I was sitting up holding my head in my hands. I was in so much pain. The nurse said I'd passed out at school and been sent here. She literally said that, not that I was sent to a hospital, I was sent here. The lights blinded me, and I noticed a doctor walk through the door. I don't know how I knew he was a doctor, I guess only from the white coat he wore. He had no equipment and carried no clipboard, but I knew he had to be a doctor. I hoped he had some painkillers for my head. I hoped he'd come over to me. But instead, he merely led the boy from bed one out of the room. It was only about three hours later I realized something. I'd been sleeping for two hours, as advised by the nurse. But the boy still hadn't come back. Bed one was empty. I was confused by this, but there was no reason to ask. I felt like death, and the nurse wasn't here, so she instead feed the boy opposite me like a baby. Four more hours. It was dark now, around 10pm. It was cold, even though the nurse insisted the heating was on. The lights were still blinding, and then the doctor returned. He noticed a girl sitting in bed two, looking light-headed, and his pale as snow. I could almost imagine the cold touch of her hand. The doctor made a signal, one that said, follow me. The girl rose to her feet beside him, obviously unstable, yet he didn't help her. He left that to the nurses, as the ill girl was taken from the room. After one hour, I felt nervous and tapped the nurse next to me on her shoulder. Excuse me, but where did that boy go? I asked politely. Sorry, patient confidentiality. She stated. She saw my disappointed face and leaned closer towards me. Okay, but you can't tell the other nurses. I nodded as she began. The boy in bed one, Taylor, he was incredibly ill. He's been here days and not gotten better. The doctor decided he needed a six hour long operation. Unfortunately, Taylor died within the fourth hour. I sighed and looked away. What about the girl in bed two, the nurse side as if trying not to give out too much information, but began again anyway. Jesse was admitted yesterday. She's just gone for a checkup. I nodded to show I'd understood and grabbed my head in pain. Are you okay? Would you like some morphine? I was about to decline when the headache hit again. And without questioning, I nodded my head. I felt the scratch of the needle on the skin of my arm, then immense pain as the needle felt like it had passed through it. I didn't know what time it was. I'd been asleep apparently. The morphine had made me more tired. And this late, the nurse didn't seem surprised. I noticed bed three was empty, but had no strength to ask or get the nurse's attention. I felt weak, sleepy even. I recognized the doctor from before standing at the door and talking to a nurse before approaching bed four. Then, like the others, the boy disappeared from the ward and everything seemed cold. I was the only child here. All the nurses were wondering aimlessly. That was until a boy reached the door and was helped into bed six. Four hours. I reached out for the nurse, but she either ignored me or didn't notice. I was stronger than before, but still felt pretty weak. I managed to sit up and noticed bed one still empty, but the boy was dead. Bed two, maybe the girl was discharged. What about bed three and four? Nurse, I managed to call and the same nurse who spoke to me earlier rushed to my side. What happened to beds three and four? The nurse sighed again. Ten minutes. Wait ten minutes, OK? I frowned at the nurse, shaking a little. I want to know what happened. I said. Danielle needed a scan. Philip needed to be put down. Now don't talk to me until after ten minutes. The nurse walked off in a storm, leaving me confused. Bed one, Taylor died on the operating table. Bed two, Jesse went for a checkup and never came back. Bed three, Danielle went for a scan and still hadn't returned. And bed four, Philip was put to sleep. Wait, it's illegal to put people to sleep. Then I sat up and realized the doctor was walking to my bed and I wanted to scream. I tried, but my voice was dead. I was weak. I kicked and flailed, but I felt another immense pain in my shoulder and soon fell into a blackout. Beeping was my company. I forced my eyes open to a woman in a mask. I felt her holding my hand. My other was locked in place by my side, even though there was nothing to hold it there. There were machines and tools all around, which scared me. There was a blinding light positioned to stare right into my face. The woman's eyes were all I could see, a soft hazel color, yet they had a green tint. You're being so brave, the woman said. Where am I? Still here, the woman replied, and I could tell she was smiling beneath her mask. Why? We're going to make you better. I only had a headache. I'm fine now. The woman laughed. They all say that. I heard the door to my right open and swing shut. That's just the doctor. Don't move your head. I tried, but it was stuck just like my arm. I felt so confused. I wanted to pull away from her hand holding mine, but I was frozen. The nurse kept staring directly at me. I don't want this. You don't have permission. I said quickly, my voice shaking. The woman laughed again. It doesn't work like that, sweetheart. What are you going to do? I said quickly. First, we need to inject another dose of something. You'll feel a sharp scratch, but that's all. A sharp scratch, then way too much pain. The feel of liquid on my skin, I managed to pull my frozen hands into fists. There was so much pain, yet I couldn't scream. You lied. I whispered in pain. The nurse didn't reply, and suddenly there was the sound of a machine, something horrible that made my eardrums want to burst. What are you doing? I said, don't worry, sweetheart. Just keep still and focus on me. No, get off. What are you doing? I promise you won't feel a thing. I wanted to scream, but something stopped me. The horrible sound matched the agonizing pain to follow. Pain was digging deep into my forearm, and every time it moved slightly, agony filled me. I couldn't scream. I couldn't even cry. What are you doing? Stop it. It hurts. What are you? The pain was too much. My body ached with the effort to move, which failed no matter how many times I tried. Don't worry, part one is nearly over. Stop. What kind of hospital is this? This isn't a hospital, silly. The nurse laughed, and I heard the doctor join in a little. Where am I? You're still here. I tilted my head back, but that did nothing to the pain. I still wanted to scream, and I wanted them to stop. I stared up at the light in front of me, and finally my voice released a petrified scream. You're not here anymore, a whisper said. And then it hit me. Bed one, Taylor died on the operating table. Bed two, Jessie didn't get her checkup. Bed three, Danielle never got a scan. Bed four, Philip was put to sleep, all right? I was in bed five, and bed six, the poor boy in bed six, not much older than maybe eight. He was going to die, die in a hospital where people are meant to be helped, saved from the one thing they were giving us. But then again, this wasn't a hospital, although it may look like one. I didn't see the science quick enough, especially the most obvious one. The doctor wasn't wearing a white coat. He was wearing a lab coat. Lily stared up from bed one and to the dark ceiling, nurse, a smiling nurse looked over Lily frowned at her happy mood, but continued nevertheless. What happened to the other people? I'm sorry, patient confidentiality, please, Lily said. The woman sighed and leaned in with a secretive smirk, fine, but don't tell the other nurses. Lily nodded quickly before leaning in towards her. The boy in bed one before you sadly died in an operation. The girl after that went for a checkup. Danielle in bed three got a scan. Philip had to be put down. Hannah was moved to a different ward. Lily looked across the room as the doctor called over the boy in bed six. Where's he going then? The nurse was half frowning, half smiling. Just wait ten minutes, sweetheart.


