Anyway, so I'm here from the San Francisco LGBT Center, and I'm with the Trans Employment Program. And we'll be talking about trans and thriving in the workplace today. Thank you all for coming in. And here's our agenda for today. So we'll go over introductions that includes you. Who is TEP, or what is the Trans Employment Program and how can we serve you? What's your dream today and why it matters? We'll talk a little bit about that. Five important tools we want to share with you and we'll talk about some barriers to overcome. And then we'll take questions and answers and I'll give answers and know that of course you can ask questions as we go along. Because the group is small, I'm going to try to keep a mellow pace because usually when it's bigger it takes longer. So let me know if I'm going too fast. So that's me and my name is Fresh White and I'm a certified co-active coach. That's what my CPCC stands for and I'm Employment Specialist. So I use my tools as a coach to help people live their dreams, achieve their goals, practice the things that help them get where they're going. Somebody had asked me before if I was, so I'm a speaker. I've been doing trainings in San Francisco and Marin since 2003, mostly in schools but also in government agencies, universities and corporations. A little bit about us and what we offer. So one-on-one counseling services. We make up appointments. I was telling Pee once we get you set up and we'll figure out how to make that happen. We can actually talk on the phone during your lunchtime or something or at 5.30 or something or 8.30 depending where your schedule is. So we offer one-on-one counseling, just checking with individuals, finding out what they're looking for and what's blocking them. The job readiness assistance includes helping you create and or review resumes, cover letters. Well, let me back up a second because actually what we like to do is review the resume. For people who don't have resumes, we generally refer them to come to the library to create your resume. They have tools online and we really don't even have the capacity but we will review once you've started creating it. Same goes for cover letters. There are tools here at the library to help you create one. We will help review it for you and in particular help you shape one to fit the job that you're looking for. And we offer mock interviews. So if you're like, I'm going to apply for a job tomorrow and I'm scared to answer these questions. We'll do mock interviews with you and there's more. We have Work It, which is a professional life and job skills workshop, particularly for trans and gender queer individuals. And this workshop, we do a lot of focusing on being both our authentic selves, accepting and really loving and honoring our authentic selves and how to be with the general public as we're transitioning because there can be a lot of trauma and stuff that comes up. And what's ours and what's theirs and how to negotiate always being our best. And then on the bottom is the employer competency trainings. The center, I do them through the center. So the ones that I mentioned, through the center I mostly do with government agencies and we've done a couple of corporations. And then I already talked about how I do other trainings both actually now in the East Bay as well. So, do you have a dream? I'm wondering if people could share a little bit maybe of what is it that you would be doing if money was not an object? Thank you, thank you, Kerry. No, I have a, since we have time I wanna read this. So I found this online yesterday. Do you have a dream? Turning dreams into reality. I have big dreams and I have no doubt that you do too. I also realized that there are many things and some big things that need to be done in order to make the dream a reality. As I learned to learn and grow I realized that I will not be able to accomplish the goals and make the dream a reality if I'm not really committed. Commitment takes guts. It might be easy to dream but making it a reality takes hard work. It is hard to fight against the resistance. Hard to say no to certain people and also hard to hear others say no to you. But again, if making dreams a reality was an easy thing then everybody would be doing it. Since someone has to do it, why not you? Why not do a hard thing? Why not make a commitment to press through and fight the resistance to see the dream become a reality? Lack of commitment is the biggest reason for not getting things done. It is the reason we don't accomplish the things that we set out to do. It is the reason we give up when we face the resistance. It really doesn't matter where the resistance and pressure comes from. Fight it with everything you have because on the other side is the reality of the dream you have been dreaming about. Yesterday or this morning I was listening to I should know his name the guy who owns Virgin America who was also talking about the importance of failure and why you just, that's part of what I like to say to people is like if you can walk, you've failed. Because you didn't just pop up and start walking. If you can read, you've failed, right? So the truth is we're not getting anything done without failing. It's just that there are certain things that we seem to be more afraid of failing at. But we couldn't tie our shoes if we didn't fail, right? Everything actually that we do well we did through persistence, commitment and practice. Hi there, I'm Fresh and welcome to the training. Great, nice to meet you. So we're talking about the dream and the question I asked was do you have a dream? And what I'd like to ask P and Jason to do is we heard Carrie like really extrapolate on her dream, right? And so if you can take it a little bit bigger this part about commitment actually gets a lot easier. So can you two maybe whoever wants to go first P you talked about wanting to travel, right? And the surgery was something that you wanted to get out but your dream was to travel and you said sort of work but you didn't know what. And I'm curious like why couldn't you do both? What if your work was travel? So if you can extrapolate allow yourself to talk a little bit more about what your dream looks like. Oh yeah, I mean I think that's a lot of our plans, right? I still have that fantasy of like having something like that. So there's something about you knowing what you want in order to sort of be able to focus, do some focus but also be able to call some support in, right? Cause you don't have to do it alone. None of it has to happen alone. So the five tools we talked about were one is to have a goal or a dream. And one of the practices that I recommend for people is A, writing it whenever you can, write it down. And you can write it and leave it or you can write it and save it, collect it, whatever you want to do. If you can find someone, so friends that are the positive friends, right? There's, you know, we have two kinds of friends. The friends are like, no you can't do that, that's not possible. We try not to share our dreams with them but the people who are sort of achieving things and getting things done, finding people that you can share your dreams and go with who are at the very least gonna hear you even if they can't promote you but hopefully they will help support you. The other part is to be confident in you and what comes to mind at the moment is like everybody knows Prince, right? And one of the things that I appreciated about him the most, cause I listened to some of his music since the 90s but I wasn't like a big fan but what I really appreciated about him was that he didn't let anybody determine who he was gonna be. So he got to be like this outlandish, like African, American rock and roll, every kind of music person wearing funky clothes and I believe, and he was in a religion that's kind of strict and I forgot which one it was but the point being that he was himself and it's being yourself that I don't know, I think for me, if I was trying to be somebody else I wouldn't be here, like I'm gonna fail at that. Another way of saying that is that you've got unique gifts, you're not homeless anymore, right, and you both have ideals and dreams and you got yourself here. Remember that like as you go forward. The other part is to be prepared. So being prepared and when we're looking for work or like Jason was saying, fourth floor for small business, like Prince was saying, doing, connecting with people around health services and going back to school if you want to in addition to getting some coaching help which is what you've been asking for and of course Carrie is repeatedly taking care of herself and updating her resumes and moving forward so that she's ready to take on the next opportunity, right? Sometimes that opportunity is big bike rides up to Marin. Yeah, not currently, but actually to Marin. Yeah, so finding a mentor ally might not be your friend. It might be somebody at the library or somebody in your community, someone who is doing, someone who's successful and that you can touch is the way I want to put it. So it's great to have mentors. I definitely have mentors like Tavis Smiley is one of my mentors, right? But he doesn't know who I am but I still get to see what he's doing and what about him do I want to emulate but also having a mentor down on the ground? Who are the people around me or in my community that I can maybe tap into who is going to help support me as I try to move forward with my goals and dreams? So and then knowing your rights I actually brought a couple of things. Do you have any questions about any of these so far? Yes. Only because it's on there. I'm assuming I know what it means but if you say be prepared I'm going to guess for some of the stuff that you put down over here and for becoming this kind of stuff and not being switched up when somebody throws them something that's just unkind or a little bit questionable if you want or something when you're out and about and then being professionally prepared for the actual job that you're being engaged in? Thank you, that's a great question. So yes, prepared for the job that you're engaging in but also being prepared to take the next step in your goal. So doing your homework, figuring out what that is finding out your resources, figure out what that is because what happens once you have a goal and you're confident about it is opportunities start showing up. They really do, it really is like magic. And so you want to be, this leads a little bit into another conversation that Kariya and I have had. We have been the work it program that I mentioned. We do like a couple of weeks of talking about self-confidence, self-esteem. As trans people we can really get wrapped up in worried about what other people are thinking about us or what they're seeing, right? As African-American males we might have a little stress happening sometimes when we're walking down streets or even people of color or gender, right? Everybody has something. And so if you can figure out how to manage that or be aware of when that's coming up you can also be prepared for any opportunity that comes your way. So this one, this one is not exactly legal stuff but I do want you to know your rights and one of the things that comes up a lot for trans folks is I don't have any references. What do I do about that? Everybody knows me and my formal name. And so one of the things that we like to emphasize is that you don't have to have, if you had three jobs in the last year and you're worried that somebody on that job is not gonna respect you or you won't get any respectful references go to friends, go to counselors and use them as references. So I'm a reference for people, that kind of thing. The other thing is, and I'm gonna pass this out and then we'll talk a little bit more about rights in general. So what is your, what's the law on resume, on filling out a resume and job applications should be covered in here? And basically you have the right to use your chosen name when applying for jobs and on your resume. Not a problem. And I do want to write something on the board. Let's say that your chosen name is let's just go easy. Your chosen name is Mary and you keep your last name but your legal name is Michael, right? So what you would do, everybody following me so far, your legal name is Michael. So this is the name that can go on your resume. Everybody know what a resume is, right? It's the form that you sent in before. This is the name that goes on your job application and I'll tell you why. Because on the bottom of your job application, anybody seen that part on the bottom where it says I swear that everything's legal and binding, whatever, right? This is your legal name. This is the same as putting M bud, right? So people have nicknames, right? They put Robert, they might put our Bob means that this is the preferred name that they want to be called. That's all it means. Does that make sense to you? So any questions on this? So unless you're signing something that says I swear that this is my name, you can use this anytime. Once you do that, you can use this. So when they say then are there any other names that you've ever gone by on the bottom? Sometimes they have that on resumes. Then that name would be no need to. Lots of people use first initials. Now question, how would this be acceptable for a background check? Because when they do that background check, M stands for Michael and Smith is there. So M is legally, it doesn't say, unless it says spell out your first name, you can use your first initials. Lots of people only use initials, right? A, K, Tolkien, there are people who use initials for names. So if you for, but if for example, this was different and your name was Frank, right? And you put, and you didn't put Frank.  