to others. Okay. Verse six, can somebody read verse six, please? Not a novice, least being packed up with pride, he falls, he falls into the same condemnation as the devil. Thank you, Lubega. So verse six, he says, you know, don't, what does it mean a novice? A novice means? A new, a new convert. Yes. Thank you. Don't put a new believer into a position of spiritual leadership. Why is he saying don't put somebody who's a new believer or be quick in putting them in a place of spiritual leadership? Why is he telling him that? Any thoughts? I think because he has not yet put his theology into perspective, if I may use that word. Okay. He's still not grounded in his doctrines. His theology, yes. He can take off in the wrong doctrines ago, misinterpret the word of God, yes. Any other thoughts?   You know, see how well they do it, whether they're committed, they're passionate, or whether they're looking for position titles or whether they're irrespective of that they're willing to serve and work. And what is their kind of lifestyle they're living, their character, their nature, very important to observe.  Okay.  Okay. So, and, you know, he was cast out of the presence of God. And we know that God resists the proud and, you know, the person will be totally disconnected from the presence of God because of his pride. So, you know, to save this person from all of this harm and self-destruction, you know, just give them some time, nurture them, help them to grow, mature, observe their lives, and then put them in a place of spiritual responsibility or leadership.  Verse 7, moreover, he must have a good testimony among those who are outside, lest he fall into reproach and the snare of the devil. Okay. If you read verse 7 in the easy to read version, it says, an elder, an elder is another word, you know, used for bishop, but also have the respect of people who are not part of the church, then he will not be criticized by others and be caught in the devil's trap. Okay. So, what Paul is saying and writing Timothy is saying, this important part of being a spiritual leader, you know, is having right and good relationships, not only with people inside the church, but also outside the churches well. So, the way a spiritual leader must live must be faultless before God and before the saints in the church and before the world. If he's disgraced in the world, then the devil can use it as a trap to bring his downfall. You know, when a spiritual leader falls, we know the entire church, you know, disintegrates, they can be strived, they can be division, you know, people can be led astray, they can go away and, you know, we see this in history as well. You know, when many great ministers have fallen, because the world has reported something wrong that they have done. So, it's not only important for us just to live right in the sight of God, the church, but also before the world. But if we're living right before God, automatically we'll live right before the saints or the people in the church. If we're living right before the saints in the church, we will automatically live right before the world. Okay. So, any questions so far about the qualifications that he has listed out for spiritual leaders or so-called bishops in the early church? Now, we might think, hey, this does not, you know, minister to any of us. It does not, it's not of importance. But if you look at, you know, this list is also important for us in our church today. When we choose spiritual leaders, people in little positions of authority and spiritual leadership, it's important to also have this as a checklist. Anyone wants to say anything, any questions, any doubts? Yes. Just the last one where it says, whatever he must have a good testimony. And it says in the end, like, lest he fall at the reproach and the snare of the devil. So, how it's connected to the snare of the devil? Just asking. Okay. So here it says, then, you know, really, look, we looked at it easy to read version. It says that, you know, the elder must also have respect of people were not part of church, then he will not be criticized by others and caught in the devil's traps.  Okay. And, you know, it can that can bring our downfall and also this can be used to bring a downfall of spiritual leaders in the, in the church. So, we know that many ministers of God, you know, because the world has reported something wrong that they have done. The world has, you know, either seen something that they have done, whether it's in the area of their relationships, their finances and what they've done. They've presented it to the world. It, you know, it's such a mockery to the church, to the body of Christ, to God himself. And, you know, this nature Satan can use to bring their downfall. Basically, he's talking about pride. All of these things can lead to pride, which was what led to the downfall of Satan and to his condemnation eventually. Did that help? Okay. Anyone else has any questions? Doubts. Okay, if not, we will move on to verses 8 to 13, where he goes on to list the qualifications regarding deacons. Okay. So, deacons are people who basically wait on other's serve. So, these could be the connect team at church, the greeters, those who are serving tea, those who are helping out in various ushers and all of them, they are called as deacons. Okay. So, he goes on to list the qualifications of deacons as well in verses 8 to 13. Okay. And he says that, you know, deacons must be reverent. Okay. So, they must be reverent about the things of God. They must be reverent about the house of God, which means reverence means the way they dress, the way they speak, the way they serve. Should all have show reverence towards God and the things of God, the house of God. Okay. And then he goes on to list the qualifications required for deacons, which is kind of similar to what he lists out even for bishops. So, I'm not going to look at it in detail, but then in verse 9, he talks about faith with a pure conscience. Okay. So, here we see once again, Paul repeats the importance of holding on to faith with a good conscience. He mentions about this in chapter 1 and in chapter 2. And this is the third time he's talking about faith and good conscience. I hope you remember, we studied about faith and good conscience in chapter 1 and in chapter 2 as well. Okay. So, your conscience must can be clear when you live right before God and man. So, even if your spiritual leaders are not watching over you, you know, our conscience, we need to hold our conscience accountable to, because we're accountable to God. God is watching over us. Then verse 10, he says, but let these also first be tested and let them serve as deacons being found blameless. Okay. So, he's saying, you know, first test them, examine them, prove, let them prove that, you know, that their desire to serve is basically not just for any position, power to make themselves known or for pride. You know, but they have the right attitude to serve, the right desire to serve and begin by giving them small things. And if their attitude is somewhat, you know, is right, they're committed, they're passionate, they're doing things well, they're very sincere, faithful.  