What was appealing for you, David, coming to the Falcons and coaching with Arthur and being the offensive coordinator? Yeah, I mean, first and foremost, it's an amazing opportunity to be involved, first of all, in the NFL as a player and a coach, and then being able to be given the opportunity to be an offensive coordinator, specifically with someone like Arthur, who I've known a long time, I believe in a lot of the things that he believes in in terms of how to play the game and how he sees it. And for me to be able to be a part of the organization where you see the talent specifically when you talk about the offensive side of the ball. And we played against this team when I was in Chicago this past year, in Chicago they're fortunate enough to win that football game, but you got to see the explosion, the talent on offense. And it's something when Arthur had the opportunity to run the organization and be chosen to be the head coach. It was a no-brainer for me when going through the process and being chosen to be an offensive coordinator to come here and be a part of this. And you know, how are you assessing Matt Ryan and the rest of the weapons? I know the offensive line had some problems last year, but how are you going into that part of the job and looking at, you know, having a veteran quarterback and all the turmoil around the league at that position? Yeah, that's a great question. Matt is someone, when I was leaving the league or being asked to leave the league as a player, Matt was coming in the league and Matt's backup quarterback at the time was Chris Redmond. And Chris and I to this day are very close. And from day one that Matt entered the NFL, Chris had said just the most amazing things about the person. Obviously, you see the player and what he's been able to do through the course of his career. You know, again, I've been fortunate enough to be around a lot of quarterbacks and a lot of quarterback rooms since 2003. The one thing that comes out about Matt Ryan is his ability to compete on every down and you see that there's a no quit attitude, his ability to win, not just always from within the pocket, but one of my opinion, one of the underperforming things that gets displayed about him is his ability to, you know, extend the play. And again, just watching from afar, playing against him, a tremendous amount of respect for what he's been able to accomplish in the NFL. Tori? Hi, Coach. It's nice to meet you. Nice to meet you as well. I wanted to go kind of back through your time in Chicago a little bit. You worked with two very different offensive systems, a roller coaster at time, a quarterback. And I actually had our Chicago beat reporter tell me that you've been NFL battle tested was what you said. And I thought that was funny. How do you feel like being adaptable in those most recent situations, preparing you now to be in this spot in Atlanta? Sure. I think it's a great question because I think it's all the experiences I've been fortunate to be a part of as a player than obviously as a coach in multiple organizations. There's nothing but gratitude to the Chicago Bears organization for my time there. And for the experiences I had there through the ups and downs and a couple of playoff appearances and things that go our way in those playoff appearances and then having a top five pick as well at my time there. So I think anytime you're allotted those different experiences as a coach, you grow from them. There's some things that at the time when you're making certain decisions, you think they're the best for not just you, but for the organization and only time really tells those out. The one thing I can say about just having to be able to interact with the media in Chicago, nothing but respect for how they had to do their job and they always capture you on your toes. And for that part, the fans and everything else, just like every organization and every fan base they want to win and again that's what I've learned through my experiences more than anything else is having an ability to come into a different organization and bring those experiences and hopefully those help be successful right now with the Atlanta Falcons. My next question is kind of just going off of something that Arthur Smith told us when we talked to him last week about how he was going to be calling the plays and can you just explain to me your thought process and the dynamic of working together? Yeah, sure. I think especially my last couple of years here in Chicago where the head coach was also the play caller. It allowed me to see the preparation from a different perspective, understanding what Coach Nagy had to do and I'm very comfortable in that role of helping present the game plan to the play caller, going about it with just not myself but other people within the staff, kind of garnering their ideas, putting them together and presenting them to coach who's the play caller and also the head coach. So I feel very confident in that role to help Arthur. It won't just be me. I'll be coordinating that role with the other guys in the staff, which I feel fortunate about, but in terms of how Arthur thinks and how he goes about his business, it's my job to obviously set the table and make his job efficient and easy as well as the rest of the guys in the staff and hopefully we get that done. Charles Odom from the Associated Press. Welcome to Atlanta. Thank you. You spoke about seeing the explosion and the talent on offense here in Atlanta but I'm sure you also know that this team has struggled to establish a consistent running game for a number of years. Can you talk about your offenses philosophy and how important that is for you in terms of getting that straight here? Sure. I think when you talk about philosophy in general, you look at your roster and specifically in the NFL, your roster today probably is not going to look the same in September and it's probably not going to look the same in November or at the end of the year. So you have to start there. There's a way and style that you want to play the game for sure. When your film shows up and you watch it, you want to make sure it's exactly what you want it to look like. I think that's important. I think that's philosophically based and it's also, as a coach, you get what you emphasize with the players. So if you're emphasizing a certain style and the way you want to play the game, you have to make sure that's a continuation every day so those players understand it. In terms of the run game, I think you'd be asked most quarterbacks. That's their best friend. The ability to be able to have a run game which allows them not necessarily to have to make a decision every single snap. It also allows the defense to have to play more than just one fast of the game. So again, people talk about balance. I think that word sometimes gets out of whack in terms of what exactly that means. I think to me, balance in general with the run and pass is the defense not necessarily knowing what's going on in first and second down. Obviously in the NFL, if third down is a pass down, but first and second down, if you have the ability to go in with a defense, may not necessarily know if it's a run, a play pass, a naked, a quick, I think then you have the advantage and to me, that's the ultimate balance and to help the quarterback. I also wanted to ask a... Hey Charles, you're muted. Sorry about that. I wanted to ask a quarterback question. Obviously in Chicago, I know that there's been a lot of spirited conversation about quarterbacks the last few years and you approach a situation that's been very stable in Atlanta and yet there's some talk about what this team might want to do with the number four pick. Do you have a thought about the idea of having a quarterback in trading so to speak and any potential controversy that can cause by having the error parent waiting for his turn? Sure, I think that's a great question. I think first and foremost, in my time in Chicago, in terms of drafting the quarterback as high as we did and the vision in which we had for that to play out, I think every circumstance is different. I think every building is different, how you want to approach that and then the minds within those building getting on the same page and making sure that that plan is enacted the way that you envisioned. I think those are all meetings and conversations that happen way before you have that pick. In terms of the current status, for me right now, as we sit here in late January, being able to work with Matt Ryan and the rest of the offensive talent and it's not just him. You go across the board and like I said, I think the fortunate part for me is that in Chicago, we played the Falcons this year. I have a great understanding of what our defense of coaches, when I was on that staff's thought of the offensive personnel, pretty in-depth, which allows me, as I look at the film now, really now from the other side, being fortunate to be a part of this offense now. It gives me a great perspective and I just want to make sure before anything else is said about where we're going with anything as I truly sit down with the rest of the coaches and coach Smith and we truly evaluate and put our eyes on what we have on this roster because from what I know, it's a pretty special roster in terms of the offense. It's out of the ball and I'm excited to work with them. Will McFadden, at AtlantaFalcons.com. Hey Coach, welcome to Atlanta. Continuing right along with that, outside of the quarterback position, specifically the wide receivers, we all know what Julio Jones can do, but two young guys who really took that next jump this past year, Calvin Ridley and Russell Gage, what's been your evaluation of them so far? I feel like I know Calvin, even though he has no idea that we've ever met, we haven't, just being with his brother. And we were fortunate to have him in Chicago, got to know him on a personal level and professional level. And what I've seen from obviously Calvin on film, you don't need me to sit up here and tell you his ability to make plays and what he does to a defense and things of that nature. Russell's a guy who obviously came on strong, his ability to fill in this past year, specifically with Julio being in and out of the lineup. Again, another guy that has come in, you can feel his speed. He seems like a guy that plays with a certain type of play speed. And again, I think that's kind of the most exciting thing for me, walking into a scenario like this and being fortunate to be part of the organization is, you see the different talent at the different stages. You have some guys who are older in terms of the experience, you've got some guys who are coming in and kind of finding their own. It's going to be a