Colgate Tooth Powder presents Inner Sanctum Mysteries. Good evening, friends of the Inner Sanctum. This is your host, Raymond, inviting you in through the squeaking door. Well, it's so nice of you to come here tonight and help me sit up with the corpse. Such dull company, so cold and stiff, bored with being dead. But all the life seems to have gone out of him. Well, you say you've seen him before? Oh, no, he's not that horror man who plays in pictures. But he does look like him.  Tonight's Inner Sanctum Mystery, Voice on the Wire, is an original radio drama by Robert Sloan and stars Miss Leslie Woods in the role of Geraldine Reeves. It's produced under the direction of Hyman Brown. Use cold gate tooth powder, keep smiling just right. Use it each morning and use it at night. Don't take a chance with your romance. Use cold gate tooth powder. Romance. What is romance? Romance is the light on the path of love. But a light so delicate that even a breath may put it out. Even a breath.    Now tell you what, brush your teeth night and morning and before every date with cold gate tooth powder. Because scientific tests have definitely proved that in seven cases out of ten, cold gate tooth powder instantly stops unpleasing breath that originates in the mouth. And let me add, cold gate tooth powder is the only tooth powder that offers proof of this fact. And then too, cold gate tooth powder cleans your teeth beautifully. No amount of money can buy you a dentist that will clean your teeth more quickly and thoroughly. Remember the name cold gate tooth powder with the accent on powder. Don't take a chance with your romance. Use cold gate tooth powder. No doubt the telephone is an ingenious invention, but as far as I know, no one has yet been able to commit murder over it, although many people have wanted to. Still, there are worse things you can get on the phone than the wrong number, especially if you happen to call the voice and the wire. On a long, narrow island just off the shore of one of our larger lakes, Mrs. Geraldine Reeves, widow of the late composer David Reeves, lives alone in a gaunt gray shingled house. Only a few hundred yards away are the charred remains of her former home where David was burned to death in a fire just two years ago. It's after dinner now. It is the clock in the hall strikes eight. You've got to get hold of yourself, Geraldine. I can't help it, doctor. You see, it starts every night. About this time. What starts? The music. David's last composition. I hear it being played on a piano and the note seemed to come from the old house, the house where David died in a fire. Well, perhaps someone is playing that piece on the piano. Someone on the island. No. No, there's only one other house out here and those people are away. And the dog. The dog keeps howling all night long. What dog? I don't know. There's no dog on the island, but David and I did have a dog. You remember? He stayed with David the night of the fire. He died with him because David was too well to get out of bed. There! There it is again! That's a real dog. Somewhere on the island. Oh, David, do you think so? Why, of course. Probably some stray got across the bridge or a swam over from the shore. Well, you see, oh, excuse me, doctor. Certainly. Hello? Yes, speaking. Who is this? The music. The same music. I heard it again. What? Over the phone. Someone's playing it on the piano. It must be some sort of a prank. No, no, no. A man spoke to me. He said I have four hours to live. Four hours to... here. Let me have that phone. No, no, it's no use. He's rung off. Well, we might be able to trace the car. Hello, operator. Operator. Somebody's trying to kill me. Hello, operator. Operator. What's wrong, doctor? I... I'm afraid the wires have been cut. We'd better get into my car and drive into town right away. Yes. Yes, it isn't safe for me to stay here another minute. I can't understand it. The motor won't turn over. Somebody must have meddled with this car while we were in the house. Well, try my car, doctor. I think perhaps I'd better. Is it in the garage? Yes, yes, I'll... Great heavens, it's gone. The garage is empty. The car has been stolen. Now, let's not lose our heads, Geraldine. We're not completely cut off yet. We can't use a car. We can still walk. But it's almost a mile to the bridge and the road is so dark down along the water. It won't be too dark with a flashlight. We can go down through the woods to the edge of the water and walk along the shore. Oh, wait a minute. What's the matter? I just remembered. David's brother's driving out here tonight. Are they? Yes, and his wife, Laura. They said they'd be here by 8.30, and if we wait for them, they can take us back in their car. What do you think, doctor? Let's save it and try to make it alone. If we wait right here, perhaps we can watch the bridge and see them coming. Heaven's sake, Geraldine. What are you staring at? The bridge, doctor! The bridge! Look! This end of it's been washed out! Oh, doctor, this is crazy. You're searching for a telephone wire in the back of the house. If we're seen out here, there's no telling what might happen. Please, please, Geraldine. We've got to find out where that wire was cut and splice it together again. It's our only chance of reaching the police. But it's almost 9 o'clock. We've wasted an hour already. If I'm not out of here by 12... Stop it, Geraldine. Stop it. I'm sorry. I didn't mean to. What's that? It's the dog again.  