Hello everybody and welcome to another hobby cheating video and today we're going to talk about speed painting tyrannids. I've got this tyrannid guy, he's from Spacehulker, whatever it was, one of those board games. And I like tyrannids, I think they're really cool. And I think that they give us a lot of neat chances to explore colors. They've got a lot of really fun organic shapes and all in all they're actually a very fast paint, which is good because goodness gracious knows that there are a lot of tyrannids. So many. Why are there so many tyrannids in an army? So we're going to tackle the methods today for Get It Done Quick and we're starting you notice with some dry brushing. So I Xenothilled them, if you want to see more about Xenothilling there'll be a link up in the top right to take you there. But now I'm just doing a very light dry brush over the whole thing with pale sand. And the paint list was at the beginning of the video in case you hopefully you didn't miss it. But this is just to add some more lightness to it, brighten them up a little bit. The goal here is to use simple techniques repeatedly and quickly to make sure that you can paint hundreds of these little guys quickly and efficiently. So step one, we just give a nice light dry brush of a good white color. I'm using pale sand as with anything in this video, you do not have to use the exact paint I'm using. Any light warm white will work just fine. All right, so he's all dry brushed easy enough, all that nice organic texture is picked out. Now we're going to start adding the colors that we need. So we're going to go to our old friend washes. Now with things like tyrannids, they're great for this because they have all sorts of weird little folds and details and structures and I don't know other weird words like that. In other words, they take a wash well. And I'm focusing the Reiklin flesh shade on what is supposed to be the flesh bits. You notice there I got some up on the carapace as well, doesn't matter. I want to talk to you about basically the trick to applying a wash well and getting a nice even coverage so you avoid most coffee staining. One, notice me using a nice big brush, not a little brush I'm trying to sweep around. Nice big brush. Two, always keep your brush moving. Notice how my brush is constantly moving, pushing into new areas and then going back and sweeping over the area I just covered, soaking up all that extra paint and dispersing it around the model. So we're not getting any pools. I move to a new area, spread the paint there, sweep back over the old area, pick up, sweep into another new area, back and forth, back and forth, constantly sweeping to keep that color moving, sinking in the recesses and avoiding pooling, spreading it out evenly. Lots of fast repeated constant brush strokes. All right. Next step. That wash isn't even totally dry. Who cares? We don't need it to be. Again, this is about speed painting. We're going to take some purple ink. It can be any purple ink. You could use Vallejo Gaming Purple. You could use anything. I've thinned this down quite a bit. Put some Flow Improver in it. You can just use water. It'll be the same if you don't have Flow Improver. And now I'm just going to turn that carapace a light shade of purple. I'm not worrying about how dark I want it to be. And I saw lots of different paint jobs in researching this for, this is obviously High Fleet Leviathan that we're doing here. And so I saw a lot of different takes on sort of the purple and how purpley it was versus how much blue is in that purple and how dark it is. So if you don't like what how dark mine is, it's pretty easy. We'll talk about how to darken it up at the end. But basically you just run the purple over all the carapace, easy peasy with all that Flow Improver. It's going to get in deeper. If you don't have any ink at all and you want to use like a GW purple wash, you can do that. You can apply multiple coats, same with contrast paints. So with the purple applied, now it's time to turn to his little fingies. And in Leviathan, all their little fingies are red, which is a really interesting color combination. These guys with sort of the gray white and then the purple shell and the bright red claws. It's very striking. So here we're using some GW contrast paint, Blood Angels Red. Very fun, really intense red that I really like. It's great, great contrast paint. This is very simple. I'm just going around and applying a single coat of contrast paint to all the fingies, all the nails, making sure they all get turned a nice red. This may seem strange to do this step now, given the steps I'm going to do next when we return to dry brushing, but trust me, there's a purpose. There's a method to the madness. But yeah, turn all the fingies red, easy. All right, so we applied a lot of very liquid paints, but we're almost done with the first detail. And here's where we start to get a little bit sneaky. So this is some vulpus pink, again, another contrast paint. And this is going to go in his, I don't know, these little muscle structures or I'm not sure exactly what they are, these little things that look like vents in his skin. I don't know what these are. I don't know tiered anatomy, didn't study bug anatomy in school.  And then I'm also doing things like putting it into, you saw me put some into the mouth, like around the teeth, right? So that's kind of the color there. So it looks like gums. But I fill all these little plates up. And then what I'm going to do is take this same vulpus pink, leave it on my brush, but I thin it down a little, touch it into some water and then touch it to a wet piece of paper towel. And what I'm going to do then is just start softly glazing it into the lower areas of some of the miniature around the arms, the skin, just adding a nice subtle pink shade to various areas on the miniature. And what I'm doing here with this is this is one of those simple tricks to elevating speed painting. This takes me maybe an extra 10 seconds. But by adding these soft subtle glazes, just, you know, maybe the base of the neck, the under part of the arm in between these sort of muscle plates or skin plates, whatever they are, up at joint areas, just whatever struck my fancy is kind of where I threw some of this soft glazing. By doing that, it adds a whole another tone to the skin. You see how we build it up with just these quick, easy steps and we add enough of this kind of stuff. It starts to look like we spent a lot of time blending and doing complicated work when, in fact, we were just sloshing paint around and not really worrying about it too much. You see how I just kind of push it around to all these places. All right, now that pink is dry, you can see how it added some really wonderful low tones. The problem is that Leviathan is really much more of a white gray. So hence, Vallejo model color, white gray. Now we're going to return to our old friend dry brushing. Now I hear you. I hear you out there, internet person. Are you a madman? You just applied all those colors and now you're going to dry brush again? Yes, I am. The amount I have on the brush is extremely minimal. This is a very small, very soft makeup brush. That's the key to good dry brushing. So very little paint, very soft, lots of applications. Look how many times my brush is hitting the model to leave paint behind. Now importantly, I'm not just focusing on the skin. That's my main goal, but I'm also dragging it across things like the edges of the claws, the edge of the carapace, because that's giving me sort of some free contrast and edge highlights that are just going to help to create more tonal variation later on in the miniature. Focusing mainly on the skin, but also hitting those other areas to just build up the edges of the whole model simultaneously with this soft, repeated dry brush. All right, so our dry brush is all complete. Again, all these steps have been really fast. Now what we want to do is we want to put that, that very famous tear in it texture onto the carapace. So for here, I got a nice, sharp, thin brush, grabbed myself some white ink. Again, you can just use very thinned down white paint or something like that. And I'm just gonna quickly trace some lines right near the edge of the carapace. This is some of the easiest sort of texturing you can do because it's just hashing in little lines. You draw toward the edge of the carapace. The ink really makes this a no-brainer. It's so fast and easy with the ink. Couldn't recommend enough that you invest in getting some white ink. Don't make your hobby life in doing things like this so much simpler.  And it creates that wonderful texturing.  So just quickly sketching all these in and it's just drawn thin lines. It's really all it is, fast, simple. All right, so all our little lines are in place. And between the dry brushing and the hash lines, we've added a lot of texture to this guy, but unfortunately we've also desaturated our colors on things like our purples and our reds. Now I'm gonna take some of my original purple lake and mix it in with a little Payne's gray, which is a wonderful blue-black ink.   And I'm thinning it down and now I'm just gonna keep running it toward the center of the carapace. This is effectively like a much controlled wash. Notice that I'm always pulling the brush toward the center so that that extra paint that's pooling is getting caught down in the crevices of that carapace, darkening it and darkening it. I start from the edge of the carapace and pull in. Now I'm gonna repeat this two times. So I put one application on, let it dry, come back again. I think I probably actually do three times total just to really create a full spectrum of contrast. Because every time I'm pulling the paint towards the center, you notice that those little hash lines I made, they still show and they pick up a wonderful tint from that purple. So they now blend right into the carapace. At the same time, I take some of this purple ink and I do just a couple other fun things to create some shadows. Like very quickly I'm running down at the base of the Blood Angel's red, like all the bottom of the fingernails.  Hitting some in the neck, just little parts of deep shadows. Again, never waste a chance when you've got the color and you're already using it. You can throw it around in other places when you're speed painting, just to create some other visual interest. It's fast, it's simple, and what it does is again, make it look like you tried way harder than you did. All right, so with that dry, now it's time to move on to our next step. So for this, we're just gonna go ahead and repeat that glaze, but we're going even darker and we're focusing more toward the middle. So I mixed in a little bit more Payne's gray and now you see how I'm really just focusing on the inner part of the carapace. So now I'm kind of focusing away from the lines just to really deepen down the center of that carapace and up my contrast all the way. Same technique as last time, just repeated. All right, we're in the home stretch and basically all we've done is drybrushed, washed and drew some thin lines. Now it's time to draw some more thin lines and there is a reason why I do this twice. By applying the lines first, then washing over them or glazing over them and then doing the lines again, you get different levels of the texture and again, it makes it look like you've tried a lot harder, like you did these very complicated blends on your texturing. We didn't, we just drew some lines, glazed over them, drew second lines. This I took a tiny amount of the purple ink and put it into the white ink so I didn't go all the way back to the white spectrum. But other than that, same as last time, just draw some nice thin lines over all of those same areas on the carapace to really reinforce that shitness sense in the carapace itself. All right, so carapace is all done. Now we're just gonna go ahead and basically clean up details.  This is kind of the going in at the end. You could obviously stop here if you wanted to. If you had a ton of them, you'd be fine. But I'm gonna take some of that Blood Angels red. You notice how I thinned it down here? This is just some water. And I'm just gonna run over top of all the nails again. The white will still show through. It will still create a very bright spot of red. You'll really see it on those upward-facing claws because those really caught the dry brush hard. So you can just see how, look at how we haven't really done much of anything other than a dry brush. And yet it looks like that claw has a wonderful edge to it. Like we spent time edge highlighting. Who's got time for that? Not us. We're speed painting bugs and we got 100 more of these guys to do before sunset. So just touching in those little details and we're good to go. Now it's time to just wrap up the very last items. Going back in with some Magos Pink, filling in the little, the muscles again. Again, it just creates more distinction. So it's no problem that Selam got a little covered up. Filling in the muscle structure in between the, I don't know, the bony color carapace. This guy has multiple different carapaces. They're tiered in anatomies, very confusing. But just filling those in. Again, just getting that color in there. I'm gonna hit his eyeballs, picking a couple of interesting spots. Again, thinning it down. If I see a chance to do a cool glaze, like you see me here on the bottom of those volumes, I'll do so. But basically that's it. You can stop, at any point in this, you could have stopped after the initial colors if you wanted to. There's always lots of places you can get off the bus. But this is a fast, fun little guy. I honestly wouldn't mind painting a whole bunch of dudes like this. You can see how you can easily work this out. And they're gonna look great together on the table, swarming to consume all for the biomass. So there you go. If you liked this, give it a like, subscribe for additional hobby cheating in the future. If you've got questions about anything I did here, drop it down below. As always, more than happy to help. But I thank you so much for watching this one. And we'll see you next time.


