Wedyn dak yw'r twfal ynghylch now Mae'n gwybodas gwaith, mae'n gwybodas gwaith oherwydd mae'n meddwl gydaan i fath ddeni, oherwydd mae oedd gwaith darparu Y gallwn ei propiwi i'r gwaith Dyma, dwi'n mynd i chi oed yn gwneud wirdd â'r sgwr Mae'r awgcemos, mae'r gwneud gan gweithio'r ddechrau Ac e'n gweithio, mae'n gwaith Mae'r gwneud yn gweithio'n gwaith, mae'n gweithio'n gweithio'n gweithio a dyna ni'n arferthio'r fathu yma. Mae'n ei wneud yn rhywbeth sydd nesaf. Mae'n rhai mynd i'r Ysgolwyd. Mae'r hyn yn ddifol, ond mae'n rhaid i ddweud. Mae'n ddweud ymgyrchu sydd yn ei ddweud, mae'n gweithio'r hynny'n ymlaen i'r Llyfrgell. Mae'r Llyfrgell yn ymgyrch. Mae'r Llyfrgell yn ymgyrch. Rwy'n meddwl. Rwy'n meddwl i'r lefnod o'i sydd yn i'r Llyfrgell yn ymgyrch. ond oes yn dweud yng Nghymru dynnu'r lleidio a fewn i'w ddylai'r wych. That's an issue, I just solved that. Some awful referee in the last 10 games. I can't blame referees in there. Blityd Arlashen getting called out by people for no reason is an issue. In light enough. To be fair, to be fair. He's got it wrong didn't he? He's got it wrong. He said he got it wrong, there you go. Everyone on my timeline. For the first time he's gone down, there's been something properly wrong with him. Stop it. Honestly, God. Wshallwch chi llawer y blwma, you should be alright, you should be protecting. But ehm I think the other thing is, we made the wrong choice in the summer. I was on it in the summer and I talked about the lads where, what are you doing? Felly I was trying to defend the position that I did by. It was quite animated that he was the right guy.  If you're not backing humanity an orges for a balls kick, then what's the point? hasn't he got similar points total in his time than Frank's? Frank got more in less games. More in less games, how many more? I gan nhw'n gweithio. I nakynnydd. Hefyd, fe'n cael arlau. Ystod ymdyn nhw'n iawn. Yn amlwg ac yma fel yr Eiffan Franc Llanpardem. Yn cymdeithasol, mae Llanpardem yn fawr trwy y dyfodol. Felly mae'n cael ei fod ar hynny. Llanpardem yn efallai yn eu bod yn yw 모 hanfodol yn 14. Beth efallai un oisef o'r 25 dechrau. Efallai yng nifer 11 sefnill. Dych chi'n arnyntio i fyny'r hanfodol. Mae'n fath o'r pwysig o gofaloedd. Dwi'n cael ei gael, mae gyda'r ystod. Mae'r ystyried,'r ystyried yn ei gael a'r ddafod yn cael ei gael. Mae'r ystyried, mae'n cael ei gael a'n cael ei gael. Mae'n cyhoeddu yn cyfnod ag gael a'r Llyfrgell yn Llyfrgell Llyfrgell. Mae'n cyhoeddu'n gyda'r ddweud. Mae'n cyhoeddu'n cyhoeddu'n cyhoeddu'n cyhoeddu. Mae gennym ni'n ardal a'i ffordd o'r gwahanol, mae gennym ni a yw Chymru, mae'n gwybod fawr. Mae'n gwybod. Yn ymddai'r perffas yn unig. Rydyn ni'n chweithio. Rydyn ni'n chweithio'n ddefnyddio'r pwysig. Mae'r cerdyn felly fel maen nhw wedi'u gael i'r ffwrdd. Mae'r cynghysledd yn ymddangos. Mae'r pwysig. Mae'r cynghysledd yn y pwysig. Mae'r cynghysledd yn y pwysig. Mae'n ddim yn credu, mae'n ei wneud eich gael, maen nhw ymddangos a'i gael i'r pwysig. Mae'r pwysig o'r gael o'r clwr o'r cwmp. Yn rhan o'r pwysig am y cwsiaid i'r bap, rwy'n dechrau'r un bap, ond yw'r ffordd y dywe bers ym rhan o'r 4 o 5 miliwn y byth yn ddechrau'r ffyrdd yma? Rydyn ni'n dechrau'r rhai bwysig am y cyfnod yn gwneud, yna yn y part y dychwyn ymweld, felly roedd o'n rhaid i'r bwysig eich pilb o phadd i'w yn y'r rhaid i'r bwysig, ychwaneg i'r bwysig am eich plau sydd wedi yn 14-14. Felly at gael ei gwneud o'r bwysig, mae'r bwysig yn gwneud. Felly ei gwneud i'w ddechrau, a'r grwp o bwysig yn gweithio. A'r ffranc yn ymgyrch yn dda i'r ddefnyddio. Felly mae'n dweud o'r bobl yn ymloedd ymlaen. Felly mae'n hollwch, sydd yma yn ddoch chi, ac mae'n fwy o'n gwneudio'r bobl yn ei ddechrau, ac mae'n fwy o'n gwneudio'r bobl yn ymlaen. Ond mae'n ddechrau'r gwneud o'r bobl, yw'r gwnaeth i siŵe yr Eich Pro sport. Tyw y pwysig mae'n gwirionedd i'r gwlad. Ond hwn o'r gwlad eisiau hynny na chi'n cael chwiniad am ychydig. Felly, mae'n greu ei oser ac mae'n gnentydd. Ac rwyf ychydig yn oed. Mae ganddo am ganddo am ddechrau'n ganddo, mae'n meddygu yn Gwylau, ac mae'n gynghwyl wedi'u'n ganddo am d extrfynol. Fe ble mae'n gweld y gwirionedd ym Mhau Llyfrưởng cael yma? Yna hwn o'r ganddo cymdyn nhw. You've got to play, haven't you? Not one player to take homes... And no player. You've got to play! No no, but I'm saying that! How important was it? How important was it if you take the spine, I think Liverpool lost the game. Who's the spine of everything? Well, it was me safe for us. He's never been fifth ever since he came in? He's average is 24 games a season. He's done 11 this season. So it's a big problem. Dominic Alfred Lou never been in to be far off for five months. Ben Godfrey twice out for ten weeks. The CORE ate two separate ones for eight weeks at a time. Mae'r charlesyns a'r three separate times. I'm not, don't get me wrong. All's I would say is if they were in, I don't think it would have ever been where they were. I don't think they would have been, you know, I'm not saying they'd have been in Europe, what I'm saying is I think they'd have kept us away from where we were. But to change it will be very much, I think, like the late situation. Would you sell one of those attacking players to give Frank funds if there wasn't any? We'll have to, Jamie. It's as simple as that. We'd rather sell Calvert Lou and all the charlesyns. Who would have rather sell? Calvert Lou. Just because, I think, you have to play a certain way for Donman. I think you get him right, I think he's brilliant. But I think the charlesyn gives you more with work and everything. And with the money, I think you re-invest. Because when you look, there's a lot of noise. Isn't that the evidence problem? No, if you get rid of Donman Calvert Lou and you're back to where you were when Lukaku moves on, is that it gets underestimated the value of a 20-goal, potential 20-goals he's set to follow? What I would say is this season we haven't had him. He's got five goals. He's not seeing them all season. So the jump from a fella that gets 25 goals to not be in