Live from Seattle, Washington, it's the Cube at Tableau Conference 2014 brought to you by headline sponsor Tableau Here are your hosts John Furrier and Jeff Kelly Welcome back everybody. This is the Cube. I'm Jeff Kelly with Wikibon. You're watching our live coverage of Tableau Conference 2014 we're here in Seattle, Washington. We're getting close to the end of day two of coverage. We've had a great two days One of the themes we're certainly seeing here at Tableau Conference is the partner ecosystem and the ecosystem that has built up around Tableau In a segment joined by Joe Pasquale who's the SPP of strategy and product management and Mark logic a Tableau partner and Paul Wilford who is the global director of technology partnerships at Tableau welcome guys Jeff good to see you again. Good good to have you back on the Cube Paul and and Joe so let's talk a little bit Paul about We were just talking before we went on the the exhibit hall is getting a little crowded down there I think you mentioned 53 sponsors of the show this year talk about the you know Tableau is exploding on a number of levels employees customers revenue and partners to talk about the partner ecosystem. How that's developing Yeah, we've got a great partner ecosystem. It's really developing well, so we have 53 sponsors this year And you know they really we're a pure play tool in what we do and our partners really help us Make sure that our customers are successful most importantly So we partner with best of breed companies and we try to deliver Integrations that really further the needs of our customers So yeah, I mean as this ecosystem grows. How do you how do you manage this and how do you go about? Selecting partners because I'm sure you've got a lot of companies that want to partner with you And it could be a lot bigger number than 53 down there But clearly you've you've got to pick and choose and be smart about who you partner with and how you do that What's your strategy? Yeah, so we really try to look where there are gaps in the market and gaps in customer need and Fill it with partners that are that are at the top of the class that supporting that You know, we'll have some hedge in that obviously you want to have choices for customers You don't want to let force them to pick a single solution So I think about partners and especially technology partners as customer assets and we want to leverage an asset We don't want you to have to rip the data out and do something else What else would that we want you to be able to use the assets you invest in so it's important that we Continue to grow and continue to scale to meet the needs of the growing customer demand Yeah, I mean I think one of the one of the challenges I think for Tableau as you grow is that you know to keep that customer focus because that's always a challenge for any companies They scale is really keeping You know their finger on the pulse of customer I think what you're going to need to do to some extent is rely on their partner So it's important that you choose them wisely and that they fit with the culture and your approach to Dilling with your customers. Yeah, there's absolutely no doubt. I mean we love partners that are customer centric and Put the customer at the forefront And one of the reasons I'm at Tableau is I love I was a former customer And I love the focus that Tableau has on the customer and so it's it's one of our differentiators Yeah, that's well and again That's a theme we seem to come across every time we visit with Tableau is that a lot of the employees are former customers So Joe in terms of your approach with Tableau at Mark logic obviously an important partnership talk a little bit about kind of the The benefits of partnering with a company like Tableau and what that does for kind of your reach to new markets new customers and Kind of helping your customers do more with your product Yeah, it's it's very important for us our customers as I was saying a moment ago. They they really are Looking at how to get the most out of their data Whether it's because they're required to or they have an opportunity to and they really look to Tableau as one of the leaders in the space for for being able to to drive more value out of the data and In our partnership with with Tableau They've been a really great partner and work with us to create a connector That's specifically for Mark logic custom built for Mark logic. That's going to be shipping in Weeks, I think yeah within the next month or so Yeah, talk about you know the let's get into the you know the real details of the partnership in terms of You know working together from a technology perspective. Is there a go to market? Arrangement as well. What's the kind of the details? Yeah, so so looking I'll start from the technology perspective One of the things that that we've worked on hard together is How do we provide? More value to Tableau's customers and ultimately our customers as well by letting them get to some of the capabilities That aren't available in some of the other data sources. So being able to go in from Tableau Do all of the kinds of things that that you're used to doing with Tableau, but then also You know enter a search term and narrow your query Narrow all the data that's coming into the Tableau into the visualization Into the analytics based on what you're doing with with search terms that Mark logic can handle that Some of the under other underlying data stores can't so we really looked at and and this capability is in Is in the connector the ability to expose more of that power through Tableau to our joint customers Yeah, and from your perspective again, I'm curious So when you when you look at the partners out there, you've got You know some some of the names you might expect but then you've also got this emerging so-called big data space You've got no sequel players like Mark logic. You've got some of the Hadoop players down there as well What role does that play? Do you do you approach some of these newer? approaches to data management database Any different than you do some of your relational database customers? Is there a pattern maybe with customers and how they're using the product differently? Yeah, I think there are a couple of things there Jeff so you know one of the most compelling things about Mark logic for me is You know one of the biggest areas in big data is 80% of the world's data is unstructured and how do you get to that? You can structure it and put it in databases and that's a method that's worked for years and years But doesn't have the agility and speed that you need So I love Mark logic's ability to index that data where it sits as it sits how it sits And so you can consume it naturally and we like this conversation with data and Textual data is an important part of that But it doesn't necessarily come down to just that if you look at the Hadoop infrastructure We integrate with all the major Hadoop flavors and they're great partners for us But if you want Speed there you can index it in Hadoop Mark logic and do that we can index relational sources that are not indexed for the need That that you want So I love the schemalist approach from that perspective But getting to that unstructured content I think is the single biggest reason why it's important for customers It's it's the growing demand and you know You can't always hire an army of people to structure it to make it go right And are you seeing a lot of demand from customers that that are looking to tap into some of these new data sources? Yeah, we're seeing more and more. I mean, I think it's Early in the system and you know when when you say no sequel to the average business user They don't know what that means And so, you know turning it into you've got doctors notes that are handwritten or written in the system or clams notes and Turning it into those use cases. I think are the way that it'll become more and more consumable over time Yeah, when you talk to a business person if you talk about Hadoop no sequel spark Shark all the other you know, they don't know what it is and they really shouldn't they want to solve a business problem And that's what those technologies enable But they we start putting it in the context of well doctors know and written you want to aggregate that you want to do some Analysis then people kind of get it. Yeah, and you think about even email, right? You could easily query email to do the two line or the date or the subject line But what about the body of the email? That's where all the meat of the conversation is right Someone may be good at doing a subject or not. Yeah, and you know some people don't know how to use CC in an email So you don't know that you it's an FYI or to you? Yeah, so, you know being able to get to the context of it It is an extremely important. Yeah, absolutely. I Want to talk to you a little bit about some of your other partners as well so from a We had done interworks earlier and some of the partners that are kind of building up around table specifically Adding some of the enterprise grade capabilities That maybe tablet lacks hasn't developed yet Although you're taking a lot of strides there as well in terms of the enterprise server Offering, how do you look at that marketplace? Is there is there any conflict there? Is there with with some of the capabilities that they're offering not necessarily into work specifically? But yeah that consultancy the professional services arms that are building up around Tableau and how do you manage that relationship? Well, it's absolutely a fundamental part of what we do So we have four pillars of our channel We have a reselling type pillar a consulting Alliance pillar a technology pillar and an OEM pillar And one of our big strategies is a triangulation between them So great product companies together help customers to be successful But the implementers of that technology are critical so interworks and slalom and E&Y and Deloitte and Accenture and these types of partners are fundamental to being successful And really success that a customer happens at the implementation level It doesn't happen because you sold them a piece of software Right and so our great products are made better by great partners that do that And I think when you look even within technology partners Integration partners with database partners, right they make sense The social providers with that the data providers So our strategy there is to really triangulate and make sure that we've got people that are best in breed of what they do Whether it's implementing or building other products working together in a great collaborative way to make a customer successful So let's talk about this show a little bit You know the vibe here is great as it was last year a lot bigger show what 5,500 people now Versus I think 3,200 or so last year You got a big grin on your face I know you guys clearly enjoy this you threw a great party last night at the Space Needle, which was fun Closing the the stock market yesterday here up in Seventh and Pike obviously things seem to be going pretty well for Tableau And why is the event itself important for the company? Well, I mean we're first and foremost a product and customer company And so this is a celebration of our customers but also product and capability and Empowerment of people and so for me, it's it's just a it's a fun experience. It's tiring. There's no doubt Hydrate up. Yeah, but at the end of the day It's it's it's just a great event because we see the passion of our customers and Making them successful and and making people's every day Instead of having a job you have a career and you have a work life that you love Is really a huge part of what's different about Tableau customers and Tableau in general? And you know, I love to see it. It's fun to be around