correctly posted in the accounting records. So we want to make sure that they're correctly posted in an accurate format. And then the assertion of authorization, we want to verify that stock dividend transactions were correctly approved. Did we go through the approval process and notice the stock dividend transactions is going to be something that could be a large major type of transaction. So there should be a formal, basically approval process. And then we have the valuation assertion, verify that stock and dividend transactions were correctly valued segregation of duties. So segregation of duties are major internal control with relation with this relation to stockholders equities, those responsible for issuing, transferring and canceling stock certificates will not have an accounting responsibility. Now, this is ideal. We're hoping that we're able to do this or that those responsible for maintaining the detailed stockholders records should be independent from the maintenance of the general control accounts. Then we have those responsible for maintaining the detailed stockholders records should not process cash receipts or disbursements and segregation of duties should be set among the preparation, recording, signing and mailing of the dividend checks. Note that these are pretty heavy segregation of duties, especially this first one here, those are responsible for issuing, transferring and canceling stock certificates will not have any accounting responsibility. That's a pretty heavy kind of internal control in that you would think that someone that's involved with some type of accounting process might be the individual that would be involved with that process if there weren't some internal control in place. So if these segregation duties are not doable, because of personal of personnel shortages, in other words, if we don't have the personnel to be able to do these separations of duties, management review controls should be in place, we should have then management review controls in place as a type of control setup. If these types of segregation of duties are too heavy too many segregations for that particular organization to handle. Now we're going to consider the auditing of capital stock and take a look at the assertion of occurrence and completeness. If outside agents are used auditor confirms information relevant to the year and amounts with them. So if we have an outside agent, then the auditor can go to the outside agent and confirm information relevant to the year and the amounts when outside agents are not used, then the auditor has to do something else. What's the order going to do trace the transaction of shares between the stockholders to the stock register and or stock certificate book foot the shares outstanding in the stock register and or stock certificate book match them to total shares outstanding in the general ledger examine any canceled checked certificates and inspect any unissued stock certificates in the stock certificate book. So once again, we have the capital stock auditing occurrence, if outside agents are used, if we have the outside agents, the auditor can confirm the information relevant to the year with them. When the outside agents are not used, the auditor will have to go through some more procedural steps, those steps being once again, trace the transaction of shares between the stockholders to the stock register and or stock certificate book foot the shares outstanding in the stock register and or stock certificate book. So I mean, add them up, of course, match them to the total shares outstanding in the general ledger examine any canceled stock certificates and inspect any unissued stock certificates in the stock certificate book. Now we're going to consider the assertion of valuation stock issued for cash is fairly simple transaction. So when we consider the valuation of stock that's issued for cash, because it's typically considered a market exchange, if it's going to be a publicly traded company on a market exchange, fairly straight forward type of transaction, the valuation would be you would think the market exchange and the market exchange not too difficult to know considering cash was paid for it. And so proceeds from the sale are traced to the cash receipts records for valuation valuation is more complex when stock is issued for property goods or services. Obviously, when we have property goods or services, we are issuing stock, which we may not exactly know the value for, although if other stock is being traded on the stock exchange that might help us with that type of transaction, but it's more complex than if we just got cash in a market transaction. And then of course, the property goods and services that we're receiving, it's hard to determine exactly what the market rate is for those property goods and services. So that's a bit more complex of a valuation stock dividends can also be more complex auditing issue. So when we have stock dividends, so in essence, when we're giving back value to the shareholders, but instead of the giving back in essence, the retained earnings, the earnings of the company in the form of cash, given it in the form of dividends, that can be a bit more complex to value as well. Auditor needs to recompute the stock dividend and trace the entries to the general ledger related to valuation. Now we're going to consider completeness disclosure items include so the disclosure items we need to include include number of shares authorized issued and outstanding. So the number of shares authorized issued and outstanding call privileges prices and dates of preferred stock preferred stock sinking fund. And of course, these would only be applicable if we had preferred stock stock options or purchase plans. So if there's already any stock options or purchase plans want to disclose those items restrictions on retained earnings and dividends. So if there's any kind of restrictions on the retained earnings and dividends, those need to be disclosed all completed or pending transactions that may affect stockholders equity. So any other types of transaction that may have a direct effect on the stockholders equity should be disclosed.


Sound off for Chesterfield. Chesterfield is best for you. First cigarette with premium quality in both regular and king size. Chesterfield brings you dragnet. Ladies and gentlemen, the story you're about to hear is true. The names have been changed to protect the innocent.  You're assigned a bunco detail. For the past year, a confidence man has been cheating women in your city. You finally get a lead on him. Your job? Get him. Tonight, I have a new report for you. A most important one too. Because when you're asked to try a cigarette, you want to know and you ought to know what that cigarette has meant to people who smoke it all the time. After a full year of observation, a medical specialist who's given a group of Chesterfield smokers thorough examinations every two months for the full year, reports no adverse effects to their nose, throat, or sinuses from smoking Chesterfields. More and more men and women all over the country are finding out every day that Chesterfield is best for them. Enjoy your smoking. Try Chesterfields today. They're best for you. Much milder with an extraordinarily good taste. Dragnet, the documented drama of an actual crime. For the next 30 minutes in cooperation with the Los Angeles Police Department, you will travel step-by-step on the side of the law through an actual case transcribed from official police files. From beginning to end, from crime to punishment, Dragnet is the story of your police force in action. It was Wednesday, February 12th. It was cold in Los Angeles. We were working the day. Watch out a bunco detail. My partner's Frank Smith. The boss is Captain Steed. My name's Friday. We were at the Armstrong-Thomas Department Store cafeteria, and