We talked last week about the Packers trying to get Aaron Jones more work in the passing game and it happened again this week. He led the team with seven targets, that is his most since Devonte Adams injury, in return I should say. Two of those targets for Jones were deep, which is wild for a running back and one was in the red zone. If we look at the two games since they said they wanted to get Jones a ball more, he has 22% of the team's targets, which is significant. He played 58% of the snaps and that's the same where he was last week and I think that that means we can put more trust in his role going forward. In those two games, Jones has averaged 13.5 carries and 6.5 targets per game. That would work out to be 26.5 adjust opportunities per game. Not a huge number, but it's a lot better than he was. I would say we've got to keep expectations and check for Jones, but the arrow continues to be slightly up on him as a DFS play. What would you view his role being going forward given what we've seen in the past two games? I mean, the deep targets are like something, but I mean... But he got those before too, it's just going back to that. Yeah, I mean, I just struggle with Aaron Jones because I never trust it. No matter what I see, I don't trust that any increase in usage is going to stick. But it's not like he has terrible usage to begin with. The offense can move the ball. This week was really strange. I was still up on Aaron Rodgers and Devonte Adams. I thought that they would move the ball better, but they kind of didn't. So for Aaron Jones... They just kind of gave up. Yeah, it was like... I mean, that's a risk when you're facing such a bad team, but they just gave up. I'm not tilting or anything. That's not what this is, but I think Aaron Jones, honestly about the same as I have been, is that wrong? Well, I mean, the targets are very different than they were. So I think that it should be different on him. You can still be below consensus, but I think you should be higher on him than you were. I guess that's kind of where I am below consensus, probably. I think that's fine. What price are you thinking then? So they're at home against Chicago next week. If you give me 13 carries and seven targets against Chicago at home, I would probably put that around, I would say like 75 or 72. So let's go 75, I think. Okay, would you project him for seven targets or do you think that's the high end of his outcome? Maybe like five and a half. I think that his workload, like increased passing game work is legitimate. It's probably not what it's been the past two games, but I would say it's legit. Maybe that's where we're differing, but I mean, I still- I mean, they said they were gonna do it and they did it. Yeah. Like I think that makes it more legit. Yeah, absolutely. I just, I struggle with Aaron Jones and I always will no matter what. It's just one of those biases that I have. So I'd still put him at like, I think the lower end of what you said, 72. Okay, he is 78, same what he was this week. That's fine, I'll still use him. Cash games? No. No, no, no, no, no, no. Okay, well, you're buying into the passing game usage, the optics, so I'm just asking. No, no. He's still got a 60% snap rate. Like there are still flaws in his game, but the ceiling is still there. And so I'm still gonna use them in tournaments. I'm not gonna go there in cash games though. I think that's the thing for me. He's not a cat, like any back who's not a cash game option, but it still has like paths to upside is just they're all in the same bucket for me. Okay, that's fair. He would be in that bucket for me. I just like those guys more than you do it sounds like.


Congrats to the Cincinnati Bang was on win the AC North. All right, Bang goes. Because it's hot in the kitchen in the AC North. And the chefs of that kitchen are now in Cincinnati. And they're a young group that are electrifying to watch play. Jamar Chase might be the fastest human all of all. My God. In the history of Ohio. He got about six people around him and literally just outran them as if he was on the varsity team and they were on the JV. It was outstanding seeing Joe Burrow come out and do his thing at a high level against a team that they probably view as their future for the next 10 years is what they're going to have to go into it with. Who they're going to have to battle. The defense made stops when they had to. Joey Burrow made plays when he had to and we're in the middle of burrow season. The last two weeks he's had like 1,000 passing yards, eight touchdowns, no interceptions. Now the Bengals host a playoff game. They're the champions of the AFC North.


So do I recommend stories as the, when I say stories, I mean Facebook stories, Instagram stories, short form, typically video based content up to 15 second videos show up as the stories that a lot of people consume it, you know, especially on the mobile device. A lot of people from what I hear, people love consuming stories. Some people just consume them almost exclusively compared to just posts. So here's my thought on that. If you are looking to build more of a larger audience, I think stories does make sense. In other words, stories builds broader audience. And also you could say, well, George, stories also reaches more of your true fan, your core audience, the people who engage with you the most. So both are true. Putting stories out there and stories don't have to be videos. They could also be on, yeah, even on Facebook and Instagram, they could be single images. It could be an image with words or whatever you want. So there's two scenarios for stories, in my opinion. One is, you know, well, if you consume stories, you will see all the variety of types of content. And I think that's probably the best answer for you if you're asking, well, what should I post as stories? Well, just go ahead and be a consumer of stories. Look at other people's stories and get inspired and go, oh, wow, I didn't think about putting that kind of thing out there. It's much more than I could describe in this short answer. But in terms of whether I recommend it, here's what I would say. If it feels like a burden and it's just not something you're energized to practice and get better at and learn to do stories, I invite you to let it go. Read the side, big sigh of relief.  Who says you have to create stories? Screw the social media experts who are always yelling at us to create stories. I say, screw them. Seriously, why? Why screw them? Here's why. Okay, because if you make posts, because that's the other thing, it is like you either put stories or you put posts. When I say posts, it could be either text or video.    Just let it go, all right? Because if you make posts, you'll get good at making posts and then your posts will go viral.  Hey, $10. Hey, I just reached 1,000 people that wouldn't have seen it otherwise. Okay, so why not just do that? Okay, let it go.  There's middle way, which I'm trying to take the middle way here, which is on Instagram, it's easy for me to make stories when someone tags me in a story on Instagram. If someone does the at mention at and then GeoCow and then they tag me in the story, then it's much easier for me to reshare that as a story back to my audience to say, you know, thank you, Samya for, so that's the simple. If you consume my Instagram, just follow me on Instagram and whenever you see me have a story, you look at it, oh, George is there with this really simple story again. It's just like, he's always just resharing what someone tagged him. Now, I know a lot of you don't get tags yet on stories, so I don't know, maybe you can get together if you want to take this way. You can get together with a few friends. Hey, can we tag each other on stories or whatever and kind of take it from there? So I hope this is helpful.


The Cavalcade of America, starring Linda Darnell and John Hodiak, presented by the DuPont Company, makers of better things for better living through chemistry. Good evening. This is Ted Pearson. Tonight, our original Cavalcade play, The Blue Cockade, is the love story of the American Revolution. Now, in the principal roles of this romantic and exciting drama, we present two of Hollywood's most popular stars, John Hodiak and Linda Darnell. Now, the Blue Cockade, starring Linda Darnell as temperance wick, and John Hodiak as George Mitchell on the DuPont Cavalcade of America. 1781, winter, four miles west of Morristown, New Jersey, at the encampment of General Anthony Wayne's Pennsylvania line troops, a revolt is stirring. Congress is paying a bonus to recruits, to newcomers who didn't go through a valley forge, a brandy wine, a Monmouth. We've been in this war for four years and we get nothing. We want to re-sign, re-enlist, and that way get bonuses ourselves, but we can't. Most of you couldn't read when you made your marks on those enlistment papers. You didn't know you signed up for the whole war. So now they won't let us re-enlist and get the bonus. Our officers won't even let us present our grievance. What are we going to do about it? I say revolt! Go through the countryside, make our demands, just demands known, and then on to Philadelphia and present our grievance to Congress itself. Are you with me? That was George Mitchell, the leader of this revolt, and the men do what he suggests. They swarm over the Morristown countryside, up and down Jockey Hollow, but the people do not receive them kindly.  Get off where I am soon! There's even terror in the farmhouses of New Jersey, where the men need food as well as understanding and support, and they take it where they must. In one of those farmhouses near Morristown, there is no man for the farmer Henry Wickey's dead, and his wife sits there alone rocking, as her daughter Temperance comes into the room. Comfortable now, Mother? Yes, thank you, Temperance. All right, I'll be back soon. Pente, what do you mean? Oh, I mean I'll be back soon, Mother. Just where do you think you're going? To Darcy LaDelle to get your medicine. Oh, no, you're not. Oh, yes, I am. Pente, the whole countryside is alive with mucneers. But you're sick, aren't you? No, I'm not.  You need the medicine, and I'm going to get it for you. But what are you going to do if you run into mucneers? Well, Darcy, suppose I can take care of myself? Well, they're just soldiers, just human beings. You think they're like the soldiers that have stopped here to water their horses? You think they're like that... Oh, what was his name? Saxon Roger Groot? Yes, the one who stayed for supper. The one you made the blue carcades for. What? How did you know I did that? I saw him right away with it. Was pretty. With the blue ribbon and the feathers. And you never said anything. Was you a fair? Oh, Mother, you're wonderful. But you don't have to worry about Roger and me. That was just flirtation. Well, not even that. Oh, goodbye, Mother. I'll be back soon. There's only one reason why I'm going to let you go. And why is that? Because I can't help myself.  And I do need the medicines. But please be careful, Pente. I'm worried about the mutinyers. Well, don't worry, Mother. Goodbye. What are we going to do now, George? We've got to get food from the farmhouses here, Bob. Yeah, we sure do. I need some of these. I'm afraid, George. The army considers us deserters. We'll be shot if they catch us. Keep quiet, no. Listen to George. We're not deserters. We're men looking for our rights. We intend to go back and fight the British when we get those rights. And those rights ought to be enforced for us. If not for us, then by us. Yes, but if we're caught first... That's what we've got to prevent. Now, come on. We've got to get food. The people won't give it to us. Then we'll take it. Then to get away from those who come after us, we'll... Wait a minute. Well, think of that. Oh, what, George? I was just going to say we need horses. And look, here comes one our way. A girl's riding it. All the better. I think a girl would be glad to give up a horse, too. Well, there's such a handsome trio. I don't like praying on women. Keep quiet. If you want to keep them being captured, you'd better stop this girl.  