Join me. Day three, we're at the Schulungszentrum, which is pretty much the place where KTM does all of their trainings, whether it's engines, suspensions, whatever. Everything related to training, it's here. I'm going to meet Marcus, which is probably one of the most experienced people at KTM, and he's going to pretty much give me all of the insights, clarify all the doubts that I have about suspensions, so really looking forward. Stay in the trip, for sure. How long have you been working at KTM or WP suspensions? So it's already almost 25 years, so I started in 1999. So I have seen the development, let's say, of some products. Sometimes out with the factory team on some motocross races, world championships. I started in R&D, I worked there 16 years for R&D to develop off-road bikes. That was my main target, and also by side, always suspension. And 2016, I swapped over to WP to make all the aftermarket products, the pro components. It's cold. And now, what's your main goal here at WP suspensions? At the moment, I handle all the trainings, the schooling here for WP. This is my main target, also to do the technical support for our dealers. It's also a little bit in my hand. And showing the upgrades that you constantly do? And yes, what we have just seen here, the things, the little details also, yes, I explained to you. And what's the biggest challenge that you have on your day-to-day work? Yes, it's also to keep always, let's say, on the latest status of the product. And to bring all the knowledge to our dealers that they can handle it. And this is the main target, let's say. What's the thing that you like the most about your job? Also, yes, I do a lot of schooling. So to be in contact with different kind of people, it's always new. You need to react really accurate on it. So they come with different questions, different issues, what they have to daily business. And this we try to solve to get them up to date, let's say.


What's good job is your boy Ross back at it again with another video and last night I got a chance to check out class of champions now I will say this Overall as a show for the matches that I did watch and see it was enjoyable Surprisingly more enjoyable than I thought it would be but nevertheless. It was enjoyable I'm gonna talk about just the matches and the segments that I I was really interested in seeing First and foremost, we got to talk about the opening match the ladder match between Mad Hardy I said Matt. I'm tripping Jeff Hardy AJ Styles and Sammy Zane very entertaining ladder match one of the better ladder matches of This year, especially with the climate and circumstances that we've been dealing with very fantastic they really built up Sammy Zane as Someone that you know really is hungry for the intercontinental championship And it's good to see the intercontinental championship start off the show in a great way like it was it was very enjoyable once again, I got to give much respect to Jeff Hardy still willing to do those high-risk spots like It's ridiculous How many times we've seen Jeff Hardy jump from the top of the ladder to a swan-ton bomb to someone else threw a ladder to the floor blow like Dude's been doing this since I was a little kid and still doing it putting his body on the line so much respect to the Jeff for just doing that man like I Do this ridiculous six-six spot But overall, I think the right person won Sammy Zane definitely deserves to intercontinental champion because He's he's he's doing some of his best work He's doing some of his best work and and Sammy Zane has always been underrated when in my eyes when it comes to WWE and how they've booked him so very interested into seeing where they take his title reign But definitely that was a great way to start off the show and then at that point I kind of skimmed through The the next segment I even considered watching I was really interested in seeing what Oscar and in Bailey was gonna do because I have of course you had to know Sasha was gonna be in the mix and Ultimately Bailey is doing some of the best work. She's been doing as a heel It's it's it's like a theme going on in WWE the people that Needed to be heels are actually excelling at being heels You understand what I'm talking about as I get later on into the review but Yes, she she couldn't put away Oscar Bailey hit her with Bailey hit Oscar with a steel chair Purposely got disqualified. I'm like, okay. I like this very heel like tactics Bailey is on some conniving evil no one's taking this championship from me type stuff So I'm cool with that and then I don't know where Sasha comes out and attacks her now the thing about this attack That was kind of annoying for me personally. I know Sasha's selling the injury, you know, she got the neck brace on but if it's me personally neck brace or not and Someone I considered a real good friend tried to end my career multiple times. I Am going to destroy them. I don't care if they're pleading with their lives I'm going to destroy them and I'm gonna do everything in my power to make sure I put them on the shelf for a very long time So that was my thing like the attack was somewhat satisfying But I think it should have been a little bit more aggressive on Sasha side Like I would have loved for referees to try to break this up I would have loved there to be an even a little extra segment where they're still fighting in guerrilla position They're just fighting all in the back I think that would have sold it a little bit more like Sasha's trying to murder her And it would make this few just a little bit better in my opinion So I kind of feel like they held back on the brawl like it could have been better But other than that, that's the only reason why I watched that match only to see how Sasha was gonna get involved So I'm looking forward to them building up the match between them too. I think is I think it's gonna be interesting I think it's gonna be hella enjoyable probably one of the better matches depending on what pay-per-view they put it on Honestly, if you want to be honest, I believe hell on the cell is the next pay-per-view. That is a match You put in hell on the cell if they book it right in the upcoming weeks And they are destroying everything. They're destroying matches.  I'm all for it So after that I kind of skim through again, like there's matches on the card I didn't even know where matches to begin with nor did I even care because I've been watching raw and smack down On the regular I just watched for like certain clips and clips that you guys sent me to check out I Want to say the match that I would I I was looking forward to actually Was the Randy Orton versus Drew McIntyre Ambulance match and I like the promo package leading up to it how they were pretty much Giving each other like one of their brutal finishing moves Randy Orton was constantly kicking Drew McIntyre in the head And I like the fact that it took multiple to put drew down and they building drew as this Unstoppable force that you really have to put in work to put down And then I like the fact that drew got his revenge a couple weeks later Was claymore kicking Randy Orton's face off his head? Multiple multiple multiple times throughout the show. I thought that was dope. They set it up as an ambulance match and I enjoyed it man I enjoyed the promo package leading up to the match and what one thing that I did like about this match It was very entertaining. I know some people may not be a fan of it But I like the fact that the people that Randy Orton had been kicking in the head for months leading up to this match Almost all of them were Involved in this match big show got involved choke slam Randy Orton through a table Then they go into the back area to brawl in the back area Christian comes out of nowhere and attacks Randy Orton then they get get by the actual ambulance itself brutal spot Believe drew ends up damn. They're going through the the driver windshield not driver windshield But the windshield of the ambulance also a dope spot was when drew was about to hit the claymore kick on Randy Orton, he kicked the damn door off the hinges. I was like, yo, that was pretty pretty intense I was a dope visually then kick the door off its hinges, bro And of course he was selling his leg hurting after that which for normal human being my leg with a broke trying to do So it was just it was it was nice that they they were still brawling if the focus was on them But you had these little moments of people getting their revenge and it was cool to see Sean Michaels just come out of nowhere Superkick Randy Orton and then push him off the top of the ambulance. I thought that was dope I Really wish I'll get to the end of it after I you know kind of get to the end of the match I'll Finish my thoughts there. So at this point, you know, the match is almost over and I want to say Randy Orton actually could have won the match When he hit that RKO on the floor put drew in the ambulance He could have won the match and that's when I had a feeling He's not winning this match one because they've had all these people come out of nowhere and try to get their revenge He's not winning this match the way they're booking it It doesn't seem like he's winning this match to he took too long to close the damn ambulance door I said, oh, no, he's not winning the match As soon as he closed the one door and started laughing instead of closing the other door to win the damn championship I said, oh, he's losing this match drew opens up the door pretty much hits him with a nice mean claymore and I like this he didn't just throw him back in the Ambulance know he slid him back out and he hit him with a punk kick of his own Then he closed the ambulance door boom the match is over and who else is driving the ambulance none other than Rick flair Now what I was talking about earlier on my thoughts What could have been better about this match in my opinion and I know I'm not sure how Far along edge recovery is coming along But I would have loved if edge was one of the last people to get involved in the match and cost Randy or in the title Even if it was just a small part, but I know he I'm not sure if he's medically cleared to do anything