Wir haben vorhin festgestellt, nachdem wir ein bisschen Verwirrung gehabt haben, wer mit welchem Daniel schon gesprochen hat, heute ist es tatsächlich auch der Daniel-Tag an allen drei Talks und auch bei dieses ist jeweils ein Daniel da. Today is basically the Daniel Talk, because there's always a Daniel around to give a talk. I'm not sure if I will have the right Daniel for this specific talk. So this is going to be Daniel from the Verstehbahnhof in Fürstenberg. And thanks especially because of that reason we have moved this talk from yesterday to today. And welcome everyone from my side. It's already day four, the time is running. And I actually didn't manage to see that many things at Congress because so many things were happening and I had to take care of so many things. And that was also good because I still managed to talk to other people about the summer camp next year. And I would like to present this idea in the half hour that we have now. It's not completely fleshed out yet. There are still many open questions and we will need an open discussion round. And maybe you want to participate in this because we have some people who think that this is like a very interesting idea, but there's more things to be discussed and also we need to see if this is all realistic. And yesterday you had the question on Twitter if there will be a youth camp. And that was the first title that I have included for the stock. So the original idea was that we wanted to reach more people I think. I think it would be a good idea to do this for young people, but also together with young people so that you don't have a completely planned out and organized event. But you want to include those young people so that the young people are really part of the planning and organization. And you also learn a lot of things and I think this is the only right approach because doing it yourself is the right way to learn things instead of just going to a pre-planned event and just show up. And yeah, some people know it by being here at Congress, being angels and helping out that, yeah, what goes into executing such an event. And some years ago, north of Berlin, we had, yeah, there's a place. So there's Mildenberg, which were the last CCC camps. So the area is really nice. It's strategically a good place. And we are in this very sad situation with the pandemic. I have deficit in terms of seeing other people and seeing you guys. And I think it's really impressive that we have this virtual conference so that we can still communicate with each other. But I'm still missing the real event, being together physically because this is really missing. And that's, this is something which is questionable for next year if we will have actually another in-person event. And next year, there's also no other camp, at least not in Germany planned. So I want to tell you a few things about the things that we planned. So there are some general conditions. We think it should be like 500-550 people, so the slides are wrong. And this should not be too much in terms of the local infrastructure, and that it should not be too large in general. And also it should not be completely unplanable. So that's why we think 500 is a good number. And 6-month planning time is a reasonable time. And it also has to be outside of the typical season, so holiday season, I guess. So, typically the season would be end of June, end of June, or beginning of July until August. So, we would like to do something outside of that time. So, the people who manage the area also want, would really like to have us outside this time. So this is the location, this is Fürstenberg at the top left. You see the train station Fürstenberg. This is where the regional train 5 arrives in the direction of Stralsund or Rostock. So it is actually very well connected with public transport. And from the train station you can go with your tent, like 25 Minutes through the city. You can walk with your tent. And this area in Breitgren in the north, that's actually part of it. And in that area we would like to do something. It would be so nice, because the train station is closed. There's a lot of water. You can also go swimming. You can also go canoeing. You can almost, yeah, canoe almost to the train station. So, it's only like 18 meters over the street. We have a couple of cargo bikes. And we can organize more cargo bikes to set up everything. So, and everything is easily accessible by foot. This is the Wilde Heimat, so the wild home area. This is the Siegelhabel, this is the area where you can go swimming or go canoeing. At the same time there's a parking lot on the left. And at the entrance there's a camping area with a reception on the right side. There are some houses and the area to the left down. That's all fields where you can set up your tent. Or whatever you bring. It looks like this. It's one of the images. To the left it's expanding further. And in the center there's rails. And I will explain those further later. And these are really nice people who run the whole place. So, there are some digital workers who basically run the whole thing. And that also makes such an event very comfortable with what we plan. So, the location and the setting is really nice. There are some structures that are already there. So, for huts or like these roofs. So, you can create small conference areas. There is a mobile kitchen or the spotter queue. There are also some benches. And you can roll these benches to different parts of this area. So, and of course this doesn't scale indefinitely, but it's a good foundation.  So, from the supply side this looks really good. So, in terms of logistics. So, the camp is less than 150 km distance to the CCV. So, there are three other camps that have certain distances to this plant camp. And these camps, I think it would be really nice to help out. In terms of other infrastructure. We also have a radio, a direct radio connection. That depends a bit on which antenna we use. And we're also going to connect it to our computing center this spring. So, we will have all that we need. Last year we started putting fibre optics cables in the ground. Which is very good for distributed infrastructure. There's power, also very well distributed on the whole campground. And there's sanitary installations as well. And in spring 2022 we'll finish that up and we'll scale it up. In order to be able to accommodate 500-550 persons. And there's also the kitchen infrastructure where we can also improve on. So, those are the ideal frame conditions we were planning for. So, either we could have our camp before the summer holiday or after the summer holiday. But afterwards would be pretty far advanced into autumn. And I think it would be realistic to get those people who want to come. Or those young people and students to get them leave from school, official leave. And I think that would be possible. So, our ideal range would be from the 25th of June until the 2nd of July 2022. But there might be a problem, maybe it isn't one. That the fusion will be there between 29th of June and 3rd of July. So, if you assume that not everyone will get a ticket for fusion. And some will even be happy that they can send their kids to a campground near the fusion. Maybe this is even an advantage. So, yeah, we just have to look into that a bit further. I don't know how the storage capacities, how much they'll be used. So, there are different other camps that might need some of the storage capacities. But I've talked to some of the relevant people. And I'm sure that we will be able to provide enough infrastructure for about 500 people. And also, if we still need something, we can also buy those supplies. Like tents, for example. We would like to offer this camp with a focus on young people. And people who've stayed young to build a community that can help around the organizations. Bring in their experience in running these kind of camps. And just all around having a good time. And this is what we'll try to achieve in the next year. There's been a lot of discussion during the last year about how optimistic our plans are. And if they're maybe too optimistic. Because, of course, you need a lot of camp counselors. I work with young people myself. And I get the impression that they're pretty chill. But I have never organized a camp with this many people from my own youth. I don't think that too many young people will want to go home in the middle of the week. Or that there will be too much drama. But maybe I have a wrong impression. And I would like to find out whether I'm correct or not. And we would like to offer an all-inclusive option for young people. So that young people who want to travel to the camp, get the ticket paid. Get their journey paid. Get everything paid for. So that no one is excluded from this event. So that everyone can afford it. That there's no cost for the young people. And ideally also no cost for those who help us. So, if you... There's a lot of funds we can tap into. Especially funds for development following coronavirus. There's a lot to learn, regardless of what the circumstances are. And this makes me optimistic. And this takes me to another kind of framing, framing in terms of content. I put it in the title. I am not really into cyberpunk. And I don't buy the whole dystopian stuff. I think that we can create and achieve a better world. And there's no reason to not start doing that now. And this is why my motto is solarpunk. It's better of cyberpunk. I want young people to achieve or to attain skills, tools and resources. What they need to make this world better, better than we did it decades ago. So, this is why I'm more rooted in the utopia than in the dystopia. Today there was also a talk on the creation of this Congress. And we also learned that it's important to have some kind of legends that carry on. And maybe we can just curate a number of short stories that describe certain scenarios. And so we can collect short stories on this camp that have certain perspectives on this camp. So this is the framing we want to achieve. And we can also make a design contest around that, center it around that. With certain topics that can be used in designs. Or that can be produced during the camp creatively. So, you can individualize it very much. And learn skills, new skills on the way. Maybe let me say something about the people. The club is the most important partner. I didn't put it on the slide because it was so obvious. But this is really obvious. And I would hope that we can find interested people who are willing to organize events. I hope we can find a critical mass that's interested. And I think with a group with this kind of experience would be able to organize this kind of event. CCC has an atmosphere where you just try things. Instead of just talking about whether they'd be possible. And this is the right spirit. This is the spirit we need. There's also the German Institute for Aerospace. The aerospace industry is an other institution like the Institute for Liquid. Ecology near the camps so they could also be involved. And also be involved in the framing. What we need I think is to create teams. Those on the slide are just my ideas. Maybe five to ten people or maybe more like five people who do funding and finances. Because there are so many funds that you just have to apply for. And then it's not really difficult to get them. Then I would have a field team that explores the campground. So people who can do logistics, infrastructure. Someone who does the whole cabling and power. And a content team. And also a youth team that does the youth work. Psychological and social counseling. And things like that and organizing activities. And if we manage to find some people for these six teams in the coming weeks. Then we could continue and plan ahead. It's important to set a deadline or a date for that. And then to set a plan that's ambitious but also realistic. Und in order to organize this, if you're listening. And if you're interested, please send an e-mail to camp at verstehbahnhof.de. Which you can see here on the slide. And we could organize on rocket chat or