I am in the grip and shoot booth with Bob Zajewski and he's going to show us something very interesting here. What do you got here today, Bob? We've got a Bluetooth smart grip that has an open source to it. And right now it's running a camera app. And we have three buttons on here, a plus or minus and a trigger button. And with the camera app.  Yes, yes. And since it's Bluetooth smart, we can control these different apps. This is doing the zoom in, zoom out. So you've got two buttons on about where your thumb would go to zoom in and zoom out. It's controlling the zoom of the iPhone camera. Correct. And the trigger, pull the trigger, takes a shot. Since it's Bluetooth smart, we can remove this and put this out here and still use the grip as a remote and still zoom in, zoom out. That's cool. So he's disconnected the iPhone from the grip and he's operating the iPhone without it. Now, do you have to have a special case for the iPhone or does it come with it? How does that work? In our system, we supply an iPhone 4 case and iPhone 5 case. But we do have a universal that we've developed that will fit up to a Note 3 with an Otterbox case in it. Awesome, awesome. So we know people like to have their own cases. Sure, yeah, that's nice.  A few, yeah, I got stuck with this.  Yeah, this is a Joby product. It's a secondary. We put this on here because this bottom detaches.  Okay, so it's actually doing three things.  That is really slick. So how much does the grip and shoot cost? The entire system is $99.95 and we have a show special going on for $80. That is not bad. That is a really slick little device. That wouldn't work with a GoPro, would it? I don't know if that has Bluetooth. GoPro is Bluetooth. This is Bluetooth smart, so it's a little bit different protocol. All right, very good. I really appreciate your time. Thanks, nice meeting you. Oh, where can people find the product? Oh, and gripandshoot.com. Perfect, thank you.


petition to Congress urging them to make computer science classes available in every school has gained hundreds of thousands of signatures and Code.org itself has raised ten million dollars. This is happening at the exact same time that about 80% of schools have experienced budget cuts often affecting arts programs for the most underprivileged communities especially communities of color. For example the percentage of black and Latinx students who have access to art classes in school has dropped from 50% in 1992 to about 26% now. I do personally care about giving all students the chance to learn about computers after all my full-time job is trying to improve CS education but I definitely don't think that it should be happening at the expense of art in humanities. So this talk is about why the humanities and arts are an important part of any education but even specifically a CS education that if we want students to become good technologists we should not sacrifice the humanities and should even go out of our way to specifically include them in a computer science curriculum. So firstly using art and visual aids is a great way to both set the tone for learning to set the tone for learning and intimidating subject. Linda Lucas's children's book about programming called Hello Ruby is a great example of using art to set the tone for learning. Her illustration style is colorful and whimsical and sets a foundation for setting for thinking about computers with creativity and curiosity. And besides setting the tone for a subject art and illustrations can help explain a concept for visual learners. Even if a student isn't a visual learner research shows that reinforcing a concept in a variety of ways can help the concept sink in. So as an example the first bubble sort zine is about calculators and using electricity to make computations. Inside the chapter about circuits the zine explains batteries as cataries.  And as soon as you put a wire between the two sides the cats rush through the wire to the other side. The category analogy even holds up for explaining resistance and parallel circuits. Resistance is anything that might get in a cat's way like yarn or puddle of water and more cats will choose the path of least resistance because they're lazy. Another useful way to incorporate the humanities in CS education is using history to set the context for a concept or a technology. Before talking about binary numbers we can cover a bunch of historical number systems used throughout history. So most historical counting systems are based on 10 because we have 10 fingers and not because there's anything inherently special about the number 10. There are even some cultures that counted in hex because they counted the spaces between fingers and toes which is 16. Egyptian numbers of symbols are cute and fun. For example the 100,000 symbol is a tadpole because in frog breeding season there were so many tadpoles in the Nile that that was the Egyptians idea of a ridiculously large number. Historical arithmetic systems around the world are super interesting too. This is Ethiopian multiplication and it's fascinating to cover because you represent one of the