No, no, I didn't mean that. I meant the light on the road. There's a strange light on the road. The headlight of a car coming this way. A car? Yes. Quick. Behind the house and stay out of sight. It's turning into the driveway. How could a car have come out onto the island with that bridge? You're getting out. Harvey and Laura. Good heaven. Oh, Harvey. Hello. Harvey. Oh, Harvey. You're being safe. Jerry, what are you doing? Playing hide and seek with us back there?  What's the matter? Oh, everything, everything. But first you've got to tell us how you got here. Why, we just drove over the bridge and on up the road the way we always do. But how could you drive over the bridge? It's been washed out. What? Well, I saw it with my own eyes and Dr. Pricing saw it too, didn't you, Doctor? I certainly did. Oh, you must be mistaken. We drove over the bridge not more than two minutes ago. Are you sure you haven't been on the island longer than that? I'm positive. Why? Well, some very strange things have been happening here tonight. Geraldine's life was threatened. The car stolen and mine tempered with. What? What are you talking about? Look, I'll show you. The starter and my car won't even turn the motor over here. Hi, George. It's working now. Say, what is this, Jerry? Have you and the doctor been taking a few pills? Or did you drink too much wine at dinner? Oh, no, no. Everything you said is true. Even the telephone wires have been... I must be going out of my mind. That is my telephone ringing, isn't it? Yes, of course. Aren't you going to answer it? I'm almost afraid to. Come with me, Harvey. Will you, while I do? Sure. Hello? And this waiting, this endless waiting. Why don't the police come? Easy now, Jerry. They'll be here. You only found them a few minutes ago. Something can happen before they get here. I have a gun ready, just in case anything should happen. And I won't hesitate to use it. You have a gun, doctor? Why, yes. Geraldine gave it to me before you arrived. Oh. Smatter. You trust me with a gun, don't you? Why, of course I... Laura, what is it? The face at the window. I just saw a face at the window.  No, I saw it right there. It was the face of a dead man. Quick, Harvey, out the back way. Right. No, no, please don't leave us. We'll be right outside the window. Jerry, I'm afraid. Well, if there's nothing we can do, Laura, they won't be far away. But I... I don't trust Dr. Prizing. You never should have given him that gun. Why not? Because... because I think he's a murderer. Yes. Don't you remember how he acted at the trial? When you were accused of starting the fire that killed David, he testified against you time and again, subtly, to make them think you did it. Because he started that fire himself. What on earth are you saying? I'm telling you the truth. During the trial, he saw that he wasn't on the island the night of the fire. But he was. And I can prove it. How? By this cigarette case of his. Here, look at it. You see how it's charred and melted on the side where his initials were? He must have left it in the fire that night by mistake. But he couldn't have. The police searched everything the next morning. They would have found it in the ashes. Not if it wasn't there. He came back for it that same night as soon as he missed it and dragged it out of the fire. He knew it would incriminate him if it were found in his possession so he threw it into the lake as he drove home over the bridge. And that's where we found it. In the water. The last time we were out here. Oh, Laura, I hope you're wrong. So do I. But if I'm right, we're all in for... Laura! The lights! Somebody, get off the light! It was meant to be me, Harvey. Whoever came through that door intended to kill me. Jerry, please. How is Laura, Doctor? I'm afraid I can't do anything for her, Harvey. She's passed on. Oh! Laura... Laura, darling. You'd better not touch the body, Harvey. Oh, leave me alone. You've done enough already, Dr. Preising. I beg your pardon. You have a lot of explaining to do when the police arrive, Doctor. Now tell them how you ran away from me out there before the lights went out and how you were here in this room when they went on again. Harvey, don't say things you'll regret later on. Just a moment. Where is