So, there is one more part of the bird's eye view I will get through part of this this time and then I will probably finish it next time. So, the final part remember the first part was hardware second part is software the third part of this which will be a big part of the class is the sensation and perception part. So, this is the biological the neuroscience the perceptual psychology part sensation and perception. So, how do the senses work and how are they interpreted by the brain sensation and perception. So, there are a lot of relevant VR questions here. How do we perceive depth and how do we know how far away something is? I think most engineering students would answer by stereo right stereo vision right we have seen you have seen you have done computer vision projects before perhaps where you reconstruct depth from stereo images in a camera. It turns out that a very very large overwhelming amount of depth information comes from monocular vision just from a single eye from the brain's expectation of where everything falls together in the physical world. So, you get a lot of depth information from that they are called monocular depth cues that is something I want to cover. So, in engineering people tend to over emphasize stereo when when the truth is monocular depth cues provide most of what you need and for many applications it may provide everything that you need in which case it simplifies your engineering design considerably. What causes nausea or fatigue? What are what are the root causes of these? What has it do with sensation and perception? The information coming from these sensors you have engineered alternate stimuli now to present to these senses which confuses your brain.  So, what is going on there right how do we understand these things and try to avoid these problems? How do we perceive the source of an audio signal? Where is the sound coming from right? I have noticed on the campus here there are these incredibly loud birds called the Asian Coal right not sure what your local names are for them, but very loud I notice when I step outside I can identify which tree they are in very very closely which is quite interesting when you think about it. We do not have a full imaging system for our ears how are we able to do that to localize the audio source to pinpoint where something is coming from? How much resolution is enough on a display right? How do you answer a question like that? Well you need to take the human body part the human vision or the the organisms vision part into account and this whole idea of presence I gave you a little bit of an idea, but we can get more into that as well. The thing that is very confusing is that the processes that are going on for us all the time in our daily lives we are using perception constantly our brains are doing a lot of work to build a coherent view of the world around us and you know what it is effortless right? It appears effortless to us it is not something you spend a lot of time on you understand where you are going and what you are doing. But if you really stop and think about it carefully you are doing very very complex tasks ones that are very very hard you have around 10 billion neurons in your brain doing a lot of work a huge fraction of those are devoted to vision interpretation and you know the best computers we have the best machine learning algorithms they are getting better these days, but they still cannot compete with the human brain and it is quite impressive and all this work seems to be happening effortlessly for us right? So, we are not even trained to be aware of it. If you do virtual reality you need to be trained to be aware of these things because you are interfering with their operation. So, if you want to be a good VR engineer you have to understand some of the reverse engineering of the human brain and the human vision system and the other senses in order to be a good engineer of virtual reality systems. So, that is why these things come together and why we are motivated to study these. I have already talked about different senses I want to go into a little bit of classification of senses. So, I just want to talk about for each one of our senses what is the sense called, what is the fundamental stimulus, what are the receptors, what is the familiar sensory structure or sense organ and I might not think of might not hurt to think about some kind of engineering equivalent. Again this is just a bird's eye view so, I just want to quickly go through these. So, for vision that is the name of the sense vision, human vision let us say. What is the stimulus, electromagnetic energy so, just think about electromagnetic energy or photons if you like right. So, electromagnetic energy in what is called the visible spectrum why do we call that because we are we consider ourselves to be important we have selected that part of the spectrum because that is what our eyes respond to right call the rest infrared ultraviolet outside of that all right, but it is all electromagnetic energy. On your retina of your eyes you have photoreceptors just like you have pixels on a display that is the output pixels the photoreceptors are like input pixels. So, these are the parts where you sense. Sensory structure well it is a human eye. The engineering equivalent I guess would be a camera right and the way we design cameras very similar to the way our eyes are designed except all these extra movements and things that our eyes do is very complex and interesting. Let us go for another sense so, that was one of them vision the next one is hearing. So, if we go to hearing sense is called hearing what is the stimulus yeah so, air pressure air pressure vibrations or air pressure waves let us say right. So, it can be considered as a kind of mechanical vibration good that you use the word mechanical because the receptors are called mechanoreceptors right. So, we can get into a little bit of the details when I cover audio although I am mainly going to be covering vision of course, the sensory structure is the ear and I guess the engineering equivalent would be a microphone perhaps right we put microphones which are very close and designed to speakers. Let us see if we go through touch right so, the sense of touch in this case the stimulus is tissue deformation right. So, the surface of your body is deforming in some kind of way. We have mechanoreceptors for that we also have thermal receptors. So, part of touch could also be a change in temperature right you feel that something is burning hot or a cold piece of ice on your skin right so, it can also be thermal. So, there is thermal receptors and mechanoreceptors sensory structure skin all over muscular structures and all throughout your skin you have the sensory structure. So, that one is the most distributed across your body right. So, we could break that into further and further finer categories if you like. In the engineering world we have a pressure sensors and force sensors and thermometers right. So, we make all kinds of things the physics is the same either way so, there is usually an engineering equivalent for the things in our bodies. One extremely important one for us and this has a lot to do with simulator sickness is our sense of balance. It turns out that we have inertial measurement units inside of our ears and it is not part of the hearing system it is part of our balance system. So, the sensory structure organ is called the vestibular organs which are mainly located in your inner ears there is a pair of them and the stimulus is accelerations could be due to gravity could be due to linear motion. So, that is the stimulus that we get our accelerations and there are again mechanoreceptors for receiving that information. So, it is one of the most mysterious organs we rely on it every day, but most of you probably have not thought too much about how it works or what exactly it is trying to accomplish other than from its name it is obviously helping us to balance. And finally, I will put these both together taste taste or smell so, in this case the senses taste or smell the stimulus is chemical composition right. So, we have some chemical