Hey guys, Matt Beck from freesaloneducation.com. I'm here with another video series. This one I love because what I'm doing is I'm taking your questions and I'm creating content around those questions. This way I get to answer your guys' questions for you almost face to face, we'll pretend. And I know, so I know I'm reaching you guys on what you're looking to get out of these videos and also it helps me with creating content because we're posting so many videos. So I have a question that was submitted really excited to answer that question and do this haircut for you and with you guys. And also if you guys wanna submit questions to our channel you can post them in the comments below. After you hit subscribe, make sure you do that. After you hit share and share it with your friends but then after that post your questions in the comments.  Use the hashtag freesaloneducation, ask your questions and we'll get to them. I have tons and tons of questions lined up to create videos around. So let's not stall any longer, let's get started. Here's the question.  The popular long choppy bob. Jennifer Lawrence also has this type of cut. Sometimes I'll razor it depending on the weight. I'd love to see your take on it with shears. Love all you guys, Jen. All right Jen, so I'm psyched to do this haircut because this haircut was actually, I saw Julianne Huff on TV recently just last week and I do like the style of the haircut. So I wanna show you guys what we did because I've already done the cut. I like to do the cut first then we break it down a little bit. So the cut is here. Now what I love about the cut and there's a little bit of difference. I'm gonna tell you what that is. First off, I put a lot of thought into this haircut. You could just use a razor and get it done in two seconds but I like to have structure and we always look for longevity in haircuts not just to shatter them up and send them out the door. I want my clients to have their haircuts last a lot longer. So when you look at this haircut, there is a lot of structure built into it. We're gonna break it down step by step. What I like about Julianne Huff's haircut, the Kardashian girl's haircut, sorry I don't know their names. I don't know which one it is, I have to clarify that. But it's a very strong baseline. So I love that it's shattered, layered throughout the cut but the baseline is very solid and cut very square.  And the Kardashian girl is a little bit further down as well but I like that the shape kind of expands out. We use the wand to curl it up. You're gonna see all of that in this step by step so I hope you guys enjoy this video. If you like this video, post it and share it with all of your friends. We'd love to do that and I hope you guys enjoy this haircut and the style because this is something that's definitely salon friendly and you can use a ton. So let's get started, I just turned her. Let's get started, hope you guys enjoy the haircut. Let me know in the comments, thanks. All right, so I wanted to start off by sharing with you the mannequin that I use. This is the Pivot Point Erica mannequin. It's a solid mannequin which means that the hair on the top is longer than the hair on the bottom so you get a nice fresh start to your haircut. You're not starting with a layered mannequin already. A lot of mannequins are put together with the same length of hair throughout so I like to start with this one. Also, the great thing about Pivot Point mannequins is that they're SAI compliant which is the social accountability international organization and basically what they do is they, they're the international labor standard that helps to protect workers along every step of the supply chain. So making sure that the companies are held accountable for who's putting together the mannequin heads. All right, so let's break down the sectioning. We're gonna go parietal ridge directly back. So top edge of the eyebrow, parietal ridge, find that round of the head and you're gonna bring it back to a point which I'll show you in a second. Then you're gonna take that point and you're gonna draw it right down to slightly behind the ear on both sides. And this is gonna be a better view right here. This is the point in the back. That's in the center of the crown. So if you, if you can picture that, makes it a lot easier. So just bring that point to the center crown and then bring it down to behind the ear. Now I went through and forgot to hit record to show you how I cut the baseline. So there's a little mimic, real simple.  Now, we've got our fresh start sitting, the hair sitting just below the neck of the mannequin. Now I'm gonna draw a line right along the occipital bone slightly, I'm gonna say slightly above it, but not really. It's pretty much riding the occipital bone and the reason for that is that's gonna be the heaviest point of the base of the haircut. So if you think about how the head is curving up, which we talk about all the time, that's where I wanna take my guideline from. So I section right at the occipital bone, I clip that off and now I'm taking vertical sections straight out from the head. And as I move along the back, I'm going to be over directing to the previous. So bringing the hair straight back, cutting more of a squared off shape in the back of the head. So if you think about this horizontally, this would be pretty much a straight line in the back. So vertically, you're just bringing it straight back. I like cutting this vertical obviously because we're working with the elevation. Nice and high elevation with this, pretty much straight out from the head, our top angle that's sitting on the curve of the head there is probably about a zero, but then we're about 90 degrees throughout the rest as it gets lower. So we're removing weight, but we're not removing too much is really the key to this. It's keeping the haircut heavy because like you saw in the pictures at the beginning, we want a nice light, airy haircut, but we don't want it to be too layered to where it just looks molody or something like that. I guess that's the easiest way to describe it.  So if you rewind it and you look at how I was cutting it before, her head was tilted forward. A lot of people think that tilting the head affects the haircut. It does because it affects how your body position works.  