I know I did it. I finally did it like a year too late because it's a new year now and cats has been in theaters for a few weeks But I finally saw it. So the big question is did I like it? Well, all I have to say to that is strong I'm Kleece grimes 82 and if you know me if you know anything about me you would have said Kleece this movie's right up your alley like a cat like an alley cat And it's true.  I should have been this from day fun. I should have been this at day two I should have been this at 33. I should have been a lot more. I should have been this movie at a day five But I definitely Definitely went out to the theaters and paid my own money to see cats Definitely paid money to see this and did stay at home watching on my laptop on some sort of a third-party Ski-Bee streaming website. I'm sure there's plenty of garbage YouTube videos You can watch that they just rip it a new one, but that's not me. That's not what I do and I'm gonna leave it at cat I want to first start off by listing off some of the actors in this film by doing a little cat call Jennifer Hudson Judy Dench Taylor Swift Jason James Corden rebel Wilson Idris Elba and a clouder of other actors sign up to embarrass themselves for our amusement And I can't thank them The visuals in this film are nothing short of astounding and nothing tall of frightening first off Chris stop I like that the cats are mostly naked by mostly I mean fully naked, but you can't see some of the private parts Even though the women still kind of have breasts and that's weird and uncomfortable And I love it because it makes me question everything I know about my sexuality. Maybe I'm a furry haha Maybe all along it was a fever It's kind of weird think about a cold sweat I threw my hands in the air said to show me something He said if you dare come a little closer There is more raw Sexual tension in this film than my time as an altar boy I mentioned that some of the cats are naked because some of them also have a tire on some of them also have cat tire on Judy Dench wears a fur coat Looks like she's wearing a cat coat because it's the same fur as she's wearing So either she shed that herself and then fashioned it into some sort of a wardrobe Or she's wearing a cat fur of a fallen friend.  That's why I like cats. It's not trying to be something good. It's not trying to make sense It's not trying to have a story. It's just being Why can't a movie just be just try liking a movie that's just being sometimes just try liking a movie That's just being and like I stated this movie has so many great actors in it's so many wonderful characters It's really a catabration of all the fun variety. We get my favorites are as follows Skimble shanks buster for Jones Rumpel teaser Jenny and the dots Macavity Rump-tump tugger all aboard On me Grisabella Mestopolis if they make me when they make the cats to two cats to cradles I have some more names. I want to throw in the mix such as Twizzler dicks young canopy candle wax fanny pack Cheshire skank toys for taints slave one and of course Rob Schneider I think my favorite character in this is James Corden as Buster for Jones. Who doesn't love James Corden? He's like the funniest guy to ever be just ever.  That's two hours of cats on the street cats on the beat and definitely cats in heat and I was one of them If you're wondering what the plot is let me break it down for you as best I can because I honestly only made it about 45 minutes in before I start fast-forwarding. I mean Watching the whole movie in the theaters Victoria is the main pussy cat that we're following and she's trying to make it to The Jellico ball. What is the Jellico ball? You may ask and ask you certainly have That's as much as I know of the plot really It's just song after song kind of mishmash together Oshkosh bagosh blending mixing morphing into this amalgamation of dance and fur and In this sensuality and these these people cats Just kind of rubbing up on each other and spinning and twisting and jumping and hopping and playing and pervin and Slapping and spanking and kissing and blowing and sucking and cucking and everything that you want from a movie called cats That's PG for the whole family to enjoy. It's not really about the story It's about the journey and it's about the technology We've made along the way and what we can accomplish today with making scary creepy shit. That's just haunting Wonderful another bonus to this unending amount of praise I've given is the music which is hard to pass up on every song is a treat Every one of them overseas. They're welcome about four minutes and I can't get enough of them I've made my own songs based on the the kind of the beats that they have kitty cats kitty cat gumby cat paw Itchy cat bitchy cat fishy cat crawl Jellico helico sexual raw singing song kitty dong furry catch long There's honestly more singing than there is talking which I love which is great which I love which is great There is so much music I could barely catch my breath in between songs the only saving grace were the ads that were unskippable that came up every 20 minutes during my stream of the film. I mean Hey, Barry Hey, Barry, can you cut that part out?  I don't want people to know that I want to give the illusion that I'm paying for this film and that I love it. Okay, Barry. Are you listening strawberry? Hello Strawberry I only have one hang-up and I think a lot of the t-swift fans are gonna have the same one And that is that Taylor's not in this very much. I wanted to see Taylor Swift's pussy in this film I wanted to see Taylor Swift's pussy cat in this movie and I was I was bummed out She does get a feline tastic number though about the cavity How do I know it's about the cavity because I think that's literally the only word she says in the song Cavity macabre de macabre de macabre de macabre de cat Macabre rap macabre de macabre de Cavity macabre de macabre de chip and if anything I am underselling what I'm about to say But I think that this is literally one of her best songs I'm just honestly shocked that cats hasn't won any awards as far as I know so far I can only hope that it gets an academy at some point down the road It should win for acting by by putting the actors through whatever this was It should win for music because it's never ending and makes your ears bleed and your eyes and your ass Gives you diarrhea. So with that I did you cat do Who's that beeline over there macabre de cat macabre de cat Whiskers and the grays all over his hair macabre de cat Cavity's hurt macabre de cat macabre de chat Cavity macabre de macabre de cat


