Hi you guys! Lindsay here. Welcome back to my channel, Inside the Hymn! Well, we are moving right along here with all of the summer releases that are coming out. Today we have Butterrick and just looking at this little teaser, I am excited. So as we remember, the last Butterrick collection left a little to be desired. So I have high hopes. I am cautiously optimistic that they are going to deliver for this season. The first dress is this little, is it like a faux wrap dress, I guess, with a cute little flounce? Or without the flounce, the sleeve? I can't tell. It doesn't look set in. Again, I think it's a drop shoulder. That's been very popular. I feel like all year, the drop shoulder, the doleman, the raglan, all of those have been nice. This asymmetrical hem is nice. Little back darts. Maybe like a neckline facing I'm seeing there. Okay, okay. I don't hate it, certainly. One of those like maybe great little staples to have. What I look for in wrap dresses usually is where this little, like where the crossover point happens, especially for those of you that are robusty. If it comes low, you're gonna have a lot of cleavage. So she has a little itty-bitty amount in like the, I guess plus size version. I don't know what they call it for butteric. And then for hers, she has no cleavage. See what I mean? So it just depends on how high up this comes and how full your bust is in relation. But you have to remember, this is going to be a sort of blousy, see all these, see how full it is on the sides, because it doesn't have a set in sleeve. It's going to be a more relaxed fit through there anyways. So I almost guarantee that these are pinned in some way or there's a snap there or something to keep it closed, which is fine just so long as it's not, you know, too open. That's what I have a problem with with wrap dresses. Okay, enough about all that. Here are our line drawings. Again, we just have some waist darting here. The flounce is cool. It's more of like a, I don't know, like a collar kind of. And then we have without the flounce. And then we have this version that, oh, that's the longer sleeve. So obviously you can add this sleeve to this skirt if you want as well. All right, so fabrics, crepe, rayon, chalet, double georgette. Yeah, all those lightweight, drapey fabrics. You can even get a, like a blend that has something a little bit more stable in it that would kind of like keep the structure of the bodice, but still be lightweight and drapey enough for the bottom. It's hard to do that online though, but you could definitely get something that has a little bit of cotton in it to help just stabilize these, this lightweight fabric a little bit, something to just consider. The sizing is two sizes. It comes in 18 to 16, I'm sorry, eight to 16 and then 18 to 24. And here's your fabric requirements for that. You have a little bit of interfacing, probably for that neck facing. And then they're only giving us the length for the finished garment measurements. Not super helpful in that regard. That is one thing I really wish they would reconsider. That information is printed on every pattern piece. So I just don't know why it would be that difficult for them to just report that information and they include it on the envelope and online. But certainly there's a reason that I'm just being naive to that. I just don't know how the system works, but I wish they would try and figure it out. Okay. Now we have this little Mrs. Dress kind of like a, it is definitely a fit and flare, but sort of a closer fitting skirt, but it does have this really deep pleat here, which does allow for a wider hip. So this would be a silhouette that I would consider being pear shaped.  That's why. But because of the pleating, you know, maybe it would be, maybe it would be kind of nice, but there is an alternative. They do have this circle skirt, which is also super cute. I love this pattern.  It's just, I don't know. I just really, really like them. I like making them. I like wearing them. So I don't know. It's not like this one is that different from anything else that I own. I will say there's some interesting sewing skills going on here. That puckering should not be there. It makes me feel like maybe it's too tall. The dart is too tall for her. Anyways, so yeah, this pattern certainly isn't something like revolutionary, something that I've never made before, but I don't know. It's fun cutting into a new pattern and they're so affordable, like at Joanne and even whenever they have the sales here. Dress has an invisible zipper, semi fitted bodice with or without front neck slit, side tabs or front ties. I think the ties are really cute. I don't know about this fabric, but the ties are really cute. A line skirt with front pleats, which is what this is, or flared skirt with stitched hem. Okay, separate pattern pieces. Oh, separate pattern pieces for the different cup sizes. That's actually really nice. That's actually really nice, but she's still got a really funky fit going on, despite that. In the back too, maybe she has some like interesting shoulders or something. Anyways, here are our line drawings. So yeah, your usual fit and flare bodice darting, the skirt darting. This is a pleat. The tabs are really cool. The slit is really cool. The tie is really cool. I love this. And I'm imagining you can make this in a variety of fabrics. Linen, yes, crepe. Yeah, a little drapey-er, but yes. Cotton blends, yep. This would be chambray, shally. You could even, I mean, maybe even try like a stable knit, I think would be like this, in a ponte would be super cute. Okay, so you just need your zipper, your hook and eye, and the buttons if you're making the tabs. Sizing is 6 to 14 and then 14 to 22. And then here's your yardage. And then they just give some, I mean, some widths and links. I really don't understand. Like when did, when did this become important to know when you're purchasing a pattern? And I keep parking on this today, but it's just like on my mind, like when were they like, you know what, we should really include how wide the skirts are at the hem. Like who cares? I'd rather than just not include anything. Like this is just so useless to me. I don't know. Like I said, I know that I'm, I'm harping on it, but I really like this one. I'm gonna add it to my list for when it goes on sale for sure. All right, next stop is another custom cut size dress, which is nice. Ooh, and it includes the bag. That's fun. All right, so we've got a sleeveless, kind of like a squared off neckline, which is nice. A button placket with a little belt, or they're calling a sash. Super cute. Here it is with some patch pockets also. Cute and fun for summer, kind of like a nod to like an apron kind of. Oh, and here's a ruffled neckline. That's fun. Yup. Cute. Here's your bag. That's fun. Lovely fit on her. I like the skirt shape a lot. Okay, so like I said, this is also a custom cup size dress. So the last one had the darting, but this one is princess scenes. So if you're building up your pattern stash, quite honestly, you could buy the previous pattern and this one have your custom cup sizes. That way you don't have to worry about full bust adjustments, small bust adjustment. You'd have a pretty darn good fitting bodice, and then you could just play around with the skirts. You could buy those two patterns and make a lot of different looking garments. So if you're one of my beginners that's joining me in the sew along and you're watching this, trying to learn more about patterns, that would be my bit of advice. Buy the custom cup size in one with darts and one with princess seams and you really, I mean, can hit the ground running with that. All right, so the different versions are you have a shorter length and then a longer length, which is I like this little midi length. Self ruffle. Okay, for the neckline. There's your cup sizes. D is a lined bag bias tape seam finish. Okay, yeah, very cute. Here are line drawings. They have you do little carriers or at least like thread chains for the the sash, which is really cool. So a lot of top stitching going on here. That's fun, little detail kind of casual. I really like the ruffle. You guys know I love ruffles though. So not a hard sell. Not a hard sell for me on the ruffle. And then the bag is fun. I love how they did it kind of coordinating, but not too matchy matchy. That's fun. You could certainly buy one of like the quilting cotton companies like Amy Butler or cloud nine or any of those folks that do the quilting cottons and make this out of one of their fabrics. They usually have like coordinates. So you can make this out of the rayon. And then in the coordinating fabric, you could find it in the cotton and then make this or sometimes they had I think art gallery has canvas too. So you could have a lot of fun matching the fabrics and it wouldn't be too, too hard because somebody has already done the work to match it for you. You know what I mean? How they have like all the coordinating fabrics and different substrates. All right. Cotton blends. This is for the dress. Cotton blends, crepes, shally linen, lightweight denim, and then lining fabrics. So they did not do separate fabrics for the bag, which is interesting, but I would definitely look at quilting cottons or canvas. I mean, a whole tree fabric would work. Certainly you could do leather, anything like that. And then here's all your notions. The sizing is six to 14 and then 14 to 22 and your yardage requirements. This is another reason why I love that in Blair dresses, they really just don't take that much fabric.  You would need some inner fate. What is this? Oh, D, that's for the bag. Okay. I was like, what? Interfacing, lining. Yeah, I wish they would have separated out the interfacing for the dress and the bag. This is a little misleading. Oh well. Finish garment measurements. We have our width and length again. Not helpful when you're purchasing a pattern. I mean, those are helpful when you're making it, but not when you're purchasing it. All right. What do you guys think of this one? Super cute. I love the button front too. I don't think I have a button front fit and flare actually. I don't even think I have a button front fit and flare pattern actually. So take that. That's another good reason to add it to my stash. Okay. Now we've got this dress, maybe knit. I'm thinking yes to the knit. It has a high neckline, which is very nice. Interesting choice for summertime though, but also some really wide neck bands and arm bands. Really high small arm hole here. It doesn't look bad, but I don't know how comfortable it is. And then you've got this really nice ruching here, a dropped waist seam. So the seam is all the way down here at her high hip, and then the skirt flares out from there. So if you have a belly, probably not going to be a great flattering fit on you. This in theory would camouflage some of this, but there's just not enough of it. You can tell on her that it's just not radiating out. If it came maybe from this side too, which wouldn't be hard to do. You could just, you know, fold this pattern piece in half and mimic on both sides if you wanted. You also have this version, which has a really interesting seam line where the skirt is all the way down here. And I don't know if this is a seam line too. We'll have to look at the line drawings. Yeah, it definitely is. So that's fun. But yeah, I mean it is a form fitting bodice. There's the back. That's the other thing about drop waist is that it's going to cut you, that seam line is going to cut you right across like, I don't know, like the top shelf of your bum, which is in flattering on me.  