So it's my great pleasure to welcome Linda and Alain here, with all of those chairs. Yes, thank you. I will say that Linda Hayford is a dancer, choreographer, also co-director with the collective fair of the CCN in Rennes. And that Alain, a hurricane, is a hip-hop dance artist, killing from Borough Prince, Haiti, and based here in New York City. Thank you for being here. Thank you. Hello. Hi, Linda. Hi, Alain. How are you? Very good. Good. There was a great conversation here just now, you know, and I think I'm going to share my journey with you, and I think it will answer a lot of questions you have, and a lot of curiosity you have, you know? There's a big thing about access here that we don't have, especially deeply in the black community, you know? Even if we see that access, we're not welcome to it. It's not that we cannot do it, we're just not welcome to it. There's never a time we think we cannot do it. It is just that we are not welcome to it, you know? So there's a big difference in that, that I don't think this experience other people can experience that. So this is an experience that we can't really express, you know, because it's not going to be understood. And I hope the way that I just said is helping it to be understood at this moment. So when I share with you my journey, you can understand that also even without the access, my way will still be what I would like it to be, and so I think academia don't have space for that, you know? Because sometimes there's a way that is put in academia, also at dance schools, it forces everyone to think this way is the only way, you know, and it's almost enforced.  And the way that they go for it, there are still many pathways that no one else knows exist, if that makes sense, you know? So when we try to structure something, especially art, it keeps it at one place in a one way, when art doesn't even mean that in the first place, if that makes sense, you know? And so my journey is I love dance, you know? Maybe I didn't know a particular style, because sometimes because of the this is better than this, or this is more palatable, if that's the word, than this, or this is professional and this is not. So the value of certain art forms is diminished, you know?  So it's the way art forms aren't taken seriously as other art forms, you know? So since I love this art form, I'm going to stick to it. And even though it doesn't have any representative within the art form, yes, I see some people in those other art forms that looks like me, and I appreciate them to the fullest, or going for that path also, because they love that art form. I do too. I love art, but there's a particular art that I gravitate to, you know? And that also should be honored. And it helps me also be open to see other arts. And so most of the people in my world street dance, hip-hop, locking, popping, voguing, whacking, and many others flexing, a lot of other styles that exist within the black community, you know? It's not valued as much. But I understand the discipline of these things, they come with their own discipline, they come with their own specific techniques. The difference in black form is that I'm going to have to speak in a very artistic way. The art is the form, and the movement are just structure, if that makes sense. So the art is able to construct, reconstruct, deconstruct. And even if that there is a form, the form can still remain within the art, you know? So that makes our dances a little bit more what we call free. So it can sometimes look like there is no form. But when you are raised in a particular culture, you understand what that form is. So in that culture has never been in academia, because it's never been valued to be in academia, so it is not understood, you know? So when we are speaking of bringing the people that live these cultures to teach it, to perform it, to show it, we can truly experience this thing, and at its highest form, you know? Because even the highest form of it is not known, because it's so unfamiliar. That's why there is no I for when someone is a beginner or not. Like if I'm watching ballet, I right away know when someone is a beginner. When I'm watching someone that's not a beginner, I know, because it's represented so well, and so carefully as well. And it's protected, but our art form doesn't have those access to be in that way. So when we are invited, sometimes maybe it's hard to find the right and correct people to invite, because if it all look the same, then there is no knowing, you know?  And for me, in a way to be able to find these particular people, this, including Tatiana, this happening here is a long journey for us. We just kept going, you know what I mean? Because we believe in it so much, because we also know, because we appreciate all other art forms, and we are living our art form, because we love the art period, so because we love the art period, it helps us to see other art forms and appreciate it, you know? But I don't think we are ever put in that consideration of art form, you know? We are mostly put in the consideration of pretty, nice, cool, you know?  So I think it's important to, if you see us, come to us as well, so you can really find what it is, because our culture doesn't just come with an away, it comes with a lifestyle, which is not something that you can really put in academia. Like, a lot of conservatories have tried it, but have failed because they follow the system that is for a ballet, for a contemporary, for something, you know? And they've also tried, okay, let's say you go to parties, you gonna see what it is? No, it's so much more than just going to one party, it's so much more than just seeing it in front of a mirror, it's so much more than repetition, you know? It's a lived experience, which live a little bit more room for experience and freedom, you know? And so I'm trying to be very careful with my words.  So if we say, I want this here, let me go see what it is. So then when I bring it here, I really have an idea, even though I don't even know what it is yet, you know? I have a, there's a familiarity, there's an idea, and when it comes to, like I love the knowing what we don't know bit of the conversation, it's a lot of, I choose what I don't know, when what I could know is right here, you know? So for me, through my journey, I'm learning all of this, you know? I had to make my own way, and what I've accepted sometimes, I'll say sometimes, because I'm not for it, but I've accepted it, is that a certain popularity or certain name will get you to be valued.  So a lot of dancers that can be in a certain caliber are taught a certain value that stray them away from their thing that they truly want to do in a way, and how are we going to protect that in an academia setting, you know, so they can actually do the thing. And the thing about dance and movement, because you practice your movement, your, it is possible to start taking on other movement, because now you're understanding body language, you know, and that's what choreography is, choreography is not a style, you know? It's just a collective movement, but because we all train a certain way, we can kind of execute those movements, you know? But street dance has such specificity to it, we can see when something is being kind of done or something like, if I'm a hip hop dancer and I do choreography and I put a certain ballet movement in it, but I'm not a ballet trainee, a ballet dancer is going to be like, you know, what is that? And it's also disrespectful, but when it comes to street dance, that is easily done. Something that's not valued is actually valued, because I'm putting it in the thing that I think is more valuable, you know? But why do I need that if this is not valuable, you understand? So in my journey, I got to, okay, let me train in a way that I can execute some movement that are not my form a certain way, you know? Like, one thing about street dance, even if I was teaching, I would, I am teaching, if I was teaching in academia the first thing I would say, we don't, we don't restrict your body. This is street dance, like every other dance have a kind of restriction to a particular body, you know? And street dance, we know the form which is the art, right? So it enables you to dance any form of street dance because it's not restricted to your body. Like, a lot of my ballet dancer friends that ballet, the way that ballet is taught is not for their body. And street dancers, we come, like, we are so educated on the body because we are finding ourselves through these movements that we understand that, oh, not everyone's body is similar at all.  And so there's certain values in street dance that are so important that are not put up front. And that's why, like, certain ways are just not for us because it's not here, because there's no representative actually for us. So it can't be created unless we have proper representation, you know? It's not just because this has already happened. I'm black, I'm here, which is great, and it's going to keep happening. But there's absolutely no representation for something else, and it can both coexist, and all the art form can also coexist together, and it also gives room for other art forms that we still have to be welcomed, you know? It's like, should we pick and choose the art forms or should we allow ourselves to be open to all of it and its culture? Because street dance has a culture which is not only bought, it cannot really be bought just in the studio. It also has to be experienced and lived, you know? Because that's the core of it all. And how can we encourage students to go and do that? We can't take that away from it because that's the magic of it all, you know?  