OK, buenas, buenos días. Vamos a empezar con el último taller de hoy. Y, bueno, nos vamos a autopresentar. Es horrible. Yo soy Josely Meiners y soy profesor aquí en la Universidad de Texas en Austin, en el Departamento de Español y Portugués. ¿Y Flavia? Bueno, yo soy Flavia Belpoliti. Ya me conocen, muchos de ustedes. Soy profesora de Linguística Hispánica en la Universidad Texas NAM en Commerce.  Podemos hablar de eso después de que terminemos, pero sí. OK, entonces hoy vamos a hablar de OER en Curriculum de Básico de Proyecto, Inclusión, Engagement y Agencia. Entonces, Flavia y yo hemos ambos estado haciendo Básicos de Básico de Proyecto durante muchos años. Y tengo que decir que me he inspirado a crear mi primer curso de Básico de Proyecto. Después de ver su conversación en una conferencia, como 8 años atrás, algo así. Y ahora hemos ambos trabajado mucho con Proyecto Básico de Básico de Proyecto y con Coral OER, Open Pedagogy. Así que vamos a compartir un poco de lo que hemos estado haciendo. No hay clicker, ¿verdad? No sirve el de ayer. No sé si esto está trabajando. ¿Está trabajando? No. Vamos a just click aquí. OK, entonces los objetivos para hoy, primero lo que queremos compartir es los principales principales de Proyecto Básico en Línguos y Línguos. Vamos a hablar de los principales principales de Línguos, Línguos, Línguos, Línguos y Línguos. Y vamos a analizar las implementaciones de Proyecto Básico de Proyecto desde las perspectivas de Línguos y Línguos y Línguos. Así que podemos, al final, planear y diseñar un Proyecto Básico de Básico de tu propia integración de OER para tus propias clases. Eso es nuestro plan para hoy. Y entonces, para empezar, vamos a empezar con la primera actividad que tienen en el handout, whether you have the paper or on our folder in the drive, the one that says cuadernillo de trabajo. And the first activity, it says in groups of three or four, please comment on the activity one, which is about a personal project. So there are some questions. So answer the question. With your partner or two people, we don't have very specific instructions. No, no, for this. I'm going to learn from Julia's instructions, but repeating. So what are we going to do? Which activity? Number one. OK. So just a few minutes to share activity one with a partner or a group. Primer ejercicio era para ponerlos a pensar en sus estudiantes, sus necesidades, lo que creen que les funcionaría, no les funcionaría. Entonces nos vamos a enfocar en la última pregunta, específicamente sobre project-based learning, que hablaron en sus grupos, qué beneficios tendría, qué dificultades creen que a sus estudiantes les gustaría porque sí, porque no, o qué experiencia tienen, lo que quieran compartir. Muy bien, gracias por compartir. Y bueno, hablando de los beneficios, obviamente hay challenges también, pero de los beneficios de project-based learning es eso, que podemos escoger temas que les interesen a ellos. Ellos mismos escogen los temas de sus proyectos. Y entonces ahí vamos. OK, vamos a seguir. So we're going to do very fast core concepts. And we can keep talking about this for a long time, but they guess to have the very clear conceptualization of these concepts. And something that happened to me is that I hear phrases like project-based or tax-based or even activities. And sometimes it's kind of a confusing concept or idea. And I think that it's important if we're going to work with a particular curriculum model that we have very clear the expectation for that. So this is the traditional and maybe the most clear definition of what project-based instruction is regardless the topic. It could be languages or it could be any other subject. So I just bolded the words that I think are really relevant for our purposes. So it has to be engaging. That's the first thing, and it has to be active. Second, it has to be meaningful. Third, extended period of time. I mean, we cannot talk about projects and think, oh, I would have just one week for this. No, projects are at least six, seven weeks, a full semester, a full year. Dependent on the scale of your project. There has to be something that connects with the real world. And it has to be answering and trying to solve a complex, challenging question. And that's probably the first step that you will be thinking about. And then there has to be a public product. And this is something that I notice is like a failure in implementation because it stays in the class. If it stays in the class, it's not a real project-based model. So you have to be thinking of a public product. And it could be like a small public or audience. It could be just classmates from another class. It could be professor from another department. It could be just university, the high school, their parents. But it has to be outside the classroom itself. And finally, you are expecting to have a real audience at some point for that product. And those are the core approaches that you can see are interconnected and anything can be moved around. But basically you are expecting to have students to get into deep inquiry and develop critical thinking about a particular topic. Authentic material, authentic results. Agency, they have a voice and they have to choose different things. They have to learn to collaborate at certain point of the project. They have to be able to do revisions and critique and become very proficient in revising their own work and the work of their classmates. And it has to have a stage for reflection. So those are core components. And when you are designing your project model, I think that it's