A. Carr, A. Jamali, Barry, Bowman, Brown, Braun, Bush, Boucher, Calzado, Contu, Carrington, Casey, Chung, Clark, Cook, Curtis, DeVila, Estes, Bull, I don't believe it.  Perkins, you better not do that to me. Perkins. Yeah, oh, yes, this is impressive. Yes, this is late Reeves. Perkins. Look what you guys got here. You're making all kinds of mistakes here. Reinhardt, Raymond, Rutz, Savoy, Sudoki, Stein, I know Stein, I was here. We already talked. Stevens, Tar, Tar, Taborga, Taborga, Thompson, Thompson, Tidewell, Tidwell, Triska, Bickers, Wiley, Zepeda. Well, now I know why the class looks so empty. Where's Estes? Estes? Oh, golly, okay. All right. Just curious when you bring me up, Qize, and I don't understand. I've been there every time I never missed. All right, we were working on a beam that was possibly going to laterally, torsionally buckle. The last thing we did last time, the first case we studied, the L sub B of the beam was relatively short, less than L sub P. Therefore, we were in the stability range of no elastic buckling. It is a compact shape, so I'm not going to have to worry about if the flanges or the web buckle, that won't happen. So it's merely a matter of lateral buckling, yes or no. Now then the beam is 20 feet long. Obviously, we've got to know where these points are to know if we're beyond or before these points. We have equations for them. Here's where the L plastic is where the plastic moment quits being available to you, and you have to start reducing the nominal moment. This is your plastic moment. These need fees on them someday, obviously. This is M sub R. What is M sub R? Sir? Sir? Yes? Go ahead, answer the question. You don't know? You don't know your own name? That was the question. What's your name? Iyer? I'm sorry? Curtis, okay. Mr. Curtis, what does L sub B stand for? Ask your buddy there. Don't know? You don't have an idea what L sub B is? Geez, man, you guys really need a better prof. I'm telling you. L sub B is the unbraced length of your beam. L sub B. It can fall between zero, L plastic, L plastic, and L when the radius of gyration seriously takes over. Yes, I know. All this stuff is on the tape. You say, I just watch it. I never listen to you. I watch it at night. It's no less boring in the evening than it is now. Plus, I get a little bit of social time in now. Or a little relaxation sleep. Yeah. All right, so this one's going to be 20 feet long. Here's the equation for how long L plastic is. You know, I'm sure you hope that I won't give you one that you're not given LP in the book, most of them are in the book. And here's the equation for L sub when the radius of gyration, wow, man, have to really be mad at you. There's one or two in the book that are wrong, I think. What I might do is I might ask you to verify the number in the book and then watch you go crazy. So anyway, this one's going to be at 8.69 feet. And this one's going to be at 29.28 feet. We're between 8.69 and 29. We're about 20 feet right about here. We know which equation to use. We use the equation that is the straight line equation starting at the plastic moment and dropping at a given rate depending on how far L sub is down the road. L sub B minus L sub P is how far to the right you went beyond L sub P. L sub R minus L sub B is the total length across those two dimensions. Here is your height.  That's M sub R. That's this point here. From M sub P, that gives you the drop. And then the drop divided by the run gives you the slope. There's your drop divided by the run. And then because there is no C sub B value in this region, in other words, you're already at the peak. You can't go above M plastic no matter what. So there is no correction factor for you in this region down in here. But in this region, you may really not have bent your beam as badly as Timoshenko thought you might be able to or that you really could. So somebody came up with a Christmas present, a correction factor in bending. It's always bigger than one. If it was less than one, it wouldn't be a very good correction, wouldn't be a very good present. But you do have to be careful because this thing here may say five. So you come and pick the number and that right there, and then you go talk about the correction factor. If it says five, come put you up here. You cannot go above M plastic. The C sub B is in the straight line part of the equation is where it says less than M plastic. So you put in M plastic. We got that from last time because that was the answer last time. I went ahead and divided it by 12. He waited until the end and divided it by 12 down here. There's your M plastic minus here's your M sub R. Here's the base of that M sub R, that M sub R from the M sub P.  There's how far it dropped over. That's how far you went out.  So 479 kip feet is how much you got. If you don't take the Christmas present, if you don't take the Christmas present, then I don't have to worry about this equation ever lying, trying to push you above M plastic. I don't know, did we maybe we haven't gotten to that yet? Does he he says C sub B is a one? I think we hadn't really talked about that in enough detail that he he just told us we were going to take C sub B is equal to one for these cases. Then he also didn't tell us how it was bent. We don't have a moment diagram for it. So we wouldn't have any choice but to take C sub B is equal to one. So then the design strength is our nominal strength, which is the plastic strength times 0.9. Now then I don't remember what we got before, but I guarantee you we got less. Got 343 kip feet out of that equation. Now there are graphs for the beams that give you this. That's exactly what the graph looks like. So that for most beams, you really can say I've got a beam that has an unbraced length of 20 feet. And I know it needs to hold a moment of some number. And so it'll let you pit the beam. We'll get into how you use those later. Well, here's one of them. A hint of things to come. You and I are working with a W14 by 68. You'd have to dig around before you can find that because there's a lot of these things on a page and there's a lot of pages. But there are ways to track down this person. And for a 20 foot length, you can come up until you hit the W14 by 64. And it's between 330 and 345. We got 343. That sounds right. I mean, it's not surprising that we get the same answer from the equation that he has plotted in the tables or on the graphs. You have to be careful. They've got two numbers. This one's for a loud stress, this one's for our LRFD. You've got to be careful. The scales are goofy. They look over on the right and it says, now this one's already got the fee in it. Here's your fee. It'll be listed on there somewhere. Available moment, done list the fee. Most of these things have the fees listed on a graph somewhere. But I guess not. I guess you just got to know it. Fees 0.9. So these are already multiplied times 0.9. And the graph uses three Kipfoot increments for LRFD work. The numbers on this side are for loud stress. And they are in two Kipfoot increments. Now let me think about this. You can also tell from these graphs where you're at. Don't have one here right now. But the graph basically looks like this. Of course, you're just getting a very small picture of it. But you can tell where you are by, you can if there's a dot, like you see a dot. That dot right there is definitely this right here. So you can tell and you say, who cares? Well, I don't care. But I can tell you that's where Mr. Euler is taking things into his equation. And this one here is that straight line equation because you see the little open dot there. That's just the way they plotted them. Yes, sir. That's correct. And the reason is they're so nice for design. If you need a beam that'll hold 375 Kipfeet and is 22 feet long, then you come up to 22 feet long and 375 Kipfeet big. And anything above that point will work. And that one will work. And that one will work. And that one will work. And that one will work. And that one will work. And that one will work. And that one is the lightest. In other words, you check all the ones below it and you'll find they all have a heavier weight per foot. Normally, they'll be shorter beams. Very cool. That is correct. They will be the lightest intersection. So just try this one. For instance, you got a W16 by 677. And if you go up a little bit, you find an 18 by 76. So that's why it's more solid because it's lighter than the ones below it. If you need this much moment, of course, you start there. And the lightest one is 12 by 79. If you started right here, then there's one that will work, a W12 by 87. But you'll find lighter ones up here. Then you pretty much got your choice here. One's a W16 by 89. And one's 18 by 86. And this one is taken over. And then, I don't know, that's interesting. You know, you can't hardly tell what you do in that case. Let's just just write that one out. Don't go there. Right. All right. Now, we're flipping back and forth between me, my notes on the new book and the old book. Now then, we're going to go to the same W14 by 68. It's going to be 30 feet long. Here are the two numbers we talked about, L plastic L where the radius of gyration is killing you 8.69 29.28 found by a long and tedious work with an equation. And 29. So we're over here at 30 feet. Now we're a little to the right of that at about 30 feet. That's what you and I would call L sub braced. That's our braced length. Since it is above 30 feet, we have new equations, equation F24 on this page. You want to see a copy of it. That's where you and I pulled a bunch of stuff out just so I could get back to it. The variables are found on page one dash 25 on page 203 h. In other words, if you want C sub B or E, well, you won't get E. J, C, 8, 0, all of these numbers have been worked out for you, although a lot of them have equations. In case you're going to build something