Lux presents Hollywood the Lux Radio Theatre brings you William Powell and Myrna Loy in Hired Wife. Ladies and gentlemen your producer Mr. Cecil V. DeMille. Greetings from Hollywood ladies and gentlemen. I'm sure a certain telephone conversation must be repeated countless times a year. On one end of the phone is a girl in the ticket booth of a neighborhood picture theater. On the other end is a customer who wants to know what the picture is. When the girl can say it's William Powell and Myrna Loy and well she just doesn't get a chance to finish because the customer is already on his way with the whole family to see Bill and Myrna in any picture. Tonight in the Lux Radio Theatre we're in the fortunate position of having this golden team in a comedy that would stand on its own feet even without them. The play is hired wife adapted from the universal picture and it presents a situation that might have been tailored to order for our stars. A businessman that's Bill is faced with the interesting dilemma of losing his business or acquiring a wife, any wife. His secretary that's Myrna gets the business like assignment of finding him a wife and that places her in an even worse dilemma. But I believe what she does about it is what any woman would do in her place. Not every business office unfortunately can boast a secretary as lovely as Myrna Loy but the average in this land of the free and the beautiful is rather high. One proof of that is the number of former secretaries who are now acting on the screen. Among the girls who play a symphony on the typewriter keys all day you'll find that Lux toilet soap is pretty much standard equipment just as it is in the dressing rooms of the stars right here in Hollywood. Of course it's part of a secretary's job to look her best from nine in the morning to five or six in the afternoon. After that, well beauty punches no time clock but if Lux toilets open at hand she doesn't worry. Now it's cut in time for hired wife. Act one takes the stage with William Powell as Stephen Dexter, Myrna Loy as Kendall Browning and Edgar Barrier as Ferdy. Spring has come to New York City. We can tell it's spring because the morning sun is beaming brightly and everyone is wearing rubbers because there's a faint odor of blossoms mingled with the gasoline fumes and the scurrying crowds have slowed down to a fast trot. On this lovely spring morning a girl walks along Fifth Avenue on her way to the office. A long sleek limousine furs out of the traffic and pulls up beside her. Kendall! Kendall! Browning! Here! Oh, hello Ferdy! Going to the office, get in, I'll take you. Emil takes the building 49th Street. Ferdy, this is a pleasant surprise. Oh, I like your car. It's not bad. Not bad? Why, Ferdy, it's positively regal. A car is a car. Kendall, I'm very glad I ran into you. Can you lend me ten dollars? What? I need it, I'm broke.  Oh, I get it. You didn't marry the girl. Oh, she is not going to marry me and I'm not going to marry her. I come from saying goodbye to her. And to five million dollars. Six. She was nice too. She did not make me walk home. This is her car. Well, what happened according to you? Well, she say if we marry it would spoil a beautiful friendship.  You said that to her. Well, you said it to me four years ago and I could not tell a lady I had made love to that I had caught a cold in the feet. You'll never marry one of those rich lollipops, Ferdy. Your heart isn't in your work. With your heart? It is in your work, yes? Yes. Every good secretary is in love with her boss. She has to be to put up with him. Your Mr. Dexter is a nasty fellow. No. Steven's a good egg. You must meet him sometime. He is made of his own cement. Every day for years he is near you and what does he do? He makes more cement. Oh, Steve. No woman hate her, Ferdy. He has a mad moment now and again, especially in the spring. That is not love. That is he fever. It's very much like it. He seems to catch it from blond and his taste is terrible. Oh, is he ill now? No, but I never know when he'll show symptoms of a relapse. Now, you're the sort of man who was born with a flower in his buttonhole. But when Steven Dexter wears a flower, I start to fill the ice bag. And when he goes around humming, my Bonnie lies over the ocean. Look out. I still do not like him. How dare he hum at the blondes when he can hum at you. Oh, he did make a pass at you. The spring I went to work for him. But I put him in his place. A good opening move. No, bad. He stayed there. Right here, driver. Well, give me a ring, Kendall. I will. Bye, Ferdy. Thanks. Morning, William. Good morning. Lovely day. Spring is really here, isn't it? I don't know yet. Has Mr. Dexter come in? Yes. Just now. Was he humming? Humming. No, I don't think so. Was he wearing anything? Like Miss Brownie. I mean, was he wearing a flower? Oh, no. Fine. Coming, Mr. Dexter. Coming. Good morning. Hello, Kendall. Come in. There's some checks here you watch sign. Yeah, just put them down. Kendall, I think we've got that gang of cutthroats, like the combine. I'd watch them pretty closely, Steven. Van Horn says there are a lot of wolves. Well, here's one lamb that'll find too tough to gobble. Van Horn said yesterday they're trying to get an injunction. If they do, it'll tie up every one of your assets. Yeah, I'd like to see them try it. But just to say, my... Oh, stop worrying. Kendall, enjoy the spring. I'm going to. What? The spring. Enjoy the spring. Oh. Come in. Excuse me, sir. But the elevator boy said you dropped this. Oh, my flower. Thank you, William. Yes, sir. A flower, Steven? Yes, for my lapel. A sort of symbol of spring. Why not? Got a pin? I'll get one for you. My body lies over the ocean.  Here's your pin. Oh, thank you, Kendall.  Look out that window. Isn't that a robin on the windowsill? Yeah. Hope he falls off and breaks his neck. Nothing? You know, I've been admiring that billboard across the street. That one with a girl on it. Now, that's what I call advertising. Oh, for a man like my car. Strong, responsive, modern. Nice lines. The car, the girl. I was looking at the car, but now that you mention it, the girl isn't so bad either. Blonde, isn't she? Yes, blonde. Mr. Dexter, will you please sign these checks? Oh, yes, of course. Morning, Chief. Oh, come in, Mac. You know those advertising layouts, Chief. Let's see them. For good roads, Dexter's cement. Say, Mac, don't you think these are a little old school? Well, they sell cement. Yes, perhaps, but we've got to keep up with the times. Mac, can't you give me something with a little more heart in it? Something, uh, something more modern? No, no, no, that's what I mean. That billboard out there, that's got punch. Why can't we use a girl? She'll be our trademark. A girl. Little Annie's cement. Kendall, please. Hey, Mac, have some new layouts made, will you? Just think the idea over. Kind of mother-handed. All right, Chief, but you won't like it. Hey, Kendall, uh, who is that girl on the billboard? The blonde. Yes, the blonde. Who is she? I don't know the name, but the face is on the canned tomatoes I use. Well, get hold of her. I'll, uh, I'll see her myself. Wouldn't it be easier and quicker to pay her off right now? You heard me get her. All right. Yeah? Good evening.  Yeah? My name is Browning. The company I'm with... Is this about opposing job? Yes, it is. Well, then, see my agents, please. I have seen them. They gave me the address. You'll have to excuse me, Miss, um, I'm just going out to dinner. Call me someday next week, but not before 11. Very well. I'll tell Mr. Dexter. Good evening. Oh, wait. What Mr. Dexter is that? Not Dexter's a man? Yes, it is. Oh, well, tell me, Miss, uh, do you know what Mr. Dexter has in mind? In a general way, yes. Will it be a big campaign, Missa? Yes, I, I believe it'll be one of his biggest. Oh, well, I'll get in touch with him tomorrow. No, I'll call you in a range of appointments. Please do. Of course, not before 11. That's right. Good night, Miss, uh, good night. Chief and Kendall? No, he's lunching at the Yale Club. You got the new layout? Yeah, I got him. Look, Kendall, just look at this stuff. Isn't that awful? Dexter, the cement Modan is lasting his true love. Oh, I don't blame you. Has he gone daft or something? Keep your kilts on, Mac. He'll get over it and fast. Pretty girls on cement bags. Can't you get him to drop it? I'll see what I can do. Well, you'll have to do it pretty soon. We've got a deadline to meet. I'm doing it right now. Hello, Miss Phyllis Walden, please. Oh, well, will you have a page, please? Thank you. Miss Walden is having lunch on the terrace. Who's that? The blonde. Oh, Mac, leave me alone a minute, will you? Sure. Good luck. Hello, Miss Walden. Well, this is Mr. Stephen Dexter's secretary. I'm afraid I've rather disappointing news for you. That job is off. Off. If Mr. Dexter ever does need you, I have your name and address in our tickler system. What? Well, Mr. Dexter changed his mind. That's all. Yes, he decided just before he flew to Chicago. Chicago, yes. Well, I'd rather not tell you exactly what he said. All right, remember you asked me. He said, call up Miss Goofy Pan and tell her she can't peddle her post to Steve Dexter. No, he isn't really a brute. He's quite nice, but women are just things to him. Goodbye. Hello, Campbell. Hello, you're late, Stephen. Go ahead, dock me. Were you at lunch all this time? My dear, I was attending to some business, okay? You must have had a particularly good lunch. Oh, so-so, so-so. I had to break three important engagements you had this morning. Sorry, kid. Kid? Now, Stephen, give me a little advance notice next time you're going to be off of your boo-la-boo-la friends getting tiddly. I'm not the least bit tiddly. Then let's get some work done. By all means. Van Horn called about those contracts, the combines. By the way, when is Miss, uh, uh, that poster girl coming in to see me? Oh, I'm afraid I'd rather disappoint any news for you. You couldn't get her? No, not available. Van Horn's worried about- What did she say? Well, it boiled down to no. She gave no reason? No, he did. He? Who's he? Her fiancee. Her what? The man she's going to marry. They were eloping. Oh, I see. I just caught them at the airport. Oh, I suppose they flew to Chicago too. What do you mean, two? Oh, just two. And now- Now, uh, about Van Horn. Oh, yes, he said- Chief, can I see you? Yes, of course, Mac. Uh, you've got the layouts? Yeah, here. Hmm, you don't like them, do you? No. No, that girl on the bag stuff is out. Women are just things to me. Huh? Yes, call her up, Kendall. Tell her she can't peddle her puss to Steve Dexter. Steven! Mac, we'll go back to the old reliable. Fine.  