What they gonna do with me now? I'm still a troke of the town I'm getting the sisters, I'm hooking them down I'm reaching the smiles in the frowns again I thought that we were clearing the frowns You thought I was gone? No Oh, yeah, it's me, HD Bindo from the 9-0s I love the energy of the energy Okay So, first of all, HD Bindo Yes That is very neat Okay, thank you So walk us through how you got this name What is your name? Okay, okay So HD comes from My name is Jarius Henry Why would you say your full name? Bro, I love that I'm cool You know what I'm saying? Right?   Like at this point in my journey, you know what I mean?  So that's what that Bindo needs So it's like an affirmation Yeah So how did you start with me?   Exactly, as a kid But So yeah I would take the CDs and I would be listening to them from 50 to camera all these people But 50 was my first introduction that made me want to rap And then from there was Wayne Wayne was like the reason like made me want to like play with words You know what I'm saying? And then cold Once I found cold it was like I want to get more introspective And I was like But that's the like holy breath that kind of started my journey I think that it's crazy that you would say like exactly three artists too because on this car you see is that we have to summarize who the big It's getting fortunate now You know what I mean? We're in tune That's all that is We're here It's the New York It's the Brooklyn What Brooklyn are you from? The Brooklyn Where do you think I'm from? Then why don't you? No That's That is the other side for me Where are you from? I'm from the side Okay Where do you from? I don't know where you from Exactly I'm from the nanos Maybe Okay What you mean? They do it They do it I'm from East Flatbush I'm from the place of all the Grenadians and nations You know what I'm saying? My family's Grenadians My family's Grenadians We're here We're here We're here You know everybody in Grenada is related to each other My cousins I feel like that way about all the Grenadians Like Barbados My cousins That's nice So what are you other than Grenadians? Oh that's my father's side of Jamaican Okay One thing about Jamaicans they are loud loud Oh Good time When I went to Yesapakwe or Liberty I wanted to find a Jamaican flow I was so mad My friends wanted to keep listening to Soka I'm like I want to go to Jamaican to be better than one concrete You didn't get that? No We just chipping down the road So Who else are some of your musical influences outside of your movie? Outside of that I mean definitely you know somebody like Hove for sure Beyond that people like Jack Johnson I love the album Okay Between the two I like writing That's the major thing Like me as an artist I'm big on writing So like I just appreciate people that write really good songs And that's one of the reasons I mean I know you said Outside of the Hove and Reve That's one of the reasons why 50 is Such a like More like In terms of writing 50 is a very underrated writer like songwriter You know what I'm saying So that's something that I always take to write What's the first song you ever wrote? Wow First song I ever wrote Well they came on I It was probably this song called Paper Chasing It was a bad song It was a bad song It wasn't filling it How old was it? It's a 11 It's a bad song It's nowhere on it Did you record it? Yeah I was recording music I was recording on like At that point I was probably recording on my little laptop Had this little like netbook You know Okay Yeah And I was recording off of that And I would be recording at my homie CJ's house Like That's kind of how we used to teach So you would record long time This would be Yeah When I was not My girlfriend's mom Right He was at like This exhibit Something like that We showcased my work But she asked me What I wanted to be And I told her I wanted to be a writer I felt crazy I'm like a lot Like I thought I was like You know what I mean I think that that's Something that has changed Like I feel like back then Yeah Like If you said you wanted to be A rapper Everybody's looking at you like What Right If you said you wanted to be Like some type of content creator It was like Okay but what are the odds I feel like now Everybody in here Wants to be a rapper Yeah I mean We have the place now Where you could be Whatever you want Because it's like You just gotta go get your audience And it's like Easier than it ever was If you find an audience Definitely I mean I'd be writing poetry I look at the rappers' poems In itself You know what I'm saying Like One thing that I'd be doing I'd be going to little cafes And I'd be reciting My rhymes But like as poems You know what I mean Just put the beat away You ever watch What is that That poetry game No You never seen what Kanye did All falls down That shit was so good Kanye does all falls down DMX does this crazy poem About the industry This fight Fuck that That's not like I like being at concerts But I don't like listening To live Live music Yes, I can't I like it to sound How it does on the track Like You're like the feeling Of like Bates If I'm there Right, okay If you're watching it on my TV I feel like I could just real quick The song Copy, copy I think we should at least Try that poetry game Okay Try listening to Kanye on it Okay It's just a different experience Okay Okay So do you write all your music? Yeah, for sure Every day Every day Love that Every day Would you ever have a little target? No, that's not really my Flames Okay So I'm interested in your writing process Because as you said Like You were Well, first of all You were listening to very skilled grabbers And I feel like It's one thing for you To be able to put words together But it's a whole other thing For you to be using like Literary devices And that's what you do Like you and me With all the liberation And metaphor So what is your writing process like? For me like So when I get a beat You know what I mean I'll Essentially just Press record And just Come up with flow Just find pockets Are you saying words? Or is it like a moment? Nah, just moments Like I'm just Putting little flows together Trying to figure out What the pocket would be Okay And then Through that process Is usually I'll Find a hook Through that And once I find a hook Then it's like Okay, I know what I'm talking about Versus kind of Come out a little bit easier Once I know what the Not rest of the record is Okay, so subject matter It still matters to you Yeah, yeah, for sure Cause I definitely feel like There's a lot of the time With music these days Where it's like The song is called One thing And they're talking about Everything A through Z Right, right, right But I feel like When you look at somebody Like Wayne Or Jay-Z Like If the song is called Coke in the 80s Everything is going To be revolved around hope Yeah, no 100% every single thing Yeah But like that's important You know Like I feel like that In itself is a skill Yeah You know When you're approaching a record You kind of want to showcase Your skill Absolutely Like that's kind of What we're doing as well Right So I try to make sure That's important So what do you feel like Is your great strong Skills as a rapper Flows Lyrics And beat selection Flows, lyrics Beat selection Yeah What do you think is The most important From the days Beat selection Because it's music Music is about feeling You know what I'm saying Things that you're saying Don't get me wrong As a writer You know That almost sounds crazy As a writer to be Not saying lyrics Are the most important But I say beat selection Because As I said Music is about feeling And what you're saying Is extremely important But in order for that To connect People got to feel it Right You know what I'm saying If people are not feeling That music You could be saying The most profound thing But it's just a matter Okay cool So Beat selection I really Proud of myself For picking Beats that compliment me So how do you pick it I don't know This beat is for me I'm about to eat this up I'm just picky You know what I'm saying I'm a very picky person I'm very okay With being patient You know what I'm saying I don't I'm a verloid Okay So I'm cool With being patient So you know Really Being in the studio It might be a time I remember I was going through B-packed from A whole hour or so No beats No beats But it was just like If I'm not feeling it You know what I mean I'm not even forcing it You know what I mean It's about feeling That's what this music Starts from Feeling So if I'm expecting people To feel something I ain't feeling people Can I expect from you Okay so trying to put An insult word Is what about the Beat to graduate It will be Does this So me as a producer Right A lot of the times Yeah I come from the place Like okay Do I wish I would have made this beat You know what I'm saying Like if I hear some shit I'm like Damn I wish I would have made that Or I feel How the fuck Did you do this If that If those two things Go off in my head Then I'm Already wrapped into the beat If I listen to the beat And I'm kind of like Okay I can already see How this is done Or You know what I mean Like it doesn't really Impress me in that way That's fine But then at that point You know what I mean That the bosses Were wrapping that Whatever So who are Three of your favorite producers Right now Disney Bank Oh it is Best I see you got the feature too You know what I'm saying This is He's making me Very proud Like every time This sends me songs It's just like Wow this is incredible Now that Hit boy I feel like You're somebody Incredible And somebody that I feel like It doesn't get The The widespread love But somebody like Plus He's from My girls camp I would love to ask What's your name He made Humble for Kendrick I was Formation for Beyonce Like Plus is somebody I feel like Obviously He's Seasoning this You know what I mean It has Credits and all these things But I feel like The name Is just something that Needs a lot more respect Plus is incredible So how do you feel about Producer tags then Because You've been the producer Like Even like You decided to tell me that Plus Producer tags But it's like If a hit boy Have producer Or if a hit maker Have producer We would have heard it And we would have known Right So how important Do you feel like Producer tags are I mean definitely in terms of Branding Like that's all the Producer tag is Is branding And I feel like If you want people To Recognize you And your work You have to Make sure your brand Is Okay with Being in the background Right A lot of times producers Are very okay with They choose that Role for a reason You know what I mean Like a lot of producers Be nice Like come up with melodies All that shit But this is like I'm choosing this role For a reason So I think Plus it's in that space You're right Do you have a producer tag? No I don't I don't It's just more Like I always kept My beat making Very low key I do it out of necessity You know what I'm saying I'm like Me From Making my cover art to Oh wow So you're very hands on Yeah very Very hands on And friend I will say Shout out to Cole Cause he did the Cover art for What can they say But for a lot of The work that I've done You know we edited Videos Making cover art Mixed in songs All that stuff Anything that Requires Releasing music Today I can do it But I've done that Just so that Like I understand everybody's Job So now when I go Experts We can actually have A conversation I'm not going to people Like All right here just Do some magic You know what I mean Like I can Just put the language And when somebody Comes to me It's like Yo this is going to Take this It's like All right well I understand what this Really does Take You get what I'm saying So I think That's important If you want to be An artist Especially today No You got to look at yourself As a media I've been doing all day So You got to start Looking at yourself Like that And part of Being ahead of a Company Is