the cigarette case Laura had in her hand when the lights went out? What cigarette case? You know the one I'm mean, Dr. Preising. The gold one that was charred in the fire. I haven't the faintest idea what you're talking about. I have. And if you're as innocent as you claim to be, you won't mind being searched. Not at all. Go right ahead. I will. Who are you calling, Jerry? The police. I don't understand why they haven't arrived yet. It's almost 10 o'clock. Maybe something's happened to them on the way. Maybe their car broke down. Their car too? Huh? Nothing. Only it seems as if your car is the only one that works when you want it to. Oh, Sergeant. Sergeant, I can't understand why your men aren't here yet. A murder's been committed. Dave, it's music. Preising now while we're alone. Yes, of course, Harvey, but how will we go? In my car, it's just... it sounds like footsteps in the living room. Preising must be in there. No, I saw him go outside. He said he wanted to see if he could find the dog. Oh, there's someone in there. I'm going to find out who it is. Be careful, Harvey. He may be standing just outside the door. Yeah, yeah, yeah. All right. You stay behind me. Is anybody there? Is anybody in the living room? No. There doesn't seem to be... Don't go... Me, Harvey. Oh! Well, Dr. Preising, you've been standing at this door with your ear to the keyhole? No. Not exactly. I thought you were supposed to be outside looking for that dog. I was outside for a while, but I saw someone moving around in here, so I came back. And I got here. Your wife's body was gone. Gone? Lord's body is gone? I assume that it's gone. It's not where it was on the floor. But how could it... Look here, Preising. You were alone in this room. And so were you after I left. Wasn't it Geraldine? Well, yes. Now that I think back, he was. Certainly. What's more, Geraldine saw me leave the house. And when I left, the body was still here. After that, I don't know what happened. What are you driving at? Draw your own conclusions. I've drawn mine. Why, you... Harvey, stop it! Stop it! I'm sorry, Jerry. I'll just... The dog again. Yeah. I can't understand why you didn't find that dog, Dr. Preising. He must be right out there where the old house used to be. Well, if you think you can find him, why don't you go? Good heavens, man.  On the grounds of the old house! Preising, you started that fire yourself, and you're burning Lara's body and it's a cover-up of your crime. Harvey, where are you going? I'm going to the fire, Jerry. I've got to stop it. I've got to put it off. I'm going to lose my mind if someone doesn't stop these awful things from happening. Won't anybody help us? Easy, Geraldine. The man who hopes to kill he was trying to break you down first. It's part of his plan. Here. Take a sip of this, Brandy. It'll help you. All right, thank you, Doctor. I... What's the matter? Oh, nothing, really. I just don't care for any Brandy just now. What's wrong with it? Well, I didn't say anything was wrong with it. I just...  Do you think I'm trying to poison you? I don't know what to think. Here. Give me that, Brandy. I'll drink it myself. There. Believe me now? I don't believe anyone. Listen to me, Geraldine. I'm the best friend you have in the world right now. You've got to understand that because there isn't much more time. We've got to get away from Harvey while he's still out there. What do you mean? Can't you see?  That's a lot. It isn't, Geraldine. Harvey's the one that's lied to us. He and Laura both. They intended to kill you when the lights went out. But in the darkness, Harvey made a fatal mistake. He thought it was you he was strangling, not Laura. I won't believe that. It's the truth. They never drove across that bridge at 9 o'clock tonight. They've been here on the island all evening. How do you know? Because we saw that bridge with our own eyes. And I saw it again just five minutes ago. It's still down. You're lying. Come out and see it for yourself. You're just trying to get me out of this house.  Take this gun. If it'll give you any security, take it. And hold it in my back while we're out there. But for heaven's sakes, let's get away from Harvey while there's still a chance. All right. Give me the gun. Here. Now you keep in front of me all the time. And I'm warning you.  You see? Harvey and Laura were lying to us. The bridge is still down. You're right. They couldn't have come across that bridge. Of course not. The only trouble is, we can't get back over it now either. We've got to get away, Doctor. Now or before we're seen. What about that house at the other end of the island? Keep her away. But they might have a boat. Yes, of course they do have a boat. We can row to the mainland. Come on, quick. All right. I have a feeling we're being followed. It's your imagination. Hurry, Geraldine. Hurry. We are being followed, Doctor. Look behind us.  