I'm a big believer in people getting college degrees and doing that, but I think it's important that we stress particularly in the high schools that a four-year brick and ivy may be one way to get advanced knowledge and skills, but it's not the only way. And I think we need to increase our emphasis on concrete vocational skills. You can have gainful employment doing things like welding or things in other skilled trades, and it doesn't require you to go $50,000 in debt to get a degree that you're never going to use.


Hi, I'm Tanya from Art Resin Customer Service, and I have a resin tip for you. So one question I get asked over and over and over and over is what to do with those red stoppers that come in your Art Resin bottles. Good question. We put the red caps in our bottles to help minimize leaks during shipping. So once you receive your bottles, go ahead and remove those red plugs and throw them away. Simple, right?  It's not always that simple. Otherwise, I wouldn't get calls and emails about it.  If they're really stubborn, you might need to use a pair of pliers to pull them out. But the good news is once it's out, you can throw it away and not be bothered with it again. There's your resin tip for today. Please feel free to reach out to me and the Art Resin team at support at ArtResin.com with any questions that come up. We're always here to help. Bye!


Welcome back. Now soon after Vodafone has launched their 4G network across the country, they've decided to bring back their iconic bug, the Chica.  So he's back to make another key announcement this time about the arrival of Vodafone Supernet 4G services. To talk to us about their strategy is Siddharth Banerjee, the national head brand communication and insights for Vodafone India. Welcome to the show Siddharth. Clearly you've pulled out your strongest card this time. Tell us why it was so important for you to do this, to bring back the bug and this after a span of five years. Vodafone's bug is one of our most loved brand icons that we have in Vodafone's proud history of communication. And consumers across India associate with the bug and really, really love the Vodafone bug. It's not only an icon for us in Vodafone but indeed it's a big and much loved advertising icon across industries, across brands. And therefore we thought that this was possibly the right time for us to evaluate bringing back the bug. Okay and how is your marketing mix looking like for this big campaign that you've launched? Which medium is going to take the lion's share of your ad spends? So given the fact that the marketing task of the bug is to announce the fact that we have Vodafone Supernet 4G, we want to do it in the most impactful manner and reach a large proportion of consumers across India. So the key media touch points therefore would be television to begin with, a large part of digital. There's a huge amount of activity on the ground in terms of point of sale and retail touch points and lots of activation that our consumers will see across the coming weeks. I remember when Chika last made an appearance about four to five years ago, the digital revolution hadn't quite taken place so now that it is here and it's here in a big way, tell us how you're using the digital route to build buzz around Chika's return. I think if you look at the way that we are using the digital media, we're doing it creatively, we're doing it interestingly, we've learned along the way from the time that last Chika was there. I'll give you an example. We recently are running a campaign on Twitter which is asking consumers, where do you think the pug and the boy will go next? Will they go to a city? Will they go to a village? Will they go overseas? Will they go to a moon? And consumers have really loved the idea and we've got lots and lots of consumer engagement going. It's just a small example of what are all the creative options that open up for us when we bring back Chika, the pug and the boy. Of course, competition is rife in the 4G space. So take a moment to walk us through your Supernet 4G and how it features really stand out against the competition. So Vodafone Supernet 4G is essentially our way of announcing the fact that we have a superior network because we have invested a lot in terms of our network capabilities, whether it's cell phone towers or whether it's sites. And so therefore we have a significantly enhanced network. We wanted to announce this to our consumers using the name of Vodafone Supernet 4G which implies the fact that it is a network which would give you a bouquet of benefits which really, really make a positive impact in consumers' lives. Alright, so will it automatically be extended to all users of Vodafone? It isn't something you need to subscribe to separately? Absolutely. So we are talking about the network and therefore for people who are on let's say 3G, they will experience the benefit of a significantly better network. So that's to begin with. For 4G, as you know, in order to get on to 4G, you need to physically change your SIM. And it's actually a very, very simple and a painless process. So that's happening as we speak. And therefore to get on to 4G, changing your SIM and experiencing the absolute delight that you get with a superior network. Right, so what's the largest strategy here in the rollout of your 4G services? Will it be launched in phases across the country or are you going to stick to the metros initially? Vodafone, we believe that while we live in India, there are many Indians with consumers having different needs. And so therefore we do believe that 2G, 3G and 4G can coexist in the near future. And therefore we are putting in investments, of course in 4G, but we are also putting in investments in 3G. And that's the way that we want to take our enhanced network story forward. About 3 months ago, Siddhartha, Vodafone has also brought back the Zuzu's. So it would seem you're playing on nostalgia really. Would that be a correct assessment? I think it is about really utilizing our much loved brand assets. It would be a shame if we don't figure out what our consumers are telling us. And I think that's the essence of good marketing. It's not so much about the past or the present or the future. It's really about understanding what consumers like, what consumers love and how best can we offer them products and services using communication that both delights and surprises them. So if you look at all the stuff that we have done with Zuzus and Zoomies for our MyVodafone app campaign that has delighted our consumers and driven downloads for us. If you look at what we have done with Chika the pug and the boy, that surprised consumers in a very, very pleasant and delicious manner. And that's really the marketing task at hand, that how do we really communicate our messaging but do it in the Vodafone way which is fun, simple and delightful. But Siddharth, it would make one wonder if all this bringing back of the best of Vodafone mascots is perhaps to take on the mass appeal of the Airtel girl. I'm sure you've encountered this question because Sasha Chetri, there has been a lot of chatter around her and your campaign has been launched around the same time as Airtel. So tell us how that has played out in your choice of mascot and the rollout of your 4G services. I think Vodafone, Zuzus and the Vodafone pug have their own unique place in consumers' hearts. I don't want to compare it with anybody else but suffice to say that I'm very, very proud of the work that has been done for these icons of Vodafone, both the Zuzus as well as the pug and therefore we will continue to use them strategically as and when the marketing task really needs us to.


