Lux presents Hollywood, Lever Brothers Company the makers of Lux Flakes bring you the Lux Radio Theater starring Robert Montgomery, Wanda Hendricks and Thomas Gomez in Ride the Pink Horse. Ladies and gentlemen your producer Mr. William Keely. Greetings from Hollywood ladies and gentlemen. Most everyone who visits the little Mexican town of Taos makes the acquaintance of Teo Vivo, Spanish for Uncle Lively, the antique merry-go-round which at fiesta time becomes a center of activity. A similar antique carousel provides the title of universal international screenplay Ride the Pink Horse a violent drama of pursuit and vengeance and this time we present not only the original star of the picture but its director as well Robert Montgomery co-starred with Wanda Hendricks and Thomas Gomez. Laid in a typical Southwestern town the action takes place at fiesta time which traditionally calls for music, ancient ceremonials and colorful costumes and the job of keeping those costumes new looking for tonight's screenplay was naturally a sign to Lux Flakes. For a studio you know well they can't take chances with expensive costumes and according to our director star Lux Care kept those fabrics lovely looking throughout the shooting schedule. Here's Act 1 of Ride the Pink Horse starring Robert Montgomery as Gagan, Wanda Hendricks as Pila and Thomas Gomez as Pancho. It's the week of a fiesta in San Pablo, New Mexico and the little town revels in gaiety celebrating tourists jam the hotels and mingle with colorfully dressed Indians and Mexicans on the crowded streets. What one visitor has come to San Pablo for anything but a good time leaving the bus station he's taken a wrong turn and wandered to the edge of town there on a vacant lot is a seedy little merry-go-round. Pancho the proprietor is clamoring for customers. Come young ladies, get on the horses and go round. The most beautiful of all the games, the best of the fiesta. Senor, you ride the carousel? Ten cents. No, I'm looking for a hotel. The La Fonda Hotel. Where is it? La Fonda Hotel. Other way, Senor. I'll show you the hotel.  What's the matter with her? You. Why are you staring at me like that? I... I'll show you. Hotel. Okay. Show me. Pila, all the time she says she has dreams. She dreams he meets man. She and her dreams. Done, baby. She should be home playing with her dog.  Where's that hotel? Over there. What is it? Little door, carved of wood. My grandmother gave it to me yesterday when I come here so I'll not be run over. No, I'm not buying any souvenirs. No, no, you don't buy. You keep it. It protects you. Protect me? From what? Take care, Senor. Hey, come back here. I don't want you dull. Crazy kid. I want to see Frank Hugo. Mr. Hugo's not here. These are his rooms, aren't they? Sweet 315, La Fonda Hotel. I said Mr. Hugo's not here. I'll wait for him. You can wait in the lobby. I don't like the lobby. It's too crowded. Who are you? I'm his private secretary. How soon will he be back? I said how? Who are you phoning? Hotel manager. I wouldn't do that. Hello? Give me this. Never mind, operator. Is Frank in? No. But where's Jonathan? I thought he... Oh, did you do that to him? He'll be all right. Do you mind my asking what you're doing here? Waiting for Frank Hugo. Well, he ought to be here any moment. I'm having dinner with him. Do you expect to join us?  I was just curious. Do you mind if I... Shall I answer? You stay right where you are. Hello? No. No, Jonathan's not here. Yeah, this is Mr. Hugo's room. Oh, hello, Mr. Hugo. No, there's nobody here. This is the bellboy speaking. I just brought up some ice. Yes, sir. Yes, sir. I will. That obviously was Frank. Frank himself. Miss Lundin. Oh, hello, Jonathan. The police. Call the police. I don't think this gentleman would approve. Your boss just telephoned, Jonathan. He won't be back till... Good morning. Well, that thing stood up with a vengeance. Oh, you're not leaving, are you? Yeah. Uh, when I see Frank, who shall I say drop by? Tell him Shorty's pal is looking for him. Shorty's pal? Yeah. And tell him I'll be back. Hello, Mr. Gagan. Who are you? Well, my name's Rex R-E-T-Z. Rex. I don't know you. I know a lot of things about you. You got here on the four o'clock bus from Washington, D.C. The Mexican girl showed you the way to this hotel. You went to Frank Hugo's rooms, but he wasn't there. Anything else? Oh, little. Let's talk it over in the coffee shop. Sure. Let's talk it over. More coffee, Gagan? No. You've got a real tough problem on your hands, young fella. I mean accommodations. Not a vacant room in town. Fiesta's going on. Big nights tomorrow. Lots of excitement. Yeah.  That's about right. Washington? Government cop, eh? My, my.  Oh, I'm not tailing you. I got in yesterday way ahead of you. You see, I saw you in Washington run after Shorty Thompson was killed. You were at the inquest, correct? Some inquest. You testified you had no idea who killed your pal. Yeah. The cops and I were equally baffled. Maybe not so much now. What are you doing here? Oh, I'm tailing Frank Hugo. Been watching him for months. You don't watch him very close, do you? You mean you think he killed Shorty?  I think you're here to square things for Shorty by knocking off Hugo. Go on.  I am, huh? Well, Mr. Hugo's a big man in these parts. He's got a lot of friends in this state. Leave him to us, Gagan. We'll get him. Anything else? Only that I wouldn't like it if Mr. Hugo got you. You're not a bad fellow, Gagan. You're like a lot of the boys. All worked up because you fought a war and got nothing out of it but a dangle of ribbons.  How long you been after him? Too long to let anything happen to it now. That's a shame, wouldn't it? Well, thanks for the advice, Uncle Sam. Maybe I sized you up all wrong. Maybe you're after something else. And maybe you're working for Hugo. I told you I worked for the government. Doesn't the government work for Hugo? It did all during the war. Sorry, Mr. Retz. I gotta start looking for a room. Please don't crowd the desk, ladies and gentlemen. I'm very sorry, but there just isn't a room to be had. Hey, you, bellboy. Any luck? Oh, senor, I telephone all my friends. No rooms anywhere. But maybe you try trace violettas, you find something there. What is that, the trace violettas? A saloon, senor. It makes you a part of town. You find in, do you know, it makes you can have room and house. Give them a couple of bucks, you move out. Where is this, what you're gonna call it? Where is it? It's very easy to find, senor. I tell you just where it is. Okay. That place there, is that the trace violettas? Yes, senor. Do you know if a... Oh, so it's you again. What are you doing here? I'm waiting. You don't say. I thought I would never see you anymore. Look, sitting both. Do you know where I can get a room? A room? Why? To sleep in. Oh, Mamma Mia has a room. You know her? Yes. Where does she live? I don't know. I'm lost. I thought you knew this town. The hotel is because I walked past it. But I never been to San Pablo before today. I live in San Mela, San Farma. Okay, okay, okay. Now what are you doing here in front of a saloon? My girlfriend left me. They say I'm too little. Where'd they go? Inside, looking for muchachos. Looking for what? Boys. Oh. Do they know where Mamma Mia lives? I don't know what they know. Look, there's something going on inside that head of yours. What is it? Nothing, nothing, Senor. Only I don't know what to do tonight.  I don't know how. You telling me. So long, sitting both. Hey, barkeep. I want a drink. See, Senor? See? Whiskey. Big one. See, a big drink. Here. Senor, this money. Well, what's the matter with the money? Too big, too big. No change. That's the smallest I've got. Such a man, he take my whiskey and he give me this. How much is it? Twenty pesos. What do you think, Senor? Do you think this is the bank of Mexico? One moment, one moment, one moment. Senor, I will help you. My name is Pancho. I will be your friend. Hey, wait a minute. You're the guy at the merry-go-round, eh? Yes, Senor. Ten cents a ride. That's me, Pancho. Give me your money. I'll tell you what I'm going to do. Yeah? He's twenty pesos, eh? Yeah? He's your twenty pesos. Sure, it's mine. But barkeeper, he can change only ten, eh? Ten dollar bill, I can change. Twenty dollar bill. Too much. Pancho fix everything. We drink ten dollar. Everybody have a drink. Ten dollar disappear and everybody happy, eh? Okay, why not? You want to make everybody happy, see? Yes, sure. Let's make everybody happy. Okra Battella. Tequila for everyone. Ah, amigo.  You are true friend. Salud, amigo. Salud. Salud. Vasco, la musica, la musica. We have pretty music, Senor. And much to drink, eh? Big drinks is more better even than music. You've got something there, Pancho.  Who? Sosobra, god of bad luck. Oh, yeah. He got face even worse than me. Viva fiesta. Free drinks for everybody. Free drinks. Hey, Pancho. Where are we going? You come with me, amigo. My beautiful, amigo. You got kind of face I like. Panchito, help you. You help me what?  Yeah, well, what can you do about that? Ah, that's the kind of man I like. The sad man with no place. Amigo, Pancho give you more fine place for to sleep in all San Pablo. Now you feel better? Yeah, what place? I assure you, I... Hey, you know something? Somebody follow us. Listen. I don't hear anybody. Somebody back in shadow. They walk very soft, very... Ah, he's a girl, senor. Oh, she no good too skinny. Wait a minute. Hey, will you quit following me around? Now beat it. Ah, he's your girl, huh? Ah, I don't even know her. She show you to hotel this afternoon, remember?  