Ooh, I should make margaritas. Yes, you should. That's a fail on my mark. I mean, it is like 9 in the morning. And?  I'm Corbin. He makes them mean margarita, by the way. Oh, I make a perfect margarita. Really does. That's actually what it's called. It's called a perfect margarita. I'm amazing. Please follow us on Instagram, Twitter, all of these. See, come to us. And thank you all for watching. And today, we're doing a movie review. Dump, dump, dump! Regardless of you guys thinking we're never doing a movie review again, we haven't done one in a week. Really? We missed a week. Tell me what other channels do as many reviews as we do. Yeah, come on, bring it. You can't. Anyways, in your face. We're not going to stop movie reviews. No, we kind of like movies, if you could tell. But we reviewed margarita with a straw. Yep. And since we've seen the trailer, we've been looking forward to it, because we love Kalki. We've only seen Kalki, of course, in Gully Boy. That was first. Right, and we've seen her in a couple of trailers. Hey, Kalki! From what we've seen, she's one of those actresses that we kind of knew that we were going to love. Right, exactly. But this came out in 2014. I remember when we saw the trailer for this, but it was very difficult to find. Somebody sent this one. Thank you so much. But, do you want to read the synopsis for it? I will. A rebellious young woman with cerebral palsy leaves her home in India to study in New York unexpectedly falls in love and embarks on an exhilarating journey of self-discovery. That's a pretty accurate synopsis. I want to say it to the director. And the director is, for giving me a few minutes to pronounce it, I believe it is Shanali Bose, who also produced it and wrote it. So that's cool. And the casting director. No, hey, we love you casting directors. We do. We do. Trust us. We love you very much. And the composer, because I found we'll talk about it as well, the score was by, it looks like it's Mikey McLeary. And the main stars of it are Kalki, of course. Is it Kalki? I think it's Kalki Koklan. Koklan? I think her last name is pronounced Koklan. And then Rabati, who played the mother. Correct. And then she played the girlfriend. Siyani Gupta, right? And then I don't know... The dad. There isn't a picture for the dad. I think that's... Mia's father. Yeah, yeah, yeah. Yeah, Kojit Singh. Yeah, I believe... I'm totally wrong. I believe so. Yeah, I mean, and that's the dad. I think the dad is obviously that. Without that, without them ever saying it? He does say it. Oh, he does? At a dinner scene, he's talking to the mom about the food and how he wants to have more of his kind of food being a Punjabi. I didn't even notice that. I was proud of myself. Yeah, good job. But yes, Margarita with a straw. A short little film, actually. I mean, not short, I guess, but not long. Well, for Indian standards, it's short. It's definitely the kind of runtime you would expect from this kind of genre of film in American cinema, this is the right runtime. Yes, this is what we would expect. And we can go into it. I don't know how this was marketed in India. Right. Or how it did. I was assuming it was a little independent. Spoiler alert. We will talk about details of the film. So if you haven't seen Margarita with a straw, watch it and then come back and see the movie. Yes. Unless you like your movies being spoiled. Yes. But what were your initial thoughts of the film? The first thing that comes to mind, because I have a lot of thoughts like, imagine that we have a lot of thoughts about a movie we saw. It surprised me in really good ways. Here's what surprised me. I initially wasn't really clear on what the story would be about. I knew it would focus on her and we would get to watch and see what Kalki could do portraying this woman with cerebral palsy, or any actor a herculean undertaking. Yeah. We'll talk about that aspect of her work, I'm sure. But for me, the most unexpected thing that was for me, maybe the most beautiful thing about the film, there was a point in the film very quickly where I completely forgot that we're watching a woman with cerebral palsy story. That we were just watching a woman's story. That's one of the things that my wife watches. She watches most of the stuff with me. But I was watching with her and I said at the end, I said one of my favorite things about this, I think was that it was just actually a coming of age story and she just happened to have cerebral palsy. It was hardly ever brought. Same thing with the blind girl. It was the cerebral palsy and the blindness were presented as it should be, I believe anybody with cerebral palsy or who's blind would be like, thank you for not making this the issue of the film. Yeah, everybody, this is the challenge I have in my life. Everybody has a challenge. We're not different than anybody else.  They were like, oh, what happened? How do you do it? They talked to her like a person, which was great. 100%. And so you don't normally see that. Normally if there's a story about it, somebody with cerebral palsy or some type of injury or some type of disability, that is the thing. Which in a microcosm kind of a picture of the message of the film was that moment when they won the band competition and that woman says, well, basically we gave it to you because it must have been so hard for you to write anything. It wasn't based on the quality of her work. Oh, yeah. And she says, do you have anything to say? And she says, yeah. I laughed out loud. I was like, that was great. I love that. And that's basically what the film, it's like for the films that focus on somebody with some kind of a challenge like this and that that's all you're talking about, it's like, please don't make that the issue because for them that isn't, it's the big challenge that they have, but this was far more, this movie is not about a woman with cerebral palsy at all. It's a coming of age story of a young woman trying to discover who she is and what she really wants, period. And I love, that's my favorite thing about this.  That they just kind of stayed on her and they weren't talking about anything. She was just like, I don't like to be a burden. Exactly. Yeah, the combination of don't drop me and secondarily of I don't want to be a burden on you. I wish you guys didn't have to do this. Yeah. But I was like one of the only times it was brought up, which I thought was great because like, initially when I saw it, I was like, oh, this could be a cool story because a lot of times that is the case with somebody with a disability and it's cool to see those stories. Right, where they overcome the odds and it was nice and refreshing to actually see a different take on it where they don't actually really address it too much. No. It just happened to be her family treats are the same. It's not really a hindrance on them. They've been used to it. No, and I also loved because this is something I've heard people who, whether they have cerebral palsy or they're dealing with some form of a physical, if it's a paralysis of some kind. I remember, I forgot who the woman was, but she's a woman who I think was with cerebral palsy and she mentioned that one of the things that is never talked about and people don't even think about is the fact that she has sexual desires and is sexually active. She said, because when people look at me, they think immediately of clearly that's not part of your life. Which is one of the things we can talk about in the film. I don't know how this was marketed or even, I don't know. Accepted? In India? Yeah. Or the, I don't know how much they cut out with the sensor. The, whatever, what are they called? The sensor board? Yeah, the censorship board. Because this had like the nudity of like an American film. Very much. This was by far, I noted it when we were watching your games. Right, I was noting it as we were watching it of the films that we've seen. This is the one that had allowed itself to push the envelope most with sexual expression and nudity. Yeah, 100%. Yeah. And I'm, I uh, you'll know this about me. My two least favorite things in film are just demonic horror and pornography. And there is a definite line that's drawn based on the way the director depicts it and the way the screenwriter incorporated it into the story that changes for me the purpose of sex in a film. You can tell when something's done voyeuristically or pornographically and it's a demeaning of the beauty of sexual expression. This never had any of that. I felt this was done. If you want to see the way you should film that kind of a thing I thought this was, I thought it was actually absolutely beautiful. Brilliant to do it in the way they did. Yeah.  Especially that scene where he literally had both of them fully exposed. I was like that. I think that was laying in bed together. 100%.  