File 1 of a Treatise of Human Nature by David Hume, Volume 2. This LibriVox recording is in the public domain. Recording by George Yeager. A Treatise of Human Nature by David Hume. Book 2 of the Passions. Part 1 of Pride and Humility. Section 1, Division of the Subject. As all the perceptions of the mind may be divided into impressions and ideas, so the impressions admit of another division into original and secondary. This division of the impressions is the same with that which I formerly made use of in Book 1, Part 1, Section 2, when I distinguished them into impressions of sensation and reflection. Original impressions, or impressions of sensation, are such as without any antecedent perception arise in the soul from the constitution of the body, from the animal spirits, or from the application of objects to the external organs. Secondary or reflective impressions are such as proceed from some of these original ones, either immediately or by the interposition of its idea. Of the first kind are all the impressions of the senses, and all bodily pains and pleasures. Of the second are the passions and other emotions resembling them. It is certain that the mind, in its perceptions, must begin somewhere, and that since the impressions precede their correspondent ideas, there must be some impressions which, without any introduction, make their appearance in the soul. As these depend upon natural and physical causes, the examination of them would lead me too far from my present subject into the sciences of anatomy and natural philosophy. For this reason I shall here confine myself to those other impressions which I have called secondary and reflective as arising either from the original impressions or from their ideas. Early pains and pleasures are the source of many passions, both when felt and considered by the mind, but arise originally in the soul or in the body, whichever you please to call it, without any preceding thought or perception. A fit of the gout produces a long train of passions as grief, hope, fear, but is not derived immediately from any affection or idea. The reflective impressions may be divided into two kinds, that is, the calm and the violent. Of the first kind is the sense of beauty and deformity in action, composition, and external objects. Of the second are the passions of love and hatred, grief and joy, pride and humility. This division is far from being exact. The raptures of poetry and music frequently rise to the greatest height, while those other impressions, properly called passions, may decay into so soft an emotion as to become, in a manner, imperceptible. But as, in general, the passions are more violent than the emotions arising from beauty and deformity, these impressions have been commonly distinguished from each other. The subject of the human mind, being so copious and various, I shall here take advantage of this vulgar and specious division that I may proceed with the greater order, and having said all I thought necessary concerning our ideas, shall now explain those violent emotions or passions, their nature, origin, causes, and effects. When we take a survey of the passions, there occurs a division of them into direct and indirect. By direct passions I understand such as arise immediately from good or evil, from pain or pleasure. By indirect, such as proceed from the same principles, but by the conjunction of other qualities. This distinction I cannot at present justify or explain any further. I can only observe, in general, that under the indirect passions I comprehend pride, humility, ambition, vanity, love, hatred, envy, pity, malice, generosity, with their dependence. And under the direct passions, desire, aversion, grief, joy, hope, fear, despair, and security, I shall begin with the former. And of File 1. File 2 of a Treatise of Human Nature by David Hume, Volume 2 This LibriVox recording is in the public domain, recording by George Yeager. Book 2 of the Passions. Part 1 of Pride and Humility. Section 2 of Pride and Humility, Their Objects and Causes. The passions of pride and humility, being simple and uniform impressions, it is impossible we can ever, by a multitude of words, give a just definition of them, or indeed of any of the passions. The utmost we can pretend to is a description of them by an enumeration of such circumstances as attend them. But as these words, pride and humility, are of general use, and the impressions they represent, the most common of any, every one of himself will be able to form a just idea of them without any danger of mistake. For which reason not to lose time upon preliminaries, I shall immediately enter upon the examination of these passions. It is evident that pride and humility, though directly contrary, have yet the same object. This object is self, or that succession of related ideas and impressions of which we have an intimate memory and consciousness. Here the view always fixes when we are actuated by either of these passions. According as our idea of our self is more or less advantageous, we feel either of those opposite affections and are elated by pride or dejected with humility. Whatever other objects may be comprehended by the mind, they are always considered with a view to ourselves, otherwise they would never be able either to excite these passions or produce the smallest increase or diminution of them. When self enters not into the consideration, there is no room either for pride or humility. But though that connected succession of perceptions, which we call self, be always the object of these two passions, it is impossible it can be their cause, or be sufficient alone to excite them. Whereas these passions are directly contrary and have the same object in common, were their object also their cause, it could never produce any degree of the one passion, but at the same time it must excite an equal degree of the other, which opposition and contrarity must destroy both. Which is impossible a man can at the same time be both proud and humble. And where he has different reasons for these passions, as frequently happens, the passions either take place alternately, or if they encounter, the one annihilates the other as far as its strength goes, and the remainder only of that which is superior continues to operate upon the mind. And in the present case, neither of the passions could ever become superior, because supposing it to be the view only of our self which excited them, that being perfectly indifferent to either must produce both in the very same proportion, or in other words, can produce neither. To excite any passion, and at the same time raise an equal share of its antagonist, is immediately to undo what was done, and must leave the mind at last perfectly calm and indifferent. We must therefore make a distinction betwixt the cause and the object of these passions, which excites them, and that to which they direct their view when excited. Pride and humility, being once raised, immediately turn our attention to our self, and regard that as their ultimate and final object. But there is something further requisite in order to raise them. Everything which is peculiar to one of the passions and produces not both in the very same degree. The first idea that is presented to the mind is that of the cause or productive principle. This excites the passion connected with it, and that passion, when excited, turns our view to another idea, which is that of self. Another then is a passion placed betwixt two ideas, of which the one produces it and the other is produced by it. The first idea, therefore, represents the cause, the second, the object of the passion. To begin with the causes of pride and humility, we may observe that their most obvious and remarkable property is the vast variety of subjects on which they may be placed. Every valuable quality of the mind, whether of the imagination, judgment, memory or disposition, wit, good sense, learning, courage, justice, integrity, all these are the causes of pride and their opposites of humility. Nor are these passions confined to the mind but extend their view to the body likewise. A man may be proud of his beauty, strength, agility, good mean, address in dancing, writing, fencing, and of his dexterity in any manual business or manufacture. But this is not all. The passions looking farther comprehend whatever objects are in the least allied or related to us. Our country, family, children, relations, riches, houses, gardens, horses, dogs, clothes, any of these may become a cause either of pride or of humility. From the consideration of these causes it appears necessary we should make a new distinction in the causes of the passion betwixt that quality which operates and the subject on which it is placed. A man, for instance, is vain of a beautiful house which belongs to him or which he has himself built and contrived. Here the object of the passion is himself and the cause is the beautiful house, which cause, again, is subdivided into two parts, namely the quality which operates upon the passion and the subject in which the quality inheres. The quality is the beauty and the subject is the house, considered as his property or contrivance. Both these parts are essential, nor is the distinction vain and comirical. Beauty, considered merely as such, unless placed upon something related to us, never produces any pride or vanity, and the strongest relation alone, without beauty or something else in its place, has as little influence on that passion. Since therefore these two particulars are easily separated and there is a necessity for their conjunction in order to produce the passion, we ought to consider them as component parts of the cause, and in fix in our minds an exact idea of this distinction. And of File 2. File 3 of a Treatise of Human Nature by David Hume, Volume 2. This LibriVox recording is in the public domain, recording by George Yeager. Book 2 of the Passions, Part 1 of Pride and Humility, Section 3, whence these objects and causes are derived. Being so far advanced as to observe a difference betwixt the object of the passions and their cause, and to distinguish in the cause the quality which operates on the passions from the subject in which it inheres, we now proceed to examine what determines each of them to be what it is, and to assign such a particular object and quality and subject to these affections. By this means we shall fully understand the origin of pride and humility. It is evident in the first place that these passions are determined to have self for their object, not only by a natural, but also by an original