Ah, them kids. The fiesta bring them like honey. They come for sing, for dance, for to get fella, have good time. They'll go home and pull plow for another year. Hey, hey, Skiddle, hey! Oh, look, she gone. Oh, my goodness, where she go? Hey, forget it. Just tell me where I'm going to sleep, will you? You don't know? With me, amigo. Right there in back of merry-go-round. Yeah, but where's your house? House, senor. You know you're drunk? It's possible. But never too drunk for know my own house. Here, the palace of King Pancho. That fine roof, senor. See? And fine walls too. It's a shed, it's falling the pieces. Two mattress, amigo. One for you. Yeah, thanks. Well, I've slept on worst, I suppose. Hey, you own that merry-go-round? I have Pancho on everything. Twelve beautiful horses, three beautiful chariots, all Pancho's. Hey, you drink pretty good for gringo. Yeah, and you talk too much. I'm going to sleep. So long Pancho got somebody he can tell, amigo, I love you. That's enough. They can keep everything else, keep the whole world. Yeah, yeah, yeah, yeah, yeah.  See, amigo. Senor. Are you still here? What do you want, huh? You want a ride? Is that it? Yes, merry-go-round. Hey, Fatso, you got a customer. All closets, no more customs.  No, no, no ride, it's too late. Turn it on. Merry-go-round for skinny kid. Hey, where's 10 cents, there's no free rides, there's a rule. Okay, here. Ah, muchas gracias, senor. You kid. You ever ride one of these things before? No, senor. Well, get on, get on. Which one I should get on? Which horse? Why don't you try the pink one? Okay, Pancho, let her go. Okay, sitting bull. Why don't you give us a war hook? You know. Hey, Pancho, she likes. What are you doing? I turn off, that's all. One 10 cents is one ride. Okay, now beat it, kid. Scramble, go on. Wayne, it's not just senor Gracie. That skinny kid. Fortune teller, I think. How do you know? The crazy dress she wear. Too many charms for good luck.  What is it? Ishtam, the good goddess. Good for what? Good for keep away debt. Very good charm. I got a better charm, Fatso. See? Oh, big gun, huh? Why? Best charm in the world. Keeps away the boogeyman. Senor, wake up. What's the matter? Who? Oh, brother. Wake up, someone is coming. Who? Who's coming? Over there, senor. Someone is hiding. Gagan. What do you want? It's me, right. I got to thinking maybe we ought to have a little talk. I got a couple of new ideas. We had a talk, Uncle Sam. I sort of hinted that I didn't want you removing Mr. Frank Hugo from the scene. Well, I'm not worrying anymore about Mr. Hugo. Why not? Because of the way you're handling it. Walking into that hotel room, Zane Shorty's pal is looking for him. Playing it tough, huh? Well, there's a friend of Mr. Hugo's named Locke. Mr. Locke's got a couple of bad boys out looking for you right now. Does that interest you? Yeah, kind of. I got an extra bed in my room. You'll be a little more comfortable there. No. I'll stay here. Have it your own way, Gagan. Kind of figured I'd be wasting my time. Hey, Rats. Now, what is it? Thanks. Don't mention it. It's your funeral. We'll present Act 2 of Ride the Pink Horse in a moment. You know, Libby, it's encouraging to see the film industry tackling a controversial question, as Daryl Zanik does in Gentlemen's Agreement. Some mighty fine acting by Gregory Peck went into that story of present day intolerance. And I was especially interested to see Celeste Holm, the musical comedy star, in a straight dramatic role. And most attractive, too. And Century Fox designed some gorgeous clothes for her to wear. Well, after all, as a fashion editor, she had to look the part. But, you know, she was so enthusiastic about the clothes she wore in Gentlemen's Agreement, she had most of them copied for her own wardrobe, at a fraction of what the original cut. Do stars care about economies? Well, I should say they do. They know all the tricks, like luxing stockings, to make them last longer. The tricks smart girls everywhere use. That's why... Because it really works. That's why Celeste was so furious one day when she tore her nylons on an electrician stand on the set. Her maid had lavished such loving luxe care on them they'd worn for ages and ages. And there were still lots of life left in them. Well, of course, luxe can't protect stockings from splinters, nails, or sidewalk falls. But it does cut down those needless runs that seem to pop for no reason at all. Runs that actually come from using a strong soap or rubbing with cake soap. These gradually weaken the delicate threads. Now, with luxe flakes, nylons last twice as long, and the famous laboratory actually proved this by strain tests. Lots of girls have discovered that for themselves, John. Yes, indeed. So it's wise never to take chances. Keep a big box of luxe handy. Give stockings nightly luxe care and see how much you save. Here's Mr. Keely at the microphone. Act two of Ride the Pink Horse, starring Robert Montgomery as Gagan, Wanda Hendricks as Pila, and Thomas Gomez as Pancho. It's early the next morning. In Pancho's dilapidated lean-to, the young man named Gagan has just awakened. A dozen feet away, staring at him, is the unsmiling Mexican girl, Pila. Well, now what do you want? I ask Pancho if you have water to wash. He says no. I bring you. Service, eh? Well, bring it here, bring it here. Hey, that's very fine bucket. You sign of good luck when you find bucket full with water. Why do you have to look like that? Like what? Like you come out of a side show. Side show? The place where they keep freaks.  And that get-up, you look like zip, what is it? Well, maybe it's the dress. This is my grandmother's dress. I never had so nice as this. Well, take off some of them spangles. And comb your hair. My hair? It's not dry? All right, for mice to sleep in. Here, here's some money.  No, no, I can't take the money. Go on, take it. Make yourself look human. You like me if I look human? Look, sitting bull, just move on. Disappear, beat it. No, all right, I'll go. I'll go.  Fellow, fellow like you can get princess. I've had princesses. Hey, where you go? To the hotel. I'll see you around, Pancho. Hello, Mr. Hugo. Gagan, well, come in. I understand you were looking for me yesterday. You all alone? You mean Jonathan? Among others, yeah. Others? Oh, yes, Miss Lundin dropped by yesterday too, didn't she? Well, I assure you we're alone. How's our friend Mr. Retz? I hear you've been talking to him. What would I have to talk to him about? He's no pal of mine. But Shorty was, huh? Shorty Thompson? That's right. Shorty was a nice guy. Gave him a good job when he got out of the army.  He learned fast, huh? Come now, Gagan. Shorty was the kind of crook nobody likes, not even me. And I'm rather broad-minded about such matters. You see, Shorty tried blackmail. He had something you wanted. Yes, and he wouldn't give it to me. You had Shorty kill, Hugo. Let's just say he lost an arm. But you never got what you were after, did you? No. No, because I've got it. A cancel check for $100,000. Signed by you and made out to a guy who was making patriotic speeches about the time Shorty and I were getting a tan in a place called New Guinea. You sound like a disillusioned patriot. There's any doubt in your mind that I have the check? The number is 6437. All right, Gagan. Shorty had his price. What's yours? $30,000. Your pal only asked for $15,000. The extra $15,000 is on account of Shorty. A real friend. Do I get it, Hugo, or do I turn the check over to Mr. Retz? He'd be awful happy to get a hunk of evidence like that.  We eat out of the same dish. Nerve, lots of nerve. Do I get the $30,000 or do I drop it on you? I'd be a sucker to start paying blackmail. You might keep a photostatic copy of the check. Then I'd have to pay you again. I have nothing for my $30,000 except the headache. 20 years in the jug for stealing from the government, that's also a headache. You know something else, Gagan? I'm getting tired of having that check haunt me. I'll give you $15,000. $30,000. $30,000? Oh, well. I came down here to enjoy the fiesta. I'll charge it up to pleasure. You'll want it in cash, naturally? Right here in my hand. Well, give me time to round it up. Say, seven o'clock tonight. Word to be. Any place as long as there are people around. People? Yeah. Oh, yeah. I see what you mean. You know the Tip Top Cafe? I'll find it. I'm having dinner there with a few friends. Just bring that little item with you. You'll get the check when I get the dough. Me too, Gagan. I wouldn't trust my own mother. Tip Top Cafe. Seven o'clock tonight. Hello, girly. What are you doing in the hotel? Waiting for Mr. Gagan, huh? He went upstairs, I think. Yeah. Yeah, that's right. You know something? He's in trouble. I know. You know what? But soon he will die, maybe. Yeah? How do you figure that? I saw him. I saw him dead. Oh, now, wait a minute.  No, I saw it. Yesterday afternoon, he came by merry-go-round looking for a hotel. I see his face. Dead. His eyes are closed. His skin is white. He is dead. Do you see many people like that dead? My grandmother says I've seen things other people do not see. I don't think so. But this man I do see. Dead. You could be right, you know. Anyway, I'm trying to help him. Hiya, rats. Oh, hello, Gigan. I was just talking to your friend. She's quite... Where'd she go? Over there in the corner. She must be scared of me. Is Hugo scared of you? Come again? Now, look, Gigan, I'm after Hugo. I've got a hunch you've got something on him that'll help me send him up. I don't know what it is you've got. But chances are, tend to one, you'll wind up just like Shorty. Now, I'm asking you officially to tell me what it is. Uncle Sam can handle Hugo. You tell Uncle Sam to take a walk for himself. Okay, I've spoken my peace. I've heard enough pieces, too. They just don't register anything. I'll be around, soldier. Have you changed your mind? Well, look at you, sitting bull.  