One thing I want to say, it means a lot for us to win at home. And I thought our crowd has been unbelievable the last two games. And it really made a difference. Our guys fed off that energy. And so, like I said, it's a shared experience when you get into it like that, and you could feel them, especially that last drive. Yeah, coach, what was the key to the offense getting moving and scoring on the last four possessions? I mean, we thought we were moving the ball pretty well all day. No good mix. Guys, a lot of things we were doing, that's why you keep working. And we got a lot of belief. But you've got to ultimately go out there and prove it. So it's sometimes that I had a lot of confidence that we would come out and execute pretty well today. Again, a lot of things we're always going to have to work on. But we got so much belief in our guys. Getting those critical situations, going forward on those four downs. And our guys keep swinging. And even the way they executed the little things, staying in bounds, not only would it once we got in the field goal range, you're playing a fine line. Like, yeah, we wanted to get that last first. But to take all that time off the clock, make them use their timeouts, there's so much situational football. In good situational football, our guys executed late. And before they have to. And just to follow that up, yeah, can you explain the rationale on a decision and to go for it on that fourth down there to keep you in the field goal range? Yeah, that's what we talked about before. Before the two-minute warning, I felt good about the play, the way we were blocking. And really, there was going to be B. John or Tyler in that situation. Had a lot of confidence they were going to get the first. And that's a belief. And there's a situation that could have been super conservative and kicked the field goal. But there was a lot of timeout. They would have possibly had a two-minute warning, depending on the kickoff and then the timeouts. And so I wanted to be aggressive. And then even late, with the minute being fourth and one at that point, I didn't want to get too cute. And I knew our defense, if they had no timeouts, I had a lot of confidence we'd go stop them. What did you say to Ritter after the first pick? He's obviously thrown more. Well, he got hit. I mean, we got Kyle wide open. And he got hit, the ball popped up. I mean, that's Kenny Clark. We had a good ball rush, I believe. And he never got to step through it. So we'd go back and look at it. We had Kyle coming open. And it happens. But the thing about Dez, even the one that he got aggressive was trying to work it to Drake. And he jumped inside. Jair did, I believe. And thankfully, he dropped it. But we have so much conviction. It's not going to be perfect. You learn from it. Doesn't make the same mistake twice. The first one, you've got to get Kenny Clark credit. I mean, that hit, that caused that interception. Those are stats that I don't think anybody appreciates. But if I was coaching Kenny, I'd be like, that's a hell of a play. What's the next step for him in terms of his development from what you've seen so far over the first two weeks? Again, I go back and look at the tape today, Michael. But I thought it was a pretty efficient day other than the drive. We got the penalty start to half. Thought it was a pretty efficient day. He's a winner. Guys believe in him. You can see it. I think in those critical situations, he's at his best. And that's been his history. And they didn't get in the day right before the half. They thought of pressure looks. If he checks the coverage, he extends that play and he works it back in the drake. I mean, that's why these guys love him. I mean, he embodies what we're about. And it was a good all-around game by the entire team. Like I said, they're different guys. And it's going to be somebody different every week, depending on who they're trying to take away and what the looks are. I thought, you know, Jono had a pretty solid day and, of course, Drake, too. Coach, in the back here, sorry. Young Ho Koo made those two kicks. I'm sorry? Young Wade Koo? Young Wade Koo. Yes, made those two kicks. Can you kind of assess his performance today? I know you missed one earlier, but can you kind of assess his performance overall? Yeah, it's like Dad's throwing the pick. We got a lot of belief in our guys. We don't sit there and play in our fears. And that's what happens in National Football League. Young Wades made a lot of big kicks for us. Koo's about a clutch as there is in this league. Arthur, obviously you get paid to make those decisions like the fourth and one. You could kick the field goal to take the lead. Like you said, what is it about your belief or maybe in your DNA as a coach that leads you to go for it in those situations? Well, everyone of those are different, Jeff. You know what the numbers are. You're certainly aware, but again, there's a human element to it. And the way that our guys were coming off the ball, again, the call, again, they're all educated guests.  And they did at times. I mean, that's what the league is. But there were a lot of conviction. It felt great about the call and really about the guys. And that was why, Jeff. And following that up, I mean, not only are you guys coming back offensively, but defensively, you guys, the defense had two or three stops in a row there after kind of getting steamrolled for three, four. What do you believe in terms of how maybe your belief has sort of filtered into that? The numbers, what's the total? Make sure I have it right.  No, no, Green Bay's. Yeah, I know they had the big plays off the flea flicker, the game of the DPI, and then the one, first drive off the half, again. They had like four straight scoring drives, I think, until the fourth quarter. Yeah, I'm not saying that the chunk plays off the penalties. I'm just saying that we got to stop them. I'm not making excuse for them, but I wouldn't call that, those are your words. I'm not going to give credit to even repeating them. Again, I don't have a problem with that. But I just say that, you know, we got to not commit those penalties. That would be a great coaching point. And when the ball is up there, like a punt, hopefully we can turn around and go and play that better. Not blaming the player that it was calling on, but we can play those situations better and credit to them. They got the penalty twice, huge chunk plays, and then they executed well.  They were trying to use the motion to get guys free, to get them off our press. And you come back and as a team, I mean, that's the momentum of a game, right? You know, they took the lead. Were they up 12, I believe? And we went right back down, and we felt confident. And then, you know, that's what you do. That's what great coaching. You come to the sidelines and say, here's what they're trying to do. We changed up some calls and we showed them some things late in the game that we hadn't showed them early and tried to make them figure it out. And we went, what, was it four and out? So again, that's a good NFL team. That's a good players, good staff. But certainly there's always stuff to coach on, coach off of them work, but just proud of these guys. I'm sorry, one quick thing. Did you, that fourth and one decision, did you make it like right away or did you have to think about it? We talked about it, but I liked the call.  