Hey, this is Brett with Summit Auto, and this 2015 Chevy Silverado 3500 Crew Cab Long Box Dually is stock number 12458Z. We're here at Summit Automotive in Fond du Lac, Wisconsin. You're new and used heavy-duty truck headquarters. This 2015 Chevy Silverado has the 6.6 liter Duramax diesel engine. It pumps out 397 horsepower. This truck has been fully safety and inspected per the state of Wisconsin inspection process. It has a fresh oil and filter change. All the fluids have been checked and topped off, and this truck is 100% ready to go. We're going to go inside, underneath, start it up, take a look under the hood in this video. Blue, Topaz, metallic is the color, and we shoot all of our videos, so at least this video in 4K. So if you have HD capabilities on your computer, tablet, smartphone, or television, I highly recommend turning them on right now because it is your best way to check out the quality condition and options of the truck before seeing it in person. And if you like the video on how we do things here at Summit Automotive in the upper right-hand part of the screen is a subscribe button. Click that, and then click the bell notifications. You'll get updates every time we do videos here at Summit Auto, which is every day of our new and used inventory. This one comes with the factory steel rims with the chrome wheel simulators. They're in pretty nice shape, and it has Nitto Duragrappler Highway Terrain. These are LT-23580R17 tires, and these tires have right around half the tread left on them. Frame and underbody is in pretty nice shape. For being a 2015, this is a one owner clean title history truck out of Iowa. Front fender is in absolutely perfect condition, no dents or dings on there. Front bumper is in really nice shape, does have the factory fog lights, has a really nice Laverne chrome grille guard. You also get the chrome grille. The hood is in very nice shape as well, does come with a nice bug shield too. Headlight lenses are nice and clear, and it does come with the projector lamp headlamps. Passenger side front fender is in excellent shape, and the passenger side wheel simulator. Pretty nice condition as well, I didn't see any scuffs or scrapes or cracks on there. Topaz Blue Metallic does have just a little bit of metal flake in it, really a good looking color, and you can see that right there. As you go down this side of the truck, take note of how clean the body is, how reflective and mirror-like that paint is. We take these HD videos, so if you are far away or even if you're close by and just cannot make the trip down, but you're still interested in purchasing the vehicle, you can see the truck, hear the truck, and have confidence in the vehicle that you're looking at before you even get here. So when you do get here, there's absolutely no surprises, and you can make a smart and informed buying decision from wherever you're at. And if this video helps you make that buying decision, let your salesmen know that you saw the video, it was helpful, and that Brett sent you.  Frame in the underbody is in pretty nice condition as well. You always want to look at these box rails, and I'm talking about box rails. These guys right here, the rails that are part of the box that actually attach to the frame, if you're looking for corrosion, it's usually where it'll happen first. As all the remaining factor exhaust and underneath is in really nice condition. Frame corners and lower rockers all look good, and it comes with the nice factory chrome step bars. Does have the 3M tape on here, that's actually, those aren't chips or anything, that's just the tapes, I'll get a little chewed up there, but for the most part, the box sides are in really nice shape, paints in nice condition. Coming around to the back, the rear bumper is in great shape, I didn't see any major dents or dings done there. Does have the rear bumper steps, backup parking sensors, and full towing package, which includes a receiver hitch four pin and seven pin wiring. The tailgate is in excellent shape as well. Does have a locking tailgate and a backup camera. And this one comes with a gooseneck hitch, also has the shock down assist tailgate, so it's never going to slam on you. And it has a very large auxiliary fuel tank that comes with this truck. You also get seven pin wiring in the back as well as the gooseneck hitch. With that spray and bed liner is in nice condition, and coming around to the driver side just as clean as that passenger side, box looks pretty good. Only thing I saw for full disclosure is one little ding right there, but nothing too bad. This back wheel simulator is in nice shape, front of the dually tub looks pretty good. And down the rest is side of the truck. Very nice and clean. This one does come with the telescopic tow mirrors, they have built in directional signals. They telescope out like so and fold in like that.  There are no rips or tears on the seats. They're in really nice condition. It does have the power driver seat, 40-20-40 split bench seating, factory all-weather floor mats throughout. This one does have auto headlamps, turned-out four-wheel drive, and factory brake controller. You do get tilt steering wheel, power windows, power locks, and power mirrors. Little hop inside, check the miles, radio, and everything that this truck has to offer on the interior. You can see that this truck has 46,154 miles, instrument cluster is very nice and clean. Comes with the leather-wrapped steering wheel, cruise controls on the left, Bluetooth and information center controls on the right. This one does have the six-point, six-liter Duramax diesel, but it also comes with the six-speed automatic transmission with the optional tap shift. This one has the Chevy MyLink system, AM FM, and you can see it does have serious XM radio capabilities on there as well. And then you get all your different apps there. This one does have a CD player, and this is also where your backup camera shows up. Down here are your climate controls, power pedals, stability control, that's for your cargo lamps, parking sensors, and your factory exhaust brake is right there. This one does have a 12-volt power point and then a 110-volt, 150-watt plug-in. We can maybe show it there. Nope, it's not going to want to. There it is. But that is a 110-volt, 150-watt plug-in. Passenger side format and seat are in excellent condition. No rips or tears on there. And the headliner is in really nice shape as well. And you can see any rips or tears up there either. You do get home link buttons for your garage door security systems and lane systems, map lights as well, and on-star and SOS buttons in the rear view mirror. We'll take a quick look at the back seats, and then we'll start it up and take a quick look under the hood. Back seats are just as clean as the front seats. No rips or tears back here. It does have the latch-child safety system for any child car seats you may have. Fixed glass rear window with the built-in rear defrost. Seats are in great shape. Factory all-weather floor mats back here. Carpeting is in really nice condition as well. They fold up like so. Bottoms of the doors all look really good on this truck. And we'll start it up and take a quick look under the hood. Starts right up. No check engine lights or anything like that. I would personally like to thank you for checking out the video today. And hopefully from this HD video, you will have been able to verify the quality and condition of this truck all the way around, inside, and out. Under the hood, we have the 6.6-liter Duramax diesel. Engine bay is very clean, runs very smooth. Once again, this truck has been fully safe lead and inspected by our service shop, has a fresh oil and filter change. All the fluids have been checked and topped off, and this truck is 100% ready to go. There is your emission sticker. I would highly recommend this truck. It may quality and condition standpoint. And to see more pictures of this truck, or one of our other 450 new and used cars, trucks, SUVs, minivans, or English halftones, three-quarter tons, one tons, you name it, we gotta go to that website right there, www.SummitAuto.com. Full pictures and descriptions of every single vehicle from two locations all at SummitAuto.com. And if you'd like to check out more HD videos, you can go to youtube.com. It's our Summit Auto. Remember to like, subscribe, and share on this video and all the videos that you see there. Click the bell notifications. You'll get updates every time you see videos. We do videos here at Summit Auto. In fact, in a second you'll see a link to subscribe to our YouTube channel on the upper left. The link to more Silverado 3500 truck videos like this one on the upper right. Link to this vehicle on our website on the lower left. And a link to one of our latest YouTube videos in the lower right. Click those, check this out. We're super excited to help you with this Ultra Clean 2015 Chevy Silverado 3500 Crew Cab Long Box LT1 in Topaz Metallic Blue. Thanks again for checking out the video. Remember to like, subscribe, and share.