great experience to be able to put an offense and adapt around the ability in which the players that are on the current roster and who's going to be added. To me, that's probably the most exciting thing about this job opportunity. And then as a former quarterback in this league, I'm curious your philosophy on kind of coaching a quarterback who has as much experience as Matt Ryan, is it more about maybe putting him in some uncomfortable situations in practice to get the most out of him, to put him in some situations that really strain him to be at his best, or do you try to do what he's comfortable with given the amount of experience that he has in this league and he knows what he wants to do and execute on Sundays? Yeah, well, that is a great question. I mean, I've been fortunate to coach guys at the end of their career in terms of Jake Cutler, guys younger who are now older in this league and Ryan Fitzpatrick. And I've gotten guys who have young in this league who came in as rookies and top picks. So kind of a gamut in terms of experience. I think each quarterback is treated differently just depending upon their personality and then where they are in their career. So evaluating Matt as we go through this process and getting to know him, even though I feel like from the people that we have the same kind of background with, they've all kind of told me who Matt Ryan is. And again, when I go in and have a chance to sit down and have conversations with him, then he'll understand where I'm coming from and I'll understand where he's coming from, which is also exciting. Just to get to know where he's at and then like anything else, you want to put a plan with all the players. It's just not the quarterback. It's a plan in place for each one of those players to get better. And was ingrained as a young coach when I was brought in this league with a certain quote, which is, and I remember this is when I was a player because it did affect me. If you think the coach can help you get better, that's one of the most important things outside of him caring about you as a person. Those two things go hand in hand. Person first, player second. But if they know you care and they know you can help them, I think then you can build a relationship in which you can get them to maybe levels they didn't think they could get to. And that's important for me. Jason Butt from the AJC. Hey coach, was your time in Tennessee the first time you met Arthur? If not, when was the first time that you met with him and got to know him? And how quickly did you realize that you guys were like-minded or shared similar dots and philosophies on football? Yeah, our first time in terms of actually meeting would have been in Tennessee in 2011. He was on the defensive side of the ball. I was on the offensive side of the ball. Neither one of us at that time had, I was married with some kids, but they were with two of my children, but they were still living somewhere else for that. It was a lockout year. So we had an interesting off season, not knowing when the players were going to arrive, which allowed that staff to get really close in terms of getting to know each other, the personalities going out after work, getting to know each other on a personal level, just not what you thought about the X and O's and the football level. And there are some similar things in our backgrounds in terms of education and some other beliefs in terms of football. And we just kind of hid off from there. And from that standpoint, regardless of where I've been, I know he was able to stay in Tennessee throughout. That constant contact of football philosophy, thoughts challenging each other, not just always agreeing with each other thought, but thought provoking questions. And again, I think a mutual respect for one another's on and off the field thought process. And so for you, what was the timeline like when he reached out and was that something that once he reached out, you kind of wanted to maybe accelerate the process and take an offensive coordinator opportunity? Yeah, sure. These tend to happen fast in terms of once the season's over, both of us being in the playoffs, and then you go from 100 miles an hour and then all of a sudden it goes to zero when your season's over. He was afforded the opportunities to interview and he was fortunate enough to land one of these jobs, which there's only 32 in the world. And once that ball started rolling in terms of him finding a spot and now his thought process has went into a staff and conversations happened after that. And again, just fortunate enough to be part of the process. Thanks. Allison, Mr. Angelo. Hey, welcome to Atlanta. You know, you talk about, you know, trying to get to know the players and working with them. What can you do now? I know it's a pandemic to get to know the guys leading up to when you can start to have actual workouts with them. Anything you can do on the side, calling them, video, everything like that? Yeah, I think right now specifically from my standpoint is the best thing I can do is evaluate the tape to the best of my ability. Put eyes, make sure I'm seeing every snap, understanding not just the stats after the game for the skill guys, but more and less the variables in which that happened. Right, was a guy coming off injury that week and playing through it. It was a guy, you know, having a productive string of games in a row. How does he play when he's not playing well and then all of a sudden comes out of that funk? What made him happen? But how did that happen? So I think more than anything else, job one is to evaluate the tapes to the best of my ability with an unbiased opinion with everybody and get my evaluations from pen to paper. So I can truly in my mind at least have a great idea of what we currently have on our roster. And then from that point on, yeah, it's about building relationships. And then we'll see how this off season unfolds in the current NFL climate. Maria Martin. Coach, congratulations. Welcome to Atlanta. What was the most intriguing part of this job for you? Well, I think in this profession, for me, it's been about relationships. It's the people. And again, I think you guys had a chance, obviously, now to spend some time with Arthur. You know, in this profession, there's people that you gravitate towards and you want to work with if you work with them previously and you want to work with them again in any capacity. Again, and I keep using that word just fortunate enough to be in this capacity is the offensive coordinator. But it was about the people first. It helps the fact that you come into a situation offensively with some pretty good talent. But it started with being somewhere working with someone that you have that you have an admiration for and a professional and personal level. Kelsey Conway. Hey, Coach, just following up on something that you said earlier, when you talked about your relationship with Arthur Smith and first meeting him, and you've seen the way he's grown, obviously taking over one of the league's best offenses for the last two years. What do you think for some of us who haven't really gotten to know him in his philosophy are what makes him such a good offensive-minded coach? Yeah, you know, I don't think if you asked anybody over the course of probably the last 10 years in the NFL or even previous to his spots and other spots in Washington when he's got in the league, I'm not sure how many people really surprised by his success. And I think it's easy to say now. But the one word that comes to mind is very authentic. And players feel that as a former player, when you're being coached by someone who you feel has no ego and you feel is authentic, you gravitate towards that person or that coach. When you feel someone just a salesman and you're not sure they might change with the wind, it's hard as an NFL player to follow that. I'm pretty sure if you ask anybody that he's coached at the tight end position or when he's led as an offensive coordinator, I have a good bet feeling that people are going to say that no ego and authentic. And I think you saw the way that those Tennessee offenses played. And they went through injuries, they had different guys in the lineup, but you saw a brand of toughness and physicality. And, you know, from his, the way he's believed football needs to be played, I think you saw that on tape or when you played against that team.


What's going on guys got Kyle here relating sports cards, and we are ripping this is 2022 national treasures and select two box mixer number six Random team style. We did a randomized for the break Had Christopher J. The Steelers down to Max K with the Titans Good luck here guys. Let's see what we got can always find those results on our website late in sports cards calm Good luck. Good luck friends. Thank you Sean taking another spot here 2022 select start it off. I don't even know what that is Timmy. Hey, what's up rich? How we doing today, sir How we doing today 299 we'll start off with an Amari Cooper silver jersey there for the Browns Amari Cooper Got silver Brandon Ayuk Kyle Hamilton rookie Ravens. Hey, how you doing today rich? Hope you're having a good Thursday night Echler we've got lamb jack on the sweet level silver And Stafford. Oh, that's cool rich. I know they have something like that. I don't know at Universal Studios They have like a like a monster makeup kind of thing neon icons Chris a lobby. I don't think it's a school Michael Pittman silver I think it's just like a little tour Derek Henry There's a Malik Willis sensations rookie and Silver is Devontae Adams on the sweet level silver Mike Parsons There's Devontae Williams phenomenon silver is Garrett Wilson rookie Amari Cooper. Hey, no worries Tyler. We're on NC's and select hobby mixer number six So we got a one box of selects twenty twenty two and one box of NT national treasures There's a CD lamb blue CD lamb blues number to 99 Silver of Cooper cup and Jair Alexander. Hey, good luck Connor Good luck on the NT random team, sir George Carlot this on the red rookie number 299 Cam Jordan silver and Breece Hall. Thank you. Ernest grabbing a spot as well In the first off the line in hobby gonna be close on that one guys gonna be really close on that one should be only a couple left Sold out nevermind sold out on the NT and hobby Appreciate you guys This is tri-color of John Runyon rookie sweet level to 149 Silver of Chanel Spiller rookie there's a Garrett Wilson silver neon icons for the Jets and Snoop Connor on these silver Jags rookie Mark Andrews, the thick one there Sensations Herbert and this is Tyler Algear number to 25 nice one there prime selections tie-dye Nice hit there for the Falcons Tyler Algear on the prime selections 18 of 25 And as