composition and it turns out in this case we have chemoreceptors right. So, some kind of chemical receptors if there is a change in the pH for example, in acidity you may be able to measure that and send signals to your brain. Sensory structure well these would be in our mouths and nose right and use surface of our tongues inside of your nose. So, you have places where you have these chemoreceptors that can measure these chemical information chemically based information as it propagates through the environment. So, among all of these senses the one I am going to cover the most in this course is vision number 2 is the hearing part and I am going to leave off the rest right, but they all can be considered very important. You can easily spend an entire course on the touch part many fascinating issues there balance is going to be important though too I better put that in here we are going to cover some of that because that becomes extremely important for making comfortable experiences. Let me mention one small thing here and then I will finish up for today so, which is as these senses come together if you are taking control of one of the senses by providing alternative stimulation and then you have neglected the other sense your brain may not become happy about integrating those two sensors now because it is going to start detecting mismatches and that is mismatches might happen at a subconscious level and you may become uncomfortable or sick from that and these are the kind of difficulties that happen. So, the most important for us is vision plus balance when you mix those two together balance are vestibular you have a problem. One of them is called Vection again this is just a high level view what happens in this case is this is the illusion of self-motion have you ever been sitting on a train and the train is stationary and out the window another train starts moving and you get the sensation that you are going backwards, but you are not moving that is an example of Vection. So, your eyes have convinced you that you are moving and accelerating, but your vestibular organ knows that you are not and it is disturbing right it is really unusual.  So, that is a problem it is called Vection what do we do about it not completely sure I have some suggestions, but a lot of people working on how to overcome this. Another interesting thing I mentioned it is called the vestibulo I mentioned it once already ocular reflex or VOR. This affects our perception of stationarity.  Perfect one to one correspondence it is a very tight feedback loop that takes less than 10 milliseconds and bypasses my higher level brain functions it is a very tight control system that is been evolved to do this and it affects my perception of stationarity it is very hard to not do it you can try to not do it and just have the chalk look like it is going back and forth instead very very difficult you can put your finger in front go ahead and try this put your finger in front and go like this it will not hurt. So, you know right. So, you are doing this all the time this affects your perception of stationarity you have to get that exactly right in virtual reality. If you have optical distortions or you have latency other things your brain may learn to compensate for that and then when you take the headset off the real world will be messed up for you. Those of you wearing spectacles you will notice that you may notice that when you take them off the world might look like it kind of swims back and forth. Your brain actually has learned a different gain constant for your spectacles or glasses when you wear those due to the magnification of your lenses the counter rotation rate is different than the rotation rate, but your brain learns that it is no problem.  It is better to engineer it correctly and make it comfortable, but these things tend to be invisible to people. So, this is a very important intersection or combination between two different senses is there any which equivalent yeah that is a very good. So, you could provide vestibular stimulation maybe you provide some kind of vibration that distracts the sense enough you could do electrical stimulation of the vestibular organ, but it tends to be painful I don't think there is an easy source, but that is a very natural thing of course just make all the senses become together in harmony and that would be a solution right it is just very difficult to engineer that. Low frequency vibrations and rumbles might help there has been some research on that, but it is not I don't think it is completely conclusive. So, a very good question alright I have a little bit more left on this I don't know if I could either take 10 minutes or wait until tomorrow I don't know what is best should I finish it alright I will just finish it up so that we hit it in one shot. So, a few more things on the bird's eye view and then we get it we get a clean shot into the rest. If you read the first chapter of the book by Mather on sensation and perception you will get all of this and much more detail and I think it will be very helpful for your perspective as you go through this class. So, I just want to introduce a few small concepts here in the remaining 5 to 10 minutes. The subject of psychophysics alright so this is the scientific study of connecting physical stimuli to perceptual phenomena perceptual phenomena. So, your brain reacts and comes up with some conclusion for example, what does it take what do I have to present to your eyes so that you declare that something is red instead of blue or instead of orange alright. What does it take for you to declare that something is bright or dark or loud or sour what does it take for you to declare that something is sour if it is taste right. So, these are really interesting questions right so one of these is clearly a reaction of the human, but it starts with physics that is why it has physics in it has psycho in it you put these 2 together and you design scientific studies for that. So, there is usually a kind of plot in a lot of these works to look something like this you have a probability of detection and then you may have let us say a stimulus parameter here and the plots could look you know varied depending on the experiment, but perhaps it looks something like this the probability should go from say 0 to 1, but maybe for some particular experiment there is like some crossover point where everything should match perfectly here. So, that is some kind of parameter for example, maybe you are changing acidity in some kind of taste experiment so that at some point it becomes it gives you a sour taste let us say right.  So, down here nobody would say that it is sour over here when you turn the parameter to some extreme everybody will say it is sour and then there is some kind of in between region where you know around in the in between region some people will say it is sour and some will not right. So, that is the kind of experiments people do in psychophysics they vary they turn knobs and they try it out on people and they see what happens. They may also be measuring response times to stimuli. Sometimes you need 3 or 4 subjects and that is enough sometimes you may need 100 subjects or more sometimes you may have to consider demographics of your subjects could be age gender various things might matter some other kinds of studies it might not matter at all it may have to do with just a common wiring that is in all of our bodies and it does not really matter therefore, you need 3 or 4 subjects and you are done. So, it just depends on a lot of things like this and it is a very scientific rigorously defined subject and there is all kinds of interesting results from that. One of the most interesting general patterns that seems to come up over and over again is called Stevens power law. So, let me go into that Stevens power law this is from around I think 1961 let us say M is the magnitude of the stimulus is the perceived magnitude perceived magnitude this is a pattern that will show up over and over again and it definitely shows up throughout virtual reality. So, there is a kind of mapping looks like this P is equal to