Okay. Then verses 11 and 12, he continues to list out some important qualifications or requirements that are needed for deacons which are the same as bishops are not going to go through it again. We'll move on to verse 13. So can somebody read verse 13, please? Can somebody please read verse 13? For those who have served well, have been obtained for themselves a good standing and good boldness in the faith which is in Christ Jesus. Amen. Thank you, Lubega. So when someone serves well as a deacon, there are two things they obtain. Okay. What are the two things they obtain? A good standing and great boldness in the faith which is in Christ Jesus. Okay. So they earn a good standing, they are in a place of stature and strength before God and man. Okay. And they can be bold, you know, and they can be confident about their faith about who they are as believers or who they are in Christ Jesus. And they have that confidence, you know, or when they have this confidence they're able to provide leadership and they're in the place of strength to serve. Okay. Why are they able to serve? Why are they in a place of strength to serve? Because they have a good track record. Okay. So for those who have served well as deacons, he's saying, you know, God remembers your faithful service even in tasks which may be considered as menial. Now remember, deacons are just people who are ushering, people saying hi, hello, greeting, welcome, people who are serving tea, people who are, you know, doing set up and pack up and all of those things. Now their job can be considered as menial compared to people who are up on the stage and spiritual leadership, preaching and teaching. But all is saying, hey, you know, God will remember your faithful service. God remembers your faithful service. Even if you look at your tasks as very menial, you know, you need to be faithful since you're committed, you know, adhere to these qualifications, you know, live a lifestyle that's honoring and pleasing, faith with a good conscience. And when we do that, you know, you will be in a place of strength to serve and also that God will remember your faithful service. Okay. And he says a faith which is in Christ Jesus, which means all the work of people who serve in the church, you know, is basically pointed towards building God's people. Okay. So we know that prophecies for edification, okay, all the gifts, the membership gifts or the spiritual gifts, all of that is for the edification of the church, building of God's people in the faith which is in Christ Jesus.  Okay. So even if you're laying chairs, you know, as you're laying chairs in the hall, you can pray over each chair. You know, you can decree over each chair. You can speak God's promises over each chair. Whoever sits on this chair, they come with, you know, feeling weak.  God, those who are financially going through struggles or going through debts. In Jesus' name, I declare and decree that, you know, they are blessed. Their cup is pressed down, shaken, overflowing and, you know, they are blessing to people. So even as you are laying those chairs, you can release a supernatural.  You know, just stepping into church and you're greeting them. You know, you can release a supernatural in their life. You can say, God, you know, give me, when I meet people today, I'm in the greeters team. It's my, I'm rostered today. Even as I meet people, helping to release a supernatural.   He's giving you this promise. He's saying this and they'll, they'll be amazed and shocked. You know, so as a church, before we wait for pastor to finish the sermon and pray and release words of healing and, and all of that, you, when people enter in, can just, you know, release a supernatural.  Informities, you know, by the stripes of Jesus, they are healed. So you can pray over that time. You can release a supernatural and people come and, you know, the Holy Spirit is saying, hey, say this to this person, say this to this person. You can keep on, you know, releasing the supernatural prophecies, word of wisdom, word of knowledge.  I think as pastors, if some of you are pastors, spiritual leaders, you're handling teams in your church, you can just get your team to release a supernatural in these ways.   And this is a church that releases a supernatural through everything.  So people who come and register and give their names, they're just releasing the supernatural. So they're doing fun activities, you know, playing games or anything, they're releasing the supernatural.  Those who are painting on stage during worship time, they're not just painting there, but, you know, they paint based on what the Holy Spirit is saying and who the Holy Spirit wants to give this painting to, what is the word of wisdom, knowledge of prophecy. They want to release what they want to speak and decree over their lives. They just do that. Just imagine what a powerful church it is. Just from the time you enter till the Amen, everything is supernatural. You know, I think that is the kind of church that God wants us to have. That is the kind of church that we can envision as pastors, drive it towards that, lead our people towards that. So everybody can rise up to be ministers, you know, or because all of us are royal priests and ministers in the house of God. Any thoughts on that? Anything anyone wants to share? Anything? Okay, so he's basically saying, you know, do everything that will build God's people, edify them in the faith which is in Christ Jesus. Then he goes on to talk about proper conduct in God's house versus 14 and 15. Can somebody read verses 14 and 15 please? These things I write to you, though I hope to come to you shortly, but if I am delayed, I write so that you may know how you ought to conduct yourself in the house of God, which is the church of the living God, the pillar and ground of the truth. Amen, thank you. You know, I just wanted to share from my own life, you know, just going back to the previous point.  