Fiery horse with a speed of light, a cloud of dust and a hardy high old silver, the Lone Ranger. When gold was discovered in the Black Hills, a new wave of emigration swept into the western United States. Along with the honest settlers came gamblers, criminals and confidence men, and the mining towns ran wide open. It was in the hills that the Lone Ranger led the fight against the powerful and ruthless Drexel Syndicate, and it was only his strength and courage that made possible the victory of right over might. Return with us now to those thrilling days when the west was young. From out of the past came the thundering hoofbeats of a great horse, Silver. The Lone Ranger rides again. Come on, Silver, we're heading for Deadwood. Hey, Silver! Golden Lady Cafe was one of Clark Drexel's many properties in Deadwood. When he reached the town, the doors were thrown open to all the miners and drinks were on the house. Clark himself stood near the door and shook hands with every newcomer. At midnight he climbed the stairs to the balcony, walked past several private rooms and opened the door of the office. Rita Perry, who operated the cave, was waiting for Drexel. Well, Rita, it's quite a party downstairs. It should be. It's going to cost you more than a thousand dollars.  That's possible. I have all the figures on the cafe here since we opened up. Cost of the building, income, expenses. You'll find everything's in order. I know I will. You've done a good job. Only wish my other employees were as competent. Talking about Beasley? Yes. What are you going to do about him? Nothing. Aren't you even going over to jail and see him? I should say not. I've already told the sheriff I'd not be responsible for anything Beasley did. He acted without orders from me. That's a lie, of course. Not exactly. I left the choice of methods up to him.  Let him serve his sentence. Who's going to manage a mining property? I'll handle it personally for the time being. Then you plan to stay here? For a while until things get running smoothly again. I can't understand why Beasley failed. He was a good man in Virginia City. The opposition was a little bit too much for him, that's all. Opposition? You don't mean the sheriff? No. Then my good friend Benjamin Steele hasn't become interested in gold, has he? I don't think so. Ben's in Texas. Then what's the opposition? Did you ever hear of the Lone Ranger? Yes, I have. Well? Out with it. What's he been up to? He stopped Beasley and every deal he tried to put through. Finished up by sending him to jail. Is he still around here? Just Bartlett saw him yesterday afternoon. Bartlett? Yes. Bartlett's one of our men. Drives the stage between here and Crawford. He saw the Lone Ranger about five miles from town near Lookout Hill. Only five miles? Well... You know, I've often thought I'd like to meet the Lone Ranger. Don't forget what happened to John Kimberley. The Lone Ranger's never been beaten. There's a reason for that. Most men have some weakness. Find it and you've got them. That isn't true of him. I know. That's why everyone who's fought him has met defeat. But strength can be weakness, Rita. What do you mean? Whenever anyone needs help, he's always ready to give in. Well, that's dangerous. When you help the wrong people, you're apt to get in trouble. He doesn't do that. He might if we played our cards, right? You got an idea? I think so. If the Lone Ranger never comes into town, how does he get his information? There's an Indian called Tonto that travels with him. I've often seen him around town. Does he ever come to the Golden Lady? None then. Good. Let me know the next time he shows up. Now wait a minute, Clark. We haven't got a chance in the world of framing the Lone Ranger in Deadwood. The sheriff won't believe a word against him. Black Hills cover a lot of territory. Isn't this someplace he isn't known? Maybe in Crawford. It's a long way. Find out. That's easy. My brother Rancor's over there. Better and better. We might be able to use the yellow coyote. None of that. Remember, he's my brother. That's the only reason anyone puts up with him. Just tip me off the next time you see Tonto in here. By that time, I'll have my plan worked out. A week passed, and then one night as Drexel was watching the play at the roulette table, Rita touched his arm. What? He's here. Over by the door. You don't have to look. We'll talk in a few seconds like this. You start the fight, raise your voice so you can hear every word. Don't worry. What was the name we've read on? Who's supposed to hold his note? Frank Carson. Carson. Carson. Blue Moon Mine. Notes do win. They after tomorrow? No, that allows too much time. You better make it tomorrow at sundown. Stage leaves here in the morning and gets there about four o'clock. If it kept to its schedule, you'd be able to make it with a couple of hours to spare. Tomorrow at sundown. All right. I think I've got everything straight. All right. Now raise your voice. Get angry. I ought to have known better than to ask a favor from you. Now calm down, Rita. I won't calm down. My brother means a lot to me. He's got every cent invested in the mine. That's too bad. He doesn't pay that note by sundown tomorrow. He'll lose it. You've got to help him out, Clark. I won't, and that's final. But it won't cost you anything. Think of it as a business transaction. It's a good investment. All you have to do is take over the note. In another 30 days, the mine will be producing, and pay you back with interest. I realize that. What? You don't know much about my affairs, Rita. I know plenty. This Frank Carson who holds the note is one of my agents. Your agents? Of course. He was acting for me when he lent your brother the money. By sundown tomorrow, the blue moon will belong to me. You'll get it for just $10,000. Yeah, that's right. You think you will, but you won't. I'll see that Rance gets the money. How? I've got my diamonds, haven't I? You won't be able to sell them in deadwood. I'll see to that. I'll take them to Crawford in the morning stage. I'll sell them there. You can, and don't try it. You'll try and stop me. Rita was the only passenger on the stage the following morning. Judd Bartlett was the driver, and as usual on the Crawford run, there was no guard. They ran a lot of town and along the trail until they drew near Lookout Hill. Then Judd rained up, climbed down from the box, and started to work in the wooden axle with a saw. Rita watched him. I don't saw all the way through. Now you leave it to me. Well, hurry up. There's camp somewhere around here. He might show up at any minute. Oh, that's enough, I guess. Hurry up. What's the matter? I see a cloud of dust to the south. That might be him. All I have to do is drive the stage over that rock up ahead. Better get in. All right, but hurry. Judd swung the driver's seat and whipped up the team. In a moment, the right rear wheel of the stage creamed over a large rock to the side of the trail. There was a loud crack at the weakened axle broke. The dragging boat soon bought the horses to a stop. That's that. That's fine, Judd. Yeah. Hey, he was too far away to see what I was up to. Don't stand around. Get one of the horses unharnessed, as if you're going to start over the hill to the telegraph office. He know. A white horse. The lone ranger, all right. I can see his mask now. Better let me do all the talking. Suits me. Help! You ought to let on that you're scared when you see his mask. I will. Then I can tell you who he is. Judd. It's an outlaw. Clark's hired an outlaw to hold us up. Well, you're local. He ain't no outlaw. That is the worst for the boy. Hey, what he called his horse? That's the lone ranger. The lone ranger? What's happened? Looks like dirty work to me. Somebody saw the axle almost all the way through. When I hit that rock back there, it cracked. It wasn't just somebody. Clark Drexel's behind this, that no-good schemer. Clark Drexel? Yes. He knew I had to get back to Crawford by four o'clock. I was going to ride over the hill to the telegraph office and send word for men to bring a new axle from Deadwood. I can't fix it myself. Oh, Judd, wait. If this man's the lone ranger, he'll help. Listen, mister, my brother's going to lose his mind if I don't get to Crawford. He's got to pay off a note by six o'clock. I've got to get there and sell my diamonds to help him. I see. Miss Rita, you don't have to go there yourself, do you? Of course I do. Even I explain time and time again that I'm the only one... Well, as I see it, all that matters is for Rance to get the stones. Why don't you ask the lone ranger to take them for you? What? You couldn't find anybody better to trust, and it wouldn't take any time for Silver to get them. Of course. Would you do it? Would you do it, please? Why don't you ride one of the horses from the stage? Why, I'm afraid of horses. It's no use. I've already suggested that. Please, here. Take the diamonds. You're my only chance. I'll have to ride back to my camp first. Is it far? No. Then hurry. Please, hurry. What's your brother's name? Rance Perry. I telegraphed him, and he'll be waiting at the express office. How soon can you make it? Less than four hours. Don't worry, Miss Perry. I'll be there. Adios. Come on, Silver. Perry, quimacabi. Bricktono, you'll have to help me with my disguise. And what happened? The girl started for Crawford, but the stage broke down. Tracks will say, girl, not get to Crawford. It's up to us now. I have the diamonds. You take them for her? Yes. But the sheriff in Crawford doesn't know me. I can't ride into town masked. Not right. I thought I'd fix the skies pretty quick.  