And then daring to go in certain places to show my dance like it has happened for her, it has happened for Tatiana, and in the Europe world they're more welcome to street dance now than here. Here this is new, you know? I just came from developing a Soul Train on Broadway which is 90% street dance, you know? And it's the first of its kind for the first time in 2023, you understand? And it's just like even our stories don't even matter or it's not important enough to be on a Broadway stage or it's not important enough to be in a concert stage, you know? Also our art form is not important enough to be on those spaces. It's in the space for the first time in 2023, you know? And there's many Broadway shows like Hamilton that uses these art forms, but there's no one of me in it. And yes, they have black people all over Hamilton, but it's the ones that doesn't have the educations and this art form that they're doing. It's like, they're black, yay! But do they understand and know?  We have to have the proper representation, not just representation, and they both can coexist, you know? And that means for everywhere, the schools, the shows, the spaces that are there. And I'll let you go. Thank you. Thank you. Thank you, Ellen. Ellen, there was so many things that you opened up that I forgot now. But I will start with what comes in my mind now about also the representations and how different it can be here in the U.S. and in Europe and in France also because as we said before, they're political, economical questions that gives the opportunity for dancers, artists to project themselves. One of the questions that I've been thinking to myself for many years now in the U.S. is how come the culture that I've been growing up with in France, because I was born and raised in France, both my parents are from Ghana, so they were really influenced by American influence, music, lifestyle, whatever. So in my house apartment, it was pretty much America, you know? Not my neighbor, my house. So when I started to go in studios and I'm not from academic, I didn't learn in school dance. Anything like that, it brought me something else to say afterwards. Yeah, growing up in this, meeting it in studios where people were practicing what was called hip-hop, blocking, popping, whatever. In music, like funk music, stuff like that, that for us was our parents that were listening to this and we were listening to New Jack or whatever, my brother and I, my brother and sisters and I, which was not the music in school or in my other friends' houses. So there was already, like, you know, something that was, you know? But going to the studio where people were actually practicing in this world and starting to go to battles, to events, to see, to meet, like, the pioneers that come from America because France has a huge respect for pioneers. So the pioneers that were famous here was the first one invited in France to all the big international events so that they could stay and teach in France. So that the first, also, the pioneers that are French, they came here to have the information to go deep, to meet the sources, the pioneers here. So when they were inventing friends, they also invite them to France so that many people can access them and talk to them and exchange with them. So, and I'm really talking about the community now. So there are many layers to this. When you say that, you're talking about pioneers that have many years of experience and now they're teaching, they're teaching in the U.S. maybe, but they're also teaching abroad, but they're also learning how to teach by being called to teach because hip-hop has as many courants ways as there are dancers in the culture. So there is no one way to do it, but there are still basics and common agreement on some techniques, basics, because we want also to build something that is recognizable, you know, that you can understand, that you can recognize and say, oh, I've seen this aesthetic, I've seen this technique and can even compare dancers say, oh, I think he is better because, you know, his form or his technique, you know, we want also this to happen, but we also have this importance that in hip-hop identity is really important as in your disability, your body, your flexibility or not, whatever is part of you and we really thought early to be looking in this area of what is your component as a human being, as a mover. So this is where every dancer could be a school, you know, an entire way of approaching dance, but what I like in this culture, in this identity, in this representation as in, like, build your own confidence through your own body, movement, language, sensations, is how you can build your own knowledge and methodology as we spoke earlier and the tools that can be important to share with other people so that they can do the same thing, not my thing, go through my tools that I can try to make universal so that they can catch something to be able to develop their own tools.  So for me, this is also where I completely understand from having a lot of influence from America, I understand how it can, it's still a struggle here that go back to racial questions and also growing up in France where the race is completely different, you know. We talked about it yesterday. In France, the community can be only the hood or being Muslim. It doesn't always have to do with the color of your skin because you can be Senegalese, from Mali, from Cameroon, from Ghana. It's really different in France, which in the United States sometimes it's not that different. I mean, black is being a community and I completely respect and understand that. But in France, this is different. So my traditional dances, and we all understand that in Africa there are so many roots and we get this. But in France, like my parents came from Ghana, not my great, great, great, great parents. So my house was different from my neighbor that was from Mali because our parents that come from Africa were here in France. They are the reason why I grew up in France. It's really different than trying to go back to your roots when you grew up in America and your parents were born here and your great parents were born here, and then you have to go back, back, back, back. So the community is different because of also this kind of question. For me, it's not only the question of race that brings all this maybe misunderstanding or misrepresentations. It can be many different crossing ideas that stop the exchange or not making creating space where those questions can be developed. So I want to say that because I feel like we also have our own responsibility to say, and you said earlier, and Tatiana said it, even if we don't have access, like academic access to what we want to develop as an artist, we're still doing it because this is culture, this is hip-hop, you do it. You don't wait for this beautiful studio, this beautiful whatever, you need to do it, you need to do it. That's maybe one of the differences is it's a necessity and this is what for us is driving any creativity, any expression, any research to work, exchange, talk with someone, eat with someone because it's culture. So for me, this necessity, it's our responsibility to put in front of the door, which means if I'm called to say, we want you to do this, I'm going to ask why you want me to do this?  What do you know about my work? Now I have this kind of reflection. When I was younger, of course not. We're just happy to do something that it was in a place where other people could see it. But if at that time I would be asked, why do you move like this? I would not be that clear. I had to teach myself, so I had to through my practice understand what I was doing, trying to understand it and lock it and then find my own words to say it. Also because this is our responsibility to not be defined by the other people and not to be okay with what is going to be out talking about your craft, your work, your artistry. So for me, it's also something that we have, and we are doing it. I'm not saying that it doesn't exist. I'm saying that to be conscious that we are the one who will be saying what we're doing. We have to be clear with this so that people can access it and say, okay, I didn't know that exists, but I want you to be there because what you were saying, like I understand I want to meet you in what you're defending so that it also clarifies why people are contacted to work with or to be there in certain places. So I said that because I've also had the experience where people wanted to work with me because I was a black female representing hip hop. And sorry, but I also don't want to be that. I'm sorry, it's like I'm that because I love it. I am myself. I have what I love in hip hop and dance, but I don't want you to make me only this because thanks to all of this, I'm trying to create something that resembles all my other influences that doesn't necessarily come from hip hop or even dance.  So you also have to give me space, but I need to be clear when I say that to other people also. So it's not just being rebel saying I don't want to be this, but I don't want to be this because I'm actually working on this and this come from this. And I can like share with you other things that you might not like and it's okay. But you can still understand the most honest part of my work. And to me, this is where necessity is filled with honesty. And that is what you share with the world and people can access to this or not. They want to see it or not. But I think this is also what can bring hip hop culture to the level of valued expertise that exists in other any art form. It's not about ballet, contemporary dance is art form, which means we can have the same discussion with any people that do any kind of art. Each and every one of us built our own expertise being precise on what we are looking at, on how you practice, how you worked on something and be like knowing that if you see a ballet piece, even if you cannot do it. Like right now you could not do the same movement, but you can read it. You can read how someone is nourishing the movement, how someone is fundamental and really good in its technique, aligned or not. We can read it because we build our own consciousness about body function. This is really important and I really like what you said because for me, the science of how your body function is also, to me all those questions are not to be answered as in I also have to be an expert in science. It's more what do I need in science to take my own practice to another level. So I need to know how my body functions, to know what my possibilities are from what I want to do with my dance. So I also can create my own workout to how I want to use my body for my dance. It's not just I know how all the body functions. Okay, but what does it do to my dance? Because I'm someone who maybe goes always on the floor. Do I need to know how to jump? I don't know, but how do you pick, not pick as in just go over, you pick something but you go deep into this because you want to have the same depth in different questions in your practice. So for me, thinking this mindset, I'm going back to this mindset, is how you can bring this accessibility, this acknowledgement of what are the components of hip hop culture, is maybe other discussion that we can have in any conversation for me. This is what I'm trying to go to. And I understand that it's, you cannot bring people to understand 50 years of culture. Of course not. I mean, we can try. Of course, we say come with us at the club. Of course, yes, why not? I mean, but you can't. And it's okay. And I, like, even if I say, like, I grew up in my apartment like this, I wasn't in America. Like, when I go out here, I see everyone just putting music so loud in the street. Like, I'm in Harlem. I love this street. So I'm like, I love Harlem.  