Hi, beautiful. Thank you for being here.  I am just so grateful to be in your presence. Thank you for inviting me into your home on your iPhones or your laptops or your androids or your TVs. Hello from my house to yours. Today we'll be watching some people follow my hair color tutorial. I showed you guys how to do hair well at home and hopefully those pointers helped you guys do it successfully on yourself or others. My hopes aren't very high. So we'll see what happens. Let's watch these videos. Let's do it. Before we get started, I would like to announce a giveaway I have going on. Most of you guys know now I have a color line coming out on the 19th. I'm so freaking excited. We'll get more into that next week. For now, I have a giveaway going on where you guys can win every single color sent to you in a VIP box with my handwritten note inside signed and everything. It's gonna be so special. The box is so cool. I'll be sending three of you guys this VIP box. All you have to do is follow XmondoColor on Instagram and sign up for our mailing list at xmondocolor.com. It is linked below. It's at the bottom of the page on the website. Just put your email in and you will be submitted to win the VIP box. And again, three of you guys will be chosen as winners on November 19th and you'll be notified on Instagram. That is it. Good luck. First we have Caitlin Goudourez and this is called following Brad Mondo's bleach tutorial on my boyfriend. Hopefully I can help. We did a part one where we bleached his hair and it came out like this. Wait, you did it wrong? Started at your roots instead of starting like down here. You know what happens when you start at the roots. The heat from your scalp processes it faster. Therefore, you're gonna end up with white hair on the top and orange hair at the bottom. Pretty much what happened to him. Today we're gonna be like sectioning just trying a little harder, I guess. Did she just say sectioning? Oh, he's got chills. We are combing. We're sectioning so far, so good. I'm feeling so good about this. I'm so happy about it. He has plenty of root. Actually, does he? Not really.   You're gonna have to make sure you only touch the little tiny root bit when you retouch that section or else it's probably gonna be different colors again. Most likely you're gonna overlap.  He says start from the back but he was doing it on a girl mannequin and this is a boy mannequin and it says don't start at the roots but all he has back here is like the roots. You could actually do his ends first back here. You could take a comb and just paint the ends and then go back and do the roots after. Not totally mad that you're about to do the entire back first but what if it came out better if you just hit the ends first? It's not just roots in the back of his head, okay? There is roots and ends here. Oh, I love the comb. She's using a comb in one hand and a brush in the other. That is like professional vibes right there, like good job. And she's combing it through.  It's quite simple to comb through. He's good at everything.  Are we on there? No, I wish. Now you're on it. Welcome. Now I'm gonna start doing it from the middle of the hair down and then afterwards go in and do roots at the very end. I'm feeling really good about our progress here. She's doing an incredible job of just taking her time, trying to go on the ends first and then going on the root. Around the edges on men's hair tends to like pick up more yellow on the shorter bit. So I think it's actually good that she is starting on these sides in the back. I think that's what I told him to do. So go me. Okay, we're going downhill here. We're starting to lose concentration that I can tell. Okay, now it's all on. She didn't section that at all on the top. Brad Mondo said to get a bag and spritz it with water and then put it on your head really tight. This is going to process his hair faster and cleaner and whiter and brighter. And also I'm so happy that she put water inside the bag. I love to do that and then sit out in the heat if it's warm outside or even use like a blow dryer to heat it up. It actually moistens the bleach up, make sure it doesn't dry out or flake off and it processes your hair faster. He's blonde. I don't even am I. He's yellow. Oh. We're going to use this developer and hopefully it will take that yellow kind of out. I thought you were following my tutorial. You're going to whip out T18 on me on yellow hair and you're going to say you follow my tutorial? That ain't right. It needs to be lightened so much more to use anything like T18. This is going to burn his head so bad. Okay, so you can kind of already see the difference. The side's like turning gray. Looks can be deceiving here because it's not going to turn out like that when it's written stuff. So I took this. His hair was dark before. Woo. I give you this. Ah. Not bad. The toner definitely did something. Thank God. Definitely could have been a lot better. However, they seem to be happy with it and so that's all that really matters. So, good decent job, Kaelin. Let's tone it better next time. Or let's lighten it before we tone it a little bit more because it was yellow beforehand and we don't want that. That's all I have to say. Let's move on to the next video. Next, we have Miss Riley Jean and this is I've bleached my hair at home using Brad Mondo's God and it went whale. As you can tell, my hair is greasy at the top which is because Brad Mondo says that you shouldn't wash your hair for a couple days before you dye it. You want it to be a little bit dirty.  It's way darker at the top than at the bottoms. So that I would say is like what I'm the most nervous about. The fact that I'm starting with already kind of like very tired balayage or whatever. So I'm honestly feeling pretty confident. I might regret saying that. Ooh, we chew that. So I don't have to like do like the backs and stuff myself. She's going to pretty much like put all the bleach on and we'll do the test strip. We're doing a test strip too, this is so exciting. The Wella Lightener, this is like the bleach powder. I got a 20 volume developer. Word. He says that he usually uses 30 but says to mix the toner that I got. I just ordered one of these, some of this conditioner. I've rarely shampooed my hair anyways so I just didn't think it was worth it to get the shampoo and conditioner. I just wanted something because I know that my hair is going to be dead after this. So I just wanted some sort of treatment. This is a great plan. Yes, we're doing a test strip. Yes, I love this because you never know what's going to happen to your hair you guys.  