You're watching Impulse on the Freedom Network and now here's Anthony. Thank you, I appreciate you and I appreciate our audience. Today I wanted to talk to you about this. This is the Razer Kraken USB. A lot of people actually requested that I do this one. It does present a little bit of an issue in that the cord is green. In fact, it's green screen green. So what I'm going to do is I'm actually going to tuck it behind me while I talk about this particular unit. The unit itself is fairly well constructed. It's a little bit noisy as you might be able to hear when you move it around. However, it's not a deal breaker as with other headsets that we've talked about and seen. The microphone is actually really cool. It does bend as you can see here. Very nice bending action. Now it is all black in construction other than the cord, which is green. I am doing my best to conceal the green cord for that reason. As far as the plastic that it's made out of, it's actually really good in its construction. I do have worries though that over a long period of use that it may actually cause issues. But only a very extended play test can tell that. I've used this for about 10 hours or so and I find that this headset is okay. I don't like it as much as I like the other Razer Kraken as far as sound quality and audio reproduction. However, as far as the general use headset for gaming and things like that, I do like it. Probably if I had to give it a number between one and ten, I'd give it about a five, but that's just my personal take on it. As far as the ear cups, they do have hinges on them. Now the hinges do not go for the entire ear cup. They're actually hinged on the inside of the ear cup that you see here. This is great because it means that your hair, if you have slightly longer hair, isn't going to get caught up in the ear cup as easily. Great for girl gamers or just guys who don't want to get a haircut. The flexible mic is okay. As far as headset mics go, I would probably give it about a seven. As far as regular mics go, it's definitely not nearly as good as my Blue Yeti or any condenser mics. Of course, that's to be expected. I found that this headset was not necessarily the most comfortable thing I've ever seen or the least comfortable thing. So as far as that goes, it probably also gets about another five out of ten. It's a great contender if you need a USB headset and if microphone quality is not necessarily something you want to focus on. For instance, some of you who already have a headset that you use or a microphone rather that you use for your recordings, maybe this is just a great little thing for Skype, but maybe not the best for your recordings. The headset does win some points because it's not flashy. It's not showy. It doesn't have a lot of green or other colored lights on it. So if you're looking for something utilitarian, again, this is for you.  It's very utilitarian. I hope that this video has been helpful for you. If it has, let us know in the comment section down below. Till next time, I'm Anthony. Like, subscribe, comment, please. This is one of those headsets that it may not look like much, but there's an old saying about judging a book by its cover. But this isn't a book review.


The selfie of humanity that gets put at the center of economic thinking is rational economic man. This is the character within the economic models and he shapes us. The more we're told about him, the more we start to mimic him, which is dangerous because he's depicted as a man with no dependence. He's got money in his hand. He interacts with the world to the market.  He's got nature at his feet. The more the students learn about this character, the more they value self-interest and competition over collaboration and altruism. So who we tell ourselves, we are shapes who we become. We need a far richer understanding of humanity and our capacity to collaborate because we are of course the most social of all animals.


Good morning, everyone. I'm Kathy Fletcher, CEO of Voices for Children of San Antonio and we are so delighted you are all here. This is our first time doing this, so please be tolerant of me, but we are very, very fortunate in all the partners we have here today. We have about 760 or more people participating. Many are good friends and partners from Bear County in the surrounding area. Many from the rest of Texas, so we're so glad to have you from about eight different states, including Illinois, Colorado, California, Tennessee, Memphis where we used to live, so welcome. And we have several foreign countries also, and I'm in awe of how this works. We have people joining us from London, from Ireland, from the Philippines. So we're just so thrilled to have you at this very first live streamed event. The topics we chose today have to do with the issues that are coming up or coming up more with the current COVID-19 crisis for children particularly. And we are extremely fortunate to have city and state leaders with us also today who are champions for children and families, for mental health, for our community. I'm going to introduce people briefly because I don't want to take away from their time. First, we have our relatively new last year City Councilwoman for District 4, which is the south side of San Antonio, Dr. Adriana Rocha Garcia, following Councilwoman Garcia will be State Senator Jose Menendez. So Councilwoman. Thank you, Kathy and everyone. Good morning. I'm so excited to be here with you all this morning. I know it's virtually, I'm sure that if we were all gathered around at a conference style room, we would probably all be hugging each other and saying hello, but because of the times this will work. And I'm excited that we were still able to work with Kathy on this and be able to be here participating this morning. Don't want to take too much time. Just want to say thank you from the bottom of my heart from the students that I represent here at the districts that I represent as well as across the city of San Antonio and in our nation for those of you that are watching from states away and even from other countries. Thank you for what you do for children. Thank you for being the voice, the voices for children. I know right now there is a lot of concern for the children that are in homes that might be experiencing not so pleasant things. And so I've been very worried about that from the onset. And as you all think about them every single day, and I want to thank you for doing the work that you do on a daily basis and I really don't have any much to say other than thank you for being here. Thank you for waking up on a Saturday morning. I saw in the chat box earlier, someone said, well, at least I didn't have to put makeup on. So I thought that was cute. But thank you for being here. Thank you for everything that you do. And if I could ever be of help, please reach out to me. Thank you, Kathy, for hosting this. And thank you, Senator Menendez for always being there for our children as a senator in Texas. Thank you. Okay. Shall I come back quickly? It's up to you. Okay. I do want to introduce you, Senator. As I said, we're very fortunate to have them both. They're very concerned about children and families. And they're also very concerned about you. We know that many of you are still working. And we know that many of you are not. And as Councilwoman Garcia said, children are sometimes home right now in situations that are even more dangerous.  So we're glad you're here. And we're glad our leaders are too. Senator Jose Menendez has been for quite a few years a tremendous champion in Austin for children, families, and on mental health issues. So Senator, thank you, Kathy. Good morning. Buenos dias a todos. My name's Jose Menendez and I'm a state senator for District 26 in San Antonio and have the privilege of representing almost a million people. And first of all, I'd like to thank Kathy Fletcher.  