And so I was gonna, you know, now it was low because I was asking for a measurement. Again, I'll be quiet because I don't know what I get fined for. So I just threw the challenge flag as a timeout.  Again, they made the right call and gave me time to talk it through with the players. To go back to Dez, you've talked for a long time about his abilities and crucial situations and crucial moments, even going back to college. What is it about him that you think makes him so good in those moments and he seems to progress as the games go on? Well, he's got good spatial awareness. I mean, you could see that, you know, some of the stuff when he scrambles as a play extender, certainly on some of the zone read stuff we did today. Kenny, like I said, even as a young quarterback, they always try to throw different looks at you. That's a good secondary, good defense, good coordinator, but he's able to process really fast and he's got a belief. I mean, he's got evidence of it.  And so he keeps working to get better. That's what we love about him. And then so much of this game is not only just evaluating the physical tools, it's between the years and the chest, I would argue is a big part of it too. What can you legally share with us your thoughts about that Mack Hollins touchdown, not touchdown? I mean, what's a catch and what's a touchdown? Rather not ever speak on it because we'll find out. And again, that's, they have a tough job, but it is what it is. I mean, I had to look at the tape and we'll communicate, but they have a tough job. So it is what it is. And it's our job to move on. And thankfully we were able to come back and get the win.  It looked like he might have been sore, he was looked at afterwards, how's he doing and then what can you say about his performance? Nobody said anything to me about any injuries. So that's a good thing. I mean, again, it was a physical game. I thought he looked good, a little good at that last run. Again, here, you know, half a yard give or take away from, you know, milk in the clock all the way down to one or two seconds to kick it, to not go back out there, but I believe Coy Walker made a pretty good play.  And so they made a play and they did, you know, measure it. And then I took the time out, but we got a lot of belief in him and Tyler and all these guys. And when we get CP back, hopefully soon, it'll have one more element to the offense. Coach following up on Bijan over here. What have you seen in terms of growth and development from training camp to now he's at game speed? He's just very instinctive and a very smart football player. We put a lot on his plate. You know, a lot of times people draft players like that and they try to sound good, but we had a lot of conviction too that he could handle that. A lot of things we did and credit to our football staff in person, there's a lot of meetings that go into it and a lot of time spent. So we just not sitting there and sound good in theory. We knew he could do it and he continues to get better. He's a really fun player to coach. Yeah, or you mentioned Cordero, he was inactive, but he practiced in the follow week. Again, those are the decisions you make, right? If you wanna wear, you know, can he could have gone if he had to, but those are the decisions that we're paid to make and a lot of days of communication with the player. So hopefully get him back really soon. But he's training in the right direction, same with Jeff, you know, you guys saw him at practice, nothing to hide there.  But we had a lot of belief about Nate Lamman, right? Stepped up, that's our team. That's why you're continuing. I tell you guys in camp, while we develop guys, while we mix and match, just proud of these guys. So just to be clear, so it wasn't a healthy scratch for Patterson, he's still. Mike, we're gonna get into semantics. Those are coaching decisions and as we all communicate with our players and a lot that goes into playing on Sunday and you make some decisions short-term or you're looking at long-term and also what the game plan is and how you think you need to, what personnel packages you need to, do you think to win the game? And in terms of the first quarter goal line, you guys had, I think it was four, five plays from the two. Although, what was that? Yeah, I got the DP out. Yeah, what was the DP out? And then we had the fall start and so it was fourth and sixth and we kicked it. You know, some looks then, I got a look at the tape. But again, I thought we, and you adjust, you see something that allowed Desda score later in the game. That's what coaching is. But again, try to be aggressive some of the things that we had shown before. And they got good players and we will never want to know what fourth and one would have looked like. Not to make this a scheme question but more in terms of the rhythm aspect that team's been talking about this week. Was there more of an effort to try to get Des involved with his feet just to try to get him in more rhythm? It's just, you know, you're making those decisions. How much you want, that's going to be every week. How much you want to run, how they play, of course they can always adjust. It's a fine line. I've always got the ability to do it but this was a particular week that we thought felt pretty good about some of the stuff we had up and that was why. I mean, that's a good defense. And yeah, there's a lot goes into it. Sometimes we adjust things in the game but we usually, we always have the ability to do it. Just from my point of view and limited understanding it looked a lot. Don't sell yourself so short Josh. I'm selling myself far on even that. It looked a lot easier in the passing game as the game went on. Is that accurate? Did some things open up for you or was that just you keep swinging and keep swinging? You know, even going back to last week, we said, we didn't have a lot of penalties today. I mean, that first drive, the second half, that felt like last week. Again, we could, when you put yourself behind the count, you know, you're getting some obvious past situations there. You know, you're trying to give yourself a chance to go get the first down and, you know, they made a play and again, I had to watch the tape on that but that was the only drive I think we had that stalled out but that was a penalty and we didn't overcome it. We did overcome one early that Drake Wright went up and got it on 3rd and 15th. But we were able to get into a rhythm and that was last week, it just was, that's what it was. It just never felt like we got in a rhythm and once you get in the rhythm of the drive, sure, the game's gonna play out, they're gonna adjust and but then it's why we have so much belief but we gotta go continue to improve.  