CHAPTER 39 RECONSILIATION Milton Hibbert arose and began his argument to the jury. It was a clear and forcible presentation of the case from his standpoint as counsel for the State. After recapitulating all the testimony that had been brought out during the course of the trial, he closed with an earnest appeal for the State against the defendant, showing conclusively that he believed the prisoner guilty. The changing expressions on the faces of the jury and among his audience showed that he was carrying them largely with him. Before he began speaking, Richard again started forward, but still Larry held him back. Let be, son. Stand by and watch the old man yonder. Hear what they have to say against Peter, Junior. I want to know what they have in their hearts. The strong dramatic appeal which the situation held for Larry was communicated through him to Richard also, and again he waited, and Milton Hibbert continued his oratory. After all, the evidence against the prisoner still stands uncontradicted. You may see that to be able to sway you as he has, to be able to stand here and make his most touching and dramatic plea directly in the face of conclusive evidence, to dare to speak thus proves the man to be a most consummate actor, your honor and gentlemen of the jury. Nothing has ever been said against the intellect or facile ability of the prisoner. The glimpses we have been shown of his boyhood even prove his skill in carrying apart and holding a power over his comrades, and here we have the talent developed in the man. He is too wise to try to deny the statements made by the witnesses of the state, but from the moment Miss Ballard was allowed to see him alone in the jail, he was able to carry the young lady with him. We do not bring any accusation against the young lady, no doubt she thinks him what he claims to be. No doubt he succeeded in persuading her, he is her former fiance, knowing well that he saw her and talked with her before he fled, believing that her innocent acceptance of his story was the true explanation of his reappearance here, and now will place him securely in the home of the man he claims is his father. That she saw Richard Kildeen and knows him to be living is his reason for reappearing here and trying this most daring plea. Is the true Peter Craig Myle Jr. dead? Then he never arise to take the place this young man is now daring to usurp. Can Richard Kildeen be proved to be living? Then is he, posing as Peter Craig Myle Jr., free from the charge of murder, even if he makes a confession here to. He returns and makes his plea because he would live the life of a free man and not that of an outcast. He has himself told you why. Now as for the proofs that he is Richard Kildeen you have heard them and know them to be unanswered. He has not the marks of Elder Craig Myle's son. You have seen how the man claims his father refuses to even look upon him. Could a father be so deceived as not to know his own son? When Peter Craig Myle Jr. disappeared he was lame and feeble. This man returns, strong and walking as well as one who never received a wound. Why, gentlemen, he stepped up here like a soldier erect as a man who is sound in every limb. In that his subtlety has failed him. He forgot to act the part. But his forgetfulness only goes to further prove the point in hand. He was so sure of his success that he forgot to act the part of the man he pretends to be. He has forgotten to tell the court how he came by the scar above his temple. Yet he makes the statement that he himself inflicted such a wound on the head of Richard Kildeen. The omission is remarkable and so clever an actor. Miss Ballard also admits having bound up that wound on the head of Richard Kildeen. But still she claims that this man is her former fiancée, Peter Craig Myle Jr., gentlemen of the jury. Is it possible that you can retire from this courtroom and not consider carefully this point? Is it not plainly to be seen that the prisoner thought to return and take the place of the man he has slain, and through the testimony of the young lady prove himself free from the thing of which he accuses himself in his confession, and so live hereafter the life of a free man without stain, and at last to marry the young girl he has loved, of whom he robbed his cousin, and for whom he killed him, and counting on the undeniable resemblance to that cousin, as proved in this court, to deceive not only the young lady herself, but also this whole community, thus making capital out of that resemblance to his own advantage, and never, never, cried a voice from the far corner of the courtroom. Instantly there was a stir all over. The elder jumped up and frowned towards the place from whence the interruption came, and Milton Hibbard lifted his voice and tried to drown the uproar that rose and filled the room, but not one word he uttered could be heard. Order was called, and the stillness which ensued seemed ominous. Someone was elbowing his way forward, and as he passed through the crowd the uproar began again. Everyone was on his feet, and although the prisoner stood and gazed toward the source of commotion he could not see the man who spoke. He looked across to the place where Betty Ballard had been sitting between her father and mother, and there he saw her standing on a chair, forgetful of the throng around her and of all the eyes that had been fixed upon her during her testimony in cold criticism. A wonderful, transfiguring light in her great grey eyes and her arms stretched out towards someone in the surging crowd who was drawing nearer to the prisoner's box. Her lips were moving. She was repeating a name over and over. He knew the name she was repeating soundlessly, with quivering lips, and his heart gave a great bound and then stopped beating, and he fell on his knees and bowed his head on his hands as they clung to the railing in front of him. Amalia, watching them all with throbbing pulses and luminous eyes, saw and understood, and her spirit was filled with a great thankfulness which she could not voice but which lifted her, serene and still, above everyone there. Now she looked only at Peter, Jr. Then a tremor crept over her and, turning, she clasped Larry's arm with shaking hands.  How this is beautiful! Larry put his arm about her and held her to him, supporting her gently. It's all coming right, you see. Yes, but how it is terrible for the old man! It is if lightning had fallen on him! Larry glanced at his brother-in-law, and then looked away. After all his desire to see him humbled, he felt a sense of shame in watching the old man's abject humility and remorse. Thereafter he kept his eyes fixed on his son, as he struggled with the throng, packed closely around him, and shouting now his name. Suddenly, when he could no longer progress, Richard felt himself lifted off his feet and there, born on the shoulders of men, as he had so shortly before been born in triumph, through the streets of Paris, he was carried forward, this time by men who had tramped in the same column of infantry with him. Gladly now they held him aloft and shouted his name, and the people roared it back to them as they made way, and he was set down, as he directed, in the box beside the prisoner. Had the judge tried to restore order it would have been futile. He did not try. He stood smiling, with his hand on the old elder's shoulder. Then, while the people cheered and stamped and shouted the names of the two young men, and while women wept and turned to each other, clasping hands and laughing through tears, Milton hibbard stooped and spoke in the elder's ear. I throw up the case, man, and rejoice with you and the whole town.  The Lord has visited me heavily for the wicked pride of my heart. I have no right to joy in my son's return. He should cast me off. The old man sat there shriveled and weary, gazing straight before him, and seeing only his own foolish prejudice, like a giant despair looming over him. But fortunately for him no one saw him or noticed him, but the two at his side, for all eyes were fixed on the young men as they stood facing each other and gazed in each other's eyes. It was a moment of breathless suspense throughout the courtroom, as if the crowd by one impulse were waiting to hear the young man speak, and the judge seized the opportunity to again call for order. When order had been secured, the prisoners counsel rose and said, If your honor please, I ask leave to have the proofs opened and to be permitted to call another witness. The judge replied, I have no doubt the district attorney will consent to this request. You may call your witness. Richard Kildeen rang out the triumphant voice of Nathan Goodbody, and Richard stepped into the witness box and was sworn. The natural eloquence with which he had been endowed was increased tenfold by his intense earnestness as he stood, turning now to the judge and now to the jury, and told his story. The great audience watching him and listening breathlessly perceived the differences between the two men, a strong individuality in each, causing such diversity of character, that the words of Betty Ballard, which had so irritated the counsel, and which seemed so childish, now appealed to them as the truest wisdom, the wisdom of the child who shall lead them. It is not the same head, and it is not the same scar, it is not by their legs or their scars we know people, it is by themselves, by their souls. Betty was vindicated. Poignantly, intently, the audience felt as he wished them to feel the truth of his words, as he described the eternal vigilance of a man's own soul when he has a crime to expiate, and when he concluded by saying, it is the eye of dread that sees into the hidden recesses of the heart to the uttermost end of life that follows the sinner even into his grave until he yields to the demands of righteousness and accepts the terms of absolute truth. He carried them all with him, and again the tumult broke loose, and they shouted and laughed and wept and congratulated each other. The judge himself sat stiffly in his seat, his chin quivering with an emotion he was making a desperate effort to conceal. Finally he turned and nodded to the sheriff, who rapped loudly for order. In a moment the room was silent, everyone eager to hear what was to be the next step in the legal drama. Gentlemen of the jury, said the judge, notwithstanding what has occurred, it becomes your duty to proceed to an orderly termination of this case. If you believe the testimony of the last witness, then of course the crime charged has not been committed. The respondent is not guilty and he is entitled to your verdict. You may, if you choose, consult together where you are, and if you agree upon a verdict the court will receive it. If you prefer to retire to consider your verdict you may do so. The foreman of the jury then wrote the words, not guilty, on a piece of paper, and writing his name under it, passed it to the others. Each juror quickly signed his name under that of the foreman, and when it was returned to him he arose and said, The jury finds the accused not guilty, then for the first time everyone looked at the elder. He was seated, bowed over his clasped hands, as if he were praying, as indeed he was, a fervent prayer for forgiveness. Very quietly the people left the courtroom, filled with a reverent awe by the sight of the old man's face. It was as if he had suddenly died to the world while still sitting there before them. But at the door they gathered and waited. Larry Kildeen waited with them, until he spied Mary Ballard and Bertrand, with Betty, leaving. When he followed them and gave Amalia into their charge it was a swift and glad meeting between Larry and his old friends, and a hurried explanation. I'm coming to tell you the whole soon, but meantime I've brought this lovely lady for you to care for. Go with them, Amalia, and tell them all about yourself, for they will be father and mother and sister to you. I've found my son. I have a world to tell you, but now I must hurry back and comfort my brother-in-law a bit. He took Mary's hand in his and held at a moment, then Bertrand's, and then he relieved the situation by taking Betty's and looking into her eyes, which