property. No one can doubt that this property is natural from the constancy and steadiness of its operations. It is always self which is the object of pride and humility. And whenever the passions look beyond, it is still with a view to ourselves, nor can any person or object otherwise have any influence upon us. That this proceeds from an original quality or primary impulse will likewise appear evident if we consider that it is the distinguishing characteristic of these passions. As nature had given some original qualities to the mind, it could never have any secondary ones, because in that case it would have no foundation for action, nor could ever begin to exert itself. Now these qualities which we must consider as original are such as are most inseparable from the soul, and can be resolved into no other. And such is the quality which determines the object of pride and humility. We may perhaps make it a greater question whether the causes that produce the passion be as natural as the object to which it is directed, and whether all that vast variety proceeds from caprice or from the constitution of the mind. This doubt we shall soon remove if we cast our eye upon human nature, and consider that in all nations and ages the same objects still give rise to pride and humility. And that upon the view even of a stranger we can know pretty nearly what will either increase or diminish his passions of this kind. If there be any variation in this particular, it proceeds from nothing but a difference in the tempers and complexions of men, and is besides very inconsiderable. Can we imagine it possible that while human nature remains the same, men will ever become entirely indifferent to their power, riches, beauty, or personal merit, and that their pride and vanity will not be affected by these advantages. But though the causes of pride and humility be plainly natural, we shall find upon examination that they are not original, and that it is utterly impossible they should each of them be adapted to these passions by a particular provision and primary constitution of nature. Beside their prodigious number, many of them are the effects of art, and arise partly from the industry, partly from the caprice, and partly from the good fortune of men. Industry produces houses, furniture, clothes. Caprice determines their particular kinds and qualities, and good fortune frequently contributes to all this by discovering the effects that result from the different mixtures and combinations of bodies. It is absurd, therefore, to imagine that each of these was foreseen and provided for by nature, and that every new production of art which causes pride or humility, instead of adapting itself to the passion by partaking of some general quality that naturally operates on the mind, is itself the object of an original principle which till then lay concealed in the soul, and is only by accident at last brought to light. Thus the first mechanic that invented a fine schritoire produced pride in him who became possessed of it, by principles different from those which made him proud of handsome chairs and tables. As this appears evidently ridiculous, we must conclude that each cause of pride and humility is not adapted to the passions by a distinct original quality, but that there are some one or more circumstances common to all of them on which their efficacy depends. Besides, we find in the course of nature that though the effects be many, the principles from which they arise are commonly but few and simple, and that it is the sign of an unskillful naturalist to have recourse to a different quality in order to explain every different operation. How much more must this be true with regard to the human mind, which being so confined a subject may justly be thought incapable of containing such a monstrous heap of principles as would be necessary to excite the passions of pride and humility where each distinct cause adapted to the passion by a distinct set of principles. Here therefore moral philosophy is in the same condition as natural with regard to astronomy before the time of Copernicus. The ancients, though sensible of that maxim, that nature does nothing in vain, contrived such intricate systems of the heavens as seemed inconsistent with true philosophy, and gave place at last to something more simple and natural. To invent without scruple a new principle to every new phenomenon, instead of adapting it to the old, to overload our hypotheses with a variety of this kind, are certain proofs that none of these principles is the just one, and that we only desire by a number of falsehoods to cover our ignorance of the truth. End of File 3. File 4 of A Treatise of Human Nature by David Hume, Volume 2. This LibriVox recording is in the public domain, recording by George Yeager, Book 2 of the Passions, Part 1 of Pride and Humility, Section 4 of the Relations of Impressions and Ideas. Thus we have established two truths without any obstacle or difficulty, that it is from natural principles this variety of causes excite pride and humility, and that it is not by a different principle each different cause is adapted to its passion. We shall now proceed to inquire how we may reduce these principles to a lesser number, and find among the causes something common on which their influence depends. In order to this we must reflect on certain properties of human nature, which though they have a mighty influence on every operation, both of the understanding and passions, are not commonly much insisted on by philosophers. The first of these is the association of ideas, which I have so often observed and explained. It is impossible for the mind to fix itself steadily upon one idea for any considerable time, nor can it by its utmost efforts ever arrive at such a constancy. And however changeable our thoughts may be, they are not entirely without rule and method in their changes. The rule by which they proceed is to pass from one object to what is resembling, contiguous to, or produced by it. When one idea is present to the imagination, any other united by these relations naturally follows it, and enters with more facility by means of that introduction. The second property I shall observe in the human mind is a like association of impressions. All resembling impressions are connected together, and no sooner one arises than the rest immediately follow. Grief and disappointment give rise to anger, anger to envy, envy to malice, and malice to grief again, till the whole circle be completed. In like manner our temper when elevated with joy naturally throws itself into love, generosity, pity, courage, pride, and the other resembling affections. It is difficult for the mind, when actuated by any passion, to confine itself to that passion alone without any change or variation. Human nature is too inconstant to admit of any such regularity. Changeableness is essential to it, and to what can it so naturally change as to affections or emotions which are suitable to the temper and agree with that set of passions which then prevail. It is evident then there is an attraction or association among impressions as well as among ideas, though with this remarkable difference, that ideas are associated by resemblance, contiguity, and causation, and impressions only by resemblance. In the third place it is observable of these two kinds of association that they very much assist and forward each other and that the transition is more easily made where they both concur in the same object. Thus a man who by any injury from another is very much discomposed and ruffled in his temper is apt to find a hundred subjects of discontent, impatience, fear, and other uneasy passions, especially if he can discover these subjects in or near the person who was the cause of his first passion. Those principles which forward the transition of ideas here concur with those which operate on the passions, and both uniting in one action bestow on the mind a double impulse. The new passion, therefore, must arise with so much greater violence, and the transition to it must be rendered so much more easy and natural. On this occasion I may cite the authority of an elegant writer who expresses himself in the following manner. As the fancy delights in everything that is great, strange, or beautiful, and is still more pleased the more it finds of these perfections in the same object, so it is capable of receiving a new satisfaction by the assistance of another's sense. Thus any continued sound, as the music of birds, or a fall of waters, awakens every moment the mind of the beholder, and makes him more attentive to the several beauties of the place that lie before him. Thus if there arises a frequency of smells or perfumes they heighten the pleasure of the imagination, and make even the colors and verter of the landscape appear more agreeable, for the ideas of both senses recommend each other, and are pleasanter together than when they enter the mind separately. As the different colors of a picture, when they are well disposed, set off one another, and receive an additional beauty from the advantage of the situation. Addison, Spectator 412, Final Paragraph In this phenomenon we may remark the association both of impressions and ideas, as well as the mutual assistance they lend each other. File 5 of a Treatise of Human Nature by David Hume, Volume 2 This LibriVox recording is in the public domain, recording by George Yeager, Book 2 of the Passions, Part 1 of Pride and Humility, Section 5 of the influence of these relations on pride and humility. These principles being established on unquestionable experience, I begin to consider how we shall apply them by revolving over all the causes of pride and humility, whether these causes be regarded as the qualities that operate or as the subjects on which the qualities are placed. In examining these qualities I immediately find many of them to concur in producing the sensation of pain and pleasure, independent of those affections which I here endeavour to explain. Thus the beauty of our person of itself and by its very appearance gives pleasure as well as pride, and its deformity, pain as well as humility. A magnificent feast delights us and assorted one displeases. What I discover to be true in some instances I suppose to be so in all, and take it for granted at present without any further proof that every cause of pride by its peculiar qualities produces a separate pleasure and of humility a separate uneasiness. Again, in considering the subjects to which these qualities adhere, I make a new supposition which also appears