We gotta continue to get better. Yeah coach, could you discuss the play of Nate Landman who's been in the program for two years, a drafted guy who got his first NFL start today. We don't, Ken, we just, that's why we continually look credit to the entire staff, personnel staff, football staff and there's a lot that goes on behind the scenes that we believe in developing and those post draft spots and any spot a guy gets on our 90 is important and Nate's a great football player. He's instinctive, he's heavy-handed and played a little bit last year for us but that's what we are when you got a real team and guys believe they all have a chance and that things happen and glad Nate was stepped up today. Coach, just wanted to go back to John O's Smith. How important is it just to see what he was able to do to extend drives at some critical moments today? Well, this gives you another weapon, right? There's so much focus sometimes on Kyle or certain things like, as I say about play calling, sometimes somebody might balance to be the primary and you work through it with a look, something happens, sometimes the guy may bail out, sometimes some of the play actions, sometimes guys may bail out and get in the vision. Again, you don't know what the quarterback sees. We think we do when you have the TV look and it slows down but we got a lot of weapons and John O is somebody that's made plays and big time games and he's been good. That tight end room, those guys love each other. I mean, Michael Pruitt is an underrated leader on our football team and Kyle and John O so if you're gonna take him away, but you know, if you, that play in particular, it was Bijan and Kyle were the primary but they gave us a look and then it goes back to John O and Drake but that's football and so when you got a lot of belief, okay, pick your poison. And John O was one of those guys, he's a great catcher, run player. We got a big yardage on the screenplay and some of the stuff he got out on the flat, he's hard to tackle. God, he's here. Thank y'all. Or good night, good afternoon, something like that. Good late evening. Does just, can you just talk about how that game was? It was so crazy.  No, no, no, hold on, never, never down for the count. Okay. When you see Atlanta Falcons out there, we'll never be down for the count. We're gonna fight until that clock hits zero.  You know, obviously when you get in that situation, we were down 10, I think, or 11, whatever, 12. And you know, it's not about scurrying and, you know, panic. It's about, okay, take a deep breath and then just go play the next play. Coach Smith was talking about just one of the things that they liked about you even coming out of college was, you know, the crucial downs, the late game situations. What do you, what is it? How do you perform so well in those situations just from your perspective?   So for me, you know, when those big-time situations come up, whatever it may be, we know that, you know, if the ball doesn't end up in my hands, I got to go make a play. And so I've been in those situations before obviously college in here.  It's something that, hey, this is the next play, go execute it. Dez, walk us through that crucial fourth down call right before the two-minute warning from your perspective. You have the scramble and third doesn't quite get it. And then you've got the fourth.  Obviously, you know, trying to get the first down there, we had a run call call with a little RPO, so it could have gone either way. And squeeze, I pulled it, he read out of it. I just try to go back, try to make a play, get back to the first down yard marker. Obviously came up a little bit short. You know, going back, I would obviously try to get six more inches. To that play, when Arthur was asked about it, he was using words like we had a conviction about and a belief in the guys that we had to go out and make that play, whether it was John, whether it was you or Tyler, whoever, there was a conviction there. What does that say to the level of responsibility that those coaching staff puts on you guys in those situational moments? Yeah, it's obviously trust. Trust and seeing that throughout the week that we put in the work, that we've executed that play over and over and over again, that we know when we come out here on Sundays that when he calls it, we're gonna execute it so it's fullest. So for me, you know, that's just trust and belief in all 11 guys out there on the field that they're gonna do their job and their job only. My expert analysis would be that the passing game looked very hard early on and then a lot easier in the fourth quarter. Can you tell me if that's accurate and if so, what changed? You know, I'm gonna say it's accurate. I would just say, you know, it's all about getting into the rhythm, getting into the flow. When we start being able to move the ball, getting those first, first downs off the drives, getting them going, that's obviously when it starts to pick up, you start to see, you know, a little more tempo, a little more juice to the guys and, you know, things open up, obviously. You know, we do a lot of play action. So the backers pulled out really quick. You know, the DBs might be more afraid to go for the run and give up, you know, the pass above them or whatever it may be. And so, yeah. Is it difficult to be patient in the moments when that rhythm seems to take so long to get in gear? Yeah, you know, sometimes it is. Sometimes it is hard to be patient. You know, you're just trying to look for a play. You're looking, whether it's a run, play, screen, whatever it may be, you're just trying to look for that one thing to get you going, that one thing to get that momentum going. So sometimes, yeah, it is hard to be patient in those moments. You want to try to force a ball. You want to try to make a play. But it's actually in those moments where you've got to kind of take a step back and just say, like I said before, hey, just play the play as it is, no matter what the down and distance and just go execute it.   He's a competitor, but he's also humble.   After you threw your first interception, B. Jean said he looked at you. He said he always looks to see the demeanor and you were calm still, if maybe even more motivated. So where does that come from where it didn't bother you, it didn't bring you down and you remain focused?   