And welcome to your daily barns takeout. My name is Karl Walsh. I am a postdoctoral fellow in the Department of Research, Interpretation and Education here at the barns. And today I wanted to take you to a case that I've been particularly missing at the moment because I'm used to seeing this every day at the museum when I'm walking to my workspace in the library. And so this is something that's kind of like intimately part of my daily life at work, which I'm currently very much missing. So as you can see, this is a big glass case full of Pueblo ceramics and Pueblo and Navajo jewelry. And it's really this incredible case that I really just love to come down and have a look at when I'm on a break or when I'm having my lunch and just sit and have a look at it because it's full of these wonderful colors and patterns and designs that I think really nicely kind of contrast and engage with the stone background behind the case as well. And I just find these really interesting and really engaging. So it's something I wanted to share as well. And today I wanted to talk about a particular vessel that is in this case. And this is on the top right hand side of the case right here. And this little vessel is really, really nice. And I have a real connection to this one as well, because I've spent a couple of times actually just sitting in front of it and sketching it a little bit because I really just enjoy the patterns on it and the colors and things as well. And it's kind of black and white coloration works well for just a sketch. So here it is up close. And I think my interest in this vessel probably mirrors in a lot of ways what Barnes was interested in about these ceramics as well. And he came to know these artworks particularly through his visits to the American Southwest in the early 1930s. And this came about mostly because his wife Laura Barnes had been having some problems with her sinus condition and her doctor prescribed her to take some time somewhere warm and dry that would help with recovery from this complication that she was having. And so the Barnes's decided to go and have a visit around the area of Phoenix and Santa Fe in New Mexico and they also went to Arizona as well. And Laura was very opposed to this. She really had to be kind of like forced to go. And she stayed out there for a couple of months and Barnes went out there for about three weeks and then continued to be in touch obviously with his wife as she was staying there as well. So he came to know and to be introduced to all of the wonderful southwestern Native American arts such as tapestry weaving and blanket-making, ceramics and jewelry. And he was also kind of introduced into the local art circles here as well who also were producing kind of wonderful pieces of art. And the area around Santa Fe today continues to be a hotspot for kind of artistic works and for Native American art as well. So it's a really good place to go visit today as well. And what I like about Barnes's interest in these ceramics as well was that he was very much interested in obviously the very appealing decoration that's on them but also he was interested in the kind of the human aspect to them as well. When he was selecting ceramics to buy he wasn't just looking at the decoration but he was looking for things that were that were damaged and that were used and have this kind of sense of a human use to them as well. So they're not just kind of things that are art but also things that are human. And as an archaeologist I obviously really I'm also interested in that as well and I find that really interesting about you know what he found engaging about these objects. And I think it also adds something really interesting visually to them as well. I mean if you look at this pot you can see that at the top it has this kind of you know damaged and kind of broken rim which I think really nicely contrasts in terms of its kind of texture and its silhouette as well with the decoration that is on the body as well. So I think it creates this really interesting kind of contrast between kind of smooth and regular lines and you know broken and irregular lines as well. So I think this is probably why he was also interested in you know finding things that had damage on them as well. But in terms of the decoration this can be quite I know when I first looked at this type of art it can be quite overwhelming it looks really complex but actually a lot of the ceramics feature very simple types of iconography only dealing with maybe one or two subjects. And often for these types of jars there are things that connect to the natural world particularly to wind and water which are obviously really important life-giving aspects to southwestern American communities particularly access to water. And so the decoration on these actually alludes to different kind of ideas about water. And at the top here around the neck we actually have a series of stylized renderings of rain birds and through their kind of curving beaks like this and their plumage they're kind of really evoking a sense of the movement and fluidity and kind of swirling nature of water and wind. And really trying to kind of take you and evoke to you to these kind of instances of when rain and water is appearing in the environment. And even in things like these little hatchings and parallel lines they kind of evoke senses of like curtains of rain and droplets of rain appearing out of the sky and things. So they're very kind of evocative I think as well. And the body decoration is also very distinctive as well because it also has this rainbowed motif but this one is really sprawling it moves all across and around the body and it really kind of gets you to think about looking at the entire object you kind of want to follow around it and to look and see how all these patterns are interlocking and how they're changing and there's so much kind of asymmetry to it as well that you know everything is different every time you move it around you see something different and new and not repetitive which is which is interesting. And again similar kind of techniques for evoking things like water with like these hatched lines and parallel lines and the use of you know kind of triangles and things to kind of get this sense of like the movement of water falling as well. So this is a really interesting way that they kind of the Zuni Pueblo peoples are kind of evoking the sense of the changeable movement and nature of wind and water and linking it in with their own beliefs of kind of mythology and cosmology. And a lot of these jars would actually be very utilitarian in nature they would be designed for collecting water often by women but there could also be highly ceremonial in nature and very kind of important players in Zuni Pueblo ceremonies as well so they have this interesting dual nature of being you know something utilitarian but also something really special as well. And of course the theme of rain and water is also expressed through the materiality of the of the object as well. It's made from clay and obviously to to form it you need to actually interact with water in kind of shaping it and adding water to it so it inherently has this kind of water aspect about it anyway because of just the material that it's made from and of course like the paint and pigments as well and the slip that is used to decorate it and color it or all use water as well. So it has this kind of inherent waterness about it as well which I think is is great to think about as well. Obviously the form is also specifically meant to hold water you can just look at it you can see it has this big bulbous body which is meant to contain all this liquid within it and then it tapers towards the top and towards the rim so that it has more of a closed mouth which you know prevents things from spilling out of it easily and the big bulbous body uses like stability as well with all that weight of the water that's in it too. So the form of the vessel is also inherently you know related to water as well. So you get this lovely engagement and I think kind of interconnectedness between the materials, the making, the form, its function and the decoration as well very much relates to this too and I think it really helps to highlight the importance of rain and water and wind to the Zuni Pueblo peoples. So I hope you enjoyed this barn's takeout and when you're next in the museum please come and go and take some time to have a look in this case in the lower lobby. It's outside of the main gallery space so sometimes I feel like it doesn't get quite as much of the love and attention that it deserves and have a think about those themes of wind and water and the environment and nature when you're looking at this case and have an idea maybe about what barns is trying to communicate there too. So if you haven't already please subscribe to the barn's takeout and to get your daily serving of art and leave a comment. I really really enjoy reading these and responding to them as well. So I hope you enjoyed this and take care and be safe. I'm Tom Collins, new Bauer family executive director of the barn's foundation. I hope you enjoyed barn's takeout. Subscribe and make sure your post notifications are on to get daily servings of art. Thanks for watching and for your support of the barn's foundation.