How to pronounce the ED ending correctly? Many students make pronunciation mistakes with the ED ending of verbs in the past tense. If you learn to pronounce ED correctly, your spoken English will sound more natural. There are three ways to pronounce the ED ending in English. Like ED with an extra syllable, like T and like D. Let's look at each case individually. ED is pronounced like ED with an extra syllable after verbs ending in a T or a D sound. For example, wanted, hated, started, attempted, decided, ended, guarded, exploded. ED is pronounced like T with no extra syllable after verbs ending in S, X, K, P, F, SH and CH sounds. This means that the past tense of work is pronounced worked and not worked. Here are more examples. Missed, fixed, liked, stopped, laughed, brushed, watched, developed. Finally, ED is pronounced like D with no extra syllable in all other verbs. So the past tense of the verb arrive which has two syllables is arrived, which also has two syllables. Don't say arrived. It's incorrect. Let's practice. Cleaned, played, used, called, allowed, argued, compared, annoyed, analyzed, opened. Thanks for watching English Tips from Espresso English. If you liked this video, please share it.


Hey everybody, my name is Brittany and I personally wanna invite you to our Race to Deliver Conference that we're having right here in Seattle. This is the building from November 15th through 17th. Please don't miss it.


There is a growing need for workers in science, technology, engineering and math fields. And the Central Lakes College in Staples is trying to get children interested in those fields with their annual SEAM camp. The five-day camp begins with students learning about mechanical and electrical systems, which leads them to build their own battle bots. Once teams have constructed their bots, they compete in a robotic hockey tournament, an obstacle course, and the camp ends with a demolition derby. The hope is that students will continue to pursue the STEM fields after they have completed the camp. I think this is a great building block to get into some more advanced clubs that are out there like First Robotics or VEX Robotics. This gives them that exposure and the imagination to move on to that next step. And then hopefully after that they decide to come into a career here at Central Lakes College into our robotics program or our machine tool program. If you would like to sign up your child for the SEAM camp next year, the cost is $200, but scholarships are available for those who qualify.


It's very important when you study things and you're interested in documenting perhaps changes to the earth because this will impact food, water and the lives of people in many ways, perhaps through more severe storms or higher frequency of severe storms or maybe in changing precipitation patterns where some areas become very wet, others very dry. So it's really important for the continuation of our species living on this planet in a responsible way to study things like this, to be looking ahead 10, 20, 30 years and seeing things we will need to change so we don't screw up the earth.


Welcome to exchange for media. With me today is recently appointed CEO of VML Y&R, India, Mr. Saurabh Saxena. Saurabh hi, welcome to exchange for media. Thank you so much Nazia, lovely to be here. Saurabh thanks for this first interview ever since you've been appointed as the new CEO of this newly integrated agency. I mean agency has been old but their integration has just taken place couple of years ago. So you know I wanted to understand from you the agency got finally integrated in 2018-19 and you joined it in 2022 considering that the company doesn't have a very long legacy in India. How do you plan to take things forward? Okay, so first off let me tell you that while VML Y&R in this current avatar is new and young the legacy of these individual brands is long and very admirable I would say. So VML Y&R commerce has been in various forms has been alive within WPP for many many years and this is the team that has built capabilities into shopper and rural activation and urban activation and the likes. The glitch which is a Julina crown has been around for a really long time as well and that you know if you do of course I'm sure no more Nazia but the glitch is a very successful agency. So while as a brand we may not have that much of legacy but that the constituents have legacy GTB which is forward really. And that's what I said after integration how do you want to take it forward? So to combine our strengths really that's the short answer let me explain what I mean. So the way that we'd like to grow is not necessarily through only social media or to do one little project in rural India for instance. We'd like to grow on in scale and to be able to do that we need capabilities right through the line whether it is customer experience or brand experience or D2C shopper commerce offline commerce rural activation. So therefore we what we're doing is we are taking all of these capabilities and putting them together to create connected brand experiences for businesses that we work on. Now a lot of our clients may not require the entire suite of our services but they may require more than one they may require three they may require two. So that's really what how we are restructuring ourselves. We are making sure that we have the right cast and crew to address any marketing problem or an opportunity that our clients would like to address.  Yeah we were very successful So what are your plans this year? So I wish I could tell you more but I can tell you that the Global Creative Council of VML Weiner is very happy with the entries that that we have with all the work that has happened in the last many months led by Mukun who's our Chief Creative Officer. I'm sure you know him know of him and know him as a superstar. So you know there is a lot of promise fingers crossed I can't tell you what those are just yet but I can tell you that we are looking at it with great expectation, great anticipation. We wish you all the best and do make us proud again this year. Yes, yes Nazia we'd love to be you know beat our own past year record. Sort of there also has been a lot of restructuring within the agency you know after you work. How has this restructuring helped the agency? Okay so like I said the first thing is the fact that we are now casting for casting a crew specific to a business solution that a client might require and that means that we have we don't have a social media silo we don't necessarily have a silo which is doing only BX. We have an account management team or even a creative team that is pretty much sort of integrated already. So each team has capabilities within to take care of what the requirement of the lead clients are going to be. The other thing we are doing is trying to build through restructuring trying to build diversity. So as an agency we are 57 43 in terms of our diversity ratio which we are happy about. There is a lot more that obviously has to be done even though this number sounds very very good. But aside of that I think there is diversity in terms of how what backgrounds are people come from the socioeconomic background their exposure their how they've grown up with the background that that they have and the kind of education that they bring to the table and I think that will give us even more inclusivity and and diversity to be able to have the diversity of ideas.  But it could be anything if there is a marketing problem the response to that need not be a campaign it could be launch of a D2C platform for instance. So that's what we are hoping to achieve and this restructure should be able to help us do that. We are already seeing directionally some improvement in terms of how our teams are working together well on our top businesses. So yeah fingers crossed again there is there's more where this came from. So last year you and Jimetri joined forces to launch VMLY and our commerce encompass and end-to-end creative commerce company. How have that benefited the clients you know or the company? What kind of response are you getting? Okay so for instance our I talked about lineage and you know this our team which is led by Shankar when it comes to our some of our commerce capabilities. Shankar has worked for years on let's say Unilever and taking an example. Okay so the resident knowledge that his team and him have about Unilever products and across the spectrum has carried on. The brand name has changed also what we have done is VMLY and our commerce is a far bigger entity now. We are perhaps one of the very very few agencies that have offline commerce capabilities right up to online commerce capabilities. So Karthik who heads our e-commerce part of the business and partners Shankar comes with the experience in D2C in creating marketplaces and creating demand generation work technology and solutions and so therefore as VMLY and our commerce we have offline to online short answer offline to online capabilities as well as be able to do anything for instance if we look at rural activation if we look at demand generation on the ground if we look at behavior change that we'd like to do this is the team that can actually deliver and is delivering across various clients. So you know before I sum it up if you could tell me some five or four five things that make you different from your competition in the market what would they be? Okay so right on on top I think is the fact that we'd like to believe that we are a connected team that works on connected brands. So connected brand experiences are important when it comes to you know consumers don't necessarily look at one part of the puzzle and think of something that they'd like a connected brand experience. I think that makes us different that's something that VMLY and our has in its DNA aside of that people I am new to this role but I know that you know the capability in the leadership team is immense and that's what is something that we only have to bring together and harness and take to the next level. The other thing I would say is that our creative teams led by Mukul and Arpan and Shunetro and Raj are not necessarily only thinking about campaigns. So you know there are many agencies that think of what is the big idea in communication. We'd like to think of big ideas when it comes to a solution that may be required like I said I think that's what is exciting us quite a lot. The last thing I would say is that we're a very connected network ourselves. So you know within Asia Pacific we were in Thailand last week and this was really my first time interacting with the regional leadership and I realized that you know there are solutions that a Malaysia team might have thought of or our team in Singapore might have thought of which are relevant here so we don't necessarily need to reinvent the wheel. At the same time there are solutions that our team in India has worked on which may be very very possible to lift and ship to other markets. So I think as a network because we are so well connected we can benefit and you know case in our learning curve to offer solutions to clients. Thank you so much Arpan for talking to us we wish you all the best for Kans and also for you know your journey ahead. Thank you. Thank you so much Nazia it's been an absolute pleasure. Thanks.