I want to thank you for your persistence and everything that you do and making sure that we're here being that village that we need to raise our children. And I want to thank all the people on this because you are the incredible leaders that we need to help us raise those children and take care of them. And with this massive disruption to our normal operations, quote unquote, and lifestyle, you are the eyes and the ears on the front lines in order to battle and prevent child abuse now more than ever. And so I want to thank you for caring and protecting all of our children during these uncertain times. And I know that we have people here from around the world. I'm so impressed. I want to thank you all for joining me and for your steadfast commitment and calling for your participation and your professional development today. As some of you know, April is Child Abuse Prevention Month and it's important that we take the time to examine what's working and what still needs to be done. And when it comes time to preventing child abusers, no singular silver bullet or magic answer to what we can do. But instead of that, let's take a step back and let's look at the bigger picture and see what are we doing to support children and families from the very beginning? When people are getting pregnant, the people who didn't, they had an unplanned pregnancy possibly. What are we doing to break the cycle of generational poverty and domestic violence? How are we supporting not just the children but the adults who suffered through traumatic events? And so while there's much to do, I'm very proud of what's happening here in our community in Bear County, things like the South Texas Trauma-Informed Care Consortium, which has brought together community partners from across all sectors to address the impacts of trauma and the Collaborative Commission on Domestic Violence, a group that is working to address partner abuse. And we know how often partner abuse sometimes in many cases is alongside child abuse. And it therefore creates a vicious cycle that goes on for decades. Along with my tri-chairs, Peggy Amy, the first lady of UTSA, and Judge Peter Sakai and Judge John Specia, my office is carried on the work of the Blue Ribbon Task Force. And it's been a group that is working for over 15 years to increase awareness of child abuse and neglect. And we know that we have to move from a place where we focus our time and energy on the building a support system that prevent abuse rather than waiting for reporting or suspected abuse to act. We've got to get in that prevention mode rather than reactionary. My office and I stand ready to assist any of you in any way that we can. And we welcome your feedback and your suggestions. Please reach out to us at our office. We're still working<PHONE_NUMBER>, or you can email us at district26.menendez.senate.tactexas.gov. I hope that you're all staying secure and taking care of yourselves. Because as you know, you can't be there for our vulnerable children if you're not yourself healthy. So please commit to self-care and to finding ways to reenergize yourselves. Your work is so important to all of our communities around the globe. And we need each and every one of you to be healthy and to be there for our families. Thank you, Kathy, once again for this opportunity and to all the presenters today. Thank you for your time today, helping us understand what we can do to make this a better world for all our children. Thank you. Thank you so much, Senator, and thank you, Councilwoman. Right now there'll be a break and there'll be a break in between each speaker while all of the high tech stuff gets done for the next person. So get your coffee, do whatever, and we will see you in about 15 minutes. Okay. Thank you. Thank you. Thank you.


Welcome back to the YouTube channel. I'm Mr. Gaena Baby and I'm back again with another thought provoking episode. But you know what, you just have to do me a favor. First of all, like the video. Hit the share button and also subscribe if you are new to the channel. Like I said, whatever is happening between Africa and China right now, there is only one thing that is missing. No, not one. Two things. Transparency and what? Mutual respect.  But they were still trying to defend the situation. The Guangzhou official today at the press conference responded to this issue by saying that Guangzhou treats all foreigners equally. For more of this, now let's take a listen. We treat all people equally, oppose any differentiated practices and have zero tolerance for discriminatory words and actions. And after saying this in the press conference, this happens today. ʔʔʔʔʒʔʔʔʔʔʔʔʔʔʔʔʔʔʔʔʔʔ. ʔʔʔʔʔʔʔʔʔʔʔʔʔʔʔʔʔʔʔʔʔʔʔʔʔʔʔ. ʔʔʔʔʔʔʔʔʔʔʔʔʔʔʔʔʔ. This is horrible. I mean, how can we even support this? This is not a matter about white, black, yellow, it's about humanity. It should have respect for humanity.   This is very sad. I mean self-hate among Africans is way too much. Even after him saying that the whole foreign minister, I mean the Kenyan foreign minister who is supposed to defend and protect its people came out to say that. They did not want to have many people living together in one flat so you're right about that. And so they were put in a situation where the instructions were which were interpreted as eviction which were really about social distancing because they wanted people to live individually and or individually. The right number of people in each flat so you don't have too much crowding because you cannot deal with social distancing and you can deal with the spread of COVID-19 when there's too many people living in one space. Because they wanted to observe social distancing and you believe this lie, it doesn't even make sense. Like just go to China. Oh no, don't let go to China just even in Africa. Go to an apartment that is owned by Chinese people. You will see a single room with 10 Chinese living in there. And you said you are kicking people from their houses, their hotels because you wanted to observe what social distancing. My goodness. But I'm so glad that with all these lies, there were some Chinese people who observed the situation, who observed what happened and then spoke about it. Happened yesterday.  So now they're just assuming that all these black people, they might be in touch with the infected cases and all of a sudden they're just kicking everyone out. As long as they see you black, they see you black, you f**king African, okay?  So all of a sudden they're just kicking everyone out and they have nowhere else to go because the hotels wouldn't take them as well. And all of a sudden they're just homeless, they're just homeless. And yesterday there was this distribution. I was there, I was helping them. And these f**king young up again and trying to stop us. So they were asking me where I was from. I said, I'm Chinese.  You should be on our side. You should pick a side. And then I'm just like, we are f**king in this together, okay? We are f**king in this together. And if you want to put them in quarantine, whatever, you give them food and water, f**k that to sleep, okay? When some people are trying to help, you just came and you are trying to stop us. And I'm just like, f**k. And this particular message touched my heart. Why do we have to put these criminals on their heads? Do all the foreigners have to be fired? I really can't understand why these public accounts and these media have to spend so much time teaching people how to hate their own life. I've never seen it before. That's all for today. Don't forget to like this video. We'll see you in the next video. Subscribe if you are new here. I mean subscribe to support the channel. And most importantly, help me share this video. Because the world needs to know what is happening in China. They have to know. Because if African leaders will sit down and defend such an inhumane act, I will never keep quiet until something is done.


