I'm going to read, generally I've been doing a lot of longer prose, I'm going to read some shorter poetry prose pieces, and I've been really working with hybrid essays, so I'm going to read an essay as well. This is for Baruch, but who had to leave, so he asked for this one. It's called Men Have Loved Me. Men have loved me fanatic like sports fan, like beer guzzling, like gruff stubble on soft skin like callus palm on back of neck.  Thank you. And then this is an essay, we'll see how it goes. I do a lot about fathering and, you know, raising a son and being raised as a son, and the passing on of both a new kind of manhood and also the toxic kind of manhood and where we stand in between both of those. This is called On the Beauty of Urinals and Bodies. My first night at a writing residency in the Oregon mountains, I struggled to build a fire in my cottage and remember as young child camping with my father, build it like cabin, like teepee he commanded. I failed, pushed out of the way and relegated to bunching newspaper. There was a lesson in this. I learned it. Recently at the Eagle Bar in San Francisco, I pee into a trough filled with crushed ice. Oh, that smell. And a mirror lining the urinal and all those cocks. Flaccid and familiar and the eyes. Strangers, eyes hungrier than mouths, mouths more loving than hearts. At dinner, years ago, I remember still a friend stops talking. Mid-sentence, we sit across from each other, beer to beer, he looks a scant. He looks vulnerable, like he about to cry, like he weak. I look away. We avoid our eyes. If he were a child, I'd ask to hug him. If lover, I'd ask to hold him. But he's only my friend and male. So instead, I do nothing. Lately, I find myself writing to my son, now adult, man of 27. But how to ask about failure? How to bring up manhood? How to lay bare what we have internalized? Son, I write. Refuse to be man, like punch, like cop.  And I remember camping with my son alone, dusk on a lake, late July.  We discuss various ways to prepare this meal. We laugh together, wide mouthed and unashamed. He says he only wants the heart, not the white, rind, crispy and bland. I say pick it up, high into the air and drop it. A kid, lofting a melon above his head, is a glorious sight. With a scream, he lets it fall. Broken and freed, we gorge, faces covered in juice, our fists buried deep in the body of our desire. At the residency, in the communal room around the fire, roaring and hot, we discuss art making, resistance. We share our histories.  We unpack the term cisgendered. One person claims that they refuse to use the word.  Another says it's not about comfort. It's about the privilege of never being uncomfortable. The fire burns to embers. How do we learn to mistrust ourselves?  I think of high fiving. I think fist bumping and back slapping. I think my father's walk it off boy.  I think of the words I've used that have harmed in places I've never had to feel unsafe. I think of privilege that flaunts itself as normalcy, like in bathrooms in San Francisco or at punk shows and during late night walks. And as my partner Cat called every single time, she jogs a Bernal Hill. I recall potty training my son. As young parents, I didn't realize you had to teach a child how to urinate in a toilet. Pee happens. Precision is learned. I instruct my son, hold it and aim. Years later, I remember that language and cringe. What have I taught? To build a fire is to welcome flame. To raise a child is to ask what they desire. To relearn gender is to discover what the body may have known all along. I consider the first time I explored another person's nakedness, to sniff armpit, to stroke body hair, to peek between buttocks, and then to reciprocate, to offer myself to their desire, trust them with the secret places of myself. Bodies are beautifully simple.  I write to my son, and also though now, I write to myself. I write to declaim, to resuscitate, to make myself more human, maybe less gendered, maybe more, and to imagine a new way of being. So son, I write, trust me, stay child, and I will leave all this manhood behind and find you. Thank you. And then I do love doing zines, and so I love doing these projects where I do one piece a day for 30 days. And with barely any editing, which sounds scary that I'm going to read some barely edited stuff to you, but no, I'm going to. This is my latest one, and I did it over with through September, and so I'll read a couple of these, and then I'll end. Here's another one about fathers. And this one, I kind of feel like the theme was a lot about intimacy. Then I'll read a couple less serious ones, more playful ones. This is called a whole body. My father called me over, bent down eye to eye, he stared at me. I tried to escape. I knew the tricks he played. Later, I'd come to know these as attempts to love. He held me close in the yard. I found you something in his palm, a vibrant green chameleon in the process of changing to earthy brown. The color of my dad's skin, I think later. He said, grab the tail. I did. My father let it go. I felt the lizard swing sway, then watched the body fall. The tail left wiggling in my fingers. I screamed, dropped it, put hand to mouth.  He picked up the tail, still thrashing, still acting as if it was complete, a whole body. He tried to give it to me and said, stop crying. The lizard's fine, but it's crazy what things will do to survive. Five. We speak of rooms. When we speak of rooms, we speak metaphor, potential, possibility, love or cum. There's room to play. There's room to fill, room to move. Of course, some rooms we fear. We name safe out of necessity, survival. Watch how you enter a room, my father said. And I learned some rooms you can never leave. You carry with you. But, lever, the room I imagine most often is captured in the phrase to make room. Such agency, such compassion, to carve out space from nothing, to construct a place from something as if everyone is welcome. Lever, I have made room for myself in closets and bathrooms and back alleys. I have offered my body as refuge, enter and find desire. I have crafted home, found sanctuary in rooms of my own design, but lover, no space is really safe. So come, nestle here for a time. We can call this room ours. And I'll read one more. Okay, it's called TBH. The depressing thing I realize, standing in the shower, hot steam, and the disturbing smell of gas leaking from copper pipes, getting ready to meet a date, is that I come closer to who I really am, who are who I really want to be in my cheeky responses to okay, cupid prospects. In real life as it is, I'm a hot mess. I contradict myself and not in the sexy Walt Whitman kind of ways. I agree to things I shouldn't agree to, then lie, betray someone and tell them myself I'm doing it because I practice the art of obfuscation to avoid explaining how I feel. I choose to placate rather than protest. So when rabbit hole 510 with pictures of him biking down market and posted up at some street action slash party asked me what I seek. And if I could describe myself as an NGO, I wrote what I seek is less about a thing or an act and more about a feeling, a situation, a chance to explore myself and my connection to others in safety with someone I can trust and who cares and will check in with me after. Easy, right?  I sent a smiley face emoji.  I just want to get laid. And the ejaculating water drops emoji. What could I say? I wrote TBH. I want the same thing. Shit, emoji. Thank you.


If you've been waiting for the new Samsung Galaxy S22 device, then the team at Appalachian Wireless has some good news for you. Appalachian Wireless is launching all Samsung S22 models on sale. We are you. We are Appalachian Wireless. The East Kentucky Stampede Championship Rodeo presented by Muddy Boots is coming this month to the Appalachian Wireless Arena. Friday, Mount Top spoke with Marketing Director Josh Kessler about the event. The East Kentucky Stampede Championship Rodeo, March the 25th and 26th. It's a full-fledged rodeo, mutton busting, you've got a little bit of everything. Everything associated, roping, everything associated with a full-fledged rodeo, you've got it. As far as like interested in being in the rodeo participating, of course we say you should be an experienced rider and all that, but you visit Rodeosportsnetwork.com.  For tickets, you can visit appalachianwirelessarena.com slash shows. Showtimes are March 25th and 26th at 7.30 p.m. For Mountain Top News, I'm Joel Kordjall.


