You could plug into the electricity if you want. I think I have enough, because it's better to use this one. Can I use this one? Yeah, you can, of course. Okay, you can try it. So this is leg slide? Yeah. And here still has a laser pointer if you want it. I can give the presenters feedback on what they said, what they did. There will be a prize at the end for them, so it will help if you vote for the best presentation. Also, don't forget about the lightning talks. You can propose topics. You can vote on topics. They're at 6.10. So if you want to participate, go for it. But for now, let me introduce Orya. She'll be talking about steps. Hello. I'm sorry, this is my voice. It's a bit low, and I got a call, so I hope if you cannot hear me, just... No, we can just talk to you, it's okay. Okay, great. So I'm Orya. I'm working with that in the same team. I'm currently working on the Redo's Gateway, and I'm going to talk to you about it today. I will experiment with what is SEF. For those who don't know, who knows your SEF? So who knows why SEF is called SEF? Yeah, so it's a family of animals in the sea. I'm not exactly sure. And that's why the SEF symbol is an octopus. So SEF, SEF is an open source project. It's software-defined storage, which all... You all heard this name a lot. Who knows what software-defined storage is? And yeah, good, some, because I'm not sure. Well, the idea is not it's just software, but it actually can fit different architectures and it fits itself to the hardware and not the hardware to the storage. Unlike many systems that actually are only software, but match specific hardware. You cannot install them everywhere. It is written mostly in C++. It's a distributed storage system, which I believe is the way to build storage because we are talking storage is increasing all the time. And many years ago, I was in SATA recording some exanet because exa was such a huge amount of storage and we're actually going to get there soon. I'm guessing there will be exa by storage. Beta is quite common. It doesn't, like every this good distribution system, it doesn't have a Singapore failure. It was built to be massively scalable. So that's mean it's not for small size of nodes. It's for a big cloud. It won't perform well if you use it on two, three nodes. It's for really large number of nodes and if you're not planning to really be large, you should choose other system. And because it was built for really large number of nodes, you cannot expect the user to handle errors. And there will be, because when you talk about thousand nodes, nodes will fail, hard disk will fail, your problems in the networks. Everything going to happen. So you need self-healing and it fixes itself. And it allows you to have a unified storage API so you can access it using file, block and object. A little bit of architecture. The base of SATA is RADOS, reliable autonomous distributed object storage. And that's actually, it does the replication and the distribution of data. On top of it, we have Lib RADOS, which is an API library to access RADOS directly. And it has C, C++, Java, Python. And on top of it, it's the free way we access storage. So we have C++ to access using a file system. We have RBD, which is what's commonly used in OpenStack. It's the block storage. There are two ways to use RBD. Lib RBD completely integrated into KMU. And KRBD, which is the kernel driver. And what I'm going to talk about today is the RADOS gateway, to provide a cloud object storage like S3, like Amazon S3. So we're going to talk about RADOS. So RADOS is responsible for the replication. It's an object storage, but it's not like a cloud object storage. It doesn't have RESTful API. It's really, it's a flat name space. Objects are divided into, you have pools and object reside in a pool. It's a, it slowly consists the system. And you can actually define the, define the placement algorithm depending on your topology. You can actually say that you want two copies not to reside on the same rack because you don't want two nodes on the same rack failure. And the placement algorithm is high space to allow really fast access. And it's called CRASH. And it's allow, and actually client of RADOS actually use the little RADOS to directly access the data. There's two types of nodes. First one OSD is the storage node. It's a very smart storage node. Usually in a cluster you have large number of OSDs between 10s and 10,000s. You define an OSD per disk or a red group if you want to. Clients actually get the data from the OSDs and it does all the replication and the cell filling itself. You have monitor nodes that, you have small number of odd monitor nodes. The reason for odd number is because we need chrome in case of petition. And that monitor all it does, it maintains the membership of the cluster. And we use a gossip protocol that doesn't have to spread it to all the OSDs because when OSD interacts with monitor, the actual monitor gives them the information and the other OSDs move the data all around. Client do not access the monitor directly. So objects are divided into pool. You can say a pool can have different replication. You can say this pool will have three copies, this one they have two. You can have different placements for pools, different access controllers. In order to access the object to know which OSD, under the object actually, we have what we call Placement Group. Placement Group is a group of OSDs and they have actually the data. So if you have three-way replication, we have three OSDs in Placement Group. And we use cross-angle with the object name to actually find which Placement Group the object belongs to. And the cross-angle is actually dynamic and when you add nodes or add OSDs, it changes the actual results in the right way. The cross is quite complex, I think we skip it. So the API libraries allows us, first of all, allows us a single atomic object transaction. That means you can actually update metadata and attributes to an object in one operation and it will be atomic. You also can have key value storage inside an object. You have snapshots and it allows partial override of existing data, a big difference from other object storage. And we have something like stored purchases in a database, we call those RADS classes. They actually allow you to give a piece of code that will run inside the OSD when the object is written to. You can also have a watch notify events when the object is changed. So a little bit of cloud of storage. Who knows Amazon S3 or you used it? Swift, OpenStack Swift. Those are all cloud of storage. They're also a Google compute storage. Or Google cloud storage. The API always restores API, HTTP based. You have users in Amazon and in Swift you also have tenants. It actually is like a big user that allows sharing between data between different users. You authenticate to the cloud. Amazon uses the key secrets. Swift actually password. You can give access control to objects. That means some user can write. Only some user can reread. You divide the data into buckets. Swift calls those containers, but the same. They're similar in some way to pools. But they're a bit different. I'll talk about the difference later. You have objects. Objects are like something between file and block. If block is just the data, objects also have metadata and attributes. But it's still a flat namespace. You have object in a bucket. Bucket as a name, object as a name. There are things up there, not like file system that can go on. The main example is actually Swift and Google cloud storage. There's a bit example of how you use it. This is a Swift, but Swift is quite similar. You add Swift and version. That's a simple HTTP request. You use that HTTP editor to pass the key. Not simple as it, because it's a hash, but you don't put a secret in plain text. But everything goes through the HTTP protocol. For example, to create a bucket, you just put a bucket name. You get a button to use get. To delete, you delete. If you create an object, the only difference is actually you give two names. We know that it's an object and not a bucket. Because we have just two levels. You can copy objects, read and delete it. Now we're going to talk why do we need a special service and cannot access radios directly in order to implement S3 or Swift? First of all, Radios Gateway keeps all the state inside of the Radios cluster. It's completely stateless. You can actually scale it out. If you have lots of clients, you can have many Radios Gateway on the same Radios cluster. Let him finish there. And all the data is kept in the Radios cluster. So even if one Gateway falls, you can just spin another one, and it will read everything from the Radios cluster when it needs it. So today we have a squad simple way to declare Radios Gateway. In the Gateway, you just use safety floor, and this is one line, and you can do also prepare and then activate, but it's quite basic. This line actually runs free Radios Gateway. In order to use the Gateway, you also need to create a user for S3, and this will generate automatically the secret and the key that we need in order to access the cluster. This is the example for Swift. Swift will have sub-user because there's a tenant, but it's quite simple. This is the main component of Radios