If we're down, everyone's going to be down. If we're up, everyone's going to be up. So obviously, you know, for me, I'll try to remain neutral throughout that entire game. I felt like I did my best job of just staying calm. And like I said, just playing each play as it comes. Dennis, you mentioned rhythm. You talked about that throughout the week. You talked about it last Sunday. Why has that rhythm been so hard for you all to figure out in the first half? You know, it's just how football goes. It's how it goes. Sometimes they're going to come in. Sometimes they're going to punch you in the mouth. I'm not saying that's what happened, but I'm just saying, you know, you can't ever dictate what the defense is going to do. And sometimes they come out and maybe have a better scheme, a better play call, whatever it may be. And we just have to go out and figure out how the next time we come back on the field, how to execute it better. Is it something in your game though? Because even if you go back to last year, it seemed like that was always kind of a thing. It was early on. It took a minute for you to get. Is that just how you are in some ways sometimes? That's for you to say. Well, I'm asking you, you've known you longer than I've known you. No, you know, for me, obviously try to get in the flow of game. Obviously snap one, you obviously want to be in the flow. Yeah, I would say sometimes, you know, it takes a little bit longer to get going. That's one thing, you know, talking this off season that we worked on was, you know, how can we be able to get out there and from play one, you know, being that rhythm, being that flow. So that's one thing that obviously will continue to work on. Like I said, it's game two of a 17 game season, you know, regular season. So we'll just keep continuing to work and keep getting better. When do you think you got the trust of these guys? When? Yeah.  I put myself in the wrong position if I didn't have their trust. So if you look back, you know, that would have all been on me. If you said that if you went and asked these guys if they didn't have my trust, that probably would have started from the day I walked in.  But like I said, ever since I've stepped foot on this organization, on this campus, you know, I've wanted nothing but the best. I've wanted to put in, you know, 100% effort and have full trust and respect of every single one of these guys on the team. By your volume and demeanor, you seem to be very excited right now. And I just wondered what a fourth quarter like this does for in the development of a young quarterback. Yeah, you know, it's huge and it's crucial. Like I said, even throughout that entire fourth quarter, I was just trying to stay calm, stay patient and just let it come to me, you know, just let the play play itself. But you know, for not only myself but for an offense that was huge right there. That was huge for obviously us to go out.  And you know, we're unable to go for it. Obviously we played the situation as a game, huge for Q to come in, step in after missing one early to have the trust obviously that we have in him for to go out there and knock down those kicks. That's huge for us. And you probably didn't think you'd go through your whole career without throwing an interception. So I don't know how you process that first one. Yeah, no, obviously you got hit on it, but it's just, you know, how you get back, how you bounce back from it. So I felt like, you know, we did a great job coming back out there, you know, not worrying about what happened the last drive and just keep going on the next. And this question might have been asked as I was in the locker room, but going back to that slow start, you're down 24-12, but your defense keeps getting three and outs, putting you in position to win this game. How important is it to know that you can have the confidence that your defense will kind of hang in there until you guys can get back in like you did today? Yeah, that's huge for us. Like I said last week, though, that's something that we can't count on every single week. You know, that's something that we have to go out there and we have to set the tempo as an offense.  We have to lead this team just so that, you know, in that one case that, you know, the one Sunday where a defense, you know, whether it doesn't show up or they have a few plays that go wrong here and there, we got to be the ones to go out there and set the tone and set the tempo early. For you personally, when did you feel like the energy or the momentum switched for you guys? Like what changed for you? A lot of the guys said, like kind of in the fourth quarter, was there a specific play or dry for you that you felt like? Yeah, you know, I would go back to the, we talk about as a team, we talk about that middle eight. You know, we deferred off the coin toss to get the ball in the second half. We got the ball right there at the end of the first half. We knew we had to put points up on the board. So for us, when we were to go down there and move the ball, be able to get points on the board, obviously that was huge for us in talking about that middle eight. There's obviously the win is the most important thing. And I know there's some stuff you guys want to work on, red zone, things like that, but just kind of get in the weeds here a little bit. Over 200 yards passing, over 200 yards rushing, 36 minutes time of possession. I'd imagine that's as an offense, you guys are pretty pleased with those numbers, aren't you? Kind of as a template of what Arthur wants to do offensively each week?  I'm sure there's a couple of runs we wish we could have back. But you know, it's not a perfect game. But I feel like obviously we did enough obviously to go out there and get the win as we did. But there's obviously that's not the best Atlanta Falcons offense you've seen right there. And we know that we can do way better than that. So it's going to be up to us, you know, come in here on tomorrow, watch the film, get better and go back to work for Detroit next week. Yeah, it does just to clarify something. Middle eight means? Middle eight meaning last half of the last four minutes of the first half, first four minutes of the second half.  No, I mean, that's obviously something that a lot of teams throughout football talk about is that middle eight, especially like we said, we want to double up that. So we get the ball right there at the end with the last four minutes in the first half. We want to take that ball, get points. When we say double up, we get the ball back in the start of the second half, come back and get points up on the board. That's used for momentum. That's used for offense, defense, and everyone.  Is that something about this rhythm that we've been talking about that can help you and even open up some things in the passing game? Yeah, 100%. That opens up things in the passing game and run game. Obviously, you know, going in the defense would have to then account for my legs, in which I'm sure they do. You know, the scramble, the called RPOs, whatever it may be, the defense has to adjust for that.  So as many times I can use my leg without hurting the team, I'm going to try to do. Come on, Dee. Oh, wait, wait, she's. You loud, you good? All right, one shot. All right, once you all got, when you got rolling there late, the four straight field go, touchdown field go, field go, what were some of the keys for the, maybe that was throughout that that was working for you all offensively? Yeah, like we said, just get that first, first down. Once we got out there on the field, it's just about getting the ball going, getting the ball moving. So, you know, when it's easy, you can hand off a ball and it goes for eight, nine, 10 yards. Plus, you know, that choose for our momentum. And so just to get in that flow, just getting that first, first down, getting it going.  