Battle of the Giant Kaiju Oh no! I think we've been out of sources, dead! Oh, howdy kore-sai and welcome to another episode of Jurassic World Evolution Battle-Thing-E-Majigy! Uh, we've got something special for you today!  Ha ha ha! There has been explosion of mods recently in the game, as you'll notice. Every incubator is ready to hatch something. How can this be?   So first off, I want to go over to, I think it's here. Here it is. Okay, so we have a Baryonex and Taurusaurus to release, but what do you believe? Oh wait, is this tree in the way? Oh my god, you can ride the way! We have a Baryonex, but it is not a Baryonex. No, get ready for it. Oh, look at it!  No, that's why it does not make the sound of a TeraBoot. It makes a sound of a Baryonex. This thing, oh my god, isn't it beautiful? They've actually put like feathers on it. Then we had polygons, but at least it has somewhat of a feathery bird. This is the TeraBoot Created by Psyche and PsycheD uploaded it. It's a person again. I've definitely mentioned them before. I can't remember what they made, but oh wow, you are just running over for the water. Because we still have to show off this as well, this Taurusaur, which also is made by Psyche and PsycheD. This is the Woolly Rhino. We have something that can battle. This is amazing, look at it! Oh, it's amazing! I love it! Wow! Again, you know what? For a mod that's free, this is amazing. Actually, these guys aren't gonna fight each other because I've got the settings turned on, although saying that it looks really weird, like really weird. It kind of works, but doesn't, I mean, you can tell that's rigged to the arm. So it looks a bit odd. It's kind of floating around out there. But these are not the reasons why we're here, but I thought we'd just showcase them because, I mean, how could you not? Now we've got the Dodo, the Laspetherium or whatever it's called, the Woolly Rhino. We have the Terra Bird itself, and we have the Mammoth. You can now, in Jurassic World evolution only on PC, unfortunately, be able to make an entire Cenozoic pack. But no, no, no, we are here for a Kaiju Special! Yes. This, first, is a Vestatosaurus, if anyone's a fan of King Kong. Oh yeah, the dinosaur T-Rex liked dinosaur from that movie. Yes, is there two movies? Was there supposed to return to Skull Island? Did that ever happen? No, I don't think it did. Is it still in production? Well, probably not anymore. But, wow, and for a start, this is not a T-Rex. No, it is a Giga, meaning that we can actually have a T-Rex and a Venatosaurus fight each other. So, today's video is 50 Venatossoruses against 50 of something else and 40 of something else, because I actually don't have enough to make 50, 50, 50. The other thing is this, but you may be, I don't know, this is not actually in Dominus Rex. No, this is Zilla! Oh, wow, something weird's going on with that texture. That does look weird. This texture hasn't worked out for this model too much. It is the Zilla. Venatosaurus was created by Sweetener. I completely forgot about that. And this Godzilla, 1998 Godzilla is created by the Toho Society aptly named. Oh, wow, look at it. Now, this is not the vanilla. This is the arid pan, which is probably why we've got some weird textures working out here, especially on the head. But, you can't get much closer to Zilla itself. So, you've got this dude, you've got Venatosaurus. Now, we need another monster. It's cool to have two big monsters fight each other, right? But what if we had something from the person who made the last Godzilla, which is Cyborg Xeno, this, the Polacanthus. Although, this time it's not a Polacanthus. No! I can't remember what this thing's called. Angerous? Angerous, I think it is. Angerous, that's what it's supposed to be called. Another Kaiju. So, this person, their first mod, which you saw was the Godzilla mod, and this is their second. This mod will replace several dinosaurs with Godzilla monsters. So, it does replace the Turandon in the Avery with Rodan. Titanosaurus replaces Sukumimus, and Gorgosaurus replaces Metriocantosaurus. However, those have also included a version too of a Zilla Dominus. You can't get one that is more like the original Godzilla. Anyway, we're going to be stuck with these guys. Zilla, Venatosaurus, and, oh god, the comfort is on like question mark. Why is the comfort on question mark? Are they just always unhappy? Yes, I think that comfort's always unhappy. So, how about we release all of them? So, who is going to win a 50 Venatosaurus, or 50 Zillers? Oh, and of course, 40 Anger-Gurguses. Not all of them have different stats, but each batch of five does have different stats. So, there's not going to be an all out win from one side, I don't think. We've got some stronger Venabas, and also that comfort is in question as well. So, the Venatosaurus could turn on each other, and so could the Zillers. So, there's probably only going to be one creature left out of all of these. Even the Polacanthuses will turn on each other to start with, because their social will be too high. Well, actually that comfort is just always too high anyway. So, let's release all of these. This will also push my computer to its limits, because I have never had this many dinosaurs in a park before. And that is, oh, hold on, I missed these Venatosaurus. Otherwise known as V-Rex, so here we go. Look at them, they look so good. I've always loved these guys. I've loved them ever since I watched that Pierre Jackson's King Kong. They looked so cool. It was the first dinosaurs I think I saw that had the teeth kind of coming out of the jaws, which would end up becoming a staple. You know, Indominus Rex, Indoraptor, all that. Oh, oh, all these Zillers. Oh my God, that's a lot of Zillers, I'm still coming. Have the same skin, I think. Oh, I did give them all different skins. Not only do they have camo though. Oh, look at that Venatosaurus, that looks so cool. I think it's supposed to be a Karkaro dinosaur, and to be fair, I would rather have Venatosaurus Rex than a Karkaro in my park. And this is the reason why Frontier do not allow mods. Oh my God, can they not drink out of the other pond? Oh, they can, but because of the rocks, there's only so many that can drink. Ah, gotcha, okay. We're probably gonna need another bit of water or else, they're probably going to die. So there you go, another big pond, because they're all making their way over here. So we're just gonna wait, so they all leave their hatcheries. We've still got some releasing. Now, with these guys, the Polacanthus, or the Argosaurus, whatever they're called, I made them all the same because they do not stand much of a chance in comparison to a Zilla and a Venatosaurus. So I did give them the most attack and most defense they could have, which is a 118 attack on 112 health, which isn't too bad. They should definitely at least stand somewhat of a chance against them. I mean, they'll probably get one hit in. You know, the carnivores, the hunger will probably be going down now, however their thirst is definitely being met. The herbivores do have their own feeders, so they probably could eat if they wanted to. They are all panicking, however, so maybe they won't. That is over 200 dinosaurs in this enclosure, I think. With a Terra bird and a woolly rhino, let's turn on battles, maximum, and go! Who's gonna be the first one?  I don't know. We've definitely got two bands. We've got these guys over here, and then we just got everything else. Oh, here we go, the first one. We're these guys. Oh, Venatosaurus taking a 63% bite there. Again, Zilla taking a 79. Oh, I don't know. Oh, tell you what, 63 gets 57. Maybe that Venatosaurus is gonna, oh yeah, all the, all the battles are happening now. All the battles are happening. I think we need to get into, we need to get into capture mode for this. Oh yes. Oh, another bite for that Venatosaurus. Oh, they're calling it off, are they? Oh, they might be Battle of the Giant Kaiju. Oh no, I think Venatosaurus is dead. It looks it, it looks to be the case Zilla kills its first Venatosaurus. Oh, maybe this isn't looking good. Oh, maybe this isn't looking good for the Venatosaurus. No, but Zilla, well, it can only have one, so chances are, oh God, oh God, oh God, I saw, oh, no, no, of course. Oh, it did hit it though. It did hit it. Oh, that's another Venatosaurus dead. Oh, two Zillas facing off against each other here. Wow. Okay. Who do you think is going to win? Who thinks we got one death, two deaths definitely, three confirmed, another Venatosaurus, a third Venatosaurus, a fourth, they are just falling another one. Oh, no, that's two Venatosaurus is killing each other. Oh, Lord. Have we got any kills from the polar campus? Oh, these Venatosaurus taking on each other. You don't want that. I think Zilla's probably going to win, but it really depends. Oh, is he done? It's hard to tell, because the head's quite short. Yeah, he's done. He's done. He's out of that. Another one dead. Wow. Oh, I could have easily checked how much dinosaurs we had. I could have just went, I could have went down here and just went, oh, we got, wow, half the dinosaurs are dead. Oh, my God. Half of them are dead, like everyone has had a fight. Oh, wow. Yep. Yep, that's a lot of deaths. I wonder how many of the polar campus are left, because they'll probably be running around. Oh, is Zilla dead? Oh, these other Zillas fighting each other. Oh, no. Oh, there was the alpha as well. It gets taken out. I just want to see one of those take on a Zilla. That's what I want to see. And I want to see a Venatosaurus. Oh, God, what's it run? That was some sassy movement there with it. I want to see a Venatosaurus kill a Zilla, but I don't know. I don't think it's going to happen. Oh, look, these guys binding their time. Indo against another one, a Venatosaurus. Oh, that one's green though. That means he's got extra poison damage. Is he going to win? Is he going to win? Oh, oh, there you go. Takes a bite. 73 against 60 percent. Oh, it's not looking good for the Venatos. There is a lot of Zillas. I'm seeing a lot of Zillas still standing. Oh, but would he right? I was still alive. He's still going. Where is the, where's the death bird? Terror bird? Bionics. Bionics. Oh my God. Oh my God. Bionics, where are you? Anguirus. Sorry. Anguirus. I will get that right. We've got another Anguirus facing off against each other there. Is that a dead Venato? Oh, it is. No, they don't. Oh, hold on. Oh, we got an Anguirus kill. Is it just going to flop? There you go. Let me die. That's fantastic. Oh, no. Anguirus, can you kill this Indominus? Oh, they called it off. Zilla. Wow. 29 percent. Oh, a Godzilla is 32 percent. Oh, they're still all in it. I still have yet to see a dead terror bird. No, another Anguirus killed by Zilla. Battle of the Giants. Battle of the kind. You giant monsters. Where is this terror bird? I must see this terror bird. Where is it? Oh, God. Oh, God. I want to see a Lasma Theorem as well. Look for a Torus or guys. Can you see a Torus or there is so much death. Oh, another Venato there.  