Okay guys so I've got this is update to I thought I'd bring you along with me I'm getting ready to drop that out of there I got one bolt in there and it's loose so I'm gonna try to bring it out slowly because I know a bunch of stuff's gonna drip down into my pan or flow down into my pan bunch of transmission fluid it's weird because the driver's side which is the left side axle over here it goes into the transmission the right side passenger side axle goes into the transfer case and the transfer case goes into the transmission so it's pretty pretty simple setup you know so it comes out of the transmission turns this axle turns the transfer case which turns that axle which turns the drive shaft which turns the differential in the rear which turns the two I know sounds a little more complicated than what it is but it's not really complicated at all so I'm gonna go around there I you know I'm gonna try to let it drain as much as I can and then I'm just gonna try to lift it down out of there I'll move that pan over I know I'm gonna make a mess but it's inevitable when you're on the ground like this so I'm gonna go around and like I said drain what I can let drain and then I'm just gonna lift that thing down out of there I don't think I'm gonna use a jack so shipping weight 66 pounds so I don't know let me get around there guys and let's get this pig out of here we are she's out all right so I'm just gonna let this drain a while but first I'm gonna drag this pig out of here so we can take a better look at it there she is that's not good I'm gonna go ahead and take these take this off see if I can get this to come out of there and we'll see I'll kick you back on when I get ready to pull this up out let's see what happened to this thing man so there's where it lives up in that hole okay I'll kick it back on in a minute hang tight guys okay guys so I pulled that nut off there I'm tapping this and this popped up so I wanted weight we're gonna look this together ready that's a bunch of that's metal she's toast roasted and toasted what I think happened is that piece of metal I just pulled out I'm not sure but I think that's a retaining clip bearing or something went bad that shouldn't do that we'll know more once we get the side cover off I'm not gonna take that off today but we'll take that off and take this apart and see exactly what happened but that's this is all metal metal shavings here that's what that is yeah that gear's been yeah it's been making some noise she said it started making a weird noise you know I was thinking the rear end was making a noise but you know it could have been that noise could have been following the drive shaft back but I don't know I'm still going to get the rear end up in the air and make sure it's not like locking up or something but I think whatever happened happened inside of here that's a fluke thing I thought we'd see a busted gear but I'm not seeing busted gears my guess would be that looks like honestly to me that looks like lack of maintenance it almost looks like it was run empty so always run maintenance on your stuff guys always this takes a 90 weight so wow alright guys I'll be back with you as soon as we get the other one unloaded well as soon as it gets here and we get it unloaded all right guys just got here it's a little after four so I probably won't put it in tonight but let's open this up let's check this out see if it's what we were well and see if we ordered great thing okay stop doesn't fit not working arrived damage we offer free returns they do it's got a six month warranty or a 30-day return there should be see what the tag says it's from Seymour auto racking now this is actually out of a 2011 enclave but it fits a whole bunch of different stuff see ours 2010 it looks a lot cleaner than this one I'm wondering if that one ours hadn't been out at one time of course this does have a lot more miles on it than on yeah that seems to be that seems to be the the guy there got both shafts turning deal that seal looks pretty good I think I'm just gonna clean it off and reuse that seal because that seals like $27 or something I'll put some I'll clean up real good and I'll put some stuff around it to help seal it but that looks like the deal I'm not gonna put it in tonight I'm running out of daylight I actually contacted these guys it was late at night but I sent a message through eBay and I thought you know they'll get a hold of me tomorrow some time when they get a chance well it was about a half an hour later they got a hold of me because I asked about how many miles was on it and they said it's 197,000 miles but it has been tested it is fine but they he also he did say again he said you know we got six month you got six month warranty on it and you also have a 30 day return so hopefully we won't have any issues with it I think I'm just gonna leave this up here it should be alright if it rains I got everything else picked up so yeah I'll get that up in there I'll drain the fluid out whatever fluids in it because you know it's out we might as well just filled up with new because it only takes 2.1 paints which is just over a quart so yeah that's yours looks a lot a lot cleaner of course you know this came from Connecticut and it does have a lot more miles but I'm just wondering if ours wasn't put in at one time I'll have to go over the service there's he's got the original owner had service service records on it but I don't remember seeing anything about a transmission transfer case so but yeah this seems to be okay this yeah this one will fit right up in there look at the bottom here yeah there's the two bolts down there and three up here two here okay I think that will that'll do it hi guys hang on a second I'll be back with you all right guys so there's your update for today won't throw that up in there tomorrow so yeah our our gear oil it's not gonna be here till Thursday so I got to get some gear oil and of course I got to get some transmission fluid because you saw we lost probably a quarter to there what I'll do is I'll measure that out I've got an empty quart container over there an old oil container and I'll fill that up however many times once once and a half whatever and then I'll know how about how much to put in it that's transmission fluid so yeah let's see the porch pirates come try to take this one away grab it yeah let's see that all right guys thank you so much for watching I appreciate it make sure all your support so monkey's mom's not doing very well they got to put her on dialysis she had to have that thing done to her today and then she was in in dialysis and then if you guys aren't aware what that is it's you know she'll probably have to go in three to four times a week for two to three hours or whatever it is and it cleans your system or whatever it does but you know well it's better than the alternative I guess right and once you start that you can't stop I mean you can but chances are you'll probably die if