Gateway. The idea is to make it as layered as possible, but like always, sometimes you need to skip layers. That's the way it happens. So first of all, Radios Gateway, we want HTTP, so we need some way to actually access Radios within HTTP. So that's the front-end. It's actually implement HTTP. You have two ways. First way is using an external web server, like Apache or NGNX. We have the fastest GI. You need to enable the fastest GI in the Apache and integrate with it. Then we have an embedded web server, a bit simpler, Swift web, and in that case, you don't need anything. You just run the gateway and you run the web server inside. We have the layer to actually translate the dialect because all in all, the different REST API are different, but they are similar. So we don't want to duplicate code. So we have layer for each, translating each dialect. And underneath, the execution layer is common, and when you create an object, it creates almost the same for Swift or for S3. In that way, it means that you can also access objects with different dialects. You create an object in S3 and actually, you already boot Swift. If you have users, you need the same user. Or the other way. We have a special layer we call RGW-Redis. That actually maintains the data we need in Redis. We'll go a bit more to detail about all the things we need, but we support really, really large objects because Swift limitation is five terra per object. So that means we need striping of the objects. We need to do atomic override because cloud object storage doesn't allow it to write inside an object. We need to have fast access to buckets to see which objects are in the bucket. That means we need to index the bucket. And it also runs the object class, which is like sort of particular in the RSD. We have a quarter component. We have user and quarter per user and quarter per bucket. Authentication, it's actually more complicated because Swift, NS3, and Google all do different authentication. So we need to handle each one differently and to support different authentication. And because objects are large, we don't want to... We want the liter operation to be efficient.  So actually when you delete an object, the operation finish immediately, but it will take time for the space to free. Citizens. So we need to keep user data, bucket data, object and SCLs per user. So why did we just do the web server and then translate maybe the REST API to command, why do we need the REST gateway? The main difference is the product limits the object size. It's a few giga. Objects are mutable and they are not indexed inside the pool. And you don't have a CL for a per object like the cloud source needs. So if you compare it to REST, we have really large object, few teras. They are mutable. They are indexed to bucket, so listing the content of bucket would be fast and we need all the permissions to be flexible. So first problem is large object. How would we support really, really large objects? We want that small object access would be fast. We want to have fast access to the metadata when you list content of bucket or stats on an object, but we still want to keep really, really large objects. So how do we do it? So object is actually not one reduce object. It's several. There will always be head object. It will contain all the metadata and the attributes. Some are user also. And it's like a manifest. Swift also has a manifest for its large object. And for small object, the data can be in the head up to half a mega. And then you have a tell. It could be one or more object or zero actually for small object. Where this object, and that's the rest of the data. The strike date. Usually the strike size is four mega, but you can configure it to be larger or smaller. Now we have the naming. So we need to identify the object head. So it's just the bucket index, a bucket instant ID and the object name. This is object two. And the bucket is ID is final trajectory. We have a bucket ID because user can rename the bucket. So we cannot use the bucket name as an identified file, but each bucket has a unique ID and we use that. And the tell will look quite similar. It will start with the bucket ID, but then something French. It's a unique ID. And then numbering means part one, part two, and so on. In order to actually list which object are in the bucket, the bucket, we cannot just have a... We need some way, something like similar to directory, a way to actually see the list of all the objects inside this bucket. We use the key value that Reducer gives us. So inside the bucket index, we have a key map value of the objects. And that's where we can list buckets quite quickly. Because we allow a large number of objects, we need some time to chart the bucket index, and there will actually be several objects charted. Object creation... Now, because the object is not one Reducer object, we need to think about the creation of creation. So we actually need to create the head, create the tell object, how many we need, and to update the bucket index. It's quite similar to create a file. It has the same problem when you create a file. You also need to update the directory. And in case of Reducer, we don't have an atomic compression of several different objects. But we need to have consistency. If we, let's say, start and create the object, update the bucket index, but not create the head, then the user can list objects in the bucket and see an object that doesn't exist, but will not have the object. And in other case, if we create the head first, but not update the bucket index, then the user will see it when he lists the bucket, but he can actually have an object. So this is... So we do something like two-phase commit. We first create the tail of the bucket, because that's something users cannot see.  Then we add an entry to the bucket index, but it's not a full entry. We mark it as prepared. Then we write the head. And only after everything is complete and we know that the head is complete, we change the object to be complete. And then it's a regular object. This way we can handle all failure in each stage. The next part is quota. So we are talking about the distributed system. We have quota per user and quota per bucket. So that means every time a user writes an object, we need to update its quota. And it could be from any gateway in the cluster. And we have several. So if we... Each gateway would actually update the quota itself, then we need some locking. Here comes the radius classes. So instead of actually doing... Update the quota every time an object is written in the gateway, it's done in the OSD. So when the objects you write to the object, it runs the code and the code updates the quota. And then we check that when we read the quota, it's already updated. And this way we don't need to do any locking. And it's completely distributed and it can scale. To make things a bit complicated, we need performance, even if... So we have, like, user data is accessed all the time. Every time you actually do any request, you do some authentication. That's what we need to see if the user has the permission to check the key secret if it's okay. And also the bucket is always accessed every time you add an object or even produce a list. So we have a cache layer. Each radius gateway has its own cache. But again, we are distributed. So we need some way to invalidate the cache. Luckily, Redis has watch-notify mechanism. That means that in every metadata we have in the cache, we register on it and every time it will be updated, there will be an event and the gateway can update it and invalidate it. So, multi-site. So currently, actually, multi-site is what we call a girl application of Redis gateway. We allow to have two different girl graphical zone, a region, we call it regions. Two different regions, be apart. And actually you can write one and see the changes in the other for disaster recovery. We call it multi-site. This is the core implementation. So a region is a girl graphical logical, logical girl graphic place. You have the east and west, for example. There are different regions because there are different Redis clusters. And in each region, we can have one or more zones. If you have, in this example, for example, we have one region that has one zone and a different region that also has one zone. And you have a replication between east to west. And you can actually add the third region. So in every setup, we have one master region. This is the region that has all the metadata. And we have, in each region, one master zone. This is the active zone. If you have several other zones in the same region, they will be replicated, but they will be read-only. They will be passive. Let's talk about how you actually set up the setup. So you need to create a region to say if it's a master, it's all done in JSON. And you need to update what you call region map and create a zone also and update the zone map. And you need to create user for its zone and update all the zones. And we start the gateway. That's the way it's done today. It's complicated. It works fine, but it's complicated. So we actually, what we're doing today, is trying to simplify everything and make it like more simple commands. It's working progress, so I can't display it yet, but it will be much simpler. So today we have the sync engine. It's an external utility. It's written in Python, and it does actually the synchronization between the different regions. So we have, let's say, we need to sync between IS-1 and IS-2. So the sync agent reads the metadata from IS-1, and then we see, send the data, the metadata to IS-2. And in case of the zone, it's actually tells IS-2, please read the data from IS-1 and sync with it. This is the first time we have a full sync, and then it continues to do incremental sync all the way when you have updates. In this architecture, we can only support active-passive because of the way it would build. Anyone used the sync engine? No? So the sync agent today is fine, but you only support active-passive. We actually want active-active. So an external utility cannot handle it, so we are actually writing everything again inside the gateway. This hopefully will be a tech preview in the next version in Juul, but I still don't know. So that's the problem with active-passive. So first of all, what's next? I think we need to add. We need the multi-tenancy. A tenet is a swift as a notion of tenet. Tenet is like a big user, a super user, that all the user can share the buckets between if they are the same tenets. So we add multi-tenets support. We add object exploration.  