In France, it's not like this. We have fees if you put music like this loud. And like, it's not, you're not free to do whatever, you know. So this here is lifestyle that even people that I can see walking around with music loud like this, they're not dancers. They don't care about your craft. They don't care about going to practice and understanding your body and artists. They just live like this. So you cannot bring everyone to understand how deeper culture is in any cultures. And we're all mixed in every ways. So I cannot teach you how in Ghana it's done. I can introduce you to it. You will never be living like in Ghana. And even I can't because I grew up in France. So we also have to be like, it's okay not to know all these parts. It's okay that you have questions. And let's have questions. And also to say that I don't, I don't master contemporary and ballet questions either. So it's okay that we just meet and question each other and try to go to like to find spaces where we resonate that can lift everyone up more than saying, you don't know what I do. I don't know what you do. You don't understand that. And I don't understand that. And why is it like expertise for me can be a question of like centered question where you can look at someone say, you know your thing, you know, and that's amazing. And so we hear knowing what we know and contribute to something maybe bigger or wider or deeper. I don't know. Yeah, five minutes. Yeah, that's a question. Thank you both for what you shared. I just feel the need to add to what you're saying because I feel the problem is to meet my perspective deeper, a little deeper, the complexity of it because I do feel it has everything to do with race. Unfortunately, when it comes to these problems of recognizing each other, that's that comes from a power system that's already put in place already not allowing people to know how to be open to others, know how to read others, different cultures. It was set to recognize only certain forms in general. And until we are acknowledging that that thing that we have to deconstruct from within to understand that, okay, we don't have the tools to actually be able to receive those and the specific reason for it is that power system that is in place. And that's why we talk about systemic racism, which actually feeding us a certain way to perceive the others in a way which create that endless oppression in life but also within the arts. Until we do that, I feel like this conversation will be endless because I believe in everything that you said to the core. The thing is I feel like before to even get to that, to get to that reality of just having a regular conversation and recognize me the same way I recognize you, it will take for the oppressor to be able to see that they are actually oppressing and they're not able to see because of that internalized bias that is within. And that has been put to all of us, unfortunately. So for me, it feels like education, yes, we always say education is key, but the educating ourselves in recognizing that, yes, we actually don't know other cultures. We are around it constantly. We see it, but actually you don't know me, I don't know you. You know, having that space that humbleness to say I don't know, you don't know anything about me. You don't know about my culture and whatever you know in your structure and that is recognized as the elite forms is not able to read others. In a equal way, if that's the right way to say, I'm not sure if I'm clear with that. So it just, it takes that, it's like, I feel like my question, I mean, in general is like, how do we find ways in space to rewired ourselves in general? And we talking about 50 years of hip hop, but to me, hip hop didn't start 50 years ago for sure. When we think about hip hop, you think about the starting point was slavery. And to think about that lineage that led to the most contemporary form that black people created in the States, which is hip hop and so on, and it's continuing. And just to understand that being here, people recreated their Africanism here. Basically, it's all traditions that has been recreated here. Like you were talking about different, we talk, we're thinking, we can think about different tribes having different dance styles and stuff. And it's the same within the States, but it's not seen, but it's there. It's happening. Like for me, literally, I go to different States. I see different tribes and different ways of talking through their art. But it's, so it's there. The root of the United States culture is rooted within that, that Africanism that has been recreated, but yet is not seen. So the reason why it's not seen, but it's so present, it's there all the time. The way people talk, the way they dress, the commercials, it's there, the sound, everything, it's there. It's not seen. That shows that the problem comes from that systemic racism that is in place that doesn't allow people to see unless you actively decide to deconstruct it. And then we can meet each other halfway then, only then. But until then, I feel like it doesn't seem real. It feels like it's an endless conversation. This conversation I'm having, I have, people have had it before me and it's continuous and I feel like repeating this thing is like, well, let's just talk about the real problem. And yes, he has everything to do with race, unfortunately. Worldwide. Yeah, this is why I was saying that I was not, I didn't grow up here.  But to live here and to be facing all this walls and stuff, for me, it's different. I don't know how it is here to be daily trying to develop an artist. Something artistic here. But to go back to my first thought when I started it was the questioning is how come hip-hop culture that has spread that much was now, like for example, in France now you can have a career, you can project yourself as being an author, and which in the United States, I don't know, it's a question actually, I'm not saying that I know that it's not happening, but I don't, I'm not surrounded or I don't know dancers that have this much experience being New York, like United, like USA dancer, that have been recognized as an author, you know, more than being working with the best singers or best musical or whatever. But to be like signing a piece, many pieces, many things, I don't know them. I met one of them yesterday, Camille A. Brown. I don't know her, but I've met so many amazing dancers, different generations from the United States. So I had this question in my mind where you come to France, you see hip-hop companies that are led by hip-hop dancers that never learned dance in any schools, but they're choreographers, like I am now, and I've been inviting into Academy to give workshops for what I was actually doing and not just being giving like hip-hop classes, whatever you want, but from the craft that I made. And to meet this kind of approach and partnership or connection is really important and it exists in France. But my question is, does it exist, happen in the United States? And Tatiana told us that not really and not at all. So for me, it's just opening this conversation, but I will never be able to say that it's the only thing that is a friend, like a break to our development generally. Maybe here, I really understand because it's huge and it comes from here, so it's deep, of course. But I can't say that there are no other reasons that are not just racial, you know. And that, as we always do, to find ways, it's a bit complicated to say that because I don't have your reality here. Rafael, last, and then I have a question. Have you ever danced together? So if you dance, no, will it be the first time? No, this is the thing. You mean dance as work on stage or just dance? Just dancing, like just dance. And the second question, do you need music to dance, to improvise now? Should we dance? Who said that? You. Did I say that? Maybe you did. I think it's really nice to do that, but I think we're also not warmed up at all. So, you know, also this thing of hip-hop dance, so let's go. We're over 30, we need eight hours sleep. So just to have a career, we need to be like, okay, if we need to dance. I said, we said that it might happen if it's something that it's building up, but also to be okay that we're not just all the time explosive. Movements have meaning, connection has moments, like, oh, it's something also. It's not just we like music and we dance. Or we can have that, but you will have one percent of whatever we feel like, you know? Yes, I think this is a point for us to pause just to make sure that everyone has time to get some food. Thank you so much, Linda and Ale for your talk.