understanding Everybody's job You know what I'm saying You don't need to Be the best Everybody's job Go higher the best But You just need to know You know what I mean People can't do Shit to me You know Would you produce A song for yourself At this stage In your career Or do you feel like I'm just No no no For sure I've been Making beats I haven't done it in a minute But I just got back into The groove of that For the last Two weeks It's been Everybody's nice What should style of producing Like what could be It's A lot of it Is just real bouncy You know what I'm saying It all depends on What my mood is You know what I mean Sometimes I might Start with some Samples It could Just vary off Into whatever The mood is Exactly Now earlier You did mention Rock Nation So What's your relationship With Rock Nation Oh yeah I'm signed over You know Me and Luis Remember The Rock The fellas We love that Yeah Thank you We love that So How did you With Rock Nation What's past So honestly That's just Off of The work That we put in This year You know what I'm saying Like me And this Locked in Top of this year And put together This is like Okay This is something Right You know what I mean They seen exactly What we were trying to build And they understood How big We're trying to take this You know what I mean Because for me The music isn't just About You know Having something big Within the city You know that This is going to be Something big For the city But we're trying To take this global You know Like that's the focus Maybe it's as big As it possibly can At Rock is with them Is this a management Okay So what's the difference Between the two So management obviously Just comes with Specific management Things You know what I mean I think working with the Label is about Having a specific vision And plan From A to B I think management Comes from a place of Alright We're just here To set up plays Okay Signed to the label Is right here To set up the brand Like I was saying The full picture Now How has your career Changed Since you made this It's just been A lot more eyes I feel like That's the biggest thing You know People When they hear Rock Nation With my name It's like Okay cool People are a lot more Willing to listen And I feel like With that It's dope Because We know what we've got Like the same reason Why Rock was even excited To attach their name To what we're doing It's always dope To see people Real-time Like really Rock For the reason For So And first of all You were last Didn't know you were last I didn't know I was going last But that was dope Okay Was it edited that way Or did you like Find out the deal In reporting I went last as well Okay So how did that feel Was there some pressure there No I mean I feel like The biggest thing Is just Making sure that You get it out the way That you attend it That's the biggest pressure With any of Those situations It's not a matter of What people have been going to be But you It's a matter of How I feel walking away from it Now Walking away from it Which you said I'm going to mess it up What you said You can't talk to me at 100 mil That's what you said You said You can talk to me now Maybe You can't talk to me at 100 mil Realistic So What three things Are you buying at first When you touch that Wow Well give me a boat Okay I'm going to get a plane Okay Yeah I'm saying And I'm going to get Like A really really really cool Dog A dog Yeah A really cool dog A cool ass dog Like What type of Like I'm probably like a Sheepoo I want like a Sheepoo That's a Sheepoo And a And a food Yeah That's Sheepoo And I'm going to name my dog Cheerio Okay So Why can't you Get a Sheepoo now I can But you said I'm at 100 mil That's what I'm doing I don't know Yeah but like What's happening Like this is You clearly I could go get a boat today Right Technically Like if there's a will There's a way I could go get a boat today Um Like no See look You already No I could go get a boat today Okay no Let me tell you what I think The difference is Um I think that You probably Could go get a boat today I break you Probably Could go get a plane today I break you Right I didn't know The Sheepoo You never know I'm talking about this I suppose Nah I'm talking about this at all But I just I don't understand why You can't believe This is a part of the 100 million You know what I mean A boat plane Cheerio Cheerio Alright I'm not going to be the Today So How does my nation feel to you Like do you guys Feel like a family Or do you feel like It's just like More of a language Nah I think that's Like they believe in Okay The legacy Like that's Me getting into music Wasn't For some like I just want to be here for One album One song Like it's about the legacy Of music You know what I mean Everybody that I Looked at They have Longevity You know what I'm saying So Rock believes in the legacy I feel like With that You naturally Happen In the long You get what I'm saying So it feels a lot More of a family Okay Have you met JT yet That's the big question Da No Okay are you excited to Do you plan on it I mean I feel like When that's supposed to Have finished one after this We got to see you at the Rock Nation brunch That's what You got to be at the Rock Nation brunch You know With the waffles Come on All of that Hosted with J That's what we got to do Now Did you mean Jada kids During the filming Of the cycle Oh yeah Not for sure Jada was Obviously you know Growing up in New York Jada kids not stopped Right You remember when Jada was doing The voice over to the NTA's Okay Let me say I went to school at Albany I got to it Last year So when I came back I wasn't on the trains As much as my car So when I was here I was driving everywhere There was no way I needed to go On the trains So when I came back And I lived here Jada and I started Listening to the train I'm like What the hell This is fire I think it's funny That's hilarious But Point of the matter is Jada kids in the state Were in the New York Colts You know what I'm saying So to meet him I was like Okay this is fire Right But he was Real funny And he just Real inviting me That place was Warm And I was Cool with it Okay Is he the same Jada that we see On TV Jada is a hundred percent J like funny Jada like And do he really Like that Jada be laughing like that That's mad crazy That's mad crazy So I know that you've been In a room with a couple Of OGs at this point Because you went to Hip-Hop Awards So we'll get to that So what's the best piece Of advice that you've got In front of one of the OGs And in my beam so far Wow So This was years ago Okay I met Jada Who was an amateur Okay I was just in like 2015 And So at this point I was Jada's festival In Copenhagen Or the Czech Republic Right I did a festival out there And he was just like Yo you're going to go back To Brooklyn And Like you're going to talk About your experiences Okay And this is just Your life At this point Like when you get a lot of People you're going to talk About your experiences And you're going to realize Some people are going to Think that you're lying Or you're bragging Which is like Those are just People that just Don't understand That we just So why do you feel like That is the most important Because honestly I was expecting to say Something about like Financial literacy Something like that But that was real interesting That you feel like that Like that's the thing that you So Yeah Because I felt like that In this shit In this music shit Especially like You need that People around you That you can express yourself To You know what I'm saying Like it's a lot like Realistically Like But If you just need People around you That you can express yourself To So I feel like If The people around me About I feel like I'm speaking to them And it's like I think it's looking at me Like this And you just Keep talking about it Yeah You can't have that But it's not That helping the environment You know So like that's something That just always Stucks in It's like You got to make sure That Wherever you stand It got to be helped That's so interesting So who's surrounded Well Who are you surrounded I don't know I'm an American I'll ever be You know It's like It's It's a whole team Of People To Feel me but Yeah People And you got it through So in the You got it through So in the So in the You got it through So in the So in the So in the So in the So in the So in the So in the So in the So in the So in the the hip-hop awards that you were at, tell us about that. That was a fire experience, more so because I've been watching awards.     So what shocked you the most about being here? Wow, how much of a movie set it feels like.  I think we're on screen. It feels just like this. It just feels like a snap of a finger, but when you're there, it's definitely a lot more of a production, even respect, the work that goes into all of this. It's so much movie pieces, you know? So I think that's the good part. So on the Joe Biden podcast, they were talking about how they felt like the hip hop awards was real Atlanta this year. So you've been from New York. Did you get that vibe while you were out there? Like, did you feel like it was very much Atlanta base?  That Joe's hosts been, Bhutan performed, they ended with Bhutan, but live records, but so many people from New York went to Bhutan. But yeah, it didn't feel like she was good at Atlanta, but for me, how I like it was real, really. So it felt like that. That is my, so I love how I like it. How are you people? I'm excited. Really? Exactly. So how do you feel about the girls overall since you brought her up? Are you feeling the girls right now? Yeah, I'm 100% I feel like it's a lot of fire music coming up in one minute. Tia Vren, she got some fire. Tia Vren? Tia Vren, I think that's the name. She got some fire, P-E-T, that's the name of the record.  You know what I mean? Tracing Dad, she's on my project. Yeah. You know what I mean? That's the first time I heard her actually. Word, yeah, she got a record called Daddy, that's crazy as well. It's a lot of dope women that's overgrown with women. I'm not gonna lie, I think the women are dusting the men right now. They are, we gotta keep up. I think that the women are dusting the off. I agree. Like as a whole, as a whole. I think we look at women as a whole, we look at men as a whole. Especially, maybe I'm from New York, so I'm watching the New York girls, I think they are smoking. I mean, I look at it like, the first correction is an over-correction, always. You know what I'm saying? I feel like that is necessary. I feel because in terms of women in abundance, being in hip-hop, it's always been like, kind of like I, this couple of women, but like now it's so many women that's actually prominent in the hip-hop. So I feel like that's, it's supposed to be like that.  Are you talking about the drill scene right now? Yeah, you do. Okay, so we can fill in out of the drill scene right now. Women amen. Okay, Kendrick B.L.A., I think she's super funny. Yeah. I'm still crazy. I think Big Bang still go, like, I think so, too.  Okay, wow, that's an interesting name I feel like when you say like, oh, you fill in right now, like this thing don't really come up. Yeah, yeah, yeah, yeah. Cool, like I, I feel like it's real quick. Shout out to you all. That's right. So being from Brooklyn, I just wanna ask you this real quick. Yeah. I feel like the Brooklyn drill, Bronx drill thing, like that's a thing. So who do you think got the better drill right now? Bronx drill or Brooklyn drill? I'm from Brooklyn, like, you know what I'm saying? I really feel like the energy is New York. That's the major thing. Like even when the Bronx drill scene was starting to emerge, you know? That separation was happening, but I really feel like, they just really gotta look at what New York is doing, you know what I mean?  Yo, that's on the last card.  