I recently built this miter saw station, more on that in a minute, but one of the features that I included on this miter saw station is a stop block, and that allows me to make a measurement for a part that I want to cut, as well as making the same cut over and over very accurately. Now a lot of people typically use an aluminum t-track routed into the surface or into the fence to make a stop block system, but I'm going to show you an alternative that I did, which just is made completely out of wood, relying on basically a gap in the work surface, and then a stop block that rides along in that track. And with a tightening knob, you can lock it into place anywhere along the length, giving you a place to make repeatable cuts. And since my tape measure runs out at 15 inches right next to the saw, I also added an extension arm, which extends my reach all the way down to 7 inches. And typically anything smaller than that I like to cut on the table saw because it's a little more safe. The slot that the stop block rides in is built right into the work surface. As you can see, my tabletop is broken up into two pieces with a three-quarter inch gap in between. The two work surfaces have been edge banded in solid wood, and this back one I put in an extra wide piece of solid edge banding and cut a shallow rabbit in this portion of it, and that made a place for the self-adhesive tape measure to go, and that way you can use that to set the stop block to whatever dimension that you want. So let me show you how I made it. Not much plywood is needed on this project, so I used some nice half-inch Baltic birch to cut out the few pieces. Even though there's only a couple of rip cuts, I still use my overhead dust collection every time I can because it does such a good job at collecting that dust, and when I don't use it I can really tell. The first part to get worked on is this clamping block, which just goes on the end of the stop block and provides the clamping force to hold the block in place. There's two pre-drills for screws that attach it to the main stop block, and then a larger through hole, which will be for a T-nut that will get pressed in. The flange on the T-nut is actually a little bit too big, so I'll cut that off with the angle grinder. Here you can see how the T-nut goes into place, and how the flat spot actually doubles as a way to keep the T-nut from spinning. The next part I'm making is the wooden spring and rub plate. Because it's such a small part, I'm actually cutting the features of the part into this larger piece of wood, and then cutting the part out itself.  The wooden spring is going to get a metal rub plate attached to it, so that it will last longer as the threaded knob screws on and off of this wooden spring. To glue it in place, I'm first going to scuff up the back of the rub plate to give it some mechanical grip. And then I'm going to use hot glue to attach the metal plate to the wooden spring. And the key to using hot melt here is to heat up both parts, so that when you apply the hot glue it doesn't cool super fast, and that'll make for a really nice bond between the two parts. With the parts glued together, I could give it a quick sanding on my one inch vertical strip sander. With it glued in place, now you can see how the threaded knob will push up against the rub plate, and that'll cause a clamping force on the table to hold the stop block in place. Now I can go ahead and glue in the rail that will guide the stop block in the slot on the table, and it's important that this is installed square, so I'm just double checking its alignment, and then gluing it in place. In addition, I also glued on the two small blocks that guide the extension arm at the top of the stop block. Next I cut out this piece of clear plastic, and this will hold on the extension arm to this main stop block. With it being clear, I'm also going to be able to use it to see the measuring tape that will be applied to the extension arm. I purposely cut it out a little bit too large, so that once it was attached to the stop block, I could come back and trim the edges flush to the wood.  I set up my router table to cut the slot in the extension arm. There is a quarter inch slot that goes almost all the way along the length of the extension arm, and that's where the bolt that will hold down the extension arm will slide through. With the extension arm in the stop block, I could use it as a guide to know where to drill the hole for the hold down bolt into the clear plastic, and then all the way through the bottom of the stop block. And then on the bottom of the stop block, I widened the hole to a slightly bigger diameter, so that the head of the bolt could sit flush in the stop block. With that, all the parts are completed, and I could give everything a good sanding once again on the one inch vertical strip sander, knocking off all the sharp edges and corners, and giving it an overall nice feel. After sanding, I also gave all the wooden parts two coats of water-based polyurethane to keep it looking nice and operating well. And then it's time for final assembly. Before the clear plastic goes on, I'm adding a red line, which will be used to indicate where we're at on the tape measure. And to do this, I just scored several times with the knife, and then filled that score with red paint. By wiping away most of the paint, there's still a little bit left in the groove made by the knife, and that makes a laser straight red line that's really easy to show up on the tape measure. To apply the tape measure in the correct place, I first set my calipers to one inch, and then extended the arm exactly one inch, and then locked it down. Since the tape measure on my workbench runs out at 15 inches, I applied the tape measure with the 14 inch mark lined up with the red line on the clear plastic. Since the extension arm is sticking out by one inch, this is now accurate if I set the main stop block to 15. Now the numbers on the extension block will take over and be the correct length. And with that, the stop block's finished. Let's test it out. If you're interested in seeing how I made this miter saw station and other cool features that it has, be sure to check that out. I am actually still editing it right now because it is a massive video. But when it's done, I'll put links in the description and at the end of the video so that you can go check those out. Thanks for watching. See you in the next project.