So, multiple representations is recognizing that one modality in this case may not be enough and that things can be sometimes done much more clearly in different representations but often in multiple ones. And we can make things, let me get back to where I am. So I want to do the same thing with what about reading. How do we think about multiple representations when we're reading? And they're going to be the same, is that music? Oh, somebody's on. Okay, now no fair watching great videos while I'm talking. So yesterday we talked about, when we look at the brain stuff we see that there are many components in reading. Sometimes we think there's only two, which typically is done like this. There's something about comprehending language and something about word recognition. Word recognition is the stuff of decoding and so on. And is that coming from me or somebody else? Audience participation. Yeah, audience participation. Here's, look at all of these elements in what's called the simple model of reading. You can see that, oh my God, these are all things that in fact go into the process of reading in the simplest model anyone could think of and that students differ, as we said yesterday, in any of these. You can come in just, you don't have the vocabulary, you have everything else. You can come in, you just don't have the decoding, you have everything else. Like you will have difficulty comprehending, making sense of what you're reading. And this is just a show in the brain, when you're reading actually, use almost all your brain.   And actually new studies show that we're using these parts when we read too. It's unbelievable how many parts, because there's so many things to do when we read. And here's more, but some people, so now I'll make the choice, some people said, not too much brain stuff. So later you can look at these slides, brain stuff. Anyway, a lot of parts to reading. The reason it's good to look at the brain stuff is it shows you that all of these dots show parts of the brain that are involved in reading, reading single words. So it is a huge committee, yesterday I talked about forming a committee in your brain. So the committee that reads is gigantic. It's like 60 different members that need to go together so that you can read. And we tend to oversimplify and think, well, there's sort of decoding and reading comprehension strategies. So how do we create a reading environment where everybody has equal access to get to the meaning we want? We want kids down here comprehending. What's that mean we should do? I've never done this before, so we'll see if this bombs or not. But I realize that I want to play through the metaphor we talked about yesterday, which is to say we tend to focus on the kids and say they have disabilities. But what I really want to do today is talk about if you're reading from print, we're going to be reading in any case, but if you're reading from print, what are prints' abilities, and you could say slash disabilities. So let me say when you look at a classroom of students, you're going to find students that are highly varied in their visual abilities and in their hearing abilities, just natural. And this is the first part of those three things, perception. So kids are different. So this is kind of dumb here, it'll get a little bit more interesting. But what are prints' disabilities when it faces the fact that the students are really variable? So what's a disability of print, to be able to work well when we have students that are really variable? So can someone think of a disability, yeah? Yes, it's not able to conform itself to these differences. Give me a concrete example, what's one example of a way that it can't provide the options I need? Okay, it can't talk, it can't do anything orally, so it's got to be visual only. It's only got one way of communicating, visual period. Okay, so that's a problem, what's another problem it has for these, just these kinds of things? What's another? Size. What's that? Just size. Great, it's only for acuity, a very narrow range of visual acuity. If you've got, oh you're wearing glasses, so you know the problem. So you have to wear glasses because you can't adjust the font size, okay? Because it's in print, it's one size and it goes, hey, in the old days before we had glasses it was like a whole lot of people couldn't read only because the print was in one size. Yeah. Yeah. Great, there's a whole visual recognition thing that goes about the letters themselves being recognized across whatever this font is and all that, great. And I can't change it. I can't change the font to a simpler font to a better font, it's fixed, good? Any others? Yeah. Contrast? Great, it can't change the contrast. For some people black on white is really clear, for some people it's not really clear, we can't change it, it's fixed. So you've got to say, okay, well that's tough for you. Any others, people want to, there's quite a few we can go, amplify that, good. It requires that you track, it's interesting, almost nobody ever says that, but we've had students for whom the major problem in reading is that they visually can't track the letters left to right and if you, in a digital environment we can guide them by just having the highlighting work. But anyway, can't do that, okay. So print, I want you to start thinking that print is disabled in these ways, it can't change its font, it can't talk aloud, it can't do all of these things, it can't change its contrast, it's very disabled in how it can interact with kids who we know from the beginning are variable and that's the key of UDL is saying we know the kids are going to vary this way and print can't do it, so print is disabled in those ways. Now I want to shift to language and symbols, second of the three things. What are, this is what the kids, this is only some of them, kids are going to vary in their vocabulary and I think, I don't know if these studies are current for you, but you know these wonderful Todd and Risley studies that show the gigantic vocabulary difference between, some of you are nodding so you know this work, it's unbelievable, if you remember the numbers tell me, but the difference in vocabulary between underprivileged kids and kids from the suburban high-end schools on school entry is not like double, it's like huge, some kids come in with 80,000 word vocabularies and some kids come in with equivalent of like 700 word vocabularies, just incredible differences if you really study it and I know that happens in Canada as well. So kids come in with very different vocabularies, they come in with very different syntactic abilities, they come in with very different languages they speak at home, they come in with highly varied decoding skills, some are really fabulous decoders and some are not and actually, I just want to emphasize because it's, it's important, when we say varied decoding, actually most kids in school are not as good decoders as some kids with disabilities. Who is a, who's a kid that we call disabled that is actually usually a gifted decoder? What's, what's, I don't know how much, yeah way in the back, great. Kids with high functioning autism, Asperger's, the very first kid I saw as a clinician as a clinical neuropsychologist was a kid who was the, won the spelling bee in Boston in the second and third grade, he was the best speller in Boston, really knows decoding and he was Asperger's, very high functioning autism. Now he had trouble with the next slide but right now he's a gifted, in fact they thought maybe I should put him in a gifted program because he was a fabulous decoder. So kids are highly varied and our print material, well, let's, anyway, so let's go, what are principalities? What are the disabilities of print in accommodating this wide range of student's abilities with, so what, what's a disability that print has in, in matching this? Is this all too obvious? Am I beating a dead horse? But let me, humor me for another minute. Yes, I see your hand there. Okay, good. It doesn't have any option for if the kid doesn't have the vocabulary, you can't imagine what that word means, it doesn't have anything to do, it just is like, oh my god, you're in trouble. Okay, so it's quite disabled in what to do about a kid who doesn't have the vocabulary and that difference, again, is 10 times, some kids have that, 10 times the amount of vocabulary that another does and print doesn't have any way to deal with that. Print says, some of you are going to do bad. Okay, what's some other things? What's some other disabilities print has? Say it again? Total English. Only speaks print, almost always only gives one language. I know you probably have, that's actually a good question, how many of your textbooks are bilingual actually? I mean, this is one country where they should be. Are they all bilingual? No, they're not even all bilingual. Okay, so what about kids who speak Arabic and whatever, so in, you probably know this, and I'll show it to you later, but Google Translate will translate into 40 languages on the fly. It's amazing. Question? Yeah. Right. It's great, great instance actually, because the dictionary is really actually a terrible tool for that because, and I see you're nodding, because in fact, the skills of using the dictionary are harder than the word that you were looking up usually. So kids who have vocabulary problems never, I've said this publicly, I've never seen a natural occurrence of a youngster looking a word up in a dictionary as a matter of, just that I would do it. They do it only in school settings where teachers make them, because if it's hard, if vocabulary is your liability, dictionaries are not built for you. They're incredibly hard to use. Then you usually get, as you, I'm sure you're nodding because it's the same, but you get four definitions and you go, well, what, what one is it? Well, the great thing about, and so books are like that, they say, okay, we're not very good at vocabulary. Go use something that's harder. This is crazy. Okay, so what can we do in a digital version? We can say, click on that word and tell me the right word in context. Don't give me a whole lot of definitions. What is that word right there mean? Okay, so that, so right, it's very disabled in helping anybody with vocabulary problems. What's some other disabilities that print has? Anybody else? Any of these? Well, maybe what I'll do is show, all right, I'm starting to worry. Okay, I want to show you a digital version that has more support built into it, but let me say, let me go to comprehension. People come in with highly different, everybody comes in with very different background knowledge to any topic. Kids come in with don't knowing, do or not knowing critical features. These are the things that are on your sheets. Kids have, some kids have lots of strategies for making meaning out of text. Some kids don't have any strategies and some kids have huge, comparatively, huge short-term memory, have great capacity to remember things, other kids do not. What does print do? I think you're getting the idea that, actually, print doesn't, can't do anything about those. Print doesn't have any way of giving you the background you need when you need it, doesn't, can't highlight the critical features for you like I did with the music, etc. So let's look at a, let's look at a different digital kind of book that's got some more universal design built into it.