you stop dialysis so you know your life depends on that so anyway so she's out there right now the neighbor right next door here he came up and took her yesterday and went and picked her up and then she came and picked her up earlier today and took her out so I figured I'll be bringing her back probably about dark time because you know they're they're getting up there in age and they can't see that wafter dark so alright guys again thanks for watching appreciate it she bear the myth man legend we're going for now and tomorrow we're gonna get this up in there and try to get what we can buttoned up I'd like to have it done more but we'll just have to see you know because once I lift that thing up in there you know that's that's a lot of work man you know I carried it from over there a guy brought it in his own car because he broke a leg at work I guess fell out of the truck or something out of the back of the truck was you know doing his job and he's got pins and screws in his legs so he's kind of like on late-duty but so they're they gave him his car he said I got I got to yeah he says I got the heavy award today it's the heaviest package he had one more to go and he's two hours ahead of schedule so that's good but uh yeah he says 57 all right guys again thanks for watching we'll see you in the next one bye bye guys take care


Well, I can tell you that it's longer than that, but not by much. I have five cats, yes, five. My fiance and I started with one, then graduated to three after a friend started having allergic reactions and had to give his two up. Then the same happened a few years later with one of her friends. Now we're at five. There's too many cats in my opinion, but what can I do at this point? They're here to stay and I love them unconditionally. A while ago now, my fiance left for a trip to Thailand. She's into Muay Thai and so is her brother, so he invited her to go with him on a training trip his gym was taking. This left me home alone for a while, which as an introvert as well as a professional writer who was currently in the midst of his second novel was not unwelcome. I was looking forward to some valuable alone time in a distraction free environment in which to make some progress on my writing. Three days into her trip, I'd been doing just that. Around 4pm, I finished my third chapter in as many days. I was thrilled, but needed a change of pace as my mind was beginning to give off sparks. One of the lights in the high ceiling of our living room had gone out, so I figured I'd take this time to replace it. I went into the garage and got the ladder, then set it up under the light. I stood on the second from top step, looking up. Even though I'm tall, I could still barely reach the light. I went up to the next rung knowing full well it wasn't safe. I could reach it now, but it was still at an awkward distance. I thought about it for a second time, then decided to just go for it. I didn't want to have to find another ladder or call an electrician, plus I'm pretty sure footed, so I stepped up onto the top of the ladder. I could comfortably reach the light now. The bulb was a pretty standard screw-in type that could easily be changed out, except that there was a thin metal rim that went about halfway around the circumference of the fixture and blocked the bulb from coming out. Try as I might, I could not figure out how to get the bulb around it or get it off. I finally resorted to brute force and gave it a good yank. Nothing happened. I yanked it harder, still nothing. I gave it one more firm pull and it came off. Unfortunately, so did my feet from the ladder. I came to lying on my back, staring up at the broken fixture. I couldn't move. I could tell I was breathing, an adult aching in my back that seemed many miles away told me that I still had some life in my nerves, but otherwise, nothing. Panic didn't last long, as there wasn't anything I could do. Since I was conscious and could feel a bit, I figured it would pass. I resolved myself to wait it out and began focusing on my breathing, not only as a meditative practice, but to help regain control of myself too. As time passed, I could sense faint nudges around my feet, hands and head, now and then a shock of fur would pass before my eyes. Once my breathing became more difficult and far off somewhere I could feel four little pause on my chest. They were hungry, but there was nothing I could do. They'd have to wait it out, just like me. Darkness fell, and then the light returned. My situation hadn't improved. More and more I felt the little nudges or the poke of a paw on my face. I kept focusing on my breathing. If I was making progress with it, I couldn't tell, but for the time being, it was keeping me sane. One night fell, and again dawn broke with no improvement. The nudges and pokes were getting more frequent and far more desperate. I could feel a gnawing sensation in my own stomach and my lips were beginning to feel dry and cracked. Sometime during the third night is when I felt the teeth. Even that far away sensation almost as if it were happening to someone else. Even so, the feeling was unmistakable, like two steel rods sinking into the flesh of my calf, then a tug, then a rip. I tried with all my might to make myself scream. Nothing. I felt the teeth again, another pull, another rip, a wet chewing sound. I waited for my lungs to fill with air and then focused all my energy into forcing it out. A low-strained groan escaped my lips, but it was enough. The teeth stopped, and I felt the faint vibrations of little footsteps going away.   Again, I groaned. The licking stopped for a moment, and then began once more. I tried to kick out with my leg and managed a small twitch. I heard paws run off again.  How long had they been at it while I was asleep? How much longer could I hold them off? What was left of my leg? How much longer could I last like this? This same cycle continued for days. First, the feel of teeth in the flesh of my leg, arm, or sometimes, my face. Next, a twitch or a groan to shake them off. Sometimes more than one set of teeth at a time, sometimes they wouldn't leave. I could feel the wetness of blood on parts of me. I could feel the small embers of pain and infection all over.  My mouth was like hot sand. I was growing weak. With what was now left of my sanity, I tried to count the days I'd been lying there. She must have been close to returning home. It must have been long enough that someone knows something's wrong. I had to be close to the end. It was hard to tell, though, with a sensation of five little sets of teeth all tearing at five different parts of me. Concentration was in short supply. I wanted to shake them off, but I was so tired. All I wanted was to rest. I forgot about my breathing.  My thoughts began to fade, far off somewhere. I heard the rumble of a car engine. I heard the jagged metal grinding of a key in a lock. I heard hinges creak. I heard footsteps. I heard screaming.