everybody from the wife mobile. Saturday morning and we have a service tire monitor system code on our vehicle here. That's because we put our winter tires on and one of the sensors in one of the tires is not working and hasn't been working all winter. That's the stuff that tells us how much air pressure is in the tires and it's kind of annoying seeing that on there. It's not like anything bad with the vehicle but we're gonna go get that fixed today. So this has been like this since we put the winter tires on in fall. And I don't drive this vehicle every day so I don't see this error code every day on the dash but Britt does and she does and I can imagine how annoying that would be to have that little yellow light there all the time telling you hey we don't know how much air pressure is in your tires. You know like every other vehicle 10 years ago didn't know but nowadays our cars are so smart if they don't know they let you know like hey something's wrong I don't know how much air is in your tires. So I've got the new sensor right here. All I got to do is get them to install it. It should take less than half an hour and then this code can be gone and the vehicle can rest easy again knowing that the tires are full of air. You know usually I would just use my own eyeballs to tell if I had a flat tire. Nowadays that's too much for some people. They need sensors in there to tell them hey by the way you've got a flat day. Like maybe you should get that looked at little lights flashing on their dash. Your tires are low. We're babied nowadays.  So off we go to the GM dealership in town. I have an appointment for five minutes ago. I'm late and of course it's the weekend and everybody's in weekend mode and not doing the speed limit and every light that I can I'm getting red. That's just what happens when you're in a rush and you're late. All the lights are red. That just seems to be the way of it for me anyways. If I've got somewhere to be or if I'm like five minutes late seven minutes late now I'm gonna get every light red every single one. Can you relate to that? Come on prove myself wrong. Prove myself wrong. Stay green. Stay green. Yes. Oh in that case I love it when I'm wrong. That's awesome. Okay we got two more lights to go yet and this guy in front of me and his fancy Mercedes is in weekend mode and doing 30 below the speed limit. Excuse me. Excuse me. I have an appointment. I'm late. Very important. Excuse me. I know you have a fancy SUV. I like it. It's very nice. Get out of my way. Another green light. No way. See all you got to do is call them out. They don't call them out. There's GM over there. It'll be 10 minutes late. They're gonna be mad. I hope not. Hate being late.  Look at all these cars in line them. One, two, three, four, five. It's a Saturday. Where are you all going? Probably Walmart. That makes sense. You're going to Walmart, aren't you? All of you. So today, late of this afternoon, I'm hoping to be able to go and pick up the keys for our shop. I've been talking about this the last couple of days already. I'm trying to find a time that works for me and the owner of the shop there to go and give him his first month rent and then pick up the keys. I'm very excited about it. Very excited. No, you're not going. You're all going to Starbucks. Y'all got to get your Frappadapachinos. Every single one of you. Every single one of you. And that person too. Are you going across? Okay, I'm going. I have to right away. They're all going to Starbucks for the Frappadapachinos. Bunch of hipsters. They got good coffee though. I'm not going to lie. I like Starbucks coffee. And I know I used to say the exact opposite. People change, okay? People change. Here we go. Certified service. GM. Why is there a stop sign here? Really? I got to stop? I'm late. Which bay do I go to? Why is there two lined up there? I'm going to door one because I'm number one. Let's see what happens. Oh, the door's opening. Why is that guy waiting over there then? I'm going in the right way. Oh, I need to talk to you guys in a bit, okay? Wish me luck. Oh yeah, that's nice. That is nice. I love the new Duramaxes. It took a while for them to grow on me, I'll be honest. And I like them. So guess how much my bill was? You ready for this? Here you're going to be surprised. You're going to be shocked. I wonder how much it was. Believe it or not, it was zero dollars. There was nothing wrong with the sensors. They just had to relearn them. I don't know why they couldn't relearn them. Last time I was here, last time I was here, they told me that one needed to be replaced. So I went and got the replacement part. My father-in-law was able to find one for us. Now I bring it to get this new part installed and they're telling me there's nothing wrong with the old part. So we have an extra tire sensor just in case. So there's nothing wrong with it. They just had to relearn the sensors. The terrain just wasn't that smart. Had to go back to school and relearn a few things. At least that problem solved. Good news though, right? We don't get much of that these days. Good news. No bill. Zero dollars. I've got the keys to the shop. I went and checked it out already. Pretty excited. So I'm going to start moving in a few things every weekend. The majority of my stuff is out in the sheds in the back. I'll show you. I can't really get to them until the snow melts. But for what I can get to, like all of my bullsnot products and stuff, I'm going to bring them over to the shop because that's where I'm going to be using them. And a lot of our stuff that's been in here, all around here. This doesn't, my seat cover I got to put in the semi truck yet. All going into storage and into the shop. So I'll show you out the back here. You see, I could pull quite a bit open. I mean, I got a toolbox. It's full of tools and stuff. And I was going to go to the shop. This whole carport here. That's full of stuff. Got to empty that out. So I'm not going to do everything this weekend. I still got some work to do here at home. I'm going to at least get the ball rolling, get started, get a few things over there. And bit by bit, we'll start moving everything that we don't need here over there. So I'm going to load this all up and let's go take a look at at our new space. Shall we? I'm excited to show you. Here's the big reveal. You guys ready? Here's the shop. Tons of room in here. Could fit two centimeters in here. And of course, I didn't come alone. Brits at work. She's coming right after work. But, dad, brought the Weasel and Chevy to check it out and get their approval. What do you guys think? We see diesel? This is our new shop. Gary and you. Gary and you. Chevy, what do you think? It's a big door. So I've got some stuff in here already. I've got a table, a chair, just my office chair and all my bullsnot stuff like I was showing you. A heater, a pressure washer. So there is water in here. There's heated floors as well. Heated floors are always kept at 60 degrees. That's not under my control. So the temperature inside here will always be about 50 to 55 Fahrenheit. And like, I brought a heater along. It's not the best one. It'll work for now, but I can get a small a shop heater, plug it in here. We have a 240 plug right here. Plug her in there and go from there and warm this place up more if we have to, but it'll do the job. It'll keep everything warm and it'll give everything a chance to thaw out. And it'll give me a place to clean these vehicles and clean the, keep the semi-truck, cleaned, polished detail. I really like it. It's got really high ceilings too. What do you think Diesel? You know, heated floors, I know. Right? So we've settled in a little bit guys. What do you think? What do you think? We've got to get shelving in here and counters and such, but we've got our bullsnot area right here all set up. My work area over here, the heater right beside me there is that this whole area here in the back of the shop says a little warmer. We're away from all the cold drafts of the front. So yeah, I'm, I really like it. You know, it feels good to have some of my stuff in here at least, you know, maybe we'll bug bullsnot for a few bigger posters to put up there. Got a pretty big wall to fill up over there, maybe all around here. I'm going to hang up my flags for sure. Canada flag, US flag, Manitoba flag. I still got a lot of wall space. Chevy, maybe we should get a big blown up picture of you, right?  And yeah, you want to meet you. Can we get some like really nice looking dog pictures? Diesel, you want pictures of girls on the walls? Yes. Female dogs. Yes. This isn't your shop, man. You can put up all the posters of all the girl dogs you want when you get your own shop. Okay. This is my little work area here for now until I get some counter space. My Timmy's going to start working on some vlogs and we'll take it from here. Britt should be here in about a half hour or so to take a look at it when she's off work. And we're going to leave her vehicle in here to let it thaw out because her, she's having some issues with some of her lines freezing as well. Everything freezes in the wintertime. So we're going to leave it in here for a few days. Just let it completely thaw out and that should, we'll see if that fixes it. I don't know. The engine light popped on today. I went and got the tire sensor light turned off. I fixed that this morning, then on the way back the engine light came on. Very sad. And her dad works at GM and he's saying it's probably ice built up in the, where was he explained it to me? Anyway, we're going to try parking it inside in the warmth for a while. See if that does the trick. I did put some new seat covers in here today. A little crooked. Make sure they're straight, but at least that'll protect my seats from getting dirty. I'm going to take all that stuff out of here because Britt's going to have to drive home, have a ride home with me. The dogs get the back seat. Right, Chevy? Back seats, all yours, man. You and diesel. And getting the wife's opinion. What does the wife think of the shop? Very good space. It's awesome. Very good. We could stack a couple semi trucks. Lots of wall space for flags and pictures of trucks. All the things that I won't let you hang in the house. Yes. Exactly, right, Chevy? Diesel wanted to use it to hang pictures of all his girlfriends. All the female dogs. I told him he had to get his own shop before he could do that. We'll get you a copy of paw house instead of penthouse. It's my favorite magazine. Anyways, we're going to park the terrain in here overnight and let it thaw out. Hopefully that takes care of the truck engine light. Yeah, I told him about that. Got rid of one light and got another one. I turned off the radio on the way here from work and listened to the engine and it doesn't sound any different to me, but maybe my ears aren't fine tuned up. I don't know. We got an email because it emails you when the other. Yeah, it was something about emissions. So dad said it might be an O2 sensor or something. Okay. We'll see. We're going to try to thaw it all out in here and see if that fixes it. If that doesn't fix it, we'll whack it with a hammer. Right? Absolutely. Kick it. We'll kick it, or both. Yeah. If that doesn't work, we'll just we'll crush it. Bring it to the professionals. Maybe not my favorite activity. The professional crushers. Yeah, no crush it. Get rid of it. We'll get a new one. We've been thinking about it, but I don't think we'll actually go for it. Not anytime soon. We'd like a new terrain, but I'll probably wait. Anyways, we got to switch the vehicles out and head home. She's tired. She's been working all day.