Sure. Then go ahead and send the message.  It's closer. You aren't paid to argue. You're paid to send the message. You want to catch the crook, don't you? The sheriff at Crawford's the only one who can do that. It's a long way. But that's where the masked comrade was headed. Send the message. Okay. Boys, there's been a hold up on a trail near Lookout Hill. A masked man on a white horse. You mean the stage was held up, chef? Yep. My sister was on that stage. She was bringing me some diamonds. The masked man got a ranch, but he's heading this way and I'm rounding up a party right now. You've got to catch him. Get your horses, saddle boys. We're going after the car. For its last five miles, the trail to Crawford led through Shadow Canyon. The lone ranger, Antonto, had covered half the distance when the Indian suddenly raised his arm and a signal to rain up. What's the matter, Antonto? It's hard to tell when we ride. It's hard to think him here, other horse. Yes, I think you're right. Ah, many horse. That Drexel's men were in for trouble. Only way to Crawford, go through Canyon. We can't turn back. Just in case anything happens, we'll make sure they don't get the diamonds. What do you mean? It's only a little past 12. There's plenty of time. We'll leave the diamonds and those rocks over there and turn right on. Come on, saddlemen.  Easy, boys. There they come. It's all right. That's the sheriff riding in front. You're covered, mister. I can see that. You aren't wearing a mask, but there couldn't be another white horse like that in the West. Get them up, saddlemen. Look out. The inch is making a break for him. Let him go. There was only one man held up the stage. What stage? The deadwood stage. And you're the ovary who did it. But, Sheriff, maybe the engine's got the diamonds. Oh, I never thought of that. Pete, surely I'll get after him. Rest up and grab hold of this one and search him. You won't find anything. They told you the engine. We'll get him. They'll end up in jail together. Tie him up, boys. Right, come on. Tie him up. The curtain falls on the first act of our Lone Ranger story. Before the next exciting scenes, please permit us to pause for just a few moments. Now to continue our story. The Lone Ranger offered no objection as he was taken to jail. But Tonto made a clean gutterway. It was early that evening that the deadwood stage rolled into Crawford with Judd Bartlett on the driver's seat and read a parry inside. Rance and the sheriff were waiting for her. And they took her directly to the Lone Ranger cell. I haven't been able to get much out of him, Miss Parry. But if you can identify him, that's all we'll need. He's in here. I'll take the lantern, Sheriff. All right. Come over here, mister. Hold the lantern up high. Yeah. Well, Miss Parry? His face was masked this morning. How about height and weight? Well, they seem about right. I could hear him talk, I'd be sure. Oh, I'll say something. Your brother's lost his gold mine, Miss Parry. He doesn't seem to be worried about it. What's that? That's the man. There wasn't any truth in your story at all, was there? What's he talking about? I told him that my brother had to get my diamonds by six o'clock to pay off a note so he wouldn't lose his mine. Since when did you own a mine, Rance? I don't know anything about it. No, it was just a story I made up. I tried to appeal to his sympathy, but he wouldn't listen. He grabbed the jewels. Grabbed him, eh? And he twisted my wrist. It still hurts. You give your testimony to the jury just like that, and he'll get 20 years. And if you don't tell what the jewels are hidden, he'll hang. Shortly after the sheriff and the parries had left the lone rangers cell, you heard the low call of a night bird outside the barred window. That might be Tano. Kimusabi? Huh? Why then put you in jail? They've accused me of holding up the stage and stealing the diamonds. The argument between Rita and Clark Drexel is a thing of a frame up. Oh, that's pretty bad. It's a good thing you got away. It's always a good thing that one of us is on the outside. That's right. Did you pick up the diamonds? Oh, me got them. Here. Here, bang. Thanks. How did I get you off of here? I don't want to get out just yet. Silver in corral. Oh, bang. It's hard to judge these stones in this light and me your knife. Huh. Here. I'm going to try and scratch the surface of this one. Why you do that? Just as I thought, Tano, not even the diamonds are genuine. They're imitations. It not shine like other stone girl wear? She has other ones. Ah. Time to see stone one time this big. Diamond that size would have to be an imitation. It's shine. Plenty bright. There's only one diamond that big in the United States and that was... Tano, are you sure? Nearly as large as a silver dollar. Ah, me sure. Oh, that's possible. Rockwell diamond was stolen and has never been recovered. Deadwood's a long way from New York City. She might take a chance on wearing it. I don't think it was real out here. Yeah, plenty bright. That changes things. I've got to get out of here and go back to Deadwood. Ah. I'll be a deputy on guard in the office. Son, let me get keys from him. Be careful. You wait. I'll take them back. Just a minute, sir. This chair sure uncomfortable. You might just well try to sleep on the floor. So let Kyle sort of woke me up. That and the creaking. Say, I didn't leave the window open. We'll see what happens. You keep quiet. Quiet. All right. You don't have to stick a gun in my ribs. You got key. You let prisoner out. Move. All right. All right. I'm going. Hey, you must be the engine that got away from the posse. How do you expect to get out of town without getting caught? You will not talk. Unlock door, pronto. You're right on time, Tutto. Huh. Here. You take gun. Time to tie collar up. Put gag in mouth. A good idea. We'll be in Deadwood before dawn. One window lighted on the second floor. In that office. You know which is the girl's room? Her have room next to office. At least we can get up to the balcony without being seen. After, we'll have to take our chances. Come on, Silver. I'm going to leave you right under the balcony for a fast getaway. Come on, Scott. That's on the office. Let's hope this window is unlocked. Maybe better. We wait. It'll be daylight in another half an hour. So far so good. All right. Come on. Bureau washed in. There's a cabinet over there. They seem likely she'll have to light another match. And open it here. We'll take it with us. Isn't that easy? It's not easy. Who's in this room? Take the box. I'm going to tell you. I'm going to shoot. Oh, my hand. Quick, out the window. Come here. Come here. The matter of seconds, the lone ranger and Tutto were through the window and on the balcony. The masked man leaped over the railing. Then Tutto tossed the box to him and followed the next instant. Well, Silver. I'm out of town. When the sheriff from Crawford County discovered his prison was gone the following morning, he called out his posse and they searched the hills and canyons around the town. They found no trace of him. And it was long after dark before the lawman returned home. But scarcely had he closed the door behind him and dropped into a chair to pull off his boots and... Hey, what the... All right, Tutto. A masked man in the same engine as me. He'll stay gagged until we're out of town. I'll tie his hands and feet. After leaving the sheriff, Rance Perry stopped the café for nearly an hour. Then he went to the cabin where Rita's sister was waiting. Oh, it's about time. I'm just getting ready to go after you. Close the door and sit down. What's the matter now? No trouble. Plenty. What's that you got there? A letter from Clark Drexel. Came on the afternoon stage. Oh, he's heard about the escape. Listen, dear Rita, the news of the jailbreak came to us by telegraph early this morning. I may be able to complete the story for you. What's he mean? Does he know where the... Be quiet. I was working in the office long after everyone else had turned in. Heard a noise in the next room, your room. When I opened the door I couldn't see anything but I could hear someone whispering. Oh, shoot. But my gun was shot out of my hand first. Does that mean anything to you? The Lone Ranger. Here's the rest of it. There was more than one man in the room, but whoever they were, they got away. The door of your cabinet was open. I can't tell you if anything was taken. There are only a few old papers inside it now, however. Burn this letter. The Lone Ranger and the engine rode all the way to Deadwood last night. Yes. What are you doing? I'm burning the letter. Well, they weren't there. What were they looking for in your room? I thought they were looking for. Why? My strongbox was in that cabinet. What of it? What? If you tell me that... I've got to. The diamond was inside. The Lone Ranger's got it.  