There's another Zilla. Yep. Another Zilla killing another Zilla. Oh, there is a tremendous amount of Zillas still standing. Lasma. Lasma. Where are you, buddy? Oh, where is that? Where is the bird? I think it must have died. Oh, a lot of Anguirus is dead out here. Oh, no. Oh, no. Venatos, what are you doing? Oh, hold on, hold on. What a reason this Venato. It just has like a question out for comfort. That's so strange where everything else does have a comfort requirement. We had 108 and now we have 70. Oh, God. Oh, who are you? Oh, you're facing. Oh, he's definitely lost. No, he's on 31 percent and he was an Alpha. Oh, bitten and killed. They don't stand much of a chance. Where is the bird? Where is it? Oh, no. Are you dying? Oh, no. The Venatosaurus is dying. That one's dying. The only Venatosaurus is dying. No. I think Zilla is going to win. I wonder will he ride on the wind, though? I don't know where it is. I didn't make those the best I could. I made the killer bird the best I could and I made the Lasma theorem the best I could. Another brutal takedown from Zilla against another Zilla. This is what happened. Oh, no. Venatosaurus actually killed. We've got another battle here. I think this is another dead Venatosaurus. Oh, God. Oh, no. And Polacanthus died to an... Oh, there's a Woody Rhino. There he is. Still kicking against a 78 in... Sorry, Zilla. It's hard. I keep on calling him Zilla and then I get loads of people get annoyed at me. I'm sorry, God Zilla. They're like, no, it's not really God Zilla. Oh, there you go. That giant horn impaling Zilla. But who's going to win? It's one bite each.  Are they calling it off? I think... Oh, look at him. You did it, buddy. You did it. Oh, oh, God. There's another Argus. Hey, job, Argus. They're dying everywhere. Maybe this guy can win. Oh, there you go. Little pinballs, spiky balls, straight into him. Although, I don't know. Look at his face. It's so dopey. That's right, roaring him. Oh, God, some Zillas. Is there any Venatos left? Oh, this one. Are you the last one? Oh, I think... I think you are. I think you are the last one. Drink up, little one. You could do it. Survive. Oh, no, he got taken out. Who didn't see that coming? We've still got the Woody Rhino hanging out for trying to get out. I don't know what this is, Terry. Must have died. Must have died. I swear that Byronox didn't have many genomes to manipulate that. Oh, no. We have two. Two. There must be three Venatosaurus rexes then, because these are the brown ones. Oh, no, there's four. All the Zillas are just five. There's a green one. Why am I not seeing this? No, they're fighting each other, I think. Oh, are they? Are they? Yeah, I think they are. Not that model. That looks so cool. Oh, damn. The Terrapin didn't stand much of a chance. Although, as long as the Zillas keep on killing each other, it's going to be their downfall. Where's that? I'll ask my theorem. I need to keep an eye on... Have we lost all the auguruses now? Oh, no, we've still got two out here. We've still got two out here. Living in harmony. Maybe these guys are going to make it. Maybe they're going to live. I really wish I saw what happened to that Terrapin. It's just got obliterated as soon as everything was released. No sign of it anywhere. Got some Zillas over here just running through the forest, a dead augurus. Another dead augurus. Oh, another dead Zilla. Oh, and another dead Zilla.   This is good. Bananasaurus might win this just by these guys constantly fighting each other, although the green one did kill his friend. So, I guess not his friend. Apparently not. This is awesome. I love this. Oh, I can so see why Frontier didn't want to include mods into the game. But oh, it's just a natural evolution. As soon as we, as soon as people saw Godzilla in the game, that was it. All hands were off. What happened to everything in the game? Oh, they're calling it off. Oh, we still got another one, though. Taking on this Zilla.  I want to see it. So badly want to see it. Oh, I don't want to see it.  Oh, now he's done. He's done. How about you, Venato? Maybe you can do it. No, I think that's it. I think you're done. Are you? Is it? Oh, it looks like it's done. It looks like that's it. And there it goes. Such a get-given the other one. What has my life become to? I mean, what has my life come to? Oh, lovely. Look at that. Go see a dentist. You've only got five teeth. It looks like a puppy dog. Look at all this death. So much. Zillas still killing each other. I have yet to see the, where is the elasmatherum? Where is the woolly rhino? Oh, no! I think this thing probably killed it, didn't it? Oh, no! Killed by Indo 37. Where's 37? Hold on. We need to find Indo 37. We need to go backwards. 37, 37. Oh, he's still alive. He's still kicking and he's got 100% health. Oh, no. Well, maybe Indo 37 will win. Oh, God. How many Venatos do we have left? Let's have a look. 57. Number eight's over here. Oh, dying. Number 10 is dying. Number 12, dying. Number 13, dying. 17, dying. 20 is already dead. Oh, God. These are all decaying, dying. Is there anyone? Oh, Rome. We've got two roaming. 53 and 44 and 57. We've got three of them left. Three of those. We've still got plenty of Godzilla's to go around, but they're helping just killing each other. This is what would happen if Venato Rex was the same size as Zilla. Well, if they were all working as a team and not killing each other like that one and that one and that one, the Zilla would definitely win. Let's have a look at the stats. So, we've got 171 attack against 108 defense against the Venato. They're killing each other. What are you doing? Against these guys, which have 169 attack out of 67 defense. It's the defense that relets them down, unfortunately. Damn. Although, how many we had? We started with 200. Within one round of battles, we had 100 die and now we've only got 26. We've lost 90%. Oh, God. How's he going to survive? 21% against 59%. Taking it down to 35%. He's not going to do it. Oh, they went over here. Have they killed them? The Orgogors. How many of these guys are left? There's one over here. Oh, he's dead. Never mind. There's one over there. There's another one dead over there.  We've got two left. We've got two left and they're facing off against Zillas with, I mean, that's got 100%. This guy has 84%. So, but he's still regenerating while he's slowly getting in. 85%. No, fight him quicker. 86%. And there you go. Okay. Now they're engaged and take some straight at 45%. And they're both dead. They're both dead. Although, 53. I mean, what is this? 118 against 112. Oh, sorry. 118, 112. 187, 150. Even Zilla has more defense than Polacampus. Oh, no. And that one has just died, I think. Oh, it's about to die. Down it goes. And this other one is just about to die as well. There it goes. So, Orgogors out. Vanado Rex. Oh, is this the last one? Oh, the final two battles are going down over here. This could be it. These two battles right here. Is Zilla going to win? I mean, really, it's a dominance, right? It was probably going to win. Even with random genetics, it has a higher chance. No, he's taken out. And this one, is he also out? No, they're both down. Zilla wins. Yep, there it is. No. Kills it. And there you have it. Beautiful. This model, it must just be a complete replacement. I don't think they work like the other Indominus Rex model we had, definitely was a work around the Indominus Rex model. This one looks just like an import, right? It just looks like either that or they spend so much time on it. Toho Society, you have, did yourself here. Oh my God, how many are left? How many are left? 15 Indominus Rexes left. Everything else died. The Terrapur died almost instantaneously. The Alasmatherium came fourth. Third was followed by the Orgumumus, or whatever it's called. Second was the Venatosaurus. And finally in first place, Zilla. I mean, some of these guys have crazy, 186, 89, 186, 187, 100. And that one died. And that wraps up this video. If you want to see some other dinosaur battles or other monsters in the game, leave it in the comments below. Hope you all get back. And hopefully if they get added to the game, we can do another Battle Royale and of course give credit where credit is due to these amazing people making this game fun and interesting in the midst of a terrible situation that we all find ourselves in, that being the pandemic. But if you joined this video guys, leave a like, dorsal or daigini. And until next time, I'll see you later. Oh bye bye.


