Longopal, President SGPC and other dignitaries welcoming the Prime Minister. We can also see Captain Amarinder Singh, Chief Minister Punjab. Prime Minister had shared that it is believed that the famous saint of Assam, Shankar Dev, was also influenced by Guru Nanak Dev Ji. Guru Nanak also travelled to the holy land of Haridwar. There is a sacred place in Varanasi, Guru Baah, Gurudwara. It is believed that Guru Nanak Dev Ji stayed there as well, as the Honourable Prime Minister Srinarendra Modi and other dignitaries now enter the Gurudwara, main premises and offer their obeisance. Prime Minister bows down to the Guru, performing his prayers while visiting Bidhar in Karnataka. Guru Nanak Dev Ji had solved the prevailing water crisis there. While giving power to the environment, Guru Nanak Dev Ji gave power to the Guru, water to the father and the earth to the mother. And these coins are still in the market. How can we protect our environment? In the same way, Guru Nanak Dev Ji gave power to everyone, sitting in a pangat, sitting in a Guru's lap, with a service-like attitude, and when everyone is sitting in the same lap, it becomes a feeling of unity and equality. Guru Nanak Dev Ji's life, vision and vision can be felt in Sultanpur Lodhi's historic city. And this is the tree of Beri. Even today, the fruit of Beri's tree is ripe, it is green, and the history of this tree is also 5.5 years old. When Guru Nanak Ji stayed in Sultanpur Lodhi for more than 14 years, he used to focus on Beri trees. And today, a lot of Shraddhalis perform this tree practice, and right behind it is Sarovar where they also take a clean bath. I would like to thank the Prime Minister, Shri Narendra Modi Ji, for accepting all of them. On 12th November 2019, a special day will take place, which is the day of Guru Puraab, and today is 9th November, which is also a very historic day, because in the other characters, from here the Prime Minister, Dera Baba Nanak Gurdaspur Punjab will go. At Dera Baba Nanak Gurdaspur Punjab, the Honourable Prime Minister will inaugurate Passenger Terminal Building, Kartarpur Sahib Corridor, and flag of the First Jattha at the Integrated Checkpost. It will be a special occasion for devotees, as their cherished dream for the last 7 decades stands fulfilled today, when that inauguration will happen. No visa will then be required to travel to Darbar Sahib, Kartarpur. Guru Nanak Dev Ji's 550th anniversary, which is related to Prakash Parv, is being inaugurated by many other people from all over the country, from the Digital Museum, from the Seminaas, from the Heritage Walks, and from the teachings of Guru Nanak Dev Ji, to the Jansjans. In today's time, we can experience the great and divine teachings of Guru Nanak Dev Ji, their need, their meaning, and their importance. We can act in our lives with the three principles that Guru Nanak Dev Ji has given to the world. Manini Prathana Mantri Shri Narinj Modi, now is being presented by Guru Dwarah Shri Bair Sahib. With this hope that we, Guru Nanak Dev Ji's life, vision and intentions, will join our Dincharya. Once again, to all of you.


Ecam Live beta 4.1 has been released and need I say it, it is another great update because they always are, aren't they? So let's just jump straight in with the new feature, shall we? You could say really that this is an overhaul of overlays in general, actually, because most of the features that we're going to go through are specifically related to overlays in some form or another and just enhancements to the functionality and really making Ecam much easier to design in. So previously, if you wanted to build out, you know, scenes, there's loads that we can always do. It's so quick to do things. But there were certain things that we would still need to go to an external editor for specifically related to images and so on. And if you wanted to sort of create shapes and so on, there were ways to do that through text. But now we have got a brand new type of overlay. So let's start with that first feature up there, shall we? And that is the new shape overlay. So I'll come into my demo mode and over here in my overlays window down at the bottom, you'll see that instead of those eight little buttons here, we've now got an extra one for a new shape overlay. So clicking on that, it will add a shape in. So here we've got a rectangle. I can just resize that on there. Click the little pencil icon here. So this is obviously where we can adjust things related to that specific overlay. So the same way we always have been able to. But now you can see that we've got these options here. So rectangle, I can change to a circle or a squircle. So actually building out and squircle being those slightly funny shapes where they've got sort of dual radius rounded corners. Anyway, so that is the the shape overlays. And here you can see it says at the top adds shape overlays with linear gradient, blur and effects. This is where this starts to get interesting because yes, we've got the borders just like we've always been able to do with other types of overlay. Yes, we've got the border width there and so on. But here you can see with the fill. Now we've also got gradient. So that is where we can apply a gradient. You can see now we've got the color picker there. We can choose two colors. And then we've got this little dial here, which is showing the sort of angle of that. So as I'm rotating that around, you can see what's happening. It's putting that different gradient on. So this is something that is seemingly so simple, but previously you would have had to have gone to an external site or would have had to use your image editor to create this gradient. Maybe you just want a gradient to go in the background of your scene, for example, where now you can just do it directly within Ecamm. Then if we come down here further, this is where it starts to get really interesting, because if I just place this over my face for a minute, you'll be all pleased about that. If I click on this little pencil icon here, then where it says fill, instead of gradient, we can also use blur. And what that's doing, obviously, as you can see, it's blurring whatever is behind that. So right now, this rectangle is in the top of the stack of all of these different overlays. So you can see how it's also blurring out all of this text. I could move that down in the stack. So now it's down beneath that text overlay there. So now you see it's only blurring me. It's not blurring out that. Incidentally, this whole sort of format here that we've got here with these tools, this is actually the same for all overlays now. So there's some slight discrepancies. But generally, this is kind of unified the way these things all look. Previously, there were sort of a different look to these little contextual menus for different types of overlay. Now they all look the same. So if I was to go into this text overlay, for example, here you can see that this specific text overlay has got a gradient on it, all with a subtle one. But I could also have a blur effect on that. And so this would be a great way, if I just move this out of the way, this would be a great way if you've got text on screen and you want to just sort of subtly blur out the background. You can see what's happening there. So that's a really nice little effect, a way to have text on screen and just make it more prominent without having a big block on the screen if that's how you wanted it. In fact, why don't we just leave it like that for now? So coming back to this one though, because this will show some of these effects off a little bit more, we've got the blur effect there in force and you can affect the level of blur as well with this little slider. So the fill, that's where you've got the effect and then you've got the slider here to affect how much or little that is being affected. Down here, we've also got zoom. So this is a zoom effect. It's not actually zooming in on the screen, it's giving the illusion of zooming, going at warp factor, whatever. Next, we've also got motion blur. So that's a very similar thing, but sort of side to side effect. Then coming down, we've got pixelate. This is something that actually I can see a real use case for. For example, if you are doing screen shares, sometimes I'm sharing parts of the screen where I'm showing something to do with account settings or something like that, and I need to have certain areas of the screen pixelated. Obviously it works for the old witness protection look as well. But you may want to have it so that you are just sort of selectively blurring out a portion of the screen and you can see what's happened there. It's just sort of blurred out that text. So that's another potential use case for this pixelating effect. But let me just bring it back over my face again and pixelate me out for a second, because there is another option down here, which is hex, basically the same sort of thing as pixelating, but instead of little blocks, you can see if I make them much larger, we've got little sort of hexagons going on in there. And as I say, this just applies to anything that is below this particular overlay. Further down here, we've also got a comic. So that's an interesting effect. The slider doesn't appear to do anything for that one in particular. So I guess that one is just an on or off sort of thing. But if you want to have that sort of comic effect, you can apply that to absolutely everything. If I have it over the whole screen, if I wanted my whole video to be comic effect, that's how that would look. Next up, we go down the list still. We've also got underneath comic, we've got twirl, twirl in one direction or the other. So that's what the slider is doing there. Then we've got pinch, great look there. I think I'll keep that one. And then we've also got the bump effect, which is something like that, as you can see. So those are the different fill effects. So plenty of fun that you can have with that, but actually some real practical uses for some of those as well. So that's all related to the shape. But as I say, this sort of whole new sort of look to this little interface here is similar for all of the other different overlays like camera overlays and so on. And there's actually some more options down here. I'll just expand this out because we'll be coming to some of these in a moment. Next down here, adds overlay borders and rounded corners for all overlays. Now what that means is we've already seen that you can add rounded corners and borders to this shape overlay. But previously, before shape overlays were here, we only had it on camera overlays and screen share overlays. It didn't apply to the animated video overlays nor to the image overlays. Whereas now it does. So if I was to just bring up an image on screen, now if I just open up the little contextual menu here, you can see that it looks the same as we've just had. So we've got the now border width, so I can add a border to it. We've also got these different things here. So as well as just being able to add a border and by the way, the rounded corners. So let me just add those on. This was something that previously I would have had to have done in external editor if I wanted to create the, you know, an image with rounded corners to bring it in. This makes it so much easier to just sort of bring this in and be able to do all of this directly in ECAM. It's got another trick up its sleeve that I'll show you in a moment as well. But this border though, it's more than just the borders that we had before. There's a whole new functionality added in terms of borders and that is these two here. So first of all, we've got gradient and you can see what's happened there to that particular border. Maybe if I just make the border width a little bit larger, you can see that we've basically got the fading from orange over to blue. And that's because we've selected gradient. We've got these two colors. And then if I rotate this round, you'll see in the background that it is rotating the sort of angle. So now we've got the orange over on the left hand side or the right rather and the blue on the left and then vice versa. So I can change that round and put it whichever way round I want. There's also another option here though in the border, which is as well as gradient. You can also have motion. I really like this one. What this is doing is it's using the same two colors there, but it's actually just sort of cycling them around 360 degrees. So if I just sort of take my hands off, you'll see that we've got orange on the left. Now the orange is moving subtly around to the right and so on. So it's just sort of cycling through those colors. It's great to have some sort of movement on the screen in your live streams and in videos, but some people go a little bit too overboard in my opinion. Too many sort of flashing moving things going on that's really just a sort of distraction from the message that you're trying to give. But actually something like this that's really subtle I think is a really nice little addition and a nice touch. So I do like that. So here in the release notes coming back to those adds a linear gradient option for overlay borders. Yeah, it adds the linear overlay, but also this motion one I think is really great and it wasn't specifically mentioned in there. So let's just leave that one nicely cycling away. That'll just reduce the size of the border a little bit. Next thing though is adds overlay drop shadows. And once again, this applies to all overlays. So what we're doing here with an image equally applies to an animated video overlay as to a camera overlay. So if I was to drop in another camera, just so I don't mess this one up. Here you can see I've got a camera with a similar sort of setup going on with the rotating overlay and so on. So as well as that though, the next thing was drop shadows. And this is something that's actually a little bit more than just a drop shadow opening that up. Again, this little contextual menu just dropping off the edge of the screen now down at the bottom in these, this more options space. You can see down at the bottom, we've got a shadow. So if I click on that, you can see what's happening. It's adding this little drop shadow. Let me just adjust this so that it's a bit more prominent maybe move this out of the way of my head or move my head out of the way of it. There you go, you can see what's happening there. We've got a clear shadow that is being cast behind that overlay there. And you can adjust this, if you want to adjust the sort of opacity of the drop shadow itself, then that would simply be a case of coming in here and changing the color. So here you would change the opacity there. You can see what's happening to the shadow just up above as I change that. And then also you can change the blur from zero all the way to 100. And so that is, as you can see, zero blur is just dropping exactly a duplicate shape of whatever is above it there with this offset. So this distance here is the offset so I can change how far away that is, change the blur. So something like that looks like a reasonable sort of shadow. And then obviously here, you can also change the angle. So if you want it over to this side or maybe the top or the bottom or wherever. Now this is, although it says shadow, it can also be used for more like a sort of outer glow effect. So if I was to change the color, instead of it being a dark color, like the black that I've got selected there, if I was to select the white, then we could also do the same thing here. We could add some opacity to it. We can change the blur and we might want to also change the distance perhaps if I change the distance down to zero and add some blur. Now we've just got a sort of outer glow effect going on that particular overlay. So although it's called shadow, technically it is a glow as well. It just depends on the particular color that you choose to use for that. So let's just give it a bit of a shadow standing off like that. So that is adds overlay drop shadows. Next one is we've got adds overlay blend mode options. Now what this is, is if I bring my little square up, I'll leave that one just up there.  