Hopefully it gets nice and blonde. Yes, we love a good foil moment. Why is it look if there's no bleach on your hair? I said light on the lightener so thickly please and you didn't do that so I'm pissed. Okay, it's been 30 minutes. I don't know if you can see it looks pretty light but I just want to kind of open this up a little bit so like stuff that I- We're ready to have 30 minutes. It's a good amount of time. 45 would have been better though. It's orange. Yeah, there it is. Having to bleach her whole head. Why does it look like she's applying to the root? I am happy however that we do have sectioning going on. I feel like her mom's taking her time. Oh, why does that look so good?  My ears, my f***ing ears. The color of the front of my hair and the back of my hair is completely different right now. So we're just gonna wash out in sections. That is exactly what you're supposed to do. Rinsing out in sections is a fantastic thing to do when you're using lightener because wherever you start it starts processing immediately. So when you make it to the front it's already like the back is done. So you're gonna rinse that out first in the next section, the next section, the next section. Everything she just said was perfect. We have just washed all of the bleach out. Whoa! It's orange. It's a little orange. I'm getting right now. We need more lightener. Toner. The toner. Oh, we're just gonna toner, we're just gonna toner. Orange, you're gonna tell her she needs a little bit more lightener. Ah! Ah! Honestly, the f***. There is definitely some spots that are more yellow. Like at the top here, like yellow, orange. I have like some kind of underneath pieces that are like a little bit more yellowy orange. I don't know if I just like missed these spots kind of. Oh my God, this looks actually really good. Such a proud little teacher today. Oh my God.  Yeah, it's not perfect, but it is pretty damn good. Yeah, you look so beautiful too. Wow, it really brings out your eyes. I really actually like it for doing my mom basically doing it for me in the bathroom. I'm pretty happy with this. I'm happy with it too. I would like your hair a little more cool tone because your skin is so pink. The yellow doesn't work as much. That yellowy tint you have in your hair, I don't hate it, it's very beachy and cute. But I mean, I'm just nitpicking now. I mean, honestly, 10 out of 10, you did an amazing job. And I'm so glad you follow my directions and it worked out. Yay! Our next video is by Yvette Francis. This is called Bleaching My Hair Using Brad Mondo's Guide. I'm gonna bleach my hair. Hopefully I do well because Brad Mondo, right? Am I right? I've been watching Brad Mondo's so many hair coloring and bleaching videos. We're pouring that bleach in. We're pouring the developer in. I don't know what developer she's using. I think it's 30 volume. We'll go with 30 volume. I don't know if this is gonna work because honestly, with her hair, I would definitely foil every single piece because her hair is so dark and coarse and thick. Why are we starting in the middle of the head? I don't think I recommended that. Okay, well, at least they're sectioning and the pieces aren't that thick and they are layering on the bleach. So that's always good. But please protect your skin when you use lightener, guys. You don't want that laying on your skin. I fully saturated my hair with bleach. As Brad Mondo wanted me to, well, my sister did most of the work. But here's the back looking. As you can see, my roots aren't done, but that's because I'm leaving it for the last 25 minutes of this whole processing thing so I don't get hot roots. I'm so happy she's doing the roots after. That's gonna be so critical for her hair to be even. Yes, this is going to be good. I feel it. I feel good about this. Hey guys, so I look f***ing rough right now. I literally just woke up. Ah! What happened? So this is my current hair. As you can see, it's very yellow and super f***ing orange. Okay, well, you clearly had color on your hair before this. That's where you're getting out orange is where that preexisting color was. So you're gonna need to lighten it again. Please go in again and especially on those dark bits first and then move on. And I missed quite some spots. Her hair looks healthy though. Here we are about to do it again. We're doing it again. Yes, I'm happy we're doing it again. She needs to do it again. Or else it's not gonna be lightened up to tone. I actually feel good, like still feel good because she is doing it again. I'm so happy. Ooh, it's looking lighter. I kind of finished already. I'm not really sure. You know what? This is the last time I'm ever gonna bleach my hair. This is not good for it. So I finished rinsing the bleach off. I don't think you left it on long enough, love.  I don't really know what to do anymore. So I'm just gonna wait for my hair to dry and tone it. At this point, I'm really scared for my hair. You did some damage, girl. You did some damage. It looks damaged. Stop pulling it out. And hair's literally just coming out. See, what we could have done differently the next time is not bleach over the already white parts of your hair.  And if you bleach over those with 30 volume for as long as you did, your hair is going to snap off. So next time, let's just do the orange parts and let's skip the white parts bit. Okay, so we definitely have some orange patches there and our hair is definitely falling out. Frick, ha! I'm scared that it's gonna take a lot on those white bits. Like, it's gonna turn gray and then the rest is gonna be like still orange and it's gonna look so not cute at all. Please, just some miracle happen. Hair gods, please. So this is my finished hair. Oh my God! Um, a little uneven. Kind of silvery up top, beige on the bottom-ish. Yeah, exactly how that would happen happened, but it's okay. She looks like a baddie still. Ooh! I'm not mad at it. I'm not mad at it either, actually. I mean, it could be worse. I mean, you look really, really good with that color. However, you need to do a better toner next time. It's just like a routine and toner and I would tell you what to do, but however, you guys, telling people how to tone their hair at home is like virtually impossible. It's more of a salon thing.  