And now, stay tuned for the mystery program that is unique among all mystery programs. Because even when you know who's guilty, you always receive a startling surprise at the final curtain. In the Signal Oil program, The Whistler.  For extra driving pleasure, the signal to look for is the yellow and black circle sign that identifies signal service stations from Canada to Mexico. And for Sunday evening listening pleasure, the signal to listen for is this whistle that identifies the Signal Oil program, The Whistler. I am The Whistler, and I know many things, for I walk by night. I know many strange tales hidden in the hearts of men and women who have stepped into the shadows. Yes, I know the nameless terrors of which they dare not speak. And now for the Signal Oil Company, The Whistler's strange story. Lady with a key. It was almost midnight when Job Cannon drove his car into the parking lot, got out and walked around to the entrance of the Linden, a small restaurant and cocktail bar on the highway a few miles south of Los Angeles. The Linden was a place he often patronized, especially when he had a deal on. Most of Joe's enterprises were arranged in cocktail bars, restaurants, almost anywhere but a legitimate business office. But Joe was seldom involved in a legitimate deal. Inside, Joe nodded at the bartender, then strolled over to the jukebox. Hi, Joe. You haven't been around lately? Yeah, I've been pretty busy, Pete. A bottle of beer and a sandwich, you name it. Hey, hurry up, will you? I'm on my way to San Diego. Yeah, sure. Pardon me. Well, I couldn't help overhearing you tell the bartender that you're on your way to San Diego. Well, you see, I was on my way there when my car broke down. I can't get it till tomorrow and I just have to be in San Diego by morning. I was wondering if... Would I take you with me? Oh, would you please? I'm sorry. My trip has to do with business. My boss wouldn't like it if I mixed business with pleasure. Oh, but please, it's awfully important to me. I wish I could help you, baby, but I can't. Oh, I see. Well, I'm sorry. So am I. It's okay. Forget it. The girl walks away, walks to a booth at the back of the bar. She's attractive, isn't she, Joe? And the main coat she's wearing is the real thing. You're almost certain of that. Yet you have a feeling there's something foamy about her, that she had some reason other than a stalled automobile for asking you to drive her to San Diego. You listen to the tune on the jukebox for a moment, then walk up to the bar. As you slide onto a stool, Pete, the bartender, places the sandwich in the bottle of beer before you. Cute dish, huh? What? The name. Oh. She asked you for a ride, South? How'd you know? She already asked that couple back there, the one on the booth next to hers. They turned her down. You turn her down? Yeah. I don't like her story. I don't know. I think she's on the level. She used the phone a little while before you came in, talked to a couple all night garages. Right, South? For me, she'd be a very pleasant company, Joe. Hmm. Hey, you know something? Hmm? Maybe I was too hard on a little girl, huh? That drives to San Diego three hours. Can get awful dull. Sure. Hey, I'll be right back, Pete. Pardon me, Miss. Oh. I changed my mind. I'll take you to San Diego. I just don't want to go. Oh, I certainly do. It means a great deal to me. Can we, can we start right away? As soon as I finish my sandwich and clear up a little business with the bartender, would you like a drink or something? Oh, no, no, thank you. If you don't mind, I'll wait in your car. Oh, sure. It's in the lot. It's a far side, black 49 Nash. I'll be out in a few minutes. You watch the girl as she hurries out, and turning you catch a glimpse of the couple seated in the next booth, a young man, a woman grinning at you. You shrug, walk back to the bar and finish your sandwich. Then the bartender joins you. You, uh, faking the dame? Yeah, yeah.  Thanks. Uh, why don't you be back? Tomorrow night. Imports? Mm-hmm. From Tijuana. I'm picking this stuff up in San Diego tomorrow morning. Yeah, I figured another shipment was about to. Uh, handling it, uh, same as always? Yeah, yeah. Now look, you can tell Harry I'll meet him here with it tomorrow night. Okay? Okay. Usual cut? Well, I haven't kicked yet, have I? Like I was telling... Hey, bartender. Uh, I'm looking for a girl, blonde, sort of tall, wearing a mink coat. You see her in here? Uh, no, no, no, I haven't seen her. How about you, mister? No, no. Okay. Thanks. He must be looking for your girlfriend, Joe. How come you told him she wasn't here? Uh, I don't know. Maybe I just don't like his looks. Yeah. Well, I had a hunch about that day, and I think I'm gonna play it safe. Cancel her ride to San Diego. Yeah, yeah, yeah, maybe you're better. I'll see you tomorrow night, have Pete. What time will I tell Harry? Oh, I should be back here by nine, if the stuff is ready to pick up. Now look, let me use your phone. Well, yeah, I better call San Diego now and make sure the stuff came in from Tier 1. In a matter of minutes, you've completed your call to San Diego. Then you step out into the parking lot. And as you walk toward your car, you hear footsteps, catch a quick glimpse of a running figure. By the time you reach your car, he's disappeared into the shadows. You open your car door and get in. The girl isn't there. Suddenly you catch sight of something on the seat beside you. You recognize it instantly as the girl's handbag. It's open.  One, two, three, five, six. Oh, brother. You don't wait to count it all, do you, Joe? This is more money than you've had in a long time. You want to get away before the girl returns. Miles later, along the beach road, you stop, remove the bills, toss the girl's handbag into the sea. You finish counting the money. $5,000, Joe. Quickly you slip it into your inside coat pocket, hurry back to the car. The night air is chilly, so you decide to get your overcoat from the back seat. As you open the car door, reach inside. Your hand freezes in midair. Sudden terror grips you as you stare down at the floor. A girl. She... She's dead. Tonight's $20 signal gasoline book goes to Nancy Mason of Los Angeles, California for this limerick. Now all gather around while I tell why the gas that I use is so swell. Takes you farther for less. The brand you can guess. It's spelled S-I-G-N-A-L. Say no. Say no. Say no gasoline. Your car will go far with go farther gasoline. Tonight's limerick writer certainly won the spelling bee when she said, S-I-G-N-A-L is the gas for mileage that's swell. But in addition, you can expect performance that's grand because performance and mileage go hand in hand. Both are the result of the extra efficiency today's great signal gasoline extracts from your motor. So there's no need nowadays to choose between economy and driving pleasure. You'll be thankful for both when you get a thankful of signal. The famous go farther gasoline. The events of the past few hours seem like a nightmare, don't they, Joe? You're meeting with a girl in the cocktail lounge. Her sudden disappearance leaving her handbag containing $5,000 in your car. Then a few minutes ago you found her dead on the floor in the back of your car. For a moment you're too stunned to move to think clearly. And then quickly you jump into your car, race down the highway. Several miles later the panic begins to leave you and you realize you must dispose of the body as soon as possible. Your hands suddenly grip the wheel in terror. The police, Joe. Automatically you press down on the accelerator and then you realize your mistake. You slow down. You'll be hitting it up back there, won't you? What? You in a big hurry? Oh, well, I guess I was driving a little fast, huh? Oh, I ought to give you a ticket, mister. Well, it's late. There's hardly any traffic. I guess I was speeding without realizing it. Well, I'll let it go this time. Oh, thanks. Just a minute. What's the matter? You're heading for Mexico? No, no, San Diego. You sure? Let me see your license. Okay. You struggle to remain calm. Keep your hands from shaking as you turn your wallet over to the officer. Hope that he doesn't look into the back seat of your car. You wait for what seems ours before he returns the wallet to you. Well, okay, go ahead. But take it easy from now on and watch that spinometer. I'd hate to find your car up the road with a dead body in it.  That was close, wasn't it, Joe?  When you find the spot you're looking for, you pull over to the side of the road, carry the girl's body into the brush and leave it. Then you're on the highway again. And for the first time since you found the girl, you feel safe. You reach over, open the glove compartment to get a pack of cigarettes. Your hand comes to rest on an envelope. You take it out, see the name and Whitney written on it. Finger the bulky content and decide it's a hotel key.  Curious, too. But you realize you can't take any more chances. You crumple the envelope in your hand, cross it out the car window, drive on to your hotel in San Diego. Have a reservation, sir? Yeah, I phoned from Los Angeles. Cannon's the name, Joe Cannon. Oh, yes, Mr. Cannon. I've put you in room 301. Nice room. I'll show you like it. Yes, you'll sign the register, please. Okay. Say it's a quiet room, isn't it? I can use some sleep. Oh, it is quiet, sir. Had a tiring trip? You can say that again. I know. Night driving tires me out completely. And that trip from Los Angeles down here, well, it's so dull. At least I find it so, don't you? Dull? And not always, no. You sleep until afternoon, then awake completely refreshed, unworried.  