probable from many obvious instances, namely that these subjects are either parts of ourselves or something nearly related to us. Thus the good and bad qualities of our actions and manners constitute virtue and vice and determine our personal character, than which nothing operates more strongly on these passions. In light manner it is the beauty or deformity of our person, houses, equipage, or furniture by which we are rendered either vain or humble. The same qualities, when transferred to subjects which bear us no relation, influence not in the smallest degree either of these affections. Having thus in a manner supposed two properties of the causes of these affections, namely that the qualities produce a separate pain or pleasure, and that the subjects on which the qualities are placed are related to self, I proceed to examine the passions themselves in order to find something in them corresponding to the supposed properties of their causes. First, I find that the peculiar object of pride and humility is determined by an original and natural instinct and that it is absolutely impossible from the primary constitution of the mind that these passions should ever look beyond self or that individual person of whose actions and sentiments each of us is intimately conscious. Here at last the view always rests when we are actuated by either of these passions, or can we in that situation of mind ever lose sight of this object. For this I pretend not to give any reason, but consider such a peculiar direction of the thought as an original quality. The second quality which I discover in these passions and which I likewise consider as an original quality is their sensations or the peculiar emotions they excite in the soul and which constitute their very being and essence. Thus pride is a pleasant sensation and humility a painful and upon the removal of the pleasure and pain there is in reality no pride nor humility. Of this our very feeling convinces us and beyond our feeling it is here in vain to reason or dispute. If I compare therefore these two established properties of the passions, namely their object which is self and their sensation which is either pleasant or painful to the two supposed properties of the causes, namely their relation to self and their tendency to produce a pain or pleasure independent of the passion, I immediately find that taking these suppositions to be just the true system breaks in upon me with an irresistible evidence. That cause which excites the passion is related to the object which nature has attributed to the passion. The sensation which the cause separately produces is related to the sensation of the passion. From this double relation of ideas and impressions the passion is derived. The one idea is easily converted into its correlative and the one impression into that which resembles and corresponds to it. With how much greater facility must this transition be made where these movements mutually assist each other and the mind receives a double impulse from the relations both of its impressions and ideas. That we may comprehend this the better. We must suppose that nature has given to the organs of the human mind a certain disposition fitted to produce a peculiar impression or emotion which we call pride. To this emotion she has assigned a certain idea, namely that of self, which it never fails to produce. This contrivance of nature is easily conceived. We have many instances of such a situation of affairs. The nerves of the nose and palate are so disposed as in certain circumstances to convey such peculiar sensations to the mind. The sensations of lust and hunger always produce in us the idea of those peculiar objects which are suitable to each appetite. These two circumstances are united in pride. The organs are so disposed as to produce the passion and the passion after its production naturally produces a certain idea. All this needs no proof. It is evident we never should be possessed of that passion where there not a disposition of mind proper for it. And it is as evident that the passion always turns our view to ourselves and makes us think of our own qualities and circumstances. This being fully comprehended, it may now be asked whether nature produces the passion immediately of herself or whether she must be assisted by the cooperation of other causes. For it is observable that in this particular her conduct is different in the different passions and sensations. The palate must be excited by an external object in order to produce any relish, but hunger arises internally without the concurrence of any external object. But however the case may stand with other passions and impressions, it is certain that pride requires the assistance of some foreign object and that the organs which produce it exert not themselves like the heart and arteries by an original internal movement. For first, daily experience convinces us that pride requires certain causes to excite it and languishes when unsupported by some excellency in the character, in bodily accomplishments, in clothes, equipage, or fortune. Secondly, it is evident pride would be perpetual if it arose immediately from nature, since the object is always the same, and there is no disposition of body peculiar to pride as there is to thirst and hunger. Thirdly, humility is in the very same situation with pride, and therefore either must upon this supposition be perpetual likewise, or must destroy the contrary passion from the very first moment, so that none of them could ever make its appearance. Upon the whole we may rest satisfied with the foregoing conclusion that pride must have a cause as well as an object, and that the one has no influence without the other. The difficulty then is only to discover this cause and find what it is that gives the first motion to pride and sets those organs in action which are naturally fitted to produce that emotion. Upon my consulting experience in order to resolve this difficulty, I immediately find a hundred different causes that produce pride, and upon examining these causes, I suppose what at first I perceive to be probable, that all of them concur in two circumstances, which are that of themselves they produce an impression allied to the passion and are placed on a subject allied to the object of the passion. When I consider after this the nature of relation and its effects both on the passions and ideas, I can no longer doubt upon these suppositions that it is the very principle which gives rise to pride, and bestows motion on those organs which being naturally disposed to produce that affection require only a first impulse or beginning to their action. Something that gives a pleasant sensation and is related to self excites the passion of pride, which is also agreeable and has self for its object. What I have said of pride is equally true of humility. The sensation of humility is uneasy as that of pride is agreeable, for which reason the separate sensation arising from the causes must be reversed, while the relation to self continues the same. Though pride and humility are directly contrary in their effects and in their sensations, they have not withstanding the same object, so that it is requisite only to change the relation of impressions without making any change upon that of ideas. Accordingly we find that a beautiful house belonging to ourselves produces pride, and that the same house still belonging to ourselves produces humility when by any accident its beauty is changed into deformity, and thereby the sensation of pleasure which corresponded to pride is transformed into pain, which is related to humility. The double relation between the ideas and impressions subsists in both cases, and produces an easy transition from the one emotion to the other. In a word nature has bestowed a kind of attraction on certain impressions and ideas by which one of them upon its appearance naturally introduces its correlative. If these two attractions or associations of impressions and ideas concur on the same object, they mutually assist each other, and the transition of the affections and of the imagination is made with the greatest ease and facility. When an idea produces an impression related to an impression which is connected with an idea related to the first idea, these two impressions must be in a manner inseparable, nor will the one in any case be unattended with the other. It is after this manner that the particular causes of pride and humility are determined. The quality which operates on the passion produces separately an impression resembling it. The subject to which the quality adheres is related to self, the object of the passion. No wonder the whole cause consisting of a quality and of a subject does so unavoidably give rise to the passion. To illustrate this hypothesis we may compare it to that by which I have already explained the belief attending the judgments which we form from causation. I have observed that in all judgments of this kind there is always a present impression and a related idea, and that the present impression gives a vivacity to the fancy, and the relation conveys this vivacity by an easy transition to the related idea. Without the present impression the attention is not fixed, nor the spirit is excited. Without the relation this attention rests on its first object and has no further consequence. There is evidently a great analogy betwixt that hypothesis and our present one of an impression and idea that transfuse themselves into another impression and idea by means of their double relation, which analogy must be allowed to be no despicable proof of both hypotheses. End of File 5. But before we proceed further in this subject and examine particularly all the causes of pride and humility it will be proper to make some limitations to the general system that all agreeable objects related to ourselves by an association of ideas and of impressions produce pride and disagreeable ones humility. And these limitations are derived from the very nature of the subject. 