I told you, right? But like, how you saying that? Like, I feel like even at that separation, you know, like, all right, what's the difference? Bronx, you know, we, what's the difference? It's better, it's like, now we, New York is, there's a movement happening in New York, and I feel like we gotta celebrate that, because it's been a minute that we had this much, you know? So we gotta get back to the new thing a little later. But back to the division, do you feel like New York is still being held back? Why is that? Because like, you know, a lot of people will say like, the reason New York isn't where Atlanta is right now is because like, Atlanta, they stick together, like, when they goin' through somethin', we don't know up here, like, they be at a beach with themselves, and they feel like us, we don't really look to each other, or like, our DJs aren't playin' all New York music the way you go if you go to California, they play all Kendrick, like, do you feel like that's still a thing, or do you feel like everybody's, I feel like, at least in what we're doin', you know what I mean? I feel like the biggest thing is being the change that you wanna see, and how me and my side is movin', like, we're very much, like, I, everybody's in tune with each other, you know what I'm sayin'? Like, me and Benz, it's Fergie, you know, Niko, Kyle, there's so many people that's made music on our side that we all support each other, we all look to each other, so, I think, even if that's not the conversation in New York right now, it will be so. That's the performance. I love that.  I like games. Okay, I like games too, they be mad at me here, I always wanna play a game. Okay, so we're gonna play a game of rapid-fire questions, let the people know you will look to that, okay? Okay. There's no tapin' out, every question must be answered. Okay. All right. What's your favorite Jay-Z song? I don't know. Oh, man. Where I'm from. Who's your favorite rapper from Brooklyn? Jay. Like, who do you hate, Jay? Who didn't mean to say it? Well, all right, Benz. Okay. How many push-ups can you do on a roll? If you about to tell me to do some, it's not how you do it. Not how you do it, not how you do it. Oh, that just sounded like you're lying. Oh, I think so? You better do it. I'm not lying, no, I'm not doing it. What TV show can you watch over and over again? Who? My wife and kids. That is my favorite TV show of the time. What's your favorite song by you? Wow. Damn. Mad Man right now. Okay. Who's the last person you've pulled? What was your first cell phone? The little, shit, it was a Nokia drink. It wasn't a flip joint, it was, you know, it was just- The slot? Nah, it wasn't even a slot, just the button's right on the joint. It's thick?  Okay, so what's one song you love that everybody hates? Ooh, that I love. Come back to that one. Oh, that's not really how I would wrap a party party party party. Oh, that's rapid, that's good. You're not even going that fast. Listen, just chill, go to the front. Which fan of yours are you closest to? Love or cousin? What's your favorite thing to watch on YouTube? Random, popular, anything. Okay, and last one, give us an unpopular opinion about anything. Unpopular opinion about anything. The seafood spots have the best wings. Like if a spot is known for seafood, they wing this one out.  Look, I just put you on. You're gonna be in the next seafood spot. Yo, make it the wing. That, okay, bitches, watch. I learned about Ocean King. Ocean, okay, yeah. Yeah, I'm gonna have to get into that. So, do you watch the JVP Jump on the Top? Yes, I do. You like your regular watch, right? Yeah. All right, so I saw you post about hearts. Right. And playing the song, I just sleep well. How did that feel? That was cool, that was very, very cool. So, you know, hearts, me and her spoke of, because Alex goes over there. Okay.  Wait, you said Ericsson? When the cameras come up, I'm gonna actually say the same Ericsson. See, I wasn't even gonna say that on here, but like, as I said it, I said Alex, and I was like, I can't say Alex and not mention Eve, but he is. So, that's the same Ericsson. Okay. So, that's how me and Parks link, you know what I mean? And I played with the project, it was probably maybe like a month or so after, you know what I mean? Like, all his reports, so that was dope. That's great. But it felt really dope. So, did you just see like any, like spicing your streams on that? I didn't really pay too close attention to the numbers, but I'll be honest, I'm a feeling guy. You know what I mean? I pay attention to the numbers in the sense of like, okay, I just need to know, did it go up, did it go down? Like, that type of shit, but like, for me, it's, you get the feeling. I feel like as an artist, you kind of know when people is rocking with you, you know when it's quite, you know. Okay. You got to pay attention. So, when you're picking your song, like this is going to be my single. You feel like you use that intuition, like, you know. Oh, yeah, one million percent. Are you always right? I would like to think so. I mean, I wouldn't be able to tell if I was wrong about, I mean, the decisions, you know what I mean? And it's like, I feel like however they land it, wherever they land up, that's the biggest thing in this journey, you know, is choosing the decisions that make the most sense for that moment and taking what you can and learning from that, making yourself better. That's what we represent. Lab, like, it's learning to become better that's my own team. Okay. Well, that's actually my mission. Word? Lab. Lab? Yeah. So, let's talk about performing. You have a whole lot of energy on stage. I watch you are rolling loud. So, how did that feel to perform at Rollin' Loud? Rollin' Loud was amazing. I was like, one of them feeling is that, okay. You do a lot of this work-forward, these types of learning things. I mean, obviously it's for any of these special stuff in front of people, but definitely on those sets of stages, it comes with a lot of weight. So, that was the final moment in that, being able to make those connections with a couple of people out there was a quiet moment. Did you feel nervous? Well, do you feel nervous when you're performing? Well, now, performing is probably the most comfortable.   It doesn't even matter what happens up there. Really? I'm feeling good. That's interesting. I did score 20 years, literally. Every single time I stepped on that stage, I had P-Bright before, I was like, yeah.  You're not even using the backing track. So, it's like, you're rapping, you be jumping around, you be running from side to side, like. Yeah, that's Tom, yeah. I feel how you do that.  That's really what it is. But I mean, I feel like, naturally, I can't say I've never had nerves before on a show or something like that. I've never had that, but I think even in those, once I'm up there in front of people, it's like, okay, it's in your ear now, like, what's up? How do you prepare for those type of shows? I've been doing shows for like so long that the preparation is a lot in listening to the songs, you know what I mean, beforehand, but it's really allowing myself to be my most comfortable. You know what I mean? That quiet as much noise in your head as possible, that's the best way to do it. Like if you see me before a show, I'm probably gonna be super quiet, like maybe like five minutes before, you know what I mean?  Once you're up there, just you. So what about physically? Because I would imagine it's not easy to jump up and down, like you don't even just be like hopping, like you need to be there. So how do you prepare to say all the lyrics? And I know you said to listen for like, say all the lyrics at the same time given all that energy and running and jumping. As I said, since it's like me, just my most comfortable, it just fit, like I'm just going. You know what I'm saying? You said what? Adrenaline condo. Yeah, exactly. That's what I was just about to say. It's like, it's almost like being blacked out, like I'm not, but it's like that same feeling. Not at all. Now wait a Instagram, right? I was looking and I said, no, it's nothing crazy. I was like, what's on Instagram? No, I saw that you were outside advertising for your show at Metalhead. Yeah. Right. And I thought that that concept was so lit to get like just regular people to be like, yeah, like I'm popping out to the show. Who's I deal with that? That's honest. That's what we do. So when I went on tour with Portugal to men, I was in 2017, right? And what I used to do would just be, I would go in the line, me and my drum and dirt, we would just be in the line just essentially trying to scalp tickets from people. But you know, obviously we're performing, but we'd just be up there trying to get tickets and the whole thing was like once we get on stage, it's like, oh, I'm gonna die trying to take it.  So now I was just putting it on. So I know you said that your very hands want everything on the music side.  Oh, very, very many hands on. I mean, like my biggest thing is being able to get product out. Okay. Like today, tomorrow, whenever I can get this music out, I can get everything around what it takes to put out a song in this day and age, put out a project, put out anything new to do it in this day and age would do it in house. Okay, so how has being, okay, how's being signed changed that for you?  Right, right. I think those processes are, like it makes things a little bit, like things take a little more time, but the part of that is making sure that things connect. You get what I'm saying? Like taking that time to all right, hold on, if we look at it from all different angles before we just don't, because I think that's the biggest thing with being independent is how you just go, go, go. Which is good, like, you know, I don't think there's anything wrong with that, but the other end of that is taking that, that extra three minutes and looking at it, but all right, we can amplify this in this way, in order to make sure that things explode. Now with that mindset, it sounds like a lot of trial and error would be involved, right? I feel like the, yeah, I think naturally putting out anything, any sort of content is trial and error. That's all we're doing every day.  That pigeon got 50 likes, this one got 200, you know what I'm saying? Like everything's trial and error in this day and age. So how do you deal with the failures? That's, I feel like that's the exciting part because, you know, my whole thing is lab, right? Learning to become better, so it's time to learn.  It went like this, okay, cool. Well, how do we know how to approach it for the next time? That's the exciting part, you know? Like, when it's time to start playing it, we get excited. Got it.  And then you weren't. So how do you deal with that? Like, do you feel like that was one of those learning experiences? No, I mean, I feel like in those situations, like the idea of trying to get people to like, I need you to believe in this. For me, again, my name is A.C. Bender. Like it started from you believing in it. You know what I'm saying? So anything that is me, like, I need you to believe.  You get what I'm saying? Like, people gonna catch it when they supposed to. Yeah, and you actually said that in the video. I was gonna bring that up.  That's what we want. And I think that's very bold of you to have like, as a, well, you're not a new artist because you've been doing it a long time, but you just newly got introduced to a larger audience.  Like, that's so bold of you. I mean, it's just the reality, you know what I'm saying? Like, I ain't ever running from the real, you know what I mean?  