Do you like? Do I look human? Oh, brother. I think stress, too. What else should I do? You've done everything. Are you hungry? A little early, but we could have some lunch here in the hotel. Oh, no, no, I can't. Well, a restaurant can't hurt you. It's not going to bite you or scalp you.  Come on. Well, don't just look at it. Eat it. It's a fruit cocktail. It's good. He smells very nice. Look, ice all around this. It's cold. Yeah, ice usually is. You keep laughing at me. I'll go away. Nobody's laughing at you.  In some meadow where I live, ice is very hard to get. Everything we put down the well by a string. Mr. Gagin. I must talk to you, Mr. Gagin. Mr. London, eh? Well, go ahead and talk. It's very important. I've only a few minutes. You said you put things down the well by a string, huh? Please, Mr. Gagin. Couldn't we go to another table? No, we couldn't. The lady and I are having lunch. All I'm asking is three minutes, but they're very important minutes to both of us. Okay. Go on over there to the table sitting board. Go on. My name is Stella. Yeah, that's fine. Go on over there. All right, Mr. London. Frank Hugo, tell me what you're doing. You've no reason to believe anything I say, but you can't lose by listening. I'm listening? Frank's very clever. He's seen to it that I have everything I want, except money. With money I could get away from him. Well, here's my chance to get what I want and get you much more than $30,000. How? Don't give him that check. We'll find a lawyer, put the check in a sealed envelope and tell the lawyer if anything happens to you or me, he's to send it to the FBI. Then you tell Frank what you've done and asked for $100,000. No. Don't you see it's more than the money. It's the only way you can keep alive. I'll keep alive, all right. All right, you're not afraid. But why not get more? It's so simple. For one thing, I don't trust that lawyer we'd hire. We'd find an honest lawyer. Hugo buys them all. But he won't know who this one is. You'll know. Oh, I see. And of course, you can't trust me. Right. Then do it yourself. I'll trust you.  No. I'll do it my own way. You're being so foolish. Maybe. I'll buy you a drink, though. What do you have? I can't. Frank will be looking for me. I'm sorry I intruded. I'll come back now. Yeah, come on back. Does she make you feel bad? She's very beautiful. Yeah, and the dead fish were a hard order to be. I know a lot of them babies. She's not a baby. Look, do you understand what a human being is? Yes. They're not human beings. They're dead fish with a lot of perfume on them. You touch them and you get hurt. You do not like her? No. My friend Maria is like that. Jose bought her a new pair of shoes. She wouldn't wear them in front of him. But tonight, at dawn, she'll wear them in front of other men. I thought that she shouldn't be like that because Jose bought them for her. And she should wear them for him because a man doesn't like her. Girls always go barefoot. Eat your lunch. I got some business to attend to. Business? At the bus depot. Little piece of paper I checked in a locker. I think maybe I'll be picking it up. I trust your dinner is satisfactory, Mr. Hugo. Yes, everything's fine. We want some more wine. Yes, sir. I'm glad everything's fine, Mr. Hugo. It's seven o'clock. Ah, Gigan. Nothing like being on time. I believe you've met Miss London. Good evening. My friends are Miss Locke and Miss Dutton. Meet Mr. Gigan. How are you? Great. I'm afraid you'll have to wait a few minutes. The bank message is a little late. You, uh, all sat with your end of it? Yeah. He's scared stiff.  Why don't you wait at the bar? Why the bar? There's plenty of room here. I'd prefer Mr. Gigan at the bar. Don't be silly. Besides, I feel like dancing. After all, it is a fiesta. Your squab is getting cold. Keep it warm for me, will you, Frankie? Now, look. Mr. Gigan, would you mind dancing with me? Frankie would rather eat. Thanks. I've been furious at you all afternoon. What did I do? You've cost me both a fortune and my freedom. I don't know why I feel this way about you. Oh, I'm not making a pass. I'm just being silly. Don't stop. Frank's watching us, and I have something to tell you. We'd better go out on the terrace. Okay. What have you got to tell me? Frank Hugo has no intention of giving you that money. No? He's figured out one of his typical tricks. He's... Can anyone see us? We're the only ones out here. I shouldn't be telling you this. You certainly haven't done anything to deserve it. But there isn't any bank messenger coming. There's someone else. Who? And why should he?  Don't move. All right, Eddie. He's got that check. Get it. The knife. Use it now. Now, this is Rhett's Treasury Department. Oh, yes, Mr. Rhett. Say it's your town. I'm at the Tip Top Cafe. There's been a little trouble here. A couple of guys tried a knife a fellow named Gagan. I got them both. I understand. But Gagan's disappeared. There's a trail of blood leading out to the street. We'll be right over. Thanks. I got an idea. There'll be others looking for Gagan, too. I'd sure like to find him first.  You pillar. What you do here? There in your heart. I bring him there. Who? Who you bring? Your friend. Americano. He's hurt very bad. Knife in the back. Hey, knife. I find him in the top. Blood. So much blood. Stay with Merigoram. Stay with kids. Yes. Hey, Pazaki. Amigo. Que sangre. Blood. It's a knife. My back. I fix, amigo. I fix. Oh. Knife is good, amigo. More easy to fix. I got knife three times. When you young, everybody stick knife in you. Here. First take big drink. Tequila. Pretty soon you are more better as before. Drink long time. He lastima. She help you. He pillar. Yeah. Get it out. The knife. That's one good kid. Now, amigo. Now. Now we wrap up. Very tight. Very tight. Hurt you more, but is best. Punch of fix, amigo. Punch of fix good. How you feel? Very passed out, huh? You leak so much blood before. Give me my coat. Sure, sure. A coat. Pretty bad torn. I don't think we can fix. Inside pocket. Give me the wallet. The wallet. He is here, all right. Gun. Give me the gun. No gun, amigo. He's gone. You don't need gun. You got punch or now. I can stay here, huh? A little while. As long as you want. amigo. I better go watch merry-go-round. I come right back, amigo. Right back. What you wave hand at me for? Punch of look. Men. Two men over there. Two men. Hey, they look bad guys. They are after him. Quick. We go get him. We hide him. Merry-go-round. We put him in chariot. You sit with him. See? They don't find. He does not talk. I think maybe he's unconscious again. Never mind.  You have big skirt for cover him up. Quick. Make a go around, punch of hurry. You kids. Muchachos. Come back. Everybody gets free ride. Everybody get on merry-go-round. Free ride. Free ride. Jump on. Me, senor. What do you want? He said come here. What's the matter? Your name, Poncho. C, senor. Poncho. Where's Gagin? Gagin. Who is he? The fellow you met last night in that salon. Oh, him. Last night I pretty drunk. I don't know nothing. Oh, please. I don't know nothing, senor. Cut the line. Where's Gagin? Oh, my. You hurt Panchito. He was heading this way. I don't know if I know. I tell you. I don't know nothing. Keep working on him. Where is it? Where's Gagin?  He's all right. They gone. I chased kids home. Just us now. He'll tell me what they did to you. They tell me your name. Pleased to know you, Mr. Gagin. They want to know where you are. I don't know. Boom in the nose. I don't know. In the mouth. I don't know. Kick in the stomach, but I don't tell. Thanks. I told you. Poncho, he's a very proud man.  Money.  I'm going to get it. Lots of pitles going to get lots of things, but they never don't. This time I'll get it. Don't move. You're very sick. I'm not going to get any better if those guys come back here. I know who sent them and you won't stop looking. We will go to San Mello. You'll be safe. Where's that? On the bus two hours. It leaves a ton of... More than an hour yet, huh? We can't wait in the bus station. You go to the Trace Violetas. You poncho friend. They remember. Take him, Pila, now. Trace Violetas. Frank, you mean the cops have found him? No, they haven't. Find him. Do you hear and get that check? We've got everything covered. Railroad station, airport, bus depot. We'll try those Mexican saloons. That's where he was yesterday. A joint called Trace Violetas. Get over there right away. We pause now for station identification. This is CBS, the Columbia Broadcasting System. We'll return with Act 3 of Ride the Pink Horse in a moment. Acting in a mystery film these days is a very strenuous experience because the public has come to expect realism even in the most harrowing scenes. Secret beyond the door, Diana's production story of intrigue and murder more than comes up to their expectations. For instance, in the storm scene, Joan Bennett and a group of party guests were blinded by rain and deafened by the roar of a violent summer squall. And yet our guest tonight, blonde blue-eyed Pat Alfon, tells me she would love to have had the experience. I meant I'd be thrilled to play opposite Michael Redgrave, Joan's handsome new leading man, Mr. Keely. That is, someday. Right now, I'm still going through a training course at Universal International.  Oh, I haven't been that bad. That's not quite what I meant. That's the way the storm scene was directed in Secret Beyond the Door when the sounds of the storm silenced even the director. I remember that scene and was so disturbed when I saw Joan's lovely summer formal about to be drenched. But then they told me it had already been lux for several retakes. I suppose that's an old story to John Kennedy. But one that never loses interest. Hollywood wardrobe departments count on lux flakes to see them through all sorts of washing problems. They discovered long ago that lux is safe for anything safe in water. That's what Joan Bennett said.  