Lux presents Hollywood. The Lux Radio Theatre brings you Rita Hayworth and Orson Welles in Break of Hearts. Ladies and gentlemen, your producer, Mr. Cecil B. DeMille. Greetings from Hollywood ladies and gentlemen. This is our 11th season on the air and I like to think of the Lux Radio Theatre as essentially a family institution reaching as it does into millions of American homes and bringing our armies overseas closer to their own firesides. Tonight in keeping with this family tradition, we are bringing together for the first time on the air one of Hollywood's best-known married couples, Rita Hayworth and Orson Welles in a play that is appropriately about marriage. It's the RKO screen hit Break of Hearts. But before the curtain goes up, I want to remind you that for our 10th anniversary celebration on October 16th, we are looking forward to having you help us select the plays and stars that you'd like most to hear. Send them on a postcard addressed to me at Post Office Box 9, Hollywood 28, California. We've received your suggestions by the hundreds from many parts of the world and I'm happy to say with a kind word for Lux Toilets. So typical is this story of two soldiers and a native chief. The soldiers were invited to his desert home for a banquet, kind you dream about. The main course was barbecued lamb, served on enormous trays and eaten without benefit of knife and fork. After the banquet was over, a retainer came to wash the hands of each guest with a bowl of water and Lux Toilet soap. One of the soldiers adds in a letter to his mother, right away I thought of you and pop on a Monday evening listening to the Lux Radio Theater. Boy, that warms the cockles of my heart. And now, the lights are down and the curtain rises on the first act of Break of Hearts, starring Rita Hayworth as Anne and Orson Welles as France. One of New York's finest music teachers is an old man named Alex Bjorkman. Some of his pupils are glad to pay $50 for 30 minutes of his time. Others rarely get a bill and never see a clock. Among them, a girl named Anne Thurston. Well, come in, come in. Tell me the truth. Were you really staying at the studio tonight or did you just say you were? Because if you just said you were, I'm going right. You can't sell pianos at Simons and be here both at the same time. So no more apologies. Besides, I'm expecting someone much more important, a great conductor. Not Roberta. Roberta. Yes, he's back in town. Yes, I know. He's conducting Friday night. But don't worry. I'm not expecting him for an hour. Now, what's new? Well, I've done it. Anne, the concerto? Let me see it. Here. Anne, any good? Well, I'm scared to death to say so, but I think maybe it is. Come inside. Play it for me. What if it is good? What if you really like it? I'll tell you what if you'll quit that job and get some sense. I can't quit my job. I've got to live. And I know just what you're going to say. Only alone, Anne, only till you can pay it back. Do I play the piano or do we start arguing again? All right, Miss Independent, sit down. Play. Let me hear. Good. Go on. Go on. Pay no attention. I'm not the end. Please, you'd better see. All right. I'll be right back. Who is it? Oh, Franz. Alex. Franz. It's good to see you. And for once, I'm not late. Oh, someone inside. A girl. She has a concerto. I'd like you to listen. Well, I'd be glad to some other time, though, Alex. Please, Alex, I just stopped by for a minute. I left someone in the car. Let her wait. Well, I wanted to ask you about the concert version of Tristan and his older. Tristan? Yes. Is there any reason why the garden passages could not follow the prelude?  Let Tristan alone. Well, let's get to the piano. I'll show you what I mean. Oh, please, excuse me. I'll run along, Mr. Bjorkman. I'll call you tomorrow. Anne, no, no. No, wait. Oh, it's all right. I'll go out this door. Anne! Anne! Oh, it's the matter with her. There's nothing the matter with her. The matter is with you. Oh, I'm sorry. Who was she? Her name is Anne Perston. It wouldn't have hurt you to listen. It would have meant a lot to her. When she calls, tell her I apologize. She's just beginning the climb, Franz. And you should remember, if anyone, the steps are not covered with carpet.  Be careful. Please be careful. I'll be careful. And I said I was sorry, but I don't have the time to listen to amateurs. Amateurs? And what about my Tristan arrangement? Who's talking like an amateur now? Well, I seem to be getting myself in deeper and deeper.  You and I quarreling. Come in. I'll play it for you. That girl, give me her address. I'll make you happy and send her a dozen roses. Wait a minute. Perston, you said our name is Anne Perston. You know her? Because I know her. It was seven or eight years ago. I met her at the academy. She's changed, so she was such a child. And now she's lovely. I know it. The address. What's her address? I know that, too. And what about Tristan? Forget it. I'll go find her first and apologize in person. For waiting, Anne, I had to get a taxi for a friend. She didn't mind? I don't think about it. Anne, you must believe me. I didn't know it was you just now at Yorkman's. I haven't seen you for so long. Did Yorkman send you down to say all this? Anne. Oh, I'm sorry. Now I'm being rude. Well, being rude is part of my nature, not yours. Look, look, I know you have much time, and it's good to know that you remember me, and I want you to know that... Well, you want me to know what? That I've thought about you often since the academy. Well, thank you, Anne. I want to say congratulations. It's such an inadequate word.  I've thought about you, Anne. I don't believe it. Oh, but I have. I'm being completely honest. Not so much as a person, but as an association with all that was so good in those days when I really worked. It seems so far away, Anne. It is far away. May I talk to you? May I take you home? My cousin's around the corner. France, I... I'm embarrassed. Embarrassed? Why on earth?  There's a husband waiting. Oh, no. A friend. No. I'm embarrassed because I'm poor. Oh, darling. Well, I'm not dressed for you, France, and I couldn't be even if I expected to meet you. I live down in the village, and not because it's artistic, but because it's cheap. My apartment's shabby, my furniture's falling apart, and... or I'm shamed. You haven't changed. I do remember. So intense, so self-conscious. Well, I have a reason to be, haven't I? But I don't intend to apologize for myself again. I didn't ask you to talk to me to take me home or to do anything. If you still want to, and you get bored stiff, well, it's your own fault. That's what I like about you, Anne. What? You have such a gift for making one feel at ease. Come on. Go on. What are you stopping for? Because that's all there is. It's not finished. It's beautiful, Anne. Or do you think I'm just being nice? I don't know. It's your first important composition, isn't it? How did you know? Well, because it's about yourself. Perhaps. Sad and confused and lonely. Washington Square, wintertime evening. Street lights and snowflakes and quiet. I tried to write about the same things once. You composed? It's what I wanted to do, but I just haven't got it. So I tried to speak through other people's music. It's nowhere near as satisfactory, but far more profitable. Tell me you've never submitted this. Oh, yes. Doom, why not to me? But I did to you. You sent it back. Oh, did I say something nice? That it was charming and lovely and lacking in importance. Oh, now I'm embarrassed. No, it was completely unimportant. But the concerto, when you finish it, promise you'll let me see it. Friends, I'm tired. I have to be up at six in the morning and I... I see. I've been reasonably polite and I bear myself. I believe you're frightened of me, Anne. I want you to go. Why? Because eight years ago I was head over heels in love with you. And I don't believe I ever quite recovered. You do nothing but overwhelm me. You are the strangest girl in. Sometime if you're not too busy, maybe we can talk again. You know, at the moment I'm suffering from shock. Seeing you tonight, I wasn't prepared for it. Good night, friends. Good night, Anne. Good morning, please, the Roberte concert. Sorry, not a thing left was sold out. No, well, I've done my duty.  My wife hates music too, but that Roberte, she's... Who's next, please? I just want a single seat. There's nothing left. Sorry. Thanks. Excuse me, aren't you Miss Thurston from Simon's? Yes. I thought I recognized you. You got that Steinway for the boss a few weeks back. See, I wish I could help you.  Roberte's rehearsing now. I'll phone back and tell him I'll let you in. Well... Well, thanks. The Roberte scene is there to ease an awful mood. Really? I won't even breathe. What's the matter with you tonight? You refuse to read music. I get absolutely no attention. You want shragger. That's a bassoon. You have to blow into it. Maestro, I do blow. Then blow harder. Maestro, I am perhaps the hardest-blowing bassoonist in the universe. Well, that's fine. That's fine.  