Okay, beautiful, beautiful. It's time and I'm here. Hello, everybody. This is Debbie Daschinger from Dear to Dream podcast and radio show. I'm so excited for today's show. I was just sharing with my guests before the show. It's amazing sometimes to book somebody, but they get booked so far out. And even though you have all this excitement of getting them on your show, you still have to wait, it's like Christmas. So today is Christmas for me and I've got Jamie Price here. She's gonna be talking about her crystalline soul healing modality and how she channels healing energies through light language. This is universal languages that affect great healing. And she's got tons of videos out there that you can watch on YouTube and also a great newsletter. Dear to Dream podcast won the COVR award for best radio and podcast award. It is also listed in Apple podcast as one of the top self-improvement shows. It won, it won. And Welp magazine for one of the top 20 best podcasts to listen to this year and also is nominated for two People's Choice podcast awards and a webby award. Thank you guys so much for your support. This show is sponsored by Dr. Dean here and Access Consciousness. They do beautiful energy work out in the world. So if you'd like to become a facilitator or take a class anywhere globally, go to Dr. Dean here, H-E-E-R.com or AccessConsciousness.com. I'm Debbie Dashinger. I'm a media visibility expert. I'm a book writing coach. And I also take authors books to a guaranteed international best selling status. I do all the heavy lifting for the author. And the third part of what I do is I help spiritual messengers understand how to get booked on radio and podcast shows and then how to get massive results. If you'd like to learn how to do this, I've got a free gift for you. Go to Debbie Dashinger.com slash gift. That's D-E-B-B-I-D-A-C-H-I-N-G-E-R.com slash gift. Well, today I am speaking with Jamie Price. She is the author of Opening to Light Language and the Cosmic Consciousness Ascension Deck. I'm gonna hold up this deck should you be needing an Oracle deck. And I'm also gonna hold up her beautiful book. All in colors matching Jamie and I today. Thank you very much. Jamie is an energy healer. She's a channel, she's a teacher and she's been teaching the path of empowerment for over a decade. She developed a profound healing modality, crystalline soul healing with her Leeran guides. It's a powerful alchemical template of soul progression that heals and empowers bridging the inherent wisdom of the human and higher self. In addition, Jamie channels healing energies in the form of light language which are transformational creation codes that further align you with your soul. She teaches both of these modalities worldwide. Jamie offers unique and transformative classes for personal healing, light language downloads and a healing light language deck and her book. And for more information on the amazing Jamie Price, go to her website and it is spelled J-A-M-Y-E Price. And with that, I welcome the amazing Jamie to dare to dream, it's great to have you. Hello, thank you Debbie, it's so good to be here and to finally be meeting you live. Yes, you know, so you and I met actually, like I know it's divine circumstances when what happens happened. I'm in a light language class, somebody asks a question, somebody else responds and says, you know, when I started learning light language, I got Jamie Price's book. Someone writes down the name of your book. They go and buy it, not I, they go and buy it. And then they get the book and they open up and they say, wow, that's crazy. Did you know that Lisa Royal Holt is one of the many people who wrote the forward and an endorsement in Jamie Price's book? Okay, well, I know Lisa, she's been on the show. I've gone to her workshops, et cetera. And then a woman I've not even known before that somebody in Australia decides I have to meet. I'm in the US, she's in Canada, we connect. And in our beautiful and brief conversation getting to meet one another, she says, I think there's someone who needs to be on your show.  I've been doing this 16 years, but okay, she's so sweet.  Not only was she sweet, she was connected. She sends me your website. And I said, well, I think I'm supposed to meet Jamie Price. And here you are. Yeah, I love those synchronicities. It just brings so much to the experiences. And then it helps us know all of these, I don't know, just all of these converging forces. They're like, oh, here's information flow. Here's information flow. So when I got your email, I was like, oh my gosh, so much fun, gotta do this. And your name is, I've been obsessed with your name too, I have to say, because I walk around and I mispronounce it on purpose because I love how it's spelled. And so I've even made like a hymnal out of it, jammy. I just love jammy, if you ever decide. But is that your original spelling of your name? It is, it is. It was the 70s though, that's what my parents did. And that's actually what I tell people because usually they'll sometimes see that there's a Y in it and then they'll spell it J-A-Y-M-E. And I'm like, no, if you're hooked on phonics, which is how I learned to spell, if you're hooked on phonics, it's jammy. Perfect, I got the download. And I have to use one as well. I mean, my name is interesting. So it's D-E-B-B-I, there is no E. So I tell people, think of a rib-eye steak and that sticks. Well, I have your amazing cards here and I thought it'd be fun to pick one. And I just have to say, I have a lot of Oracle decks but this is now my favorite because every time I pick something, I'm amazed at how I propose the download that you got to write these. And I just want people to see how spectacular this is. So there is light language writing, which blows my mind on each of these. And what I love is, you don't have to understand there's energy in these cards. So would you play with me and can I shuffle and you tell me when? Okay, okay, it feels like a win. Okay, so this is our I in. This is our theme. Oh, how what a beautiful theme. This is peace, play it ease, expanding. And now I could read from your book, can you give us an interpretation and maybe how that might translate to right now and you and I being together with whomever and all of who is enjoying this live or replay. Yes. So one of the things that I believe it's even the mantra in the booklet, but I don't have that by memory. But one of the things that I loved that was a core teaching of Ariane, the Luring Council of Time that I channel is that peace is an active state. And actually I'm gonna kind of back up and talk a little bit about the Pleiades first because it's an important energy for many of us that have that connection and the Pleiades are very connected to our human experience. But the reason they are the expansion suit because there's four suits in the deck is their progression through ascension was one of the most rapid and they had a much quicker movement through not focusing only on the negative nor just avoiding the negative. And that was something that was a Lear and Vagan exercise for who knows how long. But the Pleiadians really had the support to move through that much more quickly because they did the integration phase of the negatives and positives, quote unquote. And peace is something that is an active state that we are in a creative mode when we're peaceful. And that takes some reworking sometimes and applying it into our everyday life, especially in these times where these past however many years have felt at least three years have felt so intense and amplified. And so peace is like a symphony. It's like a melody. It's gonna go up and down and it's gonna have peaks and valleys. It's gonna have things that stir you into something that's like, yes, and then something that's poignant. But the active state within it is that neutrality that holds you like the subatomic model where in the nucleus of the atom, there's the neutrons and the protons to speak linearly. So that positivity of the proton and the neutrality of the neutron holds that stable balance. And then the opposite, the negatively charged electron is able to blend into that. But it's that bridge of the neutron that keeps that more stable as it goes through change. And that's what peace is for us. It's gonna be up and down. It's gonna feel poignant. It's gonna feel exciting. It's gonna feel like release sometimes and other times it's gonna feel like activation but it's the active state of creation that keeps you open to all of the information, what may seem positive or what may seem negative that's in your life that creates that new form. I love that that's what we got because what I especially started noticing, I would say at least within a year, maybe for two years now, peace took on a whole different exercise. It was kind of like lifting weights where you're like, oh, this is easy, I can do this.  