there next season is huge, whereas with Don, we've played most of the season we're out of. Look where you've ended up. That's exactly right. But what I'm saying is I could sit here and go. If FFP wasn't the way it was, evidence, spend money, there's some of no problem. There's money there. There's a huge amount of money there. And FFP was brought in. Even with those we're off gone? You've got a billion there. So what I'm saying is... It was when he came in. FFP wasn't really put in for that. It was put in to stop. Like Burnley where the mortgage thing's away, it was put in to stop. Portmouth, number Portmouth, the fella who was living in a bed sit telling you he had 100 million to spend. That's why it was Brevetnar in that situation. And this was why this story that's bouncing around at the moment about Leeds and Burnley complaining. What do you make of that? What do you make of that? Your clubs complaining just on the eve of the... I thought it was poor for all of that. The timing of it weren't great. Obviously because we're both in that position that we're in. If they have a case to answer, I'm not sure, then answer it. But the timing was poor. It was clearly just because of the position that we're in. If they'd have run it six months ago, it would have been a little bit different. But if they have a case to answer it, then answer it. It's with the Premier League though. Premier League have signed off. Everton haven't been able to buy a toilet roll, I don't think, in the last 12 months without the Premier League ratifying. You brought five plays in January, didn't you? You brought five plays in January. Only because we sold Llychodin. That paid for Milenco or the others? Milenco, let's have it right. It was £17 million, the down payment was £12 million. Nathan Patterson was £12 million, down payment was £9 million. We sold Llychodin for £27 million. Delhi Alley was nothing. El Ghazi, I mean... Delhi Alley's £20 million. Nothing until he's played 20 games. Exactly. Will he be in next season? Who's going to buy him? I can't tell you that everything's going to keep him. He's a player, isn't he? Where do you see him? He's not even staying. I had him down as my... Once and what? Dark horse. Overachievers, was it? Yeah. I just thought Benitez would do... I just thought he's such a stable and steady performer. I just thought he'd get them into 8th, where Wolves are, West Dama. He'd do that to him. He's solid. It's not the greatest to watch at times, but he usually gets a group of players, organised, hard to beat, together. I couldn't believe how badly it went. I have to say United and Everton are the mystery of the season for me. Absolute mystery of the season. I don't know how the hell United can end up with where they are. Is it not a mystery, though, when we're talking about... I said on this show, Everton, one of the worst run clubs in the country, and you say that. You know more about United. But Benitez has been at Newcastle. Just behind that destruction of the organisation. I get that, but Benitez, to be fair, he has the access to agents to get players in. I thought he could do it on his own, to be honest with you. I thought that he'd been at Newcastle in a toxic atmosphere. He was perfect to be able to do it with a difficult... Yeah, he'd been in the 5. Yeah, I thought he was perfect to deal with a difficult club like Everton and get them to a point whereby he always gets what he wants, Raffer. I'm amazed it went... I knew it would go badly at some point. I said that to you. I said this is going to go badly wrong this, but never thought so quickly. I tried to do too much. Alienator people, Lucadine, got the fans against it. That was a shock of that. Selling him and then sacking Lucadine, that was unbelievable that. I just told you how bad it was because they sacked him, and then basically, so Lucadine, and then basically three days later they sat in the manager and they've got one of your best players. That's how we've been running that. That's why it has to change. You're asking about what Franklin. He's got to get more out of the plays he's got, but it will be sales because that's the way it is. It's as simple as that. We're getting 30 million euros for Moise Keane in the next couple of weeks. That'll help. And then obviously we're going off the shelf. Can I ask you a question? Has it helped, Frank, what's happened in this last couple of months? I said that to you, didn't I? I said almost the bond that he will have built through all these sort of like the flares going off the fans getting so, you know, so desperate. Will he actually have a stronger bond now than he would have if he had got them safe earlier and almost been in mid-table where he'd been a little bit like... The crowd has been coming to the games, not interested. Yeah, I think it has. I think that's fair point. I think the unity that feels there now is nothing like that fell for probably... I don't know. Maybe David Moise, maybe Joe Roy. It feels they're all one again now and that was something that we needed and it might be that... It's almost like you've won, isn't it? I don't think Frank Stock will ever be as high as it is now, by the way, because he's got to now do something on it, but just right now, I think the fans have been unbelievable. They've been the player of the season and kept it up and all that. I think if they bottle it right, they can really do something in terms of building, because they haven't got to build it. I think we have to look and go, say, what if we could get top 10 that would be unbelievable next year and it sounds pathetic, me saying that. Can the one thing now to the season that you take, that you can use going forward is the scenes outside the ground and the atmosphere and there's always obviously the rivalry within the city, Liverpool and Heaven. I get all that and it's always tiff a tat, but Liverpool have opportunities to have those scenes more because you're involved in bigger games and European games, but Heaven being fighting for the lives brings the supporters together. What