It processes your thoughts, memories, emotions and even controls motor functions. What this means is that your brain is extremely important for your survival and success. Most people don't give their brains much thought. They take it for granted. They can move around, remember things, differentiate between things and analyze situations. Imagine for a second if something went wrong.  In this video, I'm going to show with you 9 Thoughts that Damage Your Brain. 1. Watching Too Much TV When you spend a lot of time watching TV, it generally means less time reading or doing something productive. According to Wanderopolis, a health and wellness website, people who watch more than 4 hours of TV a day are more likely to be obese. Watching too much TV might also lead to more aggressive behavior. Watching too much TV or Netflix may after all not be the best idea. We model what we are exposed to. It is our natural predisposition. This means that if we watch violence, sex and drugs a lot, we're more likely to indulge in them. If you're still in doubt though, according to Healthline, recent research in the UK shows that regularly watching over 3 hours of TV each day can lead to cognitive decline in language and memory. Is your favorite show really worth it? No one says that watching your favorite show is bad. You need to spend less time watching them. According to Daisy Fancourt, a senior research fellow at the University College, London, watching TV has been shown in laboratory studies to lead to a more alert but less focused brain. Some television view in a stressful and stress is also associated with impairments and cognition. To save your brain the stress, skip a show today. 2.   When you're always sleeping or searching for unnecessary things on Google, your brain suffers. Do you know the meaning of a play too, without checking Google? When was the last time you read a book? The 21st century technology may be making you dumber than you realize. According to an American writer, Nicholas Carr, what the net seems to be doing is chipping away my capacity for concentration and contemplation. My mind now expects to take information the way the net distributes it, in a swiftly moving stream of particles. Once I was a skipper diver in the sea of words, now I zip along the surface like a guy on a jet ski.  3. Doing a lot at the same time Do you multitask a lot? You may be doing yourself more harm than good, according to a research carried out by Stanford University. People who are regularly bombarded with multiple streams of digital information have a more pronounced problem recalling information and paying attention when compared to people who undertake one task at a time. Research also supports IQ dropping as low as 15% while multitasking. What's your hurry? Do you have a deadline? Don't we all? Instead of trying to do them all at once, why not split the time among the tasks to do them one by one? A lot of the time, if you try doing them all, you would end up doing a bad job. Then you will panic because you don't have enough time to redo them all, and then you'll panic all the more. You need to breathe. The world is not going to end because your task is not ready. Try starting early so you can spend time doing them to the standard you want. That way, you're not under pressure and you can unleash your creativity. If you're a manager, try not to give anyone more than one task at any given time. It can lead to work-indue stress and poor output. 4. Flying Frequently The general flying frequently can damage your brain. I thought right. I was shocked too. According to a recent study from the University of Bristol, 20 female aircrew members who flew across seven time zones regularly had their short-term objective memory and very simple abstract cognition affected. They also suggested that the damage may become permanent if suffered repeatedly over the long term. Human beings were after all designed with legs and not wings. Flying is great. It gets you to your destination faster, but seriously, you need to consider what it's doing to you. If you're always flying, you should reconsider your options. People are fine until they are not. It is not wise to wait for something to happen first. There is always the road. If you have a sound car and stay within the speed limit, you will be fine. Plus, you will get a lot of time to think and reflect. 5.  Not getting enough sleep can damage your brain in the long run. According to the Center for Disease Control and Prevention, USA, a third of 440,000 people are getting less than 7 hours of sleep per night. How much sleep are you currently getting? An average adult needs at least 8 hours of sleep per day. I know some of us are getting just 4 hours of sleep. To what end?   I think it is a good idea to start getting some sleep. If you can't sleep, book an appointment at the hospital. The doctor will know what to do. 6. Being Alone All The Time Human beings are wired for social interaction. Being alone was probably not a smart move. Here's why. People who have just few friends are actually less likely to have brain decline or Alzheimer's disease. Even if you feel okay being alone, your brain may disagree.  Having friends you chat with just isn't going to cut it. There are too many communication gaps across social media. According to a recent study conducted by the University of Michigan, 10 minutes of conversation today with a person can improve memory and cognition. Call a friend today. 7.  You're not a computer. You're human. Humans are, of course, smarter and more flexible than computers. However, computers have an advantage. They can process a lot of data using complex algorithms, but our brain doesn't work that way. 8. Excess Nicotine Consumption Smoking can literally shrink your brain. It is not something you want to do long-term. It also makes you susceptible to dementia and Alzheimer's disease. Your brain is very essential for everything. You do not want to sabotage it. You can become like a vegetable. I'm sure you don't want that.  Or do you want to forget your grandchildren's names and be reminded every single time you see them? If you know how sad those things can make others, while indulge in habits that will eventually lead you there. 9. Excessive Drinking Drinking is fine. It's excessive drinking that is the problem, according to a recent study by the British Medical Journal. People who consume moderate amounts of alcohol weekly wear three times more likely to have damage to the area of the brain responsible for memory and spatial navigation. Memory loss is very common among heavy drinkers. You really shouldn't drink so much. The bar is always going to be there. Why do you have to take so many bottles at a time? Does a drink contain secret nutrients that give people success or insight beyond what man can perceive? There is really no benefit other than satisfying gluttony that will come for you in due time. If you care about your health, you need to reduce your alcohol intake. It is alright to go to therapy about it. You can even join a group therapy session. Work on yourself. People will not trust you if they know you drink carelessly. A careless drinker is assumed to spill everyone's secret in a drunken spree.


The Institute of Chartered Accountants of Nigeria, ICANN, is advocating better transparency and accountability as it will result in improved governance in Nigeria. President of ICANN, Innocent Okosa, who said this on the sidelines of a presidential dinner organized in his honor by the Lagos and District Society, said since 2017 the Institute has developed a framework to check the level of accountability in the management of public finance. More details in this report. Dignitry is from within the Lagos and District Society of the Institute of Chartered Accountants of Nigeria, ICANN, gathered to host their 59th president. It is also time to inaugurate their new excursion of the FBN chapter. The feather-first chairman of the Lagos and District Society, Tony Abyar Salami, welcomes all present. Which reflects on the journey so far, while restating the district's staffer's commitment to inspire the next generation of accountants. We have remained steadfast in our commitment to excellence. Noted in initiatives such as the Catch them young program was also held in November, which hosted over 200 students. While chartered members of the noble profession, wine and dine, issues affecting accountants globally take center stage at the interactive session. In the chat with ICANN president, he is quick to share insight on transparency and accountability in the public finance space. And what we have discovered is that the level of accountability and transparency is low for some states. Some states are taking the bottom five lowest performance states and we have been advocating for this better transparency. Because we believe that when there is better transparency and accountability, then there is an improved governance because the various arms of government will be able to state what these funds are used for and how the funds impact on the life of the citizens. The Association of Chartered Certified Accountants and the Institute of Management Accountants, Global Economic Confidence Survey, shows the clining confidence among accountants globally for the fair consecutive quarter in the fourth quarter of 2023, consistent with a further moderation in global growth. What is being done to drive confidence in young people to the profession and what does the future hold for the industry? As a district every year we have all these programs that we carry out during the year. One of them is the Catch them young program where we go to schools within our catchment area, we visit them, we give books, we give presents, we do quizzes, we try to encourage them to become accountants. This year alone we had one in November and we intend to have another one on the 28th of February and all this is all done with sponsors and people who come together just to encourage our young ones to become accountants. So what has happened in the profession is that globally, especially in the western world, the profession is no longer attracting the young ones. And of course you know where you don't have young ones, the tendency is that the profession is going to get into extinction. But in ICANN, which is the Institute of Chartered Accountants of Nigeria, we have a program targeted at the young ones. We call it Catch them young program and because of that our program we have been able to attract young ones to the profession. It's presented to outstanding members of the district for exceptional service and dedication. Justin Akadone, plus TV News leaders.


Excel is a smaller, weaker mushier sir. It has a nice real pull-in tight swallow tail. It has a swallow tail at ease and maintain that drive speed off of your turns. The rocket nights typically be ridden about two to three inches shorter than your height. For example, I'm 5'11", about 170 pounds. I have one actually. The cost of it is a 5'8", with around 28 liters of volume. Works unreal. We've got a whole selection of a gear every size and stock at the surf station. You can visit us at surfstationstore.com. We'll be happy to help you with any questions and help you purchase what you'd like.