It's not that expensive. I recommend just seeing professionals for two seconds, just letting them fix it and not lighten it anymore but just do a nice gloss over what you have and it will look literally perfect. You look gorgeous with this color. I love it. The blonde is so fun. However, poor damaged hair. Resurrect that. I'll give that like a eight out of 10. That's generous. Ooh! All right. Well, that was interesting. I'm glad that we have one girl do it very well. Not perfect, but very well. The other two, you know, is decent. I'm glad I could kind of teach you guys how to do hair color at home and do it okay decently. I don't know. I love most of you guys, but it's okay. I'm gonna cry myself to sleep tonight over it, but it's fine. Don't forget to enter my giveaway for X-Mondo color. If you didn't hear about that already, it's at the beginning of the video. Go back and watch it. Make sure you guys follow me everywhere else. Here are all my social media links. There you go. Text me at this number right here. Yes, it is really my number. Yes, I really do see all your texts. And yes, I will be answering a few of your texts if you text me right now. Check out X-Mondo hair and X-Mondo color on Instagram at X-Mondo hair at X-Mondo color. You can also check out our website down below. They are linked right there. Make sure you guys subscribe if you're not already. You can press the bell icon to be notified whenever I post. And you can press the like button because that'd be super sweet. I appreciate it if you do it. Today's Instagram shout out goes to Katie. Katie says, I love your channel so much. Thank you, Katie. I have curly wavy hair and I like to braid it a lot, but I'm kind of bored of my brown color and I'm looking for something new as I enter nursing school. I think a boho blonde may be an ombre. I also thought of a light reddish orange. Oh my God, the copper orangey thing you were talking about in your texts. Yes, do that. And I'm very inspired by orange, apparently. Yes, yes, yes, I'll put a reference right here. This is the color for you. Boom, that one. You would look so good. Your skin, nice and pink. The hair, nice and orange. Beautiful, gorgeous, timeless kind of look. Try it out. I would love to see if you end up doing it. Please send me a picture. That's all for today, guys. Thank you so much for watching. Don't forget to leave your extra line. I'll see you next time. Bye, guys.


My name is André Kuipers. I was an ISA astronaut on two missions, 2004 and 2011 and 2012. And the last one was 193 days in space. And on board, we have a lot of means of communication. And one of them was, of course, MRadio, which was very nice to operate. Hello André, it was a pleasure for us to operate the 4U1 ITU and the communication with Oscar Romeo 4 ISS on the board of ISA station. And because you are the former ISS crew member, could you please tell us how you feel now after this contact when you did a contact with the ISS? If you close your eyes, what you can imagine if you are on the other side of the microphone? Yes, it's very nice to do this from ground. It's always special to talk with the space station, even if you've been there. And you know, also this time is critical, so there is always some tension. And the equipment has to work properly and you hope to have contact and the astronaut is not too busy doing something else. And if I imagine myself, I know exactly where you was. And so I know how he's floating there and holding himself while talking to the ground. It's always a challenge for the astronauts to hear the proper call signs and to hear the questions. But it was very nice to be back on board in a sense. Very pleasant. We are celebrating today the SA-50 anniversary. But could you please tell us what is your personal dream or challenge to the future? How do you see the future of the space communication in Europe and your personal dreams to the future? I am very privileged to be part of the beginning of the space age. When I was born, there was Sputnik and Gagarin and people went to space. And I feel very privileged that I could be part of it because I started to work for ESA. And I was always very intriguing what was happening in space like. I was very pleased that Europe was participating in there. And very happy that I could start to work for ESA first as a research fellow, later as a contractor and then finally as an astronaut. And it's fantastic what we do in space. It's a very exotic environment. There's a lot of different disciplines. And I was very curious of what all the people do in science, in earth observation and new propulsion technologies and all these kind of things. So it's very broad and it's very nice to be part of that history of ESA. ESA will continue. We will work already together with of course the other partners in the space station. But also China will be interesting to work together with scientifically. So I think the future is bright for ESA. ESA will join with others to go to the moon and Mars. And we are the first and the best to go with unmanned probes to comets and other celestial bodies. So science and technology in ESA is great. And it will continue like this in the next 50 years will be bright. Thank you Andre from ITU. We wish you a lot of health, a lot of success. And we wish you that you will be at least once able to return back again to the space and to make a contact with us as good old friends. We will call you after then. Hello Andre, you remember when you were sitting with us in the 41 ITU station. Thank you very much and it was a great pleasure for us to welcome you in the ITU. Thank you very much. Thank you.