So, we have done basics of circuit analysis whatever is required till now, now we will talk about few rules, once you know these rules and whatever basic things which you have learned once you combine all this you will be able to analyze any circuit, these rules are called Karchov school, right now have you learned this in class, so you know Karchov, so now you should not leave because these are very way straight forward you know rules, write down there are two rules, the first rule is Karchov's junction rule, what is the junction? Point where? Can this wire have a junction? If you bend this wire like this, is there a junction here? There is no junction, you need what? Two wires, one wire is here, one wire is there, this is a junction, I mean this is what is junction in physics, you may disagree, so draw this diagram first flow, so this is at the junction, so write down junction rule, the junction should be equal to coming here is current, so these two current if they are coming right now this is I2 and this is I3 and that is I4, so what is the relation between these three currents, four currents, as in I4, I2 and Cs, so it saves the potential in the loop you will not be able to understand what is going on, okay, let us try to apply Karchov, you have this R1, this is R2, this is R3, see if we not solve anything we will just write down the equation, okay, suppose this is I current coming here, I current comes here, what will happen to I current, some current will go there, let us say I1, here I was there, how much current will go there, so see inside this junction is I, why you have drawn like this, because when you are in potential you go from there to there it is minus, so you have to specify which direction in the loop you are moving, so this is seen there are two loops, for this one start from here for this loop, okay, you want me to do this one, okay, I will do this one for you, suppose this is point number one, all of you pay attention, this is point number two, this is three, this is four, okay, this is five, this is six, I am moving along this loop, the first loop, so what can I say, V2 minus, is this potential is same as four potential, V4 minus V6 is gone, and seven equals to one, so I can write down this as one, I just use this potential, what else, five, there is five, see I have not, yeah I can take it, I can take it, that becomes, okay, you get this and that, also minus V minus IR1 minus IR1 R3, this is what Kirchoff's loop rule says, sum of, this is algebraic sum of changing potential, when you move across, so when you go from here, so V minus IR1, then you go across R3, what is changing, so there is anything else, no, so V minus IR1 minus IR1 R3 will be equal to zero, for this one, second loop, what will you write, is this minus or plus, right, so that is the, I am going from lower potential to higher potential, okay, now what, guys, listen here, now if you travel across R2, what will be, so you have these two equations, when you solve it, you get the value of I and I1, okay, so VB will be lesser than VA, yeah, so VB minus VA, no I am not doing VB minus VA, I am going like this, so I am doing VB minus VB actually, because current is going, so please write down the potential, write down, see this will take properly, write down few rules, when you are travelling along the direction of current from the resistance, the change in potential will be minus I into R, where I is current and R is resistance, right, so these things thinking too much on these small things, okay, just remember it, if you moving along, if you travel from negative potential, if you travel to positive potential, okay, if you travelling from negative potential to positive potential, changes plus E, changes plus E, are you getting any potential to negative potential changes, okay, if I am in the first circuit, first loop, loop number one, you travel through R1 along the direction of current, then change will be minus VA, changes minus I into R, that is what it is written, minus I into R, okay, okay, okay, so V minus I into R1 minus I R1 are 3 is going to be zero, you can do the third loop becomes limited, you will get some of the 1 to 2 from here to here like this, then it is also against the direction of current, no, it is intersection of current But it doesn't matter because you are going from negative potential to positive potential. It should be plus 3 and going like this. So it should be plus i1 into R3. Which equation? That's one. That's one? Yeah. That's one. That's one? Yeah. That's one? Yeah. That's one? Yeah. That's one? Yeah. That's one? Yeah. What's the group? Don't write the third equation. That's what I'm telling you. Third equation is nothing but some of these two equations. Okay? But anyway. So we'll do that in next class. That's it for this particular class. Okay? So we'll change on Kirchoff's rules and then we'll take up the experimental part of this chapter.


The Hawkeye isn't as sexy as jets, and so people don't talk about it as often. But once I learned the mission set of the Hawkeye and what we can provide for the entire strike group, it was very appealing to me. We need all five crew members to perform the mission. And the front end, as a pilot, it's pretty challenging aircraft to fly in itself. We have an 80-foot wingspan, so coming in to land, you have no more than four feet off of centerline. In the back end, using the radar, we're setting up the systems so that we can provide a good picture for any of the fighters or the helos that are airborne, as well as all the ships in the strike group that are working with us that day. As we're out supporting the drawdown in Afghanistan, we are working with the Air Force, as well as the Army and the Marine Corps on the ground, which is a really unique mission to be a part of in this time in history.