Hey guys real is the game here today. We'll be doing some scary stories and roblox I said we can argue nice man, and where he went through to say hi buddy There you go. And we're here with Ben gaming. It's me Alex timeless and some other followers And today we have a Michael Milo story. We never had one of these before so this should be interesting, man Let's begin go in their boy. They even have the music. That's pretty awesome Okay, officer one who would do such thing to an innocent person. Oh, no, they killed a poor dude He's a ghost now look at him. Can we close this dialogue? Officer to I don't know what kind of person would want to do this that is Michael Myers. He is one crazy man Okay, wanted killer dead. Oh my god Michael Myers is creeping right there. Yeah, and they don't they don't see him They're like right next to the man Wait, is it that okay officer? Yep time to put up the wanted sign so we can bring this person to justice Okay, so they're putting up the wanted sign so they can capture Michael Myers But little do they know he is creeping up on a man. Oh my god poor cops Okay, we read that let's go. Who is that? What they just saw he's right next to him and he has a knife. Oh, no run for your life Why did you turn at him? I think it's the killer. Oh, no run Dude, you think it's a killer. I mean if you see someone running at you with the knife It is a killer. Oh They're not dude. They're so terrified. They're shocked. No, we're gonna die. They're not even running for the lives I mean their cops, right? They must have like weapons on them to fight back, which they are not. They're just shocked. Oh man Officer was only a nightmare Oh, so he was only having a nightmare. So no that was real. Oh my god Or was it? No, it wasn't him. Okay, so it was a dream Michael Myers is right here. Oh god. There's lightning and thunder To keep the suspense and that's oh man. That's it teleport back to the lobby What that was it? I wanted more of the story man Well, I guess Michael Myers was gonna get the cop after all Okay, the woods this one is called the woods Day man. Hmm. It looks like I still have quite a bit until I reached the blocks in the river Okay, so they're camping out in the woods kind of reminds like a slender man story because of the woods Okay, there it is on the map. It looks like I I'm only a mile away. Well closer than I first anticipated Okay, so let's see. He seems like he wants to go to this river badly Not sure why oh god, what is this thing John man? I can't wait to see his reaction when I pop up from behind him Okay, so it's his friend and a mask that's like the mime mask if you guys know I'm pretty sure you guys know The mime is right done a couple stories on that Okay Wait no more dialogue Okay, I guess not. Let's go to the next one Finally I'm here. It feels like I've been walking for ages Boy you just walked like not even 10 footsteps. Well, he got to the blocks in the river. Here he is Well, dude, it's friends right here. Oops accidentally stepped on the stick. I hope he doesn't see me.  Who's that? He definitely what he has a gun Oh, no, and he doesn't know that's his friend. So let's see how this ends up John no, no, no, don't shoot. Well, there you okay. Okay, so you finally found them Oh god, we can't okay. Who are you and what do you want for me? Oh, no, that's your friend David But he doesn't know because of the mask you better not shoot a man. Okay. Okay. I'll take it off. Just don't shoot All right. Okay. Oh Just the time you took the mask off before his friend shot him. Why are you here though? Wait, if it's a friend, what do you mean? Why do you question him unless he's talking to him? Oh, god Anyways, you want to go back to my trailer? Okay, so they headed back to the trailer now what? It's it. Okay, we can see him inside there Okay, we went with that was it that made no sense Okay, so they went out to the woods and the friend was following him They didn't really say what else happened at the end man Time this girl give me the kind of all right, man. So since they only did have two stories We're gonna continue off in another game Okay, so here we are on the other game because the only the other game that we just finished playing only had two stories Okay, so let's go do the oh, let's go do Benny XC that one looks scary Look at this dude. Oh my god. Hello Who are you?  What? Dude, why did you do that? You've met with the terrible fate. Haven't you? You see school kid right next to you him. How did Wait, what is he talking about? Why does everyone keep saying that play the game? What game? Majora's mask he shows you a game cartridge.  Okay, so let's go into the story man Benny XC He's our scary ones. Oh man. What was that? That was loud. Okay, uh Matt wow Majora's mask is the best out of the game ever after Matt completed his freshman year of college He went to a garage sale and picked up a rare copy of Majora's mask. Oh my wait, but it doesn't make sense He's playing it on the Wii Whatever man. He's playing it on the Wii. Okay. He has an Xbox two Okay, Matt if I weren't on summer break, I would have been able to reach the final stage Link Lullaby's plays. Oh, what's gonna happen here? Little did he know that the original owner of the game is seriously vanished over 30 years ago. Wow. That's a long time man Okay.  What's that weird song and why is there smoke? Erie Lullaby intensifies No, why did the TV glitch now I lost all my progress. He's so worried about his progress Man That was loud.  Oh, it seems like the gates coming alive or something Now it's talking holy cow. I better get out of here and call the police Finally I have an eternal friend. Hey. Oh god. What's going on with the room? It's like a whole TV now I'm almost at the door. Can't look back now. Oh Dude, he has a sword sticking out of the TV. What you could never escape Matt as I even possible He's gonna stab him. Oh, no Mom, I'm sorry for flaking college and playing video games on my all day. I guess this is it Come with me to my world You shouldn't have done that Dude, he stabbed him through the TV. What? That's crazy, man. Ah It's so peaceful am I in heaven. I don't think you're in heaven buddy Okay, man got teleported to the curse world of Majora's mask. Oh, oh and he thinks he's in heaven man poor man What I teleported to a swamp bubble bubble. Oh, oh something's gonna come out of the water man Wait, what what the heck is that it's just like they're real Welcome to my world when this guy looks creepy.  No poor man. What are you doing to him? It's time to rest Matt. Oh, no, he took him down Geez poor dude, man. You've met with the terrible fate haven't you hey Well, that's the end of Matt He got right You got okay, so the game came alive and it took why kill them and then it teleported him to his own world That was pretty crazy, man And why I've done these but I think they updated them Okay, let's just do one because I Want to do Smile dog down to pretty cool. I'm doing to smile dog guys VIP room. Is there a VIP room? I Don't think there is Right, it's just smile dog and let's see how it I mean this is it updated. So let's check it up Here we go John's loudly why my phone buzzing this late at night buzz buzz. Oh man. Nice iPhone, man Like the old iPhone. It's all blocky Okay, huh someone send me her for a horrific picture of smile dog and is asking me to resend it to someone else Oh god, that is a pretty scary looking picture, man His TV nice TV dude Okay, I'm just gonna delete this sender and picture and forget this never happened.  It looks like a troll over something on TV. I'm just gonna go to sleep now Okay, so you went back to sleep. Oh, oh Well, God, I think we didn't get that Gets up. What am I seeing that creepy image again? And this time it's everywhere. Oh, no, man. It's all over the room Please there's later Michael kept seeing this over image over and over again.  Oh, no, I can't take any more. I'm gonna jump off the building What don't do it Matt Man, what are you doing up here? Oh, he has it. He has a smile dog head. How'd he get that? Goodbye smile dog. And now I have to see your hard face anymore. No Dude the smile dog is creepy like this. It's all over the room. Oh Yep math when move man That's why whenever anyone sends you a pic of smile doc. You must resend it to someone else Oh gosh Well, no, you guys know you get that smile dog picture You got to send it because you will end up like Matt seeing it everywhere Okay, but I think all the stories are the same because I won't seem the same man Well, we're just gonna end the video here, buddy. See you. Hi. Say bye Twitter. Wait, I see. Hi. There you go, man But you guys well, thank you guys for watching. Thank you guys who made support Oh, no, and I will see you guys next time. Bye