It's all there, isn't it, Joe? The story of the murder, the finding of the dead girl's body by the highways strangled to death. Her name, Mary Cartney. You wander into the hotel coffee shop, take a table in the corner, read on. According to Giles Winthrop, well-known Los Angeles art dealer, Miss Cartney had been his secretary for the past year. Mr. Winthrop also informed police that he had left his office two days ago and failed to return. Last night, he had discovered she had taken $5,000 from his office safe. Well... Pardon me. Is the seat taken? No, no, it's... it's all yours, I... You stare at the short, heavy set man who slides into the seat across the table from you. It's the same man who came into the bar last night in Los Angeles. The one who asked you if you'd seen the tall blonde in the mink coat, the murdered girl the papers have identified is Mary Cartney. You banked that $5,000 yet, Chum? I... I don't believe I follow you. Sure you do, Chum. Don't try to tell me you haven't got the dough. I saw you pick up the dame's handbag, she left it in your car. I look beat it. Well, yeah, I don't know what you're talking about. Reading all about it in the papers, huh? You see where they got your description? My description? I see a paper. Yeah. Police report no trace of the money was found on the girl's body. Oh, here it is. Mr. Mrs. Alton Grimby, 1134 Park Drive, Long Beach, identified Miss Cartney from newspaper photographs as the same woman who asked them for a ride last night in a bar in the outskirts of Los Angeles. They informed police they'd overheard Miss Cartney accept a man's offer to drive her to San Diego. The man is described as dark-haired, about 30 years old, tired in a light sport coat and gray trousers. Heard enough, chum? There's a little more. I've heard enough. I'd say you were in kind of a tough spot, huh? Now, why don't you come along with me, say, up to my room where we can talk this over, chum? Why should I? You wouldn't want me to tip off the cops, would you? Okay. Let's go upstairs. You'd forgotten about the couple sitting in the back booth of the bar last night, hadn't you, Joe? And now this man sitting across from you wants to talk something over. You follow after him as he leaves the coffee shop. You're certain he's Mary Cartney's murderer, that he was the man you saw running away from your car last night while it was parked in the lot next to the Linden bar. That your sudden appearance prevented him from getting the handbag containing the $5,000. You slip the newspaper back into your pocket without finishing the article. Upstairs in the man's room, he takes a gun from his pocket, places it on the table with an easy reach. Okay, chum. Let's get down to business. I know you've got the five grand. You can keep it. That's chicken feed. What I'm interested in is the package. Package? What package? Mary Cartney had it with her. A painting. An original Don Atty. It's worth a hundred grand. I don't know a thing about it. I never even heard of it, Liz. I'll get back to you in a minute, chum. It's a call I've been expecting. While I'm taking it, you better remember where you put that painting. Hello? Yeah. Oh, yeah, Mr. Roberts. Yeah, this is Merkel. Sure, sure. Everything is said. I'll have the painting. I promised you I'd get it, didn't I? The interruption gives you time to think, doesn't it, Joe? And suddenly you remember something. The envelope with the name Anne Whitney written on it. The envelope you found in the glove compartment of your car. You're certain it contained a hotel key. You wonder why the dead girl, Mary Cartney, was mailing it to an accomplice named Anne Whitney. Whether the key has any connection with the valuable painting. Sure, Mr. Roberts, sure. Tomorrow morning at 10. Oh, look, since we've never met, you better pick the painting up here at my hotel room. It's a lot simpler that way. Okay. See you tomorrow.  I told you before. I don't know anything about a painting, but... Yeah? But I did find an envelope in the car. Hand it over. I didn't want any evidence around that, so I got rid of the girl's body so I threw the envelope away. And you didn't even open it. It was a hotel key. I couldn't be mistaken. I could feel the key, the tab. But you tossed it away. I can find it again. I know where I throw it. All right, Chum. Let's go. I hope for your sake, you'll find that key. And so once more, Joe, you're on the highway, this time driving north, back toward the place where you tossed the envelope out your car window. And a plan is beginning to take shape in your mind.  He's not taking any chances, is he? Just drive carefully, Chum. And in the right direction. Sure. Say, you know mine clearing up something for me, do you? What?  Why didn't she wait till she turned the painting over before you? Uh, I didn't intend to kill her. I was only trying to scare her, but I... I guess I pressed just a little too hard.  Yeah. Yeah, she grabbed the painting and ducked out on me. He was gonna contact Roberts herself and cut me out of my share of the 50 grand. 50 grand? That's right. And now that I've filled you in on the details, let's keep the conversation at a minimum, huh? Sure. Suits me. Yes, it suits you, doesn't it, Joe? You want the time to think things out. Shortly before nightfall, you were in a few miles from the place where you dropped the envelope. And then up ahead, you see a side road. You slow down. You turn your car into it. I thought you said you tossed that envelope off the highway. I did. It's not far from here. I thought we better park the car somewhere along here under the trees while we look for it. All right. Stop the car. Sure. Sure! As you slam on the brakes, the sudden stop throws him against the windshield. An old trick, Joe, but it works. The jar stuns him for an instant. The gun in his hand clatters to the floor. Quickly, you scoop it up. Okay, get out and start walking. I said start walking. Over there under the trees. Now, look, Chum. Look, let's talk this over, huh? I'm going to talk about it. Keep moving. I'll cut you into the 50 grand. We'll split it. Uh-uh. I want the whole 50 grand for myself. You'll never get away with it. That's where you're wrong. I heard you tell this guy, Roberts, over the phone to drop into your hotel room tomorrow. So what? So he doesn't know what you look like. I'll be there when he shows up. I'll turn the painting over and I'll... How do you know you'll find the painting? The key, Buster. That hotel key I threw away last night. I've got a hunch it'll lead me right to it. All right, this is far enough. Yeah. All right, so what are you again by bumping me off? You're too dangerous to be floating around in the loose. You know too much about me. You might tip off the cops. Sorry, Chum. You wipe the gun for your fingerprints, drop it on the ground next to the body, and hurry to your car. You drive back to the highway, find the spot where you dropped the envelope and parked. You've got to find it, Joe, before nightfall, and that doesn't give you much time.  You rip it open. It is a hotel key, Joe, and you're sure what you read on the tab gives you the answer to everything. Room 711. City Hotel Los Angeles. Early that evening, you stroll into the lobby of the City Hotel in Los Angeles, buy a paper, and drop into a chair near the stairway. You glance at the familiar headlines of the Mary Courtney murder, and then sit back and pretend to read. But you don't read beyond the headlines, do you, Joe? Instead, you're on the alert. Your eyes sweep the lobby from one end to the other. You've got to play it safe. You smile as you pick out the house detective lounging against the desk. You're certain the murder of Mary Courtney is the least of his worries. You've got to be sure of one thing before you go upstairs, that Room 711 is really Anne Whitney's room. You hurry out of the lobby and into the drugstore on the corner, where you make a phone call. I'd like to speak with Miss Anne Whitney, please. Room 711. Just one moment, please. No, thanks. Do you have any idea when she'll be in? Oh, she didn't. I'm not sorry, baby. One bit. If you had to wear heavy winter clothes right on through spring, you wouldn't feel very peppy, would you? Well, that's just how your car feels about tired old winter motor oil and gear lube now that spring is here. Yes, if you want to put spring into your driving, it's high time you were treating your car to a spring changeover at a signal service station. First step is to drain your motor and fill with signal premium compounded motor oil, the extra-duty signal oil that does so much more than just lubricate. Next step is fresh signal gear lube for transmission and differential and a signal double-check lubrication for the chassis. At the same time, your signal dealer will be glad to check those other points that need attention every five or 10,000 miles, such as front wheel bearings, oil filter, or air cleaner. Say, a car just can't help feeling pepier in a spring tonic like this. So for extra driving pleasure all summer, see your signal dealer this week for a signal spring changeover. It's working perfectly, isn't it, Joe? And you're certain the key in your pocket, the key to Anne Whitney's room, will lead you to the painting worth $50,000. And you won't have to share any of it with Mary Cartney's murderer. He's dead. You've killed him. And you're sure no one can connect you with his death. And now you've only to pick up the painting, return to San Diego, turn it over to Mr. Roberts, and receive the money. You stroll back to the hotel casually. Miss Whitney isn't in her room, the hotel operator said. But you're in no hurry, are you? You know she'll never return. Because she's dead. It's all clear, isn't it, Joe? You're certain that when Mary Cartney decided to double-cross her partner, Mirko, she registered as Anne Whitney, and hid the painting in Hotel Room 711. You move across the hotel lobby, then up the stairs. Finally, at the door to Room 711, you slip the key into the lock. You turn it, step inside. Everything is going perfectly, isn't it, Joe? It should take only a few moments to find the painting. You turn on the light. This painting, what you came for, fella? Who are you? Lieutenant Strauman, homicide. Sergeant Andrews. There must be some mistake. Where did you get this key? Well, I found it. You made a bad move coming here. You know, been waiting for someone to show up. Waiting? I don't know what you mean. The girl named Mary Cartney was murdered last night. The hotel clerk here identified her as the girl who checked into this room several days ago. Under the name of Anne Whitney. Look, I don't know what this is all about. I found the key to this room with her when she left. When we found this stolen painting here, we had a hunch that Mary Cartney's killer would have her key to 711. And our hunch was right. He did. Wait a minute. I told you, I found that key. You're under arrest for the murder of Mary Cartney.  I'm trying to... Hey, now, wait a minute. Will you... Well, there's a lot of money to be carrying around. Now, let's see that money, Andrew. Hmm? Well, this clenches it. No, I didn't. Oh, yes, you did. The serial numbers of these bills checked. Serial numbers? That's right. Mr. Winfrey furnished us with the serial numbers of the bills Mary Cartney stole from him. It tells all about it right on the front page of that newspaper you're carrying. You should have read it before you walked in on us. Come on, let's go. Let that whistle be your signal for the signal oil program, the Whistler. Each Sunday night at the same time, brought to you by the Signal Oil Company, the marketers of Signal Gasoline and Motor Oil, and fine automotive accessories. To all you friends who have been sending in Limerick, Signal has asked me to say thanks for the spirit in which you've played the game. Next Sunday is the last time Limerick's will be used on the Whistler, because Signal will soon announce something new and important that you'll all be interested in. Featured in tonight's story were Gerald Moore, Francis Robinson and Larry Dobkin. The Whistler was produced and directed by George W. Allen, with story by Edward Bloodworth, music by Wilbur Hatch, and was transmitted to our troops overseas by the Armed Forces Radio Service. The Whistler is entirely fictional and all characters portrayed on the Whistler are also fictional. Any similarity of names or resemblance to persons living or dead is purely coincidental. Remember at this same time next Sunday, another strange tale by the Whistler. Marvin Miller speaking for the Signal Oil Company. This is CBS The Columbia Broadcasting System.