Testing, testing, one, two, three. Hey guys, welcome back to my channel or welcome if you're new. If you don't already know me, my name is Sam. I am a licensed hairdresser. I filmed a video here once before. Whenever I have friends over, the kitchen island in my apartment is just where we all congregate. We gather around the island, we make ourselves some drinks, we play music, we just talk. So I thought this would be a fun place to record like my more chill laid back videos because it really just feels like you are here hanging out with me, you know? Like just one of my friends. And I know a lot of you guys really liked that last video I had did here. So I thought let's do another, make ourselves a drink and share some stories. I've done tons of story time videos in the past on my channel, sharing bad experiences that I've had with hair clients in the past.  That is not the case. That's not the purpose of these videos. I just know from personal experience when you are in a situation with a client where either you messed up their hair and it's your fault or there was just some kind of miscommunication or maybe they're just like a problematic client for whatever reason. It can completely ruin your day or your entire week. So in the moment when it's happening to you, it's a terrible feeling and you feel very alone. And you can have 100 amazing positive appointments that go really well and then you have that one negative one that makes you question everything. So I like to share these experiences so that you know you're not alone if this ever happens to you. It happens to everyone. And hopefully by hearing about my experiences and how I handled the situation and what things I learned moving forward from that, it can kind of help you learn a little bit as well. So learn from my mistakes. I'm gonna make myself a drink first. I don't know why. I thought having an alcoholic beverage would just lighten the mood and I don't know, make this more fun. By the way, I am recording with my external microphone so I'm hoping that the audio is better because I know it can be kind of echo-y in here. So let me know if you notice the difference with the audio, what you think. We're just doing Hornitos tequila with some Sprite. If you know me, you know I love a good espresso martini. But I didn't feel like making one of those because I've had a lot. It's a little ASMR of caffeine already today. And the last thing I need is an espresso martini, so. One thing to know about me as a hairstylist is I definitely am a people pleaser. Like I want to give you the hair that you want. And I also really like to educate people. So whenever a client would come in for an appointment, I like to also teach them about their hair. Teach them how to take care of it, how to style it. And if they're interested, you know, I'll explain to them what I'm doing and why I'm doing it that way. And I feel like it just really shows your client that not only do you really care about what you're doing, you're passionate about what you're doing, but you know what you're talking about. You're educated in this field. So this client had reached out to me on Instagram. She saw a photo on my page of a color correction that I had done. I specialize in color, but particularly blonding and color corrections. That's what I love doing. Normally for a color correction appointment, I would have the client come in and do a consultation so that I can take a look at their hair, possibly do a test strand if needed.  See if the hair is healthy and strong enough to handle lightning. Because if someone's coming in with natural virgin hair that has never had a chemical process done to it before, then usually you can color it no problem. And you can predict pretty closely what the results are gonna be. It's much more straightforward. But when someone has previous color in their hair or any kind of previous chemical treatment to their hair, you know, at that point then it's considered more of a color correction. More has to be taken into consideration. More goes into it. It's not as straightforward of an appointment. Sometimes it can take a lot longer. It requires more steps and more skill. But this client for whatever reason wasn't able to come in for a consultation. I can't remember if she lived kind of far or what the situation was, but she sent me photos of her hair. Her hair naturally was a dark blonde to begin with. And then her ends were like warm yellowy golden blonde. And she wanted to bring everything up higher. She basically wanted her hair to look exactly like the photo of my other client. That should have already kind of been a little bit of a red flag to me. It's one thing, I mean, I always recommend everyone to bring in inspiration photos.  As inspiration to help you communicate with your stylist what it is that you are looking for. Because you can say that you want to be a particular tone of blonde, but the way that you envision or interpret that tone could be totally different from the next person or from how your stylist interprets that tone. But every so often you'll get a client that like hyper fixates on one particular photo. And you can tell the difference usually between, hey, this is something that I like. I'm using this as inspiration, but I understand that it is just inspiration and that it's not a copy and paste. I understand that this is a still image and it's gonna look slightly different on me when I'm moving around because color looks different in different lighting. It's also gonna look different depending on your hair texture, depending on the way you have it styled, depending on the color of the clothing that you're wearing. Versus a client that's like, I want this exactly put it on my head right now. I want my hair to look exactly like this picture. And even if you deliver and you give them basically exactly what's in that picture, same process, same formula, same everything, they don't understand that this is a still image and it's gonna look a little bit different when you're looking at yourself in the mirror. So that should always be a red flag. When she came in and she even told me this when we were DMing when she booked her appointment, she told me that her hair was a little bit dry and damaged. And I had explained to her that, okay, depending on how damaged it is, when you come in in person, that's gonna limit what we're gonna be able to do with your hair. We'll see when you come in what we can do. Once she came in, her hair wasn't terrible. Most of the damage that she had was just on the ends and really just in the top layer, but because her hair was already previously bleached and because there was a little bit of damage, I wanted to be as gentle as possible. So I'm not gonna hit her with like super, super, strong high volume developer. I think I did maybe like 15 and 20 volume just so that we could minimize the damage as much as possible. Now I have to take some responsibility because I do remember on this particular day, I was just having a really, like it just was not a good day for me. The client that I had before her, I ended up running a little bit behind because her toner was not taking right. And it's just, it's amazing how you can have so many days in a row where every single appointment is going perfect. Everyone's color is taking right. It's just all going so smoothly. And then you'll have a day here and there where it's like every appointment that entire day just seems to be going wrong. And you're like, what, why, why is this happening to me?  So this was one of those days for me. I was just feeling like very flustered because like I said, I was running behind with the client that I had before her. Now I still killed it with the application and with everything that I did. I know I mentioned her hair was a little bit damaged.  