So, so my name is Billy Field. I'm here to talk to you today about the protection in recovery for OpenStack environments and how to thrive and survive. So we have 15 minutes and I want to cover this quick agenda. I want to kindly direct you to D8. So anything additional beyond this conversation, stop on by. We can dive in deeper. There's only so much we can cover in 15 minute span. I'm going to give you a quick bio about myself to level set to tell you where I'm from. Talk a little bit about the journey to the cloud, right? We're all here at the OpenStack summit, you know, we'll talk a little bit what that means and where things stand. The protection policies and recovery engines, you know, what are the challenges that people are facing in the cloud today? How organizations are attempting to solve these challenges and these problems? How truly it can help solve these problems, right? So this is our driver to the OpenStack community to help the organizations tackle these. A little bit about the architecture of how we're doing what we're doing. And then lastly, what we're going to do is a quick demo. And again, D8, we can get into the nuts and bolts exactly of how we're doing it, okay? So 20 seconds about myself just to get a baseline. So I run the cloud architecture team at Trilio Data. Quick little activity at EMC for 12 plus years. So I've been focused in the data protection and cloud architecture space for the last decade or so. And where the journey always starts here is, I've talked to several dozens of customers and prospects over at our booth and there's a continuum of the journey to the cloud, right? I've heard customers say, hey, I'm just doing discovery today. I'm still doing some research on where things stand if I'm going to go from VMware over to OpenStack. I've talked to people that say, hey, we've limited it down to a couple different distributions and I'm actively doing some POCs, right? We have some customers and prospects that are like, hey, I'm in non-prod, not quite in production, but I'm almost there. And we also have people that have been run to OpenStack for the last three plus years, right? So no matter where you are on this continuum, the business is going to drive the assurance of it. Is my data protected? Can I get back to any point in time within that cloud with some sort of a solution? So instead of killing you by death by a power point with bullet after bullet after bullet, let's kind of settle it down here. Let me introduce you to Tom, right? Tom's the director of IT at Acmecorp and he sees all cloud operations. He's gone and convinced the business. He's built this great OpenStack cloud. It has all the cloud attributes, right? It scales. It's multi-tenant. It's self-service. It's great. The business loves the flexibility. The business is really kind of liking how they have a good TCO ROI on the solution.  He's like, I've got the feather in my cap. My cloud's up and running. The business likes it. I'm good. So let's talk a little bit about the challenges in Tom's near-term future here. As you can see, Tom's mood mood here is he's a happy guy. Okay. Enter Sam, right? Sam's in DevOps and Sam comes to Tom and says, hey, nice shiny new cloud. Talk to me a little bit about testing and migration. I've got a lot of stuff that I need to do. I got iterations of things I need to spin up and spin down. And Tom says, hadn't quite thought about that. Interesting conversation, right? We'll table that for a second and get back to it. Next, you know, Tony comes by. Tony's from the app team, right? We all know those to app guys, right? Mission critical, building the next gen applications, you know, thriving the pocketbook for the business, you know, next release, next release, next release. And hey, Tony says to Tom, all my stuff's in your cloud. What about backup and recovery? How do I do that? Tom's mood meter. All right, hadn't quite gotten there. Not quite sure about that. Let me table that, too, because I haven't gotten there yet. And Eric, the corporate guys, right? We all know what these guys do, right? Audits, SLAs, RPOs, RTOs. So Tom's having a really bad day because he's like, I'm in trouble. This cloud can't address any of my team's needs, right? So Tom reaches into his tool belt and he's got a couple different tools here. I can go ahead, go the scripting approach, so I can go to each business unit and start developing scripts and go ahead and compile all these things and piece them together. And I got a new slide. Give me a second here. So a little snafu. I had to switch laptops here, but long story short. So Tom has scripting available on his tool belt. He's got schedule scripting, which is crontabs. He modifies cron jobs across all these different machines. I'm sorry. He can leverage any sort of array-based technology, some volume-level snapshots. He can dump to NFS if he wants to. He can use host-based tools. He could use legacy approach, such as backup, backup to disk, backup to tape, you name it. Or he can just go straight application tool sets, right? But the dirty little secret is none of these approach are built with a cloud in mind, right? They don't have any cloud characteristics, and much like the duct tape, you know, you're stitching these things together, like bubblegum and shoelaces, right? So the challenge is if he deploys this, he'll run into a couple different things.  He's going to be going through managing Excel documents and where things live, and really a management nightmare here. He's also got to basically maintain every single point in time for the VM configurations in the sense of the flavor, the volume types, you name it, the compute resources. In addition to that, what he has to do is he has to go through and then map every single volume associated with that point in time to those VMs, which could be hundreds, if not thousands, right? So this is kind of a snowball effect. He's getting to the point where not quite sure, and then on top of it, he's got all the security groups and the network policies and the net mask and IP addresses, right? So if he goes with the legacy-based approach, these are his challenges, right? We've all been here, right? We can all agree that we've all done this in the infrastructure. So let me introduce you to Trilio, okay? Trilio is the only native data protection solution for OpenStack, and what that means is we are built from the ground up with the cloud in mind, and to the right hand side are all our attributes, that every cloud is to be deployed and not only to have protection for us. So we are downloadable, we're agentless, multi-tenant, inscalable, flexible, non-disruptive, incremental capture forever, and then the last bullet point is key, OpenStack native. So what do we do? What do we capture, okay? Do we capture just the volume? No. Do we capture just the VM? No. What we do is we capture a couple different components. We get the exact OpenStack configuration metadata as a first step, and what that means is all the neutron components, so the net mask, the firewall settings, the IP addresses, you name it, okay? We get the NOVA components, anything to do with the compute layer. We get all the cinder configurations, so we get the volume types, the volume configurations, and lastly we grab the image from glance. So think about that as the configuration, and then on top of that what happens is we go through, we then grab the actual data from the OpenStack environment as a phase two. So what we do here at Trilio is we do a full once in the incremental forever capture, and what we do is we take our baseline level zero, okay? We copy it to a target repository, which is NFS, Swift, and we've recently announced Ceph Gateway and Amazon S3 for this quarter, and what we do is we get our base level zero, and then every subsequent job is incremental forever. Now the best part about our policies is all driven by the tenant, so the whole self-serviceability component of the cloud, we port over to the data protection realm, right? So me as a tenant, I spin up my infrastructure, I spin up my applications, and then now I can have a new tab in Horizon that basically defines my service level agreements for my workloads, okay? So this is just a little infographic that says we do a full once, we leverage snapshot based technology, we then do incremental forever at the block level capture, and then what happens when we get the data under management or backed up? I'm sorry, this is a new deck here, it's spinning through on me, but backup data protection is only one component of the engine, right? Recovery is the other, right? I've got to be able to recover that data. So we offer four different types of recovery today. The first as you can see is in place recovery. Now what that means is I go to my I go to my cloud, I log in, the instances are either corrupt or terminated, they're gone, right? So I can go to Trilio, I go to my workload, I go to my backups, and I say in place recovery, and what we do is we recover the metadata and the data to that point in time, in place as to where it was captured from, okay? The next, again, so once we get that data, metadata and data, now we have the ability to do a selective restore, right? So I can go ahead and say, hey, maybe I want to spin this data set up to a different availability zone or a different region altogether, maybe with just different parameters, okay? Sorry, I'm kind of flying through here because it's on loop for some reason and I can't change it. So once you get the recovery into a component of a different availability zone, a different region, different configuration, you start talking a little bit about disaster recovery and migration scenarios, right? So I can spin that environment up into a new cloud, right? So I can go from, you know, my private cloud here at site A, and I can spin it up over here into site B, whether it's private, public, or hybrid, you pick or choose, right? And then the last use case with us is we talk about VM level, VMVM block block. We also expose the ability to recover files or folder level recovery, again, from the tenant. So I can mount the data set up. I can browse files, directories, or folders. I can use SCP or SSHFS and get the files or folders directly to a local workstation or back into my source location. So Trilio architecture, what does it look like? How do we do what we do? So to the top left-hand corner, what you'll see is we will ship our virtual appliance in native QCOW 2 format, and you will deploy that on a standalone KVM box. Once that is deployed, what we do is on each one of the controllers, we will install our service endpoint, our Trilio endpoint. And then the last component is our lightweight Python-based data mover, which sits on top of the compute nodes. So the good thing about this component is that I can start today with a 10-node open-stat cluster with 10 data movers, and then I have the ability to scale. That's the point of these clouds, right? I can start here in a 10-node, scale to 100, if not more, and then just enable this data mover on each one of the compute nodes. Now, the nice part about our solution is you can deploy this as a standalone. You can just dot slash, run this, run it once, but we also provide Ansible scripts as well. So if you want to pump this