Hi and welcome to the session. Let us discuss the following question. Question says, prove that the function fx is equal to x raised to the power n is continuous at x is equal to n, where n is a positive integer. First of all let us understand that function f is continuous at x is equal to a if function is defined at x is equal to a or we can say f a exist. Limit of the function is equal to value of the function at x is equal to a. This is the key idea to solve the given question. Let us now start the solution. We know function f is given by fx is equal to x raised to the power n, where n is any positive integer. Now we have to find if the given function is continuous at x is equal to n, where n is a positive integer. Now clearly we can see at any positive integer n given function is defined. So we can write function f is defined at x is equal to n where n is any positive integer. Now let us find out limit of the function at x is equal to n. So we can write limit of x tending to n fx is equal to limit of x tending to n x raised to the power n, which is further equal to n raised to the power n, where n is any positive integer. Now let us find out value of the function at x is equal to n. That is we will find out fn which is equal to n raised to the power n, where n belongs to positive integers. Now clearly we can see limit of the function is equal to value of the function at x is equal to a. So we can write limit of x tending to n fx is equal to fn is equal to n raised to the power n. This implies function f is continuous at x is equal to n. So here we have proved that function f is continuous at x is equal to n, where n is any positive integer. This is our required answer. This completes the session. Hope you understood the session. Take care and keep smiling.


The signal oil program The whistler whistle is your signal for the signal oil program The whistler. Hey, I'm the whistler and I know many things for I walk by night I know many strange tales hidden in the hearts of men and women who have stepped into the shadows Yes, I know the nameless terrors of which they dare not speak Yes friends, it's time for the signal oil program the whistler Rated by independent research the most popular West Coast program in radio history and Signal gasoline is tops to tops in quality. It takes extra quality, you know to give you extra mileage and Signal is the famous go farther gasoline So look for the signal circle sign in yellow and black that identifies friendly dealer owned signal service stations from Canada to Mexico Now the whistler strange story curtain call Somehow standing there at the bar glass in hand Martin Elliott found himself thinking that even his wife Julia had her good points He looked across the room of the restaurant at her sitting there alone And in a strange wave of generosity almost forgave her for the wedding he had to go through The honeymoon he had to smile through the two years of marriage he had to live through after it Yes, it had paid off now. He was no longer Martin Elliott a hopeful juvenile Standing hat in hand in front of the desks of assorted Broadway producers. No not now All afternoon the casual remark he dropped during lunch at Bronelle's had been hustling around the Broadway hangouts like a genie Sitting at a hundred tables leaning on a thousand bars between noon and six Until now as he stood in the pleasant gloom of Raymond. He was at long last important. Oh Martin my boy. Hello season. Let me be the first of you're the 28th in the last half hour Congratulations. Anyway, it's all over the stem. You know, yes, sir Hamilton Tervis the great Tervis himself is writing a starring vehicle for Broadway's most promising juvenile layoff And you know what your heritage months for only one reason my boy You're looking for just the right character man, and it just so happens that I'm at liberty Heaven's sake stop being such a rotten snob and say hello to your secret sorrow Now look here Martin Hamilton Tervis always writes an old witch into his comedies and I mean to get the party Hamilton's only been working on it a few weeks hurry him up my boy He's your wife's brother, isn't he walk right into the sanctum sanctorum and tell him he'd better get a move on after all Skip it. It works out. We'll get in touch with you. How do you like that the brush? Nothing new to yes, it's a show now if you'll excuse me. I think I'll get back to do it. Well, I'm sorry I left you long so long darling. I wasn't alone long dear Gordon Tucker's here Getting really fat and close. He has wonderful news Martin. He reached Hamilton by phone an hour ago in the contract Signed oh better yet. It's in the mail. Oh Julia darling did I ever tell you what a wonderful brother you have sometimes I think that's why you married me What what else did Gordon say? Oh, there might be a picture contract after the play. He's working on it Maybe the guy's a real agent after all just think darling Now you won't have to take that awful stock party offered you in Boston. Yeah Get a match, Julia. Uh-huh. Here you are. We can go away together now Martin All by ourselves. I wired for reservations this morning at that little hotel at Lake Louise. Oh wait a minute, honey Wait a minute. You're not serious. Why not? Oh, I can't run off just now. Good Martin. You promise I can't help it darling. I take two weeks together as soon as you got the play angel the play There'll be a lot of advanced publicity and I Gordon job Martin I've got to be around now beautiful. That's all there is to it. This is the big chance sure sure Martin and Now that I've got it for you. Isn't there some other way I can help or is there no wait a minute Julia. Listen to me Julia Will I do mr. Barrymore? Oh? Hello Gordon sit down. Thanks Caught the last few lines of that scene. Ah, Julia's upset and I wish times weren't so tough There was a day once when I only worked for honest here. Yeah You were got a match Gordon. Yeah, sure and some free advice Don't kick Julia around too much Martin She talked him Tevis and the writing that play around you. She could talk him out of it. This is easy. Ah, she'd never do that I'm not so sure Tell me something Martin If Tevis had laughed at you when you made that pitch about the play how much longer would you have stuck with Julia? About five minutes Maybe I was a little hasty you are an honest here. Okay Gordon.  What about the contract? I made it pretty tough I want it that way. Does it guarantee to Tevis. I'll write the play, right? I'll have it in my office tomorrow morning You know sometimes I think you almost earn your 10% Sometimes I wonder if you earn your 90 By the way, what do you want me to do about that Boston job? That's a silly question. Tell them I'm not interested in second leads Martin you're a whole new girl Well, it's life yesterday a bum today Julia Tevis Julia over the phone vote. Come on. Come on. Excuse me, please. Let me through with it. Come on Julia darling, what is it? What is it? What's the matter? See so what happened? She was on the phone mark and she just screamed and collect bartender give us a brandy I can't believe it. I can't what is it Julia? Hamilton at least cabin Hamilton. Why I was so angry and upset. I didn't know what I was doing. Oh, forgive me My Julie, will you tell me what is wrong? I was going to ask Hamilton to reconsider About you. Oh You were didn't reach him Julia. Oh So much I Talked to a doctor Doctor My brother's dead much prologue of curtain call the signal oil company is bringing you another strange story By the Whistler, but now since most of you will be driving somewhere over this coming Labor Day weekend I'd like to pass along a tip for you motorists Wherever you travel throughout the Pacific Coast states from Canada to Mexico You'll discover that signal is known as the go farther gasoline Now naturally we're mighty proud of that reputation But even more so we're proud of what makes signals famous mileage possible The extra efficiency signal gasoline gets from your motor that also means more thrilling knock-free power for your car More driving pleasure for you Yes, that's right Performance is the result of the same features a gasoline must have to give you extra mileage That's why signal says to be sure you're choosing the gasoline that stops in quality There are just two things to remember one in gasoline It takes extra quality to go farther and to signal is the famous go farther gasoline Now back to the Whistler. Yes Martin Hamilton Tevis is dead and the play he was going to write for you the one thing that distinguished you from a thousand other aspiring juveniles The thing that made success a matter of months instead of years. That's dead too a heart attack The doctor said and that's the thing you're mourning at Hamilton Tevis's funeral. Not the man Martin You're in mourning for your career Oh Martin I need you so much. No, I know I know Yes, Martin you thought a lot about Julia. She looks her age in black doesn't she? But you're much too good an actor to give Julia the slightest hint of how you really feel Martin She has no way of knowing of course that the minute Hamilton Tevis died you made a decision Late that night you tucked Julian to bed with extra tenderness Gently closed the door to a room take the suitcase You'd already packed out of the closet and just before leaving you lay a note on the mantle of the living room Dear Julia, when you read this, please don't phone or write. Please try to understand. I Know what I'm doing is best for us both I'm taking that job in Boston Goodbye dear what and two hours later you're walking toward the door of your compartment on a night train Right here sir compartment C. Oh, that's fine for today. Yeah. Thank you, sir. Bell's right handy if you want any okay, okay? All right at the rock pigeon hole founder This is compartment C and thought it was me. I'm afraid not the poor. I'll be I'm sorry, mister I'm supposed to be next door. Yeah, let me help you store those bags. Oh, no, never mind. Nice. No bother at all And there That ought to do it hearties the name Howard hearty didn't catch yours Martin Elliott at least a major you were traveling man. That's my line You know plumbing Republic pipe and fittings. Maybe you've heard of us. No, no that opposite Boston. You were Boston Yeah, no New York. Yeah, you've got a match, honey.  