of the, how do you measure the light, the different colors of light for different sources and different filters and stuff like that. So, in the previous case, I showed you how to get these two pictures. This top picture right here, this is a picture from that same device I showed, oops, don't zoom in please, oops, okay. And this is just looking at the floor and the hallway in the building. And this is looking at the ground outside, okay, so you can see that they are different, they're definitely different brightnesses and stuff like that. So let's just go ahead and how do you analyze this. So this is tracker video, if you're not familiar with that, a lot of people associate with analyzing, doing video analysis for movies, but it does a whole bunch more. So I have, I've already put the picture in here, one of the nice things is, if you want to compare, you want the image sizes to be the same and so that everything lines up. Because really I'm measuring the different colors at different distances and if I want to associate a distance with the color, then they need to be scaled the same. And so you want your camera set up the same way for both of the things. It might be best just to use a tripod and not even move the camera or the diffraction grading so that none of these things change. And then you'll, you can issue the exact same picture and they should not be lined up automatically. Okay, so what you're going to do here is go to create a line profile. I forgot what it was, so, okay, and oops, zoom back in. And so here's the line profile thing.  So I'm going to start from like right at the edge of this and go that way. So I'm going to hold down the shift key. I'm going to click and then I'm going to click over here.  I always forget these things. Okay, let's just, let's just delete that. Okay, create line profile. I'm going to shift drag, you got to drag it. Okay, let me go as far as I want right there. And you see over here what it does is it produces, looks along this line and the different brightness of the different colors right here. So you can see this looks like this color is maybe green, green and red right there I suspect or maybe blue. And then there's some other colors out there too. Okay, now let's go ahead and look at the same thing over here. Create line profile and do the same thing. And there you can see that it's different. This actually, why does this go up like that?  This was a poor choice of lights, okay. And then these things right here are that stuff. So really I'm looking at that. And you see here that I actually get the colors twice, same thing here. So that depends on your fraction grading about how much it bends the light.  But you can make a comparison between these two. If I want to just look at this and go to analyze, I can look at it in a little more detail and I can see what's going on there. They also, so you can plot just the red, I don't know how it does that. Just the green, just the blue, Lumina, that's what I had before. This is by pixels. Now, this is not, this is not the wavelength on this horizontal axis until you somehow calibrated. So if I know the wavelength of this color and that color then I could, you could set the origin. What I've done is put the origin right here and then go over here to set the scale new calibration stick, actually the origin is going to be really far away. And then you can say, okay, that's 100, you can set this whatever you want to be and say that's however many wavelengths, whatever units you want. And then it'll look better. Or you can just export the data and then rescale it in a spreadsheet or whatever like that. But the other, the cool things to look at are, you know, how do different cameras see the same light? The sensors are different. So you're going to get different things. But okay, that's a quick introduction to how to use video analysis to look at light. I don't think these were the best examples, but there you go.


The tiny town of Royalton near Saliersville, Kentucky is being revived, all thanks to the Dawkins Rail Trail. Royalton is directly at the halfway point of the 36 mile trail and because of that has saw itself declared an official Kentucky trail town last year and this year it's hosting its second annual Rail Trail Festival, a festival not quite like most festivals in our region. This festival is about the trail, it's not quite as commercialized, there's no carnival here but there are things for the kids and this festival is special because it's bringing people back to Royalton. I would like to know the last time a thousand people gathered in Royalton at one time. Royalton is going to be a town again, it was once and it will be again because of this trail. The festival does not only benefit the town of Royalton but surrounding towns as well. It reaches different areas, you know people get, they don't just remember Saliersville or Royalton, they remember what is in eastern Kentucky, the beauty of eastern Kentucky and you know people don't keep coming back to the same place, they want to venture out and go to other places in the area. So it's all, it's a win-win for everybody. No matter how old you are or where you're from, there is something for everyone at the Rail Trail Festival. It was difficult where all those rocks were but I did it.  I just like to not stay in the house and not sleep and do all that stuff like my brother and sister. I'm participating in the bike ride on the Dawkins Rails to Trail. Well I'm originally from Massachusetts and this is my second time, second year doing it and this is the second annual festival.  The Dawkins Rail Trail is not only bringing people into the little town of Royalton, it's bringing the town of Royalton together. This festival would not be possible without the help of the community. We're just really, really pleased with all the community support that we get. I mean I don't want to start naming names because I leave somebody out but we have a big amount of just people that really kick in like the rescue squads always your force in case of accidents, a sheriff department anytime we call.  They picked it up one end to the other in McGovern County yesterday. There's just so many community partners that work with us that we're just very lucky people. The Rail Trail Festival will continue through midnight tonight with plenty of fun, food and live entertainment. Reporting from Royalton for EKB News, I'm Shawn Allen.


Hello, everyone. So I think it's time to start this annual Pearl Booth. So the entry rate is going to not taking. I will check IRC for people that are not here. High people that are not here. So maybe IRC, people who are here for the Booth can waive or something. Oh, there's no stream. There should be a stream. Oh, you mean maybe Gregora means a stream with a screen. He, of course, have to handle the fact that IRC is faster than the stream. So question will be maybe or comment might be flowing a bit later. Hey, Gregora. OK, so maybe the time difference with the stream is a bit high. OK, so Gregora was nice enough to prepare most of the Gobi documents. And OK, maybe we can start with the start of the Gobi documents. So welcome again. Maybe everyone wants to present themselves. Well, I can start. So I'm Clément Naudence. And well, I'm quite new in the team. I think I joined maybe two years ago. Something like that. And I'm not a DD, but well, I try to help where I can. And I also maintain a particular applet. Hi, I'm Intry. I joined the team a while ago. And I mostly focused on removing crappy packages and maintaining what you need to develop applications using modern technologies in Perl and in lightweight, modern object-oriented, and type validation systems for Perl, along with a little bit of compiling, like hardening, and replicable bits. My name is Akatsu Nokubi. I mainly maintain about Japanese text processing modules, like NKF or Kakashi. Almost module depends on other shared objects. So it is not, it requires some architecture dependency. So it's my turn. Well, I'm just Dan. I'm just your average lowest level Perl user. I really wouldn't be using Perl. I'd be using Python, like all the young people, but I couldn't get the Python to fit on the one-liner in the make file, so I ended up using Perl. And now it's too late. Hello, I'm Rhonda. I'm using Perl since ages, like last century. I never really was directly part of the Perl team, but more or less always scanning around. And I'm maintaining the IRC pod for DevCon, which is written in Perl. And I'm starting a new job in September, which also will contain a lot of Perl, so I may be more tightly connected in the future. Please, no one wants to introduce themselves on IRC. We'll come back to that if needed. Just for the sake of people, here on stream who don't follow IRC, we have a bunch of people there, Karnil, Dem, Gregor, Nikotini, and Xavier Guimar. Here's my issue. My issue is, see, I use both the experimental and the unstable Debian versions. And all the time, every time I use aptitude, there's always some gunk about Perl not being fully ready to get installed. Only about half the days of the year is finally up to date. Otherwise, there's always some holding pieces falling back, and I was hoping you got to get your act together and update the whole thing at the same time, and not have pieces dragging around, so as always have some gunk and aptitude, it's not resolved. Is there any possibility you could please do that? We can say, here's the same issue, but that would be interesting to specifically say whenever it happens to you, maybe note it, file a bug somewhere, or talk about it on IC. I did, and I said it, because I use experimental, I should be used to the problem and not complain about it. I suspect it's because when a new major version of Perl, like right now, 528, is prepared, it's a transition, and the transition is prepared in experimental, and when it's ready, and most of the issues have been fixed, then it's uploaded to CID, and then started the immigration process, transition process, to what testing is started. So it's kind of a purpose that this is a place where issues are identified and fixed before they affect everybody else. Okay. And Tini is also commenting. We are to Perlin Experimental, so it's not really feasible to have all, so 600 or so archaic packages rebuilt in experimental at the same time. So yeah, that's mainly the issue. Okay. So this year we had a couple sprints, one in Hamburg during mini-DebCamp, and the other one during DebCamp, right before DebCamp. So the reports, the report has been written, it's available. So the sprints were mainly in Hamburg, three people attending to plan for the Perlin 528 transition, add some auto-pickage tests, or fix it when it does not work and so that they don't arm-testing migration, try to fix a few bugs, and mostly move to Salsa. That was a very big, most of the work, apparently. Sadly, I did not attend. I don't see yet that. And in during DebCamp, well, it was mostly the pages not been generated yet. So we have a problem with the reports for the DebCamp that we will fix. Well, we have the goby. So yeah, it was a removal of a bunch of JTK2 independent packages in preparation for Buster, where JTK2 will not be available. So preparing a step back. Yeah, well, some reproducible build problems, a bunch of new option release. Well, the usual. New windows. I'm just curious if we had an equivalent Python maintainers meeting. Would there be many more people or less people than this? Sorry, I did not get to. Today is the Perl maintainers meeting. It's say in the neighboring room, there's a Python maintainers meeting would be lots more people or less people or what? I have no idea. I think these teams are structured, organized socially, very differently. And also in terms of how the maintenance of the interpreter itself and the maintenance and the library modules are done or coordinated or working together. I think it's quite different. I'm not sure we can compare. But later during this buff, we will provide some statistics about how many people do some metrics. And you can ask the other guys and non-guys how it is for them. And you can compare. I'm curious of the results. Yeah, I'm just curious. It seems like these two things are the most closely overlapping and functionality. And I was curious if we have a new user coming in and they only have time to learn one and not the other should they learn Python or something? Yeah, that's... So, regarding the sprinting homework, Gregor was commenting. So it was just three people, Dominantini and him. Dominantini were mostly working on 5.28 release. And Gregor was mainly fixing... well, was fixing way too many alliot to Salsa documentation things. And his feeling was it was very productive, but more people would have been nice to which Dominantini agreed. And Karnil was also there, but mostly as a security prince. So he was not able to contribute very productively. So regarding depth camp, we were maybe four people participated in person here. Very few team members attended depth camp this year for very diverse reasons. And, well, from my vantage point, it was also very productive and more people would have been nice. Yes. But yeah, well, so far, I think we can still say it's successful, but we need to have more people in sprints. Yeah, Gregor was commenting on the depth camp sprint, so he tried to follow, but it was, of course, a bit difficult because he had to work and times and difference. But it did help him and motivate him to work from home. And thank you for that, Gregor. Apart from sprints, we also have longed foot fashion. So that happened every month. The 21st of every month. I think if I remember correctly, yeah, the alternate thing, we alternate the time between, oh, yes, looking forward. Okay, back to that. So plans for next year, well, I guess it's very probable that we will have a sprint at depth camp. The question is, will there be another pro stream sprint? And where and when? I think there were also people at the snow camp, but apparently not from the pro team. Okay, proposition. Well, I