Many COVID-19 patients are facing breathing trouble in the second wave of the pandemic and they are in dire need of external oxygen support. Tamil Nadu is also experiencing a shortage of oxygen at present. The state has a better public healthcare system compared to many other states in India. But currently more than 33,000 patients are being admitted per day due to the severity of the COVID-19 infection. According to the statistics of the Department of Health and Family Welfare of the government of Tamil Nadu as of 17th May 2021, government hospitals hold 79,161 beds including with the support of oxygen, non-oxygen and ICU in the state. Of these 67,191 are occupied and the remaining 11,970 are vacant. But in reality, even in Chennai, the capital city of Tamil Nadu, ambulances can be seen standing in line because of the unavailability of beds. On May 2, 13 patients admitted to the government hospital in Chengalpattu district died because of coronavirus infection. The relatives of the patients accused that the death was caused due to the shortage of oxygen. But the hospital management denied the claim. Following this, the relatives of the patients protested in front of the hospital after the protest, the district collector assured them of forming a commission to investigate the issue. Similarly, as per a report in Vellu district, four people died in April due to the problems in oxygen supply. Recently, the new Tamil Nadu CM has placed a request to Prime Minister Modi demanding 500 metric tons of oxygen supply per day. Since the demand is increasing, after this, the central government increased the supply from 220 metric tons to 419 metric tons per day. From all these incidents, it is clear that there is a shortage of medical oxygen in Tamil Nadu. But the transparency of the state on deaths caused by the shortage of oxygen is questionable here. Regarding this issue, news click spoke to the public health activist Dr. Kasi. What we face today is not the creation of the COVID alone. And at the end of the first wave, so-called first wave in our country, we should do a prepared ourselves for the second wave, number one. And we have failed to implement a lot of programs expecting the need for the people in the health sector. Particularly, we have not made any concrete investments in the public health sector, including building hospitals or building oxygen plants, building and producing more equipment like ventilators and other things. We have failed to build over that. We have failed to utilize the period of lockdown for creation of such an investment and infrastructure in the health. Death only made us feel sorry about today's situation. That's why we are facing the crisis today. What I mean is, and whatever they have made was in the previous year, last year, whatever arrangements they have made was all temporary. In some, most of the places they have, not only in Tamil Nadu, throughout India, they have dismantled the makeshift hospitals and other COVID beds, other things. I'm claiming it is almost over for one country. That's not true. And number two, and as far as Tamil Nadu and Kerala are concerned, we are already working with the available oxygen as far as medical oxygen is concerned. We have enough number of plans to produce oxygen. But what happened? It matters right 100 times to the times we are facing the crisis. And also, one point I would like to make. Since we have not invested in public sector industries, now we are not able to get the industrial oxygen converted to medical oxygen. And because there's a difference between industrial oxygen and medical oxygen, industrial oxygen is not pure. Medical oxygen should be pure and it should not lead to complications when we use for patients. So in this industrial oxygen, every industry is some point of time, they will use oxygen, they will produce oxygen, they are capable of producing. But since we have not built the public sector companies or factories, we are now facing the crisis. We are not able to get enough oxygen support from the private sector. That's why we are facing the problem now. So I can say oxygen is very, very vital for patients, people. The public sector companies and factories are like oxygen for the country. That's what is demonstrated now. Now what to do? Now what they are doing? Particularly the central government, total failure on the part of the central government. How? There are two things. Only they are not, even the important committee has to be set up by the Supreme Court. They have not formed any committee, important committee or anything like that, compressing the important bureaucrats and politicians and ministers of concerned department. They should have formed it much earlier to diffuse the crisis, to assess the need and preparedness of the industries to supply oxygen. That's one thing. Number two, we have failed in distributing. We have not created anything for the network, we have not created any PAKA network for distribution of medical oxygen. And liquid medical oxygen has to be carried in specific containers in specific way, with scientific, with all protections, needed protections, that is not there. And also, from the liquid oxygen plants, it has to be carried in small cylinders, which is also not good numbers with us. So, total mismanagement or unpreparedness only is reflecting now. So, because of this, only the Delhi, states like Delhi, where there is no oxygen production is there from the industrial side, they are suffering. And from other states only, we have to supplement. And even now, the central government is not distributing the oxygen in a transparent way. Even today, every day, they are coming out with piecemeal information about the production and distribution. And they are not telling the, in total, this much is coming input is there, this much we have distributed, this much we have keeping as a reserve, this much we will expect. So many things they can put it in the public domain, but they are not doing it. And even they are allotting the money from the PM cares, which is another question for transparency. So, how much they allot and how much they are in PM cares, nobody knows. The ADMK government in the last, for the last six months, they almost, they forgot about COVID, I can say. And they were very busy with the alliances and other things and mopping up operations in all departments. And that's what I have told you at the beginning itself. I know, dismantle a lot of COVID care centers. They should not have done that. And people like our doctors from demanded all this COVID infrastructure should be maintained at least for one year more. We all demanded, but they did not hear us for that. That's why they could not make any immediate response. But they make the crisis, face the crisis in the past. Not only government hospitals are facing difficulties, but private hospitals too are in a similar situation. But contrary to the government hospitals, private hospitals are not taking patients in despite the availability of beds, especially those in the high-risk category. The reason they stayed is the lack of medical oxygen. They even direct patients admitted at their hospitals to government medical colleges when their health becomes critical. The new Tamil Nadu Health Minister, Mr. Subramaniam, has ensured that appropriate action will be taken against such hospitals. Despite the assurance from the government, these things are still happening even today. The upcoming days will show how the situation will be.


VII For a time, after they had cleared up the supper-things, Philip sat with Jean close to the fire and smoked. The half-breed had lapsed again into his gloom and silence. Two or three times Philip caught Jean watching him furtively. He made no effort to force a conversation, and when he had finished his pipe he rose and went to the tent, which they were to share together. At last he found himself not unwilling to be alone. He closed the flap to shut out the still-brilliant illumination of the fire, drew a blanket about him, and stretched himself out on the top of his sleeping-bag. He wanted to think. He closed his eyes to bring back more vividly the picture of Josephine as she had given her lips to kiss. This, of all the unusual happenings of that afternoon, seemed most like a dream to him. Yet his brain was a fire with the reality of it. His mind struggled again with the hundred questions which he had asked himself that day, and in the end Josephine remained as completely enshrouded in mystery as ever. Yet of one thing he was convinced. The oppression of the thing under which Jean and the girl were fighting had become more acute with the turning of their faces homeward. At Adair House lay the cause of their hopelessness, of Josephine's grief and of the gloom under which the half-breed had fallen so completely that night. Until they reached Adair House he could guess at nothing. And there what would he find? In spite of himself he felt creeping slowly over him, a shuddering fear that he had not acknowledged before. The darkness deepening as the fire died away, the stillness of the night, the low wailing of a wind growing out of the north, roused him to the unrest and doubt that sunshine and day had dispelled. An uneasy slumber came at last with this disquiet. His mind was filled with fitful dreams. Again he was back with Radisson and MacTavish, listening to the foxes out on the barrens. He heard the Scotchman's moaning madness and listened to the blast of the storm. And then he heard a cry, a cry like that which MacTavish fancied he had heard in the wind an hour before he died. It was this dream-cry that roused him. He sat up and his face and hands were damp. It was black in the tent. Outside even the bit of wind had died away. He reached out a hand, groping for Jean. The half-breed's blankets had not been disturbed. Then for a few moments he sat very still, listening, and wondering if the cry had been real. As he sat tense and still in the half days of the sleep it came again. It was the shrill laughing carnival of a loon out on the lake. More than once he had laughed at comrades who had shivered at that sound and cowered until his echoes had died away in moaning wails. He understood now. He knew why the Indians called it Mukwa, the mad thing. He thought of MacTavish and threw the blanket from his shoulders and crawled out of the tent. Only a few faintly glowing embers remained where he had piled the birch logs.  The moon, still full and red, hung low in the west. The lake lay in a silvery and unruffled shimmer. Through the silence there came to him from a great distance the coughing challenge of a bull moose inviting a rival to battle. Then Philip saw a dark object huddled close to Josephine's tent. He moved towards it, his moccasin feet making no sound. Something impelled him to keep as quiet as the night itself, and when he came near he was glad, for the object was a genre. He sat with his back to a block of birch twenty paces from the door of Josephine's tent. His head had fallen forward on his chest. He was asleep, but across his knees lay his rifle, gripped tightly in both hands. Quick as a flash the truth rushed upon Philip. Like a faithful dog Jean was guarding the girl. He had kept awake as long as he could, but even in slumber his hands did not give up their hold on the rifle. Against whom was he guarding her? What danger could there be in this quiet, starlit night for Josephine? A sudden chill ran through Philip. Did Jean mistrust him? Was it possible that Josephine had secretly expressed a fear which made the Frenchman watch over her while she slept? As silently as he approached he moved away until he stood in the sand at the shore of the lake. There he looked back. He could just see Jean, a dark blot, and all at once the unfairness of his suspicion came upon him. To him Josephine had given proofs of her faith which nothing could destroy, and he understood now the reason for that tired, drawn look in Jean's face. This was not the first night he had watched. Every night he had guarded her until, in the small hours of dawn, his eyes had closed heavily as they were closed now. The beginning of the grey northern dawn was not far away. Philip knew that without looking at the hour he sensed it. It was in the air the stillness of the forest, in the appearance of the stars and moon. To prove himself he looked at his watch with the match with which he lighted his pipe. It was half-past three. At this season of the year Don came at five. He walked slowly along the strip of sand between the dark wall of the forest and the lake. Not until he was a mile away from the camp did he stop. Then something happened to betray the uneasy tension to which his nerves were drawn. A sudden crash in the brush, close at hand, drew him about with a start, and even while he laughed at himself he stood with his automatic in his hand. He heard the whimpering, babyish like complaint of the porcupine that had made the sound, and still chuckling over his nervousness he seated himself on a white drift-log that had lain bleaching for half a century in the sand. The moon had fallen behind the western forests, the stars were becoming fainter in the sky, and about to him the darkness was drawing in like a curtain.   