Here in the more options, we've also got this blend mode. Now if you've worked with things like Photoshop, I think Keynote does some of these as well, but this is basically similar to the way that we had the fill was affecting things that are beneath it, then that's the same with the blend mode. So here, this is choosing how you want this to apply to the layers that are behind it or the overlays that are behind it. So if I was to go to this one, for example, Darken, you see how it's applying the color of that particular overlay, that shape, but it's just darkening the layer behind with that particular tone. So if I was to come to multiply, then it's gonna have a different effect, the linear burn, color burn, all of these. If I was to do difference, it's the difference between the two colors that are in the layer behind it and so on. So you can get lots of interesting effects with it. I'll leave you to play with these to decide which ones you like or which ones you want to use, but you can get some really nice sort of effects with these, not necessarily this here in this context, but for certain design situations, they are going to be useful. So let me take that off for the moment and get me looking back to normal again, as normal as can be. So that is the blend mode options. The next one is free rotation of overlays, including gesture support, if I can speak properly. So this is basically, you can now rotate any overlays, as simple as that. And before we used to be able to rotate things by 90 degrees and 360, 270 and that sort of thing, but now you can just come in here and there is this rotation option again, in these more options. And now I can just rotate that to any degree. And that applies to images, it applies to cameras, it applies to everything. So if I want to have some text that's rotated on screen, I can come into this text box and rotate that too. You'll see that this just looks so familiar now that it is the same for every kind of overlay. You don't have to sort of think that there's one way to do things with one kind of overlay and one way with another. So everything's just really, really consistent. So I really, really love that. Next is, where are we in this list? Adds image and movie overlay green screen feature. I know this has been much requested. Obviously we've had green screen in the cameras so that you can remove your green screen background if you've got a camera and a green screen behind you and put a virtual background. We also had it with overlays. Sorry, with screen share overlays I should say so that you can bring in presentations with a green slide background and get some animations coming over the top of your screen. Well, now it also applies to video overlays which means that technically you could do something just like this.  Well, it was actually a video that was created as such. So if I just show you what this looks like, this is the actual video. But basically now you can just remove that green screen from that video. You don't need to take it into any external editor which you would have had to do before and extracted the green part from it. You can just click on the little pencil icon here. Once again, same place as always to adjust these things. And then now if you come down to blend mode. So whereas before we've just seen the blend mode and we've got dark and multiplying all of those other things, specifically for images and also for the video overlays like I've got here then you also now do have the green screen and blue screen. And basically just click on that, it's gonna remove the green. And like I say, that will work with videos and also with images as well. So it just saves this extra step and this is what I was talking about earlier. There's so many things that previously we would have had to have done in a separate editing program and image editor or whatever it happens to be. Whereas now we can just do it directly in here. So that's just a really nice feature. Next up is something related to text overlays. And actually text overlays have changed in a way. If I just add in a new text overlay, there's been a bit of a change in the overall interface here because if you recall as of two minutes ago, depending on how often you updated, how recently you updated, there was a different set of tools over here. So this is where you would apply the borders for example. It's where you would apply the background color and things like that. Now what they've done is they've moved that out to that same contextual menu. So where's that just gone? If I drop that little text thing here, I'm just gonna leave that as same text and we'll drop it in. So we've got ourself a text box here. It does make much more sense that those controls for border, for shadows, for all of those different things, rather than those being in that sort of text menu there, we've just got them here. Click on the pencil, they're in exactly the same place as for every other layer. So you can just go in here, you can change the border radius, the corners, the border background. You can add all of those other things. So the background blur, the color and everything like that. You deal with all of that in there just like you do for every other overlay but then you can see here we've got edit text. So this is where we've got some slight changes here. So here you can see that we've also got this option for now more sort of text based controls for kerning and line height. So if I just come in here and we'll just add in a few more layers of text, I'll just write text a few times like that. And let's just make this, all this text a little bit larger as well. So I'll just scale that up. So basically what we can do now is we can adjust the line height like that. And then you can also adjust the kerning which is effectively the distance between each individual character in that text. One thing to note is you do need to make sure you've got that specific text highlighted. So if I was to come in here and highlight that text it's gonna affect that.  Then yeah, if you come into here without selecting anything these aren't actually gonna do anything they're only gonna affect that last character or the one that you'd got selected. So just make sure that you have selected the right character. If you click on edit background then you can still get to those little things there as well. So it is still technically in here but I certainly like the fact that they've moved it to here. So this is where you're sort of adjusting the background but whilst you are in here you can still get to those things as well. And you can change all of those other things the motion background and everything like that as well. So that is the text. And by the way, there is also one second in here somewhere. Now where's it gone? I've just lost it. Oh, there we go, cut out text. That's the one I was looking for. So you can also activate specifically in text you've got this option to cut out text and hopefully you can see what's happening there. In fact, let me just go and edit that text. I'll make the font a lot bigger and then let's just change it to something else a little bit bolder maybe that one and change it to bold and then let me adjust I've screwed up all of the look of this. There we go. Let's try like that. And then hopefully we'll get there in a minute. Don't worry, bear with me. Text margin, I'll take that down but then here, this is the one cut out text. So now you can see that that is cutting out the text. So there's plenty of scope to use that for like title slides or something like that where you still want to see behind a little bit then you can do that in there. So that was the adds a text to cut out options. That was the one that we've just looked at and then also the line spacing and character spacing adjustments as well. There was one other thing that I just want to circle back to which I neglected to mention. So let me just mention that right now and gloss over that as if it was intentional. Here you can see this image that I had before and I said there was one feature that was really neat in here. And that is that if you've got this set up exactly as you want it with this thumbnail, let's say that every week on your live stream, for example, you want to mention something that's coming up next or the most recent episode of your podcast, whatever it happens to be. And you've gone to the effort of styling this image and putting the right border on it, the right drop shadow and all of that kind of thing. Then there is an option in here as well just clicking on the little pencil icon to replace asset. And that means that you could just update that with a different image. So if I want to just pick out a different image I'd be able to do that from that list. So that's just a nice way to have a template that you're using and then just be replacing the images in it. And that could be maybe different logos for different client work or whatever it happens to be. Lots of use cases for that. But I just wanted to circle back to that because I almost forgot it. And it's not mentioned in this list. That's why it's an important one to just note there. Next is adds a recent section to the profile menu. So that is when you are in your profiles. Let me just zoom out. You've got profiles in ECAM. And then now we have a here recent profile. So it just has a list of different profiles. These are all of my profiles, but these are the ones that I've just used most recently in this list. So that's what that specific thing was related to. It was just the recent section in the profile menu. Next thing on the list then is the next one down, which is adds a Mac OS shortcut trigger for YouTube super chats. So this is in ECAM live preferences. And if you go over to the shortcuts, in ECAM four, they added in this integration with Mac OS shortcuts. And you can have things that are triggered when you open ECAM live, when a broadcast starts.  Maybe when a broadcast starts, you wanna quit things like drop box syncing and all of that kind of stuff. And then when the broadcast finishes, maybe you want to set up a shortcut to start it all back up again. Maybe when ECAM live quits, a whole series of other things happen. So those four were added in ECAM four. Well, now we've got an extra one. So when a super chat arrives, then you can basically come in here and you would select one of your Mac OS shortcuts. So it's not a shortcut in ECAM itself, but you could have a Mac OS shortcut that was to trigger an overlay or something like that. Or you might want to have it flash your lights on and off in the background or whatever it is. So it's all done through Mac OS shortcuts, but it is just a new trigger for when a super chat arrives.  That's what a super chat is in case you weren't familiar. But that's just a new little functionality added into there for automation. Interesting to see where that goes in what sort of additional things get added into all of that sort of automation side of things. Now that the sort of the framework for it is there. So that's what that last one is that adds a Mac OS shortcut trigger. And the next one is slider controls can now be controlled with the arrow keys. Now, I know that this is something that people had asked for a finer level of adjustment. So if I come to this corner radius one here, you can see it's on 50, for example. Let's just change that to there. And then it's on 72. If I'm just sort of trying to grab that and get it exactly on a particular number. Sometimes it may be a little bit tricky to do that, to just get it positioned exactly where you want it. Well, now basically you can just take your fingers on the arrow keys. And as long as you are hovering over that particular slider, you'll be able to adjust it. So I'm just pressing the arrow key now on my keyboard to slide that left and right. And as I say, as long as you're hovering over it, it will adjust. So same there, if I go over to that one, I can just have that fine adjustment. So just a much nicer way of adjusting those things. And the final thing on here as well is includes NDI 5.5.4. So that's just an update to the NDI network video protocol. The other things that have been changed or rather updated are just some other little minor tweaks here and there. So all in all, I think it's an awesome update. I know that I'm gonna really enjoy some of these new sort of design features, these new design tools. And it's certainly gonna save me a lot of time with the things that I previously would have done in other software. That's all for this video, but don't forget to check out some of the other great e-com videos that are coming up in this playlist over on the right hand side. Thanks for watching. See you next time.