You couldn't hide it safely. You had to wear it. Another six months and we've got to taking it back to New York. Say it for Amsterdam.  And you're the one who always talking about me not having any brains. I ought to break you. Come with me. Talk to the Lone Ranger. It's the engine. Be careful. He's got a gun. What does the Lone Ranger want with us? I'm not saying any more. You come.  It's a chance he doesn't realize. It may work out all right. Very well, engine. We'll go with you. Well, friends say you'll not know how to ride horses. That was just another lie, told him. We have horses out in the back. You lead the way and we'll follow. Tonto led Rans and Rita out of town by way of the back streets and then on into the wild country north of the canyon. When they reached a great bluff cut by the dark opening of a cave, they rained up. There was a campfire near the opening, but no one in sight. Tonto ordered them to wait for the fire and disappeared in the cave. A moment later, the Lone Ranger appeared. Good evening. What do you want? Let me handle this. Tonto tells me you didn't make any trouble when he asked you to come out here. We wanted to make a bargain with you. Yes, what sort of a bargain? You're still wanted by the law. I'm the only one who can clear your name. That's true. I'll tell the sheriff it was all a frame up. If you'll give me back that strong box. And the fiery fuse? Sooner or later you'll be jailed for a hold up and I'll testify against you. But suppose I do this, Miss Perry. Suppose I give myself up to the sheriff. Suppose I hand over not only the paced diamonds you gave me on the trail, but also the real ones I took from your room last night. No, no, no, you can't do that. And why not? I'll tell you what. You keep the real diamonds for yourself and we'll fix everything up with the sheriff. That sounds like a bribe. You talk too much, Rance. There's only one way you two can save yourselves. How? Did Clark Drexel have anything to do with the theft of the Rockwell diamond? So, you're not interested in small fry? If you two stole it by yourself, you couldn't be called that. I had no part in that suggestion, Rance made. I was only interested in getting the diamond back. I can do that. All right. But you can't send us to jail for stealing it. You took that strong box from my room. You opened it. But there's only your word. The diamond was inside. You could have put it there afterwards. I have more proof than my word. What? You've given your own. You can come out of the cave now, Sheriff. Well, about time. I was just about getting ready to quash. He was inside there. He must have heard everything. Yes, I must have. And I did.  If I weren't a gentleman, I'd say the same thing about your sister. You still can prove that. Miss Perry? Making you a pardon. The lone ranger didn't break the lock on that box till I was with him. He's got my word as well as his own. You'll go to jail for a long, long time. There's only one way you can cut down your sentence. Clark Drexel didn't have anything to do with the diamond. Well, help if you can give us any other evidence against him. We'll go to jail alone. But Rita... I'm not trying to save him. But it's better to go to jail than to die. Yeah. Yeah, Clark would... I guess you're right. The law will give you protection. You're smart, masked man. You've proved that tonight. But you still don't know how powerful Clark Drexel is. If you ever find out, well, maybe that'll be the last of the lone ranger.  I want to live. Same here. Well, we'll have to keep trying, fellow. Here, Silver. Yes, Count? Do you have your prisoners, Sheriff? I sure have. Nothing more we can do to help you. Very big fella. You've done plenty. The crooks that stole the Rockwell diamond. Adios. So long. Come on, Silver. Get him up, Count.  Hey! The story you have just heard is a copyrighted feature of the lone ranger incorporated.


Hello, beautiful. How you doing? Here's a thing. I forget who I actually put in my videos sometimes and like there's been a lot of people I've reacted to over the years. I don't think I've ever put Naomi John in a video. I could be wrong. So call me out in the comment section below if I did mention her, if I did react to her before but I can't remember. Okay, over the past year I've been sent Naomi John's videos numerous times but her videos never fit into the category that I needed her for at the time and I was never reacting to things she was doing with her hair. But today, the time has come for Naomi John to be a hairdresser-reacts victim. I went on her channel and was just scrolling through and I was like, okay, wow, there are a lot of videos and she does a lot of things to her hair and there are a lot of things I could include her in but why not just make it into a higher video about her and about every different color she's done with her hair? I honestly don't think I've watched a full video of hers before, but I've seen the thumbnails and they look very interesting. She has done a lot of colors to her hair. Why don't we just take a journey with Naomi John and check out every different hair color she's done and I'll let you guys know which color is my favorite when we're all done watching all of them. So let's do it, woo! Hi, Mike, I just watched the video, how are you? Naomi John, we're starting off really strong. We're gonna watch, I dyed my hair with Halloween themed colors only. We're gonna watch five videos of hers, not the entire thing, very short portions of them and we're gonna see all the different colors she's done out of these five and see which one is the dopest of all. So we're already starting off with a sky blue on one side and a soft pastel yellow on the other side and it's already looking iconic. So it can only go up from here down. No, it could probably go down from here. We'll see. I want to dye my hair again, which is nothing new but I kind of thought of an amazing idea. So as we all know, it is the spooky season. Oh! And that means that I kind of want to do something spooky too. What better way to show my spookiness than through my hair color? There's no better way to celebrate spooky season other than a spooky hair color really.  So when I'm thinking about Halloween colors, I'm thinking purple, orange and green. I guess I'm going to dye my hair orange, green and purple today. Orange, green and purple.  But we'll see. We'll see, Naomi. I feel like you might be able to pull it off. You're already rocking some interesting hair color going on right now. I think you've rocked it already, so we'll see. I do wonder what her placement will be though. Is the orange going to go in the front? Are we doing like all around different colors? What's going on here? This is the orange. I put some conditioner in there and also some of the orange. That's a pretty orange. Put some of the purple in here. So this is very... Vixie, Vixie! Purple looks really cool. Green, green, which is like way too dark. I want it like more like... Yeah, that's a... ...tastic, forest green. You know, more like the green of my gloves right there. I actually going to add some of this into the green because I want it to be like very bright and kind of like neon and maybe that's going to be a little neon here. Let me look if this doesn't look spooky. Then I don't know what does. Section right here, I'm going to section the front. The front is going to be green. The left side is going to be orange and the right side is going to be purple.  Ooh, that's a tough one to pull off.  Like, ooh, that's a... I don't think I've ever seen that before. Very original, I must say. Okay, so apparently the front is going green. I must have just heard something there. I don't know. It was either me or her, probably me. I'm going to blame myself on that one. I don't really hear. When people speak, they usually just goes in and then out the other side. And I usually just don't remember anything. Is that, I mean, I don't, is that bad? Should I work on that? Yeah, no, I definitely should work on that. Yeah, I should listen to people more often. We have finally thought of a way to do it a little bit smaller. Ooh, do tell. Cause we started from the bottom and now we're here. Oh, yeah, we're going to start at the bottom and then we're there. Like, the exit. Yeah, start at the bottom and go up. That way you don't have to flip the colored hair over onto itself. You can actually just lay it down where it's going to go. Cover a strand, let it sit there and work your way up the head. Instead of going cover a strand, flip it over. Cover a strand, flip it over. That's annoying.  