All right, this time around we're going to talk about loops and this little guy I guess is going to help or not loops control constructs in general So that's going to include loops, but it's going to extend much more beyond just that control constructs are you know your bits of code the part of the actual syntax of the language that Typically it doesn't necessarily have to be It can be part of a like a framework that you utilize as well, but typically part of the actual syntax of the language that you That you use to things like Various conditions or to repeat the same thing over and over again and Pretty much everything is based off of that Just you know can combine them in interesting ways, but pretty much everything is that That being said there's a fairly decent amount to talk about here, but it's Generally pretty straightforward One thing I will need to point out is that these various control constructs can be divided into two categories statements And expressions and this is actually super important When necessary, I'm going to talk about them When necessary, I will add at the specific thing I am talking about so if statement versus if expression Those are different things So what what is the difference? A Statement is an individual Thing that does not return a value afterwards Kind of like a procedure in atta it executes The next thing executes the next thing executes and unless they're passing values between each other through like in-out parameters So, you know some kind of global that that exists Even if it's thread local or routine local or whatever that's that's still you know the shared state Then no information is passed between them Doesn't Sound like there's much significant there, but the big difference most programmers will immediately recognize when using a statement versus an expression Is that you can use an expression To assign something because again something is returned out of an expression so You can if you have if expressions in your language assign A value to the result Um to the result of that if expression Okay This I don't know if I want to say is the major Difference between them, but it is it's This this matters It varies a lot depending on how your languages work But oftentimes statements are much more limited in where you can use them whereas expressions are not That being said In the languages There are certain languages C sharp and edda are not them at all But there are certain languages where everything is an expression and you make something a statement by not caring about the return at all And just ending it with a semi colon That approach is super useful. There are some complexities for managing it inside the compiler, but It's not too bad, but that that approach is super useful So As far as edda and c sharp How do they stack up? We'll cover some other notable things later As far as if goes You know your if then if else If else if else all that crap Is that right? Is that right? Both of them Have if statements that are Completely identical You know, I'm not really going to be talking about syntax.  It's better or oh Keywords are more clear therefore. It's better. Those are subjective things I'm caring about what the actual implications are for the code that is written and honestly considering templates exist and Tab completion and tons of other things really not that much actual typing T tab gives you then shift Curly bracket gives you the curly bracket. It's It's really not that different so one thing C sharp has that's Rather convenient Is the ternary operator now being an operator? This is part of an expression So this is essentially c sharps If expression syntax Ternary operator, however, is rather limited Until target typing is implemented There's a bit of coercion that has to happen at times. It's rare as all fuck though So you typically don't need to worry about it, but that Is a thing you need to be aware of at times Um Generally not something you want to involve in an expression, but you nested ternary operators become a huge problem to read Um Typically speaking you should just write a function in that instance and use the function call instead of the nested ternary operators How about it is something to to keep in mind um Because of the very simple nature of the expression Because anything inside of it is just another simple expression Uh, typically just the value that it's going to result into um You're very limited in what can be included inside of a ternary operator Um, again, typically it's just going to be the value So any kind of more complex logic It's going to be really difficult to put in there Um, again, that's sort of justified in that you should probably be just be using a function in that instance and return the thing that you need Because function calls can be used in expressions. So Yeah um Method in the dot net world, but this does apply to ara as well because ara has if expressions And they're more powerful and useful Rather useful in certain situations um, I do particularly like how You can do the things like constant assignment and then with an if expression to get different constants depending on certain conditions um Ada constants are noticeably different from dot net constants. So that's that's an important thing to keep in mind um Constancy and ada has to do more with The value never changing rather than just being like some kind of macro expansion kind of thing kind of like read only in the c-sharp actually A read only field is very similar to an ada constant but even then there's some differences so anyways, um If expressions are definitely more powerful you do you have to be using more modern versions of an ada compiler to Utilize them, but honestly by this point pretty much anything that's even remotely worthwhile should be supporting at a 2012 So you should be able to get them um You can nest Much more complex expressions inside of them Which can be handy However, again, you should probably be using a function call at that point so They're nice level of sophistication the syntax you really don't need to learn new syntax you put the thing inside of um parentheses, which is the norm for expressions anyways and boom you just Write it out Like your normal if statement I do Very much appreciate the syntax of that. I know I said I wouldn't be saying too much about that um But it's a discoverability and consistency thing With a ternary operator you need to learn entirely new syntax That's where this differs I'm not Going to argue that one form of consistent syntax is better than the other form of consistent syntax but When you've got one language that tries to keep it as a consistent syntax and another that introduces some new syntax The one that keeps it consistent is a clear winner there Similarly you have another construct the switch case Thing Different names depending on what language we're talking about, but it's um In a way a more sophisticated If else if else if else if then kind of Kind of construct You got a single value and a single expression that you know will evaluate to a single value That you then go through a bunch of cases that get compared against Now it's complicated because the exact mechanism behind this works varies and I do Appreciate how added does not require you to put a break at the end of every single one um That being said it is actually sometimes convenient in the c world Where you don't have to Put the break and you can fall through to another case because there are times you want to fall through to another case and it's not just Clever tricks. I think it's called the jensen's device, but I might be mixing up my my things But there's a situation where you actually want to do that In some Very bizarre code, but Very useful kind of thing That being said uh see sharp requires that break statement Or some kind of equivalent I'm done this case so it operates Pretty damn similarly to ita's in that regards, but the mandatory break is Superfluous It's typing that I really don't want to do similarly in ita's There is the convenient side of being able to put multiple things in a single when clause In c sharp much like in c you have to have multiple cases that Actually do fall through but since there's no statements inside of them. It's considered valid That should make a lot of sense. That's how you get the multiple cases with the same Code that gets executed you Have multiple checks and just fall through C sharps a little bit more transparent about what's actually going on But I definitely appreciate ita's syntax for it a little bit more it you can cluster things together in the same case And even use ranges, which is super lovely that being said Or about at the end of where ita is actually winning C sharp switch case statements Have a number of benefits It's very easy to do go-tos between these. That's essentially c sharp's solution to fall throughs but it allows Cleverness like instead of falling through actually going up to a case above where you are currently at um This is not something you're going to want to do very often That is a very complex code strong to construct in is similar to a lot of the Uh clever trickery that you wind up seeing with c and switch case statements That I like having the option and I like how you don't have to Do anything to Not use that option. You get the reasonable good. I'm not using this default You clearly have to opt into it And a lot of people don't even realize that you can just write go-to and then the case label But yeah, you you can do that another major thing C sharp in an effort to introduce a lot of the things that ebb sharp has introduced which is super bizarre I don't understand why microsoft is doing this You'd think you'd want f sharp to specialize in that shit and then use the appropriate language for the appropriate task, but Whatever It's sort of becoming clear that they want c sharp to be the only language that they really do because they pretty much abandoned visual basic and F sharp really isn't getting the support that should be Concerned about the the future of other languages, but still the the cls compliances. They are and that's my major reason for using it the Big thing introduced It's originally done with f sharp not In the dot net world originally with f sharp not f sharp was the first language to ever do it. That was not the case is uh pattern matching C sharp utilizes pattern matching through its switch case statements, and there's a bunch of clever things that you can do especially now um What the c sharp nine introduced introduction when that when that's gets finalized There's going to be a lot of very clever things that you can do But even at the c sharp 8.0. There's there's A ton of incredibly useful stuff Polymorphic switches are absolutely fantastic. The idea behind that is you pass it a variable that is a class specific specifically not a struct Well, no, you can do a struct and then switch on the interfaces But either way you can switch on any of the things that it inherits from That covers much more broadly than what I was saying Oh, excuse me Actually with that in mind you could even pass it in something that's just typed as an interface and then just switch on Other interfaces that interface depends on neat but the idea is that each case is a type That the type obviously has to be able to become it'll yell at you if it could never actually hold true But then you can also pass it a new name That name is then used to reference that same Value But now Through the type that you just matched So no casts no coercions nothing You already know because you already checked that it is that type so you can now reference it exactly as a type using the new name This is Super useful simplifies a lot of code where you would want to do such a thing which is actually quite often and I'm so glad that exists They're going to be and to an extent already are Introducing a lot of More sophisticated situations adding certain clauses on top of that like if this is this other type that also Requires a certain condition to hold true like the one of the fields within this Object also has this specific value or this value within this range or whatever Then there's a specific case and you can see the level of sophistication this has this is very useful for Um Doing these operations doing very complex operations very useful for managing very complex systems And it's all done through the same syntax because it's all essentially the same thing I like it another important construct that I had mentioned with the switch cases Whatever you want to call it is just cases Case wins Whatever Um, it's just the simple go-to Both languages have them and I'm glad they do One thing I do want to say about eddas however That is absolutely fucking bizarre and I cannot believe this is actually part of the language at all It is asinine and I want to bitch slap somebody because of how stupid it is Ada has two different syntax for declaring labels That's right. See when People criticize the language over being bloated They're not wrong the language is bloated Because again, there's two entirely different syntax for declaring labels And that's just asinine And see sharp. There's only the one syntax There's only one thing that you need to learn and you can use that label for in To sit that label syntax in any situation where you can put the label That's a lot better Next up as far as control constructs go would I supposed be the loop? Loops and that are better. I'll flat out say that but first loops and C sharp got The while loop nice and simple Give it a condition. It does that End of story You've got the standard for loop very C style for loop I appreciate you're having that syntax to be perfectly honest. I understand some people don't like it, but there are certain situations where that syntax is useful, you know, not Meaning to declare a variable that exists outside of the for loop scope is handy But you still can the fact that each part of the for loops You know preamble Does not necessarily need to be filled in is rather useful as well It's a very nice generalized syntax But I still think it pales in comparison to something that I had I can do But Then you've got the for each. I do appreciate how C sharp is very clear that it's a for each And that it utilizes a different syntax from the for loop For each makes it very clear that it's an iterator and that is going to do every Go through every single element And that what you do inside the loop body is for each element Right on the other hand Has a generalized loop You can add specific things to it, but it's still always a generalized loop I appreciate how generalized that is actually because together with some other unique things that it has It becomes very easy to create Some rather unique loops So you can put the exit condition Or even just an exit statement Wherever in the loop and it is essentially just a go-to to the You know position after where you would jump back up Um, but it's clear syntax and using a go-to of course Which is good. You always want that when you can The ability to put an exit wherever or an exit when And then whatever the condition is is Super convenient putting them wherever gives you basically any loop you can possibly have That being said there are some high level loops that already exist Well add a lax a for loop it does still have the while loop you can give it a condition and it will go and do that whole thing As for a do while loop That's pretty easy to synthesize just by putting the exit when condition at the very end of the loop Now it'll just go through the first iteration regardless Check the condition and then if that condition doesn't hold goes back up. There is the For in-range loop and the for in-collection loop Both of these are for each loops, but it's Confusing For in and for of Probably not the best of choice Or am I mixing up my languages?  