You know too crazy WWE related. So It would have been dope that would have been the perfect setup but at this point The match for what it was entertaining I enjoyed this match. It was hella entertaining. I was looking forward to it I like the different aspects of people coming back to screw Randy Orton over because they got to get their revenge in some way And at this point Randy should not be going for the title. I'm sorry. I know he should not be going for the title at this point because There's no point He is lost to Drew McIntyre three pay-per-views in the row. He has not been able to get the job done at all It needs to be somebody else somebody else I don't know who you have to face drew at this point, but he's done like he I do not want to see them fight no more Even though it'll be entertaining. It's like if you have them fight again, it's like I bro He got to win this match now It kind of takes away the surprise of is he gonna win the match because like bro if he loses for the fourth time Not only should he never get another championship Title run or championship shot at Drew He should just go back to Smackdown bro because it's like yo That you can't win you can't beat Drew let it go So I hope they don't book them to have any more future matches for a while just kill the feud it's done Let's move on to something else. See who's the next opponent for Drew McIntyre In the last monoliths One of the best matches not because of the in-ring ability because of the story telling None other than the chief himself the head of the table Roman Reigns versus J Uso man, and I must say Fantastic match they made you believe That J actually stood somewhat of a chance for a little bit I also like the fact that Roman Reigns he came out there no shirt on this time had nice tribal tattoo Looking like a badass. I was like, okay, they're slowly but surely transitioning him Transisting him from this Roman Reigns Shield gimmick to this Roman Reigns tribal chief. I run things. This is my yard There's nothing anyone can say or do to stop me comes out there with the shirt tribal tattoo all oiled up pause and He's just doing his thing bro. He's looking confident looking menacing J. Comes out there does his normal stick And they get into it bro. And I like the trash talking Roman was talking so much Trash and he was pushing his weight to the referee like it was it was it was amazing to see Beautiful work. Like I said during earlier parts of this review some of the heels right now like Bailey and Roman Reigns people that you would have wanted to be heels a couple years ago They are excelling beautifully as being Perfect heels right now and it's great to see Right now Roman Reigns is doing his thing man as a heel and I I love it. Um, so at this point Roman Reigns he's getting he's getting the He's kind of controlling the pace of the matches if you could say that and at some points you had J Really get some offensive moves in but all it did was just making Roman angry And it came to like the end of the match. This is my favorite part of the match actually Where Roman pretty much can pin he can pin J But he doesn't want to pin him. He wants to brutalize him. He wants to make a point So he says yo, I will end this right now.  I sit at the head of the table. Just say that tell me that and I'll let it go I'll end the match and J was like nah, not today loose.  He's a nah I don't want you to say it.   He's about ready to throw in the towel, bro And he asked Jimmy. All right, since he don't want to do it. You tell me I sit at the head of the table. You tell me I'm the chief you tell me that and I'll stop it He didn't do it.  Don't throw in the towel ooze and it makes Jay look like Somewhat of a tough individual because he's not tapping out. He's not giving in to Roman Reigns He's not going to say it And he's just gonna keep getting pummeled until he can't get pummeled no more. So he didn't really submit Jimmy was the one that threw in the towel after Roman Reigns just started laying into him And even when he threw in the towel, he still kept laying in the j.u. So jimmy had to come in there and break it up Like, what are you doing, bro? Like, this is your family. Like, what are you doing? You proved your point We get it. Like, what are you doing? And it was so beautiful They they they put the flowers. Uh, uh, I want to say it was Paul Heming got the flowers they put around his neck as symbolizing he is the chief of the family and They gave him the championship belt and he retains which we all knew was gonna happen. We just didn't know how Now if there's anything I could have added to this match Storytelling wise, I wish there was a little bit of blood And the reason why I say that because I think that would sell this brutal brutal savagery from Roman if he's beating him up And j can't even defend himself and he busts him open I just completely bust him open It makes it look that much more graphic and it makes you just hate Roman like damn, bro You grew up with these people the promo package they had before this match was fantastic They have the pictures of them all growing up together going to the same school and You go to the match at the end of the match. He's bloodied. He's bleeding He's bruised up by someone that he considered family That would have been just a perfect just picture to see him bloodied and bruised up In roman holding the title like I'm the chief. This is what I this is what I got to do And I like I don't know if it was I think it was quarry It may have been quarry and michael grove michael cole who said this on commentary But they were basically like if he will do this to his family What does it if he will do this to his family to keep the title? What will he do to somebody else? That's not his family to keep the title and I like that. That's why I said I wish there was just a little bit of blood But it's okay Nevertheless, this was fantastic one of the best matches on the show just because the storytelling Was top notch. Um, I enjoyed it. I'm looking forward to seeing what they do with him. There was a little tease that, uh Right after Alexa bliss had a little Spazz out transformation She walks up the ramp to go in the back and roman reins comes down the ramp with his championship and Alexa bliss looks at him With just this evil Disgust because she's kind of like under the control of bray Wyatt So people are rumoring that that could be the next setup match Which ultimately it would be cool But at the same time, I don't want that to happen because let's keep this a 100 real He's not winning that match Bray Wyatt will not win that match if he faced roman reins He will not win that match. It doesn't matter if it's bray Wyatt. It doesn't matter if it's the fiend It doesn't matter if it's bray Wyatt and Alexa bliss He is not winning that match and that will only further bury him So I'm not sure if I would want to see that but there's also rumors coming into the the rumor meal that It may be the rock And it kind of makes sense at some point the rock and roman would clash and go at each other because roman's saying i'm the head of the family But rock has been the head of the family rock is the pinnacle Of that family lineage because it's the rock. You know what i'm saying?  So i'm not sure where they go with this This is just speculation but comment down below if you guys are looking forward to Where they take roman reins at this point and also if you enjoyed this pay-per-view All right for the most part for the matches that I did see and care to see I enjoyed it So it gets a thumbs up for me But let me know if you guys enjoyed it and let me know if you guys think The rock will get involved with roman reins at some point and would you guys be interested in seeing that? So I appreciate all the love support this video was hella long had to get out as many thoughts as possible But I appreciate y'all kicking with me. See y'all in the next one. Peace


Welcome, folks. We have the Dow Industrial trading up 590 NASDAQs up 222. You get the S&Ps up 81. That is a gain out here, folks. Let's just take a look at it. We're going to gain inside the S&Ps at 2% inside the NASDAQ at 1.6, 1.7 of the Dow Industrial. Gold. Gold contract down $13 trading out in 1930. Silver down 14 cents, $25.40 an ounce. Light sweet crude up $760, $111. That's an ABC structure up to the 117 area. That's only a 1 to 1 A to B equals C to D. Notes and bonds. You get the 10-year note down a full point, plus 12.6 at 127.11. The 30-year up a full two points, plus 18.6 at 156.19 and $Kingdala. $Kingdala's down 41.6 trade, $97.367. You know it's at 111. Yet it's at 150.50 and the British pound is at 133.1 at US dollar. We get open. We take a look at the S&P, folks. This is a typical window dressing in a down market. Bottom line, you get an expansion of price. You get volume contracting. We're up $8.24 right now. Bottom line is that we did 145 million shares on Monday. And guess what? You're not even going to get close to that. That being said, I expect this bounce is going to be a little bit harder. The next swing point up here, higher rather. The next swing point is $4.48. This is a market that likes to basically bounce around. That being said, this is building cause for lower price. And the X100, same type of setup. You have $6.5. You take a look at the Monday's print. We had $77 million. You're at $56. So we're not going to do $77 million. You're going to get over that price point, which is the $34. You are already over at $34.6. $54. You're at $348. I see $348.54. We get to $348.31. I expect the Q's also, you'll see them try to get into the swing. The swing point that we're talking about there is $357. Notes and bonds. Now, this one's going to get interesting, note and bond market, because you are down and you have some volume. But bottom line is that we did have volume in the way up yesterday. So that's telling me this thing's going to bounce again, man. We're down on 2 million contracts, but I believe we went up on 3 or 4 million contracts yesterday. Yeah, we went up at 3.1. So we're still on a counter trend bounce on the way up, which should be higher price, lower yield. Stay right there, folks. Come right back.