And then it took me a while to figure that out too. If you're going to color your hair with a dummy permanent color or do something like this, start at the bottom and go up. Please, it'll be much more organized and be a lot less messy for you. So you're welcome. Welcome. Welcome. What are you grateful for most in life right now? I'm grateful just to be at home right now. In my presence, yeah. Speaking of being grateful, I love my job. And thank you for watching. I'm so corny. That's okay though. Everybody must be corny once in a while. Thank you for watching my videos. Ooh. That's a pretty purple. I like that. And it's very Halloween-y. Do me a little swirly swirls with this wool. So we have the three colors right into my head. Yes, that's iconic. The first single part in the video. I'm actually a little bit nervous. It's going to look a little, not my style, but if it's hers, then why not? Go for it. So are we watching out for colors now? Nothing's coming out of this purple. Why not? There's literally no color coming out of her hair. Her hair just sucked up all of that color. And it's like, no, no, no, we need the hydration. Like, don't let me go. I want to stay in her hair all the time and not let go. It's not focusing.  Honestly, if it weren't Halloween right now, I would not know what to think about this hair color decision. But as it is Halloween season, I love it. Okay. She definitely accomplished her goal of having a Halloween hair. I will say that for that, a round of applause. But something's not working here. I think it's more like the placement of the colors. I don't think it's necessarily like colors, even though I would probably not put those colors together other than for like Halloween vibes, you know? I'm going to not lie here. It's not my favorite at all. Can you see the purple and the orange and the green? All at once. Okay. Mm, mm, ooh. Not my favorite color. Nope, definitely not even up there with the top 20 favorite colors of mine in the world. I don't like that. All right, moving on. The next video is called My Subscribers Programming Hair Color Help. Ooh, what are they going to pick? I am curious. Plan for today is to put pink and purple on my head. Work, I like that. Everybody loves a good pink and purple moment. They do.  It's like a ooh. Remember when I did the, what color did I do? I love it. The time I did it. Ooh. Actually, I loved it.  I was like, ooh. I'm not blonde anymore. It was like kind of scary for me. I ordered violet and lilac, but I got two lilacs. That's great. I know lilac is like a little bit purple-ish, but not like completely. So I'm thinking maybe I'll put pink on my head and then purple on the tips of my hair or lilac. I think I'm going to mix the pink a little bit with some conditioner. We hold it. I love my assistant so much. So I think I'm going to mix Flemingo pink and tulips. That's... Wow, that's pretty. That's really, really, really pink. Yay! I'm not a hair professional. Let me tell you that. I'm not going to say it anyway. So if you're getting triggered by this applying method, then I'm sorry, getting treated. Triggered. I am completely triggered right now. I am triggered. That's a pretty pink, though. It's like cotton candy pink. Ooh. We love a cotton candy moment. Tick, tick, tick, tick, tick, tick, tick, tick, tick. Four or five years. Okay, you guys, I'm realizing right now that I probably don't even have to put purple into the ends of my hair because they're blue down here. And I already have a blue ombre going on. And I think it's automatically... Automatically. And I think it's automatically... And I think it's automatically going to get purple. I think maybe it will. The existing blue pigment in your hair with the pink overlay on it may make purple. But I would still put purple over it because why not just make it more intense purple? But we'll see what happens. We'll see. Let's put some purple in. Oh, she is putting purple in. What? You lied to me, Naomi. What the? Are you lying to me?  This looks good, though. This is going to be a freaking... Okay, guys. If you can hear, you really need to check out Cupid's music channel. I'm excited for this one. It's going to look good. I kind of love it. It's kind of a unicorn vibe. Oh! Okay, now what I was expecting on that one. It kind of looks tie-dye in a cool way. You know those tie-dye that go horizontal? Vibin over here. And I'm kind of digging it. Also, kind of wish it was a little bit more vibrant, but you just can't get everything you want in life. And I've learned that the hard way. But it looks good. I'm into it. Let's see what she thinks about it. I really love it. It's such a nice change. It looked good curl. And I'm glad not to have blue hair for once. You did well, guys. Thank you for this. I thought you would do me dirty. I mean, some of you probably said green or blue camouflage or something, but I ignored it. I like that. Still feel like we can get a little bit better here. I feel like there's a better video coming. We have three more. We're gonna hustle through them. We're working up to the good ones here. I like that one, but still not my favorite. Let's move on to the next one. So this one is called dyeing my hair neon yellow and becoming the highlight of your life. This is exactly what I've been looking for. This is exactly what I needed right now. This, I feel, is going to be really good for her. Okay, Naomi, show us how it's done. Show us the highlighter yellow hair. I have the same hair color. It's just f***ing boring. And I'm sad because at some point in my life, I'll have to keep the same hair color. I can't be dyeing my hair forever. Yes, you can. But right now, I can still... You can, okay? I've actually dyed a woman's hair that was like eight years old, pink, and she was the most iconic woman I have ever met in my life.  Always keep doing this. Please, this is everything. I thought my hair is damaged. It's more like my scalp is damaged. Oh, that's the worst. And it's so huge and so gross. So please don't go too close to your screen because then you might see my tendrils. My tendrils. So let me give you a quick hair update. I've got a various mix of different yellow hair dyes. I got this Neon Moon from Arctic Fox, which is super, super neon. It looks like this. Oh, yes. This shirt I was looking for. And fortunately, I got the smudge, which is probably not gonna be enough. So I'm gonna mix it with the directions. You know what? Just mix them all together. Why not? You know what I mean? Like, when you're in doubt, just mix them. I really hope my hair color right. I even stopped using purple shampoo because I was preparing my hair for the yellow shade. Okay, y'all think my hair is white? Naomi John is coming for my gig here. Oh, actually, I think it's about the same. But like, whoa, it's no white here. Stop coming for my gig, Naomi. I'm supposed to have the whitest hair in all of social media. You can't take my crown, Naomi. So this is all of the hair dye which I got out of the other bottle, which is definitely not gonna be enough. I mean, I have short hair, but I feel like... Joe, that is yellow. This is looking really nice. We're going full on neon yellow.  I don't know what I'm doing. I can see my dandruff. Oh, they're yellow now. Can you see the back of my head? Can you tell me if I'm doing it right? No, I can't actually see anything. I'm not sure I'm doing this. Oh, it calms her skin so well. Okay, guys, it's just... I did a great job putting my hair dye in and I haven't missed any spot. Big words for small and professional. Anyway, I'm gonna let this soak in and then I'll be right back. I'm gonna come at you with three, two, one. My shirt. My shirt is made of wood and brighter, but that's literally the same color. Literally the bright color I've ever had.  