Machu Picchu, unquestionably one of the most recognizable ancient ruins on earth.  Placed far away from modern civilization, requiring a 10-hour track along the Inca Trail to reach, however, when one arrives at the site, they are rewarded with an astonishing array of ancient feats of engineering. There are many anomalous characteristics of this pre-Incan site, which although ignored by academia, we intend to explore here on our channel. One of these peculiar and as-yet unexplained features is the Temple of Three Windows. West of the main square, this sacred temple, formed with the use of gigantic megalithic blocks, is adorned with three still-existing trapezoidal-shaped windows, aligned with the path of the sun, allowing its rays to pass through them at different times of the day, brightly illuminating the sacred plaza beyond. It is one of the many inexplicable features of Machu Picchu, and indeed pre-Incan Peru, which laughs in the face of currently-attested academic theory and its attempts to explain how such sites were initially built. Most funded archaeologists claim Machu Picchu was constructed as an estate for an Incan emperor known as Pachacuti between 1438 to 1472. However, we disagree with this claim, due to the exquisite nature of the site's the clearly advanced levels of architecture, specifically but not exclusively pertaining to its complex irrigation, sanitation, and drainage systems, and indeed the precision displayed with the use of such enormous, multi-ton stones. These ancient megaliths were not only somehow carried to the tops of these mountaintop fortresses, but as the Temple of the Three Windows clearly displays, masterfully cut to form the windows. Accomplishing such a refined finish to their surfaces that to claim they were chiseled out using primitive tools, we find not to be a viable or indeed logical conjecture. It is clear to us that whoever created this remarkable temple had at their disposal not only advanced highly capable transport systems, but stone-cutting tools far out of the reach of the academically claimed constructors. Furthermore, present upon the stones of the Temple of Three Windows, also visible throughout ancient Peru, are enigmatic marks left by a tool that we, the public, are yet to be informed of. Intriguingly, these marks are not only visible upon the stones within Peru, but are also in abundance at the ancient quarry within Aswan. We have in the past covered the pink granite columns found within the ancient temples of Baalbeck, transported from the same quarry to Baalbeck, a distance of over 1,000 miles. These columns, we hypothesize, link the temple to the ancient pyramids, and these enigmatic stone-cut marks present at Machu Picchu we assert connect all three. We believe that as more detailed alternative research is undertaken upon these sites, the connections between them, or more specifically, the true creators of said sites, will become apparent as the same. Both religious and evolution theories, in their current forms, stifle this truth by their very nature, yet thankfully, as more and more curious individuals relinquish themselves of the rigid and conformist chains of ideologies in favor of a pursuit of the truths of our Earth. The reality of history will inevitably be unraveled. Who built the Temple of Three Windows? How did they construct such an astonishing site built with such aligned precision with such enormous stones? It is undoubtedly highly compelling. There are many areas of modern historical study, and the conclusions thereof, which not only are incorrect, but carefully planned, highly funded, and precisely executed convolutions of our true history, theft of our true origins, and what lost civilizations were once capable of creating, systematically obliterating our heritage all around us, something the channel witnesses on a daily basis. There are many possible reasons for the motivation for such callous actions, yet all are ultimately found to have nefarious intentions, greed, power, control, and paradigm, with funded academics complicit in this destruction. There is now very little M.H. has not covered, investigated, or encountered regarding antiquarian subject matter. As such, is now utterly convinced the timeline for the history of humans is far larger, far greater, and far more spectacular than any religious, geological, archaeological, historical, or any other academically funded field or institute, who greatly profit from the propping up such continued misconceptions will ever willingly admit. It is up to all of us to remain thorns in the sides of institutional liars. The truth is out there, but one must be relentless in their pursuit of it.  Yet as mentioned, these strategic moves are not only isolated to our modern era, in reality they have always been a consequence of greedy, psychopathic, power-hungry individuals throughout the ages. The incredible, still unexplained sights, re-inhabited by our more recent ancestors, who strategically began to claim them as their work, with modern academics using a similar strategy for their own beneficial motives. The past invaders motivated by the illusionary sense of power and intimidation, which would have struck fear or respect for their seemingly magical capabilities into the hearts of any surrounding group. This power play strategy, also used by modern academia, using the vast array of said individuals' artifacts, excavated at each site to support their posit for structural origin. This, always regardless of the complete absence of any claimed culture leaving any diagrams, messages, or anything, not one shred of evidence showing these claimed culprits knew how to construct them, a vast portion of the general public simply go away, presuming those running the studies know all about who built these sites and how. Thus, those unfamiliar with the anomalies we cover can easily make a forgivable oversight, as these charlatans openly declare they do indeed know who built them, resulting in a mass of misplaced faith from individuals unaware of the concealed features and the hidden agenda by the institutes who bribe others through the academic funding structure. Manipulating those with limited information of such sites, academics put tremendous effort into being perceived as intellectually superior to us all. This is solely for the purpose of financial gain, as if they are perceived as being more knowledgeable by default they possess a greater influence, as such, can uphold misconceptions and concealment of the controversial and the contradictory. We often stumble upon unexplainable anomalies, sites claimed as the work of civilizations that were simply incapable of such feats. Polygonal masonry, enormous megalithic block walls, and rare but crucial polygonal floors. We have also recognized signature blockwork, found in many different countries, with many ancient stone-builds ingeniously put together, weight-bearing architecture, such as the lintel in the treasury of Atreus, that due to its accurate and complex design is simply preposterous to attempt to claim as the work of a group of ancestors which we know predates our own modern understandings of such techniques.  It seems that due to the fact that academia not only wants to continue to appear accurate and all-knowing in their explanations as to who built said structures, but also due to the clearly funded structure and the orchestrated efforts to conceal our past, is also to possibly conceal realizations that could arise within one's ponderings from the exposure of the complete picture of inexplicable technologically advanced ruins. Not only are many of these sites ignored, but many have experienced tremendous levels of vandalism and destruction. As mentioned, many of the most impressive ancient sites have had many of their most impressive engineering legacies stolen. Lots were adapted and claimed as another's creation. The Roman road, Roman columns, blinds, etc. The Great Pyramids claimed as the work of copper-wielding ancient Egyptians. Each of these supposed accomplishments by these supposed constructors are all absent any explanation as to how they constructed such wonders and those techniques found to have been used by these groups. The channel suspects were replicated, for if they were engineered by these groups, how did they consistently make such tremendous leaps in such tiny timeframes? It seems highly illogical and convenient that these occurrences of rapid technological development have all been found to have occurred within or near these still unexplained ruins. This clearly seems to have been due to the fact that just as we don't know how they were constructed, neither did our distant ancestors. They would have undoubtedly looked upon such accomplishments with awe and respect. A reaction they eventually crave from their enemies and allies alike. However, although these unexplained ruins, claimed by these civilizations, are absent any explanation as to their construction. They do still fortunately possess countless features, missed by the thieves of our heritage, which not only support all I have claimed for over three years. A motive for this would be an attempt to support the mainstream paradigm of the builders of such, yet it is nothing more than deceit, with modern movies involving these theaters merely an attempt to warp one's impression of their true purpose and origins. For example, Delphi in Greece, a site we have covered in the past, is one of the only sites we are aware of which still contains a near-pristine picture of the building techniques once present at sites which contain ancient amphitheaters. Segesta is still another little-known, rarely shared temple ruin that, due to this continued propaganda regarding Roman responsibility, is merely overlooked or rather dismissed and brushed under the rug, nothing more than another one of their many ancient ruins. However, the channel perceives such sites in a different light. Not only does it contain an amphitheater, one suspiciously robbed out of its stage stonework, but Delphi is clearly of a very similar age, with Delphi still displaying a polygonal stage floor. Yet at Segesta, a group of individuals, perhaps from a certain institute which shall not be named, who have for over a century been repeatedly reported as actively seeking out, stealing, and eventually concealing many controversial artifacts. Yet the deliberate destruction of features such as the stone at these sites is beyond the pale.  