But I just pray and say, God, I want to release the supernatural, I want to speak into their lives, you know, whether it is speaking divine destiny, divine favor, divine order, you know, speaking to their lives in their situations, difficulties. So God just helped me just release.  And, you know, when you come from blah, blah, you ask them everything and then you just say, can I pray for you? And it's not just general prayer, but you're just, you know, speaking into their lives, you're just declaring, you're declaring God's word. And they are going to, you know, want to come back to your church. They want to come back because they're ministered to, because they felt the presence of God, because they heard God speak to them. Or even if they don't come back, they're going back with a divine destiny, a divine order, divine, you know, encouragement that they receive from God, a promise that they can hold on to.  Just imagine how the power of God can be released in and through their lives. Okay. So coming back to verses 14 and 15, he says, these things I write to you, though I hope to come to you shortly, you know, and he says in verse 15, how you ought to conduct yourself in the house of God. So Paul's purpose for writing and sharing this with Timothy, giving instructions to Timothy as a leader is for him, his practical information on how to run things at the churches at Ephesus. And look at how he talks about the church. He talks about the church as the house of God. Okay. And then he says the house of God, which is a church of the living God and look at how he describes it, the pillar and ground of truth. Okay. So the church must be very consciously the place where God is. Okay. And this is what, you know, attracts people more than anything else. So church is God's house because he is the architect because he is the builder. He lives there. He provides. He's honored there. He rules there. Okay. Because the church is the house of God. It's the family of God.  They're suspected in husband and wife. Then that's when relationships go smoothly together. And it's the governmental structure in the house where the man rules. So that is the house of God in the house of God. It's not the pastor was the architect builder, one who provides to be honored rules, but it's God was the architect. He's the builder. He's the one who rules rains. He's the one who's to be honored. He lives there and he provides because it is his house. And we are the family of God. Okay. We'll stop here and we'll come back after the break. I'm so sorry for the wrong link. Apologize. Okay. We'll see you off the break.


I think with this fabric since it doesn't fray I don't have to worry about putting anything on the edge. I don't think that's a big deal. I mean I suppose I could if I wanted. I don't if I want to. Let me figure a couple things out and I'll be right back. Okay, so these are or were the bag handles. So there was a seam up one side so I took both bag handles and I ripped the stitches out and opened it up with my seam ripper and then the only problem with that is you're going to be like finding little threads everywhere for a while. Okay, so then I'm going to fold it in half and find the halfway point and like just again finger press it and give it a mark. And then I'm going to find this and find the halfway point on this edge. Just about there. I lost my marker already. I think it's right there, yeah. And then I'm going to wrap this around all the layers of fabric and sort of try to closely line up those middles and the raw edges of all the fabric. Things are caddywampus a little bit because I didn't pin anything so I got a, that's a word right, caddywampus? All right, I'm going to stick a pin here. I know I normally don't stick pins but shocker every now and then I do. Not that one because that's dull, duller than snot. So generally speaking I like to keep quilter's pins rather than dressmaker's pins that are a little longer and a little sharper around the art room. Okay, so before I do any sewing I'm going to make sure this is going to wrap around and be long enough and it will. When it meets this other piece in the middle I don't want to sew it to this. I want to leave a little bit of a slit there. So the first thing we're going to do is just sew this down, ow, ouch. Pins are sharp. Sew this down this edge, catching all the fabric in between the layers and this on both sides. You want to pin it, you want to hold it and you want to sew in about an eighth to a quarter of an inch in from this edge and that will ensure that you're catching everything you need to catch. I did switch my machine to black thread so if I do make a mistake and my stitches aren't perfectly straight they won't show too much. So there's a little tip. That was sharp. Okay. I did also increase my stitch length because again this machine is not really made for sewing all of this fabric and it'll make it a little easier and it'll struggle a little less. I approach where the pin is then I'm going to take the pin out and I will have to just hold everything together. Check the outside. Make sure you caught everything you needed to catch. The stitching is not perfectly straight but that's okay. I'm alright with it. It's less straight on the side. I just did it on camera than it was on the other side but that's alright. I just want to make sure I caught all the fabric underneath. So now for the corners, I'm going to zoom in. Okay. So what I've done, what I've been doing is take, you want to take the corners and you want to fold the excess fabric in the corner as best you can so that you get a right angle. This is really tricky. I will be honest with you. This is not my favorite way to do edging on anything because I really hate fussing with this kind of thing. I don't have any patience. You all knew that already, right? Okay.  