into Ansible to automatically scale as a DevOps approach to scale this cloud out, we can go in with that approach as well. So again, we only had 15, 20 minutes here. So in summary, everyone here is on the cloud journey to the cloud, right? Whether it's in its infancy or you've been straight running OpenStack for the last few years, your business units are demanding data protection. This is no longer if it works, it's when it works, and this is more of a compliance and security measure that the OpenStack community needs to adopt to. Trilio is the native OpenStack data protection tool that will empower this business challenge. And the key features, the cloud agnostic features, is that we are agentless, we're incremental forever capture, we're tenant-driven, and again, we scale much like your cloud should scale, right? And last but not least is we do solve that challenge. We do solve that data protection challenge that you do have for OpenStack. Okay, quick, if you're joining this session, there's three here that I want to kind of clue you in on. One happened yesterday, Ganshem at NEC did a great talk on the strategies of backup OpenStack resources. In a couple hours, Murley, our CTO, is going to be tapping the strengths of hybrid cloud, and then tomorrow he's going to be doing a follow-up session for a sneak peek for that hybrid cloud offering. So open up your app, add those if you're interested, but I think you'll definitely find some good value here. Okay, we'll jump into a demo here. Okay, so before I play this, I recorded this because I was unsure of network connectivity, and I'm not a big fan of dropping connections via demo here. The first thing I really want I want to cover three things. Number one is how simple it is to manage our product, quickly go over how it is to protect, and lastly how to recover because that's really, you know, the core functionality of Trilio. And setting the table, what you'll see here is we're directly tied into Horizon. So we provide a Horizon plugin, and we're compatible across all distributions of OpenStack. Yes, we do have a REST API. Yes, we do have a full CLI, but for visual purposes here, I'll show you our integration here with Horizon. So I'm Tom, right? So I'm logged in as Acme Co-Tenant, and I'm logged in as Tom. And you see that backups tab here that we've exposed at the top panel. Now what I've done here is I have my service level agreements that I've defined for my cloud. So you can see gold, silver, bronze, you can kind of tell based on those policies what they do. So the gold policy here has a 3VM workload. Looking at the snapshots tab, there's your full, and then we have two incrementals. Again, so we're incremental forever, as you can see the size of those. If we dive into each one of those snapshots, what you do is you'll see the metadata associated with that. So we get the security groups, the flavors, the volumes, the networks. So we get the exact point in time configuration of that capture job, in addition to the actual data itself. We'll show you the status of the job, excuse me, the status of the job, how long it took, the size. And basically what you can do is go SLA to SLA, and the good thing is the tenants here can define their own workloads. I just showed a couple just for demo purposes. On the flip side, so when you get the data protected, you've got a couple different things. There's the one-click restore, which is an in-place recovery. Additionally, we provide this functionality called a selective restore. So again, this is a point in time recovery that I can go ahead. The neat thing here is I can go and define a different availability zone. So I captured from an east coast availability zone, now I can spin it up to a different availability zone. Maybe I captured it here, network wise on a 10.network, I can spin it up and put on an 11.network. The capture of the three VM instances are listed there underneath the instances. The cool thing about this is I can go ahead and rename the instances, but also give it a different flavor. So if it's a DR repository or another region that has less compute or less resources, I can say, hey, this is an extra large resource, let me drop it to a medium or let me drop it to a tiny. And then last but not least, you can go through and say, hey, maybe I want to just restore all the VMs or just one VM. You can pick or choose. And then what happens is we click this banner and we start the recovery process after we hit submit. Now going back to this whole VM capture, block level capture, the last thing we do here is you'll see the mount snapshot operation. What we do is we'll ship out a file recovery manager that what you'll do is when you mount, you're going to logically take the volume structure of that point in time. You're going to logically map it to that file manager. It'll scan for the new devices. And then what you can do is you can hit the IP address of that file manager, web browse the volume structures. You can download them locally. You can use SSHFS or SCP to grab that data and so on and so forth. Fast forwarded here. We talked about tenant, tenant, tenant. Here's the admin view. So I can go here globally, look at all my workloads. I can take a look at how many VMs. I can look at performance metrics. I can look at where these backup jobs and data protection jobs are writing to. Underneath the nodes tab, these are our virtual appliances. We list all our data movers. Again, these are the components that go under the compute resources. So in this case, I have seven computer data movers. We list all the storage repositories. Stop there. Sorry about that. Sorry, David. Delete my CEO's emails. I'm sure he's not happy about that. And then last but not least, you've got audit logs. You've got system configurations. You've got settings and you've got licensing underneath admin panel. So again, can't really give a detailed demo in five minutes, but please stop by D8. We can go into the nuts and bolts and dive deeper technically as to what Trilio data is doing. So thank you very much.


Welcome back to Tennis Talk, my name is Cam Williams and Emma Raducanu has tested positive for COVID-19 and has to withdraw from the Abu Dhabi exhibition tournament that's happening this week. There's a lot of good players playing in that exhibition tournament. Raducanu was going to be playing against Belinda Benchich, is what the tournament had to say about the Raducanu withdrawal. The tournament brought out a statement saying, Emma is now isolating and following all necessary protocols. We wish her a quick recovery and hope to see her back on court soon. We are looking at alternative top female competitors to go head to head with Belinda Benchich. Further updates will be provided in due course. And Raducanu came out with a statement saying, I was very much looking forward to playing in front of the fans in Abu Dhabi, but unfortunately after testing positive for COVID-19, I will have to postpone until the next opportunity. I'm isolating as per the rules and hopefully we'll be able to get back on court soon. So there you have it, a statement from the organisers of the Abu Dhabi tournament and of course a statement from Raducanu as well. Bit of a shame because it's the first time we'll see Raducanu in a couple of weeks and also it was supposed to be a rematch of what happened at the US Open when these two players played each other, but there's still some big names playing. We still have Dominic Teem coming back from injury. Rafa Nadal of course is the showcase event. He's probably the highlight player of the whole tournament. Let me know down in the comments below. Do you think this will affect her Australian Open? Because we know the Australian Open have some strict protocols. You think she'll get over it, she'll be playing in Australia. Some players are starting to pull out of the Australian Open either because they're unvaccinated or because of injury. So Raducanu, she is out of the Abu Dhabi exhibition tournament but Rafa Nadal, he's still playing.


Hello students, I am Bhargesh Dishmukh from Valchana Institute of Technology Mechanical Engineering Department. This session is on design of bevel gear. We have derived the beam strength of a bevel gear. At the end of this session, we will be able to derive the wear strength of a bevel gear. Let us recall the terminology of bevel gears. In bevel gear, we have seen a pitch cone. Pitch cone is an imaginary cone, the surface of which contains all the pitch lines of the teeth in the bevel gear. It is represented by this cone, then the back cone. The back cone is an imaginary cone and its all elements are perpendicular to the elements of pitch cone. We can see that this triangle, red color triangle represents a back cone. Pitch cone is represented by this triangle and back cone is represented by this particular triangle. Now, let us see a formative spur gear in the bevel gear. There is a back cone radius Rb. When we project this larger end of the tool, we rotate it and then project, we get this particular spur gear. It is called as a formative spur gear in a bevel gear. The back cone distance Rb, it is also called as back cone radius. It is the length of the back cone element. Back cone is from point C to this one, this pitch point A. A is representing pitch point at this particular tooth. If I take this radius and draw a pitch circle, it represents the radius Rb representing a formative spur gear. This will be the pitch circle of the formative spur gear. It is also called as equivalent spur gear. This is the real dimension available, capital D, which is of the bevel gear. This is called as the pitch circle diameter D, but this pitch circle diameter D is of bevel gear. Now, cone distance, the pinion of bevel is shown by this zone. The diameter of the pinion is given by Dp. The gear is shown with the diameter Dg. It is the common point apex of both the bevel gears. A0 is the cone distance. Yama represents the respective pitch angle. The formative number of teeth for a bevel gear are given by Z dash equal to Rb upon m. The actual number of teeth on the bevel gear, I need to take the actual dimensions. Z is the actual number of teeth on bevel gear, D is the actual diameter of bevel gear and m is its module. I need to divide these two equations in order to establish the relation between Z dash and Z. Z dash upon Z is hence equal to 2Rb upon D. What we did over here is, we have established a relation of formative number of teeth, actual number of teeth, radius of formative spur gear, multiplied by 2 represents the diameter of the spur gear or the formative spur gear and capital D represents the diameter of actual bevel gear. Now, let us do this construction. OC is the line, then AB join and point A join to C. Now, in this triangle BCA, sign of that angle is AB upon AC or we can write that sign of 90 minus gamma equals D by 2 upon Rb or we can say that backbone radius equals D upon 2 cos gamma. Let us put this value of Rb in the equation of Z dash upon Z. The equation then simplifies and we can get Z dash equals Z upon cos gamma. It is the relation between virtual number of teeth or formative number of teeth and actual number of teeth which is related by 1 upon cos gamma. When we derive a beam strength of a bevel gear, it