know I don't have any apart from the depth camp. It's usually complicated for me to have another sprint during the year. See if we have... Yeah, Gregor has a bit other streaming problem. Well, not problem, but delay. I won't do any logistic work and it's unlikely I managed to attend, but I feel that it's easier and it probably increases the chances that more people can attend by piggybacking on an existing event like Quasden in Hamburg. Yes, okay. So Gregor is saying that there will be another mini depth camp in Hamburg, so yes, that's a very good candidate for having a sprint for people that can go there. And it will happen early June at the Pentecost weekend. So from 5th to 9th, apparently, but that has to be verified. You can probably ask Olga. You would know about it. So Antini said that having the sprint at Hamburg worked quite nicely to him, but a sprint sprint would be fine for him. Well, I personally think it's easier to gather people if there's also another event. I agree with you. Gregor agrees with Antini. So Luangit food session, so the LHF sessions were up in each month on the 21st, alternating between 5 UTC and 7 UTC, well, 17 and 19 UTC. So of course, times of difference, we alternate because we realized even if most contributors and participants of the team are in Europe, it might be easier for some if it's at 5 UTC, even if it's maybe... Well, I know it's harder for me when it's at 5 because I'm usually not out from work. Did anyone here, well, besides me, attended this one LHF this year? I recognize the technique. Okay, no. So this year 10 happened. Two were consulted for lack of participants. In the two previous years, it was eight happening in 2015, 2016, and two consulted, and in 2016, 2017, it was 11 happening and two consulted. So 10 this year is not too bad. It's in... We're in the middle. On average, on the other side, the participation is getting lower. Because we have an average of three participants. In 2015, 15, 16, it was 6, 25 participants and 5, 72 in 2016, 17. So, yeah. All in all, so the topics are... It's low-undead food, so we try to do all the maintenance stuff, that's the thing that needs to be done regularly, new optionaries, adopting package, fix bugs, add-on to package tests, and sometimes different stuff like QA cross-packages. All the discussion, like this year it was a lot about migration to Salsa, which was also a lot of work. So, next year, well, I think we should continue and maybe try to recruit more people. Maybe thousands of times happen. I mean, we do that on the 24th of each month, that way it's not always the same day of the week, so there are more chances. If you can't have a specific date, you can another day. Anyone having any comment on that? Do we continue like we do? I'm okay with that, but even if the timing is not perfect for me, means I can at least attend a few per year. I didn't manage to attend any last year, but just being able to read the report, the list of things that people have worked on has helped me keep in touch with the team and helped me motivate myself to do some work in the following days after the session I had missed. So, even for people who are not here, it might be useful. Now, I mean, if it's too frustrating to have these only so few people are depressing, it won't be the one blocking if they decide to stop them. Okay. Anthony is okay with the current scheduling. Dan says a fixed schedule with alternating hours seems to work nice, and Gregor says for him, 21st is fine. So I guess we have a consensus on keeping things as they are. Gregor is also wondering if we should change to one fixed time. Yeah, well, I've personally no strong feeling about it. Well, I know that it did happen often for me this year that it was either the wrong day or the wrong time. But, I mean, that's just bad luck. So, yeah, I would say keep it like this. Yeah. Maybe the question is whether the initial reason why we had these different times still holds. I'm not sure in terms of the current team composition, but still having different times and being open to more different times zones may help potentially new members. Exactly. Let's be welcoming. Dan is also wondering why changing to one fixed time. Gregor is fine, but he's wondering if five UTC is early for some. Yeah, well, I don't think we can find a better arrangement personally. I mean, it works at times. Otherwise, it would have been even less participation, probably. Yeah, well, Gregor is coming to the same conclusion. OK, let's move on to team status and some stats for last year. So last year, so we have a script in the script's repository. It's a root of the bird group salsa project. Well, bird salsa group. So we have 60 people with at least one commit in the last year. It was 58 in 2014, 15, 60, 56 in 2015, 17, 54 in 2016, 17. So it's pretty stable. 19 people with more than 100 commits. So yes, we can tell that it's only a third of the active people. Usually every year we have another script and try to ping inactive member to as they still want to be in the team. But since we moved to salsa this year, we did move only the people that were active, so don't really need to do that. Gregor says that the ICS file for the LHF is good until 2038, so let's not change it. Comment on that. So barrel 528, it's in the work. So we have a bug, a transition bug to keep track of it. 902557, if anyone wants to have a look. We have the rebuild logs and rebuild package repo and pearl.debian.net. And there's also a Gobi page in team pearl 528 QA coordination. There are good people adding stuff on the Gobi because I did not follow that very closely. So only two non-blockers are left in UWSGI and Colleague D, but no archive-wide rebuild yet due to lack of resource space on pearl.debian.net. Can this be fixed with Debian sponsorship? I think that would be a good idea to at least ask. Could the people maintain pearl.debian.net tell us if it could be fixed with Debian sponsorship? There are roughly 3,000 reverse dependencies of pearl.debian.net continuously since the sprint in May. For the streaming delay, to see if someone wants to comment on RFC. We can go back to that if needed. The next item is migration from Alioth to Salsa. So we migrated in May. I think it went quite nicely. Most of the problems were actually to change all our documentation and a lot of scripts, that and all the repository, and we're still kind of working on that. Gregor was making some optimization in the Armour config, for instance. I don't know if a lot of people use Armour. I know that Gregor and I do, to have all the repository up to date and not update all the repository every time, which is not nice on your machine or on Salsa. We have more comment on the transition. So Antini says we should go right anyway, since once the non-books are fixed. I'm okay with that. Any objection? I think going ahead means uploading to seed. Currently no one's strongly against. And Antini says that if we skip the full archive rebuild, it will take maybe a couple of weeks, because both blockers have fixes and work arounds. Okay, so maybe we could, of course it depends on the release team, but maybe we could check with Dom this base problem, see if we can do something about it, and if it's nothing easy or trivial, let's go for it, put that in the report as for comment on the mailing list. I mean, not everyone can attend the booth. Other people might have things to say about that. We have 15 minutes left. 15 minutes left. So back to the migration to Salsa. So yeah, most of, I think most of our documentation, including infrastructure and stuff is now fixed. We still have no real replacement for Pet, which is a shame, but fortunately Tracker is going to have the feature we need the most. So, you know, well, Kanashiro is monitoring a Google Summer of Code, Arthur, to do that. And from what we saw, it looks good. So I think we will be able to manage without Pet, and it will actually be better, I think. Apart from that, I'm personally very happy with Salsa, and all the shiny new features it had. Is anyone missing something from Salsa? Something we should fix, maybe? Oh, and Gregor is saying about missing Pet, please try dpt.new upstream in PKG Pearl Toolgate. Thanks, Kagura. I will. So, and Gregor thinks there is still a script to clean up local repose that is still tied to Alioth, FSFS script. So we have to check that. Well, do we really need it, and should we replace it? I have no idea what it does. Me neither. I did not, even though it existed. But if help is needed on that, well, I can have a look. Oh, and Gregor is wondering if it's possible to turn off project creation via the web interface. You might be able to do that with permissions. Yeah, I would have to check GitLab documentation. I'm not sure. Because, yeah, whenever one creates a project on Salsa using the web interface, it creates it all wrong, because we have all the projects that have the same settings. So there's a script to do that in the PKG Pearl Tools. It's dpt-salsa-create-repo. And yeah, anyone really needs to use this to create a new, whenever a new package is created. Unless project creation does the right thing. Yeah, well, the thing is there are, it would be actually nice to disable project creation from the web, because, well, I don't think it's possible to automate all the stuff regarding permission. It's possible to have them inherit properly. But all the settings with all the web books for the KGB bot and stuff like that, yeah, I don't think it's possible. And then, well, it's difficult to know which projects, if some projects are created with the web interface, it's difficult to know which projects are okay with regards to Salsa Config and which are not. So, yeah, I can check the GitLab thing and ask the Aliothan bins. I guess that's it for Salsa. And Gregor is commenting that the script he was talking about before removes repos from your disk which are removed from Alioth for a removed package. So, okay, well, that might be useful. So, yeah, maybe we should, well, it's especially useful for people like me who use MRNF also repos on their disk. I mean, people are just getting, only the Git repos they work on, then they probably don't need that. So, probably not a lot of people are using that. I'm using that, but I'm not going to end this time to optimize for by 2% the MRN time or disk usage. So, well, last item, projects for all next time, items for discussion. So, yeah, we had ideas in the Debcam Spring. So, well, I'm going to investigate this GitLab thing to check if we can do that. And so there are, yes, there was this hardening flag status. We have in our LHF checklist, we have hardening flags, items that not a lot of people know about. And every time I look at it, I have to think what was it already, just about adding the hardening flags to every project on Debian rules using a developer option. So, the idea is to make that systematic. Yeah, well, we can continue doing that as we did. That is, I mean, I do it every time I look at the package. Maybe we can do some kind of mass hardening activation. Now that Salsa is in good shape, it will probably be easier. We definitely want to remove, finish the removal of the LibJTK2 Pearl dependencies. That's on its way. So we can only hope it will be done for the freeze. And yes, there will be the patch replacements. I think next year we'll probably also have to think about the mailing list because we have a replacement for the alert list, but it's normally, well, we might have to change again, switch to something else. For instance, using tracker, after Buster is released, because we don't know how long this will be maintained. Dom was saying it will be okay to maintain it for release plus one or two, but no more. We will have to think about that in advance so that it's not too painful. But that can be an attempt for next year's buff. Personally, I have no other proposition if someone are saying what happens sometimes is that this kind of discussion actually happens after the buff when we have the report and people reply in the mailing list, which is not so bad. Yeah, and Tini is saying that changing the maintenance fill in all our packages is going to be painful in any case. That is true. But we will probably have to do it at some point. So probably look at the options like using tracker instead of mailing list. Gregor is asking if anyone has ideas on how to motivate more people to run auto-package tests before uploading? Oh, I think maybe Tini has an idea. Well, we can always try to do that with a CI, but that will be painful with a lot of packages. I don't think this will impact the problem Gregor was talking about. I think that the main problem is I get full update units from release, upload, and by the time the CI would run the auto-package test, the package is already accepted and since it. So it's, yeah, I guess that, I mean, the fact that, for example, running auto-package tests is a one-line config setting to enable in S-Build, maybe not very well advertised, maybe... Will we fix the documentation? Whoever set this up locally could identify issues in the doc and maybe update it or improve it. I don't know. I think maybe you could start by asking people who don't do it why they don't do it. That's probably a reason. And then we'll fix it. Ask on the mailing list, I guess. Does anyone use on, don't use auto-package tests for a particular reason? The auto-package is maintained. I know I do use it now that I have a working setup. Yeah, DEM is suggesting something triggered by an unstable commit of the changelog. I wonder if we can have a message from Salsa whenever we push, like, have you run an auto-package test? You know, trigger is pushing to us a demonstration of using the GitLab pipelines in the CI. But yeah, as he was saying, it might happen too late often. I mean, the default auto-package tests we have are not very complicated or anything, but they are still useful. Thanks everyone for participating and thanks especially to those who are in Europe and had to wake up at... crazy hours to attend remotely. Thank you.