But M should satisfy. And that, this, I've been training, teaching this along with the Transgender Law Center for the last three years, so. And but this should not be unfamiliar to people that you have like the name I wanna be called. Bob, Becky, you know, instead of Jess, instead of Jessica. So San Francisco has an anti-discrimination law that includes perceived gender. So I think that it says gender or gender identity. So you can't be, you're not supposed to be turned down for a job because of that. Right now in San Francisco, there should, I believe that there's a bathroom law, that I keep going back and forth on, but if you're in your job, actually that's true. So while you're working in your office, they're not allowed to send you down the hall and to two buildings over to use a restroom because everything else is binary. They're supposed to be able to accommodate you within your office space. In, you know, to certain degrees, some buildings can't do it, but you can look into that. It is your right to be, for your gender to be used at work. So if, for example, your transition network and your supervisor refuses to use your name or refuses to use your correct pronoun, those are things that you can actually contact the Trentian Law Center about to get support or HR about to get support. But it is your right to be seen that way. And then we got it, have a goal. So, and maybe I'll share, I can email more about rights. I didn't bring in more right stuff. So employment challenges. We talked a little bit about 90% of Trent's identified individuals experience unemployment. 16% go to underground economy and that's everything from bouncing to drugs to sex work. And unemployment is two times, to four times the national average for people of color. Plus, we experienced discrimination in housing and lack of resources for job preparedness. And we'll talk about some of that. And this is the study that it's for. This presentation will be online later so you can look it up. So never give up. You probably can't see this. So we talked about having a dream and having a goal and one of the things I wanted to point out, did anybody, everybody knows Sylvester Stallone, right? I don't know if he's on this list, but it was, there he is, 1,500 rejects for the film Rocky. Right? 1,500 rejects. Does anybody know about the film Rocky, right? They made like five, 10, you know. He sold his dog at the corner store because he had to pay his rent. He sold his dog and within a month he got his first contract and bought the dog back. But he sold it at the corner store. Everybody knows Harry Potter. For some reason this person doesn't list a lot of women, but Harry Potter, I think it was 63 rejects, something like that, upwards of that. 63 times she kept sending her book in. Imagine getting all these letters in the mail going, no, no, no, no, no, no, no, no, and just keep putting it out. Talk about commitment, right? We can see if she made a series, didn't she? She made a series. She's like a, probably a billionaire by now. Not to mention it's good stuff. It's good stuff that people weren't ready, whoever was looking at it wasn't ready for it. Richard Brunson, he's the man that I mentioned earlier, I was listening to him this morning and he started the Virgin, oh, so here's his rocket, right? So the guy who created Virgin Airlines also created a rocket. So it looks like 400 times before he founded one that would leave the atmosphere. Right, and he's the guy that said keep failing and so when the guy who owns Virgin Records, Virgin Airlines, Virgin Phones, and Virgin Rockets says that failure's part of the game, you know, it's something we may want to pay attention to. All right, I'll read some of these. Colonial Sanders, colonel, right, would however you say that, started KFC, he was turned down a thousand and nine times when he tried selling his chicken recipe. I'm just like, for me I'm just like, because I don't know if I have this kind of tenacity, right? But that's because they really believed in it and they wanted to make it happen. 525,000 times for the Dyson guy who does, he's one of the first ones that has the hand dryers, but he's been doing vacuums and fans forever. 5,000 times he had to give it a try. 10,000 times Edison, we may all know that he was blown up labs left and right.  The woman who, the person who wrote Harry Potter was a single mom and was riding on the train back and forth to work, right? We've heard stories, one of my mentor speakers, Les Brown, African-American male, went from poverty, being born to a drug mother, adopted into a big family and is one of the top speakers in the United States, right? So it's possible, so it's possible. We don't close our eyes to the fact that there are challenges, but we also decide how we're gonna be with those challenges. Does that make sense, right? You can have two people in a basketball court, for example, one of them is gonna be training day and night and the other one's gonna be training a couple of times a week. And the chances are the one that's training day and night are gonna be hitting more baskets, it's just the way it goes. That's why these people, that's why there aren't a hundred people who are doing this. It's just like a few of us, a few people, us. Yes, I wanna include myself in that at some point. Any questions, any doubts that come up? Cause now's a great time to say, here's why I doubt I can do it, so I can knock it down. Yeah, I was more excited about that. So here's some more faces. Because again, there are discriminations, there's no doubt, and there are people who make it, right? So Laverne Cox, right? Orange is the new black, right? And she will, she shared her story, it was struggle, it wasn't always easy. And she may have some class stuff, so we pay attention to that too, right? But we don't let it block us. Cause I know sometimes in some of our heads we'll go, well yeah, well they had parents or they had money and they had this and they had that. Well there are people who didn't have all of that and succeeded as well.  He's a Harvard lawyer, he transitioned at Harvard, Howard, and it was hard. It was really hard on him. I know him. This guy, anybody know Courtney? Yeah, Courtney, right? He lives in the Bay Area. He came out a few years back. Dr. Courtney Ryan Zegler, he started something called Transcode. So a coding project for transgender individuals and they had coding contests and he did one in Oakland a few years back and trans people created things like where to find transgender bathrooms. So there's an application called refuge bathrooms or something like that, something like that. And people designed places to find and share clothing online and other different kind of mapping things. But he's taken it global, right? Also, I believe he's also working class. We know Janik Mock, right? Everybody know who she is. She started out as People Magazine. I don't know if she transitioned in the job but she was one of the People Magazine editors. She has a TV show.  And then Teresa Sparks is one of the people who has made it possible for trans genders to be trans folks, to be where we are today in San Francisco. She's been doing tireless work and I don't remember which department she is but she does work for San Francisco department. Sorry, I probably didn't have, I had had no coffee today.  Number 50, basketball player transitioned a few years ago. Any questions? Oprah, this is from, I believe this is like in the late, it wouldn't have been like 10, 15 years ago. Yeah, it's a trans man who decided to have, who kept his organs and decided to have a baby. Yeah, yeah, that's how, yeah, they used to call him that, yeah. And so that continues to happen today, right? And you know, transparent, wow. Whether we like the show or not, this person is a respected actor and millions of people have seen what it's like for an older person to transition with their family. Family's kind of crazy, the show's a little crazy, but still, you know, we wouldn't have had this on TV 20 years ago. Oh, so questions, answers, shares. Pay attention to what it was making me feel like in some research. I would have probably been behind somebody bars a day. Almost got an accident, I had to stop drinking alcohol because with the old Reese, it's easier to maintain alcohol without the old Reese, while I was just drinking, drinking, drinking. Next thing I know, it'd hit me at once and if it ain't my way, it's even my way to high blood. And then after that, yeah, this is crazy.  I'm good, and I'm so blessed. Yeah, keep the human next to me every step of the way. So you know it's manageable? Definitely manageable. And you got your spiritual support.  And a little bit, we do share, we have a Friday job club that we mostly is on self-esteem confidence, right? And then we have a job club that is more technical, so about resumes and how to get a job. And in both job clubs, I mostly do the Friday one, but I talk about mindfulness. Being aware, like you're saying, what am I feeling now? What do I need right now? And being able to attend to yourself and be able to get support when you need it. I hope you connect with me in your process of applying. That would be great, yeah, good. Jason, you don't have anything to share? But I do have a question. I don't know if it's related or not, but when I first came out here to San Francisco, I tried to do housing, and I had already changed my name. And when they ran my background, they said that my whole background was white clean. You know, I have the same social security. I don't know if that's like discrimination or what that was. No, it depends on what kind of, did you change your name and your gender? Yes, I did. So I'm still learning about this, but supposedly when you change your gender, they wipe everything out. It's hard for me to believe, but that's when you wanna call the Transgender Law Center. I'm gonna have to do the same thing to get the information and find out, because it doesn't really make sense to me, but you're the second person to tell me that. It's called the Transgender Law Center. The Transgender Law Center, T-L-C dot O-R-G. And you can give them a call or send them an email and ask them a question. Or I have some cards, email me, and I'll be sure to talk. I have to talk to them this week anyway. So since we have a couple more minutes, I'd love to know what your next steps are. Okay, are you working now? I was, but I'm on medical leave because I also have chronic illness. Okay. But at the same time, I had a hard time working because I wasn't feel comfortable with my top and everything. So it was like, I was having a lot of anxiety, even though everybody accepted me as male around me. At the same time, I just felt that people knew and I felt like people, they were telling, managers was telling something, and it probably wasn't even going on, it was just going on in my head. And I just wanna feel comfortable with my body. That's life number one for me right now. Are you seeing a counselor? I'm not, but I really should be. Should is, I try not to put that in my vocabulary. The thing is that like P was saying, counseling and talking to someone who can help guide you or listen is not about being crazy.  All of us walk over homeless people and have to do this every day. It makes us a little, it causes us stress. The latest news is causing people stress and being able to share whether it's the news or whether it's our transition or whether it's getting through blocks and being able to talk with someone that we can trust about it is the healthiest thing you can do for yourself. It's healthy. I'm gonna show you something real quick. I should be able to get it up fairly fast. Let's see. Being able to hear other people talk about their experiences transitioning and what they go through and their insecurities actually can be really healing. And some of these folks actually live in the area. So it's not just anybody but people that you might be able to meet shortly in the future. Do you have volume? If you can't do it, it's okay. We should be able to. We should be able to. So these speakers are just kind of cranky and old. Yeah. That part we got. In the meanwhile, while they're doing that, any other questions you have for me? I think a report came out recently that said something like 1.2 nationally. 1.2 million, I think. 1 million? You heard it. It's not 10%. It's not 10% of trans. 