OK, hello. Welcome. It's really a pleasure for me to introduce the presentation of Yuke Ferebeuf. Sorry, maybe for the bad French pronunciation. But he will present why we need to redesign internet to fight climate change. I'm very happy to introduce this presentation Yuke Ferebeuf is not only one of the experts of the D4S, the Digitalization for Sustainability. But he is also one of the leading people in the French think tank, the SHIFT project. So you published, I think it was four years ago or something like this, a very well appreciated report which was also going to a lot of media and press and it was bringing a lot of intention to, in particular, to the online video topic and was bringing the discussion also to Netflix use and this kind of stuff. So this was coming from this SHIFT project and he was the person behind. So I was well aware of your name since quite a long time, but I had never the chance to meet you. So now I hand over to you and at the end, you plan some time for questions at the end. Yeah. OK. OK. Good afternoon. Can you hear me all right? Yes, that's it. It will make things easier. So, yeah, why we need to release that internet to fight climate change? It's already used this title in some other presentations, in some other contexts and generally people are puzzled and why are you asking this question? Why should you ask it in this way? I think after three days of a bits and boi conference, it doesn't sound so peculiar. And we'll see especially why we have at the moment actually some systemic causes behind the fact that the digital environment footprint is not going in the right direction. And one of these systemic causes is not only the big tech, but the big tech business models. And so that's the purpose of this presentation is to explain why it is the case. I'd like to say that part of these results, you will be able to find them also in the D4S report that we presented on Friday and Saturday. And because there is a chapter on the business models. And also, there should be a specific paper published on that in a few weeks with all the details behind. So as it was said, what I'm going to do is to make a presentation that should last for about 35, 40 minutes. And then we have some time for questions and answers. However, please, in the course of the presentation, do not hesitate to ask questions for clarification. Not for discussion, but if I've said something which is not clear, please say it. That will be more efficient. So let's start. Yeah, as it was said, the project and actually myself, we did work on a number of reports. I'm not going to comment them all. And the first one is on the left. And that's the one that raised some attention from the media. I must say also that's probably one of the reasons why it raised some attention from the media is because it was published just one week after the IPCC 1.5 degrees report. So we were leveraging, actually, an existing context that was quite favorable. As a last report, we published a new project that was last year. And that was both an update of the prospective trajectories we built out in 2018 and also some thinking about 5G governance or more generally about new infrastructure governance. I'd like to mention that, I would say, one of the things we are quite proud of in the project is that probably we contributed to the fact that digital sustainability has become a topic not only for environmentalists in France, but it has become a law since it has been a law passed in 2021 called the Law for the Reduction of the Digital Environmental Footprints. And we did try the law, of course. So it was a long process, but part of these reports were contributors. And also two other reports that actually I did myself, one for the French Senate and one for the High Council for the Climate. And maybe even more importantly, digital sustainability has now become a regular topic within the association of the top French companies IT managers. That's the one in the digital sobriety. So and that has triggered the fact that now a number of companies are trying to understand how to still manage the digital transformation, but why trying to limit the environmental impacts of this transformation and also trying to make sure that this digital transformation is going to serve their energy or environmental transformation. So that's the good thing. However, I would say it's not because we published reports that the world is changing. And when we updated the figures in 2021, we had just to confirm that what we said in 2018 was still quite valid, actually. And the reasons behind it is that there are some systemic causes behind this trend. And to be complete, maybe you have noticed that the title of the D4S report we published is digital reset. That means that after two years of dialogue, we also would like to mention that I have a D4S colleague, two D4S colleagues, actually, a journal, please. And Mattias, thank you. We came collectively to the conclusion that trying to make progress through marginal changes will not be enough and that we need a fundamental reconfiguration of how digital systems are working at the moment. That's why we call that digital reset. So what I'm going to say, just two slides on climate change mitigation and not want to make a speech about climate change mitigation just to remember a few figures because I will use them later on in the presentation. Explained rapidly because it was, I think, largely covered in these BNB sessions why digital is part of the problem. And I will try to spend more time on why the big tech business models is a root cause of unsustainability. So that means there are two things behind. Root cause is not only the big tech, but also the business models. That means if these were not the big techs, but all the companies with the same business models, we would have the same consequences. And eventually, what is the way forward? How can we make sure we get out of this situation and what we should do? So I want to present these slides because anything I'm going to say later on, I'm not going to say it in absolute terms. I'm going to say it in view of the constraints we are going to face in the next 10 to 15 years.  And carbon neutrality in 2050 is nice. But the real objective for me is being able to halve the emissions by 2030. And that's the consensus today given the fact that decarbonation techniques or carbon capture techniques are far from being industrialized. We have to rely mainly on the reduction of gross emissions. And the benchmark of that is we want to not to go too much above 1.5 degrees. We should cut by half the emissions by 2040. And that should be valid for any industry sector, including digital. Second thing which is very important and to my surprise which is generally much less discussed is the fact that in order to be able to achieve this mid-term target halving the CO2 emissions by 2030, of course we have to substitute electricity generated through fossil energy with electricity generated via renewable energy. Good. Problem is, and we see that very much at the moment, is that the volume of electricity that we are going to be able to generate from renewable energy until 2030 is limited. It's limited because of our industrial capacity. It's limited because of the length time it takes to install electricity plants out of renewable energy in Germany, but in France, installing anything which is going to take things out of people and could be a nice view or something like that. You need 10 years actually to go through the process. So my point, and it's not he who's saying that, the International Energy Agency has been saying it for three years. If we want to be able to have CO2 emissions by 2030, we have to reduce globally the energy consumption by 2030. And on average, we need to reduce it by 7% between 2020 and 2030. And the effort needs to be higher in developed countries. For instance, in Europe, it is 15%. So why am I stressing on this point? Because any carbon neutral strategy that does not also include a strategy on how to reduce the energy consumption is not going to work. It might work maybe on a local basis, but if it works, it would make things more difficult on a global basis. So that means that also on the digital side, the digital energy consumption at least should not be increasing. On the slide? OK. So the energy needs to reduce, but this applies. Sorry, this is showing an increase in electricity generation, but the total energy supply, like heat energy, stuff like that, that reduces, but the electricity use would be going higher, yeah? Yeah, yeah. Yeah, electricity is going to increase, but the total energy supply must decrease. And that generally is the missing part of the speech. OK, so raw figures, digital footprint today between 3% and 4%. So higher than airline industry. But maybe more importantly, GHG emissions are growing at a rate of about 6% a year. And so 6% a year is about exactly the contrary of what we should be targeting. We should be targeting for minus 6% a year if we want to divide emissions by 2. And it's increasing by 6%. So that's why I said at the beginning, the trajectory is not on the right path. If we look at the footprint, clearly the footprint due to end user devices is a larger spot, about 75%. It depends on the countries, actually, but on a worldwide basis. And within this part, the production part is very important. The carbon which is embodied in the equipment during the production phase is generally higher than what is going to be generated during the use phase for an end user device. For a smartphone, it's about 85%. 85% of the carbon footprint of the smartphone, if I keep it for three years, is the emissions which were generated when it was manufactured. And that's, again, a worldwide average, because when you manage to reduce the carbon intensity of the electricity, the carbon emissions of the use phase are going to decrease. You'll keep the 7G. And so therefore, the proportion of the production phase is going to increase even more. And I didn't show it there, but if you looked at any of these components, you would say that all of them, actually, their contribution to GLG emissions or to energy consumption is increasing. There is no one component which is especially responsible, I would say, for the growth of the digital footprint. So that's one thing. Second thing is, of course, when you produce more, and if you have not in place a circular economy, well, you get more materials at the end of life. So in 2019, there were about 55 million tons of electronic devices that were, let's say, going somewhere. And I'm saying that like that because we actually know where this somewhere is, only for 15% of these 55 million. The rest of them is a gray area. But a good part of this gray area is something like that, which is in Ghana, and where, ultimately, these electronic devices end up and where people will try to get out of them where they can. And, of course, with a lot of prejudice both to the health of the local populations and everything. So not a very nice feature. And so if you attended the different report presentation, but Lawrence Hilty, who is one of our colleagues, explained that if we are in these situations, not at all. Because there is not enough progress in terms of energy efficiency. No, probably the digital sector is the one which has been making the most progress in terms of energy efficiency in the past 15 years. And you can see that, for instance, when you see actually how many computations you can do per kilowatt for the different generations of processes. You can see that each generation is almost bringing a progress of one of the magnitude compared to the former one. So if we have this growth of environmental footprint, not because of energy efficiency, it's just because we have too many digital volumes. And you can see that on this graph. Actually, the CO2 footprint is going to result from the product of the energy consumption coming from digital and the carbon intensity of this energy. Then the energy consumption is going to result from how many people are using digital. And this is increasing but slowly now in the past few years. But more importantly, it's going to result from what is called here energy intensity of technology, which means in practical terms how many end user devices you own per person, how much data traffic you are generating, how long you are keeping your existing devices, and so on, and so on. So this is what I said relates to technology influence. And this is actually the factor which has been increasing the most. And I must say, I don't have time for that, but I can answer questions in the end. I must say where it has increased the most is also where it is already the largest. In other terms, in the US a few years ago, there were about eight digital devices per inhabitant. At the moment, there are about 13. So 55% increase. On a worldwide basis, probably there has been an increase, but only of 15% or 20%. So where there is already a very high usage of digital is also the places where the digital technology influence is squeezing the fastest. And that's some examples. So here on the left, you have what is called here the stock or the installed base of digital devices. So we have about, at the moment, about 20 billion digital devices installed in use in the world. And if we believe the analysts, sector analysts, we should have close to 50 billion devices in 2030. So more than doubling in 10 years. And another example is the growth rate of the traffic in the mobile networks, which is on a worldwide basis on the past three years in the range of 45%. 45% a year. Just huge. And as you can see, again, according to the analysts, there is no thing which says that this trend should stop in the near term. And of course, what is true for the installed base is true also for the sales of new equipment. And at the moment, we are selling about 4 billion digital devices a year, and probably be selling twice as many in 10 years, which means that between now and 2030, we will sell about 70 billion digital devices. And if we have 7 billion people on the planet that means 10 per person. And what is happening in the digital world is that at a given time, you have a number of different equipments that are in use. And then some of these equipments become less popular. But actually before they become less popular, you have new types of equipment which arrive and which are actually a new growth driver for the vendors of digital devices. And that's what is happening at the moment with the internet of things where we actually were going to equip virtually any non-digital thing with a digital module to make sure that it can be connected to the internet. So there has been a lot of discussion, but why do we have that? It's because people want new services. It's because the vendors are still in the linear economy, and so they need each year to sell more devices than before, and so on, and so on. Actually, it's a bit more complex than that. There is a lot of interactions now, and digital is already so much present in our daily lives that actually the dynamics behind this trend that I've described are very complicated. So it has really become what can be called a systemic issue. And some characteristics of this systemic issue. The first one is very important. That probably even you may be probably a few things that I said you didn't know them. For instance, who knew that a smartphone like this, this cardboard footprint is about 80 kilos? Who knew that? OK, two people out of 30. And I think you are probably more informed than the average citizen on these type of things. So there is a complete unawareness of the sustainability aspects of our digital things and usages at the moment. So there is nothing, maybe it's a bit trivial example, but when you have a car and you decide to go in Germany, you can do more, but you decide to do 140 on the Autobahn, rather than 110. Then when you have to go to the gas station, you will see that you need to put 15% more gas into your tank. So it's 15% more expensive. So after a while, maybe you decide, OK, maybe I will not go down to 110, but I will go down to 120. So what I mean is there is a feedback loop that helps you to regulate your car usage. At the moment, there is no feedback look at all in digital, especially with the fact that a lot of services now are either offered for free or seem to be offered for free. Or they are offered for a fix on, and then you can consume as much as you want. So there is no mechanism in place that is there to facilitate this self-regulation. On the enterprise side, and I feel a bit guilty about that because I was one of them not so long ago, the companies have been briefed by digital vendors on the fact that to achieve future growth, they need to transform digitally, and they need to do it faster than the competitor because if they are late, they will lose market share. And we've been quite effective actually because now every company almost is working on its digital transformation, and they have associated so much this digital transformation effort with, let's say, future profits or even the future of the company. If we don't do it, we are going to lag behind and maybe we won't exist in five years' time. That it's not natural at all for them to think or to admit that this digital transformation could be detrimental on the environmental side. And then the third thing, a bit the same phenomenon. Policymakers are very worried about anything that would prevent digital to grow because they think that it could affect negatively the GDP of the country and the growth of the GDP. Okay, but there is one other root cause which I like to comment in more detail today which is the fact that the big tech models that rely on audience maximization is actually intrinsically incompatible with sustainability. So what makes it worse is that these big tech are completely dominant. And that's 2020 figures. 