yourself, but you stick all those numbers in there and you find the critical buckling stress of the beam is 33.9. And the next equation F23, I guess the one before it actually gives you the nominal moment, take the critical buckling stress times the elastic section modulus, you get 291 kip feet. And since he told us to take C sub B as equal to 1, I'm in no danger of them lying to me. This will be perfect, but you always want to check that it's less than in plastic. And it is because we kept getting in plastic was this number. Now we're down on these numbers. Now we're down in these numbers. To get the design strength, you're going to take nine tenths of the nominal strength. And then he hasn't told us what we're really doing, but you then of course must check that your ultimate request is less than how much moment you have available at that length. Yeah, I guess we hadn't told you. I just told you C sub B was the thing that we had coming and really got into it yet because I see it's coming up now. Now when Timoshenko derived all of those equations, he was a very famous person in mechanics. He did a whole bunch of other good stuff. He said, look, there could be anything, the moment diagram could look like this, could look like this, could look, you know, I'm just going to do one. I'm going to do one, I think we've talked about this, where the moments on each end were equal to each other and every little fiber on one side of the beam is just screaming its head off that it is reached its limit and wants to buckle. That'll be the worst case and that's my question. If you want to do something with that because sometimes you don't actually put that moment on all of the fibers and some of them are not screaming, you're killing me, you're killing me, that's your business. And that's what they've done to correct the fact that Timoshenko's stuff is a worst case. That correction factor is 12.5 times the maximum moment found in your span. Your span will always be the distance between braces. So for example, if you have a beam that looks like this, you will have braces there whether they show it in the book or not. That's required, that's required by the specs. Okay, no idea how that happened. And if you all also braced it here and also braced it here, you couldn't get a brace there, then I need to know what the moment diagram looks like between those two braces. And I need to know the moment max, let's just say that your moment diagram looked like this. That'll be fine. I need to know your maximum moment, and I need to know the moment of the quarter point, the moment of the half point, the moment of the three quarter point. And in this region right here, I need to know M max and I need to know the moment at A, the moment of B, the moment at C, moment at A, moment at B, moment at C. And for this one right here, I need to know M max, and I need the moment at the quarter, a moment at the half, and the moment at the three quarter point. And I plug those values into this equation, and that's the correction factor. And it's perfect, it just does an excellent job of telling you how much more moments you can have out of that Timoshenko equation, because this beam was not stressed up to its max. However, sometimes it just gets a little too zealous, and it lies. I'll show you an example. This is your correction factor. Now, when you take a look at the thing, all of these numbers are absolute values. In other words, believe it or not, if this is a brace and this is a brace, and out of this, to me, I see that one, but this looks a little bigger, that's M max. And between the brace point, there's M quarter point, M half point, M three quarter point, some are positive and some are negative. The correction factor, they tell you to put in nothing but the absolute values. And it seems a little strange, basically what they're saying is, is this beam has the same tendency to laterally torsionally buckle as this beam. So looking at it a little closer, if I was going to look at this beam and say, I wonder if he wants to laterally buckle, this is a positive moment, means the top of the beam is in compression, they're the bad fibers that are, think they're little columns. And down here where there's a negative moment, the compressive fibers are on the bottom. Looking at the beam from the end, I got a bunch of people on the top wanting to buckle, they don't care which way, left or right. And these people have a compressive side and they don't care which way, left or right, they always seem to get together, they don't all just, you know, want to buckle that way. This guy wants to buckle clockwise, well this guy will take his lead and he'll buckle clockwise. And I got a problem not at all torsional buckler. Whereas if you had a moment diagram that looked like this, don't ask me how you'd get such a thing, then you'd have compression, compression, compression over this length, some bad, some not so bad. You'd have some compression in this region, some bad and some not so bad. These are on the top, they want to buckle clockwise. These are on the top, they'll go the same way, they'll want to go clockwise too. So it really doesn't matter whether or not the moment diagram changes size on you, the right numbers to put in this correction factor are the absolute values. Whether or not your moment is this is 200 and that's 300 and this is minus 150, you put in the absolute values. Purpose of C sub B is to account for the fact that you did not stress every fiber on the compressive side of the beam between the points of lateral support to the same extreme values as assumed by these equations on these pages. Sometimes you got to study two ranges. Here's a beam, got a 12 foot length between braces, and it is not too badly stressed most of the time, just a little of the time. And here is a 6 foot short length, but the whole dang thing is horribly stressed on one side of the beam. I do not know which one's going to control. You'll have to check this one for strength and you'll have to check that one for strength. This one you won't have to check because you already checked it here. If it doesn't make sense, holler. You don't see it if you say, well it's pretty obvious. He either has a short, highly stressed section or a long, not so highly stressed section where he gets a nice C sub B. How much C sub B do you get out of this piece? Craig? Is that who that was? Clark? No, not Clark. Casey, Chong, Cantu.  And I don't. Most people don't. He thought I was talking to him and his heads going this way too. Anybody? What is C sub B for this? 1.0. Good. I mean you're catching on. It's going to take a while. The reason you don't get a C sub B out of this or you get a 1, that's nothing. You get no present is because every little fiber is stressed right up to the limit. And you only get Christmas presents if some of your fibers are not squealing and hollering that they have been run right up to their ability to take load. Um, we just covered that. I'm getting back into the equations listed in the new text. What page that is 1416.1 dash looks like 46 got erased for some or somehow. Try and tell you where to find these things. That's 90% of the grief in this class. It's where the devil to find these things. Absolute, absolute, absolute, absolute. Here's a beam. Got a brace on the end, got a brace on the end, got a moment on that end, got the same moment on that end. M is equal to 100. M is equal to 100. There's the moment diagram. M max is 100 at the quarter point, at the half point, at the three quarter point. Here's when M max is equal to the same all the way across. It's just M. Get 12 and a half M divided by two and a half M max, three times the moment of the quarter, which is M, and four moment in the middle and the moment of the three quarter, 12 and a half divided by one, two, three, four, five, six, seven, eight, nine, 10, seven, 12 and a half over 12 and a half. It's a one. First case. All right. He wants to know C sub B for a uniformly loaded beam. He says M max is W squared over eight. So he writes down W squared over eight. To get the moment of the quarter point, he draws a free body and he solves for the moment at the one quarter point. That's what he calls M sub A. This will also be M sub C at the three quarter point. Solves for that by statics. Puts the numbers in. There's W squared over eight max. There's W squared over eight max. There's W squared times three 30 seconds is the moment at the quarter point. There's the moment in the middle, which happens to again be M max. Here's at the three quarter point. I'll let you check out the equation for M max. Here it is right here. Three 30 seconds. Crank that out. You get a one point one four. Which means in the very common case where you have a uniform load on your beam simply supported, you can count on a 14% increase in whatever Timoshenko tells you. You don't ever have to work it out again. Unless you can't find a page to reference it to, if you just say times one point one four, I'll say no fair copying from your neighbor. That didn't come in from the neighbor. It's one point one four. Well, tell me where you found that. Here it is. Three dash 18 page 210B. See, I've got a 210s past this page. NB 210B 210B 210B. Here we go. Write out a page three dash 18 in your AISC manual. Here's your case uniformly loaded. Now it bothers me a little bit that they say none because that's not true. There's some, but I really think it ought to say at the ends only or either that are none in the middle. None other than the end points. There's your ccb, 1.14. What if you brace it at the ends and in the middle 1.3? What if you brace it at the third points 1.45 on the two ends and 1.01 in the center? Look at that. You get almost no Christmas present at all 1.01. Reason being, here's your brace, here's your brace, there's your M max, there's your moment of the quarter, there's