Family Theater presents Art Link Letter and Kathleen Crowley. From Hollywood, the mutual network in cooperation with Family Theater presents Just Like a Lady starring Kathleen Crowley. To introduce the drama, here is your host, Art Link Letter. Thank you, Tony LaFranco. Family Theater's only purpose is to bring to everyone's attention a practice that must become an important part of our lives if we are to win peace for ourselves, peace for our families, and peace for the world. Family Theater urges you to pray. Pray together as a family. And now to our transcribed drama, Just Like a Lady, starring Kathleen Crowley as Peggy. When Peggy Finley received word that she could come to America and live with her grandfather, Peggy was elated. She could now say goodbye to the dingy boarding house where she'd lived so long. And she could say goodbye to the florist shop where she worked long and weary hours. She was going to America and she was going to be a lady. Sharon doesn't my grandfather live in a ten room mansion with grounds so big you get lost if you don't keep a watch on yourself? But when Peggy arrived in America, she found quite a different picture. Grandfather's ten room mansion was an old two story house on an acre of ground at the edge of town. Grandfather lived in one room on the ground floor. The rest of the house was boarded up. Peggy tried to conceal her disappointment, but grandfather wasn't easily fooled. And you don't like it, Mitch Eiland? It isn't that, Grandfather. I'm sure if it's unhappy you are and you'd like to be going back to Eiland. You mustn't be thinking I'm unhappy, Grandfather. It's just a little different from what I expected. But it's my own fault for always fencing things up and making believe. Then you won't believe in me. Of course I won't believe in you. We'll make this house the grand old place it ought to be. We'll open the shutters and let the sun shine in and we'll have the most beautiful garden in the whole world. We'll open a room and house, we will. We'll make a real home for people and everyone who comes will find luck and good fortune. And Peggy was true to her word. A great transformation took place in the old house. It wasn't long before she was hanging a sign on the front porch. Hey, Peggy, you're pardoned. Is that a room for rent sign you're putting up? And that's what it is. But it's a lucky man you'll be if you come here and stay. I'd like to see what you have. This way, please. Upstairs. They're all nice and airy and you won't find a grand of you anywhere in the country. Now, this one faces the hill, isn't it? It has the most beauty. Have you anything smaller? No. No, they're all the same size. I guess this one will do for now. We'll be glad to be having you. And when your luggage comes, Grandfather will be a help when you're up with it. Although there won't be any luggage, this bag is all I have. Then you won't be staying long. I couldn't say right now. It's all right if I don't go downstairs again, isn't it? I'll take care of the rent this afternoon. Oh, sure. And that's all right. Thank you. I'll see you later. I thought you might like a bite to eat. Nice of you. I guess I fell asleep. Now, look, you just turn on the light. Oh, excuse me. I'll put this tray on the table. There. You've been a painting. I dabbed a little this afternoon. It's the view from the window. Oh, it's beautiful. Thanks. It's real talent you have. I told Grandfather as hell I knew you must be a great man. Well, you better set Grandfather straight. I'm just a struggling artist. Never sold a thing. Probably never will. And must be fooling. But if it's the truth you're saying, there it was the good fairies that brought you here. Because now your luck would be a change. It's too bad I can't stay. Enjoy some of that good luck. You mean you're leaving? In the morning. Sorry if I've inconvenienced you. Well, you haven't done that. But the painting, it's so real like you ought to be staying long enough to finish it. What for? Add another one to my collection? No. I might as well give up and go back. You mean you're going to stop painting? Can't live in a dream all my life. Dreams don't pay the bills. And what else would you be doing? That's just it. What? Oh, but if it's an artist you are in your heart, there's no use running away from it. No matter what else you might be doing, there'll always be that color pecking in you. So I've discovered. Then you can't be doing something not to your liking. And if it's the rent that's wearing you, grandfather and me be only too glad to have in your stay. Oh, no, thanks. Oh, we'd been raising more food in the garden than both of us could eat. You mean you'd just let me stay on? And just paint. A man can't do a thing like that. Why not if he's a mind too? It would only be his false pride that would keep him from it. Anyone who can paint like that shouldn't be given an off. I've been at it for years.  You're from Ireland, aren't you? Sure enough that you guessed.  A few months. When I was a little girl, I dreamed of coming to America someday and living in a mansion. And here I am. Sure, and I know what you're thinking. This house isn't much, but someday I'll make it the most beautiful place in the whole world. I wouldn't be surprised if you do. And someday I'll be a gondon to New York to find restaurants in the theater just like a lady. You really think the dreams come true, huh? Well, if you don't let go of them. If you don't let go of them. Say, uh, you suppose there's something I could do around here to help pay for my room and board? We wouldn't want you to be doing anything. No, no, I wouldn't stay unless there was something. Well, no. The potato patch needs digging. Well, I'll dig in the potato patch. Oh, sure, and I was only a joke. Well, I'm not.  And we'll be talking about it in the morning, mister. Oh, I didn't tell you my name, did I? It's... Smith, Martin Smith. And mine's Peggy Findley. But you could be calling me Peg, if you like. If you'll call me Martin. And why not? Good night, Martin. Good night, Peg. Peg, I sold a painting. Yeah, that one with the hills. You know, I sent it into a dealer in New York and he bought it. It's my first sale. He wants to see anything else I have. Martin, I'm that glad for you. I didn't know that $25 could look so big. $25? That's what I got for the painting. But you should have gotten more for it, Martin. Well, beggars can't be choosies, Peg. But it's a great artist you are. You shouldn't be given your paintings away. Yeah, not that. $25 looks pretty good to me. I need oils and things. Well, don't be sending that dealer fella the next when you finish. The next when you finish, you take to New York yourself and get what it's worth. Oh, Peg, what would I do without you to scold me? Here, I want you to take this check. No, you can't have all of it. Just half. And what for? Part payment on the rent. We made a bargain. A potato patch? Well, I've been out there twice. Or has it been three times? Oh, now you're talking nonsense. You'll be needing that money to buy things. No, no. A bargain's a bargain. I haven't kept my end of it. Really? Your fault, though. You know, every time I mentioned the potato patch, you'd send me back to my brushes. Well, now, I'll tell you a little secret. Potatoes is a peculiar thing, and nobody can take care of them like Irishmen. Okay, so I'm no gardener, but I'll make it up to you somehow. Now, would you hand me that basket, Mr. Smith? I'll be putting these roses in it. Okay. Here. Hey, wait a minute. What's the matter? That's wonderful. What? I'd like to paint that. Paint what? You. Just like that. Paint me portrait? Mm-hmm. But if I have me portrait painted, I ought to be wearing me new frock and sitting on the sofa in the parlour. No, no.   You mean you want me just natural? Yes. Oh, sure. Then I won't even powder my nose. So many freckles will show. Just about finished, Martin. Just about. Don't move now, Peg. How much you can look. Here. See what you think of it. It's lovely, Martin. Lovely. I feel I could just reach out and take one of those roses. You know what I'd like to do, Peg? I'd like to take it down to New York and enter it into the national exhibit. Then why don't you? Well, it might not win a prize, but I'll bet it would get honorable mention. Then that's what you must be doing. You wouldn't mind. Mind? Well, it's yours, you know. I planned all along to give it to you. Sure, and that's awfully kind of you, but I've been hoping you'd want to keep it yourself. Oh, well, I'm going to keep it long enough to take it down to New York. Oh, a letter came from Martin, indeed. What? It's about time he was writing. He's been gone a long time. Oh, and he's had such wonderful good fortune. He's opened a studio he has, and all the fine people come to have their portraits painted. And did he say why he hasn't written before? Oh, he's been busy, Grandfather. He's been a painter, and he ended me portrait and exhibit, and everybody likes it, he said. He wants me to be coming down, see a studio. Martin wants to be showing me around New York. But you can't be going down to the big city all by yourself. Oh, Grandfather, sure, and you wouldn't be stopping me. It's to New York I've been wanting to go, and it's a fine lady I'd be with a great gentleman like Martin to be escorting me around. Well, you be sure and let him know you're coming, so he can meet you at the depot. Oh, no, Grandfather. I don't want him to be a meet-and-me. I want to be getting all fixed up first. I'll go to one of those beauty parlors. I will, and I'll get me some new clothes. Oh, Peggy Finley. Sure, and it looks like another one of your dreams has come true. Hello. Hello, Martin. Peg. I'm in New York, Martin. Why didn't you let me meet you? Where are you now? Oh, never mind. I'll be right over. No, no, no. I'll come after you. But I have a taxi waiting for you. Tell him you've changed your mind. Tell me where you are. No, no, no. I want to be a senior studio, Martin. Perhaps it's busier, Martin. You're not wanting to be a soldier. No, no, Peg, it isn't that. I've been waiting for you. I want you to see the studio. Oh, then I'll have a dog's tail. Bye-bye. No, wait, Peg, please. Peg! And who was that? It was a girl I know. She'll be here in a few minutes. Mother, please, could we talk some other time? Are you asking me to leave? She's just down here for a few days. I don't want anything to happen to spoil her visit. Oh, and you think my being here will spoil her visit? Now, don't misunderstand, Mother. She and her grandfather took me in when I was down and out, and I didn't give them my right name because I didn't want them to know who I was. That's all. Well, at least you have some respect for the name of Holloway. Martin, what is this girl to you? She's one of the best friends I ever had. She got me back on the right track when I was just about ready to give up. Are you in love with her? No, Mother. I believe you are. No, I'm not, Mother. Then get rid of her and come home with me. I'm sorry, Mother. I can't do that. But you can't go on living like this. I am very comfortable. This is a nice studio. In fact, I enjoy living here. Oh, enjoy living here after you're upbringing. Really, Martin, sometimes I wonder if you're our son. I wonder too, Mother. Wandering around the country like a vagabond. Have you no pride? The men in our family have always been respectable business people. Yeah, but I'm just not a businessman. I guess I'm the black sheep, Mother.  Well, Dad wishes it that way. And what about Laura? Oh, I'm doing a painting of Laura. That's it over there. What do you think of it? Don't try to change the subject, Martin. I'm giving a dinner tonight for you and Laura. Mother, I am not going to marry Laura, so won't you please stop? And I expect you to be there. Laura's a lovely girl. Yes, she is lovely and she's going to make somebody a lovely wife, but not me. How do you know? Because we don't even think alike. Martin? Well, there she is, Martin. Peg, what have you done yourself? Sharon, I touched the very one. You like me?  