Here she comes. Where's the horsey? Madam, how do you do? What do you mean stopping me this way? We're giving you an opportunity to help the cause of justice.  May I compliment you on your horsemanship, madam? Who are you? Don't tell her. Quiet, Newton. Of course I'll tell her. She's a very charming girl. And I can tell by her eyes that she's sympathetic. I don't want you to tell me anything. I just want you to tell me I have some influence in your Pennsylvania line troops. Indeed. Well, fair lady, is this someone you say you have influence with an officer by any chance? No. Of course not. Let me go. Believe me, I'm sorry, but we can't. Wait a minute. Tell me something. Anything. You're being foolish, George. Where did you get that that blue carcade you're wearing? This? You like it? I'll give it to you. This, madam, came from the hat of Captain Roger Good. The captain is our prisoner. I'll give it to you. I'll give it to you. I have Captain Roger Good. The captain is our prisoner. Captain Good? You seem concerned about the captain. I'm only concerned that you should let me go. We can't. We've got to have your horse. And if I won't give it to you? Then we'll take her. We're three men against one girl, you know? We can easily take your horse from you. Yes, I suppose you can. Believe me, I regret the necessity. Well, I'll give you the horse, but will you return it to me sometime? All right. Where? At the Wick farm. I'm Tempe Wick. You'll get her back, I promise. Well, are you going to step back and let me disguise? Of course. There. Go! We can't let her get away. She knows about it.  But we can't let her get away. Don't worry, Newton. She's too pretty. You don't think I'm going to let her get away, do you? Tempe Wick. Wick farm. Let's go. All right, dude. Come on. You won't like this. Come on. You're coming into the house. Come on, Wick. They want to take Beauty. Well, will they help me get into the little bedroom? Well, I never heard of anything like this. Oh, come on, mother. Hurry up. We've got to get in here. Open the door. Come on, Beauty. Come on, Beauty. Darling, we've got to get in here and hide. Come on. You don't see what is it. Why come on? Come on. Come on. Come on. What is it? I told you the mutiny is close the door. And bolted. They're coming here? Yes, I'm sure they will. They stopped me on the road. They want to take Beauty. Then we've got to stop Beauty from stamping around this way. Oh, oh, yes. Here. I'll get the mattress. I'll help you. Oh, no. No, you're too weak. Oh, nonsense. I'll help. Oh, there. There. All right, Beauty. Come on. Step up here. That's right. Help here on the mattress. Help her feet. Help her. That's the girl. That's me. What's happened? Well, I told you. The mutiny is coming. They found Beauty outside. They know we were here. This way we'll be safe. I hope we'll be safe. Oh, the horse isn't in the barn. That girl's gone to inform on us. We'd better get away from here. You may be right, Newton, but we need food. We'll find food in here. Come on. Oh, the place is unlocked. Let's go. We'll find you so you'd better just come right out and say so. Let's get the food and go. No, we have to know whether anyone's here. We have to know whether the girl's gone to inform on us. Come on. Let's try this next room. What are we going to do with her if we find her? Make very certain that she doesn't give us away. Well, there's nobody here. Well, there's nobody in this next room. Wait a minute. Where does that door go to? That's locked. Here, let's see. Open up. Do you hear something? No. No. I heard something in there. I didn't. We ought to knock down the door. We haven't any time of that sort of thing. Uh, you men go down the road to the next farmhouse and see if they can give you some food. I'll look around here. I still think that... Come on. Well, all right. Come out of there, Tempe. I know you're in there. Come out. I'll let them break down the door when they come back.   I wouldn't think you're harming her. Oh, you have the horse in here, too. What do you want with me? Come outside. Out to the barn where my men won't see us if they come back. Well, all right. Don't go, Tempe. I have to go, mother. You lock the door. All right. Let's go. The Blue Cockade starring John Hodiak as George Mitchell and Linda Darnell as Tempris Wick on the Cavalcade of America, sponsored by the DuPont Company, makers of better things for better living through chemistry. Morris Town, New Jersey, 1781. A revolt is broken out in the Pennsylvania line troops of General Anthony Wayne. A band of those soldiers and revolts have come to the farmhouse of Tempris Wick and Jackie Hollow, where Tempris talks with George Mitchell, the leader of the mutineers. Well, I'm here. What do you want to say? I wanted to talk to you. I want you to understand it. I understand you very well. You're deserve it. No, we're not. You're men who pray upon lonely women who lose farmhouses where there are no men that protect them. Is that what you wanted to tell me? I've almost forgotten what I wanted to tell you. Well, what is it? I don't care to waste time with a duperthe. You know, I like your spirit. Well, it's the spirit of a girl who loves freedom and who hates anyone that betrays the cause of freedom. And I'm one of those? And you're one of those. I see. What I wanted to tell you was that I'm not one of those at all. I love freedom as much as anyone. And that's why you revolted. Yes, by heaven, that's exactly why. Because the kind of freedom we're fighting for in this war is freedom that means just treatment. And who's treating you badly? Captain Rogers? Good, perhaps? Oh, I thought you knew Captain Good. No, it's not he. It's just that we've been in this war four years. Do you think it's been easy for us soldiers? No, of course not. No, but we never complained until they got new troops to volunteer and promised them bonuses. They did that? That's just what they did. I didn't know. Then you were learning. No wonder Captain Good had sympathy for you. Good had sympathy for us, an officer? I heard him say so, and he's right. You've been treated unfairly, that's... Well, that's all I wanted you to know. But even so to revolt, now of all times when our cause needs you so badly, that's not right. Well, this whole revolution is a sort of revolt against the king, isn't it? We only want to secure our own dignity and freedom. Well, it's very difficult for a girl to understand. I suppose that I... I think I see. Um, Tempe? Yes? Are you in love with Captain Good? Oh, gracious no. I'm glad. Well, have you done something to him? Well, then you are in love with him. You're worried about him. Oh, I'm worried about him, yes, but I'm not in love with him. I'm not in love with anyone. Well, we haven't harmed Captain Good. We're only holding him as a hostage. Where? Never mind, but he's safe. Does that relieve your mind about the great Captain Good? Yes, it does. Do you know why I asked you to come out here? No. I had to be sure that you wouldn't inform on it. Well, how can you be sure of that? Simply by asking you not to. You understand what we're doing, don't you? I've explained it to you. Yes. Then you won't inform on it. You're very sure of yourself. I'm very sure of you. Give me a kiss. You're very bold, too. Oh, I wouldn't want you to kiss me unless you wanted to. Well, I don't want to. I should. Oh, I'm sorry. I was hoping you would want to. I was hoping that you could find it in yourself to worry about me as well as Captain Good. Well, I am worried about you. What are you going to do? What will happen to you? First, my friends and I are going to bring food to the other Revolters. Then we're going to march down the Basking Ridge Road to confront Congress in Philadelphia. We're going to tell them what we want. Well, I'm sorry you told me that. Why?  You do? But I'm...  You're not going to do anything about it, are you? Are you? No, I... I haven't made up my mind yet.  Well, then I would make up my mind very fast. That's the girl. Well, I've got to leave now. The others will be looking for me. I'm going to take some food from your house. Do you mind? We need food very badly. Please take it. And you'd better stay here until we're gone. Oh, wait a minute. What's your name? George. George? Well, maybe when this war is over, I'll come back to this farmhouse and I'll add a name to that George. But for now, goodbye, Teppy. Goodbye. Clear. Here's the kiss you wanted. Good luck. Excuse me, General Wayne, sir. Yes? There's a girl here who says she has news of Captain Roger Good. She has? Sure is. I'm in here, young lady. Are you General Wayne? Yes. That's all, Lieutenant. Yes, General. Well then, young lady, what's your name? My name is Temperance Wick, sir. Oh. What news do you have about Captain Good? He's being held hostage by the mutineers, sir. Yes, I know that. Yes, sir. But the real reason I came, I couldn't tell them out there, was to tell you that the mutineers plan to mark down the basking ridge road to Philadelphia and present their demands to Congress. Oh, they do, do they? Yes, sir. Then why not after that? Oh, I hope you won't, sir. What? You hope I won't? Then why did you come here and tell me? Well, because I'm loyal to the cause you're fighting for, sir. Then why do you want me to do nothing? Because I think those mutineers are loyal, too, sir. Because I think their cause is just... The cause of mutineers can't be just. But it is, sir. Really, it is. I don't think you could say that if you realized how serious mutiny is. I like my men. They're excellent soldiers. But when they mutiny, what else should I do but issue and order? I think you should go see them then and listen to them and... And?  Oh, General Wayne, they just want to be paid as the new recruits are paid. They want the bonuses as the new recruits got. At least they want to be heard on the matter. They believe that they've fought for that right, along with others. Well, you sound very sincere, young lady, but I can't believe that's all they want. Well, why don't you talk to them and learn for yourself, sir? Hmm. Well, perhaps I should. Very well. I'll ride out in the woods and meet those men. Come along. Anthony Wayne, riding tour time. I know it. Company! Attention! All right, men, let me do the talking. Who's in charge here? I am General Wayne. Is what this girl tells me true? How do you do, Miss Wick? Oh, please. I couldn't help it. I had to tell the general. Indeed. Answer my question. Is it true? Are you marching to Philadelphia to see Congress? We are, General Wayne. And why we respect you, sir, you're not going to stop us. You have Captain Roger Good as a hostage. Yes, sir. Chester, bring Captain Roger Good. Right, sir. General Wayne, I'm going to release Roger Good, but not for the sake of this girl. I want that understood.  Here's Captain Good. Fine. Captain Good, you're free. And, sir, I return you your blue carcade with apologies for having taken it.  