your M at the middle, there's your moment of the three quarter. You didn't hardly not stress it at all. You pretty much stressed it right on up to the limit pretty much. So you don't get much. At the quarter points, at the fifth points has a bunch of numbers for you. Here they are with concentrated loads. Here's a floor, a floor beam floor system. There's four beams on here. None, they don't even know the others exist. When you put a load on this one right here, the beam which was nice and square with the world very likely will have a tendency to flop over on the side and dump the load off on the floor. So people not wanting that to happen will probably come down and they'll put braces thereby supporting this one right here in the middle and here's a horizontal brace which quarter point and at this point and then when you put the load on it they all flop over. It's just like four drunks all trying to help each other out. So what happens is that's not going to work. You're going to have to also add some bracing like this. In other words then when this person says why don't we all do this, this point will try and move up and this point will try and also move up. Problem is is in order for that person, in order for this person to move up, it's now supported so it can't move up. So when this one tries to move up, that right there will stop it from moving up and since you've braced this one then you don't need any more bracing like this. They really wouldn't put it on the end like that. They put it in the middle so it's not so far away from the other spans and then a full set. Theoretically speaking you don't need this last set because this last one right here should be able to dump its load back in tension, compression, tension, compression, tension but that's a long way to get to something solid and so usually they'll just and you will just go ahead and put another set of bracing and then that ought to brace this down four, five, six beams much further than that and you're asking this to compress this member, compress this member, compress this member, compress this member, compress this member, compress this member, compress this member and go in tension over here. After a while you're going to want another set. Now the textbook gives you several C sub Bs. He actually gives you a couple of C sub Bs that are not in the in the manual so probably the best thing to do is where you have the page in the manual is just copy. This is a very common one where you have moments on each end. Just copy anything that's in here on the page in the manual which is perfectly legal then you got it. There's the one you and I just derived. Here's one with the brace in the middle. We didn't derive it but we saw it. Here's the one for a concentrated load in the middle. Here's the one for a concentrated load in the middle with the brace also in the middle. Here's one for equal moments on each end. That's probably why the book doesn't show that other AISC manual because it's it's a little unusual that you have the same moment on both ends of a beam. That comes when you press on a frame. When you press on the frame this thing if it didn't roll at all it would come out here straight but since it does roll a little bit and bend this girder that means that somebody did this to the girder. Same way with on this one you know you might think it comes out straight but if you stop holding it and let it do what it wants to then it's going to roll a little bit which means that you've done this to the girder. We already talked about rolling those points. Remember when we had the nomographs with G in them? So you could have the same moment on both ends and if you do you can get a number but if you tell me this is m1 and this is 0.8 of m1 well then I got to have another number and since there since there isn't any limit to you know what you might run across those I don't think the manual bothers with it they just ask you what is m max well this one what's the moment of the quarter what's the moment of the half what's the moment of the three quarter and get a correction factor from that. Now here's one that's not really what the book had in mind but it's not to scale I'm telling you this is 20 feet 6 feet 20 feet there's the one where you wouldn't know whether to study the long lowly stressed beam or the short highly stressed beam you just about have to check them both here's one of the moment on one end only m max mth quarter m at the half m at the three quarter c sub b same thing this is the old text with all my pictures on it I've already talked about this we talked about this here's one this one is longer than this span the moments in this region are higher than the moments in this region you could easily say it's my opinion I'm willing to take my chance with a few points I'm only going to study this section because it's longer and because the moments are higher and I'm not going to study that one if you got some good engineering reason that makes sense then that's okay oh you're right they're both the same length thank you I was thinking this one was longer even if they're both even if they're both the same I would still say that the moments here are higher at all three points at quarter middle and three quarter then they are here and this m max is bigger than this m max study that span only there's the books there's the manuals opinion of the earth that he thinks are practical that you can use we were working with uh w 14 by 68 I will tell you that in the manual there are a set of things called z tables they tell you the plastic section modules you can also get these from the dimensions table but also for your convenience you remember that number right there 8.69 that was l sub p you remember it had the square root of the square root of the square root squared raised to the e power and all that nonsense there it is for that beam and there is l sub r and they have grouped other things they find that you need commonly and stuck them all on one page like a moment of inertia about the strong axis like the plastic moment times fee and bending and here he tells you a little surprise I don't remember them not telling you piece of beam on just about anything where they use it and that was 431 here's your fees to be m sub r these are allowed stress people this is your best friend we'll get to that these are sheep that's sheer but that's allowed people there's sheer capacity of the beam on the end of the beam or any place on the beam good tables uh study span a b only study spans b c and c d only this and that of course or oh no that one's longer than this one so these are the two I would have to study this one I don't have to study because straight lines 1.67 given right here I mean I have to study it I have to think about it I have to consider it straight line bending moment you know that straight line bending moment is not given in the yeah it's on this other guy here moment on one end no moment on the other end straight line 1.67 that'd be another good one to copy down in the introduce it into the manual now here we go the beam it's got 200 kips or something on it at five feet and there's also a hydrogen balloon connected to it that's 2p and that's p and then here's the rest of the beam this is a and a and 10 a first thing I do is to get a sheer moment diagram I solve for moments about this point 2p times a minus p times 2a that's already that's already zero so this reaction is zero all sheer diagram here's your moment diagram moment diagram will go uh this reaction is p this moment would be p times a p times a this moment would be zero again here's your moment diagram so now here you have a beam and this beam is 12 a long it's got a little spike moment and I don't know what those are doing there because they're not anything really somebody asked me something and the m max is p times a and the moment of the quarter is zero and the moment of the half is zero and the moment of the c is zero when I plug that in to c sub b correction factor 12.5 times p times a divided by 2.5 times p times a plus zero plus zero zero all right I get a correction factor of five now this is I just pulled one out of the book here this is for a w 21 by 55 I went and looked up its lp I looked up its l sub r and so I went past l sub r went out to 20 feet and and I actually just pulled this number off of page three dash 129 those those graphs rather than solve for it and so according to timaschenko's equation I had 231 coming to me and then I talked and the christmas present guy says don't forget I got a package here for you with a bow on it oh I forgot I get more than 231 don't I he says yeah multiply that rascal times five but 231 times five one two three four one two three four five and I should have written it down oh here it is down here's 1155 kit feet wonderful I can use every kit foot that's there eyes all lies can't go above in plastic I mean that's all that's there so that's the limit how much you get 473 and you can have the 473 it's really yours and you really do have a strange situation where your beam has very little tendency to latterly torsionally buckle but the moments back in this region they're going to form a plastic moment they're going to fail the beam at that point so be careful when you multiply that ccb in there it does not increase the moment according to timaschenko's equation above in plastic we were using a w oh here's the yeah this is the w 21 by 55 this is where I got this number from although it may not look like it on this curve here's the 231 I'm looking for a w 21 by 55 picked it random 20 feet long here is the 20 feet long I only looked at about 30 pages before I finally said oh there it is a w 21 by 55 and it has you know somewhere out in here it says I got 231 kip feet where I got it from and incidentally here's your 21 by 55 it goes to there and they just quit telling you they just don't even