No, I did not. The application was beautiful if I do say so myself. Everything with that went perfectly. Her hair processed beautifully. There was no damage done. But where I did kind of mess up, which for me it's a mess up because I like to be very thorough with my clients. Like I said, I like to educate them as much as possible. I like to be very thorough with my consultations. I really wanna make sure that we are completely on the same page and they fully understand what they are agreeing to, especially when it comes to a color correction. They have to understand that I'm gonna do my best to give them what they want, but because it's a correction, there is no guarantee that I can give them exactly what they want in that one appointment. It might take multiple sessions, but because I was running behind and I was feeling kind of flustered, I wasn't as thorough with my consultation and I wasn't paying attention to all of the red flags. So like I mentioned before, she seemed very hyper fixated on this one photo, this one inspiration photo. She also was telling me how she's had a very hard time finding a hairstylist that she likes and that can do her hair right and the way she likes. That is always a red flag too. When I first started doing hair and I was more naive, I used to take that as a challenge.  But majority of the time when someone is telling you that they've been all over to so many different stylists and they just can't find anyone that can do their hair right, it's because there's something going on with them. It's not that they can't find a good stylist, it's that they are impossible to please. Like 95% of the time I would say that is the case. I have had some clients where after their appointment they're like, oh my God, that was amazing. I've never had someone explain to me what they're doing before or I've never had someone actually listen and take the time and da da da da. But if they from the beginning are saying, oh I've never found anyone that can do, usually that's the red flag. But yeah, I just wasn't picking up on these things. I did still do a consultation with her but I didn't explain, hey, I just wanna make sure you understand that this is a photo and especially when we're talking about super light blonde hair, whenever you have a client that wants to be like a white blonde, you have to have the lighting conversation with them. Sometimes it's gonna look super, super white. Other times it's gonna look a little bit more of a like natural yellow blonde.  If you're wearing all black, it's gonna look a lot brighter and lighter as opposed to if you're wearing all white, then it's not gonna look as bright. I should have had that conversation with her but like I said, I'm just kind of rushing, I just didn't really have the time. I didn't even think to have that conversation because with some clients, you don't have to break all those things down because for some people that stuff is common sense but for others it's not and you need to explain that to them. She was one of those clients clearly that I needed to explain that to. After her hair was done processing, I brought her over to the sink, pulled out all of her foils, shampooed her hair and then I told her to stay at the sink that I was gonna go get her toner mixed up in the back and that I was gonna be right back. So I'm mixing up her toner, I come back out to the sink and I see her laying back in the sink and she's using her phone, like the camera on her phone as a mirror and she's trying to look at her hair. Bind you, her hair is all pulled back in the sink, it's sopping wet and untoned and she's sitting there trying to look at it which should have also been a red flag to me. I mean, I understand it was her first time coming to me so I understand that you're not gonna automatically trust someone and you're gonna be curious, you wanna see what's going on throughout the process but for future reference, your hair is probably gonna look crazy throughout the process until it's actually finished. So I mean, if you wanna take a look at a curiosity, fine but I wouldn't start panicking until the stylus is starting to blow out your hair and you can see the finished product dry. So yeah, she's sitting there looking at her pulled back, sopping wet, untoned hair and she's saying that it still looks the same. Also, I did some little tiny baby lights around her face, that's what she had asked for and baby lights are very, very, very fine highlights. When they're wet, they pretty much disappear and you can't even see them because that's how soft and fine and teeny tiny they are. But once you dry the hair, it's super bright and you can see them. So she's laying back there, she's telling me that her roots still look very, very dark and that her hair doesn't look any different. Mind you, this is a picture of what her hair looked like during the process. I did not leave a single strand of hair out of foils. I foiled her entire head and it took me, did I say in this picture? Oh, I didn't say. Sometimes in my posts, I would say how long the entire process took. It probably took about four hours because normally when I do a full head application like that from start to finish, the entire appointment would be about four hours. So it's usually like, depending on how much hair they have, it's like a full hour at least of me just straight up foiling, like just applying the product. That's how much I'm using. And I went back and I like remixed multiple times. Like she saw, I was using a lot of product on her hair. So she saw me busting my ass, standing there doing this, painting on all that bleach for an hour at least. She saw how many foils were on her head. She saw that nothing was left out and she thinks her hair doesn't look any different. You think after I did all of that, it was all for nothing?  But you know, I was explaining to her what I had just said about the baby lights. Trust me, we did a lot of product, it sat for a long time, it doesn't look different to you now from this angle because your hair's wet, we haven't toned it yet, you have to kind of trust the process. So I applied the toner, I let it sit for the full amount of time, then I bring her over to the chair and I just started blow-drying like one section in the front so that she could see the color. That is a tip to all of my colorists out there. I do this with all clients, no matter what but especially if you have a client that's like, you know, kind of doubting you or not really sure or whatever or even if you are not totally sure if the color is what they wanted. Just blow-dry one section in the front so that they can see what the color looks like while it's dry and they can see it, you know, in front of their face.  It'll save you a lot of time and work.  She didn't like the yellow.   So I like to mix in a little bit of like beige in my formula just so that it will stay bright. Like I said, I can't remember exactly what my formula was but it doesn't really matter. Either way, it was not yellow, okay? Also, I am a very honest stylist. I know I'm like, I'm the best hair stylist in the whole world. Obviously not, okay? You know, like obviously I make mistakes too and I'm not perfect and, you know, everyone can always improve and get better but I genuinely try my best to be the best that I can. And I always try to be super honest because I really take a lot of pride in my work and in my appointments and like the experiences that I have with my clients like I want them to feel good when they come to me. I want them to feel like they can really trust me. So I'm always honest. And there have been multiple times where I'm blow-drying a client and I notice something that's not looking right. And a lot of the times the client doesn't even notice it themselves but I notice it and it bothers me. And I'm not gonna just let them leave if I feel like there's something that needs to be fixed. So there's been multiple times where I will point something out and I'll be like, ooh, I think we should re-tone or oh, I think we should do a little bit of a root smudge here, this one little spot