I regularly forget which one I actually meant to write No, I confuse those in atta too So it's both As far as iterators go and the for each loop syntax C sharp wins, but otherwise I think atta has overall the better loop system it's more I mean a lot of the high level loops still exist, but you Have more freeform options You can add exit conditions all over the loop if you want to honestly if you need to I've had to at times That's helpful Now I'm running off memory here. I've only done this once so I may be wrong But it is it's possible. This is a definite thing. It's possible to label Loops and atta and that's that's useful. There's situations in which you need to break out of a specific loop but not The most immediate loop you're in that that's a thing um As part of the exit clause, this is the part I think I think I remember right As part of the exit clause you can between the exit and when or even just after exit and then just It's done. There's no clause You can put the label name and it'll exit out of that loop that you specified If you want to do something like that In C sharp you have to use a go-to Dedicated syntax makes it a little more clear Having the loops labeled is nice I mean shit it even describes the intention of the loop. What is the loop? That's something I often comment in the dot net world, but The label I mean technically is the comment That's handy as I mentioned pretty much Every other control construct is just Those in certain combinations. In fact, some of the ones mentioned like the while loop is Very obviously an if condition and then the loop The if being inside the loop actually at the very beginning, but it's you you you get the point I'm not going to consider the control constructs that are part of edis tasks as being actually control constructs Because they are fundamentally just those And they're only applicable in the csp world talking about those would largely be frivolous because it's the same as with The video I already did on concurrency We already know we've already covered how those are different Sure, I might not have mentioned the specific control constructs that are associated with csp, but that's not the point The point was that without it, you'll only have csp And since there's nothing to really compare there that hasn't already been compared, there's no point in going into that You see where I'm going Hopefully Everything's already had to been said as far as that goes has already been said As far as non-standard control constructs or you know things that aren't part of the language itself The syntax of the language, but they are part of the standard library Or are things coming soon? Parallel operations. That's a big one Add a 22x is getting parallel loops Parallel loops the idea is that you write them as similar to as a normal loop as possible But it just has parallel at the beginning The operations will be attempted to be implemented in parallel I'm not sure exactly how they're going to deal with that I'm not sure Where they're at as far as that proposal goes. I haven't been tracking at a 22x very closely. I just know it's Something that they're working on Regardless though You write it exactly like a normal loop, but the operations happen at the same time If certain operations for whatever reason take longer than others You don't actually resume control at the end of the loop until the entirety of the loop is done Okay Ida has dedicated syntax for this dedicated syntax is always preferable C sharp the dot net world in general really implements this through the parallel Stash class It's a static class that provides methods which provide this behavior But there is the Parallel for parallel for each that kind of stuff They feel certainly more Procedural than really part of the language itself but Is I Still gives you access to the stuff, but it's certainly not The syntax that you ideally like to be using but um another form of parallelism I mentioned it a bit with the Intrinsics but the quick primer on it another way to do things in parallel is to have Them just happen under the hood Have them as intrinsics that just happen C sharp allows that with certain types Falls back to reasonable behavior and it doesn't but could The standard library would have to code for it Would have to install specific runtimes on specific architectures, but you certainly could do it as far as Other languages go though F sharp I tend to mention a lot in this for obvious reasons F sharp doesn't have a whole lot to say especially a C sharp pattern matching is catching up to f sharps There's not really going to be a whole lot of a difference the syntax is certainly different and f sharp syntax is almost sort of Better but funky to read because of course functional programming does just It's not It's great on the fingers not in the eyes And again tab completion You don't really need to worry about great on the fingers because tab is always just right there You really don't need to type that much There is a major Place where this is significant though Seed seven I believe I've mentioned in one of these previous videos I do not remember at all which one but in seed. Oh, it would actually just be in the introduction In seed seven however, it is possible to introduce entirely new syntax into the language itself That is significant because that means seed seven can easily have the single Best control construct for every single situation That's a big deal Parallel loops wouldn't need to be part of the language itself because they can be Added in by the parallelism library that somebody else writes special control constructs that are useful for you know text processing which Tends to rely on control constructs that are unlike anything ever used anywhere else Could be implemented And not have everybody else pay the burden of it Because they exist within a library that somebody depends on that somebody writes That is again not part of the language itself You get them when you need them But they're simply not there when you don't that really Wins out over anything else Because of the sheer power of it essentially the syntax is just A fourth form of subroutine The syntax is just Another name for a function or procedure or operator That's a clear winner There's probably a few isolated cases that I could talk about but didn't but you largely get my point We've covered any of the major stuff and My ideals as well. So that's it for this video guys Have a good one


The Irishman in the cherries goal, the 20-year-old, making his third Premier League start. One-nil win over Spurs, a 5-3 victory over Palace, and Travers has lost the ball there. He's played it straight to Saar, and now Saar drives it in. We talk about mistakes, and Watford have made Bournemouth pay for one. Abdelay, Decoré, the scorer. Travers gave possession away, it went back in the penalty area, and the Frenchman, Decoré, just before half-time, scores his third of the season, and it's Bournemouth-Mille-Watford won. Well, you have to say that that was self-inflicted. The ball given away by the goalkeeper. Abdelay passed and picked their way round, and now Saar with a break away from Steve Cook. Men to pull it back to if Saar can find one. Giselle's Cougar dummy knocks it in towards the near post. Dini lashes it in, and Watford have a two-goal lead. Troy Dini, a man they find hard to keep a lock on. Has a say again at the Vitality Stadium. Bournemouth defends him in disarray once more. And Dini makes them play. Tudor. Well, he seems to save his best moments towards Dini for games against Bournemouth. To give us your verdict, as Lewis Cook left it and Pereira just carried on. There's an opportunity in the middle here for Andre Gray to put it beyond any doubts. Chance comes in across the goal, cleared off a line by Fraser brilliantly. Pereira's shot, it is 3-0 all over. Roberto Pereira sums up the afternoon of the ball. King's round in the box. The Cherries double over onto their knees. Watford fans are all arms and legs in that away fan. It's 3-0 to Watford. Well, Gray's had got back in, cleared one off the line. Troy Dini was fantastic, but...


So you need more polyloops, not a problem. Ensure polyloops is an easy way to expand and add extra loops by left click dragging on your target area. If target is set to single poly and you left click drag horizontally, you'll expand your target. If you drag vertically, you'll increase the number of edge loops. If you tap alt, you will change the color of the polygroup. Interactive splits means it will combine triangles and quads. Even splits means it will never allow triangles. And if you want a specific number of edge loops, you can set that here. Loops mode means it will apply the action horizontally. Grid turns the action into a plus, and sunbursts will include triangles that come from the center. Alternate polyloops means it will alternate polygroups each edge loop. Same polyloop means every new piece of topology will be the same color. And key polygroup is very similar to same polyloop. Hope that helps and as always I hope you have a fantastic day and I'll see you around.


Hello, people of the internet. My name is Johnny and welcome back to Jolly Bees. We are going to be getting some more endings and maybe giving Knight 6 an attempt. Hello. Um, because... Ooh. I guess I have to replay Knight 5. Um... I really don't want to do that, but... God... Okay, well, God do Knight 5. They released a patch. Oh, God. Yup, this is... I'm doing this again. It's been a while. So, it may take me a while to get used to everything again. But they released a patch so that when there's a virus, nobody can spawn at the door. And that was really my problem. So, they fixed it. So that's good. So we should be able to beat Knight 5 again and get another ending, which I know how to get. And... And... Hello. We should be able to beat Knight 6 hopefully in this video. That is the goal. Get at least one ending and then hopefully beat Knight 6. So what I'm gonna do is I'm going to quickly beat Knight 5 again and I'll see all you bros on the flip side in a little bit. Okay, bye. I'm dead. No, I'm not. Crap. Crap. I would have had that if I didn't accidentally turn off the lights.  I'm probably gonna leave this last hour in just uncut, unedited, so you guys can see me beat it. Because we only have a few seconds left. Oh god. And not that bad. Yeah, we only have like 30 seconds left. Oh, please be... Okay, thank you. Thank you. I was really hoping it wasn't Yum. Because I forget the other part. Yum and... Popo, I think? Hello. Jolly, please be nice. Thank you. Love you, smooches. Virtual hug. Yeah, only a few more seconds. Then we've done this pretty easy, pretty simple. Nice and easy, nice and simple. Go away, person of the vent. I don't care. So now we are ordered to go and fix Hetty. But if you... Where is it? You... Wait, wait. Am I in the right? Yeah, you can just straight up leave. So this is another ending. Is that Beach Lasagna? Ah, surprise.  It's our priority. I don't know what I'm doing. Anyway, suspicion ending. Two out of four. So now... Do I want to give 96 another... I do, I do. I really should. That's the thing, I should. Give it at least a few more attempts now that they've actually made it easier on me. Not sure how much of 96 I'm going to leave in, but... Have fun watching me die, repeated. Excuse me repeatedly. This is going to be a new personal best, right? 130, 140-ish. I wouldn't be surprised if it is. I doubt we've made it to one. Oh, hello. This is so much easier. Let me just say that. When they can't attack you when the virus is up, it's so much easier. It makes the game so much easier. Oh, hello. Ah, shoot. That's a guy I need to get. I'm dead. No, I'm not dead. I know I'm dead. I'm definitely dead. Yes, definitely dead. That was just bad timing though, honestly. Bad timing. That won't happen every time, so... We're going to roll with it.  That was clutch. Let's see it. I was going to get killed no matter what because there was the dude in the vent. That burdens my day a bit. What? What? Come on, game. No. That's the thing that gets me is when they both go into... Like, when one's leaving the vent and one's entering it at the same time. One, that's not physically possible. But also their noises just overlap each other. So it really confuses me. Come on.  Thank you. That's definitely him. A week and five. Thirty seconds. Come on. Don't do this. Don't you dare. Fifteen. Don't. Don't. Don't. Seven. Six. Five. Four. Three. Two. One. Yeah! Oh my god! Oh my... Oh my god. Oh my god. I do not be as excited as I am right now. Oh my god. Oh my god. I need to take a moment because...  That was... That was... Oh my god. That was... That was something. That was quite the experience. I'm just happy I finally did it. Anyways, that's going to be it for this episode of Jolly Bees. I am unbelievably happy that I finally beat Night Six. Next episode we're probably going to get the last two endings hopefully and then Custom Night after that. Spun, fun, fun. So stay tuned for that. Thank you everyone so much for watching and I will see all of you on the flip side. Goodbye.