I didn't say I'm an actor an act Wait a minute Elliot, well, you're the guy why I've just been reading about you in the morning paper here Sorry, too bad about your brother. Yeah. Yeah, look, I've just come from his funeral mr. Hardy I'm very tired if you don't mind it. Well, anyway, I'm sure it'll be a great play play We mean the one terrorist finished just before he died Well, you won't have to worry about the box office. My wife and I'll be there with bells on Good night, miss Elliott. See you for breakfast in the morning. Yeah, fine fine It's all there Martin in the theatrical section of the morning paper. Mr. Hardy left on the seat of your compartment Shortly before the Tevis funeral today agent Gordon Tucker revealed that a rough draft of the playwright's new comedy to star Martin Elliot Had turned up in his personal effects Production would probably be arranged this fall as scheduled through Tevis's sister Julia Elliot You stand there looking dumbly at the paper peeling the wheels under your feet and then As the wheels of the train slow to a stop your brain is spinning faster and faster Raging at Gordon Tucker sure now that he kept the news of the play from you on purpose that he'd find it decided His 10% wasn't enough There's only one thought in your mind now to get through to Gordon and find out what's at the bottom of it You fumble for a coin walk into the phone booth on the station platform Drum your fingers impatiently while you wait for the connection This Martin Elliot I want to speak to Gordon Tucker, please Look miss hurry it up with you, I'm sorry, but you're not thinking of Tucker Martin As the rage dies down, you remember Julia asleep the note on the mantle Julia's going to produce the play now Martin if you can get back in time if you can destroy that note You slowly hang up the phone and open the door Then you hurry across the platform to the New York local no time to worry about the other train in your baggage on it Fortunately, you're barely out of the city and if you're lucky you can be back at your apartment in an hour It's two in the morning when you slip into the darkness of the living room move silently to the mantle Grope for that all-important note Then is your hands fumble against the coal stone? Hello Martin, you'd let me know when you go out. I thought you were asleep Everything's all right Yeah No, I haven't Thank you. I want to burn something but that that's just a note. I left here. Really? I haven't read it Well, there's nothing in it just said that I was going over to my mind All burned up Goodbye Martin. What? Well, I look here darling. We still morning Martin. You left your suitcase in the whole closet all past Of course, I wanted to surprise you about going away together There now Martin what I can explain and who told you about the rough draft of Hamilton's plays and that's what brought you back Wait a minute, how did you find out Martin?   Yes, Martin.  I shouldn't have done it Here let me help you up. You didn't mean to do it. Did you mark? No, but that doesn't change anything Julia is dead lying at your feet where her head struck the heavy and irons for the fireplace It's like a dream, isn't it Martin? But as you stand there shivering your brain awakens from the dream begins to tell you that this is the way out This is what you really wanted to do all the time only you didn't have the courage The play will be yours now hold it Martin because your Julia's air just as she was Hamilton's air So now all you have to do is get away from the apartment prove some way that you haven't been back since this morning And then you remember Martin your baggage on the train to Boston if you could be on that train miles from New York You couldn't possibly be linked to the murder That's my fight you wanna hurry mister, huh? I said I in a hurry well usually when folks travel by Yeah, yeah, I know it's well. It's just that you look like an old-time at air travel like it might be routine stuff You know, oh well Yes, as a matter of fact, I do more flying for my company than any 10 salesman. They've got uh-huh How'd you like to sell something? Hi, I don't know what your seat your seat on the plane fair plus $50. What oh? Now look it isn't that tough to get on a well Don't you see the flight is so loud and it's the last one the green briar until tomorrow and I just have to get there I well, I I want to surprise my wife. Oh Now how about it miss down this trip is just routine to you and 50 bucks extra to spend here in town mister You've got yourself a deal. There's nobody. I want to surprise that much. Oh, that's well. That's well Thanks. Thanks a lot. That'll put me in green briar right on time. Oh, thanks, but I'll get dressed right away Off on dinner. Yes, sir, and it's working perfectly isn't it you were never missed from the train The porter will remember calling you in the morning. You even had breakfast with the talkative. Mr. Hardy And now back at the theater You're just slipping into your rehearsal costume when the tragic news comes to you from New York, but My wife murdered sorry to have to break each you right away. Oh, yeah, yeah, of course lieutenant, but The shine is there you got off the train at Mount Vernon's apartment. Yeah, yeah, of course. I made a call Right, of course. I'll leave right away. I I want to be there lieutenant I I wouldn't be worth anything here not after this The most difficult role is ahead of you now, isn't it Martin, but you're confident that you can play it successfully Confident that they won't suspect you that no matter what questions the police lieutenant asked You will have the answer Back at the apartment you square your shoulders before entering take a deep breath The same as you do before an entrance to any scene and then you step inside Marty well hello Gordon they got in touch with me. I came right over. He's here lieutenant. Huh lieutenant. My name is Michael Roy Sit down, Mr. Elliot Marty on some things that lieutenant can't figure you out. I said I'd try oh Just how am I supposed to express my appreciation Gordon? I get this straight, Marty.  I certainly did not I say it and I mean it Okay Let's just step in the other room here. Shall we wait a minute? Isn't that where Julia was? Do I have to go in there? It's only the living room now, Mr. Elliot and There's somebody who ought to know you in here remember him Marty Well the porter on the train sure I thought you'd need a good witness Marty. I had the lieutenant look at him for us. Oh, it's fine Thanks, Gordon. I'd save it Williams. Yes, sir. This is mr. Elliot. He was on your train last night But what about this morning? Do you remember seeing him? Why?  I don't know you could have been on the train, but I can't lie, sir You couldn't really prove it by me, but that's right. I'll get it Look you gotta remember I I told you I get dressed right away. Don't you remember? I came out later And I went into the dining car. I had breakfast with another passenger. I didn't see you mr. It might be but I didn't see you all the man's name was Hardy Lord you probably never locate him now Hardy What in the world? It's a place to see me old man didn't think I'd take you up on that offer to drop in Oh, I ever glad that you did you were you two were on the train to Boston together. Oh sure. I should say so You know, what is it something wrong again? Oh, no, no, nothing. It's wrong. Just just tell him we're on that train Hardy tell him all right. Wait a minute. You've got identification mr. Hardy Yeah, driver's license Remember ship and you were on that train of course at least three people on that train or knew me and Elliot was aboard too We talked last night that breakfast together this morning. You'll bet we were on that train I could prove it anybody just proving it to the lieutenant here's enough party. Thanks Thanks a lot The whistler will return in just a moment with a strange ending to tonight's story But now since many of you will be making the acquaintance of new service station operators while you're away on your Labor Day trip I'd like to pass along to you tonight the experience of another driver who recently did just that I Referred to mr. D. W. Wheeler of Los Angeles who writes After listening to one of your broadcasts. I decided to try some signal gasoline The station I drove into was in Maywood, California and is owned by mr. Lloyd raider He not only gave me the gasoline, but without my asking for it Mr. Raider also checked the water oil tires battery and washed the car windows Everything was done with such apparent desire to please that I'd like to say this If all signal dealers are as courteous as mr. Raider and all signal products are as good as signal gasoline Then signal stations should multiply a great deal Well to mr. Wheeler, I want to express our thanks for those kind words and to the rest of you I'd like to explain There's a reason why you find more conscientious service at signal stations You see because signal dealers are in business for themselves They have a personal reason for giving you the kind of service that will keep your car happy and keep you a satisfied signal customer For the best way to discover what I mean plan now to make signal stations your headquarters for gasoline Motor oil and other automotive services and accessories while you're away on your Labor Day trip Now back to the whistler Well Martin it was a breathless frightening moment wasn't it when the porter failed to recognize you Couldn't remember for sure if you were on that night train to Boston It almost collapsed your careful plan made useless your desperate flight to intercept the train a greenbrier after murdering Julia Though Tennis McElroy was staring at you accusing me Martin the whole thing almost mirrored in his eyes as he thought it out And he'd have broken you down for sure if it wasn't for the sudden