Right. Steven, this is unworthy of you. How could you do anything so dishonorable, so low? Me? What did I do? Eavesdropping, wiretapping, listening in on my private conversations. What'll it be next, keyholes? Kendall, my dear, I happened to be lunching with Miss Walden when you phoned. Oh, oh, I see. You leave it to me to get her, and then you sneak off and date her behind my back. She phoned my house last night. I thought it would save time if- Why am I apologizing to you? Call me some morning, but not before 11. You certainly have bad taste in women, Steven. Kendall, I'm going to say just one thing, and then we'll drop the matter. You're my right hand. I'm not at all sure that I could run this business without you. But I think I can run my own life. Suppose you let me try, hmm? All right. Van Horn's worried about you. I don't like the way you said all right. I'm sorry. She's not like the others. No, none of them was. Fellow Walden is a lady. She has character. What kind? What do you know about that? What you? She's fine. She's real. She's honest. And I'm not. Yep. Well, you keep yourself out of this. I'm going to see fellas tonight, tomorrow night, the night after, and every night, and day she'll see me. How do you like that? I don't like it at all. But it doesn't matter whether you do or don't. All right. If you're sure it's the real thing, my blessings, Steven. I'm sure. Now, wait a minute. You're not going to leave me with all this work, this subway deal, or maybe that combine is cracking down on me. I'm not through working for you. I'm just through carrying what you do outside of office hours. Oh, well, all right, fine. Mr. Dexter isn't in the office. He hasn't been in for almost a week. Have you tried calling Phyllis Walden? Hello, is Mr. Dexter there? This is Mr. Van Horn, his attorney. Will you please have him call me? He was in for a minute, but he's out again with that blonde. He's got to get this message. Tell him to be a general cement tomorrow at nine. There's a board meeting. Tell him they're going to close him out. There it is, Dexter. We're in. You're out. We gave you a chance to sell your company to us at a fair price. We're going to get that injunction the first thing tomorrow morning and tie your asses up tight. It's a technicality, a trick. I agree with the learned counsel. Nevertheless, we're doing it, Mr. Van Horn. That's all I think unless Dexter has something to say. Gentlemen, I can think of only one other honest man who found himself in a worse company, Alibaba. He had to deal with 40 thieves. I'm a little fellow. You're big.  Here, here. It would be wise to hand over here and now the business that my associates and I have worked to make. I would be smart and surrender.  Come on, David. Think, will you? That's what I pay you for. How are we going to get out of this? I'm your lawyer, not a magician. I called you every day for a week. Well, that's not a hint of that. What are we going to do? Hello? Just a moment. William wants to see you, Stephen. Let him come in. Come in, William. Look, David, if they get that injunction, it means every cent I have. I know that. Mr. Dexter. Yes, William. Mr. Dexter. I heard about the combine and, well, I've got a financial proposition. I happen to have a couple of thousand dollars lying around and I thought I might take a little flyer in cement. Well, thank you, William. I may call on you any day now. Well, the cash won't be available for a week or so. I'll start negotiations immediately with a certain party. You mustn't mortgage anything, William. Oh, the party is my wife. She makes me put everything in her name. Can she do that, Mr. Van Horne? No, but it's sometimes a good idea for a man to have his property in his wife's name.  Hey, Stephen. What? Stephen, did you hear what I just said? I'm sure, but... Oh. Well, how wait? William, get out. Get out. Yes, sir. Certainly, sir. Stephen, it's the idea of the century. Is it? Stephen, you've got to get married. Married? It'll stop them cold. Are you sure?   I haven't got a wife. Then you'll have to get one. You've got to be married today. I can't be married today. My friend, you've got to be. All right. Kendall. Yes? Kendall, get Phyllis Walden on the phone. Walden? Yes, get her. Very well. I'll run over to the bank and get things straightened out. Okay, and find out when the marriage license bureau closes. That's no good in New York. You have to wait three days. Three days? Mr. Walden, please. That's out. Let's see. The nearest state you can get married in right away is South Carolina. Hello, what? Kendall, find out when I can get a plane to South Carolina. Just a minute. You better come with me to the bank, Steve. Well, yeah. In a minute. I've got to speak to Phyllis. All right. Meet me there. There's a lot to do, so hurry. Yeah, right, right with you. Have you reached her yet? No, she isn't in. Oh, well, look, Kendall, I've got to leave this to you. Get hold of her and explain things. But be nice about it. You told me to keep out of it. This is business. Steven, are you sure it's good business? Yes. Is she ready for this? I don't know. If I've had two more weeks, one week. She loves you. I'm not asking her to love me yet, just to marry me. Just to marry you. Steven, to a woman, marriage is serious, sacred, no matter what she is. Never mind the sarcasm. You find her and deliver her to that plane. With a bill of lading? Get her.   Has that got wrong? You know how to talk to another woman. You know what to say to her and how to say it. Yes, yes, of course. I'll speak to her, Steven. Oh, fine. That's thanks, Kendall. I'll see you at the plane. See you at the plane. You have a message from Mr. Dexter? A very important message. Really? And what is it, please? Well, here's Dexter's proposition.  He does? Well, I hardly know what to say. Yes or no, we'll do nicely. It isn't a very romantic way for Steven to propose, but well, I suppose he has a good reason. He has. Look, Walden, for certain financial reasons, it would be very convenient for Dexter to have a wife. In fact, he's got to get married. He's in a spot, eh? What a break for Blondie. Do I meet him at the old red mill at midnight? At the airport five o'clock. Oh, good. We're flying. Yes. To Chicago, I suppose. No, Charleston. How nice. I've never been married in Charleston. Do you think I'm a dope? I'm only telling you. Well, get this. When I do marry Steve and I'm going to, I'll keep you around for laughs. I love your lies. They're not good, but they're very, very funny. Thank you. This last one was a positive howl. It would have been so nice if you'd been able to say, Steve, that Walden number has a price tag, but I'm not that kind of a girl. Browning your button should be brass. Dexter just told me to tell you. Tell him I'd love to marry him tonight. But my true so is in the laundry. Thank you. I'll give him your answer. Sit down, Steve. Sit down. You're making me nervous as a bridegroom. Well, it's nearly time to take off. They won't hold this plane forever. Would you stop having pups? You know you can count on Kendall. Say, listen, have you known this Phyllis girl a long time? No. Why? Well, she could make it rather gruesome for you, Steve. I mean to say, after all, she'll have control of all your goods and chattels. She could refuse to hand them back if she turns out to be a stinker. Oh, she's all right. Don't worry. Look, there's Kendall, but I don't see Phyllis. She doesn't seem worried. What has she got to worry about? Hello. Well, where's Phyllis? Where is she? I couldn't get her to come. Not for love or money. What? You mustn't blame her, Steve. No woman wants to get married just as a favor. Well, it was a nice business while I had it. Had it? You've still got it, and you can keep it if you work fast. All you have to do is marry somebody. Fine. Just marry somebody. Anybody who can say I do will do. Just a formality. Needn't mean any more than having your hair sinned. Go away. Steve, we've got to get you a wife and in a hurry. Doesn't matter who she is. Of course, it would be better if she was some girl you could trust. Somebody like, well, Kendall even. Why, all she... Hey. Kendall. Sure. Why not? Kendall. Kendall, dear. Hello. What do you say, Kendall? Will you marry him? Kendall. Well, isn't this rather sudden? I mean. Kendall, it's, it's strictly business. It's just somebody to say I do. What do you say? Well, I do. After a brief intermission, Mr. DeMille and our stars William Fowle and Myrna Loy will bring us Act Two of Hired Wife. Hello, Mr. Rueick. Here we are again. Oh, bless my soul. Is this a convention? One, two, three, four, five, six. Six girls and all of them pretty. Well, if you've come to see me, I don't mind saying I feel flattered. Why, you remember us, Mr. Rueick? We represent Luxe toilet soap. Each of us is a symbol of one of its special qualities. Symbols, are you? Well, I'm glad to know. Yes. And now you're supposed to ask each of us which quality of Luxe soap we represent. It'll be a pleasure. Now begin by asking you first. Well, Mr. Rueick, I stand for Luxe toilet soap's mildness. You know, that means it's gentle enough, even for delicate skin. I represent Luxe toilet soap's purity. That means only the finest ingredients are used to make it. You're both right girls, but not too fast now. We really want to hear you. Let's give that little curly-haired girl there a chance. Luxe soap's whiteness, Mr. Rueick. That's what I stand for. Women love to use a soap that's so white and satiny smooth. Right, you certainly are. And now who's next on the list, girls? Me, Mr. Rueick. I represent Luxe soap's active lather. Active lather that removes every trace of dust, dirt, and stale cosmetics thoroughly. And this tall young lady on my right? I represent the lovely perfume Luxe toilet soap has. So nice and delicate. The perfume that makes Luxe soap such a grand bath soap, too. Every woman who uses Luxe toilet soap as a bath soap will agree with that. And now here's our last little girl. Will you tell us what quality of Luxe toilet soap you represent? Something very important these days, Mr. Rueick. I stand for Luxe soap's economy. It's thrifty to use because each cake is hard milled. And so it lasts and lasts. Thank you, girls, one and all. I wish our audience could see what lovely Luxe complexions you all have. You've done a grand job of telling us that Luxe soap has every quality of really fine toilet soap should have. No wonder it's the choice of nine out of ten lovely screen stars. No wonder pretty women everywhere say, this is the complexion soap for me. Well, thank you again, Luxe toilet soap girls. Good night. Good night, Mr. Rueick. Good night. We pause now for station identification. This is the Columbia Broadcasting System. Two of hired wives, starring William Powell as Stephen Dexter and Myrna Loy as Kendall Browning. A plane to South Carolina, a flying visit to the justice, a plane back to New York, and the honeymoon is over. Time consumed, ten hours and forty minutes. Now the happy couple, looking very weary, has arrived at Stephen's house. David Van Horn is there to welcome them. Come on, David. Wake up. Wake up. So I'm sticking pins in him. David! Wake up. Oh, it's you. Congratulations. Thank you. Here's the marriage certificate. Let's see. I hope they don't look too hard at the date. They might have a collusion. I left some papers for you to sign. Transfer property to Kendall. Where do I sign? Right there. What does Kendall have to sign? Nothing tonight. Oh, I'm so sorry, Kendall. Keeping you up like this, I thought you'd be needed. It's all right. Well, now, I think we all rate a nightcap. Make mine buttermilk. Buttermilk? Yeah. There's always some in the icebox. I'll get it. David. David, you've had a tough day. You'll have a tougher one tomorrow. Better go home and get some sleep. Don't you want me to wait and give you a lift? No, thank you. I can get a taxi at the corner stand. Okay. See you tomorrow. Good night, Kendall. Night. Hello. Hello. Here's your buttermilk. Thanks. Where's David? He went home. He said he was tired. Oh. Well, here's mud in your eye. Boo. Healthy drink, buttermilk. Horribly healthy. You made me drink my first glass. Do. Yes, I guess I was born bossy. Well, I have slept better since I began drinking it, but I still don't like it. Do you? I love it. Well. Well, we have a lot to do tomorrow. Yes, yes, we have. So, well, good night, Stephen. Oh, wait a minute, Kendall. Yes, Stephen.  