Good morning Welcome to the legal and policy issues dev room My name is Tom Marble, and I'm here with one of my co-organizers Richard Fontana We also have two other core organizers Karen Sandler and Bradley Kuhn who are off doing the FOSDEM keynote at the moment, but we'll be back Later today in this room Some of you may know that this is the Eighth year that we've done the legal and policy issues dev room and it's been really an interesting ride because we started out with the idea of describing or talking about the issues that enable free software and open source to exist and starting off with things like copyright law and patent law and trademark law and Broaden that into governance issues issues like copyright license agreements And all sorts of other things and it turns out that every year there's always more new information around The ecosystem of free software that we need to talk about it was actually several years ago that we heard In this dev room about the GDPR. I think mark you gave a talk about that. Yeah So that's where I first heard about the GDPR and I have to give All of the Europeans a big props for the GDPR because you probably know this already but globally companies are enacting privacy To comply with the GDPR even if they're not European and that's just an testament to the influence that that you've had Which is great. I also want to say that This dev room is intended to be a place of discussion and we while we have a lot of lawyers that are presenting We absolutely encourage people that are not lawyers that our developers are involved in the community to come and share their experiences with us and Hopefully our speakers will give you all a chance to ask them some really provocative questions and we can have some good discussion We have a great lineup today. And in fact, we have several Panels that will allow opportunity for discussion including at the end of the day We have our organizers panel where we hope to have some lively discussion so It's a very busy day. I want to thank you very much for for coming and at this point. I'm going to give the mic to my Organizer Richard Fontana if you'd like to say a word or two Thanks, Tom. Well, it's great to be here. I have no prepared remarks, but Tom wanted me to to say a few words So I think this has been this event has been has had a big impact on my my life. I think it's been Fantastic each year that we do this we get such a great lineup of speakers We have not only sort of followed the evolution of legal and policy issues in the larger free software and open source world As Tom was saying, but I feel like we've actually had an impact on sort of driving where Conversations are going and I think that's really great and and What's also sort of unique about this event is that it is part of FOSDM. It's a it's a developer Hacker-driven event. It's not a lawyer controlled event. It's not a secretive event. It's a it's a public open chaotically organized thing and that's just very special and it's becoming More and more uncommon and I think it's really great and it should be a great event today You can see how many of the lawyer-related go-to where You basically have to be a lawyer or have to Well, there's I don't think there's any that that really have being a lawyer as a criterion But but many of them do our invitation only well not many but there's there's some important ones that are invitation only There are historical reasons for that but that's kind of unfortunate And I think it's really great that this event shows that you can have an entirely open alternative


Hello, bonjour. In this video, I will show you my experience with replacing the default overlay on a display tablet, adding a keyboard tray, a real bug that I had, and things I learned about two grainy overlays. This video is of course not so read by any brand, I just wanted to share with you what I learned in this process. So the first useful modification I made for my XP Pen 24 Pro was to change the default overlay. The default felt too smooth to me, too glossy, and started to get too many scratches. I noticed that even on the first week when I made my video review of the XP Pen Artist 24 Pro. I made my final choice on an overlay sold at Photodon.com. It was after watching a video review of an artist, Robert Marzullo, if I pronounce it well, and it was a very good recommendation, so thank you Robert about this. I will put the video in the corner of the screen. Photodon has a model for the XP Pen, and I selected their MXH overlay type. It's an overlay with a subtle texture, and it's not super glossy, so I don't regret my choice. I wouldn't say it was easy to install, but it was really doable alone. I was super anxious about the bubble of air and the dust that could get trapped under the overlay, but I did all the modification in the kitchen, and with a range fan set to the highest level. It was sufficient to take all the dust out of the air, and I could get a very good condition to make this modification. The result turned out great, and the surface doesn't have any scratches anymore after many artworks. Also, the glossiness reduced slightly, and that was a really big bonus. My other issue with this tablet was about its ergonomics. I wanted to get access to my keyboard on the top to type my keyboard shortcuts, and only one company does this, and it's the SYNTWIC company. Unfortunately for me, they had only models for the vacuum SYNTIC, so I decided to write them an email with photo and measurement of my XP Pen tablet, and fortunately they replied and student my request. So they gave me extra measurements for my DIY adaptation, and a lot of other information that wasn't available on their website. Then I boot their model, the SYNTWIC X24 Pro, that was the closest of my XP Pen, and they sent me extra felt pad, and even a little graphic to help me how to position them, and that was just perfect. The modification was perfectly stable, and I used the tablet like this on the production of my webcomic. Recently, SYNTWIC came back to me and proposed me to try their new universal size head model. I received this one a week ago, and it's very cool. You can adjust all the settings of this thing. The thickness of the tablet, the distance to the edge of the screen, and in result, the keyboard tray is even more stable and robust than the previous one. I also love the concept. One single keyboard tray that has the possibility to adapt to all the future model of display tablet I own, and for all the brands, that's a good investment. So thank you SYNTWIC for the good hardware. Unfortunately, after the success of the SYNTWIC and the photodone overlay, bugs happened. And on my XP Pen Artist Pro X24, I had one morning a real life bug who found their way under the glass of the screen. To make the situation even worse, this tiny red spider got trapped between the glass and the pixels.  Oh no. I have no idea how it is possible that XP Pen hasn't protected this area in a better way. So I decided to tear down the tablet, and believe me, it was very complex. I wouldn't give this hardware a very good repairability score, because I couldn't access in final to the glasses and clean it manually. That was very frustrating, and then I mooted back the device and I was so depressed to draw every day with this corpse of bugs click on the screen like this, on my face every day. I had to wait two weeks of usage before the heat of the device dried the insect to not stick anymore to the inner part of the glass. You can believe me that I tried Varius method to shake the glass and remove it. I tried the toothbrush, vibrating and everything, but the best result I had was with an adhesive rubber band and tapping the screen like that. Unfortunately, a little sticky part remained on the glass until this day now. So about this not thank you XP Pen, I wish your screen had a better protection to avoid this type of situation. In September 2022, Wacom contacted me to send me a gift. They were thankful for my Creative Commons illustration from my blog all this year and asked me what tablet I wanted in their catalog. I decided to try their Intuos Pro large, and since I received it, I only use this tablet now. But one thing I disliked about this device was the device had too much grain for my taste, and it was the overlay surface of the tablet. So I had to change the nib of the Stilus every four days at first. That was totally nightmare because you can imagine flattening the nib in only four days. It's something unbelievable. But the surface became finally smooth after a month of daily usage. It took probably 8 to 10 nibs until reaching this point. I had to buy another pack of nib on the way to reach this situation with a smooth overlay. But now I have the same nib on the tip of my Stilus since the last probably two months. And yeah, it doesn't hit so much nibs anymore. So I wanted to let you know about this effect. Be patient with this type of tablet. And the nib situation will get better. In conclusion, I still regret the XP Pen 24 Pro precision for drawing. But my workspace size is too limited to get AND the vacuum Intuos Pro and the XP Pen 24 Pro together on the same desk. So to the day I'm writing this line, I'm still trying to figure how I could get the advantage of both connected to a single PC. But I don't have a lot of illusion because I have a very limited space around me. So that's why I'm favoring the Intuos Pro large right now. And I'm really happy about this tablet. But when I do a longer drawing, I still have nostalgia for the time I spent on the XP Pen 24 Pro. So I don't know. Maybe I will continue to do some DIY to find a way to get the two tablets around me. I'll keep you informed about it. Thank you for watching. Bye bye.


From Hollywood, California, the Lux Radio Theater presents... George Arliss in Disraeli. Presents Hollywood. For your loyalty to Lux Flakes, we say thank you, ladies and gentlemen. Each week it is gratifying to receive the many letters you send us commending our program. But it is still more gratifying to get your letters telling us how much you like Lux Flakes. Thank you again for your purchases of our product. Tonight we bring you another banner dramatic event. George Arliss in Disraeli with an all-star supporting cast featuring Florence Arliss and Pat Patterson. Our guest producer is again that genial gentleman and world-famous screen star, Mr. Edward Arnold. Our regular producer, Mr. Cecil B. DeMille, will be back in his usual place here next Monday night and every week thereafter. Tonight we hear him from New York City with the special guest of the evening, Major Edward Bowles. Lewis Silver's directs our music. And now we begin the show with word from our guest producer. Ladies and gentlemen, Mr. Edward Arnold. Thank you, Melville Roy, and good evening, everyone. With the presence on our stage tonight of Mr. George Arliss, a new chapter in radio history is written. Not merely because Mr. Arliss considered to interrupt his first vacation in many, many years to be with us tonight, but because this is his first time in his magnificent career that he has appeared on the radio in a dramatic vehicle. For such an event, it is only fitting that our play should be Disraeli. I doubt if there's any actor in the world who has brought more honor to his profession, who is more respected and more beloved than Mr. Arliss. And I also doubt if any actor in the history of the theatre has been more closely associated with a certain character than Mr. Arliss is with England's great