What is going on guys, welcome back to the channel and I appreciate you being here today. I bring you all of the new Exotics Tess Everest offers within Tess Everest or Everest or whatever that is called. People have been so long in this game I can't even remember but damn season 3 has just started and so many things she has got are unbelievable and I'm not even hyping up people. You wait until you see these, you wait. But guys if you do enjoy the video leaving like it really does help me out and I do appreciate you being here. If you are new around here and enjoy daily Destiny videos be sure to subscribe. Now I've literally just got in the game and I've come straight to Everest and I just had to have a look through these new well renamed writing grams, prototype writing grams so we have to inspect and we've gone and have a look at the Exotics now we've got all of these but we'll go through these anyway so don't worry about that.  Now Armours, these are just basically the new Everest armour which looks pretty cool, not going to lie looks pretty cool but let's have a look at the ornaments, let's have a look at these ornaments, look at these, look at this, an ornament for the Telesto bread from below. Oh wow looks amazing, looks amazing, we then have Heaven's Vigil for the Vigil Swing which looks pretty cool too, doesn't look like it's rendered in properly there on my screen, but it has. Weird, looks pretty cool though and my phone's vibrating, that's where it's gone off. And we've got this beast here which looks amazing probably to see that in air previews. Oh look at that, a volcano, let's not say quirk star, looks amazing, looks amazing. And then we have this one here the Bray Legacy and this is for the Volocilance which is a new exotic which has come with the Warmind DLC which we don't know how to get as of yet, that looks so good though. We then have the Devil's Work for the Huckleberry SMG which looks pretty cool, pretty cool and then we have people, you wait for this, are you ready for this? You know the World Line Zero, the newly announced exotic sword, check out this skin, check this out, oh my life, how epic does that look? I mean positive, infinity, I mean I'm guessing something shoots out of this thing, yeah, straight up the blade, I mean wow, just wow people, wow and then we have the Hypno Pump pick bling sleeper simulant thing, I think that's how it says Hypno Pump pick, look how good it looks, I knew this weapon was coming back, I knew this was going to come back and then we have Cupidly Men, the original Su-Shui-Ji ornament because as we know now it drops and it looks like a different colour and now you can have an ornament on it if you want to look standard which is pretty cool, I thought it would drop back to be honest, not going to lie and then we have Armor Ornaments, we have Thunder God for the Raiden Flocks chest piece for the Hunter which looks decent I suppose, we then have the Warpainted for the Fortress Hunter helmet, let's have a look at this, I'm not sure about the sideburns, not going to lie, we then have the Deep Pockets for the Lucky Pants Hunter boots which I was never really a fan of, anyway just the design of them don't look that great, actually I do like the belt, that's about it, we have the Endless Loop, these for the ACB slushy, your feedback thanks Gornish for the Titan, let's have a look at these, I can't preview them because I'm not on my time, I apologize about that but we can still see them, they still look pretty cool though, we can see, we can see all these, look at that thing there, wow, wow, let's have a look at something else then, let's have a look at the the gold shells, look at this discol-ball skyline flip side shell, are you kidding me, it's a discol-ball, it's a discol-ball people, that's ridiculous, that is ridiculous, oh what else do we got, we have the Burst in Wisdom shell which doesn't quite look like, it looks like a watermelon if you ask me, don't quite look as good as that discol-ball, we're not going to lie, I would definitely like that, I would definitely like that, what else, we've got Emotes, let's have a look at some of these new Emotes, oh we've got four so far here, we've got Kurt and Cool, what we've got here then, oh wicked, wicked, I love them, fireworks, sick, that is amazing, that is amazing, then we have Homerun, oh that's epic, that is, that's the one I want, I want that, then we have Popcorn, Popcorn, hey, this was just recently added to Fortnite Season 4, pretty cool, pretty cool, okay so what else have we got, I ain't going to go through everything, just the exotics because that's all we want to see people, that's all we want to see, so what we've got here, we've got Sparrows, we've got Ian Drive, what is this, Lost Artifact of the Golden Age, oh look at this, this looks amazing, what else we've got, we've got the Vespulazer I believe that says, which looks okay, Warmind themed, obviously war set incoming, pretty cool, pretty cool, and then we have, I can't even pronounce that, Tron, that's a Tron bike, Primer used on Ice Caps on Mars during the Golden Age, that looks pretty cool, not gonna lie, that looks pretty cool, okay so what else have we got, what else have we got, then we've got ships, look at the ships, we have Alasa Legend which is some, I hate these small looking ships, I hate them small looking ships, Shadow of Trespass, what we've got here then, Dampen Hole Helped, Avoid Detection, that looks pretty cool, it's Broken and Rusty and Old School, looks good, and then we've got this one here, Hoban Splimps, okay what the heck, satellite TV inside this, looks pretty cool, pretty cool, okay not gonna lie, looks pretty cool, and what else we've got, I think that might have been it, we've got a few Shaders and Mards, I don't think, now we've got the Warmind Shaders here, we can have a look at these actually, why not, why not let's have a look at these, what they all look like, on my beautiful looking Hunter, with that new monarchy gear, that one went that great to be honest, Mars Sunset, see now that I'm liking, I'm liking that, Carjula Brista, wow, Ancient Republic, beautiful, beautiful, beautiful, and then we've got, I'm not gonna pronounce that, they make sure that the Hulk, and then we have Buffer Overflow, okay, let's have a quick look at this then, damn I'm liking that too, Spider-Man looking good, looking good, looking good, and I believe that is it people, we've got a few new things here, but I can't actually view these, kind of view this, but yep guys that is it, these are the new Exotics Eververse offers, and damn they are great, and they are epic, and I cannot wait to farm these, I really can't, but guys that is it for another Destiny video, if you enjoyed it, leave it a like, it really does help me out, tell me what Exotic Ornament or whatever Exotic Test Eververse offers was your favorite today, thanks as always for stopping by, and hopefully people I will see you on that next one


All right, hey, we had a question about literally on our YouTube about filled underwriting, about doing a video about filled underwriting. And I'm not going to go super deep because my biggest suggestion when it comes to filled underwriting is keeping it simple. I don't think you should contract with 69 carriers. I don't think you should try to do everything that everybody else does. I think you should focus. I think the biggest reason why interest agents fail is they get distracted. Focus on a couple carriers that you can learn the underwriting guide and the health questions backwards and forwards inside and out. You can recite it just like you can recite the alphabet, but keep it simple. I think it's one of the biggest things that happen is agents get out in the field. They have this big little tool bag. They have a lot of carriers and they don't know what to do. And the biggest reason why we don't make sales is because we aren't confident that we're going to make it. When I show up to a home, when I take a phone call, if I don't make a sale, I'm upset at myself because I expect it. When you go to a face-to-face appointment, when you get on the phone, when you're trying to set an appointment, you've got to be more sold that you're going to make the sale than the client is on you not making it. So when you're thinking about underwriting and filled underwriting, think about keeping it simple. They say riches are in the niches. I've never been one to sell a lot of different carriers. I'll find one, two, three carriers and then I will go full bore with those. That's all I'll sell. I can win trips. I can win bonuses. I can win lead credits. I can earn extra commission because of my production. And I can keep it simple and be an expert on that insurance carrier, the filled underwriting of that insurance carrier. So when you're thinking about filled underwriting, most people say, hey, you need to study. It's like an encyclopedia of carriers. You got to know all these different underwriting gods.  People succeed because they stay focused. So keep it simple, sell a couple carriers and become a master and know those inside and out. So that's my suggestion for whoever commented and asked about filled underwriting.