This way you can save space, and after a moment you're deleted. We're going to support AWS 4. Next version. NFS. So user requested NFS on RGW, which is not great fit because RGW is object storage. It's not file system. So in order to implement NFS, we choose to use NFS Ganesha, which there will be a talk later today. But NFS Ganesha needs some API to actually talk with the gateway, and those APIs should be file-based and allow operation. It looks like file system. So we created a LibRGW. It's a library. We could say it's similar to LibRBD, so you can actually talk with RGW directly. But it has the API that looks like file and directory API. You can do lookup. You can do, like, redo. It's all emulated on the NIF. And this way, Ganesha can actually talk with LibRGW to the gateway. It's one process. It's a library, so you link Ganesha together. And this way you'll have NFS by using RGW. Static Reptiles, we do main support. Keystone v3 opens stack as a new version. We need to integrate, so there will be Keystone v3 support. And we're going to support Swift large objects, which is as a limit of a few gigabytes, if I remember per object. So Swift large object, actually, it's the way they stripped the object in order to support large objects. We're going to support both static large object and dynamic large object. And we implemented multi-site. There will be a new implementation. It will be, hopefully, a simpler configuration. There was an email a few weeks ago showing an example. If everybody wants to look at the safety belt, you'll see the new API. It will be much simpler. No JSON. We were requested to rename region to zone group because it's small. And it will have active, active support because it will be inside the gateway. And that's it. Any questions? Yes? It will be in dual. I hope so. Yes, it's very short time, but it should be. It's in review. Any more questions? I have a... Any more questions? Safe journey, you can ask on other stuff. Upload me the slides, please. Ah! I'll be there a little bit later. So, I'm going to meet John. So, I wanted to, maybe I will, sometime, like, ask him, how are you? I'm already good. So maybe I'll just, you know, Hello. Hi. So, we are, are you using? Using. It's hard, yeah, you can say. It's hard name for the partners. Thank you. Good job. Thank you. No, it's very good job. Thank you very much. Thank you. I think we're new to this one. No, some people don't know. Can you kind of... Yeah. This is... This is the thing. This is right there. All right, what's up, man? If we could... Before we start, we wanted to do a test for another presentation to see if the video format is okay. So after everything is set up for you, just quickly... Yeah, use the VGA to test. You go and test now. Test now. I'm sorry, I'm already addicted. Go for it. I don't expect you to have it. But yeah, that would be better than... Oh, great. Thank you. Can you push it back? Well, you have to do it. It's going to be... What you see there is what you can see. Okay. Again, what you see there is what you can see. If it's gonna... Well, it's a little bit kind of like more here. So... It's only here. Yeah, but it is quite... Okay. You will be on the stage and shoot... Okay. Why is this big? I mean, just to be pleasant to the eye. No problem. Have fun tomorrow. Do you have any scarves for the questioners? Sure. So, they are pretty, but if you won't... You can give more. Okay. Okay. Where are the reporters? On YouTube. So, if you go on YouTube, the Red Hat CZ, or no, Red Hat Check, YouTube channel, you'll see the streams and the recordings after them. Thank you. I wonder where they work. They're on the website, I guess. I think there's stream... Yeah, there's one stream. It's actually a very weird kind of stream because it's one video, one stream, for all the rooms at the same time. For example, on my mobile, I can't select through the streams. I only see the first stream if I want to go to another room, I can't. So, do you see the new technology with the camera? Could be. It was like that last year. So, it's awesome. I mean, the idea is awesome. So, for example, if you want to share the video with somebody, you can't just go directly to the layout. I never use this. Yeah. I'm connected to one layout. Okay. Is this off? No. There we go. That looks better. Okay. So, we... We... It's finished. Really? There's an accent? Yeah, there's an accent like that. Only to the right? Yeah. My Spanish is not that great. Okay. Anything you would like me to say in introduction? Just... I'll give it over to you. Okay. Also, look at this. Well, the previous presentation was done earlier. So, it should have ended now. Okay. Wait till... Nine more minutes. We have nine more minutes. Break, right? We'll wait another eight minutes at least for people to come in. Okay. I have to move the ground. Unfortunately, it can't... It won't. It's not that long. I have the same problem as today. Lift it. So, I don't... What do you want to do? Lift this. Oh, I guess I know your song. Oh, let's see. Another way of doing it. Yes. Ah, we just started singing. Coming in left. So, I just know that this is your part. That's right. Yes. You can consider it a part of your life.  So, I don't want to be... So, I don't want to be... Okay. So, I don't want to be... So, I don't want to be... Ah. Okay. Okay. Okay.


Hello and how are you all today? The question says, find the equation of all lines having slope 2 which are tangent to the curve y is equal to 1 upon x minus 3 where x is not equal to 0. Now, let us quickly proceed with the solution. We have y is equal to 1 upon x minus 3 where x is not equal to 3. Also, we are given slope as equal to 2. So, we have dy by dx equal to minus 1 upon x minus 3 the whole square, right? And we can equate it to the slope 2. So, we have 2 equal to minus 1 upon x minus 3 the whole square. Or we can say that x minus 3 the whole square is equal to minus 1 upon 2. As we know that square of any number is greater than 0. Thus, no tangent to the curve has slope 2. So, this is not justified and therefore we can write our answer as that no tangent to the curve slope. So, this completes the session. Hope you understood why it's not possible and have a nice stay ahead. Thank you.


I liked a girl in my office. I used to smile at her when she was passing by and then she also started to smile and chat. Sometimes she laughed too but when I tried to chat on WhatsApp she said she wasn't interested so I stopped. Then I started calling her on the office phone because she sits in a different department and she talked to me about her projects etc. After two months I called her and I told her that I like her and she said she doesn't want a relationship so I said no problem it's okay and I did not message or call her after that. After one week however our HR said your recent activity is affecting our female staff and warned me of strict action but I didn't say or do anything wrong. Okay let's break this down. You like a girl she smiles at you so you figure that she likes you back. That's okay it's an honest mistake it didn't happen to anyone but then she tells you that she's not interested. You however choose not to hear that no you stop WhatsApping her certainly but now you start to call her on her office line and she figures that okay I've told him I'm not interested I've cleared the situation so she goes ahead and she talks to you about her projects not her personal stuff but you once again take this as a yes. The call to HR was actually very important because who's to say that you would not have misunderstood the same thing again like if she smiled at you the next time or it happened with some other woman in your office. I know you feel really upset right now but I want you to take this instead as a life lesson because you will be for many many years to come working with other women very closely in your office and understanding boundaries is going to be the very first step in your development.