The one that died in the fire. And the man. We've lost them. Lost them in the woods. They can't be far behind. It doesn't matter now. The house is just ahead. Put the boat, Doctor. The boat's not at the landing. It must be. Well, it isn't. Can't you see it isn't? Perhaps it's around and back. No, that side of the house faces the road. We'll have to break in, hide here until morning. Our best chance is to be inside. But we can protect ourselves. After all, you still have a gun. But I hardly know how to use it. Then give it to me. No. You still don't trust me, do you? I don't know, Doctor. But I'm the one who's been threatened. So I really should have the gun. Very well. Wait here. I'll break through the window and come around on the inside. Did you hurt yourself? No. I'm all right. Just wait there for me on Island. Lock the door. Oh, hurry, Doctor. Please, hurry. They're on our trail again. Come inside, Geraldine. Quickly. And lock the door behind you. What's wrong, Doctor? Nothing's wrong. We're in luck. There's a phone here. If it hasn't been disconnected. Hello, operator. Mrs. Reeves. It's 11 o'clock. She has one more. I won't leave this house. I'm not going to run away any longer. If they're going to kill me, let them come here and do it. Only for heaven's sakes, why don't they do it right away? Why don't they come here and get it over with instead of waiting until 12 o'clock? Geraldine, please. Well, I can't stand it any longer. I'd rather die than go through any more of this torture. I just can't. Sit down for a moment. Relax and try to ease your mind. What are you doing? Playing the piano. I thought it might relax you. But that melody... I hear at night playing David's music. Playing it right here in this house. Yes, Geraldine. I've rented this house to protect you from David and the dogs. Well, stop it. Now, stay where you are. Stay... Don't be afraid. I won't harm you as long as you have that gun. But the gun won't stop David. David's dead. Is he? Listen. Right outside the door. And in a moment, he'll be here to take you with him. No! Come back and see you. In spite of everything you've done.  You started that fire because you knew I was too much of an invalid to get out of bed. Stay where you are! You cheated me, Geraldine. Stop! Your bullets can't harm me now. Nothing you can do can harm me.  Well, David... David, forgive me. I didn't know what I was doing then. Please, please, believe me. I was sorry soon as I started that fire, but it was too late then. I couldn't put it out. I couldn't...  I'm not lying. I'm not. I told you everything. Why didn't you tell the police? Because I wanted to live. You'll confess everything now? Yes, David. Yes, I will. If you'll only leave me alone, please. Please. It was my cigarette case Laura found in the water. I'd thrown it over the bridge that same night after I took it out of the fire. Well, I guess that's all we need, Harvey. A full confession with two witnesses. Harvey! Yes, Geraldine. I do look like my brother in this dim light. And the dog Laura's holding outside is the same breed as the one you own. Laura! Laura! Did you say Laura was alive? Very much so, Geraldine. It wasn't hard for me to pretend being dead, for the doctor keeping you away from my body. Then you were all in this together. You forced this confession out of me. Yes, Geraldine. The blank cartridge as Dr. Pricing slipped into that gun of yours really turned the trick. Oh, excuse me. Hello. Oh, hello, Inspector. Yes, it's all right now. You can hook the wires up again. She's told us the truth. And you'd better get to work on that bridge right away. It's still down. What an outrage, all those opportunities for murder and not a drop of blood spilled all night long. Well, some days you can't lay away a corpuscle. Now, a moment where Colgate Voices bring you a message. Use Colgate Tooth Powder. Keep smiling just right. Use it each morning and use it at night to help you wait with every date. Use Colgate Tooth Powder. Tell me, do you really mean it when you say, I want to be alone, or are you just pretending that you don't care about dates?   Why not brush your teeth night and morning and before every date with Colgate Tooth Powder? Scientific tests prove that Colgate Tooth Powder, in seven cases out of 10, instantly stops unpleasing breath that originates in the mouth. So use Colgate Tooth Powder for all it's worth. Enjoy its exciting cleansing results too. No amount of money can buy you a dentist that will clean your teeth more quickly or effectively than Colgate Tooth Powder. Remember the name Colgate Tooth Powder. With the accent on powder. Don't take a chance with your romance. Use Colgate Tooth Powder. Well, it's time for me to join the moonbeams now. But before I leave under a cloud, before I'm missed, I thought I might pass on the moral of tonight's story.  By the way, this month's Inner Sancta Mystery Novel is Puzzle for Puppets by Patrick Quenton. Now it's really time to close out their squeaking door until next week when Colgate Tooth Powder brings you another Inner Sancta Mystery. So until then, good night. Some dreams and... ...lather onto your skin as you would a cream, then rinse. This cleansing massage with Palm Olive's Lather brings your skin its full, beautifying effect. See what Palm Olive can do for your skin in 14 days. Remember doctors prove Palm Olive's beauty results? Remember another Inner Sancta Mystery next Wednesday night. This is CBS, the Columbia Broadcasting System.