some constant C M magnitude to some power x called the exponent. So, C is a constant depends on the units depends on some kind of curve fitting. So, people have done many many experiments with human subjects in many different settings and they end up with plots like if I put M on one axis and P on the other. So, I increase the magnitude of the stimulus and then I measure the perceived magnitude by the person based on what they tell us. There are some cases where it will go like this in which case the exponent is greater than 1 there are some cases where it appears to be perfectly linear and there are some cases where it goes the other way. It is very easy to find examples of this if you look up Stevens power law on the internet you will find lots of examples. So, it goes off in this direction in the case of x less than 1. And so, as an example if you take a look at loudness you ask somebody is this twice as loud or not right you can keep doing experiments like this give them a bunch of signals at let us say a single pure tone at 3000 hertz and then you start varying its amplitude and you try to measure their perception of how much the amplitude is going up right. If you do this the exponent will be 0.67 about 0.67. So, it looks like this. So, it starts getting louder and louder, but it kind of tends to saturate you know it does not really is not perceived as being that much louder interesting right. If you ask someone to estimate how long a line appears to be on a screen it ends up being linear they are pretty good at it that estimate as long as there is no other strange interference or optical illusions they end up estimating it to be twice as much. So, that is interesting if it is really twice longer if you electrically shock somebody then it looks like this a little bit more shock feels a lot more painful. So, so these things all depend that is Stevens power law. Another thing that tends to happen over and over again and this I mentioned already with the vestibular ocular reflex is plasticity and adaptability. So, over time you tend to adapt. So, if there are flaws in your virtual reality system you adapt if something sounds really loud after a long time listening to it it will not sound so loud anymore right. So, all kinds of things happen through adaptations that is just another very very powerful principle which I need to emphasize is adaptation ok. So, one last thing I want to say is I want to I want to present some optical illusions to you just to help emphasize to you how much processing is going on that you might be barely aware of. So, you might have seen some illusions before there are visual illusions there are audio illusions as well they are all kinds of interesting things that happen I am just showing visual illusions because that is the main emphasis of this class. So, let me put some up here you seen this one before. So, I seems how many legs are there I do not know. So, you can present things that look reasonably plausible as long as you do not stare too closely. This one is great which one of these line segments is longer right turns out there the exact same length right. So, the upper line segment here the lower line segment here same length does not look like it. It looks like the lower one is shorter correct. We can play the game like this which one of these line segments is longer right. These are perfectly vertically aligned, but this monocular depth cues that I talked about that gives you the sense that the upper bar here is far away gives you a feeling that it must be longer, but it is not it is the same length right.  They love finding new examples like this that reveal something that is going on when you are doing the reverse engineering of our vision. This one is pretty good. So, the gray square here labeled A and the gray square labeled B are the exact same intensity. Does not it look like A is darker than B? They are exactly the same. You can look up you can grab this image and look exactly at the pixels if you want they are the exact same RGB values. They are exactly the same. It is just a shadow effect that is causing this gray square illusion. So, as your brain tries to integrate the whole picture together it is going to tell you that B must be lighter, but it is not the exact same shade as the A. That one is crazy. Does it look like the wheels are rotating? Well they are not. Do you see motion in that? So your eyes have very very tiny motions called micro-sacods and they are always doing that to refresh your photoreceptors. This illusion appears to confuse that and it gets especially bad when you when you get up closer to it. Maybe I can leave this at the end of the lecture and you can get up closer to it especially bad at the periphery. And finally I will end with this. This is called the haunted swing. This was made over 100 years ago in a festival.  But they do not know that. So, the people who designed this they took the furniture and they nailed it to the floors. And then they actually spin the room so that people perceive it as they are moving here and sitting upside down, but they are actually not. They just perceive it as that. So, this generates vexion. And guess what? The people got very sick from this. So, this is exactly the kind of thing that is going on. This looks like virtual reality to me in a lot of ways, right? They trick them with exactly these kind of motions, you know, it gradually starts rocking back and forth and then you are convinced the swing is going completely around 360 degrees, but really you are motionless, right? So, again another kind of optical illusion. So, that completes the overview. That is the bird's eye view. I covered the hardware part, the software part and a sensation and perception part and gave you motivation for the for this class. So, the next lecture I will get into the basics of geometric modeling and some of the transformations that we apply. These are the beginning steps of making alternate world generators. So, you can look at chapter 6 of the graphics book by Shirley at all if you want to get started on some of the basics of that if you do not have that math background and things. Thanks.


Hi everyone and welcome back to another episode of our VGC 2020 battle series. My name is Leo Sononos Osiris and today we're going to continue on with this X and Y team that we started playing yesterday on the channel. We're going to finish up the week of it before we move into something new next week on the channel and as always if you do have any preferences on anything you would like to see played on the channel do let me know down in the description below and I'll see what I can do and make sure that we try and cover as many of the suggestions that we get as possible. But just to recap the team we've got Ivel Tozernius, Serena Incineroar, Landerous and Tapifini. As always the team is down in the description below. There's a roll pace, poke pace, try it out and if you do let me know what your thoughts are on the team. We didn't see very much of Ivel so yesterday so I'm hoping in today's episode we will see a little bit more from the bird and as always if you do enjoy this sort of content please remember to leave a like on the video, do subscribe to the channel for more Pokemon content and as always like I always say leave your comments down below just let me know what your thoughts are on the team in general what your thoughts are on the battles or what you would like to see played going forward in the Ultra series. I'm just looking around now because I'm a bit conscious my DS battery is on red and I don't think I've got it I don't think I've got a charger anywhere handy so I'm hoping that we can get through at least this episode without any problems actually what's this what is this is this a DS one I don't think it is I think this is just a generic USB charger that's not good oh wait wait I have my magic bag my magic world's bag where I keep everything there we go you see always prepares oh not really because if I was always prepared it wouldn't be red right we'll plug this bad boy in and make sure that we have DS action throughout this episode just be helpful