Why, Mary? A Comedy in Three Acts, by Jesse Lynch-Williams. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Why, Mary? A Comedy in Three Acts, Narrated by Elizabeth Klatt. The New York, Astor Theatre, produced by Selwyn and Company, December 25, 1917, under the direction of Roy Cooper McGrew. The scene is a weekend at a country house not far away, the time, Saturday afternoon, Sunday morning, and Sunday evening. The people at the house, as you meet them. Gene, the host's younger sister who has been brought up to be married and nothing else, read by Arielle Lipshaw. Rex, an unmarried neighbour who has not been brought up to be anything but rich. Read by John Fricker. Lucy, the hostess who is trying her best to be just an old-fashioned wife, in a new-fashioned home. Read by Cateen. Everett, a judge who belongs to the older generation and yet understands the new and believes in divorce. Read by Algy Pug. Cousin Theodore, a clergyman and yet a human being who believes in everything except divorce. Read by Dennis Smith. John, who owns the house and almost everyone in it and does not believe in divorce. Read by Marty Criss. Cousin, the host's other sister whom everyone wants to marry but who doesn't want to marry anyone. Read by Avayee. Ernest, a scientist who believes in neither divorce nor marriage but makes a great discovery. Read by Matthew Rees. The Butler, read by David Lawrence. Advance notice by the author. Jesse Lynch Williams. Read by Elizabeth Clatt. A Most Estimable Lady. Read by Iswa. Bachelor's niece. Read by Dana Meilinger. One afternoon, shortly before the New York opening of this comedy, a Most Estimable Lady sat down to make me a cup of tea. Now do tell me what is your play about? She inquired with commendable enthusiasm. For, being a true woman, she had early achieved the becoming habit of letting members of the superior sex talk about themselves. Why, Mary, said I, tells the truth about marriage. Oh, why? She expostulated. Why write unpleasant plays? But it is not unpleasant. Then it is untrue. She exclaimed.  And in the pause which accompanied the pouring of the cream, I detected the look of one realizing too late that it is always better to think before speaking. This little incident, it seemed to me, epitomizes charmingly the attitude of our nicest people toward our fundamental institution. The truth about marriage must be unpleasant. Therefore tell us something we know isn't true. It will be so much nicer for our young people. It is to be feared, however, that young people who go to see, why, Mary, in the hopes of being shocked, do not get their money's worth. I have heard of but two persons who have been scandalized by this play, and they were both old people. One was a woman in the country who had not seen it, but had read the title, and so wrote several indignant letters about it. The other was an elderly bachelor of the type which finds useful occupation in decorating club windows like geraniums. He took his niece to see it, and, deciding at the end of Act II that the play was going to be unpleasant in Act III, took her home at once. The next afternoon she appeared at the matinee with a whole bevy of her own generation and saw the rest of the play. I asked her later if it had shocked any of them. Oh, no! she replied. We are too young to be shocked. That little incident also struck me as socially significant. There never were two generations inhabiting the same globe simultaneously with such widely separated points of view. For several years after this play was first published no theatrical manager on Broadway would produce it. I don't blame them. I want to thank them for it. I doubt if this sort of thing could have appealed to many theatre-goers then, especially as my young lovers are trying to be good, not bad. Self-expression and the right to happiness do not enter into their plans. The causes of their courageous and, of course, mistaken decision are unselfish and social motives. However futile and antisocial the results would have been had not their desperate determination been thwarted. When this play was first published most people were not thinking along these lines. Such ideas were considered radical then. They will soon be old-fashioned, even on the stage. They remained and discriminating as the critics have been in regard to this comedy, a discriminating critic being, of course, one who praises your play. Few of them have seen the point which I thought I was making emphatically clear, namely that we can't cure social defects by individual treatment. Not only the lovers, but all the characters in this play are trying to do right according to their lights. There is no villain in this piece. At least the villain remains offstage. Perhaps that is why so few see him.  