make progress. We have to stop treating our opponents as our enemies. They are not our enemies. They are Americans. They are Americans. The most prevalent emotion among the thousands of attendees that night was relief. As Biden and Harris spoke from Wellington, Delaware, the president elects home state. Delawareans in the audience, like Chris Chaden, said it was a unique experience to have one of their own in office. We're from Delaware, so it's quite a proud day to be a Delawarean and just a good day for humanity. VP elect Harris is the first woman, African American and Asian American to take second in command to the most powerful position in the country and arguably the world. For Delaware resident Kristen Dowdy, Harris' election was momentous. We've been waiting for a woman in the White House for a long time and we're on the right path. Mending the divide between Americans on both sides of the aisle became a major theme for Biden's speech and audience members like India Kennedy. She says it's time for change. At this point, I just want him to reunite the country. Just because we disagree doesn't mean we can't be friends. While Biden's supporters popped champagne bottles across the country, Sidney Abili and her family drank rosé from plastic flutes. I feel like the sun came out after the results came out and it's been a great day. Go Biden! Go Biden! Reporting from Wilmington, Delaware, for Boston University, I'm Will Andronico.


From the heart of the jungle comes a savage cry of victory. This is Tarzan, Lord of the Jungle. From the black core of dark Africa land of enchantment mystery and violence comes one of the most colorful figures of all time transcribed from the immortal pen of Edgar Rice Burroughs. Tarzan, the bronzed white son of the jungle. And now in the very words of Mr. Burroughs, the story of the Curse of the Pharaohs. Once Tarzan's curiosity had taken him to distant lands, to America, to England, to France. But in recent years he had remained in the jungle that had been his birthplace and his home. And with each succeeding year the veneer of culture grew less apparent, the deep core of savagery more pronounced. And Tarzan's friend Captain Lawrence of the governmental police worried about this change in Tarzan. He used every device at his command to bring the jungle man into contact with civilized people. And it was Captain Lawrence's letter that had brought the Lord of the Jungle to the expedition camp near El Amon in a small oasis of the great Libyan desert. Halt! Halt! Yes, I shall halt but take that bayonet from my ribs. We have had much trouble in our camp. We are wary of strangers. What do you want? This is the camp of Dr. Erickson? I want. It is. And take me to his tent at once, will you? You are a friend of Moellem Erickson? I've never met Dr. Erickson, but I have a letter to him from my friend Captain Lawrence. He said it was most important that I come here at once. Then you are Tarzan? Yes. But Dr. Erickson! Dr. Erickson! Moellem! Tarzan is here! The man you wait for has arrived! But Dr. Erickson and his daughter have waited long for your arrival. They will be most happy. He has come here, sir. He will make us famous after all these years. Isn't it wonderful? Had we not met Captain Lawrence, perhaps we might never... Dr. Erickson, I... No, don't say a word. That is right. Just stand there. Let us examine. Examine me. Hush! Not the word. Father, notice the head form, as perfect as any of the more advanced ethnic types. And the body development, Ilsa. The power and the ruggedness of the Neanderthal man with the refinement of a much later period. With the total absence of Negroid features, despite his African habitat. Molly, go into the equipment tent and get a pair of scissors. Yes, Moellem. I hasten to do your bit. A lock of his hair should be examined minutely. Dr. Erickson, I... You see, Tarzan, an examination of the hair texture will be most important in classifying you. Will one of you please tell me why I'm being examined like some rare animal? Oh, I am sorry. Perhaps our enthusiasm has made us rude. But after all, there's not every day and the week that scientists come across an important discovery. That is right. Why, when Captain Lawrence first spoke of Tarzan of the apes, we couldn't believe our ears. Imagine the offspring of young apes walking erect, learning to speak, adopting many of them... The final proof of Darwin's theories. Before you increase your hopes and my anger, I might tell you that I am not the offspring of apes. What? You see, my parents were marooned on the African coast many years ago. Before I was born, they were killed when I was just an infant, and I was adopted by an ape tribe. Adopted? I've assured that. Yes, the apes raised me. They treated me like a baby of their own, taught me how to fight for survival. I lived as one of them. But I am not really one of them, except in spirit. I'm afraid you can't make me into a specimen for some museum. I have never been so disappointed in my entire life. Well, I shall leave now so that the cause of your disappointment... No, Tarzan, don't leave. Why not? Because you may yet be more useful to us than a museum specimen. In what way? Our little camp here meant only for scientific research that can cause harm to no one has recently become the object of some unexplainable hostility. For great strength and jungle cunning, you could help us, perhaps. Just what is the nature of these hostilities? When we left Cairo, we had a complement of almost 20 Egyptian diggers, men engaged to help us in our archaeological work. Excavating to find remnants of early civilizations. But one after another, the men have disappeared, frightened away by some power they refused to divulge. Only Moli, the Egyptian you spoke with when you first entered the camp, is left. Aside from Arnold Brown, father's assistant... Is there any clue to the disappearance of these men? There was one note written on ancient Parshman, a fashion to the outside flap of my tent, by a golden pin in the shape of the traditional scarab. The image of the sacred beetle of Egyptian antiquity. The note, written in early Egyptian characters, warned us to