And you're like, whoa, this is hard, what's going on? And it's because you're at that next level and that's what it's felt like for so, so a couple of years at least connected into peace where it's like, I am up to more actively maintain my peace within the external that's going on. Powerful. Do you have any suggestions for people in these interesting times where it is the peaks and valleys and certainly so much externally is changing but from what I understand from people, things are falling away that just don't serve you and it's not always very comfortable. It's not always something that someone actively made, obviously it's a sole choice, but they didn't actively make a choice and action choice towards, but it's happening in their life and even a lot of spiritual people, they get it. It's like they're trying to flow with, but it is trying. So for all of us, when it is not peaceful, how can we write ourselves back to that peace? Yeah, so especially in these times, but I've been using this practice for a long time which is have a variety of things that you can go to. So I call them my list of go-tos because one day I can meditate very peacefully, no music. Another day I can't focus, so maybe I need music. Another day that's not happening, I need movement. Another day I have to be out in nature or it just won't work. Another day I have to focus more on release. So I need fast music or something that's gonna stir either something exciting or maybe even some tears or something else that needs to process through. So I have to have those go-tos that are like, is this working today? Let's find out. Okay, let's go through something else. What does my body want? What does my mind need? How can I work with what's going on and get into those, even if it's just for a moment, sometimes the meditations are shorter, sometimes they're longer, it just varies. And anything that I can do that's more nurturing and helping to soothe the mind. And then of course, there's always the normal ones like are you playing and resting and eating and not imbibing too much news or negativity. Are you utilizing some of the self-soothing and self-talk that is supporting your openness or your peace in that moment? And especially maybe this past eight or nine months that self-love and self-nurturance has been really important. We're continuing to change really rapidly so the sensitivities go through ups and downs and sometimes they just don't make much sense, but that's why I like that wide variety because sometimes my body just can't, what worked before isn't working now. So that's what I would recommend. Yeah, so that necessitates being in touch with yourself and what's gonna serve you and then having several things on that buffet that will serve you that are your go-tos or maybe something new will pop. That's wonderful. That's really fluid. I like that a lot. You call the natural process of ascension an ever-increasing conscious connection with the subtle realm. What do you mean by that, Jamie? So to me, this process that has, it has physical changes to it. It certainly has mental and emotional changes and spiritual changes, how we focus our life, but the core of what it really is is more of a conscious connection with the non-physical, the subtle realm that's always been there. And this is why for a very long time, it's not like it just began at a certain time, but there's been a much more of an increase of focus on what are we thinking and feeling for decades now. So that part we've been doing a lot of exercise with. So the conscious connection with the subtle realm first starts with our thoughts and emotions and our intentions because that's what Ariane calls our subtle bridge. Subtle speaks directly to subtle and the thoughts and emotions and your intentions are your speaking directly to the subtle. Another way of saying that is the subconscious mind becomes more merged with the consciousness. And so we're processing through a lot of beliefs, a lot of old trauma, opening up to more empowerment so that we can handle our sensitivity so that we can handle the connections that we're meant to have. And that process is very natural to us because it's always been there, it's part of us. And it's another aspect actually of that subatomic modeling that Ariane has talked about for so long where that 99.99999% space, we have that same ratio within us. We are a little less than 1% matter, this part, and then 99.99% space or subtle or potential or the unformed. And so we're becoming accustomed to dealing more with the unknown, with the potentials, with the unformed, with the rapidity and ease of working more with that vast engine that builds worlds rather than just efforting. And then we're blending those two because we are still in physical, we're still having the experience of separation and that's a valid part of our experience. But we also know there's more to the story and getting used to the invisible and the subtle and the unformed and the unknown take some application into the next layer of your experience. And it's very natural to us. They also say life is fail-saved towards love because we come from love, we are love. Love is the binding force of life and it looks very different and different experiences. Some of it might feel more effusive, some of it might feel a little more stern or stoic or connective or mental. But as we keep getting back to that core, we're getting into a core of connection that is what Ascension is about. So we're bridging that higher frequency self into the physical realm and applying them both together. You mentioned the unformed a few times. So it sounds like there's a new sense of that. I mean, clearly all of life is no thing, right? And we go into that space, quantum, zero point, no thing. That's where creation takes place. But it sounds like you're referring that this time right now has a new idea of an unformed and that it's a new way that we need to be around that. Is that correct? Yes, and even the beauty of like pulling the peace card, which we could say that in so many different ways as well. It's that open connection, it's that willingness, it's that adaptability, it's that neutrality that knows that all is well and all is changing. Because we're in the realm of change. We're in the physical experience of linear time. So the constant here is change. And when we're flowing through that in that open state of peace, we're in an active state of creation that says, I'm a creative being, I know that all is well, I know I'm creating in this present moment, I hold all that's ever been experienced in the past, in the present moment, and I hold pure potential of the future in the present moment. So becoming accustomed to that means that you have to let go of some of those expectations of, well, I see what's happening in the world or in my life. And so there we go, that's the science or the fact or the way that things are. Well, we're the ones that are so focused on potentials that we can be in that present moment, understand those and also hold potential. And that's where things start to move at the rate of synchronicity. That where changes come in, that aren't just the old with a new facade, they are the unformed because we're breathing them in to the physical. And maybe some of them will happen in our lifetimes, maybe we'll experience them directly in our life, maybe we won't, but it's that potential that we're holding and that knowing of the unformed that life is continuing to evolve towards love, that as we're holding that vibration more and more, even in moments that feel like tears, for example, what's at the core of that? The blessing of release and processing so that there's clarity within or a anger that's recognized instead of suppressed that it can process out in a way that frees your body and creates a new experience, whether that's directly, the new experience is directly with someone or not. It's the unformed rather than the past reforming. Well, I loved your book, by the way, your story is amazing.  And a Syrian star seed as well. And you began to receive and transmit messages from cosmic beings. I mean, I guess I'll start there as a fellow liren. Would you even recognize me?  You too have been there. Sometimes it's more obvious and other times it's not. It just kind of depends on what's up.  The first time I saw your face, I was like, that's a liren face. I don't know what it is. It's like the lion connection or something. It just feels like you have that cat energy that just feels strong sometimes. And it's even possible that someone's in a phase, in a resonance that that might not be as dominant, but sometimes it is. And for you, it was dominant for me. And are you still in contact? Are you still go off-world and have those experiences? Definitely. Definitely. There are times where it's stronger, like there's more happening. There are times where it's not as strong. And it just varies. It's something that, for the most part, when, if I'm in a learning phase, then it's pretty obvious. If I'm in a connection and something that needs to be conveyed, it's pretty obvious. Sometimes I'm more in my own processing and it's not as strong, or sometimes I'm just in a plateau period. Every once in a while, because I've been on the just strong ascension journey set for about two decades now, and a little bit more. And there are times where I'm like, there used to be a lot more fireworks. You know, it just goes into kind of a plateau phase. And then I just know that that's the way of it. And then other times- What do you mean by fireworks? Come right back. You mean like, whoa, what a cool off-world experience. Or, oh my gosh, that happened. You know, just some of those internal experiences that you have. And other times it just kind of plateaus where you're integrating or processing or something. It's the kind of thing that I love, but I had to learn to accept it when it comes and then accept it if it doesn't. What is it like interacting with the lyrans? So for me, I'm very clear audience with guides. I have visual skills, but I don't often and very rarely what I see guides. And I've never, I don't recall ever seeing my guides. I sense them or I have a feeling or I hear something. But for me, it feels very nurturing but not overly emotional. And it feels very comfortable and supportive, almost like a very calm teacher would feel. So that's my experience of it. Yeah. I read recently that, and it was shocking to me to read it for several reasons, but that it is believed that the original lyrans of the Elohim, and I don't know if you have any information about that, but that was very fascinating to me. And there were some of the original lyrans anyway or some of the original creators. They created universes and some of the original beings amongst others. But so I thought that was a fascinating connection to come from a creator's status like that. Yeah, it just kind of depends on where you hit your galactic history. You know what I mean? Like you tap into different parts of it and it's one of those things that's like, I don't know, I'm seeing