isn't as blended as I would like it to be or whatever. Like I very much am a perfectionist when it comes to my work. So I'm blow-drying her hair. I think it looks beautiful. It's a very nice light, beautiful blonde, very similar to the client in the photo that she originally had liked but she's telling me that no, it looks yellow. So I gave her a hand mirror and I was like, okay, let's step outside and look at it in natural lighting. We had like overhead fluorescent lights in that salon. It was not the best. So she goes outside with the mirror and she's looking at it and she's just like, no, it's ugly yellow. This is not what I wanted. This is not what I asked for. It doesn't even look different. So I'm like, okay, I totally understand. That's no problem at all. We can re-tone it. I'll just make the toner a little bit cooler, a little bit ashier and we can knock out any bit of that yellow that you're still seeing. I go to the back to remix my second toner. When I come out, she's holding up the picture of my client from my Instagram page, her inspiration picture. And she's asking if what I did on her is the same thing that I did on the client in the picture. And I'm like, yes, it's the exact same process, very, very similar formula. Then she's asking me if it would have been better if I didn't use foils. If her hair would have got lighter, if I didn't use foil, maybe I shouldn't have used foil on her hair, she said to me. And again, I still throughout all of this, I kept my cool, I kept it super professional. But oh my God, let me tell you at this point, I was like, I wanted to, first of all, if you know anything about hair and hair color, when you put hair in foils, it insulates it. It keeps the product from drying out so that it continues working. It also helps keep it nice and warm. It conducts heat so that the hair can process more. Hair is going to process more and it's going to get lighter in foil than if you let it process in open air because the open air, it's gonna do the opposite. It's gonna dry it out, it's gonna get cold. It's not gonna work as well. And I did really, really thin foils. Like that is just like my go-to technique. That's like what I'm known for. That's how I am able to do these big transformations in one session is by doing very, very, very thin, fine pieces in the foils, which is what's gonna get you like the most lift, the cleanest, most even lift. I do this for a living, don't you think? Like she just said it to me as if like, oh, wow, duh, why did I think of that? You're so right. I should have did it that way instead, like no. So anyway, I do the second toner on her. I blow out her hair. And then she asked if I could style it the way that I style majority of my clients' hair in all of my Instagram pictures, which is like, you know, just the typical like loose, soft waves. So I do that and what I'm doing the style I curl each section and I leave it curled and then I hairspray it, I wait for it to cool and then I go through and I comb through it with a wide tooth comb to soften it and make it, you know, the soft, loose waves. As I'm curling her hair, she's saying to me, can you make it softer? This isn't what I asked for. These aren't the same as in your pictures. Lady, I'm not done. I'm literally in the middle of curling your hair. Again, this is what I do for a living every day. Talk about not trusting the process at all. So I finish, she was, I guess, pretty happy with it, but she still did not understand the whole concept of like, your hair is not gonna look beaming white in all kinds of lighting. And at this point, after I had to do the second toner to like tone it down and make it a little more ashy, like I said, ashy tones aren't as bright. They don't like radiate light as much. So they look a little bit darker almost and like a little silver as I'm adding everything up, which again, even with prices, I'm very thorough about that. And I discussed price during my consultation at the beginning before we start anything. So I had explained to her, okay, we are doing a full head of foils. This is what the starting price is. And then for any additional bowls of product that we need, it's gonna cost, you know, this much more. So I gave her a range, because you never really know 100% how much product you're gonna end up needing by the end. The price at the end was within that range that I had originally told her at the beginning during the consultation. And I did not charge her for the second toner. So then she's like looking at everything added up and she's questioning the price and asking me, what's the extra product charge for?  But come on now, we literally discussed the price at the beginning before we started. And the reason I do that is so that people in the end won't be surprised and they can't try to act like, oh, that's more than I was expecting or oh, I can't afford that or whatever, whatever, you know?  Like we have to be on the same page fully and agree to, this is what you want, this is what it's gonna take to get you there and this is how much all that work is gonna cost you. Also, mind you, she pulled up in a super fancy luxury car. I don't remember exactly what it was. A Range Rover maybe, I don't remember now, but I do remember thinking like she literally had an expensive luxury car. Why isn't always the people that pull up in expensive cars with designer bags that are heckling you over the price and being cheap with the tip and stuff? I guess that's how the rich stay rich, I don't know, but yeah. After all of that, she was trying to give me a hard time about the price, but I was like, you know, this is what we discussed at the beginning. The extra product charge was for all of those extra bowls of bleach, which you saw me go back and have to remix. And every time I will say, I need to remix, we need an extra bowl. I'm gonna go mix up some more. So that way they can keep track and they know I'm not just like, just trying to raise the price for no reason. Oh my God, that was so frustrating. But in the end, I mean, I think that her hair came out really nice, especially considering that she had previous damage. It was the best we could do, the lightest that we could do in one session. You know, sometimes you have to realize as a client, it's sometimes gonna take multiple appointments for you to really like get into a groove with your stylist. And before they really start delivering the hair that you want because it takes time to get to know someone, get to know their hair, get to know their preferences. And especially if you're coming in with a correction situation, I'm not starting from scratch. You know, I have to fix something that was done already by someone else. So really the result you're getting after that first appointment is not even really fully like my best work because it's a combination of what you already had from someone else, plus what I was able to do to try to fix it. So you have to like, you know, sometimes it takes a few sessions before you can really like get on track. These kinds of situations are like few and far between, like they're not the majority of clients. Most clients are super sweet, super understanding. It usually goes very smoothly, but then every so often you'll have someone like this and it's just very draining. I always say the hardest part about doing hair is not actually doing the hair, it's dealing with the people. If you're interested in getting into this field, I hope this doesn't discourage you, but I think it's good to just be aware and kind of like be prepared for these things. Know what to look out for.  But yeah, that is my little story time. If you liked this video, please give it a thumbs up. It really helps my channel out a lot. I still have quite a few client stories to share. So if you like these videos and you want me to share more, let me know, give this video a thumbs up and I can share some more soon. I'll see you guys really soon in my next video. Bye.