numbers as pebbles and the other as houses. You put them both in columns and you double the pebbles and you have and floor the houses until you reach one house and you cross out even numbers because they're considered unlucky. And the answer is the number of pebbles at the end of this and I love this calculation because it involves superstition and you end up with the right number at the end. And I remember reading about this as a kid and being so fascinated by it that when I started writing a zine about computation I knew it was the first thing I wanted to include. If we're going to be talking about how the internet works we can also talk about historical long distance communication methods. For example drums in the African Congo that could carry complex messages as far as six or seven miles at the speed of sound hundreds of years before Morse code telegraphs. Uncommunicating by drums shared many properties with the internet including protocols, error correction and redundancy and encoding. While talking about encryption we can talk about how a Hindu guy to behavior for young women in the 800s suggested that every accomplished young woman be skilled in cooking, perfume making, chess and ciphers along with 20 other skills. When talking about encryption we can talk about how Arab linguists studying the Quran discovered the frequency analysis method for cracking the random substitution cipher a good thousand years before Europe would discover this method. And speaking of the history of encryption it's rife with personal drama. There were several cases in history where a cryptanalysis breakthrough was motivated by revenge or spite. A cipher called the visionary cipher was considered the strongest cipher in the 1700s and 1800s in Europe and remained unbroken there for 100 years. And Charles Babbage who also invented the difference engine dabbled in trying to crack it but didn't succeed until he was motivated by spite. The story is that a London dentist claimed to have invented a special unbreakable cipher which when Charles Babbage read about it was just the visionary cipher.  Another spite driven cryptanalysis story the enigma machine was used by Germany and World War II to encrypt messages and the successful cracking of the enigma cipher shortened to the war by two to three years saving about 21 million lives. The inventor of the enigma machine's brother was so jealous of his brother's accomplishments that he sold the secrets of the enigma to the allied forces and this ended up being used by the allies to construct replica enigma machines that were instrumental in cracking the cipher. I don't know about you but I love reading about how technological breakthroughs are influenced by feelings. Speaking of science influenced by feelings, another important reason for including history in computer classes is that it's a good reminder that math and science and computer science aren't objective. They're inherently political. In the U.S. schools and textbooks cover mostly the scientific discoveries and accomplishments of North America and Europe leading to the impression that the West has contributed more to technology. Scientific discoveries are often funded using government money. Huge computing advancements came out of war intelligence efforts. In the 1800s and 1900s even many monarchs and governments funded both cryptography and cryptanalyst teams to keep national secrets safe and to try to intercept and decode any anti-government messages. Marie Antoinette for example being royalty was well versed in ciphers and used them while sending messages. Because so many of the scientific discoveries that we learned in school are western centric this is why I make a specific effort in bubble sort zines to include mathematical and computation discoveries and inventions from East Asia, South Asia, the Middle East, Latin America, and Africa. Arabic cryptanalysis discoveries, Ethiopian multiplication, mind counting systems because it takes an active effort to decolonize science education. Including art in computer science classes also frames computers as a tool for creativity. I remember when I was learning programming what got me most excited was while I was making websites and being able to personalize them and customize them and use them to share my writing and fan art. Imagine a computer science curriculum that included exercises in making generative art, hacking, knitting, and embroidery machines, programming music visualizations, creating photo filters, or generating sonnets. Lastly the most important quality in any technologist is empathy. Art whether it's literature or painting or music can help you build empathy for people with very different life experiences than yours by putting you in their experience in their story. Empathy helps technologists communicate and collaborate well. And empathetic technologists will build technologies with people as their number one priority. I'd love to talk to you afterwards if you're interested in computer science education or the intersection of the humanities and technology. And thank you so much for having me here.