You're mistaken, George. Miss Wick is not my lady. Of course not. And as for the carcade, keep it. I think it led you to luck and fortune and a very pretty girl. Well, uh... Well, you're free at any rate, Captain. General Wayne, please, sir. Yes, Captain? Now that I'm free, General, I want you to know that I'm going to make a free choice. I'm going to continue to march with these men. What? You, Captain, putting in with these deserters? Sir, if you would only talk with these men, you would understand why. Are you? You, leader? Yes, sir. Are you marching to Philadelphia? We are, sir, this minute. Stand aside, General. What if the enemy over in New York cares about this defection and marches out? Who will defend Morristown? This headquarters. How do I know you will not even desert to the British? We won't go to the British. We'd hang any man who attempts it. That's a good answer, soldier. But we want our rights just the same and now. Right? Soldiers have to sleep in mud to eat when they can and fight when they'd rather sleep. If they're good soldiers, they do these things without complaint. General Wayne, I'm afraid you don't understand us and what we're doing here. No? No, sir. We've had mutt of plenty for a long time now. Have you heard us complain? No, I haven't. And when the cold bit into us and we didn't have overcoats, did we cry about it? Oh, you joked about it. And we still joke about it. And if it happens to us again, we'll joke about it some more. But you're marching down to Philadelphia to complain. Not to complain about mud, not to complain about cold, not to complain about food. Then about what? About money, General, and nothing else. I guess what this young lady has been telling me is true. She's been telling me a great deal as we wrote. I didn't believe her. Tell this man what you said to me, Tempe. Oh, I've said that all you wanted was the same treatment to new recruits, God. The bonuses that are being given to the new recruits. And by joke, if that's all, I'll march to Philadelphia with you myself. If you won't let me lead you, I'll follow you there and present your case to the Congress. Thank you, General Wayne. But we'd feel better about it if you stayed at your post here in Morristown. And we'll be knowing that when we return, it'll be to your command against her. Very well. Then I suggest you proceed. Yes, sir. However, I give you one order. Hurry back. Very good, sir. Fall in, men. Forward. George. Goodbye, Tempe. George, remember what I said about how I felt about you? I remember. Well, it's still true. I... I love you, darling. Please carry out orders this time. Hurry back. Don't worry, we will. Darling, I've got to go now. Just wait for me, will you? Oh, I will, George. I will. I will. Goodbye, Tempe. Goodbye. Goodbye. Goodbye. Goodbye, my darling. The so-called mutiny of the Pennsylvania line and affirmation of men's faith in the American guarantees of freedom, the right to be heard, to express agreement. In this instance, Congress listened to these battle-weary veterans and because their request was practicable, it was the right to be heard. It was the right to be heard. And because the request was practicable and overdue, it was granted. Never faltering in their dedication to the fight for independence, these American soldiers made sure that a doctrine of free men, the right to petition, was not thought of that critical winter of 1781, when the Pennsylvania soldiers in Washington Army were encamped near Morris Town, New Jersey. Cavalcade will present the distinguished star of stage and screen, Paul Muney. The play, Garden Key, dramatizes the great story of Dr. Samuel Mudd, a Maryland physician who was imprisoned for complicity in the assassination of President Lincoln. Be sure to join Cavalcade next week then for Garden Key, starring Paul Muney. Tonight's DuPont Cavalcade, the Blue Cockade, was an original radio play written by Robert Sanadello. The program was directed by Jack Zoller. Music was composed by Arden Cornwell and conducted by Donald Ryan. This is Ted Pearson inviting you to listen next week to Garden Key, starring Paul Muney. Cavalcade of America comes to you each week from the stage of the Longacre Theater on Broadway in New York, and is presented by the DuPont Company of Wilmington, Delaware. Linda Darnell appeared through courtesy of 20th Century Fox, producers of When My Baby Smiles at Me, starring Betty Gravel and Dan Davies. John Hodeac appeared through courtesy of Metro-Bosal Mayor, producers of Lanna Turner, Gene Kelly, and June Allison.


the back step or place whatever you want to call it right if you want to call it in the dance move you can call that right I'm just going like this okay scarecrow, TJ goes scarecrow all right all we're going to do is just work on our footwork, work on our footwork grab the circle to get into the scarecrow position all we do is place my foot step never let my chest be behind my leg right so if I step to this and my chest stays behind my leg it's going to get the TJ my leg now I'm in trouble that's not what I wanted right my chest stays over my leg TJ's scarecrow I replace my foot keep my chest over okay knock this foot out of the way TJ's scarecrow, knock this foot out of the way go it's all we're doing do this step once you get comfortable here there's a lot of a lot of things over TJ's scarecrow position I knock my foot into the scarecrow position here right same motion let's say I'm stepping on it now we know I'm in the inside trip okay get this get comfortable here knocking this foot out chest over here okay from here I'm staying into it again my chest over my leg heads up right I don't want to be looking down towards the mat I want to be looking up and across okay knock my hands knock my hands I know some some coaches teach this type stuff don't go there yet I don't right it's that still my hands are locked I think this is my strongest part of my body my grip you break my grip you must be pretty strong or I must be out of position so I don't like I don't like breaking my hands over here squat put him on his foot now I want to lock my lock climb up the lock get my voice okay stay on that leg the longer the time is between stepping on his foot locking my hands to work right so I don't want you to be away up here stepping on this foot now trying to lock my hands we're trying to lock my hands like like this get your hands on that leg as quick as you can scarecrow replace lock my hand step off good position done let's go try it watch him


What's up everybody? Jason here for jaspyscasebrakes.com. This is our last filler, last and only filler actually to give away the last two spots in Origins football full case random divisions break with this 2021 Panini Chronicles football one fat pack break number 12 Now again guys just like any other filler we'll do the break randomize because my names team should be the hits out Then at the end we'll take the original list names randomize them and only top two will win spots in the Origins break Which of course was a very pricey break. It's a random division break and it's a full case So get yourself a very nice $600 spot for only 3850 So here we go guys Dice roll it so again round to org is a little slow right now So I'm only using the dice roll here But I'm gonna use psychic science for the list and again it works just like around or don't think it doesn't tell you how Many times they do it so it's got to pay attention to the sound of the click and me saying One two three four, etc. So four and one five times. Here we go five times. Good luck one two three four five And that was five times now again It does give you the timestamp just so you can see that but like I said just doesn't tell you how many times So just kind of have to pay attention there, but that was five times Let's paste in the names now again five times here on the teams now for the pack filler one two three four five New York Giants Down to the Vikings now again, this is just a little pack filler. So stick to what you got right there And pretty much sold out by Carl think Jay had two spots and then or Jay had one and then Matt Buckler had two I believe my buckly have the dolphins and Eagles and then Jay with the commander's rest was Carl And again, it's just a quick pack filler Can't really expect too much craziness in this chronicles pack, but there could be just very very rare of course Little on the cheaper product side But get a lot of rookies though, that's for sure. This is a great great pack to gather up some rookies in your collection So you got Jalen waddle a monoram Justin Fields rookie hits Trask Zach Wilson And then pits right there again. So we'll sleeve up all the rookies. So it's scenes and let's do the main giveaway So again top two getting guys only two two out of the 32 so again dice really here from round org And it is a five and a five ten times good luck ten times. There's original list there ten times one two three four five six seven eight nine Ten and boom Matt Buckler squeezing in there. How about that? So there you go. That's the end of the list. There's the timestamp But top two in after ten times of Matt Buckler. Look at that. Very nice So car you got one Matt Buckler got one and both of you guys are now in on origins So coming up next is origins guys. Thank you


Stories and content in Weird Darkness can be disturbing for some listeners and is intended for mature audiences only. Parental discretion is strongly advised. Welcome Weirdos, I'm Darren Marlar and this is Weird Darkness. Here you'll find stories of the paranormal, supernatural, legends, lore, crime, conspiracy, mysterious, macabre, unsolved, and unexplained. Coming up in this episode of Weird Darkness... Could there be floating balls of light not only possessed of some sort of intelligence but which are capable of forming a unique bond with a person, even delivering painful stings when they choose to do so? Cattle sometimes die suddenly on Sylvie's Valley Ranch's 140,000 acres in Harnie County, struck by disease or felled by a broken leg and unable to find a way out of the rugged forested terrain. But by the time ranch hands discovered four more dead bulls within 24 hours, they knew they were likely dealing with deliberate premeditated killings. To quote one survivor of a near-death experience, I know of no English words for the combination of joy, ecstasy, love, and requited longing that burned within me. It carried me to a dimension I never knew existed. In that moment there was no pain of loss, only unity, rapture, and reunion. Is it possible that we may soon have scientific evidence for what lies beyond the veil? Seeing specters in the reflection of a mirror or piece of glass is not just a cliche movie trope. There is a history that goes along with the happening. When it comes to ghostly apparitions, the white lady are ubiquitous. But a theater in Sunderland, England, has not just a white lady specter but also a haunting grey lady and even the ghost of a comedian. First, we have all heard of haunted forests, but there is one that is so disturbing it drives some people to want to commit murder.   