Yep. And regardless of if she has a disability you wouldn't have a problem with this if she didn't. Exactly. If she didn't have a disability so I thought it was on purpose to make certain people uncomfortable. Absolutely. Which I love. I loved it too. And the very first touches of it that I didn't expect and it became basically the whole film was in early on when her brother's asleep and she has the headphones on and she's hearing the people having sex and moaning and the way they shot it when she goes off into the corner and you can see from behind that she's pleasuring herself when she's listening. Yeah.  She was so cute. She was so boy hungry. Yes. And love hungry. Yeah. You know. She was. To want to know and experience what is just that, what does it mean to be human? Yeah. It was a very good coming of age story because this girl that I thought was actually incredible to do as well because most people see people with disabilities almost innocent, non sexual. Right, non sexual. They don't want different things. They kind of just take what they're given but she was going and she had a relationship and then she made a mistake and cheated on her or left the guy immediately. Yeah. Just she did all this stuff that normal people mess up within their life. Exactly. Which one of the other things I love is that you're telling a story about somebody who's not really a perfect person. Right. Who you're not really supposed to look up to. It's just this is the story of this person. This person's journey. Which I love those types of films. Yeah. I do too. You know what it reminded me of and I liked it more. I mean it could remind you of any coming of age story but the reason I like this one more for a lot of reasons and we don't need to wax long on it was the last real coming of age story we saw in American film that people were talking about in artistic circles was called me by your name. Where you have. Ladybird? What reason is that? Yeah, but this what Ladybird for me was we don't know. Here's the differentiation. Very different opinion though. Yeah, no, no, no. Here's the differentiation. Ladybird was a coming of age story but this like call me by your name was very sexual centric. Very much who am I sexually and what does that mean as far as my identity and my sense of love and my sense of work. You gave me a little bit of a at the beginning when she was pleasuring yourself of what's that Fishman with Guillermo Lothra that just came out. Oh, yeah, yeah, yeah. It's the shape of water. Yeah, shape of water. Oh, yeah. Yeah, great comparison.  Yes. That she was almost part of her daily routine which I would shape of water. I made her that far. Beautiful film. Guillermo Lothra is one of the most brilliant directors. Great comparison. But now let's talk about Kalki. Yeah, let's talk about her work and the other actors. Kalki is no surprise to me at least a brilliant actress who I was looking for her to fail right in this, honestly. I didn't expect her to get looking. Exactly. You have to look for that in anybody. I mean, I look for that. My favorite actors, like Daniel, any time I saw Daniel Daniel Lothra's film, I had my arms crossed and I was looking for him to fail because he's always perfect. And it's like, you can't be perfect all the time, man. Where the moments where I'm going to see you not be believable and he's never failed. So when you're doing something like this where you're portraying somebody with cerebral palsy or you're portraying a blind person, there's always those opportunities where we're at a point as actors as to where you miss the work. Yeah. So I was with you too. Yeah. I was watching for the moments where maybe she missed it because when they don't miss it, you're just blown away by the level of focus. So yeah, I had, I have only one critique about the work she did on the physical level and it's only on the physical level and the critique is just basically, it's, I mean, frame this because I don't want to be skeptical of her because I'm not. I'm, what I'm about to say I'm saying is if I was an acting coach working and what I was looking for was the slightest, smallest, tiniest little thing we could do to help perfect the work even more. That's about what I'm going to say. Okay. There were a couple of moments for me. Only a couple where I felt she had lost the connection of the muscular work that was memory in her body in terms of what would be happening in someone with cerebral palsy where there's the mapping in the muscles that are always going to be that way. Always going to be that way. I felt there were a couple of moments where she was so in character and so in the story that the work was missed for a second, right? I saw more fluidity and relaxation than I saw the tightness in the muscle. I'm being hypercritical 99.9% of this woman's work was brilliant. Yes. Absolutely brilliant. None of what I just mentioned where I'm looking at the nuances of the physical work none of it distracted me from the story or her character or made her unbelievable. I agree. I thought I saw a few moments where I would have done the same with the blind girl. For the most part she too was white. Nobody was bad. Nobody was bad. Nobody was bad. But I thought Kalki is She's brilliant. Brilliant actress and she gave such emotion and she connected with everybody. She's a great listener. By the way the work she did on the speech was flawless. Yeah. That was flawless. That was nonstop after it. And the way she had her tongue. 100% That was nonstop. Perfect. I did want to know if she was adopted or not though. Yeah. I thought during the dance scene Yeah. And I thought to myself because we know her lineage is that she's French and Indian so her parents were clearly both Indian. Yeah. And I just got I just got the idea that she wasn't necessarily adopted but she very well could have been. Yeah. They left that open to interpretation. I didn't. Nothing to do with the story. I love Kalki. I want to see tons more of her stuff. I think she's actually one of the best actresses that we've seen honestly very underrated from what I can see Oh my stars in Bollywood. She would be for me of the actress as we've seen this woman is clearly the most underappreciated actress that I think is in Bollywood right now because her level of mastery at such a young age of the physicality and the emotional nuances that was directed in a way we'll get into the directing the director was unforgiving in his intimacy with her. I believe it's a her. I'm sorry her her which once again great job India female directors well it's just not something we see too much and I can I could sincerely and I sincerely could feel that this story was very very personal to her in the way she directed it and obviously she wrote it and did you see the little notes at the end credits where she mentioned I believe it's it's her son Oh yeah I did see that and how the wound and the light that's come and how that helped her create this story she in the way that she directed the film in the use of the score in the use of the visuals and everything else it was a really it had a woman's touch that's all I could say 100% it had a woman's touch I think a woman had to direct this honestly yeah it had a woman's touch and it allowed her to get into the space of the character that was pretty cocky had nowhere to go in this no she was straight up on her all the time all the time she had no nowhere to hide no and once again cocky never had a false moment in terms of emotion not ever I thought she was brilliant yep I would love to sit down and talk with her and oh god it would be a dream to act with her oh yeah to act with this woman she gives you so much the fact that we saw her in gully boy and it's such a different character than this yeah but even in gully boy we recognized that's why we were so impressed by her because again my favorite moments for her she was great all the time but the real intimate moments she had with renveer when he's admitting that he's in love with alia's character yeah cocky exudes she exudes what all good actors need to exude which is the transparency of self the sharing of what and this let me tell you something from an acting standpoint what she had to do not just the emotional bearing but she had to bear a lot of herself in a way physically that most people would never want to be seen publicly yep and I'm not just talking about the nudity I'm talking about the reasons for the nudity and to be presenting herself in a way where she's naked that for cocky is probably not the way she would want the world to see her naked yep you know not her most flattering self no and that's the bravery that great actors need to have I can't praise her enough yeah and I can't praise the directing enough I also want to praise the mother as well who I can't put on a brilliant performance beautiful with her shelf in front of the mirror yes I thought that was a brilliant moment like she just she didn't really she didn't say a word and she was just she broke your heart yep and it was just such a brilliant moment and then any really any I thought the relationship between the two characters was really well done the man very incredible