is derived at the larger end of the tooth. We need to consider delta SB equals mx Bx sigma B into y, where delta SB represents beam strength of the elemental section in Newton, mx is the module of the section in millimeter, Bx is the phase width of the elemental section and y is the Levy's form factor based on virtual number of teeth or formative number of teeth. In the torque, it is obtained as mB sigma B y into R into bracket 1 minus B by a naught plus B square upon 3 a naught square. What we will assume that beam strength SB is the tangential force at the large end of the tooth and hence mT equals SB into R. From these two equations what we can obtain is SB equals mB sigma B y 1 minus B by a naught plus B square upon 3 a naught square. However, we know that B equals a naught by 3. Therefore, this last term in the equation of SB, it will be never having the value more than 1 by 27. Hence, we neglected it. Therefore, SB equals mB sigma B y into bracket 1 minus B by a naught. Here, we can define that the factor 1 minus B by a naught is a Bevel factor. Taking all this methodology further, let us derive the Weir strength equation of a Bevel gear. The Bevel gear, we need to consider it as equivalent formative spur gear in the plane which is perpendicular to the tooth at the large end. This is the assumption that we did. For a formative spur gear SW equals BQ dP dash k. All the terms have usual meaning. B is the face width of the gear in millimeter, Q is the ratio factor, dP dash is the pitch circle diameter of the formative pinion in millimeter and k is the material constant in Newton per mm square. Pitch circle diameter of the formative pinion is given as dP dash equals 2RB or we know that RB equals D upon 2 cos gamma. Using these equations dP dash equals dP upon cos gamma, where dP is the pitch circle diameter of the pinion at the large end of the tooth. The Weir strength hence is given by SW equals BQ dP k upon cos gamma. Either the pinion or the gear in Bevel is generally overhanging. Only three quarters of the face width is hence effective. Therefore, we need to introduce 0.75 in the equation and hence equation SW changes to 0.75 BQ dP k upon cos gamma. The ratio factor Q is given by 2 ZG dash upon ZG dash plus ZP dash. K is given by 0.16 BH and upon 100 bracket square. Q can be also obtained by 2 ZG upon ZG plus ZP tan gamma. This represents actual number of teeth on Bevel. As we have seen that there is lesser contact available in the face width. Therefore, mounting methods of Bevel gears are established. First is overhang mounting of both shaft of pinion, shaft of gear. Support is given at only one end of the shaft. There is no support beyond the gear zone here. There is a saddle mounting of either pinion or gear. One can be having two bearings as shown. One bearing on one end, another bearing as like overhang. But additional bearing is used which support this shaft and deflection can be avoided for that shaft. Definitely it is going to contribute to the cost. Therefore, designer has to design in such a way that overhang mounting method shall satisfy the design requirements. But sometimes we need to restrict the bending of the shaft. Third method is both pinion and saddle for gear also, shaft of pinion, shaft of gear. First two bearing represents overhang mounting of both. Now, disappearance represents saddle mounting of pinion. Another bearing is used on the shaft of the gear so that gear shaft is also mounted as straddle. There is very least chance or no chance to bend the shaft. Thank you.


Cicadas, I think most people probably recognize them as locusts. They're not a locust. A locust would be a grasshopper. Cicadas are actually a true bug, or we would call them homopterans or hermipterans, but they are actually completely unique from a grasshopper. They live most of their life underground, and then they actually emerge, and then they feed on sap, what we would call them, so sap feeders. They feed on the xylem or the water transport systems of trees. When they're underground, they're feeding on tree roots, they're inconsequential when you think of damaging trees and things like that, and when they're adults, they also are inconsequential, unless we're in a year where we have a brood emerging right here, and so every year you'll see cicadas, and they're green, and they got black or green eyes, and we call those the dog day cicada, but the ones that we are all talking about right now and everyone's seeing in the news, that's actually the periodical cicada, and specifically this year the big emergence is brood tin. Brood X is what everyone's calling it, but it's a Roman numeral, so we're supposed to say it, but periodical cicadas, they're very unique, almost completely unique to Eastern Arkansas. I think I read one time that whenever European settlers came over here, I thought it was a biblical plague because they don't have cicada emergencies like this, and so when they first saw a brood tin emergence, they thought they had done something wrong and they had come to a land they weren't supposed to be in, but the big thing is, you know, 17 years or 13 years is how long these cicadas spend in the ground as immatures before they come up, and you know, here in Arkansas we don't have 17-year cicadas, we actually only have the 13-year variety, and so we don't actually have the periodicals coming out this year. So this year is unique because brood tin is the biggest brood. I think I saw a number of something like 1.6 million of cicadas will come across an acre in parts of the eastern United States. It has the biggest range, and it coincides with our biggest population. So we have, I think, an estimate of multiple billion up to a trillion cicadas coming out where we have tens of million of people live, and so brood tin is the big one that everybody watches out for because all the people up in the northeast are not used to insects like this, you know, here in Arkansas, we're a bit more used to being plagued by insects, but I think they're a little less used to it because a lot of places are big urban centers that where they're going to come up at. They emerge from the ground, the males are going to emerge first. That's the loud noise you hear. If you ever gravitate off the ground, if it yells, it's a male. If it doesn't, it's a female. So males are the ones that are calling. Females come up about a week or more later or a bit later than males, and what happens is they mate, and then the females have to lay their eggs somewhere, and so they cut a slit in a branch or the stem of the tree, and so that leads a wound, we call it an oviposition wound, which is what an entomologist would call it, but an egg laying wound. They look for branches or stems that are from about three sixteenths of an inch up to about seven sixteenths of an inch, so just under a half inch in diameter. That's where they'll lay them, and so the damage is if you have a ton of these things coming out and they're laying eggs all over a tree, then what you'll see is a lot of death occurred on these small branches, and if it's a small tree, it can actually kill the tree. So young fruit trees could be affected to the point where they would die.  You'll see it, you'll see what we call flagging, which is just where the stem is going to be dead right past where they lay the eggs at, but mostly it's just going to do a little bit of damage, it won't matter. But for a fruit grower, losing limbs is a big deal, and so it could cause damage even at a somewhat smaller level of egg laying, but on a normal year with normal cicadas, we got no issue at all. So there's a few resources online. The one I always go to is called cicadamania.com, and they have a Twitter and a Facebook and everything else, and basically people just write in, here's where we're seeing them, here's how many we're seeing, and there's maps associated with that. The Wikipedia page is actually pretty good as well, and it actually involves an up-to-date map that shows all of the broods, where they expect them to come out, and what year they came out last, and which one they'll come out next, and it's pretty easy to track. It's a 13-year cicada, we know it came out in 2011, like the one we had in Arkansas, we know it's coming back in 2024. Now if you're a fruit grower, you really need to be concerned, and you need to go out and watch, and so just check for them. If there's going to be enough damage that it concerns you, you'll be able to find them when they start coming out, because there'll be a lag in when they come out and when they start damaging, because the males come out first, you'll see all the little skins like you're used to, and then you'll hear them as well, and then the females come out. What we recommend is a pyrethroid. If you're in a brood ear, if you're seeing them on your farm, pyrethroid applications may be every three to five days or so, until you're not seeing them come out anymore, and pyrethroids do a pretty good job of knocking them back, but there's always associated risk with killing your natural enemies, killing your pollinators, and so you really want to make sure they're there, and you're in a brood ear for your area before you start trying to use insecticides for them.


Not all of Queensland looks the same. Red dirt to golden beaches, country towns to sprawling cities. Neither do Queenslanders, and if we don't all look the same, neither should our police. My name is Shane Plummer and I keep community safe. With cultures as diverse as the countries we come from. Namaste. My name is Amun Jyotsharma and I keep my community safe. Different languages, different food, race of thinking, religion, beliefs, sport, clothes, a diverse mix of people that makes this the place we want to call home. My name is Jose Ramon and I keep my community safe. Because we know that understanding the community we work for is the best way to protect it. My name is Polina Campbell and I keep my community safe. And we're not stopping there. The road to inclusion and diversity isn't straight. It isn't one way. Sometimes you might think you've got to the end, but you haven't. Hello. My name is Jeon Seonhee. We're doing our best to ensure the safety of the local community. So, we'll keep listening and learning and getting better to keep communities safe. While Obama should show up and not just say it, thank you for keeping communities safe. Our offices come from a range of different backgrounds, but we all keep communities safe. Just like you, we call this place home. Not all of Queensland looks the same, but that's what makes it great.


We've all been taught the golden rule which basically says do unto others as you would have them do unto you or treat people the way you would want to be treated yourself. Well Damon Knight's novella rule golden reverses the golden rule. The idea being that whatever you do to people will happen to you. Well it turns out that there's an alien running around loose on earth and everywhere he goes he has this effect on people. And of course every government in the world is determined to find him and kill him. This is a novella it's a very short novel so you will always find it in a collection of stories by Damon Knight which you should be happy about because Damon Knight is a great author.


