Welcome. I welcome you all to this lecture in the course Introduction to Paninian Grammar. In this lecture we shall be studying the sutras of the type of atidesha, extension in the system of Paninian grammar. We have been studying the types of sutras so far. So far we have studied saudhnya, varibhasha, vidhi and niyama. Now the next important type of sutra is atidesha. These types of sutras, they have different functions. They play different roles in the overall system of Paninian grammar. We saw that the saudhnya which are the technical terms, they categorize the lexicon, they also give us some artificial terms which are used in the meta language and explain them so that the system can explain the data more effectively and in a more systematic manner. Paribhasas are the meta rules which help us interpret the sutras in the system of Paninian grammar. Vidhi is the most important part which is the rules which prescribe certain operations. The main amongst these operations is to state the pratyaya, before that also to state the action and the grammar helps us identify the pratyayas. The grammar helps us know which pratyaya is to be added after a root element in order to form which word which denotes which particular meaning. Paribhasasama was a contraction of the Vidhi which is a restatement and a very unique kind of rule which makes a positive statement but results in the negation. Now we come to atidesha. So what is atidesha? The definition of atidesha given in the tradition is anyatra drstasyadharmasya anyatra upadesaha a property which is located somewhere that property gets stated to be the property of something else in which that property does not exist. This way of stating the property is called atidesha. So a property which is located in X for example is stated to be located in Y where it is actually not located such a statement is called extension statement or atidesha sutra. Such a statement assumes X to possess properties of Y. In order to get some operation continued or some operation getting done. It is very important to note here that when an extension happens Y does not become X, Y remains Y. It is only assumed, Y is only assumed to possess the properties of X in order to carry out certain operations. In a nutshell we can say that Y acts like X in certain environments. This is what is the core of the concept of atidesha. This is a principle based also on the worldly experience. This is not just innovated in the system of panemian grammar but we also use this in our daily life where it is invariably observed that X who possesses certain features or functions etc is absent from its post and Y is acting in place of X in order to continue the functions of that particular important post and Y acts assuming the features or functions of X. So, for example we have this particular statement which is a modern statement kulagurvat upakulagurau kvartitavyam. This is slight modification of the traditional statement in order to match we match the modern times and in order to make it prominent we modified that traditional statement. The statement is kulagurvat upakulagurau vartitavyam when a vice chancellor of a particular university is absent for various reasons probably he is visiting some other university. In such a case in order to carry out the important duties of the post of the vice chancellor the pro vice chancellor assumes the features and the functions of the VC for some time and then that pro vice chancellor in that period is called acting vice chancellor is not vice chancellor he is acting vice chancellor. So pro vice chancellor assumes the duties properties of the vice chancellor but pro vice chancellor does not become a vice chancellor he remains or she remains a pro vice chancellor but there are certain properties there are certain functions that get extended and we have similar examples in all spheres of life. What is known as the concept of prattinidhi or the representation representative can also be explained as an example of the principle of atidesha getting manifest in the daily life. Now this concept of atidesha is based on the concept of prasanga. So let us try to see let us try to study what is the concept of prasanga this concept plays a crucial role in the process of extension this forms the base and provides a general background for extension to happen. It also ensures continuity in the process of derivation of a sentence which is what is the major aim of vayakarenashastra. Now the concept of prasanga is defined as following nimitta sadbhavad pravrutti anukula avasara visheshaha, nimitta sadbhavad pravrutti anukula avasara visheshaha. The specific scope or occasion favorable for application of the element or operation due to the existence of the conditions is termed prasanga. I repeat the specific visheshaha avasara scope or occasion favorable anukula for application of the element or operation pravrutti due to the existence sadbhava of the conditions nimitta. This scope or occasion is called prasanga. This definition is taken from the shabdasutra. So here is an explanation so on the left hand side we have two stages two steps on the right hand side we have five depicting the derivation process we have studied this process before on the whole there are ten steps of derivation of the words. Now the meaning acts as the earlier condition of the words getting derived and sentence getting derived. So this meaning which is shown on the left hand side of this slide which has got two steps one is generic the other one is also general but needs to be also specified which gets specified in the course of time you have seen this. But this is a precursor this is the cause so to speak of the word getting derived in a particular fashion shown on the right hand side. So now this left hand side acts as the prasanga when this particular meaning element this particular artha kasha is to be expressed these are the words which are collected together through these stages be it generic general and then specific ones occupying the slots and so on and so forth continuing up to this in each and every step the properties get extended all the properties that are part of this process which are stated over here they get extended to the next they get extended to the subsequent steps in the process of derivation and it is this part meaning part which plays as a major background major condition for this entire process to happen all the ten steps have these two steps and the further steps corresponding steps to all these as the necessary conditions and as the prasanga. There are two steps of derivation in the meaning part mentioned on this slide but we have already shown that there could be many corresponding to the right hand side word derivation and ten steps of derivation in the sentence part the generic slots in the first step get substituted by the specific