yes so believable as the the dad too even though he didn't play a significant role I really believed this family he was very rejected too he still loved his daughter he wasn't this domineering you know even even the playfulness when he said I don't want you to go to New York and the mom was like well we're going to go with that and then the whole cricket match moment where yeah yeah yeah you ask her exactly and then also the the love interest as well the sight yep she she did really well very well I love that yeah and then the part I didn't like outside of what we already talked about it was sometimes very predictable a little bit and then there's of course always some side characters that are usually white but but there's the record done in the pawn shop when the guy was like oh it's 900 something and then he was like oh I'll see what I could do 50% that doesn't happen right and then also the what a really bad moment two really bad moments the weighty the waiter the waiter what was that come on oh that's a great choice I'll be right back in New York you think no that waiter I was like seriously he wasn't even on screen seriously oh god but you know that was awesome you said but I don't know how you felt about the ending but how did you feel about the ending because I am fine with the emotional wrapping up of the ending right I hate the date part of the ending okay I hate it like right when I was like okay she's going on a date you know of course we assume people probably the wheelchair guy or something like that or the girl but then she came up and it was just a mirror and I was like out loud said shut up I would have been fine if like she was just just doing her life just randomly going on and you know going to the store doing something and end it like that and just her life goes on now see I didn't like the fact that she was sitting in front of a mirror having a date with herself because she found herself it's exactly it I hate it I liked don't be that on the nose I don't like that I know you don't we would have gotten that without you doing that I know I agree but it doesn't bother me that it didn't ruin the film like I said I love the film I just hated that part of it and I it didn't bother me because I think the intent of the heart of the director who also wrote it was there and yes was it a heavy handed depiction of what we already knew yeah it was but for me it didn't bother me because it just was the picture of what this really was even the way she looked at the end that she took a full arc that resulted in her coming to a place of feeling more confident in who she was and who she is and yeah but I I'm being in front of a mirror on a date I know like I said it did ruin it for me it's not like it was Howard Mentor mother ending he doesn't know what that means but it was I still really enjoyed the film I'll tell you what comparatively which I didn't really like I'm using this comparison again to call me by your name which was a movie that for the most part I didn't like the film but there were moments of it that were brilliant like the dad monologue that's the best part of that film the other part of the film that I loved that is more your liking is the way it ended with just Chalamet having his emotions that just tight shot for an eternity and all we see is Chalamet coming to grips with what he's experienced and there's no resolution in what he's experienced as of yet he's still grappling with what he went through I the romantic in me and the one who believes that there are things in life that you do get a resolution on and you heal from and you grow I like the poetic nature of the director you don't need that heavy handed that's the time I hate that heavy handedness and I really liked the use of the score I felt that the score complimented the film in ways a lot of scores don't and that the music gave up the music was clearly supposed to be it wouldn't surprise me if the director had talked with the composer and said would I want the score to be I want us to hear the melody of this girl I want people to connect the music to this girl and feel a connection that when they in the same way that when you hear the theme of Forrest Gump all you think about is Forrest I felt that the score was done in such a nice way that it carried the fragility of who she is the fragility of who she is because it was mostly just that piano thing without a lot of accompaniment to give you the sense of there's a fragility and her physicality but it was consistent enough to show you that she's not a weak person it just really encapsulated for me what a score for this kind of film should be I thought it was an exceptional job exceptional job I agree most of this film I completely loved I'd give it a B plus to an A honestly I'd probably give this an A like in terms of artisticness it's not going to be one of my favorites in terms of like I could watch this over and over again but a lot of great films aren't like that exactly, no this one's this one's heavy yeah this one's heavy I liked it as much as I liked English with English but I'd much rather watch English with English yeah, English with English much easier to watch much easier to watch but they're the same for me in terms of quality quality movie they're very I would give it a B plus to an A honestly really really good I would recommend this to anybody unless you just like action because there's none of that if you don't like just watching actors and just dramatic and human beings evolving then you're why are you watching this channel exactly but I would 100% recommend this film go see it one last thought I was wanting to see where and why it was called Margarita with a straw and I you know she obviously ordered the drink the Margarita with a straw but that for me I think that's a beautiful title for the film because it too encapsulates everybody has a Margarita everybody has a Margarita everybody has a Margarita but hers is different because she's different I'm so glad I'm remembering this quite possibly my favorite line in the film she has just told her mom after she was doing her mom's hair that she's bisexual and she's sitting at the table and her mom is angry because remember her mom's reaction is yuck yeah actually that was great reaction her mom's reaction it was a beautiful honest reaction it was awful but it was honest it was great I loved it because normally you think of something that somebody would react to and it's like how dare you write she just said yuck that was brilliant I agree and then that next day she's at the table and she's using the little thing she's about to say the words and she basically says this to her because her mom says to her it's not normal yeah and she replies I've never been normal so what's the difference about this now I thought that was absolutely brilliant and I think that was another as heavy handed as you felt the mirror thing was I love the subtlety the transition of her mom because what I think happened was that moment resonated with her mom she doesn't say anything but how can you not miss the fact that what her daughter just said is true all my life I've never been normal why is this any different yeah and when she's on her deathbed basically no this is another actually part of it all she does is ask her how's kind of in the asking she's letting her know I know you love her and she matters to you so that's why I'm asking yeah I love that all the rest of our the film wasn't heavy handed outside of a few no just the mirror but also that reminded me of some one of the extras that I literally this is what happened when the mom shot died and you heard she's dead now bye give it a moment I think they know what that means like that oh maybe like why wouldn't it happen she's gone get out of the room yeah I agree that was like hold on let it breathe a minute you don't even need to say it yeah they understand what that means exactly but anyways so yeah just reminded me of that thumbs up great movie go see the movie Kalki you're a great actress of course you're watching this yeah you're a great actress we'd love to talk to you about the craft we'd love to work with you come on the channel anytime you've got the chops to get some awards in your shelf cause you're that good yep let us know we should watch your review next down in the comment section be down


The electronic health record, EHR, has the potential to expand infection detection beyond current settings of care. This paper reviews the process of leveraging EHRs to detect infections in other settings, as well as the challenges associated with this approach. It discusses the development of objective and reproducible infection surveillance definitions, the use of unstructured text data, and the potential for automation. Barriers to fully automating infection detection systems and challenges with intra and inter-facility reliability and missing data are also addressed. This article was authored by Westin Branch Elemen, Alexander J. Sunderman, Jenna Wiens, and others.