Hey there guys, it's me Logan and today we're going to be finally reacting to 101 is a mess and it has been recommended to me for a while and I was going to react to it yesterday but um yesterday I was just basically really lazy and I didn't really want to record a video because I was lazy so I was just like yeah you know what we'll just let it snide away you know we'll just chill and I freaking love 101 like 101 is just so freaking amazing you know I just cannot wait to see see them like on craig well not really on craig but you know the funny type of videos you know I just cannot wait to see it so yeah let's just get straight into this I'm really excited I hope you guys are too and let's do this oh you're about to witness 101 and 101 darkness and it's so particularly good to start okay English I can do how to enter a room with 101 okay that's how I would enter a room as well okay yeah Daniel god damn it and the Beijing young doing the skipping I can tell that these guys are definitely gonna be a massive mess is this okay oh oh kinky kinky kinky oh these guys are such a mess billion chickens and they already missed I'm not saying they remind me of trains that's exactly what I'm saying it's even in the name of that one does okay but I didn't used to do that just used to do that at primary school for my friends beef is very delicious good delicious they own it god damn oh god exactly that I swear I'm just putting my face in my farm every time there's a new clip does this office does nothing happen one-on-one spice what oh shit it's going to be yourself she's actually actually I had them through is this just gonna be happening over and over this is just too extra for the agent young oh no this is just gonna be messing me oh god dang it all smile the only image that I tried that I didn't know that welcome to English you're saying I'm going to you fight me I need to see English compilation of one-on-one for English compilation oh my god oh it's a birthday that's the most infusion yes it can prepare I've even done Oh, that was a long time ago You have to do it with your heart Yes, that's right Yes, yes Yes, yes One, two, three Wow Thank you Okay, that's the end Hey, this was such a long video Oh no, that ending That ending of Ong doing the freaking That thing, oh that was amazing Oh no Why are you doing this? After watching this video, I gotta say One-on-one isn't just a mess They're a complete bloody mess Oh, the memes The memes that are coming out This is amazing and also I need to react to an English compilation I'm gonna do some searching After I upload in it And I'm just gonna find one Save it, I'm not even gonna watch it I'm just gonna find an English compilation Save it and then be like What I am gonna do I'll react to the English compilation of One-on-one in a few days from now Hopefully there is one But yeah guys, this is gonna be all for this video I hope you guys did enjoy it If you guys did, then do make sure to support by leaving a like And also comment down below Actually, why don't you guys go leave a link To an English compilation that you guys think is funny Because you guys always find great stuff That you send to me, that you want me to react to So please comment down below An English compilation you think is worthy Well basically just a funny one And I'll definitely react to it In the next few days And also subscribe if you guys are new to the channel Because there will be more one-on-one reactions coming out In the future because one-on-one They're a mess And yeah, that's basically all So I hope you guys have a great day And just keep on smiling And adios amigos


Hello from the National Archives Public Programs and Education staff. My name is Breanne Robertson and I am an education specialist at the National Archives in Washington, DC. Welcome to the National Archives Comes Alive Young Learners Program. Today we meet Gilbert Stewart, portrayed by actor and storyteller Bob Gleeson. Our programs are brought to you from the National Archives Public Programs and Education team and the National Archives Foundation. You can find information for teacher and student programs on the National Archives website, archives.gov, under Archives News, upcoming events, and if you follow the National Archives on social media. Gilbert Stewart was known as a brilliant portraitist of the federal or post-revolutionary war era. Stewart painted several of the iconic images of George Washington we know today, including the one used on the $1 bill. Stewart's attention to detail led to many commissions. His subjects included the first five U.S. presidents, their families, and many Americans of the day. His work can be seen in museums across the country. The National Archives has many records related to Gilbert Stewart, which can be found in the National Archives online catalog and in our education-specific resource, DocsTeach, at docsteach.org. We have several copies of paintings by Gilbert Stewart that were captured as part of the George Washington Bicentennial Commission celebration back in 1931 and 1932. The commission's purpose was to celebrate the birth and accomplishments of Washington and to collect, preserve, and publish writings, artworks, and photographs pertinent to his life and times. On this slide we have included several key figures such as George Washington, first president of the United States, James Madison, the fourth president of the United States, and his wife Dolly Madison, and James Monroe, the fifth president of the United States. These images are a few of the many paintings Gilbert Stewart created during his lifetime. As you can see, these are copies of the paintings. Gilbert Stewart's original paintings can be seen at various museums across the country, including the Metropolitan Museum of Art in New York City and the National Portrait Gallery in Washington, D.C. Now let's give a warm welcome to Gilbert Stewart. I was born six miles from Patawoon, ten miles from Papasquash, about four miles from Cornediquot, and not far from the spot where the famous battle with a war like Piquots was fought. When I told that to people in England, they assumed that I come from India. In fact, I was born in Rhode Island. My parents were merchants.  Don't do it. Early on, I decided that I wanted to be an artist. I had a talent for it. Everybody agreed. I would draw pictures of my neighbors in the dirt. I would draw on the walls. I would draw on any flat surface. And it was decided that, well, if I didn't have a head for business, at least I could do something that I had a talent for. Now, in those times, there wasn't much opportunity for artists to make a living in the Americas. You might get along as what they call a limner. And a limner is someone who does all sorts of painting. They usually aren't very good at it, but they get along. They still make crude portraits of your family or your aunt Agatha or somebody like that. They will paint sides for your business to hang outside the window. They would also, if you happen to own a fine coach and six horses, you could get the limner to paint your coat of arms on the door of the coach. So everyone will know how important you think you are. Now, I had it in mind to paint fine portraits of famous people and make a very, very nice living out of that. But there wasn't a whole lot of that sort of opportunity in the Americas, as I said. Then I met an artist named Cosmo Alexander. He was from Scotland. He was touring the Americas with his paintings, hoping to encourage people to have their portraits done by him. And when he saw the little scribblings that I had been doing, he thought I really had talent. So he took me on as an apprentice. An apprentice is somebody who studies with a master. It would be a blacksmith or a ginsmith or a goldsmith or a housewright.  So Cosmo Alexander decided that I would have much more opportunity back in Scotland where he was from. So we got on a ship and off we went to Scotland where Mr. Alexander was going to introduce me to famous artists and rich people and my career would be made. Then he died. And there I was in Scotland knowing nobody with no chance of making a living. There was only one thing to do after a while. When I ran out of money, I decided to go home again. And I signed on as a sailor on a coal ship. And the less said about my experiences as a sailor, the better. But it did convince me that I was no good as a sailor and should stick to art. In the Americas, I moved to Boston and kept on practicing my art and eventually established a reputation as a rather fine portraitist. Then on the 18th of April of 75, the British and the Americans began shooting each other and they were going to be shooting each other for the next eight years. And that's very bad for the art business. So my parents who were loyal to King George decided to leave town all the way to Nova Scotia. There was absolutely no chance for an artist in Nova Scotia at that time. So I decided to go back to England and see if I could make my reputation there. I was a much better painter now than I was the last time I was there. So I got on another ship and sailed to England and found out when I got to London that England is rather well supplied with very, very fine artists at Gainsborough, Joshua Reynolds, all sorts of famous people who got all the famous people in line to have their portraits painted. Not much work left over for me, I'm afraid. Well, I did the best I could. I had some friends who were studying there. One Benjamin Waterhouse was studying medicine and he was very kind to me. He would have me over to his house and meet people he knew and gave me some opportunities to paint some paintings. But I still needed regular work just to survive and eat. One day I was walking down the street while I heard an organ being played in a church. So I went in and asked what was the celebration for and they said, oh, we're auditioning for a new organist. And I thought, well, now here this is good. It turns out I play the organ rather well back in Rhode Island and in Boston, just for fun sometimes. So