She told me that lux flakes has been a stand-by in her household for years. She has three daughters at home, you know, and can see that her mate has plenty of use for lux flakes. And lux care really does keep nice things lovely longer, Pat. Actual washing tests showed that lux things stay lovely up to three times as long. You can come to grief with colors if you use wrong washing methods. Dresses and blouses fade look drab in a short time. But lux things stay lovely up to three times as long. Thank you for coming tonight, Pat Alphen. Back now to our producer, William Keely. Here's a summary of Ride the Pink Horse, starring Robert Montgomery as Gagan, Wanda Hendricks as Pila, and Thomas Gomez as Pancho. In the town of San Pablo, the fiesta is at its hilarious height. It's a night of raucous gaiety as the costume merry-makers jam the decorated streets. Desperately through the throng, Gagan has staggered to the Traysville at the café, Pila struggling to keep him on his feet. His wound has stopped bleeding, and Gagan is barely conscious as the bartender leads them to a little room. You keep him in here, Pila. Nobody see you here. See, but somebody come in and they think he'm drunk. Everybody get drunk tonight anyhow.  He fall over table, nobody see his face. Thank you. Big fight, huh? See, we go to the bus later. Stavien, I close door. Mr. Gagan, can you hear me?  You want to know why? Because they are bound. And I'm good, huh? Yes. I will take care of you. You?  No brains. Don't talk. Don't talk. It's hot there and now. It's hot in here. Hot in the jungle too. Rain turns to steam. Oh, please. You might not go to sleep. No. Okay, Shorty. Okay. Shorty? Where is Shorty? I got something for you. In my wallet. Here. Check. Keep it Shorty. Hang on to that check. Don't let anybody touch it. I keep it for you, Senor. And a boy, Shorty. And a boy. Chacha, two strangers, Americanos. Man and lady, they keep looking for someone. A man and girl, Senor. A man very drunk, I think. He's coming here.  Don't touch him.  I'm looking for a friend of mine. He's, uh... Well, what do you know? Hello, Mr. Gagan. Hey, Marjorie, in here. Hey, you hit him good, Chacha. Lock the door. We will leave the other way. Senor, we must leave here. Lean on me, I'll help you. Please, Senor, please. I can't go any further. Two steps more, Senor, please. Why are you taking me? There's no ease. Too many people. We'll buy the bus station, and the bus is here, right here. Nobody's in it yet. You can rest in the bus, Senor. Bus? The steps that I get in the bus. There. There, you sit down now. You feel better. Yeah. Where? Where are you going? I'll buy tickets. Then we can stay here. Nobody will find me. Senor Gagan, Senor, can you hear me? Please, you must listen. Oh. Nobody in the bus station, only a janitor's whipping up. The ticket seller's watching the parade. You must stay here, Senor. I'll find you. I'll get the tickets, and I won't be long, Senor. She's gone. I can't stay here. I gotta find Hugo. Find Hugo. To find a hotel. Third floor. To find a hotel. In the bus, now, where did he go? Where? I sweep the floor. He come in here. He ask, where is the hotel? That's all I know. Which way did he go? Into the street. I don't know. So many crowds. Now, wait a minute, Mr. Hugo. We did everything.  I told you not to come back till you found Gagan. Look at you. Five of you. How many more men do I need to find him? If you saw the mob of people on the street... He had a knife in his back, didn't he? How far could he get? Well... Which one of you... did Frank Hugo? Well, look who's here. See who that is in the hall, doesn't he? You want Mr. Gagan? He's right here, sister. He made a mistake. He's sick. He should not be here. Hugo. Don't you recognize me, Gagan? I'm Hugo. I'll handle him, Frank. Don't you see he's out on his feet? Sit him down. Now, who's this girl? You? What's the matter with him? He cannot remember. He's her. Okay, Gagan. Why did you want to see me? Check. Yeah, yeah, the check. You want to sell it to me? Yeah. Thirty grand. Have you got the check with you? Help him find it, boys. Money. Sure, Gagan. Sure, lots of money. He hasn't got the check. It's not in his wallet. Pockets are clean, Frankie. What happened to it, Gagan? What did you do with the check? I don't know. What do you know about it? I don't know nothing. You do know. What were you doing with him? He's sick. Please, he's sick. Gagan, wake up. Listen, Gagan, you hid the check because you were afraid you wouldn't get your money. But I have the money. Now, where's the check? I don't know. I don't remember. Maybe I can help him remember. Okay, go ahead. No, no, please.  Where is it, Gagan? He don't know. He lost it. Where did he lose it? I don't know. Then how do you know he lost it? Maybe he'll talk for you, Tommy. You see this cigarette, sister? You know what I'm going to do with it? Unless you start remembering things, I'm going to... Let me see you go.  Rats, maybe you don't like knocking on doors, huh? This gun let me in. I can go wherever it takes me. Now, just keep your hands where I can see him, boys. Now, if you don't mind, I better take your gun so we can talk nice and peaceful like. And it's better. Gagan tried to blackmail me. One of those Haywire veterans tried to put the bite on me for 30 grand. Now, watch your bite, you go. Gagan. Gagan, get up, boy. Now, better help him, girlie. Yes, sir. I'll help you, please. A little cop of her. Government cop. It's all right, Gagan. I've been following you ever since you left the merry-go-round. Sorry I had to use you for bait, but I wanted to be in on it when you go try to wangle that check out of you. Need it bad for evidence. So you think there's a check, huh? Well, find it. I think it might have appeared in another few minutes, but I guess I couldn't wait. Ain't nice seeing folks pushed around. I guess you and the girl better come with me, Gagan. Go ahead, Gagan. Be a sucker. Sucker? You came here to pick up some easy money. Just as it's in your pocket, you'll walk out. You know what's gonna happen, don't you? He's gonna give you a lot of gas about duty and I'm gonna fill you with fancy words like responsibility and patriotism. That's how he's gonna get that check from you. I know where it is. I remember now. 30,000 bucks you could have. But no, he'll talk you out of it. Sure, I'll be sent to the pen. A lot of bucks that'll put in your pocket.  I'll throw you a gun. Gagan. Gagan, I'll give you 100,000 for that check.  Give me... Peter, give me that check. I'll keep it for you, senor. Here. Gagan, no. Take it, rats. Take it. Thanks. Then get over you go. Of course, you can skip down if you want to try him. I'll let the state troopers worry about that. Take his arm, girly. We better get this fellow to the hospital. What's the matter with you, Gagan? After a week in the hospital, I think you'd eat like a horse. I'm not hungry. Two bucks worth of breakfast going to pot. What's frightened you, son? It ain't that hatful of dough you promised Pancho, is it? No, no. You never expected to get it anyway. It couldn't be that 100,000 you turned down. With that chance, I had a collecting that with you around. Hmm. Where's the kid? What kid?  You wouldn't be frightened about her now, would you? Why should I worry about her? Well, I got to do it to say goodbye, and that's the end of that.  Any particular way you're going to do it? I'll tell her. Sure. But what do you say? That's my department, Rhett's. She's over at the merry-go-round with Pancho. I'll see you at the bus station. Oh, I'll, uh, I'll go along with you. Well, what are you going to do a say goodbye? All right, then come along. Maybe she isn't even there. Then you won't have to say anything. That'll make you happy. She'll be there. You don't know Dames. They like that. They like to get their hooks in you. You don't know what kind of a fuss they make. Well, looks like this is your lucky day. There's Pancho, but I don't see the kid. Mr. Geigen, amigo. Hiya, Pancho. Buenos dias. Howdy. Glad to see you. I, uh, just come over to say so long. Oh, so long. Oh, he's a sad word. But you make me happy if he's not too long, eh? Yeah. Yeah, and about that money, I... Oh, forget money. Merry-go-round, give me all the bucks I want. We're same kind of people as you and me. We both born for to be broke. Yeah.  Sure. If Pila shows up while you tell her that I... Oh, Pila is here. Hey, you, skinny. She's very bashful. Hide behind pink horse. Hello. Well, I... I got out of the hospital and I'm going home now. And I, uh, well, I... Did you have a good time at the fiesta? Sí, señor. I just dropped by to thank Pancho and you too.  You remember? Sí, I remember. Well, I want you to take it back now, here. And, uh, remember me to your grandmother. She'd be glad to see you. Lots of people will be glad to see you. Well, what I... What I'm trying to... What I mean is, uh... Goodbye, señor. What? Well, say goodbye to the lady. Oh. Yeah. Come on, Retz. Let's get out of here. Hey, he kissed your cheek, huh? Me, he just shake my hand. Pila, Pila, what happened with you and this Americano? Oh, Pila, Pila, what happened? So, Pila is big shot now, huh? You don't leave her alone no more. Hey, now you all want her to be Pila's friend, eh? Now she's a very important person, huh? Okay, okay, I tell you. When he first sees me, he asks, which way to the La Fango Hotel? I say, I will show you the hotel. The next day, he can meet the man in.  