Welcome back to the channel y'all and to the great outdoors. We're here at our bushcraft hunting camp down by the river in the woods and You know I was going through some old relics the other day and I broke out my old Ithaca 22 this is my first ever rifle a neighbor friend gave it to me. It's an extremely safe extremely simple operating Rifle that is just great. It's a great starter rifle And I got it out I cleaned it up and I was like, you know what I'm gonna take this to To the to the little bushcraft camp out in the woods because this would be a perfect addition. I Don't know how many squirrels this thing has under under its belt.  I love it. So it is time to do some squirrel hunt here at the bushcraft camp We've got a fire going I've heard some squirrels barking So we're just gonna kind of kind of do a little walk and do a little listening here and See if we can hear anything and then locate one and then take it back put it on the fire First of all, let me show you how the camp turned out The tarp held up great with the rain. I really like this tarp that water just beads off of it It did pull up a little bit. There was a little bit of thunder. I never had any lightning that I could see The hammock the hammock did really good. I like this bug net that comes with the hammock. You can take it off, but Didn't have any bugs last night, of course. So it was Probably in the low 40s maybe high 30s because I got a little chilled I slept with my camera gear and You know old mr. Pew Pew right there Right under me. So I have my 20 degree bag right here and Then I put a wool blanket under that Will blanket there and then I put my pad my sleeping pad Up under there and I had to do that because that wind was carrying under here and It was just it was hitting my my rear end and I was just not having it It was in the 40s with a with a wind and my tarp is flown Which means it's completely off the ground. So there was definitely a breeze coming in the heat off the fire Helped for the first two and a half hours or so. I would get these waves of heat that would come up under that awning and Just Convect over me and it was really nice. And then when that wore down You know, I had to I had to break out that sleeping pad Otherwise, I wouldn't got any sleep and as I was getting ready to go to bed just sitting here eating my dinner and stuff scanning with the thermals waiting to see like what is coming out here what is coming out and it was just Stuff wandering around the whole time.  I'm pretty sure there was a porcupine as well That was up here I was not brave enough to go explore it and then we had the hogs and then we have foxes and coyotes and The hogs were just too much all the hogs were just insane. I had to take another one out That was just blatantly chewing Right in front of me while I was eating my dinner Ladies and gentlemen, we have a squirrel in our midst. I Can hear it barking back there. We have a fire We're hungry Let's go get some squirrel. Holy cow. Look at this outcropping right here guys Wow now this is 100% Livable cave right here. It's huge. Absolutely huge I can see another burrow right there from a hog. That sort of looks like an arrowhead Okay squirrel located right up in this tree. All right little buddy You're mine. Oh my goodness It's as simple as that y'all lever out Shell pops out and it's just one at a time. So we'll skin it up and that's our lunch I'm glad I cleaned it up and Still shoots great So we got our squirrel right here. It's probably gonna be pretty chewy Because squirrel meat is usually chewy. We got some olive oil.  I don't clean squirrel that often But if I remember right We did it last time We just go around the cuffs of all the You know all the arms Just like you would on a deer. We'll make sure we do that good on the leg here His legs are tasty Just kind of using this Little old branch knob Just to lay him across and just have a little little pull a leverage I'm making these cuts. It always helps to have Tight skin when you're making them. I'm gonna skin this squirrel Right in the middle and then we should be able to just pull the two halves apart Now I've kind of got it under the skin where I can pull Start pulling these apart. The elbows are a little tricky But this one's coming out You can see one of his feet just popped out right there And then the other one we can just cut That's all the meat. We're really gonna need so we got our squirrel skinned in half now All we got to do is just clean out the entrails and stuff. I won't show that but the skinning part is It's pretty easy, you know on a fresh squirrel make that cut down the center just pull and then you know, obviously cut the Cut the dog it off and all that but it's For me, I think it's the easiest way and you don't get a ton of hair on it top of that spice Cosmo SPG Don't leave home without it man Salt pepper and garlic and I've even got some olive oil Olive oils are actually really useful for your for your blades as well Your metals to prevent them from rusting a lot of steels carbon steels. You have to do that anyways This is the knife that I need to use so I actually carry olive oil With me and I use it on my blades at home So I can use them for cooking as well and not just you know bushcraft type stuff Even on my axe. I find that olive oil Those types of oils natural oils work really well with that. So I'm just gonna put a little dabble do down the back here Rub that in Rub that in the tendies right there Get those arms if you guys watch the last video I suspended this grate over the coals Are over the fire really turned out to be a bad idea I Dropped half my food drop pretty much all my food in the fire So we're not gonna be doing that today. We're gonna use a different method. We're just gonna be using the coals And kind of sliding them over to our great much safer Operation here. I'll pepper this backside pepper that backside Get it. Oh, we've got some nice garlic chunks in there for squirrel that was expired about You know 45 minutes ago. I know this is gonna be chewy But it's seasoned really nicely. So let's see how good a fresh squirrel tastes in the wild It's always better when you're out in the outdoors. I promise you I'm gonna try to take some of these coals Scoot them up under here. We'll just stick our squirrel Think it might be time for a flip working with here It's feeling very hard just like a squirrel is She gonna be crunchy. It's a he actually he gonna be crunchy Maybe I should have boiled it first. I've never tried that I just heard another squirrel back there boil it get the meat soft and then do like a sear on it, but It's too late now It's gonna be like eat rocks. We are looking extra crispy I don't think there's any amount of Chick-fil-A sauce that is gonna save this, you know, it's not looking quite as Bad as I was thinking get me an arm piece throw it back on that midsection looks a little underdone There it is Steamy fresh little protein of the woods a Bone got me on that first try Shoulder blade. It's actually really good. That squirrel is not very tough That Cosmo SPG Use it on everything at home. I got a couple extra Containers of it not containers, but little bottles of it just to carry with me We're doing stuff like this truck camping and whatnot Wow That is just Really gave it a lot of good flavor not nearly as chewy as I was expecting Especially on like this arm piece right here. It's not bad at all We got some good squirrels out here. All right, let's get us a leg here Juicy leg Couple of hairs on it We'll remove daggum near impossible to Clean a squirrel and not get a couple hairs on it Steamy again, not too chewy those chunks of garlic in there make all the difference in the world Oh, man, if I had some biscuits and gravy right here, hmm I'll be hunting for more squirrels all day y'all it felt good to go down memory lane breakout the old vintage Ithaca And walk around and look for some squirrels my dad when I was little we used to go to His farm his family farm and I would walk around with that little 22 and I would Shoot squirrels and I got pretty decent at it. He told me to take it easy He taught me an important lesson.  It was greasy But it just taught me an important lesson really the only exception to that I think is hogs. We just have so many of them We can't control but you know, you just don't want to go around shooting every squirrel You see just felt good to get one bring it back cook it up And just go down memory lane with with the old lever action my first rifle ever pretty awesome Hmm that one had some bark on it. Go ahead and smash that like button for breaking out vintage classics Stay it out here in the great outdoors Camping going and getting ourselves some sustenance. It's just the basics of life. It's just good It just feels good. So go ahead and smash it and if you want to stay tuned for more outdoor action You know what to do subscribe here to the channel. Help me reach that million subscriber mark y'all Thanks for being here y'all stay safe in the outdoors. God bless. I'll see you soon


Just before we begin, of when we were very young. This is a LibraBox recording, all LibraBox recordings are in the public domain, for more information or to volunteer. Please visit LibraBox.org, recording by Anna-Lisa Bodker. When we were very young by A.A. Milne. Just before we begin. At one time, but I have changed my mind now, I thought I was going to write a little note at the top of each of these poems in the manner of Mr. William Wordsworth, who liked to tell his readers where he was staying and which of his friends he was walking with and what he was thinking about when the idea of writing his poem came to him. You will find some lines about a swan here, if you get as far as that, and I should have explained to you in the note that Christopher Robin, who feeds this swan in the mornings, has given him the name of Poo. This is a very fine name for a swan, because if you call him, and he doesn't come, which is a thing swans are good at, then you can pretend that you were just saying, Poo, to show how little you wanted him. Well, I should have told you that there are six cows who come down to Poo's lake every afternoon to drink, and of course they say, Moo, as they come. So I thought to myself, one fine day, walking with my friend, Christopher Robin, Poo rhymes with Poo. Surely there is a bit of poetry till we got out of that. Well then, I began to think about the swan on his lake, and at first I thought how lucky it was that his name was Poo, and then I didn't think about that any more, and the poem came quite differently from what I had intended, and all I can say for it now is that, if it hadn't been for Christopher Robin, I shouldn't have written it, which is indeed all I can say for any of the others. So this is why these verses go about together, because they are all friends of Christopher Robin, and if I left out one, because it was not quite like the one before, then I should have to leave out the one before, because it was not quite like the next, which would be disappointing for them. Then there is another thing. You may wonder sometimes who is supposed to be saying the verses. Is it the author, that strange but uninteresting person, or is it Christopher Robin, or some other boy or girl, or nurse, or who? If I had followed Mr. Wordsworth's plan, I could have explained this each time, but as it is, you will have to decide for yourselves. If you are not quite sure, then it is probably who. I don't know if you have ever met who, but he is one of those curious children who look four on Monday and eight on Tuesday, and are really twenty-eight on Saturday, and you never know whether it is the day when he can pronounce his Rs. He had a great deal to do with these verses. In fact, you might almost say that this book is