10% is the number we used to throw around for the gay number. Oh, that's a lot. The other thing I wanted to say was that transitioning is at the end, right? And it's important to know that. It sounds like you're still getting support. I get support at the time a lot through YouTube, TED Talks, or some motivational talks. And it's important to note that while we hear about, you know, every year we hear about all the trans murders and they're primarily around trans women of color, that 30 to 55% of trans men are committing attempting suicides. So it's also a silent thing. So if you do know or meet trans guys that are having trouble assisting them with getting help, because 46% are African American and 55% are Latin and Native American. And that's a high attempt to rate, right? And that's only what's reported. So I just wanted to add that. In closing, please, you have my card now. You can go to the website, the transgender employment program website. But yeah, so you know how to reach out here. You have now met Danya, if you haven't met her before. She can tell you about other resources in addition to the business program that she's running. And are you a resource for us? Yes, I am. Tell us about it. I would give you my business card, but the city and county of San Francisco have a program that supports diversity in all different type of ways. I am the designated recruiter for that. And just kind of going out and educating people. We have tons of positions that many people, diversity, want to enter into. And they get the, I wouldn't say, I wouldn't even say step up, but I've made it in a way where they don't have to compete against other people. So you should be allowed, we do require an exam in order for many of our positions. And with this program that I'm supporting, you do not need to take the exam. You are allowed to give it an interview. I mean, give it a chance to sell yourself. Wow, okay. That seems to be very big, especially for our community, because a lot of people feel as if they have to compete and we've been able to break that bridge and barrier down for a lot of people. That's great. Yeah, the competition is this hard because we have, especially at this time, so many privileged people in town. It's really hard to compete with them. Somebody told me recently that, I guess up until the 60s, San Francisco was 40% African-American. Yeah. 40%. When I got here in 91, it was 14, and now it's 0.3. So that's a wonderful opportunity that you're providing for both the African-Americans but also the whole diverse group. Questions, any other questions? So I hope to hear from everybody. Thank you for coming out. Hopefully, I'll come back in the future and we'll double or triple the size. Okay, yes. Well, I work part-time as an employment specialist and then I work another full-time job as a life coach and career coach. Outside of, I have my own business as a coach and my own business as a trainer. Yeah. Yeah. Thank you. Thank you. Thank you. Thank you, Fresh. Right on, yes, thanks. And feel free to follow me on Facebook. I tend to write inspiring things. They tell me. All right, cool. I'm gonna turn this off.


the paper presents a new Bell test for two particle entangled systems that utilizes an unbounded continuous variable, allowing for arbitrary and inaccessible state measurements and introduces a systematic method to perform these measurements indirectly, providing new insights into local realistic theory for continuous variable systems and non-local control theory of quantum information. This article was authored by XF Chin, C. J. Broadbent and J. H. Eberle.


Raleigh Rave Championship and the world's very best off-road races on two wheels and four have rolled into Portugal for what promises to be five days of spectacular action across some of the toughest terrain planet Earth has to offer. The town of Grandola are playing host to the main bivouac with one night in Badajoz, Spain. Over a thousand kilometres of technical roads to tackle, no surprise then that the event has attracted the biggest names and stars of the sport. In the bikes, all eyes are on Ross Brange currently leading the championship by 12 points from Ricky Brabeck and with the American not in attendance, this is a good opportunity for Brange to extend his lead. Meanwhile, Nasa Alatea returns after a win last time out in Abu Dhabi and the Qatari is looking for a repeat to reeling championship leader Carlos Sainz. Yeah, the weather will be not easy for everyone but ok, we are a professional driver and we know what we do and we can race in each condition, you know, there's no problem but ok, we need to be clever and to win this race. In the challenger class, young Lithuanian star Rokas Batusko returns with a 14-point lead over Austin Jones. I always, you know, in attack in order to get some safety but yeah, we even try to push, we try to do our job because we want to take up points. And a familiar face to us all, nine times world rally champion Sebastian Loeb competing here in the challenger class. No, for sure, my expectation here is to learn the race because next year we will come with that chair and so it's important to have a little experience of here. It's a very different car from what I'm used to but ok, I think to learn the place is good. The rally got underway as is tradition with the start ceremony, the fans out in force to catch a rare glimpse of their heroes before it was time for the pre-event prologue stage, a short five kilometre dash for the riders and drivers to get their first taste of the Portuguese terrain. In the bikes, it was Spain's Tosha Sharina quickest through the stage on the Honda machine, a great effort in tricky conditions to go two seconds faster than Frenchman Adrian Van Beveren. Here in Portugal, the terrain was super mad and super sandy but we had a lot of fun here and waiting for the main race. Meanwhile Ross Branch was third fastest through, despite a small fall the Botswana was enjoying himself. I threw it away on a slippery corner but wow, Portugal is amazing. Thank you to everybody out there, it's really cool to see so many people out on the track and a little bit too excited for that one but I loved it, it was like a motocross track and nice and wet and beautiful way to start the rally. On to four wheels and in the quads it was a great start to the rally for Argentinas Manuel Andeyar, quickest in class by two seconds from Camilo Viznouski. Meanwhile in the ultimate class, Nasa Alatea was flying this morning, a full six seconds faster than Brazil's Lucas Moraes, the Katari means business this weekend in the pro-drive run Hunter, his goal to leave here leading the championship. It's a good prologue and we try to push and to have a good start for the 100km stage of today. We are quite happy and car working very well. In the challenger class it was local star Luis Portela alongside David Magra, normally found on two wheels who dominated the short 5km prologue, while in the SSVs it was Gonzalo Puerra who set the pace. So with the prologue complete, next in proceedings was the selection process for the starting position in the bikes and it was America's Skyler House tasked with opening stage one today. The prologue you know didn't go 100% perfectly but now the stage one is only 97km and it's going to be pretty straight forward I think more or less on some fire access roads and yeah in 97km it's not really like you know the end of the world to open. And so onto the first full stage, a loop from Grandola back to the Bivouac, just 103km to ease the competitors into the event. In the bikes, Ross Branch was in the wars straight away getting caught out early on and cunning off the bike, leaving the hero team with some work to do tonight. A 2 minute penalty means Branch lies 7th overnight. Yeah I just made a small mistake, came over a ridge and the track went left and there was no danger so I went into the bush, went over the bars a few times but yeah we're still in it, still in one piece and we'll see how it goes for the rest of the week. Branch's team mate Sebastian Pula returning to the hero factory outfit after missing the Abu Dhabi Desert Challenge was instantly on the pace. The German posted the 4th fastest time today but also picked up a penalty dropping him to 6th. The Bivouac Bivouac house kicked off the action and with plenty of rain on the lead up to the rally conditions were tricky for the riders. The American as expected dropped some time but after his rivals picked up penalties he found himself finishing 3rd today. Lorenzo Santolino Sanchez was flying the flag for Scherco, a clean run through the test saw him storm to 2nd place, a great ride from the Spaniard just over 4 minutes off the overall lead. And that was held by this man, Tosha Sharina after setting the pace through the prologue he found himself leading the category at kilometre 33 but dropped back in the second half of the stage only to be awarded the win after Bradley Cox and Adrian Van Bevan were hit with penalties. Yeah in the beginning it was really really hard with the sandage rain, with sandy sections and after that we went to the more hardback sections, yeah I tried to push again hard but I had a little mistake with my riding in the sand but yeah waiting for tomorrow. In the rally 2 category it was a good day for local star Bruno Santos on the Husqvarna, 8th fastest in the stage and quickest of the rally 2 riders, he leads the class by 13 seconds. Confirmation then, Sharina takes the stage victory ahead of Sanchez and Skyler Howes, all that means he holds a lead of 4 minutes and 15 seconds clear of Sanchez with Howes, Mayo and Quintanilla rounding out the top 5. In the quads, Manuel and Iar did the double today to take the win in both the prologue and the stage, despite the difficult conditions for the competitors and Iar over 2 minutes clear of Antonas Canovkinas. A great start to the event then for Iar, drawing on all of his Dakar experience to go fastest today, confirmation of both his win in the stage and his overall lead, but there's still a long way to go. It was a spectacular fight in the ultimate class today, after dominating the prologue stage, Nasa Alatir took a steady approach to the first full stage here in Portugal. The Katari in his Hunter found the conditions difficult today and only managed 6th fastest. It's very difficult, not easy, but we take it easy and we don't need any drama, but okay, to finish day one and now we know what we need to do. Championship leader Carlos Sainz in the Mini who won the Dakar rally earlier this year with Audi was doing whatever he could to keep his campaign alive, crucially quicker than Alatir, solid drive today, 5th fastest. At the business end Yazid Al-Raji was also on top form, these are not the conditions that the Saudi Arabian is most used to, but he drew on all of his WRC experience and came through the stage in spectacular fashion, knocking on the door of the class win all day, but eventually having to settle for second, just 28 seconds off the pace. Not easy stage, easy to make mistake, two place we go overshoot but everything is going well with us. Instead it was Gerlain Shishiri in the Toyota Hilux who was on a push today, the Frenchman third in the championship, just three points behind Alatir and he knows he's right in the fight for overall victory, despite a few minor errors Shishiri set the pace. It was really technical, super slippery, super tight, it was really easy to make mistake, actually we like everybody, we miss some corners because the road is not easy to see, yeah pretty good but really dangerous stage. A good start to the rally for Shishiri then, he tops the time sheets through stage 1, 28 seconds clear of Al-Raji in second, with Lukas Marash confirmed in third, Nasser Alatir with some work to do tomorrow. In the challenger class it was all about the local drivers, these guys know the terrain like the back of their hand and were putting that experience to good use from the word go, Joao Diaz fastest through today despite the difficult conditions in his Kanam machine. Next came Alexandra Pinto also in the Kanam and another man who was able to take advantage of his local knowledge, it makes all the difference and he made it a one-two finish for Portugal in the challenger class. The fastest of the W2RC runners today was Chavichitlida Rokkas-Pachuska, the Lithuanian most importantly outpacing his title counterparts and for him that's what matters most. First day is done but there's four days more and you know tomorrow more kilometer yeah it's landscape is nice you know just muddy like off-road but yeah for everyone the same but yeah we did today a good job and need to keep like that for all the rest days. Meanwhile Sebastian Loeb whose present he has definitely been welcomed by the fans was the fastest of the tourist machines after his teammate Cristina Gutierrez went off the road. Loeb pressed on to finish fourth in class today. It's really bad, a lot of mud and a lot of problem with the visibility we had to clean the windscreen from inside all the time so it was not easy to concentrate on the on the track we were more fighting with the mud and the things coming inside so it was a difficult one. So after the first full stage it's Diaz who leads the challenger class here in Portugal the local man topping the timesheets ahead of Pinto with Betuska, Loeb and Armando Araujo rounding out the top five and finally to the SSV category and again the local boys were showing the rest of the field how it should be done. Quickest through today was Joao Montero by over half a minute a flawless drive in difficult conditions saw him take the early need in his T4 spec canam next came Ricardo Ramillo not quite on home soil yet he has to wait until Saturday before the rally heads into Spain championship leader Yassir Sairdan fourth fastest today after settling himself into the tricky conditions but with a 59-point advantage over anyone else he can afford not to take any risk it was really muddy as you can see it's a short state but it's very hard confirmation then of the result from stage one and the standings after a difficult day in the mud for the SSV crews so the first full day of competition is complete here in Portugal tomorrow another 160 kilometers lion weight and with conditions deteriorating it's anyone's guess don't miss it.