it was 3.14 p.m. when I got back to the table. Here, John. Let me give you a hand. Thanks. Here you are, Miss Terrence. Thank you. I wonder if you tell us what this is all about now, ma'am. Surely. Sorry you had to wait, but I thought it might be better if we talked up here. Yes, ma'am. Would you pass the sugar, please? Oh, yes, ma'am. Here you are. Well, it's not a pretty thing. I don't know how I could have been so foolish, but I guess when you get to be my age and you haven't got anything, almost any attention makes you forget. Yes, ma'am. How'd you first meet this man, Ben? I saw him first at a musical. I met him very briefly that night. He called me the next day. Said that he wanted to see me again. Well, I told him that I didn't think it'd be proper, but he insisted, so that night we had dinner together. He seemed so nice, I still can't believe it. Yes, ma'am. Such a wonderful time. I didn't think anybody could be so happy. We ate at a wonderful little place down at the beach. Then we went for a long drive and listened to the music on the radio. Just beautiful. The way the ocean looked all moonlight and all. When'd you see him again, ma'am? Not until he left. He'd call a couple of times a day. It was a little embarrassing. The girls at the store here got kidding me about it, but I didn't care. Then he told me he wanted to marry me. I couldn't believe it. So wonderful. Yes, ma'am. Then one day he told me that he was going to have to take a business trip up north. When was that? Do you remember, ma'am? I guess it was about three weeks ago, something like that. Go ahead, please. Well, he left. I went down to the station and saw him off. He kissed me and said that when he got back we'd be married. We were going over to Las Vegas on our honeymoon. Wonderful plans. Wonderful. Then I heard from him and he got to San Francisco. He called me from the hotel and said that he'd lost his wallet on the train. He told me he'd lost everything. All his money, identification, everything. That's when he asked me for the hundred dollars. I didn't think that anything was wrong, so I sent it to him. What'd you send it, ma'am? To his hotel. Did you hear from him at all after that, ma'am? Not a word. At first I thought that maybe he was just busy. I did think it was kind of funny that he wouldn't say something about getting the money I sent, but not a word. Then I got worried. Yes, ma'am, I understand. Finally I called the hotel and they told me that he'd checked out. I figured that maybe he was back in town and wanted to surprise me. So I called his apartment. The landlady told me that he had left a couple of weeks before that he didn't leave any forwarding address. Yes, ma'am. I didn't know what to think. I didn't want to believe that he'd just used me, there didn't seem to be anything else to think. Yes, ma'am. Then, of course, it was only $100. It seems that if he'd wanted to rob me, he could have asked for more. I still don't believe it, even when I know it's true. Yes, ma'am. I wonder if he could give us a description of the man. Yes, I can do that. Let's see. He was tall. About how tall, ma'am? Over six feet, maybe six feet two. He had blonde hair, kind of wavy. About how much would you say weight, Ms. Terrence? I'd just be guessing that I'd say about 190 or so. I see. I wonder if you'd be kind enough to come down to the city hall and look at some pictures for us. You think you might have one of his? It's possible, ma'am. Maybe it'd make you feel a little better to know that you're not the only woman that this bent and has taken. There have been quite a few. I guess I knew that. Even if I didn't want to believe it, I guess I knew it was just a confidence game. Such a cool thing, though, to use a person's loneliness to rob them. Yes, ma'am, it is. When you get along in years and you haven't got anything to hold on to, a little attention and affection makes you forget everything else. Nothing else seems to matter. Yes, ma'am. I guess that's the way they figure it. Frank and I had been looking for Jonathan Bentham for the past year. During that time, he'd taken approximately $37,000 from women in the Los Angeles area. His method of operation was to answer the ads in the personal columns of the daily papers. He'd give the women a whirlwind courtship then under the pretext of having to clean up some business before marriage. He'd leave town. He'd call the next day and give them the story about losing his wallet and identification. He'd ask them for $100. This in itself was to throw off the suspicions of the victims. In the event that they suspected that they were being taken in a racket, $100 was small enough so that their fears were quieted. Bentham would answer about 20 to 30 of these ads at a time. And the request for money would hit all of the suspects at once. We'd had several complaints lately and there was no way of knowing how many women were being taken and were too embarrassed to report it to the authorities. 4.30 p.m. We drove Miss Terrence back to the city hall and had her check the mug books. She was unable to give us an identification, however. Another month passed. During that time, we received 14 more complaints. In all instances, the description of the suspect matched that of Jonathan Bentham. All available sources of information were checked. Bullittons had been gotten out carrying his description in the name he used. No results. On Wednesday, March 25th, we got a call that a man answering Bentham's description had placed an ad in the personal columns of one of the daily papers. He'd used the name of Thomas Conan. The clerk at the ad counter gave us his address and at 5.32 p.m., Frank and I went out to talk to him. Yeah? You Thomas Conan? Yeah, that's right. What can I do for you? Police officers would like to talk to you. Sure, come on in. I was glad to talk to the law. This is my partner, Frank Smith. How do you do, Mr. Smith? I am, sir. If you boys will come on in.  Thank you. And now, what's this all about? Oh, sir, did you put this ad in the paper? Well, let me see. Texas Cowman desires to meet petite young lady object companionship. Spelled everything right to dead? Yes, sir. That's mine. I wrote it all myself. How long have you been in Los Angeles? Well, now let's see. Got in on the bus last Tuesday. That'd make a week and a day. Uh-huh. What brings you out here? Well, I guess you could say it's kind of a business trip. Got a little tired of the same faces back home, so I thought I'd just see what the rest of the country looked like. What little a's of it? I'm from Texas, you know. Amarilla. Yeah, what's all this about anyway? Some law I broke? No, it's about that ad. Oh, you found out, huh? Big pardon? Oh, you found out about me saying I was a cattle man. That's it, ain't it? What do you mean? Well, now, I didn't mean to harm. I do have a couple milk cows on the place. A whole steen and a Guernsey. They're real nice, too. It's just that I was a darn lonesome and I kind of thought this might be a way to meet some nice gal. I didn't mean to harm. You can see that, can't you? Yes, sir, I guess so. What if you'd mind taking a ride with us, sir? Well, I should say not always happy to go along with the law. Um, where you figure to go to? When I get to meet somebody. Well, now that's right. Nice of you. You got some gal you like me to meet, huh? Well, it's not exactly that, sir. Well, it don't matter none. I got nothing to do anyhow. Just sitting here wondering if I get any replies to the ad. All right, sir. If you wouldn't mind, let's go. Not at all. I'll get my hat. Don't hardly feel conspicuous in this hat at all. Is that right? Yep. Kind of thought people might make something of it, but hardly even notice it. Had two little kids come up today, asked for autographs. Guess they figured out I was a movie star. Made me feel real good, too. Then I wrote my name for them that didn't know who I was. That didn't make no mind to them. They just thanked me and went on about the business. Right nice little folksy was. Yeah, well, let's go. Sure. Real nice people here in LA. Real nice. Haven't met a bad one yet. Well, you haven't been here long. We got them. 5.40 p.m. We drove Thomas Conant downtown. He had a cargo out and pick up Miss Terrence. While we talked to Conant in the interrogation room, she walked by the open door and looked in at the suspect. She told us that he was not the man who'd victimized her. She was returned to her home, and after Conant had been checked through R and I, he was released. The next morning, Frank and I ran down a tip from an informant, but it let us know where. 