and there we go all charged and ready to go so we're just looking for our first opponent now uh hopefully it doesn't take too long to find them battle spot seems to be quiet today and you know what today I think is today the day well when I'm recording this it's the 15th of October so a month day we're going to have sword and shield I cannot wait it's going to be so exciting and there's lots going on in between then and then and now so we've got um I've actually got my parents coming to visit which would be really nice they haven't seen them for a little while so they come down to visit me tash and Thea uh so that'd be awesome that'll be like in a week or two's time uh hopefully going up to the pokemon center in London with scott um because there's a pop-up stall there in Westfield shopping center it should pretty cool and I think it's like going on for a month and so it'd be nice to pop up there see him as well events I don't think there are any events coming up very soon I think they're into November before there's an mss in Austin that I think I'm going to try and go to um so events not too many really um and then and then it'll be sword and shield out so yeah hopefully everything kind of ticks around just why I'm missing something there's something big happening that I'm like I'm missing out what it is but yeah we've got the flinch squad circuit starting the episode we'll be up this evening of the first round feature match we've got angel from Spain the angel 17 19 rated player um and playing oh variant it's spain rain so we'll go into team preview so spain rain it is a very similar variant to what uh alex and eric ryan at worlds and it's been running recently as well where you see caught on it over the ferrithorn but uh the variation of that team with the ferrithorn there it has got kayaga riquaza in cinderal here tabcoco and the nai ligo so nai ligo causing us a few problems of course lander is doing really nice things in this matchup here so I think we want to bring lander us uh and cinderal for the double intimidate the lander us gives us nice options against things like nai ligo in particular uh tabcoco as well uh eval tool is really good here against um kayaga puts a lot of pressure on there it can deal with the nai ligo to a certain extent you've got to be careful about being doubled into I think we need zelius in this matchup and do we want incineral or do we want finny it'd be nice to have a switch in for the kayaga but I think we need to have incineral if I'm totally honest with you here and because the ferrithorn otherwise is going to be really difficult to deal with so we want to try and get rid of the kayaga early doors and then it opens the door for incineral to deal with the ferrithorn when it does hit the field it's going to be a tough matchup it's going to be tough there's a really well put together team um but it's not one that's not winnable I think if we just play well enough then we can we can kind of overcome it so um putting the pressure on certain things and lander has really helped out in that respect you know we might see fake out pressure here we don't we see nai ligo kayaga and this is a pretty easy turn for us just to go um earthquake and snarl and we put damage out onto the field um and we get rid of the nai ligo with the double up because you'd expect the nai ligo to be um focusashed and even if it is a variant that has the z move it's not taken down you're out and if it is a z move then it goes down to um earthquake so I mean we don't have too much to worry about here um and an ice beam after a snarl is not going to take anything down so I think we're probably all right just to click that earthquake button and then go for that snarl nai ligo gonna be saved for later on which makes a lot of sense we're gonna see incinero come out onto the field we might see the kayaga protect um and that's that's totally fine but we don't okay so we'll get some damage onto the incinero which is nice get some damage onto the kayaga as well also good to help weaken like origin pulse and ice beam and then this snarl coming out on top of that which is really the more useful of the the two attacks here especially for that kayaga um so kayaga going for an ice beam and it's going to be into landers but we should take this after minus one oh we don't take it what come on that's where the calcs come in okay so that's not ideal at all um right losing landers like that's bad as well especially when nai ligos in the back um okay we'll bring in incinero we're just gonna be really difficult now to deal with nai ligo i have to trade fake out i think yeah i'm gonna fake out the kayaga and i'm gonna bring in zonius here because i think you wouldn't have to try and get a geomancer if i can the problem is if we see the opposing incinero you turn out and then nai ligo come back onto the field that would be really bad because then we've got no way to deal with it because i think the best way for us to deal with nai ligo now is gonna be with erie bell to out onto the field at the same time not switching it in um kayaga gonna protect okay we're probably gonna see you turn nai ligo coming back in you know when you walk in like down the wrong road you walk down the wrong road and you just know but you keep going anyway you think it'll be fine work out and it's not it's not gonna be fine nothing's gonna work out although i think we're gonna have to be cheeky here because i think we're gonna have to try and um we're gonna have to try we moderate options do you double the incinero that's what i would think my opponent would probably do so it makes me think we could potentially maybe get a geomancer up maybe and go for you turn into the nai ligo break that sash then geomancy and we'll probably lose incinero to the double up here wow okay con a little crush coming out um and this will probably be into incinero i'd imagine unless you go into the zonius thinking let's get some big damage off there but they're doing this because they've got ferrithorn in the back i would imagine they want to get rid do they get the way to do it isn't it you get rid of the threats you set up that wind condition uh you get the beast boost as well which makes things even more difficult for eval to do anything especially attack boost yeah that's not ideal we kind of got a hope that this kyle will go for an origin pulse and it misses but it's likely with how good this team is consistency wise it's got scald this is not going well this is where finny would have been a little bit better okay the what's about i mean it's better than origin pulse it does less damage okay all right and then we'll bring eval to live well i mean we're gonna see probably clear smog right what does it have clear smog i think back if i'm thinking that alex is set i'm sure it has like no because he didn't have power gem so he probably does have clear smog i imagine um but i mean we can snarl for sure and then i think just moonblast moonblast the nilego yeah kyle gonna go out and incinero yeah and i'm just hoping both our pokemon can take an attack and the nilego protects all right so that's if we dazzle there if we dazzle that would have been i think we just got a double attack again to be honest like we can't protect eval so so if we get faked out into eval and they double eval that puts us in a really bad position going to the next turn i think we've got a moonblast the nilego and go for a snarl and hope they go for the eval no okay that's that's bad but we actually had speed the nilego which is kind of interesting okay let's we see a trick room here super bad yeah i mean that's not the worst thing in the world really you can go for another snarl and i think we just protect zernius this turn because we haven't protected zernius at all we've just been attacking with it so i'm hoping my opponent just thinks well he's not protecting it let's just go for it we'll get another snarl off that would put us in a way better position let's we see clear smoke so this is a snarl coming out from the incineral and then we can maybe foul play the nilego we get this one off yeah because we actually under speed it so