Hi, I'm Zor. Welcome to Unizor Education. Today we will continue talking about basic elements of geometry, of planimetry actually, and today's topic will be polygons. Well, everybody knows more or less that polygon is something like this, right? So let's try to define it in more rigorous terms. First of all, as we see, polygon contains segments. So segments, we know what it is. These are just pieces of a straight line between two points, endpoints. Well, let's call the segment endpoints beginning and end. It doesn't really matter. Left and right, number one, number two, doesn't matter. So let's consider we have certain number of segments which are arranged on the plane in such a way that the beginning of every segment corresponds to the end of the previous segment. So it's an ordered set of segments. This is segment number one. This is segment number two, et cetera. Every one of them has a beginning and an end. And the end of the segment number one coincides with the beginning of the segment number two. So if this is number one, this is number two, this is number three, number four, and number five in this case. So the endpoint of every segment number n, end of number n, coincides with the beginning of number n plus one. At the very end, when we have exhausted all the segments which we have, the ending point of the last segment should coincide with the beginning of the segment number one. And that actually closes the whole loop and that's how we have the polygon. Well, we can have it drawn in this way, but there are different ways to draw a polygon. So let's try to differentiate different polygons. Well, number one, polygons can be differentiated by the number of segments or the number of vertices which is exactly the same thing. So every endpoint of every segment is called vertex and the segment itself usually called a side or a leg sometimes. That's as far as the terminology is concerned. Now, what's interesting is that there are polygons which can be drawn this way. Let's say this is segment number one, this is number two, this is number three, number four I will draw this way and then number five, this way and number six, this way. So this will be number four, this will be number five, this will be number six. Is this a polygon? Well, the answer is yes, but it's not the polygon which we will ever talk about in our course of geometry. The polygons which have this property of crossing segments are not traditionally considered as basically a subject of studying in the geometry. So we will concentrate on polygons that do not have any two segments crossing each other. And these polygons which we will consider are called simple. So this is not a simple polygon although it is a polygon but we will never consider anything like that. So that's one classification. Well, another classification can be also related to the shape of the polygon. For instance, we can have this type of polygon. Now, what's interesting about this particular polygon and what's the difference between this one and let's say this one? For some reason today I'm drawing comedy polygons with five vertices. Anyway, so what's the difference? Well, consider this one and consider all the points which belong to all the segments comprising the polygon. If we take any two points on any two segments and draw a segment between them, this segment always lies inside the polygon itself, inside the area which is bordered, which is bounded by the polygon. Now, in this case, this is not true because if you will take for instance this and this two points which belong to two different segments and draw a segment, then part of the segment, this one, is inside the polygon and another part is outside. So these polygons are called convex and these one can keep. It's more customary to talk about convex polygons. It's just a tradition basically because whenever we are talking about triangles which are the simplest polygons which contain only three vertices and three sides, well, all triangles are convex just because there are only three sides and they cannot be outside of each other. It's always in between something. With quadrangles, polygons with four sides, it is already possible to have a concave polygon like this. But it's quite rarely actually that we will consider them. Most likely, all the polygons which we will be talking about will be concave ones, sorry, convex ones. Concave is something which is rarely occurring in practice and in problems. So simple and convex. Actually, there is another interesting property of convex polygons. If you would take any side, so let's forget about this property, that the line which connects two points and any two segments lies within the polygon. So let's consider a different property. What if you would take any side and make a straight line out of it so any segment can be extended to the straight line. Then the polygon itself always lies on one side of this line. So no matter which side we will take, the polygon which is convex always lies on one side of the line. And again, as an example of concave polygon, if you will take this side for instance, as you see, piece of the polygon is on one side of the line and piece of it is on the other side. So that's just another property of convex polygons and actuates an equivalent to the one which we talked about before, like two points and two different segments always have the segment which completely inside the polygon. These are two completely equivalent properties of the convex polygons and one can be used as a definition and another can be proved as a theory. So we will always consider simple and in most cases convex polygons. Now as far as terminology related to number of vertices and number of sides, so we all know that this is triangle. Now this is quadrangle and this is and this is five vertices. It's pentagon and the next one is hexagon etc. is all from legend enumeration. Now as far as the shape is concerned, polygons can be regular or not regular. Now regular polygons are those polygons which have all their sides and all their internal angles the same. Well the same means congruent to each other. Now in case of triangle all sides are equal or all angles are equal, well I should say congruent to each other. These three angles and these three sides. Now this is equilateral triangle. Again it's just the terminology. In case of quadrangle the regular quadrangle is as we all know a square. Again all angles are equal to each other 90 degrees and all sides are equal as well. In case of regular pentagon it looks exactly like the building of the Department of Defense in Washington and hexagon is more like whatever bees like to put their honey in. So basically the whole lecture is very short one and it's only about definitions. We are talking about basic elements of geometry not exactly the properties or theorems about it. That would be further lecture. So today it's just the definition of certain kinds of polygons and basically some terminology related to this. Thank you very much.


going on everyone. Sam here with late in sports cards ripping 10 box Tuesday, 10 box prism and more basketball mixer number 141 random team stylers looking at your random results. Zoe's you can find these on the website under the results tab as well as the link that's in chat. So good luck everybody. Let's see what we've got. Let me bring this up. We'll start with 2021 multi prism multi pack. Get that out of the way. I'll keep it going. 2020 21 NBA trading cards. Yeah postman we got football at right after this actually after this break then the rest of the night is football. We've got elite and we've got like a mixer a couple half cases of spectra and then a 10 box football mixer. So yeah we got some kind of connect. Did you re stream just say it's trying to connect? Well yes this connected great. What a time to do that. All right well I'm just gonna get the packs open then. Re stream just trying to connect. Yep I got the same thing. Let me reconnect. I don't think we lost internet. I'm still good over here. We might have actually. We did. We just lost freaking internet dude. My god. Yeah I have no internet right now. I just got reconnected. Yeah I'm back. The internet's back now. All right guys if you're watching the stream just disconnected I'm not. There we go it should be good. Yeah it says I'm live. All right there's Joshua. So Joshua is in YouTube's good. If anybody's on Twitch let me know really quick too. Joshua says we're good. He goes 238 years. Good. All right thank you guys. Thank you guys. Donar and Mike thank you. Parker thank you. Joshua thank you. All right you guys didn't miss anything. I was just literally all I did was open the cello packs. This is I haven't opened any pack yet. Again everything's recorded so when the video uploads you'll be able to see it from that. You'll be able to see anything that was missed because everything stays recorded. So yeah. Yeah our internet went out. Yeah we got somebody over there. A couple people said we're good on Twitch. Thank you though Joshua. There's silver grant real ear for the Hornets. Green Jeff T. Got your stamina. There we go. All right we're back. We're good. All the Dova. There's a Yanis green color match. There's Tireys Maxi. No mellows yet. No. A couple of Joes though. Jim McDaniels. Green. Tireys Albert and Rookie. Lian Hayes. Langston Galloway base. The funniest part with the Dylan thing too was Forrest was sitting right here just shaking his head the entire time.  