Hey guys and welcome to your introductory photography course here at Halvorsity and we're gonna start out this entire course we're gonna cover a lot of ground in this course and this is though still a basic photography course so we really want to start at the very beginning and for me the very beginning would mean defining what photography means so how we first take a look at the word itself take close look you can see as where I put kind of a space here there's actually a space here between the two words this mostly is because I'm got bad handwriting but if you take a look you see photo and graphy two words and if you're a little bit familiar with English you've seen this graphy attached to lots of other different words that aren't photo but let's take a look at photo photo is a Greek word for light and light not in the sense of heavy or light but set light in the sense of the sun like what you see with your eye and then you've got graphy over here and graphy sort of means something along the lines of drawing so when you put those two things together you come up with drawing with light which I think is a really great way of describing what photography is photography really is in a lot of ways drawing with light now what would be sort of a more functional working definition of photography so to answer that I took a really quick look in Google kind of hopped around I came across a definition in the world English dictionary and so has two pieces the first piece is the process of recording images on sensitized material by the action of light x-rays and etc. and it also is the chemical processing of this material to produce a print a slide or a cinefilm so basically they're just saying light or some sort of ray because you notice they said x-rays well light plus film equals photo or photography now the other definition is basically the act of doing this so the art or practice the occupation of taking photographs or making films so we're just going to say the act of doing that right there alright so that is your definition of photography how about we go take a look at who are photographers what are the different styles of photography and who are the people doing photography so let's start out again we're gonna we're gonna take a look here at styles so styles of photography and these have a lot to do with approach these not necessarily maybe the look of the photo but the actual way that the photograph is being made and this is really important distinction for you young photographers out there to understand difference between different types of photographers so we're gonna just start out by writing them all out so we've got art photography we've got documentary photography and we have got over here commercial photography and I'm actually going to put one more group over here we're going to call that the x group because I'll talk about that in a minute so let's start with the art photographers art photography is basically created with the artist in mind the photographer is then using art or using photography to express themselves so using it to somehow push the boundaries of the visual world that we're experiencing so art photography is in many ways about the photographer then you've got documentary photography and documentary photography and this is according to maybe one of the sort of one of my mentors is about the subject so you'll also hear this being called reportage it has a lot to do with documenting the situation in a sort of as neutral a way as possible and making the story about the about the person being documented it's a report it's like the way a reporter would work for a newspaper or a magazine or something like that now you've also got commercial photography now commercial photography is sort of it's definitely a very much a growing piece of the photography world it has had its heydays and it's had times when it's been it's always been around but in many ways commercial photography in recent years has also started to blend with these two in ways that it hasn't before but commercial photography is photography that's being done with a certain customer in mind and it's often got some sort of advertising component to it so the photos are either being sold to a private person who is buying your time as a photographer though maybe you're shooting a wedding or something like that so they're paying for you to take photos of that particular thing or they are paying you to make some sort of image or paying for an image that you made in another style but using it for advertisement so that's a very important thing it has a lot to do with promotion you can think of commercial photography as being sort of promotional photography maybe and then we've got this kind of other group over here which I haven't really defined yet and I'm not really going to but the X group is basically people who are using photography to make sort of public record it's not documentary in the sense it's not really for a magazine or something like that but maybe police officers or salesmen people like that who are using photography in their work but not necessarily in these formats over here so I'm just gonna leave that as the X group I haven't found it anywhere on the internet so I'm just gonna not even give it a name but I just want to make you all aware that that's out there alright so you can do all of these different styles of photography in a couple different ways these days I mean in the modern world we have everybody knows we have digital photography so this is the way that most of us are taking photographs these days but that's actually not that old I mean when I was a kid you didn't have digital cameras you had film cameras and so film cameras were how photography was performed for a long time you also have and this is kind of comes as a surprise to some people you also have video some people are like wow video is that photography well yeah it's photography it's just photography that happens to be moving at about 24 pictures per second or so alright so how about we go take a look at some different examples of photography here we have got Ansel Adams and Ansel Adams was an American photographer in the 19 or sorry in the 20th century and Ansel Adams is sort of your quintessential landscape photographer and he was shooting that in the style so like we said before in a style of an art photographer now sometimes Ansel Adams did the occasional commercial piece or something like that but in general he was a landscape photographer who was an art photographer so landscape was his specialty it was the sort of the thing that he liked to photograph his specialty but he was an art photographer this photo right here is actually sort of not too controversial but somewhat controversial because it kind of breaks some of the rules of of the documentary of the documentary and art photography sort of boundary it was made by a woman named Dorothea Lange Dorothea was a photographer and during the depression in the United States was a time back in the 30s when everyone ran out of money everyone was very poor and the government basically went around and hired artists to do projects Dorothea Lange was sent out with her camera through the United States to take photographs and this is one of her most famous probably is the most famous photograph that she ever took and it's called the migrant mother now I'm using this photo as an example of the difference between art photography and documentary photography because you could approach this situation in two different ways if you are Dorothea Lange you walk up to this woman you say ma'am is it alright if I follow you for a while and take some photographs of you and then you would proceed to take photographs while this woman was going about her day and if Dorothea or you as a photographer don't affect this person in any way by trying to make them pose or make them do anything extra for you if you tell them don't tell them to sit and put their hand on their chin and look out across the the prairie then that is a documentary photograph so if you are trying to document things as they are happening without influencing and that's really important or doing the least you can to influence you can never really truly not influence a situation but you do that then you are basically working as a documentary photographer that can be art photography but you're shooting in the style of documentary now if you were to walk up to this woman here and say I'd like to take some pictures of you and then tell her well I'd like you to put your hand on your chin and look out across the prairie and kids if you could put your head sort of on her shoulder or behind her back that'd be great thanks and then take some photos that would then in that case no longer be a documentary photograph that is well I guess you could call it art photography but it's no longer documentary in the sense that we think of it today back in the time when Dorothea Lange was working the rules about this were there but they weren't necessarily as strict as they are these days and so you know what whatever that whatever ended up happening with the story whether this is a documentary photograph or an art photograph in many ways it has become over time no matter what happened sort of seen as a documentary photograph because it captures a time and an emotion and a piece of American history in a way that's very unique but it's just one thing to think about as you're approaching these the difference between documentary and art photography now here right this photo would be a classic example of documentary that's sort of like an art artistic documentary photo is taken by one of really my favorite photographers I love this guy his name is Henry Carilla presson he's a French guy who worked as a photojournalist for my favorites I spell his name wrong he's a French photographer who worked for big photo agencies back he was one of the founders of Magnum which is a huge photo agency very important in the history of photography and you can see here that you can shoot in documentary style so this is a documentary photograph but that it can still be artistic that is totally cool you can be artistic doesn't necessarily be an art photograph so what makes this photo artistic well I really love this photo because you have all these great shapes you've got this guy this is statue is a very famous artist apparently at the time got this guy's legs look at his legs and then look at the artist legs and look at his posture same thing and almost in a way and I'm not sure if this was necessarily intentional but I also looking into it also see this line here and this line here and this line here you can see there's just really interesting shapes going on there and this is typical Henry Carilla bosson he has better photos I think this isn't one of his best ones this is just one that was in the open domain but you just always are seeing this in his work and a lot of documentary photographers do very artistic work but they're also doing it in a way that they're not telling the guy hey could you go back and walk and do that again and again and again they just catch it the what the first time that it happens now we're going to move into commercial photography so this is these two things that you're seeing right here are most certainly or often are commercial so most of the wedding photography that you see unless you're shooting