This is it. I don't know if we're going to get better than this. This is so good for Naomi. Naomi, hello. Yes, this is your thing. I'm obsessed. Yes, please give me more. I am hungry looking at your hair. You know what I mean? It's quite magnificent and oh, the yellow works out so good for your skin. Yeah, let's see what she thinks about it. I think it looks really cool in the mirror, but when I just walked over to get my shirt and I looked into the other mirror, I was like, oh, I think I need to see that in some daylight. Okay. What do you think? Yes, I love it. I have a broccoli on crack now. I feel like it doesn't even look that vibrant in this camera, but I swear it is. Okay, she looks so good. I love how this is the color she's unsure about. Naomi, this is so good for you. Yes, give us more and more and more and more. And let's watch what other color she is. This one's called destroying my hair again. Please don't destroy it. You have such beautiful logs. They're looking so fabulous. Let's not destroy it. Destroy it, destroy it, boop. Now she is going dark blue, I believe. She just bleached it. Could be really good. Yeah, I think this could be really good for her. Yeah. Oh, oh, that's like cobalt blue. I'm supposed to mix it with something. Hang on, I didn't read this. Oh, no, that's it. Uh-oh. Is she squeezing the bottle of color onto her head? I have to say, I don't think I've ever seen anybody use this application method before. And I have seen a lot of application methods in this time of hairdresser reacts. This one, I have never seen somebody use a squeeze bottle. I just put it right on their head. Never once. Okay, my very professional habit would be. This is gonna be so spotty. You can do this. I believe in you. Solvents and tell something about your life. It's been seven years. Oh. Oh, God, it's making me a little nervous. I don't know about this. I don't think this is gonna be very good. Actually, I changed my. Put some more color on there. One tube is not enough for your entire head. Naomi, come on. Wash this out before it actually gets this color.  Oh, God, triggering a lot of people with her alarm clocks. If my brother hears that alarm at all during the day, he will freak out on me. So it looks like she didn't go all the way down. It was kind of like an ombre from like dark blue to light blue moment. And I feel like that's not the best decision. It went from like, I thought it was gonna be good. To now I don't think that this is going to be the best idea ever. Let's reveal the head color. I feel like there's gonna be a lot of color left. Yeah. Oh. Wait, what? It's blue. What? You see? I don't know. That was before. What? I look exactly the same. She does. What happened? I wouldn't even bother to bleach the hair. I'm satisfied. So we've got a spray, which is gonna make it even more blue. Do something. I'm not okay with this. Wait, what happened? Why did it not turn blue? What?  Okay. I guess that works. Why not? Oh no. Well, let's do this. I'm highly confused right now. This stuff looks cool though. I'm mad.  More like I bleached my hair. I dyed my hair. And then just to spray on this spray, I could have just left my hair alone and just spray it with this and I would have the same results.  I mean, this is literally just the spray.  Okay, wait though. When she parts it like that over to the side, it looks f***ing hot. Hot. Yes. This color is up there with my favorites. Really, really, really nice. I want to see a curl and I want to see a flip over to the side.  I'm gonna start saying it's healthy for people instead of good for them. Yeah. It feels like you left in spray which you should have washed out. Thank you guys so much for watching. I thank you Vincent for doing basically everything for basically nothing. I get why she's mad because it didn't work, but I liked it and it looks really good. Up there with my favorites. Let's watch one last one and then we can finally decide which color is the best for Miss Naomi. And this video is called I'm Trying Split Hair and Eye and it happens to have the most views out of all the videos we just watched. I'm expecting this one to be most iconic. This is also a hair thing I've never tried before. I always wanted to try it though, but I don't know why I never tried it and maybe I was scared that I'm not gonna be able to do it because I am not talented. Sorry, I'm just staring at her lips. Wow, hello lips. There's some shiny energy with the girl. As we all know, I had like basically all of the colors of the rainbow on my head except, except red. Well, I had red hair before, but like not in my YouTube times. It was like before that, so you don't know about it. So I was thinking maybe I could do one side with super bright red and the other side super bright orange because I really miss my orange hair. I love this hair color so much. So I want to do red with orange. Okay, I think I'm also gonna add a little bit of this pink just for my feeling, a little pink, but that's enough. And also a little bit of magenta. It looks so good, right? Look at that, doesn't that look like the perfect shade of red? It does. That looks exactly like the bold. Okay, so maybe the red one was the best choice. But can you see the orange? Not the orange. No, can't see any of it. There's a red and a little bit of yellow, so I can mix my own orange, you know what I'm saying? Here, let's get into it. Oh my God, why did I choose a red bowl?  All right, you guys basically can't see the color. No, I can see it. It looks cool. It looks cool. That's gonna be my orange and that's gonna be my red. Coo, coo, coo, coo, coo, coo. I parted my hair while I visited it and we can start with this side of my head. I'm excited again. Wow, a lot of excitement into this video. So I'm going to apply orange hair dye onto my head again. It gives me throwbacks. Am I done? Stop starting at the top. I know it's really exciting to see the color right away at the top, but start at the bottom. I swear, it's easier to layer the hair down when it starts at the bottom. You go up and you can also saturate more and make it less messy. It's just easier that way. Look guys, it's hair dye talking time again. What is this color, it's technique she's doing. Right, so far. I should have dyed my yellow hair. Would you guys have a video after that? I dyed it again. This is looking really fierce. I'm using a different kind of color and a different shade, not this neon yellow. Okay, so we have one side down. Let's see what the other side looks like. Oh, I could say that's what. She looks like she properly saturated the hair for the first time in all these videos. Okay, thank God. Make sure with dye permanent color, when you're putting it over blonde, you are fully saturating that hair. Heavy duty with a lot of color because guess what, platinum blonde hair is damn dry.  They kind of look like the- Ew, ew, the red is on my head. Very similar colors. It's gonna be so stainy. I'm okay. It also looks like magenta and red on the other side. Ooh, it could be interesting though. I feel like you really have a talent to dye hair. Maybe you should rethink your hair.  Yeah, that could be a little bit of an issue.    It is really weird.  Why do you have dead skin cells growing out of your scalp and why do you color them and decorate them? You ever think about that? If you haven't thought about it, think about it. It's very weird. The whole thing makes no sense actually. But I still love it, you know? Oh, we love it. Yeah, basically. It looks like a really dope color. I think this might be my favorite. I'm just putting it out there. Are you ready to see my hair? Yes! I haven't seen it before. Okay, but like... Yes! I mean, this is not really the red I wanted. This is a little too pink for me. I knew it wouldn't be pink. I knew it, I knew it. I mean, it doesn't really take a very smart person. I know it, but I still knew it. I still done knew it. I'm actually happier with this color than the color she wanted. I am so glad it came out pink and orange. Those colors together are just so beautiful and magical and just a dream come true. I love it. Yes, yes, yes, yes. Let's see what she thinks. I think I'm also gonna add a little bit of this pink. Just for my feel, right? We just love pink. Honestly, like, this is such a cool look. Yes!  Oh, I do actually. Mm-hmm. I don't know, so what do you think about my mirror? I love it. Yes, yes, yes, yes, yes, yes. That time is the charm girl, and we got it right. With this look that she's wearing too. Three, two, one, look at me! Oh, you're not looking at me. Wow! Okay, thank you, Naomi. This was so good. I feel like she actually loves this color the most, which makes me love this color the most. This one's my favorite. This one was so good. The colors are just so, also, like, original. I don't think I've ever seen those shades put together like that. I mean, they're just, like, really beautiful shades of orange and pink, and I love it. And she's glowy, and I think she loves it, which makes me love it more. So, Naomi, yay! This is iconic.  This looks so good. Ooh. Wow, what a roller coaster of hair colors there. We have seen it all today. That was a lot of Naomi hair colors. I definitely love the pink and orange the best. Keep going with that one. Well, guys, I finally watched Naomi's channel, and I am so happy I did. She is so pretty and so funny, and her channel's linked below, obviously. Oh! That was a lot for me. That was a lot. That's really all for today, guys. That was a lot of videos, and that was a lot of reactions. Oh, if you guys want to see more of me, follow me on Instagram and Twitter at BramondoNYC, and follow my haircare brand X-Mondo Hair, and my moisture cream and hydrating mask are now officially available to purchase at X-MondoHair.com. The link is below. Enjoy them. I am so excited about these. If you guys have damaged or dry hair, these are your friend, and believe me, your hair dries out in the winter, so you better hydrate that thing, okay?  And I will see you all next time. Bye.