Coming to you from our GIS Studios, I am Anisia Antoine, and this is your Midday News Brief. For more than 12 years, the Florida Caribbean Cruise Association has been warming the hearts of St. Lucian children at Christmas time. With the help of the Ministry of Tourism, Information and Broadcasting, culture and creative industries, and the Royal St. Lucia Police Force, the association targets under privileged children bearing gifts during the festive season. On Monday, December 2nd, the children were in for a treat at the VG Multipurpose Sports Complex. For Assistant Commissioner of the Police, George Nicholas, it's an opportunity to partner with the business community for the benefit of the nation's children. Also forming part of the activity was the Rising Stars Police Youth Club, which seeks to raise positive citizens to ensure that St. Lucia remains safe. Some 200 gifts were donated to the children. The Yes I Can program is a youth and adult literacy program that has been implemented in over 30 countries and has impacted over 6 million people. The program uses numbers to teach reading and writing by engaging 65 lessons over a four-month period. The Minister-Responsible Honourable Dr. Gil Rigabet applauded the participants for completing the program. Collectively there were 30 participants, 9 from Ancillary Canaries, and 21 from MECO. The elementary representative for Ancillary Canaries, Honourable Dominic Fede, expressed gratitude to the Government of Cuba and to the participants for making the program a success. Ambassador of the Republic of Cuba to St. Lucia spoke of the new opportunities that will be afforded to the participants. The graduation ceremony was held at the Finance Administrative Center on December 1st, 2019. The Government of St. Lucia and the Government of the Republic of China, Taiwan, have officially signed the cooperation agreement of the Information and the Communication Technology ICT and the Implementation Arrangement of the Three-Year Project ICT in Education. Ambassador of the Republic of China, Taiwan to St. Lucia, His Excellency Douglas Shen, noting the importance of ICT in today's world, indicated that it can complement, enrich and transform education for the better. However, it is critical for teachers to learn how to apply ICT into their education program properly in order to improve students' problem-solving capabilities and academic performance. Minister for Education, Innovation, Gender Relations and Sustainable Development, Honourable Dr. Gail Rigobot, described the occasion as a joyous one, one that reiterated the value of the friendship between the two countries. Minister Rigobot noted that this is a very tangible step towards the realization of the full integration of ICT into education. This has been your midday news brief. Thank you for watching.


Hey, what happened? You won't believe what happened yesterday. My friend took my phone to click a selfie and ended up checking my personal Instagram chats. So you didn't have any privacy settings? I never really thought about it until now, but is there any way? Absolutely. There's an app called Locker for Insta Social that can help you lock your Instagram chats. I definitely need an app like this. Could you please show me how we can use this app? It's quite easy. Just install Locker for Insta Social app. Open and create a 4 digit passcode. Enter your recovery email address and hit submit. Once you grant access, tap on plus icon and choose the chats that you want to lock. And you cannot open them without passcode. Also to log the entire Instagram app, you can use AppLog by Sys3. Hope this video will help you. If yes, hit the like button.


Good morning folks. Steve Rhodes coming to you live from the shores of sunny Delray Beach, Florida. This year 11 AM update and currently we have a sea of red out there. All the all the sectors with inside the S&P 500 all the U.S. Indices that we track are traded to the downside. Dows off 176 points a half a percent. One percent one percent for the S&P or 44 a little over one percent for the Nasdaq one hundred. 168 points there. One and a quarter percent for the Russell. 22 point move. Eight tenths for the semis. That's 28 points. The trend is down 61. Four tenths there. Gold is off 27 bucks over one percent move. Silver down 23 pennies. That's one percent. Light to recruit is up 46 cents trading out at 90 11. That's a half percent move to the upside. You've got natural gas down about two percent off a nickel and the 30 or Treasury down nearly two percent down two full points and five ticks trade out at one 16 13. So what's all that mean? Jelly bean. Let's go take a look at nine panel market update chart. We begin the S mini up the left hand side will we have going on. Well we've got one thing that's going on and as a test of a very important swing point that is August 18 slow 43 97 75. If we get a close below that will be take a look at an A to B equal CD to the downside. If we get that then we're looking at a first price projection. Initial price projection of 43 10. We take a look at a spotball. It is above its 50 day exponential. Exponence will be average close above it yesterday remains above it today. Sellers are the ones that are in control of the market. On the case of the NQ it's trading back into a swing point. This is a swing point from August the 18. That top that swing point is 14 982. Watch for a test and rejection of that. But a price closes inside their 14 792 75 would be the target and price close below 14 792. Then you have an A to B equal CD to downside with an initial price projection of 14 384. We take a look what's going on inside the US dollar index. Well it closed above the top of its daily profile yesterday. It's trading above its day. It's simply all out bullish. If we take a look at Goldilocks is trading in between trend lines descending trend lines rising trend lines as well as with inside its profile profile levels 19 20 30 for support. 1954 64 resistance over is the trading with inside its profile that has supported 23 32 resistance 20 23 74. Lights we crewed also consolidating with inside its profile level supported 8801 resistance. 1954 natural gas pulling back. Maybe it's going to go target is full of structured area between 253 and 264. And you've got a small A to B equal CD to downside inside the 30 or Treasury. That's going to need a bullish reversal candle to suggest in its bottom. Otherwise price like the go target 115 69 folks. They do for the trader's end show. We've got to start your Thursday. Please have a terrific one. Thanks for joining us. We look forward to speaking with you again soon. Take care now.


I love French. I study French all through school. I never took any other language but French. So this is going to be an experience for me. I'm Jay Fidel on Think Tech and we're talking about Community Matters and we're talking with the Louis Bousquet who is chair of the French, I get that right, chair of the French department at UH Manoa. Yeah, that's good. Okay, good enough, eh? Yeah. So we are so delighted to have him and I'll tell you the background. I had an argument with my brother and we were trying to figure out who was the one in the 19th century that wrote all this dark poetry and I said to my brother, no, it's LaRoucheville Co. My brother said, no, you're wrong. It's not LaRoucheville Co. It's Charles Baudelaire and he was right and I remembered in college when I studied, I studied under a really wonderful French teacher. We studied Charles Baudelaire a lot. However, it's been a long time so I thought I'd refresh on that with you, Louis. And I want to find out more about Charles than I knew before. I want to find out about his dark poetry. I want to find out how it's relevant or interesting in our time here in COVID, here in the world, which seems to be, you know, dissembling in front of us. So is he a good person to study, Louis? I was afraid that you were asking me if he was a good person, which would have been a very American question to ask. A good person to study, for sure. He's a very interesting character. He's a tragic figure, like most of us French artists from the 19th century. He died rather young. He was around like 46, I think, and he died of syphilis. You know, it's not a good death. So, and his work is, you know, surprisingly enough very modern. He's very appreciated. Actually, he's the, I think, the most appreciated 19th century French poet today. So he's very relevant. And I think, yes, he's a very interesting guy to learn about. Well, you know, the thing about it is that I remember this from school way back when is that he was dark. He was into drugs. He was into all the depression things. And I have a recollection that his syphilis, you know, gave him dementia. I guess it does that. So he was not really cogent there at the end in his late 40s. But he wrote about these dark things. And I looked him up and he talking about sex, death, lesbianism. I don't think that's too dark now. Metamorphosis, whatever that is, depression, urban corruption. You know, we're talking about the beginning of the Industrial Revolution because they had one in France too. The loss of innocence, alcohol, drugs.  I mean, it doesn't sound like things are working out really well for and he had trouble with his family too. I remember that. So where does that put him on the scale of Romantics?  Sex seems to be an obsession. We are all a bit depressed. We have to face this post-industrial world in which we don't really, you know, know what to do or to survive. You talk about lesbianism and everything. Those are human experience.  But let's say that he was healthy, he will be, you know, a great contemporary poet, you know, he will be someone that he could have his series on Netflix and everybody will love it.  This is around the time of Les Miserables. It was things were not particularly stable in France. He lived in Paris, you mentioned. So maybe he was really being honest. And is the honesty, is the honesty big part of this for him? Yes, yes, I think that's that you struck an important part of his work and his persona. It was like he was indeed a true artist in the sense like maybe the modern sense that he's someone that really expressed without trying to hide anything and without hiding behind his heart, his art was expressing his experience and what it, what it meant to be a young man. And then later an older man in a big metropolis like Paris in the myth of the 19th century, which was a very transforming time, you know, it's a France just a change of its regime, you know, 50 years prior to that, there used to be a king that was ruling and a society that was rather protected. We have today this very dark vision of, you know, aristocratic times, but the reality was that there was a pact between the king and the aristocrat and the common people. And the pact was that the king was supposed to protect the people. If, you know, did he do it? You know, it's up to discussion, but what happened? No bless oblige. No bless oblige, exactly. Exactly. And the problem was that the no bless kind of stopped to oblige, you know, people started to become less interested in their duties and maybe more in the pursuit of their own pleasure. But at the end, the 19th century is a century where the common people is abundant, you know, he has to fend for himself and there is no more super power, super structure to protect that person. And so from both their standpoints, we're looking at a person that lives in the city. He's not a peasant. He doesn't like nature. He bores nature. But from his standpoint, you know, to be a man in the city is, in the 19th century, is to be thrown in a chaotic world without much order.  