Yes, Roma wines taste better because only Roma selects from the world's greatest wine reserves for your pleasure. And now, Roma wines, R-O-M-A. Roma wines present... Suspense!  Suspense! Radio's outstanding theater of thrills is presented for your enjoyment by Roma wines. That's R-O-M-A Roma wines. Those better tasting California wines enjoyed by more Americans than any other wine. For friendly entertaining, for delightful dining. Yes, right now a glassful would be very pleasant as Roma wines bring you... Howard De Silva as homicide lieutenant Ed Harvey in You Take Ballistics. Cornell Woolrich's remarkable study of the police mind at work, which is tonight's tale of suspense. This time it was night, pretty late. I walked down toward the apartment on the opposite side of the street like I had a dozen times before that day. This time I had to count the doorways. I knew Cas was on the tenth one down from the corner. I knew he was there but I knew I'd never see him. It was too dark and Cas was a lot too smart. Hi, Lieutenant. He made any moves yet? Not a move. How about the back way? No. Peter's just covering that. He'd leave us no. Anyway, you know he's still up there. Every little while you can see a shadow against the shade. There, see? Huh. Hey, look... You got a match? Oh, sure. Here. Hey, Lieutenant, did you get any orders or did we just stick around? Myself, I think he's settling down for the night. No. This isn't getting us any place. I'm gonna make the pinch. Now, come on up with me and see what we got. Sure. Oh, boy. It's good to stretch. My gams were killing me. Yeah, I know. I've done plenty of stakeouts myself. Anyway, it was warm the night. That's a help. Yeah, that's always a help.  What? I think that guy's waiting for something. Or someone? Like who? Us. These wise, huh? Smart. Pretty smart. I don't like it. Yes, sir, gents? Coleman, Clarence, Coleman, take us up. Yes, sir. I need a shave. Nah, you don't look bad. How long has he been living here? Yo, how long has Coleman been living here? Oh, Mr. Coleman? Two or three years. Second door to your...  Nah, nah, nah. No gun. He won't give us any trouble. He's too smart. Your name, Coleman? Yeah. We're from headquarters. Okay. You want to come in or do you just want to talk to me where you are? We want to talk to you downtown, but first we want to come in. Come on in. Nobody's stopping you. Look around, Cat. Yeah, I suppose you guys got a search warrant. I suppose you got a witness that we don't. Go ahead, look. I just want you to know I'm not dumb, that's all. Sure, I know. You're smart. I was doing a crossword puzzle. You don't mind, do you? Right ahead. I want to get that one down before I forget. Cass, you find it? You want a gun? Why, sure. Where is it? Tell them we're looking the bottom drawer of the bureau, and they're under my winter underwear. You hear that, Cass? Yeah. I got a license for it, too. Yeah, you've fired it lately? Yeah, sure thing. There she is, little town. The guys, you don't rub off any prints. I told you we're smart. Maybe too smart. 38, one shell gone. When did you fire it last? Right last night. Why should I lie to you? You're going to give me the nitrate test as soon as you get me downtown anyway. Right last night, huh? Right into Edmund Lombard's body? Wrong. Into the floor. Here. You got all the answers, haven't you? I only know what I know. Can't do better than that for my own brother. If you fired it into the floor, where's the crease? See that little scatter rug? Just kick it aside. See it? I can do better than a crease. If you dig in with your pen knife, you can probably get the slug. Well, let's have a look. Hey, hey, what are you doing that for, Cass? This guy's just making a chup out of you. Maybe, but we better have the slug just the same look, tenant. All right. You take your hands out of your pockets and get your favorite hat and start moving toward the door. You're coming with us. There we are. Okay, by me. You got it? Yeah. It's a 38, all right. By under arrest? What if you got to have a name for it? No, not yet. You're just a guest of the department for the rest of the night. You get the works, I suppose. Cass, take him down the stairs. Will you? I want to talk to this kid on the elevator for a minute. Can you get any more of that gum? Yeah, here. Sure, little chap. There you are.  