Matters. Here's the five o'clock block. I'm Jay Feidell. This is Think Tech and the beautiful lady on the other side is a little bit Satoris and she joins us to ask the age-old question here on Community Matters. Who will create our human future question mark? Hi Elizabeth. Hello Jay. Good to see you again. Yeah, we get together on an annual or semi-annual or tri-annual basis and this is our big show together here. So Elizabeth, you're still teaching right? I haven't been during COVID. Everything got shut down. Oh my goodness. I mean I still do a lot of teaching online but I haven't been at the university. Okay and at the university what have you been teaching? What were you teaching? Well I had the good fortune of working together with our now-departed elder Kaweila Clark and Ramsey Tom and the then head of the business school at Shamanad to design living economies courses especially for our island economies here in Hawaii to help us get sustainable but they they haven't been very good about promoting those courses I'm afraid and that's the problem we face here is that we're not taking sustainability and better living economy future seriously enough. But you know it's going to catch up with us. Oh yes it is. I'm sorry but that's the reality. So let's ask the age old question. Who will create our human future? And I mean to get specific about this so let's name names. Yes, well I think our title actually was will it be the Corporate Autocracy or will it be We the People? Okay well the first part of that I knew you were going to say that and I made a mental note that we're going to ask you about what is a corporatocracy? Well let me start just with a little bit of introduction of myself as an evolution biologist because the most important thing I uncovered in my study of four billion years of evolution was that species. How long did that take you by the way? It took a lot of years but it's hard to condense four billion down into a few minutes so that's what we have to do now right? Yes. So the point is that there is a maturation cycle in evolution where there's a youthful expansive economy mode like when you're growing up and your cells keep doubling and you get bigger and bigger and bigger up to adolescence and then you have to level off and spend the major part of your life in that size body which shrinks a little bit again at my age but anyway it moves from an expansion economy where there's lots of creativity and lots of competition and hostilities all wound up in that youthful mode and then you have to make the shift into a cooperative mode for the rest of it. So you have to go from the hostile competition to the mature cooperation. That's exactly the inflection point where we people are at now and the contenders are those who have been in control in the youthful mode which is the corporatocracy and this is made up of our biggest corporations including the banks and the googles and the you know the ones that came out of Silicon Valley as well as the older ones but the Silicon Valley derivatives of of course now completely taken over. Someone pointed out the other day that when you go on to Google or Amazon you're moving into a feudal autocracy where one person has the algorithm has is in charge of the algorithms that drive your behavior. I thought you I thought you were talking about Vladimir Putin there for a minute. How did that come in? One person can drive your behavior. Oh I see well we've had a number of those seven to eight over time and we had a president who was behaving that way ourselves in this country and who was best friends with Putin and and the others right. Well let me but let me go back for a moment you know there's a movie which we review here in Think Tech called The Gilded Age and it's a documentary and it talks about the railroads and steel and oil. Yes it talks about the Robber Barons. Robber Barons yeah all in the what they call the the Mumford deck the the brown decades and that was a subject of a book by Lewis Mumford covering between the Civil War and the end of the 19th century and and and that effectively ended that period with the election of of McKinley, William McKinley. It certainly put a lot of restrictions on it. It didn't exactly end it but it certainly tried to bring it into a more democratic model right. Right right but the the end of the the the throw on that was this election of 1896 where McKinley represented Wall Street and William Jennings Bryan represented the people and it's the same question that you're asking today. Exactly. Will we have this corporatocracy or will we have government a country in Lincoln's words by foreign of the people and the election showed at least at that point that inflection point that it was going to be a corporatocracy run by Wall Street. And now we're in the situation globally where the dollar is not likely to remain you know the main currency much longer and the corporatocracy is now wanting to create a completely digitized currency which is part of the whole control mechanism of what I call the this great reset takeover that the corporatocracy wants. You see they've we've done about 6,000 years of empire building as humans and this is the last gasp. This is where you want the empire to be global and so you have organizations like the World Economic Forum which gets all of the big bankers and the heads of the biggest companies everybody all onto their team including from China they knew that you have to bring China into the new global empire you can't don't want to end up fighting them. So they all got together and they've been training leadership around the world including Angela Merkel and Macron in France and Trudeau in Canada and even Jacinda Ardern in New Zealand and Bill Gates and all these people are graduates of the Young Global Leaders Projects of the World Economic Forum and they look good because they kind of hide behind the millennium development goals and make everybody think oh this is going to eliminate poverty and this is going to you know bring the the people into a better world that benefits everyone but what it's really going to do is going to completely digitize the economy as long as they can and this is where Jay I'm going to argue that global warming may be on our side to scotch that little program but you've now got a whole generation or two already you know wedded to their iPhones and thinking that this is a great world we're going to be in where we're going to get free money from the government and uh and so what if they surveil us what have I got to hide you know there's no problem I won't have to own anything and I can get anything I want right through my cell phone and they don't even ask if if the people don't own anything who owns everything they don't even ask this question so this is a the boiling frog situation where young people have grown up on their iPads and iPhones and and they think this is perfectly fine and of course China developed the whole social credit scores and things so that only if you hang out with the right people and behave yourself according to how the government wants you to behave will you be able to get that pay and be able to buy the stuff or lease lease the stuff you won't have to apropos at that point just last evening on 60 minutes there was a very interesting segment you know we have a housing shortage in the country we're four million houses behind the curve right now and steadily increasing and there are there are capitalists in this particular segment it was a company out of Toronto believe it or not that was buying houses all across the country huge numbers of houses and then renting them because the people in the country could not afford to buy them the market is so you know hot and and you know inflated that the average Joe cannot buy he has to rent so these companies come in they buy lots and lots and lots of houses they fix them up and they rent them like hotcakes results on a demographic basis I'm sure you'll appreciate on a demographic basis the American dream has become all the more elusive somebody else what did you call them the the corporate talker sees are buying the homes that a generation ago people could and would it did buy they want to own everything Jay I mean who's who's the biggest holder of farmland for food growing in the country Bill Gates he's the biggest landholder of agricultural land he set out to buy all the farmland up so what's that going to do to the food supply when we know that he's supporting Monsanto and don't you love Bayer having swallowed up Monsanto so that they can make huge profits toxifying your food supply and then huge more profits selling your medicines because you're now sick from the bad food well I mean you know this is a problem that that has been nipping at us for a while is but and not a lot of not a lot of writers and thinkers have focused us on it you know it's sort of gotten by us but nevertheless it's happening and worse and so the question I put to you is the one you put to me who will create our human future will it be the corporations because back in the turn of the century in the year 1900 the people said we will trust Wall Street you know to determine our future they know best of course that was a hard fought election bottom line though is that's where we have been we have allowed corporate process corporate ownership and all that goes with it to control so much of the American society exactly and that's why the maturation cycle is so important to grok because it's like the the caterpillar in the chrysalis right that caterpillar is doomed whether the butterfly is going to emerge or not it's up for grabs whether we the people are going to build the new light on the earth society the butterfly society or not is still up for grabs but we know that the caterpillar can't last and that's what gives me hope the corporatocracy cannot last it is unsustainable what does unsustainable mean it cannot last it won't last however it's going to take everything it can get while it can get is go down screaming but that's why I say climate change is exactly what may be what may get in their way because when when we have sudden sea level rises of several millimeters overnight it's not going to go gradually up a nice linear curve and no one understands the exponential curve we just got a report this past week that in the Arctic the average temperature in one place is 70 degrees hotter than normal 70 not 770 that is a wild wild fluctuation why do you say that's a good thing why do I say what it's why do you say that's a good thing because we are going to be so busy bailing ourselves out of the sea level rise catastrophes that we won't be stuck in our cell phones listening to what the corporatocracy is telling us how to behave we're going to be trying to scrabble to provide food and shelter and water and transportation whatever for each other when you're talking about an apocalypse you're talking about people starving dying yes they're already doing that that's already happening it's not in here on our turf but it is in other parts of the world it's there already and what do we do what does the corporatocracy do it keeps making wars it keeps selling weapons and beating each other up instead of making peace and going into the cooperative mode this is the caterpillar's nature the youthful economy does not want to let go and they will drive this thing into the ground and then the people will have to rise now there are many examples of people already rising up and we see them here in Hawaii there are important movements trying to get Monsanto out of here still and and you know poor Gary Hoos are trying to reform the government and getting it to act by its own according to its own laws and and all of the people that are working to to grow more organic food the whole Ulu movement with Tusi at University of Hawaii my dear friend Tusi and let's look at the two possibilities here one possibility is that the corporatocracy will continue to run things and maybe run them into the ground the other is that the the people um what did you call it in your question well the human being people those people um they they will rise up and they will determine our future okay that's us I and I think we covered a little bit about the corporatocracy because if they keep doing that without regard to the impact of their bottom line you know philosophy on things Milton Friedman said that bottom line philosophy is bottom line um if they keep on doing that there will be a disaster an apocalypse that that's a good last one that's one identifiable option but the other one I'm having trouble with the one where you say well no the people will achieve the leadership the people will rise up they will take over they will be in charge and they will they will stop this corporatocracy how in the world no no I didn't say they would stop it they will build the alternative just as the the butterfly doesn't stop the caterpillar it builds the alternative within it how's that going to work well for example every time there's a catastrophe here and we've seen this