to exotic wine travel. I am your host, Matthew Horky. I have to apologize for the lighting the conditions were in because Sherina and I have been traveling for the last couple months and I'm trying to make a little makeshift studio to do some videos for you. Today we're going to talk about some minimal intervention or natural wine producers in Slovakia. So Sherina and I just spent 10 days traveling through Slovakia. This was our second long trip to the wine regions of Slovakia visiting producers tasting new wines every day and we came across a few interesting wines that I'm going to share with you today just in case you find yourself in Bratislava or that country because it's just a hop skip and a jump from actually Vienna. So let's get started. The first winery is a producer I'm very excited about. This is Braño Bana and today we're going to taste his Veltlin, Gruner Veltlin or 2017. He is in the village of Svetijor in the Malo Karpatska region. Now what's really cool about this producer is he's not from Svetijor, it's a small town with a lot of wine producing history but obviously when Slovakia was communist then some of that history faded and now they're trying to rediscover, reacquire their wine culture and he moved into the village about 14-15 years ago and started a wine shop called Vino Centrum and what's really cool is there wasn't really a bottled wine culture in that area until he started and he was really pushing for his fellow producers or fellow winemakers in the area to bottle wines. That wine shop in Svetijor only sells wines from Svetijor and what's really cool is we met we met Braño as he travels all over the world, gathers wines and then does tastings with his fellow producers to try to help them improve their quality. Fantastic guy, him and his wife Natalia, we had lunch with them. I have to say they actually provided us with some accommodation to stay, to visit Vino Centrum and their winery and I'm very thankful. So, Veltlin 2017. This was macerated for two days on the skins. I have to say I have tasted this before but it was while we were eating lunch with him so we're going to see how it shows up. There is a lot of Veltlin Zelene in northern Slovakia. I mean it's really close to, wow, it's really close to Bergenland in Austria and it takes on, they don't make it as big as round and as fruity as in Austria. It's more mineral and green and herbaceous. This is obviously a different style because it's macerated. You can see from the color, a little more color to it. Let's give this a sniffy sniff. So you smell this, you instantly know that's a macerated wine, orange wine and amber wine. But you do pick up the Veltlin characteristics, some herbaceousness, not unripeness, some like green herbs.  Quite complex. Bronjo makes, I think he makes less than, I can't remember the exact number, but it's less than 10,000 bottles a year, minimal intervention style. This was our favorite wine from his. Let me give this a go for this style wine. Very delicious. Round, tannins are smooth. It's got some sweet tannins but the tannins aren't grippy like you get in some amber wines. The pineapple, lime notes, green notes, that's really well done. Let me get some spiciness. I'm really impressed. Shereen was really high on this when we first tasted it. I was just okay. This is actually right now showing me like a 4.0 out of 5 wine. I think it's very good, very well executed. And Bronjo, good job. Actually, I'm very impressed. I'm surprised how well this is. So we're moving on to another small producer in the western part of the small Carpathian region, just above the town of Bratislava, Zlaty Rowe, and the winemaker is named Philip. He's Slovak, but he actually does two projects, one in Slovakia and one in Czech Republic, Morava actually. And we're going to taste one of his wines. This is the Seven Radku. Let me see if I'm calling that Ruzave Cuvê, which means basically Rose Cuvê. And this has been open for a few days, actually. Minimal Intervention Producer as well. I really, really do enjoy this wine. It's a crazy field blend of Andréa, which is across Portuguesa, Blau Frances, Saint Laurent, and Cabernet Morava. Another interesting cross. You see this insane color going on here? Let's give this a go. Very complex rosé. Super complex. Chewy. Some light raspberry, strawberry notes. A little bit of earth mineral. This is showing super well. So I like this. I have to admit, I've tasted this before. Let me give it a go. More of a serious rosé. It has texture. You really, really can feel it. It's chewy. They're not a tannins, but you still have the light red berry fruits. It's still crisp and refreshing on a hot summer day. But also, since it's unfounded, it's unfiltered. It has texture, weight, something you can have at the dinner table. I'm liking this a lot. I'm going to go 4.1 out of 5 on the vino. I think it's delicious. Philip's doing a really, really good job there. So nice. Let's move on. Here's the wine that I think I was most impressed with when we visited Philip. This is actually from Slovak grapes. This is the Tietoruki Pinot Noir 2015. I think he only made one barrel of this wine. Grapes are from South Slovakia. So let's give this a little bit of South Slovakia. A little bit warmer. It's a little bit easier to get to phenolic ripeness. You can see true Pinot Noir color, but it's cloudy. It's unfiltered, which I'm loving. This is a German clone. Cherine looked it up, actually. It's not a Burgundy clone. It is a German clone. This is smelling, and this has been open for a day. I have to admit, I've tasted this twice before. Raspberry, cherry, a little bit more denser than you think of Pinot Noir, but still has the forest floor notes. A little bit of white pepper. This smells really good, actually. Medium body, unfinding, unfiltered, so it has the texture. It's chewy. You can definitely tell that it's a minimal intervention, natural style wine, but it's really well executed. I can't see a lot of people that like Pinot Noir and not liking this. Pretty good effort. Let me give this a little... Wow. I'm going to also say about 4.1 out of 5 on Vavino. I think it's delicious. It's something that I could drink chilled, something that I could drink by itself, have with food. Also, I wouldn't be scared to show this to people that have more refined palates, saying, hey, here's some Pinot Noir from Slovakia. Really good stuff, Philippe. I think what he's doing there is also fantastic. Right now, really small production, but they're planting new vineyards, so the production will rise. There's some interesting stuff in Slovakia. It's really cool. There are a lot of small, minimal intervention producers, and they're really making some interesting stuff from unique grapes, from crosses, from grapes that you might know, grapes that you might not know. I think it's worth checking out, and some of those wines are starting to get exported all around the world. So, Philippe's Latte Roe, Brano from Brano Bana, good job. Guys, check them out, and if you like this video, please subscribe to our YouTube channel, Roads at Aquare Travel. I will see you the next episode.


Hi again and welcome to Leaky Bath. Many times as we had told you earlier, pain in the knee is caused by problems of the hip joint. Today we are going to talk about avascular necrosis of hip joint which unfortunately is becoming more and more common with the onset of problems imposed by the recent COVID pandemic. So what exactly is avascular necrosis of the hip? It is when the ball of the hip joint loses its blood supply. Now why should this happen? About half the cases we don't even come to know why it happens. But increasingly with COVID and people in ICUs, people have been having a lot of steroid drugs to counteract the reactions of COVID and this causes problems with blood supply to parts of the body where blood supply is a little precarious. Now the hip joint is very different in the sense the blood which comes down from our heart to the hip has to go down and make a U-turn to come to the ball of the hip. So when during this U-turn there is some thickening in the blood or a problem with the blood, part of the blood supply to this bone, the ball gets blocked and the part of this ball, not the entire ball, part of the ball, the bone starts dying. That is when it collapses and can cause arthritis of this central joint at a very, very young age. We will be telling you a little more about modern treatments and how if detected early we can actually prevent the arthritis from getting worse. Namaskaram, I am Dr. Fahas, associate consultant of the Hip Endi Center in KMC Hospital. Already sir has said that the avascular necrosis of the hip joint is our topic. Avascular necrosis is a condition that causes blockage of the blood in the hip joint. As it is in the heart, the blood in the hip joint is also leaving. When the blood in the hip joint is stopped, the blood in this part of the hip joint is stopped. That is the condition that causes loss of that part. Usually it causes pain in the hip joint or in the middle of the hip joint. That is the condition that causes pain in the head and in the middle of the hip joint. In the beginning, it is a rare condition that causes pain in the X-ray. Sometimes the MRI does that. In the case of Covid and Covid-19, the use of steroids is easily visible. Even some Ayurvedic patients have seen this condition for a long time. In this case, early detection can be done as a treatment. As I said, early detection can be seen in the MRI. We can do early detection with that. We can inject blood from the middle of the hip joint with stem cell therapy. If you see in the beginning, it can be done as a treatment. If you see in the late stages, there is a need to keep the blood full. That is what the pre-placement is saying. As I have already discussed, this part is cut and a metal like this is kept in the beginning. Even now, new ceramic metals are available. Ceramic metals like this are light weight and are very compatible. It is available here in Jigelsar. This hip replacement is not like other replacements. It will last for a long time. It will last for 40-50 years. That is all for today's informative videos. We will meet again in the next session. Thank you.