elements in the form of root and suffix in the second step the root and suffix formation does carry the properties of meanings from the first step the second step consists of the general root and suffix categories of words they get substituted by specific word elements in the third step onwards the third step onwards carry on the properties of the specific kind of roots and suffixes as well as the meaning into the next subsequent step and this continues this continues up to the end of the derivation process each and every step in this process does inherit certain properties from the previous step as well as steps and carry forward the same properties as well as some additional properties wherever possible to the subsequent steps the final steps can be described in terms of properties they inherited from their previous steps this is very important the final steps can be described in terms of properties they inherited from their previous steps going back this is the final step this is the final shape of the sentence first of all present in the which then gets an audible expression so this stage this stage of derivation this step can be said to possess can be said to inherit the properties that existed in the step 9, 8, 7, 6 so on right from step 1 and even going before that the meaning steps. So, Gatsha Tiramogram inherits all those steps this is what is the extension of properties as far as the derivation is concerned and obviously this ensures that there is one continuity of the derivation and the derivation is bracketed by certain conditions which is known as the meaning conditions which act as the prasanga as described by the grammatical tradition. So, thus Gatsha Tiramogram can be described in terms of the root it possesses namely the verbal root gamma and the suffix that is added to it namely the thing which was added in an earlier step similarly Ramaha can be described in terms of the root it possesses namely the nominal root Ramaha and the suffix su that is added to it which is part of sup similarly gramma can be described in terms of the root it possesses namely the nominal root grammar and the suffix am that is added to it which is part of the sup suffixes. So, Gatsha Tiramogram is a sentence which can be described in this particular format. This is possible because this last stage of sentence derivation inherits the properties that were stated right in the first step of sentence derivation plus the meaning conditions that existed before and also simultaneously. Each earlier step can be said to provide the prasanga for the rules to apply to generate each subsequent step. This is very important. This is the scope of the concept of Atidesha as far as the overall derivation of sentence is concerned in the Paninian grammatical tradition. Now, let us come to some specific examples of this extension. One of the most important examples is that of Sthanivat Adesha. We know that the process of substitution is the main process involved in the Paninian grammatical tradition where x element is substituted by y. Now, when this substitution process happens what happens is the x which is substituted and y is a substitute y inherits the properties of x. Now, this is precisely what is stated by this sutra sthanivat adesha analvithau 1156. What this means is that a substitution acts like a sthani which is a substitute to end except in the operations based on individual sounds, properties on individual sounds. Sthani is the one which possesses the sthana and sthana means prasanga, the occasion of application based on the existence of the conditions. So, sthanivat adesha analvithau means a substitution acts like a sthani except in the operations based on individual sounds that is properties on individual sounds. So, here is an example. Asa plus the in the environment of the suffix the astair bhu-hu 2452 applies and prescribes the substitution of bhu in place of us. So, we get asa plus the replaced by substituted by bhu plus the. Asa gets substituted by bhu and so we get the form bhu-tha. Now, in this case bhu which is a substitution in place of asa, asa is the substituent, asa is the sthani, bhu is the adesha. Now, this bhu inherits the property of being a verbal root from asa because of 1156. And therefore, this bhu-tha is considered krdanta because this suffix the is a krith and this bhu comes in place of asa to which this the is added. So, bhu inherits the property of verbal root from asa and therefore, bhu-tha can be considered as a krdanta in this case. But bhu does not inherit the property of being a verbal beginning verbal root from asa which is which it is. So, asa is a verbal beginning verbal root, bhu is a consonant beginning verbal root. When bhu comes in place of us, when bhu is the substitution in place of us, who inherits the property of being a verbal root true, but it does not inherit the property of being a verbal beginning verbal root. Because this property of verbal beginning verbal root is based on the properties of an individual sound, a and bhu. Bhu remains a consonant beginning verbal root and as a result, when we form the verbal forms of asa plus long, this step does not get an augment a which is stated to be added to verbal roots to the verbal beginning roots. So, asa is a verbal beginning root, yes, but bhu is not. When asa gets simplest by bhu, we consider it as a consonant beginning verbal root and so we do not add a, we add a and so we get the forms of bhu and so on. So, this is the explanation of sthanivat, adeshah and analvithau. Alvithi is the which is based on al which is a sound. Here is another example. In the stage sudhi plus upasya which is a compound, 6177 applies where e long e is replaced by here. Here is the substitute, e is the substituent, here is the adeshah, e is the sthani and then we get sudhya upasya. At this stage, 8447 applies which requires this kind of construction, these constituents of the verb. Say element should be c1, before that there should be c2 and before that there should be a v that is a vowel. So, vowel consonant and consonant, this should be the condition. Now, in this case, c2 gets re-duplicated and the output would be vc2c2 and c1. So, this c2 should be any consonant minus her and then this c2 gets re-duplicated. This is what 8447 says. Now, in the present case, here is a consonant. If you look at this sudhya upasya, here is which is a vowel, then there is dha which is a consonant which can act as c2 and then there is a consonant here which is c1. So, exactly we have this stage vc2c1. Now, this year this c1 is a consonant, c2 is dha which is a consonant minus her that means all consonants except her and so this c2 can get re-duplicated into c2c2. Now, here is a consonant but remember it is a substitute which has replaced a vowel e. Now, this substitute cannot inherit the vowel property from the