The temple, although predictably now missing its roof, still contains features that not only fly in the face of academic teaching, but reinforces our conclusions of the sites having a far greater antiquity than the Greeks. And regardless of the attempts to destroy its advanced anomalies, advanced features are also found in the foundation blocks, out of reach of this group of morally deficient vigilantes. Protuberances These enigmatic notches are a signature we have already identified previously as an enigmatic feature, a signature of a lost civilization, one which we call the polygonal civilization. Additionally, the incredible levels of pitting found upon the columns is clearly demonstrative of many eons of erosion. In a mainly temperate climate, this process of erosion would be considerably slower than that of a more abrasive or damp environment, making such erosion scars much slower to form, thus much older than what would witness in a location with far greater variation in seasonal conditions. Indicative of its unimaginable age is but another structure claimed to date from the Greek and Roman eras. Yet, when the condition of said temple is compared to other structures known for a fact to have dated from the same supposed era, it clearly exposes not only academia's conspiracy, but that they are indeed remnants left by a now lost, highly advanced civilization. They are undoubtedly highly compelling. There are countless astonishing relics still to be unearthed in Peru, rediscovered within the modern age, like that of Machu Picchu, long forgotten and gulfed by nature, still hidden within our past. With those which are rediscovered, simply dismissed and massed by cult-like actions of many of our modern institutions, most of which at a loss to explain the advanced nature of many of these relics, simply labeling said sites as pre-Incan. Peru is home to some of the most exquisite polygonal stonework to be found anywhere on the planet. Additionally, some of this inexplicable stoneworking incorporated some of the most enormous of stones into their construction. Furthermore, the Inca Road, a ruin we have previously covered, long ignored and rarely discussed. It is the largest man-made structure ever found, dwarfing the Great Wall of China, stretching an astounding 25,000 miles, once connecting many of the most inexplicable sites found within the country. It seems Peru was once a very important place, and possibly the capital of a civilization now lost long ago within history. Many of the unexplained ancient ruins we cover also express a near-obsession with the movement of the planets amongst the stars. And a huge portion of these ruins are either celestially aimed or had some form of astronomical significance built into their design. And our next subject of interest is of no exception. Known as chanquillo, we feel, it is a demonstration of exceptional astronomical knowledge, abilities far out of the reach of its currently academically claimed constructor. Rivaling even that of Stonehenge, it is an ancient monumental complex, located along the Peruvian coastal desert in a place known as the Kazma Seachin Basin, within the Ankhash Department of Peru. Atop a hill, there are 13 towers regularly spaced, forming a toothed horizon. What is incredible about this undertaking, however, is that throughout the year, if one is positioned in the correct place, one can witness the sunrises between each of these ridges, with solstices also significantly highlighted by their builders. The question is, how did a people place centuries ago within known history, and thus, with a far more limited understanding of astronomical precisions, accomplish the building of such an enormous ruin, aligned with the sun with such accuracy? Just like that of the precision displayed in other ancient ruins, perfectly aligned to cardinal points, the chanquillo is yet another example of an ancient civilization's workmanship, far more advanced and far more capable than that of the culture academia currently claims as the maker of said relic. From the east and west, investigators designated two possible observation points. From these vanishes, the 300 meter long spread of the towers corresponds to the rising and setting positions of the sun over the year. On the winter solstice, the sun would rise behind the leftmost tower of chanquillo, and rise behind each of the towers until it reached the rightmost tower six months later on the summer solstice. Inhabitants of chanquillo would have been able to determine the date, with an accuracy within a day or two, simply by observing the sunrise or sunset from these correct observational points. The 13 towers have been interpreted as an astronomical observatory, built in the 4th century BC. However, we believe, with such incredible abilities and knowledge of the processional positions required to have constructed these towers, they are far out of the reach of our own well-studied currently claimed ancient ancestors. Claimed as that of the chasmaseachan culture, we however disagree with this posit, simply on the grounds of its astonishing nature and the capabilities of its past constructor. It is a place which we find highly compelling. Many people are aware of the archaeological site known as Gobekli Tepe, an astonishing site of clearly great antiquity, a site like many others which dot our earth, which displays a far more sophisticated understanding construction and living practices to that of which would be publicly accepted by much of modern academia. Instead, it is often more favored to merely ignore such data as abnormalities, or it seems, if possible, to lock such controversies away from inquisitive minds, deep within archives or underwater. And our next site is no exception. Although Gobekli Tepe has become a synonymous candidate for evidence of a once highly advanced ancient civilization which once flourished here on our planet, it is not the only site to be found within the area, or even the most astonishing. Known as Norsen Tepe, this is the real gem of archaeological Turkey, and yet, just like Waffle Rock, a site we have previously covered on our channel, located within the US, it lay at the bottom of a man-made dam, submerged deliberately and conveniently very shortly after some highly controversial discoveries were beginning to be made at the site. An enormous mounded fort, designed and shaped with a purpose of providing a sophisticated living quarters when the site was excavated, it was found that no less than 40 inhabitations were present within the strata. Excavations were conducted between 1968 and 1974 by the German Archaeological Institute. Archaeologists, led by Harold Hopmann, the Heidelberg Professor of Prehistory and Early History, found considerable evidence to suggest that many of the later inhabitants of this sophisticated fort were themselves highly advanced, seemingly preserving many mysterious items left by many as yet unknown people. Why a government would make the move to flood such a location remains a subject of debate, and one which has led some to accuse the Mexican government of being complicit in the cover-up of a highly advanced ancient civilization which once lived here on earth. The fieldwork was finished by 1974. Shortly thereafter, the construction of the Quiband dam works began, rising the water level and submerging the site away from prying eyes. Who built Norse and Tepe? Why did they build it? It seems this fort has remained impenetrable since the day it was built, even successfully keeping out the elements for untold millennia, preserving untold treasures from a bygone era, treasures which seemingly shown too bright a light for some to bear. What kind of controversial archaeology is Norse and Tepe protecting? What are these government's bodies attempting to hide? These are questions which must be answered. Thanks for watching guys, and until next time, take care. There are a considerable number of ancient anomalies located within Egypt. These ancient feats of engineering litter sites and the quarries the stones were sourced and shaped at. And although many of you would have heard of Aswan Quarry, Elephantine may be a less familiar location to you, and for good reason. Not only are the pyramids one of the most perplexing, near perfectly constructed, and as yet unexplained ancient architectural accomplishments on earth. But how an ancient civilization supposedly placed within permitted known archaeological history accomplished such a feat, or indeed why? What was their original purpose? Academic contradiction, a severe lack of anomalous artifacts explored, never mentioned or somehow conveniently go unnoticed. However, in the real world, beyond the boundaries of the fenced or so-called schools of education, thanks to our own work and the presentation of such a volume of inexplicable events, ruins or megaliths, along with many others, allied within similar fields, independently funded researchers, investigative agents, and many more, sometimes even noticed first by a viewer credited with its rediscovery within our coverage. Thanks to all this movement working to expose such enigmas, has meant that not only are these incredible characteristics now being documented, mentioned, popularized, photographed, and studied more and more each day, now being recognized by more and more critically thinking individuals individually finding evidence of lost technologies that had until then either been undiscovered or deliberately overlooked by the funded academic, the vast catalog of unexplained architecture, again growing by the day, but also the often accompanying curious stone cuts, scars, and striations, all clearly left by high-speed disc-cutting machine, a signature toolmark, identical to that which is left by modern-day power tools, along with the still absent demonstration of the methods used to construct the pyramids, leads anyone to this ongoing and seemingly most controversial of arguments regarding the origins of the ruins found across Egypt. The Colossus of Memmon, each one weighing far over 1,000 tons, would sing every morning an amazing ability we have covered in a previous video, a curious characteristic reported all the way up until the Roman era. We also covered the thick layer of sea salt once found coating the pyramid's ground and underground caverns, along with a waterline reported at around 40 meters up their sides, still visible during the Spanish invasion. This clearly suggests that the pyramids and their accompanying Sphinx are in reality so old they even had once been submerged in ocean waters. An ancient ocean which over the eons has shifted, leaving behind sediment in the form of the desert sands. There are many enormous ancient megalithic stones hidden in and around the three great pyramids of Egypt. Not only are their enormous ancient stones virtually hidden in plain sight, thus although walked across largely overlooked, hardly ever mentioned, and never explained in regards to their transport and placement, as modern academia will never be able to provide a logical sound explanation for these feats. The casing stones, an area of interest we have explored and documented, not only displayed vastly different ages, but also construction methods and types of stones sourced in use. Ultimately, undeniable proof of efforts to preserve the outer stones of these incredible ancient pyramids later on within their history. Signature tool marks, unique features such as protuberances, masonry shapes, polygonal stone walling, and many other features which we have discovered during our explanations into the relics of lost antiquity. Yet Egypt's most intriguing assets, and we feel the most baffling relics which all alternative historians should have within their debacle armory, are undoubtedly to be found within the once abruptly abandoned quarries. The unfinished obelisk founded Aswan, being one such relic, the most well-known of these incredible stones by a long way, not only is the obelisk over 1,000 tons, but also due to the identifiable scoop-like tool marks left upon its granite sides. A signature scarring, which again, we have so far found, explored and shared this marking at many other ancient sites around the world. Who were the original builders of the Great Pyramids? Were they the same group that quarries Aswan? What tools did these people use to cut many of the relics still left at the Elephantine Island quarry? How can anyone gaze upon such precision stonework, and not ponder, how did he accomplish such an incredible finish with such hard stone, with such soft chisels, and those made of copper? Not only do we find the currently attested tale of events vastly incomplete, but in many ways, virtually impossible. Predictably, we are often confronted with an illogical explanation as to the origins of many unexplainable ruins. Yet Egypt, in particular Aswan and Giza, were clearly the work of a group capable of working and building with 1,000 ton plus stones, with columns of pink Aswan granite weighing over 14 tons each over 10,000 kilometers to Baalback. Is this connection mere coincidence? Or are the builders of said sites connected