We have an FOI law since 2008. Basically it says that every information or data that the states produce belongs to the citizens. The FOI law in Hungary is quite a progressive one, but the problem is that it has been amended in 2013. The FOI requests that are vexations can be denied by the authority. The access to information at the law that was passed in Rwanda in 2013 is actually very strong compared to what I've been hearing this morning at a liver telecon. So it requests that people provide any information in three days maximum. Information officers can say it's going to take a little bit longer than any bias in another week. So three days for everyone in the public, two days if you're a journalist, one day if someone's life or liberty are at risk. In Australia we're lucky to have quite good FOI laws, but they're disastrously not used. And so we created rights and knows to make people more aware of their FOI rights and hopefully to get them to start making requests, which Australians typically don't do. So anyone has the right to access information that public authorities hold and that's in the form of documents. So whilst you can't ask for information, you can ask for any document that they hold currently.


For those of you who don't already know me, my name is Cary Miller. I'm a lead developer at Blue Box Group. We have a table in the vendor booth, I'm obligated to mention that. Failure for Funding Profit is the title of my talk and I thought I was being ironic when I named it Funding Profit and I saw there were three other talks named that. It's kind of a silly title really because I'm not really gonna be talking about failure and I'm only tangentially gonna be talking about profit. What I am gonna talk a lot about is having fun and how you go about that. Failure isn't fun at all and none of us really want to fail and none of us expect to fail and yet we take risks every day. It's really important for us to take these risks because that is really the only way that we ever learn anything by pushing our boundaries and seeing where the edges of our knowledge are. If you're not making an absolutely glorious, exhilarating mass of your code on a nearly daily basis, you're not really progressing your knowledge. You're getting to done, but you're not expanding. Nasser Dean said that good ideas come from experience and experience comes from bad ideas. So go have some bad ideas, get some experience. It sounds a lot to me like the scientific method. When we're not acting like scientists, we're not really pushing these boundaries. We're not creating a hypothesis. We're certainly not testing anything and we're never actually really adjusting our results to account for the new information that we have. The scientific method also is the agile cycle as well. The real purpose of the scientific method is to make sure that nature hasn't misled you into thinking you know something you don't actually know. Robert Pristick said that in Zen in the art of motorcycle maintenance and it was really this book that got me back into programming after a five-year stint to Amazon. I took tears off and became a poker player and I didn't really know how I wanted to proceed. I was stuck, I was absolutely stuck and I wasn't having any fun. Then I realized that I could know anything I want to know. I merely have to approach it in the right way. You need to ask questions that you think that you have answers to already in order to validate that information to see that the world hasn't changed out from underneath you. I mentioned being a poker player, I have a few other hobbies. I was a sous chef briefly. I'm a long distance hiker. I spent a year and a half as a marionette puppeteer. I fix vintage Vespas. I'm a self-representing glass artist which means I get to check from Etsy every week. It's usually single digits, but that's okay. I put that up there not to say like how cool I am because I think my hair shows that off pretty well. But the point is that consistently I've always struggled with being a novice, with being completely out of my depth and not knowing what I'm doing. And so often I see people struggling against the same exact problems. How do I progress forward? How do I learn something? Getting stuck on problems for weeks at a time. The experience of being outside of your element is scary, it's intimidating, and in the end it's absolutely thrilling. You need to find that fun in that moment. Mihai Chikset and Mihai said, not all experiences may be particularly pleasurable at the time they're taking place, but afterward we think back on them and we wonder why they last. What was really fun about that moment? We wish they would happen again. An enjoyable event, we know, has changed us and ourself has grown. Why do we stress about learning? Why do we stress about not knowing what we know and not knowing what we don't know? We'll run some lead a moment there.  It's scary territory to find ourselves in. But inside of all of us there's a reason why we got into this field to begin with, because we wanted to solve a problem, because there was something interesting to do. I think we also all remember being children on a playground at some point. And none of us really knows or cares how many games of tag we won or lost, but we had fun when we were doing it. So why can't we have that fun with our work? Really it's the risk. It's the risk of failure, it's the fear of it all. If you want to learn something new, reduce that risk, take away that fear, redefine failure into a data point rather than an event that happens to you, find the excitement that got you into this begin with.  So what I want to talk to you right now about though is how I became a pool shark in about a week. When I showed up at Blue Box, I immediately saw that we had ping pong tables, kegerators, and a pool table. And now I love pool. I did mention I was a poker player for a while. So it's been a lot of time sitting around at green tables, betting money on cards, and listening to people talk about golf or sports betting and pool.   It didn't really work out that way. I played a lot of pool, sometimes for money, but it was never very good. Six months ago, if you saw me in a barn, you challenged me to game a pool, you were going to win. That simple. So the first time I showed up at Blue Box, I said, hey, come on over here, play a game of Calvin pool, Calvin pool. What's that? I mean, I know eight ball, I know nine ball, I know cutthroat. Calvin pool's a game that our principal technologist invented with his brother when they were kids and they were bored one afternoon in a basement. The rules of Calvin ball are really, really simple. When it's your turn, your opponent picks out the ball that you have to hit. That's it. You have to shoot the cue ball, hit the ball your opponent chose for you. That's it. You don't have to sink it. You don't do any magic. You don't care. The next shot's going to be just as hard. Absolutely amazing. It's so much fun. I can't even tell you. I got better really, really fast. I lost the first five or six games. Yeah, but I didn't get really good. I was holding my own and made some impressive shots. People don't want to play Calvin pool with me anymore. That went on for about a week and a half and I went out with friends and some said, hey, let's play pool. Cool. So I broke. Ball went in. So it's still my turn. I sink another one. Another one. Another one and I ran the entire table. I don't know if you know this or not, but if you sink all the balls in a pool game before your opponent even hits one, that's pretty impressive. So that's another game people won't play with me. Calvin ball or Calvin pool is a great demonstration of how we redefine failure. I was forced to make these impossible shots over and over and over again and no one ever expected me to make it. And even if I didn't make it, big deal. It's my opponent's turn. I get to screw that. That's wonderful. I could try anything I wanted to. I could try a crazy hop shot. I could put English on the ball and see how it reacts. I could do multi-cushion shots. It simply didn't matter. I was free to explore side effects. I was free to try the most insane thing possible. Learning a new program technique for me is just like that. I challenge myself to learn through exploration and trial, to have fun with it, to define it down until I'm just learning the one thing that I want to learn. I do it over and over again. I practice. I don't warm up. Push the edges. So why does taking these emphasis off of stress and failure actually work for our brains? You're probably familiar with the left brain, right brain. Left brain, right brain split. The left brain control, England math and logic. The right brain controls art, music, language. In general, this is pretty accurate. It's a little more complicated than that, but it's a good model. These sides of our brains are really delicately balanced. It's difficult to use logic and paint a picture. It's difficult to write a poem and do quadratic equations. You can focus on the shot in front of you, or you can worry about how you're gonna get home from the pool hall. Learning requires both of these kinds of thinking though. You need to have imagination and reasoning. Learning, in a platonic or socratic sense, is a discovery of truth.  