Family Theatre presents Jane Wyatt, Ward Bond, and James Whitmore. From Hollywood, the Mutual Network in Cooperation with Family Theatre presents James Whitmore and Ward Bond in The Visitor. To introduce the drama, here's your hostess, Jane Wyatt. Thank you, Tony LaFranco. Family Theatre's only purpose is to bring to everyone's attention a practice that must become an important part of our lives if we are to win peace for ourselves, peace for our families, and peace for the world. Family Theatre urges you to pray, pray together as a family. And now to our drama, The Visitor, starring James Whitmore as Lou Anders and Ward Bond as the major. For the last time, Major, are you going to let me off this field? For the last time, no. And you know why, Mr. Anders. And you won't let me file my story from here. No. You say I know why. Well, I don't know why.  For the first time in the history of the world, we are visited by someone from another planet. For the first time in the history of the world, we're given a solution for all the troubles this earth is heir to by someone who might know.  That's enough, Mr. Anders. It's not enough, Major. This isn't a military installation. It's a private airfield. And this isn't a military matter. It concerns everybody. And get this, Major Winters. I'm going to print this story while it'll still do some good, with your help or without it.  Get out of here, Anders. Don't order me around, Junior. I'm not under martial law.  If you've got a mind. William Shakespeare. Hello, Millie. What do you have? Well, I'll tell you what. Give me a cup of hot water with a squirt of chocolate syrup in it and a garb of whipped vegetable oil on top, huh? You making remarks about our hot chocolate with whipped cream again? Alleged hot chocolate and reportedly whipped creamily. Never button yourself down with an exact statement. There's too much risk. You been drinking? Yeah, fighting. Oh.  That's right. Well, he's only doing his job. But you know what doesn't seem right? No, no. What doesn't seem right?  Why don't they take him to a hospital? He shouldn't be moved, Millie. They're treating him all right here. They brought almost a whole hospital here to keep him alive. Wonder what he's got. Who knows? He's so fragile it could be anything from a hangnail on up. I can see it now. Martian visitor, dies of hangnails. Hey, do you suppose the little guy could be part of a plan? Plan? Yeah. He comes here real sick, huh? Okay. So maybe everybody else catches what he's got. You see? Yeah. And everybody dies. And then they invade. Invade? Yeah, you know. What do you call it, warfare? Bia something. Biologic. Yeah. Well, you got to point, Millie, but it's not too probable. Not too probable. So a six-story bowling ball with a little man inside makes a perfect landing in the middle of runway 21. That's probable. Before he even gets out of the thing, he turns green with what the doc says looks like a cross between diphtheria and typhoid fever. Is that probable? No, but Millie, if you talk to this guy... Talk to him. I don't want to get near him. Here's your chocolate. Oh, pardon me.  Thanks, Millie. Don't thank me. You're paying for it. Stranders? Yes. Major Winters would like to see you, sir, in his office. Hey, maybe his change is mine. With my luck, he's probably going to tell me I've been drafted. Major, you want to see me? Oh, yes. Come in, Mr. Stranders. Sit down. You can write your story now if you'd like. I can. The visitor's dead. Dead? He's been dead for almost an hour. Then you know what the last time I was in here? I've been waiting for an autopsy report. You'll see when you read it why I was obliged to keep a news blackout about this whole affair. May I see it? I just got my information by telephone. I'll see that you get the coroner's written report within the next few minutes. I see. In the meantime, you're free to use my telephone to file your story. I'll see that you're not disturbed. All right. The man on the switchboard will place your call for you. And, Anders, if I were you, I'd wait for the coroner's report before writing me up as the villain. Major, you don't mind if I write the truth? No, Mr. Anders, but write all the truth, eh? I will. Hello. Please get me Rhinelander 75111. What city? Los Angeles. Thank you. Oh, hello, Judy. Yeah, this is Lou Anders. Give me the city room, will you, and tie me in with rewrite. Thanks. Hello, Willard. Lou, I got something for you. Now, get this, Will. It'll sound like science fiction, but it's not, and I don't want it rewritten. Just copy it and print it. You ready? All right, here she comes. Dateline, Delano Airport, three miles west of Delano, California, Wednesday, April 21st, 1952. A little more than four hours ago, a spaceship landed at this field. It came from the planet Mars and was flown here by a living Martian. You hurt me. A human being of flesh and blood with the same kind of thoughts, the same kind of emotions, even the same feelings as you and I. I have spoken with this man from Mars, and so