it. It's contagious Indeed so a lot of fun and and Joe from your perspective. What does Mark logic get from the show? Is it you know, obviously the energy of the customers? But what's what's really your take on the show and and and you know your your take on on this customer base and how you're able to Interact with these these customers. I think more than anything else what I've seen is people who are hungry to find ways of Using Tableau technology and other technologies to as I was saying before to kind of get more out of their data There's there's a real hunger for that And a real a real desire to to be able to capitalize on this I think people are looking around and they're seeing what other people are doing and they're going I Didn't realize that was an option, right? I didn't know we could do that and so it's it's really eye-opening I think and that that I think kind of Increases the you know the energy level and enthusiasm and we're getting lots of people coming by and and Asking us about how to use the products together You know what they can do with them and it's just that sort of curiosity interest level and desire to To want to figure out how to how to get something more out of their data So we've got time just for one more question. So we talked a little bit about earlier kind of your future plans But I mean I guess longer term Where do you see this? It's like a dating site. What do you see this relationship go? What I mean, what are some of the what is what's in the works that you can share with us? and From a strategic perspective how important is this relationship to mark law? well, it's very important to us and I think when we when I look at it from kind of a longer term perspective It's really about how do we how do we do more and more and expose more and more of the underlying power and Capability through them through the tableau tool So how do we let tableau users get to more and more of the power of their data? They can do a tremendous amount today But as I was saying I kind of view this as the beginning of the journey And I think there's there's a whole spectrum of things that we could look at and and and say yes These are things people would like to do There are areas that we could go together to make actually both of our products more powerful From your perspective well, and from my perspective perspective, it's more unleashing You know the unstructured content on the world and getting people going and We're working on some cool things with their by-temperal feature and some really exciting things that I think are going to resonate with Customers and and help them make better data Driven decisions, that's what it's all about in the end right? Yeah, absolutely Great well guys. Thanks so much for coming and joining us on the cube really appreciate it It is it is exhausting here after a few days right lots of fun though So again, thanks guys appreciate it. Thanks for having us. Thanks for watching We'll be right back live here from Seattle Washington at the Tableau conference right after this quick break


Hello creeps, this is a very tired T4Y on the mystery playhouse. Tonight's story will be told by Dick Powell who plays Richard Rogue now, and another graphic adventure from Rogue's gallery. When I got on this rattler for my trip to Central City, I was not exactly a joy boy.  But a couple of hours later, I'm a happy chappy. Because who do I run across in the lounge car is a little ambition of mine with the name of Betty Callahan, a newspaper woman who is cheating the movies. She's a pocket-sized brunette with cornflower blue eyes and the complexion which wouldn't come off on the shoulder of my blue Gavardine suit. I rescued her from the wolves in Uncle Sam's clothing who were making life too interesting for her in the club car. And we retired to my compartment for the talk about the old times. The place you have here, Richard. That guy can get pretty lonesome in a place like this, you know, Betty. Get that gleam out of your eye, Richard. I'm perfectly comfortable right where I am. Oh, all right, all right. I just thought maybe you'd like to sit here for me and look out of the window. You're so thoughtful. You haven't even told me where you're going.  Please. I'm going to Central City, baby, for the same reason you are. The Charlie Miller trial. Don't tell me you've learned a lot. Oh, very funny. I'm an expert witness and I've got a brief case full of research here. That's going to make the DA very happy. Come a little closer. Oh, all right. What do you think? Is Charlie going to get the works? Oh, let's not talk about Charlie. Let's talk about me. Do you ever get tired of that subject? No, it fascinates me. Come on. What are you sitting clear over there for? You like it here? Why?  About fellows like you? Plenty. Why don't you drop that front page character angel? We've known each other for a long time. Stop pulling. Well, I was just trying to... Well, stop trying. How can you be so mean to me? Ever since the first time I saw you, Betty, I've been stuck on you. No kidding. Oh, Richard. Does anybody ever believe that lie? Once in a while. You know something's going to happen to you in just a minute, baby. Well, I like you. Let's find out. Oh, brother. What's the idea, lady? This is a private compartment. Please. I'm sorry to intrude. Who is this girl, Richard? I never saw her before. Who are you? I had to come in here. My life is in danger. Well, Rockhand, lady, I don't think you improved your situation any breaking in here when you did. Oh, why does everything have to happen to me? Why don't you buy a ticket, Latin type, and then you wouldn't have to play hide-and-seek with the conductor? I had to come in here. I'm hiding. There's a man on this train who has designs on my life. Yeah, what Bernhard could have done with that line. You don't believe me? That's right. Now scram. Don't answer it. Please. It's him. The guy with the design? I want to take a gander. Oh, no, no, no. I'll answer it myself. It's impossible if there's nothing more to say. I think maybe you're better. I know where you're going, Diana. I know what you've got. Do you want to come out here? All right. I'll be with you in a minute. I'll be waiting. Want me to take care of that punk for you? You stay out of this, Richard. Please. Will you keep this briefcase for me? Don't let anyone touch it. Please. Next time, why don't you get a drawing room with a revolving door, Richard?  You know, I'm kind of worried about that girl. I'm going to feel pretty silly if she comes up dead. For the next two minutes, I worried about Diane and the man who had designs on her life. But I'm a romantic, huh? So I spent the next 58 minutes trying to spell by in Betty and to seeing things my way. But she wasn't looking. At the end of an hour, my chances were still about the ratio of Little Rock Junior High against Notre Dame. So I gave up. It's been an hour since I visited her checked out. What do you think, Richard? The Dame's either as goofy as a cub outfielder or she's really in a jam. If you're pulling me, I'll put my X on the first answer. Let's take a look in that briefcase she left behind. Hey, wait a minute, honey. That's my briefcase. Oh, I'm sorry. Don't get halfy, Richard. Those two briefcases are practically identical. Yeah, I guess they aren't that. Well, give me mine. I'm going to put it up here on the rack. Hey, what is this? Pipe down, pretty boy. Turn the lights back on, Richard.  All right, give me that briefcase, pretty boy.  Keep your hands where they are. Give me that flashlight. Sorry, lady, but you asked for it. Now, pretty boy, give me that bag. Hey, what's the gimmick? What are you pulling that emergency cord for?  So long, pretty boy. As he pulled the cord, I could see the gleam of a gun on this character's fist, and I didn't want any samples of his marksmanship. But I could hear Betty groaning on the floor at my feet, and all of a sudden I felt that I had to get him before he jumped out of that window.   When I got where he'd been, he wasn't there. He was behind me. I knew that when I heard the flashlight whizzing through the air. It connected expertly right behind my ear. And there I went again into the land of Nod, which is practically my home away from home. Everything was very quiet for a while, and I slept peacefully. Get up, Rogue.  Snap out of it. Betty's been hurt. Betty? Gotta get up. Oh, I can't. Oh, my head.   Wake up.  What's that noise? It's at the door. Someone wants in. Oh, they'll go away. What happened? I can't remember. Remember the man? He came back. Yeah. Yeah. Oh, cut it out. Stop that pounding. Oh, my. I can't. I can't. What's that pounding? Pounding. Pounding. Cut it out. Cut it out. Stop it. Do you hear? Stop it. Stop it. Okay. Okay. Betty.  Hello, man. Hello. I'm coming. I'm coming. Just keep your shirt on. I demand an explanation of what's been going on in here. Come on. Come on. The window broken. Do you know what that does to the air conditioning in this car? Well, a man got out of that window while the train was stopped. Who pulled the emergency car? This guy. He came in here waving a gun around, took a briefcase that some dame had left here, stopped the train and knocked our brains out. I just came to and he's gone. So, let's face it, conductor. He must have jumped out the window. Yes. And what happened to the young lady who left the briefcase here in your compartment? I don't know. Who was she? I never saw her before. Oh, are you okay, baby? It takes a bump like that. Clear up my mind. Who was that fellow? I don't know. I'm holding you responsible for the damage that's been done to this compartment. What's your name? The name's Richard Rogue. Now get out of here. I'll give you some more things to hold me responsible for. Personal things. I'm the conductor on this train. Okay, okay. We'll still be on your train when you pull in the central city. Goodbye now. Now everything's all right, folks. Let's get back to your seat, please. We're going ahead immediately. Please return to your seat. I've heard you were dynamic when you got started, Richard. Yeah, look. That daffy dame that came charging in here wasn't kidding. That briefcase for hers is full of dynamite. It was, you mean. It's gone. Out the window. Oh, no, it isn't. That window jumper took my hand, remember? I had it in my hand, ready to put it up on the luggage rack when he came in. Give me hers. It's right over there behind you. Oh, sure. It's locked. I don't know what's in it on you. I love life. I just wish I'd never seen it. Well, comb the hair over that lump on your head, baby. We're going to find and confer with the young lady who sparked this carnival in Mayhem. Okay, I'm in. I owe that brunette a little something. Let's go talk to her. My head had that familiar old feeling of having been washed in a washing machine. And I was feeling anything but cute as we wandered down the aisle, asking porters if they'd seen a big brunette wearing a blue pinstripe suit and a hat with cherries on it. That was Diane, you know. Finally, in car 73, the porter recognized the description and told us that the lady was in drawing room A. Naturally, the conductor came along about this time. His glares bounced off that haze of pain that surrounded him. He went with us under protest to drawing room A. No answer. She isn't in. Why don't you look in the club car? I did. Knock again. Why don't you try the door, Richard? Okay. Oh, it's open. Conductor, mind if we go and look around? What right have you to enter the state room of a strange woman? She entered his. Assume if you want to, but I'm going in there and take a look around. Nobody at home, I guess. Well, I hope you're satisfied. Tearing up the train, walking into other people's drawing room. Look, mister, I'm trying to help you. I've