Hi, I am Dr. Bipin Chha, I am a senior consultant radiologist with special interest in the musculoskeletal imaging. I have been immediate past president of musculoskeletal ultrasound society of India and I am practicing radiologist in Aklat polyclinic and imaging center at Vileparla West. Today I am going to demonstrate the normal ultrasound technique for the examination of the wrist using the high frequency ultrasound machines and the probe. For the ultrasound examination of the wrist joint I prefer to use hockey stick probe with the high frequency which is ranging in 8 to 18 megahertz. If this probe is not available one can go for a linear high frequency probe which has a range of 6 to 16 megahertz either of this probe provide a good quality of imaging which are enough for the diagnostic purpose. Examination of the wrist is performed in a systematic manner using the protocols which are suggested by the European society of skeletal radiology. The examination begins by evaluating the periarticular soft tissue structure on the dorsal aspect then moving on the ventral aspect and the dynamic examination can be performed either in the ulnar deviation or radial deviation or in the position between the supination and pronation or in the complete pronation. When you need to test the integrity of the tendons or the movements of the nerves one can keep the gel tube under the wrist and ask the patient to perform actively the flexion and extension of the fingers or one can do the passive flexion and extension of the fingers to detect the excursion of the tendons and the nerves. The dorsal wrist examination involves evaluation of the periarticular structure which includes the 6 extensor compartment along with its tendons within it. Then we look at the scapholunate ligament we look at the distal radio ulnar joint and also we look at the dorsal recess which is the recess between the radiocarpal and the midcarpal joint. Now when we do a musculoskeletal ultrasound we start by examination of our bony anatomical landmarks. So the bony anatomical landmark which is used on the dorsal aspect of the wrist is the lister tubercle which is the bony projection in the distal radial metaphysis. The lister tubercle divides the extensor compartment 2 which is on the radial aspect from the extensor compartment 3 which is on the ulnar aspect. Once you have identified the lister tubercle you move your transducer toward the radial side you look at the tendons of the compartment 2 then you move more radially and look at the tendons of the compartment 1 once that is being done. Now coming back to our bony acoustic landmark of the lister tubercle we move on the radial side and look at the tendons of the compartment 1. To visualize this tendons we ask the patient to keep the arm in a midway between the supination and pronation and keep the transducer along the radial styloid process. Once we keep the transducer along the radial styloid process we look at the two tendons of the compartment 1 which includes the abductor policies longest and extensor policies bravest. This tendons then to be followed all the way distally till its attachment to the respective bones. So, those are the tendons of the compartment 1. Once you have identified this tendons you have to move your transducer proximally and till you reach the musculotendinous junction. So compartment 1 is cross compartment 2 tendons proximally at the level of the intersection. So, that is the level of the intersection. The examination of the tendons is performed in a short axis or in a transverse view which are the most informative. The longitudinal views are not that informative but once you recognize the pathology you need to turn your transducer 90 degree and look at the tendon in a longitudinal plane where it appears typically the hyperequic fibrillary pattern because of the collision fibers which appears bright and the supportive connectivity issue appears dark. There are two important anatomical variations that one can encounter in the compartment 1. The first one is the multiple tendon slips of the abductor policies longest which are seen attaching to its distally to its bony attachment. The second one is the vertical septum dividing the tendon shear into two halves and harboring each tendons in each compartment. While examining compartment 1, one can also look at the two important structure. One is the radial artery on the ventral aspect of the compartment and another is the sensory branch of the radial nerve which crosses from the ventral to the dorsal aspect of the compartment 1. After finishing the examination of compartment 1, we come back to our original landmark that is the bony acoustic landmark of the Lister tubercle and move our transducer on the radial aspect to examine the extensor tendons of the compartment 2 that is extensor, carpe radial is longest and extensor carpe radial is bravest. So once the tendons of compartment 2 are identified, you move your transducer proximally and look at the cross section of the compartment 1 over the compartment 2 tendons and then again move distally from the Lister tubercle and look at the tendon of the extensor policies longest which traverses on the superior aspect of the compartment 2 that is the distal intersection. Again as I said earlier after examination of the tendon in a short axis or a transverse axis we turn our transducer 90 degree and look at the tendon in a longitudinal plane and recognize the typical fibrillary pattern of the tendon. Once examination of the compartment 2 is over, you move on the ulnar aspect of the wrist and identify the tendon of the compartment 3 that is the extensor policies longest and you can move your transducer proximally till you reach the musculotendinous junction and then you move transducer distally from the distal tubercle and check the crossing over of this tendon over the compartment 2 tendons and reaching to its attachment over the distally to the base of the distal phallings of the thumb. From the compartment 3 examination we moved towards the ulnar aspect and look at the tendons of compartment 4 which is the extensor digitorum communis and extensor indices properoses. Then you look at the tendon of the extensor digiti minimi overlying the distal radio ulnar joint and that is compartment 5 and then you move over the ulnar aspect and keep your transducer over the ulnar grove and look at the tendon of the compartment 6 that is the tendon of the extensor carpe ulnaris. In order to identify each tendons of the finger, we need to do a dynamic examination. To achieve this, you need to keep the wrist of the patient on gel tube or some pad to elevate the wrist and ask the patient to do active flexion and the extension of each finger. So, by looking at this we can look at the different tendons and identify each tendon of the fingers. Dynamic examination of the compartment 5 tendon is performed by asking the patient to move a little finger up and down which shows the movement of the tendon lying over the distal radio ulnar joint. In order to identify the tendon of compartment 6 that is the extensor carpe ulnaris, ask the patient to do a radial deviation of the wrist and look at the bony profile of the styloid which shows the ulnar grove. The tendon is seen lying just about the ulnar grove and bounded superiorly by the ulnar retinaculum which appears as a hypoeconomic structure. From the transverse axis, one needs to move on the longitudinal plane to identify the extensor carpe ulnaris tendon in a long axis and one also can appreciate a gap between the styloid process of ulnar and the radius which is occupied by the peripheral portion of the TFCC. One also can recognize there is a space between the epiphysis and the metaphysis in this immature subject which appears as a defect. After finishing the examination of extensor compartment tendons, one need to look at this K4 lunate ligament to look at the structure. We have to go back again to our reference point of the lister tubercle then move your transducer distally. Once you will lose the lister tubercle, again you will come at the two hyper-equic structure that of the lunate and the scaphoid and the scapholunate ligament bridges between these two bone. It connects scaphoid and the lunate and appears as a hyper-equic structure. This is the dorsal component of the U-shaped scapholunate ligament. By moving the wrist in the ulnar deviation, the scapholunate and lunotriquetral ligament can be well identified at a taut structure. So if there is any tear, one can appreciate this better on the high resolution ultrasound. So ulnar deviation is very important maneuver to look at this two ligaments along its entire length. Other important structure that is examined on the dorsal aspect of the wrist includes the dorsal recess or the recess between the distal radius and the lunate which is a radio carpal recess and between the lunate and the capitrate which is a mid-carpal recess. The capitrate has got a typical appearance which looks like a peanut on the longitudinal scan. After examination of the dorsal recess, we come back again to our bony acoustical landmark of the listed tubercle and move our transducer proximally to identify the radio ulnar joint or more precisely distal radio ulnar joint by looking at the bony profile of the distal radius and the rounded profile of the ulnar. The space or a synovial space here is being very loose and in the patient with the inflammatory arthritis, the synovitis tends to occur in this area predominantly. So examination of this recess is of paramount importance to look at the synovial effusion or a synovial hypertrophy. Dynamic examination of the tendons of the compartment 1 are performed by doing the thumb movement. You need to turn your transducer 90 degree to look at this tendon in a longitudinal plane and then do a passive extension and flexion of the thumb. In patient with the decarvons disease, you are likely to see interrupted movements of the tendon. Once the dorsal wrist examination is over, patient is asked to turn the wrist and keep the dorsal of the wrist in contact with the table and the structures which are looked on the ventral aspect includes the carpal tunnel and its contents, the guan's canal and its contents and the structure which are outside the carpal tunnel which includes the flexor carpi radialis tendon and the palmaris longest tendon. For the examination of the carpal tunnel and its content, the transducer needs to keep on the palmar crease and I prefer to use the trapezoidal mode in this examination and look at the bony profile of the PC form on the ulnar aspect and the bony profile of the scaphoid on the radial aspect which marks the boundary of the proximal carpal tunnel inlet. Contents of the carpal tunnel include nine tendons which are the tendons of flexor digitorum superficialis which are four in number, flexor