Hi everyone, Joe for jazby's casebreaks.com. I'm a dumb. I forgot about the the Wade Boggs Autograph baseball that TJ was giving away for this break. He's also giving a second one away in that 2014 supreme baseball break We can do that tomorrow. So here's all the folks in that Who's involved in this? So let's get some new dice. Let's get a new list right here Let's grab everyone's name is here. I need the brewers And here's just a picture. I printed out. This is the picture. He sent us So it looks something like that with the COA. Let's roll it and randomize it. There it is on screen Let's roll it and randomize it One out of five six times name on top gets it and sixth and final time good luck everybody and Thanks again to TJ for making this happen. What if TJ won the ball? I think I just give it to the next person down or maybe TJ gets to keep it seven years old All right Congrats to name on top Chris Walker Wow There you go. I feel like I called your name out a lot during the break and now you won the autograph baseball I'll reach out to you and make sure it's okay to share information with TJ your email address And we'll get that all together. So thanks for joining the break. Thanks again to TJ Thanks everyone for joining. We'll see you next time jaskiescasebreaks.com


A fiery horse with a speed of light, a cloud of dust and a hearty hyal silver, the lone ranger. The men who built the first railroad into the western United States faced many dangers and hardships, and without the help of the masked rider of the planes, they might never have completed their great task. It was his strength and courage and his knowledge of the country that blazed the trail for progress and made possible the winning of the west. Return with us now to those thrilling days of yesteryear. From out of the past come the thundering hoofbeach of the Great Horse Silver. The lone ranger rides again. Come on, silver man, we're heading for the railroad. It's going to be... Honorary Pat New, you can't build a railroad without you got supplies. Come sign your hobby, don't kick them quitters. You want that blastin' powder that blows to kick them, come.  Get along, get along, they say. In a rugged country at the base of the Sierras, two packers let a string of mule down a steep, narrow Indian trail on the way to the railroad. On a nearby cliff top, they're hat-shading their eyes against the lowering sun. Two men drew a bead along the sites of their rifles. They aimed at the pack mules. The muzzles of the guns swinging slowly as the mules went past. How soon are we going to shoot, Kirby? Soon. My trigger finger's itching to let go. Keep swinging with the lead mule. Aim for the pack. I got him dead-eye. Don't miss. I'll do likewise for the third mule. If we get it right, that blastin' powder ought to go off hard enough to bust them wide open.  Ace, don't care about them. Yeah, but we... You got dust in your ears? I tell you, Ace, don't care about them. Now use your brains, Buck. We shoot them ombries, what happens? Nothing happens. There's two men dead, and the mules go stampeding down the trail. But if we hit the powder, it goes off, and the blast will tear that trail to ribbons. You mean the trail won't be no good no more? Yeah, the trail won't be good enough for a 10-legged antelope. And being as how that's the shortest trail, it's going to slow the railroad up a plenty. That'll lead mules near the bend, Kirby. There's time yet. If the railroad can't use this trail to bring up supplies, they'll have to go back to bring it up on the trains themselves, have they? You see what that means? Ace figures to raid the trains again, huh? Sure! Either way, we got him stopped. Only if they use the trains again, we can do more damage. Yeah. How soon now, Kirby? The mules are getting closer all the time. Now? Not like you with the word. They'll be closest when they get to the bend. A little time yet. No sense in shooting long when you can get a close-up shot. A couple of seconds now. We'll pour it in as fast as these rifles can throw bullets. Look at all that! What's that? They're warning the mule trains. It's an engine and a mask man.  Kirby, the right madness! They shot the mules, they got past the bend. Kirby, the mask man, the right in forest! Get him, Kimusabe! Fire at the guns, Sado! Don't shoot, Mr. Don't shoot! Out that gun, Sado! Sure, sure, don't shoot! I'm a troponet. Take his revolver, Sado. Play that whole set. Ah, come to do it. Oh, I ain't got no feeling in my hands. My hands is no... You're not hurt, stop it. You shot me! I wouldn't hit your gun, you're not hurt. You were going to ambush the mule train, huh? We get here just in time, Kimusabe. Who are you? What business is it of yours? We are making it our business. We've got a new plastic powder for the new railroad. You'd have killed two men as well as the mules. What are your horses? For what? Where are they? Now, look, mister... You're heading for jail and we're taking you. Jail? You're local. Mister, you're wearing a mask. You couldn't get near the jailhouse. You'd be run out of town. Not this time. It'll be dark by the time we get there. Dark enough to ride through town without being noticed. You might as well save yourselves trouble and point out where you hid your horses. Well, they're in the arroyo back yonder. But if you think any jail is going to hold buck and... We'll get you there first. Who's there? Open up here. You got business for the jail? Two customers. Be right there, mister. Sure beats everything. How much jail you need in a railroad town? Tallest rip rollin' all day long. And gamblin'. Yeah, I wish I knew enough to stay away from gamblin'. Keep the door locked. Count it safer that way. That's the railroad jail? Yep. Call it Rail's End Jail. Moves out with a track. I have two men that try to ambush the mule train. Huh? The one bringin' blastin' powder? Mister, bring him in. All right, Tunnel. Bring Kirby and Buck in here. You come, Tunnel. Kirby and Buck, huh? You know them? Mister, I sure do. They're ornery as a hungry buzzard. Now, this way, Kirby. They got a good sell for them.  