have ranking officials of this government. The following is a factual account of the events concerning the strange occurrence. Am I going too fast for you? All right, on April 21st, this reporter, while en route to Delano, California, was stopped at a military road. He was stopped on highway. No, no, no, no, no. I am not going to turn around and go back. I am working for the Los Angeles Daily Post Dispatch. I am on my way to see a man in Delano regarding a story. What kind of a story? That is none of your business, Junior, and I'm not in the Army. So now you might as well save my time, your time, and the Army's time by taking me to your commanding officer. Now, shall we go in your jeep or in my car? Okay, Mac, follow me. But, uh, remember, it was your idea. I'll keep it in mind. Just what did you hope to gain, Mr. Anders? Access to the city of Delano. Why? For my paper. I'm going to see a man who lives there and confirm a story. Would you mind telling me what kind of a story? No. A farmer called the paper and said a strange kind of aircraft had been hovering over his south pasture all morning. Strange kind of aircraft? That's right. A big silver ball. He said it was about twice as big as his barn. He didn't say what size barn. Did he say anything else about it? Yes, yes, he did. He said it glowed, for one thing, and that he'd been taking pictures of it at the Kodak all morning. He called us. I think he could get a pretty good price for his pictures. And he said that he thought somebody ought to know about it. Do you think he called any other newspapers? I don't think so. Sounded pretty good, so we asked him not to. And you wanted an exclusive, huh? Yes. Good. What was this farmer's name? Uh, I'm not at liberty to say it, Major. You know, Mr. Anders, these rumors about flying discs from other worlds can be very dangerous as well as ridiculous. Yes, I thought so, but now I'm not so sure. You've closed one of California's arterial highways, Major. Made a restricted area out of a pretty good size swatch of farmland. You must have a reason. I'll give you eight to one. It isn't war games. I will drive over to the field, and I'll show you why if you want. But you can't write about it, at least not for a while. Uh-huh. And I'll have to ask you not to leave this, the area of this occurrence until you have my permission. This is a pretty big thing, Anders. It's a beginning to look that way. Oh, about those conditions, Major. Have any other papers been admitted? No, and I assure you that none will be. Ah, let's go. Is that what your farmer told you about? Holy cow. Now, would you believe me and go back home if I told you that this was one of our super-secret weapons? No. I didn't think so. And you want to take a look? Let's go. It's been right there in the middle of the runway for the last three hours. It's not on the ground. No. It's hovering about three feet off the ground. It doesn't seem to be equipped with any landing gear at all. Well, Major, I don't want to seem stupid, but what is the thing? This fellow coming toward us should be able to tell us. He's Arnold Griffith of Mount Palomar. Dr. Griffith? Dr. Griffith? Dr. Griffith, this is Lou Anders of the Post-Dispatch. How do you do? How do you do, Dr....? Anything happened? We've found that the glow it gives off is not from heat and it's not radioactive. We don't know what kind of machinery makes the sound, but from sonar sandings we've found that the object seems to be hollow or very nearly so. That's a relief. Relief? Why? Well, there was some conjecture, Mr. Anders, that it might be a guided missile of another power containing explosives. I mean, the missile, not the power. Of course. Wait a minute, though. If it isn't that, then it must be from outer space. That is not necessarily the case, Anders. Major, Dr. Griffith, come quick. We've discovered something. Oh, come on. Listen, sir. Hit it again, Woolly. Well, what's so unusual about... Listen, there's somebody in there. There sure is. I don't like it, Major. I don't like it at all. Lieutenant Woolly, I want cover here. Have all available weapons aimed and ready. Yes, sir. Right away, Major. Wait a minute, Major. Suppose whoever's in there is friendly. Well, whoever he, she, or it is, they're not going to surprise us. I wouldn't make book on it, Major. Hey, what the...? It's coming down. Gentlemen, let's leave. Best idea I've heard lately, Professor. It was a strange sensation watching the landing. I was conscious, and I think the others were. But a big decision had been made by whoever or whatever was at the controls of that strange, fear-shaped machine. The action of landing crushed the base of it like an eggshell. Major, you've got to get that man out of there. We don't know that there is a man in it, Anders. We don't know. It could be a big mistake. Mistake? There's a man in there. You heard him. How do you know? You call that tapping evidence? It could be like opening Pandora's box. What are you, Griffith, a witch doctor? Listen, you. That could still be