have an own instance. So these are some of the small things you need. And then we would have a meeting together where we look at it together in detail. This is a very ambitious plan. But I think it's realistic. I've put a lot of thought into this. And I've also gathered critical reflections from other people. Who tried playing the devil's advocate. And we still think that this can work. If it's not just me with Felix. But also some other people who would be willing to try. So that was just the past version. There's a few minutes left for further talk. If you've got any questions, please go right ahead. And we are still willing to do this. Yes, I really would like to help. So, there are some delays in the audio and video. I hope the tech team gets this adjusted. In the pet, there's a question about which age group you want. So you already answered that. Yeah, young tech events are geared towards 12 to 18 year olds. So we would have to speak about what is the realistic starting age. Is that 12? Is that okay? Or should we also have a team that works with smaller children? We have to talk about that. It's difficult to tell. Maybe you just have to keep on the safe side for the first try. Because you don't want to tell families. Sorry, you have to leave your small child at home. I think the main target group would be young people and some adults with more experience. What is the content? What kind of workshops? But that might also be the type of question that still has to be discussed and that the organizational team has to decide. So, if you're interested, send an e-mail, I guess. Yeah, we try to look constructively at the future. Because all of the sustainability topics are very interesting. But they set themselves and the program has been adapting over the past few years. Okay, we have a bit of trouble with the sound. Okay, seems to be fixed now. Okay, right now I don't hear anything. But that's because I wasn't saying anything. There are some issues with the sound. But you need content papers and a content team. That's what I was just saying. And you just have to see what's interesting. And anything that's about framing and community that's what interests the community. There's no topic that's off limits, basically. Okay, the question is where do you get further information? So, if you are interested, send an e-mail to camp at verstehbahnhof.de Having more than three people who are interested would be a great first step. And a website, a wiki for the thoughts with hat so far would be needed. But first of all we would have to find a communication channel and we need a team in order to decide that. Okay, I agree. And that's why I said yes, I want to help. And I also like to ask everyone else who's interested to please sign up. Because I think this is a really nice idea and it's a wonderful opportunity to make this a reality. So, those were all the questions from the Pet. I would like to ask, you have specified a very specific timeframe. So, I'm willing to do without going to the fusion event. But how many other timeframes do we have that don't overlap with the fusion event? Of course, we could also have the camp earlier. If we start earlier, but if we start earlier, the weather is more questionable and we don't know if we'll have good weather conditions. But the advantage of the time slot I picked is that it's directly before the summer holidays in most states, that's a good time frame to spend a week off the grid. Because after that we have the summer holidays and most people have plans there. But maybe an earlier timeframe in June would also make sense. Or you prolong it into autumn, but then again you've got the weather question. Okay, we should definitely talk about this. And yes, it would not completely make me forget the idea if... It's not that far either. Yes, but I already have the ticket and the event didn't take place for two years. Yeah, I totally get that, but you can go back and forth with your bike, no problem. Yeah, that's very optimistic. Okay, I'm checking again for any questions. No, no further questions. So then I would say thank you very much, Daniel. I definitely want to join. And yeah, goodbye.


So this is about another project where I'm giving my full talk tomorrow at 10 o'clock in the morning So I'm totally fine if no one's gonna be there because it's 10 o'clock in the morning So I also give them this as a lightning talk So I just grabbed out the slides and took the opportunity So this is about pep pretty easy privacy. It comes from pretty good privacy and it wants to make the privacy The default out there. We want to do mass encryption against mass surveillance. So We are on a mission Yeah, doing mass encryption. It's free software for sure What the software does is what the user would want to do instead of writing how-tos we write protocols So we're coming from this crypto party scene Explaining people on and on and on and on what they need to do and seeing what that they always make mistakes And then we just said why don't we just write this into a protocol and then we write software speaking this protocol so The purpose free software it's under GPL and it's short support multiple platforms multiple languages multiple crypto technologies on multiple message transports so For example crypto it already does open PGP new PG as mime and it should do what there are and the signal protocol This axolotl and whatever is going to be out there in the future So generally the architecture is that we have an engine which provides all the Crypto functions and also knows about the message transport protocols and all that stuff and then we have adapters to plug it into applications So the adapters are available in multiple languages like Java and Jason and Python and Qt and for iOS and everything And we also develop on multiple platforms iOS Android Linux BSD Mac OS and windows so what's already out there is an Android fork, which is Ready to use it's available on the Play Store and on fdroid As well as an outlook plug-in. I don't know why it got blue now, but okay An outlook plug-in which is ready to use and available on pretty easy privacy comm It's free as in freedom, but not free as in free beer But if you want to test it out, please contact us for lysing Testing license just mentioned for sure. Foss Asia there Then there's going to be Thunderbird and Enigmail With the next release of Enigmail by the way who is using GPG at the moment Okay, so yeah, there's apparently a need so Thunderbird and Enigmail is the way you would usually use it if you would be using it right now already So there's not going to be any key management then anymore and the old mode stays as Export mode still, but then if you're not using it you don't Yeah, no, what's the old mode and the new mode so the current implementations we have For Pep is that it only handles open pgp and s-mime without any hassle for the users So we're not doing all those messaging protocols and all those crypto Functionalities already at the moment. We're only doing GPG pgp s-mime and email So but that still would bring us much forward. I hope because email is still the Most widely used transport protocol we have out there So and it finally does PGP without any hassle for the user So asking again who was trying to use GPG and gave up on the way Okay So what pep does it automatically encrypts it encrypts the subject in line Which usually is also not encrypted You don't need to do key management anymore. It's been done by the software There is no key server or other centralized infrastructure we have a concept to transport fingerprints and to trust words to make it easier to read them out loud on the phone and There's an opt-in passphrase for keys. So The ideally you just sent out an email like normal So if you install this outlook plug-in nothing will change for you as a user You don't have to type in passphrases. You don't have to do any key management You just send emails and receive them Then we also want to encrypt the header and obfuscate as much as possible to get rid of as much as data metadata as possible and there's also pepsin upcoming which will do key syncing and also calendar and stuff so about to come is more external code reviews and More applications than anonymity via GNU net if you don't know what GNU net is, please check it out It's a very important project coming up in the next I would say five years, but then the internet is really gonna change like Frank said yesterday on the stage like internet 2.0 and more transport protocol support. So that's it again Contacts the project contact me and yeah, thank you for your attention I


Know if you're in a situation where you have great relationships with those former friends, but they're in a different city, they're in a different phase of life, you know, they're parents now, or they move back home to support their family and you're not in the same location. How do you spark new friendships? How do you create new connections? I always recommend you start looking at what are your current interests, passions, hobbies, pursuits, or that mission that Johnny's talked about? What is it now for you? What are those activities that light you up that you're excited to do, that you're looking forward to, maybe when the snow thaws, it's mountain biking, maybe it's that surf trip that you've been meaning to take? What are those passions, hobbies, pursuits that light you up? And how do we combine socializing with them? How do we seek out people who enjoy those exact same things as us? Whether it's exercise and crossfit, whether it's a dance class, whether it's cooking, how do we find those activities, those passions, and hobbies that may have fallen to the wayside that maybe for various reasons we said, I'll do it next time. I'll do it later. I've been meaning to do that, but didn't actually take that step to do. And how do we engage with other people who share those exact same hobbies, interests, passions, and pursuits? So the important thing here, AJ, is the social component. Like when we talk about hobbies and passions and missions, sitting at home and coding a video game by yourself might be a passion that you enjoy and a mission you want to be on, but it's probably not going to help you build that social circle, which is not to say you shouldn't be sitting at home coding video games if that's your passion. However, you also need to think about bringing other activities into your life to bring those social opportunities your way. So in understanding this, the antidote to all of this is replacement friends. A strategy and framework to build out your network. Replacement friends are one aspect of this, but your network is going to get you your next job. It's going to help you move up the ladder. It's going to help you create that new business. It is going to support and inspire and motivate you to do all the things that you've been wanting to do. The reason you haven't been doing them is because the motivation and inspiration and aspiration was lacking. You have to find that because as we've stated, everything around you is working to atomize you and to get you comfortable sitting at home. But you know, as well as we do, that sitting at home and staring at the ceiling when at late at night, when you're going to bed, knowing that you're leaving points on the field, that you're not living a fulfilling life is the issue. So when our members join the X Factor, it's about the frameworks and strategies to begin building a life worth fighting for. That is where your fulfillment comes in. You can think of this connect phase as your lead source, right? In our social cells funnel. There's three steps here. So what are all the places that you can get leads? You have your already established connections and you might need to outreach and rebuild some of those. And then what are the sources that we're going to bring in our new leads? So this will be going out to events, meeting new people, making connections that you've met online to connect in real life, make a list of what your lead sources are and how you're going to build them out and get more engaged.