I don't want them to overlap. That'll make it too bulky and weird right here. You could do this a completely different way instead of putting a zipper on here. You of course could do it more like the traveler's notebook and just leave it open or put a Velcro strap or something like that. Okay. So I'm going to stop right now and I'm going to... And as I get to the other piece, I'm going to overlap the stitching a little bit. Trim all the threads. Check the outside. Make sure you've caught again everything that you need to catch. Do the other corner. There's a little bit of a... Where are you? Right there. There's a little bit of a... Hmm. Hmm. So seam ripper, let's fix that before we move on, shall we? I'm going to take out some stitching along this edge which I think I went back and forth. It makes it a little harder to get the stitching out. This side's fine but right here somewhere it's all fumped up. So we're going to have to fix it. So that I'm not going to be okay with. But now that I've done that corner, I don't want it to go too close to the corner. So... And fumped up. That's a word, right? We've got thread in. Let's try that again, shall we? See, the problem with this Tim Holtz fabric is it's kind of a plasticky vinyl-y fabric. So if you're going to put pins in it, you're going to leave holes in it. So you want to make sure the pins are in a place that you can live with the hole. This one's a little bit over the halfway mark. We'll do a couple of stitches just for the moment. Let's get this other side sewn down first. So now we'll re-stitch everything.  So if you have some size errors, like I apparently do, it's going to cover them up. I told you guys this might work. It might not work. Didn't I say that? All right. So we're going to start back up here along where the other stitching is. So I just trimmed a little piece off of here. So now it meets right to the halfway mark. That's perfect. Now we can do this other corner. I think I strained all the issues out. I think I did. I think I did. So I'm going to do this other corner the same way I did the other one. Again, you don't have to fuss with something like this. If like me, you aren't a fan of this kind of edging because it's too fiddly. It does look good though. I think we need it anymore. Okay, so before we get to the end, I'm going to stop, of course, with my needle down. I'm going to trim my new piece to just meet the other piece. Like I did on the other side. Okay, trim all your threads. Take a minute. Pull all your loose threads out. Shake it if you need to.  So I do think you could zigzag around the edge to cover up or disguise any, you know, weird stitching that you have or anything. I don't know if I want to do that. If I want to do it, I have to do it now. I think I want to. I need my zipper though. So I would get a separating zipper. Whether you get one with two zippers on it or one, you probably need a separating zipper. I think it would be easier to put on. So I'm going to take one side off. I'm going to fiddle with the zipper first and figure out how it goes together. I guess it goes that way. Okay, so you want to fold it in half. We want to mark the halfway point. I'm going to put a pin. Do the same thing to the other side. I'm not sure this is the right zipper for this, but it's the one I have. I like that it was black and chunky. So I'm going to take my piece here and I'm going to fold it in half this way and mark with a pin. I thought I saw another thread. I did. So we want to line up. See, the zipper pulls out. So we want to line up these two pins and then sew this around this way and around the other way. I'm going to unzip it. Zipper pulls out. Wait, I might have done that backwards. Hold on. I think I did do that backwards. Zipper pulls in. Yeah, because if I do it this way, yeah, that's the wrong way. Oops. So zipper pulls in. Right sides together. Alright, I'm going to start from the pin and work my way around and then do the same thing on the other side. I'm going to unzip the zipper now. So I'm going to start here and work my way around to the split in the black edging and then start here and go the other way and I'm going to do that for both sides and I'll be back. Okay, we've got the zipper in and I did a couple things on the outside and before I show you that, I want to say so we have some extra fabric here in the corner and while I could leave it there and it'll zip up just fine, it'll be a little easier if I just snip off this extra fabric here at the corner. So I'm going to do that. You guys should see the floor in here. It's just a disaster now that I've been doing this. So now we have this nice big portfolio that we've made out of just things I had laying around the art room and hopefully it will work for my travel bag. I've got a pocket here, a pocket here, a pocket here, here, here. It's nice and big and when it zips up so I took the ends of the zippers and I could have hidden them on the inside but I chose to just put a little tab on them and sew them down to the outside. I kind of like it. That's the trick. Does it fit in my art bag? No idea. Kind of looks like it might be too big to be honest with you. It's a little bit big. I don't know. Let's get some stuff in it and let's see what happens. I like it in any case. You could use this for paper crafting, needleworking, you know, whatever you're going to do that you want to take with you. Reading glasses. Those are important. You shouldn't fit a journal in here. It's big enough. Yeah, and it fits. So there you go. I'll give you some idea of what you can do with something similar to make some sort of carry journal case or a planner. You could put a planner in there. You could put a lot of things in there. I don't know exactly what I'm going to use it for right now but I do really like it and if I want to use it in my travel bag, I can. That's it for today. Please like, share, and subscribe if you can and support my channel by shopping in the Etsy Shop. You can also go over and join one of my Facebook groups. The links for all of that are in the description below. The most important thing, of course, is go out and have a great day. Do something nice for yourself because you deserve it and I'll see you later. Bye, guys.


