Yes, and we are back. I hope you are enjoying the show and with me I have a onesie in the building. He'll be telling us who he is, where he is from and we just get to know him. He is a Ugandan artist but he has lived in the country and he has worked with amazing people on the songs that you've just listened to. Amazing producer, amazing artist and amazing good music. Welcome to the show. Thank you. How are you? I'm pretty good in yourself. I'm good. You're feeling great. I'm feeling highly excited. Can we speak in Kisahili? How? Nice. But remember in Kisahili, so you should be knowing how to speak. I think it's a mix. It's a mix. So who is the onesie? So the onesie is Missa Ni and Baye. Missa Ni is Missa Ni in the States. Missa Ni is Ugandan. But there is a family in Kenya and Ugandan. So which one do you like more? Zote. Zote. So I think I will present Africa first. In terms of music, which country is best for you in terms of your production? US, Uganda or Kenya? In terms of music, because Nonga is Sweden, Nonga is Uganda. So I think it's for even farmers. So you haven't done anything in the US? In terms of music, production, everything? So my first project was Nature-Romantic Oil. What do you do in Uganda? We do it in the U.S. And then I put it in Indonesia. We do everything for you. So what are some of the challenges or maybe some of the good things you've experienced in these countries? Or some things that align when it comes to production of music? Challenges. Yes, challenges, good things that may be similar across all countries. I think challenges in Nonga, like for me, what happened in Uganda, Sikh wanga and connections were there. So I just walked up and did a song. And then after a few songs, I went to the club and I saw that was it. Yes, there's more. How many songs do you have to listen to? I listen to music on TV, radio, influencers. I listen to music on major stores. I listen to music on YouTube. And then you will become a star. Exactly. I listen to music on YouTube. Wow. And then by the time I realized, I had a lot of experience. You know, you get to know the DJ, you get to know what we are. What we are going to do on TV or presenters. Influencers, like TikToks, etc. So that's what I want to do. And then I think the other thing that I also came to realize is sometimes, you know, see what is not for them. We have some, you know, you get a song done. And then, you know, the producer doesn't give it all. Yes. Let's just hold it there on the producers. Don't give it their best. And I want to remind our fans back at home that our hit on this track is still up there. So head over there, cast your votes. Tell us whether the song is a hit or a miss. You know, story of producers to Mongolia. Mara Mingyani. One Zipiya in Mongolia. There's a problem. So you were saying? So I was saying that when I heard the song Namsei, and you know, you know, Anakwambia, this is my price.  When you get the money, when you have the hassle to get the money. I love you. Get the money.  And then find your project. A, it's going to be like a long time when I release it every day. And then B, if he's working with you, he doesn't give you the full attention. Yeah, full attention. Let's say, let's say I'm already up there and he's working with me. And I'm sure he'll be happy to see me. He'll be happy to see me. But you know, like, when I release it, I'm not going to be half-baked. No, no.  So I'm going to make a, yeah, I'm going to make a with so many different producers. Two albums that are in the works. No, I already have like music that if I pile them up together, then it's going to be up to two albums. Yeah.  And you know, but when you, at the stage where I am right now, I know who I want to work with and I know who works for me and who doesn't work for me. I know what producers are professional in this game because professionalism doesn't mean that, you know, it doesn't mean that, you know, when an upcoming artist and a cooter wouldn't pay less of the time.  So, like, they have to give their best. That is what it means being professional. Yeah, you know, they should be very professional. Yeah. And speaking of, you know who you want to work with and you now know people. You have worked with three of me on your new song. Yes. And the other song as well, Fatima and the other one is called... There is Jabba Limpoese. Yes, yes, Jabba Limpoese. Yeah. You have worked with King Fizzle on the beat on both songs. Yes. And that is you knowing who you want to work with. Yeah. Yes. So, tell us about your experience, you know, working with Kenyan producers, especially him and how it has helped boost your music. I think, so, I've known King Fizzle before I even started doing music and when I started to tap into the Kenyan market, it was easy for me.  I laughed with him and then we came up with the first project when I worked with Jabba Limpoese. And then, I wanted to do another song that I could suggest. What does Jabba Limpoese mean? So, Jabba Limpoese, I think it is what Kenyan people call Jabba. Jabba Limpoese. Yes, Jabba Limpoese. Yes, Jabba Limpoese. Yes, Jabba Limpoese. Yes, Jabba Limpoese. Yes, Jabba Limpoese. But... So, here's the thing, though. To me, in the past, there were people who said there was a beat in the Kavizuri. Yes. So, they said the way Jabba flows, it's like somebody is twerking. Yes. So, that's what I had in my mind. Hey, Jabba. But then, you know, Sister Limpoese said, I couldn't tell her it's twerking. Yes. I said, Jabba, it means anything to attack. Yes. Yes. So, to me, I think, in Swahili, you know, the ones that I have to tell them what it is, it just means anything you want it to mean. Anything you want it to mean. But to me, it means twerking. Yes.  Yes. Yes.  Shake your bum back. Yes. All right. Yes. So, on the second song, Fatima, you've worked with three of you. Yes. Tell us a bit about that. So, once we did the project, Kwanzaa with Fizo, King Fizo Menere, you know, I want to do something else. And then, I can be a Fizo, I need to do something. But this time, I want to, you know, like, on that stage. Yes. You know, I just don't want to do, like, Jabba, and then Fanyi Gino solo.  You know, he can represent us. Yes. So, to go back and forth, I can connect with my trio. And then, me and trio were going back and forth with messages, with a vibe. So, appreciate it. So, are you planning to do more Kenyan music? Music? Yeah, of course. After Fatima and Jabba Lipoza, you're out. No, East or West, Tom is the best in my family, so after Fatima, of course, there is a video in circulation. There is a video, you know, the Jabba video is coming out. I have no idea when King Fizo is doing handling all that. I laugh, but all I know is that another project is coming. And this project, it's not only targeted to the Kenyan or Ugandan, but it's also targeted to anybody who doesn't know Kizungu. The entire thing is Kizungu Yote and Arusiako Kamau Jeffanyua It's more of a wedding song, birthday song. It's Kamau Yote. Yes. So, if you do decide to do more Kenyan music, are you still planning to do Kenyan music or not to produce that? I think I am King Fizo. You are. I am. You are. No, Fizo is this kind of person like, he's laid, you know, he can do anything. You know, like, you can do anything you want. So, unless, you know, let's say, maybe in the future I'm like, you know, of course I love King Fizo. Let me just try somebody else. Somebody, yes. Which, you know, I like different sounds. But, you know, because, you know, other producers are bad. No. Yeah, yeah. But it's because I've worked with very many producers. Because also of the relationship as well. Exactly. I've worked with so many producers and, at the end of the day you cut people off and then you start remaining with Wale Wenye.  Yes, like you said, professionalism and you know story. I say a lot I'm like from Watanabe. That's how I finish my relationship. You want to understand here. So, at the end of rosy I like many ways of expressing my feelings. At the end, they listed this example and played as manyανzi Yaar was culture, emoji, good kid, keep doing your thing. Hey, what do you mean? She don't know how to do it, but she knows how. She knows how, she knows how. Hey, my mom, shout out. Do a blank. I mean a blanket. King Fizzo, I know King Fizzo is a Samoese, he knows how to do it, but shout out King Fizzo, you're doing a great job.  Yes, so thank you so much for coming through. Thank you. You do appreciate your time and we hope to see more Kenyan music from you. We support Kenyan artists. We play Kenyan music all the way and we want to see more Kenyan vibes. Appreciate it. Yes, all right. So up next is, we are playing Fatima. Yes, Fatima by Wanzi and Trio Miu.