substituent e. So, you cannot consider this c1 as a vowel even though this year comes in place of this e which is a substituent and sthani vada deshaha Nalvithau says that the properties of sthani get inherited by the substitute. The substitute gets the properties of the substituent. So, can this year get the property of being a vowel from the substituent e? Answer is no because this is based on the property of an individual sound. Therefore, this year cannot be considered as a vowel it remains as a consonant and because it remains as a consonant then this 8447 applies and we get vc2c2c1. Therefore, we have so the dha here upasya and finally, we get this form so dhyupasya. This is a patent example given in the sandhi prakarena of the vayakarena siddhanta kavmudi. There is quite a lot of discussion on this. There are some other sutras from the sthani vada section that are brought in into discussion. We shall not go study those sutras right now in this course we reserve them for the advanced level course. It is important to note that this process of substitutions sthani and aadesha and the extension sthani vada bhava is considered as a standard of comparison. So, here is a verse taken from Raghuvamsh of Kalidas 1258 which describes a particular phenomenon in the life of Shri Rama which is described in a very beautiful manner using this extension as a standard of comparison. See, the verse is like this I repeat. What it means is Rama placed Sugriva on the throne which was much coveted for long by him Sugriva after having slain Valind just as one places a substitute in place of a verbal root. So, just as a grammarian would first put a verbal root and then replace it by its substitute as we did in Asaplastha. Similarly, Rama placed Sugriva in place of Valind after having slain Valind after having removed Valind from that place that position. So, Kalidas in order to describe this particular action of Rama remembers the process of substitution and the process of extension described in the Panayan grammar and compares this action of Rama with this substitution taking place in grammar. So, replacing a verbal root by a substitution here is mentioned here as a standard of comparison. This grammatical process seems to have gained so much popularity to get this status. Here the post of an emperor is the Prasangha, Valind is the sthani and Sugriva is the substitute. So, here are those sups, the generic slots. We also note that Panini has used the technique of sthanivad bhava in deriving the nominal padas, the subanthas. In dealing with words which have different forms in different columns, the technique of sthanivad bhava comes in very handy for Panini to begin the derivation process with one item at one time. The principle of Atidesha plays a very important role in the explanation and arrangement of such forms. And then the other example of the sthanivad bhava in Panini and grammar is that of the pronominal forms of Yishma, second person Pranam. And here is a table provided to you which has all the forms of sups together with the accent as well. If we notice, if we study these forms closely, we note that Tuvar, Yuvar and Yishma seem to be the most common verbal elements in the respective columns. For example, in the first column Tuvar seems to be the part of each and every form, almost each and every form except this Tuvar is replaced by U. In this second column, Yuvar seems to be there in each and every form, Yuvar, Yuvar, Yuvar, Baham etc. Similarly, in case of this third column, Yishma seems to be there in each and every form except this first one but there is Yu which is common. So, Yishma seems to be most common, Yuvar seems to be most common and Tuvar seems to be most common amongst all these forms. Now Panini and grammar succeeds first of all in bringing together all the forms in the generic slots shown earlier, sups slots. Then it assumes one root form for all these forms listed in these three columns to be generated. Then it assumes Yishmad to be the root or starting point and states Tuvar and Yuvar as its substitutes in columns one and two respectively. And we have Sutras like Ma Paryantasya where the Ma Paryant form of Yishma gets substituted by Tuvar and Yuvar and so on. So, Yishmad is the substitute when Tuvar and Yuvar are the substitutes in the respective columns and the meanings as well as the Pratyayas in those respective columns they act as Prasanga. So, the Prasanga being there, Yishmad gets substituted by Tuvar in the first column and Yuvar in the second column and Yishmad, the Ma Paryant part of Yishmad that gets substituted. This is also stated in the system of Panini and grammar. This is how Prasanga and Sthanivad Bhava has been treated in the grammar and also it has gained so much popularity that it becomes a standard of comparison as far as the literature is concerned. The next important point to be noted or studied in this particular case is extension on Lopar. Lopar or deletion or zero substitution is stated as a substitute in Panini and grammar in place of various verbal elements. For example, sometimes if Pratipadika gets deleted entirely then Pratyayas get deleted and so on. This zero substitution is stated to inherit the properties of its substituent which is extremely genuine and extremely unique and important that the zero substitution is also turned into something positive and it is stated to inherit the properties of the substituent. For example, any indeclinable or aviyar is termed a Pratipadika first after which the suffix sup is added and then it is made a padha. It becomes a subanta but these sup suffixes are deleted or substituted by zero as far as the Panini and system is concerned. But even after the deletion of these suffixes they still the zero still inherits the property of being a sup and an aviyar is considered a subanta namely padha and therefore fit to be used in a sentence. Examples like pratar or vina, nana, ch, tu, etc. All of these words they get sup to be added after them and then it is sup to be deleted but this zero which comes in place of sup still inherits the property of the sup and therefore all these words they are called padhas because they are subantas. Even though you do not see a sup over there as far as the Panini and grammatical system is concerned and the derivation process is concerned they are subantas. Now we shall study two important types of atidesha now one of them is the dharma atidesha where the property gets inherited and here are the examples. So extension of properties is called dharma atidesha. Sarvadhatuka mapit is an example 125 what this means is a Sarvadhatuka suffix which does not have pr as a marker is termed nyat a Sarvadhatuka suffix which does not have pr as a marker is termed to have n as a marker this is very strange but very peculiar and this is why it is an atidesha. So pink