I asked if I might try out and they said yes, of course, yes, and I went up and played much better than any of the other applicants for the job. And so they gave the job to me and I was able to support myself to a degree playing the organ in this church. Still, it wasn't what I wanted to do. I wanted to be a fine painter and I tried and tried and failed and failed to attach that is to attract the very rich clients. And finally, I was on the point where I had no place to live, not much to eat and my clothes were rather shabby. I decided I was going to have to swallow my pride and ask for help. Now, the person who asked for help in the world of art in London at that time was Benjamin West. Here's his picture, which I painted. A delightful, wonderful pine man who spent a lot of his time encouraging young artists, particularly artists like myself from America. He had come from America himself. His family were Quakers, you see, and Quakers really don't believe in the arts or music or dancing. So they raised money to send young Benjamin to London where he would fit right in as an artist and he did. He was very, very good. It's so good in fact that he became the official historic painter for King George III. He had these enormous paintings of historical happenings, mythology, scenes from mythology, scenes from history, on what I call his ten acre canvases. They were gigantic. And the reason they were gigantic was that King George had very big houses to live in with the very big walls. And so they needed very big paintings to cover the walls. That's where Benjamin West came in. But he came to his studio to see the paintings, to be painted, to enjoy his company. And I wrote him a letter begging him to have pity on a poor struggling artist from America who would love to be able to do some little things in his studio to study and improve by lot. I showed up at his door one night when I were having dinner. And Mr. Rush sent a friend to the door. I'm sorry, that Benjamin Rush adopted. I'm talking about Benjamin West the painter. Not Benjamin Franklin. Benjamin Franklin either. Too many vengeance. Anyway, he sent one of his friends to answer the door and he asked him who I was and where was I from? Who did I know? I said, well, my uncle is Joseph Anthony, very rich, famous merchant from Philadelphia. He thought, well, that should be enough of a resume. He went back and told Mr. West who I was and where I'd come from. And he invited me in and asked me a few questions about art and decided, well, you look like an intelligent young man. Come to my studio tomorrow. You could help me with my big paintings. I need somebody to paint in the draperies and things so that I can concentrate on the figures. And so that's what I did for quite a long time, painting draperies on Benjamin West's 10 acre canvases. And he was the delightful man. And his other apprentices were delightful people. It was a wonderful job to have. But I continued to practice my art and eventually attracted some customers here and there. People wanted paintings of their children. That's better. I don't know any children who run around looking like that all the time. But that's the way the art business was.  They would go home and then you'd paint in everything else. You'd give them wonderful clothes that they've never owned and hairstyles that were never theirs and all sorts of props in the background that they didn't have. But it made such a nice impression that people love that sort of thing. So you had to get used to that. Also gentlemen would bring in their wives to be painted. And you do the best you could with them, depending on how they look to begin with. Most of them were quite lovely young ladies. But once in a while, well, you'd get one that was, well, they had, they were lovely people and had a nice personality. But they would not stop traffic, you see. And of course, the gentleman, the husband, would be very impressed with the process and say, well, I wanted to look so and I wanted to have this. Can't you make it a little bit more attractive? That got to be old rather fast. I don't know why people think they can bring in a potato and expecting to paint a peach. But if you wanted to keep the business up, you painted peaches, as often as you could. So there I was painting draperies for Mr. West and painting portraits of people who may or may not look like they'd like to look. And one day I was with a fellow who wanted a painting and it was a very cold day. While we were discussing what he wanted, he said, you know that it's too interesting a day to spend cooped up. It's very cold out. I think there'll be ice on the river. We should go ice skating. Well, that was all right with me. It turns out I'm a pretty good ice skater too. I lived in New England where the ice came in October and stayed till May. So I said, right, fine, let's go ice skating. And so we did. And as I watched this gentleman curling around on the ice, I thought, wait a minute, this is a wonderful idea. I will paint this gentleman ice skating. Nobody has ever painted a gentleman ice skating before. They're usually on horseback or riding in carriages or standing next to cannons. I'll paint this gentleman ice skating. And so I did. There he is. There we go. Now we put this painting on exhibition at the next great exhibit at the Academy and it created a sensation. Nobody had ever seen such a painting before. And they thought, well, this must be a fine painting by Benjamin West. Or no, no, it's Joshua Reynolds. It's his painting. Oh, no, maybe it's Mr. Kingsborough's painting. They were astonished to find out that it was young Gilbert Stewart who nobody knew painting. That cemented my reputation and I began to get much more business, which was nice. It allowed me to get my own home with my own studio, my own apprentices to paint draperies on my painting. I even had the wherewithal to get married, which I did. I also gave a lot of parties, which you were expected to give. You'd be invited to their parties. They have to be invited to your parties. Those things run into money.  Well, there I was. I was able at least to continue to entertain clients and paint paintings and finally was able to buy my way out of debtor's prison and decided it would be a good idea if I lived somewhere else, perhaps Dublin. So I packed up my family and my paints and moved to Dublin. I began by that time to trade on my reputation as one of the finest portrait painters in England and painted dozens and dozens of paintings. And of course had dozens and dozens of dinner parties and expensive knickknacks and coaches and horses and all those things. A respectable prosperous man is supposed to have and it wasn't wrong before I was in an Irish debtor's prison. Now what was I going to do? Well, I had a plan. I was going to relocate to America where I could paint a portrait of the most famous man in the world, George Washington. Now, he was quite popular in England by that time because of something that George III had said. When the war was over and Washington had won, George asked one of his advisors, well, this Washington fellow, what's he going to do now? The advisor said, well, we understand he's going to retire from the army and go back to this farm. And King George said, why, if he does that, he'll be the greatest man in the world. Because you see, nobody had ever done that. Once you won, you took over Julius Caesar took over Rome when he won the war. Mr. Napoleon took over France when he won the war. You see, it's very unusual for the general to just give it all away and go home. And he did that twice. First as the general, he retired, then they asked him to be president for eight years and he retired from that too. He just couldn't seem to wait to get back to his farm. It's all he ever wanted. Well, a man that famous, everybody would want a portrait of him. So I would paint a portrait and I would make copies and sell them and I would be wealthy and he would be even more famous than before. But I had to get out of debtors' prison first. So I advertised to come to the address of the debtors' prison and I'll paint portraits. You only have to pay half the price to start and you'll pay the other half on the portrait is finished. And I started dozens of portraits, collecting half the price so I could pay off my debts and then simply packed up and left the country with all the unfinished paintings waited. I knew that the young artists of Ireland would get employment finishing those paintings for the clients so I didn't feel too bad about that. We sailed to New York and I set up shop painting the famous people who were living in New York at the time so that I would establish a reputation in America and be able to approach General Washington as a famous American painter. I painted the new Chief Justice of the Supreme Court here. John Jay in his beautiful red robes. And he was very pleased with that and so recommended me to other famous and likely rich people to paint their portraits as well. I had established a reputation after a little while and decided then it was time to move to Philadelphia where at the time General Washington now President Washington was living. They were still building the federal city of Washington. So the general president was living in a very nice house at the corner of Sixton Market Street that used to belong to Robert Morris who was in debtor's prison at the time. Well, I approached the general's house to see if he would allow me to paint him. And as I came to the front walk the door flow open and a servant came flying through the air and landing on the sidewalk tumbled a little bit. And I said, What has happened? What have you done? He said, Oh, well, I was cleaning up in the painting room where Mr. Charles Wilson Peale, the famous artist, was painting the president. And I was sweeping and the painting was cleaning up against the wall. The paint was still wet and while I was sweeping the dust was getting on the painting. The president walked in and saw that and thought, Oh, no, the painting's ruined. You'll have to sit for it all over again, which he wasn't very happy to do.  