some sort of metal stuff here they got a nice machine it's not working right so let's go see what they got going on never been here i need hearing protection work on this time put my tool bag here on one of the tractors let's see what we got going on here i guess it's just not one to work go figure right got a little bit of growth not too bad what i can see the water is kind of full i bet you we have something wrong with our probe a little bit of calcium and nastiness there let's get this thing there we go let's see what we're doing now i'd rather see rust any day over the nasty stuff it will affect the thickness probe as you can see we're overfilled here probes probably not doing its job got the old-fashioned traditional thickness sensor i think i'm gonna do let's see what our codes and stuff are here first this old machine generally comes down to just needing it cleaned they're punching out metal and stuff so if you recycle so you may not be able to hear me very well all right so we have an SL1 going multiple times not a little pattern usually just like one two or three or something like that but it's consistent we'll put it over here on this panel so let's see if we can find that safety limit see normally one flash or two flashes we don't have that it's kind of a weird one yeah neither of the normal ones that you normally would hear we can tell that we've got a lot of crud up in here that's a false false alarm it's got too much calcium in there that's gonna cause it to be equal on the water path it's gonna freeze right all right well let's kill power but in doubt reboot right water probe shows that it has water let's put that door back on so that you can do crap get a little iron in your diet but in clothes okay put it back to ice and see what it does here wait a minute we we got a last blank recoil so maybe it was just telling us that there's a problem it's been a while since I've worked on this thing this model all right let's watch how many blanks it's got when you turn it on and but it's about shot I think it was just one blank try out one more time one just one blank all right like I said it's been a while ice machines freeze time exceeded 60 minutes consecutively six times in a row not freezing we had plenty of water though what do we got here low water pressure high water pressure effective water pump system well if it never reached the probe or if they don't think it reached it that would cause it because the probe real quick by touching it too metal see if it just lights up yep so there's the probe see that get the probe in our hand see it showing up so it's obviously working biggest thing to run into sometimes on a dirty machine is it'll think that it's actually got stuff on it that'll uh ice water on it and it's make contact so and I've had that time before where just got to blow it out real good if there's any water up inside that after you cleaned it that it'll cause it to false alarm and prematurely go into harvest after the seven minute lockout fan looks like it's going a little slow the air filter I looked at earlier and it's a little dirty it's clean back to 17 so we'll get that cleaned up on it not the warmest air in the world let your discharge gas it's obviously not real super hot it might be low maybe not you got cold coming back to the compressor that fan really it looks like it's acting dumb it might be a fan cycle switch we only had a lot of those go bad it's got a pretty good breeze and it's just deceiving because there's not good lighting in here pretty warm I bet we're okay on refrigerant let's go ahead and get that filter cleaned out of there oh my do you see that looks like monster truck race is going on look at good breeze well we had a hose here this outside wall very it looks too bad we've got a good breeze pattern top left top right bottom left right top down left right outside down so all four corners got ice on it so we're pretty equally across it so the machine makes ice all we know now is that most likely it's dirty most problems with ice and seas is that it gets over time so it's not a waste of a bunch of time on letting it run and make ice worse go ahead and get it cleaned up we're going to trick it because it has ice pretty well build up on it like I showed earlier we're going to put that probe we unhooked it put it up against the ice it's going to have to make for 10 seconds and it's going to a harvest once that water shield there we go once the water shield opens up then it kicks out of the harvest it's got three and a half minutes for it to do that if it doesn't then it gives it like I think two strikes and then eventually it locks out three times actually like I said this control board was the first one I started with and it's just been forever since I've worked on it they're pretty much about all gone all right so this clean switch is stock it won't switch freeze to whatever five sixteenths screw up there all it is a generic rocker switch in there down here shorts one common to one or the other we're gonna see if we can blow it out or something to get it going we need to order a new one I can't get it to go into freeze or into cool which kind of makes it a little difficult to clean the machine try cleaning those before it never works we may just short it together one way or the other to make it run we got it out we sprayed it down with some liquid wrench over there it works pretty good now I'll still order a new switch but it's non-conductive it usually works I mean when it's this dusty in here it's gonna attract more but I can't clean the machine without jumping it and I don't want to hassle with it so if I can salvage it good enough to give you buy I will do that get all this lovely black crap out of here there's really no good place to force anything here because it's a factory a very dirty factory we'll have to do it in the bathroom unfortunately in a sink this hygienic place in the world it's better than what it looks like now so normally they use three ounces time they're anticipating people actually take care of the machine before it breaks and I mean the schedule which nobody usually does unless they're managed early force to we're on a half a bottle which is about eight ounces that'll just barely get it done even then we'll still have to scrub we'll use the remainder in the pan there and then we'll scrub with that to get the last remaining stuff out of here I'm not gonna be overly concerned with all the rock and calcium and all that stuff uh this employee I just want it to be healthy safe going on in this way uh beauty contest isn't gonna happen in a place like this uh it's gonna get blasted uh all right so this is probably one of the most interesting places I've ever had to clean my ice machine that but it's healthy and nasty but we'll try to get her as clean as we can be sure to run a little extra sanitizing solution through it to kind of kill any bathroom gunk that might have got in there uh you know what are you supposed to do buddy what are you supposed to do so let's go ahead and get busy on this thing I'm not going to show you how to scrub you guys probably have figured that out right now but yeah let's get this gunk out of there that cleaned up pretty good and that cleaned up pretty good not bad for bathroom stall clean job see if we can get this last bit of crud here done pop this turkey out they ain't gonna have that nasty mold crap behind her like normal a lot of this this is just gonna float right back down because like I said I mean you got you're an industrial application here uh they're cutting metal over there stamping it out a little everything they don't really have a break room so there's not a kitchen area I mean this is closest thing you got to a break room so there's no kitchen sink or anything like that at least not that I know I've never been here before and no one showed it to me so I'm not going to wonder around too awful much see if we can get this uh