Thanks for checking out this video. So this is the announcement video for what the next live stream is going to be What two films we're gonna be watching because if you're not familiar with it, that's what we do We watch one film that is more one that we can really deep dive into that's a really good film That has a lot of themes to talk about a lot to kind of pick apart and then we'll do a secondary one That's more kind of for fun Usually it's one of those so terrible. It's it's a it's good type film So we can just kind of say hey wasn't this funny. Hey, wasn't this awesome things like that So the next one is for Saturday August 15th at 7 p.m. Eastern Standard Time And we're gonna be covering for the more serious one the film annihilation Which has Natalie Portman in it. It's a bigger budget one But I think it's an outstanding film and there's a lot to pick apart in that one Think subject matter. It's a little bit kind of like color out of space or the beach house It's love crafty and like that. So Just an idea from what I was told it's available at the moment on Amazon Prime as well as voodoo for streaming services and The second one we're gonna do which is so bad It's great and I love this film and I've been wanting to revisit it So I'm excited about it the mutilator which is a terrible slasher film But it's so terrible. It's great and it has and as bad as the film is The very last shot of the film is so cool and so inspired That it's a head scratcher that the whole film is as bad as it is And then they have this like awesome inspired shot at the end But anyway, I'm excited for some people who haven't seen it yet to see that and find out what their reaction is to it But that's available at the moment on the shutter streaming service That's the only one I know of right now. So anyway, if you would love to come and join us We would love to have you. We always have a super awesome time. We cover the first the the more Serious film first so we're covering annihilation first and then we'll cover the mutilator after that We usually go no longer than two hours. It's usually closer to like an hour and a half And once again, that's Saturday August 15th at 7 p.m. Eastern Standard Time just on my channel So I hope to see you guys there Do me a quick favor though hit that subscribe button And that's the best way to find out when I am doing live streams because if you hit the subscribe and you hit the notification bell You will get an email saying Carlin is live or Carlin cook is live in that instance and then you can hop on Because I know sometimes people need reminders. It's not easy to remember these things Some people put it in their calendar. Some people just you know, watch their email But love to see you there, but regardless. Thanks for checking this out and until next time keep it brute


Hey friends today, I am hanging out at Universal Studios Orlando And we are going to be riding the Velocicoster for the first time for the annual pass holder preview It's not set to open until June 10th But today is May 2nd We have the first day for annual pass holder previews and the first time slot at 9 a.m. So Let's go do this There it is. I have been anticipating riding this for the longest time actually since it was first announced And I've also been a little nervous because I am a bigger guy So I do have that worry of maybe I might not fit so today We're gonna find out and like I said, I'm just excited to be here It's 7 30 in the morning the ride previews start at 9 and that's when we're gonna go and Yeah, I Think I'm gonna make my way right on over to Jurassic Park area Just so I can scope out the situation and see if there's any additional like annual pass holder Registrations like I know we need to show our confirmation emails, but I just want to make sure we're all ready to go Looks like there's some signage here letting people know which way they need to go There's a competition happening today And this one is the sign for the Universal Orlando annual pass holder access to registered event That's where we're going a couple of facts about the ride before we get over there There's only one lap bar that actually holds you down there's three to four different versions where it makes you look like you're gonna fall out and You cannot bring your cell phone camera or actually any electronic devices There is metal detectors you have to walk through so those are all important things, but they do have walkers Things are starting to look like we have made it to the Jurassic Park area After we get done riding the ride. We're actually gonna come out and meet one of the most famous raptors of all blue Hopefully afterwards the raptor and Connor is gonna be open. It's closed right now But we need to go see blue, you know And here we are this is where they're gonna be checking to see if we have our registrations and our time slots I'm excited. There's actually a big group of people already waiting We're gonna just wait in line because they're letting people just kind of line up to get in the queue But I'm just excited to be here. It's a little bit hot little humid in the morning, but it's all gonna be great I'm probably gonna cool off on the ride itself Looks like we're moving in Oh, I'm excited Lots of fun people here. Of course, I'm with Jackie super enthused Yep, and then also I've seen or 90 and former Rick's flicks and just a lot of happy people excited for a new coaster And that's how it should be Here we are we are in I'm so excited. It's happening. I see a raptor up there. Oh, this is gonna be great The music everything. Oh, there it is Amazing Now we do have a test seat so we're gonna be able to test ourselves out before we get in view I'm excited I'm definitely gonna test myself out A couple of things I want to point out about this seat is you notice these wide bars right here Which actually really helps because a lot of people have a hard time sitting in these like kind of swooped down low seats And it doesn't pinch up against you like I'll show you it gives you an extra room So you don't have to worry about it and I like it and then obviously if you do fit It'll give you that green light if you don't then it's gonna give you the red light Which is right about there. So you're looking at a pretty decent amount Like I really think this is one of the easier rides that I've ever had to fit on So not too much concern here That is so good to know we are green to go. I got the okay go. Oh, man I was super nervous like I said I'm actually super sweaty because it is so humid and hot out right now early mornings are so rough in Florida Before we get in line I wanted to show you guys the locker rental station take a look at this. It's actually very nice It's in the Discovery Center and it's just well themed in here Now it's time to actually get in the queue. This is so awesome. I love the queue It's very bright and gigantic helicopter fans. So we're gonna cool off. Hopefully. Oh, I can feel how cool. It is already I'm excited Look at this amazing queue in here Pretty soon, mr. DNA Let's get you ready to enter the paddock with real live raptors The name for lots of right there means Not only are they fast thereby is equivalent to a large American alligator That means we can't retrieve a lot of items from the paddock once they're gone I'm here to help keep you and your belongings safe during your after-run today Jackie actually just pointing out the Velosa coaster right there. How awesome is that? And we got a little music in here, too, I like it Cool thing is is once you get up front They do have space for small bags and tiny lockers But if you have a backpack or anything large, you're gonna have to put it in the Discovery Center So that's why I'm able to bring the camera in the queue and then we can lock it up before we actually get on Oh, look at this Something What Guest safety is our paramount concern in the grooming stations each specimen undergoes a complex comprehensive examination after every running Now You can take advantage of the opportunity all this provides to see these raptors in Thrilling close proximity Take a look at one of the familiar faces back here Chaos, I love it. Oh Wow, we are surrounded by raptors right now. Oh He is not happy Holy moly. Oh, no, there's more over here, too. Oh, they do have a family room right there Yeah I'm excited Here are those small lockers we're talking about we scan our card Scan card boom and we're gonna put you in there and we will be back Now it's time. We got to put the camera away, but we're ready to ride We'll let you know as soon as we're done, I'm so excited here it comes Wow guys, I just got off the coaster and I have to say that was the smoothest coaster I have ever been on I felt so comfortable like I was gonna come out of the seat but secure at the same time It was such an adrenaline rush my hands hands down my new favorite roller coaster Hadwards had it for a while, but this is its next level. That's the best way to describe it next level You really just feel like you're Lining through the air just so gracefully.  I'm so excited that they're offering ride photos for this It's one I'm definitely gonna get but Jackie I can get it for free now because you have it You have the universal photo pass card. Oh, wow that really that came that came in handy today Wow, look at that there we are My hat and also I took my glasses off because I just wanted to experience it so much. Thank you We're gonna be checking out an extended queue here because on opening day They're gonna have a standby line So this is something we didn't get to see beforehand And now we're gonna get a look at it and get up close to the barrel roll and I'm excited.  I'll actually enjoy waiting in line for us right here because you're gonna get such amazing views amazing Ran into Jojo and Kyle Palo. They're about to head in are you guys excited? Oh, we loved it we loved it and I know you guys are gonna love it Oh Honestly, I just love chilling out here now so many amazing people Recapping how much fun they had Comparing the front row to the back row if you rode this ride and you're watching this video now Let me know we rode front row So we were very lucky, but if you rode the back row let me know like I want to know your thoughts Was it great in the back or was the front row the way to be like? I absolutely loved it and I think I would probably ask for the front row again Now I think we're gonna head on over and see blue at the Raptor and Connor It's like a perfect must after riding the Velasa coaster so much fun and I'm just excited to be here The atmosphere is so amazing. Everybody is happy and loving life and it's great. Oh No, it looks like the Raptor and Connor is at capacity. What do we do? My mistake it's actually at capacity for photos with the baby dinosaur, but blue is coming out So that's what we want to see. We want to see blue Oh, can you hear that like a raptor call in the background ready? Listen? Oh is right around the corner there Now it's time Right on that line Oh Okay, I know she's got hard-hitting opinions today. It's okay blue Yeah She's a woman. She doesn't like being told to smile. I get it Yeah, see see The girls gotta stick together good girl. No blue.  I love it It is so much fun and it could be scary to kids like their intention is to scare you So just be warned, but it's totally worth it. Totally amazing Hard to believe that was us just a couple minutes ago It was so awesome Just want to watch them go by I Cannot wait to ride again like I said Here it comes And I think that is gonna do it for me today. I had so much fun I just enjoyed being here and being a part of the first day Path of the previews and I'm just excited to come back for June 10th the opening It's gonna be amazing I'm gonna literally wait as long as possible topping it off with meeting blue and doing the raptor encounter Perfect. Anyhoo, I'm gonna cool off now and it's gonna be a good way to say goodbye So I hope you enjoyed the video. I enjoyed making it. We'll see you next time. I'm about to get soaking wet It was no joke it got the cameras wet too