Yeah, moderate stretch in it. Close fitting with side gathers, neck and armhole band, slightly flared hem in three lengths. There you have it. This stuff is interesting, but I just know that this would not be super flattering on me. But I do think it's a cute, interesting design that you don't see very often. All right, yardage wise. Moderate stretch knits. So jersey, interlock, cotton knits, rayon knits. Yep. Six to 14, 14 to 22. You barely need any fabric. And then unhelpful finished garment measurements. All right, do this one's fun. We have a dress and sash with these little flounces. It looks to me. Okay, so it's like knee length. And then they added this little ruffle skirt or ruffle band for to make it maxi length. Here's a better look at like that. It's like a flounce that's also a sleeve. So that's fun. Knee length. Ooh, I love these pockets. That's a really nice detail. You can see the ruffle there a little bit better. So she's got a really drapey fabric. This is probably some kind of rayon or polyester or something like that. If you did it in a cotton, all of this would just be more structured and more like, you know, a boho dress or something like that. But it could be really cute in one of those like gauze or, you know, like, oh, I don't know. I'm trying to think of like the fabrics that they would use for like those hippie dresses. I guess they're like just cotton. Either way, oh, keyhole back in case you missed that. Semi fitted sleeveless dress has elasticized waist. I mean, I don't love, they're not super comfortable. I don't think. But anyways, back opening with button and thread loop closure, side slant pockets, which I think are so cool on this dress, purchase bias take for neck and armhole finish. So completely unwind, which is nice for summer. And for something that's like so drapey like this too. Cute. Yeah, you could just use the same technique that they teach you for this little thread loop and add some to the side seams like that other pattern had to hold this in place. If you were worried about it coming undone or falling off. But yeah, I mean, this one's really cute. It's hard for me to buy a pattern that I really only see myself making one version of. I mean, I want to like this peasant T version, but I think maybe I don't have anything against it. It's just not it's not something I'm normally drawn to. You know what I mean? Okay, now we've got another peasant kind of dress. This one's V-neck. It has an empire waist. And then like a drop, I don't think there's an actual waist seam, but a drop waist with two ruffles to make a maxi skirt. And then this interesting, like it's a little itty bitty cap sleeve with a ruffle thing on the bottom of it. You can see it better there. So there's that. I don't know what I think about that. Here's your short sleeve version with just one ruffle. Yeah, I don't know. I'm not really digging this one. I just don't think that it's going to be. I don't know. Why don't I like it? I have to formulate an opinion. Sometimes I'm just like, I don't know. I'm not feeling it. I don't really have an explanation why. Maybe at the end of it, I will. Online dress, close fitting through bus with faced neck opening. Okay. And invisible zipper. There is above knee length. And then armhole finish with purchase bias tape for the sleeveless one. And then there's ankle length for these two or was really ankle length. Okay, I need to check something. I'm having look at that. So this is so funny to me. So her shoes are flats, but she is standing on her tippy toes. I guess to make herself look, I don't know. Why did do models do that? Is that a thing? Or did this, or did the heel get Photoshopped out? Listen, we've seen a lot of weird things on these photography pictures. So I don't know, but I just had to point out that she's just chilling, standing on her tippy toes. Okay, so here's our line drawings. Yeah, it's just not very, I mean, this looks cuter in the line drawing than it does. A, I don't think this silhouette is super flattering on me with the drop waist. We've already been over that. But even this version, I don't know. I just don't like it. I don't know why. I'm sure there will be some really cute versions of it in the world though. Shally, cotton blends, crepe, double georgette, rayon. Are you guys getting a trend now with all these fabric types? They're all very similar from spring to summer. It's really all the same. Anytime it has like a ruffle or flouts or anything, you're going to get the lightweight drapey cotton. And if it doesn't, I'm sorry, lightweight drapey fabrics. And if it doesn't have that stuff, then you get a little bit more stable choices. That's all. It's not really rocket science picking fabric. All right, so here are our yardage requirements. You really don't need that much fabric at all. I mean, maybe when you get up to the double ruffle, but all right, there's that. And then sizing is 6 to 14 and then 14 to 22. All right, next stop is a little sundress. Okay, so this is like, I don't know, something little ruching twisty thing, spaghetti straps, a very large midriff. It's not really a waistband. It's like a midriff and a long maxi skirt. And then note how the stripes are doing their thing here. So things are cut in certain ways to accentuate stripes. Here is the like circle skirt version. That's super cute. This is what I think it is. Then this is going in the stash because I love this little twisty detail. It would be similar to what I did for the Stylemaker Fabric Spring Style Tour with the knotting ham top from itch to stitch, similar to that. Yeah, cool. And then you have this more slim skirt version.  I do love an exaggerated waistband, like a midriff. I do think those are very flattering on pear shapes. This is cute. Again, though, I would really only make this version, but I feel like I could take this bodice and attach it to a bunch of different skirts, maybe even rework the straps a little bit so they're not just straight straps, you know, maybe try and incorporate the bodice into the strap. I don't know. So you could, I don't know, I feel like I could rework it a little bit. I could also add pants to the bottom and make it a jumpsuit. I could lengthen this and make it like more of a full skirted maxi, you know what I mean? So I know I'm contradicting myself, which I tend to do a lot when I like something, but this little twisty detail is different enough for me to justify all of that. Okay, pullover dress. Oh, this is for stretch. This is for knits. That's even more interesting. Okay, pullover dress has close fitting bodice with twisted front detail and elasticized back and waist, blared skirt, fitted skirt, skirt with bright side slit, elasticized waist, elasticized back and waist. I'm not seeing any waist elastic, just this, but maybe it's just in there but not really bunching. I don't know. Anyways, yeah, there are versions. Yeah, I think the fact that it's knit is even more interesting to me because I really don't have a ton of knit dress patterns. Fun. Okay, yardage. Jersey interlock cotton knits, rayon knits. Yeah, I would really stick in this cotton knit category, especially if you're making these more close fitting ones. Rayon can just be a little bit too lightweight. Maybe it would work for this one. I don't, I'm trying to think, rayon knit. You know, I just don't really love those super lightweight knits as a dress. I don't love that on my bottom half. But you could also cut a size bigger and possibly go into like ponty territory. So, okay. Here are the sizes, are 6 to 14, 14 to 22. You need a little bit more than two yards of fabric and that doesn't help me. Okay, fun, 6679. I think I'm going to add that to my list. It could be fun. Joanne has a ton of really great cotton knits right now. We covered them in the fabric video for the Sew Along. They have a lot of really good ones there. Okay, now we've got yet another fit in flair. I'm really digging this collection. Are you guys liking it? It's really cute, I think. Hopefully you like dresses. If not, then you probably don't like it very much because literally everything's been a dress so far. All right, we've got a really hard to see sample. It's hard to see what's going on. Let's move to another one. Okay, deep v-neck, long bust art, center front seam, and like a some version of a circle skirt and this little sash. Hers, the first one's just a little bit longer. Yeah, I don't know why that looks so funky. Here's another one, a little bit longer. This is a very open neck. It doesn't look that way on her though. Maybe that's why it's so funky. I think what they did is it was too low on her and so they pulled it up and that caught, I mean look at this bust art. It's like going way, way, way above her apex even, right? That's all I can think that they did, just hiked it up because it was too low. And then there's the back. Okay, so that's interesting. I like how the front, the strap is all one piece and then it goes down your back and connects to the back. That's a lot of fun. You could do a lot of cool things and extend these and like crisscross them or make an X or you know just a lot of different options there. Okay, close fitting, dress has close fitting bodice, side seam pockets and invisible zipper in back, A-line skirt and a pleated skirt. Oh, I didn't even pleated skirt. Didn't even notice the pleated skirt. Oh, right, right, this one pleated. I mean I like both versions. Cute, kind of classic, kind of simple, pretty straightforward, but cute. All right, here's our yardage. Crate, shally, linen, cotton blends. Yep, you could go chambray, you could, you know, any of those that they've been mentioning already, you could do any of that. Six to 14, 14 to 22 on the size ranges. Look at that, barely even one and a half yards of fabric for the shortest one. So if you've got something in your stash left over or you just found something really expensive and didn't want to buy a lot, you could crank out a really cool dress with not a lot of fabric. I like that. I think that that's nice to have in your stash. Maybe this is why my stash is so big because I justify so many things, but it's nice to have some options in there for when you don't have a ton of fabric or for when you find a fabric that you absolutely love, but it's like expensive, you know what I mean? Okay, so and I think the bodice is lined too, which I also like that. Cool. It doesn't show, I wish, you know what else I wish, I wished that they showed what kind of pocket this was. If this is one of those that's like a little teardrop shape, I'm not a fan. But then again, I say that yet. I would just fix it. I would just alter it. I would not buy this because of that. So that's fine. That's fine. No big deal. Okay, now we've got a retro buttock and I've talked about this before. It seems like many of you agreed with me. Like I get that they want to do the throwback dresses, but why does the styling have to be a throwback too? You know, like why do they have to do, I mean, I would personally be more inclined to buy this if it were styled in a more modern way and where I could see myself wearing it in my everyday life. I don't dress up like this, you know what I mean? So if they're just trying to appeal to the vintage girls that dress like the part, then I don't know, I just feel like they're missing a huge opportunity with the rest of us. But this is a really cute halter top, one of those exaggerated mid drifts again, and then like a skirt with lots of pleating, a very, very full skirt. There she is. It comes with a little jacket too. The illustrations are amazing.  