appearance of a man You never thought you'd see again Harday the talkative salesman the man you met on the train last night and had breakfast with this morning He pulled you out of it. Didn't he Martin? And now you're thankful that he talked so much For everything he's saying makes it safe for you as you stand there in the apartment listening to him with Gordon and Lieutenant McElroy Anybody I got into his compartment by mistake. Didn't I Elliot? That's how we met lieutenant introduced us south I see and then he wanted a light for his cigarette. Yeah, well, I guess we don't have to have all that it tells you've been very kind Mr. Honey, yes, yes, and I hope you're all satisfied gentlemen. That's right. I'll give it to him old man Killed your wife. Why the very idea. We all make mistakes, Mr. Harday You made a big one lieutenant suspecting my friend Elliot like I said I could prove it to anyone He was on the train with me. I think you have already. Well, if there's any doubt about it I'll tell you what brought me here. They they seem to be pretty well convinced. Remember, I said he wanted the light Well, I gave him one. I went in my cigarette lighter That one right there on the mantle. He carried it off with him. Oh by mistake. Oh, wait a minute. Well, a hundred dollars that lighter Company gave it to me. Cops salesman of the year wouldn't want to lose it. That's why I came after it That's clear everything up. It certainly does Doesn't it Martin? Well, I Yeah, look, I However, I'm afraid we can't return your lighter right away. Mr. Hurley You see, it's a very important piece of evidence of murder Your lighter was found right beside Mrs. Elliot's body That whistle be your signal for the signal oil program the whistler each Wednesday at the same time Brought to you by the signal oil company marketers of signal gasoline and motor oil and fine quality automotive accessories Signal has asked me to remind you to get the most driving pleasure drive its sensible speed be courteous and obey traffic regulations It may save a life possibly your own Featured in tonight's story were Tony Barrett and Virginia Gregg Whistler was produced by George W. Allen with story by Robert Eisenbach and Jackson Gillis Music by Wilbur hatch and was transmitted to our troops overseas by the armed forces radio service The CBS the Columbia broadcasting system


Y'all this is insane. My heart is pounding, I wish I ate because this fish is so big. And some deer sausage to start the day. Better go ahead and hit the like button. Y'all I slept so good last night. I can't even tell you one of my best night's sleep I've ever had in the outdoors period. The mattress pad or the sleeping pad that I had game changer just made it so much more enjoyable. Perfect camping weather, it's a beautiful morning. And in my little camping bowl right here I've got a couple eggs and some deer sausage cooked up on the old Coleman baby. Hey how about that for America? Oh outdoor great. Let's drop my spoon in the dirt. Outdoor greatness y'all. Getting to experience that I'm a very blessed man. I'm a very blessed individual. Oh I just got a better attitude about today too. Man I do it. Man it's just an interesting feeling you know you wake up right next to the water with the birds and everything just kind of puts you in tune you know started thinking about the bite as soon as I got up and you know the lakes are right behind me. I'm going to scarf this deer sausage, a little bit of egg, then we're going to get on the water and we're going to have some fun. Let's go. Same creek, different attitude, already had a great morning. Just kind of camping doing my own thing. My strategy here is I'm going to go all the way to the back of this creek. It's a pretty good way to back here and I'm going to see if there's any shad that might be back there spawning. This is the time where we see a shad spawn.  Look at this. Just smash the like button. Beautiful. Sun rises through the pine trees and wood ducks flying. Gorgeous. It's just shallow water fishing right here y'all.  Frog, a jig and a swim bait or something moving. Oh god, I just ate right there. Right there on the bank. Revealed itself. Dirty, dirty shallows. I see something swirling back here. I don't know what it is. The sun isn't high enough for me to really see any bass yet. All right well I'll just continue with my swim bait. No luck in the back. Still I'm heading out and then as soon as I start seeing a good row of docks and some more trees around the bank and stuff. It's a good bank cover. I'm just going to put it down and go. I'm going to go to work. Check in. Clock in. Punch your ticket. Go to work on the water. You know what I'm saying? Clock in. That's what I'm doing. I'm just talking to an old man on dock and he was saying that he usually waits until he sees like little baitfish being chased and it's not bass. It's crappie.  Little inside local mileage and I just saw that. I just saw one crappie come up and snag a little minnow. So I'm going to flip around some of these docks. Here we go baby. First crappie on and it's a tank. Got him on that little jig baby. No doubt that's a keeper. I'm crappie in the box y'all. I wasn't able to get any more off the dock so I'm going to keep going around. I'm going to look for more docks like this that are in clothes. Probably have a lot of brush down there but I'm going to fish for bass in between. It's crazy as they're both spawning around the same time. You know crappie come in a little bit beforehand probably about three weeks beforehand, four weeks beforehand and the bass kind of follow that and then the catfish are after that but they're right now in the same type of areas so it's fun time to fish for both. Oh oh oh. Here we go. I must have had a pincher. I must have had a pincher. I jerked him a little bit. That bed is stirred now. Well first time he exited the bed right there. Call this the crouch, crouch attack. Don't want him to check me out. This is going to really set the tone for the day. I've got a crappie in the box. Now I'm sitting on a bed fish. Same one from yesterday that I never caught. It's like this is going to be a repeat. Or am I going to go forth and start catching some fish? That's what's going through my head right now. You know took my whole dang thing. Throw on this prototype white bug. I doubt I'll even be able to see it but get a different color, a different look here. Rushed it. Rushed it. I got a scale on him. There's another one right there. There's two on this bed. There one is females just aren't staying on. They are cruising off. Just took off. Freaking fish right there. Oh god. He mouthed it. Oh finally we got a player. Here comes the jig and in your face. There you do not like this jig y'all. There it goes. He's got it. Got it. Right in the top of the mouth. These fish are bigger than what you think. I thought that fish was two pounds. That's three and a half. Nice fish right there y'all. Okay just let that fish go. Go back and do its thing. Black blue jig with the bandito bug on the back. Dramatic difference.  There's something about a skirt in there like everything is moving around. You can just shake your rod tip and it flares and everything. They just immediately get more aggressive. So catch a crappie or two then you see a bass you flip to it and then you throw a swim bait and maybe catch an eight pounder. I mean this is fun stuff. I like this kind of fish. Okay we're rolled up on another one here. Throw a little swim bait till I see something and this looks like a pair but they're not on the bed if that makes sense. Females haven't been locked on the bed. Mmm changing body posture getting more intense. Oh okay this might happen again. Good on that jig that time. Oh my luck has turned around today. Dark black lateral line bass. There's another male fish. Couldn't get the female to lock on but a pretty one. My luck's better yesterday. If I hooked one it's not a chance I was going to get it again. I'm going to switch my trailer to this natural color because it is just a perfect bluegill imitator. Godly what a better day. Getting a fish to bite. Like picking and choosing which one I want. Oh side hook, side hook, side hook. That's not the way I wanted to do it. Oh that's a big bass.  Oh I got the female but I just saw my line moving and she must have had it and dropped it. Fatay. Getting ready to drop those eggs y'all. Eggs, see those eggs coming out? Check that out. The eggs of a bass right there y'all. See them popping out of that fish. Let's you go spawn. What happened right there that male picked it up. I set the hook on him a couple of times. As soon as he gets out of the bed he drops it and when he dropped it he was next to the female and I stuck her. What happens? It's a part of life. Spawn fishing. Y'all I just watched that bass go up and eat a turtle's face. That's to say a kit out of here. Getting him all turned around now. These fish are bigger than they look. Can't see what's caught sir and the female is still looking.  They make the beds, they fan out their tails. That's why the tails get bloody.  That's why it's because they're rubbing them on the dirt and then they try to kind of remove the top debris, silt, you know, stuff like that and get to a harder bottom and then the females come in, they'll lay their eggs, the males fertilize them and then the females are not there for very long. They're there for a couple of days and then the males will end up guarding for usually around a week or so and then they guard those little fry till they're big enough and then they turn around and they'll eat them. They just like change modes and the spawn is a really tough process for the bass but the females to watch them come up there and pair up with the males and the whole process happening and we're getting to see that right now. It's really cool. Two beds right here right in front of me where they're both paired up. They're not huge fish.  