A really interesting study that I've recently done is looking at the power of the lower body to create perceptions of approachability. So we talked about this orientation facing someone and orientating towards them. And we know from research that when you orientate towards someone, you're perceived as more approachable. You're perceived as more warm and inviting. And I wanted to see if, okay, well, what about the lower body? What if my upper body is facing towards you, but my lower body is facing away? And what about my foot specifically? Because we know that the lower body has an effect because studies have shown that the feet are on it. So when we're nervous, the rest of the body is saying, yeah, I'm fine, but the foot is tapping away because we think that people can't see it. So if we're trying to control for our behaviors, we think about my face, my hands, my upper body, but we don't think, okay, I've got to control my feet. We just kind of let them do that thing, which is why I was really interested to see if the feet carry any effect. And what I found was that using a male and a female individually as targets, so they had their upper body facing towards an observer, lower body either facing towards or facing away. And lower body facing towards, they were perceived as approachable. Lower body facing away, they were perceived as unapproachable, statistically significant. But what was interesting is the sex of the target didn't matter. Sex of the observer didn't matter. What also didn't matter was how introverted or extroverted the observer was. The only thing that mattered was the foot orientation. And it just shows you tiny behaviors moving my foot towards or away from facing you can change how approachable and perceived. And that's incredible. And I did another study recently, and I actually came out with this open versus closed gestures that I've been talking about. But the finding was accidental, because I wanted to see people's lower bodies when they were uncomfortable. So when they were in an interview and the interviewee interviewer was, you know, a bit out of order. So something too personal, something a bit derogatory that made the interviewee uncomfortable. And what we saw was the sequence of people make themselves small with their lower body. When they're uncomfortable, they bring their knees together, they tuck their feet below their chair. But it's important the sequence that occurred. So if I tuck my feet by my chair, and they keep my knees out, that doesn't actually indicate the comfort. It's doing a number of these behaviors.  And interestingly, behaviors that we do associate with discomfort like we have blocking display. So we kind of put our hands on top of our genitals when we feel attacked, and we kind of protect ourselves. And we a lot of the time we do cross our arms when we feel attacked, but it isn't indicative of it. That's a mistake. But it is something that we do, but it doesn't mean that when we do it, that is what we feel. But we saw these blocking displays in all groups, comfortable versus uncomfortable. Because of the context. So it was the interview causing some discomfort display, but the tucking of the feet and the bringing the legs together, that was only to do with the interviewer making them uncomfortable. So again, it speaks to the importance of recognizing what display actually means. If we said, you know, any time they show a blocking display, they're uncomfortable, I'm making them feel this way. If we just went off of that, this one behavior means this one thing, we would interpret it differently. We would interpret it wrong, because we don't take the context. And it's the same virtually. Interviews create more discomfort. So we're likely to see more discomfort display. So because of virtual environment, if somebody is showing anxious displays regularly, despite you showing trustworthiness, doesn't necessarily mean you're making them uncomfortable. If everything else is saying, I'm comfortable, I trust you, but they are showing, you know, a couple of displays, we see those behaviors in a virtual setting, because it is unnatural. We just have to take it in the bigger picture. Are all of their behaviors or most of their behaviors showing discomfort? Or is it just one? And then everything else is saying comfort? Because if it's just a one, that's likely to be their pacifier. That's likely to be the one thing that's their outlet.  And that's their pacifier has nothing to do with you. Has nothing to do with what you said. It's all the other behaviors that you have to take into consideration as a whole.


I like to feel as strong as a tree, calm as the sea, happy and free to move and breathe and just be me. It's time for a mooka moment. I'm glad you're here today. Thanks for joining my friends, Teddy and I for our mooka moment. How are you feeling today, Teddy? You're feeling nervous. You're feeling nervous because you have to do something challenging. I understand. It can make many of us feel nervous to try new and challenging things. But I know that with practice, we can overcome challenges and improve, even when we make mistakes along the way. How are you feeling today? And remember, anything and everything you feel is okay. What matters is what we do with it. And we could always try a mooka moment. Teddy, are you able to try today? Good. First, we move, then breathe, and rest, then sit. Come on, Teddy, it's time. First we move, then we breathe, and rest, then sit. First we move, then we breathe, and rest, then sit. First we move, then we breathe, and rest, then sit. First we move. That's all, friends. Show me your mountain pose. Stand up so tall. You are so strong. Stomp, stomp, stomp. Stomp, stomp, stomp. Stomp, stomp, stomp. Breathe. Let's start at our head and our neck, and we roll our head around. Oh, that feels so good. We'll go the other way. Look up to the sky and down to the earth. Hello, friends.  Let's try and go really fast, really slow. Twist, twist, twist, twist, twist. Can you relax your arms like spaghetti noodles? And let them flop around as you twist, twist, twist. Twist, twist, twist. Twist, twist, twist. Reach your hands up to the sky. Reach even higher. Reach way up into the clouds, into the stars, and lean over a crescent moon. Look at elephant Trump. Shake out your head, shake out your arm. Stand back up. We're going to do our rainbow stretch. Squat down a little, and then reach up to the sky and paint all the colors of the rainbow.  Paint all the colors. What colors are you painting? Eyes of the rainbow. Please stretch out our hands and stretch out our legs. Take one hand and crisscross over to the other toe. Whoop, there it is. And then stand all the way back up and crisscross to the other side. Whoop, there it is.   Breathe in as you come up. Cross. Nice, trying, friends. One more big breath in. And then stand up tall again. Put your feet back together. We're going to do pride stance. Put your hands in fifth.  This is a posture in our human body that all humans do when we feel excited, when we feel strong. You could say to yourself, I am amazing. Oh strong. What are you saying to yourself? Try new things and I can try again. I can try new things and I can try again. Breathe, job, friends. Let's come down to the earth now.  Shake, shake, shake, shake, shake. Shake, shake, shake, shake, shake. And breathe. Good listening. Shake, shake, shake, shake, shake. And breathe. Reach up high, the sky, tickle the clouds. Up high, the sky, tickle the clouds. Keep your legs straight and touch your toes at the same time. Oh, it might hurt a little. Be gentle and kind to yourself. Tip to practice every day. I think I could get a little bit better. Even when I make mistakes, I have to try again. It's all part of learning and improving. Let's bring our knees up into our belly and give yourself a big hug. You could say to yourself, I love you, do today. To the moon, way up, up, up in the sky. We'll fly up, up, up, up, up, up, up, up, up, and down, down, down, down. You need a bath. How do your toes smell?  