Oh wow, the cover doesn't even show the girl in the model. Online dress with clothes fitting halter bodice, hook and eye closure, horse hair lined hem, which is a technique that I think is very fun to learn and it does make for a really beautiful full skirt. The hem is finished with purchase bias tape, and then there's an online jacket that closes with thread linked buttons and has shaped cuffs finished with purchase bias tape. There you have it. Yeah, I would love to see this like not in retro fabric, not with your hair, you know, done up like that. Maybe that should be my challenge. Maybe I should try and make one and see if I can make it look more modern. What do you guys think about these little jackets that are hitting right below the bust? I don't know about that. And the little collar with, that must be the button thread, what do they call it? Thread linked button. Now this is going to take a lot of fabric. Yeah. Yeah. So your dress is like three and a half yards, basically, depending on what size you are, and then the jacket is one and a quarter yards almost across the well, on average, one and a quarter yards. So poplin linen cotton blends and PK. Yeah, I mean, you can obviously add to that list any of the lightweight midweight wovens would be good. A seersucker would be really cute and comfortable. I mean, it is online. So all right. Nothing outrageous on the on the notions list either. Okay. Moving on. Now we've got a Lisette dress and I do love Lisette. I love their instructions. I love their drafting. This little, is it one piece that looks like two pieces? I thought we had moved past that a couple of years ago. I'm surprised to see it back again. Right. I think I have a Lisette dress like this. And again, with the buttons on the back that you can't button yourself. I mean, I guess you would only need to do like this one and then you could get it over your head, but yeah, this is just not a flattering shape on a lot of people. Online dress with button back buttoned overlay that it through bust has boat neck with yoke and invisible zipper closure underneath buttons above mid length. I don't know how A and B are different. Oh, sleeves are no sleeves. Okay. Yeah. No. Poplin linen cotton blends PK. Here's your fabric. No information there. So yeah, six to 14 and 14 to 22 again. I don't know. Maybe if this thing were shorter, I don't know. Not loving it. All right. Our first not dress. We have got this tunic and kaftan again with the, the kaftans are really trying to come in strong this year or two. This one is color blocked. The neck, a little bit of gathering there. Here is one with a like black. Is that what it's called? Those pockets are cute. I'm pretty sure there's a seam line here. I mean, the girl sure does look comfortable. Let's see. Is she on her tippy toes and flats? Possibly. Or to tell. Oh no, there he is. Okay. Very loose fitting tunic. Kaftan have neck line and length variations. Wrong side of fabric ratio. I think on this version because these little flappy things come apart, you know, and you could see inside them because they're sewn wrong sides together. I think. Yeah, like, yeah, here's the seam right there. Sure does look comfortable. Like I said, what do you guys think? Are y'all, are y'all warming up to the kaftans or still no? I mean, A is cute, B is cute.  Wow. Then you have your letter sizing extra small through medium and large to extra large. Here's your fabric requirements. Yep.  This is the most wearable kaftan pattern I've seen so far. I could sort of see myself in this. I just don't know. I just don't know if it's flattering because it's so big up here and then I already have to cut a bigger size for my hips. So then do I just look like comfortable or do I just look like a potato sack? I don't know. I have a hard time. And you know, it's one of those things where I don't want to invest in fabric and time and making something that I don't really know I'm going to like or not. So maybe I should head to the stores and try on some kaftans. That's what my advice to you guys always is. I should take my own advice. All right. So now we've got a jacket and jumpsuit woven jumpsuit. Note again, the deep V on the wrap. So for those of you that are fuller busted, you're going to have a lot of cleavage showing here. It's not super hard to redraft these to be higher. You just kind of draw the line at less of an angle on both sides and then they crisscross higher. That's all. Here's another drawing of it. The pants version is really cute like the wide leg pant. And then you have this little like almost like a kimono over top, I guess. This that is not cute. This over this in the back is too long in the back. Right. Also very short through the bum it looks like. That's close to wedgie territory. If she has to bend over for anything, girlfriend's getting a wedgie. Okay. Jacket has a three quarter length sleeve and contrast jumpsuit and three links and two leg widths. Side seam pockets and hidden elastic casing. Yeah, I could really do it without this thing. Maybe if it were shorter, like I said, which isn't a hard alteration to make, but the drawing really doesn't do it any favors. And then here's our jumpsuit. It looks like two wide leg versions with in two lengths and then your little narrow cropped version two. Shallie, rayon, crepe, silk. Yep. Six to 14 and then 14 to 22. And then here's all your fabric requirements. Yeah. I mean, this is a really, really important one. I mean, maybe with those dresses, I understand why they wouldn't include hip measurements, but like for anything with pants, I just think it's unjust not include, not include finished hip measurements. All right. Now we've got a series of tops. This one's fun. I could see Emily Holman in this.  This is it without the sleeve ruffles. This is one sleeve ruffle and a neck notch. There's a more modest little ruffle. Lots of just sleeve variations on this. I do like the curved hem though. That's cute. The way they've styled it is also cute. Pullover top has drop shoulder, neckline and sleeve variations. Side slits and curved hem worn with or without sash. Except none of our photos included without the sash, so I don't know what it looks like without it. Okay. Yeah. I mean, fairly straightforward in the base design. And then it's just various sleeves. And I wish they said if this was a face, if there was a facing here, or if it's hemmed. I can't remember if when it has a little dotted line here, if that means facing or hemmed, but I'm guessing maybe facing because all of this has it. And I feel like the neckline would be faced. Does it say face neckline? No. Crape, Crape to Sheen, Shally, Double Giorgette, Charmous. Yep. I mean, and with this one without the sleeves, you could even go into the cotton territory. Okay. Now we've got extra small to medium and large to extra large. And then there's your fabric requirements. Not too much for any version. Here's another top. This one has like a forward shoulder with some gathers in there, a slit in the neckline, and then these like flutter sleeves. This one has like a flouncy sleeve thing. Okay. Again, same base, different sleeves. This has more of a bell sleeve. The bell sleeve with a ruffle. That's really cute. And then there she is. It has a yoke in the back with gathers. All right. Simifitted top, sleeve in length variation, self-based yoke, stitched hem, self flounce. Okay. Flared sleeve, three, four. Yeah, we went over all that. Okay. Here's our line drawings. Cute. I don't see anything that I didn't already mention. Crape to Sheen, Crape, Double Giorgette, Shally, Charmous. Then you just need some bias tape. I feel like all of these like lightweight drapey tops are really nice. I don't wear them a ton. I don't know why. I think because when I'm wearing tops, I'm usually wearing like jeans maybe and dressy top and jeans. I guess that's cute. Maybe I should reconsider. Maybe I should find one that I like and see how much I wear it. All right. Here's another one. Again, with the batto neckline. And this one has like a elongated flutter sleeve, not flutter, tulip sleeve. Here's another drop shoulder with a ruffle. Oh, the ruched sleeve. That's cool. Ruched sleeve with the ruffle. Ruched sleeve is hard to say.  Fun. Simifitted top has opening with button and loop closure, four sleeve variations purchased by a tape finishes neck. I promise you you could sew this up in like two hours. This will be a really quick sew. A lot of different versions, right? I mean you would never know that this and this are the same. And I lied. I said it was a drop shoulder, but it's not. There's a set in sleeve there. So sorry. All right, yardage. So I need to keep saying these same five fabrics over and over again. You guys get it by now. Our sizes are extra small to medium and large to extra large. You need like less than one and a half yards of fabric, a little bit of bias tape and a button and you're good to go. This is also very affordable top to make. All right, now we've got our, oh, they're calling this fast and easy on a pattern that's not normally known for being fast or easy. And that is our button front shirt with a collar. Okay, so we've got that with a drop shoulder and a ruffle. That's kind of a fun take on a shirt on a button front shirt. It has a collar stand too, which makes it even more difficult of a collar. That's interesting. I don't know that I would put this in the fast and easy category. They're even calling it very easy. Are my more experienced sewists who are listening? Do you agree with me? That's not very easy, right? But it is fun to see all the different sleeves. That's cute. Like if I were, I don't really go to an office, but you know, I did just make those high waisted coral pants. This would be a cute top with that. I have a black version of those pants now. So that would be cute because I would tuck whatever shirt is into those. And I like how it's buttoned, but with like a fun unexpected detail. It's not, it's like buttoned up, but not too buttoned up. It's fun buttoned up. You know, it's like, I'm serious, but playful. Okay. Oh man. Okay. So here's the like the base version. It does have a yoke with some gathers in the back. And then you can add this little ruffle. You can add a less. So this is like a gathered, yeah, I'm probably not using the right terminology. This is a gathered ruffle. And then this is like kind of like a circle skirt. Does it? No, just