Welcome back. It's still the breakfast and plus TV afghan. We're set for a first major conversation You can see the broad smile on my face when you see the wide short you understand why I'm smiling this way Don't worry. They're coming to that But anyway, um, of course women in management business and the public's Service they've been an organization for the past Decades over two decades doing great work as far as You know catering to women in their for mentioned sectors of management of business and the public service is concerned And they will get to know more more about this organization also known as women bees Some of you out there you've been hearing about women bees for many years now like I have they have your 21st Arnold conference coming up This is the 21st edition of your annual conference and we have a joining us this morning to tell us more about women Bees and to tell us more about this particular event the Chair conference planning group a delegate engagement subcommittee of women's she is Hanna to a dig boy a guy and of course a vice chair conference planning group Committee of women's for Lucio, but I mostly ladies. That's a privilege to have you here. Good morning. No, no, you can see why I was in between All right Wimbies we've been hearing about women's for a while You know and you've been doing some amazing work from what we see, you know I first used to see women's in the papers, you know before the internet became a thing. Tell us about the organization Okay, so women's like you said is women in management business and public service and it was founded by 13 people actually one man so two women are one man and The whole purpose of this organization is to catalyze women, right? so women in all those different sectors women in management women in business and women in public service to Inspire empower and advocate women so that we can really contribute our quota towards nation building and that's what it's all about Fantastic, so quickly. I like to ask Kevin doesn't like a full-up question immediately, but were you also part of the 13th? No Many many years But you know, let's come to you now, let's talk about What you have been up to in all of this years. I mean this 21st Annual conference that you're going to have what have you been really up to in terms of business women in business public service and One of the testimonies if there's any, you know, you've got to know any result So first of all let me mention the fact that Wimbies is one of the it's actually the only Nigerian NGO to be rated on the NGO skill worldwide and that's impressive. We have We've impacted about 250,000 women. Yeah, so that's something we were very proud of 250,000 women one thing that has been Personal to me for I would say is the Wimbies mentoring program I'm person. I have a fantastic mentor and I've seen how it's helping my career I've seen what it's something my career and it's something I strongly advocate advocate for women to have find a mentor And we have an awesome program We also have the women board mentee.  That's exactly so we worked very hard And we're still working very hard to continue to smash that glass ceiling And so that's one of our major programs as well And it's a program that continues to empower so there are courses that teach women, you know how to be effective on board And we also have a women board mentorship program which pairs women like myself and that's who that on boards with other People who are very very experienced and teaches us how to do that. We also have the round table sessions Which happen monthly those are really awesome for networking. We have a women cap Which is for women that own their business a business is very helpful with regards to structure financial planning Just basically how to run your business and just giving you steps and tips on how to make your business successful So what has Wimbis in the past in over two decades of existence in in Nigeria being able to achieve? So, okay, that's actually a great question because maybe it wasn't quite concise, right? We have been able to advocate for many amazing things, right? So beyond just the impact on over 200,000 women or which two of us are obviously beneficiaries even just advocacy, right? Being able to get women into bigger higher positions whether it's in politics whether it's in the boardroom whether it's even setting up their own businesses We have so many testimonials and so many amazing stories of women And if you check out our website Wimbis.org you see many of them who their lives have really been transformed by being a part of the Organization by attending the programs by being mentored, you know by just being guided and really catalyzed Which is what the organization is all about, you know, it's a catalyst organization It makes people like myself, Hana Tawan, whoever else is a part of it go out there and spread even more and even more and even more So, yeah, I've been notable names. I mean over the years that have passed through this Just give me a few maybe There's so many Should we start with the founders? Yes, please So Ibukon Wushika, you are like, yes Mubola Johnson I mean, there's so many amazing women So you know, you know, yeah, so The list is endless Okay, so well, let's talk about, you know, who can participate is it limited to a certain kind of You know, are we talking about now strata group of persons is it limited or is it So the Wimbis annual conference, which you know is our main main assignment here this morning is next Thursday and Friday is the third on the fourth and it's holding in Lagos and also virtually So really is holding all over the world because you can join online and it's going to be physical at a co-hotel And it's open to everyone men women It's open to any woman that wants more any woman that wants to network any woman that wants to be Catalyzed to get to her next level, which is for me is most women, right is welcome at the conference And registration is still on it closes tomorrow though because we've been on it for a while now So you have to go to Wimbis annual conference to come you can get all of the details there We have amazing panels that are properly curated to transform the lives of the women that attend I am so excited.  So it's open to everybody Let me just add we are the planning committee and when I saw the list the final list of the speakers I was burning where I was like, oh wow, so it trust me. I'm impressed So so so but just a quick one to that now if you know registration is ending tomorrow is their fee You know is there a requirement, you know to be part of it So there's no requirements except for the fee except for the fee you go online There's a different piece of this fee for virtual so they're different fees So we won't talk about the fees online on a live right now. However, the requirement is just one more That's it. If you want more just go longer and you want to meet more people and you just want to broaden your network We say it's all the time, but this is a literal and practical way. You can expand your network. Okay It's so so a relief to hear men can also yes, it takes a strong man. Yes So so the theme for for this year's annual conference we can see is firing for the future in focus Why why does it mean I mean? I think that the theme Just Encapsulates everything that this year and the past few years have helped not just for women But even just for the world, you know, we are we have finally come out. Well, we're still in a pandemic but you know, we are now getting used to it and it's part of our lives and We are in a place where people really need to be ignited because it's been a weird kind of like three years So the whole point of firing forward the future in focus is listening guys. It has been an interesting past three years It's time for us to move on with the future in focus because one huge thing that you know COVID taught us was that we have to be very very conscious about the future We have to be conscious about this in so many different ways from work to education to how we live our lives and all of that So the whole point of that is really just to ignite us even with the topic of the conference You know one other thing that this is in the future Um, I don't know if you guys have covered me dragging you there. It's the 2023 Elections We have a panel on on politics we have a panel on women in leadership and just things that have changed No, no, but basically I would like to share your thoughts on what the position of you know Wimbiz is on, you know, the elections ahead of the elections and everything's going on 2023 so what really is the position of women? Wimbiz is not a partisan organizer Should we understand? Yeah, what we do is that we catalyze women So we have a lot of women in Wimbiz who actually in politics who are running for positions in different states and all of that Our our position is that women should go out and vote and we should also Um influence those around us, you know women are actually extremely powerful Yes, a woman