Good afternoon, everybody. Welcome to COP, my fellow global leaders as James Bond today. And the clock is ticking to the furious rhythm of hundreds of billions of pistons and turbines and furnaces and engines with which we are pumping carbon into the air faster and faster, raising the temperature of the planet with a speed and an abruptness that is entirely man-made. And we know what the scientists tell us and we have learned not to ignore them. Two degrees more, and we jeopardize the food supply for hundreds of millions of people's crops, wither, locusts, swarm, three degrees. And you can add more wildfires and cyclones, twice as many, five times as many droughts, and 36 times as many, heat waves. Four degrees, and we say goodbye to whole cities. Miami, Alexandria, Shanghai, all lost. And all those promises will be nothing but blah, blah, blah. Now, please welcome to the stage Chai Surui. Amy is Chai Surui. My father, the great chief of Ms. Surui, taught me that we must listen to the stars, the moon, the wind, the animals, and the trees. No more time. May our topia be a future on Earth. Thank you. Lords, ladies and gentlemen, please welcome His Royal Highness, the Prince of Wales. Your Excellencies, ladies and gentlemen, after billions of years of evolution, nature is our best teacher. Thank you, ladies and gentlemen. Please welcome the COP26 People's Advocate, Sir David Attenborough. Your Excellencies, delegates, ladies and gentlemen, a new industrial revolution, powered by millions of sustainable elevations, is essential. And it's indeed already beginning. We will all share in the benefits, affordable clean energy, healthier, and enough food to sustain us all, ensuring none are left behind. We must use this opportunity to create a more equal world. And our motivation should not be fear, but hope. Thank you. Your Royal Highness, Excellencies, distinguished guests, ladies and gentlemen, we can work with who is ready to go, because the train is ready to leave. Code red, code red. Thank you. Before we open the floor for questions in a few minutes, I would just like to introduce our last speaker, Bernhard Agnagnos, who's the co-founder of Heura Foods. I think the summary of what they said, so they made it very easy to me, is that animal meat is obsolete. It doesn't make any sense in this century. It's out. It's from last century. And it is irresponsible that beef is served in these restaurants. It is irresponsible. It doesn't make any sense. I'm going to put like two imaginary worlds. One imaginary world is that there are companies around the world showing that plant-based meat is possible. That it's possible. That actually tastes very good, very close to meat, and in a few years will be even better. Texture-wise, it's very good, much more sustainable, no animals, plus much healthier. Imagine this world. This world is real, and it's not Eurah. It's beyond meat. It's Vivera, the vegetarian batcha, and many other companies all around the world showing that this is possible. Last year, one very important university said that you can reduce your footprint, just your footprint as an individual, by 73% by ditching dairy and meat. Let's imagine this world. So this world is again possible. Thank you. This is your invitation to lead with light. You were born to be creators with the most inconvenient truth to honor the Earth, come leading lights. We were born to be creators of the possible future. Ancestors of tomorrow, this is an intervention. Earth is talking to you today. You have heard Earth's impassioned message to you all. Earth is calling for action this day. This has been Earth to Cop.


Hi everyone, my name is Tim Etchels from the Red Hat GitHub Actions team and today I'm gonna demonstrate adding the OpenShift starter workflow to your GitHub repository. We'll head over to the Actions tab and set up a new workflow and scroll down to the CI section and locate the OpenShift workflow. Now we'll replace the environment variables with our own values. So I wanna deploy my image to Docker Hub under my own username. I also wanna edit the namespace to deploy my application to and make sure the port is correct. Next, we have to create three secrets so that the workflow can use our registry and our OpenShift cluster. First, I'll create the registry password and copy in my Docker Hub access token. Next, I'll add the OpenShift server URL and finally an access token. With the secrets configured, we can now commit our new workflow. The new workflow starts to run and we can watch it execute. The starter workflow does a Docker build, pushes the image to our configured registry and uses OC new app to create the necessary resources to deploy and expose our application. Now we can view the RET we've created and navigate to that URL to see our application up and running on OpenShift.