1. Suppose an agreeable object to acquire a relation to self the first passion that appears on this occasion is joy, and this passion discovers itself upon a slighter relation than pride and vain glory. We may feel joy upon being present at a feast where our senses are regaled with delicacies of every kind, but it is only the master of the feast who beside the same joy has the additional passion of self-appluse and vanity. It is true men sometimes boast of a great entertainment at which they have only been present and by so small a relation convert their pleasure into pride. But however this must in general be owned. That joy arises from a more inconsiderable relation than vanity, and that many things which are too foreign to produce pride are yet able to give us a delight and pleasure. The reason of the difference may be explained thus. A relation is requisite to joy in order to approach the object to us and make it give us any satisfaction. But beside this which is common to both passions it is requisite to pride in order to produce a transition from one passion to another and convert this satisfaction into vanity. As it has a double task to perform it must be endowed with double force and energy to which we may add that where agreeable objects bear not a very close relation to ourselves they commonly do to some other person. And this latter relation not only excels but even diminishes and sometimes destroys the former as we shall see afterwards in part two section four. Here then is the first limitation we must make to our general position that everything related to us which produces pleasure or pain produces likewise pride or humility. There is not only a relation required but a close one and a closer than is required to joy. Two, the second limitation is that the agreeable or disagreeable object be not only closely related but also peculiar to ourselves or at least common to us with a few persons. It is a quality observable in human nature and which we shall endeavor to explain afterwards that everything which is often presented and to which we have been long accustomed loses its value in our eyes and is in a little time despised and neglected. We likewise judge of objects more from comparison than from their real and intrinsic merit and where we cannot by some contrast enhance their value we are apt to overlook even what is essentially good in them. These qualities of the mind have an effect upon joy as well as pride and it is remarkable that goods which are common to all mankind and have become familiar to us by custom give us little satisfaction though perhaps of a more excellent kind than those on which for their singularity we set a much higher value. But though this circumstance operates on both these passions it has a much greater influence on vanity. We are rejoiced for many goods which on account of their frequency give us no pride, health when it returns after a long absence affords us a very sensible satisfaction but is seldom regarded as a subject of vanity because it is shared with such vast numbers. The reason why pride is so much more delicate in this particular than joy I take to be as follows. In order to excite pride there are always two objects we must contemplate that is the cause or that object which produces pleasure and self which is the real object of the passion. But joy has only one object necessary to its production that is that which gives pleasure and though it be requisite that this bear some relation to self yet that is only requisite in order to render it agreeable nor is self properly speaking the object of this passion. Since therefore pride has in a manner two objects to which it directs our view it follows that where neither of them have any singularity the passion must be more weakened upon that account than a passion which has only one object upon comparing ourselves with others as we are every moment apt to do we find we are not in the least distinguished and upon comparing the object we possess we discover still the same unlucky circumstance by two comparisons so disadvantageous the passion must be entirely destroyed three the third limitation is that the pleasant or painful object be very discernible and obvious and that not only to ourselves but to others also this circumstance like the two foregoing has an effect upon joy as well as pride we fancy ourselves more happy as well as more virtuous or beautiful when we appear so to others but are still more ostentatious of our virtues than of our pleasures this proceeds from causes which I shall endeavor to explain afterwards four the fourth limitation is derived from the inconstancy of the cause of these passions and from the short duration of its connection with ourselves what is casual and inconstant gives but little joy and less pride we are not much satisfied with the thing itself and are still less apt to feel any new degrees of self satisfaction upon its account we foresee and anticipate its change by the imagination which makes us little satisfied with the thing we compare it to ourselves whose existence is more durable by which means its inconstancy appears still greater it seems ridiculous to infer an excellency in ourselves from an object which is of so much shorter duration and attends us during so small a part of our existence it will be easy to comprehend the reason why this cause operates not with the same force in joy as in pride since the idea of self is not so essential to the former passion as to the latter five I may add as a fifth limitation or rather enlargement of this system that general rules have a great influence upon pride and humility as well as on all the other passions hence we form a notion of different ranks of men suitable to the power or riches they are possessed of and this notion we change not upon account of any peculiarities of the health or temper of the persons which may deprive them of all enjoyment in their possessions this may be accounted for from the same principles that explain the influence of general rules on the understanding custom readily carries us beyond the just bounds in our passions as well as in our reasonings it may not be amiss to observe on this occasion that the influence of general rules and maxims on the passions very much contributes to facilitate the effects of all the principles which we shall explain in the progress of this treatise for it is evident that if a person full grown and of the same nature with ourselves were on a sudden transported into our world he would be very much embarrassed with every object and would not readily find what degree of love or hatred pride or humility or any other passion he ought to attribute to it the passions are often varied by very inconsiderable principles and these do not always play with a perfect regularity especially on the first trial but as custom and practice have brought to light all these principles and have settled the just value of everything this must certainly contribute to the easy production of the passions and guide us by means of general established maxims in the proportions we ought to observe in preferring one object to another this remark may perhaps serve to obviate difficulties that may arise concerning some causes which i shall hereafter ascribe to particular passions and which may be esteemed to refined to operate so universally and certainly as they are found to do i shall close this subject with a reflection derived from these five limitations this reflection is that the persons who are proudest and who in the eye of the world have most reason for their pride are not always the happiest nor the most humble always the most miserable as may at first sight be imagined from this system an evil may be real though its cause has no relation to us it may be real without being peculiar it may be real without shooing itself to others it may be real without being constant and it may be real without falling under the general rules such evils as these will not fail to render us miserable though they have little tendency to diminish pride and perhaps the most real and the most solid evils of life will be found of this nature and of file six file seven of a treatise of human nature by david hume volume two this libra vox recording is in the public domain recording by george yeager book two of the passions part one of pride and humility section seven of vice and virtue taking these limitations along with us let us proceed to examine the causes of pride and humility and see whether in every case we can discover the double relations by which they operate on the passions if we find that all these causes are related to self and produce a pleasure or uneasiness separate from the passion there will remain no further scruple with regard to the present system we shall principally endeavor to prove the latter point the former being in a manner self evident to begin with vice and virtue which are the most obvious causes of these passions it would be entirely foreign to my present purpose to enter upon the controversy which of late years has so much excited the curiosity of the public whether these moral distinctions be founded on natural and original principles or arise from interest and education the examination of this i reserve for the following book and in the meantime shall endeavor to show that my system maintains its ground upon either of these hypotheses which will be a strong proof of its solidity for granting that morality had no foundation in nature it must still be allowed that vice and virtue either from self interest or the prejudices of education produce in us a real pain and pleasure and this we may observe to be strenuously asserted by the defenders of that hypothesis every passion habit or turn of character say they which has a tendency to our advantage or prejudice gives a delight or uneasiness and it is from fence the approbation or disapprobation arises we easily gain from the liberality of others but are always in danger of losing by their avarice courage defends us but cowardice lays us open to every attack justice is the support of society but injustice unless checked would quickly prove its ruin humility exalts but pride mortifies us for these reasons the former qualities are esteemed virtues and the latter regarded as vices now since it is granted there is a delight or uneasiness still attending merit or demerit of every kind this is all that is requisite for my purpose but I go farther and observe that this moral hypothesis and my present system not only agree together but also that allowing the former to be just it is an absolute and invincible proof of the latter for if all morality be founded on the pain or pleasure which arises from the prospect of any loss or advantage that may result from our own characters or from those of others all the effects of morality must be derived from the same pain or pleasure and among the rest the passions of pride and humility the very essence of virtue according to this hypothesis is to produce pleasure and that of vice to give pain the virtue and vice must be part of our character in order to excite pride or humility what further proof can we desire for the double