It's about getting that first, first down, getting the team moving, getting the flow moving. And I think that's obviously what we did really well. I would definitely say it's strides in the right direction. It's not 100% where we want to be at, but it's definitely strides in the right direction. Desmond, I know you have to watch film and all of that, but what is it about this particular game that makes you feel like not just you, but the offense took a step forward today? Like I said, you know, we was able to go out there and we was just able to keep it moving forward. There were things that went wrong or things that went right. But at the end of the day, we were able to come back, lock back in, keep it going. You know, it's when those times and when those things do go wrong, how are we gonna bounce back from it? How are we gonna come back out on the field and keep the ball moving forward? How are we gonna keep the defense sitting on the bench and us, you know, on the field holding the possession? And so for us, I feel like we did a good job of that. Obviously, like I said, there are a couple of throws, a couple of runs we could have back, but we're definitely moving in the right direction. Are you a guy who grabs a stat sheet at the end of the game to see what your numbers were just to never have? No, I was just told, he told me. So that was about the first time I heard it. Do you ever look at him during the week? Does it matter to you to judge your progress by looking at those, you know, sort of the counting stats? No, I wouldn't say that, because I mean, there's throwaways, there's better balls. So, you know, you can't just go look at, oh, I was however many of however many and say, oh, this is how I played that game. I played terrible this game because I had this. Can't look at the QBR because it is what it is. Last week, you know, out of high QBR, whatever, this week, don't know what it was. But, you know, it's two different weeks. So for me, you know, it's just about going back, watching the film, and grading myself on, you know, what I could have done better. You know, it's probably not one play in there where I'd say it's A plus. So there's always things that not only myself, but everyone else can get better at. Do you literally grade yourself?  Yeah. What did you grade yourself last week? Last week was like C plus. Yeah, and it wasn't all great last week. How many A's have you had in your life? Not very many. Not very many. And that's just who I am. That's just who I am as a person. I think that, you know, there's always room for improvement. There's always steps that you can take to get better. And for me, you know, obviously being complacent is one of the worst things that you can do in this league as a football player is just, you know, feel like you've made it or feel like you've worked hard enough to be where you're at. For me, you know, I feel like I've always got to work harder, always got to do one extra thing, always got to be better to be able to keep taking those steps. So what would you grade yourself or is it too early right now? This week? Yeah. Without looking at the film. Probably another C. Okay, why? Why? Because there were throws that I missed. You know, reads that I could have done better, checks of the line of scrimmage. Couple times you talk about, when I talked about a couple of weeks ago getting in and out the huddle on the efficiency there, you would go back, you look at the game clock, game clock's draining down on us, getting down three, two, one. That's on me, getting out in and out the huddle. Make sure we get all the calls right. So there are a lot of things that you guys don't see that you guys may think went right, but actually went wrong. So that's where I'll go back and look at and that's where I'll knock myself. And what can you say just about the fans and the crowd energy? It's a lot as I've heard it since I've been here. The fans have been amazing. These past two weeks, the whole city of Atlanta has showed up. They done a heck of a job. You know, when the defense out there on the field, being loud, when the offense out there, we make a big play, you hear them. You hear everything that they do. So for us, it's huge to have that fan energy, to have the momentum.  All right, so what would you need to do to get an A for yourself? What I need to do to get an A?  You probably go back to that stat sheet. Pretty close to perfection on that stat sheet. And then you go back and watch the film. You made every protection check right. You made every can or check that we have in the run game, whatever it may be. Everything was 100%. You went out of there healthy. You won the game, most importantly. Yeah. All right, you said you've given yourself a few.  The last. A, you gave yourself? No, it's probably been a while. It's probably been a while. Like, are we talking a high school while or Cincinnati while? Probably early Cincinnati while, maybe. But even then, I mean, there's still, like I said, there's got to be, to have an A plus, you've got to be one of those. I mean, there's got to be, everything goes right for you. And so that's tough for this league. Obviously, we could control what we could control and some things you can't control. And so that's where you get automatically knocked in your so-called grading. I know last year was last year, and it's a different team. But these are the type of games you guys had so many games last year, where it was come down to the wire, and you guys just couldn't finish, just fell short. What does it say about this team that this year, first opportunity you guys have, you do it and you close the comeback? Yeah, it's huge. Obviously, you know, as a part of last season, it was whatever, 15 games, we were in by one score, whatever it may have been. And so to be able to come out here and obviously finish and finish on top, that's huge for all of us. How good did it feel to just come out with this home crowd and get that win, get that comeback completed? Oh, it felt great, obviously, to come back and win this, obviously, with the home crowd behind our back. You know, being in Mercedes-Benz, like I said, it's a different energy, it's a different atmosphere. You know, you guys talk about my home, Winstree, whatever it may be. That's not built from just me. That's not built from, you know, just the guys on this from the coaches. That's built from the city. That's built from every single person that shows up in the Mercedes-Benz, waving an Atlanta flag. And so, you know, we'll just try to keep that going just to keep the energy going, keep the momentum going, hope we're gonna show up again. All right, thanks everybody. Thank y'all, have a safe drive.