And then there swooped down from out of the cover of the black spruce a gray cloud-like thing that came with the silence and lightness of a huge snowflake, hovered for an instant over the porcupine and disappeared into the darkness beyond. And the porcupine, still oblivious of danger, and what the huge owl would have done to him, had he been a snowshoe rabbit instead of a monster with quills, drank his fill leisurely and ambled back as he had come, chattering his little song of good humor and satisfaction. One after another there came now the sounds that merged dying night into the birth of day, and for the hundredth time Philip listened to the wonders that never grew old for him.  And then from deep back in the forests came a cry that was filled with both hunger and defiance, the wailing howl of a wolf. With these night sounds came the first cheap, cheap, cheap of the little brush sparrow, still drowsy and uncertain, but faintly heralding the day. Wings fluttered in the spruce and cedar thickets, from far overhead came the honking of Canada geese flying southward, and one by one the stars went out, and in the southeastern skies a gray hand reached up slowly over the forest and wiped darkness from the earth. Not until then did Philip rise from his seat and turn his face towards camp. He tried to throw off the feeling of oppression that still clung to him. By the time he reached camp he had partly succeeded. The fire was burning brightly again and Jean was busy preparing breakfast. To his surprise he saw Josephine standing outside of her tent. She had finished brushing her hair and was plating it in a long braid. He had wondered how they would meet that morning.   Josephine turned to greet him. She was pale and calm. There were dark lines under her eyes, and her voice was steady, and without emotion, as she said, good morning. It was as if he had dreamed the thing that had passed the night before. There was neither glow of tenderness, of regret, nor of memory in her eyes. Her smile was wan and forced. He knew that she was calling upon a chivalry to forget that one moment before the door of her tent. He bowed and said simply, I'm afraid you didn't sleep well, Josephine. Did I disturb you when I stole out of camp? I heard nothing, she replied. Nothing but the cries of that terrible bird out on the lake. I'm afraid I didn't sleep much. The atmosphere of the camp that morning weighted Philip's heart with a heaviness which he could not throw off. He performed his share of the work with John and tried to talk to him, but Cressette would only reply to his most pointed remarks. He whistled. He shouted out a song back in the timber as he cut an armful of dry birch, and he returned to John and the girl, laughing, the wood piled to his chin and the ax under his arm. Neither showed that they had heard him. The meal was eaten in a chilly silence that filled him with deepest foreboding. Josephine seemed at ease. She talked with him when he spoke to her, but there seemed now to be a mysterious restraint in every word that she uttered. She excused herself before John and he were through, and went to her tent. A moment later Philip rose and went down to his canoe. In the rubber sack was the last of his tobacco. He was fumbling for it when his heart gave a great jump. A voice had spoken softly from behind him. Philip, slowly, unbelieving, he turned, it was Josephine. For the first time she had called him by his name, and yet the speaking of it seemed to put a distance between them. For her voice was calm and without emotion, as she might have spoken to John. I lay awake nearly all of the night thinking, she said, it was a terrible thing that we did, and I'm sorry, sorry. In the quickening of her breath he saw how heroically she was fighting to speak steadily to him. You can't understand, she resumed, facing him with the steadiness of despair. You cannot understand until you reach a dare-house, and that is what I dread, the hour when you will know what I am, and how terrible it was for me to do what I did last night. If you were like most other men I wouldn't care so much, but you have been different. He replied in words which he would not dare to have uttered a few hours before. And yet, back there, when you first asked me to go with you as your husband, you knew what I would find at a dare-house? He asked, his voice low and tense. You knew? Yes. Then what has produced the change that makes you fear to have me go on? Is this because he leaned towards her, and his face was bloodless? Is it because you care a little for me? Because I respect you, yes, she said in a voice that disappointed him. I don't want to hurt you. I don't want you to go back into the world thinking of me as you will. You have been honest with me. I do not blame you for what has happened last night. The fault was mine. And I have come to you now, so that you will understand that no matter how I may appear in act, I have faith and trust in you. I would give anything that last night might be wiped out of our memories. That is impossible. But you must not think of it, and you must not talk to me any more as you have, till we reach a dare-house, and then— Her white face was pathetic as she turned away from him. You will not want to, she finished. After that you will fight for me simply because you are a knight among men, and because you have promised. There will not even be the promise to bind you, for I release you from that. Philip stood silent as she left him. He knew that to follow her, and to force further conversation upon her, after what she had said would be little less than brutal. She had given him to understand that from now on he was to hold himself towards her with greater restraint, and the blood flushed hot and uncomfortable into his face as he realized for the first time how he had overstepped the bounds. All his life womanhood had been the most beautiful thing in the world to him, and now there was forced upon him the dread conviction that he had insulted it. He did not stop to argue that the overwhelming completeness of his love had excused him. What he thought of now was that he had found Josephine alone, had declared that love for her before he knew her name, and had followed it up by act and word which he now felt to be dishonorable. And yet, after all, would he have recalled what had happened if he could? He asked himself that question as he returned to help Jean, and he found no answer to it until they were in their canoes again and headed up the lake. Josephine sitting with her back to him, her thick, silken braid falling in a sinuous and sunlit rope of red gold over her shoulders, then he knew that he would not. Jean gave a little rest that day, and by noon they had covered twenty miles of the lakeway, an hour for dinner, and they went on. At times Josephine used her paddle, and not once during the day did she sit with her face to fill up. Late in the afternoon they camped on a portage fifty miles from Adair House. There were no stars or moon in the sky this night. The wind had changed, and come from the north. In it was the biting chill of the Arctic, and overhead was a gray done mass of racing cloud. A dozen times Jean turned his face anxiously from the fire into the north, and held wet fingers high over his head to see if in the air was that peculiar sting by which the forest man forecast the approach of snow. At last he said to Philip, The wind will grow, mature, and picked up his axe. Philip followed with his own, and they piled about Josephine's tent, a thick protection of spruce and cedar boughs. Then together they brought three or four big logs to the fire. After that Philip went into their own tent, stripped off his outer garments, and buried himself in a sleeping-bag. For a long time he lay awake, and listened to the increasing wail of the wind in the tall spruce tops. It was not new to him. For months he had fallen asleep with the thunderous crash of ice and the screaming fury of storm in his ears. But to-night there was something in the sound which sunk him still deeper into the gloom which he had found it impossible to throw off. At last he fell asleep. When he awoke he struck a match and looked at his watch. It was four o'clock, and he dressed and went outside. The wind had died down. Jean was already busy over the cook-fire, and in Josephine's tent he saw the light of a candle.   A closer glance dashed this hope. Without questioning her he knew that she had spent another night of mental torture, and Jean's face looked thinner, and the hollows under his eyes were deeper. All that day the sky hung heavy and dark with cloud, and the water was rough. Early in the afternoon the wind rose again, and Quassette ran alongside them to suggest that they go ashore. He spoke to Philip, but Josephine interrupted quickly. We must go on, Jean, she demanded. If it is not impossible, we must reach a dare-house to-night. It will be late, midnight, replied Jean, and if it grows rougher. A dash of spray swept over the bow into the girl's face. I don't care for that, she cried, wet and cold won't hurt us. She turned to Philip as if kneading his argument against Jean's. Is it not possible to get home to-night? she asked. It is two o'clock, said Philip. How far have we to go, Jean? It is not the distance, monsieur. It is that, replied Jean, as a wave sent another dash of water over Josephine. We are twenty miles from a dare-house. Philip looked at Josephine. It is best for you to go ashore and wait until to-morrow, Josephine. Look at that stretch of water ahead, a mass of white-caps. Please, please take me home, she pleaded. And now she spoke to Philip alone. I am not afraid, and I cannot live through another night like last night. Why, if anything should happen to us?  If anything should happen, I know you'd meet it gloriously, so I am not afraid, and I want to go home. Philip turned to the half-breed, who had drifted a canoe-length away. We'll go on, Jean, he called. We can make it by keeping close and sure. Can you swim? We, monsieur, but Josephine. I can swim with her, replied Philip, and Josephine saw the old life and strength in his face again as she turned to the white- cap seas ahead of them. Hour after hour they fought their way on after that, the wind rising stronger in their faces. The seas, burying them deeper, and each time that Josephine looked back, she marvelled at the man behind her. Bear-headed his hair drenched, his arms naked to the elbows, and his clear gray eyes always smiling confidence at her through the gloom of mist. Not until darkness was falling about them did Jean drop near enough to speak again, then he shouted. After hour and we reached Snowbird River, monsieur, that is four miles from Adair House, but ahead of us the wind rushes across, a wide sweep of the lake, shall we hazard it? Yes, yes, cried the girl, answering for Philip, we must go on. Without another word, Cressette led the way. The wind grew stronger with each minute's progress. Shouting for Jean to hold his canoe for a space, Philip steadied his own canoe while he spoke to the girl. Come back to me as quietly as you can, Josephine, he said, past the dunnage ahead of you to take the place of your weight. If anything happens, I want you near me. Cautiously Josephine did as he bade her, and as she added slowly to the ballast in the bow, she drew little by little nearer to Philip. Her hand touched an object in the bottom of the canoe as she came close to him. It was one of his moccasins. She saw now his naked throat and chest. He had stripped off his heavy woolen shirt, as well as his footwear.   