Hey today we're making 50-50 burgers right? That's that beef in that pork. Let's get it. All right look so I'm gonna start going ahead and get my ingredients together right. So this right here this is my ground pork. Now you know what I can barely concentrate I don't know if you guys can hear that but that right there is noisy is I don't know what. For those of you guys that live out in them uh country environment stuff like that you know that noise that you hear in the background that little sound that's uh that's what we call like some kind of beetle or something like that right. So I'm going to do this try to keep my mind off of it and again we said 50-50 pork beef we're getting it. Okay so look now you see that I got you know my meat inside of here right now it's time to season this is what I'm going to be using look this is my new burger seasoning you guys can use whatever you have if you don't have this already but I promise you this right here is what's going to take it over the top. Those of you guys I want to say thank you for everybody who's been copying it right now look this right here is fire. Now you can use the traditional salt and pepper that does work right now I'm going to talk about this part right here I don't want to work this meat too heavy you know what I mean I just want to get my seasoning in the inside of it you know what I mean and then as I'm mixing it when I go to make my patties I don't want to compact it you know you want to keep it a little bit I don't know the word for it I call it like aerinated or something like that you don't want to just have it so dense that when you go ahead and put it in your skillet or whatever you're using or speaking to that I want you guys to take a look over here let me just show this I'm going to be doing mine on the griddle right here hey if you don't have one of these that's fine cast iron work great those of you guys who went out and got that uh that hex clad that works too but if my two little choice would be either outside on a griddle number two would be that cast iron number three would be that hex clad all right so look I don't know if this is going to be able to capture it or not look we just want to get it you know mixed in a 50-50 you know ratio right then you just want to divide this up into four you know what I mean now this is going to be a whole lot of how can I say it you know by having ground pork and we're going to have ground beef my ground beef is 80-20 right so by having all of that you know I mean it's going to render and be nice and juicy but we don't want to make it so you know what I'm trying to say is you just don't want to make it so dense you know I see some of these burgers you ever you ever made burgers in your backyard or even in your kitchen you guys pack them so tight you know what I mean they just I don't want to say that bad you know what I mean but I'm just I'm trying to show you guys you just want to get it just to form you know a ball right now I got my griddle coming up to 10 and I got to say this I would pack myself on the back but you see my hands is greasy you know what I mean but I would just say man I got these just about right been doing them for years though the size and all of that so I can just about fill them and you know I know they're right okay so now that I got my man I hate that I don't know how to say it but I got my meatballs you'd all do it like that I got my meatballs meatballs ready right so I'm gonna put them down right here right there is good and right there is good right now I'm gonna go ahead and let it sear just a little bit you know I mean we want to let it cook what I'm doing now is you guys can do it all kind of ways you can actually form your patty the way you want to but for me I'm gonna go ahead and use a piece of parchment paper and then I got my press if you guys take a look look got my logo on it all of that you know my little signature so I let it stay on for about you know 10 15 seconds and then I go ahead and give it a press I'm not really doing smash burgers you know I mean I just want to make them big listen because you know they're gonna shrink my bun is not even probably as big as just you know my press right so I just leave them like that boom real simple and so now listen I know you guys been following me you know I mean if you're new to my channel look this might look a little strange to you if you don't know nothing about it look we toast it and we're using mayo folks the yours you guys out there we can start that debate too I love to hear what you guys say I know now we got to add something to the mail list you know I mean because that that would be that like that uh blue ribbon right so you can add uh you can tell me your favorite is blue ribbon uh dukes uh what's the other names I'm drawing a blank right now but for me I live on the west coast you know I mean and that's right there is you know this is what we got best foods you know I mean oh hells man that's it now take it put something on here I want you guys to try it if you haven't done it you can talk to me and tell me how you've been doing it all of that I love to hear it we take it coat it and check this part out take these a couple of these over here and now we just put them on here all right so if you guys want to know how they toast look at that right there that is a perfectly toasted bun okay so look if you come in here take a look at this look at how the meat is look when you got your temperature just right on your grills griddle your skillet or whatever see how it starts to sweat over the top if you look on the side down here you can see how it's starting to cook it starts riding up rising up right and then I want you to pay attention this is the most