been all over this train. This name has to be someplace. All right. All right. She's not here. And I can't stand around all night. Look, over there, under the berth. I don't see anything. You know? Come here, conductor. What do you think that is? Red ink? White. That's blood. Well, I'll pull these blankets back. Oh. I'm getting out of here. Are you convinced now that something's happened to that girl? Yes, I suppose so. Well, she must be in here someplace. Open the door to that wardrobe. Oh, Richard. Steady, Betty. Here. Help me move her up on the berth. No. Leave her right where she is. The cops won't want her moved. Oh, that knife and that rope. She's dead. Yes, she was dead. And all we knew about her was that her name was Diane, and that I had the briefcase which must contain the reason for her murder. A pleasant thought. I took one more look at the dead girl, shuddered, and pulled Betty out of that room. I wondered what was going to happen next, and who was going to be the main attraction. I must have been born under a police star. No matter what I start out to do, I end up in more trouble than a jitterbug at a square dance. Me? I start out to be an expert witness, and I wind up in the sheriff's office in Central City trying to explain a murder. Betty was enjoying every minute of this comedy of terrors being a news hawk. She was jumping with enthusiasm and theories. The sheriff was jumping with importance, and I was just jumping. I don't like murder unless there's a prophet in it for me. Sit down, rogue. You shouldn't be so nervous. Well, we should be getting reported that murdered woman, shouldn't we, Sheriff? We're not going to get any place until we find out who she was. Well, my men are working on it, rogue. Now, just take it easy. We know our business here in Central City. Uh-huh. Well, it's your business. It isn't mine. So if you don't mind, I think I'll shove off. I've got a little business to take care of myself. Uh, just a moment. I'll, uh... But we got a positive identification on that lady who was stabbed on the train, Sheriff. And who do you think she was? Well, who was she? Get to it, Hennessy. She was Diane Miller, wife of Charlie Miller, who's on trial for murdering Big Joel and Bertie. No kidding. You can go, Hennessy. Sheriff Mills. Yeah? All over the place, huh? Great work, Sergeant. Okay. I'll have a figure out on him in ten minutes. Thanks. Well, what's the good news? Have anything to do with the case? Well, rogue, the man who stabbed Mrs. Charlie Miller was Flip Stone, Miller's best friend and his first lieutenant in the slot machine racket. His fingerprints were all over the knife. How do you like that? I don't like it. It doesn't make sense yet. Richard, I'm going to go call this into my city desk. Will you meet me at the hotel and bring me up to date on what has happened? Sure, I'll take care of it, baby.  You might as well go along with it, rogue. We don't need your help to solve this case. We're perfectly capable of taking care of it ourselves. Oh, wow. Lots of luck. I've heard all about you, rogue. Just keep your hands in your pockets while you're in Central City. We don't like smart private detectives very well. Remember that. I was all set to try and help the guy until he said that. I don't approve of people going around sticking knives through other people, and I'm willing to throw in my naked birth to see that they're discouraged. And this politician with muscles running up to the part in his hair gets tough with me. Oh, well, he probably had run across some wrong guys in his time. Anyway, Betty and I lamb back to the Hotel Splendid. We went up to my room because we wanted to talk. She called in her story to her paper, and I sat in the window and talked the deal over with myself. She finished her phone call. I really walked into a scoop this time, with city editors having hallucinations. He even promised me a raise. Throw the ball in that door, will you? Why? Oh, don't be so conceited. I want to take a look in this briefcase, all the excitement is about. Of course you know you can get put away in the pokey for a long time, but withholding evidence.  Why do you suppose Flip Stone rubbed out his boss's better half? Maybe she asked idiotic questions while he was trying to open a briefcase. You know it's locked. Yeah, I'm afraid I'm going to have to ruin the lock with my knife. Too bad. That's breaking and entering or something, isn't it? Illegal entry. Oh, that'll add 20 years to your sentence. I'll still be a young man I get out. Oh, come on.  Hey, $100 bills, millions of them. Take a gander at that, Betty. Money! Oh, you catch on quick. No wonder Flip Stone was so anxious to get his hot little pink fist on this letter. You count it, will you? I'd love to. There's some letters in here I want to be impolite about. Two, three, four, five, six, seven, eight, nine, ten, one. Richard, there must be $50,000 here. Baby, this is the works. These letters explain a lot of things. I'm counting. Wait a minute. 81, 82, 83, 84. Don't bother me. I never saw this much money before. No. Well, I know now why Flip Stone put the kiss of death on the lovely Diane. He had to keep these letters and that money from being delivered. He didn't want Charlie Miller to beat that around. Four, five, six, seven. I'm through 6,000s already, and I haven't even made a hole in the pile. Oh, the guy who wrote these letters was a character. Five, six, seven, eight, seven, ten, one. Give me the sheriff's office, please. Thank you. 8,000, five, six, seven, eight, nine, 9,000. Oh, I wonder what a nice yacht it cost me. Chicken, if that dough was yours, you'd be Mrs. Richard Rogue tonight. Oh, would I? Six, seven, eight, nine. Hello, hello, sheriff's office. Let me talk to Sheriff Mills. Richard Rogue calling. Gracious. Seven, eight, nine, 11,000. One, two, three, four, five, six, seven, eight. Oh, hello, sheriff. This is Richard Rogue. 12,000. Yeah. Come down to 730 at Hotel Splendid right away, will you? Well, don't ask so many questions. I'm going to make you a big man. I want you to help me plan a surprise party. All right. Now, hurry. Hey, that's a lot of letters you got there, belly darling. 12,000. Flip Stone really grabbed a handful of disappointment when he bailed out with that misage of my mistake. There wasn't nearly that much money in mind. Who could that be? I don't know. Look, I'll get over behind the door. You open it and we'll look our company over before we put this artillery away. All right. I don't like guns. Ah, they come in handy sometimes. OK. Put them up, lady. I'm coming in. You can't come in here.  Just keep backing up. I want that dough. You switched bags on me. I didn't. I didn't do it. Where's Rowe? I checked every hotel register in town looking for him. Where is he? I want to slap him around a little bit for him. Oh, Richard, why did you wait so long? I administered that pistol anesthesia with masterful precision. Flip was going to have a long ride on the dream train. Betty and I took a sheet off the bed, tore it into strips and tied flip up like traffic at Hollywood and Vine. Then we looked around for some place to hide him. We finally picked out a spot that any old maid would have thought of immediately. We slipped him under one of the twin beds. Then we finished counting the money. $25,000. Oh, it looked beautiful there. But I had things to do. I called the sheriff. He hadn't left the jail yet. So I went down there to talk with him. And while I was there, I had a chat with Charlie Miller, a very satisfactory chat. Then the sheriff and I went back to the hotel. Betty made a phone call, and we waited for company. The sheriff and I squeezed into a closet when the knock came at the door. Who is it? You just called and invited me down. Okay. Thanks. Now let's get this over with, Mrs. Miller. I want to get out of here. Don't be in such a hurry. How do I know you're on the level? Do you have the money with you? Yes. I'll give it to you after you sign this little document. What is it? I'll read it to you. All right. I, Lewis Tobin, a member of the jury in the trial of Charles Miller for the murder of Big Joe Lamberti, do hereby acknowledge the receipt of $25,000 from the hand of Mrs. Charles Miller, for which I agreed to hold out against the conviction of Charles Miller, and to find him not guilty. I also agreed to use my best influence to make the other jurors agree to a not guilty verdict. And that's where you signed the document. Oh, you know I can't sign a thing like that. Now look, I've got $25,000 in hood rooms ready for you. You get it when you sign your name. Right there. No, I can't. If you keep your word and my husband gets a hung jury or an acquittal, this receipt will be torn up. If you don't, I'll give it to the newspapers. Sign it. Okay. Okay, I'll sign it. Here's a pen, Mr. Tobin. I, I, I... Okay. There, I'll just hang on to this until you give me the money. Here you are. $250, $100 bills. There we are. You want to count it? No, no, I just want to get out of here. That's all right. Don't move, Tobin. The sheriff and I both have you covered. You double-crossed me. I was just trying to... Get the Tobin. I'll shake him down, Sheriff. He's got $25,000 on him that you marked yourself. You haven't got a thing on me. I was just trying... Take your hands out here. Well, I, I... Miss Callaghan, could I have that confession? Oh, sure. If you'll let me have it back I'll roast that later. Okay. It'll be yours. Exclusive. And now I'm going to take this man down and lock him up where he belongs. Yeah, that's a good idea. Very practical. Oh, yes, Sheriff. You better take this money with you. I just spend everything I get my hands on. Oh, yes, yes, of course. Thank you, Rogue. You better count it. Later. No, Sheriff. You better count it now. I can't take the time now, Rogue. If there's any money missing, I'll be back. And there had better not be any money missing. I had news for the sheriff, but he was so impressed with this pinch that he couldn't see me. Oh, well, I knew he'd be back. You see, I'm a practical guy. I had palmed and pocketed $5,000 out of that watered dough I took off Tobin. I showed it to Betty and she was horrified, but I knew what I was doing. So I just sat there and waited for the door to take a beating. And it did. Who is it? It's the sheriff. Let me in, Rogue. Why, Sheriff, you're all red in the face. It's your age.  You probably studied psychology at Barry College. That's what makes you so smart. There was only $20,000 in that briefcase when I counted the money at the jail, and I had four honest men as witnesses. Well, bless your heart. Where's that other $5,000, Rogue? In my pocket, Sheriff. And that's where it's gonna stay. No, that's larceny. And you, you're under arrest. Now, is that silly? Look, Sheriff. Oh, please, Mr. Tallym, don't needle him anymore. Well, Sheriff, you remember when I went in the cell to see Charlie Miller? What's that got to do with the missing funds?  Oh, yes, I suppose he did. You suppose you know he did? Well, if you look under the bed there in the bedroom, you'll find Flip Stone, the guy who murdered Diane Miller. It was very simple. I just collected my reward in advance, that's all. My friend, the Sheriff, was a little upset for a while, but he calmed down when Betty brought in a photographer to take his picture for the papers. Isn't it funny what some people will do to get their pictures and their papers? I had to practically wrestle him to keep him profiling me in a big ham. Well, I split the reward with Betty, of course. Well, I didn't just exactly split it with her. I gave her $2,000. But she didn't want to take anything. Isn't that just like a woman, though? Or is it? We're a little late, folks. This is T4Y. Good night. Sleep tight. This is the Armed Forces Radio Service.