Now, if we go over, all I've got to do is to swim ashore with you. Is it good walking to Adair House? He did not hear her reply, but a fresh burst of the wind sent a loose strand of her hair back into his face, and he was happy. Happy in spite of a peril which neither he nor Jean would have thought of facing alone. In the darkness he could no longer see Quaussette or his canoe. But Jean's shouts came back to him every minute on the wind, and over Josephine's head he answered. He was glad that it was so dark the girl could not see what was ahead of them now. Once or twice his own breath stopped short. When it seemed that the canoe had taken the fatal plunge which he was dreading. Every minute he figured the distance from the shore and his chances of swimming it if they were overturned. And then, after a long time, there came a sudden lull in the wind, and the seas grew less rough. Jean's voice came from near them, filled with a thrill of relief. We are behind the point, he shouted. Another mile we will enter the snow-bird-missure. Philip leaned forward in the gloom.  Did you hear that? he cried. We're almost home. Yes, she shivered, and I am glad, glad. Was it an illusion of his own, or did she seem to shiver and draw away from him at the touch of his hand? Even in the blackness he could feel that she was huddled forward, her face and her hands. She did not speak to him again. When they entered the smooth water of the snow-bird, Jean's canoe drew close in beside them, but not a word fell from Cossette. Like shadows they moved up the stream between two black walls of forest. A steadily increasing excitement, a feeling that he was upon the eve of strange events, grew stronger in Philip. His arms and back ached, his legs were cramped, the last of his splendid strength had been called upon in the fight with wind and seas, but he forgot this exhaustion in anticipation of the hour that was drawing near. He knew that a dare-house would reveal to him things which Josephine had not told him. She said that it would, and that he would hate her then. That they were burying themselves deeper into the forest he guessed by the lessening of the wind. Half an hour passed, and in that time his companion did not move or speak. He heard faintly a distant wailing cry. He recognized the sound. It was not a wolf cry, but the howl of a husky. He fancied then that the girl moved, that she was gripping the sides of the canoe with her hands. For fifteen minutes more there was not a sound but the dip of the paddles and the monotone of the wind sweeping through the forest tops. Then the dog howled again, much nearer, and this time he was joined by a second, a third, and a fourth, until the night was filled with a din that made Philip's stare wonderingly off into the blackness. There were fifty dogs if there was one in that yelping howling hoard he told himself, and they were coming with the swiftness of the wind in their direction. From his canoe cassette broke the silence. The wind has given the pack our scent, ma Josephine, and they are coming to meet you, he said. The girl made no reply, but Philip could see now that she was sitting tense and erect. As suddenly as it had begun the cry of the pack ceased. The dogs had reached the water and were waiting. Not until Jean swung his canoe towards shore and the bow of it scraped on a gravely bar did they give voice again, and then so close and fiercely that involuntarily Philip held his canoe back. In another moment Josephine had stepped lightly over the side in a foot of water. He could not see what happened then, except that the bar was filled with a shadowy hoard of leaping, crowding, yelping beasts, and that Josephine was the center of them. He heard her voice clear and commanding, crying out their names, Tyre, Captain, Bruno, Thor, Wamba, until their number seemed without end. He heard the metallic snap of fangs, quick panting breaths, the shuffling of padded feet, and then the girl's voice grew more clear, and the sounds less, until he heard nothing but the baited breath of the pack and a low smothered whine. In that moment the wind-blown clouds above them broke in a narrow rift across the skies, and for an instant the moon shone through. What he saw then drew Philip's breath from him in a wandering gasp. On the white bar stood Josephine. The wind on the lake had torn the strands of her long braids loose, and her hair swept in a damp and clinging mass to her hips. She was looking toward him as if a boat to speak. But it was the pack that made him stare. A sea of great, shaggy heads and crouching bodies surrounded her.  An instant of that strange and thrilling picture and the night was black again. The girl's voice spoke softly. Bodies shuffled out of her path, and then she said, quite near to him, Are you coming, Philip? End of Chapter 7 Chapter 8 of God's Country and the Woman by James Oliver Curwood This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. God's Country and the Woman by James Oliver Curwood Chapter 8 Not without a slight twinge of trepidation did Philip step from his canoe to her. He had not heard Quisset grow ashore, and for a moment he felt as if he were deliberately placing himself at the mercy of a wolf-pack. Josephine may have guessed the effect of the savage spectacle he had beheld from the canoe, for she was close to the water's edge to meet him. She spoke, and in the pitch darkness he reached out. Her hand was groping for him, and her fingers closed firmly about his own. They are my bodyguard, and I have trained them all from puppies, she explained. They don't like strangers, but will fight for anything that I touch, so I will lead you. She turned with him toward the pack, and cried in her clear, commanding voice, Marchet, boys! Tire, captain, Thor, Marchet, hush, hush, Marchet! It seemed as if a hundred eyes gleamed out of the blackness. Then there was a movement, a whining, snarling, snapping movement, and as they walked up the bar and into the narrow trail Philip could hear the pack falling to the side and behind them. Also he knew that Jean was ahead of them now. He did not speak, nor did Josephine offer to break the silence again. Still letting her hand rest in his, she followed close behind the half-breed. Her hand was so cold that Philip involuntarily held it tighter in his own, as if to give it warmth. He could feel her shivering, and yet something told him that what he sensed in the darkness was not caused by chill alone. Several times her fingers closed shudderingly about his. They had not walked more than a couple of hundred yards when a turn brought them out of the forest trail, and the blackness ahead was broken by a solitary light. A dimly lighted window in a pit of gloom. Maria is not expecting us to-night. Apologize the girl nervously. That is a dare-house. The loneliness of the spot, its apparent emptiness of life, the silence save for the snuffling and whining of the unseen peace about them, stirred Philip with a curious sensation of awe. He had at least expected light and life at a dare-house. Here were only the mystery of darkness and a deathlike quiet. Even the one light seemed turned low. As they advanced towards it a great shadow grew out of the gloom, and then, all at once, it seemed as if a curtain of the forest had been drawn aside. And away beyond the looming shadow Philip saw the glow of a campfire. From that distant fire there came the challenging howl of a dog, and instantly it was taken up by a score of fierce tongues about them. As Josephine's voice rose to quell the disturbance, the light in the window grew suddenly brighter, and then a door opened, and in it stood the figures of a man and a woman. The man was standing behind the woman, looking over her shoulder, and for one moment Philip caught the flash of the lamp-glow on the barrel of a rifle. Josephine paused. You will forgive me if I ask you to let me go on alone, and you follow with Jean, she whispered, I will try and see you again tonight when I have dressed myself, and I am in better condition to show you hospitality. Jean was so close that he overheard her. We will follow, he said, softly. Go ahead, Masha-ry. His voice was filled with an infinite gentleness, almost of pity, and as Josephine drew her hand from Philip's, and went on ahead of them, he dropped back close to the other's side. Something will happen soon which may turn your heart to stone an ice-missure, he said, and his voice was scarce above a whisper. I wanted her to tell you back there, two days ago, but she shrank from the ordeal then. It is coming to-night, and, however it may affect you, Masha-ry, I ask you not to show the horror of it, but to have pity. You have perhaps known many women, but you have never known one, like our Josephine. And her soul is the purity of the blue skies, the sweetness of the wild flowers, the goodness of her blessed lady, the mother of Christ. You may disbelieve, and what is to come may eat at the core of your heart, as it has devoured life and happiness for mine. But you a love, Lange, are Josephine just the same. Even as he felt himself trembling strangely at Jean-Criset's words, Philip replied, Always, Jean, I swear that. In the open door Josephine had paused for a moment, and was looking back. Then she disappeared. Come, said Jean, and may God have pity on you if you fail to keep your word in all you have promised. Monsieur Philip d'Arcambel. For from this hour you are Philip d'Arcambel of Montreal. The husband of Josephine Adair, our beloved lady of the forest, come, Mashaire. CHAPTER IX OF GOD'S COUNTRY AND THE WOMAN by James Oliver Kerwood. This is a Libervox recording. All Libervox recordings are in the public domain. For more information or to volunteer, please visit Libervox.org. God's Country and the Woman by James Oliver Kerwood, CHAPTER IX Without another word Jean led the way to the door, which had partly closed after Josephine. For a moment he paused with his hand upon it, and then entered. Philip was close behind him. His first glance swept the room in search of the girl. She had disappeared with her two companions. For a moment he heard voices beyond a second door in front of him. Then there was silence. In wonder he stared about him, and Jean did not interrupt his gaze. He stood in a great room whose walls were of logs and ax-hewn timbers. It was a room forty feet long by twenty in width, massive in its build, with walls and ceiling stained a deep brown.  