very good to have the least nearby and keep working. OK, what happens with language learning and project base? And our colleagues, because I mean, they are also another national foreign language resource center, but in Hawaii. And they're conducting some workshops on summer. So you can see the information there. They are the ones that are being involved in project based language learning the most. And again, they see as a very good approach for language learners' competencies in foreign languages, but also in heritage languages. And you can see that the 21st century skills that AXL also promotes are included here. Critical thinking, collaboration, creativity, intercultural communication, and so on. And based on research, starting very early in the 90s, at the, basically now, we can see different studies that have found these very good benefits for language learners. So everything that we saw in the previous slide is interconnected with the development of language competencies, but also intercultural communication competence. OK, next one. So I'm thinking what Elena said as well, and that's something that has been evolving in our field. There are also additional benefits for heritage language learners, Spanish, or other heritage languages. They allowed the students to basically display their linguistic abilities and intercultural abilities like the full repertoire. Support differentiation with projects you can adapt the project to different levels according to your students. They normally feel more confident and they feel that they can do this and have a nice product that they can showcase. And of course, you want to increase confidence. That's one of the goals that we have. Increase endo-linguistic pride, particularly when they share it with their own community, family, friends. They feel, oh, my parents were so proud that I showcased this poster, for instance. They can be a way to start exploring and discussing very complex issues. And sometimes I was thinking about our presentation yesterday, particularly anti-discrimination language, and where we know about that. Sometimes it's difficult with certain students to start talking about these hard topics, and I think that a small project that targets that can really help us on the discussion. And reinforce ties depending on the process that can really tie up with their own or communities and become more involved. Okay, thinking about this particular set of benefit that's been already kind of listed by different researchers, what will be the benefit that you will prioritize in your project? And why? And maybe you can think of other benefits, too. Yeah, of course, of course, you can add to the list. Two minutes, three minutes with your elbow partner. I'd like to phrase elbow partner. So. Yo nunca he escuchado eso. No, no, gracias, Julia. Elvo partner. Bueno, ¿cuáles creen que son algunos beneficios? Which ones would you prioritize or did you think of new ones? Entonces. Okay, muy bien. Okay, entonces ahorita vamos a hablar un poquito sobre el concepto de open educational practices and open pedagogy. So yesterday, we had a really great introduction to OER from Carl. And so we're gonna keep going further and talk about not just the resources, but the practices. So OER shifts the focus. OEP shifts the focus from OER to resources to practices. So it's not just having a resource, but how do I practice open education? And so what we can do with students is to engage them in participatory pedagogies to create OERs themselves, the students themselves. And this concept of open pedagogy emerged as a demonstration of these practices within the context of teaching and learning. And this is important. While engaging in renewable assignments instead of disposable ones. So I wanna pause here and talk a little bit about what this means. What do you think are examples of renewable versus disposable assignments? O sea, como la basura, ¿no? Que se puede volver a usar y que no. Entonces, ¿cuál sería un ejemplo de un disposable assignment? Desechable. They write a paper, you grade it, you give it back, and they don't even look at your comments and put it in the recycle. Hopefully not the trash, the recycle. Right? So that would be disposable, ¿no? Assignment, ¿qué sería un renewable assignment? A podcast, because, who said podcast? Of course, Elena said podcast, because if you don't know Elena has an amazing podcast that she has, I don't know how many hundreds of episodes now recorded. 100 and wow. Wow, yeah. Ohio habla. Oh, okay, se llamaba Ohio habla, pero no, she's it. Porque ahora Estejana, además, está exacto, sí. But that's a great example, if students, they create as a project, a podcast, it's not just for them, for the class, for the grade, para que lo escucha la profesora y les dé una nota, is to share with the community, right? It's a renewable because you keep using it for different purposes. ¿Cuál sería otro ejemplo? Another example.  