relation of impressions and ideas the same unquestionable argument may be derived from the opinion of those who maintain that morality is something real essential and founded on nature the most probable hypothesis which has been advanced to explain the distinction betwixt vice and virtue and the origin of moral rights and obligations is that from a primary constitution of nature certain characters and passions by the very view and contemplation produce a pain and others in like manner excite a pleasure the uneasiness and satisfaction are not only inseparable from vice and virtue but constitute their very nature and essence to approve of a character is to feel an original delight upon its appearance to disapprove of it is to be sensible of an uneasiness the pain and pleasure therefore being the primary causes of vice and virtue must also be the causes of all their effects and consequently of pride and humility which are the unavoidable attendance of that distinction but supposing this hypothesis of moral philosophy should be allowed to be false it is still evident that pain and pleasure if not the causes of vice and virtue are at least inseparable from them a generous and noble character affords a satisfaction even in the survey and when presented to us though only in a poem or fable never fails to charm and delight us on the other hand cruelty and treachery displease from their very nature nor is it possible ever to reconcile us to these qualities either in ourselves or others thus one hypothesis of morality is an undeniable proof of the foregoing system and the other at worst agrees with it but pride and humility arise not from these qualities alone of the mind which according to the vulgar systems of ethics have been comprehended as parts of moral duty but from any other that has a connection with pleasure and uneasiness nothing flatters our vanity more than the talent of pleasing by our wit good humor or any other accomplishment and nothing gives us a more sensible mortification than a disappointment in any attempt of that nature no one has ever been able to tell what wit is and to shoe why such a system of thought must be received under that denomination and such another rejected it is only by taste we can decide concerning it nor are we possessed of any other standard upon which we can form a judgment of this kind now what is this taste from which true and false wit in a manner received their being and without which no thought can have a title to either of these denominations it is plainly nothing but a sensation of pleasure from true wit and of uneasiness from false without our being able to tell the reasons of that pleasure or uneasiness the power of bestowing these opposite sensations is therefore the very essence of true and false wit and consequently the cause of that pride or humility which arises from them there may perhaps be some who being accustomed to the style of the schools and pulpit and having never considered human nature in any other light than that in which they place it may here be surprised to hear me talk of virtue as exciting pride which they look upon as a vice and a vice as producing humility which they have been taught to consider as a virtue but not to dispute about words I observe that by pride I understand that agreeable impression which arises in the mind when the view either of our virtue beauty riches or power makes us satisfied with ourselves and that by humility I mean the opposite impression it is evident the former impression is not always vicious nor the latter virtuous the most rigid morality allows us to receive a pleasure from reflecting on a generous action and it is by none esteemed a virtue to feel any fruitless remorses upon the thoughts of past villainy and baseness let us therefore examine these impressions considered in themselves and inquire into their causes whether placed on the mind or body without troubling ourselves at present with that merit or blame which may attend them and of file seven file eight of a treatise of human nature by david hum volume two this libra vox recording is in the public domain recording by george yeager book two of the passions part one of pride and humility section eight of beauty and deformity whether we consider the body as a part of ourselves or ascent to those philosophers who regard it as something external it must still be allowed to be near enough connected with us to form one of these double relations which I have asserted to be necessary to the causes of pride and humility wherever therefore we can find the other relation of impressions to join to this of ideas we may expect with assurance either of these passions according as the impression is pleasant or uneasy but beauty of all kinds gives us a peculiar delight and satisfaction as deformity produces pain upon whatever subject it may be placed and whether surveyed in an animate or inanimate object if the beauty or deformity therefore be placed upon our own bodies this pleasure or uneasiness must be converted into pride or humility as having in this case all the circumstances requisite to produce a perfect transition of impressions and ideas these opposite sensations are related to the opposite passions the beauty or deformity is closely related to self the object of both these passions no wonder then our own beauty becomes an object of pride and deformity of humility but this effect of personal and bodily qualities is not only a proof of the present system by shooing that the passions arise not in this case without all the circumstances I have required but may be employed as a stronger and more convincing argument if we consider all the hypotheses which have been formed either by philosophy or common reason to explain the difference betwixt beauty and deformity we shall find that all of them resolve into this that beauty is such an order and construction of parts as either by the primary constitution of our nature by custom or by caprice is fitted to give a pleasure and satisfaction to the soul this is the distinguishing character of beauty and forms all the difference betwixt it and deformity whose natural tendency is to produce uneasiness pleasure and pain therefore are not only necessary attendance of beauty and deformity but constitute their very essence and indeed if we consider that a great part of the beauty which we admire either in animals or in other objects is derived from the idea of convenience and utility we shall make no scruple to assent to this opinion that shape which produces strength is beautiful in one animal and that which is a sign of agility in another the order and convenience of a palace are no less essential to its beauty than its mere figure and appearance in light manner the rules of architecture require that the top of the pillar should be more slender than its base and that because such a figure conveys to us the idea of security which is pleasant whereas the contrary form gives us the apprehension of danger which is uneasy from innumerable instances of this kind as well as from considering that beauty like wit cannot be defined but is discerned only by a taste or sensation we may conclude that beauty is nothing but a form which produces pleasure as deformity is a structure of parts which conveys pain and since the power of producing pain and pleasure make in this manner the essence of beauty and deformity all the effects of these qualities must be derived from the sensation and among the rest pride and humility which of all their effects are the most common and remarkable this argument I esteem just and decisive but in order to give greater authority to the present reasoning let us suppose it false for a moment and see what will fall it is certain then that if the power of producing pleasure and pain forms not the essence of beauty and deformity the sensations are at least inseparable from the qualities and it is even difficult to consider them apart now there is nothing common to natural and moral beauty both of which are the causes of pride but this power of producing pleasure and as a common effect supposes always a common cause it is plain the pleasure must in both cases be the real and influencing cause of the passion again there is nothing originally different betwixt the beauty of our bodies and the beauty of external and foreign objects but that the one has a near relation to ourselves which is wanting in the other this original difference therefore must be the cause of all their other differences and among the rest of their different influence upon the passion of pride which is excited by the beauty of our person but is not affected in the least by that of foreign and external objects placing then these two conclusions together we find they compose the preceding system betwixt them that is that pleasure as a related or resembling impression when placed on a related object by a natural transition produces pride and its contrary humility this system then seems already sufficiently confirmed by experience though we have not yet exhausted all our arguments it is not the beauty of the body alone that produces pride but also its strength and force strength is a kind of power and therefore the desire to excel in strength is to be considered as an inferior species of ambition for this reason the present phenomenon will be sufficiently accounted for in explaining that passion concerning all other bodily accomplishments we may observe in general that whatever in ourselves is either useful beautiful or surprising is an object of pride and its contrary of humility now it is obvious that everything useful beautiful or surprising agrees in producing a separate pleasure and agrees in nothing else the pleasure therefore with the relation to self must be the cause of the passion though it should be questioned whether beauty be not something real and different from the power of producing pleasure it can never be disputed that as surprise is nothing but a pleasure arising from novelty it is not properly speaking equality in any object but merely a passion or impression in the soul it must therefore be from that impression that pride by a natural transition arises and it arises so naturally that there is nothing in us or belonging to us which produces surprise that does not at the same time excite that other passion thus we are vain of the surprising adventures we have met with the escapes we have made and dangers we have been exposed to hence the origin of vulgar lying where men without any interest and merely out of vanity heap up a number of extraordinary events which are either the fictions