looked tearfully back at him, stooping as if irresistibly drawn to her. He touched her fingers with his lips, and then lightly, her hair. It was done with the grace of an old courtier, and he was gone, disappearing in the courthouse. For a good while the crowd waited around the doors, neighbor visiting with neighbor and recounting the events of the trial that had most impressed them, and telling one and another how they had all along felt that the young prisoner was no other than Peter, Jr., and laying all the blame on the elder's reckless offer of so large a reward. Nells Nelson crept sulkily back to the stable, and G.B. Stiles returned to the hotel and packed his great valise, and was taken to the station in the omnibus by Nells Nelson. As they parted, G.B. Stiles asked for the paper he had given the suede. It's no good to you or anyone now, you know. You're out nothing. I'm the only one that's out. All I've spent. Yes, but I got him. You not, all over, devourle. Devas both coming back, that's all. And so they parted. Everyone was glad and rejoiced over the return of the young men, with a sense of relief that resulted in hilarity. And no one would leave until he had had a chance to grasp the hands of the boys. The men of the jury lingered with the rest, all eager to convince their friends that they would never have found the prisoner guilty of the charge against him, and at the same time, chafing each other about their discussions and the way in which one and another had been caught by the evidence and Peter's changed appearance. At last the doors of the courthouse opened, and the judge and Milton Hibbard, Peter Jr., his father, and the lawyers, and Larry and Richard, walked out in a group, when shouting and cheering began anew. Before descending the steps, the elder, with bared head, stepped forward, and stood regarding the people in silence, and the noise of shouting and cheering stopped as suddenly as it began. The devout old man stood erect, but his words came to them brokenly. My friends and my neighbors, as you all know, I have this day been saved from committing in my blindness and my stubbornness a great crime for which the Lord be thanked. Unworthy as I am, this day my son has been restored to me, fine and strong, for which the Lord be thanked, and here the young man brought up as a brother to him, is again among you who have always loved him. He turned and took Richard by the hand, and waited a moment. Then getting control of himself once more continued, for which again I say, the Lord be thanked. And now let me present to you one whom many of you know already, who has returned to us after many years, one whom in the past I have greatly wronged. Let me here and now make confession before you all, and present him to you as a man. He turned and placed his hand on Larry's shoulder. Let me present him to you as a man who can forgive an enemy, even so far as to allow that man, who was his enemy, to claim him forever more, as brother and friend Larry killed Dean. Again, cheers burst forth, and again were held back as the elder continued. Neighbors, he has sent us back my son. He has saved me more than me from ruin and disaster. In these days when ruin is abroad in the land, how he has done it you will soon learn, for I ask you all to come round to my house this night and partake of a little collation to be prepared by Mr. Decker and sent in for this occasion. The old man's voice grew stronger as he proceeded. Just to welcome home these boys of ours, our young men, and this man, generous, and you've not been the only one to blame, Larry stepped forward and seized the elder's hand. I take my share of the sorrow, but it is past, we're friends, all of us, and will go all around to Elder Craigmile's house this night, and help him give thanks by partaking of his bounty. And now will ye lift your voices and give a cheer for Elder Craigmile, a man who has stood in this community for all that is excellent, for uprightness and advancement, for honor and purity, a man respected, admired, and true, who has stood for the good of his fellows in this town of Lovett for fifty years. Larry Kildeen lifted his hand above his head and smiled a smile that would have drawn chairs from the very paving stones. And the chairs came heartily and strongly as the four men, rugged and strong, the gray-haired and the brown-haired, passed through the crowd and across the town square and up the main street and on to the elder's home. Aaron Our had passed, all was quiet, and the small town of Lovett had taken up the even tenor of its way. After a little time, Larry Kildeen and Richard left the elder and his son by themselves and strolled away from the town on the familiar road toward the river. They talked quietly and happily if things nearest their hearts, as they had need to do, until they came to a certain fork of the road when Larry paused, standing a moment with his arm across his son's shoulder.  I'm thinking you'll be wanting to make a little visit. Richard's eyes danced. Come with me. Father, come. There'll be others there for you to talk with, who'll be glad to have you there. And go to, go to. I know the ways of a man's heart as well as the next. Oh, warrant you do, Father. And Richard bounded away, taking the path he had so often trod in his boyhood. Larry stood and looked after him a moment. He was pleased to hear how readily the word father fell from the young man's lips. Yes, Richard was facile and ready. He was his own son. Mary Bellard stepped down from the open porch where Amalia and the rest of the family sat behind a screen of vines, interestingly talking, and walked along the path between the rose bushes that led to the gate. Junior Richard must be coming when she saw Betty, who sat where she could glance now and then down the road, drop her shoeing and hurry away through the house and off toward spring. As Larry knew the heart of a man, so Mary Bellard knew the heart of a girl. She said nothing, but quietly stroll along and waited with her hand on the gate. I wanted to be the first to open the gate to you, Richard. She said, as he approached her with extended arms. Silently he drew her to him and kissed her. She held him off a moment and gazed into his eyes. Yes, I'm the same boy. I think that was what you said to me when I entered the army, that I should come back to you, the same boy. I've always had it in mind. I'm the same boy. I believe you, Richard. They are all out on front porch and butchering easy with them. If you wish to see him first, and if you wish to see Betty, take the path at the side, around the house to the spring below the garden. Betty stood there back to the house, under the great bar that peer-tree. She was trembling. She would not look around. Oh no, she would wait until he asked for her. He might not ask for her. If he did not, she would not go in, not yet. But she did look around, for she felt him near her. She was sure, sure. He was near, close.  She was in his arms and his lips were on earth. The same little Betty, the same dear little Betty, lovelier, sweeter. You wore a white dress with little green to sprig on it. Is this a dress? Yes, no. I couldn't wear the same old one all this time. She spoke between laughing and crying. Why is this just like it? Because he held her away and gazed at her a moment. What a lovely reason. What a lovely Betty. He drew her to him again. I heard it all, there in the courtroom. I was there and heard.  What a load. It was horrible, Richard. She hid her flaming face on his breast. There, before the whole town, to tell everyone, everything, I, I, I don't even know what I said.  While I have been hiding like a great coward, you have been bravely bearing my terrible burden, bearing it for me.  I told them he was Peter Jr., but they would not believe me. No one would believe me but Mother. Father tried to, but only Mother really did. I heard you, Betty.  I had sent a picture to the salon, and was waiting suspense to know the result, and I heard you call. Was, was, was what made you come home, or was it because you knew you want to? She lifted her head and looked straight into his eyes. Richard left.  I can't tell you what it was. I heard it again and again, and last time I just pepped my things and wound up matters there. I have made a success, Betty, dear, let me say that. It makes me feel just a little bit more worth your while. I thought to make a success would be sweet, but it was all worthless. I'll tell you all about it later. But it was no help, and I just followed the call and Richard, hurrying, as if I knew all about the things that was going on when really I knew nothing. Sometimes I thought it was you calling me, and sometimes I thought it was my own conscience, and sometimes I thought it was only that I could no longer bear my own thoughts. See here, Betty darling, don't. Don't ever kill anyone, for the thought that you have committed a murder is an awful thing to carry about with you. She left and hid her face again on his breast. Richard, how can you laugh when it is all been so terrible? We can't, Betty. We're crying.  She put up her hand and lightly touched his lips with her fingers. I know. I know you've suffered, Richard. I see lines of sorrow here about your mouth, even when you smile. I saw the same in Peter Junior's face, and it was so sad. I just hugged him. I was so glad it was he. I hugged him and kissed him. Bless his heart. Somebody want to. Somebody will. She's beautiful and so fascinating. Let's go in so you can meet her. I have met her, and father has told me a great deal about her. I've had a fine talk with my father. How wonderful that Peter should have been the means of finding my father for me, and such a splendid father. I often used to think out what kind of a father I would like if I could choose one, but I never thought out just such a combination of delightful qualities as I find in him. It's like a story, isn't it, and we'll all live happily ever after. Shall we go in and see the rest, Richard? They'll be waiting to see you, too. Let's go over here and sit down. I don't want to see the rest quite yet, little one. Why, Betty?  No, said Betty meekly, and again Richard left. She lifted the hair from his temple and touched the old scar. Yes, it's there, Betty. I'm glad he hit me that well. I would have pushed him over, but for that I deserved it. You're not so like him. Not so like him as he used to be. No one will mistake you now. You don't look so much like yourself as you used to, and you have a lot of white in your hair. Oh, Richard. Yes, it's been pretty tough, Betty, dear. Pretty tough. Let's talk of something else. And all the time I couldn't help you even the least bit. But you were a help all the time. All the time. How, Richard?  