I thought, Oh, fine. The president is in a bad mood already. Another painter is going to come in and approach him to do something he doesn't really care to do. However, I was fortunate that he had actually heard of me and seeing some of my work. And I thought, Well, this is it. I asked if I might paint his portrait because so many people wanted to have a fine portrait of their presidents. And he agreed. And so we had some time together. I would come early in the morning so that I wouldn't waste his whole day.  So that's what I did in this case and came up with this portrait. It was bought by a gentleman named Vaughn and known as the Vaughn portrait. I wasn't completely satisfied with it. You see, my aim as an artist is to capture the true character of my client, to show them as he really is, not the way other people think of him or they might think of himself, but as it really is. So I applied to see if he might allow me to paint another portrait. And as it turned out, Mrs. Washington, Martha, was anxious to have paintings of the two of them to hang on either side of their fireplace, I suppose. And so she pressured the general president into posing for those portraits, which I spent a very great deal of time making sure that it was what I wanted. I never quite could. That's the famous portrait that everybody's familiar with. I would be very, very careful and take good time getting the character right. One day, I thought that I was monopolizing too much of the general's time, the president. And I took a day off and allowed some of the other local artists to come in and have a try at him. And I stopped by at one point to visit and found five of the Peel family painting them all at once, Grafiel, Rubens, Rembrandt, Charles Wilson Peel himself, and his brother James, who made little tiny pictures of people. And I tiptoed back out of the room and went to find Lady Washington and told her, you've got to do something. President's in grave danger, why he's being Peel all around. I don't know if she thought it was funny, but I thought it was quite generous. Well, eventually I got another commission, a very wealthy fellow named Landsdown. Marcus at Landsdown are one of those British knights of barons or whoever they think they are. And he wanted a full length portrait of the president because he was a very great admirer of him. And so I set to work to produce this portrait, which has become known as the Landsdown portrait. And it was a sensation. Nobody had ever created a portrait of the general president in that particular pose in that particular setting. Usually he was painted with horses and cannons and battlefields in the background. But this was a picture of President Washington. Ready for business. It was so popular that I was called upon to paint several copies of it. And other artists took the liberty of painting copies of it themselves. A particular fellow named Winston came to see me one day in my studio in Germantown, Pennsylvania. And he said that he had painted six copies of the Landsdown portrait. And he thought that he could get much more money for them if I were to just come and see them and tap the canvases with a paintbrush. So that he could say that Gilbert Stewart had given it the final touch. And then he could charge twice as much and he would share the money with me. And I looked at him. And I said, Mr. Winston Lee, you may leave now. Would you like to use the stairs or the window? And I never saw him again. However, his paintings certainly made the rounds. The famous painting that Donnie Madison is supposed to have saved on the British set fire to the White House. I'm pretty sure that's one of Mr. Winston's copies and not my original portrait. However, I have always had plenty of work to do since that time. My portraits of General Washington, president, made me more famous than I'd been in London. And so I was very, very happily painting away presidents and captains of industry and beautiful ladies and their children as long as I can. And well, I've got to be going soon because I have many more faces. Thank you so much for sharing about your, your life and your career. I'm wondering a question. You know, we've getting getting some questions from the audience, but also, you know, one of my own if you might talk about some of the artists that you admired who kind of helped inspire, you know, the style and the technique that you adopted in your own work. Well, I was very fond of many of the famous, famous portrait painters, seeing painters of England. I did not feel that I had to imitate their style, which many young artists made the mistake of doing. I wanted to find my own particular niche, my own style, my own method so that when you saw painting by me, you knew that that was a Gilbert Stuart painting, not to be confused with anybody else. But of all the artists I admired. The most interesting one was that Charles Wilson Peele of Philadelphia. Not only was he a fine painter, but he ran his own Natural History Museum, and did things like invent a private steam bath, portable steam bath. He invented false teeth, very, very fine porcelain false teeth, which General Washington could have used but alas, he didn't live long enough to try a set of them. Mr. Peele had 17 children and most of them became artists. He had a theory that anybody can learn to paint just a few lessons. So he taught all his friends and relatives to paint. I did not share his enthusiasm for his particular style, but I admired his industry. So that's that's the sort of thing I impressed by fine artists and by people who were able to make a living. So you said that Peele taught his children to paint. Did any of your children become artists? My daughter Jane had the most talent as an artist. She began to assist me eventually making the copies of the Washington portrait that I would sell when I needed money. I would sell all of my hundred dollar bills, and I would sketch out the face and she'd fill in the background and often sell it the next day. She became quite a famous artist on her own, as a matter of fact. So it was a pleasure to watch her improve and develop as an artist. And so what did Washington think about you not finishing his portrait? He came up to me one day and said, you know, I understand that Lady Washington is pressuring you to finish my portrait, but I know why you're not finishing it. I know that you need to supplement your income by making copies of it. So take as long as you want. And if you get a chance to finish it, send it along. Otherwise, there's enough people painting my portrait that one portrait won't be missed. And I thought that was very generous of him and I did indeed paint quite a few copies of that portrait. So what was your favorite subject of the many that you that you painted over your career? Oh, you know, they can be quite irascible with subjects. They'll be bored with sitting there uncomfortable. They keep wondering when they're going to be done so they get back to business. They have not much to say with a very hard time engaging General Washington in conversation to relax him to get the true man finally was able to talk about courses, which he loved. And that made him relax. But my favorite and client sitter was President John Adams, who said he would be glad to sit for me every day of the year from January to December. Because I let him do what he likes and we have wonderful conversations. So he was a very jolly client to have. We got along very well. I enjoyed painting. And his beautiful wife as well advocate. So we have a questions we've got visitors today in New York Washington DC so they are in a good place to go to some of those museums I mentioned earlier to see your paintings in person and also Burke Virginia. And one of them is asking, how many copies of the lands down portrait did you paint and is the one that is in the National Gallery that is it yours or is it a copy? Ah, well, I myself painted three versions of lands down portrait. I don't know how many more Mr. Winston painted and where they have to be. I would have to go and examine the one in the portrait gallery to see if I can determine whether it's my Mr. Winston. I would know instantly by my brushwork, but I have not had the opportunity to see it. So I suppose the jury is still out about that. You never can tell, but you can get the real thing except those substitutes. Now Mr. Lansdowne had his portrait required a long time. And I understand, eventually he lent it to this country for some great celebration or other and it sort of stayed here. And then one of his descendants decided they wanted to sell it for an enormous amount of money. And finally, the Americans had to take up a collection and they get great big captains of industry to donate an enormous amount of money to buy the lands down portrait. So if you can find the lands down portrait anywhere, that is the genuine article. All right, so our final question for today. What advice do you as Gilbert Stewart have for young people today? Well, having been a young person myself, my advice would be to determine what it is that satisfies you, a thing you can do that makes you happy and pursue it and never, never, never, never give up. And with that, I think that is wonderful advice for young people today that, you know, perseverance and then continuing to try is, is a terrific advice. Thank you so much for joining us today and telling us about your life and about your career and your many accomplishments and painting several of our first presidents. That's quite an honor. With that, I want to point out again to our viewers at home one last look at the Docs teach educational activity related to Gilbert Stewart and his paintings in the National Archives collection. And on that can be found on docs teach.org. And next month we'll be hosting another program another young learners program, and it will be featuring General Ulysses s grant commander of the United States Army during the Civil War. So we hope that you'll come back and join us for that.


