A lot of AEW stands tend to focus on the excellent in-ring product that has made the promotion a true alternative to the E. However, we here at Wrestling Behind The Themes headquarters like to solely spotlight the songs that establish your favorite superstars in a loud and proud way. But I'll be damned if we don't talk more about these all-elite anthems. So join us now and don't forget to like, share, and subscribe as we take a special look behind the themes of AEW. Did you know that listening to this bop will help your mullet grow? But seriously folks, the classic 80s G&R rock sound captured in city lights is leading a radical and resurgent return of hair metal to pro wrestling. Now making tag team wrestling great again has been a priority for AEW ever since the young bucks made it a point during the promotion's inaugural press conference. And they've stood by that mantra by signing veteran teams like the Luchabros, Santana & Ortiz, and FTR. However, one of the bucks of youth's hidden talents is creating young and up-and-coming teams like the Varsity Blonds, who are a throwback and a tribute wrapped into one. Pairing up Indie Darling and second generation talent Brian Pillman Jr. with relative unknown but athletically gifted Griff Garrison, what the Blonds lack in experience they make up for with their charismatic personalities, and they are destined to be a household name soon enough.  Once his entrance countdown titantronic explodes onto the screen, everyone knows that, well everybody dies, which is not something we condone here at wrestling behind the themes. But who are we to step up to and argue with the 6 foot 8 inch 275 pound murder hawk monster? Now really, this ain't a song for the broken hearted. Because while the first 25 seconds go hard, once the course hits, this banger sort of morphs into Bon Jovi's It's My Life. Doesn't it? That isn't necessarily a bad thing. I'm just throwing it out there to see if I'm not the only one who hears the comparison between the two, and if I am, then so be it. Like Frankie said, I did it my way. The entrance theme of AEW's resident chairman Sean Spears starts off with a bombastic buildup immediately announcing the arrival of somebody important which is quite fitting for the superstar who once rated himself the perfect 10. And then the beat drops and you've got a hot hip hop cadence peppered in with a simple heavy guitar riff. is the creation of rapper and former NXT employee Josiah Williams who's made a name for himself thanks to his Wrestle and Flow brand and YouTube series where he remixed WWE entrance themes.  But it seems like he's spending a majority of his days working at the most magical place on earth. Hopefully he continues writing and producing music because the man can seriously spit some flaming hot central Florida fire. Let's talk about the future Mr. Charlotte Flair for a second, shall we? Andrade is a massively talented worker who will always be held back in the United States unfortunately. His work thus far in AEW has felt somewhat unremarkable and he is in desperate need of a mouthpiece who can speak English. But El Idolo still has an amazing look and a skill set that is impossible to ignore like when Andrade made his all elite debut in June 2021 to crickets. When he was introduced at Daily's Place in Jacksonville because there was no theme music playing to announce his arrival. One of the few missteps in the history of AEW, it still drives me loco en la cabeza to think back to this. But please don't kill the messenger because thankfully AEW's music producer Mikey Ruckus rallied the troops with this Mexican cartel creation that oozes machismo and the smooth Santana guitar vibes have us feeling tranquillo. Even in his 50s, Dustin Rhodes is so naturally gifted as a wrestler that you could say it's quite bizarre. It also goes without saying that the artist formerly known as Goldust is one of the most respected veterans around who has invaluable insight to pass along to the younger generation of talent in AEW. But here's a hot take for you.  I guess it's only natural to try and trash Rhodes these days. But Dustin deserves better, especially since he can still go inside the squared circle as evidenced by his matches over the past couple of years versus his brother Cody and Sammy Guevara. Speaking of the Spanish God, he might have the most punchable face that you'd never get tired of seeing reduced to a pulp, and his constant PDA with Thai Conti makes me want to puke. But his trap-heat theme by independent wrestling songmaker Monteezy called Take Flight Straight Up Smacks. But for as much Haterade that's thrown his way, there's a cool, inspiring quality to this theme's beat and a blissful sound that makes this track seem as if it's been recorded in the clouds. The Titan's lyrics also map out Guevara's journey to the national spotlight, where his ability to wow crowds with his new-age video game-esque repertoire has made him one of the four pillars of AEW. Just get a room already, would ya? And speaking of Haterade, don't be a lover, be a hater, because Jamie might just have the most banging theme music in AEW. It's also one of the most accurate pieces of British music I've ever heard a Brit wrestler have in the United States. Typically you'll get a blue-blooded aristocrat theme or someone drenched in the Union Jack like Davey Boy Smith.  One of the most talented women on the AEW roster, her role as Britt Baker's bodyguard will undoubtedly lead to a split sometime down the road, but until creative gives her a meaningful push, she'll continue to be saddled, with being the impressive but massively underrated wrestler that she's been since joining the company. If you're not a fanhousen of the new theme-housen called The Danhousen Show, then you're most likely going to be cursed sometime very, very soon.  Who, and mixed with the monsters, AEW's musical maestro Mikey Ruckus continues his all-out assault on changing the wrestling entrance music game with this playful piece. Ruckus recently mentioned on Reddit that Danhousen is an attraction.  However, while a large chunk of the wrestling world is aware of what an internet sensation Danhousen is, there are still fans out there who aren't familiar with how nice and how evil he really is. Even if Danhousen's shtick is not your cup of tea-housen, you have to appreciate his commitment to the gimmick.


computer science as well as law and you've also experienced in the blockchain scene and you've worked at a certification authority. You know a lot about confidentiality trust and this is the best introduction to this topic that I could find. So yeah thank you. Our topic today is a self-defending we can see and how we can ensure that after February 24. So and it's also about freedom of speech or freedom of opinion and this Ukraine war the situation is very challenging for many people. I'm not qualified to talk about Ukraine or to talk about details of the war but this topic that is very important to me and that I haven't seen raised that much and this is why I'm here talking about it and this is freedom of speech in the digital world. This is a very current issue. Many of the issues that I'm talking about are very current and raise many questions. Many people and groups having to change their opinions right now and change their point of view. So it's always important to challenge your own views and we should also challenge our image of our own self-defending democracy and freedom of speech. I haven't found my final opinion just yet. I'm still undecided but talking about what is happening in Ukraine and whether that's good or bad sides are very clearland on the digital media and there's a lot of influencing of opinions in the digital media and also social media themselves are involved politically in what is happening there in this whole situation. So we should ask ourselves when they become censorship are there boundaries to freedom of speech and who should enforce them if there are any very popular. I'm not of your opinion but I'll do anything I can to defend your right to voice it and this is something that many people say that they would do it and if we say that we should also allow Vladimir Putin to have his opinion even if it's historically incorrect propaganda. So we should discuss an opinion you want to hear that Ukraine isn't an independent country doesn't have a right to independence. So based on basically false facts so there's a lot of misinformation about who dropped bombs on whom for example and there's always several different opinions about everything that's happening. Also the population in Russia is being forced to lie this is something we seldom seen and it's all aimed at masking injustice. So this is why I want to raise the question what is freedom of speech and what is censorship and in my personal experience with blockchain. Many people in that topic interesting but for me as a person who was born and raised in Germany is very challenging sometimes. It was challenging to me at times that people there are the opinion that anyone any challenging to me at times I think our goal should not be to give people who have a lot of influence or a lot of money. I think our goal of speech basically or a more of a platform and the question is also is it is it a kind of censorship. People then really have the opportunity or platform to speak out. But this is just one topic. I want to also look at the media in Russia and the democracy. Forage elections. It was before the election in Russia there was a lot of gifts given to certain parts of the population and also independent observers were not admitted to the election. And also when Crimea was invaded there was one voice against that and that voice of course became a target. And are they opposition leaders? Are they imprisoned or being concretely attacked? So very much suppressed in Russia. There's a few if any independent media in Russia and there's also surveillance and the possibility to just take down any website at any time and there's heavy regulations or stipulations on foreign broadcasters. After 24 February this has become very much worse. Now I would write ban the term war. You have to call it a special operation and there's other regulations like that and many media just gave up and went into exile. And all of this has exacerbated.  In civil society you also see a lot of heart action by the authorities. There have been a lot of arrests during protests allegedly because of coronavirus violations even if the people protested alone. And now that they ban the term war they can arrest people based on that. So any criticism is outright banned. And yesterday or the day before yesterday or something like that. Russia even said that citizens who criticize the government should be extradited from the country quality that we haven't seen before. Of course there's countries where there's certain regulations on what you can say and where for example blasphemy or regulated by the law and we even have such laws in Germany. For example you can't insult people in a certain position. What is new in Russia is concrete terms that are banned. This is a new level and this makes normal life in that country basically impossible. Not for all that is as a consequence for the civil society in Russia is large divides in between families. So some members have access to international press or media and see what is happening and others are completely taken out by the propaganda and can't imagine what is happening in Ukraine or outright believe it. Electrals who have contacts abroad. Maybe many IT specialists as well have fled Georgia. They don't have any numbers on that. But that's a huge immigration wave. And this is something the Russian civic society will also suffer from. It goes further than that. In Russia you are allowed to speak positively on about the invasion. You can only applaud how important that is for Russia and so on. And then there's this whole Nazi myth in Russia to preach people because propaganda has just come that far. And it all feels like 1984 by George has just comes out for a while. The famous freedom is freedom to say that 2 plus 2 equals 4. If you have that anything else follows. And this is a very fitting analogy. I think because it's not about suppressing opinions. It's about suppressing the truth. Something else than cancel culture because many Russian people always talk about cancel culture or are saying that Russia is being canceled. And that's just wrong because cancel culture is about opinions. Someone voices their opinions and other people react. And that may not be a nice reaction. And the person may not like it. But essentially it's two opinions clashing. But this is not censorship. But not only Russia is an actor in a protagonist in this information war. Ukraine is also very active in Ukraine. Russian parties have been and until the invasion has stopped. This is certainly debated. We can see that it's very difficult to ban a party. We've seen that in German well. And then in Ukraine there's also they're trying to put the press in one line like them report the same with the justifications that you would need to have reliable information. And of course it's understandable in such a situation of war that sometimes certain measures are just needed. That doesn't mean that everything that happens in Ukraine is good. But some measures are just needed at the moment. And also in parliaments and in the Duma and so on there's a lot of influence on opinions in the parliament. That's influence that's certainly justified but still has ramifications on who make decisions. So let's get to Germany. What happened in Germany? What stood out to me is that RT Russia today was banned in Germany. Was a law that preceded the Ukraine invasion. It was introduced on 18 March and it wasn't directly justified with this