we'll be able to maybe knock it out maybe maybe i don't know minus one now so let's see where it goes proc and bury on the incineral yeah that's a bit annoying because if you dazzle the turn it switched in we wouldn't have to be dealing with this we're gonna say power gem it's not doing too much all right let's go for that foul play i mean we could suck a punch because i suck a punch i suck a punch and uh um a dazzle will get the nilego 100 percent here maybe not a dazzle he velto avoids the snarl he could have done with that onto the zernius okay see power gem again into velto take that like a champ dazzling game come on let's see minus one uh plus one sorry we don't get it but i mean we're pressuring the thing is like we're pressuring that nilego now with with the sucker punch so we can definitely go for the sucker there um i don't know if it attacks though now i think it might might not attack so we could potentially go for an oblivion wing into the incineral and just go for another dazzling game because i think the nilego either protects or reverses the trickery to maybe set up the ray coming back in okay incineral going out it's a bit great if it's like required though because we'll get a chunk of chunk of health back the nilego might be trying to reverse the trick room though i'm hoping that's what it does or tries to do let's see oh come on it's verathon okay so the blooming wing not bad here actually because we'll get some oh it does nothing so weak power gem again not going for it we could have suckered there oh man it's gone from bad to worse yeah and only being on plus one it's a verathon incineral gonna come back in now i don't think we've got a way to beat the verathon we can get rid of the nilego but what do we got as well two turns of trick room left and it's an easy fake out onto eval tol now and i don't think a moon blast is gonna get as zonius the only thing we can potentially do but i don't even think you would do this like you fake out eval tol like you're not gonna double into eval tol no way and i don't think we take i can go for a farplane to the farathon and i'll just have to protect zonius because otherwise we just take a jarra ball just hope you fake out the zonius for some reason which you wouldn't oh we survived it okay we might actually be in this now i can't i can't believe that we took that eval tol imaginary sash okay and this changes things quite a little bit so well it doesn't clean get the incineral that's the question because a foul play hmm i don't know if a foul play in a dazzle will get the farathon and the thing is do you protect the farathon this turn expecting maybe a double into it or we could just moon blast the incineral um hmm i think we're gonna have to go for the dazzle and the foul play like i really want to go moon blast foul play into farathon but i'm gonna go for it if you protect the farathon fair play no you don't this should be enough to get the farathon and then maybe we've got enough with zonius to gotta hope this foul play takes down the farathon though as well but we lose the incineral are we losing veltel um but we still got a zonius taking us down to the wire have we got enough to beat the kayoga though okay this is fine this is fine i don't mind a u-turn i would prefer this to a flare blitz a hundred percent we're still plus one can we deal with the kayoga incineral let's do this right kayana's got a lot of health it's got a lot of health it's got way too much health i think that all kind of hinges on uh whether a dazzling gleam is going to be enough to take down the incineral if it is like we protect this turn if it's enough to get the incineral i think we can win this because i think we'll take at least one attack from kayoga so protect this is where like substitute on kayoga would be phenomenal wouldn't it you just stop here and then it's like gg good game all right fake out obviously i think origin pulls oh scald it is scald okay right right let's go for it we have to go for the dazzle we have to go for the dazzle we have to hope that it takes down the incineral come on can we take the scald come on we don't want to burn either because a burn would be bad for us burn we are gonna win how we've done that how how we've done that i don't know but i'm just gonna say good game to my opponent and great game to eval to man that was tough that was tough but we did it we did it we did it i think if my opponent had protected the ferrithorn that turn expecting maybe the double n uh and then taking down our eval tol with incineral with a u turn that would have been the play and then you lock it up then um but it's easy to say these things in hindsight but great win for us to kick off with today we'll jump into our next one it's been a bit of a slog that one so hopefully our next one is a little bit um a little bit quicker but um i think like really good example to show like just don't give up even like when i felt like uh night league was kind of overtaking us here um it feels like you want to give up but we got scott up next from the united kingdom um let's hop straight into team preview see what he's got it's a prerogli okay so we've got zernius and moongus we've got tapu finni incineral dusk maiden and cross matt and prerogli prerogli uh it has got that divine defiant ability so we need to be very careful around that does have fake out as well um there's lots of stuff to stop pausing zernius setting up you've got a moongus you've got finni potentially wrought on um incineral i think um this is quite tough because obviously want to bring out fake out support in zernius but uh for zernius with incineral but i don't want to um i don't want to proc the defiant ability on the prerogli um let's bring finni in let's bring zernius do we bring serena maybe serena could be good here serena's good at dealing with things like uh tapu finni um i definitely want eval tul in this like do i want eval tul eval tul doesn't do great in this matchup to be honest like incineral is better um just for the lake and coming in with a bit of fake out support do i want eval tul or do i want serena i think serena's probably a little bit better in general yeah let's go for that it's gonna be a tough one because it's just a tricky matchup but if we can get rid of the prerogli and make things a lot easier for us uh we've got hays as well with our finni to help against any potential setup from that zernia pausing zernius um we're not gonna see the prerogli come out so i think we've got a nice we've got a nice opportunity here to bring in serena and go geomancy get around the fake out yeah they're probably gonna geomancy as well but i mean like one of our options is just go hays and protect azernius but they might expect that so we'll go into our serena and we'll geomancy and hope that they go for the fake out and maybe not geomancy because they fear the they fear the potential hays coming out but they so we'll get our geomancy off they do go for the fake out if they haven't geomancy here i think we can close this one down pretty quickly but it will depend what they've done and even if they have geomancy here it's not the end of the world because we do have help in hand which kind of boosts our attack a little bit more than what my opponent can do uh they go for the geomancy as well and we are the fastest zernius so one of the things we could potentially do is switch into um how do we just attack because we could potentially we could just we could faint the zernius for sure and dazzle on moonblast i mean that's not a bad idea if we faint in moonblast hope that they protect no they're not going to okay now if we take a moonblast and a flare blitz it's not going to be ideal for us at all so we don't want to lose our zernius and we do get a special attack drop which is pretty huge for us doesn't lean coming out that's all right and we'll take a flare blitz from this incineral but serena oh no it's fine man okay now i think help in hand dazzling game should get both now the zernius could protect this turn but i think we're the threat of faint it's probably not gonna we just need to hope we can take down this incineral with