Dialogue 1 of the Dialogues of the Seagulls by Lucien, translated by Howard Williams. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Doris ridicules the figure and manners of Polyphemus, the lover of Galatea. Doris read by phone. Galatea, read by Anita Slumba Martinez. A handsome lover, my dear Galatea, that's a Lucian shepherd they say is so madly in love with you. Don't sneer, Doris, for he is Poseidon's son, whatever he may be like. What then, if he were even the son of Zeus himself, and showed so savage and uncouth a figure, and most unsightly all of his uglinesses possess only one eye, do you imagine his birth would at all avail him in comparison with his shape? Not even his uncouthness and his savageness, as you call it, is without its charm, for it gives him a madlier, and his eye becomes his forehead and sees not less than if there were two. You seem, Galatea, to consider your Polyphemus not as the courting, but as the courted one, such are your praises of him. Courter? No, but I cannot endure that excessive proclivity of yours to finding fault, and you others seem to me to do it from envy, because when some time ago he was tending his flocks and had a glimpse of us from his cliff, as we were sporting upon the shore at the foot of Etna where it extends between the mountain and the sea, he did not even look at you others. Whereas I appear to him as the most beautiful of all of us, and so he kept his eye upon me alone, it is this that vexes you, for it is a proof that I am superior, and deserving to be loved, while you other nymphs have been neglected.   And that, I suppose, because he is accustomed to cheese and milk. Everything therefore resembling those things he considers beautiful. For as to other charms, whenever you wish to discover what you are really like, stoop from some rock when the sea is calm over the water and behold yourself to be nothing else than an exceedingly white skin, and that is not commended unless, too, there is colour to set it off. Yet I, so purely white as I am, nevertheless have a lover, though it is only he, whereas there is not one of you whom either shepherd or sailor or boatman praises, and my polyphemus, among other merits, is also musical. Hold your tongue, Galatea. We heard his singing, when but now he came serenading to you. So may Aphrodite be my friend, one would have imagined an ass was braying, and his very lyre, what a thing it was, the bare skull of a stag, and the horns served as handles, and he bridged them, and fitted in the strings, without even twisting them round a peg, and now began to perform some horribly unmusical and unmelodious melody, himself roaring out one thing, and his lyre accompanying him to something else, so that we could not even restrain or laughter at that fine love-ditty. Why Echo would not even return any reply to his bellowing, loquacious as she is, but was ashamed to appear to imitate his uncouth, ridiculous music, and then the amiable creature was carrying in his arms for a plaything, a bear's cub resembling himself in shagginess. Who, pray, would not envy you, my Galatea, such a lover? Do you then, my dear Doris, show us your own adorer, who is doubtless handsomer and more of a musician and better skilled in performing on the Sathara? Nay, I have no adorer, nor do I pride myself on being admired, but as for your Cyclops, such as he is, the rank odor of a he-goat, a cannibal, as they say, and who feeds upon strangers who come to his country, may he be yours and welcome, and may you fully return his affection. End of dialogue one. Dialogue two of the Dialogues of the Seagods by Lucian, translated by Howard Williams. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Polyphemus complains to Poseidon, his father, of his treatment at the hands of Odysseus. Cyclops and Poseidon. Cyclops. Red. Vynima. Poseidon. Red by Larry Wilson. Oh, Father, what have I endured at the hands of the cursed stranger, who made me drunk and put out my eye, assaulted me when I was lulled to sleep? Who dared to do this, my poor Polyphemus? In the first instance he called himself Autus. But when he had got clear away and was out of reach of my arrow, he said that his name was Odysseus. I know whom you speak of. Him of Ithaca, and he was on his return voyage from Ilium. But how did he do it? For he is, by no means, a man of too much courage. Returning from my accustomed tending of my flocks, I caught a number of fellows in my cave, evidently having designs on my herds. For when I placed the stone block against the door, the rock is of huge size, and had lighted the fire by igniting the tree which I brought from the mountain, evidently they appeared to be trying to conceal themselves. Well, when I had got hold of some of them, I devoured them for a pack of theses, as was reasonable, hereupon that most villainous rascal, whether he was Autus or Odysseus, pours out a sort of drug and gives me to drink, sweet indeed, and of delicious smell. But most insidious, in which cause great disorder in my head. For immediately upon my drinking, everything seemed to me to be in a whirl, and the cave itself was turned upside down, and I was no longer at all in my senses. And at last I was dragged down into sleep, then sharpening the bar, and igniting it besides, he blinded me as I slept, and from that time I am a blind man, at your service, Poseidon.  But as for this Odysseus, how then did he escape? For he could not, I am well assured that he could not, move away the rock from the door. Yes, but it was I who removed it, that I might the better catch him as he was going out, and sitting down close to the door I grope for him with extended hands, letting only my sheep pass out to pasture, after having given instructions to the ram what he was to do in my place. I understand, they slipped away under them unnoticed, but you ought to have shouted and called the rest of the cyclopies to your aid against him. I did summon them, father, and they came. But when they asked the sneaking Rascal's name, and I said it was Autus, thinking I was in a mad fit, they took themselves off at once. Thus the cursed fellow tricked me with his name. What especially vexes me is that actually throwing my misfortune in my teeth.  Never mind, my child, for I will revenge myself upon him, that he may learn that even if it is not possible for me to heal the mutilation of people's eyes, that all events the fate of voyagers is in my hands, and he is still at sea. End of Dialogue Two Dialogue Three of the Dialogues of the Seagods by Lucian Translated by Howard Williams This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Poseidon questions Alpheus, a river god, respecting his amor with the nymph Arathusa. Poseidon and Alpheus. Poseidon read by Lurie Wilson. Alpheus read by Swenckmeister Patrick. What's this, Alpheus? Of all your rivers, you are the only one that falls into the sea without mingling with the salt water, as is the custom of other streams, nor do you rest from pouring yourself along. But in your passage through the sea, contracting and keeping sweet your waters, still unmixed and pure, your hasten I know not where, diving into the depths like the seagulls and herons.  