So guys, super excited about today's video. Today, what we're gonna be focusing on is cutting short hair in our fingers. So we're gonna be doing a pixie cut. It's gonna have a disconnected top. We're also gonna color it nice platinum blonde as well. So kind of a bonus add-on at the end of the video. So what I'm doing right now is finding my sections because you wanna make sure that you don't have the section too wide on the top. You wanna make sure that it's gonna fall right. So what I do is I look for the bridal ridge. I go a little bit below it so it sits a little heavier and then I follow that back to the high point or the mid-crown area. I go across the top and then I'm gonna create a second section right in the crown area. It's gonna be diagonal back for the first line coming off the bridal ridge and then I go down to just above the occipital bone.  So I'm basically creating almost like a triangle or a piece of pizza with the tip of it bit off, right? So I don't wanna have a complete triangle because I'm gonna use that as a, I like having that horizontal line in there to separate it, but we're gonna be going on the sides first. We're gonna be cutting that diagonal back on both sides so you can see there. This is my brand new scissor. It's not out till fall 2018. I'm really excited to be launching it. We have two different sizes, but this has got everything I love in a scissor. If you see the thumb, it has a nice thumb groove to it. It's got a nice small tang. So it's super comfortable in your hand. It's also not a removable tang, which I like. I did a flat screw that's also matte black. It's got my logo on it and it was manufactured in Japan by Mizutani. So I'm super excited to partner with them on this because I honestly wouldn't wanna have a scissor made anywhere else other than Mizutani. So super excited for that. That will be coming out.  It's gonna be living right around between $550 and $599. We're in production right now, so we will know soon what that price is gonna be and a little bit closer to the date of when it comes out. But we're thinking September, October. All right, so as I start the haircut, I start working diagonal back. So you saw me comb the hair towards the face and I cut my line directly on the face, gives me a nice hard line. It gives me also a nice visual point to start it. And then as I go through, and I'm obviously speeding this up quite a bit because everything is very repetitive, but I work with my hands, my fingers parallel to the parting and I work all the way through diagonal back and just cut my section. Now, the reason I like to put it in my hands as opposed to cutting scissor over comb, there are time and place for scissor over comb, but when you're working on somebody's head shape, Mary's got a little bit more of a rounded head shape. So what I wanted to do is create some nice weight lines. So I like to do that. Every single section I take in my hand, I focus on what my elevation is because the lower the elevation, the more shape I'm gonna build out, the higher the elevation, the more I'm gonna collapse the shape. So I wanted to make sure that I'm creating the right shape for her head shape and making the haircut look the best that I can. So I go through, it takes a little more effort, but honestly, I think that this is what separates good haircuts from great haircuts to make sure that you're really focused on what you want the outcome of your shape to be. So notice as I go through here, her head shape starts to peel away. And when I say peel away, it just means it's getting further away from my hand. And as it gets further away from my hand, if I don't change my elevation, then the weight starts to build up more. So everything I'm cutting right now is pretty much straight out from the head, but once I get up to that bridal ridge area, I'm not following the round of the head. I'm over directing everything towards myself, which starts to build up a little bit of weight. I like having that little bit of weight in there. I think it builds a nice shape to the head, but you wanna make sure you don't drop it too low and create too much weight within the haircut. Hope that makes sense for you guys. If it doesn't, for some reason, let me know in the comments below and I'll try to explain it better. But as I work down the head shape as well, and I start to work towards the occipital bone, now I keep my finger, my elevation pretty much straight out from the head, keeping it collapsed. But this last line that you're seeing right here, that's where I start to drop the elevation. So you see a little bit of buildup of weight. It's not a lot. I'm not dropping it too far, but I do start to build it up just a bit and I'll start to build it up even more right here in this kind of high occipital bone, low crown area, because I want to build out that shape on our head. Mary has a little bit more of a flat occipital bone area. So some of our clients have that and the way that you can kind of counteract that is start to build a little extra weight into the back. So that's just dropping that elevation a bit to kind of give the appearance of a nice head shape, nice occipital bone area. So as I follow through, what I like to do is continue that diagonal back parting all the way over to the other right hand side corner nape area and then I'll go back through and I'll crisscross it. And what that does is it's almost like cross-checking it and cutting it at the same time so it connects the two sides in the back together and I'll show you guys more of that in a second. So we're doing the same thing to create the guideline on this side as well.  I noticed right there, I didn't cut it as short so I go a little bit shorter on that second round. But the reason I like to cut it first and then take a look at it and then go back through and cut it some more is because you can't add the hair back on once you cut it off so you wanna make sure you have the right length. So then I use that as my guideline and I do the same exact thing I did on the opposite side cutting palm to palm, keeping that elevation pretty much straight out from the head, almost elevating that guideline just a little bit so I don't start to build up weight when I don't want to and I just go through and cut. The scissor that I'm using obviously is the scissor that I showed you at the beginning. It's the scissor that I've been creating and working on with Mizetani. But the thing I like about this scissor is it's a five inch scissor which isn't something I was normally used to working with but I wanted to start working with a smaller scissor because of the fact that when you're cutting precise haircuts you don't wanna push the hair and the longer the blade on your scissor the more push it's gonna give to the hair no matter what. There's definitely sharper blades that you can get to help with that but for the most part, the shorter the blade the more precise you're gonna get with the cut cause there's no reason to cut six inches of hair at the same time. So we're making a five inch scissor which is the one I'm using and also a five and a half inch for those of you that want something a little bit longer. Also if you wanna do scissor over comb work you can do it a little bit better with a five and a half inch. So we're making both but I'm really loving using this five inch scissor for the purpose of precision cutting. Notice I'm not doing a lot of clipping at all really in this section.  People call it a cutting lotion but it's really just a styling product. I like to use a styling product for cutting lotion because of the fact that when you use a styling product you're consistently combing it through the hair the entire time. So then when you go back to blow dry the hair you've already combed that styling product on every bit of the hair as you went. So that's a nice little quick tip for you guys. So you can see how clean that looks. This is one of my favorite things to cut is a nice round shape. Following the head shape it's one of the most difficult things to cut because you're constantly moving your body so it's hard to stay consistent but this is where you're seeing where I start to crisscross it in the back. So I went one way with it when I cut the left side and now when I'm cutting the right side I'm coming back over it so we create almost like an X feeling in the back of the head I'm trying to show you now. Now we're gonna go in do some scissor over comb just to do cross checking. So on the left side I went diagonal back so I'm gonna go diagonal forward and just cross check it. I've now switched to the five and a half inch blade and I just follow it up and just clean up any imperfections in the haircut it gives it a nice smooth feeling to the haircut. You can see that bottom blade so I keep one blade nice and steady and I keep it right on the bone of the comb. So as the hair comes into the comb it holds it nice for me and then I just cut it off. I'll go through, do a little detail work around the ear. Now it definitely challenge you guys to use your scissor more especially around the ear and doing this detail work but if you really want to you could use a trimmer as well. I just think there's a little bit more of an organic feel when you use a scissor for this stuff. Just cleaning up the neckline I wanted to keep everything very natural around her hairline as well. There's no reason for me it's not my style to create nice hard lines in the hairline. I wanted something nice and soft plus we're gonna be blonding her hair so it's already gonna have some kind of built in texture and movement to it so I didn't wanna make it too sharp looking in there.  Using that steady blade to go around the ear that's a nice quick tip for you guys if you just pull the ear down and you use the steady blade along the ear you can cut that nice line around it. Same thing just working up the hair I went diagonal back on the right side so now I'm going diagonal forward up to cross check it so you can see this build up that I already started and I talked about Mary doesn't have a real strong occipital bone well now we're really gonna build it in with our sectioning here so I'm gonna go vertical with everything the reason I'm choosing vertical is because it allows me to work more with my elevation so I can really focus on what I want where I want that hair to sit where I want it to be heavy so notice my angle I come straight off of the head shape and I build up weight right away so the top tip part of my fingers is almost at zero degrees if you think about it more actually let's call it 45 now that I'm looking at it 45 degrees which is gonna be a nice build up of weight sitting right at that low crown of high occipital bone area which gives me that nice build up so you can see how it disconnects on the sides that's something fun that we're adding into the haircut obviously if you wanted to connect the back I would cut this more diagonal back keep that crisscross going like we did on the sides in the bottom but we're gonna do this disconnected and it's gonna be connected really more in the center we're cutting it more of a square feel on the back so everything's coming straight out from the head which over-directs this part right here that you're looking at it over-directs it back but then it pushes a little extra weight towards the front so now we're gonna