The yard Maddie 21 the yard what I imagine is kind of a ripoff of NFL Street slash NBA 2k Park But I don't care what it's a ripoff off. It looks sick. I'm really excited to play This is my base character from Madden mobile because they like they cross platform with that So I'm gonna update my guy a little bit So he's not just my Madden mobile goob, and um we'll go from there. I can adjust my abilities.  So yeah, both of that is defensive. I might have to unlock more How do I unlock more level up the trust prototype to level 12 for escape artist? Okay bet I can do that Oh, that's what enforcer looks like so enforcers still a thing this year and how I feel about that I don't have any skill points yet obviously and rewards. I'll worry about all this later That's it. Just how I look I might have unlocked some gear on Madden mobile And I know that the Madden credits like roll over or whatever so I can actually use some of these right now The Gillette style zone even EA is a sellout. Maybe we're not so different. Yeah, just kidding That is honestly my hair though my hair right now is kind of long, but I don't think they have a better option All right, that's honestly fine. I look like a demon All right, but realistically I'm gonna go six to 205 that's also not realistic to me in real life, but I just think that'll be a better quarterback build I don't know if it matters.  I need 200 lifetime rank through C for you Let's let's learn how to play Wait, this is so sick.  So it's all right Oh, I'm starting on defense today. Let's go save zone blitz. Oh, I get to play safety Okay, so he can still throw that candy. He just threw a pick I think unless was that guy on his team Dude, this is a problem.  Yeah, these are all offensive. So I'm a bit of it.  All right, sweet. Oh no blitz at all. Oh There's a blitz timer.  Give me every time.   I got over the top. That was my zone I'm bad. Damn. I'm bad. I think they scored scored. I'm gonna CPU in the yard Okay, I can hot rod Jacobs hit that slant. Let's see that slant, baby The classic yet to attack below in the middle of the field. I'm gonna throw at it. We're gonna go for three. I guess All right, we're gonna give it right here right back to pop amiques Wait, I'm kind of This isn't that cool. I just hobbled myself. I kind of forgot I was that was sick though.  They're not ready for it. They're not ready for that all That play was fire. I think the game's over. I'm gonna go for this anyway.   Let's go. Yep. I can play online Alright our first head-to-head online game. We're gonna go Lambo tailgate sure man. I don't even know what's going on But let's go. It's like my position on the field QB safety y'all already know and I'm going scramble QB select teammate.  That's dope and then wide receiver one cornerback one I'm gonna go Eddie Jackson. This is with YBTV 2 cornerback to David Montgomery. Yes I love him slot wide receiver corner Just gonna try half back outside linebacker. I guess I'm gonna go coin. My team is weird as hell I honestly don't even like it, but we found a game. Let's play. I don't care All right, I'm actually playing someone mad fiend 420 who also has the game early just like me Let's see how this goes. Let's see if he covers the middle. He does not cover the middle Justin Jefferson Dude that middle cheese is actually fire add a little salt. You already know so I can auto snap to someone else But I'm gonna try and hit Jefferson right up the middle again. Dude cover it Cover it. It's so good fourth and eight Is it there? It's not Sternberger caught it. Come on first and goal Let's see what he wants to do here. Does he want to throw up the middle? It's not there Oh Nobody reacts. Nobody at all reacts to that. I'm frustrated. Let's see what he's gonna try and hit. There's nothing I'm just gonna rifle it in up. Oh, wait. He caught it. He caught it The center cheese I got to stick with it. It's so good. It's so good I have I have I've cracked the code You just On a street. All right, so he can get eight point yet. He can't win no matter what I do here He can't win so I'm just gonna go for three. All right. Let's let's have a little fun here back to pop I'm gonna return it Don't let her return it and then if he scores and gets Oh, he only got one point for that for that. He can't win now.  I got bonus gameplay. I just had off the stream. I played a bunch of the yard I learned a lot more. I customized my guy a little bit differently and I had a ton of fun So I'm gonna add some gameplay to this video right now. I should be better than what you just saw Oh, by the way, this is a don't jewel not cool embroidered merch. It's limited. I'm dropping it in like eight days From when you see this video, there's also don't you'll not cool masks and the fire Stay out of luck out for that. This will be the last time I dropped don't jewel not cool merch, too So if you ever want to get it, this is the last time you can get it Let it embroidered the regular printed and then masks will be sick. All right, sell out So one thing I learned by the way Lambo tailgate, which is one of the only locations I can plan right now I don't know if that's because it's my level or early access when you play on this You can only get players in this division. So Lions Vikings Packers and Bears players That's why you're seeing all of them. So I don't know why they did that doesn't make a ton of sense to me I'm sure they're gonna update it the game came out eight days early So I'm not too mad about it. All right prototype Strangling QB. I'll get in my speed and my throw accuracy because I was filling some mallards All right, my team Justin Jefferson at center I like a lot because I can throw him on that street grab my next wide receiver Jimmy Graham. All right Let's get up. Let's get a defensive player here. Eric Kendricks. All right. I like that slot wide receiver I'll go Eddie Jackson. I feel like he'd do a little bit of everything half-back outside linebacker Yes, all right, I like to see all a lot a lot Let's see what frees up. Oh, that's not open. I shouldn't have thrown that. I'm throwing up to a oh my god And he caught it and he's not his feet Justin Jefferson with one hand going off. It's fourth in two Let's just get let's just get some easy yards here. All right Easy easy yards easy yards go go go Jimmy Graham That's not hmm. Okay, let's get this off. Let's go back to pop a mix through the legs I still have infinite passes to throw here I'm still behind the line of scrimmage.  Touchdown! Touchdown! Dude, I don't know what defense he ran, but that was sick. I'm an infinite time It's nothing to showboat about. Oh throw it again. Throw it again. I dare you. Oh Oh Oh, ooh I dared him. I dared him and he scored on me beating me I don't know the math on that but weird throw on the three-point conversion. I'll say that All right, got it off Easy, let's be patient. Let's be patient. I'm gonna throw it up field the Dalvin cook who's got wheels Wheels Let's go. Come on, baby. I gotta end on the dub. I said I would here. I gotta do it All right, so Jimmy Graham is there every time there. I can take as much time as I want here, too So Jefferson's wide open Let's just think about this Let's just do some thinking, huh? Oh Papa Meeks touchdown touchdown get the juke Sexy juke, but I did not get the touchdown fire play though. Dude. He really does not he's not sending people I got all the time back here. Ooh, I got first one free. Let's get it back to Papa Meeks. Oh, no I pressed him on button. Damn it for some reason. I keep thinking why is to go back to my qb That's so bad that I'm doing that someone lose the game like this. Uh-oh. Cohen's got me dusted, man Whoa, golly day third and four that D props not Good play good play, man Save some blitz. Come on boys. We got to pull it together. All right. I got everything clamped here. No, I don't If he gets it it's game, but if he doesn't this is a bad call Did get it jimmy graham interception. That's a point lob it back Oh I gotta get in the end zone and get even a one point for ot or a two points ended. All right. We're gonna give it to jimmy graham Back to Papa Meeks.  I won.   I have no idea. He still had a drive left I thought that was it.  I'm in so much trouble.   We got Cohen There's nothing open He lost it's third. It's third and 30 bro. He's in big trouble All right.  I'm on Justin Jefferson Oh bold pass, but what are you doing Kendricks? You're literally a defensive player standing there.  I cannot believe I'm allowing this right now All right. Oh, wow.  I just lost This is so depressing. I thought I won that game. I'm so mad. I thought that was it eric kendricks You bum. I gotta go one more. I gotta get the win. Let's go Rudolph. I'm gonna get Aaron Rodgers here I'm gonna throw it to him so he can throw it deep. Galaday is a beast. I do love Galaday Montgomery and Cohen. That's the squad That's kind of open not really. Oh, no, he did not. I cannot believe he had that on Ooh, where you going?  We can throw anything here really Oh, that's open. Galaday. Yes, sir. Get the juke On his feet I hit I hit you twice. Shit All right.  Galaday caught that up the pop of me Oh, and I can't believe that went through. All right. Let's send Rudolph to see if we we catch him sleeping. Is he sleeping? No, Rudolph Kyle Rudolph just bullied his user All right, easy pass Montgomery Too easy. Will he be sleeping on Rudolph? I'm sending everybody to the end zone here Oh sleeping sleeping To read go anything easy for birds All right, what are you gonna try? He wants a multi-pass pd for sure. Oh, wow. Oh Is that Aaron Rodgers? Is that Aaron Rodgers or is that Jaylin Ramsey? Oh my god Wait for it. Wait for it. Got him. All right. Now. Let's be patient Got him. Got him.  All right, so into Rodgers now. We just wait We just wait patiently Uh-oh, that's not patient Yeah, I deserve that. I got I got real cocky pop of me with a strip Rodgers has it Okay, all right 20 to 1 he pretty much can't win unless I had the worst possession ever an exposition Oh, damn. Why did Eric Kendricks just burn my Jaylin Ramsey? What are you doing for my playbook? Easy back to pop of me Dicked. Yep. Easy easy Let's go dude Big win that was scary. Player of the game was Aaron Rodgers a tackle a takeaway and a touchdown Aaron Rodgers. Yes. You read that correctly. All right. I'll end it up on that I'm addicted to this mode. You're gonna see a lot of this this year. I'm punk I'll see you boys next video. Peace out