The Bee Gees were a pop music group formed in 1958. Their line-up consisted of Brothers Berry, Robin and Maurice Gibb. The trio were successful for most of their decades of recording music, but they had two distinct periods of exceptional success, as a popular music act in the late 1960s and early 1970s, and as prominent performers of the disco music era in the mid to late 1970s. The group sang recognizable three-part tight harmonies, Robin's clear vibrato lead vocals were a hallmark of their earlier hits, while Berry's Rand B. Falsetto became their signature sound during the mid to late 1970s and 1980s. The Bee Gees wrote all of their own hits, as well as writing and producing several major hits for other artists. Born on the Isle of Man to English parents, the Gibb brothers lived in Charlton, Manchester, England, until the late 1950s where they formed the Rattlesnakes. The family then moved to Redcliffe, in Queensland, Australia and then to Crib Island. After achieving their first chart success in Australia as the Bee Gees with Spicks and Specs, their 12th single, they returned to the UK in January 1967 where producer Robert Stigwood began promoting them to a worldwide audience. The Bee Gees have sold more than 220 million records worldwide, making them one of the world's best-selling music artists of all time. They were inducted into the Rock and Roll Hall of Fame in 1997, the presenter of the award to Britain's first family of harmony was Brian Wilson, historical leader of the Beach Boys, a family act also featuring three harmonising brothers. The Bee Gees Hall of Fame citation says only Elvis Presley, The Beatles, Michael Jackson, Garth Brooks and Paul McCartney have outsold the Bee Gees. Following Morris's sudden death in January 2003 at the age of 53, Barry and Robin retired the group's name after 45 years of activity. In 2009 Robin announced that he and Barry had agreed that the Bee Gees would reform and perform again. Robin died in May 2012 at the age of 62, after a prolonged struggle with cancer and other health problems, leaving Barry as the only surviving member of the group's final, and best known, line-up. HISTORY 1955-1966, Music Origins, Bee Gees Formation and Popularity in Australia In 1955, Barry Gibb along with his brothers Robin and Morris Gibb moved back to their father Hugh Gibb's hometown of Chorleton, Cumharti, Manchester, England and formed a skiffle-slash-rock and roll group The Rattlesnakes, which consisted of Barry on guitar and vocals, Robin and Morris on vocals, with friends Paul Frost on drums and Kenny Horrocks on T-Chest bass. In December 1957 the boys began to sing in harmony. The story is told that they were going to lip-sync to a record in the local Gaumont cinema, as other children had done on previous weeks, and as they were running to the theatre, the fragile Chalak 78 rpm record broke. The brothers had to sing live and received such a positive response from the audience that they decided to pursue a singing career. In May 1958 the rattlesnakes were disbanded when Frost and Horrocks left to form Wee Johnny Hayes and the Blue Cats. In August 1958 the Gibb family, including older sister Leslie and infant brother Andy, emigrated to Redcliffe, just northeast of Brisbane in Queensland, Australia. The young brothers began performing to raise pocket money. They were introduced to leading Brisbane radio DJ Bill Gates by Speedway promoter and driver Bill Good, who had hired the brothers to entertain the crowd at the Redcliffe Speedway in 1960. The crowd at the Speedway would throw money onto the track for the boys who generally performed during the interval of meetings, usually on the back of a truck that drove around the track, and in a deal with Good, any money that they collected from the crowd they were allowed to keep. Gates renamed them the Bee Gees, later changed to Bee Gees, after his, Goods, and Barry Gibb's initials thus the name was not specifically a reference to Brothers Gibb, despite popular belief. The family relocated to Crib Island which was later demolished for Brisbane Airport. While there, the brothers went to Northgate State School. By 1960 the Bee Gees were featured on television shows, including their performance of Time Is Passing By. In the next few years they began working regularly at resorts on the Queensland coast. For his songwriter, Barry sparked the interest of Australian star C.O.L. Joy, who helped them get a record deal in 1963 with festival records subsidiary Leedon Records under the name Bee Gees. The three released two or three singles a year, while Barry supplied additional songs to other Australian artists. In 1962, the Bee Gees were chosen as the supporting act for Chubby Checkers concert at Sydney Stadium. From 1963 to 1966 the Gibb family lived at 171 Bunarong Road Marabra, Indiana, Sydney. Robin Gibb recorded the song Sydney, about the brothers' experience living in Sydney, just prior to his death. It was released on his posthumous album 50 St Catherine's Drive. The house was demolished in 2016. A minor hit in 1965, Wine and Women, led to the group's first LP, The Bee Gees Sing and Play 14 Barry Gibb Songs. By 1966 festival was, however, on the verge of dropping them from the Leedon roster because of their perceived lack of commercial success. It was at this time that they met American-born songwriter, producer and entrepreneur, Nat Kipner, who had just been appointed on Dar manager of a new independent label, Spin Records. Kipner briefly took over as the group's manager and successfully negotiated their transfer to Spin in exchange for festival being granted the Australian distribution rights to the group's recordings. Through Kipner the Bee Gees met engineer producer, Aussie Byrne. He produced, or C.O. produced with Kipner, many of the earlier Spin recordings, most of which were cut at his own small self-built St. Clair studio in the Sydney suburb of Hustville. Byrne gave the Gibb brothers virtually unlimited access to St Clair studio over a period of several months in mid-1966. The group later acknowledged that this enabled them to greatly improve their skills as recording artists. During this productive time they recorded a large batch of original material including the song that would become their first major hit, Spicks & Specks, on which Byrne played the trumpet coda, as well as cover versions of current hits by overseas acts such as the Beatles. They regularly collaborated with other local musicians, including members of beat band Steve & the Board, led by Steve Kipner, Nat's teenage son. Frustrated by their lack of success, the Gibbs decided to return to England in late 1966. Aussie Byrne travelled with them and Colin Peterson, who eventually became the group's drummer, followed soon after. While at sea in January 1967, they learned that Spicks & Specks had been awarded Best Single of the Year by Gossett, Australia's most popular and influential music newspaper. 