Okay, we're gonna keep going and talk more about open pedagogy. So why, why is this useful? So one of the interesting things is this idea of open pedagogy makes you the teacher. There's a transformation. You're not just feeding the students' information, right? It empowers the students, the learners, to produce and curate knowledge themselves, right? And it shifts the teacher role to that of facilitator, more than instructor, right? So it balances the power of knowledge between student and instructor. And it promotes this participatory culture and builds trust among contributors because everybody's working together on this project. And it also seeks to improve teaching and learning by empowering the students as educators and educators as agents of knowledge production. So empowering and production are the two main things here. We have this really great image of kind of everything that open pedagogy entails. And so why in our heritage Spanish classrooms? And now we're gonna go back to our own classes, what we thought about at the very beginning of our talk and what we need, what our students need. And so we talked about learning empowerment, right? Which is really important in our courses. We always talk about empowering our students and the last bullet says, empowering students is at the heart of all of our heritage Spanish courses. And also OpenPedagogy has the ability to optimize the full potential of learning. So students are creating and curating their own content and contributing to the public domain. So their own content because as we know heritage Spanish students come to our classrooms with already a wealth of cultural knowledge. And they really have the ability to create culturally and linguistically rich, renewable content. So they themselves already have all this and they have access to the community that can also bring in a lot of wealth of knowledge. Okay, so I hope I convince you now that this is a good, something good to use with our students. So Flavia, now we're gonna talk about this. Yes, I think that, I mean, and you can see the connection between the maintenance of project base interconnected with OpenPedagogy. They work very well and it's very simple to kind of bring them together in your designs. So now what we want to do is to see some project base, language learning implementations, particular some that are done with heritage languages Spanish but also Portuguese. And the idea is as a preparation for your own design you're going to evaluate those projects. So we have a large list. There are more than 10. You have to pick one and then work with your small group. And there is a rubric in the handout also in the handout online. And the idea is the activity tool is an evaluation task. You're going to basically use the rubric to analyze one of the projects. So basically we're giving you the final product of what the students created so you can kind of think backwards. How do they get here, right? And analyze the project. The different components, the different ideas, et cetera. So there's a folder in our folder that says proyectos. And that has some examples but also here on the PowerPoint you just click on these, the underlined ones or you have the URLs here. Click to go and see some of these projects. So very different but I mean all of them they followed. So just some examples. Yeah, for now. Que vamos a volver a comentar un poquito. Más o menos la rubrica pudieron avanzar con la rubrica. Bueno, por lo menos mirar algunos de los proyectos y pensar, sí. Si tomamos ideas. Si te quedan conversando del proyecto, bien. Pero eso es un lindo muestrario para que lo tengan de referencia. So. Paso. Yeah. Okay, so now we're going to show you like the step-by-step two different implementations that one that Josely did with her students and one that I did with mine. So you have basically the setup and the order of the projects. So you have some information here for the essays that we did in our class. The project background was based on photo essay that I found and I really like it and it was like, okay, this is a project that we can do. We were in the middle of a pandemic. Everybody was at home in Zoom. And normally the first project for this class was a scrapbook with photos from their families and their places of origin and they have different activities and that time I say, I'm going to change that. I'm going to use the pandemic as a topic. So basically at the same time the university was collecting materials to create a kind of reservoir of what was happening in North Texas at the time. So they were collecting data, interviews, news, et cetera. And they were saying, okay, there are materials from your classes you can bring those to us. So I said, okay, they're going to publish in here in this reservoir. And of course we have the COVID as a setup. This is the class. We have at the time there were 15 students. The time line was for the first five, six weeks. It was 40% of the final grade, which is I think that it's important if you're in implement the project base. The project became your first and main assignments.  It was individual work. Individual product was made by each student, but it was colorated en several stages. We have the goals here. Some of the photos from the opening pages. And I follow a little bit of multiliteresis approach, but I think I divided in the initial content and then exploration, analysis, very similar to what we just saw with Julia, which is very connected. We work in organization, rhetorical, the place of photograph even in the photo essay. Why is that important? We revised several photo essays from different, very diverse topics. And the students were doing different activities at the time and having like particular products. Each product had a small part of the final grade for that project. OK, so we have the first week. Then the second week was this. Then we have the development with different, we did like short workshops in class for different aspects. Like the writing, some of them have to do with editing images, have to do with using SUE because some students explore the use of SUE. Many just use PowerPoint. So they had a lot of choice in the final format. And they have different elements that