give you anymore they said look you're you're crazy if you use that beam for anything any longer just doesn't have enough strength left to make it worth you while go get a bigger beam all right now then what do you do if you have flanges it really are long stick out and they're skinny really very simple if you remember your formula I wonder if I could find that I doubt it your formula in in first place in this region you're going to have to find out whether or not the things are too slender the web and the flange in this region you're going to find out if they're too slender but down in here you are losing so much strength that you just never find that those things control they barely control even over in this region here here's what your equation said it said m nominal is equal m nominal is equal to m plastic minus it had m plastic parentheses minus 0.7 f sub y s sub x then it said l brace minus l plastic divided by l when the radius of gyration kills you minus l uh darn it l plastic that was the equation for how much your beam lost strength as you got out into that straight line portion what it turns out is the same thing exactly happens to you if the lambda of your flange or the lambda of your web gets out past lambda plastic and lambda radius of gyration equation is identical the only thing is instead of sticking in l sub b which you get to say what it is that's how close you put the brace points together you use the lambda of the flange that's that major of how much tendency it is for it to buckle locally b sub f over two t sub f here were your things out of that table one was lambda plastic and one lambda radius of gyration but i don't know if you remember the numbers 0.38.1 good chance i brought that table with me here's a w14 by 90 look on the next page there are your b sub t over two t sub f's there's your web tendency to buckle i guess i got that table i remember trying to remember the name of it too don't remember the name of it but i remember this there were two of them there was one of them for columns and there was one of them for beams and one of them said compression members and one said for bending members and it had you remember that case one case five case nine case 15 those are the tables i'm talking about where these things right oh here they are right here it is on page 16.1-47 now that's the equation thank you 16.1-17 never do that again i will remember to write that down now then on page 17 do we have columns or beams beams is the one i'm looking for that's where those came from and you find out how much your nominal moment has been hurt by simply running that equation out right there and he's got an example of it right here where you plug in the lambdas rather than the links and you find out how much the beam has been hurt if at all you only do that if it's got slender slender elements you only do that for this guy you only do that for this guy because there's your f says you've been hurt in flexure see you next time yes sir great where are we going i mean if you want to come with well you're paying an orange i don't have any money is that why you're here yeah oh no you're telling me you're going to go without me oh this sucks man look at this possibly take the makeup exam that's okay what what exam did friday not this friday next friday okay it happens okay what's not fine oh you know i'll make out a make out for you website right everything no no that's okay yeah yeah okay you really did read that yeah everything i'm gonna be fine that'll be fine and there'll be somebody you know will not also take it i'll know friday who doesn't so i'll be email your stuff so i won't bother emailing you i'll email anybody else who didn't take it then i will tell you who and i'll tell them who are you gonna have well it won't be a week after yeah probably if any if i can get them back on monday now you know are you gonna be back monday they may not you know if they're in the hospital or something they won't be so it may be longer than that so we'll work it out all right where are you going wow never been to martigar okay okay thank you yes sir on monday yeah picked it up today irrelevant homework please submit again well these okay he just wants you to stick it back in the envelope oh okay he just didn't know what to do with it you know and he's so swamped as it is the thing it's a lady yes ma'am and when is that yeah but does that mean is it on a major exam day or something that's yeah that's fine no that's fine just take a look at the videos and keep up with the class notes as best again and if you see a pop quiz go look and see what you do in case you miss a pop quiz you can turn it in afterwards it'd be all right but again if you do that see he handed it in early and the guy wrote this is irrelevant you made him resubmit it so you can do that or you can hand it in afterwards we'll be sure you write uh excuse absent just get me to initially at the end of class and then we'll throw it in a store in the stack thank you thank you okay


To keep things going we're gonna move forward with Mitch Altman, who is quite a known name By his title as CEO of Open Hardware Crater Please do come on stage Briefly introduce Mitch Mitch is from San Francisco and he's a San Francisco based hacker and inventor best known for creating the TV Be Gone as featured speaker at hacker conferences and international expert on the hacker space movement and also for teaching introductory electronic workshops So quite a good background He's also chief scientist and CEO of cornfield electronics So Mitch joins us today to talk on open-source hardware and on education There we go. So this is my contact info Please feel free to contact me anytime for any reason. I love helping people anyway that I can and I'm gonna go over. Oh wait, actually, okay, if I take a photo You'll be on the internet forever, you know so Great, I'm gonna go over just really briefly a little bit about my background because it's Relevant for what I'm gonna talk about and everything I do because I Think it's really important that we do things because it's meaningful to us And this is the background of why stuff is meaningful for me.  I tried to escape into television television, of course that never works, so I just time went away I watched the screen and time went away and I got fat and didn't learn anything and that made me more of a Target only to want to escape into TV again when I got home and that's called addiction and It was a long road and partly because of teachers supporting me and I am talking about education as well as open hardware today Teachers are super super important And with the help of them and other aspects of life I ended up quitting TV and getting getting rid of it in my home And that was a first step in learning to live a life. I love which was a long road But basically that was the first half of my life. Okay, so by the year 2003 TVs were popping up everywhere in public places this force that I got rid of from my life was Invading me again everywhere. I went in public. Can you remember a time? Can any of you remember a time when TVs were not in public places? It used to be the case, but they were all over in public places. I couldn't do anything about it But I could invent a TV remote control that could turn them all off so I did and It was really fun going around turning TVs off and it turned out a lot of people really liked it and I saw an Opportunity so I made a bunch of them in 2004. It was the first day of sales and I sold so many that my website crashed and I was on national public radio in the US and New York Times and the front page of the Technology section I was invited to Fox Fucking Fox to turn off all of the TV monitors in their studio while a lot 14 million people watched Anyways, it was quite a beginning. It changed my life forever for the better and 15 years later I'm still making a living from this totally bizarre Project that I just did because I wanted one for me Thanks so I Got invited to a lot of really interesting events because of this including hacker conferences Which I never really thought of before but hacker conferences were totally amazing I mean here we're pretty much in one right now where there's lots and lots of people all sharing what they love Wanting to learn from each other and I gave a talk on TV be gone And this was my second hacker conference of the 23rd chaos communications Congress Which was in Berlin at the time and after the conference people were like Why does it say patent on that? Patent that gets in the way of innovation. Why are you doing that? And I'm like well, I'm an inventor my brother is a patent attorney Of course, that's what inventors do and I'm like, but but but but I don't know Maybe someone will take the idea and only sell it for money and anyways It didn't really make sense all the little things in my mind to justify it didn't make sense. And so afterwards I Made it open source that was in 2007 and Open source hardware really didn't exist at the time open source software of course did but taking those same contact Concepts and applying it to hardware made a lot of sense All these people all over the world started helping me and they were helping me already So it was essentially open source except for that patent thing in the way getting rid of that made even more people help And then all these people that made it I didn't make any money from that But all those people called everybody about how incredibly cool this thing is and that's PR that as a teeny little company I could not afford and Of course, why am I doing this? I'm doing this so that people will turn off TVs in public places and everywhere and have more time and live better lives And when it's open source more and more people are turning TVs off and making the world a better place for everybody So that worked really really well Also at hacker conferences. I got inspired