through COVID to all kinds of every time there's any kind of disaster what happens people start cooperating they start helping each other they start pulling each other up by bootstraps the best thing that came out of COVID was that we elevated caregivers cooperators to the heroin status the heroin heroin status that's an important lesson right there and when the sea level goes up two meters and a couple of hotels fall into the Waikiki beach and become the new coral reef believe me people are going to scrabble to feed each other to take care of each other to provide shelter for each other just as they have an every disaster through history right well I'm you know the question is whether mankind or womankind whether the species is perfectible or imperfectible and some people would disagree with you they would say it's imperfectible they will fight with each other they will try to steal from the other yeah the evidence only about their own interest the evidence is against that sure there are always a few renegades who will do that but the evidence is against it when you look at human disasters everywhere all over the world every flood every fire every famine you see Fukushima the Japanese sharing their rice down to the last grain with other people this is the real nature of humans the real nature of humans is to cooperate we can we know how to do it in families we don't see a lot of families where what one kid is overfed and the rest of them are starved you know that's considered a wild anomaly isn't it uh if you do get that somebody chained up in the basement or whatever we are natural cooperators and we cooperate all day long okay well though you're opening you're opening a large door for me to ask you about uh reconciling all of that with Ukraine ready go look i don't think we should try to get into Ukraine in in this particular uh talk because we have only a half an hour and it's a very complex situation there very complex and we don't get the complexity of it in our daily news there are people who always want warfare because they can sell weapons to both sides and we have to get over that and move into our human cooperative mode we have to get out of patriarchal uh top-down authority and the people must reclaim the power to take care of each other and that's what the people of the world want they just feel powerless but i can give you so many examples of pockets of the world where this is all this cooperation is already happening and it's very successful we have the role models and we can see it here in Hawaii we just have to look back at our very recent history you know a century ago two centuries ago Hawaii was feeding as many people as as live here now and they were doing it with the ahupua system and it was working well and it was equitable uh and yes they had wars and they had conflicts and things but on the whole they were able to feed these islands sustainably and we could do that too what is preventing us from doing that it's absolutely stupid of us to to live with a three-day food supply and not take care of that in a better way what is preventing us from doing that short-sightedness and greed you know the people in charge are as greedy and corrupt here as they are elsewhere otherwise we wouldn't be building big condos for people who buy them up from Asia and don't live in them so they become the dark towers and the local people can't afford to live in them you know all of that stuff is is corruption and graft and people taking bribes and stuff and as i say we've got wonderful people like Gary who's are trying desperately to change that situation within the government but we there are times when you have to take matters into your own hands and hang the law about whether you can do it or not you're going to grow food you're going to build green more green energy we could be doing a hydrogen economy here a solar or a geothermal we've got everything we need for clean green energy and it's just that the the will is lacking in the government because nobody wants to rock the boat because somebody else might hurt them about what they're getting under the table you know how it is jay but we i mean i i don't disagree with anything you said but but i do i do wonder about who is going to do this because you talk about the government well who is the government and where are the people and the people are perfectable and they will rise up and and fix this um uh then uh where are they it's not about fixing it's about building the local pockets of self-sufficiency so that they become attractors to others who say oh my god they've got enough food on that island why aren't we doing it on our island or on this part of the island you know if that community uh over in why and i can take care of their homeless and set up education and health care and stuff how come we're not doing it on the rest of in the rest of Hawaii you know we even right here have these examples of people who have shown sustainability to work what about the political officials who we have elected to run our communities they're enthralled to the corporatocracy i'm sorry so we need new ones yeah and who are who are they where we find them how do they get in position they they will emerge through the practices jay they will emerge through the practices look what i mean i've i've talked myself silly about preparing for sea level rise and nobody wants to hear it they want to sandbag the beaches you know that doesn't help if you've got a tsunami coming in and when it leaves the next morning your sea level is two meters higher uh and and your canals have backed up the sewers into Waikiki and Waikiki is like finished um you know how much tourism are we going to have then is that what our economy is going to depend on i don't think anybody's going to be coming to Hawaii once the hotels start falling into the ocean there are other people who feel the same way good as you and i that these are problems that are not being addressed and that they you know they're ultimately going to be very serious problems and they're going to affect the state in profound ways many many profound ways and you know how soon ultimately is we if we could only teach people the exponential curve you know if you put pennies in a gallon jar and you double them every day takes a long time to get that jar a quarter full how many how much more times does it take for it to be full i give up when it's one fourth it's going to double every day the next day is half and the next day is full that's what 70 degrees higher temperature in the Arctic means that we're around that hockey stick curve of exponential curves and that it can come any day now any night now we can get this kind of a sea level rise it's well i had i had to be self interested about this elizabeth but what do i do i accept what you're saying yeah what do i do what you do is you you do what you're doing you bring people on to talk about it we talk ourselves blue in the face about it until people but for some reason humans seem to have to be driven by catastrophe to cooperate instead of using this mind to foresee the disaster and cooperate ahead of time right now let's take Puerto Rico yeah let's take Puerto Rico they they really didn't handle their electrical system very well their economy was 80 billion dollars in the hole when that maria struck them and and they never did recover uh there's they're still you know way behind the game so what did they learn there having been the object of a tremendous you know apocalyptic tragedy in within Puerto Rico what did they learn they learned a lot about local production of energy and things and and we here in Hawaii we know what to do we know what to do and we know we can do it and we it's just the will isn't there yet because we really don't believe that this disaster is is coming our way no matter how often the news reports california is burning and asia is drowning and whatever we don't want to believe it's going to happen here and we know that our beaches are eroding we've got this in colds we've got the houses falling into the sea and we still don't move back from the edge you know you know there's an organization called run for something dot award she run for something it's it's operated by a woman named litman on the mainland and uh i i i'm very interested in organizations like that where they're saying run for something um get in get involved in the fray that is our structure that's what we got may not be perfect but that's what we got and if you run for something you can have an effect on it have you ever thought about that elizabeth i'm not quite sure what you're i'm i'm suggesting you could run for something could what run for something yeah oh it's too late for me i just had my second hip replacement i'm hoping i can walk again okay well then all right then let's assume there's there's a there's some people out there listening to this and making careful notes what should they do there's a lot of people there are a lot of people jay working on getting better people elected that grassroots movement is there in politics it's there in food it's there in energy and it's you know it's going to weave itself together it's just at my age you get very impatient i have six great grandchildren you know like uh they're all going to be facing this and i would like to see more proactive stuff going on we've got to get our living economy going here in hawaii in a much stronger way and we have the people who have who have led the way already uh who is dotty what's her name up on the on the uh on our east coast you know who who put together tens of thousands of maybe 100 thousand meals during coveted you know we've got we've got our heroes and heroines already here in hawaii okay we can do it okay as rumy said long ago why do you stay in prison when the doors so wide open well but you know what well what i get out of this is that the probability is a significant possibility if not a probability is that as in biblical times we won't get it together and if you if you follow all these threads you've been talking about the result will be a disaster and we won't be able to eat and people will get sick and they will die and the population would be less and others and others will live and others will live to carry it on yes and so what you're really talking about is the survivors it's like they say you know the war the the the details of a war are not told by those who were victimized uh it's told by the survivors so you don't get an accurate picture of what happened and i would apply that to all of history yeah that you know the people who tell the story are the ones who survived the story and the survivors in this case are going to be those who are not dependent on the digitized society who are growing food who are taking care of water and food and healthy living which makes a lot less sick people than when you're eating unhealthy food and and uh you know i believe nature nation states will go down the tubes historically they're they're too unnatural they're unnatural lines scratched across the earth right through cultures they create warfare they won't work they won't survive but cities cities do not have standing armies and they have a long history of relationship and cooperation within they will be the distributed networkers of the future insofar as they're not on the coast being drowned uh the surviving cities will be those on higher ground who evolved from small communities into big cities not the ones where you build a big infrastructure overnight like in china and the middle east and then throw unrelated people into them those are doomed to failure but actual real cities that grew from towns have a have a chance of surviving if they're on high enough ground and have enough good agricultural land around them and water supplies we have clean green technologies including you know hydrogen clippers coming up i'm living for that one that can carry huge amounts of of uh cargo and and water to put fires and inter-island i call them sky canoes about two years to launching the first ones of those so we we have wonderful technologies coming down the pike and we have to not depend on this big digitized money economy i don't think we the people can do anything about that except build alternative currencies and i have long said if the hawaiian state government would issue alohas freely to people and tell them they can pay their taxes in alohas that will immediately lead legitimize the currency good only in hawaii it'll never go offshore because it won't be of any use to anyone offshore but it will keep our local economy going and that's a big one that we should be pursuing now because if the whole bank failure and stuff comes down the pike and we're operating on alohas no problem you see we operate on alohas too you know and uh right now i think we're out of time actually elizabeth so we're gonna have to operate on an aloha now is there any message you want to leave with the people who are viewing this as to what's going they want to be on i already said it why do you stay in prison when the door is so wide open we know what to do let's do it all right elizabeth said torus joins us every now and then then we and we solve the problems of not only this world but the future of this world thank you so much elizabeth aloha