has you know one woman can probably influence 10 20 people because of everything from those around her If she's a mother her children If you have nannies There are so many people that we can influence. So what we really push for is please Let's all be responsible. Let's all register to vote and let's also influence those around us to vote as well It's quite interesting to note because um, I was just about to say that if you look at the latest on the stats The data from the ongoing or recently concluded Continence voter registration you have women being the majority of the newly registered voters of 50 Point 82 percent So how important would you say is the role of women in ensuring that Nigerians get it right and you know To talk to ladies listen out there and even to the men to support women in being part of politics I hear some men say they call me on in your media program say my wife my family We know and they are voting for and I asked okay How can you say your family your wife is going to vote doesn't she have a church? Say no, I'm the head of the family So let me respond to that just like you know, we talked about the the theme for this year firing the future in focus We know what's going to happen. What we need is for women to be responsible The word is being responsible. You need to be responsible for what's going to happen. These are generations We're talking about whatever happened in the next election affects all of us Affects our children affects their children affects whatever is going to have even our work What are we doing? So we need women to be responsible our position is it's not about listening to what people are saying It's about understanding being responsible with your choices and making that choice for yourself But making sure that you do go out and vote and that's what we're talking about So it's definitely going to be talked about during the conference. So trust me I I think people should come to learn more hear more be more aware when I obviously going to talk about politics But you have a better understanding and then you can responsibly make a choice So basically not even seeing that you have to talk about politics But we also wanted to find out what your position is as regards the elections come 2023 in terms of you know Women participate and and you only talked about Women going out to vote. So I really didn't talk about I didn't get you talk about women vying for We have so many women these women that actually running remember I had said that when we started We have a lot of women within the remember that we have Wimple. I'm not sure that we spoke about Wimple is women in politics and it's one of the branches of women's where we actually coach Mentor train women. We have a lot of women who are older that are ready in politics And when the younger women want to go in we pair them up with other people We have Wimple events as well that really helps to develop Any woman that wants to vie for a position? We currently have a good number because we're not partisan I can't mention names because that wouldn't be right, but we have a lot of women within Wimbies Wimbies members who are actually running for position in different states The reality of it is that if we don't get involved in politics, we are not only messing ourselves But we're also messing the future up. So we are not an an organization that you know Is blind to that so pretends like it doesn't happen We are very very much at the forefront so pushing more and more and more On different parties It's your choice It's your choice, it's your party's choice But then you must be involved and we must run We all cannot be in the office and we all cannot also run businesses Many of us also have to get out there in politics So nobody can guilt-trip you into supporting one party It's not possible I can't even trip me Oh, oh, oh, there's a lot going out Okay, so for those who want to register You know just quickly once again Go through the details of the date, the time, the venue, and then the process to register Okay, so Wimbies is November 3rd and 4th Thursday and Friday It's just next week really So go and register ladies and men And you can go online Wimbies.com or Wimbies.org Wimbiesannualconference.com as well Wimbiesannualconference.com yes So please go and register If you, you know what? Just make it easy Google Wimbies Just Google Wimbies It will come up so All the registration is on Everything is online And you have refused to mention the fee You saw people can plan on Oh, okay, fine It's $74,000 for physical conference For the physical attendant at Echo Hotel and Suite And it's $45,000 for the virtual Only Only Only You need them to save it Only So but let's talk about I know you have talked about a lot in terms of You know what Wimbies have done over the years And you know all that you have achieved And all that you are achieving But for this particular conference What are the highlights What should people be looking out for? So let me be on One major highlight for me is Chumamanda is speaking at the conference I love Chumamanda I think that she is Exactly, she's our keynote speaker I think that she represents many of the things That the theme And even some of the things that we have spoken about here Stands for And so that's one of the major highlights for me There are so many highlights too There are, I mean, it's two days So you can imagine No, no, you can't mention Networking is also a huge one for me Minus even like the actual sessions And the reason is because Many of us that are beneficiaries Of Wimbies We know how our lives have been transformed By just sitting next to somebody That you don't even know You meet them there And that person might just be the key to your next level And you can also contribute to them One thing about Wimbies And something that we really preach about Is win-win, right? So we don't go there Just to meet people that can help us How can I also help somebody, right? So it's all about meeting more people Networking, sharing ideas and all of that Now, let me pack that These sessions, oh my god We have so many amazing sessions So many of them We're talking about leadership We're talking about politics, like we said We're talking about so many things And we have an amazing debate Which is talking about The great resignation To quit or not to quit I'm just buying it We can do the very very very very very very good It sounds like a boomstay Cannot feel great You know, depression I think one of my favorites My highlight What I'm looking for is evolving The future for you Yeah You know, getting ready Just, you know How to get ready by yourself For yourself So that's something I'm looking forward to And I think we have Niger to the world We have Niger to the world Which is the expression Which is how we're exporting ourselves How we've been exporting Whether it's with acting It's with music It's with fashion So we really have something for everybody You know, it's not just for one section of women It's really for everybody And we're going to talk about the after party Oh There's an after party After party You don't know about the servants, everyone Yeah Yes, yes, yes That's the one that Kofi wants to come for That's the one that Kofi wants to come for He can't blame me You know, we know So everybody thinks for that one as well So when you come When you stay for the conference You come for the after one And it's a snicker theme So make sure you come be a snicker I'm going to be there I'm going to be there For those who want to be Members of Wimbies You know, beyond the conference Yes How can they do that Okay, so Wimbies.org W-I-M-B-I-Z.org Has all of the information that you need To register to be a member Fantastic, fantastic All right I would like to see any final words from you Before we go I start with you Fully sure Okay, so final words from me Is register for the conference Simple and short W-W-W-Wimbies AnnualConference.com Or like I have to say Just Google Wimbies And I would love to see you there Say hi to me When you see me there I'm saying to say How to find a word from me Honestly, ladies attend I know what Wimbies has done personally for me And I really, really want people to experience that In your career In your profession In your business Whatever I said Just gone I put it just said Look out for us Say hi Take a picture Post it on Instagram And we look forward to it I'm going to be a virtual anchor So I'm going to be looking out for people virtually If you can't join physically No surprises From your delivery here Can you see? There's no surprises All right But finally you leave your frames in the studio Before you go As you're going Two of them Two of them Okay, that's fine That's fine That's fine Leave them here As you're going All right I want to thank We want to thank both of you for coming I've learned, we've learned a lot And I can't wait to You know, to see the success of this conference It's amazing that Chairman Mandelby The speakers It shows their level Levels to this thing You know I'm saying All right So Mahana too At Degboyga Chairman Or chair rather Conference planning group Delegate engagement Subcommittee of Wimbies And of course For Lucio Badamosi Who is the vice chair Conference planning group Committee of Wimbies Thank you so much Thank you For having us Thank you so much for coming We are co-friends Thank you very much Appreciate it Well, that's the much we can take at this point in time We take a break and when we return We'll be looking at the second major conversation right here We'll speak with an expert As regards the issue of stroke Please stay with us