Yes, roma wines taste better because only roma selects from the world's greatest wine reserves for your pleasure. And now, roma wines, R-O-M-A, roma wines, present. Suspense! Tonight, roma wines bring you Mr. Dan Durier, in the Will to Power, a suspense play produced, edited and directed for roma wines by William Spear. Suspense! Radio's outstanding theater of thrills is presented for your enjoyment by roma wines. That's R-O-M-A, roma wines, those better tasting California wines, enjoyed by more Americans than any other wine. For friendly entertaining, for delightful dining. Yes, right now, a glass full would be very pleasant, as roma wines bring you Dan Durier in a remarkable tale of suspense. I walked over to the safe and began to dial the numbers. Before I snapped it open, I turned around to look at him. He was leaning back in the easy chair at the end of the room. His greasy face was covered with a shrewd smile. And he poured a revolver in his right hand. Come on, get it open. The gun looked like a model they stopped making in 1900, a 22 with a 2-inch barrel. There were about 40 feet between the safe and where he was sitting. Unless that guy was an anti-Oakley, he couldn't hit the broad side of a barn from that position, and with that gun... All right, fit, Stalin, open it. I snapped open the little safe, and there it was. I could see special Super 38 automatic stamped on the blued surface of the slide. The hammer was back, just as I knew the old man had left it. I picked up that beautiful precision instrument. I turned, not too quickly, snapped off the safety and brought the sights in line between our eyes. Hey, wait! Wait! Don't! Don't! The letter! He lay there on the floor. I looked at him, and I had that strange feeling that I had overlooked something. Something important. I walked over to where he was lying. He'd pitched forward, landing in a disjointed heap. The letter. What had he yelled about a letter? It meant nothing to me. Had I slipped up somewhere? No, it was impossible. I must have stood there over his body for 10 minutes, for the blood was soaking its way across the carpet. I tried to think of how I stood now, of what I had to do next. But my mind wouldn't let me. It kept slipping back. Slipping back to three months ago. Three months ago. Three months ago. Old man Donovan was in a pretty bad mood that night. He and his wife, Roseanne, were scrapping. They stopped as I came into the living room. That's final. Oh, Charles, come in. Hello, Charles. Hello, Mrs. Donovan. I've finished going over these papers, Mr. Donovan. Yes, sir. Have you seen Mrs. Donovan's bank statements around anywhere? No, I haven't run across them. She's been overdrawing again. We've got to get this straightened out once and for all.  How many times do I have to tell you? Don't argue with me. Charles, will you see if you can find them somewhere? I don't know where they are. Well, of course you don't know where they are. Look for them. I know I have a private secretary for. Yes, sir. Yes, sir. I'm going to bed now. I want those statements in the morning.  Oh, good night, Roseanne. Good night, John. Charlie. Come here. I can't stand it any longer. I can't live in the same house with him and see you around every day. No, no. Is that a nice way to talk about your ever-loving husband?  Yeah, this is no good. He's going to talk down to me once too often. I've got to get out of here before that happens. That's what I've been telling you. Charlie, let's run away. Take a plane to South America tomorrow. We could be together from then on. Let's do that, Charlie. I have a little money and I have my jewels and the furs we could get along. Let's do it. Let's call for tickets now. Run away. Look, Charlie, isn't our happiness together the most important thing? Let's just leave him. We could go to Mexico. He loves his bank books and bank statements and stocks and bonds more than me. Anyway, can't we do it that way? Can't we? No, baby. We can't. What are we going to do? I can't go on with him. What can we do? I... Charlie. Yeah, baby. That's it. You're reading my mind. Oh, Charlie, that's... That's the only way. Is that what you want to say? I don't know. I don't know. But I know, baby. You haven't got a thing to worry about.  There wasn't much time to waste. I couldn't take any chances on him catching on. If we were going to do it my way, we'd have to do it soon. I began to make plans. I told her we were going to push him out the window. I told her everything. Everything except about the poison. I was ready. I bought the poison and now I only had to slip it into the old man's medicine. At six o'clock that night, the phone rang. I knew that was Judge Peters. I picked him to establish my alibi for me. Yeah. The phone job. Yes, sir. It's probably Judge Peters. He told me he wanted to see me tonight. Ah, but if I'm to finish your letters, well, sir, could you perhaps tell him that I'm not here? Huh? It'd be simpler. And I have so much of your work to finish that I...  Oh, my sure, Charles. You know, I judge Peters. The old man swallowed it hook, line and sinker. He liked little intrigues. They were the only adventure in his life. Except for Roseanne. I'm sorry, Judge. Charles isn't here. I haven't seen him all day and I don't expect to see him tonight. All right, Judge. Yes, I'll tell him. Good night.  We fixed that, huh? Yes, sir. I think it's better this way. Now I'll be able to finish those letters for you. Oh, fine. Say, fix me my medicine first, will you, Charles? All right, sir. You want soda with it? Enough? A little more. Ah, that's it.  That's good.  