Take a rest like a rock. You curl up into a ball like a rock. Stretch out your hands. And come up into an up dog. And rest as a rock. Be trying. Your up dog looks so good, Teddy. Wake up. That's a lazy dog. Close so lazy. Strong. Take a rest as a rock. And then down dog. Can you go upside down? Can you shake your head? See what happens if you lift? Can we jump our feet up to our hands? Jump. And then stand all the way up to the side. Reach really high. Hello Sun. And ready pose. Let's try some sunrises today. Take a big breath to start. Reach up to the Sun. Hello Sun. And then come all the way down to the earth and jump your feet back. Boom. And then plop all the way down to the earth. Can we jump back up? And stand all the way up to the Sun. Hello Sun. Ready pose. Take a breath. Take another big breath. Reach up high to the Sun. Hello Sun. And then come all the way down to heaven. Jump your feet back. Jump. And then come all the way down. Push up. Up dog. And then we jump back up to our hands. Jump. And stand all the way up. Ready pose. Take a breath. Shall we try it? Remember my best is going to be different than your best. And your best will be different than my best. But we all can just try our best and then we improve. Show me ready pose to start. And as fast as you can. Up to the sky. Down to your jump back. All the way down. Up dog. Down dog. Jump up. Up to the sky. Ready pose. Want to do it again? Teddy, do you want to do it again? Sure. Let's do it again as fast as you can. Show me ready pose and take a breath. Take another. As slow as you can. Take a breath. We get really brave. And as fast as you can. We'll reach up to the Sun.  Let's slowly step one foot back. As you kind of go all the way down. Push up. We find you're down down. And we step up one foot. And then the other. And slowly stand all the way up back to the Sun. The Sun. And ready pose. Let's try our helicopter. Stretch out your helicopter propellers. And check your feet. We're not going to travel around the room. We're going to spin in a circle and stay right where we are. So check your feet. And we'll try and spin in a circle five times. You started? Practice. We could do more than five. Maybe next time.  And top your thighs. And then bring your hands right next to you. And wave hello to your toes. We're going to push all the way up to a table. Do you have any food on your table today? Yummy. And then can we come all the way back down? Let's try that five times. Let's lay on our back and do a candle. Lay on your back and put your feet up to the sky. Flicker the flame. Yeah just like on a birthday cake. And what do you do to those birthday cake candles? We blow them out. Let's try and do our candle five times. Breathe in and light it up. And blow it up. One. Body. I felt a lot of work happening in my belly. Practice that every day. You think we could get better? Of course if we practice we can improve. Even when some days we make mistakes and it feels challenging again. Let's try our happy baby of our last pose today. Can we lay on our backs and hold on to our toes? Happy baby.  Thanks for moving. It's time to breathe. End up tall friends. We're going to take some deep breaths together. Let's actually start with alligator breath.  We're going to breathe in as we open up the alligator's jaws and then snap it shut as you breathe out. Rose of the breath.   Close me! Ouch! Now just your shoulders. Deep breaths together. Filling up our bellies with that clean air. As you breathe in and breathe out slowly. One.  Last one. Really big fill up all the way. Taking big deep breaths makes me feel calm and ready to rest. Lay down to the earth friend and lay all the way onto your back like a big starfish. Can you stretch out your leg and stretch out your arms? Like you're a starfish basking in the sun. Laying on a rock. We're going to squeeze our body. Can we start with our fingers? Can you squeeze your hands into a fist? Really, really, really tight. And then let them go. Can we squeeze our hands, our arms and our shoulders? Squeeze and let them go. Squeeze hands, arms, shoulders and toes.  Squeeze those legs, bottom, belly, arms, shoulders and face. Can you even scrunch your face and let it go? Let's do that two more times. Squeeze everything. Toes, back and shoulders, arms and hands and face. Squeeze every time. Squeeze, rest your whole. See if we can rest here quietly for five, four, three and wake your body back up. Wiggle your fingers and toes.  I love you.  Thanks for resting. It's time to. It's time to sit friends. Can you show me easy pose? Crisscross, applesauce and sit up really tall. Try and make our bodies as still as we can. If it feels good, you can close your eyes. And we notice ourself. Notice how your body feels and notice how your heart feels. And we'll try our best to sit here for five, four, three, one. And we finish our practice with a big thank you. Thank you to yourself and to each other and to the whole world. Thank you for practicing. How are you feeling now, Teddy? Wow, you're feeling brave.   How are you feeling? Remember, anything and everything you feel is okay.  Thank you for practicing today.


Hello friends, I am Sanjay Gupta. In this video, I am going to discuss list of checked and unchecked exceptions in Java. Before starting, you can subscribe my YouTube channel by clicking on the bottom right corner of this video. You can download my app Takimiz that is available on Google Play. You can connect with me by following the details which are available in front of you. Now coming on to the point. In this video, I am going to discuss checked and unchecked exceptions which are available in Java. So first understand the concept and then I will be showing the list of checked and unchecked exceptions. So first point says all exception types that are direct or indirect subclasses of the class runtime exception are unchecked exceptions. Second point says all classes that inherit from the class exception but not class runtime exceptions are considered to be checked exceptions. So this is the small difference between checked and unchecked exceptions. Third point says classes that inherit from class error are considered to be unchecked. The compiler checks each method call and method declaration to determine whether the method throws checked exceptions. If so, the compiler ensures that the checked exception is caught or is declared in a throws clause. So friends, after knowing this simple difference which is written in first and second point, fourth point says if you are raising any unchecked exception, then it can be automatically handled by JVM or you can guard it by using try and catch. But if you are raising, if your code is raising checked exception, then it cannot be directly handled by JVM. Either you have to handle that exception using try or catch or you have to implement throws clause in the method declaration inside that exception is raised. So suppose any method is raising any checked exception, then at header declaration you have to use throws clause so that caller of that method can handle that check exception. If you are not doing so, then compiler will generate a syntax error. And in case of unchecked exception, if you are not handling any exception, then it will be automatically handled by JVM. So there are two differences between checked and unchecked exceptions. Now after knowing the difference, you can see the list of unchecked runtime exception subclasses which are available here. So first is arithmetic exception. Second one is array index out of bound exception. Meanings are also available in second column. You can read all meanings. Array store exception, its meaning is assignment to an array element of an incompatible type. Then class cast exception invalid cast. Illegal argument exception, illegal argument used to invoke a method. Illegal monitor state exception, illegal monitor operation such as waiting on an unlocked thread. Illegal state exception, illegal thread state exception, index out of bounds exception, negative array size exception, null pointer exception, number format exception, security exception, string index out of bounds exception, unsupported operation exception. So this is the list of unchecked exceptions which are subclasses of runtime exception. So if you don't handle these exceptions, these exceptions will be automatically handled by JVM. But if you want to handle these exceptions, then you can use try and catch blocks. You can study how to implement try and catch block by my other tutorials which are available in this playlist. Now this is the list for checked exceptions which you have to handle or you have to throw these exceptions for the caller of the method in which these exceptions are raised. So first is class not found exception, clone not supported exception, illegal access exception, instantiation exception, interrupted exception, no such field exception, no such method exception. So this is a list of checked exceptions that you have to handle or you have to throw to the caller of the method in which these exceptions are raised. So friends, you have to handle checked exception or you have to throw those exceptions with the help of those clause. And if you are raising any unchecked exception, then there is an option you can handle those exception or they can be handled automatically by the JVM. So this is the small comparison between checked and unchecked exceptions which are available in Java. You can subscribe my YouTube channel if you want to watch more programming related videos. Thank you for watching this video.