You rewrite the algorithms that your brain uses to perceive reality. Cognitive scientists working with chimps were testing how these chimps reacted to stress by stressing out one group of chimps really badly. Turning the lights on and off, changing the temperature, kind of being a little mean to them. And the other group of chimps were really well treated, given their favorite bananas and fruits and everything. And they were presented with a pattern of dots on a card and given a treat whenever they could pick that pattern out again from a series of patterns of similar dots that are shown on a screen. Slowly, scientists would introduce variants on the original and reward them for picking those out as well. The groups performed equally well at doing this task. It's pretty standard. Scientists were eh, whatever. They took a break. They came back two months later and re-run the experiment. The relaxed chimps, the chimps that were given a really great environment, they picked it up like that. They knew exactly what was going on. The chimps who were stressed out, they couldn't remember that they were going to get rewarded for performing this task. Rats going through mazes have similar effects as well. And scientists have isolated this effect out. Small amounts of stress before, excuse me, small amounts of stress before we succeed lead to long-term lasting memories of that success.  When stress, the brain prioritizes the here and the now for survival. It engages the fight or flight response. Stress hormones flood the brain to increase our response time and that doesn't allow our brains to process the feeling of this was good, which is required for setting up abstract memories. So Calvin Ball did exactly this. It removed all of the stress, all of the risks involved, and put the emphasis on having a great time, having a beer after work, shooting a little pool. Everyone's expected to fail and we're trying to be mean to each other. It's all part of the fun and we have an escape valve. We can leave that game at any time. When we're stressed at work, we can't leave. We simply can't just walk out in the middle of a hard problem. For our brains, this kind of control, this kind of lack of pressure is really, really powerful. We seem to be wired to learn stronger memories more quickly from fun, exciting, stimulating environments that we are from stressful ones. We're designed by nature to flourish through play. In fact, we're one of the only social animals that has a hierarchy structure that encourages play outside of childhood and adolescence. Wolves, whales, tigers, lions, they all have play as children where the normal rules don't apply. But as adults, they become very strict societies. We don't have that. Our brains are made plastic well into our old age. Engaging in this kind of play appears to be critical for the development of the brain and continual learning. Elon Heisinger was a Dutch philosopher, a cognitive linguist, a cultural theorist, a little bit of physiologist, and he actually taught art history as well. He was, he did most of his work in the early 20th century. And in 1938, he wrote this really super influential book called Homo Ludens or Man at Play, in which he posited that the act of playing is an event which occurs within a specific boundary of space and time in which the normal rules of life don't apply. Play is done for its own sake and we play because it is fun. Play begins and then at a specific time it ends. And this sort of pulling ourselves out, pulling our brain out of the everyday world creates an outlying event that takes on significance. So if we wanna create specific memories that are static and stay longer than just the humdrum every day, do you take the bus? Did you get coffee this morning? We have to encourage this sort of play. We have to give ourselves space to play. We have to give ourselves space to fail. We have to take these glorious risks. We need to minimize intrusion and distractions, the things that pull us back to our normal world. When I'm trying to learn something new, I go to the Pacific Science Center in Seattle or the aquarium where they have wifi. And I just sit down there and look at Octopi, float by or the laser show. Not because the bandwidth's any better or it's less distracting, because it's different. It takes me out of the normal reality that I have. We also need a lot of time to learn things, which is unfortunate. But if we can give ourselves a solid block of time to say this is different, this place and this time is separate from our reality, to truly explore these side effects, we can sandbox and reduce the risk to ourselves if we actually do fail. We need a lot of courage. We need to give presentations at conferences. We need to rock climb. We need to use a different version of Ruby. So much of our daily life requires us to be domain experts and to find the exact precise solution to a problem because a client is on the phone or there's a deadline or there's some kind of pressure and something's on fire. Everything can be a threat then and we'll never get past just getting done to really integrate the knowledge. If we create the play space, we create new rules and we need to embrace them. We need to be confident that what we're doing in this time and place is normal and it's okay, even if we're acting as children, as novices. Some of the liberal arts major, actually I have two bachelor's degrees, both in liberal arts. So this is a really familiar slide to me and if you are at all familiar with, well, Western storytelling at all, you know about the hero's myth. This is the Joseph Campbell, Carl Jung exploration of, what is a story in Western society?  Something propels them outwards. There's a problem. There is a giant beanstalk that's growing up into the sky.  The giant's coming home early. They get a gift of some sort and then they return to their normality. They come home with a golden harp or the goose that lays the golden egg and they're forever changed by the experience. Their world has been expanded. Something is new. This guy is just having dinner one night and these guys show up and say, you're hired, cool.  Learning is like this. Learning is a heroic act in which we're voyaging out into the unknown and we're seizing fire of knowledge. We are Prometheus in this moment and we can be burned by that or we can face it down and we can integrate it and have fun with it and be playful. So what abysses are there? What is the unknown that we're, what are we afraid of? This is pretty bad. When we're afraid, our brain can find distraction in anything. When I start with an empty screen with no distractions, that's pretty cool. I've shut down Twitter obviously. Everything is gone. Everything's quiet. Nice. My local library. Got my noise canceling headphones on. Maybe a little skrillex, just a little bit. This starts. What am I doing to do? What do I wanna learn? Oh well, I wanna learn TDD. I wanna do, this JRuby looks cool. Where do I start? What do I do? I have a pull request I gotta review. And I've got a wedding I'm planning for. I should send an email about that. This happens to all of us. This is our brain. Trying to distract us. Our brain is afraid. Fight or flight is starting to kick in. It's pulling us away. It's saying, this is a scary place that we're in. We can fail. What if I write bad code? What if I don't write any code? I've just wasted an hour. I couldn't be productive. I could have billable hours right now. Why am I doing this? If you give yourself time to get past this. If you can be courageous and humorous about this, you can actually watch your own brain trying to self-destruct and implode. And then eventually it'll pass. And you'll be able to get on with your creativity. So you limit your distractions. You set aside time for yourself.  You're seeking this passionate moment of knowledge. Heavens to open up. An idea to strike you or a piece of knowledge. Ah-ha, I know this. This is awesome. We've all had that moment where you suddenly you're looking at code and you're like, oh, I get how this works or I understand maglev. I understand why this would be great and I know how to use it. What we're seeking is called an aesthetic experience. Sir Ken Robinson is an education reformer in the UK and he coined the phrase aesthetic experience and defines it as one in which your senses are operating at their peak when you're present in the current moment, when you're resonating with the excitement of the thing in which you are experienced, when you are truly and fully alive. That is an amazing place to be. We've all been there. It's called flow. Mihai Chictman sent Mihai said that flow is the enjoyment that appears at the boundary between boredom and anxiety when challenges are balanced with our capacity to act. In trying to have an aesthetic experience, we walk this balance beam between anxiety and boredom. We're pursuing flow constantly. We don't have control over our skill here. We have no skill. We're at the far left, maybe over by the S, depending on what we're learning. What we can control is we can control the challenge though. In a pool table, excuse me, at a pool tournament, you stare at the table and you try to figure out the shot, all the various complexities that are coming into play. Where's the cue ball going to end up? Is it going to come off? Am I gonna end up with a scratch? Am I shooting at the right ball even? Oh my God, it's a solid, but it's the eight ball. Where's the money gonna come if I lose this match? In Cowanball, the entire set of options were narrowed down. All the variables are removed, except for make this one shot. Why can't we do that with learning? We have too many options sometimes. We have far too many choices. I wanna build an awesome Degobot play set. So I go to the Lego store. Where do I start? I didn't get into Ruby for about six months because I couldn't get my SQL support to compile.  