digitorum profundus which are again four in number and then you have one tendon of the flexor policies longest on the radial aspect and of course the most important structure that is of the median now. The flexor retinaquilum is seen connecting the PC form board to the scaphoid and it appears as a hypoequic structure because of the anisotropy since this structure runs in a oblique plate to the examination of the carpal tunnel contents. Since the contents of the carpal tunnel are situated deep and it requires more penetration I have changed the probe from the hockey stick probe to the linear probe which is of the ilion megahertz frequency now keep in mind because of the obliquity of the tendons in the carpal tunnel they are more prone to anisotropy and difficult to recognize. One need to adjust the transducer in a such a way that there is anisotropy is overcome one also needs to increase the overall gain to look at this tendons and to differentiate this tendon from the overline median now. In order to overcome the anisotropy of the tendons of the carpal tunnel one needs to toggle the transducer when you tilt the transducer the hypoequic tendons change and appear as a bright structure and can be very well visualized. The median now has got typical honeycomb pattern situated superficial to this tendon and closer to the flexor retinaquilum that marks the entry of the proximal carpal tunnel which is bounded medially by the busy form and laterally by the scaphoid bone. In order to perform or the recognize each tendon of the finger we need to ask the patient to perform the dynamic examination in flexion and extension of the finger. So once the patient does the dynamic examination each tendons of the fingers can be identified and its integrative can be evaluated to look at the distal boundary or the outlet of the carpal tunnel we need to move the transducer distally and recognize the two bony profiles that is of the hook of the hemat and the tubercle of the trapezius. So at the distal level one can identify hypoequic structure of the hook of the hemat and the tubercle of the trapezius and the contents of the carpal tunnel. The flexor retinaquilum is seen covering this tendons as a hypoequic structure and one need to go more distally and look at the diversification of the each tendons of the flexor into the each finger. Dynamic examination of the tendons of the carpal tunnel is performed by asking the patient to move fingers in flexion and extension and the excursion of this tendon is seen which is occurs very freely while the excursion of the median now is relatively less compared to the flexor tendons. In order to look at detail architecture of the median now I prefer to use again hockey stick high frequency transducer and look at the morphology of the median now which appears on a transverse view as a honeycomb pattern and when you turn your transducer 90 degree it has got typical what is called as a filamentous pattern and has got uniform diameter all the way from proximal to distal and it is seen diving distally within the carpal tunnel. Once the examination of the median now is performed at the level of the inlet of the carpal tunnel we need to move transducer more proximally and have to look at the now at the level of pronator quadratus muscle and compare the transverse section area at this level to the layer at the level of the inlet of the carpal tunnel. To look at the median now at the level of the distal carpal tunnel we need to change the transducer to a lower frequency and look at the division of the now all the way from distal carpal tunnel level to the each fingers of the hand. To recognize tender of the flexor policies longest we need to ask the patient to do a dynamic examination by doing a passive or the active moment of the thumb and one can see that there is a free moment of the tendon of the flexor policies longest on the radial aspect. After completing the examination of the contents of the carpal tunnel we need to look at the structure outside the carpal tunnel and on the radial aspect we see the tendon of the flexor carpal radial is which overlies the hyperequic structures of the scapoid. This tendon needs to be followed all the way proximally in the distal forearm till it reaches the moitendinous junction. After examination of flexor carpal radial tendon in a transverse plane we need to turn the transducer in 90 degree plane and look at the typical fibrillary pattern of this FCR tendon which is seen attaching to the scapoid. By moving the transducer on the ulnar aspect and recognizing the bony profile of the PC form we can look at the contents of the Goan's canal which contains the ulnar now adjacent to the PC form bone and the ulnar artery which is on the radial aspect of this tunnel. The ulnar now then followed distally till it divides into its branches which is a superficial sensory branch and the deep motor branch. The deep motor branch is seen lying in close proximity to the hook of the hammock and this is the area where it gets commonly injured by the traumatic injuries. The Palmer is longest tendon is seen situated outside the carpal tunnel which is seen above the flexor retina pillar like any other tendon it is seen as a hyperequic structure or has got a speckled appearance on the transverse or a short axis and the median now is seen lying deep to it just below the hyperequic flexor retina pillar. The radio carpal and mid carpal recess can also be evaluated from the ventral aspect however many times there is an issue with the penetration of the structures so one need to change to a lower frequency transducer to look at the structure as one can see here we can appreciate the radio carpal and a mid carpal recess in this relatively thin subject and also can appreciate there is a fysis between the epiphysis and distal metaphysis. Flexor tendons within the carpal tunnel needs to be examined all the way from its entry at the level of the inlet till it exits from the distal carpal tunnel level and one can see when it emerges out from the distal carpal tunnel each tendon is seen and going in the individual finger level at the level of the metacarpal head examination of wrist can be performed either in a sitting position where patient sits across the table keeping the arm on the table rest or in the supine position. I usually prefer to examine the patient in a supine position because it gives me a more flexibility during the examination both in the static as well as dynamic examination. So, this concludes the systematic examination of the ultrasound of the wrist both static examination as well as dynamic examination proposed by the protocol laid down by the European Society of Skeletal Radiology. Thank you.


If I give you the formula for a covalent substance, CH4, how do you know what that molecule looks like? Which atoms are bonded to which? We need a way of working out the arrangement of atoms in a molecule, and a robust way of doing this is to use Lewis structures, which were invented by Gilbert Lewis in the early 20th century. Here are some examples of Lewis structures for some covalent molecules. You can see that they show how the atoms are attached to each other, where there are single, double and triple bonds, and where the non-bonding electrons are. The steps to drawing a Lewis structure are not complicated. The important thing is to remember to do them in order. I'm going to go through them and draw the structure for ammonia at the same time. So the first step, whenever you're drawing a Lewis structure, is to total up the valence electrons of all the atoms in your molecule. So we've got one nitrogen, which we know has five valence electrons because it's in group five, and we have three hydrogen atoms, which each have one valence electron, which equals a total of three electrons. Now if we add all of those up, we have a total of eight valence electrons from all of our atoms. The second step is to work out how many bonds each atom is able to form, and then to use that to draw a sort of skeleton structure for the molecule, where we join up the atoms with the bonds. So we know that because nitrogen is in group five, and it has a valence of minus three, it usually forms three bonds. And we know that hydrogen is in group one, and it usually forms one bond. So we need to draw a structure in which nitrogen forms three bonds, and each hydrogen only forms one. And the only way that we can do that is to put the nitrogen in the middle, and then use one bond each to join up the three hydrogens. The next step is to look at each of the atoms in the molecules so far and work out if they have a full outer shell. Once you've taken the shared electrons in the bonds into account. So we'll do the hydrogens first. Hydrogen is in the first period of the periodic table, which means that to have a full outer shell, it only needs two electrons. We also know that each of our covalent bonds has two electrons in it. So because each of the hydrogen atoms have formed one bond, they each have access to two electrons, and so they have a full outer shell. So the three hydrogens are fine. Now we'll look at the nitrogen. Nitrogen is in the second period of the periodic table. In order for it to have a full outer shell, it needs to have eight valence electrons. Now as it stands, it has formed three bonds. Each bond has two electrons in it. So it only has six electrons where it needs eight. So nitrogen does not yet have a full outer shell. If we find this, then we need to give it a couple of extra electrons. Now it can't form any more bonds. It's formed its three bonds, and not only that, we don't have any other atoms that it could form a bond to. So these extra electrons are not going to be bonding electrons. They're going to be non-bonding electrons, and we sometimes call them a lone pair. So a pair of electrons that are not taking part in a bond. We'll represent them by a little pair of dots. And then we recount the electrons that the nitrogen has access to. It's got the six electrons from the three bonds, and it has two electrons from the lone pair, which gives it eight. So it now has a full outer shell, and it's happy. The final step is to do a check. The point is that when you draw a Lewis structure, the number of electrons that you represent in the Lewis structure by bonds and lone pairs must equal the number of valence electrons that you started off with. So for ammonia, we determined at the beginning that there were eight valence electrons that we could play with. So when we've finished drawing our Lewis structure, we need to check that we have actually used exactly eight electrons, no fewer, no more. And we see when we look at our structure that we have three bonds. Each bond contains two electrons, so that's six. And we have a lone pair, that's another two, which makes eight. And that equals our original total. So we're all good.