Hello everybody, welcome back to another Adobe Premiere Pro CC 2021 tutorial. In this one, I'm going to show you how to make a light flicker or a light bulb flash or an illumination flicker or a strobe light flicker. There's a lot of different ways you could call this. But I'm going to show you how to do it inside Premiere Pro. That's the important part. Most people will do this in After Effects, but you don't have to. Let me show you the way to do it inside your video editor. Let's go ahead and I'll show you the original shot here. It's just a shot of an image of just a light bulb. Just doing a light bulb of things. It's on, no flickering, no flashing, nothing. I'm going to turn on the top layer with the effects applied to it without watch. It's flickering perfectly.  Let's go ahead and start from scratch and show you how we did it. Okay, I'm going to delete all this stuff here. So basically, I've got an image of a light bulb. You may have a video of a light bulb. It doesn't matter. The effect works the same on images as well as footage. Drag and drop it into the timeline like I have done here. And presto. I've got an image and I've only got about one second worth of footage.  Okay, so we got about, I don't know, something like three seconds worth of footage. It doesn't really matter. I just want to be able to show you the effect. So let's, yeah, let's chop it to three seconds. Excellent. So we created a new composition by dragging and dropping into the timeline. Now the next step, I'm just going to just zoom out a bit here. Bring my playhead to the beginning. Next step, hold down alt or option if you're on a PC or a Mac, and then hold up left click on the footage and push up. What this does is it creates a duplicate layer on the second video track. So on V2, we now have a duplicate layer. Make sure you've selected the duplicate layer or the second layer, and let's start applying some effects and go through this as quick as possible. Now under the effects panel, if you started in editing, don't worry, you might not see the effects panel, just go to the effects workspace and you will see effects somewhere for me. It's up at the top, right? And if you don't see it, go to window, make sure there's a check mark beside effects and effect controls. But anyways, we're in the effects panel, type in lighting, L-I-G-H-T-I-N-G. And I spelt that out because you don't want to type in lightning with an N, that's a completely different effect. So under video effects, adjust lighting effects. We're going to drag and drop lighting effects onto the top. When we do that, we're going to get this weird spotlight thing going on, and that's not what we want, but I will show you how to fix that. Under the effect controls panel here, and for me it's up at the top left, you're going to see that we've applied lighting effects. And with this weird look here, we're going to change this. So under lighting effects, make sure that you click on the little triangle, so to speak, or the chevron I think is the word. And then check under light one, click on that triangle, and you're going to see the light type is selected to spotlight. We don't want spotlight, we want directional. This will apply a lighting effect to the entire scene. Again, not exactly what we want, but we're on the right path. The next step is you'll see here light color. In this particular instance, we have an older lamp or an older light bulb, and it's selected to white. We don't want that, we want to change this lighting color to like an orange or a yellow. So I'm going to hold down the eyedropper here, I'm going to left click on the eyedropper, I'm going to hold it down, and then I'm going to select a dark orangey color from the outer edge of the light bulb here. And when I do that, we get this weird looking reddish color. Again, reddish orange, again, not what we're looking for, still not to panic. Okay, so we've changed the light color. The next step is we're going to go up to lighting effects here. We're going to drag a very, we're going to click on the free draw Bezier tool, or the pen tool. We're going to draw a very rough mask. Around the light bulb, the parts that we want to be lit, and we're going to apply the effect to. So left click on it, and again, this is a rough mask because we're going to apply feathering. So I've selected that. Now I'm just going to go very quickly, I'm going to click on here, and then I'm going to click about, let's go right about here, and then we're going down here, and then we're going to go, oh geez, that didn't work. It didn't accept my second click. So let's go ahead and try that again. We're going to click here, clicking down here, and again, I know that this isn't tight, but that's okay. We're not looking for that for this type of shot, for this type of work. Okay, I'm going to click here. I'm going to click out here on the outside of the bulb, and then I'm going to pull down a little bit, and when I do that, you'll see here that allows me to curve it a little. Again, this doesn't really matter too much for this type of shot, but I'm just going to show you anyway. And then I'm going to click down here, pull out a little bit. I have a joke for that, but I'm not going to say it. I'm just going to click something like that, and then I'm going to click up here, and I'm going to pull it a little bit too much. And this is a little slow, but I just want to show you the effect. I'll show you the technique part of me. Then I'm going to click here, and we're just basically drawing around the light bulb. Now, I'm going to click here, and then I'm going to close this with, when you see the O there, that means it's going to close the loop. So that means the mask is closed. Again, this is not a perfect mask. Do not panic. What I'm going to do now is that I'm going to see here, I'm just going to hover, and you're going to see that plus. And what that means is I can add a point here. So I'm going to add a point here, and I'm just going to pull it down. And maybe I'll place it right about there. So the mask is much, much better. Okay, again, it doesn't matter. We're going to be applying feathering. So we've got a mask around the light bulb, okay, or whatever your light source is in your shot. Now, underneath the mask, make sure the mask is selected. Increase the feather to like, I don't know, I'm going to go to like 60, because this is really good because you want to have a feathered edge. So it's not a hard and dark and heavy contrast between the light and the dark. So we're feathering the edge, and we are now on our way. We're almost there guys. So let's go ahead and see what we've done so far. I'm just going to click outside here, and outside here, actually. And then boom, we've got, basically, we've applied a brightening light to it. So when I click off, that's the regular, and then this is the new look. We haven't done really enough yet though. So let's go ahead and finish it up. I'm going to click on the top layer. The last and the final effect thing that we want to do is you want to click on your lighting effects. Now underneath lighting effects, you're going to see something called intensity. This is the one that we animate. The way to do that is you want to left click on this stopwatch or this toggle animation. Make sure your play head is at the beginning. I'm going to now, play heads there, I'm going to left click on intensity, and now watch what happens when we do what we do. Now we are animating how bright it is. So I'm going to dial down the intensity on the beginning to about, let's go with the like, we're going to go to like 10. The reason why is I like to start it off with a dark look and then bright note. So it sort of pops on, and then I'm going to move forward about 4, 0, 4. I'm going to move forward four frames, and I'm going to jack the intensity up to 30. And then I'm going to move forward another four frames to the 8, 6, 7, 8. And I'm going to jack it way up to about 68. Let's go to 68. Yes, there we go, much brighter. I'm going to move forward another four frames to 12. I'm going to dial it down, way down to 12 again, or 11. Yeah, let's go with 11. And then I'm going to move forward another four frames to 16. I'm at 15. If you want to move one frame at a time, just click this button here, step forward one frame to the right. And we're going to jack it from 11. All the way up to like 68. We're going way high, 69. Great, big lick. Now we're going to 20. And you'll see, I know this is tedious, guys, but this will show you the effect. Move forward and then drag it and drop it down. Like we're just doing it sort of now random, right? So we're going to move from 20, 24. We're going to drop, we'll jack it up. And we're going to go another four frames. And you'll see what we're doing here, or five frames. It doesn't really matter at this point. We're just doing the effect. And then we're going to move forward a bunch more frames. We're going to go up a little bit. We're going to move forward a bunch more frames. We're going to go way up to like 70 or something. And then I'm going to go a little bit more. And then you guys will get the points. I'm going to go to like 16 frames. And I'm going to drop it back down to 12 or 15 or something. And I'll finish it off at 30. So I'll move forward a few more frames. And again, I'm just winging it now just so you guys know how it works. And then presto. Now we're going to move it back to the beginning. I'm going to click outside here. I want to hit spacebar. It is exactly what I said it was going to do. It's now flashing is animating. And because it's sort of in RAM preview mode, you're not going to really see it all the time. But as I move forward here, it's flashing. That's what we want, guys. No fancy after effects, no expressions, no wiggles, no opacity flashes. We just did it in Premiere Pro. Thanks for watching. A ton more stuff coming up. Stay tuned.


Life is good all this month at Appalachian Wireless. Get the LG G5 for just one penny with sign-up or renewal of a two-year service agreement. That's almost $100 off the regular price. Better service, bigger savings. That's today's Appalachian Wireless. The historic feud between West Virginia and Kentucky will again be battled out, but this time on the baseball diamond. The West Virginia Power and Lexington Legends will officially rename themselves Hatfields and McCoy's when they play each other this season. It's a natural rivalry, obviously. It's something that already existed. It was one of those things where I'm kind of a history nerd on my own and we started talking in our office and just kind of pulled on our natural personal likes and interests and sort of realized that there obviously is a natural following for this historic feud and wanted to just see if we could pull it to the baseball field. Specialty jerseys for both teams will be worn resembling 1870s garb with name plates showcasing the new names for the legends and power. Both teams jersey will be auctioned off through a silent auction at the team's home stadium. All proceeds made from the auctions will benefit the Lexington Legends Charitable Fund and the Power Baseball Charities. The Lexington Legends announced today proceeds made from their auction will benefit Pikeville City Tourism and Pike County Tourism. It's bringing great awareness to how beautiful this area is and tourism down here in Pikeville and Pike County. It's something that was really important for us to have a great community partner for this partnership because it brings to life this historic feud. Hatfield and McCoy Night for Power will be July 22nd and July 6th for the Legends. Officials say it will be treated as a heritage day for Pikeville, Pike County in Lexington. And the goal with that is just to showcase ourselves there. So those people at that ball game that have never experienced Eastern Kentucky cuisine, live music of the Country Music Highway, the hand-to-eye artists that attend the Pikeville Farmers Market, the whole goal is to showcase there what we have here so they can come and experience and discover Pikeville, Pike County. The Hatfields are currently in the lead. The next scheduled feud is set for July 4th through the 6th. Reporting in Pikeville, I'm Shelby Steele for EKB News.