10.18 a.m. We checked back into the office. You get the latest bulletin from San Francisco, Joe? Yeah, I looked it over this morning. They checked out the hotel Benton was staying at. He checked out of there. They haven't seen him since. Well, that means he's probably back here in town, huh? Well, if he is, we should start hearing about him again pretty soon. I'll get it. Well, go Friday. Who? Oh, yes, ma'am. Yes, Miss Terrence. I remember. Yes, ma'am. Where was that? Would you give me that again? Yes, ma'am. 4.08 p.m. Yes, that's right, ma'am. We'll get in touch with you. Right. Thank you very much. Bye. Grace Terrence? Yeah, she just saw Benton. Where? He went to an apartment out on Vine Street. 10.41 a.m. Frank and I got to the apartment house on Vine Street. We talked to the landlord and he told us that a man answering the suspect's description was registered in apartment 4B. He was registered under the name Jonathan Benson. He told us that this Benson had just moved in and paid his first month's rent in advance. It said that he was just going to be in town for a short time and that in the event that he moved out before his month was up, he expected no refund. Frank and I went up to the fourth floor and knocked on the door. Yeah? You Jonathan Benson? Who are you? Police officers. We want to talk to you. What about? Might be better if we talked inside. Maybe I don't want you in my house. All right. Now, Mr. You, get your hat. We want to talk to you downtown. What for?  Just a minute. I think maybe there's been some kind of mistake here. Just tell me exactly what it is you're looking for. I'm sure we can work it out.  Come on in. I'll get my hat. I'll get it for you. In this closet? Yeah, the grave. You sure you got the right man? Looks that way. No way to work this out. What do you mean by that? Well, I don't even know why you want me to go with you. Seems you could fill me in on that. Got some people we'd like to have you meet. You'll see when we get there. Here's your hat. Come on, let's go. You guys sure think you're the Gestapo coming in here dragging a private citizen out of his house? If you haven't done anything wrong, you got nothing to worry about then, have you? That's not the point. I don't like it.  Who said we wanted women to look at you? You did. No, we said we wanted you to meet some people. Unless a misunderstanding. Yeah, I guess you didn't. No way we wouldn't work this out. There's no way. Come on. Oh, just a minute. I want to be sure I got my key. I don't want to be locked out. Don't worry about it. What do you mean? You might not be coming back. Frank and I took Jonathan Benson downtown. We ran him through R&I, but we got no identification. His fingerprints were rolled and checked, but they didn't make him. Miss Terrence was called and asked to come down to the city hall to try to identify the suspect. 2.30 p.m. We took him to the interrogation room. You ever use the name Benton? No. You sure? Yeah. Mr. Elias? Why shouldn't? You tell us.  Tell me what this is all about. You told us you just got in the town. Is that right? Yeah, I've been here about a week. Where'd you come from? Up north. Where up north? San Francisco. You live up there, do you? Most of the time, yeah. Most of the time? What's that mean? Just that. Most of the time I live in San Francisco. That hard for you guys to understand. What am I to work you in? I'm a salesman. Yeah, what do you sell? Whatever people want to buy. What do you sell them now? Nothing right now. That's why I'm here. You know a woman named Terrence Grace Terrence? No, I think so. Mike, why? We'd like to know. Hey, maybe I'm wrong about all of this, but it seems to me that when they taught me civics in school, they said that I had to be booked, that you had to let me go. They changed that law? No, that law's still good. Then let's stop horsing around. I got a lot of things I want to do. Fill me in on this, and then let me out of here. All right. There's been a confidence man working in the LA area been taking money from women. Gives him a big pitch about wanting to marry him, and then he hits him up for 100 bucks and leaves him. Sounds like a good rack. I got a lot of money from people who haven't got it to spare. Oh, a fan. I'd say I'd say a tough luck. Oh, a fan. We'd say you're wrong. Where do you look at it? Where do I fit into this little fantasy? You look good for the guy who's been pulling the deal. Me? That's right. You guys are flipping. Description matches. So I look like another guy. Everything else about you checks out? So you figure you've made me for the jobs, huh? That's what we figure. Which way's the gas chamber? Come off it, fellas. You guys know you're trying to hang a bad rap on me. You know it, and so do I.  I can get out of here, and you can get to the peanut. I'll get it. Hello, Jonathan. What? Why'd you do it, Jonathan? Why? If you wanted the money, you could have asked for it. I'd have given it to you. You didn't have to lie about what you thought. The place is full of Emlonies. Is this the mayor, Miss Chairns? Yes, Sergeant. That's him. All right. How about it, Benson? I don't know what she's talking about. What's this bit with that's him? Loonies jumping with him. All right. Now, Benson, I've had enough of that. You've just been identified. We've got a lot more of them that we can have here. I think they'll identify you, too. Why, John? Why? Oh, get her out of here. One thing I can't stand is a woman balling. If something comes along, it can't figure out right away they got a ball. If anything comes along, they got to cry. I'm sick of it. All right, ma'am. Maybe it'd be better if you waited in our office. Yes, Sergeant. I still don't know why he did it. Why he took this way to get the money. I took this way because it was the easy way.  Every last one of you. Let me get a few things straight first. You say I took $100 from you. Is that right? Yes. All right. I want you to think about this and think real careful. Didn't I say that I wanted to borrow the money? Isn't that what I said? Borrow? Yes, that's what you said. Did I say that I'd pay the money back in any certain time? I don't know. Well, you think real good. You'll remember that I didn't. I just said that I'd pay you back. That's all. I didn't say when. I guess. I don't care. There you are. Is there any crime to borrow money from a friend? I borrowed the money from her. Pay it back. You said you wanted to marry me. You said you loved me. Oh, come off it, Sarah. You got no beef. You got the soft light and the romantic music. You got it all. Look at you. Take a good look. Who'd want to marry you? Here, just a minute. Here. Here's $100, I part. I want to pay you back. I got $100 worth of laughs from you. Got much easy. Here's your dough. Now go home and have a good cry. I wouldn't marry you if you were the last woman on Earth. All right, that's enough of that, Benson. You're not just kidding. This old heartbeat with romantic ideas.  