Thanks for the invitation. I'm very glad to be here. It's a pleasure. My name is Khaled Werke. I'm originally from Syria. I'm born in Syria. I'm based in Berlin. I'm an artist. I studied art. I practice conceptual art, mainly at the moment. I'm not going to talk about my practice. I'm going to talk about co-culture, which is a new form of practice that I'm exploring. It's an institution I founded in 2015. I was living in Denmark. Then I moved to... Sorry, I have to keep the time up because... Yeah, I moved to 2015 with the so-called refugee crisis. I like all the time to emphasize calling it a European crisis because the refugee crisis was still happening since long time. Now we have 70 million refugees around the world. Now this is actually... I don't know if you know this phenomenon in trees. It's called crown shyness. It exists in two countries, in Kuala Lumpur and in Argentina. It's basically that the trees are unable to protect each other. They stop growing while they are still connected in the wood. This is how I think the Syrian society nowadays is... with the fact that they are divided or spread all over the world. I was thinking how we can reconnect this cultural fabric. How can we bring these people together? I thought of a project. It's really just because there's no time I'm going to skip so many things because I really would like to go over all the projects. I founded this project. It's called Syria Cultural Index. It's an online platform and mobile app that aims to map and connect the Syrian artistic community around the world, individuals and institutions, to counteract the discrementation of their identity, excuse my English, to reconnect the cultural fabric by bringing together artists who were forcefully displaced with those who remain in the country. So it will be kind of research tool. It will allow any third parties to understand the Syrian cultural scene where they are, what we do, how many we are. In this case, we will know exactly... we will end up with a database that will allow us to create new programs if we want to create something that will really help the cultural scene specifically not based on expectation but based on statistics. So the project is growing. It has several reasons why we are doing this, not only to reconnect and map the Syrian cultural scene but provide opportunities as well to the people. Sorry, really this time and the music, it's so pressuring. And then in this case, I thought that that might be a useful tool for any, as I said, for any government third parties to use it as well to support the cultural scene. So we created the project. Actually, I wrote the project proposal. I was planning to apply for fund. I met the deadline, a difficult artist. And then I ended up with the proposal. I posted it on Facebook. It reached someone. I tagged everyone on Facebook. It reached someone from Ford Foundation. They were generous to give us support to start the project. So we already did. And we received the money. The money was sent to us, but then it was blocked for quite a long time. For three, four months, we didn't know where the money is. Then we figured out the German bank, the corresponding bank of our bank, they blocked the money because the initiative has the word Syria or has member with Syrian background. It's pure discrimination. But we can't do anything. That's their right to do so. But that helps us actually to move forward and to change the name from one institution has one project to an institution has several projects. So we named the institution co-culture. Now co-culture has several projects. The index is one of the main projects. The other project is based on the results of the index or the data base. We will know who's living where. We'll know where the artists, what they are doing. That will allow us to create the Syrian Biennial. We never had the Syrian Pinale before. The idea is to create a Syrian Pinale that will follow the refugee route. So every addition will take place in a new country because Damascus used to be the capital culture of Syria. Then it shifted with its makers. So it becomes Beirut, then it becomes Istanbul, and now Berlin. What's happening in Berlin now is more important, I think, to what's happening in Syria, really in Damascus, because most of the people had to flee the war. How much time do we have? Okay, so another project we have is called Support the Supporters, which I like it a lot. So basically the concept of co-culture, instead of waiting institutions to create us initiatives, let's create the institution that create initiatives because no one will be able to understand our situation more than ourselves, right? So that project has several sub-projects. One of it is a Safe Heaven Fellowship. We are receiving every year a fellowship from different countries. This is the first edition. We have an amazing artist, a young female from Libya. She has her own organization in Libya, but then she had to flee because she was attacked by the militia because there was, in one event, two girls kissing. So anyway, I really invite you to check her and her work. She's really amazing, and now she's part of the co-culture team, and she will work with us. She will keep working with us as well in the future. So not only for one year, we also care for the future of the person. Another project is, oh, that was it. So that's the all. And the second project, I thought it's actually, it's a cool idea to have this idea of creating initiatives. And so what about the newcomers, the new artists who actually want to contribute to their community, but they don't know how, because the language, the system have saw so many things. So we thought to create this mentorship. So you come to us, we don't have money to give you, but we have the team. We have an amazing, amazing team, and all the time I say we because I'm just only the face of very amazing people working really hard. So we help professionalize your idea. We give you the infrastructure we have. And then we, our fundraiser try to find you fund as well to make your initiative, your idea and initiative that create projects. The third project is called Giving Spaces. Giving Spaces is a structure that based on, it's super adobe structure if you are familiar with it. It's based on American, in north of Syria we used to have this structure. And we have, there's American Iranian architect. His name is Nader Khalili, he passed away a few years ago. He developed something called Iqodom, where he used basically the plastic bag. He filled it with earth to build this kind of structure. So what we are doing now, we're inviting 20 artists and activists and architects from the region from the conflict zone to come to co-culture backyard. We have amazing space. I will show it to you in one second to build actually this, to learn how to build this structure, to go back to their community, to teach their community how to build this housing. And it's eco-friendly, it's sustainable, it's very cheap to build as well. It has many reasons. I will come back, maybe if there's enough time, I will come back to each project. The last project, which is the fourth project, it's called Makan. Makan in Arabic means space. We were lucky to get this amazing building just designed just recently by a very famous chairman, architect, Brandon Hoover, and it's located in our kind of immigrant area in Viding in Berlin. And we were lucky to have the event space. It's a very big event space. It's very big, it's very beautiful. So we want to have it as a safe space for our community, where we meet regularly, we have exhibitions, we have workshops, talks. Also we allow other institutions to exist as well, who have no spaces as well. So for example, if you have an institution, but you don't have a space, and you want to show your... use the space that we basically disappear as an institution, we give it to you for three days or one week per month. So you come, you don't see co-culture at all, you see Hamash or you see other institutions who work. And then also try to support their communities. At the same time, we have the business model we're creating. It's quite expensive actually to rent this space. So we rented out three entities, MyStudio co-culture. I have a business partner and then we rented out commercially for high rent to support our culture, to kind of sustain ourselves. Of course, we have also, all the time we have support from different funders. So now since this is kind of the brief so now I can I think talk a little bit more in details about the project if there's still time before, maybe there's few minutes. So with the Serial Cultural Index, I will just go back to the first project. As I said, it's an online platform. The idea is to help artists, also to give them the power to create and to decide even the future of this platform. So each profile members or each member will have a profile, they will have a share. So it will be owned by the artists themselves. It's a way of also democratizing the scene because in this way you can reach opportunities based on each person, their age, their location, their profession, etc. And the idea we are now at the moment mapping the visual art, the Syrian visual art then we want to shift it later to have it more for music, cinema, etc. And then we want to open and send it will cost fortunate amount of money to other nations in the conflict zone. So it will be a cultural index slash Libya, slash Yemen, etc. The concept is very simple. If we can't stay at home, let's carry on with us. Thank you so much.


The contradictions between Russia and the West are intensifying. This seems in background of the new visits of Russian foreign minister Sergey Lavrov. Sergey Lavrov took part in the 17th East Asia Summit in Cambodia. The Russian top diplomat is leading Russia's delegation to the summit. On its sidelines, the Russian foreign minister will hold several bilateral meetings. From Cambodia Lavrov will travel to Bali as head of Russia's delegation to the G20 summit. Within the framework of the East Asia Summit, the Russian side intends to discuss in detail the challenges that the Asia-Pacific region is encountering. According to Moscow, the key ones among them are the attempts by the United States of America and its allies to upset the balance of the current system of transnational relations established in the region and the respiration to bring a confrontational charge to Asia with narrow block instruments of domination. Russia also sees dangerous trends in the fact that NATO military and military technological infrastructures are literally being brought into the region, merging this infrastructure with the military potential of Washington's allies including the AUK-US alliance, Australia, Britain and the US. Lavrov repeatedly stressed that the South China Sea would become a new NATO's line of defense. On the eve of the summit, Russian foreign ministry spokeswoman Maria Zakharova stressed that the Russian side views this venue as an important element of the multi-polar architecture of regional security with the potential to develop mutually beneficial multilateral cooperation. Russia invariably advocates that the East Asia Summit should address specific development issues that are relevant to each and every country in the Asia-Pacific region, she emphasized. Reiterating that, Russian proposals on launching a mechanism of collective response to pandemic threats were presented within the framework of the East Asia Summit. Moscow also put forward the idea of using the potential of the tourism industry to jointly search for avenues leading to the economic recovery of member states with the next step being a meeting between the leaders of tourism agencies. Zakharova also noted that ASEAN, the core of the East Asia Summit, supported Russia's proposals on facilitating interaction between volunteer movement of member states. The Russian side welcomes ASEAN's interest in developing interaction with other constructively oriented alliances of the Eurasian space including the Shanghai Cooperation Organization or SCO. We support inviting SCO Secretary General Zhang Ming to ASEAN's event in Ponom Penh. ASEAN contacts with this structure and able to lay the foundation to build sweeping continental cooperation directed at achieving sustainable development, well-being and prosperity for our countries, the foreign minister Spokeswoman noted.