help in hand does it goes for the protect now help in hand dazzle is it gonna get the incineral yay okay that's fine and now what comes in and cross my all right it's not gonna ultra burst at all like it's just not is it but we do have finny we've got incineral to help deal with it what they're gonna have in the back because we can get rid of we can definitely get rid of the zernius here so we could just help in hand dazzle again i think that's not a bad play we're gonna outspeed the opposing zernius um and just gets much damage onto this and across me as possible and once the zernius is down makes our lives a lot easier so there's a helping hand coming out we're not going to see the ultra burst just yet it will ultra burst once zernius goes down there i would imagine are you kidding are you actually kidding going for the double protect is the only play you've got you could have switched out i mean that really that sucks a lot like that that's really not cool um i mean what what can you say what can you do hey hit double protect hit it so much you know every time i need it and go for it i never get it but who's complaining they they're not gonna go for it now are they i mean all we can try and do is go for a fake out and a power whip into it i think we've got it we've got to uh but the thing is though we can't do that because um serena will just go down i think you you take serena down if you can with with ultra and a cross ma which is really annoying um you could go help in hand flablets into zernius and i can't roar at this point okay zernius switching out i'll be finny coming in all right ultra burst yeah it's gonna go for the serena and this match has got way more difficult i don't know what to say i really don't i'm like i'm sorry if i'm not really talking very much now i just like i just think double protect it shouldn't never really happened shouldn't be a mechanic but i mean we you've got to deal with these things you can't really be too um too mad about these sort of things they are part of the game of course will you turn into the lacrosse ma hopefully we can get something off there goes for the protective course we'll go for an itch as madness into the finny probably going to see like what we know we'll probably see an itch as madness into our incineroar so put us in a power range okay um i mean either or here we can go got icy wind and then try that u-turn again but we'll probably lose finny now i'd imagine and i don't know if u-turn's gonna be enough here's the thing move we're gonna have to cut cut cut cut cut i mean the other thing we could have done was go for a help in hand moon blast into the lacrosse ma if we expected my opponent to go for the double protect but i just i don't know i think that's too risky as well because we have boosted zernius unchecked so i don't know um so it's into the finny we will lose it of course um itch as madness coming out i mean we're probably in we're probably in moon blast range and i don't think well will the fly blitz take down the zernius i don't know because i don't think we can beat the finny to be honest if a fly blitz takes down the zernius of course i think like we've got every chance to maybe close this one out but the finny's still got its berry and we've just locked into linking fly blitz on finny because i'm not even paying attention i'm just clicking buttons there we go hopefully this takes us down you know i really hope it does um yeah there we go forget it forget it good game scott i'll say that through greater teeth because i just i don't really yeah not good game but good game to you my friend not good game for us um i'm not being unsportsmanship but you know that one turn turn the tide but never mind we'll end it there we'll end on that note we had a really good game game one nice and clean and then we come into that one and then things go like that but i think the thing to take away from this is you're gonna get games like that it's kind of rising above it and just forget about it coming out on the other side of it and then just moving on because stuff like that in pokemon it's dumb it will happen and what can you do about it you can't do anything i'm going to leave you on that note have a great day my friends have and i'll see you all tomorrow for another one so until then take care and bye bye


Now listen to Father Knows Best transcribed starring Robert Young as father, Springfield, and another half-hour visit with the folks in the White Frame House on Maple Street.   The results of this plan are not always universally satisfactory to the young specimens involved, such as is currently the case with the smallest member of the family occupying the White Frame House on Maple Street, one Kathy Anderson. Life as a girl, she feels, is much too limited, and to prove it, she can cite innumerable incidents such as, well, for example, the incident that occurred while Kathy was playing on the back porch early one afternoon. Like this. Going out here, you're shaking the whole house. Kathy, stop this awful racket. Kathy! It's Detroit. Well, I can't stand the noise. Build it someplace else. I've nailed to the porch, and I can't get it loose. How do you expect to get to Detroit if your car is nailed to the porch? Oh, I'm not going in this. I'm just building this to enter the soapbox derby. Kathy, the soapbox derby is for boys, not girls. Oh, gosh, that's all I hear, for boys. Everything's for boys. Oh, now, Kathy, girls can do just as many things as boys. Can girls join the YMCA? Well, no. There, you see? Yes, but boys can't join the YWCA, and girls can. Who wants to join it if there's no boys in it?   Me too? I'm going to be in it? Yeah. Won't that be fun? Nah. Well, you're going to have to be in it whether you like it or not. Come on. I've laid out that little blue organ you dressed for you to wear. Mother, what time will that photographer be here? Oh, around 3.30, I think. Will I have time to run down to the beauty shop for just a quick set? Heavens, no. I don't want to come out in the paper looking utterly itchy. In the paper? Are we going to be in the paper? Right in the middle of the women's page. Women's page. Well, what's the matter with you, sourpuss? She's unhappy because she's a girl. Now you get upstairs and get in that tub. Oh, all right. Margaret, I'm home. I'll just have to try to do something with this fright-wig of mine. Margaret, I have a wonderful idea. Oh, hello, Princess. Hello, Mother. How do you think I'd look with a poodle cut? Well, now, personally, I think a poodle cut is very attractive, especially around the ankles. Oh. Jim, why are you home in the middle of the afternoon? Is anything wrong at the office? No, no. I just got everything cleaned up early, and I have a real wonderful idea. Oh, what is it? Well, actually, I'm doing this for Bud. I thought he'd get a big kick out of it, and it would be good for him, too. Well, what is it? Margaret, look at the calendar. The calendar? Tomorrow morning is the opening of trout season, and I'm going to take Bud on a little fishing trip. Well, I think that's a splendid idea. You do? Well, yes. Well, I better break the news to Bud. Is he home? Yes, I think he's in the den lying down. Lying down? Is anything wrong? Well, I asked him to clean out the garage, and he suddenly got a very strange pain in his head. So he's lying there with an ice bag on his chest. His chest? I thought the pain was in his head. Well, he evidently found it was too hard to read comic books with that ice bag half over his eyes, so he switched the pain to his chest. Very convenient. Well, I think I can cure that all right. He's in the den, you say? He was the last I saw, then. Fishy fishy in the brook. Bud, are you in here? Huh? Oh, Dad. You home? No, I'm guiding a group of Des Moines schoolteams. Oh, I mean, it's so early. Well, I came home to see how you're coming with cleaning up the garage. Oh, I wanted to do it, but gosh, this pain... Yes, I heard about that. It's a shame, too, because I'd plan to take you fishing up at Lake Winamantuka. What?   