a guided missile, and it could be that it is from outer space. It could have almost everything. New diseases, almost anything. Still, in the name of science... In the name of science. In the name of God, you'd better do what's right about this. That thing is an aircraft, and it was apparently crash-landed by a human being. Now, you'd better try to get him out, or you'll see what public sentiment can do. And believe me, I'm just the guy that can stir it up. Anders, if you... We're all ready, Major. All right, cut it open. If there's anyone inside, get him out. Yes, sir. You men, come with me. On the double. I'm going over there. Wait a minute, Doctor. Anders, you've had a lot to say since you've arrived here. Well, I've got something to say to you. Don't you ever threaten me with public sentiment or anything else again? With God as my judge, I'm going to try to do my duty as I see it. And, Mr. Anders, I don't need any pencil-pushing newsboy to point it out for me. Lieutenant Woolley. Yes, sir? Take Mr. Anders over to the airport café and see that he stays there till I tell you otherwise. Yes, sir. Am I under arrest? You can call it that, yes. Come on, Doctor. Where are you going? I'll ask your advice just once for the record. If that thing out there that my men are working on with the acetylene torches is a bomb, where do you think I ought to be? Want some more coffee, Lieutenant? No, not right now, thanks. You want some more chocolate? Hey. What? Want me to make some more chocolate? Oh, no, thanks. How are you writing? A letter? He's a newspaper man.   That's right. My name is Mildred Wilson. Oh, W-I-L-S-O-N? Yeah.  Yeah, well, mine's Louie and Anders. Just call me Lou. How do you do? Hey, tell me, Milly.  Not at all. Tell me, Milly, why aren't you out on the field watching things? Aren't you interested? Interested. I'm scared to death of that thing. I don't want to have anything to do with it. Smart girl. Well, at least I'm alive. I'd like to keep it that way. I see. That thing could be a big booby trap, you know? And you're not the booby who's going to be trapped. Yeah. In a manner of speaking, that's right. Don't mind the lieutenant, Milly. He's just bitter. About it being a trap, though, you know that there's somebody inside the thing, human being. There wouldn't be a human being inside a bomb. Oh, no? What about the kamikazes, huh? And who says it's a human being? You read too much science fiction, Milly. All I know is they've been trying to get that thing open since before it got dark so they can let out, who knows what? And when they do... Lieutenant. Yes? Major Winters would like you and Mr. Anders to report to him immediately at the airfield. Keep that light right on the opening. I want it flooded with light. You want us, Major? Oh, yes, Mr. Anders. Looks like you're making quite a production out of this. Lieutenant Woolley, you may return to your company. I'll take care of Mr. Anders. Captain Plague. Sir? I want cover. And remember you're to fire and keep firing until this thing is completely destroyed if anything happens. Whether we're out or not. Yes, sir. What's going on? We're going inside, Mr. Anders. I thought you might like to come along. Of course you realize that you might not come out again. You heard my last order? Yes. Well, let's go. Dr. Griffith. I'm ready. Let's go in. It was a strange sensation entering the sphere. It seemed as we crossed that torn threshold that we were entering into another world. And as we found out later, that was really what we were doing. Looks like the inside of a radio. Wonderful. I mean, wonderful workmanship. Very superior. Major. What do you make of it, doctor? Strange proportions. Look at his chest. Large. He's from a much lighter atmosphere than ours. Would you come closer so that I may see you? I would come to you, but I'm afraid the gravity is much too heavy. We've been wondering the same thing about you. You know? I have been listening to your radio programs for years to be exact. Ten years. They'll never believe this back at Palomar. That is how I learned your language, listening to your radio. Some of your programs were very enjoyable. It made learning your language not so difficult as I thought it would be. According to some of the programs of about two or three o'clock in the day, the males have an easy time in life, while the females are always beset with difficulties. Is that right? The soap operas. He must have been listening to the soap operas. Oh, this is out of this world. A man from space flying around in our atmosphere listening to soap operas. I was making a joke. You'll pardon me if I'm not very funny. I'm just learning.  Tell me, just why did you come here? There was no other place to go. Life on my own planet had ceased to exist. It is the planet you call Mars. Seized to exist? It was destroyed in our last war. I am the last.  