And he says, then, if you're at a really good place, you could get tenure.  And he says, that's the time to work on this missing fossil record. And he was serious. And I saw my whole life crumbling before me. I did, you know, because I'm only 18 and he's adding 15 more years on and how in the world am I ever gonna do that? And he meant well. And he was trying to help me and I didn't listen to him.


Let's face it there are so many things that go wrong when using film for photography shooting film is like navigating a minefield There are so many ways that you could lose a frame or a role a role of Important memories or trip an event Frame of a one of once a lifetime shot. I was reminded of this recently On my last video where I was using film At the end of the video, I had ended and said well if I find something on the way back to the car I will put the photo up at the end of the video because I had a couple frames left I think it was two or three frames and Typically, I shoot a whole roll So when it came time to develop the film I was in a big hurry And I was thinking I had advanced the film to the all the way to the end. I Just proceeded to Open the camera So I lost the last frame it could have been a lot worse When I opened it it was pretty subdued light. I could have lost the whole the whole shoot That doesn't happen to me very often In fact, I don't I can't remember the last time that's happened when you're new to film photography just starting out a Roll film should say have a warning on it saying proceed at your own peril because there's just so many ways to have that shot messed up and It's heartbreaking. It's it's heart wrenching to lose a frame or a role to Human error and there's sometimes just bad luck. It's just Stuff that's beyond your control. So I'm gonna run through some of the pitfalls You might find or I've seen through the years of ways to lose some images So the first one, of course, like I just explained Opening the back of the camera before the roll has been advanced either back into the cassette or wound all the way through Like a medium format. I think many of shot many of a shot has been ruined doing that and that way you could have something go wrong is Mechanical errors or the or maybe not loading the film correctly and it not advancing. So You're either shooting a frame over a frame or you're you've shot a whole roll worth of stuff and realize. Oh The film never advanced all those shots never happened about setting your ASA or ISO to the wrong setting so say you're shooting ISO 50 film and you're setting it the ISO to 1,000 Most likely those shots aren't gonna turn out Yeah, I may have done that scratch film can be a real issue with film photography There are software Programs that help mitigate that when you're scanning an image, but if you're doing wet printing You're kind of stuck with it one of the culprits for a scratch film So I can 35 millimeter if you've got something on your pressure plate always check to make sure it's clean And there's no and it's smooth and there's no no grit there because that you'd be scraping your film right across that another way you could get some scratches is if you're doing large format and your Holders dusty or you've got some grit in here Then you slide the film in across the not good. No light live leaks are a real common Issue for film especially nowadays because we're all using old film cameras and The seals just degrade over time on a shoot at the coast last year I Wasn't smart enough to Realize it. I probably shouldn't have this camera out in direct sunlight for a prolonged period of time because I had a whole roll that was had Leaks along the edges. I was able to salvage a lot of that, but it made the it made it much harder I haven't had that issue since I've been just keeping the camera in a bag until I'm ready to shoot So at some point I'm gonna have to redo the seals on that camera, but a lot of older cameras Will definitely need their either their bellows to be fixed. There may be pinholes in their bellows or There may be light leaks around the seals in the cameras just depending on what kind of camera But light leaks are definitely a problem for older Cameras and that's basically what we've got to work with nowadays So that's one that a lot of people will probably Have some experience with in the future for your large format folks a way to destroy a sheet of film is when you've Set your shot and shot up For you forget to close the lens so when you're when you're focusing you have the lens open and if you forget to close it and you pull the dark side on the Film holder while it's open you've run the shot And the only time I've done that I've caught it and What I lost was a it was an expensive mistake. I lost a sheet of film But that that is something you got to think about you're getting a hurry That's an easy mistake to make and I'm sure everybody that shoots large format Film anybody that shoots large format Has had that happen another one for the large format folks When you load your film in the dark Making sure that you're under this little lip here Because if you go and get one through and the other one's up on top of the lip and you slide this closed And you don't notice it it can either well cause a light leak or the film won't be laying flat So it's not going to be sharp That can be a problem another one would be to forget Once you've taken the shot to return the dark slide on the other turn it around before you when you put it in Now so you know that it's been exposed because if you think it's been unexposed you'll Shoot another frame