a sick one there nice hit Falcons Derek Carr on the base Stop Tyler says orange scary Terry Commanders number to 49 And to 49 we got Daniel Carlson for the Raiders Daniel Carlson I can link you the results page again Me one moment here We always we always Upload the results of the random so Tyler P. I got you with the Giants in this one the Giants Did a randomizer for the break? At Ingram there's a tri-color Canyon green for the Texans there to 199 silver is Tyler Linderbaum rookie Bond Miller all right you guys now we got NT Good luck here NT hobby. This one's even thicker. This one's chunky. It's thick empty First up we have to 99. It's treasured rookies Alec Pierce. I really like this set these treasured rookies look sick Nice one there to 99 Alec Pierce Behind that we have for the birds the 25 at Zach Ertz on the Super Bowl immortality. This is a Donny card That is a sweet one there Super Bowl immortality of Zach Ertz 225 nice one there birds. Well, you're about to Shane you're about to that bottom cards a book We've got Austin Eckler. This one's number to 49 treasured patches chargers. You are about to Shane This one is tremendous treasures to 49. It's Johan Dotson on the rookie commanders Johan Dotson this one is the 49 frame fabric of Kyle use check Haven't seen a Kyle use check card maybe ever Click the link I dropped you there Tyler Click the link I dropped in chat. You can see and I I said you had the food I say the Giants You got the Giants Tyler Frame fabric use check this one is dual jersey 10 to 25 Mahomes and Kelsey nice one there for the chiefs Mahomes and Kelsey 10 to 25 this one is Malcolm Rodriguez to 99 there Rookie for the Lions Come Rodriguez now. We've got number to 10. This one is four of 10 It's gonna be Quinn and Williams on these signatures for the Jets nice one there Good defensive in for the Jets number to 10 mag this one It is true RPA to 99 Traylon Berks Nice one there for the Titans on the three color true RPA to 99 Traylon Berks for the Titans 17 to 99 One off that Jersey number Chris So 99 we got rookie first edition signatures booklet it is Kenny pick it for the Steelers Nice one there Chris on the gold ink pick it Booklet number 299 that is sick There you go Chris That is an incredible design man. That looks awesome The rookie first edition signatures 83 of 99 He'd go mr. Chris Can he pick it on the gold ink? There we go sir very nice All righty guys and that will do it for the break there That one was NT and select two box number six We do a quick hit recap guys and we'll get going on to the hobby and first off the Lions So we got dual Jersey that one is my homes and Kelsey got use check on the famed framed fabrics to 49 This one is the 49 tremendous treasures Dotson Got the 49 Echler on the treasured patches This one is the 10 Quinn and Williams Jets to 99 we got Malcolm Rodriguez rookie Lions This one is Daniel Carlson for the Raiders there number to 49 on the Jersey auto We had Tyler Algiers prime selections RPA to 25 We had true RPA Traylon Berks for the Titans and we had the booklet Kenny pick it number to 99 on the Jersey rookie first edition Jersey auto Nice one there Steelers Alrighty there guys that will do it for in tease and select hobby mixer number six nice one there guys Congrats on the Kenny pick it there Chris. We'll get those cars right out to everybody


SEGA DRUNK! Skies of Arcadia for Sega Dreamcast, and by proxy Skies of Arcadia Legends for Gamecube, is a labor of love. It's a game that's made by people that clearly know what they're doing and clearly love JRPGs.  And they know well enough not to dither around, Skies of Arcadia starts with a bang, with a snooty hair-flipping commander chasing down a girl until... Pirates! And not just any pirates, air pirates! No, not those air pirates. From there, you fight some random battles, take down a boss, and you're off on your adventure. Now, the story here is pretty standard stuff. It's typical Rebels vs. Empire, where you play as Vice, a plucky air pirate who meets Fina. That's the gal who's being chased, and she was sent to the land of Arcadia to collect six moon crystals, which are capable of controlling the legendary Geiges. No, not that Geiges. Vice and his band of pirates help her after learning the evil Valuin Empire is after the same thing, led by the greedy and mischievous Lord Galcian, who's willing to do anything to further his plans of conquering the world. See, this Geiges thing is a weapon by way of those six moon crystals, one from each of the six civilizations in this game, and if they fall into the wrong hands, well, that's no good, so we gotta track them down. And yeah, all the classic JRPG character archetypes are here, but rather than coming off as tired and derivative, there's a certain spark of life to each of them, and I think a big reason for that is just the settings and environments here. Sure, the story and characters may seem paint by numbers on the surface, but Sky's of Arcadia's strongest quality is in how the world is designed. The emphasis here is on discovery. The airship pirate motif is really well done, it is legitimately fun sailing the skies, not knowing what you could run into next, because this game is just so packed full of imagination. It's not the same old sword and sorcery fantasy stuff or whatever, and I think that's a big reason why Sky's of Arcadia to this day still feels fresh and vital. This is just my opinion, of course, but I think when a game establishes such a fun, unique and varied atmosphere, as you'll see throughout this game traveling through the skies to deserts and cities and jungles and such, everything else by proxy just seems more interesting and engaging. It's just less of a leap to suspend disbelief, and it's easier to dive into the game, forget about everything else, and let the hours melt away. I'm reminded of games like Super Metroid and Chrono Trigger in that sense. The world in this game is so huge and just so friggin' cool that I just enjoy being here, let alone traveling around and finding new things. And of course, it goes without saying that the graphics, art direction, and especially the music play a huge part in the equation as well. The themes here range from ethereal and ambient to rollicking and fun. It's really the glue that binds this world together. Of course, this is a JRPG, so there's plenty of combat, and in the case of Sky's of Arcadia, there's both your typical character party combat, as well as ship-to-ship combat, both being turn-based. Starting with the traditional combat, there's up to four characters in your party amongst a host of playable characters, and yep, you guessed it, it's random battles, it's experience points, it's building up to boss fights, and it's the usual elemental stuff you're probably used to if you've played just about any JRPG before. Magic is represented in six colors, being based on the six moons I mentioned earlier, and each color, except for silver, has two tiers, regular attacks and status effects. Green is healing magic and poison, red is fire and damage buffs, purple is ice and stuff like mute and confusion, blue is water and air, as well as speed buffs and debuffs, yellow is lightning and power and energy buffs and debuffs, and silver has stuff like revive and insta-kill spells. What's nice here is that the game offers you the flexibility to change colors in the middle of battle. Also, before each turn, you'll have a set number of spirit points to use, represented by the bar up top. Sure, the basic stuff like physical attacks and defense and such aren't gonna cost anything, but the best spells in the game require spirit points, and yeah, one reason this is here is to prevent you from spamming big attacks, but it's also here to make you plan out your big attacks and build up to them. For instance, there's certain characters with spells that can add spirit points to the meter, so if you want to get the most out of the bigger spells, it's smart to plan ahead, because you'll be rewarded. I mean, who doesn't love to be able to drop a friggin' moon from orbit onto your enemy? That's so badass! There's also ship-to-ship combat, which occurs when your compass on the lower right starts beeping. It's pretty much the same framework as regular combat, only here there's a color-coded grid system.  Additionally, there's the sea with an exclamation point, which indicates a chance for a critical hit. You line up icons accordingly, cannons, torpedoes, defense, and whatever else, and watch the battle play out. What's cool here is that there's all sorts of different ships you can commandeer as you progress through the game, and you can recruit people to take on different tasks. You even set up your own base eventually, and these characters aren't just here for the sake of being here, they actually show some personality, and, you know, give reasons for doing what they're doing and all that. It's a really cool touch. If there's a flaw here, it's not really anything particularly unique to this game, it's the same old encounter-rate issues you get with a lot of RPGs, and the fact that battles tend to drag along. That's why, if you play this one today, you're gonna wanna play Skies of Arcadia Legends for GameCube, since they dialed back the random encounters quite a bit. I played this one on Dreamcast because, well, I don't know, that's where I started and I guess I just got too into it and didn't wanna start over. There's other additions and upgrades to the Legends port as well, like new side quests and new stuff you can find. So yeah, Skies of Arcadia is a must-play if you're into role-playing games. It's around a 40-hour playthrough, and there's tons of stuff here that I didn't even mention, like how there's three different types of areas to navigate in your ship in mid-sky, airspace, and deep-sky. There's the Sailor's Guild, side quests, the goofy Dreamcast VMU minigame, plus all sorts of stuff that you'd simply be better off discovering for yourself, since, after all, this game is all about exploration and discovery. I'm just some guy here passing word along, saying this one shouldn't be overlooked, and yeah, the combat may be standard stuff, and the story may be kind of bland on paper, but I appreciate that there's none of this chosen one stuff for once. These characters grow from children to having real character, so there's a sense that they've earned their place, so to speak. And even if the story or the combat don't do it for you, the environment settings and atmosphere provided by the art direction and music really make this game stand out. In other words, the whole of Skies of Arcadia is greater than the sum of its parts. I don't wanna thank you for watching, and I hope you have a great rest of your day.