to start One of the early hacker spaces in the United States along with a few other people We started some of the early hacker spaces in the United States We all helped each other and we helped a lot of others once they saw that we were successful this Start more and it started this whole hacker space movement and now there's thousands in the world And one of the things I did at noise bridge starting really small. It's teaching people to solder one of the things I love and that grew pretty big and I'll be teaching soldering here if anyone wants to join It's tons of fun and of course if I'm teaching soldering I want to have cool things for people to build so I created a lot of open source Kits for people to make first one being of course TV be gone kit which turns off TVs at 50 meters away and It's it's just tons of fun. All these things are for beginners, but cool enough for anyone to make I Made a comic book which of course is also Free and open source anyone can download it for free in the language of your choice This is what happens when you make things open source people make it cooler including other languages So hacker spaces are these amazing? environments their places with Doing anything not just tech but also lots of art and other things But the main thing is there's a community of people supporting each other Encouraging each other to explore and do things that are meaningful for each person And when people find Projects that are meaningful of course they want to put all their time and energy into it and they get excited about it And they're motivated to learn all these things that they don't know that are getting in the way of making their projects even better And so people learn more and more in order to make their project as awesome as possible And that is what project-based learning is all about And why more and more starting small, but if it's growing exponentially it's growing growing It's kind of flat, but it's gonna take off and it's starting. I think kind of right here now it's highly motivating for people to learn and You know one of the things I teach is soldering and electronics. It's it's really not a big deal. I mean but look They're happy You know, they're just making a blinky light there, but they're happy and you know Even if these people never saw her again like this guy who made one of my brain machines He may never make anything with electronics again or maybe he will maybe he's gonna go off and become an electronics person because of it Who knows but he's gonna have this sense of accomplishment and a sense of confidence that brings him to the rest of his life And who knows what he'll do with that So one of my latest kits is a music synthesizer kit. It's like 30 bucks I tried to make it as cheap as possible and this as an outgrowth of a project that I came across When I was in one lab in the University of Illinois where I went to University that didn't take military money The only lab in the entire huge University of 40,000 people that didn't take military money so we were doing cool things like music synthesizers and Electronic electric vehicles in fact the person who started Tesla motors was in this lab with me and from my friend Martin and No, it was not someone named Elon It was my friend Martin and Elon had the money and he stole it, but anyways, that's another story in this lab, but I had no idea that I could actually do things in In electronics in a lab at University that I actually loved so My advisor there said you should just do something you love and I found music synthesis and I made that into my master's thesis and I actually started Loving going to digital signal processing class, which I was loathing before because in digital signal processing I could learn what I needed to make my synthesizer awesome School can be like that it does not need to be like this This is test-taking this is not learning. This is the results of being trained to take a test. Is this education? Yes, but is it good education? Can we do better? Hell, yes, we can do way better than this We can be much more motivated than sitting around having to do this kind of stuff project-based learning is really really cool School can look like this and school is about education is about a lifetime of learning That's what school should be is preparing all of us to live a life of learning a live a life We find fulfilling a life that we find meaningful doing things. We love and I really love that this place is called Lifelong learning Institute and so STEM comes along and starts taking over but this is like huge corporations This is a term from the US military because DARPA which exists only for the Guaranteeing this US the superiority of US military technology is seeing that education isn't good enough for engineers to do that for them Yeah, this is what it's about and they have tons of money. They maximize their profits. They buy Politicians the US military is six times the rest of the world combined. Is this what we want for education? Are these the people we want to run our education? I don't think so So anyways people have added at least an a to it for art this adds at least joy and creativity so that it's meaningful and There are many many many many many many places around the world that are taking this into consideration This is just one place. I was recently out.  I'd be doing that and maybe I will they're also, you know, like this is just some kid Decided he would like to teach electronics and he created scrappy circuits and for less than a dollar a person you can learn electronics Totally open source, of course So the more we have of these open-source tools so that educators all over the world can make use of them and share them and make Them better and continue to share that around it will help make More opportunities for more people and that's really what we want and it's up to us to do that because if we don't do it Will so thank you great presentation rich. Thank you so much


Item number SCP-2206 Object Class, Euclid Special Container Procedures Containment of SCP-2206 is currently unfeasible due to the number and distribution of its broadcasting locations. To combat growing public awareness of SCP-2206, a Master's Information Campaign has been launched with the goal of disguising SCP-2206 as a work of fiction. To this end, the following actions have been, will be, and or are continuing to be taken. The creation of a fictional website for SCP-2206, describing as a radio show parried in popular sports talk radio, the creation of SCP-2206 merchandise sold through an online storefront on the aforementioned website, the creation of advertisements for SCP-2206 memetically engineered to decrease listeners' willingness to believe that SCP-2206 is anything other than a work of fiction. The staging of live shows emulating SCP-2206 broadcasts performed by Mobile Task Force Lambda-30, Sports Casting Performers. Efforts to locate and neutralize the source of SCP-2206 are ongoing. Description SCP-2206 is a series of radio broadcasts that began occurring throughout the continental United States in 2008. These broadcasts mainly occur during the local evening, usually coinciding with a region's baseball game. While it is possible to trace individual instances of SCP-2206 back to their apparent broadcasting locations, no source has been found for them. It is currently theorized that SCP-2206 is an inter-universal broadcast from an alternate universe significantly different from our own. The content of SCP-2206 is a sports commentary and discussion show. While the focus of this show is a sport referred to as baseball, this sport is significantly different from any known version of baseball played on earth. Batters do not receive walks. The only way to get on base is to successfully hit the ball. Bats are constructed from aluminum or lightweight composites instead of the northern white ash wood typically used in the construction of professional level bats. A larger playing field, the distance between bases has been stated as being 180 feet, approximately 55 meters, while the distance between home plate and the furthest point of the back wall has been given at 1600 feet, approximately 490 meters. High-strength fences constructed from various different materials of great height entirely surround the field for the protection of spectators. On-field fights between opposing teams are common, expected and considered a legitimate matter of contesting an umpire's call. These injuries and fatalities are significantly more common. The use of steroids in other performance enhancing drugs is mandatory. Players are highly divergent from baseline humans, genetically modified and cybernetically enhanced humans, sapient ectomorphs, androids, and other anomalous humanoids are present in some combination on all teams. Fan superstitions appear to be capable of actually affecting the outcome of a game. The commentators for SCP-2206, who are by all indications baseline humans, create these differences as usual and normal, providing commentary very similar in tone and style to that of a normal sports talk radio show. The following teams are known to currently play SCP-2206 baseball. Team, League, MLB Counterpart, and Notes Anaheim Avengers, American, Los Angeles Angels of Anaheim. While it has been stated that they are the second team in history from Anaheim, it is currently unknown what happened to the first. Atlanta Aztecs, National, Atlanta Braves In lieu of an opening pitch, the team starts their home game by richly sacrificing a B-list celebrity. Baltimore Terrapins, American Baltimore Orioles Although they are named after the Maryland state reptile, their mascot is apparently a three-ton ass-suspending lizard capable of launching poisonous spines from his back. It is possible that in SCP-2206's universe, this is a state reptile of Maryland. Boston Red Shirts, American Boston