cut the top and this is super disconnected right now we're gonna go through slight diagonal forward we could call it depending on what way she's gonna wear her hair I'm gonna go in point cutting her hair because I wanna create a lot of texture but notice it's on a slight diagonal and the reason I'm doing this is I'm over-directing everything back towards me in the back left hand side of the head the back left hand corner of that section because I'm gonna push the weight towards the front right hand corner of the haircut so if that makes sense anywhere you pull the hair it's going to push back the opposite direction so I want to pull it towards the back left hand corner so it pushes the most weight towards the front right hand corner if that makes sense so pulling it back doing a lot of point cutting in there and then what I'm gonna do is I'm gonna blow dry her hair and then after I finish it we're gonna do even more cutting so don't be too freaked out about how disconnected it is right now we're gonna do some more techniques to take it a little bit shorter so I'm using the Paul Mitchell Neuro the new Neuro blow dryer I'm also using the Ergo diamond head paddle brush it's a tiny paddle brush it's one of my favorite brushes that I've ever used because I love a paddle brush more than anybody I think but a tiny paddle brush is even more perfect because I love it when I'm doing short hair like this then I go in with the Paul Mitchell Neuro iron and then polish it off again with another pass of the blow dryer now I like to switch up my tools create different textures so we're gonna go in with the Donald Scott twist razor to create a more shattered appearance of this top portion of the haircut so I bring vertical sections down almost like if you guys think about balayage taking those little pieces and then going through with my Donald Scott twist which is available on freesaloneducation.com go on there, go into the hair and carve kind of a triangular feel just to break up that side section now we're gonna go through and cut the fringe area so I'm gonna carve it right from the very front left hand corner and I'm gonna over direct it towards me and then what that's gonna do is again push more weight over to the front right hand corner of her head so we're creating that texture creating kind of a side bang and then pushing that length off to the side I love the shape of this haircut using the twist is so cool because it's almost like drawing with a pencil just being able to go in there and take the hair that you want off there and then I go through and do some more point cutting create more texture on the top now that I've got the hair blown dry so you can see this is already a cool haircut just imagine when we get done with it and we do the blonde hair color on it as well so I'm gonna give you guys a quick preview of the blonde hair color so it's gonna be a one minute quick video I used a Joyco lightener to do it I'm gonna give you guys the full video of it as well coming up but I just wanted to give you guys a preview there's not much to really talk about except for the fact that I used this Joyco vero light lightener I mixed that with 20 volume put it right on the scalp I did that process twice and then I overlay it with a toner to get my end result so here's the video Hey guys then I go in with an A9 light ash blonde from Joyco it's their vero K-Pak color and I tone it and I put that right on her wet hair and here is the end result hope you guys like the video if you like the cut hope you like the color let me know thanks for watching


Hello everyone, this is financial author Amit Dan of amitdan.com. On this channel, you'll find financial, travel and more videos, just like the one you're watching right now. If you like what you see, please give it a thumbs up and consider subscribing.


Welcome back to our acting analysis and tips for animators and today I'm going to take a look at the Netflix movie Alona Holmes I got six scenes I want to talk about the last one is a spoiler But I'll mark it because it talks about the end up before I do if you use this channel Hi, my name is JD and I do acting analysis clips like these. I do animation analysis clips I do lectures I do rib reviews animation news that post my feedback all kinds of things as always feel free to browser on my channel If it's something that you like feel free to subscribe so you don't miss any of my uploads and that is it Let's go straight to the clips. So lots of little snippets here I'm gonna show and this one is mainly about an entrance I like how she enters the scene like this pushing this up with her head only So you might expect potentially hands may be gripping this and push pushing this up But it's actually as we can see this she's pushing that with her head here And what I like after that is that adjustment here with the hat So why do I like this because this I know if you watch my channel I think you know I like entrances especially if this is your reel this could be your title card name Year, you know, whatever your email whatever contact information that you have and then whatever background you have You know black whatever color you have couldn't fade out into this set And then as this fades out bam The character has an entrance and it makes gives it some good energy in your reel Anyway, it's very subjective, but I like this in terms of what you could use for this I think this is an interesting way of opening something up that you would not expect Maybe she has to hold on to something for security. She doesn't fall Maybe she has to hold on to some props, but it's not what you would expect It's probably expect something to be pushed through a hand or there's something that she can hold to push this up Whatever it is and the extra thing that I like is that the hat is covering her eyes So that you have a funny entrance that concentrates on mouth shapes So you can push that in your animation and then you can have this where this would be more exaggerated really pushing back the hat and then really Showing off really big eyes and then it's like a second stage of your facial animation I think just in terms of practical usage an interesting entrance with something you would not expect or a way you would not expect Showing off one section that you really want to focus on and then through that you can show off a second Moment of again like a wondrous look here or whatever you want to do in your animation But I think these are all interesting elements for a shot. The second moment here is a gesture as Homes here tells her to get out of here and she's slightly surprised. Oh, okay She's got that little moment of okay. I guess it's time. Maybe I should leave I think it's an interesting little extra thing that she has because of her prop here That's part of her timeliness and the things that she teaches it's an interesting little moment there But what I like here is when she turns watch this she turns and goes, you know She has to get out of here. There are more many things that I like mainly because she just told her to stand here It's the thing she has to learn how to behave like a lady about what's not her fault that she stands there But it's just a moment of it's a continuation of audio, right? Well as he is done saying, okay It's okay for you to leave and as I always say yours your lip sync doesn't have to end at that point You can add this this is part of your idea here and that if you have multiple characters You can have that as a moment of get out of here, but she could be asking nicely She could be pushing her away or could just be this out or you know step to the side So I can't get out. It's just a simple thing as people like to put gestures into their animation I like that a moment. It's not overdone and it tells us that it's not you know push She is just yell at her but it's still very decisive and very clear of get out of my way And I think it's a nice little touch So if you have to have a gesture Maybe could be part of something of how we get to understand how this character is and how this character relates to Other characters in that scene so she put herself into this basket But then she wants to get out of there because she has a better idea or she needs to find an idea And what I like about this is the two things a you got the other character here and for clarity Potentially you could have him or her where we're gonna have I know that's a nose But you have you say character in here bigger in frames. It's a bit clear And it's kind of just the outline But what I like is this is that she does this and he gets out of frame So you could have something where just for context we're showing she's not alone There's another character one or two in this scene so they're multiple characters So that when she does this here she talks and she does this We understand that there's someone else there now if your shot starts like this and there's nothing here And she does this and in that I think it's clear that she'll be talking to someone else Someone might think that she's talking to her finger. You never know for me It's always keep it very clear to the audience so for your shot I think this could be cool. You could have an extra character. It's simple animation Just very brief to show someone over the shoulder Exiting screen and now you can do all kinds of things where the character can't address someone That's off-screen for some extra acting some funny bits and pieces the other thing that's cool Is that as in the movie? She does a lot of breaking the fourth wall She talks to the audience a lot and here's a moment of well Do you have an idea she waits and then she does this and it's kind of like the pose Supposed where it's you're there You did your thing you did your gesture you did your head move whatever it is and sometimes you have a moving hold But how can you keep that interesting? How can you just hold forever? Maybe there's a moment where you keep this. It's just an extra punctuation of huh, huh? So you have a slight change in the hand and you have a slight change in the head It's still the same lean with the body It's still the same idea of so and what do you skip it that extra punch of huh and you know to me again That's like a post sub post everything where he's kind of add a bit more interesting complexity to a pose With a bit of a contrast and change without changing the whole thing next one is again a good combination of multiple things This was just put into her office She thinks this is from someone she has a bit of a crush on or she likes somewhat implied in the movie or maybe not the crush But someone that she really respects and the walk towards this the delight of uh-huh this is for me Yeah, yeah. Yeah, I love this. So that couple things about this a Usually when someone does a weight assignment, we usually do a box lift. Maybe it's not like this. It will be just a square I did this as well. It's like basically like a cube and Usually you start just with the character there bending down and then picking up the weight This is exactly what I did as well, but it could also be more interesting Well, what is this and what is the characters relationship to this are they excited to lift this up or is this a chore? This is some menial tasks that they hate and this could be interesting way of starting a weight assignment. So you show