Today is the last day, birthright goers will be in occupied Palestine, but we're not done with them just yet. Welcome back to day 9 of boycott birthright and other free trips to Israel, our series where we've been following the birthright trip going on right now and exposing the propaganda behind it. Let's see how birthright goers are spending their last day in occupied Palestine. According to today's itinerary from the Taglet Birthright website, birthright goers are visiting Tel Aviv today. Do I even need to say that Tel Aviv was built on ethnic cleansing? Or do you guys get the point by now? Anyway, today birthright goers will discuss and reflect on Israel's ideas, values, and future. Now we already know that they're not gonna actually tell them the truth, so let me do it for them. How about Israel's idea to ramp up their early morning military raids that often end in the death and injury of Palestinians? Or should we talk about their ideas to murder journalists and demolish buildings that include news outlets that accurately report on the occupation? I wonder why they would do that? Actually, let's talk about their values of indiscriminately targeting and murdering Palestinian children. These are all Palestinian children that have been murdered by the Israeli occupation forces this year alone, and this isn't even all of them. One of these victims is Mehmet Damimi, a two-year-old boy who was shot in the head and murdered by Israeli occupation forces just last month in northwest Ramallah. And finally, Israel's future of stealing more land, exiling more Palestinians, and continuing the ethnic cleansing of Palestine. But birthright goers aren't hearing any of that because it would put a damper on their propaganda trip, and it doesn't align with the narrative that they were told, which erases the history of Palestine and the occupation. Let's visit the itinerary again because there's a couple things I can't help but point out. Over here where it says, stroll through the Quaint Yaffa Seaport, a true model of peace and coexistence. I mean, come on guys, this is just blatant propaganda. Israel destroyed all prospects of peace and coexistence when they decided to ethnically cleanse Yaffa in 1948. And to this day, bar Palestinians from traveling there. And lastly at the bottom here where it mentions everything birthright goers have done and has followed up with and you'll never be the same. Please check out day three's video talking about the harmful impact of connecting the Jewish identity so close to birthright and marketing it as one of the core experiences in a Jewish person's life to understand why propaganda like this is harmful. It is so dangerous to allow this narrative to continue because it will only allow for the further colonization of Palestine, for the murder of more Palestinians, and for the theft of more Palestinian land. And that is why it is so important to boycott birthright and all trips to Israel. Like I said, today is the last day of this birthright trip, but still look out for a video tomorrow where we're going to recap things and talk a little bit more about why you cannot challenge birthright by going on the trip. And also join us for a webinar that we're having on June 15th at 6.30pm central to learn more about the harmful effects of birthright.


Welcome to all hands update. This is today's news. W-2's are here. Sailors looking to get a head start on filing state and federal taxes can visit the DFAS website for more information. Congratulations to CB's assigned to Naval Mobile Construction Battalion 3 on successfully completing Jungle Warfare Training in Okinawa, Japan. 47 CB's participated in the Marine Corps Jungle Warfare Training Course at Camp Gonzales alongside Marines in the basic skills course. The challenging five-day course teaches the skills necessary to sustain combat operations in a jungle environment. Speaking of CB's, the deadline to submit entries for the 75th Anniversary Logo Design Contest is approaching. Submissions to help convey the milestone anniversary of the CB's establishment and are due by January 31. Read more about what's happening around your Navy at Navy.mail.


Hey there friends. Thanks for checking in. It's time for another handgun showdown where the viewers of this channel decide Which manufacturer makes the better handguns? This one is a little different. This is a CCW addition today We're matching up holster carry versus pocket carry And I'm looking forward to getting the feedback from the viewers of this channel as to which way They primarily prefer to carry their handgun But before we do that I have to report the results back from the last handgun showdown where we matched up Ruger versus CZ both of these companies did very well in the handgun showdowns I don't think either lost to anybody so I matched them up and I can't say I'm surprised because so many people love CZ handgun so CZ took this one It was close, but people love CZ handguns and they are yet to lose a handgun showdown So you could let me know who I could match them up with in the future But here we have pocket carry versus holster carry. Let's get after it Let's start with holster carry holster carrying a gun offers many different options You can carry appendix cross draw behind the hips some people even carrying the small the back Which I find extremely uncomfortable. I would never do that. They may ankle carry in a holster They may a shoulder carry which is difficult in the the warmer months, but people do that But here's a small example of what I have to show Primarily I use multi holsters, you know, they're local to me. They're great people I can just go pick one up and I recommend them quite often But let's run through these and then we'll get into pocket carry here We have an MAP 9 2.0 compact right with the 4-inch barrel now You can use a larger gun you carry larger gun with holsters No, no doubt about that. Although. I know some people do drop a Glock 19 in the pocket That's what this is All right, so a couple larger ones Springfield Hellcat with the 13 round mag You know holster carry nice and light. Here's a car PM 9 one of the smallest 9 millimeters That is offered out there and people pocket carry and or they holster carry that gun in here We have a Glock 43 X with a that's called blood red and this is a Vetter holster Holster carry it's so comfortable. It's so easy. It's quick drawing and it offers options I know a lot of people do that some people actually do both. So let's talk about pocket carry when we talk about pocket carry We're talking about simplicity just dropping it into the pocket and being on our way now I pocket carry on occasion when my dress requires it or I carry a backup and Typically, they're smaller guns. Although a lot of people like to carry revolvers. All right 38 special This is a heavier 357 Magnum But there are people that'll just throw something like this in the pocket and feel completely comfortable with it And it's not a bad choice, but let's roll through these. I do agree that a Pocket holster should be added when pocket carrying but what we have here is a North American Arms Pug chambered in 22 Magnum little five-shot here extremely lightweight safe to carry Some people primary care that I would never do that over here We've got a Ruger LCP to 22 long rifle Ruger provides the holster Which is a nice touch whether it's the 380 model or the 22 model same size Diamondback DB 9 Gen 4 extremely light weight. That's actually a plus P Model and you know you get six rounds in the mag and one of the lightest guns you could possibly carry in 9 millimeter This one's really cool a C camp LWS 32 C camp actually gave me this holster a chacho. I I think this is a very cool choice Six rounds of 32 ACP. I think this is the smallest semi-auto in today's market. I'm pretty sure that's correct Let me know if I'm wrong here, and then we've got a car CW 9 Now it's the same size and weight as the PM 9 that I showed with the multi holster But it's light enough to pocket carry easily and I know a lot of people do that. They tell me I carry CW 9 in pocket, and I don't think about CM 9 correction CM 9 and the CW 9 whatever But they do that they like the simplicity of it and for them it just works So let me know which is your primary preferred Method for carrying I have to believe most people are like me and going to say a combination of both But I'm not sure so I'll be sure to add them up and report the results for the next handgun showdown If you like videos like this, please subscribe and share. I always appreciate thumbs up button Thanks for watching and you guys be safe


Note, this document has been designated a lathe class info hazard. Your access has been logged and you will submit to an examination to assess its impact no later than two days from this moment. If you have accessed this document unintentionally, cease reading immediately and contact the Cognito Hazard Research Group. Item Number SCP-022-J Object Class Keter Special Containment Procedures Due to widespread public knowledge of SCP-022-J, containment of SCP-022-J is limited to mitigating the damage caused by its effects. To this effect, the following procedures are to be enacted. The availability of SCP-022-J is to be reduced by means including but not limited to, suppressing research into more efficient methods of refining SCP-022-J ores. Limiting the mining of areas rich in SCP-022-J ores under the guise of, for example, protection of endemic species. Suppressing front companies to artificially drive up the price of SCP-022-J in order to limit the damage due to effects of SCP-022-J-1. Suppressing public awareness of SCP-022-J's physical properties to prevent SCP-022-J-2 effects from manifesting. To this effect, media containing counterfactual information with regards to the physical properties and proper uses of SCP-022-J are to be reduced and propagated. Suppressing public awareness of SCP-022-J's anomalous properties. Treatment of individuals severely affected by SCP-022-J-2 by Class B amnestics. Because the risks SCP-022-J-1 poses to Foundation personnel, especially those in charge of designing containment procedures, any containment procedures proposal containing relevant keywords are to be checked by personnel immunized against SCP-022-J-1. Organizing agents of choice, such as chocolate, beer, diazepam, Xanax, cannabis, are to be available to such personnel to mitigate the effects of SCP-022-J-2. Description SCP-022-J is the pure solid form of chemical element commonly known as titanium of atomic number 22 and average molar mass of 47.86 grams per mole. In its active state, SCP-022-J appears as a shiny, hard solid of density approximately 4.5 grams per cubic centimeter and melting point of approximately 1,940 degrees Kelvin. SCP-022-J behaves as a paramagnetic metal in most aspects and possesses a tensile strength of roughly 434 megapascals, remarkable for its low density. SCP-022-J is an info hazard. Most about it causes the manifestation of two distinct sets of symptoms, designated SCP-022-J-1 and SCP-022-J-2. SCP-022-J-1 initially manifests when an individual with no prior knowledge is exposed to incomplete or erroneous information about SCP-022-J's physical properties and its recommended usage. Individuals under the effects of SCP-022-J-1 will gradually begin to assert the superiority of SCP-022-J as a structural material, and recommend or attempt to enforce its use as such whenever possible, even in cases where this has a significant negative effect on functionality. Common terms used by affected individuals with reference to SCP-022-J include strongest metal in the world, super tough super metal, refined impenetrable metal, and the he-man of materials.  