the veins in the body that it's like, oh, well, there's a vein. Okay, well, there's a bunch and there's capillaries and all of these other things. And that makes sense. And yet there are lyrans that I connect into that are more current, I would say. And then Ariane and other variances of that group, sometimes when I connect in I'm like, wow, it's such a different, it took me years to get used to them. It's such a different vibration because it's not, they aren't physical, it's much more ancient. And so that would make sense, that kind of Elohim connection. Yummy, that sounds so exquisite. Sometimes when, because especially with channeling, channeling in English or channeling in light language, the light language will tend to have a lot more variety of energies because they'll come and cycle in rather quickly if that's what's to occur. For a long time, I've only been channeling Ariane, but I channel other energies and used to channel a lot of different energies. But at certain levels, you can feel the crossover, meaning we go angel, elemental, galactic, and then you feel the crossover as well, that they're not always so separate and they're very interwoven and interconnected. And you can feel the blending of those energies rather than the separation. And your healing modality is based on its connection to the Liren heritage, right? The crystalline soul healing. What is that about? What is that like for you? What is that like for your students? Yeah, so I remember a long time ago some time in the early mid-2000s. It was the first time I had found out that I was Liren and I had a session with someone and it hadn't happened yet, but I got this message. I was just sitting there and all of a sudden I thought in my head, oh, I'm Liren and stuff just started flooding in, but not stuff that I could really identify. And so I was just like, okay, well, whatever. And so a couple of days or so later I had that session and one of the first things she said was, oh, you're Liren. And then she was talking a little bit about their template builders and that just felt like right over my head. I didn't understand what that meant or what to do with that at all. So as I started doing healing because I was just so passionate about it and my guides were teaching me different aspects and things like that as I was working, eventually over time I realized that I had created a template. And a template works just like a program that you would run on your computer. Like say you run a database cleaner or something like that. It's running and it's checking for certain things. Oh, it has this. Okay, well, what do we do with that? Okay, it doesn't have this, skip it. Oh, it has that, this is what we do with that. So that's in essence what the modality is. It is an alchemical template that is running through a lot of different topics that are seeding always to your higher self. If something's appropriate for you to release, it releases. If something's appropriate for you to activate, it activates. And so the alchemical template is interacting with your field and your higher self is the ultimate decider of how that process will release and activate. And is this something that comes from you? This is, so you teach in person or online. And so it sounds like there's constant transmissions going on. So I teach it in person and online, although this year I'm just doing it online. And so I go through each section of the template because there's many sections of the template and I initiate that section into the student's field. And then they end up with the overall template at the end with all of the programs that are gonna run and release and activate. And then whether it's you wanting your own healing or some prayer that you wanna send to Earth or someone else, or if you're working directly with people and they come for a healing session and they have a certain thing going on in their life that they want to shift, then they run the template for that issue and it will release and it will activate as appropriate for their higher self for their moment. And so the process through my guides was teaching every aspect of that template to me through experience. And then that's what I'm initiating into their field. And then that's what they're using to facilitate change for themselves and others and Earth and things like that. That sounds amazing. Really amazing. It's so much fun. It's so much fun. I love it. And actually I have a class coming up in April at the end of April. And the thing that I really love about it because I finalized this back in like early O5, somewhere in O5. And I had been working on it for years and for some of those years, not even knowing what I was doing that I was creating a template. I just kind of thought I was a little obsessive, like, what about this? And what about this? And so I was just making lists and gathering data. And then eventually I realized I was making a template but right there at the end. And at that time, I started teaching it to people and it just wasn't, they weren't quite ready yet. The people that took it were, but it just wasn't quite ready. And then I moved to Sedona and I stopped teaching that and started teaching light language. I knew I would come back to it but I knew it wasn't quite time yet. And then I wanna say in 2015, I started teaching it again and was teaching that every year. And I could see now from that vantage point, like, oh, it makes sense to me now because the way we understand our subtle field, the way we understand our intentions, how we understand the blending of physical and non-physical rules, that's what this is all about is that blend of I'm in physical, how do I work with the non-physical? And so it goes into a lot of detail of how we interact on the non-physical. So you're naturally applying the rules of the non-physical realm or you're naturally amplifying your ascension. And that's what that template is teaching so clearly is that your intention has this myriad of effect. It has this cascade of effect at all times. And so the more we become conscious with that and we recognize all of the supports and the layers of healing that are available to us with actual ease, it's a complex template but it's also very simple. And that's the overall thing to learn with working with the non-physical, it's complex but it's overall very simple when you stay in that knowing and you develop that sense of peace, that neutrality, then you're more open to the flow of information and our biomechanism is so beautifully attuned to already filter out the stuff that we don't need and give us signals and kind of bring them up when we're ready, it's just a matter of listening more. And in essence, that's kind of what the whole modality is about is you're listening and seeing what the template does. Wow, it sounds like coding. Yeah, it's beautiful. I wanna ask you if you'll share some of your story because it's quite a story of what has happened to you and how you fought it and how it took over anyway and kept coming through you. It just reminds me of trying to hold their mouth while things are pouring out and it was a really interesting journey. So I'd love people to hear some of that story that I read about in your book, Opening to Light Language. Yeah, one of the things that I love about the variety of stories with this is some people were open as children, some people were not, some people had a very fast opening, some people have a very slow opening over time and it always occurs in the way that's perfect for us even though it's not always easy. And for me, I was not a psychic child. I even remember trying when I was like into my teens and I just couldn't get anything to happen. I was trying to ask to project, I was trying to see things and just nada. And it wasn't until what was actually the harmonic convergence, which I didn't know about at the time, at that time I started getting psychic flashes but I didn't know what they were. I just thought, whoa, that was a weird image to have in my mind or experience to happen. And one of the ways that they came on was clear audience and it would feel like my thought but it would be something that was so out of the blue and kind of like us, it would be so out of the blue and it would be something that was provable within a few hours and it was always so random. Like I was driving home the first time I remember that happening and I heard this person's gonna be at your house. Hadn't seen that person, talked to that person. I don't even know how that person would know where I lived. Well, I could, yeah. Cause I was living with my best friend and they knew each other too.  Like, is it so-and-so? And she's like, how did you know? And I'm like, oh my gosh, I heard that. And that would happen. Sometimes I was driving to another state and I would get this message. So-and-so is gonna be there at the place I was driving to hours away. There they were. And so things like that would happen. And that was fun and exciting and other ways that that would occur. But I started also seeing healing happening. So I would see people connected through their chakras and sometimes I would see crown chakras connected. Sometimes I would see people connected through their second chakras and just all kinds of different things that I started seeing auras and seeing those connections. And that went on for a little while and then it just kept changing over time. But the thing that was coming up was my sensitivity and a lot of things coming up that had been suppressed. And so that started to create depression within me that I had to deal with with reflexology and then dealing with my mental and emotional around that, getting into more empowerment and boundaries and things. And then eventually I started doing healing work and after I had an axiotonal alignment, that's when the light language started in the early 2000s. And that began as movements that were smaller and got bigger and bigger, which I was fine with. I was delighted with that because people were on a table with their eyes closed. So yay, that's fun. And then eventually the sound wanted to start coming through. And I found myself incredibly shy and worried about that in ways that I couldn't quite define. I just kind of felt like, oh my gosh, I can't be normal anymore. I don't even know what I thought that was but I would go to like a channeling or some kind of spiritual event where I used to be able to enjoy those things.  