What's up everybody jason for jacobyscasebricks.com. We just sold out a hip parade gope Giveaway we're giving away six boxing a parade gope with this filler here 2021 prism baseball one multi-pack break number 11 random teams and first guys we're gonna do the break by my customer names and teams distribute the hits up and at the end of the break we'll take the original 30 customer names randomize them and The top six get in also guys are doing a little bit of renovations next door If you guys hear the banging sorry out of my control boss, and I'm like just it's just Bob the builder over here So let's do the break first guys and Then we'll do the randomizer. I'm telling you do this at least Almost ten at least like ten to twelve year old kids in here four times one Two three four we go for Kyle don't chat four times one two three Four imagine being Evan or whoever's working the floor That's right. We got to keep the hobby young. That's right. They're the next generation All right, so there we go guys stick to what you got no trades Remember just a quick little prism sell-out pack Do it Joe Piz I don't know I don't was the last time he went to like a big car show, but You know like Dallas and Atlanta all these places dude. You'd be seeing like 15 year old kids just a stacks 1015 K just dropping Money or dropping like $10,000 cards and just flipping them. It's pretty crazy It's wild Soto and Manny Machado It's playground out there Switch scenes and again top six get in. Here's the dice for the customer names roll 11 times five and a six one two three four five six seven eight nine ten eleven boom Boom 11 Harry you're in Jesse Harry Michael David and Kyle Barber. There you go guys Boom top six are in Gonna copy and paste your names right here. Where you at? Well, appreciate you guys the next ones in the store actually number 12 Let's get that one going Jaspies case breaks calm. Appreciate it guys


You have the ability to go in with a blank slate every single time and make the changes that you'd want to change. So in this particular case, because we're doing a high-budget CBO, and we want to test different potential audiences.


In this video at the request of subscribers I have finally decided to throw in my hat as to what the best Linux distribution is I've thought about it for quite a while, and I am going to tell you what I think the best Linux distribution is all things considered but also the easiest Linux distribution all things considered Well, the answer might surprise you. I should put that in the video title or something Now you may know that I did a video a couple years ago In fact, it's one of my most popular videos on Linux distributions generally and my narrative on Linux distributions for anyone who is new to Linux Your the narrative should be distros don't matter They are social constructs once you gain a certain level of confidence in Linux It is very easy to change the desktop environment and all this kind of stuff that people fixate on when they usually talk about distributions Okay, so that is my general stance on distributions, but all things considered I think there is one and I wouldn't have said this a year ago I probably wouldn't have even said this a month ago But there's one distribution that I think is a little special that distribution is Arch Linux Okay, now that might be a weird answer because Arch Linux you hear about it all the time You would think I'd choose something more special, right? But Arch Linux again, I think it's the best Linux distribution. I also think that it is the easiest Now me saying that might sound like a cat kind of zen koan You might think I'm playing a trick on you. It's like what what did he mean by this? Well, what I mean by that Well, I'll say two things two general topics the one thing about Arch Linux is that it Despite the fact that there are some initial hurdles like the manual installation process Which actually does you a good favor? I will talk about that later But despite those initial hurdles in Arch Linux Arch Linux does better than any other distribution I've used at avoiding the pain that you might have to put up with in Managing any kind of system be that Linux or Windows or anything else, okay? that is people often think about the hardness of Arch Linux being installed. I am thinking about life-long hardness say it with me life-long hardness That is what I'm thinking about and I'll talk about that in a second The other thing that I think makes Arch Linux an extremely good distribution Ironically enough is something that I guess is in in the heart of those who use it that is Arch Linux more than any other distribution has the most potential to change the way that people think about Linux distributions because Partially because it is one of those distributions that you install manually and you go through the process Compared to other distributions like for example gintu when you're making your own kernel and compiling and stuff like that Arch is easier, but it also gives you a nut it gives you exactly what you need to really understand how your system works Let's talk about those two points briefly. Okay, so life-long hardness now. Here's the thing about Arch Linux Let's ignore the installation process. Okay, let's talk about managing a system now one nice thing in Arch Linux is the fact that Every program in the world is basically available to you if it runs on Linux you can easily get it on Arch Linux now That sounds like something that's a little trivial and you might say okay That's true of other distributions as well, but but I'll think about it this way You know I take this for granted as an arch user, but when someone comes with me, you know comes to me with a problem it often is of the format of You know there's one there's a there's either a program that has a dependency that their distribution You know since it's not rolling release it isn't keeping up with or there's something they really want to install But it's you know They have to figure out how to get it off get and do all this custom compiling or and stuff like that the thing about Arch Linux Because it has its repositories and because it has the AUR It is very easy for even an introductory user to use Arch Linux and be able to get so much out of it That is you can pretty much you can if you watch my channel for example I go over a lot of different programs and if you like one of those on Arch Linux you can install it basically in Centaneously, it's probably gonna be in the AUR or the main repos play around with it and get rid of it That's not necessarily the case on other distributions as I've actually recently found out If you want to compile some program on program on Debian Debian has lots of you know it it has a great repository It has some great stuff in it, but there's a lot of this this minor stuff that it doesn't have and Installing that can sometimes be a big pain not just you can't do it on the command line easily with you know An AUR manager or something like that, but it you know the or you know Ubuntu having the PPA's all the equivalents of the AUR are a much much more difficult to use and Additionally and now I've said before I don't actually care about Arch Linux being a rolling release distro meaning Updates come out all the time But now that I think about it that is actually a really good thing if you're installing programs or playing around with new programs Because a lot of the time the development on these programs You know if you're some guy on github who's making some program you want to play around with a lot of times He is using the most recent version of I I don't know Pearl or Python Well, they don't really I don't think have that many updates But some kind of program or some kind of programming language or library and they're using the most recent version but if you're using some staggered release distribution if you're using Ubuntu and That thing is not automatically updated in the Ubuntu repositories You have to go through a big rigmarole of just getting something basic done So Arch Linux again ignoring the install process. We'll talk about that in a second But in terms of system management, it is so there are so many headaches. You just avoid in Arch Linux Let me throw in another zen koan actually because I didn't say this before I meant to but Arch Linux in addition to being The best distribution I will say that it also has nothing particularly good about it The good thing about Arch Linux is that it avoids pains like this not I mean, I don't think it's all by design I think it just happens to be how Arch has evolved and I think it works extremely well And I'll go ahead and tell you well, let's let's get into the second point Okay, as I said the second point is using Arch Linux or going through the install process Changes the way that people look at computers or changes the way they look at Unix or Linux or whatever Because what happens it might strike you when you are first thinking about using Arch Linux that?  Why can't you have an automatic installer?  