All right. Once again from Metal G. Who is in the audience? Who made that noise? Very well. I'll have the house light turned on. Do you mind to know why I'm not permitted to rest in peace? It's all right. I'm leaving. Stay where you are. I'm terribly sorry. Oh, who is it? Me, Anne. Anne? Well, how did you happen to hear? Well, I came to buy a ticket, and I sort of sneaked in, I guess. I sat way in back and then I moved up here in front, and, well, squeaky seat. Why didn't you ask for me? I'm delighted to see you. The rehearsal's not going very well, is it? No, not very well. What's the matter with it? Come on, now tell me. Well, I haven't heard at all. It's just that you all seem so far away, and then you try to get nearer by playing faster. And when that doesn't work, you get angry and make bad jokes. Well, wait till you hear it tomorrow. Wish I could. There were no tickets left. Then we'll do it for you now. Sit right here. Hey, boys, boys, listen. There's someone here who knows music. Tomorrow there'll be a couple of thousands who don't. Save the mistakes for them. We play as it should be played. The last movement. From the beginning. This is a terrible confession, Franz. This is the first time I've come to supper in a man's apartment alone. Oh, that's inexcusable. I hope you like Pompano. My favorite dish, and Albert's a wonderful cook. Good evening, sir. This is Miss Thurston, Albert. Do not forget her. That would be very difficult, Miss Thurston. You see, Albert has perception too. Come inside in. So many photographs, Franz. Tell me this one. Is she really as beautiful as this? It's hard to remember. I rather think she thought so. It's too bad they couldn't photograph her temper. And the girl on the mantle. What about her? Oh, lovely. But wise. That is a combination of virtue I cannot cope with. There have been many women, haven't there, Franz? Good. Still, you never fell in love and got married. I never married. I've loved many of them, I think. Desperately, too, while it lasted. But it never really lasted? Well, I hoped it would. But don't you know, beautiful things don't last. Each time you say to yourself, this love is forever. This love is going to last. And then you turn to something new, something fresh. Why am I telling you this? Because I asked. You have an annoying talent for making me tell the truth. And all these conquests, they've left you unchanged, unmoved? How can I tell? After a while, the laughter, the promises, the tragic farewells, they get all mixed up. And all you are sure of is that nothing was really very important, except at the moment. So I've learned to enjoy, I've learned to forget. Recipe for a happy man. Happy? You don't believe that, do you? And I want to see you often, again and again. And I don't think it's going to be possible. Why? I'm leaving Friday for a concert tour in Canada. You'll be back. Oh, yes, but I've told you the kind of man I am. I don't want to make you unhappy. I don't think you would. I couldn't be unhappy now. Would you have a cocktail, sir? Well, no, I'll be. All right, hurry this supper along. Miss Thurston wants to leave soon. Do I? Yes, and yes, I think you do. A person called from Miss Anne Thurston from Montréal, Canada. This is Miss Thurston. Hello. Anne. Yes. Something's happened to me. I'm in love. Right. It's you, Anne. I just thought you'd be interested to know about it. I'll, uh, I'll call you later. Goodbye, darling. Just two weeks more, Anne. I'll be back in two weeks. Where are you now? Ottawa. Did you really mean it? What you said in your letter? I've always loved you, Anne. Come back. Never thought it was possible, Anne. Me to be this happy. Oh, you're married, darling. You're married, see? There's a ring to prove. Anne, you know I love you, don't you? This isn't a moment, darling. This is forever. Forever, please. Mr. DeMille and our stars Rita Hayworth and Orson Welles will bring us act two of Break of Hearts. And now, a great movie studio. A famous star. Let's have that scene once more, Miss Labor. This is the last take for today. All right now. Lights. Camera. Action. And a little while later. Cut. That was it, Miss Labor. Thank you very much. We'll shoot again tomorrow. Everyone that said it ate, sharp. Good night, everyone. A long day before the camera. And tomorrow will mean many more hours of hard work for lovely Dorothy Lamour. There's not much time for rest or relaxation while a star is making a picture. Yet, always, she has to look fresh and radiant. That's why screen stars must have a complexion care that works. Here's what Dorothy tells you about her beauty soap. I wouldn't dream of neglecting my luck soap active lateral facial. It's such a quick, easy care. Leaves my skin so soft. And this is how Dorothy takes her luck soap beauty facial. First, I cover my face generously with a creamy luck soap lather, work it in thoroughly. I rinse with warm water, splash with cold, then pat my face dry with a soft towel. These facials leave my skin feeling beautifully smooth and fresh. And when you see her new picture, Rainbow Island, we're pretty sure you'll agree Dorothy Lamour's lovely luxe complexion is a winner. There's a reason why 9 out of 10 famous screen stars use gentle white luck toilet soap. It's a real beauty soap. In recent tests of luck soap facials, actually 3 out of 4 complexions improved in a short time. Women everywhere find regular luck soap care, really makes skin softer, lovelier. Why not get some fine white luck toilet soap and start your active lather facials tomorrow. See if you're not delighted with the results. If your dealer is temporarily out of stock, he's sure to have more luck toilet soap soon. Hollywood beauty soap is worth waiting for. And now, Mr. DeMille returns to the microphone. Act 2 of Break of Hearts, starring Rita Hayworth as Anne and Orson Welles as Frantz Roberto. Following their whirlwind wedding, Frantz and Anne have slipped out of the tumult of Manhattan into an enchanted land of escape. For 5 weeks now, they've been at Alex Bjorkman's Mountain Lodge near Lake Louise. And darling, what's that you're playing? Market Chateau. You've changed it quite a bit, haven't you? You changed it, Frantz. You married me. It's you, darling. You're in all of it now. Well, I'm impressed. Deeply impressed. And they brought me a telegram from the village just now. It looks as though I have to go back to work. It was from Troll Bridge. He's booked several concerts. If we leave tomorrow, we can be in New York Monday. We'll have a party. Oh, Monday night. I'll wire Johnny. Who's Johnny? I keep forgetting, darling. You don't know my friends, do you? Where Johnny is very rich, he knows all the best champagne. He comes to every concert and he reads detective magazines.  Well, it's my work, dear. It's what I am. Oh, I know. Forgive me. I'm jealous.  I have a small heart, and, darling, there's room in it only for one. That's all for today, boys. Thank you, excellent rehearsal. Johnny, come on, wake up.  What time is it? Just five. Then why not come along to the dressing room? Somewhere I've got a tie in a coat. Hurry up. I've got a date. One of your old friends. Oh, Dee Dee. Connie Hughes. Connie? Well, will she be having a drink, too? I wouldn't be at all surprised if she's waiting for us right now. Fine. Look, Johnny, while I'm in the dressing room, call Max, or do some flowers for her. No roses or something. You know what she likes. Wait a minute. You haven't been getting any sudden ideas, have you? Like what? I'm sorry. I won't be home for dinner, darling. I have to work. Why are you crazy, Johnny? I'm in love. Now, get in there and put on your tires. Not really. Stop adding the eyelashes, Connie. He said he'd stop in for one drink. Hello, Connie. Hello, maestro. You're looking very well, Connie. You're looking very well, Connie. Oh, that's not for me, maestro. I knew you. And now you don't know me. I have changed. Married, stayed, and sober. Changed, huh? Franz, why didn't you call me? Why haven't I met your wife? What's she like? No, no, don't you tell me. Johnny, what's she like really? Well, since he's probably the only significant words I speak all evening, listen. Anne is wonderful. She's beautiful. Like other beautiful women are not. Yes, sir. Here's to her. Well, but if she's all of that, Franz, why don't we ever see her? Well, she's a little lost, Connie. Give her time. She'll venture out. And would you care to venture out? I mean now. Johnny and me, we're going to need it. Sorry, Franz is going home for dinner. Oh, but it's hours before dinner time. Come along, Franz. Dee Dee would never forgive you. If Dee Dee wants to see him, let her buy a ticket to a concert. Take it easy, Johnny. Don't you see what Connie's trying to do?  Aren't you, Connie?  I'm daring her to go. And I'd like to see what happens. And so would you. And so I think I'll see Dee Dee and then go home. Oh, certainly. You approve, Johnny? No, sure. Uh, can I come in? What do you think? I think you should throw me out. I haven't been very attentive. There's something of an understatement. And I'm thoroughly ashamed. You know, I haven't seen you and Franz for over a month. Oh, where have you been? What's wrong? Oh, I've been around busy, I guess. Where's Franz? Has he home yet? Franz? Oh, didn't he reach you? You mean I've come to the wrong house? Me and my big appetite? Oh, Johnny, I'm terribly sorry. Franz called an hour ago. He said he won't be through to late.  Oh, it's my fault. I didn't go home. Well, I guess maybe I'd better run along. Johnny, I'm worried about you. That's good, but why? Well, you and Franz used to be such close friends. Now you never come to see us. What is it? Is it something I've done? You. Well, then what is it, Johnny? Wait, maybe I know a girl. Johnny, that's it. You're in love. Ritten all over me, eh? Well, what's the matter with you? Go after her. Maybe I don't know how. Well, then I'll teach you. Now I'm the girl. You ask me to dinner and I'll be coy and say that I did have an engagement, but I'll break it for you. That simple, huh? Well, maybe not that simple. But you can take me out to dinner. Well, fine, but, uh... But what, Franz? Oh, that's easy. Afterwards, we'll pick him up at rehearsal. Look, look, I'll tell Albert we're leaving and I'll be just a minute. I'll call up Ricoz and get a table. Ricoz? Oh, no, wait a minute. I'd be reasonable. It's too expensive. Oh, no, we've got to celebrate. Franz always promised to take me to Ricoz. Yeah. Hello, Ricoz. This is Mr. Lawrence. Look, is Mr. Roberti there? You sure? Or does he have a reservation for later? Okay, well, look. Do you have a table for two and about 20? No, skip it, Ricoz. I've changed my mind. Thanks. Anne? Yes. You'll have to forget Ricoz. No tables. Uh, do you took no for an answer?  