he jersey for you Um, just double check make sure this is right 122 here we go. Good luck again here chad Appreciate it as always. Thank you for hopping in man. Appreciate the support Been a lot of fun ripping for you today just a lot of fun ripping for everyone today Devante Smith just lost somebody here we go chad Gordon Hayward, but this is a fanatics authentic jersey right here. This is fanatics authentic Very nice. See you can see the fanatics logo.  This is an NBA authentic swingman jersey right here. Very very nice Gordon Hayward, that is awesome, dude. Congrats on that one. That is such a such a clean looking jersey too Everything is printed. No stitching. It's all completely like perfect basically I would say very nice authentic jersey baby Gordon Hayward legend That'll do it for your break right there chad. Congrats again on all the hits man. Thanks for hopping back in and uh, we'll get them right out Yeah, thanks again, buddy Yeah, I know he really hasn't been a hundred percent the same since the leg injury which kind of sucks All right Your butt your sister wants a butler or them met him a few times. That's so cool. That's awesome. Congrats again chad That's great, man. Yeah, no problem, dude. You got it All right, Mike. You are up next get both your jerseys and then we'll finish off with max n Without Mike's tag here. All right. Let me grab your jerseys, Mike. Let's do it The pante just did it again. Do you score it? Oh Smith did wow That's kind of wild. Let's do it, buddy See what we can get out of this for you. What's going on everyone? Sam here with latent sports card ripping two boxes of 2022 tri-star hidden treasures autograph basketball jerseys for Mike D So good luck here, Mike. See you.  I will be honest. I wasn't a huge believer, but he is looking really good this year I will get credit where credit is due and Jalen hurts deserves credit So, yeah, I would have moved by the front office. I'm not one getting him from back at ships All right, here we go, Mike That's cool. Actually It's gonna be gale good rich for the Lakers That's really cool. Look at the jersey they used too. That's nasty Tri-star authenticated Hall of Fame 96 And there is the good rich Nice one there. That's actually really cool, dude That's a really like pretty jersey. You got the tri-star authentic And Hall of Fame 96 inscription over on the five This number is retired by the Lakers as well Uh two-time NCAA champion in the 60s Um 25 all NBA first team five time all-star and be a champion in 72. Very cool. There you go, Mike That's actually a really cool jersey How do you see a good rich and 2k? I don't know why he wasn't that good in 2k like I just remember like pulling gale good rich And he was like no way dude. It was like a really not that good guard I'm not a huge fan. I'm not I'm just so sick of sports games because I'm so bad at them and I'm just recycled Yeah, it's the same game All right, here we go We're adding another one to your collection Mike walt frasier Very nice. Hopefully you got a different colored one last time you got a uh frasier But still very cool. I know you're a nicks fan. So that's pretty awesome But even if it is the same color hey keep one sell one It's the way to do it walt frasier on the autograph jersey Commentator legend as well. He's actually got a lot of good out uh accolades I didn't realize how good he was you got two-time champion seven-time all-star All-star game MVP whatever All nba first team four times twice on the second team seven time all defensive first team nba 50th anniversary all-time team and hall of fame in 87. That's pretty cool like Again very solid break right there a couple hall of famers, which is always nice. Nothing wrong with that Um, thanks again for the order Mike appreciate the support as always We'll get it right out to you and go yankees, baby Probably not of this of like this 2022 try star hidden treasures basketball. We always get the um Uh We always get the autograph jersey stuff in sometimes it's multi sport sometimes it's football Sometimes it's baseball Whenever there's a release we always kind of keep it. Um Keep it in stock for sure have the balloon at home. I'm Mike. I feel bad on that one I wish we could have gotten you A different nick or a different jersey, but again like you can always sell one of them and keep the other you know Yeah, we always get we get a lot of the autograph jerseys and it's really just when they release We'll get like a few cases of them I put them in stock for personals It's just um, I don't really know the release calendar as much for them because it's not they don't really have like Seasons they have to keep up with you know what I mean? So we'll get those and we'll do like helmets every now and then too Bet we had autographed basketballs recently Um stuff like that. Yeah, we're always getting like memorabilia kind of stuff into which is fun Dude, I love ripping the memorabilia leaf stitches and slabs is one of the best we had This thing was awesome Yeah, Kansas should be ranked. I agree with that.  It's kind of wild if you ask me Of course, that's just me All right, let's do max will be the last break of the uh the afternoon here man. This is gonna be fun Not to steal your spot after I gotta fill out my break sheet All right, we got some f1 sapphire Um, so I don't know if you know We sleeve and top of everything on sapphire With this I would say outside of the color and the big They all I'll make like piles of what to sleeve and top of it right away and what to just sleeve because then You got someone reporting shipping to upload it. Um, so yeah, I would say just kind of do that. That's probably the best Best go about it there I'm gonna get colbert on my way home. Your dad hates it Because he didn't get the right thing Oh, he did. Oh, I'm bringing that up. Oh next time I see him when he comes in. Oh, he's getting it I actually really like colbert. I love colbert's dude. It's so good Oh, I know you live over, um, you literally wrote right next to yeah, right next to yeah Yeah, it's so far Yeah, I live like, um Like right across the street from like where fun record used to be All right, here we go max. Good luck, buddy On everyone sam here with uh late in sports card doing a two box break for max n that includes a 2021 puny me downers optic football h2 and a 21 tops chrome Uh formula one sapphire. So good luck max. Let's see it, dude Yeah, they definitely thought it was a cc more in football. What's kansas big 12? Big 12 kind of stinks Oklahoma just lost texas is perpetually overrated every year Sorry lane as you're watching Cisco michael carter got a hollow a da fe oa rookie for the vents That firing me for rookie kylan hill hollow james robinson See a down pound come out of this. I'll be sick. Peyton turner got elie mitchell on the um red mojo rookie. There you go. Nice one there Mahomes not numbered on the my house I mean texas will be good. They'll be good again. Once like once ewers is back and fully healthy once archmanning takes over David's got kyle pits on the red mojo. There you go max. That's nasty Grats on that one buddy. There's marshall. Yeah more Uh got frank clark 50 out of 299 Hey, thanks for becoming a member nick. Hey elie's pc pc the minors Devonta smith. There you go. We were talking about Devonta smith all day Rishan slater. There you go trade lance legendary logos hollow.  