All right. Yes, sir. You got a match? Oh, sure. I have. Did the gun go off anywhere in this building last night? Sure. His did. Who's Coleman? Yeah. The people downstairs telephoned me, so I had to go up there. He fired into the floor by mistake. He was plenty scared. Hey, uh, he in trouble? Nothing serious. Just a little cling called murder. For Suspense, Roma Wines are bringing you Howard De Silva in You Take Ballistics. Roma Wines' presentation tonight in Radio's Outstanding Theatre of Thrills. Suspense. Between the acts of suspense, this is Truman Bradley for Roma Wines. Next time you buy wine, remember this. For entertaining, for everyday pleasure, more Americans enjoy Roma than any other wine. That's because Roma wine tastes better, yet costs so little. Yes, in Roma wine, you enjoy an important difference and extra goodness in fuller bouquet, richer body, and better taste. To bring you this difference, this better taste, Roma starts with California's choicest grapes. Then Roma, master vintners, with America's finest winemaking resources, guide this grape treasure unhurriedly to tempting taste perfection. Later, along with Roma wines of years before, these choice cuvées await selection from the world's greatest reserves of fine wines for your pleasure. Tomorrow, enjoy the better taste of Roma-California wines. Whether you prefer sherry or port, muscatel or toque, insist on Roma wines, your best buy in good taste. Remember, R-O-M-A, Roma, your greatest name in wine. And now Roma wines bring back to our Hollywood soundstage, Howard De Silva, as homicide lieutenant Ed Harvey in You Take Ballistics, a tale well calculated to keep you in suspense. It was for quite a while, and I've made my shares of a rest big and small. Little punks and chislers and big-time racket men and crazy wild-eyed killers. I never made a pitch better than I liked less than this Coleman. We had everything. We had to make the pinch. And I knew it was going to turn sour the minute I walked into that apartment. And a sour murder rap is something well, I personally don't care for. We didn't take him downtown. We took him over to a little precinct house up on the west side. And we didn't book him. We just tossed him in the back room and let him wait. Lefinger, my boss, got there about 10 minutes later. Do you bring him in? Yes, sir, he's in the back. Here's his gun. He claims it went off into the floor last night by mistake.  Well, he could have framed it that way after he killed Lombard. Yeah, he could have. There's a slug, Captain. Hmm, 38. Yeah. Turn the stuff over to ballistics. Yes, sir. Hey, Cass, huh? Give me a light, will you? Sure. Yeah. Okay? Yeah. Any report on the one they dug out of Lombard? Probably on its way now. Who are these two guys? Uh, the night elevator man that took them up to Lombard's apartment in the night counterman at the lunch room about a half a block away. They recognize them? Positive. Well, let's go to work. Sergeant. Yes, sir? We want to spring these witnesses on them. One buzz sent in the elevator man. Two buzz of the other guy. Okay, Captain. You think you'll sweat? You? Hi, Coleman. Sit over there. Sure. Put the light on them, will ferrell. Yes, sir. All right, Coleman. Suppose you tell us what you did last night. Beginning when? Beginning when you left your apartment. Well, I went out about nine o'clock. Walked over to 23rd and 7th. There's a cigar store there. I made a phone call. Who, too? Edmund Lombard. Oh, so you did contact Lombard? Sure. Did I say different? Go ahead. You know Lombard's racket? You tell us. Collected bets on the nags. Only the long shots, he wouldn't turn in. They never came in anyway. So who knows the difference? Only this one time, I get a tip on one that comes in. Twenty to one. Lombard can't cover. He lambs. I just catch up with him last night. On the phone, I tell him I want my dough. I tell him to meet me in an hour. Did he meet you? I didn't give him a chance. I went up to his place. You went up to his place? Sure. A percentage for me to lie. I know you got me placed up there. So you went up to his place? Yeah. He was already packing. Getting ready to lamb again. He kind of laughed and said, you can't blame a guy for trying. I said, I want my two grand. Okay, he said. You win. He asked me for a receipt so I can't come at him again. Fair enough. So I went out for him in the hotel stationery. We'll wind it up. Let's see how good you can make it. That's all. So he begins unpacking. Figures he might just as well stay where he is now. And I leave. Hmm. So that's how it was. Sure you didn't leave out anything? No. Why'd you leave out about killing him? Because it belongs out, because I didn't.  