In the center of the room was a long, massive table, its timber curved by the ax, and on this table a lamp was burning. The floor was strewn with fur rugs, and on the walls hung the mounted heads of beasts. These things impressed themselves upon Philip first. It was as if he had stepped suddenly out of the world in which he was living, into the ancient hall of a wild and half-savage thane whose bones had turned to dust centuries ago. Not until Jean spoke to him, and led the way through the room, was this first impression swept back by his swift and closer observation of detail. About him extreme age was curiously blended with the modern. His breath stopped short when he saw in the shadow of the further wall a piano with a bronze lamp suspended from the ceiling above it. His eyes caught the shadowy outline of the cases filled with books. He saw, close to the fireplace, wide, low-built divans covered with cushions, and over the door through which they had passed hung a framed copy of Da Vinci's masterpiece, L'Aja Cond, the smiling woman. Into a dimly-lighted hall he followed Jean, who paused a moment later before another door which he opened. Philip waited while he struck a match and lighted a lamp. He knew at a glance that this was to be his sleeping apartment, and as he took in its ample comfort the broad, low bed behind its old-fashioned curtains, the easy chair, the small table covered with books and magazines, and the richly furred rugs on the floor. He experienced a new and strange feeling of restfulness and pleasure which for the moment overshadowed his more excited sensations. Jean was already on his knees before a fireplace, touching a match to a pile of birch, and as the inflammable bark spurred it into flame and the small logs began to crackle, he rose to his feet and faced Philip. Both were soaked to the skin. Jean's hair hung lank and wet about his face, and his hollow cheeks were cadaverous. In spite of the hour and the place Philip could not restrain a laugh. I am glad Josephine was thoughtful enough to come in ahead of us, Jean, he chuckled. We look like a couple of drowned water rats.  If you haven't dry clothes of your own you will find garments behind the curtains. I think some of them will fit you. After we are warmed and dried we will have supper. A few moments after Jean left him an Indian woman brought him a pail of hot water. He was half stripped and enjoying a steaming sponge bath when Cressette returned with his donnage sack. The arctic had not left him much to choose from, but behind the curtains which Jean had pointed out to him he found a good-sized wardrobe. He glowed with warmth and comfort when he had finished dressing. The chill was gone from his blood. He no longer felt the ache in his arms and back. He lighted his pipe and for a few moments stood with his back to the crackling fire, listening and waiting. Through the thick walls no sound came to him. Once he thought that he heard the closing of a distant door. Even the night was strangely silent, and they walked to the one large window in his room and stared out into the darkness. On this side the edge of the forest was not far away, for he could hear the sowing of the wind in the treetops. For an hour he waited with growing impatience for Jean's return or some word from Josephine. At last there came another knock at the door. He opened it eagerly. To his disappointment neither Jean nor the girls stood there, but the Indian woman who had brought him the hot water, carrying in her hands a metal-server covered with steaming dishes. She moved silently past him, placed the server on the table, and was turning to go when he spoke to her. Tonsa ah ikikumucha hoyan, he asked in Cree. She went out as if she had not heard him, and the door closed behind her. With growing perplexity Philip directed his attention to the food. This manner of serving his supper partly convinced him that he would not see Josephine again that night. He was hungry and began to do justice to the contents of the dishes. In one dish he found a piece of fruit-cake and a half a dozen pickles, and he knew that at least Josephine had helped to prepare his supper. Half an hour later the Indian woman returned as silently as before and carried away the dishes. He followed her to the door and stood for a few moments looking down the hall. He looked at his watch. It was after ten o'clock. Where was Jean, he wondered. Why had Josephine not sent some word to him? At least an explanation, telling him why she could not see him as she had promised. Why had Crissette spoken in that strange way just before he entered the door of a dare-house? Nothing had happened, and he was becoming more and more convinced that nothing would happen that night. He turned suddenly from the door, facing the window in his room. The next instant he stood tense and staring. A face was glued against the pain. Dark, sinister, with eyes that shone with the menacing glare of a beast. In a flash it was gone. But in that brief space Philip had seen enough to hold him like one, turned to stone. Still staring where the face had been, his heart beating like a hammer. As the face disappeared he had seen a hand pass swiftly through the light and in the hand was a pistol. It was not this fact nor the suddenness of the apparition that drew the gasping breath from his lips.  The face of Jean-Jacques Crissette. It was gone when Philip sprang to the table, snatched up his automatic and ran out into the hall. The end of the hall he believed opened outdoors and he ran swiftly in that direction, his moccasin feet making no sound. He found a door locked with an iron bar. It took him but a moment to throw this up, open the door and leap out into the night. The wind had died away and it was snowing. In the silence he stood and listened, his eyes trying to find some moving shadow in the gloom. His fighting-blood was up. His one impulse now was to come face to face with Jean-Crissette and demand an explanation. He knew that if he had stood another moment with his back to the window Jean would have killed him. Murder was in the Halfbreed's eyes. His pistol was ready. Only Philip's quick turning from the door had saved him. It was evident that Jean had fled from the window as quickly as Philip had run out into the hall. Or if he had not fled he was hiding in the gloom of the building. At the thought that Jean might be crouching in the shadows Philip turned suddenly and moved swiftly and silently along the log wall of a dare-house. He half expected a shot out of the darkness and with his thumb he pressed down on the safety lever of his automatic. He had almost reached his own window when a sound just beyond the pale filter of light that came out of it drew him more cautiously into the pitch darkness of the deep shadow next the wall. In another moment he was sure some other person was moving through the gloom beyond the streak of light. With his pistol in readiness Philip darted through the illuminated path. A startled cry broke out of the night and with that cry his hand gripped fiercely in the deep fur of a coat. In the same breath an exclamation of astonishment came from his own lips as he looked into the white, staring face of Josephine. His pistol arm had dropped to his side. He believed that she had not seen the weapon and he thrust it in his trousers pocket. �You, Josephine!� he gasped. �What are you doing here?� �And you� she counter-demanded. �You have no coat, no hat.� Her hands gripped his arm. �I saw you run through the light. You had a pistol.� An impulse which you could not explain prompted him to tell her a falsehood. �I came out to see what the night looked like,� he said. �When I heard you in the darkness it startled me for a moment and I drew my pistol.� It seemed to him that her fingers clutched deeper and more convulsively into his arm. �You have seen no one else?� she asked. Again he was prompted to keep a secret. �Is it possible that anyone else is awake and roaming about at this hour?� he laughed. �I was just returning to my room and to go to bed, Josephine. I thought that you had forgotten me. And, Jean, where is he?� �We hadn�t forgotten you,� shivered Josephine. �But unexpected things have happened since we came to a dare-house tonight. I was on my way to you. And, Jean, is back in the forest. Listen!� One perhaps half a mile away there came a howl of a dog, and scarcely had that sound died away. When there followed it the full-throated voice of the pack whose silence Philip had wondered at. A strange cry broke from Josephine. �They�re coming� she almost sobbed. �Quick, Philip, my last hope of saving you is gone, and now you must be good to me if you care at all.� She seized him by the hand and half ran with him to the door through which they had entered a short time before. In the great room she threw off her hood and the long fur cape that covered her. And then Philip saw that she had not dressed for the night and the storm. She had on a thin, shimmering dress of white, and her hair was coiled in loose golden masses about her head.  It did not seem remarkable that she should be wearing a rose. To him the wonderful thing was that the rose, the clinging beauty of her dress, the glowing softness of her hair, had been for him and that something unexpected had taken her out into the night. Before he could speak she led him swiftly through the hall beyond and did not pause until they had entered through another door and stood in the room which he knew was her room. In a glance he took in its exquisite femininity. Here too the bed was set behind curtains and the curtains were closely drawn.  She was deathly white, but her eyes had never met his more unflinchingly or more beautiful. Something in her attitude restrained him from approaching nearer. He looked at her and waited. When she spoke her voice was low and calm. He knew that at last she had come to the hour of her greatest fight and in that moment he was more unnerved than she. In a few minutes my mother and father will be here, Philip, she said. The letter Jean brought me back there, where we first saw each other, came up by way of Wolaston House, and told me I need not expect them for a number of weeks. That was what made me happy for little while. They were in Montreal and I didn't want them to return. You will understand why very soon. My father changed his mind, and almost with the mailing of the letter he and my mother started home by the way of Fond du Lac. Only an hour ago an Indian ran to us with the news that they were coming down the river.  She turned a little from him, facing the bed. You remember, I told you that I had spent a year in Montreal. She went on. I was there, alone when it happened, see? She moved to the bed and gently drew the curtains aside. Scarcely breathing, Philip followed her. It's my baby, she whispered, my little boy. He could not see her face. She bowed her head and continued softly, as if fearing to awaken the baby asleep on the bed. No one knows, but Jean. My mother came first, and then my father. I lied to them. I told them that I was married, and that my husband had gone into the North. I came home with the baby. To meet this man, I call Paul Durcampo, and whom they thought was my husband. I didn't want it to happen down there, but I planned on telling them the truth when we all got back in our forests. But after I returned, I found that I couldn't. Perhaps you may understand, up here, among the forest people, the mother of a baby, like that, is looked upon as the most terrible thing in the world. She is called LeBette Noire, the black beast. Day by day I came to realize that I couldn't tell the truth, that I must live a great lie to save other hearts from being crushed, as life has been crushed out of mine. I thought of telling them that my husband had died up here in the North, and I was fearing suspicion. There's a chance that my father might learn the untruth of it. When you came, that is all, Philip. You understand now. You know why. Someday you must go away and never come back. It is to save the boy. My father, my mother, and me. Not once in her terrible recital had the girl's voice broke. And now, as if bowing herself in silent prayer, she kneeled beside the bed and lay her head close to the baby's. Philip stood motionless, his unseeing eyes staring straight through the log walls and in the black night to a city a thousand miles away. He understood now. Josephine's story was not the strangest thing in the world after all. It was perhaps the oldest of all stories. He had heard it a hundred times before, but never had it left him quite so cold and pulseless as he was now. And yet, even as the palace of the wonderful ideal he had built crumbled about him in ruin there rose up out of the dust of it a thing new-born and tangible for him. Slowly his eyes turned to the beautiful head bowed in its attitude of prayer. The blood began to surge back into his heart, his hands unclenched. She had told him that he would hate her, that he would want to leave her when he heard the story of her despair. And instead of that he wanted to kneel beside her now and take her close in his arms and whisper to her that the sun had not set for them, but that it had only begun to rise. And then, as he took a step toward her, there flashed through his brain like a disturbing warning, the words with which she had told him that he would never know the real cause of her grief. You may guess, but you would not guess the truth if you lived a thousand years. And could this that he had heard and this that he had looked upon be anything but the truth? Another step and he was at her side. For a moment all barriers were swept from between them. She did not resist him as he clasped her close to his breast.  