2021 figures would be even more threatening. But the total market capitalization was in the range of $10,000 billion. And as you can see, these big tech are virtually the top ten companies in the world by market capitalization. So anything they do is going to have a major impact and anything they want is also going to have a major impact because they have a lot of power to achieve it. And these dominance actually, we can find it also almost on the physical side of things. In 2021, six companies have generated 57% of the total internet traffic in the world. 57%. Six companies. And in some countries it's even worse. I don't know in Germany, but in France it's probably around 70%. So, and that's the market share. But if you look at what has been going on in the past three, four years, you will see that actually these six companies are responsible this time for 75% of the growth. So virtually, not only they drive the market, but they create the market. And you can see the same thing on the smart smoker market where they have actually 70%, 80% of the market share. And their dominance creates a lot of problems and competition, privacy, social toll consequences and so on and so on. It's not my point today, but it creates also a lot of problems on the environmental side and why. Because actually there are probably one of the few companies in the world whose revenue energy intensity is growing. So what is the revenue energy intensity? It is actually the energy a company needs to generate one euro of revenue. And what is happening is that each year, for instance, Google is going to use 4% more energy to generate this euro of revenue. And why am I saying that it's probably one of the very rare companies that are in this situation? In the past 10, 15 years, the revenue energy intensity at world level, which means the energy intensity of the worldwide GDP, has been decreasing at about 1.5% a year. And it's actually something which is necessary if we want to be able to reconcile as much as possible economic growth and reduction on environmental footprint. It's called decoupling. So here, it's not at all decoupling. It's a coupling in the other way. Each year it's getting worse, actually. And why is that? How, for instance, does Google make most part of its revenue? Well, what they do is they have a lot of users which go on their platform, Google, YouTube and so on. And when you go there, well, maybe you can provide some personal data but you also provide, without knowing it, a lot of behavioral data. And these data, Google are going to use them in order to build some information that then they will be able to sell to third parties that will use this information to try to sell services and products to you. That's their business model. And so, what is the... What's going to make them successful? What is going to make Google successful? It's its ability to attract as many users as possible on its platform and to make these users stay as long as possible on its platform. And how can Google achieve that? Well, it can achieve that by making its platform always six-year, always more attractive than other platforms. And for that, what are they going to use? They are going to use data. They are going to use videos, especially at the moment, probably virtual reality in a few years. So they are going to use actually some data as materials to build an environment that is going to make you stay as long as possible and to come back as often as possible. And each year, they need to enhance these environments to make sure that it still remains attractive and more attractive than alternatives. And when they do that, they are actually responsible for a huge augmentation of traffic. You see, 42% a year for Google, 60% a year for MetaFacebook. It's gigantic growth rates. So the consequence of these business models is that not only is going to increase their own direct energy consumption, the direct energy consumption what it is, it is the data center's energy consumption. Google's energy consumption is increasing by 25% a year. 25% a year. So it's increasing a bit more rapidly than its revenue. And they have that even though their data centers are probably the most efficient in the world. So again, it's not a problem of energy efficiency, it's a problem of influence. Now, since especially two years, a lot of these big tech have announced to the market, no problem, we have plans to become carbon neutral in the fall of 2040, 2040. But don't worry, we are going to cut our emissions. And actually, when they do that, they are only speaking about what is called SCOP-1 and SCOP-2 emissions. Are you familiar with this? Who is not familiar? So when you try to establish the carbon footprint, for instance, of a company, you have several, let's say, SCOPs that you need to investigate. The first one is how much fossil energy are you consuming directly? Means with your cars, with your trucks, with your central heating, if you use gas or petrol and so on. SCOP-2 is basically how much electricity do you use? Because we know that electricity is still... 60% of electricity in the world is still produced out of fossil energy. So consuming electricity at the moment creates emissions. So that's SCOP-2. And in many countries, companies are obliged to measure and to report only SCOP-1 and SCOP-2. So what is SCOP-3? SCOP-3 is actually, in the digital world, especially two important things. It is the carbon footprint of the equipment you are buying, because you have not produced them yourself. So it's not in your SCOP-1 and SCOP-2, but you are buying it. And there is, as I said, a lot of embodied carbon in these equipment. And the second important sub-scope, if you want, is the emissions that are going to be emitted by the services or the products you sell when somebody is going to use them. Because in SCOP-3, we consider that the company should be responsible for the emissions that are going to be due to the usage of the services and products they sell. And in digital, it's very important because SCOP-3 is generally 10 times as big as SCOP-1 and SCOP-2. So when Google and the others say, we are going to divide emissions, we are going to be carbon neutral, and if you remember, that means we have to divide emissions by half by 2030. They are talking about SCOP-1 and SCOP-2. So time is running, so I'm not going to do all the details, but I guess you will have the presentation. If you do the math, you will come to the conclusion that indeed, even though they will keep having electricity consumption grow at a pace of 15% to 20% a year, if they do equip, for instance, all the sites with renewable plants producing their own electricity, which is what Google is doing at the moment, they will indeed manage to reduce their emissions. But in the meantime, their electricity consumption will have increased enormously, you see. At the same rate, it will go from 70 terawatt to almost 350. Okay, so multiplication by 5. But it will be also true for the rest of the valued chain. The rest of the valued chain is not only the energy that's going to be consumed by you and me when we are going to use Google services, but also the energy consumed by the networks that are necessary to establish the connection between the user and the Google data center, for instance. So the rest of the valued chain, of course, the energy consumption is much bigger. It will increase a bit less, but it will still increase almost by a factor of 4. And actually, the results are right. The scope 1 and scope 2 will be reduced by 50% if they do that, even though they will have multiplied the energy consumption by 5. Okay? But in the meantime, the carbon footprint of their valued chain, that means their scope 1, scope 2 and scope 3 will have increased by 50%. Okay? That means that there are two comments. One is for the reason that is described there, there are business models and the growth profile is incompatible with sustainability constraints. The two, the, let's say, sustainability plans, they have announced, makers believe that they are not anymore afraid. So they can use that to legitimate the fact that they can keep growing as they have been growing. So it's a double threat because actually, yes, they will be able to show they were right, but in the meantime, they will have continued gravitating actually the environmental footprint of the digital sector. So as we have only 5 minutes left, so what can we do? I think as I said during the DeFloas presentation, the first thing we have to do is to make big tech smaller because if we don't do that, of course we can push and we can support alternative initiatives and alternative platforms. But I went to several workshops on these in the past two days and what I heard is that it's very difficult at the moment because they are fighting against giants and also it's very difficult both to receive enough financing and also enough, I would say, publicity to help them become, just to become a viable alternative. Because if you don't know they exist, you are not going to use them. So the first thing we need to do is to make sure that the big tech themselves become smaller and that's competition law and so on and so on and maybe the continuation of the DMA, DSA regulations in Brussels. But it's also making sure that their business models as such are going to be made less attractive and that's about data regulations and also about sector regulation and for instance we should avoid these dual-sided markets where actually some players manage to externalize large parts both of their costs and both of the financial and environmental costs but to the detriment actually of the rest of the society and of the economy. So probably it's a very limited list but one way which seems quite interesting to me is the idea of cooperative platforms, especially in Europe. So we can think about let's say cooperative startups that from the start adopt a pure digital model but with a cooperative legal arrangement. But we can also see the 220,000 cooperatives that exist in Europe and see how they can transform digitally and become themselves platform but remain cooperatives. It shouldn't be so difficult actually. All the technology is there. These cooperatives at least locally are well-known players. They have customers and so on. So just have to make sure they are being provided with the tools to become more efficient and maybe to upscale the operations. So that's the alternative we should be pushing for. As I said, the public policies which are needed first is to make big tech smaller but also the hell is in the details on that. For instance, when you first go on Facebook let's say you're being asked whether you agree on the terms and conditions for the use of the service. Of course 90% of the people are not going to read the terms and conditions and if you do that you will have very long pages of legal terms and after a while they don't care. I'm going to accept. But actually the first thing is what do they do? They establish a contract between you and them and it gives them the ability and the right to use the data you provide for free in the way they want basically. So it's very difficult to check whether it is what is exactly in place so I think we have to enhance the existing data regulation and forbid the acquisition of personal data by default. That means there should be an explicit authorization on a detailed set of data that should be given and also last but not least we have to make sure that the technical architecture of the web is going to evolve according to directions that will make all those things easier and especially giving the ability to each individual user to have, I would say physically, the full control of the data. Sorry I would have been a bit long if you still have some questions. I'd be happy to answer them. Yes, I guess we have time for maybe two, three questions. Hi there, Chris Adams, Green Web Foundation. I have a question. Are there any other sectors we can learn lessons from to address some of the problems you described about a small number of very, very powerful players or people having something they had for free that they might not want to pay for? Because there are other sectors we've had to deal with the same kind of consolidation of power and influence previously. I'm not sure I have the answer like that. I think one difficulty we have with digital is that it's a sector where technology and usages are changing very fast and it makes a hard time for policymakers because they're always behind. They're still trying to fight the battle before the last battle but the new war is coming and they're not seeing it yet. And I think we're going to see that with the Metaverse thing which is full of problems. So I'm not sure we can really derive any lessons from another sector. Another question? It's too late. One question. So on the last slide you mentioned Web 3 as one of the options. I find that very interesting because Web 3 I would connect to the blockchain industry decentralization in that direction which I don't think is less energy-consuming than what we already have and I think there are alternatives that actually exist. There's something called Swall Web which is exactly the counterpart to Web 3 which then goes like degrowth in that sense. So maybe you want to comment on the Web 3. I used Web 3 in a generic term because there are still a lot of different approaches of Web 3. And we should certainly avoid Web 3 to create new monopolies in the place of other monopolies certainly. No, I was saying that as there is a working process on how to evolve the internet architecture these principles should be at the core of the redefinition of the architecture. Now is blockchain a solution or not and which type of blockchain and how can blockchain and help that one of the many technical questions should be resolved but it should not be seen as a religious option. Thank you. Another question, maybe one last. That's not the case. So once again big applause and thank you very much for your presentation.