France is looking for a stable regime, so it oscillates between monarchies try to come back and then the republic and then there is the second empire. So, you know, but there is kind of stuck in these troubled times, even participate into a short-lived revolution. And he gives us all those images, those slides, like a painter with words, talking about his experience, the experience of a human being in a big city and in a rather modern big city because Paris is transforming very fast. And in some ways, we could say that Paris stopped transforming at the beginning of the 20th century. Eventually, you know, everything remains the same. There's no more space. The people don't build much. But towards the mid 19th century and the end of 19th century, it's a time where Paris, the structure itself, osmanes are to build like big avenue and so on. And so Baudelaire is a witness to that. And he gives us a very intimate perspective, a very, I mean, unlike the word, but honest perspective, if you will, like a perspective where he really shares what the tribulation that he's facing and also a disenchanted perspective because that's maybe another aspect of why Baudelaire is so interesting today and maybe so appreciated because Baudelaire is very much translated into modern times, very much the figure of a loser.  He doesn't have money. He lives on the stipend that's is given to him. The stipend is controlled by a lawyer that makes sure it doesn't spend too much. So basically, he constantly has to beg for money. This is his family. His family was tightening the purse strings on him. Yeah, he lost his father. He had a very interesting father. There was an artist and a man that came from the, you'll say a blue color, man, if the term apply. But his father died when he was six years old. And his mother, that was a 30 years younger than the father. The father was in his 60s. His mother remarried and she remarried with a military man. And there was a bit of a psychology called shock for the young Baudelaire that were never able to live up to the discipline and the expectation of that new father. And eventually the father sent him away. He had a short trip. He went to the Indian Ocean. We're not sure if he went to India, but he went to what's today La Réunion to French iron. And when he came back basically, he started to spend his inheritance from his father. And he spent so lavishly that his new father, his stepfather decided to take the money away from him and to use a lawyer that was in charge of controlling the money. So basically for the rest of his life, because he refused to work and he decided that he wanted to write for a living. He never made a sense out of his writing.  Why does this remind me of love OM? Although it wasn't exactly in the same time. It's living in a garret. It's having friends around. You hopefully Baudelaire had friends who you shared your art with and you suffered through the cold winters. I mean, do we have another La Bohème in Baudelaire? La Bohème is, I will say, it's a bourgeois concept. It's this romantic idea of the artist that lives with nothing and survives thanks to the help of his friends. And this is a very, can I say, you know, it's a nice perspective for the reality that was much more drab. But yes, indeed he was living kind of a Bohemian life and the aesthetic aspect of this life never escaped him. He was perfectly aware of the fact that he took pride in not, you could say, selling out and always refusing to follow the bourgeois path, which will have been simple for him. You could have started to work you know, for anyone and have a little bit of money. But no, yes, he lived like most of his contemporary and you're right, he had plenty of friends.  So basically, he lived this kind of life, for sure, yes. Before we go forward, I want to go, I want to go into the thing about the French Revolution. He was born in the 1820s there, and by the time he was, you know, a teenager thinking about things, it wasn't even 50 years since the revolution had taken place. And I know from my own experience that there's a strain in French culture and French social perception, historical perception that looks back, as you were talking about the Noblesse Oblige, looks back before the revolution with a kind of nostalgia. Those were the good old days. And I'm sure that people in the 1830s and 40s and 50s, it wasn't that much later than the French Revolution. Some of them anyway, maybe many of them were looking back with nostalgia at the French Revolution. Where do you think that enters in his thought? Was he a modern person having rejected the monarchy, or did he have a kind of nostalgia for it? I mean, the monarchy, I'm not sure. I don't think that he was regretting the time of privileges and so on. I think that he positioned himself, I mean, Modelaire is considered as this, if not romantic, you know, this dramatic aesthetic persona, you know, that was always looking for beautiful things and for a unique perspective. So in this sense, he's a romantic. And romanticism is very much this nostalgia for a time of great ideals that were, you know, given to the, you know, there is this whole reinvention in the 19th century of the Middle Age. You know, they start to dream about the Middle Age. You think about, you know, behind me, there is this gargoyle. The gargoyle were added by Violet de Duke. There was not any gargoyle, not to them, the Paris, but Violet de Duke added this gargoyle because he felt that they looked medieval, you know. So in some ways, Modelaire is the same. He has this ideal of a time where, you know, great ideas and feelings and sentiments existed. And you find that in his poetry. It's where he doesn't look so modern. There is a very strong feeling of the past and of an idealized past that seemed today a little bit old fashioned, if not, you know, completely antiquated.  It sounds ridiculous. But what's very strong about Modelaire is that he brings this failure, this corrupted element to it. And this corrupted element is very much, you know, this idea that we are all fallen from Eden, that we don't understand what's taking place. And we cannot hide behind great words or great ideals anymore because they don't work. You can understand that through his relation to religion and God. He was very much a Catholic in the old sense of the terms. He was afraid of hell and he had a very strong sense of guilt. He talks about sins and he talked about corruption and everything. But it is not a superficial perspective. It is not just an ideological perspective because he brings it to his own metaphysical experience. The fact that he encounters the world, the world, he has desire, he has fears, he suffers and he puts everything in perspective through this language, this romantic language that talks about God, that talks about the demons, that talks about the flesh and so on. But this is very modern from this perspective because it's our perspective. He's aware that religion is not everything and the corruption is everywhere in Catholicism. He's aware that we cannot hide behind God anymore because God is nowhere to be found. Human beings are left alone and the political system is of no help either.  He went to Belgium to try to find an editor because he couldn't find anyone to edit his poetry and Belgium at the time was a hotbed for contra façon meaning that people that were editing work that didn't belong to them. So he went to Belgium and he couldn't find anyone to edit him and he eventually died.  So everything has a meaning in the sense that he really paid with his own suffering and his own life for all those ideals, those nostalgic antiquated ideals. So what I get among other things from that description is that probably had very strong feelings, very strong emotions and he was, tell me if I'm right about this and he was introspective. He was able to analyze those emotions. He was able to analyze them so he could write about them. A passionate man. So passionate, I guess it comes with the territory so to speak. Like poetry you need to exalt your passion in order to get something of interest. But yes he was extremely critic. He was innately critic. He looked at his own life and at the world surrounding him with a very pressing eye, with a very intelligent eye. And it is through the art of poetry that he was able to find a path to plow forward. Because what's very interesting about Baudelaire's work is that there is no real books. I mean he really published one book. It's The Flower of Evil and he's been working and reworking it until the end of his life. So his work is an ongoing struggle for meaning, for to try to understand the world. But at the same time if he uses his rational sense he's very much a poet. So the picture, the slice, the vignette that he takes are impressions. And impressions that have to deal with emotions, the senses. The smell is very important. Like when he smells something, suddenly he sees a lot of images that are coming to his mind. When he hears certain music, certain sound, obviously when he sees things. And then he transcribes that into poetry. But you're right, he had a very, very clear, piercing eye and a very strong intelligence. He was almost like most of those great artists. They are like a god ruling over their own universe and nothing escaped their gaze. He has this very strong, stronger view and perspective. That said, Louis, I really wonder if we could put him hypothetically, Zola Esquise, put him hypothetically in the present time and let him examine COVID with us. Let him examine all these things that are happening that are existential threats. How would he fare? Would he find a residence, a self pity in that? Would he find the same kind of strong passion dealing with these risks and threats? How would he behave himself? How would he think? I mean, it's hard to say, but the way what we can say is that he never shied away from the pain, the decaying body. He has a very strong fascination. He has a fantastic poetry called Ayune Sharon, where he goes for a walk on the countryside with a woman and they encounter a corpse that's in the process of decaying filled up with maggots. He looks at it in detail and he describes it. At the end, he turns his gaze towards the woman that he loves and he says to her, what's incredible about that is that's what you're going to turn into. Your beautiful face is going to turn into a skull eaten away by the maggots. To go back to the COVID, I'm sure that he would have heard about the terrible descriptions about people choking to death and being unconscious.  Yes, there is no question Oh wow, very interesting. I wanted to look down into the generations of poets in the latter part of the 19th century. My understanding is, and you mentioned this, is that Baudelaire had a big effect on French poetry, I suppose, and French literature. He influenced a lot of French poetry for years to come. Can you talk about that? Who were the people who followed him? I'm not sure. There is something about Baudelaire that is by no means he can be characterized as the leader of a certain way of writing or type of poetry. After Baudelaire, you find almost no poet's writing like Baudelaire. I mean, Baudelaire has a style, a so-called classical style, that stops with him. He was already, I would say, pushing it. People don't write like that anymore. The time has changed. When you were talking about Zola, there is this desire to get closer to reality and in some way find words that were more common than all those very adorned, very poetic terms. I mean, you could find. You could make the case. There is some movements that are close to that. If we look for people, I think, surprisingly enough, I think if there is an artist that is the most influenced by Baudelaire in some ways, it won't be a poet, but it will be a writer and it will be Marcel Proust. Marcel Proust at the beginning of the 20th century, you know that he was this absolutely fantastic artist that tried in his own way to understand what the human experience meant. It was all about the memories. Actually, there's a very strong old fact of the sensual aspect. You remember Proust with the Madeleine. He smells the Madeleine. He remembers his father. The T-Madeleine. Yeah, yeah. Ray Scherstet, Don Perdue. Exactly. So Proust talks about Baudelaire and Proust is very, very impressed by Baudelaire. Proust has this idea that Baudelaire is very much a pathfinder and he is a key to understand modernity. The other author I'm thinking is the German philosopher Walter Benjamin. Walter Benjamin really talked a lot about Baudelaire and he is the one that said that what was most surprising about Baudelaire was the fact that his work didn't get old at all, that he was so modern in spite of everything, when most of the poets of the time had completely disappeared and were almost impossible to read, that Baudelaire was so modern and so such a classic. Yeah, that's so interesting and I guess the lesson there would be is you can't judge somebody by the way people react to his work during his lifetime. Sometimes it takes dozens of years, dozens of decades before people appreciate the value in that. And that's the most rejoicing part about it. It's in some ways the revenge of the losers. The people we look down upon today are going to be the greats of tomorrow and the other ones are going to be completely forgotten. So is Baudelaire treated as a great French poet? Today for sure. There is still a little bit of snowbizm. There's always snowbizm in French society and then in the circle of for literary circles. But I think today without any discussion he's considered as the greatest 19th century poet. Oh wow. So the last thing I wanted to do with you, Louise, I pulled out, this is in English. I don't know if you have the French. It's one of the poems of the evil flowers, fleur de malle, which is, you know, even the term fleur de malle gives you a smell, doesn't it? Evil has a smell, a special.  