suffixes and any other suffix added to a verbal root with marker sh is termed Sarvadhatuka we have already studied this definition. So the sutra is Sarvadhatuka mapit and what is Sarvadhatuka? Pink suffixes and any other suffix added to a verbal root with marker sh is termed Sarvadhatuka. So for example all these 18 prasme padatmane padat things they are called Sarvadhatuka. Amongst the pink suffixes only three are marked with pr notably these three in green tip sip and mip only they are marked with pr so they are pits what happens to others you can say that by definition by default they are a pits that means pr is not a marker in any of these suffixes 15 suffixes so they are all a pit the purple ones so the rest 15 will automatically be a pits now this sutra 125 says that all of them they will be termed as nith as having n as the property here there is an extension of the property of being a nith nithwa this is the dharma atidesha where the property of nithwa is extended to the 15 suffixes. Similarly in the case of chi plus p and then we add the suffix shnu in between so we get chi shnu t chi is a verbal root in the fifth conjugation and t is the suffix which was stated earlier tip so this is pit now we have another suffix coming in shnu shnu is a suffix which is not a thing but has a marker sh and this shnu is added to a verbal root so it is also Sarvadhatuka suffix since it does not have a marker pr it is also a pit and hence it will be termed nith so this shnu is nith p is not nith because it has pr as a marker so it is pit so this is not nith but this is nith now and then 115 nithicha will apply here and will negate the substitution in place of iu etc so there is a gunavruti substitution stated in place of i and u which gets negated by nithicha 115 and then 115 nithicha will apply here and will negate the substitution in place of i and u etc which is gunavruti now in case of chi shnu t i in chi does not get the substitution as it is followed immediately by a suffix which is nith this shnu is nith by the atidesha dharma atidesha but u in shnu will get the substitution this shnu this u gets the substitution as it is followed by a suffix which has a marker pr tip so we have chi shnu t so this u in shnu will be substituted by o by 7384 so we get chi noti and the final form chi noti gets derived however this nu does not get this substitution then the suffix is tas because this is then a nith by the dharma atidesha so in chi nutaha substitution will be again negated by 115 as the suffix tas here is nith so by sarvadhatukam a pith this is how dharma atidesha functions next we have karyatidesha extension of the functions is called karyatidesha for example lotolangvat in place of lot extend the actions that are done to the substitutes in place of lung so what are these actions so in place of lot extend the actions that are done to the substitutes in place of lung the substitutes which come in place of lung take certain actions extend them to the substitutes which come in place of lot that is the meaning what are these actions these actions are the substitutions tam etc affected by 34101 and the deletion of sir by 3499 tamadayaha salopascha so these are the things which are part of the lung substitution lung is an abstract suffix postulated by panini in order to describe the derivation process of the verbal suffixes which express the past tense imperfect and here are those 18 things suffixes when lung is used and here are those 18 suffixes when lot is used lot is another abstract suffix postulated by panini when these things suffixes express the the meaning namely inspiration which is an order so here we have tipsip and mip which are and the rest all they are the nits suffixes here are the things suffixes which are the substitutions of lot and by extension we have is tas thas thar me was and must they all get substituted in this particular fashion tam tam thar and am and this sir gets deleted into these two suffixes so the purple suffixes stated over here they indicate the operations that happen to the lot substitutions which also happen in lung to summarize attidesha is an extremely important type of sutra this extension holds the entire derivation process together by maintaining the continuity of conditions throughout throughout the process of derivation the types of attidesha serve various grammatical purposes for the sake of derivation of sentences as an output the deletion or 0 is also given the status of substitution and properties are extended to the absence as well and absence is turned into a substance holding properties like others this is a unique contribution of paninian grammar now remains the sixth type of sutra adhikar to be studied which we shall study in the next lecture thank you for your attention


What's going on everyone? Sam here with late sports cards, Rippin 22, 23, Bowman University Inception Hobby, 16 box, full case break, number two, random hit style, way this is going to work. I have our 32 participants currently over in the random.org window. So all 32 participants are going to be 32 hits to the break. Those are going to be copied into this. As we are doing the break, Dylan is going to be typing in the hits 1 through 32. Again, once we are done, the hits will be copied over into the random.org window right here. We're going to roll the dice. Say it's eight times, random names, eight times, hits, eight times. And then whatever name is next, your hit is what you will get. The way this will also work is the way that the pack is structured or each box. There's a numbered card, two autos, and then four base. The numbered card will go with the first auto and the four base will go with the second auto in every box. So that's how the base will work. Mani is running around, running around currently. Currently running around like a toddler. If the wife's home, she's well aware. Yes, yes, here I got you, I got you. Shoot us an email quick, Mani. To.com. And then here is the insurance link. All right, here we go. Bum University Inception. If there is an extra hit, we'll pair two base autos and the bigger, the bigger auto. You can't see that. We've got to 199 Nolan Smith. Nice one there. That'll go with the first auto. Jalen Wilson. Nice one there. Congrats on that. Whoever gets it. That's one there. Jalen Wilson auto. Second auto. Trey Alexander for Creighton. Trey Alexander. That'll go with the four base cards. Still in Gabriel. Nolan Smith, Josh Downs. You got it? Okay, perfect, perfect. Cool, cool, cool. That reminds me to sign his redemptions. You are not kidding, AJ. Another Nolan Smith. Nice one there. And Eagle. First auto. Julian Phillips for Tennessee. Julian Phillips. Second auto is Tyler Buckner. Tyler Buckner. Nice one there. That'll be going with the four base cards. Tyler Van Dyke. Walker Howard. Drew Aller and Jackson Dart. Dude, Dart, what a name for a quarterback.  