1967-1969, International Fame and Touring Years BG's won ST Horizontal and Idea. Before their departure from Australia to England, Hugh Gibb sent demos to Brian Epstein, a promoter who managed the Beatles and directed NEMS, a British music store. Epstein passed the demo tapes to Robert Stigwood, who had recently joined NEMS. After an audition with Stigwood in February 1967, the BG signed a five-year contract where bipolar records would release their records in the UK and Atco records would do so in the US. Work quickly began on the group's first international album and Stigwood launched a promotional campaign to coincide with its release. Stigwood proclaimed that the BG's were the most significant new talent of 1967, thus initiating the comparison of the BG's to the Beatles. Before recording the first album they added Colin Peterson and Vince Mellowani to the group. New York Mining Disaster 1941, their second British single, their first issued UK 45 RPM was Spicks & Specks, was issued to radio stations with a blank white label listing only the song title. Some DJs immediately assumed this was a new single by the Beatles and started playing the song in heavy rotation. This helped the song climb into the top 20 in both the UK and US. No such chicanery was needed to boost the BG's second single, To Love Somebody, into the US top 20. Originally written for Otis Redding, To Love Somebody, a soulful ballad sung by Barry, has since become a pop standard covered by many artists including the Flying Burrito Brothers, Rod Stewart, Bonnie Tyler, Janice Joplin, The Animals, Gary Puckett and The Union Gap, Nina Simone, Jimmy Somerville, Billy Corgan and Michael Bolton. Another single, Holiday, was released in the US, peaking at number 16. The parent album, BG's 1ST their first internationally, peaked at number 7 in the US and number 8 in the UK. Bill Shepherd was credited as the arranger. After recording that album, the group recorded their first BBC session at the Playhouse Theatre, Northumberland Avenue, in London, with Bill Beb as the producer, and they performed three songs. That session is included on BBC Sessions, 1967-1973-2008. Following the release of BG's 1ST the group was first introduced in New York as the English Surprise. At that time, the band made their first British TV appearance on top of the pops. Maurice recalled. In late 1967, they began recording for the second album. On December 21, 1967, for a live broadcast from Liverpool Anglican Cathedral, they performed their own song, Thank You for Christmas, which was recorded in the horizontal sessions but was not released until 2008, and also Silent Night and Hark. The Herald Angels Sing. The folk group The Settlers also performed on the same programme and were conducted by the very Reverend Edward H. Pady, Dean of the Cathedral. Ten days later, the band finished the year off with their Christmas Eve special, How on Earth. January 1968 began with a promotional trip to the US. The Los Angeles Police Department was on alert in anticipation of a Beatles-type reception and special security arrangements were being put in place.In February, Horizontal repeated the success of their first album, featuring their first UK No.1 single Massachusetts, a No.11 US hit, and the No.7 UK single World. The sound of the album Horizontal had a more rock sound than their previous release, though ballads like and The Sun Will Shine and Really and Sincerely were also prominent. The Horizontal album reached No.12 in the US and No.16 in the UK. Promoting the record, the group made their first appearance on US television on The Smothers Brothers show on CBS. Tommy Smothers had first encountered the band on a trip to London, and became their friend as well as a fan. That evening, Smothers wore a shirt which Maurice had bought for him at the Beatles' Apple Boutique. With the release of Horizontal, they also embarked on a Scandinavian tour with concerts in Copenhagen. Around the same time, the Bee Gees turned down an offer to write and perform the soundtrack for the film Wonderwall according to director Joe Massott. On February 27, 1968, the band, backed by the 17-piece Massachusetts String Orchestra, began their first tour of Germany with two concerts at Hamburg Musikhalle. The band was supported by Prochol Herum, who had a well-known hit A Wider Shade of Pale, on their German tour in March 1968. As Robbins partner Molly Hullies recalls, Germans were wilder than the fans in England at the heights of Beatlemania. The tour schedule took them to 11 venues in as many days with 18 concerts played, finishing with a brace of shows at the Stathalle, Braunschweig. After that, the group was off to Switzerland. As Maurice described it. On March 17, the band performed on the Ed Sullivan show Performing Words. The other artists who performed on that night's show were Lucille Ball, George Hamilton and Fran Jeffries. On March 27, 1968, the band performed at the Royal Albert Hall in London. Two more singles followed in early 1968, the Ballad Words, No. 8 UK, No. 15 US, and the double A-sided single Jumbo B-slash W. The singer sang his song. Jumbo was the BG's least successful single to date only reaching No. 25 in the UK and No. 57 in the US. The BG's felt that the singer sang his song was the stronger of the two sides, an opinion shared by listeners in the Netherlands who made it a No. 3 hit. Further BG's chart singles followed, I've gotta get a message to you, their second UK No. 1, No. 8 US, and I started a joke, No. 6 US, both culled from the band's third album idea. Idea reached No. 4 in the UK and was another top 20 album in the US, No. 17. Following the tour and TV special to promote the album, Vince Mello-Uni left the group, feeling that he wanted to play more of a blues style music than the Gibbs were writing. Mello-Uni did achieve one feat while with the BG's his composition such as Shame, From Idea, is the only song on any BG's album not written by a Gibbs brother. The group also filmed a BBC television special with Frankie Howard called Frankie Howard Meets the BG's, written by Ray Galton and Alan Simpson. This gave the group the opportunity to show their own comedy skills and sketches with Howard. The band were due to begin a seven-week tour of the US on August 2, 1968, but on July 27, Robin collapsed and fell unconscious. He was admitted to a London nursing home suffering from nervous exhaustion and the American tour was postponed. The band started to record their sixth album and this resulted in spending a week recording at Atlantic Studios in New York. Robin, not feeling well, missed the New York sessions, but the rest of the band put away instrumental tracks and demos. Odessa, Cucumber Castle and Break Up By 1969, the cracks started to show within the group as Robin began to feel that Stig Wood had been favouring Barry as the frontman. The BG's performances in early 1969 on the top of the pops and the Tom Jones show performing I started a joke and first of May as a medley was one of the last live performances of the group with Robin. Their next album, which was to have been a concept album called Masterpiece, evolved into the double album Odessa. Most rock critics felt this was the best BG's album of the 1960s with its progressive rock feel on the title track, the country-flavoured Marley Pitt Drive and Give Your Best, and ballads such as Melody Fair and First of May, the last of which became the only single from the album and was a minor hit. Feeling that the flipside, lamplight, should have been the A side, Robin quit the group in mid-1969 and launched a solo career. The first of many BG's compilations, Best of BG's, was released featuring the non-LP single words plus the Australian hits Bix and Spex. The single Tomorrow Tomorrow was also released and was a moderate hit in the UK reaching number 23, but only number 54 in the US. The compilation reached the top 10 in both the UK and the US. While Robin pursued his solo career, Barry, Maurice and Peterson continued on as the BG's recording their next album, Cucumber Castle. The band made their debut performance without Robin at talk of the town. They had recruited their sister, Leslie, into the group at this time. There was also a TV special filmed to accompany the album which aired on the BBC in 1971. Peterson played drums on the tracks recorded for the album, but was fired from the group after filming began, he went on to form the Humpy Bong with Jonathan Kelly. His parts were edited out of the final cut of the film, and pentangle drummer Terry Cox was recruited to complete the recording of songs for the album. After the album was released in early 1970, it seemed that the BG's were finished. The lead-off single, Don't Forget to Remember was a big hit in the UK reaching number 2, but a disappointment in the US, only reaching number 73. The next two singles, I Oh I Oh, and If I Only Had My Mind on Something Else Barely Scraped the Charts. On December 1, 1969, Barry and Maurice parted ways professionally. Maurice started to record his first solo album The Loner which was not released. Meanwhile, he released the single Railroad, and starred in the West End musical Sing a Rude Song. In February 1970 Barry recorded a solo album which never saw official release either, though I'll Kiss Your Memory was released as a single backed by this time without much interest. Meanwhile, Robin saw success in Europe with his number 2 hit Saved by the Bell and the album Robins Reign. 