nasty thing out of there and get that cleaned up usually gets hung up on something here there you go that's the kind of dirt we got in the back from the side so pull that little turkey apart there we go wonderful let that soak I'm gonna let this soak just let that uh it's tight spots see if we can get the build up off of it now like I said I usually have to blow this thing out with nitrogen afterwards because the water usually doesn't get deep up inside there and it'll cause it to think that it's touching ice and it'll false alarm out so I've tried blowing it out by hand and that don't work so literally I got to blast it out with nitrogen usually try to use my blower from my uh Milwaukee what have you so we'll let that soak let's get the rest of this stuff apart I think I'm gonna rename this the hot lizard or the less than pretty woman so it's actually the bathroom scene up that's why I'm gonna call it a hot lizard they're kind of like a truck driver special because we's actually able to get all this stuff cleaned up and in the part that I'm working in I'm pretty impressed with the result for what I had to work with the environment I had to clean it up so the most part is going on good it's going to get really dirty after work that's not my problem what it looks like when I got done so we've got it all cleaned up we're going to get it back together let's see if things make ice now I think honestly it comes down to filthiness uh generally 90% of the calls up there are filthiness very few are actually going to be a control board failure uh then the left those parts really is uh just you know the control boards are bad I mean that's even the back of the thing that their control boards usually don't feel very often both the time for water related more the refrigerated related so like with that you know we had a switch here the squat we had a fan evaporator plate we had water different tubes and it's completely nasty we've got all that cleaned up we've got the plate descaled the plate you know when it has that steel on it like sandpaper onto paint it won't work good the same thing here it's not going to let the ice fall off it's all in the long harvest you know all this cleaned up up underneath there looks pretty good we don't have any contaminants in the air like uh traditional kitchen areas and stuff so it's pretty good so let's get it back together and see what we get let's go ahead and turn on ice we did go ahead and blow out the sensors make sure there's no water up in there come over here to the um LEDs you can see that we don't have any LEDs for the waterproof form the ice which is good we're gonna go ahead and put it on um ice mode it looks to me like it's starting to fill I don't believe this thing has a water filter or it was starting to fill that's nice what do we got here we got a pop hose there and water line comes over to here and you wonder why the water is not that great it comes over to here to that which comes from the same bathroom water we were just using to clean so it does not appear that we have us a water filter on it that's optional obviously there we go good strong stream the way everything else looks that would be probably just more of a hassle to have to replace the water filter honestly their water here seems like it's halfway decent it's not near as bad as the city that I work in a couple of the other cities so it seems that they might have a little bit better water treatment system here so anyhow got that let's go ahead and see what it does and how long it takes to freeze down I'll start my stop walk soon as the water pump comes on and should have ice somewhere between 10 to 15 minutes on average I went out to the truck to fill out my paperwork got all the information that it could be a tablet looks like we're just about out of water there and we are in a harvest right now which would cause the system to go for a long freeze unfortunately I didn't get to time it to see how fast it can harvest if it is low on refrigerant harvest is where it's going to fail at but let's take a look here and see hopefully it drops before that time up usually I can reach back behind here see if I can feel it releasing it does not feel like it's releasing between the plate and the ice I just turned around to grab a gauge and it dropped it looks like we have ice all right well let's make another batch here let's time it this time and we'll watch and see where that's at we may need to make a little thinner possibly all right so I think I just heard my first click we should be probably going into harvest about now probes just barely touching we're gonna make a quick adjustment we didn't finally get a tablet here at the company well a year ago and finally just got it passed out so now I've got a way to check my temperatures and pressures a little easier let's go ahead and do a quick adjustment just adjust that thickness sensor and we made a quick adjustment it's lit up should be about 10 seconds should go into harvest watching our suction pressure there we're rolling up into the 90 plus area which generally is a good sign uh best compressor superheat and you gotta watch the subcooling you can't really necessarily go with that because there's a dc for here or a subcooler in the back of this machine they tie the suction and liquid together I don't know where you're at but it's pretty good that was a minute 28 seconds so as long as the thickness of the bridge thicknesses are good but your bridge thickness is right there between the cubes that little spot right there is an eighth of an inch we're looking good you can also go by your probe setting you can set you know the basis point you get started but looking pretty good so far usually that pressure switch comes on I believe about 230ish which it's running right now it's cooling it down to about 90 area so it might be a little out of whack 235 I thought was the setting for it we'll watch out a little bit kind of see where we're at really hard to get to but it does appear that we're getting in the right right area there like I said usually when you start hearing the crackle of the plate you're probably going just a touch too far when that's doing is it's expanding to the point where it's going to start shifting your uh nickel coated evaporator there and you can crack that thing loose and then next thing you know you've got the little slats falling out and you've ruined your evaporator so I really don't like hearing that once that's done generally I mean it can run without a few of the slats but you're on the edge of nowhere you're going good so it's uh it'll be ready for replacement for long got the water probes full you'll have some flashing there on the uh ice probe that's pretty normal it's when it has to stay when it stays there for 10 seconds that's when you know you're going to lock into the harvest otherwise don't get too excited if it's just flanking ever now and again well guys that's going to wrap this thing up it's working good just how to run a couple more rows of operation to make sure everything was working the machine was dirty it's in a really bad environment I told them that it'd be best if they could box this area in to keep the dust out uh you know additive water filter it wouldn't be a bad idea other than that for the most part for the age of it it's working really good you guys enjoyed the video and you want to see more like it make sure you hit that subscribe button click the notification check me out on instagram and facebook and until next time we'll catch you guys on the next one later