situation in Ukraine. But the justification was that RT doesn't fulfill the standards that apply to German state media. It's not about the current situation. It's about normal rules and regulations that just apply here. But in the EU there was an RT Spotnik ban in the context of sanctions. And here there's a lot more potential for criticism because this wasn't justified with the exact content of these broadcasters but with the war. So it's more difficult. And other countries like the UK and the US have taken similar actions. The media themselves have also withdrawn from these countries and but other media went back such as BBC. BBC has returned to writing quite and reporting such as CNN are reporting quite aggressively about the situation in Ukraine. Russia is reacting. It's actually screaming very loudly. We suppressed. These are influenced by the enemies and they are basically trying to counter the measures equally. So there's a lot of justifications that don't have to do with the actual situations. There are accusations of terrorism and fake news and just outright arbitrary measures. But Russia once lays a claim to freedom of speech. But they didn't give the other side that same privilege. So still the question is why does the West react like that? That's certainly a justified question in Ukraine. We can see are some legitimate protection interests that have to be weighed against freedom of speech and human rights in other countries that's different. But I would like to talk about some principles. One is freedom of speech. This is a human right, a basic human right in democracies. Well, democracy can only coexist with human rights. So if there's no human right, there can be no democracy and no rule of law. And the last point is division of force. This is also not possible without a rule of law. Rule of law means that laws are being ensured. So that convictions are final and laws are being applied and adjust what legislate can rely on that. Now let's talk about the division of force. There's the legislative force. So in context of freedom of speech, this would be certain bans. Force is, well, executes those decisions and their judicative force judges in cases in certainty. So boundaries to freedom of speech, those cases have to be ruled legally. So it's very difficult to talk about censorship. Maybe censorship, but it could also be that another is being protected. What is freedom of speech by a person has in a state to voice their opinion as they like. And especially in Germany, it's defined in a way that you can say what you want, basically. But it doesn't mean that you don't have to face the consequences of your speech. So your speech can be banned, certain things can be banned. It's very important in a democracy. If we don't have freedom of speech, you can't voice your opinion. And if you can't voice your opinion, you can't vote, for example. You have to be able to criticize the government. You don't have any freedom of speech. It's not possible anymore. This also has something to do with the freedom of press. People have to have access to this information. When you don't know what true and false is, then it's hard to build up your own critical opinion. So what is really true or false? Who should I vote for, for example? Therefore, censorship in democracies are always not allowed. Then you don't have a democracy in this case if it's there. Freedom of speech is very important and also protected in autocrosses or dictatorships. This isn't the case because this freedom actually works against this type of autocracy. Related to censorship in democracy, or attack one and attack the other. To come back to the conflict in Ukraine, it was developed very strongly in the direction of democracy and also for application into the EU. If it wasn't a democracy, it wouldn't fulfill the criteria necessary for it to join the EU. It's why Russia wants to go against Ukraine. Now Russia is active in attacking freedom of speech inside Ukraine. Also, physically with tanks, violence, and soldiers when Russia is conquered. Also, very dangerous for everyone's life. Also for their human rights there. It's not possible there to talk about the war there. It's not possible there to have freedom of speech. Therefore, there's a fight there to allow freedom of speech. They're trying to fight against this and to fight against what Russia is doing. That's the situation in Ukraine. By us, it looks something different. But also here, Russia is trying to influence us and to influence democracy and freedom of speech. For themes, for example, anti-EU, there's also the issue of refugees coming from Syria and then there's coming more. There's a strong theme in terms of what Russia is trying to influence there. Also, the refugees are coming from Syria also because of Russia's influence in the area with bombs. Maybe not different from what we're seeing in Ukraine. There's an issue of climate change. Russia has a very strong opinion in terms of what climate change is in the media. There's a big problem and Sputnik and other Russia media, they're directly connected to the government there. There's fake news there. Also, there's a very strong lobby here. We've all seen this. There's dependency on the politics there in total. There's a couple of Russia friendly parties in the U.S. also in other countries and we need to observe this. On the other hand, yes, there's also an argument here. Also, democracies such as the U.S. do this as well. Why is this only something against Russia? However, we are doing something intensively against it. So there are active protests. You can go out in the street. There's many actions on the street. You have to look at the difference of what tendencies we have. So the U.S. and other countries have and those measures being taken by the West aren't always correct. But the situation in Russia is that individuals are profiting instead of their general public. Russia always uses a very strong rhetoric against the measures by the West. But they're basically doing the same thing. I think that democracies should defend themselves. The rule of law and a good living for everyone, alternatives, resilience. This is also something we've heard about today. But it's more than that. We have laws that even restrict freedom of speech sometimes. For example, those laws against manipulative advertisements. You can't voice every opinion. You can't, for example, lie in order to make a contract. So there's a lot of rules that you can like or you can't like laws against insults, slander level, stealing. So you can't always say what you want. And we're also protecting our elections. We have rules against or rules specifying how you can advertise for elections or how candidates can advertise themselves. This is something you don't have in the US, for example. In Germany, you can't use state media to proposition your own ideas, political ideas. So a dictatorship that attacks other countries and commits genocides. We have had that before in Germany. And this is why we have certain laws. And this is why Germany has some authority also on self defending democracy. We all know the first article from the German constitution, the human dignity shall not be infringed. And to protect it, that's the aim of all force by the state. And article five defines freedom of speech. It says there shall be no censorship. So this refers to what we've talked about earlier, but there are limitations, for example, to protect youth. And also education. Education must be treated the constitution. So there are limits to our democratic freedom of speech in a democracy. And also, sometimes parties have been banned in Germany. And article 18 of their constitution says if you misuse freedom of speech against the democracy, you can lose that right. So the state in terms of defending democracy. And of course, this is very difficult to enforce. And for a good reason, you need the highest constitutional court to approve of that. So there are limits to a freedom of speech to protect certain interests, like the right to not be insulted or slandered. Now, like to come from the state to our social media. Social media are active contributors in this conflict. So there are actions and reactions from the media. YouTube has already banned the RT Germany channel because of misinformation related to coronavirus, interestingly. And all the other social media. I'll make it short for time constraints reasons. One after the other. And all of the Russian media, not all of them, but the state media, basically. And Russia has been acted by limiting social networks within Russia. So it's very difficult, basically, to get information into Russia right now. So social media have become active contributors in this conflict. But social media only reacted after the war started. So this was all after the law that prohibits people from using the term war. And it was after the sanctions from the Western countries. So it's not really proactive. It was rather so the reaction by those large corporations came late. It's kind of reminiscent of the capital situation last year in biggest sanctions also only were imposed afterwards after what happened. And was a lot of influence on the elections, a lot of manipulation in the social media. And they've reacted, but only ever happened really late. And after the actual worst case had already come true. So it is kind of arbitrary, in my opinion. Social media and freedom of speech, the question is, can you make social media protect freedom of speech? Is that their escort obligation? In that regard, you should always differentiate between state actors and private persons. Private persons have a right to, for example, forbidden people from using their business, but also they have an obligation to adhere to basic human rights. And if that is not the case, the state has to intervene. The state has to ensure that freedom of speech is given or that basic human rights are being ensured. So it's not all on the social media themselves. Human rights are global. They shouldn't be dependent on local law, but so they should also extend to social media. It's an interesting question. How much should platforms have to ensure freedom of speech? And when should the state intervene? Who guarantees that everyone's rights are being respected? And how can that be enforced? Is that something that should be done globally? Or are certain criteria that you can apply? One, I would say, is human dignity. So this is about insults, but it's also about protecting certain groups. So the integrity of certain groups must sometimes be protected, but also if a state uses too much propaganda and people in those states as well. When democratic structures are being attacked, or not prosecution, is that possible in social media to prosecute crimes? And how is that done? How should attacks on human rights be prosecuted? And how should they be amended? So we have to have prosecution follow suit. And I haven't found my final opinion in regard to those questions. Okay, so these topics are very happy. That was an introduction from the presenter. What is important is truth. Okay, I'm getting very bad audio. I'm trying to translate best as I can. Sorry, audio is too bad at the moment. There's people who've been active since 2017. And there's the charter of their digital basic rights of the European Union. And the initiators are from a foundation that's called Zeitstiftung. But there's also criticism. Audio is very bad, sorry. The criticism towards this initiative is that it's very much based on wishful thinking. So what new developments do we have? We have an information war. And certain actors are consciously making an effort to divide other democracies and states. But this is a phenomenon that we've always had. So it's democracies against autocracies, but also vice versa. And democracy should also be defended on social platforms. Thank you very much for your presentation. This presentation was very much in depth and also philosophical at times. And I have one question to the audience, and to anyone who would like to ask questions and use their Q&A function. So what can we do? Sorry, the audio is very bad. I can't really translate. So you should always remind people of the value of democracy. And it's not always against the state, but you should also fight with the state. Resilience within the population should be promoted and it's very high good. And you should always know that human rights are more important than dependencies that we may have or may feel that we have at the moment. So solidarity is also important. And the population also has an obligation to defend the democracy and the good that we've achieved. And we must find the limits of freedom of speech and we must find the right level that we can use to achieve progress. Very bad audio, sorry. My conclusion is I'm still unsure. As you may have realized, I've not found my final opinion. I'm happy to discuss with you in the breakout room in a minute and maybe you have some answers as to what is okay and what is not okay. And maybe we can develop some strategies. Sorry, the audio is so bad I can't understand a single word she's saying. Thank you so much. Thank you again that is the presenter speaking for this very in depth presentation that reminded us of what we have in these times of crisis and war. It's so important to remember what a luxury our democracy is. Sorry, very bad audio. So this presenter is asking what's true and this is a very important question. So parallel again to your certification authority, are there any criteria that we can use to differentiate truth from truth information? Yeah, I've held a seminary about that actually, that speaker speaking. So this is a question that isn't easy to answer and that I can't answer in the short time we have here. Yeah, because we're quite ahead in time.