important thing when you're making a hamburger some people be like fooling with it on the bottom once it's stuck down on the bottom like that I don't mess with it until it's time to flip right so after I look at it like that I can see it is ready so now I'll go ahead break the seal underneath the bottom like that then I flip all right now it's time for me to make my sauce now you guys make the sauce that you like for me always everything is like mayo base right okay so mayo I put just a little bit of that w sauce we're gonna go with the ketchup ketchup of your choice relish and then listen you go oh I got to mention that too you got to put that uh friend you know I use French's you know uh yellow mustard that's what I like and then you get the consistency that you want then you taste I'm gonna go ahead and put my ingredients you know what I normally do I can I eyeball it I've been doing this for years you know what I mean get yourself you know a whisk and then whisk it together then once you get the consistency you want now you got your homemade you know burger sauce right all right so once you got your consistency that you want look these are all my bottom buns right I don't know how you guys like to do it I like to always ask for extra sauce right so I've been using this and making this for years when I say years I don't really want to date myself with no number but I'm gonna just say it's been a couple of decades I'll just leave it like that all right so I'm gonna show you the real level up and if you guys want me to make a video on what I'm getting ready to show you you know just let me know right and hit them in Beatles again right on time when you push record okay so look this is the true level up right for those of you guys who know what this is you can see it it calls out his name right and if you don't know let me introduce you to bacon jam now I add this like this trust me folks listen I can't just always make something that's traditional you know I'll show you how I do it and then I'll always add my little spin to it too right so we'll just add some of this bacon jam and look at the consistency when I say jam look at it talk to me yeah that's right I'm popping my collar because that's right there that right there is fire folks you can hear it in my voice all right and we come underneath the bottom take it like this look at that folks hey check it out folks I'm going to show you something that I normally don't do it's all about like you know preparing this making it look the best it can be and then showing you guys so you guys click on them thumbnails right but I'm gonna move this out the way you see this right here somebody had to stop me and don't forget I made four of those one is already gone I had to like hold up right here and listen right here I was about to knock off somebody had to remind me like hey it's an intro but you want to know what the real level of ears right here that's it right here don't forget I call this bacon jam right I just mean a lot of people make this you know I mean but when I say jam if that don't say jam to y'all I don't know what does now with that being said I'm gonna go ahead and take this bite and be traditional but I can just tell you this listen if it ain't flashing already on the screen right now ain't no flames we'd be doing you a injustice if you never had no 50 50 burger with this bacon jam and then you made your homemade dressing too cheers so if you guys want to know how to make this bacon jam let me know down in the comment section below I get enough people talking about it I'll make that video now if you're new to my channel let me just take your time to say thank you for watching this video don't forget to like smash that subscribe button until everybody out there look it's a channel out here that simplifying these recipes and taking a mystery out of cooking I'm not finna walk off and I'm finna take me down take down one of these other burgers I'm just gonna hit you with this peace


Okay, congratulations now when I told you that winning this league is hard I didn't need you to take me that seriously. It doesn't have to be that hard Okay, we got to just clean up a few little things and keep playing complimentary and no matter what happens figure out a way Okay, congratulations top three touchdowns man. Hello the guy Like sacks man. They come in bunches. Okay fellas defense. We got after the quarterback. We affected them You sacked them six times you hit them. I don't know how many times but help you ain't about time Great job fellas Okay, congratulations, but we won before we know how to win. We just got to clean a few things up Okay, we're gonna keep winning. I promise you that there's moments where I'm like, that's what it is And I think you guys all see it too.  Let's keep stacking it up man. Y'all see what we can do when we play together, man


Is it really possible that the Great Sphinx is mentioned directly in ancient text all throughout history? On the face of it, the fact is we know very little about this ancient monument's extraordinary past, but thanks to dedicated research from the author Graham Hancock, we can see similarities throughout ancient documents that are more or less referring to this ancient legend. Using the Sphinx as a thing of movement, a protector and a destroyer. Under the Sphinx's watchful gaze, we theorize about the movement of the stars, about the astronomical alignment that is triggered at 26,000 year intervals. We have also speculated as to what the original features of the Sphinx may have been. The reconstruction of the head in particular with the god Anubis being the most likely character to have been the originality here, but who built this majestic monument and why? A dramatic