You don't let people down. And I, thanks for marrying me. You're welcome. I'm sure. Oh, Stephen, I don't feel like kidding about this. It's nothing, of course. No more than the sort of thing I do every day, seeing people for you, signing your letters. But, but those kids we saw tonight, those two kids who got married just before us. Do you remember how she looked at him? Hey, are those tears? Yes. Do you mind? Kendall, look at me. No, Stephen, please, please, Stephen. You're very sweet, Kendall. Let me go, please. Why? You're my wife. I'm only the woman you married.  Oh, I've known that for years. Right now, I don't seem to care. I'm not here because you want me. I'm just a substitute for the woman you really want. Phyllis Walden would be here if I had lied to her and to you. What? Well, now I've run out of lies. Then Phyllis did say yes. She said no, but I made her. She had to refuse the way I put your bid. Bid? You made Phyllis believe that I thought I could buy her? You treated her in my name as if she were cheap and nasty? Not cheap. Why? You... You contemptible, unscrupulous, double-crossing...  You can't laugh your way out of this. All right, I started something and I couldn't finish it. But your business is safe at the time being and well, when you see your little goalie locked tomorrow, you can look her straight in the eye. She'll be amazed to learn that you have a conscience. It wasn't conscience. You would have found me out soon enough. Besides, I don't enjoy being kissed by a man who keeps his eyes closed. They're open now. Oh, Kendall, what am I going to do about you? What do you want to do, Stephen? Stop acting married. We are, you know. Don't take advantage of a technicality and stop looking at me like that and go home. But where am I? Will you please get out of my house? Your house. Oh, are you going to get tough with me, Browning? The name is Dexter, and I am. All right. If it's a fight you want, you got one. To a finish. And no hold barred. Will you please get out of here? Yes, but I'll be back. Never. Good night, Stephen. Wait. Kendall? Yes, Stephen. You're fired. Well, listen, I can explain the whole thing. I, no, Phyllis, Phyllis. Don't hang up on me, please. Look, Phyllis, it's true I'm married, but the whole thing was a mistake. I meant to marry you. Yes, I, I know it sounds silly. It's ridiculous. But listen, listen, Phyllis, she isn't even staying at my place. No. That's what I'm trying to tell you. She went home. What? Well, certainly not.  Yes? Mr. Van Hornet here, sir. Uh, yeah. Send him in. Yes, sir. Hello. Phyllis, look, you meet me somewhere tonight, and I'll tell you the whole story. What? Morning. Morning, Stephen, darling. Oh, wait a minute, Phyllis. What are you doing here? You're fired. Tell him, David. It's like this, Steve. Your wife has to be here. Hello, Phyllis. Look, Phyllis, I'm, I'm very busy, dear. I'll see you at the 41 Club. Yes, the 41 at eight o'clock. Right. Goodbye, dear. Now, what's all this about? Well, Steve, here are the facts. In a marriage, a legal marriage, where both interested parties hold themselves forth as being... David, please get to the point. I've got to go home and start packing. Why? You're going away? No, but your attorney advises me to move. Move where? To your house. My house. My house! Naturally, your house, your house. Would Kendall move into my house, my house? Why not? She's capable of anything. That'll go on your bill. Steve, you've hit some more heavy trouble. More? The combine smells a rat, so we've got to convince them that this marriage is on the level. We haven't a chance unless Kendall lives at your house until the storm blows over. Get the idea? I do, and I just like it heartily. The only way to do it? Who thought up this unsavory scheme? What's so revolting about having Kendall as your house guest? You don't have to act married, except when somebody's looking. But think of the position it puts me in. What about me? What'll I tell my husband? Well, not you. The good one. I'll marry next. It's up to you, Steve. Well, I advise you to grit your teeth and go through with it. No, it's ridiculous. Very well. Very well. If that's your attitude. See you in the bankruptcy court. Now, wait a minute, David. Wait a minute. Is this... Is this the only way? Absolutely. All right. I agree. But under protest. Thank you. That's the boy, Steve, and I'll tell you what you can do. If you're both so worried about your reputations, why don't you invite some respectable relative, cousin or an aunt or something to stay in the house and sort of, uh, referee, huh? All right. When can you move in? Who, me? Well, you got us into this thing. I'll expect you at the house tonight. Oh, why can't I learn to keep my mouth shut? Kendall. Here I am, Kendall. Oh, hello, Ferdy. Thanks for coming. You look beautiful, but where's the bridegroom? Well, he didn't come with me, Ferdy. I couldn't explain it to you on the phone, but, uh, you see, he's here already with another guest. You may know her, Phyllis Walden. Oh. A blonde? Yes. This year, anyway. On the second night of your wedding, he comes to our nightclub with a blonde.  That wouldn't help, Ferdy.  Now you're talking. But no thanks. What do you want me to do? Well, I want you to keep her amused, just for a week or two. Maybe a month. Oh, I understand. Is she pretty? Yes, in a ghastly sort of way. There she is now over at that table. There was Stephen. Hmm. Not bad. Yes, I think I could disturb her a little. I want you to disturb her a lot. Will you do it, Ferdy?  But, alas, I am not in a position financially. I'll take care of the finances. You take care of Phyllis. Come on. It's strictly a business proposition. Kendall Browning means nothing to me. Absolutely nothing. You believe me? Stephen, forgive me for the way I am. I was very jealous. Of course. Hello there. So here's where you're hiding. Hello, Poppy. Say, what in the name of... Hello, Phyllis. So nice to see you. Stephen, what does this mean? Oh, Phyllis, this is Ferdinand Braganza. Miss Walden Ferdy. I am Charles. How do you do? Listen, Kendall. And this is Stephen. So, you are the man who married Kendall. Congratulations. Thank you. Kendall. Sit down, Ferdy. Sit down. Have you ordered dinner yet, Poppy? No, I haven't. Suppose we dance first. You and I. All right, Poppy. You young folks enjoy yourselves, will you? But certainly, certainly. Come on, Poppy. What are you going to do to me now? What's the matter, Poppy? Ferdy asked me to dance. You knew I'd be here. Now listen, Kendall. Darling, people are looking. We've got to be happily married, you know. Hold me tighter. Tighter, huh? All right. Oh, Stephen. You don't have to break my ribs. I'd like to break your neck. Why, Poppy? And stop calling me Poppy. $200, check. Rent of motor car, $40, check. One? Ferdy, what is this item? One cockatoo. Yeah, I bought it for Phyllis. A cockatoo. You know, a bird. I know what they are. But what I want to know is how you use them in making love. Phyllis says she likes one for a pet, so I give her the bird. Well, that's all right with me. But, Ferdy, $75 for one bird. Oh, it talks. For that money, it should read and write. Well, she thinks I'm a millionaire. Yes, and so do you. But I've got to pay these bills. What else have you done besides spend money? Oh, I progress. Yesterday, she insulted me. Tonight, she slapped my face. Tomorrow, who knows? Ferdy, that's Stephen. Get out of the garden. Oh, my hat, my hat. Hurry, Ferdy. Call me. Yes, yes, get out. I don't want Stephen to... Good evening. Oh, good night. You're leaving? Yes, I have to see you, somebody about or something. Good night, Mr. Dexter, and Mrs. Dexter. Good night, Ferdy. Good night. Must you entertain that fellow here? Why? Are you jealous? I like Ferdy. I'm sure you do. Nevertheless, I don't want him hanging around my house. Our house? I don't want him around. Very well, dear. Where are you going? I'm going out for a walk in our garden. You mind? Now, wait a minute. I want to talk to you. I'd rather not talk tonight, Stephen. Well, you're going to. Kendall, this thing has gone on long enough. I want a divorce. A divorce? Oh, then that means you've beaten the combine. Well, yes. Didn't Van Horn tell you? No. Good. Tonight, they gave up. Oh, Stephen, I'm very glad. Thank you, Kendall. Thank you. I appreciate your help. And I, uh... Well, I know this is short notice, but, uh, here. This is a ticket on the westbound plane. It's now 1022. Really? I've been wondering what time it was all evening. The plane leaves at midnight. Uh, there's a check in there, too. I want you to have a nice, long vacation, and, uh... Well, after you're through at Reno... Well, Reno isn't far from Los Angeles, and Los Angeles isn't far from Hawaii. And Hawaii isn't far from Australia. Hey! What are you doing? I'm tearing up the ticket. You see? I like being in the US. I like being Mrs. Stephen Dexter. Oh. Oh. Well, if you won't give me a divorce, I'll divorce you. On what grounds? My grounds just left. Verdi? Oh, that's comical. Ha, ha, ha. What was he doing here? Helping you with your homework? Excuse me, Stephen. Yoo-hoo! What's wrong down there? Go on, Steve. Ask Grandma. He was in the house all the time. Why don't you go to bed? I haven't had a night's sleep for a month. David, get me a divorce. You mind waiting till morning? How soon can I get one? Is Kendall willing? No, I'm not. If she fights, it may take years. Years? Five. Your best bet is to disappear and be given up for death. Of course, that's just a curb stone opinion. Good night. Jump that one, Stephen. So you like being Mrs. Steven Dexter, do you? Well, get away from me. Oh, no. You're my wife.  