hey guys another another another supernatural video about season 15 but this video is about you guys we are talking about the top five best and the top five worst episodes of supernatural season 15 i made a post on the community tab of my channel asking you guys to go to these two different polls that i made yes unfortunately it looks like you can only choose once i'm sorry i'm not very good at making polls i'll see if i can fix that but worst comes to worst just go into incognito mode and try and do more votes maybe but really i'm just interested in what you guys have to say i have been watching the uh the up-to-date results and i'll admit i'm actually kind of surprised at what are the runner-ups and what are the ones that are winning right now and so for these polls i'll put those links into the description below i'll try and put it up here too but i don't know if it'll work but i want to give you guys the opportunity to weigh in on this poll because this has been a very odd season in terms of viewing because we had such a massive split it's like reviewing two different seasons there is still this big gap in terms of quality as well as just what was good what was bad and i'd like to see what you guys have to say so yes the links are in the description below please give me your guys's votes on what you think were the worst and the best episodes of supernatural and i'll be doing those videos very soon we are almost almost done with season 15 and then we'll be able to go all the way back to season four and start there and then once we get to the top five best and worst of that season i'll be able to make a poll that will give you guys the option to choose five different options maybe otherwise guys check the polls out and you will be seeing the videos with those results as well my own choices in the next few days anyways that's all from me see you guys next time


I would say instead of Google, because Google looked pretty okay, let's put Baidu here, see what that is. Baidu is at 164, definitely weak, definitely weak. We can potentially take a trade. I mean, it's down $7. I'm just wondering if we lost the opportunity. China news should take it down, but by how much? It's down $7, so that's almost 5% there on $165 stock. Now we have 3, we have Kronos, Starbucks and Canopy, and then we have 2 slightly bullish here, which is Facebook and P&G. So Baidu is at 164. Now you can see the S&P trying to come down, let this bar finish. I think we have 15 seconds here. So I would say now might be a good time to look at Baidu because it just went over 164. So if we're looking at a put option, a Delta of 40, 40 might be a bit much, but okay, but we can take a 40 Delta, 38 Delta, okay, that's better. And it's $2, so we can take 5 contracts, okay, 197. I'm going to go for it at 197. All right, so we are in on Baidu. Let's just watch the charts here. So if you look at the trade parameters, we got in at 1.95. So on 5 contracts, that's about a $975 trade. And so we do our calculations based on that. So let's go back to market watch. And with this day trading thing, you have to move fast. So I just pick the option and I try to execute the trade, but I'm also telling you what Delta I'm picking and we'll be able to at least get a small profit in. I'm just going to see where our position stands. We are up 47, not a whole lot. Now it's going down a little bit more, 130 bucks. So it's developing a little bit there. Let's see where we stand. You got about $200. So on a $1,000 trade, that's about 20%. I might want to take two contracts off, 190. So we are right there. It's at 233. I'll take two contracts off. Just book some profit there. Okay. So now let's wait and see what the market watch tells us by those right here. We have 210. That is over 20%. At this point, I mean, yeah, that is over 20% at this point. It is at 163.45. So I don't want to play around too much with it. Let's see if we can get a little bit more and we can close it out. Even Baidu seems to want to come up there. Yeah, it's not worth it. I don't know how much more downside it has. We got 231, 228. I'm just going to take 228. So that's close to about 20%. So what I'll do is put it back on the market watch. Hey, folks, this column is not changing. So let's just see what we did here. Okay, Netflix, yeah, three contracts. We got out at 6.5, I believe, right? So we got Netflix minus 3 plus 3. Yeah, minus 3 is at 6.5. So it's down to 6.15 now. So we got out. Okay.


Hello, everyone. Welcome to our pre-owned vehicles of the week. I'm Gabrielle and I'm over here at Oxmer Toyota. So we're going to have three vehicles that we are going to go over a few details on. So why don't we go ahead and start with this one right here? For our first vehicle, we have a 2018 Honda Civic Touring. There is going to be LED headlights and fog lights. That exterior color is in a blue. There's going to be alloy wheels. There is 10 speakers. That interior is in a gray leather. And the mileage is 60,171. For our second vehicle, we have a 2020 Jeep Cherokee Latitude Plus. That exterior color is in a gray. There's going to be black alloy wheels. This does have a clean car fax with one previous owner. There is a Bluetooth. There's a backup camera. Now that interior color is in a black leather. Mileage on here is 71,567. And the price is 28,715. And for our last vehicle, we have a 2021 Kia Forte LXS. That exterior color is in a black. So this vehicle is going to have a clean car fax. Has one previous owner. Now for the fuel, you're going to get around 40 miles per gallon on the highway. 29 for the city. That interior color is in a black. Mileage on here is 18,079. And the price is 27,000. All right, you all, if you have any questions, feel free to let us know. All of our contact info is listed right here. Thanks you all so much for watching. I'll see you soon. Bye.


Like many other Game Boy Advance games, Super Street Fighter 2 Turbo Revival is essentially a retooled port of a Super Nintendo game, and in this case a very good one. Now right away I think I can guess what you're thinking, how can a one-on-one fighting game be any good on a portable system with only four buttons? And yeah, that is a bit of a hindrance, but this game does allow you to customize which button to use for whatever punch or kick at whatever level you can even combine buttons if you'd like, or you could use pressure-sensitive input, so it works out well. Interestingly enough, there's also an easy special moves option you can enable, presumably because it was pretty tough to pull off some moves on the smaller Game Boy Advance d-pad. This option allows for a Hadoken, for example, to just be pressing forward and a punch button. That's not as big of a deal now since you can play this stuff on the RetroN 5 or through emulation, but if you are playing it on the Game Boy Advance, it's nice to have that option if you need it. The gameplay is just about exactly as you'd expect, I mean it basically is Super Street Fighter 2 for Super Nintendo in addition to some new bells and whistles from the Super Turbo Arcade version. The menu is redone and there's a lot of new pixel art here too. It compares to how Capcom ported Final Fight from the SNES to Game Boy Advance, essentially the same game but with bonus material, so to speak. For example, the sprites and animations here look to be ripped directly from the SNES game, but techniques and attacks like this are obviously from the Super Turbo Arcade game. There is some stuff unique to just this game, like the backgrounds for a few character stages like Ryu, Gile, and M. Bison are all brand new, and I don't think they're used in any other Street Fighter game. Perhaps best of all though is the addition of Akuma as an unlockable character after you reach 5,000 points. You can also play as Shin Akuma after 9,999 points. But yeah, there's 16 fighters to choose from, all the original characters plus the four originally introduced in Super Street Fighter. There's lots of game modes here too, like a survival mode, time attack, a multiplayer versus mode of course, a training mode, and four different speeds all the way up to 3 Star Turbo. There are a couple flaws here, most notably is the music. It just doesn't sound good. I guess you can explain that away due to technical limitations, but yeah, it's bad. There's also some occasional slowdown here, usually from the special attacks. It can be frustrating, but it's not that big of a deal. So yeah, not much else to say here, Super Street Fighter 2 Turbo Revival doesn't have much to offer in the way of originality, but it is a very good port remake mishmash of both the SNES version of Street Fighter 2 Turbo and the Super Turbo Arcade Edition. It's held steady at an average of $14 on eBay over the years.  This game is pretty solid and you're not going to find much better than Turbo Revival.


From the heart of the jungle comes a savage cry of victory. This is Tarzan, Lord of the Jungle. From the black core of dark Africa, land of enchantment, mystery and violence comes one of the most colorful figures of all time. Transcribed from the immortal pen of Edgar Rice Burroughs. Tarzan, the bronzed white sun of the jungle. And now in the very words of Mr. Burroughs, the story of Trouble-Off-San Lorenca. Perhaps it is difficult for those who have never visited exotic ports like Casablanca, Algiers, Tripoli and Tunis to picture Becarrata. But Becarrata is much like those other ports, except that it's a trifle dirtier, a bit more sinister, a little more completely steeped in the dark mystery of Africa. At one end of its narrow winding principal street is the Café du Diable, the Café of the Devil. It presumably gets its name from the painted figures on its walls, but many claim it has been named for its owner, a small, goatee, Monsieur Andre Develo. Andre, look where it just walked in. Mmm, extremely pretty. Maybe another entertainer looking for a job.  Did you ever see an entertainer who dressed immorally? She's a small town girl who has perhaps come over here to serve as a missionary. Shall I go over and see what she wants? No, just understand their being uncomfortable. By the time she works up enough courage to walk over here, it would be easier to say no to whatever request she makes. Oh, look, she's leaving. Perhaps she's afraid of all the replicating devils that the ones painted on the walls. Mademoiselle, Miss? Yes? You're looking for someone? There is something I can do for you? I think maybe I made a mistake. This couldn't be the place. You're frightened. There's no need to be afraid of Andre Develo. You are, Mr. Develo? Then this is the right place. I'm Della Carter, Simon Carter's granddaughter. He wrote that you were his friend. Yes, he's a friend of Simon Carter's, all right. I can speak to the young lady without your help. Of course, Andre, of course. Such a dear friend of Simon Carter. What do you mean by that? To be truthful, my dear Miss Carter, I'm just a trifle, shall we say, angry with your grandfather. For several weeks I permitted him to occupy a room back of the café without charge. Yes, he wrote that you were very good to him. He left for the Congo. I financed his expedition. It's been four years now and he's never repaid the money advanced. Nor did he ever send me my share of the gold. He was so sure of finding it. But, Mr. Develo, something's happened to him. I know it. Many times things happen to white men who go into the jungle in quest of gold. Gold they never find. But grandfather did find gold, a fortune, I guess. What? About a year ago. It was after that that something happened to him. Oh, he's in terrible trouble someplace. Come into my office, my dear. I want you to tell me all about it. If your grandfather's in some kind of trouble, Andre Develo will help him. He said you were his friend. Maybe I am his friend. So he found gold. Grandfather was always the character in the family, wandering all over the face of the earth and having all sorts of strange experiences. I see, Develo. Well, dad and mother passed away about six years ago. After that, grandfather and I lived together in a tiny cottage. Oh, lovely. It was nice. But all we had to live on was my small salary as a lower great teacher. Grandfather wasn't content to let me support him. I guess he's still great for adventure. So he came to Africa to find a fortune and gold. Yes. First I had his letter from here, the one in which he mentioned you. Then there was a long silence. And at last a letter came saying that he was on his way home. That all the