Hello, I am Dr. Arun Veerambrethi, consultant cardiac surgeon at Manipal Hospital Whitefield, Bangalore. Today I am going to talk about one of the most important problems that has been brought to focus with recent tragic events involving celebrities and near and dear ones to you. It's coronary artery disease. The main function of the heart is to provide blood supply to the whole body. So it provides blood supply to all the organs in the body and it has to pump at a specific rate and at a specific blood pressure to be able to sustain blood supply to all the organs in the body. To do this, it needs blood supply also. So the arteries that are carrying blood supply to the heart and the pipes that are carrying blood supply to the heart are called coronary arteries because core is the name for heart in Latin literature through which a lot of medical terms are derived. Acrenal is for kidney, pulmonary is for lungs, and core is the one that we use for heart. So the arteries supplying the heart are called coronary arteries. 40 to 50 percent of the patients come with the typical symptoms that you would have heard in a lot of medical forums and even awareness programs which is tightness in the chest, radiating to the jaw and to the left arm and all these things. But that is not always the case. So 20 to 30 percent of patients just especially diabetics are not even aware that they have all these symptoms because of the neuropathy that they have due to poor blood sugar control. So they may not really have any symptoms that are typical but they may have blocks. And some of them are picked up when we do treadmill testing as part of regular health checkups that are sponsored by a lot of companies these days. The only way to really know if there are blocks in the heart and the arteries supplying the heart is to do a coronary angiogram. So there are two coronary arteries. One arises from the right side just above the heart, one from the left side. The right side is a single artery whereas the left one divides into two. Heart is a conical organ, right? So the left one, one of the arteries runs down the front of the heart and the second one turns around and supplies the back of the heart. So angiogram is usually done by a small prick near the right wrist. It's in the groin and where a thin catheter is passed and it is engaged into the place where the coronary artery starts just above the heart and a dye is injected. So how we have to imagine this is like a black dye filled water is pushed through a transparent glass pipe. So wherever we don't see a filling of the dye, like pinching of the dye will suggest that there is a block there. So when we do an angiogram we will get an idea if there are blocks and if the blocks are significant. So anything less than seventy-seventy-five percent in a single artery is considered not significant enough to warrant an intervention. So such people may just need to be on medications and be on follow of six months or one year and in case any symptoms develop they may have to come back earlier. There are two ways of going about it. One is called angioplasty. Again through a small puncture wound, a thin wire is passed across the narrowest portion. On top of the wire is a collapsed balloon and on top of that balloon is a tubular mesh which is called a stent which is incorporated with drugs to prevent clotting due to the foreign body nature of the stent. So this is one method which is done by the cardiologist and not all patients are candidates for stenting. With improved techniques in stenting and with the fear associated with surgeries more and more patients are opting for stenting while it may be indicated for a lot of patients with blocks not all of them the treatment is stenting. Like in fractures suppose there is a fracture we would like it that we don't have to undergo any procedure surgical procedure for it but we know that some fractures heal by just putting a plaster of paris cast whereas some of them require a surgical procedure. So some so the patients who have been found to have blocks which are not available to stenting are handled by surgical team. The procedure is called coronary artery bypass grafting CABG you would have heard this term a lot of times. So in CABG what we do is it's like constructing flyovers we don't do anything to the block per se what we do is we take alternative arteries that's why it's called CABG say coronary artery bypass grafting arteries from under the chest from the legs range from the legs and make connections before and after the block so that there is smooth flow of blood to the end organ which is the heart muscle. So patients who are having symptoms depending on the symptoms if they have symptoms at rest due to low blood supply some people don't have symptoms at rest but on exertion even walking for a few minutes they have chest pain on these things. Once the blood flow is restored their heart function is preserved and they can last a very long time because the arteries that we place that we bypass they are put into nice open territories so that for new disease to develop in then and progress gives a lot of time and for a long long time CABG was the only treatment available now with the advent of stents more and more people are opting for stenting but it is not for everybody. In CABG surgery there are two ways of doing it one is called off-pump surgery where the heart is kept beating and only the place where the connection needs to be made is immobilized and the arteries are sewn connections are made earlier and even now in some places and a lot of places in US, Australia they still do something called on-pump surgery where the blood flow is diverted to a heart lung machine while the surgery is performed with the heart and once the connections are made securely the blood is diverted back to the heart and the heart starts beating again now with renewed blood supply because the arteries that are blocked are now bypassed. One more advancement in recent times is the advent of minimally invasive cardiac surgery where the same procedure is carried out through a non-bone splitting small incision from the side about two inches in size. One thing that you have to understand is that no single procedure is the best for all patients depending what is most important is the connections that are made which is on to arteries that are two to three millimeter in diameter the coronary arteries are usually two to three millimeter in diameter they have to be made properly and securely that is the first goal of all surgery whether we do it on-pump whether we do it off-pump whether we do it from an open sternotomy approach or through minimally invasive cardiac surgery is secondary so provided if we can what we would say is if the patient can get the same job done same connections made through a minimally invasive cardiac surgery approach that is the best thing but because very few centers do it you should not insist on that because all the benefits are long-term benefits of surgery are long-term but recovery is much faster if we can do it through minimally invasive cardiac surgery so you have to make your enquiries whether minimally invasive cardiac surgery something that is an option for you and if it is done competently that will be better if you can do it but if the center that you have approached and ended up is more comfortable doing in any other way then there is no point pushing for it just because you heard of it somewhere so I would say that you should consult your cardiologist and cardiac surgeons get an opinion from as a frequent and then plan the procedure accordingly thank you


2021 study assessed nutrient profile and labeling practices of commercially produced complementary foods, CPCF, in Southeast Asian capital cities, finding that 38% met all requirements, while around one-third contained added sugars and high sodium levels. None met all labeling requirements, and rates of micronutrient fortification varied across countries. Enforcement of national binding legal measures is needed to promote appropriate CPCF use in the region. This article was authored by Eleonora Bassetti, Jessica Blankenship, Jessica M. White, and others.


Hey, friends, welcome to behind the scenes divine intimacy radio. I'm excited to talk to I don't know couple of women who are changing the world, which is really exciting for me and have been friends and cohorts in this spiritual battle for a long time. Yes, for a long long time. Yeah, so we're going to have a great show today about spiritual direction and the problems in spiritual direction. So, you know, so many of you out there, I know who are devout like, do I need a director? You know, what is it? How does it all work? And so we'll talk about that and talk about some of the common problems that you might see. So some of you might have a director and realize that there are some issues that need to be addressed or whatever. So we're, we're having two ladies on who are been doing this for a long, long time. They've been practicing and working in this field since since before we were married. 