Then it was worth all the agony. Tell me, how's your grandfather? How's the potato patch coming along? Grandfather's fine, but you couldn't expect me to be thinking about a potato patch with a new body on my head, could you? Of course not. It's about you I want to be here in Martin. Well, aren't you going to show me your studio? Oh, excuse me. Mother, this is Peg, Peggy Finlay. Peg, this is my mother, Mrs. Holloway. How do you do? How do you do, Miss Finlay? I don't wonder you look surprised. My son has just been telling me he never told you he has a family. No, but I guess it's only natural that he'd have a mother. He's also been telling me how kind you and your grandfather were to him when he was seeking inspiration. I'd like to repay you, Miss Finlay. Won't you come to dinner tonight with my son? No, Mother. You're not being very hospitable, Martin. I'm sure Miss Finlay would enjoy seeing our home and meeting your father and Laura. Peg is here to see New York. Wouldn't you like to come, Miss Finlay? Sure, I don't know. We'll come out to lunch tomorrow. The dinner has been especially planned, Martin. It would be difficult to explain your absence. Well, we're not coming. You mustn't let me be interfering, Martin. This dinner is in honor of Martin and Laura, Miss Finlay. It's a very special occasion. I'll explain it all to you later, Peggy. And I'm sure you'll like Laura. That's her portrait that Martin's working on. Isn't she lovely? Yes. Yes, she's very lovely. Martin's father and I hope she will become Mrs. Martin Holloway II. Mother. Miss Finlay's been kind to you, and it's only right that she should know how things stand. I'll tell Peg, but we are not coming out to dinner tonight. I am taking Peg to the theater. You don't have to, Martin. Well, you're sure you don't have to be taking me any place. I just happen to be remembering. It's another engagement I have.  Yes, I have. I was only a command by to say hello. And I'd better be going. I wouldn't want to be late. Well, I'm going with you. No, please. I want to talk to you, Martin. Please, I am to have been meeting you, Miss Holloway, and thank you for the invitation. And, Martin, it was nice to be seeing you again. Why are you staying, Peg? I'll call you. No, for sure. And you'd better be letting me call you. It's busy that I am. Did you see the paper this morning, Peg? Yes. I saw it, Grandfather. Sure. There was a big price, Martin, that for your portrait it was. I guess it was Winner that Honour will mention that done it. I guess it was, Grandfather. And now, will you be bringing me trunk in, please, so I can be packing it? I don't see why you have to be going back to Ireland, Peg. It's a missin' you, I'll be...  But it seems that's where I belong. The flowers will be missin' you, too. I can't keep them up, you know. And I suppose you'll be boardin' the house up again. Why not? You can't be usin' it all myself. And that you couldn't. Well, I'd better be goin' out and gettin' down the sign so people won't be comin' to look at the rooms. Oh, it seems a pity. And that it does. And I thought it would be all so beautiful. I guess I just can't help fancyin' things up and make and believe.  Oh, you sweet Grandfather. But it makes me heart a little heavy to believe in you. Oh, it's a quiet little girl. You've been these last few days.  Thank you, Grandfather. And now I'll go out and be takin' down the sign. I beg your pardon? Is that a room for rent sign you're putting up? Martin! You're not takin' it down, are you, Peg? And that I am. What about all the people who need luck and good fortune, like me? Sure, and you've had your good fortune. And lost it. You find you, Peg. You did? Yes. I couldn't. So the ferries brought me back here. They did? Yes.  You're paintin'. I did my best work right here. Your portrait, one honour will mention, you know? Yes. I saw it in the paper. But I didn't sell it, Peg. The paper was wrong. I kept it. For you. For me. For us. I'm in hopes you'll let me stay. And what about Laura? I never loved Laura, Peg. That was Mother's idea. It was Mother and Dad's idea that I should go into business. They didn't want me to paint. Oh, but they were wrong. Yes, but Mother was right about one thing. She said I was in love with you. You think you could learn to love a struggling artist, Peg? I might. With a little coaxing. Oh, Martin. We'll get married and we'll have the most beautiful home in the whole world. And that we will.  And I'll be so proud. Just like a lady. Here's Art Linkletter again. I guess I've spent a good part of my life trying to prove that people are funny. And most of the time, discovering that proof seemed to be a pretty pleasant way to make a living. But there's a distinction between funny meaning humorous and funny meaning peculiar. And finding out that some people are peculiar isn't always guaranteed to give you a chuckle. I think, for example, that people are funny in a peculiar way who don't know where to turn in time of trouble. A man who will carry the burden of the world around on his shoulders, worrying himself sick over problems he can't begin to solve alone. To me, he's a funny guy, but he doesn't make me laugh. He just makes me wonder. Because that kind of funny peculiar person, for some reason or other, won't turn to the greatest source of strength in the universe, the very author of that universe, God himself. Either out of pride or perhaps out of ignorance, he won't get down on his knees. Not even when he feels in his heart there is no place else to go. Yes, too many people are funny in that peculiar way. And yet because they are people, God's people, there is no reason why they can't get all the help and strength that he can give since they have only to ask for it through prayer. You've heard it all before. Knock and it shall be open to you. Ask and you shall receive. And it's true. And here's another thought that makes sense too. The family that prays together stays together.  From Hollywood, Family Theater has brought you Just Like a Lady starring Kathleen Crowley. Art Link Letter was your host. Others' narcaste were Lois Corbett, Lamont Johnson, and her Butterfield. The script was written by Mary Terry Taylor with music composed and conducted by Harry Zimmerman and was directed and transcribed for Family Theater by Luex Lansworth. This series of Family Theater broadcasts is made possible by the thousands of you who feel the need for this type of program, by the mutual network which has responded to this need, and by the hundreds of stars of stage screen and radio who give so unselfishly of their time and talent to appear on our Family Theater stage.  This is Tony Lafrono expressing the wish of Family Theater that the blessing of God may be upon you and your home and inviting you to be with us next week when Family Theater will present The Unknown. Robert Young will be your host. Join us, won't you? This is the Mutual Broadcasting System.


Shout out to Stetson Bennett. So he was the person of these last few weeks that I saw him. Okay, talk to me about this, Stetson Bennett. I know, I mean, you could not find a person who knows less about College Ball than me. Absolutely not. He's led them, as I understand it, to back-to-back championships, but he's not bonafide NFL draft prospector thing. Do you think he's got what it takes to make it in the NFL? I think so. I think, I wouldn't be surprised at all if we see him having like an eight, 10, nice little 12-year career. He won't go at the top of the draft, obviously because of his measurables, but he can spend it, he can make a great decision. Everybody that's been around him, coaches, players, people in media, they talk about how attention to detail oriented he is. And obviously he's been coached greatly, coming from a walk-on, back-to-back champ. Just impressive, you get a curtain call with 13 and a half minutes left in the national championship. That's a special moment. Probably have a statue outside of that stadium. So wouldn't be surprised at all to see him on the next level.


We figured I figured in the public theater agreed that it would be fun to do watch me work a lot during this time to create community we've been doing watch me work for 11 years mostly in the lobby of the public theater and So we thank the public theater for supporting this effort And we also think howl around for coming on in recent years and especially now To help us live stream and to help us create this online community so what we do with watch me work is we Work together and it can be any kind of work, you know, I'm a writer and a musician, but if you're a not know what seamstress or hairdresser or Choreographer, whatever you can do your thing and we do it together for 20 minutes And then we hang out and talk about your work and your creative process for the remaining 40 minutes until around 6 o'clock So if you have a question about your work in your creative process Audrey is going to tell you how to get in touch Tell them Audrey You got it So if you want to get in touch and you're inside of the zoom All you need to do is click on the raise your hand button in the participant tab Likely at the bottom of your screen on a laptop or the top if you're on an iPad or a tablet And if you're watching on howl around TV, you can actually ask us questions over social media You can tweet at us at at watch me work SLP with the hashtag howl around H-O-W-L-R-O-U-N-D or you can tweet or send an Instagram message to the public theater Which is at public theater and why and that's all It's all so I'm great, so it's it's 502. Let's get Started okay, here we go and ready Audrey and boom All right All right Here we are it is that was 21 it that was 20 live up that was 20 minutes and 20 minutes Working and now we're gonna have some conversation some dialogue Dialogue part of the play. Yeah, so anybody have a Question, okay, he's got a question. All right, Faye go for it Faye. Oh, hold on.  Hi. Oh, thank you for all this my question is About how to like get into the emotion how to feel like what your characters are feeling especially when they're unpleasant feelings like I find myself avoiding Experiencing their emotions fully and I feel like I probably need to if I'm gonna be writing their lines Although I can watch and enjoy a play and hear it without necessarily feeling it fully so maybe I don't have to I'm not an actor anything so I'm not used to like like Healing everything really intensely. So I just wanted yours. Uh-huh. Uh-huh. Uh-huh. So you have some you're writing a play and you have some characters who are Feeling things and doing things That are not really things that you in your day-to-day would feel and do correct Yeah, and so I'm saying yes.  