characters It's not just body mechanics, but you can show like Like this I like what's in there and look at this. I love all that before she opens it I love that all that flourish. It's so good back. Oh, it's so good Love she does with the hands here one more time a little bit of inward move and then she gets ready and then in a way it turns into a Kind of the what's in the box gear change type of thing that a lot of students have to do in school So she does this has that and I love that too. Just that very excited She doesn't get too excited because in her world their thing is order and she can't get you know Too flustered or have too, you know big moves here. So everything is still somewhat tight within her box within her world It's all very in character, but she's still very excited E like that and also like this here how she holds that slightly spread our fingers thumbs out It's just also slightly delicate as she realizes that it's not what I was looking for and then it's just a complete contrast of no movement And then just let it look and then a lean in of them. I see what I'm seeing and she just sees this in here So lots of things how kind of like it's the patient walk showing character before you do something This could be a weight assignment or a what's in a box gear change and just looking at lots of movement Very excited and something shocking for contrast. You then don't move, but you can't just stop I mean you could but still you want to have a little bit of reaction That reaction just be huh and again this fits in her world where she doesn't move a lot It's just that it'll hmm. That's interesting because it's the proper way to do thing within this world Whatever that character, you know is this has been taught to do this one is a bit dark takes place at night Obviously, but I can just walk you through this. So basically she tells him that while I was taught to do this Is what I learned I'm gonna do this. I'm gonna fight. Are you with me that type of thing? Right and before she said all that she told him She is she does not to embroider and he has the answer to all the things about let's go Let's do this. He goes you haven't left embroider like embroider is right there and then it's this reaction. Oh All right, are we gonna do this or are we not gonna do this and the reason I was showing you this is that as People say in paraphrasing does not mean I came up with this But acting is reacting like the main thing you have to pay attention to is that if Someone is talking and you have another character in your scene at least one of the character and they talk to each other You have to make sure that they're really listening and focusing through whatever you want to do eye darts eyebrows There's a technical thing about facial mechanics However, you want to show that they're paying attention and listening for him because way too many doing this But the big thing to me is that is that oh is that moment and then she gets back to it But this is not really her in the audio. It's not a big sigh or gasp or grunting or anything It's it's mainly her voice his voice her voice But if you animate this he has his reaction It's really he's really not paying attention to what the important part is what she said and that's why it triggers this kind of reaction So again, the reason why I'm showing this is that if you have multiple characters Make sure they really listen and by listening. I mean they also really react Whatever he said is really going to annoy her and that's why she has that reaction And that's something again for you to add in this is not in the audio So now it's your creativity and it's your acting choice for your pantomime that you can put in there And then you get back to your lip sync because then after that you're tied to the delivery the timing and the rhythm of that lip sync So this is all you but again It's something that's it makes sense that she reacts like this So just don't do something where you have lip sync and then you stop moving your character Then you got this character that says something and then you just do lip sync whatever and then this character stops moving And then this character gets animated to the lip sync really make sure that the characters are Listening to each other and reacting to each other to whatever they're saying. Alright, last one is longer I'll walk you through why I like this in the steps again as always why I think this could be actionable in your scenes in your Shaw in your sequence, whatever you do, but it is the end of the movie or parts of the end of the movie and a Big moment of the end of the movie So spoiler don't watch this and not that you would skip to the very end because this is kind of the end So subscribe and continue and I got a workshop and sign up but I'll pitch us at the end Let's get to this last moment again spoiler warning just in case so what is happening here is that she enters her room She was just told that she has a visitor and after all this time she sees her mother So what I'm looking at is the continuation of we don't see it here And it's not like there's a shot where we see Alona and the mother where we can see the distance I think in your shot to make it clear because we don't have the whole beginning in the whole movie as context But if you would do something like this imagine you got your room and the mother is here and the daughter is here to show The physical distance the spatial distance of those two characters that not together The thing that's really neat in all of this is that she stays put they haven't seen each other for so long She has been looking for her She probably knows that she is upset because she just left without telling her What happened and what's going on why she left so as she enters and they're talking you can see this just they stay put they don't move There's just that continuous Mounting of tension now I say this and she did just move but it's a bit of a move She closes this but they're not together and you can see this a bit of tension here in her arms And the same thing here you got a bit of a mirroring of posing and it just continues on you can see it's just this slight Progression of getting closer, but she knows that she can't go to her daughter right now was it there's too much tension just yet She knows she's just a bit mad. She's just not mad, but a bit angry Oh, but that's just upset and disappointed, but it's just it's light Moving towards her then you can see she stays and through that reaction Right there you can see she's not ready yet and this continues on where they're staying put They're staying put they're staying put they talk about things and then finally she tells her Oh, I'm sorry one reaction here. Then she says it again. I'm sorry. And okay This is getting better now. She explains why and why I left and what happened and now she realizes, okay She it's it's better and she takes that step when she tells her are you safe now and The reason why I'm saying all this because it continues on they say things they say things and you got this mounting pressure of emotion everything at the very end Finally finally they can embrace and release that tension the emotion and there we go And the reason why I'm showing you this is because again if you haven't seen the multiple characters think about well Why is there a distance? Is that needed? Is it better if they are close together? Is it better if they are gonna take this away here? If they are further away and throughout the shot get closer is it important that only one character gets closer and not the Other is it important that both get together at the same time meet in the middle is that a symbolic thing of we meet in The middle and we're together now we understand each other and so on and so on That's what I always tell actually all my classes that just started this semester That's what I tell my students as they are now starting with planning their shots and adding sets or no sets or one or two characters This will work with multiple characters think about the spatial position of the characters Is it important that the far away like I said we're close together Would it be interesting to get a progression that they get closer or further away? Maybe someone makes an argument and every time they get closer the character just always steps away There's always this happening the scene to show we're not in this together I want to keep my distance and so on so think in terms of placement How that tells us something about the character and the relationship between multiple characters so that your characters are not Just staying put in frame and of course there's an exception There's always except for everything you can have a shot with a character doesn't move ever Which could be the whole point is the whole entrance in silence of the lambs where we come in and Hannibal Just stays put that adds extra creepiness of him being quickly still in a set in a jail jail cell or whatever prison that he's in So there are many reasons for a character not to move but also to move and the reason usually why I harp on Moving characters for students is that you want to show off animation and it to me It's always it's not just animation for animation sake, but you want to show off your mechanics You can show off that you can do this for potential employers I can see you can animate you can animate we can hire them But still you don't want to keep it too simple because that you can do for your show for your feces Where it's a bit more about sequential storytelling with shots and scenes But if you have a shot in your demo really you really want to show off facial acting bar mechanics weight all kinds of things And that's why I said well why not combine things why not do your acting piece facial stuff lip sync But also move the character but not just because you want to move it My reason is always is there something that will tell us something more about the character by Movement and by distance or closing the distance and so on and so on speaking of distance. I got no second way I was thinking about it move distance. Maybe you want to move your hand towards the mouse and Click on an email that's gonna come in right now for my workshops. I really have no segue I tried as I was finishing this with moving in distance. I have no segue But maybe I have no idea. I'm grasping at things I have workshops So if you feel like this is interesting and you would like to apply this to your shots You need help and you want me to help you with your shots to make your shots even more awesome Feel free to subscribe to my workshop in the description You got all the information you can sign up at any time and speaking of time if you're still watching this till the very end as always Thank you so much for your patience to take time to watch all my clips and speaking of all my clips I upload almost every day, so you don't want to miss anything feel free to subscribe and hit that bell button So you don't miss anything and that is it I will say thank you again, and I will see you in my next upload