Oh. Pero él en malos. También el hombre que viene a la cantina.  Hey, she laughing. Quest time. Look, Pila, she laughing. I think I go home now and tell grandmother. Adios, goodbye. In just a moment, we'll bring our stars back for a curtain call. From now until December 25th, girls all over the country will be giving hints to Santa on what to leave under the Christmas tree. What's on your list, Libby? I love pretty undies, so I'm asking Santa for some longer slips for my new longer dresses and for some frilly nighties in those heavenly new colors. This year, there are gorgeous silk things in the stores again, as well as nice rayons. What? Like everything else? They cost more than they used to. That's true. So some girls may get only one slip for Christmas when they'd hope for three. But they can make that one pretty slip equal three. All they need do is wash their lingerie with gentle, lukewarm luck suds. No strong soap, no hot water, no rough handling. Slips washed the Luxway stay lovely three times as long. That's really true. A well-known laboratory proved it by washing different types of lingerie two different ways. Those washed the wrong way soon looked faded and drab. But those washed the Luxway stayed lovely three times as long. So you can have Christmas all year round if you let Lux Flakes play Santa. Have three pretty slips or nighties for the price of one, because Lux Dundee's stay new-looking three times as long. We return now to William Keely. For a very exciting ride on Ride the Pink Horse, all our thanks to the three stars of the picture, Bob Montgomery, Wanda Hendricks, and Thomas Gomez. Bob, you're the first person to appear in Hollywood direct from the Royal Wedding in England. Yeah, I guess I am at that, Bill. Well, we didn't go into the abbey itself, but we did see the procession to and from the abbey. Did you attend any of the festivities connected with the wedding? Oh, yes. Command performance was the reason for my going. There was a combination of American and British stars. Bob Hope, Loretta Young, Alexa Smith, Vivian Lee, Larry Olivier, David Niven and myself. And you met the king and queen? Yeah. Yeah, we were presented to them afterwards at a reception in a sort of private lobby in the theater. Did you see much of the British people themselves, Bob, and the way they're living? Well, I was there, as you know, just when the band went on, on pleasure driving, and that was a hard blow to them. I guess they've had plenty of hard blows. Yes, plenty. It was unbelievable to me the shortages and the restrictions that they suffer. And yet I can promise you, they aren't complaining. Their one thought is to help themselves get back to normal. Yes, they're spirits magnificent. But to come back to this country more specifically this stage, what's on the agenda for next week, Bill? Next Monday night, we prepare for the holiday spirit with a bright and sparkling comedy from RKO and two of this theater's favorite stars, both from the picture, Jimmy Stewart and Jane Wyman in Magic Town. The play's tailor-made for Jane and Jimmy, Bill. Yes, with Jimmy Stewart as the young man almost too smart for his own good, who not only becomes enamored of a small-town girl, but turns the whole town into bedlam. Sounds awfully entertaining, Mr. Keely. We'll be listening, Bill. Good night. And thanks from all of us. Leverbunders Company, the makers of Lux Flakes, join me in inviting you to be with us again next Monday evening when the Lux Radio Theater presents James Stewart and Jane Wyman in Magic Town. This is William Keely saying good night to you from Hollywood. With fats and oils still critically short everywhere in the world, it's doubly important that we save used kitchen fats. The Department of Agriculture asks every housewife to continue to save and turn in every drop of used fat as long as the present situation continues. Reuse your fats as often as you wish, but when they're useless to you, they're still good for industry. There's money waiting for you for every pound you turn in. Many stores are now paying higher prices for used fats. Wanda Hendricks appeared by arrangement with Paramount Pictures, whose current release is Goldeneering, starring Ray Melland and Marlene Dietrich. Thomas Gomez will soon be seen in the Universal International Release, CASBA. Heard in our cast tonight were Alan Reed as Hugo, Bill Johnstone as Rhett, Francis Robinson as Marjorie, and Paul Conrad, Robert Griffin, Cliff Clark, Don Morrison, Alma Lawton, Alvina Temple, Bernard Phillips, Ed Emerson, George Nice and Eddie Marr. Our music was directed by Louis Silvers. This program is rebroadcast to our men and women overseas through the worldwide facilities of the Armed Forces Radio Service. This program has come to you with the good wishes of the makers of Lux Flakes. The Safe Gentle Care recommended 33 to 1 by makers of nice washables. And this is your announcer, John Milton Kennedy, reminding you to join us again next Monday night to hear Magic Town with James Stewart and Jane Wyman. Pepsidant 1 by 3 to 1. Yes, by an overwhelming average of 3 to 1, families throughout America who compared toothpastes they were using at home preferred new pepsidant with erium over any other brand they tried. They said new pepsidant toothpaste tastes better, makes breath cleaner, makes teeth brighter. Yes, with families who made comparison tests, Pepsidant 1 by 3 to 1. Be sure to listen next Monday night to the Lux Radio Theatre presentation of Magic Town with James Stewart and Jane Wyman. Stay tuned for My Friend Irma, which follows immediately over most of these stations. This is CBS, the Columbia Broadcasting System.


فشرف بل اشتغالي بالعلم ولا تبغي به ما عشت يا بابا دلا وياله من شراف عظيمي الحمد لله رب العالمين والصلاة والسلام على من أرسله الله رحمة للعالمين سيدنا ونبينا محمد وعلى آله وأصحابه والتابعين لهم بإحسان إلى يوم دين أما بعد وإنه وكتاب الورقات للإمام أبي معالي الجوين رحمه الله إمام الحرمين وقد نسألنا بأحكام التكليفي وقد نسألنا بأحكام التكليفي وقد نسألنا بأنه طلب فعله وطلب تركة تسأل طلبه فعله und테 طلبه فعله und테 طلبه فعله und Nä طلبه فعله undate طلبه فعله undt طلبه فعله undt طلبه فعله undt طلبه فعله und t 힘 and he will repeat his mistakes and that's all what I want with him I want to know Doesn't matter what he doesn't know stays up knees knees sootiおati toti toti when circumstances and the last one which is And we took all of its types and its meanings So And we took all of its types and its meanings today we are going to move onto the second type of of because we said two types what are they? the the rollings of the legislation of the two types and we finished we are now going to move onto he says و الصحيحه ما يتعلق به النفوذ و يعتد به والباطل ما لا يتعلق به النفوذ و لا يعتد به يقول صحيحه لنذهب إلى أحكام الوضعية أحكام الوضعية إمام الحرامين only mention 2 of it يوني mention what يوني mention 2 of it which is what صحيح و it's opposite which is باطل يوني mention those 2 good so he's going to define to us what صحيحه is and he's going to define to us what باطل is it would have been better that he didn't define it the way he defined it it would have been better for him to say the reason why is because when we take it later we would know نفوذ is not used for عبادات and عقوط are you with me when we talk about issues of أحكام of the شريع it's 2 times the books of fiqh is 2 times pay attention عبادات which is how much فهارة which is a prerequisite of صلاة so it brought صلاة زكات صوم and then حج عبادات is over what comes after that معاملات معاملات is what you're going to you're going to بيور you're going to النكاح and you're going to الراهن you're going to all those types of which is a معاملات transaction between the creation the first one is transaction and deal with who الله and the creator the creation and the creator the second type of fiqh is what the dealing between the creation and how they should deal with one another are you with me the word نفوذ is not used for عبادات and معاملات so it would have been better he didn't use the word نفوذ عبادة doesn't take نفوذ عبادة doesn't take نفوذ عبادة only takes إعتدان so does رقود take إعتدان so it would have been better if he said وصحيح ما يعتد به so both of them could just because now what he said is what صحيح is what ما يتعلق به النفوذ so when he says نفوذ it's only referring to the معاملات and the عقود and it's not referring to the عبادة at all and remember a definition should always be what جامع معانع should be as comprehensive as small and as easy as possible good وصحيح the صحيح means what ما يتعلق به النفوذ نفوذ means what that which is attached to it نفوذ validity it's valid good ويعتد به and it's considered and it's what it's considered and it's also considered باطل is what ما لا يتعلق به النفوذ validity for it to be valid it's not there و لا يعتد به and the شريعة has not considered it at all are you with me that is what صحيح باطل is remember pay attention brothers and I want you to all be with me here when can a matter be صحيح and when can a matter be باطل this is something ملخص summarized عبادة or معاملة can be صحيح when whether it's عبادة or it's a معاملة a transaction or a worship it can only be صحيح when what when the sharp and the seven is present and the man is not there a man a preventer is not there the conditions are there the reasons are there and there's no preventer عبادة is called صحيح are you all with me also what that معاملة is also called صحيح if the sharp is missing or the seven is missing are you all with me or a man is present it becomes باطل it becomes باطل also there's a synonym of the word باطل which is called فاسد فاسد and باطل are synonyms except two places except two places they both don't mean the same other places باطل and فاسد both mean the