Like, everybody doing whatever they doing, it don't stop what I'm doing. I'm a doing it regardless. First of all, it's so funny to me that you say stop. But that's just mad, you know what I'm saying? You said it earlier and I was like, wow. I ain't even know this stuff. I know what you just put that on. You was like, it's not gonna stop what I'm doing. Yo, why you put that on? Now, you feel like that attitude came from you being from New York and being from Brooklyn, or you feel like it came from personal experience, isn't it? Yeah, I feel like it's just resilience. You know, I said, I was non, right? Like, I told her that I wanted to be a rapper at night. So to have that mindset at that age and still be at it is very much like, I know what I did for her, you know? Where did you get your confidence from? Well, God. Oh, there's no inspiration, nothing else. It's God. There you go, God did. Are you the only child? Nah, I got a brother. I got a brother on my mom's side and I got siblings on my dad's side. Okay, because I asked that because I feel like a lot of the time when people tend to be that confident is from the home. Like, your parents or whoever you do upgrade always telling you like, you're this and you're great and you're beautiful and you can do better. I mean, my mom gave me the space to kind of just be me. You know, like, she didn't really put too much which things it was like, all right, as long as you were doing good in school and I ain't really tripping on what you're doing. So with that, I feel like I was able to just find myself. Okay, so did she give you that same space when you decided that rapping was what you wanted to do full time? At first it was naturally kind of like, man, you are a rapper. My mom from the Caribbean, you get what I'm saying? So you feel me like, what are you doing? But it was one of the things like she knew she couldn't really fight against it because the mindset that I had was determined like, and I'm like, I'm a little defiant. I ain't going to lie. You feel me? So she kind of just didn't really go against it too much and especially once I started going to Europe and shit like that, it was like, all right.  So she kind of backed off at that point.  Nah, I don't really, I was gonna ask you how you feel about that. You should be talking about bitches and homies. That's crazy. Oh my God, talk about very civilized things. You know what I'm saying? Talk about my life. I think that there's a very civilized way of talking about bitches and homies. I just be talking about my life. Anyway, like, my mom was just not listening. And that's your life then? My life is very civilized, so I'm trying to tell you. Okay, so why you don't want your mother to listen to that civilization? Because my mom, she liked Johnny Cash, you know what I'm saying? My mom, like, country music, country music, you know what I'm saying? That's what my mom was saying. So do you play your music at all? Nah, I played my mom a song, Mad Longer, I made a song for her. Nah, that's not it. Yeah, I played that for her. Who do you play your music for? Me. So like, okay, to see reactions, to read the book? Definitely my manager, you. Okay. And play it for people like this, you know what I'm saying? People around us, for sure. Okay. Now I feel like, who? Zay. Okay. So just, your answer. Yeah, yeah, yeah, exactly. Now I feel like in 2022, we touched on this a little bit, how like, anybody can be anything they want to be. So I feel like a lot of the time, people rap either because they see the money, or because like they just feel like, all right, I feel like rapping. So do you feel like, well no, you said you were doing this and she was not. So clearly you have a love for it. But do you feel like there's a separation in artists that do it because, like for the love, I was, well, versus, you know, the other side?  Cause naturally with anything that you're doing, it's like, just gonna come with some bumps and bruises. And, you know, what happens, what you do after you get them bumps and bruises, that's really the way we tell it.  You feel me, and that's the biggest difference.  And you don't have people that's in it for the love of all, that's fine for you, you know what I mean?  Cause life is for you. Yeah. And give what you want. Now you being a rapper from Brooklyn, with that mindset, do you feel like you're the best out? I got a song called Best Out. I do see the best out. Oh, okay. I didn't know you did that much research, you know what I'm saying? That's the best out? You didn't see the best out? Uncle, I'll see, you got that. She's making fun. She got it, okay. Yeah, no one, that was the same. You know what I'm saying? Best Out is, you know, I made that record from the real place, from a very, very real place. Like, I made that beat that was, I had a different hook to it, and I was like, okay, we're gonna go with this. It's like, I feel like this could be bigger, this could be more of a statement. And, you know, once I came up with that tone and that hookup, which is, that's the thing I'm most proud of in that record is the tone and the hookup. Okay, got it. Now, with you feeling like you're the best out, what do you think makes you the best out of it? This is neat. You feel me? It's exactly like, it's something of like, even in the music that I just made, right? This project, what can they say? It comes from this place of back against the wall, what you're going through. You know what I'm saying? For me, I feel like there's plenty of people that get to this situation. It's like, all right, what, the world did this? And, oh, y'all gotta get this. Where we come from is, oh, all right, that's what y'all doing? That. Yeah. Oh, okay. Cool, like, we get to it. That's what we come from. So, it's a matter of the resilience is different, you know what I mean? But the after is very different. So, 100 million for the afterboard. I think the worth of this view is visible. For sure. If it's Sesame Street, it's visible. Yeah, let's go with that. So, do you see yourself doing anything outside of music? Oh, yeah, for sure. What are you running your tool?  What 50 is doing in terms of TV in general, which is amazing. And that's definitely a path that at some point we're gonna explore. Okay. You know what I'm saying? What type of, well, if you wanna get it out right now, what type of TV do you wanna get into? Like, you're trying to go in 50 route with the crumb? Nah, it's a lot of stories, you know what I'm saying? I definitely would say, you know, I'm from the non, you know what I'm saying? So, it's a lot of stories that we can tell from there.  So, it's gonna be a lot of things. So, outside of TV, if you see yourself going into anything else or just music, TV. Definitely those things, like, as my major priority, but, you know, eventually, we want black furniture, you know what I'm saying? Okay. We're going anything for you to... Global. Period. Now, speaking about your main priority, what can they say? Yes. Drop? What is your second one? It's been beautiful, like, the thing about this project, we wanted to make something that was, like, bright side and something that people can just loop. You know what I'm saying? Like, okay, this is him.  And that's been the biggest response. Like, seeing people be like, oh, yo, this is, I can run this project, can I stop it? Yeah. That's been cool. So, I feel really good about how people react to music. Mamba has been to stand out right now. Yeah.  Okay. Which, like... Now, how do you all about picking your track list? Like, how many songs did you have to pick out from? It wasn't too many that we picked from, like, we had a lot of records that's kind of outside of this project, but this project was very specific. There might have been, like, one or two records that I was gonna put on here that I decided not to play. It was very intentional. Okay. It was a very intentional project. I was gonna ask about intention because when you go into writing your song, or picking a track list, or deciding what's the message for this specific song, this specific album, do you, like, what is the intention? That's the question. What is the intention? It's most, like, in terms of the music, it starts with what do you want people to feel, or, like, what do you feel as being? In that moment, you know what I'm saying? If I play a beat, this what is that beat saying to me? Yeah. You know what I'm saying? Because if the communication is all between me and the music, then communication's gonna be all between me and the beat. Right.  You know what I'm saying?  It could be just one little thing, and now y'all have all been communication just because, oh, you didn't ask me. You feel me? Like, that's how I look at the approach to music. All the communication has to be aligned. Got it. Now, what made you lock in with Earl and the Beat? That was just something that I really wanted to do because Earl was just a name that, you know, was just been around.  Like, he's just been killing it. So, I kind of just reached out and was surprised that he was even down to work, you know what I mean? And we went down to Atlanta, put up some records, and it was four records on that project. Now, as somebody that has worked with predominantly one producer, right? But then you've also worked with most producers on the project. What do you feel like is more beneficial for artists to lock in with one producer or to explore different sounds on one project? I feel like locking in with a producer allows people to be brought into a world. You know, and I feel like, especially with music these days, there's so much coming out. Once you can bring people into a world, you can kind of stop people for a little bit. All right, look, this is where you're at right now, and then you're transported. So, I feel like that's the benefit of working with one producer. That was a really good way to explain it. I definitely feel that way. When I wrote that question, I was thinking more about how Nas. I feel like Nas was, I mean, he's Nas, so he's always gonna be successful. But like, before him and Hit Boy got together, I feel like he was kind of searching for, like, where does Nas fit in present day? And I feel like once him and Hit Boy got together, it was kind of- Yeah, it is. It's so easy that everything about it was just like, that's the sound. Definitely a world. Yeah. It's really, really interesting. So, what's next for HV Bindle? Oh, wow. It's a lot of music. A lot of music. That's the name of the game that we have right now. I have a lot of records that I'm excited about. Okay. So I just wanna keep this music coming, but obviously pushing the records that's out right now. I feel like Mamba is an incredible record that has flow and potential. It's one of those records that I truly believe is gonna be something for the city. You know, like, on a major level. So, we just wanna make sure that we get it to that place. So, we're gonna be pushing that record the whole time, but keeping these records coming. I'm still recording these records. Go straight, Mom, we know. First one. Oh, yeah. Any collabs with records? You know what I mean? A whole project. What can they say out now? What can they say? What can they say? So, any collabs in a way? Oh, yeah. Eventually, you know what I mean? That's in the works and things like that, but right now, the records that I got is mainly with the people, you know, I'm here down for it. So, it is down there, of course. Mm-hmm. We got a special record. I'll give you the exclusive. So, what's the final scene? It's me, this, and down here. Ooh! This is a special record. That's just hard. Isn't that a nice snap in? It's a special record. Okay. It's good. What can we expect a full length project? See, that's the thing. Right now, I'm in this space of building up the equity. You know what I mean? I think people will be excited for that full length project, you know? So, we're gonna be using these bite-sized projects and build up that anticipation, but we got a lot of new stuff. Just know that. Got it. All right, so some people I'm gonna respond to. You can find me everywhere. A. Stephen Dope. A. Stephen Dope from the Narno's. Everything things dope. Everything lab. Everything PG is violation. It's lab. It's the rock. You bastards. The bastards takes me out of the chocolate. I'm Laura Kaye, so pretend I'm real.