it as a photojournalist for a magazine or something like that if you're being hired by the bride or most likely by the bride's father you are working as a commercial photography her commercial photographer sorry lots of saying photography today all right so wedding photography is very often commercial it can be otherwise but it's generally commercial fashion is also a very big piece of commercial photography these days it's everywhere it's probably in the Western world one of the types of photography that we see the most fashion photography can be journalistic if you're being sent by a paper or a magazine to document an event but very often you're being paid by maybe the maker of this pair of pants or these fancy shoes or these fancy red shoes wow look at those you might be being paid by the makers of those or some sort of maybe the people who are putting on the show up here maybe you know this rich guy over here wants some photos whatever the case is you're working as a commercial photographer often in these situations and the difference between those is who's paying you essentially all right and when you think about photographers I think a lot of people have a lot of different ideas what is a photographer and a lot of times you kind of imagine this guy with his massive lens right here it's just really ridiculous you kind of imagine these guys and in a lot of ways yeah those people are photographers but there's lots of different ways of being a photographer it's always been the case you have guys like this from back in the day who were doing portrait studios you have people like this right here who's does a Turkish photographer who does a lot of art photography she's using a medium format camera here and you have everything in between you have people who and you also have people who are outside of the professional world who are just working as amateurs so there you have it that was your introduction to the very basics of photography we're going to move on in the next lesson to the history of photography for right now you can check out more videos at alversity.org


What's up everyone? My name is Alex. I'm one of the co-founders of MyInvestingClub.com. If you are brand new to trading or are curious about trading at all, I want to let you guys know about a free two-hour mentorship course that I put together with my mentor, Bao. It is available at MyInvestingClub.co. The link is going to be right here. This is a free webinar with limited seating every week, so please click on the link and reserve your spot before the time runs out. Also, a special bonus for all of our viewers on YouTube. So if you guys have any questions about MIC or you're curious about joining or you don't know if MIC is the right fit for you, you can now text Tosh, who is one of our head mentors and head moderators at MIC, and he'll answer any questions you have about MIC. His phone number will be in the link in the description. It'll also be right here. Thank you guys for watching and enjoy the video. We'll let everyone just kind of chill for the five minutes to come in like normal. Anyway, so I had a really crap day and like, so I had five things that kind of really stacked on me today. I had five things. The first thing was I messed up on Tesla. The second thing that went wrong for me is I missed a cover on Tesla, which really set kind of set me off for the rest of the day. Then I got caught in bad news. Then I sold right before a winner and then I missed Amazon. So I had five just, man, and I normally don't stay the whole day, but I stayed this whole day. I worked basically worked all day and I just didn't get the repo reward at the end of the day. I'm really not down a whole bunch of money, but just like the mental over itness was high for me today. So I just thought I'd talk about it because it happens to everybody. So this was NNVC. Now I had an awesome trade on it earlier in the day.   This is when coronavirus, like there was a coronavirus news that just came out.  That news that came out that really like put fear in the market, spike NNVC. I was like, man, I missed the entry because I saw the spy thing. I'm like, oh, why is the spy thinking?  So better figure out why. So I look at why, you know, I was doing my webinar at the time. I look at why I'm like, oh, coronavirus, soxibol, let me, the coronavirus, let me check out the stocks. Of course, the spike NNVC and this one's a leader. So I'm like, let me buy a dip. Right. So anyway, I got a dip and I sell, I sell up here and, you know, basically just a basic first bounce trade. Anyway, then I buy it right effing here. I was like, you know what, I think the coronavirus can gain some more steam. I don't think we're over the coronavirus. I'm like, I'm, I just put like, it's not so bad. I put a starter on, like this is, this was literally just a starter share, but this just set me off because like, I had already messed up on Tesla at the start of the day. And I go over that when I start the presentation, you know, it pops back and like, I know it, like, I know the trade is still valid. And I'm red on the day that, you know, it's always hard to trade at the end of the day when you're red. But, you know, I try to swallow it. You know, I rebuy and then I, you know, like, I've got to, I get into a full size position here, I get into a full size position because I'm thinking we go back to 12 and I just sold it right there. And you know what was going through my mind? Everything I talk about in my webinars, I'm just like, you know what? I was just exhausted, mentally exhausted all day starter from the, you know, the first five minutes of the day I was down. I was just mentally exhausted. I was in a full size position at the end of the day. And that's not normally me. And this trade, like up to 12 would have like, I mean, I would have been green all day after something like that. And I was just, but you know what, I wasn't willing to lose any more money. I wasn't losing to lose anything else.  Actually, I sold it for a little like 3 cents gain. That's break even. But like, you know, I didn't even wait for it to get break even. Like, I was just like, you know what? I'm done. And like, then boom, right? There it goes. Okay, maybe define a fancier. I've heard it many times. A fantasy order is just an order that you hope is gonna you hope a stocks and get to the level. But you're not sure if it's gonna get there, but you place it in there because it's a fantasy order. It's it's you hope it's a fantasy if it reaches that level.  So you put your order there and if you know, you know, hopefully you fill. And if not, you cancel the order. It's that sort of fantasy orders. Anyway, yeah, it's a pre placed order. So let's get into the meat of it here. So this is kind of like an intermediate thing I want to talk about before I get to the next price action stuff. But one thing I want to talk about is that emotions evolve as a trade goes on. And I brought up this this trick is like I want to talk about like this just a random example. I found this like, let me just pick an NBC like on a day where it were on the day that it moved. Anyway, as a trade evolves, one thing I try to do is I try to judge who is in and who is out who's getting in who's getting out who's staying in right and you don't know who's staying out. But I want to judge who's in who's out who's staying, you know, like how many people are in and how long have they been waiting and try to like interpret that as best I can. And let me make this clear. I don't make trade decisions off of that. That just helps me build my thesis. This is things that I look at when I'm trying to analyze price action and and build the thesis. It's not there's never going to be one thing that says, Oh, look at that, I'm buying because of that. Right? Like, that's not going to happen. It's I much more of a story trailer, right?  I think this is worth the risk. And that's how I execute a trade. But anyway, so this is one thing I try to do. And one thing I want to talk about is this core for right, it's what creates the ebb and flow of a stock, right? Like, what creates the ebb and flow? It's obviously the only thing that comes down to a supply and demand, but there's four elements to supply and demand, not to. There is added demand, added supply, and lack of demand and lack of supply. So when I'm trying to figure out, like, who's in who's out, what's caught, like, what's causing this to not continue? Like, why wouldn't like, why wouldn't why didn't this trade continue? Right? Was it because of added supply? Was it because of added supply? Like, it's, you know, when when a stock doesn't continue the upside, it's going to be one of two things. I did I try to categorize it in one of the, you know, it's obviously on the supply side. Sorry, it's, it's obviously on there's one demand and one supply. It's obviously going to be either an added supply, meaning, you know, supply just came in and and and blocked it, or it was a lack of demand. And as much as I hate level two, and I'll talk about this in another webinar, when I talk about this more, I'll do one more regards to level two. But this is one thing I look at is when I do look at level two, it's one of the few things you can kind of tell when a big seller just came in, or when it's starting to get like, one thing that I noticed is when stocks are, you know, they're kind of choppy, like when a stock comes up there, and you can kind of see demand falls, you know, when the bid drops, that's lack of demand, right? So I try to attribute the price action to either like when a stock doesn't continue to the upside, that's a lack of demand or added supply. It can be both, right? And I do try to say, Hey, it could be both. But that's how I'm trying to define it, right? Or like if a stock doesn't tank, right? That means that there is a lack of supply or added demand, someone stepped in and as a buyer. And that can get, and I think I first learned that that way, because I was short seller first, and you can kind of tell like, when a stock tanks, you know, when it runs into a buyer, when it's just, and you can see on level two, when orders are just hitting the bid, and it's just soaking, that's what they call soaking. Or when it tanks and there's just, it just kind of stalls and there's no continuation, that to me is a lot more like a lack of supply. Like nobody wanted to short it. And that gives me a little bit of information for my story. If a stock tank and nobody wanted to short it, that means that people are afraid to short it down here, right? Or people only want to cover down here, right? Nobody's looking short because people only want it higher or something like that. It shows me that there's fear of selling down here, right? When it stalls down here, or fear of buying when it's on the upside. And that is why I always bail on my, on my reclaim longs, and why I always tend to jump on these flash crashes, like if it tanks and flash crashes, or I'll try to be there longing it, like I did with that's kind of what the thesis was with stocks like to trade in ranges, and they like to trade from range to range. And this is literally how I separate stocks in my mind. And so for range break strategies, this might be a little review, but normally you don't want to get involved in consolidations. These are anticipation trades, and you want to get in on breaks, or on