It was a good, sweet, wholesome place where you sat always. When I wanted to see you sitting there, I had only to take a final little leather housewife, all worn and tied with cherry-colored hair ribbons in my hand and look at it and remember. Betty sighed alongside a contentment and sent herself closer in his arms. Yes, I was there, and God heard me praying for you. Sometimes I felt myself there. In the secret chamber of my heart, Betty, dear. Yes. They were silent for a while, one of the blessed silences which made life worse living. Then Betty lifted her head, telling about Paris, Richard, and what you did there. It was Peter who was wild to go when patting Paris, and it was you who went. That was why no one found you. They never thought that of you. But I would have thought it. I knew you had it in you. Oh, yes, after a fashion I had it in me. But you said you met with success. Did that mean you were admitted to the salon? Yes, dear. Oh, Richard, how tremendous! I've read a lot about it. Oh, Richard, did you like the old masters? Did I? Betty, I learned a thing about your father, looking at the work of some of those great old fellows. I learned that he is a better painter and a greater man than people over here know. Mother knew it all the time. Ah, yes, your mother. Would you like to go there, Betty? Then I'll take you. We'll be married right away, won't we, dear? You know, Richard, I believe I would be perfectly, absolutely, terribly happy if I could only get over being mad at your uncle. He was so stubborn. He was just wicked. I hated him. I hated him so. And now it seems as if I had got used to hating him and couldn't stop. She had been so brave and had not once given way. But now, at thought of all bitterness and the fight of her will against that of the old man, she sobbed in his arms. Her old frame shook, and he gathered her clothes and comforted her. He, he, he was always saying, saying, Never mind now what he was saying, dear. Listen, I, I, I am afraid I can never see him, or, or look at him again. I, I, I hate him so. No, no, don't hate him. Anyone would have done the same in this place who believed us firmly as he did what he believed. But he didn't need to believe it. You see, he had known through that dain man, or whoever he is, from the detective. All I told you that night. How could he help it? I believed Peter is dead. We all did. You did. He had brooded all fruit and slept up on it. No wonder he refused even to look at Peter. If you had seen Uncle Elder there in the courtroom after the people had gone. If you had seen him then, Betty, you would never hate him again. All the same, if, if you hadn't come home when he did, and love Wisconsin, a love of hanging, he would have had him, Peter Jr. He would have had his own son hanged, and business glad, glad, because he would have thought he was hanging you. I do hate, no, no. And as he very seriously said, if all that been as it seemed, and it had been me, trying to take place of Peter Jr., I would have deserved hanging. Now wouldn't I, after all the years when Uncle Elder had been good to me for his sister's sake? That's it, for his sister's sake. Not yours, always himself, and his came first. And then it wouldn't have been so. Even if it were so, it wouldn't have been so. I mean, I wouldn't have believed it, because it could have been you and been so. Darling little Irish Betty, what a fine dog you'll be to my Irish dad. Oh, my dear, my dear. But you know such a thing would have been impossible for you to do. They might have known him, too, if they'd had any sense. And that scar on Peter's head. That was a new one, and yours is an old one. If they'd had any sense, they could have seen that, too. Never any man on earth had a sweeter job than I. It's worth all I've been through to come home here and comfort you. Let's keep it up all our lives, see?  Then Betty left through her tears, and they kissed again, and then proceeded to settle all their future to Richard's heart content. Then, after a long while, the crept in where the family were all seated at supper, and instantly everything in the way of the Corum at Mills was demoralized. Everyone jumped up, and Betty and Richard were surrounded and tumbled about and hugged and kissed by all. Until it was real, Charlotte's voice reached the shout of laughter as little Jenny said, What are we all kissing Betty for? She hasn't been away, she's been here all the time. It was Peter, Jr., who broke up the route. He came in, up on them, saying he had left his father asleep, exhausted, after today's emotion, and that he had come home to the ballers to get a little supper. Then it was all to be done over again, and Peter was jumbled up among all stretched arms, and shaken and pounded and hugged, and happy he was to be shaken once more thus philosophorously into the home that had always meant so much to him. There they all were, Martha and Julian, James and Bob, as the boys were called these days, and little Jenny, and Bertrand, as joyous as a boy, and Mary, she who had always known, even as Betty said, smiling on him in the old way, and there, watching all with glowing eyes, Amalia sat at one side, waiting until Peter had her two in his arms. Quickly Martha set a place for Peter between Amalia and herself. Yes, it was all as it should be, the circle now complete, only. Where is your father, Richard? asked Mary. He went off for a walk. Isn't he a glorious father for men to fall heir to? We're all to meet at Uncle Elder's tonight, and he'll be there. Will he? I'm so glad. Yes, Mrs. Ballard. Richard looked gravely into her eyes, and from her to Bertrand. You left after the verdict. You entered the courthouse at last. It's all come right, and it's going to stay so. The meal progressed and ended amid laughter, and little later, the family all set out for the banker's home. How I wish Esther was here. I did not wish her here before, but now we want her. She looked at Peter. Yes, now we want her. We're ready for her at last. Father lives for New York tomorrow to fetch her. She's coming on the next steamship, and he'll meet her and bring her back to us all. How that is beautiful! More and more the Malia, as she walked at Peter's side. He looked down at her, and noted awareness in her manner she stroves to conceal. Come back with me a little, just a little while. I can go later to my father's, and he will excuse you, and I'll check you to him before he leaves tomorrow. Come. I think I know where we might find Larry killed in. So Peter led her away into the dusk, and they walked slowly, slowly, along the road, leading to the river Bluff, but not to the top. After a long hour, Larry came down from the eighth, where he had been communing with himself, and found them in the sweet starlight seated by the wayside, and passed them, although he knew they were Peter and Amalia. He walked lingerly, feeling himself very much alone, until he was seized by either arm and held. It is your blessing, sir, called in, we ask it. And Larry gave them the blessing they asked, and took Amalia in his arms and kissed her. I thought from the first that you might be my son, Peter, and it means no diminution in my love for you that I find you are not. It's been a great day. A great day. A great day. He said, as if to himself, and he walked on together. Yes, yes, sir called in, I am never to know again if you. I am to have new name, so strong and fine. Well, can I say it? Hear me. Peter Craigmill Jr., a strange, fine name. It is to be mine, even to me. How all this beautiful here. See the joy of heaven in my heart, like heaven, is not, Peter. Now you are here? Yes, Amalia. So have I saved you before? To love is all of heaven, and all of life is not?  He had worn on his bosom since their parting. In the darkness he felt rather than saw it. He placed it in her hand and drew her close as they walked. Yes, Amalia, yes, you have taught me. Hatred destroys like a blast, but love, love is life itself.


OK. Ready for the next talk, then? This is Federico Fraenguele, who's a C++ and Python developer at Evernove. And he's going to talk about how to make a full-fledged REST API with Django and OAuth Toolkit. So over to you. Hi, everyone. So the goal of this talk is to show you how to create a REST API protected with OAuth Tool. But first, I want to tell you how you should know how to do it. And I want to tell you a story. So let me introduce you to this small and simple application, the Time Tracker, which is, of course, a web application that allows the users to track the time they spend on their activities. And at the beginning, at first, I had to choose to pick one tool, which was Django. And they had one single big project. And I deployed it once. And everything was fine, more or less. But as he used to seeing the times, they are changing. And what has changed? Actually, front-end development has changed a lot. Sorry. Today, we have a lot of web front-end frameworks. And that allows you to create amazing front-end applications. And they have their own development tools to build, to test, and to run the application. And so they are completely separate applications. And I also had to support multiple devices, which means to support different browsers and different platforms. I should also take care of the native applications. So I ended up with a lot of projects. I had a Time Tracker backend, a Time Tracker web, which is the front-end web front-end application. Then the Android project, the IIS project, and the desktop application for the old desktops. And moreover, there are third-party services that wants to connect with my Time Tracker application. They want to send me data. They want to read data from my Time Tracker applications. So what happens in the back-end application? What's in the back-end application? There is a service that exposes an amazing and reliable REST API. And this is the recipe. Django, Django REST framework, and Django of Toolkit. These are the models. They are really, really simple. There is the activity and the time entry, which is the model that allows us to track the user, the time that a user spends on an activity or a task. And these are the end points that I want to create. Yeah, on the mouse-left column, the URL, the HTTP method supported, and the semantic meaning of each method. So for example, the first row, you are a slash API slash activities. If you send a request, you get back a list of the available activities. To create the end point, I need to show how Django REST framework works in, I hope, in less than five minutes. So the first thing you have to do is to serialize your data. And this is really, really straightforward in Django REST frameworks. You can use this base class, Serializer. And this works just like Django forms. So you just define the fields you need and add some code to restore or create the instance of the model from its serialized representation. And then you can easily use the Serializer and you'll get back a dictionary representation of your object. Of course, this is boilerplate code, which should be repeated for every model of your application. But you can avoid to write that code using model Serializer, which allows you to just specify which is the model you are serializing. You want to serialize. Then we have to create the views, the end points. And what do we need? We need, of course, to respect the semantic meaning. And we should take care of the user authentication. And also, we should take care of permission checks. Also, sometimes, object level permissions. Sometimes, you need to paginate your end points because you get a lot of results. And also, you want, maybe, to handle response and requests for marketing to support, for example, JSON, XML, YAML. So this is a lot of stuff, but you just keep calm and use Django REST framework because Django REST framework is really has a lot of settings that allows you to customize its behavior, its default behavior. These are just small examples. The first one allows you to define which is the class that takes care of the user authentication. And then we have the default permission class. So if you're not authenticated, you won't get anything, just 401, 403, sorry, and the default renderer and default parser for the formatting, for the format. Well, to create the end point, you can use the API view-based class provided by Django REST framework, which allows you to add some code to the handler meters. And this class, this base class, will use the settings. We can see here to realize, to create an end point with the correct behavior, with the behavior you want. And well, the code, it is really, really easy to understand. Here we have the query set to retrieve all the activities. We serialize the query set and return the serialized response. And of course, this is boilerplate code. So you have to repeat this code, 44 end points. But you can't avoid to write this code using the generic class base view provided by Django REST framework. Here you just need to specify which is the base query set and the serializer class you want to use. There is also a built-in Browsable API provided by Django REST framework, which we are going to see at the end of the talk. So the next step is how do you authorize client applications? I mean, your applications like the Time Tracker Android and the Time Tracker iOS, they need to be authorized to talk to the Time Tracker Backend API. And also, there are third-party apps that wants to access your user's data. So you need some authorization engine behind. If you don't have this authorization engine, these are the problems you are going to face. First of all, you have to store the first solution