Hello, OcelatorSync here, and welcome to the first video in a new series for the channel where we look at building patches from scratch on the Korg Volgra FM. This series is going to be a kind of companion to the understanding sound design on the Volgra FM series that I've been running on the channel for a number of weeks now, and in that series we've been looking at the individual elements of patch creation on the Volca. And what I wanted to do is put out a number of videos where we take all of those concepts and put them into practice and hopefully build some cool sounding patches along the way. So we'll get on with the sounds really soon, but just briefly here's a little bit of housekeeping. First of all, I'm going to be using my free browser-based patch editor for the Volgra FM to build the patches. There's a couple of reasons for that. The first, honestly, is it is just faster than constantly menu diving on the Volgra FM. It's kind of the main reason that I built it in the first place. But I think also from a learning perspective, it is a lot easier to understand what's going on in the patches when we can see everything laid out all at once, rather than trying to keep track of what parameters we've tweaked and just trying to remember what we've done. The third reason, I guess, is that once we're done, it's really easy for me to click this button and share with you the finished patch so that you can take it and tweak it and play with it and sort of revisit what we've done in the video. So another thing that I think is worth mentioning is that when I say I'm building a patch from scratch, I really am building a patch from scratch. I haven't sort of pre-rehearsed building the patch that I'm about to do. So there might be along the way some not so great sounds, some maybe some mistakes that I make. But I think those are worth sort of keeping in. I won't be editing those out because mistakes are a good learning experience as well as the good stuff, obviously. So I hope you guys don't mind when I make some dreadful noises along the way. Hopefully not too many of them, but there might be some. Finally, as to the type of patch that I'm going to be building, well, I put out a poll on my Facebook page. If you're not following me on Facebook, there is a link in the video description. It's maybe worth following if you're interested in the stuff that I'm working on because I do teasers for patches and stuff like that. But anyway, I put out a poll and I asked people what type of patch do you want to see and overwhelmingly, almost without any contest actually, people were asking for pads. So I think the first couple of videos in the series I'm going to be looking at some pads and then we'll move on to some base and some percussion and some leads and that sort of stuff as well. So let's actually get on with building the patch. So I've got an initialised patch like that and I've also got a sequence pre-recorded just so once we've got a bit further into the patch, I've got something to sort of play against and leap round. But I'm going to start by coming down here and picking my algorithm. So in the world of sort of subtractive analog synths, one of the ways that we get our richness for our pad sounds is by layering up a number of voices, a number of oscillators. And that's certainly a legitimate tactic in FM as well. But I thought for this video I'd do something that is sort of uniquely FM and that's I'm going to use an algorithm which only has a single carrier but then quite a complex network of operators modulating that carrier. So I'm going to go with algorithm 18, which I'll also just flash upon the screen for reference. So we can see here that we've got a single carrier which is operator one and then we've got operator two is modulating it, operator three is modulating it and also has feedback if we want. And we've also then got a row of four, five and six all modulating each other and then flowing into operator one. So it's quite a complex algorithm but let's see what we can do with it. So I'm just going to turn off most of my operators just to begin with just because I want to start by just getting the overall envelope of the carrier. I've left operator three on just so we've got some colour so we can hear it a little bit better. So classic pad kind of thing, let's give it a bit of a slower attack, shall we? Yep. And then let's of course also give it a bit of a longer release. So you can hear there at the moment when I release the key, although I've got that release, it sort of drops off. So that is happening because at the moment my only modulator has a very, very short release for release four, which means that it's sort of cutting off almost as soon as I release the key. So if I just want to make that sound a bit more natural, that's just cool. There we go. So that's kind of our starting point. So let's start looking at our operator three here. We might come back up to here and tweak a couple of bits and pieces, but that's kind of a good starting point. So let's talk about getting a bit more richness even just off this one operator. So let's add a bit of detune perhaps. Immediately we start getting that kind of beating. So one of the things to bear in mind when you're dealing with a algorithm with so many modulators running into a single carrier, so we're probably going to have to keep our operator output levels a little bit more conservative. I'm going to leave them kind of where they are around 90 to begin with, but we'll probably have to bring them down as we start to bring in some of the other operators. Okay, let's come down here and let's take a look at this feedback. So feedback means that operator three as well as modulating operator one is also modulating itself, and we can get almost like introducing resonance, if you like. It's going to be a bit of sharp sharpness. It's almost like a resonant filter now. So that's probably pushing a bit too far. So let's bring that operator level down a touch just like that. Okay, that's probably a nice starting point with that one. So what I'm going to do now is turn on operator two as well. That's our other operator that's sort of just sitting on its own. Let's give it a longer release as well. You can immediately hear that they're beating against each other in quite a cool way. So let's find a tonality that really works. Let's try some different tunings. Oh, wow. See, this is what FM can do that analog can't do. There's no phase or anything, no external effect. It's just because we've got two modulators all hitting this one carrier, and they're just beating off each other in a really interesting way. Let's level that down to it, not getting quite as... So one thing that I like to experiment with is, sometimes it's tempting just to leave the fine control alone unless you're doing like sort of bell sounds. But let's just try just a moderate amount of... Oh, sorry, a very minor amount of fine. Yeah, that's pretty cool. We can probably push this output a bit more maybe. Kind of brassy but also paddy at the same time. That's really cool. Perhaps we could also have this operator sort of fade in a bit more as well. Increase or rather decrease the rate of envelope generator part one. Let's try a lower octave there. It's really cool because the beating becomes less rapid as we go down the scale. So we've kind of got this movement throughout the whole of our sound at the moment. So that's a really positive start. Maybe just make that fade in slightly slower. So here we can hear now that we've got that purity right at the start of the note. And then it gets that beating kind of comes in afterwards. Yeah, like that, like that a lot. Okay, so that's a great start. But we've still got another operator that we can modulate into our carrier. So let's turn that on as well. Okay, so let's give it a longer release like the other ones. I'm just going to set the sequence going so I can... Okay, so things are getting pretty crazy now because we're hitting so much coming in now. So let's try to find a different tonality here. Maybe that's a bit more of a sparkle over the top by increasing this course control. Okay, so that's obviously far too much at the moment. But there's something about that that I quite like. So let's just reduce the output level of the operator just to try and find a bit more of a controlled sound there. Maybe have that fade in a bit more as well. Let's do the detune a bit. I'm just going to drop it down tiny bit more in anticipation of the fact that we still got these two other operators that are going to modulate into that modulator. So we're going to be able to get far more complex sounds on the go. So let's do that. Let's bring in this operator 5 and see what it does. Things start to get pretty interesting there. Let's make this one come in real slight, shall we? Actually, let's make it come in real fast but then have it drop off pretty quickly. Again, a ghostly sort of groan happening behind it. Now, this is one of those things that I'm probably going to dial out a little bit with the velocity when I get there. I'm just trying to get this bass sound happening first. Let's try the detune of it. Let's be brave and let's try the fine tune a bit. Let's try that. There's some interesting stuff happening there. I'm always scared to put in operator 6 but let's give it a go. Let's see what happens. Things are getting real buzzy now. Actually, there's up registers. That's kind of cool. Let's mess with the tune a bit. Let's got something to it. Let's get a bit more of a paddy. Obviously, there's too much of it at the moment but let's just get an envelope working there. We kind of want it to die down. There's a point during that sweep where it has this lovely hollowness. It's looking to linger there a bit longer. What I'm doing here is just adjusting the second part of the envelope here. Okay, let's reduce the operator to the output level because that's too much fizz. At the moment, we've got a sound which is cool. I'm really getting into that kind of hollow noise. Go away, antivirus. That hollow noise that's happening there. Let's see what else we can do. At the moment, we've got a sound that sounds pretty cool at the moment. What it's not doing is it's not changing with the velocity at the moment. That's what I tend to do once I've got a nice bass sound to work with. Let's work with the velocity. The first thing that's obvious to me that I want to adjust with that velocity is all of that fizz. I'm just going from operator 6. Let's turn the sense up. That's what the velocity turned down. That fizz is coming in only on that. It's harder notes and then in the middle. I think probably similarly we can take an approach and apply a bit of key velocity sense to operator 5 as well. That's what we've lost down in the middle. I think probably across the board we can put just a bit of key velocity sense for all of our other modulators. One thing to bear in mind when you're doing the key velocity sense, you can hear now that everything seems to be more of a top than it was. The key velocity sense means that when the velocity is on full, the operator is actually going to be boosted above the level we've got here, so we can probably turn that down a bit on all of these just a little bit. That's velocity in the middle. A little bit of that hollowness there. Not too much. Turn it down a bit more. This is pretty mellow actually. The velocity down. Real mellow with all the way down. Kind of cool though. Now we've got the velocity