Show title. That's okay. I've been called worse. Make him the co-host. Oh, that's good. Howard is the host guest, and I'm the guest host. That makes complete sense. Do you have a nice weekend? Yeah. Why don't you take some of those pens out of your pocket, because they reflect the light. Oh, here I can bury this one. Oh, in fact, I can put it on the... Don't you? So, we should take a moment and discuss Kelvin's temperature. Yeah. And what it means. We just had a perfect illustration. Yeah. Oh, that's something. Completely perfect. At the three o'clock block on a given Monday, and guess what? I'm the guest host, and Howard Wig is the host guest. Welcome to your show, Howard. It's great pleasure. Thanks for having me. And you are going to talk today about LED's elegant workhorses. And I guess your title, your tag title, tag line is LED's can do anything efficiently, but you know also I just want to say that we have seen some great technological advances on LED's. That's why they're better now than they ever were. You sound like you know about Moore's Law. Light emitting diode. Light emitting diode. What could that mean in English? That could mean that instead of having your standard light bulb, the incandescent just had filaments in it, tungsten filaments and you poured so much electricity in there it created a lot of heat and the light you were seeing was not much different from a fireplace light. You're just seeing filaments glowing with heat. In fact, the Latin word for white heat is incandescer. That's deceptive in our time though, because today we're talking about LED's not incandescera. Incandescer. So, okay, so what I get about this is, and we use them here, in fact you and I had an in-depth discussion of LED's in our studio a little ago. We're looking beautiful because of LED's right now. Yeah. Well, life is made better by LED's. The human psyche is like the ending on light and it goes way back to... Well, it works on other animals like light too. Okay, well, in the daytime you feel this way, in the storm you feel that way. If it got dark right now outside, you'd feel a certain way. It would depend on good lighting with LED's more than incandescera. Incandescer. Yes. Okay, so what we have is with LED's today, and I wanted to distinguish them from LED's in the past, LED's today you can dim and increase the brightness of it and you can dim and increase the Kelvin temperature of it. Can you tell our viewers what all that is about? Sure. Brightness is fairly obvious. If you walk into the Hawaiian sunshine at noon and it's pretty cloudless, you are in a very, very bright light. We measure brightness in foot candles.  However, today is totally, totally overcast, federally cloudy. The light is filtered through those clouds. You're down quote-unquote to about 3,000 foot candles, which is still plenty. And we recently had a full moon. You go out under a full moon with no cloud cover and you're getting maybe 40 or 0 foot candles, which because of certain properties that we will discuss, you can still read a newspaper under. Interesting. And all of this, I mean, for a video and photography is totally relevant. We try to express a certain image in a certain way. Have it communicating certain messages to the viewer. You speak with certainty, sir.  It's making you feel a certain way. I am certain of that, yes. So when you walked into an old fashioned LED, that room you said, ehh, glary. Ehh, I don't like this light too bright. And what you meant was that there was too much blue in the light. The more we have RBG, which is not Ruth or Ginsburg, it's red, blue, green. Those are the three primary colors that our human eye sees with. And all other colors are just a mix of RBG. And in the old fashioned, LEDs were way over on the blue end of the spectrum, which we perceive as white light, very glary. Outside light. High temperature blue is outside, right? No, because the sunlight this is something different now. In degrees Kelvin is about 6500. And the LEDs you had in this studio previously were about 6500, the old ones. So it was, you can do anything, you can mix and match anything you want now. But in the early pioneering days of LEDs you had too much blue, which number one looked glary, and number two washed out our flesh tones. Regardless of what color skin we have, there's a lot of red in there and it would wash out the red and our skin would look pretty gosh darn gray. Let's look at each other Howard. Okay, so is your skin tone washed out in any way? What is the LED doing to your skin tone right now? Right now it's pretty good. If we took it, these are 3200 degrees Kelvin. If we went down to 2700 which is the old incandescent light degrees, I would look more glowing with health. But on the other hand, dude here very strict regime, health regime, you just look glowing anyway yourself. But somehow I can get washed out here. Okay, we had enough of that then. So let's talk about Kelvin for a minute. What is Kelvin? I remember they had a thing called a Kelvinator. Was it a refrigerator back when? No, that was the Kelvinator. That was named after my great-great-great-grandfather John Kelvin. You invented a very extended family. So degrees Kelvin was come up by Lord Kelvin in 1845 in London and he observed London or England was really getting into its full tilt industrial revolution now and they worked with steel a lot and he noted that a steel bar that say came out of a campfire would glow pretty red, but if you went into an industrial facility and heated it up even more the red would go to orange, then to yellow, then to light green, then to dark green and all the way to blue. A red hot iron bar was not red, that's low temperatures, but blue. And he devised a measuring scheme and they named the measuring scheme after him, hence degrees Kelvin and the redder something is the lower the degrees Kelvin because actually in physical temperature the lower it is. Again you put a steel bar into a campfire and it'll be red put it in an industrial facility it'll turn everything all the way up to blue. So something red on the Kelvin scale or that has more red in it it's not necessarily hotter, it's actually cooler. And something at the top of the Kelvin scale which would be blue, white blue I thought that white blue emulates outside natural light outside and red and oranges lower Kelvin temperature represents inside warmer, deeper colors. Now you're getting into something else which is the fact that when you get into colors the reds have longer wavelengths the blues have shorter wavelengths and incidentally if you go beyond the blue to shorter and shorter wavelengths you get to ultraviolet which has not done my skin a whole lot of favors and if ultraviolet comes through a window and hits your furniture or your rug it fades those tiny, tiny little bits of radiation are actually doing harm getting into my skin get a little bit shorter in wavelength and you have x-rays which are not so good for our health and you go shortest and you get gamma rays. So the technology as it exists today you can adjust all that. Adjust it down to a fine, fine tune, yeah. Mix and match with the RBG with the LEDs. That's one of their great, great, great virtues. So is it that today given the lighting equipment that I can buy that I can change the Kelvin temperature in a room as well as the light brightness in the room and I can create a tone in the room a feeling in the room and then I can change it at will anytime. Absolutely. Nightclubs have done this to a great extent and high end restaurants. If people come in at five in the afternoon you want a certain degrees Kelvin and a certain level of illumination and then say later at night you want to go down on those things you want to get warmer you want to get more romantic. Generally the lower the degrees Kelvin the better we look and that low light level lends itself to romanticism. On the other hand if you want people to be really bright and really alert then you put a lot of blue into your light. Which raises Kelvin. Yeah. It segues into school rooms what they're doing now with LEDs in classrooms is teenager circadian rhythm is not suited to sitting at your desk at eight in the morning. Teenagers automatically stay up till one, two in the morning it's just they're shifting circadian rhythm and we can go well we won't go into the probable reasons for that but they're staring foggy brain at their pieces of paper eight in the morning. Therefore you tune the classroom lighting to a lot of blue it alerts them. You better work then. Yeah. No, their productivity goes up their alertness goes up everything goes up and if you have hyperactive kindergarteners they're running all over the place you tune, you dial down down down till the light is emanating a soft warm glow and the kids come down. Slow them down. Yeah. Making more romantic too. Yeah. Yeah. We can change a person's mood this way. Oh heavens to Betsy yes. In retirement homes they're doing this a lot because people are inside almost all the time and they lose track of time so you emulate the diurnal schedule with the warm early morning sun and then you shift it to blue and then when you want them to relax you start getting redder and redder light. You know we have the ability to do that electronically too. Oh it's all programmable. Yeah and Rob McLean is you know one of them on the Vmix the switching machine now and I wonder if he could demonstrate to us going into this break we're about to take a break how we really get warm and romantic can you do that Rob? Make it happen to me. Very good. Now we'll take a break. Yeah. Yeah. Oh my god we haven't gotten started yet though but we'll get there. You're going to get it too, Howard. Yeah. Yeah. We'll look even better. See what we can do here in Think Tech. Yeah. Yeah. Aloha I'm Stan Osterman a host here on Think Tech Hawaii a digital media company serving the people of Hawaii. We provide a video platform for citizen journalists to raise public awareness here on the island. We are a Hawaiian non-profit that depends on the generosity of its supporters to keep on going. We'd be grateful if you go to ThinkTechHawaii.com and make a donation to support the community of Hawaii. Yeah. I'm Stan Osterman a host here here at Think Tech Hawaii a digital media company serving the people of Hawaii. We provide a video platform for citizen journalists to raise public awareness in Hawaii. We are a Hawaii non-profit that depends on the generosity of its supporters to keep on going. We'd be grateful if you go to ThinkTechHawaii.com and make a donation to support us now. Thank you so much. Okay, Code Green with me Jay Fidel and Howard Wigg. He's the guest host, host guest. Whatever he is. Okay, we got some pictures to show what we were discussing about rooms and how you can make a room feel so good and that means all rooms. So LEDs are really nice. Let's see what some of them look like. Howard, why don't you describe them? Okay. And a little background. These slides are from John Okuma who is the president of Pioneer Electric out in Kalihi. He was supposed to be my guest. He notified me this morning. I've got a terrible, terrible flu. I can barely function. I don't want to spread the germs around. So I am sitting in the room. And he sent me a whole, he's an electric company and they do the design and installation of different lighting projects. So and each, what we're going to illustrate is there's different requirements for every lighting lit environment. Here obviously is a board room. What you want is a soft, dignified, civilized air about the primary task area is of course the table. So you want that well illuminated and note that around the board room it's not as well illuminated. And then on the far wall there there's the sub-task. You might have papers there in preparation for the meeting that people are to pick up. So you want that well illuminated and then of course you want dimming capability, which LEDs may be dimmed down and have a power point or a video on the screen. This also raises a third variable factor, which is sharp light, you know, focused light or diffused light. Seems to me that photograph, that board room shows a certain amount of diffusion. Makes it more comfortable for you. It's not as hard on the eye. The light levels are pretty gosh darn low, except right on the table because of everybody sitting around reading