Oh, yeah. Sure I did. Why'd you take a gun if you didn't plan to shoot him? So I wouldn't pull one on me. You think a guy like Eddie Lombard's gonna cough up two grand just like that? Ah, don't lie to us. When we bring in here, we want the truth. You shot him first and collected your dough afterwards. No. And then you wrote out your receipt to a dead man. No. That's how it happened, isn't it? No. Answer me, isn't it? No. No. Cass. That captain. Never mind those witnesses. He spiked them for us. Come on in here and give us a hand. Sure. Okay, bring him out of here. All right, come on. Come on. Come on. Will you get up there? I'll give you something to pass out about. Now, why'd you tell him? You listening? Why'd you tell the night man that Lombard was staying and not to bother about his luggage? Because I was afraid he'd go up there and Lombard might think it was me again and take a shot at him. Because he was dead in there and you wanted to get clear of the building before he was found. If I did, I didn't go very far. I stayed in the coffee shop down the block for 15 or 20 minutes after. Look.  The dough he gave me. I put it in the bank the first thing this morning. Take over, Cass. All right. Come on, Harvey. No, no. Wait till I wash my hands. You know, I need a shave. See you later, Cass. Yeah, yeah. You know, if I'd hang around there much longer, I'd libel I'd hurt him. You see what I mean? Yeah. How come nobody heard the shot? People next door were out and down below they were asleep. You know, I don't like it. You notice how he beats us at the punch every time. We got witnesses for everything except the kill. Which all adds up that we got nothing but circumstantial. Wouldn't stand up and court five minutes. Well, maybe ballistics will tie it up for us. Yeah, maybe. What's the matter? Don't you believe in ballistics? Sure, but you heard the guy. He's got every other angle covered. Not going to slip up on anything as obvious as ballistics. Don't you think he's guilty? I think he's guilty. I went back up to Coleman's apartment.  There's always the off chance that it may turn up something, so it has to be done. But nine times out of ten, it doesn't get you a thing. Didn't this time either? There's a lot of junk. In the living room, items. Of course, we're positively been working on the pencil stuff. The butt of the cigarette he'd been smoking and the package he came out of the bathroom. Items. Usual assorted stuff in the medicine cabinet and 15 rusty razor blades under the bathtub. Kitchen, items, three empty beer bottles and some very lively cockroaches assorted sizes.  One of them was the grain number he'd been wearing the night he called on Lombard. There was nothing in the pockets but a Canadian dime, a faded snapshot of a faded blonde and a book of cigarette paper. I put this stuff from his pockets in a regulation brown envelope for no very good reason. Went back to the precinct. The Avenger was still there biting his nails. Did you get anything? If I did, I don't know it. How's he doing? How's he doing? How are we doing? Lousy. Yeah, so far.  I was never sure of a pinch in my life. Listen, I'm gonna let it go through in a circumstantial. Ballistics will be sure to match his gun to the slug that killed Lombard and that's enough to do it without anything else. I don't know. Say, what are you... Yeah? Yeah, this is Laffinger. Well, it's about time. Well, you know where to reach me. I told you I was gonna bring him out here. Yeah. What? Yeah. Okay. Ballistics. Coleman's gun was a .38. I know that. Oh, you know that. Well, then maybe you know that the slug they took out of Lombard is a .32. So now what do you know? That does it. Yeah, it does it, all right. No, I don't mean that. I mean, he's our meat. He's the guy. You can't tell me different. I'm not telling you different, but ballistics is. And ballistics don't lie. You setting yourself up above ballistics? You take ballistics. I'll take human nature. That don't lie either. If you mean he did it with a .32 and then ditched it, you're wrong because we checked all... I know it. I know he did. Otherwise, he wouldn't have shot that slug into the floor. But the slug in the floor was a .38. Listen, Cap, I've called on Alderman, and state representatives, and even they get a little scared when you say headquarters, but not this guy. He was waiting for us. He was calm. He was doing crossword puzzles. He was too calm. Now, he's too smart. He's got everything covered. He's been ahead of us all the way. He's our guy, I tell you. He's our guy. He's our guy, he's our guy. Well, go on out and prove it, then. All right, don't take it out on me, Cap. I feel as bad about it as you do.  