I mean the display manager the desktop environment window manager if you install that kind of stuff if you install You know what kind of graphical settings or your network manager all that you read up on it in the process of installing it But once you do that, you know what's on your system. You know how it works. You know how it interacts It's not a difficult process It's not a difficult process to do and once you do that, you know where the pieces are going together So what ends up happening is if hypothetically something breaks on your system, which frankly on Arch things don't really spontaneously break But if something acts in a way, you don't expect it if you if you have gone through that minimal install process You know what's going wrong. Yeah, you don't have to you look it up on stack overflow or something You generally know exactly what's going on and it's not a big problem If something reacts in a way that you don't expect it that so that it changes the way you look at distributions where a lot of times I mean as an example a lot of times if you if you Google search for something if you're a Linux newbie and you want to learn How do I change this audio setting on Ubuntu? You look that up on the internet or something and you will get a guide that tells you how to click on the graphical Environment in Ubuntu and change something but of course the graphical environment is not Linux it's a graphical environment that interacts with your actual system indirectly and But when you install a system minimally you actually have an idea of what's going on underneath and that Because if you're using Arch you have to go through this process, which again is not that difficult But once you do that it gets rid of so many of the headaches that you would otherwise run into if you're using Some kind of Linux distribution or even if you're I mean even worse if you're using you know Mac OS or Windows or something where you you can't really do if something goes goes wrong You just sort of have to grin and bear it if it's you know some system vital thing that you don't you can't really change So there is that thing and the other irony of this that comes from this is the fact that I have had so many subscribers Tell me this exact same story. They're using Fedora. They're using Ubuntu They're using even Manjaro or another Arch based distro. They're using Trisk will they're using whatever and They have a problem and they look all over the place and it's not there But where do they eventually find the solution? They either find it on the Arch wiki or they just ask on an Arch Linux form and they will be able to tell you Now it's not because Arch Linux users are just like the greatest things in the universe That's not what it's all about. You can be just like that It's just that all of them have gone through that process that sort of I mean it's like hazing You know the installation of Arch Linux is a hazing process and once you've gone through that hazing process you know what you're doing and Even though again, there are distributions that are more difficult to install than Arch Linux if you install Jintu Wow, that's an even bigger badge But Arch Linux at least at least gets you to that point where you understand what's going on on your system So I know I said before years ago that Linux distributions, they're all pretty much the same and I still agree with that I I still hold by that I'm not telling you in this video to switch the Arch Linux doesn't matter to me what you use doesn't I mean, I don't think it makes a lick of difference if you're used to whatever system you are That's that's fantastic but I do think and mind you I've had many people who watch my channel and are windows users and See my stuff and directly switch to Arch Linux some of them even using my dot files I think that's crazy but if they can do it you can do it too and It's it's not just don't fall for the memes It is not a difficult to use distro the amount of thinking the reason in fact I am only having this revelation now that I actually think that Arch Linux is a fantastic Distribution the only reason I'm saying it now is because on Arch Linux you have to think about your distribution So little you just don't think it doesn't hit hit you in the head, you know You know, I was talking about how in that video, you know How how much I used the distro hop and then I eventually just stopped Maybe I just stopped because I found a distro where you don't have to think about the distro You're running you have to think about what you've installed on your computer and you can easily change that So again to the re to repeat the points Arch Linux I think it's probably the best and easiest to use distro Despite the fact that it might have a little hump at the beginning and the install process But I think over the long term the long-term hardness is very very low of Arch Linux That is if you have if you have hardness for more than eight hours on Arch Linux consult your doctor Consult the arch wiki. It shouldn't be like that. But on other distributions Sometimes you have to go with you get a little frustrated because everything isn't quite long arch Linux again It's not a good distribution. It just avoids a lot of pain and the second part is This distro structure you know ignoring that all of that the process of installing a system From the bottom up is a very educational experience. It's not a difficult experience. Remember I did if you go search up Install Arch Linux on YouTube right now and click on the first one with a spongebob me minute That is my video and that video where I Explained the Arch Linux installation process in excruciating detail. I think that was around 50 minutes That is me explaining everything. So the process is not difficult. You can do it. So I encourage you Since it's I don't know. It's almost New Year's you can make it new your New Year's resolution to try Arch But once I once I used it I never really look back and I I've been using it for like years now But I'd never really thought that oh, maybe it's actually just a good distribution Maybe that's why I stopped thinking about distributions in general. So that is my top one Linux distribution Will it always be the top one Linux distribution? I don't know. Maybe there'll be another one Maybe they'll be we never know what's gonna happen, but I'm gonna give my vote to Arch for the time being so Anyway, that's about it. I will see you guys next time. Hope this inspires you to do something or another and Yeah, Merry Christmas. Happy New Year. I'll probably do another video before Christmas, but we'll we'll see you guys next time


Our new freedom forums help you grow. Here they are behind me in light mode and dark mode. We are launching God Strike, publishing God Strike on Steam in spring 2021 by Freedom Games of course. Ashes of Creation raised over three million dollars in 2017 and the game is going out of NDA in March next month. You will see a lot of content. Of course we are covering it on MGM Ashes of Creation. The link is down there in the description below to see this website behind me with 64 classes, nine races and a lot of detailed overviews about each one. Will it be a contender for World of Warcraft players to switch to Ashes of Creation? We'll find out. They've spent a lot of money on this game and they've raised a lot of money so I think it has a good chance of being a wow contender. Let's start with the freedom forums at www.community.tm. We've upgraded them to the latest ZenForo 2.2.2. We have over 50,000 members. Exactly 56,407 as of right now. Are you going to be the 408th? Head on over and sign up and join the discussion. There's over almost a million posts forum posts so there's a lot to read. Start with introducing yourself right here under the community. Let's pick the latest guy who introduced himself right here. He's a new content creator. His name is DTM Panda from the UK. He's 26 years old and let's check out his channel. Here is DTM Panda with 142 subscribers and he's got videos about Hypixel, SkyBlock, as well as Call of Duty. So introduce yourself on the forums. You will get seen, you will get replies and you will grow faster. Engage in the conversations. Check out the servers tab. Here we have our freedom and MGN discord servers linked handily as well as a new Rust community game server and the Minecraft community server. Check those out if you play those games.  And as I mentioned it's available in dark mode. You can change it at the bottom. There's a little setting right here to click light mode and dark mode very easily. Hope you enjoy it. God strike will be our third game that we published as freedom games. That will be coming soon. Check out the steam page. The link is down there in the description below and add it to your wish list if you enjoy this kind of game. That will notify you when the game launches in the spring of 2021 which is like you know in a few months very soon. We're very excited to be working with the overpowered team to bring you this awesome game. Ashes of Creation is also an awesome game. The NDA lifts in March 2021 next month where you're going to see a lot more content. We are covering it on our latest MGN Ashes of Creation blog and if you want to contribute articles to get views and get revenue off YouTube we are doing revenue share with writers who are contributing to these blogs and you too can. Just head on over to our MGN Discord server and give Big C a big poke and he'll be happy to set you up as a writer making these reviews. I'll give you an example because we saw that DTM Panda was a Minecraft skyblock channel. Here is one of our reviews for a high pixel skyblock best beginners armor guide and as you can see this creator wrote a lot of compelling editorial text with screenshots and his name is Cause. Check out Cause. Click the link down there in the description below to see this article and the video is by Cause as well. This is the kind of content we are going to help get you more views by combining Google SEO and YouTube SEO. How many views? Let me show you an example on the MGN.TV website if I search for Adam Smasher. He has a secret room in Cyberpunk 2077. This article was written by our team and look how many views it got. 17,325 views and counting. Now this is the best example and not every article gets 17,000 views but even if you get a few hundred views or a few thousand views it all helps to build your brand and get you more exposure on YouTube because these are your videos that you embed in your own blogs so you get the benefit of Google SEO together with YouTube SEO. This is what we call OVOP guys. One video, one blog and this is just WordPress even though it looks like YouTube. We built this as a WordPress only site with a layout that makes it familiar to people using YouTube so if I click on any of these suggested blogs it's like the suggested videos column on YouTube. You get the video at the top but what you don't get on YouTube is compelling editorial text with screenshots and credits for the people who wrote the article and more articles from the author. This is all how we help each other grow together as a family. That is the spirit of freedom and we have many other benefits to help you grow. This is the page behind me that lists them all. The link is down there in the description below if you want to read it where I talk about the 110 revenue share weekly payments to creators, better content ID with Aegis seven-year freedom scholarship and many other things that help you grow, keep you safe and get you more views. All right freedom family, let's stop there. I hope you enjoyed this video. I haven't made a video lately. I apologize. I want to make more. I've been busy building a new something for you to see very soon but I want to get back to making videos so tell me down there in the comments below if you missed Papa George and what kind of content you'd like me to make more of. Do you want me to focus more on the games we publish? Do you want me to focus more on the community sites like community.tm, our discord servers, our game servers? Do you want me to focus more on our blogging OVob? How you can get more views by writing compelling editorial text on our WordPress sites that look like YouTube? Tell me down there in the comments below. I'd love to hear from you and in the meantime, who am I? Oh wait, click that I to see the playlist of all episodes of The George Show in case you missed any. And now who am I? I am your Papa George with glasses that are fogging up because it's hot here in Dubai. I am the CEO and founder of Freedom. I love saying that. It doesn't get old. For freedom and the freedom family where we all help each other grow together as a family. And that's my daughter in the background who doesn't understand the concept of daddy's recording. Please be quiet Eve. All right before it gets noisy here, freedom family. Don't forget it to get your exercise. Do your OVob. It will get you more views. One video, one blog. Stay healthy.  