Thank you, sir. Well, I'll get busy on these reports. Oh, take him down to your room? Yes, sir. I can work better down there. All right. Oh, I say, make a note to dump my consolidated steel bottoms tomorrow. Yes, sir. Don't you worry. I'll take care of everything tomorrow. As I walked out the door, I saw him take a sip out of his glass. The next couple of hours, I'd have a lot of work to do. I walked down the stairs instead of taking the elevator. No one had seen me enter, and no one was going to see me leave. My whole plan hinged on leaving without being noticed. I went out the side door. She was waiting for me outside just as we'd arranged. It was exactly 15 minutes after six. So far, my timing was perfect. I took her through the hotel lobby over to the elevator. Will you be all right? I'll be all right. Oh, boy. When you see that Mrs. Donovan gets off at her floor all right, she's not feeling too well. Yes, sir. Thanks. Oh, say, do you happen to have the time? My watch must have stopped. Let's see. It's 20 after six. Thanks. Thanks a lot. I'll be up in about an hour, Mrs. Donovan. Going up. That was that. Now all I had to do was to stall for time. I walked around for a while. Between 6.30 and 7, I went into some stores where I was known. I said hello to some people, just in case anyone checked. Then I walked around some more. The minutes dragged by. I must have looked at my watch 50 times during that hour and a half. At 8, I went back to the hotel. As I stepped into the elevator, I really noticed the elevator man for the first time. He was big and greasy. I had to make sure he wouldn't forget what time I went upstairs. He made the first move as the elevator began to go up. That was luck. Hey, get your watch fixed, sir? Hmm? Oh, oh, sure. It says 7.30. It's still not working. No? It's almost 8 now. How do you like that? It must have stopped again. Almost 8 o'clock, hmm? Yeah. Thanks. Ali, where have you been? There's something wrong with John. He keeps moaning and holding his stomach. He wants me to call a doctor. Stal him for a minute. What can be wrong with him? Search me, baby.  Help me to my bed, Charles. Call a doctor for me, will you? Relax, old man. I'll get him in a minute. Are you going to do it now? Do you think we better do it now, Charlie? Charles, the love of heaven, get it, doctor.  Roseanne, please get a doctor. Charlie, I can't. I'm going to lose my nerve. Help me get him over to the window. No, I... What do you like to do? No, no, John. That's it, Roseanne. No! Up on the sill. John, no! Now, push. Push! You know everything now, don't you? I just come in. He fell. He fell. We were on the other side of the room. There was nothing wrong with him before the accident. Get it? Get it? Yes! Yes! I looked at her standing there. She was shaking, frightened half to death.  The kind of stuff you feel in your dreams. At that moment, I wouldn't have traded her in for anything. Anything less than a million dollars. For Suspense, Roma Wines are bringing you Dan Durier in The Will to Power. Roma Wines' presentation tonight in Radio's Outstanding Theater of Thrills. Suspense. Between the acts of suspense, this is Ken Niles for Roma Wines. A friend, famed for her enjoyable little dinners, recently told me her secret of gracious hospitality. Because she's usually busy in the kitchen after guests arrive, her husband keeps their friends pleasantly entertained until dinner time by serving Roma California Sherry.  For better tasting Roma Sherry is the favorite of millions as the perfect first call for dinner and for entertaining anytime. For Roma Sherry, like all Roma Wines, begins with choicest grapes. Then Roma vintner skill and America's finest winemaking resources guide this luscious grape treasure unhurriedly to tempting taste perfection. Later at peak taste richness, Roma selects from the world's greatest wine reserves for your pleasure. So share with your guests the better taste of Roma California Wines. Roma Sherry, port, muscatel, or toque. Insist on Roma, R-O-M-A. Roma Wines, by America's greatest vintner. And now Roma Wines bring back to our Hollywood soundstage d'Andurrier, in the will to power, a tale well calculated to keep you in suspense. At the inquest there was some talk of an autopsy, but the old man's prestige and a crew of lawyers preserved the body in a state of unmarred dignity. At the request of the grief-stricken widow. That's just the way they put it, too. The day after the funeral we were married, quietly, no publicity. Well, there I was. I had all the old man's dough, and I had her. I don't know what it was that made me go on. Maybe it was the reading of the will that made me go through with my original plans. A million? Well, now we know better. In one safety deposit box alone, there was over 400,000 in cash. And then there were the estates. Compared to that kind of money and what it meant to me, she was just another dame. James Donovan was poisoned, and then pushed out the window. I suggest you dig up the body. What? Who was I speaking? I, uh... I work in the hotel. The night before Donovan was killed, his wife threatened him. Ask anyone on the floor. They'll tell you how Donovan and his wife always fought.  That's all, Lieutenant. Dig him up. The second part was in the works, and now all I had to do was to sit back and wait. I was on my way to being the sole owner of the Donovan millions, standing alone on top of a mountain, with everyone looking up at me. Everyone looking up at me. What's the idea dragging us down here, Lieutenant? Treating us like a pair of common criminals?  Ah, you get the idea in just a minute. Just don't get excited. Not get excited? Why, of all the... It's mighty strange the guy falls out of a window with two people in the room. What do you mean, strange? We were on the other side of the room. Accidents were happening. Sure, I know, I know. I was at the inquest, too. What I really wanted to ask you was, where were you before he fell out? I told you, I'd just come in and... I see, you were out before? Why, yes, I'd gone... Can you prove that? What? Can you prove that you weren't in the apartment any length of time before the accident? Why, yes. Yes, I guess so. I hadn't seen him all day. Sure, I guess I could prove it, but why? Hmm, how about you, Mrs. Donovan? I... Why, I... Listen, Lieutenant, if you have something to tell us, let's hear it. Otherwise, let us go. Okay, brother. We dug up old man Donovan.  