Yes Yeah, I imagine That we talked a little bit about what someone about this yesterday that your character. Oh, it was crystal your characters from New Jersey your characters are probably Feeling things that you actually do feel my guess There's a part of you That might well Because they're coming the characters are coming, you know out of you even if they're based on some historical figure You know or some real person they're kind of coming through you, right? you chose them to you chose to focus on them for a reason and They might be more they might be closer to you than you think You know if they they might be more related to you than you think we were talking about there is no iron team But there's a me an enemy and there might be Aspects of them that are Sorry, there's German going on my husband's talking to his family Durham to close door There might be aspects of them that are closer to you more familiar to you than you might be comfortable admitting So I would say embrace them You know walk around in their shoes relish them try on something new You know you ever go to a store and like try on an article of clothing that like you would never buy But it's fun and like see yourself in it And you don't have to be an actor to do this, you know, although actors are more experienced. Does that make any sense? Can't hear you unmute yourself. Can you unmute yourself? There you go. I was um, yeah So yes, it does make sense and yes, I have experienced some of these things I mean, I've experienced them so I'm much like so like the re-experiencing Is Not necessarily pleasant. I mean I can write the words But do I have to actually like feel it as a writer like do I need to experience the trauma that Character feels oh No, and I don't I say I I I do believe that um While Shakespeare may have wanted to avenge somebody he didn't actually go and kill somebody or if he did He didn't die doing it You know what I mean, you know So I think he he he went there to a certain extent he felt the feelings But he didn't actually have to experience the trauma Uh of his fool being hung or whatever, you know in lear. Um, I think we can as writers as artists we can approach Those situations, of course, we don't have to actually live them To write about them beautifully and brilliantly and meaningfully, you know So go there.  Go for it. Go for it. Definitely All right. Thank you. Okay. Thank you. Thanks fey. Thanks for joining. All right up next. We've got bob Bob are you with us? Hey bob people? I mean, hello Hey, Bob uh a question kind of related to that is If your approach is or would be different if you are writing characters Say in a genre like fantasy or or horror where they're not technically human like they're not real Whether the vampire or you know, they're they're not people you meet on the street not people like us I'm wondering if your approach if you ever work that way if your approach is different And what your thoughts would be and still trying to get a reality of character out of people, you know Or characters you want, you know human flesh and bone in that traditional sense, right? I would try I would try going about the same way I mean, I think of my favorite vampire.  Those folks aren't Typically human or maybe human at all like wolverine. I don't know. You know the x-men or whatever those folks aren't human really but uh They have a lot of attributes that we Consider to be human So I think a lot of those attributes can be employed and utilized to create well-rounded and interesting characters Does that make sense Bob? I mean, yeah, I mean Falls in love, you know, the the alien creature wants to go home, you know, I can't you know, I mean Just curious if say you are writing a character who for instance was immortal, you know, just say death was off the table Right, would you just as a hypothetical treat that character differently? Think about it differently or just go about it as someone who still has anxiety fears and desires just death isn't one of them Well, yeah, exactly That's exactly right. Death isn't one of them um Like maybe, you know a character we have a character who let's just say, you know A character these days who racial profiling isn't isn't going to be really something that's going to be going on, you know in a negative way Does that character have fears and anxieties and hang ups and Perhaps hypochondria and worried about his bank account and You know, but he doesn't wake up in the morning going shit if I walk out in the park I sit too close to a friend who looks the same skin colors me. I'm gonna be racially profiled No So just because something is off the table doesn't mean that other things aren't on the table as you so well already realized Yeah, so make them obsessed with other things that might seem interesting to you Great Yeah, thank you. And also the implications of what that thing being off the table means to them Do they know people who who are not immortal? And so do they kind of wonder gosh How, you know, how do I live my life my immortal life Surrounded by some friends who are immortal and have to worry about that How do I live my life where racial profiling negative racial profiling isn't part of my Day-to-day, but I have friends who have to deal with that just you know Think about it in terms of stuff that we actually Have to deal with every day Okay, thank you. Thank you. Good question. Thanks Bob Um, all right up next we've got Emma Go for Emma Hi, can you hear me? Yes Cool. Hi. Um, thank you so much. I I've been like coming in and out of this So I apologize in advance if someone has already asked this question um, and you've already answered it but My question is kind of around like doing the right thing in my writing because I feel like a lot of Responsibility to put something out into the world that like ideally is in line with my values and accomplishes something in terms of social justice and like making the world place I'm so afraid that Oh, no, can you still hear me? Yes, you froze for a minute, but I think you said better while you were frozen Okay, cool Yeah, I have like I have a lot of fears is especially around Like writing characters different for me because I'm afraid of misrepresenting someone in a harmful way Uh, and I had the same fears about writing just for my own experience because I've been in writing Circles where I've told a story and someone said like that's really interesting But I would not like put that out into the world because it could be very damaging to someone who might have had a similar experience but Had like experienced it differently Um And so I guess like my my main thing is I'm trying to write something that explores an ethical gray area That is coming from my own experience, but I'm really worried that in writing something That is not like safe. That is like I guess like provocative in some way or asking questions that it's asking the wrong questions or that it'll have Unintended consequences and that I will put something into the world that I didn't mean to Um, and so I guess I was just wondering if you have advice on navigating that You have a It's an interesting question. It's a great question. I'm a great thing to talk about number one I mean you have the police are very much in your uh consciousness You know, I'm just saying so you started your question by saying I'm sorry if I Ask a question that someone's already asked You know number one everybody should know it's okay. You can ask a question that somebody if you had asked bob's question We would talk about it. Okay, so but you're in a writer's group where if you write about somebody who's like not you Right, they're like uh-oh be careful You don't know enough to write about that person and if you write about someone who is you they're like Whoa, you know, you gotta if you put it out in the world that way you might Hurt someone even though it's from your own experience The police are very much in your head Yeah, very much um, and that that's like I I I I'm feeling for you Because that's really hard I would say, um, it's it's one thing to write about someone who's like not you that's one that's whole thing But let's just take you you're writing about your own experience your own thing How you was something that you might have gone through whatever and people like You can't say that Someone who maybe in Saskatchewan who went through the same thing might be hurt their feelings might be hurt.   They what y'all are crazy You know, there's like connalisa writes and there's Oprah and you know, and there's all these other people in between but the idea that one should speak for the entirety is a is a An unfortunate equation that someone made up to limit what you have to say And so you can put disclaimers in there a character can say in the middle of your play or novel or whatever I'm not sure what you're writing. Hey, it was like this for me. It's not like that for everybody, you know They can have some some reality check kind of disclaimers in there if you want but to to to encourage you to shut down your story because it Your truth might hurt somebody's feelings is a tricky place to go So I would say go out there with it if you're gonna hurt somebody's feelings Hopefully they'll go to your play with a friend and they can talk about it afterwards Okay Not thank you about what you're writing about. Do you see what I'm saying? Yeah, because it's your story now.  I mean, or you maybe you are I don't think so. I don't get that No, okay write it. Thank you and in the workshop process. Is it a play, Emma? Yeah So in the workshop process, you're gonna get start getting feedback, you know, and you're gonna learn how to maybe, you know Shape it and all that kind of stuff But don't stop writing just because it might be harmful to somebody in some audience at some point somewhere Yeah, you know Definitely, okay, so go yeah take some steps forward I would suggest Cool Thank you. Thank you. Thanks Emma. Good luck with your writing. Thanks Emma. Thank you Um up next we've got Marlene. Oh Oh, I hear you Hello Hey Marlene, how are you? I'm doing well. Thank you for taking another question and happy Friday. Happy Friday So I want to talk about short form and I so I really love short form and by short form. I mean something that's a pager less or Two minutes or less Performance wise because I find in my own work. Like there's kind of a wildness That comes with this constraint That I miss a little bit when I have to be in the rehearsal process for something that I've been with a long time And I know you did the 365 Please So I have a thing where I love doing this But I have a longevity issue In that if I set I'm like, I'm gonna do this one for one every day for 30 days And then about day five I'm like I don't know But I I love them and I'd like to do I really Want to do this commitment to see like how far I can push this In 30 days or 45 days or 40 days Whatever it is. So I wondered if you had any insight or advice about Basically sticking I I stick with other things, but somehow this short form too I've never been able to stick with I think in a way because when people read them They're like, oh great. We want more. Why don't you write a whole thing about this? And my response is always like no, this is it. This is what you get And then Maybe all of them as a whole will be something But you're you're saying two different things though, you're saying that I know that's also the hard part Right, so you're saying that you you know to to stick with something is difficult And then when people read it they like it and they encourage you and you say no, this is it So those are two actually separate things so Which do you want to do do you want to do A marathon thing or do you want to write? You don't it sounds like you don't want to write something. That's A whole bunch of plays centered around the thing. I'm not I'm not Sure what you want to accomplish Well, maybe that's the question Until I know what I want to accomplish. Just well, no, I mean, I mean just no See that that that see that's taking it to the man place Yeah, I didn't say take it to the man place.  