Call Anthony Silver. There you go Tommy. That's who you're looking for in 2020 products for the Magic. Teo Maladon. James Johnson. James Wiseman. There's a Rookie for the Warriors. Garland and C.J. L.B. Marga Rosa. There's a Nick Richard Silver for the Hornets. But a son who had pulled a Ruler and now a Richards. There's Patrick Williams Rookie. That's been Bane Rookie. It's got their mates. I thought we were almost out of this prison multi-seller. There's so much of it. But it's fine. It's not bad. It's a lot. It's older now so they're all stuck together. So it's just harder. It's just more of a pain. Green. Jalen Smith. There's a Sticks. Lian Hayes. Instant Impact. Manuel Quickly. Isaiah Stewart and Enos Cancer. Last main pack of multi-seller. Keeping. Steam hanging. Smoldering. Stenchy. Stencherine. Pure. Disgust. Face. What's up Chris? Check out what's possible probably in like iMac and stuff. Robert Woodard. Rookie for the Kings. There's now a Grant Riller for the Hornets. Red, white, and blue. Red, modern. All those are skyrocketing right now. Yeah. I'm sure. Preciousitua. Right? Honestly. Honestly, Tommy. There's Devin Vassel. No open football breaks tonight. There probably are some tomorrow though, postman. Because we have a couple new releases. Caleb Martin. Yeah, I would say so. I would say so. Jules. Zeke Najee. That'll problem. Postman. Nick Richards. I don't think it fell too much, Hayden. Because it's before it's like, yeah, it's really not true. That's a good point actually. Skylar Maze. Red, white, and blue. Devin Bain. Nice one there. Because his stuff is like pre-hobby boom is when his stuff came out. And base. All right, that'll do it for Prism Multicello. Let's do 21-22, Donrush Choice. 21-22, Donrush Choice. Two autos. Let's pull something cool. This pretty much just started. Hey, what up, Marshman? How you doing, buddy? Jared Butler. James Booknight. Santy Aldama. Dayran Sharp. Ooh, Dragon Scale. Isaiah Stewart. Nice one there. On the short print, congrats, Pistons. That's cool. He's got a Rookie Otto of Moses Moody for the Warriors, as well as a Jeremiah Robinson Earl Rookie Otto for the Thunder. I appreciate that, Hayden. Let me try to make it as fun as possible. I know Sean and I joke around and sound mean sometimes. Holy, that's Brooklyn Lopez.  Going to Scott F. One Scotty ball. Oh my God. That's insane, dude. Huge card right there. Big time card. Wow. Big time. That's pretty sick. One of one Scotty. Oh, that's so clean. We're getting that mad. Congrats, Scott. Thanks as always, buddy. There you go, man. Massive Scotty for you, buddy. And a nice one here, too. We've got 15 out of 99. Franz Wagner. There you go. Going to the magic. There you go, Tommy. Congrats, buddy. I hope so, man. Oh, that's so nasty. Holy cow. That's insane. All right, let's do... Oh, let's do 2020-21. Optic choice now. Or Donrush choice. Donrush choice. Come on. Crazy, crazy, crazy box right there. Yogi. What up, Yogi? Massive card right there. Vernon Carey. Yodoka Asabuke. Deneb Dia. Anyaka Okangwa. And Grand Ruler. We've got... First auto is for the Hornets. That's going to be Nick Richards. Nice one there. Again, for the Hornets. And it's time for the Pelicans. Carolus Jr. on the choice auto. Mag the Mag to be sure. Nice little spot right there. We've got Jay Crowder. 2.99 for the Heat. Blue. Tyrese Maxi. It's a 49. 49 up 49. That's as close as you can get the Jersey numbers. Jersey number 0. 49 up 49. 49 minus 49 is 0. Jersey number 0. Even 1-1. Nice one there, Philly. Absolutely. And Killian A is the 99 for the Pistons. I'm done. I'm done. I've had it. Uh, let's do 21 select. Whoa, so exciting about the Lopez at first. Man, Robin Lopez. There we go. Scotty Barnes. There he is. Scope, D-Rose. D-Rose, D-Rose, D-Rose. Shengun. There's Colin Sexton to 149. Nice one there. Rats on that. Who is that? Cleveland. Rats Cleveland. Nice one here. We've got a blue ebb and mobley at 249. Did he really get into a fight? And Qwai Leonard. Yeah, the other Lopez. That's a sign, man. Luminati confirmed on that one. There's Alfred Payton. Tri-Color. Lake Griffin. Jason Tatum. Davion Mitchell. Tatum. There's Chris Duarte. 2.99 on the Draft Swatches. Yeah, if we see a Lopez, we know who's coming next is right. Julius Randall. James Bookknight. Josh Giddy. White, Derek Rose. Jersey match to 149. Where'd he go there? Franz Wagner. Rookie. Silver Mellow. Kyrie Irving. Zach Levine. Mirror level Tri-Color. Nikola Busevich. Red color match for the Bulls to 199. Kyrie Silver. There's Corey Kispert. 2.199. Rookie Jersey Auto. Congrats Wizards on the combo spot or you'll see. There you go, buddy. Kaelin Suggs. Silver Phenomenon. Silver Qwai. Donovan Mitchell. Silver Scotty Barnes. And Mo Bamba. The Magic. Portside. Let's do Prism Hobby from last year. 21-22 Prism Hobby. Um, yes. 21-22 at Prism Hobby. I'll do Choice right after. Yeah, no Lopez on that one. That's true. No Brooke Lopez. Or Robin Lopez. Neither of the Lopez's. Also true. Prism Hobby. Silver Busevich. Mindset Shray Young. There's Avery Bradley. That's going to the Rockets. Sensational Signatures. Kaelin Suggs Rookie. Stockton and Kai Jones. Silver James Hardin. Prismatic LeBron Silver. Mindset Hardin. It's a Cade Base Rookie. Paul Pierce. And I'd say it's a Lopez. One box off. Scotty Barnes. Red Wave. That's just gravy now. Grats on that. Those are not numbered. Hyper Michael Porter Jr. Fireworks Steph Curry. Thor and Bass. Wave Dennis Schroeder. Hyper Julius Randall. And like two of my least favorite players in the NBA back-to-back right there. Davion Hakeem Elajuan. Blake Griffin Silver. There's Purple Stefan Marbury. Starbury. The 99. Nice one there. Color Match for the Sons. Isaiah Jackson. Orange Wave to 60 coming up. That's Christian Wood. And Jordan Nuara. Nice one there for the Bucks. 16 of 60. What's up, Andrew? Miles McBride. How you doing, buddy? Steph Curry. Daniel Gafford to 149. Purple Ice. That what's it called? Not doing enough? Diet Coke? No? You like it? Pulsar one per box. Anthony Simons for the Trailblazers. There's a blue Facundo Compaso. Nuggets to 199. Yes it was. It was hit like two boxes ago. Two or three boxes ago we hit it. Yep. Now a Silver Scotty Barnes. Killing it right now. Scott. Congrats, buddy. Nice one there. Paul George Hyper. Massive Scotty Barnes right there. Pretty good, man. Pretty good, I would say. Andrew Silver Ray Allen. James Bookknight Hyper. Franz Wagner Bass Rookie on the back. Pretty good, man. No complaints here, I gotta be honest, but yeah. This one. Blue Gorondrogic to 199. Dominique Wilkins. There's our second auto. Red Jason Kidd. It's going to be number two at 299. There he is. Going to the Thunder. Josh Giddy. Congrats, O.K. C. Justin T. Congrats, Justin. Nice one there, buddy. Nice Giddy Giddy up, baby. Don't do that. Just stop it. And Bass. There we go. Grats on that. Nice Giddy in the last pack. That's awesome. Take that. Blake's encouraging it. Superism Choice right there. One of one. Scotty. Scotty Barnes. We didn't do that. Thank God. You did that too. You're just as much of a clean piff on that one. There's a Silver Davion Mitchell. Peyton Prichard. Pascal Siakam. And Joshua Freeman. You've got Auto. Dearon Sharp. That's going to the Nets. Red Scope, not numbered. Sounds like Sean's at his tipping point. Right there. That's going to be to 88. David Robinson. And nice Quentin Grimes. 20 out of 39. Going to the Nix. Nice color match on that one as well. Take that. Let's do 1920 select. We're getting into the nitty gritty now. Good luck here, everybody. Getting into the weeds. I've been there, Sean. Just start tuning it out. Blake goes. Yeah. You have to. It's true. It's the only way you'll get any work done. Yeah. Otherwise, I'll think about it choking him. Derek Culver. Scope, Jaren Jackson. Second year. I don't need a murder charge. Keldon Johnson. Probably a good point, yes. Probably good. Not this one. Ask me again in February.  Padron.  