CHAPTER XXII. The Struggle in the Council-House. As Osano and Graham hurried along to the ruins about the Council-House, they saw everywhere the excitement of the people rising. To your wards! to your wards! Everywhere men and women in blue were hurrying from unknown subterranean employments up the staircases of the middle-path. At one place Graham saw an arsenal of the Revolutionary Committee besieged by a crowd of shouting men. At another a couple of men in the hated yellow uniform of the labour police pursued by a gathering crowd fled precipitately along the swift way that went in the opposite direction. The cries of, to your wards! became at last a continuous shouting as they drew near the government quarter. Many of the shouts were unintelligible. A strong has betrayed us! one man bawled in a hoarse voice again and again, dinning that refrain into Graham's ear until it haunted him. This person stayed close beside Graham and Osano on the swift way, shouting to the people who swarmed on the lower platforms as he rushed past them. His cry about Ostrog alternated with some incomprehensible orders. Presently he went leaping down and disappeared.  His plans were vague and unformed. He had one picture of some commanding position from which he could address the multitudes, another of meeting Ostrog face to face. He was full of rage, of tense muscular excitement. His hands gripped, his lips were pressed together. The way to the council-house across the ruins was impassable, but Osano met that difficulty and took Graham into the premises of the Central Post Office. The Post Office was nominally at work, but the blue-clothed porters moved sluggishly, or had stopped to stare through the arches of their galleries and the shouting men who were going by outside. Every man to his ward! Every man to his ward! Here, by Osano's advice, Graham revealed his identity. They crossed to the council-house by a cable-cradle. Already in the brief interval since the capitulation of the councillors a great change had been wrought in the appearance of the ruins. The spurting cascades of the ruptured sea-water mains had been captured and tamed, and huge temporary pipes ran overhead along a flimsy-looking fabric of girders. The sky was laced with restored cables and wires that served the council-house, and a mass of new fabric with cranes and other building-machines going to and fro upon it, projected to the left of the white pile. The moving ways that ran across this area had been restored, albeit for once running under the open sky. These were the ways that Graham had seen from the little balcony in the hour of his awakening, not nine days since, and the hall of his trance had been on the further side, where now shapeless piles of smashed and shattered masonry were heaped together. It was already high day and the sun was shining brightly. Out of their tall caverns of blue electric light came the swift ways crowded with multitudes of people who poured off them and gathered ever denser over the wreckage and confusion of the ruins. The air was full of their shouting, and they were pressing and swaying towards the central building. For the most part that shouting mass consisted of shapeless swarms, but here and there Graham could see that a rude discipline struggled to establish itself, and every voice clamored for order in the chaos. To your wards, every man to his ward! The cable carried them into a hall which Graham recognized as the antechamber to the hall of the Atlas, about the gallery of which he had walked days ago, with Howard to show himself to the vanished council an hour from his awakening. Now the place was empty except for two cable attendants. These men seemed hugely astonished to recognize the sleeper in the man who swung down from the cross-seat. Where is Ostrog, he demanded? I must see Ostrog forthwith. He has disobeyed me. I have come to take things out of his hands. Without waiting for Osano, he went straight across the place, ascended the steps at the further end and, pulling the curtain aside, found himself facing the perpetually laboring Titan. The hall was empty. Its appearance had changed very greatly since his first sight of it. It had suffered serious injury in the violent struggle of the first outbreak. On the right-hand side of the great figure, the upper half of the wall had been torn away for nearly two hundred feet of its length, and a sheet of the same glassy film that had enclosed Graham at his awakening had been drawn across the gap. This didn't, but did not altogether exclude the roar of the people outside. Wards! wards! wards! they seemed to be saying. Through it there were visible the beams and supports of metal scaffoldings that rose and fell according to the requirements of a great crowd of workmen. An idle building-machine with lank arms of red-painted metal stretched gauntly across this green-tinted picture. On it were still a number of workmen staring at the crowd below. For a moment he stood regarding these things, and Osano overtook him. Ostrog, said Osano, will be in the small offices beyond there. The little man looked livid now, and his eyes searched Graham's face. They had scarcely advanced ten paces from the curtain before a little panel to the left of the atlas rolled up, and Ostrog, accompanied by Lincoln and followed by two black and yellow clad Negroes, appeared crossing the remote corner of the hall towards the second panel that was raised and open. Ostrog shouted Graham, and at the sound of his voice the little party turned astonished. Ostrog said something to Lincoln and advanced alone. Graham was the first to speak. His voice was loud and dictatorial. What is this I hear? he asked. Are you bringing Negroes here to keep the people down? It is none too soon, said Ostrog. They have been getting out of hand more and more since the revolt. I underestimated. Do you mean that these infernal Negroes are on the way? On the way. As it is, you have seen the people outside? No wonder! But after what was said, you have taken too much on yourself, Ostrog. Ostrog said nothing, but drew nearer. These Negroes must not come to London, said Graham. I am master, and they shall not come. Ostrog glanced at Lincoln, who at once came towards them, with his two attendants close behind him. Why not? asked Ostrog. White men must be mastered by white men. Besides, the Negroes are only an instrument. But that is not the question. I am the master. I mean to be the master, and I tell you these Negroes shall not come. The people. I believe in the people.  You are a man out of the past, an accident. You are owner, perhaps, of the world, nominally, legally. But you are not master. You do not know enough to be master. He glanced at Lincoln again. I know now what you think. I can guess something of what you mean to do. Even now it is not too late to warn you.  You have all those worn out dreams of the 19th century fresh and vivid in your mind, and you would rule this age that you do not understand. Listen, said Graham. You can hear it, a sound like the sea, not voices, but a voice.  We taught them that, said Ostrog. Perhaps. But can you teach them to forget it? But enough of this. These Negroes must not come. There was a pause, and Ostrog looked him in the eyes. They will, he said. I forbid it, said Graham. They have started. I will not have it. No, said Ostrog. Sorry as I am to follow the method of the council. For your own good you must not side with disorder. And now that you are here, it was kind of you to come here. Graham laid his hand on Graham's shoulder. Abruptly, Graham realized the enormity of his blunder in coming to the council-house. He turned towards the curtains that separated the hall from the antechamber, the clutching hand of Asano intervened. In another moment Lincoln had grasped Graham's cloak. He turned and struck at Lincoln's face, and incontinently a Negro had him by collar and arm. He wrenched himself away, his sleeve tore noisily, and he stumbled back to be tripped by the other attendant. Then he struck the ground heavily, and he was staring at the distant ceiling of the hall. He shouted, rolled over, struggling fiercely, clutched an attendant leg and threw him headlong and struggled to his feet. Lincoln appeared before him, went down heavily again with a blow under the point of the jaw, and lay still. Graham made two strides, stumbled, and then Ostrog's arm was round his neck, he was pulled over backward, fell heavily, and his arms were pinned to the ground. After a few violent efforts he ceased to struggle and lay staring at Ostrog's heaving throat.   Graham turned his head about and perceived through the irregular green window in the walls of the hall the men who had been working the building cranes gesticulating excitedly to the people below them. They had seen. Ostrog followed his eyes and started. He shouted something to Lincoln, but Lincoln did not move. A bullet smashed among the moldings above the atlas. The two sheets of transparent matter that had been stretched across this gap were rent. The edges of the torn aperture darkened, curved, ran rapidly towards the framework, and in a moment the council chambers stood open to the air. A chilly gust blew in by the gap, bringing with it a war of voices from the ruinous spaces without an elvish babblement. Save the master! What are they doing to the master? The master is betrayed! And then he realized that Ostrog's attention was distracted, that Ostrog's grip had relaxed, and, wrenching his arms free, he struggled to his knees. In another moment he had thrust Ostrog back, and he was on one foot, his hand gripping Ostrog's throat and Ostrog's hands clutching the silk about his neck. But now men were coming towards them from the dais, men whose intentions he misunderstood. He had a glimpse of someone running in the distance towards the curtains of the antechamber, and then Ostrog had slipped from him, and these newcomers were upon him. To his infinite astonishment they seized him. They obeyed the shouts of Ostrog. He was lugged a dozen yards before he realized that they were not friends, that they were dragging him towards the open panel. When he saw this he pulled back, he tried to fling himself down, he shouted for help with all his strength, and this time they were answering cries. The grip upon his neck relaxed and behold! In the lower corner of the rent upon the wall first one and then a number of little black figures appeared, shouting and waving arms. They came leaping down from the gap into the light gallery that had led to the silent rooms. They ran along it, so near were they that Graham could see the weapons in their hands. Then Ostrog was shouting in his ear to the men who held him, and once more he was struggling with all his strength against their endeavours to thrust him towards the opening that yawned to receive him. They can't come down, pented Ostrog. They daren't fire! It's all right. We'll save him from them yet. For long minutes as it seemed to Graham that inglorious struggle continued. His clothes were rent in a dozen places. He was covered in dust. One hand had been trodden upon. He could hear the shouts of his supporters, and once he heard shots. He could feel his strength giving way, feel his efforts wild and aimless. But no help came, and surely irresistibly that black yawning opening came nearer. The pressure upon him relaxed, and he struggled up. He saw Ostrog's gray head receding, and perceived that he was no longer held. He turned about and came full into a man in black. One of the green weapons cracked close to him. A drift of pungent smoke came into his face, and a steel blade flashed. The huge chambers span about him. He saw a man in pale blue, stabbing one of the black and yellow attendants not three yards from his face. Then hands were upon him again. He was being pulled in two directions now. It seemed as though people were shouting to him. He wanted to understand and could not. Someone was clutching about his thighs. He was being hoisted in spite of his vigorous efforts. He understood suddenly. He ceased to struggle. He was lifted up on men's shoulders and carried away from that devouring panel. Ten thousand throats were cheering. He saw men in blue and black hurrying after the retreating