And finally, I set this intention that I would let it flow quietly in the back of the room. And I realized that because I didn't want to disturb, that's rude. So I would sit in the back of the room which I was already doing. And I'm like, maybe I can just let this flow silently sometimes. And it definitely did that. It was more about my resistance. And then that final piece was me doing a class where I did light language for people and it was so loud and abrupt at first that it scared a child in the room and she started crying. It made one of my friends just die laughing and they were each coming up one by one and that was the first person that came up and that happened and I was like, oh my gosh, I'm gonna be sitting here with crickets and nobody's gonna wanna come up and experience that. But everyone did and then, except for the child, she was about 12 or 13 or something. And her father came up to me afterwards who was a client of mine and he said, I want a session on what do you have next week? And when he came for his session, there I was hearing the sounds in my head and holding them in like I was accustomed to doing. And at that point, my guide said, it's okay, you can hold it in. It'll just take him longer to heal. And she still gets me every time. And I knew what they meant. They didn't mean light language is the only way to heal or it's the best. It wasn't that. It's that I was holding back. I was at a new choice point. I had been nurtured through that whole process and now I was at a new choice point. Here's someone that has seen it at its biggest. It scared his own child and he's like, I want more of that. And so I realized that I could not live with having been able to do more but not doing it because I was shy or embarrassed. And this is just somebody that wants to heal. And so I let it out and haven't held it back since even though I have had other times of ups and downs and doubts with it like, oh my gosh, what am I doing? What am I doing with my life? It just passes and that's been many years now and the sacredness of the connection that I feel and the experiences that I have and certainly what I see with others and being part of that making it easier for others to do. I would not trade that for the world.  And so even all of that long journey of holding it in was so worth it to have it flow. Yeah, incredible. I know one of your stories in the book is that you're at a cry on event. Lee Carroll has been on the show, he's delightful and that you take yourself to the back of the room and then as it's going on, it is coming out of you and I think the end of the event and people are coming out of the room and seeing you do this and they're stopping but it's a really positive experience. People are actually feeling, sensing, receiving something from what you're doing. So it's fascinating that all this time at all your markers, you're actually getting this sort of go ahead from humanity, like yeah, there's something here, there's something powerful going on. Yes, you were supported. Absolutely and there was another cry on story in there that was really helpful. I was letting the sound in the back and before that happened, so this is peacefully just flowing and Lee was taking questions and someone stood up and said, my hands used to move around and all these sounds would come out of my mouth and I went to the shaman and he told me it was the devil and he took it out of me. What do you think about that, Lee?  And by that point, it was so perfect, I was so glad to have it, but I knew, I knew what was coming out of me was love so I was like, wow, what's he gonna say? And he said, I've had some experiences of observing that in ways that I would have never believed it if I hadn't had the direct experience I had and I believe that shaman was lovingly telling you what you wanted to hear and then giving you what you needed in the moment. And I was like, yeah. Yes, because it was not of the devil at all. Right, not at all. It's so natural to us. It's not just for special people, it's natural to us. We communicate with spirit in so many different ways. This is just one way and it's such a beautiful bridge of the linearity because crystalline soul healing, for example, is quiet. There's no movements to it. You can't hear it or see it, it's quiet. And with light language, there is expression to it. Whether it's verbal or it's written or signed, there's expression to it. Now, sometimes I have it silently in my head but there is a bridge of communication to it that we recognize as conversation or song or movement or written. And so it's helping us to soften that linearity around that and ultimately let go of some of the contextualization and some of the memorization that we have for our communication so that we stay in the present more. So it's another way of bridging the linear and the non-linear, the physical and the non-physical. And when you do it, I mean, there's so many theatrical ways I could talk about it but it's so much like a dance.  What is it like for you while you're orating and signing the sign language? So at some point we'll have to do more movement oriented because that's mainly for the camera where I have to stay in there or he's like trying to combine a tree. But it is like, and I'm a full body channel. So sometimes I have certain energies that are working with my physicality in some way and I have other energies that are working with my vocals. Other times it's more unified, it just kind of varies.  And it can bring such blissful feelings. It can bring even tears and things sometimes even tears of release where I can feel sorrow for example but it's not the same as being sad. It's almost like this beautiful release in those moments. So the expansion and that sense of blending is even evident with that because I'm conscious. You don't go unconscious. In fact, it's very different than channeling in your known language because when I channel in English, they're using my vocabulary and they can stretch me beyond that a little bit but not much because that's the mechanism that they're using to express. When I, so in essence it feels like I'm channeling and I'm connected to something that's beyond me but I have to stay a little removed because if I focus too much like, oh that reminds me of this thing that happened then I start to pull the channel off because they're using my mental capacities, my language capacities. When I channel light language, it feels like I'm channeling in this wide open flow that has a different focus to it where all of that is occurring and I'm observing. Whereas when I channel in English, I have to just listen and not observe too closely. So it's a really interesting flow of connection with life and they both have their value but it just helps to really blend the experience of I'm me, I'm experiencing separation. I know what it feels like to move my hand.  So it's really expansive. This light language thing, it's not that it's new in my world but it's new for me to do in this group that I'm meeting with. And in the beginning it was so uncomfortable. I was here and trying to get out of here and just let whatever happened happened. And then what we've been doing is picking a card recently. So I'm using your deck because that's what I resonate with and the last couple of times what has come out of me has been toning, has been song-ish but it's not singing and it's something else and what's been beautiful about it is I've been able to be still enough because I don't know where it's going and I don't know if it's over and then something else will come out and when it's complete, I'm aware it's complete. What do you think about that? Is there a light language that is comprised of toning and notes sound in that way? So if we think about the experience of separation and the experience of connection it's the same with light language. So here I am having an experience of separation and here's my layer of a little more connection, here's my layer of more connection and more and more. And it's the same with light language because language rather than being, oh, what words did they say or sing or write? It's what information is flowing if we think of language as more broad and light if we think of that as just an expression, a carrier vehicle of information. So when we go into those higher, more connected aspects of light language, everything is light and everything is information. We're externalizing even if we say nothing we are in the realm of externalization so light is emanating from us. So we could even say in that broad level everything is light language because everything is conveying information but I like to separate it into spoken song signed and written for us to understand that bridge and yet toning is a form of light language. Some silence can be a form of light language and what we're doing in those times is conveying information through sound or through movement if that's what's occurring but there's clicking languages there's languages that sound much more like we would associate words quote unquote and then there's some that sound more like buzzing or frequencies or tones. Sometimes I'll have some that sound almost like it's the same thing repeating for example not that I'm channeling this moment but it might go like and it's the frequency is in there even though we can't hear the separation within it. So that happens the clicking, the buzzing that's not Mantis related at all. It could be but it doesn't have to be. There are a lot of Mantoid languages that click but they're not the only