Everybody forced here ripping four boxes of 2022 Star Wars Chrome Galaxy hobby by tops for you see Let's do it buddy Let's get sketchy Let's get sketchy Donnie made a guys Scooby-Dooby Donnie All right, that's a bit much like zoinks man like zoinks you ever see the So we had a video like enemy video Scooby and shaggy as like Anakin Obi-Wan Trudge in refractor find it so we can watch it when we're done Refractor a card game of chance. I'm gonna go buy some Bach when I go to Hollywood studios next time we can play it that'd be cool for keeps though for money. Uh-oh refractor Ben Kenobi Yeah, that's true you can have my my Nissan center Donnie All right auto here after a refractor. There's a ding on the top of this card the millennium Nissan auto as katsu onyo Gina torres 43 of 150 There's a ding on this luke On indoor I'm just gonna send that to box wrapper. I know it's a face refractor the hugest card But if you wanted to get it replaced you see you got your box buddy I know you probably have a handful of those Let's get sketchy. Let's get sketchy Rebel strike Rogue squadron three Rogue squadron three rebel strike and refractor Darth Vader Don if I pull a super factor you have to do the the laugh all right deal Refractor don't meet didn't mean to intrude might not be good though All right guys. We pull super factor. Donnie's doing the uh, the salacious be crumb laugh Donnie crumb are very congested the fracture Obi-Wan Kenobi and bogey. Yeah, we drew up a lot of Don Ross and series one today I can't use that as my excuse Fractor omega Omega Oh, I think he says anyways, all right. Let's wait till after the parcel. Anthony is also a cheese fan, so I don't know Cheese to refractor stormtroopers assessing their gear. We pulled two super factors. Donnie has a dress a salacious be crumb Prism mace windows barrage 63 of 75 great start for a uc great start That's a mag atomic coming up now Oh nice Chewbacca's anguish number three of 150 base refractor of princess Leia windows barrage refractor lando calrissian Hand solo as he would pronounce it star wars super star wars Fractor tuskens and their bantha Fractor an enemy of the empire Sketch cards, I thought they were supposed to be super casing galaxy. I think they're rarer than that. I think they're about one per case though Uh, stand trooper on a do-back refractor Well like super super short I guess a refractor emperor palpatine That's how it feels Refractor cop vanth It's said to per case on the checklist. I don't think I I think I may have seen two in like one or two cases that we've done I'm sure some cases do have to She's not before but yeah, uc has ripped enough of this personally to know that Luke refractor off-centered dark forces refractor c3po Fractor omega Uh lord vader and a stormtroopers refractor green refractor here Anakin sketch variation That's pretty nice If I can get these there we go 91 of 99 Anakin sketch variation Cobb banth refractor refractor emperor palpatine refractor boba battles of sarlacc uh Tubin Whoa Slytherin now. What are they doing? What is going on at tnt today like I don't know This is send shack down that hill though Refractor a battle with a dynauga I don't know that guys. Let's have you one of the like crew members or something atomic hunter hunter 106 of 150 gotta shoot the ball while you're cubing Oh, please put shack in the tube. Oh ernie's going Refractor stormtroopers assess their gear anybody else watching to be on tnt right now They only have one tubula so unless they're coming up with the other one. Oh, they better send them up there Lack of faith refractor. I don't think shack or chuck will fit in them. They're gonna give a shack a sling Refractor e walks under attack. All right second box. Where's the heat at? Come on now Oh, they got more tubes up Fractor a luke skywalker in action Get back work Refractor the jedi on the princess Come on super factor got an auto coming up red lightsaber Uh, fifth brother orange 15 and 25 philip anthony rodriquez Don't see a lot orange refractor Haunt solo on chubaca in the cockpit Star Wars rebellion refractor hand solo Chuck and shack are gonna check it out for sure Refractor stormtroopers swarm Darth Vader. All right. All right. We need to heat back up here in box three Oh hit the rim Dude they have to go that you can't go up there not go. You know what I mean? It's true. They're gonna get booed. They're gonna get boot off stage green. Oh nice Darth Vader concept art 21 of 99 it's pretty cool Refractor the infamous Boba Fett's anthy. We're trying to figure it out. We don't know they are sledding for some reason Inside the NBA dude. It's great. It's great. They're sledding right now Star Wars tie fighter Refractor sip trooper. No, I do it. Oh, they're not doing it I don't blame them for not doing it though. Oh nice prism refractor Darth Vader versus Obi-Wan Kenobi That is a great prism refractor 59 to 75. That's gonna that's going in a mag for you see right there There you go, buddy Looks really nice too. Something might not be perfect. It's up to tell Once you get close into the right lighting with these There you go, dude and atomic coming up is a boss Boss 14 of 150 Solid atomic there Well, congrats on the window and congrats on the obi-wan invader refractor Jewel and the death star if you strike me down Can't you know another another parallel wave creatures of the cantina Numbered at 95 of 99. Yeah, it's been a great box refractor an enemy of the empire Refractor star wars What is a star war? A star has beef with another star Oh, just beef. Refractor a galaxy within grasp. Yeah, definitely hot box here Vader get refractor trudging Refractor this the Jedi and the princess and an auto of bb-8 brian herring as the puppeteer for bb-8 We're taking doing solid droid zone. We should get a bb-8 for the shop. We should refractor Boba fett ambushed Refractor luke skywalker All right, just go just do someone give me the money. I don't think I can afford to bb-8 on my own just for the shop Refractor a wookie's wrath undone. I don't think I keep a bb-8 in my house if my dog will be pissed He'll think it's a toy for him either that or just be terrified of it. That's true refractor entered on fader bb-8's not too small. You know what I mean? And it's like and it's a robot. So that's true Refractor quigan gin x-wing versus tie fighter gameplay galaxy refractor kylo ren Yeah, I need to sketch your super factor. I'm all right. Last box got to have something crazy, right?  Is that what's going on? I don't know. This for sure already happens Land of make believe That's where I live every day To land and make believe yeah Lane sports cards refractor sand troopers on a do-back Galactic battlegrounds gameplay galaxy refractor emperor palpatine put a lot of palpatine tonight a lot of refractor palpatine Cobb vanth refractor lack of faith refractor refractor stormtroopers assess their gear sketch after princess leia Oh snap it's vader Vader by alan grimes Do you get sketchy we got sketchy there you go uc There it is Vader sketch Only vader could look that cool from behind Yeah, alan grimes That's what's up, dude crushed it crushed it uc that's going in a mag. I'll put all the sketches in the mag I didn't even think about it Fractor quaggan jinn I just saw it man Wish I could yell more right now. It's time at night. I can't do it Refractor kylo ren Hey, but three mag cards in four box of galaxy. That's uh pretty good. That's a strong haul right there Refractor kylo ren should still be another numbered card in this at least I think Wave wedge antilles in battle wave wedge wedge wave 33 of 99 wave at wedge Well, it sounds like red wave, but you can't say orange, right refractor tuskens in their bantha a few more packs refractor an enemy of the empire refractor lack of faith orange Is in jord's garage 11 to 25 Another orange there refractor patrolling the cantina refractor ala sakura After sandtrooper on a dubeck is tuskin warrior Johanna Bennett as tuskin warrior Star Wars battlefront gameplay galaxy refractor pamper palpatine again I'm like one a box on those Which is okay Take that over most of them refractor enter those aren't an enter darth vader And that will do a uc congrats again that uh sketch card there by alan grimes darth vader The prism to 75 obi-wan versus darth vader And prism to 75 mace windows barrage Great stuff, dude Great stuff. Thank you again We'll get these out to you


I'm here with Woo Young and we have some exciting news for Bosch. They brought out this new IDS light. This is easy to install. It's very easy because it's a non-communicating system between indoor and outdoor unit. So actually, if the homeowner already has a system, indoor works perfectly fine. And if he or she has to replace the outdoor only, they can get this unit, install it, and use with the current existing system. This three ton IDS light, it's got its own boosting system inside. And what it does is because it's got its own little brain inside, not just the thermostat, correct? Yeah. So it has the capability of keeping consistent temperatures and adjusting it by like a high efficiency furnace, boosting it up to another level. So what the inverter compressor does is, depending on what the what the needs is from the inside of the home, it adjusts up and down of its own speed. That is amazing. Geez, we've got to put one in my house. You should. Yeah.


Enlongated skulls, along with their origins, are undoubtedly one of the most heavily debated areas within modern archaeology. Many independently funded researchers who have explored and subsequently exposed vast arrays of unusual and as yet inexplicable features surrounding a particularly few examples of these intriguing and incredibly puzzling artifacts. Or regardless of known head-binding practices, a well-studied and historically an extremely common practice, thus one which modern science has an extensive understanding of, including the effect this had on the shape of the skull, makes any skull which endured these traditions are easily to identify post-mortem. The most commonly found incorporated wooden boards pressed upon the head, creating large flat areas along the frontal lobes. Pressing the brow area of the skull upward, this malformation creates a crease or bulge near the normal napping areas of the skull, as seen in these photos of remains currently claimed as a suspected alien found in Croatia. Yet due to this knowledge of malformation, we can easily identify that it is indeed of a homo sapien. This so-called crease is easily identifiable upon bone structure. However, as previously mentioned, there exists a particular few whose remains not only have an elongated cranium, but the individuals in which they belong not only possess said craniums undeniably form via natural processes, but are identical in appearance to millions of witness testimonies describing what we all now know as the Greys. With huge eyes, long wide craniums, frames of a tiny stature, and micro-thin pelvis, remains of tiny humanoids, possibly visitors to our planet, who may have crashed here, subsequently marooned upon our planet, is an account which has been told before. We have in the past explored the compelling story surrounding the Dropa Discs, an ancient upark that, according to a number of individuals who have examined and tested them, tell this exact tale. Long barrows, granges, earthworks, and hinges, found across the United Kingdom, all have rumors surrounding long-headed skulls being covered up after having been found at the sites. Passionately protected from trespassers, a vast number of the largest barrows have never been opened. 12-ton stones blocking the entrances, clearly suggesting they are buildings of tremendous importance, but without enormous multi-million-pound machinery, permits, and most importantly, permission from the landowners, conveniently all these incredible undug sites are set on private lands. We will probably never find what's inside, but many rumors abound, like those which circle Bella's nap, tales which tell of more elongated skulls exhumed from the surrounding earth during a normal archaeological exploration. Yet regardless of this seemingly meticulous suppression in the UK, an incredible find has nonetheless been unearthed in Crimea. Many of the intriguing features of the remains are the same characteristics which gave rise to the elongated skulls of Peru's popularity, yet this skull still possesses its tiny, complete skeleton. The eye sockets, which once housed the creature's eyes, were enormous, and although the entire frame of the creature is of a small size, the lack of a pronounced pelvis would have made them very slender and would have emphasized the size of the cranium. It is a strong candidate for the only complete elongated skull remains in existence. We find the elongated skull highly compelling.