Bundle your mouth, Kirby. Sure I'll put him in a good sell, mister. The one and only sell we got. Just take him in. Well, anything wrong? I didn't notice a four. You're masked. Sure he's masked. He ain't tossin' us to know who's goin' the word of a masked ombre. He ain't even seen before. You stay. Gordon, you know these men by reputation. It ain't good, mister. That mule train will be here in the morning. You'll keep them in jail overnight. If necessary, town to here will swear to a charge against them. No, we won't need to go through that, mister. I reckon coolin' off overnight won't do these ombres no harm. They're plenty used to it. All right, shove them in. Inside, Kirby. Buck, get in there. Lookie here, you came beside. Lock it, Gordon, and be careful. They're killers. You don't have to worry now, mister. They're in for keeps. We go now, Kim or Sully. Anything wrong, Teller? Him, good man, Gordon? I think he is, although there's something about him. Quiet, here he comes. You leave him, mister? Teller and I are going, Gordon. Well, you've done the railroad of service, mister. You can cut a notch on that. Adios. If there should be any trouble, we'll be back. Yeah, but how you gonna know if there's any trouble if there's no way to get to you? If there's trouble, we'll know. Uh, that's right. We know we come back. Let's get the horses, Teller. Uh, here it comes. Here's the way. Is that it, boy? Here. Adios! A mask man and an engine. And a horse named Silver. Seemed there's something mighty familiar about that setup. Seems like I ought to know who that mask man is. Hey, Gordon, close that door and come here. What's hailing you, Kirby? I'll get us out of this who's cow. You ain't got a snowball's chance in a brand, ain't I, Kirby? No. Well, wait till Ace Murdock hears about me and Buck being in jail. Ace Murdock? What about Ace? Yeah, I figured that would bother you. Just wait till Ace hears we're in jail. Hey, I hear that Kirby and Buck are in the lockup. Let me have that again, Daisy. Kirby and Buck are in jail. Gordon's got them under lock. That's enough, I understand. I figured you'd want to know. That's enough, I understand, Daisy. Kirby and Buck in jail. And Gordon is a jailer. He's got a nerve. Gordon can't. Enough, Daisy. Yes. Beats me how you can be so cool about it. My business is gambling, Daisy. Gambler has to keep cool all the time. Something with sour with that mule-train ambush? Naturally, what else? But, Ace, you've got to get busy. You hired Kirby and Buck to do that ambush. If they got caught, if I go to the mule-train, they'll shoot out their mouths about you. You think I should stack the cards, Daisy? They're stacked against you now, Ace. The railroad would give plenty to put you behind bars. Enough, Daisy. I understand. Yeah? Yeah. Send one of the boys over to the jail. Haven't told Gordon. I want to see them out in the back of the railroad, shacking an hour. Haven't told Gordon? What makes you think Gordon will be there, Ace? What makes you think Gordon will be there? Ace, will you stop shaking them chips that way? I, uh, I knew you'd come, Gordon. Stop rattling them chips. Now, ease up, Gordon. I'm a gambler. I use chips in my business. Fooling around with these chips keeps my fingers limber. Makes it easier to deal cards or, uh, to handle a gun. Well, uh, I don't like it. You shoved plenty of chips over the green board in my gambling joint, Gordon. Now, listen here. I ain't gonna release them two armies from jail. I can't. And perhaps I should ask you for the money you owe me. Huh? You love to gamble, Gordon, don't you? I wish I'd never picked up a pack of cards. You lose, but you always come back for more. All right. From now on, you play for cash only. No credit. And the first thing is to pay me the money you owe me. Now, look, Ace, of course... Paul King won't get you any place. I don't know what interest you got in them rattlesnakes, but I work for the railroad. It was my job. I can't let them out. That's enough, Gordon. Listen, Ace, I'll pay you. I'll pay you, but you don't... Now? Huh? You'll pay me now? Well, I... I ain't got any dust right now. And next week... Then you can stop wasting time. Gordon, you're going to let Kirby and Buck out of your jail or you'll be in trouble. Plenty of trouble. That ain't straight. I can't. Pay me or get them out. I... You got me hog-tied, ain't you? At the end of a rope, Gordon. I'm letting them coyotes out of jail. It ain't right. Besides, they'll know I done it. They'll know it was me. They'll cover that part up for you, Gordon. We'll make it look as if you had nothing to do with it. But Kirby and Buck are breaking out of that jail. Hey, somebody come and... Careful, Daisy. You hit my hand. Somebody come and we better vermouth. All right, this way. You get back to your calaboos, Gordon. But Jane told me how you're going to work it, Ace. You'll get back and be ready. Just be there, savvy. We'll work it. Where's Gordon? You're not a campfire. I heard the horse. I got silver and circle away from the fire. I prefer to see who was coming first. What's the matter? You watch, Gordon? Uh, him leave jail. Yes. Him go up in dark, talk to one man. Who was it? Uh, talk to or not know that. They speak low. But we find this. Ah, a poker chip. Uh, Gordon went back to the jail. That's right. Me come tell you, Kimusabe. And you don't know what they talked about. Uh, come to learn nothing? You've learned plenty, Kimusabe. Not to make me wonder about Kirby and Buck. We'll wheel him around. Come on, Silver. Get him up, Scott. Where we going? We're heading back for the jail, Kimusabe. Sooner we get there, the better. Hail, Silver, away! I'll shoot! Oh! Your short clip, Gordon, good. Bring those keys. Kirby, Buck, you'll have to hurry. Get this cell door open. That child will bring the whole town. Hurry, out this way. What about Gordon? Leave him away. Never mind Gordon. Let's travel. This way, hurry. That's right. Here come from jail. The door's open. Inside, Kimusabe. Look. Yes. Gordon on the floor. And tell them the cell door's open. Follow me.  I shot Gordon! The curtain falls on the first act of our Lone Ranger story. Before the next exciting scenes, please permit us to pause for just a few moments. How to continue our story. With the consent of the jailer, Ace Murdock arranged the escape of the two gunmen. Then, when the crowd of railroad men had filled the town, rushed to the jail, they found the Lone Ranger and taught him inside. Yeah, Kirby and Buck got away. These two gents hate. Bring them over here. You're making a mistake. You're the one who's made the mistake, Mr. Where's Kirby and Buck? Them, get out. Yeah, and you done it. Gordon isn't hurt. You tell you we brought those men in here this evening. You don't swallow that, Mr. Bring them in here and then get them free again. That don't get out. We didn't free them. We cut you here in the jail. Don't make no move, you're a gunsman.  