2005. Oh, yeah. Well, they were. Yes. Yeah, I mean, they were in school at that time. But anyway, let's get rolling. All right, let's get rolling. Okay, let's see. Nine o'clock so we can get rolling before we jump in, though. Do you want to tell folks about the Avalos Summit real quick? Yes. Okay. You don't want to miss this. Our 2023 Avalos Summit. The theme this year is the theme, the Marian mystery and the triumph of the Immaculate Heart. The speakers are amazing. The venue is amazing. It's at the shrine of the most blessed sacrament in Hansville, Alabama. The dates are October 13 through the 15th. Check out all the details at spiritualdirection.com forward slash events and all of our upcoming events including our Divine Intimacy and Marriage Retreats. Check that out. You're not going to want to miss it. Yeah, great. And Jordan, just can I ask the ladies a quick question? Can they hear me right now? What I want to know is, do you have time to do, what's your time cut off? We kept it open. Oh, perfect. All right. Very good. All right. Mr. Jordan, you want to, oh, we're already live so we might as well. Okay. Now, right. So let's start the normal show. On your mark, get set, go. This is Dan and Stephanie Burke. Welcome to Divine Intimacy Radio, your radio haven of rest. Your hermitage of the heart. Your monastery of the mind where we lift our hearts and minds to heaven to draw upon the wisdom of the saints to help us to navigate this difficult tumult that is called life. And today we have some very good friends that I can't believe they've never been on the show before. Makes no sense to me. But recently it was like I said, hey, they need to be on the show. We need to talk about this. So, Stephanie, why don't you tell our listeners about our guests? Okay. So two dear friends, Tisa Fleming. She didn't put her last name on here. I had to think about that. Tisa Fleming, she is married, mother of six, grandmother of 14 and a part time attorney. She attended Catholic schools until college. Jeanette Barbican is single recently retired from nursing and she holds advanced degrees in religious studies, nursing and counseling. They both were trained as spiritual directors at the Cynical of Our Lady of Divine Providence from 2005 through 2007. So they finished the year you and I got married. There you go. Together they founded the Heart of Christ and began training spiritual directors in 2013 and have since trained over 160 directors and counting. So welcome, Tisa and Jeanette. Hi down. Hi, Stephanie. It's great to have you guys with us. I'll say before we jump in the name of their spiritual direction school and we'll say this many times is Heart of Christ spiritual direction school. And we they have our highest endorsement and we work together a lot. We have a deep relationship with the Abel Institute and Heart of Christ and they are our go to school. Now there are other good schools out there. They both graduated from a good school, Our Lady of Divine Providence and we've been really blessed to watch other faithful and holy schools surface and we support them. But Heart of Christ is more deeply kind of intertwined with all that we do because we're very much one in heart and mind with how Tisa and Jeanette approach spiritual direction. So as we jump in, ladies, maybe be good place to start. What is exactly is spiritual direction? Well, spiritual direction in its simplest description might just be simply walking with somebody else, helping guide them, helping them see what they can't see in their own walk toward the Lord, helping them become holy. Helping them to become holy and holiness means coming to union with God. That's right. Union of heart, mind, will, all of that. So the director is in charge of all this, right? The director is the most important person in the in the relationship to me. Absolutely. I understand that the director is the Holy Spirit. Right, right. That was a good shift. So the answer is no, if you were thinking it's the human, but right. So explain that a little bit. Why is, I mean, is the director the boss of the whole thing or the servant of the whole thing? How does that work? Well, the director is more like a facilitator. Some people have described it as like being the midwife. You know, when we're interviewing people who come into the program, she often talks to them, tells them about how we approach training them. And it really relates to how we approach spiritual direction as well. Do you want to explain that? So that what we try to do in our program is to discern what the Lord has put into the mind and heart of this person and the desires that are from him and help cultivate and develop and form that so that then they can go into the field and become very good spiritual directors and be and do likewise to look into the soul of the person in mind and heart of a directee and see what is God doing here and how can I support and follow and encourage that and facilitate that growth. Very good. Well, so I think that gives us a good foundation. So spiritual director, if I could summarize as a relationship between a trained director, someone called the spiritual direction, the directee, which is the person that's being helped and the Holy Spirit. The director is the servant of the directee and the Holy Spirit, right? And correct me, they're the servant to help the directee understand where God is leading them. Is that a good summary? Yes. Well, God is doing how to listen and how to discern the spirit of God. Very good. Very good. So you want to hit the hit. I mean, our topic today, I mean, is is about common problems with spiritual direction. Sure. Do you have? I mean, what are your thoughts? Do you know what I'm curious? I'm going to ask you this question that I'm going to ask them. What do you what do you think are the most common Stephanie problems with spiritual direction? The Stephanie problems. The Stephanie problems. Any problems? Well, you can just do a full stop right there. Right. Stephanie is a problem. Stephanie is a problem. Yeah. But what what because you've been directing for a long time. You've been to the heart of Christ and also to Lance Terry as well. What do you think are maybe the top one or two problems that you've seen in spiritual direction? Well, I would say the number one, the number one thing that I think is the most important is we're kind of making us an assumption that the director is praying. So you have to form them in that. But there is a the single most important thing that needs to be happening is that the director needs to be under direction themselves and they need to be praying. They have to have a deep well of prayer in order to be able to draw near to someone to listen to see what the work of the Holy Spirit is. If so, you know, I liken it to, you know, if you know anything about people who deal with money to figure out if there's counterfeit money, what they do is they handle the real thing over and over and over again so that when they touch a counterfeit bill, you know that it's counterfeit almost by touch or almost by sight because they're so familiar with the real thing. And so when we have a deep relationship with the Lord as in a director, then when we come to have that conversation with our director, we're accustomed to the voice, the movements, we recognize the Lord. It's a little bit like John in the boat saying to Peter, it's the Lord. So we want to follow the Lord where he's leading. We want to follow what he's doing. But we have to know him in order to recognize him. And so I think that's, you know, and we'll probably get into how do you find a director? How do you interview and all that? But that's one thing that's super important is to know to have a deep well of prayer to work through. So why don't we just start on the side of the directee? So what are some errors on the part of the directee that we as all of us are directees? Because all of I know that for a fact that all of us have spiritual directors. So what do we need to do to avoid? What do we need to avoid and what should others avoid when they start to be placed themselves into spiritual direction? Well, probably one of the first things to look at is having a realistic understanding of what spiritual direction is. Because a lot of people come looking for a spiritual director without even really knowing what it is. It's just like the next thing to do. Or I heard so and so doing it. So it sounds really great. So I'm going to do it. And they come with goodwill, but with wrong expectations. So they might come expecting their director to be a guru and teach them and be the one who's going to educate them. And that is a piece of spiritual direction, but that's not the primary one. Or they might come looking for counseling. We find that a lot. They think they're going to solve our problems. And God does use spiritual direction to solve problems, but that is not our focus. And we work really hard with our students to not become problem solvers. Do you want to jump in with me? I received that, so let me just let me keep going. Okay. It'll come back. So the biggest issue is just coming with the right expectations of what actually is supposed to be happening with a spiritual director. Right. What they're looking for in that relationship. And that is one of the questions we ask people when they ask us to find them a director is what are you looking for in spiritual direction? Right. So that we don't get, you know, because sometimes we get people and say, no, that's really, we can't help you there. That's, that's, you need a counselor. You don't need a director. Yeah. And I think this isn't about your book necessarily, but I think that's why you wrote navigating the interior life was to understand what is this idea of spiritual direction. Cause you had started, you were in spiritual direction. I was in spiritual direction. We both had priest as a spiritual director at that time. Yeah. And, and like, what is this? How do I get the most out of it? How do I properly dispose myself? How do I come with the right perspective? How do I prepare? And what should I expect from the director? Right. So I think part of it is just an understanding. And I liked the Tisa mentioned some people just see it as the next thing to do, but we really need to, I think it's important to discern that and to kind of wait on the Lord. Because when he wants you to have a director, he's going to make it pretty darn obvious. It's like you kind of reach a roadblock. You've been praying. You've been being persistent, but I need more. I need somebody to help me navigate all this stuff that's happening in my prayer and in my heart, in my mind, so that I stay on the right path and I grow in virtue. Great. You can pick up navigating the interior life out on spiritualdirection.com shop EWTN's religious catalog. But we're about a minute or so away from the break. So maybe we could just start with this question and we'll have to pause and then come back after the break. But what are some of the errors that directors make in spiritual direction? What are some of the most common errors? What's it one right now before the break? What's on the top of your list? Well, one is that they're not praying themselves. And I think you were alluding to that, Stephanie, earlier a few moments ago, that directors need to maintain their own spiritual life and their prayer life and their growth and development in the art as well as in the relationship that they have with the Lord. And if they don't, they're just giving, you know, just accolades. Nothing is really happening. The words can be there, but they'll be empty. So we really need to continue to grow in our own spiritual life in order to be able to help others grow in theirs. All right. So we're with Tisa Fleming and Jeanette Barbakine. They're the founders of the Heart of Christ spiritual direction school. You can find them at heartofchristspiritualdirection.com. And when we get back from the break, we're going to continue our conversation about what are the most common errors that directors make in spiritual direction. The first one we mentioned is not praying themselves, which is kind of, I can't, I, that doesn't really, it sort of wrecks my brain. It does, but it happens.  