somehow? Possibly, one and the same? Questions we get closer to answering every day. We find it highly compelling. Neolithic man is often talked of as if he were a very different being to that of the modern man. Throughout the modern era, a well-funded, close-knit, often aristocratic academia has portrayed Neolithic man as an illiterate figure, often leopard print toga-wearing, club-wielding, bearded nincompoop, a grubby, forceful, filthy beast who had barely managed to master the art of creating fire, let alone complex language or societal behaviors. This paradigm of us emerging for the first time from the last Ice Age, developing into the complex advanced civilization we find ourselves in, means that Origins of Man is somewhat of a closed book, for to preserve this influential dominance within modern society, anything which contradicts this long-attested claim is simply thrown out, discarded as an anomaly, and any who pursue such avenues of inquiry a mere conspiracy theorist, this regardless of the evidence we so eagerly put forth in our defense. Countless still existing astonishing anomalies, unexplained, simply baffling feats of ancient engineering, so often covered here on our channel, either merely ignored or claimed as absent in explanation as to how the work of our well-studied more recent ancestors, people who were simply incapable of completing such mammoth tasks. Many of these ancient ruins, claimed as more recent achievements, we feel, possess sufficient evidence to support far greater ages littering many said sites, clearly built using far more advanced precision technologies and neolithic sites are of no exception. We believe here on the channel that the size of many of these highly eroded prehistoric stone trilathons, and indeed stones contained within many enormous dolmens, are also left by this ancient group, dolmens made using similar, if not identical techniques throughout the world, from Scotland to Ireland to Japan, all of similar design and possessing inexplicable features, board entrances, multi-ton megaliths. It is as if this group still possessed the knowledge of how to lift and work such stones, but had lost the technologies used to carve with precision. It is as if they were a surviving remnant of a once more capable or more precisely better equipped civilization. How did this ancient people, academically claimed as never having had any contact, build such similar structures, or perhaps more importantly, and the feature which initially attracted us to neolithic ruins, the size of their stonework, megaliths often incorporated into their structures, forming trilathons or entrance tunnels with top slabs upon dolmens, sometimes up to 8 feet aloft weighing well over 100 tons. Our discoveries at New Grange and Donor in Meath, Ireland, with a slab tunnel entrance, like so many neolithic granges and barrows, regardless of their immense size, once precisely aligned them with solstices, yet they remain mostly buried and thus most conveniently concealed. Some argue that the most impressive neolithic dwellings can be found dotting the Japanese landscape. However, we feel the most archaeological interesting of neolithic sites dot the United Kingdom, France, and some areas of the US, yet particularly Scotland and Ireland. Sites which have fragments of ancient symbols left within, celestial alignments, and a similar pattern decoration, or possibly coded message, which crop up over and over, especially one found all over the world of a strange enigmatic spiral. And although usually found sparsely decorating neolithic sites, barrows, and internal earthworks, its reoccurrence so regularly must indicate it as once having been significant and important to them in some way. Yet, for some reason, gavernous is undoubtedly the most spectacular of them all.  Located in France, to have so many of these patterns clearly arranged in careful and concise manners by a people capable of aligning 100-plus tonne rocks with pinpoint accuracy, we feel should be perceived as a very deliberate and important undertaking, perhaps in an attempt to convey a message to a future people. A people far removed from themselves in terms of language, a fact they may have fully understood, having, as we believe, experienced global cataclysm within living memory. So encoded messages yet to be deciphered or even recognized as such, hidden within symbolism rather than writings. Are gavernous's spirals mere decoration? If so, why go to such great efforts? Are these spirals an ancient code? Possibly a warning, a message yet to be unraveled? Whoever created gavernous, and for whatever purpose, remains a mystery yet to be solved. Gavernous is a place very much still unexplained, yet very rarely shared academically. As such, it is a place we find highly compelling. Multiple sites nowadays are often, due to their immense age and their impossible characteristics yet to be explained, their size and precision, although clearly of an artificial, as yet unexplainable nature. Alas, if it contradicts modern paradigm, is deliberately overlooked and mass. Or, when claimed as a permitted known world history group's work, is always absent methodological explanations as to how they achieve these feats. Academics controlled via financial and vocational security. Ultimately, becoming the arch enemy of a field that should be dynamic in nature, ever changing, expanding and accurate. A pioneering pursuit into the mysteries of history, and indeed ourselves, in regards to true historical fact. A career of submissive deceit, many presumably went into the field with good intentions, yet quickly learned that they must toe the mainstream line if they were to survive, a theory that they all must know is fiction. They in unison defend and continue to push as conclusive fact. When the truth is, we have barely scratched the surface of the history of ourselves, or indeed the universe, the place we call home, the task of shipping the Lamosu. Would have shown the curators of London Museum, and indeed all involved and all interested in this undertaking, just what an incredible feat the transportation of these statues must have once been. For the museum chose a mere modest statue, and the arduous nine-month task, along with the custom-built ramps, would have shown them what we claim is clearly fact. They were fully aware of the unexplainable nature of the monuments, and the mystery of how they transported them more than a century ago. So why all the secrets? Why hide our past? If we were introduced to the real mysteries currently hidden regarding life, it would inspire, free, and help so many people on their journey through life, as it enables us all to pursue a logical explanation in regards to where we all came from, or indeed why we are here. Many sites dot the earth, which have either experienced cataclysm, sea salt halfway up the pyramid's sides, inner chambers coated, marine shells found around the Sphinx's base, a mega-metropolis recently rediscovered, abandoned, and reclaimed by the jungle of Guatemala, which once contained over 10 million civilians. Many other sites, mostly quarries due to the unfinished process stones that were underway, display abandonment of said work abruptly. Thus, not only is there evidence that can be found throughout the earth of past cataclysm and quarrying undertakings seemingly left, as if the culprits vanished, it is clear something happened. However, although if dated at more than the permitted chronology of man is denied as artificial, regardless of the obvious fact they were man-built, this same field, geology, have, however, become unwitting, unpredicted ally to the channel's overall mission. In other areas of our investigations, their dating of water redistribution, for example, how rivers, seas, and ice radically changes location geographically over thousands of years, and due to this geology accurately dating when an area became submerged. The changing of the seas and the date in which these events occurred, with still flooded sites worldwide, a number of which we have so far covered. Bimini Road being one such anomaly, one of these artifacts that, although submerged, thanks to academia's astute studies into the dates at which water levels changed, allows for dates far earlier than currently attested timelines of man can allow. Due to these dates, and the fact that they were clearly once built upon dry land, gives each ruin a minimum age far older than academia can ever admit to. Floodings dated by these same geologists, who were crucially initially unaware of their existence, have dated many submerged ruins, including a number of pyramid complexes, at far over 10,000 to 20,000 years old, with some floodings dated as occurring sometimes upwards of hundreds of thousands of years ago. For many of these sites, due to them not having been re-inhabited and left to the elements since their original abandonment, are clearly intelligently created ruins with clear artificial origins. Doorcuts, right angles, even polygonal masonry, all denied as anything but geological by those who have even been there, yet again, due to Gornia Shoria's immense size, sediment build-ups, thus clearly prehistoric age, clearly proves any denial of artificial origin as an obvious conspiratorial lie. The fact that modern paradigm doesn't tell of any advanced civilization at this location within known history, thus no archaeological footprints left by a later people, relics which would have allowed academics to label said groups as undoubtedly the builders, and the undeniable evidence of prehistoric age, they must overlook such evidence. It must be overlooked or dismissed. The better at this you are, the more popular these institutions make you. If no civilization was ever recorded re-inhabiting an area at any time throughout permitted history, thus no archaeology. It is far too controversially old for academics to study, so the denial continues. Yet ironically, the undeniable is the ultimate weapon, slain by their own proverbial sword. The strategy of deceit is always succeeded by the truth, for the truth is grounded, unchanging, immovable, and founded upon a solid foundation. When such an occasion arises, the mere introduction of logical honesty, due to it being the truth, is far too fitting and in reflection of our regular expose of the lies littering modern teachings of history. The truth sticks. It resonates. Once the truth is exposed, it never dies. It is immortalized and unchanging. All we have ever wanted is for our viewers to ask themselves the questions we painstakingly search for the answers to ourselves, and we have dedicated a number of years of extremely hard work in amassing such a vast collection of stories, evidence, and other aspects supporting our work, regardless of MSM's reluctancy to ever promote, popularize, or pursue such subjects within their studies, papers, journals, or articles. Those towing the line of illogical dating and explanations for origins must deny the obvious artificial nature it's one or the other. We find all of these things highly compelling. The modern-day institution, man's way of organizing belief systems into their different clans, cult-like attitudes, often driven by an existential perception, specialisms of some form, or merely a naturally occurring passion. They are either built around a certain series of events, or an apparent factor claim, which stand as the cornerstones of said institution. It is therefore within the profiteers of said ideologies' interests, to not only suppress any evidence that may surface that would make their treasured institutions crumble to their very core foundation, but to actively destroy said relics whenever one gets an opportunity to do so. The Bamiyan Buddha, for example, apparently this monstrous carving, perfectly bored into