Ostrogites and firing. Lifted up, he saw now the whole expanse of the hall beneath the atlas image, saw that he was being carried towards the raised platform in the center of the place. The far end of the hall was already full of people running towards him. They were looking at him and cheering. He became aware that a bodyguard surrounded him. Active men about him shouted vague orders. He saw close at hand the black moustached man in yellow who had been among those who had greeted him in the public theatre, shouting directions. The hall was already densely packed with swaying people, the little metal galleries sagged with the shouting load, the curtains at the end had been torn away, and the antechaper was revealed densely crowded. He could scarcely make the man near him hear for the tumult about them. Where has Ostrog gone? he asked. The man he questioned pointed over the heads towards the lower panels about the hall on the side opposite the gap. They stood open, and armed men, blue clad with black sashes, were running through them and vanishing into the chambers and passages beyond. It seemed to gram that a sound of firing drifted through the riot. He was carried in a staggering curve across the great hall towards an opening beneath the gap. He perceived men working with a sort of rude discipline to keep the crowd off him, to make a space clear about him. He passed out of the hall and saw a crude new wall rising blankly before him, topped by blue sky. He was swung down to his feet. Someone gripped his arm and guided him. He found the man in yellow close at hand. They were taking him up a narrow stairway of brick, and close at hand rose the great red painted masses, the cranes and levers, and the still engines of the big building machines. He was at the top of the steps. He was hurried across a narrow, railed footway, and suddenly with a vast shouting, the amphitheater of ruins opened again before him. The master is with us! The master! The master! The shout swept a thwart the lake of faces like a wave, broke against the distant cliff of ruins, and came back in a welter of prize. The master is on our side! Graham perceived that he was no longer encompassed by people, that he was standing upon a little temporary platform of white metal, part of a flimsy-seeming scaffolding that laced about the great mass of the Council House. Overall the huge expanse of the ruins swayed and eddied the shouting people, and here and there the black banners of the revolutionary societies ducked and swayed and formed rare nuclei of organization in the chaos. Up the steep stairs of wall and scaffolding by which his rescuers had reached the opening in the Atlas Chamber, clung a solid crowd, and little energetic black figures clinging to pillars and projections were strenuous to induce these congested masses to stir. Behind him, at a higher point on the scaffolding, a number of men struggled upwards with the flapping folds of a huge black standard. Through the yawning gap in the walls below him, he could look down upon the packed attentive multitudes in the hall of the Atlas. The distant flying stages to the south came out bright and vivid, brought nearer as it seemed by an unusual translucency of the air. A solitary monoplane beat up from the central stage as if to meet the coming aeroplanes. What has become of Ostrog? asked Graham, and even as he spoke he saw that all eyes were turned from him towards the crest of the Council House building. He looked also in this direction of universal attention. For a moment he saw nothing but the jagged corner of a wall, hard and clear against the sky. Then in the shadow he perceived the interior of a room, and recognized with a start the green and white decorations of his former prison. And coming quickly across this opened room and up to the very verge of the cliff of the ruins came a little white-clad figure followed by two other smaller seeming figures in black and yellow. He heard the man beside him exclaim, Ostrog, and turned to ask a question. But he never did, because of the startled exclamation of another of those who were with him, and a lank finger suddenly pointing. He looked, and behold, the monoplane that had been rising from the flying stage when last he had looked in that direction was driving towards them. The swift, steady flight was still novel enough to hold his attention. Nearer it came, growing rapidly larger and larger until it had swept over the firger edge of the ruins and interview of the dense multitudes below. It drooped across the space and rose and passed overhead, rising to clear the mass of the council-house, a filmy, translucent shape with the solitary aeronaut peering down through its ribs. It vanished beyond the skyline of the ruins. Graham transferred his attention to Ostrog. He was signalling with his hands, and his attendants were busy breaking down the wall beside him. In another moment the monoplane came into view again, a little thing far away, coming round in a wide curve and going slower. Then suddenly the man in yellow shouted, What are they doing? What are the people doing? Why is Ostrog left there? Why is he not captured? They will lift him. The monoplane will lift him! Ah! The exclamation was echoed by a shout from the ruins. The rattling sound of the green weapons drifted across the intervening gulf to Graham, and looking down he saw a number of black and yellow uniforms running along one of the galleries that lay open to the air below the promontory upon which Ostrog stood. They fired as they ran at men unseen, and then emerged a number of pale blue figures in pursuit. These minute fighting figures had the oddest effect. They seemed as they ran, like little model soldiers in a toy. This queer appearance of a house cut open gave that struggle amidst furniture and passages a quality of unreality. It was perhaps two hundred yards away from him, and very nearly fifty above the heads in the ruins below. The black and yellow men ran into an open archway and turned and fired a volley. One of the blue pursuers striding forward close to the edge, flung up his arms, staggered sideways, seemed to Graham's sense to hang over the edge for several seconds, and fell headlong down. Graham saw him strike a projecting corner, fly out, head over heels, head over heels, and vanish behind the red arm of the building machine. And then a shadow came between Graham and the sun. He looked up, and the sky was clear, but he knew the little monoplane had passed. Ostrog had vanished. The man in yellow thrust before him, zealous and perspiring, pointing and blatant. They are grounding, cried the man in yellow. They are grounding. Tell the people to fire at him! Tell them to fire at him!" Graham could not understand. He heard loud voices repeating these enigmatic orders.  In a moment Graham understood that the thing had grounded in order that Ostrog might escape by it. He saw a blue haze climbing out of the gulf, perceived that the people below him were now firing up at the projecting stem. A man beside him cheered hoarsely, and he saw that the blue rebels had gained the archway that had been contested by the men in black and yellow a moment before, and were running in a continual stream along the open passage. And suddenly the monoplane slipped over the edge of the council house and fell like a diving swallow. It dropped tilting at an angle of forty-five degrees so steeply that it seemed to Graham, it seemed perhaps to most of those below, that it could not possibly rise again. It fell so closely past him that he could see Ostrog clutching the guides of the seat with his gray hair streaming. See the white-faced aeronaut wrenching over the lever that turned the machine upward. He heard the apprehensive vague cry of innumerable men below. Graham clutched the railing before him and gasped. The second seemed in age. The lower vein of the monoplane passed within an ace of touching the people, who yelled and screamed and trampled one another below. And then it rose. For a moment it looked as if it could not possibly clear the opposite cliff, and then that it could not possibly clear the wind-wheel that rotated beyond. And behold, it was clear and soaring, still healing sideways upward upward into the wind-swept sky. The suspense of the moment gave place to a fury of exasperation as the swarming people realized that Ostrog had escaped them. With belated activity they renewed their fire until the rattling wove into a roar, until the whole area became dim and blue and the air pungent with the thin smoke of their weapons. Too late the flying machine dwindled smaller and smaller, and curved about and swept gracefully downward to the flying stage from which it had so lately risen. Ostrog had escaped. For a while a confused babblement arose from the ruins, and then the universal attention came back to Graham, pursed high among the scaffolding. He saw the faces of the people turned towards him, heard their shouts at his rescue. From the throat of the ways came the song of the revolt spreading like a breeze across that swaying sea of men. The little group of men about him shouted congratulations on his escape. The man in yellow was close to him, with a set face and shining eyes, and the song was rising louder and louder, tramp, tramp, tramp, tramp. Slowly the realization came of the full meaning of these things to him, the perception of the swift change in his position. Ostrog, who had stood beside him whenever he had faced that shouting multitude before, was beyond there, the antagonist. There was no one to rule for him any longer. Even the people about him, the leaders and organizers of the multitude, looked to see what he would do, looked to him to act, awaited his orders. He was king indeed. His puppet reign was at an end.  His nerves and muscles were quivering. His mind was perhaps a little confused. But he felt neither fear nor anger. His hand was that had been trodden upon throbbed and was hot. He was a little nervous about his bearing. He knew he was not afraid, but he was anxious not to seem afraid. In his former life he had often been more excited in playing games of skill. He was desirous of immediate action. He knew he must not think too much in detail of the huge complexity of the struggle about him, lest he should be paralyzed by the sense of its intricacy. Over there those square blue shapes, the flying stages, meant Ostrog. Against Ostrog, who was so clear and definite and decisive, he who was so vague and undecided, was fighting for the whole future of the world. CHAPTER XXIII.  