they have to take in account. For instance, they released signature for the people that were in the photo. So they learned about that. The initial plan was to have only 10 photos in the final, but they were very enthusiastic and several essays had like 20 photographs or something like that. And they wrote a lot. I mean, I was expecting like a thousand words in the final product. And it was many of them were very, very long. They were very intersected about that. They have to work in the photo selection with partners and they have to go with the revision with partners. So the collaboration was there. We use a lot of rubrics. I think it has like seven rubrics. And then the final product, the final essays, they present them to their own classmate in class. Then they share it with family, friends. Many of them just posted in their social media feeds. And then finally, we got the PDFs up for the Tanoq library where they are part of the pandemic database. You can call it that. OK. OK. So Flavia gave you a lot of details for, you know, you can see step by step everything she does for her project. And it's not just that one week, you know, there's you have to spread it out. And so I'm going to share a little bit about a class that I taught using Open Pedagogy also. And it's a class that has. It's based on three projects. La noticia, la leyenda y el ensayo. And this comes from Delia's textbook avanzando Delia Montesinos. And there's other components in the course, but the main elements are these three projects. And so I'm just going to describe one, which is la noticia. It's a four week project. And basically what the students do is they find an event from their. Lo llamamos la comunidad histórica o sea algo que haya pasado en la historia en su comunidad y la comunidad puede ser el campus, puede ser el pueblo, la ciudad, hasta el país donde donde estamos. Y van a explorar la noticia, el evento y ponerse como que ellos están en esa época cuando está pasando el evento, verdad. Y seleccionan el tema, investigan, tienen que leer, escribir un borrador de la noticia, se dan retroalimentación. Aquí les doy sólo para que se den una idea de paso a paso todo lo que hacemos. Revisamos luego en componente oral donde en grupos comparten lo que aprendieron la noticia. Luego lo hacen un poco más formal. Graban como un noticiero, como que es the breaking news. This just happened, verdad, como un noticiero, es un registro formal, etcétera. Y luego escriben la noticia ilustrada para el periódico con una imagen. Y entonces aquí es donde entra la parte de Open Paragoy, opcional, porque no podemos obligar a los estudiantes a compartir su trabajo y publicar y mostrarlo al mundo, verdad. Pero opcional, no parte de la nota, crear un OER basado en el trabajo que han hecho, incluir la licencia Creative Commons. Y para esto hay que explicarles a los estudiantes qué es, cómo funciona, cómo se hace, verdad, no puedes simplemente decir, OK, ponle tú la licencia. Al final siempre hay un paso de reflexión, pero la idea es que los que quieran compartir esa noticia de todos los estudiantes que compartan, lo compilamos en un pequeño periódico, verdad. Es como un periódico de nuestra comunidad que se puede usar para otros propósitos. Bueno, la idea es que sea un renovable assignment, y podemos usarlo para otros propósitos. Entonces les voy a mostrar el producto final de nuestro pequeño periódico que creamos, las noticias de nuestra comunidad. Y entonces, aquí está solo la descripción, los artículos, verdad, todos los temas, y los pusimos en orden cronológico. Algunos se escogieron hablar de algo que pasó en 1947. Los últimos eran, acababan de pasar recientemente cuando enseñé la clase. Y cada estudiante escogió una imagen que tenga Creative Commons License, verdad. Y cada estudiante escogió cuál licencia usar para compartir. Ve en este, le puso si, si, bye, verdad. Por ejemplo, este tiene otra restricción ahí, pero cada uno tenía la autonomía de decidir qué licencia ponerle a su trabajo, verdad. OK, el otro proyecto, ustedes, algunos lo estaban mirando, es el de las leyendas, que es el segundo que hacemos en la clase, y en este lo que hacen es entrevistar a una persona de la comunidad hispana, normalmente su familia, pero no tiene que ser, que les cuenten una leyenda oralmente, porque las leyendas son tradición oral, ¿no? Y lo graban a la persona y luego escriben una versión de la leyenda. Y lo que hicimos aquí fue crear como un, digamos, un librito de leyendas digital de nuestra comunidad. Y el twist es que cada leyenda tiene un final nuevo. El estudiante su parte que aporta creativamente es cambiarle el final, ¿verdad? Como una versión nueva de la leyenda. Y aquí está, entonces, el ejemplo. Igual, tenían que usar las imágenes Creative Commons y la licencia que ellos quisieran, basado en el costal de Huesos, hay varios de La Llorona, el Callejón del Beso, de Guanajuato, que es muy famoso, de los volcanes en la Ciudad de México, es todo el Callejón. Voy a buscar el de Marco. Este es el de Marco. OK. Ahora voy a hablar sobre esta. Porque aquí tenemos al autor, Marco Pebia. Y él escribió sobre este Lombre Lobo que luchó. Y entonces, vamos a pasar porque les voy a hablar más de Marco en un minuto. Pero primero, sí, estoy aquí en el slideshow. ¿Por qué se hizo así? ¿Cómo vuelvo a hacerlo? ¿Expanded? Ya. OK. Entonces, vamos a seguir hablando un poquito sobre esta pedagogía, Open Pedagogy. ¿Y cómo podemos usar esos renewable assignments? ¿Cómo se pueden usar? Entonces, we brainstorm the students and I about how other people could use our products that we