SCP-022-J's role in the incident, inventing increasingly bizarre alternative explanations.  Is exposed to accurate information about SCP-022-J's physical properties and correct recommended usage guidelines.   This is affected by SCP-022-J-2 display signs of anger and mental distress at mentions of pure titanium or its usage to the point of becoming physically violent. This is especially marketed when the triggers are usual vectors of SCP-022-J-1 such as media containing examples of inappropriate uses of SCP-022-J.    Work on SCP-022-J documentation overhaul has been suspended, and the existing document classified as a lathe-class info hazard. Hello Foundation staff, this is Level 2 Researcher Theron Sherman, and today's broadcast is regarding just a really weird one, okay? Item number, SCP-063-J. Object class? Not Euclid. Special Containment Procedures. SCP-063-J is to be stored in a Standard Issue Foundation Aquatic Containment Box. During the winter months, SCP-063-J may be checked out for experimentation, with explicit permission from O5-2. Due to previous frequent containment breaches, at no point during the summer is SCP-063-J allowed to be removed from its container. Description, SCP-063-J is a surface made of polyvinyl chloride resin with topological genus 0. When filled, SCP-063-J most closely resembles a sphere. Attempts to characterize the shape of SCP-063-J while empty, beyond trivial topological classification, are ongoing but have been described as frustrating and pointless. The anomalous properties of SCP-063-J manifest in two distinct effects. The first is that any individual that is made aware of SCP-063-J undergoes a compulsion to bring it to the immediate vicinity of the nearest large body of water that the individual deems clean. This effect appears to be seasonal. The second is that SCP-063-J cannot be classified as Euclid. Junior Researcher Ryman was recalled from his vacation to investigate the second anomalous effect. Alright, we got a table here with a few tests. Prompt. Junior Researcher Ryman was asked to fill SCP-063-J. Test. Inflated SCP-063-J halfway before running out of breath. Took a 5 minute rest then continued. Result. Success. Prompt. Junior Researcher Ryman was asked to classify the geometry of a filled SCP-063-J. Test. Spent 7 hours trying to draw two parallel lines on SCP-063-J. Result. Failure. Prompt. Junior Researcher Ryman was asked to draw a triangle with angles adding up to 180 degrees on SCP-063-J. Test. Spent 4 hours drawing before running out of sharpie ink. Result. Please, it's a beach ball. Note from Junior Researcher Ryman. Okay, I don't know how many times I have to explain this. Just because things are non-Euclidean doesn't mean that they're anomalous or spooky. So what if you can't draw parallel lines on it or sum the angles of a triangle to 180? It's a beach ball. There are so many other interesting geometries like hyperbolic or seafert fibers. And look, I've been thinking about one that tracks the inner product on an arbitrary smooth manifold and... update. Junior Researcher Ryman's access to SCP-063-J has been revoked because something is wrong with him. Junior Researcher Ryman is also no longer allowed to talk about esoteric geometries. Item number SCP-J. Object Class Special Containment Procedures. In a box in my office. Description. It's a rock that makes you procrastinate. Addendum? Probably memetic or something. I'll finish writing this up later. Dr. Vang. Greetings, this is O513. If you are watching this briefing, you have been tasked with learning about SCP-001-J. Let's begin. Item number SCP-001-J. Object Class Yove. Special Containment Procedures. SCP-001-J is under no circumstances to be allowed access to monetary gifts of any kind. Staff must relinquish all currency on their person before engaging in any interaction with SCP-001-J. The containment of SCP-001-J does not appear at this time to be attainable by the Foundation. However, due to SCP-001-J's apparent apprehension involving creditors, it may be possible to affect containment through such entities. More research is needed in this field. Description. SCP-001-J is an omniscient, omnipotent, omnitemporal entity named Michael Cain, who is the primary deity worshiped by a group of religious zealots calling themselves the Church of the Broke God. SCP-001-J wields great and terrible cosmic power while possessing a distinct and crippling lack of adequate financial planning skills. SCP-001-J requires a significant influx of cash money in order to pay, in his own words, the water bill, child support payments, bread, and some of those little hot dogs because protein is a must if you're just barely making ends meet. However, any amount of money given to SCP-001-J by any individual and for any reason will somehow mysteriously disappear, despite SCP-001-J's insistence that it was not spent on booze, cigarettes, and porno mags. Discovery. SCP-001-J was discovered by O5-1 on a business trip to New York during an event later described by SCP-001-J as, that time you totally contained me. Where O5-1 stopped SCP-001-J from stealing a bagel by shouting, hey, don't steal that bagel. Ever since, O5-1 offered to pay for SCP-001-J's bagel and gave him a few bucks for a cab. SCP-001-J has left no fewer than 17,000 voicemails on O5-1's phone, typically asking for money or, in some cases, talking at length about unrelated events before eventually asking for money. Addendum 001-J1. Recorded voicemails. The following voicemails were received by O5-1's office between April 20th, 2017, and May 1st, 2017. Notably, both the Global Occult Coalition and the Serpent's Hand also confirmed that SCP-001-J had called them asking for money during this time, while the Chaos Insurgency reported that SCP-001-J had called them, but only burped into the phone for 15 seconds and hung up. Voicemail 1. Hello. You've reached the office of O5-1. Please leave your name and your number, and I'll get back to you as soon as I can. Hey, Adam. It's me, Mike. Mike Kane, you know, from that one time he met when you contained me. Yeah, I know that wasn't a super great look, but hey, look at me now, huh? Got a whole congregation together and everything. So, that's great. While I'm here, I was gonna ask you something. See, I'm really trying to put things back on track, you know, get life moving in a positive direction.  I know you probably got your own stuff going on, but you can spare like a short-term loan of like $200. That'd be super, you know? You know I'm good for it, absolutely good for it. Anyway, just give me a call back when you get a chance. Thanks again, buddy. Hello, you've reached the office of 05-1. Please leave your name and your number, and I'll get back to you as soon as I can. Adam, my man, what's happening? I haven't heard back from you yet, but I definitely still try to string together a few pennies, you know, pay off some bills, get that sort of thing taken care of. Really though, $200 might be a stretch, right? Because I've really only met that one time, and I know this thing's pretty foreign, I get that. I do.  Try to make a change. I know you get me. Thanks again, my man. Voice mail 3 Hello, you've reached the office of 05-1. Please leave your name and your number, and I'll get back to you as soon as I can.  He doesn't know anything about me, Adam. Nothing. I don't even know his name. Look, I probably sounded drunk the other night, and you know what? Maybe I was. This whole thing is a process, right? It's not going to happen all at once. I own that. I definitely own that, but look, I noticed that $100 would do it, but really, I'm just trying to come up with like whatever I can. I'm supposed to take my kids, yeah, my kids. I'm supposed to take my kids to the kid museum? You can give me there for like 20 bucks. So if I can make that happen, I mean, me and you? Oh, that would be perfect. 20 bucks, right? Like, that's nothing. Anyway, hit me up, bro. Voice mail 4 Hello? You've reached the office of 05-1. Please leave your name and your number, and I'll get back to you as soon as I can. All right, fine. You know what? I know you got me blocked or something and I get that. I don't blame you. I'm calling from my cousin's Yabbi's place. He's a good dude, right? Look, I've got some guys I need to get paid, you know, who I borrowed some money from and they've been pretty insistent about this whole thing. So at this point, really, anything would be perfect. Five bucks even. Whatever you've got laying around in your desk, you know, anything I could give these guys. So give me a ring there, homie. That would be great. Voice mail 5 Hello? You've reached the office of 05-1. Please leave your name and your number, and I'll get back to you as soon as I can. Um, Adam. I know you're there. Pick up the phone, Adam. Come on, it's your old pal Mike. Remember the good times we had that one time? I'm seriously in a pinch here, my man, and if you've got like cans or scrap metal laying around, I could take off your hands. That would be fine. Plastic bottles even. I got a guy who will give me 15 cents per pound of drier lint. I know you guys do a lot of laundry. Come on, man. You know I'm good for it. Totally good for it. I'm serious about that drier lint. Hello, Adam. Hello. Good afternoon, Foundation staff. This is Dr. Theron Sherman. Today's briefing, while mildly annoying, doesn't contain any objectionable material. So let's begin. Item number, SCP-5280-J. Object class, Euclid-Ubic. Special Containment Procedures. Subjects found using SCP-5280-J are primarily located in the United States, Liberia, and, to a lesser