ones. So yeah, definitely could be. So many types of light language is what you're saying and I know based on your book, there's Elvin, there's Fairy, there's Angelic. I haven't heard somebody say dragon which I'd love to hear. And so is it ad infinitum? How many variations? Absolutely because conveying information like that is inherent to life. We just all do it in different ways. Even the amoeba that doesn't communicate like we do it's still conveying information into the field. So any kind of species whether that's an animal species or a human or galactic species, Angelics, elementals, all forms of elementals they all and Earth could be ancient Earth, it could be future Earth. There's two main categories of light language. There's glasolalia is a technical term for it that they're all unknown to the channeler but it's a language that's not known on Earth like Angelic or Galactic or Elemental. And then there's Xenoglacia which is unknown to the channeler but it's a language that is known on Earth. So we also have the capability to channel in Earth languages that are current that we don't know. It's also wild to hear somebody doing light language and they're not even trailing off yet and they interrupt themselves to go into English and translate what they've been saying almost like you were speaking French fluently and then suddenly you're trying to explain to everybody who's an English audience. Oh, this is what's being said and then you can go back into the light language. That is mind blowing to me. Yeah, yeah, absolutely. Because there's a consciousness while you're in there and many times it will happen spontaneously and that will seem like that wasn't my choice. You can pull it back eventually if you really wanted to but the flow of it can be stopped and started within reason. So some people will do that in English. I tend to write notes when I'm in like session or something because I'd rather just scribble and keep the flow going but it's all just a personal preference and whatever works for you. And it might change at another time. So always be open to however that's flowing and it's expanding so rapidly right now. It's really beautiful to see because it's part of our ascension and that doesn't mean someone has to do it in order to be on an ascension path or to ascend. But it's part of it. It's something that's available for us. And so I just absolutely love it. And I would love to be activated if there was a way that don't third eye, whatever it would take to have my field, my being activated to do this. I'm just so fascinated by it. Do you actually activate people for light language? Is that possible? And how does that work? Absolutely. For some people it's gonna happen naturally and there's no direct connection of, ah, that was the activation. For others, hearing it or experiencing it will activate it. And for others, that doesn't activate it. It just takes a little bit more effort. But if somebody wants to do it, it's there and available. I mean, even in my book I go through exercises to do to speak it or sing it or write it or sign it and it's definitely available to us. And because you've already got it coming through, you've had some experiences with it, you're activated and yet expansion will always occur. I still have expansion that occurs because that's part of this realm. It's the realm of change. So yeah, you're activated and you will continue to activate more. I love that, okay. Well, this feels like a good time if it does to you to do an offering. And if you would be willing to, and I wanna leave it up to you and those who come through you or whatever energy you're in right now to do a channeling and or light language both, we're here for it. Great. So what I was getting as you were talking was actually working on peace, the card that you chose. So let's see how I do this if I'll do English and light language or not, okay. So at the very least I'm gonna start with crystalline soul healing and light language and we'll see if English comes or not. So everyone just take a nice relaxing breath and if you feel more comfortable that you can even state aloud or silently, I only allow what is for my highest good. And as I'm doing the frequencies, just see what you notice. Anything physical, mental, emotional, any psychic impressions. Good, now the relaxing breath.  You can rub your hands on your legs, just bring yourself in a more active brain state. So I wanna share a little of what I was getting during that. Even though your experience might be different because you're higher up and you're in a more relaxed state. So I wanna share a little of what I was getting during that. Even though your experience might be different because your higher self is releasing and activating for you. So in the beginning that was a fairy energy and they are so loving and supportive and joyous most often and just effervescent. And it was so sweet, the big lesson in that one because ultimately this was all connected to peace but one of the things that Energy was talking about was taking in life and taking it in fully but taking it in with the recognition of the beauty. And if that's not the case, then the marvel at it. And the way that they showed me that I even was physically breathing in for a very long time. And at first it was like breathing in beautiful flower fragrance. And then it was like breathing in something noxious like skunk for example. And they were showing me that even in the flower kingdom for example, there are flowers that smell wonderful. There are flowers that don't smell wonderful and that's their fragrance, not just dying flowers. So that was very fairy-like especially to be like love it all, it's a marvel. And then the energy shifted and I could feel a very galactic a little bit more masculine energy. And part of what the message behind that was was the honoring of your physicality, your unique experience because especially as it relates to peace, it's ultimately our own responsibility to hold our peace within our circumstances. And that doesn't mean always be a monotone in every experience. The example my guides have often given, if a child is running into the street, you don't say, oh, please don't run into the street. You yell to get attention. And they're like, whoa, come back. So it depends on the situation, but that we are responsible for our peace, which means love and nurture the self really hold that peace because we each deserve it. It's part of our divinity. It's part of our divine service. It's part of our exercise to ascend beyond what is into what can be to those potentials, the informed. And then there was a very distinct experience of physically working with the body and strengthening the torso and the core channel flow so that we could maintain our chi a little better. Oh wow, I felt that so strongly. That was so beautiful. I had tears in my eyes and the breath between each movement, if you will, and what you were doing where your face would turn to the side and then it was so Sotovoce. You couldn't even hear what you were saying, but I could feel and the beautiful pause and then you would come back and reemerge with something else as part of the message.  That was exquisite. Thank you. Thank you. Thank you. And this is something that we can all do. It's so available to all of us. I just, I love it. I love how much is expanding now and people feel it and understand it or experience it and it's just really growing because we are. Yeah. Is there an energy ascension forecast, something that we should as lightworkers and starseeds be aware of that's coming down the pike so we can incorporate that beautiful piece you just gave us? So one thing that Ariane does is, they'll encapsulate the energies of the year and they'll encapsulate each month and sometimes they'll hold a quarter together, other times they won't. And the overall energies that we're going through this year are about connection. So big parts of that are the human and higher self-connection or physical and non-physical connection and really holding our purpose within a moment which again is gonna be up and down. And this, we are now in April almost, you know, a few days before it. And so the energies this month are about being in oneness and we have gone through these first four months have been about nurturing the inner realm so that we're feeling more of that freedom. We're not letting restriction hold us back that it feels like, oh, this is a lovely structure, good. This is what's here now and keeps changing. And then March and April feel very similar with allowing and being in oneness because it's getting us accustomed to ultimately that state of peace that's like this neutrality that just, oh, positive, negative, positive, negative, it's really all one. And these next six months feel much more mentally oriented that almost feels like we are going to be tasked to maintain our mental focus so that no matter what's going on around us or what's going on in our own life we're holding more of that peace. And for me particularly, this is a very intense time. I've got a lot of things going on in personal life and family and physically and just work and everything. And it has really almost like focused me into I have to be more deliberate, but from the state of love. For instance, it took a walk the other day and one thing that I made sure to do even though I love walking briskly, like it's a workout, I didn't do it because I felt like I had to. I made sure that that energy was coming from joy and sharing of nature, which I can often sneak in there and be like, I should do it, oh, this is workout.  