And let me now take a moment to talk about an issue that I know that is very, very important to the people in the Binghamton area, and that is I want to applaud you for standing up to Governor Cuomo and demanding that New York State ban fracking. What you have done is prove to the world that when people stand up and form a grassroots movement of environmentalists, public health advocates, farmers, working families, and religious leaders, there is nothing that we cannot accomplish. That may have been considered unrealistic or pie in the sky just a few years ago has now been achieved in New York because you made it happen. And that is how real change always occur when people stand up and fight back. In 2012 I was very proud that my state of Vermont became the first state in the nation to ban fracking. Last year Maryland imposed a moratorium on fracking until 2017 and cities and towns across the nation are doing the same. Progress is being made, but much more needs to be done. I don't have to explain to anyone here that the growing body of evidence tells us that fracking is a danger to our water supply, our most precious resource. It is a danger to the air we breathe and can cause lung cancer. It has resulted in more earthquakes. It is highly explosive and it is contributing to climate change. And on this issue of fracking, Secretary Clinton and I have some very strong differences of opinion. In my view, if we are serious about safe and clean drinking water, if we are serious about clean air, if we are serious about protecting the health of our children and our families, if we are serious about combating climate change, we need to put an end to fracking not only in New York and Vermont, but all over this country. The toxic chemicals used in fracking are known to cause cancer and birth defects. Both the EPA and the National Academy of Sciences have shown clear evidence that hydraulic fracturing can lead to a contaminated water supply. We cannot, we must not, allow our children to be poisoned by toxic drinking water just so that a handful of fossil fuel companies can make even more profits. There is simply no good way to contain the cocktail of toxic chemicals pumped into the ground. The threat it poses to our families is too great. Moreover, moreover, the threat of methane emissions from fracking presents a profound danger to our climate. Methane traps more than 84 times the heat of carbon dioxide, while natural gas may burn cleaner than coal, the enormous explosion of fracking and the resulting release of methane presents a significant danger to our planet. Secretary Clinton's role in fracking when she was Secretary of State is not a good record. Secretary Clinton and her State Department worked to export fracking throughout the world to reward companies like Chevron, Halliburton, ExxonMobil, and ConocoPhillips. In my view, that is unacceptable. Bottom line is, if we are serious about addressing the crisis of climate change, if we are serious about addressing the crisis of clean water, which is going to be a greater and greater crisis in years to come, we need bold action. We need bold leadership.


So we are on a routine mission to Maroof to local A&A compound. We took small-arm fire. Then we hit a telephone tower and flipped as we were landing. I pulled out eight of my squad members out with my 240 gunner. I just wanted my guy back. I just wanted Jake back. It's like what I did was what any NCO would do. This is the foundation of my support. I don't think I would have been anywhere I am accomplished without that support channel and that support system I have for my wife, my kid, and her family and my family. Going through aerosol school here in the 25th ID was the first time I was in a UH-60 after my accident. Needless to say I was super nervous. I talked to my platoon sergeant for hours to the point where he just told me you just need to get it done. You got to stop thinking so negatively that it's going to happen again when you have no idea what could happen. He told me to call my buddy who was also in the crash. He explained to me that I couldn't live in fear anymore. It was over a year.  And I took that to heart and I'm still here. Four pictures laminated in my pocket throughout my major school. And every time I felt like I needed to, I wanted to quit.  The most amazing feeling in my military career. You don't earn your tap. It's the guys around you and that is the truest statement in the book. Next to never forget anything. The guys that I was with just pulled me and some of the lowest times I had to graduate. But at graduation I got pinned by my wife. It was just a surreal experience. I had that no quit mentality. I felt that I was completely well trained up. I was looking at other competitors and everything. I felt personally that I could hang with the majority of everyone. But at Best Ranger, you had 51 teams, all Ranger qualified. And if not more qualified than that, I just felt just in awe of everything. My one piece of advice would be, you're not the first one to go through it. And you're not going to be the last one. As long as you take it day by day, even if you're only feeling better or less stressed, 1% every day. From the day before, that's still 1%.


SARS-CoV-2 infection has been shown to drive NLRP-3 inflammasome activation and thereby cytokine storm, but how it does so is unclear. Here the authors show that the viral N-protein can bind to NLRP-3, resulting in enhanced interaction with ASC and thereby with the NLRP-3 inflammasome. This article was authored by Pan Pan, Miao Miao Shen, Jin Yang Yu, and others.


Kia ora, bonjour à tous. Hi everyone, it's a pleasure to be here. So I come from France, Europe, then 14 years in North America, Canada, and now I moved in permanently to Wellington just a couple of months ago. So I'm coming from mostly software engineering background, but I'm very interested in the topics of digital activism, open source and open data. So in general, how we can use technology to improve things, but not necessarily like in the Californian capitalist mindset, but more social community mindset. And I think personally, since I was a kid, I've always been fascinated with the idea of fusing the city as a playground for public expression. You know, like the Greeks used to do graffitis already, and I find it's a place for everyone, and we should try to use it as such. And this talk is going to be focused on the kind of weird topic of locative media. So how many people have heard about locative media here, or locative art? Maybe one, two, oh, yeah, more than I expected. So I think one of the examples that probably everyone knows is Pokemon Go. So it's a game that people play on the phone that uses the city grid, so the physical map of the city as the playground. And people go to specific places that are marked on the map on their mobile phone to hunt Pokemons. And what happens when the game was first released, you'd have like mobs of people forming organically at street corners because people were chasing Pikachu, for instance. And Pokemon Go is what we call an ARG, so alternate reality game, or augmented reality game, where the game is overlaid on top of what you see. But Pokemon Go is not the first iteration. The first iteration by the same company called Niantic was Ingress, which originally was working with Google Maps as a substrate to play the game. And the purpose of the game was that players had to go physically into places and claim territory in some kind of game where corporations and people were fighting for world domination, kind of conspiracy aspect to it. But besides these more well-known applications, there is a very interesting cross-disciplinary digital studio in UK called Blastery, so some of you might have known of it. And specifically that piece back in 2011, so a while ago, called A Machine to See With. And the description goes like this. Just listen to the voice on the phone. The voice tells you what to do. The voice says you're playing the lead in a movie, hide in the toilets, find the getaway car, stake out the bank, and take a deep breath. You're going in. So it's an immersive experience that happens in the city. And you start by calling a phone number, and the voice on the phone number tells you what to do, to go to a place and then calls you back. So it's very interesting because the space in which the experience takes place is the space we know, like the city. But the substrate, the medium on which it operates, is animated through a voice-automated system on your phone. So in a way to experience the project, you need to have the synergy between the technology and the location. Actually, the very first time I heard about Locative Art was when I was on my plane, on the plane to Denmark to do the first iteration of the project. And I had this book by William Gibson in my luggage called Spook Country. I hadn't heard about it before, I know Gibson, of course, because he's bigger in technology. And in that book, there was a very complete description of Locative Art. Specifically, one of the characters had created AR, VR renditions of fictional and past events that you could only experience by going to the place and hooking up specific hardware. And I don't remember when that was published, but it was even before. And so it was like an inspiration for the project. It's always good to turn to Wikipedia for normative definitions. So Locative Media, according to Wikipedia, concentrates on social interaction with a place and with technology so that notion of place, technology and community is very important. But for me, I think the notion of having a digital overlay that is anchored in a physical space is more visual and I think it characterizes my approach to Locative Media. And I really see it as a new digital medium that uses the place as an integral part of the experience. So instead of creating a digital experience that lives on the internet, it's accessible from everywhere. Here you take the place as the starting point or one of the core elements of how you create and design that experience. So one of the questions that I was asking myself around that notion of Locative Media is what happens when you tie information to the physical space as opposed to the internet. And you create a de facto information island that is disconnected from the network. That creates a network of its own. And some of these questions led to the first iteration of that project. So the platform, the technological platform called Invisible Islands. So the first iteration was made in Denmark in the city of Oris, which is like the second biggest city there and that was back in 2014. So quite a while ago. And the core idea was to create local information islands disconnected from the internet where users could share and access content through their mobile phone. Now something that was also very important to me was the notion of privacy. At the time there was the WikiLeaks, Edward Snowden, and we could see that there was government mass surveillance. And what I found interesting in that notion of offline networks, so disconnected information islands, is that if you want to do surveillance, you actually have to go there. You have to physically go to that place and connect to the network and try to harvest the data. So I saw that as an opportunity to create sharing and exchange safe havens. And that was also one of the big motivations in doing the project. So to power these islands I wanted to install a dozen of them so you cannot really, it's outdoors so you need to have chip devices that are low-powered so that you can use batteries. And you want to deploy them guerrilla style in different locations in the city so you don't necessarily have access to plugs either. And also because it's disconnected from the internet you don't have Google, you don't have URLs or domain names. So the way to access the content I thought to use QR codes printed on stickers. And so you would scan the QR code using your mobile phone. It would take you to a specific address within the offline network and you would access content like that. So basically there's no search engine. The only way to access content is to look around and try to find these QR codes. So it's a very interesting way to embed layers of information hidden into the space that you see around you. So of course you need to give