From Hollywood, California, the Lux Radio Theater presents Mary and Davies and Brian Ahearn in Peg-O-My-Heart. Present Hollywood. This is your program, ladies and gentlemen, made possible by your regular purchases of our products. It comes to you with the good wishes of our sponsors, who tonight bring you Mary and Davies, Brian Ahearn, Benita Hume, J. Ferrell McDonald, Eileen Pringle, Gerald Oliver Smith, and Edgar Norton in Peg-O-My-Heart. Our guests are Earl Johnson, famous trainer of motion picture dogs, and Marjorie Williams, director of the Hollywood Studio Club. Conducting our orchestra is Louis Silvers. And now, here's our producer, ladies and gentlemen, Mr. Cecil B. DeMille. Greetings from Hollywood, ladies and gentlemen. Mary and Davies has given Hollywood two things for which the town may be thankful. A good fellowship, which has inspired so much loyalty, and a great white landmark on the ocean front. Her home at Santa Monica Beach. A quiet little gathering there may mean from 30 to 1,000 guests. And they include princes, giants of business, statesmen, and the nation's leading social lights, all being quite themselves under the spell of their charming and unassuming hostess. I've seen prominent ambassadors play ping-pong in the cellar, and a world-renowned scientist romping with Marianne's four doxons. She's forbidden me to mention that she's active in a number of charities, so just pretend I didn't mention it. Aside from that, she grows hundreds of flowers and engages in the business affairs of cosmopolitan studios. Tonight, she plays a role in which she always excels. Hague in Pegor My Heart. Opposite her is that very resolute young man, Brian Ahern. For years, Brian struggled against becoming a star. It all began when, at the age of three, his mother practically thrust him on the stage. Brian showed his displeasure by howling throughout the entire performance. Still a rebel, he was enrolled in a London dramatic school at 10. His fellow students included an upperclassman, whom he recalls as a brash youngster with large ears and an assertive ambition. Once when Brian sent his autograph book to Reginald Owen, he found upon his return that the boy with the big ears had included his own signature. The uninvited autograph read, Noel Coward. Currently starred in The Great Garrick, you hear Brian on this stage as Sir Gerald Markham. Vanita Hume comes to us as Ethel, J. Farrell McDonald as Patrick Seamus O'Connell, Eileen Pringle as Mrs. Chichester, Gerald Oliver Smith as Alaric, and Edgar Norton of the original stage cast as Jarvis. In the Lux Radio Theatre production, Pegor My Heart, starring Marion Davies and Brian Ahern. A fishing village off the west coast of Ireland. A narrow cobble street runs the length of the waterfront for a score of tiny fishing boats lobbed merrily at anchor. One of these bears the painted legend, Pegor My Heart. And its slippery deck, Patrick Seamus O'Connell, empties the day's catch in the basket. His daughter Peg, in boys' clothing, lends a willing hand, tossing the baskets into a donkey cart. Shurn the cart as far as possible, Father. I'll hold one more, I'm thinking. Here you be. Oh, Shurn, there was a grand catch we had today, wasn't it, Father? I've seen more fishes in me lifetime.  Sure, Father. Now where's Michael? Come with me, lad. Here, boy. Oh, so there you are. Up on the cart with you now.  Don't step on the fish. Goodbye, Father. Is it long, you'll be? No longer than it takes and it's to dry. Your supper be waitin' then.  Sweetheart, darlin'. Boy, boy, I say boy. Whoa! Me you're talkin' to, mister? Yes, I'm, uh... Oh, who is it then that you're callin' boy? Oh, I'm so sorry. I thought, uh, oh, excuse me. Sure, there's no harm done.  Yes, I imagine so. And what can I be doin' for you? Well, I've just come from London. Patrick Seamus O'Connell. Oh, you know. Well, that'll be him down there on the deck of the Peggy Meards. Oh, thank you. Oh, no trouble at all, lad. Get up, sweetheart. Get on with you. It is that. Were you lookin' for someone? Are you Mr. O'Connell? I am. Patrick Seamus is the name. Ah, then you're the one I want. Uh, you married Heather Kingsnorth, didn't you? I did, but she's been gone these 14 years. Yes, I know. My name is Gerald Markham. I'm the executor of the Kingsnorth estate. I suppose you knew that your wife's father was dead. I did not. When did they hang him? I'm happy to say that Mr. Kingsnorth died in his bed, like an honest English gentleman, and of a very common ailment, old age. You'll be pleased to learn that his granddaughter, your daughter Margaret, inherits his entire estate. What's that? Squire Kingsnorth has left your daughter two million pounds. Two million pounds? Holy saints. Of course there are certain conditions. Oh, of course there would be. What conditions? Well, first, Mr. Connell will have to spend three years with the Chichester family. Who? Mrs. Chichester is a distant relation of the Kingsnorths. And she'll stay with them? For three years. Hmm. It'll be the way of making a lady, but I suppose... Well, let's call it education. Hmm. Hmm. Well, it will do, Patrick, no harm. There's maybe one or two things I couldn't teach her myself. But mind you, I'll not live with Mr. Chichester. No, no, no, of course not. As a matter of fact, the second condition states that you are not to be with your daughter. Oh, does it? Not to be with Peg for three years?  Permanent? That forever ain't it? Yes. I have a paper here that you ought to sign. You can keep your paper, Mr. Markham, and your conditions with it. And you can take yourself off this boat as fast as your legs can carry you. Go on. Oh, well, please. These aren't my conditions, Mr. O'Connell. I'm only acting as, well, as a messenger, you might say. And it's sorry news you're bringing too. I'll have none of it. I can understand your attitude. But do you think that you're being quite fair to your daughter? I do that. She's happy here, and I'm happy too. I don't... Glory be to ring in the bell again. What does it mean? Has something happened? I... David. David Cork. Hi, Patrick. Who was it, David? Patsybys. Jenny focused his vote for the Sheila. She went down off the reef. All hands lost. All hands lost. Glory be. And himself leaving behind a wintering child. It's a sad day for them, I'm thinking. It might have been you, Mr. O'Connell. What's that? What's that you're saying? I say it might have been you. What would happen to your daughter? I... I... You're right, Mr. Markham. Well? I... I never... I never gave it a thought before. You'll come to the house tonight, Mr. Markham? We'll... We'll talk it over, then. Of course. Thank you. Thank you, sir. Sit down there, Father. Father! Eh? Your supper beer's called as a clam. I'm sorry, Peg. I... I was thinking... Is there something on your mind, Father?  Oh, it is nothing much. I...  Me? What do you mean? Well... Living this kind of a life with an old man. You must be getting tired of me. Tired of you. What talk have you? I'd not change you for a million pounds. Ah... But would you change me for two million pounds? I would not. Not for all the money in the world. Oh, Peg, darling, you... Sure it's a great mistake to be making two, holding on to an old man like me, when you might be hobnobbing with all the lords and ladies of London. Father, are you daft? What talk is this? Peg. Peg, dear. There's something I... Now, who's that? The latch is off. Could you be coming in? Oh, good evening. Oh, come in. Come in, Sir Geralt. Oh, thank you. Sir Geralt? Oh, say, it's preservative. And be talking to him this day like he was my own equal. This is my daughter, Peg, Sir Geralt. Oh, how do you do, Peggy?  I mean... Your Highness, I'm... I don't know what I mean. What's good with you, girl? Well, it's a great honor to meet a Sir... Sir Geralt, sir. Not really. There are baronettes all over in England. Thicker than plums in a pudding. Whenever I had a plum pudding, Your Highness. That's true enough. But you will now, Peggy. Sit down, Sir Geralt. Thank you. Father. Father, what is it?  What? An heiress. Squire King's not that died he has. When he left you all the money you want. And everything that goes with it. Two million pounds, to be exact. Two million pounds? Ah, think of that now.  Ah, then I'll be getting you the red plannels that they wind in against your cart the next winter. And I'll buy a brass color for Michael with his name written on it. And address me myself. Ah, maybe two dresses. And some new boots to go fishing in. You'll not be going fishing. It's in England you'll be living. England is it? And when do we go? You may get it. You must be getting about your packing, Peggy. It's with the morning train you're leaving. Oh, glory be. Then yourself it best be packing too. Never mind about me. I'm not going, would you? Not going? Then I'm not going either. I mean, I'm not going, would you? Just now. Why not? Well, you see, there's this and that to be attended to. Well, when will you come? It will not be so long. But when? Well, soon. All right. But you'll be coming or I'll be coming back and that's flat. One now and a 10-year packing. Well, will you be staying, Your Honor? Just for a moment. I'll see you the first thing in the morning. Good night, then. And thank you, Your Honor. You're not being fair to her, Mr O'Connell. Do you think she'd go if she thought she'd never be seen me? It's the only way. What are you going to do? I'll write her I've been delayed. And then what? I'll write her again. And after that? Oh, I'll write. I'll write her I'm dead. That is, I'll have somebody write her I'm dead. That's hardly a solution. It's worse than telling her now. But even if she would go, which she wouldn't, could break both our hearts, the pattern. It's breaking yours now. Well, I'm much older and I'm used to it. And here's your bundle and here's your grip. Are you ready now? Already, Father. The cat's waiting, Peg. The general. And here's Michael. He'll be taking him too. Get up on the cat, Michael. Oh, Father. Well, well, girl. Father, I... I can't say goodbye. We'll not be mentioned then. And we'll not be crying either, will we, Peg? No, I'll not be crying. Sharon, what's there to