tary to speak to the second instrument. The draft of the International Organisations Immunities and Privilege Scotland amendment number 2, order 2023, is an order in council made by His Majesty under powers in the International Organisations Act 1968. The nature of the reserved devolved divide means that where privileges and immunities relate to devolved matters in Scotland, the function of advising His Majesty in relation to the order is devolved. A parallel order has been made as and is enforced in the rest of the UK and for non-devolved Scots law. This order confers no new privileges and immunities but simply expands the range of meetings where they apply in line with the 1959 agreement on the privileges and immunities of the international atomic energy agency, the IAEA. In order to assist the committee, I will say a little more about the background to this order. In the 1959 agreement, the UK agreed to provide privileges and immunities to representatives of agency members attending any international conference, symposium, seminar or panel covered by the agency. This language was not entirely reflected in the subsequent 1974 immunities and privileges order, which implemented the agreement obligations into UK domestic law. The discrepancy recently came to light during the development of the host country agreement requirement to hold the 2023 IAEA fusion for energy conference in London. As it is at odds with the agreement obligation, it was agreed with the foreign commonwealth and development office that that should be remedied by each administration to the extent that they have power to do so. Separately, the order makes consequential amendments resulting from the parallel UK order. That is to restate the provisions of the 1974 order that are within the legislative competence of the Scottish Parliament and is an opportunity to clarify the definition of representatives of members so that it more fully reflects the wording of the 1959 agreement. Passing the order will correct a historic error and ensure that we are able to fully meet our international obligations. As a good global citizen, it is the responsibility of the Scottish Government to bring the order to the Parliament for consideration, and I commend it to the committee. Thank you very much, cabinet secretary. We will now move to questions. I ask any members if they have any questions or comments. No, nothing at all. Okay, thank you. I invite the cabinet secretary to move motion number 10537, that the Criminal Justice Committee recommends that the international organisations, immunities and privileges Scotland amendment number 2 order of 2023 be approved. The question is that motion number 10537, in the name of Angela Constance, be agreed. Are we all agreed? Thank you very much. Thank you very much, cabinet secretary and officials for your time this morning, and that concludes the public part of our meeting. Next week, we will see the cabinet secretary again to take evidence on parts 1 to 3 of the Victims, Witnesses and Justice Reform Bill and will be looking also at the HMICS report on policing and mental health in Scotland.


Enjoying some downtime. Oh, nice. You know, I was gonna say, you know, people come to Palm City and they just think it's about downtown and the beach. They should take a look around.  I will. You good? Yeah. It's nothing. Just wanted to check that the car is treating you right. Look, I'll get out of your hair. Relax. Taking the sights. I'll see you around.


Good morning traders and welcome to the book map Live trading morning today with Jay trader today's Wednesday. So Jay traders a stocks trader. He will be trading live This is part of the education you get with book map tomorrow. We have scoppelsini futures trader He will be trading live as well We do need to go through the risk disclosures here. So you know exactly what you're getting involved with Hold on just a moment here. Let me get to Jay trader There he is okay So yeah, he will be trading live here. You guys know who Jay trader is he's he's been on here for a number of years now on Wednesdays and Let's just Go through his his contact information here. He does offer mentorship So you can reach out to him and well, let's go through the disclosures here. This is important So please take a listen General disclosure all book map limited materials information and presentations are for educational purposes only and should not be considered specific Investment advice nor recommendations live trading is in simulation demo paper trading mode and strictly for educational purposes By trading executed in simulation cannot accurately represent real estate trading performance The risk disclosure trading futures equities and digital currencies Involves substantial risk of loss and it's not suitable for all investors an investor could potentially lose all or more than the initial investment Risk capital is money that can be lost without jeopardizing one's financial security nor lifestyle Only risk capital should be used for trading and only those with sufficient risk capital should consider trading past performance is not necessarily Indicative of future results. So please know what you're getting involved with here. This is not a trading room This is for educational purposes only. It's part of our educational process. We have the educational course. We have the live forward-looking analysis every day And then we also have these two live trading webinars here as well with J trader for stocks and Scouples C4 futures. Okay, let's jump in J trader. Well, he always comes in a little late. He's finishing up his room So he'll be in shortly But we always start off with the S&P and just kind of go through the markets in general Before jumping into stock. So that's good. It gives us a good overview of what's going on in here And well, let's take a look here. What do we see? Alright, so in fact, I'm gonna take the point of control and VWAP These lines off of the chart here for now Just so we can look at a simple chart All right Okay, so Well, we can see the 930 cash open Nice bullish move to the upside here Above the range here. All right. So buyers taking control immediately here in the in the cash session moving it up into this 339 30 area here It blew through now. You can see the liquidity here at 20 This was kind of important because that's the top of the range basically Trade into it and through it And now we're getting some back and forth in here deep pull back here to about 15 and then back up into this kind of Big range up here. All right, so there's gonna see some stops in there. We see it here You can see that and this move to the downside now As we've been covering here, we've been talking a lot about market structure And we're gonna continue to do that. This will set a really good foundation now You know our educational course goes through it as well But we're gonna be looking at higher time frames in here. I think that's starting to resonate with people better then You know the educational course is spot-on We're just looking at lower time frames and then extrapolating out that data from You know very very small Micro structural areas into much much higher Areas and time frames it is no different like this breakout here from this structure into and a pretty strong breakout into another structure so Anyway, then we look at the How that structure broken who's in control in that structure? Okay, so well, what do you guys think we've been covering this quite a bit? So You know look at the buyers here that broke out on print some pretty strong volume here to the upside All right, so let's just go through the process here In fact, would this take volume off here for now and we'll take the heat map off as well And we're just gonna look at structure and I'll clear drawings and Then let's add our structure Okay, so first off we have this consolidation period and it's the strong breakout Okay, now we don't know that right now. We just see the price movement, but we don't know the volume in here That's when we'll put this together But in fact, there's another little structure in here and then you can see how fractal this is because if you really look at it There's another one in here and then the break and if you really zoom in you'll probably see another one in there And which is kind of like a it's just a pause It's like a flag pattern, you know, kind of a strong move a little bit of a Not a pullback, but just a pause and then another strong move All right, so what now these strong moves created a structure up into here Okay, which is still active. This was a quick move now. This is where you know These little areas you might kind of look at them and just say oh that's meaningless They're not This is why Look at the pullback here to that structural area All right, so buyer still in control now. We've been talking about who's in control Okay, well, we know just because of the structure buyers are in control But let's take a look at the context here the second element on the bookmap chart Which is a volume. Okay, so let's take a look right now. We can clearly see This context of who's in control All right, so strong move look at all this buying in here, which didn't really move the market It was pretty volatile in here just back and forth and back and forth and then finally the break and a strong one Okay, so and now a strong pullback actually here too But right back up into it. Okay now let's we'll go through the structure of what we see up here as well Right now because it's actually looking pretty decent if we get enough sellers in here to try to drop it down here But this is where you get that third context in book map. Okay to understand this context Is what what about the other side of the trade this we see the sellers sell sell into this area here But what's here on the other side and that's where we want to take a look at the heat map Not trading We want to look at the heat map. There it is. Okay So and then let's zoom in here because I can see high liquidity here We're gonna get this other context and the other context is this well, there's high liquidity in here And did they stay in the book and trade? No, they actually pulled. Okay, so interesting move here and Here's the strong volume to the downside now. That's a stop run in there Okay, now, let's just take a look at this though. This is really this we talked about this as traps yesterday and We need to understand this move in here All right to give us some Insight to what might happen. It's kind of the bottom of the bigger structure here the bottom of the range here And let's just edit this. Okay, it kind of kind of broke it slightly Okay, I'm going off of this swing here and also this little swing here Okay, it kind of broke it slightly and then it came back up into the range all right, so It was looking pretty decent for maybe potentially sellers to come back down into this liquidity here Okay, and retest this area here We'll talk more about that in just a second, but what we're looking at here is a trap And you can see we came back up to the top of the range Up here and maybe we can we can get up here as well It's not not looking good at the moment, but we talked about traps yesterday very simple Traps here. Okay. This is a breakdown from that structure, right? Okay right in here This is where we can start to draw these up. All right, so what was the context down here? We see a little bit of selling here, but nice selling in here and Look where the buyers took it away right up above it here All right, so above that that selling in here and they traded it back to the other side of the range here all right, so Now we're seeing those sellers that come in again. All right. Now if that's going to be a trap Then this is this is the area right here. It's basically the same area And maybe a little bit lower. Maybe around 17 here. Okay, so let's take a look at that This would be our trap. All right now We don't know that yet if we come back down here and see sellers We're gonna break it probably most likely we're gonna break it and we're looking for the move back down to Bottom of the range shirt first here. Okay at 12 Yeah, and we can even come that would be a nice one right there I you see high liquidity at 10 here And we may even come back down to about this 08 here Okay, just by just by reading Structure and volume and also liquidity in here. All right, so Let's see here pretty strong buying bring it right back up to where it dropped from here Let's see here. Joseph should be coming in pretty soon. Let's just take a look Good morning, Rob. Good morning Bert Let's go Daniel. Okay. Yeah, so anyway guys like I'm we're