In this case, evil has a smell. So I'll read it in English now. And I like your comment about how this works. What kind of prose, what kind of poetry are we talking about here? What's the quality of his writing, the quality of his choice of words and all that? Regrettably, this is English. Folly, depravity, greed, mortal sin, invade our souls and wrack our flesh. We feed our gentle guilt, gracious regrets, that breed like vermin, glutting on foul beggar's skin. Our sins are stubborn, our repentance faint. We take a handsome price for our confession. Happy once more to wallow in transgression. Thinking vile tears will cleanse us of all taint. It goes on like that. Quite a ways it goes on like that. I mean, it's not the kind of thing you're going to make into a musical. I'm not sure about that. That could be done, you know. You find his taste, I mean, he's very dramatic and you find his taste for the corruption of the flesh and in some way, certain complacency towards this spectacle. But there is this very strong or so strong redeeming message, the religious message. It's all the image that it is through sin and through decay that you can find the light. You can find some kind of truth and there is some redeeming qualities to it. I mean, if you look at today's world, we always have this almost stereotypical stories from person that fell very deep, that fell into drugs and procrastination and seeing a lot of women and suddenly they saw the light and they were able to clean themselves out almost miraculously. And that's basically that poetry. There is something redeeming in our fallen condition. That is it. There is something redeeming in our fallen condition. But he never redeemed himself, did he? Sadly enough, he didn't. But that was not his purpose. His purpose was to write beautiful poetry. Is there any more than succeeded in that? Well, it's really interesting to look through the eyes of a poet to see the world because in all of us, you can correct me on this, but in all of us there is a poet. In all of us there is someone who can be introspective and see the world differently, like Baudelaire or Proust, and who can examine every detail and be so oriented to a detail that we have another reality around us, a better reality, a deeper reality. And so, gee whiz, are people studying Baudelaire these days, Louis? Yes, they are. They are. They are still studying Baudelaire for sure. Yes. I mean, I won't say that they are like huge group of people doing it, but yes, of course, you find very vibrant Baudelaire studies in France and in the Francophone world. Well, we should have that in Manoa too, you know? So who knows, after this video, after this talk show, maybe they'll be lining up at the door there in the French department. I'm sure they will. Miles around to find out more about Baudelaire. Yes. Well, we'll give you a call there. Thank you very much, Louis. I really appreciate this discussion, and I hope we can do it again, maybe with Marcel Proust, if you like. Okay, yes. Whenever you want, Jay. My pleasure. Thank you so much. Louis Bousquet in the French department at UH Manoa, helping us understand maybe something that we should be conscious of in today's complex and sometimes depressing world. Aloha.


Hello and welcome to the session. The given question says a circus tent is cylindrical to a height of 3 meters and conical above it if its base radius is 52.5 meters and slant height of the conical portion is 53 meters find the area of the converse required to make the tent So let's start with the solution and Suppose this is a circus tent, which is cylindrical to a height of 3 meters and then conical above it Here we are given that the height of the cylindrical portion is 3 meters and the base radius of this cone is 52.5 meters so this implies the radius of this cone is equal to the radius of this cylindrical portion Which is 52.5 meters so We are given that radius cylindrical portion is equal to the radius of conical portion and denoting it by small r is equal to 52.5 meters Also, we are given height of cylindrical portion denoting it by small h is equal to 3 meters and also we are given the slant height of the conical portion denoting it by small l and This is equal to 53 meters. We have to find the area of canvas required to make the tent therefore area of canvas required To make the tent is equal to the area of canvas required to make First the conical portion and then the area of canvas required to make the cylindrical portion So we need to find the curved surface area of this conical portion and then the curved surface area of cylindrical portion and then we shall add them Right so here we shall find the area of the circus tent and this is equal to the curved surface area of conical portion plus curved surface area of Cylindrical portion Now the curved surface area of conical portion is given by pi into r into l and the curved surface area of cylindrical portion is 2 pi r h Now taking pi and r common we have l plus 2 Edge now substituting the values Pi as we are given in the question is 22 by 7 Into the radius of the cylindrical and conical portion s 52.5 meters into L is 53 which is the slant height of the conical portion plus two times of 3 that is the height of the cylindrical portion So this is equal to 22 divided by 7 into 52.5 into 53 plus 6 which is equal to 22 divided by 7 into 52.5 into 59 Now 7 7's are 49 3 carry 0.75 so 35 so we have 22 into 7.5 Into 59 and on simplifying this we get 9735 and since all the quantities are in meters so here we have meters square Therefore our answer is area of Canvas required to make the tent is equal to 9735 meters square so this completes the session by intake care


How's it going guys? Welcome back to another J-Tour review. And today we're going to be looking at the difference between these bourbon chocolates and these bourbon white chocolate kind of sticks it looks like. Let's go ahead and set this one down first. We're going to pull this in and take a closer look. So if we look at the packaging right here it kind of looks as though there's kind of like a wafering on the top. And then there's like some kind of maybe center or maybe that's chocolate on the top and the wafer is in the middle. It looks like they're all individually packaged in here which is really nice. If we turn around to the back we can get some nutritional information. So there's 19 grams of sugar, 9.0 grams of fat, and 40 milligrams of sodium and a serving size for all that is about four. So that's not too bad. Gives a cute little diagram on how to open the packaging. And then it has a lot of the other writing in Japanese. So that's this one. Let's go ahead and open it up and pull one out. There we go. I opted to open it the way on the the way that they showed it on the diagram. Go ahead and slide these out. There we go. When you zoom in on them right there you can kind of see how they look in the packaging. Kind of like a stick. Kind of reminds me of like a Kit Kat if they were just individually packaged. And right here we have kind of the same thing but these ones have kind of like an outside kind of thing and it's kind of like a pool of chocolate in the middle which is really interesting. And packaging is nice and shiny. Gives another diagram on how to open it up at the top. But this one right here if you look right there it actually shows how to open the other ones as well. The preferred way probably to not mess up the packaging or the candy inside. And here at the top if we zoom in on the nutrition 18 grams of sugar 9 grams fat same as the other one 80 grams of sodium on this one per four as well. Let's go ahead and open it up and let's slide it out. They're kind of satisfying. These ones are all laid in. They're really nice. The other ones didn't come out like that. They're all kind of neatly stacked in here. There's a lot of them too. It looks as though there's actually two of them in a pack. Let's go ahead and set this to the side and then grab one of these as well. So these are the bourbon chocolate ones and they're actually double stacked in here which is really nice. So you get two of them in one pack. Pretty thick kind of cookie on the outside. And you can see the kind of chocolate in the middle of the wafer. Some Japanese writing. So these are them side by side. I'd say this one is substantially larger even though they're both the same price. Let's go ahead and open these up and see what they taste like. And there's a second one. Chocolate looks pretty good. Wafering is pretty crispy to the touch. And let's go ahead and try it out. It's not bad. It's actually a lot lighter. It's not a rich cookie. It's very light on its notes. I'd say this would be a really good cookie to have maybe with some tea. The chocolate doesn't have like a really rich flavor but it is a very good compliment to the crispy kind of butteriness of the actual cookie. And as you see there you get a pretty substantial amount of chocolate all the way through to the end. So that's very nice. And also a bonus that there is a second one. So let's go ahead and open this white chocolate one. This one is very easy to open. Kind of hard to pick it up because it's right next to the light but it just looks like white chocolate. And then it's covered all the way on the outside. So let's go ahead and try this one out. Very light taste as well. These are definitely cookies for like a maybe like a friend or tea occasion. But the crispiness of this wafer on the inside is actually really good. I don't know if you can see that flaking off right there. Look at that. It's really good. The white chocolate complements it at the very end like a very nice subtle like chocolate note. But you do get a lot of wafer taste versus chocolate taste as you can see. There's more chocolate taste in the other one. But I'm a bigger fan of white chocolate so I really enjoyed this one. What do you guys think? Do you think you guys would enjoy this one because of the substantial amount of chocolate in it? Or would you enjoy this one because of the nice crispy wafer covered in that light layer of milk chocolate? Let me know in the comments below. A huge shout out to my patreons. Thank you guys so much for your support. You guys are awesome. If you enjoyed this video, don't forget to comment, rate, and subscribe. And as always, I'll see you in the next video.