reference from Exodus 12-23 reads, God will pass through to strike down the Egyptians. When he sees the blood on the lentil and on the two doorposts, God will pass over the door and will not allow the destroyer to enter your house to strike you down. According to Chronicles 21, the destroyer is massive, dominating its surrounding and easily visible from a distance to humans. All throughout the text of the ancient Coulbran, the destroyer is constantly referenced as being something that visits the earth with destructive power so unbelievable that it is beyond humankind's comprehension. So basically what is referred to here is a giant UFO battleship flying through the sky and armed to the teeth. Some have went as far to suggest that this may be a description of the arrival of the Anunnaki. Within Greek text, the god Typhon is the destroyer as well as many other cultures across the globe where a dragon-like monster sweeps through the sky. There's little doubt that this is describing a UFO of sorts. Perhaps in the Zoroastrian reliefs, the hint as to what this was can be found. It will come in 100 generations. The Coulbran says that at one time mankind divided the year into a summer half and a winter half with a great year circle of 52 years, 104 of which was the circle of the destroyer. This kind of knowledge implies that someone somewhere had been observing the earth long enough to record the destroyer's huge orbit where Kimma and the destroyer won and the same. In the Coulbran's Book of Gleanings, a Sumerian-based account of the Great Flood describes the destroyer newly released from the confines of the sky vaults raging about the heavens accompanied by a second destructive force which sounds much like the double entity Kimma on other occasions that destroyer is referred to as a single force. Does it sound like some sort of craft buzzing about the sky? And what about the remodeling of the head of the Sphinx? If the Sphinx's voice was an early warning system, did the mechanism become redundant as centuries passed? Did the Egyptians forget how to operate it or did the head itself suffer damage from earthquakes and interference by man or did the mechanism simply wear out? Was that why the head was remodeled? Is there a clue to this mechanism behind the ear of the Sphinx? Robert Timple has much to say to the Sphinx's mystery about the re-carving of the Sphinx's head. He bases his analysis on an 1897 article by the German Egyptologist Lugwood Borchett. During the century and a half of chaos, floods, drought, and famine of the terrible time known as the first intermediate period, when the government collapsed and mobs ran a muck smashing everything in their rage, the head of Anubis must have been drastically mutilated. When order returned under the Middle Kingdom and the 12th dynasty was established, the third king of that dynasty took an interest in the mutilated statue of Anubis. That king was Pharaoh Aminahet II. Because the head of Anubis was ruined beyond repair, he had a new and smaller head carved out of the neck.  If you look at the upper turn face of the Giza Sphinx, set beside the upper turn face of the Aminahet II, Tannis Sphinx. In the Louvre Museum in Paris, the resemblance in ears, face shape, eyes, and mouth is remarkable. The great guardian snippet finishes with the words, as is written, the great vault. Could this be another name for the Hall of Records, a legendary chamber said by ancient writers to house early Egyptian records and scribe with the history of the lost civilization of Atlantis. The Hall of Records has become every Egyptologist holy grail. It is intriguing that the dream stealer shows the Sphinx set on a square pedestal with a central doorway and recessed decoration. Robert N. Scotch and Dr. Thomas L. DeBecky have used ground penetrating radar to show that there are indeed cavities beneath the Sphinx, but to date the Hall has not been found. The Colbran, now just a patchwork of books and bits of books, was once a vast collection of scrolls and ring bound volumes of the old religion known as the Sacred Records. Originally it comprised 132 scrolls and 5 ring bound volumes which made up the great book of the Egyptians and the lesser book of the Egyptians. A chapter in the book of the Sons of Fire records how four complete sets of the greater books and the lesser books were put in great arcs inside four masonry casing which were removed to the four quarters of the earth and watched over by guardians. Later when civil wars split apart the Egyptian religious institutions and the old religion was threatened with annihilation a complete set of Sacred Records was removed from the eastern quarter and smuggled out of Egypt. Could Giza be one of those quarters? If so then a complete copy of the Colbran's Egyptian books in their original language might even now be lying deep underground among other records guarded over by the mysterious great guardian Rakhma which we know as the great Sphinx. Even more intriguing if they were loaded onto great arcs and sent to the four quarters of the earth then perhaps the Mayans, the Chinese and the ancient Indians as well as the Egyptians rose up as a civilization with this knowledge to hand. We ask why our cultures separated by thousands of miles have similar style building techniques that are always attributed to the gods perhaps this is literal and not mythological. Anyway guys this concludes our Sphinx mini series. This was part four and you can check out the other three parts using the links below. This of course is based on research by Graham Hancock and we will of course link these sources below also for you to go and check out for yourself. Let us know below what your thoughts are and as always thank you for watching.