Live from New York, it's theCUBE. Covering theCUBE, New York City, 2018. Brought to you by SiliconANGLE Media and it's ecosystem partners. Welcome back to New York City, everybody. Hashtag, cube NYC, our special presentation. Used to be really focused on big data, that big data sort of evolving into artificial intelligence and automation and just new layers of innovation in the industry. Obviously, cloud has been a big topic of discussion this week. theCUBE is the leader in live tech coverage. My name is Dave Vellante and I'm here with my co-host, Peter Burris, along, LeMental is here, he's the senior manager of Solutions Marketing for Digital Business Automation at BMC alone. Thanks for coming on theCUBE, welcome. Thank you, it's good to be here. So digital business automation, digital means data. Peter and I talk about that all the time. If it's data these days, it's probably big data and these days, cloud. Absolutely, yes. Why cloud? Well, it's not a secret that cloud is becoming the platform of choice in many of the big data projects. When we talk about big data, cloud has a lot to offer. Big data means big amount of data, naturally movement of the data, massive need for computing and storage and this is exactly what cloud is providing. The other aspect is the flexibility of the cloud, being able to scale up and down as necessary, which fits, of course, the nature of big data projects. Also when we look at what the cloud vendors are doing these days, they're providing lots of new technologies, lots of new functionalities, specifically around big data, not only and this is very attractive for customers that are implementing big data and want to take advantage of all those new services that the cloud providers are including these days. The cloud's way of doing things isn't always the enterprise's way of doing things and it seems like the cloud way has the momentum but what are you seeing there in terms of alignment between the cloud model and the traditional enterprise model and how are those coming together? Well, there are many types of organizations today and what we see that many organizations are adopting cloud but it's not like they start a project today, move it completely to the cloud and forget completely from whatever they are running on premises. The reality is obviously more complex. In most of the organizations, we run into what is called a multi-cloud environment which is a combination of running some of the stuff on premises, some of the stuff in a private or a public cloud. Usually it's a combination of all of those. So one of the things that I'd like to introduce here is the idea, certainly the cloud's going to be very important and we think that increasingly the world's going to think not in terms of moving all their data to a cloud location but moving the cloud services to wherever the data resides. We believe pretty strongly and I want to test this with you that the big data community needs to start thinking more about an analytics capability, a strategic business capability centered on analytics that includes certainly big data but also includes increasingly BI, data warehousing and even reporting. If it's a capability, it means you have some predictability some certainty in how it's going to work otherwise it's just ad hoc. Talk a little bit about the idea of some of the foundational technologies to ensure that you get the control that you want over some of these jobs, over some of these data movements so that this array of analytic capabilities or technologies can become a strategic capability within the business. Yes, this is a very good point. Let's start by saying that big data is complex. Customers that are implementing big data are struggling because of all the different moving pieces in those projects. Injusting data from many sources, both on premises and the cloud, storing the data, processing it and finally of course the most important part of making it available for analytics and actually providing the value to the business. So in this reality of multiple steps, multiple sources, huge number of technologies that are being used, it creates a kind of a jungle, a jungle of a combination of infrastructure, data and applications. And in this process, the complexity is magnified when we take into consideration cloud, which again is providing lots of new capabilities but at the same time introducing new technologies in a pace, in a very high pace, probably faster than ever before, which makes it difficult for customers to actually assure that they can manage successfully their big data projects, run it successfully in production or show that SLAs are met, auditing governance, all of those management capabilities are important and this is where we believe that we can help. So if I had a paraphrase Einstein, let's see if I get it right, move as much data as you have to but no more, something along those lines, right? People don't want to necessarily move data, right? It's expensive and time consuming. So enter control M. What are your thoughts on data movement and that comment and where does control M fit? Well, what we've been doing with control M is for many years now, we automate and orchestrate processes, workflows running at the enterprise and we are platform agnostic. We don't care where those workflows are going to run. It can be on premises, it can be in one specific cloud vendor, it can be a combination of many of those and it's true also about big data projects and it's true also about big data technologies. So what we have been doing is really end-to-end automation of a workflow. Regardless of where it's running, which applications are being used, where you mentioned the ERP and data warehouse, file transfers always a part of one business process that from the customer perspective, they need to consider it and they need to ensure that these all well connected. And in a way that looks like a job. And I think this is an important point. At the end of the day, a capability in a digital sense or in a technology sense starts to look something like a job and now we're getting to the roots of where control M started. Exactly. So if we think about historically, writing jobs, certainly in the mainframe required, JCL and other types of things, scripting and some of the more modern platforms or some of the newer platforms or recent platforms, but how does this process of creating jobs and DevOps and data warehouse, or I'm sorry, big data come together, you know, these analytics capabilities. Yes, so what we have been doing in the last few years, obviously expanding the control M orchestration capabilities over big data technologies. So we have deep integration with Hadoop and Spark, obviously we have tens of customers if not more running it today in production. Also what we have introduced a couple of years ago and it's becoming more and more popular, it's what we call jobs as code. And jobs as code is really about allowing- Jobs as code. Jobs as code. Got it. Excuse my accent. No. So the idea behind jobs as code is really allowing our customers, developers within our customers to consume control M from within the code as a part of the CICD process. So when developing your application, they can easily call control M functions. We expose control M to developers so they can easily consume control M when they build new applications, call the control M functions to test the job, order it, do some other actions as necessary from within the code. And of course, developers like it. It assures that applications are being developed much faster, which is a must these days and definitely very true when it comes to big data. Okay, so the business impact is speed. That means time to value. Correct. Happy developers. Policy, improved policies. You know, a real true DevOps environment. Correct, and at the same time, everything is well audited and governed and that's our strength. So let's see, what's new here? You guys are across the street. What's that like? What are you showing? What's the conversation like with customers? Well yeah, I mean what we are showing is obviously the control M end to end capabilities to manage a workflow across multiple environments. We just had a session earlier today showing an IOT example running on the cloud. Control M on the edge. Well, this is who we are right now. And as well as of course showing advanced scheduling capabilities and orchestration capabilities of big data workflows. Great, so what should we expect? Going forward next six, nine months, I know you can't divulge your detailed roadmap, but what are the kinds of things that observers should be evaluating you on and maybe customers are pushing you on? Well, from our perspective, it's clear that we will continue to invest in three major areas. First one, big data. More capabilities and more integration around big data technologies. The second area is cloud and we are working very closely with many cloud vendors these days in order to support from within the product more and more cloud services. And the further area is DevOps and the whole concept of jobs is called. So if I can, we talk a lot about workloads and where workloads are going to run. But what you're trying to say is at the same time, imagine a workload with the appropriate set of controls so that actually becomes a job. So we want to be able to run big data jobs in the cloud, on premise, but have them look to the business like a real job with control, with certainty, with predictability, with all the resource consumptions associated with it. Exactly, with the SLA management and for constant capabilities to predict changes in the environment with archiving capabilities so you can keep track of what happened and when. Auditing obviously is very important. So it brings consistency, homogeneity, as you say, less prone for errors and less diversity in terms of the skill sets that I need to run each. Are we there yet where we can have that real same-same environment? Or are we close or are we still? I believe we are there and we have customers today. We have all kinds of customers, obviously, but we have customers that are running their all operation in the cloud, including the controlling for big data capabilities. One example I can share is Malwarebytes. Malwarebytes, they're in the business of detecting and remediating malware from millions of customers and endpoints around the world. In this process, they collect data. If I remember correctly, over 20 million records of data per day, analyze it, and the concept is obviously to fix and remediate problems as soon as possible. They are running all their business in the cloud. Actually, I found it quite interesting when we look at absorbing new technologies. When they listened to one of their presentations, Malwarebytes, and they described their big data journey, they said that very early in this journey, they took a decision that there will be two pillars as a foundation for the big data projects. One pillar is cloud, so running 100% in the cloud. The other pillar is the workload automation piece, what we call today digital business automation, and usage of ControlM to automate everything they have in their environment. The way they describe it is that ControlM is like a spine, that it doesn't matter which technology you put on it, ControlM will be orchestrating it end-to-end. And to them, cloud means public cloud. Is that right? Correct, correct. And if I remember correctly, they are now using a few multiple vendors. Oh, okay, so it's public cloud and it's multi-cloud, but not on-prem. Because why, they don't have data there? In this case, this specific customer from day one, as far as I know, started their big data projects. Well, it's mainly provided as a service, so it's national department of public cloud. But that's not the norm, unless they're a SaaS provider.  But if you think about it, one of the things that's going to be interesting is that, and you mentioned this, the idea of skills, that there are some disciplines that we associate with running good, discipline, high-quality IT. And there's a cloud operating model, which many people kind of say you can cut those corners. Now, CICD is really important, but bring together this notion of the merging of a discipline IT approach that still is associated with speed and flexibility and leads to things like job and control and whatnot. That as we bring these environments or these worlds together. Correct. And this is exactly the direction that we are taking. I mean, when you look at what ControlM is providing to our customers, is bringing to the table all those strong operational capabilities, which are a must. And it doesn't matter if it's a traditional data center or a completely innovative run, running completely in the cloud, running big data, do processes in the cloud. At the end of the day, you need all those operational capabilities in order to assure that it's running successfully. Well, Lon, thanks so much for coming by theCUBE. Give us the update on BMC, ControlM. We really appreciate your time. Thank you very much. You're welcome. All right, keep it right there, everybody. We'll be back from CUBE NYC. Dave Vellante from Peter Burris, right back.