Cacheswell in Langdon Hills Country Park near Baselton has had ghost sightings since 1924. As such, it is a popular spot for ghost hunters and paranormal investigators who claim that the area is infested with spirits. A reporter from Essex Live recently paid the area a visit alongside a group of ghost hunters who say the deserted well is frequented by a number of otherworldly entities, including a man in uniform, a woman, and up to 20 children. Ghost hunter Russell Olde told Essex Live that when they take people on tours of the spooky area, he invites the ghosts over to interact with people. We get our guests to stand there and the children will come and hold their hands, Russell said. We'll get them to pull on the guest's fingers, two for a boy or one for a girl, and they'll get that physical sensation. The well was built in the 1900s by a man called Edwin Cash who wanted to bottle up and sell the mineral-rich water, but a few years after launching his business, it went under. He died in 1931, but mediums, say Mr. Cash's spirit, remains at the well. The group holds seances near the well and Russell says things get pretty scary. We all stand up, hold hands and draw the energy in, he explained. We've had people's noses going down that well after being pushed over, and we've had the whole group pushed out the door. We've had people who come here do not believe us and they've got their noses touching the floor. People stand there saying, why are my hands moving? They're trying to push it down, but they can't. Then all the hands are in the air, or the other side through the bushes. It's a bit sinister. You see a lot of light anomalies. A lot of it is psychological, but you get a lot of people who don't want to stand with their backs to the window or by the door. Things get even darker over near a bridge in the woodland, with Russell saying even the experienced group refused to go near. There's a bridge that we rarely go to because it's dark and sinister, Russell claimed. We also had a guy who was seven feet tall, stocky, broad, and he was the nicest guy you'd ever spoken to, but we took him up to the top of the hill and he got so aggressive. The others were telling me that he wasn't right and he'd never spoken to anyone like that. He was cursing and throwing his arms around, so we had to turn him around. He wasn't under attack, he was just feeling the energy. We had to talk to him to get him out and all of a sudden he came back to us. He said, I just wanted to kill everybody. You do worry, you could see his hands and he was really containing something. Many people have been left in tears after their ghostly interactions, but if none of that puts you off, you can check out Essex Ghost Hunters Facebook page. I've placed a link to it in the show notes. At the fringes of those luminous phenomena which range from spook lights to freak lightning, there are some strange accounts for which there is no ready explanation. These involve lights that show a particular interest in human beings and not always to their benefit. Take what befell 12-year-old George Campbell and his father E.W. Campbell. They were riding along the 80-foot road north of the city of Sherman, Texas on the night of October 4, 1898. Somewhat after 9 o'clock that evening, the boy was witness to a startling phenomenon. He is a bright, intelligent little fellow who said that he didn't believe in ghosts, that his parents had never scared him with spook stories and he has one of the best-behaved scholars in the 4th grade at the Franklin School Building. His story, as told to a news reporter, is as follows. Last night, Papa and I were riding along the 80-foot road about 2.5 miles, 4 kilometers, north of town. When all at once, everything got very bright. We saw a great ball of fire coming down toward the ground. I got within about 3 feet, 90 centimeters, of the ground and seemed to rest for a while and then it went back up until it got clear out of sight. There was a buzzing sound all the time. George describes this as being about 10 feet or 3 meters in diameter and that it hurt one's eyes to look at it. Although they were very close to it, he says that he did not feel any heat. It's a puzzling tale, one which nowadays might be interpreted as a UFO account. Another encounter with a mysterious fireball did not have such a fortunate outcome. 22 years previously, also in Texas, near the town of Palestine, another intelligent boy appeared, out of breath and as pale as he could be. His story was that he had been trudging along a highway at night. According to the report, there was a woman riding a horse in the direction the little boy was going. The boy appeared that night in Palestine. He said he saw a ball of fire come out of the sky and strike the woman and set her ablaze. The horse ran away with the woman a fire on his back and he ran to town to tell the people what had happened. The people went to look after further particulars concerning this curious incident and they found the woman lying on the ground.  She died the next day. The horse was afterwards found with his mane singed. People here think that she was struck by a meteor. In contrast, there are also numerous instances of death from above by freak lightning manifesting as balls of fire. These incidents are no less outre, but in such cases we might console ourselves with a natural explanation. In 1866, Ms. Addie Murray, a schoolteacher in Ross Township for Million County, Illinois, met her untimely end in this way.  The children described the scene as a ball of fire falling into the room. Something similar struck John Whitten, a driver for a telegraph construction train in Leavenworth that same year. He had occasion to lift the telegraph line off the ground when a flash of lightning struck the line at that point tearing it into small pieces and instantly killing him. The man who saw the accident state that they saw a ball of fire as large as a man's fist issue from Whitten's breast. An unfortunate death by a fireball in 1933 was accompanied by a curious premonition on the part of the unfortunate victim. In San Rocco, during a thunderstorm, a cleric was killed by lightning. The priest was involved in a discussion with several of his congregation in the village street when, quite slowly, a one-meter, 40-inch, big, orange-colored fireball came floating through the air straight towards the priest, which then erupted in his vicinity. The incident made quite an impression on the superstitious farmers. More so as the day before the priest had presaged his own demise that was soon to come. A different kind of strange light, again attracted by the presence of a human being, was experienced by Alec Campbell, working as a game warden in Southern Rhodesia, now Zimbabwe. One night, Campbell was walking by an old burial ground when suddenly a bright light appeared beside him. The light turned into a ball of fire about the size of a softball and moved along at Campbell's speed, he said. He turned and stared at the mysterious light. Immediately the ball started advancing on him. Campbell remembered the tales that said that if one encountered such a light, the best thing to do was to close one's eyes, which would cause the light to disappear. He did so, and the light vanished. Could there be lights not only possessed of some sort of intelligence, but which are capable of forming a unique rapport with the person and even delivering painful stings when they so choose? This seems to have been the case in Richmond, Indiana in 1978. The bizarre incident involved local residents, Martha Griswale, 46 at the time, whose house had been plagued by flashing pinpoints of light ever since one had come into her bedroom one night in early January that year. Griswale described how it appeared to her that she and the light were watching each other. The little light approached her. I said no, and it stopped about one and a half feet, about 45 centimeters away.  It glowed for a while, then shut down to a point of light, then rose from my hand, then the others started to come in. Over the following nights, dozens of the floating flashing lights, mostly white and pinhead-sized, entered her bedroom through the closed window. After that, they became her constant companions as soon as evening fell. Griswale also began to note some of these lights during the daytime, although they seemed less active. She moved out of the upstairs bedroom where the lights continued to manifest and began conducting experiments to try to ascertain what the lights might be. She captured several in containers, including an aluminum cigarette case, and saw them shining through the container walls. Griswale also immersed the lights in water, keeping them submerged for two days. The lights were observed to swim freely and when released to fly free, their lights undimmed. She got the same results when she locked them up in a freezer. She was only able to conduct these experiments when the lights were willing participants, since at other times they simply escaped through the walls of the containers. Radiation tests and an attempted chemical analysis turned up nothing. She did find out though that one thing had an effect on the lights. When she touched one with a burning cigarette, the light made a crackling sound as if you had wadded up cellophane very rapidly in your hand. She was unable to replicate that experiment.  They move away too fast, she explained. It dawned upon Mrs. Griswale that the lights might learn from experience and therefore might possess some kind of intelligence. When asked why she wanted to get rid of them, she gave the unnerving answer because they bite. At times, when the lights became more bright, they would sting or bite, giving off a sensation like the sting of a sweat bee and leaving a very small welt. They go through a tapping motion, she said. When they land, they raise up, then light again.  One night, a light got into her eye, which was a painful experience. The next day, she noticed that the eye was bloodshot and the corner crusted. When the lights were not stinging her, they had a tendency to land and crawl over her during the night. They also stung her husband, who wasn't able to see them. This might be a significant detail. Some of the many curious people who visited her house were able to see the lights, yet others were not. Trying to escape the lights for a while, Mrs. Griswale went to her mother in Decatur. But on the third night, after her arrival, the lights came in through the window and were also seen by her mother. Perhaps, she reasoned, they'd been able to follow her or had hidden themselves in her clothing or luggage. She got the impression that the lights meant to say that she could not flee from them. She sought help and consulted scientists, ufologists and psychic researchers but to little avail. As she said to the reporter who visited her, he wasn't able to see the lights, I've just made up my mind that I'm not going to get rid of them. One of the psychic researchers whom Griswale contacted offered as explanation that she might be experiencing a stage of consciousness preliminary to becoming a psychic medium. A plausible suggestion coming from a psychic researcher as puzzling, luminous phenomena manifest themselves often around mediums and are well known in the field of parapsychology. It's said that Helena Smith experienced the manifestation of mysterious globes or lights in her studio when she had taken up painting, long after her association and ensuing breakup with Theodore Florenoi. The visions were accompanied by luminous phenomena. They began with a ball of light which expanded and filled the room. This was not a subjective phenomena. Helena Smith exposed photographic plates which indeed registered strong luminous effects. Then there's the case of Ada Bessonette, a Toledo medium of the 1920s. Denounced as a subconscious fraud by Professor Hislop who had investigated her during 70 sittings between 1909 and 1910, she clearly made more of an impression on Sir Arthur Conan Doyle. He wrote, describing a seance with her, brilliant lights are part of the medium's power and even before she had sunk into a trance, they were flying up in graceful curves as high as the ceiling and circling back on us. One nearly rested on my hand. It seems to be a cold light and its nature has never been determined, but perhaps the cold, vital light of the firefly may be an analogy. Curie word Carrington was another who was not impressed, but he did state that he observed some very curious lights at a 1922 seance which, on request, hovered for a few moments over exposed photographic plates and that the plates, when developed, showed unusual markings which he failed to obtain by artificial means. When Weird Darkness returns, we'll look at the history of seeing ghosts in mirrors. Plus, the Haunted Empire Theater. It has a white lady specter and also a gray lady and even the ghost of a comedian. Are you a member of the Darkness Syndicate? The Darkness Syndicate is a private membership where you receive commercial-free episodes of the Weird Darkness podcast and radio show. Behind the scenes, video updates about future projects and events I'm working on. You can share your own opinions on ideas to help me decide upon Weird Darkness contests and events. You can hear audiobooks I'm narrating before even the publishers or authors get to hear them. You also receive bonus audio of other projects I'm working on outside of Weird Darkness. You get all of these benefits and more, starting at only $5 per month. Join the Weird Darkness Syndicate at WeirdDarkness.com slash syndicate. That's WeirdDarkness.com slash syndicate. The only thing more spooky than Halloween in October is Spooky Empire. Join me October 27th through the 29th in Orlando, Florida to meet horror celebrities like a nightmare on Elm Street's Freddie Krueger, Robert England, and co-star Heather Langingham. Hellraiser's Doug Pinhead Bradley will be there with other casts from the film. Candyman's Tony Todd, an American werewolf in London's David Moughton, the Crypt Keeper John Cassier, Rose McGowan from Charmed in Death Proof, Kane Hodder from the Friday the 13th films, Harry Hamlin from Clash of the Titans, and so many more including Cassandra Peterson, better known as Elvira, Mistress of the Dark. Get autographs, take photos, and hear Q&A sessions with your favorite horror celebs. They've even asked me to moderate a few celebrity Q&As too. You'll also find horror-themed workshops like making movie props and make-up, horror writing, and more. Get all the details, see a full list of the celebrities, and grab your tickets at spookyempire.com. That's spookyempire.com, and I hope to see you there October 27th through the 29th in Orlando, Florida. Do you remember playing Bloody Mary when you were a child?   