extent, the United Kingdom and its Commonwealths. These areas collectively comprise SCP-5280-J's primary containment area. While this area is inherently nonsensical, it has been deemed safe for habitation by civilians and personnel. Instances of SCP-5280-J have been located outside of containment in the past. However, these instances are not considered likely to spread SCP-5280-J due to its inferiority. Containment of SCP-5280-J is focused on attempting to eliminate its use on a case-by-case basis. Administration of Procedure 101010, codename, Dope Slaps. To subjects attempting to use SCP-5280-J is currently the most effective method of treatment. Repeated application of this procedure has been effective in curing subjects of habitual SCP-5280-J use in most cases. However, subjects raised in SCP-5280-J's primary containment area are, under most circumstances, incurable outside of scientific, technical, or otherwise professional contexts. Description. SCP-5280-J is a contagious meme that is comprised of several closely related sets of units that, theoretically, are capable of being used to express length, area, capacity, and mass. However, experimentation has shown it to be highly impractical for these purposes. While the basic units of measurements for length and mass are not inherently irrational, conversions between different units of the same quantity is unnecessarily difficult due to the apparently random conversion factors involved. As of yet, SCP-5280-J has resisted all attempts at eradication. This is believed to be an inherent anomalous property compounded by the extent to which it has spread prior to classification. SCP-5280-J had displayed several additional behaviors that the foundation has deemed to be of concern, most notably, actually being used by hundreds of millions of people. This is believed to be an effect inherent in the culture of SCP-5280-J's primary containment area. Personnel are encouraged to adjust their opinions of said cultures accordingly. Appearing on measurement devices that are created in, or are for sale in, SCP-5280-J's primary containment area. While it typically appears alongside conventional metric units, some items, which are collectively designated SCP-5280-J-2, have been located which are labeled only in SCP-5280-J. No purpose for these items has been found, and all have been donated to Site 43's shooting range. Appearance on reports submitted by recently recruited Foundation recruits. While this is easily corrected, repeated occurrence of an anomalous item affecting staff members is nonetheless cause for concern. Several staff members have individually claimed to make it their mission to correct all instances of SCP-5280-J found in official Foundation documents. Personnel are discouraged from alerting said staff as to the futility of their endeavors. Addendum. Further research has discovered several additional properties that have been deemed of note. SCP-5280-J has a unit of length called a furlong. Further investigation into how this was allowed to happen is required. Subjects found using SCP-5280-J sometimes claim that it is superior to the metric system. Procedure 1231760, codename Face Palms, has been deemed an inappropriate response to this behavior. A request to upgrade SCP-5280-J to Ketter has been denied, due to the fact that SCP-5280-J is just a mildly annoying and irrational way of doing things that people take far too seriously. Good afternoon Foundation staff, this is Dr. Theron Sherman. Today's briefing doesn't contain any objectionable material, so let's begin. Item number. SCP-3472-J. Classification level 2. Object class, safe. Special containment procedures. SCP-3472-J is to be stored inside a padded locker in the high value anomalous object storage wing of Site 56. No further containment measures are necessary. On the order of Site Director Agatha Drummond, testing of SCP-3472-J is to be held indefinitely. Description.  The contents of the bottle replenish at a rate of 5 milliliters an hour while not full. Foreign substances are blocked from entering SCP-3472-J by an invisible barrier. Five minutes after an individual ingests more than 20 milliliters of SCP-3472-J's contents, they will enter a comatose state lasting between two and five hours. Upon waking, subjects report experiencing vivid dreams from the point of view of a man named Jamison Maddox, hereby referred to as SCP-3472-1-J. Recovered documentation suggests that such dreams share an internally consistent, if anachronistically presented timeline. SCP-3472-J was recovered during a raid on the residents of Annetta Maddox. Ms. Maddox had been chronicling her usage of SCP-3472-J in a journal prior to recovery. Unfortunately, Ms. Maddox perished during the raid and was therefore unable to be questioned. Among Ms. Maddox's possessions was the following letter, allegedly written by SCP-3472-1-J. It reads, My beloved daughter, In time, no doubt, you'll come to hate me for the things I've done.  I will not defend my actions. All I ask is that you come to understand the why of it. Signed, Jamison Maddox. Experiment log. Experiment 1. Subject, Dr. Jeremiah Samarian. Protocol. Dr. Samarian will ingest 20 milliliters of SCP-3472-J's contents, after which he will record his experiences. Results. While attempting to drink from SCP-3472-J, Dr. Samarian fumbled and accidentally dropped it onto the floor.  Final note. If anyone needs me, I'll be off sulking in a corner while Command transfers me into D-Class. Signed, Dr. Samarian. Well, shouldn't have dropped it. Good afternoon, Foundation staff. This is Dr. Theron Sherman. Today's briefing doesn't contain any objectionable material, so let's begin. Item number, SCP-649-2568. Object Class, Keter. Special Containment Procedures. SCP-649-2568 is to be kept in a standard animal containment unit. Under no circumstances is SCP-649-2568 to be allowed to discuss geological or geographic details. Interviews of SCP-649-2568 should be scheduled daily, with a focus on any future escape attempts. All other testing involving SCP-649-2568 requires approval from the project director. Description. SCP-649-2568 is an entity which superficially resembles the species Unectis Nataeus. Despite this resemblance, SCP-649-2568 retains the personality and speech patterns of a human male. SCP-649-2568 has shown a capacity to reshape any geological features it sees or has heard described. These reshaping events exclusively affect any features the entity deems as quote, too flat. This has in the past included planes, marshes, and the ocean floor. During reshaping events, these locations will experience several seconds of tremors, followed by the growth of an extrusion, generally at the geographic center of the area seen or described. These extrusions will rise above the surrounding land and have uniformly possessed steep sides with flat tops. No known force has been capable of stopping this growth, though the internal structure of these formations have displayed no anomalous properties beyond their creation. Furthermore, when interviewed, SCP-649-2568 displays a compulsion to disclose the truthful answer to any inquiry. This compulsion has led to the discovery of several escape attempts, including one involving anomalous contact with an outside organization. Due to the linking of its reshaping ability to descriptions of locations, the method of this anomalous contact must be determined to affect continued containment. While interviews with SCP-649-2568 have proven effective in limiting this contact, care must be taken to avoid further restructuring events during those interviews. The following interview between Dr. Sumerian and SCP-649-2568 took place very shortly after containment. Hello, in your own words, please describe yourself. Well, I like big buttes and I cannot lie. Following this admission, the interview was suspended until further questions could be approved by the project director. Good afternoon Foundation staff, this is Dr. Theron Sherman. Today's briefing doesn't contain any objectionable material, so let's begin. Um, this is a completely blank document. What's going on here? What am I looking at, guys? Oh, okay, there's an email chain. Maybe we'll get some answers. From Nicholas May Logistic Division, to Director Marion Wheeler, Anti-Memetics Division, Subject Urgent SCP Blank-J. Good morning, Director Wheeler. As you can see in the file linked to my email, an SCP slot seems to have acquired anti-memetic properties. I am asking for your assistance on the matter. Such anomalies seem to be common in your field, thus I do not think it would be a hard challenge for you and your researchers. I eagerly await your response. Best regards, Nicholas May. Next email, from Director Marion Wheeler, Anti-Memetics Division, to Nicholas May Logistic Division, Subject Regarding Urgent SCP Blank-J. Mr. Nicholas May.   Um, well, my apologies to Nick for broadcasting this to all of our listeners. Good afternoon Foundation staff, this is Dr. Theron Sherman. Today's briefing doesn't contain any objectionable content, but it is kind of weird and unprofessional, so we need to figure out why it's on the database. Let's begin. Item number, SCP-5417-J. Object Class is called Keter. Special Containment Procedures. Just make it far away from us, okay, big guys. SCP-5417-J, stay in its home of crystal and shiny. Thank you, big guys. Also is contained song we sing make 5417-J stay in home. Please memory it. It is no for good. It is no for spackle. Please stay home. It should be where the bad knackle. Description. SCP-5417-J is small white squares of deadly. Also called the knackle. Sometime fall from sky. When it touches, burn awful. Make us dead. Please keep deadly in container of crystal and shiny. That it's home big guys.  Addendum one. On many day ago, Dr. Tropod have SCP-5417-J fall on him. He died bad pain. Horrible. I cry for him. Dr. Mluske also sad.  No work get done. He quote, this worst day since SCP-8899 call Mr. Baguette, worst mister, reach its home devour many tiny doctors. Entire Mobile Task Force team pepper gone. Addendum two. Apologies for my goo on letter buttons big guys. Signed Dr. Slugo. Addendum three. Also thank for tiny lab coats big guys. Are practical. Signed Dr. Cargo. Addendum four. Request tiny pocket protects. Ink bad mix with goo. Thank. Signed Dr. I stocks. Addendum five. Request granted I guess. Researcher Yuki made them for you. Signed Dr. Corden. Addendum six. Thank big guys you best. We decide you security clear upgrade now Helix level. Access grant to visit tiny doctor houses if big guys can learn be tiny too. Signed Dr. Cargo. All right staff that ends our broadcast whatever it was.