Caleb farley nice one there on the red mojo One of the first corners taken last year And rising suns jc horn. Oh two that came back in that's good So that probably isn't the right move I guess you kind of you're desperate for wins. You kind of have to do that Appreciate the order to nick. I saw that come through Thanks for becoming a member man Yeah, check out the um if you're interested me come on a member with uh lsc get um access to like perks Uh coupons the discord members only discord which is a lot of fun all that kind of stuff So definitely would recommend checking it out All right, let's do some f1 sapphire, dude I'll let you know probably what needs to be magged as well Got matthew nanini Grand free for staffin pure ghastly nicolas latifi Yeah, I would say just save yourself just to leave those Also, anything that needs to be top loaded right now or mag. I'll just leave myself Top loaded uh james allison got uh zow nice on the f2 That is sepia 21 out of 100 won you zow that's solid right there that's the bono con and kimmy rick honan Uh mix shumacher on the rookie nice uh kimmy rick honan Charles the clerk and at lancestrol So that um shumacher if you haven't sleep it already I'd say It was um it was just a rookie like one of the blue ones Oh, we got a yellow george russell yellow kimmy rick honan alpha romeo nice 36 out of 199. Heck yeah One of the legends right there. That's nasty On the yellow graph on that one God, that's the bono con and opmar saw an hour Hold that guy that principal for alpha romeo one on one out of uh dynastate Uh kimmy rick honan is that not the variation Uh, that's the bono con got a max for staffin card number three That's always nice well pulling the max For the variation and christian horner red bull principal Yes, that was a stud for sure I'm not a huge f1 guy But I know who he is. I know he's good lando norris. We've got green george russell for williams nice one there 44 out of 75 Love the green sapphires so sick We've got nicholas latifi and John luka pedicop And here's Daniel ricciardo luis hamilton uh roy nissani And the luis hamilton solid one there last pack. Good luck here uh jivanazi lando norris richard vershore and uh romaine versheen That'll do it for your break there Um max congrats on all the hits buddy. We'll get them right out to you. Thanks again You see how I walk in here You know how they name like stadiums and fields and stuff like oh paul brownfield or whatever that they should name this the forceman fragrance Yeah, that's what they should name it in memory of force. It's so live In honor of force moons. That's what it is. Yeah straight up just in honor and loving memory. He's still alive. He's just not here Yeah So we had to remember him nothing. Yeah, it's like those memes like rest in peace to no everyone pray for my buddy like jeep like Nothing wrong with him. He's just not here Yeah, you guys never said anything About donnie about luminance before no, I love his luminance. Got a big luminance fan. Yeah like I forget who we're talking about like oh, do I ever look like a leader? I'm not being a leader because I like the autos move on Or I was like, whoa, we need the luminance. I'm like, jeez Man it's defensive on luminance. I'm gonna go make fun of luminance. It's about his favorite luminance. I'm gonna go make fun of luminance There's nothing in his luminance. I just Although I guess the parallels luminance are way cooler if you like true and the inserts are cooler All right, guys, that will do it for Personals today. We've got group breaks starting with this guy right here behind me And you start four five Four starting about an hour force will be live. Uh, he had the sunday fun day Mixer which is going to be a lot of fun the 30 box mixer again every spot you buy in one of those mixers The regular season for football enters you in a chance to win sign memorabilia break credit some other Prizes that we're gonna announce later on But yeah, it's gonna be a really good time. Definitely go check out forest. Here is our break schedule See got today's got Oh, yeah random pack style of skybox metal universe. That's gonna be fun pristine tier one baseball immaculate baseball Revolution basketball optic hot full case gold standard gold standard And eminence at the end of the night as well eminence and then our sunday fun day crazy. Why not get off of that? Holy Um, yeah, thank you guys again. Really appreciate you guys hanging out. Definitely check out uh group breaks tonight with floris It's gonna be a lot of fun and uh, yeah, I will see you guys later. Have a


We're in Penticton here today to announce the 2016 BC Winter Games for the great community of Penticton. You know, it's not just the city of Penticton. It spins out. It becomes a regional effort. People stay everywhere. You heard up to 32,000 meals being served. The whole valley is going to benefit from this. And I can't say enough about Penticton's ability to do this. Not only do we have the facilities, but we have the volunteers and that makes such a difference. When you have different sports and all these different athletes and so many volunteers that support, you know, it's the first time that you really feel like you're important as an athlete and that you're supported and that you have everyone coming together to create this event for you and for you to do your best. So it's absolutely a magical experience and it really can springboard a kid from that BC level right up into the Olympics. Our government has invested about $1 billion since 2001 in sport in the province. My ministry budget this year was a little more than $50 million that we invest all over the province in all kinds of sports. We believe that sport is important, not just for young people. It's important for people even my age to be physically active. It improves your health, it improves your attitude. And BC has the healthiest population in all of Canada. So what we're doing I think is working.