without the authorization framework as to store the user password in the application, which is not good, of course, because the application gets full access to the user account. And if the user wants to revoke his password, it wants to revoke the access, sorry, to the application, he needs to change his password. So also compromised apps can expose the user password and username. This is the solution, the OAuth2 authorization framework. So how does it work? And I want to explain how it works using this simple use case. So imagine that there is a songify music streaming service that wants to connect with the Time Tracker application so their users can track their listening activities on the Time Tracker application. These are the actors. This terminology is the same used in the OAuth2 RFC. And I'm just trying to translate these terms to this use case. So the resource owner is, of course, the unit. The resource server is the Time Tracker API. And the authorization server, in this case, is the same as the resource server. And the client is the songify application. I want to explain you what the OAuth2 authorization framework defines for authorization flows. I want to show you how one of these flows work. This is the most popular one, the authorization code flow. So the first step is when the client registers with the authorization server, and the authorization server provides a client entity and a client secret. The client, of course, is the songify application. So there is someone at songify that, for example, goes to developer.timetracker.com, add developer application. And it gets back a client ID and a client secret key. The second step is when the songify application redirects the user to the Time Tracker application via its user agent, via its browser, for instance. And next, the Time Tracker application authenticates the user and obtains the authorization to communicate with the songify application from the user. Now the Time Tracker application redirects the user back to the songify application with an authorization code, which is later exchanged for a token. And the token can be used by the client to authenticate requests. How to do that in Django? With Django, our toolkit, of course, which supports Django from 1.4 to 1.7, 0.2, and 0.3. And it is built on top of Outlib, which actually is a really great library. It takes care of the compliance with the RFC. We just wrote some glue code. And its integration with Django is really, really easy. You add the auto provider application to the installed apps, add our URLs to your patterns. And you can create a protected endpoint using our generic protected resource view. And here you have an API endpoint, which is protected with OAuth2. Now it comes with batteries included. So we have built-in views to register developer apps and a form view for the user authorization. It is integrated with Django as framework. You just need to switch the default authentication classes with the one provided by Django toolkit package. And now I want to show you how it works. So these are the steps. We are going to de-authorization. First, we are going to create a developer application. Then we are going to simulate the step when the user is redirected to the authorization endpoint. So here you can see this is one of the built-in views to register new developer applications. So you create new application. You add the name. Here you have your client ID and client secret. You can choose these details from the OAuth2 framework. Anyway, I got my Songify application ready. Here it is. So we can just use this one to step one. The Songify application is redirecting the user agent of the user to the authorization form. But first, the user has to authenticate. And now the application is asking for my authorization. And we authorize, of course. OK. Of course, this should be the URL of the client application. So Songify.com, for example. Now we can take this authorization code. Just substitute the code here. And we are going to exchange the code to obtain a token. Here is the response. And this is the token. And the token can be used to create a proper request with this header, authorization bearer, with the token. So I just want to show you that I'm not lying. If I try to get the list of the activities, just tell me that I'm missing the authentication credential. If I use my new token, I can get back the list of the activities. And that's all. The future plans for Django Toolkit are to support Alt1. Maybe Alt support for the OpenAD Connector RFC, which I really don't know. I still have to read the paper. And add no SQL storage support for the applications storage. So we need some help. And thank you. That's all. Any questions, please? Anyone? First, thank you for your talk. My question is, can we use the same framework to post tweets on Twitter? No, Django Toolkit actually is the implementation of the server side part of the specification. So if you want to send tweets to Twitter, you need a client-side implementation of the Alt2 RFC, the authorization framework. In your examples, the authorization server was always the same as the actual service. With your Toolkit, can you make two services? Like, can you separate out the authorization part? Actually, we have to work to keep the resource server and the authorization server separated. But maybe you can. Actually, you have to write some more code to keep the authorization server and the resource server separated. Hi, so just one quick question. So if you want to expose your API differently, your resources differently from the actual model definition, can you simply handle that in the serializer class so you don't have to use the Django or AM? Yeah, the model serializer. Yes, of course. You just use serializer. If your data is, for example, on MongoDB, you just write your, you just use the serializer-based class to write your own serializer. And it just works. You have to write some more code. But it works. It is OK. OK, thanks. You're welcome. Hello. Hi. Thanks for your talk. What are you using for object ownership? Sorry? Object ownership. So how do you say this object belongs to this user? And I only showed this request coming from this user. Oh, well, this is object-level permission. But you are using any component for that? We are just filtering the query set, looking at the, actually, OK, sometimes we can get back, which is the user bound to the token, OK? And with the user instance, you can filter the query set. This is a solution, really simple solution. No problem. Any more questions? OK, thank you very much. Thank you.


So let's do some arithmetic with fractions, starting with the addition of fractions. So to begin with, here's an idea to keep in mind. Suppose you have three apples and add two oranges. What do you have? You have three apples and two oranges. The important idea here is you can only combine terms when they are of the same type. So let's consider this addition of two fractions, and remember how you speak influences how you think. This is not three over twelve plus four over twelve. It's three-twelfths and four-twelfths. Since we're adding, we're going to put them together. So all together we have three plus four seven-twelfths, which we write as a fraction. And this leads to an important result. If two fractions have the same denominator, the sum will be a fraction with the same denominator and a numerator equal to the sum of the numerators. So let's take that addition again, and we see that the fractions have the same denominator, so by our theorem we can add the numerators. And this gives us our final answer, seven-twelfths. What happens if our denominators are different? Again, how you speak influences how you think. We have three-fourths and two-thirds. If you read them this way, that reminds you that we have three of one type of thing and two of a different type of thing. So all together we do have three plus two equals five things, but they're not apples, they're not oranges, they're pieces of fruit, which is something different entirely. So remember, since the fourths and thirds are different, we can't combine them meaningfully. Now we can't meaningfully add two things together if they're of different types. However, we can transform fractions into equivalent fractions. So remember that given any fraction a over b and any non-zero number n, a over b is the same as na over nb. So this fraction three-fourth, I can transform into an equivalent fraction by multiplying numerator into denominator by two or multiplying numerator into denominator by three or multiplying numerator into denominator by four and so on. And we can do the same thing to the fraction two-thirds, multiplying numerator into denominator by two, by three, by four, or by anything we want. So if we look at our possibilities, we see that three-fourths is the same as nine-twelfths and two-thirds is the same as eight-twelfths and because they have the same denominator we can add the numerators and get our sum, seventeen-twelfths. What made this work is that twelve was a common denominator. In our fraction three-fourths, we can multiply the original denominator four by three to get twelve and in the fraction two-thirds we can multiply the original denominator three by four to get twelve. And this suggests a useful idea, a common denominator of the fractions A over B and C over D is BD, the product of the denominators. So, for example, we'll find a common denominator for one-sixth and three-tenths, then add and, if possible, reduce the fractions. So our theorem says that a common denominator of the fractions can be found by multiplying the two denominators together. So a common denominator is six times ten and so, if we take our fraction one-sixth, because we want a denominator of six times ten, we have a missing factor. We have a six, so we need a ten, so we'll multiply the denominator by ten and, because we need to make sure that we have an equivalent fraction, we'll also multiply the numerator by ten. Now, here's a useful idea. Because we eventually want to reduce and we can only reduce by removing common factors in numerator and denominator, it's worth leaving the denominator in factored form. So we'll leave our denominator as six times ten. What about the numerator? Well, because we're adding the two fractions, the numerator is going to be a sum, it will not be a product, so we might as well multiply the product ten times one gives us ten. How about this other fraction, three-tenths? Well, again, we want our denominator to be six times ten and we have a ten, but we're missing a factor of six, so we'll supply it, but we also have to multiply our numerator by six. Again, we'll leave our denominator in the factored form six times ten, but multiply out the numerator. And now, our fractions have the same denominator, six times ten, so we can add the numerators ten plus eighteen. So we'll get a fraction of the numerator twenty-eight and denominator six times ten, which is the same denominator we started with. Our arithmetic is bookkeeping, and it's always good to keep track of what we've actually done. This fraction we got by adding one-sixth and three-tenths, so let's write down that fact. And we do want to reduce, so here's where. Having that denominator in factored form is useful. Whether six or ten is a factor of twenty-eight and the answer is no, but because the numbers in our denominator are smaller, they're easier to factor. So six is two times three, ten is two times five, and both of these two are also factors of twenty-eight. So we'll factor twenty-eight, we can remove our common factors, and now at the end of the problem, we can multiply the remaining factors together. So our numerator only has seven, our denominator three times five, fifteen. Now sometimes when adding fractions, we talk about the lowest common denominator, and that is the least common multiple of the denominators, and it's sometimes useful to find it, but it's never necessary. And since life is hard enough, we're not going to waste our time finding lowest common denominators because all we need are common denominators. And so remember that we can always find a common denominator by multiplying the denominators together.