How do you know? I mean, how can you be sure? You have not seen the great scar across the face of my planet. The great canal of Mars. Oh, no. It is the scar of our last war. Some 300 years ago, by your time, caused by cosmic artillery. This ship, this little planet I've lived in for so long, was the relay station, the reflector for the burst that caused the scar. Wait. If this is true, all this equipment must contain the answer to cosmic energy. To transform the cosmic rays of the sun into tremendous energy. Is that true? It is true. I have been listening to you, to your radio programs, to your news commentators, to the speeches of those in power, all over your world. Your world is not ready for this knowledge. Not ready? Your planet, like mine, grows quickly in knowledge but oh, so slow in understanding. But so much good could be accomplished. Good, yes. But there are forces here working against good and they are very strong. I have been listening. These forces are trying to do what was done on my world. They are trying to force God out of your world. Trying to force God out? They exclude God from the conference table as we did. They would make God's of science and state as we did. They would deny him what is his do and run your world according to their own plan, which is a godless plan. And hear me where God is not. There you will find only evil. Your world is in great danger now and you must remove the danger. Bring God back to your conference tables. Back into your homes and classrooms and don't listen to those who tell you there is another way. A way without God. They will be lying to you. No man, no planet, no solar system can exit. Any pulse? He may not have any major. He seems to be made of a little different pattern than we are. It might be that the pressure here is too great for him. We'll have to get him to an iron lung or decompression chamber to find out. I'll get some help. Medic! Medic! The Martian visitor was kept in an iron lung and breathing almost pure oxygen till just one hour ago. And one hour ago at 827 PST, the last living citizen of Mars, the first Martian ambassador to Earth, died. That's about as far as I've gone, Willard. Except for the coroner's report and major winter's. Oh, wait a minute. He's here with it now. Ah, this line right here. This will tell you what you want to know. Wait a minute, chief. Where? Here. Pneumonic plague. Well, read the rest. It says it only looked like pneumonic plague. Oh, yeah, I see. Hello, Willard. Get this. The army sustained a news blackout for a time because the visitor was feared to have been carrying pneumonic plague. A highly contagious and usually fatal disease. However, the autopsy proved that death was brought on by the formation of nitrogen bubbles in his bloodstream. Yeah, you've heard about it. It's the same thing deep-sea divers get from too much pressure. They call it the bends. And it says here he also had pulmonary complication, breathing trouble. That's right. Our air was just too heavy for him. Okay, that's all. I'll call you if there's anything else. Well, that's that. May I come in? Oh, certainly, Dr. Griffith. Come in. Have a chair. Another ten minutes and it'll be all over. And the secret of cosmic energy will be lost for perhaps another thousand years. What are you talking about? I set fire to the sphere, Mr. Andrews. You what? A few thermite bombs in the right places. You see, Mr. Andrews, Major Winters has done his share. Oh, I see. You're taking the little man's advice. I'm doing my best, too. Mr. Andrews, weren't you saying something earlier this evening about being just the man to stir up public sentiment? Yeah, I guess I did. See, let's go outside and take a closer look. You don't see a thing like this every day. Well, I'd suggest you get some photographs and go, Andrews, while you're still got time. I'm expecting some top brass to land here this evening. When they find out what happened... Hey, Dr. Griffith, wouldn't you say that spontaneous combustion is a dangerous thing? Oh, yes. Oh, yes, I would. In fact, Captain Clegg and some of the other soldiers, we're talking with me about it just a few moments ago. Hello, Major. It's warm this evening, isn't it, sir? Oh, man. Yes, it is, little warm, Captain. Isn't it just terrible, sir, how careless some darn fools can be with a lit cigarette? There's he go! Nothing left. Nothing at all. Hey, Major, your office is... Sergeant, get that fire equipment out there! Captain Clegg, what are you doing? Major, I wouldn't want it up here on the record that we didn't try to put that fire out. You couldn't have that, sir. Looks like we're going to be too late, though. Too bad. Was this your idea, Dr. Griffith? Well, I just told him then what the Martian said, and, well, it seemed like it was too late. And, well, it seemed like it was everybody's idea. Thank you, Doctor. How do you feel about it, Mr. Anders? Accidents will happen, Captain. Well, looks like it has nothing left but the story, so I guess I'll pick up my pictures and go. Major Winters, I don't want to sound corny, but I'd like to shake your hand. My pleasure, Mr. Anders. I hope you're a good reporter, Mr. Anders. Yours is a pretty big