dips, or pops after breaks. And if you think about it, you are essentially now, if you're a range break trader and you're looking for a dip after like a stock breaks after the upside, and you're looking for a dip, you're essentially now a range holder of the new range. Now you're buying a break of your, your range, right? You're buying a break of your range. But if you're looking to buy a dip, once your range breaks, once range is broken, you are now, if you're buying a dip on it, you are now under like under the assumption that now you're in a new range. And this is how I categorize stocks. I categorize stocks into ranges. And I also, but like when I talk in the scaling webinar, I budget size per range too. But you're either a range break trader or range whole trader and on range break, you want to get in on the breaks or on the pops after the breaks, not when it's in the waiting time or in the decision making time or in the little eddy teeter time, right? And in range hold strategies, you normally, there are exceptions, right? Like in high risk situations where you don't want to wait for your range to prove itself, you want to trust your line and be there. And this is more like Bao's style of trading, right? He will be there at the line, trusting that his range is going to hold. And when he loses when he underestimates the range or when his range breaks. So that's why you see him stop out when ranges breaks. When his idea of the range breaks is when he stops out, but he doesn't wait for his range to prove itself most of the time. He does when it's high risk. Sometimes he lets a stock when he doesn't know where the top's going to be like everyone else. He'll let the stock go and he'll wait for the top to form and then it will fail. And then he'll put his order like he'll let a stock tank and then he'll put his order right here. You know, that's just but that's once he wait for the range to set itself, right? But normally, you know, you don't want to wait for the range to prove itself. You normally want to be first, right? Normally, like first resistance shorts, right? Remember the teeter totter? You don't want to chase your range, right? You don't want to let the bottom hit and then chase midrange, right? So what do they both have in common? You don't want to be trading in the mid range. Like as Bao says, this is 99% of the time. This is noise, right? And you want to, you know, in both strategies, normally when you're buying or shorting midrange, it's kind of like an anthem. And I get into that in this slide. Right? So when do I act? When do I act? Like how do I know if the timing is going to be correct? That's probably a question that you have. This ultimately comes down to a patience level. And the true answer is you don't know, you know, if your time is going to be correct or not. But let me break it down for you. The more patient you are, conservative, the longer you get to see the teeter totter play swing before acting, right? And thus, theoretically, you should be more correct, more accurate the times you do trade, right? But you're going to miss more. Put it this way. The person who can wait, like because the teeter totter gets leveraged, right? The person who can wait until the biggest teeter happens, then like they're, they're most likely going to win because they, they, they didn't get chopped out. They waited until they knew the time was to act. Whereas normally the longer the teeter totter plays, the more patient you can be, the more accurate you're going to be because each move, you know, like, like we talked about, like each time a stock test resistance or test support, more likely it's going to break, right? So think about buying a break out. But see, let's say it's stuffs again, and then comes back again. Now you buy it up, there's two stuffs, two stuffs recovered. I mean, how can you not lose? And if it happens a third time and comes up, really, how can you not lose if you can wait for the third time? Then no really nobody waits for that. Like you're going to be buying after that first stuff or even after the second one, you're not going to wait for the third one. Thanks for watching the video, everyone. If you have any questions about joint MIC, you could text Tosh directly using the number here. Also, if you're liking our content, you want to stay up to date with our content, please subscribe to our YouTube channel by clicking this button over here. Also, stay up to date with some of our newest videos by watching them right over here.


I've been teaching online for a few years now in a slightly different version of this course that did not use hypothesis. And so, you know, I could see that students maybe didn't have as much engagement with the text as they would in a traditional classroom where maybe we'd hand them paper texts or require them to print paper texts or give them paper texts or something like that. And I could also see that even though we had these synchronous classes where we met face to face and where I was able to form these personal connections with students, there was also this problem where students weren't really connecting as much with each other as they would in a traditional classroom and I was really struggling with ways to facilitate that. So, enter a hypothesis this past semester. Hypothesis really allowed me to do two different things, more I'm sure, but two of the things it allowed me to do that I really appreciated were on the one hand it got my students much more engaged with the texts and at a nitty gritty close reading level so that when they went back to write their essays they could really incorporate details from the texts and they just had much better contact with the texts in class discussions and in their writing. And then on the flip side hypothesis created this space for my students to be with each other and hear each other's ideas and respond to each other's ideas where I was largely absent so I didn't do a lot of responding to or moderating their annotations. I would grade them there's a very easy way to grade them in Canvas but then that like did not show up of course so what they were seeing on the text was each other's ideas, each other's comments, each other's questions. Our very favorite my very favorite prompt that we had for them was ask a question of the text and very quickly I think students realized that really they should be asking questions to each other about the text.


Hey guys, it's MJ the student actuary and in this video I want to talk about this website called the evolution of trust which has just come out now in July 2017 there is the link I will be putting it in the description But essentially it is a very awesome Simulation model that shows how trust evolves in an environment Now, let me just turn the music off. It gives some sort of introduction and you can read through that Basically it goes through this whole idea of game theory now. I'm not going to spoil it for you I'm not going to click anything. So it's up to you to come up and try this game for yourself So, yeah, I'm just giving you like a little a little thing of what you can do in the game You can choose whether you want to cheat or cooperate like you can cheat the person Ha ha ha and take their money from them But I don't want to show you my gameplay because like I say I want you to play the game for yourself Then they have a thing where you can start checking out the simulations between the various characters and the different strategies And I think that that is actually pretty cool Then you can like start these simulation models and you can see like how the the system is evolving They then introduce concepts like what happens if you start making mistakes How how this whole thing goes and I look at this you can actually choose how many random like different ones that you want and You can change the playoffs and this is actually This actually looks like a lot of fun So this is something which I want you guys to come here come to this website have some fun with it and It's a great process to go through. I don't want to ruin it by showing you what each character does and and all these things And maybe I shouldn't be showing you the conclusion Anyway, let's just jump to the credits, but check out this website. I had a lot of fun with it And I hope you guys do as well. Thanks for watching. Cheers


Hi, I'm Zor. Welcome to Unizor Education. We will continue talking about musical strings. So this is the second lecture, musical strings 2. It's a continuation of the previous one where I have introduced a model of a musical string, a significantly simplified model. And I will talk about the same model and I will try to derive certain differential equations which are basically the same as in the previous lecture, but from a completely different standpoint, from the standpoint of the energy. Well, this lecture is part of the course called Physics 14 presented on Unizor.com. I do suggest you to watch this lecture from this website, because every lecture on the website has textual part, which basically like a textbook. Plus, all the lectures are organized properly in a logical sequence. There are menus and you can go to Unizor.com choose Physics 14's course. This is the waves part of this course. And now we are talking about transverse waves. And this is the second lecture about musical strings over there. So these are hierarchy of the menus which you have to go through. So I do recommend you to take the whole course. There is a prerequisite course called Mass 14's on the same website which is definitely a necessary subject to know before you go to physics. Mass is just a fundamental part of any physics course. Now the whole website is completely free. There are no ads, no financial strings attached, no other strings attached. So just pure knowledge. Enjoy. Now, back to musical strings. First of all, let me remind you very briefly the model which we are talking about and how I have derived certain differential equations in the previous lecture. Very briefly and very fast. I do recommend you to, if you didn't really watch the previous lecture, go into the previous one and watch it entirely. But in any case, the model of musical string which I have introduced is the following. So you have two springs and some kind of a point mass in between. Now the strings are already a little bit under tension. They are stretched a little bit. The same way as musical string, before you are playing this, you have to really turn, for instance, some kind of, you have this mechanism, I don't know how it's called, in a violin or a guitar where you are turning some kind of a bolt or whatever else, which makes the string under tension. So you are stretching the string. So this stretching the strings initial stretching, initial. I kind of model with two identical strings with a mass in between and strings are already stretched a little bit. So let's just assume that initial unstretched length of the combined two strings is L. But now we have stretched it to L plus lowercase L. So right now this is L plus L distance. So they are stretched a little bit. Initial is L capital and increment is lowercase L. So the total length is L plus L and it's stretched. We also assume K or kappa, Greek letter kappa as a coefficient of elasticity of these strings, springs. In this case these are springs. I model string with a spring. And the mass