Jerry, that's Farrokh. He's been playing polo in India for years. No, not for years, Phillips.  Well, that's more than Jerry's done. What happened then? I didn't see it. Duggan was lucky again. And what I mean this time, he was really lucky. Come on, Bruce, go get him. Hey, come on, tell me, Red. What did you mean Jerry was lucky? Well, I put pony almost double when Bruce checked him, that's all. Gee. There! Bruce made another goal. I avoid Bruce. Yeah, you would root for a new guy. You wouldn't yell for Jerry, of course. Why should I? And why shouldn't I root for Dow Campbell? He's my roommate, isn't he? Gee, I think Jerry's the best rider of all the cadets out there. No, he isn't bad. But he doesn't have the clean form that Bruce does. All right, boys. Let's mount him. All right, all right, let's have it quiet. That was a good workout today. I thought it might give you a little relief from regular practice for the drill to play some polo. And, of course, we'll be getting into real polo practice very soon anyway.  Yes, sir. Very well. Oh, Dow Campbell. Yes, sir? That was a good piece of checking you did against Dugan. Oh, thank you, sir. Very good. Showed smart thinking. Oh, Dugan, you're going to have to watch that. Sort of foresee what your opponent's going to do and avoid him checking you. Yes, sir. All right, that's all. Take the ponies back to the stable. Yeah, all right. Come on, Buck. Oh, Sergeant Alden. Yes? Yes, Morrison. I don't know how to start saying this, Sergeant, but up to now I haven't had a chance to talk with you since. Since you got mixed up in that mess. Is that what you mean? Yes, sir. That's it.  And I know how lucky I am that Paul Warren wasn't hurt worse than he was. You're right, Morrison. You are lucky. And I might say a couple of things right here. Yes, sir?   You're lucky, too, that Dugan and Phillip showed presence of mind that night you fell into the well and that you were pulled out with no more serious injury than you got. Yes, sir. I know I am. Is that all? Well, no, sir. I did have something else I wanted to say, but I wanted to apologize to you first for all the trouble I caused you. All right, Morrison, I'll accept your apology.  I'll have to get over to the stable pretty soon. Well, well, it's this, sir. You know that the new cadet from England, Bruce Talcamel, is my roommate. Yes, I heard that he is. Well, don't you think he's a pretty good writer, Sergeant? Good writer? Of course I think he is. Didn't I tell him he was? Yes, sir. But I was wondering if... Well, if you were thinking of using him on the drill team. No, no. I'm not thinking of it at all. Well, sir, you know how much this means to Farrow. How much it means? It's on your mind, Morrison. I mean... Well, all the cadets know, of course, that this meet with Edson is darn important. But Edson and Farrowx have each won the Hunter Craig trophy twice. And that whichever one wins at this time gets to keep it. Yes. So? So... Well, of course all the cadets know it's important to have the best men on the writing drill team. And on the jumps and in the all other events. Yes. Well, if you're thinking of trying to get back on the team yourself, Morrison, you'll have to see Major Davis. Oh, no, sir. I wasn't thinking of that. Oh. Oh, I'm beginning to get what this is all about. You're putting in a plug for your roommate, Dow Campbell, is that it? Well, in a way, sir. What do you mean, in a way? I mean that I think everyone knows that Bruce is a lot better writer than Dugan. That he has had more experience, not only in polo, but all kinds of writing. And I think almost everyone, except maybe Phillips, would agree that he could do more for Farrowx in the meet with Edson than Dugan could ever possibly do. Just a minute, Morrison. Just a minute. Does Dow Campbell know that you're going to say this to me about him? Well, I gave him an idea that I might say something, sir, but, of course, he's pretty modest. He realizes he's new here at the school, and I think he'd adjust as soon as I wouldn't say anything because it might look as though he were trying to do Dugan out of his chances on the team. Well, frankly, Morrison, isn't that exactly what you're trying to do? Oh, no, sir. Not at all. I'm only thinking of Farrowx winning that plaque this year, taking it away from Edson so we can keep it here at FMA. Hmm. Well, Morrison, I'll think it over. But I don't think I'm going to be of a mind to make any changes in the writing team at this late date. The meet comes off next Saturday, you know. Yes, I know, sir. That's why it's so important to have the best writing team we can. Morrison, let me tell you this. We engage in athletic activities here at Farrowx, not to win trophies. That's important to the boys, I know. But that isn't the primary reason for including polo and writing and football and baseball and all the rest of the athletics in our curriculum. The principal reason is to teach cadets self-reliance, resourcefulness, to give them good sound exercise. But the most important of all the reasons back of the athletics is good sportsmanship. Yes, sir, I understand that. The reason why you're not writing on the team right this minute, Morrison, is that, well, not that you aren't a good writer, you are. One of the best here at Farrowx. The reason you're not a member of the writing team right this minute, why you're not going to write in the meet against Edson is that you displayed some pretty bad sportsmanship a couple of weeks ago. Then you don't think there's a chance you'll use Bruce? I didn't say that. I didn't think I was going to want to change the team line-up at this late date. Principally because I know that Jürgen has worked hard. He's gone through a lot to win his place and keep it as a pivot, man. Is that all, Morrison? I guess so. And suggest to Dow Campbell that the next time he wants anything from me or any of the other coaches at Farrowx to come and fight his own battles. Oh, but Sergeant! Excuse me, Phillips, I didn't see you there. Excuse me, sir. I'm sorry I was in your way. Oh, fine, thank you. Well, I'll see you boys later. I have to get over to the stable. Yes, sir.  I certainly have, Morrison, right here. And did you hear everything we talked about? I heard everything Sergeant Alden said to you and everything you said to him. That's fine. That's just swell. Well, I'm glad you like it. Of all the low dirty tricks I ever heard of snooping into other people's business. Me? Me snooping into other people's business? That's awfully funny, Red. Me snooping. What do you think you were doing just now? Trying to get Jerry off the riding team and get that hi-hat roommate of yours in honor of Jerry's place. What else was that but snooping? That wasn't why I was talking to Sergeant Alden at all. Yeah, I know what you said to Sergeant Alden. But I also know pretty well why you were doing it.  You've got a streak of yellow running down your back a mile wide. Jerry and I thought you'd changed after that mess you got yourself into and that we got you out of. Mainly that Jerry got you out of by going to... Yeah, by talking to Major Davis.  Then why don't you leave and quit making trouble? I'd leave in a minute if I could. Major Davis won't expel me and the old man makes me stay here. Old man? My father. He doesn't want me at home so he makes me stay here. And as long as I am here, I'm going to get what I want or know the reason why. Well, I guess Sergeant Alden told you a few of the reasons why you won't. I suppose you're going to run right over now and tell your little roommate all about what you heard that I'm going to tell him and right now.  If you think that's going to get you or Duggan any place, go ahead and tell him. All right, we'll see you about that. Good luck listening to us talk like that. I wonder what he'll tell Duggan. Were you speaking to someone, Mr. Morrison? Huh? Oh, hello, Bruce. Hello. No, I... Well, I was just thinking out loud, I guess. I understand. I say Sergeant Alden is a peculiar chap, isn't he? peculiar? How? Well, he seemed quite pleasant to me after the lost chucker. Yeah, he told you. You were pretty good on the game. Yes, but just now in the stables, he was quite short. Short? Quite. He was awfully curtain. Well, almost as courteous. Well, what do you suppose caused him to change so quickly? All right. Well, he is a funny guy, all right. You never can tell what he's going to do next. Rather strange for an army man to act that way. Yeah. Well, it's been a long time since he's been in the army. Where are you going now? Oh, I thought I'd go back to Trent Hall and take a shower bath. That exercise rather warmed me up a bit, you know, Mr. Morrison.  Oh, I say, you wouldn't mind? Of course not. Everybody else does. Yes, of course. Very well then. I shall call you Red if you'll call me Bruce. That's swell. Shake. Top hole. Well, let's go. I've got some trick to get out of the way. All right.  Really? You think so? Yeah. I bet you'd like to be on the writing team. Write against Edson on the meet next Saturday, wouldn't you? Oh, yes, Red. I should like very much to enter. But Sergeant Olden seems to have the team selected. Yes, he has. But of course, if he thought he might be able to make an improvement, maybe you'd have a chance to replace one of the other cadets. Oh, I say, I shouldn't like to do anyone else out of the honor of writing. Well, it's just as Sergeant Allen was saying. There's more to athletics here at Faroaks than just teaching the cadets to write. He says, the most important thing is good sportsmanship. And it would certainly be good sportsmanship for one of the other cadets to give up his position if you could write better than he could. Oh, yes, I see what you mean. Hey, why don't you talk with Sergeant Olden right before a mess tonight? Well, perhaps I shall. Yes, I think I will. That's swell. You know, with your good writing form, you'd make a great pivot man. Oh? Well, yes, I know something about that. In India, I used to go riding with one of the soldier chaps who was pivot man on our team. Is that so? Well, well, say that... Wait just a minute, you two. Oh, Bruce, here comes Phillips and Dugan. Don't say anything about what we've just been talking about. No? Oh, very well, if you say so, Rad. I want to talk to you, Mr. Dau Campbell, and you too, Rad. So, and what about Mr. Dugan? Is that any way to address an upperclassman, Dugan? Never mind that. We're out of bounds right now, and you're not an officer, Morrison. So I'll say exactly what I have to say and you can take it or leave it. I must say, Mr. Dugan, I don't like the tone you're using. No, is that so? Well, isn't that too bad? Mr.  Do you get that? I haven't the slightest idea what you're talking about, but I shan't stand here and allow you to address me in that manner. Come along, Rad. Just a minute. Mr. Dugan, I'll give you just three seconds to let go of my jacket. And if I don't let go, then I shall have to force you to let go. I don't let him bluff you, Jerry. I don't worry. He isn't bluffing me. Here, here, here. What's going on? Dugan, let go of Dau Campbell's tunic. Yes, sir. I think I know pretty well what started this squabble, but I don't want any more of it.  All of you. Yes, sir. As long as I'm coaching riding in Polo at Fair Oaks Military Academy, I'll pick the teams. Is that understood? Yes, sir. And nobody is going to influence me in one way or the other in my selection. Is that understood? Yes, sir. All right, very well. I'm going to pass this over for this time. I'm not going to report it. But don't any of you ever let me hear of anything like this happening again. Now, get to your quarters.