Something of a love affair, Poseidon, don't you scold. Even you yourself often have been in love. Is it a woman or a nymph, or indeed one of the naryads, themselves, you are in love with? No, but with a fountain, Poseidon. And she? Where in the world does she flow? She is a Sicilian islander. They call her Arathusa.  On the contrary, she is beautifully clear and transparent, and gushes out in a pure stream, and the water gives beauty to the pebbles, showing all silver above them. How accurately well you know the fountain, Poseidon! I am now off to her side. Well away then, and good luck to you in your ruin. But tell me this, where did you have a sight of your Arathusa, seeing that you yourself are Arcadian, and she is at Syracuse? You are detaining me in haste as I am with your superfluous questions. You are right. Away to your beloved, and emerging from the sea, mingle harmoniously with your fountain, and become one water. End of Dialogue 3 of the Dialogues of the Seagots by Lucian, translated by Howard Williams. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Menolaus expresses to Proteus his incredulity in regards to the alleged miraculous transformations of that divinity, Menolaus and Proteus. Menolaus, read by Zonkmeister Patrick. Proteus, read by Adam Bielka. Well, that you become water Proteus is not incredible, seeing you belong to the sea, and that you become a tree too may pass, nay, when you get changed into a lion. Yet, even that is not beyond my powers of belief. But whether it is possible for you to become fire while living in the sea, that I very much wonder at and doubt. But wonder, my dear sir, for I do become such.  And what deception could there be in a case so clear? Did you not with open eyes see into what I transfigured myself? And if you doubt and the things seem to you to be unreal, a sort of phantasmagoria placed before your eyes, when I become fire, give me your hand, my excellent sir. For you shall know whether I am a mere spectral illusion, or whether, in fact, the property of burning then belongs to me. The experiment is scarcely a safe one, sir Proteus. But you seem to me never to have seen the polypus before, or to know what are the peculiarities of that creature of the sea. Yes, I have seen a polypus, but what are its peculiarities I should be glad to learn from you. Whatever rock it approaches and fastens its suckers on, and hangs clean to and coils, to that it assimilates itself, and it changes its color and mimicry of the rock so that it may escape the notice of the fisherman, being thus not at all different or conspicuous but closely resembling the stone. So they say, but your case is far more strange, my friend Proteus. I don't know, Manilaus. Whom else would you believe if you don't believe your own eyes? Since I sought, I sought. It is true, but the thing is miraculous, the same person to become both fire and water. End of Dialogue 4. Dialogue 5 of The Dialogues of the Sea Gods by Lucian, translated by Harrod Williams. This is a LibriVox recording, all LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Dialogue 5. Panope relates to Galene, the scene of the introduction of the golden apple by Eris, into the nuptial feast of Pelius and Thetis. The discord between the three rival goddesses, and their dismissal to Mount Ida for judgement Penope, read by Alan Mapstone Galene, read by Jean Virai Did you see Galene yesterday, what Eris did at the banquet in Thessaly, because she was not also invited to the feast? I was not at the banquet with you, for Poseidon ordered me, Penope, to keep the sea unagitated meanwhile. But what then did Eris, for not being present as a guest? Thetis and Pelius had already gone off to their bridal chamber, escorted by Amphitrati and Poseidon. But Eris, meanwhile unobserved by any, and she could easily be so, while some were drinking, others making a clatter, or giving all their attention to Apollo, playing on the chithera, or to the muses as they sang, threw into the midst of the banqueting hall a certain very beautiful apple, all of gold Galene. And it was inscribed, let the beautiful one have me, and rolling along as though intentionally, it came where Hera and Aphrodite and Athena were reclining. And when Hermes, taking it up, read out the inscription, we Nairids held our tongues, for what were we to do in the presence of those goddesses. Then they began to put forward each one her pretensions, and each claimed the apple to be her own. And had not Zeus separated them, the affair would have ended even in blows. But says he, I will not myself judge in the matter, although they earnestly called upon him to do so, but go away with you to Ida, to the presence of the youth Paris, who, as he is a connoisseur in female charms, knows how to distinguish the superior beauty. And he would not give wrong judgement. What prey did the goddesses do, Panope? This very day, I believe, they are off to Ida, and somebody will come shortly to announce to us the winner.  End of dialogue five. Dialogue six of the dialogues of the sea gods by Lucian, translated by Howard Williams. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. The rape of Emma Mone by Poseidon. Triton, read by Adam Bielka. Amy Mone, read by Lian Yao. Poseidon, read by Larry Wilson. Stage directions, read by Phon. Every day Poseidon, there comes a virgin to Lerna to draw water, a very beautiful sort of creature. I don't know for my part that I have seen a more beautiful girl. Some lady, do you mean Triton, or is the girl of the pitcher some maid servant? No indeed, but the daughter of that celebrated Danneau, herself one of the fifty, Amy Mone by name, for I inquired what her name is and her family. Now, Danneau brings up his daughters heartily and teaches them to work for themselves, and both sends them to draw water, and educates them, in other respects, not to be idle. But does she travel all alone so long a journey from Argos to Lerna? All alone. Argo is very thirsty, as you know, so it is necessary to be always fetching water. My dear Triton, in no small degree have you agitated me by your account of the girl. So let us start at once for her.  Just now, in fact, is the time for fetching of the water, and she is pretty nearly in the middle of her journey, on her way to Lerna. Harness the chariot then, or stay. That involves much loss of time to harness horses, and to get the equipees ready. Do you bring me rather one of your swiftest dolphins, for I shall mount and ride it in the quickest possible time? See, here you have the flitest of dolphins. Bravely done. Let us drive away. And do you swim by my side, Triton? And now we are arrived at Lerna. I will lie in ambush somewhere here, and do you keep a look out? As soon as ever you perceive her approach. Triton, looking out from his hiding place. She is close by you. Ah, a lovely and blooming girl, Triton, but we have to capture her. Seizes her. Fellow, why have you thus forcibly seized me, and where are you taking me?  So I will call out to my father for help. Screaming. Hush this moment, Amimon. It is Poseidon. Why do you talk to me of Poseidon? Why do you offer me this violent, fellow, and drag me down thus into the sea? I shall sink and be drowned, miserable fated being that I am. Have no fear.  