Football season again, go Broncos. We have people buying tickets and they are risking getting scammed when they're not buying from bona fide ticket offices. The number one way not to get scammed is to buy them at the ticket office at Mile High Stadium. Another great way to avoid getting scammed when purchasing electronic tickets is to buy them from a verified third party vendor. They're verified, they're trusted and they have receipts that automatically come to you and you can also follow up with the website itself. Some of the mistakes people are making in not verifying that the tickets actually exist or whether or not they've already been sold. Buying on websites, social media websites such as Facebook and Craigslist, those websites are wrought with potential to be scammed. It is important to report it to the Denver Police Department because we want to stop the scammers in their tracks and ensure that it doesn't happen to anybody else. E-ticket scams can be very lucrative and it can affect a lot of people in the community.


Everybody forced here ripping at 21 22 tops chrome Bundesliga soccer light eight box number one Random teams you can always find these results at late in sports cards calm. Thanks for joining everybody and good luck Let's see what we got first time of open light here So looking for the cardboard connection check this is black and black and white, but the box is gold raywaves four of them Yeah, so I'm expecting gold the checklist is black and white though So that might just be a let's see what we got. You should be able to get some other color in here Autos are not guaranteed. I think you can still hit them though. I'm gonna look at the pack odds really quickly before we get into it. I Couldn't find that info on the line. So I think you should be able to hit So it looks like oh, yeah, you can get autos They're pretty rare though one every 318 packs. So they're pretty rare. That's the and there's some there's a Rareer ones than that too. So that's just the heads up there guys. We may see one. We may not For do we got a Magenta Manuel Riemann 273 99 for Bosham. Good start got color on the first pack Paul Vaughn her base as well First ray wave is a Manuel praetal. So these will be non-numbered gold ray wave for Beal belts It's a pretty cool intro Refractor needle Echner for Augsburg Yeah, this stuff has been awesome. I keep talking about it, but top scrum Bundesliga is good right now Lasse Gunther rookie heroes of tomorrow also going to Augsburg Here gold ray wave auto. Wow oral man Gala for Stewart guards What I said, you're probably throughout the window Great first hit here Congrats Stewart guard man Gala is a solid one too Going out to Jerry F Like double checking these are these are light boxes. There we go. Yeah, non-number on the gold ray wave auto though And they are light boxes. I see it here.  Gold ray wave. I won E. There you go Union Berlin. That's a nice one too. He is with Nottingham Forest now in the premier league Yeah, one every 318 packs on the gold ray wave auto. That's awesome man. Hey Good to be lucky Congrats on that mongala. Like I said, I think he's in the premier league currently as well Refractor Dardy for her at the Berlin Heck yeah, man great first box here Yeah, that is an exclusive to this an extractor Ronnie Kadirah Six of 250 Union Berlin. This is an amazing box of light This is awesome, man Refractor Jan Thielman for cool Good stuff What up tiktok got refractor rookie myrohofer for right there for you got a purple laquah for Wolfsburg 29 of 299 lots of color in these dude. These are really good Or at least this one is this box Adley futures Heroes of tomorrow for Labor Cusin got another gold ray wave David Rom rookie for Haufenheim Gold ray wave last a gunther rookie for Augsburg got golden generation on a seawall Mines and refractor dahood for Dortmunds. Well, that was awesome. That was an amazing first box Champions League Finest is up net guys. We had three to go when we started the break I'm gonna check here before we get into the second box Champions League Finest full case random team style still three to go And if you're watching on tiktok the link is in the bio Link is in the bio. All right, let's keep it going here. We'll not that good first box. Very nice a purple refractor rookie for bio Munich Paul Vaughner 297 to 299. I Don't know if we could be doing much better in light so far man. This is great Nice Vaughner got heroes of tomorrow Muziala for bio Munich This is a great break man. That's a great rookie there Ray wave Timothy Chandler for Eintracht Frankfurt's Stuck cards here. Yes for lynstrom rookie refractor for Frankfurt's We'll say the packs do seem tougher to open them. I don't know what it is. Here's him tomorrow Jackal or Yackel Yackel refractor David Rahm Haufenheim rookie Golden generation Emil Forsberg lightsig Patrick Schick refractor labor Cusin heir to the The Schick shaving company portion Gold ray waves a car a zackariah or zackariah for Munchen Gladbach any Raya area Refractor Friedrich for Munchen Gladbach Coach up heroes of tomorrow for Bochum Anyone excited for a particular match this weekend's across any league I guess Premier League Bundesliga La Liga Serie A League one Gold ray wave is my Alida for her to Berlin the rookie Gold Macaroon. Yeah Forest is going up against them Tottenham so that'd be what I'm interested in refractor ball tank for her to Berlin I don't think it's gonna be televised for me kind of stinks, but I hope so too. It'd be pretty cool Yeah, is it gonna be on Peacock? I didn't know if it was gonna be I saw was gonna be on USA Have cable probably able to find a line somewhere though if I really wanted to refractor Oster Franks rookie for Wolfsburg Leeds Southampton. Yeah, that'd be a good one Leeds is like must watch especially if you're American We got nice. You also a Kimmich Bayern Munich gold ray wave a refractor Danny Blum Bochum, I went to the wrong staff Gold ray wave have a slugger for Wolfsburg Brighton's been pretty good man. Danielle Mallon on the Prism 50 of 199 Dortmunds For six bucks Josh, I think it's I'll have to check. I don't know if it's on my head. Here's a tomorrow Nico Schlatterbeck that's going to a Fryberg Fractor if I hear for Stuttgart.  Yeah, Union Berlin. I said it right Musiala refractor for Bayern Munich Yeah, if you're here after the break, Joshua, I can check then Magenta wave Timo Horn 384 at 399 for Coolm LAFC is all you know. I mean, hey, LAFC is One of the better teams in MLS. So Rookie ray wave yes for Lindstrom for Frankfurt Jesper or Jesper Moriba rookie refractor for Leipzig Leipzig man got all the good young players Still a rookie few heroes of tomorrow for Hoppenheim Gold ray wave is endo for Stuttgart Stuttgart having a very nice break so far NBA is the best I mean, I mean, that's definitely your opinion. I like the NBA a lot. I don't I have tough time choosing man Love baseball hockey basketball. I like I'm getting pretty into soccer NFL is always fun Lot of good sports these days Hollander refractor for Dortmunds Gold ray wave Donnie Olmo for Leipzig And the sports master I wish I wish I had time to watch all the sports Then that would probably require me to not have a job Augsburg Calajury I'll see if I can get rich to pay me just to watch sports God Yackel heroes of tomorrow for Union Berlin Exactly Macaroon Like if you're an NFL fan, you should probably want to watch soccer You get to watch it Sunday morning and then it leads right into the other sports You could just do like a 16-hour sports marathon Last May gold ray wave rookie for Bielfeld Plus you get it on Saturdays too with your college football. It's just an entire weekend There's no breaks 57 to 275 on the Aqua Lucas-Holler Friberg Rich said no I mean, he wants to pay me to do real work. Dang it. Ricky your record refractor for Zentner My job is to know cards different than sports Gold ray wave Khaled zits for Stuttgart refractor cost it's for Frankfurt I agree with that Steven. I agree with you on that Gunther Augsburg heroes of tomorrow Ruthie on that refractor router for Huffinheim Gino Gold ray wave Paul Vaughn are very nice buying Munich Great break so far free of buying Munich. It's tough, man Golden generation is El Vetti for Munchen Gladbach halfway He's 16. Really? Yeah I don't even think he plays for them He signs with them, but usually when they're young like that and they're signed to a big club They play somewhere else. They get playing time and then when they're ready, they'll play with like the bigger clubs So they'll play Sometimes they'll have smaller clubs or they'll just load them out to like a different league or whatever But they're really good young players sign with big clubs early like messy You know 14 or whatever or 12 or something and then he would play with like their lower Lower level Yeah, same with Ravenger as well. Yeah, Leipzig does that. It seems like a lot a gold wave. You also a gimmick 33 of 50 for buying Munich to buy on his crushing gold ray wave Becker for Union Berlin. I've got back here Refractor caught chap rookie for Bochum Chasing this out. There's a few Rookies would be like Paul Vaughn or Sydney Ravenger. There's a few other decent ones But then the vets got a purple Meyerhofer here for greater for it 299 to 299 on the bookends, but then vets like Holland, Musiala Leventowski's in this. Here's a tomorrow coach at Bochum Florian Verz Few other names to who other pretty solid names Makoko, of course. There's birds right there all the generation Did Davey for Stuttgart's gold array wave Makoko. There you go Dortmunds Sufa Makoko Very nice. Am I buying right now? Me? No, I am breaking right now. Refractor, Zechariah or Zechariah for Munchengladbach Yep, this is Topström Bundesliga light These are light boxes. Musiala heroes of tomorrow for Bayern Munich. We do have hobby though as well. Get some hobby breaks Sosa rookie refractor for Stuttgart Gold array way a bill of line heart for Freiberg rookie in the gold array waves are non numbered They're exclusive to light. They're not number to get for per box Fracture kinds for cool. How often we'll all when I come around. That's that is a good question Got gold array wave geek a wish for Augsburg Laquabra factor for Wolfsburg orange Griefo for Freiberg very nice orange three of 25 These boxes have been good. I know the autos are rare You're not