created. So here are some ideas. It could be inspiration for other students to write their own noticias y leyendas. They could use it for reading comprehension to learn new vocabulary. They can build on the projects and extend to their own communities. They could compare and contrast some of the noticias, because a couple students wrote about the same topic, for example. Or they could use it as a base for creative writing. Or they could create even new endings to the leyendas. And so our idea is those little booklets were created. They're just small projects. But in our text website, the Heritage Spanish website, it's basically a repository of activities that are creative comments and that we share with the world. So we want to publish it there. But taking it one step further, Marco was in that class and he participated. And then, this is a, voy a hablar mucho de ti, Marco, model student. He's a heritage student who came in as a science major. And he took one of Delia Montecinos, our first heritage class, and decided, now he's a Spanish major. He's going to get a PhD in Spanish. And, yes, he's on track. And he just finished sophomore year, but he already presented a poster here with us. And so he came to me and said, I want to work more on this. What can I do? And so we brainstormed. And he is, Ben Marco. He's going to show you what he's been working on, which is extending on this project. He's going to show you, he's creating activities that other instructors can use based on our work. Yes, so another thing. I'm also getting my, oh no. Yeah, you teach, right? Estoy tan nervioso. Está prendido. OK. Yeah, so I'm also getting my teaching certification. Ay, santo. Yeah, he's doing student teaching. He's getting his teaching certification. Yes. And so I got inspiration. I was this past semester, I was in a middle school class for seventh graders, Spanish one. And I loved that class. They're amazing, two L's. And, yeah, it was just great to see them. And so that being in that class gave me ideas for these lesson plans. And so con las noticias. So you click on there. Aquí está un folder there. So this is what I created. So this is basically like an outline of where teachers can go to to find all the lesson plans that I did. So la primera que hice es preguntas de comprensión y discusión. And so I read every single leyenda. I read every single noticia and made five questions for each one. So, cuando y donde ocurrió la noticia, ¿crees que esto es un caso influencio a casos diferentes? So, yeah, each one builds upon each other one. So the point of this one was to have it either, like, have the teachers write them down and then the students can write them as a warm-up or just put them in a circle, have a Socratic Seminar, a Discussion, in any kind of way. Those are discussion questions. I also have a, for AP Spanish, there's the unit five, which is factors that impact the quality of life. You can add that into AP Spanish Five. And analysis de vocabulario. So, en las noticias, específicamente, pueden haber palabras que los estudiantes no conocen o no pueden reconocer algo así. Y con esto, I got inspiration from professors as minors of features de lectura. Which I got inspiration from Flavia. It's all a big circle. It's all a big circle. So write the word that's desconocido, the definition of the dictionary and then the word in your own, the definition of your own words, the translation in English and then write an original sentence with that word. So it can definitely get into your head, what is that word? And all these things. Una reflexión and then escribir una noticia original. So basically the exact project that we did, but I laid out the the puzzles and how we did it. So basically he's making lesson plans and even the worksheets that instructors can use based on the noticias y leyendas. Yeah, and then basically the same thing for the leyendas. They're mostly the same. The only ones that may be a little bit different would be. And so because they're told, they're leyendas, they're cuentos. A lot of it is told in the pasado. So it was an activity of comparing the pretérito in perfecto. So I brought out a sentence from the leyendas. Where's the verb? Is it in pretérito in perfecto? And then por qué? But yeah, most of it's the same. But yeah, I had a lot of fun doing this. Oh, of the character profile. That was really fun. As well to do. I wish I would do these. Escoger un personaje que le sobresalió. ¿Cómo se llama? ¿De cuál leyenda es? ¿Qué hace en la leyenda? Just a simple character profile. Y escribir un diálogo entre dos personajes de las leyendas o algo así. Y hiciste también, creo. O sea, como más creativo. Yeah, en el guión. Yeah, también no hay un guión original de personas de leyendas. They can pick two people from different leyendas, the same leyenda. What would be a dialogue between the two characters? Stuff like that. And then they can like outline this and then start the guión here. But yes. I think that's everything. Gracias, Marco. So I think this is a really fun example of how we can use our students work and expand on it and share it with the world and other students, other teachers can use it. And so when I did this class, I surveyed the students and I asked them about their experience being in the class and doing this project using the Creative Commons licenses. Was it hard? Was it easy? I asked them, why did you share? Why did you decide you wanted to, et cetera? And I'm not giving you all the data because we don't have time. But just my main takeaways from that survey was that students really