On the contrary, I will strike the rock hard by this sea-beach with my Trident, and will cause a fountain to spring up here to be called after your name, and you shall be happy and be the only one of your sisters who, after death, shall not have to draw water. End of Dialogue Six. Dialogue Seven of the Dialogues of the Sea Gods by Lucian, translated by Howard Williams. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information, or to volunteer, please visit LibriVox.org. Zephyrus Read by Shackel. Notos Read by Stefan. Zephyrus recounts to Notos the metamorphosis and adventures of Io. This heifer, Zephyrus, whom Hermes is conducting into Egypt, through the sea, has Zeus, overcome by passion, actually debauched her? Yes, Notos, but she was then not a heifer, but a daughter of the river Aynicus. Now, however, Hera, out of jealousy, has made her such, because she perceived Zeus to be very much in love. Is he then now still in love with the cow? Very much indeed, and for this reason he sends her to Egypt, and has given us orders not to agitate the sea until she shall have swum across, so that, after having given birth to her child there, and she is already enchant, she may become a divinity, herself and her offspring. The heifer A. Divinity. Undoubtedly, my dear Notos, and she will preside as patroness, as Hermes said, of sailors, and will be our mistress to send out or prevent from blowing whomsoever of us she chooses to. Since then, she is now our mistress, Zephyrus, we must cultivate her good graces. Yes, indeed, for so she will be the more benevolently inclined toward us. Well, let us do so now, for she has already made her passage, and is now escaped safely to land, and you see how she no longer walks on four feet, and Hermes has set her erect, and has made a very beautiful woman of her again. Strange things, these truly, Zephyrus, horns no longer, nor tail, and cloven feet, but a lovely girl. Hermes, however, what has come to him, that he has metamorphosed himself, and, in place of a young man, has become a dog-faced creature? Let us not inquire too curiously, since he knows best what he ought to do. At Poseidon's request the Dolphins narrate to him the story of Aryan's escape, Poseidon read by Larry Wilson. Dolphins, read by Lian Yao. Well done, Dolphins, for you are ever philanthropic. But now you took under your protection, I knows Bratt, and carried him off to the Isthmus, when it fell with its mother from the Scurronian rocks. And now you have taken up, on your back, this harper from Methimna, and swum to Tenerin, with his luggage in harp and all, nor have you allowed him to meet with the miserable death at the hands of the sailors. Don't be surprised, Poseidon, if we do kindnesses to human animals, since we ourselves were men before we were fish. I certainly blame Bacchus for having metamorphosed you after his defeat of you in that naval battle, whereas he ought only to have reduced you to subjection, just as he subjected the rest. But how, pray, did this Aryan business come about, my dear Dolphin? Paryanda, I believe, was pleased with him, and would often send for him on account of his skill. And when he had got rich by the prince's patronage he eagerly longed to make the voyage home to Methimna, to display his wealth. Accordingly, having embarked on board a certain passenger ship, belonging to a set of villains, as he had showed them the quantity of gold and silver he was taking with him, when they were in the middle of the Aegean, the sailors conspire against him. Then, said he, foreswimming by the side of the vessel, I heard everything. Since you have determined upon this crime, at all events suffer me of my own accord to throw myself overboard after having assumed my proper dress, and some a dirge over myself. The sailors gave him leave, and he assumed his musician's dress, and sang very sweetly, and fell into the sea, as though he was certainly to die that moment. But I, intercepting him, and placing him on my back, swam off with him to tinair him. I commend you for your love of music, a worthy remuneration indeed, for your privilege of hearing him have you paid him. End of Dialogue 8. Poseidon and Amphitrati dispute as to the fitting place of burial for Helle drowned in the Hellespont. Poseidon directs the Nyredes to take up her body and bury it in the Troad. Poseidon read by Laurie Wilson. Amphitrati read by Alan Mapstone. The Nyredes, read by Anita Sloma Martinez. This trait where the girl was carried away by the tide, let it be called Hellespontus after her, and do you Nyredes take up the corpse and bury it to the Troad, that it may be buried by the people of that country? Not so Poseidon, but let it be buried here in the sea to which she has given her name. Will we compassionate her for her most pitiless sufferings at the hands of her stepmother? That Amphitrati is not lawful, nor besides is it becoming that she lie under the sand hereabouts. But as I said, she shall forthwith be buried in the Troad, or in the Kershonise, and this will be no small comfort for her. That I know too shall shortly suffer the same fate, and pursued by Athimus shall fall into the sea from the promenatory of Ketheron, where it stretches itself into the waves with her son also in her arms. But we shall have to gratify Bacchus, and save her too, for I know was his nurse, and suckled him. No, we ought not to save her, since she is so wicked. It is not proper, however, to disablige Bacchus, Amphitrati. But she, pray, what possessed her to fall off the ram while her brother Frixus rides safely? It happened as might be expected, for he is a young man, and able to hold on against the rapid motion. But she, by reason of her inexperience, upon mounting the strange vehicle and gazing into the yawning depths was stupefied, and at the same time overcome by terror, and becoming giddy from the excessive rapidity of the flight, lost her hold on the ram's horns, to which until then she had clung, and fell into the sea. Pray, should not her mother, Nepheli, have come to the aid of the falling girl? She ought to have done so. But fate is much more powerful than Nepheli. IRIS CONVEYS TO POSIDON THE COMMANDS OF ZEUS THAT HE SHOULD KEEP THE ISLAND OF DELOS STATIONARY WHERE LITTO WAS TO LION. IRIS RED BY AVAI. POSIDON RED BY DELARY WILSON. THAT WONDERING ISLAND, POSIDON, DETATCHED FROM CICILY, WHOSE FATED IS STILL TO BE SWIMMING ABOUT SUBMERGED, THAT SAME, SAYS ZEUS, YOU ARE NOW IMMEDIATELY TO BRING TO A STAND STILL AND BEAR IT UP TO DAYLIGHT, AND CAUSE IT AT ONCE TO REMAIN FIRMLY GROUNDED, A CONSPICUOUS OBJECT IN THE MIDDLE OF THE AGEN, FIXING IT QUITE SECURELY, FOR THERE WILL BE SOME NEED OF IT. It shall be done this moment, IRIS. What convenience, however, will it afford him, when it has been brought up to the surface, and no longer sails about? Leto is to lie in on it, for at this very moment she is ill with the pangs of labour. What then? Is not heaven a fitting place for her to produce her children in? And if that locality is not, that all events could not the whole earth give shelter to her offspring? No, Poseidon, for here I bound the earth with a great oath not to afford a receptacle for Leto in her labour. This island, however, is not pledged, for it was invisible. I perceive, stand still, island, and rise again from the deep, and no longer be born along under the waves, but remain firm and motionless, and receive and harbour. O most highly-favoured one, the two children of my brother, the most beautiful of the gods, and do you, Tritons, convey the lady across to it, and let a universal calm prevail. But as for the dragon which now terrifies and goes her to madness, the infants, as soon as they are born, shall pursue it immediately and avenge their mother. Now do you carry word to Zeus that everything is in good order? Delos stands immovable. Let Leto come at once and lie in. End of dialogue ten. Dialogue eleven of the Dialogues of the Sea Gods by Lucian. Translated by Howard Williams. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Dialogue eleven. The river Xanthus supplicates Thalassa the sea to receive him and cure his burns inflicted upon him by Hephaestus on behalf of Achilles. Xanthus, read by Jean Vidae. Thalassa, read by B. L. Newman. Save me, O Thalassa, in my terrible sufferings and quench my fiery wounds. What's this, Xanthus? Who burnt you up? Hephaestus. Yes, I am all burned to a cinder, ill-fated wretch that I am, and I am at boiling pitch.  On account of the son of Thetis here, for when I approached him as a suppliant as he was murdering the Phrygians and I could not make him seize from his rage, but he kept blocking up my stream under the weight of the corpses. Out of pity for the poor wretches I rushed upon him, intending to immerse him that he might be frightened and abstain from slaughter of the men. Hereupon Hephaestus, for he happened to be somewhere near, with all the fire as I imagine he had in his forge and all he had in Etna and wherever else he may have any, attacked me and burned up all my elms and tamarisks and roasted to the unfortunate fish and eels and causing myself to boil over, all but entirely dried me up. You perceive, then, how I am affected by these marks of the conflagration. You are turbid and feverish and hot as might be expected. Blood flows from dead bodies, heat, as you say, from fire. And not unreasonably, my friend Xanthus, did this happen to you? For making an assault upon my grandson, without respecting the fact of his being a myriad son. Should I not, then, have had pity on the Phrygians, my neighbours? And should not Hephaestus have shown pity to Achilles, who is the son of Thetis? End of dialogue 11. Dialogue 12 of the Dialogues of the Sea Gods by Lucian, translated by Howard Williams. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Thetis relates to Doris the story of the exposure of Dane and her infant Perseus. Doris read by phone. Thetis read by Christine G. Why do you weep, Thetis? I saw just now a most beautiful girl cast into a chest, herself and her newly born babe, and the father gave orders to the sailors to take away the chest and, when they had got apt some distance from the land, to let it drop into the sea so that the wretched girl might perish but she and her baby. For what reason, my sister? Tell me, if you know it at all, the whole story exactly. Her father, Achreus, incarcerating her in a certain brazen chamber, kept her a virgin, just beautiful though she was. Then, if it be true, I can't say, but they do say that Zeus, transformed into gold, flowed in a stream through the roof to her, and that she received the fluid God into her arms and became pregnant. Her father, a savage and jealous sort of fellow, learning this, was in a great rage and, suspecting she had been debauched by some mortal, thrust her into the chest as soon as ever she had been delivered. And she? What did she do when she was dropped into the sea? As regarded herself, Doris, she was silent and was content to endure her sentence, but for the babe she kept entreating that it might not die, weeping and showing it, most beautiful babe that it was, to its grandfather, while the infant itself, in its ignorance of its misfortunes, actually smiled at the sight of the sea. I feel my eyes filled with tears again in recounting them. You made me shed tears, too, but are they no dead? By no means, for the chest is still floating about Serifis, preserving them alive. Why, then, don't we save it by putting it into the nets of those Serifian fishermen? And they, no doubt, will draw it out and save their lives. You say well, so let us do, for neither must she herself perish, nor must the infant, seeing it is so bonny. End of dialogue 12 Dialogue 13 of The Dialogues of the Seagods by Lucien, translated by Howard Williams. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. N.A. Pierce reproaches Poseidon with the fraudulent seduction of the nymph Tyro. Poseidon excuses himself. N.A. Pierce, read by Rob Marland. Poseidon read by Larry Wilson. This is no honourable conduct, Poseidon, for the truth shall be told.  Yes, for you were disdainful and dilatory.  But you would give yourself air towards her. What then, or do you, on that account, to who forestalled my love, passed yourself off as N.A. Pierce instead of Poseidon, and cheated a simple-minded girl like Tyro? It is now too late for you to be jealous, N.A. Pierce. Supercilious before. That is for Tyro, she has not suffered anything very dreadful, since she thinks that she has lost her virginity to you. Not so indeed.  Yes, for you, my friend, N.A. Pierce, had no desire to have her. Dialogue 14 of The Dialogues of the Sea Gods by Lucian, translated by Howard Williams. This is a LibriVox recording, all LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. 14. A Triton relates to the Nareads, the story of the rescue of Andromeda by Perseus. Triton, read by Adam Bielka. Typhon Assa, read by Sedonimus Nord. Doris, read by Foam. That sea monster of yours, Nareads, which you sent against Andromeda, the daughter of Cepheus, did no harm to the girl, as you imagine, while itself has now perished. At whose hands, Triton, did Cepheus expose the girl as a bait, and rush upon and slay it, lying in ambush with a large force? Not so, but you, if Yiannasa, know, I suppose, Perseus, denies baby, whom, with his mother, you saved out of pity, when she was cast into the sea, in the chest by his maternal grandfather. I know whom you speak of, and lightly enough he is now a young man, and very noble and handsome to look at. He has killed the monster. Why Triton? Surely it did not become him to repay us such reward for saving him. I will explain to you the whole matter as it happened. He set out against the Gorgons to perform some arduous deed of that sort for the king, and when he arrived in Libya. In what fashion, Triton, alone, or did he take some others with him as auxiliaries? He took companions doubtless, for otherwise the road is difficult of passage. Through the air, for Athena supplied him with wings, and when accordingly he came where they were living, they were asleep, I imagine, and he cut off the head of Medusa, and took to his wings and made off. How did he get a look at her, for they are not to be seen, or whoever does have a look at them, will