The iconic estate that the late legend Michael Jackson made his dream property once upon a time looks very different nowadays. Neverland Ranch, as Michael called it, was last sold in 2020 after many years of price adjustments to billionaire Ron Berkel for $22 million.  When Jackson purchased the ranch back in 1988, it was his goal to create a property unlike any other, and he succeeded. Neverland Ranch once boasted ferris wheels, carousels, tigers, giraffes, elephants, as well as its very own railroad. Of course, the property wasn't always known as Neverland Ranch, and it has quite the history. Originally called the Zacaladeris Ranch, the massive 2,700 acre parcel of land, was purchased by William Boone back in 1977. Back then the land was empty, but in a beautiful location set in Santa Barbara, California, on the edge of Los Padres National Forest. Boone was a successful property developer, and he was so in love with this property that he set out to make it the perfect home base for him and his family. Boone began by renaming the estate the Sycamore Valley Ranch, which is actually a name the property has reverted back to in recent years, in an attempt to shake off the Michael Jackson connection. Drawing on his years of experience building excellent homes, Boone hired architect Robert Altiverse to design the main structures on the property, and the two of them spent more than two years coming up with the perfect plans and designs for the dream estate. What was once an undeveloped piece of country land would soon host Boone's custom home, a 13,000 square foot main mansion, along with multiple outbuildings. He would also add a four acre lake with a stunning five foot waterfall and a stone bridge. At the time Boone said about his property, I had a desire to express everything I had learned in 15 years of home building. At the time Boone didn't know that one day his years of experience would turn this into one of the most famous properties in the world. In 1988 Michael Jackson purchased the property from Boone for $19.5 million and named it Neverland Ranch after Neverland, the fantasy island in the story of Peter Pan, a boy who never grows up. Jackson had an ambitious vision for the estate and wanted it to be an escape from the outside world, full of magic and everything you could dream of. He had an ambitious vision for the property and wanted to use it as a retreat from the outside world, a magical world of wonder. During his time here, the King of Pop added quite the mix of details, including mock Victorian architecture and amusement park rides, complete with two railroads and a dream-like railroad station, a roller coaster, ferris wheel, carousel, and even bumper cars. Although Michael hopped around Los Angeles homes and lived in some beautiful places, we can all agree his dream house was his Neverland Ranch and he ended up living on the sprawling property up until 2005.  It's manually 13,000 square feet with six bedrooms and nine baths. Michael had an impressive first floor master suite, complete with not one, but two master baths. The house is nestled between landscaped gardens and a four acre lake with waterfall that Boone built here. Not to mention, there were some amazing mountain views. There were three separate guest homes, a 5,500 square foot movie theater with stage, barns, animal shelter facilities, corrals, and even a maintenance shop. Of course, there was also the unforgettable Disney theme train station. Living here for over 15 years, Michael made this place into something really special, so it's no wonder he blew so much of his fortune on creating it. He had three railroads attached to that iconic train station with a steam locomotive named after his mother Catherine and two coaches. There was another narrow train and a custom made private electric train for Michael's own children. There was also a ferris wheel, carousel, zipper, and octopus, which is the most traumatizing ride in my experience, but to each their own, as well as a pirate ship, wave swinger, roller coaster, superslide, bumper cars, and an arcade, just when you thought I was done. Elsewhere on the property, there was a petting zoo, a dance studio, a 14-foot lagoon-style pool, outdoor barbecue, tennis court, and staff facilities. Bottom line, Michael really put so much work and heart into Neverland to make it his own private Disney world, basically. Despite all of that, after the King of Pop passed away, it had been a hard sell. There are many theories as to why, one of which being the bad press the ranch received at one point, and of course, it's also crazy expensive. It was even listed at one point at as much as $100 million. After many years and many price cuts later, Neverland Ranch, which now went back to its former name of Sycamore Valley Ranch, finally found a buyer in 2020. A former associate of Jackson, billionaire Rob Berkel, spent $22 million for the epic property. Before we look at the final mansion of Michael Jackson in Los Angeles, he also lived in this Las Vegas home from 2007 until the year he died, 2009. This has been dubbed the Thrilla Villa, and it's pretty unique to say the least. It was one of Michael's last known residences. Renting it out for a couple of years with his three children, and most recently, this one was on the market for $9.5 million. The Vegas mansion sat on 1.7 acres of land inside, spending over 16,000 square feet with seven beds and more than 10 back. The estate welcomes you with a massive iron gate and cobblestone paved circular driveway. It's decked out in a posh old world design inside with high ceilings and expansive common areas. A salon features a massive stone fireplace and glass chandelier, while a foyer and bar leads to a courtyard with fountain. The main master suite occupies the entire top floor and still has the original mirrors Michael used to rehearse his famous dances in. Among the many larger-than-life features of the mansion, there's a two-story, 74-seat medieval chapel with hand-painted sky scene and crown of thorns chandelier. Although Michael lived in that Vegas home, he passed away in Los Angeles, and the mansion where he spent his final days was located in Homeby Hills. He was renting this home for several months until his unexpected passing in June 2009. Jackson reportedly passed away from a heart attack after calling his private doctor, Conrad Murray, complaining of dehydration and insomnia on the same night of his death. After the news went public, thousands of people gathered outside of this very house to have a midnight vigil for the star. It was said that Michael was renting this huge mansion for a whopping 100K per month and it was actually built by famous mega mansion developer and father to Gigi and Bella Hadid, Mohamed Hadid. This residence spanned over 17,000 square feet and was built in a French Chateau style. I don't know who needs that much space, but the home boasted seven beds and 13 baths, but considering Michael died here, it also left the place with a pretty dark history. The elegant and sophisticated estate had a grand double height entry with winding staircase and chandelier, wood paneled library with fireplace, home screening room and countless other charming spaces throughout. Not to mention it was complete with an elevator, spa with gym, wine cellar and even a guest house with stained glass doors. Outside on the one acre plus grounds, there was also a pool. Michael stayed here before launching his world tour until his passing in the home's master bedroom. Considering the mansion's eerie history, it was a tough sell, but it ended up selling for $18.1 million in 2012. Now that we've taken a look at the former homes of the late Michael Jackson, including the famous Neverland