statesman, Benjamin Disraeli. For five consecutive years, he played the part on the stage and it later became his greatest triumph on the screen. As in the film, the part of Lady Beacon's Field, Mrs. Disraeli, is played by the wife of our star, by that lovely gracious lady, Florence Arliss. You may wonder why this character is called Lady Beacon's Field, while her husband is called Mr. Disraeli. There's an historical reason. When offered a peerage, Benjamin Disraeli declined to accept it for himself in order to retain his place in the English House of Commons. He accepted it only for his wife, knowing that it would please her. It was years later before he himself resumed the title. Our play, adapted from the original by Louis and Parker, has two other outstanding parts. Those of Lady Clarissa and Viscount Charles Dieford. As Clarissa, we welcome Miss Pat Patterson of Walter Ranger Productions, star of the new film, 50 Second Street, and the wife of Charles Boying. Miss Patterson has just returned to Hollywood from three months in Paris. And as Charles Dieford, we hear GP Huntley Jr. And now on with the play. The Lux Radio Theatre presents George Arliss in Disraeli with Florence Arliss and Pat Patterson, corner of Hyde Park London in the year 1875. Butched on a large box, a shappily dressed professional agitator is arraigning a crowd of idlers and melk intents. The agitator weaves his stubby arms shouting angrily. Dear Disraeli, police should be Prime Minister of England. He's all right, Disraeli, whose grandfather was a heart of the commons, Mr. William Gledstown is speaking against him today. Gledstown! He's speaking against Disraeli there. Mr. Gladstone. Thank you. It is Mr. Disraeli's express wish to see our Queen Victoria crowned Empress of India. It is also his express wish to commit us in the face of Russia to a foreign policy of imperialism and expansion that makes me tremble for England's safety. I say that in proposing such a policy, the Honorable Prime Minister has branded himself an unfaithful guardian of England's welfare, an unworthy consular of England's sovereign, a dangerous enemy of England. And the Prime Minister. And thank you. And now that Mr. Gladstone with his customary eloquence and customary tact has expressed his customary disapproval. And the issue, gentlemen, is this. Whether you will be content to be a comfortable England, meeting in due course of sad inevitable fate, or whether you will be a great country, an imperial country, a country where your sons, when they rise, will rise to paramount positions and obtain not merely the esteem of their countrymen, but the esteem of the world. Perhaps you think that because no war clouds darken the present horizon, there is no danger. Have you ever seen one of those marine landscapes on the coast of South America? You behold a range of exhausted volcanoes, not a flame flickers on a single pallid crest. But beneath is a sleeping menace that will someday awake. That is all. Good morning, dear. Good morning, Mary. How are you, my dear? I slept quite well. You didn't, I hear. Nonsense, nonsense. Three, four hours. Then I won't bother you about the party. But I'm dying to be bothered. Well, here's the list of invitations. Yeah? Would you conduct the best and real Lady Clarissa? Dear Clarissa, you know she thinks you're the greatest man in the world, and she's right. Oh, Viscount Dieford. Yes, young Dieford will come to protect Clarissa from my diabolical influence. And by the way, I want you to invite Mrs. Travers. Mrs. Travers? Why did he, we scarcely know her? A very fascinating woman. I'm anxious to cultivate her acquaintance. Why did he? I have a feeling that Mrs. Travers is rather interested in the international policies of England. Interested as an English woman, or as a... Ah, that, my dear, is what I propose to find out. Ladies and gentlemen, Mr. Vernon Rockwell and Mrs. Howell, Sir Michael Provence and Lady Provence. Ah, Sir Michael. Sir Michael. Good evening, Lady Bickensfield. Good evening, Mr. Dieford. The Russian ambassador, Count Bosnov. My dear Bosnov. My esteemed friend, good evening, and Lady Bickensfield. Good evening, Count Bosnov. And I'm happy to see you here. Although the powers of Russia and England seem bound to cross, their ministers may still be friends, eh? Thank you, Mr. Disraeli. You're very kind. Mrs. Travers. Oh, wait, Bosnov. Mrs. Travers. Good evening, Mr. Disraeli. So good of you to ask me, Lady Bickensfield. Mrs. Travers, may I present Count Bosnov, the Russian ambassador, or perhaps you've already met? I, uh, I don't believe we have. How do you do, Count Bosnov? How do you do, Mrs. Travers? My arm. Thank you so much, Count Bosnov. Did you notice the Mary? I think they have met before.  Lady Clarissa, my Count Dieford. Mr. Disraeli. Clarissa, more charming than ever. Good evening, Lady Bickensfield. Good evening, dear. Here's Charles. We came together. Well, you felt very glad to see you. How do you do? You're fortunate we've got such a charming young lady, Charles. And I am fortunate to be shaking her by the hand. Winter hand in hand with spring. Innocence with guile, experience. Same thing. I'll run along now. Run along, Clarissa. I'll run along, sir. Mary, that young man doesn't like me. How do you dislike Mr. Disraeli so much, Charles? What? I neither like him nor dislike him. Oh, don't you feel lonely? Lonely?  Yes, yes. I know how you admire him, but we won't argue about that now. I want to speak to you, Clarissa, about something important. Well?  Was her permission needed? Well, I'm rather a stickler for form, you know. Yes, I know. Clarissa, I consider it my duty to marry. Do you? As you know, I'm very much interested in the working man. I have plans for building model cottages with every modern improvement. I trust my wife and I will show our humble friends a model English household. Model children, in short, a model... Charles, you'll think me very silly, but is this, is this an offer of marriage? Why, I hoped I'd made that clear without offensive plainness of speech. How wonderful. I mean the manner of your proposal. What? You are a young man of 25, and I'm a girl of 19, and you come to me with an essay on political economy. I beg your pardon. Oh, Charles, Charles, you've made a horrible hash of the whole thing. Clarissa.  I like you very much, but your model cottages leave me cold. But, Clarissa... If ever I marry, and I hope I shall, I want a husband who is at the bottom and is climbing, climbing on hands and knees with his eyes fixed on the summit. Never mind if he never gets there. I can help him to climb, and if he falls, I can fall with him. But I can stop. No. You were born at the top. You sit in a rarefied atmosphere like the gods on Olympus, and design model cottages. I see I have made a mistake. Yes, Charles. Shall we go in now? Mr. Disraeli? Yes. A telegram for you, sir. Just come. Yes, sir. Hey, Charles. Back at... Yes, sir. Find the Bank of England. Find the Bank of England. I mean the manager of the Bank of England. Sir Michael Pomenitz. I want to see him alone in the library. Yes, sir. What an opportunity. Sit down, Sir Michael. Sit down. Well, what is it now? Sir Michael, I've just received an astounding... One moment. Why are you closing the window? How voice is travel? Hey. And how pretty ears have come halfway to meet them. What? I thought I caught a glimpse of my dear friend, Mrs. Travers. Why, what's all this secrecy about? Listen to this telegram. It came a moment ago from Egypt, Cairo. Have secret information that Ishmael Pasha, creative of Egypt, is in urgent need of funds and will sell controlling shares in Suez Canal for five million pounds. Well? A tremendous opportunity for England, Sir Michael. You don't mean that in earnest. Pardon me, in dead earnest. Do you seriously mean you are thinking of purchasing the Suez Canal? I was never more serious. And you want the Bank of England to back you? Temporarily, until Parliament meets. Then let me tell you at once, I'll never consent. I shall not allow the bank to play a dux and drakes with its money on an Egyptian ditch. An Egyptian ditch? That's rather neat. Only it's not ducks and drakes, because Russia too is... Oh, that ancient bugbear. That ever-present perio. Russia knows of this opportunity to purchase the High Road to India. If she sees the slightest move on my part, she'll snap up the canal like that. Your scheme is hair-brained. The canals are confessed failure. Really? Whatever doesn't pay is a failure. And it's silting up, Sir. Silting up. Soon the only ship sailing on it will be the ship of the desert. I mean the camel, Sir. Yes, I thought you meant the camel. Beware of the east. Remember Pharaoh, Sir. Remember Pharaoh. Yes, but what about Moses? He was a Jew. Well, he was privileged. And you won't help me? Oh, on the contrary. I rejoice to think I've made this rash enterprise impossible. Oh, but you haven't. What? Where will you go for the money? Where Pharaoh went. I shall go to Moses. Well, at any rate, it'll be no use coming to me, and that's final. Nothing is final, Sir Michael. In the unlikely event of Moses failing me, I may send for you again. And I shall not come. I think you will. Hold with him? No, my dear. But he's missed his opportunity. I must get hold of Mayer's. Hugh Mayer's the banker? Hugh Mayer's the banker. That's the man, Mary. That's the man. Dizzy. I hope you're not borrowing money. No, no. Well, just a trifle. Only a few millions. We'd better get back to our guests, my dear. There's Charles in the garden, looking like a thundercloud. I'll tell you why. He has asked Clarissa to marry him, and she's refused him. Oh. Mary, I am going to pay ferry. Godfather, I'm bringing them together. You, a matchmaker, as if you hadn't enough to do. Think what a splendid couple they'd make. Ah, Dizzy, always dreaming a romance. And living one, my dear, while you are by my side. Excuse me, Mary. I've been looking for you. Really? And I had desired a word with you. There. Now, I know that tone of voice so well. What do you mean? It's the tone of an angry man. Now, what can I put you out? Mr. Disraeli, Clarissa has refused me. Yes? Well? And I attribute her refusal to your influence. I see. I was thoroughly justified in thinking well of you. What? You have courage, or you would never say that to me. Do you take a girl's no as final? I suppose she knows her own mind. Certainly, but make her change it. How? I'm glad you're asking me to help you. Because I'm interested in you. Interested in me? Why? Because England stands in terrible need of many of your stamp. Oh, I can't see that. England was never so prosperous as now. She has a wise aristocracy, an industrious middle class, and a contented and happy peasant strength. Splendid, splendid. How many old Tory squires have I heard talk just like that? Is that how you talk to Clarissa? I do not discuss politics with women. I do. Sit down. Listen. England is as isolated as a ship laying off the coast. Affirmate as it work all over the world. Titanic forces have been unchained, forces of which you have no conception. The spirit of nationality has awakened everywhere. All the nations must expand, and everywhere our empire is in their way. Russia, for instance. Now, while England stands alone, while France is crippled, now it rushes opportunity to snatch it India. With India lost, the whole fabric crumbles, and England sinks into insignificance, a bell jam at sea. Now, do you see why Clarissa refused you? These are the things I've told her. Do you wonder she