And it let that stop me because I got caught up in the choice of technology. I went down the rat hole of the somebody I was going to do. What do I name my gem? And I'm like, what's gonna be cool? Is there a Twitter account for it? Oh, it's okay, it's okay. Shoot, I gotta think of something else. What's on TV? That pull request is still waiting. These things like really, really knock us off key. So we gotta define some limits for ourselves. We gotta pick an unfamiliar technique. We wanna find something that we're unfamiliar with. If you're doing something normal every day, humdrum, try Hamel a little bit. Instead of ERB, maybe you wanna use Redis instead of Mongo. You wanna try and make life hard for yourself, but not too hard. You wanna stretch, you don't wanna break. You wanna find what's just out of your reach and grasp it. Let's get into deconstruction of problems where you wanna break the problem down to the smallest possible pieces and remove those variables. Find a simple and obvious task you understand and just solve it. Then solve it again, but do it differently with a different technology or redefine the problem. We're taking the problem apart, the technology that you wanna learn. You're gonna be able to find divergent thinking, alternative ways to get to that solution. You're gonna be able to see how those techniques really, really apply to getting you to done and be able to compare from version to version exactly how they influence your path and your journey from start to finish. And that will allow you to really integrate that knowledge and bring it forward. This is a user case that I use when I'm doing, mentoring or working with people after they go through Rails Bridge. This is a really simple user case. It's disturbingly easy. I've actually gotten into interviews. It takes two minutes of good linking with the algorithm. Two more minutes you're gonna find a repo full of eight different ways to solve it for 20 different languages. You're gonna find arguments about what the most efficient way to do it is, why you need to do it. We don't really actually wanna solve this problem. We wanna focus on how we solve it. We wanna pick a variety of ways to get from start to finish and see how it changes our path. These are six different ways that I've actually solved this problem. And each of them gave me something new to solve, a new area of technology to explore. Have you figured out the base user case of temperature conversion? Doesn't matter. Doesn't matter. What matters was I made it a gem. Cool, I learned a little bit about how bundler works. So then I did it with jeweler. And I could see how these different tools affected my workflow and the final product. It's easier to have a detached approach when you use these simple problems, the focus of what you're trying to do. Make an exhaustive list of everything you might do and the last thing on your list is what you should do. Which is a paraphrasing of the oblique strategies cards from Brian Eno and Peter Schmidt. Your 55 cards, the two of them came up with while Eno was recording an album and Schmidt was there painting away in the studio. It's what you did in the 70s. Some of the cards are things like use an old idea, emphasize the flaws, work at a different speed. What would your closest friend do? I had a set of these that are more specific to technology. And I use them when I'm stuck and I don't have an idea. Or when I want to solve these little tiny problems but I don't know what I want to do. I'm out of ideas. So what would my closest friend do? How would he solve temperature conversion? It's kind of interesting. Could I write code that looks exactly like his so he wouldn't even know if he pulled in my code into his project?  Because ultimately what we're doing is we're building models. We're building these little toys that are fun and exciting to play with or they should be. We don't really care if they break. We're kids in the sandbox with our toys. We've got Greedo over here and Princess Leia and they're flying in a TIE fighter and they're gonna somehow shoot down the one in Falcon and it's okay because it's just fun. At some point though, with childhood toys we did start to care because they became valuable where they took on emotional significance. And so these little toy problems that we should be building and we should be playing with certainly sometimes take on a little bit of value because we start to see like, yeah, I solved that problem really, really well. And now I wanna do something with it at work because I have a need to convert temperatures. Maybe the fans on our servers only respond at Celsius and all of our code works like Fahrenheit. Well then it becomes collectable. You can put it on the shelf like a toy and stop playing when it let it collect dust, hopefully rising value. Our version of that is of course putting it on GitHub seeing what happens. It might collect dust. Someone else might find value in it. But we should show it to our peers. We'd say, hey, what do you think of this problem? What do you think of the solution? Is this interesting to you at all? So that's what I did with Fizzbuzz. Everybody know Fizzbuzz? Anybody not know Fizzbuzz? No fear. Fizzbuzz is an interviewing question that got really popular about three years ago. You take the numbers one to 100 and print them in order. If the numbers divisible by three, print Fizz, if it's divisible by zero, five, print buzz. If it's divisible by three and five, print Fizzbuzz. It's really interesting, but it's a really fascinating interview question, or at least it used to be before everybody knew about it. And I thought it's hey, they had come and gone. And I interviewed a company and I got asked the question and I was like, oh, weird. So I solved it and there's a couple little tricks. I got passed it. And I interviewed for another senior dev position. I got asked it again. We got asked it four separate times in two weeks. I'm like, man, this is horrible question. This is like, man, why are man and hole covers round? Everybody knows this is the solution. Why are we bothering? So I was here in Boulder actually and complaining about it. And if my friend said, why don't you just solve it once and for all? And then you can put the URL in a business card and just say, pfft. Next question. So I did.  Now announcing fizzbuzz0.1. That was fun. I went into work next morning and one of my devs came and he was like, you know, that was pretty cool, but you got a bug. That was super embarrassing. So I released version zero two. That's funny, you know, you released the second version of your joke gem. It's on version zero five right now. Zero six is gonna go out next week. It's got a full test suite. I ripped it down and rewrote it with MiniTest for zero four. It works on all these versions of Ruby. It's got Travis CI, code climate built in. I'm not built into it, but you know, it uses it. But wonderful, wonderful code metrics and benchmarks and timing graphs to show you that zero five is awesome and zero six is even faster. It's mixed in. I've done some really wild flights of fancy with it. And that's fun because I have all the joy of fizzbuzz now. And of course, so do you because fizzbuzz.io is the world's first fizzbuzz API. I don't care what Twitter says. It cost me $79 and I'm proud of it. But you can get your fizzbuzz results in JSON or XML or HTML of course. I don't know why you'd want to because it's a service. So that's funny, but there's more. Yeah, so I had go learn Facebook logins. That was a pain. So I did it for fizzbuzz. This version will passes out using a QMP to EC2 instances to process fizzbuzz results. Doesn't matter. Doesn't matter that it's just dividing by three or five or 15. It doesn't matter. What mattered was how do you use a message queue? How do you spin up a EC2 instance and then process? It works with Twitter. It's got its own Twitter account. I managed to get that. It's got SMS and email delivery built in. It's great. You can actually send me your fizzbuzz results. I better turn that off. Again, each of these was an experiment. Each of these was a spike in the traditional sense. Not a spike of let's work really hard for a day and turn out some project, but let's spike. Let's just do something and see what the effects, you know, what does this technology mean for our legacy code base or for the Greenfield project we're working on? We're gonna throw it away. So we don't care about the execution. What we care about is the path and the journey and the knowledge that we gain along the way. We care about the gifts that we get from Gollum and how we're changed when we get back to our village. So not everybody has time for this. A lot of us are really super busy. We have projects and clients and maybe we're searching for jobs. Maybe we're going to school. That's okay. There's other ways to supercharge your learning besides doing something funny. Pair programming is amazing for this. I don't pair program enough. I don't get to as much as I'd like to. But every single time I do, I learn something new. And when I do, I write it down on a separate little post-it note so that when I can get back to my desk, I can go read a man page. I saw somebody use get re re re yesterday or earlier last week. Anyone get re re re re? Re rebase? Weird. Replay re, replay, record replay rebase? It's an amazing command. But I would never have found out about that. I found weird flags on grep. I've been using grep for almost 20 years. Where did that come from?  I'm just a student. What do I do next? I don't have anything to show. People want to see my GitHub account. Experience developers do this too, especially if you're working in a closed source shop. Well, go adopt a gem. Go find somebody else's fizzbuzz. Hands off mine. But go find somebody, somebody posted a zero one or zero two of some passion project that doesn't do anything. That's 300 lines of code and doesn't do anything except print herpaderp. It doesn't matter. You can find something to refactor about it. I know you can. Or add tests for it. Or something, write it in a different language. But do it and send it back to them as a pull request. You'll have made their day. You might make a friend, an internet friend maybe, but you're gonna learn so much about seeing somebody else's code and working with it. The other thing I really encourage you to do is teach.  