Even his will seemed to will not his own. His own acts surprised him and were but a part of the confusion of strange experiences that poured across his being. These things were definite. The Negroes were coming. Helen Watton had worn the people of their coming, and he was master of the earth. Each of these facts seemed struggling for complete possession of his thoughts. They protruded from a background of swarming halls, elevated pastures, rooms jammed with ward leaders in council, kinematograph and telephone rooms, and windows looking out on a seething sea of marching men. The men in yellow, and men whom he fancied were called ward leaders, were either propelling him forward or following him obediently. It was hard to tell. Perhaps they were doing a little of both. Perhaps some power, unseen and unsuspected, propelled them all. He was aware that he was going to make a proclamation to the people of the earth, aware of certain grandiose phrases floating in his mind as the thing he meant to say. Many little things happened, and then he found himself with the man in yellow, entering a little room where this proclamation of his was to be made. This room was grotesquely latter day in its appointments. In the center was a bright oval, lit by shaded electric lights from above. The rest was in shadow, and the double finely fitting door through which he came, from the swarming hall of the Atlas, made the place very still. The dead thud of these as they closed behind him, the sudden cessation of the tumult in which he had been living for hours, the quivering circle of light, the whispers and quick noiseless movements of vaguely visible attendance in the shadows, had a strange effect upon Graham. The huge ears of a phonographic mechanism gaped in a battery for his words. The black eyes of great photographic cameras awaited his beginning, beyond metal rods and coils glittered dimly, and something whirled about with a droning hum. He walked into the center of the light, and his shadow drew together black and sharp to a little blot at his feet. The vague shape of the thing he meant to say was already in his mind. But this silence, this isolation, the withdrawal from that contagious crowd, this audience of gaping, glaring machines had not been in his anticipation. All his support seemed withdrawn together. He seemed to have dropped into this suddenly, suddenly to have discovered himself. In a moment he was changed. He found that he now feared to be inadequate. He feared to be theatrical. He feared the quality of his voice, the quality of his wit. Astonished, he turned to the man in yellow with a proprietary gesture. For a moment, he said, I must wait. I did not think it would be like this. I must think of the thing I have to say. While he was still hesitating, there came an agitated messenger with news that the foremost airplanes were passing over Madrid. What news of the flying stages, he asked. The people of the Southwest wards are ready. Ready. He turned impatiently to the blank circles of the lenses again. I suppose it must be a sort of speech. Would to God, I knew certainly the thing that should be said, airplanes at Madrid, they must have started before the main fleet. Oh, what can it matter whether I speak well or ill, he said, and felt the light grow brighter. He had framed some vague sentence of democratic sentiment, when suddenly doubts overwhelmed him. His belief in his heroic quality and calling he found had altogether lost its assured conviction. The picture of a little strutting futility in a windy waste of incomprehensible destinies replaced it. Abruptly, it was perfectly clear to him that this revolt against Ostrog was premature, for doomed to failure, the impulse of passionate inadequacy against inevitable things. He thought of that swift flight of airplanes like the swoop of fate towards him. He was astonished that he could have seen things in any other light. In that final emergency he debated, thrust debate resolutely aside, determined at all costs to go through the thing he had undertaken. And he could find no word to begin. Even as he stood, awkward, hesitating, with an indiscreet apology for his inability trembling on his lips, came the noise of many people crying out, the running two and fro of feet. Wait! cried someone, and a door opened. Graham turned and the washing lights waned. Through the open door where he saw a slight girlish figure approaching, his heart leapt. It was Helen Watton. The man in yellow came out of the nearest shadows into the circle of light. This is the girl who told us what Ostrog had done, he said. She came in very quietly and stood still, as if she did not want to interrupt Graham's eloquence. But his doubts and questionings fled before her presence. He remembered the things that he had meant to say. He faced the cameras and the light about him grew brighter. He turned back to her. You have helped me, he said lamely, helped me very much. This is very difficult. He paused. He addressed himself to the unseen multitudes who stared upon him through those grotesque black eyes. At first he spoke slowly. Men and women of the new age, he said, you have arisen to do battle for the race. There is no easy victory before us. He stopped to gather words. He wished passionately for the gift of moving speech. This night is beginning, he said. This battle that is coming, this battle that rushes upon us tonight is only a beginning. All your lives it may be you must fight. Take no thought though I am beaten, though I am utterly overthrown. I think I may be overthrown. He found the thing in his mind too vague for words. He paused momentarily and broke into vague exhortations, and then a rush of speech came upon him. Much that he said was but the humanitarian commonplace of a vanished age, but the conviction of his voice touched it to vitality. He stated the case of the old days to the people of the new age, to the girl at his side. I come out of the past to you, he said, with the memory of an age that hoped. My age was an age of dreams, of beginnings, an age of noble hopes. Throughout the world we had made an end of slavery. Throughout the world we had spread the desire and anticipation that wars might cease, that all men and women might live nobly in freedom and peace. So we hoped in the days that are past. And what of those hopes? How is it with man after 200 years? Great cities, fast powers, a collective greatness beyond our dreams. For that we did not work, and that has come. But how is it with the little lives that make up this greater life? How is it with the common lives? As it has ever been, sorrow and labor, lives cramped and unfulfilled, lives tempted by power, tempted by wealth, and gone to waste and folly. The old faiths have faded and changed, the new faith. Is there a new faith? Charity and mercy, he floundered. Beauty and the love of beautiful things, effort and devotion. Give yourselves as I would give myself, as Christ gave himself upon the cross. It does not matter if you understand. It does not matter if you seem to fail.  There is no promise. There is no security, nothing to go upon but faith. There is no faith but faith. Faith which is courage. Thing that he had long wished to believe, he found that he believed. He spoke gustily in broken incomplete sentences, but with all his heart and strength of this new faith within him. He spoke of the greatness of self-abnegation, of his belief in an immortal life of humanity in which we live and move and have our being. His voice rose and fell, and the recording appliance as hummed as he spoke, dim attendance watched him out of the shadow. His sense of that silent spectator beside him sustained his sincerity. For a few glorious moments he was carried away. He felt no doubt of his heroic quality, no doubt of his heroic words. He had it all straight and plain. His eloquence limped no longer, and at last he made an end to speaking. Here and now, he cried, I make my will. All that is mine in the world I give to the people of the world. All that is mine in the world I give to the people of the world. To all of you, I give it to you, and to myself I give to you.  He ended. He found the light of his present exaltation reflected in the face of the girl. Their eyes met. Her eyes were swimming with tears of enthusiasm. I knew, she whispered, Oh, Father of the world, Sire, I knew you would say these things. I have said what I could, he answered lamely, and grasped and clung to her outstretched hands. The man in yellow was beside them. Neither had noted his coming. He was saying that the Southwest wards were marching. I never expected it so soon, he cried. They have done wonders. You must send them a word to help them on their way. Graham stared at him absentmindedly. Then with a start, he returned to his previous preoccupation about the flying stages. Yes, he said, that is good, that is good. He weighed a message. Tell them, well done, Southwest. He turned his eyes to Helen Watton again. His face expressed his struggle between conflicting ideas. We must capture the flying stages, he explained. Unless we can do that, they will land negroes. At all cost we must present that. He felt even as he spoke that this was not what had been in his mind before the interruption. He saw a touch of surprise in her eyes. She seemed about to speak in a shrill bell around her voice. It occurred to Graham that she expected him to lead these marching people, that that was the thing he had to do. He made the offer abruptly. He addressed the man in yellow, but he spoke to her. He saw her face respond. Here I am doing nothing, he said. It is impossible, protested the man in yellow. It is a fight in a warren. Your place is here. He explained elaborately. He motioned toward the room where Graham must wait. He insisted no other course was possible. We must know where you are, he said, at any moment a crisis may arise needing your presence and decision. A picture had drifted through his mind of such a vast dramatic struggle as the masses in the ruins had suggested, but here was no spectacular battlefield such as he imagined. Instead was seclusion and suspense. It was only as the afternoon wore on that he pieced together a tour picture of the fight that was raging. Inaudibly and invisibly, within four miles of him, beneath the Rohampton stage. A strange and unprecedented contest it was. A battle that was a hundred thousand little battles, a battle in a sponge of ways and channels, fought out of sight of sky or sun under the electric glare, fought out on a vast confusion by multitudes untrained in arms, led chiefly by acclamation, multitudes doled by mindless labor, and innervated by the tradition of 200 years of servile security against the multitudes demoralized by lives of venial differentiation into this force of that. The only weapon on either side of the little green metal carbine, whose secret manufacture and sudden distribution in enormous quantities had been one of Ostrog's culminating moves against the Council. Few had any experience with this weapon. Many had never discharged one. Many who carried it came unprovided with ammunition. Never was a wilder firing in the history of warfare. It was a battle of amateurs. Armed rioters swept forward by the words and fury of the song, by the tramping sympathy of their numbers. Pouring in countless myriads toward the smaller ways, the disabled lifts, the galleries slippery with blood, the halls and passages choked with smoke beneath the flying stages, to learn there when retreat was hopeless, the ancient mysteries of warfare. And overhead, savor a few sharpshooters upon the roof spaces, and for a few bands and threads of vapor that multiplied and darkened toward the evening, the day was a clear serenity. Ostrog, it seems, had no bombs at command, and in all the earlier phases of the battle, the flying machines played no part. Not the smallest cloud was there to break the empty brilliance of the sky. It seemed as though it held itself vacant until the aeroplanes should come. Ever and again there was news of these drawing nearer from this Spanish town and then that, and presently from France. But of the new guns that Ostrog had made, and which were known to be in the city, came no news in spite of Graham's urgency, nor any report of successes from the dense felt of fighting strands about the flying stages. Section after section of the labor societies reported itself assembled, reported itself marching, and vanished from knowledge into the labyrinth of that warfare. What was happening there? Even the busy ward leaders did not know. In spite of the opening and closing of doors, the hasty messengers, the ringing of bells and perpetual clear-clack of recording implements, Graham felt isolated, strangely inactive, inoperative. His isolation seemed at times the strangest, the most unexpected of all the things that had happened since his awakening. It had something of the quality of that inactivity that comes in dreams. A tumult, the stupendous realization of a world struggle between Ostrog and himself, and then this confined little room with its mouthpieces and bells and broken mirror. Now the door would be closed and Graham and Helen were alone together. They seemed sharply marked off then from all the unprecedented worldstorm that rushed together without, vividly aware of one another, only concerned with one another. Then the door would open again, messengers would enter, or a sharp bell would stab their quiet privacy, and it was like a window in a well-built and brightly lit house flung open suddenly to a hurricane. The dark hurry and tumult, the stress and vehemence of the battle rushed in and overwhelmed them. They were no longer persons but mere spectators, mere impressions of a tremendous convulsion. They became unreal even to themselves, miniatures of personality, indescribably small, and the two antagonistic realities, the only realities in being, were first the city that throbbed and roared yonder in a belated frenzy of defense, and secondly the aeroplanes hurling inexorably towards them over the round shoulder of the world. They came a sudden stirrer outside, a running to and fro and cries. The girl stood up speechless and credulous. Metallic voices were shouting victory. Yes, it was victory. Bursting through the curtains appeared the man in yellow, startled and disheveled with excitement. Victory, he cried. Victory. The people are winning. Ostrog's people have collapsed. She rose. Victory. What do you mean? asked Gramt. Tell me. What? We have driven them out of the under-galleries at Norwood.  