guaranteed an auto but as far as the color goes I think it's pretty darn close to hobby honestly. I know the gold array way array waves are numbered, but they are They appeal to the eye. That's for sure and I know Sean can tell you this too And I can tell you this guys but these are manufactured in Europe. They feel nicer They have like if you guys have ever held like tops chrome F1 cards, they're like that I don't know what it is, but they just feel so much better in hand Prism Julian green 142.199 greater fourth. Yep. Start to start them here as well. That's right, Steven Yeah, there's a there's a few pretty solid rookies Burkhard heroes of tomorrow from mines Do other solid players as well that are now unlike her merely There's it's pretty good value. I'd say college zits refractor for Stuttgart's a lot of good young players That could become really good as well Wouldn't sleep is fun, man Fractor thorum munchagladbach all my neck should be every month and a half or two months or so. Sometimes it's more frequent Yeah, we're hoping to get a more frequent though. Acklin camp here is up tomorrow for her to Berlin Yep, I wouldn't ease on nottingham forest. He's one of the guys. I like quite a bit blue Sardar for her to Berlin four of 150 Well, everybody has is okay Nia Katze gold array away from mines. I wouldn't even score last week Brennan Brennan Johnson scored for nottingham last week. Hey, we're Gucci refractor for Union Berlin. I think he may have scored the week before Got gold array wave Diabi for labor Cusin. Yep. Nia Katze too. Yeah, there's a lot of Yeah, Boris because I got promoted spent a lot of money. So got golden generation Lutha usually when a team gets promoted they spend a lot more money and get a lot new players and Try to try to not get relegated refractor flurry inverts for labor Cusin Magenta dahood for Dortmunds 209 of 399 Gold array wave neater Lechner for Augsburg So Brennan Friday, bud Fractor peeper for Bielfeldt Gold array wave is Takuma Asano over Bochum Son was pretty solid Served them your good. This is I mean I keep saying it guys every time we open this This is the set is pretty undervalued or Bundesliga 21 22 is pretty undervalued overall. It seems like Gold the generation Lutha even Oster Franks is pretty solid as far as like a young Belgian. It's only 20 refractor open micano for Munich How much he's in this but Kevin Shadda for Freiberg is pretty good too. He's young And he's actually German in the Bundesliga, which I feel like it's pretty rare. I Think it looks like yeah pink 50 is 75 Takuma Asano for Bochum Yep, you know roots here. Yeah, there's honestly a lot of pretty good solid young players to Grab some cards for pretty cheap in here. There's aster Franks heroes of tomorrow for Wolfsburg. Yep This is a big week. It's a big week You guys have any big predictions for transfer transfer deadline refractor are great. They're fourth Julian Green Yeah, Byron is pretty terrifying. It's weird that they lost Levandowski and they are not worse Gold Ray wave Kamata for Frankfurt gold Ray wave nice one there and boom buff for Stuttgart's Fractor Sima Sima Khan or sent the Sima Khan the life-sick the rookie For a lot of these guys are served to me right there. Here is a tomorrow Lubacic cool X Fractor open micano Byron Munich 226 250 Dio open micano Gold Ray wave coming up here is top soba Labor Cusin refractor almost paper for Bielfeld's Gold Ray wave Joe Scali from Munchen Gladbach. Yeah, I think I think kind of everybody does Stephen Rookie refractor yes for Lindstrom for front first. I think everybody hopes to a second transfer even people that aren't American Like I don't get what happened there But he needs to go somewhere where he's gonna he's gonna play free to play every single week He I mean he deserves it. He's good enough, man. Please help. He's good enough. Hey, what's up spider? Golden generation Did Avi for Stuttgart's Daniel Mallon refractor Dortmunds Magenta wave soba's lie for Leipzig 381 of 399 I'm like soba's lie Purple refractor Angela stiller for Huffinheim The rookie 76 of 299 got a heroes of tomorrow Jimmy Luelling or leveling for greats or four Angelo still a rookie refractor for Huffinheim now. Yeah, that'd be interesting. I Wonder if a nice moreeba rookie gold Ray wave for Leipzig. I wonder if Ronaldo will be on the move got gold Ray wave Max Cruz for Wolfsburg Is it like a buyout that you that united could do with the Ronaldo got peppy refractor for Augsburg Sydney Ravenger here is a tomorrow Leipzig It's just really fit there he kind of wants to he wants to leave Gold Ray wave team of hubris for cool. He just wants to score goals and stuff Refractor rookie Dardae for her to Berlin Gold Ray wave Luelling for greater for it signed back at sporting. That's that's interesting I have a lot of questions. Well, let me finish the break. Oh, yes for lyncher murky refractor for Frankfurt I have so many questions about that We had a few nice colors. You're not gonna go over everything. It's a lot of color move on here We had an orange the Vicenzo Grifo for Freiburg That one is three of 25 a gold or Rayway or gold wave not Rayway But gold wave Yosua Kimmich three of 54 biomedic and a gold Ray wave auto for Stewart Gart oral man gala It's a nice hit. They're really rare auto in the light boxes. Thanks again, everybody Love ripping that Bundesliga. We got finest champions. They go now


Sanctum Mysteries brought to you right through the summer by Bromo Seltzer. Five, six, seven, eight, three, two, one. Bromo Seltzer, Bromo Seltzer, Bromo Seltzer, Bromo Seltzer. Friends of the inner sanctum, this is your host to welcome you through the squeaking door. Tell me, fellow ghouls, did you ever take in the bright staff at dawn? I did the other night, found it hard with a seat called Nightmare Happen. Just two blocks long and a scream while. Begins with a small cemetery and ends with a bigger one. There's a freakish sort of shop in the alley. Ideal for those of you who are buying steelers. It's time to read Gadget, Ghost, and Greyguard G-Gor. It is deep night on the raging ocean. The fog is a thick grey wall and the wind is sharp. A boat tosses gruntingly in the deep. At the mercy of the storm. It's unlighted except for a cluttering nap to play. We're aboard the Gypsy Princess. It's hide its captain, the notorious Captain Henty. A few feet away, warming deeper as the shelter of the fog, backing away from Captain Henty's gun, is another man. A younger man wearing a first mate's captain. Chambers, I order you to come out of that blasted fog. You hear me? We were somewhere mid-ocean south. You thought wrong. Your maroon just off the island. There's a sandbar under your boat. It's without food or water with an island just out there. What island are we on? Dead man's island. Even if you knew where you were, sir, there'd be nothing on the island for you. No food, no drink.  How do you know they're a dead board? I heard some shooting. How many dead? Corky, McDonnell, Crote, Weatherbee, Mannix. It's five. Captain Henty jumped over. Miguel, your navigator, and Jensen? Dead. Then you're the only survivor. Captain, I'm Chambers, Crote. I expected it would be Captain Henty, I'd find a line. Delivering his cargo of dead men. Hey, wait a minute. How do you know about Miguel, the navigator, and Jensen? Where'd you get your information from? A man to seek logic after the events and the gypsy princess. That's strangest of all. Yeah. After two weeks on this floating and famous island, I couldn't get the cargo light over any... You boarded the ship but it's great. You know that too, huh? Right. The years since I was a kid, I'd heard stories unbelievable whoppers about Captain Henty and the gypsy princess. Stuff about a ship being haunted, about a girl, a beautiful vision named Princess after the ship who followed the boat wherever it stayed. I wanted to write it all up after seeing it all for myself. Shall I stop? No. Go on. Those tall stories started coming to life a few hours after we put to sea. I think Captain Henty's court is going over some pages when Corky came by the end. Corky handled the business details of a ship like a steward was. Captain Henty. I was checking over the crew list here. Can't make it out of? But Donald, coach, whether they, Menica, Miguel, Jensen, ourselves, Chambers here, all signed in okay. Eight men at your crew. Thank you, sir. I'll cut there. But there's a line sitting there on the list, but nobody answers to it. Here's the ninth name. Fellowes. Fellowes! Lead my way and get out of my way, sir. Come on, boys, sir. Seen the signature before? From Cape Havas to Singapore. I don't get it. You will. You will in time. You'll know what it means to sail with fellows. Who is fellow? The gypsy princess was once his ship before he died. How long ago did fellows die? Ten years ago. And you think a dead man signed the crew list? Yes. And you'll believe it, too, in time. In time you, too, will believe fellows as aboard the gypsy princess. Chambers, I say, search the ship from Stamberston. Search the lifeboats of passageways everywhere. Then do it again and again. Spend every minute you're on this ship, searching for fellows. Understand? I can't find fellows. Find fellows, or you gypsy princess. That was my first flush with the crazy legends of the gypsy princess. I was to spend the whole voyage looking for a dead man who'd signed the crew list. Fellowes was master of this ship once. Everything was fine until they both went tapped over a dream lady who was supposed to be following the ship. And she killed fellows. Some old scot-free by pleading self-defense and bought the gypsy princess. And went silent to find the girl. Fellowes, then, is just something in the captain's guilt in his imagination. Oh, no, sir. It's not all in his imagination. Your sounding as balmy as heady. You don't believe in the fellow's ghost, do you, Corky? I do, indeed. Just you wait, sir. And you know fellows are somewhere aboard the ship. It's Captain Enzy on the tube. He ought to need to be gone, I'll bet, my pay. Corky speaking, Captain. Take the wheel at once. But it's Miguel's turn at the wheel, sir. Take the wheel at once. Aye, sir. Head once. Yes, chamber there. Aye, sir, I'll put him on. We want you, Mr. Chambers. Chamber speaking, Captain. Turn the ship inside out and stop when nothing changes. What happened to Miguel? Gypsy princess is adept. What started as a pleasant ocean junket is becoming a nightmare. A ghost looks happy. The captain goes white as his sheet and poor Chambers has handed the hard job of trailing the little man who isn't there to his home. Let's see, where did we stream her? Oh, yes. Miguel, the navigator, had just gone the way of all fish. Miguel was at the boat's wheel, clutching it and staring out into the ocean with dead eyes.   