is M, which is point mass. Obviously strings, springs are weightless, assumed. So this is a very simplified model of a real musical string. Musical string is more complex and whether we will learn it or not it doesn't really matter right now because my purpose is to introduce you into complexity of oscillations in this particular case. Alright so now when we pluck the string what does it mean from the models standpoint? Well it means that I will just move this particular mass a little bit up so it goes to this position and the springs are here and they are even more stretched. So they are already stretched here in a horizontal position. But now when I displace my central mass a little bit higher let's call this distance, this is a y axis. So this is y of t. Y of t is the displacement as a function of time. So whenever I did this I stretched it even more. So what I'm trying to do is I'm trying to introduce some kind of differential equation which will help me to resolve this function y of t. And as before I'll just compare the forces which are acting on this mass and connect it with the second derivative acceleration which is basically the Newton's law. So the force is supposed to be equal to mass times acceleration. So acceleration is actually second derivative of t. Now mass we know this is second derivative of t. And now we have to define what is actually f. So f is a force which goes in a vertical direction. So how can I determine? I think I need another. So let's determine the force. Whenever my springs are stretched the force is basically along the springs, right? So what is the force which is acting in this particular direction by one particular spring in this particular case? Well it depends on how much I stretched it, right? I have already stretched it initially by a little bit and now I'm stretching even more. This is hypotenuse, right? So this is l plus l divided by 2, right? If this is l plus l so this is the half. This is my y. So what is the length now? Well it's obviously the square root of l plus l square plus y square. y is a function of t of course, of time. So that's my length. So what's my... Now you know that according to the Hooke's law the force is proportional to the elongation with k or kappa being the coefficient of proportionality, the elasticity coefficient. So if from this length I will subtract the initial length which is l I will get this elongation multiplied by k that will be my force. So the force of one particular spring is k times this square root l plus l divided by 2 square plus y square minus l That's my force. Which is going along this spring. Now that was all part of the previous lecture. Sorry, l divided by 2. This spring was only l divided by 2. Okay. Now if this is the force now I'm interested only in the vertical component of this force, right? Because it has horizontal component and vertical component. Now this spring also will have horizontal component and vertical component and horizontal components will be equal to each other and nullify each other, obviously. So I'm interested only in vertical. So the vertical component of the first force is I have to multiply this force by sine of this angle. Which means y divided by the hypotenuse. So the hypotenuse I know so I will have this which is k times this expression in square brackets times y divided by square root of l plus l 2 plus y square which is equal to if I will divide this by this now this divided by this will be 1 So it's k y 1 minus l divided by 2 divided by square root of l plus l square plus y square Equals k y 1 minus if I will bring this 2 down and put it under the square root it will be 4 and it will cancel this. So it would be l divided by square root of l plus l square plus 4 y square So this is my formula for one particular force. This is absolute value. Let's not talk about direction. Now this force on the second spring is exactly the same vertical component so basically I can double this force and I will get basically the whole force which is acting on my mass in the vertical direction and I can equate it to m times second derivative of y. So double this so m times y square of t is equal to double k y 1 minus l divided by square root of l plus l square minus plus 4 y square of t and I probably have to put minus here because the force is acting if y is positive means I'm going up with my displacement the force goes down. And that's actually a corresponds to Hux law. Hux law is always displacement has to have a minus sign to get to the force. Force is equal to minus k times displacement. So basically that's what we have here. That was the result of the previous lecture and then I was talking about that this differential equation is very difficult to solve. This is also function of t. So what I suggested, I suggested basically to drop y of t as being very small relative to l and then I did certain simplification and I came to basically if this is some kind of a constant then I will have the harmonic equation obviously. Second derivative is equal to some kind of a multiplier by displacement. Normal second order differential equation for spring which gives you harmonic oscillations. But only approximately. So even in this simplified model I do not have clear harmonic oscillation. So forget about the real string obviously it's not harmonic. However it's really very interesting and it's simplified model and it gives you kind of an impression what exactly should be expected. Now I would like to approach this same problem from a completely different perspective. From a perspective of energy. Ok, so now we know the force this is the force, right? This is the force which is applied to our mass when it's moved up or down by y of t. Alright. Now I would like to calculate the potential energy which is accumulated in this mass when I moved it to certain initial displacement let's say A. So y of 0 so an initial displacement is equal to A. What happens? So I moved it up and let it go. Now let it go means the second derivative is equal. I mean the first derivative is equal to 0 that's the speed. Ok, so what happens? Well obviously I have accumulated certain potential energy in the mass. When I let it go the springs are moving it down and my potential energy is lessening but my kinetic energy is increasing. The sum of potential plus kinetic should be constant. The preservation the conservation of energy law, right? So the maximum would be kinetic energy when it goes to horizontal position and then by inertia it will go down and will slow down so the kinetic energy will be less and less but the springs will be stretched when the mass goes down the springs will be stretched again so it will accumulate again potential energy. So potential energy in the beginning goes back to kinetic in the middle and then potential at the bottom and then again back to kinetic potential and they are always exchanging these values between themselves, kinetic and potential energy but always equals to initial potential energy which is basically our work when we were trying to stretch both springs by moving by the distance meaning. So first of all let's calculate how much potential energy we have supplied to the body to this mass between the two springs when we are stretching it. We know the force and the force can be considered as constant around one particular value of y. So if I will multiply it by differential of y by the small increment of the displacement I will have differential of work which is equal to function of time which is this one times dy. That's the work, right? Now we know the force we know the force will be 2k. Well I will use the plus in this particular case because the force of the springs are going down but whenever we are stretching moving up we are working against these forces. So the force which we are applying is exactly equal to this one but with an opposite side. So that's why I put plus plus k y 1 minus l divided by square root of l plus l square plus 4 y square So that's my times dy So this is differential of work This is an infinitesimal amount of work which I have to apply to stretch from y So this is my So this is y and this is y plus dy So on this particular segment I will have to spend as much work. I have to spend as much energy to move from this to this. From y to y plus dy where dy is infinitesimal increment. So that's why I'm using function the force as a function of t in exactly the same way as a function of displacement and then multiply by dy. Now how can I calculate the whole work from here to a? Well I have to integrate dy from y is equal to 0 to y is equal to a Now luckily this integral is actually simple one because well it's minus right? So it's two different integrals. Integral of difference is equal to difference of integrals So this one is just one particular variable y. So it will be integral of y dy Now integral of y is y square divided by 2 That's an indefinite integral. Now in this part again let me just very briefly say it's y divided by some kind of a multiplier. 2kl doesn't matter. This is square root of l plus l square plus 2 square plus 4 y square Now this is actually easy because if you will recall, if you will have this integral b square plus y square. Now if you would like to have its derivative First of all you have to have a derivative from the square root which is 1 over 2 square roots times derivative of internal function Internal function is b square plus y square b square is a constant and y square derivative is 2y So that's exactly the same as we have. y and n square root So all we need is just a couple of multipliers So I don't want to bother you with exact calculations here because I have already done that and I can just give you exactly the result of this. So it's an easy integral The answer is 2k y square divided by 2 minus 1 quarter square root of l plus l square plus 4y square This is indefinite integral and I have to integrate it from 0 to a by y So if I will substitute y I will have 2k a square divided by 2 minus 1 quarter l quarter sorry square root of l plus l square plus 4a square minus Now when I substitute 0 it will be 2k Well this is 0 This is minus so it will be plus here l divided by 4 this is 0 So it will be square root of square root of l square So we can just forget about square root and multiply it by l plus l So this is my answer This is a potential energy from 0 to a grade From this I can just tell the following if this is a potential energy at point y is equal to a what is the potential energy at any point y The potential energy at any point would look exactly the same So I just have to integrate from 0 not to a that particular point y So potential energy at any point y would be equal exactly the same but instead of a I should put y because its calculations are exactly the same so it would be y square over 2 minus l 4 square root of l plus l square plus 4 y square plus 2 k l 4 l plus l So this is potential energy at any point Now if I will add to this Kinetic energy is mass times speed which is first derivative divided by 2 m v square divided by 2 So that's the first derivative So if I will add this one potential energy to this one which is kinetic energy at point y It should be equal to the full energy So potential energy at point y plus kinetic energy and total energy is potential energy which we have just calculated at maximum initial point whenever we are stretching initially