Hey everyone! Thank you for watching! Today's tutorial is another ponytail hairstyle. This one is with double lace fishtail braid, so I hope you enjoy the tutorial. If you're new to my channel, make sure to subscribe it down below, and let's begin! With my part on the right side, I'm going to pick up a small section on the left side of the part and divide it into two smaller sections. And I'm going to take a small piece from the right half and cross it over to the left. Then I'm taking a small piece from the left side and crossing it over to the right side. Now I'm going to start incorporating new sections of hair into each side of the braid for three stitches. So I'm crossing a small piece from the right over to the left, picking up a new section and crossing it over to the left side. Then I'm taking a small piece from the left side, crossing it over to the right. Then I'm going to pick up a new section and cross it over to the right side. And I'm just going to repeat those steps, crossing small sections over to the opposite side while bringing in a new section for three stitches of the braid. Now I'm going to stop adding in new sections to the right side of the braid and only bring in new sections to the left side of the braid, and this will create a lace fishtail braid. So I'm just going to continue the braid working around towards the back of my head, adding in hair from along my hairline, keeping the braid high on my head until I've brought in hair from the nape of my neck. Now I'm just going to continue the braid a little further down and then slide a bobby pin over the bottom so it doesn't unravel. Now I'm going to repeat those exact same steps and create a second lace fishtail braid on the right side of my head. So again, I'm picking up a small section near the part, dividing it into two sections, crossing small pieces from one side over to the opposite side while bringing in a new section of hair and then continuing the braid only bringing in hair from along my hairline until I've brought in hair from the nape of my neck. Once both braids are done, I'm just going to combine all of the hair together and then use a hair band to tie it into a ponytail. Then I can remove the bobby pins from the ends of the braids and unravel them. And then I'm just going to take a small section of hair from the ponytail, wrap it around the hair band and then secure it underneath with a bobby pin. So that's the end of today's tutorial. Be sure to let me know what you think of this hairstyle down below in the comment section and if you love to wear ponytails or you plan on trying out this hairstyle, then make sure to click the thumbs up. Also, if you're new to my channel or you haven't subscribed yet, make sure to subscribe. You can click my little picture right up here. Thank you so very much for watching and I will see you next time.


There's a new slicer in town and it's quickly becoming the best slicer you can use for 3d printing Let's get it installed and check it out So if you have not heard about orca slicer, it's time you did actually orca slicer is a fork of bamboo studio Which is made by bamboo lab and don't forget that bamboo studio is actually based on Prusa slicer Super slicer and slick 3r all open source and Always getting better So let's get it installed and check it out. The first thing we want to do is download orca slicer Go to the link in the description below scroll down to the assets section and download the version that's right for you I'm gonna download the win 64 version for my windows machine But there's also Linux and Mac versions if that's what you're using so go ahead and click that and download it Once it's downloaded you want to extract that file because it downloads as a zip file So go to the folder that it downloaded to right click and choose extract if you're on a windows machine This will actually unzip it or extract it all to the same folder So if it's in your downloads folder, the extractive version will be in your downloads folder as well If your Linux or Mac, that's will be a little bit different. Everything I do today is gonna be based on windows So if you want to move the extracted folder now is the time to do that You can just grab the extractive folder and drag it to any other directory or place You want like on the desktop or whatever if not you can open that folder now Scroll down to the orca slicer dot exe file and double-click it to open it You may get a warning in windows that looks something like this if you feel comfortable Click more info and run anyway and that will allow the install to continue when it opens click that get started button From there You'll be able to choose the country that you're in or that you're closest to and when you get past that screen You'll go into the printer selection screen You want to add all the printers that you want to add to orca slicer right away in my case I'm gonna choose the x1 carbon and the p1p and all of the nozzle options that go with it that way They're ready to go in my slicer anytime I swap out those nozzles if you click next here You'll go to the filament screen and you'll choose all of the filament profiles you want to use I like to just click all and add them all because why not but you can go through and select just the ones You want to use and that's totally okay too the next screen You'll see is the network plug-in screen and because I use all of my bamboo lab printers on the network I'm gonna check this box and install it if you don't want to do that You don't feel comfortable with that you don't have to do that all that's left now is just to press finish when that's all done And that's it orca slicers officially installed You can actually choose sign in if you want to sign into your bamboo lab account and all of your bamboo lab printers Will show up to get started we click that new project button and from there our experience begins when you're in orca slicer Now you can start by choosing the printer that you want to use The filament type that you want to use and then your layer height now Just add the model you want to add and click that slice button once you've sliced it You can actually drop it on an SD card and bring it to a printer if you want to do it that way or You can send it straight to your network printer if you have a printer That's network like the bamboo lab printers or that giant rat rig 500 we saw earlier It's really that easy to get started if you were already using bamboo studio You're gonna feel right at home here. It is very familiar because it's almost identical But the cool thing is they packed in a ton more features and a lot more options that you can actually play with inside of orca slicer One of my favorite things you can do is go to the top left and click that calibration tab This is gonna give you total control of any printer that you put in orca slicer It gives you things like e-steps flow rate Pressure advance retraction and so much more all of these Calibrations and they're built right in if you have any questions about how any of these work or how to use them or what they do Just click that tutorial button and that brings up a web page And it is very detailed and it goes into how to use each one of these options And I just I love that they put so much time and effort into that web page wiki because it really helps out And you'll be able to dial your printer in so much more on top of the awesome Calibrations you can do you can add almost any printer you want right to orca slicer There's already a ton of pre-configured profiles for you to use as well, and they're always adding more I'm actually gonna jump in and add all of the printers I use right to orca slicer so I can use one slicer for all of my printers across the board The other cool thing is I can add my rat rig 500 that uses clipper or a voron printer When I get a voron right to this as well not only will they work in orca slicer They'll interface in orca slicer as well And that's super cool because you'll be able to see all of the details right in your slicer as the printers are printing As long as they're networked on top of all that if your printers networked You'll be able to monitor it in that device tab I fell in love with this using the bamboo lab printers not only looking through the app on my desktop But also that bamboo handy app on my phone But the cool thing is now I can add the other printers as well like we talked about like that rat rig as long as it's networked I'll be able to check that out in the device tab as well And you can see right here that it gives you instructions on how to add it in overall There are a ton of awesome features jam-packed into orca slicer There's way more that I could possibly show in a short video like this and the cool thing is they're always Updating and upgrading it and fixing bugs and really keeping on top They have done just an amazing job on this slicer and I commend the team that's behind this because you guys are rock stars But it's really hard to show you unless you try it for yourself So I highly suggest you jump out there and try it for yourselves because you know what it is free That's right. It's free. Did I mention it's free? So jump into the link below download yours and give it a whirl Let me know what you like about it in the comments And if you're actually ultimately gonna make the switch to one slicer orca slicer I would love to hear that too because I can tell you this I am for sure if you like what you saw here today Please hit that like button and if you want more content based around 3d printing cnc and lasers Please consider hitting that subscribe button now. Also, don't forget to watch that video right there