So I mean not right but my you know, I don't if I were a marathon I'd be a long distance ultra marathoner, but I'm not a marathon But um, you know write them when you feel like I mean, that's the thing You're saying you're saying this is all there is so why are you getting hung up about not doing 30 in a row? Yeah, I don't know. Thank you. Thank you. Just just write when you feel, you know If you feel like writing one today write one today If you don't feel like writing one tomorrow, that's okay Cool. Remember your own mantra. This is all there is Right and then you one on sunday You know It's it's tricky. You have to just write them when you feel like and that's I think it's going to be great because you love the short form You know, some people don't love the short form at all. So Right. Thank you very much Thank you, Marlene All right up next we've got Eric Eric, are you there? Hi Hi Hello, um, so it's like a weird question conversation kind of maybe um So like I do I write a lot of monologue specifically that sometimes borders on like spoken word um But I run I run into this issue a lot and I don't know if you've ever Written something similar to this where you write it and you're like, I really should be the one to say this But you're like Then you keep writing it or there's parts of it. We were like, no, like this is meant to be I I I see this on a stage and someone else is speaking this part and there's other people involved on the stage and there's a setting and there's somewhere for them to be and I don't know sometimes it's like do I need to get over this fear of speaking my own words or Do I need to format the piece differently so it doesn't feel like something that I can just jump right into Do you want to be on stage Eric? Like no I'm looking at you. No, you sure I'm trying to see your I like sometimes and I mean some pieces I have that I know specifically like that are more definitely spoken word Or a piece of poetry that I'm like, I definitely would want this to come from my mouth, but Most of the time I'm like, no, this belongs Over there and like I want to I want to watch it in a way And I want to like there's that part where you're like, I want to forget that I was a part of this and watch it Uh-huh That's your answer. I mean if you if you start out by going, oh, this would be fun to say and then Actually, I want to I'd rather watch other people say it. Yeah, I think that's I think that's it I think that's You know, there are definitely things that I write that I want to say And then I mean mostly like songs for my band. I write them for me and my band to perform but plays and Screenplays and teleplays and stuff I write for For actors and whatnot, you know, and I like in working with really great actors or even not so great actors You know, that's the thing where I'm sometimes like This whole piece has an emotion. That's really Important to me that it's like portrayed perfectly And I'm like while I would love to say these words, but then am I like just like being like, I'm a bad actor I don't want to say the words and it's like I'm it's like I would want someone else to do this So I know that I That emotion is Correct on on stage or it's given in a proper way Is there a place where you could do the initial first Reading or or perform it in a low key way? Oh, yeah, for sure.  So I give it a try and not so much worry that it wasn't you know The necessarily Broadway quality or whatever the high, you know High watermark is you know Actually, I never thought about like Something low stakes like that.  I think you really enjoy it. You seem like you would That would be a nice thing for you Yeah, but at least you try it, you know Yeah, I have a little bit of a follow-up is that one piece specifically that I'm working on is It feels very much like I saw something that I very much enjoyed a few summers ago and I've been working on that working on this since then And it was like a very intense like performance art piece and there's aspects of this that feel very performance art And it's some it's one of those genres that I feel can be tricky because you're like There's a there's a part of you that's like performance art is So deeply ingrained kind of in the artist themselves and how they're working And you don't want to step on that in a way kind of like is that Have you ever felt like you don't want to walk into a space? I feel like a performance art space feels kind of guarded in a way like the it's It's so it's it's so admirable what they do and not just actors acting on a stage in a play So I don't know if that's I feel I feel I would feel weird about presenting something and being like this is performance art and like not being I don't know. Maybe that's No, I think I mean I have a lot of respect for performance art and all different kinds of art making, you know And I know it sounds like you're not kind of just bulldozing your way in and saying I want to do this now You know, you have a lot of respect for the form. So I think you have respect for the form And you take steps forward because you want to Be part of that group. I think you're allowed to be part of that group Just like if someone wanted to write a musical or you wanted to have a band or you wanted to paint Yeah, whatever, you know, we're we're allowed to try Things outside we talked about comfort zone yesterday. We're allowed to try things outside of our comfort zone It's it's okay. It's we're allowed. So I think if you're if you're pursuing it You know, uh, you're making something beautiful and you're gonna give it a try respectfully You know, would you would you like talk to a performance artist and be like and Kind of gauge them or is that not well the well depends who they are Again, if it's like Emma's Friends, you know, like, oh, I don't know you you haven't put your time in a performance art So you're not allowed in here. I don't I don't know who you know, there are there are many different kinds of performance artists You know, if it's your if it's a friend who is supportive who wants you to succeed you know, then then sure and If you just want to Go and I mean look at a lot of performance art or maybe look at a lot of it online these days and kind of digest it then I don't think you have to have a performance artist give you permission per se. Yeah I don't think so And I already wrote my permission slip. So it's fine. There you go. There you go. You got your permission. So good I I think you're allowed to sure if you if you know performance artists that you respect and they respect you and Yeah, all that then great talk to them. Sure Okay, but but don't depend don't rely on them to give you permission to do something that you want to do Yeah Okay Thank you. Thank you. Thanks, sir. Good question. Thanks, Eric Um, all right, um up next we've got Maya Maya can you hear us? Oh, sorry, I clicked the button twice. There we go Hi I'm good. Um, so my question was Uh, I don't really want to I'm really not into one dimensional characters um, and I'm trying to I'm writing a play. I want the character development to be Deep in depth, you know, I wanted to to show that I put in the effort in creating these characters um, and the first thing that went to my mind was A scene in the wire where Omar goes to pick up Cheerios because the cereal ran out. He goes to pick up Cheerios, but he makes it very clear You know, you don't have honey nut And I felt like that was a very important thing because You don't want Omar to be looked at. Oh, he just robs other Other people out on the street. He also likes Honey Nut Cheerios. He also likes to take his grandmother to church on Sundays. That's what that's his thing I want to I want to do the same thing in a play But you only have about what nine ninety minutes in an average in an average play How can I Build a character develop how can I develop a character? With that much depth in such little time Yeah, detail good great question Details, um, you know, I mean you can you can have In plays you number one you can have as much time as you want You know, you put in T actually the form that you Quoted television is very strict with how much time you have You know in but acts breaks have to happen at certain times Episodes are certain lengths commercial breaks, you know, so You have to put in details and detail that detail took what? 10 seconds, right You have to put in you have to put in details in your characters and just because a play is 90 minutes or A two-minute play like Marlene is writing you can still put in details details don't have to be An hour's worth of details that Honey Nut Cheerios that's a 15 second detail right So just just putting your details. I mean that's that's what you're talking about, right? Yeah, I just don't want my details to be so in your face You know, I don't want my character to always have a bowl of Honey Nut Cheerios and you know in the scene I don't want it to be you know how Keenan and Kellen how he was always about the orange soda I don't want it to be I don't want it to be so in your face like that I wanted to be Yeah Well, um You got to digest some literature that does what you want to do, you know I mean we could you know You know what I mean, it's it's it's part of the craft You got you got a bone up on the craft So if you like things like the wire or whatever that are full of beautiful details that you like watch more of those shows or read more of Tennessee Williams or whatever it is that you you like. I mean study your craft. That's where it's going to come from we you know Anything can be a brilliant Detail care a detail that gives you some idea of the character or something heavy-handed. It's it's It depends on how the craftsperson uses it How it might be shaped during the table read, you know, sometimes first drafts don't always have those beautiful, you know Um It's a craft of writing people Right. It's just I don't I want it to be seen. I don't want it to be so obvious But I also want it to be seen and that's where that's the Yeah, yeah, I would say I would say start watching whatever you like You watch your tv shows and make lists of all the details that you love That are that are seen and not heavy-handed maybe or read your plays and make lists of all the details that you love And and start to see how other artists do that. You have to study the craft. That's what You know, that's what we do we Do this, you know So when we so when uh, what's his name who did the wire? I'm spacing on his name.  Fabulous Yeah, no, uh, not eric oremire. Um Yeah, I can't remember his name. Mr. Wonderful.  He's a craft person. He's an artist. He's worked at this diligently Um to get a detail like that that pops and maybe again, that wasn't in the first draft Maybe it's something that happened in the second draft or at the table read or whatever We don't know where it came from being on the outside of it But that's a craft question. You got to study the craft. We all have to right? This is what we're doing It's not coming to us just because like we want to be, you know, great writers. You know that right, Maya Yes, I do. Yeah, we got a week. So take a look at your favorite tv shows or novels or whatever And study them in your free time that you might have these days Okay, thank you so much. Sure. Thank you. David Simon And that's who it is We got Mr. Fabulous. Yeah Great writer. Yay. All right. Next up. We've got about seven minutes left and we're going to go to CIDA I'm sorry if I pronounced that wrong. Were you there? I'm here. Can you hear me? Yes Great. Oh, hi Uh, this is the first day I've joined. I'm so excited and I want to thank you for having this space um I am a theater maker and I so So it was a surprise when you said okay 20 minutes you can do whatever you you know, how do you work? So I also do embroidery. I do all kinds of stuff, but I'm writing right now um, I've written solo plays and I I'm also a voice and a movement teacher. So I'm writing a chapter for a book And so in those 20 minutes what I did is I was um, I need to turn in a second draft this week and so I was rereading and um, so in this chapter, I'm writing about voice and identity and um about undoing Structures I'm writing about decolonizing my own education I am I am the daughter of Guatemalan immigrants and most of my education has been in the us and in the uk and so I am going through this like a bit of a painful process of realizing that when I was encouraged to go away and become better by getting an education that it also meant uprooting myself from From from my people from that. I'm not better from my