Go out and do something about it. All right, how long will you give me? Tomorrow morning. You can't hold them forever without booking them, you know. Tomorrow morning, what am I going to do at this time? Look, make it noon, huh? Give me a chance anyhow. All right, noon. And I'm stretching it for you. Yeah, thanks, Cap. Listen, wait a minute. You're not holding out on me, are you? I wish I was. I don't know a thing more than you do, Cap. I just know it's got to be our way, that's all. Yeah, it's got to be. Hey, I think I'll take another look at it before I go. Oh, listen, Colin, we know you did it. Why don't you make it easy for yourself? Make it easy for you coppers, you mean. I know you guys, anything for a pinch. What do you care if you got the wrong guy? All right. Okay, okay, guys, you can lay off. You got something? This slug that killed Lombard was a 32, his gun is a 38. Uh-uh. All right, throw him in a cell. We'll probably have to turn him loose in the morning. Morning. What's the matter with tonight? What's the matter? Don't you like it here? All right. But you'll have a sweet case of false arrest on your hands by morning. Remember that copper when you're back pawning a beat. Oh, I won't forget. You're smart. Got a match? Go ahead and have a cigarette. I got my own. Go ahead, have one. I wouldn't take a smoke from a copper if it was the last one before I die. You may have a chance to prove that someday. Yeah. Yeah. When you go to the electric chair. Well, that sounded good, but I wasn't too sure.  Well, I wasn't too sure of that either. All I was sure of was that he'd done it, so there had to be some way to prove it. First, I went back to his apartment. I went over to the joint with a fine-toothed comb. Nothing. And I thought of that suit in the closet. I went over an inch by inch. Turned the pockets inside out. Right there was where I found something that gave me an idea, or rather it was what I didn't find that I should have. I went out to Coleman's kitchen. I made a pot of black coffee and I sat down to think. And the more I thought, the better I liked it. It might not mean a thing. It might not even be possible, but it was all I had. So the next stop was headquarters in the pistol range in the basement. By the time I got through it was daylight. At a quarter of 7, I was waiting outside that cigar store at 23rd and 7th where Coleman made his phone call to Lombard. It was run by a little guy named Truhoff. We questioned him before, but this was different. The store wasn't open yet, but finally after what seemed at least an hour and a half, I saw him. I saw Truhoff come puffing down the street. Well, well, Lieutenant. You're the real early bird, huh? You're late. Late, he says. What time you want a cigar store should open the middle of the night. Come on, come on. Let's go inside. I want to ask you a couple of things. Ah, more questions. Didn't you ask me already everything but my grandmother's middle name? Yeah, I forgot that. That's why I came back. All right, all right. So now what? About this Coleman. When he was in here, look. Sure, sure. He telephoned from the booth back there. How can I hear what he says from way up here? I don't care about that now.  That's right. Every day, almost. Any particular brand? Sure. Always the same for two years. These, these here. Always machine-made cigarette? Always? Why not? What did he buy from you the night he was in here phoning? The same? Why not? You're sure he... he didn't buy these? Wait. Yes. If I didn't see them in your hand, I would never remember. Cigarette papers. Four changes, he said, to cut down expenses, he said. It was the first time he ever bought that. Did he buy any loose tobacco to go with him? Er, let me see. Why? I don't think he didn't ask me, so I figured he's got some already. Okay. Okay. You can give me some now. Oh, sure thing. Hey, give me some matches, will you? Sure, sure. Help yourself. Say, what is it all of a sudden that you look down?  You're all right, Bob.  