In patients with Alzheimer's disease, the gradual decline in cognitive function and loss of neurons is preceded by the harmful buildup of the protein tau in the brain. Tau initially accumulates as toxic clusters called aggregates in brain regions that are critical for learning and memory. But how these toxic tau aggregates spread during the early stage of Alzheimer's was unknown until recently. This study found that tau aggregates can be carried from one neuron to another by the brain's own immune cells in a process that may contribute to the progression of Alzheimer's disease. One important function of the brain's immune cells, called microglia, is to constantly search brain tissue for materials that might indicate injury or infection. For this purpose, microglia actively engulf dead cells, debris, and even unhealthy living synapses or entire neurons. Then, microglia release membrane-bound spheres called exosomes, which can be taken up by other cells. This process enables microglia to present potentially infectious material to the immune system to activate an immune response. The authors of this study hypothesized that in a patient with Alzheimer's disease, microglia might actually help spread the harmful protein tau by taking up tau-containing synapses and then releasing tau via exosomes, which are then absorbed by nearby neurons. To test this hypothesis, mice were injected with a non-replicating virus modified to produce human tau only in neurons. The injections were made into the entorhinal cortex, the location where tau aggregates originate in Alzheimer's disease patients even before the onset of symptoms. One week after the virus was injected, human tau expression was detected only in the entorhinal cortex, but after four weeks it was also detected in the hippocampus. The spread of tau aggregates to the hippocampus is clinically important because this event is often associated with memory lapses, a hallmark of early Alzheimer's disease. In these mice, tau was found predominantly in neurons and, to a lesser extent, in microglia. The accumulation of tau in hippocampal neurons hindered their ability to function in the neural network. However, depleting microglia from the brain markedly suppressed the spread of tau to hippocampal neurons and preserved the function of these cells. Specifically blocking the formation of exosomes also prevented tau from accumulating in the hippocampus. In addition, using a common animal model of Alzheimer's disease in which the mice have been genetically modified to express human tau protein in the brain, the authors confirmed that blocking exosome function suppressed the spread of tau in the brain. Taken together, these results suggest that during the early stage of Alzheimer's disease, microglia facilitate the spread of tau aggregates between neurons by releasing tau-containing exosomes. This finding indicates that factors involved in exosome release by microglia might be used as novel therapeutic agents to prevent the progression of Alzheimer's disease.


Cartra versus Kajabi, the best choice revealed. Okay, so have you been trying to figure out, I got this membership thing and I'm thinking about Kajabi and I'm thinking about Cartra, thinking about Kajabi and I'm thinking about Cartra, which way do I go? Well, at the end of this video, I think you're gonna know which way to go. I think it's gonna be pretty clear. Now, I'm not going to put on any fronts and tell you I'm not biased because I am, but I'm biased because I'm right. Watch to the end of this video and I bet you'll agree. Hey, everybody, you are thinking about doing a membership site and that's pretty awesome.  I have membership sites. These membership sites have made me a lot of money and man, you're heading in the right direction, okay? And if you're doing this research right here, you're doing the smart thing because there are a few membership sites out there. And I would say if you've narrowed it down to Kajabi or Cartra, you've probably narrowed it down to the two best ones that are out there. You don't have to look any further, okay? You could pick one of these and either way, you've done pretty well, but one does outshine the other one and I'll explain to you why in just a second. First off, let's take a look at all this stuff. I was skeptical at first and I didn't understand how these membership sites worked. I had Kajabi and I worked in Kajabi and I didn't use it for a long time.  I actually was one of those people for a while. I now have Cartra, but I want to tell you why I have Cartra and why I didn't use Kajabi and maybe you can kind of relate to. Cartra basically has 11 different pieces of software apps built into it all at one place. So they work seamlessly. You won't notice it's 11 different things.  Kajabi kind of tries to piece together some things. The main thing I really like about Cartra is that you can host videos in there. You cannot host videos in Kajabi. You're gonna have to put it on Wistia. And the reason being is they don't have a hosting platform. Now you may say, well, it doesn't really make much difference as long as it plays the video, but it does make a difference because Cartra has analytics. So when you put a video in there, let's say you've got a whole course and there's 10 videos and video three is where everybody stops, you know, on your course. They never make it to video four or let's say 99% of them never make it to video four and you're like, why do they stop in there? You'll never know if you're in Kajabi because those are just hosted videos. But in Cartra, you'll know why because you can look at the exact spot that most people stop in. Maybe it's a 10 minute video and they always stop at two and a half minutes and maybe at two and a half minutes, something happened.  You know, maybe you said something wrong. Something on that video at that point was making everybody stop and you can fix it. You'll never be able to do that with Kajabi. Now they say that the main differences are that Cartra is focused more on selling products where Kajabi is more focused on selling courses. But I don't believe that to be true. I believe they're both focused on selling products and the product can be a course. It doesn't matter if it's a digital course or physical, you know, product. It doesn't matter. A product is a product is a product. And here's the other thing. Cartra allows you to have four different membership levels whereas Kajabi only allows you three. Keep in mind also that Cartra was designed by Mike Philsame and Andy Jenkins and promoted by Frank Kern who are top internet marketers and they're experts at making funnels and sales pages whereas Kajabi just doesn't have that capability. Now Cartra accepts credit card and PayPal payments and Kajabi will accept Stripe and PayPal payments but keep in mind if you have a Stripe account people can still use their credit card. It doesn't matter. I think every software should have support and Cartra does too. Cartra will offer email support for every single level of their plan whereas Kajabi only offers 24-7 chat support for their growth in pro plans. So you don't get the support if you're at the lower level. And I think that's kind of funny because if you're at a super high level you probably don't need support. If you're at the really low level you do need support. So I think it's interesting that they don't give you support at the lower level. Now I've made a list if you don't mind I'm going to look over here for just a second. I made a list of Cartra versus Kajabi the similarities, okay? Here's the similarities. They both have a pretty professional onboarding process and I don't mind either one of them. They're both okay. I think Cartra is far better. Facebook support groups they both