could you do next season with that? You can't do that every game because it loses its magic, but could you do that for, say, every cup game you're at at goodness or the derby game or man, you're out of games with it, so every three or four weeks you're building that atmosphere, that coming together, people outside the ground. I think you can do with the home games. It won't be the same level because obviously it was intense and it needed it. I still think you can have that kind of thing and welcome them in for the home games because what it does is it generates an atmosphere. You'll know anyway, I mean you'll know from being an Evertonian what it was like and then you'll know now because you're the professional reds, but taking that atmosphere into the stadium I talked to Paul about this because I've given stick about welcoming the bus in the past. I've got quite a behaviour. You've probably said that more than anyone so stop it, come on. But what it does is you'll know is it takes that atmosphere into the stadium and it's enabled Liverpool over the years to turn round games that you should never have done. You're looking to go on the 3-0 down against Barcelona when it's over even though I did tell you on that day you were going 4-0. And it did do it, brought games back and I haven't seen that. So I think if they can harness that power a little bit to just keep it going at goodness and I don't expect when they're leaving the training ground to get the send-off like they did away. But at home on a smaller scale because it's an atmospheric thing then the players are like we can respond to this. I think with Everton and we analysed it on Monday like football Frank Llanparra is a manager who wants to play at a tech-wariolity he changed, he completely changed he started playing what I'd call Everton football I'd go to some tight pitch using the crowd going direct getting on second balls and it'd be really interesting next season what he does. I don't think he should go too far away from what he's doing. Everton has always got to be a place where teams go oh I don't want to go to Godderson it's going to be set-piece it's going to be aggressive the crowd are on top of it and almost you use Godderson for the next two to three years and create that bare pit the energy outside the scene because I think that's the only way you can maybe punch above your weight which would be trying to get into your open league position because you're not going to do more than that and that's the only way I think it can be achieved. Right we've got to wrap up this this little station guys thanks so much for coming on. This commiserations. Thank you.


For more videos on people's struggles, please subscribe to our YouTube channel. The crisis in the aviation industry continues as the grounding of Boeing 737 MAX 8 planes enters its eighth month. The grounding was ordered by regulatory agencies worldwide after two plane crashes that occurred in a span of five months. The first crash happened in Indonesia last year and the second one in Ethiopia in March which collectively killed about 346 people on board. Both crashes were attributed to the failures in the safety system of the 737 MAX 8 model. However, apart from Boeing safety flaws, the US Federal Aviation Administration is also being held responsible for these crashes as it fails to properly review the new safety features of the MAX 8 model. Last week, a damning report was released by an international body of air safety regulators outlining the FAA's negligence and its oversight. This body, which is called the Joint Authorities Technical Review or the JATR, was commissioned by the FAA after two deadly crashes to look into the certification and the approval process undergone by this model in April. The findings of this body were made public last week on October 11. The report says that the FAA lacks the ability to effectively analyze the new automated system which was made a part of the design of the plane. This system is known as the MCAS or the Maneuvering Characteristics Augmentation System. It is responsible for the aircraft nose-diving in both the crashes. The review body said in iCourt that the information and discussions about MCAS was so fragmented and were delivered to disconnected groups that it was difficult to recognize the impacts and the implications of the system. It further said that the MCAS was not evaluated as a complete and an integrated function in the certification documents that were submitted to the FAA. This points to the fact that the FAA relies on the manufacturer to perform certain certifications on the basis of which approvals are given, instead of performing a more stringent check in itself. It has been reported that the FAA has accepted self-certification by Boeing for as far as 80% of the aircraft features. The JATR report also said that there was an inadequate number of FAA specialists who were involved in the process and that some of them were under undue pressure being Boeing employees themselves while doing the FAA work which resulted in the conflict of interest. Overall, the review body recommended that FAA needs to significantly reform its certification process to ensure adequate oversight. Now let's look at Boeing's role in these mishaps. Both the Indonesian Lion Air crash and the Ethiopian Airlines crash occurred during the takeoff. The flight path shows that instead of rising, the plane hovered and then crashed. This is because the plane was not being able to rise at its normal rate of climb. The MCAS which is an anti-stall feature was responsible. Now what does this feature do? Two sensors on the nose of the plane detect the angle at which the plane is climbing. In case the angle is too steep, these sensors send a signal bank back to the MCAS indicating this and the MCAS pushes the nose of the plane down. Now in both these crashes, the sensors gave an incorrect or contradictory signals. So while the pilot was attempting to take off, the MCAS pushed the plane down forcing the pilot to pull it up higher and the