Red Sox Currently holds a record for most fatalities sustained in a single game. Set during a 1903 game against the New York Highlanders after losing their entire roster, the Red Shirts begin drafting spectators onto the team. They eventually won 1-0. Chicago Black Sox, American Chicago White Sox Conspired to fix the 1919 World Series, which they lost in a four-game sweep to the confusion of all involved. Chicago Orphans, National Chicago Cubs The staff has been without a manager, owner, and coaching staff since 1897 and were evicted from their ballpark in 1902. Despite this, they are one of the most successful teams in SCP-2206 baseball, having claimed over 20 World Series titles. Cincinnati Communist, National Cincinnati Reds Between 1952 and 1993, the entire team was illegal under U.S. law. Cleveland Exiles, American Cleveland Indians The team has not played a single game in Cleveland since 1900 Colorado Blizzards, National Colorado Rockies Their stadium has perpetually buried under a meter of snow, providing them with significant home-filled advantage. Detroit Wolverines, American Detroit Tigers Members of the team appear to be immortal Florida Flounders, National Miami Marlins As the only entirely amphibious team, they represent the United States in the Pisces Cup, a five-game series played against the Atlantis Aquatics. By Atlantean lore, the possessor of the Cup has fishing rights to the North Atlantic. Houston Colt-45s, American Houston Astros Singerly responsible for the 1972 ban on the use of firearms during play. Kansas City Kings, American Kansas City Royals Actually two teams, one from Kansas City, Missouri and one from Kansas City, Kansas Both of which claim to be the rightful heir to the title of Kansas City Kings Los Angeles defectors, National Los Angeles Dodgers. Originally the Brooklyn Excelsiars, in 1958 the entire team's stadium and ownership was transplanted to Los Angeles overnight, narrowly escaping an assassination plot orchestrated by the New York Highlanders. Minnesota Clones, American Minnesota Twins Notable for being the first team to make extensive use of cloned players, earning them their name. Their roster has remained unchanged since 1985, consisting entirely of genetic clones of previous players. Montreal Volcanoes, National Washington Nationals Their home games are played inside the active volcano of Mount Royal. This resulted in the incineration of the entire team along with their opponents the Toronto Razors and thousands of spectators when the volcano erupted during Game 5 of the 2005 Parisian Cup. New York Highlanders, American New York Yankees, repeatedly referred to as the most hated team in baseball by various SCP-2206 commentators. The New York Highlanders have a history of using tactics considered underhanded even by SCP-2206 standards. After forcing their fellow New York teams, the New York Gothams and the Brooklyn Excelsiars to flee the city in 1958, they remained a sole SCP-2206 baseball team in New York until the formation of the New York Irbans in 1961. New York Irbans, National New York Mets, nicknamed the Murdering Irbans in 1969 due to their assassination of the entire roster to Baltimore Terrapins on the eve of Game 1 of that year's World Series. As a direct result, off-field murder was banned the following season. This ban would not be lifted until 2000. Oakland Elephants, American Oakland Athletics Spectators are physically incapable of forgetting their games. Philadelphia Phantoms, National Philadelphia Phillies. From their inception, the entire team has been cursed to haunt their stadium as ghosts until they can go an entire season without losing a game. Their ability to complete this goal is hindered by their inability to play away games. Phoenix Firebirds, National Arizona Diamondbacks, first team to play in a stadium with a fireproof roof. Pittsburgh Rebels, National Pittsburgh Pirates, staged an uprising against the commissioner of baseball in 2010, which ended in failure after the commissioner killed his assailants with his death stare. San Diego Whales, National San Diego Padres, players have repeatedly been the targets of Japanese whaling ships despite not actually being whales. San Francisco Ghosts, National San Francisco Giants, originally the New York Gothams in 1958, the entire team, stadium and ownership, were transplanted to San Francisco overnight after narrowly failing to escape an assassination plot orchestrated by the New York Highlanders. Seattle Storms, American Seattle Mariners, the entire team was banned for the duration of the 2009 season after using divine intervention from multiple weather gods to influence the outcome of their games, including the American League Championship Series. The SCP-2206 baseball rules limit teams to one patron deity per season. Seattle Autopilots, National, Milwaukee Brewers, the team's roster includes two self-driving cars, four unmanned aerial vehicles, and three Atomis vacuum cleaners, it is unknown how they are able to play baseball. St. Louis Cardinals, National, St. Louis Cardinals Although they share a name with our universe's St. Louis Cardinals, the SCP-2206 Cardinals have an actual Catholic Cardinal as their mascot, who is an ordained Bishop of the Roman Catholic Church and a member of the College of Cardinals. This is in contrast to our universe's St. Louis Cardinals, who do not. Tampa Bay Devils, American, Tampa Bay Rays, player salaries are paid in human souls. Texas Renegades, American, Texas Rangers In 1993, the entire team quit baseball and formed a basketball team, only to return to baseball in 1995. Toronto Razors, American, Toronto Blue Jays As part of Ontario's ongoing war against facial hair, the team offers free-shaves to spectators.


Hey, this is Brett and this 2020 Ford F-250 Crew Cab Short Box Lariat Sport FX4 is stock number 13733Z. I am here at Summit Automotive in Fondlec, Wisconsin, you're new and used heavy duty truck headquarters. This 2020 Ford F-250 has the 6.7 liter power stroke diesel engine, puts out 475 horsepower and this truck has been fully safety and inspected by our service shop has a fresh oil and filter change all the fluid tab and checked in topped off and it is 100% ready to go. It's paired up with the 10 speed automatic transmission. I'm gonna go all the way around in this video inside underneath, start it up and take a look under the hood to give you the most accurate representation of the truck possible. White star metallic tri coat is the color. I shoot all my videos in 4K. So if you have HD capabilities, turn them on now because it is your best way to check out the quality condition options and cleanliness of the vehicle before seen in person. If you like the video, you can subscribe to my YouTube channel, which is youtube.com slash summit auto click to bell notifications. You'll get updates on the videos I do each and every day as well as having access to one of the largest catalogs of vehicle and truck walkarounds on YouTube. This one comes with some really nice black Rhino 20 inch painted alloy wheels and it has Nitto Ridge Grappler, 35 by 12 and a half R20 LT tires. These tires, I would say probably about 80, 85% of the tread left on them frame and underbody is exceptionally clean on this truck. Front fender is absolutely perfect. No dents or dings in there. Has the LED headlamps, LED running lights and the LED fog lamps. We'll turn those on at the end of the video so you can see just how nice and bright they are. No major dents or dings on that front bumper and you get the gloss black grill with the kind of bronze finished Ford logo. It looks really good. The hood is in fantastic condition. I didn't see any major dents or dings on there. Passengers side front fender is in nice shape as well. And the passengers side front wheel, no major scuffs or scrapes on there. Now you get the gloss black around the lairiet part of that sport package and white star tri coat has just a little bit of metal flake to it. Really a good looking color. Hard to get it to focus, but there we go. Cool color. As you go down this side of this 2020 Ford F-250, take note of how clean the body is, how reflective and mirror like that paint is. I take these HD videos so if you are far away or even if you're close by and you just cannot make the trip down but you're still interested in purchasing the vehicle, you can see the truck, hear the truck and have confidence in the vehicle that you're looking at before you even get here. So when you do get here, there's absolutely no surprises. And you can make a smart and informed buying decision from wherever you're at. If this video helps you make that buying decision, let your salesmen know that you saw the video that it was helpful and that brought sent you. Back wheel is in excellent shape as well. And the back tires have just as much tread as the front tires. This one does have rear airbag suspension and the frame and underbody all the way underneath is in really nice shape. Has all the remaining factor exhaust. And other than being a little dusty, it's in nice condition under there. Has a power running boards. And down the passenger side box here, you also get kind of those bronze finished FX4 stickers. They look really good coming around to the back, rear bumpers in pretty nice shape. Didn't see any major dents or dings on there. Does have the backup parking sensors. This is where your rear airbags get filled up. Four pin, seven pin wiring and your receiver hitch there. Tailgate is in really nice condition. Didn't see any major dents or dings on there. And you get a very nice rear truck cap. This one also has the power drop down tailgate, tailgate step assist, spray and bed liner. And it comes with a cargo glide. This is a cargo glide 1500. And you can see that slides out like so. And that is as far as it goes, which is nice if you got tools and stuff. Can slide up and put them