wants a man of action? Do you wonder she's not content to be a mere Duke's wife? I see. But what can I do? What can any one man do? What one man has already done. You, sir. But how can I hope to emulate you? You can learn. Will you learn? Will you teach me, sir? Yes. How can I begin? What's the solution? Is it war? War is never a solution. It's an aggravation. What then is the solution? A very small thing. A thing men are laughing at. What, sir? A ditch. A ditch dug in sand. A ditch? A ditch dug in shifting sand. You mean... I mean Mrs. Trevor. Is that you in the shadow of the trees there? I thought I recognized you. I just came out for a breath of air. An unexpected pleasure. You know, we were in the thick of a very interesting discussion. I say that a ditch dug in sand gives the best soil for celery. Sand? Yes, sand. Is it? Come here, Mary. Here, Clarissa. I have a bit of news for you. For me? For you, my dear. Lord Dieford has just done me the honor of accepting a sacred worship. Mr. Disraeli. Charles! Oh, Charles! Clarissa, I may do something yet. Oh, I know you will. My congratulations, Lord Dieford. You'll have many things to teach him, Mr. Disraeli. Mr. Disraeli has already begun. Yes. I've been teaching him what it took me many years to learn. And what is that? Dear lady, that a ditch dug in sand gives the best soil for celery. In the Lux Radio Theater. George Alice, Laurence Alice, and Pat Savison return in just a moment to go on with act two of Disraeli. Now, during this intermission, we invite you to enter a word game. It's easy and lots of fun. Here's how it's played. In the Lux playlet you are about to hear, there are three characters. Mary Jane, her mother, and her aunt Nancy. During the conversation, they will mispronounce three words. The scene is a house on the north side of Hollywood. Mary Jane is celebrating her 12th birthday and her aunt Nancy arrives with the present. See if you can pick out the three words they say wrong. Mother, look, aunt Nancy's given me two pairs of silk stockings. How lovely. Really, Nancy, you shouldn't have done it. You've been spoiling that child since the day she was born. Oh, mother, I've been positively dying for a pair of silk stockings. You know aunt Nancy? These are my very first. I'm glad you like them, honey. I only hope she appreciates how exquisite they are. And doesn't go running through hedges with them on. But mother, only this morning you just leaned over to pick something up and yours went into an awful run. That's just it. That's why you have to be so careful. Well, let me give you both the tip. The time to start being careful is the very first time you wash them. You use Lux flakes and you won't get so many runs. It saves the elasticity of the silk. Here are the three mispronounced words. Mary Jane said positively. The word is positively. As in, the way Lux Flakes cut down stocking runs is positively miraculous. Mary Jane's mother said exquisite. She should have said exquisite. As for example, every smart woman likes the way Lux keeps stockings exquisitely new looking. And the last and most important word aunt Nancy pronounced elasticity. But no matter how she pronounces elasticity, she certainly knows what it means. Some soaps contain harmful alkali and this weakens elasticity. Leaves the delicate stocking threads brittle, apt to break into runs. Rubbing with cake soap often pulls and tears the threads too. Lux Flakes save elasticity and cut down on runs. So always wash stockings in gentle Lux. Back now to Edward Arnold. We continue with Disraeli starring George Arles with Florence Arles and Pat Patterson. A few days have passed and Charles, to Clarissa's delight, has begun his apprenticeship under the great Disraeli. In the inner sanctum of his office at 10 Downing Street, the Prime Minister sits at his desk, a slow smile, creasing his wily old face. On the other side of the desk is Hugh Meyers, the banker. Mr. Disraeli, the money is on its way. Good. From... From New Argentina. When will it arrive? In three weeks to be placed at my disposal in the Bank of England. The Bank of England? That's rather humorous. Why? And nothing. I was thinking of probing it. Mr. Meyers, I can't sufficiently thank you for coming to my rescue. Don't try. Goodbye, Mr. Disraeli. Let me see you to the door. I beg your pardon, sir. Oh, my dear. Forgive me. I didn't know you were so close to the other side of the door. I'm afraid I banged your head. Sorry, sir. I was just coming in with some dispatches and I dropped one. Yes, of course. Of course. Let me introduce you. Mr. Hugh Meyers, this is my confidential secretary. Mr. Faljam. Such a workaholic. Well, goodbye, Mr. Meyers. Goodbye. Mr. Faljam, where is Dieford? In the anti-room, sir. With Lady Clarissa. Charles. Oh, yes, sir? Good morning, Mr. Disraeli. Good morning, my dear. Charles, did Faljam make any comment on my visitor? Why, yes, sir. He did. Very impertinent, too, I thought. What did he say? He suggested you were seeing Meyers about money for... Shall I speak in Clarissa's presence? Yes, yes. Go on. About the Suez Canal. What did you say? Not a word. I just stood up, sir, and glared at him. What's the matter, sir? What more could you have said if you talked for an hour? Well, do you accuse me of speaking? No, sir.  Oh, well, he's easily muzzled. Now, put him on his parole. I'll fetch him. Capital. Fetch him, fetch him, by all means. He was in the next room a moment ago. Why, he's gone. The window's open. He's gone. Yes. Shall I tell you where he is? He's at Victoria Station, catching the 1030 Express on his way to Ostend, to Trieste, and so to Cairo, to put in a bid for the Suez Canal. Mr. Disraeli, I... Who is he? He's Mrs. Travers' husband. What? Yes. He and she are agents, spies. Russia has sent them here to discover what you have told him. But why did you employ him, knowing he was a spy? Because I knew it. Because I want him under my eye. I had him on a false scent when you, when I blundered. And you lost control of your features. I'm... I'm sorry, sir. Will you tell us why silent is so important? Oh. Now it's of no importance, whatever. Today, Mars gave me a blank check. I thought the thing was done. But now, forge, I'm no Russian knows. Whatever some may offer, they will double. Is there no remedy? Of course there is. What, sir? I'm a sender man to Cairo with unlimited powers, ready to outbid anything, ready to pay on the nail. What must be the man's qualification, sir? A strong, stern, silent man. Subtle and cunning, fighting in wildness with wildness.  No, but I'll find him. What is it, Lou, sir? For a moment while he was speaking, I had hoped that perhaps Charles... Don't say it, Clarissa. Don't say it. Yes. Do say it, Clarissa. Do say it. For there's another kind, a man who might be twice as useful. What kind? A man so honest that the rogue would think him a rogue. So truthful, that's where he was lying. So simple, they'd never fell him in. Charles, you are the man. Charles! I? To be trusted with this mission after what I've done? Why not? Oh, but I'm a useless, conceited idler.  Well, granting that, I didn't say it. But granting that, it's an excellent reason for sending you. Will you go? Will I go? There is your man of action, Clarissa. But I warn you, Charles, there'll be grave danger. You're ready to meet it? I mean danger of death. Yes, sir. Death? Every step of the way. Every hour of the day. Danger, lucky and every seductive disguise. I didn't know. Clarissa, my child, do you forbid him to go? I? I can't forbid? Yes, you can. He shall obey you. But think a moment. If you forbid and he obeys and I send that other man, how will you feel, Clarissa? You must go. Charles, my boy, you leave in ten minutes for Cairo. Good morning, Clarissa. Our charming guest rises early. Good morning. Any news, Mr. Disraeli? Not yet. Not yet, not yet. It should have come days ago, shouldn't it? Patience, my dear. Oh, good. Don't be alarmed. It's only my peacocks singing. Good morning, Disraeli. Mary, my dear, had a good night? Of course I have. Slept like a top. Oh, I'm so glad. You said last night you didn't feel very well. What's that? Mary. Now, now, Disraeli, it's quite all right. What is it? Are you sure, dear? Clarissa, listen to him. He doubts everybody's word. He doubts mine. Well, if you've spoken the truth, you shall have your morning's offering. Excuse me, my dear. Clarissa, never speak of my health before Dizzy. Promise. But is anything the matter? Nothing. Well, nothing to make a fuss about. Dr. Williams says I must be very careful. I am. So that's all right. Now, mine, not a word to Dizzy. You are, my dear. The last rose of summer. Thank you, Dizzy. I beg your pardon, sir. Will? Telegram, sir. Oh! Thank you. What is it? Oh, please. It is from Karo. What did he say? He says the celery is ripe to cut. The celery is ripe to cut? Well, what does it mean? It means the sewers can now purchase is completed and the check accepted. This is a success. You probably... Let her cry, Mary. Let her cry. It's worth it. Mr. Disraeli? What is it, basket? Mr. Hugh Meyers, sir. Meyers! Just the man I wanted to see. Show him into the library. Yes, sir. Good morning, Mr. Meyers. Good morning. I was just about to send you a telegram. I've had... One moment, sir. I want you to hear me first. Well, I don't know how to tell you. It's so much harder than I expected. Well, tell me. Tell me. I... Mr. Disraeli, I'm bankrupt. What? My house... I didn't quite catch you. My house is bankrupt. Bankrupt? Meyers bankrupt? Are you mad? I wish to heaven I were. You mean you're temporarily pressed. You're in temporary difficulties. I mean we are bankrupt. Well, how? A house like yours? What have you been doing? What's up? It's not our fault. Explain. First, the ship with the bullion. Coming from the Argentine. Yes. Gone down. Wrecked. Scuttled. You mean... I mean purposely and criminally sunk. All the crew saved. A conspiracy. And that isn't all. What else? Well, for a long time, ever since our interview in Downing Street, rumors affecting my credit have been spread abroad. And now this mysterious wreck. I'm being pressed. I see, I see. Be as angry as you like. You're justified. I've been an honest man all my life. And now I stand before you in the light of a common cheat. Mr. Mas, I know you, sir. Give me your hand. Thank you. Does anyone else know? No one. I came to you first. We can't carry out the canal contract, of course. Thank heaven I'm in time. Thank heaven that hasn't gone through. But it has. What? The telegram just arrived. They've accepted the check. What? What can we do? When will your bankruptcy be known, Mas? Tonight, tomorrow morning. By heaven it shall not. Get back to town quickly. Get your office. Stay there, stay there. I'm sure you're there. Don't budge if I keep you there all night. But, and don't be the word. And don't let anyone else. Don't give the slightest hint of anything unusual. Treat the wreck lightly. Watch your words, watch your looks. Something may happen. Something shall happen. What, sir? What? Heaven only knows. Go, go.  