happening. Let's talk about LFO. This has already got quite a lot of wobble because of the beating, but let's just try a little bit of pitch modulation. I'll turn the pitch once that's tipped up a little bit. Give us a bit of LFO speed and turn the pitch mod depth up a bit. I could actually dig a bit of pitch mod on there, despite all of the wobbly that's already happening. That feels a bit too much. Let's turn the depth down a little bit. That's cool. Let's turn the velocity up. I'm going to put a little bit of LFO delay on there just so it doesn't come straight at me. Get a bit more purity at the start of the note. A bit longer on the delay there. The other thing that is jumping out of me is that I kind of want to put some amp modulation on probably... Maybe operator 6, so that fizziness has a bit of wobble to it. A bit more. So it's not making that much difference. Perhaps we need to apply it to operator 4. I'm not really getting the effect that I'm looking for. I think there's so much beating and moving that it's not really being pulled out so much. So we'll leave the amp modulation for a little bit. So next thing to take a look at is how well this patch is working across all the registers. So let's drop the octave down a couple of octaves to see how it feels. Okay, that's kind of cool. It's kind of made me think that the release isn't long enough now that I'm hearing it and low register, so let's just drop that down a bit. Okay, let's try that with the velocity down a bit. All the way down. Yeah, that's feeling pretty balanced to be fair. Yep, now I'm happy with that. Okay, so let's try something in the upper registers. Okay, so that's with the velocity order. Obviously that is too fizzy. So in the middle. Yeah, so in general, I think the sound at the moment gets too fizzy in the upper registers. So what that means, we want to apply some of our operator scaling, our level scaling here. So we're interested if we're talking about the upper part of the register with the right depth. We want to make sure that our curve here is a negative. So at the moment it's negative linear. We'll try that. And let's just bring up the depth on some of these and see what happens. Sorry, the right depth, what am I doing? Okay, that's already sounding way more balanced. Kind of felt we don't need quite as much fiz. The right depth up on six. Sounds like it's in a weird aliasing as well. Ah, there we go. Okay, let's get five down. Okay, let's make sure that hasn't affected us too much in the lower registers. If it has, then we need to adjust our break point a bit. Okay, that still feels like we've got all the fiz that we need, but now when we go up higher. Okay, I think we can probably afford to push that depth a bit more. You can hear on those two lower chords. There's higher chords there. The depth has hit us pretty hard. With these lower chords. Not so much. That tells me we can probably drop our break point a little bit and have the scaling start a little bit earlier on the keyboard. Let's try 40. See how that goes. Ah, okay. So that's pretty much taking it all together, which makes me think that the depth is probably a little bit too high. So we can pull that back a little bit. Came back to where we were to begin with. Still got the fuzz and the fiz there. We can drop our velocity down. That's when it sort of cuts an octave down. It's two octaves down. Okay, so this is kind of interesting fine tuning because that three octaves down is still kind of playable. I'd argue that by the time we get to even when we get to three octaves up, it's not as useful. So maybe what we do here on our global voice is that we transpose the whole patch down an octave. Yeah. Okay, I'm feeling pretty good about that. So one other thing that might be worth looking at, and I do this so much that it's almost cliche as far as I'm good to know. It might be nice to have a little bit of a pitch sort of sweep happening. So the easiest way to do that is to set your pitch envelope R1 and R2 to be as fast as possible. And then have L2's level just a bit lower. Yeah, kind of sweep up. I just really like that on a pad. And we can speed that up, of course, by... So we're getting to L1 in the middle here as fast as we possibly can, and then straight away getting down to what we hear as our sweep. We don't really hear getting down to the low point because we're still fading in the noise there. And then we're jumping from this low point here up to the midpoint again at the rate defined by R3 here. So we can probably make it a little bit faster. Yeah, it's nice. I'm feeling now that at the highest velocity we could probably afford to make these modulators ever so slightly lower, so it's not quite as obvious. Don't know, am I just being cautious here? Maybe let's just try just down to the two notches across the board just to see what that's like. I think that's more balanced, right? Still got that fizz, but I think that's more balanced across the whole range now. That's about halfway on the velocity slider. We've just got that nice rasp there. That's velocity all the way off. Okay, I'm pretty happy with that. That's a pretty cool sound, actually. Right, so most important thing, let's give it a name. I am going to call this, I'm said to say Pad 1, so that I can easily keep track of it. I am going to create a shareable link so that I can share that patch with you guys. The link, this link here, will be in the description of the video so you can get straight to the patch and have a play. I'm going to save it just so that I don't forget to save it later. Okay, and that's a pad patch. I will do another video on a pad as the next build a patch from scratch video, but we'll take a more sort of FM does analog type approach and use sort of multiple voices to try and get richness that way rather than via our modulators, but I think what we've ended up with here is a very FME kind of pad, which kind of what I wanted to show off first. Anyway, I hope you enjoy that, guys. I hope that wasn't too long to sit through. I hope you picked up some tricks and some ideas for your own patches as we were making our way through that patch. If you did enjoy the video, please do give it a thumbs up and make sure you're subscribed to the channel so that you don't miss out on any of the upcoming videos on the Valkyrie FM and other synthesis fun as well. I will be carrying on with the sound design series. There's a couple more topics, a couple more parameters that I want to discuss before that is all done, but we'll be working out a bunch more with these sort of patch from scratch videos and we'll look at pads obviously because everyone seems to want the pads but we'll also look at some bases, we'll look at some leads, we'll look at some bells and some percussion. I'm currently building a percussion patch pad patch pack, so perhaps I'll make one of those patches sort of on-screen as I go along. Otherwise, thank you so much for watching, guys and I will see you again soon.


Hi Selesh, it was a pleasure to have you today. Thanks. Just wanted to know how was your experience today attending this conference? This was fantastic because I have been attending this conference for the last two years and there has been an increased interest among development fraternity including NGOs and academic organizations, donor agencies and the participation has really improved in the conference. It's a very good opportunity for networking as well. Specially if you ask about your interest, what would be the takeouts for you? So basically because my work revolves around the common lands, the forest and the communities which depend on that so the workshop has been very very important for me especially. There have been sessions related to common lands and with participation of various stakeholders which come from different perspectives so it has been fantastic learning about and contributing to those kind of perspectives. And lastly, moving ahead, how do you see such platforms? Where do we go ahead from here? I think these platforms will be very very useful in especially in providing input through the policy makers. The gentleman from the government today in the morning he mentioned that the outputs from this workshop are going to be very handy to them. And I think in future more participation of the government as well as very specific outputs related to various kind of land issues and as you know the land issues should not be relegated only to the administration. There has to be participation of various stakeholders and that's why it is important that these kind of conferences provide outputs which become the input for policy makers. Thank you Salish. It's a pleasure having you. Thank you.


The Kraft Foods Company, makers of Parquet Margarine, presents Willard Waterman as the Great Gildersleeve. Each week at this time, the Great Gildersleeve is brought to you partially transcribed by the Kraft Foods Company. What do you say when you want to describe the freshness of something? Maybe you say it's fresh as a daisy or fresh as pneumone hay. Well, another expression you could use is fresh as a pound of Parquet margarine. Every pound of Parquet your grosser sells is really fresh and that's the reason it always tastes so good. Parquet is made by Kraft, who has been creating quality foods for almost 50 years. Their long experience in making America's favorite cheeses and salad dressings plays a very important part in making Parquet such a good tasting, fresh tasting margarine. Kraft makes Parquet of fine farm products and then it's rushed to grossers by a refrigerated truck. Each package is flavor-dated so stocks can be regularly inspected. That's why Kraft can guarantee that every pound of Parquet is at its flavor peak. Tomorrow when you go shopping, pick up a package of good tasting, fresh tasting Parquet margarine. In most markets you can get Parquet in handy yellow quarters ready for the table. In any package for any use, Parquet is the only margarine that brings Kraft quality right to your table. Remember, P-A-R-K-A-Y spells Parquet, the margarine made by Kraft. Well, for a good many years now, the great Gildesleeve has devoted one night a week to the Jolly Boys Club, a quintet originally organized for the purpose of indulging in little barbershop singing and since held together by a strong bond of friendship and old piano wire.  I George, I'll be murdered tonight.  