over it Running two shots. I've never done that Well, maybe I have During film development if you develop your own film, it's also a Mindful to navigate so many ways to mess up a role of film You can make a mistake loading the reel which is right off the bat If your film is touching film During processing it's going to just basically destroy whatever is being touched during the development process So you got to be very careful to not Properly load the cassette another problem that can occur during development is bubbles on your film and That's caused by Not giving it a good rap at the beginning of the process. I like to do it a couple times. I'm paranoid so I will Continuously did wrote agitate the film and then at that point I will Give it a good rap and then do another agitation About 10 seconds every minute from there on So that's important to get rid of those bubbles because they will if they stay on the film That is not allowing the developer to contact the film That could be a problem. I know their issue could be not properly putting the lid on the Tank I have a Patterson tank and if it doesn't click in It's it looks like it's Light tight. It looks like it's sealed. But if you were to pick that Section up. Oh, it wasn't locked in There goes the film I Haven't had that issue, but I I've come close to it a couple times thinking it had locked in and I just for some reason I just Could I felt it when I was in the way I was switching from development to to fix and luckily I it was Tight enough to keep the light from seeping in but if I would have not been paying attention There has been another role and film is really fragile one especially when it's wet So it would be really careful when you take it off the cassette Or if you're working with sheet film try not to let it rub against anything because you're gonna get scratches Very easy on this really easy to bend to pinch film and once it's bent and pinched It's really hard to to scan or anything So you just got to really handle it with care if you use a squeegee to wipe off your film Which is something I don't do I Don't even touch the film after I've developed it anymore. I I I just Put a little wetting agent on it I shake it off as hard as I can then I just hang it to dry and I have found that that has worked very well for me Without touching the film because inevitably you run something along the film. It's really soft Especially on the emulsion side. It's going to scratch So be careful there and if you fit send your film out to to be processed I've had damaged film in the process. I've had it come back from shipping damaged So you're not even you are not immune to the possibility of losing your shots Why why would I you want to shoot film with all the with everything against me with with the so many possibilities of that shot being ruined I You know, I don't even think about it anymore It's um, I do get a bit nervous when I develop my film. I get a little anxious. I think that's a good thing. It keeps me on Tasking and make sure that I'm not getting sloppy Paying attention to what I'm doing except last time of course nothing feels worse in photography Then losing the shot or a role To a mistake or an error either caused by yourself or just a mechanical bad luck. I I Think there's a euphoria that you get as a film shooter that I don't think you'll ever experience shooting digital And I think it comes from that hard fought What that film has to have gone through to get to the final stage I'm sure I've missed a bunch of the pitfalls and things that can happen to your film along the way Feel free to add yours in the comments below I can't have been the only one that has lost a little film through the years Well, if you shoot film, I wish you a lot of luck on your next outing and if you shoot digital I also wish you luck too So I'm gonna end today's video right here Until next time Thanks for coming along for the ride


To wrap up our course, Statistics and Data Science, I want to give you a short conclusion and some next steps. Mostly I want to take a little piece of advice I learned from a professional saxophonist, Kirk Whalum, and he says, there's always something to work on. There's always something you can do to try things differently to get better. It works when practicing music. It also works when you're dealing with data. Now, there are additional courses here at datalab.cc that you might want to look at. There are conceptual courses, additional high-level overviews on things like machine learning, data visualization, and other topics, and I encourage you to take a look at those as well to round out your general understanding of the field. There are also, however, many practical courses. These are hands-on tutorials on the statistical procedures I've covered, and you learn how to do them in R and Python and SPSS and other programs. But whatever you're doing, keep this other little piece of advice from writers in mind, and that is right what you know. And I'm going to say it this way, explore and analyze and delve into what you know. Remember, when we talked about data science and the Venn diagram, we've talked about the coding and the stats, but don't forget this part here on the bottom. Domain expertise is just as important to good data science as the ability to work with computer coding and the ability to work with the numbers and quantitative skills. But all through it, remember this, you don't have to know everything. Your work doesn't have to be perfect. The most important thing is just get started. You'll be glad you did. Thanks for joining me, and good luck.