Now, as gunshots echo across the windswept snow-covered reaches of the Wild Northwest, Quaker Puff Wheat and Quaker Puff Rice, the breakfast cereal shot from guns, present the challenge of the Yukon. It's Yukon King, swiftness and strongest lead dog of the Northwest, placing the trail for Sergeant Preston of the Northwest's Mounted Police in his relentless pursuit of lawbreakers. On King, one new escape. Gold, gold discovered in the Yukon, a stampede to the Klondike in the wild race for riches. Back to the days of the Gold Rush, with Quaker Puff Wheat and Quaker Puff Rice bringing you the adventures of Sergeant Preston and his Wonder Dog Yukon King as they meet the challenge of the Yukon. Gully, you know what that reminds me of? Why it makes me just downright hungry for some good, thick, yellow cream and fruit on a heaping bowl of Quaker Puff Wheat or Quaker Puff Rice. That's what, mm-mm, there's a special treat. You take a big spoonful and those king-sized grains of wheat or rice, so crisp, so nut-like in flavor, taste more tempting, more scrumptious than ever when they're covered with smooth, rich cream. Try it tomorrow morning for a special treat with delicious, nutritious Quaker Puff Rice or Quaker Puff Wheat. The Yukon Queen, one of the larger packets that carried passengers and cargo between the Yukon and the States, moved along the mighty Yukon River on its way from Selkirk to Dawson City. Sergeant Preston arose from the bunk in his cabin after a refreshing nap. It was spring of 1898 and the boat was making its first trip back to the States. As the Mounties stood up, the Great Dog King moved to his side and whimpered as he nuzzled his master's hand. Yes, King, I know, boy, stuffy in here. We'll go up on deck and get some fresh air. Come on, fella. As the Mountie and Dog moved slowly along the deck to the front of the boat, they approached a woman standing at the rail. Sergeant Preston was conscious of the hostile, piercing eyes that glared at him through the wide meshes of a bale. Then her steps faded rapidly along the deck. Let me see to reason, this King.  Come on. Two men sat in one of the cabins on the same deck. One of them was speaking. The boat will stop at Dawson City for 24 hours, Senor Barton. I know, Carlos, in that time we have a lot to accomplish. The Americans in Selkirk contributed much gold to the fund which was started when the recent news of the war declaration was telegraphed to the Yukon. The senor who is entrusted with this fund is aboard this ship right now, as you know. It needs to get a big addition to the fund to Dawson City. It's up to you and the senorita to get the fund from him and turn it over to me during the ship's layover in Dawson. See, senor, I have lived the details to Senorita Mendoza. I'll see who it is it's for. I must talk to you and Carlos, senorita. Of course. Come in, senorita. You seem upset, Bonita. Perhaps it is nothing, Carlos, but I have just seen a mountain aboard. He approached me at the rail, but I left before he could question me. Why should he question you? You and Carlos are both American citizens now, and you've done nothing to cause suspicion. See, of course, Bonita, you are the great singer, senorita, Bonita Mendoza, going to feel an engagement at Dawson City, no? Because you have sung in White Horse and Selkirk, he may have recognized you. Sure, that must be it. Carlos is your manager, so you're both in the clear. Perhaps something has made him suspect that Carlos and I, as agents of our country, are after that fund to help our cause. The boat will dock at Dawson City tonight. The man Barry Jeffers will get the contribution to the fund and add it to what he already has. Yeah, committee is to come to the boat after it docks to make the presentation.  That I have found out. Carlos and I have passage only to Dawson City, so we shall leave the boat when it docks and go to the hotel.  This is my plan, senors. Tonight, most of the men on board will go ashore for a final celebration before sailing from the Yukon. The senor Jeffers is young. He is sure to want to join them. What then? Carlos will watch from the dock and follow senor Jeffers to see which cafe he enters. Then Carlos will approach him and say that the great senorita Mendoza has here of this war fund and wishes to contribute a large sum. I don't see how that will get us the money bank. And listen a moment. Carlos will persuade senor Jeffers to come to my hotel suite to get the contribution. I shall ask him to drink a toast in wine to victory for his country. He will not refuse. The wine will be drugged. But the fund will be on board, Juanita, locking his cabin. You will have the key with him. You, Carlos, shall take it to the dock where senor Barton will meet you. Give him the key to this buried Jeffers' cabin. That'll work until it comes to and tells the police about it.  You are to remove all his belongings from his cabin to yours, which is only a few doors away. Also, you will take the black bag. And when Jeffers returns to the boat? He will not return, senor. Nor will he be seen again. Carlos will see to that. Why, when it is discovered he is not aboard and that his belongings are missing along with the fund, people will think he has run off with the money. Of course. Tomorrow night, after the boat sails, you can drop his personal belongings overboard, senor Barton. You see, senor, the senorita is most clever. You will be in the clear, and no one will ever suspect us. See, we shall not meet again, senor Barton. Though I wish you good luck and success to our plan. It was about eight o'clock that night when the Yukon Queen eased alongside the dock at Dawson City. Sergeant Preston, with King at his side, stood at the rail watching as the boat was made secure. He turned as someone spoke at his side. Hi, Sergeant. Come on, Barry Jeffers. Haven't seen you since you came aboard at Soaker. I have spent a lot of time below deck for the crowd of fellas going to join up in the States. I'd marry the loyalty of you Americans, Barry. None of you would be forced to go back for service. You'd do the same if you were somewhere else when your country declared war. Yes, that's true. I heard about the big fund of money the American prospect has raised too. Yes. They've trusted me to take it to the States. My opinion, they couldn't have trusted it to a better man. I hope you put it in the ship safe, Barry. As a matter of fact, I have a... I intend to turn it over to the purser as soon as I receive the sum of money the Dawson crowd has waiting for me. I'm going ashore to see about it now. I'll see you later, Sergeant. So long. So long, Barry. Bye, King. Well, King, the gang planks down. We might as well be going. Come on, fella. Barry Jeffers was in the Nugget Cafe when Carlos approached and spoke to him. And you're Jeffers? Yes. I'm Barry Jeffers. I have come with a very important message. I may speak to you alone, perhaps. Why, sure. Let's go back there and hold some talk. I guess we're sort of away from the crowd now. Yeah. I am business manager for the great singer, Senorita Mendoza. Oh, yeah. Is that right? I heard her sing in Selker. Yes, sir. The Senorita has arrived here in Dawson to sing at the opera house starting tomorrow. Oh, I'd like to hear again, but I'm booked to leave on the Yukon Queen. But why have you come here? For the Senorita, she has here the fund, what has been entrusted to you, Senor. She is a citizen of your country, as am I. And she wishes to show her loyalty by contributing to the fund. Gosh, that's a mighty fine over. She is asked that you come with me to her hotel, so that she may give the money to you in person. Well, sure. It'll be an honor to meet the great Senorita. I was getting ready to leave anyway. Let's go. A short time later, Barry sat rather uncomfortably in Juanita Mendoza's suite. He was flattered by the attention that the celebrated singer and her manager gave him. Oh, Carlos has brought wine, Senor Jeffers. We must make a toast to victory for the United States, no? Oh, sure. Here is your wine, Senor. Thanks, Carlos. Now I give you victory, Senor Barry. To victory? Thanks for calling me Barry, Senorita. But of course, why not? As such a young and handsome soldier you will make. Carlos, we must also have a toast to Barry's safe return from the war, no? Oh, I guess I can't refuse that. And then, Senor, we must give a toast to the Senorita's success during their engagement here in Dawson at the Opera House, no? Of course, let's drink it. Within a short time, the drugged wine had its effect and Barry Jeffers finally dropped into a deep sleep. Moving him onto the sofa, Carlos quickly searched him. So, I have found the key to his cabin on the boat, Juanita. See, that is fine, Carlos. I will sleep for hours. Harry, go give the key to Senor Barton and come back here. I have already made plans for Senor Jeffers' disposal. What sort of plans, Juanita? One of our countrymen, Pedro, has a fishing boat on the river not far from here. I sent the word for him to bring a wagon to the back door of the hotel within the hour. You will help him get the young Senor to the fishing boat. Pedro will move the boat out into the river and together you can push Senor Jeffers into the water. You plan everything very well, Juanita. I will go meet Barton right now and give him this key. Later, returning to the hotel suite, Carlos entered to find the man Pedro waiting. So, Carlos, he did not take you long. No, I delivered the key and Senor Barton went aboard to remove Jeffers' belongings and to get the money box. Carlos, this is Pedro. You have bring the wagon, Pedro? See, it is just outside behind the hotel. Good. Oh, I see Senor Jeffers is still in a deep sleep. See, and he will stay that way until you throw him into the river. Now, you and Pedro take him out the back way and get him to the fishing boat. Instead of being praised as the patriot going up to the war, Senor Barry Jeffers will be despised as a thief who disappeared with the fund. See, they will say he betrayed his trust. Yes, and all the time he will be at the bottom of the river. Dead. They will continue our adventure in just a moment. Say, tomorrow morning you'll go for this family breakfast treat, crisp, tender, swell-tasting Quaker Puff Rice or Quaker Puff Wheat, but ready to serve cereal shot from guns. Hey, hold on there, man. What's going on here? Who are you? What's all the shooting about? For me? Their name's Lou. Lumberjack Lou. Why, everybody from White Horse to Dawson knows me. Been knocking around logging camps in these parts for years. I see. But what brings you here? Just figured to look around, get me some supplies and head back to camp. Then I heard all his ruckus. Well, Lou, that shooting you heard now was just me explaining about the keenest tasting breakfast ever. Namely, rice or wheat shot from guns. Huh? You see, we load huge guns with choice, sun-ripened premium grains of rice or wheat. Then these guns are exploded. Outcome, big, giant grains, eight times normal size. They're magnified, crispified, shot through and through with bang-up, nut-like flavor, too. That's why Quaker Puff Rice and Quaker Puff Wheat are so good to eat. Well, dawg gone. And for breakfast, lunch or supper, all you do is pour out a bowl full right from the package. No cooking. Just add milk or cream and top with your favorite fruit. That's for me. What's more, Quaker Puff Rice and Quaker Puff Wheat are nourishing. They furnish added health values of restored natural grain amounts of vitamin B1, niacinth and niacinth. Hey, look, man, where do I get me a couple of packages of this here rice and wheat shot from guns? At the nearest grocery store. And, fellas and girls, here's a tip for you, too. Tell mom delicious Quaker Puff Rice and Quaker Puff Wheat is never sold in bags or bulk. To get the original crisp, fresh, rice or wheat shot from guns, always buy the big red and blue package with the smiling Quaker Man on the front. Now to continue. Barry Jeffers had been drugged in his cabin key taken and delivered to Mr. Barton at the boat. Then Carlos returned to the hotel and found Pedro waiting to help him take Barry to the fishing boat from which he was to be dumped into the river. Meantime, Sergeant Preston had gone to the Constable's office and was talking to the Constable. The Spanish-American war is causing quite a bit of excitement among the Americans up here, Dave. I know. Some of them are living for the states to join the army. Barry Jeffers himself works on his way to join.  