job. Reporter? I'm not a reporter anymore, haven't you heard, Doctor? I turned missionary just a few minutes ago. Jane Wyatt again. Although there was a lot of fiction in tonight's play, there were some things in it that were definitely not fiction. Remember when our visitor said, there are forces working to destroy you and your world? That part, tragically, was very true. These forces are at work, and they are trying to exclude God from world activities, trying to replace him with science and state and to run the world according to their own godless plans. Now, we must wage a personal war against these forces, the Communist and the secularist, and see that they make no further inroads here in the United States. How can we do it? We can do it by keeping God in the home through family prayer, for the home is the basic and most important unit of the nation, and family prayer by bringing God into the home, by making a part of the family will strengthen the family and therefore strengthen the nation. Just as the family that prays together stays together, so too a world at prayer is a world at peace.  The theater has brought you the visitor starring James Whitmore and Ward Bond. Jane Wyatt was your hostess. Others in our cast were Eve McVeigh, Dave Young, Tom Holland, Howard McNeer, Bob Emlin, and Walter Brennan Jr. The script was written by Robert Q. O'Sullivan with music composed and conducted by Harry Zimmerman, and was directed for Family Theater by Joseph F. Mansfield. This is Tony Lofrano expressing the wish of Family Theater that the blessing of God may be upon you and your home and inviting you to join us next week when Family Theater will present Genius from Hoboken starring Gene Peters and J. Carol Nash. Join us, won't you? This is the Mutual Broadcasting System.


Mary at Espresso Press Design. Thank you for stopping by. I hope you're having a great day and getting ready for Christmas. I'm a little behind but I'll get there I'm sure. So today we're going to do abstract letter journal cards using paint and tape and magazines and I'll get to that in a second. But first, hi and thank you for your kind comments, reviews and purchases to Robin, Jennifer, Veronica, Kelly, Catherine and Linda and Beth thinking of you. I hope your daughter is found a place and I hope you are feeling less tired, although I understand the feeling. So a quick little overview here and I'll show you some Christmas cards I've been making. No new products this week but I think by the end of the week I might have it create with me.  So I tried the dryer sheet glitter technique. I thought about repurposing some very old Christmas cards I have and it didn't work. I got glitter everywhere and I actually had to seal the glitter in the dryer sheet so I was really excited about trying that but I don't know how they got the glitter to stick to the dryer sheet. I don't know how they did it but I had glitter everywhere and I can't stand that so I sealed the glitter. I'm not sure if you're going to see any glitter on there or not but that's the dryer sheet glitter technique did not work for me. I've been doing some Christmas cards and my biggest problem is my limited number of stamps and time. I am not doing a homemade Christmas card for everyone on my list this year. Last year it just drove me crazy. So I found some tags and some ribbon and I'm still on this same paper pack which I can't believe it's been three years and I'm still not through it. So they're just for the most part they're going to be simple and I'll do a few ornate ones for the ants and the older people on my list and that'll be the end of it and the rest will just be store-bought cards. So this technique I've been playing around with this washi and I can't wait to show you what I found by accident. So I made these abstract journal cards and then I made a vintagey one with an index card for people who insist on vintage. Just try to find classical letter styles, font style fonts, classical fonts and you'll probably be able to pull it off. But for these two I didn't care. I wanted color. I didn't want whole words in some instances. I just used peeled off a letter and then wait until I show you this. I by accident got the text only to pull off onto tape and it was an accident and I'll show you how to do that first. And then I use that technique. It doesn't work every single time. You have to get the paper, the right moisture, but I'm just going to show you what I did and then I made these little tiny polaroids and went around the edges with that technique. This was a soup label. As you can see there's magazine texts, more magazine texts. This one it pulled off the paper. This one it just pulled off the text. What does that say? I think it says hooves. This one pulled off the text and I just made these little retro pulled off the text. Little retro, I have this retro paper so I just made these little retro polaroids with some scrap cutoffs. So what you'll need. Today I'm going to kill two birds with one stone. I remind you of some