That's the one thing you can do that where you'll actually fail, which is give up. So just don't do it. Find motivation in the community. Talk to your friends. Plug into our forums and our Discord server if you need that extra bit of motivation. Watch the videos of The George Show anything to keep you going. Never give up. Until the next episode. I am George and you've been watching. Click that I to partner with freedom and join the freedom family so we can all grow together. You get many perks like position music. You also get epidemic sound, a lot of other access to royalty free videos, sponsorships and many things to help you grow. Just click the links down there in the description below to get involved in our community, our forums, our Discord chat servers, meet our graphics team, meet our community team, all of that on Discord and the forums. What are you waiting for? Get started. And we will grow together as a family because this is the freedom family. You are part of it. We are all part of it. And we're all growing together. To get more George, click that big F that will subscribe you to Freedom Central, home of The George Show. And PewDiePie gave one of you, Freedom Family, a big shout out. Click that video to see the shout out and to see our new 3D sets for you. And click that video to see what YouTube recommends you watch next.


Hello, everyone and welcome. My name is Melissa Armell and I wanted to review Amazon today. It's Sunday Markets closed today However, Amazon reports Thursday night this week October 26, and it's a it's a big report for Amazon And let's review why let's just take a look at the daily chart here the stock So the earnings report for Amazon are the 26th of October And I think it's a really important report because the last earnings report Gapped the stock gap down and fail and the stock actually has not made it over the high of that day at all And actually since July so the previous high here This is the last year and report which the stock gap down high of this bar is 10 32 85 and the stock hasn't gotten over it It tried Very briefly here one time 1022 got within 10 points Just a couple of days ago But it was a measly try actually because this is you know a couple of months of trading and the market's been making new Highs literally every week and this stock has not followed through with the market The other reason why it's important to take a look at the report this week for Amazon again, which is Thursday night Is because the stock isn't enough trend currently it really is it's very strong But this is will be the first report since the takeover of Whole Foods So Amazon purchased Whole Foods for 13.7 billion Back in August this was when the sale went through and so it'll be interesting to see here what they report Now that that's taken place and I think it needs to be a good a good report. I think it needs to be a good reaction I think it I think it's really important to see what happens for the stock and I'm not saying if the stock gaps down that it's going to collapse and go from an uptrend to a downtrend It is still holding the downtrend here It would have to go, you know very far down for it to break trend, but sometimes when you get gap downs They start they move in a different direction in a change in trend It would be much better for the stock to gap up On the earnings this week, which would be then Friday morning It would be gap up Thursday night open Friday morning strong They'll be the best thing for the stock to do particularly as I said because the stock has not followed through with the market here Since the failed earnings hasn't gotten over the high that day and this will be the first report since the takeover of Whole Foods Which was a new venture for Amazon and also, you know, they paid a lot of money for it So we'll see what happens, but I think this is the most important earnings for this week and could affect the market as well So definitely will be watching this Thursday night if you have any questions or you want to learn more on gaps You can feel free to email me at Melissa at the stocks wish calm. Thanks everyone and have a great day


My fellow Americans, I've talked to you on a number of occasions about the economic problems and opportunities our nation faces. But as you've probably heard on news reports, America's problems are not unique. Other nations face very severe economic difficulties. In fact, both developed and developing countries alike have been in the grip of the longest worldwide recession in post-war history. And that's bad news for all of us. When other countries don't grow, they buy less from us and we see fewer jobs created at home. When we don't grow, we buy less from them, which weakens their economies and, of course, their ability to buy from us. It's a vicious cycle. You can understand the danger of worldwide recession when you realize how much is at stake. Exports account for over five million jobs in the United States. Two out of every five acres planted by American farmers produce crops for exports. But because of their recessions, other countries are buying fewer American farm products than last year. Our farmers are hurting and they're just one group. So we're trying to turn this situation around. We're reminding the world that, yes, we all have serious problems. But our economic system, based on individual freedom, private initiative and free trade, has produced more human progress than any other in history. It's in all our interest to preserve it, protect it, and strengthen it. We're reminding our trading partners that preserving individual freedom and restoring prosperity also requires free and fair trade in the marketplace. The United States took the lead after World War II in creating an international trading and financial system that limited government's ability to disrupt free trade across borders. We did this because history had taught us an important lesson. Free trade serves the cause of economic progress and it serves the cause of world peace. When governments get too involved in trade, economic costs increase and political disputes multiply. Peace is threatened. In the 1930s the world experienced an ugly specter, protectionism and trade wars, and eventually real wars and unprecedented suffering and loss of life. There are some who seem to believe that we should run up the American flag in defense of our markets. They would embrace protectionism again and insulate our markets from world competition. But the last time the United States tried that, there was enormous economic distress in the world. World trade fell by 60% and young Americans soon followed the American flag into World War II. I'm old enough and hopefully wise enough not to forget the lessons of those unhappy years. The world must never live through such a nightmare again. We're in the same boat with our trading partners. If one partner shoots a hole in the boat, does it make sense for the other one to shoot another hole in the boat? Some say yes and call that getting tough.  We shouldn't be shooting holes. We should be working together to plug them up. We must strengthen the boat of free markets and fair trade so it can lead the world to economic recovery and greater political stability. And here's how we're working to do that. We insist on sound domestic policies at home that bring down inflation and we look to others for no less in their own economies. The International Monetary Fund, the institution that deals with world financial issues, seeks to encourage its member countries to follow sound domestic policies and avoid government restrictions on international trade and investment to foster economic development and raise their people's standard of living. We remind other countries that as the U.S. helps to lead the world out of this recession, they will benefit as we buy more goods from them. This will enable them to grow and buy more goods from us, and that will mean more jobs all around. That is the way of free markets and free trade. We must resist protectionism because it can only lead to fewer jobs for them and fewer jobs for us. In just four days, the trade ministers of virtually all the free world countries will meet in Geneva, Switzerland. They will seek ways to surmount challenges to the integrity of our international economic system. We were instrumental in convening this international meeting because we believe strongly that our trading system is at a crossroads. Either free world countries go forward and sustain the drive toward more open markets, or they risk sliding back toward the mistakes of the 1930s and succumbing to the evils of more and more government intervention. And this is really no choice at all. The United States will reject protectionist and defeatist proposals. Instead, we will set new goals and lay out a program for limiting government intervention in world markets. We will lead with a clear sense of our own commercial interests and a quiet determination to defend these interests. We will take actions at home and abroad, which enhance the ability of the United States industries to compete in international trade. Let no one misunderstand us. We're generous and far-sighted in our goals, and we intend to use our full power to achieve these goals. We seek to plug the holes in the boat of free markets and free trade and get it moving again in the direction of prosperity. And no one should mistake our determination to use our full power and influence to prevent others from destroying the boat and sinking us all. That's how the United States is working in the world on behalf of freedom, economic prosperity, and peace. I'll be back again next week. Thanks for listening. God bless you.