Hi, I'm Maddie Bruins, a business and communication major from Burnie, Texas. Hi, my name is Chloe and I'm a nursing student from Arvada, Colorado. Hi, I'm Cody Klopp, I'm a Biblical Studies major here at CCU and I'm from Colorado Springs, Colorado. Welcome to Colorado Christian University. You're looking for faith-based academics, Division II athletics, a commitment to spiritual formation, and a Christ-centered community. Look no further. And we've got it all right here at the base of the Rocky Mountains. We're excited to show you around campus today. Leprino Hall is our main academic building here on campus. It's home to classrooms, study rooms, and professors' offices. CCU integrates faith in learning and consistently ranks in the top 2% of all universities nationwide. Also, a majority of the professors are currently working in the field that they're teaching in. The first floor of Leprino Hall has flexible seating for socializing, three classrooms, a large multiple-purpose room, and food for thought, a CCU favorite coffee shop completed with food offerings. It's perfect for when you're heading to or just finishing class. The second and third floor have more classrooms, study booths, private study rooms, and the CCU Writing Center, which is another great resource that is free of charge to all students. Our largest classroom on campus seats about 60 students. All classrooms are equipped with modern technology and movable tables and chairs for discussion-oriented learning. With 16 students to one professor ratio, students are able to build Christ-centered relationships with our professors and CCU staff members. And did I mention that there's no school on Fridays? That's right! With classes only four days a week, students are able to have their three-day weekends to study, go to professor's office hours, work, play in the great city of Denver, or escape to the foothills of the beautiful Rocky Mountains that are just 15 minutes away, either direction from campus. The Beckman Center is the main science and engineering building here on campus. Beckman has chemistry and biology labs that allow students to get hands-on experience to help them in their studies. Beckman is also home to our president's office. The president's office doors are glass doors to represent transparency and leadership here at CCU. Beckman is also home to the Centennial Institute, which is a political think-tank here on campus. This resource is here to mobilize ideas on faith, family, and freedom to strengthen America's future. We're here in the Anschute Student Center, one of the newest buildings in the hub of all student activity on campus. With over 60,000 square feet and three stories, there's tons of space for students to gather and fellowship at any time of day. The Anschute's amphitheater, modeled after the Red Rock's outdoor amphitheater, is the perfect place to study, relax, and just hang out in between classes. Students also love to host movie nights and worship nights here. The dining commons, fondly referred to as the CAF by the students, offers various food options inside including a different main course for every meal time, as well as a salad bar, burgers, and specialty dishes from around the globe. We have lots of options for students with dietary restrictions as well.  The Cougariden serves as a quick grab-and-go for students needing a caffeine or a snack fix in between classes. The Great Hall is another option for studying, hanging out with friends, or attending an on-campus event. Students use the game room to decompress after all of their hard work studying. Home to foosball, ping-pong, and pool, this space also has flat-screen TVs that can be used with any gaming platform. Down the hall are the campus activities offices. Campus activities host student gatherings on and off campus, like our annual tradition events, and the Fall and Spring dances. If you were looking for a student leadership position, this is the perfect way to get involved and active on campus. The 5280 Fitness Center is open from very early in the morning until late at night. Our gym includes state-of-the-art workout equipment and certified student-led workout classes such as Zumba, Jazzercise, and Cycling. Staying healthy and fit is easy in this clean and new space. The Campus Bookstore is the perfect place to get all of your CCU swag, and if you visit campus, you will get a discount on your choice of CCU paraphernalia. This is also home to CCU's very own textbook service called Textbook Butler. With this option included in your student account, your required textbooks for each class will be automatically ordered and shipped to your campus apartment, waiting for you when you move in. This incredible service eliminates the hassle of trying to compare textbooks online and dealing with different platforms. One of the greatest conveniences on campus is the CCU Health Center, where there are two registered nurses who are ready and willing to help any student who is sick. As an out-of-state student who does not have a local primary care option, having an on-campus option is a lifesaver. Depending on the availability, you can book an appointment or just walk in. Here we are at Employment Management Services, also known as EMS. EMS works with employers to recruit and select job candidates for their businesses. EMS is a resource that students can go through to look for part-time or full-time positions around the Denver Metro area. EMS helps with mock interviews, resume writing, and they make sure you are comfortable and prepared for an interview. Many businesses around Denver desire to hire CCU students. The Clifton Fowler Library is an important part of academic life here on campus. The librarians and staff, the resources, and the physical and virtual spaces all work together to foster the growth of CCU students. Through an online tool called Prospector, the CCU library has access to thousands of books and millions of online resources that are helpful in gaining knowledge in any subject and field of study. Another great asset available to all CCU students is Book a Librarian. This is a program that allows students to have one-on-one reference services with a librarian to help navigate and select resources that will be helpful for research papers or self-study. The Campus Ministry Department exists to equip and mobilize students to make Christ known around the world. They plan our bi-weekly chapel services that happen on campus, weekly discipleship groups, men and women's ministries, and small community groups for students. Campus Ministries focuses on empowering student leaders to make a difference in our CCU community. The Campus Ministry team also works with local ministries to share the name of Christ in the Denver Metro area and play a part in the Great Commission by sending mission trips across the world every year through our in-house sending agency CCU to the world. An average of 25 trips are sent out throughout each school year to be the hands and feet of Christ. The Life Direction Center is our academic advising arm here at CCU, a resource on campus that equips students for success and helps students discover their calling, purpose and passions. Your first year at CCU, you're assigned a master's level LDC advisor that stays with you throughout your academic career. These advisors help you plan your class schedules, transfer credits, and can even help you find study abroad programs. CCU tutoring services are also housed at the LDC and are free for all students. The LDC has played a huge part in my time here at CCU and has helped me discover my passion for nursing. The CCU Counseling Center is a great resource on campus that offers free Christian counseling. The Center is staffed with two Colorado licensed mental health professionals and master's level interns. The Counseling Center promotes mental health awareness on campus and helps students by offering support during transition to college as well as individual and group counseling. My favorite CCU building is our new simulation lab that was built last year specifically for all of our nursing students. This lab is only five minutes away from the main campus and is a safe place for nursing students to learn. Our mannequins allow us to practice scenarios and skills before we are placed in hospitals for our rotations. This simulation lab has allowed my knowledge as a nursing student to grow and has given me hands-on experience that have taught me confidence and care for my future patients. We are here in the Event Center, home to our NCAA Division II CCU Cougars. The Event Center hosts most of our student gatherings on campus, including chapels, sporting events, and all student body events. We also host chapel on Tuesday and Thursdays in the Event Center, which starts with student-led worship and is followed by world-renowned speakers to inspire students with the word of God. The next place you need to know about on campus are the residence halls. All of our housing on campus is apartment style. By offering common areas in every apartment, like a fully furnished living room and a kitchen, complete with a dining table, our community is fostered. The ratio of resident assistance to students on campus is 24 to 1, which means that CCU students have direct connection with their RA, and it helps to support the community that CCU thrives to achieve. The first level of housing is affectionately known as the row. These apartments are the most cost-effective on campus, offering two-bedroom, one-bathroom layouts for up to four students each. These are the oldest tier of housing, which means they come with the most heritage. The living rooms in the row are the biggest of any on campus, and each apartment has a balcony or walkout patio and a great view of the mountains. The next level of housing is the peaks, which is our mid-tier level of housing, named after Colorado 14ers or 14,000-foot mountains across the state. The peaks apartments offer three-bedroom, two-bathroom layouts for up to six students each. This level of housing is the best of both worlds. You have a lot of community that you look for in the row, but at the same time, some of the additional amenities that you would have in Rockmont or Yetter, which tends to be a good middle ground for people. One of our top-tier levels of housing is Yetter Hall, which students affectionately refer to as the hotel on campus. The Yetter apartments offer three-bedroom, three-bathroom layouts for up to six students each. There's a grab-and-go store on the bottom level when you walk into the building that students can use their meal plans to purchase from. Finally, we have Rockmont Hall, which is also in our top-tier level of housing, and just opened in the fall of 2019. The Rockmont apartments offer three-bedroom, three-bathroom layouts for up to six students each. Two-bedroom, two-bathroom layouts for up to four students, as well as the option of a studio apartment. Each floor has a common area with some of the most spectacular views of the Rocky Mountains. There are also study rooms scattered throughout the building. Rockmont is home to a grab-and-go store, as well as a full pizza restaurant called Arturoz. The basement of Rockmont houses our Residence Life Offices for all of your residential needs, as well as the CCU Security Office, whose services are available 24 hours a day, seven days a week. Hi, I'm Don Sweeting, President of Colorado Christian University. Thanks for checking us out. Hope to see you on campus soon.