Welcome to The Journey. Today, we're talking about 10 Instagram story ideas that you can use to help gain more followers. Think of Instagram, you think of that polish, curated content, that perfect feed. Totally, but luckily with Instagram stories, I say luckily because I love to just like throw out some content. Don't overthink it. Instagram stories allows for you to do that. It's less polished, it's less meticulous, and it's what we like to say a little bit more raw and authentic. And if you haven't posted because maybe you're just, you don't know what to post, here are 10 Instagram story ideas that you can use to help engage with your customers more. Tip number one, behind the scenes. I love this and for all types of businesses, I even saw a roofing company, yes a roofing company do an excellent job on Instagram stories with their behind the scenes. So they're traveling to Charleston to put some roofs on some houses and they even documented like in the morning where they went to breakfast as a team so that behind the scenes and then they even showed the house that they'd be working on, the workers wall on the roof, and last but not least, they had a drone where they documented a lot of the roofing. So they even did it like step by step how to use the drone. They totally rad behind the scenes and it brought that roofing company and their job to life on Instagram, thanks to Instagram stories. Yeah, there's millions of people that watch Kylie Jenner per se eat cereal and what cereal she's eating, but basically they just want to see that behind the scenes footage. It makes them feel included and it shows off the company in a more unique way. Totally, or maybe it's like your favorite coffee shop where you only spend a little bit of time with them each day just to get that cup of coffee, but it's amazing what your customers want to see. They actually want to see how you've made that latte, have it come in together, pulling the shots of espresso, maybe doing some latte or like a bakery. Or a bakery. Do we make this? Yes, I would watch that. I would watch that too, or maybe like your local skate shop, like when you think about a skate shop and you think about the boards they're selling, that's just polished curated content, but how about putting some grip tape on the board or putting together a whole skateboard, like let me see the behind the scenes and then maybe when you're out shredding in Venice at the skate park, that'd be cool too. Our next idea is showcase some fun events. So say you're having a grand opening or you know some type of a local festival, you have a booth, these are really great ideas of things you can help showcase for people who can't be there. Yeah, or I noticed one of my favorite restaurants in San Diego, they actually are part of the farmers market every week, so they do that with their Instagram stories to show like, hey we're out here, come by, stop by our booth. Yeah, and your followers may not even know that they go to the local, you know, farmers market. That's a great way to help get the word out about that. Another tip, show the production process. How did this come together? Whether that's something, as like mentioned before, the bakery, or even I saw a dealership, car dealership, where they showed a new truck that was, you know, out on the lot and they went through each of the features that it had. So the guy took you through, opened the door, showed you like the new interior and the way the layout is. So whatever it is, a product, a service that you offer at your business, how can you turn this into a production process? I love watching like artists do time-lapse at their work and you're like, how did you do this? That's so cool. I would watch that for hours. Yeah, and we like things to be fast, right? We can blame technology for that. So our attention spans, they're shorter.  Take a video of that and do the time-lapse. So it's do-do-do-do-do. All of a sudden, it's there. Do I want to watch you put up a fence for hours? No, but do I want to watch a time-lapse of it? Absolutely. Absolutely. Another tip and best practice in corporate, sneak peeks. I love sneak peeks. One of my favorite clothing brands, Aviator Nation, they are opening another location in a new city and so they did a little sneak peek from the outside, what looks like they even did a little bit of the painting inside to get the store ready and then some of their new hot items, clothing items that they're gonna have, but you didn't get to like see the whole new line. You didn't get to see the whole new property that they bought in Florida. You just got to get a little sample. Yeah, you can have a lot of fun with that.  Exactly, because then they don't know exactly what it's going to be, but you're helping build that hype and build that excitement around it. Yeah, you're not seeing the jewelry on someone where you really envision, it's like, oh, just a little angle of it. I wonder how that looks. You can even say, guess what our upcoming newest product is gonna be. That's actually another tip. I was just thinking, I know there's another one that I love that's really engaging. It's when the business asks questions. It might be, let's do ice cream, because I had ice cream recently. What's your favorite flavor on our menu and then what flavor would you like to see? And let them do the creative work and then you whip up that recipe of something that they mint lavender, I don't know, something wild. And Emma, that leads right into our next idea. Pull the people. So we can put a little pull up. It's so much fun. Like, hey, which one of these products do you like better? Do you like the red shirt or do you like the blue shirt? Up to you. Our next tip, leverage your employees. We do that actually at GoDaddy, the GoDaddy Life account on Instagram. So they'll do every Wednesday, an Instagram story dedicated to an employee here at GoDaddy. And they get to tell kind of like a day in the life of what they do, starting from their mornings to what they do at work. Maybe they're friends that they hang out with to decompress. It's awesome. Even as a GoDaddy employee, I still get really interested in watching those because I want to know what the other offices look like. It gives you that inside look at what other roles do, which I have no idea about. I've totally done that, especially because I work from home for GoDaddy. So it's kind of like a way for me to be like, oh, this is what my teammates are doing in Austin, or this is what the office is like in Arizona. So I get to kind of get a sense of even the local area, because they'll take you like, oh, this is where I run before work. The next thing you can do is feature your followers. This is a really great way to get some of that user-generated content, plus it's super easy. So if someone actually tags you in their story, you can just share this to your story. We both love doing that. Love it. It is effortless and great. Yeah, and it saves you time, right? But be sure to ask permission. I was actually getting ready to book a hotel. One of my favorite hotels, the Lion Hotel. They're in Kreatown, Austin, and DC. But one thing that I love about their Instagram is they do a lot of user-generated content. So fortunately, their guests take pictures while they're there. They tag the Lion Hotel, and it makes it really easy for the Lion Hotel to then get user-generated content. Also, I noticed even when there was this cool picture, they have this great pool in Austin, and it was a bunch of little kiddos running around, and the mom took a picture of her kids while they're there. Well, I saw in the comments from the Lion Hotel, like, hey, would it be all right if we shared this to our Instagram page? And of course, she was, like, probably stoked, right? They have a ton of followers. It's like, yeah, that's great. And then they reshared it, user-generated content, and it's showcasing their followers, their guests. Our next tip is cross-promote. So if you just came up with a great new YouTube video or if you have something on TikTok, you know, you're really up with all the trends, like Nealey or Facebook posts. I mean, all of that, you can link from your Instagram if you put a link in your bio, or really there's a lot of different options to help get more exposure on those other platforms. Yeah, diversify