Still, many have professed an interest in the legend of Bloody Mary over the years, variously referred to as Mary Worth, Hell Mary, Mary Jones, and a host of other names. According to Snopes.com, Bloody Mary research began around 1978, in an essay published by folklorist Janet Langlois at which time belief in summoning the mirror witch was still widespread. Mary is summoned whenever squealing girls get together for a sleepover, Snopes says. We typically performed the ritual in the bathrooms because the bathrooms of our suburban homes had large mirrors and were easily darkened even during the day since they had no windows. Typically, when the Bloody Mary ritual is performed correctly, a murderous ghost is said to emerge from the mirror, often attacking the individual who summoned her. There is indeed a bit of history associated with the notion that ghostly images appear in mirrored surfaces. One early 20th century rhyme featured on Halloween postcards read, on Halloween, look in the glass, your future husband's face will pass. Although this reference certainly predates Langlois' 1978 research into the phenomenon, even earlier references to magical arts like mirror gazing and the use of shoe stones dates back to ancient Egypt, where black obsidian mirrors were sometimes used in the process of divination, known as scrying. According to Raymond Moody M.D., the ancient Greeks used a similar process with the specific intention of contacting the dead, which they called the psychomantium. In modern times, this environment, sometimes called a spirit booth, is used in a fashion similar to that of the Gansfeld technique, in that it is a form of sensory deprivation, staring into the optical depth of a mirror in a darkened room. Moody says the effect that produces apparitions is purely psychological, but it also causes one to consider whether, if the appearance of the dead and psychological studies can be achieved, the same might have occurred in other, less formal situations. Ghosts and mirrors have indeed become an item of fascination. Various different takes on this theme include everything from the popular Candyman films to widely circulated videos seen on the internet. We'll talk a bit more about those in a moment. Similarly, many parapsychologists have suggested that ghosts may become visible in reflective surfaces due to the way that mirrors, while maintaining an optical reversal of their surroundings, nonetheless reflect one of the most common forms of electromagnetic energy, light. Thus, a variety of images purported to show ghostly manifestations in haunted locations achieve their effect by aiming the lens of a camera diagonally into mirrors and reflective surfaces. As an addendum to this story, Sheridan Walker of San Antonio, Texas sent along the following story. A friend in England, Dr. Harry Oldfield, has been interested in ghost research for many years. At the request of a friend who believed her house was haunted, Harry visited to take photos with his specially equipped camera. He and the friend stood in the doorway of the bedroom where a lot of activity had been happening and he snapped a quick photo when he saw a flash of motion. Neither could say at the moment what it could have been. The wall opposite the door contained a bureau and a mirror. When the photos came back, there was one, the one with the mirror, that showed three people in medieval dress with shocked looks on their faces, one reaching his hand out as if to bravely try to touch the unknown room they were seeing. These people were within the mirror. The mirror also reflected back a small table with some things on it, a table not in the physical room. The house was of an age to date back to the time that these people might have lived. I always got the feeling that perhaps the location of the mirror was a portal of some sort and these folks were not ghosts. While we are on the subject of mirrors, there are a lot of creepy aspects to look into. If you have isotropophobia or cataphtrophobia, you won't be querying a mirror on the wall or a mirror anywhere about fairness. Both of these phobias involve a fear of mirrors and though this rare condition may seem strange, it is not hard to argue that mirrors are inherently mysterious. We assign them meaning beyond their role as an object that is just used to check if our hair or outfit looks good. The history of mirrors dates back to the time when ancient people gazed at their reflections in the water. Later, they peered at themselves via polished stones until the advent of modern glass mirrors. In addition to allowing people to look at themselves, mirrors became metaphors for the soul, serving as a reflection of one's inner and exterior qualities. Along with this idea came the notion that people's souls could get trapped inside these objects, which might become portals to the spirit world where the spirits aren't always friendly. The spooky game called Bloody Mary as well as many horror movies and stories take advantage of our superstitions about mirrors. Scientists may not be able to pinpoint why people are afraid of mirrors, but these upcoming phobia facts suggest our reflections could have some fascinating associations. The medical term for a fear of seeing yourself in a mirror is isotrophobia, though it is often interchanged with catatrophobia and a version of mirrors in general. Isotrophobia comes from the Greek words for into, ice, and vision, opticos. Usually, people who have isotrophobia are afraid of the image they see reflected, not the mirror itself. Like all phobias, the condition involves an intense fear that disrupts a person's life. Symptoms can include rapid heartbeat, anxiety, and shortness of breath. People living with isotrophobia may avoid mirrors or cover them up. Scientists don't have a concrete reason as to why the phobia occurs, but they believe an external event like a traumatic experience could be a factor. Though sometimes interchanged with isotrophobia, the fear of mirrors is medically known as catatrophobia. Catatropto is the Greek word for mirrors, from which the term originates. This irrational fear of the physical mirror can cause anxiety attacks and physical symptoms, including shortness of breath and rapid heartbeat. Catatrophobia can manifest at the same time as other phobias, such as scoptophobia, the fear of being watched, to make the act of seeing one's reflection even more terrifying. Scientists are unsure what causes catatrophobia, but therapy can help those who have it. Isotrophobia and catatrophobia can simultaneously exist with spectrophobia, the extreme fear of spirits or ghosts. The term comes from the Greek translation of fear and the Latin word spectrum, which means apparition, which is where we also get the word specter. Thanks to urban legends, superstition, and horror movie tropes involving supernatural beings suddenly appearing in mirrors, it's not hard to see why this phobia pairs well with the fear of mirrors. In addition to mirrors, spectrophobia sufferers may fear and avoid dark places, empty houses, and heavily wooded areas. Spectrophobia, also known as pasmophobia, can cause the same symptoms of anxiety similar to other phobias. Historically, people in some cultures might have draped cloth over mirrors in a home after a friend or family member had perished. In Victorian times, whether people covered the mirrors completely or wrapped them in black fabric around the edges, they considered the decoration a status symbol. Long before then, Germans reportedly feared that looking in a mirror after someone passed would bring the same fate to the gazer. In China, people turned mirrors over after somebody departed so that their loved one's spirit wouldn't accidentally see their reflection and realize they were a ghost. People in other cultures might have covered mirrors after a loss because they believed the reflective surface could absorb the energy of a spirit who came by, bringing evil and bad luck to the mirror's owner. Some Jewish people may still practice this tradition, not only to help their loved one's spirit move on and avoid being trapped in the mirror, but also to help the living focus on the deceased's image rather than their own personal reflection. Superstitions about mirrors mainly derive from the belief that they are connected to and serve as a portal to the supernatural world. In some horror movies, for example, ghosts, evil spirits and other beings appear and emerge from mirrors once a portal is opened. Other people believe souls can get trapped inside mirrors. Often these souls are evil and can bring harm to anyone who gazes into the same mirror. The evil energy trapped in the mirror would be proportional to the evil that dwelled in the deceased person when they were alive. Those who hold these beliefs say people should cover, destroy, bless or bury haunted mirrors. In addition to walking under ladders and crossing the path of black cats, breaking a mirror is one of the most well-known superstitious beliefs thought to bring bad luck. People in ancient times thought reflections were the result of being able to see one's soul. Since they also believed it takes seven years for a soul to regenerate itself, breaking a mirror would supposedly bring a person bad luck for that many years. The same concept applies to reflections in water. According to some folktales, people reportedly experienced bad things after ripples or waves disturbed their reflection. Some people use mirrors to query those in the spirit world or learn about the future. Ancient Greeks might have built psychomantiums, mirrored rooms in which they would sit, gaze at their reflections and connect to the spirit world. Greeks also allegedly dipped mirrors in water to double the power of their reflection and communication. Black magic practitioners in ancient times could have used this double reflection plus water to predict if people would perish. Those who practice scrying, seeking answers and hidden meanings in a reflective surface might also use crystal balls or mirrors. According to ancient Greek myths, Narcissus falls in love with his reflection after attempting to drink from a body of water. Since it is only a reflection, he can't touch or hold it, so he spends the rest of his life gazing at himself. The story has different endings, with Narcissus turning into a flower, dying by suicide or becoming condemned to view his reflection in the river sticks. It is no wonder Narcissus gives us the word Narcissist. Whatever the outcome, the myth teaches that extreme vanity is not a good thing when a person becomes trapped in it. Cabinets or dressers attached to mirrors are often called vanities, which strengthens the association with one's reflection. Some religions consider vanity a sin. In Christianity, vanity will often go along with