I sat down today, and I thought, well, today's a normal day where I need to record a video. And I was scratching my head wondering, what should I record? And something popped to mind. Something rather exciting. And cringy. Mainly cringy. So a month or so ago, I came across a YouTube channel called RickRaptor105, I think it was, and he was reviewing people who did J-Pog movies. Very inspired walking with dinosaur movies. And one of those people that he reviewed was a guy called Ollie Rockon. Walking with Spinosaurus by Ollie Rockon is the first J-Pog video I ever saw on YouTube. Also, it's hilarious how transparent this kid's bias is. His finn teeth cannot crush bones like those of T-Rex. And he wasn't that intelligent. I used to know Ollie Rockon. In fact, I think I'm still friends with him on Facebook. He reviewed a lot of different channels that did these mockumentaries, where they just recorded in-game footage and plastered text over the top of it. But what he didn't know was that there was another YouTuber that inspired all of those. And that YouTuber was DV Rex. So a long time ago, this same beaver was an edgy teenager. Cast your mind back to a time when YouTube was just a baby, and there was a five-star rating system. And videos were at max length, more than, well, less than 10 minutes, that's for sure. They were probably like five to three minutes. And a little beaver who, uh, who wanted to be... Actually, I don't know. He just wanted to share his weird series with the world. Bear in mind, most people didn't know really much about YouTube. Even in high school, I think. It was in this platform where everybody knew what YouTube was, and everyone was using it. So buckle yourselves in because we're about to take a trip down memory lane to watch The Deadland. Ah, here we are. Oh, I can smell the dust on this old thing. Good lord. This channel right here was my serious channel, dedicated to my The Deadland series. What was The Deadland, I hear you ask? Well, you've probably seen that epic edgy little intro that I'm sure Teenage James would have been very proud of. So the series was heavily inspired by another creator called D.V. Rex. He made like the first, uh, proper series in Jurassic Park Operation Genesis, and it was like Isla... Isla Murta, episode one.  Oh, zombie dinosaurs. However, will they escape?  There was Ollie Rockon, of course. I remember another one being Jungle Trooper. In fact, actually, if we go on to my Deadland page, and we go about, apart from me plugging my new channel at the time, Um, at the bottom there's a link. It says www.TheDeadlandSeries.Pixo.com. This is where I documented the process of making the series, as well as I had a segment that archived any YouTuber I came across that made videos in Jurassic Park Operation Genesis. But if you click on it now, now owns my old Deadland series. Oh, website, that's ridiculous. And finally, this brings us to the Deadland, heavily influenced by DVRx, who was the first ever YouTuber, like a story that progressed from episode to episode in Jurassic Park Operation Genesis. So if you want to find this series for yourself, I will have a playlist for it on The Gaming Beaver. But do not watch it, please don't. It's horrendous. Even though on the Deadland YouTube channel, it says that this was first uploaded May 19, 2011. We can go to my old YouTube channel, T091, and find that episode seven, part two, was uploaded 30 years ago. Um, so that means that this is, the trailer was probably put up 14 if not 15 years ago, making me probably 11 or 12 at the time of making this. Sorry about the people who, um, waiting for the Deadland series, um, that'll be on later. So here we go. The Deadland. Oh, this, this is the trailer for the Deadland. Oh my God, look at the quality. I don't even know what quality this is. I also unfortunately can't use the music because it's the intro song to one of the Resident Evil movies. Because I was, I was, I was edgy. I was like, yeah, have lots of fade-outs in the island. Oh, it looks all empty. But look at the quality of this. And the dimensions as well. This is way before HD and stuff on YouTube. Uh, look, I didn't even know how to hide my mouse or anything. There's supposed to be a panning shot of the helicopter. A crash. A crash. And there's no crash. I remember thinking, oh, how can I get like an explosion? I couldn't do it. I couldn't do it. A strange compound. Look at this so far. Oh, look, see, look at that. I took ages to get them to stand there without any path. Because normally in J-Pod they walk around. What happened here? They're all, they're screenshot. Just a screenshot of dead people on the floor. What is over the, well, they were over the fence, James. Um, oh, look, what was that? Oh, the glitch that made people go really big for some odd reason. But for now, the marooned stay in the compound, wondering what is out there. And then I, then I just show it. I spoil it. A genetic malfunction. Oh, look at that.  Find out more in the episodes. Oh, it just, it just cuts. Oh, we, oh, we, we just got straight to it. So episode one. This I think is trespasser. Now that's supposed to be an explosion. After the helicopter had crashed. Yeah, I never could play trespasser. But the, uh, did you, oh, I just got that right. Little crying face in the background. Okay, I'll pause it just for a second. So I remember I couldn't play trespasser because my computer couldn't handle it. Trespasser. I know I had it on CD. I was so excited to get it and my computer couldn't handle it. So I made this on Fraps. It's a free version of Fraps. Never use Fraps. Ever. Because it makes files that absolutely huge. And I remember when I would like record these episodes or when I wanted footage, I would, I would click F9 or whatever it was to record it. And the game would literally freeze and then slowly start playing. So, uh, like every capture, I remember importing it to Windows Movie Maker and just cutting the start out because it would never look good. Unless I want like a slow-mo scene where they would start to go. Now, DV Rex, he paid for his Fraps. Probably might be why it's better, I suppose, but I didn't. So you're going to see loads of recurring characters here and there will be a plethora of flipping spelling mistakes in this. You're going to love it. Uh, and now the characters' names, they only have first names. I remember the characters. I, I use painstakingly every episode use the same models for those characters to get them to talk. And their names were actually what the, uh, the AI's names were. Because I was like, I don't know what to call them. Lee, his name's Lee. Actually, no. Lee was my friend's brother's name. I think he's the only one that I didn't. I didn't. There must be people over there, he exclaims. So I think this is just after a crash, although something was watching them from the trees. Oh good, no, no spelling mistakes yet. They had found a small gap in between the fence, which you can obviously see there. Sally, being a born leader, decides to take the group inside. Ooh, no spelling mistakes here so far. You're doing good, chips. Although two members of the group, Matthew and Peter, decide it would be safer to stay outside. Also, there's a lot of like Jurassic Park OST in here, original soundtrack. Matthew spots something in front. I might get that right off him, but Peter doesn't, whatever. Oh, he's dead! Oh! Matthew decides to join the rest of the group. You didn't see it, there was a really pixelated raptor chasing him. Just to get him to run, to the run animation. Inside the group decides to split up. Sven decides to check out the kiosk when he discovers something. Sven was a main character. Oh my God, what happened to you? Sally, what's all the fuss about? Prof, there's no time for that. You have to get to the turret. It's over in that bush. That fence won't... Oh, I didn't even have time to see that. Oh, okay, okay. Look, it's a raptor that killed Peter or something. And it comes and it's... Oh, here we go, the turret. Did I actually shoot it? I can't remember. Sally, what is that? No sound effects or anything, because I didn't know how to do that. Whatever it is, it doesn't... A while back, we tried to kill them all, but it didn't work of consequences.  Okay, I'll come with you. So look at that! Did you see that leaf start walking with Sven? And I was like, oh yes, I can use that scene. It was me literally just following them until they did something that I wanted them to do. Not even a year before I decided to make the series, I had propped my camcorder in front of the screen and would talk over the footage as like a David Attenborough narrator, like with walking with dinosaurs or something. I deleted that series. I'm so annoyed at myself I deleted that series. I really wish I hadn't, because I'd love to react to that now.  Don't do it. You will regret it. Keep everything. Keep it, because you'll look back at that and think, wow. Okay, so you've got episode two. So these are really short episodes, because unless you were like partnered or whatever, you could, for one, you couldn't have custom thumbnails, and you couldn't make episodes longer than five minutes, something like that. So here we go. So they're going to take the body, and they're going to drive till they see the water. So Lee, hey, wait! Sven, what? Look, it's the frog to the top right! What do you know? That we don't.  