Yo yo yo yo. Yo alright me boy. One minute for the Jolly boys meeting tonight. Yeah, it's fine recreation my boy. After a hard day at the office, there's nothing like getting together with your old cronies. What's an old crony? He's a fellow like Judge Hooker. I thought you said he was an old ghost. Well, he's a nice old ghost. Dinner's on! He's coming, Bertie. Oh, hello, Auntie. Hello, Marjorie. Where's Bronco? Oh, he's working late at the office tonight. He says he's going to make his first million before he's 30. Oh, that's quite a trick. Taxes being what they are. Excuse me? Hello, Bertie. Oh, boy, bake him. If you want to start fast in the plate, I'll go get the macaroni and cheese. Fine, Bertie. I know your aunt is addicted to that jolly boy's meat tonight. You bet. But I don't intend to neglect my dinner. Oh, Auntie, Judge Hooker phoned late this afternoon and said he couldn't be at the meeting tonight. Oh, that's strange. The judge never misses. Well, he said he had a very important engagement and that she was very engaging. She? What are you supposing that's by that? If it's for she, he's got a date. Judge Hooker? Could be. I think she was with him when he phoned. He was very giggly. Yeah, Marjorie, that doesn't sound like the judge. I'll take it. Thank you, Bertie. Hey, I don't know who the judge has a date with tonight. Judge Hooker has a date? You gave me that impression, Bertie. I saw him with the ladies today. Were you dead? Leroy, just because you saw the judge with a woman doesn't mean he has a date tonight. He'd never have a date on jolly boy's night. Well, maybe he's given up singing for women. Oh, my goodness. My, my. So the judge is stepping out. Uncle, wouldn't it be funny if after all these years, the judge would suddenly get married? Wouldn't that be something? Maybe he's aloofing tonight. Yo, posh. Uncle, you think the judge could still carry a lady down the ladder? Now, wait a minute. All of you are jumping at conclusions. Speculating about something is none of your business. The judge phoned and said he wouldn't be at the meeting tonight and you immediately tried to make something out of it. Started rumors flying. The fact that Leroy saw Judge Hooker with a woman today doesn't mean a thing. Uncle, she was a very attractive woman. That still doesn't mean a... What did she look like? Well, keen when I saw her, the judge was helping her into her car by the elbow. I bet he's the polite word. Is she young Leroy? No. I'm on stage.  You're certainly an attractive age. Had you ever seen her before, Leroy? No, she didn't look like Summerfield. She looked like one of those classy ads in Marja's fashion magazines. They married to the judge with a high fashion lady like that. Sorry, but I can't. Of course, it's not in my affair. It doesn't concern any of us. But I can't imagine a woman like that being interested in Judge Hooker. I never know, Auntie. The judge wouldn't be a bad catch. He has a home, a good income... And a flashy automobile. I'm just dying to know who she is. Auntie, why don't you phone the judge? If I am, I do. Maybe you can get some more information. He'll tell you, Miss Gillespie. Go ahead, Auntie. I refuse to meddle in Judge Hooker's affair. And I'm surprised that you want me to. I suggest we not pursue the matter any further. Okay. Yes, sir. Like you say, it's not our business. It isn't that we were meddling. It's just that we're all so interested in the judge. Well, I'm interested in the judge, too. But I'm not going to phone him. No, sir. Especially to find out who his mysterious attractive lady friend is. Okay, let's not talk about it. Of course, I could call him. Since he won't be at the meeting. See if there's any business he wants me to bring up. Sure. It'll be strictly a business. Ah! Well, the judge didn't answer his phone. There was nobody at his house. On my way to the club, I think I'll drive past the Summerfield Grill. They might be having dinner there. You know that I'm meddling. But the family will be curious. There they are. The table by the window. Behind the furnace. He'll park in front for a minute. I'll just drop in casually for a cigar and let the judge explain. Wait. And after all, as president of the Jolly Boys Club, I've a right to know what excuses they have for missing meetings. Hey. Nice. The judge has a pretty good excuse. Yeah, George, I'll find out what's going on. Pardon me. Pardon me. Are you waitress? What's that soup? Well, gilded. Yeah. I didn't expect to see you here. I didn't expect to see you either. But now that you're here, I want you to meet my charming companion. Yeah, I'd like to. Now that I'm here. Miss Buckley, allow me to present my friend, Mr. Gildersleeve. How do you do, Mr. Gildersleeve? Well, delighted to meet you. Miss Buckley, you say? Yes, as attractive as she is, Mona hasn't seemed fit to change it. Up till now. Yeah, I wonder what he means by up till now. Oh, isn't Horace wonderful, Mr. Gildersleeve? He always thinks of just the right thing to say. If I do, it's because you furnished the inspiration, Mona. There you go again. Oh, you see, Mr. Gildersleeve, he makes me feel so good. Oh, brother. Oh, why don't you ask Mr. Gildersleeve to join us for dinner, Horace? Well, gilded, you can't join us, can you? Thank you very much for the invitation, Judge. But I've eaten. I'm on my way to the Jolly Boys meeting. Oh, yes. Well, don't let us detain you. I'm afraid I've been a little selfish of Horace since I've been in Summerfield. I've simply monopolized the dear man. Isn't this a gorgeous corsage he gave me? Yes, indeed. From out of town, are you, Miss Buckley? This is my first trip to Summerfield. Prior to this, Horace Zoll has come to see me. Oh, why did you two meet? Oh, it is one of those stories with meetings.  It happened, it happened. It happened in Center City, Gilded, Miss Buckley's home. Oh, you know, Mr. Gilded, from what I've seen in Summerfield, I like it better than Center City. It's been the most divine afternoon. The Judge has given me all over town. He's been showing me his properties. Uh-oh. She was delighted with my home, Gilded. I just adore antiques. They make one feel so young. Oh, yes. I'm sure that accounts for the Judge's usefulness, and this. Well, I've always contended that a man is as young as he feels, and I'm as sound as a silver dollar. Inflation. I was just telling Mona that I walk a mile every morning before breakfast. He's walking into a trap tonight. Uh, Judge, can I have a word with you in private? In private? If you'll excuse us, Miss Buckley. Club business, you know. Well, would you pardon me a moment, Mona? You go right ahead, Horace. I'll look at the menu. I'm hungry. I'm going to order the business of those six cents. What do you want to see me about, Gilded? Judge, do you know what you're doing? What do you mean by that? Well, it's pretty obvious to me that this woman is after your money. Gilded, I resent that. You resent it because you know it's true. Gilded, you don't know the circumstances. Oh, don't I? Well, you're pretty in your hands. And as an old friend, I don't like it. As an old friend, I don't like your interference. Judge, believe me, the woman is making a fool of you. I have eyes. I can see. Well, then you shouldn't have any trouble seeing the door. You better run for the exit, too, you old goat, while there's still a way out.  No. Yeah, I'm sure of it, Floyd. And the only reason a woman like that would go for the judge is to get her hands on his money. And I told him so. Got a little testy, huh, Commiss? Yeah, I'll say it. PD, don't you think I did the right thing? Well, I've never found it advisable to tell a judge what to do. And just the same, the judge is being taken in. And I think it's a problem for us jolly boys. One of our members has caught it with. Let's hear a little more about this nifty spider. Yes, how did they meet? She picked up his briefcase. All right, then. The judge dropped his briefcase and she picked it up. Imagine the old judge dropping his briefcase when he sees a good-looking dame. Pretty coy as a judge. Yeah, fellas, we got a croquet in the club. It's croquet, Floyd. And I don't know who the flirt is. She's very attractive and the judge is spending his money like water, steaks, corsages. Well, he bought a box of candy last night until he had to meet a train. I'm sure he didn't give it to the conductor. It all adds up, fellas. Let's face it, if we let her have her way, the first thing we know is she'll have to judge his money and property and cast him aside like an old shoe. You got any suggestions? Well, it's a drastic measure. But if we can get her interested in somebody else, it will prove our point to the judge. Well, I'm loyal to the jolly boys, but I'm not that loyal. I'm married. Me too, very married. Chief Gates is married, too. Yep, that lets him out. Fellows, stop looking at me like that. But, Commiss, you're the only eligible member we can't. Happy hunting, Mr. Hiddleston. But, fellows, you wait a minute. What's the matter? Are you scared? No, Floyd. Well, you're the one who made the big talk about saving the judge. Yes, he did. Of course, if you don't care about the judge like you've been talking... Blabbermouth. All right, all right, I'll do it.   And candy. Not so fast now, fellows. This'll cost money. That woman's expensive. Since this is a club project, I think it should be financed by the club. Oh, I know. That's fair. Don't you think so, Floyd? Sure. We got about eight bucks under the piano bench there for an emergency. Well, that won't go far. But just to show how sincere I am as president of the club, I'll put in $5 of my own money. Good for you, Commiss. And I'll assess everybody else $5. Come on, man. What do you think, baby? Well, look at it this way, fellows. I'm the one who has to take Miss Buckley out to dinner and maybe dance. So I'm the one who's really suffering. No, I wouldn't care that. The great Gilda Sleeve will be back in just a moment.  