The other thing is when I get to the corner right around the ear, I like to bring that hair more out just a little bit, just to round that edge off to not square it so much. So then I went through and I'm checking it horizontally to see that line. You can see that slight curve. That's because I rounded the corner a bit at the very last section. Now, elevation is as high as possible in this part of the haircut slightly. My finger angle is slightly tilted forward towards the head. So more of a diagonal forward feel. That's the same, I'm doing it parallel with the sectioning. So every parting that I take in this part of the haircut is also diagonal forward. And I just work my way through the haircut that way. Stationary guide, bringing everything to the same exact spot, making sure I comb all those little bits of hair. Now, that removes the weight from the haircut, but it doesn't finalize the line. Basically, if I hold all the hair way up in the air, it's gonna push all of the weight down to the bottom. So now that I've got this heavy weight at the bottom, I go through and I cut a nice horizontal square line. And that gives me the heaviness of that strong line that you see in those haircuts, which I love. And then it still gives me the light layers through the top. So sometimes we're not always trying to cut everything at once. I'm elevating everything up to take out the layer, or to do the layering and take out the weight from the top of the haircut, and then shoving the weight down to the bottom of the haircut.  And that's what I love about doing this haircut with a scissor, as opposed to a razor, because if I did it with a razor, it would be more broken on the bottom. And I like that kind of thick feel to the base of the haircut. Now we take out the top, real simple, combing it all forward, and then I'm gonna do a center parting. I like to clip off what I'm not working with. It just keeps me more organized. It's definitely cleaner on video as well. It doesn't mean that you have to clip it off, but for me it works. I'm testing my guide, because that's what I'm cutting it first.  That's where I want it to sit. And then I cut. I'm standing on the opposite side of her head. So I'm over directing everything across her forehead to myself. And I'll cut it a couple of times just to make sure I got a nice solid line with where I want. And then I'll drop it to make sure it's the length that I want it. Then I just take another diagonal forward section and bring it over to me. The great thing about this, cutting the top last, is that I already cut the sides. And because I already cut the sides, they're already the length that I want them. So you can see that they start to fall out, which is great because I wanted to keep the base of the haircut standard. Then as I bring the top over and I cut those shorter layers, that's gonna give me a nice pop to the top. But every time I take a section and I keep bringing it over to myself, what's happening is it's making the hair longer in the back because I'm over directing it further towards me. So the more I over direct it, the more I pull it towards myself, the better, the longer it gets in the back. So it still gives a lot of length in the back, but a nice short layers in the front. It gives a lot of movement. When you go in with that wand later, you'll see how it affects that. We take a piece from what we cut before as our guideline, and then we do the same thing, over directing it towards us and cutting. You'll see, I went over that a few times. The reason for that is to make sure that line is nice and crisp because the better the lines are in a haircut, the better the shape is gonna be in the end result, the more success your client will have and then they're gonna have to come back to get that adjusted. I think a lot of times when clients aren't coming back very often for haircuts, the reason is because they don't need to because their hair was already shattered when they left to salon. If you build structure in a haircut, they have to come back and maintain it because it was working for them and they want it to keep working. Here we go, brocado mousse. I love this mousse. I've said it in the last video that I did. Just makes it really easy to work with the hair. It's not heavy, it's not sticky. It's got a great hold. Going through with our Ergo blow dryer. Blow drying with my hands and the reason I'm doing that is because with this style, it's a very free-looking style. It's not all about trying to really polish it out and I'm brushing all of the hair back. You wouldn't typically see me do this if I was gonna do dry cutting. A little bit of brocado hairspray but because I'm using the wand, I like to blow dry the hair back, give it volume. I did go in with a paddle brush at the very end just to give it a little bit of polish because hand dry isn't usually good enough. And then I go through with the wand and I'm curling everything back. And I'm just doing this really fast. I mean, obviously this is in fast forward as well.  I'm just grabbing a little circle of hair and then that's what I do as I go through and I just keep curling everything back and then we're gonna go through and break it up at the end. Little trick is when you're on the opposite side, just you wanna stay consistent with how you're doing it. So my arm's going up, I'm elevating my elbow up and holding the iron down to allow me to wrap it around. You'll see that I go tight around the tighter part. So this iron gets skinnier, it starts skinny and gets wider towards the end. The reason that I like this type of iron rather than the one that starts fatter and gets skinnier is that I like to start the base nice and tight with a curl and then keep the ends a little bit straighter. You'll notice that that's really the big difference between whether you're using a curling iron or not is that you get that tight base and then it straightens out towards the end. All right, so this is the finished result just adding a little bit of brocato medium hold hairspray, just lifting the hair, airing it out and creating the style. I hope you guys love this haircut. Please share it with your friends. This is something that you can definitely use in the salon over and over again. Hit that subscribe button and post those requests, whatever haircuts you'd like to see.