liked the idea of contributing and helping other students. And all their answers, oh, I want to help, I want to help. And instructors should motivate students to really participate and provide. We need to provide clear instructions and training on what OER and CC licenses are. Because once you do that, they get it. There's a short video on the Creative Commons website. They can watch and then they understand. And they're like, oh, yeah, this makes sense. And it's pretty simple, straightforward to do it. But it really makes them feel empowered and think highly of their work. I really loved reading the responses because they said, oh, yeah, this could be an example for other students. They really are seeing their own work as examples and models. And they like to share, right? So, Marco, ¿puedes decir lo que tú dijiste about the school you came from and why you decided to share your work? Like on the survey, you said something about that. Entonces, ahora el tiempo que queda, Flavia. Yeah, we don't have time to discuss it. Y aquí se me dice, fine, it's not to anybody close to that. OK, so the last activity for you guys is to start planning a project for your classes. We provide the templates, two templates. We have a list of topics and designs or text as you prefer to call them. And there is also the link to the reservoir so you can see other examples that you may find interesting. But we really want you to really start with this. And I will be sending an email a week from now asking for the final plannings, OK? So this is not just disposable that you have to do it today because they are asking now. No, this is renewable and I want really everybody to have the time to develop it. And you have different examples here. But I mean, part of the joy of project basis that you can be very, very creative, OK? So, OK, we have 15 minutes. So we are running out of time. I know you probably don't have time right now to create the whole project. But hopefully you guys have some ideas now about things you could do in your classes. Y hay una lista en el handout de ideas también que tal vez les pueda ayudar. Y hay mucho en la web para explorar de otros proyectos que han hecho otras clases. Y... So we've always encouraged at these workshops for instructors to share their work. You know, it's... Everybody's creating materials. So why not share it? Put a Creative Commons license and share it. But now we're taking it a step further and we're encouraging you to also encourage your students to share their work because they can also produce amazing things that others can use. So now when you design a project for a course, you can think about it, not just in what are my students gonna learn, but how can we also help the community or share with the community and make it renewable, right? That's the goal. Maybe there's a couple minutes for comments, questions. And if there's something you can take that you were saying concretely used in your class, then... I think it's made worth the trip to Austin, hopefully. Yeah. Nosotras, pues con esto concluimos nuestra presentación.


I haven't been this excited about tapes coming into mail since the days of Columbia House. Damn, I'm old. Patriot Prime Reviews is a channel for adult collectors and may not be suitable for children under 13 years of age. Viewer discretion is advised. Hey, what's going on guys? Patriot Prime here once again with another Transformers Review. But before I get started, I need you guys to do me a favor. If you're watching this video right here and are not a subscriber of Patriot Prime Reviews, please hit that subscribe button right now. It won't cost you a thing but will help me and my channel out tremendously. Also, make sure and visit my sponsor toyhacks.com. Toyhacks provides reproduction and upgrade decal sets for Transformer toys from Generation 1 to the latest modern figures. Make sure and stop by the Toyhacks Armory where they can equip your figures with new weaponry in multiple colors. And Toy Stages provides backdrops for figure displays and photography. Each purchase with Toyhacks earns you RoboSense that can be used for future purchases. You can check your balance anytime in your cart. Toyhacks is a company run by collectors for collectors. So check out toyhacks.com and make your collection stand out from the rest. And tell them Patriot Prime sent you. Now, on to the review. The featured box in this video is Dr. Woo's DWP51 Chatter or War for Cybertron Beast Box and Squawk Talk. Now, I got this set from Big Bad Toy Store, a pre-order that I totally forgot I had ordered from months ago. I got an email early last week that it was being processed and I just got them today. So I'm very thankful for this surprise package that arrived in my mail. So quick look at the packaging. We've got Chatter right here in Robot Mode and some pretty good artwork with some outlines of Beast Box and Squawk Talk. Around the sides, the UPC code back of the box shows the individual Beast Mode, Beast Box and Squawk Talk and more artwork there on the side. So enough of me squawking and talking, let's get these beasts out of the box and welcome to Patriot Prime Reviews. Now, once you get Chatter all opened up and out of the packaging, you'll see that the set comes with two sheets of instructions. We've got one sheet that goes over the individual cassette bots and how to transform them. And then you have this secondary instruction sheet which shows how to combine the two beasts into the one robot. You also get these really cool collector cards, one for each beast bot and then one for the