this, I don't know the different terms, but you see how this one's more gathered. And then this one's more loose and flowy. And then this is a longer version of this. That's fun. I would consider adding this one to my collection. There's our famous collection of fabrics, although this time they also added in lightweight linen. And then six to 14, 14 and 22 are your size options. And then in garment apparel fabric, you don't even need a yard and a half. That's cool. Well, if you want to add any kind of fun stuff to the sleeves, you will need a little bit more, but not much. And just need six buttons and interfacing. Yeah, I was going to say. All right. I think that's cute. All right. Next up, we've got, I think we've just got three more here. This is a Connie Crawford pattern. This is like a knit t-shirt. Raglan sleeves, neckband, pretty straightforward. One size, small to extra large. You need your moderate stretch knits that we've already been over as well. Oh, okay. There are two sizes. There's the miss size and then the woman's size. So extra, extra large through six X. And I think that's, that's the Connie Crawford brand. She goes very, very high up the size spectrum. Not very, very low on this end, but she does go into the six X range. And with, oh man, again, this would be a super opportunity for them to include finished garment measurements for the bust, especially in this category where you're not used to seeing those sizes. So annoying. So annoying. Okay. Well, it is what it is. Anyway, so yeah, modern fit with ready to wear sizing. Here you go. Looks great on her. And everyone could use a little basic tee. Ooh, I love this one. This one's calling on all my loves bows and ruffles.  And then yeah, and then you can add a flounce or a sleeve or a sleeve with a flounce. That's really cute. There's not a back yoke, which is interesting for these kinds of tops. Pullover top has collar extending into tie ends, neckline armhole and sleeve variations. Also note how these illustrations have it tied up tight on her neck with this like keyhole expose, but our little model girl let it down a little bit and tied it at the base of the V. So you could have two different options there for that. See like this versus this. Yeah, cute. And I do like a pattern that has a drop shoulder option, but also a set in sleeve option. That is really interesting. That's a lot of bang for the buck. You're going to get two different bodices. Remember all the other ones that we've seen today have had the same base and then they just kept adding different sleeves on. This one has two different bases. So it's basically like two patterns in one. You could change up, you know, this whatever is happening at the neckline. You don't have to keep this, you know, you could make it just a scoop neck. You could, I mean maybe I wouldn't go so far as to making it a button front necessarily. I mean you definitely could, but that would be an extreme alteration, I think. But you could change up the neckline and have two different bases and then do the same treatments to the sleeves as all the other ones. You know what I'm saying? All right, our Fab Five fabrics, Fab Five fabrics, that's fun. Fab Five fabrics, that's fun. The alliteration continues. Okay, sizes six through 14 and then 14 through 22. Yeah, you hardly need any fashion fabric and just a little bit of interfacing. Cute. All right, and then I think this is our last one because we're not going to cover the making history. We have got a Catherine Tilton pattern. She's known for kind of loose fitting geometric kind of interesting looks. So this is her take on a button front shirt. We've got a waistline seam, maybe one pocket, maybe like a ruffle neckline sort of thing happening. Yep. Contrasting fabrics is also a signature of Catherine Tilton. Cute. I want to see the back. I want to see, oh, are those some pleats? Cute. I think this is maybe a linen or something. Fun. Very loose fitting button front shirt has pleated collar and pockets contrast details. Okay, cute. There was another pocket I just couldn't see and does have a ruffle neckline. Just some bust darting. The sleeves are cuffed or uncuffed. That's kind of fun. I'd have to find the right fabric for me. I don't know that either one of these are it, but certainly looks comfortable. Cute. Cute. Cute. Okay. Let's see. Broadcloth linen, chambray, shirting, stretch woven. Okay.  Yikes. Kind of a lot of fabric actually. Two and three eighths of a yard for like the mid range. And then B, they're smaller because you're using three different fabrics. So yeah, about two and a half yards in total. Yeah. All right. I think that's it for Butterrick. What did you guys think? I am going to flip through this lookbook real quick and make sure we didn't miss anything like we did with Vogue. So annoying. But yeah, I really think the dresses are obviously the standout for me. Maybe I'll grab one of those tops toward the end, but yeah, they really brought a lot of really cute dresses. Hardly any pants. I think this jumpsuit might be the only thing with a crotch. Right? I remember any shorts. So here's all of our tops. Yeah, they got them all. So yeah, interesting collection for summer, I think. I don't know that anybody's brought any shorts really. Shorts, pants. Then again, we got a lot of those elasticized waist pants in the spring. So maybe they feel like they're going to just try and extend that a little bit longer. But all in all, a really, really cute collection. I will definitely be adding some of these to my stash. What did you think? Which ones will you be grabbing? Yeah, can't wait to see. I just love this one so much. Okay. So yeah, thank you all so much for watching. I will see you all very, very soon. Bye.


Citation is the practice of identifying the sources you have used in your writing. Citations are an important part of any college writing project because they allow your reader to follow the trail of your research and to verify the claims that you make in your writing. They also give credit to the sources that you use to advance your argument. Giving proper acknowledgement also ensures that you do not plagiarize, which is a very serious academic offense. To avoid plagiarism, you should include a citation after every quote, which is when you use the author's exact words for added effect, paraphrase, which is when you reword an idea from a source, or summarize, which is when you condense information from a source. In addition to protecting you from plagiarism, citing your sources shows that you recognize that your research and scholarship builds upon the work and the ideas of others that came before you. Your works cited page serves as a list of all of the sources that you have used in your paper and shows that you have given proper credit to these sources. When you write a paper and create a work cited page, you become part of the scholarly conversation and citing your sources shows how your work fits within that conversation. This is also why all credible academic sources cite their sources. Most citations have two parts, the in-text citation and the reference. The first part is an in-text citation, which shows readers exactly where you have used information from outside sources in your paper. Outside sources can include websites, scholarly journal articles, and books, among others. In-text citations provide a roadmap to the second part of a citation, the reference. The reference includes more information about each source, including the author, the date, the full title, and the web address. You will find citations at the bottom of the page in footnotes or in a reference or work cited page at the end of a paper. The information in each citation makes it easy for your readers to find the exact sources that you used so that they can read them for themselves. You will see citations in all academic journal articles, but you might notice that they sometimes look different depending on the sources that you use. This is because there are different citation styles created for specific disciplines. For example, MLA is the citation style of the Modern Language Association and is often used in English journals. The American Psychological Association's APA style is used most often in social sciences like psychology and criminal justice, while the Council of Science Editors' CSC style is used in the biological sciences. You might also see other citation styles like AMA, Chicago, and Blue Book in your research journey. Your professors will let you know which citation sources they require for your assignments. We know that citing properly can be overwhelming. The IRC librarians are here to assist you with all of your citation needs. Check out the APA, CSC, and MLA LibGuides, or contact a librarian directly for personal assistance with any citation style.


Lux presents Hollywood. The Lux Radio Theatre brings you Gary Cooper with Barbara Britton, Carol Thurston, and Alan Hale in The Story of Dr. Wassell. Ladies and gentlemen, your producer, Mr. Cecil B. DeMille. Greetings from Hollywood, ladies and gentlemen. With the war news what it is today, it's hard to believe that only 30 months ago, the Allies faced their bitterest reverses of the war. In Africa, German troops had launched a drive that ended at the gates of Cairo, and the glorious defensive Stalingrad had yet to turn the tide in Russia. Meanwhile in Asia, the Japanese hordes had pinned our troops on Baton and swarmed south toward Indochina and Malaya and the fabulous islands of the Far East. Names that we learned in our geographies at school have fumed a new and terrible importance. Java, the jewel of the Indies, is a teeming island lying south of Borneo in a line between Australia and the naval base of Singapore. From Java in the early months of 1942 came some of the great news stories of the war. The night's play on the Lux Radio Theatre, requested by so many of our listeners and starring Gary Cooper, is one of those epic bits of history. The story of Dr. Karadan M. Washell of the United States Navy. In the midst of war and death, it is a story of saving life, not destroying it. A story of a man's love for his fellow men, and of that rise from defeat to victory that is rewarded, that has rewarded all our sacrifice and effort. For today in the Pacific, with the mightiest navy in the world, we are fighting our way back, beating a path to hard-pressed China, where a gallant people struggle for the freedom of Asia. And from China, I have a touching story of how life goes on in spite of hardship. It was forwarded by Mrs. Chang Ni Tzu of California. And it tells how a Chinese family who had escaped the Japanese, endeavored to give their son an education in free China. In the inflated Chinese money, the tuition was $14,000, more than they could put their hands on. But the mother came to the rescue. She went through her trunk and found two dozen cakes of lux toilet soap. Which she'd purchased in Hong Kong before the japs came. And those two dozen cakes were so precious in the eyes of the Chinese that they paid for the son's tuition. Which shows that a good product like lux toilet soap can perform more than one good deed. And now it's cutting time and star time, as the lights