talking again about kind of structure and I Identifying who's in control in certain areas in here and it basically still no matter no matter like Well on this time frame from the open here buyers are still in control Okay, there's no question about that The the structure though is getting up up above here is is looking kind of weak in here Here's where we see it on a smaller level Sellers in control Lower high okay, here's our high is up here. Okay, here's our lower high Sellers in control Okay, lower high Sellers in control lower high and again sellers in control Okay, so and this is these are just pullbacks in here right now All right, so we want to see if maybe we can come back down into this kind of 12 area here and Yeah, we're looking for it here All right, let's see if we can break it here on some selling. I I do not see sellers in here right now Not looking too good Right. We want to see not we don't want to see buyers here like this No or buyers in here. We want to see stronger selling in here. They got to come in here They got to come in at 14 and a half And push it here. All right sellers. You got it. Let's see it See if we can gotten get only not only to 12 and a half, but I want to see 10 It was the cash open was somewhere around here. Oh eight, right? Okay, so there's our 12 It's already traded through 12 and we're just about at 10 Nice stop run there. We would we would assume that guys I that was kind of a complex process there and I'm trying to do it quickly because I know Joseph will jump in here Oh, there he is. He's already in. Okay. Good morning, Joseph So anyway, we're looking for that move quick move into 10 And I just went through a lot of stuff really quickly in here talking about different structure structures who's in control and then You know looking on the on the doubt on the backside of this who's in control and and looking for them to test These buyers in these areas in here. Okay, so the move more or less took place. We came a little shy of our Came down to well it came down to one one tick away actually 11 traded at 39 10 and a quarter But that was the concept here now, you know Look, I wanted to see it trade into this 10 liquidity and it just didn't quite get there but that was the the concept and the idea here by reading the structure The volume in the structure and then also the order book within the structure Where is that liquidity who's on the other side of the trade? Etc. Joseph, I don't know if you're if you're speaking. I cannot hear you. I See just put in a bunch of charts. Okay, so this these are trades that That you took today. Okay, great Whenever you're ready, Joseph Okay, so I guess Still kind of waiting for Joseph which is fine All right guys, well, we'll take a look here. I mean again like a Look at these areas in here now even at 10 You know, there's still an argument here. I mean, there's not an argument. It's it's clear buyers are still in control from this move Okay, so This turn had this breakdown here has turned into a trap Right, so recognize these structures in here Recognize these traps it happens again and again and again This is the selling in here. This is the buying back up above it Okay, if you can't see I mean, I think it's visually visually clear In in book map and what it shows here. You can see this transition take place And you can see the buyers up back up above here. So now we're looking for them to take it back up to maybe here 23 maybe back up to 25 Right, so we're back up into the range in here and You know again, these aren't trade recommendations. We're just talking about structure. Okay, so well, let's see Are they gonna buy off of this here? They're gonna support it here Okay, are they gonna pull all the way back to here at 14 and a half But we're back up in the range here and we see some buying buyers come in here Right, so we're looking for them to take it back up into these areas here All right, this is a false or this is our breakdown and in the trap and the move back up Okay, Joseph. Joseph is having some mic problems. He Is working on it in the meantime, I'll do my song and dance here, Joseph and stick with our Our move back up higher here Okay, now, you know again, we these aren't trade recommendations We haven't talked about trade management, you know account management any of those things. These are order-flow ideas and Look at these things go back and study them So and then how you want to manage them?  How how many contracts can you trade or how many shares or whatever? This is really kind of key To understand then you need to wrap that around your strategy Okay, and and that's how you're gonna First find that edge and then wrap your trading strategy around it Joseph is an expert at it. So He has many there you are Okay, so Thank you for waiting me. How are you bruce? I'm doing well. How are you? Good. It was a good morning. So we're gonna Star right away over here with Uh, can you see my monitor? Uh, yeah, hold on a minute here. Let me get to that Yes, we see it Okay, so Uh, first of all, thank you traders for being over here This morning we had several plays in the small cap land As you know, I trade futures crypto big caps and small caps, but The plays that we had this morning small caps were pretty simple Uh, big caps still have to find the direction this morning. I was looking at yes first main dip bounce Then seems like we are holding the support 3900 So I started focusing on bi vi Which was a main failure this morning and I also Over here want to share There we are. I even wrote this for you guys That's the reason why I shorted So we started shorting over here Uh, I posted some charts of the team this morning so that you can understand the process on bi vi Uh, so this is a small cap company This company, uh, let me see over here The stats for this company, it's a micro float uh, came out with the news over here of Uh, top line results. Basically, it's uh um, a phase two clinical trial Uh, this stock can never trade a high volume days. So we don't have, you know stock with A lot of baggies. Also the float is a micro float as we said so less than three millions And the company has no revenues The company has cash for less than 12 months We have also dilution We're talking about a big atm and shelf And the plate this morning was exactly a soak. So this morning I posted this I shared also on the stock room Uh, what and why we took this so now we can cover it Uh, we were looking at this 480 And uh, this is a plan of 480 Why 480? Well Can go back over here on the daily chart And we are looking exactly at This point of interest And this point of interest so two main resistance levels Over here we can see that we topped Over here we topped and then we started like to fail So this morning once we Had this push 480 we can see a rejection. This is a beautiful starter for our trade Okay Then over here we can see The price started to Find the resistance Into this 460 area which is All this Big selling pressure that we have So the price stalled into this 460 area around eight o'clock So around this time More over here 810 more over here 830. What does it mean that every single time We are having pops into this 460. I could really see it on the tape was so clear You can see over here was pushing and then right away seller were jumping in And then again, they were trying to push seller were joining it Once it started the 930 It simply dried no more buyers volume dried up only sellers. You can see over here also I believe this was a nice sweep breakdown of the four dollar area key area Wash Another breakdown over here the 390 385 wash and it continued this till our 350 And this 350 is the main target. So I cover everything over here into the 350 My average this morning was around 470. So we took 1.20 per share Not a bad trade Explained the full process on this and you know one trade like this per day is It's just what you need to do The point is we had other two main setups like this. So you took them all Bi vi I wouldn't really look enough for any more stores along. So we have to simply Wait, we had cdu and again Book map was the timing I want to go over over here one second and Let me see if I can find for this one second Okay, of course I'm over here bruce turn off beautiful beautiful italian Okay, beautiful beautiful beautiful italian. I love that. So Uh, there we are Okay, I found it So what I was looking on cdu was a Short into the highs Why this okay, remember this stock? Trader heavy volume in the past So, we're talking about a stock that trade even days with more than 100 million volume. A stock that for the last times we had three main gappers and two times close green on the day. So, it's not the usual simple fader. Over here I was looking at the stats of the company. We had over here news, C2 space executives executes multiple launch agreement with space X. This is a pretty common news for them. So I went to see the previous news that we had about this company and I also look how it behave on those gap days. So, if I go to check over here the gap stats, we see that we had three times gaps and I'm calculating over here gaps above 30% in the last three years with at least five million volume traded. And average I have daytime was 1202 and we had an extension average about 37% and up on one of an average 15%. Average of range $2. But a point is this stock gave me a blow up at the gate. So I'm not in this stock huge I short over here this area. I was waiting this morning the 426 to load the boat because I was looking to short into this daily level. Once we had the main first over here push, you can see the push into this high liquidity area. They started really to fade all the way down. We can look at, for example, this is a good way to trace C2 from one of my members. You can see over here the good timing of also here the execution. So looking for the main push and then unwind. This unwind came, you can see with this big selling pressure, again big selling pressure. So every single time on this stock, we are breaking a support. So here, here, here, here, it's simply dumped really used. You can see over here all these main sellers, the great dots over here are main sellers. So these are the main faders that I like to trade during the morning. Now what I'm looking for is, I'm going to put this over here, is a possible recycle level to reshort if we have a push spike to 360 area. We have a main support 320. We're going to look for the last target 293 dollars. So we can continue to look at this tape and the other flow over here. Then we're going to also talk about I'm array. So this was a good pattern. You can see exactly over here exhaustion into heat map. For now, let's stay on situ. The main target I'm watching for this is around 350. Joseph, on that, that's a really just beautiful move. You see those main sellers, Bruce, are so beautiful. This is the correct way to trade it from my friend, also the radar over here. So you can see the first starting of the sale over here. Then once we break this 398, this is the main level of distribution support pattern over here starts washing. And this was really fast in about 10 minutes over here. We faded like 70 cents, 80 cents, not a bad feel really, not a bad feel. So pretty easy morning looking at these setups. Everything that we saw was a good short. I'm just curious. I mean, I see that he's exiting at those areas on the way down, which is good.  It's getting out of here. Yes, it's excellent. I'm just wondering, because you catch these moves all the time, do you also scale in to those moves? Well, I would say there are two different ways to trade. One way is more like scalping like this, and more like recycling like in the chart that we've seen. And another way is more like this, one hit, put your stop, and looking for the fill. I would say that, especially when you trade small caps, when we have high volume, it's good to scale in.  