your audience, right? And I know with Instagram, I get asked about this a lot, like, how many followers do you need to actually have to swipe up? So you always have to say link in bio, and it's 10,000 followers. So get out there, find creative ways to gain followers so you can do that. Yeah, get those 10,000 followers, and then you'll be in that elite status. Swipe up. Swipe up to shop. Last tip, experiment. Have fun with this. I mean, it's disappearing content after all, which is why it's so appealing. It's gone in 24 hours. And what's also cool about when you go and experiment with Instagram stories is it doesn't have to be so cohesive. It doesn't have to be this clear storyline, right? So have fun with it. Remember to experiment. Get creative. It's going to disappear. And if you want it to be a little bit more cohesive, you do have the option to highlight it to certain stories. So you have a new product launch and you want to make sure that all of that is in one story highlighted together. You can definitely do that. Plus, Instagram is always coming up with new widgets and new things you can do with stories. So be flexible and try them out. And that's a good thing about highlights too, because there is sometimes there's that story that you don't want to disappear. Like you said, like maybe a new launch of a product or a service or a line of clothing. Put that in your highlights. I saw this recently with the salon that I go to in San Diego. They do highlights of the stylist. But yes, you have like Ali, for example, the stylist. She's known for the balayage. Easton is known for just some pretty awesome haircuts specifically with long hair. So it's just a great way to highlight their staff and stylist. And it's great because if you miss the story, I know before I've looked at a businesses page, you see the end of the story and you're like, wait, hold on, I actually really wanted to see that. Yeah. And then you can look at their highlighted stories and it's all laid out there for you. So you just learned 10 Instagram story ideas that you can use to gain more followers. Be sure to like this video and comment down below. Let us know what your favorite Instagram story strategy is. Yeah, and ring that bell to be the first to know when our next video comes out and be sure to subscribe. This is The Journey.


Hello in this lecture we will work on journalizing transactions right here We're gonna journalize those transactions here and then we're gonna post them to three different places one being the quick post to The trial balance and this entry section so we can see the activity in a quick and easy way and see what the effect Is on the trial balance then we're also going to post it to the subsidiary ledger So these are going to affect accounts receivable much of the time and accounts receivable is Representing what is owed to us and therefore we also need to know who owes us the money So we're gonna start recording that to the subsidiary ledger, which will be in order by Client or customer in this case and then we're also going to record it to the general ledger So we want to see all of the type of activity that would happen when we're recording these transactions Focusing on the accounts receivable cycle So we're gonna see the quick reaction here to the trial balance directly analyze that Then recognize the fact that we do want to sort this by Customer in this case and that would be done through the accounts receivable subsidiary ledger And then of course we have the general ledger and we're only including the general ledger here for the accounts receivable account So we're not going to record Every general ledger account of course every other account here would have a general ledger account But we're focusing in on accounts receivable and therefore we're just going to record the general ledger account for receivable to distinction to have a distinction between that and The subsidiary ledger here. So of course we have our trial balance right here and that's gonna have our assets They're gonna be in green We've got our yellow or orange or our liabilities the equity count in the light blue and then we got the revenue And the expenses on the bottom We know that we are in balance because the debits minus the credits equal zero and we're gonna point post our activity here We also can see that net income is here This is actually income not a loss because it's the revenue less the expenses and there we have the income here And then of course we have our accounting equation up here where the assets are the green ones and then the liabilities Notice, there's no negative sign here because we flip the sign and then all of this is the equity That's the equity all right So now let's record these out so the first one says perform work on account and invoice the client and the client is Smith in this case So we got 35,000 we did work. We invoice the client So is cash affected in this case? No, because we did the work on account and we sent out an invoice did not yet get the cash Therefore we did get something we got an IOU that IOU being accounts receivable So we're gonna say accounts receivables what we have received in this transaction And that is an asset account.  How do we make something go up? We do the same thing to it as what it is which in this case would be another debit So I'm gonna debit the accounts if I'm gonna copy that right click copy one two copy And then I'm gonna put my cursor in C5 and then right click and paste it one two three So we're placing just the values not the formulas just the values here We'll keep the cells looking like they are in that blue color and then we're gonna put the amount 35,000 Every debit is gonna have an equal number of credits for every transactions We're gonna have at least two accounts So we're gonna have a credit here We will be representing the credits with negative numbers or bracketed numbers in the Excel worksheet So we're gonna type negative 35,000 and I'm gonna hit enter and of course it'll format that cell for us with brackets because of Formatting of the worksheet then we just need to know what this Account should be and why are people gonna pay us 35,000 because we did work and earned Revenue and we could call this depending on the type of company revenue. We could call it incomes We could call it sales. We could call it fees earned It just depends on the type of company But it is going to be a revenue type account and of course it'll be down here in the revenue area I mean it's under the capital section on the Trial balance. I'm gonna copy that right-click copy that We're gonna paste that on the bottom credits traditionally go on the bottoms We are in cell C6 right-click and paste one two three So I'm gonna post this now to basically three different places I'm gonna post it here to the trial balance We can see a quick easy beginning and end at trial balance Then we'll post it to the subsidiary ledger at least the receivable side of it And then we will post the receivable side of it to the general ledger So let's do that now. We're gonna say the receivable is here. So right here's the receivable. It's the second account So we are in I6 and say equals and then we're gonna point to that 35 Thousand what's gonna happen? We'll go up here. We'll go out of bounds by the 35,000 So the 35 represents that customers over 35 and now we are out of bounds by the 35 We will then post of a revenue in I 14 So I 14 equals I'm gonna point to that 35,000 credit What will happen the credit will go up in the credit direction because we're doing the same thing to it We'll be back in balance net income is gonna go up from the transaction So we're recording revenue revenue is being recorded when we did the work not Necessarily when we get the money because we haven't got any money yet So now we're gonna record that same accounts receivable to the subsidiary ledger here So we need to record it by customer why