concrete examples so people can have a better idea of what it is. So imagine graphites, you know graphites are eminently ephemeral, they're washed out, painted over, removed. What if you can take a photo of a graffiti and sterilize it into a QR code and then you take your phone, scan the QR code and you see it as it was before. So that notion of creating layers of digital archive that are saved in-situ is exactly where you are. I thought also Banksy is exhibited in galleries and sells for millions but I find it would be great to have the same contextual information that you have when you go to an exhibition. So what if you have a QR code next to a piece of street art that tells you more about the author and maybe the intent or the story of the piece. But more importantly I found there were many opportunities to create links between places in the city by using QR codes as a way-finding element that will take you from, you know, something that would be on the mainstream where tourists go like a museum and maybe give you cues to go off the beaten path and discover places that are more community focused where non-tourists and people living here interact with each other. Like here on the picture, on the left, that's like center, old city of ours with museums and touristy area. On the right, that's Gotzbanen, which is a little bit off-centered and is a very lively community of makers, creators and very local. So how do you create links between these places and encourage people to cross-pollinate? So to do that, of course, you need to create hardware. So I played a little bit with a 3D printer with a lot of success, as you can see here. After a few iterations, I managed to do something that didn't look very good, but at least it was functional. So the devices, they need to have a relatively good range, Wi-Fi range, so you have the big dongle here. They need to be tropicalized. That means they need to be resistant to some extent to moisture and rain. The only problem I found is that solar panels didn't really work well and the batteries did not have enough capacity to last more than four or five hours. So I really need to plug the device for them to work. So that was like a limitation in that iteration of the project. And then we proceeded to deploy the islands in different places, like in Gotzbanen here and try to see how people would use it. And to do that, we created a workshop. You can see printed QR codes. Here you have QR codes with pictures embedded. So we tried to play with the medium of QR codes as something that would be more than just, like, you know, this noisy pattern. And so people started to think about potential applications. And you see Rasmus in the middle with a pen and the shirt. And Rasmus is a scout. So during the weekends, he animates scout camps. And he had this idea of creating a game not unlike Ingress, where, you know, it's a story of corporations and citizens, like same theme, but that would take place in a forest and the QR codes would be hidden in trees. And he was actually carrying the islands on his backpack. So he took the same idea of, like, a game, wayfinding using the location in an unusual way and created a new whole application for it. And I found that super interesting and showed that definitely, like, there was something there and it could be used as a medium for creating experiences. That takes me to the second iteration of the project called Les Invisibles, which is, like, the French translation of Invisible Islands, this time in Montreal a year after in 2015. So that iteration of the project was made in collaboration with the National Film Board and the Cartier des Spectacles, which is where you have, like, all the museums, all the venues, Le Festival du Jazz, also, which is very well known. And Daniel is, like, the best person for the project, really, he's passionate about walking and exploring cities. He talks a lot about time and space and how we experience it. He has a very poetic touching perspective on things. And also he's, like, one of the pioneers of, you know, cross-media digital. He actually did CD-ROMs, you know, in the mid-90s. And so it was a great opportunity and a very good fit for the project. So at the time I was starting to think that QR codes were probably not the best. They felt a little bit awkward to interact with. And I was looking for alternatives in terms of how do you advertise the content, how do you make the content discoverable. And if you've been to Montreal, you know, that it's always in construction. Like, the symbol of Montreal should be a working cone, you know? And so if you look on the floor, you'll see, on the ground, you'll see, like, the markings that construction workers do to indicate gas pipes and work. So there is already, like, that kind of natural overlaying of information that you find in the city. I also found that, like, the more official institutions were using, you know, stickers on the floor to do wavefinding and orient people on the streets.  I don't really know what it's for, but it's still part of these layers of information that you find naturally in the city. So our thinking was, like, can we try to use some of these communication mechanisms to embed our own layer of communication that would be invisible if you don't know what you're looking for? So we tried to have something that's almost camouflage, a layer of information that is there but not really. And so what we thought we were doing is to spray paint markings on the floor and create sites of interest, so denoted by these kind of wavy lines and the cryptic symbol. And instead of using QR codes, we would be using numbers, like, dates that would relate to events in the past and the present and in the future as well. And you'd have that website, so a progressive web application that works offline as well, where you can enter the number and for each number that you enter, you unlock a fragment of content. So the way it works in practice is you imagine the Cartier des spectacles, which is, you know, it's quite big and you're out of the metro station, which is a Saint-Laurent station, which is central. You come out and you see that panel that tells you to take your mobile phone, connect to the Wi-Fi network, les îles invisibles, open your browser, so normally you're redirected to that. And then you follow the instructions. What you would see on your phone is a map with where you are, like the triangle, the Saint-Laurent station. And a novelie. And so what you see here is the context, the spatial context in which the story takes place. And the story is about the Cartier des spectacles now and how it was before and how it's going to be in the future after the rising of sea levels and then the creation of islands, physical islands in that location. Some of the sites will be submerged. Some of those will be submerged. And so if you start to look around from that panel, you'll see these small markings, these arrows. And if you follow them, then you end up in sight. So we actually created that alphabet of symbols that you see here and the waves would, of course, remind you of the rising sea levels, like one of the trope of the story. And looking around the sites, you'll find the numbers that you use to decode the fragments of the story. So I think we had maybe 16 sites and 72 fragments, so quite a lot of content. But you wouldn't necessarily need to read them in order or read them all. And what we wanted to do, also coming back to one of the sites I had before, we wanted to connect places and take you to places that you wouldn't necessarily know. So maybe like you've been... The Cartier de Spectac is very popular. I mean like everyone living in Montreal spends time there. But there are some parts of it where people don't necessarily go. And so part of the design of the experience was to try to take people outside of the beaten path as well as on the regular path as well. And so as you visit the sites, then you unlock content and each time you get a letter of an alphabet. So I forgot to mention that at the beginning of the experience you have that letter that you cannot read. The only thing you can read is the first sentence, which is Cher Cher, which means dear, dear in English. So it's kind of cryptic, but you want to know more. And so as you read, you collect the fragments of the story, you understand more about the context and also you have more characters to decipher that letter at some point you'll be able to read it. So that acted also as a game element to encourage exploring and reading more about the story and going to more sites. So what I found super interesting is that it was not that difficult to have permits to spray paint on the ground. And by the way, that's a special type of paint that goes away after a month, so that was fine. But the one thing that I was not allowed to do in the project was to open up the islands for public expression. So that means the content was read-only and people were not able to create their own codes. I had hoped that people would add codes to the site and expand the story, but actually people at the city were worried about the lack of moderation. And so they just said, if we cannot moderate, then we don't want people to be able to share content. So I found that very interesting how the expression public space can be restricted for reasons like that. So the project was super interesting and I think for me it definitely showed me that Locative Media has a lot of potential and there are still many, many opportunities to explore. Although that was like five years ago, there's still a lot going on. Something that has definitely changed is the rise in mobile technologies. They're catching up. You have AR, augmented reality, machine learning, artificial intelligence for shape or condition. NFC, which is near field communication. So if I go close to a place, the contents can update. And also I had friends working on Wi-Fi triangulations so you can have sub-meter precision using Wi-Fi, which wasn't really possible just a few years ago. And thinking about Wellington specifically, when space is scarce, when you have a lack of exhibition spaces, then Locative Media offers you the option of using the street, basically any space, as an exhibition space. So it has some very interesting property at a relatively low cost. And something that I also find interesting is the ability to experience art 24-7. As a teenager, I loved hanging out in the city after midnight, but of course everything is closed so you don't necessarily have a lot to do. What if you have like in front of museums and galleries, offline networks where you can connect and access some content. I think that idea is quite interesting. So, yeah, discussions are still definitely going on in the field. There's progress being made. There's an article published very recently in November in Forbes interviewing different people working AR and VR. And some of the quotes resonated with me. One of them is at the current early stage of these new art forms, that's AR, VR. Locations are absolutely critical to create the new audiences we need. So I find it interesting that, you know, like creating new audiences using location and that kind of technology. Another quote is, it's a good thing that not everything can be consumed at home by yourself, but that you also force an intrigue to go and experience things in other places. And I think that's also