Well, hello everyone once again, I am not in class But I'm traveling the world wide. I'm attending a conference right now. I'm actually in Helsinki Guess we're Finland and I'm attending a conference. Well, not quite. I'm still in Tucson while we are filming So it's okay to do some changes and play with multimedia That's what the whole course is really all about We want to James and I want to introduce the text for today. These are the troubadour poetry We thought it might be a good way to start out with giving you some visuals and James has here Faximili tell me James. What do you have? Well, I just thought it was interesting since we've been talking about music as well as literature in the Middle Ages and here we have some illuminated pages of Songs with musical notes attached to them as well And we can see the notes and they look somewhat similar to what musical notes look like today But obviously a little bit different as well Did it strike you maybe that the combination of images texts and notation Form almost what we call in German a Gesamtkunstwerk Wagnerian yes Quite the charming how the musicians and the artist the scribes all of them collaborating and so what we really do is we look at medieval manuscripts Study medieval art that is an expression of the entire Artistic world and the world of the aristocracy. I have another wonderful example and maybe you just can decide on another image James showed you just a facsimile of a manuscript. So it's a page in a book and in many cases medieval art also was expressed in Sculptures and so I have you a fabulous book that gives us ideas of Wooden sculptures used in altars now. This is a late medieval But it gives you just an idea of what late gothic late 15th early 14th sense excuse me late early 15th century art looks like and I also have to say something But I think it's worth for for students to get an idea what they can see when we go to Medieval churches Gothic churches and have then this incredible experience of These wooden sculptures this now happens to be in Rotenburg up there Taoba one of the most beautiful medieval towns a little plug-in I'm going to Rotenburg next year with my students So once again those of you who are maybe considering joining me in my medieval tour Well, it's kind of a sales pitch, you know But at the same time I just want to show y'all why I am so excited about this art Why I always love to go back and why I love teaching this is every word There is this art. There is a beauty. There is the craftsmanship So the absolute brilliance of that time, of course, it's a different world, but we are really impressed There is something magical about it So maybe can close this book and I would like to share with you a third example and This example is called in our book I'm showing you something that is called in our book in late medieval times people Started to practice their religious devotion in private particularly noble ladies and They were very interested in having devotional books prayer books or books about all kinds of artistic Expressions and they're these tiny little sort of almost paperbacks We would call them today if they were not wonderfully volume bound Volumes this is now it happens to be a book about hunting and I'm turning the page just to give you an idea of the really incredible beauty the artistic beauty of these books Showing our scenes of hunting, but let me move just a little bit to the side So that you just have an idea how Calligraphic these texts were Remember, this is not printed. This is written by hand on parchment Okay, so we gave you a couple of examples visual examples medieval art and hopefully you have right away in understanding that Whenever we look at texts or listen to music, we have always to combine that with images the craftsmanship religion and the social structure of that time and so Cutty love that's what we really will talk about or are discussing throughout the course is Situated in the wider social context and for that purpose today We look at the very famous troubadours and then you'll look primarily in this video on Into the poetry by the first one basically the founder of Cordy love poetry a man called Guillaume Le Neuf William the ninth Did something strike you James as to about the Background or something that you found interesting maybe well, I thought it was interesting contrasting his the short biography Provided here at the beginning with some of his works It's mentioned in the the biographical section that he was fighting for a lot of his reign and Was constantly struggling with various things and you can sort of see that Reflected in this text. He's got a very down-to-earth style Yes, sometimes and then sometimes it's very elusive very esoteric even some as very religious Did you also notice that sometimes it's very ludic? Yes, it's very vulgar at some times we could say Are you familiar with the word ludic? I have to use that. I think a week ago Mm-hmm and ludic is an adjective which means playful comes from the Latin ludus So I think sometimes it's just our ludic It's playful. It's joyful and I actually see a number of parallels to the common or Burrana These are clerics and yet They compose all kinds of dirty poetry, right? Playful poetry. I think these are very brilliant highly educated people Mm-hmm and so our modern sensitivities as to what is norm standard ethics Morality might not quite apply to some of those things particularly if it's ludic It's playful trying to demonstrate a certain level of culture and civilization and another thing that struck me was the fact that we're moving out of the The clerical realm and into the aristocratic realm whereas before we had most of the art and everything produced yes by the clergy or clergy related Artists, but now we've got right, but of course keep in mind we have discussed Heart of an hours Poor Henry or Lord Henry. We already had a different text reflecting noble culture secular world But it was a different genre of an hour that he writes narratives and I always like to for your own sake I like to switch from narratives or prose more or less to Poetry so now we're moving from Not quite pros. Let me make this really clear right in the middle ages. We hardly have prose It's all at least in the literary world. Everything is in verse Even if the poets tell us stories That's in verse because it has to be performed by music for that reason you showed us the Manuscript with the notations But these are no poems these are very specifically Intended to convey ideas, but not necessarily to tell a complete story. Well, this is musical So these are a little How shall we say kaleidoscopic impressions? That don't really tell us a long story with one exception. There's one poem where this night Does not speak of a tent. Okay, what comes to that it tends to be me. There's a kind of a story Let me have a first give you a little bit exciting and curious background We just don't know so many things we just don't know where this poetry suddenly came from it is really fully developed in the vocabulary imagery in Style notation music everything it is almost perfect already. It is not primitive simplistic poetry and Yet we don't quite know the inferences where that might have come from Interestingly enough Guillaume lived in southern France. We call that area today the Provence and We know that he was quite a bit involved in wars against the Arabs at that time Arabs to a large extent still controlled The Iberian Peninsula. So you have Muslim Arabic cultures and We know that Arabic culture much earlier before European culture had developed these kind of ideas of courtly love of erotic poetry So also we are in the midst of the Crusades So the first crusade took place in started in 1096 that's good hundred years before Guillaume writes his poetry and I don't want to go much into the crusades. You know a little bit about the crusades Well, I found it interesting throughout the whole section, you know The the biographies show that most of them had something to do with the crusades and a lot of the poems speak about Peripherally about the crusades, but it's in a contradiction because isn't it odd If I during the day they slaughter people they cut off limbs and heads and blood and guts everywhere at night They sit in front of the fire and to sing these beautiful poems And odd contradiction these crude nights who barely survive in the heat of the Mediterranean Starving almost and fighting for their lives and at night suddenly It's beautiful love poetry and particularly once they had come back Obviously, they were somehow Influenced by Arabic poetry. We cannot quite prove it, but it's a very intriguing concept how Culture is transferred from one to the other We're not quite sure how this might have worked Language-wise because these crusaders didn't know Arabic for sure not But they lived sometimes for years sometimes for decades in the Holy Land And certainly they picked up a lot of things or heard the songs performed by Arabic Composers or take one more component Guillaume lived southern France whether he heard songs in the Holy Land or whether he heard those songs from Jean-leurus, that's the word Jean-leurus who had traveled through the Iberian Peninsula and Then arrived at his court and presented. Woof Arabic stuff. Well, it's right next door You just have to cross the Pyrenees that exactly right and we know that he actually Ventured into the Iberian area and fought and so there were lots of contacts another possibility is that these courtly poets at that time might have been influenced very strongly by the new Adoration of the Virgin Mary So we see that also in art. I don't have a good example right now But maybe on Thursday, I will be able to show a