Great, so AC, we've got great solutions for first-time buyers, we've got a great exciting digital solution for our first-time buyers where you can submit your application online and you could qualify for a UPS subject to your home loan being approved and this offer is exciting it ends on the 31st of January 2022 so that's quite exciting and then we've got our my home proposition where we for income earners below 26,000 RAN 26,100 we offer them a 50% discount on attorney costs you eligible to all our insurance solutions we can also do a financial assessment for you through our financial consultants that can assist you with understanding your financial status as well as giving you guidance around how to financially get fit from a needs analysis perspective we then also you're also eligible to get a free home ownership training course which you go through to to teach you more ins and outs of home ownership and then we've got a young professionals solution for our young professionals out there you can get a loan to value of up to 105% you could use the additional 5% for your costs that you might need to pay for properties under 1.5 million you get a 30% bondage discount there we also give you access to all our insurance solutions that is accompanied with buying a house you know you need home owner structure insurance you need content cover to cover your content in your home and then of course we really encourage the market to always take up a life insurance that's seated to your home loan so that in case of anything that might happen in case in event of death or terminal illness or disability the outstanding home loan balance can be settled subject to that the the life insurance value is covered for the entire home loan value as well and I think that's very important we also can draft walls so that you can leave your asset to a beneficiary as well and I think we've got access to all your other great solutions such as great transactional accounts check accounts as well and you can get additional absolute rewards as well for being a home owner and we've got a we're full bank we offer full solutions and we've got everything there that can support you on your home buying journey on your looking for insurance solution look at looking for estate and walls financial planning and I think that's really important


Welcome to today's First Impression Friday. We are me taking a look at Vogue's Summer 2021 pattern collection. We've been talking a lot lately about the sort of rebranding and sort of the direction that all of the pattern companies or at least the big four, five, whatever it is now are taking. And so hopefully Vogue settles in nicely with that sort of high-end luxury, high-tailored or well-tailored sort of set that we fell in love with them for, right? Okay, so first we have this Mrs. and Mrs. Petite jumpsuit. And I think when something is a Mrs. Petite, there are going to be instructions on the patterns for where to lengthen and shorten, we'll mostly shorten for Petite, I think. We'll look at the size chart and see if it gives us any additional information, but I think that's what the Petite is going to mean. This says Mrs. and Mrs. Petite jumpsuit close fitting through bust, has front princess seams, wide legs, with no side seams, invisible back zipper, separate pieces are included for your different cup sizes. So incredibly flattering, easier to fit. You can see here on the model's version pretty spot on fit. I don't think though that it's supposed to be a drop waist. I think her natural waist is way up here, as you can tell by the little crook in her body. Again, we'll dive into this a little bit deeper, but I don't know if this is meant to be a drop waist situation. But other than the length here, this beautiful jewel neckline, the arm side looks spectacular. Really, really pretty fit in the back as well. It's a Julio Cesar pattern. And from the line drawings, it looks like it's supposed to fit at the natural waist. So I would just check that length on your pattern. And then look at this little interesting bit. It looks like there are little, like an underlining or a lining with just shorts. So if you made it out of a lace, let's go back and see if we can get a closer look at the sheerness. Yeah, you can totally see that it's only lined through what the mid thigh and then it's completely open below that. I wish they would have used a fabric that highlighted that a little bit better, like some kind of mesh or some kind of, I don't know, just sheer or something. I mean, lace is great, but I wouldn't have noticed that if I didn't see the little dashed lines here. Okay, let's look at the fabric. So single edge scallop laced, goopy ear lace, which is the one that has the cording running through it. It's a pretty heavy weight lace or embroidered border prints. They didn't recommend any shears. That's so interesting to me. You also have an underlining for the bodice, which they've done in crepe or charmeuse. And then the lining for the pants is a kind of like, I don't know if it's an ITY knit, some kind of like lightweight, stretchy, probably like silky polyester knit. You'll need an invisible zipper for the back and then double fold bias tape, I think probably for the arm size and the neckline. But you know, that's interesting because it is fully lined. So I actually don't think it's for those things. Maybe something in the waistband or the hem, maybe the hem, maybe that's where it is, the hem. Sizes are eight to 16 and then 16 to 24. So we've been talking a lot about sizing as well. It looks like Vogue is sticking with the overlapping sizes, which I actually really, really like. And they go from eight to 24. So we have finished garment measurements just for the width of the leg, which is not helpful. But fabric requirements are anywhere from three to four, basically, three, three and a half. And then here's your lining requirements.  And you would like get a better vision of that kind of interesting leg lining detail. It's cute. Next up we have Mrs. and Mrs. Petite jumpsuits. Loose fitting halter neck jumpsuit has tie neckline elastic back, sightseeing pockets and length variations. All right, another jumpsuit, okay. Jumpsuits are popular. I'm totally in a jumpsuit state of mind. It's like the comfort of a pant or short, but like the easy breezy of a dress, which I love. This one appears to have a center front seam that opens up into this keyhole that I'm pretty sure you just tie this in the old way you want. Here's the shorter version. This, I would be interested to see the construction on this, how that's finished off. A, to make sure that it fits as well as hers does, but B, to make sure that it doesn't, you know, slide on off. Like, is there some kind of like elastic or something there that helps keep it close to the body? There appears to be some here, but I just don't know, I don't, I mean, certainly the fuller busted gals that are watching are just shaking their heads like, nope, not for me. But is there some kind of like, you know how they have that stuff in like strapless dresses? I don't know what it is. It's some kind of elastic, but it like kind of sticks to your skin a little bit. Is that in there? The back is pretty. The way it drops into this little scoop, that's really pretty. I just don't know about the front design. Let's see if the line drawings provide us with anything else. No, not really. Not really. And obviously these are gonna be floppy pockets, very 70s when you look at it like this, right? Okay, yardage. Ray on shally, crepe and linen blends. And you need half a yard of three eighths inch elastic, yeah. So it looks to me like this is just, like you have the elastic in the back, which I get that kind of holds it towards your back. And then this is being pulled tight based on how you tie this. And that's really it. This is a no bra situation. I'm pretty sure it's completely unlined. Yep, totally unlined. So I mean, it is not for, certainly not for everyone. It is not the most conservative situation. You'd have to be pretty firm and perky. Or just comfortable enough with yourself just to let them out, you know? All right, so I'll put American sizing on this. So we have one X, what, wait, what does that say? Just extra small. Okay, extra small to two XL. And fabric requirements for fashion fabric is not that much. Then again, there's a lot of skin showing. So that kind of makes sense. This is for the shorts version and this is for the pants version. Maybe if I were like going on a vacation or something, maybe even then, I don't know, I might try, I would probably try and rig a way to do like some kind of lining on the front with cups in it. And that would be fine for me. Like I don't require a lot, but it would still be a little bit work to figure that out. Okay, we've got Mrs. Dresses. Very loose fitting, bias cut dress, has split front neck with gathers, shape stand collar, raglan sleeves, button cuffs, high side slits, side team pockets and stitched hems. Whew, there is a lot going on here. Okay, so like they said, we have this stitched split hem, you have this little stand collar, you have your raglan sleeve, you can see that seam line here. Just in general, a very, very blousy situation. You've got your banded cuff, you've got your pockets. This is interesting, is that a seam? It's gotta be a center front seam for sure because the way the fabric is making that V, but I think it's just folding over in an interesting way. There's not a go day there or anything, but then you also have this little slit here on the side that I think goes up to about her knee, maybe.  Yes, it's a fabric hog, but in these silky fabrics, it just creates such a beautiful shape. The way that it just skims the body is so, so beautiful. So yeah, I think they did their best to kind of make this young and fresh. I don't really know. I think neither of these fabrics are great.  Anyways, I get why they picked the stripe to highlight that it's bias cut, to highlight that there's a center front seam. I just think it's probably a little bit overwhelming, this particular stripe, and this lime situation is certainly better. The hemline helps make it feel like a little bit more youthful and fresh, but otherwise it's just like a really flattering captain kind of thing. The sleeve I think is what is throwing me off the most. Yeah, I mean, look at that. It looks like a choir gown, right? The bottom one, if you be, looks like what people wear in the choir. So yeah, that's gonna be a tough one to find the right fabric for and to make it feel, I don't know, it makes the sleeve seam not that gigantic. I don't know, I don't know. I get it, like I understand the volume, but maybe just because you can doesn't mean you should. Maybe that's the rule that should be applied here. All right, they are going for linen, poplin, seersucker, shally. Really surprised to see poplin and seersucker in here. Those are pretty stable fabrics. Apparently portion of this or more is lined. Halfway, oh, just for the pockets, okay. And then some fusible interfacing, and then you need two buttons. I think that the buttons are for the sleeve bands. And then up to three and a half for the short version and four and a half for the long version, which totally makes sense. Like I said, bias cut is a fabric hog, but it is really, really pretty and it just feels good, feels luxurious. All right, now we've got this Mrs. Dress loose fitting, pullover dress has collar extending into ties in the back, slit opening at the neck, side seam pockets, purchased bias facings, bias facings purchased? Is that bias tape? Hemline ruffle. Okay, so here's a really interesting side view with their little side seam floppy pocket. There's a little short version. Let me see the back. Let me see the back. Okay, well, it's not as dramatic as I thought it was going to be. It's a really cute little dress. It's, yeah, it's cute. I don't know where I would wear this. I keep thinking to myself, if it were 2019 and I were looking at this pre, even the