I am in the worst I was ever in. Is it, Mas? Mas is bankrupt. Does that mean we are poor? No, no. If that were all. Then? Mas was finding the money for the canal. I see. Wait. Defer has handed in the check. Now, Mas has failed. We can't pay. And you? I? Yes, dear. I want to know how this will affect you. Or does that matter? It's all that matters to me. I hadn't thought of that. What will happen to me? This grace. Utter and irrecreable. The kind of this grace no man can bear. No man can live through. Dizzy. Yes, my heaven, I will bear it. I'll feast the nation. I'll bear it alone. Not alone, dear. Thank God for you, Mary. Thank God for you. In a moment, we go on with Act 3 of Disraeli, starring George Alas. In our audience tonight are many of the famous men and women of Hollywood, assembled to honor our star. Looking over our audience from a fashion point of view, you would see that many of our well-known feminine guests are in formal evening dress. Others have come direct from their work in the studios wearing the informal sports type of clothes that Hollywood likes to work for work or play. That often means sweaters and skirts. Just the sort of thing girls all over the country like to live in. And here in Hollywood, as in every part of the country, the favorite care for sport things is luxe flakes. As one luxe user puts it, she is Mrs. Clarence Tokheim of Armstrong, Iowa, and is the mother of five girls. All of my girls wear sweaters in the winter time, and every week or so, they're luxe. Their woolen skirts and school coats are frequently luxe, too. I marvel at the speed and thoroughness of luxe, and the way it leaves the softness and color of the material like new. Luxe flakes do save colors and keep wool things soft, unshrunken, because they are very gentle and free from harmful alkali. Just follow the directions on the luxe box and remember, anything safe in water is safe in luxe flakes. And here's our guest producer, Mr. Edward Arnold. George Alice, Florence Alice, Pat Patterson, and our all-star cast continue in Disraeli. It's a few minutes later, torn with anguish by the news of her husband's impending disgrace, Mary stands resolutely by his side. She has grown pale and there is an expression of pain in her eyes, but she hides it bravely and speaks comfortably. It will turn out all right, Daisy. It will. But shouldn't we go up to London? I can't. The Prime Minister can't stir without setting the whole world agog. The papers have said I'm you.  It's horrible, Mary. I'm tired, hand and foot. What is it, basket? Mrs. Travers is here, sir. Mrs. Travers? I'll get rid of her. Get rid of her? No. Basket. I'll get a weight. Show her him when I ring. Daisy, you're surely not going to receive her now. Miss Keeper here, Miss Keeper here. Why? She must stay here. She mustn't be allowed out of our sight. If she gets the slightest hint that I'm making any plans to... Here. Give me my dressing gown. I'm gonna lie on the couch. You sit next to me, my dear. Hold my hand. Daisy, what is this play acting? I'm ill. Very ill. The papers have said I'm ill. She shall see the sickest man she ever saw in her life. But, Daisy! May it be concealed. So sorry. I heard Mr. Disraeli was ill. I didn't know whether to come or not. I'm quite sure you can't want me. Is that Mrs. Travers, dear? Yes, dear. I had no idea you were so ill. I won't stay a moment. The sweetness of Mrs. Travers is so good of you. I'm very weak. Very weak. What is the matter? Well, I'm... I'm very weak. I'm very glad to see you. You're so bright. So young. Isn't it good of her, Mary? Do sit down. There. Well, I can see you. I'm so sorry you're ill. I passed Clarissa in the hall. She's not looking very well either. Worried. Worried about Charles. Oh, yes. He's, um... He's abroad somewhere, isn't he? Yes. He's in Egypt. I do hope he's not too vengeance. Cairo is such a dreadful place. And the people you meet on diplomatic missions, one can never trust them. No. So sly. Terrible. So deceitful. Ah. But don't be uneasy. We've just heard from Diefert. Indeed. Yes. A telegram. Where is that telegram, Mary? Ah, there it is on the table. Read it for yourself, Mrs. Trevers. The celery is ripe to cut. How odd. Code, dear lady. Code. That little green book there contains the key to it. Really? How interesting. We have to be careful, you know. Spies. Yes. Of course. My peacocks. Mary, something's wrong with them. Dizzy, there's nothing wrong. Yes, yes. Help me to the balcony. I must see they're all right. Very well, dear. Lean on my arm. Oh. Oh, uh, uh, uh, pardon me, Mrs. Trevers. Of course, Mr. Disraeli. Dizzy, you left her in there with the code book. I know. I know. Look. She's tearing a page out of it. She's slipping it into her glove. Dizzy. Mary, I want you to go and fetch some Michael Propriet once. Mrs. Trevers. I'll look after her. Hurry. I want that woman alone. Doctors really don't know what is the matter with me. It seemed to come on suddenly. Pains in the head and... but I'm boring you. Not at all. Except that I really must be a... But how is your husband, Mrs. Trevers? He's very old, too, isn't he? Yes, he is. Poor Adolphus. Mr. Disraeli, I really must go. No, no. Why in such a hurry? I must. My cab is waiting. No, I sent that away. Long go. What? Don't be angry.  Please, let me go. Such supple finger. So long and thin. So exquisitely shaped. So quick to grasp things. Unconsidered trifles. Scraps of paper. You're hurting my hand. In such a hurry to get away from the poor, sick man, to get away and read the code? I saw you slip it into your glove, dear lady. Well, what of it? Ah, that's better. And why did you take the trouble to steal it? Weak. Very weak. You had only to ask me, and I would have told you. The salary is rep to cut, means the sewers' canal purchase is completed, and the check accepted. Your husband, Mr. Faljam, Adolphus, has had all that tiresome journey for nothing. Congratulations. Your Apple Face Boy, Lord Dieford, has blundered into success. Well, that's all any of us do. Into a success that will cost you, dear. Ah. That's the soul thing Gladstone will say. It's what the world will say when it knows Myles is bankrupt. When it knows what? Myles is bankrupt. Bancrupt, Mr. Disraeli, and his check, waste paper. What? What do you say now? Oh, well, you can't expect me to say much. I... I'm a child in your hands. Mr. Probert is here, Dizzy. Oh, come in. Oh, come in, Sir Michael. I'm coming, Mary. I'm Clarissa.  Mr. Disraeli, I'm sorry to hear your ill. And I'm so much better, Sir Michael. Mrs. Travers is such a stimulating company, I believe I've quite recovered. Well, if you're not ill, why have you sent for me? Sit down, Probert. I want to tell you a little story. No, don't go, Mrs. Travers. This will interest you, too. Repeat. Why have you sent for me? I told you I might send for you. Oh, Moses has failed you. Well, it's no use appealing to me. Moses has not failed me, and I carried the scheme through. What? The power and the glory of my country were to stick. I had to act quickly, and I had to act on my own responsibility. So I went to Hugh Myers. Dieford has bought the canal and has paid for it with Myers' check drawn on the Bank of England. What does that to do with me? Bankrupt? Bankrupt? Yes. Russia has ruined him. Mr. Disraeli, I warned you of this. Now get out of it as best you can. It's no use appealing to me. No. Then I will not appeal to you. I will command you. What? You will sign this note giving Myers unlimited credit. Are you mad? I was never so sane in my life. Myers' position is saved. He can gain time. The Bank of England must give him unlimited credit today. Now. I refuse. You can't. I refuse emphatically. You've mistaken your man. I'm an Englishman. The head of a great national institution. I'm not to be ordered about by a... by an alien. The alien happens to be the better citizen. Moreover, he happens to be Prime Minister. You threatened me? Yes, if you'll force me to it. You think so? You say the Bank of England is a national institution? What becomes of that title if it refuses to save the nation? What becomes of you? Mr. Disraeli. The nationalism of one man has placed our country in the position of a person who is trying to pass a fraudulent check. Exposed the nation to the ridicule of the world. Lost the canal. Lost India. Baffled England beaten and disgraced her. Drag her to the mud. What becomes of the bank? You cannot touch the bank. How smush the bank? Parliament granted the bank its charter. Parliament come with the droid. What you? And shall withdraw to my bidding. Your border directors will be swept away. Your shareholders bankrupt. I am Prime Minister. I can do this. And if you don't sign by, haven't I will? Now. Take your paper. I've signed it to save the bank. It's a note rate for the man like you should have some power. Miss Travers, if you hurry, perhaps soon I'll give you a lift of station. Thanks for the hint. Of course, I'm in the railway, the railway station. Good day, Mr. Disraeli. Be careful of that cop. Thank you, dear lady. And my regards to Adolphus. Mr. Disraeli, Sir Michael was panicked stricken. Thank heavens you have such power. I haven't, dear child, but he doesn't know that. And now, now, Mary, my great dream will be realized. What dream? To make my sovereign Empress of India. Sounds well, Mary, doesn't it? Mary, you shall carry the news to our beloved Queen. And you shall be there by my side at the reception when I announce the new title to Her Majesty's Government. Make haste, Desi. Make haste. Mary. Mary, what's the matter? Speak to me. First, I'll get Dr. Williams. Celebrities in all my life. Neither have I.  Mr. Benjamin Disraeli. Look at him. He's worried. No word from Dr. Williams for over a week. Splendency, Mr. Disraeli. Greatest sign for England in our time. Congratulations, Mr. Disraeli. Thank you very much. We're so sorry Lady Beaconsfield can't be here tonight, Mr. Disraeli. So is she. And so am I. I'm sure it's only a passing in disposition. I trust so. Mr. Disraeli. How is she really? Don't ask me. I can't trust myself to speak. Dr. Williams reassured me that I shouldn't be here now. Not even to meet the Empress of India. Mr. Disraeli, they're waiting for you to speak. Very well, if I must. Good. Her Majesty is on her way. Before she arrives I want to thank those men who have so splendidly stood at my side and made our enterprise successful. First, there is Mr. Hugh Meyers. Mr. Meyers. Mr. Meyers. Concerning whose services I cannot speak too highly. Next, there is Sir Michael Probert. At the moment of grave crisis he came to my aid against his, may I say, prejudices. Oh, no, no, please, Mr. Disraeli. Mr. Meyers, Sir Michael Probert it is my privilege to inform you that in recognition of your patriotic action your sovereign has bestowed a peerage on each of you. And lastly, you will be glad to know that my young friend who carried through the delicate negotiations with such consummate tact I referred to Charles Viscount Dieford returned to London half an hour ago. Dieford, her Majesty desires to confer the ribbon of the bath upon you with her own hands. Thank you. I beg your pardon, Mr. Disraeli. What is it? A telegram for you, sir. Give it to me. Is there anything wrong? Clarice, I... I can't open it. It must be from Dr. Williams. If anything has happened to her, what's that? Mary, is it really you? I didn't know. But I sent you a telegram, George. Your telegram? Oh, my dear, to see you looking so well again. And I was afraid... Mr. Disraeli, her gracious Majesty Queen Victoria is arriving to receive you. Come, Mary. Ladies and gentlemen, the curtain falls on Disraeli. Here again from George Alice, this time praying the part of George Alice. But now we take you to New York City. Among the many great full-hour programs on the vast Columbia network, there are two that lead all the rest in popularity. Major Bo's Amateur Hour and the Lux Radio Theatre. Two programs conducted by two master showmen who have long been