leave this small asus at once, or bring down the curse of the pharaohs. Naturally, the note bore no signature, eh? You see, Tarzan, we do need help. Please forgive the way we insulted you a few moments ago. Please remain with us. Well, you Tarzan... As I have explained, I am not a simian, but I do have the curiosity of the monkey, the apes' enjoyment of combat, and the guerrillas' love of violence. I shall remain to fight these mysterious enemies. In just a moment, we shall return to our exciting story of Tarzan. In equatorial countries, there is little dawn nor dusk. The sun appears and disappears over the horizon quickly. Now night suddenly envelops the small oasis where the expedition of Dr. Erickson had established headquarters. Outside the tent of the expedition's leader, Mali, the faithful Egyptian servant, walked sentry duty. And inside the tent, Dr. Erickson, his daughter Ilsa, one of the doctor's young assistants, and Tarzan sat before a well-laden table. I still can't get used to sitting cross-legged and eating from a table that's practically on the ground. By the time you have made as many field trips to the Orient as I have, Ilsa, you will be used to many things. And when you have lived in Egypt as long as I, you will find that the country's eating habits are more civilized than many of its customs. You've lived here for a long time, Mr. Brown? I've spent most of my life here. You see, Tarzan, my father was in the consular service, and I came to Egypt with him when I was only a child. I was educated in Cairo. Then perhaps you have some explanation to offer concerning the threats and the disappearance of the native workers, Dr. Erickson, engaged in Cairo. Well, strangely enough, although I've lived here most of my life, I didn't become interested in Egyptology until very recently. Here's very apt, though, a real addition to our group. There's one thing I'm sure of, Tarzan. There's something located near this oasis that's important. Something that someone is anxious to keep hidden. That must be the answer, for no one disturbed us until we reached here. We were much more vulnerable while we were traveling. Have you reported these strange occurrences to Captain Lawrence? This is outside of his jurisdiction, Tarzan. Captain Lawrence has no authority here. We have written to the gentleman through whom we obtained permission to explore an extremely intelligent individual by the name of Ismael Farid. We expect some advice from him soon. I think I will go outside now. I want to watch for a new threat.  I've had quite enough to eat. And I'll take a turn around the camp before I retire. I'll let you know if I see anything out of the way. All right. I'll visit with the Eriksons a little longer before I begin my vigil. Yes, do that. I'll see you all in the morning. Good night, Tarzan. Good night. Tell me about him, Doctor. About Arnold Brown, the young manager's lab? Yes. How much do you know about him? Nothing more than he told you. His father was an important diplomat. Arnold's lived him most of his life, attended school in Cairo. He's recently become interested in Egyptology, the study of Egyptian antiquities. I guess I was responsible for his employment. He's terribly attractive, isn't he? Yes, and he wears such interesting jewelry. Jewelry? I have never noticed him wearing any jewelry. What are you referring to, Tarzan? The ring he wears on his little finger. I've never noticed it. Nor I. Perhaps he put it on only tonight as a warning to me. A ring? As a warning? Yes. You see, it bears the symbol of the two entwined snakes. What was that? It sounded like Mali. The cry of death. I've heard it often. Get out there. Find out what it is. It's too late to save Mali's life. The two snakes have resorted to murder. Go into your tent. Ilsa, this is no sight for a woman. The symbol of the snakes. I carved into Mali's forehead. But I've got here only a second or two after his scream. A moment before the rest of you. Dr. Erickson, how could anyone have had time to cut that symbol in Mali's forehead? Perhaps with an ancient implement of torture, once used by early Egyptian religious fanatics. It is somewhat similar to a branding iron, but with a razor-sharp cutting edge. I think you showed me one in a museum at home. It was used on traitors, wasn't it? On those whom the high priests believe guilty of betraying religious secrets to non-believers or foreigners. But I am unfamiliar with any cult that used this particular symbol. Perhaps Mr. Brown can explain it. Me? That ring you wear on your little finger carries the same symbol as that engraved upon Mali's forehead. Obviously placed there because of his loyalty to Dr. Erickson, a foreigner. I had almost forgotten the ring. I found it this afternoon in the sand. I put it on my finger because, well, I guess that's a natural place to carry a ring. I headed for Dr. Erickson's tent to show it to him. I thought it might be the first clue to some undiscovered ruins near here. But you didn't tell me about the ring, Arnold. When I entered your tent, Tarzan was there. You introduced us, but you didn't explain to me who Tarzan was. I didn't want to tell you about the ring in front of a stranger. You knew about Tarzan's coming, Arnold? We told about our conversation with Captain Lawrence concerning Tarzan of the Apes. Exactly. Lawrence is an Englishman.  And then this Tarzan came here. Well, there's little aboriginal about him. It was a very easy thing for the Englishman to get one of his agents into our camp.  I distrust them. Too many of Egypt's treasures are already in English museums. Perhaps you came with Dr. Erickson to make sure no further treasures would be taken out of the country, eh? That is the law here. No items of antiquity may now leave Egypt. I am not a policeman to enforce that law. No, but you could be a member of some ancient cult determined to protect the property of the snake god, lest the government officials be lax.  