interesting to take that in the context of the epidemic of loneliness. I don't know if it's the case in New Zealand, but in the States and in Canada, it's certainly like a major health issue. And it's an interesting opportunity to use technology as a way, and mobile phones, as a way to take people out of the screen and back in the physical space and encourage face-to-face meetings and interactions. So there's a lot of potential there. And definitely, you know, Apple saw that potential. So they're actually... They created that application called ART Walkthrough here in Manhattan, where they commissioned artists, like mostly like big artists, to create ARPs. So they don't have to ask the permission of the city. You just need your iPhone and the application and then just access a window into that overlay. And so you have many pieces installed virtually throughout the city. It's a very interesting experience because it's large-scale, like really good artists, really good content, and also it showcases the advances in technology. Something that's very dear to me is interactive audio walks. So, of course, you have AR where it's very visual, but when you walk, you don't necessarily want to be looking at your phone all the time, you want to be looking around. So if you have a headset, you can listen and I feel like the problem with audio guides is very often it's not interactive enough, but if you leverage near-field communication, Wi-Fi triangulation, you can really make something more interactive. And then you have tools to create these links, both from the inside of the building to the outside and also across buildings in the city and creates like a mesh of virtual links. There's also a recent article that I found quite interesting by Dr. Steven Conway from the Smart Cities Research Institute in Swinburne, Australia, published in November as well, called From Monologue to Dialogue Towards Playable Cities. And I think his point is that games and applications like Pokemon Go, they don't really care about the city, they're not designed for the city. If you remember, like one of the definitions of locative content and locative media is that it needs to be designed for the location, it needs to be location-specific. But Pokemon Go is not location-specific, it just uses the grid of the city as a playground but doesn't really care what it is. And that creates a monologue where it's just a one-way communication. But if you create a dialogue, it means that the AR-VR content is designed for the place specifically. And as Dr. Steven Conway said, it opens up spaces previously close to us and hopefully encourage new ways of perceiving, feeling and expressing ourselves. And that really resonates to me with the core goals of locative media. So again, like locative media, it has a lot of potential. It's still a field that's pretty active and if you want to talk about it, that's my email and my Twitter handle. I'm going to be more active now. Thank you very much.


Hey welcome to a game called LiDAR.exe. What is LiDAR? LiDAR is a bunch of lasers that go out and sort of scan everything what is the definite hold on a detection system works works on the principle of radar but uses light from a laser so can like scan things you know it's scan stuff with lasers it's really cool because they're starting to make a LiDAR based autofocus systems for cameras and it's really cool anyway let's play I uh I saw this on a TikTok actually and then I realized that it was on itch.io I am in complete darkness are you kidding me what am I looking at right now I am in complete darkness except for this is spooky dude this is spooky this is a tunnel down here so I can use this is like the scan radius this is so cool and also freaky as hell so there's a room there's a room here this is where the room does this go further along help oh no this is not good this is not good see she's very not good who's asking for help who needs help what you need help from I can't fucking see anything at all oh damn dude he's got a fucking shlong on him those eyes poking out what are that is that a duck why is there a duck in here who's killing the duck someone's gonna kill this duck wait green green is good green is good we've learned this throughout the years red is bad and green is good this is what our mind thinks it's the exit but how oh I need a code don't I wait I wonder if there's a way to really uh uh she's still there imagine being in a place where you had like a screen in front of you and you could only see when doing scans that's horrifying that was like that game that horror game that was that came out a few years ago I think where it was like echolocation based so you can only see based on sound I think is what it was is the duck still here whose duck is this quackums would you like to come with me on my various adventures is that something that you're interested in is that something that said something that intrigues you seven one two eight hold on let's go back over here okay this is so damn cool is this where I just came from it's gotta be where is this it's a big sign a big oh it looks like it looks like there's like a monorail up above or something something like that the scanning sound is creepy as hell oh you can go real wide or get real precise that's cool this is amazing what a cool concept and so horrifying because I have no idea it's like the fear of the unknown because I I can't see anything just in a big open void see we can scan from really far away I just want to make sure there's no red the red is the freaky so it's like we're in some big factory or something I think we're outside now though because it doesn't seem like there's any roof it's crazy how just a bunch of tiny dots can be so freaky what what was it oh I'm glad at the very least that it doesn't seem like something's chasing me because that's the word or maybe it is I don't know that's the scary thing is I have no idea oh a gate all right well we got a big building over here can we go in said building I don't really think I want the only thing I want to go inside building it's crazy because like it's just making out the basic shapes and stuff but there's no detail like I have no idea what this surrounding place looks like like you could be so alien and crazy and just have the same basic shapes that earth has but there's no actual detail you know it's so cool your imagination gets to flow free I don't even know what I'm looking for green so much green so much green we like green for now oh no pals we're just in a forest now I don't know if green means good now I'm not so sure the forest isn't as comforting hello out there if there's any big feets or small or small feets or small feets small feets are fine too small feets are totally fine I don't mind small feats I'm just wondering how to get out of here and get back home you know so if you can lead me in any way any direction towards home or safety or really anything of that nature that would be wonderful oh god what is this are these just footsteps oh man these are big feats what the hell but then it stops I don't know yeah I don't know if I want to go there if I'm honest you know it very well could not be great for me to go over there but I feel as though I may have to bombs away what was it that was so cool that was so cool lighter.exe damn that was really good I really really liked that there was so much oh it was so unsettling just really cool a really really cool concept I really liked that a lot another game another princess is in our castle peach has average speed sometimes hears you when open the door and can see you hide in a chest is peach going to be chasing me in this because I don't love that I don't want that to happen can I jump where my cool Mario skills where I can jump and slide and flip why don't I have those I like having those oh the the sound effects in this are so much creepier than Super Mario 64 not about it not entirely about it so I'm assuming that first door is the one bows hey I feel like Bowser may not be our our biggest fear in this one maybe something else entirely peach huh bye peach uh oh peach too bad okay here we go again let's see if we can make it happen what if I just don't release peach you know maybe that's the key maybe I've cracked the code you know but of course everything is locked until yeah that makes sense abundant pitch abundant nice job nice job I'm there nicely done pitch what is nope hold on peach I can't I'm gone can she open these nice can she see me can she open these nice nice we got half of them we got half of them what does peach want with me I know I'm what the kids would call sexy half like I know that this does not seem good I don't think this is where I really want to be going actually I get all turned around you can go to the outdoors that's dope but they're stairs over here I'm conquering what it means to be a gamer peach don't be anywhere around here okay peach I said don't be anywhere around here where did she go oh she came out first for a peep more like for a peach nice nice only two more only two more yeah we only have one more where is it I'm trying to think of the layout of the house I think all the way upstairs on the left is what we're missing where was the other spot what am I missing I thought that was all of them where am I not is there a place out here that maybe I needed to get it's a large possibility ah good ol yosh he was out here all along could have gotten him first I don't know actually now I've got him all now I can get to the star room for that for a little key huh all that for just a little key and then this one either goes into the basement or straight up here what if she's right through here what if she knows dude it's oh they've been playing feel free to share oh okay oh that was very slender the eight pages kind of a cool concept not a lot there though if I'm honest it looked cool it looked pretty but you know very very like 2012 horror game where she's like oh it's kind of a creepy environment you have to just not get caught and you have to collect things okay all right here we go unsorted vhs you wake up hay from the ceiling lots of vhs tapes sits in front of you you pick up a tape softly whivers in your hand a label reminding you of a distant memory suddenly you just reach voice pay the tapes find out how you got here everything is interlinked don't you remember Egypt keeps up any time Mountain View Primary School how do I put the tapes in oh there we go whoever's editing this put a vhs effect over me make me look like i'm in the game for this whole thing and make the audio shitty I don't like the sound of the fire alarm why is the fire alarm going off why am i in this school why is it nighttime why is there no one here I have so many questions and no answers Alice do you want to play at the cabins after school again it's so fun I just realized that you don't poof to the cabins that are already open this will change the game of tag forever so we're playing tag huh do I really do I need to go into the darkness because I don't I actually want to okay I'm going into the dark I'm not even where do I go oh wait gee that's right that's right that's right okay I forgot that we're we're just playing the tapes so cool get shivers gamers I don't know if it's because of the game or because I'm cold so I'm Alice I guess who am I trying to play tag with I guess there might not even be anything for me to