Suddenly there came to them sounds from out of the night. A door opened and through the hall there came the great rumbling voice of a man, half laughter, half shout. And then there were other voices, the slamming of the door, and the voice again, this time in a roar that reached to the furthest walls of a dare-house. Oh, mignon, my Josephine! And Philip, held Josephine still closer and whispered, I love you. End of Chapter 9 Chapter 10 of God's Country and the Woman This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org God's Country and the Woman by James Oliver Kerwood, Chapter 10 Not until the sound of approaching steps grew near did Josephine make an effort to free herself from Philip's arms. Unresisting she had given him her lips to kiss. For one rapturous moment he had felt the pressure of her arms about his shoulders. In the blue depths of her eyes he caught the flash of wonderment and disbelief. And then the deeper, tenderer glow of her surrender to him. In this moment he forgot everything except that she had borrowed her secret to him and in barring it had given herself to him. Even as her hands pressed now against his breast he kissed her lips again and his arms tightened about her. They're coming to the door, Philip, she panted, straining against him. We must not be found like this. The voice was booming in the hall again, calling her name, and in a moment Philip was on his feet, raising Josephine to him. Her face still was white, her eyes were still on the verge of fear, and as the steps came nearer he brushed back the warm masses of her hair and whispered for the twentieth time, as if the words must convince her, I love you. He slipped an arm about her waist and Josephine's fingers nervously caught his hand. Then the door was flung open. Philip knew that it was the master of a dare-hose who stood on the threshold. A great fur-cap giant of a man who seemed to stoop to enter, and in whose eyes as they met Philip's there was a wild and half-savage inquiry. Such a man Philip had not expected to see. Awesome in his bulk. A Thor like God of the forests. Gray bearded, deep-chested, with shaggy hair falling out from under his cap, and in whose eyes there was a glare which Philip understood and which he met unflinchingly. For a moment he felt Josephine's fingers grip tighter about his own. Then, with a low cry, she broke from him, and John Adair opened his arms to her and crushed his bearded face down to hers as her arms encircled his neck. In the gloom of the hall beyond them there appeared for an instant the thin, dark face of Jean-Jacques Crusette. In a flash it had come and gone. In that flash the half-breed's eyes had met Philip's, and in them was a look that made the latter take a quick step forward. His impulse was to pass John Adair and confront John in the hall. He held himself back and looked at Josephine and her father. She had pushed the cap from the giant's head and had taken his bearded face between her two hands. And John Adair was smiling down into her white, pleading face, with the gentleness and worship of a woman. In a moment he broke forth into a great rumbling laugh and looked over her head at Philip. God bless my soul! If I don't almost believe my little girl thought I was coming home to murder her! he cried. I guess she thought I'd hate you for stealing her away from me the way you did.  But you're not the sort of looking chap I thought you'd be with that oily French name. You've shown good judgment. There isn't a man in the world good enough for my Joe, and if you'll excuse my frankness I like your looks. As he spoke he held out a hand and Josephine eagerly phased Philip. A flesh grew in her cheeks as the two men shook hands. Her eyes were on Philip and her heart beat a little quicker. She had not hoped that he would rise to the situation so completely. She had feared that there would be some betrayal in voice or action. But he was completely master of himself, and the colour in her face deepened beautifully. Before this moment she had not wholly perceived how splendidly clear and fearless were his eyes. His long blonde hair, touched with its premature grey, would still win blown from his rush out into the night, giving to his head a touch of Leonine strength as he phased her father. Quietly she slipped aside and looked at them, and neither saw the strange proud glow that came like a flash of fire into her eyes. They were wonderful. These two strong men were hers, and in this moment they were her own. Neither spoke for a space as they stood hand-clasping hand, and in that space, brief as it was, she saw that they measured each other as completely as man ever measured man, and that it was not satisfaction alone but something deeper and more wonderful to her that began to show in their faces. It was as if they had forgotten her presence in this meeting, and for a moment she too forgot that everything was not real. Moved by an impulse that made her breath quicken, she darted to them and caught their two clasped hands in both her own. Her face was glorious as she looked up at them. I'm glad you like each other, she cried softly. I knew that it would be so, because the master of Adair House had drawn her to him again. She put out a hand, and it rested on Philip's shoulder. Her eyes turned directly to him, and he alone saw the swift ebbing of the joyous light from them. John Adair's voice rumbled happily, and with his grizzled face bowed in Josephine's hair he said, I guess I'm not sorry, but glad, mignon. He looked at Philip again. Paul, my son, you are welcome to Adair House. Philip, mon père, corrected Josephine. I like that better than Paul. And you, said Philip, smiling straight into Adair's eyes. I am almost afraid to keep my promise to Josephine.  There was one other promise, Philip, replied Adair quickly. There must have been one other promise that you would never take my girl away from me. If you did not swear to that, I am your enemy. That promise was unnecessary, said Philip, outside of my Josephine's world. There is nothing for me, if there is room for me in Adair House. Rome interrupted Adair, beginning to throw off his grate for coat. Why, I've dreamed of the day when there'd be half a dozen babies under my feet. I— His huge frame suddenly stiffened. He looked at Josephine, and his voice dropped to a horse-whisper. Where's the kid? he asked. Philip saw Josephine turn at the question. Silently she pointed to the curtain to bed. As her father moved toward it she went to the door. But not before Philip had taken a step to intercept her. He felt her shuddering. I must go to my mother. She whispered for him alone. I will return soon. If he asks, tell him that we named the baby after him. With a swift glance in her father's direction she whispered still lower. He knows nothing about you, so you may tell him the truth about yourself, except that you met me in Montreal eighteen months ago and married me there. With this warning she was gone. From the curtains Philip heard a deep breath. When he came to the other's side John Adair stood staring upon the sleeping baby. I came in like a monster and didn't wake him. He was whispering to himself, the little beggar. He reached out a great hand behind him gropingly and it touched a chair. He drew it to him, still keeping his eyes on the baby, and sat down. His huge bent shoulders doubled over the edge of the bed, his hands hovering hesitantly over the counterpane. In wonderment Philip watched him and he heard him whisper again, you blessed little beggar. Then he looked up suddenly. In his face was the transformation that might have come into a woman's. There was something awesome in its animal strength and its tenderness. He seized one of Philip's hands and held it for a moment in a grip that made the other's fingers ache. You're sure it's a boy? he asked anxiously. Quite sure, replied Philip. We've named him John. The master of Adair-Hose leaned over the bed again. Philip heard him mumbling softly in his thick beard and very cautiously he touched the end of a big forefinger to one of the baby's tiny fists. The little fingers opened and then they closed tightly about John Adair's thumb. The older man looked again at Philip and from his eyes sought Josephine. His voice trembled with ecstasy. Where is Josephine? Gone to her mother, replied Philip. Bring her quick, commanded Adair. Tell her to bring her mother and wake the kid or I'll yell. I've got to hear the little beggar talk. As Philip turned toward the door he flung after him in a sibilant whisper. Wait! Maybe you know how to do it. We'd better have Josephine advised Philip quickly. And before Adair could argue his suggestion he hurried into the hall. Where he would find her he had no idea and as he went down the hall he listened at each of the several doors he passed. The door into the big living-room was partly ajar and he looked in. The room was empty. For a few moments he stood silent. From the sides and shape of the building, whose outside walls he had followed in his hunt for John, he knew there must be many other rooms and probably other shorter corridors leading to some of them. Just now his greatest desire was to come face to face with Cressette and alone. He had already determined upon a course of action if such a meeting occurred. Next to that he wanted to see Josephine's mother. It had struck him as singular that she had not accompanied her husband to Josephine's room, and his curiosity was still further aroused by the girl's apparent indifference to this fact. Jean Cressette and the mistress of Adair-house had hung behind when the older man came into the room where they were standing. For an instant Jean had revealed himself and he was sure that Adair's wife was not far behind him, concealed in the deeper gloom. Suddenly the sound of a falling object came to his ears as if a book had dropped from a table or a chair had overturned. It was from the end of the hall almost opposite his room. At his own door he stopped again and listened. This time he could hear voices, a low and unintelligible murmur. It was quite easy for him to locate the sound. He moved across to the other door and hesitated. He had already disobeyed Josephine's injunction to remain with her father. Should he take a further advantage by obeying Jean Adair's command to bring his wife and daughter? A strange and subdued excitement was stirring him. Since the appearance of the threatening face at his window the knowledge that in another moment he would have invited death from out of the night he felt that he was no longer utterly in the hands of the woman he loved, and something stronger than he could resist impelled him to announce his presence at the door. At his knock there fell a sudden silence beyond the thick panels. For several moments he waited, holding his breath. Then he heard quick steps. The door swung slowly open and he faced Josephine. Pardon me for interrupting you. He apologized in a low voice.  