never thereafter look at anything else? Athena, by holding before him her shield, for I heard him afterwards telling Andromeda and Kethias so. Athena, I say, upon her resplendent shield, as upon a mirror, allowed him to have a glimpse of the reflection from Medusa, then, seizing her by the hair with his left hand, and fixing his eyes upon the reflection. He grasped his cemetery with his right, and cut off her head, and flew off before her sister's awoke, and when he had arrived in the neighborhood of the sea coast of Ethiopia here, while now flying near to the earth, he sees Andromeda lying exposed upon a certain projecting rock, fast-secured to it a most beautiful object, ye gods, with her tresses let down, half-naked, much below the breasts. In the first place, pitying her fate, he began questioning her, as to the cause of her condemnation. But insensibly, captured by passion, for the girl had to be saved, he resolved to bring aid to her, and when the sea monster rushed towards her, exceedingly terrible, as though about to swallow Andromeda whole, the youth suspended above in the air, his cemetery grasped by the hilt, with one hand aims his blows, and with the other displays the gorgon's head in front of him, and turn the creature into stone, and it died there and then, and the greater part of it, as much as looked upon Medusa, is petrified, then unfastening the virgin's bonds, and giving her his hand, he supported her as she descended on Tiptoe, from the rock, which was smooth and slippery, and now he is celebrating his nuttuals in the palace of Kepheus, and he will carry her off to Argo, so that, instead of death, she is found a bridegroom one does not meet with every day. Well, for my part, I am not excessively grieved at the event, for how the girl did draw us, if her mother did boast some more loudly on that occasion, and claimed to be fairer than we. The girl ought to have perished notwithstanding, for so the mother would have suffered pain on account of her daughter, if at least she is a true mother. Let us no longer, Taurus, bear these wrongs in mind, though a female of barbaric birth, talked somewhat in a style beyond her proper rank and situation, for in having been frightened on account of her child, she is paid to us a sufficient penalty. Let us therefore rejoice at her wedding. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Zephyrus read by Sheikville. Notos, read by Stefan. Zephyrus relates to notice the manner of the rape of Europa, and a marine pomp with which she was conducted to her nuptials with Zeus. Never did I see a more magnificent procession on the sea, since I was born and began to blow. But you, did you not see it, Notos? What is this procession you talk of, Zephyrus, or who were the processionists? You have missed the most delicious spectacle, the like of which you may never see again. Yes, for I was employed in the neighborhood of the Red Sea, and indeed I blow over part of India, as much of the country as stretches along the sea coast. I know, therefore, nothing of what you speak of. But you know of a genor of Sidon? Yes, the father of Europa, what then? It is about herself I will relate to you a story. It is not, is it, that Zeus has been for a long time the girl's lover. For that I knew quite a long while ago. You are then aware of the Amur, but listen now to the sequel. Europa had gone down to the shore in sportive mood, taking with her companions of her own age, and Zeus, making himself like a bull, began to sport with them, seeming a very handsome creature, for he was perfectly white, and had beautifully crumpled horns, and was tame and quite in look. He began then as he was, too frolic about upon the shore, and to bellow most sweetly, so that Europa ventured even to mount him. And as soon as this was done, Zeus started off with her at a running pace towards the sea, and plunging in began to swim, but she, very much terrified at the occurrence, with her left hand kept clinging to his horn, that she might not slip off, while with the other she held together her long flowing dress, blown about by the wind. That was a charming spectacle, Zephyrus, you witnessed. And an amorous Zeus swimming, carrying his beloved. Yet what followed was far more delightful notice, for to see from that moment was without a ripple, and attracting a perfect calm showed itself smooth and unruffled. We however, keeping quiet, followed, being no more than mere spectators of what was happening, and the loves hovering a little above the sea, so as at times to graze the water with the tips of their feet, with lighted torches, saying together the hymenial song, while the myriads, emerging from the sea, rode by their side upon dolphins, clapping their hands, most of them half-naked, then, too, the whole tribe of tritons, and whatever else of the seed-wellers is not terrible to decide, all led their dances round the girl. Poseidon, indeed, mounting upon his chariot, and with anathetrity riding at his side, led the way with hilarity, clearing the way for his swimming brother. To crown all, two tritons were bearing Aphrodite, who reclined upon a shell, and scattered all sorts of flowers before the bride. This took place all the way from Phoenicia as far as Crete, but when he had set foot on the island, the bull was no longer to be seen. Then Zeus, taking her by the hand, conducted Europa to the cave of Dicti, blushing in with eyes cast down, for now she knew to what she was being led, and we, plunging in, set to work, to put the sea in commotion, one in one part, and another in another. O fortunate Zephyrus, to have seen such a sight, but I, for my part, had to satisfy my eyes, with elephants, griffins, and black men. End of dialogue 15.


We proposed a functional theory for targeting low-lying excitation energies of bisonic quantum systems using the one particle picture. We extended the Rayleigh Ritz variational principle to ensemble states with spectrum W and proved a generalized version of the Hohenberg cone theorem. To overcome the V-representability problem common to functional theories, we used the Levi-Liet constrained search formalism combined with an exact convex relaxation. This revealed a complete hierarchy of bisonic exclusion principle constraints analogous to Paul's exclusion principle for fermions. This article was authored by Julia Liebert and Christian Schilling.


Well, it's been an exhausting day here in Congress. We started out trying to get into the hearing where the Secretary of Defense Lloyd Austin was speaking, but they threw us out before the hearing even started. We did manage to get him when he was leaving and tell him that he was Secretary of Genocide. And then we caught lots and lots of Congress people as they were going in and out of hearings today. And we also got a chance to go to this really wonderful press conference that the progressive members like Rashida Tlaib were holding to say the President must tell Israel not to go into Rafa. And finally we got to go to a roundtable discussion on anti-Semitism in colleges in the United States, asking us, asking them why not also talk about Islamophobia, anti-Arab, anti-Palestinian problems on college campuses.