What makes this conceptually so much more appealing than some LSTM cell is that we can physically see a separation in tasks. The encoder learns what is English, what is grammar, and more importantly, what is context. The decoder learns how do English words relate to French words. Both of these, even separately, have some underlying understanding of language. And it's because of this understanding that we can pick apart this architecture and build systems that understand language.


it is rock to a life if you're just joining ours thank you so much for keeping us company the hashtag is rock to what if I for keep talking to us and I told you it's halloween it's halloween and this is basic it's a basic look but we're going to be talking to the guy who did this or the chick who did this in a few while but before we do that let me send out some love right here to the guys who are watching the show I have Kei Tani that is Sharon Kei Tani she is watching from Eldorad the city of champions what's up how y'all doing that's what today's show is a total headbanger please play me this is our house buy in flames it is halloween mine it's halloween it's halloween halloween ain't actually not halloween you can just play for people whatever they want right and then I have someone else right here um I have a si raro si raro I know for for kanyaki right not kanyaki kanyaki another band oh all right so he is siri's student he is requesting our fly away by Laney yes and then we have um he's saying he's getting ready for their awards but in the meantime he is tuned in to the show yes today we have rock the first ever rock awards in kanya they're going to be held right here in the civility art room 104 I'm going to be hosting so we're just getting ready we're going to be there and guess who else is watching kanyaki we're talking about kanyaki is right here awesome yeah kanyaki is going to be playing tonight by the way so if you haven't seen him play you have to come through kanyaki I told you he sings gig choir yeah and he's saying rock and he's actually gospel rock so you can actually come check him out tonight he's saying why I feel in I want the art on my face too I got you don't worry just come on tonight yeah she's coming and you have another makeup artist as well carry along some like okay for for today with the spirit of halloween some 200 shillings just 200 bob yeah so sly is right here and we have nissy there's another makeup artist by the name nissy nissy amala is also going to be at the event she's going to be doing makeup so if you want this look or whatever you want just come to the event and they'll definitely sort you right um right I have kinyuti he is still in there as well I have Jackie a big shout out to you and I have someone else right here um mesh toby mesh toby and I say my hello rock tour uh hello guys it's mesh in Mombasa the show is dope please play for me a two princess by spin doctors and chop do you see it's actually chop suya by system of a down yeah I'll be a happy man thanks for always rocking our saturdays you're welcome you're welcome but I don't mind I don't mind it's all good by five years it's still it's gonna be still October so halloween and you guys are so lit I would like some breaking benjamin failure okay breaking benjamin coming your way he's going to be playing after you now keep talking to us we're going to be something some more comments from you guys when we come right back but I told you we have some guests in studio I'm going to go right ahead to introduce them right here I want you to let them introduce themselves would you introduce someone who introduced you introduced in your right now we have Lawrence right here and then he is a cosplaying yeah and he is also the founder of the horror fun club horror film club not fun club yeah horror film it's a it's fun I'm confused no it's films because it's all about horror films he is the founder of that and then we have sly or if you like silvia which one do you prefer silvia or sly slides but okay so I think we're gonna share the mic so after I talk to you you're gonna give it to her then after talk to her just like that right all right so we have Lawrence and we have silvia but let's just do this let me give you a chance you introduce yourself and tell us what you do love best yeah that is even much better than how I'll definitely do it so can you introduce yourself okay my name is Lawrence Wangi who's people call me silvestre the founder of the horror fan club Kenya which is just basically a group of horror movie enthusiasts anything within the horror genre beat video games movies comics yeah we do that for you we also have an event service that we offer for people who are interested in the entire Halloween experience or maybe just a horror themed party anniversary party just anything horror we do it oh nice and we have we have sly kind of introduce yourself reintroduce yourself okay my name is sly uh i'm a makeup artist and i'm also an artist but i think i prefer to just be called an artist an artist yes you're creative i'm a creative yeah i think that's better because it cuts across you can be an actor you can be a presenter you can be a musician yeah it is yeah basically what i do is um creates art like the one you have on your face this just basic face paints yeah and then i also do um canvas paintings oh yeah i do canvas paintings right so like for shoes and stuff i also do shoes that's what i do majorly i do shoes i do clothing art so if you want to order something please feel free to uh to hit me up and check out my instagram and now that you've just mentioned that maybe you should tell people your instagram yes my instagram is okay just hold the mic closely to your yeah right sly underscore art history sly underscore art history that is on instagram that's on instagram i'm only on instagram oh you're only on instagram and then okay so i'll need help just uh hold the mic at the center yeah right much better yeah that's much better all right now we're going to go to lorenz and ask him like uh lorenz it's lorenz right yeah it's actually lorenz now now the first question i know everybody would want to know this i mean why horror like why horror there's like either some other genres of movies like why horror um i think that began last year because professionally i am a filmmaker so uh during the course of my years in film school i realized they had this certain attraction to you know the horror genre so i decided uh it's a niche within the canyon industry within the canyon urban pop culture i was like why let why not introduce this so basically last year we launched the horror fan club you know just to test out the waters and we had a really amazing uh feedback response you know so i'm like uh let us partner with you know cinemas and you know other you know institutions you know to you know introduce their clients to this genre so that's hence um halloween it sounds so dope but another thing you're also a cosplayer is it a cosplay is a cosplay or cosplayer you're cos cos yeah you're cosplay so now the focus you are cosplayer uh how do you even get into that how do you get interested uh in something like that how did that come about uh or basically when i was uh i was taking japanese classes and then one day they had this event where people could cosplay i was like uh why not try this and i saw like some really amazing cosplay costumes during the event i'm like let me try this all you have to do is just make your own costume do your own makeup or have people like slide wait for you just show up and you just get to be someone different for an entire day and that's how i got into cosplay though i majorly i do major on only horror characters or that is but for you events i can come as anyone i don't know how for me if i'm coming for your event i don't have to be to take our a horror character i can be anyone yeah most of the events from the horror fan club are very versatile yeah so all you just have to do you know just choose a particular event that you feel comfortable with you have uh like for example you have marathon nights we have meet and greets at cinemas we you know we have cosplay conventions just pick your pick your pick your taste and whatever you like so what's what's your taste is it like do you prefer like a sewing or armor or like wig making what's yours i'm really shitty in sculpting but mostly it's prosthetics that i really want you know specializing you know blood flesh and bones yes he's because we like that you see he's just like especially today being halloween he's just like yeah that definitely that will work right so it's like what's going on interested uh in uh okay first of all getting into makeup did you start as a gothic makeup artist or did you just start as a kawaiida makeup artist and how what got you interested to start with yeah yeah all right so can you just take the other mic can you just use the other mic right yeah so uh actually my mom my mom is someone who used to like makeup so she was very supportive and i can say i learned quite a few things from her so when i began i also i had some influences from the music i listened to which is it's rock and i had people like huge kids i've known him for a long time so these people actually are the pioneers of this whole rock industry yeah yeah they've been there before way before when they are so i'd say i started out as a makeup artist the usual one then through instagram youtube i learned about many things and uh special effects so that's basically what i do these days and then through special effects i got to learn about doing paintings right yeah great now i know all of you you have like a lot to tell us and i'm looking forward to that we're gonna pay the bills one more time so we're gonna take a very short break just one minute and then come back with my show for you keep it here