other common items to use for journal cards. So today I pulled out all of my paint chips. Everybody has them probably. They come in all sizes, different shapes. Some have a window. Like can you imagine doing something with that for a specimen? I have another one here somewhere. So that's what we're going to be using for our base or what I'm going to be using like this. I don't know which ones they still make of these but you can color coordinate these to your journals. Put your design on the back which is what we'll be doing and then your color side you can write on as a journal card. So I'm sure everyone has them. People use them for tags already but I have an entire bag of them. Another source is a lot of times in the paint store you'll see these brochures and they're nice and thick and they also have some very nice photos that you can use for journal cards. So far we've went through old photos, typographic stripes I suppose I could use that one. Typographic stripes, unwanted photos and vintage paper, wrapping paper. I'm just choosing out a few here. Wrapping paper, book pages, graphic for neutral journal cards and today is washi tape, abstracts. So that's what you'll need. You'll need your base. You'll need some magazines. You'll need either some white acrylic paint and I'm using matte or some gesso. A plate, a stiff brush. I'm using a toothbrush because we don't want to cover up the letters. We just want it to look scratched like old paint. So that's how I achieve that. And then some tape and some glue. Glue stick. So I'm going to be thumbing through here. If I have time I'll do a vintage one but I think I'm going to just start with the basics. So let me choose. I'm probably going to choose a square one just so it's easier. And I'm just going to be thumbing through here hoping I can find some text with it's not black and white.  I want color. If I remember correctly this book didn't have a lot of color texts. Although it had a lot of interesting images like something like that dog. And this is where you can get your ads, your ad letters because we're not necessarily trying to get words. Or for the, I mean this one I had questions. But for the most part you can't read any. That has three. For the most part you really can't read any words. So that was the goal. So just bear with me. Well that would be cool but those are probably too big. Okay I guess I can find some here to get started. I guess get some paint out here. So this was all I did because I'll do the paint and I'll give it a minute to dry while I do the rest. And then I just began scratching over the letters. See that. Pour it out. Set it aside to dry. That might be too thick actually. Some of this paper is thin. Some is thick. More red. I guess I'll give it a try. 23. Then in some instances I instead of going horizontally I went vertically and just took the entire letter. Just went through my magazine until I could get enough colors and styles to cover a card. See this has a lot of cool cool text but mostly in black and white. So I might be going to another magazine just so I can get some color. Yeah I think I will like that pink. As you can tell this I've already been spraying this book big enough. And I'm not looking for tiny texts. The bold and graphic. Let's get some red. These ones I might be going vertical. Get three with that gold. That's cool. That's a variety. Get that. Stores but a lot of graphics. See if we have enough to cover this card. I think we do. So I'm going back to the first one which should be dry. I'm going to flip those over. Oh I should have got that green. I'm going to get that green. Okay and we're just going to do our technique and I'll by the way for the second technique the lifting of text only. I have a 50% alcohol 50% water ratio in here. Okay so we're just going to do what we did before. Lightly spray and do you know that I've had my tape setting sitting here for two years. Never used it. And I went through almost an entire roll of tape which to me seems unbelievable. So again we wet and then it that dried already. That's how fast it dries with the alcohol and I'm not going to get that because it dried too fast. I guess I'll be going with a different letter. If you get it too wet the adhesive dissolves on the tape and if you get it too dry it doesn't work for me and I can't explain it so it's just you're just going to have to play around with it until you learn yourself. It's a feel, a feel kind of thing and I'm also probably going to get my lettering showing through here in some places. I don't mind that because in others it'll be covered and you can go every which way on here. It doesn't have to be straight up and down. You can go vertical, horizontal. I got this. This was inspired by an abstract letter painting. I'm only going to get a part of that but I'm going to keep it anyway and that's sticking anyway because I didn't pull up enough of the paper. Okay let me move on to the next. What did I have here? I'll cheer horizontal with this. I did pick up enough