Watch me. Anne, the man just said there weren't any tables. Well, you just spoke to the wrong man. Listen, I... Hello. Hello. This is Mrs. Franz Roberti. I'd like a table for two, please. Oh, about 20 minutes, I guess. That's right. Thank you. There. You see? Yeah, I see. It's that magic Roberti name. Sure. Look, you don't suppose that... Why? I don't know anything. Come on, let's go. Golly, they do pack them in here, don't they? Hmm? Johnny, you are in love. Or something. Sorry. I was looking to see if I knew anyone. What did you say? Nothing important. Now, where's the man with our table? Rico will be right here. He's coming now. Johnny. Now what? I forgot to call Mr. Bjorkman. My concierge, oh, it's all ready for orchestration. A surprise for Franz. Bjorkman's looking it over and I promised to phone tonight. Johnny, you don't mind. I'll be only a minute. Take your time. Let's point right over there. That's a funny little room. Thanks. I've got a little item here that should interest you. Oh, uh, excuse me. Oh, be through in a second, honey. Well, I just happened to pick up a newspaper. And what do you suppose it says in Harper's column? Now listen. Which of our popular socialites is frequently being conducted about by the ablest conductor in town? Can it be that she's trying to acquire an interest in... dash, dash music? Hmm? Oh, sure. I can just see the headlines. Franz Roberty socks columnist over crack at Dee Dee Lenick Smith. Huh? It re-goes. Who is? Uh, no one yet, but he'll be here any minute. Well, don't be cross, darling. It's Franz. Well, Dee Dee, you've got some nerve talking to me like that. Well, really. Johnny. Johnny. You all set? Johnny, take me home, please. What's wrong? Did Yorkman... No, I didn't phone. It's just that...  Uh, look who's here. Johnny, what is this? I turned my bank and my wife is out with another man. But I'm not doing so well. We just got here and so he wants to go home now. And what's wrong? Nothing. I just don't like it here. Well, then let's go somewhere else. You can't very well do that, can you, Franz? Well, otherwise we'll... We broke early. Well, it's all right. You'll find her inside at the telephone. I'm... I'm sorry, Franz. Terribly sorry. May I come in, Anne? Yes. Anne, please don't go. Please don't leave me. There's nothing to stay for, Franz. We're finished. Albert, would you mind taking these bags downstairs? Yes, of course. At least wait till tomorrow, Anne. Believe me, it was nothing, nothing. You lied to me. You were afraid to let me know. Oh, but darling... I'm sorry, too, Franz. But I'll get over it and so will you. You're not going, Anne. You're my wife. That's not enough for me. Why did you marry me, Franz? Because I love you. You shouldn't have attempted to tie yourself down. You were right. Beautiful things don't last. Those things were different then. You know they were different. Yes. I wasn't your wife then. You didn't have to lie to me.  You can be honest again. You're Franz Roberte again. Goodbye.  Let me. Goodbye, Franz. Oh, for station identification. This is CBS, the Columbia Broadcasting System. In a few moments, Mr. DeMille and our stars Rita Hayworth and Orson Welles will bring us Act 3 of Break of Hearts. Why, it's our young friend Sally. Greetings, Sally. What's on your mind tonight? An item in the news, Mr. Kennedy. A survey. Well, surveys seem to be the fashion right now. Political? No, something much nearer home. A survey about bathing, bathroom bathing. Oh, that old question of shower versus bathtub? No, this time the question was much more controversial. The people who made the survey wanted to find out whether it's men or women who spend the longest time in the bath. But why bother to make a survey on that question, Sally? I could answer it. Any man could. And the answer wouldn't be which you think at all, Mr. Kennedy. You mean women don't take twice as long to take a bath? No. The survey didn't find any evidence that women lingered a bit longer in their baths than men. The average for both sexes was less than 15 minutes. Men do prefer showers, but they don't duck out any quicker than women. You know, there could be a reason for all this, Sally. There must be so many lux toilet soap bathers now that everyone likes to linger in their bath. And here's something to prove it, Mr. Kennedy. The survey found that almost 70% of the women questioned expected more than just cleanliness from their daily bath. They wanted a sense of well-being and relaxation. Well, we know the answer to that. And so does everyone else who's made lux toilet soap their daily bath soap, Sally. Why, the rich abundant lather of lux soap makes any bath a real luxury. I'm sure everyone who's tried it would agree. You know, Mr. Kennedy, it was the screen stars who discovered that their complexion soap, lux toilet soap, makes a perfectly delightful bath soap, too. Well, then here's a Hollywood tip for everyone. Just unwrap a set and smooth cake of lux toilet soap and see if it doesn't make your bath truly refreshing and relaxing. You'll find that even in hard water, lux soap lather is creamy and rich and smooth. Lux toilet soap is hard mill, too. It's thrifty and can be used to the last thin sliver. Why not let the whole family enjoy the pleasant luxury of using fine lux toilet soap for their daily baths. And now, Mr. DeMille returns to the microphone. After the play, you're invited to join us backstage for a brief chat with our stars. Here's Act 3 of Break of Heart, starring Rita Hayworth as Anne and Orson Wells as Franz Roberte. A half year has gone by since Anne left her husband. And every effort to find her has failed. Only Johnny Lawrence continues the search. But Anne has no wish to be found. She's gone to Chicago, changed her name and found work at a second-rate music publisher. But neither time nor new surroundings can drive Franz from her mind. Hey, Biggie, this here ain't a bad tune. Thanks for the tip. You want to hear about the piano? Oh, sure. Hey, with a trick arrangement, I'll murder him. Who says you need a trick arrangement? Okay, okay. Hey, where's the piano player I had last week? She's terrific. Macaulay? Yeah. She's out to lunch. She'll be heartbroken. Jerry? Yeah. Room 5 for Baker. Until that day, I was asking for her. Yes, sir. Oh, how do you do? I just came from New York. I've been trying to find a girl. I think maybe she's working here. I don't know anything about her. My investigator thinks he traced her here. I said I don't know anything about her. Of course, I can go to the police. Okay. What's her name? Roberte. Mrs. Franz Roberte. No kidding. You know her? Sure. She's out in the park riding a tandem bicycle with Beethoven. Now, what would Mrs. Roberte be doing here? I don't know. I'm sorry to bother you. Bye. I thought you went out for lunch. I'm not hungry. I thought I'd get those files in shape. Look here, Macaulay. It's none of my business, but you're riding for an awful fall. I'm all right, Baker. Yes, you are. You're ready to fall apart.  Thanks. Well, I've tried talking to you nice and the nicer I talk, the more you're bald. All right. I'll be tough. Now, snap out of it. You'll be no good to us or yourself. Okay. Vicky, I'd like to make a long-distance phone call. Oh? You're right, Vicky. I've got to snap out of it. And, well, there's someone I'd like to talk to. Use the boss's office. It's long distance. Remember me some time and I'll take it out of your pay. Now, beat it. You give me the willies. Mr. Roberte's apartment, please. Yes. Thank you. Frank? Oh, oh, Mr. Roberte, please. Will he be back soon? Brazil? Oh, I see. Thank you. I was in last week. Oh, sure. Did you find Mrs. Roberte? Well, I looked in the park, like you said, found Beethoven all right. What do you suppose he told me? He said to come right back here. Has he got any new numbers? Look, does the name of Anne Thurston mean anything to you? First, it's Roberte. Now, it's Thurston. Same girl. Uh-uh. A girl about so tall and she's got sort of red hair. And her eyes, they crinkle up when she laughs. Only she doesn't laugh very much. And she's sort of quiet and scared and doesn't bother much about other people. And she always... Oh, you can stop there. Walk down the hall to Room 7 and take it easy. She's our swell kid. Yeah. I thought it's over a long time. Hello, Anne. Johnny. Fine thing. Johnny, I... Oh, why did you come here? Would you like me to leave? Oh, no, no. Anne, you shouldn't have done this. You know that, don't you? How's it been? Awful, Johnny. Just awful. I don't think I can take it much longer. You're not going to. We're catching the first train back to New York. It's no good, Johnny. France is gone. I wanted to talk to him. I wanted to come back. I phoned him last week. He's on a tour in South America. I know. Yorkman went with him. Straightened him out, maybe. But France won't be there forever, Anne. I think it'll be kind of nice if you were around when he returns. That may not be for months. It better be months. Well, you look, it's going to take that long for me to fatten you up again. Here, here's a handkerchief.  How's it, Alex? As always, France. Great. Let the hotel... Here, a few ladders. Thanks. Beatles, invitations, nothing. Still no word from Anne? No. It isn't right, France. You should ask her to take you back. I did ask her. When? The night she left me. I don't understand you, France. You love her, but you won't even try to find her. What if she's in need? There was plenty in her bank account when she left me. But the bank says she didn't touch it. France, let me go home. Let me try to find her. Let me explain to her. Explain what? That no one else means anything to me but her? That she knows. That life is not some girlish dream, that too. I tried to explain to her, but she refuses to face realities. France, she's an artist. All right, very well. I am an artist, too. And I have pride. I want her, but only if she wants to come back. You don't understand, do you? Anne lives in some little world, all her own. She's not like us. I know that. And I also know that when it becomes too lonely in that little world, she will know how to reach me. I'm not so difficult to find. She's a very great person, Alex. I love her. Come in. Senor, a cable car. Your cell, sir. Thank you. What is it, France? From Han? No, no. No. At least we're going back, Alex. It's from Trowbridge, some special concerts. He's canceled Mexico City. Then cheer up, old friend. We'll be home before Christmas. Mr. Roberti, well, we missed you.  He was giving the big party at the bar. Eh, what? Inside there. On your occasion. You're joking, Mr. Roberti. Mr. Lawrence and Mrs. Roberti. Mrs. Roberti? Yes. We've seen a great deal of Mrs. Roberti. I never knew anyone who seemed to have such a good time. So many parties. I see. Let me tell you here, eh? No, no. No, don't bother. I'll go right in. It's a matter, Nico. Are you puzzled? I don't quite understand, Mr. Roberti. Neither do I. You see, I just got into town a little while ago. She wasn't home. I didn't know where to reach her. Oh, of course, of course. So I took a chance that she might be here. She'd be delighted to see you, sir. Hey, you're drinking water. I take a glass of water every night. Gives me such a superior feeling.  