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Why the narcissist reappears, the narcissist will return, it might be after a few days or weeks or it could be after a few months or years and it can be quite surprising, it can catch you off guard, because you don't expect them to return. The relationship ended, you processed the emotions, you began your healing journey, you moved forward in a healthy way, but then the narcissist returns at this unsuitable time, when you were just beginning to move on and forget about them, when you were feeling confident in yourself. They come back to test you, to pressure you and reveal your strength, but they won't always do this directly, they may spy on your social media, they may stalk and harass you. They may use their flying monkeys to spy on you, and there is a reason why they're doing this, there is a reason why they're trying to come back, and it's to punish you for trying to move on, for thinking that you deserve better.  And if they see that you're doing better than them, they will want a piece of a pie, because they couldn't find someone else at your level, they couldn't find another grey day source of supply, they're not satisfied with the new person they're with, so they're still holding on to you, they're trying to return to you, and they may come back with fake apologies and false epiphanies, they may say that they've changed, but they're only doing that to benefit themselves, they're not doing it to benefit you, they have nothing to offer you, everything the narcissist does is self motivated, they're not motivated by your desires or interests, and that is why you never get what you want, because it's all about them, so they will hunt you down and feed on you, they will take advantage of your kindness and generosity, but if you have been watching my videos, you have the knowledge now, you know what they're trying to do, you know what you don't want in your life, but before you watched my videos, you didn't know about this, you thought everyone wants the same thing, you thought we all have shared interests and motives, but we don't, narcissists are motivated by their own self-interest, they seek to take everything away from you, and to leave you in a condition where you're no good for anyone else after they're gone, so although the narcissist may return with some story which is intended to make you feel sympathy for them, do not fall for it, do not believe it, they always play the victim, they did that when they first targeted you, they told you about how their exes and their family did them wrong, but they were manipulating you, they did everything they could to take advantage of your kindness, which they saw as a weakness, and as soon as you did that, they turned the tables on you, they devalued and degraded you, and then they discarded you, they play the same game again and again, they all do the same thing, they don't see you as a person, they just see you as an object, so they manipulate and control you, and they know exactly what they're doing, they know they hurt and embarrassed you, but they got exactly what they wanted, so they're going to do it again, they're going to return to you, because now you've replenished yourself, you've become stronger and better, you're full of life, you've become a better version of yourself, because you've taken back control of your life, but narcissists are completely delusional, that's why they come back, because they actually think you're going to give them another chance, if they didn't think that, they wouldn't even try, they do it because they believe that it's possible, they believe that they can catch you off guard, they believe that they can take advantage of you again, but even if they don't come back, you have to ensure that you don't go back to them, you have to stay strong and remember why you continued on your journey without them, don't think of the good times, don't look at their social media, because when you do that, you're giving your power to them, you're giving away your control, so don't make that mistake, you have enough knowledge and experience now, to make the right decisions for yourself, thank you for watching, I hope this video ends with you, please like, comment, share and subscribe, if you would like to donate, my PayPal link is in the video description, coaching enquiries, you can email me at coachingatnaqsurvivor.co.uk, thank you for watching and I'll talk to you soon.


Today, I can advise that international cooperation has resulted in the arrest of a 58-year-old man in the United States, as a major investigation continues following the murders of two police officers and a member of the public during a shooting incident in the Western Downs last year. We know that the offenders executed a religiously motivated terrorist attack in Queensland. They were motivated by a Christian extremist ideology and subscribed to the broad Christian fundamentalist belief system known as pre-millennialism. The motivation of the United States National is still under investigation by the FBI. The attack involved advanced planning and preparation against law enforcement. The FBI has a long memory and an even longer reach. From Queensland, Australia to the remote corners of Arizona, the FBI and the QPS worked jointly and endlessly to bring this man to justice.