Ranch, that's gonna bring today's house tour to a close. But before you go, answer this question for me. If you had your own amusement park on your property, what rides or attractions would you need to have? I would love to have a mini petting zoo and maybe some sort of water park, but let me know what you would choose in the comments below. Don't forget to like, subscribe and follow me on Instagram to chat. I'm Kara and if you'd like to check out another tour before you go, then stay tuned for this look into the homes of Janet Jackson. Bye! I separated from my husband. We are in court and the rest is in God's hands. In summer 2022, Janet Jackson offloaded her stylish Manhattan apartment, located more specifically in Central Park West for $8.8 million. While Janet currently spends most of her days living in London, England, she had owned her New York City place for almost 25 years, which offers three beds, 3.5 baths and stunning views of Central Park. Also, Michael and I have dropped our own house tour of our new home that we moved into this year, so go ahead and subscribe to our personal channel if you want to see where we're living and more of what we're up to. In these videos, we don't reveal any addresses, and even though I've done a house tour of my own place, please do not show up at any private residences because it's not safe for anyone. Since the age of 10 years old, it shouldn't come as any surprise to find out that Janet Jackson has lived in some of the nicest homes in the world over the years, everywhere from Malibu, California, to a penthouse in New York City, to a townhouse half the world away in London, England. These days, Janet can be found living in London with her son, Issa. Sticking close by her former husband, billionaire Wissam Almana, whom she met back in 2010 and then divorced a few years ago. Before we look at the lovely New York home Janet sold, we're gonna quickly check in on a couple places that Janet has lived in recent years. After meeting businessman Wissam Almana in 2012, the two were married two years later and eventually had their son, Issa, in January of 2017.  While still married, Janet and Wissam lived in a swanky Mayfair townhouse located in the heart of London, England. Unfortunately, the only pictures we really have of the place are from when Janet was moving out. Wissam is worth an estimated 820 million pounds and one has to assume that the townhouse they both shared must be in his name and owned by him since Janet was the one that moved out. Well, after moving back stateside for a couple of years, Janet returned to England in 2019 and has reportedly found another townhouse not too far from the home that she shared with Wissam. Much like with her previous townhouse, the only images we have of Janet and this new place are from when she was getting picked up outside of it. As far as how nice this new place looks on the inside, well, we can only guess. But Janet did share a recent photo on social media that shows how she was keeping busy with her son back when the quarantine was going on, building doll houses with him. Like I said, really not all that much to go on, but with a net worth of close to 200 million dollars, I can only imagine that Janet and her baby boy are still living in the very lap of luxury. In August 2022, Janet sold her gorgeous and chic apartment in Manhattan for 8.8 million dollars. She'd owned the condo since 1998 when she purchased it for 2.8 million dollars, and it's located more specifically in the building One Central Park West on the 34th floor with some of the best views in the entire building, overlooking Central Park. The posh apartment building is further attached to the Trump International Hotel, right at Columbus Circle and at the southwest entrance to Central Park. The stylish spread boasted 2,094 square feet living space, 3 bedrooms, and 3.5 baths. It also houses a 28-foot-long L-shaped living and dining room combo area. Janet's apartment offered wide views of Central Park and the city skyline via floor-to-ceiling windows located throughout the entire place. An entry gallery leads to the open living and dining area and elsewhere in the home, you'll find a library with wall of custom millwork, while the unit also boasts 10-foot-high ceilings. You can also see those impressive views of Central Park from the kitchen, where there's also a dining counter that looks right out to the green grounds of the park. And you can also see the towers in billionaire's row from here. For the most part, Janet decorated her space with a semi-opulent and dark-hewed decor to complement the floor-to-ceiling windows with those remarkable views. The kitchen is accessible from the living room and it isn't massive by any means, but it is well-equipped, and boasting a washer and dryer combo stacked in a nearby closet. And then there's that dining area with that view. Building residents can enjoy five-star hotel services like health club access with pool and spa, made-in-valley parking, a business center, and 24-hour room service from a high-priced eatery, Jean-George. Janet loved the sunny apartment, but she hadn't lived there since 2019. Once she spoke about this space to the journal saying, I always treasured my home's wonderful location and the breathtaking views, capture the magic and excitement of New York. Stepping through its threshold instantly made me feel so tranquil and at peace. So many memories. Not too long after picking up that unit, Janet also bought this gorgeous home, just outside of Las Vegas, Nevada. The rumor is that Janet actually bought this home for her family, either for her mother or her sister, Rebi, who are both said to reside in the state of Nevada. She purchased this property back in 2002 for around 520K. This home reportedly features 4,636 square feet. Unfortunately, that's about all we really know about the place, and considering it's the home to her family members, it doesn't surprise me all that much. Most celebrities like to keep their family as shielded from the media as possible. In Janet's case, I mean, that's kind of ironic considering how her parents did the exact opposite to her when she was just a child. I guess it's worked out for everyone. Before we wrap up this video, one of the very first homes that Janet ever bought for herself after her career took off was this stunning Malibu Beach front property located on Pacific Coast Highway. She bought this 5,658 square foot home in 1991 for $4.1 million, which I'm pretty sure in today's dollars is like a billion, but I might need someone who's better with numbers to double check that. Janet would hold onto this property for a number of years, selling it in the mid-2000s for $8.5 million, which means that she more than double turned investment in the place. Before moving on from the property, Janet gave an interview with Primetime that offered a brief glimpse of the inside of this home. As you've likely learned from this tour, though, Janet Jackson is very private when it comes to her spaces and home life, so sadly that's all we have to go by. After looking at her Manhattan apartment, which she recently sold, and what we know about her other properties, that'll bring this house tour to a close. But before we go, let me ask you this. Would you trade in life in a condo in Manhattan that went up millions in its value to live across the pond in the UK? I mean, both seem like pretty cool places to live, but let me know your thoughts in the comments down below, as well as what you liked or didn't like about Janet's properties. Otherwise, like, subscribe, and turn on your notifications. My name is Cara the Vampire Slayer. Follow me on Instagram to chat further, and I'll see you all in the next video. Bye!