a sheer rock face in the Bamiyan Valley of central Afghanistan, is not only a relic, which we hypothesize, was left by a now lost civilization, but due to the facial features once masterfully depicted upon the statue, removed at some later time within history, carved flat, not only making its identification as Buddha questionable, it was for some reason completely destroyed during the Iraq War. Its destruction, I propose, supports our prior posit of it indeed being that of a lost civilization's work, this being the sole motive for such actions. Interestingly, hidden voids found behind the carving, if it were indeed a solid carving, as one would have once presumed when gazing upon it, how were these hollow chambers once placed behind said carving? Additionally, not only do most modern institutions deny any of the evidence we so often put forward on our channel, often in regards to a past-law civilization, but fields such as geology is simply actively writing off countless ancient sites and anomalies as simply geological coincidences, their existence being an impossibility according to already established supposedly concluded chronology for human civilization, one reoccurring strategy which I like to call the Paridolia effect denial as befallen countless sites of interest. One of the most hotly debated being the face on Mars, now simply dismissed as a trick of light, the intriguing pyramidal features nearby which also somehow align with Pleiades. This denial strategy has condemned other said features here on Earth, some of which found in remote places that according to modern academia have simply never been inhabited, thus regardless of the artificial nature of such places as Gornia Shoria must be dismissed as mere coincidental geological features. The ruins clearly immense age, often used in an unfortunate twist of fate, as support of such claims as nature eventually reclaims all, thus the older the ruin, the easier this said denial strategy is to argue. That is, until now, in a modern era where modern technology now allows us to collect a massive amount of information on simply anything, unexplained features, uparts, and many other advanced unexplained legacies of an antiquity, once hidden, now shared far and wide, evidence which flies in the face of modern paradigm. This Sharanian is yet another of these curious, clearly immensely old anomalies that regardless of its form once being carved from extremely tough rock, maybe this is why our lost ancestors built with such enormous stones and did so in an as yet unexplained yet clearly highly advanced way known as polygonal masonry. Perhaps they built like this so that their footprint here on our planet be long lived, designed to deliberately be resistant to the elements, to reach us now in the modern day, giving all of us an opportunity to understand the real history of our Earth, regardless of what others would like. We find all of these things highly compelling. Osaka Castle is one of the most intriguing of all of Japan's forgotten wonders, a place we have covered in the past. It was, we believe, like so many other inexplicable sites around the world, re-inhabited by our most recent of ancestors, placed within an academically permitted timeline of events. A chronology that if one wishes to succeed in the mainstream must toe the line of. For if one goes against the grain and explores the site with a critical mind, one can clearly see it contains a number of surviving features, which not only displays lost knowledge, thus the work of a lost civilization, which at some point in the very distant past built ruins all around the globe. Building countless polygonal ruins, which have, due to their incredible construction technique, fortunately survived into the modern era. However, it is not just its polygonal foundations, which show clear evidence of these elusive and consistently denied lost ancestors. Octopus rock, for example, also sometimes known as the drumstone, is the largest megalithic stone found within the walls within the castle's grounds. This giant stone, just like those of Baalback, is enormous. Estimates for its weight range from 100 to 300 tons, although it could of course be far heavier. However, even at these conservative estimates, any explanation of how ancient man accomplished such feats remains elusive. For the fact remains, the stone is of an incredible size, and to this day its placement, along with many others found throughout the world, remains unexplained and unknown. So, for one to conclude that this stone's use, its quarrying, transporting, and placement within this wall, was done by our less capable, more primitive post-ice age ancestors. Yet all these methods of building and lifting, the knowledge of how to do such tasks, somehow simply vanished through the ages, all of which now remaining a mystery, even with computer technology. An explanation still evades us. Thus to conclude this to be anything else than that of a relic, left by a far older, now lost civilization's work, we believe would be highly illogical, and should appear illogical to anyone with a capacity to dissect the purposes for these actions, taken by an academia claiming to hold all the answers. All the while, actively concealing or ignoring any conflicting controversial evidence, truths that due to their belief in their power, laying within their reluctance to ever admit an incorrect hypothesis for the origins of species or the timeline of man, thus this doubling down on fallacy merely makes their persistence at sticking to said posits not only a damaging conspiracy, which robs us all of our heritage, but can also be perceived as an attempt to conceal anything which could alter the status quo. The octopus rock is an incredible feat of ancient engineering, and one, just like that of the polygonal masonry techniques that can be found at countless other sites the world over, is clearly a relic of a forgotten past, accomplished with the use of forgotten technology and knowledge. Just how big is octopus rock? How old is it for that matter? And how did our ancient ancestors accomplish these feats? As our research deepens and our studies widen, our target, that of a currently hidden lost civilization, becomes clearer in the mind every day, and it is only a matter of time before they are fully rediscovered. To deny such facts will eventually become too ludicrous. It is a journey of discovery which is undoubtedly highly compelling. When an ancient ruin is academically studied, it will often be attributed as the work of a far more recent already studied, thus previously permitted group placed within known history, often a group simply incapable of such undertakings. Furthermore, not only do many sites hold evidence of a far older yet far more advanced builder having once been responsible for their construction, but such sites can often share characteristics with ancient ruins found far away, features from a said site also found on another continent on the other side of the globe. False doors, for example, found over countless ancient ruins spanning much of the world. This reoccurrence, along with many other similar signature features, are far from mere coincidence and can only be explained by a past intercontinental highly capable lost civilization, as we have postulated in the past in regards to many factors indicative of their megalithic legacy. Metal clamps identified on differing continents, varying in style and composition relative to what was presumably readily available, so although they differ in style, the knowledge of how to create and use such ancient technology had clearly been the work of the same civilization. The Pyramids of Uimea, for example, are six rectangular pyramids you would more than likely have never heard of and most certainly would not have been taught of their existence by modern mainstream academia. Built from lava stone without the use of mortar, they are uncannily reminiscent of many structures within the South Americas. They are located in the districts of Chakona, part of the town of Uimea, on the island of Tenerife in the Canary Islands, Spain. The structures have been attempted to be dismissed as nothing but 19th century buildings, argued as the byproduct of contemporary agricultural techniques. Yet their infamous shape and the signature building techniques incorporated into said structures are undeniably found elsewhere on Earth. Other pyramids employing the same methods and materials of construction can be found in various sites on Tenerife. In Uimea itself, there were nine pyramids, any yet regardless of academics attesting to them being no more than a century old. Only six of the pyramids survived to this day. In 1990, adventurer and publisher Thor Haida became aware of the Canarian pyramids by reading an article written by Francisco Pedron in the Tenerife newspaper Dario de Avizos, detailing the quote, Real Pyramids of the Canaries. As Haida had hypothesized a transatlantic link between Egypt and Central America, which is a subtle way of saying a now lost yet once global superpower who once ruled the waves, he became intrigued by the Uimea pyramids and relocated to Tenerife. Hyerdahl hypothesized that the Canarian pyramids formed a temporal and geographical stopping point on voyages between ancient Egypt and the so-called Mayan civilizations ruins, a claim we agree with, yet we posit that this contact was not between the Egyptians and Mayans, but was one and the same force, a far older now lost world conquering civilization, an ingenious group who not only passed on their wisdom to every corner of the world, but even built in ways we are yet to understand, unexplainable anomalies litter many ancient ruins to this day. Hyerdahl had predictably initiated a controversy with historians, esoterics, archaeologists, astronomers. Most of mainstream academia staunchly opposed such claims. By suggesting such a hypothesis, which flies in the face of already established paradigms, his research was predictably never pursued further than Hyerdahl personally took it. Yet I feel he succeeded in publishing a ruthlessly honest opinion in regards to the ruins, regardless of what was already apparently established as fact. And along with our research within Basda caves, and the similarities, differentiations, and other investigative strategies utilized to support such an argument of a now lost, world-going super-civilization, we feel the evidence for our case is now all but overwhelming. There are far too many connecting factors to simply claim coincidence, and as the proof of this past civilization's capabilities becomes more apparent, and in turn researched, the closer we become to finally finding these now lost ancestors. It is a pursuit for the truth which we find highly compelling.


In terms of climate change mitigation, we're really at a point where we need to act. So our current focus is not so much the development of technologies, but rather how to reach scale. So we ask ourselves what do our partners in the different countries need to bring the technologies to the field. And for that we, for example, conduct a lot of suitability analysis where we make use of satellite data together with our GIS lab and try to come up with national analysis of regions where technologies fit best. And we do a lot of feasibility studies where we analyze specific barriers to adoption in different agro-environmental zones. And then find solutions how to overcome these barriers. And also more and more we look into the supporting background. So we look into policy frameworks and ask is this framework right to create an incentive for climate-friendly farming or at least not to create a disincentive. We also ask can we help develop business opportunities so that more investment can be done into low-carbon rice farming.