And from the very beginning, this settlement of community had rules. Those rules mostly came from the New Testament as well as the Old Testament. They had rules that came from the English common law. And if we go back and look at the document of the Mayflower Compact, at that time in 1620, this is a major moment in world history because we see a very few men and women and in the Calvinist tradition, if they are reformed, if they have been saved, men and women are generally equal. If we look at that tradition, we can say that the very first real settlement in North America, that is of Plymouth Rock in 1620, was based on the notion of family and family in which the men and the women worked for themselves and did so without governmental authority.


Hello and welcome to the session I am Deepika here. Let's discuss a question which says a toy company manufactures two types of dolls A and B. Markets and available resources have indicated that the combined production level should not exceed 1200 dolls per B and the one for dolls of type B is at most half of that for dolls of type A. Further the production level of dolls of type A can exceed three times the production of dolls of other type by at most 600 units. If the company makes profit of rupees 12 and rupees 16 per doll respectively on dolls A and B how many of each should be produced weekly in order to maximize the profit. So let's start the solution according to the question a toy company manufactures two types of dolls A and B. Now we have to find how many of each should be produced weekly in order to maximize the profit. Let send file be the number of dolls A and B produced respectively. So obviously x is greater than equal to 0 and y is greater than equal to 0. Again according to the question the combined production level should not exceed 1200 dolls. Now according to the question the combined production level should not exceed 1200 dolls. So this implies x plus y less than equal to 1200. So this is a constraint on the production of dolls. Again we are given the demand for dolls of type B is at most half of that for dolls of type A. Since the demand for dolls of type B is at most dolls of type A, y is less than equal to 1 over 2x. Again this implies x minus 2y greater than equal to 0. Further we are given the production level of dolls of type A can exceed 3 times the production of dolls of type B by at most 600 units. Since the production level can exceed 3 times the production of dolls of other type by at most 600 units this implies x minus 3y less than equal to 600. Again we are given the company makes profit of rupees 12 and rupees 16 per doll respectively on dolls A and B. Now the total profit in rupees is equal to 12x plus 16y let z is equal to 12x plus 16y. Hence the mathematical formulation of the given problem is maximize z is equal to 12x plus 16y subject to the constraints x plus y less than equal to 1200 let us take this as number 1. x minus 2y greater than equal to 0 let us take this as number 2. x minus 3y less than equal to 600 let us take this as number 3 and x greater than equal to 0 and y greater than equal to 0 let us take this as number 4. So z is equal to 12x plus 16y is our objective function. We have to maximize subject to these given constraints so we will now draw the graph and find the feasible reasons subject to these given constraints. Now the equation corresponding to the inequality 1 that is to the inequality x plus y less than equal to 1200 is x plus y is equal to 1200. Now clearly the points 0 1200 and 1200 0 satisfy the equation x plus y is equal to 1200. So the graph of the line x plus y is equal to 1200 can be drawn by plotting points 0 1200 and 1200 0 and then joining them. Now this is the point 0 1200 and this is the point 1200 0 this line represents our equation x plus y is equal to 1200. Now this 9 divides the plane into 2 half planes so we will consider the half plane which will satisfy 1. Clearly the origin satisfy this inequality so the half plane containing the origin is the graph of 1. Now again the equation corresponding to the inequality x minus 2y greater than equal to 0 is x minus 2y is equal to 0. Now we will plot the points 0 0 and 800 400 on the same graph as this satisfies the equation x minus 2y is equal to 0. That is to get the graph of the equation x minus 2y is equal to 0 we will plot the points 0 0 and 800 400 and then we will join them. Now this is the point 0 0 that is this is the origin and this is the point 800 400 now this line represents our equation x minus 2y is equal to 0. Now again this line divides the plane into 2 half planes so we will consider the half plane which will satisfy 2. Now if we take any point to the right of this line or below this line it will satisfy the inequality 2 to the right of this line is the graph of 2. Again the equation corresponding to the inequality x minus 3y less than equal to 600 is x minus 3y is equal to 600. Now clearly the points 600 0 and 100 200 satisfy the equation x minus 3y is equal to 600. So we will plot these points on the same graph and then we will join them. Now this is the point 600 0 and 100 200 in this line divides the plane into 2 half planes so we will consider the half plane which will satisfy 3. Now if we take any point above this blue line it will satisfy the inequality 3 so the half plane above this line that is above the blue line is the graph of 3. Now x greater than equal to 0 and y greater than equal to 0 implies that the graph flies in the first quadrant only. Hence the shaded region in this graph