Jackson Dart. Sick. Alright, box three. Okay, Dylan Gabriel to 199. We've got first auto. Chris Livingston for Kentucky. Chris Livingston base auto. And second base auto, Sean Clifford for Penn State. Nice one there. Penn State's QB. We are four base cards. Kate Clubnick, Jalen Carter, Hendon Hooker, and Derek Lively. Nice one there. What the, the, the Tashiway and, and Blevis was pretty sweet in the last one too. Did you mark Sigg on the, yeah you did. Never mind. No, no, you did, you did, you did. Again, not you. Just me stressing. That's all it is. Alright, we've got a goal. Julian Phillips to 50 on the base. Nice base auto is going to be Jordan Travis for Florida State. I believe so. Yes, James, I believe so. Believe he is only a redemption. And second auto, Marcus Sasser for Houston. Marcus Sasser. We've got Caleb Love, Jackson Smith and Jigba, Trevor Etn, and Will Rogers. Next box. Marvin Mims to 199. We've got Kallel Ware. Nice one there for Oregon. That is 34 of 75. Kallel Ware. Again, 34 of 75. That'll go with the Mims. Second auto is Brent Kuth for Utah. Brent Kuth, or Kuth. Then we've got Juniments, Will Shipley, Jeremy Roach, and Sky Clark. Derek Lively to 199. We'll go with your first auto of Josh Wiley. 42 of 99 for Cincinnati. Josh Wiley. Second auto, Cam Whitmore for Villanova. Nice one there. Cam Whitmore for Nova. Got Anthony Black, Tyler Campbell at Jaris Walker and MJ Reiss. Cam Whitmore. Tell Forrest to hit you with a Wemby. Got you, James. I'll tell him, hit you a Wemby or else. I'll just tell him or else. Kelly Ringo for Georgia to 75. That'll go with the first auto of Cam Whitmore. Again, Cam Whitmore base auto. Put Cam Whitmore base auto one, and Cam Whitmore base auto two, and tag the back one and two with circular things. This will be Cam Whitmore base auto two. Tyler Van Dyke is your second auto. Nice one there for Miami. Nice. Caitlyn Clark, Michael Maier, Kelly Ringo, and Artario Morris. Where is the, I would say with the Whitmores just grab the yellow ones or the orange ones. I'm just going to throw a number one on that too. Like that. And then just tag the, um, tag the team bags with them really quick just before we, yeah. So like the second one will be the one with the number two. That'll be number two. And then the first one will be number one. Just to make it, I think easier for sorting and shipping and easier for us too. Manny is losing it. Manny is losing it right now. Losing it. Here we go. Got it. Of course, dude. Chris Murray, 2299. First auto is going to be Stetson Bennett. Nice one there for Georgia. You got it, Manny. No problem, dude. I'm so happy, so happy for you, but I really am. And Jadon, or Jadon Zachary is going to be your second auto for Boston College. Stetson Bennett, Jadon Shutt, and perfect. So those are tagged and good. Awesome. That's for you. I'm laying. Kind of nuts. Vincent Iwachuku, 12 of 50. We've got first base auto, Cam Whitmore, number three now. Cam Whitmore, base auto, number three. Number three. Yeah, that's the worst guy to have is an auto. There's Gigi Jackson. Gigi. Gigi well played. Gigi Jackson. I think they misspelled his name on this. But Jack OSN. Is that Trimble, Will Anderson, Zach Edie, and Juan Harris Duke. Jack Olson. It's in a mag for some reason. There's Tyler Buckner. Another base auto. Spencer Sanders for Ole Miss. Nice one there. Spencer Sanders base auto. We'll go with the Tyler Buckner. We've got, nice. Jameer Gibbs. It's a 199 for Alabama. Now he is a Detroit lion. Nice one there. Jameer Gibbs. Jumbo Jersey auto to 199. We'll go with the Flagler, Ty Simpson, Whitmore, and Grady Ditch. Nice. Henden Hooker to 99. You've got, looks like an orange to 25. Anthony Black. Good luck on this one. On the primordial, nine of 25 Anthony Black. Potential top five pick this year. Well, probably top 10. Top 10 pick. Nice one there. And Anthony Black, base. That was a good box to Anthony Black auto. That's not bad at all for Arkansas. No big deal, lost the economy. Gigi Jackson again. Mikey Williams. Trace Jackson Davis and Brandon Miller. Kid named Harden Logo Man. Rockin' my new James Harden Logo Man t-shirt. What's up, Brad? We've got Blake Corum to 299 for Michigan. We've got Blue Chris Murray. Nice to 99 for Iowa. Chris Murray, 53 of 99. I think so, yeah, because they're both at Iowa, and they look exactly the same. Base auto Jalen Cook. Nice one there for Tulane Jalen Cook. Chris Livingston, Nolan Smith, Josh Downs, Marvin Mims. I did James Harden, 2017, 18, Logo Man. And the update from Laulis. All right, next box. Yes, sir, yes, sir. Logo Man. Yeah, Brad gets summoned by the term Logo Man. There's Chris Murray to 199. We've got PJ Hall for Clemson. PJ Hall as well as Kenny McIntosh. Kenny McIntosh is going to be your second auto. Base auto going with these base cards. Caleb Williams nice. Jordan Walsh, Bryce Young, and Drew Timmy. Got Drew Timmy's in this too. Gonzaga legend. Looks like he's 45 years old, Drew Timmy. Wait, are they twins? They're really twins, Chris and Keegan? Oh, I didn't know that. Exactly the same. I knew they were brothers. I didn't realize they were twins until now. That's cool. Nice. Ernest Uday, Jr. to 299. Fuchsia auto Jet Howard to 75. Nice. Jawan's son. Jet Howard from Michigan. We've got base auto is going to be Otega Oe for the University of Oklahoma. Otega Oe. Ooh, another hurt dimension. Scoot Henderson. Let's go, man. Someone called it earlier. Yeah, let's go. We got a Wemby. Now we got a Scoot, baby. Hell yeah, man. That's not bad at all, James. Scoot Henderson. Hell yeah, man. Scoot. Let's go. We're two for two on the big name guys. So I guess the base will go with the Oe. So the Scoot will be on its own. I'm going to put it down really quick. The Uday Corum and Dickinson will go with the base auto from that one. So we'll end up combining two base autos again. Scoot, baby. Let's go. He's like the number two prospect this year. He played it for G League at night. He's an absolute stud, man. Scoot Henderson. Let's go, man.  