The rules of the game are as follow, we must completely disassemble liners included, reassemble and walk out of frame as quickly as possible. Ready, set, go. Oh this doesn't go, I just lost my leg. Oh it's stuck, gotta start it.


Proudly we hail. New York City, where the American stage begins. Here is another program with a cast of outstanding players. Public service time has been made available by this station for your Army and your Air Force to bring you this story as proudly we hail the United States Army. The story is entitled Winter Carnival. This is the story of the Army's expert snowmen, the rugged white-clad soldiers who train with skis and snowshoes high up in the windswept bridges of the Colorado Rockies. Our first act curtain will rise in just a moment. But first, if you're a specialist, there's a wonderful job waiting for you in the United States Army. And if you're not a specialist, the Army will give you specialized training in a technical field. There are hundreds of jobs open and ready for you to enlist and take over, so check today at your nearest Army recruiting station. And now your Army and your Air Force presents the proudly we hail production, Winter Carnival. My name is Roger Martin. I'm what is known as a freelance feature writer. I go nosing around in out-of-the-way places looking for stories to write for different magazines and newspapers. I find some yarns and some pretty strange spots. And the one I'm going to tell you about now, I found in the middle of winter, high up on the windblasted ridges of the Colorado Rockies near the Continental Divide. I found it at a place called Camp Hale, which is the United States Army Mountain cold weather training command winter school. Next event, sled pulling races. I don't these guys ever get tired? Captain, skiing races, snowshoe races, mouse. Oh, they're just getting warmed up. Where do you see the obstacle race? That's a dilly. I'll bet. Didn't have any idea we had so many expert snowmen in the Army. How long have these boys been at it? All their lives? Oh, no. Those men out there just finished our four-week training course. Four weeks?  A matter of fact, Mr. Martin, most of them had never been on skis before they came here. And some of them never even saw snow. You mean to tell me that... That's right. You see, that's why we wanted you fellas to come up to our carnival. Get an idea of the type of work we do here. In four weeks' time, one month, you can take a guy that's never seen snow and train him to hop around like an eskimo. Well, there's your proof. Hey, there they go. Even if I have to freeze to death doing it. Well, it's very good of you, Colonel Sheller, to give me a little of your time. Always glad to talk to a writer, Mr. Martin. Sit down, won't you? Thank you. You know, I think I may have frozen the end of my nose off today watching your men. I must admit, I was quite impressed. Well, I'm glad to hear it, even at the risk of the end of your nose. Colonel Captain Holt said that the men in those races today had only a month's training. That's right. Pretty remarkable to a layman like me. How do you do this? Well, it's a combination of things, but one of the most important are the men we have here who give the training. Most of our officers and non-coms are veterans of the 10th Mountain Division. 10th Mountain? Italy, the Appanines. That's right. We started the breakthrough into the Poe. I remember. And you say most of your men go back to that time? That's right.  Well, I have been thinking there might be a good story here. Not necessarily the carnival, but what goes on here? No, there's a story all right, but let me warn you, Mr. Martin. We're not glamour babies. Our job is not only to train men how to fight in these elements, but also to teach them how to transport men and supplies across mountains. And the men like it, huh? I guess so. Tomorrow's a holiday, but you'll see most of them out there doing just what they were doing today. Well, Colonel, I don't know how this will strike you, but I would kind of like to hang around after the carnival is over. Watch how you do things. Uh, Mr. Martin, what kind of shape are you in? Shape? Physically. Not bad for a desk driver. Why? What have you got in mind? When the carnival's over, we'll be starting a new class. We'll be training a group of reserve officers. You've got a month to spare. You mean I could tag along and take the training with them? As much or as little as you wanted. You know something, Colonel? You've got a new recruit. Well, what do you say, Hal? You sure that high altitude hasn't gone to your head? Maybe, but what about it? What does that mean to you? Your magazine doesn't depend on me, so you get a darn good story in a month. Yeah, if you can last. Well, I'll last. I just want to go ahead from you. What about pictures? The army photography here is as good as anybody you can send up. You say it's really good. I wouldn't be wasting your money if it wasn't... be just right for the March edition. Okay, is it a deal? All right, Rover Boy, go play in the snow, but take care of yourself. You're no chicken. Oh, when you see me again, old Harold Mcwhirled, I'll be part snowball. Sergeant Ed Pascoe, the chief instructor whom I was debunked with, kidded me good-naturedly. But I could tell that he and the rest of the men were really pleased I had decided to hang around. I was, too, until the first morning when Revely tore me from the land of Nod in the cold gray dawn, and with chattering teeth and a sleep-forged mind, I fumbled my way into my new GI cold weather equipment and stumbled out for morning roll call. Later, I began to seriously wonder if I hadn't stuffed more snow in my mouth than I could possibly chew. Now, the main thing you men will learn in the month that come is what we call over-snow mobility. You'll learn it primarily through the use of skis and snowshoes, and if that's all you had to learn in four weeks, we wouldn't have too tough a job. But you also have to be taught Bivouac routine, how to build improvised shelters, sledding, cold weather evacuation, map and compass navigation, winter tactics, use of the M29 cargo carrier, survival behind enemy lines, winter hygiene and first aid, cold weather care of weapons and man packing. Now, is that enough or shall I go on? Right now, we'll break up into six-man teams and get started on a ski. Oh, yeah, I think all you mentioned, no, we got a spy in our midst. This is Mr. Martin. Mr. Royer getting a story the hard way. Which I have tentatively titled from man to snowman in six easy lessons. Okay, let's get with it.  That morning, with five others, Sergeant Pasco taught us the rudiments of care and waxing skis and how to mount the bindings. Before you can learn to ski, you've got to learn how to take care of your skis. They could mean your life.  I had it in the back of my mind that it would be awfully nice to take a nap after lunch. How you making it, Rog? Oh, slowly, Tom, boys, slowly. I understand this afternoon we're going to put them on and start moving. Put what on? What we've been learning about all morning, skis, man. Oh, might be nice to sit this one out. No, pass me the saw, will you, Tom? Yeah, sure. You know, we wondered how long you'd last. What do you mean? Just that. Some of the boys even took bets on it. I don't know anything, but I thought... That I might last longer than the first morning? Yeah, I guess so. Maybe the second or third day, huh? Well, don't get sore-eyed. After all, there's no tea party, and you're not in the shape we're in. I'll tell you why. For every day I get through, you owe me a cigarette. Two cigarettes, one at noon, one at night, right? All right, pay up. Then we'll go find out what it's like to fall into a snow bank. All right, now we'll try it again. Just stay relaxed. Group 10, check. Step into your skis. Fasten the bindings. That's much better. Now you're going to start learning how to move over the snow. Now it's a simple matter of body coordination. A little stiff, Raj? Hey, why don't you just take me out and bury me? I'll never know the difference. Get yourself a good-eyed shower and hit the sack. In the morning, you'll feel like a new man. As I have so often heard it said, Oh, my aching back. You're not doing bad, Raj. The spirit is willing, but the flesh... is weak. Can any guy come into this igloo, or is it a private week? No, come in, boy. Join the happy throng. Oh, hi, Sergeant. Hi, Lieutenant. I came to give the boys ration. Well, light it, put it between my lips and smoke it for me. Listen, you're doing fine. You got through a whole day. That's what I've been telling them. Here. Thanks. I wouldn't lie there too long, Raj. You really get stiff if you don't get a good-eyed shower. Yeah, get yourself a shower. Put on your pretty new uniform. We'll go see a movie at the post theater. I'll take the shower, and if it's all the same to you, I'll just quietly lower myself into this ever-loving sack and pray for the longest night of the year. The next few days went by in a kind of blur. Much as I wanted to go on with this course, I didn't see how I could possibly take it. But whenever I'd reached the point of deciding it was time to bow out, Sergeant Pasco and Tom and the others would all be there to cheer me on and pick me up out of various and sundry snowdrifts. From learning how to move across level terrain on skis, we slowly took to the hills, the gentle ones at first. We learned how to snow plow downhill that's a maneuver to slow your descent. More often than not, the point of my snow plow is my chin. Keep your heels pushed out. Heels out. Oh. You all right, Raj? I bet you never had a student as champion of snowball as me. You never know that there's more insulation in snow than wood. I didn't either, till I learned how to build a snow hut. Ever try sleeping on balsam boughs? Sounds kind of uncomfortable, but it's not. Once you learn how. How about snowshoeing? Ever try that? Sounds easy. Looks easy. But it's not, till you learn how. In the days that passed, it was amazing, the number of things we learned how. And I, who hadn't been on skis since I was a kid, found myself moving along with the others through a winter wonderland, uphill and down, and not in too bad a fashion. Come in. Oh, Mr. Martin, come in, come in. You wanted to see me, Colonel? I did indeed. Sit down, sit down. Thank you. Well, for a minute I hardly recognize you. You look like you've lost a little weight and taken on a bit of color. Colonel, I recommend your course to all fattening desk drivers. Really enjoying it, huh? Well, I didn't think I'd make it for the first few days. Your boys pulled me through. They're good boys, aren't they? I've been a lot of places. I've never found any better. Was there some particular reason you wanted to see me, Colonel? No, just find out how you're doing. I can see you're doing fine. I think you've got a story here. I've got two stories, Colonel. The first one is one. The men who give the training and the men who receive it. That's an even bigger one, even though they both go together. I think that's the story that's going to do a lot of folks a lot of good to read.  If you're not careful, we might draft you. Ha-ha! Can't draft a volunteer, Colonel. You planning to go out on the attack problem? I wouldn't miss it. The weather's been unusually good lately. I think you can look for a blizzard or two pretty quick. Kind of mean of it.  