Paladin voice test number two and come back to the hotel Carlton next time you in San Francisco sir oh good evening mr. Paladin evening George my key please good evening mr. Paladin oh good evening my dear how nice to see you is it haven't you been avoiding me lately not at all just that I've been out of town mr. over here hey boy you pardon me my dear but perhaps you'd wait for me in the lounge if you don't take too long I won't hello hey boy I look for you I get you papers from all places in West like always fine put them in my room I'll be up later right now there's a young lady oh no but I think something you want to see in this journal from New Mexico I mark here you read it looked like they need mr. Paladin on his gun hey maybe so hey boy thank you now get me pen and paper please oh yes sir yes sir right away good good you send card say I've gone we'll travel around my name is Paladin I got your wire wire your name Jesse Reed yeah what about it you and 20 of your men tried to take the town of Perdido below the border in Mexico only five of you came back not in very good shape as a matter of fact I see you're still hobbling on one leg how do you know so much mister thought in the San Francisco papers and I sent you a card like this one hmm that gun will travel wire Paladin San Francisco I sent no wire I have it right here fast gun fast enough what do you figure you can do for me Dave Enderby's wanted for murder and he's hold up in an outlaw town in Mexico more important he took your daughter with him and when you went after her he ambushed your men and shot you I guess you'd like to see him again if I couldn't bring him back with 20 men how do you think you'll do it all alone there are all kinds of tactics mr. Reed tactics you an ex army officer among other things I know your breed you gotta have action and money which brings us to my feet I didn't ask you here and I ain't paying nothing but Dave Enderby delivered to you breathing how much one thousand dollars that gun comes high that's a good gun crafted to my own specification let me see it well you know about that I asked a man for his gun and he gives it to me why you overdressed 10 soldier you'd have about as much chance with Dave Enderby as a ribbon I'll have my gun back mr. Reed or I'll put a hole between your eyes this derringer may not look as impressive but it's just as effective a short range thank you all right you bring me Dave Enderby alive you'll get your thousands but nothing on account only my words to the word of Jesse Reed is enough you understand I don't ask anything more Dave Enderby shot his first man when he was 15 in the back that's the only way he knows how to fight I'll remember that now mr.  Reed


Hello. Hello. Hello? Yeah. Okay. This is Anfa and he will be presenting the talk From Fine to Fantastic, Beyond Static Sound Design. Let's welcome him. Who's ready to rock in the Sunday morning? It's not a Sunday morning, but we can rock still. We can rock hard. All righty. So this is talk from Fine to Fantastic, Beyond Static Sound Design. And before I start, I want to ask you some questions. Quiz time. Question number one. Who's first time on Sonoy this year? You're lying. I see one, two, three, four, five people. Six? Okay. Who is the first time on Sonoy at all? This is what I'm asking. The question is who wasn't here last year? All righty. I see one, two, three, four, five, six people out of how many we have. That's something good. Who is making music with open source software here? Oh, nice. That's like 70% of you? Who is not making music with open source software then? One, two. Yeah. You're making music on Linux, but with Fruity Loops, right? Okay.  I love you anyway. Never mind. Oh, nice. Okay. He's not making music with open source software. All right. Who knows me? Do you know my face? Oh, nice. That's lots of people, like 60%. Who doesn't know me then? This dude is lying all the time. Are you all know me? I shouldn't be introducing myself. I guess someone doesn't know me. Okay. Good. Then I have the excuse to follow on. Have you heard my music? Maybe you know what I'm doing? Stuff on Bandcamp, some of them is YouTube. Yeah. How many? That's like 30%, I guess. I'm trying to say it out loud so it's on the record. Have you saw my videos on YouTube about open source music stuff? Who saw that? Lots of people. And now 35%, I guess. Nice. Maybe some of you are supporting me on Patreon, actually. No? I don't know. There's 24 people worldwide, so it was a slim chance, but still. All right. For those of you who don't know me, there's a quick introduction. Can we turn it up a bit? You probably have heard this piece of music last time. So I'm making videos about open source software for music production. I'm also on Patreon and there are some people supporting me so I can do it more. Here's some of that stuff and I want to show you some excerpts from my recent work.  That's a totally legit video. Now that's an explosion. That was a video about Love Shaper.  It's too little distortion. That's a music video I made with Blender for the track that is playing there. And that's a piece from my last year's album. It's on YouTube. The school visualizer made it in Blender. What a drop. This was done in LMMS, by the way. I also play some guitars. This is from a two-hour... More than two-hour video on YouTube. So I plan to maybe make some more videos about guitars. Third and last. You need to install Ardor and Zinfusion. So I'm gonna add Sudu and this will do it. 219 megabytes. A different note. And that was last year's Sony. This sounds just like a cable. And that was last monthly livestream I made. You know the air horn meme? Tricking awesome! That was live. I know quite a few have been here on this recording. And that's a track I made for the Wolf Shaper video. I also discovered my phone can record in slow motion and I had some fun with it. I think it's really interesting. My wife didn't really love it, but I think it's really cool. I like this moment. And then it fades out into a coffee mug. I think it's just... I love this part. What's going on?  I'm introducing myself to the audience. Don't you see, honey? Yes, I'm watching the livestream.  Cut that off now. But that was so funny. You don't enjoy the video? No, it's not funny.  I do. Oh, and send my love to Nils. What? Is there something I don't know? You should always never tell your rude password to your wife. That's the thing. You already know my wife, Kasia. She's lovely. We made some music together. We've opened her software. I don't know why she's calling me right now. It's rude. All right. Today I want to inspire you to shift your music productions to a higher level and give you some knowledge and show you the tools that we have. I'll be using Ardor because that's my weapon of choice. In the end, there will be a Q&A session like in every talk. But I guess there will be a practical session also. I think you can give suggestions during a practical session and just throw your questions at me then because it's not totally planned, so we may shift directions. I want to take a selfie from the stage in the end, if you don't mind, because that's really cool, I think. No? Yes? All righty. More questions ahead. But first, I'm going to play two pieces of music. I want you to try and spot the difference. So here comes the first one. Okay, so what do you think about this? Was it interesting? Not so much, right? Actually, it was the same loop repeated four times. Boring, huh? That's lazy. That's criminal. Okay, now I'm going to play the second version of this. Listen closely. What do you think of that? Oh, thank you. I deem you think it's much more interesting, right? Needs more cowbell. Needs more cowbell? Yeah, definitely. I miss cowbell here too. It's interesting, when I listen to these two pieces, I always feel like the first one is much longer. Do you feel the same? It's actually the same length. It's just that the second one has much more expression. Things are changing. You're not bored. Things are doing things. So I want to ask you, what do you think I did between the two things? I have some suggestions. Do you think I added new instruments in the second part? And you are correct. There are no new instruments. Shit, I rehearsed this to say, ah, no, you were wrong, but you were right. There are no new instruments. Do you think I played with the notes? I changed the MIDI data? No. You're way too smart. What the heck? It's just filtering. What do you think about effects? Have I added new effects? Yes. Ha, gotcha. Yeah, I didn't add any new effects. However... There's a filter, no effect for you. Some effects were set up in the first part in such a way that they didn't effect the sound. They were always there. They weren't on bypass. I know it's kind of cheating. Yes? But in the same way you could just add new notes by having the velocity set to zero. So it's like looking at that way. Oh, I didn't do that. I didn't cheat in that way. Okay, yeah. If you cheat in that way, you can cheat in more extreme way. Yeah, sorry. All right, but the point was what do you think is the tool I used to make the difference? Yes? You're right. It's automation. It's lots of automation, actually. So, another quiz time. Do you know what is automation? Who knows what is automation? Okay, see like 40% of hands in the air, right? Okay, so how many of you have used automation in a project? One, two, three, four, five, six, and oh, this is quite, quite, still 35%? Okay, and do you use automation in every single project? One, two, three? One, two, two hands? I do.  