She thinks anybody want to marry her, and she's a loony, too. I didn't think anybody could be this mean. I didn't think anyone could be this cruel. I don't believe it. You got no choice. You know it all alone. Thanks for the laughs. Come on, Miss Terrence, please. Can you imagine that, that old bag really thinking I'd marry him? Yeah. Real laugh. Well, anyway, she got her dough back. I said I'd pay her back. I did. You check with the rest of them. I'll tell you the same thing. I borrowed the money, that's all. I can't help it if they thought something else. I can't help it, count it. Come on, let's get this over with. I want to get out of here. Yeah. You look upset, cut. Don't be. It won't prove anything. It's a way. I got something for you, Benson. Is that right? Yeah. Some place, sometime you're going to make a mistake. That's right. Yeah, and when you do, we're going to lean on you and we're going to lean hard. You are listening to Dragnet, the authentic story of your police force in action. Chesterfield regular, Chesterfield king size, the first cigarette to give you premium quality either way you like them. This means that king size Chesterfield contains tobaccos of better quality and higher price than any other king size cigarette. Chesterfield is first to name all its ingredients, ingredients that make the best possible smoke. And Chesterfield gives you this full year scientific report. There are no adverse effects to the nose and throat of a group smoking only Chesterfields. So enjoy your smoking. Change to Chesterfield today. Much milder with an extraordinarily good taste. We had 12 of the victims of the confidence man look at Benson. All of them gave a positive identification but verified his story that he'd borrowed the money from them. 4.25 p.m. Frank and I got in touch with the district attorney's office and talked with them what Benson had said was true. In borrowing the money or in saying he was borrowing it, he'd committed no violation of the law. We had to release him from custody. A month passed. During that time we'd heard nothing more from the suspect. He'd stopped working the dodge in the Los Angeles area. We contacted the San Francisco authorities and informed them of what had happened. They said that they'd be on the lookout for Benson. During the next two weeks Frank and I worked on a ring of bunco artists that were working the obituary columns. On June 16th we got a call from Burgary Division that they'd gotten a report of a theft according to the victim they'd gotten the name Jack Bentley. They checked the files on him and found that it could be Jonathan Benson. The victim of Miss Betty Lindsay came to our office to talk to us. I don't know why they thought that I should see you. It's just a plain theft. The officers in Burgary said that they thought we might be interested in the thief, Miss Lindsay. I wonder if you'd tell us about him. Lousy crumb.  Schnook of the first water. That's ma'am. What's his name, please? Called himself Bentley, Jack Bentley.  What do you look like, Miss Lindsay? Tall and blonde. The second guy who went for the type. I did. Now I got troubles.  I wonder if you take a look at some of the pictures we've got here and see if he's in these. Sure. I'd like to see you get him. Where are the pictures? Frank, would you get them, please? Yeah. Where'd you meet this Bentley? Do you remember? Well, I'm sort of the hostess at a place downtown over on Fifths. Anyway, about two, three weeks ago this schnook comes in. Orders a couple drinks and leaves. Next night he's back again. Oh, he was a cagey one. Didn't work too fast. Took about a week to make the pitch, then he asked me out to dinner. Well, he always seemed kind and nice, so I told him I'd go. Here are the pictures, ma'am. If you just take a look through them and see if there's one of Bentley in there. Sure. Let me see. No. It's nothing. This one's kind of cute. What do you want it for? Oh, he works the casualty racket. What's that? Gets the names of people that have died, tells their families that they ordered some stuff. What kind of stuff? Pen and pencil sets, watches, cheap things. Charges a lot of money for them. Most of the people figure that it's one of the last things their loved ones wanted, so they pay the prices. The stuff's worthless. Lousy racket. But you're a nice looking guy, too, so honest. Well, that's why it works. Yeah, I suppose so. Let me see. No, this one's not him. Hey, wait a minute. Yeah. That's him. Ooh, what a nude-nick. Ma'am. A nude-nick, a real bum. But that's him, I'm sure of it. Benson. Ma'am. You mean you know this guy? Yes, ma'am. What if he tells you exactly what happened? Sure. Like I was telling you, this guy, Benson? Yes, ma'am. That's right. Jonathan Benson. Yeah. Well, anyway, he asked me out to dinner. I told him I'd go. It looked like he was pretty well-fixed. I figured it wouldn't do no harm. Well, see, I don't get out until 12.30. There ain't many places, nice places open after that. But I said, yeah, so he told me he'd pick me up. Dr. Claude, about 10 o'clock, said that he'd gotten through with whatever it was he was doing. And that he came by to see if he could use my apartment to freshen up a bit. Freshen up a bit. Boy, what a way to heist the place.   Well, I gave him the key of the place. He said that he'd stop at a drug store and pick up a razor and shave and wash his face. And then he'd be back to pick me up. That's the last I ever saw of him. Walked off with a fur coat I had. Saved for three years for that coat. Cost me 900 bucks. And he took a ring worth about 150 diamonds. Along to my mother. I sure hope you get him. Nail him good. Yes, ma'am. Ooh, what a nutnick. We continued to question Betty Lindsay. She gave us the name of one of Benson's friends. We checked on him, and he gave us the name of a girl who knew the suspect. We talked to her, and she was able to give us Benson's address. It was a rooming house on Franklin Avenue in the Hollywood area. 6.47 p.m., Frank and I went up to his room. Yeah, come on in. Should have kept my mouth shut. What do you guys want? You want to talk to you downtown, Benson? We aren't going to get on that merry-go-round again, are we? I'm getting tired of this whole deal. What are you guys trying to tire me this time? We didn't have to do it, Benson. You took care of that yourself. That's right. You made a mistake. What is it this time? You figure I took some candy away from a blind newspaper? All right, come on, Benson. Let's go. You're going to arrest me this time, or am I going as a favor? This time it's on us. You mean we're playing for keeps now? Yeah. What's the charge? Grand theft. You're kidding? Nope. I really believe you're serious. That's right. You call it. This is going to be interesting. If you can't prove this, I'm going to own City Hall, and the first thing I'm going to do is fire you to. You know that, don't you? Well, we'll take that chance. All right, but don't say I didn't warn you. You know, Sunday I'm going to write a book. Call it some of my best friends at cop. Yeah, you do that. I will. You'll have the time. We took the suspect downtown. We talked to him for over an hour, but he didn't admit nothing. Without being able to produce the stolen articles, the case would be difficult to prosecute. We had Benson take everything out of his pockets. Among his personal effects, we found a key to a locker in the subway terminal. Two men from Bunko Division took the key and went down to the terminal. They recovered a locked suitcase and brought it back to the squad room where we were questioning Benson. How about it, Benson, this yours?  