Isn't it, Father? Well, I don't know what to think, Ilsa. We will give Mali a decent burial and then we will all retire for the night, taking turn standing guard. Perhaps in the morning these strange occurrences may be examined with common eyes. I'll take the first shift as a sentry. And I shall retire until it is my turn. But I warn you, Arnold Brown, I always sleep with one eye open. Mali was buried and then the camp retired for the night. But despite the melodrama of early evening, the night hours passed without incident. Tarzan, pretending to sleep, peered out through a narrow slit in the flap of his tent. Always peaceful within the confines of the encampment. After two hours, Arnold Brown turned over the sentry duty to Tarzan. As night prepared to become morning, it became Arnold Brown's turn again. He wandered toward the edge of the oasis. He passed out of Tarzan's vision, obscured behind scrubby desert growth. What happened to Tarzan? I don't know. Brown disappeared behind those bushes over there and a moment later I heard that scream. But nothing could have happened to Brown. I'm sure you were right when you suspected him. No. No, I guess I was wrong. Look. Arnold Brown. Dead. What's happened? What's happened? I am sorry, my dear. I wish you hadn't seen him. The sign of the snakes again. Why did he come over here? Why did he wander away from his sentry post? Perhaps he heard something and came over to investigate. I heard nothing and my hearing is most acute.  Look. The ring has gone from his hand. If only he told us where he'd found it. It must have come from a hidden tomb or ruins near here somewhere. Then we're going to find it. They're not scaring us away. You are right, Ilsa. If there's something worth discovering here, you're going to remain until we uncover it. I know little of your science, doctor, but you can count on my help. I beg your pardon. I think all three of you would be acting more wisely with you to return to your respective homes. Who are you? Why did you come from? Are you going to do the honors, Dr. Erickson? I... I... Then permit me to make my own introduction, Tarzan. I am Ismael Farid. I have come here from Cairo to supervise any archeological work and to protect the treasures of antiquity from foreign hands. In just a moment, the dramatic conclusion of the Curse of the Pharaohs. Objects of antiquity may be taken out of Egypt only with the consent of its government. Indeed, excavation may not even be attempted without governmental approval. Ismael Farid, although not an official of the National Museum, was highly connected and he was treated as an honored guest. Even the tragic death of Arnold Brown was cast aside in order to take Ismael Farid to the most comfortable tent of the camp, to prepare food for him, to make sure he was comfortable and reasonably contented. And only then did Tarzan and Dr. Erickson head back to the scene of the latest violence so they could prepare Arnold Brown's body for burial. Well, I am glad we finally persuaded Ismael to get some rest. You know she was getting genuinely fond of Arnold. He was very much attracted to her. I could tell that much. You know, Tarzan, I had come to the conclusion that Arnold was involved in these strange happenings. It's too bad it required his death to clear him. Well, all we can do now is to give him a decent burial. That is all we can do. I hate to go into these bushes and have to gaze on the poor boy again. Suppose you just start to dig his grave, Dr. Erickson. I'll take care of the rest. The jungle has hardened me to gruesome sights. No, I'll come into the brush and help you. After all, I... Tarzan! It's Marty! It's gone! Disappeared into thin air! But what possible reason could anyone have for removing it? I don't know. Dr. Erickson, I do not have your knowledge or education, but many years among jungle people have taught me the ways of voodoo, native superstitions, and primitive ways. The early Egyptians shared many of the customs and beliefs of the jungle people. What are you getting at? Not too sure yet. But I want Ilsa and you to go along with a little plan I have. What sort of a plan? One that will permit us to investigate this mystery without Mr. Farid's supervision. Will Ilsa and you do as I suggest? I am sure Ilsa will do anything that may help to solve the mystery, and I certainly will. After all, we have no desire to bring the curse of the pharaohs down upon our heads. No, I cannot explain the strange disappearance of the body, but of course Egypt is a land of strange puzzles. Well, I'm not going to wait for the solution of this one. I'm going to accept Tarzan's offer. I did not hear of any offer on Tarzan's part. I volunteered to take Dr. Ilsa and Dr. Erickson to Tripoli. They can board a ship there that will take them home. But Cairo is so much closer. Why not? Cairo is Egypt, and if I never see this country again, I'll be more than happy. Murders, disappearing bodies, all sorts of strange happenings. There was nothing in my college courses on archaeology that said anything about that. You are most wise in living the land of the pharaohs, Ilsa. And you, Dr. Erickson? My daughter's life is more important to me than the discovery of some new tomb or ruins. We shall leave as soon as we can pack our supplies. Of course. Without servants, this may take some little time. Well, since you have decided to abandon any attempts at excavating this territory, there is no need for my presence. I shall leave now. We bid you speed, Ismail Farid. You both gave excellent performances. I don't know how I managed mine. Wild horses couldn't drag me away from here. Farid's obvious relief at the news that we were leaving makes me sure that we're on the track of something important. Well, we won't find it standing about talking. I have a feeling our friend will turn back long before he gets to Cairo. We better get started. Thousand. Must we do our digging here where Arnold was killed? Isn't some other spot just as likely? Not if my fear is all right. But perhaps you might try over by that big rock. Why? The wife, father, and I permitted ourselves to be ordered about her. It's more than I can. Father! Yes, my dear? Father, cousin, come quickly. What is it, my dear? This. Why an ivory-handled dagger? Where did you find it? Almost directly at the base of the rock. He must have been lying here for countless years. Is it very old, doctor? Let me