This is stock number 9141, a 2012 Chrysler Towning Country. This vehicle has the 3.6 liter Pentastar V6 motor. From this HD video you'll be able to tell that this van is extremely clean all the way around. That's why we do the videos to make sure that you know exactly what you're getting before you come here. Sometimes pictures just don't do the vehicle justice. Factory alloy rims has general grabber tires. These tires look like they have roughly about half the tread left. Four wheel disc brakes on this vehicle. One of the special options on this vehicle is that it does have blind spot monitoring. Stone white is the color. Didn't see any denser dings on the hood. The front bumper is in really nice shape. No major dense dings or cracks on that. passenger rim. Typically the one that would get all the curb rash looks like it's in pretty nice condition. And as you go down this side of the vehicle you can see just how clean the body is. How reflective the paint is. We take these videos like I said. So if you are far away, hopefully it can give you that confidence to make the trip up here. Or down here, wherever you may be. You can see it as the integrated roof rack. Or if you are close by and just don't have time to make the trip down. You can still see the vehicle here. The vehicle and of confidence in what you are looking at before you even get here. See this back rim is in excellent condition as well. No scuffs or scrapes. And the back tires have just as much tread as the front tires. Problem areas on these vans are always these lower rocker panels right here. So I don't see any corrosion of any sorts right there. So that's definitely a good sign. It has the power sliding doors. Because it is a touring package. So I'm going to show you how the Stow and Go works in this vehicle. As this does have the Stow and Go. First you have to slide this seat all the way up. I do have this seat down already. So you just move the floor mat over to wherever you need it. Flip this up like that. And then this will flip and stay right there. Grab this handle. Just kind of pull this up and flip it. And it locks into place like that. This goes back down. And now you're all set to go. Very easy system. Very handy. You can put all these seats down flat. As I'll show you in just a minute here. To put it back down. Just grab that little tab again. Flip this back up. And now you just grab this handle. And that seat will flip right into place. Go down like that. Goes just like that. Very easy. Very simple. And definitely awesome. As you can take your van and turn it into a truck. In about 35 seconds once you get really good at the Stow and Go. So press that button. It closes that door. See the door shuts nice and smooth. And down this side of the rest of the van. Very, very clean. This does have the backup sensors. Got a couple little scrapes on the rear bumper. But it's a high mileage van. The rear gate is in really nice shape. This is a power raise and power close gate. Back storage area. Very deep. You can store a lot of things in there. From personal experience I have a grand caravan. So very handy vehicle. What we like to do is we like to put this third row seat on this side down. Since we just have two kids. So you just pull that little tab. Pull number two. Follow the numbers. Pull number three. Which releases it. And then number four will bring that seat back. So we have this seat down. We put our strollers right there. And yeah, it's very easy. And then we have all this area on the side to store things. So once you put both sides down and those seats down. You can haul up to a four by eight sheet of plywood. Or drywall or whatever you may be hauling. Basically making your van into a truck. So to put this seat back up. Just grab number four. Give it a little flip. Pull number two to unlock it. Bring that back rest up. And you're ready to go. Head rest up and all set. Back storage area is very clean. No rips or tears. And this is the power gate button. That goes down like that. You can see that that tailgate is in really nice shape. Down this side of the vehicle. Just as clean as the passenger side.  Gas door there. But nothing too major. Inside the touring package. Gives you the black cloth interior. There are no rips or tears in these seats. This van has never been smoked in. Has factory floor mats throughout. Has auto headlamps. Bluetooth audio controls. And you can see that this van indeed does have 73,297 miles. Has a compass temperature digital speedometer display. Got your Bluetooth audio on your phone. Or on the steering wheel here. For your phone. Cruise controls. Have your AM FM 430 radio. So you have satellite radio capabilities as well. As a 28 gig hard drive on here. Also has the backup camera. Which shows up right there. Dual climate control. And then you have your 110 volt 115 watt power outlet in back. That turns that on. Have an econ mode. Which changes the shift points. Give you a little bit better fuel economy. And the passenger seat is very clean. As well no rips or tears in that. We have the power sliding side doors. Rear gate buttons. You do have home link for your garage up there. And then of course some map lights. Also the spy glass. Which is pretty neat to keep an eye on the kids in back. Anyways. Power windows, power locks, and power mirrors. We will take a quick look under the hood. First we'll check out these back side vents. Which are a pretty neat feature. And then this side door opens up like that. And these back seats. Are just as clean as the front seats. And the third row seats. No rips or tears back there either. So you do, there's your power outlet. As well as the 115 volt 150 watt plug in. So very clean back here. Very nice van all the way around. Take a quick look under the hood. There are your blind spot monitors. So once somebody is in your blind spot. Those will light up. And those mirrors are also heated. Hood is very clean. Didn't see any dents or dings on that. Engine bay is very clean as well. 3.6 liter Pentastar V6 motors. Been on Ward's top 10 engine list four different times now. Engine bay is very clean. Runs very smooth. This one has been fully safe and inspected by our service shop. Has a fresh oil and filter change. All the fluids have been checked and topped off. And it is 100% ready to go. And to see more pictures of this van. Or one of our other 400 new and used. Cars, trucks, SUVs, minivans, wranglers. You name it we got to go to our website. www.summitauto.com Full pictures and descriptions of every single vehicle. On our lot videos of every single used vehicle. That we have all at summitauto.com. Thank you so much for checking out my video. If you like it you want to make this van yours. Give us a call right now.<PHONE_NUMBER>. Ask for one of our sales associates. 9141. And ask them how they can help you make it yours. Once again that number is<PHONE_NUMBER>. Thanks again and I look forward to helping. We look forward to helping with this super clean 2012 Chrysler Town and Country. Thanks for checking out the video. If you like it and want to check out more. Go to youtube.com. In fact in a second you'll notice a link to subscribe to our YouTube channel on your left. A link to more used inventory videos on your right. And if you're not on our website already you can be on the bottom. Click that. This vehicle on our website. It'll take you right there. Thanks again and we look forward to helping with this super clean 2012 Chrysler Town and Country Touring. Thanks again.


The 58th Kentucky Apple Festival is returning to Paintsville, Kentucky for the first time since 2019. The festival will be held in downtown Paintsville, September 30th and October 1st. It started out, we used to have a lot of commercial orchards in the county and they would, they brought in their apples and they gave them away free in the lobby. There was a citizens national bank back then, I mean it was and it was second national bank I think was the name and then eventually got switched over citizens national and then one of the gentlemen that worked there, he thought it would be a good idea to let the commercial orchardmen bring their apples out on the street and set them up and sell them and then it would just evolve from that. Events were added and added each year. My name is Aaron Crump, Chief Medical Officer at Pikeville Medical Center. The Heart and Vascular Institute, it's really an incredible program. Made incredible because of the providers, because of the technology and because of the staff. We've truly become the leading provider of Heart and Vascular services in eastern Kentucky and in fact what we do compares to anywhere in the nation. Pikeville Medical Center, when it comes to your heart, place your care in our hands. All food booths available at the Apple Festival are non-profit ran and the festival will also feature a flea market, parade, car show, stereo competition and a free concert. Well I think the most important thing about our festival is that we're here to help the non-profit organizations in the county. Kiwanis, Rotary, your school groups, little leagues, things like that, you know churches, youth groups, because I think we're one of the very few festivals in the state of Kentucky that do not allow commercial food vendors in. I always support non-profits. To view the full schedule of events go to kyapplefest.org. For Mountain Top News, I'm Brianna Robinson.


Hi everyone! In this tutorial, we're going to show you how to randomly select an item from a list. In order to do that, first I'm going to import the random module. We're going to use a function from that module to randomly get an element from a list. Now let's make a list. For example, let's say numbers equal list of 10 numbers. I want to see elements of that list. And now I want to randomly select an item from that list. We're going to call choice function from random module. And as a parameter to this function, I'm going to provide the name of our list, which is in our case numbers. And now I'm going to press enter. In this case, number 3 is selected. I'm going to copy this line and paste it. And as you can see, now we've got another random number. So with this choice function from the random module, you can randomly select items from your lists. That's all in this tutorial. Thanks for watching. Don't forget to subscribe to our channel and to like our video. See you in the next tutorial. Bye!