When the bombs fall, when the fallout comes, you don't want to be coming to me and saying, oh, I'm fatigued with automation now. It's too late.   And all your backups are going to be destroyed, too. Excuse me. I'm sorry. I think this is from a wrong talk. Moving on. So, what is automation? Automation is a way to make the DAW turn the knobs and move the faders for us. It's a tool that makes the computer music more expressive, more humane. Computer music can get very boring and we can feel very detached from it. But with automation, we can make things change slightly or not so slightly during the course of our piece. So, we don't have to just make our presets and leave it there. We can make them evolve over time. And that creates very interesting effects. So, this is what I want to be talking about. And also, it's not that hard, actually. I think a lot of starting out people are afraid of automation. They think it's so complicated. I don't know what it is, but it's not. Let's just dive in and I'll show you that automation is not that hard. So, now I'm going to do a practical demonstration. I'm going to show you how to use automation in Ardor 5.12. Ardor 6 is not out yet, so we're sticking with that. There are some problems in Ardor 5.12, some difficulties, and hopefully I'm going to show you some ways I found to work around the limitations to get the music done how you like it. Yeah. Let's just dive right in. Nope. For some reason my keyboard is not working as it were working. Okay. You know what? I'm going to disable Wi-Fi because that can... There are hackers here. I want to be on the safe side. So, I have a little piece that I made. It's a different piece, but if we have time I'm going to open up the session for the track I were playing in two versions, and we can take a look there at what I did, what I used, and how it affected, how the automation affected the whole thing. So, I have some music here. I just made some simple things. Not too much stuff, hopefully. And let's start with the basic basics. So, every track in Ardor has this button here with order A for automation. And if you press it, it opens up a menu. We can access different automation parameters. We can automate different parameters of the track. We can automate the fader, which is this guy. We can also automate the mute button. So, we can basically make a track go off for a while. We can also automate the punning. It's in two parameters because we have the width and we have the punning. Of course, we can switch this to a stereo balance and then we have just one track for punning. Okay, I'm going to close the two. Let's just focus on this fader automation now. I'm going to switch this back to stereo and reset the punning. So, by default, this is an automation lane. So, it's like a track that is assigned to a track or a bus. And it holds automation data so we can draw some points here. Now, if I play it, nothing happens. Because the automation tracks have four modes. The basic mode is the manual mode. It means it's going to ignore everything that you have on the lane and just go with this value that you put here. So, it's the manual control, no automation in use. If we want to actually read the data from here, we can use the play mode. And now it should follow this automation. So, you see the volume of the track is changing. And that's very useful because we can alter our mix. And this is also something that exists in the industry. You have a static mix where you just find the perfect setting for your faders when everything plays as good as it can.  You use automation to alter the balance in some parts of your song to make it feel more musical. There are other modes. There is a write mode. When you play in write mode, everything on the lane is going to be overwritten with what you have here. So, we can record some motion. Let me play this and move the fader. So, it records everything. However, as you can see, there's quite a lot of points and it will be quite difficult to edit. So, this is something you can use, but maybe it's not optimal. I personally prefer to use the draw tool in the draw mode to just insert the points on my own and move them around it. This way it's easier for me to manage later. And there is the fourth mode, which is now automatically enabled. When you enable write mode, you play and you stop the transport, Ardor will automatically go to the touch mode. And that is very wise because if it wouldn't do that you would be again with the write mode and trying to listen to what you've done would overwrite your automation. Let me just show you. If I leave this in write and just want to listen, just erase all my work. So, that's no good. That's why it switches to touch mode. Touch mode is like a combination of the play and write modes. When you are in the touch mode, it will play back whatever is there but we can also touch the control at any time and add new automation information to the session. So it won't remove anything unless we touch it. That's why the touch mode is pretty useful. If you don't want to mess up your automation I suggest you just put it on the play mode because then you can't break it. If you accidentally move a control it's the safest way. Now, more things. If we right click on an automation lane, we have some options. We can change the state of course and we can clear all data. And that removes all the automation points we have and switches it back to manual mode. So if you decided this automation isn't really needed for this, you can just right click, go clear and then you can just hide this automation lane. Now, hiding the automation lane is not the same as clearing it. You can have some data here just not make it too loud and we need to make it play and I can just hide this automation lane let's play it again and watch this fader it's still in effect. Actually the automation mode play shows us that the fader is in different color and we can't touch it. We can't do anything. You see this fader here we can do things. We can do move it and it has dark background. This one is still light background. It's locked because it only plays automation. So the play mode is good if you want to lock down the automation and not break it because you forgot there was automation. I tend to keep all my automation lanes open but sometimes if you have too much and the session you're trying to crawl is too long it's going to get in the way. However, there are tools to help with that when you go to the automation menu for a track we have some options here on the top it says show all automation when I click this we get all parameters for all plugins on this track. I can scroll forever here and we could actually do something and change something record something but it's not really a good way to discover what is there I think but there are other options there is hide all automation so it just clears it for us it doesn't remove any data it only hides it from the view and there is also show existing automation that is very useful because it only shows the automation lanes that actually contain some data I find this very useful alright so let's have some fun and see what we can do with this baseline to make it more interesting with automation I'm not going to use the fader I'm going to clear this automation and hide the track and now let's just loop it I'm going to go to the grab mode and press the G key I will select all these regions I'm going to select the press the right square bracket to put loop markers around the selection and then press the L key to loop it it's a bit quiet there is some sidechain compression with the kick I'm going to disable it for now so