He says that you must come and wake the baby. Slowly Josephine held out a hand to him. He was startled by its coldness. Come in, Philip.  He entered into the warm glow of the room. Slightly bending over a table stood the slender form of a woman, her back towards him. Without seeing her face he was astonished at her striking resemblance to Josephine, the same slim, beautiful figure, the same thick glowing coils of hair crowning her head but darker. She turned toward him and he was still more amazed by this resemblance. And yet it was a resemblance which he could not at first define. Her eyes were very dark instead of blue. Her heavy hair, drawn smoothly back from her forehead, was of the deep brown that is almost black in the shadow. Slimness had given her the appearance of Josephine's height. She was still beautiful. Hair, eyes, and figure gave her at first glance an appearance of almost girlish loveliness. And then, all at once, the difference swept upon him. She was like Josephine as he had seen her in that hour of calm despair when she had come to him at the canoe. Homecoming had not brought her happiness. Her face was colorless. Her cheeks lightly hollowed. In her eyes he saw now the lusterless glow which frequently comes with a fatal sickness. He was smiling and holding out his hand to her, even as he saw these things. And at his side he heard Josephine say, Mother, this is Philip. The hand she gave him was small and cold. Her voice, too, was wonderfully like Josephine's. I was not expecting to see you to-night, Philip. She said, I am almost ill, but I am glad that you joined us. Did I hear you say that my husband sent you? The baby is holding his thumb, laughed Philip. He says that you must come and wake him. I doubt if you can get him out of the baby's room to-night. The voice of Adair himself answered from the door. Was holding it, he corrected. He's squirming like an eel now, and making grimaces that frightened me. Better hurry to him, Josephine. He went directly to his wife, and his voice was filled with an infinite tenderness as he slipped an arm about her, and caressed her smooth hair with one of his big hands. You're tired, aren't you? He asked gently. The jaunt was almost too much for my little girl, wasn't it?  Won't you come, Miriam? Josephine alone saw the look in Philip's face, and for one moment Philip forgot himself as he stared at John Adair and his wife. Beside this flower-like slip of a woman, Adair was more than ever a giant, and his eyes glowed with the tenderness that was in his voice. Miriam's lips trembled in a smile as she gazed up at her husband. In her eyes Shauna, responsive gentleness, and then Philip turned to find Josephine looking at him from the door, her lips drawn in a straight, tense line. Her face as white as the bit of lace at her throat. He hurried to her. Behind him rumbled the deep, joyous voice of the master of Adair-house, and passing through the door he glanced behind and saw them following. Adair's arm about his wife's waist. Josephine caught Philip's arm and whispered in a low voice. They're always like that, always lovers. They're like two wonderful children, and sometimes I think it is too beautiful to be true. And now that you have met them, I am going to ask you to go to your room. You have been my true knight, more than I dared to hope, and to-morrow." She interrupted herself as Adair and his wife appeared at the door. "'Tomorrow,' he persisted. "'I will try and thank you,' she replied. Then she said, and Philip sobbed. She spoke directly to her father. "'You will excuse Philip, won't you, Montpère? I will go with you, for I have taken the care of the baby from Mohan to-night. Her husband is sick.'" Adair shakans with Philip. "'I'm up mornings before the owls have gone to sleep,' he said. "'Will you breakfast with me? I'm afraid that if you wait for Miriam and Mignon, you will go hungry. They will sleep until noon to make up for to-night.' "'Nothing would suit me better,' declared Philip. "'Will you knock at my door if I fail to show up?' Adair was about to answer, but caught himself suddenly as he looked from Philip to Josephine. "'What, this soon, Mignon?' he demanded, chuckling in his beard. "'Your room's at the two ends of the house already. That was never the way with Miriam and me. Can you remember such a thing, Marshal V?' "'It is the baby,' gassed Josephine, backing from the light to hide the wild rush of blood to her face. "'I cannot sleep,' she finished desperately. "'Then I disapprove of his nerves,' rejoined her father. "'Good night, Philip, my boy.' "'Good night,' said Philip.' He was looking at Adair's wife as they moved away. In the dim light of the hall a strange look had come into her face at her husband's jesting words. Was it the effect of the shadows, or had he seen her start? Almost as if, for an instant, she had been threatened by a blow. Was it imagination? Or had he in the same instant caught a sudden look of alarm, of terror in her eyes? Josephine had told him that her mother knew nothing of the tragedy of the child's birth. If this were so, why had she betrayed the emotions which Philip was sure he had seen? A chaotic tangle of questions and of doubts rushed through his mind. John Adair, alone, had acted a natural and unrestrained part in the brief space that had intervened since his homecoming. Philip had looked upon the big man's love and happiness, his worship of the woman who was his wife, his ecstasy over the baby, his affection for Josephine, and it seemed to him that he knew this man now. The few moments he had stood in the room with his mother and daughter had puzzled him most. In their faces he had seen no sign of gladness at the reunion, and he had asked himself if Josephine had not told him all the truth if her mother were not, after all, a partner to her secret. And then there swept upon him in all its overwhelming cloud of mystery, that other question which until now he had not dared to ask himself. Had Josephine herself told him all the truth? He did not dare to tell himself that it was possible that she was not the mother of the child which he had told him was her own, and yet he could not kill a whispering doubt deep back in his brain. It had come to him in the room, quick as a flashlight, when she had made her confession. It was insistent now as he stood looking at the closed door through which they had disappeared. For him to believe wholly and unquestioned Josephine's confession was like asking him to believe that Da Vinci's masterpiece hanging in the big room had been painted by a blind man. In her he had embodied all that he ever dreamed of as pure and beautiful in a woman, and the thought came now. Had Josephine for some tremendous reason, known only to herself and Jean, tried to destroy his great love for her by revealing herself in a light that was untrue? Instantly he told himself that this could not be so. If he had believed in Josephine at all, he must believe that she had told him the truth, and he did believe, in spite of the whispering doubt. He felt that he could not sleep until he had seen Josephine alone. In a room John Adair had interrupted them a minute too soon. In spite of the mysterious and unsettling events of the night, his heart still beat with the wild and joyous hope that had come with Josephine's surrender to his arms and lips. Instead of accepting the confession of her misfortune as the final barrier between them, he had taken it as the key that had unlocked the chains of her bondage. If she had told him the truth, if this were what separated them, she belonged to him, and he wanted to tell her this again before he slept, and hear from her lips the words that would give her to him for ever. Despairing of this, he opened the door to his room. CHAPTER X Scarcely had he crossed the threshold when an exclamation of surprise rose to Philip's lips. A few minutes before, he had left his room very uncomfortably warm. A cold draft of air struck his face now, and the light was out. He remembered that he had left the lamp burning. He groped his way through the darkness to the table before he lighted a match. As he touched the flame to the wick, he glanced towards the window. It was open. A film of snow had driven through and settled upon the rug under it. Replacing the chimney, he took a step or two towards the window. Then he stepped and stared at the floor. Someone had entered his room through the open window and had gone to the door opening into the hall. At each step had fallen a bit of snow, and close to the door was a space of the bare floor, soppy and stained. At that point the intruder had stood for some moments without moving. For several seconds Philip stared at the evidences of a prowling visitor without making a move himself. It was not without a certain thrill of uneasiness that he went to the window and closed it. It did not take him long to assure himself that nothing in the room had been touched. He could find no other marks of feet except those which led directly from the window to the door, and this fact was sufficient proof that whoever had visited his room had come as a listener and a spy and not a thief. It occurred to Philip now that he had found his door unlatched and slightly ajar when he entered. That the eavesdropper had seen them in the hall and had possibly overheard a part of their conversation. He was quite certain from the fact that the window had been left open in a hurried flight. For some time the impulse was strong in him to acquaint both Josephine and her father with what had happened, and with Jean Quassette's apparent treachery. He did not need to ask himself if it was the half-breed who had stolen into his room. He was as certain of that as he was of the identity of the face he had seen at the window some time before. And yet something held him from communicating these events of the night to the master of a dare house and the girl. He was becoming more and more convinced that there existed an unaccountable and mysterious undercurrent of tragic possibilities at a dare-house of which Josephine was almost ignorant and her father entirely so. Josephine's motherhood and the secret she was guarding were not the only things that were clouding his mental horizon now. There was something else, and he believed that Jean was the key to the situation. He felt a clammy chill creep over him as he asked himself how closely Jean, Jean Quassette, himself, was associated with the girl he loved. It was a thought that almost made him curse himself for giving it birth, and yet it clung to him like a grim and haunting specter that he would have crushed if he could. Josephine's confession of motherhood had not made him love her less. In those terrible moments when she had barred her soul to him his own soul had suffered none of the revulsion with which he might have sympathized in others. It was as if she had fallen at his feet, fluttering in the agony of a terrible wound, a thing as pure as the heavens, hurt for him to cherish in his greater strength. Such was his love. And the thought that Jean loved her, and that a jealousy darker than night was burning all that was humid out of his breast, was a possibility which he found unpleasant to admit to himself. So deeply was he absorbed in these thoughts that he forgot any immediate danger that might be threatening himself. He passed and re-passed the window, smoking his pipe, and fighting with himself to hit upon some other tangible reason for Jean's unexpected change of heart. He could not forget his first impression of the dark-faced half-breed nor the grip in which they had pledged their fealty. He had accepted Jean as one of ten thousand, a man he would have trusted to the ends of the earth, and yet he recalled moments now when he had seen strange fires smoldering far back in the forest man's eyes. The change in Jean alone he felt that he might have diagnosed. But almost simultaneously with his discovery of this change he had met Adair's wife, and she had puzzled him even more than the half-breed. Restlessly he moved to his door again, opened it, and looked down the hall. The door of Josephine's room was closed, and he re-entered his room. For a moment he stood facing the window. In the same instant there came the report of a rifle and the crashing of glass. A shower of shot-like particles struck his face.  