wealth he had accumulated during the years was mine. That he was bringing it to me. So he didn't intend to give me my share? Oh, I'm sure he would have sent it to you. He was very honest. Well, he didn't come home with the gold anyway, I assume. No. I never saw or heard from him after that. Six months ago I quit my job. I decided then to come to Africa and find him. Or at least learn what had happened to him. I can understand your feeling, my dear Della. Andre Devereux will help you in your mission. You and I will find out what has happened to your grandfather. And who can tell, we may also recover the fortune he discovered in the Congo. In just a moment we shall find out what happens to Della Carter and Monsieur Andre Devereux when they enter the jungle and meet Tarzan. In civilization it is difficult to learn about matters that transpired four years ago. In the jungle it is almost impossible. But Della Carter was determined to find out what had happened to her beloved grandfather. And Andre Devereux had a driving will to get the wealth that Simon Carter had mentioned in his letter. And so the two led their safari deep into the Congo jungle where the old man had last been seen. Their trail led them eventually to the sea coast cabin of the Lord of the Jungle. Does this be it? Yes, this must be the cabin the native mentioned. A bus! We will stop here then. Don't hear anyone inside. It looks deserted all right. But if this tip doesn't pay off I don't know where we can go from here. Grandfather's last letter was postmarked Cape Town. Perhaps if we headed in that direction. It might have been carried thousands of miles before it reached the Cape Town post office. And our small safari could never get that far. No, I suppose not. But where else can we head next? We can head back to Becurata. I've been a fool to invest further money in a lost cause. I financed your grandfather's expedition. And now I've borne the expenses of this ridiculous safari. But we must go on. Grandfather may be dying. Maybe he's been captured by cannibals or... Oh, please, Audrey, let's... I'm going back to Becurata. You're coming with me. You learn the money I've spent on this foolishness. Andre Devereux does not make bad investments. And there will be more slaps unless you listen. And there will be no more slaps. Do not be afraid, young lady. I thought you were some huge animal. I'm sorry if I frightened you. I am Tarzan. Ah, we have been looking for you. I am Andre Devereux of Becurata. And this is Delacata, an American girl. Why did you slap her? It was just a slight misunderstanding, that's all. A Latin temper in flame, but the jungle eats. Actually, we are genuinely fond of each other. Am I right, my cheries? Yes, yes, I guess so. I overheard your slight misunderstanding. I was in a tree almost directly overhead. You see, I have grown unused to civilize people, and I plan to remain in hiding until you've gone away.  I have always reacted strongly to man's cruelties and woman's tears. I don't usually cry. It's just that we've come so far, and every lead we follow doesn't come to nothing. From my hiding place in the trees, I heard that you searched for your grandfather. From a distance from here, we met a native who told us about how you'd saved a man from a wild boar. From the native's description, we thought that the man you saved might have been my grandfather. His name is Simon Carter. Do you know him? Yes, I know Simon Carter. When did you see him last? It was more than a year ago. Where did he go when he left here? Only the jungle can answer that. Did he have gold with him? Did he mention a fortune? I am a man of the jungle, Andre Devereux. I have not tried to disguise my actions or my feelings. I do not like you. I do not like this cross-examination. Still, because of this girl, you are invited to come inside my cabin. I will tell you what I know of Simon Carter. Then you don't actually know whether he'd found the gold before he arrived here. I have told you all I know.  Yes, yes, yes. Go on. He rested here for several weeks and then left. Did he have any large sacks or boxes with him? Only a humble carpet bag and a few crude mining tools. The carpet bag? Was it heavy? Every other than it would have been had it contained only clothing. Yes, it was heavy, but I did not look inside. If it contained gold, that was Simon Carter's business, not mine. And that is the last question I shall answer. I only meant to... I shall prepare food for you, the young lady and your bearers, and then you must leave. And Miss Carter... Miss Carter! Gone. She must have... I didn't hear her leave. If she's wandered beyond the edge of the clearing, she... No mother lion preparing for a feast! Tarzan dashed from the cabin, crossed the narrow clearing in a few great leaps, and hurtled himself into the middle level of jungle growth, traveling in the direction from which Nooma's roar and the cry of the girl had come. He moved with incredible speed, and although Della had wandered far from the cabin, Tarzan's overhead flight brought him quickly to the place where she stood with her back to a huge rock, facing an enormous, angry lion. And even as Tarzan looked down, the huge lion, tired of toying with its prey, crouched low, its muscular haunches quivered, and it leaped. But Tarzan was already hurtling through space, his great knife flashing in the air as he dove with the lion. Man and beast were one for a moment, an indistinguishable mass, and then as the lion shuddered convulsively, Tarzan got to his feet and placed one foot on the dying animal. Just as you did my grandfather's... You... You were very foolish to leave the cabin. I couldn't stand listening to Andre any longer. When we left Becorrata, I thought he was being kind that he wanted to come with me, so that he could help in case grandfather was in some kind of trouble, but not... Andre Devereux was neither a safe nor a suitable companion for you on a long and dangerous safari. I know. I think I'm more afraid of him than I was of that line, but well, I have to go on. And I shall come with you. You're not afraid of me, are you? Of course not. I think you'd inspire confidence and trust in anyone. Thank you. If you along, I'm sure we'll find my grandfather. They'd never call this a city back home. Well, this is an African city, although Lagos doesn't compare with some of our great cities, of course. This office we search for, is this it we're coming to? Yes, if Simon Carter sailed from Lagos and every report seems to indicate that he did, they'd know all about it here. The Zabin Navigation Company is the only one operating ocean-going ships out of this port. There isn't much to look at this navigation office. Is there something I can do for you? You are, Mr. Zabin? Yes, what do you want? We seek information, Mr. Zabin. Ah, a savage dressed in a leopard skin. Perhaps you'd like to know when the next of my ships is to sail into your jungle. We're trying to find out something about a traveler who may have sailed on one of your vessels. Oh? As closely as we can determine, it was about six months ago. They describe him perfectly in the last native village we passed, and it was only a few miles from here. What is the name of the man you want to find out about? Simon Carter. My grandfather. Do you have any records of his sailing? Yes, I remember him. He arrived at the dock only a few moments before the pride of Lagos sailed. Despite the heavy carpet bag he carried, he ran the entire length of the dock. The carpet bag. Did he sail on the pride of Lagos? Yes, and he carried six other passengers and quite a valuable cargo. Not valuable enough, however, to make salvage operations worthwhile. Salvage operations? The ship went down off the island of San Lorenca. All aboard were lost. English coming out in this boat? Grandfather's dead. We know that now. Yes, and he won't have any more use for the treasure he had in that carpet bag. Bring the boat around a little. The reefs are dangerous here. I know these waters. Tarzan, I really don't want you to dive down to try to recover the treasure. It isn't that important. It is to me. If Tarzan doesn't get it, I'll hire a professional diver. I'll find that carpet bag and the wealthy tools. You see, Dela, if we abandon our search, your friend Andre here will continue without us. For the investment of a few mining tools, you'll get all of the treasure your grandfather intended you to have. But deep sea diving is dangerous. I've always heard that. I know you're strong. Look, right below us. The Oliver ship. I hope the anchor will keep us from drifting too far. The water is so clear. I can almost make out the name on the prowl. I can see the name. It's the pride of Lagos, all right. I've never seen such clear water. The ship must be 100 feet down. More than that, I think. 200 feet wide. You can never descend to that depth without a diving suit. I can try. No, Tarzan. It isn't worth risking. Look at him. Go down. As though he were made of rock. Sometimes Tarzan seems so gentle. With that knot held between his teeth, he seems a complete savage. Do you think he can reach the sunken ship? I hope so. You'll see the expense of a diver. They get a lot of money. I can hardly see him now. The water's suddenly cloudy. Something seems to be stirring up the mud on the bottom. I can make Tarzan out now. He's about half way down. Look, Andre. Look, an octopus. It must be 25 feet across. He's got Tarzan. It is the end of the jungle man. In just a moment, we shall continue with our exciting story of Tarzan. Two of the octopus's thick, slimy tentacles are already wrapped around Tarzan's body.  The other undulating arms gradually move closer.  And the huge devil fish had still another weapon, the poison that would paralyze its victim. Now the water was suddenly cloudy with the poison, but Tarzan fought to overcome it. He struggled upward, gasping for breath. His knife arm struggled free, and one of the tentacles was severed. As they reached the surface, the knife descended again, and the water was red with blood. Now Tarzan was almost unconscious from the poison. But years of jungle training made him strike out with his knife again, and again, and again. The suckers relaxed now. The remaining tentacles began to lose their strength. Tarzan grasped the side of the boat and pulled himself onto the deck. If he'd been killed, it would have been on my conscience all my life. It was unfortunate he's encountering the octopus. If it hadn't been for that, we might have had the treasure by this time. I don't care now if we never get it. If you would sign away any rights in your legacy, perhaps... She's signing nothing. All right. Then as soon as you have regained your breath... I'm not going down again. I won't let him. Perhaps you're right, my dear. Suppose you remain here and take care of Tarzan. I will go ashore on the dinghy. Maybe I can find a diver. He can divide the expense equally from our respective shares of the treasure. All right. But do you think you'll find a deep-sea diver on a tiny native island like San Lorenca? I took the precaution of making inquiries on the mainland. I understand there is a diver there. One with whom I believe I can make a satisfactory arrangement. By your accent, I would judge that you are far from home. I ain't asking you no questions. I don't want you to ask me none, see? But certain things I must know. Your name for one thing. Just call me Tex. May we? That's enough of a name. And you are an experienced diver? I was one of the top divers in the States until... Well, never mind that. I'm a top-flight diver, and I got all the equipment. But I warn you, I'll come high. I will pay you double your established rates, provided you will play ball. I believe that is your American expression for it. I get you. But I'm a diver, not no trigger man. If I wanted a certain man shot, it would not be necessary to engage you for the job. I carry a gun, and I know how to use it. No. I have a war-enliberate plan of which you shall be apart. Okay. But I want my money first. All right. I should give you your regular wages now. Later, when the treasure is all mine, you shall get the rest. Now, here comes Andre. I guess he got his diver. There's another figure in the boat, too. Would the diving suit protect him from another octopus? No, but I doubt that another will enter these waters while the scent of the dead octopus remains. Oh, there! Catch the line! Go ahead. Try it. Merci. Climb aboard, thanks. Thanks. Here you are, Mr. Devereux. Where's your