examine it. Ah, yes, yes. A product of one of the very early dynasties. Probably made about 3,000 BC. Made almost 5,000 years ago, and it bears little sign of age. Yet it could have been held in someone's hand as recently as the time of Arnold's disappearance. I don't think we can count on that. You see, Tarzan, it's because of Egypt's unusual climate that so many archaeological finds have been discovered here. Thousands of years have left many items completely on chain. Whole cities have been discovered, virtually intact, entirely beneath the sand. Wait, what's the matter, my dear? I suddenly felt weak. I guess the worry and the excitement. Oh, you've eaten nothing since last night. Rest for a moment, Elsa. Lie down. No, no, no. I'll be all right. Just lean back against the rock. What? The rock? It's swinging open! You must have accidentally touched some spot that caused it... Look. A long corridor leading straight back. Why? A long hole. Pure gold. Look, Father. Why? The characters on the sides of the walls. From the very earliest of the dynasties. Perhaps even from a pre-dynasties period. Advance carefully. It's more than possible to... Elsa! Dr. Erikson! What is it? The rock swung shut. We may be imprisoned here. If it is open to let us in, it must open to let us out. We can find out about that later. You cannot appreciate our feelings, Tarzan. This is the culmination of a lifetime's work. We will get out all right. If we are lucky enough to find the one spot that yields to a touch, it won't be easy in the dark. Perhaps it may prove impossible. You are right, of course. For the ancient new engineering tricks, we have not even begun to learn in our present civilization. But even life is less important than the thrill of such a discovery. We look for a means of escape later. Now we must explore this tomb. If you want to, Tarzan, you can remain here while Ilts and I search the splendors created by men long since that. The native diggers who deserted you were not frightened away by men who died thousands of years ago. Nor did any men of 3000 BC kill Muli and Arnold. I shall come with you. Look at the colors on these wall paintings, Tarzan. Not a sign of deterioration after all these years. And the magnificence of the vases and the jewelry we found. It is amazing. And we haven't even reached the central room of the tomb yet. It is obvious that the mummies we have discovered are merely those of the wives of the pharaoh who is buried here. Not even in the tomb of Tutankhamun were such rich treasures buried. He must have been a most important pharaoh. Wait. This must be the entrance to the central room. The symbol of the king goddess over the door. Look, the sign of the two entwined snakes. Yes. And the ancient lettering that proclaims this to be the final resting place of Zaredi's snake king of the Egyptians. There, the gem encrusted coffin in the center of the room. Hurry. Oh, this discovery will make my name go down with Osefra and Marietta and Petri as one of the great Egyptian archeologists. Tarzan, help me raise the lid of the coffin. Raise it easily. Osef, your touch opened the tomb. You should have the first look. All right. I'll stand on this stone step and then I... No! What is it? Arnold Brown, wrapped like a mummy of antiquity. His clothing and ornaments, those of an ancient pharaoh. Just someone who looks like him. No. Many people are coming. There is no place to hide. Stand behind me. My knife may be of little protection, but they shall have to kill me before they... You remained and found the entrance to the tomb of our god. I warn you, Ismail Farid. My knife will plunge into the first person who attempts to attack us. There will be no attack. You can do no further damage to us now. Ilsa Ericsson ended the days of our cult. Ended the days. Long have we, the sons of Zaredi's, kept this tomb in violet. We have met here, determined to resist the interference of strangers. But now that is all past. This is no longer our meeting place. And you, Dr. Ericsson, may claim as many of the treasures here as permitted by our government. For that I am most thankful, but there is much I do not understand. Zaredi's, the first, was once buried here. And so were his son and his son's son and others in a long and noble line. Other pharaohs succeeded the sons of Zaredi's to the throne of Egypt. But the Zaredi's have always been the king gods to some of us, until the death of the last one, last night. Arnold Brown, was he the last of the Zaredi's? Yes. Why, I thought he was the son of a foreign diplomat. He was. His grandfather revolted against the strict rules laid down for our gods. He left the country but fate sent Arnold's father back as a member of a foreign consular service. It was necessary to kill him to secure Arnold. It must have been your family that adopted Arnold. Yes, but along with his royal blood there flowed the blood of foreign lands. He too decided to cast off the responsibilities of a deity.  It was necessary to kill him to put to rest here the last of the kings of Zaredi's. May we leave here now, Ismail Farid. Yes, go forth and permit us to hold the last of our religious rites. Then we shall turn ourselves over to the authorities. You, doctor, may announce the finding of another symbol of a world that can never be again. Yes, Ismail Farid, many of the things we treasure fade with the passing years. But violence can never halt progress, and killings can never win a battle of the soul. It is a lesson I have learned in the jungle. In just a moment a preview of our next exciting story of Tarzan. Unaware of the fierce eyes that watch them from behind every rock and tree, the safari of the American plunges deep into the jungle. And what he cannot see, he refuses to believe. The mysteries of Africa have been highly overrated. But the mysteries and violence become real when he hears the throbbing of the voodoo drums, the chant of the savages, the incantations of the headhunters of Yambisi. Tarzan, the transcribed creation of the famous Edgar Rice Burroughs, is produced by Walter White Jr., prepared for radio by Bud Lesser, with original music by Albert Lesser. This is a Commodore production.