So of course, if we don't scale out at certain levels and take profit, sometimes we can take a beautiful trade and then we can give back everything and get back to break even or even with a loss. So I made a strategy where I have preset calculated by stats, average of targets. So I know that we will hit this target for a certain amount of times. More targets over here that I'm not having on this chart, but that I have on my brokers, that we will hit by set percent of time, so that I know exactly what I'm trading. I made also back test with my friend, Chris Sari, and we back tested all the gaps that we had in the month of August, all the gaps, Bruce. And I'm not talking about, you know, stocks that are opening and extending without a gap at least of 20%, not 25%, 20%, but all these gap are above 20%, 75% of them actually was 74.70. In the month of August, they closed right on the day with an average extension at the gate of less than 10%. So Bruce, knowing this, knowing that three stocks out of four will close below the open with a maximum extension of a 10%. So we're talking about the $4, maximum this will go for 40% of losses on average. So it could be it goes 15% or 5%. And it closed right on the day, we have an edge to look for possible shorts. Also, we have to know that in certain scenarios, if we hold certain specific levels on the fail, we can simply bounce and not have any more than fail. That's the reason why I like to scale out at precise levels for a precise amount of shares, which is part of my risk management. That's just music to our ears, Joseph. That's excellent. You have your data from all of your over the years and your strategies and moving averages and pullbacks to moving averages. And now you have, you know, quantifiable data that fits into the picture as well. I'm just kind of curious. I have to bring it up. And then, and then what you at that point, then you look at book map, that's where you're going to get. Okay, now they are moving in that direction. And that's where you're going to get the edge. So you have your bigger picture edge, but you don't know when it's going to happen. And then you look at the order flow to give you the edge on when, when that's going to unfold. I'm just kind of curious about some of the data in there, like it's a bigger discussion. However, worthy, I think maybe another time. I don't know about, okay, what, what small cap stocks, what look over here, for example, their flow, this 74% close below the open. But these are all gappers. These are all gappers, though, right? These are all gappers above 20% with at least two million volume traded. Got you. Okay. And so it's really good. Are the SSRs as well? It includes everything. SSRs as well. Okay. Um, what is the main point? I'm not really here. Traders, if you know me, I'm, uh, I'm always honest. I always say what I think. Um, I'm not here to tell you, take book map or buy book. I'm not that type of person. If you want to do it, if you don't want, uh, just follow what I'm telling. But this morning you can ask it, all my members in the room, three out of the four trades we took on book map. We had the plan, but the timing was all time with book map every single time. Uh, this is the has that I had. I call this straight over here. Exactly this rate. I saw the risks of 175. My assistant told me 175 when he had a level to trade. We showed a 171 with timestamps and everything. Uh, we saw 165 support bouncing. We stopped in the money. I didn't take the second one over here. I miss totally honest with you, but this is the setup that it's in our playbook. And when it came, just when I saw the heavy set, when we see the heavy sellers over here on book map, see do BV, I'm array, all giving me the timing with book map. So I always say one thing to whoever asked me, what is book map? And I always say is that it's basically like driving on the snow with the snow tires and then a lot of traders ask me, Jay, is it important to learn the tape or more important to order flow? For example, yesterday I had a mentor in student. He asked me this and I always say, well, in trading, you have to learn the tape because, you know, you have to learn a level to the routes, uh, the market makers have to, you know, spot, but then I put next to it for an hour of lesson, the level two, and I recorded the level two in times and sales with certain brokers to show him what he could see on the best offer, the best, um, I always say, uh, bid and, uh, also what he could see in the depth. And he told me this, wow, on book map, I can see, you know, 20 cents away that I have a main support. So the main support we saw on the daily chart is confirmed by for example, let's say this on your level two, you cannot see this until we don't go over there. And sometimes you will see hidden orders. So unless you stay there and stare at the times and sales, you won't see this while bookman is just like, you know, uh, easier way to do it. Now you trade one stock, doesn't matter, but if you are like me, that you're trading multiple assets, you're looking at multiple stocks at the same time. Trust me, when you take two or three tape and you stare at them, uh, for hours, your mind is going to be fried. If you start a Monday by Tuesday, you're not going to make it until Wednesday. With this kind of, uh, software, I can look at eight, 10 charts. Feel good. I just need, you know, to look at one second. I know what's going on or what went for the last two hours or four hours. If now I will come over here late at 1040, you know, a lot of traders that I, that I know that I talked to, even on socials, they're not full-time traders. Okay. They're like part-time traders. So they asked me, Jay, I can only trade for me 11 o'clock. And I say, you come over here at 1045. What can you see? We're still looking at our chart. Of course you have to have a strategy, a game plan. And then you're looking over here. Okay. We have this daily resistance. You start looking at the past, what the stock did. Did it run? Did it fail to when it ran to a specific pattern? And then you see over here, what? Okay. I have this rejection over here, this possible rejection level. Two times, actually three, we already rejected from there. So you know that if you come 11 o'clock, this will be your only trade that you have to look for. You're going to have a three, four, five cents risk. And trust me, you're going to have at least three or four hour return, even with a 40% win rate trading a system like this will make money. And that's the main point. Okay. And this morning I was with the few guys and girls talking about the stocks that we had. We had I am array. Uh, I'm array, as I said, is not an easy fader. Uh, yes, we had a big rejection, but you can see it's still holding by 1030 until this main 175 fake break or 180. I'm not going to touch it because this is my rules. Then we had over here, see, do see, do no words, just simply faded from the morning top over there. And, uh, we started shorting this over here between 420 and 410. My alert came for 23. What happened on this fader sellers, no buyers just hold it. And then we had BB. This was a pre-market fader. So you had to be online around 630 to start making a plan on this because this is seven from the top main target over here. So we had three stocks that literally gave us the easiest set up that you can trade. So you asked me how you can make money. This Bruce, this, so this morning when I was trading this, I've imposed a screenshot on book map to show you that I was doing that in real time. And I shared all my charts. This was the exact timing that we started to look for the field. First, I showed over here, I stopped 5 cents, anticipating that move, and then I showed this and it took like 1.20 now, maybe 1.30 bucks per share. Of course, I scale out partially during the field. So if we have other stocks during the day, I'm not really interested in trading them. We already had our plan as 1040 days done. But of course, if you are a trader that trades only midday or comes, you know, in the afternoon, you'll need to look for other patterns, which I trade. In what I use, here's a game plan. So strategy, of course, you need also risk management because you cannot simply trade every single stock, different dollar price, different stock losses, size with the same size. Okay, so same number of shares. Of course, we'll risk 10 cents. I'm going to low, let's say 20,000 shares. I'm going to risk 50 cents. I'm going to use maybe like 2,000 shares. Okay, I'm just making an example like that. So this is part of risk management. Then, the last thing, you need the time you have execution and what I use bookmarks for this.  But that's what I'm using it. That's what I see. Six and seven figure traders in my room are using it. And why? Because it's reliable because it's on point because it gives me a low risk. The point over here to see this as a main entry and what is a main change? When we have rejection, you start seeing sellers. Why? Because it's also a strategy that I teach. So I showed 172, 173, 171. My risk is 175. So between three and six cents. And I know that my main target in this case was the 150. All right, I'm only risking, let's say, an R and I'm ordered to make between two and four R return. That's the point of all of this. Give you very low risk entry points, low risk exit points in order to have multiple R return. It's all this repeating this with self-control discipline over time. Bruce, is it clear the process? Absolutely.  I've mentioned it for years.  You can look at your fundamental, like analysis, then just simply look at book map. It's like, when is that in line? When is the, the tape or the order flow in line with your fundamental analysis? That's a strategy right there. And, uh, so yeah, you're, you're basically kind of doing the same thing with your quantitative data.  Uh, but then finally you're looking at the final mile here of when to get in, when to get out. Um, yeah, I love it. I love it. It's great stuff, Joseph. Thank you, buddy. Thank you. So let's go check now the big caps. Also, we have ISEE, which is really a stock debt. Uh, I don't want to say I predicted. Otherwise, you know, it seemed like I'm so cocky. Uh, but the point is I apply the strategies. Just this Bruce knows me. This is, uh, 930 first deep into the jail as we start pushing yesterday, we had this, uh, long pattern. Uh, this is the, let me see over here. This was an example of how to take, I think it was this. Yeah. How to take the long. So looking for that long over here. And what I like about ISEE is that liquidity is really the liquidity. Yesterday, it's traded like millions of volume. We had a push from the open from $12 until 16. So in about a few hours, this went up, um, four bucks per share. And this morning we, we see a consolidation. So we can make a support over here. Okay. This is the previous high you can see over here that is a level where we rejected, right? 14, 14, 20.  At the same time, what do we have? We have our trend line. Okay. So we're looking at the bigger picture over here. We're looking at the pattern. So what I'm going to trade over here, my plan this morning was clear, or I'm looking for dips too long, or I'm looking for this 15, 70, 16, sorry, too short. I didn't long. I missed this opportunity. This is a beautiful fake washout. Um, I saw already over here this morning, this, so I would like to show you how to trade a washout. So if Bruce knows, he knows, sorry, he knows actually I trade, for example, on big caps, a pattern that is called on the over that is basically this. Uh, I have to be very honest, smash the bid helped me so much in finding and perfecting this. My friend smashed the bid. So huge prop to him. Um, I was recognized, you know, we give to Caesar, what is to Caesar. So he helped me very much in defining over here, this pattern. And you can see also over here, the huge amount of buyers stepping in from this dip. And that dip is the previous day high. Okay. So come in over here and look that pushed a huge amount of volatility over here, because in about traders really few minutes, three minutes, we go up over here, like one buck per share. And now it's what is consolidating. So I'm not really looking to trade this inside this range. Uh, I just need to wait. We'll be probably choppy or we were heading over here, as I said, for that 1570 16, because it's a previous day resistance. So we could be looking for a main push that area, or again, I'm looking for this level of here to get a bounce lock. Okay. I'm just staying for those levels over here. Uh, let me see over here. Yeah, this is, this is a, it's not my trade, but it's a very good example of, for example, scalping it. This is ISEE in this case, this trader shorted over here, the rejection this 1530, which is also Bruce, you can see this level over here off trend line and also over here, this is the level we can see exhaustion. I generally like to see more, uh, I would say or a breach into the resistance or into the heat map or a heavy seller just above. But over here, the execution of the trade was perfect. The trend line was there. Uh, sellers came over here, not a lot of liquidity on this push. So shuffle, shuffle. Also over here, I believe this was a nice sweep, uh, pattern. So break down the support boom wash, bounce rejected, rejected in another wash. I didn't trade personally this morning. So