pride, one of the seven deadly sins. During the 17th century, the Russian Orthodox Church supposedly banned priests from owning mirrors. For some, gazing into a mirror might cause fear if they had a warped body image. People with dysmorphophobia, also known as body dysmorphic disorder, can become obsessed with a perceived flaw in their appearance. Psychologists used to view this problem as the fear of a repulsive or deformed body, but now they classify it as a disorder rather than a phobia. Though people who have this disorder are not necessarily scared of mirrors, they might avoid or despise looking into one. Some supernatural beliefs about mirrors playing the reflective surface is a parallel universe, as described in Lewis Carroll's Through the Looking Glass, and what Alice found there when she goes through the glass. Though the idea of another world inside a mirror is largely based on superstition and urban legends, science suggests that if such a world did exist, the mirror-image molecules there might create an environment that is drastically different from ours. It's all based on a concept in chemistry called chiral molecules. A molecule is chiral when it can have a mirror image of itself, but those two molecules can't be superimposed on one another. Consider, for example, a pair of gloves which are mirror images and appear exactly alike, but they can't be worn comfortably on the wrong hand. Thus, according to science, the world inside a mirror might be incompatible or even inhospitable as it would entail a place where molecules and DNA have dissimilar properties from ours and might react differently. If such a scenario were true, perhaps fearing another world inside a mirror makes sense. Bloody Mary, though, has probably done the most damage to the reputation of mirrors. The history of Bloody Mary is a mysterious one. No researcher can prove conclusively or exactly where and when the creepy Bloody Mary legend began, nor can anyone pinpoint who Bloody Mary was. Several theories have circulated, however, about who Mary truly was and how her morose legend came to be. As with all legends, plot points change as they are passed down and vary by region to make the tale more applicable to whatever cultural group is involved at the time. For this reason, there are different versions of the game and different beliefs about what will happen if Bloody Mary is successfully summoned. Folkloreists have been able to trace these various tales back to the 1960s, but the legend Bloody Mary and the accompanying creepy adolescent sleepover ritual could be much older than that. In fact, the elements involved in the folklore date back to much older ritual practices like mirror-gazing and self-hypnosis. Let's explore some variations of the lore, the ritual, and the possible identities of the infamous Bloody Mary. The instructions for summoning the spirit of Bloody Mary have been tweaked in various regions, but the basic ingredients remain the same. You always need a dark bathroom, at least one lit candle, a mirror, and equal parts bravery and stupidity. What happens after you've gathered these ingredients can vary. Some versions of the game say once you've turned off the bathroom light and lit the candle, you stare into the mirror and slowly chant Bloody Mary three times. Other versions claim chanting her name five times will rouse her. Some variations even suggest spinning anywhere between three and thirteen times before chanting and then blowing out the candle to summon her in the dark. Summoning this bloody witch of legend can produce multiple results, none of them good. The tamest consequences simply seeing Bloody Mary appear in the mirror, or the mirror itself will start bleeding. From there, the consequences escalate to mysterious claw marks appearing all over your face and body. Some say Mary will reach through the mirror and rip out the summoner's eyes. Others claim she'll drive anyone in her presence insane, and some say that the summoners will suffer instant death. One version of the Bloody Mary legend states that she is the ghost of a witch named Mary Worth who dabbled in the dark arts abducting young girls and harnessing their youth to maintain her own beauty. Eventually around the time of the Civil War, locals discovered that there was a witch in their midst and took matters into their own hands. Mary was dragged outside, tied to a stake, and burned. Many believe her body was buried on her own farmland, and that because of this, the land is now cursed. Eventually and mysteriously, Mary Worth's spirit was absorbed into a mirror and it's now summoned whenever pre-teens gather for a slumber party. The game for this variation involves locking yourself in a dark bathroom with a candle which represents the fire of her demise and standing in front of the mirror, whispering, I believe in Mary Worth, three times. While the origins of Bloody Mary do vary depending on region, the most popular theory contests that historically the enigmatic figure was Mary the First, Queen of England, who ruled during the Tudor period. The Catholic Queen was nicknamed Bloody Mary during her lifetime because of her unusual amount of miscarriages, as well as her penchant for ordering frequent executions, especially for Protestants, during her five-year reign. The history of Mary Tudor's multiple miscarriages and two phantom pregnancies resulted in the I stole your baby variation of the game. In this version, chanters call for Bloody Mary three times as usual, but then add the taunt I stole your baby afterwards. Another origin for this blood-soaked mystery woman is that she's really the ghost of a beautiful but terribly vain woman by the name of Mary Worthington. According to legend, a terrible accident left her disfigured. Unable to carry on without her former beauty, Mary killed herself in the 1960s. Many cultures maintain their own lore about bathroom summon identities. Hanukkahsan, or Tuar no Hanukkahsan, which translates to Hanako of the toilet, is the Japanese equivalent of Bloody Mary. Hanukkahsan is said to be the spirit of a World War II-era girl who haunts school bathrooms. According to legend, if one approaches the third stall of a girl's restroom on a school's third floor and knocks three times asking, Are you there, Hanukkahsan? She will answer, I'm here. Allegedly, if you choose to enter the stall, there will be a small girl with bobbed hair and a red skirt waiting for you. Some say that after she has summoned, Hanukkahsan's white, blood-stained hand will emerge from under the door. Some regions even claim that entering the stall after Hanukkahsan responds will result in a three-headed lizard eating the summoner. Hanukkahsan is a widespread urban legend all throughout Japan and, much like in the Western world, the game is often played by children to prove their bravery to their peers. Mirrors have always been considered gateways into the spirit world, and using mirrors to glimpse the future and communicate with other worldly entities dates back to ancient times. The practice became immensely popular in the 1700s-era British Isles for young girls who would perform a ritual with a candle and mirror to discover the identity of their future husbands.   If the face of a skeleton appeared instead, though, that meant the girl would die before getting married. This example from the poems of Robert Burns was published in 1787.  From television's ghost whisperer, charmed and supernatural to full-length feature films and video games, the legend of Bloody Mary has made quite a few appearances in pop culture. The most hilariously reimagining is most likely South Park's parody, where the boys all dare each other to chant Biggie Smalls in the mirror three times. An intriguing interpretation of the Bloody Mary legend is found in the movie Candyman. The story begins in the 1890s, with a forbidden love affair between Daniel Rubitail, the son of a slave, and Carolyn Sullivan, the daughter of a wealthy landowner. Carolyn becomes pregnant, but her father, angered by the racial difference between the two lovers, refuses to accept the relationship. Mr. Sullivan enlists a lynch mob to brutally slaughter Rubitail, severing his right hand, coating him in honey and chanting Candyman as bees sting him to death. Rubitail saw himself reflected in Carolyn's mirror as he uttered Candyman with his last breath. This action supernaturally trapped his soul in the mirror for all eternity. In order to reach him, a summoner must stand in front of a mirror and repeat Candyman five times.  Assuming your friend's sister's cousin is actually telling the truth when she swears Bloody Mary appeared to her at a sleepover last summer, science does have an explanation. Apparently, you don't need hallucinogens to hallucinate. The act of staring into a mirror in a dimly-lit room for a prolonged period of time is enough to do the trick. Experiments performed by psychologists have proven the phenomenon. In essence, your brain, due to lack of information, starts creating its own, causing the reflection's facial features to distort or melt and even adding these things that aren't really there. The hallucinations can range from familiar to terrifying. The adrenaline from spinning around beforehand can also add to the phenomenon. Ultimately, the Bloody Mary game does work.  Up next, who or what is mutilating cows in Harney County, Oregon? A haunted theater with two lady ghosts and a phantom comedian. Plus, life beyond death, is it possible science is on the brink of revealing the truth about it? These stories and more when Weird Darkness returns. As you already know, Build Bar is a sponsor of Weird Darkness. Now that they are a sponsor, don't tell them I said this, but I would continue to let them be a sponsor without them paying me at all so long as they continue to send me these free samples. Today, I received their new cookies and cream chunk. It's like having actual cookies and cream chunks in the candy bar. These are protein bars. These aren't candy bars, so they're low calorie. This has 18 grams of carbs. That's fewer carbs than an average sized banana or a honeycrisp apple. This is my lunch, and it feels like I just had dessert. I'm loving trying all of these new flavors in order to tell you about them because I am discovering new things that I love from Build all the time. This cookies and cream chunk is just insanely good. We've got it set up where you can save 10% off of anything you buy from Build. Just go to WeirdDarkness.com slash Build and use the promo code WeirdDarkness all one word WeirdDarkness.com slash Build and then use WeirdDarkness all one word you can get 10% off your entire order, including the cookies and cream chunk. Now the hard part is this actually tastes like dessert, but I want to eat another one. So could the first one be my lunch and then the second one be my dessert? Or is that cheating? Here at Weird Darkness, I celebrate Halloween year-round, as I'm sure a lot of you weirdos do. So I'm not cutting off the festivities after October 31st. In fact, I'm heading to Halloween Central Salem, Massachusetts at Salem, Perican, November 11th and 12th. They've invited me to be a special guest for the festivities, introducing some of the celebrities and guests, moderating Q&As, and well, other things that they refuse to tell me until I arrive and then it's too late to back out. Apparently, they like to scare everybody, including me. At Salem Perican, you can meet numerous paranormal groups, see creepy art and the artists who create it, speak with cryptozoologists, meet horror and sci-fi authors and podcasters, grab spooky crafts, jewelry, clothing, costumes, and other merchandise, and meet the guest of honor, the one and only legendary, amazing Kreskin, the world's most famous mentalist. He'll showcase his mind-reading and psychic powers right before your eyes. And there are tons of other celebrities being announced as the day gets closer. Visit WeirdDarkness.com