MCAS to push it down again. This tug of war continued until the aircraft entered a steep dive from which the pilot could not recover. Apart from the problem of the faulty sensors, there was also no easy way of turning off the system. The MCAS is not disabled as a part of being autopilot. It continues to function even in the manual mode. It needs to be turned off separately. However, an even bigger problem is that the pilots were not really made aware of this. The JATR noted that Boeing had removed the mention of MCAS from the draft of the pilot's manual. This meant that adequate training had also not been performed for the pilots for these crucial features. And had they consulted with their manuals during such crisis, they wouldn't have found much of help. The MCAS software itself was introduced to compensate for the unstable design of the 737 MAX 8. The LEAP engine which has been installed in this model is larger than once which were used in the earlier 737 models. This engine offers 15% improvement in fuel efficiency. But due to its larger size, it would have required the redesigning of the plane structure to make it aerodynamically stable. What Boeing seems to have done instead is to retrofit this engine into its earlier designs and then add MCAS to make up for whatever instability was introduced. This hurry in rolling out a new model with a more efficient engine is what is being seen as due to the competition Boeing was facing from the Airbus A320neo family which is making use of the same engines. The FAA also allowed the MAX aircraft to undergo a less stringent process of certification as it was a part of the 737 family. This was criticized by the JATR whose report said that the FAA certification process for a new plane based on an old design lacks an adequate assessment of how proposed design changes to integrate with the existing systems. As the Boeing 737 MAX 8 continues to be grounded, airlines all over the world are accruing losses and capacity constraints are also rising. More than 370 MAX jets remain grounded worldwide while hundreds more are expected to be delivered. By the same day as the JATR report was released, Boeing's board of directors relieved the company's CEO Dennis Meulenberg from his position as a chairman so that he can concentrate on getting the MAX planes back in the air. Nevertheless, the earliest expectations for the 737 MAX to take flight again is from January next year. These two only in the US. Most other regulatory agencies have made it clear that they will be conducting their own certification processes instead of trusting the FAA.


R.C.A. Victor, world leader in radio, first in recorded music, first in television, proudly presents... Director's Playhouse, stars Kerry Grant, Betsy Drake, production Mr. Blandings builds his dream house, director H.C. Potter... The Hollywood Screen Directors present transcribed a tale of architects and apoplexy, the motion picture comedy Mr. Blandings builds his dream house, starring Kerry Grant and his original role of Jim and Betsy Drake as Muriel. Man was once a carefree fellow who swung happily through the jungle trees, every man his own Tarzan. But then he yearned to get out of the trees and into caves. Then he yearned to get out of the caves and into a house. He's still yearning. This is a story of Jim Blandings' New York apartment dweller who yearned to get out of his cave. Tall, well-groomed, moderately successful advertising executive in charge of the Wham ham account. Thank you. He also has two fine daughters and one lovely intelligent wife named Muriel. I'm Muriel. Every morning in our apartment we fought for firsts with the bathroom, the big bonanza. Started first thing in the morning. I'd open one eye and there would be Jim nuzzling the furniture like a strange dog. Looking for something to eat? Yeah, my socks.  That's where I found my underwear. Why your underwear drawer? I am in my underwear drawer. Well, what do you find? Your underwear. Then the great American bathroom derby. And there goes Jim Blandings, an odds-on favorite. He's at the door. He opens it. In this apartment there isn't room enough to knock. That was Sandra, age 10. Joan has a different screen. Find my dressing gown. Conditions being what they were in our apartment, Jim would shave while I brushed my teeth. Did you cut yourself? I cut myself every morning. I kind of look forward to it. Bill Cole uses an electric razor and Bill Cole's beard. I am not interested in discussing the grain and texture of Bill Cole's hair follicles before I have my orange juice. And so forth. Until one morning Jim saw an ad in the paper and desperation did the rest. Listen to this, Muriel. Muriel, forced to sell, farm dwelling, original beams, oak grove, trout stream, meadows. Superview will sacrifice. So? So, spend six, seven thousand dollars. We can have a home of our own. A dream house. Oh, Jim, do you really think we could? It doesn't cost anything to look. Well, there she stands, folks. Finest old house in Connecticut. And what do you think, Muriel? My, it's just charming. Dear, we're just looking. First year she was here, General Gates stopped right there to water his horses. Oh, General Gates, eh? Civil war. Revolutionary war. Oh, that General Gates. You can get that place for a steal. Tell me, Smith, what are you hoping to get for that broken down old relic? Well, we're asking ten thousand dollars. Ten thousand dollars? He's asking. Now, how much will you take? Ten thousand dollars. Well, it's more like it. We'll take it. Oh, good morning, Gussie. Good morning, children. Good morning, Father. Morning, Muriel. I'll go get you wham and egg, now, Mr. Blake.  