This is what narcissists think of you when you finally leave And I know a lot of you You've been with the narcissist you thought things were bad You thought that they had already Disrespected you bad enough As though it couldn't get any worse as though they couldn't sink any lower But there's really no limits when you're dealing with narcissists Because remember they are all about themselves They are self-absorbed and they lack empathy They don't care about anyone else They don't care about what you're going through The only thing that matters to them is their feelings and when you leave In the beginning they may just think that you are very stupid and foolish They may just see you as an idiot Because they are very arrogant and delusional And they may think that it's just a matter of time until you come back around But as time goes by it starts to sink in They start to realize that you're not coming back and by that point They will be able to get you and to bring you down initially you may not have experienced So much from them It may have seemed like they had calmed down but once you Display And demonstrate your independence At that point they know that there is no going back And at that point they will do whatever it takes To destroy you because when you leave them They're not going to support you They're not going to look at it like that They're going to see it as an attack An insult As though you know something they don't know you're hiding things from them Another life And you're keeping all of these things from them Or you're using it to hurt them And then they're going to want to lash out at you They're going to want to come after you And They're going to try to make you regret your decision The very thing that hurt them You leaving They're going to try and twist it around To try to make it hurt you To make you think that it was the worst decision you ever made As though You should just turn back And give up Maybe go back to them maybe accept their Hoover attempts But if it's already been so much time That's gone by And You've done all of these things without them And they've already gone on their campaign against you Then they know there's no going back after that Because they already know that the things they've done Are harmful damaging Dangerous Yes, they know all of these things And they recognize That that type of behavior Would never warrant the two of you reuniting again They already know that you would never accept them After what they've done to you They already know that Even if despite all of the skeletons they have in their closet They did somehow manage to come and clean They still would not be able to trust you They would be very paranoid and hyper vigilant They would be terrified that You are going to take revenge Yes, they would be terrified of that Because They know and they understand all of the things that they have done to you Yes, they understand that Although they may not always think that that was the reason why you left As I said, they are very arrogant and delusional. They're not going to accept that they did anything wrong They're going to deny it. They're going to project it. They're going to shift the blame onto you They're going to gas like you and everyone else around them So that they can enforce their flying monkeys and continue their campaign against you So they will live in constant denial They're never going to accept it They're just going to try and turn it on you and use it as something to hurt you That's all that they're going to do It's never going to be something that clicks in their mind to where they accept And they take accountability For what they've done They're never going to do that That is never Going to happen Although you may wish that they could just come back and come clean And things will be okay again, but no It's never going to work out that way for you and them That is never Going to happen No matter how much you may wish that it would And could because they've already done so many things wrong They look at it like How can I go back now? After everything that I have done After all of these mistakes that I have made And then they know They can't reverse the damage that they have done They can't undo it And you can't unsee the things that you have seen They know that it's too late So all they can do is Keep walking Continue on their path, their course Even though it may not be incentivized, it may not even be good for them And they may know deep down that it would have been a lot better if they had just cooperated with you from the very beginning Yes, deep down, of course, they know that That is why they are so much In denial That is what initiates A process of denial in their minds. It's the fact that they knew You were right all along You were always right But they just can't accept it They deny the truth and reality because they just don't want it to be true And yet they twisted around in you and try to use it as something to hurt you When they know fully well that something was not right Something does not add up Something Does not make sense And they know that But all they can do is manipulate you and use it to hurt you And try to turn your own independence against you But they're never going to come clean and tell you the truth The reality that yes, of course, it's something they think about It's something that Bothers them deep down Of course, at some point they came to this conclusion Where they thought That If they really were so good to you If they were really treating you right Then why would you want to leave? Why wouldn't you want to stay and try to cooperate with them? Why wouldn't you have done that from the very beginning? Of course, at times Deep down in the back of their minds, they do consider that They would have to But the reality is that Yes, they are in denial And the reason why they're in denial is because they deny Any involvement any accountability And that Is never Going to change It's never going to change They are always going to be that way And there's nothing that you or I can do about it They're always going to be like that But there is one thing that you can do And this is what I advise you to do is to continue on your purpose Continue doing what you know you should do Yes, they will try to take you off their path off your path Because they're in denial. They're very insecure And deep down they doubt themselves They have no purpose of their own so Yes, that's what these types of people do People who have no purpose of their own They want to try and take other people off their purpose But you have to continue doing what you know is right That doesn't mean that you have to isolate yourself And just avoid everyone no That's not what that means You continue doing what you know is right You continue to Love yourself Practice self-care You continue to show empathy for other people You continue to go out and spend time in nature You continue to do all of those things As you were doing before They will try to take you off your path and In some situations there isn't much you can do about that You just have to accept it And if you get taken on your path off your path then that happens And then you've just got to get back on whatever you can And you just continue along like that You go off your path you come back on You go off again you come back on again It may not be how you imagined it to be It may not be the smooth ride that you expected But that's okay You can still get back on It's no excuse. There's no justification for it For you to just walk off your path and do suffer something different To what you originally intended to do Because if you go and do that for a long enough amount of time It will begin to affect you It will begin to bring you down That is the biggest mistake that you will ever make Is going off your purpose in life Your God-given purpose that you know you came here to do Adjust these narcissists These Minions as I like to call them They are also doing what they came here to do To take people off their path Instead of supporting and encouraging them And that's just the way the world is today Just look at it just look around and see What people are doing these days Numbing themselves with alcohol and drugs Going to nightclubs every week Having unprotected sex getting STIs They're doing all of these things And this is what is being promoted in the world This is Some alternative way of living To distract yourself Escape as some Develop these unhealthy coping strategies And deep down I think we all know why The reason why is so that you don't realize the truth And the truth is that yes They are trying to take you off your path You may not fully know where that path leads But that's just it it's not about The destination is it? It's about the journey along the way So yes you must continue along your path I can tell you that you shouldn't let them take you off it As we know when you set a boundary Narcissists do not like boundaries They prefer dysfunctional environments They need all of the doors the gates to be open So that they can roam free And invest and mesh And do whatever they need to do So they can run wild It has to be boundaryless so that they can get supply That's just how it has to work for them As I said To the best of your ability Because you are still a responsible adult To the best of your ability You must try to stay on your path And try to set some form of a boundary the best that you can To maintain a healthy relationship With yourself And the higher power That you believe in Because to them it is all just a game It's a joke They don't take life seriously And they never will Because they genuinely believe that their actions in this life Will not impact the cure after Which of course makes them very dangerous people to be around Anyone with that mindset You should never associate yourself with anyone over a long period of time Who does not believe You should never associate with anyone like that And clearly this person has shown you Time and time again That they do not believe That they do not value The things that should Be valued in life And I think we all know exactly what I'm talking about when I say that But this is just how it is And there's no way that you can get through to them There's no way that you can show them You can't just give them a taste of their own medicine You can't just repeat their actions because then they're just going to accuse you They're going to blame you And they're going to look at you as the bad guy As the bad guy And then they're just going to turn against you even more So like I said just continue on your path They may not like it that you're leaving But what else can you do? Stay around and get beaten down Abused As I said before your body is your temple And your mind Your soul you must protect it from harm That is your duty that is your responsibility Sometimes that may not always be an option and I understand that as well But as I said you must do it to the best of your ability Despite any external sources Despite any external sources That's still no excuse. You must still continue on your path Follow along your journey the best that you can Because this is your mission in life Narcissus they came here to take you off your mission Off your path That is their purpose And the sooner that you recognize that The easier that it will be for you to cut them off and walk away Because once you realize that You will lose all hope in them You really will I hope this message was helpful For those of you who can perceive and understand of it understand it If it resonated with you, please give it a thumbs up down below Let me know your thoughts in the comment section and Subscribe If you'd like to book a one-on-one with me you can do that from my website It is Narcseviver.co.uk And check out my Instagram as well. I have new pictures and videos of my travels every day on there So check that out when you have time. It's Narcseviver YouTube and Instagram Other than that, that's all I've got to say for this video I hope you enjoyed it and I will talk to you in another one very soon