And we have taken the monoplane that lay thereon. A shrill bell rang. An aditated gray-headed man appeared from the room of the ward leaders. It is all over, he cried. What matters now that we have Rohampton? The aeroplanes have been sighted at Bologna. The channel, said the man in yellow. He calculated swiftly. Half an hour. They still have three of the flying stages, said the old man. Those guns, cried Gramt. We cannot mount them in half an hour. Do you mean they are found? Too late, said the old man. If we could stop them, another hour, cried the man in yellow. Nothing can stop them now, said the old man. They have near a hundred aeroplanes in the first fleet. Another hour? To be so near, said the ward leader. Now that we have found those guns, to be so near, if once we could get them out upon the roof spaces, how long would that take? asked Gramt suddenly. An hour, certainly. Too late, cried the ward leader. Too late. Is it too late? said Gramt. Even now. An hour. He had suddenly perceived a possibility. He tried to speak calmly, but his face was white. There is a chance. You said there was a monoplane on the Rohampton stage, sir. Smashed? No, it is flying crossways to the carrier. It might be got upon the guides, easily. But there is no aeronaut. Gramt glanced at the two men, and then at Helen. He spoke after a long pause. We have no aeronauts? None. He turned suddenly to Helen. His decision was made. I must do it. Do what? Go to this flying stage, to this machine. What do you mean? I am an aeronaut. After all, those days for which you reproached me were not altogether wasted. He turned to the old man in yellow. Tell them to put it upon the guides. The man in yellow hesitated. What do you mean to do? cried Helen. This monoplane. It is a chance. You don't mean to fight. Yes. To fight in the air. I have thought before. A big aeroplane is a clumsy thing. A resolute man. But never since flying began, cried the man in yellow. There has been no need. But now the time has come. Tell them now. Send them my message to put it upon the guides. I see now something to do. I see now why I am here. The old man dumbly interrogated the man in yellow, nodded, and hurried out. Helen made a step towards Graham. Her face was white. But Sire, how can one fight? You will be killed. Perhaps. Yet not to do it. Or to let someone else attempt it. You will be killed, she repeated. I have said my word. Do you not see? It may save London. He stopped. He could speak no more. He swept the alternative aside by a gesture, and they stood looking at one another. They were both clear that he must go. There was no step back from these towering heroisms. Her eyes broomed with tears. She came towards him with a curious movement of her hands, as though she felt her way and could not see. She seized his hand and kissed it. To wake, she cried, for this. He held her clumsily for a moment, and kissed the hair of her bowed head, and then thrust her away, and turned towards the man in yellow. He could not speak. The gesture of his arm said onward. CHAPTER XXV. The Coming of the Aeroplanes. Two men in pale blue were lying in the irregular line that stretched along the edge of the captured Rohanton's stage from end to end, grasping their car-beins and peering into the shadows of the stage called Wimbledon Park. Now and then they spoke to one another. They spoke the mutilated English of their class in period. The fire of the Ostrogites had dwindled and ceased, and few of the enemy had been seen for some time. But the echoes of the fight that was going on now far below in the lower galleries of that stage came every now and then between the staccato of shots from the popular side. One of these men was describing to the other how he had seen a man down below there dodge behind a girder, and it aimed at a guest and hit him cleanly as he dodged too far. He's down there still, said the marksman. See that little patch? Yes, between those bars.  Close behind him a wounded man, with a leg swathed about, set with an expressionless face and watched the progress of that burning. Behind them, a thwart the carrier laid the captured monoplane. I can't see him now, said the second man in a tone of provocation. The marksman became foul-mouthed and high-voiced in his earnest endeavor to make things plain, and suddenly interrupting him came a noisy shouting from the sub-stage. What's going on now, he said, and raised himself on one arm to survey the stair-heads in the central groove of the stage. A number of blue figures were coming up these and swarming across the stage. We don't want all these fools, said his friend. They only crowd up and spoil shots. What are they after? Shhh! They're shouting something. The two men listened. The newcomers had crowded densely about the machine. Three ward-leaders, conspicuous by their black mantles and badges, clamored into the body and appeared above it. The rank-and-file flung themselves upon the vans, gripping hold of the edges, until the entire outline of the thing was manned. In some places, three deep. One of the marksmen knelt up. They're getting it on the carrier. That's what they're after. He rose to his feet. His friend rose also. What's to good, said his friend. We've got no aeronauts. That's what they're doing, anyhow. He looked at his rifle, looked at the struggling crowd, and suddenly turned to the wounded man. Mind these, mate, he said, handing his carbine and cartridge belt, and in a moment he was running towards the monoplane. For a quarter of an hour he was lugging, thrusting, shouting, and heeding shouts.  By this time he knew, what indeed everyone in the city knew, that the master, raw learner though he was, intended to fly this machine himself, was coming even now to take control of it, would let no other man attempt it. He who takes the greatest danger, he who bears the heaviest burden, that man is king. So the master was reported to have spoken. And even as this man cheered, and while the beads of sweat still chased one another from the disorder of his hair, he heard the thunder of a great tumult, and in fitful snatches the beat and impulse of the revolutionary song. He saw through a gap in the people that a thick stream of heads still poured up the stairway. The master is coming, shouted voices, the master is coming, and the crowd about him grew denser and denser. He began to thrust himself towards the central groove. The master is coming, the sleeper, the master, God and the master, roared the voices. And suddenly quite close to him were the black uniforms of the revolutionary guard, and for the first and last time in his life he saw Graham, saw him quite nearly. A tall, dark man in a flowing black robe he was, with a white, resolute face and eyes fixed steadfastly before him. A man for all the little things about him had neither ears nor eyes nor thoughts. For all his days that man remembered the passing of Graham's bloodless face. In a moment it had gone, and he was fighting in the swaying crowd. A lad weeping with terror thrust against him, pressing towards the stairways yelling, clear for the start, you fools! The bell that cleared the flying stage became a loud, unmalodious clanging. With that clanging in his ears Graham drew near the monoplane, marched into the shadow of its tilting wing. He became aware that a number of people about him were offering to accompany him, and waved their offers aside. He wanted to think how one started the engine. The bell clanged faster and faster, and the feet of the retreating people roared faster and louder. The man in yellow was assisting him to mount through the ribs of the body. He clambered into the aeronaut's place, fixing himself very carefully and deliberately. What was it? The man in yellow was pointing to two small flying machines driving upward in the southern sky. No doubt they were looking for the coming aeroplanes. That, presently, the thing to do now was to start. Things were being shouted at him, questions, warnings. They bothered him. He wanted to think about the machine, to recall every item of his previous experience. He waved the people from him, saw the man in yellow dropping off through the ribs, saw the crowd cleft down the line of the girders by his gesture. For a moment he was motionless, staring at the levers, the wheel by which the engine shifted, and all the delicate appliances of which he knew so little. His eye caught a spirit level with the bubble towards him, and he remembered something, spent a dozen seconds in swinging the engine forward until the bubble floated in the center of the tube. He noted that the people were not shouting, knew they watched his deliberations. A bullet smashed on the bar above his head. Who fired? Was the line clear of people? He stood up to sea and sat down again. In another second the propeller was spinning and he was rushing down the guides. He gripped the wheel and swung the engine back to lift the stem. Then it was the people shouted. In a moment he was throbbing with the quiver of the engine, and the shouts dwindled swiftly behind, rushed down to silence. The wind whistled over the edges of the screen, and the world sank away from him very swiftly. Throb, throb, throb, throb, throb, up he drove. He fancied himself free of all excitement, felt cool and deliberate. He lifted the stem still more, opened one valve on his left wing and swept round and up. He looked down with a steady head and up. One of the Ostergite monoplanes was driving across his course, so that he drove obliquely towards it and would pass below it at a steep angle. Its little aeronauts were peering down at him. What did they mean to do? His mind became action. One he saw held a weapon pointing, seemed prepared to fire. What did they think he meant to do? In a moment he understood their tactics, and his resolution was taken. His momentary lethargy was passed. He opened two more valves to his left, swung round, and onto this hostile machine, closed his valves and shot straight at it. Stem and windscreen shielding him from the shot. They tilted a little as if to clear him. He flung up his stem. Throb, throb, throb, pause, throb, throb. He set his teeth, his face into an involuntary grimace, and crash. He struck it. He struck upward beneath the near wing.  He saw the full breadth of it, and then it slid downward out of his sight. He felt his stem going down, his hands tightened on the levers, whirled and ran the engine back.  