Yeah? Yep. To be a witness of a nice, big murder trial. Free. I went back to the precinct, but left injured and moved them to another one, over on the east side, on account of the 24-hour detention law. That took more time to locate him, but that was one thing I had plenty of now. I was either in with what I had, or I was out. And suddenly I felt tired. I felt tired as an old dog. I tried breakfast, but that didn't help much, so I went on over to the east side. Left injured was right on deck, cranky as ever, but I could see he was worried. We had this guy pretty nearly 48 hours, and the cops don't like to break the law anymore than the next guy. Well, where you been all night, bright eyes?  I didn't sleep any place. I've been using my brains. Why don't you leave word you were going to move him? What's the difference? His next move is out. His next move is a Raymond after what I'm going to show you. Great. Great. I'm just on the mood for Lantern's slide. Let's have him in, huh? Yeah, bring him in, Johnson. Okay, Captain. Now, look, first I want you to watch how he rolls a cigarette. What are we doing now, playing parlor games? Just watch him, that's all. And remember, I found these cigarette papers in the pocket of a suit. The suit he wore the night he went to see Lombard. Oh, I suppose he gassed him to death with cheap tobacco. Here he is, Captain. Oh, the rover, boys. You guys woke me up just to move me to another hideout. Why don't you get wise to yourselves? You know you're going to have to book me or turn me loose sooner or later. All right, all right. Forget it. We're turning you loose. All we want you to do is to sign a waiver. Nothing happened to you in here. Nuts, I signed nothing. Hey, take it easy, will you? We got the guy that did it. Yeah? Yeah. Get nothing to worry about. We just don't want any suits for false arrest, that's all. Yeah, well, you took the words right out of my mouth, Copper, because my first stop after here is a lawyer. Oh, wait a minute. Wait a minute. Let's talk this over. Smoke? Ah, not one of them. Thank you. Will you smoke these, don't you? Yeah, sure. Here's an abaco. Go ahead, roll one. Thanks. That's not the way. I'm a little out of practice. A little out of practice, he says.  Is it to you, Captain? All right, so send me to the chair for that. Just the same, he bought these cigarette papers and the night he went to see Lombard at the cigar store where he phoned where he bought all his smokes. First time in two years he ever bought any. Second time in two years he ever bought a cigarette or to go with him. And not a shred of loose tobacco in any of his pockets. Now, why do you suppose he bought those cigarette papers that night, huh? You're telling it. I'm listening. Are you listening, Coleman? You're talking in your sleep. I'll tell you why he bought them. Well, now I'll show you why.  Yeah, sure. That's 38, right? Yeah. Same caliber as Coleman's gun? Right. All right. Now, here's a .32 caliber bullet. The caliber is the slug that killed Lombard. Do you want to see it? I know a .32 when I see it. All right. Now, we take the .38 bullets out of your gun. Now we take this .32 bullet and about the... about three of these cigarette papers. We double them over. We wrap them around the bullet. See? See how snug that .32 fits in your .38 gun now? Well, I'll begin... Now, watch. Now, watch how a .38 gun will fire a .32 bullet. I'll put it in the baseball over there. That's ballistics, Cap. How do you like it? Ballistics. Ballistics. You take ballistics. I'll take human nature every time. Three months later, Coleman went to the chair. Whether he took a cigarette from a copper or not before he died, I don't know. And I don't care. Suspense. Presented by Roma Wines, R-O-M-A. Roma, America's favorite wines. This is Truman Bradley bringing back to our microphone the star of tonight's suspense play, Howard De Silva. My compliments, Howard, on a grand performance. Say, tell me, how did you like being on the side of law in order for a change? On the screen, I've seen you as a pretty tough character. Truman, I much prefer to be law-abiding. It makes me more popular with my friends. Well, here's something, Howard, that will make you even more popular with your guests. A gift basket of Roma Wines. From Roma, your host of the evening. My thanks, Truman. This is my idea of real hospitality. That's what your friends will say, Howard, when you treat them to the golden amber, fragrant Roma California sherry in your gift basket. For Roma sherry with its tempting nut-like taste is the perfect first call for dinner and served with nuts, fruit, cake, or any tasty snack. Roma sherry is a truly delightful wine for entertaining any time. Right, Truman. Roma sherry is certainly a versatile wine. Versatile is the word for Roma