same two places we're going to come to it later the حنابلة are the ones who distinguish between it نعم we're going to come to it what the difference is so now you have an understanding of what it is عبد الله ابن صالح الفوزان he says الصحيح والباطل صحيح and باطل are من أقسامي الحكم الوضعي they are from the types of the أحكام الوضعي they are types of it لأن كل منهما حكم من الشارع because both of them are in legislation from the شريعة على العباداتي over the عبادات لأن كل منهما because the صحيح and the batil both of them are in rolling from the شريعة from the شارع the legislator over what على العبادات over the عبادات والعقود عقود is a transaction or more واتبنا عليهم الأحكام الشرعية and أحكام and شرعية are based upon them are put on them so what does صحيح linguistically mean so before I move on باطل and صحيح both of them are what they are types of أحكام الوضعي are you with me they are two they are types of أحكام الوضعي good and they both they both deal with what about that and معاملات what does صحيح meaning linguistically صحيح linguistically means السليم من المربع سليم a person is fine and that's good from what from illness is good from illness the poet he said وليل وليل يقول المرء من ظلماته سواء صحيحات العيون وعورها the poet he said وليل أي وربة ليل some nights some nights there's possibly some nights some nights possible يقول المرء a person would say من ظلماته from the darkness of those nights those nights a person may say سواء صحيحاته it is the same if a person is healthy العيون his eyes are healthy وعورها or even if he has deficiency in his eyes the pitch black darkness is the same for both people the one who has good eyes and the one who has a deficient eye you see that's what the poet said what's the need from that poetry that line of poetry is because the word صحيحاته صحيحاته is talking about what cured from illness so the word صحيح in the Arabic language is what السليمه السليمه من المرض إصطلاحا technically what does it mean ما يتعلق به النفوذ ويعتد به عبادة كانا أم عقدا but as I said the best definition would have been what ما يعتد به عبادة كانا أم عقدا that's better it is what the شريعة has considered it's accepted in terms of عبادة or in terms of transaction or in terms of transaction فالقود in terms of transactions توسفوا بالنفوذ والأتدان in the transaction in the transaction you can use that you can use the word نفوذ and you can use the word إعتدان because I said نفوذ means validity valid and إعتدان means that is considered you can use that for عقود transaction as for عبادة فتوسفوا بالإعتدان as for the عبادة is only taken as what considered that's the only word that can be used for إعتدان fuck up you can't use for عبادة نفوذ as for the word إعتدان as for the word إعتدان as for the word إعتدان نفوذ يصدقوا على كل منهما you can use it for معاملة and you can use it for عبادة so it would have been better if the author was to just say والصحيح ما يعتدو به and what it is ما لا يعتدو به ما لا يعتدو به if he said that it would have been better I would have done the job for him so insha'Allah maybe عبد الله يبن صالح الفوزان he says maybe he said it إلا أن يقال إنه جمع بينهما he combined both of the words نفوذ وإعتداد he combined both of them for what reason لقصد الإضاح so we can clarify the matter لطالب المبتدي for the beginner maybe that's why he bought both of them good ولا يعتدو بالعبادة the pathogen because it has to be memorized ولا يعتدو بالعبادة اي عبادة is not considered or will act or a transaction is not considered نشريعة and it's not taken on board إلا إذا توفرت الشروط unless the conditions are present وان تفتي الموانئ and the preventer is absent فيحكموا بالصحة then this عبادة or this معاملة it will be given the rolling that is صحيح conditions are present the mania or the preventer or the thing that was stopping it the obstacle is absent for example فمن صلا صلاة a person prays a prayer مجتمعة الشروطة its conditions are all present وعرقانوه and its pillars are present من تفية الموانئ وفي صحيح and all of the obstacles that could be there are absent this صلاة is going to be called what this صلاة is going to be called what صحيح when we say صحيح what do we mean يعني معتدميها شرعان in the شريع's eyes the شريع has considered the preventer from that person for example the same one is what ومن با عبيعان a person sells a he sells a product the conditions are present the pillars are present the obstacle is absent the obstacle is absent and you will say to that person your transaction is what نافت ويعتدو به but you use the word before because it's عمالات ويعتدو به are you all with me that is important that you know here you would realize that توفر الشروطة وانتفاء الموانئ it's not a matter that just only entered عبادات it enters معاملات so مسائل ردة a postation of a person conditions have to be present the conditions have to be present for the person to become a kafar what are the conditions that have to be present علم قصد اختيار عدم التأويل في سائر those are شروط that have to be present ان المانع the obstacles could be what جهل خطأ اكراه تأويل السائر are you with me so the person has to know that how important it is so remember this وعلم know ان العبادة that a عبادة لها اثر عبادة has an outcome has an effect ولكن وهو براءة تجد المكلف اهتم صلاة is a matter which is placed over your neck are you all with me you all are burdened with the prayer when can this burden be discharged from me this duty can be discharged from me you don't have to come with me when what when the conditions are present when the conditions are met the obstacle the man is absent صلاة is صحيح this obligation of this prayer is what it's just the duty here is this you're discharged from me there's no responsibility on you anymore براءة ذمة your neck is free from any responsibility now we will say صحة صلاة صلاة صحيح صلاة is صحيح the requesting of coming with that prayer will it be asked from you لأ so any salah which we call صحيح the effect that was needed from it was what that the responsibility is uplifted from your shoulder one and that the request of it is no longer put on you anymore you don't have to come with it again also the transaction what is the effect of it the effect is what somebody wants somebody's product an individual wants what's in your hand he wants some stuff that you're selling it's in your hand he wants to take it from you and you want something that's in his hand which is wealth, money and you want to take it from him there has to be conditions in order for you to take it from him are you with me if he snatches it out of your hand or you snatch it out of his hand هدى لا يسمع بيع that's not bay that the conditions is met what are the conditions you have to be pleased with each other you have to be pleased to want to sell your product to him are you with me now so the ownership has to be found you have to own what you're selling you can't sell somebody else's product if a person sells this water and it isn't his he goes and he sells it so I own this it's mine but Abdullah he goes and he sells it without my permission I'm absent he sells it to Goulid he said Goulid buy this water for me Goulid doesn't know that this water isn't isn't Abdullah if I come back and I find that this water is in your hand I just take it out of your hand you have nothing to request from me you have to go and find it from the man you bought it from and take your money from it why because the condition is missing so has the effect of the transaction taken place we say this bay as Barthol this bay as what it's Barthol because of the condition is absent and this is important the Barthol and the facet they mean the same according to the view of the all of the Ulama except two times when the people of Fiqh they divide it between the facet and the Barthol they mean different things and the two most famous ones are the two most famous two matters are the most famous one في الحج in حج فرقوا بينهم they distinguish between Barthol and Facet normally it's a synonym of two they mean the same but here there's a difference between Barthol and Facet and what does facet mean facet means معوطئ is the man who has sexual intercourse with a woman while he's in a state of إحرام قبل التحلل الأول before he does his first in حج before he does the first before he leaves his first stage of state of إحرام the first stage he has sexual intercourse this one is called facet the second one is called in حج that's called facet what's Barthol called in حج in حج Barthol is called مرتد في عميل الإسلام if a person apostates from Islam that's called Barthol now the حج is called بارطل but if he has sexual intercourse with his wife if he has sexual intercourse with his wife before the تحلل الأول before the first تحلل that is not what that is not called Barthol it's called facet but if he apostates from Islam what do they say they say to him Barthol why the reason is because the first one he has had his facet corrupt but he is obliged to still complete it even that they had sexual intercourse with his wife he's not allowed to leave the state are you all with me he has to still carry on he can't leave he's corrupted his Hajj but what is obliged on him is that he carries on his Hajj where's the Barthol the Barthol which is that he left Islam his إحراب goes and it's obliged on him to leave Hajj apostates leave it go he's obliged to go and leave he can't stay in that state of إحراب as an apostate so the second time is in the نكاح the scholars distinguish between facet and Barthol they said the facet is what باختلف العلماء في فساده the facet is what any matters regarding marriage نكاح which the scholars dispute it's corruption such as what كالنكاح بلا ولي the marriage without the the permission of the wali are you all with me the نكاح without the permission of the wali because there is a خلاف that came are you all with me it's called facet that نكاح is called facet it's corrupt Barthol is called in نكاح Barthol is called what it is what the علماء have unanimously agreed upon that which the scholars have unanimously agreed upon that it's Barthol such as what a man trying to marry a fifth wife so he's married to four wives when he's trying to squeeze in a fifth one in the scholars will say to him that نكاح is Barthol because the scholars are in a unanimous agreement there's no خلاف no scholars ever said there's an evidence for a man to marry a fifth wife and we conclude insha'Allah والله أعلم وصلى الله عليه وسلم على سيدنا محمد وعلى آله وصحبه ومن تبيع بحساء الله يمجر