1970-1974, Reformation. In the summer of 1970, according to Barry Robin rang me in Spain where I was on holiday saying let's do it again. By August 21, 1970, after they had got back together again, Barry announced that the BG's are there and they will never, ever part again. Maurice said we just discussed it and reformed. We want to apologize publicly to Robin for the things that have been said. Earlier in June 1970, Robin and Maurice recorded a dozen songs before Barry joined and included two songs that were on their reunion album. Around the same time, Barry and Robin were about to publish the book on the other hand.They also recruited Jeff Bridgeford as the group's official drummer, Bridgeford previously worked with the groove Tin Tin and played drums on Morris's unreleased first solo album. Two years on was released in October in the US and November in the UK in 1970. The lead single Lonely Days reached at number three on the United States, promoted by appearances on The Johnny Cash Show, Johnny Carson's Tonight Show, The Andy Williams Show, The Dick Cavett Show and The Ed Sullivan Show. Their ninth album, Trafalgar, was released in late 1971. The single How Can You Mend a Broken Heart was the first to hit number one on the US charts, while Israel reached number 22 in the Netherlands. How Can You Mend a Broken Heart also brought the BG's their first Grammy Award nomination for best pop performance by a duo or group with vocals. Later that year, the group's songs were included in the soundtrack for the film Melody. In 1972, they hit number 16 in the US with the non-album single My World Backed by Morris's Composition on Time. Another 1972 single, run to me from the LP to whom it may concern returned them to the UK Top 10 for the first time in three years. On November 24, 1972, the band headlined the Woodstock of the West Festival at the Los Angeles Coliseum, which was an answer to Woodstock in New York, eastern United States, which also featured Sly and the Family Stone, Stevie Wonder and the Eagles. Also in 1972, the group sang Hey Jude with Wilson Pickett. By 1973, however, the BG's were in a rut. The album, Life in a Tin Kin, released on Robert Stygwood's newly formed RSO Records and its lead-off single, Saw a New Morning, sold poorly with the single peaking at number 94. This was followed by an unreleased album, known as A Kick in the Head is Worth Eight in the Pants. A second compilation album, Best of BG's, Vol. 2 was released in 1973 though it did not repeat the success of Vol. 1. On April 6, 1973 episode of The Midnight Special they performed Money, That's What I Want, with Jerry Lee Lewis. Also in 1973, they were invited by Chuck Berry to perform with him on stage at The Midnight Special performing Johnny B. Good as well as Rylan and Rockin. After a tour of United States in early 1974, the group ended up playing small clubs. As Berry joked, �We ended up in, have you ever heard of Batley's The Variety Club in, Leeds, England?� On the advice of Ahmed Erdogan, head of their U.S. label Atlantic Records, Stygwood arranged for the group to record with famed soul music producer Araf Marden. The resulting LP, M. R. Natural, included fewer ballads and foreshadowed the randbee direction of the rest of their career. But when it too failed to attract much interest, Marden encouraged them to work within the soul music style. The brothers attempted to assemble a live stage band that could replicate their studio sound. Lead guitarist Alan Kendall had come on board in 1971, but did not have much to do until M. R. Natural. For that album, they added drummer Dennis Bryan, and they later added X-Strobs keyboard player Blue Weaver, completing the BG�s band that lasted through the late 70s. Maurice, who had previously performed on piano, guitar, harpsichord, electric piano, organ, mellotron and bass guitar, as well as mandolin and moog synthesizer, now confined himself to bass on stage. 1975-1979, Turning to Disco Main Course and Children of the World At Eric Clapton�s suggestion, the brothers relocated to Miami, Florida, early in 1975 to record. After starting off with ballads, they eventually heeded the urging of Marden and Stig Wood and crafted more dance-oriented disco songs, including their second U.S. number one, Jive Tolkien, along with U.S. number seven Nights on Broadway. The band liked the resulting new sound. This time the public agreed by sending the LP main course up the charts. This album included the first BG�s songs where Barry used falsetto, something that would later become a trademark of the band. This was also the first BG�s album to have two U.S. top ten singles since 1968�s idea. Main course also became their first charting rand B album. On the BG�s appearance on the Midnight Special in 1975 to promote main course, they sang to love somebody with Helen Reddy. Around the same time, the BG�s recorded three Beatles covers �Golden Slumbers Slash Carry That Wait�, she came in through the bathroom window with Barry providing lead vocals and Sun King with Maurice providing lead vocals, for the unsuccessful musical slash documentary All This and World War II. The next album, Children of the World released in September 1976 was drenched in Barry�s newfound falsetto and Weaver�s synthesizer disco licks. Martin was unavailable to produce, so the BG�s enlisted Albie Galutton and Carl Richardson, who had worked with Martin during the main course sessions. This production team would carry the BG�s through the rest of the 1970s. The first single from the album was �You Should Be Dancing,� which features percussion work by musician Stephen Stills. The song pushed the BG�s to a level of stardom they had not previously achieved in the U.S., though their new rand B slash disco sound was not as popular with some diehard fans. The pop ballad �Love So Right� reached number three in the U.S., and Boogie Child reached U.S. number 12 in January 1977. The album peaked at number eight in the U.S. A compilation �BG�s Gold� was released in November, containing the group�s hits from 1967 to 1972. Saturday Night Fever and Spirits Having Flown. Following a successful live album, here at last. BG�s Live, the BG�s agreed with Stig Wood to participate in the creation of the �Saturday Night Fever� soundtrack. It would be the turning point of their career. The cultural impact of both the film and the soundtrack was seismic throughout the world, prolonging the disco scene�s mainstream appeal. The band�s involvement in the film did not begin until post-production. As John Travolta asserted, the BG�s weren�t even involved in the movie �In the Beginning� and �NBSP.� I was dancing to Stevie Wonder and boss Skaggs. Producer Robert Stig Wood commissioned the BG�s to create the songs for the film. The brothers wrote the songs virtually in a single weekend at Chateau-D'Heroville Studio in France.Berry Gibb remembered the reaction when Stig Wood and music supervisor Bill Oaks arrived and listened to the demos. Quote �They flipped out and said these will be great. We still had no concept of the movie, except some kind of rough script that they�d brought with them in �NBSP.