Rudy Gay. It's going to be 249. It's Casey Ackpala. Whatever happened to him? He was good at one point, and then he's just gone now. Russell Westbrook. It's a rocket, Russell Westbrook. Does anybody have the whereabouts of Casey Ackpala? Here's Cody Martin. Tricolor, not numbered. Probably. JJ Redick and Lonzo. Jerry Witherspoon. There's eight. Nice. Grant Williams to 149. On the on-card auto for the Celtics. Grats on that seize. That's a rookie. Yeah, there's a rookie auto right there. Nice. Take a grant. Andre Drummond. Tricolor. Fred Van Vleet. And Mofindu Cabinjelli. There's Basely. This same Mofindu Cabinjelli. Yeah. What's his name? You want to see it? This guy. Mofindu Cabinjelli. This is his name. Mofindu Cabinjelli. Look. That's how you pronounce it. Say Kudamboya. That's tough. Right? I know. Justin Robinson. Took me like a year to get it down. Celtics legend Mofindu Cabinjelli. That is actually. There's a white CJ McCollum to 149. Grant Williams rookie. Sign with the King September of 2022. No stats. Interesting. Speaking of, there he is. There's Jordan Pool. Silver. Another Silver, say Kudamboya. I got to have this exact card right here, actually. That's still on my eBay for $60. Jabbarant. That's back in the hobby boom. I listed it for a ton. It's probably a, literally probably like a 10 cent card. David Robinson. There's Marcus Saul. Scope for the Raptors. Goran Drogic and Nazir Little. What do you want to do last for 1819 Prism or IMAC? 1819 Prism. Lonzo Ball Red to 199. IMAC's what? For a year. 2020. There's Darius Garland. Let's see some names. Bruno Fernando. Wow, we really got trolled. They really trolled us. Look at this. They have two fillers in it. Two fillers in one pack. That's messed up. Kevin Porter Jr. Silver. Kawhi. Taco Fall. There he is. She said he had it. Got a Chuma Okiki. Nice one there on the Jersey Card draft selections. Fought by, for the Sixers. That's a tie-dye. 19 of 25. Tobias Harris. Nice one there. Jalen Noel. Taco Fall. UCF legend. Very true. We got an extra hit. Yes, we did. Lucas Samanek. No, we didn't. Never mind. Just kidding. On the rookie jersey auto for the Spurs. That is number two at 199. Taco Bell. Randy goes, that's something you could say real loud to annoy Sean. There's 1718 Prism now. Here come some names in this one. I didn't give him any ideas, Randy. Already taking up abuse as it is here. I like seeing Tyree Gevans on the back. That's always a fun one. Homer Oshik, Derek White. Silver, Pau Gasol. Purple, T.J. Warren. It's 75 for the Suns. Tony Parker. Robin Lopez. Tyree Gevans. I would say Tatum, Mitchell, and Deer and Fox, probably the three biggest. Guanzos in here. A few other guys, too. Frank the Tank, Nettle Keena, we pulled last year. Or last week. Zach Collins. Ackinson. Thomas. Orange. Joe Johnson for the Jazz to 49. Nice one there. Iso Joe. That's probably a safe bet. Jules, probably a safe bet. There's no Scotty after the Lopez in this. Steve Kerr, Coach Guard. Luke Canard. Silver and a Ney. Blue, T.J. Leaf. It's 199 for the Pacers. Color match. A Malik Monk rookie. Luke Walton. Lakers coaching legend. Luke Walton, that is. Deer and Fox rookie. There you go. The Kings. Blue Ice coming up in here. D.Bird. Silver, Blake Griffin. Blue Ice. Corey Joseph for the Pacers to 99. Raptors Jersey, Pacers Carr. Miratich, Parsons, and Paul George. Got Shannon Parsons, forgot about him, too. Jeez. Who's my emergent? Patrick Beverly-Hyper. Red Wave, Karis Levert. Michael K. Gilchrist. Bass. Seminole County legend. Yeah, University of Florida legend. Shannon Parsons. Florida Gator legend. Hyper Patty Mills. Red Wave, Andre Drummond. Drumgod, Wayne Selton Jr. Victor Oladipo. Is that Funder Oladipo? Wow. Parsons did rob the Grizz. Yes, he did. Yes, he most certainly did. OG Anonabee. Or as I call him, Og. Anonabee. Disappointed look I've ever gotten in that line. Hi, Leiladen. Cat, not numbered. Raymond Felton. Red Wave, Derek Favors. Corey Joseph. Nick Patum. They paid him like 90-something million, I think. I think it was 93, 92 million. Something like that? I barely ever played. He had so many knee issues, though. That was kind of just a bad kind. That was poor Carl White. Oh my god. This is John Collins, Rookie for the Hawks. So, Silver Tony Parker. Paul Millsap Blue. My guy. 2199 for the Nuggets. Still looking for our autos here. So, good luck, everybody. Let's see what we've got. There's Damien Dotson. Going to the Knicks. I'm a Silver Auto. That's New York. Silver Dwayne Bacon Rookie. It's Fundamentals McCollum. Frank Nidolkina. He would have been so good. He would have been so good. That's such a sad story, Brandon Roy. He would have been such a stud. All right, we've got nice. Laurie Markinin. Silver Rookie Auto for the Bulls. Rats on that Chicago. It's looking to be the possibility to be most improved player this year. It's got the Bulls. That's awesome. Frank L. Congrats, Frank. It's a Bill. It's pretty big. You can mag this one actually. It's pretty big now. Silver Robin Lopez. Kyrie Irving. Blake, during our conversation of most improved, he's got a possibility too. I would say Laurie Legend. He's killing it in Utah, man. Killing it in Utah. Legend they call him. That's awesome. Fred Hoyberg for the Bulls. Omar Aschek. Mark Asall. I think number three easily. Yeah, I would say so. Yeah. No, I agree. I agree. I'm just saying he could be in the conversation. I know. Poor Len Bias, man. That's awful. We have a gold. They got a gold, Sean. Let's go. Come on, baby. Let's see a rookie. Not a rookie. Nets. Kenny Hackinson. Coach Carr. Really? One of 10. Really? Congrats, Brooklyn. Par for B. Lonzo Rookie. And Markinin Rookie. Nice rookies on the back. This guy even still coach? No. No. I don't think it's been for a while. He was let go. Coach Carr, though. Yeah. All right. Let's do 2020-21 iMac. Look, guys. 2020-21 iMac. That's what I was going to say. I would have freaked out if it was a Tatum, dude. He had better than a gold Tatum. That's why I went so slowly. I was hoping for one, dude. Gold Tatum. That's big time money. Where's the assistant, Ryan? I know. I mean, he got let go for from what's it called, from Brooklyn, a white, like pre-nash era. Old Lopez would have been huge. All right. We've got a Brandon Ingram, 299 for the Pelicans. First hit is going to be a Lucanard, 67 out of 99. Is game worn for the Clippers. Nice one here. It's going to be numbered. Five of 27. Game used for the Jazz. Rudy Gobert, two-color patch. Cool one there. Warriors, gotcha, gotcha, gotcha. This is actually pretty sick. Going to the Bulls. That's going to be a 47 out of 50. Joakim Noah. There's game worn as well. Grats on that Bulls. Up going to Mitchell, 35 of 99. We've got a Jerry West. The logo, man. There's some damage on that, it looks like. We've got the empty box and wrapper with this one.  Sorry about that, Mitchell. And last card is 50 out of 99, Sabin Lee, rookie introductions on Card Auto. Let's go into the Pistons. There you go, Detroit. All right, now our main event, 1819 Prism. We're going to pull a Luca. We're going to pull a Trey. Let us see. The classic, Luca and Kevin Knox. What a duo. I don't like the Pistons. They drafted Sabin Lee. Let's see it. Good luck, everybody. There's a Luca. Luca Rookie. There you go, Dallas. The Anthony Melton. There's nice. Lonnie Walker. That's actually not terrible. Going to the Spurs. He's actually doing well over in LA right now for the Lakers. Grats there, Santonio. Oh, Mari Spelman. Stockton and base. Mo Bamba, I would say. It's probably the big rookie in 18 for the Magic. Is he still there? Purple coming up. Ooh, I'll take a look after six. I got you. Burke Silver. Just go hard or go home, to be honest. There's a purple Chris Paul for the Rockets, 275. Nice one there. Markin' him. Texas legend, Mo Bamba. Wrapsong legend, Mo Bamba. Got another auto coming in here. Michael Porter Jr. Rookie. Jeremy Grant. Silver, Kevin Hervey. We've got Skyrie Thomas. He's going to the Pistons on the rookie auto. Grats on that, the Trope from Capella, Mira Titch and base. Yeah, he's a big caller now. Brad in this path. Brad Rudy Gay to 299 for the Spurs. Dave Blake Griffin, Damon Willard Redwave, base. Jalen Brunson on top. Keita Bates Jop. Avery Bradley for the Clippers to 299. Redwave, triple J. Nice one there for Memphis. Grats on that, Memphis. Jan Jackson Jr. Yeah, one into OT. No, no, that's, yeah, that's a different one. Silver Kaminsky. Redwave, Torian Prince. Colin Sexton rookie, another underrated guy from the 18 class. Forgot about him. Dundra 8 in rookie. Anthony Simons rookie. Really pressing. Silver, Gerald Green. Josh Hart on the hyper rookie. She's like a gold or something. Shrey, nice one there. Silver, Mike Conley. Silver, Yanis Alde. And SGA rookie for the Clippers. Got like, pulled like every big rookie out of this so far. I don't think we've missed anybody in this box. I will give it that. Autos were not strong. Silver MCW. Josh Jackson hyper. I mean, Walker is okay. Thomas, I don't know. Thomas is not good, but some more color, dude. No color out of this. Jared Vanderbilt. No bomba rookie. There's a purple ice coming up here of JVAL to 149. Live Dr. J. Base. Blue in the right direction. Mike Spellman. Josh Hart. Blue, Zach Levine for the Bulls to 199. Redwave CP3. Aaron Holliday. Base. And last pack of the break. Good luck everybody. Hyper Paul George, fireworks. Hyper John Henson to the Bucks. And Landry Shannon. That'll do it for the break, guys. Do a quick recap here. That's Rudy Gaubert, Jazz. Lucanard Clippers. Chuma Okiki, Magic. And Chris Duarte, Pacers. Autos. Kairi Thomas, Pistons. Lonnie Walker Spurs. Sabin Lee, Pistons. Jerry West for Lakers. Jokey Noah Bulls. Damian Dotson-Nix. Luca Semanek for the Spurs. Grant Williams Celtics. Dearon Sharp Nets. Josh Giddy Thunder. Ivory Bradley Rockets. Corey Kisbert Wizzards. Colin Sexton Cabs. Kira Lewis Jr. Pelicans. Nick Richard Hornets. Jeremiah Robinson Earl Thunder. Moses Moody Warriors. Luca Base. There's a Laurie Markin and Silver. Prism Rookie Otto. And the hit of probably the night. One-of-one Scotty Barnes out of Dom Rush Choice. I'll do it for the break, guys. Thanks again for the fill. Next up, we've got football.