Well, there's no more champagne. Maybe I will. And when are you going to wake up? Who do you think you're kidding? Sometimes I could slap you, Johnny. Whose idea was this? Who brought me back to New York? My need was, quote, a little fun out of life. Unquote or something similarly original. Who said that? I know, I know. Another one of my great ideas. It was a wonderful idea. Oh, Johnny, come on and dance. Oh, about me, Anne. I've just been to Brazil for my sabers. France? Anne, so good to see you. Hello, Johnny. I heard that we're coming back, France. I sort of figured it would let me know. Well, I... Johnny, run along. I don't want to talk. I'm sure you do. I'll be around. Well, you look marvelous, France. Come on, reunion at Brico's. Oh, Harry, two champagne cocktails. Right away, Mrs. Roberto. Well, sit down. Well, I confess, I'm a little odd. Oh, I've improved greatly, France. You'll be proud of me. And you suppose we could get out of here. You're right. I do want to talk to you. I thought you were very fond of Brico's. I am. Well... What do I want to say? I have whatever I can in the hope that you'll forgive me. Oh. So wonderful seeing you again, Anne. I was angry when you went away. You know, I stayed in the department for two old weeks waiting for you to call. And when you didn't, I got angrier. You were never used to being kept waiting, were you? Darling, you must come back to me. You don't know me any more, France. I've changed. And I've studied hard at it. I'm like you now. What does that mean? That I've learned all the lessons you taught me. I taught you nothing like this. What difference does it make? Oh, let's not talk about it. What are your plans? The same as always. A concert, then another one. Yes, I saw it in the paper. You're conducting tomorrow night. Will you come? I don't know. I had hopes of introducing your concert or a Yorkman has orchestrated it. You'll do now such thing. But why not? Well, I don't think you understand. Anyway, it's not important. I see. Well, may I call you sometime? Of course, call me. I'm at the Stuart. I'm spending your money, France. Do you mind? I'll let you know when I do. Good night, Anne. Good night, France. Hello, Mr. Bjorkman. Anne, I want to see you. Oh, of course. I was going to phone you. How was Brazil? There is no time for chatter now, Anne. I want to see you now at once. Can you come? Right away. It's France, Anne. He was to conduct this afternoon. What happened? That perhaps you can tell me. All I know is he came an hour late. Went out on the stage and collapsed drunk. I'll be right over. Get out of here, Throbridge!    You'll never conduct again. I promise you. You've ruined yourself, but you'll not have another chance to ruin me.  This is my dressing room. I'm Roberte. Roberte! Maestro, please, if you would lie down, you're ill. Ill? I'm drunk. Now get back to your places, all of you. I said I'll conduct and I'm going to conduct. Maestro, they've gone. All the audience, they've gone. Come in, come in. Everybody, come in. France. Oh, France. Anne. How nice of you to come. Who's Bjorkman? He brought you didn't he? Didn't he? Yes, he's speaking to Throbridge. I forbid it. You hear? I forbid it! France, could I see you alone? Come on outside, everyone. Outside, outside. It's good you're here. You'll be all right, my dear Mrs. Roberte. Oh, your dear Mrs. Roberte. You're still, huh? Stay. Stay, gentlemen. There are some of you, perhaps, who don't know my wife. You. And you. Don't hang back.  France. Oh, forgive me. It's my presence that makes it awkward. Very well, I'm going. Make yourselves at home, gentlemen. Is that you, Alex? I've been here all night waiting for you. Oh, you shouldn't have worried. I've been working. Getting my head clear, though I don't know what for. Well, I have some coffee. Then you go to bed. When you wake up, we'll see Trowbridge. After what happened at the Lyceum? What kind of talk is that? There were ten years before what happened at the Lyceum. No, thanks, Alex. But I'm finished. With conducting, with music. All I had, all I wanted. I threw away. I have nothing. It's gone. It's dead. That is not true. And we'll come back. I talked to her before she saw you in the dressing room. She loves you, Franz. Oh, yes. Yes, she'll come back. In about six weeks, just now. On my way up, the desk clerk gave me a note. It was from Anne. She's on the train now. On her way to Orino. The recognition of testimony presented on behalf of the plaintiff discord hereby decrees that the marriage contract between Anne First and Roberte and Franz Roberte is dissolved. And the obligations of both parties terminate if divorce granted. Oh, how long before we're in Grand Central? Well, at last. Stop a moment ago. That was Harman. It should be in about an hour. Oh, thank you. It seemed like fifty seconds, because look who's here. Johnny. Where, Honour? I'm not at Harman. I thought you might like company. You have the darndest habit of pulling surprises. How are you? You look swell. Feels well. I've got something I want you to look at. I figured you might be smart to get your old cable before the contract starts building. But what is it? Plans for a new house. Like it? Our new house. Yeah. Which, very pretty. Green, isn't it? No, no, that's the tennis court. The house is just over here in this sheet. And while you're in an approving mood here, take your pick. Johnny, you're not proposing. Well, I was heading at it. Didn't know your size and ring, so I figured one of these should be right. Johnny. Oh, now, no goo and no sloppy stuff. Don't worry. We'll get married tomorrow and Thursday we'll be in Florida. Incidentally, did I mention I'm very glad to see you? Johnny, you're serious. Of course I'm serious. You're my girl again. The girl I met long ago. You, uh, you hadn't considered marrying anyone else in, huh? Well, as a matter of fact, I hadn't even considered marrying you. I've been in love with you for a long time, and I'll sure try to make you happy.  Johnny, I... Oh, do you mind if I think it over till tomorrow? That's okay by me, but that contractor's gonna be awful. Lawrence is fine, but for you, I just don't know. Well, I thought you'd be pleased. I came straight to you that there's no one else I can talk to or want to talk to. And it isn't just me, Mr. Bjorkman. It's going to make Johnny happy. He is not a musician. Well, neither am I. I found that out, too. I worked while I was away. Really worked. If I had been a musician, out of all that mess, something would have come. Perhaps you weren't born to be a musician, but to love one. How is he? And? I'm an old man, foolish, too, but because I love you both, I wanted to see you go on together. From what you've told me about Lawrence, I guess that's impossible, but will you at least see friends? No. Why? What good would it do? We've nothing to say except to hurt each other still more. He needs help, and he needed badly. Where is he? I'll see him. Thank you, friend. Thank you. Yes, he's here, Mrs. Roberte. I'm very sorry for you. Very sorry. No, why did you let him do this, Rico? Why? He's France Roberte, a great man. If we're not here, we'll be some other place. They threw him out the hotel. He run away from Mr. Bjorkman, for Mr. Lawrence. There's no one to look after him. So I keep him upstairs. There's a room there, a piano, and some whiskey. Take me to him, please. Been like this all today. His head on the table won't talk to me. Mr. Roberte. Mr. Roberte. You see? Please call if you need me. France. France, I didn't know. Oh, my darling, what's happened to you? What have I done to you? What have you done to me? Oh, none of that matters. Your friends are Roberte. Rico was right. A great man. France, do you hear me? Do you hear me? I must make you hear me. Listen to me. Oh, my darling, please. I haven't words to tell you what I want to say. I tried once to tell you in music. In music. I'm here, darling. I'll never leave you again. Don't look at me. Don't look at me. It's all right, France. We're going home. We're going home. How is he, Anne? Oh, he's going to be fine, Johnny. We're leaving in a couple of days. Alex Bjorkman's taking out to the lords. What about that house, Anne? The one with the green tennis court? It's really belonging, you know. Johnny, he needs me. Well, I only meant if you don't mind. I'd like you both to have the house as a wedding present. Oh, Johnny. Hello, Lawrence. Me, I come in. Sure. Well, I guess I gotta run along now. Take good care of him, Mr. Bjorkman. I will. I've seen Trowbridge and here's the best tonic in the world, this contract. In two months at Philharmonic Hall, Friends Roberti conducting the world premiere of a new piano concerto by Mrs. Friends Roberti. Give me your hand, darling. We'll go together. For 28 times and always with the most pleasant results, we've starred married couples in the Lux Radio Theatre. And tonight's fine performance by Rita Hayworth and Orson Wells have this happy family tradition. It comes at a nice time for us, CB. Orson and I have just celebrated our first anniversary last Thursday. Well, congratulations from all of us. Rita, Rita, how has Orson been as a married man? Confidentially, a little difficult? Oh, no. He goes his way and I go with him. A wife of tact as well as charm. Orson, I understand that you're looking for a picture to produce. Well, it might be a picture. It might be a radio show. Oh, you're thinking of something new for radio? Well, not something new. It's one of the better hour shows. I've been going on for 10 years now. Oh, dramatic? Yes. Oh, yes. You mean you have your eye on producing the Lux Radio Theatre? Well, after all, you've been in the saddle quite a while, CB. Maybe what's needed is a little change. Well, Orson, do you think you could stand a change at your age? Well, I'm not worried about you, CB. I hope you put something by for a rainy day. Well, I've got my rubbers and an umbrella. But, Orson, I wonder if you have