our spring And this is a differential equation completely different than the one which we have derived in the very beginning and in the previous lecture and in the beginning of this lecture So we have two different differential equations maybe they have two different results Now this differential equation which is this plus this equals to this is actually the same and the way how you can actually prove to yourself that this is the same is very simple So this is the differential equation basically it's one function is equal to another function then their derivative should be equal right It's two functions are equal their derivatives are equal Okay now if you will take the derivative of this function the derivative of this but this is a constant right this is all a,l,l etc so this is a constant try to see what exactly this expression is So this would be derivative of this would be 0 Now derivative of this if you will take it would be the following Well 2 and 2 will cancel so it's ky square and the derivative by y would be 2ky times the derivative of y right y is a function of time minus 2kl so it's lk divided by 2 right Now derivative of this would be 1 over 2 such squares square roots times derivative of inner function which is 8y and derivative of y is y plus well this is a constant so we don't have anything of this but we do have derivative of this so plus it's m times times y derivative of derivative is second derivative and divided by 2 gives me this basically Now this is equal to 0 because it's all equal to potential energy at initial point a which is a constant so that's equal to 0 so this is differential equation also now if you can cancel y now I might have made some mistakes I don't know but if I did not it should actually be well the same thing as that one and I did check it in the text for this particular lecture I have much more detailed calculations and I had exactly the same equation as this one which is not a surprise because obviously no matter how you approach the same problem you have to have the same result ok so my purpose was that we have approached the same problem which is a simplified musical string model from completely two different positions one was using the Newton's law another was the law of conservation of energy and we came up with well two different differential equations but one can be reduced to another obviously so that's something which probably you should always try if you don't know really a true result which you are trying to achieve if you have a problem and you don't have an answer you should really try to solve this problem from two different approaches and like in this particular case the second Newton's law and law of conservation of energy and you should have the same result and if you do then you are absolutely sure that your answer is correct so that's the kind of simplified analysis of oscillations of musical string again I want to emphasize how complex it is so even in this simplified model the differential equations which we came up with are not really easily solvable I don't even dare to try to solve these equations maybe there is some way I just don't know and I don't want to basically go into this that's something which is not related to the purpose of this course the purpose is to force you to think about different things by modeling them and trying to approach in a simplified way and everything whatever we are doing is basically modeling the nature nature is much more complex than our models alright so basically that's it I do suggest you to read the notes for this lecture and I will try to put some exercises and maybe we'll simple problems solving as a continuation of these two lectures and obviously I will add exams too waves are important and kind of complex it's really difficult part of the physics the real waves I mean these are simplified waves the harmonic oscillations are very simplified thing and in the more advanced courses of physics which you will maybe get in universities you will have more complicated modeling and more complicated results and it's very interesting actually complicated but interesting alright thanks very much and good luck


What's going on everybody? This is Giovanni from the options trading channel happy new year. I know I'm super late today is January 7 2021 and I have an update for you guys everybody out there. This has been an interesting start to new year.  Not this week of course, but I want to show you all of the positions that were in also a couple of positions that we got rid of and a couple of positions that I've taken profits on portion anyways. A true confession guys that thumbnail is a little bit on the click baby, but bear with me guys. I'm not completely lying. I am up over $11,000 on the account today from yesterday's close. But as we know yesterday was a terrible day in the markets, especially towards the very end, especially the last hour or so. So just bear with me. Let me explain. The big story here is M. U. They just came out with earnings after the bell today. We're holding some naked calls here 30 of the 89 calls and 30 of the 91 calls, sold them at 20 cents, sold them at 13 cents. Currently down. We've been down on this position all week long because of the height implied volatility. We're looking at the top left corner. This is my gran M. U. We got in on this day, which is last Thursday, and it's done nothing but go against us. And they just just came out with earnings. It looks like as of this moment, of course, we're to find out tomorrow morning. But as of this moment, it looks like this is going to be a winning position unless it just gaps up ginormously, which it can happen. So you're seeing this before we actually know how we're going to do. And we do have a bunch of these plays from Chuck Hughes. I've mentioned him and his service before in the past. Don't have anything solid as far as getting you guys a discount. If you guys are looking to get in on his services, he does have some awesome plays. All of these plays are up every single one of them. I have taken some profits on a few of his trades. These are all of the trades this year. You can see that. Here we go. I sold 10 Baidu calls at 84 cents of 270 calls. We sold some Netflix calls also that expire tomorrow, but we already got rid of these. And there's the first and you order in there. Naked calls, more Netflix and got some more here. And I'll go over these Chuck Hughes plays in a bit. Let me show you when I actually covered. There's Baidu. I covered Baidu. And then also I covered Netflix right here at 8 cents Baidu. Let me find it again right here. 12 and 13 cents. You can see that we didn't make some money there. Pretty cool this week. Now, depending on what MU does tomorrow, which I'm hoping that they expire worthless this week, we are set to collect $4213. This does include our naked options and also some of Chuck Hughes plays that we've already taken profit. Still holding on again as of today. The market is closed. But as of today, January 7th, we're still holding on to about $36, $3700 worth of profits that we haven't sold yet. We're still in these plays. But let me go back to the positions. Apple were carrying some Apple calls, 110 calls that expire February 10th. We're up on those a little bit. Adobe were holding 440 calls that expire February 19th. We're down a bit on those ANSS. I don't even want to try to pronounce that because it'll be a funny, but I'm sure you can figure out what I'm trying to say. We're carrying a vertical here that we're up $438. DocuSign holding a vertical there. You can see they are verticals. We are up $300 on those. FDN up just a tiny bit. That's also vertical IGV. These are straight calls. We're up just a tad bit. MU talked about a PayPal. We're up $200. I do have a couple of single calls and also verticals all together there in the sky. Doing good. Doing good on Sky. I did take a little bit of profit on Sky. I'll show you those orders here in just a bit. We're holding some 80 calls currently. Square. Gosh. Square is an awesome stock. You made a lot of money on it last year in 2020. Making good money now. Good start. I'll show you those trades that I got out of. We have vertical on and we have a single call. One 90s XBI single calls up on them just a little bit. Oh, and then also on square. We're up currently what's open 1232 $1,232 XLK single calls there. And XRT calls there. We're up. We're up on all. Yesterday was a different story yesterday because of the rights. I'm sure if you're in the markets, you know exactly what I'm talking about. But I was down. I was down. Huge look. Actually, this is evidence. This is evidence as to how much I was down on our Apple position. I was down. Well, I shouldn't say that I was down, but today it climbed back up to made $1,800 on the day, which look how barely that I'm in the green $122. I was down 15 almost $1,600 on on Adobe. I'm still down 265, but I made back $1,500 again. Anss today's game versus what is open today. That's pretty much the story on pretty much all of them IGV look $805 gain today. I'm only up $170. I mean, it was it was bad. It really, really was bad. Look at square today's gain of $2,505 $2,500. And sure, I did take some profit. Let me show you those orders. If I can fills only making some good money there. Gosh, you can't see that square there at the very bottom. I sold half. I believe I only have one left on square. Yep, right there. I had two squares there. Sold to sky sold two verticals on square and took a little bit of profit on XLK. And these are the positions that I got in today. All together guys, we are up on the account $416,521. Of course, that's going to fluctuate because of oil. Oil has ran up incredibly on us. The currently open because I did have to roll this position over were up $6,320. All together we're up there in $30,000 range profit altogether since the opening of these of this position. Amazing amazing day in the markets still buying buying power still have buying power of $273,000. And again, my goodness, MU we've been down on it all week long since the moment that we got in. I've been down on it. I've been down as much as $151600. A little scary there, but has come come calm down. Excuse me. And I'm hoping that they expire worthless tomorrow. I'll keep you guys updated. Thank you everybody so much for watching. I'll try to make a video this weekend on just touching a little bit more on how we get into these naked option plays, what we use and then also to talk about this awesome indicator that we have. I have it in here as high IV rank. It's helping us tremendously know whether we're getting whether premium is high or low. It's a pretty cool indicator that I might even give it out free. So do us all a favor. Do yourself a favor. Hit that like button on this video. Subscribe to my video to my channel if you haven't already so I can give this indicator out to everybody. I'll make it public. I'll share it with everybody. All you got to do is hit that subscribe button down below. Thank you everybody so much for watching. I hope everybody's having an awesome start to 2021. I know in our nation, it's been a bit of a chaotic start, but hey, I really do hope that everybody has an awesome year. Let's make 2021 our most profitable year yet. Thank you so much everybody. I'll see you guys here on the very next trading video, hoping it's a green train.