It's in the law books. Get away! I'll show you. Let's go. I wish you'd make up your mind down there. David, how can I get rid of this woman? Well, not that way, old boy. Hey, I just thought of it. An annulment. How soon can you get me one? Oh, in a few weeks. Are you sure? It'll be a sin. We'll just have to show it's been no marriage to date. You can testify to that. Then start annulment proceedings tomorrow. Right. But might I suggest that you come up here, Steve, fairly soon? Well, jump that. How can I? Good night, Stephen. Oh, you're going now? Of course. I'll get them tomorrow morning. Will you drive me home? Oh, certainly I... No. I think it would be better if you took a taxi. I'm too tired to drive. I guess you'll be glad to sleep in your own room again. Oh, will I? Did you have a room with David? Oh, I mean... Of course you never did, but well, never do. Good night, Stephen. Good night. Steve, you worry me. Why? More coffee, David? No, Steve, I want to know what happened last night. You know what happened? I'm afraid I don't know everything. What are you talking about? Well, let's be honest, Steve, I could still get you that annulment. But now what am I going to say when the judge asks me where was your client on the night of May 4th? Last night? Well, you know where I was last night. I'm sorry to say I do, in your own room. Of course. I was in my own house, my own room, is that a crime? Certainly not. But Kendall can come into court and tell her story. What story? Kendall wasn't here, she went home early. Kendall went home. Last night? Last night. Oh, well, that's entirely different. You may consider the annulment in the bag. Thank you. I'll be right down. Who's that? That, my friend, is Kendall. Say, listen. Exactly how big a chump do you think I am? I ask you, Steve, is this playing the game? You told me she went home. She must have come back to get her clothes. Likely story.  You don't believe me, ask yourself. I intend to. Good morning, David. I've already said good morning to Stevie. Oh, that is a lie. Why, Stevie? Listen, Kendall, you caused me enough trouble. Look at me. Where were you last night? Last night? Answer his question. Kendall, I want you to tell him exactly what you did last night. Exactly. I want you to tell him you went home and you stayed there. Oh. Oh, yes, dear. I went home and I stayed there. Is that all right? Thank you. I've heard enough. Good morning. David, wait a minute. I'm very disappointed in you. And that annulment is definitely out of the bag. Oh. What? Ah. Trump's back. In just a few minutes, Mr. DeMille and our stars, William Powell and Mernie Loy, will bring us act three of Hired Wife. Now, here are Mr. and Mrs. Smith. They're driving home from a weekend spent with the Browns. We certainly had a grand time, didn't we, Jim? Yeah, the Browns do things well, all right. Real luxury, I'd call it. I'll be glad to get home, though. Why, Jim, but I can't keep house and the style made Brown does. Maybe not so much style, but you do things mighty well just the same. And I'll say one thing. You know what kind of soap to buy for a man's bath. Never get that sissy stuff that won't give enough lather. Oh, ho. So that's why you acted a little glum this morning. Well, never mind, dear. We'll be home soon and I'll see that there's plenty of luck soap in the bathroom. Well, it is tough when a man doesn't have the right soap for his morning bath. Especially when it's so easy and so economical to supply him with the real luxury soap. One that gives a quick, rich, active lather, even in hard water. That's why luck's toilet soap makes that to hit as a bath soap, too. That active lather carries away perspiration in every trace of dust and dirt in Egypt. It leaves you feeling like a million. A man likes the way luck soap lathers fast and cleanses thoroughly. It doesn't get mushy or soft. Because you see, luck's toilet soap is hard milled into a firm, smooth, white cake that you can use right down to the last thin sliver. And it's nice to know that you can let the men in your family have the very finest in soaps and still be thrifty. Luck's toilet soap costs so little. Why not let everybody at your house use it as a delightful, satisfying bath soap, too? Make a note now to get three cakes of this fine white soap tomorrow. Now, after you, Mr. DeMille. Curtain rises on the third act of hired wife.  In vain, Stephen tries to shake her off. He's asked her to come to his office to talk terms. Kendall is willing, but her terms are the same as ever. No divorce, no annulment, no Phyllis Walden for Stephen. But Kendall, why don't you be reasonable? This marriage is no good for either of us. I think it could be for both of us. You're not in love with me. That's the funny part. I am. And I'm not going to let you marry anybody else. All right. But I warn you, our marriage will be a thing of horror. You think Bluebeard was bad? I'll make him look perfect. Stephen, if I believed that, I'd quit right now. I'd sign back everything to you. Throw up my job. Let Phyllis have you. But I don't believe it, Stephen. I believe you love me. Once maybe, but not lately. You see these things I'm wearing? They're pants.  A few men are left who do not like to be kicked in them. Especially by a lady punter. Steve, I've just been checking over these bills. Have you bought a cockatoo? Oh, I did. My old one died. One cockatoo charged to living expenses. Very peculiar. What are you doing, checking up on me? Oh, he starts to keep my income tax record straight. Yes? There's a gentleman to see you and Mrs. Dexter. He says it's personal and urgent and very serious. Who is he? He says he's a judge from South Carolina. Judge Peabody. Oh, show him in. Don't worry, he'll suffer for it. Morning. Come in, Judge Peabody. Good morning, Your Honor. Morning, ma'am. Morning, sir. I see you remember me. I sounded with good reason, Judge Peabody. Well, I might as well come right out to what I've got to take you. By all means. Now, mind you, it's not as bad as it sounds. But the fact is, Mr. and Mrs. Dexter, you aren't married. What? Why, Judge, you interest me strangely. Go on. Where do you see? One of the boys, Dr. Cotehouse, made a little mistake. Sort of forgot to renew my license. I thought he had, but a couple of days ago I found out different. So I've been marrying folks right and left with no more authority than a jaybird. Ha, ha, ha. Are you sure we didn't get in under the wire? Uh, when did your license expire? Four years ago last year. But I got a new license now, so I'm looking up all those folks and marrying them over right. I'm fixing to start with you. Uh, join hands, please. Oh, no, no, no. Some other time, thanks. This one's on me, sir. Oh, thank you, Judge, but I feel sure that Mrs. my wife, Miss Browning, will just jump at the chance to have a church wedding. Oh, yes. Oh, well, sir, you're the head of the family, so I bid you a very good day. Goodbye. Goodbye, Judge Peabody, and thank you. Thank you very much. Yes, not at all. Goodbye, sir. Goodbye, goodbye, Judge. Well, Miss Browning, I imagine that settles it. Hello? Who are you calling? What are you up to now? I'm being the efficient secretary. Hello, Hotel Mortimer. Kendall, I'm glad to find you here. Hello, Ferdy. Kendall, I need money. I'm busted again. Are you? What are you doing there? Cleaning up my desk. I should have done it weeks ago. Kendall, listen, I am madly in love. That's why I need the money. In love with who? My sweetheart, my Phyllis. Are you trying to tell me? Yes. She is going to marry with me. Has she said so? She said that we will be married, and that we will live happily forever after. But have you told her about yourself? Certainly. Everything? All at once? Oh, no. But I have begun to hint. Last night I told her I do not own two yachts. Only maybe one little one. She smiles so sweet. She'll laugh right out loud when you tell her where you got your courting money. That I will say for the honeymoon. You better tell her now. My husband is down easy. But Steven's not my husband. What did you say? Steven's not my husband. He never was. Then you mean that oh, he is free and she is in there?  Phyllis, my sweet one. What is this? Phyllis, you must choose him or me. Who do you think you are breaking in here like this?  Over your dead body I will get out. Since always, since time began and the world was young and damp and I was a bullfrog and you were a cowfrog. Phyllis, look, I can't honestly claim that my acquaintance with you dates back as far as his. But you know me, who I am, what I do. Phyllis, you ought yourself to find out a lot more about this fellow. He's rich, yes. But where does his money come from? I know all about that. Ferdy told me. Oh, you mind telling me? Not at all. It comes from the same place yours does. The men. Excuse me, Steve. Oh, what is it now? Well, I'm a bit dubious about this check, the rather big-ish hotel bill. Steve, do you use your suite at the Mortimer Hotel for business? My suite at the... I never lived at the... Let me see that. And here's a lot of other checks. $125, $100, $100, $150. To a party named Ferdinand Brachaza. You got a new tailor, Steve? No, I still get my clothes from... Forgive me, old check. So, you get your money from cement, do you? My cement. Ferdy, what does this mean? It means just what you think it means. These checks are signed by Kendall. Oh, Ferdy, taking money from this... That's what. The very flowers you gave me. Keep them there for me in a roundabout way. Mr. Dexter, your seconds will find me in my hotel until tomorrow. You, Kendall, you. My right hand with a knife in it. It was Ferdy's birthday. Most of it was a loan. I will pay back every penny at once. Can you? I'll go away. Your vial, your cheap. Cheap? Look at those checks. You'll get it back. You'll get everything back. Stephen, darling, I won't be much used to you in the awful. There are lots of things that she did. I simply couldn't do. I'm not clever the way you are, Ms. Browning. A smooth liar can make a fool out of me. Go on, just two words more and I'll lamb you one. Oh, I am, am I? Kendall, Kendall, no fighting. Phyllis, my sweet, think of your beautiful face.  I do not take that from you, you wife, Peter. That does it. I'll murder him. He's unconscious.  I'm sorry, but he hit me first. Oh. Steve, wake up, dear. Where is he? Here. Get out of here, Ferdy.  Well, I loved you so, and I was so poor. Goodbye. I'm going to. I'm really going. I didn't land a contract. If my best bid wasn't good enough, well... Well, you can't blame a girl for trying. So long, Steve. It's horrible. Six years. What, Steve? Six years, I put up with her. Six long years, she bossed me, bullied me. Put it in there, pushed me that way, shoved me the other. I should have known she'd do anything to get her own way.  You? No, me. He wasn't the first man I ever saw the first who ever made love to me. Oh, I should have seen that he was a phony. Honest men just don't make love that well. They haven't had the practice. Six years. At least once a day she did something frightful to me. Why, I stood more from Kendall Browning than I'd stand from a woman I love. Him and his yacht and his parrot and his line. Oh, I hate him. Show me in all history a more vicious woman. Truth, honor, decency, her. They mean nothing to her. I knew men could be low, but not that low. She screams, she lies, she cheats. Ha-ha. But not anymore at my expense. I'd like to strangle him. I consider today the luckiest day in my life. Good to. Stephen, why are we going to stop hitting ourselves? I'm glad you said it first. Come on, if we hurry, we can still catch them. Ferdy! Kendall! Come back! This is Stephen Dexter again. And this time it's for keeps. Mind you, I'm not giving in. No, darling, that's my department. Stephen's thing I'm wearing, it's a skirt. No more bossing me around? From now on, your word is wrong. Oh, really? Kiss me. Yes, dear. Stephen, are you down there? I've just been thinking about that annulment. I said I've just been thinking. Who's that with you? Stephen! If you want that annulment, get up here. Stephen! All right. I resign.  