cry about? Nothing, nothing. It's a very happy, happy occasion. Me called it a little worse this morning. So was mine. It come on me all of a sudden. Already, Mr O'Connell? Come in. Oh, Father, call me that name again so I'll feel warm till you come for me. Call me your name for me. Peg. Peg me a heart. Oh, Father. Now go out. Go on. Drive on. Drive on. Quick, sir, Sharon. Goodbye, Mr O'Connell. Goodbye, Father. Goodbye, Peg. Goodbye. Goodbye. Goodbye, Father. All right, Peg, this is it. You mean this is the house that I'm to stay in? Of course. Come on. Oh, glory be. Sure it is large enough for a regiment, horses and all. Oh, you'll get used to it. Here we are. Oh, saints above. Look at the knuckle. Sure they might be careful if the knuckles ending the north here on it. Oh, dear. Are you tired, Peg? Give it a bit. Let's start now for somewhere else, Your Honor. Timbuktu, for instance. Oh, you're not nervous, are you? No, not a bit. That's why I can't understand why my knees is knocking. Oh, good morning, Jarvis. Oh, good morning, Sir Gerald. Come right in, Peg. Thank you. A nasty day, sir. Hmm, storm coming on, I think. Yes, sir. You'll find the family in the drawing rooms. Thanks. This way, Peg. Hello. Hello. Oh, Sir Gerald. Hello, Jerry. Come right in, Peg. This is your aunt, Mrs. Chichester. I'm pleased to meet you, ma'am. I'm sure. How do you do? And this is Miss Ethel Chichester and Mr. Alaric Chichester. How do you do? How do you do? Hello. What did you say your name was, young lady? I didn't say it, but it's Peg. And this is my dog, Michael. Say hello to the lady, Michael. Stop it, stop it, Jarvis. Jarvis.  Call him off. Down, Michael, down. Bye. I'm sure he was only trying to be friends, ma'am. You called, madam. Yes, I did. Take that dog away. Oh, no, ma'am. That's Michael. You can't take Michael away from me. He was given to me by my father. Take it away and never let it inside the house again. Well, if you don't want Michael inside the house, you don't want me inside the house. Peg, please, let's not have an argument. I'm not having an argument. I'm making a statement. I don't know the use of the dog. They want to take me dog away from me.  Now, let him go, Peg. You can see him whenever you want to. Well, he's going to be in the house. Oh, of course he is. All right, then. Take him, Jarvis. Yes, madam. You'll be very nice to him, won't you? Yes, miss. And give him a mutton bone. He loves mutton bones. Certainly, miss. Goodbye, Michael. I'm sure he'll be well taken care of, Peg. Well, it better be. That's all I have to say. Come here to me. Yes, ma'am. And don't call me ma'am. No, ma'am. Aunt, I mean. Aunt. Not aunt. Yes, ma'am. Sit down, please. All right. Thank you. I said, sit. Not sprawl. Look at your cousin, Ethel. Me cousin, Ethel? Oh, her. Is she me cousin? Yes, I hope you have no objection. Oh, not the list. Now, Margaret, what I would like to... Margaret. My name ain't Margaret. My name is Peg. There's only a corruption. We shall call you Margaret. All right. But don't forget if I tell you anything. But don't forget if I forget the answer. Don't blame me, will you? Me father always calls me Peg. We have very little interest in what your father called you. You will kindly leave him out of the conversation. And that's all I will leave him out of... No temper if you please. You are here to learn how to conduct yourself. May go to your room now, Margaret. Travis will show you the way. Margaret. Oh, it's me, I mean.  You see, when you didn't say Peg, I... You have to go to your room, please. Very well, ma'am. Thank you, ma'am. Well, a nice package you've delivered, Sir Gerald. Oh, she's not so bad. She's really very sweet. You'll have to be patient with her for a while, that's all. Patient, who? It's going to take more than patience to make anything of her. I say, Ethel, don't be so hard. After all you know, we are being paid for it. Am I right, Jerry? Quite right, Alaric. I, um, I imagine you might be able to use the additional income. Use it? Oh-ho-ho. Well, I think that's very good. That's really amusing, especially since we have no other income. Alaric, don't be vulgar. Well, it's too humiliating. We're paid for keeping someone in the house. Well, of course she's not to know that. She's a guest here, and she has to be treated as well. Hey, was that Tamba? Hey, see, Mrs. Chichester. Well, Jarvis? Is the young lady just staying, Mrs. Chichester? Of course she is. Well, I unpacked her things, ma'am, but she's packed them again, and she's on her way out. What? Where is she? Which way did she go? It's the back way. I think we've got to stop her. I'll get her. Wait here. No, I knew we'd lose all the money. Hey! Hey, where are you?   It's only a summer storm. Oh, sure, in summer or winter, they shrivel me up. Oh! Stop it now.  I can't. When I hear the great crashes of thunder, I remember I'll be sinned. Now, sit down.  There now. It's all over. Oh, thank heaven for that. Where were you just going? I was going out. I was out of this house and back to my father's. Oh, but you can't do that, Peg. Oh, yes, I can. I'm not wanted here. That is, it's easy. Oh, but you are wanted, Peg. I-I happened to know. And who is it wants me? Not all Mrs. Chichester. And not my cousins either. Them with their sour faces. I'm not used to sour faces, I'm not. Well, then, I want you to stay. Will you do it for me, Peg? You? Oh, your honor. You've been very kind to me, you have, and that's the truth. But they're not going to make a lady out of me if I can help it. You can't make a silk purse out of a sow's ear. That's what my father says. And that's what I am. A sow's ear. I don't agree with you, Peg. I don't care whether you do not. I'm a sow's ear, I am. So if you insist. Thank you. But you're going to stay? Well, seen as it's you who's asking me, your honor. It is.  My name is Jerry. Jerry?  Well, I know. We're friends, aren't we? Oh, yes, but we're not as good friends as all that. Well, we will be soon. You're very sure? I'll stake my life on it. What do you know? Then you don't value it much. Oh, yes I do. Perhaps more than I ever did before. Margaret? Margaret? Oh, Glory be it herself. I see. Yes, she is, ma'am. Margaret, where were you going? Sure, and I was going out. I was, but it changed me mind now because only Jerry here asked me to. Margaret. Jerry? Oh, I see. And why shouldn't I call him Jerry? He's my friend, isn't he? You have just heard act one of plague of my heart. In just a few moments we will continue with act two of our play starring Marion Davies and Brianna Hearn. But now it's intermission time in the Lux Radio Theatre. While we're waiting for act two, we want you to go with us to an attractive home in Westwood. There we meet an important Hollywood lady, one of our few women executives. She's settling down for a visit with her sister, just arrived from the East for a month's stay. Now Lou, tell me all about it. How does it feel to be a married woman? Oh, just wonderful, sis. Harry's an angel. You'll love her. Will I? Oh, yes. He's the most perfect husband. Hmm. Praise is your biscuit. Men's broken chairs. Tends the furnace, I suppose. Sissy wash dishes, too. Oh, certainly not. I'm the chief cook and dishwasher in our house. Well, your hands don't show it. I'll say that. Of course they don't, sis. I'm very particular about the way I wash dishes. I never use anything but Lux Flakes. I've heard so much about Lux around the studio. But I don't know much about dish washing. Is it so wonderful for that, too? It is wonderful, sis. Though I've been washing dishes for months, and my hands haven't once felt the tiniest bit rough a chat. They say Lux hasn't any of the harmful alkali that some salks have. That's why it doesn't dry your skin. Your hands really are nice, Lou. Nice enough to kiss. And tell me, honest now, doesn't Harry... Yes, he does, silly. And I hope he'll always want to. And now, let's go back to our play. Mr. DeMille sets the scene for us. We continue with Pegger My Heart, starring Marion Davies and Brianna Hearn with Benita Hume. One month has passed since Pegg first came to the Chichester home, a month of training and studies that's been all work and no play. In the living room, we find Ethel and Christopher Brent, a friend of the family. Brent has been a frequent visitor, and Pegg has come to know him and to dislike him intensely. He's just been shown in by Jarvis, and coming quickly across the room takes Ethel's hand. How are you, darling? Oh, I'm all right. Glad to see me. Why not? Where is everybody? Mother's lying down and Eric's around someplace. And your little Irish cousin? Oh, my little Irish cousin. You seem very interested in her. Child amuses me. Are you sure that's all? Oh, Ethel, please. I refuse to be drawn into an argument about anything so ridiculous. I'm sorry, Chris. It's just nerves. Things have been rather trying this past month. Yes, for me too. Ethel, I'm at the crossroads. What do you mean? It's the end between me and my wife. We quarreled again last night about you. Oh, how interesting. She's heard some talk about her.  And what do you intend doing? Separate, of course. She won't give me a divorce. But I'm leaving for France tonight. Hello? Yes, unless someone goes with me. Oh, naturally. Ethel, if my wife does set me free, will you marry me? I don't know, Chris. I want you, Ethel. I need you. Until you go tired of me as you're tired of your wife? I'll never go tired of you. I love you, Ethel. You know that, don't you? Don't, Chris. Why not? No, don't. Please. Darling, I... Hello? Oh, don't mind me. I was told to come down here and study. And was it absolutely necessary to choose this room? Well, it was good if any other, I guess. But I would be in your way. I'll just sit off in the corner and you'll let me even know I'm there. Chris, I... Oh, it's quite all right. I was just about to leave anyway. Oh, were you? Well, I hope you're not leaving on my account. But, uh, goodbye, Mr. Brent. Goodbye. Who is it? May I come in? Oh, what do you want? Oh, just to say goodnight. It's a nice room you have, Ethel. Well, I'd feel terrible if you didn't meet with your approval. Why are you looking at me like that? Well, aren't you my model? Oh, goodnight, please.  