With the release of his new studio album, We Are Chaos, we can assume Marilyn Manson has been busy writing tunes during the global pandemic. I'm a huge fan of his, but even I find that where he calls home has always been somewhat of a mystery. Dubbed the Vampire of the Hollywood Hills by Rolling Stone before, Mr. Manson has mostly lived in LA over the years. But is his home as creepy as you'd assume? Well he did move into a haunted house before 2015. We'll take a look at where Marilyn Manson has called home over the years and after some serious digging, we even found some of the listings. Ryan Warner, known to us all as Marilyn Manson, is a singer, songwriter, record producer, actor, and more who is infamous for his controversial stage personality and image. Despite his reputation in the 90s painting him as a negative influence on young people, he's had a handful of albums reach platinum and found a ton of success. To this day Mr. Manson is still touring and releasing new music. His latest album titled We Are Chaos just came out so it seems he's been keeping busy. You'd think with his long running career the man would have a larger net worth but it currently sits at an estimated $10 million. Hey guys it's Cara and today we're doing another house tour here on Famous Entertainment. We'll be looking at where the controversial man of metal Marilyn Manson calls home like his previous Hollywood Hills house where he's currently living in LA and more. If you like these videos make sure you're subscribed and ring that bell to be notified when we post so you can always be up to date. We've all stood house tours in the likes of Mary Kate and Ashley Olson and Joe Rogan and will link to some at the end. Follow me on Instagram, chat and as usual let me know whose house tour is next in those comments down below. Now let's get into this video. See one of Marilyn Manson's previous homes was up on the market once again and while you may expect the shock rocker to have a gothic dungeon filled a state the home looks pretty family friendly. The three-story walled and gated estate was built back in 1925 and situated on three separate lots right in the Hollywood Hills. Manson lived here from the late 1990s until 2004. From the looks of listing photos the home hasn't been redone in a while and would take some serious refurbishing. Even from exterior shots the mansion is looking a little weathered so that could be one reason it's valued at around only 1.6 mil currently. The Mediterranean style home is being sold as is according to listing materials but it's still apparently one of the most unique properties in the history of the Hollywood Hills. The mansion is unassuming from one street entrance and the property goes down to one of the roads with a gated parking area below. Not only does Manson living here give the place some Hollywood history a Marshall Chess who co-founded the Rolling Stones record label in the early 70s and is the son of legendary co-founder of Chess Records also lived here. Considering Marshall also spoke about living a crazy rock and roll lifestyle coupled with Manson's infamous reputation one can only assume this house has seen its fair share of debauchery over the years. Listing materials talk about features of the estate such as romantic spiral staircases, grand living room, original touches, decks on every level and mystery around every corner. Sounds about right. The home spans over 3,000 square feet or so with four beds and five baths.  Although looking at the kitchen and many of the rooms the house is in need of a full restoration I would definitely keep a lot of those classic and vintage parts of the home intact if I bought it. Personally I really like the vibe of the place. Not to mention the multi-lotus state has a separate two-story guest house with walls of windows overlooking a fern grotto, white pond and naturally fed stream. Also on the property you'll find a crystal blue pool, trails and more. Although the home may be better suited as a fixer-upper project, I'd say it's not a bad deal for like 1.6 million. In March 2003 while still owning the Hollywood home, records show Manson purchased the house in the suburban area of Chatsworth. It cost him about 1.2 million. Chatsworth is over 30 miles from the glitz and glamour that is Hollywood and has long been considered the unofficial capital of the adult film industry. Manson said he left the White Hot Center of LA for the quiet suburb in the aftermath of the chilling Columbine School shooting. The singer took a lot of heat for this tragedy being accused of influencing the shooters with his music. Anyways, it seems Mr. Manson took a break in Chatsworth for a few years before putting the house back up on the market in 2007. From old photos we can see that Manson had the house looking a bit lackluster while he lived there. Back in 2007, listing information said the property was entirely rebuilt since it was originally constructed in 1938. But looking at the 80s style kitchen from then, it probably wasn't recent. However, the home has since been on the market again and actually looks like a whole new mansion since Manson lived there. Basic facts about his previous Chatsworth house include 4,484 square feet inside, four beds and 4.5 baths. The home sits on half an acre of totally private grounds and the one level floor plan includes an oversized family room, separate office, slash library, home, movie theater and more. When Manson occupied this place, we can see that he installed a recording studio, which was likely very convenient for him. However, the purple carpeting he laid down would definitely not fly these days and it definitely isn't there anymore. He also had some black sheets on some of the windows because you know they like to say the man sleeps during the day. Hardwood floors cover most of the interior and the rear grounds of the home boast a pool, cover cabana and rolling lawns with gorgeous views. Manson put this place up on the market for about 1.1 million, which was actually less than he bought it for. These days after a thorough transformation of the property, the place is valued at just under 1.4 million. Although it looks like a totally different house, the listing materials prove it's the same and also describe it as a secluded, formerly celebrity owned estate. From the updated listing, we can also see that Manson's former abode now has a luxury master suite with huge his and hers walk-in closets and other features like custom fireplaces, marble counters and full sound systems throughout the place. There's also a basement with air conditioned 500 bottle wine cellar. So although there's a little mystery as to where Manson is currently living, according to some aerial views and celebrity maps, this seems to be the spot. Since his chat's worth home, he's jumped around a bit, but around 2013 this house was purchased and it appears that Manson lives here. He's back in Hollywood, surprise, surprise. And according to the listing, this Hollywood manner, Spanish style home is worth about 1.8 mil. We can see in listing photos the red stairs outside just like the map views of Manson's home shows. Inside his home stands 2,711 square feet of space with two beds and three baths. There are romantic 20 foot beam ceilings in the massive great room which opens up to a lush front patio garden through dramatic glass doors. The second story of the home has a wide full length open hallway and balcony that can function as an office or sitting area overlooking the living room. There are two separate master suites with original tile bathrooms, vanities and walk-in closets.  Since moving in Manson may have made the place a little darker though. According to a 2015 interview with Rolling Stone, they called him the vampire of the Hollywood Hills and said he does keep the home pretty dark. Not to mention he has decorations like a pistol and rifle on a coffee table, a prized clown painting done by rapist and serial killer John Wayne Gacy and some other weird stuff. Manson's Hollywood Hills villa also has a separate bonus bedroom and bath with private terrace and a large storage room. The home is situated on two parcels of land with private fenced-in gardens and gorgeous views of the canyon hillside. His vintage chic Hollywood home also may be haunted and I'm not surprised the rocker would go for a place like that. It was reported that before Manson's album The Pale Emperor, he bought a haunted home to write the record in. Considering the current Hollywood spot was sold just before that, it makes sense that it's the same place. He's also neighbors with his good friend Johnny Depp here. Apparently the home was owned by a silent film actress from the 1920s and the property is at least 19th century. Manson told Revolver Magazine, I needed a place that didn't have any distractions. So I bought a house that was next to one of Johnny Depp's houses. I bought it the day before I started work on The Pale Emperor. It's haunted, doors slammed behind me a lot and I'm always hearing people walking up and down the stairs. Well there you have it folks. Of course there had to be something spooky about at least one of Manson's houses. So now we've looked at the homes of Marilyn Manson from his previous Hollywood home, his suburban place in Chatsworth and his current haunted villa. After seeing his places, which was your fate? Personally I liked the first one even though it apparently needs a remodel and the current home as well. To me they're kinda similar. Anyways, be sure to let me know down in the comments as well as whose house tour should be up next. Follow me on Instagram if you wanna chat. Be sure to like, hit subscribe and I'll see you all in the next video. Bye.