in here, slide it back and get to your tools and then slide this right back. This one also has LED bed lighting back here and you get some side box tie downs as well. And it's very nice and clean. Tailgate shuts nice and solidly as does the cap, the rear cap gets a really, really rough rack on there. Going down the driver's side, just as clean as that passenger's side. No dents or dings on the box. And for full disclosure, this back wheel is in fantastic condition as well. No scuffs or scrapes on there. Down the rest of the side of the truck, doors look really good. Does have the power scope mirrors, blind spot monitoring, built in directional signals, 360 cam. It also has the intelligent access and the driver's side door code entry. We do have the code for this truck. If you ever want to figure out what your code is for your 17 to 22 Super Duty in the upper right hand part screen, got a video showing you how to find that. Inside the Lariat Ultimate package gives you the black leather interior. Seats are in really nice shape. Both of them are heated and cooled and you get the factory all-weather floor mats, power pedals, auto headlamps, LED side lights, power drop down tailgate, power windows, locks and mirrors and memory driver's seat. These mirrors do power fold in like so. I always like showing both sides so that you know that both sides are working properly. And then they do power telescope out and in. Once again, both sides out and in. Take a quick look at the back seats. They are just as clean as front seats. No rips, no tears back here.  Power sliding rear window with built-in rear defrost. These seats fold up, does have a collapsible load floor or a collapsible storage area, I should say. All-weather floor mats, these back seats are heated. You also get 110 volt, 400 watt max plug-in as well as a USB and USB-C back here and a 12 volt power point. These seats fold back down like so. And you do get child safety locks on the back doors. Bottoms of the doors are in really nice condition as well. We'll hop inside. Wanted to show you the VIN sticker and tire and loading information sticker first. All right, let's hop inside and check out the miles radio and everything that this vehicle has to offer on the interior. This one does have the power tilt and telescopic steering wheel. Do you get the instrument cluster right there? You can see this one has 48,401 miles. Instrument cluster is very nice and clean. Comes with the leather-wrapped steering wheel, Bluetooth and audio controls on the right and cruise controls and information center controls on the left as well as adaptive cruise controls which are right there. You get your sync eight inch radio. You get your climate controls right here. You get AM, FM and serious XM radio capabilities as well as Bluetooth controls. You have all your different settings in here including forward pass connect, Apple CarPlay, Android Auto and this one does have the factory navigation system on it. You can see there's highway 41 so that is working nicely. I'll show you the cameras right here.  It does have a cargo cam but obviously with the cap there you're not gonna be able to see what's going on in there. And then you got a wide view of the front and then you also have the surround camera right there as well as the backup camera of course. You have lane departure warning, downhill assist control, stability control and your factory exhaust brake. It does have a B&O premium sound system turned out four-wheel drive factory brake controller has the trailer pro backup assist system. Dual climb controls, heated and cooled seat buttons. Down here is your wireless cell phone charge pad, USB and USB-C ports right there. You also have your keyless entry with remote start and power drop down tailgate ambient lighting. You get two cup holders and then my magic trick is you get four cup holders there. 12 volt PowerPoint, 110 volt, 400 watt max plug-in. You get dual glove boxes right there, passenger side format and seat are in fantastic condition. I don't think this truck's ever been smoked in, smells very clean inside. And you get deep panoramic vista roof, second row fixed glass, power front sunroof as well as map lights, sunshade and sunroof controls. We'll start it up and take a look under the hood. Starts right up, no check engine lights or anything like that. I would personally like to thank you for checking out the video today and hopefully from this HD video, you've been able to verify the quality condition, options and cleanliness of this truck inside and out. Turn on all those lights there, they are super bright. Look really good. Under the hood, we have the 6.7 liter power stroke diesel engine. Engine maze very clean, runs very smooth. Once again, this truck has been fully safe and inspected by our service shop. Has a fresh oil and filter change. All the fluids have been checked and topped off. And it is 100% ready to go. There is the emissions sticker for ya. And I would highly recommend this truck from a quality and condition standpoint. And to see more pictures of this truck or one of our other 550 new and used cars, trucks, SUVs, minivans, Wranglers, half tons, three quarter tons, one tons, you name it. We gotta go to that website right there, summitauto.com. Full pictures and descriptions of every single vehicle all at summitauto.com. If you'd like to check out more HD videos, you can go to youtube.com slash summitauto. Click the bell notifications to get updates on the videos I do each and every day. As well as having access to one of the largest catalogs of vehicle walkarounds on YouTube. In fact, in a second you'll see a link to subscribe to my YouTube channel on the upper left. A link to more F-250 videos are done in the upper right. A link to this vehicle on our website on the lower left and a link to one of our latest YouTube videos on the lower right. Click those, check us out. We're super excited to help you with this ultra-pleating 2020 Ford F-250 Crew Cab Short Box Lariat Ultimate Sport in white star tri-coat metallic. Thanks again for checking out the video. Remember to like, subscribe, and share on the YouTube channel. I really appreciate it. Thanks again.


Gosh I just feel so weird. I mean look at me. I even walk funny now.  Okay, okay, let me just Okay spirit, please Guide me. I'm so confused. I feel like I'm going crazy all of a sudden I have these pupils and a deeper voice. It's like everything is changing so fast I don't even know who I am anymore. Please spirit. Show me the way Patch go to the farthest reaches of the universe within you Raise your conscious frequency and rend yourself free from the veils of Maya and you will be free The farthest reaches Okay, okay, I can do this. Let's Take a few deep breaths. Hello there. What the heck? Where am I? It's okay Good everything will make sense soon.  I feel so Expansive. Where am I?  What do you think? Well, I mean it's cool. I guess but I'm really confused about what's going on I feel like my whole life is upside down. Well, listen I brought you here so that I could help you in finding yourself because you seemed a little lost Well, that's nice of you. I just want to know who I am. I've been really struggling with it lately I mean, I'm not you but I am you. I don't even know where I came from or why I exist Then all of a sudden one day. I've got pupils and a deep voice Did I go through puberty?  I'm so confused So let me start by telling you a story Many many years ago when I was about 14 I started an animated series on the internet called Exile and this series along with some other things that I made attracted some other creative individuals to me and one of them whose avatar nickname on the internet was Apple juice had designed a character named patchman That he was going to animate because he was inspired by the videos that I had made But then what happened was he didn't ever do anything with that character and so the character sat on the shelf for many years until When I was 18 I reached out to my old friend and asked him if I could play with that one little patchman character that he'd created so long ago Hey, wait, I think I remember that Yeah, and that led to your first ever animated picture which was a Little crazy Do you remember it? Oh God that was the one where I put the toothpick in my eye. Wasn't it? It was the one where you put the toothpick in your eye actually. What do you think? Should we share that video with everybody now? Oh, well Maybe we should ask the audience. Do you want to see the first-ever patchman cartoon? I thought you'd say that okay roll the clip There's a visine for that. Oh My god, I can't believe we made that so do you remember the other ones too the dark night and the robo rival Those were fun times. Yeah Yeah Fun, I seem to recall that they always ended up pretty painful for me in some way But after that soon spirit science came about and everything changed Well patch We kept going on our adventure until eventually I Hit a point of my life where everything changed.  