hand? Tex, this is Delacarte. Hello, this is Tex. I'm glad to know you, Tex. Pleasure's mine, man. And this is Tarzan, the gentleman I was telling you about. Let me see you, pardoner. I'll help you with your heavy equipment here. Well, handle the gentle, pal. That stuff can mean the difference between life and death. In my racket, you learn a lot about both. Tex is coming up now. You gotta keep reeling in that arrow as if it ever gets fouled. He's finished. I've been careful. I'm pouring him up. He has a treasure? He's been down long enough to have a dozen treasures. Let me haul him up. I can't go quickly enough. But he must have a treasure. Help me, Tarzan. But he's said to bring him up slowly. I can't wait. He's too exciting. He's almost at the surface now. How far down did the dial say he'd gone? About 120 feet. If the water wasn't so clear... He's reached the side of the boat. Help me lift him up. There's nothing in his hands. There you are, Tex. Now I'll unfasten your helmet. You... you brought me up pretty fast. What did you find? I... I went through most of the cabins. I found the old man you described. You found him? He was in his bunk, ma'am. I'm sure he didn't know I hit him. I don't think he even knew a moment's pain. It ain't a bad way to go. Never mind that. The carpet bag. Did you find it? I've seen it all right, but it was lodged under a heavy timber. Too heavy for me to let go. What's wrong? A little case of the bands, I reckon, ma'am. It comes from being hauled up too fast. Next time we will raise you to the surface more slowly. There won't be no next time, partner. When you caught a case of the bands, you might as well risk another dive for a spell. A tassan? Perhaps Tex could tell you how to use the diving equipment. All right, I'll try. No, Tarzan, please don't! Now we've gone this far. We might as well complete our job. I can tell you exactly where that carpet bag is, Tarzan. With your muscles, you shouldn't have no trouble getting... no trouble at all. Can you see him, Tex? Nope. Not today. Water's a little clouded this morning. He's been down there an awful long time. He's very strong. Nothing will happen to him. You sure he's all right, ma'am? It seems to me you've recovered from your bends awfully quickly. What do you mean by crack like that? Tex, he's signaling with the lines. How many pulls? Speak English. Three times, he jerks the lines. He wants to come up. If only there was some way of knowing whether he found the treasure. Why aren't you holding him up? I'd give my right arm for a telephone assistant to him. If you had thrust-glass equipment, Tex would be able to...   And you don't intend to pull him up until after he's dead.  Oh, no, you won't. Turn that compressor on again. My gun! You stole it out of my cabin! That's right. Now start the compressor and begin holding Tarzan up right away. We ain't doing nothing of the kind, ma'am.  Get the compressor going and hold Tarzan to the surface. You must try.  I still can't get over how you managed to work the lines and haul me to the surface. I didn't know I had that much strength either. Are you sure you're all right? Oh, I'm fine. I'm awfully glad to get out of that weighted suit. Well, sir, you see what's in the carpet bag? Yes. Pretty badly rested. There it is. What are those things? Native jewelry, most. Not worth much, I'm afraid. That package there wrapped in oil skin. Perhaps it contains the wealth he wrote of. It's a book of quotations and a letter to me. Look. Let's see. To my granddaughter, Dela Carter, I leave the accumulation of a lifetime. A few gold dollars, some interesting native jewelry and a wealth of wisdom which is contained in this collection of quotations. And this is what two men died for.  Do not search the world for riches, for a man's treasures are on his own hearth. This is the wisdom I have accumulated during a lifetime and this wealth of knowledge I leave to you. In just a moment, a word about our next story of Tarzan. In Africa, is there a land more foreboding than Egypt? Bordered by the Blue Mediterranean, the Red Sea, the Great Libyan Desert and the inscrutable Sudan, it defies the advance of civilization. And those who ignore the warning of her gods are doomed. In our next story, we relate how Tarzan incurs the curse of the pharaohs. Tarzan, the transcribed creation of the famous Edgar Rice Burroughs, is produced by Walter White Jr., prepared for radio by Bud Lesser with original music by Albert Glasser. This is a Commodore production.


Whenever there would be any really catastrophe that was in the movies or on the air, she would say, always look for the helpers. There will always be helpers. Welcome to Values. I'm Shaquille DeLal. This week in response to the coronavirus we're interviewing helpers, people who are doing their best to continue to serve the community through this really trying time. I'm here today with Katie Weiser and her daughter, Samaria. Thank you for being here. Thank you for having us. Samaria, how are you doing today?  Yeah. Yeah, we have two dogs. Right. One is being told that like when stuff is not allowed in the house. Right. You're trying to entertain yourself with the two dogs at home right now? Yeah. While mommy's working? Yeah.  Yes, you've been swinging a lot while mommy's been working. Is that at the playground next to the senior center? No, actually. So I work from home as much as possible in an effort to social distance and keep my co-workers safe, especially our kitchen staff right now. But we do have a swing set in our backyard where she has been spending a lot of time swinging while I get some work done. Well, Samaria, thank you very much for being here too. We really appreciate you helping your mom out. Can you say you're welcome? You're welcome. Katie, can you tell me a little bit about your organization? Sure. So at Longmont Meals on Wheels we serve older people and people with disability who struggle to stand long enough to cook a meal for themselves or are confused by the dietary restrictions that their doctors placed on and can't either, can't leave the house regularly to get their own groceries or just can't stand long enough to cook anyway and wouldn't be able to do anything with fresh groceries, even if it was delivered to their home. Last year we served over a thousand people in their homes and we served over 110,000 meals, which makes us the third largest Meals on Wheels program in the state after the two Denver programs. How many people do you serve and on how often? So any typical day we are serving about 500 meals a day. Hi, let's try that one again. On any typical day we're serving about 475 to about 550 meals a day. Some of those are duplicates for people who also get frozen meals for the evenings or weekends, but typically we have about 450 clients every day who are getting meals in their homes. How many staff does Longmont Meals on Wheels have? We are a staff of nine and an additional person for as needed special projects, but right now because of social distance things she's staying home. And what exactly are the services that you provide to people? So we are unique because we're the only meal provider to older people in their homes in Longmont who are serving ready-made meals. So the meals that we're delivering to seniors homes are ready for them to eat right now or pop in the refrigerator or freezer and warm up in the microwave to eat later. We're also a daily check, a daily wellness check for the hidden hungry in Longmont. We often call older people who are homebound and struggle with regular access to meals, the hidden hungry. Although right now obviously that definition of hidden hungry is going to expand because normally when adults are hungry, adults my age are hungry or children are hungry, they're still getting out into the community. But seniors even during regular times struggle to get out into the community regularly and now more so than ever of course they shouldn't be getting out into the community. How has the coronavirus changed what you do? So usually we also serve a community lunch at the Longmont Senior Center for older people who are still able-bodied and can leave their house regularly, which just need help with a daily lunch. That meal has been canceled. And so now those folks, what you doing? Now those folks can get the meal delivered in their homes. We also have a very large volunteer force and normally they come into the senior center and they gather and they they commune with each other and they pack their meals up for their route. And right now nobody except for staff and a few small number of kitchen volunteers are part of our daily people organization inside the building. And so staff are packaging up the routes and we're actually taking them to volunteers' cars. They're just pulling up into our driveway and we're taking the meals out to them so that they can, our volunteers can stay distant from each other and also ensure like I said the health of our staff, particularly our kitchen staff. We don't want a disruption in our meal prepping right now. And so we're really focused on social distancing right now in an effort to keep our staff healthy. I mean that sounds like an absolutely gigantic challenge. Has this changed your staffing levels? Are you down any staff right now? Right now like I said we do have one special project staff person who is not coming in right now and then our executive director and myself were working exclusively from home except for kind of media things and us getting the word out to the public as to what's going on. But our kitchen staff and our regular office staff are still there every day Monday through Friday.  You're someone who is doing everything in their power to help the community through a time of crisis. Is there something the public can be doing to help you? Yes so right now monetary support is vitally important since the senior center closed and we stopped serving community lunches. In the first three days of this new paradigm we had 40 new homebound clients. That pace hasn't slowed yet and it doesn't seem like it's going to slow anytime soon. Do you need me to do that one again? No. Okay. Additionally we have been making sure that our regular homebound clients and any new clients that we're taking on at this time receive approximately a week's worth of shelf stable food which has been an extra expense for us right now as well and that is in case there is a disruption either in services for the individual or if there is a disruption in services at the agency level we want to make sure that our clients can get through this storm as well as possible. Are you accepting donations of shelf stable food in addition? Yes so we have a donation shelf outside the building. Our entrance to the senior center is on the west side of the building. There's a driveway there and if you pull into the driveway you'll see a shelf there. We'll take those donations between 8 30 and 12 30 Monday through Friday. They do have to be professionally packaged but we are a professional kitchen and so we do fall under Boulder County Health Department's guidelines which is a good news. It means that we're already up to you know par on the cleanliness thing that you know the home kitchen is just now starting to have to really pay attention to but that means that we can't take home canned items or home baked goods or anything like that. But I think professionally can. Anything professionally shelf stable and we can also take fresh produce. The other thing that we're struggling right now is as you can imagine a lot of our senior homebound clients are starting to run low on toilet paper and soap and as an agency we're starting to run low on hand sanitizer and because our volunteers are delivering meals from door to door we really want to make sure that we as a staff and as volunteers who need it have sand tannins hand sanitizer as well. So those kinds of donations would be wonderful but really the biggest thing anybody can do for us right now is whether it's $5 or $500 it's all so important right now. What's the best way to donate? So you can go to our website which is longmontmeals.org. If someone wanted to drop off food that meets your requirements do they need to provide notice or show up during your hours? Just show up between 8 30 and 12 30 Monday through Friday and the the shelves are just sitting right outside our door ready for people to drop items off. Katie and Samaria thank you very much for all of the work that you're doing to serve the community. Stay healthy. Thank you you too.