slash Salem to see other special guests, celebrities as they're announced, and to get your tickets. That's WeirdDarkness.com slash Salem, and I'll see you in Salem, Massachusetts, November 11th and 12th for Salem Perican. A 2004 Sunderland Echo article stated, The Empire Theater in High Street West is thought to be haunted by the white lady known to frequent the bar area. A staff member says she heard doors banging, people walking about, and felt an ice-cold presence. Some have speculated the ghost could be linked to the disappearance of a female staff member from the 1940s. The white lady, though, is only one of three ghosts thought to have a presence there. The white lady is thought to be Molly Moselle. The following article by Sara Stoner looking into Molly's vanishing was published in the Sunderland Echo on June 7th, 2011. The mysterious disappearance of a dancer and entertainer from a where-side theater sparked a real-life drama in 1949. It was on January 14 that Molly Moselle, an assistant stage manager for Ivor Novello's show The Dancing Years, then running at The Empire, vanished while on an errand. The 33-year-old, whose real name was Mary Bursalam, had left her lodgings in Eden Street in the late afternoon after telling her landlady she was popping out for a birthday card. But the card for Barry Sinclair, the show's leading man, never arrived, and Molly, a bright, lively, and popular girl, was never seen again. Tom Kershaw, then a dresser at The Empire, is thought to have been the last person from the theater to see her alive that day. It was about five in the afternoon. I was at the window of my flat and saw Molly going across the road, he later recalled. She had an orange jacket on, an orange slacks, and a hairband. I told my wife that it was the assistant manager from The Empire. Molly quickly disappeared from view into an alleyway, which in those days linked Eden Street with Garden Place, and Tom thought nothing more of it. But when he arrived at the theater later that night, he found that Molly hadn't turned up. No one ever saw her alive again, he said. As fears for Molly's safety soared, so detectives quizzed her at theatrical pals. She was very popular with everyone, leading man Barry Sinclair told The Echo. Peter Brady, The Empire's stage manager, added, She was an extremely happy girl. She was a girl with a strong personality. Beneath Molly's bubbly and vivacious personality, however, lay a troubled soul. Indeed, she was deeply depressed after two failed relationships. Her 16-year affair with comedian Bunny Doyle had finished only months before, while a romance with businessman Walter Hattersley had just ended in tears. Mysteriously, according to old newspaper reports, Molly had received a letter from Walter on the day she disappeared, but she refused to reveal the contents. The police search for Molly has been extended across Britain, with many people reporting sightings of her at various railway stations reported The Echo. No trace, however, has been found. Investigations into the possibility of suicide or murder have drawn a blank, too, as have interviews with past boyfriends and her family back in Merseyside. Numerous suggestions for her disappearance were put forward.  But despite the many offers of help from the public, Molly's trail soon went cold. After weeks of investigations, no further evidence could be found, although the police file remains open. Almost 21 years after Molly was reported missing, a badly decomposed torso was found in the River Ware on October 12, 1960. A postmortem examination revealed the body to be that of a woman aged from somewhere between 25 and 50 years old who had been dead for many years. A note made at the inquest suggested the body may explain the disappearance of Molly, although proving the theory would be impossible, reported The Echo. Eventually, when police inquiries failed to shed any further light on the identity of the River body, the remains were laid to rest October 17, 1960. Molly's disappearance remains just as much of a mystery as it was 62 years ago, although legend has it that she now haunts the Empire Theater. As it was never proved that she died, it could just be possible that a 95-year-old Molly is living out her final years away from the spotlight. According to Why is the Sunderland Empire one of the UK's most haunted theaters, a Sunderland Echo article by Vicky Newman published on September 8, 2016 said, Molly is said to haunt the men's toilets in the dress circle and was last cited very recently during a run of Joseph in the Amazing Technicolor Dreamcoat earlier this year. Anthony Hope added, A little boy from London who was here to see the show with his family gave everyone a fright one night. He'd never been to Sunderland before and couldn't have possibly known this story, but he came out of the toilets and told a member of the staff that he'd just been talking to Molly in there. The staff member told him no one called Molly was working that night. Everyone was too scared to go in and take a look for themselves. In her article, Vicky explains that Anthony Hope, a member of the Creative Learning Department, revealed what he knew of the ghosts. The gallery, sometimes referred to as the Gods, is the highest point in the theater and supposedly the most haunted area within the building. A ghost known only as the Grey Lady is said to occupy the gallery, although most theaters are believed to have a Grey Lady. Anthony said she likes it up in the gallery because she watches over the shows and the audience to make sure that everything goes the way it's supposed to. People have said that while they've been sat up in the gallery, they've turned around to see a grey figure standing behind them. But whether or not that's just an usher in the shadows, we don't know. One of my favorite comedy actors, Sid James, suffered a fatal heart attack on stage while appearing in the mating season. According to Vicky Newman, he was sitting on a sofa next to the actress, Olga Lau, who got no response when she set her line to him. Known for his improvisations, she played along and continued talking to him, but still didn't get a response. Anthony said she knew then that something was wrong and ran off stage. The company manager came onto the stage and started shouting into the audience, asking for a doctor. Because Sid James had been in carry-on doctor, everyone thought it was just part of the show and just howled with laughter. Eventually, a doctor came up from the audience onto the stage, crying with laughter and only realized it wasn't part of the show when the curtain came down dramatically. Sid is now said to haunt dressing room one, which he was using, and actors using it have reported hearing his signature dirty laugh echoing around the room. Anthony added, Some people who have been here for Panto have said that they're never coming back because they're so scared and others have refused to use dressing room one and requested to have another. Maintenance workers who've been in there alone to paint have also reported hearing the laugh and being tapped on the shoulder. There was a story that the comedian Les Dawson had a strange experience in Sid's old dressing room in 1989, but this may or may not be the case. An interesting interview with Melvin James, the theater's technical manager, appeared in an article in The Shield's Gazette, entitled, Theater's Stage and Old Haunt for Sid? When asked about Les, he said, I've heard the stories, but if Les did see anything, he never mentioned it when he was here. Maybe he related something later, but I saw him regularly, and he never made any such claims. When the first dead bull turned up at the end of July, it didn't raise an alarm at the Sylvie's Valley Ranch. Cattle sometimes die suddenly on the ranch's 140,000 acres in Harnie County, struck by disease or felled by a broken leg and unable to find a way out of the rugged, forested terrain. But by the time ranch hands discovered four more dead bulls within 24 hours, they knew they were likely dealing with deliberate, premeditated killings. They're still baffled by the circumstances. There were no wounds, no signs of a struggle, and the bull's genitals and tongues had been carefully removed. The killing and mutilation of the 4 and 5-year-old Herford bulls in the prime of their productive lives has since spurred a multi-agency investigation in Eastern Oregon, but detectives have turned up no leads and haven't yet even settled on a cause of death. How somebody put these bulls on the ground at what would be arguably a fairly close range and to do it in a way that didn't leave any signs, no trace evidence, no footprints, no struggle marks from the animal, no broken limbs? I have no idea, said Colby Marshall, vice president of the Sylvie's Valley Ranch. The mystery deepens because there's no obvious reason someone would want those animal parts. They are not prime targets for black market sales, authority said. The deaths are eerily similar to a rash of livestock killings and mutilations across the West in the 1970s when hundreds of cows and bulls turned up dead, also of seemingly unknown causes and with their genitals and tongues missing. Back then, theories ran the gamut from a government conspiracy and UFOs to natural deaths and scavengers. Today the circumstances at Sylvie's Valley Ranch point to humans as the probable culprits because of the precise cuts on the bulls. Anything else for now is speculation, including ideas of what might have killed a bull without leaving marks. Marshall said he wonders if the killer used poison darts.  Sylvie's Valley Ranch, about 40 minutes north of the county seat of Burns, has put up a $25,000 reward for information on the bull killings that leads to an arrest and conviction and the Oregon Cattlemen's Association has offered its own $1,000 reward. The investigation has pulled in Oregon State Police as well as the U.S. Forest Service because the cattle were grazing on a federal allotment in the Malhuwer National Forest. The ranch is owned by veterinarian Scott Campbell, who bought the enterprise in 2006. Since then it has expanded into tourism with a golf course and resort on site, but still maintains around 4,500 head of beef cattle, including around 100 bulls. The five dead bulls were found July 30th and 31st in a wooded area about 15 miles from US 395, the nearest major road. They were each about a quarter mile apart, Marshall said. There's some official disagreement on when they were killed. The Harney County Sheriff's Office, which saw only four of the bulls, puts the deaths at three to 14 days before discovery, but Marshall believes the cattle were discovered within 24 to 48 hours of their deaths. The delay in finding the animals is not unusual in such a remote area, where ranchers are tasked with patrolling large tracts of land, said Jerome Rosa, Executive Director of the Oregon Cattleman's Association. Harney County is Oregon's largest county, covering more than 10,000 square miles where cattle outnumber people 14 to 1. These are huge, vast, steep landscapes with lots of rocks and trees and brush, Rosa said. Ranchers may not see their cattle for long stretches of time. Beef is Oregon's largest agricultural commodity, drawing in nearly a billion dollars a year and most cattle crimes typically involve theft, Rosa said. This makes the deaths at Sylvie's Valley Ranch particularly bizarre because the bulls were worth a lot more money alive, particularly for breeding. Marshall estimated their value at up to $7,000 a piece and said they would have sired at least 100 calves each over the remainder of their lives. Their productive life was a huge economic opportunity for the ranch, and now that's completely lost, he said. We're talking hundreds of thousands of dollars. Marshall has heard from several other Oregon ranchers who reported similar killings on their property over the past few decades, including cows that had been found with