Okay, after one hour Ian made a cool storyboard, this is a cool, awesome movie. The office walls are nearly crumbling down right now, being penetrated by giant robots tentacles. Releasing props and devices hunting for flesh blood. What is what? So, robot burst through the walls, and we have the tiny... Oh, there's a wall? No, there was a Titan screen. Oh no, that's this wall. Alright, and since we're going to be motion-tranking and re-projecting, might as well just say blender. There's very little storyboard. Alright. So, we'll robot burst through. Releasing the props. At wall? Yes, at wall. Sitting right there are Francesco and... Crippling. They book it. That's for you, Tom. This is Doc from Glasses. Yes. They have to be cool for running through the institute. So, that is shot from here, right? From there. So, they are sitting... Okay. And now they're running away. So, they look in there. Yeah, but these are two different shots. And each storyboard you can see up at the top is this is storyboard one, A, B, and C. Because they're all the same. Storyboard two, A, B, and C. Storyboard three. They're running through the institute. Sometimes they explode.  It's like working in the sun. Especially when you... My God, yeah. My wish is God. What? Oh, that's super nice. Like working with a window open. All for the same. Storyboard two, A, B, and C. Storyboard three. They're running through the institute. Being chased by the probes. They duck instead. Oh, yes. Wait, no, no, no. They don't explode. I forgot to save over that. Because we don't want to do explosions. Probably. Do we? You want to do explosions? Why? Okay, I figured... That's when they realized they were using your drills. You captured them, man. They had drills and they were like, Oh, these don't do anything. So, they run away. Okay. That's what's so fun. What's that? I'm ready. I'm waiting for you guys. I'm rolling. I only see the same movie. So, you jumped in. I'm rolling. I'm rolling. I'm rolling. You can use it if you make it fixed. At least you have to wait here on the center. But you cannot make it like... I figured at the very least, it will give us a little bit more mass. To... Yeah. But how? That... Let's see. Yeah, we have to... To attach the camera. We have to press here. Feet running. They get into the back room and they're trapped. That's there. Yeah, they're very back from the... Like this. I think it's fixed now. I think if I send it to the end of the room, because I've seen one, and I'm... Because you threw these and have... I'm not sure how to do this. Well... Yes. We do. We do. We do. 35%. It's going like... Well, that actually is going fast. When it's too fast, it's not good. Too fast is suspicious. It's very suspicious. Does it work? It works. Oh, but there's no smoke.  There's no smoke? There's no smoke. There should be smoke. There should be smoke. Yes. Well... And the glass looks so horrible. Hi, guys. I think the emotion in the glass might work. Okay. I'll get some really good glass shatter sound effects. Okay, what have you learned of the cascade? Well... I'm not sure what's right, what's wrong. We need to have a bit of butter or ganache, I think. Because it's... quite a few minutes left to finish everything. What? What happened? Is there a cache? Is there smoke? Yeah, it's not a cache. It worked last time we rendered it. Yes. And you rendered it on the render bar and everything.  It might be. We're just launching the render and we check out scene one. You can... Oh, no, shot one composite. Look at that. Nothing has been rendered. Yeah, sure. It's because the queue is very long. But what we can do is you open up locally, and you just start and towards the end of the scene and render it. Because right now if we make... Who's the render farm? Who's the renderer here? The renderer is not a renderer. He's like a person who keeps track of visibility. Yeah. Like a lot of shops in the farm. I've calculated it. I don't know if anyone is... For one computer, it's about 12 to 15 hours on the day. What? Okay. The moment is about 12 hours on the day. Around 66. Okay. That's the one. One, two, three, four. In one hour it will be finished. Nice. Well then you can just drink coffee. Beautiful. Well done. Well done. Well done. Well done. Well done. It takes a lot of crackers to paint. A wall with crackers. A lot of pain strokes together. A wall like that wall. Working like it's broken and... It's really not like, not just 10,000 pain strokes but maybe one million at least. Okay. Whatever you want to stop rendering earlier than a few hours before. Like the day before everything should be rendering so that all the issues that come out five hours before the deadline come out like 25 hours before the deadline and we can solve them more easily. I learned that we need a better compositor and that dealing with SVN is really pain and also dealing with render farm stuff can also be a real pain. Then having a render farm is really nice. What did you learn? Did you hit F5? Everything just goes wrong at rendering unexpected things. I actually cut towards the end so you don't... I think we only need the first couple. I can actually show you right here. Two instances of render. So... Friend number. What about us? You can locally render one stream that we didn't commit yet. So which shots are missing? One and one and 16 of course. When you zoom in it looks like it's like a home video. Look at that. That adds to the realism. What is that? It's a Shyamalan movie. I mean... What else is there to do about it? Look at that. Put the PNG in it. Oh, yeah. Yeah. Oh, no. I think I need a slow motion. It lets me look through the PNG from any cloud. That's insane. We got all the computers available ranging from this computer which is as powerful as a laptop from ten years ago from Sebastian's workstation which is as powerful as the computers we have in the render farm. See on the blades. So now we have one, two, three, four, five, six, seven, eight, ten, eleven. So all this stuff is rendering just shot 16 which will be ready quite quickly. It's 88%. So we're on the right track now. So basically there is much to see because this is it. So we have this one, two, three, four, five blades rendering and actually we are not even using this machine to cool down the environment. It's just chilly. I guess it's 40 degrees, something like that. This is rendering frame 220. Or you started on 220. This is 230. So it's done. This is done so you can stop it on 220. 220 included. It's that. We're finished. So Ian is currently uploading the shot. So in about ten minutes it will be on the web. Oh, yeah. No, I'm getting much more illumination. We are finished. Slightly. And then hand down to the beer and cut.


A fiery horse with a speed of light, a cloud of dust and a hearty hi-yo silver, the Lone Ranger. In the early days, the western United States gun law ruled the frontier. The local sheriffs were unable to preserve order and might made right. It was then that the massed right of the plane started his great fight for justice. And in time, his courage and resourcefulness, his strength and daring brought law and order, peace and security to the new territory. It was he more than any other man who made the winning of the West possible. Return with us now those thrilling days of yesteryear. From out of the past come the thundering hoofbeats of the Great Horse Silver. The Lone Ranger rides again. From Cooperstown to Washoe City, the trail used by the coaches of the Transcontinental Stage and Express Company followed the edge of a cliff. Mountains rose on one side, a deep canyon yawned at the other. For ages, the granite of the mountain had been crumbling, and one day a masked man and an Indian following the trail made a startling discovery. Hello. Look ahead there. No more travel will follow this trail, Kimosabe. Oh, what happened? This was done by a landslide. It must have been, look. The trail's been torn away as far as you can see. Miles have it gone. Back to Cooperstown for us, Kimosabe. We'll head off anyone coming this way. Back, children. Get them back. Now on, Taddo. The only road between Cooperstown and Washoe City will be by way of gold flats and the valley trail. That's right. Come on. Get it up, scouts. The Lone Ranger's discovery had results that no one anticipated. It was a week later that two angry men faced each other in a small office in Cooperstown. A third tried in vain to stop their argument.  I hear you say it. You try to book Transcontinental, you'll get nowhere. What chances a two-bit outfit like yours against us? We'll make out, and threats don't scare us.  You're division manager.  You're the hombre that said he runs this part of the country. Well, don't make a mistake. You can't run me. Why you? Gentlemen, please. Gentlemen. You've heard her, Mr. Crocker. You've heard what he's been saying. Ah, Crocker, look here. Transcontinental's got the franchise to haul the mails all the way from St. Louis to San Francisco. Ain't that so? It is, but then... How come then this young squirt has got a right to say we can't carry mail between here and Washington City? Because the government promised my outfit the franchise between Gold Flats and Cooperstown if we get service started by the first of the month. You was going to wash your city by the canyon trail. Well, that's wiped out. From now on, you'll have to take the valley trail through Gold Flats. But if we get that franchise, you can't carry one ounce of mail to Gold Flats unless you get our permission. Which same you're not going to get. Sell out for five thousand? No, and not for fifty thousand. You ain't started service yet. That franchise ain't yours. We'll start in time. I've got stations built, wells dug, A and provisions in. I got the stages and I got men. I got horses, mules, and gear. Mr. Don't make no mistake. I got me a stage line. Crocker. Yes, I'm a fair man. Alamed Plummer here has got some kind of an argument.  That was the situation at the time, of course. And what's fair in that to Transcontinental when we got to make the Gold Flats trail part of our main line? But the fact that conditions have changed doesn't excuse my department from keeping the terms of its agreement. There's no use discussing this further. If Jim starts service by the first, the franchise is his. If not, then, of course, Transcontinental and Pacific will no doubt receive the franchise instead. Ah, fine thing.  