� You�ve got to remember, we were fairly dead in the water at that point, 1975, somewhere in that zone the BG�s sound was basically tired. We needed something new. We hadn�t had a hit record in about three years. So we felt, oh geez, that�s it. That�s our life span, like most groups in the late 60s. So, we had to find something. We didn�t know what was going to happen. Bill Oaks, who supervised the soundtrack, asserts that Saturday Night Fever did not begin the disco craze, rather, it prolonged it, disco had run its course. These days, Fever is credited with kicking off the whole disco thing it really didn�t. Truth is, it breathed new life into a genre that was actually dying. Three BG�s singles � How Deep Is Your Love, U.S. Number One, U.K. Number Three, Stay In Alive, U.S. Number One, U.K. Number Four, and Night Fever, U.S. Number One, U.K. Number One, charted high in many countries around the world, launching the most popular period of the disco era. They also penned the song � If I Can�t Have You � which became a U.S. Number One hit for Yvonne Elliman, while the BG�s own version was the B-side of Stay In Alive. Such was the popularity of Saturday Night Fever that two different versions of the song � more than a woman � received airplay, one by the BG�s, which was relegated to album track, and another by Tavares, which was the hit. The Gibb sound was inescapable. During a nine-month period beginning in the Christmas season of 1977, seven songs written by the brothers held the number one position on the U.S. charts for 27 of 37 consecutive weeks, three of their own releases, two for brother Andy Gibb, the Yvonne Elliman single, and Grease, performed by Frankie Valley. Fueled by the movie�s success, the soundtrack broke multiple industry records, becoming the highest-selling album in recording history to that point. With more than 40 and nbsp, million copies sold, Saturday Night Fever is among music�s top five best-selling soundtrack albums. As of 2010, it is calculated as the fourth-highest-selling album worldwide. In March 1978, the BG�s held the top two positions on the U.S. charts with Night Fever and �Stay In Alive�, the first time this had happened since the Beatles. On the U.S. Billboard Hot 100 chart for March 25, 1978, five songs written by the Gibbs were in the U.S. top ten at the same time, �Night Fever, Stay In Alive, If I Can�t Have You, Emotion and Love is Thicker Than Water.� Such chart dominance had not been seen since April 1964, when the Beatles had all five of the top five American singles. Barry Gibb became the only songwriter to have four consecutive number one hits in the U.S., breaking the John Lennon and Paul McCartney 1964 record. These songs were �Stay In Alive, Love Is Thicker Than Water, Night Fever, If I Can�t Have You.� The BG�s won five Grammy Awards for �Saturday Night Fever� over two years, �Album of the Year, Producer of the Year�, with Al B. Goludin and Carl Richardson, two awards for best pop performance by a duo or group with vocals, one in 1978 for �How Deep Is Your Love� and one in 1979 for �Stay In Alive, and Best Vocal Arrangement for Two or More Voices for �Stay In Alive.� During this era, Barry and Robin also wrote Emotion for an old friend, Australian vocalist Samantha Sang, who made it a top ten hit, with the BG�s singing backing vocals. Barry also wrote the title song to the movie version of the Broadway musical Grease for Frankie Valley to perform, which went to number one. The BG�s younger brother Andy now followed his older siblings into a music career, and enjoyed considerable success. Produced by Barry, Andy Gibbs� first three singles all topped the U.S. charts. The BG�s also CO-starred with Peter Frampton in Robert Stigwood�s film�s GT Peppers Lonely Hearts Club Band, 1978, loosely inspired by the classic 1967 album by the Beatles. The movie had been heavily promoted prior to release, and was expected to enjoy great commercial success. However, it was savaged by the movie critics as a disjointed mess, and ignored by the public. Though some of its tracks charted, the soundtrack too was a high-profile flop. The single �Oh, Darling�, credited to Robin Gibb, reached number 15 in the U.S. The BG�s follow-up to�s Saturday Night Fever� was the �Spirits Having Flown� album. It yielded three more hits, Too Much Heaven, U.S. Number One, U.K. Number Three, Tragedy, U.S. Number One, U.K. Number One, and Love U Inside Out, U.S. Number One, . This gave the acts six consecutive Number One singles in the U.S. within a year and a half, equalling the Beatles, and surpassed only by Whitney Houston. In January 1979, the BG�s performed Too Much Heaven as their contribution to the Music for UNICEF concert at the United Nations General Assembly in January 1979, a benefit organized by the BG�s, Robert Stig Wood, and David Frost for UNICEF that was broadcast worldwide. The brothers donated the royalties from the song to the charity. Up to 2007, this song has earned over �$11� and �NBSP�, million for UNICEF. During the summer of 1979, the BG�s embarked on their largest concert tour covering the U.S. and Canada. The Spirits Having Flown Tour capitalized on BG�s fever that was sweeping the nation, with sold-out concerts in 38 cities. The BG�s produced a video for the title track of Too Much Heaven, directed by Miami-based filmmaker Martin Pitts and produced by Charles Allen. With this video, Pitts and Allen began a long association with the brothers. The BG�s even had a country hit in 1979 with �Rest Your Love On Me�, the flip side of their pop hit Too Much Heaven, which made top 40 on the country charts. It was also a 1981 hit for Conway Twitty topping the country charts. The BG�s overwhelming success rose and fell with the disco bubble. By the end of 1979, disco was rapidly declining in popularity, and the backlash against disco put the BG�s American career in a tailspin. Radio stations around the U.S. began promoting BG-free weekends. Following their remarkable run from 1975 to 1979, the act would have only one more top 10 single in the U.S., and that would not come until 1989. Barry Gibb considered the success of the �Saturday Night Fever� soundtrack both a blessing and a curse. Quote �Fever was number one every week� on NBSP. It wasn�t just like a hit album. It was number one every single week for 25 weeks. It was just an amazing, crazy, extraordinary time. I remember not being able to answer the phone, and I remember people climbing over my walls. I was quite grateful when it stopped. It was too unreal. In the long run, your life is better if it�s not like that on a constant basis. Nice though it was. 1980-1986, Outside Projects, Banned Turmoil, Solo Efforts, and Decline Robin Cio produced Jimmy Ruffin�s Sunrise released in May 1980 but the songs were started in 1979, the album contains songs which were written by the Gibb brothers. In March 1980, Barry Gibb worked with Barbara Streisand on her album Guilty. He Cio produced and wrote or Cio wrote all nine of the album�s tracks, four of them written with Robin and the title track with both Robin and Maurice. Barry also appeared on the album�s cover with Streisand, and duet with her on two tracks. The album reached number one in both the US and the UK, as did the single Woman in Love, written by Barry and Robin, becoming Streisand�s most successful single and album to date. Both of the Streisand-slash-Gibb duets, Guilty and What Kind of Fool, also reached the US top ten. In October, the Bee Gees regrouped to record songs that would go on to their upcoming album but wasn�t continued and Weaver, Kendall, returned in 1987, and Brian left the group and the brothers later recruited some studio musicians. In 1981, the Bee Gees released the album Living Eyes, their last full-length album release on RSO. This album was the first CD ever played in public, when it was played to viewers of the BBC show Tomorrow�s World. With the disco backlash still running strong, the album failed to make the UK or US top 40 breaking their streak of top 40 hits, which started in 1975 with Jive Tolkien. Two singles from the album fared little better � He�s a liar, reaching number 30 in the US and Living Eyes, reaching number 45. In 1982, Dionne Warwick enjoyed a UK number two and US adult contemporary number one hit with her comeback single, Heartbreaker, taken from her album of the same name written largely by the Bee Gees and C.O. produced by Barry Gibb. The album reached number