The machine was reeling and staggering. It seemed to be dancing on its screw. He made a huge effort, hung for a moment on the levers, and slowly the engine came forward again. He was driving upward but no longer so steeply. He gasped for a moment and flung himself at the levers again. The wind whistled about him. One further effort and he was almost level. He could breathe. He turned his head for the first time to see what had become of his antagonist. Turned back to the levers for a moment and looked again. For a moment he could have believed they were annihilated. And then he saw between the two stages to the east was a chasm. And down this something, a slender edge, fell swiftly and vanished, as a sixpence falls down a crack. At first he did not understand, and then a wild joy possessed him. He shouted at the top of his voice in an articulate shout and drove higher and higher up the sky. Throb, throb, throb, pause, throb, throb, throb. Where was the other, he thought, they too, as he looked round the empty heavens he had a momentary fear that this second machine had risen above him. And then he saw the lighting on the Norwood stage. They had meant shooting. To risk being rammed headlong two thousand feet in the air was beyond their latter-day courage. For a little while he circled, then swooped on a steep descent towards the westward stage. Throb, throb, throb, throb, throb, throb. The twilight was creeping on a pace. The smoke from the street of stage that had been so dense and dark was now a pillar of fire. And all the laced curves of the moving ways and the translucent roofs and domes and the chasms between the buildings were glowing softly now, lit by the tempered radiance of the electric light that the glare of the day overpowered. The three efficient stages that the Ostrogites held, for Wimbledon Park was useless because of the fire from Rohampton, and Streetum was a furnace. Were glowing with guide lights for the coming aeroplanes. As he swept over the Rohampton stage, he saw the dark masses of the people thereon. He heard a clap of frantic cheering, heard a bullet from the Wimbledon Park stage tweet through the air, and went beating up above the surrey waist. He felt a breath of wind from the southwest, and lifted his westward wing as he had learned to do, and so drove upward, healing into the rare swift upper air. Were, were, were. Up he drove and up, to that pulsing rhythm until the country beneath was blue and indistinct, and London spread like a little map traced in light, like the mere model of the city near the brim of the horizon. The southwest was the sky of sapphire over the shadowy rim of the world, and ever as he drove upward the multitude of stars increased. And behold, in the southward, low down and glittering swiftly near, were two patches of nebulous light, and then two more, and then a glow of swiftly driving shapes. Presently he could count them. There were four and twenty. The first fleet of aeroplanes had come. Beyond appeared yet a greater glow. He swept round in a half-circle, staring at this advancing fleet. It flew in a wedge-like shape, a triangular flight of gigantic phosphorescent shapes sweeping nearer through the lower air. He made a swift calculation of their pace, and spun the little wheel that brought the engine forward. He touched a lever, and the throbbing effort of the engine ceased. He began to fall, fell swifter and swifter. He aimed at the apex of the wedge. He dropped like a stone through the whistling air. It seemed scarce a second from that soaring moment before he struck the foremost aeroplane. No man of all that black multitude saw the coming of his fate. No man among them dreamt of the hawk that struck downward upon them out of the sky. Those who were not limp in the agonies of air sickness were craning their black necks and staring to see the filmy city that was rising out of the haze. The rich and splendid city to which massive boss had brought their obedient muscles. Bright teeth gleamed, and the glossy faces shone. They had heard of Paris. They knew they were to have lordly times among the poor white trash. Suddenly Graham hit them. He had aimed at the body of the aeroplane, but at the very last instant a better idea had flashed into his mind. He twisted about and struck near the edge of the starboard wing with all his accumulated weight. He was jerked back as he struck. His prowl went gliding across at smooth expanse towards the rim. He felt the forward rush of the huge fabric sweeping him and his monoplane along with it. And for a moment that seemed an age he could not tell what was happening. He heard a thousand throats yelling and perceived that his machine was balanced on the edge of the gigantic float and driving down, down. Glanced over his shoulder and saw the backbone of the aeroplane and the opposite float swaying up. He had a vision through the ribs of the sliding chairs, staring faces and hands clutching at the tilting guidebars. The fenestrations in the further float flashed upon as the aeronaut tried the rider. Beyond he saw a second aeroplane leaping steeply to escape the whirl of its healing fellow. The broad area of swaying wings seemed to jerk upward. He felt he had dropped clear that the monstrous fabric clean up turn hung like a sloping wall above him. He did not clearly understand that he had struck the side float of the aeroplane and slipped off, but he perceived that he was flying free on the down glide and rapidly nearing earth. What had he done? His heart throbbed like a noisy engine in his throat and for a perilous instant he could not move his levers because of the paralysis of his hands. He rents the levers to throw his engine back, fought for two seconds against the weight of it, felt himself riding, driving horizontally, set the engine beating again. He looked upward and saw two aeroplanes glide shouting far overhead, looked back and saw the main body of the fleet opening out and rushing upward and outward, saw the one he had struck fall edgewise on and strike like a giant knife blade along the wind wheels below it. He put down his stern and looked again. He drove up heelless of his direction as he watched. He saw the wind veins give, saw the huge fabric strike the earth, saw its downward veins crumble with the weight of its descent. And then the whole mass turned over and smashed, upside down upon the sloping wheels. Then from the heaving wreckage a thin tongue of white fire licked up towards the zenith. He was aware of a huge mass flying through the air towards him and turned upwards just in time to escape the charge, if it was a charge, of a second airplane. It whirled by below, sucked him down a fathom and nearly turned him over in the gust of its close passage. He became aware of three others rushing towards him, aware of the urgent necessity of beating above them. Aeroplanes were all about him, circling wildly to avoid him as it seemed. They drove past him, above, below, eastward and westward. Far away to the westward was the sound of a collision and two falling flares. Far away to the southward, a second squadron was coming. Steadily he beat upward. Presently all the aeroplanes were below him, but for a moment he doubted the height he had of them and did not swoop again.  The big machine healed and swayed as the fear-mad men scrambled to the stern for their weapons. A score of bullets sung through the air and there flashed a star in the thick glass windshield that protected him. The aeroplane slowed and dropped to foil his stroke and dropped too low. Just in time he saw the wind wheels of Bromley Hill rushing up towards him and spun about and up as the aeroplane he had chased crashed among them. All its voices woven to a felt of yelling. The great fabric seemed to be standing on end for a second among the healing and splintering vans. And then it flew to pieces. Huge splinters came flying through the air, its engines burst like shells. A hot rush of flames shot overhead into the darkling sky. Two, he cried, with a bomb from overhead bursting as it fell and forthwith he was beating up again.  His troubles about humanity, about his inadequacy were gone forever. He was a man in battle rejoicing in his power. Aeroplane seemed radiating from him in every direction, intent only on avoiding him. The yelling of their packed passengers came in short gusts as they swept by. He chose his third quarry, struck hastily and did but turn it on edge. It escaped him, to smash against the tall cliff of London Wall. Flying from that impact he skimmed the darkling ground so nearly he could see a frightened rabbit bolting up a slope. He jerked up steeply and found himself driving over south London with the air about him vacant. To the right of him a wild riot of signal rockets from the Ostrogites banged tumultuously in the sky. To the south the wreckage of half a dozen airships flamed. And east and west and north they fled before him. They drove away to the east and north and went about in the south, for they could not pause in the air. In their present confusion any attempted evolution would emit disastrous collisions. He passed 200 feet or so above the Rohantan stage. It was black with people and noisy with their frantic shouting. But why was the Wimbledon Park stage black and shearing too? The smoke and flame of Streetham now had the three further stages. He curved about and rose to see them in the northern quarters. First came the square masses of shooters hill in the site from behind the smoke. Lit and orderly with the aeroplane that landed and its disembarking negroes. Then came blackheath. And then under the corner of the reek the northward stage. On blackheath no aeroplane had landed. Norwood was covered by a swarm of little figures running to and fro in a passionate confusion. Why abruptly he understood the stubborn defense of the flying stages was over. The people were pouring into the underways of these last strongholds of Ostergos usurpation. And then from far away on the northern border of the city, full of glorious import to them came a sound, a signal, a note of triumph, the lead in thud of a gun. His lips fell apart. His face was disturbed with emotion. He drew an immense breath. They win, he shouted to the empty air, the people win. The sound of a second gun came like an answer. And then he saw the monoplane on blackheath was running down its guides to launch. It lifted clean and rose. It shot up into the air, driving straight southward and away from him. In an instant it came to him what this meant. It must needs be Ostrog in flight. He shouted and dropped towards it. He had the momentum of his elevation and fell slanting down the air and very swiftly. It rose steeply at his approach. He allowed for its velocity and drove straight upon it. It suddenly became a mere flat edge and behold he was past it, and driving headlong down with all the force of his futile blow. He was furiously angry. He reeled the engine back along its shaft and went circling up. He saw Ostrog's machine beating up a spiral before him. He rose straight towards it, one above it by virtue of the impetus of his swoop and by the advantage and weight of a man. He dropped headlong, dropped, and missed again. As he rushed past, he saw the face of Ostrog's air not confident and cool and an Ostrog's attitude a wincing resolution. Ostrog was looking steadfastly away from him to the south. He realized with a gleam of wrath how bungling his flight must be. Below he saw the Croydon Hills. He jerked upward and what's more he gained on his enemy. He glanced over his shoulder and his attention was arrested. The eastward stage, the one on Shooter's Hill, appeared to lift. A flash changing to a tall gray shape, a cow figure of smoke and dust, jerked into the air. For a moment this cow figure stood motionless, dropping huge masses of metal from its shoulders. And then it began to uncoil a dense head of smoke. The people had blown it up, aeroplane and all. As suddenly a second flash and gray shape spring up from the Norwood stage. And even as he stared at this came a dead report, and the air wave of the first explosion struck him. He was flung up and sideways. For a moment his monoplane fell nearly edgewise with her nose down and seemed to hesitate whether to overset altogether. He stood on his windshield, wrenching the wheel that swayed up over his head. And then the shock of the second explosion took his machine sideways. He found himself clinging to one of the ribs of his machine, and the air was blowing past him and upward. He seemed to be hanging quite still in the air, with the wind blowing past him. It occurred to him that he was falling. Then he was sure that he was falling. He could not look down. He found himself recapitulating with incredible swiftness all that had happened since his awakening. The days of doubt, the days of empire, and at last the tumultuous discovery of Ostrog's calculated treachery. The vision had a quality of utter unreality. Who was he? Why was he holding so tightly with his hands? Why could he not let go? In such a fall as this countless dreams have ended. But in a moment he would wake. His thoughts ran swifter and swifter. He wondered if he should see Helen again. It seemed so unreasonable that he should not see her again. It must be a dream. Yet surely he would meet her. She at least was real. She was real. He would wake and meet her. Although he could not look at it, he was suddenly aware that the earth was very near.