combined form. And these are pretty cool. They're made out of thin plastic and they got some texture to them. Of course, I can't read that. Oh, yeah, I can right there. Gorilla. There we go. So right there you can pause that if you'd like. Now here on the front, it says his name is Orang, like Orangatang. That's kind of lame. Should have went with Orangatron maybe. So you got Orang, you've got Eagle and you've got Chatter. But for the remainder of this video because I'm old school G1, this is going to be called Beast Box, Squawk Talk and Squawk Box. The set also comes with a weapons sprue that you have both weapons for both figures attached right there. And then you've got both of the little cassettes. We got one that looks like a cassette. The other one is a rectangle. So now let's take a closer look at Chatter in his individual robot beast modes. Now, first off, let's take a look at Beast Box and Squawk Talk's alt mode. And Beast Box out of the two looks a lot more like a cassette. Squawk Talk, he's just a aqua green rectangle. But I like Beast Box here. He's got the two spindles right there.  And of course, here is Beast Box with G1 Beast Box. So you can compare. This of course has a lot more details. And still, it doesn't look bad. I like the look and the color scheme is spot on. Now, Squawk Talk, he's got the right color scheme, but just doesn't look like a cassette. He looks exactly like that. He looks like the G1 if you turn him around, but he's not disguised himself as a cassette right here. Now, of course, the big question with these two is, will they fit in the chest of Siege or Netflix sound waves? Let's go ahead and pop his chest open. We've got Squawk Talk, put that in. And yes, that is a really good fit. Went right in there. Sticks a little coming out, but there he went. So yeah, Squawk Talk fits in there good. And let's try Beast Box. Beast Box is a little tighter to get in, but still fits perfectly. And that actually looks really good. Now, let's get these two transformed into their beast modes. And we're going to start off once again with Beast Box first. Let's see here. You just take the arms and unfold those from the top of the cassette. Take the head, rotate it around. And then these are the legs. You're going to bring these down like so. You can actually see the larger robot head right there. Let's see. We've got the gorilla feet. Let's see. Get these turned around just right. So you've got the little gorilla feet and toes right there. You've got the gorilla arms and turn the gorilla head around. Real simple transformation. And there we go. There is Beast Box Gorilla Mode. And I like that. There's actually pretty good paint applications on this little gorilla, especially there in the face.  And I believe those are painted nostrils. I can't really tell if it's paint or the way the light's catching it. It might just be the sculpting, but still, that looks really, really good. Now, of course, you've got the main larger robot's face hanging off his butt. But, hey, what are you going to do? Now we've got his weapons. And my God, these things are tiny. And they slot in. I believe the instructions say, it's right here along the back somewhere. I think they slot in right, right between the shoulder blades. So get those little blasters attached to his back. And there you have the modernized Beast Box. We'll compare him to the Generation 1 Beast Box. So it looks pretty good. This one also has the robot face hanging off the butt, but you can't see it for the big blasters. But, man, these blasters are tiny. You really got to watch out for those. Now, as far as articulation is concerned for this guy, the head is on a ball joint. I just knocked the weapon off. I'll go ahead and take those off for articulation. The head can look up and down. It can turn all the way around to complete 360. The arms can do a complete 360 as well. They're on a ball joint. They can go in and out. There is a elbow bend on both sides. So he's double-jointed. The legs can go up and down. Actually, they cannot. The knees. The knees bend. But the legs, the legs cannot. The upper legs cannot move. But there is a little knee bend right there. So a really cool little figure. So now let's take a look at Squawk Talk. To transform him, you got these little slots right here that are pegged in. You got to get those pegs off like so. Simply spread the wings out. You're going to take the tail, flip it over.  Bring those down and around like so. And now you got the head right here. And that's kind of hard to get. At least for me it is. I just don't have the fingernails to get in there. Actually, right here, move the tail up out of the way. You've got the beak right there. Push that forward. Now you can get a hold of the tail. And there we have Squawk Talk in bird mode. I like the paint applications right here. It does look like he has feathers. Lots of good molded detail as well. Got the little bird feet. So now let's get his weapons. And these, my God, these are even tinier than the others. And where did these go? Got a little notch right here. Let's see. Okay, I actually had to look at the instructions for that one. See the little notches right there behind the bird head? You've got to get these little blasters in there just right. I'm still not doing it. My gosh, these are hard to get a hold of. Okay, there's one. Make sure that little fin is pointed out. Let's get this other one. I'm so paranoid about losing one of these little blasters right now. I'll shoot off behind this desk. I'll never see it again. Now this one doesn't want to