because oftentimes when we look at the trial balance We're gonna say who owes us money or how much do people owe us people owe us 35,000 the next question We're gonna have is well when are we gonna get that money and who owes it to us? Let's call those people and to do that. We're gonna need to know the subsidiary ledger by The account receivable by customer using the subsidiary ledger. So here we have Smith We're just gonna record that same debit side to this account here in the subsidiary ledger I'm gonna say equals and that's gonna point to that 35,000 again Now try to also we're gonna have this stuff in the general ledger So I'm not gonna post the entire general ledger out, but just to recognize that there is a difference We're talking about something different in the subsidiary ledger than what we have seen in the general ledger The general ledger would be posting transactions in order By date or the order of the transaction. So we can post the same thing in the AR subsidiary on general ledger So we could say that this equals that same 35,000 and we see that the 35,000 in this section It's gonna be the same information that will be recorded here It's just that it'll be recorded slightly differently read here. It's only recorded by date right here. It's recorded by Customer and of course the end of it. We have the 35 here 35 is what's adds up all the customers that ties out to the trial balance All right next transaction We're gonna scroll over here and we're gonna say that's received cash on account from client Smith for work performed in the past So now Smith paid us this 35,000 so that would be the natural transaction that would happen Hopefully sometime in the future. We'd get a check in the mail. Therefore. We're gonna ask her questions Is cash affected? Yeah, we received money. We got cash cash has a debit balance We need to make it go up. How do we make something go up? We do the same thing to it which in this case would be another debit. So I'm gonna copy the cash We're gonna put that in cell C8. So I'm gonna right-click and put that in C8 and How much did we receive? 35,000 because that's that's what we billed them for 35,000 and so we're gonna credit the same amount So there's gonna be equal number of debits and credits and then we're gonna say well and Why did they pay us 35,000 because we did work but we did work in the past So we're not gonna credit the receivable account We already did the work in the past. They owe us of course the 35,000 that we put right in the receivable Now they paid us that they no longer owe us that therefore that 35,000 debit there needs to go down How do we make something go down? We do the opposite thing to it as what it is That's a debit therefore. We need to credit it to make it go down We already knew that because we debited cash. So that's where the credit's gonna go It's gonna make it receivable go back down to zero. So I'm gonna copy that I'm gonna paste it in C9 right-click and paste one two three values only in C9 Recognize what is happening here. We're just getting a better asset cash And we're losing the worser asset the accounts receivable. I know that may not be a word But it sounds good. So they've receivables going down cash is going up and No effect on revenue for this transaction. So let's post it out and see what happens We're gonna go up here to I five I five Equals and we're gonna point to that 35,000. What's gonna happen cash will go up by 35,000 because the debit and debit Makes a debit go up in the debit direction to 603,000 then accounts receivable there's something in it here I can see it in the formula bar. Well, of course D5 is in there That's the D5 here in order to post to it. I'm gonna double click on it Go to the end of it and say plus and then point to this 35,000 here and now we see there's two things in there There's the 35 debit the 35 credit ones a positive ones a negative ones a debit ones a credit That's gonna make it go down to zero again. So even though we have a zero there We can see what's in there and I like to use these icons to point to them And we can see okay that makes sense it went up and went down and if you want to know where those icons are they are in the formulas tab and they are in the formulas auditing and here they are here So then I can turn them off with this thing here. Alright, so we're gonna also post those out to the subsidiary ledger and So we're gonna say no one owes us any money right now Therefore we have to reflect that in the subsidiary ledger meaning Smith doesn't owe us any money anymore So we're gonna post that same activity in M10 So this equals the 35,000 and that means Smith no longer owes us So this would be the normal activity within a receivable account Of course it goes up and then hopefully they pay as it goes down. We invoice them. We got a check in the mail That's what should it should look like if we just look at that in the general ledger We'll post the same activity the general ledger again We're not gonna post all the accounts of course to the general ledger We would be posting both the general ledger cash and receivable in Real life we're doing the full problem But we're just looking at the receivable the accounts receivable GL account general ledger account and we are in the credit size We can say this equals that same credit the same activity By date so we don't know who necessarily by this 35 by this general ledger account But we can see that it went up when it went down We could probably make a safe bet that that's the same client and it may not be of course right next to each other in This activity we could have other sales involved, but that's the type of activity We expect to see in the receivable account much of the time So now of course we have zero here the subsidiary ledger adds up to zero and that's what's on the trial balance as well Next one perform work on account and invoice the client atoms. Alright, so we're gonna do work on account So is cash affected or we did work on account is cash affected and Answered no because we did it were on account and we issued an invoice when we issue an invoice That's because we did work and therefore we earned Revenue and we have received we believe we've received the intangible asset of an IOU called Accounts receivable so accounts receivables an asset has a debit balance just like cash It needs to go up because people owe us more money. How do we make it go up? We do the same thing to it which in this case would be another debit So we're gonna copy the receivable and right-click copy that gonna put that in c11 right-click and paste it 123 the amount being for 14,000 in this case if we debit something


Where a photic sea does deny, reflections of azanthus sky, and black stars rain without ascent, echoes of what was never meant. A city built in unknown times, upon the bones of countless crimes, stranger yet is found within, the chaos court of strife and sin.  