things and they're at the table. That's where you want kind of a sharp light, but the rest of the room can be a diffused softer light. So how about the next picture? We've got some really wonderful pictures here. This is a very exotic space, namely a warehouse. What you want here is quite the opposite. You're going to be bringing forklifts in here and you want a really sharp light. So these are very, very high degree Kelvin lights. It's okay that they're glaring because safety first here. I've been in areas where there's forklifts zooming around and you want to see I want the forklift guy to see me very, very clearly and he wants to see his goods very, very clearly. And it's tricky because you also want the shelving to be well illuminated. You want to head of him see what's going on on the bottom shelf in addition to the top shelf. And that takes very, very specialized. You don't want shadows in those areas. No, because then he's going to say what in the heck is that down there? And that's going to take up extra time. What about the sharp versus diffusion? Do you want it all sharp here? All sharp, yeah. So these are very, very high efficacy lamps. You're getting because you don't care about us human beings appearance. You care about visual acuity. So you can dial up the blue in the light. The more blue is in the light, the higher the luminous efficacy. That's a good phrase for you. Meaning the lights give off a lot of miles per gallon. So that's it would be harder to get around with the forklift and all that in a space like this. If you lowered the brightness increased the diffusion. And if you, of course, if you lowered the temperature, it would be romantic, but not efficient. Yes, you're getting it. You're getting it very good. Maybe even a little dangerous section. A little dangerous. I don't want to argue with a forklift. That'll be on the final exam. Okay, what about our next picture? Okay, here's another exotic application. This has to do with outdoor light. And number one, you want to be taking advantage of what's called the spill light. You see the bay area where the trucks pull in and out. You want a lot of light there because you want the truck driver and whoever else is working there see exactly what they're doing. And this is another high degrees Kelvin application, by the way. And then you want as much of the light that's in there to spill out to the exterior because this looks pretty placid right now, but imagine there's trucks going in and out, in and out all the time. At night you want them to be able to see one another really, really clearly. At two trucks colliding that's some wasted money there. Yeah, and what about the shadow on this side of the truck? That's not optimal. Ideally you would have some other lights behind the truck just to the right of the truck that would brighten up that shadow. We're going to hire you as a lighting consultant pretty quickly here because what I would have done differently, two things with these outdoor fixtures that you see is number one, I would have raised them way up to what's called high bay applications and the higher the light and the stronger coming down the more uniform is the light and you don't create shadows like that. Number two objection to these outdoor lights is that some of the light is going up. You do not want to go up. We have an astronomy a bunch of astronomy facilities on Mauna Kea. They do not like up light. Why not? Because it bounces down again? It diffuses upwards and there's something called the Raleigh scattering effect which we can go into at some other time. So you'd have a reflector over the light and reflect it down. And you can build that into the LED luminaires, the housing for the LEDs. You can get it all down. We're putting new street lights up for both the city and the state and one of the specifications is all cutoff. No up light, no side light, all down light and that certainly increases the efficacy also because you have no use for light going up there. You want it all down. Before we leave this photo, why don't we go back to it for just a moment. You know, it strikes me from this photo that those lights really bring up the general illumination of the area. Almost like this scene is happening at sunset or even just after sunset maybe. This makes it look like the daytime. Well, here's another lighting design application, uniformity. Ideally you want the amount of light that's hitting your task, in this case your task is actually the pavement, you want it to be exactly uniform. 15 foot candles here 15 foot candles over there and it's almost impossible to design artificial lighting like that but the better uniformity you have the greater and the more it looks like sunlight and the safer it is our eyes don't have to adjust up and down, up and down to dim light, bright light, dim light, bright light. So that's a very acute observation. Strikes me this though in the 21st century here in 2019 I would have a little panel inside that building about, you know what a foot by a foot maybe and I would have, maybe just on a computer screen and I would be able to set that light in a way that achieves a certain result and I wouldn't be talking necessarily about Kelvin or about brightness it would say you know, make me make me comfortable for trucks coming and going or something like that and push a button and now everything is adjusted automatically. Is this happening? Those are called controls and the easiest, simplest control is something we're familiar with namely motion sensors. In this case say at 7 in the evening you might have trucks coming and going like med so you want a high level of illumination. Say at 9 things are slowing way, way, way, way down. By 10 this area is off therefore you can have maybe a couple little emergency lights here and there and everything is dark until motion is detected what is somebody doing there after 10 at night when they shouldn't be there? The security is alerted and you can see it on the cameras. Hey, why is that light coming on? It's an alarm system. Or if the police are coming by and they know that it should be dark after 10 why is that up there? That's great. This is happening. Controls are better better and cheaper than they were now. And save money because if you're not using as much light at a time when it's quiet in the lot you're actually saving money on electricity. The most efficient setting for a light is off. This is definitely going to be on the final exam. What I hear you say though is that if we didn't mention it, LED's like in our studio here, there's no temperature at all. I mean no physical temperature. Not quite true. There's a teeny little bit of temperature. They're not hot. They're almost cool. And so it's not uncomfortable in any way. And I ask you what are the implications for your air conditioning load? Minimal. Minimal. You can crank down your air conditioning. That's another advantage to LED's. I'm using less electricity and I'm using less air conditioning. Precisely. This is very valuable. And you're comfortable and you look good. Yeah, that too. You too. Now if I was using Ancandessia, what was it? Incandesser. Incandessera. It would be way warmer. If we had this much illumination we would be sweating. And the air conditioning would be cranked to the max and still not doing the job. We'd still feel that radiant heat. Okay, pick a last video. A last photo. We need another slide please. Aesthetics. Also this is obviously a residence. And this lighting has two purposes. One, if you are entertaining at night. This is obviously a very good area for people congregating. You can have your barbecue, your cooler and everything. Be very nicely illuminated. Number two, well you want safety also. People are wandering around on these paths. You don't want them stumbling over anything. And number three, security. Again I go back to motion sensors. If at night everything totally off until there's a motion of something and the disadvantage here is that it could be a dog or a cat. I have cats at my house. We have motion sensors and light goes on. Oh yeah, there's Walter the cat out there. Well you have to make the sensor work on mass, right? You can do that with alarm systems. You could say only volumes greater than X and pick out a kid. It has to be bigger than a kid. So Walter could walk all around and not trigger anything. I really hate to say this because I've enjoyed the show a lot Howard, but we're out of time. Before I offer you the opportunity to leave a host message or maybe a guest host message with them I just want to say that this discussion has been more than anything it has been enlightening. How about illuminating? That too. What would you like to leave with the people? If we could dial up the last slide with the Pioneer Electric. Yeah, there we go. Thanks to John Okuma who couldn't make it of Pioneer Electric and he did, we haven't seen all the slides, but whatever he does whatever application it is he did a really good job in terms of safety efficiency and matching the lighting to that particular task. As you can tell it's a really fine art. Yes it is and it's great to have these possibilities available for us they change the quality of our life. Thank you much Howard. Great to have you here on your show. Great to be on my show. Yes, illuminating indeed. Aloha.


OK, so you didn't hear anything. Anyway, I can do it without. So hi, I'm Manka from Xwiki. I'm here with a gang to show you our new wizard editor. And I have a clock restarted. Yeah. So how many of you have ever heard of Xwiki up to now? Well, cool. How many of you have played with Xwiki up to now? Almost as much. So for the rest of you, Xwiki is a leading enterprise wiki platform. It's written in Java. It's distributed under the LGPL license. And it has been started in 2003. And we've been coding on it since. The community is 14 active committers. There's more of them, but sleeping. Over 700 subscribers to our mailing list and of my last knowledge, over 10,000 downloads per month. There's more information there about us. You can go and check it out. And the WizzyWig team is not me working on the new WizzyWig. It's a whole team. Mario's struggling back home probably just as we speak. So we're here to show you our new WizzyWig editor, which is written in GWT, which we have built for wiki and to share it with the world.  But why did we actually need it? Because we needed quality, we needed control, and we needed extensibility. There already are a couple of good editors, as you all might know, which provide very nice quality, valid HTML, lots of features, very good job done, cross-browser development, and cross-browser editing, very good output, and everything. But we also needed a bit of control to that. We don't just need a very nice HTML and very nice features if we cannot control the HTML that is generated from these features. We need to be able to manage exactly what is the HTML generated and to manage the HTML that we get as an input when we want to edit. We needed that because we're wiki, and we need to transform all that into wiki syntax. And that can become a very tough job if you cannot control the HTML closely. We also needed extensibility for that. It's not enough to have control. You can have control, of course, if you go to the browser level. But we needed a higher level to develop, to be able to code high-level plugins and features. For example, we wanted our editor to be real-time, concurrent editing. You cannot do that if you go very low level. It's just impossible, because there's a lot of things that you need to do. And low level, it's way too much struggling to do that. So as you all know, there's a very much mess around this layer. You have a lot of browsers, all of them doing the job just the way they feel to, in read mode. So if you try to read the web page, if you try to read the download web page, it's already high enough. And if you try to edit it, I can tell you it's way, way, way harder. And the way we see this is with an abstraction layer. So you have the browser mess down here and an abstraction layer with the good APIs that show you what's in there and what is the action, what are things happening, what is the user doing, what is it doing, how is it doing, and stuff like that, which allow you to control the content being edited with an abstraction layer. This abstraction layer is very important