Go teach something to someone else who doesn't know it.  Do not come find me and try to teach me something important like how to speak at conferences. Teaching acts as a focusing lens. It's exactly like rubber ducking. And the reason that it works is we have all these abstract logical ideas in our head about how programming works, about how computers talk to each other. And as soon as you have to engage in the person, you're flipping over to the right side of your brain where all the empathy and social cues and language are. You're taking this logical thing and turning it into an abstract thing. In that process you'll be like, I don't know how to explain this. I lack the language and you're gonna learn a lot by the questions that the novice asks you. Far more than you're gonna get by doing the same commands over and over again. Two other things that I don't have sides for that I really, really tell people to do is go to a study group, find people online to go through Ruby columns with you. I'm starting a group in Seattle for project oiler problems where we just fork a repo and then we submit at the end of the week, this is my solution to this mathematical problem. How many people are familiar with project oiler? Some of you, okay, it's a set of a few hundred mathematical problems and the goal is to basically solve them in the most efficient way possible. But I can say, hey, here's my solution.  Or maybe we'll have a, maybe ours are both equally performed but in different ways. And so I'm gonna learn technique from you and you're gonna learn technique from me and we're gonna have a conversation. It's not only good for us as individuals, but it's good for us together and it's how we start to build that community and keep that community going. The other idea in that is to start a book group. It's a little Oprah-ish, but there's something really great about reading a book like Goose or Sandy Metz's practical object-oriented movie. Go read it and come together in two weeks and talk about it. Because ultimately, this quote is the point. Chuck Close said this, he was a photographer in New York City, is a photographer, I suppose. And he does some amazing work and he speaks quite a bit about inspiration. We need to get his inspiration. And I first came across this quote because I said, I said to a boss, I'm just not inspired to work on this project. And he looked right at me, he said, inspirations for amateurs. And he walked away.  And I looked it up later because I thought he was a genius. And I thought he just stole the quote. Inspirations for amateurs, the rest of us just show up and get to work. When you do the work, you will become ready for when inspiration does strike you. If you just sit around waiting for a great idea to write in J. Ruby or how you're gonna rework with Ruby 2.0 and Rails 4, you're not gonna be ready for it. You're not gonna have the skills to actuate your ideas. And most inspiration actually comes from when we are doing something. And we start to see these connections between these concrete things because that's how humans learn. We know hot things burn us. We know that pots are hot, ergo, pots burn us. Two concrete things, two concrete facts that we know connected by an abstract connection. Because ultimately, that's what it's about. Humans are the ones that look out and say what's there? We're the ones that say yes, but what's next? Where do I go from here? What's around the corner? What's over that horizon? If we just stay in our safe place, we just stay on the shores of our knowledge? If we never set forth and find out are there actually dragons there on the map? And we're never really gonna know, are we? So that's me. It's been fun. Thank you very much.


Hello! Good morning. So I guess good evening is when I'm posting this? Anyways, for today's video, I am going to finally be doing my Auric review, which is Samantha Rabindoll's brand. So I picked up one shade of the Glow Lust and then I picked up three shades of the Smoke Reflect, which is all three shades that she came out with because I'm indecisive. So if you want to hear my thoughts, then just keep watching. Hi guys, if you're new here, my name is Morgan. I am a Product Knowledge enthusiast. I just love knowing anything and everything about all of the new makeup on the market. And when a YouTuber comes out with a brand, it does excite me because I can only imagine how that feels. Particularly Samantha Rabindoll, I mean, what I can say about her is I have learned so much from watching her videos in the past. I think she's a great teacher and she definitely doesn't give herself enough credit for how great that makeup she has, how well she explains things. You guys know I've been watching YouTube since I was 13. I'm now 24. So through the years, I mean, I really have learned about makeup from her, particularly from her past videos when she did more tutorials. So I was very, very excited for her brand and I'm a little bit late on this. So I thought I would take my time. So this is like going to be the fourth time I've actually used this product. So I have my thoughts on it set in stone. So I figured if I can't be first, I'm going to give you a quality review. So that's what we're going to do. I don't have a lot of time nowadays to give thorough reviews with thorough testing because like work. But this one, I can tell you I've worn these products a few times. I definitely have, you know, my thoughts set in stone about it. Let's start off with the glow lust. So this is the complexion product that she came out with. And here's what the box looks like. Very beautiful. I must say I took some product shots yesterday. Very photogenic. Everything about the line. Even the box. So that's what it looks like. So this product has 1.18 fluid ounces, which is really great compared to the Charlotte Tilbury, which is just one fluid ounce. And I'll get into my thoughts comparing those two. But I wanted to say that before I got the product is made in Italy. If I ever came out with a makeup line, which never say never, but I don't think I ever will. It would be an Italian makeup brand. And it has a 12 month shelf life. So I ended up getting the shade Selenite. And here's the packaging. This is supposed to be like a gold drip. It's very luxurious packaging. This is comparable to, you know, like my luxury products. And the price point I would say is on the lower end of luxury pricing or the higher end of high end. So her brand is kind of a luxury brand. So this is $45. Again, not not cheap, not cheap at all. It's beautiful. I love the packaging. And I actually did my first impressions on Instagram. If you missed it, you missed it. It went away and who knows what. But I did a whole first impressions on my Instagram stories. You saw, I did struggle with this top opening it, but it has loosened up at this point. So it does have a pump. That's what it's called. And like I said, I got the shade Selenite in this line. There are one, two, three, four, five, six, seven shades, which is a great range for something that doesn't have, you know, a lot of pigmentation to it. I got the second to lightest. So the lightest one was Morganite, which I was like, I probably should get the one because that's my name on it. You know, it's like it meant to be, but that one is a light cool beige and I prefer a little bit more warmer tones. I have more of a, I would say a neutral undertone because I can wear both cool and warm tones, but I prefer warm tones. So that's why I got Selenite anyways. It's a really great shade for me. So I did want to do a comparison and a lot of people have done this. So I'm not going to harp on this too much of the Auric versus the Charlotte Tilbury Hollywood flawless filter because these are definitely two very, very similar products. So I'm just going to swatch Selenite from you from Auric. So this is what it looks like, like that. And obviously it spreads out a lot and it's not going to be quite so thick. And then I have two different shades from Charlotte Tilbury. So Charlotte Tilbury has a doe foot. So here is shade one, that second one down and see it's a little bit lighter. And then I also have shade three. Shade three is what I use kind of all over my skin. It's pretty close to Selenite, a little bit warmer, a little bit deeper. So that last one right there. So you can see how those three shades compare. Now immediately what you can tell just by swatches. One, the Auric is a thicker consistency. It's creamier whereas I feel like the Charlotte Tilbury is more liquidy. And then also because the Auric is thicker, it has more coverage as well. So I don't know if you can take a really close look. Like you can see the lines on my hand more from the Charlotte Tilbury. And then you just get some thickness from Miss Auric. I'm going to just go ahead and apply Auric all over. And I'll tell you how this is different from the Charlotte Tilbury. But my favorite way to apply the Auric is with, is it Auric or Auric? I think it's Auric. I said this was a thorough review, but I'm probably saying everything wrong. So I'm using the BK Beauty 101 brush. I like to spread this out with a brush. You want a brush that's not too flimsy. You want it to be a little bit more on the dense side because this is a thicker consistency and creamier. Otherwise the brush is not going to spread it out. Honestly, I just kind of go ham and blend it out. You can absolutely use your fingers as well. But I try not to use my fingers, but I'm normally not successful at that. But anyways, so this is a light layer and you'll see already look at that glow. And I did a very, very light layer.  