Take it to the water and drop it outside and wait. Lee, I'm still not sure about this. Sven, me neither. He seems very secretive. There's no good-looking glasses here either. WTF? It must be quite far. So far, not too many spots. Well, I think we are here. Oh yeah, there's a river hour. I remember this. Yep, what do we do again? It was so hard to convey stuff, because you work within the boundaries. We take the body outside! I was joking. I know. Haha, funny joke. Well, let's get out the body. I remember having to set this up. Sven, now we wait. Oh yeah, that's a comatose raptor. Oh, here we go. This is trespasser again, I think. The soundtrack. This is like the copies running at Dieter Stark. You know, I was like, Lee, what are they? They're warning us! The Dress Up Part 3 soundtrack kicks in. I'm probably gonna have to mute so much of this. It looks like the smell brought them here, says Lee. Ah, he's trying to break in. Ah, stop it. They're checking us. Like Sven's the cool collected one here. Lee's the one who's like, oh, there's no girls here. They couldn't see that, but the raptor was, when they die, when they're undead, they turn living again. So I remember having to wait for the raptor to kind of be eaten before recording. So this was, there was a cheat code, if you didn't know, in J-Pop that allowed to turn your dinosaurs into zombies. And that's why the UV-Rex series was called Easler Murder, because that's what the cheat code was called. And I just decided to copy it and do my own thing because I saw him and I was like, oh, that's so cool. Zombies are cool. And dinosaurs are cool. I want to do my own. So here we go, Sven. That's it. That's what we've been waiting all this time for. Now we abate! Great! So this is, Sven, like, realizing, in my head, I wanted the audience to get it, that the professor tried to kill them by luring them, like, the body out, and the glophosals to kill them and have no evidence. So you're not supposed to know at the moment but the professor's evil. What you got there, Lee? Ow, ticket out of here! What, is he gonna drive? Oh, he's got a gun! Where'd you learn to fire one of those? This, again, was another cheat. You weren't supposed to do this. Like, in the Explorer, you're supposed to have a picture but if you put in a cheat, you could shoot dinosaurs. I love, there's a best cheat in the world. I loved it. Sven, you couldn't hit them if you tried. Oh, it's like, shh, is it gonna get shot? Oh, yeah, he got him well. The crescendo of the music kicks in and he's killing them all! Are you a soldier? Sh, Lee says, because he's concentrating. Oh my god, I remember this so much. Yes, I was. Let's get out of here before something bigger comes and give the professor, uh, I'll bring the gun so that they're going back now. But the dead bodies have attracted something! Oh, and then we've cut straight to something else. It's like, oh, it was so hard to, like, try to get, I could see what I was trying to do. Meanwhile, Matthew decides to go into the viewing platform. No, Matthew is my friend's name. I must have called him. I must have named him after Matthew. Matthew, I can see everything from up here. Also, the, ooh, she's, whoa, whoa, whoa, hold on, what, what? I can see everything from up here, what did I say? Ooh, she's got nice legs. It was just one of those things where your teenager's like, oh, that's funny. What else we got? Oh, he's looking around, he's looking around. Oh, I remember, you probably won't even see this. Matthew's like, huh? Now over in the distance, a T-Rex breaks through the tree. He's like, just see like it. Matthew's like, not again! Because he got attacked by the raptor last time. He's like, they're coming, they're coming. Wow, I like how I don't even move my mouse off screen. Sometimes I just keep it on there as night. Oh, oh, oh God. Oh, I missed that. Night's arriving. Something's happening. So in order to get the idea across that night is here, I darken the screen. Pro tips. I'm not joking. They are coming at random caps as well. It's beautiful. If what you say is true, we must go and talk to that professor, says Sally. Matthew to himself, I've got to get out of here and hide somewhere. You know, in all zombie movies, there's always a guy who's like, got to get out like that. That's who Matthew is. So, you know, he's already been through it. He's already been through it. He doesn't want to go through it again. Sally, where is he? Where is the professor? Oh, here they come. They're coming back. I've got a few things to say to that professor, says Sven. I'll bring the gun. Says Lee. I'll park the car outside. Lee, where is that guy now? Sven, he's not up here. Here he comes up. Oh, I can't see him.  Sally, he's not here. There's just me taking a clip from the lost world.  So I just took a screenshot. You see the fraps kind of at the top, right? What was that? Sven, I've watched Jurassic Park too often, too often to know what's that. We have to do something right now. What are you going to do, Sven? Sally, me and Sven and this group will go in the car. That's right. I remember on my website, I had like pictures of the characters and their personalities and like if they're alive or not. It's like dead. Fine, I'll watch from the air in this. Like when, once you like research something, the little narrator says what the product is you've researched. And I vividly remember like taking that audio and then just like cutting loads of bits out so it sounded like she was breaking up. And I was like, that's so cool. I can make it sound like it's broken down. And of course the character comments on it. Sounds busted. Hope the balloon isn't bust too. I was so proud that I kept it all in. What are we really doing? Sally whispering. I'm trying to lure that monster away from here. Cause she's a hero. It's as if Sally's the main protagonist. So you're crazy how that's bad. There are more innocent people in that area. We may survive.  Just keep an eye out. You never know where he's going to be. Where he's going to show up. I think we've all got our eyes on it. Oh cause it's chasing them. Here it comes. More Johnson Park 3 sound effects. So wow, these are cool. Just keep driving, Sarah. Wait, is that Sarah and Sally? Yeah, Sally's the leader. It's still behind us. I got Sven, Sarah, Sally. Why do we have so many S's? Sven, that's a big b- Let's hope it keeps the T-Rex distracted. Yeah, look at this. They're fighting. How epic is this with the car in the background? You know how many times I took to get that go T-Rex?  You see me turn the camera to keep the car on there. Come on, come on. That's what you're saying. Come on, come on. I've always been terrible at spelling. I feel sorry for that little guy. No. Do I say it got away? No. Okay. And this is why it's like, oh no. Come on. Let's go. Now. I'm so gonna have to mute some of this audio because it's just pure drossy box soundtrack. And then this is just like, oh look who's gonna win out of all of these. I don't even remember. Oh, does the T-Rex die? Look, I've slowed it down. I slowed it down to make it look like the T-Rex died and leave it on a cliffhanger. Did the T-Rex die? Yeah. See if you know J-Pog, that's Karkar. So T-Rex died. That's enough excitement for one day. Let's find a place to rest. Oh, oh God. Yes. So I had some ideas with this series, some big ideas. And this was one of them. And I didn't really know how to record it because it's in game. I can only do what the game allows me. So this was like a spooky kind of section. So like, oh, what's those buildings? Let's get closer. And I think this is more J-Pog 3 soundtracks because I didn't know how to rip down soundtracks. I actually had the CD. So I was just like, I was listening to the tracks and thinking what could this track be used for? And this is how this came about. Sarah, now this is cool. Sorry, it doesn't seem like it's been used in a while. So these are supposed to be like research facilities, but they're just cleaning stations in game. But we might see a different one here. Why would it have been built near the water? Questions. Let's park outside. I'm wondering if I managed to do it. Sven, you and me will go inside. You's, just wait in the car, Sarah. Sounds good to me. Sven, see you in a minute. Did I manage to do this? I can't remember. I had a plan for what to do. Anna? Well, this is boring. Who's Anna? Anna, I'm getting out, Sarah. Okay. Then the dot dot dot was supposed to be she speaks after like a sentence. Oh, Anna. Glad I brought my umbrella. Oh, I remember why Anna's here now. Glad I brought my umbrella. I wonder what is out there. She looks wistfully into the ocean. And here we go. She's taken too. Because she couldn't go into the water in Jurassic Park. I mean, Genesis, so this is me like trying to get like an animal point of view of something under the water. And it's, oh, it's going for the cleaning. Look at the frames per second. It's like three, if that. What was that? You see how for the splash sound effected, that was cool. And look at this me, it go up and down. I'm going to take a look into the water. This is her like looking down. Wow, it's dark. I got like the angle, I guess, right? I suppose. Wow, it's so dark. I don't know if the water was supposed to be black and white. I just wanted to make it like a cloudy. Hey, what was that noise? Better check it out. This is like, this is her going close to the edge. So the monster was about to get her, but she walked away. Hey, I found some notes. Sally, well, read them. We'll read them. They seem to be recent, right? Oh, this, this is me going back in time now. So like showing the incident that happened. When we had heard the news, we took the canisters in and closed the lid. We had heard what had happened, and we all agreed it would be better to get rid of it. We took it to the edge of the water. I don't need to hear the roars that, but that's that, that had been described to us over the phones. You see there's like smoke coming out of the water. We had thought we had succeeded, but to see what horrid gas, but to see that horrid gas coming out of the water. We lost a member of our crew today. Oh, surprise, shocks out of it. He was out fishing when he was gouged by the creatures that the devil, what? The gas has now reached the land. I am now locked in a secure room by myself. I dread to think what is happening outside. There's a mixture of like Jurassic Park, Resident Evil, and Dino Crisis. It was just like everything that I liked. I was like, let's put it all together. So the gas, ooh, I found my fellow scientists dead on the floor. At least I would have been, at least it would have been nicer. What had happened to the creatures on the island had happened to them. I have locked myself away in that same room. I like how I have to pause because I didn't leave enough space because you couldn't. Because you only had like three minutes. If anyone reads this, I have taken a picture of a creature you should definitely stay away from as I have been next to one. And I am assured to die. Goodbye. Goodbye! Oh, there it is. Although for whatever reason, I knew it was a long text, but I put it over the picture and I don't know why, but I did. So it's a little aphosaurus and you stay away from that. Anna, has it been you that's been making this noise? It's the creature! Oh, it's squeaking. What's going to happen? What's going to happen? It's okay. Don't be frightened. So it's like, it's like, you know the situation where the audience knows more than the people. Like, no, it's like a panto. Let's go away from it. Ow, it bit me. Oh, yeah. Literally like, bit is in a bit. Like, is that nice for a bit? Maybe. I don't even know. No! Go away! Says Anna. Is she going to get spout on? I can't remember. Oh yeah. I just want to make more. No, it's faster than me. As she's further away now. I wanted this chase scene.   