read or anything it's just context let's see let's do this third one sector foundation the authorized repertory oh the cabin anomaly investor briefing the nature of the anomaly teleportation instantaneous travel between two locations without crossing the inner reading space go from that cabin to that cabin they poof just like Alice said we couldn't the unmarked location a branch of the cabin anomaly one of the six cabins seems to be missing it is unknown how to enter it it's one of the cabins teleport I didn't need that last part precisely trace symbol in the center of the cabins extraterrestrial pointing towards the unmarked location all right looks like a spider web this concludes the investor briefing so we're dealing with extraterrestrial life oh wait oh and the box says sector on it there's a helicopter hey mr. helicopter who got in here what is this hey this guy's dead that's our disc but the disc is broken oh oh is that me let's go back to number two giving me clues along the way the key into the house or a key unlocking the basement I'm gonna guess it's unlocking the basement because that it's unfortunate and I don't want it to happen yeah not good for me I do not like but holes clenched dude what is this I'm sending this to you from the locker in the hope that it does not find me here put the cabin anomaly on full lockdown hell if I were you I'd put the hole sonar down the high level security access code is 4142 I know that this is coming out of nowhere I'm not the only the one authorized for this but you have to trust me I'll try to make my way to you horrible it's horrible 4142 all right the last tape the cabin anomaly just like I have my security I feel like this has to be maybe can we go through the fence now you get an openness oh put anything else in here the cabin anomaly slip of paper with a bunch of anomaly index codes and then we'll red miss the looker let's try there's so much information in these filing cabinets that I just did not see before I didn't think that I could open them okay so now oh god but it's reverted the cabin thing is reverted your kid to work today oh no oh boy oh boy I said hey dad sceptre foundation boy sceptre foundation oh I thought this was the room that I was in where is it possible combinations do I go and be a part of it or am I supposed to watch oh no I'm supposed to be a part of this it was a quick elevator oh I went into the other one what was the what was the combination I need to go back and and see what the combination was please be aware of the following guidelines when working with the cabin anomaly do not under any circumstances leave objects inside of the cabin this can cause fatal injuries upon teleportation close the doors upon exiting them this is to maintain the interior of the cabins I can't do it can't go up maybe I have to reset it see if that works oh no it brings me back down here so it says that I need to make sure to close the doors after I exit what if I'm just going open the doors because it said that it might put the anomaly if I go and just open all the doors something will occur it'll create some sort of black hole oh it is unsettling though I am unsettled I'm gonna go to the first one goofed up baby we goofed up bad I'm gonna guess that I can't reset this tape that was awful minecraft trees please that was really cool that was my favorite by far that was really really interesting I really like how you go back and forth between the tapes to find different ways to progress forward that was really really cool looking damn damn damn well if you'd like to check out any of these games link as always will be in the description so you can check them out yourself that was really cool I really I really like that a lot I love the that kind of style that kind of aesthetic the the analog horror if you will um but yeah let me know what you guys thought thank you guys so much for watching I'll see you later bye


All right. Hello everyone testy. All right, we should be all good to go Sure, I'll plugged in here Today we're going to go over our market outlook So one of our fact-based trading solutions Pretty comprehensive And we're going to get into Live action here. What's happening? on the market outlook Before we get into it just want to go through a disclosure that everything that we're doing here is educational and If you are trading we recommend you definitely want to be using risk capital to trade So what are fact-based trading? What is this? You know fact-based trading involves making decisions based on objective data and an analysis rather than subjective emotions or opinions So having a fact focus focus on market truths and Have that as your foundation Not having a foundation based on opinions. It's the one we're talking about fact focus. We're going to build and get into What all this means so it's got clarity and Why we have a commentary in our Outlook and what's that meant to do? And for our fact focus we focus on three primarily things price structure Time phase and market structure, and when we're talking about price structure, we're talking about a Open-high-low close chart. I Like open-high-low close charts. I prefer them over candles candles. You don't really aren't able to really see the structure in the market And so I like to have just kind of pure structure to look at when I'm Making my trading decisions And so that's what we recommend as well for the market outlook You're we're going to focus on the weekly time frame and Weekly time frame meaning the weekly structure. So You know one day is the daily structure one week is the weekly structure one month monthly structure It's it doesn't mean that we're trading on a weekly basis It means we're using the structure to day trade to pursue swing trade to position trade. That's the structure. We're going to key off The weekly structure is nice because it's it's still active A lot of times you're getting full moves that play out during one trading session but they're bigger moves and Since it's weekly structure. It's a it has a better stain power than the daily which can be a little porous sometimes So we like that we like the balance between using the daily is kind of a trigger within the weekly structure and What are the key points that we're looking at on this on that time frame? You know really any time frame our focus is on the high low for the period the last or Close and the midpoint and so what we want to do is, you know, we're identifying the week and And For crypto that's going to be seven days and for futures markets and equities That's going to be five days for the week. So crypto's got Saturday and a full Sunday Futures have just the evening part of Sunday, which is really considered a Monday, but that's how we're gonna break that down so I'm gonna switch to some live charts here and we're going to Start to build our fact foundation So we've got Bitcoin here Here's our outlook and so we're gonna start to deconstruct this and then we'll come back and we'll and we'll build that back up so the first thing we're going over is the price structure and So what we're doing is this is last week's action. We've got our seven. This is our past seven days We're identifying the high price for last week the low price for last week the midpoint The symmetrical midpoint and then also the close so this is a trading range and This is going to act as this structure or previous week's high and we use our acronyms PWH Previous week's high. This is going to act as resistance previous week's lows is going to act as support and The previous week midpoints going to act as a rotational number So once the structure is violated it's going to act as a momentum level in that direction same with the downside and Then the previous week's midpoint is it going to act as a momentum level. So trading above here It's going to be leaning for a press to the upside structure Below the previous week's midpoint. It's going to make a play for the previous week low the close is The one thing that is dynamic within this previous week high low and midpoint because it could be end up being anywhere here So in and it really comes into play more at the end of the time period So the end of the week, but you can use it as a guide And so anytime, you know, you're looking at the market They were you up for the week or down for the week simple as that but that's a good That's an interesting bias and that can help Propel and lead into bigger momentum moves and it also can help to identify and support Momentum so here the previous week's close was it was a key validator for the previous week's midpoint so above the midpoint were positive on this opening here and Validating and trading above the previous week's close is another positive Giving us the potential to make a play to test the previous week's high and then here we're getting a violation of the high I think it's giving us some momentum here. So this is our price structure foundation and These are the acronyms that you'll see on the chart and in our commentary so we're not So those are good things to notice Now the next thing we're going to focus on so that's our the price structure is our base layer fact foundation and The next layer that we're going to bring on And this is time phase and time phase is part of price discovery The process which is determined by major market participants at the start of the session So the opening phase and at the end of the that's the time frame or settlement phase of each trade period so You know during the day and then between crypto markets and futures markets, you know Futures markets you have the centralized exchanges with you know define banking hours, especially for let's say the S&P 500 you know The old-school opening was 8 30 a.m The closing at 3 15 Kind of settlement after that up until 4 o'clock, but that's it you know, then you have the overnight session and so You know the settlement phase on the futures is really defined because it's a lot of it's based off of you know Interest rates and having to borrow money to cover your margins. You still have to do the same thing at crypto typically most People that are lending out funds are still settling up at traditional hours even though crypto is 24 7 There's no real close But UTC standard time is pretty much the recognized, you know opening and close of for crypto and so But these settlement phases still coming to play and people have to settle up and also after they settle up You have the opening and so after you know during the opening phase you've got, you know cut new orders coming in and This creates, you know a special time period special Context to you know when you're in the settlement phase You know Understanding that you've got some big big players need to come in and get out They're gonna they can really drive the market and if you're getting low liquidity price moves more likely You're not being sustained.  