sherry, Howard. An extra good, too. For Roma sherry, like all Roma wines, gives you an important difference. An extra goodness in fuller bouquet, richer body, and better taste. And the best proof I can give you that Roma wines taste better is the fact that more Americans enjoy Roma than any other wine. Well, that's proof enough for me, Truman. And now, who's on suspense next week? Well, Howard, it's Claude Rains. My favorite actor. Yes, Claude Rains and a very unusual suspense story. Mr. Rains will be entirely alone, no other member of the cast. A real solo performance. The story will be a famous English study in terror, the wax work, and you'll want to hear what it feels like to spend the night in a museum haunted by the spirits of famous murderers of the past. That I've got to listen to. Thank you and good night. Howard De Silva appeared through the courtesy of Paramount Pictures and is currently being seen in their production, Blaze of Noon. Tonight's suspense play was written by Robert Richards from the story by Cornel Woolrich. Next Thursday, same time, you will hear Mr. Claude Rains as star of Suspense. Produced and directed by William Spear for the Roma wine company of Fresno, California. By your share of Easter happiness, bring new life and hope to crippled children through Easter Seals. Buy Easter Seals today. This is CBS, the Columbia Broadcasting System.


you're asking yourself what is my personal brand the best way that I've found with our members is that it can work better to work out what that is by looking at what it is that you stand against and not just what you stand for because ultimately your personal brand is what do you stand for what is your message and so I learned a big lesson about six or seven years ago when I was working I was living a workshop and I asked them what is it that you really stand for and they really struggled with it yet when I said okay what really frustrates you about your industry or what frustrates you about the way things are happening in the world right now that you want to change bang this whole fluid message just poured out of them so I encourage you if you're working on your personal brand look at what frustrates you and then pour that out


Former Bemidji State head football coach Jeff Tash is urging the community to stand behind the BSU football team and its players in the wake of the school's decision to fire him earlier this week. In a letter to the editor and today's Bemidji pioneer Tash wrote that he has great concern that his termination has caused a divide between fans and the team. Earlier this week in a sit-down interview with Lakeland News, Tash explained the circumstances that led to him being removed as coach of the team two days before the season opener, which involved the use of a racial slur. All of a sudden the warm-up music was put on and all of a sudden I thought I heard some inappropriate words.  The player said no coach you don't get it you can't say that word and I went I was just repeating the words to the song and that's when the team made the comment that coach were you know if you're the head coach we're not going to play. In today's letter to the editor Tash said that he was made aware that a month ago the team came to a consensus and all of them signed a letter to BSU president Hensroot asking her to not terminate him. Tash said the president's decision was hers alone and should not be blamed on the team. Now BSU officials are still not saying much about the firing. Scott Faust the director of communications and marketing at the school confirmed to Lakeland News earlier this week that Tash is no longer an employee of the school. He said president Hensroot is not commenting on the reasoning behind her decision to fire Tash. Officials from the Bemidji State University faculty association say they are filing a grievance on behalf of Tash challenging the termination. If you've enjoyed this segment of Lakeland News please consider making a tax deductible contribution to Lakeland Public Television.


Talk about getting in and out in 15 seconds. Talk about riding up for 15 seconds. Suppose Ryan came in and talked about the three keys. Then he'll ask for all of his toughness, tempo, and technique. If you're going to take them, continue to wrestle. Bottom guy, get out. You can turn, you can turn them. You've got 45 seconds. Looking for toughness. Looking for your go-to. Looking for that grip. Here we go. One and two. Three, two, one, go. Don't give up. High pressure, high pace. One.