Well? I was just thinking, Jim. Ten thousand dollars was more than you wanted to pay for a place. It was a steal, Muriel. It was lastly. Shouldn't we have seen a lawyer? Bill Cole would have... For once in my life, I would like to make a decision without Bill Cole. Well, he's your lawyer. Only because he was your old college, Jim. Now, I don't want Bill Cole puttering with this. That's final. No Bill Cole. Well, there's our house, Bill. Isn't it beautiful? Yes, in a worm-eating kind of way. Just what do you see in it? Birds. What? We've got birds. On our roof, sparrows. There's one landing on the shingles now. What's that? Just a few shingles. It's a nice old house, Bill. It just needs someone to love it, that's all. Well, it's a good thing there are two of you. One to love it and one to hold it up. Have you had an engineer check the roof and foundation? Engineer? This is the house, not a train. I just saw it move. Now, see here. It so happens that General Gates stopped at this very house with his horses. It's fine for thirsty horses. But you're getting roped. Oh, we are, are we? Jim, you don't think we've made a mistake? Now, now, wait a minute. Now, let me just explain one thing, that's all. I've gone out and found what I'm not ashamed to call my dream house. It's like a beautiful painting. You buy it with your heart, now with your head, because it's beautiful and you love it. And when I sign those final papers Saturday, I can look the world in the face and say it's mine. My house, my home, my 50 acres. Our house, our home, our 50 acres. Well, all right. But let me have Joe Apolloneo look the house over for you. No. Well, he's the man who advised the government not to raise the Normandy. No. Well, they didn't listen to him and wasted five million dollars. Bill, you have my word. If I were raising the Normandy, I wouldn't make a move without Joe Apolloneo. Okay, Jim. Uh, Muriel, kiss goodbye for an old college gentleman. I'll be on my way.  How's the flooring on that porch? Sound is a dollar. Jim! I presume you were referring to Confederate dollars? Don't just stand there. Get me out of this hole. Bill, I guess you'd better get in touch with Mr. Apolloneo. Well, Mr. Apolloneo, what do you think of that good old house? We want your honest opinion. Tear it down. Tear it down. Tear it down. We certainly will not tear it down. Tear it down. Well, we'll get our own expert. Mr. Sawyer, you know old houses. What's your opinion? Tear it down.  What do you suggest? Get yourself an architect and build a new house.  Build a new house. We certainly will not get an architect. Build a new house, indeed. The idea. Indeed. We got ourselves an architect. We had the old house torn down and began to discuss plans for a brand new house. And lots of closet space, Mr. Sims. Lots of closet space. If there's one thing this family needs, it's closet space. Closet space. And four big roomy, airy bedrooms. Four bedrooms? And each bedroom has to have at least one bathroom. But that would be four bathrooms. And a great big kitchen. And a great big breakfast room. And a great big playroom. Nothing tremendous, 30 by 40 feet or so. And a paneled library. And a hobby room. Mrs. Blandings, with your limited budget, couldn't you do with one less bathroom? Absolutely not. It'll save 1,300 dollars. I refuse to endanger the health of my children and the house it has less than four bathrooms. Muriel, for 1,300 dollars, they can live in a house with three bathrooms and a ruffet.  Of course. What else? Well, just one thing. Keep the cost down to 10,000 dollars. Well, Muriel, your husband has done it again. What's wrong, Bill? What did I do?  What legality? Wasn't anyone aware of the mortgage? What mortgage? Ephemus Hackett's mortgage. What about Ephemus Hackett's mortgage? Jim, what did you do? I don't know. He won't tell me. You merely tore down a house on which Hackett held a $6,000 mortgage, which now becomes fully payable upon demand, and Mr. Hackett does so demand. Oh, no. Well, we get it. Well, I suppose I could turn in my insurance policies. No, Jim. No, not yet. No, rather than see you do that, I'll be glad to sign a note for the amount. Thanks, Bill. Oh, forget it.  Goodbye, Bill. Hey. See you in bankruptcy court, hey? What a wonderful friend. What's with this kissing all of a sudden? Lately, every time he leaves this apartment, he shakes hands with me and kisses you. Would you prefer it the other way around? Well, I don't like it. That's all. Oh, now, darling, it isn't, Bill. It's the house you're upset about. Yeah, I guess you're right. That and business. I'm getting worried about the deadline on that new slogan for wham. It isn't too late to change our minds about the house, Jim. Yo-yo, I'm going to see this thing through. So far, our $10,000 house has cost us $24,698.45. But... But? We've got the prettiest vacant lot in the state of Connecticut. Clean Directors Playhouse production of Mr. Blandings builds his dream house. Starring Betsy Drake and Carrie Grant, and presented by RCA Victor.  But we can all aspire to acquire the world's greatest instrument of home entertainment. RCA Victor's TA-169. A magnificent console combination which brings together in one beautiful cabinet the best of the three great entertainment worlds pioneered by RCA Victor. Radio, television, and recorded music. You get AM and FM radio at their finest. You get RCA Victor 16-inch television, so big, so clear, so real that you often find yourself clapping as at live performances. And you get two superb automatic record changers. One plays both conventional 78 records and long playing 33 in a third record. The other is RCA Victor's own new 45. The finest automatic record changer ever made. Make your present house a dream house with this master instrument of home entertainment, created by RCA Victor. Now back to the screen director's play house production of Mr. Blandings builds his dream house, starring Carrie Grant at his original role of Jim and Betsy Drake as Muriel. Cleared the ground for the house. They began digging. They struck solid rock. They had to blast it. Blast it? $27,000 in the deadline for the new slogan for wham was getting nearer. Jim was in the throes of creation. When you want a snack of ham, why not take a whack at wham? Horrible. Horrible, right. The highly touted trout stream right up, and that meant we had a well to dig and dig and dig and dig at four and one half dollars a foot. When the hole was approximately $800 deep, Jim thought he ought to have a word with Mr. Tisander, digger of well. Mr. Tisander! Mr. Tisander! 