mother because she's a seamstress or I'm and I am now in academic academia. So As I write this chapter, um, I I'm seeing The the the thread in there is this um, I don't want to So and what I noticed that I I'd like to be able to undo is this translation. I realized that in Not just translation from Spanish to English, but a constant translation of myself Uh in my experience. Um, and I don't want to do that anymore and so it's interesting to do to be writing a chapter and and Even though, um, I have a great, um Editor and uh, it's all focused on undoing and decolonizing structures There's still kind of what you were saying a police in my head that is judging, uh I'm still finding myself translating and having to go back. Who am I writing this for? Um So I wanted to share that and see if you have thoughts in terms of because I don't think we translate ourselves just from in language, but that we translate We're constantly trying to figure out who this work is for and for me, it's so layered with um issues of identity and um race that sometimes I feel a little lost Who is your work first? Tell me how to pronounce your name. Is it Saita Saita. Okay. Saita. So who is your work for a great question? By the way, who is your work for? I mean this piece right here this piece is for This piece is for my my family and for my students of color And do you find yourself kind of hedging or holding back or not saying some things because you're talking with them through this piece Yeah, a little bit, but I'm doing it, but it's a little bit scary to um Yeah, it's it's it's strange. It's really strange because there's like you learn how to write things In a certain way, and then I feel like wait, this is not how we talk This is not if I really want my mom to understand this chapter if I really want um Students to not Translate themselves the way I felt I had to translate myself In 20 years ago when I was a student in theater programs or when I you know, um Yeah, so yeah Could you include lines like that in your piece? Yes Yeah, that's what I mean the the caveat the the disclaimer that we're talking to Emma about If I in italics, you know, if I really want if we're really wanting my mom to understand this piece, I would say this You see what I mean? Yeah, because you know, you have to think about what is my relationship with the police Yeah, you know what I'm saying Yeah, and and you know either you're like You know different people have different relationships with the police And those of us who have that double or triple or quadruple consciousness Are always having multiple conversations as we interact with the police And in your piece you can have multiple conversations um You know the publisher might need something your audience might need something else There's no reason why your piece can't include both or more than two things or you know multiple Multiple Voices if you will Yeah, you know There's a line in in my play the death of the last black man in the whole entire world a k the negro book of the dead That says it will be for us, but you will mention them from time to time Disclaimer Yeah Right just right in there. It's one of the frames in the play That the characters say over and over You know And that's how we speak. We just we have we have just multiple tongues multiple consciousnesses consciousnesses You know what I'm saying? Yeah, oh you can structure your piece on the page You know to incorporate all those Levels all those places where your mind has to go just to keep itself together And that is valid and that is good and you have permission Thank you, and that's and you have permission whether or not you're a poc or not or this you know It's not about like oh, I don't have permission because I'm not a you know woman from black, you know, what it's not about that If we're giving everybody permission once we start giving everybody permission Once we start saying hey, guess what? You're free And so are you and so are you and I don't care where you're from or who you are or who your Ancestors were or want or whatever That's a very powerful thing and it's also destabilizing because now I can't claim at all I have to give it away And there's something very powerful about that And I have a feeling that it's good I but I know for sure that it's Friday Do we say what what next week is gonna look like? I think we should Next week. So this is what we're gonna. We're gonna be we're gonna be exploring Various ways of being and one of the fun things We have a lot of people in the public theater family a lot of my friends colleagues Comrades people I love and people who are very excited about watch me work We're gonna invite them on the show So we're gonna basically we're gonna be having folks on the show who are going to talk a little bit about their work Just to smidge just to kind of get you up to speed on what they're doing And then they're going to Take questions from you. I'll still be here hanging out Couple days a week It's just going to be me and you just like this and a couple days a week I'm going to invite on one of my dear friends comrades compatriots to join us in this so you can get a variety of perspectives Um, not and not just mine. Although, you know, mine is so great. Yours is the best Mine is the best but you know, we have people who who want to share and I want you to hear from other people too So that's what we're going to be doing Starting next week and should we do we have announcements about who's gonna? Yeah, I can tell you a couple of them a couple.  It's going to be Oscar Eustace because he's so special He's so special And then on Tuesday, we're going to have young gene lee and then Thursday. I'll tell you about a little later. Yeah, great So so yeah next week. We're going to start off our special guests with uh, Oscar Eustace The artistic director of the public theater who loves this show and has been a big supporter all the way through He's going to come on on monday and hang out with us And then tuesday we're going to have young gene lee who i'm a big fan of and who is a big friend of mine We're going to hang out with young gene lee on tuesday and then Wednesday just going to be me and y'all Thursday is going to be someone special And me and y'all so uh, that's how we're going to kind of hop along and uh, hopefully it'll be fun And if it's not we'll stop doing it. That's right. I will just go back to this because this is fun, too We know this is fun All right, all right Oh, so sorry last reminder sign up by 3 p.m. Every single day eastern standard time same old as usual I'll send you a link between 3 and 4 30 p.m. On the day up great. Okay. We love you guys. Have a great weekend Love you. See you monday


Hi everyone, Sean with jaspyscasebreaks.com here doing jaspys 20 box off-season football mixer random team edition 32 spots and we get to random team at NFL no vet commonship Loaded with tons of great boxes and brands here is that full list as well So i've verified that all the boxes are here Here's our list of customers robert flores down to will driggers the spot he won in mosaic 55 Whether you guys bought spots straight up or one spot Thank you guys all for being a part of this and good luck And here's the list of teams from the cardinals down to washington football team Dice world randomized both lists and paired up two and a four six times six and final time robert flores down to jordan kozak So six times in the randomizer And six times on the teams six and final time From the patriots down to the colts So six times on the teams six times on the customers and six times on the dice So we'll read through the list as is open up the trade window as well robert flores with the patriots cori shalik with the vikings chris chin with the chiefs terry kahill with the washington football team tom lee with the 49ers William punt with the jets eric sirzowski with the panthers robert flores with the buccaneers anthony good wyatt with the jaguars Will driggers with the raiders adam cuperman with the bangles will driggers with the browns michael may with the bears William fulmer with the falcons erin widdington with the ravens adam cuperman with the chargers jason parsons with the cardinals terry kahill with the packers codie westfield with the saints Matt lever with the titans andrew roth with the texans robert flores with the dolphins matt lever with the broncos jack dayfalit with the eagles will comstock with the rams matt p with the lions ruben lomas with the steelers tana zevino with the seahawks will comstock with the giants jonah banyakski with the cowboys uh jordan philips with the bills and jordan kozak with the colts jonah is trying to see if anybody potentially would like to trade for the cowboys so first team up on the trade block So there is the full list We'll pause the video for a minute. See if there's any potential trades and when we come back we'll get ripping Okay, we're back. Uh, there was toxic trades, but nothing ended up happening. So trying to trade couldn't trade mojo for those teams involved and here is our boxes So you can see back here on top.  That is a mega box of prism Uh, 2019 optic hybrid 2019 plates and patches. Sorry 2020. This is all 2020. Uh, 2020 prism mega 2020 uh optic hybrid This is plates and patches limited football Select hobby optic contenders optic, uh 91 and 2021 contenders draft fix So we're going to go from oldest to newest chronologically and then we'll finish off with the jerseys and The helmet and here is our finalist. Cool. So starting off with 2013 certified Tampa taste game one Nice rush at the end Uh Are you asking if trades anthony? If you're asking for potential trades, make sure you're watching live anthony. You might be delayed with dj Hayden rookie auto 443 out of 999 for the raiders and will driggers That is erin dobson to 999 for the patriots And robert floras and we got rookie relic matt bark. We had a 49 for the eagles Jack day fleet Troy akeman out of 999 for the cowboys That is jonah and gerome betas had a 250 for the stealers And ruben lomas matt barkley has gotten on it's gotten a very nice, uh, Nice little payday for himself as a backup quarterback in the league From modern-day high school here in southern california. Good dude. Good dude Oh, we got a redemption It's obviously going to be expired, but uh, still gives panini a chance to go ahead and Redeem that if they have it or replace it with something for you Arthur brown to 999 for the ravens That is erin wettington And we have persie harbin out of 100 for the seahawks And tana's athena Deon sims to 999 for the dolphins and robert floras And you got kenny britt relic out of 299 for the titans matt leber tyler eifert rookie out of 250 for the bangles adam copperman so the redemption Is freshman fabric signatures card 332 ryan nasib, which was New york giants. I want to say he was out of syracuse Giants would be will calm stock. How do I remember that? No, he was drafted by a new york giants in the fourth round of the 2013 nfl draft There you go. All right, new york giants. Yes, so new york giants. That's going to go to will calm stock Okay, so that was 2013 no, top marinovic went to Los alamedos I think It was either he either went to he's from so cal He either went to uh, I want to see los alamedos or mission viejo. I forget which one todd marinovic went to but modern day is matt liner matt barkley um one of the favorites for uh, heisman this year brice young And also another one that's in the favorite for heisman trophy winning, uh, jt gangles So all of those quarterbacks went to modern day brice young currently alabama jt daniels georgia both are in the top five for uh for um, heisman trophy this year So this is 2014 immaculate football marinovic did go to modern day Yeah, colt brennan did go there Top three in heisman trophy winning, uh, got into some trouble in colorado r.i.p. By the