Just landing my hands in my punch a lot.  So in the NFL, I got to work on my punch and just working on every single time I get those little victories where I land my punch, get the timing of the punch down. That's something that I look forward to and I count on. So yeah, for sure. Working with Joe, I mean, he's got the same style offense as we do in that they had in San Francisco. So just being able to learn the foot quickness and the hand speed and him just being such a great player, a 13-year vet, probably future Hall of Famer, just being able to learn from him was huge. Yeah, definitely. It was fun. Like you said, I only played in two games in the past two years. So just any time I get to be out on that football field, I count as a blessing. Then being able to be on an NFL football field, that was a huge blessing. So yeah, like you said, as the game went on, definitely got more comfortable. Eventually, I'm fishing, like you said, on any position. How much is learning three or four spots helping you right now to learn nuances? Yeah, it helps me so much. Helps me to speed the game. Just learning the nuances of the interior offense line in the NFL and exterior and stuff like that. And then yeah, just being able to settle in the position in the future will be huge for just me honing in my skills. So yeah, maybe right away. Like right when I first got training camp or OTAs, bolts are flying, never been in your unfamiliar territory. But right now, I feel pretty comfortable moving positions from play to play. Oh yeah, for sure. We're talking to him all the time. I sit right in front of Taylor and Roger meetings and every single play, Roger will lean over, give me tips and tricks here and there. And then even when we're in the sauna or the tubs or something, I'm just always picking their brain, asking them how they move their hands, how they move their feet, what they're thinking when they're going into the block. So yeah, it's huge that we have these vets. I mean, Roger's going into year 12, Ben's going into year 10. Taylor's been an all pro however many years. So just being able to pick their brains is awesome. Yep. Yeah, everything happens a little bit faster. You don't have two kicks to get your hands up and stuff, so I gotta get my hands up quicker. And then the guys are obviously a little bit bigger. So in the run game, just making sure my pad levels down, stuff like that. So just those things, getting used to those, it's been good though. It's about what I expected. Only reason is because I've been around so many guys, like we said earlier, I trained with Joe Staley and he was giving me tips and tricks. And yeah, there was a jump to make for sure. Everything happens a lot faster in the NFL, but ultimately I feel like I'm making that jump well and I'm just progressing along as we go.


What's up everybody Jason here for Jasper's case breaks calm 2021 impeccable football sells out picker team number 10 with this random number Block here bucks dealers cowboys and Packers So you get a piece of all of these teams for a fraction of the price you would have paid If you would a bottom all straight up and again, we go by random number blocks So everybody gets a number from zero through nine your examples are right here We go by the first number on the left side of the sir number dash Remember any and all redemptions go to spot zero any one-on-ones close spot one and any Non-numbered cards are randomized to the group if there is any that we pull for this break Here's a nice release of guess my name is Brian Frank down to Peter. We got zero one two three four five six seven eight nine roll We have a Three and a four for seven times. Good luck One two three four five six seven Seven times and Nathan at the top down a Brian Frank all right seven times one two three four five six Seven zero through five I need them with zero and you know we're done for you buddy Jose with seven eight Oh nine Brandon with three Steve with eight Peter with six Ryan with two Derek any one-on-ones will be yours Nathan with four Brian Frank with five All right, so now one more randomized we need to do then we can do the break guys Appreciate it everybody. Good luck in this one


In both literature and daily communication, many sentences contain figurative language. Figurative language makes meaning by asking the reader or listener to understand something by virtue of its relation to some other thing, action, or image. Figurative language can be contrasted with literal language, which describes something explicitly rather than by reference to something else. Here's a very basic example. Let's say I want to describe how I took a rafting trip down an Oregon River. I could say, our raft bumped through class 4 rapids, and I felt scared. That's a very literal way of describing my experience. Or I could say, our raft bucked like a wild Bronco as we shot through walls of water my heart jackhammering in my chest. That's a highly figurative and much more evocative way of characterizing the experience. In the figurative version I used a simile, our raft bucked like a wild Bronco, and two metaphors. One, we shot through walls of water, and two, my heart was jackhammering in my chest. You can find Oregon State videos that will teach you about simile and metaphor, as well as two additional kinds of figurative language that have complex names but that aren't hard to understand, metonym and synecdoche. I recommend that you watch all four videos together as the similarities and differences between simile, metaphor, metonym, and synecdoche will give you a great overview of how figurative language works to characterize all kinds of vivid experiences.