entirely the unaided work of Christopher Robin, who, and Mr. Shepherd, who drew the pictures. They have said, Thank you politely to each other several times, and now they say it to you for taking them into your house. Thank you so much for asking us. We've come. A. A. M. End of just before we begin. Recording by Anna-Lisa Bodker When We Were Very Young by A. A. Milne This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Recording by Anna-Lisa Bodker When We Were Very Young by A. A. Milne Corner of the Street Down by the corner of the street where the three roads meet, and the feet of the people as they pass go, tweet, tweet, tweet. Who comes tripping round the corner of the street? One pair of shoes which are nurses, one pair of slippers which are purses, tweet, tweet, tweet. End of Corner of the Street Recording by Anna-Lisa Bodker Buckingham Palace by A. A. Milne Red for LibriVox.org by Anna-Lisa Bodker They're changing guard at Buckingham Palace. Christopher Robin went down with Alice. Alice is marrying one of the guard. A soldier's life is terrible hard, says Alice. They're changing guard at Buckingham Palace. Christopher Robin went down with Alice. We saw a guard in the sentry box. One of the sergeants looks after their socks, says Alice. They're changing guard at Buckingham Palace. Christopher Robin went down with Alice. We looked for the king, but he never came. Well, God take care of him all the same, says Alice. They're changing guard at Buckingham Palace. Christopher Robin went down with Alice. They've great big parties inside the grounds. I wouldn't be king for a hundred pounds, says Alice. They're changing guard at Buckingham Palace. Christopher Robin went down with Alice. A face looked out, but it wasn't the king's. He's much too busy assigning things, says Alice. They're changing guard at Buckingham Palace. Christopher Robin went down with Alice. Do you think the king knows all about me? Sure too, dear, but it's time for tea, says Alice. End of Buckingham Palace. This recording is in the public domain. Happiness by A. A. Milne. Read for LibraBox.org by Anna-Lisa Bodger. John had great big waterproof boots on. John had a great big waterproof hat. John had a great big waterproof Macintosh. And that, said John, is that. End of Happiness. This recording is in the public domain. The Crissoning by A. A. Milne. Read for LibraBox.org by Anna-Lisa Bodger.  His eyes are small, but his tail is enormous. I sometimes call him Terrible John, because his tail goes on and on and on.   But I think I shall call him Jim, because I am so fond of him. End of the Crissoning. This recording is in the public domain. Puppy and I by A. A. Milne. Read for LibraBox.org by Anna-Lisa Bodger. I met a man as I went walking. We got talking, man and I. Where are you going to, man? I said. I said to the man as he went by. Down to the village to get some bread. Will you come with me? No, not I. I met a horse as I went walking. We got talking, horse and I. Where are you going to, horse, to-day? I said to the horse as he went by. Down to the village to get some hay. Will you come with me? No, not I. I met a woman as we went walking. We got talking, woman and I. Where are you going to, woman so early? I said to the woman as she went by. Down to the village to get some barley. Will you come with me? No, not I. I met some rabbits as I went walking. We got talking, rabbits and I. Where are you going in your brown fur coats? I said to the rabbits as they went by. Down to the village to get some oats. Will you come with us? No, not I. I met a puppy as I went walking. We got talking, puppy and I. Where are you going this nice fine day? I said to the puppy as he went by. Up in the hills to roll and play. I'll come with you, puppy, said I. End of Puppy and I. This recording is in the public domain. Twinkle Toes by A. A. Milne. Read for LibriVox.org by Anna-Lisa Bodker. When the sun shines through the leaves of the apple tree. When the sun makes shadows of the leaves of the apple tree. Then I pass on the grass from one leaf to another, from one leaf to its brother. Tiptoe, tiptoe, here I go. End of Twinkle Toes. This recording is in the public domain. The Four Friends by A. A. Milne. Read for LibriVox.org by Anna-Lisa Bodker. Ernest was an elephant, a great big fellow. Leonard was a lion with a six foot tail. George was a goat and his beard was yellow. And James was a very small snail. Leonard had a stall and a great big strong one. Ernest had a manger and its walls were thick. George found a pen, but I think it was the wrong one. And James sat down on a brick. Ernest started trumpeting and cracked his manger. Leonard started roaring and shivered his stall. James gave the huffle of a snail in danger. And nobody heard him at all. Ernest started trumpeting and raised such a rumpus. Leonard started roaring and trying to kick. James went a journey with the goat's new compass and he reached the end of his brick. Ernest was an elephant and very well intentioned. Leonard was a lion with a brave new tail. George was a goat, as I think I have mentioned. But James was only a snail. End of The Four Friends. This recording is in the public domain. Lines and Squares by A. A. Milne Read for LibriVox.org by Annalisa Bodker Whenever I walk in a London street I'm ever so careful to watch my feet. And I keep in the squares and the masses of bears who wait at the corners already to eat. The sillies who tread on the lines of the street go back to their lairs and I say to them, Bears, just look how I'm walking in all of the squares. And the little bears growl to each other, he's mine, as soon as he's silly and steps on a line. And some of the bigger bears try to pretend that they came round the corner to look for a friend. And they try to pretend that nobody cares whether you walk on the lines or squares. But only the sillies believe their talk. It's ever so portent how you walk. And it's ever so jolly to call out, Bears, just watch me walking in all the squares. End of Lines and Squares. This recording is in the public domain. Brownie by A. A. Milne Read for LibriVox.org by Annalisa Bodker In a corner of the bedroom is a great big curtain. Someone lives behind it, but I don't know who. I think it is a Brownie, but I'm not quite certain. Nanny isn't certain, too. I looked behind the curtain, but he went so quickly. Brownies never wait to say, How do you do? They wriggle off at once because they're all so tickly. Nanny says they're tickly, too. End of Brownie. This recording is in the public domain. Independence by A. A. Milne Read for LibriVox.org by Annalisa Bodker I never did, I never did, I never did, like now take care, dear. I never did, I never did, I never did want hold my hand. I never did, I never did, I never did think much of not up there, dear. It's no good saying it. They don't understand. End of Independence This recording is in the public domain. Nursery Chairs by A. A. Milne Read for LibriVox.org by Annalisa Bodker One of the chairs is South America. One of the chairs is a ship at sea. One is a cage for a great big lion, and one is a chair for me. First Chair When I go up the Amazon, I stop at night and fire a gun to call my faithful band. And Indians in twos and threes come silently between the trees and wait for me to land. And if I do not want to play with any Indians today, I simply wave my hand. And then they turn and go away. They always understand. The Second Chair I'm a great big lion in my cage, and I often frighten Nanny with a roar. Then I hold her very tight and tell her not to be so frightened. And she doesn't be so frightened anymore. The Third Chair When I am in my ship I see the other ships go sailing by. A sailor leans and calls to me as his ship goes sailing by. Across the sea he leans to me. Above the winds I hear him cry. Is this the way to round the world? He calls as he goes by. The Fourth Chair Whenever I sit in a high chair for breakfast or dinner or tea, I try to pretend that it's my chair and that I am a baby of three. Shall I go off to South America? Shall I put out in my ship to sea? Or get in my cage and be lions and tigers? Or shall I be only me? End of Nursery Chairs This recording is in the public domain. Market Square by A. A. Milne Bread for LibraVox.org by Annalisa Bodger I had a penny, a bright new penny. I took my penny to the Market Square. I wanted a rabbit, a little brown rabbit, and I looked for a rabbit, most everywhere. For I went to the stall where they sold sweet lavender, only a penny for a bunch of lavender. Have you got a rabbit? Because I don't want lavender. But they hadn't got a rabbit, not anywhere there. I had a penny, and I had another penny. I took my pennies to the Market Square. I did want a rabbit, a little baby rabbit, and I looked for rabbits, most everywhere. And I went to the stall where they sold fresh mackerel. Now then, tuppence for a fresh-caught mackerel. Have you got a rabbit? Because I don't like mackerel. They hadn't got a rabbit, not anywhere there. I found a sixpence, a little white sixpence. I took it in my hand to the Market Square. I was buying my rabbit, I do like rabbits, and I looked for my rabbit, most everywhere. So I went to the stall where they sold fine saucepans. Walk up, walk up, sixpence for a saucepan. Could I have a rabbit? Because we've got two saucepans. But they hadn't got a rabbit, not anywhere there. I had nothing. No, I hadn't got nothing. So I didn't go down to the Market Square. But I walked on the common, the old gold common. And I saw little rabbits, most everywhere. So I'm sorry for the people who sell fine saucepans. I'm sorry for the people who sell fresh mackerel. I'm sorry for the people who sell sweet lavender. Because they haven't got a rabbit, not anywhere there. End of Market Square. This recording is in the public domain. Dathodown Dilly by A. A. Milne. Red for LibriVox.org by Annalisa Bodker. She wore her yellow sun bonnet. She wore her greenest gown. She turned to the south wind and curtsied up and down.  End of Dathodown Dilly. This recording is in the public domain. Water Lilies by A. A. Milne. Red for LibriVox.org by Annalisa Bodker. Where the water Lilies go, to and fro, rocking in the ripples of the water. Lazy on a leaf lies the Lake King's daughter and the faint winds shake her. Who will come and take her? I will, I will. Keep still, keep still. Sleeping on a leaf lies the Lake King's daughter. Then the wind comes skipping to the Lilies on the water and the kind winds wake her. Now who will take her? With a laugh she is slipping to the Lilies on the water. Wait, wait. Too late, too late. Only the water Lilies go, to and fro, dipping, dipping to the ripples of the water. End of Water Lilies. This recording is in the public domain. Disobedience by A. A. Milne. Red for LibriVox.org by Annalisa Bodker. James, James, Morris and Morris and Weatherby George Dupree. Took great care of his mother, though he was only three. James, James, said to his mother, Mother, he said, said he, You must never go down to the end of the town if you don't go down with me. James, James, Morris and Mother put on a golden gown. James, James, Morris and Mother drove to the end of the town. James, James, Morris and Mother said to herself, said she, I can get right down to the end of the town and be back in time for tea. King John put up a notice, lost or stolen or strayed. James, James, Morris and Mother seems to have been mislaid. Last seen wandering vaguely, quite of her own accord. She tried to get down to the end of the town. Forty shillings reward. James, James, Morris and Morris and, commonly known as Jim, told his other relations not to go blaming him. James, James, said to his mother, Mother, he said, said he, You must never go down to the end of the town without consulting me. James, James, Morris and Mother hasn't been heard of sense. King John said he was sorry. So did the Queen and Prince. King John, somebody told me, said to a man he knew, If people go down to the end of the town, well, what can anyone do? Now then, very softly, J-J-M-M-W-G-D-P took great care of his mmm, though he was only three. J-J said to his mmm, mmm, he said, said he, You must never go down to the end of the town if you don't go down with me. End of disobedience. This recording is in the public domain. Spring Morning by A. A. Milne, read for LibriVox.org by Annalisa Bodker. Where am I going? I don't quite know. Down to the stream where the king cups grow, up on the hill where the pine trees blow. Anywhere, anywhere, I don't know. Where am I going? The clouds sail by. Little ones, baby ones, over the sky. Where am I going? The shadows pass. Little ones, baby ones, over the grass. If you were a cloud and sailed up there, you'd sail on water as blue as air. And you'd see me here in the fields and say, Doesn't the sky look green today? Where am I going? The high rooks call. It's awful fun to be born at all. Where am I going? The ring doves coo. We do have beautiful things to do. If you were a bird and lived on high, you'd lean on the wind when the wind came by. You'd say to the wind when it took you away. That's where I wanted to go today. Where am I going? I don't quite know. What does it matter where people go, down to the wood where the bluebells grow? Anywhere, anywhere, I don't know. End of spring morning. This recording is in the public domain. The Island by A. A. Milne. Read for LibraVox.org by Anna-Lisa Bodker. If I had a ship, I'd sail my ship.  