That is how it goes down y'all and you got to look for the sandy spots. You know they make it pretty obvious on most lakes. They'll fan out on a dark bottom and they'll expose a sandy spot and that's where the beds are going to be and you'll see old beds. There's a lot of abandoned beds but just look for those areas. You've got to get yourself some polarized sunglasses if you're going to sight fish and then experiment with baits. Every fish you come across is different just like every person. It's got a different personality. All right y'all I'm just yet to find something that is effective at getting a reaction bite from these bedding fish than the jig. This color. I mean this combo it is just blue kill set. Hey that natural. Got a little silver belly in it and then watermelon blue. What? What in the world? Oh my gosh. Got him right there. Only glide bait.  What in the world? Oh gosh there's another one feeding back there.  I saw this bass eating at the surface literally just exploding on like a blue gill or something and I threw this glide bait out out there and it just freaking creamed it. It was one of those western glide baits I got in my MTB box. All these suckers are huge. They're all quality fish that's like the size of the one that I'm throwing to right now. Okay I'm ready to catch this fish now. I know you guys are too. There it goes. Rushed it and popped it. See it's just it's a different reaction with this jig. It really does not like it. Let's see how fat this fish is man.  Good fish. Fat fish. Oh yeah. Oh yeah I got you on the jig. You ain't going nowhere. That one's a little bit bigger than the one I caught on the glide bait. They're just fatty chunks y'all. Fatty chunks man. Okay y'all we're gonna let this beautiful fat healthy fish go. Give it a sniff. It's not kind of weird. Maybe angry. And I'm returning them to the same areas. I'm not taking these fish anywhere.  You did a great job. You did a great job defending. So that's all I'm doing guys. I'm catching these fish off beds. I'm letting them go right there so they can go back. You know that's the thing I always think about in tournaments this time of year. You catch all those bass on beds and then you take them out of the area like I know that probably can't be good for it. You know can't be good for the fishery. This way you just catch them. Let them go back. They'll spawn and in that case female wasn't even there. He was just defending and they'll go back and they'll get bigger. God there's some nice male fish out here. That one fell victim to the white bug. I couldn't get the female. She was like six pounds. I tried. See I giant. There's an eight pounder or so.  That could be ten. That's a gorilla. Oh boy. I don't think she's gonna stay up there. Put that bed as a male and then it has a gorilla. Absolute gorilla. See back we're gonna make a frill. God she's up there on it. Any fishers on it? Is that her? It's a giant. Oh my god. I was looking at the male and he's big. The female is possibly a double digit. Oh my god this is a giant. Oh god she just spooked. This is one of those you get one shot at. He hit it. I think he's got it. He's got it. He does. I want him to drop it. Hey you drop it. I'll just let a five six pounder go because there is a absolute hammer dong and she is moving up now. Y'all this is insane. My heart is pounding. I'm shaking because this fish is so big. I'm locking down the rest of the day clearing the schedule for this fish. He's got it. He's got it again. Let go. Let go. She's on the bed. She's right on it. I gotta get her to bite. That's just you only get so many opportunities at one of these puppies. She's not too skittish. God he's got it again. He's got it. He's got it. Let go. He's eating it like every time. She is just not reacting. She's staying there which is awesome. Let's see if something big will get her. Get her a little fired up here. I think that's her. That is her. It's a giant. It's a giant. Oh god. She's got it. It's her. It's a giant. This fish is huge. This is an absolute heathen.  She picked up that.    Oh my gosh that jig and bandito bug. Natural color. Absolute freaking condo to put you in here for second honey. I'm shaking. I'm shaking. Oh my gosh that's one of my biggest sight fish ever. Oh my gosh. The male had it five or six times. I let him go. Finally she grabbed. I couldn't tell which one. I was trying to stay so far away and then as soon as I saw like the gorilla shadow with my line moving I went and you guys saw the hook set. It was like I didn't even move her. Just an absolute heathen baby.  Oh my god. I cannot believe it. Outdoor greatness. Captured. Okay I'm pretty sure I still have here and I do. Hopefully it works. Okay let's get this puppy weighed. All right y'all I'm gonna weigh this fish. Get a quick weight. Drop it back in the live well. Get a couple of picks because you know what I got to and then we're going to return it to the bed. Not as big as I thought but I think it's still over eight. It's so fat. I can usually tell when they take up the entire live well what's going on.  When I saw her silhouette in the water I was like oh my gosh I cannot believe. Oh yeah it's over 10 easily. 10, 4, 10, 4. Do you all see that? Let's get close up on that. What was it mounted to? This is 10-5. Locked at 10-5. Oh I was right. That is a double digit bass baby. Boom. Yes. Now a quick learning lesson here. I know when you catch a huge fish you want to get real excited. Take a ton of photos but extremely careful with big fish like that. They're more susceptible to die really so I'm going to let this fish go right now. Got probably 10 pictures you know. If I got one good one great and I'm going to let this fish go right here close to the bed. Big Bertha. Take off into the depths for us. Oh yeah there we go. I'm almost speechless guys. I'm almost speechless. Yesterday I was really frustrated. I almost did not post that video. I'm glad I did. Last night I was really thinking I had a lot of time to think sleeping in my boat and I was like I just did not have the correct attitude. I was getting frustrated at the fish. I was getting frustrated at myself. I was like my gosh this video is not going to be good because I'm not I'm so closely catching fish like so close to having a great video and it's not all coming together and I just I got frustrated and anytime you get frustrated and mad and things build up inside of you and well up you know it just doesn't go well. You just got to release that. So you know I woke up this morning. I didn't even get out on the water first thing. I made myself a good breakfast and I just I just prayed. I was like you know what I just need a good day but no matter what I'm going to have a better attitude. What a difference today. I'm just having fun. Things just started clicking you know and I just really had a good attitude and I was just even before that fish I was like thank you thank you Lord. This just feels good. It feels good to be in a good mood. Good things happen when you're in a good mood guys and that is one of my biggest bass ever and my biggest pass of the year for sure. So I'm just feeling very blessed right now. Feeling good. Thought I'd share my inner feelings with you. I almost shouted tear. Decided to hold back. Hit the like button. If you don't you're just a bad individual. That was just that was too good. That was almost too good to be true. I'm not even going to say let's go get another one. I might even go crop fishing. God day. I love you guys. I'm glad you got to witness that. I'm glad I got to catch that fish. I forgot to give it a sniff. Well I've given it another 30 minutes and you know there was some small bass on beds you know I made some flips there up there in that creek. There was a lot of fish moving around. Nothing biting on moving baits on the outside. It's really just sight fishing and you know they weren't huge. I think they were like three four pounders. One maybe been a little bit bigger than that. I just thought you know what I'd rather end my day on a tin powder. That sounds pretty good and get an early start on my journey over to Lake Fork. So that is exactly what I'm going to do y'all. I'll leave links down below if you guys want to check out the Signature Series 7.2 medium heavy rod. This is what I use to flip. This is what not like heavy stuff. This is what I use to do roll casts and I'm throwing spinner baits, chatter baits. I'm throwing jigs up to half ounce like this. Texas rigs. I do a ton of stuff with it. It is a really really good action. So we've got that down there. Guggen baits if you guys want to check out the Bandito Bug. Excellent jig trailer. I'll leave a tip on my Instagram on how I rig that on my jig but just a couple of modifications and that thing is dirty. I'm going to take the crappie. I'm going to put it in my cooler and hopefully add to the collection tomorrow and then take a bunch of meat back to OSG. Uh man you guys better go ahead and smash the like button for just good vibes starting the day with good vibes continuing on and then voila the double digit happens man. Good attitude. If I've learned nothing else more than today I'm gonna remember this day forever but it's keep a good positive attitude. Good things will happen. Subscribe right here so you don't miss the next dangle and I love you guys. I will see you.