The thing that made us kind of recruit him that he was a ball hoker. He had a lot of picks. I mean, he was a guy that made a lot of plays. He just kept growing and growing, and, you know, saw him running track because a state track meet, you know, would be here at the time. I think we could have, you know, go see the meets. And then at the time, he just, you know, just kept ascending as a football player.  That made him keep going. His IQ has always been good. He's been a football guy. I wanted to learn the system. That was really a good asset for him to have for him that he kept learning football and it kept making him better. Also, what helped him is just to work at things. He did all the field work. He kept working. You know, he's doing that now, and he's working on Saturdays. It's the same thing. And also, it's just the structure that we have here for guys to get better at every time, every day. He's able to process stuff from playing off the ball. He processes well, reroute combinations. He does a good job of doing that. He's anticipation. What they're going to know is real quiet. You want to know he's in a room. He's going to be real quiet. He's a really, really quiet person. He's going to get a real solid player, a guy that's going to come in and work very hard. You know, he's going to blend himself in well with the guys that they have over there. And he's going to be a guy that's going to do the right things on and off the field. Thank you.


Hello and welcome to the Grand Line Review, your source for everything one piece. Today we are going to be flying high into the sky to examine a creature that almost certainly belongs on the ground with the Umu-Uma Nomi. The Umu-Uma Nomi is a zelwin-type fruit that allows its user to transform into a horse as well as a human horse hybrid. Or in this case I should more accurately say a horse bird hybrid because it was eaten by pier. A sky dot bird turned noble steed of Garnfall and it was first brought into evidence during the sky pier arc. This fruit takes its name directly from the Japanese word for horse being uma. This word is so basic that it even has a hokanji to itself and if you look very carefully it even looks like a horse. See here are its legs and here's the rest of the horse. Oh and look here's an entire table of horses just look at them go. But getting into the benefits of joining the equine kingdom I think it's fairly safe to say that the physical offerings of a horse surpass that of humanity in near every way. For example if one was going to invoke the full beast form of the Umu-Uma Nomi then they would have access to an average galloping speed of anywhere between 40 to 48 kilometers per hour. A speed that makes us look like turtles in comparison. However there is potential to travel even faster as the highest speed ever recorded for a horse was just over 70 kilometers an hour. And another massive boost comes in the form of strength as horses are capable of pulling up to three times their own weight. Now due to the wide variety of clip-clop naneys there are out there in the world it's very difficult to put an average on what that weight may be. But horses can weigh anywhere between 380 kilos to an entire ton. So just looking on the lower end of that spectrum a user of the Umu-Uma Nomi should expect to at least be able to pull over a ton in their full beast form. But there is the amazing potential for that number to end up anywhere between that and three tons. Now we obviously can't expect the full extent of that to still be the case for the human horse hybrid form but let's rather scientifically make the ascitation that becoming a half horse allows you to access half of that strength. Makes sense here. Once again at the lower end of the spectrum we're still looking at being able to deal with weight of well over a ton. Now I don't know how much you lift bro but the heaviest deadlift ever recorded was 457.5 kilograms and the lifter Andy Bolton was only able to lift it from the floor to his thighs.  For a user of the Umu-Uma Nomi it is a lazy effort on a Sunday morning because you'd more than likely rather still be asleep. Speaking of the hybrid form though my original thought was that the user would turn out looking something vaguely centaur shaped but that doesn't make a huge amount of sense because it would involve the user growing extra legs and yes sadly I think it's more likely that the human beast hybrid would look more like a fawn and yes I know that's a goat human hybrid but just replace the goat legs with horse legs and she'll be right mate. I mean it's either that or Bojack Horseman really so pick your poison. But with that let's go in completely the opposite direction and examine how Pierre makes use of the Umu-Uma Nomi. As a bird Pierre's hybrid transformation turns him essentially into a pink pulk adopted Pegasus. Now it does need to be noted that this entire devil fruit essentially goes towards serving a joke in the series and from a narrative perspective Pierre only has these powers so that his master gone for can claim that he rides a Pegasus. Pierre never really uses his horse abilities for any benefit or any benefit that he could not achieve in his regular bird form anyway. So it's entirely aesthetic which is a shame because as I've stated already there is a ton of potential with the Umu-Uma Nomi for use in this world but at the same time I do have to admit that I really do enjoy the Pegasus joke. As for the awakening I think this one is pretty clear primarily because we've already seen and awakens own user with similar abilities that being one of the J. Lebeson impaled down. Now to be clear Minotaurus had eaten some sort of cow fruit but I don't see the awakening of the Umu-Uma Nomi playing out that much differently. You would fundamentally become some kind of Minotaur-esque creature with truly absurd strength and incredible recovery. Depending on the exact breed of the horse the Umu-Uma Nomi turns the user into it may even allow the user to gain full control of their awakened form significantly easier due to the fact that many breeds of horse are docile in nature.  