three in the UK and the top 30 in the US, where it was certified gold. A year later Dolly Parton and Kenny Rogers recorded the Bee Gees pen track Islands in the Stream, which became a US number one hit and entered the top 10 in the UK. Rogers' 1983 album, Eyes That See in the Dark, was written entirely by the Bee Gees and C.O. produced by Barry. The album was a top 10 hit in the US and was certified double platinum. The Bee Gees had greater success with the soundtrack Tis Staying Alive in 1983, the sequel Tis Saturday Night Fever. The soundtrack was certified platinum in the US, and included their top 30 hit The Woman in You. Also in 1983, the band was sued by Chicago songwriter Ronald Sell, who claimed that the brothers stole melodic material from one of his songs, let it end, and used it in How Deep Is Your Love. At first, the Bee Gees lost the case, one juror said that a factor in the jury's decision was the Gibb's failure to introduce expert testimony rebutting the plaintiff's expert testimony that it was impossible for the two songs to have been written independently. However, the verdict was overturned a few months later. In August 1983, Barry had signed a solo deal with MCA Records and he spent much of late 1983 and 1984 writing songs for this first solo effort, now Voyager. While Robin, on the other hand, released three solo albums in the 80s, How Old Are You, Secret Agent and Walls Have Eyes. And Maurice released his second single up-to-date Hold Her in Your Hand for the first time since 1970. In 1985, Diana Ross released the album Eden Alive, written by the Bee Gees, with the title track C.O. written with Michael Jackson, who also performed on the track. The album was again C.O. produced by Barry Gibb and the single chain reaction gave Ross a UK and Australian number one hit. 1987-1999, Come Back and Return to Popularity The Bee Gees released the album E.S.P. in 1987, which sold over three and NBSP, million copies. It was their first album in six years, and their first for Warner Brothers Records. The single You Win Again went to number one in numerous countries, including the UK, and made the Bee Gees the first group to score a UK number one hit in each of three decades, the 1960s, 1970s and 1980s. The single was a disappointment in the U.S., charting at number 75, and the Bee Gees voiced their frustration over American radio stations not playing their new European hit single, an omission which the group felt led to poor sales of their current album in the U.S. The song won the Bee Gees the 1987 British Academy's Ivor Novello Award for Best Song Musically and Lyrically, and in February 1988 the band received a Brit Award nomination for Best British Group. On March 10, 1988, younger brother Andy died, aged 30, as a result of myocarditis, an inflammation of the heart muscle due to a recent viral infection. His brothers acknowledged that Andy's past drug and alcohol use probably made his heart more susceptible to this illness. Just before Andy's death, the brothers had decided that Andy would join them, which would have made them a four-piece group. The Bee Gees' following album, 1, 1989, featured a song dedicated to Andy, wish you were here. The album also contained their first U.S. top ten hit, number seven, in a decade, one, an adult contemporary number one. After the album's release, the band embarked on its first world tour in ten years. In 1990, Polydore Records issued the box set Tales from the Brothers Gibb, a history in song, which contains all singles released, except 1981's Living Eyes, Rare B-Sides, Unreleased Tracks, Solo Material and Live Performances. Many songs received new stereo mixes by Billinglot with some songs making their CD debut. At the time of its release, Tales was one of the first box sets issued in the music business and it was considered an honour for a group to have one. In the UK, Polydore issued a single disc hits collection from Tales called The Very Best of the Bee Gees, which contained their biggest UK hits. The album became one of their best-selling albums in that country, eventually being certified triple platinum. Following their next album, High Civilisation, 1991, which contained the UK top five hit Secret Love, The Bee Gees went on a European tour. After the tour, Barry Gibb began to battle a serious back problem, which required surgery. In addition, he also suffered from arthritis, and at one point, it was so severe that it was doubtful that he would be able to play guitar for much longer. Also in the early 1990s, Maurice Gibb finally saw treatment for his alcoholism, which he had battled for many years, with the help of Alcoholics Anonymous. In 1993, the group returned to the Polydore label, and released the album Size Isn't Everything, which contained the UK top five hit for Whom the Bell Tolls. Success still eluded them in the US, however, as the first single released, paying the price of love only managed to reach number 74 on the Billboard Hot 100 while the parent album stalled at number 153. In 1997, they released the album Still Waters, which sold over 4 million copies, and reached number 2 in the UK, their highest album chart position there since 1979, and number 11 in the US. The album's first single, Alone, gave them another UK top five hit and a top 30 hit in the US. Still Waters would be the band's most successful US release of their post-RSO era. At the 1997 Brit Awards held in Earl's Court, London on February 24, the Bee Gees received the award for Outstanding Contribution to Music. On November 14, 1997, the Bee Gees performed a live concert in Las Vegas called One Night Only. The show included a performance of Our Love, Don't Throw It All Away, synchronized with a vocal by their deceased brother Andy and a cameo appearance by Celine Dion singing Immortality. The CD of the performance sold over 5 million copies. The One Night Only name grew out of the band's declaration that, due to Barry's health issues, the Las Vegas show was to be the final live performance of their career. After the immensely positive audience response to the Vegas concert, Barry decided to continue despite the pain, and the concert expanded into their last full-blown world tour of One Night Only concerts. The tour included playing to 56,000 people at London's Wembley Stadium on September 5, 1998 and concluded in the newly built Olympic Stadium in Sydney, Australia on March 27, 1999 to 72,000 people. In 1998, the group's soundtrack for Saturday Night Fever was incorporated into a stage production produced first in the West End and then on Broadway. They wrote three new songs for the adaptation. Also in 1998 the brothers recorded Ellen Vannan for Isle of Man Charities. Known as the unofficial national anthem of the Isle of Man, the brothers performed the song during their world tour to reflect their pride in the place of their birth. The Bee Gees closed the decade with what turned out to be their last full-sized concert, known as Bee Gee 2K on December 31, 1999. 