A fiery horse with a speed of light, a cloud of dust, and a hearty hi-yo silver! The Lone Ranger! Before this exciting adventure, a word from our sponsor. General Mills, makers of Cheerios, the oat cereal that's ready to eat, Betty Crocker mixes, and wheaties the breakfast of champions, present by special recording, The Lone Ranger! When the weather's bad, do you and your friends ever hang around the house wondering what to do? I'll bet it happens lots. Well, you know where you can have the most fun? In the kitchen, with a package of the new Betty Crocker brownie mix. That's right, it's easy as can be to bake up a big batch of luscious, chocolatey brownies with Betty Crocker brownie mix. Everything you need is right in the package. Just add one egg if you like the chewy, fudgy kind of brownies, and two eggs if you want them soft and tender like cake. Add nuts too if you like. Either way, Betty Crocker brownies are the gee, I can't eat them fast enough kind. Even if you've never baked before, you'll turn out scrumptious, chocolatey, perfect brownies the very first time.  Have mom get Betty Crocker brownie mix next time she shops. Then invite your friends over for some fun! With his faithful Indian companion title, the daring and resourceful mask writer of the plains led the fight for law and order in the early western United States. Nowhere in the pages of history can one find a greater champion of justice. Return with us now to those thrilling days of yesteryear. From out of the past come the thundering hoofbeats of the great horse Silver. The lone ranger rides again! I'm Silver! Let's go, Nicole! I'm Silver! The stagecoach station was the largest building in Cold Spring, a small town in Central Oklahoma. Hank Dobey managed the station and served also as the town marshal, but he had little to do in either job. He found ample time to sit on the porch of the station visiting with gold miners and prospectors who came into town for supplies. He sat there one day with a tall thin man named Swatkin, who had ridden in from the nearby mountains. You've only been prospecting for a few weeks, Swatkin. Don't get discouraged. I'm not discouraged, Dobey. As long as I can paint enough gold from the streams to pray for my grub, I'll keep going. That's the spirit. You will be... Wait a minute. Who's the horseman coming this way? You know? Let's see. Sure I know. He's my orphan nephew, Bob Latham. He lives with me. He looks like a grown man. He's only 17, but he's big and strong. He left here yesterday to deliver a package to a man in Rock City. Whoa, whoa, whoa, whoa. Hi there, Bob. Oh, Uncle Hank. Deliver the package? Sure thing. Boy, better stable your horse. I'll take care of him in just a minute, Uncle Hank. First, I have something to tell you. Oh, this is Mr. Swatkin. My nephew Bob Latham, Swatkin. Howdy, Bob. How do you do, sir? Mr. Swatkin's a prospector in the mountain. Oh, well, good luck to you. Thanks. What do you want to tell me, Bob? Well, the telegraph is coming to Rock City. Yeah? Well, the last I heard, they brought it west as far as Tulsa. And there's a lot of talk about Red Eagle in his pack. Red Eagle. Oh, he's a renegade Indian with a pack of 25 apaches. They've been ranging far and wide, making trouble, burned down several towns. Why doesn't the army go after them? Can't find them. They were seen here, Rock City. Yeah, but there's no soldiers near Rock City. And if soldiers go there, the Indians will disappear. I hope they don't come here. They wouldn't come here, Uncle Hank. There's nothing we're stealing in cold springs. They've raided smaller towns than this, Bob. And if they learn about the chest of gold... Chest of gold? Yeah, Swatkin. It came down from one of the gold mines a couple of days ago. It's to go east on the next stage. But that's not until Monday. I heard something else in Rock City. Oh, what's that, Bob? A masked man was seen in the woods near there. Masked man? Uh-huh. He was with an Indian. Maybe one of Red Eagle's men. Bob, did you learn any more about the masked man and his Indian partner? Not very much, Mr. Swatkin. The man who saw them said they wrote a white stallion and a paint. You got any ideas about him, Swatkin? No, but I'll be on the watch for him. I don't want to run into any outlaws. Now, I reckon I better be going, taking up a lot of your time. Oh, no, no, I like to talk. Don't be in a hurry. Oh, I must go. I want to get back to my camp in the mountains before dark. So long. Swatkin started west toward the mountains. But as soon as he was out of sight of town, he turned his horse and rode north across the rugged Rockstrune country between Cold Spring and Rock City. After traveling for about an hour, he reached a small shack well concealed in a gully. What a member of the gang named Larrabee was hiding. Larrabee said, I didn't expect to see you for some time.  So did I until today. Where's your horse? Staked out behind the shandy. Do you know where to find the rest of the gang? Well, Jake's hiding out in a cave not far from here. I think he knows where to find the others. You think they're getting the gang together? Yeah. Just long enough to pull one robbery. It's too good to pass up. Well, you're the boss. Let me tell you about it, Larrabee. Today I rode into Cold Spring for supply. I know the town. There's a stagecoach station there. Yeah. And the manager is a gabby old goat. I learned that he's holding a chest full of gold for shipment on the stage next Monday. Yeah, and that'll give us time to get the boys together. That's what I figured. I'll see Jake today. Tell him to round him up. Tell him to have the boys meet in the Cold Spring Cafe at noon on Saturday. That's when we'll take the gold. Right. I'm going to my camp now. But tomorrow I'll return to Cold Spring. I'll find an excuse to stay there until Saturday. And while I'm there, I'll find out where they keep that chest of gold. Right. I'll see you Saturday. Oh, by the way, Larrabee. Yeah. When you leave your hideout, keep your eyes open. I think the Lone Ranger's in this part of the country. The Lone Ranger? Well, great Scott. He knows you and me by sight. That's why I said keep your eyes open. How do you know the Lone Ranger's around here? I don't know for sure. But a couple of men were seen near Rock City.  The other, an Indian, rode a pink. Yeah, the Lone Ranger in town. Don't know doubt of it. But do you think they're looking for us? I don't know. We heard they were on our trail before we left Colorado. Maybe they still are. Maybe. Let's forget the gold at Cold Spring.  No, but the Lone Ranger's smashed a lot of strong gangs. If he gets in our way, we'll kill him. Soon after Slutkin left the shack, Larrabee saddled his horse and rode to a hideout in a cave. There, without mentioning the Lone Ranger, he outlined the plans to Jake Smith, another member of the gang. Jake was enthusiastic. It'll be a pushover. I told Slutkin you could round up the rest of the gang. Oh, sure, sure thing. I know we're all four of the boys are hiding. Hey, but Larrabee. Yeah. Two of the gang were killed in that last job. Count and you, Slutkin and me, there'll be only seven of us. We had nine men on our other jobs. I'd like to have nine on this one, but we haven't got them, so we'll have to get by with seven. Do you want me to come to your shack and tell you how I make out? Yeah, you know where it is. Oh, sure, sure. I'll see you there. Probably tomorrow night. The following evening, soon after dark, Jake Smith sat in Larrabee's cabin reporting on the success of his mission. All four of the boys are enthused about the cold spring job, Larrabee. Oh, and see, I've got some more good news. What's that? You know, you said you wish we had nine men instead of only seven? What about it? We got them. Who are they? A couple of gunslingers I met on the trail. They're dodging the law the same as we are. One of them described the boss and asked if I knew where he could be found. What'd you tell him? Well, I didn't give him any information at first. I questioned him until I got the idea that he and his partner wanted to join our gang. So then I told him to prove themselves by meeting us in town on Saturday. We can use extra gunman. How'd you know they're dodging the law? One of them wore a mask. What more do you want? A mask? Yeah.  Jake, what about the other man? Tell me about him. He's an engine. He didn't have much to say. Ninja, riding a paint horse? Yeah. How'd you guess? Jake, you're dug.  