because if it's flat as I draw it here and the way we're trying to build it, then it will allow you to implement logic above the layer, like the plugins or the command extensions, without caring about browser implementations, without caring about browsers at all. The way current editors are doing this job is they go up from the logic, they discover a browser incompatibility bug kind of stuff, and they go down here, fix it, and up again to the logic. This is very, very not easy to handle when you're coding high level because you don't know what is at the browser level. So if you have this abstraction layer, you're able to implement your logic regardless of the browser things. For example, you can think of this layer because what JavaScript libraries provide for you today, like jQuery or Prototype, they provide an API to handle the DOM in the browser independent, of course. We do that for the edit mode. And this range API, this W3C range API that we implemented in GWT to help us, it's something that was never done before, actually. We did it and we did it quite good and we're actually thinking more about it. OK, so how did we do our nice editor? We did it in GWT. Why did we do it in GWT? Because so for those who don't know what GWT is, it's a Google World Toolkit. It's a framework for developing JavaScript applications in Java from Google, which basically compiles Java into JavaScript code. All the coding you do, you do in Java and everything is compiled into JavaScript browser independent browser, cross browser compatible code. So this is very nice because you have all the advantages of the Java language. You have the strong type Java, which gives you, for example, it gives you the errors that compile time and not the throne time, which can be very important. You have all the tools that come with Java, IDEs, build tools such as Maven and test tools, such as JUnitTestCase or things like that, JUnitTestSuits or things like that. GWT also comes with a very nice cross browser development support, which means that not only that is built to be compiled cross browser, but it also provides you a mechanism in which you can do your own cross browser development. For example, you have a class or interface and you have different implementations for various browsers, which can prove to be very useful because you don't have ifs anymore. If browser equals something, then do this. If browser equals something, all your browser-dependent code, if any, is localized, which is very nice. It's localized in a single class, which is very nice. There's also the GWT RPC mechanism for asynchronous calls, which is basically a remote procedure call mechanism through which you do Ajax calls. And there's also the libraries that come with GWT. Either it's GWT-built libraries or the JavaScript libraries that can take a GWT wrapper. I think most of you don't really care about this slide or don't want to know anything, so don't want to know all of it. So I'm going to just take an example and show you how our editor works. So for example, the build feature in a WYSIWY editor. For browsers allow editing content, editing HTML through the command mechanism. So basically, you have an HTML and you tell the browser to execute a command. Just this way, the build is a command that you tell the browser to execute. The problem is that the browser has executed the way they know to do it. For example, some of them generate B tags, some of them generate the strong tag, and you actually want to control that. You want to do that in a single way regardless of browser. So you implement the build feature as a plug-in. As a plug-in. So the plug-in will add its build button in the editor toolbar. It would listen to the edited DOM to get the information about how the DOM looks like and where the user is actually applying it. So because when you do build, you need to know where the user is. You need to know what is the text that you need to make bold, right? That's what the DOM and RAGE API that I told you earlier allow you to do, allow you to know what is in there and what is the user doing with it. So the plug-in knows where the user is. Now, how will this plug-in actually execute the bold action that we mentioned in a browser-independent way? It would do it through this mechanism, through the command manager and a specific command. Well, actually the default browser command that we overridden. This command manager allows to create, to provide new implementation for default browser commands or to create new custom commands. And the plug-in can do that. The plug-in has access to this command manager. You can, a plug-in can tell the command manager, okay, whenever bold is executed, execute this, what I tell you and not the browser default, which is very cool. So the plug-in asks the command manager to modify the actual edited document. So what's really nice in this whole architecture is the fact that plug-ins have access to the content being edited through the download page API, which is the right level of API, and they also have access to the commands. They can create new commands or they can overwrite existing commands. They can use them and they can know when they have been executed. So, what we want to do, I want to do it, but have you done it yet? So, right now we're supporting Firefox 2 and 3 and Internet Explorer 6 and 7. We have finished the browser independent abstraction that I was talking about earlier, this one here. So this layer is actually finished for Firefox 2 and 3, Internet Explorer 6 and 7. You can code your plug-ins and commands on top of it with no thought whatsoever about the browsers. Okay. Very HTML generated by the browser. We're almost there. It's almost done. There are just a few things that have left to be fixed. And the plug-ins, the plug-in built is in progress. The general purpose plug-ins are almost there and we're working on the XFiki plug-ins. Some of the plug-ins we're working on are the concurrent real-time editing that we were trying to build, the office import. These are just a few examples of the high-level plug-ins that you can build with this architecture. What is, so what are we trying to do next? We have a few issues left on the general purpose of the WISI week, so just a few bugs on the WISI week editing. The general purpose one, not the XFiki specific one. We have a lot of features for XFiki's usage that we have one to finish until March because we have a nice release then. We need to take care of the other browser support and at the beginning of the summer we plan to promote this project as a top-level project to externalize it out of the XFiki code base and have it available for the community, have it fully as a standalone WISI week editor. Right now it is built with this in mind but it's not really quite there. We have a little bit of work, okay. So about this thing, I wanted to, this thing is actually not really that difficult because, so what would mean to add a new browser support? What's very, very nice about this architecture is a new browser support does not mean you have to go in the logic and change the logic to support your new browser. You just have to provide this API because your whole logic is built on top of this abstraction layer and if you want to support a new browser, for example, Safari or Chrome or whatever, you just have to provide this API and all your plugins, all your commands are going to work afterwards with no problems. So, maybe someone actually thought about wanting it after my talk. It is bundled with 171 and higher releases of XFiki and it's going to become the default editor in the next releases. If you want to contribute, if you want to help us to do it, as I said, it's planned to become a top level project. You can get it from our SVM right now as we talk. You can play with it and help us on our bug tracker. That would be really, really nice and you can always provide patches and create plugins. Okay. Questions? Anyone? Okay. Because that's how GWT works, actually. We'll talk after, we're here with the game.


Tarot is this just beautiful root crop that's grown in flooded fields, similarly to rice. It essentially shoots up into these beautiful heart-shaped leaves. So if you go to Hawaii, you'll see heart-shaped leaves as far as the eye can go. So we use the actual root of the crop, but it's similar to a potato, but it's much higher in antioxidants. It's poisonous when eaten raw, so traditionally it's boiled, then it's hand pounded and fermented. So we use a form of that in our dough, and that's what gives our dough more of a savory, slight chew to it, but also some crispiness. So it's just allowed us to develop this just completely unique product.


I have only one little lamb left. Ah, ah, in Manolini! I like it too! Magnificent! But Burrito need not know about it. Then, a sundown. I have a little chore for you. A chore? For me? Sof cigars, your favorites. What do you say? Are you coming? Ha, ha, ha.  The date is a sundown. Isn't he beautiful? Yes, but with us he's going to be happy from now on. Well, Mary, you now. If there's anyone here who thinks that you too shouldn't get married, something you didn't eat. Is that it? Or something to send off?


Did you know the most common tsunami-generating events are earthquakes that occur beneath the ocean floor? These account for 80 percent of all tsunamis. Also volcanic eruptions, as we recently experienced on January 15th, with the underwater volcanic eruption that occurred near the island of Tonga, which did travel across the Pacific Ocean and impacted our coast here, and then also underwater landslides. These waves occur without warning when steep, unstable cliffs give way after an earthquake or because of erosion, drought, or severe rain. Underwater landslides produce a tiny fraction of tsunamis. To learn more about Tsunami Preparedness Week and increase your tsunami know-how, go to news.caloes.ca.gov and follow us on all our social media platforms.


low rim, baby rim, yeah. Today I'm gonna talk about how and why and yes, you should low rim every single time you get a chance to in every program you've ever been in, you need it. And how does it apply to your life? Oh, you gotta find out, baby. I just gotta run and you don't do it. Imagine remembering everything you once forgot. What is good? I slept with my head and I had dreams and they were great. Did I have dreams that I was in New York but there was mountains and it was a crystal blue lake and it was the most beautiful thing and I was on a weird trolley that I had to take my phone out to record it but I was very scared of dropping my phone. That was my dream. Yes. And it was a good sleep and hit the notification bell if you want that exact dream because I found this new technology through YouTube where you hit the bell and it infuses my dreams into yours so you will have that dream tonight. And the funny thing about that is that was a total joke but now that I said that and described it and you're thinking that that might happen, it might happen. So that would be insane if that really happened. What's good? Yo, don't tip with a day coming at the end. We got a special guest appearance. It's not on my guest appearance but it's more just me just stealing content. You'll see what I mean. It's my boy but stay tuned for the dunk tip of the day and stay tuned for the life tip of the day because I'm adding more things. Do I stick to the same thing every day and never change it? No, I'm constantly changing. I can't stick to structure but what I am giving you is how to dunk on life, baby. And today's low rim. Why you should low rim? And I love this because I think it's overlooked and more valuable even in my own training it's more valuable than I put value on it. So I'm gonna try to do it more. I'm maybe I'll try to do it once a week at least but I don't have my own low rim. I guess I do over here but it's too low. Okay, so first things first is how to low rim and yes, my best tip for how to low rim is get a rim. There's different types of low rimming by the way. One is the way you've seen Isaiah do it if you've seen his stories is the rim is basically risk level. So you're always reaching and dunking and finishing how you would finish a real rim but you're reaching up because if it's like head level like my rim that I have near my apartment is like head level literally. So my arm's always bent. It's