90 feet. Isn't that pretty deep? Have you hit anything at all? I hit some nice limestone yesterday. Limestone? Yeah. Nothing on a hot day like a nice cold glass of limestone. Oh, nothing. Just go right ahead. I'll just limp back to my office and rob the petty cash. Had our well at last. It was a lovely thing. Two hundred and twenty-seven feet deep. And then suddenly we had two wells because a workman in the basement struck water six feet down. How do you explain that, Mr. Tisander? The man hit good water in my basement at six feet, and over there, just 25 yards away, you had to go down 227 feet to hit the same water. Well, how do you account for it? Well, it seems to me over here the water's down around six feet, and over there it's down around 227 feet. Yep. Here's your coffee, Jim. And here's your favorite breakfast dish. Gussie. Not wham again. I love it. I hate it. Gussie, I've been spending eight hours a day with this stuff. I know all about its succulent goodness, its sugar-cured tenderness, its vitamin-drenched gazebos. Well, you don't have to sell me, Mr. Blandin. I like it. Night and day under the height of me. Wham. Bill's driving me out to the house again today. Well, every time I turn around, he's driving you out to the house. He's only being helpful. I thought he was a lawyer. Why isn't he out suing somebody?  Oh, Santa, pass me the whammer phone. I mean the telephone. Hello? Oh, good morning, Bill. Give him my love. Wait a minute. What? What? Oh, that's outrageous. Just what does the owner of this apartment mean I've got to move in 30 days? Oh, fine. I know my rights. I have no intention of moving in 30 days. No. No. How can I move into a house without doors and windows? But this is not legal, and I want you to fight it. I'm not moving. Right. Yeah. Yeah. We're moving in 30 days. In 30 days, we moved into our dream house. Our dream house. It had no doors, no windows, no lights, no carpeting, and no heat. We walked around in our overcoats, and I lost four pounds by shivering in the right places. Then, to give our home that lived-in look, the green-eyed monster showed up. I merely asked you a question. Why have you kept Bill Cole's fraternity pin all these years? Jim Blandings, I think you're jealous. If you were so crazy about him, why didn't you marry him? Why did you marry me? I'm beginning to wonder.  Maybe I just happened to fall in love with you. Don't ask me why. Oh, oh, Muriel, I'm sorry. Sometimes I act like a schoolboy. I know you're under pressure here and at the office, but this is no way to start the day, is it, Jim? No, darling. But this is. Now, hurry, you'll miss a train in to town. Well, just one more. Oh, Jim. Well, all right. Deadline on Wham today. Boss says get a slogan or get. All right, dear, I may be home very late. Well, don't worry about it, Jim. Bill's coming over to spend the evening. Bill? Very dear, you'll be late. He is late. It's hopeless.  After only 14 hours? Besides, it's raining too hard. Danton and Baskham advertising. Oh, yes, Mr. Baskham. He's right here. Oh, you boss. Thanks, ma'am. Hello, Mr. Baskham. How are you? Yes, miserable night. Yes, yes. Well, we'll get that slogan out by noon tomorrow if I have to stay here all night. Yes. Bye, Mr. Baskham. Bye, Mr. Baskham. Well, that means we'll just have to dream up something now, good or bad. I rather got the impression that it better be good. How's this? Go ahead. Compare the price. Compare the slice. Take our advice. Buy wham. Uh-uh. Well, if you'd buy better ham, you'd better buy wham. Boil petroleum. If you'd buy better oil, you'd better buy boil. I found those monopolies. Here's one. East is east, and west is west. Ham is ham, but wham is best. Sorry. Wait. I got a good one. Win with wham. The ham that came from behind. Oh, my God. Sorry I couldn't get home last night. You must be exhausted. How did it go? Oh, fine, fine. Jim, um, bill dropped in last night. Oh, good for dear old Bill. And, um, he had to stay all night when the bridge was closed. Bridge? I can't seem to find Jim's other bedroom slipper. Oh, hello, Jim. Good morning, Bill. What are you doing in my pajamas and dressing gown? How would I look without them?  Oh, I slept like a rock. How nice. Good morning, folks. It wasn't as bad as it was in Lansdale last night. Wait, wait. Gussie wasn't here last night? Lansdale. They'll be coming for breakfast in a minute. The children weren't here last night, either? Visiting the Williamses. Williamses? If you'll excuse me, I'll slip into something more comfortable. Williamses. Now, Jim, you're upset. There's only one thing on my mind. This house, and how to get rid of it. Anybody who builds a house today is crazy. The minute you start, you're on the all-American sucker list. Every way you turn, they've got a hand in your pocket. If you take out their hands, they find more pockets. It's a conspiracy against every man and woman who want a home of their own. Against every boy and girl who were ever in love. Against every... Excuse me, Mr. Blanney. Well, what do you want, Mr. Desander? We've got our well. $12.86. No. $12.86. Why be a piker, Mr. Desander? Here, take everything I've got.  