It's kind of like oh Buddha was an avatar of Vishnu. So you have the supreme God and Then you have the embodiment of that God in a thing. So as above so below Here's a human creator and an avatar with which for that person to speak through. Oh I think I understand. So I'm like your avatar That's why I have higher self dysphoria sometimes Sometimes I talk and behave like I'm my own person my own character and sometimes I'm just you That's so interesting. Yeah, it's interesting, isn't it and As above so below I'm learning my own heart to be an avatar of my own higher self as well And I feel like this is an important message for a lot of people to hear because everyone has the capacity to be the avatar of their Higher selves if only they decide to step into the path of surrendering to the divine intelligence Hey, well you got to admit that is pretty neat So you're saying that through the stuff we make just like everyone else is We are pulling up on the tapestry Patchman ever since spirit science began you and I have been on this journey of Learning and teaching the world together when those first episodes came out people just called me patchman and You and I were in Essentially one at least in the perspective of many of the members of the audience But back then on my journey I was so Young and inexperienced and unpracticed in meditation and so I was very afraid To be associated with you as you I was like no patchman is a character And I am Jordan and I created some separation there largely out of a way of protecting myself at the same time I hid behind you and expressed myself through you as a voice and an instrument of my love and my creativity for many many years The truth is along that story You know a lot of confusion and chaos happened for both of us Because I didn't know who I was and it's only now in my current level of self-realization Do I realize that you are truly an instrument of wisdom and you're reflected not just in me But in the eyes of every person who watches your videos So from that perspective patchman, you're not just me you're kind of like a trinity of things you are a Little spark of the original creator You can call that the Brahma of the equation Then you're a good portion of me the Vishnu of the equation the one who just keeps it going on and on and on and Then you're also a part of the audience the Shiva the ones who are actively taking in the information and the ideas that you bring through and the critics of course who Actively seek to destroy what we create Which only further goes to strengthen our resolve to do a better job every time so We really are in the center of a big matrix of creation that we share in between each other and This relationship is reflected in Basically every brand and every character that exists out in the collective human consciousness That is through our imagination That we share the ideas with each other down here in the physical through stories through theories through ideas through projects through technology through entertainment So our goal then essentially is to be able to share this vibration of truth love and authenticity With as many people as possible so that we collectively learn to harmonize through those virtues Oh Okay This is starting to click. I'm picking up what you're throwing down But one thing is still really confusing You're talking about all the content and naturally spirit science on YouTube and social media has been the public place of learning and then spirit Mysteries became the inner campus of self-realization But why oh why mr. Jordan was spirit science changed to spirit verse well spirit science is a gift spirit science is a gift to the world and in a way Me letting go of the brand name, you know the title spirit science is a really good thing Because then people can start to see the concept as more of a genre of science Than anything else and I believe that one day in the future Actual scientific journals will have a section called spirit science Where they talk about the science of consciousness and what is possible through consciousness? In fact, that's already happening today. It's just emerging still so spirit science For me I reached a point where I realized That spirit science was still always just a show and That I was called to make more things and bigger things more bigger Wait, you had mentioned before that story called exile, right? Is that a part of what you're talking about? Okay, so we're gonna have to back up here I actually have a clip that was omitted from the self-realization video that I just posted the other day and in it This clip I should probably just play it for you because it includes the answer to a lot of those questions as well as just dreams and intentions that I Have in my heart Very brightly that I would love to bring into the world and so Just know patchman, I'm gonna share this with you, but this isn't even the fullness of the picture So I'll tell you a little bit more after a World-class animation studio that continually produces the most outstanding meaningful spiritually relevant and sacred movies and stories TV shows and This isn't to be a proselytizing thing. This is like Telling the story of the alchemist in the best possible way In a way that is word-for-word seen for seen as the book goes and The truth is I've been called to do this with so many stories and the one that is the Highest in my heart and the one that feels also unattainable, but I wish to speak to it is Aragon and the inheritance cycle Because Christopher Paulini has done the world such a service by bringing this story into the world And that story has been in my heart and as it has inspired Me so much that I want to help tell that story Like it's never been told before And I believe that something as magnificent as Aragon deserves to be told in Such a way that it captivates everyone To the degree that the books have for anyone who reads them Along with that. I definitely want to make Jonathan Livingston Siegel Which is the next book that I'm reading inside of spear mysteries and Finally, there is a story that I've been writing ever since I was 14 When I was 14, I had this idea for a story that became named Exile and between the ages of 14 and 19 I animated four episodes of them this is how I spent most of my teenage years and They were so much work that it took me one entire year To produce one episode about ten minutes long Obviously, this is unsustainable and ever since then I've been learning how to optimize my own workflow To make movies and videos animations and cartoons with more flow So my last and another major project that I want to work on and spend my time on Is exile both writing the book in its fullness As well as producing the story the animation That tells it in its fullness, which would be just so much fun Wow, that is such a big dream And I know that's not even the end of it because I personally have talked about wanting to build a spirit center before Geez, I can see how you might be well like gee. How do we make this happen? How do we start it? Have you considered of launching a Kickstarter? It's been a question for me of well, how big do we go right off the bat? We could start at a really small level like 50 to 100k and we could finish the Sumerian epic That alone would be a really valuable use of our time to finish what we started and bring that into the world Because patch, I you know, I don't think that people really know Just how much effort it is to make one video If I dropped everything and just focused on the Sumerian epic myself maybe after two months We might have one episode And that's saying something and that's me working non-stop. That's how big the Sumerian epic was And so you see the loop that we get in because at sometimes it's just like man We just want to meditate and people just want to watch videos But it becomes something so much bigger The more people get involved and the more that the dream is realized So this is the challenge that we face But I'll tell you what for right now I'm still very interested in making some more videos I said that I was going to and I want to and so I'm going to take the next few weeks to do that with you So You mean You mean we get to make some more classic cartoons again? So I'll tell you what there's actually three old Sheep hatch spirit science episodes that were made that were never published and we still have them now So you and I can go and make some spirit science videos Some new stuff that maybe feels like the original but with a new design You know that we'll try out this motion capture a bit more And we'll see what we can come up with in short order. Does that sound good? Yeah, that sounds good. I think people will be happy with the new vibes You know what patch? Before we go, there's one other thing that I want to tell you What's that? I'm sorry I'm actually really sorry because I didn't even realize but I had neglected to bring you into spirit mysteries You are such an important part of so many people's lives and I have to acknowledge I do That it's not about me but there have been times where I didn't think that you mattered or that it was wiser or better to Not feature you or not put extra effort in to bring you into places And as far as spirit mysteries goes I always just thought that it was more professional more mature To not have you in the mystery school as much And yet it's very clear just looking at the numbers Everybody loves the seven-day transformation And that's the only course that you teach inside of the mystery school And I just want to acknowledge that that in my own Feeling overwhelmed That I neglected to do the one thing that really would have helped the spirit of spirit mysteries And so I'm just saying to you now patch man And I'm sorry, but also this is good news Because we're going to bring you into the mystery school even more And what we're creating I really want to share this with you so that you understand patch You are like the center point of an idea But all around you is this field And then it's our team and then it's our community and then it's the larger Spiritverse audience across the entire internet and the whole world And our goal Is to love louder And make more content more flowing Across the board to increase this field and make it bigger brighter Sparklier cleaner than it ever has been before Wow I I am without words I feel like things make so much more sense now just in this one meeting Oh, no, it looks like I'm starting to fade. I feel my astro body pulling me back to my physical body That must mean I'm out of time here All right We'll know that I love you Thank you for coming out here and realizing yourself and me And thank you for answering all of my questions Toodles Ah, he beat me to it Here we go bump it