Poison? Poison? That's impossible. He couldn't have been poisoned. Mrs. Donovan was up there with him all the time. Oh, she was. Of course. He couldn't have been poisoned. I see. Can we go now? Yeah, sure, sure. You can go. Mrs. Donovan will have to wait, though. We're booking her for murder. It was perfect. They indicted her for second-degree murder. That was a smart move on the part of the DA because he couldn't conclusively prove whether the fall or the poison killed him. And then she swore to High Heaven that she didn't see him drink anything while she was there. The lawyer who was trying to prove suicide almost broke a blood vessel. The best part came when the prosecution tried to get me to testify for them. I showed them our marriage license, though. It convinced her that I was trying to protect her. But it gave the DA all the motive he needed. Jerry finds a defendant tell he of murder in a second degree. There was only one more step left. I had to face her in her cell. We got five minutes, Mr. Darling. Oh, Charlie. Oh, Charlie, I've been waiting for you to come. I'm still in a daze, Roseanne. How did it all happen? The trial, the conviction. It all went so fast. I don't know how it happened, but maybe it's better this way. At least part of what we did has been paid for. And when I get out, we'll be able to live a free life together. But 10 years? No, darling. I'm going to tell them. I'm going to confess everything. I'll do that rather than see you wasting away in prison. No. No, you're not. You'd just be trading places with me. It'll be punishment enough if we're deprived of each other's love. No, this is the only way it can be. And 10 years isn't so long, Charlie. I know you'll always be mine, no matter where I am. Yes, darling. No matter where you are, I'll always be yours. I really felt bad about it, too. But you got to compromise in life. I traded in a thing I wanted for something I wanted more. Money and power. It was right there in the palm of my hand. And all I did was make a fist. I headed up to one of the old man's hideouts in the White Mountains then to let things cool off. There I wanted to plan all the things I do during the coming weeks. It would have been a great time, except for that phone call. Yes? Hello, Mr. Ross. I was reading about Mrs. Donovan's trial, Mr. Ross. Who is this? So the old man was really poisoned, huh? Your wife to take the rap. Who is this? Tell you what? The 25 grand no one will ever know about you sneaking out of the apartment that day. I think you'd better come up here and see me in person. Okay. I'll be up tomorrow night at 9. Why not tonight? You'll be there if you know what's good for your brother. Blackmail. I knew what to do, and paying him wasn't the answer. Once I began to pay, he'd then have the power that belonged to me. He'd pull the strings. This man, whoever he was, could degrade me and humiliate me more than I'd ever been degraded while serving the old man. I heard the car drive up at a little after 9. I'd left the front door open and sat in the living room waiting for him. He walked in. Hello, Mr. Ross. It was the elevator man. Well, well, Mr. Ross. You got a pretty classy set up here. My, my poor Mr. Donovan. Sure is a shame when a guy has to leave all that money behind. Get to the point or get out. Brother, from now on, you're gonna treat me with respect. But I know I can send you straight to the chair. Keep talking. I saw you sneak out of Donovan's apartment a couple hours before he died. I saw you pull your act from the lobby so the dame would be alone with the old man. It's pretty clear the way you framed her at the trial. She didn't fool me for a minute. What's the count? Well, I figure you're working the day for plenty, so seeing the paper said that Donovan left a flock of millions. Well, 25,000 will do for a start. You know I haven't got that kind of money here. How much have you got? Well, I guess there ought to be $1,600, $1,700 in the wall, say. But look here, if I... Get it. Then what do I get in return? I'll keep quiet for a while. For a while. That's it. See, I'm such a valuable guy. I figure you ought to put me on a payroll. Make me sort of a private secretary.  I think I understand. Yeah, you bet you understand. Now, I get the dough and fast. Yes, I see now. I think I see the whole picture. I walked over to the safe and began to dial the numbers. Before I snapped it open, I turned round to look at him. He was leaning back in the easy chair at the end of the room. His greasy face was covered with a shrewd smile.  It looked like a 1900 Iver Johnson .22 caliber with a 2-inch barrel. I took that and the fact that there were about 40 feet between us in at a glance. Unless that guy was an Annie Oakley, he couldn't hit the broad side of a barn from that position. And with that gun... All right, let's do it. Open it. I snapped open the little safe. And there it was. I could see Colt, Super 38 automatic, stamped on the blued surface of the slide. The hammer was back just as I knew the old man had left it. I snapped off the safety and brought the sights in line between our eyes. Hey, wait! Don't! On the floor. I looked down at him. And I had that strange feeling that I overlooked something. I'd hidden his car in the garage and gotten rid of the body in the cellar under two feet of dirt. Maybe I should have left him alone. I could have pleaded self-defense. But no. After Donovan, another trial might not have turned out so well. Now I had to get away. I was really in the clear. Nobody'd ever look under those boards in this cellar. Nobody'd ever dare to snoop around Donovan's place. My place. Not unless they suspect something. And why should anyone suspect anything? Not in my house. My house. In a minute I'd be off this dirt road and on the highway to New York. Yes, that's it. Back to New York. Then out of the country. Hey you! How about pulling out of the road and letting me by? You seem to be in an awful hurry, Mr. Who is it? Why don't you get out the... Well, well, well. But isn't Mr. Ross... Why, uh, Lieutenant Braden? What's the trouble? Oh, no trouble at all. As a matter of fact, I just came up here to talk to you. Sort of a social call. Well, right now I'm going to New York.  