The National Broadcasting Company presents the Big Show, the first half hour presented by the makers of Reynolds Aluminum, the Reynolds Metals Company, and starring the glamorous, unpredictable Tallulah Bankhead. America, we're going to fill your pilot full of star. For the next hour and 30 minutes, you will be entertained by some of the biggest names in show business, such bright stars as... Fred Allen. Bill Foster. Julie Harris. Portland's Hoffa. Groucho Mark. Ethel Merman. William Prince. George Sandler. Earl Wrightson. Meredith Wilson. And my name, darlings, is Tallulah Bankhead. I'm a little sad today. This is our last show of the season. It has been a turbulent 30 weeks, but despite the squabbles and the temperamental outbursts, all of us on the show have learned to know and appreciate each other to the fullest. And thank heaven we won't have to look at each other again for four months. And you, darlings, our listeners, thanks for those thousands of letters. I've read every one of them. And believe me, when I say in all sincerity, I don't know how they are lost off like that in the mill. I don't know where people get the impressions of me like that suspect the critic a few years ago. He fancied himself a bit and wrote this neurotic line, quote, A day away from Tallulah is like a month in the country. So after our final show today, it looks like all of you will have a delightful summer. But what happened to me? Where do I go to get away from myself?  And especially our darling sponsor and his lovely checks. And made our two to aluminum bankhead. I can hardly wait till our return engagements. Well, Miss Bankhead, here's another return engagement that everybody is looking forward to eagerly. The return of Reynolds Wrap, the original and genuine, the pure aluminum foil in handy kitchen rolls. When military needs for aluminum took most of this favorite wrap away, there was a promise made. Remember, the advertisements showed packages of Reynolds Wrap flying off like jet planes with the caption, Return Flight Guaranteed. Well, it's coming closer now. There's more Reynolds Wrap on the way for roasting meat to juicy perfection for covering bowls and ratting leftovers. It's still hard to find on store shelves, but it's becoming more and more plentiful as aluminum production keeps expanding. Keep asking for Reynolds Wrap, that bright symbol of the age of aluminum. Reynolds Aluminum. Well, darlings, we might as well begin our last show of the season on a happy note. A loud happy note. Because Ethel Merman is going to sing. For our selection tonight, Ethel has chosen a song which she has made into a classic. Ladies and gentlemen, Miss Musical Comedy herself singing Heat Wave. Meredith Darling, if you please. Certainly can speedway. And in such a way that... A lusty bit of singing, I'm sure our listeners would like a moment to straighten out the pictures on their walls. So, darling, let's have a little chat. And since this is our last show this season, how about keeping it on a friendly basis? Why, certainly, Tallulah. After all, you know what I think of you. Starting right in, are you? Oh, no. I mean, I think of you as the greatest actress in the theater. As a matter of fact, all the critics called you the greatest actress in the theater 20 years ago. My dear girl, and I say that it buzzed it. Nobody has called you that in 20 years. I only wanted to bring up a question, so stop it, Ethel. Yeah, no stamina. She breaks up all the time. But isn't it strange that my show closes tonight and your show called me, Madam, closes in a couple of weeks? Well, what's strange about that? Your show always did close before mine. Are you implying that your shows have been more successful than mine? Who's implying? I just came out and said it. Uh, look who just came out. Oh, well, getting upset about it. It's so nice to know that in an hour and a half, you'll be last season's show. Oh, boy, Ethel. I suppose... I'm sorry, nobody gave me that cut. Tallulah, you're mad. No, darling, I'm not angry. I didn't say angry. I said you're mad. Wild, uninhibited, unpredictable, you know, crazy. I don't care what you say about me. It doesn't hurt me. I'm too thick-skinned. Took the words right out of my own venomous mouth, darling. Well, now, what's the use of pursuing this any further? You know.  No, Tallulah, what did you say to the second moron? I said Ethel, I said. Well, I guess that's my fault. I should have taken my vacation a couple of weeks earlier. Well, where are you going on your vacation, darling? She's been waiting for 70 rounds. To the coast. Oh, isn't this rather early in the season for far rock away? I'm going to make a picture out there. Call me Madam. Oh, yes, you're always in those musicals. I take my place straight. Like you do everything else. How would you like two fingers right now? One in each eye? Oh, excuse me, laddies. That's laddies. Indeed. George, this is Ethel Merman. She's the dearest friend I have. Pity. Tallulah, you're not introducing me to George. I know him. George is playing opposite me in the picture we're making this summer. Pity. So usually we're going out to Hollywood to make a picture. Nobody cares what happens to me. I'll be here all by myself, friendless, helpless, just wasting away all by myself. Self-pity. My dear ladies, and I use the word in a broad sense. We've been standing here for some minutes having a delightful chat, haven't you? And while standing here, I experienced the fond hope that I would die. What makes you think you haven't, darling? Because this obviously is not heaven. Well, George, why don't you prove it isn't by singing? Ladies and gentlemen, it was during our first show of this season in London that we discovered that Mr. Sanders was the possessor of a brilliant and exciting singing voice. He was a terrific hit when he sang for us at the Palladium Theatre. Avonevella's Love the Ballad. Someday my heart will awake. So we've asked him to reprise it for us tonight. Meredith, if you please. Versions of that springtime urge. But here's a constructive one from the Reynolds Metals Company. Yes, Miss Bankhead, and we mean constructive, literally. Spring is the season when the homeowner feels the urge to build, repair, remodel. If you are putting in insulation, make it Reynolds Aluminum Reflective Insulation for a quick, efficient job at lowest cost. It's embossed aluminum foil on craft paper, and it reflects up to 95% of radiant heat. Throws off some heat in summer, turns winter heat back inside. So convenient. 250 square feet in 115-pound roll ready to staple or tack up. Ask your dealer about this. And about Reynolds' lifetime aluminum gutters. The big low-cost improvement for your home. Ask him to show you Reynolds' aluminum windows. The better finished windows encasement, awning, and double-hung types. Remember, your dollars are still worth 100 cents in aluminum. The only basic metal price no higher than before World War II. That's the result of an industry made competitive by Reynolds. The Reynolds Metals Company. One of America's great producers of aluminum. Well, last week two competitive newcomers appeared on the big show, Fred Allen and Groucho Marx. They were an instantaneous hit with their recollection of the good old days of show business. What's up, fellas? Well, it began with the two of us. Say, Groucho, tonight I brought along my Lordville scrapbook. Grab a gander at these theater programs. Oh, Keith Time, The Orpheum Psychic, The Pantime. Uh-huh. These ought to bring back some memories. They sure do, Fred. Oh, to be 70 again, huh? Groucho, here's the first... I was just wetting my finger while the music. I had to turn the music, I'll turn the... Oh, about wetting Zololo while she's all that. Oh, here's the... Here's the first page in my scrapbook, Groucho. This is a snap of me the day I arrived in New York. Looks like one of those posters you see every spring. Underneath it says, send this boy to camp. Say, how did you first come to New York, Groucho? I won a male beauty contest.  Yeah, I was the only male who showed up. Mr. America for 1910. You can imagine what shape the country was in back in 1910. Say, you look better than the country does today. Everybody says I have Gable's eyes, Gregory Peck's profile, James Mason's mouth, and Gary Cooper's ears. Why is it when you get me all together I look like Senator Toby? Well, Groucho, if you look better in pieces, why bother getting yourself together? Fred, be thankful I'm alive.  Say, Groucho, here's a picture. Look at this. This is a theatrical boarding house I lived in on 38th Street, Mrs. Browns.  If you wanted to bend over in your room, you could take off the doorknob just in case. I lived in the bathalty inn. My room was so small, if somebody opened the door, the doorknob got into bed with me.  There, Mrs. Browns, when you took a bath, you had to keep singing. There was no lock on the bathroom door. Our joint had no bathtub. Saturday night, they left a bottle of seltzer and a sponge in the hall. The sponge was Mr. Browns. Say, here's a program. Look at this, Groucho. Oh, yes, that's very interesting. The first is... There's a little moth eating there. Yes, it is. Well, a moth was the man. No, it's probably something to get into your eye there.  It was moth and fry, I think. Yes. They had some good material, too. The moth got at it. This is that this program, the first job I got as an actor, Groucho, the bar of theater in Nutley, New Jersey. Oh, yes. It was on a farm. The first week the company was there, the turkey died, the actors got turkey to eat every night. The next week a cow died, we had beef every night. Then the manager got sick, and I quit. My first job was with a show called Getting Gertie's Garter. Really? You remember that? Yes. I played in Getting Gertie's Garter for two years. I was determined but unsuccessful. Say, here's a notice. Look. Oh, yes, the Happy Hour Theater, Akron, Ohio. Did you ever play the Happy Hour, Groucho? Fred, the unhappiest hours of my life were spent in the Happy Hour. Say, here's a program. Remember this theater? Oh, the gym in Pocatello, Idaho. Uh-huh. Yes. If the audience didn't like your act, they threw potatoes at you. That's right. That's how Toffinetti got his start. He saved his potatoes and came east with a large bag. Who should be nameless at this time? I imagine that was Mrs. Toffinetti. She finally ran away with Mr. Brown. Oh, really? With the salsa? And the sponge, yes. Do you remember the quonset builtmore? That motel where the actor stopped in Pocatello? Oh, yes. No steps on the front. It was western style. Yes. Every room had a private well and an Indian sitting in the corner. An Indian sitting in the room? Yes. If it got cold during the night, you could get up and take the blanket off the Indian. I finally took the Indian off the blanket. The quonset? It turned out to be Mr. Brown. Oh, really? What happened to the salsa? He was hiding his sponge there. The quonset builtmore. Wasn't that the place where the dining room ceiling was so low? If you ordered frog's legs, they served the frog's legs squatting? No, no, that's true. That's true. How about that fresh oxtail soup? If you set a kind word to the soup, the oxtail would start wagging. If you wanted cream in your... The relative of Mr. Brown over there. Yes, the quonset builtmore. Stand up and show your sponge. Quonset builtmore. Where were we? At the quonset there. We're still in Pocatella. In the dining room. If you wanted cream in your coffee, a cow backed up to the table. I remember. After the first meal, I took my coffee black. That place was so cheap. Real cheap. Oh, cheap. They used to roughen the bottom... Nothing is joky. I keep saying real cheap. They're helping it up to now.  