I'm hanging out to some beautiful ladies, other parts of the music video are words. This is Laura and this is Nancy. Hi ladies! Feeling tonight? I'm feeling great and I want to tell all the ladies who are not here, ladies, leave your man's at home. The club is full of ballers. You know Nancy, how you feeling? Yeah, I'm psyched up and I'm psyched up to see who's gonna win. I wouldn't say who I'm putting for a band, you know what I'm saying? But I'm really psyched up for the night. Now Laura, is it your first time hosting their PMA? It is my first time hosting PMAs, yeah. Are you excited? Is there some pressure to deliver? How are you feeling about that? There's not any pressure to deliver. I never fail when it comes to delivery. But I'm excited for the artists who are going to take away the prizes and they are fantastic. They put in the work and they deserve every accolade they get. Nancy, how are you feeling about today and what are your expectations? For me, I was a bit anxious.  But now I think once I started I got calmed down a bit. So I wouldn't say what I'm expecting from the night because I might be a bit biased. But in terms of how I'm feeling, I'm feeling great. That's all I can say. Now Laura, as a media personality, how do you feel our music industry is at the moment, especially comparing to like five years ago? I've been in the industry for close to five years now and I can tell you, it's nothing short of an escalation. From the time I started, from the music, the quality of video, everything has just moved to a higher level. Right. Alright guys, I can't wait to see what you guys do on stage and on the red carpet. And I'm rooting for you guys and waiting to see how the night goes. So thank you so much. Thank you so much for coming through.  Thank you girl. You look so cute by the end. Thank you mama. You look very cute. You look amazing as well. Edition. And I'm hanging out with a lady who's going to be introducing herself and telling us who she is. Hi. Hello, how are you? Very well. Tell us what you do and who you are. My name is Jerry Jomo. I'm the CEO of Jubilee Health Insurance. And we're excited to be here because Jubilee will be awarding the number one winner with one million health insurance cover for one year. Why does this matter to us? Creators are open to one lot that is open and they're appreciated. And the one thing about our health, because of how you earn, they earn it often somewhat inconsistent. But I can't begin to imagine the number of whatsapp groups that exist contributing because this person is unwell or the other person is unwell. So we're going to give number one the chance to feel what it feels like to live free. What it feels like to know that your health is covered. That when you're unwell, go to the card with the card to the hospital and you know that the number one insurer in the region has your back. So we want this person to be able to experience that and that's why we're here today. You know Jerry, I know that you support creators a lot. How do you think our music industry and entertainment industry is doing as a whole? That was a tough question. I mean judging by the crowd I'm probably in the next generation but I think art and music evolve with the time and at times the audience dictates what we create. But I think it's often like every area or every field we must always deliver content that's of excellence. So no matter how hard the pressure is to push down funny lyrics, how about you actually deliver something that you know will outlast you, that will leave you and outlive you and music has an important attribute of shaping society and shaping culture. So perhaps it will be more interesting over time to see more artists begin to drive music that is symbolic that forms culture for us and a couple of years we can discuss this puzzle that the very heart of who our youth became a woman. Oh nice. Alright Jerry thank you so much for talking to us. We can't wait to see who walks away with you know what today. Absolutely, absolutely. Alright thank you. Alright guys I'm hanging out with super saluted artists. They have been nominated but they're telling me we have won and I feel they're good, you're good, you're easy. What's up bro? How are you? Good, good. Let me ask you guys, is this your first nomination? Yeah this is my first nomination. Since I've been in the industry, I've been here. I'm thankful to God. How do you feel about this? I feel good, alive. I feel like I'm in my wife's career, I'm in my wife's picture in my music career but God has made me feel grateful. Yeah. But let me ask you, why do you think you guys are going to be carrying, you know, this award today? All along it's been a seasonal success so I believe it's our winning time. Yeah.  Yeah sincerely we're going to be supporting you. And God, I'm going to say, I think we're going to be working on a new show, I think we're going to be doing a new show, I think we're going to be doing a new show, I think we're going to be doing a new show. Yeah. Maybe you've not been there before. You guys feel they should support people. And yeah, we're going to be holding people's hands. I'm going to look in the box. So you're going to look in the box. I'm going to look in the box. I'm going to look in the box. I'm going to look in the box. I'm going to look in the box. There are differences between those two. What's the difference between being a gang member and being a band member?  So I chose to be a band member because of their bad reputation. But being a gang member is still great music. You can do it, you can do it. You can do it mentally, you can do it. Maybe it's because of the beat and the cramming, but it's not that bad. Do you feel TikTok and other platforms are able to push your songs? Or do you just feel other platforms are able to push the songs that you guys release? Okay, so I think TikTok and other platforms are able to push their music. I think TikTok is the last one. So I think TikTok makes me excited about their art content creation. They play a very big role in our industry. Is it easy to make money in this industry with music? It's easy to make money with music. What are your performances and advertisements? So far, I've seen performances and streams. Alright guys, I'm wishing you all the very best. Thank you so much for talking to us. Thank you.