go down for the first act of the story of Dr. Wasrel. Darring Gary Cooper as Dr. Wasrel, with Barbara Britton as Madeline, Harold Thurston as Three Martini, and Alan Hale as Commander Goggins. On the 28th of April, 1942, the name of an obscure Arkansas doctor, a man who spoke it with the President of the United States. And the name was Dr. Corridor M. Wassel. The President had good cause to mention Dr. Wassel. A cause which had its beginning in the terrible trap which history now calls the Battle of the Java Sea. There, a little handful of Dutch and American fighting ships had made their valiant, hopeless stand against the Navy of Japan. Among those ships was the United States cruiser Marblehead, so completely ravaged that Radio Tokyo reported her destroyed in action. Riddled and burning, the Marblehead called back from the dead to a tiny port on the southern coast of Java. Among the survivors was her executive officer, Amanda William Goggins. Yes, we had reached safety, a port named Gelatja. There was a hospital train waiting to take the wounded inland, about 40 hours. It was in charge of a Dr. Wassel. He came alongside, checking our medical tags. One of the boys, Alabama, had been blinded. As Wassel started talking, Alabama rose up in his stretcher and grabbed him tight. Tell me. Can somebody tell me where are we? Where are they taking us? Mrs. Java, sailor, you're going to the hospital. Oh, my eyes. You figure you'll be able to? That's why we want you in a hospital. Yeah. Yeah. All right, you carbon third coach. Yes, sir. Get your hooks off of me. Now, beat my beat to the skipper. Shockation trap, no Dr. He's plenty tough. The Marblehead's getting out of here, and I'm going with him. Once I leave this ship, I won't be getting out any more than those guys in the tarpaulins are getting out. Stow that, Murdoch. I've heard just about all that kind of talk I can take. Sorry, Commander Wassel. That's all right. Oh, I'm Commander Goggins. I heard tell of you, Doctor, in China. I see. You're joining us too, huh? I'm afraid so. My legs, I'll have a look at them on the train. When are we leaving? A couple of minutes just as soon as we... Oh, excuse me. Commander, I'll see you right back. Madeleine, I... Well, for a minute there, I thought I was seeing things. Oh, you did go in the Navy. Well, I'm beached here for a while. I'm taking this hospital train inland. But it's ready to leave. That's right.  Why didn't you tell me the truth? Oh, that. I... I suppose Dr. Wayne was with you when war broke out. We were all in Hong Kong. I asked you a question, Corey. Well, I'm sure... I'm sure glad you got out, okay? Dr. Wassel. Yes? Sir, the captain says that train's got to get out of here at once. I'm coming. Corey, I... I must talk to you. I... I wish we had time to, Madeleine. Goodbye. Goodbye, Corey. I couldn't tell who the girl was, except that she was a Red Cross nurse. As the train pulled away, I could see Wassel looking back at her from the after platform. And then that Dutch nurse came looking for him. Would you put that something back there, Doctor? I wish I could. Well, uh, I better take a look at the boy. Yes. I am nurse Bettina. Wonderful thing about you Dutch nurses. You work as pretty as you look. What do you think of our chances of where we're going? Gavin's safe. As long as Singapore holds out, and Singapore will never fall. Yes. Well... Let me see. This is Anderson. His tag says he is from Massachusetts. Can you say that again? I like that. Well, that seems like your pretty good medicine for Anderson, Bettina. You sure are okay by me, Doc. Thank you, Dr. Schupitz. Over here, it's Medoc, Doctor. Seaman, second class. Yes. We met before. Feeling any better, Taylor? Not as well off as the rest of these suckers. When you stop breathing, boys, I'll worry about you. You're going to find Java right cozy, please. Java. You'd be better off on the marble. Seaman Hopkins is in surgery, sir, if you wish to do the castusion now. You take him? Blood pressure low. I'll speak. Blood pressure? Number four. The only other type four available is the Avenus nurse. She's with me now. Thanks, Bettina. I'll see you later. Well, you did fine, nurse. Now if you want a faint, go right ahead. We're finished. Doctor, I am trained nurse. You wouldn't have had to do this if we'd had blood plasma. Say, what's your name?  My name is Dream Martin. Well, I'm not laughing. I mean, there's Hopkins here. You see, he just about owes his life to you. I am so happy if he lives because of me. Yeah, don't bother.  I'll harder if I live. He thinks his hands is crippled. He wished to die. Your papers say you're from Gabriel, Arkansas. Say, now, what does this put you in mind of? That's an Arkansas razorback. Yeah. You'll be having Southbellion greens again. I kind of forgot Arkansas. I kind of forgot it too till I saw a ghost this morning. Laserback ghost? No, but it was razorback that ran me out of Arkansas. Folks there used to pay me off in hogs. You joined the Navy to get away from hogs? No, but I went to China because of them. They were looking for doctors a few years ago. They sent me a circular, had some pictures in it. Some of the nurses working in China. I figured they were a lot easier to look at than Arkansas hogs. Maybe like that pretty nurse you say goodbye to, like that, maybe? Maybe. You start counting razorbacks to Arkansas and get to sleep. Nurse, I reckon you better stay right by him. Oh, I watch. His blood and my blood, they all mix up together now. He is part of me. Always. That's nice. Yeah, yeah, that's fine. They took us off the train at a little town near the jungle. It was like a kind of heaven. A fine, clean hospital and the best care in the world. A Dutch doctor was there named Branken. One afternoon he sent for us. Me and my wheelchair and Corey navigating. Glad you did. Hey, take a look, Bill. Cigarettes. A male, that's the best medicine on the ground. Gentlemen, let me turn up the radio. More Jap rumors. I don't know about rumors, but I do know the facts. Singapore's in the hands of the Japanese. That's impossible. Singapore was captured yesterday. What's down there is next. What's happening on the radio? It's been going on for the last hour. You want to hear any more? No, turn it off. You know what this means, unless the Japanese can be held, for any of your wounded to escape, we should have orders from Gelatia momentarily. Thanks, doctor. Well, let's get it defied, is Bill? 60,000 Japs are no reason to hold up. We alone knew the danger. You how close it was. The boys in the ward, all they knew was that slowly they had been getting better. They were demonstrating that happy fact in the obvious way. All right, come on now. Who's next now? Who's next? Hey, three martinis.  What crazy talk? Cut rug. It means dance, you know. Sure, like this. I show you beautiful rubber dance. You watch. Oh, no, not like that. Get hot, baby. Swing it. Yeah, come on. Swing it. Oh, like they do in movies? That's right. Okay, I get hot. They cut it out. Here comes the doctor. Hey, pipe down, you guys. It's the CO.  What's going on in here? Hey, I thought you said you were a trained nurse.  I just make feaks this bed, doctor. Yeah, you make feaks these boys' temperatures at about 120. Hey, what you got there, doc? Cigarettes? All right, all right. Now, wait a minute. Three martinis, pass them out. There's mail, too. Here you are, Alabama. Well, don't open it, doc. I'll just hold it a little while. Thanks, doc. Would you open it for me? Want me to read it to you? Would you, doc? Kind of hard to hold with my hands all done up. I'm Alice, huh? Mm-hmm, yeah. Uh, dear Hoppy boy, you write the nice hand. It's over four weeks since I wrote, but there was a reason. You see, Hoppy, I've had time to think things over lately about you and me, I mean. That's why I feel I've got to tell you... Tell me what? Well, it's kind of blurred. How do you mean? What's happened? You got married, Hoppy. Married. Look here, Hoppy. That happened sometimes to all of it. It happened to me in China. Hello, sir. You know the rules. Fungalists and patients at the center. Walking with autonomy peace. Finally, make a bow.  Everything is here for. We'll be buried alive in this dump. Easy, Thaler. Easy. Now, Tube, give me that. I heard all about you. You flopped in China, you flopped here. Erdog! Let him alone, Bill. Get our glass window wounds in the west ward. Dr. Plankin asks if you will help him. Bill, you're in charge here. Okay, doc. All right, you guys. All of you. Can you hear me? My doc. Yes, sir. I just got one thing to say. I'm only going to say it once. Dr. Wassel went to China to fight a plague. He left China when and because his work was done. Now get that straight. All of you. All right. Francis. Come on, break out some swing on that bronze bagpiper you're in. I thought the commander thunk it stunk.  I had told the boys the truth, but it wasn't all the truth. He had been fighting a plague in China. Something called schistosomiasis. Corey was convinced that the carrier of the disease could be found in the shell of a certain type of snail. He built a tiny laboratory near the Yangtze River and spent a lot of his time on a sagging wharf peering into the muddy water. Hey, look, Payne. There's one with a different expression. Here, pull my legs while I fish him out. Tell me. Oh, Miss Motherie. Hey, what's in Thunderhead? Give me a hand here. Your assistant offer apology. I'm sorry, I'm just playing out of the blame. Hey, hey, why you... You're the girl in the circular. Am I? Well, you were almost the man in the river. You must be Dr. Waffle. Yes, I'm the snail snatcher catcher. I'm Madeline Arnold, nurse at the Mission Hospital. Well, I work there. That's how I've heard so much about you. I've been seeing some patients in the village. Oh, are you interested in snails, Miss Arnold? I'm interested in anything that'll stop this plague. Maybe you'd like to take a look at the laboratory. You found something? Oh, no, but maybe you'd like to take a look anyway. I'd be delighted. That was the beginning. Weeks later, they met again in the Mission Hospital, and Madeline became his assistant in a little world of test tubes and cultures and microscope slides. No, that's not no. No, it's for a job. You know, I want to tell you, I think you have the most beautiful... Yes? The most beautiful sterilization technique I've ever seen. I know something much more exciting than that. The Board of Governors met last night to decide on new assignments. They're appointing a new chief of research. Madeline, hey, you don't think that... The Governors are all terribly impressed with your work, especially Dr. Wayne. Oh, Cory, wouldn't it be wonderful... The Board, Dr. Wattle, appreciates the devotion you have shown. Thank you, Dr. Holmes. That is why we are asking you to accept the most trying post. We wish you to pioneer an outpost clinic in Qianxi. Qianxi? Of course, if you wish, you may refuse. No, no, I just kind of thought... No, no, I'll go. Yeah, good. Dr. Wayne, our new research chief will see that the data you send in receives every attention. I want to congratulate you, Wayne. Thanks. Oh, Wattle, about Madeline. Madeline? She's volunteered to go as your assistant. She