is the feasible region according to the given constraints. Clearly the shaded region is bounded now we find out the coordinates of its corner points. Now let us take this as a point a so the coordinates of a are 600 0. Now let us take this point as b. Now b is the point of intersection of the line x plus y is equal to 1200 and x minus 3y is equal to 600. Now here from the graph we observe that the coordinates of b are 1050 150 this as the point c so the coordinates of c are 800 400. So here the feasible region is counted with coordinates of its corner points as o with coordinates 0 0 a with coordinates 600 0 b with coordinates 1050 150 and c with coordinates 800 400. So according to the corner point vector maximum value of z will occur at any of these points so we will evaluate z which is equal to 12x plus 16y at each of these points. Now at origin z is equal to 12 into 0 plus 16 into 0 which is equal to 0. Now at the point a with coordinates 600 0 z is equal to 12 into 600 plus 16 into 0 which is equal to 7200. Now at the point b with coordinates 1050 150 z is equal to 12 into 1050 plus 16 into 150 and this is equal to 12600 plus 2400 and this is again equal to 15000. Now at the point c with coordinates 800 400 z is equal to 12 into 800 plus 16 into 400 and this is equal to 9600 6400 and this is again equal to 16000. Maximum value z is equal to 16000 which occurs when x is equal to 800 and y is equal to 400. Thus maximum profit is rupees 16000 which occurs when 800 dollars of type A and 200 dollars of type B are produced. So the answer for the question is that the company should produce 800 dollars of type A and 400 dollars of type B to maximize its profit and then the maximum profit will be rupees 16000. So this completes our session. I hope the solution is clear to you. Bye and have a nice day.


I TV er is my three things from Everton to Arsenal one another fantastic win for the Blues today. Three wins in a week absolutely brilliant for Everton and I've really sorted out that bump in the road that they had going into these three games. So let's get into it number one talking point today. I want to talk about Yeri Mina. Yeri Mina who I thought was excellent today came up with a winning goal for us. Got his head in the way of things a couple of really important tackles as well one particularly in the first 45 minutes and just give a proper defensive performance that you want to see. Carlham Antillolty had a weird with him and spoke about him during the middle part of these games and said he wasn't at the right level and he'd had a ropey few games after making a decent start but I think he's come back strong the last few games and certainly this week he's had three really impressive performances and I just thought today you know came up with a winning goal but I just thought in general defensively was very good at doing him and Michael Keane as a partner. I could have been talking about Michael Keane here as well because I thought he had a good game as well but you know Yeri he's bounced back so hopefully and now the challenge for him is to keep it going you know on really keep this level because along with that back four he's playing really well at the moment and we need to just keep it going. And one goal can see that which was a penalty in nine in the last three games is excellent for us so you know Yeri was a big part of that and I thought he played really well today. The second thing I want to talk about is results over performances. This will be this period what we're playing at the moment won't be everybody's cup of tea of course. So I'd like Everton to carry on playing like this. Well I'd like Everton to carry on and I'd accept Everton playing like this if we won every week no problem. But I think obviously as you go forward and you're playing against better teams or you're trying to break teams down there has to be more creativity there has to be more idea you have to be a little bit more expansive. However that being said Everton are playing without two of the most influential attacking players when we have our team set up and that's Coleman and Dean. Now no shame as Coleman came on tonight great to see him back but obviously Luca Dean who we've seen some videos of actually in the last day or so doing training you know working on his rehab but without them Everton do lose a big part and a big portion of their attacking play. So it does have to change a little bit and Godfrey and Hullgate have been excellent going and sitting in there and defending and getting us back to doing what we need to do. It'll be interesting to see what happens with James and what happens with Mason Hullgate where the Hullgate goes into midfield or where the Hullgate sits on a bench and Coleman comes back. It'll be interesting to see what decision the manager makes but ultimately results are all that matters certainly at the moment. There's no point playing nice pretty football and losing games because people don't accept that either. People want to see do you want everything? We all want everything don't we? We want to see great performances. We want to see results but at the minute it's far more important than Everton get results because results build confidence in what you're doing. It puts fear into other teams. It unites people. It's like us the fan base who are watching them. You get behind everything they're trying to do and the results get you higher up the table which is money which means you can bring better players. And so results will always top performance as a guess but there