Hey, this is Rhett and this 2018 Dodge Challenger Hellcat is stock number 13930Z. I am here at Summit Automotive in Fond du Lac, Wisconsin, near New and use sports car and Dodge Challenger headquarters. This 2018 Dodge Challenger has the 6.2 liter supercharged V8 engine, puts out 707 horsepower with the red key. It's paired up with the 8-speed automatic transmission. This car has been fully-safetyed and inspected by our service shop. Has a fresh oil and filter change, all the fluids have been checked and topped off. It has four brand-new tires and this car is 100% ready to go. I'm going to go all the way around in this video. Inside, start it up, take a look under the hood, just to give you the most accurate representation that I can of the vehicle. One red is the color. I shoot all my videos in 4K, and if you like the video, you can subscribe to my YouTube channel, which is youtube.com slash summit auto. Click the bell notifications, get updates on the videos I do each and every day, as well as having access to one of the largest catalogs of vehicle and sports car walk-arounds on YouTube. This one comes with the low-gloss 20-inch painted SRT wheels. It has brand-new Kumo EXTA 4X27540ZR20 tires. We'll have the little wear knobs on there, we put those on in our safety inspection. This is a one-owner clean title history, clean car fax out of Florida. Front fender is in excellent shape, it does have the HID headlamps, LED running lights, front bumper, and lower valance are in nice condition as well. Front bumper has never been drilled into. The hood is in excellent shape, you get the cowl induction in the middle, the heat extraction on the sides, one of my favorite hoods on the challengers. Passenger side front fender is in excellent condition as well, no dents or dings on there. And the passenger side front wheel, no major scuffs or scrapes, of course you get the Brembo brakes with these slotted rotors, really good looking brakes. Octane red, it's got a little bit of metal flake in it, it's actually a pearl coat they call it. Same color as Delmonico red, same color as red velvet or a snazbery. And as you go down this side of this 2018 Dodge Challenger take note of how clean that body is, how reflective and mirror like that paint is. I take these HD videos so if you're far away or even if you're close by and you just cannot make the trip down but you're still interested in purchasing the car, you can see the car, hear the car, and have confidence in the vehicle that you're looking at before you even get here so when you do get here there's absolutely no surprises and you can make a smart and informed buying decision from wherever you're at. If this video helps you make that buying decision let your salesmen know that you saw the video that it was helpful and that Brett sent you. Back wheels in excellent shape as well, you get the Brembo brakes back here too and the back tires are brand new as well. Coming around to the back of the vehicle rear bumper is in great shape, does have the rear bumper parking sensors, no major dents, dings, scuffs or scrapes on there, has the LED tail lamps. The trunk lid is in nice condition as well and that low gloss spoiler looks really good too. Trunk area is very clean as well, the trunk shocks are doing a nice job holding that up, always something you got to check on these challengers. Has the Harman Kardon premium sound system with the dual subwoofer, tire inflator kit and spare battery or not spare battery but that's where your battery is at. No spare tire just the tire inflator kit. Trunk shuts nice and solidly coming around the driver side just as clean as that passenger side, no major dents or dings on the rear quarter and for full disclosure this back wheel just as nice as the rest. Down the rest of this side of the car doors look really good, the door looks really good, has the heated power mirrors with the blind spot monitoring, the enter and go system, just have to have the key fob in your pocket. Inside you get the Laguna leather seats, I'm going to show you the back seats first here, you get the red seat belts back there, no rips or tears in those back seats, it does have the latch child safety system for any child car seats you may have. In front the Laguna leather bucket seats, it's really a soft touch leather, really looks good, somebody spent a lot of time putting this red trim in here, you get the SRT Hellcat logo embossed in the backrest, no rips or tears power driver seat, factory formats, bright pedals, auto headlamps, Harman Kardon sound, power windows locks and mirrors and once again put that red trim throughout the door there, looks really cool. Inside, we'll show you the miles and radio and everything, you can see this one has 15,000, 26 miles on it, you get the 7-inch LCD display digital speedometer miles per gallon and you can change those corners to read pretty much whatever you want, note that you get the machine metal finish dash there, the SRT steering wheel, I think this is the one that lights up, has the cruise controls on the right, Bluetooth information center controls on the left, paddle shifters and audio controls in the back of the steering wheel, this one comes with the 8.4 radio, you get your climate controls here including your heated and cooled seat buttons and heated steering wheel, you have your media with AM, FM and Sirius XM radio capabilities and Bluetooth and USB setups, you have all your different apps here including projection manager, you can project your cell phone to the screen, you also have performance pages in the SRT dash, here is your factory navigation system, there's highway 41 so you can see that is working nicely and then I'll load the performance pages here, they do take a second to load, so while they're loading, take note of the push button start, the more tactile volume tune and climate controls including the dual climate controls and this one has a aftermarket Hearst shifter in it which I think looks fantastic, it's really cool, I've never seen one on one of these 8-speed automatic transmissions, so that's really neat, you get your keyless entry with remote start and trunk popper and that machine metal dash or that machine metal finish goes all the way onto the center console there, here are your performance pages, you get your different SRT8 modes, your home screen you can change these widgets to whatever you want, timers, gauges, G-Force, engine and dyno, so a lot of really cool stuff, passenger side of the floor mat and seat are in excellent condition as well, no rips or tears in that seat, headliners in great shape, smells clean inside this car, you get the map lights up there, home link buttons for your garage door security systems and lane systems and assistant SOS buttons in that rear-view mirror, we'll start it up take a look under the hood, starts right up, no check engine lights or anything like that, also wanted to show you your backup camera that is working nicely as well and then you get your performance pages, you can see that's actually doing something there now and if I rub it up a little bit changes the horsepower and stuff, I do love how the SRT Hellcat sound, LED tail lamps as well, personally I think Hellcats probably sound one of the best out of any of the muscle cars that we deal with consistently and I would personally like to thank you for checking out the video today and hopefully from this HD video, you've been able to verify the quality condition options and of course cleanliness of this car all the way around inside out, HID headlamps, LED running lights, you do get these air intakes with the Hellcat logo in them, they're all lit up, looks good, under the hood we have the 6.2 liter V8 Hemi supercharged engine, 707 horsepower with the red teeth, engine base very clean, runs very smooth, once again this car has been fully safe and inspected by our service shop, has a fresh oil and filter change, all the fluids have been checked and topped off and this car is 100% ready to go, four brand new tires as well, there is the emissions sticker, shocks are doing a nice job holding that hood up and this car is 100% ready to go, I would highly recommend it from a quality and conditions standpoint, really good looking car and to see more pictures of this car, one of our other 550 new news cars, trucks, SUVs, minivans, Wranglers, halftones, your quarter tons, one ton sports cars, challengers, chargers, Camaros, Mustangs, Corvettes, you name it we got to go to that website there, summitauto.com full pictures and descriptions of every single vehicle all at summitauto.com and if you'd like to check out more HD videos you can go to youtube.com slash summit auto click the bell notifications to get updates on the videos I do each and every day as well as having access to one of the largest catalogs of vehicle and sports car walk-arounds on YouTube over 8,000 videos and counting in fact in a second you will see a link to subscribe to my YouTube channel in the upper left a link to more challenger videos I've done in the upper right link to this vehicle on our website and lower left and a link to one of our latest YouTube videos in the lower right click those checks out we're super excited to help you with this ultra clean 2018 Dodge Challenger Hellcat and octane red pearl coat thanks again for checking out the video remember to like subscribe and share on the YouTube channel I really appreciate it thanks again