5 of the course Microwave Remote Sensing in Hydrology. Today we shall try to discuss on an inherent characteristic of synthetic aperture radar known as speckle. So, a synthetic aperture radar image can be considered to be a collection of data samples. Now you may ask samples of what? So, samples of amplitude information and phase information at different polarizations. So, we cannot directly equate the pixel in a SAR image that is synthetic aperture radar image to dimensions on the ground. And as mentioned earlier, we have seen that each pixel in a synthetic aperture radar image is represented by a complex number that is described by the amplitude and phase angle. So, firstly let us see how speckle looks like in a synthetic aperture radar imagery. So, the data like what you see on your screen is not easy to work with and SAR imagery can be provided in different formats of which as I mentioned earlier the raw data is not that easy to work with. Nevertheless, all the SAR imagery shall exhibit a characteristic property known as speckle. They say speckle is noise like but not noise. But nevertheless all coherent imaging system like lasers, sonars or ultrasound they shall exhibit this salt and pepper noise that is grainy appearance. Now shown here towards your left side is an image that is unfiltered that is a raw image which contains speckle. So, right now I am not going to specify what is meant by filtering. And shown towards your right side is an image after filtering using a particular filter known as median filter 3 cross 3. So, we will come to what is filter and median filter and 3 cross 3. But I just thought to show you these two images side by side so that you can understand what we are trying to achieve here. So, let us try to start with spatial convolution and its concept. So, you already know how speckle looks like the grainy appearance looks like in a synthetic aperture radar image. So, to decrease the effect of speckle certain de-speckling filters can be applied to an image which has already been subjected to multi-looking at the processing stage. So, by now I am expecting that you know what is multi-looking because we have already covered it as part of a previous tutorial. So, before we understand about filtering first we should know what is spatial convolution. So, a few kernels or convolution mask are being shown here which is having 3 cross 3, 3 rows, 3 columns, 5 cross 5 and 7 cross 7. They are kept intentionally empty but actually the mask will contain some weights, some weights and a spatial filter is a filter for which the value at any location say i, j or x, y will be a function of values located in a particular spatial pattern around the i, j location in the input image. So, let us try to understand how spatial convolution works. So, again I want you to visualize that this empty matrix has values, has numbers they are intentionally left blank for the sake of clarity. So, assume there is a filter which is having 3 rows, 3 columns let it be any filter. So, I am going to call it as 3 cross 3. So, assume this filter 3 cross 3 which has weights which is not empty which has weights are placed at the left most corner of the image. So, a weighted average approach shall be used to calculate the value of the central cell and once the output value from the filter has been calculated the window shall move one column or one pixel to the right and then the operation is going to be repeated again. So, the window shall be moved rightwards and successive output values shall be computed until the right hand edge of the filter window hits the right margin of the image. So, at this point the filter window is moved down one row that is one scan line and back to the left hand margin of the image to repeat the same procedure again. Again the filter window reaches the bottom right hand corner of the input image. So, until that time this procedure is going to be repeated again. So, once again we have a 3 cross 3 filter it can be 5 cross 5 or 7 cross 7 with weights which are placed at the left most corner of the image and using some approach some weighted average approach will come to that later. We alter the central cell of the image and once the output value is calculated this window that is the filter is going to be moved one pixel to the right and then this operation will be repeated till the window hits the margin of the image. So, once it hits the margin of the image the filter window is going to be moved down by one row or one scan line and then back to the left hand margin of the image and this procedure is going to be repeated until the filter window reaches the bottom right hand corner of the image which means until it reaches the bottom right hand corner of the image. Now generally the output image shall contain fewer rows and columns as compared to the unfiltered image because here by now you may have noticed that we are altering the central value but we are not altering the margins of the image. So, typically the size of the output image will not be same as size of the input image and in order to keep the size of input image and output image the same the unfiltered margin corresponding to the top bottom right and left are filled with zeros or we call it as padded with zeros. We will come to that. So for this exercise also we shall be using the LO Spulsar data which you already have downloaded as part of a previous tutorial for the Mumbai region. I am going to show the exercise using the dataset downloaded for the Mumbai region. So, let us start to understand certain different types of filters beginning with median filter. So, as the name suggests instead of calculating the mean the kernel is used to replace the central value with the median values each time and a median filter is actually well known to tackle the salt and pepper noise as it may not improve much the appearance of the image visually but then a median filter also does not alter the final image statistics that is it does not replace the value with a weighted average value it does not alter the final image statistics. It is just going to look at the median inside the kernel and then replace the central value with the median value. So, let us try to understand it in a programming environment. So, as before I have already created a folder of NPTEL tutorials I can open an empty Jupiter notebook and then name it according to the tutorial 5. Let me replace tutorial 5 of the course on microwave remote sensing in hydrology. So, I have created an empty Jupiter notebook. Let us try to define a median filter first. Now as I mentioned earlier for this particular tutorial we are trying to understand speckle in LO spalsar data sets. So, a few of the steps that should be carried out before we actually work with median filters have already been covered as part of an earlier tutorial. So, I am going to refresh your memory now. The first step is to download the data which was covered in tutorial 2 and the second step is to open the LO spalsar data which was again covered in tutorial 2 and the third step is to examine the HH and HV images covered in tutorial 2. Now the initial set of commands have already been showed that is how you design a file path, how you open an image all these have already been covered as part of earlier tutorial. So, here for the sake of saving time I am not going to repeat the same commands again. So, I am going to directly use the existing commands. So, now that we have completed the initial few steps let us try to define a median filter. Now here if you see I have used DEF that is the keyword for defining a function and the function name is followed by parameters which in this case is the data and the kernel underscore size that is you have to input the data and the kernel size. Indexer is nothing but kernel underscore size by 2. Now the symbol for floor division is used here. So, it is just not a single divide but the symbol of floor division is used here. This is very similar to normal division except that it returns the largest possible integer. Moving on I am going to use np.zeros which returns a new array with a given shape and size but which is filled with zeros. So, data.shape within square brackets 0 gives the number of rows in a data that is data is nothing but the image you have entered as input and data.shape within square brackets 1 gives you the number of columns in a data. Now padding shall have rows equal to rows of data plus indexer and padding shall have columns equal to columns of data plus indexer. So, assume that the size of the data that is the input image you are entering is 1000, 800, 1000 rows and 800 columns and assume that you are using a kernel size of 3 that is 3 cross 3. Then indexer will be 1, is not it? So, here to define a median filter I am using for loop and np.median which computes median along the specified axis and it returns median of the array elements. So, what we have done is we have defined a median filter using the DEF that is keyword for defining a function. So, we have defined a function here we are not using any inbuilt library we are defining a function from the scratch so that we understand how a median filter works. So, now we want to visualize the output image and input image side by side. So, let us apply the median filter first using this command. So, I am going to use the input data as sigma h h image and not only that a specific number of rows and columns of sigma h h image are used as input values and the kernel size is kept as 3 that is 3 cross 3. So, median underscore filter the moment I define a function it computes the median and then the output image is stored in medfill. Say I want to visualize how the output looks like I am going to use the plt.subplots function 1,2 that is 1 row 2 columns. So, in 1 row 2 images are going to be displayed side by side and again in figure size 14 units 8 units that that is nothing but some sort of an aspect ratio. So, here I am going to use .imshow function to display an image with color map as gray and as I mentioned earlier I can also name the figures give it titles using title.set underscore text. So, what I am trying to do is I am trying to display the unfiltered image side by side along with an image which has been subjected to median filtering. Similar set of commands I can write for medfill. Medfill is nothing but output image after it has been subjected to median filtering. So, sigma h h image rows from 500 to 1500 and columns from 2200 to 3000 has been subjected to median filter with a kernel size 3 cross 3 and the output is