has to be that crossover of course that doesn't play more expensive football. But just for now I'll take us playing on the counter-attack. I'll take us being a little bit more defensive minded if it means that we continue to get points and stay at the top end of the table. And the final point I'm going to talk about today is Ben Goffrey. Before I do I'll give a notable mention to the referee Andre Marinette. He's shocking again. He's garbage. The fella's absolutely garbage. Doesn't have a clue what goes on. And VAR, I'm not going to get into the things they missed. The one by Cabalos in the stamp or the raised foot in the back of Mina. But anyway let's move on. Ben Goffrey is the final talking point and I just want to talk about him. I know I've spoken about him on here before but I just want to speak about him and say what a sign he's been for us. The kid looks fantastic. Great athlete. Solid in the tackle. Little bit of devilment about him and just gives everything. And that wonder running the second half down the line is incredible. He stood up a good ball as well and that was just miss ready. But I just thought he was brilliant. He's come in from Norwich. He's played right back. He's played right centre back in the three and we've asked him to go and play left back. And arguably at the moment his best performances have come at left back because he can just concentrate on his defending. But I think he's been fantastic. He really has. He's given everything. He's such a good athlete that even when it looks like people are away from him he's able to get back. And he's really given us a strength and a steeliness about our back four. And obviously it'd be interesting to see what he's like if he ever gets played in his proper position with his centre back. But I just think he's been magnificent for us so far. He's only 22. Still got loads of time to learn the game. He still makes mistakes of course he does. But what a great, great sign by Evan. And hopefully he will continue to grow because he could be a real top player for us. But another great performance from him today. And I just thought playing out of position and playing like that he deserves a notable mention without a shadow of a doubt. So delighted with Goffrey's form at the moment. There you have my three things. Let me know what you think in the comments section below. Give the video a thumbs up. Subscribe if you haven't. If you want more videos join us on Patreon. Don't forget to check out Peds, Matt's reaction and player ratings. And nothing else to say really apart from have a good weekend. See you later.


This is Denver police case number 2002-53625 which is a cold case homicide investigation of Xavier Walker which occurred on Wednesday November 20th 2002. Xavier was shot once in the chest and pronounced deceased at Denver Health Medical Center.   On Wednesday November 20th 2002 about 3.30 in the afternoon Denver police officers responded to Falcon Park in Montbello. Callers reported a large group of individuals a fight and subsequently gunshots fired in the park. When the officers arrived they found 16-year-old Xavier Walker suffering from a gunshot wound in the chest. He was found just to the east of the bleachers in the park. He was transported to Denver Health Medical Center where he was pronounced deceased. From all the reports that we had from the scene he wasn't involved in the fight it looks like he was just maybe there to see what was going on. That day I was working in the ER and I noticed there were a lot of police in the ER so I said hey did officer get shot and they're like no it was the kid in Montbello and I said Montbello and all of a sudden I heard a scream in the driveway it was my niece. She was like auntie you know I think Xavier something happened to Xavier I don't know I think he's been shot. I was maybe like two or three blocks away from the park and I had seen my cousin and she had told me that my brother got shot and I didn't believe her I was like just standing there looking at her and she told me to get in the car. I didn't know at the time where Xavier was I didn't know what had taken place. Somebody grabbed my shoulders and it was like Xavier he said the paramedics. The paramedics were bringing him over and I just dropped the phone and I just ran over there. My brother came and he said let's go I think Xavier is dead. I mean that's just something that you never want to see your relative come in dead on the gurney. I will never forget that day in my life. I wanted him to have a full-on loving life but his life was cut short. Whoever have done this I pray that they have a heart you know please come forth don't let fear stand in your way. His case has been a cold case for a long time and I just want it to be solved because he deserves that he was the good person he didn't deserve to go as early as he did. I just pray that whoever did this to my brother will come forward please have a heart because we're suffering on the inside. He was my only brother and I miss him dearly. Someone out there knows who shot this young man we're hoping that someone will come forward and tell us what happened. If you know anyone that was there that day or anyone that has any information about this case please call Crime Stoppers you can remain anonymous just the smallest bit of information can help us bring this case to a conclusion. It's hard because a month after my son died my husband died and they both were my strength. It's so hard 14 years 14 years have gone by and I just pray that justice will be served.