I heard about that, Sergeant. My wife's an American, you know, and she wanted me to ask you if it'd be all right for her to contribute something. Well, I don't know of any objections, Dave. I have the money here in an envelope. I want to get it to Barry before the boat sails. Well, I'll take it to him tonight, if you want me to. You can have her going that way. Oh, I'll say. That's fine. There it is. All right. Barry was seen leaving the nugget café a while ago. The netherfell, I guess, is back on board. But now, good night, Dave. I'll see you in the morning. Good night, Sergeant. Come on, King. Taking King aboard the boat with him, Sergeant Preston was told the number and location of Barry's cabin. But in the short time, he stood knocking on the cabin door. Just as he was about to turn away, Sergeant Preston saw the cabin door key in the keyhole. Strange King. The key's in the outside of the lock. Thinking that perhaps Barry had unlocked the door and had gone inside, forgetting to take the key with him, Preston opened the door and entered the cabin. Come on, King. The lamp's lighted, fella, but... Uh-uh. The longings had gone from the cabin. Come on, King. We'll see if we can find Barry Jeffers. Sergeant Preston and King headed for the nugget café. In front of the café, King stopped and stood whimpering. For a moment, the great dog hesitated.  A short time later in the hotel, King stood in front of Seniorita Mendoza's door. He looked at Preston and whined. So you think he went into this room, eh, fella? Well, he's never failed me yet. We'll see if he's there now. See, Hemant, what is it you want, senior? The same startle, seniorita. I'm looking for a friend of mine. There is no friend of yours here, senior. I'm beginning to believe that. I do not understand. Forget it. Are you going to invite me in, seniorita? Well, of course. Why not? But the dog... King won't hurt you. Come on, fella. Now that you are here, senior Monty, you can see for yourself there is no one else here. Mind if I look around? No, go right ahead, senior. But remember, I consider this an intrusion. Yes, I'll remember. Sergeant Preston quickly looked through the suite. Then returning to the living room, he saw seniorita Mendoza looking at him with an amused smile as she sat holding a wine glass in her hand. Now that you have discovered I am not hiding any of your friends, senior, perhaps you will join me in having a glass of wine, no? No, thank you. For a moment Preston stood watching King. The intelligent dog was near the sofa and the way he acted told the Monty that Barry had been there. Preston spoke sharply to the seniorita. What do you know about Barry Jeffers? Barry Jeffers? Who is this Barry Jeffers, senior? I'm sorry. I guess I was mistaken. I accept your apology, sir. I won't take up any more of your time. But there is no need to hurry away. I am beginning to enjoy your company, senior. Thanks. If you sing at the after house, I'll get there to hear you. You say, if, senior... But you should say when. I start my engagement there tomorrow. As I said before, I'll see you again. Right now I have to leave. Good night, seniorita. Good night, senior. Come along, King. I'll find him. I'll find her. King led Sergeant Preston along the hallway and out the back door of the hotel. Saint Mark's of Waggwin, England. Come on, King. We'll get my horse and stop by for the customers to go. A short time later, Sergeant Preston and the Constable, followed by King, rode their horses along the trail left by the wagon. Meantime, Carlos and Pedro had driven the wagon carrying the unconscious form of buried jeffers along the river trail for about two miles, until they came to the small dock where Pedro's fishing boat was tied up. The two men carried Barry to the small fishing boat and stretched him out on the deck. Then Pedro started the motor after casting off the lines that held the boat. Now we will go out into the river a little way, Carlos. Then we will dump him overboard into the water. I'm glad to get this over with. I'm beginning to feel the cold. Get the boat moving, Pedro. Meantime, a short distance down the river trail, Sergeant Preston and the Constable rode along behind King. They rode in silence until the sound of a chugging motor reached their ears. Sounds like a boat, Dave. Must be right around that bend ahead. You think it has anything to do with the case? I don't know, but we'll soon find out. Get up, Blacky! Come on up! On Pedro's old fishing boat, Carlos stood impatiently waiting for them to reach a deeper place in the river. Can this old cop move any faster, Pedro? He's moving fast enough, Carlos. Do not be impatient. Wait, Pedro. The senor is coming too. We must get this over before we find out what we are doing. This is far enough from the shore. We should stop the motor now. Oh, my head. I'm so dizzy. Let us dump him over the side now. Let's go. The two Mali's arrived at the old dock just as the chugging of the boat stopped. They could see at about 200 feet from the shore. Hold my game. That was the wagon. They could have all stopped out there. Help! Help! That's very... Can't do much to help him. They have that motor-driven boat. Maybe I can trick them. Senoris! Senoris, wait! Senorita, she said it to you. They planned to your chain, senor. Please, now they want to give to you. Do not do what you plan until you read it. Come into the dock, senoris. Quiet. Quiet, boy. You better keep them a shadow so they can't see us. Yes. Do you think they'll come in? I don't know. I'm talking it over. We are coming into the dock, senor! One more! Better have our guns ready. Yes. We will come right up. Let's get that robot, dude. Come on, king. King, I got it. I got them, folks. On the fishing boat, Carlos and Pedro watched intently as the robot put out toward them. Barry, still weak and dizzy, sat on the deck between them. Carlos, those two are raising a robot I do not like. The hombre who has called was assured to be one of us, Pedro. He has mentioned this, senorita. Now plans. Pedro, look. I can see their outlines clearly. Help! Help! Somehow we have been tricked, Pedro. Throw this one overboard. Then try the motor while I shoot at them. Grab him! Very pain! Go! Whimming violently, the great dog king headed for the struggling man in the water. Quick, Pedro, get the boat started. At the same time, Preston swung the robot so as to get on the other side of the fishing boat. Meantime, Pedro tried to start the motor again. Never mind. Help me fight them off with our guns. Quickly! There, perhaps we have hit them. The gun, there he is. As Carlos cried out in pain, Pedro turned and ran down to the small cabin of the fishing boat, slamming the door behind him. Let's get Barry out, thank you. Right, Sergeant. In a few minutes, the two Maudies are pulling Barry and King from the cold waters of the river. Putting his coat around the shivering Barry, Preston steered the robot alongside the fishing smack. Then, lifting King up to the deck, he pulled himself up. That's the one we wanted, fella. Please, senorita, I'm hurt bad. You'll live. Come up on deck, Dave. That one's out of the fight. Watch him, Dave. I'll see about the other one. Come on, King. Let her give up, you. You can't get away. King, we went directly in front of their door. But that does it. Let's get him, King. With gun in hand, Sergeant Preston quickly kicked the small door open and Michael Flash, King, freaked him out.  Come on, King. All right. Watch him, boy. All right, you, come out on deck. Come on, King. Yes, I'll tie them up while you bring Barry aboard and make him comfortable in the cabin. I can get the motor started and we're ready to travel. Let's get busy. All right. After getting Barry and the two crooks back to town, the Mounties got the whole story, implicating the senorita and the other agent, Barton. A surprise visit to Barton's cabin on the Yukon Queen caught him off guard, and the money bag was retrieved and put in the ship safe. Later, in Barry's cabin, Preston was saying, Well, Barry, you had a narrow escape. That's right, Sergeant. There are foreign agents working here in the Yukon. They're all in jail, including the senorita. You didn't get back to put that fund in the ship safe as I suggested, Barry. No, I didn't. The committee met me on the dock, but they left the Dawson contribution uptown in their office. I went with them and got it, and stopped to say goodbye to a few friends in McCarlis. You know the rest. Fortunately, the contribution was in paper money in an envelope which I'd put in the inside pocket of my pocket. When Carlos searched you for your key, he didn't realize he'd overlooked that cash. That's right, Sergeant. Well, all the money's in the ship safe now. Yes, and the crooks are in jail. Are they held as spies? Why, no, Barry. They're in a neutral country. But we are holding them for robbery and attempted murder. When you signed up for the service, I'll bet you didn't expect to mix with the enemy so soon, did you? Gosh, no. I thought I'd meet them soon enough after I signed up with Colonel Teddy Roosevelt's rub-riders. I'm sure glad you got wise that something was wrong. So am I. Strangely enough, it was a patriotic gesture on the part of the constable's American wife that started me on your trail. I'm as glad as you are, Barry, that this case is closed. In just a moment, Sergeant Preston will give you a preview of Wednesday's adventure. Picture yourself up there in the Yukon with Sergeant Preston slugging it out with desperados with your bare fists. Think of Sergeant Preston's great strength and stamina and the strength you would need in those fights. Then ask yourself this question, am I eating a good bodybuilding breakfast every morning? Remember, when you include Quakerpuff wheat or Quakerpuff rice, you get added food values of restored natural-grade amounts of vitamin B1, niacin and iron, and what a delicious way to get such good nourishment. There's tempting nut-like flavor and tender crispness in every mouth-watering spoonful topped with milk or cream and fruit. Try it tomorrow. They're always a treat. Quakerpuff rice and Quakerpuff wheat. Listen Wednesday when Sergeant Preston and Yukon King meet the challenge of the Yukon in the case of the Red Devil. Buckland had killed a traitor and a mission priest and made his escape across the frozen stretches of Mackenzie Bay. When King and I caught up with him, he had taken shelter in an Eskimo village and had convinced the Eskimos that I was an evil spirit who had driven the seal from their hunting grounds. As a result, we not only had to face Buckland's guns, but the deadly spears of the Eskimos. Be sure to hear this exciting adventure Wednesday. These radio dramas, a feature of the challenge of the Yukon Incorporated, are created and produced by George W. Trenville, directed by Fred Flower Day and edited by Fran Stryker. The part of Sergeant Preston is played by Paul Sutton. They are brought to you every Monday, Wednesday and Friday at the same time by Quakerpuff Wheat and Quakerpuff Rice. The breakfast cereals shot from guns. Your best bet for hot breakfast is Quaker Oats. The giant of the cereals is Quaker Oats. Delicious, nutritious, makes you feel ambitious. The giant of the cereals is Quaker Oats. Yes, if you want to be a star in sports and school activities, make your hot cereal Quaker Oats because Quaker Oats helps grow the stars of the future. You get more growth, more endurance from oatmeal than from any other whole-grain cereal. Remember, Quaker and Mother's Oats are the same. This is Jemima Makiko wishing you good bye, good luck, and good health from Quakerpuff Wheat and Quakerpuff Rice. So long.