we have a clear view just click here now what I want to do is because it's not really fun when I move it when I leave it it's just static I don't want the static sound I want it to move so I'm going to go to the automation processor automation and here there are all the plugins I have on this track as you can see in the same order that they are in this plugin I'm going to go to the call filter and select frequency it's this knob so when I move it you see this failure moves too let's see if I put it in the touch mode it doesn't really work this way that's not a problem I really want to put it in the play mode and now I'm going to make this larger press D key to go into the draw mode or click here and that was just at some points and listen see what happens let's play it this is a little bit too deep I'm going to move it up when I click or just hover my mouse over the point we can see the value in hertz so that's helpful to know what you're doing there's one problem the scale should be logarithmic it's not it's quite troublesome because you have too much resolution in the bass and too little resolution in the high so it's a bit difficult but you can get used to it I hope order 6 is going to do something about it so you might think we could do this with an LFO like a low frequency oscillator maybe just in the synthesizer maybe but we can do something like this with an LFO so LFOs and envelopes can only take you so far because they are actually doing the same thing every time you hit a key and that's boring and automation allows you to include an expression that is dependent on just the position of the play head in your song so it is actually expression for example many MIDI keyboards have something called expression wheel or expression lever like if you would use this expression wheel for every single note exactly the same way it's kind of pointless because expression is something you use to accentuate parts of the music and I think automation is perfect for that ok so our bassline is done let's see what else we have let's maybe re-enable this sidechain compressor and hear it with the drums I have here synthesized that's a bit quiet now without the automation it's gonna be pretty boring if I switch it to manual and just pick a value boring we don't want that alrighty let's move on what else can we mess up with automation make it more interesting let's see about the drums do you have any ideas, any requests what should I mess up oh yeah sure let's go hi-hat so let's automate the panning right I think it might be good to switch it to stereo balance so we can do this ok so let's open an automation lane for pan for hi-hat and now we can make it zoom across the room yikes ok if I do this it's a false cycle let's change it to play give it a go works there was a glitch I think looping in an arduo isn't perfect oh no sorry I have a different thing here there's a slightly different pattern here to play on the drum transition however I had also another idea for the hi-hat I have added here an A delay plugin which is a stock arduo plugin it's pretty useful and you can see if I play this we can get some crazy comping effects and I really like this so I wanted to make this automated I can actually try and go with right right in here this works because that's a generic plugin interface created by arduo all the led spa plugins are exposed in this way because they don't have a custom user interface and now I can just play it now it's changed to touch so if we won't break it let's listen if it works kinda crazy I like it alrighty what else can we mess up I have some ideas but maybe you have better ideas yes? tempo? hmm you have found a loophole I wasn't prepared for that tempo is a little bit different but sure we can change the tempo during the song here's the tempo lane and you can actually add a new tempo marker you can change the tempo say make it dramatic 100 bpm and now it can be a ramp so if I change this it can click ramp to next and now it's gonna smoothly change the tempo so now I haven't tried this it might break everything let's try this is trippy it works however tempo is not handled with automation it's a different thing but you can do that however I would like to return to the static tempo for now so I'm gonna right click here and remove this tempo marker so we're back to where we started as you might have noticed that the automation didn't stretch properly along with the tempo change our automation turned out to be too short so we would have to correct that manually I don't know if Art or Six is gonna do it better maybe I should stop talking about Art or Six because it's not there okay I have an idea this is something I really like to do let's go with the snare bit crush it we can do this we can bit crush the snare let's see crush I like Calf Crusher it's pretty short I expected it to be more spectacular oh yeah somehow I lost all audio do you get sound from me? it could be I think it worked like that I think the plugin just broke the stream see I know what I'm gonna save the session trouble shooting no talk is good without proper breakage to reload the session demonstration practical demonstration that won't help me now unfortunately may I ask how much time do I have left once the show because we began later alright we're not sure, perfect alrighty I have an idea for the snare actually I want to use Mverb which is a very nice sounding reverb unit I'm gonna play with this mix knob and automate it to enable the reverb just for some parts so I'm gonna go to process automation Mverb and go find mix and now it's gonna be fun go play coming from the distro pause what time is it? I guess yes I think so Falk TX is maintaining that I guess so he knows so we can have some fun just enable the reverb for a short while and then disable it or even make it like reverse reverb tail just increase it here and then just cut it get a reverb interesting things the hi-hat delay was still going let's see how does it sound together with this bass it's kinda blurring out I think I should make it louder oh yeah now we can hear the shink it's kinda delicate cause there's lots of other sounds happening we could do something with the lead I guess disable the side chaining I think we can do something with the OBXD synthesizer right now we've been only automating parameters of effects but you can also automate parameters of synthesizers and that is super fun too we have an LFO we can make it do these things let's see OBXD many options this is one thing that is difficult about automation that it's not always obvious what you should pick but let's see LFO frequency let's take that what else do we got LFO amount 1 and 2 I think amount 1 is for to sending it to pitch let's do this let's play it it's funny we get kind of like a formant sound like someone is saying something a little bit like frequency modulation because the LFO is so fast it's actually in the audible range so we get kind of a frequency modulation thing actually let's draw some automation for this and see what we can do maybe let's leave it somewhat I guess so all plugins that expose parameters all the parameters can be automated unless they don't expose them some plugins don't expose parameters or not all parameters I think that was a frequency can also have some fun here it's kind of sounding detuned I use automation a lot because I already know that it's really fun let's do more than one thing maybe I'm gonna make it much less deep so this is some expression things are changed we have accentuated different parts this is what I think automation is really cool for what else do we got here's a little super saw super saw what can we do with it we could automate any cue that's a neat thing I really like using notch filters very nice let's change this band which number it is 1, 2, 3, 4, 5, 6 to notch we're gonna cut a hole can you hear this? I think notches are really cool so we need to automate frequency of band 6 we need it A process automation EQ 10Q filter 6 frequency there you go I'll just set it to play let's draw something see what it has what does we could start somewhere lower oh yeah this scale is messed up yeah it's really not very pleasant oh yeah we have some sound you see we could just try to add some modulation effects that have their own LFOs like phasers or choruses and it's all fine and dandy but you don't really get this amount of expression unless you drive them with automation if you just put them on and let the LFOs go and go your listeners brain is gonna figure this out oh just using an LFO there's nothing special about it but if you do it with automation make the parameters change it's starting to get interesting let's try to maybe do something totally weird here just go like this I think it's not weird enough let's try this still not weird weirder maybe we can change the Q so it's a little bit wider so we can hear the effect more I like it I like it hey I think that's it do you have any ideas questions