Next question is from Danny Bartelt. What is the best way to even out the quads? Oh, Bulgarian splits quads. Any unilateral exercise, train one side at a time and allow the weaker side to dictate the reps and the weight that you use on the stronger side. And you know, I'm gonna take this even further. Most people do not go through a two or four month training block where everything they do is unilateral. One of the best ways to improve your aesthetics is to develop tremendous symmetry. And in studies support this, by the way, studies will show that people who are considered beautiful typically have incredible facial symmetry. And this is true for the body as well. The left to right symmetry and of course balance between upper and lower body, training one side at a time doing unilateral leg exercises, unilateral arm exercises really does develop kind of this side to side symmetry and balance. And then when you go back to your double arm, double leg exercises, you do notice a profound effect on your stabilization and just how you feel, how solid you feel with those lifts and it tends to break you past, you know, plateaus. I think you can make the case also for injury prevention. Of course. I think that as a trainer, I remember seeing a lot of that. If you had some major discrepancy from left to right, that's a lot of times had chronic pain. You have this chronic pain on that weaker side because your body is not working together. It's overcompensating on one side more than the other which causes chronic pain a lot of times. And it usually starts out like nice and subtle. I know for me, for instance, just being stuck in traffic more often and having my foot on the pedal and then, you know, externally rotating my foot and that's just like over time, just continuously doing that same repetitive movement goes up the kinetic chain. I start to feel in my knee, I start to feel it up into the hip. And so to be able to address those individually, to make sure that everything is stabilizing properly and then everything's in better alignment that way, like unilateral training is so crucial to that. I'll give you a machine that's great for this. Adam was big on this when we first started working. Yeah, single leg leg press. I love that for this. That's a great exercise. I'm glad you brought it up for that. I actually, you know that I never leg press bilateral. Once I like introduced more, started training unilateral more often and I started to leg press like, cause here's the way I looked at it was most pretty strong people can leg press, you know, seven, eight times. Not impressive. Yeah, I don't even know how many plates I got up to. I definitely could fill the whole thing up, right? To leg pressing, which, you know, as a kid that they were getting to that point, I thought it was so cool, but it's just not practical. I could do half the weight with one leg and get even a better workout cause I'm doing single leg and I can keep my legs balanced by starting with my less dominant leg, let it dictate the reps that I do for that X amount of weight.  This is where you get like all these guys like jumping on top of it and, you know, it's like this weird flex. Go do one leg. Go do one leg. And you'll be like, and that was like a goal for me was to get one leg at least caught up to half of what I could do with both. And you'll be surprised for someone who never trains this way. You might be able to leg press 10 plates, but I bet you can't do five. That's a good point. That's a really good point. You, I think people might assume that because they're using one side, they can do half. That's almost never the case. So if you could bench press 200 pounds, you probably can't do 100 pounds with just one hand. Now, if you get to the point where you could do half, but yes, then you go lift with two arms. You feel so solid and connected and so stable. I noticed this with single leg deadlifts. I did them for a while and then went to a traditional deadlift and it was like the bar felt, I mean it felt so different. And learning how to just anchor. So if it's anchoring your hips so they're still straight ahead, you know, it takes a lot of effort and a lot of core strength and stability.