Well, what do you mean? What's the matter? The mask, man, is the Lone Ranger. We'll continue our Lone Ranger adventure in just a moment. Over the country in every direction How ya doin' in the question And here's what the happy people have to say Oh, we need, then do do do do An okay okay Sure. Take champion Bob Coosie who can really make a basketball do tricks. Bob was born in New York. Plays with the famous Boston Celtics. Leads them all in fast break play kuzi knows the champion way starts his day the weedy's way take neil johnston another great champ from the east say neil has been eating weedy's since he was three feet tall instead of six foot eight grew up a long ways on him didn't he mighty appetizing eaten and there's a whole kernel of wheat in every weedy's flake now to continue when jake smith reported to larabie about his success in rounding up members of the gang he told of meeting two other men who he thought were outlaws and who wanted to join jake and the others for the raid on the stagecoach station as jake described the two strangers larabie immediately identified them as the lone ranger and taught a lone ranger are you sure yes did you tell them the plans for saturday well i reckon so many knows we're planning to rob the stage station well let me think let me think we got to do something one ranger knows that seven of us plan to steal that gold yeah you figure on catching us when we get into town and he really get all the help he needs can't line up more than a dozen men in cold spring it doesn't be plenty we could just get more men on our side surprise the lone ranger by attacking with twenty or thirty men i wish i knew where we could get another gang that we could tie up now i uh... i don't suppose red eagles panty red eagle why do you mention him well i saw him in his band of renegades while i was riding they're camped in a valley south of rock city well great i know red eagle you do yes and i know i can get them to join us those indians are always ready to plunder a town if they're sure they can get away with it and why haven't they raided rock city they'd have to fight too many men in rock city but cold spring will be different we'll get that gold and kill the lone ranger let's go and talk to red eagle after meeting jake smith on the trail the lone ranger had written toward cold spring while tato followed the outlaw to larry's cabin there in the darkness near an open window the indian had overheard the conversation he moved softly away from the window to his horse some distance from the hideout and leaped into the saddle get him off his couch later that evening slotkin sat in the office of the stagecoach station with hank dovey and bob latham glancing repeatedly at the big iron safe that held the chest of gold the outlaw spoke disarmingly hank it's mighty fine of you to let me share your living quarters until monday glad to have you slotkin fact is bob and i are glad to have someone help us guard the gold i'm just sorry we don't have better accommodations than a couple of rooms here at the station when did you decide to quit prospecting mr. slotkin yesterday when i got back to my camp i realized what a lonesome life i've been living decided i'd have enough of so today i packed my gear and came here to wait for the next stage going back what i came from he's mad a stick of dough shoot i'm not armed i want you slotkin and i don't be i know this man he's a crook that's not true and i'll prove it slotkin's an outlaw and the leader of a gang i'll take your gun slotkin as the lone ranger advanced to disarm slotkin bob latham with the recklessness of youth suddenly charged i'll show you rather than shoot the youth a mask man dodge defied slotkin seized the opportunity to draw his gun he and the lone ranger fired slotkin's bullet went through the lone ranger's sleeve without touching his arm the mask man fired more accurately you murdering crook that man is a crook bob he's wanted in colorado for robin and murder he's used several names but the scar and birthmark on his cheek are positive identification i have a handbill that describes him now where is the handbill in my pocket don't any of you try a fast move while i'm getting it i'm still covering you but i can shoot fast here's the handbill doby also a letter signed by the governor of texas it identifies me holding a gun in one hand the lone ranger cautiously extended the handbill and the letter toward hank doby the station master read the line then exclaimed great day bob this man's the lone ranger the lone ranger and he's right about this crook he is wanted by the law doby you were a marshal's badge have you any handcuffs i sure have and i also have a room where we can lock this critter up what about my bust at hand i'll guess it for you after your handcuffs here's the handcuffs slutkin and his gang plan to steal a chest of gold so that's your game ain't slutkin i'm not talking where's the gang they'll meet here in town on saturday doby if you'll deputize some townsmen we may be able to capture all the crooks i'll do it as soon as we jail slutkin i'll tell you what i've learned about the crooks plan bandaged and handcuffed slutkin sat in a strongly locked room with bars on the windows while the lone ranger told of his meeting with jake smith the mask man had just finished his account of the outlaw's plans when tonto rushed into the office he must have it tonto what's wrong me follow jake like you say him meet crook named laraby him tell about you that'll be no you lone ranger is this the engine friend you mentioned yes doby gang know you not crook now them change plan what are they going to do then get ready to help ready go him that run a gate indian them help outlaw if those indians come here they'll burn down the town then come here doby how many men can be counted on the fight only about a dozen able-bodied men in the town there's generally a few prospectors here from the mountains they need that attack we'll need 30 or 40 men then we'll lick before we start because we can't get them 40 men might as well wish for the united states army that's it doby huh the army we'll try to get help from fort cofford colonel russell's been trying for a long time to run down ready goes pack this is his chance but the fort a long way from here the attack is planned for noon on saturday the troopers can be here if they leave the fort tomorrow morning but it'll take us till tomorrow night to get word to the fort the colonel will receive word tomorrow morning no not even your horse can reach the fort by morning no but silver can reach rock city by morning and the telegraph is completed almost that far the telegraph you reach fort by telegraph yes tutto you stay here and help prepare for an attack we'll make a stand in this building huh me sabby i'll be back as soon as possible oh heaven help you lone ranger travel over that rocky ground at night is downright dangerous i sure hope that silver horse don't fall knowing how much depended on getting word to fort cofford at the earliest possible moment the lone ranger rode hard come on silver faster big ball faster soon after daybreak he brought his exhausted horse to a halt at the construction camp of western union he saw the man in charge identified himself explained the situation and then a short time later the urgent call for help flashed across the newly strong wires on saturday at noon a band of over 30 heavily armed murderers rode toward cold spring red eagle and his sandwiches carried modern repeating rifles as well as knives and tomahawks the outlaws had rifles in their saddle scammers and six guns tied to their thighs larry riding next to jake smith said glad we changed the plans might have been trapped if we'd met in the cafe yeah this way is better lone ranger is going to be mighty surprised when he sees what he's up against there go to that skin come on boys here we go inside the fortified stagecoach station the lone ranger having returned from rock city heard the distant war cries and shouted here they come take your firing position and start shooting when you're ready i'm ready right now the outlaws dismounted and sought protection behind buildings boxes and barrels near the station the apaches stayed on their horses firing through the windows as they dashed past the building then turning to repeat the operation lay away from the windows don't move get your we got to get to the windows to fire then come again laws murder and redskins come on boys give it to us lone ranger seemed to be everywhere directing the defense shooting at the enemy and helping the wounded suddenly looking through a window he said the Indians are grouping for another attack and they're lighting torches torches yes they're trying to throw them to the windows of onto the roof as they ride past they'll set the place of fire they'll try to get ready with those panels of water here they come hey you're beautiful the soldiers they've come the soldiers the attack of the indians didn't get started hard-riding troopers raced into view glad of the chance to bank which ready goes illusive pack neither the indians nor the members of slotkins gang had a chance to escape some were killed the others many of them wounded were captured after the fight hank and bob stood in front of the station with a lone ranger and tato they watched the troopers riding away with the prisoners both outlaws and indians the colonel told me the troopers would make camp a few miles from town they'll rest the horses and start back to the fort tonight i sure hope they keep close watch on slotkin and ready to know those others don't worry hank those crooks are through thanks to you sir thanks to the courage of every man who fought well hello we have worked to do elsewhere he used to the big floor and right came a gosh i hate to see you go you'll probably meet again adios barb hank adios you buy come on bob you can hold your head high and be dog gone proud how's that uncle hank you fought side by side with the lone ranger a copyrighted feature of the lone ranger incorporated is produced by tremble camble murin incorporated a part of the lone ranger is played by brace beamer your announcer fred foyer listen to the lone ranger brought to you by special recording mondays through fridays at this same time