In this video, I'm going to talk about that one thing that's going to make you hate your UX job. But more importantly, I'm going to tell you how to avoid that one thing, how to avoid hating your UX job. OK, so I'm going to jump straight into the one thing and not leave it till the end of the video like some YouTubers do. The one thing you're going to hate as a UX designer and it's unavoidable is working with other people. Let that sink in. So let me know in the comments if you're already a UX designer and if one of the things you hate the most about your job is actually always think about just think for a second. What do you hate about your job? What are the things that irritate you? Isn't it always related to having to collaborate with other people, meaning clients, meaning colleagues, your boss, whoever it is, it can even be other UX designers. The answer is yes, right? Like I have friends working at some of the coolest companies in the world at Google, at Facebook, at Apple. And when they complain and when we sit around and have a few drinks and start complaining about our jobs, the number one thing they're complaining about is just the other people that they're working with. And for me, back in my, you know, the beginning of my career, I've been a UX designer now for almost 12 years, but in the beginning of my career and in the first few years, this is also the thing that I just couldn't believe how much I hated. I loved UX design. I love nerding out and making the wireframes and coming up at the just like doing the user test, all of this kind of stuff and actually doing the design work. I loved doing the design work, love sitting down in front of Figma and actually making the stuff. But what I hated was having to pitch this to other people, was having to show these screens to other people like, you know, managers or people who didn't really necessarily understand UX and just having to have arguments with people about why we should do this and why we shouldn't do that. And when I was freelancing, that same thing would happen with clients, you know, you would, you would work on something for a week after getting a, doing a kickoff workshop with the client and then they give you some feedback and you're like, they, that's not what they said they wanted in the beginning. And this feeling of misalignment and this feeling of frustration starts to build and it's crazy to think when I think back, if I think about like the amount of stress, the amount of conflict, the amount of just hatred I had for the work I was doing after a while because of the, you know, collaborating with other people and just how easy it would have been to solve that if I had known what I know now. So I want to help you, if you're new to UX and haven't worked with other people yet, I want to help you avoid these challenges because they can really hurt your career. You can also burn out because of these issues. And if you're already in UX, if you're already a senior UX designer, you might have already tried some of these things, but maybe you haven't. Okay. So the first thing, and I think the baseline of a lot of the problems that happen when you're collaborating with other people is that you probably have an ego problem. And why I can guess you probably have an ego problem is because pretty much everyone does. And actually, I think the younger you are, that is often the bigger you have issues with your ego.  Ego is the thing that makes you feel hurt when you have an argument with somebody or when someone gives you tough feedback. Basically, it's the part of your mind, it's the part of you that will cause you to get into conflict with other people. And even though you try to be open to people's feedback and you try to be open to, you know, working with other people and having people with different opinions, often your ego gets in the way of really learning. One of the best books I've read on this topic is called Ego is the Enemy, The Fight to Master Our Greatest Opponent by Ryan Holiday. If you read this book when you're young, first of all, I am so happy for you. I read this way too late in my life. I probably read this when I was 30. And looking back on my early career, I realized that my ego not only hurt my career, but also made my life just way more stressful. So this is number one. It's almost like the baseline operating system. You need to not have an ego problem because there's nothing worse for me as somebody who's been hiring designers for the last six, seven years. There's nothing worse than working with someone who has their ego not in check. You can't give these people feedback. You can't work with people who have an ego problem because they're always pushing back and they're always, they always have self-esteem issues. You can tell they're hurt by feedback and you can tell that they're not learning because they're protecting their ego. And by the way, for me, books are the key to everything. For me, reading a book, it's like, you know, before I read this book, I didn't even know what the ego really meant. I didn't, obviously because of that, I didn't think I had an ego problem. And then you're reading this book and it's like a magic spell happens, right? It's like, it changes something in your brain. You're like, oh my God, I didn't realize this was a problem I was having. So please, please read Ego is the Enemy by Ryan Holiday. This will help you understand other people and their motivations better and help you become a better designer just by being a better person. I just want to let you know it really helps us if you subscribe and like this channel. It helps the algorithm, it helps the YouTube algorithm.  The other thing is we have a really amazing newsletter that goes out every week down below in the description. You can find out about it. We send you a couple of links every week to cool things, cool articles, cool videos that are going to help you in your product design or UX design career. It's a really killer, spam-free email that you get every week. You can unsubscribe anytime, but check it out. Book number two, and this is related to the problem of, especially if you're working with non-designers, you can't explain why something needs to happen. You can't explain why the home screen needs to look like this to people who maybe don't understand design, and they'll push back and say, yeah, well, this is the business reason. And then you retreat into getting angry or irritated or frustrated because you don't really know how to pitch your ideas to people. If you get better at pitching your ideas to people and making those ideas really stick for people, then you're just going to have a better career and you're going to be more successful. And the book I would recommend for that is called Made to Stick, which we featured on this channel multiple times. Before I read Made to Stick, I didn't realize that I was not good at explaining ideas to people. I did not realize that I was actually bad at pitching things to people because I am someone who I can talk, I'm confident. I can get on this YouTube channel and blah, blah, blah, blah, all day. It doesn't really matter to me. But what I was not good at was being able to really concisely pitch something to people so that it sticks and it convinces them that this is the right choice and this is the right direction to go in. Of course, obviously, I only try to do that if I believe it's the right direction to go in. If you have read this and someone in the same level as a career as you has not read this, you're going to be able to pitch ideas to people at a crazy high level and they won't. This will help you if you're ever feeling frustrated about not being able to explain why something should be this way, why should the interface look like this. This book is going to help you do that. It's a killer book. These two books together, if you read these early in your career, you're going to get paid more than people who don't read them. It's ridiculous to me how much of an unfair advantage reading has been for me as a UX designer. It's crazy how few UX designers also read. By the way, here's the thing, this is a bit controversial to say, but I know that only about 5% of you will actually get off your ass and read these books and maybe another 5% will go ahead and try to find book summaries of these books. By the way, book summaries don't work the same way as reading a real book, but if you get these books, and I do recommend getting the physical copies so you can do what I do and actually highlight everything and then come back to it as a reference guide, if you actually read these books, you will get ahead of other people in your career. But the good news is most people will not do that because most people have an ego problem and think they already know everything and think they can get this information from a video. This video that you're watching right now is crap compared to reading these books. Okay, now finally, one of the biggest problems when it comes to working with other people is actually the act of getting together in a room and making decisions. Have you ever been in a kickoff meeting for a new app and it's just a nightmare? Nobody can get on the same page. If you can be the person who can help a team come together and make decisions and then you can go away and actually do the design work, you're going to get paid more, you're going to enjoy your job more. And now I'm going to pitch a book which I actually wrote. This is called a workshop or playbook. This is a super short one and a half hour read. If you can't get through this book, then I have nothing more to say. This is the workshop or playbook. This basically teaches you how to run strategy sessions, how to run kickoff sessions, how to run meetings as a designer.  