can't do that. In spite of the risks, she's put in a formal request. She still can't go. I'm interested in her, too, Wattle. Deeply interested. There's just one way you can prevent her from going. Yes, I know. First, but I won't be bounced around like a rubber ball. I was assigned to Dr. Wattle, and I'm going with him. You can't, Madeline. What do you mean, I can't? It's because he's gone. Wattle left for Qianxi last night. Yes. Dr. Wattle? Dr. Wattle? Dr. Wattle? Dr. Wattle? Wattle left for Qianxi last night. Yes. That much I knew about Wattle's life in China. Some day, perhaps, I'd learn the rest. Well, the Jap bombing did a lot of damage. But the hospital was standing when their planes were through. By morning, there were still no news from Jilaczap. The boys were reading or playing cards. And Andy, who couldn't take his eyes off Petina, was dictating a letter. You turned the hardest part of my whole life into the best part. And whenever I shut my eyes, I guess I'll always see your face. Because I love you. Love you? You know, that's a beautiful letter, Andy. Now, to whom does it go? Don't you know? Why, know? Petina. Petina. Dick! Kline of Petina. Oh, my darling. Oh, I'm so happy. Dick, you want to leave? No, Peti. This pass for Dr. Voss. Well, I have a finding for you here. Address this letter for this nice boy here. His name is Andy. Oh, I'm so glad to see you. Hello, Andy. Say, you wouldn't be her brother, would you? No. No, not her brother. Oh, to whom shall I send this letter? Oh, forget it. I'm not going to send it. You like Petina, don't you? She's all right. I like her too. Well, how was I to know she was your girl? Oh, she is not my girl yet, Andy. In Vor, we can't know that's ahead, can we? So what? Well, if anything goes wrong, you and I both hope that somebody will take care of her now, don't we? And when the Vor is over, the luckiest man will win. What is wrong with that? Nothing, I guess. It's a deal. Dr. Voss is in the office, Derek. I've good news for her, Petina. For all these American boys. They're going home. Derek! That is true! When? They're right now. Oh! Hey, did you hear that, guys? Did you hear? We're going home! Home? Hey, what's this about home? Poppy, you take me with you to our bookstore. Hey, guys! Hey, guys! Johnny! Where are you? Crouch! They're sipping us home! I heard him say it! We're going home! Good news, doctor. I assume the orders say you to leave from Gelatje. Corey, what about that? Gelatje? We're not leaving. We're not leaving. What are you talking about? Listen to the rest of this. You are to evacuate only those who are able to walk. All stretcher cases must remain on Java. I see. Well, that dry-docks me, doesn't it? I suppose they must fill those ships with men who can fight. All stretcher cases must remain on Java. You better get out there and tell them. Hey! Hey, whoa! Now wait a minute! Seems like you fellas are ahead of the game. You haven't heard the bad news yet. It's the best bad news I ever did here. Yeah, sure, Francis, but we can't take any chances on that leg of yours. I'll be dancing on that by the time we get home. Yeah. Well, home. You see, doc, when I get home, you're going to have to run me down to put shoes on me. Hey, doc! When do we have anchor? Well, it's like this, fellas. You see, I've got to decide. That is, I can't take you. Doc, you wouldn't hamstring me for what I said yesterday. You wouldn't leave me, would you, doc? I wouldn't leave you, sailor. I wouldn't leave any of you. I'm going to take you all. Every dog is going one of them. Doctor, please. I go too with Hoppy to Arkham's store. You couldn't do that to me, Martini.  You cannot pull them apart. Please, doctor. It is bad if you take him from me, bad, bad. Maybe so, but we've got no choice. Then evil will follow you.  We pause now for station identification. This is CBS, the Columbia Broadcasting System. In a few minutes, we'll be back with act two of the story of Dr. Waspel. And now, may we present three pretty girls. Janie. How do you do? And Betty. How do you do? And Sue. How do you do? We certainly wish you could see these girls, as well as hear them. One of them is very blonde. That's, uh... Uh, Janie, Mr. Kennedy. And one's got black hair. That's, uh... Betty, Mr. Kennedy. And Sue here has, well, I guess you'd call it red hair. So, you see, they're quite different types. But they've got one thing in common. And that's why they're here tonight. You want to tell our audiences about a girl? Oh, certainly, Mr. Kennedy. Yes, girls. Yes. These three pretty girls with three different types of coloring are all luxe girls. Girls who have found that regular care with luxe toilet soap really does make skin lovely. And so they've made this gentle soap 9 out of 10 screen stars use, their beauty soap. They take active lather facials every single day. Right, girls? Right. I'm sure our audience would like to know exactly how to take one of these beauty facial girls. Well, uh, first you cover your face with a nice, creamy lather, send it out and work it in thoroughly. Then you rinse with warm water, splash with cold, and then pat with a soft towel to dry. Thanks, girls. That sounds simple enough. The fact is that in recent tests of these beauty facials, actually three out of four complexions improved in a short time. And that's why lovely young girls like these depend on luxe toilet soap care.  Oh, yes, Mr. Kennedy. It really does. Make a girl's skin lovelier, lovelier, lovelier. And now, Mr. DeMille returns to the microphone. Act two of the story of Dr. Wassell starring Gary Cooper as Dr. Wassell with Barbara Britton as Madeleine, Carol Thurston as Tree Martini, and Alan Hale as Commander Goggins. With the jabs closing in from either end of Java, Dr. Wassell brought us back to Gillette Jap. A ship was there getting up steam to take us, a tanker. It looked as if everything on the island was being pushed aboard. All told, we numbered 41. Eleven of us, including myself, were stretcher cases. And while we waited, Corey, did everything he could to make us seem less conspicuous. Oh, I've been cleared his key. You'll have to load faster than this. Hey, you fellas, heist yourselves up a little.  Well, ain't we? Right down, Johnny. We'll keep that leg covered up, Bill. It sticks out like a pain tree in a parlor. You too, Bailey. It's very hard to keep you fellas off your feet. Hey, what's the matter with him? Has he gone bad? We'll take four more of yours, Commander. Okay. Well, where, Fox? These men here, Commander, these are walking cases, aren't they, sir? Uh, yeah. We just used the stretchers to arrest them. Well, you know the orders, sir. Pretty close, Corey. The balance of equipment on the harbor. Clear that deck for the ammunition. Jude is free. What goes on down there? What stretches are those? Commander Walsh will schedule these, Captain. Men wounded on the model at in Houston. Oh, those are no stretcher cases may embark. Take over here. I'll see about this myself. Standing. You got your orders, Doctor. I'm here to evacuate my casualty, sir. Your instructions were to bring walking cases only. But, Captain, the Pegas can take all of these. We're packed now from truck to keel. And we have to pick 450 survivors of the Langley at sea. We'll be bombed and torpedoed. Sir, my boys have fought hard for their lives. And I don't aim to have them thrown away on the beach. Would you rather see them die in the sea? Yes. You'll send those men back to the hospital they came from. Moffat. We've dispersed a thousand guilders for Dr. Walsh's wounded. I'm sorry, Doctor. But no one can change these orders but the chief of staff. And he's already at sea. If my own son were lying there, I'd have no other choice. Then I'll stay with him. That means you'll be captured, too. Well, they'll need me more than ever, then. All right. Your orders are changed to read.  Thank you, sir. In a few minutes, you'll be ranking you as naval officer on Java. God help you. So they lowered us back in the war of the game. We couldn't kid the boys any longer. He had to tell them they were being left behind. I can walk. Just give me a chance. No, Hoppy, no. I gotta get on that ship. Lie down. Stay on that stretcher. If you just give me something to lean on, a stick or something. I can make it, Doc. I got it. Listen, you fools.  I can walk, Doc. If somebody will just show me where to go, I... He goes home. Home? Hey, Doc, isn't there any other ship here? No. No other ship, fella. This is what we fought for. This is the end of it for us. To be left on the beach with the Japs coming up on both sides of us. We'd be ten times better off dead. Now wait a minute.  This is the U.S. Navy. And while you're alive and while I'm alive, you'll act like it. You may be the last of the Navy on Java, but your Navy is just the same. Now we'll go back to the hospital. There's some good clean beds and a week or two of rest. And then? And then the Japs. We better get on that train, Corey. It's the last one out of here. They told me they'd be dynamiting the bridges behind us. We were back at the hospital by nightfall. Except there wasn't any hospital. Just gutted ruins and flattened rubble. The bombers had returned. The silence of death hung over everything. The creeping fear of an approaching enemy in the darkness. Yeah, good clean beds and a week of rest, huh? Well, it sure needs sweeping up around here. Duck! Over there. Something moved. Stand fast. Free martini. I know you'll come back here. I wait. Sister, you sure win the crystal-gazing contest. Poppy. Poppy. I know you'll come back to me. Where are the others? Were they killed? Did they go with Dutch army and mountains far off? Japanese take this place pretty soon now. Bettina. Where's Bettina? Dutch lieutenant take her away for a nurse on boat.  Where's some food? Doctor, I can milk coat. If we can catch coat. Well, mine's loose around here somewhere. Hey, it sounds like you're going to have company again. All right. We'll spend the night in the bomb shelter. I'll have a look in the village in the morning. I'll get help. It's far and better to eat than ghost milk. Easy now. We call this the bomb shelter, eh? What happens if we get a direct hit? We'll get buried. That's what happens. They wouldn't have left us in charge of Uncle Fun unless they'd wrote us off.  Here he comes. I didn't aim to hear what you fellas were saying just now, but I want you to know. You know something? Something's busted you. I think it happened in China a long time ago. Where'd you hear that? Oh, I've been around a lot in China. All I heard were fragments, Corey. You... You spent some time in Kang's seed, didn't you?  Sure. You traced it to a snail, didn't you? Well, no way I did. I worked pretty hard on it, Bill. Finally started to get some results. It was a snail all right, rather some bugs that lived in a snail. Hey, take a look at that and don't faint. How many tails has that critter got, Pink?  