Why don't you go after Kirby and Buck? What, Fray? I reckon you can tell us that. Hey, boys. Hey, Fray, Gordon's coming, too. Yes, stand back. Keep moving his eyes. He's all right. He can tell us who's done this. He must not be. That woman. Quiet out of wait. You can stop whispering to that red skin.  Feeling better, Gordon? Yeah. Feels like my head's been used for pound and railroad ties. Well, why not get him outside? He needs air. Yeah. I reckon I could use some. There's a way there. There you go. Easy. Get him there. Yeah. Feel better now. My head ain't spinning so much. It was... Hey, what are you holding them to for? The mayor's smelling the engine. Yeah, they ain't got... Gordon. Huh? Who's the fellas who let Kirby and Buck out of jail? What are you talking about, Daisy? You know very well... Gordon, use your head. They're the ones, aren't they? They're the ones. Sheep local. Get ready, tunnel. I'm not crazy. Tell them, Gordon. They worked at jailbreak, didn't they? The masked men and the engine. Well, Spillick, Gordon. First, you stared Daisy, then you stared them, too. You're still dizzy. No, I'm just trying to remember it. You better remember right, Gordon. Yeah. Yeah, like you say, Daisy. Well, sure, Brady. All your fellas are right. This masked man and the engine, they done it. They got Kirby and Buck out of jail. Gordon, you're not... I'm telling it straight. You've done it. Yeah. Well, Merceman, you're going into that cell. You and the Redskid. You're going into the... Straight through, tunnel, the horses.   This way, Kim and Tommy. Yeah, get in the way. Don't use your guns. All the cows, too thick. Get back! Here's the way. Come on, tunnel. You can't follow him. Cut! This way is the way. Get back! Look out for that horse. Get back! Get him out of here! Come on, tunnel! He'll be back! Hey, children scout out random. We were lucky to get away. You help, tunnel. We have friends, tunnel. And that jailer Gordon wasn't telling the truth. Did you notice how the woman made sure he said what she wanted him to say? Um, he noticed. We'll keep riding now, tunnel. Gordon and the woman are both mixed up in this. We'll ride now. We'll see Gordon later. We'll see him and ask him a few questions. You notice that, Kirby? That was the supply train. Look, Ace, how long are me and Buck going to stay holed up in this patch of cotton wool? Yeah, that's enough. I asked you a question, Kirby. Yeah, yeah, I noticed. The supply train. Yeah, the supply train. Now, why don't you and Buck to get acquainted with that train all the way? Well, we've done that. It comes along always the same time. I want you to... Somebody coming. Yes. Two horses walking. Yes. Pull your gun, Buck. I got it. Hello! You can let the hammer down, Buck. It's Daisy. I've run Gordon like you said, Ace. It's been two days. What delayed you? Well, there was a rocket back to town about... That's enough, Daisy. I was speaking to Gordon. Ace, you got a break?  Well, he didn't want to come. Yeah, I can see that. Why'd you wait so long, Gordon? No one suspected you helping that jailbreak? I didn't help none. You come in so fast and hit me on the head that I didn't have... That was to keep you from being suspected. The trouble was something else, Ace. You recollect while you got Kirby and Buck away, I went back to have a look-see. Yes? The masked man in the engine was in the jail. They got caught there. Gordon stated they pulled the jailbreak? I didn't like it, but I had to. A man in your position has to do a lot of things he doesn't like, Gordon. They're in jail? No, they got away. We figured it best to wait until people got over being curious. Let it pass. Are the railroad men still using the mule train? No, they ain't. Come on, I don't have to drag this out of your speaker. Yeah. Like you figured, Ace, they're using the train to bring blast and power and stuff up. You figured it smart. I play the percentage, Gordon. Smart gambler always does. There's more, Ace. Yes? The train tomorrow night is going to carry the pay as well as supplies. The payroll for the railroad. Now, we got something. That's nice. That's real nice. Kirby, that's another reason for getting that supply train. Ace, what do you got to get in the railroad? Gordon, I made a bet. Huh? According to the contract, that railroad has to get through to Sacramento in two more months. Otherwise, the builders lose their backing. I made a bet they wouldn't make it. You're doing this for a bet? I am. But great horned toads, that's, that's have to be murder. There's men in them trains.  You forget betting's my business. You're catching... That's enough, Gordon. Kirby, you and Buck will blow up that train tomorrow evening. Yeah, we savvy. Get the payroll cash. We'll split it. Yeah. You'll need powder for the job. Get my horse, Buck. Yeah, I'll get him. Ace, you're as cold-blooded as a healer monster. I play the percentage, Gordon. Kirby, you'll need powder. I'm going back to town with Daisy and Gordon. You'll get the powder to us. And time to spare. Here's your horse, Ace. And the saddle, Gordon. Come along, Daisy. Yeah. We'll be waiting, Ace. Get that powder to us before sundown. Long before. Adios. Adios. Murdock, I... I like people that call me Ace. Get it? Ace. What are you coming back to town for? You're here to pack the blast and powder easy. You're coming back to keep your eye on me, ain't you? Ain't you? He know, Gordon? I am. Well, you don't have to. I tell you... That's enough. You've got a conscience about this thing, Gordon. Your trouble is you're too honest and you've got a conscience. I can see the truth bubbling up in you. You have to break out with it any time now. Ace, I'm coming into town just to make sure. We'll pack that powder at the last minute and understand. It'll be too late for you to tell what you know. I do want to, but it'll be too late. Now, what to do? They've been going with that blast and powder a couple hours now. Now, I don't know what to do. You know, Gordon? I ought to talk. I ought to... Hey, what's come over here? Mudder than mumbling? Let go of me, Brady. Let go of me. What in thunderation I ain't holding, eh? You're still local from that crack on the scaffold. Get away. Get... All right, Doug.  