the head for this work. Not only the head, I've got the hair, too. There's more than just producing on the Lux Radio Theatre. You have to be something of a salesman, too. A salesman, eh? You think, for me, it would be no soap? Well, I think Redak could do a better job of selling Lux Toilet soap with just that lovely complexion. Thank you, CB. I do believe in Lux Toilet soap. For me, it's been a wonderful beauty age. Okay, okay. I'll hold back on this plan of mine and see how you make out next Monday night, CB. Well, I think we'll do very well next Monday night where our play is the RKO mystery thriller, Suspicion. And our stars will be William Powell and Olivia de Havilland. It's a drama of two people in love whose life together is haunted by a strange and sinister threat, a menace that brings to the story more than an evening share of excitement and suspense. Well, we'll certainly have the radio on in our home. Unless, of course, you'd like to have me here. No, no, no. Thank you. We can't have Christmas every week. Good night. Good night. Well, good ends well. Our sponsors, the makers of Lux Toilet soap, join me in inviting you to be with us again next Monday night when the Lux Radio Theatre presents William Powell and Olivia de Havilland in Suspicion. This is Cecil B. DeMille saying good night to you from Hollywood. October 16th, the Lux Radio Theatre celebrates its 10th anniversary on the air. We'd like you to share in this celebration by helping us select the play and stars you would like most to hear. Suppose you send your suggestions on a postcard addressed to CB de Mille, Post Office Box 9, Hollywood 28, California. Or use the ballot which your Lux Toilet soap dealer will be glad to give you. Today, with victory in sight, help give America a stable piece by keeping prices down now. You can do it by avoiding needless expenditures, by paying no more than ceiling prices, and by helping to keep wage levels and price levels stable. Break of Hearts was presented through the courtesy of RKO, producers of Step Lively. Ms. Hayworth is soon to be seen in the Columbia Technicolor musical Tonight and Every Night. Paired in tonight's play were Griff Barnett as Bjorkman, Tom Collins as Johnny, Paula Winslow as Connie, and J. Novello, Charles Seal, Arthur Q. Bryan, Paul McVeigh, Linda King, Eddie Marr, and Jack Negley. This program is broadcast to our Fighting Forces overseas, through cooperation with the Armed Forces Radio Service. Our music was directed by Louis Silvers. And this is your announcer, John M. Kennedy, reminding you to tune in again next Monday night to hear Suspicion with William Powell and Olivia DeHavilland. Don't you kindly tell me why very simple now I'm cooking with Sprite. Cakes, pies, fried foods, everything tastes better made with new Sprite shortening. Yes, them to be a better cook. We've got cooking with Sprite. This is CBS, the Columbia Broadcasting System.


hey there friends thanks for checking in today torus is putting out another handgun they have been on fire for the last year and a half they have i believe met the needs and desires of their fans the shooters out there they have come out with so many in a wide variety if we think back when torus came out with the gx4 people were very excited small subcompact 9 millimeter handgun with 11 and 13 round mags three inch barrel they changed the trigger from the g3c or the g3 models with a flat trigger trigger bar safety in there people would even pocket carry this and many shooters where were excited and they told me hey i carry the gx4 and then in the winter right before shacho they they took their very popular g3c and remove the thumb safety and i know many people have their opinions some like the thumb safety some do not but now they have the choice with the g3c that same day they came out with the g3x with 15 round mags the 17 round mag will work in there too with the longer grip but the same upper and that was in january but in february they came out with the g3xl all right with the four inch barrel same lower four inch barrel here we have the g3c and you can see the difference there and a lot of people told me hey i'm getting that i like the idea of a longer barrel the four inch barrel compared to the 3.2 inch barrel with the g3c in may of 2022 this one really got me going the g3 tactical and i called it at the time torus's finest semi-auto handgun shall i say most versatile you know it just it looks cool it offers a lot and i was excited but today they're doing it again now what did they come up with well let's take a look because i think this is going to excite a lot of people what we have in this case is a torus gx4xl and there it is now you take a look at it and we look at the gx4 we can see that torus extended the barrel three inch barrel with the original gx4 3.7 inch barrel with the gx4xl and if we look at the barrel length we'll see that it's similar to the g3xl with the g3c about an inch longer 3.7 inch barrel and if you go with this it has a 13 round mag and 11 round mag additional backstrap gx4 keychain right there paperwork and everything else that you don't need to hear me talk about but here it is now why a gx4xl well people like the longer barrel for velocity they like the longer barrel for accuracy and you're going to get that with a longer barrel across the board typically you know and so they they have the same mag capacity as the gx4 it is available with this 13 rounds 11 rounds there with a flat base plate there and 10 round mags for those who are in restricted states this here mimics the gx4 except for a little bit longer you have very nice grip texturing feels good on the hand with this 13 round mag you get three finger contact forward serrations does have a sight hole indicator indicator there pinned in front sight serrated black adjustable rear sight neat looking trigger guard there kind of hit that 90 degree angle you can see it has that hole right on the dust cover there okay you want to remove the front sight but they did a nice job and they kept the same trigger now I measure this trigger right at five and a quarter pounds same as the original gx4 so if we check out the gx4xl we'll see it is unloaded flat trigger nice crisp break five and a quarter pounds with a reset there so if you love the trigger with the gx4 you're going to love the trigger with the gx4xl same disassemble does not have a thumb safety and it is also available in the toro bottles torus optic ready option so the msrp on this is 459 no 429 correction 429 if you go with the toro model it's 459 only $30 more for the toro model this clearly is not torus optic ready option but those are available as well I took it to the range on several occasions let's go ahead and check some of those shooting footages out did the gx4xl pass the limp wrist test well we're going to find out shortly now the torus handguns have done very well with the limp wrist test all right real limp wrist all right shoot under weird conditions perhaps you're not getting a firm grasp of your your pistol for whatever reason and I test that for reliability let's see how the gx4xl did with the limp wrist test let's see if the gx4 will charge itself out of loaded mag and it does how about a lip wrist test the gx4xl it passed the lip wrist test oh here we have the 13 round mag we'll just keep it in there one pound four and seven eight ounces we look at just ounces 20 and seven eight ounces but here are 13 rounds and then we'll put the carry around in there 26 that's falling off the scale 26 and three quarters ounces so just for fun let's go ahead and put the gx4 let's put that 13 round mag in all right what do we say 26 and three quarters ounces there we have 19 and a half ounces here are 13 rounds 24 and seven eight so a little less than two additional ounces with the gx4xl so there it is a new handgun that torus is putting out today msrp 429 for the gx4xl if you're a call the gx4 has an nsrp of 392 so it's not that great of a difference and if you go with the toro model it's 30 bucks more so perhaps i should have done that but they are meeting the needs of their fan base and people are really believing in torus they say the g3 line now the g4 line is is getting it done at the range i put several rounds through this and i had no problems whatsoever so they're doing a great job putting out firearms meeting the needs of in the desires of their shooters and making people happy with budget prices and they keep this trend up i think that we're going to see a lot more toruses on people's hips and competitions and just having fun at the range if you like videos like this please subscribe and share i always appreciate thumbs up button thanks for watching and you guys be safe


To Allah is your return, and He is most capable of everything. It is a quick test that, if followed honestly, gives you actually a pretty accurate description of which religion you should follow. The studies of religion are, of course, vast. You could never summarize a religion truly in one YouTube video. However, the basic fundamentals of a religion are easily summarized. For example, if you're a Christian, you need to believe in Jesus Christ dying for your sins. If you're a Muslim, you believe that there is no God worthy of worship but one God. If you're a Buddhist, you don't really believe in God, you believe that the universe unfolds and that everything happens in the moment. So therefore, today's video won't be a deep dive into every single religion. It will be just a basic outline that discusses the fundament of the religion, which, after all, in my opinion, is the most important thing. Guys, before we start the video, leave me a thumbs up if you enjoy the content. Subscribe to the channel if you haven't already and check out the links in the description box to further support. And now, with no further ado, let's have a look. Alright, let's get started. What religion are you? We start with the question, the main question. Of course, how many gods do you believe in? If your answer is right of the bet, none. The second question becomes, do you believe in any kind of spirituality? If you answer this with no, you end up being an atheist. As Bertrand Russell said, I believe that when I die, I shall rot and nothing of my ego shall