Let's go back to Pocatella. Let's go back to Mr. Brown. He was doing real well up earlier. Say he missed his sponge, you know? See, that place was so cheap. Wait a minute. After the meal, I took my coffee black. We'll try that again. This is another meal came up in the script. That place was so cheap. They used to roughen the bottom of the cups to make the actors think they had sugar in their coffee.  I remember the week I played in Pocatella, the circus was there. That was the week the Siamese twins came apart. How could the Siamese twins come apart? They tried to go through a revolving door. That was stretching the thing too far. I forget the details. Probably just as well, Groucho. The circus was all upset that week. The dog-faced boy married the fat lady. Really?  Old Pocatella. Yes. That's where I met the French soldier. He was joining a woman to forget the foreign legion. Say, here's a clipping. Did you ever play here? Oh, the Cactus Plaza, Las Vegas. Are you kidding? Las Vegas, that's the gambling center of the West. Yes, even the kids on the street will match your pennies. A little kid, a picture of an eagle. I said, Sonny, do you know what this is? The kid said, sure, it's tails. Las Vegas is some town in the... It's not a town for jokes. We did better in Pocatella. In the coffee shop. As a man keeps walking by here and waving. Coffee shop. Say, you can say what you want. I may have to. In Las Vegas. What about the coffee shop? I was just going to say, you can say what you want about gamblers in Las Vegas. They're really good-hearted. Yes. Whoa, whoa, whoa. In my room, the dial phone was a little roulette wheel. The operator would give me yards that I couldn't get a number. Well, I could sneak out of that joke. Yes, I was trying to sneak a little time. But I reiterate, gamblers are good-hearted. Yes, they sure are. When I was in Las Vegas, one of the gambling houses was running a benefit for a church. A benefit for a church and a gambling house? Yeah. How did it come out? The church lost $600. Say, remember this act topping the bill? J. Gaffney Smith and Diamond Dahl Fogarty? Oh, very well. Gosh, I can see J. Gaffney now with those big buck teeth. He always looked as though he was spitting out a mahjong, said.  And Diamond Dahl, remember she was so thin? Oh, was she skinny? From the back, she looked like a closed umbrella. They were always fighting. She said he was too cheap to buy a toothbrush. After eating a meal, he'd whistle the cleanest teeth. Say, I remember one day J. Gaffney hit Diamond Dahl right across the face with his toupee. He had a zipper in his toupee. He used to pull it back a little to make a part. And Diamond Dahl was furious.  That marriage couldn't last. I said that in bayon. That's what you said. What finally happened? I went back to bayon. No, she killed him. Really? One night between shows, J. Gaffney was sitting in the dressing room eating some cold cuts. Diamond Dahl pulled out a gun and shot him between the tongue and the liverwurst. That's a tough way to go, Groucho, before you finished your cold cuts. Well, as Nubol Mara said, we all have to go someday. Do you believe in reincarnation, Groucho? Do you really think that after an actor dies he can come back in some form? Of course he can. I can prove it. Last night I went into the stage delicatessen. A ham on the counter spoke to me. Really? A ham spoke? It was probably some act I worked with years ago. What did you do? What could I do? I ordered corned beef. I couldn't eat a brother performer. Thank you, darlings, for a memorable spot on our big show. We are particularly privileged tonight to have with us an old friend of the big show, Earl Wrightson, who is about to sing a thrilling new song, Freedom.  A word that sounds in our ears and rings in our hearts with the voice of the Liberty Bell. But this same magic word is known to all the peoples of earth and is sung in every tongue.  And he has blended them together in a poem of Freedom. Listen now to the glorious ballad tone voice of Earl Wrightson with the orchestra and chorus in the Freedom Song. That is a word that every man and every woman and every child should learn to speak in every tongue. Italian, Portuguese, Spanish. Libertad! Libertad! Libertad! Icelandic, German, Polish. Belsi! Hungarian, Russian, Scandinavian. Zabuczak! Waboda! Rehing! French, Armenian, Burmese. Liberté! Mazuridzion! Boklorje! Chinese, Malayan, Philippine. Xiyo! Albanian, Indonesian, Ethiopian. Maria! Komarika! Siamese, Gaelic, Welsh. Isaraka! Syrish! Russian! Finnish, Persian, English. Vakaus! Azadi! Freedom! Sanskrit, Hebrew, Turkish. Kurjet! Esperanto, Hawaiian, Korean. Libertad! Boklor! Jaiu! Japanese, Greek, Yugoslavian. Xiyo! Zabuczak! Having and thrilling, Earl Wrightson, and congratulations to you, Meredith, will all be eagerly awaiting the great RCA recording I know that song will make. And now, darlings, here's Bert Cullen with the closing message, at least for the big show season at the moment. From our really darling sponsor, the Reynolds Metals Company. Thank you, Miss Bankhead, and thank you, our listening audience. In these past months, we've spoken of many of the uses of aluminum. Now, we offer you free, fascinating booklet, the ABCs of aluminum. The story of aluminum itself, how it was discovered, what it is and what it does. Interesting reading for everybody, useful information for students and teachers. If you would like your free copy, just write aluminum on a postcard with your name and address, and address it to Reynolds Metals Company, Louisville One, Kentucky. That's the Reynolds Metals Company, Louisville One, Kentucky. This is not a story of the Reynolds Company, you know. It's the story of aluminum itself. You'll want to read it. Send for your free copy. And keep it to remind you of the Reynolds Metals Company, pioneers of progress through aluminum. Before we go to act two, just give me a moment to ring my chimes. This is NBC, the national broadcasting company. This is the Big Show, act two. And here again is Tallulah. Well, darlings, here we go with the second act of the Big Show. Our final show of the season. Oh, I'm getting sad about the minute. Relax, Tallulah. So what if it is the last show of the season? Take it easy. Oh, Fred, what do you know about it? Me? Well, I've been on more last shows than anybody in radio. There's nothing to get excited about a last show of the season, Tallulah. The world will go right on spinning around you instead of vice versa. So forget about the show and concentrate on having a good vacation. Well, where are you important going on your vacation? Well, I'd like to go to Paris where we went last summer and then visit all those other romantic places like Venice, Cannes, Barrett's. Well, where are you going on your vacation? Red Bank, New Jersey. Red Bank? Fred wants to go to Red Bank. Well, why not? The American dollar is as worth as much in Red Bank as it is anywhere in the United States. But, Fred, I'd rather go to Nice than Red Bank, New Jersey. Well, I've got a Nice in Red Bank, New Jersey. And that's where we're going, with Mr. Brown and the sponge and the sink. We're putting it all together. Yes, Fred. Oh, Mrs. Pitiful, now, Portland, I want to speak to you. A married woman doesn't say yes all the time. That's for single girls. But, Fred says... Who cares what Fred says? Now, just a minute, Miss Bankhead. I've been listening to this conversation and, Portie, I think it's a shame the way you let Fred run your life. But Fred always has decided what we do. Why should he?  We women have got to start asserting ourselves. Make the men realize what they've got and we're going to advertise it. That's right. Remember our new slogan, women are better than ever. An exhausted laboratory test proved that four out of five men prefer women. Fifth one is dead. The men come in several attractive shades. Blonde, ash blonde, platinum blonde, red, Titian, Orban, brunette, brownette. And that new exciting color, natural. So, get a woman. The fifth or two model comes completely equipped with all accessories. Order one now from your local dealer. And tell them Groucho sent you. Now look here, Portie. Let us put you straight. The important thing you've got to know is that you're boss. Ladies and gentlemen, this is the mystery voice. The three ladies on stage are indulging in little female superiority. I will attempt to translate. This, of course, will be a broad translation. Portland, the first thing you've got to know is that a woman wears the pants in the family. Translation. If she would switch from slacks to skirts, she would have a family to wear the pants in. Port, the marriage is a 50-50 proposition. Translation. The wife buys a dress for $50 and the husband buys a tie for $0.50. But Fred says a woman's place is in the home. A woman's place in the home.  They're in everything. They're mixed up with politics. They're in the arts. They're mixed up with industry. What she's trying to say is that women are mixed up. One of our greatest Americans is a woman. Look at Mrs. Roosevelt. If Mrs. Roosevelt would stop moving around so much, we'd all be able to take a look at her. Fred, go away in the morning and leave you home all day. Oh, I'm all alone all day. When a woman says she is all alone all day, she is usually playing canasta with three other women who are also all alone all day. And the husband has to float alone to pay her losses. Now, Port, look here. You must take a stand. I was talking to a friend of mine, Mrs. Phillip, the sweetest girl you'd want to meet. What she went through with her husband, well, darling, life was just unbearable. He made her miserable to the day he died 25 years ago. I have a friend, too, a wonderful girl. She travels all over the world now with her maid and chauffeur. And do you know her husband made her life impossible until she discovered arsenic? What you mean? Because one of my dearest friends lives on a beautiful ranch out west. I think they call it Texas.  