We'll see what you call it. You are listening to the proudly-we-hail production, Winter Carnival. We'll return in just a moment for the second act. Is there a doctor in the house? Your house? Well, I'm not looking for a medical man. I'm looking for a man who can doctor machines used by the United States Army. Machines that get out of commission and need repair. Machines like hospital and surgical equipment in the Army Medical Centers. Machines like electrical instruments at Army posts around the world. Office machines like telegraphs or typewriters in Army offices. Machines like the fire control instruments at Army camps. If you're a man with experience at repairing these vitally important machines, you'll find that your skills will be put to good use when you enlist in your United States Army. As a soldier expert in this field, you'll increase your technical knowledge and work with the most advanced scientific equipment. Ask for complete details today at your nearest United States Army Recruiting Station. You are listening to Proudly We Hail, and now we present the second act of Winter Carnival. The entire class moved out on skis from Camp Hail one bright sharp morning. As Colonel Sheller had said, what we carried on our back we'd live on. In white coveralls from hood to boot, moving smoothly and steadily in twin columns, we blended nicely with the snow as we made our way toward the open mountainous slopes ahead. The problem was simple. Somewhere out there at a designated point, we'd come to a halt, we'd turn and we'd move back in on Camp Hail. Our job was to move in without being detected, to attack swiftly and successfully. Opposed to us were the very men who had been our teachers. We had three days in which to succeed or fail. The only man from Camp Hail with us was Sergeant Ed Pascoe. He was the commander of our attack problem. All right, take flight. I think we're losing our nice day. Smells like a bit of snow, huh? That should be good for us. How much farther out you figure we're going? Probably over that next high ridge there, or the one beyond that. Think of all the people sitting in offices right now. You think of them. All that day we glided along the level open stretches, herring boning our way up the hills and then swooping with that wonderful fresh-born feeling you get on skis. In the afternoon, dirty gray rubbed all the blue out of the sky and brought along a bitter, gibbering wind with it. And shortly after we hollered at dusk, the wind brought the snow. Sergeant Pascoe assembled the squad leaders in front of his lean-to and I came along. All right, gather around. Pull that end of the map, Jack. Okay, Sergeant. Everybody see okay? Yeah. All right, now this is how far we've come. We're right here on the lip of this woodland. Now, here to the north is Longbelly Mountain. Our plan is to move along the valley below it with scouts up here on its flank. Now, if the weather clears, they'll be able to spot just about anything that moves way off here to the east. Sergeant, will the enemy have patrols out already? Yeah. Naturally, there are no danger to us right now, but by tomorrow they could well be anywhere. They'll be in radio communication with the camp. Now, once they spot us, we'll have a tough time shaking them. Now, if we move out in two hours, daylight should find us just below Longbelly. Then even if it clears, with scouts paralleling us along the mountain, we know they won't be able to spot more surprises till we reach this point here. As opposed to the snow keeps up. Well, if it doesn't get so bad we have to call a halt. It'll be to our advantage. There are the hunters. Moved slowly, heads lowered before the lash of the snow-blasting wind. In the thick, noisy darkness, it was all I could do to make out the white bobbing figure of the man just a ski length ahead of me. The snow and the cold get deeper as the night wore on. The stops became more frequent, and I wondered why Sergeant Pasco didn't call a halt and let us hole up until the storm blew itself out. At three weeks before, I wouldn't have lasted ten minutes.  Just before dawn, the snow began to give up and we fell out to make coffee and get some warmth into our stomachs. Long night, Rush. I'm taking a little walk in my sleep. Oh, this stuff keeps the man alive. Here, have some. The snow's about to finish. Temperature's really going down. Oh, thanks. Where are we? What happens now? Another mile will be in the valley below Long Belly. Give you a real break there. Food in a couple hours' sleep. What about the scouts? Oh, they'll make it up someplace else. With two men up there, you'll be able to rest easy. I'll tell you something. I could rest easy on my head or hang it by my heels. Get all your can, Rush. Might not get any more for a couple of days. That's a joyful thought. It took the best part of a great, dead cold day to traverse the valley below the lean, protective height of Long Belly Mountain. With scouts paralleling our courses on the ridges above, we knew we were safe from surprise. But now, having reached the end of this helpful terrain and definitely in the sweep of ranging patrols, we must use our knowledge not only to fight the brutal elements, but also to avoid the eyes of a forewarned adversary. It'll be dark in another hour. I want to be up on that ridge line in those woods before moonrise. Moonrise, Sergeant. We won't see them overnight. Don't bet on it, Lieutenant. The wind's changed. If it doesn't change again, it'll be clear within two hours. I want a three-man patrol to push ahead and make sure that it's all clear up there. Suppose it's not? If it's not, the patrol will be captured and we'll know it. How come? The patrol will flash as a prearranged signal. It's all clear. Well, doesn't that have to be seen? Well, only by us. We'll be able to spot anyone coming up from the south or east. What happens if they do have men up there? We'll have to double back to these ridges here, then cut north and try and get around the flank before dawn. I want three men to go ahead on the double.  But you won't be able to take our alternate route. You'll have to play decoy and lead them away from us. I always was a decoy at heart. Me, too. Look, how about me? I'm not officially one of you, but... Glad to have you along, Rod. Good enough. You get some coffee and grub stowed away and then report back to me. I'll have the details for you. You got 15 minutes to get ready. So the three of us, Tom, Jack, and myself, moved out in the growing dust and set a course for the high ridge looming ahead. Within five minutes, we felt very much alone. It's one thing to travel with a well-organized group of men through an icy wilderness and quite another when you're practically alone. As the evening flooded in and the ridge became a black irregular line across the darkening sky, I had the growing feeling that we were being watched. We'll take a breather. That's a mean slope ahead. We'd better keep our voices down. The night has a thousand eyes. I have the feeling they're all up there watching us. Sergeant was right. Stars are out. Our moon gets up about midnight. We've got to be there in another hour. Let's hit it. Look at that slope. We'll be right out in the open. We can't go through the woods in the dark on these things. Take half the night. Why don't we try the snowshoes? It makes sense, Tom. You mean carry the skis? Why not? We're traveling light. I'll buy it. Well, let's get them on. See if we're alone, huh? Yeah. Jack? Can't see any sign of life down there. Hard to tell, though, in the dark. They'd be waiting for us to make a move. You cover that area over there. Move up through those pines to the high ground. No sign. I guess we're alone. Well, time to flash that signal. Oh, gladly. And then we'd better keep a look out on each side of the crest. Well, now what? Take a rest. Give the moon two hours. All clear then. We'll shoot down into the valley, get scouts up on the far ridge, and head into the deep woods. We'll hold up there for the day, get a good rest, and move out around nightfall, and hit them at dawn. Well, what's the matter? Quiet, quiet. What's up? We are. The outpost spotted an enemy column found our trail moving up behind us. We're moving out on the double. We're not gonna ski down this mountain, are we? You know any better way to get off it? But in the dark... The moon will help stop the jabber. Get ready to hit the trail. Anybody told me a month ago that one day I'd be skiing up and down mountains. I'd have told them to change their brand. Anybody told me I'd be doing it in the moonlight with the temperature at a nice even 20 below. I wouldn't even bother to answer. But that's what we did. Matter of fact, it was about the most exciting ride I've ever taken. Try it sometimes, good for the soul. Well, once down the mountain, we forgot about the nice even valley and pushed on as fast as we could into the low wooded ridges on the far side of it. Well... What do we do now, ambush them? Well, we just keep moving. Sergeant says the weather's gonna turn stinko again, snow. He must have a direct wire to the chief weatherman. Well, what happens then? Maybe we give him the slip, maybe we don't. We can bet they've radioed the rest of their pals. We're probably being converged on from six different directions. All right, man, move out. Move out. Keep your interval. Keep going. Scouts are fired on. Wait my command. It was the snow that saved us. The loveliest blizzard of the season came roaring down out of the north and cut visibility down to a few feet. Once during the afternoon, one of their patrols went blundering past as we lay in a thin stand of pine. By all rights, we should have stopped moving and holed up till the storm blew itself out, but Sergeant Pascoe had other plans that we struggled on. You mean they were there? Yep. What do you say we go down and wake them up? Well, I'm saying so you look like someone who's done a bit of skiing. I do? Why? Oh, you have that healthy outdoor look. Not like me sitting at the desk all day. Well, a month ago you might not have thought so. You've been on a vacation up there? Vacation? Yeah, yeah, I guess you could call it that. Best one I've ever been on. Regular, uh, winter carnival. Well, that must have been fun. Yes, educational too. Taught me a lot about some young fellas I met. Really? Who were they? Oh, some guys it's been pretty wonderful to know. They're helping to do a job. The biggest job in the world today. Hmm, biggest job in the world. What would that be? Well, since you asked me, Mr. I'd be glad to tell you. You know, there are lots of things I could tell you about the United States Army and they're all good reasons why you should enlist. But if you want to be really convinced, I suggest that you talk with a career soldier.  But if there aren't any career soldiers around your particular community, why the next best thing to do is to visit your nearest United States Army recruiting station. They'll be glad to show you all the opportunities waiting for you when you enlist in the Army. Yes, your investment in the future of your country will start paying dividends right away and the sooner you're in, why the sooner you benefit. Check today. This has been another program on Proudly We Hail, presented transcribed in cooperation with this station. Proudly We Hail is produced by the Recruiting Publicity Center for the United States Army and United States Air Force Recruiting Service. This is Mark Hamilton speaking, inviting you to tune in this same station next week for another interesting story on Proudly We Hail.