Mr. Chairman, Mr. Secretary-General of the ITU, heads of delegations distinguish delegates your excellencies, I would like to thank the government of the United Arab Emirates for hosting this prestigious event and for the hospitality extended to me and my delegation. It's indeed an honour and a privilege for me on behalf of the people and government of the Republic of Namibia to address you this morning. Today Namibia has developed a competitive of laws and policies aimed at promoting ICT development, adoption and use. An independent regulatory authority has been established to oversee the implementation of these policies and laws. The Namibian ICT sector has been liberalised and accommodates various players. Your excellencies, as a country, Namibia is committed to connect 2020 agenda and has made great strides in ICT infrastructure development. Our commitment is underpinned by four goals. The first one being that Namibia is committed to foster connectivity and its ICT targets for 2020 as entrenched in our national development plans. Having reached 73% of broadband coverage, we intend to reach 80% of the population of Namibia by 2020 and the 100% broadband connectivity and usage by all public sector agencies in Namibia to allow for e-governance by 2020. We are committed to bridge the digital divide by reducing rural and urban gender and rich and poor disparities. This is embedded in the broadband for all principle. Namibia's 100% coverage project is aimed to stimulate infrastructure development to provide internet, mobile and digital television services to all Namibians. Namibia prioritises universal service and access and the provision, the three pillars of accessibility, affordability and quality of services are imperative to support universal ICT services. The provision of ICT services comes with challenges of cyber security and increased e-waste. We are in the process of finalising a responsive legal framework so as to address cyber security concerns, thereby ensuring safe online services and e-waste management. This will ultimately minimise the impact of e-waste both on the environment and also on human health. The ICT sector, your excellence is evolving and requires innovation to unlock the opportunities for socio-economic development. We are focused on youth innovation to shape the future and nature entrepreneurship through the use of ICT. Mr. Chairman, allow me to thank ITU for the continued support in the area of ICT development through their assistance to Namibia in the process of reviewing our ICT policies and legislation. This process will allow Namibia to make even more progress in the ICT sector and attain the set goals. I wish you all the success in this important deliberation. Shukran Jazilan.


I apologize for that short break. We're back, of course, to continue these discussions. We would have to very likely reschedule the conversation with the Anambra State Police Public Relations Officer, who is currently on site at one of the crime scenes in Newey, that of course were meant to be discussed, and very likely will bring that conversation up tomorrow. So we can get a very, very robust conversation with the Police Public Intelligence Officer in Anambra State. But Boston Deirakbe has joined us now via Zoom. Good morning once again. I remember the last time I was here. This is the typical case in the past. Okay. Now, so let's continue the conversation, and let's move closer to... Well, still in Anambra, let's go to Newey now, where, of course, there were reports that the DSS facility and the FRSC office were both attacked and set ablaze. There's still no confirmation about casualties, if any, or how many they are. But this, once again, is just pure evidence of how deadly these persons are and how weakened the security agencies in the southeast are currently. How is this not, you know, shouldn't the whole of the southeast currently see that they are in danger? The southeast have seen that they are in danger since now. They have seen that they are in danger today. They have seen that they are in danger a very long time. In danger, a very long time. So they know they are in danger, you will tell me. So if you see the southeast, you see that they are in danger. The southeast has already seen that they are in danger. So I don't think that's what we should be looking at. They know they are in danger already. They know they are in danger already. Glucose. They know they are in danger already. So what we should be looking at right now is that the South East move forward in this sort of environment. That's what I think we should be looking at. How do the South East move forward in a secure environment? The South East knows they're in danger. Now how do they come out of this danger? It's not we should be addressing. You are saying that they are not only attacking the police or commissions or LSDC as we know to be. They have proceeded to attack the units of the government which is the Department of State Service. Now this attack has proceeded to their offices to attack their facilities. There is not about this again. How do the people in that region live safely? I'm talking about safely. How do they live safely and secure? What measures are the government going to put in place to secure their citizens? They are shown by things to protect. And who are the citizens the government wants to protect in the first place? Does the government even know these people? That's all that is. Does the government even know these people? That's all we should be looking at. They don't even know who they want to protect and who they are supposed to arrest. So these are the things to be looking at. So I think the government should go back to the drawing board. Sit down and properly construct an idea that we have them to protect the South East now that it is just starting. Number one is this. I repeat, every South East that is appointed by this administration of President should be redeployed back home. What kind of conversations would you say that they should be having with whoever it is that is willing to listen to them in the ranks of the IPOB and these criminal elements? Whether it is IPOB or whether it is criminal or not, these people are politicians from that state. They are very big. They have control of most of the youths. They get the votes. Isn't all the youths that vote for them? They should go back to these people and give them their votes. That is their job.  So they should go back to that as they come from. Here they have a lot of influence. And now, with life you are influenced on behalf of the federal government that are appointed there. Because we do men between the federal government and these places where you come from, you are a federal body by a federal government and an individual by debt or whatever that means. So that is what I expect the federal government to do. We employ every minister. We need from the minister of labour productivity. We employ him now. Back to his community. Let him go back to Rana Brastit. The minister of labour in Rana Brastit. Go back to Rana Brastit and see how to settle this problem. The minister has a strong hold. Not only him. Every federal government appointee, especially, I am working on the ministers because they have more federal relationship with the presidency that works. They have more federal influence. We know even much more than the senator in terms of the federal executive. They are the ones in the federal executive. Let an early other person that is given an appointment at the federal level that is recognized by the president. The other says to the president from the ego speaking region should be deployed back to his locality to go and see how we can come up with solutions to solve this problem. Because I think the police are lost. Now they are attacking the SS. Of course we know that we have heard stories.  