Hello everyone, good afternoon. So I'm Tirumini, I'm going to chair the session, it's 15-15 minutes presentation but we've got 45 minutes so we're going to do 15 minutes, five minutes Q&A for each and then five minutes extra if you want to ask questions. So we've got Alice who's going to present around accessibility first and then we have Owen, Matt, Matthew, I've got one here so when you have Q&A I'll come by and pass you this to for the questions because we've got people joining online so the floor is yours Alice. Thank you very much and thank you for joining us today. I know that there's quite a lot of really good sessions on at the moment as well so I'm definitely going to be asking about how we can get those recordings afterwards so that I can catch up on other people's good sessions that are happening too. So yeah my name's Alice Chapman, I am at the Odden University. You may have heard of us, you may not, we've had a few sessions taking place over the last couple of days where you can find a little bit more about us and I will talk a little bit about us too but I'm the product developer in the learning design team at Odden University which I will introduce as well and I'm here today to talk about digital learning accessibility and just to sort of tell you a little bit about what we're doing at the moment and our next steps as well. So in this presentation I'm going to introduce Odden University and Digital Learning team. I'm going to talk about the inclusive practice enhancement projects that we currently have happening at Odden University, specifically the inclusive learning review and looking at the inclusive learning training sessions that we've received in the digital learning team as well. I'm going to talk about the process in action, a very high level example of that and look at the next steps that we've got in place as well and I'm going to try and keep in in time, that's the other thing I'm going to try to do. So what I'm going to begin with is just talk a little bit about Odden University. So we are a digital first, look at my words there, we're a digital first distance and blended learning provider and we have got study centres across the UK and in Berlin. We have lots of different types of students that come to us and we as you can see on the slide it says Odden aims to help people thrive and succeed through real world relevant education that is fuelled by technology shaped by employers and built around learners' lives and I think that really sums this up quite well. I think we are really keen to make sure that we've got opportunities in place for people, whatever background they are from and we have got quite a flexible learning model that we we put together and I'll talk about that in the as I come to the digital learning team but our average student is around the age of 30 and they are often full-time workers or they are they have lots of the responsibilities that are carers, they've got lots of other things that are going on in their lives and so it's really important for us to make sure that we're making what we do flexible for them. So this is our team, you may see this this image in a few of the places as well if you have a good look around but we are the we're a multidisciplinary team with expertise in learning technology, multimedia design, learning design, project management and we work really hard to make sure that our academics have got the support in place to help them as they're putting together their modules and designing their modules. So the flexible teaching model that I mentioned so this gives our students 10 weeks of asynchronous content alongside either two days of in-person teaching sessions a week or live online sessions and they have tutorials for distance learners as well and all of this is often recorded for our students as well but this means that we're creating and maintaining learning materials continuously throughout the year in our team so we've just colleagues that are here they've just been talking about we have built and every time we sort of say this is it's pretty amazing to be honest but we've built in excess of 150 modules in the last 12 months and so the work that we're doing is continuous but what that does mean for us in our team is that it gives us the chance to build in changes so if we know that something needs changing we can make a change in that next block. So looking now at the inclusive practice enhancement projects at Arden we have been working with a company called Diversity and Ability you might have heard of them you might not if you haven't I highly recommend that you have have a look at them but they are a multi award-winning social enterprise which specializes in training and consultancy supporting employees and employers to be the best that they can be and DNA are driven by authentic lived experience so 85% of the DNA team identifies disabled or neurodiverse and we began working with them at Arden to look at four main inclusive practice enhancement projects so they've worked with us on the assistive technology enhancement body they've worked on the library provision review the physical access review and more specifically for us and our team the inclusive learning review so I'm going to talk more about that in this session. So first of all we received six training sessions as the digital learning team because we wanted to make sure that we were aware of the things that are important around disability and inclusive practices before we start doing things because you know we just didn't want to be ticking boxes to say we've done this we wanted to know how and why we were doing it so the first three sessions that we had were on changing the way we understand disability evolution of disability theory language and rights intersectionality what it is and why it's important so once we'd had those three sessions we then looked more specifically at our area and we had three sessions on inclusivity through digital accessibility inclusive design and communications and universal design for learning understanding inclusive principles so that was a really good grounding for us as a team to have a better understanding of what it was that we were going into before we got our review so the review itself took place while we were having our training and I think that worked really well because it meant that once we came off the back of that training we got the review and we understood what we were being asked to do really and why we needed to do it so as you can see the focus of the review itself it looked at examining current teaching learning and curriculum practices developing new engagement methods benchmarking and reflecting on QAA, GISC, advanced HE initiatives and really importantly voices from the disabled community practical recommendations on what disabled students expect on entering higher education and embedding universal design for learning so you can probably sit and think well you know that's all well and good and like getting a review but what are you going to do with it at that point and I think we were really keen to make sure that this review was honest and transparent and it told us everything that we needed to do we didn't want it to sort of be a fluffy fluffy piece that told us you know oh this is great and she's great we wanted to know what we needed to do to challenge it and we were really pleased to see that there were some things that were of best practice and I think if anyone's considering doing this but they're scared of this I'd say just go for it because you need to hold up that mirror to make those changes and if you don't then you don't know what you need to change so we did that and yes we did have some areas of best practice but we also had things that we needed to change and but now we know so we can and so by using the report we've been able to work through recommendations and implement into process and the idea is that by using the review we can make those changes so let's have a very high level overview of of an example so this example I'm going to talk about text alternatives and the process that we're using to make those changes so thinking about the web content accessibility guidelines alongside universal design for learning principles this was created to make sure that we are considering all stakeholders across the areas that we work within module development and design so text alternatives so let's use this as an example so the main wcag point on this if you don't know it if you're not like me and you seem to think about these in the middle of the night I don't know what that says about me but is that on this point so it's 1.1.1 non text content all non text content that is presented to the user has a text alternative that serves the equivalent purpose so you know it's keeping that in mind inclusive learning and universal design tells us we need to have alternative text and text alternatives for images as standard but also where images are diagrams we need to make sure that the main point is being conveyed and that it can be read by a screen reader or if there's a text alternative and you know I'm sure you're all very familiar with this but it's actually then putting those things in place and it can sound quite simple but it isn't always that straightforward is it so number one in our process is research so it's about researching you set to practice regulatory and legal compliance on alternative text and image description what is happening and what are we doing as well at Arden and what do we currently say which links into number two understand so understanding our current processes it's about holding up that mirror and saying do you know what we don't actually do this or we do it for this but I didn't realise we needed to do it for that and that's okay like we can't we can't make changes until we say we need to make them so things that you need to consider in this especially are the type of platform that you're using how are you adding that into into practice and who is responsible for doing that and if you are getting it right how do you get it right in other areas number three is identify so identifying areas for improvement in the processes and highlighting areas of good practice to continue doing so it could be noting that there's not currently a space to put something in and putting that space in so is it missing alternative text in a template just ask the academics to give that to you if you're not sure and also this could be a chance to speak to the inclusion to a student panel so we've got a student inclusion panel that's been newly created and in my final slide in a moment I'll talk a little bit more about them but just to get their lived experience and to find out if what you're doing is actually working for them so number four is provide providing training and resources for all stakeholders so this includes creation of resources understanding good practice for alternative text damage description and it's not only the logistics of how to add it but how do you actually write it and I think that's often the biggest I mean this is just one example of an area but this is quite a big this is something that people come to us quite a lot for so to house all these resources we created a SharePoint site on digital accessibility and that is available for all of our colleagues at Arden and they can look at things like this to help them in creating their resources so the fifth point is implement and implementing a clear process on alternative text and image description and how it can be embedded into the development process so this might be an onboarding of our subject matter experts and new people and training and documentation as well and finally present and so that's presenting findings to the wider community and that might be it might be that that goes out on our SharePoint site it might be that that's through our governance structure where we've got student representation trying to get that feedback as well so that we can make those changes in the next block and I will share these slides with you as well which I realise I should have done beforehand if I was being truly accessible but they will come to you so the next steps for us we are now in the process of implementing all of our baseline requirements for the digital learning content and we aim to have this in place for the modules that we create we use Articulate Rise in those spaces we're hoping to have all of that in place by the start of the new year and we're well on our way we've got a multimedia design and learning design handbooks that are being made by the teams that are going to be used they're made by the teams and therefore the teams and so these give