2000-2008, This Is Where I Came In and Morris's Death. In 2001, the group released what turned out to be their final album of new material as a group, This Is Where I Came In. The album was another success, reaching the top 10 in the UK, being Certified Gold, and the top 20 in the US. The title track was also a UK top 20 hit single. The album gave each member of the group a chance to write in his own way, as well as composing songs together. For example, Morris's compositions and leads are The Man in the Middle and Walking on Air, while Robin contributed Deja Vu, Promise the Earth, and Embrace, and Barry contributed Loose Talk Costs Lives, Technicolor Dreams, and Voice in the Wilderness. The other songs are collaborative in writing and vocals. They performed many tracks from This Is Where I Came In, plus many of their biggest hits, on the live televised concert series Live by Request, shown on the Andi network. The last concert of the Bee Gees as a trio was at the A Love and Hope Ball in 2002. Morris, who had been the musical director of the Bee Gees during their final years as a group, died suddenly on January 12, 2003 at the age of 53 from a heart attack, while awaiting emergency surgery to repair a strangulated intestine. Initially, his surviving brothers announced that they intended to carry on the name Bee Gees in his memory. But as time passed they decided to retire the group name, leaving it to represent the three brothers together. The same week that Morris died, Robin's solo album Magnet was released. On February 23, 2003, the Bee Gees received the Grammy Legend Award, they also became the first recipients of that award in the 21st century. Barry and Robin accepted as well as Morris's son, Adam, in a tearful ceremony. Although there was talk of a memorial concert featuring both surviving brothers and invited guests, nothing materialized. Barry and Robin continued to work independently, and both released recordings with other artists, occasionally coming together to perform at special events. In late 2004, Robin embarked on a solo tour of Germany, Russia and Asia. During January 2005, Barry, Robin and several legendary rock artists recorded Grief Never Grows Old, the official Tsunami relief record for the disaster's emergency committee. Later that year, Barry reunited with Barbara Streisand for her top-selling album Guilty Pleasures, released as Guilty 2 in the UK as a sequel album to the previous Guilty. Robin continued touring in Europe. Also in 2004, Barry recorded his song I Cannot Give You My Love with Cliff Richard, which became a UK top 20 hit single. In February 2006, Barry and Robin reunited on stage for a Miami charity concert to benefit the Diabetes Research Institute. It was their first public performance together since the death of Brother Morris. Barry and Robin also played at the 30th annual Prince's Trust Concert in the UK on May 20, 2006. In October 2008, Robin performed a couple of songs in London as part of the BBC Electric Prom's Saturday Night Fever performance. This involved various other performers in the BBC Concert Orchestra and was screened on the BBC and BBC Interactive Services. 2009-2012, Return to Performing and Robin's Death In an interview with EasyMix radio host Tim Roxborough on September 1, 2009, Barry's 63rd birthday, Barry commented on future tours saying that they will be back, but in an agreement with Warner Slash Rhino they would not make an announcement at that time. On September 7, 2009, Robin disclosed to Jonathan Agnew that he had been in touch with Barry and that they had agreed that the Bee Gees would reform and perform again. Barry and Robin performed on the BBC's Strictly Come Dancing on October 31, 2009 and appeared on ABC TV's Dancing with the Stars on November 17, 2009. On March 15, 2010, Barry and Robin inducted the Swedish group ABBA into the Rock and Roll Hall of Fame. On May 26, 2010, the two made a surprise appearance on the ninth season finale of American Idol. On November 20, 2011 it was announced that Robin Gibb, at 61 years old, had been diagnosed with liver cancer, a condition he had become aware of several months earlier. He had become noticeably thinner in previous months and had to cancel several appearances due to issues with severe abdominal pain. On February 13, 2012, Robin joined British military trio The Soldiers for the Coming Home Charity Concert at the London Palladium, in support of injured servicemen. It was his first public appearance for almost five months, and his final. On April 14, 2012, it was reported that Robin had contracted pneumonia in a Chelsea hospital and was in a coma. Although he came out of his coma on April 20, 2012, his condition deteriorated rapidly, and he died on May 20, 2012. With Robin's death, Barry became the last surviving Gibb brother, and the Bee Gees dissolved as a musical group. 2013–present, looking back at a lifetime of music. In September and October 2013, Barry performed his first solo tour in honour of his brothers in a lifetime of music. In addition to the Rhino collection, the Studio Albums, 1967–1968 Warner Bros. released a box set in 2014 called The Warner Bros. Years, 1987–1991 that included the Studio Albums E.S.P.1, and high civilization as well as extended mixes and B-sides. It also included the band's entire 1989 concert in Melbourne, Australia, available only on video as all for one prior to this release. The documentary The Joy of the Bee Gees is aired on BBC4 on December 19, 2014. In 2015, one three STAR records released a box set 1974–1979 by March 23 which included the Studio Albums M.R. Natural, Main Course, Children of the World and Spirits Having Flown. A fifth disc called The Miami Years includes all the tracks from Saturday Night Fever as well as B-sides. No unreleased tracks from the era were included. After a hiatus from performing, Barry Gibb returned to solo and guest singing performances. He occasionally appears with his son, Stephen Gibb, who declined to use the Bee Gees brand mainly because of his much more different style. The Bee Gees have signed a new distribution deal with Capitol Records, bringing them back to Universal. Influences The Bee Gees were influenced by the Beatles, the Everly Brothers, the Mills Brothers, Elvis Presley, the Rolling Stones, Roy Orbison the Beach Boys and Stevie Wonder. On the 2014 documentary The Joy of the Bee Gees, Barry claimed that the Bee Gees were also influenced by the Hollies and Otis Redding. Legacy Brian May of Queen said, Of course I was, and am a huge fan of the Bee Gees creations in music. Undoubtedly at the pinnacle of songwriting considered over the last 30 years, is it? My fondest recollections are not of the SNF days, which were really a rebirth in the Bee Gees popularity, but the early ground-breaking songs and NBSP. I remember singing these songs with my pal Tim Staffel of Smile and Freddie Mercury in the real old days. May also praised the song You Win Again as one of the greatest songs of the 80s. In his 1980 Playboy magazine interview, John Lennon praises the Bee Gees, try to tell the kids in the 70s who were screaming to the Bee Gees that their music was just the Beatles redone. There is nothing wrong with the Bee Gees.  There was nothing else going on then. Michael Jackson, who was also influenced by the Bee Gees says, I cried listening to their music. I knew every note, every instrument. Paul McCartney recalls it was the a mining disaster song that Robert Stigwood played me, I said sign them, they're great. Ringo Starr said, The Bee Gees from our era were quite important, especially the harmonies. In a 2007 interview with Dwayne Hitchings, Hussio wrote Rod Stewart's 1978 disco song Do Ya Think I'm Sexy, noted that the song was. Kevin Parker of Tame Impala has said that listening to the Bee Gees after taking mushrooms inspired him to change the sound of the music he was making in his latest album Currents. Barry Gibb once said, When we first came out, Jimmy Hendrix said we were two-year-old Beatles. He was just giving an opinion at the time. People just like to have go at other artists. But we are very good friends with Jimmy now. Years later, Gibb recalled, He was a great mate of mine. He came to my 21st birthday. He was an extremely polite bloke. I never knew about the drugs then. I thought he was acting a bit weird and saying kind of remote things, but I was too naive to even consider that it might be drugs, I never caught on with Jimmy and the drugs. I saw him drunk a few times because I remember thinking he was always really quiet until he had a few drinks. English indie rock band The Cribs was also influenced by the Bee Gees. Cribs member Ryan Jarman said that it must have had quite a big influence on us pop melodies is something we always revert to. I always want to get back to pop melodies and I'm sure that's due to that Bee Gees phase we went through. Following Robin's death on May 20, 2012, Beyonce remarked, The Bee Gees were an early inspiration for me, Kelly Rowland and