Let's get George Boar Ross back again with another video. So we're gonna check out 10 more vicious WWE receipts caught on camera by wrestling Royale. If you haven't subscribed to his channel, go ahead, give him a subscription. I'm already subscribed to him. I'm gonna link down his original video down below. Subscribe to his channel. Checked out a few of his videos on here before and make some pretty cool content. So go show him some love. Hey, when it comes to wrestling, we've we've seen wrestlers give out receipts to individuals. You know, and a lot of times it's just part of the business, man. Sometimes you may get a little bit too excited as a up and coming wrestler or just a situation where someone gets a little bit too excited and they, you know, give someone a stiff shot or whatnot. The wrestler usually sometimes either gives them the receipt right then and there in the match or in the segment, or they wait at a later time to give them the receipt. It's just part of the business. It's not to intentionally hurt someone, but it's just more of a one of those type of things.   You know what I'm saying? But I'm sure there are some instances where wrestlers like, hey, now you hit me a little bit too hard. Hey, you want to calm it down? I took that personal. So we're going to check out some of these instances. Appreciate all the love and support you guys shown on the channel. You didn't do it. They're a concept. Unique pro wrestling. Jesus. No other profession is it except. Hold on, hold on, hold on, hold on, hold on. We got to see that. But get our receipts. See that technically wasn't a receipt. That was just more or less them booking some extreme angle where Brock Lesnar goes completely rogue. And then just legitimately bust him open with his elbow. I think that was just an angle. More or less. I don't think that was more so a receipt or whatnot. So I could be wrong there, but from what I know, that was just more of an angle that they kind of kept it between the few people. Hell, there's people in the back that didn't know. I think Jericho got mad and wanted to fight Brock because he thought he went into business for himself when he legitimately busted open Randy or in the hard way and he was bleeding all over the place. But that was planned. So they're a concept unique to the pro wrestling industry. And no other profession is it.  Jesus wrestling punching someone if they mess up isn't just acceptable. It's very much encouraged nine times out of 10 stiff shots are accidental, but some wrestlers have a track record of being unsafe or unprofessional in the ring. And in this video, we'll be looking at times wrestlers have sent messages to their opponents with their fists. Here are more famous wrestling recedes starting with Chris Jericho tells Tommy he's dreaming. Oh my God. In the 2003 Royal Rumble, Tommy showed up with a garbage can full of hard core goodies. One of the weapons was a Kendo stick which dreamer used to attack various superstars. Chris Jericho accidentally took a Kendo shot right to the face. Oh, I think I remember this. Curious about this. Jericho gave a prone dreamer one of the hardest Kendo shots in the history of wrestling tossing about the race. It happens gives Virgil some hellbows and not the hellbow. During the 1994 Royal Rumble match, Virgil entered and was meant to get a little bit of offense on diesel before being eliminated. He hit the real life Kevin Nash with a stiff shot to the face and Nash snapped and gave Virgil some of this.  But all right, bet them elbows. Oh, he felt that the hellbows as my man called him. He felt those elbows. You'll see seriously. These things look like they're straight out of the UFC knockout diesel and grabs Virgil and tosses him forcefully.  And Anderson smashes Kevin Nash. Oh, yeah. Jesus. We've we've seen seen a clip of this. Jesus. I know it's not WWE, but it's too good to ignore on an episode of Nitro in 97. Nash dressed up as Arne Anderson to mock him, but it hit a little close to home with Nash making fun of Arne's real life drinking problems. What's worse, Anderson was forced to retire from wrestling and never could get his revenge in storyline or in real life. Well, that is until January 2000 when Nash was challenging Bret Hart for the WCW World title. Arne was scheduled to do a run in and hit Nash with a steel pipe and oh boy, did he ever just listen to this. I'm sorry, bro. Like I said at the beginning of the video, sometimes people take it personally. And that was a personal shot with that lead pipe. Geez, bro. Oh my God. Two Antonios and one ain't so great. Oh, Jesus. Oh, technically this also isn't the WWE, but considering Antonio and Okie is in the WWE Hall of Fame is one of the best receipts ever caught on camera. We're going to use it. In 1977, Okie faced off against the great Antonio who decided he was going to no sell in Okie's offense. This of course angered in Okie. Oh, not so great Antonio unleashed some plumbing. Jesus. Oh my snap. Oh, one of the most vicious beatings in pro wrestling. Oh, oh, needless to say, no one best. Whoa, yo, he legit stomping him out, bro. They man he's stomping a mud hole. My man's not moving. Like he was legit after those stick, not stick, those stiff shots back to the head and neck region.  You don't want to sell for me. You don't want to do nothing, but you want to hit me with real shots. I'm about to stomp you out and he stomped him out. Geez. The Undertaker crushes HBK. Whoo. She's 1997. The Undertaker had his best to date run with the world title. Yeah, he was going in. HBK cracked him with a chair in a match against Bret Hart. Lose the battle with storyline, but HBK accidentally catching taker with the edge of the chair. Oh, soft middle part was not. He knew a receipt was due to him and voluntarily. That looks the Undertaker. He's notorious. We we've seen a video of him giving a receipt to Randy Jordan, like at a later time or whatnot. So Undertaker is notorious and like you mess up.  So he just, all right, man, let's get this over with, the chair rather than the soft middle part was not. Oh my God. And voluntarily took a brutal chair shot from the Undertaker in their Hell in a Cell match later that year. Sheesh. The Undertaker again. On an episode of Raw leading up to WrestleMania 32, Shane McMahon and the Undertaker had a little brawl. During it, Shane hit the Undertaker with a monitor a little too far and busted open the dead.  In Shane's words, the Undertaker bare bottom with a monitor while they were on the other side. Yeah, I remember that once again, the Undertaker, he's all about you give me a receipt. That's fine. It's cool. You could apologize. Just know your receipt is coming.  He rocks a job. Pretty much better. Haku missed key should hit the savant kick on Russ. Rikishi has always come across as a pretty cool guy in real life. The main shock you is to find out that he was competing in WWE's developmental territory HWA back in 2001. And he completely lost it on job or Russ McCullough. Russ held Rikishi as Haku came in to deliver a kick to Rikishi. The big man was supposed to move. Oh, I accidentally moved another and completely ate the kick from Haku. Rikishi blamed Russ for this and unleashed a barrage of chair shots that said Jesus Jesus. Ahmed Johnson drives his head through for root. Oh my God. Root debuted. He ran in and kicked Ahmed Johnson so hard. He injured his kidney and forced Ahmed onto the shelf for a month. Ahmed said that he felt like the kick was a shotgun blast and made a mental note to get his revenge at a later date. Oh boy. Seven months later, Ahmed delivered a spine buster to Farouk that doesn't look so bad to the untrained eye. But Ahmed said that he purposefully drove his head into Farouk's ribs and broke a few of them. Oh, whoa. Yeah. Michael's curb stomps Vader for real. Oh my God. Seth Rollins has a really cool finisher called the curb stop. It's so cool that when WWE tried to change it for the pedigree for a few years, fans revolted until it was brought back. But where did he learn? Yeah, the curb stump is it's a it's a good finishing move because it looks believable.  They shouldn't get up. This move from it could have been as a young fan watching SummerSlam 1996 where Vader challenged Shawn Michaels for the world title. At one point, HPK jumped off and Vader is a tough guy. The clips I've seen and people talking about him. Vader was he was a tough guy. He he he was he'll give you some stiff shots back if you have to. He can go with the best on top rope and Vader was supposed to move. Vader forgot to move and Shawn lost his mind.  Nia Jax and Charlotte Flair get after it. Oh boy. Oh my God. Oh my God. On an episode of Ron is known for giving the real stiff shots. We saw what happened with Becky Lynch knows that one year. So we know how that goes. 21 Charlotte Flair and Nia Jax were facing off in a one on one match. There was a miscommunication and previously building bad blood boiled over as Charlotte started hitting Jax for real. A lot of it took place during the commercial break, but a lot was still caught on camera. Nia Jax eventually had enough Jesus with a decent one to combination. The two eventually got back on track and finished the match, but this was as close to a real fight on raw. We've seen a long time.  Sheesh. Oh my God. Turn Steve Oh into a jackass. Oh my. The jackass crew were brought into Ron 2006 to promote their upcoming movie. Umaga was meant to come to the ring and destroy Steve Oh and Chris Pontius, but within the scripted world of pro wrestling. Don't get me wrong. All of Umaga's moves look pain.  He always is and chose to laugh after receiving Umaga's brutal offense. This angered the smaller loser, but he absolutely mauled Oh my God. Yeah, he didn't sell it, but it's it's jackass. They're there to get hurt legit. They want to get legit hurt. That's that's just them. Matt Hardy makes the biggest mistake of his life. That's still one of the coldest chair shots in WWE history.  Dub would love this clip. I've sent Dub this clip and he's always smile when he's seen it, but I want y'all to know boy that boy. That was a nasty chair shot. Paul Heyman and the big show were in the ring trashing Brock Lesnar when Brock appeared on the entrance ramp and started making his way to the ring.  Brock was wide open, but refused medical attention, refused to put on his wrestling gear and absolutely balled the Sensei of Matitude and their one on one later on. Oh, yeah. Matitude follower Shannon Moore wasn't safe and ate a hellacious 5 from the Beast. Receipts come in all shapes and fit. Jesus. Yup. Yup. We've seen that was WrestleMania 31. This was a very good match. Very good match, man. Their very first match they had against each other was really really good, man, but nah, bro.  Sometimes someone else gets to come in and do your receipt for you. This was the case in the 2019 Hall of Fame when the legendary Brett Hart was giving his speech. Yeah. Deranged fan ran into the ring and tackled the Elvenley Hart not as smartest move as a multitude of security other superstars. Oh, yeah. UFC fighter Travis Brown all jumped the guy and dragged him out of the ring. Yup. Dash Wilder of the refival saw his opportunity and delivered a stiff hook to their deranged fan. Oh, we got to see that again. We got to see that. He deserve that. We got to see that one more one more game. He delivered a stiff hook to their deranged fan dropping him to the floor. Don't. Good.  That's with the excellence of execution. This is great man. Which ones did we miss? Let us. This is fantastic. Once again, go ahead and like this video. Subscribe to him and link to the original video will be down below. But yeah, that last clip. If you run into that ring, we don't know. They don't know what you got on you. Whatever the case may be. Yeah, I'm sure they check as security, but you can try to sneak something in. You tackling Brett. Nah, he got exactly what he's earned. You soon as you cross that barricade and get into that ring bro, you're going to catch the beats. You'll catch real beats.  So I'm all for boys getting a couple punches in because now we don't do that. Stay behind the barricade. Enjoy the show from where you at. Don't get into the ring. That was a well deserved receipt. But comment down below. Let me know some other receipts. They weren't listening to this video. If you guys just will always remember like you just know you remember where you were when you saw it live when it happened and you just like, damn, whoa, that was a stiff shot. But I appreciate all of the support you guys shown on channel Road to 150K. Now I'm still going to speak to you to the rest of the world. Appreciate y'all kicking me. See y'all next one. Peace.