paper. I'm also using a new magazine here. Maybe I'll bring back my better homes. I'm sure oh that's another thing. More of this sewer. Real simple. That magazine does not work for this technique but I'm going to do that over because I can get more of that word. I hope I can get more of that word. Now I did that. Come on. I want to pull up some of the magazine. Not just. I need these to be slightly opaque so I'm going to pull up some of the paper too. Maybe it's my paint. It's not working so well. Apparently I should have used my better homes. I'm getting more of the second technique than the first and I want the first. I want paper. I want more opaque. So this is just this is just a lesson in different magazines. Two different things. Okay let's try this one. Much better. Okay guys this isn't what I want. It's coming out abstract anyway but maybe if I um maybe if I don't spray it. Let's see what happens. It actually worked for me this time. Okay yeah. Getting more of the paper. Good thing I chose a small card. Let's go. That's what I want. That's more what I want. So I guess it's just a matter of different magazines are different where they are as far as paper. Thickness. All of that kind of stuff. So I'm just going to use the tape because I know I want it full covered. This was more the original technique that I saw that I could not get to work for me. So I hope everyone's doing well. I haven't um I've just been working. I haven't had much time this week. Haven't really seen anything that interesting. I did see one thing that was really in. I really wanted to try that dryer sheet. I've made so few cards except for no cards. Much less cards than I usually make. So I've been having to look around for inspiration. So I'm going to trim trim all these edges once I get um once I get through here. There's my pink. This is this is so much fun and I've been finding so much stuff that um there you can see. You can begin to see how I accidentally um came up with technique number two. I've been having so much fun with this. I'm wondering why I ever bought any paper in my life or why I have any a room full of materials because I certainly have enough junk I could use for um material. Okay one more little thing on top there and I think we'll fill up this card and then I'll show you the second one. Now I'm getting more of the technique I don't want than it must be because well I know why it is but I'll get to that in a moment. Let me get this today half here. Let me get some more bread hopefully. Come on I want some paper. Don't want to transparent. Well this one certainly isn't as good as my first two, three, so looks similar enough I guess. And again I went through um letter there for the corner. I went through um went through the Sizzix afterward with these with the A probably not unless I spray you. Maybe it's because I'm not burnishing enough close enough and if you don't pick up a lot of paper there's enough tape on there to keep it sticking. So let me just where are we 36 already are you keeping me? I didn't know we had one sticking on the back. Oh well okay so that's basically what I did it still looks cool and I still see a little of that renaissance coming through from the back of the paint card but that doesn't bother me that just adds. So there's those ones abstracts close enough good enough and the abstracts around the vintage lady so let me try now this one probably won't work okay let me get my good housekeeping back I did this I did this in the country living the better homes the good housekeeping let me try this and I'm going to do this on white so that you can see so hold my beer and watch this okay I sprayed and then I got interrupted where did my cloth go I got interrupted like now and it began to dry so then I had to spray it again and what I think happened is the alcohol dissolved the ink and then I was able to lift the ink only and the paper fibers got weaker let me tell you see this look at that looks like a stamp now I had so much fun going through my um look at my table is covered with washi I had so much fun just going through and doing that is it cool or what now maybe someone has done this I don't know but um I'm counting on you guys to help me uh make them make this technique go viral because it is tons of fun let me see if I can find that M&M again that was awesome let's try that all greens okay I sprayed that's drying this for a time snake I sprayed they're pretty much got completely dry like 90 percent I sprayed again because I was trying the other technique put my tape on don't don't lose me don't lose me put my tape on gave it a little burnish and up came the letters only or the whatever only so there's the socket see that okay let me see what else we can get here probably be putting this really want that M&M's let me see I'm taking a little time because I lived that lived in that country putting in my photo so and I didn't try this with packing tape but I'm sure it might work okay again I sprayed it dried almost completely I sprayed again I'm sure the alcohol is dissolving the ink and to a degree probably weakening the fibers of the paper more that I lifted over three okay everyone 47 minutes I'm about gonna run out of tapes so not tape but time my link card so there you go sorry I didn't do a vintage one but coming through the magazines and all that is taking a lot of time so there you go abstract journal cards using your paint chips is a base and a back and your washi tape abstract letters okay thanks again everyone I'll see you next time bye I hope you had the patience to stay through this and please like share and subscribe I think this technique has been more fun than a barrel of muckies so have a great week I'll see you next time bye