She had such trouble. He lingered on for three weeks after they were married. These three husbands they're talking about are not dead. They are hiding. However, if I may step out of character, I would like to defend womanhood. Not all wives are this callous. I know of a woman whose husband left her $100,000 insurance policy. And she is so bereaved, she would willingly give up half of it if she could get him back. We can't let this season go by without fulfilling a request. We keep getting over and over again. Particularly for me.  Well, I had to take a long trip on some very important business, upstate somewhere, 181st Street and Broadway. Well, I'd given my chauffeur the evening off and naturally he took the car. I didn't know what to do so I called the airport. But there was no flight to 181st Street. Well, you know to make matters worse it was raining cats and dogs and I couldn't get a taxi. What do you think? I discovered a brand new method of transportation. It's called, I believe, the subway. Oh, have you heard of it, darling? Oh, wonderful. Now, a friend of mine who knows all about such things pointed me towards some stairs leading down a dark hole in the ground. And I found myself at a ticket booth. So, I said to the man in tennis, I said, darling, I've got to go to 181st Street. I'd like a drawing room, please. What? No drawing rooms? Oh, very well. I'll take a bedroom.   What do you mean stand up? A strap? Oh, very well. How much are they, darling? Three? Oh, how generous. Now, let me see now. How much is the ticket? Ten cents. Ten cents. Oh, darling, how reasonable. Oh, you take my check, of course. But whenever I make a trip I always pay by check. It's for income tax purposes. It's quite all right, darling. I'm to do the bankage. Oh, Mr. Bonaparte, how do you do? How do I get the train? Through that turnstile? Just drop a dime in the slot? But I haven't a dime. No, I never carry any cash. Oh, thank you, darling. It's off the counter. You're giving me this? No strange attacks? I'll just go away. Well, you're very sweet. Goodbye, darling. Well, I guess I wait for the train here. I light my cigarette. Oh, dear, I'm out of matches. Oh, fine, I'm out of matches. What sign? Oh, I see. Oh, here comes the train. Well, I think it's the train. Where's the engine? Darling, you! Oh, stop for me. Oh, thank you. Just a minute. Stop pushing me. Oh, not you, sir. I was talking to that woman. You go right ahead. Trying to seek by the window. Excuse me, pardon me. I beg your pardon. Excuse me. Why are you all standing here?  I beg your pardon, darling. Which way is the dining car? There isn't. Well, I never heard of such a... I beg your pardon, miss. Is my eye hurting your elbow? Who do I think I am? I'm Tallulah Bankhead. Oh, how do you do, Mrs. Bonaparte? He's gone upstairs. He's brilliant. Kind as the Swedish man, he gave me a dime. Yes, you see, this is my first trip on this train. Off it crowded, isn't it? And so stuffy. Yes, it is hot and stuffy and sticky. I think I'll just loosen my belt. There we are. Sorry, I'll talk to you. Oh, I beg your pardon. You can't hear from. Yes, it is my first trip. So what? What do you mean, where am I going? I'm going up to, well, just a minute. Just let me find that address. I have it in my pocketbook here. Oh, here we are. A $10 bill. I didn't think I had any money. What's that, madam? You'll have who arrested for pickpocketing? Oh, I'm terribly sorry, darling. It's so crowded. I'm going up to 181st Street in Broadway. I'm in where? In Brooklyn. Which way to the American Embassy? On the big show, 20th Century Fox has signed Ethel Merman and George Sanders for the picture version of Call Me Madam. Before they even make the picture, we're going to hear the duet with Ethel and George will sing in Call Me Madam. Why wait 20 years to hear it on television? Meredith, if you're ready, let's listen to Miss Merman and Mr. Sanders sing marrying for love, if you please. And isn't it utterly revolting that a movie producer would match a great voice like Sanders and Call Me Madam with a great voice like Merman when they could have had me? I'd rather do something about that combination. Oh, George! Watch me give the armchair the isn't as big. Oh, George Sanders. S.C.A. Oh, George, for your first musical picture, and this is going to be your first musical, don't you think you should have someone singing with you who isn't quite so overpowering? Oh, George. I think you should have someone who is a little more plastic, someone who is a little more delicate and more southern. I mean, more subtle. Someone who won't try to hug the whole picture, someone who's willing to back you up, who's willing to make a sacrifice if necessary. In short, someone who'll play ball with you. I will not co-star with Yogi Berra. So handsome, but what a sure meal. Maybe I can get this into your head. I'll come right to the point. You, out of the question. You couldn't possibly sing my part. No, I mean... Idiot, I mean Ethel Merman. Well, she couldn't sing my part either. Well, I could. I could sing that part with my mouth tied behind my back. Ah, you, Groucho. Yes, me, Groucho. Who are you? Huh? I'm Anna Mae Wong. And this is Freddie Bethalemew. Oh, television stars. Oh, television stars.  Indeed. Pity. I'm going to get you into pictures. We've changed your name to George Sanders. Well, I'm already in pictures. Well, I can get you out of pictures. What's a tall, handsome man like you doing in pictures anyway? Guys like you that make it tough for guys like me. I've been in pictures. Did you ever see me till a little then? I never could. Would you care to step outside and say that? No. Well, go ahead. I'll take over. Well, darlings, this is a glamorous and unmentionable Groucho banker. Oh, George, you're not going to stand there and let him do this to me, are you? Haven't you been listening to what he's been saying this Groucho? My contract specifies that I'm only to perform on this show. There's nothing that says I must listen to it. Now, there's a man after my own heart and I'll throw in my appendix. I was going to have it out anyway.  That's what I was talking about. Call me madman.   Maybe she'll get me into the picture. I know all the songs from it. This I've got to hear. Let me hear you sing something from call me madame. Oh, George, you're sort of a critic. You be the judge. Go ahead, Groucho. Okay. Some enchanted evening you will meet a strangler. What do you think, Grouch? Ninety days. Besides, Groucho, that's from South Pacific. Anything can call me madame. Of course. Don't throw bouquets at me. Don't please my folks too much. That's in Oklahoma and why aren't you? I'll buy that. Now, from my final selection, they hit song from call me madame. I get no kick from John Payne. Lauren Bacall doesn't thrill me at all. And that goes for Johnny Ray too. But I get a kick out of you. Well, George, what do you say? And you thought that I was a schlamiel. Groucho, if that's a sample of your ability, how did you ever get into pictures? Just fate. I was sitting at a drug store sipping a soda when a scout discovered me. And that scout signed me up. The next thing I knew, I was a campfire girl. A campfire girl? I was wearing a sweater at the time. I'd still be with him if we hadn't gone swimming that summer. You were in over your head, huh? You didn't get it? Oh, well, press on. They got it. No. They didn't want it. They laughed at rehearsals. Thank you, musicians.  It would be silly for you to be singing the romantic song from call me madame. That's a lure. I sing a love song very well. As a matter of fact, I have a love song here written by my friend, Harry Ruby. Would you like to sing it? I sure would. What's the name of it? Show me a rose. OK, let's hear it. I guess there's no stopping him. We have a request from Groucho Marx to hear Groucho Marx saying, show me a rose. Marry it on your mark, get set. Groucho, if you please. Ever since song writers started writing songs, they have written songs about a rose. Lovely rose. Red roses, blue roses, old roses, new roses. Roses from the south and east and west. But here's the rose song that I love the best. Show me a rose. I'll show you a girl who cares. Or leave me alone. Show me a rose. I'll show you a staggered babe. Show me a rose. Or leave me alone. She taught me how to do the tango. Down where the palm tree sway. I called her rose a mere. And she called a spade, a spade. Show me a rose. I'll show you a storm at sea. Show me a rose. Or leave me alone. Or leave me alone. One night in Omaha, Nebraska. We watched the clouds roll by. I said my dear, how are you? And she whispered, so am I. Show me a rose. I'll show you a girl named Sam. Show me a rose. Or leave me alone. Or leave me alone. I'll leave that you don't know me. As a matter of fact, that's one of the requirements, too, like a song like that. Well, we couldn't do our final show of the season without inviting Phil Foster to take a bow along with us. He has contributed greatly to our programs, and I hope he has a wonderful summer. What are your plans for the summer, Phil? Well, I'm going to play at the Riviera for a couple of weeks. The Riviera, darling. My favorite resort. There's nothing quite so luxurious as lying there with the cooling waters of the Mediterranean and those romantic nights on a star in the skies. What Mediterranean? I'm talking about Bill Miller's Riviera across the original Jersey. Romantic nights. Who needs them? But still, when a bachelor gets to be my age, he begins to worry about the future. He doesn't want to go through life alone. Well, I figure someday I need companionship. Someone to love. Someone to bring me my pipe and slippers. So last month, I took the big step. I bought a dog. I figured getting a dog has certain advantages over getting a wife. One thing, the license is cheaper. And the dog already has a fur coat.  So I figured if I was going to get a dog, I only want the best. A thoroughbred. So I went to a high class kennel club. I'll tell you, this kennel club was so exclusive, they got a sign outside saying no dogs allowed. That was the first time I was ever one of those places. I didn't know how to address the owner of the kennel club. So I said, kennela, you better buy a dog. He said, fine. What about pedigree? Breeding is very important. I said, what do I care who the dog's parents were? He said, I'm talking about your mother and father. And I was worried. There was a chance the dog may not even take me. I said, look, don't waste my time. I made this long trip up to Connecticut. Let's talk price. He said, our dogs cost $500 enough. What can I give you? I said, directions back to New York. I think $500 is too much for me to spend for a trained dog. Because this year I expected to do very little fox hunting on Flatbush Avenue. And in my neighborhood, Tally Ho was the name of a deck of cards. Well, I know nothing at all about dogs, but I had a friend whose dog was about to give birth. So I asked him, after the blessed event, could I have one of the kittens? What's the matter? It's wrong? Oh, puppies. Well, that shows you how little I know about dogs. Well, to show a little of the dog know about dogs, she had kittens. So it's pet shop. These places always have about 10 puppies in the window, and it's so pathetic. If you take one, it's friend price. If you don't take any, you're only the store price. So I said to the owner, I tell him, give me a dog. I don't want to spend too much money. So the owner said, if you want a big dog, I can give you a real buy. For $20, I can let you have a used Greyhound racing dog. He's only got 4,000 miles on him. I said, okay, I'll take him. The owner said, fine.  