No. One tail, and it's forked. That parasite is the forked-tailed socarrier. We found it! We found it! We found it! Your name will be high on the roll of science. It will be on everybody's... See who's at the door, Pink. And don't let him in until I've had time to lock this critter up in a glass. Miss Madeleine, this is most pleasant surprise. Well, aren't you going to let me in to see him? Oh, he has the greatest thing to tell you. Listen, I've come a thousand miles up the river to see him. Hey, what's the mystery? He will want to tell you himself. You mean he's been talking about me? About nothing but you and the snail. Who won? Miss Madeleine, if you will proceed to the temple of Kwon-Yin and sit under the sacred dog by the moon gate, very soon, I promise, he will come and tell you. All right, Pink, but remember, I don't want to spend my vacation with the sacred dog. Vacation? Oh, but you will be so happy when you hear. That is, if you have not... if Dr. Wayne has not. But you have not, have you? Anything can happen in China, Pink. Oh, Dr. Wasso must lose no time. Old Fisher, mighty near as pretty as Arkansas catfish. I thought catfish were plain mud-colored. Oh, no, no, no, they're all gold and silver. And there's one kind called the swivel-whiskered catfish. It's all covered with little strings of electric light. Cory, I'm worried about you. It just don't make sense, golden catfish. And wearing a primrose in your buttonhole. Oh, that's in celebration. Of what? Learn something I know and you don't. What's the secret, Cory? I know something that nobody else in this whole world knows. When you hear about it, you're going to climb right on top of one of those statues and maybe fall off. And I'll catch you. You're here, short of the pretty. Cory, let me take your pulse. The excuse that some women make to hold a man's hand.  Oh, Dr. Wasso. Yes? Please excuse me. But a telegram would seem to indicate haste. Taste is for those in the hurry. Here, give me that. And goodbye. Who did you say wanted to hold your hand? Dr. Wayne. Oh, him. He also wants me to marry him. Poor Dr. Wayne, I sure feel sorry for that fellow. Because I may accept him? No, because you won't. Because you're... Cory, what is it? What's the telegram? Oh, nothing. Nothing that amounts to anything. Let's see, we were... We were talking about catfish, weren't we? Yeah, that was it. I was telling you about the lace trim kind with the green and yellow stars. And I was telling you that one of the most brilliant men in China wants to marry me. Well, I... I don't hardly see how it's possible for any girl in her right mind to refuse him to you. Cory, there's something you're not telling me. Yes, there is. I'm... I'm sending in my resignation. Cory, why? Oh, restless, I guess. I was thinking some of the plan to the Navy. But your words... Madeleine, I swear to heaven, there's not a thing in the world here that interests me a bit. Nothing, Cory? Well, take Dr. Wayne. He's just a type of fellow for this kind of work. You and he'll go a long way. I believe you really mean it. Yes, Madeleine. I... I really mean it. Dr. Wassell, back so soon? Is Miss Madeleine happy about the Fork-Tale Soccaria? I didn't tell her. But when you left here, you... She's going to marry Dr. Wayne. You did not tell her anything? No. This telegram came first. Oh, Dr. Wayne has... Dr. Wayne has found the Fork-Tale Soccaria. His brilliant achievement will save countless lives throughout China. Please send all daily... But you should have told her what has happened. If she knew, she would stay with you forever. Sure she would. She'd be sorry for me. No pain. So that was that, eh, Cory?  There's nothing new about that, Bill. You're going to hold the bag for the rest of your life? Well, I'm not holding it for just myself this time, or which I was. Down there lies all this left of the United States Navy on Java. Ten helpless men about as good as dead. And now, now that... Listen, listen. Bombers again. Wait a minute. Those aren't planes. That's mechanized stuff. Trucks. Bill, are you sure? Certainly I'm sure. Don't you think I know my business and don't answer that? That's the Dutch withdrawal, and I can get me the loan of a truck. You're crazy, Cory. That must be Japanese artillery. I can hear the caissons. I'm going to scout that column.  That's clear beyond the Temple of Borobudu, or three miles, but the road. I'm not going by road. I'm going to stick a feather in my shoe and score your B-line straight through. You can't do that. Your orders are to stay with your men. I broke orders before when I tried to get the boys on the paper.  I'll get court-martialed for sure, but until then... Until then, this is still the United States Navy. I'm still in command of it here. Sit tight, Bill. I'll be back. We'll return in Act 3 of the story of Dr. Wassell. And now, let's look in on a party. A party that has reached its most exciting moment. Girls, I don't think anyone ever had a lovely or shower. Goodness, here's another gorgeous package. Open it for me, Sue. I'm much too excited. Bath towels.  Oh, and washcloths, too, to match. From Marion. Well, here's another package inside. Why, Marion, you think of everything. Look, girls, three cakes of my favorite luxe toilet soap. What's a bathroom shower, Mary, without the main ingredient? The right kind of soap. Now, there's a practical giver and a thoughtful one, too. Pregnant white luxe toilet soap is right at home with the most luxurious bathroom accessories. Screen stars have discovered this about their famous complexion soap. It makes a wonderful bath soap, too. Here's what lovely Irene Dunn says about it. A daily luxe soap beauty bath is a wonderful way to make sure of daintiness. Active leather is so gentle, so thorough. It leaves skin really fresh and sweet. I like luxe soap's delicate, clean fragrance, too. Screen stars, women everywhere, find luxe soap's creamy, abundant lather does a thorough job. Swiftly carries away every trace of the day's dust and dirt. Why not let the whole family enjoy fragrant, refreshing luxe toilet soap for their daily bath soap? It's thrifty, you know. Each satin smooth cake is hard milled and be used to the last thin sliver. Why not get some luxe toilet soap tomorrow? And now, Mr. DeMille returns to the microphone. After our final curtain, you're invited backstage to meet our stars in person. And now here's Act 3 of the story of Dr. Wassell, starring Gary Cooper as Dr. Wassell, with Barbara Britton as Madeleine, Carol Thurston as Dr. Martini, and Alan Hale as Commander Goggins. In the darkness, I sat and listened to the rumble of the mechanized equipment on the distant road. I had plenty of time to size things up. We were eleven wounded men surrounded by jungle. Where our next meal was coming from, we didn't know. I found myself wondering which I'd select if the choice were mine. A Japanese bomb, or starvation, or capture. I looked at my watch. By now, Wassell would have reached the road. Maybe they had already found and shot him, or maybe the column was a friendly one. Dutch, or maybe... maybe British. Hey! Hey, you and the jeep! Hey! Wait a minute! Hey! Hey! Pull up! Pull up! What in the name of...? I'll let him back, then, sir. Well, slow down, do you mean? All right, sir. Excuse me, sir. Are you the CO? Wait, I'm the only officer left. I'm Commander Wassell. I got eleven men three miles from here. Can you take them aboard? Certainly. What? What'd you say? Put them aboard anywhere. That's the best word I've heard since... Say, I wonder if your men could help you with my boys to the road. They're wounded. Wounded? They'll never stand the going old man over trees through rivers. I promise you these boys have got climbing hooks and web feet. They're American sailors. Sailors, eh? Bainbridge! Bainbridge! Take a lorry and pick up this officer's men. Yes, sir. Thanks. Thanks a billion. Not at all, old boy. All right, be in it. Get going. By the way, where are we going? There's a ship or two meeting us at Gillettejab. We're going to Australia. An hour later, we were hightailing it down that road with the rest of the convoy. All of us were in only one truck except Hoppy. He and three Martini were behind us in a jeep. Cory seemed a little worried. Every few minutes he'd asked Johnny if the jeep was still there. Hey, can you still see Hoppy? Yeah, he's all right, sir. He's back about six trucks. How come Hoppy gets a private jeep? Well, he shot up worse than you were, fella. What I want to know is how he gets the name. What's he got that I ate? A private jeep in the day? What's that?  Commander Wassel. Hey, Cory, that man on the motorcycle. Yeah? Commander Wassel. What is it? Chaps have broken through, sir. They're shelling the bridge at Gamble. Gamble? Well, that's just a hit. We're making a run for it, sir. The bridge is just beyond the village. Cross it at Pool Throttle. Okay. Hang on, boys. Cory got us safely across the bridge. Then he stopped the truck. He checked us over and then turned and looked back. What had just been a bridge was suddenly a gaping castle. Hoppy and three martini had not made it. Cory jumped from the truck and disappeared toward the edge of the castle. When he came back, he was alone. Somewhere on the other side, alive or dead, we had to leave him. Hoppy? What about the driver? Arise, we should be dead, too. That shelter was clear down the canyon. Nope. We'll be all right. Dr. Wassel will come back for us. He will not come back? Sure he will. Look. See what you mean? Couldn't come back if he wanted to. If you do not care? Yeah, somehow for a long time I knew I'd never leave Java. I make you forget that, Arkham. Listen, you. I'd trade you in a thousand like you for one handful of Arkansas dirt. But I could make a good split from my leg if I had some of that bamboo. I'd go get it. Look, there's something in jungle. Where? Down near bamboo in long grass. Japs. They take no prisoners, Hoppy. Not in jungle. They don't take us prisoners anyway. There was a Tommy gun in that jeep. Yes, Hoppy. Yes, here. Keep down. Yes.    Hey, look. I, uh, I didn't mean what I said about you and Arkansas. I don't care anything about not going back. So long as this is where you are, that's where I want to be. That made me so happy. Whatever happened, I am happy now. And a girl. All right, now the bandages. All right, pull them off. Go on, you're not hurting me. Your hand. They're so burned. Hoppy, try not to hurt them worse. I'll be careful, baby. Hoppy, I love her. Sure, kid. Mind if I kiss her? Oh, I don't mind, Hoppy. Hoppy, look. Look, they come. Yeah. Okay, baby. Here goes. Send for them. Message for you, Dr. Wassel. Rubble? They're going to stay here, Doctor. They can stand in the culley swamp. The Captain sends his regards. Soon says you're welcome to keep the lorry. Uh, what about your transport? You'll miss them if you fight here? I'm sorry to say the transport's running into a spot of bother. They're all at the bottom of the Jarvis Sea. Nothing got through except an old converted something. They're rather called the Jensen's. Any an old converted washed up would look good to us. She's refueling now at Gillette Chap. She'll sail immediately. You'd better hurry, sir. Sure, thank you, British, for what you've done first. Please tell your skipper that. I will, sir. We'll give these termites a useful show. Good luck. We saw no ship waiting for us when we reached the shattered wharf at Gillette Chap. Anyway, we got out of the truck. We had survived the run reasonably well. All except Anley. He started to hemorrhage, and while Corey was doing what he could for him, two men suddenly appeared out of the fog. One was Dirk Fundahl, Bettina's Dirk, and the other was a Dutch naval officer. Dr. Varsal, this is Captain Rick, the cruiser Jensen. Doctor. We're expecting to find your ship at the wharf, Captain. She's standing in the harbor, Doctor, waiting for a chance to slip out. But I want you to know it's murder to take your men aboard. We had a last ship evacuating Java. They will hunt us from the sea and from the sky. You refuse to take it? I simply insist that you understand the facts. All right, fellas, you heard what he said. Now you know what's ahead of us. If you want to go back, I'll go back with you. Doc, we joined the Navy to see the world. We've seen Java. The rest of you, what about it? I think we understand the facts, Captain. We're ready to go. I'll bring up the lunch. Hoist him carefully, Dirk. He's hurt bad. Andy. Hello, Dirk. Hang on to the side of that stretcher, Andy. Some things. Busted Dirk. Inside. I'll never make it. You better put me down. Andy, look up to the radio. Bettina's there. She's on this ship. Oh, yes. One of us has to take care of her, Andy. It's up to you now. You've got to get aboard that ship. Aren't you coming? Very expecting visitors. I'm on the reception committee. Don't tell Bettina.  