What's up guys Michael here with Jaspys and we're going to be doing the Jaspys 8 box playoff push basketball mixer with the Steph Curry auto Being given away at the end of the break But um, we are giving away a free spot So this is the group of people here that actually picked up full spots main spots So one of these people is going to be getting a free spot So we're just gonna roll the dice real quick Six and a six twelve times top name gets a free spot in the break two three four Five six seven eight nine ten Eleven and twelve Joel with last spot mojo get in the free spot Congrats Joel Let's get you in here on my list So Our list is complete now. We got to take all the names pop them into a new list and all The teams as well To be randomized. All right got all the teams All the names the dawn seven eight nine ten is that those just are people who got their spots in the dawn rust fillers The one pack fillers. So another dice roll. Let's do it Six and a three. So nine times four names and teams. Let's do it one two three four five six seven eight and nine nine times there All right, so we got Jeffrey Down to Tristan Pop those guys into the list. There we go. All right nine times again for the teams one two three four five six seven eight and Nine nine times there. All right. We got Cleveland down to Toronto match up the names and teams here clean up the list a little bit and Yeah, let everyone know I'll let everyone know what teams they got Let's make it a little bit bigger. Cool. All right Jeffrey with the Cavs Scott with the Magic James with the Blazers Scott with the Bucks Nancy with the Jazz Stephen with the Hawks Jeffrey with the Sixers Jonathan with the Wizards Scott with the Nets Jonathan With the Celtics Chad with the Clippers Nancy with the Rockets Dayton with the Spurs Nancy with the Warriors Tristan with the Nuggets Allen With the Timberwolves Nancy with the Pistons Chad with the Sun's Mark with the Bulls Joel with last spot Mojo the Pacers Tristan with the Knicks and Hornets Arthur with the Grizzlies Brian with the Heat Scott with the Pelicans Edward with the Mavs Tristan with the Thunder and Kings Joel with his Free spot got the Lakers and Tristan with the Raptors All right guys, so there is going to be a trade window for this break So yeah, the trade window is open I'm gonna pause the video and when I come back We'll see if there's any trades and we'll start the break. All right. See you soon guys What's up? We're back everybody a few teams were put up No trades were able to be done So all we got to do now is print And we could start ripping Let's Switch to breaking view. There we go The official list is in Everybody's got their teams here Thank you to this group For making this break happen Let's do it. We're gonna start with the base heavy stuff actually before we do that Just a reminder this will be given away at the end of the break Spectra curry auto out of 49 All right, we're gonna start with the base heavy stuff Take a blast to the past. How about some 2014 15? Don Russ Who remembers who remembers the rookies you're looking for in this product this year feel unlucky Empty box. What is it? Are there any autos doing to you this? Well, well, I guess we'll have to see right Let's do it Is that in beads? Yeah, you know, I'm not completely sure I was hoping It's hoping someone wouldn't know someone wants to do a quick Google search That'd be awesome Wiggins in a bead. Oh, yeah Something I think no, I think a Joker is 2015 I Believe is the old kids 2014. I thought you'll kids was 2015 Lakers down by 10. Oh First box give me a lot of base here. So production line to mark's cousins Donna's elite Nene It's funny Canvas or a court came just Kevin love the Marcus Aldridge Whoa It's cool on production line not a Tirey Evans Donner's elite scoring Kings John Havilovic No, I don't say that right when Stevenson Donner's elite and a Jabari Parker. Oh, this is numbered out of 488 looks like yeah 488 Andre equal Dala. I'm not sure if that's numbered Don Ross Not numbered Kyrie. Oh, look what we got behind it the rookies Joel and bead for Philly Jeffrey beautiful nice hit there production line It's a nice one scoring Kings Jerry West Jeff Green Blake Griffin curry Tariq black. Wow raided rookie Smith Steven Adams out of It's like 142 For okay, see Rondo What is this one? Who's this Shabazz? Yeah, it's a play-in card Ben Gordon game threads For Orlando, that's going to scoop Scott Game threads Have a saw nice LeBron We're in a giant Man, this is this really is a blast from the past Mike Conley nice. Oh Eric Green scoring Kings This one's numbered Mitch Richmond out of 259 Have I been missing him with those scoring Kings? The number Let's just make sure I'm not missing any number in here. Yeah, no Jerry West.  It's going to Chicago the bowls go to mark It's pretty cool Yeah Another game threads here also going to Chicago they say this guy's name Nazir Muhammad Game one Boron the seer the seer Muhammad Nazir Nazir. Yeah, it's got to be Nazir Landry there is there is Andrew Wiggins Raymond out of 409 right that does it for Don Russ Nice Wiggins working Let's go with mosaic next like there's down seven at the start of the fourth Well, they pull it off. Oh my god, what a shot Flip them around so staged a rose T-style red was I on Darius Garland nice Hamburgers I on no number yet again these in the reds are not numbered Nice Kevin Porter Jr. Silver.  Wow 25 out of 25 a few months ago this thing would have been hot hot hot Going to Denver What a Denver that's a Tristan nice hit there Tristan 25 out of 25 Overdrive Donovan Mitchell Stockton Lanta Graham quite Leonard Montage Hunter on one layer Still waiting on an auto Chuma o Kiki for Orlando that's Scott Scoot not exactly the guy you're looking for but not numbered Rookie auto from pool nice LeBron. We've got a red Tyler hero up top this one nice color match. Let's close out this box.  These were actually case hits second year Luca beautiful hit there Congrats Dallas See if we could just sneak it sneak in like a draw rookie or something. It was on cool. Wow Stained glass, huh? That's awesome Lakers only down by five. Where you at Joe Pizzle? Where you at? All right? 2017-18 Chronicles we're chasing Jason Tatum only three packs Russ Ingram Kauai TJ Leaf Jeremy Lynn at a 299 and a Markel Fultz Patch and auto at a 199 if this was 2017 Oh my goodness, this would have been Unreal Markel Fultz rookie patch auto. I mean he started to pick it up nice. That's going to Philly Jeffrey. Oh, that's a nice one to Lori marketing pinnacle out of 199 nice the BAM BAM out of bio This one is numbered somewhere if I can find it out of a 299 Nice nice rookie there Josh Hart No Markel Not numbered as well Zach Randolph cool All right, let's go again. Let's do it cat Chris tomorrow Avery Dylan Brooks Daniel Gallinari at a 199 and a filler and an auto Tyler Dorsey at a 199 Nice and how about a Donovan Mitchell? rookie majestic at a 249 that uh that plays It's one of those rookies you're looking for in a kuzma sleeve a kuz why not Fultz Rondo to 149 Miles Turner Yeah, it's a sick sick set Gila is he Logan Rondo buddy healed Dilo I'm rab Avery Bradley at a 299. Sorry Kenneth Farid Man this guy We were talking about him the other day was an absolute monster for like two seasons He was so good at a 199 Game Ward, and we got a blue kuzma majestic at a 199 then Justin Patton to 199 there no way. I'm saying this Meals to your dosage Clippers Zach Collins LeBron Malcolm Brogdon's Bojan and Paul Mills at So no Tatum's no Tatum's in there, but Some other some other pretty damn good rookies Let's uh Let's do origins first two boxes of Origins 2022 so the new class.   Is that how these open? Sometimes I think yeah. Oh, yeah, that's how you open the box Christian calling a misson Mark Williams Walker Kessler nice looks like we got a redemption in here Jalen Durant. Wow, what a boxer for Jalen Duren to 99 Whoa, whoa Not exactly the right. Okay. See thunder player, but Usman. Jane. Dang. Jane. I don't know for Tristan But Was he this patch is gross. This is sick Nice at 15 and Team origins Steph hurry. Are these just regular inserts team origins? Yeah All right Grab a filler Let's do it rookie autographs card number three Christian Coloco What team what team is he on? Toronto Tristan nice Rookie autographs All right on to obsidian We're almost done here guys with this break Still five-point game of five minutes left. This is two autographs right on top Josh Giddy. It's going to okc and Okay, see Tristan device Harris Cam Thomas another good review Leave that before Raymond Felton no way Raymond Felton autograph Aurora autograph out of 25 for the next New York that's Tristan Aurora right Felton. That's crazy. That's a second year, but Anthony Edwards galaxy autograph Out of 75 Go into Minnesota who's playing right now beating the Lakers by five. That's Alan Nice hit there Alan sick All right, last two cards here Robert Covington out of 99 and A Lamello ball Magnitude out of 75 Going to Charlotte. That's Tristan again Let me just get some sleeves real quick before we bust open this next box Last box of obsidian Jared Butler Reggie Jackson take the bottom two nice Joel and bead and Malik Beasley The Beasley is to 50 and the Embiid is to 99 first auto They're on sharp nice for Brooklyn Brooklyn that's Scott other Also known as scoot out of 149 and The last auto is Moses moody for Golden State It's not bad rookie eruption Out of 75 Moses moody that's going to Golden State. That's Nancy 75 there all right Save this filler last box Of the mixer guys. Thank you to everyone who got in Let's see if we can get something crazy in this last box How many cards is it six cards one auto Herbert Jones holo rookie there And think this is a auto, but I think we're just gonna go for it Josh Christopher for Houston That is Nancy. There we go. Not numbered. I think this is a dragon Bradley Beal, I believe this is a dragon scale. Yes, SSP dragon scale That's going to Washington Jonathan Nice one there and Then the rest of the box here Zaire Who's my gruba and look at Garza? None of them are numbered, but the break is not over guys We still got We still got to give away that Steph Curry auto but Before we do that just a quick quick quick Recap Show off the notable stuff moody sharp nice and auto to 75 out of 15 Jailor d'Arana 99 Mark Hill folds RPA Luca stained glass You got the Steph Curry. Oh, it's right. Yeah, and a bull bull out of 25. It's rookie and Doug McDermott and an Embiid Beed rookie All right guys So here it is one last time the Steph Curry spectra autograph on card out of 49 We're going to give it away right now, so we're going to switch it to Our screen here get a new list Got all the names Put them in here All the names are in there. We're gonna roll the dice here. See how many times Four and a one. That's five times One two three four and five Five times there just double check. Yep All right, let's do it. Let's see who got it Thank you to everyone once again for getting into this break making this break happen And let's see. Oh, Joel last spot mojo almost Tristan Tristan picking up the Steph Curry on card autograph With a filler spot with a filler spot, let's let's show that one more time. I mean Tristan just had an amazing break Congrats on that man. That's awesome And thank you one more time to everybody who got into the to the break And I'll see you guys in the next one. Bye guys