Boom, boom, boom, on the sun-bright sand. Then I'd leave my ship and I'd land and climb the steep white sand and climb to the trees, the six dark trees, the coconut trees on the cliff's green crown, hands and knees to the coconut trees, face to the cliff as the stones patter down, up, up, up, staggering, stumbling, round the corner where the rock is crumbling, round the shoulder over this boulder, up to the top where the six trees stand. And there would I rest and lie, my chin in my hands and gaze, at the dazzle of sand below and the green waves curling slow and the gray-blue distant haze where the sea goes up to the sky. And I'd say to myself, as I look so lazily down at the sea, there's nobody else in the world and the world was made for me. End of the Island This recording is in the public domain. The Three Foxes by A. A. Milne Read for LibraVox.org by Anna-Lisa Bodker Once upon a time there were three little foxes who didn't wear stockings and they didn't wear sockses but they all had handkerchiefs to blow their noses and they kept their handkerchiefs in cardboard boxes. They lived in the forest in three little houses and they didn't wear coats and they didn't wear trousers. They ran through the woods on their little bear tootsies and they played touch-lasts with a family of mouses. They didn't go shopping in the high street shops but caught what they wanted in the woods and copses. They all went fishing and they caught three wormses. They went out hunting and they caught three wopses. They went to a fair and they all won prizes. Three plum puddingses and three mince-pieses. They rode on elephants and swaying on swingses and hit three coconuts at coconut shieses. That's all that I know of the three little foxes who kept their handkerchiefs in cardboard boxes. They lived in the forest in three little houses but they didn't wear coats and they didn't wear trousers and they didn't wear stockings and they didn't wear sockses. End of Three Little Foxes This recording is in a public domain. Politeness by A. A. Mill Red for LibraVox.org by Annalisa Bodker If people ask me, I always tell them, quite well, thank you, I'm very glad to say. If people ask me, I always answer, quite well, thank you, how are you today? I always answer, I always tell them if they ask me politely. But sometimes I wish that they wouldn't. End of Politeness This recording is in the public domain. Jonathan Joe by A. A. Mill Red for LibraVox.org by Annalisa Bodker Jonathan Joe has a mouth like an O and a wheelbarrow full of surprises. If you ask for a bat or something like that, it has got it, whatever the size is. If you're wanting a ball, it's no trouble at all. Why, the more that you ask for, the merrier, like a hoop and a top and a watch that won't stop and some sweets and an Aberdeen terrier. Jonathan Joe has a mouth like an O but this is what makes him so funny. If you give him a smile then he never expects any money. End of Jonathan Joe This recording is in the public domain. At the Zoo by A. A. Mill Red for LibraVox.org by Annalisa Bodker There are lions and roaring tigers and enormous camels and things. There are buffalo buffalo bisons and a great big bear with wings. There's a sort of tiny Potamus and a tiny Noceros too but I gave buns to the elephant when I went down to the zoo. There are badgers and bidgers and badgers and a superintendent's house. There are masses of goats and a polar and different kinds of mouse and I think there's a sort of something which is called a wallaboo but I gave buns to the elephant when I went down to the zoo. If you try to talk to the bison he never quite understands. You can't shake hands with a mingo. He doesn't like shaking hands and lions and roaring tigers hate saying how do you do but I give buns to the elephant when I go down to the zoo. This recording is in the public domain. Rice Pudding By A. A. Milne Read for LEAPERFLOCKS.ORG by Anna-Lisa Bodker What is the matter with Mary Jane? She's crying with all her might domain.  Rice Pudding again. What is the matter with Mary Jane? What is the matter What is the matter with Mary Jane? I've promised her dolls and a daisy chain and a book about animals, all in vain. What is the matter with Mary Jane? What is the matter with Mary Jane? She's perfectly well, and she hasn't a pain. But look at her! Now she's beginning again. What is the matter with Mary Jane? What is the matter with Mary Jane? I've promised her sweets and a ride in the train, and I've begged her to stop for a bit and explain. What is the matter with Mary Jane? What is the matter with Mary Jane? She's perfectly well, and she hasn't a pain. And it's lovely rice pudding for dinner again. What is the matter with Mary Jane? End of rice pudding. This recording is in the public domain. Has anybody seen my mouse? I opened his box for half a minute just to make sure he was really in it, and while I was looking he jumped outside. I tried to catch him. I tried. I tried. I think he's somewhere about the house. Has anyone seen my mouse? Uncle John, have you seen my mouse? Just a small sort of mouse, a dear little brown one. He came from the country. He wasn't a town one, so he'll feel all lonely in a London street. Why, what could he possibly find to eat? He must be somewhere. I'll ask Aunt Rose. Have you seen a mouse with a waffly nose? Oh, somewhere about? He's just got out. Hasn't anybody seen my mouse? End of missing. This recording is in the public domain. THE KING'S BREAKFAST by A. A. Milne, red for Librabox.org by Annalisa Bodger. The king asked the queen, and the queen asked the dairymaid. Could we have some butter for the royal slice of bread? The queen asked the dairymaid. The dairymaid said, Certainly, I'll go and tell the cow now before she goes to bed. The dairymaid, she curtsied, and went and told the alderney, Don't forget the butter for the royal slice of bread. The alderney said sleepily, You'd better tell His Majesty that many people nowadays like marmalade instead. The dairymaid said, Fancy, and went to Her Majesty. She curtsied to the queen, and she turned a little red. Excuse me, Your Majesty, for taking of the liberty, but marmalade is tasty, if it's very thickly spread. The queen said, Oh, and went to His Majesty, Talking of the butter for the royal slice of bread, Many people think that marmalade is nicer. Would you like to try a little marmalade instead? The king said, Bother. And then he said, Oh, dearie me, The king sobbed, Oh, dearie me, And went back to bed. Nobody, he whimpered, Could call me a fussy man, I only want a little bit of butter for my bread. The queen said, There, there, And went to the dairymaid. The dairymaid said, There, there, And went to the shed. The cow said, There, there, I didn't really mean it. Here's milk for his purger, And butter for his bread. The queen took the butter and brought it to His Majesty. The king said, Butter, eh? And bounced out of bed. Nobody, he said, As he kissed her tenderly. Nobody, he said, As he slid down the banisters. Nobody, my darling, Could call me a fussy man, But I do like a little bit of butter to my bread. End of the king's breakfast. This recording is in the public domain. Hoppity by A. A. Milne. Read for LibriVox.org by Annalisa Bodger. Christopher Robin goes hoppity, hoppity, hoppity, hoppity, hopp. Whenever I tell him politely to stop it, He says he can't possibly stop. If he stopped hopping, he couldn't go anywhere. Poor little Christopher couldn't go anywhere. That's why he always goes hoppity, hoppity, hoppity, hoppity, hopp. End of hoppity. This recording is in the public domain. At Home by A. A. Milne. Read for LibriVox.org by Annalisa Bodger. I want a soldier, a soldier in a Busbee. I want a soldier to come and play with me. I'd give him cream cakes, big ones, sugar ones. I'd give him cream cakes and cream for his tea. I want a soldier, a tall one, a red one. I want a soldier who plays on the drum. Daddy's going to get one. He's written to the shopman. Daddy's going to get one as soon as he can come. End of At Home. This recording is in the public domain. The Wrong House by A. A. Milne. Read for LibriVox.org by Annalisa Bodger. I went into a house, and it wasn't a house. It has big steps and a great big hall. But it hasn't got a garden. A garden, a garden, it isn't like a house at all. I went into a house, and it wasn't a house. It has a big garden and a great high wall. But it hasn't got a matri.  I went into a house, and it wasn't a house. Slow white petals from the matri fall. But it hasn't got a blackbird.  I went into a house, and I thought it was a house. I could hear from the matri the blackbird call. But nobody listened to it. Nobody liked it. Nobody wanted it at all. End of The Wrong House. This recording is in the public domain. Summer Afternoon by A. A. Milne. Red for LibraVox.org by Annalisa Bodker. Six brown cows walked down to drink. All the little fishes blew bubbles at the Mayfly. Splash goes the first as he comes to the brink. Swish go the tails of the five who follow. Twelve brown cows been drinking there. All the little fishes went waggle tail, waggle tail. Six from the water and six from the air. Up and down the river darts a blue-black swallow. End of Summer Afternoon. This recording is in the public domain. The Door Mouse and the Doctor by A. A. Milne. Red for LibraVox.org by Annalisa Bodker. There was once a door mouse who lived in a bed of Delphinium's blue and Geranium's red and all the day long he'd a wonderful view of Geranium's red and Delphinium's blue. A doctor came hurrying round and he said, Tut, tut, I am sorry to find you in bed. Just say, ninety-nine while I look at your chest. Did you find that chrysanthemums answer the best? The door mouse looked round at the view and replied, when he'd said ninety-nine, that he'd tried and he'd tried and much the most answering things that he knew were Geranium's red and Delphinium's blue. The doctor stood frowning and shaking his head and he took up his shiny silk hat as he said. What the patient requires is a change and he went to see some chrysanthemum people in Kent. The door mouse lay there and he gazed at the view of Geranium's red and Delphinium's blue and he knew there was nothing he wanted instead of Delphinium's blue and Geranium's red. The doctor came back and to show what he meant he had brought some chrysanthemum cuttings from Kent. Now these, he remarked, give a much better view than Geranium's red and Delphinium's blue. They took out their spades and they dug up the bed of Delphinium's blue and Geranium's red and they planted chrysanthemums yellow and white and now, said the doctor, we'll soon have you right. The door mouse looked out and he said with a sigh, I suppose all these people know better than I. It was silly perhaps, but I did like the view of Geranium's red and Delphinium's blue. The doctor came round and examined his chest and ordered him nourishment, tonics and rest. How very effective, he said as he shook the thermometer, all these chrysanthemums look.  