So here what I've done is I've identified You know, so we're looking at crypto here and this is basically Saturday And then we have Sunday's range hold on one second. Yeah, I got my chart a little messed up here Here we go. So we've got our This is Sunday, we've got Monday, and we're into Tuesday now so on the settlement range we had a super tight range and Again, we're building that fact foundation so that we you know as the settlement range is defined by the Saturday range And we've got our and we come into the opening we're gonna key off that and it was really everything was consolidated around the previous week's midpoint, but again, this is the kind of the alignment that we look for and Validation above the previous week's close. We talked about now. We're getting validation above the settlement the market's making a decision and We come up and test the previous week's high point just defining the opening range settlement range So at this at this time the mark, you know, here you've got the new, you know one during the settlement range It's tight Start of a new trade start of the new week Market just starts to take off We've got new orders that are coming in and it just drives the market drives it right through the previous week's high and We it makes a new opening range high So we've got it, you know a breakout of the settlement range Help to initiate this rally into the previous week's high and then we took it out. So this is a positive signal Now we're coming in to this price discovery phase and the market immediately after the opening Dips back below it. And so what do we have on the opening range? We've got the upper structure the lower structure or the opening range low So we've got the you know for the settlement phase. We have this settlement range high Midpoint and low and we have the opening range high Midpoint and low and so those are the acronyms that we're using so when we're here on the market, it's trading up, you know sustained trade above this price point is going to give us an Expectation that we could see at least a 50% if not a hundred percent expansion of this range For not able to hold above the opening range high We should anticipate a test of the opening range midpoint if not the opening range low as the market As the price discovery phase gets into play and it's trying to determine Oh, we're gonna we're extending on this opening range surge or not. Is this valid or not and The opening range midpoint can be a great momentum level if that's true So we use all the tools that we have, you know looking at price, you know Just classic price structure higher move highs higher move lows You know, we've got this nice price structure here Which is an alignment with with the previous week high point and it's also now in alignment with the opening range midpoint So this becomes a real key Inflection point for the market if you want to follow me on Twitter This is something that I in addition to the market outlook that I sent out, you know, we made this Once this range was defined it really came everything really started to align right the previous week's high point Which became the the big pivotal area and that's where we're at. That's where we're currently are so now Summit range affects the opening phase Now the opening range is going to affect the rest of the week So we're gonna this this range is going to come into play this midpoint is going to remain a good momentum level It's not going to change the previous week's high is not going to change And then if we look at the opening range low that's coming into play at, you know, right within this band here So now we've got some pretty good definition of You know Above here. It's all systems go because we're above the previous week's high We get below here.  It's a different story now. We're expecting a test of this area if not lower So it's just reading reading structure What are the facts? This is what you need to know. This is what money is looking at What are these factual foundations? Where do I need where do people need to make adjustments? You know, if you're if you're in a short position or you're above the previous week's high you need to take note of that You know the next section that we're going to go through is market structure. So we've touched on this before and market structure differs from price structure because market structure is I is Defining what the structure is of the current market state. So if we're looking at price structure You know, yes, we're looking at the actual high low last and midpoint of each bar. We're also looking at price structure patterns so in a Definition of a bull trend is higher move highs higher move lows So a market that's trending higher and those bars are The lower lows are always lower and the highs are always higher and that tells us that we're in a trend And when that stops to be true then the bull trend is no longer true And so the market structure is defining those Specific price points that will validate or deny that trend. So in this example We have a a bull trend. We're defining the upper you know bull trend extension point when does that trend start to make new highs and We are also identifying the low points of a first structure break and a second structure break for when that trend is no Longer true. And so these are our structure analytics. This is our proprietary analytics and It's identifying where these shifts in state will occur and by using these different qualifiers You're able to standardize this method across all markets So this price map structure analytics we define the market structure with basically Two different studies one what we call our sentiment bias or our level basking over under number and Our critical range which is our upside pivot and downside pivot UP and DP and So you have this hard structure of an upside pivot and a downside pivot and you have a sentiment bias They can kind of shift throughout the market. So based on where sentiment is within the price map structure You know gives us insight to any trade signals that are occurring or Where the market's trading within its price structure and price discovery And so the our level is the sentiment bias. So this is the you know, really the the Point of equilibrium for the the market. This is where most of the liquidity is going to be This is where you know, the really the sentiments can change from positive to negative and so if we're looking at the The weekly our level, that's the weekly sentiment if we we may in the outlook put a daily Sentiment bias in there and that sentiment basket be effective for the for the day for the trade session we we may also look sometimes at what the Monthly sentiment biases and how if that's coming into play, you know And so that we'll make note of that in our outlook as well but the key thing here is just to understand that this is where the energy of the market is and The market's going to gravitate towards those levels and you know, the farther we move away from it Yes, the less the less value the influence will have but if we do get a break in momentum Heading for that, you know, sort of shifting sentiment, you know, that that's kind of the target for that shift so if we're go back to our Live action and we are going to add the Our level This is our sentiment Bias and sentiment for this week is above the market for Bitcoin at twenty eight thousand six hundred eighty four We also have this this metric boundary surrounding this level, so this is kind of the area of interest in influence and Once the market starts to enter that boundary It's in effect in the in the power of that sentiment bias can also use this as For your risk management for your order entry spreading orders within this zone Using breaches of the zone as for stops or or the different metrics for adjusting your stops The boundaries are a great tool and so just You know just reading through these analytics that we have here. I'm going to remove the move my low to Move the settlement range so We have a market that Starts out above the midpoint above the close. That's positive. We know we've got a previous week's high That's going to have some influence. We're gonna get a positive signal above that, but where can that go? We're coming into sentiment. So this is the big, you know pivotal point for the week So we're selling rallies against this point. We're buying breakouts above it And so at the start of the week, we have a play for sentiment So this break out here, you know, even above the critical range the fact that it right on the opening We get a test of the boundary and now we're back down below it these are situations that occur in real time and and This is when we get into the microstructure, which we're going to talk a little bit about later And this is you know, basically telling us the influence, you know This has the influence and that's why we're here. And so that's why this price point is becoming Significant because it's it's a little bit of a war between are we going higher above this structure? Are we going lower because we're below sentiment? You're building on this fact foundation. We're going to add the critical range You know, so we we know where sentiment is now It's above the market and we know that sentiment can be at different price points on this critical range or within this price map And this is setting the structure boundaries for the state. So let's Let's add those Critical range here so we can see that they are level Which is represented by this by green is on the upside pivot And now we're going to add the critical range So this is interesting You know again, this is what we look for all the time is alignment, you know, where are the you know where does the truth align and Here's our downside pivot at 25,153 Here's the upside pivot The directional is the midpoint of the critical range. It's not The symmetrical midpoint like the previous week's midpoint is the symmetrical midpoint. This is not necessarily symmetrical But what we can see here is that the Metric boundaries You take into account the previous week's midpoint. So this whole zone here from basically, you know 27,000 down to 26,600 is going to act as support and this is going to be really the pivotal point For Bitcoin for this week, you know, if this mark if sentiment's negative, it's going to start to roll over here It's going to come test this area It's not going to be able to hold and this will be this would be a big failure in Bitcoin We've seen the market trade and hold below 26,600 the market is you know basing here That's going to tell us another thing and If it does get a play for this level, you know, can it base there and stabilize for potentially another test of sentiment We've got a lot of news coming out. So there's a lot going on Just want to note that the price map is a full risk management overlays So not only do we have our critical range and our reversal level, but we also have target projections If the market breaks out of that range to the upside and downside and we also have what we call validation points That help to identify that the market is Making moves from one side of the critical range to the next. So I'm going to put those on So these are really designed to help you manage your trade And also provide insight so If you look at this price map as a ladder It just adjusts these a little bit You know if as the market's climbing the ladder, it should you know hold hold above each rung So it you know gets above here so it'll start home of that metric make a play here start to stabilize And if it's going to continue to trend it's going to continue to climb the ladder When it stops climbing the ladder, you know, is there any other confluence? That wouldn't that we need to you know validate that the that rung has been broken. Well in this situation. Yes, you know We've got this produce weeks high So if we start training below here, that's going to that would validate