I'll take care of her for you some way. Thank you. We huddled on the afterdeck as the Janssen slipped out of the harbor, hidden by the fog. We knew the Japs destroyers were waiting for us, that their planes hovered in the mists above us, and then at dawn, the fog lifted, and the danger struck. Zeroes. They came at us from three quarters, little silver pellets in the sky, peeling off and blazing a hailstorm of death across the decks of the Janssen. You! You! You! You! You! Hey, mister. Put those landbanks in the wind spirals, and the captain can't really need any help, doctor. We'll make out. The helmets are in the lifeboard lockers. Tell the captain what to buy. Gunning. Break out those helmets. My eyes are open. There you are, fellas. Crawling in those Easter bonnets. Dr. Walsall, one of the men in the Nordic's been hit. A doctor. Completely seriously. Okay, I'll be right there. It's Dr. Wayne. Oh, yeah. It's Dr. Waple, isn't it? Or was it Whistle? I haven't seen you since Madeleine was... Since her... Yeah, since we were all rather interested in Sneave. Film forceps, please, Bettina. Your wife, is she safe? Well, she was five minutes ago. You mean she's aboard? Bettina, go get Mrs. Wayne. Yes, doctor. My wife? What for? Because she's the best nurse west of China. And I sure could use another nurse right now. Mrs. Wayne, please. Mrs. Wayne. Of all people, I don't want my wife. Don't argue with me. Hold that. You sure fix yourself up good with that jab bullet. I'm Mrs. Wayne, nurse. What do you...? Oh, Ralph. Ralph? Oh, it's nothing, honey. Oh, doctor, is he badly hurt? Wait. You're not Mrs. Wayne? Of course I am. Well, you couldn't be. Or are you? Well, I guess you are. Well, that's just wonderful. Well, the nurse, what's the matter with you, Whistle? Well, I'm just glad to meet your wife, doctor. Yeah, so it appears. Is my husband badly hurt, doctor? No, no, of course not. I guess Madeleine got out of job ahead of us, huh? Madeleine? I know who he means. Yes, Madeleine.  She should be nice to anybody in there. What's that? Listen, those planes. They're different planes. Those aren't heroes. They're bombers. American jet! Autresses! Doctor! They are Americans! American planes! Autresses! A whole farm agent! They're saved! Saved! Saved. Thank God. They swept the in-angels all the way into port. In the excitement, everyone seemed to forget about Dr. Whistle. But the next day, I learned that they hadn't forgotten. He came to see me in the hospital. Well, Bill, it's happened. What's happened? The hanging. The admiral sent for me. I asked who was sitting in on the court-martial. They wouldn't tell me. Are they crazy? How can you be court-martialed? Well, for disobeying orders, for trying to get you and the boys out on the pagus that time and for accepting a thousand guilders, which I can't account for. Why not? I must have lost it somewhere along the way, Bill. That's a lot of money to lose. Yes, but we can testify. I can and the boys. We know what you did for us. Thanks, but it seems they're in a hurry and you fellows are here in the hospital. Well, that's all right with me. Lieutenant Commander Whistle reporting, sir. You're late, Dr. Whistle. Well, sir, this had no to take more than a minute. I'm guilty, all right. I went square against my orders. We just heard something on that subject. Direct from Washington. Washington? Yes, from the President of the United States. The President? But how do you know what... There's a chair, doctor, sitting in it. Yes, sir. Mr. Guinness? Sir, read your notes from the President's speech. Yes, sir. Referring to Dr. Whistle, the President said he first had to get the twelve men to the Seacoast fifty miles away. But they were only eleven. That's my fault. I reported twelve and keep quiet. Yes, sir. The men were suffering severely, but Dr. Whistle kept them alive by his skill and inspired them by his own courage. Does he know about the Thousand Guilders? As the official report said, Dr. Whistle was almost like a Christ-like shepherd devoted to his flock. On the Seacoast, he embarked the men on a little Dutch ship. They were bombed and machine gunned by waves of Japanese planes. A few days later, Dr. Whistle and his little flock of wounded men reached off straight and saved them. He had another surprise coming. When he left the Admiral's office, his right hand about shaken off, she was waiting for him in the hall. Madeline.  So proud. Madeline, I just don't know what to say. You could say you're happy to see me. I could, but that doesn't have to tell it. Would it help if I said that I love you? Madeline, it sure would. It sure would help. The next day, he came before the Admiral again. But this time, it was on the parade grounds. It seemed like most all of Australia was there, even us. They brought us from the hospital so we could see too. The Secretary of the Navy, Washington. The President of the United States takes pleasure in presenting the Navy Cross to Lieutenant Commander Gordon M. Whistle Medical Corps for service set forth in the following citation. Billy looks so thin and tired. Oh, it's nothing of being married to you won't help. He's in charge for personal safety and evacuating wounded of the U.S. Navy under his charge in Java in March 1942. For the President, Frank Knox, the Secretary of the Navy.  Congratulations. Thank you, sir. What's he doing now, you guys? Hey, what's he doing? The Admiral just hung one on the Navy Cross. And now what? They're shaking hands, Alabama. I sure wish you could see it. And how's he look? Hey, how's he look? Never mind. I know how he looks. He looks just fine. Gary Cooper, Barbara Britton, Carol Thurston, and Alan Hale come to the Footlights to receive our warmest thanks for their privilege. Thank you, Mr. DeMille. Your listeners picked a good play for Navy Day Week. Well, especially since part of the proceeds from the motion picture of Dr. Whistle go to the Navy Relief Fund, they've already received their first check for $50,000. I must say, CB, you're easier to work for on the Lux Radio Theater than you are on the Paramount Lot. Oh, you think I'm a hard taskmaster, huh? Well, after making the picture of Dr. Whistle, I can say you're a stickler for accuracy. Well, I feel the personal responsibility to make the story of Dr. Whistle as historically true as possible. Besides, Dr. Whistle was there watching me. How much of it is true, CB? Well, I'd say about 95 percent. Dr. Whistle himself says 98 percent, but I think he's been over the story so much he's begun to believe the extra 3 percent that I put in. Have you heard anything more about the fate of Hoppy, CB? Only that Hoppy is still alive, a prisoner of the Japanese. I'd like to meet Hoppy in real life when he gets back. You two should certainly get together when the war is over, Carol. If he's as nice as his mother, you'll like him. So you'd better be ready for that date. Just keep on using Lux Toilets, though. You don't have to worry about that, Mr. DeMille. Lux Toilets' soap is a standby in my dressing room. Good for you, Carol. And Barbara, I'm looking forward to seeing your new Paramount picture till we meet again. Thank you, Mr. DeMille. But I'm looking forward to hearing what you're going to have on Lux Radio Theater next Monday night. This week, we have an exciting and delightful comedy. The Paramount screen hit, Standing Ramonely. It's the most moving, fast-moving story of a young couple who find themselves very much in love and very much in difficulty. In the dizzy whirl of wartime Washington. And our stars are Paulette Goddard and Fred McMurray in their original screen roles. Well, it sounds like Standing Ramonely on Lux Radio Theater Monday night, CB. Good night. Good night. Good night. You get the Navy E for the night's performance. This week on Navy Day, October 27th, we salute the men of the United States Navy and the greatest fleet of fighting ships the world has ever known. And we salute, too, that gallant band of Navy nurses who are caring for the wounded on all battle fronts. The Navy needs more nurses. Women of 21 to 40 who have graduated from accredited schools of nursing. Let me urge all of you who can qualify to do so at the nearest office of Naval Officer Procurement. Our sponsors, the makers of Lux Toilet Soak, join me in inviting you to be with us again next Monday night when the Lux Radio Theater presents Fred McMurray and Paulette Goddard in Standing Ramonely. This is Cecil B. DeMille saying good night to you from Hollywood. Housewives, remember, wastepats and greases from your kitchen are urgently needed to help win the war and win it sooner. A drop wasted may mean a life wasted. No matter how burned or discolored they are, put your wastepats in a clean can and rush them to your butcher. He'll give you two red ration points, plus four cents for each pound. The story of Dr. Wassell was presented through the courtesy of Paramount Studios, producers of Our Hearts Were Young and Gay. Gary Cooper can currently be seen in International's Casanova Brown. Carol Thurston will shortly appear in the RKO picture, China Skies. Alan Hale can soon be seen in Warner Brothers' Hollywood Canteen, the feature picture in which many leading stars will generously appear for the benefit of the justly famous Hollywood Canteen. Heard in tonight's play were Oliver Thorndike, Carlton Caddell, Jacqueline DeWitt, Howard McNeer, Ernie Andrews, Ralph Montgomery, Tyler McVeigh, Stanley Ferrar, Norman Field, Charles Seal, Eddie Mar, Bill Martel, Charles Lung, Griff Barnett, Jerome Sheldon, George Nice, Eric Snowden and Marion Burns. Our music was directed by Louis Silver. This program is broadcast to our fighting forces overseas through cooperation with the Armed Forces Radio Service. And this is your announcer, John M. Kennedy, reminding you to tune in again next Monday night to hear Standing Room Only with Paulette Gardard and Fred McMurray.