How lovely, he thought, to be back in a bed of Delphinium's blue and Geranium's red. The doctor said, tut, it's another attack and ordered him milk and massage of the back and freedom from worry and drives in a car and murmured, how sweet your chrysanthemums are.  I'll pretend the chrysanthemums turned to a bed of Delphinium's blue and Geranium's red. The doctor next morning was rubbing his hands and saying, there's nobody quite understands these cases as I do, the cure has begun. How fresh the chrysanthemums look in the sun. The door mouse lay happy, his eyes were so tight he could see no chrysanthemums yellow or white and all that he felt at the back of his head were Delphinium's blue and Geranium's red. And that is the reason Aunt Emily said if a door mouse gets in a chrysanthemum bed you will find so Aunt Emily says that he lies fast asleep on his front with his paws to his eyes. End of The Door Mouse and The Doctor This recording is in the public domain. Shoes and Stockings by A. A. Milne There's a cavern in the mountain where the old men meet. Hammer hammer hammer. They make gold slippers for my lady's feet. Hammer hammer hammer. My lady is marrying her own true knight whiter gown and her veil is white she beat. Hammer, hammer, hammer, hammer. There's a cottage by the river where the old wives meet. Chatter, chatter, chatter. Chatter, chatter, chatter. They weave gold stockings for my lady's feet. Chatter, chatter, chatter. Chatter, chatter, chatter. My lady is going to her own true man, youth to youth, since the world began. But she must have stockings on her dainty feet. Chatter, chatter, chatter. Chatter. End of shoes and stockings. This recording is in the public domain. Sand Between the Toes by A. A. Milne, read for Librebox.org by Annalisa Bodger. I went down to the Shouting Sea, taking Christopher down with me. For nurse had given us six pence each, and down we went to the beach. We had sand in the eyes, and the ears and the nose, and sand in the hair, and sand between the toes. Whenever a good norwester blows, Christopher is certain of sand between the toes. The sea was galloping gray and white. Christopher clutched his six pence tight. We clambered over the humping sand, and Christopher held my hand. We had sand in the eyes, and the ears and the nose, and sand in the hair, and sand between the toes. Whenever a good norwester blows, Christopher is certain of sand between the toes. There was a roaring in the sky. The seagulls cried as they blew by. We tried to talk, but had to shout. Nobody else was out. When we got home we had sand in the hair, in the eyes and the ears, and everywhere. Whenever a good norwester blows, Christopher is found with sand between the toes. There is in my old picture book a page at which I like to look, where knights and squires come riding down the cobbles of some steeple town, and ladies from beneath the eaves flutter their bravest handkerchiefs, or smiling proudly, toss down gauges. But that was in the middle ages. It wouldn't happen now. But still, whenever I look up the hill, where dark against the green and blue, the furs come marching two by two, I wonder if perhaps I might see suddenly a shining night, winding his way from blue to green, exactly as it would have been those many, many years ago. Perhaps I might, you never know.   Little boy blue, what fun! I've lost them, everyone.   What have you done with your sheep, boy blue? Little bo peep, my sheep, went off when I was asleep. I'm sorry about your sheep, little boy blue. What are you going to do, little bo peep? What are you going to do, bo peep? Little boy blue, you'll see. They'll all come home to tea. They wouldn't do that for me, little bo peep. They wouldn't do that for me, little bo peep. What are you going to do, little boy blue? What are you going to do, boy blue? Little bo peep, I'll blow my horn for an hour or so. Isn't that rather slow, little boy blue? Who are you going to marry, little bo peep? Whom are you going to marry, bo peep?  I think I should like it too, little bo peep. Where are we going to live, little boy blue? Where are we going to live, boy blue? Little bo peep, bo peep, up in the hills with the sheep.  I'll love you forever and ever, little bo peep. I'll love you forever and ever, bo peep. Little boy blue, my dear, keep near, keep very near. I shall always be here, little bo peep. End of Little Bo Peep and Little Boy Blue. This recording is in the public domain. The Mirror by A. A. Milne, read for LibriVox.org by Anna Lisa Bodker. Between the woods the afternoon is fallen in a golden swoon. The sun looks down from quiet skies to where a quiet water lies and silent trees stoop down to trees. And there I saw a white swan make another white swan in the lake and breast to breast. Both motionless they waited for the winds caress and all the water was at ease. End of The Mirror. This recording is in the public domain. Halfway Down by A. A. Milne, read for LibriVox.org by Anna Lisa Bodker. Halfway Down the Stairs is a stair where I sit. There isn't any other stair quite like it. I'm not at the bottom. I'm not at the top. So this is the stair where I always stop. Halfway Up the Stairs isn't up and isn't down. It isn't in the nursery, it isn't in the town.  It isn't really anywhere. It's somewhere else instead. End of Halfway Down. This recording is in the public domain. The Invaders by A. A. Milne, read for LibriVox.org by Anna Lisa Bodker. In careless patches through the wood the clumps of yellow primrose stood and sheets of white anemones like driven snow against the trees had covered up the violet but left the blue bell bluer yet. Along the narrow carpet ride with primroses on either side between their shadows and the sun the cows came slowly one by one breathing the early morning air and leaving it still sweeter there and one by one intent upon their purposes they followed on in ordered silence and were gone but all the little wood was still as if it waited so until some black bird on an outpost you watching the slow procession through lifted his yellow beak at last to whistle that the line had passed then all the wood began to sing its morning anthem to the spring. End of The Invaders. This recording is in the public domain. Before Tea by A. A. Milne, read for LibriVox.org by Anna Lisa Bodker. Emeline has not been seen for more than a week. She slipped between the two tall trees at the end of the green. We all went after her. Emeline, I didn't mean I only said that your hands weren't clean. We went to the trees at the end of the green, but Emeline was not to be seen. Emeline came slipping between the two tall trees at the end of the green. We all ran up to her. Emeline, where have you been? Where have you been? Why, it's more than a week. And Emeline said, silly, I went and saw the queen. She says my hands are perfectly clean. End of Before Tea. This recording is in the public domain. Teddy Bear by A. A. Milne, read for LibriVox.org by Anna Lisa Bodker. A bear, however hard he tries, grows tubby without exercise. Our teddy bear is short and fat, which is not to be wondered at. He gets what exercise he can by falling off the ottoman, but generally seems to lack the energy to clamber back. Now, tubbiness is just the thing, which gets a fellow wondering, and Teddy worried lots about the fact that he was rather stout. He thought, if only I were thin, but how does anyone begin? He thought, it really isn't fair, to grudge me exercise and air. For many weeks he pressed in vain his nose against the windowpane, and envied those who walked about, reducing their unwanted stout. None of the people he could see is quite, he said, as fat as me.  Now Teddy, as was only right, slept in the ottoman at night, and with him crowded in as well, more animals than I can tell. Not only these, but books and things, such as a kind relation brings, old tales of once upon a time, and history, retold in rhyme. One night it happened that he took a peep at an old picture book, wherein he came across by chance the picture of a king of France, a stoutish man, and down below these words, King Louis so and so, nicknamed the handsome. There he sat, and think of it, the man was fat. Our bear rejoiced like anything to read about this famous king. Nicknamed the handsome. There he sat, and certainly the man was fat. Nicknamed the handsome. Not a doubt, the man was definitely stout. Why, then, a bear, for all his tub, might yet be named the handsome cub. Might yet be named, or did he mean that years ago he might have been. For now he felt a slight misgiving. Is Louis so and so still living? Fashions and beauty have a way of altering from day to day. Is handsome Louis with us yet? Unfortunately, I forget. Next morning, nose to window pain, the doubt occurred to him again. One question hammered in his head.  Thus nose to pain he pondered, but the lattice window, loosely shut, swung open, with one startled, oh, our teddy bear disappeared below. There happened to be passing by a plump man with a twinkling eye, who, seeing Teddy in the street, raised him politely to his feet, and murmured kindly in his ear soft words of comfort and of cheer. Well, well, allow me. Not at all. Tut, a very nasty fall. Our teddy answered not a word. It's doubtful if he even heard. Our bear could only look and look. The stout man in the picture book. That handsome king. Could this be he? This man of adiposity? Impossible, he thought, but still. No harm in asking. Yes, I will. Are you, he said, by any chance, his Majesty the King of France? The other answered, I am that. Bowed stiffly and removed his hat, then said, excuse me, with an air. But is it Mr. Edward Bear? And Teddy, bending very low, replied politely, even so. They stood beneath the window there, the King and Mr. Edward Bear, and handsome, if a trifle fat talked carelessly of this and that, then said his Majesty, Well, well, I must get on, and rang the bell. Your bear, I think, he smiled, good day, and turned and went upon his way. A bear, however hard he tries, grows tubby without exercise. Our teddy bear is short and fat, which is not to be wondered at. But do you think it worries him to know that he is far from slim? No, just the other way about. He's proud of being short and stout. End of Teddy Bear. This recording is in the public domain. Bad Sir Brian Botany by A. A. Milne. Red or LibriVox.org by Annalisa Botker. Sir Brian had a battle-axe with great big knobs on. He went among the villagers and blipped them on the head. On Wednesday and on Saturday, but mostly on the latter day, he called at all the cottages, and this is what he said. I am Sir Brian. Tingling. I am Sir Brian. Ratat. I am Sir Brian, as bold as a lion. Take that, and that, and that. Sir Brian had a pair of boots with great big spurs on, a fighting pair of which he was particularly fond, on Tuesday and on Friday, just to make the street look tidy. He'd collect the passing villagers and kick them in the pond. I am Sir Brian. Spurlash. I am Sir Brian. Spurlash. I am Sir Brian, as bold as a lion. Is anyone else for a wash? Sir Brian woke one morning, and he couldn't find his battle-axe. He walked into the village in his second pair of boots.  