The EPSCOR Bioregual Energy Component benefits students and faculty at multiple institutions. EPSCOR has broadened my horizons on the scientific research that New Mexico is doing for renewable resources. What has EPSCOR done for you in particular? They funded a lot of Dr. Yann's looking into the research, and since I've been working here for about the past year, they've really enabled the whole thing. This is our Aldo-Pallard unit called Algoturf squabber. We use it to cultivate algae in dairy manure affluence. Paddle-mixed raceways are a common way for growing algae at large scales in our research and industrially. Open-bubbled ponds are also used, but they lose large amounts of water. Novel-covered raceways at NMSU and outdoor tube systems at SFCC greatly reduce water loss. Mid-sized indoor bioreactors are used to seed large reactors and also to help connect large-scale research to benchtop experiments. Large arrays of flasks on shaker tables maintain cultures for small-scale experiments, which we also conduct in more advanced environmentally controlled benchtop bioreactors. Research in the biology department at UNM and at the New Mexico Consortium has been using novel encapsulation methods for growing algae, including encapsulation and alginate beads, and using 3D printing of silico-soul gels that can be seen to generate oxygen bubbles from photosynthesis in the following image. Of course, growth of algae is the first step, and EPSCORS-supported mass-patrometry instrumentation at NMSU is being used for detailed metabolomic assays and training of students statewide. In the north, the lab of enchantment at Santa Fe Community College is amassing a full suite of state-of-the-art facilities for energy research and training. Through a stealth STEM approach, they get diverse students interested with hands-on training, which inspires students to seek additional education at institutions around the state. It also inspires fun innovation, such as the conversion of old candy containers into useful bioreactors. Here at the UNM Center for Water in the Environment, we're discovering how mixed-culture algal reactors can be designed and operated to more efficiently produce biodiesel. One goal of the project is to improve settling characteristics by operating several reactors with different configurations to aid in algal harvesting. Here we see that including a settling phase to an operation cycle produced much better settling than did a control system. Microscopic examination shows that including the settling phase produced large, dense algal flocks, while standard operation produced dispersed growth in small flocks, which likely explains the differences in settleability. Future work will determine how different reactor designs affect the genetic makeup, harvesting, and biodiesel production. Together, we are growing better algae, conducting better analyses statewide, getting better across-training students, and developing better innovative systems to solve today's problems using energized New Mexico funds. And we give a hearty thank you to NSF EBSCORE for helping us to create a better statewide community.


I am Dr. Hemant Kalyan, consultant and head of department of orthopedics at Manipal Hospital Bangalore. We are all in the middle of this national lockdown. None of us have experienced this in our entire lifetime. And this has become necessary because of the situation imposed by the COVID-19 pandemic and the necessity for people to stay in their homes so as to contain the spread of the virus within the community, within the city and within the country. But during the COVID-19 times, people still continue to fall sick, people still continue to have problems and they are looking for consultations with doctors. At Manipal Hospital Bangalore, we are very sensitive to these problems and therefore we have started a system of online video consultations for our patients whose problems are relatively not that severe. They are welcome to discuss their problems with their doctors. We can offer an online chat and send an email with a prescription or a message with a prescription to the patient and they can obtain the medicines from their nearby pharmacy. Of course there is a limitation that physical examination cannot be done online but in spite of this limitation, we have been able to help a lot of proud patients with our online consultations. All our emergency services are working as usual. Being in orthopedics, all patients who have fractures requiring surgical treatment, we are doing that. We are not denying a single emergency patient their treatment. All of them are screened to make sure that they do not have any signs and symptoms of COVID-like infection or what they call as a flu-like illness and then we have been doing the surgeries for fracture patients. We have also done surgeries for acute infections and we see patients for emergency situations 24 by 7 in the casualty. One of the things that we have been restricting during the COVID pandemic time, during the lockdown time is the elective surgeries. Examples of elective surgeries are totally replacement, total hip replacement, ligament reconstruction surgeries, correction of deformities, etc. Now although these health problems are very important, we have to consider the nation's requirements and the society requirements as a priority in this situation. That is why in order to conserve our medical staff, in order to conserve our PPE, in order to conserve the hospital resources and in order to minimize the risk to the attenders of the patients who would undergo elective surgeries, we are actually deferred or postponed elective surgeries until after the lockdown period. This appeal has come from no less than the Prime Minister itself and I think it is our national responsibility and our society responsibility and our responsibility as doctors to postpone the elective surgeries until after the lockdown period. But we rest assured that at Manipal Hospital, we have a very rigorous system of screening every patient with fever in a separate fever clinic with a separate entrance and we have a separate COVID ICU and COVID wards where there is no intermingling of patients who are suspected COVID or COVID positive with the general patients. And I am proud to say that not a single other patient has got COVID infection in this hospital, not a staff has got it because of a patient-to-patient transmission. So please be assured that as soon as the lockdown period ends, we will be happy to resume our elective surgery services as usual and our routine OPD services as usual. It is safe and comfortable for you and for us. So my appeal to you is please stay safe, do your hand washing, wear your mask so that we prevent the spread of the COVID infection. And as the Prime Minister said yesterday, if all of us are together, we can win this war against COVID.


Warfighting first to me means that safe training prepares the warfighter to be ready to date tomorrow and whenever. To deliver the support systems and the readiness capabilities my job is to help them through the process and keep our service members mission ready and give us an opportunity to position them best to do their job as warfighters. My most critical contribution to Navy warfighting is our commitment. It's my knowledge of safe practices to ensure there's a seamless service to the fleet. It helps that warfighter out on the tip of the spear do their job better, smarter, faster. It's absolutely essential that we stay focused on warfighting first. To be prepared to fight at any time. To make sure that when the call is made we are able to answer effectively and decisively. Being prepared to address whatever challenges are presented. Making sure that the fleet is ready to go at any time for any mission. Warfighting capabilities have never been better and that is a testament to that total force. We have officers enlisted, civilians, family members. The reserve component.  Working together so that we all can accomplish our mission.