of their brain or if true have at least no connection with themselves their fruitful invention supplies them with a variety of adventures and where that talent is wanting they appropriate such as belong to others in order to satisfy their vanity in this phenomenon are contained two curious experiments which if we compare them together according to the known rules by which we judge of cause and effect in anatomy natural philosophy and other sciences will be an undeniable argument for that influence of the double relations above mention by one of these experiments we find that an object produces pride merely by the interposition of pleasure and that because the quality by which it produces pride is in reality nothing but the power of producing pleasure by the other experiment we find that the pleasure produces the pride by a transition along related ideas because when we cut off that relation the passion is immediately destroyed a surprising adventure in which we have been ourselves engaged is related to us and by that means produces pride but the adventures of others though they may cause pleasure yet for what of this relation of ideas never excite that passion what farther proof can be desired for the present system there is only one objection to this system with regard to our body which is that though nothing be more agreeable than health and more painful than sickness yet commonly men are neither proud of the one nor mortified with the other this will easily be accounted for if we consider the second and fourth limitations proposed to our general system it was observed that no object ever produces pride or humility if it has not something peculiar to our self as also that every cause of that passion must be in some measure constant and hold some proportion to the duration of our self which is its object now as health and sickness very incessantly to all men and there is none who is solely or certainly fixed in either these accidental blessings and calamities are in a manner separated from us and are never considered as connected with our being and existence and that this account is just appears hence that wherever a melody of any kind is so rooted in our constitution that we no longer entertain any hopes of recovery from that moment it becomes an object of humility as is evident in old men whom nothing mortifies more than the consideration of their age and infirmities they endeavor as long as possible to conceal their blindness and deafness their rooms and gouts nor do they ever confess them without reluctance and uneasiness and though young men are not ashamed of every headache or cold they fall into yet no topic is so proper to mortify human pride and make us entertain a mean opinion of our nature than this that we are every moment of our lives subject to such infirmities this sufficiently proves that bodily pain and sickness are in themselves proper causes of humility though the custom of estimating everything by comparison more than by its intrinsic worth and value makes us overlook these calamities which we find to be incident to everyone and causes us to form an idea of our merit and character independent of them we are ashamed of such maladies as affect others and are either dangerous or disagreeable to them of the epilepsy because it gives a horror to everyone present of the itch because it is infectious of the king's evil because it commonly goes to posterity men always consider the sentiments of others in their judgment of themselves this has evidently appeared in some of the foregoing reasonings and will appear still more evidently and be more fully explained afterwards and of file eight file nine of a treatise of human nature by david hume volume two this libra vox recording is in the public domain recording by george yeager book two of the passions part one of pride and humility section nine of external advantages and disadvantages but though pride and humility have the qualities of our mind and body that is self for their natural and more immediate causes we find by experience that there are many other objects which produce these affections and that the primary one is in some measure obscured and lost by the multiplicity of foreign and extrinsic we found a vanity upon houses gardens equipages as well as upon personal merit and accomplishments and though these external advantages be in themselves widely distant from thought or a person yet they considerably influence even a passion which is directed to that as its ultimate object this happens when external objects acquire any particular relation to ourselves and are associated or connected with us a beautiful fish in the ocean an animal in a desert and indeed anything that neither belongs nor is related to us has no manner of influence on our vanity whatever extraordinary qualities it may be endowed with and whatever degree of surprise and admiration it may naturally occasion it must be some way associated with us in order to touch our pride its idea must hang in a manner upon that of ourselves and the transition from the one to the other must be easy and natural but here it is remarkable that though the relation of resemblance operates upon the mind in the same manner as contiguity and causation in conveying us from one idea to another yet it is seldom a foundation either of pride or of humility if we resemble a person in any of the valuable parts of his character we must in some degree possess the quality in which we resemble him and this quality we always choose to survey directly in ourselves rather than by reflection in another person when we would found upon it any degree of vanity so that though a likeness may occasionally produce that passion by suggesting a more advantageous idea of ourselves it is there the view fixes at last and the passion finds its ultimate and final cause there are instances indeed where in men shoe a vanity in resembling a great man in his countenance shape air or other minute circumstances that contribute not in any degree to his reputation but it must be confessed that this extends not very far nor is of any considerable moment in these affections for this I assign the following reason we can never have a vanity of resembling in trifles any person unless he be possessed of very shining qualities which give us a respect and veneration for him these qualities then are properly speaking the causes of our vanity by means of their relation to ourselves now after what manner are they related to ourselves they are parts of the person we value and consequently connected with these trifles which are also supposed to be parts of him these trifles are connected with the resembling qualities in us and these qualities in us being parts are connected with the whole and by that means form a chain of several links betwixt ourselves and the shining qualities of the person we resemble but besides that this multitude of relations must weaken the connection it is evident the mind in passing from the shining qualities to the trivial ones must by that contrast the better perceive the minuteness of the latter and be in some measure ashamed of the comparison and resemblance the relation therefore of contiguity or that of causation betwixt the cause and object of pride and humility is alone requisite to give rise to these passions and these relations are nothing else but qualities by which the imagination is conveyed from one idea to another now let us consider what effect these can possibly have upon the mind and by what means they become so requisite to the production of the passions it is evident that the association of ideas operates in so silent and imperceptible a manner that we are scarce sensible of it and discover it more by its effects than by any immediate feeling or perception it produces no emotion and gives rise to no new impression of any kind but only modifies those ideas of which the mind was formerly possessed and which it could recall upon occasion from this reasoning as well as from undoubted experience we may conclude that an association of ideas however necessary is not alone sufficient to give rise to any passion it is evident then that when the mind feels the passion either of pride or humility upon the appearance of a related object there is beside the relation or transition of thought an emotion or original impression produced by some other principle the question is whether the emotion first produced be the passion itself or some other impression related to it this question we cannot be long in deciding for besides all the other arguments with which this subject abounds it must evidently appear that the relation of ideas which experience shoes to be so requisite a circumstance to the production of the passion would be entirely superfluous were it not to second relation of affections and facilitate the transition from one impression to another if nature produced immediately the passion of pride or humility it would be completed in itself and would require no further addition or increase from any other affection but supposing the first emotion to be only related to pride or humility it is easily conceived to what purpose the relation of objects may serve and how the two different associations of impressions and ideas by uniting their forces may assist each other's operation this is not only easily conceived but i will venture to affirm it is the only manner in which we can conceive this subject an easy transition of ideas which of itself causes no emotion can never be necessary or even useful to the passions but by forwarding the transition betwixt some related impressions not to mention that the same object causes a greater or smaller degree of pride not only in proportion to the increase or decrease of its qualities but also to the distance or nearness of the relation which is a clear argument for the transition of affections along the relation of ideas since every change in the relation produces a proportionable change in the passion thus one part of the preceding system concerning the relations of ideas is a sufficient proof of the other concerning that of impressions and is itself so evidently founded on experience that it would be lost time to endeavor farther to prove it this will appear still more evidently in particular instances men are vain of the beauty of their country of their county of their parish here the idea of beauty plainly produces a pleasure this pleasure is related to pride the object or cause of this pleasure is by this opposition related to self or the object of pride by this double relation of impressions and ideas a transition is