Yeah. So when we get back from the break, we'll continue the conversation. All right. So we're 1236. So we're fine. You want to tell folks about the gift of the Holy Spirit? You don't have to read the whole thing obviously, but. Okay. For those that would like to grow in their knowledge and in this mysticogy that's deepening of the understanding of the Lord and this beautiful life that he's leading us along, there is a course called gift of the Holy Spirit and the divine indwelling. Just even saying that title stirs in me. It makes you happy. It makes me happy. So it's at avala, avala-institute.org. It'll be taught by Dr. Pinto, one of our beloved professors. It's a graduate level. It starts Mondays, September 11th. Sorry, Monday, September 11th. So check it all out at avala-institute.org. Again, gift of the Holy Spirit and the divine indwelling. There you go.  Welcome back. This is Dan Stephanie Burke with Divine Intimacy Radio. We're talking to Tisa Fleming and Jeanette Barbican, the founders of the Heart of Christ Spiritual Direction School, a school that we endorse 157%, which is no matter what, better than an A. So we're totally behind what they're doing. And we're very excited to join together with them in the avala-institute to promote this incredibly important gift and service to the church. So before the break, we were talking about errors that spiritual directors make. You know what, Tisa and Jeanette, I just don't get how that could be possible, right? So how is it possible that a director wouldn't be praying? Because if you're not talking to Jesus and you don't have intimate, you know, relationship with the Lord, which means you can't be following Him all that well, how would you ever conceive of trying to help somebody else? Exactly. Yeah, it's pretty simple. Yeah. But then if you look at the church and look at people who are in third orders, look at people who are committed communities, the people who really love the Lord and they really think that they're following the Lord and how many of them are doing their mental prayer with consistency and love every day. Right. How many of them fall away and don't even realize they're doing it because they're too busy working for the Lord. Right, right. Our pastor used to tell a story. He still tells it sometimes about how one point in his life where the Lord was, he had so many different things that got put on his shoulders, got so busy, and one time in prayer the Lord said to him, you used to be my friend, now you just work for me. Wow. Wow. And he was pierced to the heart and immediately changed many things. But that's how we are. Yeah, we drift away. No, it shouldn't happen, but it does all the time if you're not consistent. The atmosphere around us drives us in that direction. Away from it. If you're not vigilant, that is what will happen. Yeah, I see. I can't remember when I did it. It was either when I was writing, navigating the interior life or it was just some research I was doing for spiritualdirection.com. I started looking for spiritual direction schools on the Internet and I found a guy called himself a director and I'm just going to call him. I'm just curious, you know. And he was a Protestant guy. And I said, so can you help me with my prayer? Yes, of course. I can help you with your prayer. I said, well, how is your prayer life going? And he said, well, I'm still working that out. I thought, wow, and he has a shingle and everything, you know, putting himself out there. And he then just revealed to me that he didn't really have a deep prayer life and he didn't really, you know, and so I thought, so how, I didn't say it because I wasn't, you know, trying to be mean, but yeah, I mean, it's just, it's crazy to me that people would do that. So that's maybe a big one or a really big one. What's another error that directors make in spiritual direction? Directors or directives. I think at this point because, yeah. Yeah. Well, I think directors talk too much about themselves a little bit in direction sometimes. They tell too many stories. It becomes their, you know, their platform in a sense, but really we should be dying to ourselves and we should be getting ourselves out of the way so that we can listen for the Holy Spirit for the person that's sitting before us as a directee. Yeah. And I think directors get caught up in that sometimes. Yeah. Talk about themselves. Yeah. Absolutely. You know, I think it's a, it's a desire to kind of fill or to connect or to give examples to kind of inspire the other person. I think on the other side, there are directees that sometimes desire that. They may desire the relationship and they're almost uncomfortable being frank, just putting their life out there.  Cause I say, okay, well, you know, tell me what's going on.  I don't know what to say. I don't know where to go. How do I do this? But so it's, and of course you guide the person, but I think that's just really part of the thing is to get as directees, not only directors to get out of the way and listen to be extraordinary listeners, but also for directees to come prepared, to come prepared, to come and say, this is how my prayer is going. These are how my sacraments are going. This is what I'm struggling. These are where the movements are. I think the Lord, you know, this happened in my scripture or whatever my study. And to be, you know, Frank, there's a quote that Jesus spoke to Faustina that's in the diary. And I looked at it to see if I could bring it up and I don't have it. But he said, he said to Faustina, be careful that you are absolutely Frank with your spiritual director. He said, I don't give spiritual directors to everybody and I've given special lights to this director for your soul as to all souls. So if you're not Frank, if you're not coming basically prepared and I'm, you know, I'm, what do you call it? Then I'll just take him away. And so I think we have to understand that this is sacred ground that we're dealing with, the sacred ground of the heart, the soul of an individual. We need to approach it as directors in that capacity. And then the directee themselves need to approach it with this importance of, I'm going to bring myself and be vulnerable and put this here and we're going to see what the Lord's doing, you know, in trust and in confidence. Vulnerability is very important. Yeah. So that if people aren't transparent, we can only work with what we're given. And if they're not transparent and totally open, St. Teresa talks about that of Jesus, you know, to be totally open with your spiritual director because we could be misguiding them in some way, small as it may be if they're not open. Sometimes I, you know, I heard one person who has their own program in Pennsylvania say, sometimes he asks the director, what don't you want to tell me? Let's start there. That's great. I like that. It's very, it's very, it works. Yeah. No, it absolutely works. And what's funny, I love the way, I love the way that's put.  And it's like, wait, wait. So next time we come because it was a pattern. I said, you need to flip your list upside down and start with the bottom one because that's always the one that you're like kind of afraid to throw out there. I've heard that from priests like in confession too. Yeah.  And then I, you know, I didn't get the, I had the wrong, you know, they hide the big things in the middle of all the little things that have to deal with it. That's hilarious. You know, one thing I think you guys do really well that I want to speak to. And then just have you reflect on it. I think that it's an exceptional competence of your approach and heart of Christ is, I think one of the biggest problems with people who think, well, I should be a director.  He told me, how do I become a director? I said, would you have a direct, you have, you have one? No, but I, I'm just pretty good at organizing things.  