You can get the ideas out of people's heads. You can work with executives who maybe don't know about UX Design. This book is a secret killer piece of your arsenal that will help you figure out how to work with other people. It tells the story of my early UX career and how I went from being a UX designer who is super frustrated to actually enjoying what I do. If you want this book down below, there'll be a link in the description if you haven't already gotten it. And I'll just tell you straight out. So when you click this link, you have two options. One, you can get the physical copy of the book for free, except you have to pay for shipping. So the shipping is always less than $10. If you don't want to pay the $10 for shipping, there's also an ebook version for $1. Why do we even charge $1? Well, the reason we charge $1 is to at least put some skin in the game for you to actually read it. I don't care about the $1. The $1 isn't even enough to cover the cost of the processing of the Stripe account. But if you go below, there's a link. You can get this book. You can get the physical version and the ebook together for less than $9. By the way, I will also say that on this page, there's loads of upsells. There's, we'll try to sell you other stuff. You can ignore all of that if you want to, obviously you can buy the stuff too. But don't get overwhelmed by how salesy the page is. I just like making salesy pages. This book will change your career and help you make more money and enjoy your career more if you learn how to actually design these sessions. Because these are the things you're going to have to run with your clients or with your team anyway. And this will just make you the person who can actually do it. And obviously like, yes, I'm recommending my own book, but I have wrote this book because I was having these troubles as a designer. So in this order, you go as the enemy, made to stick the workshopper playbook. This is probably $30 worth of books here. And this $30 is worth more than any course, any college education. These three things will make you help you get more money in your job and enjoy your job more than almost anything else I can recommend. The only thing you have to do is not be too lazy to read them. If you don't read and if you're too lazy to read, you will not get ahead of the people who are doing that. Thank you so much for watching. Don't forget if you want weekly doses of this kind of information, cool links, cool resources, join our newsletter that's also in the description below. Like I said, it does help us. If you hit the like button, hit the subscribe button, it really does help my company. If more people watch these videos, get the workshopper playbook, you know, for as little as one dollar, you really have nothing to lose. Even if you think it's this book of all time, we have a really good one-star review on Goodreads. This person said it's the worst nonfiction book they've ever read. I don't think it's the worst nonfiction book of all time. Thanks so much for watching. I hope you enjoyed it and have a great day. And I hope your UX career is amazing. Bye-bye.


Hello, thank you for joining me. I'm in Little Chalfont. I've just come out for an evening drive in my larder We're going over to Chalfont and Latimer station. The reason we're going here is because Today some London some signboxes on the London Underground have just been given a grade 2 listed status I thought it'd be quite nice to go and see them on the day They've just been listed but as I walk to the station, which is not far from here I have something else I want to quickly talk about and that is I want to say thank you to all of you who watch my videos Today I reach 7,000 subscribers, which I'm really pleased about. I'm really happy You know to have got to another milestone. It always it's always nice when you reach a round number Like 7,000 it also it really helps with the videos the more subscribers I get the more places You know, I get asking me to come and make a video for them Earlier this year. I was invited to the Chinor and Princess Rishbara Railway So have a look in the Princess Rishbara signbox. We want to see that. Have a look at Lincoln's screen now So it always helps With those kind of things the more subscribers I get so, you know, please do like and share and subscribe and As I said, thank you very much for helping me get there. Of course in the meantime I will continue to travel around the rail network or go out for drives in my larder visit miniature railways narrow gauge railways Railways of all shapes and sizes in various different Countries around Europe at the time of filming. I've recently just been to Austria and I made it. I've published one video So far, I've got a few more videos from Austria to come including a trip on a paddle steamer Where I'm going to go down and have a look in the engine rooms the steam engine rooms on the paddle steamer So all of that is to come and like I say all of these videos help with the more subscribers, I guess so Thank you very much. It's very very much appreciated now as we approach Chavok Lassimil station just walking past the appropriately named Metropolitan pub Let's talk about these phone boxes. The phone boxes we're going to have a look at So four have been listed today one here at Chavok Latimer One at next station Chorleywood, so we'll get the train down to Chorleywood and have a look at that one There's also one at Norfolk Park and one at Kellington. So we're going to have a look at these two today They're called the K8 design and they're designed by an architect called Bruce Martin They were installed around Britain between 1968 and 1983 and there's now less than 50 of them. Here we are There's the underground and the BR sign stations just down here, of course I have done other videos here at Chavok Latimer in the past. So they were installed between 1968 and 1983 They're quite different to you know your typical phone boxes You see the ones that appeared all over London and Great Britain in the 1920s the ones designed by Gilbert Scott Which have you know little windows And that kind of thing they're not they're not quite like that They they have one big window and I think they might be made out of fiberglass But we'll have a look when we get to one. So as we approach the back Entrance of the station Which doesn't have ticket barriers We can see the phone box. We've just come to look at there. It is funny. It says ticket holders only I mean I will we're going to catch the train. I'm going to use the contact list So there we are. I've touched in even though that's the password barrier and um, there is the The phone box that we've come to see so we're going to walk down And under so that way is looking back towards London That way looking directly to Amersham And then of course the Chesson branch goes off there as the old bay platform for Chesson Which when they used to run the eight a stock trains They were in two halves two four car units They used to get a four car unit running down the branch to Chesson. No great fun You also used to get the four car units on the east London line Such a shame. They didn't preserve an a stop train in working order There is at least one carries preserved at the um, what's it called the London Transport Museum depth I don't think we'll ever see an a-stop train pass through here again So that's the Chesson bay over there. Um, is that a train coming now? There's a train coming out of London an s-stop train It is actually strike this day. So there's not expecting to see any children railways trains today. Anyway Here is this phone box Look at that Telephone so as you can see very different from the ones we used to look one huge window On the door the window each side going side and um It's more cramped As the train pulls in it's more cramped than um your typical phone box This is railway automatic phone If it works, have a look at that I'm glad it's just me making this video I don't think if you ever played that game when you're