The Thoughty Autie Podcast. There tend to be some issues in terms of socializing sometimes. What kind of things do you think those would be for ADHD-ers? For ADHD-ers, for socializing, we can very often overshare and then feel bad about it afterwards, and that comes with that impulsivity and regulation. And you know, sometimes we like to go hard and then we need to relax. And I know that individuals with autism as well very often need that time as well to come down from all the stimulation that they're seeking throughout the week and throughout the day. So I find that when I'm thinking of one individual in my head, but I'm not going to name them of course, but I know someone that does have ADHD diagnosis, I don't think they're autistic. They haven't explored it or anything, but I'm pretty sure. But I find that for me talking to them, it tends to be this kind of strange dynamic where I'm very sort of direct and blunt, and I tend to be able to concentrate more on the topic, whereas when I'm talking to someone with ADHD, it tends to be the case that we'll talk about. I'll talk about something, I'll give them a monologue, and then they'll start talking about it, but then they'll veer off track and just start talking about other things. And then I ask a question, and then I kind of bring them back to it, or it can be sort of on the more short-term thing where I start speaking, I'm very slow in my processing and sometimes I'm quite mellow in the way that I deliver things. So sometimes they'll like... You just remind me... Concentration. Yes, as I'm doing to you right now. Sorry. It's okay. No, you just reminded me, like my interactions with certain people with autism, very literal. My assistant has autism, and it has helped me become such a better communicator where I got distracted in my communication with ADHD like you're saying, but you can't when you're talking to someone with autism, they need to know black and white what it is that you need from them, or what it is that you mean. Those little nuances in humor or in knowing someone who I'm close with, who likely has autism as well. When you're feeling a certain way, without expressing it, saying I am sad or I am feeling this way, it might be hard for that person to pick up on how you're feeling. Yeah, that aspect of cognitive empathy, definitely. I don't think it's... Am I right in thinking that that's not something that ADHD has experienced, like the... It's phrases over things. Cognitive empathy, basically. It's the ability to do exactly what you just said. It's the ability to know how someone's feeling just based on indirect cues, and not that sort of direct, verbal kind of explanation, more emotional expression over emotional explanation. Correct. I don't think that an individual with ADHD, from the majority of people that I work with and know, have as hard of a time with that, I believe that we're more hypersensitive. Hey, YouTube. Hope you have enjoyed this podcast clip so far. If you want to check out the full episode, you can find it here on my YouTube channel under the podcast section, or you can go to Spotify, Apple, Google to check it out on different podcasting streaming services. If you have enjoyed this video this far, please make sure to like, perhaps drop me a subscribe if you want to see some more content from me, and drop a comment down below, even if it's something simple like an emoji or a heart. It really does help satisfy those big YouTube algorithm gods in the sky. Anyway, I'll let you go back to it. And because of that, we have that empathy to be hyper aware of how other people are feeling, to a point where we're compensating for someone else and their needs, and we put that over our own. So we're like so alert and aware of everyone else's feelings. I think there is sort of a difference between cognitive and adaptive, and adaptive is that element of once you know how someone's feeling, your empathic, you respond correctly to how they're feeling. So you'll comfort them, you'll do things for them, you'll talk to them. Is that aspect of knowing, I think, that it's the hardest, and it's been described as other things like theory of mind, or the sort of the difficulty of putting yourself in someone else's shoes. And also in terms of emotional expression as well, because we don't tend to have as much of the facial expression, the body language, and the tonality changes when we're in certain emotions. Right. So it's hard for us to really identify with someone when they're kind of openly expressing it, because perhaps when we're sad, we might just look completely blank, and just talk in a very sort of mellow voice, but we might be like 95% anxious, like we're nearly gonna have a blow up. Whereas for other people, you can see it, they'll be like fidgeting, they'll be like showing those kind of visual signs. That's probably a good, good sort of key difference, that sort of cognitive empathy part, because... Yes. And to that point too, you know, you can think that someone with autism might be mad at you by having that tonality of voice, but they're not, it's just the way that they're speaking. Yeah. Right, exactly. Exactly. You have so many issues, especially within the realm of psychology and stuff, like when you get in counseling or you're working with a mental health worker or you're getting psychotherapy, or even to be honest, in most places, in life, we tend to approach people and say something that is completely conflicting with how we're acting, and that can be really hard for people to grasp. We call it like flat affect, like we don't appear to be in distress, but we definitely are. I think it can make it really hard in those settings because perhaps people might not take us as seriously if we say I'm very depressed and I'm not feeling good and I'm thinking all about all these horrible things, but if someone said I'm feeling really depressed and I'm just thinking about such horrible things, and there's more of that like congruence between the two. Right, it's not what you say, it's how you say it, right? Yeah. So a lot of the training that people did to kind of understand autism in terms of emotions kind of focuses around, you know, if we're directly explaining our emotions, it literally means that it's not less by the fact that we're not expressing as much on the outside. It's very interesting, like it contributes to things like, what's the name? There's faux regulation, sort of faking that you're regulated when you're not. Yeah. So like inside your mind is going to places. Yeah, you're masking that intense panic, but on the outside you're like calm and you're talking to people like you usually would, but yeah, they've done some studies around it's really interesting, like around like cortisol and sort of maybe heightened more in those and then taking longer to fall back down. So would you say that the anxiety associated with autism is higher than the anxiety associated with ADHD? I'm not sure. OK. It tends, I mean, just from my experience, autistic people, we tend to retreat when we're anxious. I don't know, sort of on the ADHD side because I imagine that there's a lot of due to the fact that you have that hyperactivity element that you are moving a lot and you sort of doing things and you're sort of coping with that anxiety and stress by getting the movement, whereas for us, we kind of just sit with it and just kind of ignore it. And sometimes just not even recognize it, that we're feeling that way. So I think there might be some like differences in how we sort of process it possibly. Interesting.


Green synthesis of nanoparticles, GNPs, involves the use of natural materials such as plants or bacteria to produce metal nanoparticles. This process can be used to create more environmentally friendly products, as well as to discover new applications for existing products. GNPs are often found to contain compounds derived from the original source material, such as sugars, secondary metabolites, and proteins. These compounds may contribute to the unique properties of GNPs, such as antimicrobial, antioxidant, and cytotoxic activity. Additionally, GNPs have been shown to be superior to chemically synthesized nanoparticles in terms of stability and bioactivity. Further research is needed to understand how these compounds affect the physical and chemical properties of GNPs, as well as to compare the performance of GNPs with those produced through other methods. This article was authored by Gregory Marslan, Karthik Sairam, Kesar Matbul, and others. We are article.tv, links in the description below.