very much. Thank you, Professor Mehta. Our next speaker is going to speak to an important issue that interacts with this conversation about tax policy. We've been talking a lot about inequality as one of the reasons why there's both a growing interest in taxing the rich. But we've also, and in a way, we've lived through four decades of this recent chapter of compounding or extreme inequality. But there's a much longer history of the racial legacy of white supremacy in wealth building.  That cannot be explained through any mythology or narrative of deservedness. And we want to begin, as part of this conversation, to understand the interaction Craig Kaplan asked earlier. Tell us, Professor Krugman, how do issues of race interact with all the dimensions we're talking about? Our next speaker, Valerie Wilson, is the perfect person to help us have this conversation. She is the program. She was at the Economic Policy Institute where she directs the program on race, ethnicity, and economic policy. Please welcome Valerie Wilson. Do you have slides? Thank you, Chuck. And good afternoon. Thank you all for still hanging around at this point in the afternoon. The racial wealth divide is just one of many persistent racial disparities in American economic and social life. By virtually every measure of economic well-being, people of color collectively, and African Americans in particular, are at a disadvantage relative to whites. And in the interest of time today, I'm going to focus specifically on those black-white disparities. But the racial wealth gap is unique among this broader group of economic inequalities because its causes and consequences stretch beyond this single measure as well as a single point in time. Wealth is a source of economic security. Wealth is a safety net. Wealth provides access and opportunity, or to state it more directly, wealth provides privilege. And this privilege begets power and influence that actually increase with wealth. As Paul Krugman stated earlier today, a tiny group of super wealthy people, we've called it the top 0.1 or top 0.01%, have an oversized influence on the political system, and they use this influence to set a policy agenda that serves their interests. Now, this is a problem for any number of reasons that have already been discussed today. But among the most important of these reasons is because the excessively wealthy are not representative of the broader population. And in fact, they are extremely out of touch with the experiences and concerns of the average person in this country, much less the experiences and concerns of the average black American in this country. According to one estimate, black households account for less than 2% of the wealthiest 1% of households. And this is an even broader group than this 0.1 or 0.01%. Mind you, these greatly imbalanced disparities, again, we're talking about for a very already small group of people. A 2017 study by Yale researchers actually found that Americans in general, not just the wealthy, Americans in general, tend to overestimate the progress that we've made on racial equality in this country and underestimate the magnitude of disparities when it comes to wealth. So this tends to hinder our consideration of any kinds of policies to close the gap because people's perception of the problem underestimates its seriousness and its significance beyond our current point in time. So what are the facts? Excited one number, and numbers vary depending on what people are measuring and how we're measuring wealth. But according to the 2016 survey of consumer finances, the median African-American family, and this is among families who actually have wealth, had a net worth of $17,600. That's about 1 tenth of the 171,000 held by the median white family. That's a difference of more than $150,000. Now, while median family wealth has actually grown for black and white families over the last 50 to 60 years, that difference, that $150,000, is actually more than three times larger than the difference was in 1963 before we had civil rights legislation and all of the things that followed that. So as wealth inequality has grown, racial wealth inequality has widened as well. Below the median, nearly one in five black families has zero or negative net worth, compared to just 9% of white families. And if we go to the other end of the spectrum, even among the wealthiest, the 99th percentile black family is worth a little over one and a half million dollars, but 99th percentile white family is worth 12 million. So how did we get here? Like so many other inequalities in our society, these racial disparities can be traced back to specific policy choices. The racial wealth gap is a longstanding vestige of centuries of racially targeted oppression, exploitation, and discrimination that was sanctioned by federal, state, and local policies that explicitly excluded African Americans from opportunities to build wealth while simultaneously serving to enrich whites. This legacy spans across generations, from slavery and Jim Crow, through redlining and unequal administration of the benefits of the GI Bill, just to name a few. More recently, we've heard stories of how subprime predatory lending, which is enabled by a lack of oversight and regulation in the financial industry, another policy choice that disproportionately benefits the wealthy, has allowed financial institutions to extract already limited wealth from black households and black communities. Not to mention, as Dorian referenced earlier, the disproportionate implementation of fines and fees. Now, recently, reparations has become a major subject of political debate. As more people consider the potential of reparations for closing the racial wealth divide and as a long overdue gesture of atonement for centuries of government sanctioned injustices against black Americans. Now, I'm not gonna talk about reparations today. I will say that while I believe some transfer of wealth will be necessary to close the racial wealth divide, writing checks alone will not resolve the problems of racial and economic injustice in this country. Beyond simply addressing the current gap in material or financial wealth, we need to rewrite the rules of our society that allow these inequalities to continue and create additional consequences associated with the lack of wealth. For example, wealth affords any number of mobility enhancing opportunities, including the ability to own property, to pay for higher education, to start a business, and to build a secure retirement. Therefore, the consequences of the racial wealth gap extend beyond a single generation and in fact, inheritance is one of the vehicles by which the racial wealth gap has been perpetuated. And that, of course, is directly tied to our tax structure. Wealth also provides a degree of economic stability against the uncertainties of job loss, major illness, or death of a household breadwinner. Not to mention presents choice in terms of where to work, when to work, how much to work for that tend to not be as readily available when a family or household is economically strapped. A tax system that gets the excessively wealthy to contribute more to the society from which they have greatly benefited will provide resources that can be used to expand access and improve the quality of these opportunities. Already today we've heard examples like strengthening and expanding social security, Medicare and Medicaid, as well as debt-free, or free public college. But let's be clear. Racial discrimination and inequality are pervasive in our society and exist because they provide social and economic benefits to the privileged. Whether this privilege beyond the basis of racial identity or wealth. And until we put the necessary resources into consistent oversight and enforcement against discriminatory practices and policies, even our best attempts to expand access and opportunity will fall short of achieving true equality. Now this conference is about taxing the wealthy for the purpose of creating a more equitable and just society. There is simply no way to get to that society without closing the racial wealth gap. Thank you.