not the best to learn the technique or you could make it like eight, nine feet so you can jump a little bit with it. The point is that you're practicing and what should you focus on? I say focus on hand speed. Hand speed and focus on dunking hard and dunking clean and getting the timing down. If you're time like everything you do you work backwards too. If you're trying to go really fast and you're missing the dunk just go slow and then slowly work up the hand speed but most importantly finish on time and finish hard and finish so you can build that muscle memory which is tip two. So tip one is it's great for hand speed. It helps you get quicker, it helps your technique and that helps you do the tricks obviously. Muscle memory the thing about that is that now it becomes second nature so when you're jumping on a higher rim you can do the trick without thinking about it and you can finish it and a lot of tricks are a lot of just hand speed and hand work like meaning like you have to have the technique to do it and it's really hard to do that on while you're jumping in the air because there's so many other factors when it comes to jumping, the timing, the effort, the angle, all those different things but on a low rim you could simply focus on the hand speed and the technique and build that muscle memory so that way when you go to that low rim or you go to the regular rim it's ingrained and you're carving those pathways and speaking of carved pathways in your goddamn cerebellum is the visualization aspect of it. When you complete the dunk, say you're doing behind the back practice on the rim when you do it behind your back and you do it fast and you finish it your body now understands what it's like to finish that dunk so when you're in the air for a real dunk you can do it. You've heard the saying open the floodgates I'm a huge believer in your mind over everything your everything starts in your mind if you can believe you can do it you can do it so the low rim helps you believe because you've literally done it even though it's a low rim you have the motion and it's easier to visualize hint, hint that's what might be at the end of the video or a little part of it. You might be able to visualize yourself hitting it on a 10 foot rim, right? So if you're trying to visualize it I can believe I can do it, you can do it. So for example, like a windmill I believe that the reason I was able to hit a windmill was because I truly believed I could hit it. If there was any type of doubt hence my two-hand dribbled dunk it made it really tough to do to get myself to believe it. I was always like I should be able to I should be able to instead of I can and why I think that's important is another whole video but basically you're focusing on that you can't do it instead of that you can and then sometimes when you're trying a trick you get close and then you believe you can do it and then you get super close and you slowly believe but you're almost like thinking I think I can and your ratio of belief to doubt is higher and you're able to believe but then once you hit it a lot of times you open the floodgates and you can hit it all the time because now you believe you can do it and it's not about can or can't it's about will I make this one? You know what I mean? Low-rim helps with that a lot and then lastly it's fun this is three things in one it's fun, it's a great warm-up and it's a great way to stay in shape so it's a great workout when you're just trying to like keep your elasticity going if you do it if you don't have a chance to go to full-rim you can kind of do like light jumps keep it a light day so you're not jumping as max, max, max it's also just so much fun to practice new things try creative things see what you enjoy about dunking and just have fun with it because whenever you're... the best part about dunking is being able to get way up and destroy it so anybody can do that in a low-rim so it's just fun so have fun with it I did it yesterday vlog coming soon with CJ and it was just outside in the sun and I got super loose and it felt great and I also learned how bad I am at dribble dunks which I already knew but I got to practice it and it's great to get that feel and work all the way backwards because instead of just trying to go to a full-rim and work on my dribble dunks I go to a room I can do it on so I can carve the good habits and that's what I love about low-rim low-rimming so every program you're ever on I think you should add some low-rim no matter what you can do it's a great way to kind of keep your sane that me as well mentally sane that you're working on something even on like a rest day so you can just like work on behind the back technique just finishing, just thinking about it whatever it is it's something to work on at any time so get yourself a low-rim and get fricking banging and the dunk tip of the day is my boy Chi Yes, sir, Chi ready for this? This is Chi on Instagram all right, ready for this? He's getting super hype right before he tries to dunk all he's doing is getting crazy hype get up boy let's go okay so what I love about that is he just went he he visualized himself achieving it got super hype and then attacked his thing and he also said on the video he said life dunk tip life slash dunk tip switch that around the dunk life why not visualize yourself visualize yourself achieving what you wanna do and do it prepare yourself mentally for success so my boy Chi gets super hype before he dunks it takes off, lands it dunk, gets super hype and I think that's so important in any goal you're achieving especially in dunking that requires so much adrenaline you have to believe it you have to get hype you gotta get excited for it so that way you're firing on all cylinders and that way you can achieve what you're trying to do because if not the other way around you're definitely working against yourself so use that in any goal you're about to do if you're about to do anything believe it feel it go for it and get hype you gotta get hype and the dunk tip of the day is get fricking hype and the life tip is here a little bit of the opposite but I think you should read every single day even if it's just one page a day the books the people that have written books the world-renowned authors all the different crazy historical data that is in books is invaluable and if you read one page a day in a couple months you'll read a whole book and the accomplishment you feel from reading is to me is really great and the other thing about it is a great routine for me before bed because even if I read one page usually it leads to a couple pages but the thing is I'm off my phone and I'm looking at a white pages instead of a blue screen which is just a great routine and it also helps you stop thinking helps me stop thinking because if I just lay there before I start thinking of things I can do I don't really turn off the day's activities but by reading and learning about something else it switches my brain a little bit and yes I still have anxiety yes my mind still raises and I still wanna produce ideas but the reading helps a little bit but I also like the routine of it and just the information in general if you want my tips on my books I actually have books on my website that I recommend and yeah just find something that you wanna improve in your life like for me sometimes it's mindfulness or self-discovery sometimes it's nutrition but just learn from people that have written books and look up we have Google and research what book is great and different philosophers and different things that Carl Jung is ridiculous so it's just so much to learn and the fact that people have taken the time to write these books is shows you how impactful it was in their lives that they had to share it so just keep learning I think it's just a great tip and that's it and that's have a great day and I think that's it for today stay tuned for Dunks my Dunks vlog from the outdoor session and hopefully Dunking today we'll see how it goes and also lastly if you wanna work with me I have dunk programs my speed phase sale ends today and learn more on my website and if you wanna work directly with me I have custom training and which is just dunk training and then also energy coaching for all of your life let's go we're freaking increasing the energy our frequencies are going higher our living like we don't even know what's happening and the black holes are coming and we're gonna get in golf and I'm gonna do stand-up on Monday again hope it goes a little bit better I was having fun last night practicing and I'm ready to eat shit again let's eat shit have a good day toodle-o


What's up, everybody? Just want to do a quick video and let you know that I'm going to make live calls again next Thursday, 3 p.m. central. I'm going to be live right here on my YouTube channel, really looking forward to this. So I'm going to call around a listing that I have, okay, and try to draw some attention to that listing. What I'm doing is, is like, when I get a listing, I normally call around that listing, let the owners around the listing know about it and see if maybe they want to upgrade to the listing or, you know, just draw some attention to the listing. And this is going to be a listing I've had for a little while, so I'm going to be a brand new listing, but I feel like it's a pretty good deal, so I want to call around it. This would be really good for you, just to kind of see how I handle the conversation and how I go into the conversation. So I've already made calls, circle prospecting for you, I've already done for sell-by-owners, I've already called expired. So now I'm going to call around a listing of mine and see if I can draw a little attention to it. So I'm really looking forward to this, I love making live calls for you, it's a lot of fun. You know, you never know who we're going to run into on the phone, we've had some pretty funny calls, and I love answering your questions. So show up, watch me make calls, ask questions, let me know what I can do to help you. I really hope that you're enjoying all the content, not only here on YouTube, but on Instagram and in the Facebook group. I'm doing everything I can do to provide you all the content I can to help you succeed. The free course at zero to diamond dot com is all incredible content. A lot of agents are finding so much success by just changing that one thing around and just asking people what you can do to help them instead of, hey, do you want to buy or sell? Just that one thing for agents has really turned it around for a lot of people because now they're having real conversations about what they can actually do to help people and they're connecting with people short and long term. And I just think it's doing so much and I'm just blessed to have, you know, figured all this out in my career and be able to share it with you guys and give back to the industry. Also if you would like and comment all my YouTube videos that helps YouTube push it out to more agents that are looking for information like this. They're searching for somebody that can just help them show them the way through this business. And it's a tough business to get started. It is super tough to get started in this business and figure out what direction you need to go in. You know, there's a lot of hardworking, you know, men and women out there who really want to succeed but they just haven't stumbled upon the right systems or the right philosophies to cling on to to take their business and their life to another level. So like, comment, and just keep pushing my name out there if you believe in what I'm doing and I appreciate all the support. Also just so you know, I'm going to be using RedX to find the phone numbers and their dialer, the storm dollar to call the numbers. I'm really liking RedX. I already love the quality numbers that they give. It's hands down the best. And more recently, I've started using the storm dialer because they didn't even have a dialer maybe six months to a year ago. So they've just started to incorporate the dialer and it's really easy. I'm really going to join that too. So I'm going to use RedX and the storm dollar to make these calls. So reach out if you have any questions. So I look forward to seeing you next Thursday, 3 p.m. central. I'm super stoked about it. I love making live calls for you guys. We'll see you then.