made from the one impression to the other men are also vain of the temperature of the climate in which they were born of the fertility of their native soil of the goodness of the wines fruits or victuals produced by it of the softness or force of their language with other particulars of that kind these objects have plainly a reference to the pleasures of the senses and are originally considered as agreeable to the feeling taste or hearing how is it possible they could ever become objects of pride except by means of that transition above explained there are some that discover a vanity of an opposite kind and defect to depreciate their own country in comparison of those to which they have traveled these persons find when they are at home and surrounded with their countrymen that the strong relation betwixt them and their own nation is shared with so many that it is in a manner lost to them whereas their distant relation to a foreign country which is formed by their having seen it and lived in it is augmented by their considering how few there are who have done the same for this reason they always admire the beauty utility and rarity of what is abroad above what is at home since we can be vain of a country climate or any inanimate object which bears a relation to us it is no wonder we are vain of the qualities of those who are connected with us by blood or friendship accordingly we find that the very same qualities which in ourselves produced pride produce also in a lesser degree the same affection when discovered in persons related to us the beauty address merit credit and honors of their kindred are carefully displayed by the proud as some of their most considerable sources of their vanity as we are proud of riches in ourselves so to satisfy our vanity we desire that everyone who has any connection with us should likewise be possessed of them and are ashamed of any one that is mean or poor among our friends and relations for this reason we remove the poor as far from us as possible and as we cannot prevent poverty in some distant collaterals and our forefathers are taken to be our nearest relations upon this account everyone affects to be of a good family and to be descended from a long succession of rich and honorable ancestors I have frequently observed that those who boast of the antiquity of their families are glad when they can join this circumstance that their ancestors for many generations have been uninterrupted proprietors of the same portion of land and that their family has never changed its possessions or been transplanted into any other county or province I have also observed that it is an additional subject of vanity when they can boast that these possessions have been transmitted through a descent composed entirely of males and that the honors and fortune have never passed through any female let us endeavor to explain these phenomena by the foregoing system it is evident that when anyone boasts of the antiquity of his family the subjects of his vanity are not merely the extent of time and number of ancestors but also their riches and credit which are supposed to reflect a luster on himself on account of his relation to them he first considers these objects is affected by them in an agreeable manner and then returning back to himself through the relation of parent and child is elevated with the passion of pride by means of the double relation of impressions and ideas since therefore the passion depends on these relations whatever strengthens any of the relations must also increase the passion and whatever weakens the relations must diminish the passion now it is certain the identity of the possession strengthens the relation of ideas arising from blood and kindred and conveys the fancy with greater facility from one generation to another from the remotest ancestors to their posterity who are both their heirs and their descendants by this facility the impression is transmitted more entire and excites a greater degree of pride and vanity the case is the same with the transmission of the honors and fortune through a succession of males without their passing through any female it is a quality of human nature which we shall consider in part two section two afterwards that the imagination naturally turns to whatever is important and considerable and where two objects are presented to it a small and a great one usually leaves the former and dwells entirely upon the latter as in the society of marriage the male sex has the advantage above the female the husband first engages our attention and whether we consider him directly or reach him by passing through related objects the thought both rests upon him with greater satisfaction and arrives at him with greater facility than his consort it is easy to see that this property must strengthen the child's relation to the father and weaken that to the mother for as all relations are nothing but a propensity to pass from one idea to another whatever strengthens the propensity strengthens the relation and as we have a stronger propensity to pass from the idea of the children to that of the father than from the same idea to that of the mother we ought to regard the former relation as the closer and more considerable this is the reason why children commonly bear their father's name and are esteemed to be of nobler or baser birth according to his family and though the mother should be possessed of a superior spirit and genius to the father as often happens the general rule prevails notwithstanding the exception according to the doctrine above explained nay even when a superiority of any kind is so great or when any other reasons have such an effect as to make the children rather represent the mother's family than the father's the general rule still retains such an efficacy that it weakens the relation and makes a kind of break in the line of ancestors the imagination runs not along them with facility nor is able to transfer the honor and credit of the ancestors to their posterity of the same name and family so readily as when the transition is conformable to the general rules and passes from father to son or from brother to brother end of file nine


Chapter 31 of Rebecca of Sunnybrook Farm. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Rebecca of Sunnybrook Farm by Kate Douglas-Wiggin. Chapter 31 Ant Miranda's Apology When Rebecca alighted from the train at Maplewood and hurried to the post office where the stage was standing, what was her joy to see Uncle Jerry Cobb holding the horse's heads? The regular driver's sick. He explained. And when they sent for me, thinks I to myself, my driving days is over, that Rebecca will let the grass grow under her feet when she gets her Aunt Jane's letter, and like is not, I'll catch her today. Or she gets delayed, tomorrow for certain. So here I'd be just as I was more than six years ago. Will you be a real lady passenger, or will you sit up in front with me? Emotions of various sorts were all struggling together in the old man's face, and the two or three bystanders were astounded when they saw the handsome, stately girl fling herself onto Mr. Cobb's dusty shoulder, crying like a child. Oh, Uncle Jerry! She sobbed. Dear Uncle Jerry, it's all so long ago and so much has happened and we've grown so old and so much is going to happen that I'm fairly frightened. Dear, dear, lovey. The old man whispered, comfortingly, We'll be all alone on the stage, and we'll talk things over as we go along the road and maybe they won't look so bad. Every mile of the way was as familiar to Rebecca as to Uncle Jerry. Every watering trough, grindstone, red barn, weather vane, duck pond, and sandy brook. All the time she was looking backward to the day, seemingly so long ago, when she sat in the box seat for the first time, her legs dangling in the air, too short to reach the footboard.  The drive was taken almost in silence, but it was a sweet, comforting silence both to Uncle Jerry and the girl. Then came the sight of a baija flag, shelling beans in the barn, and then the Perkins attic windows with the white cloth fluttering from them. She could spell Emma Jane's loving thought and welcome in that little waving flag. A word and a message sent to her just at the first moment when Riverborough chimneys rose into view, something to warm her heart till they could meet. The brick house came next, looking just as of your, though it seemed to Rebecca as if death should have cast some mysterious spell over it. There were the rolling meadows, the stately elms, all yellow and brown now, the glowing maples, the garden beds bright with asters, and the hollyhocks, rising tall against the parlor windows. Only in place of the cheerful pinks and reds of the nodding stalks, with their gay rosettes of bloom, was a crepe scarf holding the blinds together, and another on the sitting-room side, and another on the brass knacker of the brown painted door. Stop, Uncle Jerry, don't turn it in at the side. Hand me my satchel, please.  At the noise and rumble of the approaching stage, the house door opened from within, just as Rebecca closed the gate behind her. Aunt Jane came down the stone steps a changed woman, frail and broken and white. Rebecca held out her arms, and the old aunt crept into them feebly, as she did on that day when she opened the grave of her buried love and showed the dead face just for an instant to a child. Warmth and strength and life flowed into the age frame from the young one. Rebecca, she said, raising her head. Before you go in to look at her, do you feel any bitterness over anything she ever said to you? Rebecca's eyes blazed reproach, almost anger, as she said chokingly. Oh, Aunt Jane, could you believe it of me? I'm going in with a heart brimful of gratitude. She was a good woman, Rebecca. She had a quick temper and a sharp tongue, but she wanted to do right, and she did it as near as she could. She never said so, but I'm sure she was sorry for every hard word she spoke to you. She didn't take them back in life, but she acted so to you'd know her feeling when she was gone. I told her before I left that she'd been the making of me just as Mother says. Sobbed, Rebecca. She wasn't that, said Jane. God made you in the first place, and you've done considerable yourself to help him along, but she gave you the wherewithal to work with, and that ain't to be despised, especially when anybody gives up her own luxuries and pleasures to do it.   Rebecca threw off her hat and put her hand to her heart, as she always did in moments of intense excitement. After a moment's silence, she said, Let me go on alone. I want to talk to her. I want to thank her. I feel as if I could make her hear and feel and understand. Jane went back into the kitchen, to the inexorable tasks that death has no power, even for a day, to blot from existence. He can stalk through dwelling after dwelling, leaving despair and desolation behind him, but the table must be laid, the dishes washed, the beds made by somebody. Ten minutes later, Rebecca came out from the great presence, looking white and spent, but chastened and glorified. She sat in the quiet doorway, shaded from the little river borough world by the overhanging elms. A wide sense of thankfulness and peace possessed her, as she looked at the autumn landscape, listened to the rumble of a wagon on the bridge, and heard the call of the river as it dashed to the sea. She put up her hands softly and touched first the shining brass knocker and then the red bricks, glowing in the October sun. It was home, her roof, her garden, her green acres, her deer trees. It was shelter for the little family at Sunnybrook. Her mother would have once more the companionship of her sister and the friends of her girlhood. The children would have teachers and playmates. And she, her own future was close folded still, folded and hidden in beautiful mists. But she leaned her head against the sun-warm door, and closing her eyes, whispered, just as if she had been a child, saying her prayers.