Our Lord does ride the top his throne, before his glory we atone. With this our blood it is to hang kings, so shall we suffocate upon his puppet strings. Preface, I write to you, dearest reader, from a certain bibliotheco-nexus. I have bartered with the shades and expect my latest travelogue to, piece by piece, reach the infinite worlds. They know of the dark corners, the secret places and janna stores, and wish to deliver my folios. I bleed words and have obliterated myself upon these pages, for your entertainment and enlightenment. A windsman in the court of the hanged king. I remember the rich aroma of decaying flowers, as it struggled against a sharp metallic scent for supremacy, neither linking odor able to disperse the other. Felt within my talons with a flesh-bound grimoire, the ill-tipbered tone biting my hand at its first opportunity. I felt acquainted with its content, as if having finished reading but moments before, and returned a spiteful book to its shelf. In retrospect, I am unable to recall a single word of it. They are developed an itch about my left eye, instinctively trying to soothe the irritation with a scratch. My talons sliding across a polished surface. A porcelain mask, seemingly unremovable, disguised my features. I caught in frustration the grievous itch beyond reach. A tall, iconical entity wagged diverse appendages and trumpeted a shush. The frimlicul frimimim, of frim, was right to be bothered as I was, after all, within a library. Bowing my head apologetically, I took my leave, the aptly named Athenium of severed tongues, eager to explore. I arrived to the Hall of Mercurial Virtue with anomalous speed, unaware of what occurred between the here and there. Such was the nature of Alagata, the restraints of time and space being mere suggestion, not law. Even as an experienced wanderer, I too succumbed to the city's dreamlike malaise. The Hall of Mercurial Virtue blurred the line between the beautiful and grotesque. Pilgrims and emperors, gods and monsters, entities from all possible realities playing their role in the eternal masquerade. Driven by ambition as black as the stars above, most sought a boon from the Hanged King himself. My talents clicked together, my mind overstimulated by the grand chamber and its curious inhabitants. A decadent display of insidious glamour, Alagata was hardly the dismal realm initially anticipated. A moniker, such as the Hanged King, conjured forth images of death and decay, desolation and despair, not reverally. My eyes contained sixteen spectral receptors, and yet I only observed red, white, black and yellow. The color scheme unexpectedly limited. Stranger still was the persistent taste of purple, near hidden beneath the reek of lust sweat and sweet meats. I tried to ignore the perplexing glare of anarchy and watched from a corner, relatively speaking Alagata, the epitome of non-Euclidean architecture. Certain observations are simply too salacious for me to put to writing, however when considering the infinite orgy, one may simply allow their imagination to run wild. Whatever you could possibly conceive, you'll find it within the Hall of Mercurial Virtue. Suffice to say, expect to see a diverse array of shame organs, usually entangled with other shame organs, which brings me to my first observance. A flesh-shaper of aditum, their pale-mask asymmetric, fondled of blood-vestoral adeva with hand and tentacle, the two whispering terrible secrets into each other's ears. Their auras revealed a history intertwined, their copulation practically incestuous from my perspective. My revulsion glanned nearly full, I saw something more palatable to my senses. A centaureal dream-smith of Enroy, bargained with the deathless merchant of London, the one closest to real having the apparent upper hand. The merchant spat legal jargon, majorly articulating his terms of agreement. I detected no past or future for the dream-smith, though an ephemeral existence is challenging to read. In contrast, the merchant cast a long shadow, where dead souls accumulated appointed accusatory fingers. A trio of godlings, entity so often thought to be an opposition, mocked their mortal faithful, their barbed-tongue spinning venom and condescension. The three consisted of a horned tyrant apanthus, a bedroom sprite of Xenolokthusi, and a higher-arch cherub of Eldonai. Betwixt to godlings resided in altar, carved with symbols that twisted and blurred and ceased. A chitinous servitor delivered a hatchling to the shrine, as one might deliver a meal. With dagger raised, the retainer chanted words that escaped translation. I averted my gaze, unwilling to watch their mortal strike. I heard the blade enter the flesh and the spill of blood. The servant removed the ghastly corpse and surrendered a curtsy before vanishing in a blink. Dinner had been served, and the cult of wars appeared satisfied, feasting upon not the victim, but rather the symbolism of the atrocity. The symbols I remind myself have power to such creatures. Casting my eyes skyward, I beheld the legendary masked lords of Alegata. The white lord, wearer of the digilant mask, a porcelain-guide with eyes narrow, the mouth little more than a flat line. The yellow lord, wearer of the odious mask, a porcelain-guide with brow furrowed, the lips curled into a hateful sneer. The red lord, wearer of the mirthful mask, a porcelain-guide with eyes wide and manic, a smile card from cheek to cheek. I saw no sign of the black lord, wearer of the anguished mask. This came as no surprise, they supposedly exiled to some forgotten backwater of dimension. It is written that the cause had been political in nature, the pacific unknown. It is difficult to imagine the court intrigue of such a place. My feathers raised with a sudden shudder, dread began its coil, transforming the music of my dual hearts to dissonance. A stranger, light and sable, made their oculent entrance. Accompanied by a coterie of harlequin psychopaths and paper guards, they wore no mask, their faceless visage and aberration among the masquerade. My hope grew dim in the presence of the ambassador of Alegata. Their title was a misnomer. The designation unable to encompass the totality of their power and prestige. The ambassador of Alegata was the voice of the Hain King. Their will made manifest, and to whom even the masked lords bowed their marionette heads. I chose the better part of valor, and made a casual retreat. The palace was elaborate, bereft of rhyme or reason. Drunk were the gods of physics, above and below without meaning, twisted by the pandemonium city. I encountered myself several times, always located at some unapproachable location, iterations of my past and future self. My attire was red, yellow, white, black, and utterly garish. I apparently having more concern with the enforcement of Alegata in fashion than the entanglement of time, and then a burgeoning terror, an unseen threat closing fast. There existed a void where a memory should have been, unaware of my arrival. Make it in my ignorance, I shivered as the chill gloom embraced me. The wind took pity and sung its sorrow song, as it diminished it whispered onto me a warning, in here is a tragedy. I beheld Alegata's shadow, an amalgamation of rust, rot, and misery, a dead city at the end of all things. Wandering its empty streets, I stepped over tattered batters and broken glass. Dust gave chase, granted life through my careless meanderings. The palace had come to ruin, its one-splitted gates torn from their hinges. The hall of material virtue was lifeless, a tomb for want and vanity, in the room's center was a gaping hole, no, not simply a hole, more an affected wound, a viscous-ickered gush from the aperture, an amber-colored substance imbued with the sixth scent of failed creation. I entered the wound, crawling into the bowels of Alegata. I know not what overcame me, never intending to come this far. Was I to play this role from the beginning? From where I now reside, I can look back and see the puppet strings. I remember only little of my descent, just a singular desire to find what hid beneath. I was a scholar, an explorer, and would play my part well. The broken rules of time and space again summon me elsewhere. A windowless room of humble stone, cloaked in a layer of sepia fog and bereft the opulence so common to Alegata. I sensed no name among its shrouded corridors, sickly vapors slittered around me, saturated with the scent of ripened books. At the far wall was an ascending spiral staircase, its steps crude and uneven, comparatively primitive to the city above or below I could not know. And still, to the boredom of my readers I advanced, faced the banality of more stairs. I felt as if I was the fabled zithius, retainer of the fungal crown who quested through the sloth of three million inconveniences. One step, then another, all fairly straightforward. As I neared the bottom I began to hear whispers, spoken in a tongue I could not