Hi everyone, Joe for jasby's casebreaks.com coming at you with 2020-2021 hip parade autographed hockey jerseys. Series 10. 10 boxes. Now note, it's a lot of times they put a box within a box or something like that. So we actually opened up the case thing and there was another box inside but it was just these hockey boxes. So we pulled them out of there. They're all from the same case though. One, two, three, four, five, six, seven, eight, nine, ten. All right there. So just letting you know, that's who we can chase right here. Big thanks to the hockey fans here and they're all 31 hockey teams right there. Let's roll it. Let's randomize each list four and a one, five times for names and teams. One, two, three, four and a one, fifth and final time. Lucas down to Adam, four and a one, five times for the teams. One, two, three, four and a one, fifth and final time. After five we've got the Senators down to the Minnesota Wild. All right Lucas with the Senators, Eastwood with the Flyers, Matt with the Hurricanes, Sean with the Aves, Nick with the Stars, Frank with the Red Wings, Matthew with the Sabres, Adam with the Predators, Nick with the Panthers, Tony with the Flames, Kenneth with the Blackhawks, Sam with the Bruins, Ben with the St. Louis Blues.  I think Kings are playing tonight. Adam with the Minnesota Wild right there. This is sort by team and we're going to pause the video just for a second and when we come back we're going to see if there's any trades and then the break. Stick around, BRB. Alright, welcome back folks. A little bit of trade chatter but in the end no deals are done so let's get these jerseys going. There you go. Series 10, Hit Parade. Series 10, right? Yeah. Series 10, Hit Parade. These are all hand numbered as well. There's only 100 jerseys, little industry summed award winner as well. That's a good job for sure. Now most of these should be custom jerseys. There may be some authentic ones here. Actual Reebok, Adidas, whatever it may be. Alright. First one is going to be, can we tell by the autograph? Looks like an old school guy. Can someone tell by the auto? The Dave and Adam's authentication here, there's the authentication card. Any guesses? Close. This is, I can't even tell what jersey this is. This is a Flyers jersey. Played from 1965 to 79 and got the Hall of Fame inscription right there too. That's a P by the way. That helps. So this is going to be for Eastwood with the Flyers. It's a, there you go William, Bernie, parent. There it is. Got a custom jersey right here. Alright, so Eastwood with the Flyers. Next one. Yeah, good one Ben. You can give that to your dad for Father's Day. Parent number one. Alright, next up is this person. Can you tell by the number and the autograph? There's usually a thing that will tell me who this is. I have no idea who this is. Stone? Let's see. Stone 61 is going to be my, I have no hockey knowledge folks. I'm sorry. Stone is a Mark Stone and that is his, well he's currently on the Golden Knights. That doesn't look like Golden Knights colors does it? That looks more like Ottawa colors, right? Oh yeah, if you kind of look inside here, you definitely see the Ottawa Center's logo in this. Should I just take it out? It looks kind of nice. Oh yeah, because it's a fanatic jersey. That's why. You got the big Ottawa Center's logo right there. It's pretty cool. He actually stopped by Tyler earlier today. I should have just been like, hey, do you want this hockey break really quick? Alright, so he's with the Golden Knights now. Has been for the last few seasons but started his career, spent a lot of time with Ottawa. So the Senators, that's going to be for Lucas Snow. Luke is getting randomized the Ottawa Senators. Michael P, what's going on? Next one? Live in the, me too, Michael, live in the dream. I'm checking out some nice hockey jerseys here. Alright, who's this person? Another AJ Sports World authentication. There's the autograph right there. Oh, his name is right here. It's Custom Jersey. I have no idea. Hopefully there's a logo here somewhere. It's Sergei Gonshar, who played for the Capitals, the Bruins, Penguin Senators, Stars and Canadians. This is definitely not Canadians, not Stars, not Penguins. Are these Cap's colors? There's the Gonshar right there. This has got to be Capitals' colors, right? It's a Custom Jersey, so it probably won't have, oh no, it says Washington across the front right here. Okay. Won't have their logos though. Alright, that goes to the Cap's. Wasn't that tried to trade, couldn't trade Mojo? Yeah, Tyler Brenner tried to trade them away. He gets this Sergei Gonshar. Autograph Jersey going your way. Alright, congrats. You got a Jersey going your way. Yeah, yeah, Ben's going to take credit for it. He's like, that's totally the guy. I was thinking of when he recommended keeping the, keeping the Cap's. Alright, this is box 76 of 100. Alright, we have number 17 and this autograph. Any guesses there? And this, no, I think this is Carolina. It's Rod Brindemore. There you go, another Custom Jersey right there, so he played, I think he's coaching or head coach. He's coaching, coaching the Carolina Hurricanes right now. He played for the Blues, the Flyers and the Hurricanes, so that's got to be Hurricanes colors. And Carolina, that's going to go to Matt Arnold with the Hurricanes. Current coach, right? That's what the Wikipedia is saying. William confirming. This one feels heavier. This could be an authentic Jersey. Alright, we got, you got his own card in here and everything. Oh, I think people can figure this one out.  That's pretty nice. Yep, Bobby Orrb, that's pretty nice. Even I know Bobby Orrb. This is a Mitchell and Nestor. Let's take a look. The pocketiers always look really sick. Ooh, nice.  There's his autograph again. And then you can see the, all the Mitchell and Nest, it's his vintage hockey tag on the bottom right here too. It's a pretty heavy Jersey too. I like that. Got the, it's got the number on the sleeve too, is number four. Jersey itself is pretty nice. I don't have the shipping team put it back in the bag really quick. Alright, that was a nice one. That was worth a go. Sam Morton with the Boston Bruins. Well, William thinking 700 bucks on the secondary market. Yeah, the Mitchell and Nest stuff is really nice. William saying that's top drawer stuff right there. 100 out of 100. What do we have here? Are these Dallas Stars colors maybe? Got JSA and a Dave and Adams authentication. I see Neil Broder, number seven. It's Broughton, Neil Broughton. Broughton Jersey. What colors are those? You're right. Yeah. Those are Minnesota North Star colors. So the North Star turned into the Dallas Stars. Now known as the Dallas Stars. Okay. Yeah. There we go. Nice Jersey. That goes to Nick Stober and the Dallas Stars. Four more to go ladies and gentlemen. Next one here. And he guesses here number 90 with a kind of a Chris Sale looking autograph. This is kind of cool. It's a Reebok Jersey too. Maybe a CD lamb looking autograph kind of looks like CD lamb. I think he's always played. This is his, I think his most recent colors or is it the team before? Yeah. It's Ryan. You're right. Kenneth. It's Ryan O'Reilly. Are these his blues colors or is that, are these Saber's colors? Nice Reebok logo on the back. Yeah. These look like Saber's colors, right? Big Reebok logo. Got the laces right here. Buffalo. So that's a nice authentic Reebok Jersey. And that is Buffalo Saber's. That's going to be for Matthew D. Onwards. Is, is hit parade in Buffalo? Then we've got Clyde Edwards-E-Lare. Who am I? It's a custom Jersey. It is Calgary Flames colors because it's not Panthers colors, not sharks, not red wings. Yep. It's, uh, it is indeed Mike Vernon. Gold tender for the Calgary Flames. These are Flames colors, right? With the yellow trim? Yeah. Everyone's saying Flames. Okay. Nice. So Calgary, that will be Tony with the Flames. Is there an E in Barkie? Yes. Good luck, everyone. Just do more autographed jerseys. It's always cool to add something like this. Sometimes we see too many trading cards. It's always nice. It's a good change of pace to see, to see stuff like this. All right. We got the cat inscription here. Who's the cat? There's his autograph. Doesn't have a little serial number sticker there. Alexander Potvin? Felix Potvin? Yeah. Felix Potvin, number 29, Toronto Maple Leafs, gold tender. Nice. Felix the cat. Oh, I get it. Felix the cat. Right. There it is. Nice. With the, that, CO, oh, no, Kojo, Kojo, collectibles, all right, Toronto Maple Leafs. That's going to be Spiro with the Maple Leafs. All right. Nice one for the Toronto Maple Leafs. All right. Last one coming up. Good luck, everybody. Who do we have here? Number 77, I see Pierre, Pierre, Pierre, I don't know, Pierre something, is that a T? T-Y, T-Y, Tygan, Tyene, Pierre Terzion, yeah, I guess we'll go with that. Custom Jersey right here. Is that Islanders? That's what Vanilla is saying. Sure, he's right. Let me double check. It doesn't definitely look like that. Everyone's saying Islanders, Islanders, old school Islander. I can see the king's assistant coach now. There you go. There you go. Yeah. Islander colors for sure. And there you have it. That was the last one. That's pretty fun. New York Islanders, Sean Maddock with the New York Islander. Are they still in first place? Pretty nice stuff. I'm Joe for jaspyscasebrakes.com. Thanks for watching. Thanks, Hit Parade, for doing a good job, and we'll see you next time for the next break on jaspyscasebrakes.com. Bye-bye.