Want to know who won? Well, we'll tell you later when we announce the Ford winners in the fourth Big Jingle Contest. So listen while New Post-War Old Dutch Cleanser, famous for chasing dirt, presents... Nick Carter, famous for chasing crime. Every week at this time, two great names are joined as New Post-War Old Dutch Cleanser brings you one of the most resourceful and daring characters in all detective fiction. Nick Carter, master detective. If you're all through, Mr. Carter, we'd like to remove the body. Yeah, we're through, Officer. What do we do now, Nick? Go back to town? Right. Oh, and when we get there, Patsy, remind me to call the newspapers. The newspapers? Why? Because you can locate all sorts of things through a newspaper ad. And maybe if we advertise, we can locate a murderer. And now, the case of the martyred rat, today's adventure starring Lon Clark as Nick Carter, brought to you by New Post-War Old Dutch Cleanser. It's past midnight, and beside a dark highway 50 miles west of the city, a young man stands in the driving rain, swaying weakly as he tries to flag down a passing car. His left arm hangs useless, the hand red with blood that drips steadily from under the sleeve of his leather jacket. Hey. Hey, buddy. Hey. Hop in. I thought there wasn't anybody ever going to stop me. Oh, Nick, he's hurt. Look at his hand. Let me help you. What's the matter? We'll get you to a doctor right away. Oh, never mind the doctor. Get me to the nearest police station. Police? What happened? Were you held up? Yeah, three guys. They hijacked my truck. It shot me. I... Oh, Nick, he passed out. Is this Mr. Henry Barton of the Barton Motor Freight Company? Yes. Who are you? My name's Carter, Mr. Barton. I'm speaking for one of your drivers, Red Kennedy. What? Is Red in trouble? Yeah, I asked me to let you know that his truck was hijacked tonight, 10 miles west of Elm City. Good heavens. That truck was carrying a load worth almost $30,000. How about Red? Is he all right? He's been shot, but it's only a flesh wound. The doctor says he's in pretty good shape. You tell that doctor that I want Red to have the best of everything. What did you say your name was? Carter, Nick Carter.  Well, yes. I'm a private investigator. All right, then go to work. Find out who held up my truck. Get that cargo back. Report to me tomorrow afternoon. Now, wait a minute. I haven't said I'd take this case. I'm asking you, ain't I? How about it? Well, okay, I'll do it. For Red's sake, I don't like seeing people hijacked. Fine. See you in my office at two o'clock sharp. Good night. Come on back, Les. You're okay. Hold it. That's it. Dr. Dickens, are you doing back on the job today? Oh, hi, Miss Carter. Good afternoon, Miss Bowen. How's the arm, Red? Ah, it's okay. Well, you can't drive with it, can you? I'm no driver, lady. I'm the superintendent. Last night was an emergency, so I checked the load on this crate. Yeah.  This is Les Gone. Oh, how do you do? Hello, Les. This is a guy that ought to have this hole in his arm instead of me. That was supposed to be his run last night. Oh, how come it wasn't? Well, I... I was sick and the boss asked Red to take over for me. I see. Lucky for you. Yeah. Come on, folks. I'll take you to the boss's office. He's waiting for you. Well, Mr. Carter, what did you find out? So far, not much, Mr. Barton. We did go out and take a look at the truck last night, but we couldn't tell anything from that. What do you mean? It's parked half a mile off the main highway on a side road. Yeah, that's where the hijackers made me drive so that they could load this stuff into their own truck. How about tire tracks? Don't you detectives locate criminals? Things like that? Well, not unless there are tire tracks, Mr. Barton. You see, there's plenty of mud with the truck. It's sort of red clay, but the rain had washed out and if wheel marks, there might have been. In other words, you haven't found out one blame thing. I see here, Mr. Barton, you can't expect miracles. Miracles? Ha! Look. What? Can you give me a list of everything that was stolen last night? Yes, I've got it right here. Cigarettes, nylons, silverware, electrical appliances, chemicals, and a lot of small stuff. Most of those things could be easily disposed of. Oh, uh, by the way, Red, what about Les? Think he can drive tonight? Sure, Les is okay, Mr. Barton.  Sick! He was drunk!  Made Red take over the run. Oh, look, boss, Les wasn't drunk. I told you that last night. I smell liquor on his face. All right, so he had a drink, maybe two, but he never done it before, did he? No. He better not do it again. If it hadn't been for you, I'd have found out. Well, Mr. Barton, I'll let you know as soon as I've got anything definite. Good. And don't make it any later than the day after tomorrow. Why bother starting the car, Nick? That truck's blocking the driveway. I know. We can't get out until someone moves it. Well, maybe half an hour. I'll try this other driveway. Okay, but... I notice it goes around the building. I ought to come out on the opposite side. Golly, this is a big old place.  This is a big old place? There used to be a brewery in the old days. It makes an ideal warehouse and truck garage. Well, I hope this drive doesn't come to a dead end in the back of the building. Well, we'll know as soon as I make this turn. Ah, it's okay, see? Road goes right on out. Oh! Nick, that was a shot. No, but what's the big idea? I was just shooting at Randall.  Look, lady, this place is swarming with Randall. You come out of that big drain from the old part of the building, the part that don't use anymore. And you shoot them as they come out? Is that the idea? Yeah, you betcha. Mr. Barton pays me dime apiece for sometimes you get 10 or 12, one afternoon. How much does Mr. Barton pay for innocent fine standards? I'm real sorry if I scared you, ma'am. Oh, maybe I better introduce myself. I'm Amos Kittery, the kind of caretaker around here. Kittery? Yeah. Any connection with Kittery's boarding house? You betcha. My daughter-in-law runs it. Then I betcha no less garner one of Mr. Barton's drivers. You betcha. Rooms with us. Oh, lucky for Lessie that he wasn't making his regular run last night, wasn't it? I suppose you heard that his truck was hijacked. Yeah, you betcha. Funny thing, too. Less must have had a feeling something was gonna happen on that run. Well, why do you say that? Oh, because he was nervous and jumpy all day long. Oh. Like as if he was dreading something. Dreading something? Yeah, yeah. He even started to drink in the middle of the afternoon. Less never done that since you know him. That's true. Yeah, you betcha. Acted like he had to work up his courage, go to work. He got so drunk that the boss wouldn't let him drive. So he stayed home safe and prepared, huh? Yeah, not so as you'd notice it. Went right back to the saloon and started slugging him down again. Then all of a sudden he jumped in his car and lit out. Lit out for where? No telling. Didn't get back till almost daylight. And was that car a mess? Let's give me a dollar to wash it off for him today. Dogg, gonders, red clay you ever didn't see. Red clay? Yeah, you betcha. Like to never got it off. Nick, that road left now. Yes, Betsy. I know it from me. Mr. Kettering, where is your daughter's boarding house? Well, when you get out of the street and just down the driveway there, she's about a half mile straight ahead on the left-hand side. This sign out in front. Why? Because of any of that red clay is still stuck under the fenders of Les's car. I want to compare it with some I took off a truck. He ain't likely they'd be the same. Maybe not, but if they are, Les Garner is going to have to do some pretty heavy explaining. Well, Betsy, I'm afraid it's true. Finish your analysis, Nick. Yeah. Clay from the hijack truck and that from Les Garner's car have exactly the same chemical composition. Oh, then they must have come to the same place. No question about it. But if Les was in on the hold-up, Nick, do