There's one thing sure. They make a mighty satisfying breakfast. And they taste extra good when you top them with golden king-size pats of parquet margarine. Parquet is the quality margarine made by Kraft. And it tastes so good because it's always fresh. That delicious distinctive parquet flavor blends wonderfully with the flavor of hot foods like pancakes and waffles and vegetables. Parquet tastes just as good as an every meal spread for muffins and rolls and bread. And use parquet, too, when you bake cakes and cookies. It's a grand flavor shortening. Make tomorrow the day. Tomorrow, pick up a pound or two of good-tasting, fresh-tasting parquet. That's P-A-R-K-A-Y. The margarine made by Kraft and guaranteed by Kraft. You'll love parquet at every meal. Well, let's get back to the great Gilda Sleeve. It seems that his friend Judge Hooker has gone overboard for a pretty face. And the water commissioner got the idea the judge should be saved from her clutches. Now, he's stuck with the rescue. Here you go. Rascal, touch the couch, please. Coming, Bertie. Good morning, Margie. Hi, Aunt. Good morning, Margie. Leroy. How was the Jolly Boys meeting last night, Aunt? Well, there are only three of us present, Leroy. Aunt, did you find anything out about Judge Hooker and his girlfriend? Yes. In fact, I met her. She and the judge were having dinner at the Summerfield Grill. My, my. Well, the judge is really serious. What's the score, Aunt? Well, it didn't take me long to size her up. The old judge is making a big mistake spending all his time on that woman. Does he have another date with her tonight? No, I have. Well, I... Well, I'm going to try to make a date with her. I have to phone her first. Aunt, what are you up to? Margie, I just want to prove to the judge that she's a flirt. All I'm trying to do is keep the judge from getting involved. So you're getting involved? I am not. Aunt, are you telling us everything? Just how attractive is she? Well, there's nothing wrong with Miss Buckley's looks, but... No, Margie, let's not get the wrong impression. What if she turns you down, Aunt? Well, if she does, I'd be happy for the judge. At least it would prove her head is in turn by every handsome man who calls her for a date. Oh, brother. As a matter of fact, I'll call her right now before the judge makes any plans with her for tonight. So early, Auntie? You know, if I know the judge, he's camped in front of a hotel in a pub tent. Come on, the extension. Certainly not, Leroy. This is what I'd go through for my friends. Well, maybe I won't have to take her out after all. She may not answer the phone at this hour of the morning. Good morning, Summerfield Hotel. Good morning. Will you ring Miss Buckley's room, please? Miss Mona Buckley? One moment, please. Maybe she's still asleep. She's awake. Miss Buckley? Yes. This is Drachmore and T. Gildersleeve, the judge's friend.  Remember? Yes. T. Gildersleeve, you early bird. Yeah, I'm fine. Thank you. I hope you won't call her again. Yeah, I'm fine. Thank you. Yeah, I hope you won't take me presumptuous, Miss Buckley. But I wonder if you'd care to have dinner with me this evening. A dinner? That is, if you don't have any plans with the judge. Well, I don't have any. I can't break. I knew it. I've been with you for a few hours. Well, the answer is no. Yes. Yes, you will or no, you won't? Yes, I will. Well, Mona, I... Yes, I'm a little brash, too. Let's not say anything about this to the judge. Okay. You have the idea. Shall we meet in the hotel lobby about six? I'll be ready. Fine. Goodbye. Well, Mr. Gildersleeve. Yes? In case you're wondering what I'm wearing. Yo, I'd recognize you anywhere. Purple dress, you say? Goodbye. Goodbye. I guess the jelly boys can afford flowers. I got the date. Yeah, nothing to it, huh, Miss? She jumped at the chance to go out with me. She is a fickle dame. She just proves what I've known all along. She's just toying with the judge.  Okay, let's check signals again. When do you want me to bring the judge around so he can see you and Miss Buckley together? Yeah, and I'm meeting her at 6 o'clock. We'll be in the grill by 6.15. How about 6.20? Hey, that's moving pretty fast. You know, I'm just trying to get it over with quickly, Floyd. I want to save our money. She's already hit me up for flowers. Yeah?  That's the kind of woman she is. She'd probably take every dime I assessed you covers last night. Oh, hey, I nearly forgot. Here's five bucks the chief sent over by a trustee. Good. I'll need it. That's five from the chief, five from the peave, five from me, and 8.50 out of the Jolly Boy Sinking Fund. Kamish, you better do a good job or you know who's sunk. You just have the judge there, Floyd, and leave the rest to me. Lovely dinner, Mr. Girl, to sleep. Yes, thank you, Miss Butcher. Everything is just as I like it. They must have a wonderful chef. I wish we had the Summerfield Grill in Center City, but that means we had it for Center City. You wouldn't have it here, would you? You know, you were employed with the judges two hours late. You know, all my girlfriends are so envious of me. Here they are? Yes, I can eat anything I want you whenever I want it. Stoches, proteins, potatoes, bacon, lobster, and if you ever take me out again, I want lobster. Well... Anyway, no matter what I eat, I never put on an extra pound. I've weighed the same for years and years and all the girls say, Mona, how do you keep so slim? You must be from talking so much. Please, Floyd, you keep looking at your watch. As well as I looking at my watch? I bet you're just like me.  Now, where would you like to go? Me? Oh, I adore dancing. I asked the clerk at the desk, and he said there was dancing in the palm room here at the hotel. Well, we might try it. Can't stay here much longer. I've already eaten four desserts waiting for the judge. Well, pay them out and let's go. Oh, yes, waiter, check. Yeah, I can leave word for Floyd, or we'll be... Oh, shipwrecks are coming. There's nothing, goodnight. Oh, what a boat I'm in. We're sure you're not getting tired, Miss Buckley. Why, it's rocky. No, I'm rocky. Where is that point? I could dance forever and ever and ever and ever and ever and ever and ever. Well, let's dance in the other direction. We circle this way 20 times. Well, you're the leader. I'll go where you want to go. You want to go somewhere else. Come on, come on, let's go.  I heard some cottage kids talk about the blue goose. Now, where's that? You're out of your mind. That's a little jumpy. I can't jump far on $3. This blue goose is pretty crowded. I doubt if we get a table here. Well, we don't leave a table here. Well, we'd say a little that way. Well, of course. We can get a table someplace else late tonight, but we want to see the dance. I use my head properly. Your little date is about a week. Yes, yes. So, why don't we just go out on the floor and dance? Well, shouldn't we wait until the music starts again? In a minute. You all right? Over here. Excuse me, Mona, a barber friend of mine. I'll be back in a minute. Where's the judge? I've been tracking you all over town, Commissioner. Why don't you light some place? You don't ask silly questions. Where's the judge? You were supposed to bring him around four hours ago. Don't get mad at me. While you've been spending all money on the dame, I've been running my legs off looking for him. Oh? You know where I finally found him about nine o'clock? Where? Home and bed. Oh, my goodness. Now I'm going home to bed. He's lying. Wait. This isn't helping the judge. It's just wrecking me. Oh, here we go again. I'll never get home. It was high noon. You know, I just got up.  You never know what I went through. Did you go to with my fam, Donna? You know, I went through everybody's $5. In fact, I had to leave my watch at the Blue Goose. My, my. Worst of all, the judge never did show up. Well, Summerfield is a small town. I imagine he'll hear that you were out with Miss Buckery. Yeah, I guess so.  I'm not sure I did the right thing. Oh, John. Well, he probably called her for a date last night, and when he found out she'd gone out, he went home to bed with a broken heart. Well, it could be. Pardon me, Mr. Goatishly, but would you like to slip out the back way? Here comes the judge now. No, thanks, Pee-Pee. But I'll have to face him sooner or later. Horace is one of my best friends. I'll confess the truth. Tell him I meddled and I'm sorry. Morning, gentlemen. Yeah, huh, Judd? Hello, Horace. Old friend. Yeah, I just talked with Miss Buckley. Well, I guess you knew all about last night then. Oh, yes.  She couldn't keep your little secret. Judge, no matter what you think of me, I gave you my word. I did it for your own good, and it cost me plenty. And me too. Oh? Judge, I even assessed the Jolly Boys $5 apiece to help finance the evening. Gentlemen, I don't know how to thank you. Guilty, old friend. I had no idea you'd go to such lengths to help me entertain a client of mine. Client? Thanks to you, I'm now in charge of all of our property in Center City. Mr. Gilda Sleeve, I want my $5 back. TV, when do I get my watch? How do I get into these things? The Great Gilda Sleeve will be right back. There's only one margarine at your grocer's that brings craft quality right to your table. It's parquet, the margarine that tastes so good because it's always fresh. Tomorrow, pick up a pound or two of good-tasting, fresh-tasting parquet margarine asked for P-A-R-K-A-Y. Parquet margarine made by craft. Is that you, Uncle Mark? Yeah, it's me. What's the matter? I'm here dragging. Who, me? I'm not dragging. I feel fine. Everything work out all right with the judge's lady friend? Oh, yes. She went back to Center City. You saved the old judge from a cruel fate, didn't you, Uncle? Huh? Oh, yes. And then, for me, he goodest knows what might have happened to it. And you didn't have any difficulties at all. Me? No. You have to get up pretty early in the morning to catch your old uncle. Now, I'm foxy. You sure are, Uncle. You bet. Oh, by the way, Anki, here's a little package a man left for you. Your package? Your what, man? The manager of the Blue Goose Road House. What? It's your watch that you left in hot last night. Oh, my goodness. See you later, foxy. I was ambushing that, folks. The great film is played by Willem Waterman. The show is written by John Elliott and Andy White in his partially transcribed. Included in the cast are Walter Tetley, Mary Lee Robb, Lillian Randolph, Arthur Q. Bryan, Sarah Selby, Earl Ross, and Dick LeGrand. Music by Jack Meakin. This is John Easton saying good night for the Kraft Foods Coverage, makers of the famous line of Kraft quality food products. Be sure to listen in next Wednesday and every Wednesday for the further adventures of The Great Hildre's Leave. Delicious cold cuts for luncheon or supper make a welcome change of pace from the hot meals you've been serving. Easy to fix too, but here's a tip. Be sure there's delicious Kraft prepared mustard on the table because when you add a little mustard, you add a lot of tang. There are two kinds of Kraft mustard, mild Kraft mustard, so smooth and delicately spiced, and Kraft mustard with snappy horseradish added to give it extra zip. Keep both kinds on hand for different tastes. Next time, get Kraft prepared mustard. Tonight, be sure to hear the Robert Montgomery News Program on NBC.