Some other miscellaneous things to consider when becoming a horse human. Due to horses having eyes on both sides of their head they actually possess a sort of 360 degree vision which it isn't a technical 360 degrees but it is still absolutely exceptional.  While it's a common belief that horses always sleep standing up this is far from the truth as they will lie down to get some of that sweet sweet REM sleep as well as for general comfort. Male and female users of the Umu-Uma Nomi may experience the effects of this devil fruit differently particularly in the dental region as male horses have 40 teeth while female horses have 36. Whether or not this actually impacts you at all whatsoever is debatable but I needed another miscellaneous fact. So looking at our results what we have is a devil fruit with a lot of raw physical potential. Upon consuming it you are a very stock standard superhuman which is great although the fruit was not displayed particularly well or well at all in the series should not be underestimated just because it was used as a joke. The core concept of the Umu-Uma Nomi grants the user some pretty serious power and look maybe just maybe you have a hankering for some hay here and there but overall it's a very solid zoan fruit and with that we are going to commit the Umu-Uma Nomi to the devil fruit encyclopedia. Next week we'll be looking at one of the fruits you've all been waiting for the true power encountered within the realm of the sky the Goro Goro Nomi. If you enjoyed this video and the content this channel produced in general then please do consider donating to the Grand Line review Patreon because the support of all of your amazing people is what continues to make this channel possible. Also do check out my Teespring store if you're interested in shirts hoodies and other miscellaneous items but the proceeds going directly to support the channel as well and if you'd like to join the fun at any time then please do head over to my Discord server where a wide array of shenanigan retakes place on a daily basis and finally please do comment with your thoughts on the Umu-Uma Nomi. This has been the Grand Line review and I'll see you next time.


video.com and get in touch that way and as I say if you know someone's looking at a spot on the show the same thing just get in touch but as I say we are booked up right into September now as we stand but we'd love to hear from everybody all styles of music and this day is a two weeks, jimmy of three weeks we are out and about we are Monday night sessions live show coming from Blake's bar in letter Kenny where we had our Christmas show and we're really really looking forward to that it's going to be a bit of a crack. It's Monday the 21st of November November where am I going August and if it's anything like the last night we were there it was just the crack was good we have a lineup we have the brilliant the legendary Brendan Quinn will be popping along and who else jimmy's left my head now? Oh Dermot Burn and his daughter that's right we're really looking forward to that Dermot's great musician as well and we have a another so we can't say too much about a another this day but pop along it's an open door come down and see us as I say we'll be live we'll have loads of giveaways and stuff like that too I don't know what we're giving away but we'll be giving away loads and it kicks off eight o'clock Monday 21st of August here in letter Kenny right we move on to our next guest and we say hello and welcome to Lorke D and its own and Lorcan and Jason hello to you all folks. Hi how are you doing Paul? It's going good. It's on Don Ellen. Donlyn. Donlyn. Donlyn. And is that a local name here? It's Galway name. Galway name. Sir Dad's from Galway Swaze. Oh right right are you based here in letter Kenny? No I'm based in Glenfun so we're from Glenfun but Dad is out there. Ah good stuff. So Lorcan and Jason of course you're you're not too far from here on me. Ah yeah yeah Barba Faye as well. Barba Faye man is right. Keep him well. Keep him the best. Nice to be back. That's nice to have you back. Lorcan give us a quick insight just if you don't mind your band and Martellos. Yeah. You flew over you flew over from London yesterday. Flew over from London yesterday. I'm just back. This band beside me owns going to Australia in a few weeks so just back to spend a week with him. But yeah Martellos so it's myself and my band mate Kevin Gunnigan. He's a my old man himself. We met in Galway where we went to college and we kind of have been making music since then music since then like just