Ooh, an expletive. You know that? I think, does she get caught here? I think she does. I just wanted a cool scene where like, runs up to it and spits her. What is this stuff? It burns! Oh, it eats it. Oh, we can't show that. We can't show that. We have to see if she's okay. No, she's right. We might not want her back after what I've read. Sven knows. Episode five. We're like halfway through the series. Are you enjoying it? Sarah, why don't we go back and save Anna? Because Sven's the only one who knows. I think, I think because she was beyond save. Oh, did Sally and Sven go in? I can't remember. Now that's strange. Oh, herb of all. Sven. Well, don't, we'll don't hit it. Well, good going. You frightened poor creature. So Sarah's like the ditzy like kind of cat. I don't even know, man. I was just, I was literally just going from set piece to set piece with this series. And you'll see how crazy it gets, trust me. You think this is weird with the pollution in the zombie? It's going to get a lot weirder. Sally. And I wanted to sort of add that into the game. Like you just put in Zoo Tycoon, two footage in? What else is he going to do? Sally, should I be a two? It's a living dead monster. Now let's get some rest.  Oh, okay. As we go forward, see things in the distance get closer. That was cool. I like the way the text put the jupe in the middle.  I can't remember. This is still the ground shakes underneath. This is the narrator. The narrator says this. It's like a Walk With Dinosaurs Resonant Evil Game footage documentary thing. Oh, just about three footage. Sorry, soundtrack again? No? As morning arrives, the herd comes closer to the vehicle. This strange yet putrid sight was eye catching. Yon says Sally or emotes. Oh my god. Oh, lightning. What is it? Says Fen. Sarah, wow, could I touch one? No, it'll bite your hand off. Good Sally or Sarah, whatever. Or you could catch something. Fine dad. What did you just say? What kind of ride's beautiful? Nothing. I was trying to go and make it stuff up while like the footage was playing. I remember just like putting all together then going, okay, let's do the text. I preferred like just having, you know, the footage, but I was like, no, we have to have text. So that was me just like, well, I've got time. What did you say? So they're still having an argument. What acrocanthosaurus are, are like chasing them in the distance, but they don't realize it. Oh, it's like we, the audience, no more. I think we need to get, we need to go now. Not until I know what she said says, so they're still having this argument. What is huge carnivores around? And there was no mods. I never put mods on this. Sven, watch it. I always thought if I put mods in, if they made J-Pog 2, it won't be compatible. So that's why I didn't do it. Sorry for what? Okay. This is just suicide says Fen.  I remember making so many addresses and stuff for this scene. We're going to die. Sally, you're the hero. What are you talking about? We're not going to die. Do you know who's directing this? T091 at the time. Soon to be the Deadland. Soon to be Beaver Media. Soon to be Caving Beaver. I've had lots of aliases. So is this where the acrocanthosaurus go? Oh, well, let's chase them. Yeah, look, the car's in the distance. It's like he's going for the car. Learn how to drive. Is Lee there? They're not driving, Sally. What? Oh, right. So Sarah's saying it to the to the parrots. Like learn how to like as if they're cars. Oh, that's funny. I wanted to shot with the car running through, but there was no way of that happening because the cars would automatically stop if something broke the way. While the younger two are catching their prey, the adult has something else on the menu. I'm trying to, I just went to like move the mouse and I was like, no, it's, I can't, it's the game. I'm sure he's after a seat. Sven has to tell you what I want you to know. God. Oh, Beavers. Oh, James. You thought this was so cool at the time, but for now it settles for something else. I'm definitely going to have to change this order. This is just literally a full track from Jurassic Park 3. Sven, who was that? Oh, did you see? Oh, I, I don't know. There was like, there was a person standing there. If you barely would have had notice, just like time to see it. Watch out. Oh, spinning out of control. Oh, there's raptors. Yeah, you barely see them, but now the raptors have joined in on the hunt and they're also taking down the, the Parasaures and Cruisersaures and Edmontosaurus. Is it going to kill it? Is it going to kill it? I like completely away from the story. You have to find out. You have to know. Will it get away? I mean, if it did, I wouldn't show you, right? I think. Does it not look, there's so many different shots of it.  Oh, and it died behind a tree. The, I would like to say that was directive choice, but no. As the crew, episode six of Blinders, as the group and the vehicle make their way back to the compound. What's going to happen? Someone is making their way back to the stations by the sea. I call those stations. Why? I should have called them like labs or something. I don't know why I call them. So this is the professor. This is his backstory moment. This is that moment in the anime where it's like different from the rest, but it's all backstory for one character so you understand his motives. Before I even watched anime. Oh, like the beautiful music. Oh, what? It's supposed to be like, oh, he was, he was this great man. Oh, look at Drio. Who is zombie Drio? How's he going to react towards it? What's he going to say? Oh, he's just, he's just wistfully looking at the herbivores, the peaceful herbivores, looking at his creation. Now you could cheat it. I better stay still. They look vicious. Oh, no, he thinks they're all bad still, even though they're herbivores. Oh, yeah, remember times. So to get a character to stand still, what you had to do is place one bit of path and then crash the car next to it or explode the car or something. Then the man would, or the character would run to the path and then stand there and do nothing. If it was as long as it was one bit of path, he wouldn't run away or do anything. He saved the game, loaded the game. The path would be gone. Something about J-Pog just meant that if there was one square path and you close the game and reopened it, it would be gone. So it looked like he was standing there and he chose to stand there. Really, there's an invisible path. What? It took tricks of the trade. Oh, oh. He's like, oh, oh. There's a guy, I love that he went slower as he went past them. It was just bumping into him. So he's scared of these creatures. It looks like you want to play. Yeah, they couldn't, they couldn't hit people either. They couldn't move people, the dinosaurs. So it didn't matter how close you got, he wouldn't shift them. Maybe, just maybe, these creatures are friendly. Oh, look now, birdosaurus. Ah, that's lovely. Patchy's trying to whack him there. I like how he got, Malice definitely called there instead of the patchy. It looks like they're trying to scare him off. Look, there's loads of them now.  And Sven's running, go away, shoot. So he's running towards the albino saw telling him to leave them alone. It looks like it's working. It's like that scene in Dinosaur where they all roar at the carnival and backs off. Oh yeah, they got him. Yeah, hit him right where it hurts. Yeah, he got him. I think they do kill him because there's like a couple of frames where he turns back to normal if I remember right. Did they get him here? Oh, is he dead? Yeah, message from Dr. Sadler. Bye, my new friend. The thing is, I could have just muted the in-game audio so you never got a message from Sadler. So this is where it all went wrong. All the lives that have been lost. See, the music kicks in to be spooky. This is where I was like, well, this is where I'll tell the story. I can't let there be any witnesses to this catastrophe. Oh, that's it. Oh, oh my God. Part seven. No, sorry. Part seven. Part one. This is where I uploaded in pure quality. This is 13 years ago now. Later that night, the group assembles. Look at that. Look at the quality of that. Oh my God. What happened? I can't even remember what happened. I think if I got a different PC or something or learned how to export, I think I learned how to export properly. The footage always looked like this. Sally, now that we're all here, what do you think we should do? Sarah, has anyone got a mobile phone? Sven, I've got one. I never know. She's wearing like a turkey shirt. I never know that as a kid. I've got a gun in the car. Bob is a new car. Bob's new. If you wouldn't mind me, I think I have an answer. Look at me. It looks like a professor type. Bob knows what's going on. If you have time to listen to it. Right. There was a balloon ride over there. Just go in. Just go in it.  Well, that's mine. Bye. I was going to say go to the top of the hill in the car, says Sally. I like because there was only so long that they would sit down in the rest area before they get up and go. So without I'd have to wait for him to or another character to look the same to walk around the park and eventually go back. And I didn't have time for that.  