Thank you everybody for joining us tonight for the Summer Creek Drive and Southside Flow Transfer Station project. Your project manager is Susie Abbey. She can be reached at<PHONE_NUMBER> or you can email her at susan.abbey.fortworthsexes.gov. All of this information is in the chat. If you open the chat, you'll get the project, how you get to the project page and we've got some other information in there and I'm going to pass this off to Susie. Hi everybody, on the agenda today, we're going to start off with some introductions and give you a project overview, show you the project area, and then go through some frequently asked questions. So your project team includes myself, I'm the project manager, my name is Susie Abbey and my phone number again is<PHONE_NUMBER> and you can email me at susan.abbey.fortworthTexas.gov. And our engineering design consultant on this project is Fries and Nichols and Olivia Kurz is the project manager. So why are we doing this project? This project is one of two in this area that will supply higher pressure water to new development in the southern part of the city. This will increase the level of service to customers in the area. Part one is the south side four booster pump station and hydro pneumatic tank, which is under construction at 5,800 Stewart Belts Road. The project page linked part one is shown here. The project we're talking about today is for a transfer station, which is part two of the overall project and it will support the operation of the new pump station and will transition homes and businesses in the area to the new pressure plane created by part one. The name of this project is Summer Creek Drive and south side four flow transfer station project and the work will include new valves, new water lines and a new flow transfer station. So the project area is bound by Cookstown Lane to the north, Summer Creek Drive to the east, Fogada Lane to the south and Kavanaugh Drive and Chisholm Trail Parkway to the west. Summer Creek Middle School is three blocks to the north of Cookstown. The project is in Council District 6 and will impact the Panther Heights Neighborhood Association. The design phase calls for a pressure plane valve near Cookstown Lane as well as five proposed water lines and connections within the project boundaries. The streets affected by this project will be Cookstown Lane, a pressure plane valve will be installed there, Rancho Verde Parkway from Jamison Lane to 150 feet east for an 8 inch diameter water line, Kavanaugh Drive from the north end of the street to 500 feet north through the Encore right of way for an 8 inch water line. Also the Summer Creek Drive right of way from Pazada Lane to 350 feet north to the Encore right of way will be affected during the installation of a 12 inch water line. Also Summer Creek Drive right of way from Fogada Lane to 650 feet north to Pazada Lane for 12 inch water line and Fogada Lane from the east dead end to 150 feet east for an 8 inch diameter water line. So what is a pressure plane? A pressure plane is an area of the city at a certain elevation range that receives water of a certain pressure. So this project is in the South Side 3 pressure plane and the South Side 4 pressure plane. The project specifically will transition parts of the Panther Heights Neighborhood Association area and McPherson Village Development from the South Side 3 pressure plane to the South Side 4 pressure plane. Areas transition to the new pressure plane will see an increase in water pressure. The water system pressures are expected to increase 10 to 15 psi in the existing development areas. All of the South Side 4 pressure plane will see pressures ranging from 40 to 80 psi which is typical service in the city of Fort Worth. The flow transfer station will be located in the Summer Creek Drive right away in a 31 by 35 foot area east of Fogada Lane. The flow transfer station will maintain water quality in the area by transferring a continuous flow of South Side 4 water to the South Side 3 pressure plane. The flow transfer will keep the water moving and fresh and will also help stabilize water pressure in the area. The part one booster pump station is just south of the Sun Country elevated storage tank near the intersection of Stewart-Felts Road and Stewart-Felts Road. Construction of part one is expected to wrap up by late fall of 2022. This particular project is still in the design phase and we expect to finalize design, advertise for bids and select a contractor by fall 2023. We'll host a community meeting for construction after we have a contractor on board. You can track the progress on the project at this site which will be updated periodically and you can also go to www.fortworthtexas.gov and put in the project number 103116-2 in the search bar on the homepage. The link to this meeting video, the project map and the project summary and frequently asked questions will be linked to this project page. Here's my contact information once again. My name is Susie. My phone number is<PHONE_NUMBER> and my email address is susanne.abby at Fort Worth Texas.gov. If you need to report an emergency or non-emergency you can call April 7, 392-4477 and select option one for emergencies 24 hours a day or you can reach out to the call center from 7 a.m. to 7 p.m. Monday through Friday. You can also download the My Fort Worth app from the App Store or Google Play. You can report sewer overflows, leaks and water main breaks, missing or broken meter lids, water theft, water violations, no water service, water pressure issues and other super concerns. Here are some other ways to make a report. You can text hello to 817-835-My Fort Worth and type in one word like streetlight out and the request will go directly to the specific team or department for a quick response or you can go online at this link, scroll down to the report online easily tab, scroll through the topics and select the one that fits your situation like water pressure issue. Click on that, type in the street address and then follow the prompts. Thank you, Susie. Does anyone have any questions? Tiffany, do you have any questions? No, I don't have any questions. Okay. Well, thank you everybody for joining us again. As Susie said, we will come back to you when we're ready to go into construction and have a second meeting with the public. Thank you everybody.