in the last two years sort of since the pandemic especially. Kind of started like focusing our efforts on this indie electro thing that we have going. So that's the project that we're on at the moment and yeah it's going good. Are you working over there Lorcan are you full-time musician? I'm in between jobs yeah I'm trying to be a full-time musician but I need to work on bars and stuff. Of course. And has the gig in seen good over there tonight? It is yeah I've played a couple of other bands as well. Mixer and Ardo and I play with Jason's band as well whenever I'm home and get time. So it does be a gig like but yeah just find the balance I think is can be quite difficult at times. I know I know. Oh and yourself you're heading to Australia? I am. I'm going to Perth two weeks time. I'm working in the hospital over there so. Have you been there before? Have not. No you haven't. I'm looking forward to the experience definitely. You have a job lined up in a minute? Job lined up. Excellent. Job lined up. No accommodation yet right now. No word of doubt. We'll get that sorted. If you're working in a hospital you'll be gone. You won't need accommodation. A lot of people heading out there hey I was just listening to a lot of coverage over the last couple of weeks because of the ladies football and the amount of people that are out and Perth in it especially I know my own family lived out there for quite a while and it's great to see it but a big Irish community out there but I don't think you'll be without accommodation for too long. But anyway listen welcome we're going to get into piece of music first and what are you going to do first or what? I think we're going to play we have myself and Kevin have a three song EP coming out yeah at the end of the summer we just released West two weeks ago Jimmy actually gave it his first spin on the radio there two weeks ago and we have another song 95 coming out at the end of this month so this is the the one that's not coming out this month this is called another and these are these are all originals yeah all originals yeah and who does the main song write in this? Well I write the words in the guitar normally but Kevin comes up with like the beat so he would count the percussion the synths the bass the sort of the fundamental stuff and then we kind of just we kind of both finish it off then ready from there like if I write something terrible he'd tell me like this is a bit more collaborative than you think like well listen we're we're looking forward to hearing this whenever you're ready yeah thank you have it launched or you're launching it? No it's coming out at the end of the summer yeah so it's called Strawberry Blonde by uh just I guess the prominence of like mental health struggles and Mayu went on to go to the places where we're from and he says that's kind of what's inspired it and yeah I guess it's sort of like tracks the progress of some from the eyes of somebody going through something um over three tracks and this yeah they're the one sort of thing yeah that's the sort of the general theme uh and then there's three different tracks at different points I guess along that journey but yeah that's the general theme. Where'd you record that? In this man's shed actually. On a snowy January day. It sounds so professional in this man's shed. We're standing under the rain and decided to go. Time to be alive. What have you just have you a bit of a studio there? It's not just a shed. No it's not simply just a shed. There's a few wee bits in there yeah um but no it's grand. It's grand for just recording bits and pieces out there. It's fun to do it as well get different people out new perspectives. Do you do much work on there uh you know regarding your own music and stuff? I do yeah I do but I'm going through a bit of a dry spell at the minute now. Unmotivated spell but it's nice to have this man back and be playing a couple tunes again of course um so yeah now hopefully if you. The motivation will come back when it comes back. You're not under pressure so you know exactly not definitely not under pressure. Absolutely. So Morgan how long have you been living out in London? There are four years now right it's like two weeks but uh but I suppose a lot of that was COVID two it came on for eight months in COVID times and then when I got back there it was I was still pretty much locked down like and yeah it's what doesn't. It's been very broken up that kind of way but uh four years now in two weeks time. And you say you know you play with yourself uh and uh Kevin is it? Yeah myself and Kevin are Martellos. Martellos yeah right and so you must be busy if you're playing with all our bands as well. I do be busy enough now um yeah do be super busy. I'll be a comment my friends will often make will be a bit of a spare moment for them. And uh you know your song or your song style um where do you get the inspiration for that? Is it is a certain artist you follow or a certain artist? For the Martellos project uh I think from my point of view I don't know I found that question very difficult to be honest but I would have grown up like listening to a lot of JMT and I love like our sweatshirt as well but he's a rapper but more like what he does with words I suppose than his actual sound. Helping your song right like yeah that kind of way like like actually the word