Hello and welcome to the session. In this session, we will discuss that a given geometric figure and its image formed after transformation is a reflection or a translation or a rotation using angles, line segments, perpendicular lines, parallel lines and circles. Now we already know definitions of angles, circles, line segments and perpendicular lines. Let us define the transformations using these geometrical terms. First of all let us see reflection. Now we know that reflection of an object is obtained by flipping the object over the line of reflection. Now see the following figure. Here we can say that quadrilateral a dash b dash c dash d dash is image of quadrilateral a, b, c, d formed after reflection and here line l is the line of reflection. Now here we have two quadrilaterals. Now to see if a dash b dash c dash d dash is reflected image of the quadrilateral a, b, c, d. We draw a line segment joining the two corresponding points. Now here let us join b and b dash. Now here we have joined the points b and b dash. Similarly we can join the other points also. As here we have joined a and a dash c and c dash and we can also join d and d dash. Now here we see that line segment b, b dash intersects the vertical line l drawn with two figures at 90 degrees plus line segment b, b dash perpendicular if we join any other corresponding points then also that line segment will be perpendicular to the line l at the distance of point b from line l is equal to distance of point b dash from line l thus midpoint line segment b, b dash will lie on line action of line segment b, b dash and line l is the midpoint of line segment b, b dash. Thus the vertical line l is the line of reflection and quadrilateral a dash b dash c dash d dash is the reflected image of the given quadrilateral a, b, c, d. We can draw reflection of given figure in the line l by drawing the perpendicular from the given vertices and located where image points is equal.  So here in the first step we will draw the perpendicular from the given vertices to the line and then we have located their image points such that the distance between the pre-image point and image point from line l is equal. Joining these image points we get the reflected image a dash b dash c dash. The given point that is pre-image lies on the line of reflection then is the point direction and here a translated figure will have same shape and size. A polygon is slided of given image in whether it is a translation or not. Now we see the following figure that polygon a dash b dash c dash d dash e dash is a translated image of polygon a, b, c, d, e. Also we see that the given polygon is sliding downwards in the direction in which given polygon is slided. Now here tells us the direction of the slide. We initially had this polygon that is the polygon a, b, c, d, e and when we slide it to three units right and one unit down in this direction it shows the direction of slide is the polygon a dash b dash c dash d dash e dash. Now an image is a translation of a given figure and of shape and its image are parallel. Now here we have joined the points d, d dash and the points a, a dash and d t dash are parallel to the line thus it is a translation of given figure and now let us discuss rotation. Now we know that rotation turns an object along the point in pure point direction that is to the right and negative angle shows that the pure point star and rotation moves the object to a circular point center through a specified angle. Now an image, the given object and its image rotation. Now suppose a is the given point and a dash is image point and p is center of rotation are rotated in a circle given by a center of rotation polygon by 90 degrees angle in anticlockwise direction. Now when we draw a circle with center o and radius o, c we see that the image also lies on the same circle. Now suppose we have given a triangle a, b, c and we have to draw its rotation about which mark c dash on 100 degrees angle and then in the next step mark c dash on 100 degrees line such that distance is equal to distance join r a and repeat the previous steps we can draw the image point c dash and then we will join these image points and join a dash b dash c dash we get a triangle are rotated in a circle with center r that point c dash also lies on the same circle c is equal to distance so we can say the point c and its image point c dash lie on the same circle c. We note that the point a and its image point a dash lie on the same circle c dash is equal to b and its image b dash lie on the same circle c double dash so distance r b is equal to distance therefore and triangle a dash b dash c dash these two triangles are equal so we must note that if we rotate the object of 140 degrees anticlockwise 60 degrees minus 140 degrees is equal to 220 degrees clockwise we have discussed definitions of rotations reflections and transformations in terms of angles and line segments and this completes the session the viewer have enjoyed the session


I started taking college classes here in 2012 during my senior year of high school through a program called Youth Options. I chose NWTC because my sister attended school here. Her success and positive words ultimately led me to want to experience it for myself. I would go to high school classes in the morning and then I would take afternoon and night classes at NWTC. Having this opportunity available to me really helped get a jump start on my college education. It was a lot of hard work, focus and some sacrifice, but graduating this semester I am seeing all of my hard work finally pay off. In May I will be graduating with an associate degree in design and graphic technology and a technical diploma in print technology. NWTC has offered me so many opportunities throughout my many roles on campus. I have had the opportunity to learn so much in the classroom due to their hands-on learning approach and I have also learned so much through my many roles on campus. They have forced me to become a stronger leader, a better communicator and a better workplace professional.