You and I and the rest of society. We are responsible for the rules and regulations of the marriage game. Instead of having fun with human nature, I tried to go higher up and have fun with human institutions. I say tried, because apparently I did not succeed. The joke is on me. Still I can get some amusement out of it, for a great many people seem to like this play who would be indignant if they knew what they were really applauding. They think they are merely enjoying satire on human nature. Now it is a curious fact that you can always curse human nature with impunity. Can malign it, revile it, boot it up and down the decalogue, and you will be warmly praised. How true to life, you are told. I know someone just like that. It is always someone else, of course. But dare lay hands on the existing order, and you'll find you've laid your hands on a hornet's nest. You see, most people do not want anything changed, except possibly the law of change. They do not object to finding fault with mankind because you can't change human nature, as they are fond of telling you with an interesting air of originality. But laws, customs, and ideals can be changed, can be improved. Therefore they cry, hands off!  Man made human institutions, therefore we reverence them, whereas human nature was merely made by God, so we don't think so much of it. We are prejudiced like all creators in favour of our own creations. After all, there is excellent precedent for such complacency. Even God, we are informed, pronounced his work all very good and rested on the seventh day. Pretty nearly everything in the play as acted is in the book as published, but by no means all that is in the book could possibly be enacted on the stage in two hours and a half. One scene, a breakfast scene between John and his wife, has been amplified for acting, but all the other scenes as printed here have been shortened for stage purposes and one or two cut out entirely. The set was changed to represent the loja instead of the terrace of John's little farm. Outdoor scenes are not supposed to be good for comedy. Walls, or a suggestion of them, produce a better psychological effect for the purpose, besides making it possible to speak in quieter, more intimate tones than when the voice spills out into the wings and up into the paint loft. Near the end of the play a number of relatives, rich and poor, are supposed to arrive for dinner and for influencing by their presence the recalcitrant couple. That is the way it is printed and that is how it is acted during the first few weeks of the Chicago run. But though the family may have its place in the book, it proved to be an awful nuisance on the stage. No matter how well these minor parts might be acted or dressed, their sudden eruption during the last and most important moments of the performance distracted the audience's attention from the principal characters and the main issue. It was not clear who was who. Programs fluttered. Perplexity was observed. So we decided that the family must be destroyed. It is always a perplexing problem to devise a substitute for the family. Jesse Lynch-Williams And of advance notice, Act 1 of Why Marry. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Why Marry by Jesse Lynch-Williams. Act 1 Up from the fragrant garden comes a girl running. She takes the broad terrace steps to a distride, laughing, breathless, fleet as a fawn, sweet as a rose. She is hotly pursued by a boy, handsome, ardent, attractively selfish, and just now blindly determined to catch the pretty creature before she gains the protecting shelter of home. She is determined to let him, but not to let him know it. There, she might have darted in through the open door, but it is such a cold, formal entrance, she pretends to be exhausted, dodges behind a stone tea-table, and turning, faces him, each panting and laughing excitedly, she alluring and defiant, he merry and dominant. She is twenty-five, and he is a year or two older, but they are both children. In other words, unmarried. Rex. Think I'll let you say that to me? Gene, making a face at him. Think I'm afraid of you?  I won't. I'll make you. With a dance step. Think so, do you? I warn you. Boo-woo! He makes a faint to the right, then dashes to the left and catches her, triumphantly. Now, you would, would you? Struggling. Let me go. I couldn't think of it. Seizes his hands to free herself. Can't. You're so strong it isn't fair. You're so sweet it isn't fair.  No, Rex. Yes. You mustn't. But I will. He laughs and kisses her lightly on the cheek, therefore she struggles furiously, therefore he does it again, and again. Suddenly he enfolds her completely and kisses her passionately, cheeks, mouth, eyes, until she gasps in alarm. Laughter has gone from them now. Oh, please, someone will come. With the intoxication of such moments. I don't care who comes. I love you. No, let me go.  Jean hesitates, brushes his cheek lightly with her lips, and in pretty confusion tries to escape. Not till you say you love me, Jean. Eyes hidden in his coat, she bobs her head. He laughs and loves it. Say it. I, uh, do. Do what? Say it. She cannot.  I love you, Rex. Are you sure you love me? Am I sure?  