You know, whatever I do, it works out pretty well. And I'm thinking, wow, you should not be a director. Well, but to me, the fixer is like a huge problem. And, and you guys work pretty hard to, to help people to overcome that instinct. Talk about that a bit. Well, we do, we work at, cause it's, it is also true that many people that are drawn to spiritual direction training, they have a heart of compassion and want to help people. Yeah. So it comes naturally to try to fix the problems that come up. But what we try to get them to do, instead of trying to fix the problem is trying to reflect back to the person, what they're hearing about it, and get them to connect it with the Lord. In other words, it's all right with us if they bring up their problems they're having in their marriage, problems they're having it in their work, problems they're having with their kids, but we're not going to try to solve that problem. We're going to try to solve. So what's the Lord telling you in this? How is using this to help you grow closer to him? How is he using this for your holiness? That's right. So we try to get them to redirect that compassion to helping them see what the Lord is doing. Yeah, that's absolutely right. So it sounds like, and you correct me, so I'm just tossing this out there and you tell me, it sounds like anybody can be trained to be a director, or you have to have the charism. Like where are you in that kind of spectrum? Tell me about is there a charism of spiritual direction? Does it play a part? Or can anybody basically be trained in time to become one? I don't think it's a matter of trained in time. I don't think we can necessarily tell from the beginning who has the charism or who's being called into it. It's more like as they try to walk it out and as they open themselves to us and allow us to form them, we begin to see or not see where this is going. And it is true that sometimes we have people come and it just isn't working. This isn't where the God wants them. And we talk about it and they go find something else. Is there actually a charism of spiritual direction or are there charisms or gifts that people tend to have like discernment of spirits or just have particular kinds of gifts of the Holy Spirit that give them insights into a soul? Or is there a charism that we would call the charism of spiritual direction? I've never thought about it that way. We've got the Holy Spirit and the Holy Spirit will call out of us what He wants us to do in any given situation. So in some sense we all have the capacity if we have the Holy Spirit. That's kind of what I was getting at. And we're baptized and confirmed we have the Holy Spirit. Yes, it's in there. What's God going to call out of us and in what setting and in what way and are we docile to that? That's really what it comes down to. I think by virtue of our baptism and our calling as Christians we're all called to help other people to grow toward the Lord in some way or another. There's more basic ways that we help them. Hey, let's go to Mass or evangelization or whatever. And then there's more in-depth ways like with spiritual direction which requires training. But I just want to tell everybody if you think you might have a call especially guys. Women are so much more open naturally than guys and we really want to encourage men, deacons out there. Priests have gone through this program. Yeah, to check out Heart of Christ and to do that all you have to do is go to heartofchristspiritualdirection.com heartofchristspiritualdirection.com and you will find answers to questions. You can talk to Tisa and Jeanette if you're wondering if you might be suitable for the program or find out details of the program. And we're so grateful for all the good work you guys are doing in the church and helping people to become holy. And thank you for joining us today on Divine Intimacy Radio. It's a pleasure. Thank you. Awesome. Until next time, may the God of peace make you perfect in holiness. May he preserve you whole and entire spirit, soul and body irreproachable at the coming of our Lord Jesus Christ. Amen.


This is the Open Data Challenge. Just a couple of remarks and I'm delighted that you are at stage. There is a wealth of public sector and open cultural data out there. And there's so much we can do by reusing it. Whether you are a programmer, a developer, a designer, a journalist, a researcher, a business, simply a consumer, looking for new apps for your smartphone. And that is at stake. And whether it is data from public administrations, universities, libraries, museums, I'm amazed at how much use can be made of it. Once it's put online and their body language is already agreeing. So I'm very pleased that today I have the opportunity to award prizes to the winners of those two open data competitions. So I sincerely hope that it was a surprise for you, but stay in here.


For more videos on people's struggles, please subscribe to our YouTube channel. What this prosecution is doing is making it illegal to tell the truth about government wrongdoing, about government corruption, about torture, about crimes against humanity, about war crimes. I'm Gabriel Shipton, I'm Julian Assange's brother. Governments want to operate in the dark. They don't want people to know what they're doing in their land and this prosecution is helping them do that. They're making an example of Julian so that everyone around the world can see if you tell the truth about what's going on, this is what's going to happen to you. Your life will be ruined, you will be locked in a prison forever with no end in sight, your reputation will be destroyed. So yeah, I think it's already happening. We're already seeing now that the executive editors of the New York Times, of the Washington Post have all come out saying that these are great threats of press freedom and that these charges should be dropped and what that means is that in these newspapers they're already seeing the implications. They're getting security stories or stories about security state but they cannot publish. So it's espionage acts from 1917, they tried to charge Daniel Ellsberg with it and it didn't work but it's after 9-11 it's been increasingly used against whistle-blowers, people who work inside the government who give information to the press but this is the first time it's ever been used against a journalist. If you read the indictment, it's quite obvious that the charges are for receiving and publishing classified information. So that's something that journalists do every day. So it's basically a criminalisation of journalism, criminalisation of investigative journalism and basically a criminalisation of telling the truth basically. There was a judgement handed down by the High Court on Friday, they approved the extradition of Julian Sange to the US to face espionage, 17 charges under the espionage act for publishing the Chelsea Manning leaks, the Iraq war logs, the Afghan war diaries, the State Department cables and Guantanamo Bay detainee files. You think it's strange because it is strange, it is like how can a foreign publisher be extradited to the United States. So it's this extraterritorial reach that they're trying to apply laws, United States laws, into other territories around the world and silence. They're setting an example really, around the world, people, all these authoritarian regimes now look at the US and say, well, this is the example that we can follow. We can persecute journalists. They look at Saudi Arabia, they look at Jamal Khashoggi, they look at Julian and say, well, our biggest ally does this, so can we.


So hey guys, welcome to come again if you're new make sure you hit the subscribe button and the little bell Count below hit the like button. I mean even share with your friends Good job. We have cookies and milk might be seeming. I'm not sure All right guys welcome back to come again today We're gonna be going over the Funko pop pop heroes DC Comics superheroes number 122 the penguin of Batman in popster as with all Funko pops This is a vinyl figure the other ones in this wave on the back are to face 123 Harley Quinn Batman in popster 124 scarecrow number 125 Riddler 126 Harley Quinn Batgirl in popster 127 and Poison Ivy Batgirl in popster number 128 this does take the rogues gallery of Batman and puts them into special Stylized Batman costumes based on their personality. Let's go ahead and open the penguin up and take a look at this guy So as with all or the majority of Funko pops at least from the DC Comics superheroes wave we have a Little card inside for Legion of Collectors Now this one it appears to be I'm not sure if that's supposed to look three-dimensional if you look at it with glasses on or what but It may just be a printing error But then again it could also be a 3d image, I don't know So we have here Legion of Collectors from DC Comics for only $25 you'll receive 100% exclusive DC Comics collectibles created by Funko each pop contains exclusive pop vinyl guaranteed Boxes ship every other month six boxes per year no fluff every box features at least $50 of value Join a community of fans and get news direct from DC Comics join today at Legion of Collectors com See if I can take this guy. There we go. All right Sometimes these Funko pops are a little hard to take out All right, so as you can see here, we have the Penguin Batman in popster you will notice his purple cowl purple gloves and purple cape as well as bow tie and striped purple pants He does have his tuxedo Jacket with a white tuxedo shirt button down and black boots as You can see one eye is black with black eyebrows and the other is a white monocle Which the penguin is famous for? he has his purple or his yellow utility belt excuse me and As with all Funko's his head can turn all the way around He has no articulation at the arms Although it does look like there should be but it is they are actually glued in place His cape does appear to be fully colored fully painted as with the riddler Funko pop Which I have a tendency to believe Mmm, no, it's a slightly different purple riddlers is more of a Violet in color whereas Penguins is more of a purple the detail they did on this guy is at pretty excellent There's hardly any paint blemishes. They got nice straight lines along the pants They got the nice straight lines for the collar and the bow tie I'm not seeing hardly any paint blemishes there is a little bit of peach colored paint on the mask right there, but you know Nothing's perfect And like I said, he does not have any trouble standing at all unlike the Harley Quinn Batgirl impopster, which was pretty top-heavy She should have really came with a stand, but these Batman impopsters Doesn't appear to have any trouble at all standing. So let's take a look at the differences There's not really a lot of differences between Penguin and the riddler impopsters except maybe The belt here it does look like there is a crease right there That shouldn't really be there But it's not a big deal As you can see they've also got the gold chain coming down from his monocle, which is a really nice touch I believe my brother purchased this for me for my birthday from Walmart in Springfield So if you guys want to complete your collection Hit on out find yourself Funko Pop heroes DC Comics superheroes Pop vinyl figure as I said, this is the penguin Batman impopster I believe Walmart carries the full line of the Batman and Batgirl impopsters So thanks for tuning in guys.