And then I'm going to go in where I want a little bit more coverage or a little bit more highlight. If you're my skin tone, I love this shade. It's perfectly blends into my skin tone. Like I said, make sure you're using a denser brush because this isn't exactly the easiest to spread out because it's not liquidy. It's more of like a cream, but one layer.  I think it makes me look a bit sweaty. I don't find it exactly to be flattering. But let me show you something that is awesome about this product that you certainly cannot do with the Charlotte Tilbury. This actually gives you a little bit of coverage. It's a light coverage.  As far as how the shine looks, I did a side by side yesterday. The Charlotte Tilbury is like a tad, a tad, tad, tad more metallic whereas I feel like the Auric is a bit more glowy. It's less shimmery and more like wet looking, but very slightly it's kind of hard to tell, if I'm being honest. But that was me, you know, really close to a mirror. But I think where the main difference between the two products is going to be, one is that you get more coverage with the Auric. So you can almost use it more so as some type of complexion product to get a little bit of coverage. My favorite difference between the two is the Auric since it's more creamy, it's much more moisturizing on my dry skin. With the Charlotte Tilbury, I feel like I need to put down a moisturizer first and then I'll go in with this and it's a bit more drying. Whereas the Auric, I feel like I don't need a moisturizer because this feels like a skincare product to me. It's very moisturizing. I just feel like I'm applying like a shiny cream to my face. So that is where the differences are as far as wear time though. I will say this. I did yesterday side by side Auric on this side, Charlotte Tilbury on this side. The Auric side got oily significantly faster than the Charlotte Tilbury. Like it was a clear difference that this side was oily, this side was not. Keep that into consideration. You know if you have oily skin or how much you powder with because the Charlotte Tilbury does wear better, but I much prefer how the Auric treats my skin. So those are the differences. Anyways, so you can apply this in many ways. You can put it all over the face first, which is personally what I prefer to do as a base. And I like it to peek through the foundations. You can mix it in with foundations. I personally don't like that as much because I feel like the product gets lost in the foundation and the foundation takes over. Like I said, you can do that. It's not my favorite. I watched Michelle Wong's review and I love what she did. She actually applied this all over as a foundation, but she put a powder foundation on top and she said that kind of muted where you looked really oily and sweaty and it looked beautiful on her skin. So if you are looking for a way to get super glowy skin, light coverage, I would suggest and I haven't tried it myself, check out Michelle's video to apply this all over as if it were foundation and then put a powder foundation on top and your glowy skin will show through. You can also use this on top as a highlighter, which I will show you in a few moments. The type of foundation that I like to wear on top and you can use whatever foundation I find that this works very well with a lot of products. I like to use this with a light coverage foundation or a light layer of foundation. It doesn't necessarily have to be light coverage, but if you just apply a little bit because the glow on this, it's beautiful. There's not a bit of shimmer to it. Alone, I do feel a little bit tin manny. So I haven't tried it with a tinted moisturizer yet. So I'm going to use the Colourpop Pretty Fresh Hyaluronic. I've been using different foundations on top. They've all worked great. I just made sure I applied, you know, like a light layer. So I'm going to use a brush, the same brush on top just because I want that light coverage. And if you have not used BK Beauty brushes yet, you're missing out.  I'm a sponge girl, but BK Beauty changed that for me. So like I said, I'm just going in with a little bit, just a light layer to tone down and give extra coverage. But I have used foundations with higher coverage and it still looked beautiful underneath. So I'm kind of experimenting in this review as well. So that's all I'm going to do as far as foundation. I look very, very sweaty right now looking at this because I mean, a tinted moisturizer is a very shiny product anyways and very light coverage. That's okay.  I'm going to use my NABLA smoothing press powders and we're going to see how that works. So I'll be right back. So I just did my eyebrows and I did concealer and as time has gone by and my skin has dried a little bit, the dewiness has gone down as well as the concealer I think helped. I want to show you how this product looks on top of foundation I don't have powder on yet because this makes a stunning liquid highlighter. I'm not into liquid highlighters.  I'm going to use my BK108 brush. But why I think this works so great as a liquid highlighter is because it has that extra bit of coverage. It's harder to see if the foundation moves.  Whereas I feel like with this product because it has a little bit more thickness and a little bit more coverage, even if it does move the foundation, it's harder to see that line of where the liquid highlighter is at and the glow is just obviously I really love this product. I think Sam killed it with this. Obviously the Charlotte Tilbury is the product that is like this on the market but as far as this texture and this formulation goes, it's very, very unique. And I'm choosing not to use a brush that's more dense because since the brush is lighter it's not going to move the foundation around and you can see that the highlighter has just melted into the skin. Okay, so now we're going to go over what powder does. I want to set my under eyes, underrated product, the NABLA Smoothing Pressed Powder gives a little bit of coverage, softens the skin. I'm going to start off with the Shea Light. I want to set right underneath the center of the face. So this is going to aid all of that oiliness. I don't want to cover myself into much powder because I do enjoy a glow that we have going on but you want to apply powder in areas that do get oily first because just the nature of what we have going on the skin it's going to get oily quicker than it might normally do because we have a luminizing product all over our face. So I'm going in with some a medium, just more so in the center. That's all I'm going to do. When you see that toned down the oiliness I like to use powders with a little bit more coverage because I have such light coverage on my face. You can still see that glow peeking through regardless but it's not sweaty anymore. I mean I've been talking about this product for like 20 minutes but I love it. It's really great and if you do have the Charlotte Tilbury you don't need this but I would say this I like better than the Charlotte Tilbury so you get a similar effect with the Charlotte Tilbury but I just think my skin likes the Oric better so best of our back with that. Okay let's move on to the eye products. You know I'm a sucker for a good single glittery shiny eye product so the boxes are going to look like this. Beautiful. She came out with three shades. I picked up all three. I couldn't help myself. These are made in the USA with a 12 month shelf life. These are $39 each. Again this is borderline luxury pricing so she did not come to play with a cheap brand which much respect for just with the nature of my channel of course. Now the packaging of these, again very weighty. You have a frosted glass and then the top part, this is just plastic but then you have kind of a shiny part with a mirror. I've used these a couple times as well. Not all of the shades a couple times but I've used that. So it has like a little thingy to cover it. I'm going to keep that because it might help with just making the product last longer. So this first one that we have is temper. So temper is this rose gold color so let me show you the swatches individually. So those are the swatches for temper. Let's put it on one eye. I'm just going to do one eye, one eye, take it off and then we'll do the last one. She applied a brush kind of like a MAC 217. I prefer personally to use my finger. Now these are very very similar or they look very similar as far as the cream goes to the Charlotte Tilbury cream shadows. And I don't know she's coming for Charlotte Tilbury but the consistency does feel different. I will say that the Charlotte Tilbury is a little bit more creamy. It's a little bit more prone to creasing but it is more creamy whereas this product I feel like it's a little bit more for lack of a better term dry. So it's not a dry product but compared to the Charlotte Tilbury it feels more moussey. That was the word that I used in my first impressions. Immediately I could tell it had a more moussey dry consistency compared to the pure cream that the Charlotte Tilbury had. So I'm going to take a clean brush, just work out the edges a little bit. So it also applies less deep than I anticipated. I don't know, I just thought it would be a bit more pigmented. The color is a bit more natural. So that is the cream product for temper and it's beautiful on its own. And again, like a little bit more natural than I thought. So the top layer is what you put on top. So it's kind of similar to a type of product that Tom Ford has. Now I don't like the way these feel. They feel like hard pan. Like you can kind of see hard pan