idea that a worldwide pandemic would come and make us all completely like, just turn our lives upside down. Would I have liked this then? I think so, I think I would have, but I think that my lifestyle has changed so much. Again, this feels very special occasion to me, both of them, the short one and the long one. So maybe when I start doing more of those things again, this would be more enticing, but for now I think I would make it and maybe wear it on a date, but then it would just hang in my closet. So there's that, that is like internally what I'm conflicted about in terms of what I'm making these days. But here's a good look at the line drawings. You can see that the neck tie is kind of like a bit of a cowl-ish or like a, it's kind of drapey in the front, which is interesting. But then you tie it in the back and then it has a little keyhole that buttons closed so that you can get in and out of it really easily. I think that if you were to leave the tie off and just finish this neckline regular, that obviously would casual, casual it up, cash it up some, that might make it more wearable. Or if you made it, made the tie out of a different fabric and the main body, like if this were a solid color, I don't know, poplin or whatever, and then this were in some kind of like, well, silky would make it feel really dressy, like a holiday situation, but like, I don't know, like some kind of sheer, some kind of like, crepe or I don't know, something more casual. If you did like, I'm really going outside the box with this suggestion, but if you did like chambray and then like lace, I don't know. I'm trying to think of a way to just make it casual with the tie, yeah. I don't think a print is gonna help. I don't think that it's like the drape of the fabric. I just think that, yeah, that neck band, that neck tie really does elevate it a bunch. All right, linen blends, crepe, poplin, sear sucker, again, they're really pushing some sear sucker. I guess anytime it's summer, a summer collection, they're like, we must put sear sucker on the list of single fold bias tape and then a hook and eye.  I mean, it's not super fitted really anywhere. I mean, even the bust is pretty loose fitting, so I think maybe the neck is the only thing that would be considered fitted. But two and a half yards for the short version, almost, well, a little over four and a half for the ruffled version. So we have that. Maybe you could do like the tie and the ruffle both out of some kind of like sheer fabric.  Something that I don't know, maybe that feels really dressy too. Maybe it's just meant to be a dressy dress and that's okay. All right, it looks like we're entering into some kind of color blocking phase here. We've got a Mrs. Tunic in pants. This is from Tom and Linda Platt. So anytime you see Tom and Linda, you should think interesting shapes, interesting lines. Well, the shapes aren't super interesting. The design shapes are pretty much tunics, pretty much not necessarily like loose fitting, the dress we just saw, but definitely, you know, not super fitted, not super trendy. The, their design is that it comes in with all of these like funky shapes and color blocking always. All right, Mrs. Loose Fitting, pullover tunic with asymmetric seeming, three-quarter sleeves, sideslits, narrow hems, topstitch detail, semi-fitted, straight leg cropped pants with reverse construction hembands, which just means that like, reverse, it means that like, oh, I don't know, I'd explain it. Like you can put your fingers into the hem, right?  Oh, I'm doing a terrible job explaining that. Either way, hembands where the wrong side of the fabric will show because you're like turning it up inside out, which I guess is what the reverse construction means. Anyways, narrow waistband, invisible back zipper. I was fully expecting for there to be elastic in that waistband, so I'm glad to see that. But yeah, you have these like, like I said, funky shapes, asymmetry where like one sleeve is white and the other one is black. That's all very much Tom and Linda. Cool, interesting. Maybe lean's a little bit toward an older woman, maybe a more mature woman, maybe age doesn't have anything to do with it, but definitely an interesting vibe. I also want to point out for those of you that feel really kind of youthful, I mean, it looks to me like if you made this white portion out of opaque fabric, but you made the black portions out of a sheer, you wouldn't be showing anything. I can't tell how high this goes on her, but that could be a very interesting combination of sheer and opaque, maybe even in the same colorway. Then we've got a little pant, it has four darts in the back, which I like to see also, and has that zipper. All right, crate linen and ponty. Yeah, lightweight ponty, summer weight ponty. Small lingerie snaps. Where in the world does that go? Like, why would you need any hardware for the top at all? Lingerie snaps. Maybe I thought for a second it was gonna be a shoulder, bra carrier thing, I don't know about that now still. I don't know where those go. And then you need your little zipper and a hook and eye. So we've got the eights, it's 16 and 16 and 24 size range again. Are they calling the tunic a dress? All right, so you've got equal parts, black and white fabric, and then two and an eighth for, up to two and an eighth for your pants. Okay, next up, we've got this cute little number, also giving me like hard mid-century vibes. Mrs. Laird dress, close fitting through bust, front and back bands, split front over dress with stitched hems and mitered corners. Oh, so this is like an overlay, the black part is like an overlay. Ah, that's interesting. And a visible back zipper. This is Tom and Linda again. And again, I don't know what I have in my mind about these shears, but like if you did the white and opaque and black and sheer, since this is an overlay, you should be pretty well covered. Maybe it's the styling on some of these that's just completely throwing me off. I mean, that is a cute dress and I bet when we get to the line drawings, we'll all be like oobing and awing over it. I just don't know about the harsh black and white, the harsh center part. She's got a lot of makeup on. You know what I mean? Like maybe that's what's going wrong, but I look at this now and immediately I thought like cheerleader. So I think that the fabric choices paramount, I think that the colors that you choose or the prints that you choose would really make a difference. And then of course, obviously you don't have to use the contrast. You can do it all in one also. So keep that in mind. All right, create Ponti knit, create back satin, 22 inch zipper for the back, 8 to 16, 16 to 24. And then the dress is a combination of this, which is almost two yards and this which is one and a half yards. So as much as like three and a half yards for this. But like I said, it could be really, really cute. All right, now we have this in-house design. Mrs. Dress, very loose fitting at bust, has deep v-neck, bodice pleats, raised waist, side front seams, side pockets, invisible back zipper and baby hems. Okay, now this is pretty, but this reminds me a lot of that other Vogue dress that like everybody and their brother made in 2019, I think they had the super deep V. I don't, I mean, there's no way I'm gonna remember the number, but it was very, very, very popular. So I don't know if you have that maybe, but let's take a look at this one. The things that I like about this one, the deep V is okay, it's okay. It really does limit kind of where you can wear it. I don't know that you're wearing that to church. I don't know that I would wear that to Target. Maybe if I just rethought it completely and changed it into like a beach cover-up, that would be better. Otherwise, this is like a special occasion. But, and it's just because of the V. Like if we were to fill this in, you could wear it a lot more places. But I do like the pleating detail of the bodice. I do think this sleeve is exceptional. I mean, this whole piece here is all the sleeve. Like when you look at that pattern piece, it's gonna be huge. And I do also like the curve raised hem or the waist seam, really pretty. It's a pretty dress. And you can fill this in and you can raise this and you know, go through all of that. But again, I don't know this like 2021 version of me is just like not really into the altering. And I bet when we see the line drawings, we're gonna get church vibes again. This time the nunnery. You know, it's whoopee Goldberg. It's, or like a clergyman or something. That is definitely what that looks like. It's pretty and I'm sure the construction is so simple. Is this a very easy vote? I wouldn't be surprised if it were. It doesn't say, but it can't be difficult. Those baby hems, maybe you're the hardest part about it. All right, crateback satin, rayon, twill, broadcloth. So they're going with drapey fabrics, but with a little bit of structure. And then alphanumeric sizing extra small to medium and then large to two X. And then almost four yards for the short version and for, oh gosh, almost five for the long version. Lots of fabric. Okay, now we're going onto this little asymmetric situation. Please don't tell me that they are calling that belt like a pattern piece. Oh, Lord have mercy. Okay, all right, this is a Zandra Rhodes. Zandra is known for print mixing. Obviously like all of this stripes going in different directions. That's totally, totally her vibe. She usually does lots of different layers of fabrics too. So the fact that there's kind of just one here is really surprising, but this is a Mrs. Dress and Belt, semi-fitted through bust, has scoop neckline, finished with contrast binding, bust darts, set in sleeve with flounce, handkerchief hemline, baby hems, invisible back zipper. Okay, this bow is just, oh God, terrible, pretty terrible. Okay, so we've got this scoop neckline, it's kind of wide actually, like her shoulder. Where does her shoulder end? I guess maybe this sleeve is a little bit, the shoulder width is a little bit wide, but not too, too much. And then here's the sleeve flounce, center front seam, and then possibly the coolest part is this asymmetrical hem skirt, which I do really like. Like if we were to look at this just from the skirt down and when the waist down, I would be totally into it. That belt, I can't look at this with that belt and give it like a roll. Oh God. You can get a way better look at the sleeve here, that's interesting. You can see that at all from the front. Why with the belt? Now this looks, the line drawing looks, I think y'all are probably making it to yourselves right now, very ice capades, right? Like strap on some ice skates, give it a good spin, maybe a triple axle, and you're good to go. Very, like Disney on ice. So be cautious of that when you're picking your fabrics. Like typically things that are really juvenile, like polka dots or colors like ice blue or pink probably would highlight that sum. But I think if you did it in a print and just please, please don't make this belt. Find another, like little, you don't need all this and then that gigantic bow. Like no, no. All right, yardage, crepe to sheen, crepe back satin, linen blends, rayon shally. Perfect, extra small to medium and enlarged to extra large, three and three eighths of a yard for the fabric. Little itty bitty bit for the neck binding, which you could do out of this dress fabric, probably out of the scraps. And then not like it matters, but two and a three quarters yards for a belt. Are you kidding me? No, don't waste your money on that. We can do better. If you wanna put something around your waist there, we can find something better than this. This is just sad. Okay, I mean, there always has to be one, right? There always has to be one where I am just like a null. Okay, so this is a Rachel Comey. So I'm just feel like I'm just one designer after another. Rachel Comey makes really kind of like modern, really, they're usually pretty baggy. They're usually like very few seams, but still, I don't know, they're like minimalist, cool, minimalist, modern, something like that. So this fits in with that very well. This is a very loose fitting, wide v neck, midi dress with dropped shoulders, narrow neck facings, short sleeves, partially seamed and gathered waist and sightseeing pockets. Okay, so I love that they used some kind of like tight item for this. That feels very cool and comfortable.  