Hi everyone. Today's recipe, I am making a homemade ranch dressing that is going to be much healthier for you than what you can buy in the store. Have you had a look at the ingredient list of your major ranch dressing brand out there? Have a look at this and see what you think. Now if you just start making this from scratch yourself, you're going to be loads ahead of that recipe and I'm going to take it even to the next level by showing you just a couple of items, basically the mayonnaise, which one you might want to consider using and just your ingredients on say your sour cream or your Greek yogurt depending on what you want to use. This recipe is very customizable. You can change it up. You can use different ingredients, different amounts and you can just get it just the way you like it. So I'm Rockin' Robin and I'm going to show you how to make it right after this. You're going to love this recipe because it is quick and easy to put together and once you taste it, you're never going to buy that bottled stuff again. I'm pretty darn sure about that. Okay, so let's go over the ingredients. First up, now when I went to the store, I didn't have any choice, but I bought just what they had in their buttermilk, so no choices there, so I took it. All right, next up though, I did have a choice on the sour cream. So check out the ingredients on Daisy's sour cream. It's not organic, but I really like the fact that there's just one ingredient in that. So check out your ingredients on that. Now here's the one where you can have the biggest impact and that's with your mayonnaise. I'm using Primal Kitchen avocado mayonnaise because let's face it, avocados are good for you. I know it's more expensive, but it is so worth it, I think. Check out the ingredients on this. This is super clean, super good. The alternative is, you know, your major brand which has soybean and or canola oil, which is, you know, certainly inflammatory and not good for us to be eating. So I encourage you to try this, this particular brand, there's others out there. This one has the best flavor, it tastes more like traditional mayo than some of the others. I know Costco sells one, and that one, I just don't care for the flavor. So I stick with this one. We have garlic powder, onion powder, I'm using dried dill, Worcestershire sauce, which really gives it a nice flavor, some fresh organic lemon, we're gonna add a little lemon juice to this, salt and pepper, fresh parsley and fresh chives. I like to use the fresh on those two herbs just because I think it just adds to the flavor.  Remember this recipe is so, you know, customizable that you can add as much or as little or leave things out, add new things in, do whatever you like. This is a base for you that I think is excellent and I think you're gonna enjoy it. So basically we're gonna place all of our ingredients in the bowl. First is our mayo, next is our sour cream. Now I'm only making half a batch today because I have some already in the fridge and I didn't want a full batch, but you can easily double this recipe and of course you can get all the ingredients below the video in the description area. Click word says show more and of course you can use Greek yogurt if you want to for that sour cream, but these are all pretty much equal amounts and using a quarter cup of each. That's our buttermilk. This is our Worcestershire sauce, garlic powder, here's our dill, onion powder, a pinch of salt and a little cracked pepper. Here's our chives and our parsley and then I got a little bit of lemon juice going in here. Take a whisk and blend. Now I have a secret ingredient here that I sometimes add that I think some of you may really like and that is chipotle pepper powder that I can add to this and I do sometimes if I want a little heat. You may not want it with the kids, but with adults I think they definitely will like it. Now this makes a fair amount as you can see and this was half a batch so you can certainly double this and triple it or whatever you need to do to serve whoever you're serving. All right like I said this has got to go in the fridge for at least four hours. While we're waiting for that ranch dressing to chill up in the fridge it's time for our chef joke right. This is an easy one pretty corny but here we go. What day do eggs hate the most? Friday. All right next week we'll be a little more challenging. I'm going to pour the dressing into two small mason jars that you see right here. I'm going to add some chipotle chili pepper to one of them and then you just stir it in. So our ranch dressing is delicious you can use it on just an unlimited number of items and dinner ideas. My son puts it on his pizza or dips it in his pizza. Of course you can put it in your salad and it's just it's delicious. Love the creaminess of this. The flavors come through and of course like I said they develop as you let it sit in the refrigerator especially overnight would be perfect and you can use it as you know some healthy snacks for your kids or your family you know for a dipping sauce with celery and carrots and tomatoes and cucumbers whatever you have whatever you like broccoli. So it really is very versatile you can use it for dipping anything else you can possibly think of put it on your burger so it's all great. Hey would you like to see another salad dressing recipe? Well I've got one for you that you might want to try out it's been very popular. I'll leave a link for you right over here it is my balsamic vinaigrette check it out make it and let me know what you think. Thanks so much for watching we'll see you next week and don't forget to subscribe to my channel and leave me a comment I always love to hear from you and share the video. Thanks so much we'll see you next time


Income tax 2022-2023. Alimony received. Let's do some wealth preservation with some tax preparation. Most of this information comes from the Form 1040 Instructions Tax Year 2022 Instructions for Schedule 1. Additional income and adjustments to income. Additional income, which you can find at the IRS website, irs.gov, irs.gov. Looking at our income tax formula, we are once again focused on line 1, that being income. Remembering that the first half of the income tax equation is in essence a strange income statement, where we have income minus the equivalent of expenses. Those being the deduction gets us to the equivalent of net income. In this case, taxable income, our objective being the opposite of the normal objective. We want the bottom line taxable income to be as low as possible.


Lack, lack of. Which is correct? Number one, the soup, salt. Lacks, is lack, is in lack, is lack of. Lacks. Two, there is funding for the project. Lack, in lack, a lack of, in lack of. A lack of. Three, the speakers confused the audience. Lack clarity, lack of clarity, was lack of clarity, in lack of clarity. Lack of clarity. Four, my caused problems in driving. Lack sleep, lack sleeping, lack of sleep, in lack of sleep. Lack of sleep. Five, the company, good leadership. Lacks, lack of, is lack of, in lack of. Thanks for watching. To learn more about this topic, see video at link. Or, check out our websites for more free English learning resources, eslgold.com and freeenglishstudy.com.


Currently, we have 3,616 positive cases that's up 720 from last week of 2,896. We currently have 674 active cases and that's up by 219 cases. We have 2,101 people who have tested positive and recovered. We currently have 26 people in the hospital and that's a scary one. That's up 16 from last week. We have our 21st death and this is a tough one because I know the person, up one from last week and the negative test numbers came down quite a bit by 15,000 and this is a change in the way that we calculate this number and I'll explain that shortly. A number of weeks ago, the Sheboygan County Division of Public Health provided some guidance as to how to trick or treat safely. Since that original guidance was sent out, a lot has changed in our local data and the positive case burden rate in our county. Between September 9th and 22nd, Sheboygan County had an average of 19 positive cases a day over a two-week period. Our burden rate was 270 positive cases per 1,000 residents. In that two-week period, Sheboygan County had a high activity level. Over the last two-week period, from September 30th through October 15th, Sheboygan County had an average of 56 positive cases a day. Our burden rate is currently 782 positive cases per 1,000 residents. This is a 290% increase in positive cases for the 1,000 residents and has moved Sheboygan County into a very high activity level. On October 6th, Public Health in collaboration with the number of our health care systems and the business community issued a public health emergency. On Friday, October 16th, based on this large increase in cases in Sheboygan County, the Division of Public Health has issued a formal recommendation to the community that trick-or-treating is not currently recommended. Additionally, Aurora Health Care's pediatrician group also issued a formal statement which specifically recommends against trick-or-treating within the Sheboygan community. Because of the number of positive cases, our local schools starting today are only holding virtual classes for the next two weeks. And due to the change in the number of positive COVID-19 cases, this new direction from the Public Health Officer that trick-or-treating in Halloween is not currently recommended, the City of Sheboygan will rescind the previous notice that trick-or-treating can proceed with safety measures. And again, follow the directive of the Public Health Department to recommend against trick-or-treating this Halloween. This week, you will notice a change in the number of negative cases in the reports. Since the tracking of COVID-19 cases began, the Sheboygan County Public Health Department has counted every test that has been administered. This means that if one patient had three tests prior to a positive test, there were four tests all together that were recorded. The State of Wisconsin has tracked the negative test differently by tracking only the final results for every individual. So if the four tests described above would only register as one negative test until a subsequent positive test came in. This is the reason that the negative test results have contracted so much this last week because of the change in this reporting method. The recent increase in positive COVID-19 cases has caused the highest number of patients in the area hospital since the pandemic began. The current hospitalizations that over are in St. Nicholas have filled the COVID units that they have. Both hospitals are only between them. There's only two beds in the ICU that are left available. Remember to always wear a mask, keep social distance, wash your hands, and do that often.