He heard the shot, the crashing glass, the strike of the bullet behind him before he felt the pain, before he reeled back towards the wall. His heel caught in a rug and he fell. He knew that he was not badly hurt, but he crouched low, and with his right hand drew his automatic, and leveled it at the window. Never in his life had his blood leaped more quickly through his body than it did now. It was not merely excitement, the knowledge that he had been close to death and had escaped. From out of the darkness Jean Quasset had shot him like a coward. He did not feel the burn of the scratch on his arm as he jumped to his feet. Once more he ran swiftly through the hall. At the end of the door he looked back. Apparently the shot had not alarmed the occupants of Josephine's room, to whom the report of a rifle, even at night, held no special significance. Another moment, and Philip was outside. It had stopped snowing, and the clouds were drifting away from under the moon. Crouched low, his pistol leveled aside, he ran swiftly in the direction from which the shot must have come. The moon revealed the dark edge of the forest a hundred yards away, and he was sure that his attempted murderer had stood somewhere between a dare-house and the timber when he fired. He was not afraid of a second shot. Even caution was lost in his mad desire to catch Jean, red-handed, and choke a confession of several things from his lips. If Jean had suddenly risen out of the snow he would not have used his pistol unless forced to do so.  Suddenly he stopped short. He had starked the trail. Here Quasset had stood, fifty yards from his window when he fired. The snow was beaten down, and from the spot his retreating footsteps led towards the forest. Like a dog Philip followed the trail. The first timber was thinned by the axe, and the moon lighted up the white spaces ahead of him. He was half across the darker wall of the spruce when his heart gave a sudden jump. He had heard the snarl of a dog, the lash of a whip, a man's low voice cursing the bees to his striking. The sounds came from the dense cover of the spruce, and told him that Jean was not looking for immediate pursuit. He slipped in among the shadows quietly, and a few steps brought him to a smaller open space where a few trees had been cut. In this clearing a slim dark figure of a man was straightening out the tangled traces of a sledge-team. Philip could not see his face, but he knew that it was Jean. It was Jean's figure, Jean's movement, his low, sharp voice as he spoke to the dogs. Man and Huskies were not twenty steps from him. With a tense breath Philip replaced his pistol in its holster. He did not want to kill, and he possessed a proper respect for the hair-trigger mechanism of his automatic. In the fight he anticipated with Jean the weapon would be safer in its holster than in his hand. Jean was at present unarmed, except for his hunting-knife. His rifle leaned against a tree, and in another moment Philip was between the gun and the half-breed. One of the sledge-dogs betrayed him. At its low and snarling morning the half-breed whirled about with the alertness of a lynx, and he was half-ready when Philip launched himself at his throat. They went down, free of the dogs, the forest man under. One of Philip's hands had reached his enemy's throat, but with a swift movement of his arm the half-breed wrenched it off and slipped out from under his assailant with the agility of an eel. Both were on their feet in an instant, facing each other in a tiny, moodlet arena a dozen feet from the silent and watchful dogs. Even now Philip could not see the half-breed's features because of a hood drawn closely about his face. The breed made no effort to draw a weapon, and Philip flung himself upon him again. Thus in open battle his greater physical strength and advantage of fifty pounds in weight would have won for Philip. But the forest man's fighting is filled with the elusive ear-mind's trickery and the life quickness of the big, fur-padded cat of the traplines. The half-breed made no effort to evade Philip's assault. He met the shock of attack fairly and went down with him, but this time his back was to the watchful semi-circle of dogs, and with a sharp, piercing command he pitched back among them, dragging Philip with him. Too late Philip realized what the cry meant. He tried to fling himself out of reach of the threatening fangs and freed one hand to reach for his pistol. This saved him from the dogs, but gave the half-breed his opportunity.  As the moonlight glinted on the barrel of the automatic he brought the whip down with a crash on Philip's head, and then again and again and Philip pitched backwards into the snow. He was not wholly unconscious. He knew that as soon as he had fallen the half-breed had turned again to the dogs. He could hear him as he straightened out to the traces. In a subconscious sort of way Philip wondered why he did not take advantage of his opportunity and finish what he had failed to do with the bullet through the window. Philip heard him run back for his gun, and tried to struggle to his knees. Instead of the shot he half expected, there came the low, hush, hush, marsh of the forest man's voice. Dogs and sledge moved. He found himself up and swayed on his knees, staring after the retreating shadows. He saw his automatic in the snow and crawled to it. It was another minute before he could stand on his feet, and then he was dizzy. He staggered to a tree and for a space leaned against it. It was some minutes before he was steady enough to walk, and by that time he knew that it would be futile to pursue the half-breed and his swift-footed dogs, weakened and half-dressed as he was. Slowly he returned to a dare-house, cursing himself for not having used his pistol to compel Jean's surrender. He acknowledged that he had been a fool, and that he had deserved what he got. The hall was still empty when he re-entered it. His adventure had roused no one, and with a feeling of relief he went to his room. If the walls had fallen about his ears he could not have received a greater shock than when he entered through the door. Seated in a chair close to the table, looking at him calmly as he entered, was Jean Jacques Cousette. CHAPTER XII. Unable to believe that what he saw was not an illusion, Philip stood and stared at the half-breed. No word fell from his lips. He did not move, and Jean met his eyes calmly without betraying a tremor of excitement or fear. In another moment Philip's hand went to his pistol. As he half-drew it his confused brain saw other things which made him gasp with new wonder. Cousette showed no signs of the fight in the forest which had occurred not more than ten minutes before. He was wearing a pair of laced Hudson's Bay boots. In the struggle in the snow Philip's hand had once gripped his enemy's foot, and he knew that he had worn moccasins. And Jean was not winded. He was breathing easily, and now Philip saw that behind the calmness in his eyes there was a tense and anxious inquiry. Slowly the truth broke upon him it could not have been Jean with whom he had fought in the edge of the forest. He advanced a step or two towards the half-breed. His hand still resting uncertainly on his pistol. Not until then did Jean speak, and there was no pretense in his voice. The virgin be praised. You are not badly hurt, monsieur? He exclaimed rising.  Did the glass cut you? No, said Philip. I overtook him in the edge of the forest. Not for an instant had his eyes left Cousette. Now he saw him start. His dark face took on a strange pallor. He leaned forward and his breath came in a quick gasp. The result, he demanded, did you kill him? He escaped. The tense lines on Cousette's face relaxed. Philip turned and bolted the door. Sit down, Cousette, he commanded. You and I are going to square things up in this room tonight. It is quite natural that you should be glad he escaped. Perhaps if you had fired the shot in place of putting the affair into the hands of a hired murderer the work would have been better done. Sit down. Something like a smile flickered across Jean's face as he receded himself. There was in it no suggestion of bravado or of defiance. It was rather the facial expression of one who was looking beyond Philip's set jaws and seeing other things, the betrayal which comes at times when one has suffered quietly for another. It was a look which made Philip uneasy as he seated himself opposite the half-breed, and made him ashamed of the fact that he exposed his right hand on the table, with the muzzle of his automatic turn towards Jean's breast. Yet he was determined to have it out with Jean now.  The promptness and quiet decisiveness of Jean's answer amazed him. Yes, mature I am, but the shot was not for you. It was intended for the master of a dare house. When I heard the shot tonight I did not know what it meant. A little later I came to your room and found the broken window and the bullet mark in the wall. This is mature Adair's old room and the bullet was intended for him. And now, mature Philip, why do you say that I am responsible for the attempt to kill you or the master? You have convicted yourself, declared Philip, his eyes ablaze. A moment ago you said you were glad the assassin escaped. I am, mature, replied Jean in the same quiet voice. Why, I am glad I will leave to your imagination, unless I still had faith in you and was sure of your great love for our Josephine. I would have lied to you. You were told that you would meet with strange things at a dare house. You gave your oath that you would make no effort to discover the secret which is guarded here. And this early, the first night you threatened me at the end of a pistol. Like fire Jean's eyes were burning now. He gripped the edges of the table with his thin fingers and his voice came with a sudden hissing fury. By the great God in heaven, Mishir, are you accusing me of turning traitor to the master and to her, to our Josephine, whom I have watched and guarded and prayed for since the day she first opened her eyes to the world? Do you accuse me of that, aye, Jean Jacques Croisette, who would die a thousand deaths by torture that she might be freed from her own suffering?  In the face of the half-breeds outburst Philip had remained speechless. Now he spoke. College threatening, if you like, I do not intend to break my word to Josephine. I demand no answer to questions which may concern her, for that is my promise. But between you and me there are certain things which must be explained. I concede that I was mistaken in believing that it was you with whom I fought in the forest. But it was you who looked through my window earlier in the night with a pistol in your hand. You would have killed me if I had not turned. Genuine surprise shot into Jean's face. I have not been near your window, Mishir. Until I returned with Mishir Adair I was waiting up the river, several miles from here. Since then I have not left the house. Josephine and her father can tell you this if you need proof. Your words are impossible, exclaimed Philip. I could not have been mistaking. It was you. Will you believe Josephine, Mishir? She will tell you that I could not have been at the window. If it was not you, who was it? It must have been the man who shot at you, replied Jean. And you know who that man is, and yet refuse to tell me in order that he may have another opportunity of finishing what he failed to do to-night. The most I can do is to inform Jean Adair. You will not do that, said Jean confidently. Again he showed excitement. Do you know what it would mean? he demanded. Trouble for you, volunteered Philip. And ruin for Josephine and every soul in the house of Adair. Added Cressette swiftly. As soon as Adair could lace his moccasins he would take up that trail up there. He would come to the end of it and then mongia in that hour the world would smash about his ears.  