Michelle. We loved their songwriter and beautiful harmonies. Recording their classic song, Emotion was a special time for Destiny's child. Sadly we lost Robin Gibb this week. My heart goes out to his brother Barry and the rest of his family. Singer Jordan Sparks remarked that her favorite Bee Gees songs are too much heaven, Emotion, although performed by Samantha Sang with Barry on the background vocals using his falsetto, and stay in alive. Carrie Underwood, on discovering the Bee Gees during her childhood, my parents listened to the Bee Gees quite a bit when I was little, so I was definitely exposed to them at an early age. They just had a sound that was all their own, obviously, it was never duplicated. Other artists who were influenced by the Bee Gees are Pet Shop Boys, George Michael, Billy Joel, Paul Simon of Simon and Garfunkel, David Bowie, Brian Wilson of The Beach Boys, Debbie Harry of Blondie, Madonna, Andy Bell of BDI, Noel Gallagher and Elton John. The Bee Gees have sold in excess of 220 and NBSP, million records worldwide. Songwriter At one point in 1978, the Gibb Brothers were responsible for writing and slash or performing nine of the songs in the Billboard Hot 100. In all, the Gibbs placed 13 singles onto the Hot 100 in 1978, with 12 making the top 40. The Gibb Brothers are fellows of the British Academy of Songwriters, Composers and Authors, BASCA. At least 2,500 artists have recorded their songs. Singer-songwriter Gavin DeGraw spoke to the Bee Gees influence with their own music as well as their songwriter. Let's talk about the Bee Gees. That's an iconic group. Not just a great band, but a great group of songwriters. Even long after the Bee Gees' success on the pop charts, they were still writing songs for other people, huge hit songs. Their talent went far beyond their moment of normal pop success. It is a loss to the music industry and a loss of an iconic group. The beauty of this industry is that we do pay tribute and every artist coming up is a fan of a generation prior to it, so there's a real tradition element to it. Among the artists who have covered their songs are Michael Bolton, Boyzone, Eric Clapton, Billy Corgan, Destiny's Child, Faith No More, The Flaming Lips, John Fruscianti, Al Green, Engelbert Humperdink, Elton John, Tom Jones, Janice Joplin, Demi Lovato, Lulu, Entrance, Pet Shop Boys, Elvis Presley, Nina Simone, Percy Sledge, Robert Smith, Status Quo, Steps, and Take That. Accolades and Achievements In October 1999 the Isle of Man Post office unveiled a set of six stamps honoring their native son's music. The official launch took place at the London Palladium where the stage show of Saturday Night Fever was playing. A similar launch was held in New York shortly after to coincide with the show opening across the Atlantic. The songs depicted on the stamps are Massachusetts, Words, I've Gotta Get A Message To You, Night Fever, Stay In Alive and Immortality. In 1978, following the success of Saturday Night Fever, and the single Night Fever in particular, Rubines Cue, the governor of the U.S. state of Florida, named the Bee Gees honorary citizens of the state, since they resided in Miami at the time. In 1979, the Bee Gees got their star on the Hollywood Walk of Fame. They were inducted in 1994 on the Songwriters Hall of Fame, as well as Florida's Artists Hall of Fame in 1995, Aria Hall of Fame in 1997. Also in 1997, the Bee Gees were inducted into the Rock and Roll Hall of Fame. In 2001, they were inducted on the Vocal Group Hall of Fame. After Morris's death, the Bee Gees inducted in Dance Music Hall of Fame in 2001, London's Walk of Fame in 2006 and Musically Speaking Hall of Fame in 2008. And on May 15, 2007, the Bee Gees were named BMI Icons at the 55th Annual BMI Pop Awards. Collectively, Barry, Maurice and Robin Gibb have earned 109 BMI Pop, Country and Latin Awards. All three brothers, including Maurice, posthumously, were appointed commanders in the Order of the British Empire in December 2001 with the ceremony taking place at Buckingham Palace on May 27, 2004. On July 10, 2009, the Isle of Man's Capital bestowed the freedom of the Borough of Douglas Honour on Barry and Robin, as well as posthumously on Maurice. On November 20, 2009, the Douglas Borough Council released a limited edition commemorative DVD to mark their naming as Freeman of the Borough. On February 14, 2013, Barry Gibb unveiled a statue of the Bee Gees, as well as Unveiling Bee Gees Way, a walkway filled with photos of the Bee Gees, in honour of the Bee Gees in Redcliffe, Queensland, Australia. Band members. Barry Gibb played rhythm guitar. During the early 1970s, Robin Gibb played piano and violin occasionally, after which, he only played strings and keyboards privately. Maurice Gibb played bass guitar, acoustic guitar, lead guitar, harmonica, piano, organ, melotron, keyboard, synthesiser and drums. From 1966 to 1972 he played multiple instruments on many records. During the late 1970s he played mainly bass guitar. From about 1986 onward he usually played keyboards and guitars. Maurice was credited by the brothers as being the most technologically savvy member of the band. Song Catalog. The Gibbs gained ownership rights to their back catalogue, returning distribution rights to Warner Music Group, which had purchased Atco, where they subsequently reissued digitally remastered versions of Saturday Night Fever, their later Bee Gees greatest album, and a new boxed set, the studio albums, 1967-1968 under the reprise records slash Rhino Records labels. Additionally, more recent titles such as Still Waters and This Is Where I Came In were among the first batch of re-releases. The band's three Warner Brothers releases, ESP, One and High Civilization were also made available on iTunes for the first time since the albums went out of print in North America in the mid-90s. According to Robin Gibbs' website, three more reissues were planned for the 2008 holiday season, Best of Bee Gees, Best of Bee Gees, Vol. 2 and Love Songs. The double album Odessa was released on January 13, 2009 in a special three-disc deluxe edition complete with the original red velvet cover with remastered stereo and mono versions of the album as well as alternate versions and unreleased tracks. Since the remastered release of Odessa, Rhino has stopped reissuing original Bee Gees albums and there has not been any announcement as to when the remaining albums will be remastered. In December, 2016, Capitol Records assumed distribution rights for the entire Bee Gees catalogue. Ellen Vannon was recorded in 1997 as a 1,000-quantity limited edition single for Isle of Man Charities. The song was featured in the Bee Gees World Tour and on ITVs an evening within NBSP. But to date has not been released generally. The single was subsequently also available as part of the 1999 Bee Gees stamp issue. In conjunction with the 50th anniversary of the Bee Gees, when they started calling themselves Bee Gees in 1959, Rhino Records have released two new collections. Mythology is a four-disc collection highlighting each brother, including Andy, with tracks personally selected by Barry, Robin, Morris's wife Yvonne, with his children Adam and Samantha, and Andy's daughter Pita. Morris's disc contains two unreleased tracks called Angel of Mercy and The Bridge. Andy's disc contains the unreleased track Arrow Through the Heart. Mythology also features a scrapbook of family photos, many never before published, along with tributes from artists such as George Martin, Brian Wilson, Elton John, Graham Nash and the band's longtime manager Robert Stig Wood. The second collection, The Ultimate Bee Gees, is a more modest two-disc 40-track collection highlighting their biggest hits and includes a bonus DVD of unreleased videos, previously unreleased television appearances, live performances and promo videos. Each disc is themed, with the first disc being the more upbeat songs called A Night Out and the second disc being more ballad-focused called A Night In.