It's locked. You got a key to this, Benson? I told you it wasn't mine. What more can I say? See those keys there, I'm fine. Yeah. Here. All right. I don't know what this is all going to prove. I told you the suitcase isn't mine. Yeah, that figures. That's how come the keys fit, huh? Cheap suitcase. A lot of the keys doubles. That's right. Sure, lots of times I lost the key for one suitcase, used the key from another one to open it. Ever find one of these in the case? I never saw that fur coat in my life. I haven't got the slightest idea how it got there. I want to talk to a lawyer. You're getting kind of jumpy, aren't you, Benson? Sure, I don't mind admitting it. I told you I got no idea where that coat came from, but I know you guys aren't going to believe it. You're out to get me. You said so. You're going to try everything you can do with it. You want to tell us about it now? Nothing to tell. I don't know nothing about it. You don't ever give up, do you? I don't know what you're talking about. I want to see a lawyer. All right, we'll fix it so you can put that call in. We got the owner of this coat on the way down here. She's going to identify him, and that's all we need.  I'll get it. Funko, Smith, what's that? Oh, yeah, sure. Sure, I remember. What? You did, huh? Well, that's wow. Glad to hear it. I wouldn't know. I'm not much of an authority, I guess. I see. Your name's what? Yeah, it's a nice name. Well, I'll be glad to tell him. I'm sure he'll be pleased. Thanks very much for calling. When are you leaving? I see. Okay, thanks a lot. Bye. Anything? Yes, that kid from Texas. You know that Thomas Conant? Oh, yeah, I mean the cattleman. Yeah, got an answer to his ad. Is that right? Yeah, somebody called him up, and he said that he made a real good deal for himself, and he's shipping her back to Texas. Now, you mean he found a girl? No, bought himself another Holstein. The story you've just heard was true. The names were changed to protect the innocent. On October 17th, trial was held in Department 87, Superior Court of the State of California, in and for the county of Los Angeles. In a moment the results of that trial. Now, here is our star, Jack Webb. Thank you, George Phenomen. Quality throughout is what we try to put in every dragnet show, and it's what Chesterfield gives you in every cigarette. It's the first premium quality cigarette in both regular and king's eyes. Smoking two packs a day myself, I can tell you that they're milder with a real good taste. Chesterfield. Jonathan Arthur Benson, alias Jack Bentley, was tried and convicted of grand theft. He received sentence as prescribed by law. Grand theft is punishable by imprisonment in the state penitentiary for not less than one, nor more than ten years. You have just heard dragnet, the series of authentic cases from official files. Technical advice comes from the Office of Chief of Police, W.H. Parker, Los Angeles Police Department. Technical advice comes from the Office of Chief of Police, W.H. Parker, Los Angeles Police Department. Technical advisers, Captain Jack Donahoe, Sergeant Marty Wynn, Sergeant Vance Brasher. Heard tonight were Ben Alexander, Piggy Weber, Harry Bartell. Script by John Robinson. Music by Walter Schumann. Hell, give me speaking. For a million laughs, tune in Chesterfield's Martin and Lewis show Tuesday on the same NBC station. And sound off for Chesterfield. Either regular or king's eyes, you'll find premium quality Chesterfield much milder. Chesterfield is best for you. Chesterfield has brought you dragnet transcribed from Los Angeles. Ladies and gentlemen, make tomorrow your D-day. Get an extra bond for defense. Step into any bank or post office and buy yourself a profitable share in America's future. As an investment, bonds are better than ever. They can help you save safely, conveniently and profitably. Whether you already buy on the payroll savings plan where you work or the bond a month plan where you bank, get an extra bond for defense tomorrow.


Dear students, in this module we are going to understand micro social change. Social change at micro level refers to the shifts in individual behaviors, interactions and their daily life experiences that may seem trivial on their own but collectively contribute to a larger societal shift. This is often the focus of interpretive and interactionist sociological perspective that how we can assess and evaluate such a micro level shifts or change which is very trivial. Sometimes we don't of we don't see it we are unable to feel it however these changes just seep in the human behaviors and thereby it produce later on it produces a significant impact on the human behavior or on the collective human behavior. So these changes can result from personal decisions, intimate social interactions or shifts in attitudes and values with the smaller social groups such as families or peer groups. For example, a growing emphasis on education especially among girls in rural areas of Pakistani community represents a micro social change. While it might seem like a minor shift within the individual families collectively it contributes a significant change in gender norms and increased influence of western ideology. However these changes appear to be very subtle but by the passage of time through are not through the rapid change but very through a very slow process these changes are reflected in the behaviors of the people. If we want to see it or we want to understand it from sociological perspective symbolic interactionism can help us understand that it can be used to understand such changes in a way that it posits that individuals act towards things based on the meanings and those things have for them which are derived from social interaction and modified through the interpretations. So for example symbolic interactionism talks about symbols and meanings particularly. So here too it can be very useful for us to see these small changes in the human behavior in which they are symbolically reflected and what people mean to them. Another example could be the increasing use of digital technologies and social media among Pakistani youth. While it may seem like a small change in individual behavior it has significant implications for how these young people are interacting with each other and they form different identities and engage with the wider social issues. So if we try to analyze these changes we can see that the technological changes have caused a lot of changes in our traditions. We can see that people interact mostly with their mobile phones, they prefer real-world friendships, they prefer virtual-world friendships and we also have a sense of community, a sense of individuality which we can see gradually. Then we have Arving Goffman's dramaturgical analysis which perceives the social life as a theatre where individual play its role and it can be applied here. The increasing use of social media allows for the presentation of specific front stage identities influencing individual behavior and potentially leading to a larger social shift. Arving Goffman's dramaturgical analysis reflects that there are two stages when human beings are interacting. One is the front stage where they are reflecting their behavior or their ideal behavior which is their ideal reflection. At the back stage they are reflecting their real behavior. So when we are interacting on any social media platform, interestingly, if we are anonymous, then we consider the same as our backstage. But if we are not anonymous, we know that the people we are interacting with know that we consider the front stage. So in this way, dramaturgical analysis can be very helpful for us. In particular, when you see the Pakistani society, we can get a lot of help from dramaturgical analysis. The rise of small business, particularly those led by women in urban and semi-urban areas in Pakistan is another instance of micro change. The creation of these businesses is often an individual or familial decision. But collectively, they can lead to economic and gender role transformation in the society. As these examples show, micro level social changes, while they may seem small and localized, have the potential to contribute to larger social transformation when they accumulate or interact with other social changes.