the opportunity for us to create blocks that we can use as well to help with certain areas of making sure that there is text alternatives in place sorry about the microphone feedback there and just making sure that there is a sort of baseholder so that we can check that that's definitely happening as we go through the digital accessibility pages on the SharePoint are being continuously updated and we're asking to make sure that we've got those in place for people if they need them and finally the student inclusion panel so this is a paid role for current students and they are able to join the panel and we invite people from lots of different backgrounds to come and hear initiatives from the faculty of learning and teaching and this gives them a chance to have discussions around what they think needs to be done with this with certain things and but they're also given the opportunity to feedback afterwards if they don't want to have that conversation in a group and then those things go through into the governance structure if they're successful but it just means that we're building in that student consultation as we go so I realised that was quite a lot of information in 15 minutes and I hugely regret not having gone for a 30 minute slot at least to talk more about it but maybe next year either myself or somebody else from our team will be up here presenting and telling you of all the successes hopefully that we've continued to work on but I hope this has been helpful and please do contact me afterwards or catch me outside if you're here in person or on Discord if you're online and yeah that's us thank you. Thank you Alice we've actually got five minutes uh for Q&A if you have if you have questions anyone got this question of course the mic around yeah oh it's the question so I was getting out of it then I won't put that handle thank you so Alice out of that rapport and those recommendations that we got which one is the most challenging to actually implement or to act on from your perspective? That's a good question um I think that I don't think that they are I don't think that there is one in particular that I would say is especially challenging I think the challenge is around time it's around um understanding it's you may like we may understand what why we need to do it but sometimes it's about getting stakeholders on side and so it might be that you might be held up by another team there's some difficulties they've got another project going on and we can't take something forward but what I think we have been able to do is in our model we're able to put in interim solutions to make sure that we are addressing those things at least for the time being knowing that that is not a plaster we're not just going to leave that forever it's intended to be there as something to get us through the next block while we come back to it to look at the next the following block and yeah we are in a privileged position in the sense of we have got uh we've got a different cycle which means that we are able to implement those changes probably a little bit more quickly because we can put them into the next block the next block of teaching but it's about making sure that those people who aren't going to get to that block have got the support in place as well so I would say that does that answer your question? Okay thank you thank you now uh we don't have any other questions right okay we've got one more thank you hi um I have a question about your next step so you mentioned that uh one your first one is around uh implementing baseline standards and I just wondered could you tell us a little bit more about what that's going to look like and how will that differ from the existing like legislative baseline requirements? Yeah thank you yeah that's a really great point actually I think that's about the language as well that I've used in the slides so um it's in line with legislative baseline requirements um it's in line with more explicitly it's in line with the web content accessibility guidelines level AA what we are doing at the moment is we're creating content blocks within Articulate Rise to support um so the best way to do this is an example basically so if I think about there's a video someone's put a video into their content and there are captions on the video but we have to the the student has got the option to turn those on so we can create a block within Rise a text block it might be an accordion it might just be a text block that says um there are captions available for this uh this video what you need to do is if you go down to the right hand side you click on this so what we're doing is we're creating um these blocks that can be put into our content so that the people that are building those modules can say right I've got a video I know that I need to include this block to make this accessible for people and it's sometimes it's about um having a reminder to say this needs captions um and so having that there is a reminder for us to say actually that video has not got captions that's got to go back we need to get that sorted um but it's also a chance for the students to learn how to to to sort of use that that again is a very basic example um but those that's the sort of way that we are um putting together those uh those baseline criteria into the modules does that make sense yeah thank you so much Alice uh now we'll light you up


Azerbaijan demands from Armenia the return of all eight invaded Azerbaijani villages. Armenia must liberate all eight Azerbaijani villages remaining under its occupation. This was reported by the service of the Deputy Prime Minister of the Government of Azerbaijan Shahin Mustafaev commenting on allegations in Armenia about the occupation of the territory of 31 villages in this country by the Azerbaijani side. The Deputy Prime Minister's office called these reports of Armenia unreliable. In this regard, the Azerbaijani side considers it necessary to note that before the delimitation of the state border is carried out, it is completely groundless to declare that the lands belonging to 31 villages of Armenia are occupied. As for the four non-exclave Azerbaijani villages, Baganis, Ayrim, Ashagi, Asgipara, Kerimli and Gizilgadzili, occupied by Armenia, their belonging to Azerbaijan is indisputable and they are subject to immediate release. As part of the delimitation process, the issue of liberation of four exclave villages Yukari, Asgipara, Sofolu, Bakudali and Kaki of Azerbaijan occupied by Armenia will also be resolved. Armenian Prime Minister Nikol Pashinyan also said that those villages belong to Azerbaijan. But the villages are still not freed from occupation. Recall that these eight villages were occupied by Armenia in the early 1990s. Mustafayev's office also noted that as part of the activities of the commission's work is underway to create the regulatory framework necessary for carrying out delimitation work. Earlier, Azerbaijani President Ilham Aliyev demanded the de-occupation of those villages. The villages that are not enclaves, the four villages, should be returned to Azerbaijan without any preconditions. Aliyev stated, for the villages that are enclaves, a separate expert group should be established and this issue should be discussed. We believe that all enclaves should be returned. The roads leading to these enclaves should have the necessary conditions and the people living there should be accommodated in these enclaves. So this is our position. We cannot understand Armenia's position. The OSCE media freedom representative called for the release of journalists arrested in Azerbaijan. The OSCE representative on freedom of the media, Teresa Ribeiro, has expressed grave concern after the detention of 14 staff members from the independent online media outlet Toplam TV. Reports indicate that on the 6th of March police conducted a search of Toplam TV's editorial office on unspecified grounds, seizing equipment, sealing the media platform's premises and detaining 14 employees. While most were released from police custody in Baku by midnight, at least three remained detained and faced allegations of smuggling. Furthermore, on the same day, unauthorized renaming of Toplam TV's YouTube account and the disappearance of video records were reported. The repeated imposition of severe measures against media personnel in Azerbaijan is deeply troubling, stated Ribeiro. Journalists must be able to carry out their work without fear of reprisal. She highlighted these events in the context of recent arrests of journalists from the ABSAS media platform as well as Canal 13 and Canal 11, online media channels which she previously raised with the Azerbaijani authorities. I call on authorities to release all detained media workers. All OSCE participation states committed themselves, including through the 2018 Ministerial Council decision on the safety of journalists, to fostering a safe working environment and ensuring the protection of journalists.


Hi, everyone, Joe for Jaspy's casebreaks.com coming at you with a box of 2022 tops definitive collection baseball pick your team number 23 number Jordan Michael Jordan, but who I don't do numbers very well. What are some famous baseball 23s? All right, so there's the Team list right here. So Kevin you ended up with last spot mojo Before we pull the remaining teams for that random number blocks, which we did in a separate video Here are the results of that random number block. There's the serial number right there and Involves these teams right here and here's the one box right there Do what did I see where Donna Manley is looking like David Ross? No, Sanberg David Ross Sanberg It means looking like I don't understand what you're saying Rex. All right. There it is 2022 definitive. Good luck everybody. Oh Sanberg is 23. Okay. That's a good baseball 23 All right. Good luck everybody First one off the top is Matt Chapman A's edition of Matt Chapman 15 out of 30 Signing with the Giants recently Manningling looks a lot different. He looks like David Ross No, I did not see that How do you look like it? All right, I'll take your word for it Rex Jacob with the A's Don Manning looks like David Ross Don Manley looks like Don Manningley right and Dave Ross looks like David Ross one out of 15 two color-patch Yankees She on Carlos Stan Alan Matsui with the Yankees Think the rest should be autos now maybe the one in the bottoms and the non are All right some nice relics there though nice nice Pieces of their jersey first auto is Chaz McCormick 13 out of 50 rookie auto for the Astros go to a 75 and That will be for Gary and the Astros. All right. There you go. Gary next one is a Jersey nautograph Austin Meadows 42 out of 50 Rays Tim with the Tampa Bay Rays all right next one is Dale Murphy 24 out 25 highlighting his five fielding awards That'll be for Mallory and Atlanta So a legendary autograph card a legend indeed. All right one more three more and it's a dual auto Phillies Rob got the Phillies straight up and gets the dual autograph Reese Hoskins and JT Real Muto Dual on-card autograph always love to see that and that is nine out of 35 It's pretty sharp. It's pretty cool Then we got Jackson co are one out of 25 rookie auto for the Royals Gary with Kansas City And the last one a little bit of a thicker card here Is that bottom card a relic or is it a relic autograph? We'll see It is a relic and autograph It's six out of 25 Jose Abreu. I like these little semi circles, right? That's exactly where your thumb should be now the corners of the cards like hey hold it hold it right there White Sox, that's that's a random number block team So we go by this digit right here white Sox six is Gonna be is gonna be for Mike There you go, Mike. There you go everybody. That was definitive real nice stuff Thanks everyone for getting into 2022 definitive collection at baseball. That was pick your team 23 Keep your eye out for more on jazzy's case breaks.com. I'm Joe. I'll see you next time for the next one


Active cards offer plenty of benefits to card authors and user experience owners. You have just one schema that you get a single format minimizing the cost of creating a card and maximizing the number of places where it can be used. Your content can be more closely aligned with what you want to say because you have a richer palette that you can paint with. And your content is also gonna work across a broader set of applications without you having to learn brand new schemas. Your card can also include input controls to gather information back from the user that is viewing the card to create cool forms. In an open card ecosystem, that means that we have better tooling that is shared by all developers.