understand. Clashay? It this were the work of fiction perhaps, but know that chaos words represent the universal warning for having ventured too far. Consult other world laws and universal constants to learn more. One step, then another, and I felt my soul burst into flames, emulating the ego and casting the psychic aftermath into the wind of cinders. Around and around my fragments twirled, pulled by gravity as something incalculably vast, I was, as thought, a fugitive sentiment before an ancient intelligence. Here among the dreaming dead I have ash, embers, and burning feathers, drifting through the firmament, carried by wind as if my wings were not vestigial. On the land I am anchored, by murderous gravity, I am reformed, only to be torn apart. Again and again, every trace recycled reminders of who I used to be. I became blood, on the hands of criminals, I became the noose around my own throat. From death I am become one step closer to real. From within the center of chaos my fragments felt the vibrations of a great scream, a living emanation of mad anguish. Matter and form grew enamored and gathered around the existential wound. Neither sacred or profane, the hanged king took shape. The shards of my ego become in one with the walls of its throne room and dungeon. The veiled entity, affixiated by a noose of thorns, writhed upon its throne, bound in place by shackles, hooks, and spears. They are unmoved by the cosmic scream, stood the ambassador of Aligata. Although dwarfed by the hanged king, the two were of a similar countenance, a resemblance not shared with denizens of their kingdom. The hanged king lunged at his tormentor, more primal than regal, their faces a mere breath apart. The ambassador, callous and calm, lifted the veil with an ebb and hand. Instead of a face I beheld a visage of nihility, a god-shaped hole. All was void. It came in a familiar aroma, a hint of vanilla, a drop of citrus, and a fixative of mold and mustiness. I opened my eyes and saw a lantern aglow with spectral fire, shelves overflowing with tone both eldrick and mundane. I dipped a finger into a clay jar to my left, swirling the contents within. Satisfied, I withdrew a now ink-soaked claw, placed it upon a scroll of parchment, and began to transcribe my experience from memory. Take us the wayward, Winesman of Coolmonus, Walker of the Astral Plain, Sailor of the Celestial Sea, and Spelunker of the Dimensional Depths.


Appalachian Wireless has some of the best data rates in wireless on our plans, and not to mention an amazing deal on one of our hottest smartphones, but that's all the time I have to explain. See store for details. Better service, bigger savings. That's today's Appalachian Wireless. Hey Billy, days has always been a celebration of our culture here in Appalachia and what better way to showcase that culture than with a former minor turned artist who after 30 years of working in the mines took a hobby and forged a new career. I worked on strip jobs my whole life since I was 18. Got laid off, which this was my hobby and it's turning into a business now and I really love doing it, making knives and tools and it's something I probably should have always been doing just got started late. Chuck says he enjoys the new job and says that time passes a lot easier making knives than it did mining coal. It flies by. A day at the mine seems like three days long and when I'm doing this, the day goes by and I don't even know where it went. It's a lot of fun. It's therapeutic for me. The Bull's Edge knives have been getting a tremendous reception, earning a lot of praise from those who appreciate the craftsmanship. They're just awestruck, especially the ones that appreciate what goes into them. They really love how the metal feels and looks. They can see the hammer marks in it. They know that I've sweated and took time to make them and they really appreciate it. How does that make you feel? Great.  For more information on Bull's Edge or how you can get one of Chuck Lowe's knives, you can follow him on Facebook. Reporting from Hillbilly Days, I'm Jackson Ladder for EKB News.


With that, let me say how great it is to be back on Prince Edward Island, how great it was to be able to spend a little time with some kids and to meet some amazing parents and teachers who are so key to building the kind of community and the kind of future we need in this country. We're here at the Island Montessori Academy in Cornwall to announce investments that will deliver real results for families on PEI and help make life more affordable. We are here today to improve the access to care services for families on Prince Edward Island and to improve the working conditions for employees in rural areas. Back to school season is very exciting, but it can also cause a lot of financial stress. Parents often spend hundreds of dollars on school supplies during this time of year, and our government remains focused on making life more affordable for Canadians, which will be our top priority during our cabinet retreat this week. Last Friday, payments for the Canada Child Benefit went out. In July, the maximum amounts for low-income families increased by hundreds of dollars. Families with kids under 6 can now receive up to almost $7,500 per year, and families with kids aged 6 through 17 can get up to almost $6,300 per child every year. And for parents with kids who are not going to school yet, like the ones I had the chance to meet earlier, we're making childcare more affordable and more accessible. Two years ago, our government made historical investments to reduce half the costs of care services. Six provinces and territories have already reached $10 per day, and the costs everywhere else have been reduced by half. Here on PEI, childcare fees have already been cut in half. When I was in Charlottetown last month for Pride, I met Leslie, a mom who told me she's already saved thousands of dollars. That's great, but we want even more parents like Leslie to have access to affordable childcare. So we need to create more childcare spaces. This is exactly why we're here today. Today, we can announce that Prince Edward Island will create more than 300 new spaces in early years' centers over the next 18 months. Here in Cornwall, this Island Montessori Academy will be getting six new infant spaces. We all want our children to have the best start in life, and that's why our investments in care services are so important. And we know that better working conditions lead to better care for children. Childcare workers are at the forefront of this new, ambitious Canada-wide system that we're building together. Today, we can announce that wages will increase this fall for early childhood educators and staff in designated early years' centers in the province. And employees of early years' centers will soon benefit from a defined contribution pension plan. Making sure that people at the heart of the care economy are properly paid and valued is really important. Everywhere across the care economy, conditions of work dictate conditions of care. This is how we deliver affordable, accessible childcare of the highest quality here in PEI and right across the country. And of course, as we underline that services in minority languages are part of our investment in care services across the country continue to be a big priority for us. We're focused on making life more affordable and delivering results. The answer right now is not to stop investing in Canadians. Our government is focused on building things, like building quality $10 a day childcare. We continue our work to build an economy focused on the well-being of Canadians, an economy where mothers don't have to choose between their families or a career, an economy where everyone has a real and equitable chance of success. We're building an economy that works for all Canadians. Canada is the best country in the world. Let's keep making it better. Thank you everyone.