Ah, Jiu Jitsu. Mommy's praying, yeah. Ah, Jiu Jitsu, ho, ho, ho, ho. What's up, friend? I am sitting up. Son. I can't move. Welcome back to the part three of My Boyfriend Teaches Me Jiu Jitsu. Julie, you got us purple bell. Congratulations. Purple stands for Punishing Them Perpetrators. Did you just make that up? Yeah, are you a cop? In part one and part two, we've established that this is not the sport for me. I'm not good at it. I don't enjoy it. I just haven't realized that it is the sport for you. I don't enjoy it. It is the sport for you. That's part of the reason I don't enjoy it. I don't like this outfit. I feel like I'm going to go play in the snow. Like, it's stiff and heavy. It looks like it's not, but it is. Do you remember anything I told you? Absolutely not. I remember it's sweet. It's warm up when your hip escapes. Come on. Wait, I was flying. I don't really remember. Do you need me to show you? Quick now, this is my old belt. She did not earn me strength. Yes, I did. You did not. I'm going to get makeup on this ski. Look. That's not a winner. I'm warmed up. I did truth of escape before I came in today, so... Teach me stuff. Okay.  You're not doing a good job teaching me stuff. Okay, well, you need to let me teach. Gardening neck. Always gardening neck. Oh, my God. It's not a sport. This is violence. This is a sport. It's good. That's good. Now, between them, you have to extend. Yeah, and then you have to... Yeah. I'm just a rat. I'm a rat. You're going to walk my leg in? Hey. Locked it. There you go. My legs locked in now. I can't escape. So you're going to hip escape. Shrimp to your side. And you squeeze your hip in. Look at that. You escaped. I told you I was trying to escape. You're safe. I'm a one. Yes, I'm out. You're playing open guard. Oh, my God. You cannot be a corpse. Pretend you're playing open guard.  Pretend you're playing open guard. This is open guard, okay? When you're sitting in your back and you're just kind of waiting. Yeah, exactly. No, this is called beetle. It's called beetle? Yeah, because I'm a back beetle. Juice, beetle, juice, beetle, juice. And then you take them in the back. You can't pass me if I go like pass everything you did. Try it. Try it. Okay, dude. This isn't a fair week, because I play on a set of oils. I love when we make these videos and everyone's like, oh, this is so sexual. Like, what is thankful about this mean, mean pain and it hurts so bad. Everything hurts. Oh, my God. What's wrong with you guys? I didn't jump, I don't really know. You're not jumping yet. I thought I was in a worm today. So that's half guard, right? Because now I have half of my guard left. Okay. You're going to untuck your detail. So I have control, okay? I have control. I have control. So I have control. I have control. So this is a set up for a sweep and an attack, depending on what your opponent does. Don't kiss me. Don't put your attack on that. I'm kidding. I'm kidding. I'm kidding. Oh, my God. I'm going to grab the other side of the detail. I'm just showing you a joke. Why do you do everything so slow? What are you doing? We're in class. You can't just stop. I'm hot and I'm meditated. No, no, no. Not correct. No. I love this kid. Do you want me to show you how to tap up? No, I know. Oh, it's so wrong. It's the next time. Move faster. That one's mine. I have a purple bow. Where are you doing it? Yes, I do. I've never noticed that. I'm going to take it. Take it from me. I can't move in this drive. Take it from me. What the fuck's wrong with you? Do you want to wear the chalk? Yes, I'm ready to learn. Take it in your back. I already showed it to you. I'm delicate. Why are there socks on? Can they not have socks? No, no, no. Okay, so pull this out. Okay, what are you going to do with this? Hand it to yourself. What is that? Hand that to your right arm. Anything works for me? He's dead. No, he's dead. He's dead. He's dead. Good job. I'm going to take this underhook.  Oh my god. I know what I got. I don't know when this throw is coming.  Don't breathe into my ear. I'm going to put my hips below your hips. Don't breathe. The neighbors are going to call the cops. 911. Yes, hello. I've been jiu-jitsu. Good.  So you're going to grab the outside of my arm? Okay. Well, not like that. Beauty and the Beast. Don't do that. You couldn't flip me. Oh, I can't? No, no, no, no, no, no. And you're going to need your hips lower than mine. And then you're going to put me on top of your hips. But I'm going to, like, pop my shoulder out. No, you're not. I'm just going to go into the camera. Just look at me. Guess who's got a purple belt now? Me. Rap. What? Huck. Or you can grab it up with that hand. Kiss. What happened? My shoulder. You popped it? It's out. I can't do it anymore. Stop it. Come on. Pop it back in. Wing. Okay, start that throw. There you see her. Whoa, whoa. Stayed in there. What even song is that? She don't got a lot to say. But the song and I'm back. Can you turn to my feet? Can you down it? Yep. Keep sticking.  You mean just a roll? I think I'll be good at that. Okay. You ready to do the letter? It's really complex. No, we're still. Are you about to let me do this? Why? Because you aren't using your hands.   Roll over your shoulder. You're going to be so mean. A sweat on your forehead is going to drip on me. I don't like the support. Ew, ew.  That's disgusting. Why would I ever pay money to go and get someone else's sweat in my face? No, whenever I'm left like enjoying myself, I'll just choke on it. Why are you pretending to have a sexy dream? How are you doing with your hand? Tap. I don't like this. It hasn't started. It hurts. I'm going to come over the neck and my elbow's going to touch the floor. Here we go. Tap it. Where are you going? What are you doing? And then you're going to... Do not. That way. Over. I don't know. This seems like it's... Tap. You did it, but like it was so weird and bad. Oh, bad. Like you rolled in all my toes crunched. Every single one. Julian. Rock, goodbye. I'm going to be in side control. I'm going to be in side control. You're hurting my band. If you scream, I'm going to stop, okay? So you might as well just tap. I didn't tap. I didn't tap. All right. You're going to do that choke down. Do you know what I just said? No. The RV. You're getting in the matter of it. With rose water. Extend my foot and sit up. Ow. Wait. You're not supposed to fall down yet. I thought you played a college board. I did. I guess I thought wrong. NC double what? What? Bring my right leg around so it's holding your ankle. Yeah. And I'm going to stand up while I'm holding it. You're not supposed to fall down yet. There's no strikes, but there's nothing that you can't pretend like you're going to strike. I don't know. We didn't learn this. We didn't go over this yet. You can't be on the test. It's not fair.  So I'm going to lead with my lead knee. It's going to go right between your two feet. Then I'm just going to squeeze and press. Ooh. Ah. Lead leg. Your knee is going to touch your knee. Your knee touches the ground between my two feet. Oh. You're leading me. You're leading me. Your other leg stays up. You can't just get in position. You have to do it. Both knees are done. You don't want your head to go past my body because that's when I can show up. And you're in a game grip with your own hands behind right pantries.  Good job. Ready? Absolutely never do that again. Last chance. Side to back.  Come on. I'm going to squiggle you from the side to back. That is the most obscure thing you could ever do in a drawing game. Take my back. Get in your way. I have your back. Always. Indigently. Indigently. And in line. Lay down there facing the wall. Lay down there facing the wall. I'm going to take it back. Right there. Okay. This is an attack I like to call the refresher. Okay. So you hold this here. I'm not going to just lose the cap so you best be putting my arm back. No. I can't do that on a verbal. I don't get that. Distress the other day. Wait, wait, wait. I can't. Hold on. Let me just tell you. I think you're implying to yourself. Come off this key. Just make me so tired. Out of your heel. And go. Nope. Rest under me. And then you're going to come under the heel with your head up under the heel. Yes, sir. Yes, sir. Good job. That was my guard. You wasted my rose water. I didn't learn anything today at all.  