their udders, vulvas and tongues removed. One of these ranchers, Terry Anderson, found a dead cow on land he was renting near Pendleton in 1980. Its udder had been cleanly removed and Anderson could see no clear evidence of what had killed the animal. There was no visible bullet hole or anything there, Anderson recalled. It was so unusual it just left you with an eerie feeling. The hundreds of cattle deaths in the 1970s, largely concentrated in the Midwest, caused a media sensation as ranchers roiled by an economic crisis blamed a government conspiracy, according to Michael Goldman, a history professor at Somerset Community College in Kentucky who researched the phenomenon. Because the killings were scattered across different states, investigators reached no overarching conclusion on the cause of the deaths, but Goldman said some people believed the government was conducting weapons tests on the cattle. Facing pressure from ranchers, the FBI opened an investigation in 1979 into the deaths of 15 cattle in New Mexico, ultimately concluding that there was no evidence of intentional mutilation by humans and the animals had likely died of natural causes. Since then, scattered reports have made headlines, including the discovery of several mutilated cows in Kansas in 2016 and five cows in 1990 that had been killed and dissected on a farm in Washington. Goldman said conspiracy theorists have pinned the blame on everything from satanic cults to aliens. But Sylvie's Valley Ranch isn't placing its bets on paranormal activity, though Harnie County Sheriff's deputy Dan Jenkins said he did get a few suggestions that Sasquatch might be responsible. He's received around 20 calls from around the western U.S. since news about the deaths started spreading. Jenkins, the lead investigator on the case, said the lack of physical evidence at the crime sites, no footprints, no tire or ATV tracks, means authorities are relying on witnesses to call in to the tip line and report any suspicious activity they might have seen in the area. David Bonert, a professor at Oregon State University who studies beef cattle, said two things typically kill livestock, poisoning from eating toxic plants and people. In this case, poisoning is unlikely given the number of bulls involved and the plants in the area, he said. Larkspur typically flowers earlier in the year, while Hemlock, another deadly plant, grows only around rivers and streams, not the dry forests where the bulls were found. Plus, the fact that all five cattle killed were bulls is statistically unlikely to occur in nature. They make up only about four to six percent of a herd. That leaves human activity as the most likely cause, he said. Adding to the evidence is the surgical precision with which the genitals and tongues were removed. Scavengers would leave obvious signs of tearing with teeth, claws or beaks, he said. Bonert said he had heard rumors of bull testicles being considered an aphrodisiac and both tongues and genitals can be eaten. The famous Rocky Mount Noisters come to mind, but he could think of no reason why someone couldn't just legally buy the animal parts. Yet the human explanation comes with its own difficulties. Taking on a 2,000-pound bull is no easy feat, and Marshall said there were no signs of a struggle. The bulls were all lying on their sides as if they had just fallen over and died. He said he can only think that some kind of toxic dart might kill a bull from a distance, but he has no proof of it and may never find it. It's not clear if a dart would leave a detectable imprint. In the meantime, tissue samples taken from the carcasses are still being analyzed for toxins and no results are available yet, Marshall said. Even with the tests, the killings may remain an enigma. The bulls have been left decomposed for several days, making a toxicology screen difficult to do. Until a suspect is found, ranch employees are on high alert, particularly those who patrol vast areas alone on ATV or on horseback. Rosa said the news had also concerned other ranchers, but that greater awareness could also lead to faster answers in the tight-knit ranching community. The neighbors and the folks that are in those areas know each other, Rosa said, and when they're someone strange or different that's out and about, they take notice of that and let each other know. Paranormal experiences, encountering extraterrestrials, extraordinary states of consciousness, spiritual phenomenon, encounters with non-human entities that can't be explained by science. These stories of what people have come across are ubiquitous here on Weird Darkness, and often those who've had these encounters choose to stay quiet and not even tell close friends or family out of fear of ridicule, and they suffer silently trying to deal with the internal horror of what they've experienced. If I'm describing you or someone you know, there is now a place you can turn to for professional counseling from experts who, unlike others in their field, are open to the paranormal, supernatural, and extraterrestrial experiences of others, and they're not there to explain away your experience but to help you recover from it and move forward with living. I'm referring to the Opus Network. If you want to reach out for help or learn more, look for the Opus Network towards the bottom of the Hope in the Darkness page at WeirdDarkness.com. Bigfoot Calendar by Timothy Wayne Williams Each month you'll be captivated by an original Timothy Wayne Williams painting, beautiful and captivating, but within each painting hides a monster. Bigfoot is hiding somewhere in each painting. Search for Bigfoot and invite others to do so as well, with the new Find Bigfoot calendar available now at WeirdDarkness.com slash Bigfoot. That's WeirdDarkness.com slash Bigfoot. Most of us are struggling to survive on Earth and don't have time to think about life after death. As it happens, there is much more information about this subject and some progress in the field is notable. Thanks to new technologies, what may lie behind the veil of bodily death is being gradually scoped out. There are four types of experience fairly recently noted that seem to shed light on the great mystery, near-death experiences, NDEs, death bed visions, terminal lucidity and group near-death experiences. The most widely known are the NDEs, perhaps the most interesting. In cases of near-death caused by cardiac arrest, blood is immediately cut off from the brain and there ought not to be any consciousness, any experience at all according to the mainstream view. But not only do people still have experiences, they have the most vivid, super-real and transformative experiences, which should be impossible if mainstream science is right.  Their mood is exalted. They die convinced by their vision that there is a world beyond. Terminal lucidity refers to people who suffer from Alzheimer's, schizophrenia or other brain disease, but who, days or hours before death, suddenly recover their mental faculties and recognize their loved ones just before passing away. This phenomenon is a real challenge, how to explain it.  The retrieved mental faculties may be the result of the mind breaking loose from its damaged brain. I am waiting to hear another explanation. Finally, the fourth new phenomenon and one that seems especially rare in this case individuals with the dying person somehow mentally joining him or her in the preliminary journey to the next world. Scott M. Taylor, Doctor of Education and President and Executive Director of the Monroe Institute, was kind enough to provide a written account of the near-death experience he shared with someone he loved. Before I quote Scott's description, there is the sad background for this remarkable experience. Mary Fran and her boy Nolan were both killed in a car crash. Mary Fran instantly, Nolan several days later in a hospital, surrounded by two anxious families along with Scott. There came a moment when the boy died, causing the hearts of all to sink except Scott. At the moment of Nolan's passing, Scott had an experience that is rarely reported, although Raymond Moody has written a book about the phenomenon called Glimpses of Eternity. How many times in the history of the world have people been forced to watch those they loved die? Countless no doubt, but how often do you hear of stories of anyone who claimed to join the dying person making the transition? Not very often to be sure, but it is being reported more frequently today. Here is how Scott Taylor describes it. As Nolan's heartbeat patterns flattened and the monitor beside his bed sounded the constant unwavering tone of organ failure, every member of his extended family wept except for me. As he left his physical body for the last time, Mary Fran crossed the divide between the non-physical world and the physical and scooped Nolan out of his body. Their reunion embrace was exquisite. Then to my surprise, Mary Fran and Nolan turned and included me in their embrace. Together the three of us went to the light. I know of no English words for the combination of joy, ecstasy, love and requited longing that burned within me. It carried me to a dimension I never knew existed. In that moment there was no pain of loss, only unity, rapture and reunion. Now it seems the greater mental world we inhabit, not in physical space or time, is present to us and pervades physical reality. We are, it seems, psychophysical amphibians, separate in space but united in mind and spirit. The great oneness of mind is mostly hidden below the threshold of our everyday awareness. The experience that Scott describes fits the amphibian image. He describes his experience unfolding in the next world even while at the same time being fully aware of himself with his co-morners standing next to him in the hospital. Scott was aware of the incongruity of his feeling expansive and ecstatic at the very moment that Nolan died, so he puts his face in his hands and tries to conceal the fact that he is bursting with joy. As Scott writes in a remarkable passage, I was fully conscious, fully present in the hospital room with the grieving gathering. Yet simultaneously I was lifted to a place beyond description. I experienced by location two fully conscious vantage points, one on the windowsill next to Willie and a second somewhere in another dimension embraced by Mary Fran and Nolan as she guided her son farther into the light. The image that emerges tells us that by virtue of our minds, we are connected with a greater mind and greater worlds. But to know this, we sometimes are forced to venture into the dangerous waters of love and death. All stories in this episode are purported to be true unless indicated otherwise and you can find source links or links to the authors in the show notes. Sentient Fireballs and Biting Lights is from the Forty in Times. Oregon Cal Beatulations is by Diana Cruzman for Oregon Live. New Evidence for Life After Death was written by Michael Grosso for Consciousness Unbound. Ghost in the Mirror was written in part by Micah Hanks for the Graylian Report, Erin McCann for Graveyard Shift and also Lira Radford for Ranker. Where the Wood Sentai Shoot a Murder was written by Claire Reed for Ladd Bible and the Haunted Empire Theater is by Ian at Mysterious Britain and Ireland. Weird Darkness theme by Alibi Music, background music in the episode provided by Shadow's Symphony and used with permission from the artist. Weird Darkness is a registered trademark of Marlar House Productions. And now that we are coming out of the dark, I'll leave you with a little light. Philippians 3 verses 7 and 8, but whatever was to my profit, I now consider loss for the sake of Christ. What is more, I consider everything a loss compared to the surpassing greatness of knowing Christ Jesus my Lord. And a final thought, love people for who they are, instead of judging them for who they are not. I'm Darren Marlar. Thanks for joining me in the Weird Darkness.