They got me got me a Starbucks What is it? It's a mixed cocktail try to sell it to me. It's the best thing you'll ever have. It's delicious You'll be so cool like all the Tik Tokers And then she said to eat chips while watching this because it's satisfying Muckbang When you're eating and you're doing the video, but you're doing two things you're eating and reacting to Bye How's everybody doing welcome back to my channel this week is gonna be a little bit different because I am actually doing a Reaction video my first ever reaction video and if you're new to this channel, my name is mr. Reyes And I specialize in cover-ups And since I specialize in cover-ups I obviously had to do a reaction video to this new show called tattoo redo on Netflix And I had a couple comments on my video saying you know watch this new show and usually my channel It's mostly about me tattooing and giving out Tips and just tutorials in general You know what I mean like sometimes I be doing a tattoo and I explain my process and I explain how I'm doing it So that's usually my content here, but since this is a little bit different Maybe you can turn into a different series, you know that I mean maybe reacting to other shows But you never know like I said this is my first one. So I don't know what to what to expect So let's get to it.   You got a double the size. I mean the only thing that he can do here is Rework it and add a little something on the side just to cover up the name You know what I mean because it's It's already it's already on his butt cheek.  What's your it? Sydney gets to choose what your tattoo is Well great idea bad execution that's supposed to be a glove Yeah, it was you know really yeah, it should be a pretty easy one. I mean as you can see there's the blue It's pretty much almost gone. The lines are faded The fingers are pretty much gone. So It's nothing's nothing is scarred in this tattoo. So it should be pretty easy What don't you want it to be probably the most typical cover-up is a rose These are two artists. Let me tell you. Okay. That's like thinking inside the box. Yeah, I Everyone who wants a cover-up automatically arose and I feel like that's when it comes down to cover us a lot of people choose flowers and roses, but You know honesty, I feel like roses can get a little complicated because there's a lot of soft tones not enough texture and It can get a little complicated, but I do feel like it's very common to use that concept to do a cover-up And I'm pretty sure they they probably are going to do a lot of flowers and roses in this show You never know Well, we're on the subject. We've got one more mistake for Tommy Montoya He does these super big tattoos usually they're black and gray and just really smooth like Tommy I met Tommy Montoya before in an expo Super chill dude friendly. He said what's up to me? I was barely probably like a Year and a half maybe two years tattooing and I was like But I'm super chill dude I know his style is gray wash black and gray in order for him to cover up anything He has to use true grace or color and He doesn't do color and I don't think he does true grace So I'm curious to see how what he's gonna be doing.  We'll see I see. I don't know That's a tough one though So this is my idea. Here's a lotus flower and she's like girly No, you're right right and then I kind of went with him on dollar and then I figured I do it All right There is two ways this can go right now either on those Those pedals on the bottom he goes heavy black that the pedals on the top They look like they're glowing. He has to add true grace in between the negative space on the mandala because There's no other way like there's no other way about one thing I'm gonna say about this cover-up is I hope he avoids white Because why it's not gonna cover up those letters and if he uses white even after two weeks You might be able to see the letters, but I will see what happens. We'll see Three Two One wow That's a really good cover up. I mean Simple simple, but it's solid. I mean those dark greens Solid when he heals it's gonna look even better. It's simple, but it's dope. I like it.  He just went in with white.  