In this video, we're going to explore power dissipated in an LCR series circuit and we'll introduce the idea behind power factor. But before we look at an LCR circuit, let's go back to our familiar pure resistive circuit. So let's say we have a resistor of 100 ohms connected across a source, an alternating voltage source, whose RMS voltage is 100 volts. Immediately, the first thing I want to talk about is what is the current in the circuit? The RMS value of the current is going to be the RMS voltage divided by the total opposition that is 100, 100 by 100 is one ampere. Now, the beauty about RMS current is that it can help you calculate the average power very easily. And we've seen before, the average power consumed by the resistor, or you can say it's the power dissipated at the resistor, that's going to be just the RMS current squared I RMS squared times R. So in our example, the average power dissipated would be one square times 100, that's going to be 100 watt. All right, now here's my question to you. Suppose this time I have an LCR circuit whose impedance is also 100 ohms and it is also connected across the same voltage source as before, 100 volt RMS voltage. Then the current in this circuit, I RMS, the RMS value of the current here, will also be just like before, RMS voltage divided by total opposition this time, V divided by impedance this time, it'll be 100 by 100 is going to be one ampere. So my question to you is, what will be the power consumed in this circuit? Would be the same as before? Do you think it'll be more than before? Or do you think it'll be less than before? So can you pause and think a little bit about it? Okay, now it might be reasonable to think just like earlier, here average power might be I RMS squared times total opposition, which is Z. Let me use red for that, Z. And we might think, okay, maybe we end up with the same answer, which kind of makes sense, right? Because I have the same voltage, same current, same opposition as before, everything is the same. So maybe the power dissipation also remains the same. But this is not true. This is wrong, why? This is wrong, why? Because the entire opposition does not consume power. Here's what I mean. Among LC and R, resistor consumes power just like before I square R. But what about the inductors and the capacitors? They do not consume any power. For example, if you take a capacitor, then what you'll find is that when the capacitor is being charged, it definitely consumes power, it stores energy in its electric field. But then when it gets discharged, it transfers that power back to the source. Therefore, on an average, it does not consume any power. And same is the case with an inductor as well. On average, it consumes zero power, which means the entire opposition, the entire impedance does not consume power. Only the resistive part of it consumes power, which means even in this circuit, even in this circuit, the average power consumed would only be the power consumed by the resistor. So it'll still be I RMS squared times R. And so would it be the same as before? No, because before, the entire resistance was 100 ohms. This time, the total impedance is 100 ohms, and therefore, resistance would definitely be less than that. Now, how much, that depends upon the details, we don't know, but let's say, for the sake of some example, let's say the resistance in this case is just 10 ohms. That's totally possible. Maybe the reactances are very high, and as a result, I'm getting total impedance to be very high. It's totally possible in this circuit that I can have resistance to be only just 10 ohms. Then in this particular example, the average power that gets consumed by this circuit is going to be one squared times 10, which is going to be just 10 watt. At first, this did not seem like a big deal to me. I mean, smaller resistance, less power consumed, larger resistance, more power consumed. So what's the big deal? This is where the electric company calls me and says, oh, Mahesh, you are consuming the same voltage as before, same current as before, yet you're consuming way less power than before. And I say, yeah, so what's the big deal? The big deal is, and this is where the electric company is trying to explain to me the problem, see, whenever electric current is passing through a transmission lines, it gets heated up. So there's some energy loss happening, right? Who's gonna pay for those energy losses? Let's say that energy loss over here was, I don't know, maybe 20 watt. Now, when I'm consuming 100 watt, energy loss of 20 watt, the electric company might say, fine, not a big deal. Don't worry about the 20 watt energy loss happening.  But over here, the energy loss stays the same because the current is the same and the voltage is the same. So the energy loss here is 20 watt. I'm only consuming 10 watt. So the electric company says, you, this time it's not profitable for me. There's so much energy that loss that is happening just for your 20 watt of consumption. And so the person says, you have to pay more over here. You have to pay for my losses also. Does that make sense? Well, I'm sitting here, I'm thinking that kind of makes sense. It's kind of like delivery charges. When you're ordering something big and you're paying a lot for it, then the petrol charges, delivery charges are covered because they're small compared to how much you're paying. But if you're ordering, say, a five rupee expensive, just exaggerating, then you have to end up paying for the petrol charges and everything, right? So from a power consumption point of view, this circuit has less efficiency compared to this circuit, right? Because for every watt that you're consuming here, the energy that is lost that is happening is much higher compared to over here. So immediately you might be wondering what do we do about it? Well, the first step is to actually put this in numbers. When I say the power consumption efficiency is smaller, how do I sort of represent it officially? Well, to represent it, what we can do is we can look at this expression for the power consume and we can try to write this in terms of Z, okay? And I want you to again give it a shot. How can you write the power dissipated in this circuit? Not in terms of R, but in terms of Z. How do you bring Z into the picture? Well, I can help you a little bit. We can bring back the phase diagram that we have seen before. Just to quickly remind you, I naught represents the current. Then the voltage across the resistor, which is I naught times R is in phase. The voltages across the inductors and capacitors are 90 degrees out of phase. And if we are assuming that the capacitor reactance is larger, then the voltage becomes 90 degrees behind the inductor. And then if we add all the voltages together, we get the total voltage. And we can now say that total voltage, we can represent it to be I naught times Z, right? We can represent it this way. So what we can do now is we can look at this triangle and try to find the relationship between R, Z, and phi, and then substitute over here to get power in terms of Z. So feel free to pause and try, all right? So since I want to connect the adjacent side and the hypotenuse, I'm gonna use cos. Cos phi is this divided by this. I naught cancels out, and I end up with R divided by Z. And since I want to substitute for R, I can say R equals Z times cos phi. And as a result, now I can say, hey, average power, therefore, equals I RMS squared times, instead of R, I'll say Z impedance times cos phi. So this is the same expression as this. You'll get 10 watts itself, but now we are representing this in terms of the total opposition.  And so this number is called the power factor. Okay, let's dig a little deeper. For a pure resistive circuit, can you think about what the power factor would be? Well, here, impedance is equal to resistance. So Z is the same as R, R cancels, and you get power factor to be one. So here, power factor is one. Another way to think about this is we could say, hey, current and voltage are in phase with each other, so phi value is zero, no phase difference. So cos zero is one, you get the same answer. And so this means you get the maximum power consumption.  Okay, what about circuits that only have inductors or capacitors? No resistors at all. What would be the power factor there? Well, then R is zero, power factor becomes zero. And that kind of makes sense because we just said that inductors or capacitors, on an average, do not consume any power. So here, the entire impedance is not consuming any power. And so since there is a current running over here, but there is no power consumption due to that current, we call these currents watt less current, watt less current. And from an efficiency point of view, these are the worst because there will be a heating effect in the transmission lines, there'll be energy losses, but for what? You're not consuming any power. So this is the worst circuit you can think of. Now, of course, real circuits will always have all components, and so their power factor will always be somewhere between zero and one. The closer it is to one, the better it is, better efficient it is when it comes to power consumption. And you can now also appreciate why we like resonance here. We have seen before that at resonance, the impedance is pure resistive, and therefore at resonance, the power factor is one. And so if you're consuming power at resonant frequency, then you will be consuming the maximum power. Okay, I want to end this video with a question. What if we have an LCR circuit whose LCR and the frequency values are all fixed and it has a very poor power factor? What can you do to improve the power factor of that circuit? I'll give you a clue. If you have poor power factor, it means the five value is very large. It means the phase difference between the voltage and the current is very large. So the question is, how can you reduce the phase difference without changing this? But you can always attach something, something more to that circuit, maybe in series or maybe in parallel, okay? So that's the clue. Ponder upon this, think about it, and maybe discuss with your friends or teachers.