Oh my God. Poor Sarah. Sven. Is everyone in? Yep. Let me just turn my phone on. Oh, look. There's the hairballs and the brachisols now. So as you can tell, if you know anything about Jurassic Park, we're about to get that scene. Is there any bars? Give it a minute. Here we go. Here it is. Here's the scene that every Jurassic Park film has. Hey, look down there. Sarah. They're so cute. I wouldn't say cute, says Sven. We need to go higher. Oh, look at them. Putrid festering things. But they're alive and they're beautiful. Even if they are undead. That's what we need to learn here, people. Look at them. You know, Long, it took me to set this all up. 12 year old James had to like spend a whole day getting this scene ready. And I actually made them right next to the island. I didn't like make a separate place to put them. I was like, I put them on the island. I probably saved it before I let them all out and then I just delete the hatcheries for a later scene. Like how you can see the flagpole to put a balloon to know a direction to go in. Oh, my God. Geez. I couldn't have tried to like turn the camera a little bit because I had to get the things in. Hey, is that how I think it is? Says Ollie. Oh, look, there he is. Yeah, that's the professor. Where is he going? Move the binoculars up. It's camera boring. Why would he want to go back there? I don't know, but I've got a bad feeling about it. Do you know what Sven's going to do? Look at the unhappy faces. I guess I'll have to sneak in. He knows the place, you see. He knows it. Part two, because it was too big to fit in one episode because it was like six minutes long. I remember posting something about this next episode. It's so big, it's in two parts. I hope Sven isn't there. Oh, Sven said that. That professor was supposed to say that. Oh, my God. Sven, I wish I was there. I would give him a piece of my mind. Sven, let's go back now. It's poor off. Yes. Now that I'm in, I can place them. What's he placing? Oh, this is Jurassic Park, OST. Maybe at this point, I learned how to rip music down. I think I'd learn this. Prof, that should do it. Oh, he's placed something in there, the viewing platform. Prof, where are those other people? Anyway, these are all people that don't count towards a story. Now for the rest. What's he going to do? What's he going to do? Oh, oh, there it is. Bum, let it look, Bum, right. It's the catastase from the shore. Can't this thing go any faster? Look, look, he's leaving. He's Sven's spot him. Wow. It's only a matter of time now. Is he going to walk away? There was a button you could press to not show the things come up. I think I'd better leave now. See, I had to wait for him to turn around for him to say that. I was like, it's done. I'll go away. With that stuff, there shouldn't be any survivors. Oh, and he's looking out. Yep, that's some strong stuff. Oh, God. Oh, Vitality, come on. We're going to have to make another trip. I've got to try and find out what he's at least going to see. No, he's left the group. He must have planted something somewhere. Maybe a bomb. Why would he think there's a bomb? Lee, where would he plant something? Hmm. This is all the little happy faces of people because it's a dirty park. Oh, is he going to find him? Is he going to find him? The clock's ticking. Oh, there's a dryer sword in here. I didn't know that was in there. Might as well ask if they've seen him. Like I said, oh, well, might as well have a cheeseburger. Yum. Do you think we have enough time to get back there? Yeah, I think we've got enough fuel. I'm just wondering why did they leave? Oh, they're trying to track down the professor. Oh, look at this camera zooms. My God, he's learned it. Is it in the toilet? Is it in the kiosk? Where is it? Why wasn't there kiosk? No, it's too late. No, Lee, get out of there. Run, get out of the- Continues coughing. Oh, no. What's all the green stuff? I think we're too- Oh, it's spelled right this time. No, I really died. I put in the cheat to kill all the guests. I think they're- I don't think there is anyone left. No, Lee. Do we see Lee dead? Damn that professor is like slamming down. I think maybe Lee was- I don't know. Did Lee die? I still don't think I've got rid of Sven in his group. Now you see here, right? This little thing to the right, where you get one of these random information boards. And unfortunately, when I placed that bit of path, that was all that happened. Now, I think I liked the angle. I liked the way he was looking. So I was like, ah, I saw that. Just leave it. I still don't think I've got rid of Sven in his group. Maybe there are some survivors. Wait, what's this? What's this? Oh, no.  They just die. Like, oh, they're scared. This bad. I don't know why I chose the different- Oh, sorry. Right. I, from this point on, can't remember what happens in this series. And I cannot wait for four minutes. So we're still in the YouTube infant stage. It's like 12, 13 years ago. Now this was good quality stuff now. I still hadn't paid for Frabs though. After the balloon got sucked up and dropped. I spelled balloon wrong as well. The balloon, the survives, ended up in an unknown area of the island. The survives. I missed an R, okay? Desperate to find out what had happened to the compund. They stayed close together and moved in a group. I was taking myself very seriously at this point. Unfortunate for them, something else was about to happen to them. Bob, come on. We have to go check this place. Oh, Bob came with them. No, we can't, says Fen. We have to stay together. So this is where I was like, okay, this is serious now. You stay together, I'll be back. I'd broken away from the compound. I was like, let's do something different. So now they're out in the wilderness. Great. Now what? I tell you, it was a bugger to get them all standing. I guess we just wait. Okay. Well, this sucks, says Bob. Proth. Now that they've been taken care of, I can escape from this place. You know what was interesting with the series? I don't think I ever had a plan. I was just going episode to episode, thinking what would be cool. I hope that little boat is still there. And you'll realize what the problem is with this, with doing that. I really shouldn't talk to myself. I might be going mad. I wonder what happened to my friends. I was really happy with that shot. He walked so close to the trees. Oh, balls. He bumped into them. What did you do to those people in the compound? They've, out of all this good, they've managed to put them into them. I'm telling you, it wasn't me. There are people here who said they saw you walking to various places. Explain that. Come on, Proth. What are you going to say? Yes, I did go into the compound. But what's wrong with needing the loo?  Well, I think that's all there is. Oh, this is with Sven. Or I could be wrong.  Well, I think that's all there is. Oh, this is with Sven. Or I could be wrong. He's stealing, he's stopped and stood still. Oh, I didn't run away. You don't like it takes to get shots like that. Oh, this is the one that killed the T-Rex. He's alive. So Sven comes running back. Help, help, someone. It's here. No, come on. I'm so glad I decided to record this.  It's him. He's back. Who's he talking about? Oh, he's running back to the group. Sally, I know who he's talking about. We have to move. Sally's got this telepathic link here. What's all this? Why do we have to move? Says the professor. I've, you've just bumped into me. Oh, oh, it's still sleeping. It's still sleeping. Oh, it's not sleeping anymore. It's a zombie dinosaur. So where moving? Says Sally. Oh, here we go. The hunting music from Jurassic Park. Oh, it's awake. Could mean Sven running away screaming. Why don't we just all stay still? I've seen it in the films. Oh, no. You can't see me. Oh, I got him though. Oh, it's not a T-Rex. That's why I think that was my explanation. It was like, it's not a T-Rex. He'll die. Oh, the professor got his comeuppance. He can't eat it. Oh, there you go. Look, I think that's the compound. No, leave the compound. Are we going to go back? Sven, everyone stick together. Look at them run all in the same direction. I put a path slightly out of the way so they ran towards it. I think we should be safe together. Says Bob. There's a lot of people running there. There's only five characters or something. Sally, everyone calm down. She's a natural born eater, is Sally? If you didn't know, we've got much time. You must hide somewhere, says Sven. Look at this place. It's like World War One. How old is Bob? I thought he would have made... Oh, no, there he is. There's Lee. If he did, the twister got him. We have to do something before it comes back. Oh, I remember what happens here, I think. Oh, episode nine. I'd be careful. You don't know what these bodies could have lured here.  We're getting very hard to get that shot. Just keep your eyes open. There's people that just glance over it, but that was tough. And look, this is great. I love this. He's in the toilet! That was a hard one to get. That was a really hard one to get.  So what was interesting about that shot is when you click Fraps, when you're recording with Fraps, the game does some weird stuff, or it did with my computer. So you'd have raptors attack T-Rexes when they shouldn't, and raptors use the toilets when they shouldn't. And that was one of them. I've got to get out. Oh, he's got to get to the turret. That's right, because it was a turret. Yeah, I forgot about that. Oh, look, there it is. Go on, Sven. Yeah, there he is. Don't worry, everyone. It's all under control. Look at that. He's mowing down there. This is an epic scene. Oh, but it's about to get a whole lot worse for our adventurers. It's like, oh, look, it broke down the fence. Is it looking? I would have had an over-the-shoulder shot. Like, this supposed to be so epic. This could be bad, Sven. Oh, but it's still, I've still got to give it a go. Yeah, I remember it only took like three shots to kill it. So because it was eating a dinosaur, I could like proper nail it, so people who knew what they were talking about like knew what was happening. But like, why is it still alive? Must be undead. But it's still alive, look. And that was the raptors like trying to like scare it. And when I go away, they're barking at it. It's chaos. There's, oh, it got, it got gotten again. Oh, a different one. Look how mad this is. This budget, the budget for this series is through the roof. Oh, no, says nameless person. Help me, someone.  He must have a weak spot. Oh, that's right. He's like, I can't kill him. He's too dead. Shoot the legs. Take the legs. Now maybe he'll trip them up. I see him pop out the top there. Gotcha. So yeah, he knocked him down, but he's not dead. You see in the real game, he would have died there. The car corridor has been shot, right? It's fallen down. Now I wanted it to look like it was, you know, it's injured. But the only way to get it to do its limping animation was to make it sick. And you can't do that. So you have to just keep the game open until it eventually catches something. So it's waiting ages and then eventually, there it is. And not only that, but I had to have it knocked down by something for it to then get up and then look sick. That's the effort that I had to put in to get these shots. And I think it just flies over everyone's head. It's like, what is this rubbish? And it is. It is genuinely rubbish, but there was effort put in to make the rubbish. Maybe this is our chance to get out of here. Look, he's wounded. What happened to the phone call? Oh yeah, I forgot about that. That's literally me saying it. Oh yeah, I called the... Hey look, there's a car coming. Oh, who's this? Who could be driving a car? And who did he call? Hey wait, who's driving the car? So many questions. Who is it? Matt! Hey there friends, I see you're in a spot of trouble. Don't worry, you'll be safe in this car. Look at his face. He's got, he's got that grin. And I think once I looked at his character a little bit more, I was like, wait a minute, I could do something here. I don't think you have a choice, says Matt. This was a bit unexpected. And off he goes. The eye is like, oh you got away. Fine. And the end of the crescendo. Beautiful. Where are you taking us? Matthew, don't be afraid. Sally. What does that mean to mean? Sally exclaims. What kind of music is this? I don't want you to be afraid of death. It's coming to us all. If you just put the gun away, I'm sure we'll cooperate. Oh, he's got a gun at them. He's got a gun at them. There you go. I have to translate that through text. I've got to stop here and get something, says Matthew. This is like Harry Potter and Gringoths. He's like picking up the floss of the stone. Fine. But forced. You got to tell us what you're, I don't know, I missed that last bit. What you got, where you're going? Oh, and then I had to manually take care of us. Sven. Well, well, that's what he's like. Well, I'm going to the toilet. He's lying. Don't believe him. Sally, quick. Let's get out. Sven, it's too late. He's locked the doors. Good writing. This is good writing. Ooh, little dryos outside. Having a little drink. Oh, security cameras. I like good job. This is supposed to be somebody else. Sorry, he's coming back. Oh, that's it. Oh my God. Guys, we're on like the second last episode. It's about to go crazy. It's about, I'm about to dig myself into a corner that I couldn't, I didn't know how to dig out of. Are you ready for this, Matthew? Well, we're close. I wonder what year this was. Probably still 12 years ago. Close to what, says Sven? Boy, these close clips are huge. Sally, is that all you can think about? Because there is a ditzy, you see.  