Take it all. Mr. Blannings, you don't understand. This $12.86, you don't owe me. I owe you. Huh? I've come to overcharge you on the well. Almost three feet. Here's the money. Yeah. Thank you very much, Mr. Desander. Well, I guess it better be getting along. You've got a pretty place here. Take good care of it. Oh, Mr. Desander, could you give me a lift into Lansdale? Yeah. Good. And, Jim, if you want to count the silverware, I'll wait. Be patient with me, Bill. I'll grow up. What happened to him? $12.86. Oh, well, I'll see you around. Ready, Mr. Desander? What a wonderful man, that Desander. Wait, wait. What did she say? If you ain't eating wham, you're... You ain't eating ham. Muriel, give Gussie a $10 raise because that's it. That's our slogan. Jim. We're in. Oh, and Jim, you do love our house, don't you? Uh, Muriel, if I had it to do all over again, if I had to go through all that grief and heartache and bankruptcy and worry again, if I had to mortgage my future and risk my job and my wife and my peace of mind just to wind up with a $48,000 house. Yes. I guess I'd do it. This is Jimmy Wallington speaking. You have just heard the last act of Mr. Blandings builds his dream house, and our stars, Carrie Grant and Betsy Drake with guest screen director H.C. Potter, will be with us in just a moment. He welcomes two more great stars to tell a tale of Hollywood. Our story is the motion picture classic, A Star is Born, and our guests will be Frederick March and Ruth Roman with screen director William Wellman. Now, here again, our Betsy Drake and Carrie Grant. Well, it was a great treat having Mr. Mrs. Blandings played by Mr. Mrs. Grant. Say, Carrie, I understand that you and Betsy have been so busy that you postponed your honeymoon trip until this summer. May I ask where you're going? Oh, yes, you may ask, but you must know I can't help you. Well, all I want to know is will there be a good dance orchestra where you're going? What a peculiar question. Not from Jimmy, it isn't, dear. He wants to know if we need to take along our own music. A Victoria 45 and some 45 dance. Oh, yes, we will, Jimmy, because we're going... Now, Betsy, remember... Oh, dear, I meant to say I'd want a 45 along wherever we went because the music's so marvelous. Betsy, in return for that, I'll stop being so curious. Anyway, I just wanted to tell you a wonderful special offer on the 45. Right now, in honor of the first anniversary of the 45 system, everybody who buys a Victoria 45, the finest automatic phonograph ever made, gets a special album of 10 records right along with it for the usual price of the Victoria 45 alone. Only $29.95. Think that over on your cash register, Carrie. Oh, I can do it on my fingers, Jimmy. That's really saving dough. What's in this special album, Jimmy? Oh, everything. King, Tex Benikey, Sammy Kay, songs by Perry Comal, Alan Jones, Vaughn Monroe, show tunes by Al Goodman, and there's also cool water by the sons of the pioneers. Now, that'd be very appropriate if you were going to the cowboy country. Oh, which is exactly where we... Betsy. Well, wherever you go, the 45 would be a cinch to transport. It's less than a foot square, you know. Oh, yes, we can pack it easily on horseback. Betsy. All lionback, or llamaback, or piggyback. Oh, yes, yes, yes. Well, let's just say about anywhere out of the sun or under the moon, a 45 is the perfect traveling companion. Folks, find out about the special offer at your RCA Victor Dealers. Ladies and gentlemen, Betsy and I have been presented with a grave responsibility. It concerns directors. A particular director. The fellow who created the Mr. Blanding's picture.  Well, it's just that we only have a few words to describe and introduce a man who has done so much. So well that... That it takes a woman to sum it all up by saying, Ladies and gentlemen, meet the director of Mr. Blanding's and of such other wonderful pictures as Mr. Lucky, Sharpworn Angel, and the farmer's daughter, Hank Potter. Thank you, Betsy and Carrie. I hope you've encouraged quite a few fearless souls to go out now and start building a dream house. What? Without a director? In your life, Betsy, people don't need directors. Mr. Blanding's would just make believe. Oh, no. You mean some of the things that happened in the picture never happened in real life? Of course not. Yes, Carrie. Oh, this boy is so innocent. But he's such a wonderful director. Now, let's teach him a lesson. Hank, come on out to our place for dinner. Thank you. And bring a saw. And a hammer. And some nails. For dinner? Mr. Potter, you're going to help me? And good night to you, Betsy Drake, Carrie Grant at H.C. Potter. Remember, next Friday, Frederick March and Ruth Roman in The Star is Born with screen director William Wellman brought to you by R.C.A. Victor, world leader in radio, first in recorded music, first in television. Mr. Blanding's builds his dream house which presented through the courtesy of R.K.O. Pictures, produces of the Technicolor production The White Tower starring Glenn Thornton Ballet. Carrie Grant will soon be seen as the star and the remake will soon be seen in the title role of the United Artists production, Ellen. H.C. Potter's next picture is the soon-to-be-released Metro Golden Mayor production, The Men of History. The Eric Hodges novel, Mr. Blanding's builds his dream house was adapted for radio by Milton Geiger from the screenplay by Panama and Frank. Portions of tonight's program are transcribed. You're invited to listen again next Friday when R.C.A. Victor presents Screen director's play house, stars, Frederick March, Ruth Roman, production The Star is Born, director William Wellman. Listen next more, Jimmy Blanding The Star is Born The Star is Born The Star is Born The Star is Born


Hi it's me again, Samuel your course advisor. In this video, I will inform you about the necessary initial steps of using a corpus. Before you can start using a corpus on EnglishCorporea.org, you need to register. To do this, click on my account and select register profile from the drop-down menu. On this screen, first, fill in your name, first name and surname, and your email address. Then choose a password and type it into the next line. Then select your country from the drop-down menu. Now choose the right category. If you are a professor, teacher or graduate student of languages or linguistics, you will need to provide a link to your university webpage and some additional information. If you are not, you can simply move on. Next, tick the box beside the terms and conditions. And finally, type the 5 letters you see in the last line into the box and click on submit. Now you will receive an email with a clickable link to confirm your registration. This is the last step. As a result, you can now use the corpora on EnglishCorporea.org. Good luck. And see you again soon.