I haven't forgot. I haven't to know things. For one, you borrowed right heavy to get organized, didn't you? If Bank of Doubt isn't worried by it, you needn't be. If I got the straight of it, them notey hoes are payable on demand. Is that supposed to mean something to me? That another one of your threats? Oh, I ain't threatening. And that reminds me, I always heard stage is called for drivers. You ever heard different? Thanks for mentioning it. That explains some things. Yeah? I've hired hustlers and station tenders and others I'll be needing. But funny thing, every driver I've tried to hire's had something else in mind he'd rather do. I suspicion you might have had a hand in that, but I was never sure before. Transcontinental plays for keeps. Oh, I've played other games besides Penny Andy. Better not. Penny Andy's just about your size. Looks even when I was just a button, I was never afraid to square up to the big boys. You got licked, I betcha. On occasion? Not always, though. Well, you won't get no franchise unless you have a stage and go flat by the first of the month. You won't get no stage there unless you hire a driver. There ain't any want your pay. So I reckon this is one of them occasions when you'll get licked. I reckon. Kim, there's word for it, Jim. Here's come. You're more send me down with open ain't bad news or I reckon it's good. Who's this umbrage? Yes, this is Happy Joe Monk. We call him Happy because he ain't. Who's the latter from Happy? Wild Bill Riley. What's that? That's better, huh? What dealings would Wild Bill have with you? Wait till I read what he has to say and maybe I'll tell you. Wild Bill Riley? The name seems familiar. Well, it ought to be. He's been working for Wales Fargo, driving. But he ain't no common ordinary driver. He's something special. That gent can take six horses and make leaders, swings and wheelers behave like they were circus trained. Talk about your famous drivers. There's the one that tops them all. What's he wrote you? Just a second. Says he can't blithe you, huh, Jim? Don't be so doggone cheerful, Happy. Anyhow, you're wrong. Gents, Wild Bill says it's how he'd like to have the honor of driving my first stage in the Gold Flats. Happy for once, you're a messenger of joy. What would he want to work for you? Maybe he recollects the time you fired him when he was working for Transcontinental and you was agent on the prairie division. You never did have much use for you, but after that... He don't dare go again me. Don't you wish he didn't? He won't get the stage through. I got cash as he will. You sell out. And you go to Blazers. Come on, Happy. We have to tell the boys about this. See you later, Mr. Crockett. Glad you're in luck, Jim. All right, Mr. I'm giving you a warning. Go right ahead. Transcontinental have fights of four, and that's always one. You don't say. Well, my Gold Flats stage line is just beginning, so it ain't never had a fight. But on the count of that, there's one thing you got to admit. Yeah? We've never lost. Jim Plummer and Happy Joe, whose long, mournful features both contradicted and explained his nickname, lost no time in circulating Jim's good news. But Black Bart had also been busy, and when Jim finally reached home, he found that a caller had arrived before him. I made this phone off shrimp. Ma! Well, so you finally decided to come home. It's about time. There's here dried-up wart that calls itself a banker. Oh, now, Ma. Howdy, Mr. Dowd. Ma, I've been scaring you, has she? You've just been giving him a peace of mind. Seeing as how he ain't got too much of his own, I thought he could use it. Please, Mrs. Brown, I... Oh, hey, Liz, Ma. What's on your mind, Mr. Dowd? I... He's got the infernal gumption to say he's going to call in the loan you made off him. Huh? Is that a fake? Hey, now, Jim, it ain't because I'd like to. Well, now, be swift. He's sure quick on the trigger. Huh? Black Bart Kruger. I, uh, don't just follow you. Oh, shucks, Mr. Dowd, you don't have to pretend to me.  But I also... Fatty hinted that if you was to call in my loan, knowing right well I haven't got the cash and you'd have to take over my equipment, well, then transcontinental would be plum bubbling over with appreciation. Now, ain't that so? He just pointed out that you can't possibly get that franchise. My boy can do anything, he's got a mind. Oh, I didn't mean to sound, man. You, ma, you keep out of this.  Somebody's got to stand up for all rights. Oh, Mr. Dowd ain't going to insist on his cash. Well, I'm afraid that for the security of the bank... I said, hold on. Now, open your ears and listen. Don't get so red in the face. You'll likely bust a blood vessel. Make it... This is...  I'm the best judge of that. You should be, but it's plain to see that you're not.  What can transcontinental do for you? Shucks. They're your competition, they're just like Adams and Wells Fargo. They got banks of their own. You do them this favor and one day the time will come when you'll find them same fellas set on running you out of business. But I ain't through yet. Now what happens if you string along with me? In the first place, you get your loan paid off in cash, which is a heap better and second equipment that nobody but me will have use for. In the second place, when my line gets to operating, it'll be doing business with your bank. You'll be making plenty out of us. Now, they ain't that a sight more sensible than the sight again me with fellas that are your enemies too? But you can't even get a driver for your stage. Can't, huh? Well, that's something Bart must have neglected to tell you on purpose. Look here, Mr. Dowd, this is a letter from Wild Bill Riley. He's on his way to Cooperstown. He's going to drive for me. Well, I didn't know that. What do you do now? Dear Mr. Sutterfacht, is Wild Bill really going to drive? Well, you can read what he says for yourself. Great day, I'll bet Bart Kroger's bet to be tied.  Bill, it's just about making. If the stage doesn't start by Friday, it'll never reach Gold Flats by the first of the month. I know that. Well, I mean it. Make up your mind. Side with transcontinental, if you want it that way, I can't stop you. But it'll sure be a fool play. I... Well, on second thought, perhaps the bank can wait a little longer for its money. I thought it could. But if you don't get a course away by Friday, then I'll have to demand payment at once. Well, if the coach don't leave by then, I won't much care what happens after that. Well, that's all in. Good day. Don't you worry, nun. I'm getting that franchise and you'll be getting your cash. I hope so. Oh, what was that, Burma? Banker Dowd, dried-up old schemer. Son, I wouldn't trust that fellow no further than I can throw a year. He can be trusted. As long as I can keep him convinced, he'll profit more by being furious than he will by turning the dinners. Just so. But when he ain't convinced no longer, you watch out. Who's that? I don't know. Come in. That's me. I don't know you, do I? I understand you're looking for a stage driver. You want? I'll take the job. Stranger, what did you say your name was? I didn't say. Just what I thought. What's the matter, Mon? Don't just see it. Land-seeker you're blind. Huh? First it was Banker Dowd. Now it's this stranger. And if both of them wasn't sent here by a black boss, then I missed my guess. Bart didn't send me. Hey, I just wonder. You want a driver or don't you? You know, mister, that'd be pretty slick of Bart to send a man to hire out to me that was working for him. I've told you, Bart didn't send me. Maybe he didn't. Or maybe he did. But in any case, I got me a driver. Wild Bill Riley. He's on his way to Cooperstown right now. I see.  Friday Bill's gonna be on the box on one of my stages. Then you just watch his dust. That evening in the shadows at the rear of transcontinental stables, Black Bart Kruger gave final instruction to two mounted horsemen and... Slim. Yeah? You take horse from Abe here. He's a boss, savvy. Uh-huh. Abe? Yeah. Bill Riley, a most likely come-by-way eagle pass. Maybe he'll be long tonight. Maybe tomorrow night. Well, he'll be watching. I'm leaving everything up to you. I don't care what way you do it. But just keep one thing in mind. Uh-huh. Wild Bill ain't to reach Cooperstown alive. Now get. Get up, get up, come on. The curtain falls on the first act of our Lone Ranger story. Before the next exciting scenes, please permit us to pause for just a few moments. Now to continue our story. The following evening, the Lone Ranger and Tonto had just returned to their hidden camp, and were preparing to remove the saddles from their horses when suddenly... From the direction of the past, Tonto. Uh-huh. Since up again, we're riding. Come on, Tonto. Hey, boy. The saddle had to stay on, old fellow. Ready, Tonto? Uh-huh. Me ready. Come on.  Go, Silver! Eagle pass was close by. Silver and Scout are being their masters thundered toward it at full speed. As they neared the pass, the masked man shot it. Pull up, Tonto! Oh, Scout! Pull up, Silver!  What? What did you see? Here. Oh! Bring your canteen. Oh, me. Hello there.  What happened? Two fellas was laying for me. Almost got me. Would have if you hadn't come along. That mask. Then you're Wild Bill Riley. Yeah. The canteen, Kemosabe. Not here. Here, canteen. Water. Just a moment. Now, then. Drink. You know me? Your horse. That mask. The engine. Shucks, I didn't know you anyways. How do you feel? Think it's safe to move you? Wait. But we've got a hold on, stranger. Could you listen to me for a second? Yes. I recognized you. But you seem to know me too. I know more than that, Bill. I also know why you were heading for Cooperstown. You'd promised Jim Plummer to drive the first stage to Gold Flats. But now... Now I can't. It'll be a long time before you hold a whip again, I'm afraid. If I ever do. Don't give up. I've been hit right bad. Well, you'll see that you're taken care of. Sure. Sure, I know you will. Well, that ain't what I got in my mind just now. No? Look, stranger. Black Bart's a crook. I've always sought a anchor to get after him. That's out of the question now. Uh-huh. There's young Jim looking for me. Depending on me. Making a fight he ought to win. I know. Don't ranger. I've always heard that... Well, that you're on the side of the folks that need it most. I thought it would help where we can, Bill. Yeah. Now, here I am. Out of the game. But I was wondering... Yes? If I could think you'd try to give Jim a hand. We're on his side. You mean you will help Jim? Yes. I don't know just how you... You can go about it. Don't worry, Bill. But I... Rest easy. Have an idea right now. Later that night, Eben Slim entered the busiest of the cafes in town and pushed their way through the crowd to where Black Bart sat alone. They drew up chairs and when they'd been served with drinks gave their employer the story of what had happened that night. So you got him, eh? He won't drive no stage. It would have been better for you to finish them off for good. Sharks Bart, we never had the time. We hadn't hardly fired before we heard them horsemen coming. They must have been camped close by somewhere. But you didn't get to see who they was, eh? We was high-tailing. Well, just so you got, Bill. I bet I hit him twice and I know I hit him. It was one of my bullets knocked him out of the saddle. There's Jim Plummer.  Jim, hi there, Jim. Yeah? Sit down, what you whistle, huh? Well, I reckon I won't. What do you want? Well, Jim, from the talk I've been hearing, seems if though you're setting a lot of store on while Bill's showing up. He'll be here. Maybe he'll be here before the night's out. Here? You don't know that ombre real well, do you? What are you getting at?  He can be. You, uh, got confidence enough so you'd like to make a bet? On Bill driving? Yeah. I'm just so sure Bill will be sitting on the box of that coach come morning that I'll cover any amount you care to name. No, I don't like to take your money on a sure thing.  