couple of images But the new adoration Idealization you could almost say Glorification of the Virgin Mary that becomes a very strong cult in the religious sphere in the church But it seemed also to have carried over influence the secular world So it's a very interesting situation We have a very early a troubadour poet and you should also talk about the word I mean, what does that mean troubadour? Do you have any idea show true bar? We it's an it's an Provincial word. So they didn't speak really French. They spoke Occitan Occitan double C is the language to some extent still spoken in southern France Interesting if you travel for example today to northeastern Spain, let's say Barcelona or you are somewhere here Saragossa or any of those places Then you will notice these people speak not Spanish. They speak Catalan, right? And Catalan is just a variant language and much more closely related to Occitan than to Spanish actually So you have a variety of different groups in that whole region and I think the more cultural contacts you have The more culture flourishes, you know borderland issues Just to digress. Look at Tucson. Yeah, there's a border city and how many cultures do we have? Mexican, Anglo, Finnish, Swedish, Greek, Russian, you name it, right? Well, we see the the Mexican influence in Tucson just like we would see the the Muslim influence in Spain That's right. And all the mariachi music that we love all the great food they serve This is just part of our culture. We like this mix the rainbow And I think the Guillaume and a poetry Guillaume's poetry and the troubadour poetry is just an expression of that too And in this regard, I think medieval culture is an incredibly interesting model for our own culture because we observe how much these various cultures influence each other We'll observe later how for example the French poets influence the Germans and return to the German love poetry Strongly influenced by the troubadour and to avail poetry We know that later the English poets were influenced by the French the Spaniards were influenced the Italians learn to some extent from the Arabs south and from the Germans to the north and they in turn gave to the rest of Europe So it is really an incredible hodgepodge and a give and take and so for that reason our study of troubadour poetry Is a good sample Really interesting. I think intellectual enterprise. So troubadour tromba. That's a Catalan word coming back to tromba means to find Finding first of all a melody and then Finding a theme so something you want to talk about. I Thought we maybe start with one or two poems and maybe a very Standard one. I would like to begin with a very specific one A poem you all should be familiar now with remember coming up around him That's a week ago and I introduced the various types of songs genres. So we talked about the pastoral the week ago and I explained how the setup Allows us to categorize this poem. We also had a poem about the coming of spring and I had used also the word Locus Amernus Now beautiful nature setting and if we take a look on page 117 poem number six So please would you all although I'm not here? Please open your book. We need to work together All right, that's the whole point whether I'm standing on the stage or I'm talking to you via video I hope that doesn't make a huge difference And of course James and Lee and Tina will later jump in and also will talk more in person about Some of these poems. I think poem number six. It's quite interesting Now when we see the meadows once again in flower and the orchards Turning green streams and fountains running clear the breezes and the winds It is right that each man celebrate the joy that makes him rejoice No, what is your impression? Would you like to be in that setting? Oh for sure. I thinking of Sabino Kenyon somewhere the same April Waterster running it's fresh. It's wonderful. Lovely some music a party going on or maybe even Provence Provence with lavender and thyme everywhere. Good wine. Oops. No, I shouldn't say that So but very clear right there you get the sense This is a stanza that beautiful illustrates the beginning of spring So a nature poem The poet sets us all up. He situates us right away there. We everyone would like to be right It's a beautiful setting and nature and human culture come together in everything in terms of love We all know this, you know, what is love all the bees and that's butterflies and stuff like that It comes in here just as well. These are archetypal images. Remember we talked about it Two or three weeks ago archetypal. This is how the experiences all people enjoy Love is what love isn't here, right? You can start seeing this It's always I better don't start singing overrun screeching out of the room But he begins and to explore About what the meaning of love is and also his pain Why do I get not one bit of it? So he observes that he sees that everywhere around him there is love and he expresses his disappointment his sadness and How disappointed he is I third stanza I never had the joy of what I love and I never will as I never did for I am aware I do many things and my heart says it is all It is the melancholy. It is suddenly sort of as we would say in German Veilschmerz You might want to explain later a little bit more Veilschmerz familiar with that word, right? So The global sense of sorrow. Oh poor me. Oh, everyone is in love. Not me It's quite entertaining, of course. Remember this is entertainment This is poetry that is performed in the evening When the court assembles they might have done the tournament and they have nothing to do There is no DVD. They cannot get to online Cannot fax for nothing. So they just have to talk to each other And I think that might also be why they combine so many of the arts together Exactly. So the artists come together and they They are being paid by these nobles to create all this wonderful entertainment. And so What else is more interesting and exciting than love particularly when they say? Oh, I'm not in love I'm alone. So that's what he says, right? So and so I know less that anyone would pleasure is The pleasure principle sequin Freud would have a heyday. He he could analyze is really very well I would come up with all kinds of wild analyses. Oh my goodness. So but simply right Yeah, and I think it's important that you know We see that word right off the bat here with these songs because we're not necessarily talking about The love that exists between man and God, but we're talking about a physical love. That's right But it could also be translated very easily. He doesn't say what kind of love He's just talking about emotions and he's talking about Possibly even between him and the Virgin Mary. I mean if you want you could simply interpret it in that way Don't you I mean, of course in this context, it is for a secular audience But in the back of their mind it all is evoking that imagery it could also be my goodness The Virgin Mary is not really in favor of me, but in this context there concretely it is Erotic love so we do have here a public discourse. That's for me very very important that this poetry that Indicates reveals how much in public Everyone talked about love. I mean we are at parties today When the politicians get together they don't talk about love. Oh, no, no, no, that's a private matter, right? But in the Middle Ages and particularly among their nobles Love that is the only topic worthy for public discourse It is the highest art. You're only a true noble if you're lover. Yeah, so that's really extremely important so he goes on and Talks very much about his interest in finding love to explore the emotions and Then on the next page in the second stanza I find particularly interesting Let me read it to you or would you maybe just read it just a second stanza. Yeah a man a Man who wants to be a lover must meet many people with obedience and must know how to do the things that fit in court And must keep in court from speaking like a vulgar man Very interesting perspective. I think what he says and this will become the motto almost for all of courtly love Poetry will ever hear throughout the entire semester. Love has something to do with service Because you want to win a heart and remember the Kamina Burana the guitar There was no service The man grabbed her by the hand. He forced her to the meadow, right?  