already starting. But a lot of times for products like these the product continues to work after because it elevates this product. Because at first I was like, yeah, it's a nice cream shadow. And then I put this on top at first too and I was like, just a little bit of light sparkle. But I find like in the evening when the light really hits, it's when you can tell the real difference. So this is with the glitter topper. And this one I feel like is the more natural of the three that she came out with. Just a great everyday kind of sparkle to throw on with some liner and lashes. Really beautiful. And as far as the wear time on these are really well, they do not crease. So I am impressed with the wear time. Now keep in mind I don't have oily eyelids so I can't speak on that. But it wore really good and didn't crease. And I have like multiple creases and hooded eyes. So I was impressed with wear time. So now we're going to move into ego. Now this one is cool tone smoky. I almost passed on this one but then I was like, no I have to. Now I don't know if you can see that but we have some weird like discoloration going on within it. I'm still going to use it. So this one is a little bit more spicy not as natural. This one's fun. I wore this the other day. So you can see some of it's like silver. There's discoloration in it. And now it blends in fine. This one you have to be more careful with with application because it's not like a skin tone color. These are quite easy to work with. So if you're a beginner to makeup and you're not too sure about cream shadows, this is a very forgiving product because if you mess up it's kind of easy to wipe away because it's not too pigmented but it still gives you that beautiful haze of color and then of course if you want to amp it up then you go to the powder part. So I'm going to leave that there because this one I would say of the three is probably the most amplifying to the look. So like this one had kind of just like a subtle gleam. This one I really feel like gives you I don't know like rock star eyes. Really glittery, pretty. You don't need a glitter glue. I don't get full out with this product. So pretty you guys. And with eyeliner, mascara a full beat. It's going to look stunning. So this is ego. Let me wipe off my eyeballs. Getting to the last one. Oh, I forgot to show you the swatches. How it would compare. Okay, so the last one that we're doing is temper. This one's going to be a little bit more bronzy. So that's going to be the bottom swatches. Now these don't swatch very well. I have to say they look ugly in swatches. But they are pretty on the eye. I hope that you've seen. So I'm going to use a brush for this one. I'm going to use a refer number one brush just to show you that this is still a really great way to apply this product if you don't like your fingers. I believe Samantha actually used a brush very similar to this in her video, but you can use the flat side to pack and then use the top blend. I will say I don't think you need both defiance and temper. So the first one that we applied, which was the rose gold in this bronzy one because they are very very close because this product doesn't have a ton of color to it. A ton of pigmentation. They're kind of hard to tell the difference between the two. I think they're just a little bit too similar in color for you to have to buy both, you know. Map you have in both. Don't get me wrong, but as far as being a little smarter with your wallet, not that I'm qualified to give you advice on that, but those two colors are pretty similar. So I think you'd be good passing on one or the other. I know I said I prefer to use a finger to apply, but it was kind of nice not to have to use my fingers and this brush did a pretty good job. But now my inside looks ugly. Okay, and now we're going to go into the powder part, which I just hate how these feel. I just like something that's more creamy feeling. These have zero cream enus at all. Alright, there we go. So I'm going to apply. I'm going to finish the rest of my makeup and I'll be back to give you the final thoughts. Alright, so I just decided to do some mascara, you guys. Hamagrath Fetish Eyes is straight up the best mascara ever for my lashes. My lower lashes never look like this. Anyways, here is the final look. It's a pretty natural glowy look today. If you're going to tell, I think Samantha did an amazing job with her brand. I think the standout for me though has to be the glow lust. I really love it. I feel like it is a great addition to my collection. I don't have another product that feels like this or treats my skin the way that this one does. So huge fan of that. I think the smoke reflex are also very, very nice. Now this is one product that I feel like I didn't need. I do have other products like this in my collection, but they are really good. They wear really well and they are very, very pretty so I'm happy to have them. Again, she did a great job for her first launch. The products are awesome. When she does a restock I definitely recommend if you're interested to picking them up. I feel like you won't be disappointed. She came out with some quality products. So that is all I have for today's video. I hope you guys enjoyed it. If you aren't subscribed to my channel already, I would love it if you would consider taking the time to do so and I will see you all in the next one. I guess have a good one.


Hello and welcome to the session. Today I'll help you with the following question. The question says look at the given map of a city and answer the following. The A path says color the map as follows blue water, red fire station, orange library, yellow schools, green park, pink college, purple hospital, brown symmetry. As you can see this is the map given to us. Now we will color the map accordingly as given in the A part of the question. First we have blue color for the water area. As you can see the water area in this map are this water plant and this lake. So we will color these two areas in blue color. As you can see in the map we have colored the area of the lake and the water plant with blue color. Next we are supposed to color the fire station with red color. This is the fire station in the map. Now we will color this red. We have colored the fire station with the red color. Next we have to color the library with the orange color. This is the library in the map. Now we will color this with orange color. As you can see we have colored the library with the orange color. Now we are supposed to color the schools with the yellow color. These are the two schools in the map, the primary school and the senior secondary school. Now we are supposed to color them with the yellow color. The primary school and the senior secondary school are colored in yellow colors now. Park is supposed to be colored in green color. Let's locate the park in the map. This is the city park which is supposed to be colored in green color. City park is colored in green color now. Next is that we have to color the college with the pink color. If you look at the map you can see that this is the city college in the map and we are supposed to color this with the pink color. So we have colored the city college with the pink color. Next is that we have to color the hospital with the purple color. Now this is the hospital in the map and we will color this with the purple color. Now hospital is colored in purple color. And the last is that we have to color the symmetry with the brown color. As you can see this is the symmetry in the map. Now we will color this with the brown color. So we have colored the symmetry also with the brown color. Now this completes the A part of the question. Now let's see what the B part of the question says. It says mark a green X at the intersection of road C and Nehru road, green Y at the intersection of Gandhi road and road A. If you look at the map you can see that this is the road C and this is the Nehru road and their point of intersection is this. So we will mark green X at this point that is at the intersection of road C and Nehru road. Again if you look at the map you see that this is road A and this is the Gandhi road and their point of intersection is this point. So we will mark a green Y at this point that is at the intersection of road A and Gandhi road. This completes a B part of the question. Now let's see what the C part of the question says. It says that in red draw a short street route from library to the bus depot. As you can see in the map this is the library and this is the bus depot. We are supposed to mark a short street route from library to the bus depot. Now we start from the library and take the road A then move towards the Gandhi road and reach the bus depot. So this is the route from library to the bus depot. This completes the C part of the question. Now let's see what the D part says which is further east the city park or the market. These are the directions marked north south east and west. Now if you look at the given map you see city park is here and the market is here. So we say that city park is more towards the east than the market. So the answer for the D part is that city park is more towards east. The E part says which is further south the primary school or the senior secondary school. Again we have marked the directions this is north this is south this is east and this is west. Now if you look at the given map you see that this is the primary school and this is the senior secondary school and so if you look at the directions again you can compare that senior secondary school is more towards the south. Hence our answer for the E part is senior secondary school is more towards completes the E part of the question also. Hope you enjoyed this session have a good day.