Lie down. Oh, but, Dad, I think I feel better. Well, we don't want to take a chance. Oh, the pain's gone, Dad. That's funny. It was here a minute ago. Well, it comes and goes. Mostly goes. I see. What time do we leave? Well, I figured that if we leave about five, that'll get us up to Winamantuka in time to get a good night's sleep. Then we can shake out good and early and hit that old lake right at the crack of dawn. The steam rising off the lake, the water calm, with just enough ripple to it. Oh, aren't we gonna eat breakfast? Breakfast? Oh, sure. We'll take a lot of grub along. Well, am I really going, Dad? Son, you're as good as there. Oh, boy, I gotta call Joe. I better start getting our gear together. It's probably strung out all over the house. Have you seen that glass rod the office gave me for Christmas? Well, last time I saw... Hello, Joe. Bud. Hey, guess where I'm going? Might be in my closet. Fishing up at Lake Winamantuka. Winamantuka. Widamakuku. Wait a minute, Joe. Dad, can't we go to some lake I can pronounce? No, I've already rented a cabin up there. Get through with your call, because I'll need you for a few things. Joe, I gotta hang up and get ready. Tonight at five. Yeah? Well, we don't care. We're tough. Yeah, so long. Joe says we'll freeze to death up there. Well, it'll be cold all right. We've got to take warm clothes along. I got that cheap skin jacket on my long underwear. I'll go up and get dressed. Well, wait, Bud. Don't do it yet. We aren't leaving till five. I'll be down and help you load the car as soon as I get dressed. Bud? Oh, well. Margaret. Yes, Jim? Where did you hide all my fishing tackle during the last house cleaning operation? I imagine it's all down the basement where you left it. Have you looked there? Not yet. I figured that would be the one place where it couldn't possibly be. Well, I haven't touched a thing. Mommy! Fishy fishy in the brook. Daddy catch him with a hook. Mommy! Oh, no. You look very sweet in that dress, Kathy. You look just like my little girl again.  That's what I look like. What's Bud doing? Bud?  Oh, well, I guess he's getting... Margaret, I wish you'd stopped stacking your canned peaches on top of my tackle boxes. I'm sorry, dear. Especially when they leak. What's Daddy doing in the basement? Oh, he's getting ready to go fishing. Fishing? Wait a minute. Is Bud going? Yes, he is. I want to go too. Kathy, you can't go. Fishing is for men and boys. Oh, doggone, doggone, doggone, doggone. Your feet. Margaret, wear some old rags and some kerosene.  Doggone, doggone. What in the world is that? It's Kathy. She's mad. She wants to be a boy. Well, that's perfectly normal. Everyone aspires to the finer things. Finer things? Sighted. From now on, I'm going to be a boy. That's a good idea. Well, now don't encourage her. Why not? I'm in favor of it. I've always wanted another boy. Well, you got one now. Good. Now that you've switched over, what's the first thing you're going to do, Kathy? Kathy, I asked you a question. Not me, you didn't. There's nobody around here by that name. Oh? My name's Sam. Oh, I see. Well, how's everything going, Sam? Oh, pretty good. That's a very pretty dress you're wearing, Sam. Oh, golly, I forgot I had it on. You leave that dress on, too. Don't you take it off? Sam. Maybe you don't know that I've spent the last two weeks fighting this boy obsession, and now you encourage it. Well, that's your whole trouble, Margaret. You shouldn't fight it. You want me to let her run wild? Pretty soon she'll want to start shaving. All you have to do is just go along with it. As soon as she sees there's no opposition, she'll get tired of the idea and drop it. Now, I doubt that. Not, Kathy. I never would have gotten her into that dress if the photographer hadn't been coming this afternoon. Photographer? What photographer? I told you about it at breakfast. I'm being inaugurated as the new president of our PTA tomorrow. Oh, yes, I remember now. But what about the... Well, they want a picture of me for the paper. A picture of me and the girls. Oh, yes. Well, that's fine. I couldn't have chosen three prettier girls. Dad! Kevin, what's he got on? I'm ready, Dad. Let's start loading. But I've told you time and again not to wear those hobnailed boots in the house. You'll scratch up the floors. We're going fishing, Mom. But not to the North Pole. You better get some of those clothes off. Aren't we going? Sure, but not for a few hours yet. Oh, say, I just happened to think of something. You'll be taking the car, won't you? Well, it's about 160 miles up there to be a fairly brisk walk. Oh, dear. What's the matter now? Well, I promised I'd pick up Mrs. Davis, Mrs. Leggett, and Mrs. Phillips on the way to that inauguration tomorrow. Oh. None of them will have a car. Hmm. But you go ahead and take it. We'll find a way to get there somehow. No, you take it. We don't have to go. No, no, I want you to go. It'll be good for you. We'll manage. I don't know how, but we'll manage. No, I don't want to inconvenience you. After all, it's your inauguration.  Holy cow. No, Jim. I insist that you go. We can get there very easily. We can, well, we can take the bus. Just have to transfer twice is all. Well, I don't know. But watch out where you're tossing those boots. You nearly got me. Now you go right ahead with your plan. Should I put my boots back on, dad? Well... Certainly. Now don't worry about us. We'll make out somehow. Mother. Even if we have to walk. So chill out, Jim. Mother, I can't make my hair look halfway decent. I feel like Alice the Goon. Really, Betty, it looks very nice. Doesn't it, Jim? Huh? Oh, yes, yes, sure. Wonderful. That reminds me, I was looking for some rags. Go find yourself. Well, I'll perish before I'll be photographed like this. I'll simply perish. Go ahead and perish and quit yakking about it. My gosh, bud, what are you made up for? We're going fishing. Oh, really? When? Tonight, five o'clock. Going to Lake Whitmer, going to some lake. Tonight? In the car?  But, Father, you promised that Ralph and I could have the car tonight. I did? It was your own idea. But... I know, take off my boots. Yeah. Holy cow.  No, if I made a promise, I'll stick to it. Oh, I'm sure we can arrange something else. Even if we have to go on the bus. I know, and transfer twice. No, you go ahead as you planned. I'd rather stay home and clean out the furnace. No, I insist you go, Father. I'll go call Ralph. He'll figure something out. Dad? Yeah? Is it safe to put my boots on? I guess so. I wouldn't lace them all the way up, though. Here, Jim, will these rags do? What? Oh, yes. Yes, those are fine. Okay, boys, let's get going. Kathy, what have you got on? Hey, those are my old clothes. My cap, too.  I said get them off, Kathy. Daddy, will you please tell him there's nobody here by that name? Oh, that's right. But I guess you haven't met Sam here. Sam? Kathy, or Sam, or whoever you are. You march upstairs and put that dress back on. Mommy, I can't go fishing in a dress. Fishing? Is she going? Of course I'm going. Mommy said fishing was for boys, and Daddy said I was a boy. So now I can go fishing. Uh-oh. Dad, did you say that? Well, yes, but now listen, Sam. I'm going. No, you're not. You get those clothes off this minute. Yeah, give me my cap. Let go. You give that back. Oh, my stars. Look, her hair. She chopped it off. Oh, a boy can't have long curls. Oh, my heavens. Now, now, Margaret, take it easy. It'll grow out again. But the photographer will be here any minute now. Oh, that's right. The newest photographer. Oh, I can just see the caption under our picture. New PTA president, Mrs. Margaret Anderson, and her two lovely daughters, Betty and Sam. The Andersons will be back in a moment. If the driver in the car in front of you should suddenly jam on his brakes, could you stop in time to save a life? We'll try your brakes to discover just how slick the road surface may be and adjust your speed to the driving conditions. Check on your driving habits. Keep your windshields clear of fog. Be certain your headlights and wipers are in working condition.  