remain. So you see how this game works. Now, within atheism, of course, you have differentiations between different atheists. Some take a more naturalistic approach, other a more hardcore materialist approach. But ultimately, the real baseline question is, do you believe in God? The answer is no, and you're not spiritual. Therefore, you subscribe to an atheistic worldview, a materialistic, most of the time, Darwinistic worldview. Now, however, if you answer, do you believe in any kind of spirituality with yes? Then the follow-up question becomes, should you deny yourself pleasures? So essentially, this is the question, do you believe there are objective morals in disguise? Because if you believe there are no objective morals, there's only subjective morality anyways, and you consider yourself spiritual, then nothing stops you from doing whatever feels good. Nothing stops you from doing whatever you want to do, ultimately. Therefore, if you answer this question with no, you end up in the section spiritual but not religious. Welcome. We are gathered here today because we are spiritual, but not like religious. This is what most people are nowadays. This is what most people identify themselves with. This is something that you find within the so-called New Age movement as well. Spiritual people that follow their desires. I live in Thailand. I can definitely tell you a story or two about that. If you visit certain islands, such as the island Kopangan here, you will see many spiritual but not religious types, and they're following nothing but their whims and desires. Oftentimes, they end up in cultish environments where they participate in orgies. Nowadays, they call them play parties. Anything goes. Everything is love. We are all spiritual. Let's get together. Let's unify. Let's share the love. Most of the time, this movement truly ends up in a sex cult.  Because in Buddhism, as we said, there is no God. You do not worship a God. The worship of God is absolutely lacking within the Buddhist worldview. You subscribe, too, that everything is the universe, ultimately. However, you subscribe, too, as well, that this universe has implicit, intrinsic morals. And therefore, you deny yourself pleasures. So, Buddhism is not moral relativism. Don't get that twisted. However, Buddhism lacks a God. And it's quite fascinating because, as I said, I live in Thailand. You still see people worship something higher. They're prostrating in front of the Buddha, for example. Or they're offering foods, drinks to their ancestors' spirits. So therefore, I make the argument as a Muslim, of course, that due to the fitra, we have this innate predisposition that we want to submit ourselves to something greater. i.e. God, Allah. However, within Buddhism, you don't have that concept of a supreme creator. And therefore, they're still worshiping something, something higher than themselves. However, God is lacking within that worldview. And this is why I personally can never be a Buddhist. But let's head back to the original question. How many gods do you believe in? If you answer with many, and this is most likely the minority of people nowadays, most people don't believe in God at all. And therefore, they wouldn't believe in multiple gods either. Anyways, if you believe in many, the first question becomes, Do you believe in reincarnation? If you stop right there and you say, Nope, I don't believe in reincarnation, then you end up in the pagan camp.  This is a term that has been coined by the Christians that then dominated Europe. However, paganism is essentially a more nature-centric religion, if you will, most of the time, but not exclusively. They believe in many deities. They believe in natural deities that you can find in the forests, in the seas. Sometimes they do believe that there are specific gods that are in power of the winds, in power of the water, in power of certain natural forces, etc. So therefore paganism, not exclusively, but is polytheistic. Some pagan beliefs, however, do conclude that there is a supreme god. The Germanic pagans called this superior god the All-Father. Nowadays, you do have a movement of neo-paganism. Most of the time it is not because those people truly believe in multiple deities. However, they are fed up with the Middle Eastern religions. They are against Judaism, Christianity and Islam. They believe that those religions do not belong in Europe and therefore it is somewhat of a neo-pagan, neo-nationalistic movement to return to the gods of the ancestors. However, this movement is deemed to failure because those people, as I said, don't truly believe in Thor and in Odin. They take this more as an identification, a way to return to traditionalism if you will, prior to Christianity. So it is more a revival movement rather than a religious movement. But now, if you truly believe that there are many gods and you do believe in reincarnation, then ultimately you end up being a Hindu. Indian scientific Donut and Rum is the most scientific religion, sir. And yet again, you can see here, even though it's just a silly little game that doesn't go into depth, it doesn't need to go into depth because the basic outlines of the religion are manifested within this little graph. And therefore, if you follow it honestly, you truly end up in the religion that you should then practice if you are holding this belief. If you hold the belief that there are many gods, you believe in reincarnation, then you become a Hindu. Of course, Hinduism is a term that has been coined by the colonizers, by the British, there is no such thing as Hinduism. There are multiple beliefs, but in a nutshell, most Hindus do believe that there are multiple deities. Sure, there is the saying as well that there is a supreme god so similar to some pagan religions, but this supreme god then manifests in lesser deities that in turn are worshipped. So therefore, Hinduism ultimately, if you grant that they believe in one god, fine, they're still attributing forms, shapes, avatars to the original god that can be worshipped as well, because they all stem from the same god. However, you face a risk here, of course, because if you look at those gods and goddesses, you see creatures like Kali. And now just by the presupposition that everything comes from that one supreme god, we have to worship Kali. In Islam, we have a clear distinction. Of course, those are jins and we wouldn't worship them. And now let's return again to the starting point. How many gods do you believe in? This time we take the third option, we say one. The follow-up question becomes, is God separate from the universe? If you hold a somewhat pantheistic belief or you subscribe to monism, you would answer no. Then the follow-up question becomes, can you worship idols? If you say yes, then you end up in Hinduism again, as I said, Hinduism is polytheistic, but at the same time, there is a core belief we just have one god. However, this one god, as I mentioned, manifests in many deities and in many statues, i.e. idols. Therefore, if you can worship those idols, you end up at Hinduism again. However, if you answer no, you end up in Sikhism, because Sikhism actually believes in one god. I would claim, excuse-moi, that Sikhism is a blend of Hinduism and Islam. If you look into the historicity, you would see why this makes sense. Sikhism has been influenced deeply by Islam, by the Islamic Empire that was ruling over India at that given time. However, Sikhism do not believe that God and the universe are separate. They do believe that there is a supreme being yet again. However, this supreme being is absolutely everything. Everything around you is God in Sikhism. If you have an answer that God is separate from this universe, then the follow-up question is, does God interact with the universe? If you answer no, you become a deist. The deist belief is actually very, very basic. You believe that there is a god, some sort of creative force, but that god created and then abandoned his creation. He is not interacting with his creation whatsoever.  He creates a virtual reality. The perfect virtual reality is running its own course. However, he creates that virtual reality. He puts it on a server, let's say, and he just abandons it. He does not interact with it whatsoever. He just lets it run. This is deism in a nutshell, a god that is not truly loving, a god that doesn't really care for us. Like creating an ant hill and just letting those ants do their thing. If you do believe that God interacts with the universe, then the follow-up question becomes, did God become human in Jesus? Really, this is what it boils down to, because you have three Abrahamic faiths, three monotheistic faiths, and we will see which one is the true monotheistic faith. But nevertheless, let's say, let's give it the benefit of the doubt, three monotheistic faiths and therefore Christianity, of course, plays a big role in this team, so to speak. Therefore, we have to clarify first and foremost, did God become human in Jesus? Honestly, just stop right here and ask yourself this question, because you answered all of those questions honestly, right? How many gods do you believe in? Is God separate from the universe, etc., etc.? Now you're looking at this picture, it's asking you, did God become human in Jesus? Honestly, what do you think? If you truly believe that God became human in Jesus, that's it.  Your journey ends there, you do not believe in reincarnation, you do not believe that there are multiple deities. However, you do believe, after all, that God became a human in Jesus Christ.  If you answer this question with no, however, the follow-up question naturally becomes, is Jesus still the Messiah? If you answer this with no yet again, Jesus does not play any role within your religion. You're Jewish! Boy, they! Judaism is a monotheistic religion. However, the God in Judaism has certain human qualities, such as that he can actually manifest in a human as well and wrestle with the Jews. Moreover, he needs rest on the seventh day. So he has certain humanistic traits. Moreover, Judaism is an ethnocentric religion. We're talking about the chosen people of God. Judaism is essentially for the Jews, for the Israelites. This is the claim of Judaism that there is a specific group of people that are exalted by God.  