Well... It was bluffing. Bluffing? I got a hundred dollars that says while Bill won't drive your stage. Done. In the meantime, however, the masked man and Tonto had removed while Bill to their camp but they made the wounded man comfortable. Then the lone ranger outlined his plan to Tonto. I'm going to do something I've never done before, Kimosabe. What that? Assume another man's a deputy. I mean, that's heavy. I told you what happened when I spoke to Jim Plummer the other day. Huh? He suspected I'd been sent home by Black Boat and I couldn't blame him for being suspicious of a stranger. He's too much at stake to allow anyone unknown to him to drive that stage. That's right. Bill is too badly wounded to be moved into town where he could vouch for me. Him plenty sick. I could probably get Jim and bring him here but tomorrow's Friday and the stage must start first thing in the morning if it's to reach Gold Flats by the first of the month. Ah. Tripped to town back here then to town again would mean delaying the stage until late afternoon. What? What you do? Tonto, I'm going to change clothes with a wild Bill. What's more, I'm going to assume his identity in every way. Talk like him. Use his mannerisms, his Western speech. You need he good disguise. Bill and I are about the same Bill. Wearing his clothes, I look still more like him and it'll be up to you to disguise my face to resemble him. Tonto, try but it's plenty hard. I got what information I could from Bill before he went to sleep. He's never been in Cooperstown. He worked for Transcontinental once. That was on the Prairie Division. He's met Jim Plummer just once or twice. The only man who knows him well, the only one I'd really have to fear, would be Black Boat. Maybe him, find out. Not if I do it my way. And how that? Wait until the last minute before entering town. If I get there early, I'd have to mix with people. But if I arrive late, I can jump to the stage and drive off with no questions asked. Who ride guard? A man they call Happy Joe. But he's never met Bill. Oh. Tonto. I've got a notion we're going to be able to put this across. How's that? That he good. Then the work you must have been. Get your materials and see what you can do. Early the following morning, a coach bearing the name of the gold flat stage line was rolled in front of the station. Then a few minutes later, six bearded horses were backed into their traces. A crowd had gathered to witness the start of this first run. An excitement ran high. One of the big companies going to let Jim get away with this. Well, Black Park don't seem worried. Look at him standing there grinning. Where's the driver Jim said he was going to have? I don't see nobody. Hi, Jim. Where's Wild Bill? He'll be along. He ain't broke a leg or something. Just our luck. Worst all has happened this time. Cheer up. Happy? Bill gave his word. Howdy, Jim. Oh, it's you. Where'd you go with the trouble? It's in them horses up there. Expect to go someplace. That stage is starting out today. Without no driver? Bill will show up. And if he don't? Then I'll drive the stage myself. That'd be a good one. I admire to see that. Just when did you ever drive a stage before? I could do it. Sure. You might even get the gold flat right side up someday. But it sure as blaze wouldn't be by the first of the month. I'll better take you to them just to get as far as Paiute Springs. You're just handy on affairs. That's what I'm doing. I got $100 bet on what happens today. Well, that's that, hombre. Told you we'd lose our Jim, recollect. Said all the time we was beat before we started. You ready to give up, happy? Of course, no. Recognize the use of things going bad. Don't make no difference to me no more. Jim. Jim. Ain't you seeing Wild Bill no praise? I haven't, ma'am. Ain't there been no word? Nothing, but... Oh, but he'll be along. I know Blame Dwell he will. He betty, young fella. Oh, good morning, Mr. Dowd. Well, what are you doing here, you all group? I told you we'd lose hell, folks, so many things. Well, I told you if the stage didn't get started this morning, I couldn't give you no more time on your loan. And I ain't changed my mind since I said it. We'll get started, Mr. Dowd. You just wait. I'll wait. I'll wait another hour. But if your driver ain't put in an appearance by then, you win me steppin' around to my bank. Don't look like the road will be made. Bet the coach don't never leave town. It's gonna be mighty tough on Jim. I always said he couldn't fight transcontinental. Mighty strong. Just another hour and then Jim's late. Time passed and still there was no sign of Wild Bill Riley. The crowd became convinced that Jim was beaten. Bankered Dowd grimly consulted his watch and Black Bart laughed openly. You about ready to pay off on that bet, Jim? I ain't lost yet. Sharks, now what's the sense of being stubborn? I warned you about Bill. And didn't I tell you you couldn't hope to go again my company? Say, yeah. You've been certain right from the first that Bill wouldn't show up. Did you do something to keep him from coming here? Now, I'd put a full notion like that in your head.  Careful. If you have, if you haven't, I find a way to prove it on you.  Try it, and it will be. Hey, Jim. Here comes Bankered Dowd. I know just what he's going to say. I'm sure glad you put up that hundred with a barkeep.  Well, Jim, the hour's up. Now, wait, Mr. Dowd. Have we been long and assured right now? No, but you don't have him. My drive will be here. I know he will. Now, he'll be too late. Mr. Dowd, you've heard of Wild Bill Riley. You must him. There ain't a man nowhere that can make the time he can. He'll get the gold flats all right. Just wait a little longer. Hey, hey, boom, God, here we come. No, but I ain't going to wait longer to collect on that bet. Come on. Tell your hustlers to unhit some horses. We'll step down the cafe, collect the cash, you owe me. And I'll buy you a drink. Jim, who's that fellow running this way? Well, that's Wild Bill. What is it? I still don't think...  Well, well, well, I suppose now that he's ready to leave... And that can't be him. That's him all right. And by thunder, here's where you play. Off and I win the franchise. I'm getting aboard the bus. Bill, I feel weight. Look at Wild Bill handling them horses. Now Jim's got a chance. Hooray for Bill! Look at Happy hanging on to the seat. What did you ever see in something like this? I don't see why he couldn't have waited just for a minute. He's smart, son. He knows how important time is, and he ain't wasted it. I suppose you're right. Well, Zabe, we're slim. I want to find them first. Not so doggone fast. I got to find them. There he goes. And now you're paying me. I'll pay you. You bet you will. But I'll tell you something first. Yeah? I'll lay you another hundred. That hombre don't never get your stage as far as pay you'd spring. You're on, mister. Boys! If Wild Bill can't do it, then nobody can. The story you have just heard is a copyrighted feature of the Lone Ranger Incorporated.


Welcome to Toffy TV, this is the match preview in the Castle United versus Everton, midweek fixture and a tough game. We always make it tough more than anything, but this is a tough game. They've had a good start of the season in general, had a decent little one of form being put on the ball in the back of the net, although we didn't get many united. Basically, it should be the model we are looking at, going from an absolutely dreadful team to a half decent team that can put the ball on the back of the net. I think we're halfway there, just that last bit, putting the ball on the back of the net, which we seem to be struggling with, but this will be a tough game. Yeah, it's a massively tough game. They've had a good year here, haven't they? Let's be honest. They've done business in January and they ultimately kept them up, you know, they were struggling, and they started the season in a similar fashion. Strong defensively, which you wouldn't really associate any house teams with, but he's done well, you know, since he's gone in there. And they've added some quality in that midfield in Bruno Gameres, and then obviously Alexander Aser, who's injured at the moment, but he's a good sign of Fordham. He can keep Calum Wilson fit. He'll always go goals, so he's done well. He's done well. Be a really tough game. Yeah, he obviously got through the period of Christmas when they got both, obviously brought new players in, and I had the two of it in the summer with a lot of good functional players. And as you said, they're a little bit of a class with Bruno Gameres coming in and Aser coming in, and it's gelled well, I think. I think that's what they did in January by the players they needed, and they just gelled really well. They've backed that up with decent signings in the summer, and obviously at home they've made that a fortress, obviously a real good feeling there at the moment, obviously on the back of the takeover. And they're a dangerous side. I think they're not at this stage anywhere near being an amazing football team, but they're working on like them with those little extra bits of class, and someone like Calum Wilson up front who's always a danger. It just allows them to be on the front foot, and obviously if you can stop the ball going at the other end as well, then it always gives you a chance. Well, di twch, Nick Pope, didn't he in the summer, and obviously he's a dependable keeper. He's a good goalie di twch, and he's got Sven Bottman in as well, he's a good defender. And that's been the basis from a caring stripper who's coming in and transferring in down January has been excellent for them. Well, you've got Calum Wilson up front so you can put the ball on the net. It's what it is, isn't it? You can be nice and solid. And if you've got someone at the top end of the pitch putting the ball on the back of the net for you, that's the recipe in the Premier League, certainly for getting you. It's a win. You've got a lot of the bits, right? But we haven't got the top end of the pitch, right? We've had no Dominic Alvalun coming back. I think that's part of the iron, isn't it? Before the players came in, they signed. I think they did have the attacking players there already. They just couldn't keep clean sheets, and the midfield was quite lightweight, but they had Calum Wilson, the armarons as well, the Maximons as well. Jacob Murphy. They were there, but they were losing games, but they would score in them. Now they've got a solid back line in the midfield. It's added to it, and confidence has grown. Obviously recently we've seen armarons starting to score a few more goals. There just seems to be a lot more confidence. I think they're fit aside as well. They're staying games a lot later into games. Joel Linton, they've got him playing the midfield now, getting a real tune out of. It's been like a perfect storm, really, since the new owners come in. There's a lot more positivity, and we're seeing that on the pitch. As you mentioned there, I've seen them in games this season, like the Wolves game, where Wolves really should have seen them off. They had a goal this large, because of VAR as well in that game, but they stayed in the game, and they've got a late equaliser. It's just those little results that I think has kept the momentum going. Obviously they went to Fulham a couple of weeks ago, and Fulham got to play a sense off. They got right at them and ended up scoring four. Following week they played a decent Brentford team, but five passed them. I think it's that momentum during games, which has got them going. Old Trafford obviously was a close game. Joel Linton's hit the post a couple of times. This is a tough game, but obviously the last time we played them was at Goulderson Park. We got the 1-0 win, and take confidence from that, take heart from that, that we can beat them. I think in general our record is not that bad against them up at St James's Park in recent times. I think we've definitely won three or four times in the last seven or eight. They've won David a few wins, I think they've won the last two haven't they there. We know what it's like, it's a tough intimidating place. We saw it last season. The atmosphere got them over the line against us last season, when they needed that win, they got it. We had enough chances that night to get up now. We took the lead. We also had two big defensive injuries as well. Two big injuries, so while they are a strong side, it'll be a tough game, and they look at it as a good opportunity to carry on the win and run. We shouldn't be fearful going there. I think we'll get opportunities against them. It's whether we can take them, we have two huge opportunities against Spares, and miss both of them, and then ultimately pay the price. But we've got to be, you know, they're a good side, they're a strong team, so it's going to be another difficult game for us, but at some stage we've got to stop fearing the opposition and go and just play the game. If they were coming to goodness in roles, they wouldn't think they'd be fearing us. They'd be thinking we can have a good go here, and that's the way it is. There's five points between the two teams. We've been frustrated in the last couple of weeks. They've had good results. That's the difference right now. I don't fear them as such. I just think that. I look at what they've got, and thinking the final third, they've got more going on than we've got going on. That's ultimately the thing, isn't it? In those key moments, can you put a ball in the back of the net? I'd be more inclined to say for them, yes, and more inclined to say for those, no. I think defensively we're pretty similar. It's just in the final third, and that's where we are. Obviously at home with the crowd and everything, we've got to make sure that we don't fall into the...  