Got Wemby. We got Scoot. Let's do it. Do you want to see now? Yeah. Yeah, that's true. That's all we need now. It's Caitlyn Clark. All we need. All right. We've got Kallel Ware. Nice one there, 2199. And Jason Adamalola, 32 of 99 on the blue auto. Adamalola. KD Johnson. KD Johnson. Nice one there for Auburn. We've got Jaren Hall, Cameron Ward, Jalen Wilson, and Nick Singleton. I don't know if she's live or redemption, to be honest. Yeah. No, I've heard about that too, Vaughn. I've heard that Brandon Miller might go number two. That is Kiki Rice, 2199. Auto Femme Odukale for Seton Hall. Was he a St. Peter's guy? Caitlyn Clark. Oh, Caitlyn Clark is live. That's good to know. That is going to be Razir Bolton for Gonzaga. Razir Bolton, followed by JJ Starling, Cam Rising, Mark Mitchell, and Lauren Betts. All right, let's get a couple of these things. Comboed really quick. Wait, why is that only... Oh, okay, okay. I see, okay. Jesus. Scaring me here. We're going to do run to Q-th. We'll go with Jaden Zachary. Those will go together. Jaden Zachary. Take the scoot, Tyler. All right. Oops, I didn't mean to do that. Want to see another cool redemption? Oh, that was Serena. Sorry, Serena. I thought you were forced. All right, so perfect. All right, guys. We're doing the random here for the 23-Poman University Inception Hobby 16-Box Full Case Break Number 2, Random Hit Style. We will have our 32 participants. We have our 32 hits. Again, we had an extra hit with the Scoot Henderson base auto being an extra hit, the redemption. So we did combo the Jaden Zachary and Brent's Q-th base autos. I'm going to go ahead and roll the dice. How many times we're going to go? It's going to be nine times. One, two, three, four, five, six, seven, eight, and nine. Todd D, down to Christian M. And nine times on your hits. One, two, three, four, five, six, seven. That was nine, right? Yeah, nine. Eight and nine. Got Sean Clifford down to Jordan Travis. It's going to be Todd D with Sean Clifford, Tyler M. Otega, O.A. Timothy G. Trey Alexander, Ryan D. Jett Howard, Eric P. with the Jameer Gibbs to 199, Chris G. Anthony Black to 25, Charles L. with the Josh Wiley, Noel J. Chris Murray to 99, Todd D. Clell Ware, Sahara B. Stetson Bennett base auto. Nice. We've got Chris G. with the Feme Udukale base. Christian M. with K. D. Johnson. Brian C. with the Scoot Henderson base auto redemption. Congrats on that, buddy. Got the Scoot H. Wang with the Cam Whitmore base auto number three, Josh U.J. Marcus Sasser, H. Wang, Razir Bolton, Logan H. Cam Whitmore number two, Josh U.J. with Cam Whitmore number one, and the Tyler Buckner, Kevin S. Jalen Wilson, Andrew S. with Jason Adamolola to 99, Delmus L. with the Anthony Black base auto. That is Jeremy H. Jalen Cook, Jeff N. Spencer Sanders, Jason G. P. J. Hall, Chris G. with the Chris Livingston, we got Talon H. Jaden Zachary and Brent Kuth. Jeff N. Scott Tyler Van Dyke, Daniel B. Kenny McIntosh, Josh U.J. Julian Phillips, Matthew B. with Gigi Jackson, and Christian M. with Jordan Travis. Let me get these copied over, guys. Thanks again for getting this filled up. Up next, number three.


Hey everybody, Steve with the Protective Trust Train Department here and today we're going to be going over the topic of versioning, specifically versioning in Office 365. This topic comes from a question that we got in one of our other videos, so if you have a question after watching a video, please leave a comment in the comment section and we will reply back either in written form or if it requires further explanation, we'll do another video on the topic. So with that, let's get started with versioning. So in order to enable versioning, all you have to do is save your file in OneDrive or SharePoint. Here we have a document called enabling MFA, and if I click on the clock with an arrow going back, I can see all the previous versions of this document. So if I click on this one here, I see that there's some differences, but if I really want to compare, I'll just click the Compare button and then click on one of the red bars to see all the changes that were made from the original document I opened. And I can repeat this process until I find the correct file I'm looking for. I don't have to just stop at the one. So in the previous example, you saw multiple people editing the file and in this one you just see me, and I'm just trying to demonstrate here that you don't need to share the document to have versioning enabled. You just have to have it saved in OneDrive. So if I click Compare and click on the red bar like I did in the last one, I can see all the changes that were made. And if I decide that this is the version I'd rather have, I can restore it and it becomes the document that opens by default. But notice I still retain a copy of all versions. Also you aren't limited to just Office Files. Versioning is also available for many file types, but for non-Office Files you'll need to log into the web portal and click on the ellipses to find the different versions. In this case we're looking at a PDF and we can see we have three different versions of that. Finally, to create a new version of a document you can either manually save by clicking the Save button, or if you have auto-save turned on, it will create a new version every 10 to 15 minutes.


Bonnie McFarlane. I always like to help people who are just starting out and show business. Thank you. So I've been doing it a long time. What is your name again? How do I pronounce it? Feldman. Bonnie McFarlane is the host of My Wife Hates Me. It's a great podcast that she does with Rich Voss. Women Aren't Funny, which also happens to be the name of a documentary. Oh, you're on fire today. Women Aren't Funny is an amazing documentary. So funny. And if you want insight on how to raise a child, see Women Aren't Funny.  We'll talk about that in a second. I don't know that anyone else saw what you saw. You're better than me. In that documentary.  If you want to see Bonnie McFarlane kids, I am performing with her at the punchline in Philadelphia on May 7th at seven o'clock Sunday, May 7th. The Philadelphia punchline. We're doing a benefit with Jonathan Katz, Dr. Katz for some project. You know, I asked for you. I asked for you. They asked me the headline that I asked for you. And they said, no, I had to fight for you to get on this thing. But I think you're going to do okay. What? You didn't know that? No. Is this is really coming as a shock to you? They didn't want you. I don't know how to make it clearer. They did not want you on the show. And I had I had to say yes. No, put them on. He'll make everyone else look great. I thought I was going to encourage you and be kind of sending and patronizing and tell the audience to it. I was going to tell the audience to watch this kid. She's a real comer. Is that true? They didn't want me for the benefit? No, they didn't. Yeah, they were like, ew, we got enough Jews. They said at one point, I said, that's ridiculous. This is comedy. We never have enough Jews. Oh, man. How well do you know Jonathan Katz? What? How well do you know Jonathan Katz? I don't know him at all. I was I was kind of looking forward to meeting him. You really don't know him or your friends at all? Now I don't know what's real and what's real. Ah, you've gotten back. I got you. I got you. Also, Bonnie McFarlane is you are one of the funniest people around. And I want to get back to being patronizing and I want to get back to condescending.   