Alright, that's it for today's video. As I said, of course, you can go into depth into every single religion. There is more to Hinduism. There is more to Buddhism. There is more to atheism even. And of course, there is more to Islam as well. However, the basic outline of this graph still holds true, still holds correct. If you cannot follow through with those basic points and you already disagree with, for example, that Jesus is God incarnate, then you cannot be Christian by default, no matter how much you resonate with the moral teachings of Jesus. Or if you simply don't believe that God has multiple avatars, but you resonate with Hindu music, with the chants, with the meditative practices, etc., etc., you still cannot be a Hindu. And the same applies for Buddhism. No matter how much you enjoy meditation and the moral teachings of Buddhism, if you do believe that there is God, you cannot be a Buddhist, etc., etc., you name it. And therefore I'm asking you, honestly, go through this very basic graph, play along, answer those simple questions and let me know in the comment section which religion you are. If you truly, honestly, don't end up at Islam, so be it. Good luck in any other religion. I'm not here to convince you. Allah guides who He wills. However, if you end up at Islam, ask yourself the question, why are you not a Muslim yet? Again, I hereby invite you to Islam. Alright guys, and that's it for today's video. If you enjoyed it, leave it a thumbs up, subscribe to the channel if you haven't already, and check out the links in the description box below to further support my work. And now, as always, may God bless you all. Much love and peace. Thank you very much.


Hey, everyone. Welcome to Alchemy Star. So we have here new units that we'll have this Thursday. So starting off with Rainbow, she's independent with five star. She is going to be our free unit that we could level up to max break through with free copy. So she's a sniper and her element is going to be water. So as for her attack that is roughly average, not really great. Defense 1000, attack is 3 to 30 and HP is 9, 8, 60. I wouldn't mind getting her because she is free and I wouldn't mind having this type of waifu in my lineup. So let's check out what skills she has. Okay, so active skill is exploding geyser. Cool down is three preemptive strike. I don't think we need to really delve into if she has preemptive strike or not. We're gonna get her for free anyway and her copies. By the way, exploding geyser activates all sun shower marks on the field that each deal 240 damage to nine tiles in a square shape around them. So big damage and it's kind of large. So nine tile damage, if a target sustains damage more than once, the damage for every hit after the first one is reduced down to 10% of the original damage. So it's just going to be to add 10% to the original damage of 100%. If any tile on the field is covered by three activated marks but no sun shower mark, one new sun shower mark will generate on that tile. So sun shower mark disappears after three rounds.  It's going to be four chain, eight chain, and 12. Sad to say that the damage doesn't increase for her chain combo but it increases to the number of enemies that are going to be hit. Okay, and off to equipment skill protection bubble. She by the way grants a shield that is 120% of rainbow's defense and lasts for one round when passing through a sun, sun shower mark generates a sun shower mark on a random blue tile at the beginning of each round. So that is how she generates it. She doesn't have a way of putting it where you need to be. So it's going to be random.  Okay, off to the other two six stars that we have first with Gino. So Gino all is a support with forest element. He is a six star. Attack is three, two, four, five. Again, average. I don't expect it to be higher because he's support. Defense is one, two, three, seven, and HP is 10, three, two, eight. So all around average stats. Moving on to his skills. His skills, I've had, I've had a chance to browse through them, but let's go through, you know, what he gives us. It's a bit complicated. Devil's house of cards is his active skills. A cooldown is zero. So preemptive strike. So Gino starts the battle with the origin deck. So we're going to be playing a deck of cards and also the sanity system. So I'm not sure how this is going to play out or how this is going to look like, but this is again interesting. I hope this is not just a gimmick. Again, so moving on gains one random origin card for every five sanity consumed. When cast again in the same round increases the consumption by five. For Roryan, simultaneously enhanced by Luminous Cluster and Astronomical Transit, the lower the sanity, the higher the attack bonus up to 66.6%. Okay, it is going to involve an origin deck which consists of three types of cards. You have your Solar, Lunar, and Cosmic. Select three cards to activate their corresponding infect. All cards in the same type, Luminous Cluster, the current captain gains additional attack by 8% of Gino's basic attack. No card in the same type. Astronomical Transit that the Orion at the end of the team gains additional attack by 7% of Gino's basic attack. Again, there are a lot of things here to consider. We just still have to try him out once he's out in the trial stage. I'll be doing that and also giving you guys an update on what I think. Other discolored brilliance, captain changes from the battle, plus one restores 25% of sanity loss. The increase attack, the attack increase lasts for the whole battle, not stackable with other effects of the same type. It's kind of confusing on how this all comes together. Again, we really do need to play him and see how the sanity system and the origin deck comes into play. How do you play it? Again, I just hope this is not a gimmick that they're putting out. Moving on to Chain Combo, Royal Flush. Three Chain Damage, 150 damage to the three nearest enemies. It increased by 5% from 3, 8, and 13 Chain. And the damage is from 3 to 4 to all enemies within the surrounding cluster, which is kind of nice. But decent enough damage because again, Gino is support and equipment skill is change of heart when casting Origin Deck, restores the team HP by 120 of Gino's basic attack. So for support, he does have healing. He does have attack bonus. What else? Attack bonus says, okay, going back to change of heart. So again, a healing 120%. This effect is not affected by the sanity system. The lower the team's HP, the higher the recovery effect up to 100% bonus against two random cards at the beginning of battle and against one random card when entering Aurora type. So again, I just hope this is not just a gimmick. Some of the skills, some of the mechanics sometimes of their new units are a bit overhyped and sometimes are a bit complicated. And in the end, we realize that it's not really worth summoning on them, but we really already summoned on them. So we'll try to play it during the launch this Thursday. So moving on to the last one after Gino, we have Fia. Fia is also a support class with an element of water. Attack is 3-2-8, which is average. Defense is also average at 1179, and HP is kind of low, but below 10,000. So she is 6-star by the way, and she is of independent faction. Okay, so moving on to Fia. Her kit is a bit different from Gino. So the Kylo strategy is her active skill. Cooldown is not applicable to Fia as her active skill depends on the number of bait value. So that's good. So consumes one point of bait value to place one hunt mark on any tile. So or select one hunt mark to release Kylo. When the hunt mark is active for zero, one, two, three rounds, Kylo attacks the hunt mark tile. Five tiles in a cross shape and 13 tiles in a diamond shape. 25 tiles in a square shape, dealing 150, 250, and 500 diamonds reduces the target's basic defense by 5% for the round. Effects can be stacked. Bait value is gain one point at the beginning of each round. So you're gonna gain it automatically each round, but I'm sure you won't be able to use it every round. It's going to be every other round. And one point at the beginning of each wave up to nine points. Okay, so this is going to be summoning releasing Kylo and placing a hunt mark on each tile. So this is kind of interesting. This is going to involve probably, I think this is going, this, this active skill is kind of simpler than what it seems. It's just placing a hunt mark, then Kylo will go on the hunt and then deal damage a reducing target by 5%. This is going to be simpler than Gino. Gino's more complicated because it has a card and again the Insanity system in place, the card origin Insanity system. So moving on to Fia's chain combos of 4, 9, and 13. So it increases 130, 130, and 150, not that much. Again, it's what they call this. It's kind of obvious because she is of support and the damage increased from one column to three columns. And her equipment skills, swelling tides, Fia glides on blue tiles, dealing damage to adjacent enemies when turning, deals damage to one surrounding cluster, adds a damp effect to the target that lasts for one round, increases counter element damage factor by 10%, damp effects 50% on 15, increases, damp effect increases 50%, I think damage on far enemies. So turn, turning to the side or to the back. This one is a bit confusing. So glides, dealing adjacent damage when turning, okay. So again, this one if I may assume just gives additional damage particularly to far units. So she is more anti-fire. And there we go. So if I may have a calculated risk, I'd rather go with Fia to summon. Her kit is simpler, easier to use. But for Gino, I think his kit is, if it turns out to be good, is a high risk, high reward kind of support. This again, we'll have to check once we have them in the game. And lastly, Rainbow is just here just to have fun. So there you go guys. Those are my thoughts on the new units coming this week, particularly on Thursday. And also I need your thoughts. What do you think of the new units? Are they good? Who will be good? Who will be bad? Put them down in the comments below. Thank you guys for staying this far. So take care. Stay safe. This is The Warden and I'm out of here.