you think he faked being drunk in order to get out of driving? Look, Betsy, suppose Les was approached by the hijackers and agreed to let them know when he'd be carrying a valuable load. Yeah. Well, it might have arranged a fake hold-up. Why, yes. That could account for his nervousness that day. Right. Then when Barton refused to let him drive, Les would have had to get in touch with a mob and warn them that somebody else would be driving. And that might be how he got the clay on his car. Of course, we don't have any actual proof. No. Oh, just a minute. Nick Carter's office. Patsy Bowen speaking. I want to talk to Carter, young woman, right now. Oh, yes, sir. You better take it, Nick. It's Mr. Barton. Oh, OK. Hello, Mr. Barton. Hello. Think I have some news for you? Oh, you do. Well, I've got some news for you. Another one of my trucks has been hijacked. Another one? Yes. Who was driving it, Les Garner? Yes. How did you know? I'll tell you later. I don't let Garner get away. Don't worry. He won't get away. Good. The hijackers put a bullet through his head. So, Les Garner, the man Nick counted on to lead him to the hijackers, has been killed. We'll see what happens in just a moment. Now, back to the case of the martyred rat. Today's adventure with Nick Carter brought to you by new post-war old Dutch cleanser. It's now three o'clock in the morning. Nick and Patsy have driven out to the scene of the holdup with Mr. Barton. State police are detouring traffic around the big truck, still parked beside the highway. The body of Les Garner slumped over the wheel. From the angle of the wound, Patsy, it looks as though whoever killed Garner stood here on the running board. Yes, and it must have happened without any warning. Otherwise, Les wouldn't have just sat there behind the wheel. Ah, you're right. There wasn't any fight. Just plain cold-blooded murder. Then you'll be taking another big loss, won't you, Mr. Barton? No, I won't lose anything. All my trucks are fully insured against robbery. This cargo wasn't worth much anyway. Oh, it wasn't? No, no, the whole shipment consisted of tin kitchenware, toys, rat poison, cheap lampshades, dried fish. Nothing valuable. Well, I hope the hijackers were plenty disappointed. They weren't, though. They went to the trouble of unloading this stuff even after they saw what it was. They must have been pretty dangerous, too, right on a busy highway like this. Maybe they took the truck over on a side road to unload it and then brought it back here. No, Mr. Barton. Les was killed here. The bloodstains show that his body hasn't been moved from behind the wheel. If you're all through, Mr. Carter, we'd like to take the body into town. Okay, officer, and thanks for your help. That's what we're here for, Mr. Carter. Okay, Doc, you can take over now. Oh, by the way, officer, exactly what time was the body found? Let me see. We've got it down here. 12.45. 12.45? Yep. But you didn't notify Mr. Barton until after 1.30. That wasn't our fault, lady. We tried to phone him, but there wasn't any answer. Yeah, well, I... My pinocchio club met last night, and I didn't get home until after 1.00. Pinocchio club? Yeah, come on, come on. Let's get back to the car. Oh, that's a good idea. Hey, Mr. Barton. I'm getting cold. How long would it take to move the sort of load you had on this truck from one truck to another? At least half an hour. Why? I'm trying to figure out what happened. Well, it's plain enough. They made a big hole the first time, so they tried it again. No, no, no, no. Highjackers don't rob just any truck. They always have information about which trucks are carrying valuable cargoes. But Nick, this truck didn't have a valuable cargo. Which proves Mr. Carter is wrong for the second time tonight, young lady. The second time? Didn't you say that Les Garner was mixed up with the Highjackers? I did.   They stole the cargo in order to cover up his murder. What? You mean that Les was murdered so he couldn't talk about the first robbery? Exactly. The truck was Highjacked to make it look like another holdup. Oh, you're crazy. Who knew what was on that first truck and what route it was going to take? Les knew, and Redd and the superintendent knew. Even before he took over his driver. But that's all. Didn't anyone else know? Absolutely not. Not even you? What? Yes, yes, of course. I knew. Oh, Patsy, when we get back to town, remind me to call the newspapers. Call the newspapers? That's why, Nick. Because you can locate all sorts of things through a newspaper ad. And maybe, if we advertise, we can locate a murderer. Hey, Mabel, listen to this in the personal column. Wanted to contact motorists who are driving west from Dever Springs Friday night between 11.30 p.m. and 1 o'clock. Call Surrey 905. Herbert! We were on that road about there. Yeah. Let me write that number down. Maybe I can help this guy out. Yes, Mr. Hammond. I'm trying to get information about a trailer truck that was parked just beyond the top of the long hill 10 miles west of Dever Springs Friday night. A Barton motor freight truck? Yes. Did you see it? I'll say I did. I got stuck behind it at the bottom of the hill and had to go all the way up and low. That's why I remember the name. Do you remember what time that was, Mr. Hammond? Yes. As a matter of fact, I had the car radio on waiting for the 12.30 news. It started just as I went around with the top of the hill. Was there another truck on the hill at the same time? No. Just one other passenger car in me. We were both stuck behind the truck. You said there was another passenger car. Yeah. And you know there was something funny about that, too. What was that? Well, I stopped about a mile farther on because I thought I had a flat. Uh-huh. But neither the truck nor the other car ever did pass me. Well, maybe the car turned off on a side road. Ah, there aren't any on that stretch. Well, what sort of a car was it, you know? No, no. It was behind me. All I could see was the headlights. Afterwards, Mabel and I wondered what happened to it. I think I know what happened to it, Mr. Hammond. In fact, with what you've told me, I think I know the answer to a lot of things. What's the idea of exploring the basement of this old warehouse? Oh, I thought it might be interesting to see what's down here at the unused part of it. Oh, but it's like a dungeon down here. I can take something right across my foot. Probably a rat. A rat? Oh, dear. I thought we'd run into some rats. That's why I warned you that there's slacks in your heavy walking groups. Oh, but, oh, honestly, this part of the building is alive with them. Here. Let's see what's on the other side of this door. You seem to know exactly where you're going. Look right through the flashlight. See those marks in the dust? Oh, yes. Well, I'm following him. But if you asked Mr. Barton, you probably would have sent somebody along too to clear the rats out of the way at least. I didn't want Barton or anybody else to know we'd be snooping around this part of the building. Oh, here's another door. Can we go through that too? Mm-hmm. Golly, it's musty in here. Yeah. These must have been used for storage rooms when the place was a brewery. Oh, Nick, it's another rat. Look, Patsy, you insisted on coming along. Oh, no, but, hey, they still use this room for storage. It's full of boxes and crates. Yeah, let's see what they are. Mm-hmm. Marvell kitchenware, dried herring, psaltex lampshades. Patsy. But...  And it wasn't stolen at all. Say that again. Oh. That truck was unloaded before it ever left the warehouse. Nice pickin', Mr. Cardiff. But, Red, Red Kennedy. Yeah. And don't reach for your pocket, Mr. Cardiff. You couldn't draw very fast, wearing them heavy gloves. My gun is aimed at you right now. I wore these gloves for protection against four-footed rats, Red. Can you... can you hijacked your own truck? Yes, then murdered his own partner.  