He's a dope artist, but man, this is not it I'm a hundred percent that in within a couple weeks She was able to see the letters the number one ruin cover-ups Do not use white to cover up black because black will always overpower white. I gotta say It's Not a great cover-up Okay, let's see. How do you feel about looking at it? I'm so ready. Are you ready? Yes? I'm so ready. Okay. Oh my god. Oh my god That's tight the blue was already faded but adding purple to that You didn't even know that was a cover-up. That's the way it flows on the on her foot too. So nice. So nice. Oh He's though. Oh Yeah Before I give my final thoughts about this show, I definitely want us to see Another episode. I'm just gonna skip to the end and see the final tattoos because I didn't see a lot of complicated Like cover-ups that were mostly pretty faded and pretty easy The only one was Tommy Montoya's and I definitely want to see if there was a more challenging cover-ups So I'm just gonna skip to the end of this episode and and give my final thoughts Okay, so the Roman numerals were right in the middle and basically she Plays the stencil or the other concept where she knew she could just black it out and That's though. It worked out if this this style doesn't work all the time to do cover-ups because in this case she used the dagger to Basically use it to her advantage and be able to cover up those those Roman numerals because Roman numerals can be complicated Because they're so straight and you're gonna see right through it, you know But it worked out. You can't see it. Do you think you want to look at this? Absolutely Excited, let's unveil this masterpiece. Oh, that is awesome So much better than what was there for sure and he has your same hairdo Some shroom dress Okay, so He did it again He used white to cover up black again and same thing though that ink is gonna go right through it Even though the lettering is faded you can are you can still see it as a fresh tattoo So once these heels You're gonna see the whole thing Not not the whole entire tattoo, but you're gonna see parts of it all over the tattoo and you can tell where he used it because It looks way different than the rest of the tattoo It stands out like those like the back behind the skull white right on top of that I socket white you can see the line going through it right behind the squares right in between them You can see the white and because your eye is drawn to those little areas Because it looks way different. It's not it's not one tone going across the whole entire thing So your eye goes right to the areas that he used white and you can tell where he used it The lettering is pretty much faded. I mean anything could have covered that up It's just that you need those true grays To help you cover that up, but because he's using gray wash It's not working out Here we go don't was on your back I cannot see your Darkness like there's this is a crazy cover simple fashionable He used red red is one of the colors that That stand out on darker skin complexion and also red. It's a good color to cover up black Now if you were to use Gray tones to cover up red It gets a little complicated because ready such a strong color That sometimes it can it can be like using black So you can't cover up red with white either so the fact that he used flowers and Simple flowers with no texture to cover up that tribal That is nice nice nice nice final thoughts I love the idea of The show the fact that they were able to think about The friend choosing or the the person that they brought with them to choose a tattoo That's pretty cool, and then not allowing them to see the process That's that's even better. I got to say that Based on what I seen Not every artist knows how to do cover-ups like Tommy Montoya. He is a great Artist, but he doesn't specialize in cover-ups. I do feel like Matt Matt he is a Good artist and he knows how to do cover-ups a hundred percent. He's so confident He knows what colors to pack in and he knows what he's supposed to do for the cover-up to not reappear in the in the future But I do think that they should have artists who specialize in cover-ups that way they do more intricate tattoos and And they're experienced enough to know what what to do in certain areas So yeah, I mean if you guys want to see me do more reaction videos drop a comment I can maybe do a reaction to Ink Master. I'm pretty sure they have like a like a whole episode where they do cover-ups And if you have other shows that they do cover-ups drop a comment and I'll probably do a reaction video Thank you guys for coming back and watching this brand new video. I really appreciate it Let me know your thoughts about this show and other than that if you're a tattoo artist I hope you learn something from this video and if you're a tattoo enthusiast, I hope you were entertained Thank you guys for watching. I'll see you guys next week. Peace