In parts 1 and 2 of the laundry room transformation, I shared with you how we removed all of the cool gray floor tile to lay down a really beautiful, yet ambitious design of a herringbone travertine with a border detail and a braid transition into the kitchen. But after grouting it, I was in shock because it looked so stunning. I patched up the hole that was leading into the bathroom, removed the upper cabinetry, and painted the entire room schoolhouse white from pharaoh and ball. A portion of today's video is kindly sponsored by LG. Hey there, welcome back to the channel. Today we are finishing up the laundry room. Everything that you just saw that I kind of recapped before this was what we've already done to the space. Now, something that you actually have not seen is this trim that's on the wall right here. And that is because I actually had the stairwell painted by my incredible painter Pio. He's the one who painted the house. And when I had the stairwell painted because I painted like the room itself, just with one coat to see an idea of the color. But I just knew I could not paint this like 25 foot tall staircase that leads to the exterior. But the color, which is schoolhouse white from pharaoh and ball is just perfection. It is so stunning. It's like a vanilla milkshake in here. Like it is just such a beautiful creamy color. And the color is probably looking a little more yellow right now because you might be thinking to yourself, where's the cabinet? Well, the cabinet is actually downstairs at the moment. Okay, hear me out for a second. I was downstairs last night. We had a couple of friends over and I was walking through the hallway and I remembered the architectural digest bookcase that I created that Billy bookcase that I did with the rounded edges on it. And I thought to myself, what if I put doors on this because the height of it was what I really loved when I saw it downstairs. And I have, I still have it like it's been downstairs in the hallway just pushed up against the wall. I knew I wanted to keep this bookcase and use it somewhere in the house. So that probably gives you a better idea of the color in the room. And I love this bookcase. It's such a cool one. It has these rounded edges. So I'm bringing this in, but I actually went to IKEA yesterday and picked up these doors here. And these are the oxberg doors that are meant for the Billy bookcase. And it is such a main focal from the kitchen. I just feel like this kind of meshes a little more with the kitchen. And the other hutch that I created, I adore it. I absolutely love it. But it I'm going to be putting it in my art studio room downstairs or just like my own personal studio where I work on projects, because I want it to be kind of like a project that I continuously work on. And I'd like to add more to it. So that's kind of my thoughts. We're just going to try it. You know, we're going to try it out. If it doesn't work, it doesn't work. But I thought the doors would be a nice addition on here. As I started adding these new doors on, I actually realized that the wood color was not the same as the original. And that's because the original is sun damaged. I had it in front of a very sunny window in my previous apartment for quite a while. And when I put this pull wrap in, as you can see, none of the tones are matching up, but I'm kind of feeling like I might be able to make it work and match them up somehow. So for the time being, we are sticking with this. Now this light fixture here is not an original fixture. It's like a low, cheap kind of just quick rental fixture that they added prior to selling a space. So I do want to swap this out. I actually found one on Facebook Marketplace. Okay, here is the light fixture. And I hope you can see the color of it. I found this on Marketplace for $80. It was probably like an hour drive away, but I picked it up on the weekend last weekend. A really, really nice tone. And I feel like replacing this light, I really like the scale of this light and somewhat of the shape. So I tried to find something that sort of channeled it, but also brought the slightest bit of a modern edge. It's almost on the verge of being too low. Now our cabinet doors, which is also a nice thing. They open perfectly. So those are still great. And I need to get light bulbs for the light. There's only one in there right now. And it's like a white bulb. So I want to get some warm bulbs for there. It is an exciting day. The washer and dryer are being delivered shortly from LG, which I am so excited about. It is like the star of the show, you guys. I mean, the washer and dryer is the star of any laundry room. So they're actually installing it for me, which I'm so excited about. So should be here shortly. Look how incredible this looks in the laundry room. These are my new washer and dryer. I'm like falling over. These look beyond. I could not have even expected them to look so good in here. They also fit perfectly. This washer and dryer was kindly gifted from LG, which I am so excited about. I'm going to put the proper name of them up on the screen for you guys. I actually got the incredible opportunity to visit their lighthouse factory in Tennessee last month. And it was probably one of my favorite experiences being a content creator, I'd say, because I got to actually see the production of how they make these. And it is beyond like anything you'd ever imagine. The technology, the equipment, the people, the space that they have to produce these washer and dryers is unreal. So essentially the lighthouse factory, it is actually almost all fully automated. So LG uses these things called AGVs, which are automated guided vehicles to help in the production of their machines. And that's because the creation of these machines is actually pretty dangerous. So they use people for quality control and also to make sure the automation process of creating the machines runs really smoothly. Every single tiny little detail of their washers and dryers are not only seen by the AI to even see the tiniest of like hairline imperfections, but then also looked over by an actual human eye just to make sure that it's visually all correct and perfect. From creating the drum to casting, adding chords, dials, and additional elements, these robots are creating these with virtually zero imperfections. When I was looking for a washing machine for the space, I knew I wanted to mix both form and function. And I feel like LG really does that perfectly because the functionality of this machine is just beyond with all the different features such as their AI wash and dry, which uses advanced sensors to detect fabric texture, load size and soil level to automatically select the perfect settings for you, but also the form of this piece. It is so beautiful. It has such a chic and sophisticated look to it, I'll say, and it does come in a few other colorways as well. But wait until you hear this. So they have an easy dispense on some of their models, which is on mine. And this actually dispenses the detergent and fabric softener for you and you can fill it up and it can do up to 31 loads of laundry with one easy fill, which I think is crazy. You can also use their ThinkQ app to start your laundry while you're out shopping. For example, check the remaining cycle time or even get notifications on your smartphone. They also put everything through so many different tests. I got to see all the different cycles that they run on them.  Also, they came and installed this so quickly and did such a great job. It looks perfect in here. They brought it up the stairs. So seamless. But we absolutely need the countertop and backslash to be installed, which we are actually going to be tiling, which I'm a little nervous, but I'm really excited for the outcome. Like I'm not exactly sure the process is going to go, but you guys know I'm going to document it for you. So let's get into it. It is time to craft up a countertop. So we got this large sheet of plywood, four by eight sheet. It's about three quarters of an inch thick. And we are cutting it down to the countertop dimensions along with the piece that we want for the back splash. Plywood's cut down. We're going to see if it fits on top. It fits. It fits so good. We did a good job. Okay. Countertop's done guys. One piece of plywood and we are good. We're going to use these one by two is kind of as the braces on either side of the countertop screw these into the wall and into the studs in multiple places and then put the countertop on top. So I'm using a laser level and I'm actually using a laser level quite a bit for this countertop just to kind of create the straight line on that side and then use it and flip it in the opposite direction to create the straight line on the other side where we're able to screw the two one by twos into the wall, which are acting essentially as our shelf brackets.  Then in the back, we are actually going to be applying two more one by twos on either side to almost create a bump out of our back splash because there's going to be a little shelf on the top and that's because there's electrical and some other pop outs behind this, such as the actual water turnoff valves and such like you can see on the left there. So I didn't want to have to cover this completely. So now they are accessible from the underside. All right. So here is where we're at. As you can see, the shelf is added up here. We're basically building out a wood framework first. So then we're going to tile over the top of and then Justin just went outside and cut our front piece, the face that's going to go across here. And then whenever you need to access back here, which we're kind of just leaving that open like this, you just have to essentially pull out the washer or dryer. I used a few screws to screw our backsplash into those one by twos we added onto either side. We're going to lay out a row of our leash tiles just to see if hopefully we don't have to make any cuts. This is what we call burning a midnight hole. Okay, we are outside with lamp light courtesy of this lovely lamp right here. And we're cutting and mitering the tile. We are not letting the daylight savings get the best of us because it's like 4pm and why is it dark? We don't know. So I have actually never tiled a vertical surface before. I've only ever done floors. This is my first time doing a backsplash. However, on the top here for our little shelf section also for the front, we are going to want to have those mitered, which is probably the most annoying part of this entire countertop is having to miter those tiles. But once they are mitered, we just mixed up some quick set mortar and applied it on to each piece of leech tile and also the base and just kind of worked our way down with the checker board. These