I had to really shift that focus so that the mental wasn't sneaking in some obligation into something that should be joyous. And that's how our creative state should be. So these next six months especially are gonna be very much more mentally focused and anytime you can soften that perspective and be in the unformed and be in the open joyousness or peace, that's going to shift the things that even are obligation into much more of a creative state. So that's exciting in some ways, feels kind of intensified. And yet they rarely give me stuff that's much more ahead. But I have got this message that October is very much a whole other layer of opening, especially with the throat chakra. So it's kind of prepping us for that. Wow, thank you. Wow, incredible. So folks who are interested, I know you've got these amazing cards. We experienced one of them today called the Cosmic Consciousness Ascension Deck. And then also this now very worn and read book, which is Opening to Light Language, Humanities, Evolution and Multidimensional Communication by Jamie Price. Where can folks get this? Where can people work with you? So everything is on my website, jamieprice.com. And yes, it's jamie again, if you're hooked on phonics. J-A-M-Y-E, price.com. And the book is there. It's actually gonna be out fully on Amazon, the e-book is on Amazon, but I'll be putting the soft cover on Amazon soon as well. The cards are only on the website. The upcoming crystalline soul healing class is on the website. And I will be teaching light language again in the late summer and fall. So there's also a place where you can sign up to be emailed about that if you like. But everything is right there on my website, jamieprice.com. Okay, everybody. So that's J-A-M-Y-E, price.com. And Jamie, this is Dare to Dream. What are you next, Dare to Dream? What are your future dreams and visions? So much more joy. That recognition that's within all of us, that's the dream, feeling that, seeing others feeling that and living the dream. Thank you so much for coming on the show today. This has been beautiful. Absolutely. Thank you so much for having me. It's great to meet my blue Liren sister. Right on, right on. Yes. And peace to everybody. I end today's show with this quote, there are things that we never want to let go of. People we never want to leave behind. But keep in mind that letting go is not the end of the world. It's the beginning of a new life. Subscribe to this number one transformation conversation, leave a comment, I read all of them and share the show with somebody whom you know will love its message. Next week on the show, I am featuring the amazing Tarek Bibi. He's the star seed indigo prophet. Tarek helps healers and light workers clear the root of any of your blockages and manifest your heart's desires. And truly everybody, it is time to go with peace, whatever is going on with your life. And I hope that today's show helped you dare to dream and dare to turn all your dreams into your reality.


Recently, I asked you guys if you would prefer me to write a new X-Monad config to use Polybar as a panel rather than X-Mobar. If I switch over to my desktop, this is my standard X-Monad desktop using X-Mobar. X-Mobar had a recent release. They pushed out a new major version that kind of messed up the fonts a little bit. The font rendering they're using now doesn't have any anti-aliasing, so the fonts don't quite look as crisp and as sharp. Honestly, if you pick the right fonts and the right font sizes, it doesn't look too bad. I could actually live with this, but I know some people are a little picky, not to mention some people just like having choice. I told you guys I would actually write a second X-Monad config. I'd maintain two X-Monad configs on my .viles and also as part of the DTOS core repository. I'd have X-Monad with X-Mobar and X-Monad with Polybar. Of course, I don't really have to work on X-Monad with X-Mobar because I've already got it. Here's my config here written, of course, in org mode. It's a literate config. I've titled this X-Monad with X-Mobar.org. It's the name of this document. When I write with a colon W, it actually does a tangle and it tangles it to X-Monad.hs. Let me open up a vertical split here. Let me search for another org document I have. This one is similar, but it's got some differences. This is my X-Monad with Polybar.org. Once again, when I write and quit, it tangles to X-Monad.hs. You can use either one of these configs. Both of them will write to the main X-Monad config file, which is X-Monad.hs. Right now, you can see I'm using X-Mobar. If I come over here to my X-Monad with Polybar config and do a colon W to write, and let me go ahead and force a tangle with space M capital B, now let me restart X-Monad. SuperShift R, and you can see we now have Polybar here at the top. We also still have Trair running.  That is the magic of writing these things in org mode using these literate configs and having them tangle right out to the same file, because I could always come back over here to the X-Mobar config and do a colon W space M capital B to run that org babble tangle. Now SuperShift R, watch what happens. It kills Polybar, it reruns my X-Mobar config, so now we get X-Mobar Trair comes back as well. For those of you that are going to use either or both of these configs, let me explain some of the differences. I'm not going to go into great detail, but there's going to be some different imports depending on whether you're using X-Mobar, there's going to be several X-Mobar Haskell libraries that get imported if you're not using X-Mobar, though most of those are not here. So really, there's a few imports that are not here. Other than that, if I go to the bottom of both documents here, you will see that the main block here with the X-Mobar config is quite a bit bigger than the main block with Polybar. And that's because X-Mobar, a lot of the X-Mobar settings were all hooked in to the main block. I had to define all the colors and the wrappings as far as should it be wrapped in brackets, angled brackets, or parentheses, I do a lot of the style stuff with X-Mobar. Of course, all of the widgets over here get styled in the X-Mobar RC, but the main workspace section over here, a lot of that stuff is configured here. With Polybar, obviously, I don't have to include any of that X-Mobar stuff, right? So none of that, none of the Polybar stuff really has to go in this main block here. All I have to do is just make sure Polybar gets auto-started. So if I go to the auto-start section, you can see spawn polybar dash X-monad. So I have a script that's going to be in local bin, it's going to be Polybar dash X-monad. That's just a simple little script that launches Polybar designed to use X-monad. And the reason I'm doing these separate Polybar dash name of window manager is because I may eventually package other window managers that also will launch Polybar, and they'll need a different launch script than what X-monad will require. Now let's talk about some of the differences with Polybar and X-Mobar as far as the look and appearance. Obviously X-Mobar was designed to actually be run with X-monad. So you've got all this functionality in here as far as it tells me exactly. I've got three monitors. The three monitors you see are colored purple, I chose that color, I could color it anything. The one that currently has focus, I've chosen to have it designated with an underline. And then all of the workspaces that are not currently focused on any monitor are blue in color. So these are basically unused. If they had an open window on them, I think I had an asterisk to the side of them. Let me actually demonstrate that. So I'll open something. Let me go back to correction. I didn't have an asterisk next to the workspaces that are not visible, but do have windows on them. I have an overline on them. So that is how that is done. So let's switch back over to Polybar. So let me go to the Polybar config and do a org babble tangles. So it rewrites my Xmonad with Polybar org document back over to xmonad.hs. Do a super shift R to restart Xmonad. Now the bar is going to look a little bit different here. Let me kill all trair again. I should probably just add that to my auto start hook in the scripts here. But you can see I have tried to theme the widgets to look the same. They're all underlined. They're all using the same colors. They're all using doom 1 colors right now. The workspaces are named the same. I had to add workspace numbers in front of the names just for convenience sake. And the reason is, unlike Xmobar, which will always show me the nine workspaces, for whatever reason, I don't know how Polybar is supposed to work, but at least here in Xmonad, it only shows me, I'm on workspace 1 here. This is kind of weird. Am I on workspace 1? Yes, I am. I had to double check because I've restarted Xmonad so many times. Originally, I actually put this on workspace 2, but the restart rearranged some of the workspaces. So I'm on workspace 1. It has focus. Again, I've chosen a pink color to let me know which monitor, which workspace has focus. And then this monitor has something on it. That's why it's underlined in blue. But that is OBS over here on my right monitor. Now all the other workspaces you can see are here. They don't have underlines under them, so they're empty workspaces. These also are workspaces that I'm not currently looking at on any monitor. But there's one workspace that's missing here. Workspace 2. Where is workspace 2? Actually, now that I think about it, where is workspace 3? Workspace 3 is on the far right monitor. You can see if I switch focus. Switch focus over here to workspace 3. Now workspace 1, the middle monitor here, you can see. Now it just tells me that it's workspace 1, which is div, right? It's weird. When I switch focus, the monitors, it is confusing. At least it was very confusing. I've been using this for a few days, and I kind of understand how it works. But I'm not crazy about that. I would like to be able to force it to always show me all nine workspaces and just let me know which ones are on which monitor. And honestly, even if I can't get that functionality, the way it works right now, I'm okay with it. Now let me open my Polybar config. So this will be my polybarconfig.ini. So for those of you that are unfamiliar with Polybar, Polybar is kind of