Welcome to Toffy TV, it is the Everton News Daily. The Everton Shareholders Association has called on Everton Football Club to reinstate a general meeting and to have one before the end of the financial year. The general meetings are being stopped by Everton and the Everton Shareholders Association have put out an open letter to the chairman and to Farad Meshiri stating that they had a discussion with both of them in which they both admitted they had no problem with general meetings and therefore if that is the case and still the case then why have the general meeting stopped? That has been put out everywhere today, it's been released as a press release to show the messaging that has gone to Bill Kenwright and to Farad Meshiri and the Everton Shareholders Association wants to know that if the majority shareholder and the chairman of the football club don't have a problem with it then who exactly made the decision to stop it? And therefore as the majority shareholder could reinstate it and have one immediately and I think that's what the shareholders association are hoping for. There's still no sign of Everton's accounts being put out there for the year that has got to be made public by March 31st I think or certainly if not then the first couple of days in April. We'll know what the books look like for that financial year then and the shareholders association calling on more engagement from the football club so we'll see whether anything comes of that. Former Everton defender Alan Stubbs has revealed that while he was manager of Hibbs he recommended Everton sign John McGinn. He said that when Hibbs were looking to move McGinn on he was highly rated and he contacted Everton with a view to them coming and buying McGinn. He would have been for around £3 million he said McGinn would have been a good player for Everton and is now in today's market worth around £40 million. Aston Villa of course did take McGinn and he has done very very well for them and he won the penalty in fact when the two teams met earlier this month at Gothersham which Ollie Watkins, sorry it was the end of February wasn't it, he won the penalty for Aston Villa which Ollie Watkins converted. Here's a good player John McGinn and he has done well for Villa and this is further evidence that Everton is still missing out on some players who they could get for low fees and turn them into assets that they could sell. But let's hope that changes because it has to, we simply don't have the money and profit and sustainability doesn't allow us to buy high profile players all the time so we need to start making these investments while these players are of course emerging talents and we saw, we've seen that going right back we can, you know, there's your van dych when we missed out on him and well they've missed out on him and we chose not to sign him and when we've found his money and there's been lots of those stories over the last few years. Delhi has been told that he is free to leave Besiktas now by the head coach Senol Gunas. There was a story yesterday that he'd gone a while Besiktas and particularly Gunas saying we don't know where he is. He did say that it was raining so he's probably not saying enough for training. Delhi has come out and said that he had a pre arranged agreement with Besiktas due to a doctor's appointment that he wouldn't be there. Clearly that haven't been relayed to Gunas when he made the comments. Their relationship quite clearly has broken down. The report goes on to say that Delhi is hoping to come back to Everton and fight for a place that seems unlikely. You never know. Obviously it's a new manager. She's on dyches there so we'll have to see what happens with that but the report also says that MLS clubs are interested in taking Delhi over there as well so see what happens in that saga if it is a saga. Everton has today been a mad story. He's been linked with a move for former Everton striker Romelu Lukaku. Into my land she has come out and said that they will not be keeping Lukaku at the end of the season. He's not financially viable for them and that he will return to Stanford Bridge. Chelsea don't want him by all accounts and are looking to offload him and the report says that he will be available for around £25 million this summer. He's obviously played some of his best football at Everton. He's had 87 goals for Everton and he was here. Whether he'd come back, I don't know, whether Everton would have an interest in going and buying him and whether he could afford him is all unlikely. It's an interesting story and it was one I felt needing discussing. Given he's a striker and he would still feel like he would score goals for Everton, of course he would. Lukaku, he loved it. There you go that's it for the news. Give it a thumbs up. Subscribe if you haven't and if you want to become a Toffy TV Premier member where you get daily live videos. Then click the link in the description or the QR code that will be on the screen in two seconds. See you later.


What I love most about my job is the people I work with. The people I work with are excellent. They have a very good work ethic. They work very closely with each other. It has a feeling of a fatmanly atmosphere and they really look out for each other. We get to have fun, but most of all, we get to shop every day and spend our time in our Angie building the community that we live in. We are part of the fabric of this community and people rely on us. And we're here to serve our residents and help direct that growth in a way that hopefully brings us all a better future. The coolest thing about being a city of Fort Worth employee is meeting different people from different cultures and backgrounds, as well as learning different areas in human resources. As a patrol officer, we answer calls for service. Anytime a member of the community needs assistance from police department, we show up and try to satisfy whatever it is they need us for. The thing I love most is knowing that I'm able to help and make a difference in my community. I grew up in this community, so it feels good to give back. I love the city of Fort Worth. I grew up here, I was born and raised here, and I always wanted to be a police officer here, so it feels great to be able to give back. I think it's worth working here because, like I said, I love to know that I'm making a difference in somebody's life and to give back to my community and my children are growing up here, so it's amazing for me to be able to give back. I supervise a team of officers who are tasked with conducting roadside safety and compliance inspections of commercial motor vehicles, which are 18 rulers, tankers, buses, et cetera. Because I work in the traffic division, we cover all special events. So whether it's a football game or a parade, we have the opportunity to see the citizens in a different element. They just truly out, having a good time and enjoying the city. I really enjoy talking to the children, so we do career days and also mentor younger officers as right before they get into the academy and as they go through the academy. So that is very rewarding to see a person, you know, pursue their passion and, you know, kind of walk with them as they graduate the academy. It's the most rewarding thing I think I've done. I like and love the people. I've made friends with the city, deep friendships. It's a growing place, we're growing in people, we're growing in the endeavors the city engages in, and it's growing me. I have beyond that had some wonderful experiences with the city and especially the people that work with and for the city. I enjoy being engaged with the community at large.  I enjoy the projects that I'm engaged in. And I especially just love that we have a vibrant community of people that are working for the good of everybody.