Right now we add one more to the impressive total of hits that Bill Powell and Mena Loy have made here in the Lux Radio Theatre. Time for a bow, Bill and Mena. Thank you, Cecil. Thank you, Mr. DeMille. Our statistical department reports that you two have appeared together here as a team more often than any stars in Hollywood. Oh, you mean that Mena and I are the corn, beef and cabbage of the Lux Radio Theatre? No, Bill. The Champagne and Caviar. caviar I'm getting hungrier by the minute hungry that reminds me whatever happened to the thin man well there's been a little investigation into that over at MGM so trying to find out who done it or Bill and I done it with a little better grammar however it's called the shadow of the thin man Cecil you know I wonder why there's never been a famous woman detective I think most women are very good detective manner they look for the facts they they well that certainly applies when it comes to choosing the right soap as far as I'm concerned it means luck so I've used it for years that's a very sound deduction manner and luck soap has been proud of you for years too what are you planning here for next week Cecil next week bill it's hold back the dawn a neat trick you can do it it's a very neat trick bill in fact one of the finest pictures paramount or any studio in Hollywood has made this year hold back the dawn has just been released and next Monday night we'll have the same stars who appear on the screen Charles Boyer and Paulette Goddard it's a love story with a strange dramatic background and an exciting finish that hard-boiled critics and audiences alike have applauded so don't miss the first act curtain at the regular time I certainly won't Mr. DeMille I think it's a perfectly wonderful picture my husband produced it good night tonight so our sponsors the makers of Lux toilet soap join me in inviting you to be with us again next Monday night when the Lux radio theater presents Charles Boyer and Paulette Goddard in hold back the this is Cecil B. DeMille saying good night to you from Hollywood William Powell and Merneloy appear tonight to the courtesy of Metro Golden Mayor Studios the picture hired wife was based on an original story by George Beck and produced by Universal Studios whose latest release was appointment for love heard in tonight's play where Arthur Q. Brian as Van Horn and Tory Carlton as Phyllis our music was directed by Louis Silver tune in next Monday to hear Charles Boyer and Paulette Goddard in hold back the dawn your announcer has been Melville rowing this is the Columbia broadcasting system


Hi everyone, I'm here today to share with you some developments we've made in my SQL regarding the safety of the replication stream and how to protect data that is being replicated. So, what is exactly the problem we are trying to solve? So, usually a slave just applies the events that the master sends despite the content. It doesn't check for privilege, nothing. So, we just want to mirror the data that is on the master and put it on the slave. So, this is fine in most cases, but after we added a multi-social replication, we added a bunch of new use cases, like we could use this for data aggregation or data consolidation. So, we have a lot of data from different servers to be replicated into the same slave. So, at this point, we have big organizations that have multiple data entry points and they need to aggregate this data and consolidate it into a single database, for instance. And since the slave doesn't have any tools to enforce rules on the data, this may break what you are trying to do. So, basically, we try to implement a set of options and features that could make the slave protect himself. So, we needed to ensure that data is being encrypted, both on the wire and on the disk, that DML and DDL statement-level privileges can be enforced on the slave, so that if I don't want data to be deleted from a table ever, I do not accept a delete statement. And that the differences between the servers configuration, the master's configuration, do not clash while we are consolidating and aggregating the data. So, how can we accomplish this? So, basically, we use a set of options. The first one is we should use always encrypted channels. So, we should turn on the SSL encryption and always use deleted supported versions of the TLS and SSL. So, this has been around for quite some time. Also, we should always use encryption on the binary log and on the relay log. Even if we try to, at an organizational level, try to say the master should not replicate sensitive data and whatnot, that could still happen. So, we should comply with data privacy laws. So, we should turn on the bin log encryption, actually. So, we can do it in three ways. Parameters, when we run the MySQL D, we can just set it globally in MySQL shell and persist it or add the configuration to the config file. We can always use a performance scheme to check if our encryption is on and properly configured. So, a third step is to only allow for role-based replication. So, allowing specific replication makes us reexecute the statements on the slave side. And this can be a problem, especially if we are trying to impose data-level rules that can be overcome with significant replication. A few examples like stop procedures or functions or the loaded data event and command, which makes us write the whole file into this and then execute it. If we use role-based replication, this doesn't happen. We do not reexecute anything. We just apply the rules and the data changes. So, how can we accomplish this? So, we added a new option to ChangeMaster. So, you can actually do this per channel. So, you can have some masters you trust more that you may not use it. So, we just use the option and just use it one and then on this stream, the slave will only accept events that are in role-format. So, the slave does not filter out statement-based replication. So, if a statement is received, if an event is received in segment-format, the replication will stop and an error will be logged. We can check the value of the option again using performance schema. So, we can check it. Next step. So, we have an option in MySQL. It's called SQL Require Parametric Key, where we enforce that a table needs to have a parametric key. So, when we are replicating data from master to slave, usually the default behavior is that the slave will just set the value for the session, for the player session that comes from the master. So, if the master is running with SQL Parametric Key to one, the slave will set it to one and then apply, apply, apply. What this makes is that different masters may have different configurations. And if we are replicating to the same slave, it may happen that we have distinct behaviors and we are not being able to say, on the slave, I require this or I do not really require this. So, we introduced this new option. If we set it to one, the slave just disregards what comes from the master and will always check for a parametric key. If it's too off, the opposite behavior. So, the slave will just disregard what comes from the master and will not check. So, we should, if we are trying to protect our slave, we should always put it on all channels to one value or the other value. There is a search value for the option which is stream, which is the current behavior. So, if it's set to stream, we are not protecting anything.  Sorry? If the option is stream, we just set it, it's the current behavior. So, the slave sets the option for the session. That comes from the master. If it doesn't come in the event stream, it's not an issue. Yes? Okay. So, again, we can use the performance scheme to check the value on our option. And finally, the final step. We can start using the replication applier. We can enforce the replication applier to run within a given user security context. This means that the applier will actually do previous checks on every event that comes over the wire. So, this is, to set it up is quite simple. We just create a user. We need to grant this new privilege to the user because we are saying that we are allowing the user to be used as the context for the slave applier. Then we can grant whatever set of privileges we need. So, if we don't want records to be deleted ever, when we are putting the data, we just don't need, for instance, the delete privilege. And if some delete event appears, replication will just stop, okay? So, this is a way for us to say, okay, this channel will just have these privileges to apply the data. So, yes? Will stop for that channel? Yeah, the full word, so that statement will just stop. So, yes. If a privilege check is not successfully, it will stop, yes. And error logging will be sent to the error log. It will stop for that channel, okay? Not for all other channels. So, we can, again, use the performance schema to check the status of our option. So, some references of the manual and some blog posts that discuss all of this in detail. And that's it. Any questions? Just one thing, I played with Rep Server with Sybase like 12 years ago. Sorry? And one of the features it had, which is your, this is very similar to features that were available there, was that something I used when I was at a previous job, was to ignore the statements. So, for example, things that are up on the consolidated system we didn't want to do with crop tables or to delete data. So, we basically said, if you see a delete, just ignore it. Okay. And they didn't generate an error. They said, oh, I've got to delete these rows. Well, I won't. You obviously then have to set up your tables to have the structure to support that. But if you do that, then you just say, okay, it's a truncate table. I won't be allowed to truncate. I'll just ignore it. Okay. And that allowed things to flow through completely cleanly with, on the upstream system, the ROTP systems, deleting stuff, truncating tables, doing things which made sense for the ROTP types. But the analytical part just ignored certain things because it didn't make sense and didn't want to remove that stuff. Okay. And that was very useful. A feature like that, I could see being useful also here in my SQL. Yes. Yes. In raw base, it might be complicated. No, because we're representing exactly the same thing. You may need extra columns or you need to do some things to make it, to make the aggregation work that way. But clearly, often you don't want, in some types of systems, you just don't want to delete the data. As long as you don't overwrite the existing data to generate new rows which don't overlap, you obviously have to design your data model to handle that. Then you can do something like this very well. Because if replication breaks, that's... Yeah, that's what I was asking about earlier, right? But they didn't ask people. No, they look like nice things and I can see a lot of people or some people having a new space for that. Thank you very much. Thank you.