You want to go dive, Bob, for a fight?  George? Oh my god. You were terrified of birds? Terrified, yeah. What's your experience now? She's like, that's a wonderful toy. That's not for you. She gets mad, but she won't bite you, but she does think that's a toy. That's what their bird toys look like. No, come here.  This is Cody over here. Oh my god, there's another one. I only saw this one. Like, sweaty. Do you want something? You want some water? I'd love some water. Come on in. I should have got dressed. Yeah, come. Here they are. This one says stuff to you. So you got Leo. This is Monty. This is Rocky. Rocky will tell you proud bird. If you really want to be entertained, some real good entertainment for you. Yeah, watch Rocky. He likes girls. Okay, watch. He's going to tell you. All right, Rocky. Proud bird, good bird. That's his signature. Jersey. Do you want to play hide and seek with Belle?  You want to play hide and seek with Jersey? Yes. Okay. So I might have to take Leo off the floor. First, we'll get George to start. Okay?  Now he's not going to come. Step up.  You have to play hide and seek with Jersey and show her how it goes. He doesn't want to let go of you. Ready? You got to go run on. Hide, George. She knows where you are. No, you don't look here. Here she goes. Let her find you. You don't want to play hide and seek? Let her find you. She has to win. She has to win, George. Or she won't play. There you go. Tell her, yay. She doesn't get happy if she doesn't win. Yeah. Now he's happy. Yay. How do we see you, George? No, she has to find you. Why? This is so hard for you. Let her find Buck until I say. Duck. Duck. Duck. Stay there. Stay there. She's looking. She's looking. Now she's mad because you didn't give her enough wins. Pop up out of nowhere. She'll lock you outside. Jersey. She coming? George. I'm here. Okay. She also likes to dance. You want to hear her favorite song? Yes. It's on a door and she gets like the circus. Watch this. I like her guidance. Alexa. Play Perfect 10. Here's Perfect 10 by Unknown Brain. What does Perfect give it me? That's her song. She's tired. Friend. She gets excited when her best friend comes. This is Vinny. He wants to talk to you. Say hi. You can have some complicated conversation with him. Just tell him. He said, what's your favorite song? Jump. Yeah, he likes that song. Okay. That's him. We're gonna wet him in the sea. Yeah, you know me. You want to tell her about Engage Not Caged? What's not, what's Engage Not Caged? We're following her name. What's Engage Not Caged? Tell her what it is. They're not here. Retreat. He says, it's a retreat. No, I'm not here. Try to love her again. Okay. What she's saying is that you know what you said. I know you know what you said. But we in practice Engage Not Caged where we don't believe in, first have their pages. We don't believe in caging them. We believe in letting them, you know, be free because they're flight and beautiful animals. And we teach people how to live with them in their homes. Is that true? Yes. I think we said a lot, but he said within more. Look at me. He says, I'm not in my cage. The only thing is I really can't take the bus. Basketball. Do you want a basketball? You explained that very well. So now that we've shown you all that, what can you do for us? Leo's loving her right now. Leo's loving you. I don't think he's leaving you anymore. Like that's it. Did you say you were scared of a bird? Yeah, I'm terrified of him. No, I'm more. Yeah, I know. I feel like Google, you saw like how like, but did you see how like we just put that bird on here? You're like, okay, this is happening. I need to make a sale. I'm going to hold the bird. You got me my over my fear of birds. Really? Yeah. Well, at least for this one, the parrot's still scared. That is a parrot. They're all parrots. They're all parrots. I'm going to the big old one. You mean Rocky? Rocky's big. Yeah. Yeah. Rocky's in the car. Hello. Parrot. Oh, no, no, no, no, no. Where are you? Here? What are you doing? Vinny. Guys, this is not good. Vinny, what's going on? Vinny, I should put some pants on considering we have a guest. Hey, can you come help me get dressed? You're the best birdie. He's helping me get dressed. Do you want to go pee outside? Or do you want to go dive bomb somebody? You want to go dive? Oh my God. What the f**k? Door. You might want to see this. I have this high. Come on. Silly bird. Silly bird. Look how quickly you got this handling on the bird. He likes head scratches like that. Yeah. There you go. So cute. You were terrified of birds. Terrified, yeah. What's your experience now? Can I take this one home? All right. That's lit. Wow, I could, I'd fall off that. I can't try it. I'll fall. Whoa. I tried my friends once. I have George riding it on TikTok. Bye.


Everybody forced here ribbon of tri-star hidden treasures NBA autograph Jersey your basketball autograph Jersey 2022 it's for Michael L. Thank you Michael. Good luck Seal right up here We go Is the chief Robert Parrish Oh, there's an inscription behind that tri-star authentic thing holofame o3 That's cool. Robert Parrish the chief Tri-star authentic Nice jersey there Michael. Thank you again. Get it right out to you


The following is a production of New Mexico State University. High on a campus hill at the University of Texas El Paso is the fabulous Chihuahuan Desert Gardens. By rowing the paths here, you can see over 400 plant species of the Chihuahuan Desert, the largest collection of its type anywhere. And this represents 10% of the Chihuahuan Desert plants. I began my tour at the cool contemplative garden where I met botanic curator, Win Anderson. Win, this is really beautiful here. It looks like a real peaceful area. Well, Curtis, I can't tell you how nice it is to have you all here at the Chihuahuan Desert Gardens. This is our contemplative garden, a little oasis zone and a good zero escape. And I want you to note the water feature. It's not wasting water, it's a very slow drip. And this does a lot to add humidity in this small and confined area. But water features do have an important place in a good landscape in the Southwest. If you'll take special care to cut down on evaporation, like the shade structure, and just as important is this wind-buffering wall. It keeps the wind off it so you don't have evaporation and it holds humidity around the plants. And you get the sound, and I think you get a little bit better sound with the wall. In this circular area, you get really good sound resonance. It's very interesting, you get to hear the splash of the water, it makes you feel good. There's a little humidity in the air, but you're not wasting a lot of water. So let's go take a look at the habitat gardens, the sand garden, the aroya garden and the grass garden. Okay, sounds good. Let's go. Well, Wynn, this is nice. What habitat is this? This is the aroya garden, and this is a really neat plant. You may recognize it. This is Yuli, one of the Partheniums. Historically interesting from World War II, looking for a rubber supply. It was grown as a potential substitute for imported rubber during World War II, and occasionally you still find somebody experimenting with it. They do so at the A&M Research Center here in West Texas, as a matter of fact. It's a good plant for our landscapes. It's an excellent plant. For the low desert area. Very drought tolerant. That's correct. It's not all that coal-hardy. When I see another plant here with blue leaves that looks good with the Yuli and this oak, it looks like it does well here. That's the Mexican blue oak. I see it making acorns, so it's happy here. Yes, it's a happy camper. So this is another good plant for the aroya or mountainside gardens. Well, it's a small oak, which is nice and actually very fast growing.  This one's only three years old in terms of being in the ground. It's looking pretty good. You have other habitats here too. Yes, let's go take a look. Okay. Well, Wynn, what do we have here now? Well, this is the grass garden. We've got nine different species of grass in here, including this alkali-sacotone. Beautiful feathery-looking grass, good landscape grass. You might recognize the blue grammar. We've got giant sacotone. A lot of things in here. And this is a different growing area. So someone who lives on the mountainside may have difficulty growing this. Some of these grasses, yes, would not be appropriate for the mountainside, although we do have Muhlenbergia portarai, which is really good for the mountainside. Bushmule is the common name because it is often found underneath shrubs in the desert. There's a good reason for that. That's right. It's so palatable. As a forage grass, the cattle and horses will eat it down to nothing. But out in areas where grazing no longer takes place, it'll cover the ground. It's a wonderful, soft, feathery grass. Now, this has been then the grass area, the habitat that would be sandy areas? Yeah, well, let's go take a look at the sand garden right here. Okay, so this is the real sand. This is the sand garden here. These would be the plants that you would find in the sand dune areas on both sides of El Paso and actually all the way up to Albuquerque. Sandy areas, but they're not going to do well in a heavy soil. Nope, you've got to have very well draining soil for this and for this plant right here. The famous purple sage of songs. And it gets these beautiful purple flowers this time of the year if our monsoon rains are good.  Kind of a silky green, though, even pretty when it's not flowering. But the important thing is it really loves sandy soil and a lot of people fight sandy soils in their garden when they could be using these plants. Use the ones that are adapted and beekeepers like this, too. Oh, excellent bee plants. Just be aware of plants, what they like. Here, we've looked at habitats. Things should be planted where they should be. We saw an arroyo habitat. We saw the grassland area. We see the sand. If people will plant those, appropriate plants in those areas, they'll do a lot better. It's a matter of looking at the plants that grow in the area you want to garden in and repeating those plants in your garden.