Hello, it's me the the king of low-effort content Hello, I'm here to make money off of you by barely doing anything Hello, everyone. My name is Kai and welcome back to my channel This is an update video on my spider-man TV show that I pitched a couple of days ago Days no, I'm so logged at a time I I announced this like over two months ago or something like that Anyway I'm making my own spider-man TV show. I'm in the middle of writing a video about the suits in Spider-man Miles Morales, and I know that video is gonna take a little bit because the script for it is actually kind of long so I Wanted to make a quick little update video and give you guys something that I know you wanted an Update on how my shows going I have a bunch of art to show you in this video more sketches more characters that weren't in the previous video a Lot of these I've been drawing on live stream with my fans So if you want to go to my channel and turn on the notification button It will alert you every time I do a live stream and you will know When I am live and most of the time I go live I'm working on the show So if you want to see that you can turn on the notification bell Here is the here's some concept art of spider-man fighting electro with Rhino I wanted to draw some concept art of a really Dynamic piece. This is obviously The background for this is obviously a map and g-mod. I usually use g-mod maps for my drawings to First of all help me speed up the process because if I sat there drawing backgrounds It would take me much longer to do everything. I Am debating whether or not I should start drawing my own backgrounds for my show, but I You'll just have to wait to see to the show comes out to see my decision Anyway, I guess I'll kind of explain. I guess the context for this drawing even though I think it's pretty clear spider-man is fighting the rhino Or no spider-man is fighting electro on a car that is attached to the rhino I don't necessarily have a context for this drawing yet. I don't have a story around the drawing yet I just know that it's Super rambunctious. It's super I Want this to be like a very high-action I mobility fight if I were to put this in the show There are some difficulties that that would come up from animating it because I of course I would have to find a way to animate the car in real time But it's a 3d object, so I'm not sure how I would do that, but anyway I just wanted to show you this drawing Electro this is not the final design for electro by the way You will see the final design for electro in this video, but this what I what you see on screen is not it Let's keep going. All right. This is 2099. This actually has two variants There's a blue variant and then there's a purple variant I really wanted to make him all blue for the show because if you've watched some of my videos You know that I prefer 29 to be If you've watched some of my videos, you'll know that I prefer 29 to be fully blue but I wanted to of course throw comic fans a bone by making him accurate to how he was shaded in the comics and The reason why there's two different variants of this drawing is because there's one for him at night, which is The blue version and then you have the purple version, which is for the daytime I didn't do much changes to his costume at all except for adding red spikes that go up his boot But that's all I changed and honestly, I don't think it's that unfaithful to the design So if anybody wants to get mad at me for that they can get mad at Nothing, which they will be if they get mad at me for that. Next up. We have black panther This was another character that while I was live streaming was heavily suggested for me to draw Um, I didn't want to have him be the or a skin tight cat suit on a man I wanted to give him his classic cloak from the comics with the cape and everything I don't know why I gave him yellow eyes. I I just don't know. I thought it looked cool. So I did it and chat didn't stop me. So yeah Here's how black panther looks. I don't know if he's even gonna appear in the show at all a lot of these drawings I'm not sure if these characters will appear like 2099. Yeah I have an episode planned where he appears, but I don't have any major episodes with any other Avengers yet That are confirmed to happen. They're all just ideas rattling around in my brain And if those ideas happen to include that said Avenger then they will show up, but if I draw a character It's not guaranteed that they're gonna make it in the show I'm just drawing them so that I can Sort of get to being more familiar with the art style. I've made for this show and It's sort of like an exercise. I'm exercising the style of this show. All right next up. We have some Full concept art with a background and everything that isn't just a character sketch. This is spider-man Meeting 2099 The context for this clip is that he's just wearing the black suit When he meets him The black suit isn't evil at the moment Peter is just casually wearing it I see a lot of spider-man media that Wants to put Peter in the black suit Just for the original black suit story, which is Peter puts on the black suit He realizes it's bad and then he takes it off and that's it But in the comics there was a long time where Peter just casually wore it It was a part of his time as spider-man So I wanted to incorporate that into Peter's past Um, this is not the present day show setting. This is a flashback I want to do a lot of flashback episodes where I go back to Peter at a younger State of being spider-man not every episode is going to take place in the current setting of the show There's going to be some flashback episodes. There's going to be some I just realized I only gave Six legs to the spider In the In the top left corner of the drawing. I'm a I'm a failure. Yeah, but anyway, uh, this is going to be a flashback episode and Peter is not going to be actively Struggling to take off the black suit. It is just going to be The suit that he happens to be wearing. It doesn't have anything to do with the plot It doesn't have anything to do with anything Peter is just wearing the black suit to wear the black suit If you think that's a waste of the black suit Read a comic book. Here's moon night. Uh, I got a lot of suggestions to do moon night and draw moon night for my show While live. In fact, I still get I still get suggestions for people begging me to draw moon night even though I've already drawn him So hopefully me showing him off today will be The end of people asking me for characters that I've already drawn Um, I don't really have any plans for moon night If I do end up implementing moon night into the show I am going to make sure that he is comic accurate to the source material Um, I will do this by reaching out to moon night fans and seeing what You know moon night fans have to say about the character. I want I'll just make sure I do my research to get this character right because I know the most recent adaptation of him Did him kind of dirty and I know that If I want my show to be comic accurate, I obviously can't do what the mcu did and I wouldn't want to anyway All right, let's look at kane. Um For all of you kane heads that are out there. You'll notice that kane's design is a little different Um, he has black gloves and black boots. Some of you might be wondering kai Why did you desecrate kane's classic design and what is your address so I can kill you? I'm not going to give you my address I will tell you why I changed it. It's so that I could reference the real-life kane cosplay that I made which Was me changing the design so that it had gloves and boots That were fully black because I thought they just balanced out the amount of black on the costume And I thought it'd be a really cool addition and plus I think it looks pretty good, too So I don't really have any issues with it, but Here's kane again. I don't really have any plans for kane I think from now on in this video. I'll just tell you if I have plans for said character When I show you them, uh, here's a quick little promo drawing I did for the release of the across the spider-verse trailer. There's nothing really special in this drawing Although there is a a quick little view of myles morales's Back I never drew the back of myles morales when I drew him. So I had no clue how I was going to Draw him and what I was going to put on his back And you know after sitting there and thinking about it for a while and trying to work a spider Into the design of his costume I figured that instead I would just pay homage to another huge element of the character Which is the 42 and I thought you know, he's already wearing a jacket. He's already wearing like Not a traditional superhero costume. So I figured I would just continue that by just adding a big 42 onto his back So after drawing a lot of these characters and pitching them, I realized that there's one character. I only drew one time during my Last video and it was peter parker. I didn't draw peter parker a lot and I thought that was A major fault on my part. So I ended up drawing him here. He is. Um, he's a little older than usual um, of course because he is Like 29 or he's like 25 to 30 in my show. This is This is an older peter because he's lived so He's lived through so much of being spider-man and there's a lot of history that I want to include So I thought that having him be at an older age was only appropriate Like I couldn't have him be like 25 or anything like that. Like I want this peter age wise to for it to be very evident that he's Been through most of his career as spider-man and now he's just at a point where I as a writer can just have fun with all of these events from his past And I can bring them back to the present day. I can flash back to them. We're at a point I'm at prime spidey right now. This is prime spidey. He's been through a lot He's seen the death of Gwen Stacy. He's been through most of his major life events and everything He's seen it all and I can capitalize on that by going into his past and bringing those Like issues he's gone through back into the present day. But anyway, this is peter Um, I actually released this art to the community tab on my channel and I heard a lot of good things about it um I obviously don't want him to be super glum and grim all the time I just want him to sort of appear that way when he's out of costume and then when you get him as spider-man He's all he's just classic spidey. He's funny. He's he's kind of peppy.  He is always trying to push himself into doing the right thing I want to base it a lot off of josh keaton's take on the character specifically in spider-man edge of time I think some of the segments where josh keaton I'll play some clips. He took off again. Yeah, if only you do the same O'Hara if you don't get that I can't turn my back on danger No matter what the cost then you've got no business calling yourself spider-man But some of the parts where josh keaton is like If you don't understand that I can't turn my back on danger Then you have no business calling yourself spider-man. I thought that those moments where he really Was preaching about like what you need to do as spider-man What is important to being spider-man is one of those things that I want to heavily implement into my character This is peter parker. He is forever traumatized by an event that happened to him because of his lack of responsibility and now he's going to spend the rest of his life being as responsible as possible and I want that to be very evident in the way that he talks about Being spider-man and stuff and I'm not a writer. So I hope I don't make it shitty Anyway, here's camila con miss marvel. Um I didn't really have any specific ideas for her. I just wanted to draw Miss marvel and She's kind of like a chunky nerdy girl, which I think is accurate to her as a character Um specifically the part about her being chunky. I know she's not that chunky in the comics, but I thought that having her be chunky sort of fits in with her struggle as a hero, which is Her not being happy with Her being a superhero. She wants to be someone else in the original comics. She just wanted to be carol danvers But her arc is that she realizes that she's not Carol danvers. She's herself and she comes to accept that and I think Having her be a little chunky and working that in with body positivity. I think Works really well for this character. Again. I don't know if she's gonna show up I have no plans for her to show up. I do think having her do a solo team-up episode with peter would be fun But I have no clue if i'm gonna do so Also, I really like the the champions The little team with miles morales nova and miss marvel and other characters. I Want to include them, but I know next to nothing about those characters So I'm a little hesitant to do so and if I do end up including them. I will make sure that I Do my research Gwenpool Gwenpool is actually one of the only characters that I've drawn that I've read some of the source material for I have Gwenpool comics and I thought they were really good. I thought they were really fun and I enjoyed them a lot Um, I think she's a really fun character Um, and she's a really cool spin on the idea of deadpool Where she takes that fourth wall breaking to a whole another level and I really enjoy that about her Of course, I ended up adding jeff the land shark because jeff the land shark is an essential part of this character. I guess now Um, and he's got a lot of fans. So I wanted to include him I don't really have anything particular to say about Gwenpool um She's Gwenpool Very good. Also something I wanted to uh Talk about I've drawn a lot of females for this show And something I really want to make sure I do is I want to make sure every single female body looks different um, I've watched a lot of Batman the animated series recently and Looking at all the women in that show, especially like in the second era of the art style of the show Really made me realize How important it is to have these motherfuckers look different because if you just chopped their heads off and you had the silhouette They would all look exactly the same so I want to make sure that I include Lots of different body types so that I as an artist can You know practice drawing different types of women in this style and just because I think it's more realistic like Aside from the oh, I think everybody should be able to see themselves in the show I think it's fucking realistic to have it so that Several women appear and they don't all look exactly the same I know a lot.   