I gave Les a chance to get in on the deal, but he was a nice little boy that didn't believe in takin' things, that didn't belong to him. You're saying that Les Garner wasn't mixed up in that first robbery? He would have been if Barton had let him drive that night. But he didn't really want any part of it. That's why he started drinkin'. But he was there that night. The red play on his car proved it. Yeah, he was there, trying to talk me out of it. Ha! He said he was appealing to my better nature. So that's how you got shot. There was a fight... No, I just left.  Then who shot you? I put that bullet hole in my arm myself. You? Just to make the hole look like the McCoy. For a $30,000 cargo, it was worth it. And then when you learned that Nick was suspicious of Les, you killed him. That's right. Oh! Jellyfish would have spilled everything if he'd been pinched. So I unloaded his truck, told him his schedule had been changed, and that he was to pick up a load in Pittsburgh. And when he left, I followed his truck, flagged it down, and got rid of him. Won't be so easy getting rid of us, Red. No? No. If anybody hears shots coming from this part of the building... Are you kidding?  No. No, I got a better idea. Yeah? What is it? You're going to get locked in down here by accident. Oh, no. Yeah, wait a minute, Red. Sorry, Carter. Maybe I'll come back and see you again in a couple of years. Red! Red, please! Oh, Nick. Nick, what are we going to do? Get away from the door, Cassie. I want to try something. But we can't. Did it work? No. Well, it's don't mean a thing against the door like that. But Nick, nobody knows we're here. Nobody'll come looking for us. We've got to break out of here somehow. We can't break out. Maybe if we yell out enough, somebody'll hear us. Cassie, these walls are over a foot thick. No one can possibly hear us. No one can possibly... Oh, Nick. Nick, it's like being in a tomb. Locked in a forgotten basement room of the old brewery, unable to break out or make themselves heard, Nick and Patsy are faced with almost certain death. We'll see what happens in just a moment. Now for the conclusion of the case of the martyred rat. Today's adventure with Nick Carter brought to you by new post-war old Dutch cleanser. Red Kennedy has left Nick and Patsy to die. Locked in a small windowless basement room deep inside the old brewery. Now Nick examines the door with his flashlight. Can you do anything with the lock, Nick? There isn't any lock on this side. Not even a keyhole. It's all on the other side. We've only somebody new we'd come here. Patsy, what's the matter? Another rat. They're all over. Hey, rats. Yes, rats. Look, Patsy, those rats must come from somewhere. And these are brick walls. There has to be a... Let me see. Yeah, there it is. There what is? A drain pipe. Here, hold the flashlight while I move some of these boxes. Nick, have you got an idea how we can get out of here? Martin said this stuff included a shipment of rat poison. Yeah, but... Shine the light on this box.   Outside, Patsy, and the rats can get outside through the drain pipe. Oh, but what good does that do us? Look, when I was a kid, I used to make rabbit crafts out of a box, a stick and a piece of string. Yeah, but Nick... You prop the box up with the sting and tie the string to it. Then when the rabbit goes under the box after the bait, you pull the string and the box falls down on top of it. I still don't see. Patsy, if we can get some of these rats into a trap, maybe they'll get us out of the trap we're in. What time is it? Four o'clock in the afternoon. Been in here 23 hours. I... I guess it didn't work. Did it? I'm afraid not. It was such a nice scheme, too. Tying messages to the legs of those rats, then letting them eat the rat poison and escaping to the drain pipe. Donut! One or two of them must have got through. The box is containing the poison, so they always go out into the open air to die. Well, maybe they died and nobody found them. Yeah, maybe. Patsy, that's Barton. He's found us. We're in here, Mr. Barton! In here!  I don't blame you, Mr. Barton. I gambled on the chance that kiddery would either shoot or find one that had a message tied to it. Well, it turned out to be a good gamble, but why did you think you would find the stolen cargo where you did? Because Garner's truck was seen climbing the hill at 12.30, just 15 minutes before his body was found. And you told us it would take at least 30 minutes to unload the truck. That's why I figured that truck must have been empty when it left the warehouse. I see. Then when I heard about the car that followed Garner up the hill, but no farther, I was pretty sure the driver of it was the one who killed Garner. Why? Well, there was nothing wrong with the truck, which meant that Garner wouldn't have stopped without being flagged down. And by somebody he knew. Yeah, she's right there. He wouldn't have stopped for a stranger. It also had to be somebody who worked here, Mr. Barton. Sure, otherwise the driver of that car wouldn't have known the route. And he wouldn't have had a chance to unload the truck before it pulled out of here. Well, it could have been me, of course. Don't think I didn't think of you. Oh, you did, did you? Of course I did, but I checked your alibi. You didn't do very well in that pinochle game, did you, Mr. Barton? Hey, no. That's why you didn't care to talk about it. Well, by the way, Rats confessed at the first cargo, the one that was hijacked when he was driving is hidden in an old barn nearby. You better send out a truck for it. Yeah, I'll do that right away. And Carter, I have got to give you credit. You did a fine job. Oh, thanks. But there's just one thing. Yeah. What's that, Patsy? Well, I still loathe Rats, but I feel kind of sorry for the one that got our message through. We poisoned him, and then he saved our lives. Well, he was a martyr and a good cause, Miss Bowen. We'll bury him with honors. Yes, Patsy.  The winners of the four 1948 Super Deluxe 4V8 four-door sedans in the fourth new post-war old clutch cleanser jingle contest which closed March 20th. Nick, you mind if I make the awards this week? Sorry, Mike, but it's been just too much fun giving away Fords. OK, go to it. Try and stop me. Well, folks, here are the lucky people who get brand new Fords this week. Mrs. Bruce Gordon, Box 636, Hamilton, New York. Ann Hall, 5500, North Newland Avenue, Chicago, Illinois. Mrs. Theodore Payne, P.O. Box 408, Washington 4, District of Columbia. And Mrs. Vera Peter, 8017, North Whitney Road, Milwaukee 11, Wisconsin. And to all these fortunate folks, as well as to all the other contest winners, let me say congratulations. And remember, we'll announce winners of the last week's contest as soon as possible, so be sure to keep listening. And, Nick, that reminds me, what do you have in store for us next week? Something really exciting, Mike. You see, it all started when an East Indian Maharaja lost a 100-carat diamond. Oh, no, Nick. It really started when the movie producer's daughter disappeared. Well, maybe so, Patsy, but it was because of the diamond that we found a dead body 3,000 miles from where it should have been. Hey, take it easy. This is getting too rich for my blood. What do you call this story, Nick? I call it The Case of the Star of Evil. Nick Carter, master detective, is presented each week at this time by the Kadahi Packing Company. It is produced and directed by Jock McGregor and is copyrighted by Street and Smith Publications Incorporated. Charlotte Manson is featured as Patsy. Today's script was written by Jim Parsons. Original music is played by Henry Silverne. This program is fictional and any resemblance to actual persons living or dead is purely coincidental. Because of the state of our schools, the future of 28 million American children is in peril. This means we must all work to improve educational conditions. Because the future of these children and their teachers is the future of America. This is Michael FitzMorris saying, when minutes count, use new post-war old Dutch cleanser. This is the Mutual Broadcasting System.