Staring into the half-breed's tense face.  You insist on giving this murder another chance. You, as much as say that by giving him a second opportunity to kill Jean Adair, you are proving your loyalty to Josephine and her father. Can that be anything but madness? An almost gentle smile, nickered over Jean's lips. He looked at Philip as if marvelling that the other could not understand. Within an hour it will be Jean Jean Cressette who will take up the trail. He replied softly and without boastfulness. It is I and not the master of Adair House who will come to the end of that trail, and there will be no other shot after that, and no one will ever know but you and me. You mean that you will follow and kill him and that Jean Adair must never know that an attempt had been made on his life? He must never know, monsieur, and what happens in the forest at the end of the trail the trees will never tell. And the reason for this secrecy you will not confide in me? I dare not, monsieur. Perhaps you will, Jean. When you know there is no longer anything between Josephine and me, he said, to-night she told me everything. I have seen the baby, her secret she has given to me freely, and it has made no difference. I love her. Tomorrow I shall ask her to end all this make-believe, and my heart tells me that she will. We can be married secretly. No one will ever know.  One of his hands cut Jean's in the old grip of friendship, of confidence. Jean did not reply, but his face betrayed what he did not speak. Once or twice before Philip had seen the same look of anguish in his eyes, the tightening of the lines about the corners of his mouth. Slowly the half-breed rose from the table and turned a little from Philip. In a moment Philip was at his side. Jean, he cried softly, you love Josephine. No sign of passion was in Jean's face as he met the other's eyes. How do you mean, monsieur? he asked quietly, as a father and a brother, or as a man? A man, said Philip. Jean smiled. It was a smile of deep understanding, as if suddenly there had burst upon him a light which he had not seen before. I love her as the flowers love the sunshine, as the wood violets love the rains, he said, touching Philip's arm. And that, monsieur, is not what you understand as the love of a man. There is one other woman whom I love in another way, whose voice is the sweetest music in the world, whose heart beats with mine, whose soul leads me day and night through the forests, and who whispers to me of our sweet love in my dreams. Ayahuaca, my wife, come, monsieur, I will take you to her. It is late, too late, voiced Philip, wonderingly. But as he spoke he followed Jean, the half-breed seemed to have risen out of his world now. There was a wonderful light in his face, a something that seemed to reach back through centuries that were gone, and in this moment Philip thought of Marachel, of Prince Rupert, of Lechavier, Grosallier, of the adventurous and royal blood that had first come over to the new world to form the great company, and he knew that of such men as these was Jean-Jacques Cresset, the forest man. He understood now the meaning of the soft and faultless speech of this man who had lived always under the stars and the open skies. He was not of to-day, but a harkening back to that long forgotten yesterday, in his veins ran the blood red and strong of the first men of the North. Out into the night Philip followed him, bare-headed, with the moonlight streaming down from above, and he stopped only when Jean stopped, close to a little plot where a dozen wooden crosses rose above a dozen snow-covered mounds. Jean stopped, and his hand fell on Philip's arm. These are Josephines, he said softly, with a sweep of his other hand. She calls it her garden of little flowers. They are children-missures, some are babies. When a little one dies, if it is not too far away, she brings it to Le Jardin, her garden, so that it may not sleep alone under the lonely spruce, with the wolves howling over it on winter nights. They must be lonely in the woodsy graves, she says. I have known her to bring an Indian baby a hundred miles, and some of these I have seen die in her arms, while she crooned to them a song of heaven. And five times as many little ones she has saved, monsieur. That is why even the winds in the treetops whisper her name, allange. Does it not seem to you that even the moon shines brighter here upon these little mounds and the crosses? Yes. Breathe, Philip, reverently. Jean pointed to a larger mound, the one guardian-mount of them all, rising a little above the others. Its cross lifted watchfully above the other crosses, and he said, as if the spirits themselves were listening to him. Monsieur, there is my wife, my Iawaka. She died three years ago, but she is always with me, and even now her beloved voice is singing in my heart, telling me that it is not black and cold were she and the little ones her waiting, but all that is light and beautiful. Monsieur, his voice dropped to a whisper, could I sell my hereafter with her, for the price of another woman's love on earth? Philip tried to speak, and strange after a moment he succeeded in saying, Jean, an hour ago I thought I was a man. I see how far short of that I have fallen. Forgive me, and let me be a brother. Such a love as yours is my love for Josephine, and to-morrow. The spare will open up and swallow you to the depth of your soul. Interrupted, Jean, gently. Return to your room, Monsieur. Sleep. Fight for the love that will be yours in heaven, as I live for my Iawakas. For that love will be yours up there. Josephine has loved but one man, and that is you. I have watched, and I have seen, but in this world she can never be more to you than she is now. For what she has told you tonight is the least of the terrible thing that is eating away her soul on earth. Good night, Monsieur. Straight out into the mo-


First of all, it would be to Niagara Falls itself and to try to understand what this landscape actually looks like. I mentioned earlier that photographs are very interesting documents because they seem to be transparent windows into this site. And yet at the same time, this is not all that Niagara is. It is that this transparency is not so, well, that this is a very constructed image. And so I would sort of understand where else could he have set up his camera? What other perspectives could he have used to shoot this picture? I'd also look at guidebooks, guidebooks to Niagara Falls. Where are the tourist developers, the hotels and the railroads, encouraging people, visitors to go to see these particular images? For oftentimes there are elaborate descriptive texts that shape how one navigates one's experience at a place like Niagara Falls. Interestingly, many of these tourist guidebooks were illustrated with engraved reproductions of photographs by Babbitt. In a sense, holding out the photograph, here it is, this is what you're looking for, this is your goal in a sense. And then, of course, another level of research involves trying to understand Babbitt as a businessman. How did he make a living? Is all that he did landscape photography? Was there a market in the 1850s for simply landscape photography? Who is underwriting him? What is the machinery responsible for creating the tourism infrastructure at a place like Niagara Falls? One thing right away that you think about is, of course, the railroads. And there is some evidence that in looking at railroad archives related to lines that went to the falls, that Babbitt was being commissioned to take photographs that these railroads were buying his images to be used in their promotional materials. I think looking at local newspapers that speak to his sort of business at this very specific site, and what you learn, of course, if you do that type of archival research, is that Babbitt had a thriving studio right on Main Street in Niagara Falls, that he had commercial arrangements with souvenir shops at the site itself, that he had a little business pavilion right next to his pavilion here at the brink of the falls, so that though we only see in the image itself a bunch of tourists lined up in front of the falls, in fact behind the picture is a vast world of information about Babbitt that I think allows us to better understand how we get to this.


You need a financial advisor with the freedom to focus on your specific needs. Whatever your goals, Reed Potter can create a game plan tailored to you. Call Reed at 432-0777 at Pikeville, Kentucky to learn more. The Floyd County Animal Shelter met with the Humane Society Wednesday, July 27th to discuss fundraising ideas, ways to improve the shelter, and animal control measures to help reduce the stray population. One of the things that we want to look at is what we can do to improve. We know we need a new building, but we also are looking at, do we need maybe a county ordinance to beef up a county ordinance? What kind of policies do we need to make sure that we have in place? And that was one thing that Mr. Blevins that was here today with the Humane Society, he's the state director for the Humane Society, one of the things that he could do, some ideas that he could give us, because I think it helps to know what's going on in other counties. You know, we've got a lot of great folks doing great work in other counties, and if we can just kind of see what they're doing, kind of, you know, don't reinvent the wheel, it's already there, and trying to get some ideas that way. The shelter has raised $200,000 for a new building and recently raised $17,000 with their Rainbow Bridge 5K. Plans are currently in place for the new shelter that will have a larger capacity and upgraded facilities. We are working on some, we've got some ideas for some upcoming fundraisers. We have some wonderful people on our board and on our fundraising committee, and we are throwing about some ideas for something this fall that we would like to do a big community event. We have a lot of things that we want to do as far as like some additional 5Ks, maybe a black cat run in the fall, possibly we've talked about doing a fur ball or a black cat ball, just something different for the community that they would enjoy and just to bring attention to the needs that we have at the shelter. If you would like to contribute to the Floyd County Animal Shelter, you can make a monetary donation through their Facebook at Floyd County Animal Shelter. For Mountain Top News, I'm Brianna Robinson.


No, no, what are you doing? Today, I'm gonna make a homemade fettuccine and short rib brago for my grandchildren at TikTok. Let's make a pasta dough. Flour, eggs, and water, that's all we need. I use the best tools to mix the dough and then we let it rest. Now we run it through the machine. Oh, wow, these, they look beautiful. No, no, it looks like you've got some fancy new cookware back there. Yeah, you like the color, right? Now let's make it the short rib brago. I'm gonna put a salt and pepper on the short rib and then we're searing them. Now I'm gonna take them out of the pan and put some onions, garlic, and carrots. Once it's browned, I put a salt and pepper. I had some tomato paste, red wine, crushed tomatoes, and beef stock. Now I'm gonna put the beefs back in and slowly make them cook, clean half out. Now that we have time, let's talk about this low-crusse cookware, Nana. They are beautiful. They fry it, it's such a high quality. They're beautiful to cook. They look like they'll resist scratching, chipping, and cracking. I definitely recommend these, even if it's a new chef. Now the ragu is ready. We're gonna boil the pasta. As to restrain the pasta, we mix with the ragu and we're ready to eat. All right, Nona, time for you to try it. Yes. Good. Good job, Nona. Thank you.