Hello and welcome to the session. In this session we will discuss the question which says that find the vertical surface area of a regular pyramid with a square base if each edge of the base measures 16 centimeters, the sand height of a site is 17 centimeters and altitude is 15 centimeters using that as well as formula. Now before starting the solution of this question we should know some results. First is the surface area of any polyhedron is the sum of the areas of its lateral faces and the faces and secondly what is the two-dimensional representation of a three-dimensional figure. Now these results will welcome you as a key idea for solving the given question. Now let us start with the solution of the given question. Now in this question we have to find the total surface area of a regular pyramid with square base if each edge of the base measures 16 centimeters the sand height of the site measures 17 centimeters and altitude is 15 centimeters using net as well as formula. So given a regular pyramid with edge of the base as equal to 16 centimeters, sand height of a site is equal to 17 centimeters, altitude is equal to 15 centimeters. Now to find the area of the pyramid we should find the area of all four lateral faces and the base. To do this we shall find the area using net. Now from the key idea we know that net is the two-dimensional representation of a three-dimensional figure. So where we will draw the net for this pyramid. Now here we have drawn the net of this given pyramid. First of all we have taken the square base ABCD and to each edge of the square base there is a lateral face attached which is a triangle. Now first of all we will find the area of the base. Now as the base is square with site 16 centimeters. So the area of the base will be equal to site into site which is equal to 16 centimeters into 16 centimeters which is equal to centimeter square. Now let this be equation number one. Now next we will find the area of the four lateral faces. That is the area of the four triangles. Now as the dimensions of these four triangles are same. So the area is also same. That is these four triangles have equal area. Here each triangle has the base is equal to 16 centimeters and slant height is the height of each triangle. That is height of each triangle is 17 centimeters. So the area of triangle EAB is equal to area of triangle. ECB is equal to area of triangle. PTA is equal to half into base into height which is equal to half into now base of each triangle is 16 centimeters and height of each triangle is 17 centimeters. Now 2 into 8 is 16. So this is equal to 136 centimeters square. Now let this be equation number two. Now from the tier area we know that surface area of any triangle is the sum of the areas of its lateral faces and the bases. Now the total surface area of the pyramid is the areas plus area. Now from equation number one we have the area of the base which is equal to 256 centimeters square which is equation number two which are the lateral faces which is 136 centimeters square lateral faces which are equal. So the sum of the areas of the lateral faces plus given pyramid will be equal to meter square. The total surface area of the pyramid will be equal to into 136 centimeters square centimeters square 534 centimeters square plus 25 which is equal to centimeters square. So by using the net we have got the total surface area of the pyramid which is equal to 800 centimeters square. Now let us find the area of the pyramid that is the total surface area of the pyramid by using the formula. Let us find the parameter of the base that is the parameter of the square base which is equal to 20 meters. So this is equal to 4 into 16 centimeters which is equal to centimeters. So the parameter is equal to now the area of the base is equal to side into side which is equal to 16 centimeters therefore area that is B is equal to So the total surface area into B into S the area of the base is equal to 64 centimeters B is equal to 2 into 64 into 17 plus now 2 into 32 is 64 2 into 17 plus 244 plus 256 is equal to 800 centimeters square the pyramid is equal to 800 centimeters square this area of the pyramid by using net as well as the formula. And this is the solution of the given question. That's all for this session. Hope you all have enjoyed this session.