friends. Major Edward Bo's and our own Cecil B. DeMille. They meet tonight at home ground. The great studio on Broadway where the major presents his amateurs. Cecil B. DeMille is now approaching the dais of Major Bo's in New York. All right. All right. Next applicant, let me see. The name, the name is... DeMille. Cecil B. DeMille. And where do you hail from, Mr. DeMille, or do you hail or should I say rain? I'm from Hollywood and I'd like to explain. Oh, cut, cut, Mr. DeMille. A little closer to microphone. That's it. Now, what do you do in... where did you say you're from? From Hollywood. And what do you do there? I'm associated with the motion picture industry. Oh, how quaint. How? Now, Mr. DeMille, how long have you studied the harmonica? Just a moment. Just a moment. You know very well I'm not an amateur. I'm not an amateur. There seems to be so many things you're not, Mr. DeMille. Can you tell me one thing that you are? I'll tell you, I'm an old friend of yours, Eddie Bowes. Our friendship dates back to the time my wife and I were on the stage with the age seven and if I were king. And the leading lady was the charming and beautiful Margaret Ellington, who became your wife. Yes, Cecil. It was Margaret who brought you and me together. Then along came pictures and, ladies and gentlemen, Major Bowes and I became rivals. My studio Paramount had the Rialto Theatre in New York. And Major Bowes, who built the capital and still runs it, was the fellow we had to beat. And sometimes did. Sometimes? Well, once anyway. Then Major ran the Golden Pictures Corporation in addition to the capital and we still fought for plays and stars. And how? Later when we built the Paramount Theatre we had a great many new competitors and then the fellow we had to beat was still Major Bowes. And by the way, Major Bowes, what's the meaning of this gong you're playing around with? Oh, Cecil, I thought you knew. I use it on amateurs. Amateurs? At the capital? No, no, on a radio program. Oh. Oh, you're on the radio too? Yes, every Thursday night. Thursday night with Rudy Vallee? No, not exactly. Oh, then Bing Crosby? No, not Bing either. Now, here's how it is. I am, so to speak, a certain part of a radio sandwich. Don't remark, please. I'm what's between two other programs on the air on Thursday nights. But Eddie, why keep it a secret from the public? Well, there's always a few who find out about it. And just for fun, Cecil, I nicknamed it Major Bowes Amateur Hour. Oh. Oh, you're that Major Bowes. I'll come clean, though you're trying to fool you, Cecil. Yes, I am. And does that Major Bowes occasionally attend the Lux Radio Theatre? Why, Cecil, I'm attending it right now. I rarely miss. Many pleasant hours and many excellent suggestions. Let's not beat around the bush, Eddie Bowes. Do they use Lux Flakes up at your house, or do they not? Yes, they do. And furthermore, we'll continue to do so in spite of all you can do or say. I'll do as much for you sometime. What'll you do for me sometime? I'll ride around in a Plymouth, Dodger, DeSoto, and Chrysler all at one at the same time. Well, Cecil, I'm sure you could do just that. I never did. I was on the set with you one day when you directed 3,000 people and 6,000 animals. But always remember one thing. When you see a girl in a faded, shrunken sweater riding a bicycle, that girl obviously doesn't listen to the right radio programs. She doesn't know the merits of your flakes and my cars. Eddie, you're wonderful. Cecil, you understated. Well, seriously, Cecil, it is strange how our paths cross. We first meet as friends in your stage era, then as motion picture producers and rival exhibitors, and now as radio colleagues in what a small world. Your family home in Washington, North Carolina. Yours in San Francisco. You an actor in the playwright. And you a real estate man. Until the great fire, yes. You came east, founded your fortune in your home, and I went west. And here and now we're together in homes everywhere. It's been a pleasant meeting, Major. There's one thing that would make me very happy. Something I've longed for. A pleasure I've never had. May I? Why, yes, Cecil. Already? Yes, ready. This is a great moment. One to make ready. It won't be long. Two for the money. And three for the gong. All right. All right. We're back in Hollywood again saying thank you Major Bowes and Mr. DeMille. A few years ago when George Arliss played Cardinal Richelieu on the stage, it was my good fortune to appear with him as King Louis XIII. No one can perform with Mr. Arliss without going away a far better actor. As I was grateful to him then, so am I grateful now to the Lux Radio Theater for helping me to renew a friendship that has always meant so much to me. Ladies and gentlemen, Mr. George Arliss. Thank you, Mr. Arliss. As a radio producer, may I say you have once more proved yourself every inch of King. Thank you, sir. Ladies and gentlemen, since I left the stage for the screen my opportunities for addressing my audience have become much less frequent. I remember once before the premiere of one of my pictures I was asked to say a few words to the audience and as I stepped in front of the screen I heard the lady in the front row say, isn't he like him? Well, if you were all here with me tonight I hope you would all be thinking, isn't he like him? Especially those who remember me when my wife and I first came to the United States in 1901.  I have sometimes played in theatres to poor houses when there was more air than was necessary to sustain the audience. But I have never played before this great unseen audience. A large number of you are perhaps more or less personally acquainted with me but I have toured and played in almost every corner of the United States and a still greater number I hope I may call my friends who have got to know me through the pictures. I am here in Hollywood on a holiday trip and have determined that I will not make any picture until next fall. I should like to take this special opportunity to express my gratitude for the friendship you have always given me during the many years that I have played before you. I am continually touched by evidences of your kindness and affection. As the year is still comparatively new may I wish you for my wife and myself a happy and prosperous 1938. Thank you Mr. Alice. And now ladies and gentlemen here's news in which I know you'll all be interested. Next Monday night the Lux Radio Theatre presents one of the most outstanding personalities of radio and motion pictures. He's the gentleman who changed Van Buren Arkansas from a country town to a national institution who has endowed the art of music with a mysterious new instrument beginning with B and ending with laughter. That prints of story tell us Mr. Bob Burns. You will hear Bob Burns is the hero of Booth Tarkington's celebrated comedy a smashing success on stage in pictures. And the title is Clarence. And co-starring with Mr. Burns we bring you Miss Gail Patrick. Our sponsors the makers of Lux Flakes join me in inviting you to be with us again next Monday. When the Lux Radio Theatre presents Bob Burns in Clarence with Gail Patrick and an all-star cast. Also next Monday night and each Monday night thereafter Mr. Cecil DeMille will be back in Hollywood and on this stage of the Lux Radio Theatre. And so until we meet again on the screen or on the air this is Edward Arnold bidding you. Au revoir. With David Torrance as Sir Michael Probert Ivan Simpson as Hugh Myers Walter Kingsford as Folsom Doris Lloyd as Mrs. Trappers Vernon Steele as Gladstone Charles Evan as Baskott Lou Merrill as Count Borsonow Eric Snowden as Major Domo Reginald Sheffield as Lloyd Othley and Phyllis Coughlin as Duchess. Mr. Wallace is currently seen in the Beaumont British production Dr. Sin. Mr. Arnold appears to courtesy of B.P. Schulberg. Louis Silver's is from 20th Century Fox Studios where he was in charge of music for the new picture in Old Chicago. The announcer has been Melville Royk. This is the Columbia Broadcasting System.


So now let's look at radial and tangential accelerations, and we're going to start by remembering something about the relationship between velocity and acceleration. Now velocity has both speed and direction. If the velocity changes, then we have acceleration. Or if we have an acceleration, then the velocity changes. But regardless of which of these two ways you look at it, either we have a change in speed or a change in direction, or both of those. Either one of those changes is a change in velocity, so it should be associated with an acceleration. So then we move to our tangential acceleration. Well, a tangential acceleration is when we have the acceleration along the direction of motion or tangent to the path. So if I've got some sort of curved path over here, at any point along the path, I can define the direction of motion. And if the acceleration is also in that direction, it's a tangential acceleration. Now this kind of acceleration causes a change in the speed. In terms of our equation, that would be the tangential acceleration is the change in the velocity as a rate of time. Now if we've got a radial acceleration, then we've got an acceleration which is perpendicular to the path. So again, I've got a curved path over here, and I can define the direction of motion. If my acceleration is perpendicular to that path, it's a radial acceleration. And this is going to cause a change in direction. Now that change in direction means that the path is going to curve around in an arc. So I could think of myself as fitting a circle to just that segment. It doesn't have to fit the entire curve, but just in that segment, can I fit a circle so that I've got an arc in there? Well, once I've done that, I can define my radius of that particular circle. I know how fast I'm going, that I can relate this back to the centripetal acceleration. So my centripetal acceleration was v squared over r. Now when I talk about my radial acceleration, I'm actually going to use the negative of that. And that's because when I define the radial direction in my standard polar coordinate systems, positive is always pointing out from the center of the circle. But of course, my acceleration is pointing inwards towards the center of the circle. So the radial acceleration is defined as being the negative of my centripetal acceleration, where the negative indicates that it is inward instead of the positive outward direction. Now both these tangential and radial accelerations can go together to form a vector acceleration. That full vector acceleration has two components. But in this case, rather than it being x and y components that we studied earlier in the semester, it's my tangential and radial components. If I take an example again here where I had a tangential acceleration, which was tangent to the curve, and a radial acceleration, which was perpendicular to the curve, those are my two components. So a vector addition is going to give me my full vector acceleration. Now it may be easier to see how this is the vector addition if I go ahead and take my radial and just kind of copy it over here to the side. So that means I've got my regular sort of triangle. Yeah, it's tilted off at a funny angle, but we can still define the magnitude of the acceleration and that angle direction for that full acceleration by looking at my two components, the tangential and the radial accelerations. So that tells you a little bit more about radial and tangential accelerations. We still have to apply those and other problems though.