This whole thing here reminds me a lot of, oh God, that indie pattern that has the same exact little feature, that one might butt in front, but I can't remember, but it has the same like gathers into this little right angle, a little bit difficult to sew. So this does look like a simple dress to sew, but this thing is a little bit difficult. And the indie pattern, it goes all the way across too. Not that Rachel Comey's sitting around looking at indie patterns, but I'm just saying like it reminds me a lot of that one. So that's that, it's cute, right? This is more me now. This is more me right now. This is something that I feel like I could dress up, I could dress down, but my range of what's dressed up and what's dressed down is much more narrow than before, but I would make this in a second. I genuinely, I generally like Rachel Comey's stuff, so. Medium weight denim, linen, poplin, chambray, broadcloth, and then lining, only half a yard of lining. That must be for the narrow facing, narrow neck facing. And then one yard of 1 eighth inch satin ribbon, maybe that is for the broad carriers. I can't imagine what else we'd be using that for. Extra small to medium, and then large to extra large on the sizing, up to four and a quarter yards of fabric.   You could probably also go on places like Poshmark, maybe even like a Nordstrom situation or a Nordstrom rack maybe that does like later seasons and find the exact version that Rachel Comey made. Sometimes, this is it. Sometimes this is her sample that they photographed for Vogue. Sometimes they make another version, but you should be able to find this design from her if you wanna see kind of more pictures, different fabrication possibly, things like that. That's always fun to do. Okay, now this little number here, love the color. Another Rachel Comey. Can you see again how it's kind of minimalist, but interesting, cool, you know? A very loose fitting lined midi-length shift dress. Halfs, V-neck line, puffy sleeves with elastic hems, back tie closure, sightseeing pockets, front slit, and metallic trim at the hem. Metallic trim at the hem, okay. Okay, so it looks like, is that a, hard to tell what's going on with the sleeve there, but look at this center front slit, I love that. This trim detail is really interesting. This fabrication is really surprising.  Let me see a line drawing. Yeah, okay, they are set in sleeves, so you could obviously omit the sleeves. I wouldn't recommend that, I actually like the sleeves, but if you get this and then like a couple years from now, sleeves are like so dated, you could remove those. It is a pretty straight, and I know that that's what shift dresses are, but yeah, I don't know about the shape. I mean, the shape on her, it feels like those of us that have wider hips plus this wider situation and no waist, I just worry that there would just no shape at all. There's like no figure to it whatsoever. Let's see. So taffeta, which might be what they use, poplin, silked will, hello fancy, and lining fabric. Two and a half yards of this two and a half inch metallic trim, you could also think outside the box and do some kind of eyelet lace would be really pretty. It doesn't obviously have to be metallic trim. And then one and eighth yard of elastic, quarter inch elastic for the sleeves. So we've got eight to 16, 16 to 24, and then like a little more than three yards for your fabric requirements and then just about the same for your lining.  I guess it helps them stay really puffy. Speaking of puffy sleeves, we have this little number in house design. This is a semi-fitted underlined dress with pleated puff sleeves, drop shoulders, shaped stand collar, bust darts, sightseeing pockets, hand sewn invisible back zipper, well excuse me. All right, let's take a look at this. Yeah, these like shiny, like polyester-y types of fabrics are not my favorite, especially for summer, especially, you know, just coming out of a pandemic. I guess they just said, you know what, like let's just pretend it's like the regular world and eventually people will come around to buying these patterns, I don't know. But this sleeve, unlike the one we just saw because it is a drop shoulder and then this happens, feels like those water wings, you know, those things at the pool that you put on your kids, that's what it feels like to me. Are they called water wings? Or did I just make that up? They're water wings, right? Did y'all call them that? I mean, this illustration looks decent. I just think in application, maybe not so much. Maybe also, because the fabric was just so crinkly, so, so, so structured, you know, which is okay for this, but I don't know, the whole point of these sleeves, though, is for it to be really bubbly, so I think that I just don't like them, like on the bicep, like that personally. All right, let's see what they used. Silk fail, silk macado, so I'm sorry, I called it polyester, it's actually silk, but those poor little worms, linen and PK. So you can do it out of like more summery fabrics, I can't imagine it in linen. I guess PK, I probably can. I don't know, I just, I think I'm just kind of over it now. Okay, invisible zipper hook and eye, extra small to medium, large tech 2X, two and a half yards, then you underline it. Yeah, that's just, maybe if I were to look at these again in like the fall or winter, this just feels like a lot for summer. Here we are with like this really massive skirt. Mrs.  I mean, the fabric is stunning, it's gorgeous. Oh, they put a little pocket on this one. I don't know, y'all. This just feels like, oh, you think that they were just like a little bit too late for prom? I have literally nowhere to go in a ball gown skirt. And it's not like I just don't have anything on the books. Like, there's just nothing even being planned where I could go in this. I don't know, now this whole collection is starting to feel like really out of place, out of time, like untimely. Again, silk macaddo, tapeta broadcloth or satin, and then three and a half yards for the short one, five yards for the long one, in some interfacing. Yeah, I just, this is like walking into like a boutique or a store or something and just immediately wanting to walk back out because it feels so far from anything that you'd be interested in buying. Now this next little bit looks better. Yeah, I don't know. I don't know what happened here and here and then where was the other, there was another group that felt like really, really dressy. I mean, if you're recommending silk macaddo, it's probably like you should just belong in its own category. Okay, this is Today's Fit by Sandra Bitsina. She has like her own like little fitting system. She usually does like these little like pin tucks and stuff too though. Mrs. Asymmetrical Tunic with neck tie, set in puff sleeve with stay, puff sleeve with stay. Okay, front tuck detailing, semi pull-on capri pants with side front pockets and side vent detailing, B has a round neck, D has angular back seeming for better fit and purchased piping. Okay, so we get the top and the pants. This little like salary tie thing. The sleeve is really cute. I think this is a knit, I'm pretty sure. So, and I think that this is all cut on the bias, which is why we're getting that kind of diagonal situation. Then you get all these tucks, which are really nice. This asymmetrical hem, which is fun. Oh, okay, wow. This must be the pant that they were talking about with the piping. That's pretty, the piping detail is nice. Oh, and that's a little cuff too. That's cute. This is probably PK, if you guys are wondering what that's like. It has kind of like a little bit of a texture to it. Look at this hem, that's cute too. So, here's A, this is the striped version. Here's B, that's the one with the tiger. So we take all this doodaddy stuff off. And then the pants, these are the white ones. Nice, deep elastic. It's not elastic like you're thinking, it's just got elastic a little, little bit here at the top. But this like separate really thick waistband is really nice. I like that detail a lot. The thing that they're talking about with Better Fit is this one here with this little diagonal situation. It was really hard to see in the photo is because they were black, the samples were black. But I do love the idea of adding this little piping trim. It would really elevate this cute little pair of capris. I don't know, I can't tell you the last time I even thought about buying capris or like certainly I haven't made a cropped pant and I can't tell you how long. So this is kind of blowing my own mind. But yeah, I would totally get this one. It's really cute. I wish that they would have used two different size models, but what can you do? I mean, if she is like the fit person, today's fit, you know, it should look equally as good on the lower size range as well as the top. She has her own like system, so which is why the sizes are A through J. I would recommend finding the back of the envelope, which I know you guys, I understand it should be on here. You should be able to see it easily. I get it, but this is what we've got. All right, so the tops are 35% stretch knits, Jersey and ITY and the pants are stretch wovens and Ponty, and then there is some silk organza in the sleeve head to keep that knit nice and poppy. Really well constructed. It's not just your average little knit top. Okay, so she's recommending a roll of steamer seam two strips of silk organza, which again is for that sleeve head. And then some elastic. Again, that is for the like very, very top of the waistband. It's only one eighth or one quarter inch wide and then some of the piping for D if you wanted to do that. Of course, you can make your own piping, just make sure that, well, she doesn't say how big the piping should be.  All right, and then here are the fabric requirements. Let's see, there are some contrasting pieces.  Pantsy, pantsy, there's also this contrast facing on C&D, which is nice because that means it's on the inside. You can't see it. You don't have to spend like a lot of money on your fashion fabric. And then fusible interfacing. And then this one, we just get a length measurement. All right, cute, sandy. I'm gonna call her sandy, like we're friends, but we've never met. Okay, now this is fun. This is a tunic. Mrs. Loose Fitting tunic has notch collar, front placket with button and loop closure, elbow length sleeves, border print fabric for B. You have no option of doing that.  