part of it. Which you did say between yourself and Kevin one is to the words and one is to the. So it's two very different maybe more influenced by LCD sound system and time on Pala. A lot of people thought we'd like the chemical brothers and underworld were like ones that people said that West reminded them of um from the production side of things. So I guess like he is his own influence and so do I and it's the combination makes it a little bit different. That's good. Do you get a chance to you know what the Martellos do you get a chance to play do you play totally your own music or or you know what way do you work with that? It's all original. We played a gig on Friday night there in the old dispensary in Canberra and we played four originals four or five originals and a cover because that's just kind of what brought us up to the time slot really. But yeah we would throw on a cover as well like pretty nice but it was all original yeah. And uh you know are you building up a kind of a clientele they're watching you or do you know what I mean? Yeah that was our first gig actually but uh so yeah trying to the last song went out west pretty well and like RT radio Jenny Green was playing it and a few other producers there so yeah I guess that's the plan out of the summer is just to build some hype and gig more and why not these tunes out and why not. Come here uh another track we're going to get another song for me you know. Yeah so that's all we have actually for Martellos at the moment but we're gonna play the track that I play kind of more singer song ready stuff. Will the EP be a big launch or yeah well hopefully that's the plan. That's always the plan. I'm hoping for international stardom. It modestly says. So Lord D is actually expecting it. The Lord D projects. What are we talking here? What style are we talking about? More singer song ready stuff so Jason actually like has a few songs out that we can work on together. Okay. And we're gonna play one of them as well. Should we play that now will we? Ah go for it now. What do you reckon? Ah I suppose I should why not. Why not. Why not. This song is called Get Down and when do we write it last year? Last year yeah right last year in Jason's EP. My EP yeah yeah we'll just give it a go. One two three four. We go for a dance but my mind is other plans I know I know I know and get down I just want to sit down by the side of the tree by the tree and get down. And Jason Deary. That's what we wrote together. Ah you don't have to include me it's fine. That's all I love the way he's brilliant. Thanks. Cheers thank you very much. Have you released that? That's out in Spotify yeah if you're just under Jason Deary Spotify YouTube. Have you much music on Jason? Ah there's two EP's out there so yeah I'm sure if you surfed through it you might find something you like. He says modestly. A great I just loved it with the two voices they worked on very very well you know. No not yours. I love your guitar Lorcan. Give us a what kind of guitar is this? Where's the guitar there actually? It's Adam Mass. It's a card and fiber. It's a fiberglass. Beautiful. It's got a warp neck actually and we're just talking about this. But it's very hard to get fixed because it's fiberglass. It sounds nice as a main thing. I don't think you have Jason what's the story? This raggedy thing over here. What is it Jason? It's an awkward question. It's called sire. I don't even think they make these anymore. It's from somewhere over there anyway. It sounds nice just know we're gonna do too much euro. No we're going to get another song from you if you don't mind. So you have time for two or one? You can do one and you do cover then after that. That's right. We have to go ten you see. We did prepare like a load more songs but we kind of tried to pick the best. Well listen we wanted to do a private session we could do in the town somewhere and get on the bar. Lorcan where are you getting next? Next gig I have was with Martellos on the 26th of August and we've got the best song off the EP we think called 95 is coming out on the 25th of August so that's our two big landmarks now coming up. The best look that. What about yourself Jason? I was playing I don't even think I have any gigs lined up by. Very lazy. Sorry I wish I had something to remote. You can see your dry spot in the writing and everything else is just moseying moseying on to you. Moseying on to you. Moseying on to you. Moseying on to you. I got a job recently. I think it's bad. Ah big boys. Big boys stuff. Oh left on the song about it. Listen Lorcan the next track is. The next track is a song called Westside it's not released it's a larfty song and it's kind of about Balboffay really I suppose but more or less. Inspired bit anyway. Bye. Picking up through the underground. Looking over each other's shoulders and open no one notices the smoke that we're blowing. No idea where we're going. It's all about belonging then some guy. He comes around the corner. I'm hoping he done. It's time to fly. I'm running away. I'm thinking I don't want to go but I wish I never came. 3am in the morning. Kissing under glistening rain. Under a straight light. A ground one elongated shadow of two people who had done wrong on both sides. There's fault and pain. We kiss till the rush and the hearth's delayed till the morning. At least that's what we'll say. Until the tears stray, here's your getaway. We're lost at sea. Where the storms obey as I felt hurt. I press against man. I don't want to go but I wish I never- Crag and Cheep. And that is going to be on the EP. Nah, that's a log D song now, so it's very confusing. All these alter eagles. All these alter eagles. I can see a big buster between log D and the mortellos, I mean. I can't miss it. Right, the rivals should work over a quicker. What's the cover? The cover is called Freefall by Rainbow Kitten Spray. Brilliant. 