have you ever had the impression that the speaker you're listening to isn't speaking to you? they're speaking to as it were the front row whether the front row literally of the VIPs and people that are hosting the event perhaps paying their fee or the metaphorical front row as it were in their mind of who they think are the most important people to speak to in the room and often that is not you and I in their minds there's a difference between speaking to the front row and speaking to as it were the back row and if the difference between speaking from your ego the need to impress or speaking from your essential self the need to serve I'm going to show you how to know the difference in you between those two things and not to always communicate from the better part of you from your authentic self that just wants to love and serve and make people see. I'll see you guys in Washington DC and Dallas in two weeks time for my live new event there Seven Levels Authentic Communication


Beautiful little red new potatoes are in the stores right now and they are so creamy and delicious when you cook them. So this is for all you potato lovers out there. This is an easy salad and I'm going to make just one serving. So when you're alone it's a perfect little lunch or a nice little dinner. And I'm going to start with of course the little new red potatoes that I steamed. I took two small red potatoes, put them in my little steamer basket in a pot with water about an inch, bring it to a boil, put your potatoes in, cover it and it will take 10 to 15 minutes depending on how big your potatoes are. Take them off the heat and then after that it's a cinch. Cut an avocado in half and I'm just going to use half of this avocado because I'm just making one serving. So scoop it into a bowl that's going to be large enough for you to mix up your salad. It's probably not the kind of potato salad you're used to, but it is delicious. It's going to be so creamy and delicious. So once I have my avocado in there I'm going to put just a little squeeze of lemon juice in there. Probably not too much more than a teaspoon, just a little squirt. Oh that might have been a little bit, that's okay it'll just be a little lemony. And a little bit of salt and then I'm going to mash it up and make it nice and creamy. So I've got that mixed up, it's pretty creamy. I'm going to add my baby romaine. There's probably a few cups here and then I'm just going to stir it up so that the romaine is coated with that mashed avocado and lemon and the salt. Once my greens are coated with the mashed avocado mixture I'm going to add my potatoes that I've already chopped. They're still warm and I like them in just average size little chunks, just bite size I guess you could say. And I'm going to toss that up a little bit but I like to also add a little bit of green onion. The onions are optional, I like them. So I'm going to put a little bit in because I'm the one who's going to be eating this. And then just toss that up, add a little bit more salt and pepper and that's it. You've got a wonderful little avocado, potato and greens. I'm Sue Dodin sharing Good Food for Good Life 365.


This is one of my favorite futures bets for the NBA season right now And it's the MVP award going to Kevin Durant right now the odds are six and a half to one for KD We can all agree KD's awesome after his foot was barely on the line in the Eastern Conference finals He's gonna put up huge numbers and I feel like the media is almost back on a pro KD side If you can just stay healthy. This is his MVP to lose. I think it's KD easily here So another futures pick that I really like here is the most improved player award going to the Charlotte Hornets In order to win most improved player we've seen the player has to make a big jump themselves But usually their team has to be better and usually it's that player making like his first or second all-star team Again, I think that's Lamello this year the Hornets at top-heavy East They could easily sneak into that six or seven spot in the East right now these odds are 34 to 1. What that is insane I'm going Lamello for most improved player of the year


Clicked to kick it in and probably doing a live stream. Dang that clutch kick was a huge angle though What's up everybody welcome back to the channel, I'm evil rabbit here on the torque drift beta There was a big update that just released with a lot of new features here so we are here today to take a look at some of the updates that torque drift and People from grease monkey games have done To this game so a lot of the update in this just to name a few other than the fact that they reset all of our Accounts was they made a slew of driving characteristics and driving aspect updates such as you know ability to change and adjust stuff So we're just gonna go through it a little bit here So one of the bigger one of the changes I wouldn't say the bigger change one of the changes they made was they have changed the fact that you could now move and Set your controls wherever you want them to you can move them put them however you want So they've changed the aspect of that so you can now Adjust your controls and put them wherever you want So if we got a red dam or cats sitting here at a hot cone, but so you we have that ability now So that is one pretty interesting cool thing now the a few other things that we now have is we do have Manual gear box we do have the ability to change our gears now just by swiping up and down on the screen Which is making the game a lot more interesting because now you can downshift through certain turns and upshift and Keep speeds up as well So the manual gears is definitely a very big thing that a lot of people wanted and they brought it to the game So they also did a clutch kick a lot of people were asking for the ability to clutch kick So they did do a work in progress on the clutch kick But if you double tap the accelerator it will do a clutch kick Well, you know, I'll get in there show and all that too, but they have one of the other things that they have changed is Rankings now are based by car as you can see my s14 is ranked 20 my s15 Which I got is ranked zero and then my e 40 e 36 e 36 e 30 that I've been driving is rank 118 so the ranks are by cars now. So it's not just your normal ranking up top It's by car so you can't be you know high rank with you know every single car It's based by car unless you drive the cars a lot. So another thing big thing they changed I think is very interesting is they changed the parts store where you have to be certain ranks in cars to get parts which Kind of makes a bit of a bit of a difference it makes you have to play the game in order to get parts You can't just like bit a full blown out car from the get-go. You got to actually drive the car I get the car ranking up to get parts. So it makes the game Replayability and playability a lot more. So I do have a clutch a high-end clutch in this car That is because I did get it from the crates. They do have crates now That will give you parts and stuff and if you also noticed about this There's part different parts will be in the garage at different times so That makes it a little bit different We're so you always got to be checking back at the store where there might be other parts there Some parts will show up sometimes some parts will show up other times. So that's kind of a cool feature It's almost like an actual part store. So Along with that and the manual gearing and all that stuff they added some other features into the game such as You know warning lights for your engine and max torque when you're experiencing like clutch slips So you can't have just like throw so much power into the car and not have a good clutch because you're not Going to be able to you know put the power to the ground The crates like I said have more parts than just tires more parts have been added Parts staz are now in a more commonly used unit. So the stats are like You know degrees of camber or more common basic use Entry fees have been dropped as well Penalty time penalty timer and collisions increased by three seconds and five seconds So smashing into cars you now get penalties and stuff from what I'm understanding So they did change a lot in this game. So we're gonna get into looking in a little bit of this We're gonna take my e30 out. They did fix the Paint shop so you can't put your decals and stuff on the cars now the one thing I'm not Understanding and I haven't is there's no money values on certain on these races now I don't understand why entry is free, but there's no money value to win So you don't get points to win but that another thing as you can see right up there. You've a rabbit 07 they did give the ability now to Change your profile and put a name on your profile and your display name So now instead of everybody being like beta tester goal beta tester this beta test this There is names to