And you're doing this is a this is a transactional appearance. The truth is, I have to write for your husband's 30th birthday party. Your husband turning 30. He's turning 30 and they're roasting him. Rich Foss. Rich Foss is turning 30. And there's a rose. He lies about his age. I will I will say that. He's he's actually younger than that. He's somewhere between 25 and 90. So I have to he had the the nerve. I mean, if I ever speak to him, I'm not going to I this is between you and me. Because if I ever see him face to face. Because usually when I see him, we're not facing each other. It's in a bus station restroom and we're never but if I ever if I ever see him face to face and we're locking where the hell does he get the Cajones to ask me David Feldman to write jokes for him for his birthday roast. I mean, that must have that must he must have had to summon up a lot of courage to ask me. Was it email or what was it? Did he make the call? He made the call. Oh boy, he really wanted you back. He went he went. He actually used the telephone. He used the telephone to ask me to write for him. For his birthday roast. This is the guy he writes for the Academy Awards. He writes for, you know, yeah. And he was like, he's like, who? Who can help me? It was you who he said more. He said who's desperately out of work? Who will not say no to me on this one? And he said, all right, Bonnie will do your podcast. That's what he said. He said he literally this is how he said it. He said, all right, I'll turn her out is what he said. I was wondering why he's giving me so much freedom today. He said, if you write for the joke, he said, one of my bitches will do your podcast. That was exactly what he said. I'm not trying to so discontent between you. I heard him yelling at Raina earlier, so she must have said no.  Well, not sure because she, she, you know, I honestly, because she comes to the club with me all the time. And so she's, she tries to be cool amongst the comedians and she does some very hurtful things to people. She's made a couple of the comedians cracks. No, so the other night where the comedy seller and Ava, who is, she may own part of the seller, I don't know, but all her artwork is all along. You see this beautiful artwork that's Ava has done it all that's in the comedy. It's at the Olive branch or whatever that's called. Upstairs at the store. All a tree, the restaurant upstairs. And I say to Raina, she's trying to talk to Raina and Raina's being too cool. And then I said, she did all these pictures.  And Raina goes, yeah, she's no Van Gogh. It was not, it did not go over well. That went over like a lead balloon. Let me say that was not good. And so it's like hard because I feel like I've, you know, I feel responsible because I feel like I put her in the like, I put her in a prison situation, you know, she's, she's in the yard. I leave her in the yard with the other prisoners.  You know what I mean? She doesn't know how to deal with real society. I don't think that's true because my kids were raised the same exact way. My kids were surrounded by some of the funniest people in the world. They learned that there's a time and a place for bitterness. Right. There is. And she, these kids are much smarter than we give them credit for. And they, they realize this is a, this is a way mommy and daddy make a living. And being kind of truthful and biting is a skill that's appreciated in certain places.  I guarantee you've never. Never, never, never, in fact, it's not an issue. Like when other kids are being bad, I don't think she feels the need, honestly, you know, to use bad language and stuff because she gets to, you know, because she gets to do it when she feels like it really at home or at the club. Being sarcastic and saying what you don't mean in real life isn't a good way to live. And I, and I discovered in your husband discovered and you discovered, it's better to, to make a living being kind of biting sarcastic, addressing the elephant in the room because polite society won't. There's a skill to it and you should be paid to do it. But in real life, it makes for an unpleasant person. And your kids learn that they realize that there's a skill to it. And she's dealing with amateurs. She goes to school, she's dealing with, the bullies are just amateurs. She's met Nick DiPallo. Why would she possibly respect the class clown or the bully or try to make... Well, this kid, this kid on the bus once I said to her, your dad looks like Donald Trump and she goes, your dad looks like Hillary Clinton. Which I also think is hilarious that the nine year olds are, they're so involved in politics. At one point, right after the election, there was a bunch of nine year old girls in my daughter's room and they were all, at one point I thought one of the girls was going to start the chant, lock her up. And so I had to go into the bedroom and I opened the door and I said, no more politics. No more talk about politics. I fundamentally disagree with things that are going on in this room. And to nine year old girls. I mean, I don't know if it's good or bad. Is it, what is worse for a child to be exposed to? I'm being serious. My stand-up act, your husband's stand-up act, or Donald Trump talking on television. I know. I'm being serious.  You know what I mean? And then it just becomes this thing where, you know, I just think like, now everyone's just started lying. It's just a thing that everyone does now. That's just, that just happened. No one has to tell the truth anymore. It's pretty, yeah, it's happened pretty quickly. I've got Trump fatigue. We have Howie Klein on the show later on. He keeps me honest. Ever since Donald Trump got elected, or he didn't get elected, but ever since they installed him, I've been like, this again? Oh, I don't love you. It's so uninspiring. And I kind of understand the people who aren't interested in politics, who aren't interested in policy and government, because I know it's horrible for me.  You just read all this stuff again. And then nothing. You think like, oh, okay, today's the day where something's going to happen. And then it doesn't happen. And then you look at other countries, you're from Canada. You look at other countries who are mature and they have problems. I hear Rich Voss in the background. Yes. Is that Rich Voss? Who are you talking to? Who is it? David Feldman. Tell him this is an opinion with my dinner and I haven't seen any jokes. He said he said he said he hasn't seen any jokes yet. So you're going to help me. Tell him that we're we're the jokes. That's what he wants to know. Tell him for this is my the payment up front is Bonnie. This is Pete. He said, Bonnie does your podcast. This is a quick pro quo. I do the podcast. Then he writes the jokes. First of all, is this the dinner hour?  Are you okay? Bonnie, are you okay? Your voice sounds kind of raspy. I he's mad that I didn't finish the laundry and the dinner's not on the table. No, no, no, no, no. Here's the thing. I love David Feldman. I love his podcast because after I did it, two tweets. Two tweets. Let me tell you something about this lonely man and his closet doing his podcast.  