the fact that This market's having a hard time climbing this ladder if it's really positive. It's going to be basing above 2,800 and If we can't hold a rung we're probably going to come down to the next one in a general sense When we look at the you know the bigger picture And if we look at the critical range Which is the upside pivot and the downside pivot if we get a breakout of that range? We're giving here's some of the upside targets this level will be a key validation point that this breakouts true and For more information on you know the full price map and different strategies You can come on to our go to our website come on for a trial Of our analytics and we've got full tutorials that get into the whole the whole price map But we're not going to get into that today. So again the metrics have these surrounding boundaries and You can see how that you know the market kind of uses those this is a minor level. So this isn't this happens You know, it's a it's a Area to use to manage a position You can see how that you know the boundary came in to play here You know as the market's moving higher. It's holding positive structure. It's basing above this metric You know, that's this is how you know, you can use these metrics to manage your position So now let's take a look at the The outlook just squeeze this in here So in our market outlook, we're you know highlighting the the market we're Focused on this is the Bitcoin weekly It's a perpetual contract We put the the day in and this is really as a reminder for the price discovery. So we know that Since we're dealing with the crypto market Actually, we're on Tuesday Had a good long weekend So Tuesday is a price discovery So Monday it sets our opening range and we have that set here and here We are talking about that Bitcoin is on the fence and it's rotating off the 27 500 level After a challenge to the weekly sentiment bias our level metric boundary so the whole goal of this commentary is to identify the truth Try to avoid, you know, really the interpretation of the facts and Do our best not to Put too much subjectivity but take our experience and working with the facts and what's more likely to occur and Currently we've had a test so we may go to that anything, you know, basically we don't Keep things real brief here. We do give a little, you know color in our highlight truth test meaning Hey, we've you know, is this for real is this strength that we had at the end of what, you know End of last week and beginning of this week real Well, they're making it they're gonna make a truth test here. Why, you know, they're you know This previous weekly high point is gonna be important. So we say stay nimble, you know, be flexible, you know This this isn't valid, you know, we're not really confirmed if this thing was gonna scale it should just keep going It's not so are we gonna wait for all the news to come out this week at one time? And you know or not or are we gonna you know kind of you know move things into the news? You know, so there's mixed signals abound, you know held trade above 27 500 keeps the positive energy engaged for another run at 2900 so basically Clarifying it, you know as long as we're above here. Hey, we're gonna go press into this area a lot of times You know as the market moves into a major structure point It likes to you probe into it, you know, so you push into it once push into it twice You know the third time it's either gonna bust through or that's it and so that's you know It's three strikes to a top, you know It you know can happen and those are you know just different things to look for but where's all that occurring? And the fact that that's occurring above the previous week's high point is important versus if this was moved down here And we're pressing into it then all of a sudden you've got more of a potential for a negative So we're expecting a reaction on the initial challenge in market makes a push up here We're expecting it to react. We've got a lot of news. Is it gonna fall through? Or not so the retest in this area take it out by a little bit and then squeeze people Doesn't mean this this momentum's over just means that we expect a reaction Now if we start if we do get a reaction the market does get a push here and gets up to 2900 But and it starts to base, you know, we start to hold a trade above 28 600 So we're holding above here, you know, that's going to be a sign of strength and That could project, you know Bitcoin up to 31 Thousand or even 33,000. So if we just if we take taking a look at that I'm on a webinar so I lost my Lost my life chart here Come back to this So basically if we're looking at 3,100 and 3,300, you know, 30, you know If we based on the price map analytics, typically when we get a breakout, we'll get what we call it Average to average price map distance moves So average price map distance is the distance between two major levels So one two so here if we get a violation of the upside pivot a great guy the critical range one two Brings us up to like 3,200 basis the weekly and we also have some confluence with some longer-term Structure that comes into play a little higher So 3,300 becomes is a big point. What's interesting about today that you need it We need to make note of is we are in the You know, and we're in the last part of the settlement period for the month So every month we're gonna have a new structure as well, and that's gonna be a big influence so typically You know in a situation like today that the key long-term structure is Either the weekly or the quarterly and for us You know being shorter-term traders looking for opportunity We're you know that the weekly structure is really key as soon as the New we get the new month that we get the new monthly structure then we'll start to integrate that more into our commentaries And what and what we're looking at because the monthly will start to have more influence. So then you know, typically what we're doing is we're identifying the initial Bias and that's based on when we're coming into the market. Typically. We're you know at updating the analytics Between you know We're focused on UTC time. So and and the we wait till after the roll at Midnight for me in Chicago, that's around 7 p.m Sometimes we might wait through the opening range So the first four hours so we might you know wait till after 11 Me in Chicago or you know 4 a.m. UTC time To to make a post update But depending on where the market price is at that time within the structure That's what that you know will typically state the initial bias The market is showing us at this point. You know a lot of times that changes in a minute and we got and But you know, that's what we're doing when we hit the post and then we'll do the more of the hedge So we're you know, we're really trying to identify those key, you know, what based on the daily Weekly monthly all the structures with that we have You know at our disposal what you know, where is the key inflection points that are the really the turning points? We're the markets really making decisions and we really you know zero it down and so today we came in and are really identifying this 27 500 and For the reasons that you can see and there's there's conflict, you know And but it's all rotating and centered around this price point And so If we are trading below 20s, you know this inflection point, you know, where can we go? We can go down to 20s, you know 27,000 26,700, you know, basically just you know, clarifying what's already here on the picture You know that this you know, this is the key area 26700 and you know and telling you don't press it I mean if we're not really expecting some follow-through at this time, you know There's a lot of news coming out the markets has some positive momentum If the positive momentum is gonna go it should just you know keep ramping up And if we break structure more likely now we're going sideways And that's what this structure also tells us that we've you know, we test in the top of the opening range Test the bottom of the opening range, you know, we broke out above the previous week's high Let's just you know go back and let's retest the previous week's midpoint If not all the way the previous week's low You know and then so we're coming here and identifying that just saying hey, you know 25,850 is the low point for a negative squeeze So if we do roll over here, and then we can't stabilize here and we get a sharp big squeeze You know, maybe we have a big squeeze to this point and we bounce back up and we're back in this big big mass You know, so then we clarify that further that hey You know if this if the market does start, you know stays that down these levels and we start trading below the previous week's low point This is a real threat and This thing could really unwind And we can and we could see you know Bitcoin going down to 23,500 So again, you know kind of going back to our longer-term structure You know quarterly is it is big structure right now And it comes down to you know, basically 20,000 and 20,500 23,000 500 So it's always the same It's on your fact focus, you know, you start out by identifying price structure You know, what is you know if you're working on the daily timeframe? What's what's yesterday's high? What's yesterday's low? What's its midpoint? What's what's yesterday's clothes?  So a few more minutes. I'm just going to go over some practical application here. We have me Just this I've mentioned this before I think, you know as traders you need to have a mandate makes trading easier What's a mandate, you know, you have that foundation for me crypto my mandate is to be a buyer So I'm net long So I'm never you know When I'm short I'm flat Rarely go short That's but it makes it easier when I'm looking at the market to identify How do I you know add protect and where do I want to hedge my profit? Where do I want to hedge my risk? Where do I want to accumulate? Where do I want to you know, leverage things up and So the we can use these structure points to do that. So we have the kind of a Bigger picture structure and just move this stuff in alignment That's off the chart. There's a close And that's the high no just swap those two there So the the integration that I'm using here is zero charts These charts and this is integration is book map that you're all familiar with So we know this is the bigger structure. So let's just put the daily structure in line here And this is what we have on book map because now we're going into more of a microstructure We could you know, take a look at yesterday's Action yesterday's high, you know yesterday's low yesterday's midpoint and we could add that structure here Let me change this color Sundays No, I'm right. No, we're looking at the daily session here and Looking at say the first four hours we can identify this opening range as well but the key key thing here is that we've got the previous days low point is also the Opening range midpoint. So we have that with confluence and then We've got our daily directional, which is showing up here. Let's put the weekly minor level in here So this so this is another thing that I look to look for in Trading here So question is, you know, is this we know on a bigger picture the market just retested this area So we have a you know higher low here We have a higher low here We have a higher low here Is the market going to kind of ramp up and make a play for 29,000 