confusing to configure. It's not an easy panel to configure, because it's got a lot of settings and just the format of it can be kind of confusing at first. But you'll get the hang of it, especially if you just go grab somebody else's config. My config here started life. I want to say I got this config originally. Now it's been heavily modified, because I've had it for a number of years and used it with several different window managers. But I want to say it was originally the Arco Linux Polybar config for possibly BSPWM. But again, that was a number of years ago when I first got it. And I've added it quite heavily over the years as well. You've got some settings here, global slash WM. Then you've got settings here. And again, I think these are kind of global settings, but you're going to override a lot of this kind of stuff later. Then you've got some format stuff and you can see the comment. This defines fallback values used by all module formats. But most of the modules, because this will be separated into various modules is how Polybar works. And your modules are going to define a lot of this stuff. So these are just kind of fallback values, really. I didn't play with any of that stuff. And then I've got the section colors. Now your color section here, this is a default module in Polybar, just colors inside brackets. And then you need to define however many colors you want, give them whatever name you want. And for all of my color values, instead of giving them like a hex color value, what I did in the color module here, you can see, I give it a variable. Doom one dot background. And the reason is I created another module called doom one with background foreground and then colors zero through 15. So it's a 16 color scheme, right? So in the main colors module, which really defines the colors used in Polybar, I can just swap doom one for example with Dracula. You can see the Dracula foreground background and then colors one through 15, all I've got to do is just come in here. And if I wanted to, I could do this manually, right? I could just select this block here. I could change that to Dracula. If I write that, the Dracula colors are in Polybar. And if I undo that, right? You can see I'm back to the doom one colors. And what I've done is all of the 10 color schemes that I had been using as part of DTOS, I've defined them here. And of course, I've made this a lot easier than you'd never have to go to your Polybar config to change the color scheme because I've got a script as part of DTOS. It's been a part of DTOS for a while. It's a Super P followed by C. I believe it's a local bin script that is called, I believe, DTOS-color scheme. And you can see I can choose any color I want, for example, Solarized Light. And you can see it changed Polybar colors to Solarized Light. If I do Super P, C again, and I go back to doom one, I get the doom one color scheme back. And of course, that particular script, that DTOS-color scheme script, that doesn't just change Polybar colors. It actually changed the colors in X-Mobar. If you were using X-Mobar, it also changed the colors in the Alacrity Terminal. Let me switch to an empty workspace and show you. Here's the Alacrity Terminal. Also changed the colors in the cocky. So Super P, C, let's switch to the Nord color scheme. You see, Alacrity changed to Nord. Polybar changed to Nord. Cocky changed to Nord. And also Doom Emacs will change to the Nord color scheme, but only after you restart it. Or you could just manually go back into Doom Emacs and do space HT to choose a theme and just search for Nord. And now everything's using the same color scheme there. Now let me zoom in a little bit. If you get past the color section here of the Polybar config, you've got these main bar sections. So you're going to have some kind of launch script. Remember I named a script Polybar-Xmonad? I could have a launch script. I'd name it Polybar-BSPWM or Polybar-I3 or whatever it happens to be. And what they'll do is they'll specifically call upon these modules here, these main bar modules that kind of dictate how your Polybar will look depending on which window manager you're in. So there was one for BSPWM. But if I scroll down, there's going to be one for Xmonad. There was one for I3. There was one for Herb's Luft up there. You can see, main bar Xmonad. And here I just set some settings that are pretty self-explanatory as far as foreground color, background color, some padding, separator. I'm not using a separator, but it would be what kind of separator you want between the modules. And then of course, some of the most important stuff will be the fonts. You can define as many fonts as you want. And then where the real magic happens is modules. So modules left, module center, modules right. So once you get past all the main bar section of the config, if I scroll down, you'll eventually come to this section, Modules A through Z. And you'll have these individual modules, and they'll be prefixed with module slash, name of module. And there are, I don't know, 20, 30 modules, battery modules, memory modules, et cetera. And that's what's actually being displayed up here. So if I do a search for Xmonad, let me find that main bar dash Xmonad here. Scroll back down to the modules left, module center, modules right. Module left is EWMH. So that is what is needed in Xmonad, because Xmonad is a window manager that uses EWMH to display workspace names. So that's important. And then Xwindow, if you want it, fine. If you don't want it, you could delete it. But that's the window with focus. So right now, we're looking at my config.any inside doomimax. If I move over to this workspace, I'm actually focused on a terminal. You can't see it. But you guys see the tilde character being displayed in polybars, because my terminal is in home, which is, of course, alias for tilde. And then modules center. I don't have any centered modules. But if you wanted a centered time and date like you'd have in the GNOME desktop environment in that panel, you could do something centered as well. And then modules right is kernel CPU memory file system, which is the disk space being taken up. Uptime, ArchAUR updates, the number of updates I have currently available, post audio volume, and then date. So those are the modules that I have. And that's really a good introduction to Polybar there. Let me do a super PC one more time to get back to my original doom one colors, because I am going to push all of this to my GitLab here in a minute. And I want to make sure that everything defaults to doom one, especially when I package it for DTOS. For those of you that are interested, if you already have DTOS installed and you want the new Xmone with Polybar, all you need to do is, well, let me zoom in, you need to do a sudo pacman dash DTOS. If I can spell it correctly. DTOS dash Xmone. It's the same package that's always been there if you've been using DTOS. Except now, when you install it, it's going to install my new configs. It installs them to slash etsy slash DTOS. It doesn't override anything in your home directory, so nothing's in use when you install that. What you would have to do is, cd into slash etsy slash DTOS. And then think of this as your home directory, potentially your home directory, so dot config slash Xmone add. I do an LS, you can see. Xmone add with polybar.org, Xmone add with Xmobar.org. And if you're an Emacs user, every time you do a org babble tangle, if working with these files, these are your new configs, it will automatically write to Xmone add.HS. Now, if you're not an Emacs user, then you still just need to edit the Xmone add.HS. So how do you get an Xmone add.HS with Polybar? Or how do you get one with Xmobar? Well, cd one more time into this directory here, Xmone add example configs, so do an LS and that and you can see. Xmone add with polybar.HS, Xmone add with Xmobar.HS. Just copy that into your dot config slash Xmone add directory, rename it to just simply Xmone add.HS because Xmone add demands that that config file be named that. And then of course recompile Xmone add, you guys know how to recompile. Xmone add space dash dash recompile and then super shift R to restart Xmone add. And then once you've got the Xmone add config, then the next package you want to install, you wanna do a sudo pacman dash capital S DTOS dash Polybar, which I just remembered to add the dash capital S. I'll edit that in post, but yeah, to install software with pacman dash capital S and then name a package. So what you need is DTOS dash Polybar and you could do those at the same time, get the latest Xmone add configs and the new package DTOS dash Polybar. If I go ahead and hit enter, I think I've got both of those already installed as the latest, but I'll go ahead and reinstall them anyway. So I've been working on that Polybar config and the two different Xmone add configs as well as the associated scripts like the change color scheme script, the DTOS dash color scheme script, some other things just briefly I'll mention that I've been working on and I don't know when I'll eventually finish this stuff, but I've been working on a website, potentially a website eventually dedicated to DTOS because right now I'm just using my distro.tube site, which is really kind of a site, mainly for the YouTube channel, but I should have a DTOS site separate from distro.tube because right now I've got that over there, but eventually I'll move that to a different site and I want to actually pimp it out a little bit. I actually wrote this using Emacs org mode, it's a static website. I may actually do another video on how to write websites using Emacs org mode because this has actually been fun, kind of writing a new DTOS website. And eventually I need to finish working on some of my like Haskell GTK programs, such as the DTOS welcome application, which I haven't actually taken a look at in months, but eventually I just need to get off my lazy butt and finish some of this stuff. Now, before I go, let me thank a few special people I need to thank the producers of this episode, Gabe James Maxim, Matt Mimic, Mitchell Paul, Royal West, Armored Dragon, Bash Potato Chuck, Commander, Angry George, Lee Methos, Nate Erion, Paul Peace, Archimdor, Polytech Realities, for Less Red Profit, Roland Tools, Devler and Willie, these guys, they're my highest tier patrons over on Patreon without these guys. This episode would not have been possible. The show is also brought to you by all of these ladies and gentlemen, all of these fine ladies and gentlemen that help support my work over on Patreon without each and every one of these guys. I couldn't do what I do. I don't have any corporate sponsors. I'm sponsored by the community. If you like my work, subscribe to DistroTube over on Patreon. All right, guys, peace. Seeming Polybar is fun. Maybe I should go back to BSPWM for a little while.