Hi everyone. Happy Monday. I'm Joe for jaspyscasebrakes.com, coming at you with 2021 Bowman-Serling Baseball. Six bucks, half case. Pick your team number two. All-card ship. A lot of great prospecting here. Some rookies in here as well. A very big thanks to all of these wonderful people for getting in on the action. I appreciate it. Thanks for spending a bit of your Monday with us. Now if you have a little rooftop next to your name, that means you won a spot in that filler. The Bowman-Serling filler. If you have two rooftops next to your name, that means you won that extra spot in the filler and got a team. So double congrats to you. David ended up with the official last spot mojo, the Royals. There's everybody else. Thank you. All right. And it's like whoever did break number one marked those two. So we know they're all from the same case. Five autographs per master box. A lot of great stuff. Good luck. Colorful mini boxes here. And of course, all cards will ship. A lot of mini boxes here. Design looks pretty sharp here. This is my first live look at Bowman-Serling. All right. So let's see. I guess the autograph will be in the middle. These two cards I can slide up to the front. All right. Pretty cool design. Looks like a facsimile autograph there for that Joey Votto. The actual Otto is... There's Alexander Vargas. It almost looks like a math equation there. It's interesting. New York Yankees. That's going to be for Jimmy. I got A, V, exclamation point, and the G. And out of 125, Justin Foskew. 45 out of 125. It's a nice autograph for the Rangers. That's going to go to Scott. 16 out of 50, Casey Meis for Eric and the Tigers. And we got a Junior Severino for the twins. That's going to go to Eric Liel in Minnesota. Nice Casey Meis too. Solid season for him. William Contreras. And behind Julio Rodriguez is Carson Tucker for the tribe. Michael with that one. Cleveland. This is for you. Won that team in the filler. And the final autograph behind Andrew Vaughn is Dylan Dingler. Eric J with the Tigers. All right. Nice start. And next box. All right. Another five autographs to go. Part of the length of this ring is just me opening up these mini boxes. A lot of packaging in Bowman Sterling. Darren, what's going on? Yes, Darren.  Death Rage is his last name. I'm sure it's like Death Rage or something like that. But I prefer to call it Death Rage. Death Rage. Death Rage. And we've got Jackson Clough. Darren McKenzie with the Nationals. Darren Porter in the chat. And we got a Jose Rodriguez. Kind of like what he's trying there with his autograph. That goes to Eric J and the White Sox. Won that team. We got Bobby Dalbeck, 22 out of 99. Speckle. And a Bryce Jarvis, 34 out of 99. Speckle autograph for Adam and the Snakes. Wait, they're delaying the football game because of lightning? But it's a dome. It's interesting. Josh Proust with the Red Sox gets the Dalbeck Speckle. There's Bobby Whit Jr. And there's another Dylan Dingler. 35 out of 99. Speckle autograph. That Speckle parallel looks really sharp. That goes to Eric J. Yeah, Adam, I guess... I don't know. California, I guess we... L.A., we don't know how to handle a... A late summer early fall thunderstorm. Scottish Shook. There's Davy Garcia, 16 out of 99 for the Yankees and a Max Meyer. One of the Marlins' recent top picks. Oliver with the fish. I guess the sides of the stadium are open. Davy Garcia for the Yankees. That's odd. And a TV broadcast, I'm sure some of you are watching that too, are saying that this decision comes from the New York office. Yeah, so there's a lot of... There's a lot of open space. I guess on the sides of the building, I guess the lightning could sneak in. I don't know how lightning works. Maybe that's how it works. But the fans are still in their seats. Yeah, ESPN staff's still on the field. Steve Young's just like... Next five. This is very odd. Los Angeles rarely has the weather delay. All right, there's Hedbert Perez. Yeah, Adam's like, I hope it's safe for you to keep breaking with that kind of weather. I don't know, yeah. People in L.A. get all wild when there's even a little bit of rain. Yeah, Darren's like, isn't the whole reason for building a dome to protect from the elements? It's a partial dome, though. I think it's not entirely enclosed. There is a roof, but the sides of the building are still open to the elements. Dodgers have not had a rain out since the 50s, I think. I think you're right. Although I was at a game that was... That was... We got a few innings in and then was canceled due to rain, but I think the rain out hasn't happened in a long time. 16 out of 99, jazz, chism, speckle, and William Contreras. 58 out of 99, I think. It was an old... It was Dodgers at Rockies, or Rockies at Dodgers game. It was William Contreras. Braves, Chad with the Braves. Poker saying L.A.'s more known for high speed. Chase, is that right? I would think earthquakes, probably. We haven't had... I don't think we've seen a good high speed chase in a long time. There's Heston Kerkstad to 199 for the O's, Michael. And we've got Spencer Torkelson. Nice Spencer Torkelson for Eric J. and the Tigers, bought the Tigers straight up. So nice Spencer Torkelson and nice Oriole. Oliver, you were at a rain delay at Dodger C, and then here Andrew Jones was at Dodger and you booed him. What a mistake. There's Jermyn Mercedes. Not an auto, but a 3 out of 25 Jared Kalanek for the M's. Chris Walker. And back there is another 8 out of 10. Another low numbered car, Cole Henry for the Nationals. Darren Mackenzie, DMACC. With the Nats, very nice. So nice Cole Henry to 10 and a nice Kalanek to 25. Or yeah, I guess more shootouts. Is that the non-number Kalanek or the base? I don't know. That card number right there looks nice though. Yeah, I did live here in LA during that North Hollywood shootout but North Hollywood is is in North Hollywood. 004 out of 199 it's over the hill. Dalton Varshow from like LA LA but they did do the movie Heat which was filmed in downtown LA that uh I think that was pre North Hollywood shootout. There's Dalton Varshow Adam with the Diamondbacks and you also get his maybe future teammate Alec Thomas 004 out of 199. North Hollywood is probably no traffic still probably like a solid 30 minutes away from the South Bay where we are in Hermosa Beach. LA is a pretty big city, there's a very wide spread and even from downtown LA it still takes probably a minute or two to get to North Hollywood. You made it Connick.  It's not safe to live in California I don't know, I've lived here all my life. It's pretty safe I'm not scared of California. Is there anywhere in LA that I wouldn't go? No I would go there I mean the valley, just because why would you go there but uh but other than that I feel pretty comfortable going to any part of town. Yeah, Huntington Beach, that's about an hour south of us here the big oil spill I think an oil rig an offshore oil rig was leaking We got uh Hernandez for the raise Nancy with Tampa Bay Right, yeah, it's hard to calculate time here in LA because there's mileage and then there's how long it takes to to handle that mileage It's Cabrine Hayes rookie card and Blaise Jordan, nice. Josh Proust with the Boston Red Sox True, Adam, you get it. Yeah, you're in New York City Yeah, New York City traffic is pretty bad LA traffic is pretty bad Alright, and we got Justin Foske 59 out of 75 and there's Garrett Mitchell 43 out of 50, gold auto for the brew crew, that's for DMACC, Darren McKenzie I know, Adam is, Ray, isn't that crazy a 30 minute rain delay? Got two Adams in the chat now Yeah, it's pretty wild I wouldn't think that there would be a rain delay Who does that benefit? Are we taking the are we taking the first quarter under and we got an Antonio Gomez for the Yankees and it'll be for Jimmy Yeah, Garrett Mitchell does have some good penmanship Oliver thinks that'll benefit the under the overall under, maybe the first quarter first quarter under the first quarter under so are we betting the house on the first quarter under for entertainment purposes only so I guess the game according to the TV saying game scouts start at the 55 minute mark 855 Eastern plenty of time to fill that football mixer filler on jaskiescasebreaks.com which is down to two so while you're waiting for the game to start, you can join some group breaks, jaskiescasebreaks.com Ah, okay, so Oliver made a pick, but he actually actually is not actually making a financial pick but he said chargers minus three, just for funsies chargers and the over the total game total. Alright, second to last box five more autographs, thanks everybody we got some pink we got fuchsia, magenta, 62 out of 75 Matthew Libertor for the cardinals, that's for Adam and then there's Casey Martin that will be for Nancy and the Phillies and then we've got Johan Rojas for the fight and fills Nancy with the Phillies Trafficking says $50,000 bet on the Raiders to win, just wondering do I consider that one unit or two? Coffee money I guess with the way coffee prices are these days it may as well be coffee money, yeah that's one unit for me and we got Luis Frias Diamondback, another Diamondback auto for Adam K we got a 16 out of 99, 6 to Sanchez and behind him an Eric Peña, Royals last bot mojo strikes again 70% of the time hits 100% of the time, that's David with David C with Casey that's Starbucks, not even Starbucks money Starbucks is cheap now start going to some of these fancy coffee shops around town, small batch locally roasted coffees and all that make Starbucks look like a bargain there's Austin Wells, 138 out of 150 Yankees Jimmy, the Bronx Bombers yeah I actually didn't either I don't know what the Diamondbacks were price wise pick your team wise, but I guess it was on the bottom so maybe more of the less expensive team but they do have a lot of prospects in the pipeline so hopefully they'll uh they'll pan out final five mini boxes thanks everybody, good luck we've got another half case break for right now, of this Bowman Sterling prospect hunting and that's a half case from the fresh case yeah I mean we're in Los Angeles housing prices are quite expensive around here but I grew up here so I mean this is normal to me so I guess I don't really know the difference but yeah I mean LA, San Francisco, New York probably one of the more expensive places in the United States to live Alexander Ramirez so let's fill that football mixer Alexander Ramirez Halos, Jimmy Connell yeah let's sell that out see Birch because we got to do two more of those to unlock that break so the sooner that sells out the sooner I can post the next one there's William Contreras Wilson's brother going to Chad and the Braves I wonder if there was a will there be a weather delay 33 out of 199 Ann Anderson reveals oh look at this this is cool Sterling Tender On-Card Autograph, Robert Hassel 24 out of 99 for the Padres Paul with San Diego nice Adam fantastic once I finish this break which is we're almost done I'll post the next one that's a cool auto Paul, Paul won that team in that filler too I went to Upland High School in our east of here ooh and a redemption look at that redemption last show the auto two quick layers Austin Cox going to the last spot Mojo, David C with Casey and there's the rest thanks everybody oh gotta show you the redemption behind Alec Thomas congrats you are due to receive a prospect card autograph of C Chicago Cleveland H, Chicago White Sox or Chicago Cubs it's Chicago Cubs Ishmael Mina for the Cubbies that's going to go to Jonathan class of 84 more like class of 74 poker alright thanks everybody let's do a quick recap thanks everybody like I said another case in the store half case fresh case a lot of great color really cool design this year too this was pick your team too really the speckle parallels really look sharp as well so pretty solid break thanks everybody for prospecting with us I'm Joe for jaspyscasebreaks.com and I'll see you next time for the next break bye


Hey, what's going on? Everyone is Brandon Keith Avery and I wanna welcome you to Just My Opinion with my review slash opinion on A Walk In The Woods. A Walk In The Woods is directed by Ken Quapis or Quinn Quapis. He directed movies like Dunstan Chextend that came out in the 90s, which I love licensed to wear with the late Robert Williams and he's just not that into you. And I didn't know he'd directed those films. And so after I got out the movie and realized why I liked it so much. Now going into this, I didn't see any trailers. I didn't look anything up. I really didn't know the movie was coming out. The only reason I saw it is because I didn't wanna be biased. Whether this movie is good or bad, I'll just tell you. The story is terrible. You don't care about their mission at all or what's going on. You don't even care about the outcome. If I don't even understand, I don't know if the director did this on purpose or it was an accident coincidence, but whatever he was doing worked.  Like they're not taking anything too seriously. And they know that. I mean, like 27 times, I thought Robert Redford was gonna come over and look at the camera and wink at us because he was in on it too. But it feels like the whole thing is improvisation and they're freestyling every line.  I mean, what the movie is about is Robert Redford's playing somebody named Bill Bryson. He's in his last days and he wants to go on another adventure with his old buddy played by Nick Nolte. And they wanna go hike the Appalachian Trail, which is like over 2,000 miles over a number of states. And they are not in any shape form condition to do this.  The whole thing is funny. It's just like they're having a contest between each other to see who can laugh first or who cannot laugh longer. There is no story to this movie. There is no plot. I don't care if they ended the mission or not. It just didn't bother me.  This is best stuff of a book, which I did not read and I probably won't do that either. But the movie is great. I was completely surprised. I'll even watch it again. I mean, seriously, I won't buy it, but if it were to come on TV, I may check it out for 20 or 30 minutes just to get another laugh or two. So guys, that's just my opinion of a walk in the woods. If I had to rate this out of a one out of 10, I would give it a seven out of a 10, which in my world is more like a B minus. Even with all the other things of the film, filmisbleon, it succeeded in the comedy, it succeeded in the characters, and it made me laugh. I had a good time at the theater. So that is my opinion, guys. I would love to hear yours as well. If you've seen the movie, well, what did you think? Put that comments in below. Go ahead and give me a thumbs up and give me a thumbs down too, that's okay. Go ahead and subscribe to this YouTube channel and you can share the video as well. I'm not gonna get mad as you share it. That is perfectly fine. So guys, again, you heard my opinion. I would love to hear yours. And before you go, my name is Brandon Keith Avery and that's just my opinion. Peace.