have those how active those groups are. That's up to you. I haven't been in the Kajabi one in a while. I do go in the Cartra one and you know the Cartra one I don't go in much because all it is is people complimenting the software. I don't see people having that many problems in there. They do both offer an all-in-one platform. So you know Kajabi's got other things in there that help you out but not near as many as Cartra does. Cartra has 11 apps built into it. Each one has a training center and what I found is I don't like training centers in general so I wouldn't say either one of them is great. I would say Cartra is far better than Kajabi but you know I make videos all the time on YouTube about Cartra and people like to watch those videos but don't want to go to the training ones that the actual program has. I don't know why. Now they both have feature requests to improve the software but I don't see Kajabi changing much. I do see Cartra coming out with improvements it seems like weekly they come out with more and more things they offer more and more things and not charging you more but just saying hey we've added this feature it's now free to you. I see that happening all the time. As a matter of fact not too long ago maybe a year or two ago they offered unlimited emails so it didn't matter you know how many emails you sent out they weren't going to charge you more that's crazy but it's great and it's really good for the marketer. They both have different membership tiers. Cartra is all based on the size of your list Kajabi is not. They both have progress tracking which is good and they should and they both have upsells in there also which is important. They both have an email automation Cartra is far better in that aspect though the one in Kajabi is not bad it's just not good as Cartra. They also have customer segmentation you can do they both accept PayPal which I already mentioned in addition to that they have customized themes each one has a customized theme if anything maybe Kajabi has a little bit better looking themes and Cartra does but it is interesting you know how customized you want that because at that point somebody's already bought the course anyhow so if it's not the prettiest one in town it's not going to matter they've already bought your course not to say that you know Cartra is bad because it's not it looks fine it's just maybe Kajabi looks a little bit better. Now they both have affiliate programs what's what's interesting is Cartra has an affiliate program on all the different plans but on Kajabi you got to be on the pro or premium which makes no sense to me because they could make money in at every level I don't know why they would want to do that they both have a sales funnel builder I like Cartra much better they also have drag and drop page builders Cartra's far superior there they have a whole lot more templates it just looks better and understand Cartra was built by digital marketers so there's a lot of really successful templates in there that you're getting access to which I think is pretty cool and like I said earlier as far as video hosting Cartra hosts the videos whereas Kajabi uses Wistia now you may say well I don't care where it gets hosted it makes a huge difference and the reason it makes a huge difference is in Cartra and keep in mind they don't charge you for hosting it there in Cartra you will know when somebody ends a video now why is that important? well let's say you've got a 10 video course okay and most people are quitting on the third video and you haven't hosted in Kajabi and Wistia and all you know is people quit on the third video they never make it to video four now with Cartra you could actually go and see exactly where they quit the video did they quit it at two minutes, four minutes, three minutes maybe at three and a half minutes there was a glitch in the video something went wrong and the video wasn't working properly or maybe you said something there that turned people off or maybe something happened or maybe there was a loud noise that got picked up on the audio I don't know but at least you'll know where they're dropping off on that video you'll never know that with Kajabi so you can't fix it that analytics of your video is so very important and the other place that comes into play too if you have a video sales page and it's not selling with Wistia all you'll know is that they didn't watch to the end okay whereas with Cartra you'll know exactly where the majority of the people dropped off once again it could be something you said it could be a glitch it could be something that's turning people off but you'll know that precise moment where most people left and if a lot of people are leaving at a particular moment it's something you need to change your video you'll never know that with Wistia so all in all you've guessed it I like Cartra I switched to Cartra you know I went from eight different pieces of software down to one and it saved me money every single month now if you want to save money and have a better product you want you some Cartra okay if you want to host your own videos and know the analytics you want you some Cartra if you want the best marketing tools and templates you want you some Cartra okay Kajabi's not bad so why go with not bad but you could have much better and save yourself a whole lot of money I think that's super important now I also look at Cartra is something that I know I know because of their history I've been with them two three years I don't know maybe three years now it's been a while but I know they're going to give me more stuff I know they're going to keep improving the platform I know it's going to get better and better matter of fact they've improved it so much at this point that there's a lot of things in there that I haven't used yet okay I haven't used them it's like I got to use that new thing they just did something cool with the calendar and it integrates with my emails and I got to use that I just haven't figured out how to use that yet whereas a lot of these platforms you know they take the money every single month and it's pretty much the same thing every single month so another thing that I think is super important that you should think is important too is the importance of smashing that button down there subscribe to my channel right smashing the like button and the subscribe button and don't forget ring the bell that was a bad bell ring let me try one more time ring no hang on one more time ring the bell there you go turn on all bell notifications make sure you turn on all bell notifications so you are notified every single time I do a new video I really appreciate you watching this video you guys mean a lot to me put in the comments you know have you tried Khartra have you tried Kajah I can't think of Kajabi's name I should be able to I just did a whole video on this thing okay so put in the comments if you like Khartra or if you like Kajabi put in there why you like it and if you try Khartra and you get good results which you will you will if you try it put that in the comments so you can come back to this video later on and say I thank you JR that's a great program I really appreciate it don't forget if you want to get Khartra I do have a link in the description down there and you can click the link you can watch an entire video on all the stuff that Khartra does and if you choose to get it you can get a trial for only one dollar one dollar is pretty cheap check it out I think you'll like it I really appreciate you watching this video and I'll see you in the next one subscribe to my channel and click that little bell right there so you can be notified every time I do a new video also click on one of those videos there keep watching on my channel