Well, you see, Lieutenant... Yeah, Mr. Ross, I never had a chance to talk to you after the trial. I, uh, I got a little theory about Donovan's death. Of course, it's too late to do anything about it now, but I thought it'd be nice if we'd sort of discuss it. Sure, sure. Any time except now. I'm in a great hurry. So I thought I'd kill two birds with one stone. What? Well, some crank sent me a letter saying he was coming up here to see you. It seems he thought that you might kill him. A letter? Yeah.  You'll have to get used to being a target for cranks. A letter. That's what he meant. A letter. What's the matter, Mr. Ross? You don't look so well. Ah, there's nothing to be afraid of. I'll tell you what. Your house ain't far from here. Let you and me take a little stroll up there and see if that crank has arrived. It'll make you feel better. I'm all right. I'm all right. Just let me go. No, no, no, no, no. Oh, I insist. It'll set your mind at ease. OK? Let's go. The cop didn't have any trouble finding him at all. I guess, Roseanne, I'll get the money after all now when she gets out. It's too bad, really. Suspense. Presented by Riz, favorite wife. This is Ken Niles returning to our suspense microphone with a star of tonight's play, Dan Durier. Dan, I've noticed in your last few pictures that you've forsaken the cloak of villainy to play the hero. Yes, Ken, I have mentioned to qualify for a love scene or two lately in spite of my wicked reputation. Well, I'm afraid we've done you wrong tonight, casting you as the villain. On the contrary, Ken, I don't want to be the hero on suspense. Look what happened to the guy tonight. Poison. Pushed out of a window in a couple of minutes flat. Well, maybe you're right, Dan, but heal or hero for your fine performance tonight. You rate a reward. So here's a gift basket of Roma wines with thanks from Roma, America's greatest vintner. Oh, thank you, Ken, and Roma. I'll be glad to be a villain on suspense anytime. Yes, Dan, and you'll be glad to have Roma California sherry on hand when guests drop in. Just serve the Roma sherry in your gift basket and watch the smiles of enjoyment appear at the first sip of this better tasting Roma wine. Remember, too, Roma sherry is the perfect first call for dinner. A delightful treat anytime. I know that about Roma sherry. But do you know why Roma sherry tastes better? Well, to begin with, Roma selects and presses the choices most luscious grapes in all California. Then the ancient skill of Roma vintners with America's finest winemaking resources guides this rich treasure unhurriedly to tempting taste perfection. Later at peak taste richness, Roma selects from the world's greatest reserves of fine wines for your pleasure. That's why more Americans enjoy Roma than any other wine. What better reason? Thank you, Ken, and good night. Thank you, Dan Durier. Dan Durier appeared through the courtesy of Universal International Studios and is currently being seen in their production White Tie and Tales. Tonight's suspense play was written by Frank Taubus. Next Thursday, same time, you will hear Miss Joan Bennett as star of Suspense. Produced and directed by William Spear for the Roma Wine Company of Fresno, California. Stay tuned for the thrilling adventures of the FBI in peace and war following immediately over most of these stations. This is CBS, the Columbia Broadcasting System.


What's up guys and welcome to Trendy Update Sapa SP Gambers. Now on to the trending news today is a YouTuber Vincent Boa who has relocated to Canada according to his social media platform where he has been posting his journey. Now Vincent Boa took to his social media platform and updated his funds on where he is going. Aliza kwe kelea video kale YouTube na pia. Aka andika kale kwenye Instagram alipolanda at the Toronto Person International Airport and see it just touched down in Toronto. Expect for an exclusive interview with Rick. Lakini kwenboa na kumbuka a while back didido content creator and self-proclaimed same mentor critic of Vincent Boa was facing a court case a while back in September. He had taken to his social media platforms to update people and tell them that he has been accused of assault which is not true according to him. Na aka isa kwenbe yama fans in case I come out I will narrate the whole story. Just pray for me guys in case I will be issued a cash bail or bond I will ask for your support. Na ilesiku aliza kusema hey guys I was arrested and I'm heading to court. Aliza kupiga selfie pala katika nyumba flan that was believed to be a sale but he was not able to give more information. In the story I'm buying today is a kupata you know more details on what happened but right about now Vincent Boa has said that he is relocated to Canada. Ile post amba iliza kwegele apale you know as he's posted a snippet of the YouTube video he said I joined the industry on 10 August 2021 has been three years down I got trolled then later got loved in three years I have done interviews and mingod with artists, politicians and businessmen in all over Kenya and part of East Africa don't lie and I have achieved everything that was in my bucket list fellow Kenyans I'm starting a new chapter new content ideas and in a new continent if you've never been to America if nita north and south America then subscribe the channel ya ake gwa sababua me sema uta eza kwenjoy a lot puno atu alikuwa wanaona kama Vincent Boa na dangana ki dogo wana sema we are waiting to see kama truth watch dog ata toambia kama ana enda maha endi lakin ikliya livin Boa meza kupiga picia palia kiwa Toronto airport naka sema amefika pala kwa komen section Jesse Brande badia namuambia congratulations I've seen you get to this point from when you started and it's just amazing to witness your growth mega na na muliza which K county I guess it's UK na enchegia brandz kudos ki ongos in this life it is not about working hard but smart puno atu amenza kumuambia palia siwa sahawu kwa sababu griffins ame wambia wukini sahawu wewe mungu tundua ata kumipa so shu itachi na na sema ukuyu ja maa siniyuzi alikuwa na omba support kumbe alitu miya kuhenda kanada frauds then emcee edi comedian sees na jua takua kyogekizungu full time naa ayabasi let us know down on the komen section what are your thoughts about Vincent and Boya relocating to Canada but in the mean time keep it trendy updates apara SPM boys