Everybody forced here ripping 2022 tops luminaries baseball hobby 12 bucks full case number one random hit style So we've got 12 boxes in the case with one hit each there's 12 spots of the break Donnie will type in the hits as we go, and then we will do the random at the very end to see who gets what? Thanks for joining everybody. Good luck. We have eight to go on the next luminaries random hit break It's right after this Quickly here we go again. This is number case one. I'll do in both cases I mean, there's gonna be a lot of guys that we see quite a bit of Let's get the next one filled up guys starting off with a Nice patch auto if on Rodriguez 15 of 15. That's a pretty one Pudge Rodriguez home run Kings autograph patch card redemption now home run Kings autograph patch of Ken Griffey Junior Awesome redemption. Good luck on that one everybody Home run King autograph patch will look just like that pudge great start to this case Make sure you put redemption in there. Yeah The kid not a kid. It is a cut auto.  It doesn't get better than that That's amazing This was the case keep in mind They're still limited spots for the second and third case of the night. Come on y'all. What are you waiting for? I'm making up for lost time today. I guys. I'll tell you that I don't think I've seen Hank Aaron cuts. They didn't they never had a month checklist for cuts This might be the first one was always alive. Well, yeah, I never had to be a cut auto Well, they're still That's a monster there very few legends like Hank would be a cut auto instead of just an on-card I just are pulling Jackie's and Nice a to 10 Buster Posey auto first man with Hall of Famer home run Kings auto Buster Posey a to 10 I Don't know if he will be but I he should be should be he really should be hard Really tough to win MVP as a catcher and three World Series and have a batting average of up to 300 in your career Y'all we told you the forest horse has been on fire since last night Eventually, we're gonna have to bring a hose in and like cooling down. It's worse than that time They're raccoon got stuck in the copier All right, what's up next? Oh, that's gorgeous Ronald Acuna, Jr. Patch auto silver ink six of 15 Spark of light. Yeah spark of lights are sick Good a grippy patch auto redemption in this one the first one was a pudger. I mean everything's been great so far honestly How many are left in the next one are you guys leaving spots on the table right now? This is outrageous We just sold half our spots Very limited spots for tonight with force and then of course he's got like five hours of personal boxes. Yeah When you heat all night long Got a Vladimir Guerrero is that a Rangers Vladimir Guerrero auto 13 of 15 For me Nice Vlad You would have took Rangers. Yeah, yeah Vladimir Guerrero This one's backwards was this all right, it's not it's not a 50 on a book But it is a Oh nice and John Smoltz says see ya. See ya 11 to 15 Masters of the mound autograph card John Smoltz 11 to 15 That's my guess is is So the four boxes laying down Third second one to the right is gonna be that one. Yeah, that's my guess. It's calling trout second the last box All right moving on is an Albert Pujols 14 of 15 this is the hot case. It's a great case. Yeah, these are big names the machine 700 armor 702 was a spinal. I think 702 Travis he's been pulling fire since last night and it's carried over big time into today We haven't let him sleep He's just gonna have to start for 24 straight out. Yeah guys. I haven't changed my underwear. I can't do it until we stop pulling Yeah, I won't change my underwear till we stop Take a break between boxes God's a one of ten Nelson Cruz as a Tampa Bay ray auto. That's pretty cool That might be one of his first He has them there's one other product recently like museum, maybe I'm not sure which one Definitely no bedtime for him tonight Nelson Cruz one of ten. Yeah, we're just gonna have to extend the schedule I'm breaking into like more 7 a.m. You'll break until Matt gets here tomorrow That gets here early at least Oh The books don't mess around in this problem. Oh my god. What is this? That's disgusting. That's more than a three-way. Yep. Oh my god There's a few monsters here. All right. I'm just gonna open the whole thing. I think if I can oh, no It is a three ways in it. It looked like more than oh, it's got relics. That's why it's so thick It doesn't get better than that three of three Triple-patch triple auto book Derek Jeter Fernando Tates Jr. And wonder franco I mean Random hit so it's going to one person This is just congratulations to whoever wins Unfrikin believable the first one of those I've seen I've seen the three of three all game worn. Yeah, all three Well, the wonders to color. I think but yeah, you get you get a chunk on them There's no judge on there because it's all short stuff. It's all short stuff. It's three short stuff All right, how did this fold up again? It was like this. Yeah, and then like one goes to the front one goes to the back Yep, so let's put this back in here, but put a sleeve over the one Yeah, I'm actually gonna take a photo so you could probably just leave it aside for now Oh my god This is you mean like freaking ridiculous like a sleeve all right Lane called trout in this box I would be shocked if there's a trout now Okay, I'll show I'll show that a second I Lane called trout here And we got a Jeff Bagwell jersey on a 15 and a 15. I mean, that's almost same as trout right close enough Oh very very short lived Houston jerseys there. Yeah, don't see those a ton Astro the astrodome patch on the side Nice squat well All right last one Gotcha is a Peter Lonzo six of 15 had a career come on Mets career. You actually I think one of the best in their history You go polar Pete I'll show this before you I'm gonna take a picture of it too before the random So you can see the relic they put in the was a Tate's panel. Yeah, the Tate's panel It's kind of like pop and open the card a bit. So we're gonna send an empty box and a wrapper Yeah, I hope tops should probably reply might have you send it a replace the auto but wander Tate's It's kind of opening just a bit on that Oh Cortes picked out Yeah, and then the trick to taking the photos is Wow, what if there's any spots left All right, well, good luck everybody the next one sold out that was Yeah, still a sick card, I don't think it affects the value too much You just want to get it replaced so that it doesn't get worse. I guess on that card I don't think it affects the value of that the three of three a Ton because it's booklet anyway, but all right guys here. We go with the random best of luck everybody. What a case Thank you very much for filling it up Well, randomized the names and then the hits the same amount of times put them side by side to see who's getting what here a 10 Four and six one two three four five six seven eight nine and Ten Travis you down to Peter M Ten more times on the hits. Good luck everybody One two three four five six seven eight nine ten a cunha down to posey Move it all over here and we'll read off who's got what let's see who Got some some massive hits. We have several people here. Yeah, there's all right So Travis you with the a cunha the gorgeous a cunha William W with the pita Lonzo John a bag Well, William W the smolts West L Nelson Cruz Nicholas T with the Hank Congrats Nicholas Alexandros with the machine the Albert Pujols Josh AIDS the Vlad Guerrero Eric R. Pudger Rodriguez Brandon S with a triple patch booklet triple patch auto booklet Congrats Nicholas John a with the Griffey Redemption and Peter M with the posey to 10 Congratulations Nicholas huge. Hey, thanks again everybody. We've got another random hit style coming up next