So what am I going to do? I took the dog home and I said, I don't know what to do. So I figured I'll take him over to my mother's house and over there, he'll leaped with me. So now my mother makes some meals. No other dog even ever heard of. Dog biscuits with sour cream. Red hot strudel. But sometimes they don't get along. They argue over things like a bone. He wants to bury it and she wants to put it in a chicken soup. But you know how grandmothers love to brag about their grandchildren? My mother's no different. It's all the neighbors that have Philly's babies. The dog. Some grandmothers say her grandchild's only 10 months old and he's starting to walk. My mother says so. Philly's a little one. It's 10 weeks old. He jumps over fences. Nowadays the latest thing is to send your dog to school to be trained and educated. And the first thing you learn is that you've got to let the dog pick out his own name. So I tried it. I said, the rover? He went, rough. I said, Fido, you're rough. I said, Prince? He went, ugh. He picked out the name. You ready? Phil. You think this can't be embarrassing? My friends call up my mother and say, where's Phil?  In these schools, they teach the dogs how to help their masses. Me being a bachelor, I have now what is known as a bachelor retriever.  It comes back with a girl. Throw out a red stick. It comes back with a redhead. Throw out a yellow stick. It comes back with a blonde. Last week I want to mix them up a little bit.  It came back with a cop. Atalia, did you ever hear how some of these women talk to some of their dogs? Kills me. Hello, honey. Did you miss your mommy? Were you a good little boy when I was gone?  Guess what I got for you? Come on, guess. Did you ever hear the same wives talk to their husbands? Harry? Listen to your master. Won't you park at me?  Tell you the truth. I've been on a big show most of the winter long. The results of which, I'm putting in a song. I was single when I started and I'll be single at the end. Because to me, there ain't nothing more important than a girl to remain just like a friend. I got news for you. If a person of the opposite sex should chant the past by the candy store just at the time when me and a couple of chums are trying to figure out how them bumps could manage to drop the flag when we were sliding games ahead, who needs her? I got news for you. If a person of the opposite sex should smile and wrinkle up a cute little nose while me and the boys are in terrible shape from the struggle of trying to escape from the awful possibility of getting a job and having to go to work in the morning, who needs her? Who needs her? Them girls is all the same. Who needs her? Every Brooklyn dame wants to change her name. I got news for you. If a person of the opposite sex came up with the spell of the rose in the eyes of a pup and the hair of Kalu and the Dagmar built and the deep big games in the Merman war and she understood who needs her Who needs her? Me! Now before we go to Act 3 we'll be back in a moment just as soon as I ring my chime. This is NBC, The National Broadcasting Company. This is the big show, Act 3. This portion brought to you by Chesterfield. Ask your dealer for Chesterfield the only cigarette that names all its ingredients. The anison for passed relief from pain of headache, neuritis and neuralgia and by dentine, the gum with breath taking flavor and beeman's pepsin, the gum that's great to chew and good for your digestion too. And here again is Tallulah Bankhead. In a few moments darlings we are to share an exciting occasion on the big show. The presentation of this year's award of the New York Drama Critics Circle for the best American play produced on Broadway. It is John Van Druten's I Am a Camera for Isherwood's Berlin Stories and produced at the Empire Theatre by Gertrude Macy and Walter Stockey. First we are to hear a scene from this play then the distinguished New York critic and this year's president of the Critics Circle Mr. Gilbert Gabriel will make the award. But right now Ed Hurley he has a word to say. Yes, Mr. Bankhead, it's time to sound off for Chesterfield. The mask is off in cigarette advertising. Chesterfield is first to name all its ingredients because you should know what gives you the best possible smoke. Chesterfield uses the right combination of the world's best tobaccos pretested by laboratory instruments for the most desirable smoking qualities. And Chesterfields are kept tasty and fresh by pure costly moistening agents entirely safe for use in the mouth as proved by over 40 years of continuous use in tobacco products. And remember your Chesterfields are wrapped in cigarette paper of the highest purity the best money can buy. That's what Chesterfields are made of. The world's best tobaccos pure costly moistening agents the best cigarette paper money can buy. Nothing else. Only Chesterfield names its ingredients and they give you the best possible smoke. Much milder with an extraordinarily good taste and most important no unpleasant aftertaste. Ask your dealer for Chesterfields today. And now darlings the scene from this year's prize winning play John Van Druten's I am a Camera starring Miss Julie Harris and Mr. William Prince. The scene of boarding house in Berlin during the ominous days of 1930 the camera Chris Isherwood a young writer as portrayed by William Prince the girl Julie Harris as Sally Bowles. I am a camera with its shutter open quite passive. Someday all of this that I'm writing will have to be developed printed and fixed. I remember the first time I met Sally I wondered how old she was her face was young but her hands looked old and they were dirty too.  Well I was out with some people I'd been out both nights Chris I'd been an awful fool but don't scold me please we never stopped going around and then I got drunk and sentimental the first night and I telephoned mother in London What on earth for? I suddenly felt like it we had the most awful connection and then last night was worse we went to the most boring place Chris I need someone to stop me I really do I wish I'd stayed home with you Well thank you Sally But you're awfully nice to come back to Then you're nice to have come back I say that sounds like a popular song Oh it does Perhaps we could write it together and make a fortune You're awfully nice to come back to You're awfully nice to come back You're awfully nice to come back I do think we belong together and that little quarrel we had didn't mean anything did it? I don't think two people can live as close as we do and not have them But it was that that sent me out on that idiotic binge Did you read the article I left you? The what dear? My article the one you asked me to write for your friend Oh yes I looked at it Well? I'm terribly sorry Chris but it won't do What's wrong with it? It's not nearly snappy enough But it's all right Christopher I've got someone else to do it Kurt Rosenthal I called him this morning Who's he? Really Chris I thought you took an interest in the pictures He's Miles the best young scenario writer He earns pots of money Why is he doing this? It's a favor to me Well Journalism isn't really in my line But I do think you might have let me know I didn't think you'd want to be bothered And he would He doesn't make such a fuss about writing as you do He's writing a novel in his spare time He's so fearfully busy he can only dictate it while he's having his bath I bet that makes it wonderful Well he read me the first few chapters Honestly, I think it's the best novel I've ever read But that doesn't add up to very many, does it?   Who's jealous?   I've gone beyond you I'd better move away from here All right, when? The sooner the better I should think That's fine with me, so this is the end for us Yes, if you want it that way Call me somewhere, sometime I expect Well, call me up sometime Ask me wrong for cocktail I never know whether you're serious or not Try it and find out if your friends will spare you the time You know, you make me sick Goodbye, Chris Beast, she is Nothing would please me better than to see her whipped I thought I'd care a curse what she thinks of my article It's her criticism of myself It's the awful flair women have for taking the stuffing out of men I mismanaged our talk right from the beginning I should have been wonderful convincing, mature I made the one fatal mistake I let her say I was jealous Well, I certainly won't see her again after all this, never, never Chris, the most awful things just happened Guess who I met in the street right outside I met mother Whose mother? I thought you said she was in London She was, but that call of mine upset her I suppose I did sound a bit drunk Anyway, she jumped to conclusions and into an aeroplane Oh, Chris You're going to have to do something for me I never told you but well, I've written to her now and then I mean they do send me money from time to time and well, I gave her to understand when I first moved in here that we were engaged Who was engaged? Sally, you didn't I needed someone who sounded like a good steady influence and you are the best I could think of She's in the sitting room I told her this place was all untidy but she'll be in in a minute And I'm supposed to stand by and pretend? Chris, you owe it You owe it to me For what?  