Exactly. Sven knows. Sally, hey, why are we stopping? Matthew, I'm afraid this is where your journey ends. So this is it. You're just going to leave us here? It's not bad. Yep. Yep. Hey, what's that? Is that the thing that killed Peter? Oh, that's right. Because remember the very start? Matthew and Peter? Oh, not for, okay. Through it. There you go. That was from a tornado. No, stop. You won't see us. So Sven knows. He's like Alan Grant. He knows it's vision is based on movement. Don't stop now. Put your foot down. I thought he was dead, says Sally. Is he going to say something about, I wasn't planning on showing you, this says Matthew. So Matthew was planning to just drop them off in the middle of nowhere. Sally, no time for that. We've got bigger problems. Oh, this is, this was good. This was good. I had to like slowly tap because of the lag.  No, this, are you ready? I had to plan this to make sure that it would go over. Down the other side, T-Rex can't get over that. There we go. Oh, look, and here we go. The T-Rex is like, oh, fine. I'll go away then. What is this place? Looks man-made. You don't say. Matthew, this is where my journey ends on this planet. Planet? I'm off. I've given you the keys for the car, says Matthew. For what good it'll do you. Like I said, we all die. Just it comes to some of us sooner than others. Oh, oh, we thought, but the T-Rex, wait, I don't even see the lure. That's me trying to get the T-Rex to roll. I've placed a lure like right there. The T-Rex found another way into the canyon. Oh my God. Sally, I'll drive. Damn, that truck with teeth got in. I don't know why I said that. I think somebody else said that. We need to get back over that hill again. There's one, oh look, there's food in the distance. Build up some momentum. Are they going to make it? Oh, they're going to do it. Are they going to get out before the T-Rex bites them? He caught the engine. Oh, you see that?  Do you think he saw us? This is talking to Matthew in the helicopter. Yep, I'm just thinking, where do we go from here? I like it. Oh, oh, look at that. Look, I put an effect in. Sarah, let's go. He won't come back. Sally, I don't want to stay here. Matthew, I love you.  Don't even try. So that was her like, no, come on, I love you. Oh, God. Then what do we, what do you suppose we do? There's a bad situation. I suppose we should split up and try to find that building we st- down off at. That's why the visitors said that they need to get back there. Sarah, all right then, let's get started.  What? Are they still seeing Matthew up there? Oh, it just went night. Great. Now it's getting dark. I couldn't fade. I just had to like put it on the scene. You couldn't fade. It was like, boom, it's dark. Oh, well, at least it stopped raining. Oh, that's Max. Max is a new character. Oh, look, look, look at that. Let's stop raining. That's the first thing that's gone right. What's that? Up there. What is it? Like, what are you talking about? How many lives is it going to take before, before, look above you? Is, is that? I think it is. But that could be right. He's jumped the shark. So that was from Age of Mythology. There was, there was, I remember going into the editor and finding like, because they do all the cutscenes in Age of Mythology, you can make yourself. And at one point, there's like a view of the earth. So you could, you could have the earth. And I remember thinking to myself, wouldn't it be a cool twist if they looked up and then you could see the earth. And it's like, they're not on planet earth when they, oh. But that was the end of season one. And I remember thinking like that season. Oh my God. It was so good. It had seasons. And I remember thinking to myself, wait, what do I do now? How do I explain this? Oh no. Episode 11, season two, I think is the last one. Are you ready? Oh, are we having a flashback? Oh, we have an intro. Oh, maybe there's two episodes. The Deadland. I made that on like, freetext.org and you type it in and generate it. The Deadland 2. So this actually had an intro and this is the intro. That shot is actually from my Numa Numa video. The Deadland 2. As if you didn't see that already. You need to see it again. Here we, oh look, a zoom out. But it's still the same dimensions though. If we are going to find the building, we're going to have, why is the quality terrible now? We're going to find a building we are going to have to know where we came from. I'm sure we came along the river. But did we? Did we though, Sally? Or Sarah? God knows. There's too many episodes. And if not, we might find our way back to the compound. I wonder if this was like a bigger dimensions, but I forgot how to render it out properly. No, I'm not listening to you anymore. You always lead us into more trouble, says Bob.  I'm going my own way. That's certainly not how you die. Definitely not. Oh, something looked around the corner there. We don't need him. He's not the one who talked about the balloon and that amazing idea. Come on, gang. Let's follow the river. Come on, gang. Trees means safe, says Bob. Oh, you see that? That was from a different angle. And it was like a lower angle from within the trees. That was from a viewing dome. Just any way to try and get different angles. So what's your story? Why were you on the helicopter, says Max? Oh, this is like, why were they the whole time? Harry? Who's new? And do I have to tell you, Max? No. Wait. Wait. You see that? Yeah, it's up in the distance. There's something in the distance there. You see that? Never mind. I'm hungry. Oh, no. Now he's unhappy. Oh, but it's still there. It's properly this planet's air. I'm going to say it's probably this planet's air. Oh, God. I think D.V. Rex did a similar thing, and he boxed himself into a corner. It was like, oh, how do I, how do I get out of this? Bob, shoo, go away. Oh, he literally said go. Oh, that was a good shot. I love the way that looked. So this is interesting. This is like D. the Stark. That's it. And then he's supposed to whack him, and that's why he falls over, but like, how can I show that? Go away. Much better. So Bob now, for whatever reason, because we've only seen his great plan. We don't know what kind of person he is. So all the people are on the middle island, but there's Serato on the left. Sally's like, not much farther now. But is it? Oh, I can't explain it. Boredom, this is. This has been one really weird weekend. Nice that it's going. Oh, missed it, James. You didn't leave enough time for me to read it. Oh, but Serato's up. Serato's up, and he's moving around. He doesn't know where he's going. Run, run! Says Harry, because we've already lost Matthew now, so we need new characters. Why are we running? Oh! Oh! I like how Sally's changed. I think now Sally's ginger. Oh. Oh, so this was not hungry though. Oh, but wait! Bob's by himself! Oh, no!  Sven, there it is! Oh, I wonder if I managed to do that. Where have you been? Oh, wait, what? I don't, I don't, was it supposed to be? Oh yeah, I remember this bit. Oh, no! I actually did the next episode, and I never uploaded it. I got, I got like three quarters of the way done. They found an audio log. I remember recording, and I might even have part of it. I don't have the file because it was Windows Movie Maker, and it was an old computer, and that computer's long since gone, so I'm never going to have it back now. But I remember getting zombie sound effects, so they go into the visitor center, and they find like an audio log, and then they hear from inside a room, like zombies and stuff. I remember putting all the audio together, and it sounded so cool, but there was no visuals. And I was thinking, do I have it just like black screen? How do I record this? And I think that's when I stopped. I was like, yeah, I'm done. Oh my God, was that like, yeah, look at that, eight years ago. That went up to eight years ago, and I want to show you this. So this whole series is 13 and all more years old, and I re-uploaded it to my Deadland channel. I don't know why, but I just wanted like something official to be like the Deadland, and I think it had a director little tag. If you remember like underneath, like profile pictures on the old YouTube, you could categorize what kind of channel you were, and I had director. I was like, yeah, I'm a director. So that's why I made the Deadland. But on the Deadland, it's only eight years old, but really it's over 13 years old. So if you scroll to the comments, who's this? It's Swerve. Did I respond to it? No one cares. Oh my God.  Kind of ended the series, and then I started getting to like edgy tributes for like T-Rex and Triceratops, which ended up getting millions of views, and then my first ever animation that I did. I'd like to do a video of like all my animations, like to present day kind of, and just to show you like how far you can come from like terrible beginnings, and maybe inspire somebody who is doing terrible stuff now, or at least, you know, they think it's good, but to everyone else in my thing, it's terrible. But if you stick at it, you can end up like me. Let's play.  A trip down memory lane for me, and a trip down cringe lane for all of us. If you enjoyed the video, leave a like, and until next time, I'll see you later. Oh, bye-bye.