I think horrible Here is a totally different perspective true love can only exist if there's a sense of service of pleading of Trying the best you can do He refers of course Many people and you have to obey them. You must know how to speak I think it's a very important thing How can you convince a woman or a man if you're a woman to love him or her if you don't know how to speak? You must be extremely eloquent. You must be able to express your emotions That is I think for guys often very difficult But that's the reason why we practice these or study these poems They provide us with an example how to learn that vocabulary Right, and I think it's interesting. I think it's it's a really intriguing contrast between the the previous poems and yes by Guillaume we see that He knows how to master his courtly speech But we also know that he can speak like a vulgar man at times. That's right. So we have here the conflict still trying to To determine how much on what courtly life is really all about So many scholars that I actually argued that the notion of courtly love really served as an educational tool Because it is not easy to perform in the service of a king. It's just like for us It's not easy. Let's say to become a diplomat It's not easy to move up to a higher social level Let's say later when when you all want to become something lawyer a doctor or whatever You need to know the language you need to know how to talk behave dress Remember, that's the dress code or the pledge. We have that even there This is now professional. This is no longer kindergarten We are now in the in the training for real life and this is real life He shows how all the those who listen to this poetry Will get therefore most important material that they can integrate into their own language and their own thinking and Then he shows this is a test. This is a learning experience. We have an instancer, excuse me in poem 7 We clearly explicitly is talking about the test But I think you're still right. I think absolutely and maybe we can turn to that other poem, which is really Very entertaining. I would almost call that poem poem number four This is a page 113 Now, can you please all turn to that poem? I shall make a verse since I am sleeping Okay page 113 I think here. Well, what kind of poem is it? Is it a pure love poem? No, not at all It it seems it seems like the author wants to have fun with the idea of love Well, not so much love, but the the sexual act Okay, so are we transgressing here? Are we now maybe do we saying something bad? There's something talking about sex The public will not like that Your parents will not like that, right? Of course, you're all adults. All right, so I don't think we should Fool around don't beat around the bush and address it Of course all love poetry in one way or the other of course also talks about the sexual act But that's not our concern. Our concern is everything around it. Maybe the culture Again Freud would have his feast. Yeah, right? You would analyze my language and would say, oh my god, this man has this and this and anyone It's kind of interesting, isn't it how this poetry it's love poetry We can have a lot of fun talking about it because the analysis allows us suddenly to look into the mental mindset, right? So I would almost say this is like a ballot Or actually in our modern context, we would call it the corrido This is a genre that is very very popular here in Tucson. It's a corrido really It's someone who composes a song in Spanish about his love affair and a problem and Then he performs it in public. It's the whole genre the poetry center I mentioned the poetry center before. No, it's very very well. It's extremely famous the corrido here Sort of like a chanson. Yes.  Well, this is a panel. Most of you have a cat here in a way Yeah, so this man Is riding somewhere around? well, we're in Overnia, so he just provides us with a geographic reference and He encounters home Encounters two ladies. I believe where this is three. Oh three. I'm not quite sure. I think it was three Let's see The wives of N. Garin and N. Bernard. Oh, you're right That just two but that's enough two ladies for one man. That's enough. We don't need to go much further So I'm sorry for that. You're right and This guy of course tonight Let's be careful. Yeah, when he ever he says I or me. This is not him. It is a poetic I all right Let's always be very very clear when we have literature and someone who says I and I experiences This is a poetic I that means it's the text. I can easily say I Traveled to the Mars and I experienced there's water and I discovered the aliens. This is literature, right? But he's he is talking about a member a male member of his caste exactly So he really dramatizes this very very strongly. So I think we just can finish Our session today. I notice the time is fleeting So he wants of obviously one thing What does he want?  That's what you said But it's very clear in this poem what he wants because you're right away. He pretends that he cannot speak except Babar, y'all Babar, y'all Babarian Again, remember this is onomatopoetic Right, so as if he were mute or his tongue were cut out or something at least then these two ladies Well, it's a projection. Of course, it's a male projection women also want something very interesting So he's playing with expectations desires dreams and so these two ladies obviously think Great opportunity here. We have our Sex slave And he can't he can't ever reveal anything about it after that's right. I hope no one heard what I said So anyway, they're both interact all three interact in an intriguing way It's a wonderful game actually after all as much as we are laughing about this whole setup I'm sure the audience at that time laughed about that as well. Oh, I'm sure really beautiful. So Big enough, we know what they want. They want him they want his body They don't care about it. They just want about want him as a sexual object, but they're still very worried What are they worried about? Well, they're worried about being revealed as adulterous women Exactly. So this is an extremely important point after all We will talk a lot throughout the entire semester and I will repeat this over and over again and explore this further further We are talking about courtly love, which is not necessarily marriage This depends very much on the genre. So in narratives such as romances or I remember a heart of an hour's Lord Henry it ends in beautiful marriage one of everything is fine But in love poetry, we have a different world there that they explore emotions and these emotions Outside of marriage marriage is arranged. So you cannot really have the the Exuberance of the erotic passion within marriage. It would be just kind of Boring well, it's not boring, but for the audience just like today. I mean you watch TV Are you ever watching a TV series with a married couple? Happily married. They have two or three children. No problems Any show? No, no shows. They're always right. They're just about adultery or something Transgressive and so that's happens. That's exactly what happens here as well And it shows interesting enough how on the one hand they are the active ones. They now they test him What do they test? well, they they think that he might be tricking them and so they They get a red cat out and they have it scratches back down.  Oops He knows what he's fighting for. Yes, exactly And he demonstrates thereby how strong he is how self-controlled he is and Then of course it gets really crude and a pardon us and well actually we don't need to quote You can read on page one fifteen yourself After he had proven that he is indeed a fool or a mute They know exactly they can use him and what do they use him as a sex object? absolutely a sex slave or whatever and Well, and you can read exactly what he's saying. So he doesn't hold anything back He's I mean Guillaume Guillaume clearly says what they did they enjoy that the greatest time of all the whole week and Let's leave it with that. Okay. We don't need to go much further And I think that should be enough. I except for one thing I would like us to point out another poem which shows us how Wonderful he really is and how poets prove to be really good poems. You can all of course certainly disagree with that poem I mean, there might be a lot of people who say oh, this is really too crude. I don't like that But I could see their points. So but he's just playing around but I think we all can agree that a great poet singer artist architect whatever Shows his or her skills and abilities by their wide range in his or her repertoire and For that reason, I would like this very briefly point out poem three on page 112 Yeah, I can you to quickly turn to poem one three on page 112. I Don't need to discuss it very much just a few highlights Which show you something very very remarkable and highly unusual We even don't know until today what to make out of this. I will make a verse of exactly nothing We don't know what he means indeed. He says nothing. He says so much about nothing It's a nothing poem Actually, we'll call it today nonsense poem And I would just simply like to idea that's for you to think about it in the future That to some extent medieval love poetry This is not quite love poem. I know but love poets Have a lot in common with postmodern poetry where we also explore the meaning of nothingness Existential questions and in a way it comes through here as well Well, it makes you question. What is a poem if you can have a poem that's about nothing very interesting I mean, it's a existential question because he is only exploring with language. He doesn't need meaning and Frankly, that's the same thing with music. You can enjoy the greatest music. You don't need words You don't need to get a message from the composer. That's what I want to say. You just enjoy the music Or colors paintings look at postmodern art. There is no concrete message But rather they are images or floating shapes and forms that is postmodern We really could say some of the medieval poets are Postmodern That's the latest trend actually in research that we begin to realize how much many of these medieval poets particularly when they talk about love and The dialectics of love and the difficulties of expressing ineffable things remember I use that word a week ago ineffable or apophatic That's exactly where we are today in in light of Relativity theory sorry for making these wild jumps, but there are interesting connections See when he says I don't know when I slept awake if someone doesn't tell me My heart is almost broken from the grief in it and I swear by saying Marshall to me the whole thing isn't worth a mouse But he doesn't know it is the basic human question Who am I? as if he were well Avada letter or in Descartes with cocky to Ergo zoom. I think therefore I am Means nothing anymore It brings up so many philosophical questions. I leave it up to that and I think we can say goodbye It's our time is up and appreciate it. Thank you very much for your attention and Stay tuned I should say right. Thank you very much. See you next week