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And we are in studio, we are joined in studio by Lorkin and Owen and Jason Lorkty and the Martellos. You probably think there's a whole crowd of people in here, but there's not, there's just the three of us. Anyway, the final song, once again, the cover Lorkin is what? It's called Free Fall by Rainbow Kitten Surprise. We'd love to hear this. It comes said to the devil, devil, do you like drums? Do you like cigarettes? Dominals Romney says only Sunday and Sunday's Christmas. Sometimes then when I need a new friend, no, and again I can never hope to keep them. Thoughts of good friends, what I thought that they wanted. Never have they needed a good friend as I've been. Don't get me venting on friends, I'll resent you because all you ever been has been a noose to hang on to. They thought it was a necklace and reckless, they fell into hell. Bull fang with nothing to do about scratch kick. The gravity went like this, the gravity went like you can leave it all behind. Even the devil needs time alone sometime. You can let it all go, you can let it all go. It's called Free Fall, Free Fall.  Keep about your wits, now keep about your wits. Know yourself and who you came in with.  I can't even count how many souls I made from the same deal you are. But remember, the devil ain't a friend and no one. So fine, you can let it all go. It's called Free Fall, Free Fall. What a story to tell.  That shit's easy, let me show you how it's like. That's it then. Well, can I just say a big thank you to my brother, Owens Woodman Slay and Jason for coming up with me tonight. Thank you very much, Logan. Our love to originality, you know, you have something special there and it's a good long way to continue. The best luck was the gigging, the best luck with the EP launch. Thanks for having us. And as I say, Jason, and own the best luck in Australia. Thank you very much. And if anybody's listening in Australia and you've got a spare bed, somebody could be there with you. So you're available on what platform can we get you on? Spotify. I think you're in there, I suppose, whatever else is out there. YouTube. YouTube actually, but... Everything else. Everything else. Thank you very much. Thank you very much.


My name is Janet and I have been an elementary school teacher for 20 years and let me tell you when they ask me to come and talk to them about making videos of the lessons I love to teach every day I was apprehensive but let me tell you the reality it's very simple and it's a simply magnificent way to impact the world we can connect with teachers everywhere and share our ideas and create a global community for educators all it takes is three simple steps choose your setting set up and record and then your genius is being shared all over the world the first step in your video process is choosing your setting almost any setting will work it could be your classroom it could be a room at your school it could be a room in your house it can be anywhere you are the most comfortable working also the rooms should be quiet with good lighting so that we can see and hear the wonderful lessons you are sharing the second step in the process of creating fabulous videos is your setup any digital camera will work any device that you can video on will be perfect but we will be honest the ones that most of us use here that we have made the videos on as our cell phone that we know how to use them and they take fabulous videos make sure the camera is steady you can use a tripod if you have one you can stack up some books and lean it against a coffee cup if you are using props you want to make sure all of your props are in the frame the final step in the process of making a video to share our ideas with others is the recording piece and guess what that might be the easiest piece there i'm not kidding it's not that hard but the main point i want you to understand is that we are not actors and actresses we are teachers and your video does not not have to be perfect we do have a few tips for you while recording make sure you speak loudly and in a and use a clear comfortable pace not too fast but not too slow think of your children in your classroom and just talk to them once you have your setting framed and you're ready to go sit down take a deep breath reach over push the record button compose yourself and teach us your magnificent lesson once the lesson's over pause for a moment smile reach over and stop the recording that's it that's all it takes to share your wonderful lessons that you are teaching every day all your video needs to do is be uploaded and you are on your way to sharing your ideas with the world enjoy making your video have fun with it you are helping millions of teachers and children around the world welcome to the teach for life movement