So that's what I'm doing. This is mj. I've redrew mj because I was not happy with her I was not happy with the way she looked. I ended up redoing her from the ground up I made her bigger. I made her less skinny and I made her less cartoony looking um, I wanted her to Be comparable in size to peter and here she is that's mj. I don't really have anything to say about her um, I debated on whether or not I should give her the heart spider-man shirt But I thought that like It's an iconic part of her character and you know She loves her boyfriend and I'm gonna be trying my hardest to make sure that that is not her only character trait, of course and I'm going to be Making it so that mj actually has character and she's doing her own things. She's an actor She's a model. She's all these different things. She's not just spider-man's girlfriend And I want her to I want that to be very clear Whenever she shows up. This is spider-ham This was a character.  So here he is. Um, I don't really have anything to say about him um I wanted to keep his color palette kind of strict and by that I mean only using reds and blues and blacks and that's it unlike peter where his design uses a lot of dark blue and like Muted blue for the shine on the lenses spider-ham is a different case spider-ham I just wanted him to look extremely simple and extremely cartoony I wanted him to have like a huge range of emotion like a usual cartoon character I thought what they did with him in spider-verse was amazing where they had him Pulling out anvils and hammers and stuff. I thought that was perfect And I wanted to reuse that idea in my character And I want to look at a lot of old-timey cartoons like ed ed netty Courage the cowardly dog specifically courage because courage looks very Similar to what I'd want to do with him as like in terms of expressions and moving his face and stuff I really like what they do with courage and I want to carry that over to My version of peter porker spider-ham. This is the vulture That's it. This is just a png drawing Of the vulture. Let's let's take a look closer. Look at him. His head is Very oddly shaped and you'll see that later in the video And that's because I wanted his head to be kind of shaped like a bird's face The way his big-ass nose comes down all the way from the top I wanted it to look like a beak and of course I wanted him to look very old That's all I wanted to do with his face.  Here's a crossover drawing This isn't an episode that I plan to do But I do think it'd be really fun to do crossover episodes with different properties with my character because He's I'm not bound by any law. You hear me No copyright law in the universe can stop me So if I want to draw my spider-man with batman, I'm going to do that. I don't really have any uh I don't really have anything to say about this drawing It's just my spider-man with with but man if you will Although I do want to say one of my biggest inspirations for this show has ironically been Batman the animated series and I'm going to explain why batman the animated series is really inspiring of a show to me because Just watching it. It's very clear that there's a love and understanding for the character within the walls of that show and I think for me Going through and watching a show that has love for the character respect for the lore and has such a Rich art style to it is something I want to emulate with my show And I think looking over at the competition to see what they're doing is a great idea and I think Trying my hardest to emulate some of the best features of that show Ones that aren't uniquely batman is a good idea like I remember there was one episode in the early First episodes of the show where a bunch of villains meet up at a bar And they talk about how batman foiled their great plan and I thought That's such a good idea for an episode that could be used for any superhero like Fucking superman's enemies go to a bar.     And of course, I'm obviously gonna pay homage That episode within mine. So I don't really feel terrible about ripping off the plot of it. So here's Sort of an experimental drawing for me. This is like something I imagine that peter put together it's not like canonly something peter made but it's something I could imagine him writing it's sort of a Just notes. He takes notes on his villains. I guess and Of course, you have every villain here. This is the sinister six lineup. It's the classic sinister six lineup. You've got Dr. Octopus We covered him in the last video and here's electro. This is the redesign of electro Um, I gave him like a little chin patch that comes up from his mask I changed the design of the big electro bolt on his head to make it easier to draw And because I still think it looks enough like lightning for it to be passable So I like it.   Um rhino I don't know if this is going to be the final side profile for rhino Some of you might remember how I drew rhino in the first episode Of this, I guess installment and you couldn't see much of his face And I don't know if I'm too happy with how I drew rhino here I might end up going back and changing it. But for now, this is how rhino looks.  He spends a lot of his time in nature. So I thought giving him like a caveman Forehead and and just more simplistic hair.  I think making him a caveman is a fun addition To the design here's a drawing of jay jones jameson. Um, I had a lot of fun drawing jameson because He's a very naturally. He's a very expressive character. One of my biggest worries about this version Or one of my biggest worries about like jay jones jameson in my show in general is that i'm not going to be able to Properly get a voice for him. Like I don't think there's anybody out there That can do a jameson voice that I think I'd be happy with I'm not currently looking for auditions for jay jones jameson But if you think that you can do a jay jones jameson voice First of all you have to be over the age of 18 Okay, I know a lot of you young fans want to tap in and you want to engage with the show by any means possible Don't Don't give me your jay jones jameson voice if you haven't hit puberty yet Please here's the submission link where you can send in Your auditions for my characters and if I like your voice I'll reach out, but I'm just warning you. There's a very low success rate I've only reached out to one guy whose voices that I've really liked For my show, but here's jameson. Here's sandman If you if you recognize the pose You'll know that he's posing like john sena and that's because I think john sena would be a perfect casting of sandman Um, I don't know. I just kind of wanted to look like john sena. I thought that'd be really funny That's like my only note about my sandman design is that he looks like a to john sena. I think that's funny spider gwen I have no plans to include spider gwen in my show because gwen is dead and I don't really want to do too much multiversal hijinks. I've seen a lot of Fans in the community just get really tired of like this overabundance of spider-verse content So if I do multiverse content, it's going to be like once every like 14 Episodes if I even get that far to 14 episodes, man, that's a lot of fucking episodes a lot of again a lot of these drawings are just me Drawing these characters so that I can experiment with my art style And so that I would know what they look like if they do show up, but this is gwen I wanted to incorporate some green into her design You know some dark turquoise to sort of blend in with her boots and give her top half more of a contrast from the bottom half Her top half is pink And white and her bottom half is turquoise and black and I think those are two Very contrasting color palettes that come together in this suit and I really like it So this is my gwen design. There are only two more drawings for me to show And here they are This drawing was for an idea I had for What if I just did an episode that was very similar to the plot of Movies that we've seen about spider-man specifically ones that people aren't very happy with the way the characters portrayed specifically tom holland's version of spider-man. I think if I Can make an episode where I reuse Like the three kind of essential characters to the plot which are vulture iron man and spider-man and make a plot That's kind of similar and you put the characters in similar places, but Peter is more comic accurate. So you'll see him do different things Then tom holland spider-man would do I think that genuinely be a fun idea a lot of my show is just me Being inspired by other things. So you will see a lot of like rehashing of old ideas, but with New twists to them.  It's a fun idea. I think this is the last drawing I have to show It's spider-man Back in his earlier years quitting There's nothing more to this drawing. He is simply just very upset By something that has happened to him as spider-man. I don't I don't know what it is I don't have any context for this drawing other than that. He's quitting but he says that's it I won't do this to myself anymore I am spider-man No more and he quits. He's very angry.  It's the worst of all those suit drawings that I did This drawing of it. I like way more and it's way better. So Yeah, here he is um spider-man All right, that's about all of the things I have to show you I know this is a longer video and I know this might not reach outside of my subscriber base because The original video was like Oh, I'm making my spider show and this second part is just oh here are some updates on my spider-man show That you might have heard about so I feel like people who only have subscribed to me are going to be able to see this video and let alone even watch it to the end And thank you so much for watching again If you want to See me make these things in real time you can always turn on notifications and you'll be alerted whenever I go live I only upload like twice a week So you won't be like spammed with notifications Like your notification bar will be fine if you're worried that I'm going to be blowing up your notifications You're fine unless I'm live streaming because I live stream like Back when I could do it because I'm not on break anymore and that's when I would live stream almost every day but Yeah, I'll only live stream like once in a blue moon now. So if you set on your notifications You'll be fine but Anyway, that's about all I have to say Here are the updates for my show the miles morales video on the miles morales costumes and the miles morales video game Is going to be out soon. Thank you all so much for watching Of course, I will see you all next time Bye I'm really trying my hardest on this show like I've There have been points where I've been like kind of unhappy with the way it looks Like yesterday I drew a shot for the intro and when the intro is done I'm going to just drop that on the channel And that's going to be yes, there is an intro for the show by the way Once I drop the intro that's going to be sort of like a trailer I guess for the show it's going to be like a teaser. I'm teasing the trailer, but it's the intro I don't know. Um, I really hope that People are happy with the intro where it comes out There are some spots in it that I'm currently fine tuning There I know some of you who have probably watched from live streams are a bit Well, we'll notice some differences and some big changes. That's because I Haven't been happy with the visuals of it. I've been going back and I've been redoing Some of the parts I'm not happy with and in fact, even if I have time today I'm going to go back and reanimate Some of the parts of the show that I'm not happy with in terms of like visuals So I'm trying my hardest to guarantee a good and consistent product for you all Um, and again, thank you all so much for watching. Of course, I'll see you guys next time Thank you for listening through the through the outro card Bye