Leave us alone.   I'm saying we're big. We're big acts. We're big acts separately and we're big acts as a family. Okay. Let me tell you something. Okay. Closet queen.  Closet and that's what he's doing.  Okay. Leave us alone. Send me some jokes. Hey, good talk to you. Bye. Oh my god. Any, any response to that? I, I, is it, am I interrupting your dinner hour?  No, no, we all run into the corners like a little rat.  We do not go like a little rat. Sometimes our daughter will come in and go, can I have some more? And then we beat her. We beat her as a couple. We usually play tennis around this time, but I took this podcast and said, well, what was she called? Tennis is me called smacking her back and around. All right. Let me get back to Bonnie and plugging our gig in Philadelphia. I'm excited to do this because I haven't seen Jonathan in so long. And one of my very first gigs at bananas when I, when I got to America, I was with him. I can catch. Yeah. Well, I don't like to be one who harbors a resentment at all. I really don't. I try to, I try to let them go, which I can't, but I remember when I first started comedy, I used to book a couple of coming one nighters in Jersey, you know, so I can get stage time and guess who I always hired? Jonathan Katz. Love Jonathan Katz. I loved him. He had his guitar and some weird act. I don't know what he did with the guitar. I think he forgets somebody else. No, he had a guitar. Ask Dave, do you remember when Jonathan Katz used to play with a guitar? He had a guitar. Yes. And he had a guitar and I always, always use him whenever I open one of my horrible one nighters. Who would I call Jonathan Katz? And guess what? Guess who never got a call during Dr. Katz? Richard Voss. That's when I can't let it go because I'm trying. You're talking about the 40 years ago. You're talking about the Peabody award-winning Dr. Katz on Comedy Central, which I did, which I did five times. What I did five times. Oh my God. You did it five times. Wow. That should have been in your intro in Montreal when you followed me. I mean, listen. Our next act, our next act, you might have heard five times. I'm Jonathan Katz. Try to listen now. Thank you. You're so mean everyone.  What are you kidding me? I'm a big fan of... Do you know who's on the show today, Rich? Do you know who? Yeah, you know who you guys are following? I don't know whoever you met on the street. Mr. Methane. Mr. Methane is on the show. What I wanted to do to your wife is put her in the same company as Janine Garofalo. Janine Garofalo had to follow Mr. Methane in Montreal about 20 years ago. Who's Mr. Methane? You don't know who Mr. Methane is? Bonnie knows who Mr. Methane is. I don't either. Sorry, we haven't been doing comedy. Oh, we've kind of, yeah. We never really worked saloons. He's a performing flatulist. He has, he asks chirps for a living. Like, remember Le Petamaine? Have you ever heard of Le Petamaine? No, we don't go out to a French restaurant. No, he only smells like the French. He doesn't, he's not French. He farts for a living. And Janine had to follow him at a gala in Montreal about 20 years ago and I was talking about it on the show last week and I called Mr. Methane and I decided that I would do the interview with Mr. Methane and then Bonnie would have to follow Mr. Methane. Well, first of all, Janine is one of our favorite acts. That's one. Two, I feel good as a dude that you have a guy that makes a living out of gas. I feel good. Who are you bringing on next? The guy whose left arm is stuck in the air? That's a visual. Do you know what I'm saying? Who's on next, Sammy? So, so who really goes by SS? I'm too, I'm too hip for this stuff. I'm really hip.   That's why you do, that's why Bonnie and I, when he called me, he said, who do you recommend for the show? And I said, there's this one young comic I want to bring along. Her name is Bonnie McFarlane and she can open for me. Let's have her do five minutes before I go up. She could use the stage time. And, and he said, didn't she marry Rich Voss? I, and I said, yeah, but we can't have him on the show. He's not, he's not ready. He's not ready. That's what I said. And then Jonathan Cass said, I never liked him. Never liked him. I never used him. Yeah, because when he was, the whole time this conversation went on, was he playing guitar or was he just talking into the phone? How did he do it? He said, Rich Voss, the guy who books those crappy rooms in Jersey? Does he do comedy? Oh, that's what he said. You know what, Dave? Everybody talks about your acne skills and I could see why now because that story made me lose my appetite. I can't talk no more because I want to at least try to have dessert. I can't talk anymore. Yeah, we got to have dinner. It's going cold. Okay, we'll wrap it up in five minutes. What are you having for dinner? We'll wrap it up in five minutes. What are you having for dinner? I made a chicken pasta with olives and spinach. Was that supposed to have sugar in it? No.  Just berate, just let me hear him berate you for messing. Can you berate me about the dessert? No, listen, first of all, my wife knows how to cook.  My wife is one of the best cooks.  She's like a cell runner, director, writer, comedian, cook. She's the best person I'm telling you. What? Blow job time now. That's not going to really, I wouldn't brag about that a little bit. This is when you notice her crooked tooth until she starts sucking you down. Hundreds of men enjoyed my snack. All right, we're going to wrap it up. All right. Clearly I am a lot for Dr. Katz to fix. Right, and we're going to do therapy with Dr. Katz. That's, we're going to be on, and it will be Sunday at the Punchline in Philadelphia, and everybody should listen to My Wife Hates Me with Rich Voss and Bonnie McFarland. When is Rich's 30th birthday celebration that I now have to write jokes for? It's June 26th at the Village Underground, and you can get tickets now. Why is he, is it's June 26th? Yes. Why is he giving me, he's asking me for jokes now?  He may not be alive by June 26th. Well, we can only hope. Why would I? Thank you, Bonnie. Thank you so much for doing this. Thank you. Oh, thank you for having me on. It's good to talk to you. I can't wait to do the show on Sunday. And I got you this gig. I got you the gig.  Thank you. I appreciate it. I'm talking about for this podcast.  A lot of people didn't want you. They didn't think you were ready. But I think I showed them. I think I think you did good for you. Good for you. Thank you. All right. Enjoy dinner. Thank you. You've always been a big supporter. I appreciate that. I have been. Thank you. All right. I'll talk to you later. Bye bye. Bye.