My name is Contavius Jones, I'm a musician and I'm a non-profit executive here in Talbot County. Though we're a small community, we have tons of outlets for art. We have recording studios, we have amazing venues, the premier venue being the Avalon Theatre, which is where we are right now, which I consider home court. Also at the Avalon, there's a smaller venue called the Stokes Listing Room. And there's just tons of like acts that are local and some of them national that come here to showcase themselves. Interesting and an awesome experience to be in a small space to hear that just up close and personal. The variety and the kind of expansive genres that pop up here and show up is amazing. You can see a bluegrass show on a Thursday night, you can see a rock band, you can get jazz. It's really kind of surprising how much variations of music you can get in a small community. Eastern has all the charm of a small historic town with cosmopolitan amenities. And most of all, the art scene. There's a lot of local artists here and they love to go out and do plein air paintings because of the beautiful scene in Talbot County. If you come here and have the opportunity to stay and look at the sunset or the sunrises, it is so amazing. Many visitors are just enthralled with the beautiful scene of the Eastern Shore and it meant so much to them to take a beautiful fine piece of art home so that they could have it in their home to remember this wonderful experience on the Eastern Shore. For the person visiting Talbot County, I think the first thing they notice is the pace of life. Everything kind of slows down a little bit. The landscape speaks for itself. It's just a beautiful place. Prior to plein air painting, everybody typically worked in this dark studio and just painted apples on a table or a portrait. But people started to realize the beauty of nature, the outdoor sunlight. Plain Air Easton is an outdoor painting event. It's a competition. It happens mid to end July. Typically every summer, 50-some artists, they come from all over the world. And you basically go out for that whole week and you paint the best paintings that you can. I really feel like it's launched a lot of artists' careers. Coming to Talbot County, you're going to experience so many cultural and artistic endeavors. You have a ton of artists living here. The culture of our community, as far as art is concerned, is diverse. And it's reflected in the artworks you see exhibited from the galleries downtown to the music that you see. It's a diverse group of people who just want to see and hear and experience new things. I think that that's valuable and I think that it's something that many folks should come and enjoy.


فشرف بالشتغالي بالعلم ولا تبغي به ما عشت يا دادا دالا وياله من شراف عظيمي هل أنت معي؟ مثل حياتي، هل تذهب بكتبك أو بكتبك في محاولة؟ يقول إنه خلاف يسمى أتبر one is wicked in the narration one is authenticated in the narration that's itch the hat the second one is seen a camel goes down on this and the other one sees that it goes down on this they're all standing over each other's evidences and each one is deriving and extracting from it that which the other one isn't this خلاف is then معتبر it's accepted no one is headbutting no one is going against a textual evidence does that make sense? but if one has a dillil here this one is nothing he's got no dillil he's using قياس and this one's using a dillil the one who's got the dillil takes presence over the one that's using قياس are you with me brothers? that's an underlining fact ولي ذلك if you read the kitab علام الموقعين by ابن القيم the first chapter guess what he took 7 that's the first chapter in علام rebuking and scolding and speaking against what? opinions and he brings many a third for that now the author رحمه الله he took a masalah connected to أمر and also connected to نهي which is by the way we have not yet spoken about نهي prohibition all this time the author is only speaking now about أمر but this is he spoke about أمر he's now speaking about something which أمر and نهي شه and then now after we're going to go into what نهي means the author here رحمه الله he talks about if the شريع I request from you to do something does that mean it's prohibiting from you the opposite there's a masalah is if you're commanded to do something does that mean that you're prohibited and you're being prevented from the opposite and also if you're being prevented and prohibited from something does that mean that you're being commanded the opposite this is what he wants to talk about this masalah is something again that you have to be very cautious with and as I said before أبو معايل الجريني is from the أشعري and some of the words that they use and the things that they say they're placing a base and a foundation if you don't really watch and you're not vigilant later it might creep to you a concept of according to these people as I said before which is that the شاعر is what قائم بذاته الشاعر is what قائم بذاته they believe that the speech of Allah is present within him and it does not come out from Allah Allah سبحانه وتعالى He speaks but no one hears it it does not come out come out from Allah it's present in him that's what they believe and as I said before they differ within themselves so how did we end up having this Quran today then if the speech is within Allah then how did we end up having this Quran some of them said جيبريل is the one who said this Quran others have said that the what the Prophet صلى الله عليه وسلم even to that extent that's what they said are you with me brothers this issue it goes back to that concept and I don't want to go too technical into that if the bust of it I already did it on YouTube I already did it on the شاعر of this which I did before I explained how it goes into that but what you should say the correct عبارة the correct word is الأمر بالشي يستلزم النهي عن ضده the command of something necessitates the prohibition of its opposite وأن النهي عن الشي أمر بضده and the prohibition of something is a command of its opposite so no it is not they are not they are not they are not they are not one thing that one comes the other one is also present it's not the case but what it does do is it necessitates it why did we use the word necessitates this is a long search and due to the time we're not able to go into that okay but as I said I explained it in the شاعر of ورقات before so we said الأمر بالشي and the command بالشي يستلزم النهي عن ضده يستلزي من نهية عن ضده هي فضر ونهي استطاع التركي بالقولي من بوادونا وعلى سبيل البلوب ويدولوا على كساد البنهية The author, رحمه الله He goes on to the issue of الحبد لله يا ديك الله الصلاة The author, رحمه الله He talks about another unit from the units of أصول الفق من فصول أصول الفق which is النهي أمر أمر Does it fall under when we were dividing حقيق when we were dividing اعتبارات when we were looking at the different تقسيمات of كلام Remember one time we said تقسيم الكلام باعتباري So the first one we said is تقسيم الكلام ما يتركب منه Are you with me brothers And then we also done تقسيم الكلام باعتباري مدلوله right How much was it when we said باعتباري مدلوله تقسيم الكلام باعتباري مدلوله Dividing the speech in terms of the meaning that it gives Yeah What were the seven We divided it into two only What were the two that we divided into خبر and what إن شاء Good الأمر والنهي Is it khabar or is it inshaa محمد you said khabar Why did you say khabar for وصلت تفنشة خبر باللغة العربية إن شاء إن شاء نعم so we said that what That which can either take ستقوة which is truthfulness is anything you can say you're right you're telling the truth or you're lying right Can you say that to أمر النهي Can you say to somebody who's commanding you you're telling the truth or you're lying can you say that So is it khabar or is it inshaa It's inshaa right وليدانك I said to you إن شاء the biggest chapter of إن شاء إن شريعة is what الأمر ونهي Come on and And a prohibition The biggest thing in the دين is أمر أنهي You've been commanding to do something and you've been And as you mentioned This is حقيقة العبودية هربوا من الرق الذي خلقوا له فبولوا برق النفسي والشيطاني The true essence of what عبودية means is what What is it Is that a master It's commanding you to do something Stand up you stand up Sit down You sit down Don't do this You're not going to do this وعبادة الرحمن غاية حبيه وخضوع قاصده هما قطباني right And when you've been When you're following that command and that prohibition You're doing it with what Complete love and complete Complete humiliation and submission So that's why بأوث رحمة الله He started with إن شاء And straight away He started with أمر أنهي يتبعون These are the two biggest chapters When it comes to The issue of إن شاء The author then says وَنَهِ يُسْتِدْعَعُ أَتْتَرْكِ بِالْقَوْلِ مِنْ مَنْهُ وَدُونَهُ عَلَى سَبِيلُ وُوْدُوبِ Four things that it comes under Four definitions Four points The first one is أنه استدعاء لترك لا طالب للفعلي This definition It combines And it gathers four points The first point That it gathers is what It's requesting for you to leave something What's the opposite To واجب أن نهي نهي Sorry, أم أمر What's the opposite To أمر أن نهي أمر you're being requested To do something In a forceful manner, right? نهي You're told To leave something In a forceful manner The opposite between the two Is one is فعل And one is ترك Are you with me brothers? One is that you're being requested To do something And one is that you're requested To leave of something The second point That he mentions in his definition is That أن نستدعاء ترك يكونوا بالقول That the request of doing this thing Sorry, the request Of leaving this thing Is done by speech Are you with me brothers? The second one is That the request Of leaving this Is done verbally And we said This is incorrect as well Because we said that It could also be done by letters The messengers صلى الله عليه وسلم Used to command Leaders and everything With letters He didn't He never speak to them He also He'll tell them to stay away from شرك And he will never speak to them He may never even see them It's all done on a paper So for him to use يستدعاء ترك بالقول We say that But what he means by بالقول بعتباري أصليه Originally that's the case Right? The overwhelming majority Of the time صح Is that it's done verbally But that's not always the case And remember The قاعدة According to the ممطقين Is that when something's been defined Two things have to be found in it It has to be جامع من It has to be comprehensive And it has to also prevent Other things from entering Into the definition Or else your definition Has في خلال Deficiency But we also said We can't hold أبي معارل جييني For he's defining In this particular book الورقات The reason why we can't This book is for a مبتدئ It's for a beginner Are we together brothers? And he himself Has another book called البرهان في أصول الفق In this كتاب البرهان في أصول الفق If you read it He's more doing تحليلات He's correcting his opinions Here is where he goes in He corrects things He strongly speaks He argues for his definitions He did Here, but Because you're a مبتدئ You're a beginner And for a beginner The concept