Sam here with latent sports cards rippin 22 top chrome for the one racing hobby six box break number 25 Random team style. Here's a look again at your random results. It's up Kyle As always you can find these on the website under the results tab as well as the link that is currently in the chat So good luck everybody here. Let's rip some F1 See a super. We're so due for a super. It's it's sickening Oh At least he's able to put weight on it Did look painful Super next break Fracture, there's project Vesti to 199 purple checker for a rt Super bullfrix, there we go That that's where that's that's how to look at it for us Marcus Armstrong checkered flag parallel Sebastian Vettel Lynch stroll. Oh, wow. They're Chad. He's warming up any about to do it again That's what you know. It's scary ours Kevin Magnuson for Haas What was any nicknames during the Browns game? We like forget got the fourth and fourth and short. I forget there was something though nice purple Charles Charles Lecler to 399 for Ferrari Super in every box Every time I say Max we're stappin Yuki Sunoda speed demons Yes, Shawn always makes fun of the way I say Max we're stappin I'll be like Max we're stappin Daniel Ricardo Some hanging out from mom's legs Or on out for the dead homies dead homies leg homies dead leg Sebastian Vettel on The refractor for Aston Martin. Yeah, he don't look right I know Lewis Hamilton speed demons. What are you doing, man? She's And he can do it Don't give up on me. He's my he might be like 40, but It's old man. He's an old head and my home don't look great obviously Lecleron signs There's many diamonds Ali Caldwell to 299 for compas I know that's what that's what we're saying. She can't do anything. Yeah, right. I don't know why he's still in here We got an auto coming up here. There's Sergio Perez on the refractor for Red Bull and Liam Lawson Going to F2 Carlin crats on that Derek L with the Carlin spot There you go, buddy. Nice one there first auto at a break So for recap you can do anything like not like green to 99 and under for base and then all the others Carlos signs It's like one every two usually it's like six a case between five I would say between five and seven case Carlos signs troll card Purple green a savanna Ocon Orange Orange wave a savanna Ocon Six out of 25 nice one there for alpine or alpine. I should say that is Brian see congrats Brian nice Ocon Fernando Alonso a refractor Yeah, that's what it is And there's Max Verstappen and Sergio Perez All right box one is done Legit, but what should I hang comes out just balled out to imagine just completely like saves the The season we're safe. We're safe. We're safe Yeah, it's invest in Shad Hennie now obviously The fool's not to have you not been I'm gonna sell my 20 card they don't have there's Max Verstappen green driver the day for France that's 64 out of 99 for Red Bull Chen Bullock Bashee Going to Shirau's racing system Chad Hennie Hawk Chad Hennie Back up speedy man. Shawl Lecler Coming up here. I've Lando Norris refractor and Kevin Magnusson gonna ha's congrats on that there John E Did he's been in the league since like 2000? I want to say like oh wait He's been he's been a leaf for so long He might have been honestly Verstappen and Perez for Red Bull. There's gold of the break coming up here That's gonna be a Chen Bullock Bashee gold wave going to Shirau's nice one there. That is gonna be Johnny again, congrats John Hey, thanks, you know Norris from McLaren nice one there to 199 Purple Mmm, I don't know we'll see I don't want to speculate too much obviously Hey, yeah, you imagine Chad Hennie masterclass That's about Ocon We're gonna have some work with their running back. We're gonna start getting some work George Russell speed demons Carlos signs refractor Superfractor and finest Akai that'd be awesome dude now forceful to yesterday and that pulled one on release them trash or fine It's the guess purple S monocons 399 He realizes he has two more games after this right they win I know right Printing plate Charles Lecler Future stars were in a sunny troll card base and plates of Sebastian Vettel nice one there Wow That's one of the portrait cards going to Aston Martin. Congrats, Bobby. Yes. That's awesome This one there again, that's card number nine Sebastian Vettel one of one Figured you know, but just in case yeah, thanks for not trusting me Marcus Armstrong great first night It's a great chemistry Like sorry Donnie, I just thought that you were stupid Just walk out and not even halfway through the first break of the night. It's gone Dan Ricardo on the checkered flag Patrick, what am I? What's the difference purple green and Charles Lecler? See no to base box two is done To drop you guys the link to I'm back again. Yeah, it wasn't for Brady's tough rule that Previous pass from the holes. I think would have been a fumble. Yep back to your regularly scheduled programming What do you guys think the script says for the NFL games today NFL script writers, huh says the Patriots fan interesting interesting Very interesting Wow mini diamonds Lando Norris for McLaren to 299 298 out of 299 one off book end you can see no to refractor Alpha tar Kevin Magnuson checkered flag Daniel Ricardo we weren't the crybabies that was weren't the coal I bought the Colts for the crybabies Because the Colts are always get destroyed with Andrew Luck. We at least beat the past once or twice So 399 is Sebastian Vettel for Aston Martin. Yeah, I was gonna say Dennis Houser future stars Even I was starting to get annoyed with the Colts Because it wasn't even like they would be they would lose to the past they would get blown out Ralph Beauchamp Like there were years that it was like 45 to 7 in the play I'm like the AFC championship and it was like well Even if at least you tried Yeah, it's like even if even if the Patriots were cheating like you got completely blown out motoss and Juanijo There's a dinner part over McLaren on the green true green to 99. I mean Not really a hundred percent wrong on that forest speed demons Max Verstappen For Red Bull like I agree with illegal on that one Max Verstappen on the award winners and Grand Prix of Netherlands Trevor Lawrence master Travis ET on junior masterclass There's a Voltaire Votas Lance stroll speed demons for Aston Martin One Williams refractor how about a gold wave Charles Leclerc going to John E with Ferrari On the auto that is huge congrats on that John. There you go, buddy Big hit for Ferrari. I just be numbered 14 out of 50 Heck yeah, dude Should be a 35 Big time man big time Look at Matt that one will get mad right there because like these are the ones that are produced in Europe F1 yeah same with some of the sort of the soccer products There's a Jack Dewan for virtue OC 49 out of 50 on the gold checkered and Like the subtle boom that time Andreas Seidl for McLaren on the principal card. You have a subtle boom. I kind of yeah some primes, honestly I Was gonna say I've been aware of it. I was thinking about investing in some earplugs Yep, I was gonna say you should get some of those like, you know the things that the Like guys who are like doing the thing with the planes That's where you should get right there when you got your Ferrari centra. Yeah. Oh, yeah That's a heck of a motor vehicle right there for us that you drive heck of a motor vehicle Louis Hamilton former the one award winners Fernando Alonzo, that's about ok on fashion battle speed demons The green Max Verstappen grand-free winners to 99 that is Austria Alexander Alba Watch charts out Sam's big bulls to the DB levels. Oh gosh Another one we have lost and that this time we've got a green Roy Nassani for f2 dams on the autograph They go John E. The autos is that one? Yeah, I guess just four It's about right. It's one there I feel like we're getting a little bit more than usual that's about okon to 75 for Alpine Max Verstappen troll card purple green Carlos signs Are you still in on the east coast or no? Follow on wow Max Verstappen Thank you. Thank you. How are you saying alpine before? No, it's pronounced alpine. Oh, we were saying alpine That's oh, yeah, I thought makes no sense that it's not spelled that way Alexander album Make sure you read your note from me and Sean that you got for your birthday Louis Hamilton And remind me to tell you a funny story about it too when you get it Shoot me a message on it and stuff. We had it at one point chain Yeah, right, I know so I feel whenever I visit my family Sergio Perez Oracle Red Bull We I was gonna say we had it Shane I I know we don't have any more in stock like it all got ripped for personals purple Lando Norris the 399 So I'm just not sure if we're getting any more or not I don't move I'd imagine probably not but who knows When stroll refractor Whenever comes out Got away for another like probably eight months How's it about like five cases of the seven or eight we had yeah, yeah, my home's on a locker room. Uh-oh Yeah, well you should have done right. I know like as soon as you guys Probably made it worse, right probably aggravated it more. You're right 100% right Yeah, no, we didn't we didn't do group breaks. I think it was only for personal shame. We only had it in stock for personals Correct me if I'm wrong for us, but I think that was the case Hello sign speed demons Bring down scale When stroll refractor for acid Martin Hurricane outside, we don't know about Marino Sato mini diamonds to 299 for virtuos Roy Nassani Heads are gonna be rolling out there just sip some heady now honestly There's gold checker Marino Sato to 50 for virtuos see rights on that to Wayne There's orange red troll car Mercedes Nicholas, let's see if he's like those are not the not There's like dual colored ones in there. That's fun. Yeah Like one per box So like there's there's a red one. So there's one time. All right. We got a red. We got a red I'm gonna have a red. We had a red green or whatever it was a red orange. Oh, yeah, it's annoying Just kidding Chambolik Bashee for Shiraz racing system Mercedes refractor It is it is growing concerning at this point, I don't know what's going on Caleb's having an all-out episode It's about something's thrown boxes everywhere purple checkers George Russell to 199 and Ricardo Checkered flag parallel McLaren tail Porsche air to Grand Prix actually. Yes, Mac Caleb ripped a couple boxes lake ripped a couple boxes a couple other people that work here. I think there's Camille and Camille and will Yeah, yeah, the brand-new Pokemon it looks really good. There's some really good chase cards in that set George Russell feels like everyone that opened the box here hit pretty decent. Yeah Yeah, Blake opened up like I think two boxes yesterday and you open one today Sebastian Vettel Come back out like Walt Frazier come back out like Brett Favre It's gonna be a chat a certified Chad honey classic Hey, I'll push air refractor Have you ever seen a better handle I Can't tell you I have exactly purple checker Fernando Alonzo for Alpine to 199 Four so far one of them's a gold Gold Charles Leclerc Sergio Perez speed demons and he's gonna prove my home as a system QV Mixed you mock your refractor for haze Yeah, right dust off your Chad honey cards is right Joseph Start investing in Chad honey Lewis Hamilton gold purple troll Dennis Houser for Prima speed demons Alonzo Marcus Armstrong Take him out from under the table like ooh red of Carlos signs Going to Ferrari congrats on that the color match That's nasty Red checker two of five Ferrari again Johnny just stacking up hits for Ferrari right now.  I want to be hurt right now. Good God. Let's do a quick recap of all your hits We had a Max for stopping green to 99 Daniel Ricardo green to 99 Max for stopping green to 99 one-of-one printing plates of Ashton Vettel for Aston Martin Chambulak Bashee gold to What's it called to 50 orange Esobon oak on 25 orange wave Green Roy Nassani Autograph to 99 Kevin Magnuson auto Liam Lawson auto that a red Carlos signs for Ferrari two of five again That's red checker for Ferrari and gold Charles Lecler Going to Ferrari 40 14 out of 50 gold wave auto That will do it for the break. Thank you guys again at the pilt Next up another F1