go in at all. See, maybe move that out of the way. Okay, there we go. Now we have Squawk Talk with his two little blasters on his back. And now let's compare him to the Generation 1 Squawk Talk, which has much better sized blasters. Of course, G1 Squawk Talk really doesn't have much as far as paint application is concerned. Lots of nice molded details, but that's about it. This one looks really good. I love the feathers. As I said before, I think those look great. Now articulation, the wings can flap. They can move all the way around. They're on ball joints. I just wish there was a section that flipped out to make the wings a little longer, like the G1 version has this little section here that flips out. But it is what it is. So there we have Squawk Talk in bird mode. And now let's get these two in their combined form of chatter or Squawk Box. Now you'll notice I've already taken the weapons off because what you're going to do is combine these. You've got Beast Box weapons right here and Squawk Talks. And all you do is take Squawk Talks Blaster and just plug into the back of Beast Box, forming one larger gun. So go ahead and do that for both weapons sets. And now we'll just put those to the side. We're going to grab Beast Box right here. And of course, we got the robot head there. What you're going to do is go ahead and turn this around. So this section right here with the two spools is going to be Squawk Box's chest. Now you're going to rotate the shoulders around and see this little hinge right here, this section right here. That's what you want to make sure it rotates around. That's going to bring the shoulders up more in proportion with the larger robot. And that's pretty much it. Well, no, fold this back. Fold the gorilla head back.  So there is the upper body of Squawk Box.  And you're going to bring the wings down. These are going to form the legs. What you want to do is make sure you get these turned around just right. So you have the knee bend in the right spot. So you got the knee bend here in the front. Go ahead and rotate the feet around. So there you have chatter's legs. I just keep alternating chatter Squawk Box. Now you've got these little pegs right here that you're going to line up on the purple section. Squeeze them in, slide them together. And there is chatter in robot mode. And now we've got the blasters. Let me see how these peg in. These might be a little easier. Adjust these to where the fins are facing out. And then the blasters going to peg right there on the upper arm, kind of like a knoll ray. We'll go ahead and do that on the other side. Get that spun around. And there we go. And that looks really cool. I dig it. Very faithful to the G1 toy. Love the face sculpt. Face sculpt looks great. Great paint applications. Articulation. Let's see. The head can turn, but it's got the legs attached. Now let's see. Maybe you can bring the legs in and around. Like so. That really doesn't do much.  But hey, when he's on display, you're really not going to notice. And that's very faithful to the original G1 toy. The arms can do a complete 360 all the way around. And of course there is the elbow bend. The exact same articulation that the gorilla had. The legs in and out, back and forward. If you move the skirt up out of the way. Plus there is a knee bend and ankle rotation. And is there an ankle tilt? No ankle tilt. But still lots of articulation for this little guy. And now here is Dr. Woo's squawk box with G1 squawk box. One of the oddest looking G1 transformers. But man, he's got some weaponry. Very faithful little bot. I dig it. I really, really like this. So there you go guys. There is Dr. Woo's chatter. And now for some quick size comparisons. Here is Dr. Woo's DWP51 chatter. With Siege Rumble and Frenzy. Siege Wing Thing and Ratbat. Siege Ravage and Laserbeak. And Dr. Woo's Ground and Skydrones. The Dr. Woo DWP51 chatter set is a great addition to your sound wave minions. This is a very solid third party figure. Of course every figure I've ever got from Dr. Woo's is top notch. And I couldn't be happier. I especially love how close he mimics the original generation one's toys function and look. Plus you can't go wrong with more sound wave minions. And trust me, you can never have enough of those. So there you go guys. Dr. Woo's DWP51 chatter. So does a Dr. Woo P51 chatter belong in your collection? Absolutely. This is a great little figure. It is very well built, great plastic quality. And I couldn't be happier. Plus he's a bargain for only $24.99. And that's what he's going for right now. On Big Bad Toy Store he's still in stock. Pick one up. If you want some extra sound wave minions, you can't go wrong with this guy. Plus he's a great throwback to that original generation one Oddball. But just be warned, these blasted weapons are super tiny. And I'm scared to death I'm going to lose one. I'm going to thicken up the tips of the squawk talk blaster. Just so they fit on here a little better. Because as you can see, that slides off really easy. And I really don't want to lose that. So yeah, pick one of these up. You are not going to be disappointed. Now guys, if you enjoyed the video, don't forget to like. Don't forget to subscribe. And don't forget to click that bell icon to get notified when I upload new reviews. Also, if you're in any position to help out the channel, I offer channel memberships here on YouTube. And I also have a Patreon page. And guys, we're getting closer and closer to my goal of 10,000 subscribers by TFCon in October. Once again, guys, this is Patriot Prime, signing out.