is تقريب المعلومات It's to bring matters As close as possible Are you with me brothers? What did the poet say? فما حاول غايات وفي ألف السنة شخص فخود من كله فلن أحسنة بحفظ متن جامع اللي الراجعي تأخذه على مفيده الناصحي That's why the scholars They say متن which is what بحفظ متن جامع اللي الراجعي Memorizing a متن which is strong Are you with me brothers? When he comes to memorizing أصول الفق جنولي الشيخ من اللي أصول من علم صول is محقك والله صراحة Even there is a مبتدي for beginner الشخص عبارات And the usages that he uses And how of course he is عقيده عقيده عقيده أهل السنة الشيخ من عثيمين عليه رحمة الله Also impacts how he writes Are you with me brothers? But this كتاب because it's been taught by many علماء and they they still show on it They bring it out for the students We also do the same We also teach it اللم تكونوا متلهم بلكرامي فلاحو imitated scholars by teaching what they taught is important The third thing is in the definition of النهيو is استدعاء للتركب القول متعلق بمن هو دونه Who is the one who can prohibit When you say To Allah اللهم لا تعذبني Oh Allah Do not punish me Can we say That this is a نهيو That you are prohibiting from doing from punishing you You can't say that Because we say That the نهي Has to come from what Someone high To someone low Are you with me brothers? Because Allah Is higher than us And we're lower than him When we tell him To do something It's not called أمر And when we tell him Not to do something It is not called نهي What's it called? دعاء اللهم اغفر لي اغفر لي It's an Amr, right? Do we say That we are commanding Allah Now we are Making دعاء The difference between أمر and دعاء Is what? The دعاء is somebody Somebody is low Calling on to somebody Is higher أمر is somebody who is higher Telling somebody low To do something It's not called a دعاء When Allah is telling us To do something It's called أمر Not a دعاء When Allah is telling us To stay away from something It's not called a دعاء It's called a what? It's called نهي Prohibition The fourth point That's connected In his definition is It is done in a forceful manner على سبيل الزام على سبيل الوجوب That you're being told To stay away from this In a forceful manner Not that you have a choice Are you with me brothers? You should not do it It's haram for you to do it This definition of أبي معاليل جويني We don't We don't think it's The best definition And then التعريف المختال is what? What's the The tariff that we're going to choose? ما طلبه الشارع تركه Is anything that the شريعة requests from you To leave على سبيل الزام Is whatever the شريعة requests for you To leave off In a forceful manner If you look at The نواهي Pay attention This is very important Which is If you look at the Prohibitions that are In the Quran If you look at the Prohibitions that are In the Quran You will find out To one of four النهي الوارد If you look at If you look at The prohibitions That are present In The It goes back to One of four Are you with me brothers The first one is عوده إلى الفعلي The first one is That the prohibition Goes back to the Action in and within itself Whether that action It's the That of the action The essence of the action Or whether it's The pillar of the action The prohibition is The second one is The prohibition here It goes back to إلى شارطه The prerequisite Of that action Something before it The third is It goes back to An attribute That does not Detach itself From this action The third one The fourth one is It is an external Prohibition It's got nothing to do With any of the Nothing other It's anything other Than the A four mentioned three Pay attention If any Prohibition Goes back to The first three That I mentioned The first three Are you with me brothers It's called فساد This عمل and this action Is called فساد But if it goes back To the fourth one If it goes back To the fourth one This is not Called It is not called فساد The reason I'm not going to Give examples of each one Is because We'll do that today إن شاء الله إن قواعي للفقية با الشيخ عبد حبان ناصر السعدي We'll do it In his قواعي للفقية When we talk about الفساد The author He mentions One form For the نهي He only mentions One form For the نهي Sorry The author mentioned One form for the أمر Sorry He mentioned How many forms for the أمر The أمر The أمر I mentioned For he didn't mention it He only mentioned إفعال Right? Are you with me Why didn't he Not mention A سيغة For the نهي Why didn't he Mention A form for the نهي Huh? The reason why he didn't Mention it is because If you already know That إفعال is an أمر Just add a لا لا نهي لا تفعل خلص Are you with me brothers? Because when you say A told one The opposite is always Easy to understand The opposite is easy to know So he didn't mention it الحمد لله And what do we say That the أمر was how many تسيغة does it come in سيغة which is صياغون صريحة And صياغون غير الصريحة Same as with the نهي نهي is صياغون صريحة And the second one is صياغون غير الصريحة Which basically means Forms which are direct And forms which are indirect The form which is direct Is لا تفعل Don't do And the forms which are indirect Are ذمي فعيلين على فعيلين It's anybody who's been Rebuked and scolded For doing a particular action This is called This is a seer Which is غير الصريحة And إبنو And إبنو محمد أمير الصلاعاني رحمه الله In his منظومة فقية منظومة في أصول الفق He elaborates on it And also رحمه الله In his علام الموقعين He elaborates on it And the majority of books Of أصول الفق They never talk about The siyag Which is غير الصريحة Whether it be for أمر Or whether it be for A prohibition Majority of them Don't mention it That it was just mentioned The The author Then speaks about When the prohibition comes عند الإطلاق و التجرد When the prohibition comes Unrestrictedly And there is no external Factes that are tampering with it What does it show? تحريم Are you with me? What's the أصل أبحان What's the أصل of the نهي The نهي The أصل for it is وجوب Where is it? تحريم Just like The أصل for أمر is what وجوب ما لم يأتقرينه تصرف عن الوجوب إلى الندب أمر تصرف عن النهي عن التحريم Sorry إلى الكراهة Are you with me brothers? The أصل of الله is what is that it's حرام Unless there comes an external factor And it moves it away from being حرام to what كراه مكروه It makes it what? It makes it مكروه It makes it disliked So there's two people arguing One is saying الله has prohibited us from this And there's a نهي in this matter And it is حرام And the other one goes No, no, no, it's مكروه It's مكروه Who takes, who's the answer Whose words do we take first? We take the one who says it's حرام The one who says it's مكروه We say it's مكروه We'll say it's what's your evidence Because the أصل The default position is that Prohibition equals It means حرام Does that make sense? This one has to be a قرينة Has been a قرينة What's your قرينة for it? How have you diverted it From نهي Sorry, from تحريم To كراهة What's your evidence? And remember we always say Every chapter of فق When you're studying it If you just study What is known as the إستصحاب Which is بقاء مكان على مكان What is the default position? You're always going to be in a what You're not going to be requesting for You're not going to be told To go and research what the evidence is You don't need to bring evidence If you're upon the أصل Are you there? Sometimes a person Who is upon the أصل Is being told to run around And bring the lead for his belief صح He shouldn't be It's the other one Who should be bringing evidence For what he said The second, the next point That the author mentions is Does the prohibition show تكرار Does it show repetition? The prohibition Does it show تكرار? This is the مسألة Which is مطفق ونعلي It does, of course It does show it For example The prohibition of stealing Does that show repetition? Does that mean it's always Prohibited steel? إيه ريث الله الأرضى ومن عليها There was a man Who stole And What did he say? He stole 10 pounds To do a sin How much is To do a prohibited act What's the sin for it? How much is The سيئة equal to One, right? What about the Obedient acts? 10 So if I steal Are you with me brothers? Let's do a modification I steal I have 10 pounds with me I go to a person I give صدق I give one pound And I keep 9 Or I steal And I give صدق Which is 10 I give one pound I give all the 10 All of it by the way صدق What's the sin that I got? One Deducted from the 10 I got Because I gave صدق I live with what? How much? I live with 9 I got 9 Is that correct? Is that right for a person To see it like that? What is stealing? It's a sin The given of صدق Is 10 reward Deduct the sin From the 10 reward How much am I left with? 1 minus 9 1 minus 10 1 minus 10 10 minus 1 Whatever What is it? You guys don't know Minuses, subtractions Of like that brothers What's happening? Brothers it's not an oratory question I must ask you a question It's 9, right? So does that mean That the person has 9 reward? Huh? Why? Another evidence that صدق Can only be given was pure It can only be given was pure? Yes But do I get the reward at least? My intention? It's not character It's not character So we have the two conditions It can have to be A sincerity and a proper From and so on So we say The act is not even Accepted from you For you to deduct something from it It requires that it's there, right? There's no such a thing as a reward for you You're sinning That's all you're in right now صح There's no acceptance at all The reason I'm saying this Is because prohibition is prohibition And it stays as prohibition Until the day of judgment You go to America it's haram If you go to China it's still haram If you stay in the UK it's haram If you're in Saudi Arabia it's haram Stealing is always haram Is there ever a time it's Halal? No it's not Of course ضرورa Is another whole different situation You're with a guy He's got two big liters of water You're in the middle of the desert He doesn't want to give you the water He just wants to keep it For tomorrow and the day after And you're allowed to take it from him Drink it until you quench your thirst You're not allowed to keep some Okay But ضرورa is different Last but not least The author talks about another Miss Ella called Does the prohibition show That it has to be done straight away Yeah The concept that the usuri Is the concept that the usuri Call فورية Does it show فورية Does it have to be Does it have to be done straight away No it has to be done straight away So if the shari I prohibit something from you It is obligatory for you To leave it off straight away We'll stop here for now Insha'Allah Take a break And come back for it Insha'Allah


Many people on a course they don't take and I'm not it. I'm not giving me medical advice But they tell me that they don't take medication anymore that they used to take depression medication Anxiety medication sleep medication pain medication. They just use Frequency to directly stimulate yourselves. Well, there's actually 80 years of research into how that actually works because ourselves Not only like how does how does a cell receive an instruction to know what to do? Well? Conventionally science tells us that there's chemical reactions happening, but you eat the food it becomes chemical