right now? What are the issues? Well, you know, we can see on the daily. We've got this 27 a 12 Which also comes into alignment. This is the VWAP. So we have You know looking, you know having the the session VWAP is always a great little, you know momentum level and So we have that coming into alignment at the daily directional remove the daily Metric boundaries just to clean this up a little bit So this is becoming a real key area here for momentum. So, you know, are we going, you know, we're getting near the Midway through you know coming to the last part of the session if we have another move in us Are we going to rotate back down and press this area or are we going to transition and make a play Up for previous days high if not even higher or the or at least the weekly opening range high and so Using the order book we can you know, we can kind of take a look, you know, this is a Combined order book do we have any resting liquidity above the market or below the market? Or we do have some resting liquidity coming in here at twenty seven thousand two hundred Which is basically down here, which is at the top of the boundary This gives me insight that if the market Does have a big break. It's more likely it's going to stabilize at the top end here versus the lower end And what I want to see happen currently Is what, you know, if if the mark, you know, if I'm taking a positive position or if I'm working On buys off of this key structure point that was highlighted in the market outlook I'm looking for the liquidity to build up off this metric This metric boundary, which it's doing And you can see liquidity building up we needed to eat through here and start to kind of see this this shift here If we do get an order imbalance, we have some, you know, kind of darkness here If this gets all dark and we get some brightness as the market moves up that kind of give us insight that we could have a surge Just starting to get some buying in here as a volume dot Had, you know, whenever you see, you know, kind of peep the the market Generating big liquidity like a sell liquidity into structure You know, that's a kind of an exhaustive signal and then You know, you can always Back out of, you know, you're looking for this confluence is always important With the daily, you don't want to get confused or or rely too heavily on the daily You want to kind of stick with the bigger structure But when you see that alignment, it can be helpful to, you know, managing the trade within here, especially if you're trading with leverage So that's the presentation today on the market outlook So if you're interested in receiving that About you to come to uh, Dharma Capable that trade and you can, you know, sign up for a trial on that also if you want to Take a look at some of my updates and tweets you can get me at at js services or you can Just search for my name on twitter You know, have access to that but again the goal of our market outlook is to Provide you with the fact foundation that's statistical benchmark So you have this in this foundation for whatever you want to do I recommend having it a mandate Understand what each of the structure pieces mean. What is the price structure? What does that mean? We're above high. We're below the high. We're above or below the midpoint Are we shifting transitioning through the midpoint of the previous week's range? How's it, you know, where are we at in the price discovery? Are we still in the opening range? Are we coming out of it? What where is their alignment with the structure and then How does that all relate to the sentiment bias? the critical range And then in our, you know in our comment our commentaries are going to give you insight and You know use using this as that foundation sticking with your entries within structure boundaries And using the alignment for your risk management any questions Feel free to email me directly or you can post them directly in the discord chat until next time Enjoy your day. Cheers


Hey guys, so in today's video, I'm going to be talking about how to study for pharmacology because Pharmacology is one of if not the hardest course in nursing school and it was difficult for me I almost got to be in pharmacology, which is not the end of the world if you get a B or a C It's not the end of the world But for me, I was a straight A student and to be so close to getting a B I was like so nervous and anxious taking that course the entire time and It was just probably not good for my overall help how stressed I was But anyways, I ended up getting an A in pharmacology So I'm going to tell you my study tips and some study tips that I recommend for you guys when studying pharmacology So the first thing is to take really really good notes in class whether you type them or hand write them out Find a study method that works for you and stick with it because the more you bounce around between study methods Then you just don't have like a solid plan and it can lead to errors and missing things So have a solid study method when studying pharmacology The next thing that I did is after each class I would go home and whatever medications we studied I would hand write them out and make like a very colorful handwritten study guide and I would hand write it all out study it a bunch a bunch a bunch a bunch and then Once I was finished with the study guide, I would go back and I would hand write it again from memory So I would make sure that I could understand every single thing to the point where I could verbalize it explain it Write it out sing it dream it you name it I can knew the information forwards and backwards. That's another thing It's really important to be able to know information forwards and backwards So if I say, you know, what are beta blockers you should be able to tell me what beta blockers are versus if I said what's a medication that Reduces the workload on the heart by slowing the heart rate down it lowers the blood pressure It works with the beta agonist or whatever. I'm actually not super sure if that's even right But you know, I mean you should be able to recognize information forwards and backwards not just studying it one Direction because on the test you need to be able to know it forwards and backwards and analyze it the next tip that I have and I wish I had this in nursing school because what made my pharmacology class so much easier is the Med master course by nrs and g.com I've talked about it a lot because that's because I really really believe in it And I really think it's wonderful for you guys and such a great resource and I really wish everyone it would you know Know how great of a resource it is so that's why I talk about it so much But basically the med master course gives you all of like the main medications and not just the main medications They give you tons of medications But they have videos for each medication that breaks it down into how it works How what are the side effects? What are the indications? Why are we using it? I mean all everything but it's very broken down and simplified and easy to follow and it's video in a voiceover So that way you could follow along if you're a visual learner or whatever type of learner You are it hits all of those main points and it's it's really really great And I highly highly recommend it if you're interested in it the link will be down below So check it out also nrcg.com has a bunch of other great resources to make sure you check those out as well But yeah, that is what I did to study for pharmacology and what I recommend I wish I still had my nursing school notes and everything that I could like pull up and show you guys like all of the Writing I did seriously when I threw away a bunch of stuff I had probably a stack that I'm actually sitting on the ground right now So it was like above my head and all of this Paperwork and notes that I had taken and printed out and assignments and all of that and I didn't save it because I don't really need it But I guess I maybe I showed up. I don't know but anyways water under the bridge Thank you guys for watching this video make sure you give it thumbs up and subscribe to my channel And I'll see you guys next time. Bye


My name is Larry Temple. I currently serve as the chairman of the Lyndon Baines Johnson Foundation. I had the great and good fortune in 1967 and 1968 to serve as special counsel to President Lyndon Johnson in the White House. And in that capacity, I had the opportunity to come to this office. What we're looking at right now is a replica of the Oval Office in the White House. This one is seven-eight size, but it is configured and furnished in just the way it was when President Johnson was here. We did not have at the time communication through the Internet and electronic communication that was available to all of us. But what the President did have and what the world had was ticker tape communication. Somebody at a central associated press location, for example, would type in what the news of the moment was. What you have here were AP and Reuters and in the cabinet down here were the actual machines that brought the news up and the machine would bring that news across this so-called ticker tape and on a roll it would come up on a roll until it got here and then it would roll across and the President would see what that news was. But as I say, the one thing that was constant about LBJ was he was the most voracious consumer of news of any human being I've ever known. He wanted to know what the news was. He wanted it instantaneously. He wanted it fully and so sometimes he would be looking at this ticker tape and he would see something that was of great interest to him and it was not uncommon for him to get down on his knees and open this cabinet up and look at that ticker tape just as it was coming off the roller. He wasn't going to wait for the 30 seconds for it to roll up to come across the screen up here and he would get down there and watch that news as it came up. There were many similar moments of history that occurred in this room. I wasn't a party to most of them but I was present on one that's particularly memorable to me and that is a speech that LBJ gave to the nation on national television on March 31, 1968. That was a Sunday night and people were expecting a speech about Vietnam and the President didn't disappoint but then it was something that most people didn't know and the American public didn't expect. The President said that he did not think he should spend any of his time during the rest of his term in politics that he wanted to devote his time in trying to get peace in Vietnam and therefore he would not seek and he would not accept the nomination of his party for another term. Everyone, everybody assumed that he would be running for reelection and I think that he could have gotten re-elected. He thinks he would have gotten re-elected with all the strife that was going on in this country and the riots he very well might have caused even greater turmoil in the country but he opted not to do it and he was seated right here at this desk and I remember Lady Bird Johnson and his two daughters were here and other than the camera people and all he was pretty much of a vacated office as soon as he finished speaking the office filled up with people but that was for me probably the most memorable event that took place in this office during my short but wonderful tenure with the President.