So it looks like they took some other portion of the fabric. I don't know if like this was one selvage and this was another one, but that's how they were able to get all these different looking, and it looked like different pieces, but I mean, this is different piece, but they're not, they're all just cut that way. So that's interesting. Here it is without the border print buttoned up. I don't know about those buttons, but you get the idea. Drop shoulder, I think. Little notched collar, that's real cute. Imagine that with my new little Capris. I mean, they're doing theirs with full-on leggings, but beautiful fit. Yep, I see nothing wrong with this. Yeah, and this sleeve, the shoulder width might be a little long for some people. I mean, it is intended to fall off the shoulder some, but that might be a lot. So just double-check that. Cute. All right, silked will, crate, satin, linen blends. Yeah, so they're kind of going for like a heavier weight. I'm surprised. Well, where's our seersucker? This have been the perfect application for seersucker, but I guess they know that seersucker doesn't really come in border prints, which is okay, because the other one didn't have a border print, but yeah, I would think like any of your cotton blends would be better, but they're really going for something a little bit heavier weight. I wonder if that's because of the collar or the placket? I don't know. 10 buttons, all sizes in one. Love that, extra small to 2X. And then up to two yards for A, good gracious. For B, that has the border print, you need six yards to get all those pieces cut on the border print. That hardly seems worth it. You might as well make two, one from each side, and then give one away. I don't even know, but I guess it was really cute. I don't know. I don't know if I'd be able to justify that myself, because this goes on the edge, this goes on the edge, the back goes on the edge. This goes like all in. Maybe if you got like a double border print, you could get away with three yards. I don't know, I would probably play around with that. I don't know what kind of math they're using for that calculation. Ooh, getting a little preppy here. We've got a Mrs. Simifitted Top has collar and collar band, which you guys now know how to sew from the sew along, they just ended. Raglan sleeves, cute front plackets, separate pattern pieces for cup sizes. This one is really nice. So you've got this really pretty princess seam that opens out. You've got your raglan that's top stitched, this really fun placket and your collar. I also love the length of this sleeve. I feel like that is universally flattering. Look at it in this little, like Kate Spade wannabe fabric. So cute. You can tell she thinks it's cute and she's like young and cool and pretty. So she thinks it's cute, it must be. My only complaint about this is this is a little too white for this, but that's just me. I'm sure they noticed that too and we're just like screw it, we gotta get this thing made. I think this is really cute. I love how preppy it is. Well, I don't like how they styled it at all. This blue kind of is giving me panam, flight attendant, stewardess, vibes, anybody, lift up your tray tables and sit backs. This is cute with the legging and the little slide on. Fun, fun, fun. Bag is pretty, center back seam. You got the raglan sleeve again. Yeah, so it's pretty much the same thing. You can just either do the contrast collar or not. Oh, are they trying to tell me that that white collar was intended to be your contrast collar? Okay, okay, sure thing. Whatever you say. All right. It'd also be really, really cute lengthened to a dress. So I don't feel like you have to make a tunic. It would also be really cute if you like chopped it off here and added like a pleated skirt, you know, and made more of like a fit and flare. That would be really cute. Here I am earlier talking about how I don't like to make alterations, yada, yada, yada. And then like I'm inventing all these new ways to make this top. I guess when I feel like it's worth it, I'll do it. 17 PK linen twill. Yeah, some of your mid-weight fabrics for this. They want it to be pretty structured. And then three buttons, single fold bias tape, eight to 16, 16 to 24. Top A that has the contrast. So you have your like one and a half yards of stripe fabric and then half a yard ish of your contrast for the collar and the placket. And then if you do it all in one, you just need one and seven, eight yards. So you can see how inefficient contrasts are, but they do sometimes pay off. Oh, and look, finally, randomly at the very end here, we get less measurements. That makes no sense, no rhyme or reason, but it looks like A cup to, smallest A cup to largest D cup. It's 37 and a half to 54 inch busts. All right, next we've got this fun little skirt. Mrs. and Mrs. Petite skirt. This is super cool. The T asymmetric skirt fitted through hips, sits at waist, has faced waist. There's gotta be a better way to say that. Fluid asymmetric hem, front and back, deep slit, invisible back zipper. Yeah, there's a lot going on with this guy, but this feels like something you could make in, like, I don't know, like a lighter weight, shally or something like that. And it'd be in pair with a tank top and it would be really casual and cool. Or you could dress it up into like some silk something or another and it would be dressy. I like the little slit thing. Now I don't like it in the back. I wish they would have closed that in. I also like this skirt without the flounce. So imagine it without this doodad and it just is like a little angular skirt. That'd be cute, right? So we've got a shorter version and a longer version. I genuinely will try and figure out a way to close this up.  We've got one dart here, kind of long though. I'd like long darts. So rayon blend, twill, wool crate. So they're already planning for fall. And then denim, invisible zipper, hook and eye, our same sizing we've had throughout. And then two ish yards. You can probably squeeze it out of two. And then the longer version is two and three quarter yards. I think it's really cool. Which one is shorter though? Oh, I mean, it's shorter, but not by much. You could shorten it some more yourself. I don't really know where I'm gonna wear that. I keep trying to make it casual on my head. I think I probably could pull it off more places than I initially would think. But I'm not wearing high heels everywhere. I may never wear high heels again. Take that. Okay, now we have this little card again. And tunic. This is a Marcy Tilton. Gosh, how to explain Marcy Tilton? Well, a lot of asymmetry, comfort, kind of classic designs, timeless. Fitted guard again, it has shawl collar, seven eighths sleeves, side back seams, asymmetric hemline. Tunics have narrow facings, high low hemline, lapped back seam, and contrast back patch detail. Back patch detail, I'm into that. So the card again is this, and then it becomes longer over here. And then this is the tunic underneath. I do like the one button. The tunic is super cute. Just by itself, I would 1,000% lengthen that into a dress and wear it nonstop into the summer here. I want to see that back. This is kind of cool. Show me more of that back. Interesting.  Oh, I mean, what are those? Those must just be like panels of fabric. That's kind of cool to me. I don't know, I don't know. Does that, is it cool that I think that that's cool? I don't know, I can't really tell. I think you could probably leave it off, but I think it's so neat. Certainly different. Let's see the line drawings. Yeah, it's just a contrast panel. So if you didn't do something that had like fricking fish on it, and you just did like a stripe, or I don't know, just something like a floral and a stripe combined, floral and a stripe or vice versa, something like that, that could be really cool. But I am loving the shape of this tank. I probably have some in my stash that would work, especially as a dress. This, I could do without. But I think that these tops are so cool. Okay, 35% stretch knits. Jurzen, I'm sorry, jersey, either cotton like or jersey or rayon like or jersey. Interesting to me that they haven't suggested, I mean, a cotton like or jersey versus a rayon like or jersey or like night and day. Their rayon's just gonna be so much draper. Or you could do a lightweight haunting. Now they don't say anything about, oh yes they do. Fusible Trico Remnant. Four inches by 10 inches, four by 10. No, that's not it. What is this fusible Trico for? And where do we find this like back panel thing? They just say contrast. So I guess it's just any old fabric contrast. I mean, maybe they shouldn't have called it a back patch. Either way, right around two and a half or up to two and a quarter yards, you'll need a button for the card again and then this fusible Trico. There's that. Oh, now we've got like a boostier corset thing. They're calling a vest. I've been watching friends from the beginning and these little vests. They wore the girls wore them all the time in like the late 90s. Petite close fitting lined two edge vests with front princess seams button closure. B has a grosgrain ribbon trim. Separate pattern pieces are included for the cup sizes. I don't know that I can get behind vests right now but I do think that vests layered over things that you wouldn't expect. For example, if you had like an eyelet, a white eyelet dress and you layered this over that, I think that that is cool or like some kind of like flowy, floaty situation and then this over that. But this just as a top, I don't know about that. Yeah, I don't know. I don't know how I feel about vests. This, I feel like it needs to be a matching set. I feel like if they had paired this with some kind of like skirt or short that had the same trim detail, home run, they would sell a million of them. This by itself with white jeans feels like the two different parties. Like this girl's going somewhere different than this girl. I don't know, she makes it look cute. Well, probably cause she's got a perfect body. Well, I'm not gonna say perfect. She's got, I'm not even gonna say ideal. What is the best way to explain someone just who can wear anything and look, you know, like a million bucks in it? I guess technically we can all do that. I need to, I misspoke, I take it back. Anybody can look like a million bucks no matter what their body looks like. I try and have as much body positivity as I possibly can, especially with my own body. But you know, every once in a while, I slip back into those olds kind of ideals and you know, the struggle is real. All right, so this one has that X back. Oh, it also has a little seam here, which helps with fitting and shaping. This is also Pico. You guys are wondering, or PK, sorry. Okay, mine drawings, yeah, they're pretty much both the same. I don't know, part of me is like, yes, try it, try something different, it won't take that much fabric. Maybe. I don't hate it as much as you guys probably think I do. I'm trying to like, again, it all comes down to styling. I think that my synopsis at the end of this video is gonna speak a lot to that, but. All right, so PK, lightweight denim, linen. Fusible, interfacing, and then some kind of lining that they didn't fill in. Four buttons, and then grow grain ribbon for the detailed one. Same size combinations as before, just one yard. See, you don't really need that much. I better have a yard of scrap linen or something somewhere.  This is a little more close fitting than the last one, so we've got three and a half up to 49 inch busts. All right, sweet little top. This is also our first illustration. Why does she have the hair? Is this a vintage re-production? I feel like they should say that, and they don't. So I don't know. Mrs. Top has round shoulder, yoke with lapped seam finish, shoulder pads, flat shaped collar, waist dart tucks. Back button and snap closure. A has a tulip sleeve. B has long sleeve ending and cuff with slit opening. Okay, so you can see we have all those things. The collar here, the little bib situation. This is the tulip sleeve. Here are the waist darts that you can see. So very fitted underneath. Here's our illustration of the long-sleeved version. That's the version the other model had on. Back buttons. Okay, circa 1947. That's kind of, I think I like this. I think I like that they're bringing these back. I, hmm, do I like this one in particular? It doesn't feel inherently 40s or I guess almost 50s, which in a way is a good thing because you don't want it to feel like a costume. But on the other hand, you kind of want it to be like, yes, this is a kind of throwback design. Oh, I don't know. I'm on the fence about this one. I like elements of it. I love the tulip sleeve. I love the little Peter Pan collar. I like this, but I don't think I like the collar with this.  