I'm sorry and I'm going to my room If you don't, I'll tell her the most awful things about you I'm afraid I don't care you tell her what you like Chris, you can't do this to me I'm sick But that was just an expression No, Sally, we're through quite through We still can be after she goes home Please darling, please No matter what you now take for headache relief we urge you to try Anacin for the incredibly fast relief these tablets bring the next time you're suffering from a headache Now the reason Anacin is so wonderfully fast acting and effective is this Anacin is like a doctor's prescription that is Anacin contains not just one but a combination of medically proven active ingredients in easy to take tablet form Thousands of people have received envelopes containing Anacin tablets from their own dentist or physician and in this way discovered the incredibly fast relief Anacin brings from pains of headache, neuritis or neuralgia So the next time a headache strikes take Anacin for this wonderfully fast relief Anacin, A-N-A-C-I-N Anacin at any drug counter in handy boxes of 12 and 30 economical family size bottles of 50 and 100 And here darlings is the president of the New York drama critic circle Mr. Gilbert W. Gabriel to present the scroll awarding Mr. Don Van Druten the honor of having been chosen by majority vote of the New York critics the recipient of this year's prize for the best American play Thank you, Ms. Bankhead We are proud to make the official presentation of the critic circle award on the big show not only because you belong to the theater but because in carrying the background of the theater to this larger medium you have again triumphed so completely as to win our sincerest admiration Thank you For you, Mr. Van Druten because your play I am a camera so impressed the majority of those voting in this year's awards of the New York drama critic circle I am privileged to present to you this scroll citing your play as the best American play of the year Congratulations, sir Thank you, Mr. Gabriel and all our thanks to the other members of the New York drama critic circle whose valued opinions and support made it possible for us to receive this honor And Ms. Bankhead may I express a sincere thanks to you for making it possible that I receive this award here on your television show No, Don This is not television, this is radio Radio?  The television, darling has no father Well, television or radio, Tallulah I came the moment I received your telegram Ah, John, you are so sweet, darling I do appreciate it. You've come all the way from California to be here with me tonight Tallulah, please don't degrade yourself by groveling before me I'll be only too happy to do it Groveling? You'll be happy to do what? Ladies and gentlemen I'm happy indeed to appear on this benefit for Ms. Bankhead Benefit? Who told you I needed a benefit? Well, it seemed rather obvious, my dear Nobody in the theatre has seen you in months Your name hasn't been on Broadway in a couple of years Your picture was removed from the wall at Sardis and your mail at the Theatre Guild is marked address unknown Ah, John, I haven't have been appearing on the big show the greatest show on earth Not the circus, Tallulah The sawdust I walk on is not on a circus floor Well, why not come back to the theatre, Tallulah where you belong?  What was it? The Voice of the Turtle And no doubt you had me in mind for the turtle role I suppose that's a sample of the level of radio humor I prefer, of course, that we kept the conversation at the intellectual level of my place Very well, darling, may I help you down? Well, Tallulah, when I get back to the old crowd, I'll tell them I found you Naturally, I won't tell them where No, just tell them I'm playing piano and a burlesque house Oh, we'll be very secretive about it Julie Harris won't say a word Come here, Julie Yes, John Are you enjoying yourself here? Frightening, isn't it? But you won't tell anyone about Tallulah's being on this radio show, will you? Oh, no. I wouldn't even dare tell anyone I was on the show Julie, Tallulah Bankhead is a magic name in the theatre I've always held Miss Bankhead in great esteem That always precedes us to have in the back Go ahead, darling, you hold me in great esteem But... There are no buts. I've always been excited to see you in the theatre But... I told you no buts. As a young actress I've learned so much from your career Thank you very much, Julie, darling The most important thing I've learned is to save my money Julie, darling, they say that to become great an actress must suffer and one more crack like that and you're going to become the greatest actress in the American theatre And it might interest you to know, my dear girl that they wanted me to play an I Am A Camera But fortunately, we found Bill Prates I'm not talking about the part of...  Twenty-eight Well, that's a little young But in a couple of years I'll get you on my way back By the way, here they're going to make a movie out of I Am A Camera Well, there's been some talk about it I hope Julie will consent to play the lead Isn't he naive? And don't you know who plays the lead in the motion picture versions of everybody's plays, darling? Is that...is that why they save pictures of Betty, then ever?  Don't you have any ambition? Take Julie here, she's great ambitions, haven't you, Julie? My ambition is to become a great actress I've already been there, darling How about you, Bill Prates? My ambition is to become a great actor You want to be a great actor?  My ambition is to get out of here alive You should have come in that way Tallulah, you must have some ambition some secret ambition What is it? Well, now, John, confidentially, darling Now, come here, listen My ambition is that when I reach the age of 95 the age of 95 I'll be shot by a jealous wife And I'll hear something else of interest to you for... for your breathless moments Chew dentine the gum with breath-taking flavor Dentine tastes so good Dentine freshens your breath Dentine helps keep your teeth sparkling clean and white Dentine, the gum with breath-taking flavor Before you go out and always after eating drinking, smoking refresh your breath with dentine You'll love dentine chewing gum For dentine has a wonderful tingling, nippy flavor that lingers on and on It's delicious And remember, dentine helps keep your teeth white, too Keep dentine handy You'll enjoy refreshing your breath when you chew dentine So, for breathless moments for your breathless moments Chew dentine the gum with breath-taking flavor Well, darlings, we come closer and closer to the end of our show and our season Tallulah, as you know this is my eighth appearance on this opus Yes, George And this is the moment for which I've waited so long I feel now I can say to you what I wanted to say the very first time I saw you Say it now, George What have you been wanting to say to me, dear? Goodbye Well, that's the story of my life Well, George, I'll try All my womanly wars have been of no avail However, I refuse to accept defeat And I have here for you a little going-away gift A framed portrait of someone who in spite of your coldness and loofness, you are really desperately in love with Here you are, my darling A mirror? Exactly Well, thank you, Tallulah but this is hardly a new affair Goodbye, darling Goodbye, George I hope the two of you will be very happy Well, so long, kid Kid?  I thought if I could get you into a hit play I could take over this show Well, so long, Tallulah Just practicing in case you get a play So long Well, Tallulah Yeah, Phil I want to thank you for being so nice to me and have me on the show all the time but just to show you how grateful I am if you're not married by next September I'll marry you If I'm not married Next year we can call this The Mr. and Mrs. Big Show Au revoir or as we say in Brooklyn Wait until next year I got news for you You're a doll Well, Fred in Portland We come to the parting of the ways The show's almost over Goodbye, Tallulah Have a wonderful summer Say, Tallulah, before I leave Let me go over the instructions once more You must remember this You cannot send anybody You have to go yourself You walk up one flight of stairs You'll see a lot of windows with letters over them But you stand in line under the letter B Now that's right next to where I'll be standing Under the letter A Tell them what your last job was You fill out a paper and they give you $24 a week Fred, thank you, darling Don't thank me, it's not my money Only indirectly, so long, Tallulah Well, now, I must remind My chauffeur, Sylvester, to take me there The first thing Monday morning on my way to Tiffany's Well, Tallulah Groucho pet Well, if that's as far as you want to go Oh Groucho, why don't you stop? How can I stop before I start?   That's right, Meredith Oh, isn't that sweet? Wherever you are this summer We'll always think of you as Mother to call you My darling For many and many Thank you, my darlings To the Big Show Orchestra and Chorus And now There are a few other thanks Thank yous, I'd like to pass out now To the people who get the show on the road every week First, a deep bow to our sponsors I'll be back in the fall So save up some more money, darlings To Meredith Wilson, whose genius Has provided our show with the most exciting And senator-led music and radio But who has not let his love for music Stand in the way of playing for me while I sing To the authors, Goodman Ace, Selma Diamond Dean, George Foster, Frank Wilson Good luck to you, darlings And, of course, to our producer-directed The Ingleback, who, as if he hadn't Had enough of me up till now Will be preparing all summer to guide me Through that new medium, which I will enter In the fall of Tallulah Vision And I'm throwing away my script And D is going to faint in the control room But D, darling, if I'm known as the Missus of Ceremonies, I want to know That our producer D Ingleback is our master And I'm guiding like, thank you D All the things you've done for all of us on the big show And to all the other wonderful people who helped Put on the show, and last but certainly At least to you, our wonderful Audience out there Until I see you again in the fall, darlings May the good Lord bless And keep you Whether near or far away Ethel May you find that long-awaited Golden day Today, groucho May your troubles All be small ones And your fortune Ten times ten Ready? May the good Lord bless And keep you Till we meet Again, Portland Sunlight shining And a blue bird in the air Earl May there be a silver lining Back of every cloud You see May your dreams Were sweet tomorrow Never mind what might Have been Julie May the good Lord bless And keep you Till we meet Again Bill We call each rainbow Then you'll soon forget The range you're The form and tender memories May the ones that we remain Fill your dreams with sweet Never mind what might Have been May the good Lord bless and keep you Until we meet Again, and Godspeed To our armed forces everywhere Good night, darling. It comes all its ingredients. Sound off for Chesterfield, the cigarette that's much milder, with an extraordinarily good taste, and most important, no unpleasant aftertaste. By Anderson, for fast relief from pain of headache, neuritis, and uralgia. Denteen, the gum with breathtaking flavor, and beamons, pepsin, the gum that's great to chew and good for your digestion too. The first half hour of the big show is presented by the makers of Reynolds Aluminum, the Reynolds Metals Company, who also bring you the Kate Smith evening hour of your work. This is Ed Hurley, he's saying good night. The music of Phil Harris and Alice Faye, next on NBC.