I didn't mean it, Ethel. Ethel, won't you make friends with me? We have nothing in common. Well, that doesn't prevent us from being distant to each other. I'll meet you three quarters of the way. If you'll only show one generous feeling toward me. You would if you knew what was in my mind.  You've got us mixed up. I'm not the strange one. What? Oh, I watch and listen. And listen to you.  Aren't they the years ago and sweet tempered, calm young lady? And you're not quite that, are you? Well, what am I? Of course. You've got the breed and then the beautiful manners. But you have a temper. And it's a beautiful temper. It's a shame for you not to let it out in the daylight so that everybody can see it. But you can't, can you? Because it's not good for them. And with all your fine advantages, you're not very happy, are you? Are you? No. Neither am I in this house. Yes, I'd like very much to ask you something. Well, what is it? Do you know anything about love? What? Have you ever been in love? No, I haven't. Have you ever thought about it? Um, what do you think about it? Very little. Oh, you're wrong. It's the most wonderful thing in the world.  Oh, it's mighty disturbing. Well, how do you know all this? I, uh, I read about it in a book. Oh, I see. Don't you like men, Ethel? Not much, but you like Mr. Brent, don't you? Certainly I do. He's a very old friend of the family. He has a wife. Well, what about it? Oh, nothing, Ethel, but tell me this. Is it customary for English husbands to go around kissing other women? I suppose you're referring to what you saw downstairs today. Well, in a way, uh, yes. Will you kindly have the decency to keep your observations to yourself? Oh, sure, I'm clear, Ethel. Don't be angry with me. I only wanted to tell you something. I don't care to hear it and I'll go away. And just for a change, try minding your own business. I miss Peggy the drawing room, sir. Oh, thank you. Jerry! Is it you? Hello, Peggy. Hello. Sit down, Jerry. Well, I can't stay. I just dropped in to ask you something. Yes? Well, there's a dance tonight at the country club. Would you like to go? Would I like? Oh, indeed I would. Good. We'll have to ask your aunt, of course. Ah, would we? Oh, but she'll never let me, Jerry. Oh. She won't, I know. I don't let her take any chances. Let's go to the dance tonight and I'll ask her tomorrow morning. But that's not fair. I know, but it's a dance. And if you think that I'm going to let it get by me, you're very much mistaken. When the lights are all out and they're all asleep, I'll creep down the stairs and meet you at the foot of the path. And if it goes against your tentative conscience to take me, I'll take you. That's how we'll settle that. Ah, but there may not be any occasion to do any such thing, your aunt. Maybe delighted. Delighted? Sure. She doesn't know the meaning of the word. Well, why shouldn't she let you go? After all, I'm an old friend of the family. And, well, we are good friends, too. I guess we are, Jerry. Did you ever hear what Tom Moore wrote about friendship? No. Would you like to hear what Tom Moore wrote about friendship? I'd love to. All right. There's a tune that goes with it, but I won't sing the words. Why not? Well, it wouldn't be fair to Tom Moore. It's about a girl, that is, who built a shrine and she thought that the best thing in the world to put in it was an image of friendship. You see, she was like you. She thought that there was nothing in the world as nice as friendship. Yes. Yes. And this is what happened to her. She flew to a sculptor who sat down before her. A friendship the fairest his art could invent. But so cold and dull, that this youthful adored her. Said Plainly, that was not the friendship she meant. Oh, never has she cried. Could I think of enshrining an image whose looks are so joyless and dim?  Miss Rose is reclining. We'll make, if you please, sir, a friendship of him. So the bargain was struck with a little god-laden. She joyfully flew to her shrine in the grove. Farewell, said the sculptor. You're not the first maiden who came but for friendship and took away love. Now, where in the world did you learn that? Tom, my father taught me that. Tom Moore's my father's prayer book. Okay, but for friendship and took away love. Well, that's happened to a lot of men, I think. To a lot of women, I think. Has it ever happened to you, Peg? To me, well, no. Maybe it would sometime if I was different. But, oh, I'm just an Irish no-buddy. Oh, don't say that. Oh, I'm sure there's a little something good in me. But the bad little something always eats the good little something out, so it does. Well, you'll have to put a rain on the bed something then. So I will. But would you mind very much if it had just one more spurt before I killed it altogether? What do you mean? I want to go to the dance. It's the last bad thing I'll ask you to let me do. I behave like a saint from heaven after that. Well, I still think you should ask your aunt. All right, I will then. But yes or no, I'm going to that dance. Mom! Are you happy, Peg? Happy? Sure, the whole world's going around with this one wall. And I'm going around with it too. I'm dizzy, I am. Shall we sit down? Ah, no, it'll be over so soon. And I'll be creeping back like a thief in the night. You shouldn't have come here, really. Don't I know it? It isn't that far. It's such fun. Here we are. Oh, yes, here we are. It sure has been a glorious night, Jerry. I'm glad, Peg. All the while, I'm supposed to have been asleep upstairs. I've been stealing the time. I'm a thief, I am.  The sweetest. What? You'd better go in. I know that. But what are you going to say to me? I don't think it might be better to say in daylight. But why in the daylight? For the beautiful bright moon so high in the heaven. I'll go on now. Someone may hear us. Ah, I suppose you do know best, but that's a magnificent moon. Well, good night, Jerry. Good night, Peg. Jerry. What is it? I heard something. There's someone over there by the tree. Do you see him? Yes. It looks like Bradley. Bradley? Who's he? Christopher Brent Shover. Well, of course it is. That's Brent's car at the end of the drive. Now, what's he doing here at this hour? Sure, and I think I have a very good idea. Good night, Jerry. Peg, wait. I can't. I can't. I've got to go in. Good night, Jerry. Good night, Peg. Who's there? Is that you, Ethel? What are you doing down here in the dark? I could ask the same of you. What are you doing with your hat and coat on at this time of the night? And a traveling case with your tool. Do it your own, please. Will you go on away? Keep your voice down. Mr. Brent's car is out there.  Will you answer me, Ethel? Yes, I am. We're taking the boat to France. Oh, no, you're not. You're not going out of this house tonight if I have to whack everyone in it. Well, wait then. They can't stop me. Nothing can stop me now. And what do you suppose you'd be going to? Awaken and sleep in purgatory fuel. Get out of my way. He has a wife, Ethel. He hates her.  He did my fault. She won't give you a divorce. And is that what he told you? And did you believe it? It's him that won't get the divorce. He wants her money. And he wants you. And he can't have both without lying to you. You're mad. It's the truth, I'm telling you. You've got to believe me, Ethel. You leave me alone. No, you're not getting in the car tonight. And I'm the one who'll see to it. Come back here. Come back. Bradley. Bradley. Good evening, Miss Ethel. It's not Miss Ethel. Where's Mr. Brent? Well, he's at the boy's head tavern, Miss. But I... Is he waiting for her? Well, Miss, I... Then you can take me to him. But Miss Ethel is... No, Miss Ethel ain't coming. Now get in there and drive.  Yes, Miss. Who is it? Is it you, Ethel? Ethel, why don't you... Oh. You can close the door, please. What are you doing here? I came to see you, Mr. Brent. That's obvious. There must be some other explanation. Won't you sit down? Oh, no. I can tell you what I think of you standing on me on two feet. Really now? And I think you're not to interrupt me. It'll take me a long time.  We have a visitor. I thought she'd be here. You may go now, please. And leave you to go gallivanting off with this polar snake. Oh, no. I came here to tell them what I think of him. And I'm staying here till I've finished. You stay out of my business. Oh, what's it, a snake, I called you, Mr. Brent? Well, you're worse than a snake and a whole foot lower. A decent girl wouldn't lower herself to step in you. But you fooled Miss Ethel here, and now you're going to tell her the truth. You hear what I said? Get out. Let her alone, Ethel. She's very amusing. The whole situation is amusing. Great. Quiet. Amusing, is it? Well, then why don't you answer the door? We're found here. Don't let them hear you. Ethel, get into the other room. What? Come on, I can take care of this. What are you going to do?  Come in, sis. You mad? Is this him, Mrs? Yes. Good evening, Chris. Oh, how do you do, Clare? Oh, Clare, is it? Yes. Clare Brent. I'm Mr. Brent's wife. I don't believe I know the two gentlemen, Clare. Oh, excuse me. Mr. Doyle and Mr. Flint. Detective. They didn't come to pay a social call. Well, have you gentlemen seen all you wish? I think it'll do. It'll stand in any divorce court. Thank you. Clare, you can't do this. What's your name, young lady? Don't answer them. And why not? I'm not ashamed of it. My name's Pegal Connell. Thank you. Is that all, gentlemen? That's all. Good night, Chris. Well, that's that.  Yes, Mr. Brent. I've shown you up for what you are. Ethel, you can come out now. Peg. Oh, Peg. Well, there now it's all right. Everything's all right. But it isn't not for you. It isn't.  