Ladies and gentlemen, the President of the United States and Mrs. Reagan. Ladies and gentlemen, the national anthems of the French Republic and the United States of America. Mr. President, Madam Mitterrand, Mr. Foreign Minister and distinguished guests, Nancy and I are pleased and honored to greet you and Madam Mitterrand. We welcome you as the head of a state who has demonstrated courage and decisiveness in the face of international challenges that test the character of Western leadership. We welcome you also as the representative of the French people for whom all Americans share a special affection. We look out over the White House grounds and we see evidence that the bond between us is deep and has stood the test of time. There in the distance is the Jefferson Memorial, a tribute to America's third president, a founder of our Republic, an intellectual whose ideas were profoundly influenced by his exposure to French philosophy and culture. It is not mere coincidence that this giant of American freedom was one of our first representatives to France. Mr. President, millions of people throughout the world admire and respect your country's historic legacy. Today under your leadership, France continues to be a major contributor to world stability and peace. In this cause, we stand together as two peoples who cherish liberty and two peoples committed to humane and civilized values. Ours is not an easy task. As you have astutely noted, quote, peace like liberty is never given and the pursuit of both is a continual one. In Lebanon, we Americans are proud that we're part of a peacekeeping force working together at great risk to restore peace and stability to that troubled land. We will always remember that in this gallant humanitarian effort, we stood shoulder to shoulder with your brave countrymen. Our nation's two great world powers have responsibilities far beyond our own borders. Your influence is a force for good in the Middle East. You have drawn a line against aggression in Chad and you've extended assistance to other African nations seeking to preserve their security and better the lives of their peoples. These are but a few examples of the constructive global rule that France is playing. Mr. President, the American people applaud you and the people of France for your diligence and your courage. President Mitterrand, you come here fresh from a European Community Summit meeting in Brussels. At this meeting and elsewhere, you exerted your leadership as an advocate of greater European unity. I am most eager to discuss with you our bilateral concerns and also those economic social and political issues of significance to Europe as a whole. America continues to support a strong and united Europe. The European democracies are, through the North Atlantic Alliance, anchoring the mutual defense of our common freedom. Today as in years past, our own liberty relies heavily on the goodwill and shared sense of purpose among those people in the world who enjoy freedom. Victor Hugo's words still ring true. It is through fraternity, he said, that liberty is saved. Clearly, Mr. President, if those who love liberty stand together, strong and resolve, freedom will not only survive, it will prevail. Symbolic of our friendship this summer, America will greet the first contingent of French experts coming to New York to aid in the restoration of the Statue of Liberty. This year we will begin celebrating the centennial of that Lady of Light, that magnificent gift, a beacon of liberty for all mankind, is a lasting reminder of that precious heritage that we, the French and American people share. Mr. President, I am pleased that your visit will include travel to parts of America that, as presidents of France, you have not yet been able to visit. You've already seen a good part of our East Coast, especially the Tidewater section of Virginia, which you visited during the celebration of the French and American Alliance at Yorktown, and again, when we met with Summit colleagues at Williamsburg. This week you will go further south to the dynamic city of Atlanta, later north to Pittsburgh. Then you will also journey to America's heartland, the Midwest, the farm country for a first-hand look at American agriculture. And you will travel to the American West Coast and visit our home state of California. Their innovations in energy and electronics, spurred by tax incentives that reward personal initiative and risk-taking, are paving the road to the 21st century in a new era of high technology. It's comforting to know that no matter what changes technology brings to our way of living, the goodwill between our peoples will remain solid and lasting. America is delighted that you have set this week aside to be with us as a friend. During your visit to Washington, Nancy and I look forward to deepening our personal relationship with you and Madame Mitterata and with your colleagues. We offer you a warm welcome and our best wishes for a rewarding and memorable visit. Monsieur le Président, madame, mesdames et messieurs, deux anniversaires en cadre ma visite, celui des traités de Versailles et de Paris en septembre dernier, et celui du débarquement allié en France dans deux mois. On dira, le bazaar fait bien les choses. J'y vois plutôt une conjonction symbolique. Vous le disiez tout à l'heure, il n'y a pas de bazaar dans l'histoire des peuples, et seulement des destinées, et la nôtre, sur tant de points et communes. Aussi ma première pensée va-t-elle vers les Américains L.F. Frère d'Armes, qui de Yorktown, à Beyrouth, ont mêlé leur sang. L'histoire montre que ces sacrifices n'ont jamais été fins, car ils n'avaient pas pour objectif la conquête ou la volonté de puissance, mais la défense des libertés. En dépit de tout cela, nos deux peuples ne se connaissent pas assez. Ce qui laisse parfois la place à des incertitudes. Après m'être entretenu avec vous, Monsieur le Président, je consacrerai donc cinq à six jours à parcourir votre pays. J'y retrouverai bien des itinéraires que depuis 38 ans, j'ai appris à connaître. Mais aussi comprendre son disque.