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What's the word y'all? Is this the first recap of 2023? It might be. I'm excited for it because today was a crazy day in the association. Lillard dropped 60. We finally saw Jorlin B versus Ben Simmons. Steph got ejected for being mad at Jordan Poole and Anthony Davis returned after a long injury. I'm trying something new. Let me know what you think. But before we get into the recap, let's talk about a sponsor, the EnjoyBasketball brand, a brand that I'm the owner of. A lot of y'all already know this, but we have a newsletter that drops Monday, Wednesday, Friday that keeps everybody in touch with the game of basketball. It's for the enjoyers and you watching this video, so I'm assuming that you enjoy the game. But like today, there are so many things that happen in the association. It was impossible for anybody to watch every single one of these games and that's what the newsletter is for. It's for you to keep in touch and it's perfect because it drops before class, it drops before work, and you can read it on your commute. You can do whatever you need to do and I think we're close to 40,000 subscribers. So hit the link in the description. Obviously 100% free and you get these emails that keep you up to date with the game. So shout out to the team. We got some great writers. Let's start off with Damian Lillard 60 because I'm the honest with you. This is not a game I watch live. I got the notification once he hit 50. I was like, all right, let me tune in. So I watched the last, what, 10 or so points, but I missed out. But that's why we watch possessions, ladies and gentlemen. After the 60 point game there only two people in NBA history would more 60 point games than Damian Lillard and those two people are Will Chamberlain and Kobe Bean Bryant, rest their souls, man. That's an elite company to be a part of. Now dropping 60 in itself is crazy, but dropping 60 when you shot 21 for 29 is ridiculous. When you hit nine threes out of 15, the tips is ridiculous. And I watched the possessions again. I didn't watch his live. I recommend you do the same thing. Find how many open looks Damian got. It's not a lot of them. This man has stepped back three hand in his face heavily contested. Green is going in. Reverse layup over a bigger defender. It did not matter. This man was on one tonight and he did his thing, man. It's so great to see a Damian Lillard game. I'm mad at myself for missing it live because I don't think there's a lot of things better than watching Damian when he is super hot live. You know what I'm saying? And I missed it, but luckily we got the possession. So I, you know, I got to see it a little bit. We finally got to see Ben Simmons versus Joel and B in Philadelphia. Always supposed to be a show that the fan is there with an old Ben Simmons jersey and he got rid of the Simmons last name.   The Brooklyn that's held in this one for quite a long time. And on the Ben Simmons tip, the third quarter was one of the most aggressive offensive quarters I've seen for him this whole season. You know, we got all the videos going viral about Cary Irvin having to tell him to shoot and all of this stuff. And it hasn't been great for him on the offensive side of the ball. Something about being in Philly today made him try to do a lot of things offensively. But you have Seth Curry having a 32 point game and Cary Irvin doing what he does in the fourth quarter. But the real MVP of this game for me from the Brooklyn that side is of course, Nicholas Claxton. He continues to add to his game. You know what I'm saying? We knew that he was great defensively this season. Like if I had an all defensive vote right now, I'm pretty sure I'm putting Nicholas Claxton on there. That's how good he has been. But him dropping 25 points on 11 from 12 from the field is really, really great.  And I keep telling Philly fans it's better to go under the radar because as soon as the ex-mittages come and you fall, then you feel bad as a fan and everything is all chaos. So just continue to go under the radar. In these games, you miss Joel and B from the time you miss Tyrese Maxie for a good chunk of these. The one who says the thing has been James. James has been in this line up and he's been great. Now we now talk about Houston James Harden. We was average at 30 plus points per game. His game has changed a little bit but he's still super effective. The most interesting thing for me when it comes to them is if they're going to continue to have Tyrese Maxie come off the bench. Cause so far it's looked pretty good. Now he's played 27 games and 20 of them. He's been a starter. But in those five games and him coming off the bench, it just adds another element. And obviously he's talented enough to start in his league for sure. But maybe for the sake of the team, you keep him on the bench because the Anthony Melton has been working very well alongside James Harden. And right now, Russell Westbrook is the bed in favor 216 man of the year.  All right, let's talk about this cause the mentors is going crazy. I made a video about the Memphis Grizzly sometime last week about how good they have been. They were on 11 game winning streak and they have not won a game since. I think they've lost their last four. I'm not a guy that believes in Jinx's. And I don't think the Kenny for real Jinx is real, but they have not won a game since I dropped the video. I think it's purely coincidence. But it was so bizarre to see Steph Curry get ejected on that play because I felt the change. Like it felt like it was an ill-advised shot from Jordan Poorwills at 116 on the clock late in the fourth quarter. And I feel Steph frustration there. And I understand why the refs had to do it, but I hate that they did it, man. Luckily for the Warriors, they were able to close this out without him. But for us, us the fans to have Steph Curry be missing the last couple of minutes, Steph versus Jai, we missed out on something that could have been a lot better, but it still ended up being good. And this is a quality win for them, man, because we've been waiting for the Warriors to do the thing when they turn it up and win a seven out of eight or something like that. And it just hasn't happened. And this might be the game that maybe changes things. I don't really know. We've seen Steve Kerr change the light up quite a bit over the last couple of weeks because he's allowed the small ball line up to start games and have Kevon Luni come off the bench because they need that kick in the butt right off the rip. And they need Jordan Poole to be the starter version of Jordan Poole, because he's significantly better as a starter than coming off the bench this season. But again, it hasn't really happened.  And I know the gap between five seed and 13 seed right now is practically nothing, but you don't want to be on one of those teams that have to win to get in. I'm so jarring. I just need you to stay on the court, man. Oh, it's hard for me to convince people that it's you to DPOY if you fouled out with 25 minutes played, bro, you gotta stay on the court. That last foul was so avoidable. It's ridiculous. And Anthony Davis came back and Rihachi Moore got his debut. They went against the Spurs and Locator Spurs was doing they thing for the first three quarters. And then we saw the Lakers turn up in the fourth. LeBron ended up with 20, 11 and nine and then that streak of him having to drop 30 plus point games for them to even be in it. And they won this one pretty convincingly. Anthony Davis for his first game back looked really good. He had a couple big time blocks. One of them is when Dennis Schroeder got a block in the corner on Trey Jones. And then they dumped it off to Zach Collins on the office of rebound. He tried to go up and Anthony Davis blocked that too. So the crowd was jumping and they got their win. And eventually Anthony Davis will be back in the starting lineup or not. No, let me stop. Let me stop. A lot of Lakers fans were saying how the bench unit that they ran today was better than the starters because they had Russell West becoming off the bench. Anthony Davis and newly acquired Rihachi Moore. A win is a win. You need it that right now. Second game of a second ever back to back. And yeah, let's get to some of the other games that may not have been as exciting or as newsworthy. But let's just start. The Hawks win after a controversial no call with the Jean-Té Murray was guard and Shay Gilles Alexander. By the time you see this video you might get the last two minute report or whatever. But I don't know. I personally believe that as long as a whistle is not blown, you play good defense. And that good defense helped them win this game. Boy, OKC, OKC went from a team where the first month of the year I was not watching their games. I was watching Shay's highlights. I was watching Shay's possessions. It has evolved dramatically since the first month where I'm genuinely right now, if I'm ranking my most favorite teams to watch right now it's the Kings and it is the Thunder number two. Like that's how fun it's been. Jalen Williams, J-Dub, because you got to specify the other Jalen Williams.  You know what I'm saying? J-Dub is a super fun rookie, bro. He's my favorite rookie in his class by far. And earlier was Jeremy So-Chan, bro. I was basically trying to figure it out. Jalen Williams has taken that over completely. He is relentlessly going to the basket. He does not miss in transition. I just, I love him as a player. So, you know, keep doing your thing, J-Dub. And you know, Shay ended up with what? 29 in the first half and ended up with 36, you know. But in this one, the Atlanta Hawks closed one out. I mean, it's been team notorious for just blowing leads and a blue one in this one, but got the last stop, which is all that really matters. Brandon Ingram came back, but it didn't matter because Anthony Edwards continues to do his thing. I'm very curious to see if he's going to get some all-star consideration. They're a 500 team at this point after this win, a 37, 6, and 5 game. He's been one of the most consistent things, or the most consistent thing on the season for the Timberwolves. So it would be interesting to see if he gets in. This might not be the year, but he continues this. I feel like next year is like his lock year, you know what I'm saying? I was so excited when I saw Bugs versus Nuggets on the schedule and then I saw that there was no Yolkets, no Jamal Murray. So this is a game I didn't watch. I ain't got a lot to eat. The Wizards continue their win streak. The first game in a Kendrick Nunn era, he caught a body too, which is crazy. Kendrick Nunn caught a body in this very first game, but it's becoming more consistent where Alperin Sengoon is the best player on the court. This has got to be like the fifth game in the last seven where he has been undoubtedly the best player on the court. Koos was getting all the touches and attempts that he wants and maybe that's the reason he gonna resign here if he does because nobody's stopping him from taking all the shots, but Alpey was undoubtedly the best player on the court in this one. And that's really good for the Houston Rock, especially after the last game, the last win where Jaylen Green ended up with 42. They're doing a lot more dribble handoffs between Alpey and guards. And I think that's the recipe to maximize him, but also allow your team to be watchable and better offensively, because there's not a lot of people on this roster that I feel like you can trust as a playmaker. The Orlando Magic almost pulled the Chicago Bulls by allowing the Indiana Pacers to have a comeback, but luckily they nipped it in the bud. Wendale has been so consistent. 18-10 tonight, I didn't realize he got the double double. 18-10 from him. Gary Harris started and hit six for six for threes, but I'm super happy to see Jonathan Isaac back on the court. He had a better game, won the game too, but in this one steal, he ended up with two steals. His defensive versatility is one of the best in basketball, so eventually he'll get off this eight minutes, minutes restriction, and eventually playing real minutes, and they just got a log jam. Bo, Bo, Mo, Bamba, Frantz, Mo Wagner has been playing minutes for them. And now, Jonathan Isaac, those are like all guys that are forward slash centers that deserve to get PT somewhere.  And the Raptors step on the neck of the Sacramento Kings and just hold them at bay for the entire game. The entire game. You know, in the NBA, you begin those fake comebacks. Oh, they narrowed it down to six, never. The Toronto Raptors were a control this game from the very beginning and never let up. First recap of 2023, that is crazy. I mean, we've been dropping videos of course, but they haven't been really recappy. They've been like, we got one topic. Let's talk about that one topic. This is when we sat down and watched a bunch of basketball so we can talk about everything. So let me know what you think and I'll be back tomorrow.