In this video I'm going to be showing you a simplified setup for using the Rocaster Pro 2 with Zoom and Ecamm Live. Now I have made previous videos, some of them before the more recent firmware update, where we now do have this mix minus on all channels and also the audio routing table as well, but then also some of the things that I was doing before, you know, I was maybe taking it a little bit too far for what people, most people might be using, so I'd set up my Discord back channel to bring people on for my backstage past members of my YouTube channel, whilst I'm live streaming, I then bought system audio in through one of the jacks at the back and, you know, all very useful stuff and I found that it's something that I had a need for, but perhaps most other people might not need to do something quite as extreme as that. So I did just want to give you a really sort of more simplified version of it and really cut to the core concepts that you need to think about. And so if you take nothing else away from this video, and if you stop in about a minute's time, just remember this, that if you have got a application that has two-way audio going in and out of the Rocaster, so for example, a Zoom call, you want to be able to talk into the Zoom call and you want to be able to hear the people on the Zoom call talking back. And with Ecamm Live, you've got your audio obviously going into Ecamm, but then you may have sound effects or people coming in on interview mode. And so there's audio coming out of Ecamm Live. For every one of those instances, ideally, if they're going to be running at the same time, you want to give them their own dedicated channel and make sure that Mix Minus is on. Because if you don't have Mix Minus on, then the people in Zoom talking, it will come into the Rocaster, it will go straight back into the call again, and they will hear themselves repeated back. So just make sure that every instance that you're using has its own dedicated channel. So if you're using Ecamm Live with Zoom, then I'd recommend putting Ecamm Live onto one of the channels and Zoom onto one of the other channels. You could also split out system audio as well. So because we do have three channels available to us on the Rocaster Pro 2 by plugging in two USB cables, and that's the setup that I'm going to be talking about today. So we've got both of the USB cables plugged in. That gives us three channels. One is main, one is chat, one of them is secondary. So we can then assign those to those three different things. One for system audio, one for Ecamm and one for Zoom. For this particular use case, it really doesn't matter which one you assign to each, because now we do have this full mix minus options and the routing table available for every one of these channels. So really, just take your pick. I mean, they could rename these really just one, two and three, because what you use for chat might not be for chat, it might be for something else. So the naming of them is totally arbitrary at this point.  So with that said, let's just have a quick look at this basic setup that I've got now. Here is my microphone on this channel. Then here I've got, I just happened to have used main and I've assigned that to Ecamm, hence the orange, hence the orange light there. This one is the chat channel, which is for system go figure, but it is anyway what I've used. And I've given that a green color. The next one is zoom and that is on the secondary channel. And that I've given a blue light there. So hopefully the color coding should help make this a little bit simpler to follow along with. So we've got three channels and four including the microphone, one for zoom, one for ecamm, and one for system. One thing to note, though, is that when I'm talking about a channel for a particular use case, you need to make sure that it is both the input and the output. So you don't want to be mixing inputs and outputs. If zoom is on the secondary channel, you wouldn't want to have zoom secondary for the the Rocaster Pro 2 secondary for the input, but then use the main for the output, because you're completely bypassing then the functionality that we've got with the mix minus. So make sure that it's the dedicated channel. What I mean by that is the speaker and the microphone in zoom is set to Rocaster Pro 2 secondary in this case in ecamm, both the speaker in the settings. So if we come into the ecamm settings, come into the audio, select the in this case Rocaster Pro 2 main. Also, you can come and click on this one map input channels one and two to left and right stereo since we do have left and right stereo coming out. So we can just toggle that one on and then also in the in the microphone input for ecamm live, we would also there set that same channel. And then in your system audio settings, just set your microphone and your system speakers to be in this case, the chat channel. So that is how we've actually mapped these things in our in our computer. The next thing we want to do though is just check on the settings that we've got within the Rocaster itself for these three channels. So what we're going to do is come up to the settings. And then we're going to go over to the outputs. And then we want to click on rooting. It's called outputs, by the way, but it kind of is inputs as well. If you think about it, so it's kind of what's coming in and what's going out. But anyway, so this is controlling what is going out over these specific channels. So it's the Rocaster Pro 2 main is the first one here. Now, all we need to do is make sure we've got mixed minus set on for that one. Then we go to the chat. Now this one happens to be for the system. So technically, you really don't necessarily need to have mixed minus on for that, because if you're only getting audio out from the system, then it would be okay to leave it as just the, you know, the main mix. However, if ever you do have any other applications that may be default, you know, another communication app and it just defaults to system audio. Maybe you still occasionally use Skype or something, and it just defaults to system audio, then you would still want to have that mixed minus on. So I would just turn that one on as well. And then we come over to the zoom channel. And this is again, two way communication. So we want the mixed minus switched on. So at the very basic, if you do that, then we've got three channels, mixed minus switched on on all of them, a separate channel for each of those use cases, and you'll be good to go. However, there is then this option of this rooting table. So I did just want to touch on that and where you may want to use that as well. If you are recording in ecam live at the same time that you're on your zoom calls. So maybe you are streaming to YouTube, but then you're running your zoom at the same time, or maybe you just record the presentations that you're giving in zoom. And you've got the, you know, the people in zoom that are watching at the same time as you're recording. The way that this is set up at the moment is, ecam live will not hear itself back. You won't get any slap back. You won't get any slap back into zoom either. However, everything that is said in zoom will be coming over into the ecam live input as well. So that would just that would come in basically over your microphone feed. It would be picked up from there because it is taking its input from the Rocaster Pro 2. So if you never wanted the audio from zoom to be kind of bleeding into the ecam live production. So if you were recording the zoom call, and you didn't want to pick up any audio that was going on in there, you could actually exclude the zoom from the ecam live. So it would mean that they would still be able to hear everything that's going on from ecam. You would still be able to hear in your ears everything that was going on from the zoom call as well. And you'd be able to talk with them. There'd be no difference there. And it would just stop any audio from from zoom to be going into the feed from ecam. So what you would want to do there is you would then come into the custom for the USB main in this case, because that's what I've got as ecam. And what we want to do is we just want to exclude the zoom audio, which is the secondary. We want to exclude that from what's going into ecam. Now this rooting table, basically the way that it looks here, this is simulating exactly what makes minus is each one of these things here is one of the audio feeds, one of the audio channels. And we're just now deciding, well, which one do we want to actually go back into ecam. And this is simulating mix minus at the moment, because you can see that basically every channel is going into the main channel, except the main channel itself is not feeding back. And that's why this one has a little cross next to it. So if we wanted to exclude the zoom from here, it's just a case of clicking on this one, which is or tapping the USB to secondary, the Rokuster Pro 2 secondary channel. So now everything is going into ecam, except the stuff that's coming out from ecam. So there's no slapback, but also we are excluding the zoom from there. And as I say, this doesn't affect the people in zoom, and it doesn't affect what you're hearing, and it doesn't affect any other channels that this might be rooted to. This is just exclusively we're controlling what is going into ecam. That's an example of where you may want to use the rooting table there. However, if you thought that at some point you may actually want to have the audio from the people in zoom coming into ecam, for example, you might well be doing a live stream, but