And want to marry me, Rex? Why— Stops, startled, had not thought of that. Uh, of course. What did you suppose? Lips his eyes, sobered. Feminine triumph. And me, a penniless orthing? Fascinated by the way she says it, he laughs. Then his honour touched. Huh! Why—what kind of man do you take me for? And wants her lips again. Giving herself to him, head sinks upon his shoulder. Then, oh, Rex, love me, and be nice to me, and—and take me away from all this? She covers her face with her hands and sobs. He pats her tenderly, with a manly look on his face. Lucy comes up from the garden. She is dressed in white with a garden hat, a garden basket filled with flowers in one hand, long scissors in the other. She is John's wife, the mistress of the house, sister-in-law to Jean. Conspicuously a sweet woman, effectively so. A contrast with Jean's more modern, less delicate charm. Jean is frank and brave. Lucy indirect and timid. Pretty but fading. Forty, but fighting it. It's all right, Lucy. We're engaged. Well, I should hope so. Shoots a look at Jean. So, recovering himself. I have often tried to thank you, and good old John, for letting me come over here so much. But now, how can I ever thank you? See what I mean? I'll tell you how. Behave yourself after you're married to John's little sister. Rex, have you had a fearful past? How fascinating. I'm going to have a glorious future, all right. Not unless you do as I tell you. Going to obey me, Rex. You bet I am. Then begin now. Go. Get out. She pushes Rex, laughing and protesting toward the garden.  Run along over to the golf club and buy and buy. If you are a good boy, you can take me out in your new car. Rex kisses the hand on his arm and leaves, laughing. My dear, he has five cars. Thank you so much. Alone they throw off the mask, worn before men. Now, dearie, tell me all about it. How did it happen? Oh, I simply followed your advice. Picked a quarrel with him? Yes. I pretended to believe in woman's suffrage. Good. They hate that. I told him all men were bullying brutes. They are. And then you ran away? Of course. And he after you? Of course. And you let him catch you? Of course. Well, he caught me. They both laugh. I can guess the rest. Why, it didn't take five minutes. And now it's to last through all eternity. Isn't love wonderful? Mm-hmm, wonderful. They begin to call out the flowers. But you do love him, dear, don't you? Arranging flowers. I did then. I don't now. Why is that, Lucy? Oh, but you will learn to love him. Gene shrugs, drops flowers, and turns away. Now, now. No worrying. It brings wrinkles. Patting Gene's shoulder. Rex is just the sort to give the woman he adores everything in the world. Wriggling out of Lucy's embrace. I am not the woman he adores. What, Gene? He's engaged to you. But he's in love with my sister. You know that as well as I do. Uncomfortably. Oh, well, he was once, but not now. Men admire these independent women, but they don't marry them. Nobody wants to marry a sexless freak with a scientific degree. Oh, what's the use, Lucy? He's still wild about Helen, and she still laughs at him. So you and John have trotted out the little sister. Why not be honest about it? Well, I may be old-fashioned, but I don't think it's nice to talk this way when you're just engaged. Here comes your sexless freak. Not with a degree, either. Following Gene's gaze. With a man. Smiling. With my man. Helen, with Rex bending toward her eagerly, appears. She is a beautiful woman of twenty-nine, tall, strong, glorious, plenty of old-fashioned charm despite her new-fashioned ideas. She is dressed in a tennis costume and is swinging a racket.  My work, Rex. I had to get back to work. Work? You're too good to work. Amused, not jealous. Is this your high-powered car, Rex? Have you learned to run it yet? But, well, you see, I met Helen on the way. See what I mean? Oh, we see. But I hadn't seen her for so long. I thought... Looks from Helen to Gene. Wait. I'll get the car. He hurries off... to Gene. Why couldn't she have stayed abroad? Helen, don't talk about your work before Lucy. It shocks her. Oh, very well. Make it my career. Arm around Helen. Shh, that's worse. Helen, dear, I deem it my duty to tell you that you're being talked about. Lucy, dear, do you always find your true happiness in duty? Well, if you think you're going back to that horrid place again, after what happened that night, John won't hear of it. If the Baker Institute of Medical Experiment is not a respectable place, you should make John resign as trustee. She laughs it off. John is trustee of, oh, nearly everything. That makes it all the worse. It isn't as if you had to work. Oh, but John is so rich now. His credit can stand it. And you oughtn't to mind. Why, some of our most fashionable families now contain freaks like me. It's becoming quite smart. Just as in former days, one of the sons would go into the church or the navy. Well, of course I am old-fashioned, but going downtown every day with the men, it seems so unwomently. But wasn't I womanly for years? Instead of going downtown and working with high-brows, I stayed uptown and played with low-brows, until I was bored to death. Yes, that's what comes of going to college. Leaving the home, getting these new ideas. All the same, Helen. The men. Really nice men. Don't like it. Well, you see, I don't like really nice men, so that makes it agreeable all around. If it were only art or music or something feminine, but that awful laboratory, how can a lady poison poor innocent little monkeys? If I were a lady, I'd dine with monkeys.  