You are Sir Brian, indeed. You are Sir Brian, dear, dear. You are Sir Brian, as bold as a lion. Delighted to meet you here. Sir Brian went a journey, and he found a lot of duckweed.  They took him by the breeches, and they hurled him into ditches, and they pushed him under waterfalls. And this is what they said. You are Sir Brian. Don't laugh. You are Sir Brian. Don't cry. You are Sir Brian, as bold as a lion. Sir Brian, the lion. Goodbye. Sir Brian struggled home again, and chopped up his battle-axe. Sir Brian took his fighting boots and threw them in the fire. He is quite a different person now. He hasn't got his burz on, and he goes about the village as Bee Botany, Esquire. I am Sir Brian. Oh, no. I am Sir Brian. Who's he? I haven't got any title. I'm Botany. Plain Mr. Botany, Bee. End of Bad Sir Brian Botany. This recording is in the public domain. In the Fashion by A. A. Milne, read for LibraVox.org by Anna-Lisa Botker. A lion has a tail, and a very fine tail, and so has an elephant, and so has a whale, and so has a crocodile, and so has a quail. They've all got tails, but me. If I had a six-pence, I would buy one. I'd say to the shopmen, let me try one. I'd say to the elephant, this is my one. They'd all come round to see. Then I'd say to the lion, why you've got a tail, and so has the elephant, and so has the whale, and look, there's a crocodile. He's got a tail. You've all got tails, like me. End of In the Fashion. This recording is in the public domain. The Alchemist by A. A. Milne, read for LibraVox.org by Anna-Lisa Botker. There lives an old man at the top of the street, and the end of his beard reaches down to his feet, and he's just the one person I'm longing to meet. I think that he sounds so exciting, for he talks all the day to his tortoise shell cat, and he asks about this and explains about that, and at night he puts on a big wide-away cat, so as not to go to sleep, and sits in the writing room writing. He has worked all his life, and he's terribly old, at a wonderful spell which says, lo and behold, your nursery fender is gold, and it's gold, or the tongs, or the rod, for the curtain. But somehow he hasn't got hold of it quite, or the liquid you pour on it first isn't right, so that's why he works at it night after night, till he knows he can do it for certain. End of The Alchemist. This recording is in the public domain. Growing Up by A. A. Milne, read for LibraVox.org by Anna-Lisa Botker. I've got shoes with grown-up laces. I've got knickers and a pair of braces. I'm all ready to run some races. Who's coming out with me? I've got a new pair of braces. I've got shoes with new brown laces. I know wonderful paddle-y places. Who's coming out with me? Every morning my new braces. Thank you, God, for my new braces. I can tie my new brown laces. Who's coming out with me? End of Growing Up. This recording is in the public domain. If I Were King by A. A. Milne, read for LibraVox.org by Anna-Lisa Botker. I often wish I were a king, and then I could do anything. If only I were the king of Spain. I'd take my hat off in the rain. If only I were the king of France. I wouldn't brush my hair for ants. I think if I were the king of Greece, I'd push things off the mantlepiece. If I were the king of Norway, I'd ask an elephant to stay. If I were the king of Babylon, I'd leave my button-gloves undone. If I were the king of Timbuktu, I'd think of lovely things to do. If I were the king of anything, I'd tell the soldiers I'm the king. End of If I Were King. This recording is in the public domain. Vespers by A. A. Milne, read for LibraVox.org by Anna-Lisa Botker.  Hush, hush, whisper who dares. Christopher Robin is saying his prayers. God bless, Mummy. I know that's right. Wasn't it fun in the bath tonight? The cold, so cold, and the hot, so hot. Oh, God bless, Daddy. I quite forgot. If I open my fingers a little bit more, I can see Nanny's dressing gown on the door. It's a beautiful blue, but it hasn't a hood. Oh, God bless Nanny, and make her good.  Oh, thank you, God, for a lovely day. And what was the other I had to say? I said bless, Daddy, so what can it be? Oh, now I remember it. God bless me.  Hush, hush, whisper who dares. Christopher Robin is saying his prayers. End of Vespers. End of When We Were Very Young by A. A. Milne. This recording is in the public domain.


For the first time in their illustrious school history, the Florida Gators are donning all Black alternate uniforms this Saturday against Arkansas. The All Blacks are in honor of what they're calling their saluting those who serve game and check out the backs. Player name plates will not have player names. I have one of these five words that salute first responders and military members. Integrity, commitment, excellence, honor, and courage. So not only do the uniforms look great, but they honor a great cause as well.


Five things narcissists do to trap you. The narcissist knows that they are not deserving of you They know that you would not want to be around them If you knew what they really are So they have to trap you in their web They have to catch you in their complex system of interconnected elements To prevent you from escaping because they know that anyone in your position would want to leave They understand that they're not something you would choose to be around Which is why they have to trap you They have to find ways to keep you logged in So here are five things that they will do to do that love-bombing Narcissists have had years of practice They're good at reading people They know how to manipulate you They know what they have to say or do to know you in They know how to get you where they need you So that they can get what they want from you, they will tell you whatever they think you want to hear To make you trust them to make you give them a chance That is how they manipulate you that is how they pull you into their realm to Future faking Once the narcissist has given you this false impression You may want to see it materialize You may want to see the product that they have just sold to you and this is when the narcissist will use future faking They will promise you something in the future They will keep you waiting They will keep you thinking that one day you will get what you want and things are going to change They will sell you a dream But it's all fake You will never receive anything from them The situation will not benefit you in any way Because they're just used in the future faking to keep you around So that they can continue getting what they want from you three devaluation When the narcissist sees that you're getting fed up of waiting for things to change It will offend them They will see it as an insult Because they expect you to see it as a privilege just to be around them So rather than letting you have the opportunity To criticize their lack of investment in the relationship They will devalue you Despite everything that you have done for them And everything that you may continue to do for them They will minimize it Or they will justify discussing it, but if you were to stop doing those things for them They would get very angry It makes you feel like you can't leave As though your only option is to stay with them and do everything they want you to do While they continue to devalue you because they want you to stay where you are They want you to feel like you wouldn't be any good for anyone or anything As though they're the only ones who can help you when they're actually the one thing that is holding you back for Insolation the narcissist will isolate you They will make you dependent on them and They will turn you against your family or friends or turn your family and friends against you So that you have no one but them They become your only source of influence Which means that they can tell you whatever they want and You're not going to know what's right or what's wrong They want you to feel like they're the only person that you can depend on They abuse you But then they also want to be the ones who make you feel better They want to be the ones that you can find in So that they can have control over you It maintains a code of silence When no one outside of you and the narcissist knows what's really going on five smear campaign Even if you do manage to figure out what they're doing to you And you find it enough strength to leave The narcissist isn't going to let you go so easily They fear that you might reveal who they really are to other people Which is why they were already saying horrible things about you to people While they were isolating you So even if you leave the narcissist It just confirms a twisted narrative to other people the narcissist has manipulated about how you don't support them About how you're abandoning them. It just makes you look bad Because they don't know about everything you've been through They don't know about the suffering and misfortune That you have endured It just looks like you're running away from someone Who has done everything for you Because that's the narrative that narcissists feed to people Even if they have only made your life difficult and inconvenient The game is rigged It's a setup from the start And it is all designed to trap you It's designed to keep you under their control Just so they can use and abuse you and get away with it Without facing the consequences for their actions Because that's really what they were looking for when they targeted you They were looking for someone who they could do all of these horrible things to Someone who didn't have a voice Someone who didn't have any support So that they could do whatever they want with you and not have to answer to anyone Thank you for watching. I hope this video resonates with you Please like comment Share and subscribe If you would like to donate My PayPal link is in the video description Coaching inquiries You can email me at coaching at NarcSurvivor.co.uk Thank you for watching and I'll talk to you soon