younger You try and see how anything would fit into a phone box. You wouldn't get more than maybe three Um, how does this work? I can't. Oh, there we go. I've got it. There's a dining tone There's no dining tone. So I think although the single box might be listed. I don't actually Know if it works Um, there we are. That's that If I open the door you can see a bit better So yeah, there's no dining tone, which is a bit of a shame I was going to try and ring someone up. Maybe there will be it surely would so what I'm going to do now as That s-stop train departs towards um Not sure it's going to answer. It's going to answer. We're going to wait for a train up towards London. We're going to go to Chorleywood This is the what's at Chorleywood. What a shuffle. Latimer was planted maroon. This one's planted blue now. Unfortunately, we can't go Inside this one. It's locked. You need a t-key to get inside. What's really interesting though It's a bit um, what's like this was he got the phone in the middle the yellow phone which Open the box and got the phone says phone box in a phone box miniature phone box in a big phone Yeah, what's really really fascinating and it's going to be hard to shut on camera. See see this here This has a list of all the other stations and all the numbers like it says platform ticket office, etc so from here I Get the impression that I'm not sure if they were for public. Maybe someone watching can tell me I don't actually know if these were there certainly aren't now for the public to use me everyone as a mobile these days But it seems that staff could ring any of these stations I mean say if somebody had an elderly person and they had a lot of luggage and they were dropped off by their grandchildren here They might be being met by their son or daughter at the other end In theory remember staff could ring a head to the station. They're going to and You know say that they're coming like a bit like today you can book assisted travel when quite often elderly people who are traveling Sort of long distance journeys, especially with luggage on the national network do book travel and get better look actually here that It actually says private. So yeah, I don't think I'm allowed in there But we can have a look at it from here and as I said, there's a list on this side of All the phone numbers. I did notice after filming the last bit shuffle. That's my while waiting for the train It said station to station phone box But it's really quite fascinating a different form of iconic design We're so used to the like say the Giles Gilbert Scott ones. I think it's really nice Something from the 1960s has been listed because I do think sadly a lot of iconic structures from the 1960s Have been lost. I mean on a completely Different scale and that imports with the tricon centre was a 1960s building that was demolished Which I'm really sad about because I thought it was a fantastic building. We can't go in the single box Let's go in the waiting room. We can go in here and look at this. This feels very much of a different era As opposed to in the face coverings Means that if you're watching this video in a hundred years time and I'd forgotten to put the date or something You'll know it's after 2020 because but normally west-west coverings anymore one of the mazes which They've been around for at least 10 years. They started appearing on London Underground And the other nice thing Is they still have a timetable So this is Charlie word southbound trains. Some of them cause children railways trains So from shortly word all the way to all gates. It takes exactly 60 minutes. I'm not going to train in time But um, yeah, so it's about a 60 minute journey to all gates. I think it's really nice They have the timetable just because out here they're not so frequent that they come along every few minutes I've got Five minutes till my train goes back. I think probably of all the stations on the metropolis line Charlie would My favorite if they're ever running anything unusual like casually steam on the met It's great seeing steam engines coming up this bank because it's really up quite hills today They look fantastic going from here down there is the old signal box Last time I came here was to make a video have a look at the screen now about a book written About the coming of the railway to Charlie wood. So again, that's the kind of thing when you get lots of subscribers Helps you to get um projects like that and come along. So from Charlie wood. Like I said, I think it is probably my favorite station on the Certainly on metropolis line probably on the whole of the london underground It's you know, just so nice and quiet as a few people about but it's not like a typical bustling tube station So I hope you enjoyed this video and once again, thank you very much for getting me to seven thousand subscribers I do really appreciate it and um, please do like share comment And if you haven't subscribed, please do and maybe soon i'll be making one same Thank you very much all for eight thousand subscribers. Maybe if they do london underground will have to find something else to list I don't know, but it's um, i'm really happy to see Piece of our heritage list. So thank you very much from Charlie wood station. Goodbye


in the first round of the League Cup. What are your thoughts on that after a big opening game, obviously, here against Barnsley? Yeah, I think it's no better time. I think always after a result you look for your next game. Hopefully it's not a week away because you start to, you know, you want to put the wrongs right and having a game so close to defeat is nothing better for me as a player because you get to go out there and try to make it right, so, you know, I'm excited. What can you say from Saturday into, obviously, the game at Lacklesville? It's a totally different challenge, isn't it? Yeah, of course, yeah. You know that the end result is the same, you want to win the game? Yeah, no, I think we can take a lot of positives from the game. I feel like, you know, we probably would all want to impose ourselves a bit more on Barnsley at the weekend but, you know, we weren't able to do that but I'm sure, you know, we've worked hard today. We've been in today working hard on how we could do that and I'm sure it will come right tomorrow. And, obviously, cup progression is quite important. Is it something that's been spoken about here? Yeah. Is that on the players' agenda? The cup or is it just treating every game in equal way? You know, I think we're treating it equal but I think, you know, I can see how much it means to the fans for the cup runs mean to them and when you know that as a player you're going with a little warm-buy, a little more, you know, putting a little more few challenges to get it going. But no, I think the same mentality will be needed. I don't think you should approach it any different than you normally would because you can always do too much and focus too much on what you need to do so I'm sure we'll go in with level mind, we'll work on what we needed to do and we'll try and get a result there. And this is probably the first time this year, certainly, this season, rather than you going into a game on the back of a sort of 72-hour turnaround with two competitive fixtures.   You know, I'm sure the staff have thought about that. They will want to try and maximise our brain and obviously lower the intensity on our legs to try and keep us as fresh as possible.  And after seeing the, you know, maybe 17 and a half thousand Bradford fans that were here on Saturday, that must have instilled something in you going into probably every game for the rest of the season. It's a wild thing because, you know, it never gets old. Walking out on that first day on it, honestly, it never gets old and, you know, if I could do that for the next 30 years, you know, it would be a great thing. So it's a great buzz, the atmosphere, you know, I had my friends, I had my family here.  They're delivering that many people and that many support around you that as a team, you know, we need to offer our best and, you know, I think we did and I think we've shown how much more together we are with the fans and together we are as players and we're positive. And just focusing now on the game itself, what challenges will Macclesfield bring? You know, they've lost their first two games in League 2 so you could argue it's a welcome distraction for them this game and they've got nothing to lose other than their underdog, it makes it probably, does it make it hard to take that? It's always the same, you know, you get someone in the cup where the emphasis on us is we should win the game and when you go in like that and they walk into a game with no pressure, no added pressure, I'd say, and relax. But then they need to win, they need to get off the, they're seizing off to it, you know, I'm sure that will be in their mind that they haven't won a game yet. But then it's a LV 11, it's a cup, it's going to be, they're going to be in your faces, I'm sure they're going to be at home wanting to prove their wrongs are the first two games right, so I'm expecting nothing less than a fight, than a real strong test and, you know, I'm sure we'll all offer it.