Hi everyone, Joe for jaskiescasebreaks.com coming at you with a four box break of 2019 Panini Select football. It's not a half case, it's a third of a case. I was just a little typo right there. It's random team break number three. All teams are in, XRC cards will be randomized as one lot at the end of the break and all cards will ship. I think after the draft is over, if we have any more, I don't think we do, but if we do any more select and those will eventually go to the team they got drafted by. There is an early bird special going on right here. So the first 20 spots purchased have a chance at an extra spot. The early bird catches the worm after one and a three, four times. One, two, three, and good luck. Fourth and final time, it's Chris Rowe. There you go, Chris. Believe it, you won an extra spot. In this break. All right, now let's assign you a random team, ladies and gents. Let's roll it and randomize it. Four and a one, five times. One, two, three, four, and a one. Fifth and final time. Dwayne down to Chris. Let's get that new tab right there. Four and a one, five times for the teams. Steelers down to Cowboys. All right, Dwayne with the Steelers, Alvin with the Eagles, Jason Bell with the Browns, Garrett with the Dolphins, Ryan with the Redskins, Chris with your early bird spot, you get a bird. Seahawks, Derrick Melanson with the Bengals, Matthew with the Giants, Chris with the Rams, Leonard with the Ravens, Ryan with the Niners, Derrick with the Saints, Anthony with the Chiefs. Thomas last bot mojo, Buccaneers. Steve Burch, you got the Broncos, Chris with the Bills, Justin with the Titans, Derrick with the Falcons, Jason with the Panthers, Thomas with the Cardinals, Henry with the Packers, Lewis with the Vikings, Zach with the Bears, Thomas with my Raiders. All they're doing is picking wide receivers. Chad with the Colds, Zach with the, in one corner. Patrick with the Pats, Zach with the Texans, Corey with the Chargers, Aaron with the Jets, Tom with the Lions, Brian with the Jags, and Chris with the Dallas Cowboys. Sort by team, any trades? Niners up for trade if anybody's interested. Oh, no, Leonard saying he will trade for the Niners if Ryan is interested. Trendsetter wants to try to move the Jets. There are the final four boxes of this case. Who wants the Bengals? Maybe Bengals Jets. All right, we got a number of breaks backed up. So unless Derrick likes that offer, trade window going once, trade window going twice, trade window closed, TWC. Let's print, let's rip. McTelvin again. This is the pick for the Broncos in the third round, late third round, mid third round. Oh, damn it, I didn't switch screens. There you go, sorry. All right, there's the final print out right there. One, two, three, four, five, six, seven, eight, nine, 10, 11, and 12. Not all 12 packs right there. Chief's pick is in. I sure nanny read. Carson Wentz has a new backup now. There's Odell Beckham Jr. to 175. J.J. Arthegel Whiteside to 49 for the Eagles. And Scary Terry McLauren's Silver Field Levels, the shorter print of the three different tiers. That's why everything's shipping. Everything's pretty much some kind of thing, not a common. All right, we'll set these numbered cards aside. Our shipping team will sleeve and top load though a little bit later. Rock Yasin to 149 for the Colts. Philip Lindsay, Khalil Mack, Saquon Barkley, and 43 out of 49. Three color patch, Josh Jacobs. Raiders, that goes to Thomas Riffle Raiders.  I think they traded away their third, third round pick. So I think they have had four picks maybe. Three of the four have been receivers in one corner. There's Tyree Kill to 149. Just giving Derek Carr as many weapons as possible, I suppose. Sean Murphy, Bunting to 199. Debo Silver for Thomas and the Buccaneers. And Leighton Vandoresh, two out of 75. That'll be Dallas, Dallas Cowboys. Christopher Bay got randomized, the boys. Maybe future Sean Lee right here. 37 out of 99, Titan, Evan Grim, Jersey, and Autograph. This guy could have a, this guy is like, I feel like just a hair away from having a monster breakout season, Matthew and the Giants. And this will be randomized to one person in the break. Who is the third running back taken? Remember, those will be randomized as one lot. And I'm sure if we get any more selected at some point after the draft is complete, we'll start going to the teams they're currently on. But for now, the description says it'll be randomized as a lot to one person at the end of the break. Ryan Andrew, your buddy is good friends with who? Evan Ingram? Is he a nice guy? Evan Ingram, not your friend. I'm assuming your friend is a nice guy. Which is why you're friends with him. He's a Evan Ingram. I've occasionally drafted him in a number of my fantasy football teams in recent years just to, because I feel like he's on the cusp. Maybe Daniel Jones is the key. Totally cool dude, you've never met him, but. All right, all right, nice, nice, nice. So good to hear that he is cool. Yeah, he's kind of a, it's very like a playmaking tight end. So maybe if him and Daniel Jones have a good connection. You got a 75, Ty Johnson. You know, I mean, if it works with this guy, if they kind of, Giants interestingly have some pieces. They got the quarterback, Daniel Jones, who showed some moments of excitement. Saquon Barkley, maybe had a bit of a down year last year, but you know what he's capable of. You know, and then like what Sterling Shepard is another past catcher that I think is pretty cool. There's no offense, speaking of tight ends at a 175. And Michael Gallup, 52 out of 99, Jersey and Otto. Oh, they run a memorabilia autograph, cool. Well, nice, I'll get to hear that Evan Ingram is a nice guy. Chris Bay with the Cowboys, and they've got Evan Ingram continuing my thought on that. That's a QB3, who was the third quarterback draft? Was that Jordan Love? So we'll see. Giants have some offense. They need a really short of that defense, but they've got some offensive weapons that could really click. Tony Pollard field level, and we got Sammy Watkins, Chiefs, it'll be for Anthony. George Kittle, Dak Prescott, Greedy Williams to 49. All right, the redemption is gonna be Marquis Brown, Hollywood Brown, right? A notorious non-autographer, Leonard Yance with the Ravens. He was trying to trade the Ravens, tried to trade, couldn't trade Mojo. All right, two more boxes. Is this the most likable Roger Godel has ever looked?  Like, I feel like shoes aren't gonna come off soon. I feel like a tall glass of milk is gonna appear at some point. Excuse me, quarterback three, and RB3, and those will be randomized together. There's one lot to one person. I'm not sure if my voice is in the last tomorrow. Someone let Corey know that he is lagging by about, tell him we're about three boxes in already, that he needs to be live. He's asking if anybody wants a Chargers. Love you on Bell, Ezekiel Elliott to 99, and Gardner Minshew, ooh, nice. Four color patch, the autograph, the tie-dye parallel, Brian Magnus got randomized the Jags, nice, Brian. 18 out of 25, that's nice. Looks like the Jaguars are rolling with him this upcoming season.   That'll be for Ryan and the Redskins. 10 out of 25, love the tie-dyes in select. There's Texans edition Deandre Hopkins to 75. Hunter Renfro, field level, silver. Gardner Minshew, even better field level, silver. There's Tillman to 75. It's another one for Brian and the Jags, the field level right there. This silver one goes to Thomas and my Raiders. All right, last box. Cutting myself on the edge of this box. There's no blood yet. Oh, there it is, Raiders at pick 100. Another wide receiver. There's the, oh, it says safety here, but he said linebacker. There you go. See, I wanted the Raiders easy to take linebackers. Are you live now, Corey? Yeah, you were behind about 15 minutes. Always double check for that, ladies and gentlemen. There's no blood. I feel like I'm doing my job, right? I don't think people, I mean, I think you can get almost anything graded, Tyler, by the way. But I don't know how common it is to grade framed cards. All right, okay. I guess I'm okay. I don't know much about Tanner Muse, but it sounds all right. Yeah, I think you should get these hands and shirt at some point, Stephen Kay. They've got four guys from Clemson, huh? Cleveland Farrell, Trayvon Mullen, Hunter Renfro, and now Tanner Muse. And there's Preston Williams, Rookie Otto. He's gonna have a new quarterback throwing to him. Left-handed quarterback. That'll go to Garrett and the Dolphins, five out of 49. I'm with you, knock on wood if you're with me. There you go, Raiders. Anyone, any Clemson fans know about this Muse kid? There's Dak Prescott to 199. And speaking of the Raiders, there's 14 out of 15, Josh Jacobs, Silver and Blackpatch, Tideye, Autograph. The Raiders. That goes to Thomas Riffle and my Oakland Raiders, nice. Come on, please God, no sophomore slump. Please God, stay healthy. Good care of people first. Please draft a running back to give Josh Jacobs a little bit of rest. Leonard Fournette to 199. Miles Garrett, Christian Wilkins to 175. Mikal Hardman, Larry Fitzgerald to 49. Duck Hodges, Daniel Jones to 175. New York Football Giants. It goes to Matthew. And the last bit here, Joe Mixon, White Prism Relic Bengals, Derek Molanson. Tried to trade, couldn't trade Mojo to 75. And there you go, ladies and gentlemen.  QB3 and RB3 will be randomized as one lot to someone here at the end of this break. So let's grab Thomas' name down to Ryan's name. Oh, that's from a different break. Oh, that's from the early bird. New dice roll, new list. Just like it's break credit at the end of a break. And seven times, five into two. Name on top after seven gets those two. One, two, three, four, five, six. And good luck, everybody. Seventh and final time goes to Chad Meier. There you go, Chad. Thanks very much for getting in. And congrats again on those two XRC cards. Who's QB3? Is that Jordan Love QB3? Jordan Love. And I don't know who the third running back was taking. I think the first running back was there. Second running back is there. Looks like Jonathan Taylor might be it. So these are, these are not autographs, but they're just, although you got a tie dye on that one too. That's pretty cool. All right, there you go, ladies and gentlemen. Thanks for watching. Thanks for breaking with us. I'm Joe. I'll see you next time for the next break. Bye-bye.


Hi everyone, Joe for Jaspy's casewrakes.com coming at you with a team random for Chronicles Pick Your Team 3. That's coming up in a separate video. Basically, we took the 11 remaining teams out of Pick Your Team 3 and turned it into a random break, except in a team random, we don't randomize the teams. We just randomize your names. Also, if you bought a full spot, you got a chance to win a full spot. So big thanks to the people who bought full spots right here. Appreciate it. We're gonna see who's gonna win that full spot right here. Two different dice rolls. One for this and then one for matching up with the team. New dice, new list. Good luck. Let's roll it and randomize it. One and a two. Three times. Name on top after three. One, two, and three. Congrats to Cody. After three times, you get an extra spot. A little buy one, get one scenario here. Nice and that rooftop will indicate that you won that spot. Now, let's match everybody up with the team. New dice, new list. Let's roll it and there's Cody. He's happy. Congrats. Extra spot's always nice. So for this, we're gonna randomize the full list five and a one. Six times. One, two, three, four, five, and a one. Sixth and final time. After six, we got Jack on the pole, Adam in the 11 spot. And we'll also put rooftops next to your name right here to let you know you won that spot. So Jack, you got the Jets, Adam with the Steelers, Anthony with the Texans, Shay with the Bucks, Patrick with the Eagles, Adam with the Broncos, Cody with your extra spot, the Falcons, your main spot, Bills, Jack with the Lions, Patrick with my Raiders, and Adam with the Sates. There you go, gang. I'm Joe. I'll see you in the next video for the break. Bye-bye.