Good job, son. In your eyes.  Okay. Well, I'm proud of you for deciding to do this again. Now that I've given you three separate classes, do you maybe want to consider paying me for teaching you this sport? No. Congrats. Congratulations. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Congratulations. Congratulations. How are you doing this sport? No. Congrats on your belt. I'm going to throw up that water. I'm just right. This was okay the first couple of times. And then you just got way too good at Jiu Jitsu. And this is really difficult. You're getting better, though. You just got to stick with it. First few months a wrap. I'm never going to stick with it. But first few months a wrap.  I hope you guys enjoy watching me just be really amazing at Jiu Jitsu. So much so that, like ... You bring your purple belt in an hour? Yeah.  Shit, that's Jason Bourne when they saw me jujits on the floor Julian.   It's not a sport. Okay.   All right, sicko dicko. Not gonna be called sicko dicko Pray for my body. Goodbye


Playing Eidos Montreal's Guardians of the Galaxy game was pure. Riot is fun. This is the kind of title that sends me back throughout years of playing narrative-driven action adventures, makes me realise just how refined all the elements in this formula have become. From a colourful, inspired galaxy that breathes fresh life into every world visited, to a story that is so, to a gameplay loop that not only didn't outstates welcome but was a joy to engage with time after time. Gardeners of the Galaxy is a triumphant example of what action adventure can offer. It has even awakened in me the desire to read Guardians Comics again, which I didn't even feel that when I was watching James Gunn's movies. Obviously I've got thoughts, lots and lots of them. The short of it is, Eidos Montreal offered a version of the Guardians that isn't once familiar to moviegoers and Coinbook of its unities alike, while somehow being fresh all over again. What makes it special, what makes it great, is a narrative that injects so much heart into familiar origin stories, while telling new ones. Each and every one shines with a fresh coat of paint, as exuberant as any of the collectable outfits you will discover. Without further ado, let's get into the take of it. Guardians of the Galaxy is an action-adventure game, one that prioritises explosive spectacle and player-directed teamwork in combat.  Here a few words on playing as Star-Lord are required. On and especially before release, both critics and the audience at large were displeased that the game titled Guardians of the Galaxy only allows you to take direct control over Star-Lord, maybe because that conversation had prepared me for it, but that didn't make an impression on me. It adds up that the point of view character here would be Peter Quill. He's the least of them in terms of firepower and super abilities, but his leadership skills, his personality, hold the team together. The gameplay accentuates that. Star-Lord uses a pair of pea-shooters as YouTube reviewers kill up ones described them, wickily cause they might be in terms of design. They don't do a whole lot of damage. The rest of the Guardians do damage independently of commands, but it's the special attacks, four by the late game for the four other Guardians each, that will take apart the veritable armies in your path. So for example, Gamora's Shadow Strike and Rocket's cluster flag bomb decimate clusters of mobs. So I prefer the Assassin's Ninja slashes before the Raccoon's explosives, personally. Gamora is the meanest damage dealer of the lot, a perfect role for the Galaxy's deadliest woman. The Assassin's capacity to doll out damage to single targets fire out ways, even my favourite Shadow Strike, and that one too has serious single target use damage. Groot, meanwhile, is masterful support, using his roots to entangle either entire groups of enemies for a short period, or a single enemy long enough for the rest of the Guardians to bleed him dry. Then there is Drugs. Drugs is a bruiser, true and true. He does a moderate amount of damage almost exclusively combined with some kind of a staggering effect. Finally, Rocket. He does a mean amount of damage to, especially with his heroic ability, which is just about the most hilarious, most rocket thing in the multiverse. He pops up this humongous weapon which immediately starts shooting up the area the main target is in. And not just with blaster fire, no no no. They're rockets too. Fitting. You as Star Lords have a couple of cool abilities yourself, which help reassure the team that you are pulling your weight. Maybe. Probably? Yeah, no. Peter's ultimate is underwhelming. It makes you invulnerable. I only ever needed to use it once or twice throughout my entire playthrough, which is as blistering a critique as any I could make. The other three abilities are much better. There's a blaster barrage, one that makes you vulnerable, but gives the elemental guns a massive boost in damage output. The elemental guns are not just called out for the cool fact rider. The four elements you unlock during key storyline moments to save the team from one deadly situation or another are more or less what you'd expect. Eyes shots freeze enemies, lightning stuns and damages and so forth. Like Quills' skills, a combination of these does a great job of changing up the old p-shooters into something deadlier. The occasional shielded enemy also invites you to break out of a tried and tested gameplay pattern and switch over the elemental weaponry. It's a nice enough addition and executed well, but by far the most important element of the gameplay is drumroll, please. Oh my god, of course, it's the jetboots. Like anyone who has played video games in the history of ever, I too like moving from place to place by pressing space and watching my avatar make heroic jumps and glide through the air. Well, let me tell you something, viewer. The greatest innovation I've ever seen. With that sweet, sweet double top of the space button, you'll be in the air for the duration of a slow-fall spell at least. Yes, that's one such joke for all my D&D friends at home. Also don't try flying with jetboots at home. They are not safe, trust me. One more thing before I move on though. In my experience gameplay reflected the narrative of the game, in particular when it came to commanding my companions. It's at first a little difficult, you don't know the system all that well, you're not half sure you know what you're doing but the thing is, neither does Peter Quill. The good news, as these 20 or so hours of gameplay ticked by commanding the other guardians will become second nature. Speaking of narrative, leadership ain't all it's made up to be. It's got its perks. You pick who gets which bedroom, you can nail out commands during battle and generally expect them to be followed and you can even encourage one guardian to throw another over a giant precipice, if you so desire. Yes, crunch out my first point. Leading the guardians is awesome. It's not like you're herding a band of wild children who each have access to sharp objects and slash or explosives. A lone tree, you're single, eight. It's not like you're making new enemies by the rotation or seeing the whole Milky Way turn progressively crazier due to some weirdness you might or might not be ultimately at blame for, right?  