See if I'm here if you don't speak your own words. Everybody hounding me. I'm fellas. Sure they're my parts, and I'm selling them out. I'm selling them out, and I'm going to keep right on doing it. I can't... Where'd you come from? We've been waiting for you, Gordon. I figured you two was gone for good. We came back. Where's Kirby?  Where is he? You know. Where? I tell you, I don't know. Take a look at this. Why should I take a... A poker chip. Yes, a poker chip. Ace Murdoch's poker chip. How'd you know? He has a habit of carrying them in his hand. Is he gambler's habit, Gordon? Time to found this behind the railroad shack the night you talked to Ace. I don't... The same night Kirby and Buck broke jail. You tell. Where are they? I... All right, mister.  I owed that coyote money for gambling, but now I don't care. I don't care about nothing. Sure I was in that jailbreak. I had to be him. Don't talk now. Never mind that, Gordon. Where are they? Mister, them and Ace and that girl are his. They're all out of two feathers pass. They're going to blow up the supply train. There's no way to stop them. The supply train? Yeah, that train goes through the pass a couple hours after sundown. And it's too late to stop them now. It's too late. Perhaps not, Gordon. Huh? This way, tunnel. Come on. Where are you going, mister? You're from Loco. We get horse. Mister, you're off the track. There ain't no way to catch those armies. Not before they wreck the train. Daddy, silver. Gordon, listen to me. Daddy, scoundrel. Tutton, I will ride out there. We'll ride through town. You shout for the men. Huh? They'll see us and they'll come running. The last train come after us. I don't savvy. What have you got your gun out for? We're going right through the center of town shooting. The men try to catch us once before. This time make sure they head for two feathers pass. You run after us. Come on, silver. Gordon, stop shouting.    Hey! The masked man. The masked man in the engine.  You get them this time.  We're going after them. Come on, boys.  Hurry up with that blasting charge. The train's coming. They're working on it. I'm sure you got the horses back out of the way, Ace. That locomotive scares them into a stampede. The horses are back. Daisy hasn't. Is the charge ready? A couple of shakes. Ace! Ace! What the? It stays in. What are you doing here? The horses are... There's something's gone wrong. There's a couple of men riding this way faster than I ever seen horses go before. There they come. We've got to get out of here. If they start shooting at us, this here powder has to catch a bullet. It'll blow us to bits. Come on, Ace. We've got to get to the horses. The blast isn't set. They'll be here any second. We ain't got time. Head for the horses. One moment. I've got an idea. Ace, we've got to make charge.  We ain't got time. They haven't started shooting yet. I don't think they will. We'll head for our horses. We'll leave the powder here. Understand? When we get in our horses, we'll start shooting. Yeah. Shoot at them. And the powder. Now if I move, say they come. Here's the spot, Thunder. They go up hill, Kimosabe. Never mind them. Let's get this blasting charge away from the track before the train gets here. Let's shoot this way. I've got to get that powder. No. Then hit powder. You blow to bits. Thunder, there's no time. Shoot back at them. Ride up the hill toward them and scout. Keep them busy. The powder's staying here. That's it. That's it. Now if I can only throw this blasting powder over the fire side of the track before one of those bullets hits it, the train comes past. I'm getting it. I'm getting it. Get back. The train comes past. I've got it, Thunder. The train's safe. Now let's go after them. We'll keep them busy till the party gets here. Here's over here, boy. Shoot, Thunder. Shoot. Keep them busy. Stop, James. Pull up. You got Ace in the other corner, mister. Thunder and I have them, Gordon. They're right below us in the hollow. Thanks, mister. I reckon we can take over for a sails now. And if you're no putter-blessed. And we got the powder out in time. Mister, I want to thank you for setting me straight. I sure feel the heat better now that I'm on the right side again than a plane along with them coyotes. I know you would, Gordon. And then stop shooting, came a-sally. Hey, hey up there. We surrender. Come on, Thunder. We can leave now. Adios, Gordon. Adios, Smashman. Adios. Can you hear us up there? We surrender.  We got you covered all the way. You're gonna put them down? We sure are. And this time, he ain't getting out. Here we are. We give up. There's no percentage in fighting a boss. They didn't have no time to get to our horses. That fellow with the mask in the engine kept us too busy. All right, Ace.  Yes. It looked like I overplayed it this time, sure enough. I guess I didn't figure on that mask man. Help! For you have just heard, there's a copyrighted feature of the Lone Ranger Incorporated.


Salted bomb, a salted bomb is a nuclear weapon designed to function as a radiological weapon, producing enhanced quantities of radioactive fallout, rendering the large area uninhabitable. The term is derived both from the means of their manufacture, which involves the incorporation of additional elements to a standard atomic weapon, and from the expression to salt the earth meaning to render an area uninhabitable for generations. The idea originated with Hungarian-American physicist Szilard, in February 1950. His intent was not to propose that such a weapon be built, but to show that nuclear weapon technology would soon reach the point where it could end human life on earth. No intentionally salted bomb has ever been atmospherically tested, however, the UK tested a one kiloton bomb incorporating a small amount of cobalt as an experimental radio-chemical tracer at their TAGE testing site in Meraldinga Range, Australia, on September 14, 1957. Furthermore, the triple-tiga nuclear selvol test, as part of the preliminary March 1971 Pachora-Kamaklinal project, produced substantial amounts of CO-60, was this fusion-generated neutron activation product being responsible for about half of the gamma dose now 2011 at the test site. Assaulted bomb should not be confused with a dirty bomb, which is an ordinary explosive bomb containing radioactive material which is spread over the area when the bomb explodes. The bomb is able to contaminate a much larger area than a dirty bomb.