I don't know. The line drawings do make it look a lot cuter. I think maybe in just like a solid fabric, maybe even like white, it could be really, really sweet. Come in here on the end. They are really, they're really tickling my fancy here at the end. All right, lightweight crape, rayon shally, lightweight broadcloth. So yes, lightweight fabrics. Oh, I forgot about the shoulder pads, half an inch thick shoulder pads, which is really not that thick at all. Five buttons or seven buttons, depending on the length, and the, or no, depending on if you have the long sleeves or not. And then both of them have six sets of snaps. Where do those go? Back button and snap closure. So does it alternate button, snap, button, snap? First of all, like I always say about these things, who is buttoning me into this? I can't get to that button there. And okay, so let's say I button, you know, these three and just leave these two open. Can I even get it on that way? I might, personally, I think I would probably do like a faux placket and then a side zip. Yeah, I don't know. How did people get dressed? All right, extra small to medium and enlarge to extra large. Just under two yards of fabric for the tulip sleeve and then two and an eighth for the long sleeve. This is, this is, this has potential. This has potential. All right, our last pattern, semi-fitted, sailor style, wide leg pants. I've wanted something like these for so long. High rise, pleated front, have waist facings. And not a faced waist. You can't just switch it up on me like that. Button, trim, and length variations.  I think we can all agree, like it's just too specific. You know, like we need to be using fabrics that are like universally, like universally appealing. I think this is just like, well, I don't know. I'm pretty sure it is linen though. So that's nice. And then like they said, there's a sailor style situation. I, yeah, yeah, yeah, about the types of buttons that they chose. These buttons are also humongous. But basically you have like a button placket that goes to your low hip and then they open out into this really deep pleat. You can see here how deep the pleat is. And that's what gives you your wide leg. They also have a shorts version. Oh, this is cute. I don't know about the length. If you made them shorter, that would be very marvelous, Mrs. Maisel. When she goes to the, oh, not the Hamptons, not the Berkshires, but the Catskills. When she goes up to the Catskills, she wears a lot of little shorts like this with this big pleated detail. So it can go costuming, but it can also be really, really classic. And chic. The back looks exceptional. The fit looks amazing. It looks really good. I mean, and for what it's worth, like this pleat is ridiculous, but the matching of the pleat and, you know, how it's, it's all perfection. So kudos to their team for putting that together. Now, here is a different woman with a different bum. And you can tell that the crotch curve is different for her. It almost looks like it's too deep. So that's just the thing about pants. It's just so specific and unique to each person. Her side seam is also pulling toward the back. I don't think that was happening on this woman's. Not that I can really tell anyways, because of the plaid, but I think it's pretty much along the side here. So, I mean, she could also be posing. I can't really tell what her feet are doing.  But either way, there's some interesting things happening with her shorts for sure. When you look at them here, everything looks pretty good. Maybe a little bit of something happening here, but when you go to the side in the back, there's obviously something happening here. So, yeah, and of course, the line drawings are really cute. If you wanted to minimize this, if you don't like that detail so much, you could just do the buttons in the same color as your pants. So white buttons with a white pant, blue buttons with a blue pant, or you could do the metallic contrast like they did on these. If you wanted them to really stand out, so you could either hide them or feature them. Okay, twill, silk blends, silk crate, lightweight denim. Did I say silk blends? I meant linen blends. Eight buttons, one small snap, same numeric sizing. One and a half yards, love seeing that. Two and a half yards for the pants. Love seeing that even more. And then some fusible interfacing, one yard of 25 inch interfacing for the waistband and facing and all of that. All right, and that is it. That is Vogue Summer 2021. I love to pull up the lookbook in the end, kind of wrapped us all up, but basically I feel like we have some good patterns here, some good designs with very, very, very sad, confusing styling. I don't know, I don't know. I think that they're kind of stuck in terms of who their target demographic is and how to represent them. But I don't think this is it. I don't think this is very representative of the times that we are in. I mean, toward the end it got a lot better, but those at the front at the beginning just did not feel like anything I would be wearing at this time coming out of a pandemic, spending a lot of time outside because that's the safest place to be right now, not doing a ton of special events, certainly not with large groups, not traveling a ton, you know what I mean? Like it just feels like some of these things are really out of place. But like I said, toward the end it did get better. So there were some redeeming patterns in there. The vest, for example, this little tunic situation I really liked, the shorts were good, even the skirt I would try maybe figure out a way to make that work for me. And then the Marcy Tilton top and the Sandra Batsina cropped pants were all really good to me. The rest of these, oh, maybe that Rachel Comey, I did like this one too, but it's not special enough. I might have something like that in my stash already, or at least a silhouette similar to that. The rest of this stuff just felt, it almost felt like they designed it last year and then just put it on the back burner and then we're like, okay, let's just throw it in here. I don't know. So it's a mixed bag for me, but I would love to know what you guys think. Let me know in the comments section below, but that's gonna do it for me today. I will be back next week with what I certainly believe will be an indie, First Impression Friday. We'll probably have several weeks of those before the big four start releasing their early fall. So, but like I said, that's gonna do it for me today. Thank you all so much for watching. I will see you very soon. Bye.


Hello friends, I am Sanjay Gupta. In this video I am going to demonstrate you how you can print table of a number in Java. So for implementation of this program, first I am going to import a package that is util. Inside this package a class is available that is scanner. This scanner class is required to read values from user. Then I am going to implement another class whose name is table. Inside this table class, I am going to define main method. Now inside this main method, I am going to implement the logic which will print table of a number in Java. So first of all, I am going to read a number whose table we want to print. So I have declared a variable and now I am going to create an instance of scanner class and I have passed system.in as constructor value. System.in defines that the input will be received from control. Now with the help of system.out.print talent, the message enter a number will be displayed on output screen. The entered number will be stored inside n and for that I am calling next int method. This next int method is defined in scanner class. Now n is having the number whose table we want to print. Now I am going to iterate a loop. This loop will repeat 10 times because each table contains 10 digits only. Now with the help of system.out.print talent, I am going to print the calculated result. So here I am applying n into i. n is containing the original number and i is i's initial value is 1 and every time it is incremented by 1. So the original number will be multiplied with i and the calculated result will be displayed on output screen.  I have saved this program with table.c and my program is saved in d drive inside d drive. A folder is available that is java and in java folder table.java file is stored. Now I am going to open command prompt in command prompt. I have to set the current location. So this way now I am in d drive inside java folder for compilation I am typing the command java c table.java. You can see the program is compiled successfully. Now I have to execute this. It is asking for a number. I have entered 10. You can see the output. It is showing table on output screen. The table of 10 is displayed here. If you want to calculate table of another number, you can just execute the program again. This time I am going to enter 5. So you can see it is showing the table of 5. This way I hope you have understood how you can print table of a number in java with the help of for loop. I hope you have understood whatever I have explained to you. If you want to watch more programming related videos, you can follow my youtube channel. Thank you for watching this video.


Oh, let me jump.  Yeah I'm on the island. Yeah, he might drop you off at the island man. No, I'm serious I'm on so on island very experiencing issues Are they are they twitch jimmers? What are they twitch jimmers?  No, I literally just my first game on I might need help Three times I was watching videos of people saying that she was impossible to find you got it three times Do you want a blue pump? Oh a blue pump? I do Yeah, you haven't seen the blue pump.  I don't have any building. Yeah me too. That's why I died Oh, no, I do not hit Yeah, you missed every single one of those motherfuckers got minis shits I Wrong guy, I'm cheese All right, watch this. No, let me place it down Pop yeah, it's my cue. I was just trying to Break stuff I'm gonna troll this last guy. I know he's a default Oh All right, man Let's make some moves. Who knows we might get like a this is this is an opportunity here Let's think of it as an opportunity to get a cool 20 kill game. Yeah. Yes All right, you want to go retail and I'll go tilted. Oh You have so much confidence in me. All right, let's do it Unitation it's a high kill game.  Let's do it, bro. Let's see. Oh, let me jump. Hello.  No, definitely in the middle there right now, man.  Yeah I'm on the island. Yeah, he might drop you off at the island man. No, I'm serious. I'm on Hey I'm flying away. Yeah, no, just record the whole thing that I tried I ran into a shotgun is what happened Well, I I am going away from the island What the oh and I just Yeah, no, don't worry.  That's what happened to you man Sleep clean the middle there right now, man.  What? Yeah, I'm driving away I'm on the island. Yeah, he might drop you off at the island man. No, I'm serious. I'm on Buses over I'm flying away if you go to the lobby it says they're experience experiencing issues anyway Look wants who wants a screen share Yeah, no, just record the whole thing that I am going away from the island Joey, what is your favorite movie of all time? Probably be home alone if you know what that is That's all they play at Christmas time row you can you can catch that on Monday Tuesday Wednesday Thursday I love that movie though. Yeah, it destroys all the robbers. You know what happened to the kid in real life No, I don't worry about it Is his life took a turn for the worst man, but at least he made good movies when he was a kid at least he did that What's his name? What's his name? Macaulay Culkin or is that somebody else Kevin Kevin was his name No, but I'm saying in real life. Oh, yeah, I was Macaulay Culkin. Okay. Hey wigs man What would you say your experience was like? Flying on that bus on the extended row It felt good. Yo, they got sound effects when you put markers down now Yo noise No, you got the pop Run run. Oh, I got this. Oh, I actually do got it. Nope. I'm dead No way. I was sitting there. That's probably if she has snorkel on Oh for fuck's sake everybody has a shotgun, but me, huh?   Just got one Oh Survey the area No, very useful. I just saw a big juice. Here we go hundred health bouncing on my trampoline Trampoline not trampoline. That's just low-key mine though, but uh, I don't think I see anybody else tilting his clear fellas Let's celebrate.