What is going on guys welcome back to the channel critical overlord here So we're gonna be talking about several different topics in this video here today We'll be talking about scream six. We'll be talking about givers group is reborn We'll be talking about final destination and then we'll be talking about Saw X a little brief mention of saw X. So just to kick it off with scream six scream six's trailer date has been changed There was a date that was locked in that again I did not share here on this channel But since the individual who was leaking things was spreading this date and with the paramount as well as radio Silence most likely being aware of the trailer date that this leaker knew of for scream six The the trailer just seems like it's coming much sooner rather than later according to stuff that's been shared with me Now how do we know that the date was changed? Well for one? I will say that a few days back I was tipped off that the trailer would likely be coming much sooner than the plan date Which was a sign that plans had changed But then big screen leaks tweeted this a few hours later or even a day after I found out what I was being told He said that if I were in response to someone asking why they won't reveal the trailer date for scream six They said if I did that without my sources permission I could burn that bridge and even worse get them in trouble besides the trailer date has been changed So if I said the original date, then I would have been wrong I'll tell you guys when we're a few days away from the release So combined with what I've been told This comment here to indicate that big screen leak was also told that the date was changed and then as well as another Follow-up with the person I'm in communication with giving me a more better understanding of when the trailer exactly is coming This trailer was pushed up. It's still coming this month But it's coming sooner rather than later in the month because that's when it originally was coming It was coming later in the month and that's all I will say But I'm certain it had to do with the fact that this leaker was leaking things So they want to be ahead of the leaks and want to Make it seem like they're in control and not the leaker and not have people thinking that what the leaker said is legitimate So I do believe that what you will start to see Closer to the trailer as well one you'll see the runtime start to pop up online of what the trailer length will be to You will also see maybe them doing those red blood blood droplets once again from the official screen Twitter account But we'll see what happens because the trailer. Yes, it's still locked in to release this month It's just coming sooner than expected. So on this next topic Just talk about found this nation's shout out to this user on Twitter Omni for tag me in this for this next bit of news So Devin saw what was asked about doing a legacy sequel to found this nation on Twitter a User wrote if they wanted to do a legacy sequel and ignore the others Would he be down and Devin responded with a simple? Yes. Now, I'm all for legacy sequel to this film But I do not think it's necessary. It's also not something that's happening What's happening as we know is we currently have a new final destination movie to expect in the near future. So How would a legacy sequel if it were happening work though? Maybe you set the movie 20 years later from the Paris incident if it's ignoring everything that's happened after that first movie You could set it maybe 20 even more years later from that Paris incident Carter was killed by the sign and Alex and his girlfriend have been dodging death for the past two decades And we get to learn about this during this new tragedy that also draws in several targets for death to attack and for us to follow Given that it's a feature-length movie. Now a life like that does sound very stressful And of course, it's probably impossible to cheat death for 20 years straight But hey, I'm willing to imagine that if they can execute right in it And I know a lot of you would eat that up to if they were to somehow do a legacy sequel and We come back with Alex and his girlfriend and we learn that for the past 20 years Since that Paris incident they have been ducking and dodging incidents related to death and maybe they even have some bad reputation about Being angels of death kind of like how what's what you hear about with Sydney and scream for maybe they literally are angels of death Because everywhere they go everywhere they go Tragedies happen people die, but it's never them. I mean that could be a really good legacy sequel concept But of course it's not happening, but if it were to be executed, right? I'd be down for something like that Let me know what you guys would like to see for a legacy sequel to Final Destination if one were to happen Because Devin Sawa says he would be down for one now just to jump into Jeepers Creepers reborn Jeepers Creepers reborn has done what I thought it might and that is the fact that the film has made more money Internationally then domestically here in the States the movie has also collected over five million dollars at this point And it seems to be on its way to earning six million in total for a theatrical release project I don't believe this includes some home media contributions just yet So that could add to this number in the future if not already The reason I'm bringing this up though is because it is quite sad that again they handled for the way that they did Michael O'Hovins infinity films apparently has rights to make the movies while myriad pictures was supposed to have rights to Distribute the movies they did not go about doing this correctly They went straight to screen media that is why they resulted in that lawsuit that they had and I believe that is also Why the movie took so long to promote itself market itself and then finally ultimately We got that cheap marketing for like a month and then the movie came out and it was just gone So hopefully they can get back on the same page If that's what it comes to hopefully myriad pictures and infinity films and they could put water under the bridge and put Out a quality fifth movie then so be it and this movie Hopefully will occur in the future with Jonathan Brick back and if we get to tell a story that set 23 years later without Tricia at the center of it then so be it but if you Well, what you really need to be doing is finding the appropriate talent meaning people passionate for horror and someone who can pin a terrifying story not someone like Teemo who clearly Judging from watching that movie has no understanding of how to build tension How to really set in any real sense of terror or dread or unease with anything going on on screen Nothing in on on the screen of the film or on screen during that film was intense It was none of it was terrifying none of it was even remotely nightmare fueled It was just very dry and bland as a supposed horror movie. So That's all I have to say there as far as Jeepers Creepers were born just to conclude this by talking about saw X Viewer and on tweeted this a few days ago or a day ago He said that it's early, but I've heard from a few people saw X is shaping up to be a surprisingly good sequel Neck and neck with the franchise is best to me the franchise is best or saw and saw two messages me I know some people will add to that list, but I think some of the franchise is best or down to two saw and saw two Saw three. I would say it's probably close right there behind them. Now. It's early Again, like he said, but he's heard from a few people saw X is shaping up to be a surprisingly good sequel neck and neck with the franchise is best The film from what we know is currently filming so I can take this as those involved They're just pleased with what they have shot and going back and rewatching They're pleased with what the movie is turning out to be so why wouldn't they be pleased with this at least everything seems to be going Well, but hopefully their sentiments from what we were done is hearing will end up being the general public sentiments when this movie releases Next October or this upcoming October because saw X again My biggest hope is that is able to be a proper send-off to the character of John Kramer Tobin Bell can stop returning to this series And if saw X somehow allows them to open the door for future for a future return of this franchise without Tobin Bell's presence Then I will be down for that But I think that this is your one last goodbye to the franchise if if it's not successful It's their one last goodbye And if it's a good goodbye, then that'll be even better But let me know what you guys think about this down in the comment section below if you haven't already course Make sure you subscribe turn on post notifications that you never miss a video in the description I will have links on my social media accounts. I am on Facebook Twitter and Instagram You can message me there, of course Let me know is there any movies news or views like me to cover in the future and with all that in mind guys I will see you in the next video