It's a brand new study that just came out. It shows that 66% of people in this survey state the local communities and localism has become the most important thing in their life. You see, I've been making this thesis four or five years ago way before COVID that city living for young families, I'm not talking about bachelor life, I'm talking about young new families is detrimental for the success. Now, why do people congregate to big cities? They congregate for one specific reason if you're a young family for economic opportunity. That's the only reason they congregate. They're not really going out to clubs when they have babies at home, they're not really partying. All their attention is my job is here in this geographical area so I can provide for my family. Oh, work is becoming the norm. It never made sense to me why you need to travel to work. Specifically for it's for data crunching. People are on the computer 99% of the time anyways. Yes, I get it. There's that cultural element to it. There's that magic that happens in the office. And people forget that, I'm gonna get a little hair here. People forget remote work isn't, you never ever see your colleagues. Remote work is you just spend more time at home than you do at the office. There's many ways you can combine both where four days of the week is at home, one day of the week is at the office for collaboration, for socialization. And so the silver lining with this COVID thing is people are realizing, wait a second, I don't have to live in the city. I can move out for two thirds of my costs or even one quarter of my cost. I can have a better quality of living and above all, I can have deep, rooted connection with my community. This is what cities don't offer. People live in condos. 500, 600,000 people in a condo. You don't know your neighbor.  Who knows? When I lived in my condo five years ago, six years ago, I didn't know my neighbors.  We had different schedules. We never saw each other, ever.   I really do not understand how people live in condos.  Never will ever, ever in my life move back to a condo. Anyways, that's a whole different story. But city life has eroded that community living. You don't know your neighbors. You don't have support. There's no, there's no, that's just a quads, a frenzy that brings people together. But now COVID has forced people for localists. Say I'm a, I'm a big localist.  Local is your extended family. It's really good to know what your neighbors, and because let me kind of break into the fundamental reasons of why localism and community matters most because it goes back into tribalism. See, there's a saying, it takes a villagerie as a child. It's true. It's really, really true. And if you look at how tribal societies are structured and you look at Dunbar's law, let's say 150 give or take, you realize that these systems are created to protect one's own, to protect one's own sustenance, both sustenance for resources. And sustenance for resources is an easy one to look at. It's a, I got a roof over my head. I got food on the table. But the second form of sustenance, which is kind of hard to quantify is a sustenance of spirituality and a sustenance of community. That feeling that you get by breaking bread with people that you love. The feeling that you get by helping your neighbor. That's hard to quantify. And so basically if we look at tribalism, the community aspect of tribalism offers all the above.  I'm gonna go buy a house for $2,300,000 somewhere else. I'm gonna get to know my neighbors because, so basically people are fed up. They're leaving the city and why not? Go buy a house somewhere for $2,300,000 as opposed to a million dollars. Get to know your neighbors and start creating more sustainable life. See, that's another thing with this server. They talk about sustainability and quality of life as opposed to just doing more, less is more. Before COVID, the standard was wake up, 7 a.m., go traffic for an hour and a half, be at the office, probably have two hours of productive work. Once again, go back one and a half hours of traffic. Actually in Toronto, McLean's brought a study three years ago of the average Trontonian. And this probably applies to New York as well. This probably applies to San Francisco, all the major hubs. The average Trontonian per year spends about 21 days stuck in their car in traffic. That's almost a month of your life gone. Boom, boom, boom.  Losing a month of your life stuck in traffic. Yes, you can make it work. You can have audible and all that shit, but still the stress alone of being traffic is not worth it.  They're having enough. And I think it's time for everybody to really look at what they want in life. Is life about working 80 hours a week? Is life about literally going to debt $800,000 for a shipbox house and not having the ability to ever, ever get out of debt? Is that really life? Is life always about being stressed over money because you wanna live above your means? Or is life more about the simple thing? See, nothing that people don't realize. If you look at our Hunters and Gatherers and we can look at modern day Hunters and Gatherers, there's some still in the Amazon jungle. There's some in Papua New Guinea.  We've been scammed. I'm gonna be honest with you. We've been scammed.  Through, well, I gotta go to work. I gotta do this. I gotta pay the bills. I gotta look after the kids. There's no social support. There's no extended family. There's no travel support. Everything's on you.  That's not how living is attended for human beings. Living is attended. And this is why we say the Amish have a lot of things right. They have some things wrong when it comes to technology and kind of being a closed group of people. But what they do have right, and I give all the power to them, is that community structure, the fact of breaking bread together, the fact that you have your brothers and sisters to help you out when you need help.  That is the very nature of human beings. We are tribal hunters and gatherers, and we depend on each other for survival, both survival of physical necessities and survival of spiritual and emotional necessities. So I just wanted to quickly update you. This is great news. This is great, great news. Great news. People are waking up finally, realizing community first, local first, create better quality of living as opposed to chaotic living. And I'll talk to you guys soon. Peace out. Oh yeah, by the way, subscribe, hit the like button and leave a comment below this video. Let me know, do you agree with this? What's your thoughts on localism and building community? And let's start a dialogue. Peace.