I can't say, sir. His face looks as if he had seen the devil himself. But there isn't a mark on him. Bellows, children.  A heart attack, perhaps. If an autopsy could be performed... There'll be no autopsy! But we've got to assign... I don't have no interference, Chambers. I've got to take immediate steps so you'll all be dead. Assign gentlemen to watch the ship's food stores at once. Mind your duties and ask no questions. Make prompt arrangements to throw Miguel over the side. Without service? Just like that? Just like that! We'll throw Miguel as an offering to the prince. Maybe... Maybe she'll reappear. I've gathered garbage to watch the dead Miguel drop over the side. The storm was brewing. There was a blinding spark. Bloody Chambers! All ready, sir. Let him go! You Miguel.  Pull back the way like men frightened by the face of insanity. And then, over the sound of the ocean, we heard her. I watched, spellbound, my eyes burning into the midst that swirled around Captain Hensey. I saw... I saw her. Beauty. The most complete illusion of beauty the mind can imagine. Beautiful beyond words or language. Seeing her, I could understand what drove Captain Hensey. Captain Hensey's eyes. I knew scorching jealousy. Chambers, my sister. My bride has come. You see her, don't you? My sister. She's very beautiful. Chambers! Marius here now! But it has such authority. That's Captain of the ship. I give you the authority. You'll find myself a book in my quarters. Hi, sir. Corky. Hi, Mr. Chambers. Oh, fetch the book of services from the captain's quarters so we can get on with the ceremony with a crew standing bare-headed and looking Captain Hensey to his vision. Ha, ha, ha, ha, ha!  The captain said, I do. And the wind answered for her. Captain had his bride at last, but not for long. After that brief visit we no longer saw her, even fancy we saw her. The captain started looking out to sea for hours, days, like a man who's bride had forsaken him right after the wedding. Days passed. And then fellows struck again. I was with the captain going over some charts when the door opened. But Corky, his face was strained and frightened. Captain Hensey. What is it, Corky? The food stores. What about them? They're gone. Our food and our water. It's all disappeared. Jensen was assigned to watch the food stores. Stand up for me. I can't. Jensen's gone. What Miguel got? We can put into the nearest fort if you look at the charts we get to two days' tail from Winkah. We're the few general men see for yourselves. A cold, every blasted crack of it was pirated by fellow glassmen. Captain Hensey was a complete madman. He prowled through them like a wild animal with me behind him watching. Then last night in the pitch dark I watched him climb Corky was up there waving an apple flare in the last desperate SOS. I watched the captain come up behind Corky and circle his arms around Corky's neck. I'm happy for what you are now, Captain. I know about those murders and the disappeared donations about a woman following your- Cork, is that now? Aye. I mustn't fail or I'll lose the princess, including you chambers. The crew is exactly six now. You see, I must waste a single bullet.  I must. We'll all be dead. Hensey of the Gypsy Fongo was dead, man. One bullet for Corky. And he shot the other four. Then he went over the side. Who said you'd heard shots and rode up when you came aboard? I did. But I don't see your rowboat. And your clothes aren't even damp. You were never out there in a small boat for a minute. Wasn't I? No. No.  Here now. Yes. Beautiful. To me now, princess. Hensey. Not till back. To float in with the mist and the same indescribable pleasure and indescribable pain I'd seen on Captain Hensey's face flushed all through me. I was in love with him. And burning up with jealousy. Being of hunger, two weeks, even ready to finger, I didn't want him to have the princess bound. And the cargo of death in the middle of nowhere. I don't know what it did to you, brother whale, but it's got me scaled down to size. It's the old block for me for now, arm. There's less terror in terra firma.  I'd say if you must get the nautical urge compromised by diving into the bath tub adipose, strange hand passes you the wash, rag and stone. Don't take it. Ignore it. Stay underwater and play. Time to close that squeaking door for another seven-day rest. Until next week at this time when Bromo Seltzer brings you another in a sanctum mystery directed by Hyman Brown. By the way, this month's in a sanctum mystery novel is Report for a Court by Henry King.  It's called The House of Doom.  So be sure to listen, won't you? Until next Monday, then. Good night. Pleasant dreams.


Building trust is more important than making the sale. This is a hard lesson I've had to learn over years. I started my business in 2009, so about 11 years now. And in the first few years, I was learning from those internet marketers, the growth hackers, the experts who were teaching me how to make money fast. Maybe you are following some of those people too, how to make money fast, how to use sales funnels to convert people to your products as soon as possible. Well, you know what the thing is? It does work. It does make money fast if you do it. If you do those complicated launches and using those pressure tactics. It does make money faster than the heart-based way. So I have to admit to that. However, I also experienced my business crashing after a few years and having to start over. Because I didn't really have an audience after a few years of doing that. Sure, I made some money, but I was also anxious. I was kind of depressed. I was basically needing to chase sales again and again and again. I couldn't see a path forward where I could have an authentic business for the rest of my life that I actually would love. And guess what? A lot of my peers who started with me at that time who also were chasing money and the short-term results, they're no longer around. They're not building their business anymore. So let me and my peers be a lesson for all of you who are building your business right now.  So I started all over in 2015 because I couldn't stand doing it the mainstream traditional way anymore. Sales funnels, scarcity tactics, pressure selling to try to get clients. It was just so much burning out and it was so much not building real relationships with people. So I started over in 2015. I said, okay, what if I only had a year left to live? How would I want to build my business? I want to build it with love. I want to build it where trust and relationships are far more important than getting another client or making a sale. So that's what I started doing in 2015. Yeah, six, seven years into my business, then I learned how to start over building a real audience. So since 2015, I've been building a real audience through content. I try to show up consistently, speak my truth authentically and try to be helpful to all of you, sharing some ideas that might inspire you, that might educate you on a way that is going to build a better business for you. And the first year or two, I didn't see a whole lot of results. I was just putting content out there, making videos, writing articles. I even had a podcast all of 2014. I actually really started over in 2014 with a podcast. But then 2015 was when I got serious about being consistent. So really in 2014, 2014, 2015, and most of 2016, I didn't see much results in terms of sales, but I was consistent. And I was just creating my heart out with my content, getting a lot of practice doing it too. And then I noticed at the end of 2016, so this is what one, two, two and a half years into my consistent, authentic content. Two and a half years in, I started noticing, oh, wow. Now people are starting to come to me without me having to beg for clients without me having to go, please sign up for my services. You know, chasing people down. People started coming to me and I no longer had to sell. I just simply was saying yes to people. Sure, you can work with me. Oh, yeah, let's talk. Maybe it's a good fit. Maybe not. Let's talk and see if it's right for you. That happened two and a half to three years after getting consistent and authentic with content. So where are you on the journey? Now, like I said, it's slower. It doesn't make money as fast. But today, look, I'm now 2020, right? This is now four, five, six, seven, eight, nine, 10. So about seven years into my authentic business, I'm really happy. I have plenty of clients. I don't need any more clients. In fact, I have a waiting list of clients. I have been hiding waiting list for years now, actually, since, like I said, 2017, 2018. Waiting list really started to build, which is like I said, four or five years into my authentic, relevant content, authentic, consistent content. So it's worth it. That's my message to you. It is absolutely, absolutely worth it. Be patient. Create authentic, consistent content. Show up consistently. Try to build relationships with your audience. Because like I said, the relationship and the trust is far more important. And now my business is so much easier than it has been in the past. It gets easier the more of a loyal and larger audience that you have. So I wish that for you as well. My name is George Cow. For those of you who don't know me, I love talking about building businesses authentically. If you enjoy this, you'll probably like my other videos too. So thanks for watching. Thanks for those of you who are joining me here live. I really appreciate it. And I wish you well. I wish you authentic. And all along the way, one of the benefits I'll say real quick before we go is personal growth and spiritual growth. That is the biggest prize. You learn persistence. You learn patience. You learn joy. You learn boundaries. You learn self-care. You learn how to bring, how to generate creativity instead of waiting for it. You also learn love. You learn love. You learn truth. So I wish that for you. Take care.