you want to have the chat going on in the background in zoom, or people to be able to ask questions, and you may want to bring the people up to ask questions. If that's the case, I actually don't recommend using this rooting. I'd recommend just going back to regular mix minus and coming out of here. But what you can do is you can still prevent the audio from zoom coming into ecam live. And the way that you do that is, here we've got our four faders. This is setting the levels for my microphone, for ecam, for system and for zoom. Now, if we want to exclude zoom from the broadcast, so it's not actually feeding back into what's going out, which includes going out to ecam, we can actually just press the mute button here. So there is a mute button. So if we press the mute button, then that will not be feeding into the into the mix. The other option of course is we could actually just bring the fader down, and then again the fader is set to zero. So the audio from zoom would not be coming through into ecam. If you do that though, you would not be able to hear it yourself, because as the sort of host plugged into the microphone socket one, you can hear everything that's going on. And so since you've moved the volume down here, whilst you're doing that, you would not be able to hear anything that was going on in zoom. So what you can do though is we can mute the zoom in here, but then we just use this listen button here. And what that means is you are then going to start listening to that particular channel. Now when you press that though, you are then only listening to that channel. So at the moment right now what's happening is if I got a zoom call going, and there were people talking, you wouldn't be able to hear it because it wouldn't be going into the ecam mix because it's muted, but I can hear what's going on in the call. However, I can't hear anything else that's going on. So if I had interviewees on ecam, I wouldn't be able to hear them. I can't actually hear my mic coming back to monitor my own mic as well. I can only hear the channel that I've got the listen button switched on. Fortunately, you can actually listen to multiple channels. So all I'm doing is I'm just going to press listen on all of them. And now what's happening is I can hear absolutely everything that's going on, exactly as the levels are set here. I can even hear the zoom call, but because the mute button is pressed down here, it means that it's not actually going into the mix. And in fact, if you have a look at these buttons up at the top here, you can see that I've got listen on all of these ones, but this one is muted, but it's actually muted, and I can also listen to it. So that's what these three lighting situations are just down here. So the green ones, I'm listening to them, but they're also going out into the mix. This red one here with zoom is not going out into the mix.  Let's say, for example, I was rolling a video or something like that, or there was an interviewee that was on the ECAM call. So they were coming in over ECAM, and maybe they were giving like a full screen presentation. So I'd got a scene set up that just spotlights the guests that I've got in ECAM live in interview mode, and they are on, you know, sort of full screen. Whilst I'm not on screen, I might want to be able to just say something to the people in Zoom. Well, you can actually then just, if I press the mute and the listen button on my own track, my, the track number one, which is my microphone, and this is coming through my headphones, headphone socket number one as well. If I press the mute and listen button on there, it gives me a back channel into every other channel that has got the mute and listen button on. And what you'll notice is what, as soon as I press mute on here, these two will then go yellow. So with those yellow, what that means is I can then talk into the Zoom call. So if I had got a guest on giving a presentation, and I wanted to say to the people in Zoom, get ready with your questions, we'll be wrapping up in five minutes and ready to take questions. I could literally, whilst the main presenter was on screen, I could just press this button and say that into the back channel, into the Zoom call. So you wouldn't have heard that. And then we are good to go. So that is the way that I would set this up for ECAM, system audio and Zoom. And of course, if you actually don't want to hear what's going on in Zoom or it's getting too rowdy, you can always just turn that down. This fader in this situation, it's muted for the main mix. But you still have control over its volume.  So once again, the main thing to think though is just make sure you have got a dedicated channel for these applications that require two-way audio and make sure that you don't sort of mix channels. So you don't want secondary on input and main on output or something like that for any one of them. Keep them separate and you should not have any problems with it. So I hope that that is a little bit more simplified and I hope that it helps you figure out how to get this best setup for you. Now I will leave a link to my other Roadcaster Pro 2 videos over on the right hand side and I'll see you in there.


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This is Ricky Carruth down here remix of Orange Beach. This is Ricky Carruth with remix of Orange Beach. Yeah it's Ricky Carruth remix of Orange Beach. How you doing man?  This is real. Relationships are universal.  I run into people that don't like me because I'm a guy not a girl. I can't do anything about it right? Yeah. Don't be that agent that is coming up with excuses man. Hey Mr. Smith. Yeah. This is Ricky Carruth down at remix of Orange Beach. How you doing? Fine. What's up? Oh not much man. I didn't want to take up too much of your time. I sold a couple properties Phoenix 3 here lately. Didn't know if there's anything in the world I could do for you. No not really. Okay. Do you guys have an agent down here you would work with? I don't know. Okay. Well I'm sure you're gonna do something at some point would you be okay if I stayed in touch with you? Okay. What's your what's your email? Got it. I'll stay in touch with you there and if there's ever anything I could do for you just let me know. Thanks man. Okay. That guy wasn't even like he was zero interested in anything like he just wanted to get me off the phone. I literally just got his email address and now he'll get my emails every single Wednesday forever and then it's gonna show him how hard working dependable consistent I am and then the information is good too and in three years he's ready to upgrade he's gonna call me. What's your intent? Are you there to just try to do a deal with someone? Are you there just to try to make money off somebody or are you there to truly help someone regardless if they want to buy or sell something today or not? Well ma'am I was just gonna actually try to help you sell this thing for free like not charge you anything and like if you why wouldn't I want to help you sell it? I know but but if I help you sell it maybe you'll buy something from me or maybe you'll tell somebody about me you know I really I'm more in it I'm more into it for the relationship long-term I just want to help people. I'm just and I'll tell you too the pictures that you have on for subunit.com they're sideways. I'll talk to you listen I'm on the road right now you've got my number can you just text me your information again cool well I'll text you my information and then maybe I can call you tomorrow. That will be perfect you can call me tonight even later. Thank you. Oh no oh no helping people for free isn't gonna get you anywhere this is the way to do it. If your intent is just to help them regardless if they buy or sell today or not and to listen to them and try to help them through whatever life changes they have going on now you don't have anything to be scared of. Hey it's Ricky Curry 3-Mex of Orange Beach how are you doing okay. Hey do you have a condo at down here in Orange Beach that were you guys trying to sell it at some point. No I bought it a year ago. At some point you're probably gonna want to sell that condo huh. Right. 30,000 right now yeah so we're gonna enjoy it for a while. Right do you guys have an agent that you were you I mean happy with agent you worked with. No. Okay well I mean just just just introduced myself I've been selling down here for 16 years and I grew up in Orange Beach I would love to maybe just stay in touch with you and you know somewhere down the line five or ten years down the road I'd love to you know just help you if you guys remember us. I will because I'll get your email address right now and then I'll send you emails you know never forget me. No ma'am. Okay awesome awesome okay cool well thank you I'll send an email just so you know who I am. Alright have a good day. Bye bye. Boom we get talking and then next thing I know I have her email address I'm gonna start sending her emails she says she wasn't happy with the realtor that she used realtor that she used a year ago what is that gonna be she's gonna open up to me and we're gonna do business in five years she says she'll do a deal make calls any time of day any time of day three times a week three hours per session remember my definition of market share it's not how many transactions listings closings you have it's how many real lifelong relationships you have with property owners in your area okay regardless if they want to do a deal or not when you create that relationship then you're creating what is going to be the largest real estate business in your market.