way, such a sad story Mike wallace colt brennan was actually a year ahead of me Mike wallace 61 out of 99 for the dolphins robert floras andre ellington 13 out of 25 for the cardinals and jason parson's We got des bryant nice jumbo patch there three out of 29 for the cowboys and yonah banyoski We've got a triple relic of frank gore adrian peterson and steven jackson That is one out of 25. So that's going to be a randomizer between the rams vikings and the 49ers Uh rams is will comstock vikings courti shalik and 49ers is tom lee Mark sanchez he started at santa margarita high school and ended up graduating from uh, mission baho high school We did get points. It's 400 points Uh, so that'll have to be randomized to everybody in the break To see, um, who ends up with this 400 points And we've got a rookie auto of asa watson Nice three color patch auto nine out of 49 for the bike. Sorry for the patriots and robert floras the banyoski Hey gotta learn right uh, what are the points used for? basically Keep them and once they have like one of their exclusive Sparkle packs or something like that you use them for those kevin norwood 45 out of 49 rookie auto for the seahawks and tanda subpoena But I mean the sparkle packs are usually like 600 points or something like that depending Thousand points maybe but you can get um, you can get stuff that you can't get sold So white sparkle packs Um on the horizon packs stuff like that This is 2017 rookies and stars hangar We know the rookie class for 2017 Mahomes McCaffrey Amara Uh, the shan watson Who's the chiefs dude? james connor's in this too, I think right? juju's also 17 first rookie up with sydney jones Dante forman, that's my new brand jehu chess on taywan taylor Elijah qualls marcus latimore miles garret was a rookie miles garret's pretty good jimmy clausen was Also a very good quarterback. He went to I want to say it was actually Notre Dame high school in Sherman owls uh Porter If I remember correct john ross for the bangles michael travisky mitch biscuits for the bears The bears was michael may That uh miles garret for the browns that is will draggers Cory davis titans matt lever and mitch traviskis no mahomes no watson Who is jimmy clausen's brother? Why don't I remember clausen jimmy clausen's brother at all next up is 2017 mega box so still chances at Uh Mahomes and everybody else as well kasey clausen Did kasey clausen play at lsu will? tennessee, okay Now I remember Was he he was older than than uh jimmy? i'm saying go knights go to vegas sam, huh? But now I remember it's hard to remember anything good coming out of tennessee tennessee's been Man did they fall off the cliff? They were riding high for so long Freaking Peyton Manning and all that stuff and then Like last thing last thing I remember about tennessee was uh Who was it sarkeesian? no What's his name going from sc to go cook there? chlor daryl paterson to 100 for the vikings cori shalik That's right. Kamara too Can't can't not give him credit.  Thank you man. Okay. Come on big rookies. Where are you? You got marlin mac the rookies for the colts jordan kozak marlin mac the rookie unless you're too There he is again colts jordan kozak Aaron jones is a rookie too packers terry kahill So a really good rookie class kurtis samuel again for the uh panthers eric sirzowski Where's his teammate? None of the quarterbacks Sam he screwed the fins by not taking drew breeze more than it was by leaving the fins Remember it came down to drew breeze or dante culpepper and he gave the contract It's a culpeper. Yeah with all the court all the ruddy the the rookies we could got out of that It was not the not the ones we were looking for Uh, but now 2019 xr Yeah, joe and I were talking about it Last successful transition from college straight to the pros his head coach was Gotta be peak carol obviously, right? That is dexter williams 82 out of 99 for the packers terry kahill and julio jones 15 out of 99 for the falcons and william fulmer And we've got a mild sanders rookie auto 55 out of 99 luminous endorsements for the eagles jack day filip and justice hill rookie relic 17 out of 49 for the ravens And erin whitington biggest bust coach from college shana was pretty bad I don't know saving saving was pretty bad I'm like quickly realized Kingsbury's good. Yeah. Yeah. It's still too early to say like success on that one though Dan marino to 149 for the dolphins robert flores Mitchell trabisky out of 249 for the bears michael may And darnell savage junior to 249 for the packers and terry kahill And we got justice hill 42 out of 49 one off the jersey number three color patch auto ravens erin whitington That's the thing though chip kelly his very first year That was like people were like holy crap. This guy's gonna this guy's got it and then He didn't really scheme for nfl teams being able to change their defenses To match his offense and they were like, oh Okay, he doesn't have it And it went from bad to worse real quick And his transition back to college has been pretty much laughable as well.  This is 2019 contenders optic Joe flacco and miles garret Miles garret nick chubb combo that is three out of 50 for the browns And will driggers and davante adam season ticket red It's out of 199 for the packers And terry kahill Yeah, I agree, but I mean off the off just off the beginning It looked like okay, maybe chip kelly's got something Preston williams rookie auto for the dolphins That is robert flores I love his smiley face in the middle non numbered on that one You want brad stevens to take over at dupe? That'd actually be a pretty nice transition And diante johnson rookie ticket auto blue for the stealers ruben lomas That is nine out of 75 Okay, now we're coming forward to 2020. I'm gonna start with a prism mega box You know what I'm saying? Let's see some cd There are many more breaks with this sneaker Um, I'm not sure sam.  We got willy gay jr for the chiefs chris chin Cam makers for the rams will come stock Is that our auto it is patrick queen for the ravens erin widdington michael pippin jr for the colts jordan kozak You got teddy bruski for the patreons and robert flores aj dillon for the pack And terry k. Hill and odell beckham jr for the browns Will drigger jk dobbing for the ravens ering widdington And anthony mcfarland for the steelers and ruben lomas What uh Adam, how are you buddy? I actually was hoping the chargers were gonna draft him I wanted uh, well, I wanted isaas Simmons. I I've made it very known to people.  So I'm irrational Okay, next up is optic hybrid But uh, patrick queen Is incredible as well Optic hybrid we're looking for the red mojo parallels. There's four of them in here. I agree adam, right?  I'm very happy now Gabriel davis for the bills gordon phillips and stifon gilmore blue out of 2.99 For the patriots robert flores How about a joe burrow red mojo? Pretty hard to top that bangles adam cupperman. There you go adam Uh, michael thomas my house for the saints cody westerfield Our westfield and a kj hamler rated rookie auto What's going on? You do you do not get guaranteed autos in that so that's not bad at all dember broncos matt lever toa For the dolphins robert flores sam darnold for the jets and william punt eno benjamin for the cardinals jason parson's and i'm drubri's mithical hollow for the saints cody westerfield jonathan taylor for the colts jordan kozak and a cam acres for the rams little comp stock chase young red mojo as well nice one again for the washington for washington and terry kayhill and jake fromm for the bills gordon phillips antoine onefield jr for the buccaneers and robert flores That's very nice adam Yeah, that's up 13 at half the The celtic fans like lit up with that uh last second three To put them only down 13 going into halftime Kyrie Irving hit 15 points that last quarter Okay, and then from now we have it's all hobby boxes All hobby boxes and and then we've got the helmet in the jerseys So we're going plates and patches to start five cards one one of one printing plate guarantee Nice patches as well hence plates and Our plates is For the raiders That josh jakems Yeah From 2020 prestige football josh jakems That's for the raiders and will driggers dk mech half 38 out of 60 For the seahawks and tanda sefino and landon collins 17 out of 65 For washington and terry kayhill and here's url cambell cat and cloth two out of 99 Uh, that is the houston oilers Which goes to the tennessee titans and matt leaver and we got tori holt on card auto 10 out of 10 Very nice for the rams and will comp stop. He's got a nice signature. It's just a beautiful signature blown up What's happening you have to stop now What are you doing Tampa bay vegas nets plus nine and maps plus four We got limited 2020 So two autographs and one mem card including one on card autograph, right You know what it was it was all notifications from youtube on jasby's videos Yeah, i've got my notifications turned on for jasby's videos. What about you? I don't know why it's sending them all to me now uh dj more for the panthers Julio jones for the falcons kindle fuller for the washington football team and aj brown for the titans And we've got a la michael p ryan 11 out of 49 three-color patch and auto jets william punt Jasby's blood I That's crazy I think the longest shot on that would be would have been ben simons first points That's got to be what pushed that up to plus 1776 Oh, yeah Derek car bradley chubb mike gasicki and ty hilton And we got ross blacklock 181 out of 199 For the texans and andrew roth it is rebel it is It's always frowned upon unless like you just get Yeah You don't you just don't like it's frowned upon to make parley bets But it on something like that where you can't bet them all individually after one pays out We still got more jona we guys we still got four more hobby boxes for you and we got the jerseys and the helmet That's still half the break And bradley chubb the 149 for the broncos That is matt lieber and gabriel davis 11 out of 199 just a couple off the jersey number for the bills And gordon phillips Oh Interesting Okay, we're gonna go select hobby then we're gonna go contenders optic then one and then we're gonna go into 2021 He drives in new jersey How long's that drive for you sam? Why would he end the break now rex? I'm not doing that One two three four one two three four five six One Well one sports betting just seems to be legalized 100% whoa rex never never That's funny jesson how long's that drive for you? Oh really sam? Yeah Starting off with henry rugg silver for the raiders will driggers nice jordan love for the packers and terry k. Hill And how about a jail in herce very nice out of 149 for the eagles jack day philip and cd lamb to 199 Jersey and auto for the cowboys yona kj hamler for the broncos That is matt lever jake from for the bills gordon phillips russell wilson for the seahawks tana sefino cam chancellor for the seahawks tana sefino aj dylan for the packers And terry k. Hill We got another jalen herce this one's a silver for the eagles jack day philip gabriel davis for the bills gordon phillips the michael pirine jets william punts And michael thomas relic for the saints cody westfield mike evan silver for the buccaneers robert flores and ben denucci for the cowboys out of 149 That is yona Dante call pepper field level silver for the vikings kori shalik Uh, who's he starting? Are they starting him for? That's who's starting for the for the knights sam We're coming off a great year. It really had to think great Not over till it's over sam not over till it's over i'm still rooting for you Zach moss for the bills gordon phillips You got clad edward zealayer for the chiefs christ chin Devin duverney for the ravens erin woodington camakers for the rams another jalen herds Rams is will calmstock herds and the eagles jack day philip And a josh allen blue that is out of 99 For the bills