The newspapers, they'll name you as a correspondent. They'll think that you were the one who was... Oh, let them think what they want. There's only two people in this whole wide world I care I hang about. One is my father. Oh, he'll know it's a lie. And the other one, he'll believe whatever is in his heart to believe. Oh, now I think we best be getting home. As for station identification, this is the Columbia Broadcasting System. Down comes the curtain on act two of our play, starring Marion Davies and Brian Ahern. One of the characters in our play is a four-footed gentleman named Michael. And for the next moment or two, while going into act three of Pegor My Heart, we'll hear about Michael's Hollywood relations, the dogs of motion pictures. I don't know what a dog's vision of paradise may be, but Hollywood comes pretty close to being a canine heaven. The home of practically every star has two or three tailwaggers. Many of our celebrities raise prized dogs as a hobby. Charlie Ruggles raises them as a business. And here you'll find catering shops, dude ranches, haberdashery stores, and expert medicals, all dedicated to a happy, healthy fido. Our guest, Earl Johnson, has trained motion picture dogs for many years, including Flush, whom you saw in the Barris of Wimple Street. His most famous star is the German Shepherd Lightning, hero of such films as Wings in the Dark, The Case of the Howling Dog and White Fang.  Same two qualities, Mr. DeMille. The human stars must have intelligence and personality. Lots of dogs could be taught to do everything that lightning does, but his success is due chiefly to the personality exhibits and doing his tricks.  This, of course, can't be done in talking pictures. How then do you convey to a dog what you want him to do? Well, before a scene is shot, the dog is rehearsed, just like any other member of the cast. But naturally, when the scene is being played, the dog can't understand the dialogue, so he must get his direction from the trainer. The trainer stands near the camera and tells the dog exactly what to do through certain simple movements of his hands. But does lightning know when he's acting and when he isn't? Yes. He'll attack a man and rip his clothing to shreds and perform with all the viciousness of a wolf.  All that, of course, being the result of careful training. A dog's career in motion pictures is much the same as a man's. If he's to get an important part, he must pass a screen test. I tested 11 dogs before I found Lantloper, the canned terrier who performs in the Buccaneer. He even walked the plank for me. Yes, famous dogs like that have their own dressing rooms, their own doubles and stand-ins, and receive hundreds of fan letters. Lightning's stand-in is his own son, Lightning Jr., who's learning the picture business in that manner. And if a dog has a feature-partner film, he's hired Lightning, and the other important player, through the casting office. If he's an extra, so to speak, he's hired through the property department. What can you tell us about Lightning's rival for screen popularity? The wirehead terrier, Mr. Aster, who appears with William Powell and Myrna Loy in the thin-man pictures. Mr. Aster is owned by Henry East. The dog's real name is Skippy, and you'll see him again in the new film, The Awful Truth, this time under the name of Mr. Smith. Skippy is undoubtedly one of the smartest dogs I've ever seen in films. In his fondest possession, though he's received many more valuable gifts from the stars with whom he's worked, there's a little rubber mouse named Oslo. Mr. East gives Oslo the Skippy to chew on whenever he's shot a particularly good scene. I confess I'm having a little difficulty with Josephine de Mille, our St. Bernard. Josephine doesn't always want to sit down when she's asked to. Well, here's a good way to tease Josephine, or any other dog to sit down on command. Put your dog in a leash at your left side. Hold the leash taut in your right hand, with the other hand stroke the dog's back. Move your hand down his back to a spot where the hindquarters connect with the spine. At this point, there's a reflex nerve. When your hand passes over it, press down a little with your finger and thumb. The dog will automatically sit down. While you're doing this, just tell the dog to sit. As he does it, give him a pat on the head. Try it again a few seconds later. Keep repeating the process until the dog learns to associate the word with the action. The most complicated trick is based on this same simple association. Keep command short so as not to confuse him and remember the secrets of obedience at patience and kindness. A good idea. Josephine's one drawback is that she usually bites the hand the pats her. Well, I know. I'll have to send lightning over to teach her some manners. Of course, everything lightning does is not exactly a trick. Lightning has a lot of plain common sense. And just to prove that, I brought him along tonight. Lightning, say hello to Mr. DeMille and all the listeners. That's fine. Now, there's just one more thing, Lightning. A long time ago, when I used to give you a bath with just any kind of ordinary soap, what'd you do whenever I got your tub ready? Well, you don't need to have such a sour face about it.  That's exactly the right answer. No wonder your coat has never shrunk. Okay, Lightning, and thank you all. Thank you and like them both. Once again, Marion Davies, Brianna Hearn and Benita Hume in Pegger My Heart. It's early the following morning and Pegger's already announced her intention of returning to Ireland. Her aunt, knowing nothing of the events of last night, realizes that if Peg leaves, the Chichester family will lose the money they receive for her training. In a desperate attempt to keep Peg in the house, she's persuaded Alaric to make a proposal of marriage to her. Alaric, the family martyr, knocks nervously at Peg's door. Oh, I see Margaret. Come in. Hello. What is it, Alaric? He might just stuff that. I'm afraid that dog still doesn't like me. Oh, he's all right. He's smart, too. I say, Margaret, you're not really going to leave us, are you? I am that. And if you'll excuse me, I think I'll go on with me packing. I see why. Why? Have you seen them on in papers, Alaric? No. Can I get them for you? Oh, no, Alaric, I know what's in them. I say, Peg, there's something I want to tell you. As you know, I've grown really awfully fond of you. He nearly chalked you, didn't it? And when did you find that out? That you were fond of me? Just now, when the thought struck me that perhaps you really meant to leave us. The idea bruises me. What does it now? It positively bruises. Ah, you'll get over that. No, I don't think I shall. Do you know why?  Something useful? What? Certainly not. I'm going to ask a very charming young lady to marry me. What do you think of that now? And who do you think it is? I don't know. Guess. I couldn't guess who'd marry you, Alaric. Ah, it's you. Me? And it's all right? It's the most wonderful thing I've ever heard in my life. What? Oh, yes, of course, good. Fine, splendid. Of course, there are one or two little things to settle first. Only one or two? Just little things. In the first place, I must insist on a little obedience. And no Michael. Oh, I couldn't have Michael? No, no. I'm very firm about that. Very firm about it, yes. What could you offer me in this place? What could I offer you in the place of myself, of course? Thanks. I'll keep me, dog. Oh, come on. I say you don't really mean that. You don't actually mean that you're refusing me. Could I make it into planar? I'm refusing you, Alaric. Really? Really. Positively. Positively. Oh, I say thanks very much. Goodbye, old girl. What? And thanks again. I can't tell you how much I appreciate it. Hello? Alaric. Alaric, come here. Oh, later, later. I asked her, and she refused me. Absolutely and positively refused me. I hope you realize how lucky you are. Oh, Mother, please. No, I do. I do. But I say you were the one who put me up to it. Look at this. In the paper. Mrs. Christopher Brent is due for divorce. Name is Margaret Hill-Carloire. Co-respondent. I say they can't meet Peg. No, yes, they can. She was with him last night. Everybody's talking about her, even the servants in the kitchen. It's too bad they can't mind their own business. Ethel, are you preparing to defend her? You who... What is a Jarvis? Mrs. Gerald, Madam. Good morning. You may go, Jarvis. Yes, Madam. Good morning. Good morning, Alaric. Good morning, Alaric. Good morning. I saw a cab at the door. Someone coming or leaving? Someone's leaving, and I, for one, should be very glad to see a girl. I assume you're talking about Peg. You know very well we are. Have you seen the morning paper? I have. Well? Oh, don't believe it, of course. You suppose they'd print a thing like this if it weren't true? Well, that's what I'm here to find out. When Peg tells me it's true, I'll believe it. Until then, I prefer to think the papers have made a mistake. Now, where is she? In her room, packing. Oh, she mustn't leave England, of course. She'd lose her inheritance. Well, I'm not going to have her here. There's a mistake ever to let her come to this house. Yes, I'm beginning to think so myself. Oh, I see. I suppose you're going to blame us for what happened last night. I don't know that anything did happen. I'm speaking of other things. You were supposed to make a home for her here, and you were well paid for it. Well, have you done it? Have you done anything? Have you done anything except make life miserable for her? How could I make a home for a girl like her? You might have tried. If you had, you wouldn't be going away now. Oh, Peg. Good morning, Jerry. I just came in, Aunt, to say goodbye. Well... Wait a moment. Sit down, Peg. It's late. I'm thinking. I'm catching the boat for a home. Well, you can stay a moment. Sit down, Peg. Um, there's a story in the paper this morning about you and Christopher Brent. I thought there would be. I want you to deny it. Do you hear me, Peg? I heard you. Well, you do deny it, don't you? I... I only wish I could. Oh, Peg, you know Ethel. There's nothing I've got to say. Nothing. Peg, listen. I don't believe this story. I can't believe it. I know it can't be true. All I want is for you to tell me so. That's all, Peg. I'm not asking for an explanation. I'm not asking for anything except your own word. Well... I've got nothing to say, Jerry. Oh, Peg. Nothing. I'm sorry, Jerry. Well, all of my cab is waiting, and, well, I... I guess that's all. Goodbye, Jerry. Well, Jerry, I hope you're satisfied. No. Get her back. Call her back. She likes you. What's the matter with you? There's nothing to do with it. You hear nothing, Peg. Catch her. Catch her there. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. Ethel. lying about Christmas. Oh Jerry I was hoping that you know the truth but you're not angry with me. I couldn't be angry with you. I love you Pig. Jerry did you hear what you said? I think so. Did you mean what you said? I'm sure of it. Oh Jerry hold me I think I feel another storm coming on. We close the pages of tonight's play but bring Mary and Davies and Brian Ahern back to you a little later. Where does a young girl live who's come to Hollywood and is trying to make a name in pictures. Some live in little boarding houses, little inexpensive boarding houses but our most famous residence for such girls a landmark of the film capital for 21 years is the Hollywood studio club. Maintained by the national YWCA it's under direct supervision of a group of Hollywood women. Scores of our most prominent stars contribute to its upkeep and it's sponsored by the motion picture produces association. Mrs. Arthur S. Heinemann assistant state superintendent of schools is chairman of the studio club and Mrs. DeMille I'm happy to say is vice chairman of its directing committee which includes Mrs. James Gleason and Lois Wilson while Louise Dresser and Mary Pickford are on the advisory committee but the person to describe what the club is and does is Miss Marjorie Williams its director for 16 years. Mrs. DeMille tells me Miss Williams the club is always filled to capacity which means that about 100 girls call it home of these who at the moment are making a bid for fame. Well there's Virginia Walker for example a young actress whose portrait occupies an entire page in this month's Esquire. Ida Valmer and Catherine Aldridge who appear in The Vogue of 1938 are still with us and so is Evelyn Keyes the young southern girl discovered by Mr. DeMille. Also with us are the secretaries of Eddie Cantor and Myrna Loy and writers, singers, dancers, script girls, extras, radio actresses and film cutters. Work in the picture business you know is seldom steady there never was a time when all our girls had jobs but as a rule more than half are working at the same time and who pays the rent when there's no pay envelope coming in. Well if a girl has exhausted her savings we do our best to help until she gets a job. Remember the girls who come to Hollywood are determined to make good yet there are hundreds of girls to every job but still they come. We have them from China, Austria, France and England. Many of them are from colleges many from excellent homes some with little or no education some with only the prize of a beauty contest and the good wishes of their friends some arrived by Pullman coach a few have hitchhiked and one girl came as a stowaway by way of the Panama Canal. In 21 years 3,000 girls have lived at the club how many of them have attained national fame? Only about 20 or 30 Mr. DeMille which proves how tremendous are the odds against a newcomer the one career in which there has been distinct success is married about half of the 3,000 married and that after all is as big and splendid a career as Dardham. The wives of Louis Stone, Marion Cooper and Jesse Lasky Jr. all have lived at the club but getting back to the rent problem they'll take all kinds of jobs Mr. DeMille just to hang on we have girls singing in nightclubs one selling insurance many have turned typist or business secretary some model clothes and one girl rides an elephant in a circus still waiting for that chance in pictures. I believe several of the girls have acted in the Luxe radio theater haven't they? Yes they have this program has many links with the Hollywood studio club. Luxe is their favorite radio program and there's no question but that Luxe flakes are their favorite wardrobe care. I don't have to tell you that many girls have moderate incomes or how important it is to dress smartly to work in pictures. Since many girls do at least part of their washing at the club we know what kind of soap they use so it should interest you Mr. DeMille as it has interested me to know that Luxe flakes are by far the most popular. In fact there's really no comparison it's so economical and does its job so well. We're glad to know that Ms. Williams how can you tell us how a girls residence club in Hollywood differs from such a club in any other town. It differs to the extent that Hollywood and motion pictures differ from any other place and profession every girl here is decidedly an individual yet Hollywood gives them all a oneness of purpose that is a great uniting force when a girl has had a bad break when her job hasn't materialized when her part in the picture gets no further than the floor of the cutting room she finds a brave sympathy and understanding from her companions from them she acquires courage and learns that she can still smile and to me that makes Hollywood a far greater place than merely the home of motion pictures. I hope that what I've said tonight will not encourage any girl to come to Hollywood after 16 years here there's no better advice I could give than simply this unless you are prepared financially and otherwise to come to Hollywood as a years experiment hang on to your own job whatever it is and wait until Hollywood sends for you. Thank you Mr. DeMille. Thank you Ms. Williams. One of the traditions of the Luxe radio theater is observed at this time when you meet our stars out of character a tradition that's never more pleasant than when the stars happen to be Marion Davies and Brian Ahern. It seems few things interest our listeners more Marion the news of the current activities of a star what's she doing and what does she plan to do so what can you reveal to us about yourself. Only this Mr. DeMille that I'm looking forward to doing the pictures soon I've been reading several manuscripts to find the right one recently Walter wanger kindly offered me his next color picture and this month I was very much flattered to receive an invitation from Mr. George Bernard Shaw to come to London and do the picture pig million I greatly admire George Bernard Shaw and I'd love to do pig million but Warner Brothers have the first claim on my services moreover I used to like the idea of making two or three pictures a year but now I think that you Mr. DeMille have the right idea just to make one good picture a year and it's been awfully delightful returning to the Luxe radio theater and I want to thank everyone here on the stage for the marvelous help in making this a grand evening thank you very much thank you a word now from our air-minded leading man Brian Ahern a few days ago the newspapers had Brian and a plane accident at Palm Springs it was my plane all right Mr. DeMille I wasn't in it and are you going to tell us that you weren't in your plane last month when it made that false lancing and in Pennsylvania no Madden I'm afraid I was very much in it I thought it might be fun to fly to New York from Hollywood all alone in my open plane but I had no radio and no landing lights all I came a moment when I miscalculated the change of time and found that my horror that the sun had set behind me when I had counted on another hour of light I ran into a thick ground list and spent a very few bad 10 minutes wondering just what to do and through the trees I managed to spot a dark patch it turned out to be a pasture and I set the plane down with a few bumps well quite a few people collected and when I asked where I was they told me I wasn't very far from Gradyville well I'd never heard of Gradyville but I knew I was only about 20 miles in Philadelphia so I inquired the way there the name seemed to stump them all for a while until finally one bright minded individual said he guessed that Philadelphia must be somewhere to other side of Gradyville and with such specific directions I found it next morning and was safely in New York airport an hour later were you flying to New York to settle the tails for another stage play this winter at the time yes Mr. DeMille but I'm working on the hell roads picture merrily we live at the moment and it seems to look as I might not make it but I'm learning the art of blind flying and that's almost exciting enough to compensate for no play this year till next time then thanks and good night good night Mr. DeMille good night Mr. DeMille good night Mr. Herman thank you Miss Davies and Mr. Herman ladies and gentlemen this is your announcer Melville Ruiz there's another outstanding show awaiting you next Monday night and Mr. DeMille tells you about it in just a moment assisting our stars tonight where Edward broadly as David Eric Snowden as Christopher Brent Doris Lloyd as Mrs. Brent Michael Fitz Morris his port officer Wallace Roberts his Flint Lou Merrill as Bradley Frank Nelson as a guard and Ingward Tillich and Doris Lou Ray as Irish women Louis Silvers appeared through courtesy of 20th Century Fox Studios where he was in charge of music for the new film Second honeymoon and Mr. McDonald through courtesy of Columbia Studios now just before Mr. DeMille returns we want to remind you that this is the time to help the 1937 drive to fight tuberculosis help make the world safer purchase your supply of anti tuberculosis Christmas seals now use them on all your Christmas mail show that you're helping fight the dread disease too buy seals for Christmas and you buy help for the new year and now Mr. DeMille around our microphone next Monday night will be grouped several of Hollywood's most popular performers playing a drama that triumphed on Broadway and became one of Samuel Goldman's most successful motion pictures it was applauded the world over under the title of these three a powerful and original drama with a splendid romantic feeling it stars Barbara Stanwyck, Errol Flynn, Mary Aster, Constance Collier, Alma Kruger and Marsha May Jones our sponsors the makers of Lux Flakes join me in inviting you to be with us again next Monday night when the Lux Radio Theatre presents Barbara Stanwyck, Errol Flynn and Mary Aster and an all-star cast in these three this is Cecil B. DeMille saying good night to you from Hollywood broadcasting systems