I'm here with Debra Barnes and she just gave an Ignite at Tech Camp about note drawing, which are visual notes or kind of like sketch notes. And I just, she had her notebook and I thought that I would show you guys what she's come up with. So, say hi and just do a quick intro of yourself and tell us about what you told us a little bit ago during your Ignite. Hi, I'm Debra Barnes. I teach third grade at Huddlow Elementary School in Tucson, Arizona and TUSD. And my Ignite was about note drawing and not forgetting about the learners who need visual representation to make the connections with their learning to their art or to whatever you're talking about. So I use it with math and science and social studies and I don't make linear notes. So you brought your notebook here. You said this is kind of a new one so you don't have a lot of drawings in there, but tell us about what you've done here. So this was the AZK-12 Summer Math Institute in June and the big thing about visual note drawing is to make sure that you border what you're talking about so that you separate things so that it's easier to go back and look at it later. We had a breakout session so I kind of tried to separate each of my conferences into separate areas and we had a part where they said look at notes for more specific requirements so I had to put foot notes in so that's why I have feet so I tried to make it fun for me. So much more fun to look back at your notes when it's like this than if it's just bullet points, right? Yes, and I can find stuff a lot faster. I remember the picture so I'm able to go back and really be able to see what's going on and how it works. Mistakes are great. You don't have to, you know, it doesn't have to be perfect. It's not, you're not selling it so it doesn't have to be absolutely fantastic. People don't have to have faces but bold colors are good. Being able to link with arrows into certain places helps that information stand out. Being able to make your fonts different sizes and using different color and at the very end of this page they started to talk about a really important math subject of vocabulary and so I needed to connect that with my yellow brick road over here to the land of arrows, question marks, keys, labels. So you've done this for yourself. You're also telling us about how your students use this. What's that like? It's a little bit challenging in third grade because they're perfectionists and they want their art to look really good but I do try to talk to them and tell them about using art in their note taking. So I show them my notebook and we go through the steps of what makes a good notebook. So we look at font because that's also text feature is a skill for third graders to know and we talk about it doesn't have to fill a whole page. This page has a lot of empty space on it so you don't have to make it cluttered and full. We do a lot of our worksheets in a notebook so that they have something to take away with them. It doesn't have to be a piece of paper that's turned in. It can stay with them in their notebook and that kind of helps it make it a little more real for them. How do you introduce this to students? I start actually with math because math journals just seems to be a natural process for them and math is one of those subjects that a lot of kids are fearful of in the younger grades especially when we start getting into fractions in third grade. So adding art to it makes it a little bit more fun and not as scary for them so that they can add some fun things because they might be an artist but not be a mathematician and so this helps them organize their thinking. Somebody said they need a YouTube on this and there's some great YouTube how-to's if you look up visual note taking or sketch noting there's some people who really lay it out and show you some of this and that's probably what you show students to show your own model it and give them some videos to watch to help them. Yes. There was a really neat poster that showed six different areas that you really wanted to target as far as font size and bullet points and the connectors the arrows the question marks the roads making sure you have people in there so when you say think about this then you put a little face with a speech bubble and it also helps them with their project design later because they have that idea of putting speech bubbles on people or other things that will help with their learning. That helps with evidence-based as well yeah do you give extra credit for this or is this just part of what they do how they take notes? I don't grade notes because notes are personal and notes are for them to be able to keep their learning relevant for them so we do talk about making sure that it's not just mindless doodling that it is purposeful it does have a purpose in the class that has direction and then I can look and see if they're really paying attention. You can look at my notebook and know that I was really paying attention to the math lesson and the math lecture at the math institute because of how my notes were designed and I can go back and tell you so I do have I do sit with kids with their journals and ask them to tell me some things that they remember from from what we learned and have them go back through their notebook so that they keep it fresh. One I think he does middle school his students won't take notes unless they're graded. For me as a kid I would I'd love to draw and I loved how you set up your ignite where you said that it's instead of you know just just for fun it's actually mindful drawing. It is mindful drawing because there is mindless doodling and I do that too but but there is mindful drawing and and so you have to set up the rules and the expectations but I found that even with older kids they really like art and if you can attach something that maybe isn't an exciting topic to art then they tend to to enjoy it a little bit more. Well this has been great we've had and it's always good to see you and so let's give her lots of hearts you've been getting hearts the whole time people really like what you're saying and thanks for the examples and sharing your notes. Thank you thank you for having me it was great love Tech Gamp. So have a great summer. Thank you you too. All right thanks for joining us and we'll see you later.


Yeah, so I used to take cosmetic classes in high school and then I kind of just fell out of liking that and started skipping that class to do ceramics class and I really found an interest in molding clay and then when I left high school I obviously didn't have ceramics or a kill anymore so I found out about polymer clay and that's just something that you can just kind of mold out of clay and then bake in your own oven at home. So I started making more custom toys like vinyl toys and then I found a love for miniatures like small things. Everything small is so much cuter so I started making miniature food, mainly like doll sized miniature food and so now I just kind of specialize in making anything food related because everyone loves food. You hit them with a stomach. I used to attend Comic-Con a lot like Mega-Con and Metro-Con and then I found out that Tampa Bay Comic-Con was growing so big and they came here to Tampa Convention Center and it's right down the street from where I live. It's not too far. I don't have to have a hotel or anything so I kind of gave it a shot one time. I was really nervous. I didn't have anything on my table and it was a fun time. I met a lot of artists which is why I like doing conventions a lot. Just making friends at conventions is really great and connecting with them and then being excited to see them the next time we come to the conventions again. That's probably my favorite. The little kids tend to like the stuff and also a lot of parents who don't come with their kids are always looking for things to bring back for their kids and especially for the girls who just don't need comic book stuff. I mainly do Tampa Bay Convention Center. I have done Mega-Con a couple of times but I've tried to dabble in a little bit with craft shows. I'm just not sure how my stuff works with craft shows though because there are a lot of more like Florida art here. My piece that I'm proud of is up here, probably this new one that I have over here. It's a Kiki, it's a Gigi on a broomstick, that's my favorite so far. I've actually started to think about possibly taking a break from conventions so that I can work on bigger pieces, more intricate detailed pieces as opposed to smaller mass produced pieces. So I wanted to kind of dabble in possibly doing resin art as well. I can make every single one, but it's one, one in my own two hands. I mean for anyone who's not sure about going to convention centers like comic book conventions I definitely do recommend it. There's really something for everyone. I get a lot of moms who come in here who say, I don't know, this is for my kid, but they find something that they like and I do recommend definitely going to comic book conventions.