answers do you have any questions I have a question there's a microphone so it will be streamed and recorded hello if you try to automate for example the volume is there a way to do it accumulative instead of just take over the slider entirely so can it be like overlaid on top of what you have on the fader exactly because if you automate something you want it to be slightly louder in some pieces lower in others it will increase the entire volume of the entire track is that plausible I would use an amplifier plugin then because you have it in the stack you can disable it because this fader section is basically an amplifier that is just tied to the interface in a very nice way so we can just add a new plugin and let's just go amplifier and there is a plugin a built-in plugin called amplifier I'll just add it and we have a gain control here and we can just automate that and then it's independent from our main fader so we can just have the static mix here and the dynamic part here let me just do it let's automate the gain so let's see we want to let's make it zero we can right click on a point and do edit and then you can type a value it's sometimes very useful and what I also do, by the way it's a little bit of a sidetrack but I think it's important you can go to the settings edit preferences and there is audio editor, yes preferences editor you have ignore y-axis click position when adding new automation points actually by default have this enabled it's very handy because when you have this on if you click the point is added on the line so it can be very precise you can then just move it if I, when I have the disabled, when I click here I have this point right here and I have to move it in position if I want it here I think it's easier then again then it's easier also when you have zero disables here I can click multiple times and say I just wanted to make this last phrase louder so I just added zero disable points then I can make it louder switch it to play let's solo it here is our amplifier amplifier so it works and I can still use this fader and it's all like layering on top of each other so it's relative you can also have multiple amplifiers for different things and you can disable them and listen if it's good if it's better then I emphasize this or not yeah I guess you could also use some VCA's maybe and automate the VCA or VCA and maybe it will superimpose on top of each other but I haven't tested it so I'm not sure any more questions can you pass the mic so let's assume I have like a controller in front of me with a mod wheel is there like an easy way that I could use the mod wheel for whatever specific parameter I have selected so I could first record cutoff and then record the fader automation without doing like crazy complex readjustment somewhere in the background can you pass me a keyboard because I haven't took one this time because my backpack can stretch there is a way to assign MIDI CC controls to automation lanes oh yeah thank you do we need power or just over USB there is a port yep perfect okay oh now it's I think it it's reversed okay let's see if it's detected automatically I guess so sweet so I think maybe I have to enable this first option so I go to edit preferences and there is control surfaces what is this let's go with generic MIDI I will enable this show protocol settings and now I just select the keyboard I think it will be this I don't know let's try now I think if I control middle click yes if I have any control surface enabled when you control and middle click on anything it will open this little box and you can operate a controller and it will assign it however there is something you need to keep in mind like this is now like it's in a safe mode if it's not detecting movement close enough to what it already is said to it will skip it so I can move it too fast it's gonna ignore it so I always go again to the settings control surfaces the protocol you use the settings and I make the smoothing all the way up isn't that I haven't used that in a while so please forgive me if that's alright yeah now you can do it you can also record this way so let's take a different part but you know what let's copy the drums ah interjection another important thing to copy automation data or move it around unfortunately you need to use ranges here is a range tool range mode so you can select a range of time and then holding control you select your tracks and you have to select your automation lanes too separately it's a bit tedious sometimes they don't want to select like now so it's sometimes flaky most of the time it works and now I can go control C and copy this into memory now make sure your edit point this is the edit point is set to whatever you want it to for example I've had set to play head that means it's going to be pasted wherever my play head is so if I place my play head here I can have my mouse whatever control V and there it is but I can also use my mouse so now I can push my mouse here snapping takes effect so I have magnetic snapping to beats that's why it's not it's precisely on this beat not because the snapping helps so this is how I rearrange pieces or duplicate parts with automation it's a bit troublesome right now but it works so let's record some bass or maybe someone wants to record some bass that's the last thing for now there's a bass recording ok let's go to the grab mode deselect the tracks let's find the bass track let's go to touch mode and put it here and I can just shift space I know it sounds terrible I didn't prepare for that but you can do that with MIDI and automation data so if you are a hands-on on the controller type guy Ardor can do it for you alright any other questions? thank you the live stream ended here but there's more alrighty I wanted to practice for that Skype discussion between live and record that was tough but it was also very fun I wanted my wife to participate a bit I think she enjoyed it a lot me too I never been a movie director and it was kind of like this fun ok so I guess this is it I'm over? yes or no? ok thank you so much thank you for having me so my forever


Alrighty, got a construction update for you guys today. As you can see, Tundra Twisters caps are finally finished and it'll take about two days of curing before they can start installing Tundra Twister. I think they're also going to want to work on the concrete formation. As you can see, they laid down gravel, so that's interesting. Definitely getting close to installing it. Again, this thing's going to go up really quickly, so don't worry. They're working on the pump house as well. Little activity going on over at Snoopy's Racing Railway though. Since two days ago, three days ago now, my last construction update, not much work has been going on other than the station. The station's moving along nicely, but none of the iron work or anything like that has progressed from what I can tell. Obviously, there's little things that I won't be able to see from like 600 feet away. I almost just swore, sorry, from like 600 feet away. But nonetheless, I'm excited to see this progress. Because again, this one will also go up really quickly. It's a very low to the ground coaster. Wonder Mountain's Guardian Trains are just sitting in the back there next to Vortex's trains from King's Island. More Tundra Twister supports have arrived. I believe those are supports. That's all I can think when it comes to that. It's the arms of the supports. Not much has progressed infrastructure-wise near Front Gate, but we'll keep an eye out there. Behemoth still has its chain. They are really wrapping up. As I was filming today, they were still working on it and getting the orange train back on the track. So all three trains will be back on the track shortly. Again, it's almost a month away from the park actually being open to guests. I can't really specify on that, but on top of that, they're going to start training next weekend. So they're getting down to the wire. But Vortex's trains, three days ago, they were on the ground and now both of them are on the track. So as it shows, maintenance is really quick working at Wonderland this season. Well, they always are. Like I say, sometimes Wonderland look like they're really far behind and they're not. They'll knock it out of the park. It's so funny. If any of you remember Yukon Striker Media Day, it looked like they weren't close to finishing and they were still finishing it the day of the media day and they got it ready. Clockworks's new paint job, as I promised, is there. It's not a new paint scheme, but it's fresh new paint. It's looking great. You can even see it from the drone. If you can see it pop from this far away, imagine what it's going to pop in person when you're standing next to it. Anyways, thanks for watching this construction update guys. Have a good one. Bye.


That's a sweep! Way to go, Brew Crew! Way to win, Milwaukee Brewers! Milwaukee Brewers win, they get the sweep! Go, Brew Crew, go!