At least you have fun while doing all that. Silver linings and all. The narrative did something I was particularly impressed with in that it seamlessly got me to identify with Peter Quill as a character. I never thought it would happen and yet, identification with fictional characters can work in many different ways. Here and to me it was an alignment in mine and Star Lord's reactions to the other guardians and especially Rocket. The relationship between Peter and Rocket is not an even line, while the highs are real high, the lows. My, can the lows get ugly? That the narrative staff managed to create a story compelling enough that I could map mine and Peter Quill's emotional responses this perfectly. That speaks to a job well done. It's a very personal point and player experience with this will vary widely and has varied widely already, but I give props to Eidos Montreal for credit where it's due in my book. And what are the antagonists? Guardians cleverly offers a passing glance at one of the game's villains without making too big a deal of him. Certainly attention early on is given to who else but Lady Hellbender. Lady Hellbender, whose reputation is a thing of beauty, especially if you take Drax's word for it. But Domi Mami Hellbender definitely isn't the worst bad guy out there, just you wait. I can't believe I just used the words Domi Mami. I have so many degrees. Anyway, on to spoilers. Skip to the timestamp in the video below. Let's talk about Nikki and the red herring that is our assumption about her and Star Lord's relationship. You as the player are let in on Quill's history with Coral before you've ever met Nikki. The player is invited to make the assumption that Coral's kid is Peter's own before Peter himself has even taught that far ahead. You're made to feel almost smug. Oh, Star Lord, how slow you are as you watch the Domi horror on Peter's face as he works out what you've already worked out. Basically half a minute into meeting Nikki Gold for the first time. It makes so much sense. It's just like Quill to end up with a kid he doesn't even realize exists until she's pubescent. It's easy to get even more invested in her. By no means a difficult task in the first place, as Nikki was, at least in my view, beyond likable. That Nikki is actually a war orphan adopted by Coral after the galactic war against Thanos and his Chittori. What a great plot twist that is. I'm usually good at picking up on twists before they're delivered, but this one caught me unawares. And the best part is, if it's so much better, Guardians has always been about found family, about a bunch of individuals who have no home, no one in the galaxy left. So they make a home together. When Peter finds out the truth, he chooses to save Nikki just the same to give her a place in his made family. That's why he's the leader of the Guardians character-wise. More importantly, it ties together the main conflict of the game to the individual conflicts of each Guardian and in such a thematically powerful way. On one side of this narrative is the loss and trauma suffered by each character. On the other is acceptance, first of that loss, then of the self, and finally of the family made along the way. It's a powerful, cohesive narrative that packs an emotional charge I did not expect to encounter. Not since control has an environment struck me with such unbridled creativity, whereas control turned Bruce Lee's architecture eerie and Kenny and Volta in typical SCP foundation and Twin Peaks fashion, I just have a blank canvas in the face of Marvel's cosmic galaxy. With it, the studio has created visually distinct worlds, even as the level design is more or less uniform across the board. You can always tell when you are exploring and when you are entering a battle arena. Exploration is not difficult at all, so sometimes you might miss out on something because you've gone the way of the main quest. The game has the tendency to lock you out of exploration zones after you've taken 10 steps past them. I found that, frankly, beyond annoying, and missed out on several skins because of it. The voice acting captures so perfectly the essence of each Guardian, of their allies and antagonists. They sound not just similar to the Guardians on the silver screen, more importantly, each Guardian sounds exactly the way they do in my head when I pick Guardians of the Galaxy comic book. The voice actors have truly made each character their own. The music is alright, one of those OSTs that fit the game and world, but don't leave too much of an impression. They do their job. The coral tracks capture the cultish nature of the universal Church of Truth perfectly, and a few tracks like Maggot's Dream manage to stand your neck hairs on end. A lot of these I'll use in my home D&D games and with the greatest pleasure. What's far, far cooler is that the senior audio director at Eidos Montreal, Steve Szczepkowski, wrote a whole bloody 80's style rock album, the debut album of the diagetic Star-Lord band, from which our brave protagonist, Star-Lord Monika, he'd eventually make his own. Steve not only wrote the lyrics and came up with a lot of the melodies, he's also the lead vocalist of this bad boy. The music, chock full of epic guitar riffs, Steve worked on with Johann Baudrill. For more on their collaboration, you can look at one of the links in the description down below. It wouldn't be a Guardians game without so many licensed songs. The choice here is impeccable, and so many are perfectly tailored to tense moments, funny ones and anything in between. There was a play after a huddle at the height of battle. Perfect, but not YouTube friendly at all. This Guardians of the Galaxy video game was a delightful run across Marvel's cosmic nonsense. If you haven't gotten to play it just yet, where all means, give it a try. I don't doubt you will love this experience. And if you enjoyed watching this video, review it. By all means, please like it, share it with your friends and don't forget to subscribe. I'll see you next time. Bye!


The combination of satellite-based passive and active microwave sensors has the potential to improve global estimates of surface soil moisture by rescaling and merging the different products using a cumulative distribution function matching approach. This method can be applied to existing and new microwave satellites, enhancing our understanding of the role of soil moisture in the water, energy, and carbon cycles. This article was authored by Y.Y. Lu, our M.Parenusa, W.A.Jarago, and others.


All right, hi, I'm Griffin Bass with MustangSports.com. I'm here with head coach Taty Korba after the Stevenson Mustangs lost 4-0 to the year Sinus Bears. Coach, obviously a tough loss, but what kind of positives can you take away from that one? For the most part, we came away without any injuries. And I think that Courtney Weisokowski and Goal had a great game for us, made some really nice saves. So your Sinus, they came out, they had 16 total shots in the game. Were you expecting that kind of performance from the year Sinus offense? And how did you kind of prep for that? Yeah, we played them last year. It's hard to get a ton of information on teams early in the season. So we did watch their first game against Eastern. And it's hard to tell in film. But yeah, we knew they were going to be explosive. I think they're a good team. But I think when we're not doing the things that we're supposed to be doing and that we need to be doing, certainly you're going to make any team look better and give them a ton of chances. And that's what we did today. We just kept giving them the ball and giving them opportunity time and time again. And they capitalized.  So how are you going to build off this one and then into the four games that you got on the road? Well, I think it's an opportunity, again, for us to probably in this one, learn from a lot of mistakes and maybe mentality and making sure we put together 90 minutes, which we have yet to do this season. So it's still a young season. We still have some things to figure out. So we look to the next one to start to put it all together. Thanks a lot, coach.