Your ambition might just come to nuts before them. So at this point we need people from there to share dual interests. And these ministers share dual interests. By appointing the shared interests of the current government in Nigeria then by being citizens of this locality they share the interests and the well-being of these people. So you see, they are the right people now to be sent back to these places to discuss. So that when they go, they know the people to meet from Kosovo that can call people, that can call people, that can call people, that can call people. They know how to get messages across. They know how to talk. All of them should be sent back. There are some other flesh hours like the command of the Global Aviation State Minister and Senator Odjus Okalo. Odjus Okalo can be sent also to have their seats. Having which people in Nigeria's seats should be sent back to begin to discuss with their people and then go and put a workable solution to the current government. This will minimize civilian casualties. This way we will be able to pinpoint proper solutions that is lasting coming from the people accepted by the current government through their representatives such as ministers as I have mentioned now. That is the best way to leave this at the go. If you leave it for the policemen alone to fight I am not even sure we can fight. If you leave it for the military, I am not even sure the military can do it. What have the military done in the north? Where they left it for them? The police, through their workable, handed over the battle flag to the police in the north. Till today, have they been able to stop Okohara? Instead, while they are there, we are getting more killings and more business coming up. Excellent are coming up and coming up. The military has not been able to stop them in the north. So what makes you think they can do anything in the south? That is one. Two, the military government will not leave the violation of several innocent people's rights, especially women and children. They are right to be violated. So you see?  So the government cannot say they want to use force on them. It will not work. The government should use intelligence. And this intelligence should be used properly. But if the government will want to achieve results, they should deploy every certain senior government at a federal level within his political, within his political place, and talking of those in the same party with him, especially in states where they have strong will, like now, currently they are in a state, a new state is having these issues. So they should do it before I talk to them, to go to the grass, to talk to them about the violence, to go back to the grass, and see how to discuss with the people and come up with a change. Is there any... First of all, people, if this country finally gets defined, they think, look, I do not pray for this country to get so sadistic. I love Nigeria. But example, I'm just being an example, take for instance, if this country finally gets divided, once the current minister of Lebanon, he still remains in Nigeria. If he not come back to whatever place that he was provided, and his environment falls into, and his state falls into, is that not where he will come back? So why not he now be deployed now that nothing has happened so that he can run and show nothing happens? This is how government works. This is what we are going to do now. Let's wrap it up with... Let's wrap it up with your thoughts on what you feel the people of the Southeast, is there any role that they can play at a time like this? Because they are the ones being affected. In certain parts of the Southeast today, it's Monday, they will be sitting at home. Businesses are being affected, lives are being affected. Is there any role that these persons in the Southeast can also play to salvage what they call home? We all know that his major source of livelihood is business that is being affected. You understand me? So it is causing more harm to the West than good. Since it is not the whole Nigeria that is sitting at home, what I want to advise is that these politicians from Apuja Condan, and they are ready to make this, they, whatever the local people are doing, they make sense. But however I like to advise the local people to do this, the women are the major parts that can play role. More specifically, widows, women, they should be the ones that, whatever it is, if they like what is going on, they can still have no problem. But if they don't like what is going on, they should learn how peacefully reach out to these, their children, the ones they can reach out to, and be able to give them business work. This place is mostly peaceful. That is for the ones that are being perpetrated by the entire people in this establishment. I don't want to say anything because I have not seen anybody doing anything. So for the ones that are being perpetrated by the people in the internal, internally in the Southeast region, mothers, widows should stop off and see how to begin to make a cause. If possible, cut out. They have a way to come out. They are women. They have done it before. The Aba women right of the 1921 was part of what we left around the time. So, I think this women from Igbo, Igbo tribe, they have very flesh out where they are living. So, we should be able to encourage the women. If they don't like what is going on, they should speak up for it, but nothing gives their children what they should tell their children now. That's what I want to advance. That's what we need to push in the right direction. I think that is what I want to add. At this point, mothers are very important. Mothers are very, very important. Wasn't there right, B? We would have to wrap up here. Thank you very much for your time, both on the phone and via Zoom also. We always love to speak with you and hear your perspective on these issues. We wish you a very interesting week ahead. Looking forward to talking to you again. All right. And this is where we wrap up the conversations this morning on the breakfast. It's mostly being in the southeast and getting to understand what exactly is going on over there and what must be done. We would have a rescheduled conversation with the Police Public Relations Officer in Anambra State to get some clarity of what exactly happened over the weekend and what is currently being done to secure the southeast. If you missed out on any of these conversations, remember to catch up on our social media platforms and simply at Plastic ReAfrica on Facebook and Instagram. Same with our YouTube channel. I am Osaogi Ongbong. Have a great Monday.