I'm still waiting. Let's start a look at Tesla. This morning, my plan was Amazon, Tesla meta, wait for a breakdown and then looking for a short. Tesla didn't give that. Instead, we had a bounce on that trend line. So for now, I'm simply waiting. Amazon is still inside this range. So we can put over here a 50 minute chart and we can see what I was watching. I'm looking for a break of this trend line and fail in a range. No trade for me. Okay. I'm not shorting here, covering here. I'm not buying here, selling here. I want to see a breakdown, retest and then short. So very specific analysis and pattern. I like this morning. Mita Mita had a beautiful breakdown. It's not really starting to trend. For now, I would like to see more like a contraction of here, the pattern and then looking to short of here and looking for the breakdown. So what we can do, we can put up here, right here, meet up and we can see for a possible pattern. By the way, you see what happens when you start watching something else. I am a Ray. Let's go back to a one minute chart. Another beautiful set up short over here. So push again to this level of resistant 170 175 break and then started to fail. I'm not short on this. I'm waiting, just holding C2 and holding over here. Here are the small positions. So we're going to continue to follow I am a Ray. We're going to continue to follow over here. See do we are continue to follow meta. We're going to look also for intraday scanners. So if you're going to have another, I would say a few other stocks that run for now, the main gap for this morning is I am a Ray for 34 percent. But rather than this, all the place that we start trading already faded. Okay. So we have to wait. We'll see nothing else at the moment. So we had also QNRX was an extension this morning. I took a few scopes out of that, but it was easy to borrow many platforms. Nothing that I'm really interested in trading right now. I'm talking about QNRX. BV is still unwinding right now is 350 started to unwind from that 480 top. We could see even 330 or three today. Zero sideways. It's holding this level of 330, 325. So just patience over here and I'm a Ray. I'm not sure right now if you shorted, hold it. Why also? Sellers every single time we get in that spot 170, 175. We see sellers here, here, here. Very simple. Very easy. It's like price exhaust that demand above 170. And we have radically more sellers jumping in. May thought we have to follow this day. There's no doubt. Think it's the most interesting stock. If yes, we'll start unwinding. Now we're creating this distribution pattern over here and we'll be interested in shorting this today. As I said, only if we break this trend line and we start looking for pops. OK, so I want to see a trend line break over here. Rather than that, no trade for me on meta. We had a setup this morning, but I didn't take it personally. A plus setup. You see the price is stalling this high liquidity 157.80, 158. We're previously around 1030. We have this rejection. Watching for a possible rejection this area. 158. Sellers over here joining. Just like before, we topped in that 158 here over here. Let's see if we can have a stall of the move exactly here. So surely with very minimal risk and then taking the fail. For now, we're still the front side of the move. You can see that each bar is making a higher low. This spike means that at this top we have sellers joining in price is still holding. Let's see if we can get the 158. Cedar is bouncing over here, traders. So we have a short around three sorry, 415 on Cedar. They removed over here the main resistance. We're going to be looking if we can get a pop into this 358.360 to recycle some shorts. That's a good into the area. It's normal this time we have the liquidity slowing down. A lot of these Cedar BB already main faders, even here in our X, we had an extension, then it started to fail. Like now is this 360 resistance. So we're going to look for 357, 358, react to short. On Cedar. So once we have a first entry that was this level of here this morning, then of course we have always to consider how much we're scaling out. And then when we add what is going to be the new average and the last target. Just if I still can't get over that statistic that you found on the gappers. Yeah, it's not every month is like this, Bruce, but August was simply crazy, simply crazy. So always we had so many faders. And also, let's see for how much we extended. So I can share over here the process is very simple. I mean, it's not that super simple. We can back test it with so many factors, but we can take a look over here.  We can put even 25. Let's keep it just 20 percent. And then we can calculate over here. Stats. Oh, sorry, I didn't do it over here. Last 30 days, perfect. Apply. Yeah, we had about 74 percent. So in the month of August, actually the last 30 days were done. 57 faders, 20 stocks that extended. The maximum. Sorry, my bad, the maximum extension average was 19 percent. And the high of day time was generally the first 50 minutes, 50 minutes. I was gap 38 percent. Wow, I have a good volume. Seven million. Tell me, Bruce. Wow. Thirty eight percent. And then a very in only seven million in volume. I'm just kind of curious, Joseph.  That, you know, a lot of these companies that aren't making much money, but they're kind of scrambling seeing that the market's going down. So they're going to just try to gap it and then try to gain as much as they can before the market in general starts to go down. Yeah, we can filter. And this is a very good point per institution or per show flow for so many things. So what I like is generally Bruce looking for what is the average of percentage of unwind for all these companies. And what I do is I just click on the price over here. Sorry, I just click over here on the stock. I go check those days. I do a little bit of research because I want to know what happened intraday. That gives me an edge. That gives me an edge. Otherwise, trading, not knowing, you know, if we have in this time of the year, in this cycle, more bullish stocks or bearish stocks, it's very hard.  So you have to understand which cycle we are in. bullish bearish sideways volume liquidity that we have market volume and also float. All these things together give me, I would say an edge when I trade. Of course, it's an edge. Doesn't mean because I have those stats, I will start shorting. No, I need that entry point and that when the strategy takes, I would say, takes really form. Yeah. Yeah. No, really, really great stuff, Joseph. In fact, you know, I would I'm going to mention it now and just kind of float it out there. I don't know if we have time maybe this month, but maybe next month. Do in the afternoon East Coast time, at least, could be early afternoon, we could do a workshop trader workshop together and how to build an edge or how to build a trading strategy. OK. OK, that would be that would be perfect, Bruce. I mean. OK. I mean, yeah, just it's just a thought. So anyway, just keep it in mind. Yeah, give even, you know, more, I would say. Tips to traders, not only beginners, but also who wants to become a better trader, an advanced trader, because right now this trading is all about statistics and using data. Yeah, yeah. And then finding when, you know, you have something on the chart, you have the other traders going in that direction. And that's what the order flow is all about. Exactly. Exactly. What I like this morning, look over here, this where it was on C2. Yeah. Here, this break of support over here. Once we broke the support, we never claimed that the web. So these faders that we simply start on one start unwinding with massive sell off. These are the best stocks for me to trade. You know, simply you see over here, the the selling pressure. Now I'm looking at the big picture over here. I'm looking at this point and we'll have to see over here, this stall into the 60 recycle of partial and then looking for more and wind down here. So let's see if we can get this set up formation. That's the reason why also I put the fibs over here. And we're falling over here, C2 for this possible ad. I think that three sixty, three sixty five, Bruce can be a very good area where to recycle short. So we'll see if we're going to top. If we'll have like confirmation by book map is rejecting again from that three sixty, three forty eight. I want to just like a few cents more. Ideally was looking for the fake layer about over here. Actually pretty good rejection just into the top three fifty nine was waiting this three sixty. So not add, not recycle over here. I am a race starting to bounce. So we're going to go back one second. I am a race. So this this morning was around one seventy one seventy five. So we can put our levels over here one seventy five. One seventy here is where we saw sellers all morning. I'm only short over here if we get to that one seventy one seventy five. We're now one sixty. They found sixty thousand, fifty thousand over here in the bid. Pretty testing. So no ad for me over here on I am a rating as the new high of day two eighty point seventy is also main daily resistance. OK, I'm a finalist pushing. Let's see if we can get a good point of short. So looking at the bigger picture, we have an ascending triangle and we're doing this pattern over here. So the main point for me will be looking for short into this one seventy seven. We have some heat map over here one seventy and then before one seventy five one seventy six. So waiting for the one seventy five one seventy six. Everything before is only two scalp. You can see traders there holding on here the bid one sixty eight two points that I'm waiting over here. I want to see if over here we will increase liquidity one seventy if it remain that resistance one seventy five one seventy six. So no strong buyers for now. No main sellers price is stalling. So I'm not taking action over here. No low risk for me entry level. So waiting that one seventy five would be the best pattern. Joseph in YouTube there someone is asking about maybe Fubo F U B O Fubo. Yeah. It looks like he's mentioning people are really starting to pump it on Reddit. I'm just I'm just very curious to see if we see anything from that. Let's check over here one second Fubo. We're entering the stock in the past. So I don't know how it moves pretty good. Let's look at the four hour chart. So we had over here a parabolic move. Made of August. Yeah. From a four one hundred percent move faded all the way down. Yeah. For now I don't see anything this morning also we hear basically stuff main rejection of the four hour chart. So if it consolidates the next days we could have another push but for now I don't see anything. OK. Thank you. Let's go back over here three days on I am a ray. Again decided to wait for that one seventy five. This is the level of today. These are the levels of today. Sorry. So we're going to do like this. This is a four hour chart. So all morning we're testing this one seventy five. Let's also look at CEDU. You see we're having finally that sweep just right now Bruce. Nice breakdown. See the breakdown right here. All right Bruce last few minutes any questions any questions readers. Not in YouTube and let's jump over to discord. No I think we're we're looking good Joseph. OK. So today we covered management of the positions. I'm a Ray CEDU. We went over BV. We went over META Tesla. Also we look at ISEE. We saw the plan. We saw the stats how they are important trading we saw. So how and when to use the timing of book map to take the decision of an entry. The main point is best setups today happened for example a short to trade in pre market or in the first few minutes out of the gate. We saw this month at least the last 30 40 days three four of the stocks fade before 10 25 the high of day and then fail and become red on the day. The main I would say stocks to continue to look for the rest of the day in small cap land are CEDU and ISEE and I am Ray. Some good movers for the big caps and Tesla no trade for me today on big caps. So I simply waited yesterday. We trade short META and I think that's all for today. Bruce anything else to add. No no great great session Joseph. And I just keep in the back of your mind maybe some trading workshops in the near future. That'd be great. All right. So we will organize that traders. Again thank you for being with us. Thank you Bookmap for every single week to give some amazing content. Put a like traders. All this is free. Bruce is working a lot. Bookmap as well. So thank you very much. See you next week and take care. Bye bye.


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