stored in medfill and I am trying to display both the images side by side. So, this is how it is going to look like. I hope you are able to visualize what we achieved by operating with a median filter. Let us try to look at the second type of filter that is mean filter. So, as the name suggests the mean filter reduces the overall variability of the image and it lowers its contrast and this averaging process can be considered as smearing or blurring and those pixels which have values larger than their immediate neighborhood are reduced and those pixels which have values smaller than their immediate neighborhood are respectively increased in values. That is what averaging does is not it? Now, let us see how this can be performed in python. So, the title is we want to understand mean filter which means I have to define a function using as before def that is nothing but keyword for defining a function. So, I am going to name the function as mean underscore filter that takes in two inputs that is data, the input image and the kernel size and I am going to use floor division to get the indexer. As I mentioned earlier floor division very similar to normal division except that it returns the largest possible integer. As the next step I am going to use np dot zeros which returns a new array of a given shape and size but which is filled with zeros. When I use dot shape it gives me the number of rows and columns. So, dot shape within square brackets 0 gives me the number of rows and dot shape within square brackets 1 it gives me the number of columns. So, this data is entered in the zero array created and then I am going to use a for loop for i in range indexer and padding dot shape within square brackets 0 minus indexer plus 1. Similarly, I can write a for loop for j in range indexer comma padding dot shape within square brackets 1 minus indexer plus 1. So, here I am going to use np dot mean function which computes the arithmetic mean along the specified axis. So, basically it returns the average of the array elements. Having said this the downside of mean filter is that it may not be considered optimum because it simply averages the pixels irrespective of their properties within the imaged scene. So, now we have completed defining the mean filter. We have named it mean underscore filter. So, all the operations shown here are very similar except that instead of np dot median we are using np dot mean. So, now let us apply the filter on to the image. So, I am going to use mean underscore filter that is our defined function name and it needs two inputs the data and the kernel size. So, as data I am going to use the sigma h h image not the full image but a certain part of the image with rows 500 to 1500 and columns 2200 to 3000 and the kernel size I am using 3 that is 3 cross 3. So, now what I want to see is I want to visualize the unfiltered image and the image which has been subjected to mean filtering side by side. So, let me re-iterate these commands we are going to use plt dot subplots and dot im show and as before I can name the images by using dot title dot set underscore text. So, the image towards the left I wanted to display the unfiltered image that is the specific sub plot that is sub part of the sigma h h image and towards the right side I want it to display the output image after mean filtering. So, that is why I am entering mean fill and also I am specifying the title as title dot set underscore text as mean filter 3 cross 3. Let me find out where I committed a mistake because it says invalid syntax. There you go I missed a comma. So, now that we have carried out the filtering I want to display the image it is going to be displayed like this towards the left side I have the unfiltered image and towards the right side I have the image after it is being subjected to mean filter with a kernel size of 3 cross 3. So, till now we have seen about the speckle we have seen about mean filter we have seen about median filter. In the next section we will try to understand more about something known as a Gaussian filter. Thank you.


Thank you so much. What a lovely day of the year, bye. Thank you, man. Wow, Betty Chialo, congratulations for the amazing launch for this. Thank you so much. I really appreciate you guys being here. It was a good night. I'm so happy. What did you think? It was very very amazing. Just to ask, was it your dream to launch one day Chialo Culture a series? Yes. But I was like how can we make sure that you know we can do something all of us together and just produce something nice And when I had the encounter with DNR TV, I was like, you know what I'm gonna convince my sisters to do it It took a long time to convince them to do it because we're like, oh my goodness, but we don't have the the jets We don't have the planes. We don't have everything But you know what watch it for you maneno. Yeah. Yeah So how was the journey to have your caloculture series? I mean it was not easy because it was very hard to convince my sisters to actually do it But finally I was able to convince them and then I thought it was gonna be like just so nice Oh, let's just shoot but actually became like a day job like, you know We we shoot like for hours and hours. You can actually shoot for like six hours. I love food with three minutes That's really what so it's actually hard work But we love to do it because we love telling our stories and our fans are really appreciating this Yeah, you mentioned your fans the first time you posted the series the reaction was awesome Everyone was like, oh, congratulations. What is the feeling to receive a message? We were like we were like we so we posted it and we have a group for the for my my sisters together with DNR TV So we are just looking at the reactions were like, oh my goodness. Oh my goodness So we got the report and we're able to reach millions and millions of people from the Reports of how we did and most of the feedback was actually positive. I think it was like 95% positive 5% negative You don't care about the negative, but then 95% is massive. So we were so excited. We're like, okay This will actually work. Let's do this. Yeah, this is a reality. Yeah, it's something that is very expensive to run How are you planning to spend on this? Well, at least I'm not we're not the ones spending we're the ones getting paid. Thank god Um, but show must and DNR have been able to to really come up with a good You know remuneration for my me and my three my two sisters And so for the production team of obviously they're spending a lot because we have a crew of about eight Every single time following us around you can imagine eight people is not a joke And so they have really invested highly in the production. That's why you've seen the production is top notch It looks like it looks it almost looks like something that's gonna be on Netflix, you know And so yeah, they've spent a lot and we're really really excited and they've also taken care of us very very much in terms of their pay But you had options of having the reality on your youtube channel. Why does it have it on showmax? So the reason I wanted to have it on showmax is because I was doing bk lately on my youtube channel But I was like, you know what I was meant for tv YouTube will always be there But then I wanted because you know, we we we all came together showmax dnr and my sisters Well, like, you know what? Let's actually try this thing and see where it's gonna go So I love that we are live on tv But bk lately is still in my heart because that's where we started.  I think every time I introduce somebody to the public eye it becomes such our Wave and there's the curiosity is so crazy So I'm not sure I'm gonna be I mean I I go on a lot of dates and there are guys who are in the show We're trying to take my see on a blind date because we think she needs to be hooked up My sister's think that I should get time to just relax and just have a good time in a in a single way So will we see guys, maybe we will but I know for musty we're already hooking up with somebody who did she didn't really like But we'll see how it goes So how's life being single? Um, it's really nice. Well, I've been going to dates, you know, I meet different people I like it. Honestly. I'm a pressure when I think I see most you copy like right now somebody's like So me I'm like so You go out with your friends somebody's like So me I'm like I'm so happy like it's a light moment for me. I'm just working really hard. I'm opening different projects This is the first one. There's one coming up soon and then the beauty line And so I'm just so excited that you know, I nobody knows I'm happy. Me also So yeah, I'm enjoying my single life really do you think that kaila culture is giving you an option Maybe you can connect to the real funds. Oh my goodness. Yeah for sure I'm happy that our real funds can finally see us in a very Different light. They can see our flaws our mistakes when we are not feeling ourselves when we don't look glamorous like we do today They can see our normal life when we are fighting with my sisters when we don't agree When we are broke, like, you know, like kaila culture is just going to see show a different side of us to the fans So I'm really happy that they're also very excited. They're going to enjoy it. I'm sure Yeah We've been able to watch other reality shows. Sorry. We've been able to watch other reality shows, right? Just like keeping up with the Kardashians. All right. Are we going to do private day Vacation so private jets.  We're very excited. We're going to different destinations We're going to what is it different look. I mean the locations are really really good So for private jets, let's watch and see but it's a really high budget production showmax has really really Flexed if I was to say that. Yeah. Thank you guys So after this show, we're going to take some time to just first of all make sure that the launch, you know Of our show is successful and then but we're still working in the behind the scenes on the on the beauty line And it's going to be launched in a few months and it's going to be great It's got to be affordable for many women. It's going to be great quality stuff. So watch this space. Thank you so much. Thank you So for all my fans For all my fans For all my fans. I really really appreciate you guys You guys have really held our hands. We really appreciated our work. And so I just want to say thank you so much We really see you and we really hope that you're going to enjoy a color culture All right, thank you