people now So that'll make it easier if you have some people at friends at play as well and it's like oh man I think I faced your car. I'm not sure well now, you know, they have names above them So that allows people to be able to see you know who they're going against I do have some tires, but I'm gonna keep stock tires because it's not a Not a high-powered car. So we're gonna go into search We're gonna show a little bit of the Driving because the characters have changed a little bit the cars handle a little bit They're a little bit looser and if you go too far I know you can't really pull it out all the time So this guy did amateur Yeah So there's some things that need to be worked on but a lot of people oh my controls moves all the way to the side of the screen Oh boy, we're gonna have to go back and switch that back up But now I'm swiping up on my screen switching my gears going in them manual gear e-braking in Trying to hold my line The reason I'm doing this is I want to show you something else they added Tandem so they added something for the chase drivers So before see it like that it started over rotate because I wasn't controlling it right away So if you remember before when you were in chase you were just getting the basic standard points Well, they've changed it now to where you can actually get multipliers as a chase driver to increase your chase points Those are simply by being close to a car and within a circle radius of the driver They have a circle radius that shows up. Yeah, he's definitely because I have a rotated but they have a circle radius that shows up We have changed these controls a circle radius that shows up if you get too far away So if you're within a circle radius see if I can actually Get some points like I was Very see there's that circle radius So if you get if you stay sideways with them I'm crashing because my controls are all out of whack. I'm gonna have to fix that so We're gonna reset the game real quick and get back to it. So we're gonna look for our second Another guy here at Cali Banks. Like I said, they have added that multiplier for chase drivers So the ability to get multipliers on your chase runs allows the chase Run to be just as important as the lead run because before you had to have a really good lead run in order to get a Good to have to be able to win but now they have the multipliers in there for chasing So if you can do a very solid chase and a very good lead You can get many points stacked up and a lead and chase battle. So it is kind of cool that they added those Multipliers and chase positions so trying to load in and it looks like we got a very high That's 14 to go against cam is the name. So the name things is pretty sweet So it is awesome to see names now. Like I said, we are just swiping up on our screen to shift ourselves into gear So we can also change gear at any point during a slide. I missed that first thing trying to Get a decent run, but it's not gonna do it that way So they have changed the dressing characteristics of the game as well.  So I know there's a couple people saying that you didn't like the way it was They wanted that was but I know, you know, they're just trying to make this, you know, as best they can I guess seven or a thousand way run. Oh So I'm gonna see if I can't keep close to him and show you guys a small supplier because uh, I'm not Having a little trouble getting used to it, but there's that radius circle that I was talking about So if you start drifting and you are close within the radius circle, see I'm starting to get a multiplier while being sideways. So It is a kind of a cool thing and He threw way out of angle on that just totally screwed me up. So there is a lot of people that are doing runs that are very Very out of there and really hard to follow and you end up losing a lot So I am getting multiple are outside of the radius. So apparently is the longer you stay sideways. Oh I cut the track. Ha get wrecked. I'm gonna get this qualified. So we'll try it again But so as you can see like you get multipliers now on the chase so this is more of an update video for you guys not like a Me still I'm still trying to get used to the characteristics of the game now because they did change the characteristics a little bit So like I said, it cars are by rank now So like if you lose on this it's not losing your whole thing. It's by the rank of the car. So if you have a car that's like Really really good at driving and you keep that hob one really high and you go one That's not like you could see the other cars 20 and 0 and I believe this car is probably 89 still Because I did lose some points on there So we can't find somebody else on this and try and get another tandem so like I said, they did bring a lot of updates to the game and Definitely excited for the updates that they have made with the manual transmission And you know the speedometer and everything working and the ability to have names up is a big thing for me because Like I started doing live streaming and I was people like oh, I think that's me and I'm like it might be I don't know. I mean everybody could have the same style car But now we have the ability to change your profile names and put our names up there I don't think we're going to find anybody. So we'll probably go to the other track Race the art of burst. So it is kind of cool that they have that and all these updates here So if you guys like keep seeing these short drift updates, I will bring you all the updates when I get them Soon as I get them So you guys know you can follow my Facebook, Twitter and Instagram all found the script box below So this being having names on there now will make it a lot easier if I am doing a live stream and Getting you know some tandems and stuff like that We're all be able to see if it is some of you guys some of the subscribers that are actually you know Tandemming with me in this game and This is a new course it is it is the Yard course, but we've never run it in this reverse a Full yard Lap in reverse. So this is actually a bit of a new I guess you say a new course that they've Put in for tandems Should back up a third So because this was not a track that was on there before The track was but they never had this set this way for Tandems, so it is kind of a new New thing we're not gonna be able to hold that Should have down shifted to second I'm getting that have manual gears But so manual gears is definitely a very good thing as you can see I could have used that a few times in the course of this track So it is kind of cool that we get almost it we get an old lap here at the yard jump that go Not a bad run could have been a lot better, but we see how are The other individuals lead run was Not too much higher than us, so maybe we can tag a better chase and actually get the win We said with those chase multipliers on here now.  Oh So downshifting is really nice. So like I said, they do have a clutch kick feature Which I will show you guys here in a minute once I finish this tandem and I go into like a practice session because I Have not figured out exactly, you know the physics of the clutch kick So they've also gotten rid of if you know as he did go through me and it didn't truck me sideways they remove the kind of the exploding of cars when a Lead car goes through you which was another part of the update So when people slide through you when you're waiting for lead and You would just explode and like go zero to one hundred upside down or do some barrel rolls and stuff You know there was that so they did get rid of that So that's definitely kind of a good thing that then we get rid of it Looks like they've kind of worked more on the frame rate and stuff now because I'm not having any issues Well up there Well, then the frame rate, so I'm not having glitching issues. I am on my echo 10. So Looks like they did fix that feature as well We are probably gonna definitely take that win because of the lot of the waiting chase And waiting on lead so like I said, there's no winning bonuses and I don't know why I don't know if that's maybe just glitch or a bug Definitely gonna be submitting that to them so they can Get the idea of hey, you know, maybe maybe that's how they had it set up So it didn't cost as much so the clutch kick before we end this episode off I did talk about that there is now a clutch kick. So we're gonna go practice. We're gonna carry the banks So the clutch kick feature is basically they said all you do is double clutch the gas or double tap the gas So we're gonna get up the speed Get in the second gear again the third gear We're gonna start sliding them to get off and get back on real quick So don't watch see it just instantly kicks out. So they do have this clutch kick now. So When you would use a clutch kick I Normally would use a clutch kick to keep yourself an angle when you're sliding But see it just kicks it so quick an angle. So you definitely need to be Apparently we need to get that OMG sponsorship. I forgot all my sponsorships are gone So you need to be like fully counter steered when you hit that when you hit that clutch kick Or you can maybe use it for this double clutch in You can do clutch kick entries now, which actually that worked out pretty well You can use the clutch kick to transition Let's get the other way to the clutch kick feature is very nice Definitely get to take a lot of getting used to So instead of doing like me very country I can just go clutch kick it in hold that angle We'll clutch kick there to try to keep angle, but it didn't do it. So we're gonna try it here We're gonna slow down clutch kick it There we go nice clutch kick keep speed so you can do clutch kick entries and stuff now Which is very nice So that's a feature that I feel a lot of people are gonna be doing. So just a quick update video guys for this I will be doing some more videos here on the tour trip from the clutch kick in and Probably doing a live stream. Dang that clutch kick with a huge angle though So until next time guys, you know these guys can follow me on Facebook, Twitch, Twitter, Instagram, 3 wheel and clutch kick And as always like thank you guys for watching. I'm EvilRabbit. I'm out