Thank you for the introduction and I'll be speaking to you about the city of Leipzig, why the city of Leipzig we are after all in Africa and we've been hearing and I've been learning many things about challenges of African cities that we might not have but I do believe there's some things to tell. First of all Leipzig is the sister city of Addis and we have a very active partnership program going on with Addis and there's been a long tradition of people from Ethiopia coming to study in Leipzig also from the time of East Germany so and I believe Leipzig has had a unique transitionary path over the last 30 years and I'd like to take you on that trip with you. So I think I have some slides. Where do I press? Here we go. So Leipzig's inclusive growth model and I'd like to take you on basically three levels of what we'd call inclusivity is on first of all the planning process, secondly inclusive interventions in space and thirdly inclusive policies towards individuals. And Leipzig has, as I titled it, from decline to growth and you see some of the pictures from the late 80s at the end of what was then East Germany. You see in the middle the demolition of about 50,000 housing units that we undertook in the 90s and this is where you can find us in the heart of Europe. We are a city of now 590,000 people. We are the fastest, relatively fastest growing city in Germany about 10 to 15,000 people a year. We were at the time of East Germany the window to the world twice per year with a trade fair and that is something I think that idea of a liberal openness and to the world which is deeply ingrained in the city's identity. Things you might take away. We have a strong industrial history. We are the origin of the peaceful revolution of 1989. We're also the origin of many music and cultural contributions from Bach to Mendelssohn and we are also proud to be the location of the Leipzig Charter of the integrated and sustainable European city. The business logos we put up there that is the renaissance, the renaissance of the city after it has lost 100,000 manufacturing jobs in the early 1990s. This is now from our propaganda department. Now I show you how Georg Schwarzstreet looked in 2010 and of course with a different angle of the photographer how it looks in 2015. That is of course to drive home the point that we were somehow successful in intervening in areas but not intervening in the whole area but focusing on corners and focusing on arteries of these neighborhoods. This is the general sort of moot curve of Leipzig from the relaunch of East Germany in the early 90s then to a gradual decline, a almost depression type around the turn of the century and now to a sustained urban growth path along the way and this is to be mentioned that all along that line Leipzig is one of the poorest cities in Germany. This is on the address partnership you can then look that up later once everything is online. Integrated urban development as our first line of inclusivity. As I mentioned the Leipzig charter from 2007 as our founding document of how we want to also conduct city planning within our city. This is the latest planning process of our integrated urban development concept. You see lots of workshops, lots of forums, lots of participatory forums but what is most important in the end it was approved by city council because we've had many planning processes before. They were very participatory and very bottom up and very ingenious but in the end they didn't get traction with local political decision makers. So this one was approved and I think this is where planning in all its ingenuity needs to come in the end to political confirmation. This was from the opening ceremony where we focused on the main topics countering the city, equality of chances, integration, mobility and also the question of density and urban space. These were some of the formats you see on the bottom right. We engaged the Leipzig Lego Club to build some of the scenarios that we were discussing. We held citizen forums. We also used some of our techniques of randomized invitations to citizens to not only get the usual suspects who would show up at these meetings but also to oversample, for example, young women in these invitations in order to have in the end a balance to the natural presence of old men with a lot of time who would voice their opinions on city matters. This is the result. Leipzig grows sustainably. That's sort of our strategy, ROSE as we try to call it which we try to now push down the throat of every city service that we can get a hold of. And of course it defines many strategy pieces that are circled around the central target of Leipzig grows inclusively. Social inclusion as part of the sector concepts that is sort of our heat map of social demand across the city. The red areas of course are the ones where we have to intervene stronger. Coming to the second line of inclusivity is inclusive intervention in space. These are mainly interventions that took place in the time of decline of the population at the time when Leipzig lost 100,000 inhabitants within 10 years to migration to West Germany, to declining birth rate and to migration to the suburbs and found itself with a decrepit housing stock at the time with a legacy of a socialist system with no equity capital and low ownership rates in the population and as I said with urban flight from the city between 95 and 2005. Now what the city did at the time was to say we need to maintain certain areas where we have what we called a guardian house at the corner of an important street sign, of an important street intersection where we would pay a non-profit to be part and a sort of renting that house out to students and to artists and basically to signify to the residents this neighbourhood is not abandoned. We still believe in you, but we have a temporary usage at the corner. Second intervention green spaces. We've used the demolition of also factories and infrastructure to invest into green spaces with a lot of support from the European Union and the federal government that needs to be acknowledged. But investing in these green spaces was also a part to make the city more attractive. We also allowed and what I would call breaking with zoning orthodoxy we allowed individual home building in parts of the city where you would normally build multi-story homes and that in fact created a term called Leipziger Freiheit, the Leipzig Freedom. So basically it was the idea if you wanted a townhouse in the centre of a city you could come to Leipzig something you couldn't finance in Hamburg or in Munich. And so that and also the marketing campaign where we showed students living in large flats that sort of created the image that there is and the true image that there is a lot of opportunity in Leipzig and you can still find an empty factory floor if you want to set up a gallery club or whatever. But of course our building inspectors will come after you once you become too successful so I cannot guarantee forever. That is of course the emerging challenge, affordability. We have the issue of what is perceived as gentrification. We have also violent protests against gentrification that is not to be deluded. It was mentioned that there is also urban space is a space for contests and is a space for protests. We do have sometimes opponents of gentrification setting fire to our construction vehicles for school building that is of course the wrong type of protests but of course it's a debate that is to be had and we like to frame it in a more constructive manner of actually promoting social housing also through new federal payments on social housing and to enable the network of self-users and also to bring that to new areas of the city. This is something we need to work on very hard also in the light of German sector regulations not so much building regulations but sectoral regulations be they on kindergartens or school grounds or parking in fact to overlay multi-uses in a denser city so take away from that it's not just the building code it's also the sector laws from the different usage points. Well I can come to the last point in my last 30 seconds which is the comprehensive social policy and you do see the little playmobil person in a wheelchair that's sort of what we try to promote with our schools that we have access for people with different disabilities but also from social backgrounds as I mentioned Leipzig is a relatively poor city it has a number of social problems although we have declining unemployment and declining... so now my finger was off here sorry I'm out of time we need to build more schools this is how we're organized this is the general discussion where my former World Bank identity as a social protection person comes in we can discuss more of that later and the road ahead will bring these challenges to our city and we are confident that we can counter them and we can master them in a spirit of inclusion and participation as we've done over the last 30 years I look forward to the dialogue and I would like to thank everyone for the conference it was one of the most fruitful and rich experiences I've had in my three years as a mayor so thank you all for that