Two seasons ago the Bemidji wrestling team battled their way to a school record of 26 wins. Last year the Jacks dropped a class and rattled off 25 wins. This year the Jacks are back in class 2A returning 10 of the 14 wrestlers who hit the mat for them a season ago. And while they know it won't be an easy task, they expect to compete for a section 8 2A title and get back to state as a team. I don't think our expectations change much. It's still our goal to be section champions, everybody in the state tournament. We have a very competitive and balanced group of young wrestlers this year and we're looking forward to a good season. Last year we had a few holes in our lineup but this year we're kind of solid throughout the whole lineup. We don't have any superstars like we did last year but I think we're pretty solid. What a lot of people don't realize is we were really spread out last year as far as kids wrestling up weights to cover weights. This year our kids will fit into the weights a lot better and like I said we'll be very competitive and more balanced. If you've enjoyed this segment of Lakeland News, please consider making a tax deductible contribution to Lakeland Public Television.


Thanks for checking out this video as the title for this video will say I just kind of want to talk about horror And why I'm into horror stuff also with this channel. I want to put out more videos having to do with horror I want to put out more videos in general other than just the unboxings. I'm doing which I will still do those the Original BAM box horror BAM box and the snack who? Japanese snack box, and I might end up adding some here there. I might have to drop one for Who knows what reason because things come up, but at the moment. I'm just gonna stick with those three, but you know Leave some comments give me your thoughts on whatever you want But anyway, I want to go more in a horror direction with the channel overall And like I said, I'm not gonna drop the unboxing so won't be fully horror But I want to do more horror videos and that's why I figured this is a good place to start talk about Why am I into horror and then hopefully that gets you if you're watching this into Thinking about why you like horror what your origins are of your interest in horror if you're interested in horror And if you're not, you know, why does it not appeal to you and we can have those Discussions down below which would be fun So well first of all if you like this video, or you like any of the videos that I put out on the channel Please just hit the subscribe for me. I really appreciate that it doesn't take you a whole lot of time You just click it real quick Very painless for you, but it can mean a lot for my channel So I would really appreciate that even if you don't like any of the videos if you wouldn't mind. I don't know But anyway, so for me personally with horror Big big horror fan that's only really happened within the past maybe five to six years that I've gotten Significantly more into horror try to watch tons and tons and tons of horror movies So let's go all the way back when I was a young child because you know, I spent a lot of time thinking about this at first I was just like, oh, I don't know why I got into horror just kind of happened But then I started really thinking about it because my mother at one point was like, why are you into horror films? I don't understand where did this come from no one else in the family's really into horror films And then that got me to thinking and I thought well You know what I was plopped down in front of the TV a good amount Which people around my age if you were born in like the 80s Late 70s and into the 80s, maybe even early 90s You know your parents kind of set you down in front of the TV quite a bit. That was the case with me I was I Although I should Clarify this by saying I also spent a lot of time outside as well It was just when I was inside I was in front of the TV pretty much the whole time when I was inside But I did spend a lot of time playing outside But anyway the shows that that I would watch and then my parents were totally fine with we're like the monsters the Adams family Scooby-Doo, you know stuff like that. That's definitely kid-friendly But it has a lot of horror elements to it like very kid-friendly horror stuff like soft But it's like super imaginative and interesting and I think that's what kind of hooked me at a young age Then as I went on, you know, I got a little less horror stuff into my life Because my parents actually clamped down a lot on what we were watching You know, like we couldn't watch the Simpsons and stuff like that like it was considered to be too bad For us when we were in like middle school or elementary school middle school But once I got into high school, my parents were kind of like alright You're much older now, you know kind of watch what you want and I was like I want to watch the X-Files So X-Files was a was a pretty good jumping-off point for me But even before that when I was in middle school I kind of did the bad thing and I would you know watch horror movies when I wasn't supposed to I would Actually watching where my parents were there, but it'd be like in little clips Like literally I'd be in the main room watching and my mom would be in the kitchen And I just keep the volume low enough and then have that's where that last channel button comes in real handy So you just kind of have that set to something else that your parents would actually believe you were watching and then Watch your horror movie very very low and then when it seems like they're coming towards the room You just last channel like oh, I was just watching the baseball game or I was watching cartoons You know whatever so I would do that so I would get clips of you know little snippets of things like Friday the 13th They're like Nightmare on Elm Street, but it had to be playing on TV So you didn't see anything too horrific So you know it was like horror light in a sense and that really piqued my interest not just because The material was interesting, but it was also that kind of aspect of like who I'm getting away with something I shouldn't be doing which you know as you know when you're a kid you always want to do that Do you I mean I always wanted to kind of do that, but kids these days I don't know if they experienced the same thing, but when I was a kid I was really you know want to get away with some things so that kind of felt that way for me And then as I got older Jumping off of X files because I was really into that and there's obviously a lot of horror in X files even though there's you know sci-fi Mixed in there so went into college and then that's when I started watching a lot more So when I got into college I had a lot of friends who were kind of like oh you haven't seen this movie I haven't seen this like people saying like you haven't seen Robo cop You haven't seen the shining you haven't seen the exorcist You haven't seen just going and it wasn't just horror movies with a lot of movies We didn't watch a whole lot of movies in my with my family when I was growing up and like I said a lot of the stuff was was pretty closely monitored until I got to high school and even then like a lot of times when I was watching television It was with the family So it had to be appropriate for everyone and I had a younger sister so you know So when I'm in college everyone's like you haven't seen this you haven't seen this So that's when I really started getting into movies in general And I just like watch as much as I could trying to get caught up on all the stuff that were considered kind of classics I'm actually still doing that right now I'm in my late 30s and I'm still trying to catch up on stuff because It's a tough balance of like all these movies that you missed from so long ago One's even further back from decades before you were born that you want to check out that are very influential and Supposedly very good. And then all the new films that just keep pouring out that you want to check out So, you know, so anyway in my adulthood my you know middle adulthood at the moment I've kind of really reflected on you know, what I really like about horror at this point and a lot of it has come down to the Imagination I like the imagination of the horror genre quite a bit I feel like of all the genres out there It seems to be the most diverse because there are a lot of sub-genres of horror and there are you know, plenty of sub-genres of other film genres But with horror I feels like I feel like there's tons there are tons of sub-genres, you know, like ghost stories You got the slasher you got torture porn and got giallo, you know all sorts of crazy stuff You know body even like sub-sub-genres like, you know a body horror stuff like Kronenberg does You know crazy whacking stuff like David Lynch, although I don't know if David Lynch is straight-up horror He's more he has some horror elements and what might be considered like horror adjacent Twin Peaks has a decent amount of that type of stuff Mulholland Drive lost highway those types of films I don't think they're straight horror though, but anyway sidetracked So yeah, just the imagination the stories are usually very compelling