Hi everyone, Sean with jaspyscasebrakes.com here doing 2019, 2020, penunia, opulence, basketball, one box, half case break, random team number 27. Second half of this case, number 28 is in the store now. So 30 spots, all teams in, random team edition. Good luck. Awesome looking stuff here. Jay Goans down to last spot, Robert Runkel, spot he won in Don Russ pack number seven. No matter how you got into this break, whether you want a spot like these folks down here or bought spots straight up like all these folks. Thank you very much and good luck. And here's the list of teams from the Hawks down to the Wizards. Dice roll to randomize both lists and pair them up. Four to five, nine times. Ninth and final time from Tana Zafino down to Lewis D. Nine times on the randomizer, nine times the dice, now nine times on the teams. Ninth and final time from the Pistons down to the Tiberwolves. Nine times on the randomizer, nine times on the dice.  So let's sort this by team. Trade window is open. I'm just here to see what pops out of this opulence. We just need to figure out last thing before we go. If anybody wants to do any trades, we have to also figure out which box we're going to do since this is from a fresh case. The second half of this case is in the store now, number 28. So you can see fresh case, we're going to pop this open. Top box as we go to the left, bottom box as we go to the right, one, two, three for the top box or for the left, four, five, six for the bottom or for the right. He had a, in the chat earlier, we had Robert Runkel on the screen and there was a cone or a high times magazine. Nice. I was talking to him and I was like, oh sure dude. He was dishing out advice on what he knows best, which is pretty cool. One, two, three on the left, four, five, six for the right. It's a three. We're going left. So this will be for random team 28. We'll throw that right on top of the NBA logo there, logo man himself. Doesn't look like there's any talks of trades whatsoever. Whoa. What's that mean? I don't know. What, what hit it? Your elbow? No. Pop it over? I think it was the, when I moved the stuff over. So let's just go ahead and print and rip. Want to hit the bell. I guess I don't have to use your recording here. Oh yeah, I'll do a train whistle. Yeah, if someone had to train whistle, I'll do it. I have to remember to do that. By the way, why does this not slide? You know what I mean? I just, yeah, I just use my Hulk like powers in this. But it's ridiculous to me that it's like, why would you make this nice sleeve and just not let it slide out?  Yeah. What's the, what's the whole spats sponsored by Jack Link's thing? Were you trying to get sponsored by Jack Link's? Um, yeah, I forget what it was. I think I was eating a lot of bacon jerky at the time and I wanted to be sponsored by Jack Link. And one of us, I'm blanking on his name. I think Brent Culper maybe. I think his wife is like an executive at Jack Link's in like the marketing department or something like that. And like she sent us a whole bag of Jack Link's. That's so funny. I appreciate. So Jack Link's for life. And I was like, hey, if you guys ever want to do some sort of sponsorship or advertising thing, which never came to anything, but they were nice enough to send us stuff. So we got a redemption on the back. Sounds familiar. It sounds familiar. But he pops in every once in a while. He's nice. First up, Jamal Murray with his Torn ACL. He'll be back. He crushed it or he's been crushed it. I think it'll not have to wait till like next year. That is three out of five. There you go. All aboard the Big K Express. Who gets that? Denver Nuggets. Robert Runkle. It is Robert Runkle. There you go, Robert. Nice Jamal Murray there. Emerald out of five. Maybe more scoring opportunities for Michael Porter. Alex English. Old school, 24K autograph for the Dallas Mavericks. Jaztin Tavilisima. That is nine out of 24. We got another redemption. Let's do both of those at the same time at the end. Keldon Johnson. Nice rookie Otto there. I want to say this color is a one-of-one, if I remember. San Antonio Spurs. Robert Runkle. I get the feeling that this color is a one-of-one, and it is a one-of-one. All aboard the Big K Express. Very nice rookie Otto for Robert Runkle and the Spurs. Keldon Johnson. Nice, man. Another nice one here. Seiku Damboya. Rookie Jersey and Otto for the Detroit Pistons and Tana Zafino. That is 16 out of 79 for you, Tana. Keldon Johnson had some really bright games. Keldon Johnson's had some very good games, especially when he's paired up with Mr. Lucas Samonich himself. Oh man, that was good that they moved Alder because all these young kids are getting some playing time. And our final non-redemption hit is Magic. Ooh, nice. Magic Johnson. Team USA, which obviously USA goes to the team they played for the longest if they're no longer playing or anything like that. And that's obviously Lakers. So Roy Di Pietro with the Lakers. Nice one. And that one is 48 out of 79. He was a number, Jersey, no, not 24. He was 32. 32. It's one and a half of his Jersey number. 79 is the atomic number for gold. Is that why they, is that why it's like that? I think so. That makes sense. Okay, so first redemption. This is not the one that was on the bottom of the box. Nouveau Riche. Patch autographs. Card 12. R-O-M. Robert. Romeo Langford. That's Boston Celtics. And Robert Runkle. I didn't doubt you. I'll give you 10 bucks if you give me the atomic number for Palladium. 176. I don't think it goes over 100. It's okay. It's not, you're not even close. It's 46. I should have guessed it around there. And second redemption. Rookie patch autograph booklet. Card number 109. C-A-M-Cham Reddish. And that's Hawks. Louis T. And the Hawks. There you go, Louis. And there you go, guys. That was the first box from the case. Random team number 28. Second box. Second half of this case is in the store now with a filler.  We can do it again tonight. I'll see you tomorrow. There was it. See you, dude.