What's happening? It's Shane here. And today we're going to be going over the common career tier list. This is going to be a tier list ranked from S tier, which is the best to F tier, which is the worst of common careers. And these are careers that I've seen people recommend in the comment section. Now this is going to be a preliminary list. It's going to be a pretty quick video. I'm probably going to do a follow up video to this that has maybe like the top 100 most common careers. So comment down below which ones you want me to include in that video. But with that being said, let's get started right after you gently boop the like button. First on the list is going to be accountant. This is a very common career. I believe there's several million accountants in the United States. A very flexible career. There's so many different opportunities you can go for. There's so many different career paths you can go down. When you see these extremely common careers, there's usually a lot of flexibility because of the fact that there's probably like 100 different types of accountants. So if you become a tax accountant, for instance, you end up hating it for whatever reason, there's like 99 different options for you on top of that, the statistics for this one are pretty good as well. Many accountants after getting some experience might end up, you know, climbing the corporate ladder becoming like executives, for instance, or they might start their own business. So this is a really good career. I'm going to go ahead and put this one into a tier next on the list is going to be cashiers. Now guys, this is something I'm not trying to like make, you know, make fun of people or anything like that. This is not going to rank very well, right? I'm just going to say right now I'm putting this one into F tier. Okay, one of the most common careers out there, there's like five million cashiers or something like that in the United States. This is a job that you get maybe like as your first job, or it's a job you do part time while you're going to college or something along those lines. Okay, you don't want to end up getting stuck as a cashier doesn't pay very well, very repetitive work, you're not necessarily learning all that much in terms of skills that are going to be employable. This one is going to go into F tier next very common profession is going to be doctor. Now, in my opinion, there are a lot of downsides to becoming a doctor. I talked about that in a video that I made on the channel. A lot of people try to become medical doctors for the wrong reason, they go into it for the money or something like that. And that's why it has some of the lowest job satisfaction out of all of the careers out there. However, if you go into it for the right reasons, you know what you're getting yourself into, this can be a fantastic career. Okay, generally speaking, the right type of person to become a doctor is someone who's extremely motivated, right? They're like an eight type personality, you're going to be working like minimum probably 60 hours a week as a doctor. And then when you're going through residency, it's going to be more like 80 hours a week when you're going to med school, you're probably going to be studying like, you know, 60 hours a week. But for the right person, this is a fantastic career. You know, the statistics on this one are just incredible. You're going to be making hundreds of thousands of dollars a year very easily. Yes, you can. It's just not reported in journals. There's always going to be job opportunities out there for doctors. This is really good. This one goes into S tier next on the list is going to be another very common career engineer. You know, a lot of people might have had parents out there where if you're not a doctor or lawyer or an engineer, then you're a failure. And that's not necessarily true, but there is some truth to it. You know, doctors and engineers, in my opinion, are really good careers to go down. Lawyer, not so much, I'm going to get to that one in a moment. But yeah, engineer is great. It's also really good because you can just get a bachelor level degree in order to get into it. Whereas for doctor, you have to get a doctorate, of course. But when it comes to bachelor level degrees, engineer scores the best in pretty much every statistic. Engineering is very difficult. It's not an easy degree to get at all. So that's something you want to consider. But overall, this one definitely goes into S tier next on the list is going to be lawyer. Now this is one where you know, all those cookie cutter careers that your parents might have said, Oh, you have to be this, this or this. This is one where I actually kind of disagree. I think that becoming a lawyer, it's gotten incredibly saturated. So yes, you can become a lawyer and be extremely successful. But it's super competitive, extremely saturated. And it's kind of gotten to the point where the only people who make a ton of money are the ones at the very, very tippy top, we're talking like the top 1% of lawyers. So this is one of those careers where if you're super competitive, there's a lot of money at the very top. But pretty much everyone else kind of gets screwed over. And I made a video on this.  I knew going into it that being a lawyer was getting saturated. But you know, I've done research on lots of different careers, lots of different degrees.  So you can check out my video and I, you know, talk about all the different reasons why that is. But I'm not going to put it too far down because of the fact that it's there still is, you know, if you are a certain type of personality, this can still be a good one. So I'm going to go ahead and put this one into C tier, we're going to go C tier for lawyer. Next on the list is going to be maintenance and repair workers. This one I got from BLS, a lot of different, you know, versions of this like trade careers is kind of the biggest one. But there's been such an emphasis on higher education, you know, getting your bachelors, your masters, your doctorate, that people have kind of forgotten how important it is to have trade workers and people who are kind of on the front lines using their hands doing that type of, you know, general maintenance work. And so in my opinion, this is definitely making a comeback, right?  And that's still true to some extent, but not as true as it used to be, definitely. There's a lot of great trade careers out there. One thing I will say about trade careers in general, is when you look at the statistics on BLS, they don't look all that good. But the truth is a lot of people who go into trade careers do cash transactions and the way that BLS collects their statistics, they're mostly, you know, collecting it from companies who pay directly into bank accounts, right? So the statistics are off, I can tell you for sure, a lot of the trade careers on BLS, it says they make like 50,000 a year. Well, I'm telling you, they make at least 80 to 100,000 a year in many cases. But with that being said, this is a pretty broad category. Some trade careers are a lot better than others. There's also some downsides of going into the trades. For instance, you know, let's say you have like back problems or you get some kind of injury. Well, when you're in the trades, you have to use your body, right? So if you have a back problem and you have to pick things up all day, that's going to be a huge problem. Now, as a healthcare professional, I've treated many patients who are in the trades and they do have injuries. And that is just incredibly tough for them because they have to continue using their body while they have an injury. So a lot of these patients end up on, you know, pain medications and that sort of thing. And that can cause a lot of other issues. So there's upsides and downsides to going into the trades. You know, it can really wreck your body over a long period of time. If you do it 20, 30 years, but overall, I'm going to put this one into B tier. Next one list is going to be manager. And there are when I was doing research on this, if I remember correctly, over 3 million managers in the United States. So managers in general, just across the board, doesn't matter what industry you're looking at, doesn't matter what career type you're looking at, managers tend to make way more than the non manager counterparts, leadership skills, management skills, companies really select for people who they think have these, right? So even if they're interviewing you for a non manager position, they're looking for cues that you're somebody who might be able to move into a management or leadership role in the future. And of course, because of supply and demand, they're going to have to pay you more. But with that higher pay also comes more responsibility. So yeah, there's always going to be, you know, some positives and negatives to this, but you know, one of my best friends, for instance, he got an associates degree in business actually, not even a bachelor's. And then he kind of worked his way up became a manager at just like a local clothing store. And then he became a manager at kind of like a Fortune 500 company. And he's making over $100,000 a year, just with an associates degree, right? So that's the power of developing those leadership skills, those management skills. But there's a lot of stress that comes along with that you are basically responsible for like everything that goes on, people are going to be calling out all the time.  But overall, I'm going to go ahead and put manager into a tier. Next one on the list is nurse. There's over three million nurses in the United States. Now there's a lot of different types of nurses. There's basically different levels, you know, there's basically like an associate level nurse, there's a bachelor level nurse, a master's level nurse and a doctor at level nurse. There's also a ton of different types of careers out there and sub careers. Nurses also a lot of the time will work their way up within like a hospital system. Sometimes they might end up becoming like director or assistant director of a hospital. So this is one of those careers that's extremely flexible.  People, this happens all the time I'm telling you, I've done lots of consultations, I've worked with a ton of people, and this happens a lot. Even if you make a good plan, a lot of the time you end up not liking it. But if you go into a career like this, like nursing, it's extremely flexible. There's a lot of different options for you. So nursing, I'm going to go ahead, put this one into a tier. All right, so next on the list is going to be office clerks.  