Hi this is Michael Wurst from Rural Solutions SA and we're here today to film the Redmeaton Wall Focus Farm of Greg, Jane and Sam Kellock here at Farrell Flat in the mid north of South Australia. And today the video will explore the livestock technologies that they're using here on the Focus Farm and also looking at the management decisions that they've made and also looking at some of the benefits with using all that technology. For our sheep enterprise we're a pulmarino self-replacing and the aim of it is to produce an ethical animal so it's unmills and we're producing a dual-purpose animal and very much focused on the wall as well as the meat. We were asked to be a focus farm and made the decision that we would. We've always been very open to new technologies and always open to learning new things and networking with producers. We like to share what we do and I think we're reasonable communicators. One of our other key goals is to ensure that we've got good outcomes for reproduction so we've made a decision to go down a bit more precision management so to do that you have to have some technologies to make that much simpler for you. So in 2014 we made the decision to go into EIDs and we put EIDs in all our use our hogots and our lambs. That has really helped us to be able to give us some information to ensure that we're meeting our reproductive targets. The EIDs is only a small part of it. It's what you do with the data management and how you use that data to give you good outcomes is the most important part. Some examples of some technology that we use on our farm that have really helped our business have been fleece testing. We get cousin's marina services to come in and use the OFTA and that gives us the full range of marina tests. So the OFTA has the ability to measure a variety of traits. It's measured the micron so the mean is the mean of all the fibres measured so it's 17.8 micron. Coefficient of variation your CV 16.3 the standard deviations you've got comfort factor which was a hundred percent. You've got the number of fibres measured which is 2694 fibres were measured from that slide so quite a significant number to get that mean figure. We have the length as Joan's spoken about it's quite important for them their operation so that was 65 millimetres. The OFTA also provides us with a histogram so we've got the histogram of that sample. And one of the really important ones for us is staple length because we share six monthly so it's really incredibly important that we have animals that will grow a long staple so that's a vital part of our business. It also gives us a staple profile which is over here so it shows us if there's been any changes predominantly in nutrition or it could be an animal health that has caused any stress to the animal or it could actually be going from a poor pastor to a good pastor. In this example that's quite a stable obviously staple profile but you can get some quite big jumps or dips and that's obviously where you'd get a break in your wall. Another profit driver is fleece weight. Normally when we are fleece testing got someone here shearing and we scan the tag that then prints out a barcode which I then put on the table. When the rouse about picks the fleece up I match the barcode to whatever stand it is and I then scan the barcode which gives us a reading the rouse is put the fleece on the scales and then that gives us a fleece weight. Another key component for us is preg scanning. We have been doing that for a long time and it was one of the key reasons why we went to EIDs because we had use walking around with lots of ear tags so the decision was made that we would go to EIDs to ensure that we were using that data in a more efficient way. We can then manage our twins and single use differentially so for us the most critical component of of your lambing is new nutrition. So to be able to manage your twin news in a way where they're getting the best nutrition is vitally important for our reproduction. So one of the main pieces of machinery I suppose that we've purchased a long time ago was a combi clamp. We've adapted that a little bit to suit our needs but it's very good performing other operations in drenching and vaccinating and crutching. So Greg's weighing the lamb and condition scoring and he'll record that in the scale head and the the tag's been scanned and automatically gone into the scale head so we know which animal it is. That's recorded and then we can let it go. We've just found it a very good unit. It's not the biggest and the best but it's it works very well. We use a few programs at the moment to manage our EIDs and get the information and collect and keep the information. We use stock book and then on a mob based we use agri-web which also we're using to collect our cropping information so all our paddock data. We also use ram select which keeps record of our genetic information for rams as well as it records our DNA testing that we've done from our flock from our u-hoggots which also stores all of that information. With that we can easily see genetic change and the differences that we're having with the choices that we make. Another key tool that we use is a moisture probe and weather station that tells us moisture levels up to a metre deep in the ground and helps us make some really good decisions in for pasture management as well as cropping around fertilizer and those sorts of things. You know for us when we're making decisions about technologies that has to be good for our profitability good for our business but also good for our people so we need to ensure that we're looking after our people so just think new yards will make that much better. We had a look at the auto drafter today which was one auto drafter there's a lot on the market. One of the other items that we're looking at is walk over Wayne in the lamb feedlot and that's certainly an area we think is better for the animal as well as certainly take the pressure off the people as well. So I've done a bit of investigation on some pasture monitoring certainly when we've put drones up over the property where you think you've got really good pasture cover when you put a drone up you realise that your bare ground is a lot more than anticipators. I think there are some really great new technologies out in that space and pasture monitoring is is a huge part of that nutritional benefit for the animal so. I'd like to thank Greg and Jane for their support as being a focus farm and also their input into this video.


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Hi everybody, Joe for jazzy's casewrakes.com with a random number block randomizer for a ton of teams From NT collegiate football Two box picker team number five and we had a little tonight only special right here two extra number block spots being given away So we only sold eight spots out, right? Thanks to Steve mark and Michael jumping in on this. They're like what a promo That's our first dice roll. So let's see top two after four and a four eight times. Good luck. One two three four five six seven and Eighth and final time Michael and mark congrats extra spots go on your way Put little rooftops next to your name.  Let's roll it and randomize it One and a six seven times one two three four five six and seven Michael down to Steve one and a six seven times for the numbers one two three four five six and Seventh and final time after seven. We got four down to two So here's how it shakes out for all of you All right, Michael with four three seven mark with eight Michael five one nine mark with six Steve with zero and two Zero gets any and all redemptions Including one of one redemptions Michael. You'll still get live one of ones a very rare occurrence But it's in the item description. We've got to mention it a little disclaimer. All right. Thanks for watching everybody next video We'll be the break Jaspies case rakes.com