Well, up to now, the Andersons of 607 Maple Street have been just another average well-ordered family. But they're not average anymore. No, sir. They're the only family in Springfield with a nine-year-old daughter named Sam. This altered state of affairs seems to be placing considerable strain on life in the White Frame house. Like this. Are we going fishing, Dad? Yeah, are we, Daddy? Feed it, shrimp. The name is Sam. Feed it, Sam shrimp. I'm going fishing with you, aren't I, Daddy? Well, Kathy, I mean Sam. Jim, what are we going to do with her hair? It's not her hair. It's his. Who's mine? No, mine. My hair isn't hers. It's his. Oh, for heaven's sake. Jim, you're responsible for this. You tell Sam to go up to her room and do something with his hair. Well, for? Because the photographer's coming. That's what for. I've had enough of this foolishness. Now, March, upstairs. Gee whiz. You said fishing trips were for boys, and Daddy said I...  Are we going fishing, Dad? Well, bud... If you're going to go, Jim, why don't you go? Why don't we? Well, Margaret, if it's going to upset everybody... It's not upsetting anybody. We'll all manage. I'm going fishing. You and bud go right ahead. You need to get away. I have to go up and take care of Kathy. You'll get your things together, Jim. Are we going, Dad? Yes, we're going. Women seem to have a way of making problems out of a trip like this when there are really no problems at all. We'll just gather our stuff together and... May I use the phone here in the Dan father? Yes, Princess. Bud, for Pete's sake, why are you wearing all those clothes in the house? We're going fishing. The guy's got to be ready. You don't have to worry about the car, Father. I'm going to call Ralph. His car had a flat tire, but if he can fix it, then we can go in here. Well, that's good. I certainly wouldn't want you to stay home from your fishing trip just because of me. Well, thank you, Princess. You go right ahead. Oh, you didn't either. Well, the tackle box is all set, Bud. We're practically on our way. Hand me those sinkers off the floor. I can't bend over.  I didn't say you couldn't have the car. Take it easy, Dad. I got my boots laced up. Do you think you could fix the tire on your car, Ralph? Oh, that's a wonderful idea. Don't worry, Father. We've solved everything you can go. Well, thank goodness. Ralph is going to borrow Harry's car, but Harry's car has a flat tire, too. What? So Ralph is going to take a tire off his car and put it on Harry. Well, Betty, if you have to go to all that trouble... Holy cow. No, Ralph doesn't mind. It's all right. Well, Harry's going to borrow a battery from Eddie. Battery? Well, when Harry got the flat tire and couldn't use his car till he got his next allowance to buy another tire, he loaned his battery to Jack, so Jack could go to Mapleton. And now Jack isn't back from Mapleton, so Eddie's going over in his hot rod to pick up the battery from Ralph to put it in Harry's car so Harry can drive it over to Ralph's. You see, it's no trouble at all. I can see that. Are you still there, Ralph? It's all set. See you tonight. Bye. Look, if you kids have to go to all that trouble... It's no trouble, Father. Let them. They need the exercise. All right, Princess. Come on, bud. Let's start loading the car. Where are all your things? I'm wearing them. I don't understand it. A fella goes fishing once a year. You wouldn't think it would create such complete chaos. Are we going? You bet. We'll have everything in the car. Father! What is it, Betty? She's in the broom closet. Why get her out? Margaret? Jim, you'll have to do something with Kathy. She's here in the closet. She's locked the door. The photographer will be here in a few minutes. All right, honey. You certainly picked the day of all days to tell her she could be a boy. Just leave it to me, Margaret. I don't know the things that happen to a father. Kathy. Open the door, Kathy. Kathy. Sam. What do you want? Open the door, Sam. Betty. The phone. I want to talk to you, Kathy. Sam. I'm fishing, and I don't want my picture taken. How does it look, Dan? Bud, we're going. I said we were. Open the door, Sam. For the PTA meeting tomorrow. Tell her we'll have to take the bus. I won't have the car. Sam. Are you going to meet her at the bus or should she come over here? Tell her I'll meet her at her house. Dad. Open the door, Dad. I only want to talk to you. Dad. What is it, Bud? Are we going to fish with worms? Philip says you can meet at her house and... Well, what's everybody standing around for? We're waiting for the bus. Now, please run along, everybody. I'll see that everything is taken care of. Margaret, I'll have Hexmith drive you to the PTA meeting. But, Jim... Please, honey, I'll talk to Kathy. I guarantee she'll have her picture taken. I'll get her out of this Sam idea. Just let me handle things my way. All right. If you say so. Come on, Betty. Now, Sam, let Daddy in. You can come in, but nobody else. Come on in. Thank you. A little crowded in here with these brooms, Sam. Why don't we go in the den?  Now, look, Angel.   I'm not either. Yes, you are. You want Daddy to love you, don't you? Yes. Well, that's what I want you to be, a sweet, pretty little girl. You're just saying that. You're giving me a sales talk. No, I'm not kidding. This is just between you and me. How are you doing, Dad? Got a convince yet? But go away from the door. Now, please, Angel, do this for Daddy.  Just think. You'll see your picture in the paper. All the other girls at school will see it. Yeah. Okay, Daddy. I'll get cleaned up. That's my girl. Now, come on, kitten. I'll bet old Bud's waiting right outside the door. No, he's gone. Don't worry about Bud. Ow! He hit me right in the nose with the doorknob. I told you, Daddy. Bud, were you listening at the keyhole? Who, me? Oh, no. I was just looking at the knob. It's got a screw loose. Big fibber. Never mind. Come on, kitten. Margaret! Margaret! Jim, did you... Yes, honey, we have our little girl back again. Thank heavens. Daddy, what time are you and Bud leaving? Not till this evening, Angel. We're going to stay and see how nice you look for the pictures. Gee, thanks, Daddy. You're the best, Daddy. I'm going... Fine, dear. Jim, how in the world did you do it? Oh, it's just a matter of using a little tact. A little understanding. How about it, Dad? We're all set, Bud. Start loading the gear. How are we leaving now? No, we're going to wait until the pictures are taken. Holy cow. Something will happen. I know it. But nothing's going to happen. Kathy's staying here. But where are you going? I'm not taking any chances. I'm going to sit in the car. The Andersons will be right back. Traffic accidents and death rates are still extremely high. Although improved conditions have brought about a 38% reduction in the overall accident toll, more than 30,000 people will lose their lives in traffic accidents this year. Be careful. Accidents don't always happen to the other fellow. Well, the population of the White Frame House on Maple Street has taken a drop. Out on the highway, heading for the lake, and their hard-won fishing trip are Jim and Bud enjoying at last a man's world. Oh, this is good. No women. Well, we fellas have to get away once in a while. Sometimes we have to be pretty shrewd to carry it off. How'd you get Kathy to stay home? Oh, it isn't hard to work around the feminine mind if you know how to do it. I guess you're pretty sharp at that stuff. Just experience, Bud. That's all. I know quite a little about women. By the way, reach in the back seat and get those road maps, will you, Bud? Okay. Holy cow! Look what's hiding under the blankets. Hiya, fellas. I'm Robert Young as Jim Anderson. The forecast for Gene Vanderpile as Margaret, Norma Jean Nielsen, Rhoda Williams, Ted Donaldson, and Bill Farmer. Don Stanley speaking. Mother Knows Best, directed by Andrew C. Love, is transcribed in Hollywood, and written by Paul West and Roswell Rogers. Three times mean good times on NBC. There's more great entertainment for you on NBC on Fridays, too. Tomorrow you'll hear that zany pair of comics, Bob and Ray, also the Mario Lanza show and the Roy Rogers show. Be sure to hear Bob and Ray, Mario Lanza, and Roy Rogers all on the NBC Radio Network. Now it's Nightbeat with Frank Lovejoy on NBC.