are four by four checker board or not checker board, but they're square tiles from Zia tile. I will link them below for you if you are curious. Now on the left and right sides, as you can kind of see on this right side over here, we did have to cut them a little smaller. So it was an even spacing on the right and left. And because these tiles are on the heavier side, we actually had to move from right to left instead of our working our way from the top of the backsplash down or from the bottom up. We actually had to work in rows like this because you needed these tiles to sit on top of each other while the mortar was in the backside to cure down. So I just kind of held each one for a minute or so until it held into place. And at this point, I was getting so excited. I was loving the way that it was looking and the backsplash was pretty much complete. So we had to work on the actual counter and the front lip itself was also mitered. And then I cut the front face to two and a half inches tall in case you were curious, which was just right above the new washer and dryer. I found the armoire. I found it last night. You don't look happy. We just painted that other one. I know. We'll use it. We'll use it downstairs. I know we're going to put it downstairs, but I found such a great one. And my heart was pitter pattering last night when I found it. And I've been editing all morning part of this laundry room makeover. So sorry about my current appearance. Anyways, we're going to pick up this armoire at $75. And I'll also pop up one of my original inspo pictures that was in a video. I had shared this exact one in a video. And yeah, so we're going to pick it up. Look, you guys. Oh my gosh. It looks so stunning. Wow. What do you think, Justin? It's good. It's really, really good. It is really, really, really good. It's perfect. Like it looks like a nice primitive cabinet. Exactly what I was looking for. She even said she WD40ed the wheels so they move. I love how all the wood handles are also on here. I'm back home and I'm about to move this piece out. Now, I liked it. I'm going to take the doors back off because as you can see, the wood tones just don't match. And I tested a couple of stains out yesterday and nothing was just like matching up correct enough. So that piece I found on Facebook last night for $75. This is exactly what I was looking for for the space. It is absolutely perfect. I love it. And look how the top crown molding detail really nicely corresponds with the crown molding of the kitchen. Like they kind of mimic each other. And this just honestly couldn't be better. Let me share it with you guys. I haven't even really looked at it yet. I just got it in. Does the latch even work? Here's what the inside looks like here. And then up here. This is what I'm hoping will be the paper towel. Oh my gosh. Can we see if a paper towel roll fits in here? Oh, look at that. Yep, looks good. Good morning. Here's the tile. And I just don't know, you know, I don't know. I'm liking it, but I'll say I think it's a little too contrasty. But the great thing is that I actually put these down as natural. These are natural tiles. And I just stained them, each of them, to kind of see what it could look like stained. And I'm thinking I'm going to darken them. So the contrast is a little less. And it's just kind of a bit more of a subtle look. Thankfully, the lighter tiles are unglazed. So I'm able to color them before sealing. So I'm going to color them a bit darker. You're really honestly probably not supposed to do this. And I bought a semi expensive tile. And now I'm putting wood stain on it. So we love DIY, but honestly, like I need to darken it. This is looking so much better. So typically, when you tile with the lease, you're supposed to get the same type of tile, but I'm someone that's extremely impatient. I didn't want to wait for a long time. So I actually just kind of opted for what Zia tile had in stock. And they happened to have this glazed one in an unglazed option as well. So I went with that. And it totally worked because I was able to stain the unglazed to look like this. Plants for above the washer and dryer, this is currently still drying down before sealing. Now I want to put a bar across here that we can hang clothes on. We can put clothes that are drying on hangers and hang them above the countertop. Now I actually had a great realization the other day. And that is there is a hallway directly behind this, a closet that has an old wooden bar in it. And we have all of our suitcases in there that stack up essentially to the closet bar. So we don't use it for hanging. So I'm going to pull that bar out and pop it right here. So let's go grab that. Here's the cedar closet I was talking about. Now, right behind this is the washer and dryer. So this is the rod. And then we have all of our suitcases down here. I had to move some out, but we are going to essentially pull this rod out because we don't really use it or hang anything in here. All right, the bar has been removed. And this is what it looks like. It was already part of the house. And it has this really pretty age and kind of patina to the bar already. And it pairs really nicely as you can see with the tile here. So this is going to be going up a little higher. To secure this to either side are these little closet wooden pieces, which normally these aren't very pretty, but I'm going to stain them the same color as the bar. So it kind of just looks like little end caps on the bar. Perfect. Let's see. Do we have a clothing rod? This we have a little clothing rack, which is so exciting. And I love the repurposing of this bar from a room that I wasn't using it in. And then it's out of the end caps, which honestly, they look pretty great. And then I added just a little liquid nails under before I screwed them in just to make sure they were really mounted on the wall. It's the final day of our laundry room makeover. And I am ready. I didn't want to style last night because it was getting like the sun was already setting at like 3 34. So I thought, you know, I'm going to wake up early. We're going to style this while it's nice and bright and sunny. And I already have a lovely picture of some dried greenery. Now I love this dried greenery. I've had this for like months from Trader Joe's actually bought it as like fresh greenery. It dried in this exact picture and I left it there for like a month and I've just been swapping the water so it looks nice and clean. And they're literally fully like dried out like they're crunchy at this point. You have that like a nice kind of solid backdrop. It just is such a pretty like shape to it. I love how it kind of hangs. It's a bit droopier. And right next to that, just this little wicker bottle that I got at a flea market. I'm kind of a maximalist as you all know. And I have this little French stool. It has these like little bobbin legs on it, which is so cute. I got this olive atelier a while back. And I don't know, there's something so just kind of charming about it sitting on top of the armois. My mom thinks I'm crazy for that, but I like it. Like, what do you guys think? So I think I'm gonna leave it there for now. The countertops are all complete and I love the way that they look. I could not be happier with this. It's exactly what I wanted. Something just a little less contrasty than how I first applied them. I'm just gonna do some super minimal styling here also, just like kind of like staging as well because I'm at a basket that probably won't live here at all times. It probably will just be more of a clear countertop with maybe a couple decor pieces back there and some hangers for when you actually need to dry or hang up some clothes. This one in the subchair. I had this basket here that I thought would just be kind of a cute addition over on the side. A little studio-based bottle. I have these candlesticks and I just want to add these again as more of like a statue-esque decor element. I want that up here just so that you can tell there's a shelf. This is where we have the ironing board and this was all fully painted to match of course. There's this trim piece that goes over and I can't add art. Well, I can't add art over the top of it but I don't really want to because it's just gonna pop out so much. But I do have this really pretty rug that I got at a flea market.  A lot of people said they're totally fine to decorate with but just not to use them in a way like as a bath mat. And I want to use it as a wall hanging because I think it's stunning. Now I'm not going to use this side. I actually want to use this side. I love seeing all the woven knots in a rug. I think it's so cool. And the great thing about vintage drugs is they always do have two sides to them. They have the woven knotted side and they normally have more of a brushed side. Now I love the more muted side on this one. So I'm actually gonna hang this just right here on the wall. It's like the most perfect size for this space. Behind me, this is kind of the backside of the laundry room. There is this window which illuminates this entire space which I love. Now to the left of the window, I actually want to put this gorgeous oil painting. It's like a Belgian or Dutch oil painting. Look at the age on the backside. Like it is so old and it has these two little people. It's like me and Marie right here. Look at that. You see? So cute. And I just want to add this here. This is actually a vintage piece for sale on my website but I might sell it to myself if it doesn't sell mostly. But for now it's going up here. I think we've made it to a point in this makeover where I can share with you the reveal of this laundry room. Now I'm trying to block some of it because I don't want you to see all of it right now. It turned out so good. It meshes so well with the kitchen. I love the kind of interesting countertop over here. I need to do some laundry. This has been out of commission for a bit. So it's time to use those algae washer and dryer. But let me share it with you guys in three, two, one. That concludes this laundry room transformation. I hope that you guys love this video. And yeah, this was actually my first ever laundry room makeover. I've never done one before. So I mean, I think it's pretty good for a first one. Let me know which space you guys would like to see me conquer next in the home. We have so many more. It is crazy. I actually should do like a count or like a little like percentage run on the videos that can like be like per cent of how complete the house is. But until then, make sure to check out algae. I'll put the link to their incredible lighthouse factory at the top of the description box below if you want to find out any more info and I will catch you all in my next one. Bye.