You are about to hear a romantic drama, Flash Girl, from Street and Smith's Love Story magazine, featuring the Love Story girl in the role of Gina Randolph. This is the love story of Gina Randolph, Flash Girl in the sideshow. Now, a Flash Girl doesn't rate very high in the social scale of a carnival, but Gina is ambitious. So ambitious that as we find her now, she is just about to knock on the dressing room door of the star dancer of the troupe. May I come in? Oh, it's you. Sure, come in if you want. What's on your mind? Rick, is it true about you and Joan breaking up, I mean? Where'd you hear that? The fight just told me. That fool, Spiehler, never could learn to keep his mouth shut. What did he tell you? He says you've got to find a new partner for your dance act. Is it true, Rick? Yes, it's true enough. I'm just as glad, though. Putting Joan through some of that routine was like pushing a broom around. She never could keep up with the taps in that modern number. Then you'll need a new partner. Why, so much interest. Sure, I'll need a new partner, but what's it to you? Well, I thought maybe you'd give me a chance. I can do it, Rick. Honest, I can. You? Why, you're not a dancer, kid.  I know, but. Lesson going on as part of the feature dance act is a lot different than just standing out in front on a platform looking cute while Spike does his spiel. Oh, but I can dance. I can pick up a routine easy. I can follow any leader if you'll only give me a chance. I'm sorry, kid. It takes years of practice to make a dancer. Now, you've got to be better than just good to put an act like this across. You've got to be an eye opener. But you said that Joan. I said Joan had to be coached. But after she caught on, boy, she was all right. Anyway, Joan was an eyeful. Oh, you see how it is. You mean you won't even let me show you? Mahoney's the manager, you know. Anyway, he's already got someone in mind. But if you ask him, Rick. See, I'd like to. You're a swell kid, Gina, but I can't. I see. All right, let it go. Thanks for letting me talk to you about it anyway, Rick. Wait a minute, Gina. Why are all the tears? Rick turned me down. He isn't even giving me a chance to show him what I can do. Oh, Rick's a good guy. But he ain't quite himself right now. After that blow-up with Joan, maybe you should have waited a bit. Oh, if I'd waited, it would have been too late. Pike, you'll never look at me as anything but a flash girl. I guess I've just done the wrong side of the tent. Well, I wouldn't cry about it if I were you. You're young yet. Your chance will come. You don't get from the platform outside onto the stage all in one jump, nor two jumps either, for that matter. That's what Rick said. Pike, I know I can dance. It's what I've always wanted to do. Well, just keep your chin up. You've got youth. You've got looks. Rick couldn't even see that. He said if I was an eyeful like Joan. Yeah, you've got Joan beat hollow for looks. You're the real thing, Gina. Oh, Pike. Oh, oh, now I'm getting the idea. It isn't losing the chance to be a dancer that makes you feel so bad. But, Pike, what do you mean? You're not the first girl that lost her heart to that guy, Rick. He's sure death to the ladies. Although I give him credit, he don't give them much time. But between you and me, I think that's what caused the lead to fly off with Joan. She was crazy about Rick, and he couldn't see her. That way, I mean. Oh, poor Joan. Oh, but Rick's wonderful, isn't he, Pike?  Well, I wouldn't say it does that to me. But if you feel that way about him, I'd fight. Tears won't get you anywhere. I don't know how I can fight, but I won't cry. That's the stuff. You'll get your chance someday. Just wait and see. Did you see Rick's new partner? Is she here, Pike? Yes, joined the show this morning. They've been rehearsing all afternoon. Who is she? Well, she calls herself Louina Lorner. At least that's the name she wants to be billed under. She's a kind of a platinum blonde. And all the boys in the lot are going for her like nobody's business. Well, I guess Rick will never see me now. Don't give up, kid. Close up, she ain't so hot. No. I think that baby face of hers is mostly put on with a trowel. She's an old timer, you can see that. I wouldn't be surprised if she's years older than Rick. Pike, do you think Rick will see that? I don't know. If he don't, he's blind. Who are you talking about? There's no addition to our little troupe. Hello, said. Yes, we're discussing Rick's new partner. Rick better watch his step. That name's dynamite. Well, I guess Rick can watch out for himself. Oh, yeah, that's what you think. Don't you know who she is? No, who is she? That blonde is two Gundans, girl. Two Gundans? You mean the racketeer, the underworld king? The same.  They say he jumped bail, and if he walks in on Louina pulling this stunt with Rick, well. Pulling what stunt? She's just Rick's dancing partner. That's all there is to it. Yeah, I'd hate to have to explain that to Dan. You mean you think you'd make trouble for Rick? Well, if you call getting filled with lead trouble, that's what I mean. When he thinks the girls walked out on him two Gundans don't fool. From the way Rick was looking at Louina this afternoon to rehearse, oh, he thinks she's pretty hot stuff. And if Dan catches him at it, it'll be just too bad for Rick. Well, I gotta go and change. I'll see you later. Spike, what do you think we ought to do? You think we ought to warn Rick? Well, I've never known it to do any good, offering advice, but it's not wanted. But Rick wouldn't believe you if you did tell him. I suppose that's true, but, Spike, it seems that we ought to do something. Well, I guess the best thing to do is to just let it ride. After all, Rick's opening with her tonight. Maybe he'll get on to the den before two Gundans gets out of jail and start shooting things up. Cheer up, kid. You better go and get dressed. We've got to be out on the platform for the ballet who in about 15 minutes. At least we'll step right up on this platform outside.  Beautiful figures, curves you'll remember right this way. You'll see the beautiful number where the girls shed their glittering wings. You'll see the patriotic number.  You'll notice that big guy in front. Yes, I did. His face looks familiar. I must have seen his picture in the paper sometimes. That's it. That's who he is. Two Gundans. Sadie, are you sure? Well, his picture was in the papers when he was linked up with all those killings. Killings? Sadie, if he gets inside and sees Rick and Maweenie. Well, he's inside all right. He was one of the first to buy a ticket. Gina, where are you going? I've got to get out on the stage and warn Rick before he starts his number. It's too late now. There's their music. They're stopping the act now. Sadie, I've got to do something. It may be all right. Maybe he won't shoot. Come over here. Maybe we can see him in the audience. Yeah, yeah, there he is in the third row. If I could only catch Rick's eye. Well, stand right here. If he looks up, he'll see you all right. Sadie, he won't look up. He's certainly all wrapped up in that dame. He's putting everything he's got into that dance. Boy, he's certainly got what it takes. Sadie, if it only looked up so that I could signal to him. That chance of his looking up now, the way he's looking at that girl. They're just dancing what they feel. Anybody can see that. Sadie, we've got to do something before it's too late. I wonder how Dan's taking it.  He's reaching in his pocket. Gina, Gina. She's unconscious. Help me, come on. Just lie still. You're in the hospital and everything's going to be all right. What happened? Well, I guess you kind of got yourself in the way of a bullet at the wrong time. Oh, I remember now. Do you think you're well enough to have a visitor? A visitor? Yes, he's been waiting outside ever since they brought you in. Just a minute. You can come in now. But you can only stay a minute or two. Thank you, nurse. I'll be back in just a minute. Rick.  Oh, don't be silly. No, it's true. If your arm hadn't gotten in the way of that bullet, it surely would have been curtains for me. I'm glad I could be of some help. Some help? I'm glad it was only your arm and not your leg. Well, what on earth do you mean? Well, if it had been your leg, you never would have been able to dance. Would that matter, Rick? It would matter a lot.  Your next partner, but Louina. Oh, she's gone. I've already told Mahoney I won't go on until you're ready to go on with me. Oh, you told him that? Oh, I understand. You just want to repay me, to thank me. But I won't let you do it that way. But, Gina. No, Rick, I realize now what you said was true. It takes years to be a dancer. I'm only a flash girl, a little nobody. You mean you won't be my partner? Oh, it's wonderful of you, but I know I'm not good enough. Not good enough? Listen, I'm the one who's not good enough. To think I was such a dud, I didn't see how beautiful and brave and sweet you are. Spikes told me how you can dance. You will be my next partner, Gina, or I won't have one. Why, Rick? I'm not asking you to be just my dancing partner, either. Gina, I'm asking you to be my partner in every way. I love you. I didn't have sense enough to see it before. Will you be my partner, Gina Dearest, my partner for life? Yes, Rick, for life. You have been listening to a romance featuring the Love Story Girl and presented with the permission of Street and Smith, publishers of Love Story Magazine. Listen for the Love Story Girl in a new romance next week.