Hello people of the internet, my name is Johnny, and welcome back to yet another FNAF news video. This one's a bit different, if you can't tell from the thumbnail and title already. We've got some very interesting and also very exciting news. Because out of basically nowhere, Amiel Mako, the creator of Five Nights at Candy, has just announced a brand new FNAF game. So in this video we're going to go through not only the teaser trailer for the video, kind of speculate what is it going to be about, how does it fit into the overall FNAF series, a little bit of speculation about is it or is it not in the Fazbear Fanverse Initiative, because I think that is the big question that everyone is kind of wondering about. So all that and more, that's what we're tackling in today's video. If you're excited, hit the like button, subscribe. If you're brand new, we got a lot of brand new people. We just passed actually 40,000 subs, which thank you so much. It's absolutely insane again. Thank you so much. If you're brand new, subscribe, hit the like button. That also means a lot to me. So now let's move on. Let's talk about FNAF, this brand new game, and how it fits into the FNAF series. So the other day, Amil had a stream going where he played through security breach, and every time he left the room, he would put on a B-right back screen. What's interesting though is on the B-right back screens, we would sometimes get a riddle. This is the first one. It says hello. Testing, testing, beep boop bap bleep. Can anyone hear me? Or, well, I guess this is where the phrase, do you read me, is more amped. Anyway, huh, don't you remember me? It's your best friend. We used to play together all the time. Don't worry, we'll get to play again soon. By the way, wanna hear a riddle? It goes like this. Which side of a cat has the most fur? Can you crack it? That's right, the outside of the cat. The real funny thing is, that riddle had an inside joke pun intended. Hopefully you'll find out soon enough. Dot dot dot. Anyhow, I got a skedaddle before I'm beat with a paddle. Interesting. This little convo stays between us, okay? Though, I might be back if the opportunity shows itself. See ya. So that was the first message. And obviously, the mention of a cat, and also the color scheme of red and blue, had people thinking, this is some sort of announcement for a Fnac game. And we're gonna touch upon who is actually leaving these messages in a little bit, but for right now, let's move on to the next message. Heyo, Mayo. I'm back again. Boy, this Secure Breach game sure looks interesting. I'd bet like 56 a gum that's not better than, oh, that's right. I haven't even told you yet. I've been working on a grandtastic game for us to play. It's got action. It's got that kapow, that replayability. It's sort of built on this other game that you really liked. Very exciting stuff. Been working real hard on it. I'll try to fetch a small preview just for you. Just a sec. And then that is the second message. And now this is the end of the stream, where we get the third and final message. Sorry. Sorry. That took longer than I thought it would. And I had to hide away for a bit there. You didn't spoil a secret discussion here, did you? I trust you. We're the bestest of friends. So, let's play. Here it is. What a good night's sleep I just had. Though, what weird dream. What was it about again? I forget. But what's this? Absolutely nothing. There appears to not be any problem. No problems in any place whatsoever. How convenient. That means I got all day to myself. Better get to it. Oh, I love little Candy. I love you, my babies. Those are his ties. Just looks so cute. Hi there, Cindy. Candy. Oh, hey. It's my twin sister, Cindy.  You totally left a huge mess outside yesterday. What are you talking about, sister, you know? Your fur. It's all over the place, clumped up into big fur clumps. This is literally unreal. How did you even manage to lose so much fur? Shrug. Did you just say shrug out loud? It sounds like a big problem for anyone but me. Everyone but me. What can we do to fix this? You need to go collect all your fur, all of it. But I'm just the spearhead mascot of the burger joint. I can't do stuff on my own. Will you please help me collect my fur? You make a fair point. Fine. I will come along with you on this adventure. Then I can also make sure you don't screw things up for fur ever.  Oh, further. It was still a pun though. Never do that again. You can now swap between Candy and Cindy with C. Sounds like a useless game mechanic.  So this is the brand new Fnac game. Fnac fur. And it's like FNAF World but not really. Quote by someone maybe. Coming to you at some point in the future. I don't know when exactly this game is not finished yet. Why don't you go ask your mom? So that was the teaser trailer and Emil said on Twitter that Fnac fur is a expanded game based on Candy's adventure from Fnac 3. And if the story of the game sounded a bit familiar, it's because we've actually heard this before. In the Five Nights at Candy's 4 trailer, the April Fools joke video, we got obviously a tease of a Fnac 4 trailer.  And as you can see, not many people actually watched through this video, but it gives us a, it gives us an idea of what Fnac fur is going to be about because it shares a very, very similar story. Because this is how the story of this video goes. It goes Candy loses his fur and Cindy demands Candy goes to pick it all up. There are fur balls scattered across the world and Candy must collect all of them before 6am. Otherwise, and this is a quote, the world dies because Candy's fur is so powerful and blue. Chester, Blake, and the penguin are also here. The boss dog, which is this lovely fellow right here, is back and angry that his castle is littered with Candy's fur. He takes the penguin as a hostage and threatens to kill him if Candy doesn't pick up his fur.  And finally, I would like to point your attention towards this section of the video towards the end. So what if, what if, what if the entire thing, oh my god, yeah, this is a really good figure. Listen up, okay, so what if the entire thing was actually orchestrated? Hear me out, was in fact orchestrated. Listening, Emil? By the fan. From five nights at Candy's. No way! Sorry, was there a fan in Five Nights at Candy's? I can actually remember. I think there was. Anyways, the idea behind this is that this whole trailer was being orchestrated by the fan, but in this case it is actually the, um, the lollipop peppermint dude. So lollipop is the one who is leaving us those messages in Emil's security breach stream. And it looks like he has this game and he was the one that sent us the preview. So now that we've seen the teaser trailer, we kind of know what the lore, the story of the game is going to be about because of this April Fool's video. The big question everyone's wondering, why is this being made? How does it fit into the Fazbear Fanverse Initiative and also the overall Candy's, you know, series of games? I just want to say we do not know if this is part of the Fazbear Fanverse Initiative. Emil hasn't said anything. I don't know if he's going to say anything. I feel like if it was, it would have been in a, uh, like a tweet or a teaser, that teaser. So I'm inclined to say that I don't think this is part of the Fanverse. I think this is more likely just Emil seeing a lot of appreciation. People had for Candy's Adventure, um, from Fnac3 and realized, hey, you know, maybe we can make a fully fledged game out of this. I could definitely see this being added to the Fanverse. I think it would be a nice little bonus game to, uh, kind of like Popgos and the Machinists when you buy it on Steam, which, hey, the way, by the way, you should go buy Popgos Arcade on Steam.  I could see it being the case where you buy, let's say like Fnac4 on, uh, mobile or maybe the Candy's Bundle on console and it comes built in with Fnac4. I think that could be really cool, but right now I just don't think it's in the Fanverse because I feel like something would have been said. I do hope it gets added. If it's not, uh, if it is, I guess we're just waiting on a official announcement. Maybe once we'll get more info on the game, maybe once we'll get a release date, they'll say, hey, you know, it turns out surprise, but for right now, it doesn't seem like it is, but again, I would love for it to be in the Fanverse. But I think that's going to do it for Fnac4, a very, very interesting announcement. What do you guys think? I know there was a lot of people hoping that the announcement was going to be something about Fnac4 because we're still waiting on an update revolving around that game, but also I'm extremely excited because the dialogue and the art style of this game look absolutely incredible. So even if this wasn't a Fnac4 announcement, I'm still really excited for this game because it looks so fun. It looks so cute. I absolutely cannot wait. So again, tell me what do you think about Fnac4 in the comments down below and I'll see you all on the flip side. Goodbye.