for the grand final of the Scandinavian FIM Speedway Grand Prix here in the GMP Arena in Maliland, Sweden. Matsej and Oskine brilliantly semi-final. He goes off the inside, then it's Artem Laguta who has been stunning tonight. Just dropped two points from six rides. What about Leon Matse battling through the pain barrier and leads the World Championship? My four points that connects Denna here and Freddie Lundgren limping badly after that heroic move earlier to avoid a pattern just before.


Hello, and welcome back to another video in our linear regression lesson. In this video, I'm going to talk about how we can conduct a hypothesis test to test for the significance of our slope value. And so this is another great way to add sort of a statistical inference aspect to your linear regression analysis. So you can do correlation, you can look at slope, and later we'll get into additional tests that you can do. So the first thing that we do with our hypothesis test is state our hypotheses. And I have them stated here. So our H naught is beta one equals zero, likely always it's got an equal sign. And in this case, we're always assuming that it's zero. And then we have our alternative where beta naught is not equal to zero. Now, alternatively, you could have beta not less than zero or beta not great or beta one greater than zero. But here I'm going to do that two sided alternative, where we say that beta one is simply not equal to zero. And now, unlike some of the previous hypothesis testing that we have done, there's no randomization procedure for the slope. In fact, we're going to use this lin regress function that we did to do our one line linear regression in a previous video. And so this test, we say stats dot lin regress. And we just give one value or one variable. And the next variable. And we state our alternative. And this time, we're doing two sided alternatively, we could do greater or less, as long as we follow our alternative hypothesis. And then we can print the output. And this output is what we have seen for slope intercept, our value p value, etc. And so when we're trying to figure out how to respond, what conclusion to draw from our hypothesis test, we need the p value. That's just what's given here. And so we can print that in particular and say output dot p value. We can do it in a print statement like we have before. So print p value, just output p value and run that. And so we get this p value of 0.001519, which is below the standard significance level 0.05. And so we can make this conclusion that the p value is 0.000152, which is below the significance level. Therefore, we reject the null hypothesis in favor of the alternative that the slope is statistically significantly different from zero. And this is interesting, because if you look up here, our slope is barely above zero, 0.313. But that is enough for it to be statistically significantly different from zero. Because of really how correlated these values are that even a small slope is significantly different than no slope. And so this is an example of when you might see that small value and think that it can't be that different from zero. But in reality, because of units and because of the correlation between these two variables, it is much statistically significantly different from zero.


Dear students, in this topic, we shall discuss the neuroendocrine role of hypothalamus. The hypothalamus is the part of brain which has dual role as neuronal as well as endocrine tissue. It has specialized neuro-secretary cells which produce hormones. There are two categories of hypothalamic hormones. First are the hypo-physiotropic hormones and the other are the neuro-hypo-physial hormones. First we shall discuss the hypo-physiotropic hormones. Seven hypothalamic hormones act on anterior pituitary gland that is adeno-hypophysis. They regulate the secretion of adeno-hypo-physial hormones. These hormones of hypothalamus are of two types. First the hypothalamic releasing hormones and number two the hypothalamic inhibiting hormones. The releasing hormones of hypothalamus stimulate the secretory activity of anterior pituitary. These hormones include number one the corticotropin releasing hormone or CRH. That stimulates the ACTH release from anterior pituitary. The second hormone is the growth hormone releasing hormone GHRH. It stimulates the release of growth hormone. The third hormone is the gonadotropin releasing hormone which stimulates the release of FSH and leutinizing hormone from adeno-hypo-physes. The fourth hormone is the thyrotropin releasing hormone RTRH that stimulates the production of TSH from anterior pituitary. In addition to this, TRH also stimulates the secretion of prolectin. There are three hypothalamic inhibiting hormones which inhibit the secretory activity of anterior pituitary. These include number one the MSH inhibiting hormone or MIH. That inhibits the secretion of melanocyte stimulating hormone. The second inhibiting hormone is the prolectin inhibiting hormone RPIH. And the third hormone is the somatostatin that inhibits the release of growth hormone. Dear students, hypothalamic hormones, They are effective in very low concentration. It is because of close proximity and direct portal connection between the hypothalamus and the anterior pituitary. Now we shall discuss the neuro-hypo-physial hormones of hypothalamus. These hormones include oxytocin and anti-diuretic hormone that is also known as vasopressin. These hormones are synthesized by the hypothalamus and they are released directly in the posterior pituitary. Because the axon terminals of neuro-secretary cells of hypothalamus lie in the posterior lobe of the pituitary that is called neuro-hypo-physis. The posterior lobe of pituitary stores these hormones and releases them as per requirement to act directly on their target tissues.


The second component here is the ribosomal RNA, and I'm just going to show you roughly how this would look at the large part here So this is a blob-like cryoEM lower solution structure of the ribosome. So the ribosomal RNA here is dark blue and Sorry, the dark blue is the small subunit and then we have the ribosomal RNA in the middle And then we have the dark red which is the large subunit So the ribosomal RNA here would be the pink things. I think sorry. It's a bit small for me Inside this ribosome, too It's binding this or using this transfer RNA the transfer RNA has a more well-defined structure And that's because the transfer RNA which is a large molecule in itself that needs to bind certain amino acids And then we have a component here in the middle This is the the part where we recognize the three the triplets of bases coming in the messenger RNA So that these molecules are then carrying the corresponding amino acids that are going to form a larger sequence that we turn into a protein and That is pretty much how we're producing proteins in our factories the cells And how the cells produce all the 20,000 certain components that make us who we are I still find that pretty amazing that it works because it does


Hajiu edom meetsu u mics thickwaka, haiё enangi hai useru ha mountains, Haiyo driver,benja yu din domis na kua clean kata? Aida issues Stella miluru kētaka kutuxakatufi tia civilisumira waa, sanakendi yo u j Some of you may not know your rights but remember under the Catadomestic Work Law you are entitled to full rights like other workers in Qatar. Remember a fine of up to 5,000 kata riyals to a sponsor under Catadomestic Work Law if the sponsor is taking work is taking work more than 10 hours per day from a domestic worker meaning that you are not supposed to work over 10 hours per day according to the Catadomestic Work Law