to me They're usually very original and I feel like other genres like dramas like action films They're usually playing with a lot of the same formulas a lot of the same ideas Everything feels very familiar and with horror there certainly are those ones where they still feel very familiar But it's usually the writers and directors are trying to kind of put their own spin on it So there's something new in there and I just feel like that genre has a lot more Originality and it's significantly more diverse with what's going on in it There's also I'm sure a small part of me that still feels that little bit like I shouldn't be watching this because there are people out There who are just like you like horror films. I don't understand that which I'll talk in another video about my feelings on people who are like I don't like horror and why do you like horror? But you know, but this is my explanation of why I personally like horror I've also found that I've really gotten into the more intellectual side of horror because a lot of times horror films and horror writing and horror artwork all sorts of horror things kind of go with Making social commentary kind of looking at the times we live in right now and the times that were back when they were done and What social anxieties were, you know, what was going wrong in the world what people were upset about? What are problems, you know, usually there's something more than just I want to make a scary movie a lot of times There's some sort of underlying message or even if there's not an intended underlying message a lot of these people who are making the films are doing it while Thinking about what's personal to them, you know, what's scary to them? What is concerning to them? What gives them anxiety? That would translate well to a horror film and that's just one of the cool things the other thing for me is I'm not really a religious person and I feel like I don't know if other people who aren't religious feel the same way as me on this but Having an interest in horror and seeing, you know represented death on like a screen and in books and stuff like that it Puts me a little more at ease because my belief on what happens when you die is it's blackness It's it's not even that actually is it's nothingness. It's the idea of you know, what do you remember from before you were born? That's what it is and that's scary, you know I mean, I wish in a way I wish I had religion in my life for that reason because I feel like it would make things easier to handle But I don't and I don't really think I can change that honestly with the way I think So horror actually kind of helps with that it kind of Makes death and and people's demise a little more familiar to me As opposed to if I wasn't in a horror I it would probably be a lot more shocking of a thing and and more scary for you know Knowing that eventually I'm gonna die because we're all going there But yeah, I mean oh and when I was I got a little bit sidetracked that happens when I just talk about this stuff The the intellectual aspect of it Another thing is I've found some really good writings that kind of break down the meanings in film specifically horror film and and Making comparisons amongst a few of them and I'll throw a few things out there right now Rue Morgue magazine out of Canada. They do a really good job They have a lot of cool intellectual stuff, but they have just like movie reviews and book reviews and all sorts of things That's a really good source. I've been a subscriber to that magazine for about 10 years maybe a little bit longer now and Actually person who is now and just this just happened within the past year Who's now the head editor of Rue Morgue magazine Andrea Subasati along with a published horror author Alexandra West which Andrea Andrea is as well But Alexandra isn't known within Rue Morgue because I don't think she contributes to that but she's written some books The two of them Andrea and Alex do a web a podcast called the faculty of horror and it's from an intellectual standpoint It's very analytical. It's breaking down a lot of the horror tropes and ideas within specific horror films And kind of tying it together and talking about horror in general as well And it's really intellectual and it's really cool and it's just super interesting I would recommend people check out Rue Morgue and check out the faculty of horror. Those are my favorite things, but That's kind of a quick and dirty in a sense of you know My interest in horror and why I'm interested in it, but I'd love to hear everyone else You know if you want to leave a comment down there and say, hey You know my story is kind of similar or mine's totally different or I don't even like horror And then we can talk about why you know Why is it that you don't think you like horror? Because maybe you do because that's another thing is some people kind of feel like they don't But they like movies that have elements in it kind of like like the movie 7 I know plenty people are just like I don't like horror at all and then they're just like I like the movie 7 And it's like there's a lot of horror in 7 so you like some horror, but anyway, let's just start talking Let's geek out about horror stuff bring up specific movies books Whatever I haven't read that many books though. I will say more of a visual person more in the film So anyway, thank you everyone for checking this out once again If you could hook me up with the subscribe that I would much appreciate that Want to get to a point where maybe I can monetize this but That's not like a huge concern I do want to try and throw out more videos here and there and I want to have more focus on horror And let's do it, but thank you and until next time keep it brutal


This paper examines the relationship between projected changes in atmospheric specific humidity, precipitation, and evaporation at local scales. The authors find that the simple attitudinal average Clausius-Clapeyron scaling relation does not hold at local scales over either ocean or land. Instead, they find that the climate model output shows a close relation to the Budaico framework of catchment hydrology. The authors also examine projections of key surface energy balance terms and find that the hydrologic sensitivity is much smaller than CC scaling due to the small fraction of realized surface forcing that is partitioned into evaporation. They conclude that a better understanding of the potential impacts of climate change on water availability will be gained by starting with the notion that the greater the enhancement of evaporation, the less the surface temperature increase and vice versa. This article was authored by M. L. Roderick, F. Sun, W. H. Lim, and others. We are article.tv, links in the description below.


Friction is the force resisting the relative motion of solid surfaces, fluid layers, and material elements sliding against each other. There are several types of friction. Dry friction is a force that opposes the relative lateral motion of two solid surfaces in contact. Dry friction is subdivided into static friction-striction between non-moving surfaces. With the exception of atomic or molecular friction, dry friction generally arises from the interaction of surface features, known as Asperity's fluid friction describes that friction between layers of a viscous fluid that are moving relative to each other. Lubricated friction is a case of fluid friction where a lubricant fluid separates to solid surfaces. Skin friction is a component of drag, the force resisting the motion of a fluid across the surface of a body. Internal friction is the force resisting motion between the elements making up a solid material while it undergoes deformation. When surfaces in contact move relative to each other, the friction between the two surfaces converts kinetic energy into thermal energy that is what is called the force resisting thermal energy that is, it converts work to heat. This property can have dramatic consequences, as illustrated by the use of friction created by rubbing pieces of wood together to start a fire. Ketnetic energy is converted to thermal energy whenever motion with friction occurs, for example when a viscous fluid is stirred. Another important consequence of many types of friction can be wear, which may lead to performance degradation or damage to components. Friction is a component of the science of tribology. Friction is desirable and important in supplying traction to facilitate motion on land. Most land vehicles rely on friction for acceleration, deceleration and changing direction. Sudden reductions in traction can cause loss of control and accidents. Friction is not itself a fundamental force. Drive friction arises from a combination of inter-surface adhesion, surface roughness, surface deformation, and surface contamination. The complexity of these interactions makes the calculation of friction from first principles impractical and necessitates the use of empirical methods for analysis and the development of theory. Friction is a non-conservative force, work done against friction is path dependent. In the presence of friction, some energy is always lost in the form of heat. Thus mechanical energy is not conserved.