gordon phillips q sean vaughn silver buccaneers robert flores Brandon iuk for the 49ers tom lee and michael vick for the falcons william fulmer Zach moss for the bills gordon phillips chase claypool for the stealers rubin lomas anthony martin uh martin mcfarland jr for the stealers That is rubin lomas devin assi assi Patriots robert flores Looks like we got a tie die coming up a jay terrell And it's josh allen another nice one for the bills That is gordon phillips that is three out of 25 And our second auto is james white For the patriots robert flores that is out of 99 deandre swift for the lions matt p jonathan taylor for the colts jordan kozak Out of 199 tommy steven for the saint cody westerfield and clave on chase on for the jaguars That is anthony good Wyatt and joshua kelly for the chargers and adam compliment to finish it off There's more Titting that tea up frosties Have to be better defensively See sam i'm the exact opposite I want them to struggle they've gotten had so much success so early in In their like, you know franchises existence I want them to struggle but yes seattle now that's cool Oh Yes, justin i do i do Okay, next up is contenders optic 2020 He's fighting uh poyé again, right i think connor gets it second time around for third time around first up Ben rothasberger mvp contenders green pulsar for the stealers and ribbon lomas that is 27 out of 27 eva one-on-one You got jake lutan and tyree kill And michael thomas for the saints cody westerfield. That's not good sam That was quick kj osborne rookie ticket auto for the vikings Corey shalik and rookie of the year contenders henry rugs Raiders will triggers Okay, next up is padini one one encased auto or patch auto We're going dwight stevensson part of the nfl 100 auto for the miami dolphins and robert florex There you go for the dolphins and robert And then we've got the brand new 2021 contenders draft picks Will saying come on hits Yeah, but sam he's got that money whether he steps into the rings or not. You know what I mean? I still think he has motivation to not look like he was overrated. You know what I mean? I don't know You're not in the break right jonathan That might be why I would think Our first auto is jevon mckinley Jevon mckinley You got my list That is None here Jevon mckinley Let's check him out Is Detroit lions is jevon mckinley Yeah, that's what i'm showing to adam so detroit lions that is matt p Our second auto is austin wattkins wide receiver out of university of the university alabama birmingham austin wattkins 49ers 49ers is tom lee Yeah And we got simi fejoko Wide receiver out of stanford 43 out of 99 See where simi fejoko That is dallas cowboys Dallas cowboys and yona baniakski. Whoa, whoa, whoa rex Cadarius tony for the giants Jalen waddle for the dolphins and trey lance for the 49ers and malik herring College ticket auto defensive end out of georgia Nice man Very nice. Yeah, I thought that was a good idea Leak herring Uh, I show candid city chiefs so candid city chiefs christ chin watch cheers james connor Kyle pits for the falcons william fulmer and davante smith for the eagles jack day felipe patrick johnson From tulane defensive end Tyler lockett out of 199 for the seattle seahawks tana sefino. Where is patrick johnson? That is philadelphia eagles patrick johnson jack day felipe Back in 2016 i think jill pulled me a gritsky 1927 He created seven time for around 700 bucks a lot more a lot more. Thanks. Justin trevor lorenz jags Zach wilson for the jets and we've got a Ticket stub 53 out of 92 osa id uh odig zua defensive tackle tom brady Uh, that is bucking years edition So there's all the boxes. Let's see who this goes to To nothing colorado. That's not good sam. That's quick That's real quick So osa is let's see That is dallas cowboys And yonah There you go. So those are the autos now we're gonna pop over and actually do the jerseys and the Helmets, so let's do that Okay, so Yeah going into we'll do the helmet last we'll do the jerseys now I Five boxes But First up Um, I mean depending on the players and everything obviously yes So Okay, I am A two-time pro bowler retired three-time super bowl champion I won the ed block courage award in 1992. I lead all-time rushing Oh wait, no never mind I do not That would give it away um I was a fullback 1988 all big east 1988 all big all american and I've played at syracuse university I was the lead blocker for all-time rushing leader emet smith I'm moose johnson Darrell moose johnson You can see the becket certification sticker The certificate right there and the silver ink auto Darrell moose johnson He's got his nickname. It's a very beautiful autograph there His name on the back too So that's gonna go to the dallas cowboys and yona nice one there Very nice kind of a beautiful signature I like how like he puts his nickname in the the loop of the bottom Let's see who number two is See cori says he'll buy I'm a current wide receiver 2013 second team all american 2013 paul warfield trophy winner and i'm a three-time pro bowler I was drafted 53rd overall in 2014 nfl draft. I played for one team my entire career michael thomas I'm a very good wide receiver, though A very good wide receiver I think you mean odell but no odell Yeah, adams Devonte Adams And it's the old school throwback Packers jerseys as well You can see the jsa's sticker Devonte Adams autograph right on top there On top of the 17 And the jsa certificate there Nice one for green bay That's gonna go to terry cahill. That's a really cool jersey too Devonte Maybe future charger Let's see That'd be pretty cool. I would not be mad about that at all So that's gonna go to green bay Okay jersey number three I'm a 12 time pro bowler retired in the hall of fame three time first team all pro four time second team all pro I won the 2003 walter paint man of the year and I was part of the 2000s all decade team Played college football in nebraska and it was a 1992 consensus all american hall of fame in 2015 I think this is gotta be Yeah, erin got it Will shields Yeah, can't see the chiefs. Okay, cool. That's what I thought uh christ chin can't see the chiefs So you can see he's got the hall of fame 2015 inscription down here on the bottom Will shields with his number 68 right there As part of his signature In the uh, see the takes the loop and then turns that into the six which is pretty cool Uh tri star authentication and the hologram right there And you got shields can't see the chiefs That is christ chin that'll happen jonathan That'll happen. How'd they have this in here? Really just like that So like I said, that's for kansas city and christ chin A box number five. I mean they put big big jerseys in tiny tiny boxes Okay, I'm retired. I was inducted in the hall of fame in 1980 I was a nine time afl all-star three time pro bowler 10 time all afl selection three time all pro selection 1967 afl champion afl all-time team I was ranked the number 63 player of all time by nfl network I played college at the university of miami and I was part of the nfl 100th anniversary all-time team Plays for my favorite team of all time gym auto Raiders will triggers double zero gym auto the double zero He's got the hall of fame 1980 inscription down on the bottom tri star hologram and The tri star certificate there as well Ryan leaf, that's the best Love that guy There you go, well Jim Otto is actually really cool for the Raiders of Las Vegas and box number five This one i'm gonna have to look up what team he played for the longest That's a college jersey um I'm a college hall of famer I led the nfl rushing one year I was a Pro bowler and a pro bowl mvp in 2002 First team all-pro in 2002 the year that I also led the nfl rushing 1998 hyphen trophy winner 1998 walter camp and maxwell award winner 1998 ap player of the year held the nca career rushing yardage Rushing touchdowns and scoring records and I was selected fifth overall by the night in the 1999 nfl draft One coach is famous for trading every single one of their picks for me Played for the burnt orange of texas ricky williams Obviously it says williams on the other side of that you can see his autograph right on top there and hyphen trophy 1998 inscription in the middle of the three There's the hologram from tri star And The authentication there so I got to see who he played for the longest What team was he on the longest? Yeah, nice, uh Nice ricky williams burnt orange So since it is a college jersey, it's going to go to the team that he played for the longest throughout his career Okay, he played for the saints from 99 till 2001 dolphins 2002 to 2003 plus 2005 Dolphins from 2007 to 2010 he played for the dolphins longest. Yeah Definitely the dolphins longest toronto agonauts in 2006 And the ravens in 2011. So that's going to go to the dolphins and robert floris There you go robert. Congrats, man. Awesome ricky williams last but not least our full-size autographed helmet Ain't the saints definitely There you go see who this is Brooklyn's up 25 with a minute 30 left in the third and already has a hundred and seven points Yes, uh, not good. Oh, that's cool Oh, this is super cool Okay, I like it was inducted into the pro football hall of fame in 1991 college football hall of fame in 1990 1977 heisman trophy winner. I am a two-time all-american five-time pro bowl selection three-time all-pro I was the first overall draft pick in 1978 I was the nfl rookie of the year in 1978. I was in 1979 and ap nfl mvp And I was part of the nfl 100th anniversary all-time team My nickname is the row the what is it the pearl of What's my nickname the pearl? Pearl of tylin the texas rose Is that my is that my nickname? It's earl camble What's my nickname though the tyler rose There you go. I'm pretty accomplished. I'm earl camble He got big old tree trunks. He knocked over And it's old school oilers Very nice. So it's houston oilers Which goes to the tennessee titans and matt lieber with his hall of fame inscription 1991 He's his own sausage company That's pretty cool There you go. So nice one to finish it for matt and the titans Uh, we'll do a little recap of the autos as well So for the The jerseys we had daryl johnson for the cowboys davante adams for the packers We had will shield for the chiefs We had Jim auto for the Raiders and we had ricky williams texas edition With the burnt orange for the miami dolphins Um our helmet right there you can see is earl camble which goes to the tennessee titans matt lieber here's our Recap dj. Hayden out of 999.  Hamler joe burrow red mojo torrey holt out of 10 La michael pirine out of 49 ross blacklock out of 199 cd lamb out of 199 james white out of 99 kj osborne and henry rugs Out of 99 and it's white stevensson And javon mckinley for the lions austin wattkins for the 49ers simi fejoko out of 99 for the cowboys malik herring for the chiefs patrick johnson for the eagles and osa it digs a walk for the cowboys We've got two randomizers to do One is for this relic, which is going to be between the rams vikings and 49ers And the other one is for these 400 points, which is going to be randomized between everybody. We're going to pop over here to the randomizer so rams vikings 49ers And everyone's in the other randomizer cool, so let's do this Same dice roll for both randomizers two and a four six times Six in final time that's going to go to the 49ers frank gore and tom lee And the other randomizer between everybody is going to be six times as well Six in final time and that's going to go to robert floras as well. So 400 points for robert floras So there you go That is the final randomizers for the 49ers the triple relic and for robert floras 400 points And there you go guys, that was the break That was jaspy's 20 box offseason football mixer a random team addition from jaspy's case breaks.com. I'm shan jaspy's case breaks.com. Thanks for hanging out. We'll see you next time