Everybody forced tier ripping at 2023 tops for steen baseball hobby four bucks number 12 random team style find the results on your screen anytime late in sports cars dot-com. Let's get to it Come on Kyle. All right. Here we go Yeah, it's at the Orioles Yeah, I'll probably I don't know when but I'm thinking Closer to Wednesday is when I'll list the The fanatics live breaks Probably like Tuesday night honestly Maybe even early Wednesday. I don't know. All right. Yeah, let's do it. Let's do it Practor Eddie Murray and of Vlad Guerrero senior Don Mattingly On the autograph 33 of 50 for the Yankees What he's called again pristine personal endorsements autograph There you go. Yanks. Those are really rare. I haven't seen one of those yet We were the bunch of cases so to going going on I think one of the other breakers pulled one Nice start Yankees Refractor Jayrod and a wind field of 75 Padres Vaughn Grissom fresh faces Ricky for Atlanta. Those count as bonus because you haven't even a Patch auto here a relic auto of some sort Buster Posey Matt Chapman on the orange around the diamond Jersey Auto Blue Jays 725 she da base Got Lindor oh snap Manoa gold career at a 50 for the twins Everyone prefers on fratata's for sure Blackburn Garig Parazza Yelich refractor and a purple nasty nester to 99 for the Yanks Brian Bayo Gold oh snap Peter Lonzo 32 of 50 Go Mets and a going going on Shohei Otani with a ding in it. Unfortunately Send a box wrapper to the angels got a rookie auto blue refractor to 75 and Karnaz the on Marlins 35 of 75 Got a jeeter refractor pink refractor rookie Vinnie Pasquantino five of 15 Royals Got refractor or not, but just base rookie auto mark up hell for the Phillies Fracture of Jimenez and a gold Jimenez Guardians out of 50 box to I don't why don't use a green refractor in this I think green with a boss like that darker teal Larry how you doing man? How's everybody doing? End of the weekend is here y'all hurricane's coming India and Marta at least sheriff in uh, here in florida Heck maybe even like salvage order, man they get bad they get the floods and tornadoes and stuff Contrary us we got purple refractor to 99 bellinger cubs I have no idea Andrew. I just we sent a bunch in there if you want to try. I know it's just a base insert It might not be worth replacing the base insert, but yeah, we'll send it got Josh Jung fresh faces There's so many wrappers in the box that we're sending you Freeman refractor with a Spencer Torkelson game used here as the auto for the tigers number 35 of 99 I didn't see Yeah, let me I'll do that I need to get in shape first God we got gold to 50 Robbie Ray Mariners how much money they offering I got a price. It's pretty low. Honestly Byron Buxton. Oh snap. Hey Kyle Don't do that Don't engage in that activity Vlad Guerrero David Wright This is a Sam free zone on sundays Jake was doing it for me I'll rest fresh faces Dude, what a goober One soto purple tautista 99 Padres Panda watch It is hurricane watch dude. What are we doing for the hurricane? We're gonna Daddy we're meeting up at Good Yeah, everyone's gonna go to the gas station in the grocery store. I'm going to the liquor store tomorrow. Yeah, just to prepare Yeah, the people that underestimate and then have to walk through waist deep water to get someone They're like, oh, well I uh I should have saw this coming rookie auto Miguel Vargas to 99 Dodgers You got a frank thomas white socks bluer refractor David right to 75 Mets color match Oswaldo Cabrera rookie auto for the Yankees Alejandro Kirk and a mans applied rookie blue refractor diamond backs to 75 All right box number three Gotta check out the crumble menu soon Not them to get any but just gotta know You gotta know just in case I decide to order some That i'm prepared Guys Kyle's live on channel two with personals if you need to personal that's the place to be The big hats what the heck is he doing over there? That might be yes, if he's just wearing one I know to be honest with you got new I think it is has his logo on there got new bar mclannahan Yeah, he's not yeah, no, no, no He's just generic man Yeah, he's like the the default skin on fortnight That sure as their gold rookie von grissom for atlanta I start braves 150 on the von grissom Adley adley I I feel like we have maybe i'm thinking a gunner Got nolyn gorman fresh faces Yeah, I don't think I have larry got refractor yord on jersey auto ryan howard fillies Sweet fillies hit there Refractor harper purple refractor to 99 starling martin mets Chris bryant o snap rick you refractor hunter brown astros luce castillo michael harris fresh faces rookie for the braves Ivan soto A red refractor four of five ricky henderson a's Great card for the a's here nice red ricky Hank erin In case rookie auto corbin carol diamond backs great hit zona So i'm talking about jonathan b Awesome hit jonathan a zander bogart's refractor glue refractor aramis ramirez cubs is 75 Get rookie auto of any pasquantino for the royals Some royals Refractor corbin burns and gold refractor rafael devbers 21 of 50 for the red sox I you want it you want an estimate You grab who's that zavier hutchinson. He's a rookie. Who's that? I was a decent throw too. Yeah Not the best Winebacker, oh, yeah, uh, you'll just have to look up commas. There's only one Yeah, just one card here. Volpe refractor First time I've seen that Yeah, well bobby with juniors one of the guys you'd want to you want to Hold cards of the Perez ricky gold. Oh, there's an extra refractor here. There we go judge Got gold ricky groschans marlins number 46 at 50. Yeah, you gotta go on ebay and be like look at this Look at that Look what that's sold for Got vaughn agrissum fresh faces for the braves Any kind of seo norter refractor marlins with a jersey auto patrick wisdom cubs Corbin carol going going on airing it judge O'Neill cruise purple refractor torquelson the 99 tigers It's 85 of 99 that is brice harper. Oh snap Aaron judge refractor many machado Clemens bobby wit jr. Fresh faces Ian hap rookie blue refractor mason thompson Or sorry, zack thompson St. Louis Last pack Vlad jr In case you got an auto kyle tucker astros to 99 32 and 99 Each year over factor pink refractor white socks louis robert 10 of 15 Awesome card for the white socks got a rookie auto miguel vargas for the Dodgers Rookie refractor thompson cardinals and blue rookie grayson roderiguez to 75 orials We had relic autos of patrick wisdom ryan howard Spencer torquelson nets out of 99 Matt Chapman out of 25 a don mattingly insert auto here pristine personal endorsements All right, in case dottos. Yeah, and megel vargas for the Dodgers kyle tuckert to 99 astros Vinnie pasquantino Osvaldo cabrera Miguel vargas to 99 for the Dodgers mark appell fillies Yoran carnaz siona 75 marlins Corbin carol diamond backs congrats rookie auto Pink refractor rookie Vinnie pasquantino royals to 15 A red to five ricky henderson for the a's four or five there and pink to 15 louis robert white socks That'll do it for the break. Thanks again everybody moving on now to the pristine and crumb jumbo mixer


Well self-evaluation has to go on all the time. Like there's no better tool for student or professor than reflection. It's part of our process. In fact in the scholarship of teaching and learning very early we've learned that there's reflection in practice and reflection on practice. And it's the reflection on practice that strengthens us later in the friction in practice that makes us better in the classroom. So reflection, self-evaluation, is very very important for students and professors. I think the important thing in self-assessment becomes the kinds of questions you are you are placing in the self-assessment. What are the markers that you are placing in there? There are a lot of times where self-evaluation is is very useful and perhaps as a reflective practice exercise. So often it's pretty standard now that faculty will use the discussion boards in some format where they'll be having a conversation between either smart groups or the entire class. But the real power can come at the end where the student can evaluate how they contributed to that discussion. So doing some kind of peer evaluation not just necessarily ticking off things on a rubric but sort of saying how did I contribute to the discussion? How did I change the conversation? And that can be an assessment in itself that they could submit. Well self-evaluation is a process of developing that metacognitive awareness of so what's involved here? And I think that's crucial for students to develop an idea of what are you expecting and it creates a conversation then about the kind of evaluation that will go on in the course. An example of this might be you have a larger project or a large essay and maybe you ask you require students to submit something and as part of submission they also go through and fill in the rubric for themselves. Now you might not assign a great a large grade for that but it could be a pass-fail sort of thing where did they provide feedback or did they reflect on it in a way that is shows that they've actually considered their work and identified some areas that they need to work on. Peer assessment does something I like to think of it this way when I when I thought of it this way kind of blew my mind a little bit we have all these students doing something we give them all a task in the typical situation they all do their own they submit it it goes away eventually months later they get it back with some comments meanwhile there's the sea of other responses to that same question that that's all around them that it's a powerful source of information so I think by allowing students to see what their peers have done and in fact I like to actually ask them very explicitly to assess that work to point out if possible ways in which it could be improved so you can use peer assessment in a way that builds community as well by saying your task here is yes to find something that's not optimal but also to suggest a way this can be changed that will make it better than it currently is for the statistics move we also took advantage of peer assessment capabilities and so that we had the opportunity to have students write responses to questions about some results they have some analysis of some data so that they could actually demonstrate their levels of statistical thinking how what they could and couldn't say based on the results of the statistical analysis what the strengths and limitations were of the analysis and the conclusions that they could draw and again that was peer assess and which I thought was a really good tool and of course students learn a lot also by going through the peer assessment process and by reading what their peers wrote and thinking about how that relates to the rubric and how perhaps relates to their own response and their statistical thinking skills just develop further through that process the students are required to develop within their groups their own specific rubric for how they are grading one another and part of that is also a learning process because they'll you know some of the students will identify marks associated for participation and I have to pull out of them what participation actually means so that they can assign an appropriate value to someone who's showing up someone who's showing up and doing work and someone who's showing up and doing excellent work so peer evaluations definitely used it's I think for the most part it's been good because it's helped identify you know which students haven't been contributing and their grade is adjusted by their peers essentially so what I tell them throughout the term is that we're going to have peer assessment at the end I show them the first week of class what it's going to be based on which in essence is asking what percentage of the work in the group did each person do so if you have a four-person group and you're answering about the other three generally you'd like to see 33 percent 33 percent 33 percent is the answer to that question I also ask on a on a seven point scale how engaged was each of the others in your group in each week and how well prepared were they and incidentally I don't ask I don't ask in comparison to others I just ask on an absolute scale peer evaluation is another way to get students to be involved in the evaluative process if you want to be strategic about it it can actually reduce your workload if you set it up well but you have to help students get to a place where they can do this effectively and that can mean that you set out a framework for that or you have a discussion where you co-create that framework this peer evaluation can be formative or it can be summative I prefer formative because it's much more lower stakes and you're getting feedback on the process as opposed to the notion of this is going to be towards my grade what my colleague thinks so I have used it that way I don't think it's wrong you could petition it that way but it's I think it's much more effective if you use peer evaluation formatively and what you're doing there is that on the one hand it makes it look like the emphasis is on the information that the one learner is getting but in fact the whole process is one of metacognitive development where they're starting to understand that these are the criteria if you go back to the notion of some fundamental ideas of outcome-based education and using rubrics you want to bring the students into that process and how do you do that well peer evaluation