I don't think they happened. I think it was the other way around. The athletes got carried by the crowd that night. You've got to go there defensively. We've been good this season. Let's not suddenly forget that. I think we'll be like that most games just because of the kind of defenders we've now got. Let's keep the mistakes out. Cos they are individual mistakes. I know three of them have actually been in midfield, and obviously Pickford with the one on Saturday, and also we're now the goal against Manchester United. You can keep the mistakes out, and it is a very even game, and it does come down to who grabs the chances. It's one of them grants those three teams as part. I guess we have it when it's at its best, where the crowd can create panic because the volume goes up. It's also a grant that's similar to others, where you can get them frustrated a little bit. It's happening less and less there, because they're on a feel-good factor, but I've seen them this season against maybe Crystal Palace, you know, Bournemouth, even though it was Palace that they were dropped against, one that they should have had a penalty. But you can't, but what don't us last season was we allowed the crowd to take the game away from us. Do you think that comes from as well, though? I think Newcastle fans know this season that they're going to be absolutely fine, and there's that. You're looking at it and saying, every game is going to be tough, but they've got that little bit of inner confidence now, that they are looking to finish maybe seventh, let's say. They're not worrying about that other side of things, that maybe when you're at home and the crowd allows things to sort of creep in, because I still think we've got that. I still think we're very, very fearful of what happened last season, so therefore, when you're playing, you don't have that confidence, the doubt starts to creep in, and you either go quiet because you're not fully confident, and I think for them, I think their fans now are like, we're going to be fine this season, in fact, we're going to be pushing on, and I think everything for them is like, we've got loads of money, we're going to spend, and therefore, we're going to just add and add, and we're only going to get better, and that just creates that confidence of whoever we're playing, we're going to beat them, and if we don't, alright, but we're going to be fine this season. They've got no worry for the first time on whether they think they're going to be top seventh. I think they do think that. They do get carried away. I'm sure they will get there, but just right now, I don't know, we've only been thinking we're in the top half, no problem, and that does count. We've had that up until last season for years, and you're looking at it, you're looking at it, you go, we need to beat it. It's when the crossover for them, what happened with us is that, if you don't do it, how frustrated you start getting, we made it difficult for ourselves by getting frustrated because we were in the size we wanted to be. But when you're in that position where you know you'll win more home games than not, which they're in now, you do relax a little bit, and it's how you balance that for us. If you're going to get better as a team, you've got to be able to go to these places and grind out results. They've just gone to Old Trafford, which isn't as intimidating as St James's Park, despite having 25 or more people in it. Newcastle might farm on us, but they went there and played in a bigger arena and battled out and scrapped it, and United have missed a few shitters at the end, but they had chances as well. I think they were on the field, they were beating in the 97th minute, or whatever it was, just by goalkeeping. You've got a habit of doing that on May's He's Had. With... Yeah, well, you know. They also came back against us later on on May's He's Had a couple of years ago, in tune, and I've got to do it also. So it's a game that Everton can win. It's also a game Everton could easily lose. It's going to be a tough one. It's a stable cut there, Newcastle's side, that they played against United. So, I mean, obviously, you look at the back line. It's very... It's very workman-like, again. There's nothing, you know, amazing about it. They all know the job stuff. I mean, playing left back is quite interesting because of the size of them. Joel Linton and obviously long staff, given the more defensive side and Bruno Gomerys, who obviously had a little bit of class. But up front, you look at the front three and I do really like Wilson, I always have. But again, Murphy and Gomeron, the more... It's workman-like. You know, they've got a little bit of something. Don't get me wrong, they've got a little bit of something going there. And Gomeron's got all against Fulham, it's absolutely fantastic. But Wilson just gives that threat, doesn't he? He's got a bit on it. And I know the injuries have cost him, but he really does... Oh, he's a good Premier East, right? He'll get into it again because he always does. It's what's happened throughout his career otherwise, without, you know, he wouldn't be at Newcastle. He'd be higher up, I think. When he was at Bournemouth, it was the same. United were looking at him and things like that. And then he got the injury and then another injury and that was it, it ruined him. If you did at Newcastle fan, you'd be frustrated because when he's fit, he's a real threat. And he'll be a real threat the other night. Let's just have a look at Gomeron's numbers as well. Obviously this was someone who really impressed us when he was in MLS at Lantern. It took a while to settle in terms of, I think, his actual style. I think he... He wasn't quite up to the Premier League level, so therefore it was more like an awakening, like doing the doggies, but now maybe a little bit more is coming out. Ten games, four goals, no assists, shots for games, 2.2. Maybe we've seen a little bit more of that play that was at Lantern as seen now rather than the play we've seen for maybe the last couple of years. He was more of the player who would just work hard and do all the doggie work. Yeah. It's record wasn't Greek. He got his first goal in six months or something and he followed it up nicely. He's got hard work on play and he's a talented footballer in terms of touch is good and I think the Newcastle fans do like him because he works so hard. We've had the same kind of player who gets the goals and works hard, he loved them. So he's doing well. I mean his goal of full on the other week was fantastic. He's got the talent. It's bridging the gap, isn't it? But it's all physical the Premier League. He's a slight player but he's got hard work. Obviously, he's had that ground in the MLS as well. He's one to look out for and Jacob Murphy on the other side has always been someone who has threatened to be a top player and has never really done it. He looks great sometimes and other times you wonder how he's a footballer. We've got plenty of that. Oh, we've got loads of them. Cos it's that consistency which carries you through. We've seen him fit. I've seen him beat tremendous in games and you go, wow, cos he's quick and he can get your goals. He's doing really well and he has got the thing out of it. Let's just have a look at our team, the first spares. Obviously we played five against spares which was fine. Five at the back was fine I think for the first 20 odd minutes or certainly into the second half. Did you think we would have been back to four at the back for this? I think so. Obviously Anthony Gordon's back as well. I think Dwight McNeill will drop out. I think he'll go to four at the back. I think it'll be four, three, three. I think Gordon will be Gordon Malpine Gray will be the front three. You know it's James Garner there's a shout for him to come into midfield whether he'd say it's Richard Garner and change that up a little bit and maybe have Garner for the last half an hour depending on how the game is someone to come in but I don't know that that'll be his call. I think Gordon will come back because it'll be a habit and we'll try to play on the counter. Gordon's played his best football away from home as he's gone at Leeds as he's gone at Brentford he has been great to go to somewhere that's where he is a threat. He is a now baller but again it's it feels interesting because it's a Garner guy don't it's that easy to go to Stacey three you can't play three games in a week but maybe you can but maybe that manager just has to have a little bit of an eye on the last half an hour and now we've changed things down maybe getting James Garner a bit because you can see with the two little Camusers I've had from James Garner so far you can see where he's got but something a little bit different from the other three in there he's a player who likes to get older the ball and actually what's interesting is we know Frank likes Lewis Wellington and likes that style of player who'll take the ball off the back four and then start moving it Lewis Wellington's not at that level yet clearly but he's brought a player in who's similar and I just I wonder whether there will be a time and opportunities where he'll go I want you to play the ball through the third someone who's comfortable on the ball someone who can get it give it get it back and then start moving as forward and maybe take a little bit of that responsibility off a Wobie so a Wobie can be more in the final third to be more of a number 10 to knit things together higher up the pitch because again that's something where you look at the goal which goes against West Ham the way it got knitted together and got it to the edge of the box I haven't really seen us do that since ok maybe a Wobie's goal against Manchester United but I haven't seen that kind of football but not enough of it anyway no to get us up the pitch going through the centre of the park rather than relying on the width that hasn't really been there no and that has got to be we're not doing enough of it like we said the consistency when we do do it at times we have cut through teams but it's been too sporadic and that's no good your patterns of play come from repetition doing it and some teams make it difficult don't get me wrong of course you're not going to sit off on it you do it but you've got to have that idea too often for us but turning reset go back and start again teams like Newcastle who have got the bit of the box will just sit in and go on and play through us and if you're not capable and then spring you so if you're not capable of doing it you're going to get caught with the ball and you'll end up going on, you better go long then but then if you haven't got somebody who can get older they're up front for you we have got to come up with other ways of playing and partners have played 100% but they should be less dead tough yeah it's a tough game always is I've seen changes par let us know your thoughts in the comments anyway are you confident I'll be honest I'll take 4 points from this in palace I'll bite your hand off on those 4 points so let us know your thoughts in the comments are you confident on this one are we looking at a dread the third let us know and let us know what kind of side you'd be looking to play as well tell us in the comments make sure to give this video a like, subscribe if you haven't already if you want more videos daily live exclusive videos join us over on toffee tv premiere the link is in the description and it'll be coming on the screen in a moment, see you later