Basically people who work within an office, and they take care of the general day to day operations of a business, not the most glamorous job. Also, in terms of, you know, job outlook and how much they get paid, that sort of thing, not the best. A lot of people also aren't big fans of kind of that corporate structure, just being within a corporation kind of sucks all the creativity and the life out of people. So this one, I'm going to go ahead and put it into, I'm going to go D tier just because there's no none others in D tier, because I could put it in C tier. I don't know, we'll keep it D tier. Maybe I might change it. Next on the list is going to be salesmen. There are millions and millions of different types of sales jobs here in the United States. Now I honestly think that everybody should have a sales job at least once in their lifetime, because it's basically going to teach you interpersonal skills on steroids. Okay. So I'm an introvert, but I, you know, managed to get myself a sales job. I, you know, one of my dad's friends basically gave me a job. I basically just went along with him one time and watched him do it. And then I started doing it myself. And that honestly was one of the moments in my life that changed my entire life. Okay. So I was just selling eyeglass cleaner at first literally just like, I would sell eyeglass cleaner to people and it also had anti fog and like anti sweat properties. So they wouldn't fog up. People who wear glasses know exactly what I'm talking about.   People who wear glasses know exactly what I'm talking about. But yeah, I would sell that to people and it taught me so much. I basically kept doing this all throughout college. It was a great job because I could just do it on the weekends when I didn't really have too much else going on. Cannot recommend doing this one enough. They've done surveys and one of the most common things that they see with billionaires and millionaires is the fact that they all had sales jobs early on in their life.  That's what a lot of people think it's literally just understanding like having emotional intelligence and understanding what other people want and how you can mutually benefit both parties. Now with that being said, not the perfect job for everybody, especially on a long term basis. A lot of the time salesmen will work off of commission. So if you have a bad month, you might not make hardly any money at all. If you have a really good month, you make a ton of money and then you kind of end up spending all of it. There's actually like articles and books they've written about this. It's called like the salesman's pendulum where it's kind of like a very up and down lifestyle. So you have to be very disciplined with your money because you never know when something bad is going to happen to the economy. But yeah, this is a fantastic one. I would say honestly, I want to put it in S tier. I think that everyone should do it at least once in their life. But I guess on a long term basis, probably a tier very close to S tier though. Next one on the list is going to be software developers. So any type of programming like coder, software engineer, data science, all that sort of thing. Well over a million software developers here in the United States. I've talked about this one extensively on my channel. This is the future. This is just fantastic one to get into so many different benefits. This one goes into S tier. Next one on the list is going to be teacher. Another super common career. This one, you know, I've talked about this before doesn't really get paid enough in my opinion. If you get an education degree, you're pretty much guaranteed to get a job. So that is one upside to this one. However, the job is pretty stressful. You don't get paid very much. There's not a lot of mobility for you. So I guess because of the fact that you have a lot of job stability, you definitely are going to be able to get a job. I'll put this one into C tier, but there's a lot of downsides to it as well. And then the next one on the list is going to be truck driver, very common one as well over 2 million truck drivers in the United States. Now one thing I'll say about truck driver is it's a great option for somebody who doesn't want to have to get a degree or you don't really have time to do other things. And you just need a job like ASAP that pays really well. So for instance, I have some friends who's you know, family immigrated here to the United States. And one of the most common jobs that they end up getting is truck driver. And the reason for that is because you can get your CDL, which is like a truck driver driver's license, within a couple months. And then you can start off right off the bat making like $70, $80,000 a year. If you own your own truck, I've seen it where people are making over $200,000 a year. Now there are a lot of downsides to this profession. You know, you're probably going to be driving, you know, long distances that can get pretty boring. You're also going to be really far away from your family for long periods of time. So of course, like all careers, you know, you need to make sure that the lifestyle you're going to be living is going to be right for you. But overall, I'm going to put this one into b-tier. Okay, so like I said before, these were just some of the suggestions that you guys gave me. If there's any that I missed, which I'm sure I missed a ton of them, comment them down in the comments below. And when I'm making the next video, the update to this one, I will include all of them. As long as their careers where there's like a lot of people in them, of course, like I'm not going to include a career where there's only like, you know, 10,000 of them in all of the United States. If you haven't done it already, go ahead, gently tap that like button, hit the subscribe button, ring the notification bell and comment down below, need thoughts, comments, etc. that you have on the video. And I will see you guys next time.


Yeah, we on boss talk one-on-one. Yeah, we gonna so so I now I was watching some Really when it got back to me you had called the warden is what it would be and told To me that you call a warden on a boy. Yeah, was it Crip Max potting or something baby, baby Baby old OG baby snap baby snap 55 Street Crip. They say he represents 55 Street 57 Street 58 Street rolling 50 Crip. They say he a bad motherfucker. Well, what happened? How did he ended up what did he threaten you or what what happened? Well, I lied and said he threatened me Yeah, yeah, I didn't say I didn't lie on though. Okay, so Did he did you he had a cell phone or something? Yeah, he had a cell phone.  And so how did you end up getting sideways with him? What happened? Well, I was getting into it with I was picking on a five five Crip. Yeah, I was picking on him Yeah, he heard my feelings online. Yeah, I was fond of him and he didn't know I liked him Okay. Yeah. Yeah, I thought he was like the sex like the Cookie Monster on Sesame Street So I was fond of the boy. I thought he was a nice retarded boy Like radio Yeah, I thought he was like radio.  I didn't just give I'm thank you. I'm thinking he liked radio Oh, and they just letting him play crib. Yeah, I know he was a real motherfucker grip. Yeah, yeah Yeah, yeah, and today's time you couldn't make me believe Human could talk like that Yeah, he talked real different Human you can make me believe it. Yeah, I didn't know I didn't know humans could rewrite a brain Yeah, yeah, yeah, I didn't know humans could rewrite a brain to make a two or five Yeah, I'm going to the stove. I'm going five the stove.  So that's how I was doing them online cuz I'm Debo in social media. Yeah Yeah, yeah, I may whether came nobody whoop me online. That's why I like to stay online with the argue With me offline. Yeah, but on that line Yeah, that's why I like to fight online cuz nigga came whoop me online. No, I've seen you take a many of them out Yeah, yeah, so so I'm whooping him online. I don't know OG baby snaps got a phone in prison. I don't know this nigga can see me on YouTube He watching me on YouTube. Oh gee baby snaps unbeknownst to me So unbeknownst to me Baby snaps call 5 5 Crip and say say this nigga said this about you Yeah, this nigga talk about you and he said this this and that so Mr. 5 5 Crip or Crip Mac Come to YouTube and make a video about me and he said that the big homie From the pen baby.  He didn't call me Charleston. He give me a name.  Yeah, you can't pick on me like I'm you.  You trying to talk to me like I'm you so Yeah, I'm thinking but how can I get these niggas?  They they shoot people. I call the police. Yeah Yeah, yeah, I'm way more bad than them because they'll stop shooting if you call the police.  Yeah, I already I seen that I got people telling me all this personal information in a circle Yeah, they telling me everything about the boy.  I can't read. Yeah. Yeah, boy. I can't read well So his mama didn't stay with him. They sent him on.  Yeah. Yeah, everybody But listen, so let me stay on track. So oh gee baby snaps Turns off the light in the sale He make it pitch dark and consider it motherfucker. He ain't in no single sale He got a roommate and he got the roommate in the dog with him.     That's it Yeah, no, he got to look at the fence if he can look back home. He ain't doing time.  I don't know nothing about them gang Niggas, I don't know nothing about them nigga nigga.  So I don't know this is baby snaps in the thing, right?  I know that's you Well, you can't fool me. I know your voice baby snaps So that's how I knew it with baby snaps to somebody say I know that that's baby snaps.  Look at these motherfuckers. They self incriminate themselves.   He can be in jail Yeah, he go to getting his push up.  He should have been apologizing for so he can get that hundred dollars for the month Then he started calling mama Talking to mama a little bit more now the kids can get a hold of them kids can't get a hold of them when they're free No, can't nobody find this nigga when he's free Now he telling the kids how to do good in school Now he telling his little brother now. He won't try to put the family together Then he pick up that Quran There it is then he grabbed that bible You can't beat him every Sunday getting baptized at the christian service You can't miss him every friday with the jubal assalamu alaykum.  He ain't doing nothing I mean he the best he can his spirit and he come out looking good and give him six months after they out of jail of prison The bible still the Quran still on the night stand. They ain't touched that Quran They ain't been calling mama as much. They don't sit and talk to mama The things they were saying in the letter they ain't saying in person They ain't doing nothing that they said they was going to they got all these plans that all these millionaire dreams and all them niggas flop Wow So here you are you got baby snaps in there with a cell phone He should be trying to get his life together.   Hey, I know how to get them niggas Yeah, these niggas keep ignoring the fact That i'm A community activist.  I'm the last nigga to turn the votes in in taren county I'm nominated to be a elected official or precinct chair I teach at college universities Why would I let a nigga in prison trick me?  They losing by I get it. Why would I play by the rules? They losing by ain't no nigga won by them rules that they play by Nigga i'm over here playing by the rules where you're in If you play by these rules you win Because these rules is defined as right not wrong So You niggas doing wrong Speaking against a nigga that's living right Say listen department of corrections and i'm gonna do it publicly Because I want to show people that it's okay to report crimes. It's okay to report gang members So what I keep telling these niggas?  Yeah, we gonna talk