In Anglo-Saxon times, lady meant one who gives loaves. Now, one who takes a loaf. Very clever, my dear. But someday you'll be sorry. No man, Helen, lacks a woman to have independent views. Helen can afford to have independent views. She has an independent income. She earns it. Independent income? Her salary wouldn't pay for your hats. All the same, I wish I had gone to college. I wish I had learned a profession. What have these new women accomplished? Just one thing. They are destroying chivalry. Not entirely, Lucy. Not entirely. For instance, I am the best assistant Ernest Hamilton has. But the worst paid. The others are all men. Hooray for chivalry! Well, I am just an old-fashioned wife. Woman's spheres in the home. My husband says so. But suppose you haven't any husband. What can a spinster do in the home? Stay in it, till she gets one. That's what the old-fashioned spinsters used to do. The old-fashioned spinster used to spin? At any rate, the old-fashioned spinster did not stay out of her home all night and get herself compromised, talked about, sent abroad. Or if she did, she knew enough to remain abroad until the gossip blew over. Lucy turns to leave, mischievously. Ah, that wonderful night. Lucy turns back, amazed. The night we discovered the Hamilton anti-toxin. The night that made the Baker Institute famous. And just think, I had a hand in it, Lucy. A hand in the unwomanly work of saving children's lives. But of course, an old-fashioned spinster would have blushed and said, Excuse me, Dr. Hamilton, but we must now let a year's work go to waste because you are a man, and I am a woman, and it's dark out doors. That's the way to preserve true chivalry. You think we can't see through all this? Science. Fiddlesticks. The good-looking young scientist. That's why you couldn't stay abroad. We see it, John sees it, and now everyone will see it. Then how will you feel? Ernest is rather good-looking, isn't he? Do you think your brother will let you marry a mere scientist? Oh, well. Dr. Hamilton is in love with his work, fortunately. Besides, he's a thoroughbred. He wouldn't even look at a girl who throws herself at his head. So I needn't try any longer? Too bad. Losing her temper and going.  Thank heavens, little Jean didn't elbow her way into men's affairs. She had no unwomanly ambitions for her career, but she is engaged to Rex Baker. Jean, is this true? Triumphantly. Marriage is a woman's only true career. Jean, you can't. You won't. You mustn't marry Rex. Flouncing out. She who will not when she may, my dear. Lucy hears John coming. Avoiding Helen's eyes. He'd take her head off if she weren't there to meet him. Helen only looks at her. He bullies and browbeats her worse than ever. I can't stand it here much longer. It's getting on my nerves. Jean, you care for Rex no more than I do. Still evasive. John's bringing out Uncle Everett and cousin Theodore. My dear, the whole family is up in the air about you. Oh, I can take care of myself, but you. Jean, you're not the sort to marry Rex or any other man unless you simply can't live without him. After a little pause. Well, how can I live without him? Without some man? You can support yourself. I can't. But you wouldn't live on a man you didn't really love. Why not? Lucy does. Most wives live on men they don't really love. To stop doing so and get divorced is wrong, you know. Jean. Jean. Poor little Jean.  I don't like to hurt you, dear, but... Takes Jean's face and raises it. How about that nice boy at the Harvard Law School? Don't. Controls herself, then, in a low voice. Bob is still at the law school, Helen. Can't you wait, dear? He never asked me to, Helen. He would if you let him. It wouldn't be fair. It takes so long to get started. Everything costs so much. Why, nowadays, men in the professions, unless they have private means, can't marry until nearly 40. When Bob is 40, I'll be 40, Helen. Ah, but when a girl really cares... Helen, do you know? Never mind about me. You. Oh, we'll get over it, I suppose. People do. Someday, perhaps, he'll smile and say, Just think, I once loved that fat old thing. Suddenly changes to sobbing.  Takes Jean in her arms. You can't keep on thinking so, dear. But that isn't the worst. When he held me fast and I couldn't get away, I began to forget Bob, to forget everything.  But not now. Not now. It's not the same thing at all. Buries face in Helen's breast and sobs it out. Oh, I feel like the devil, dear. And all this time he doesn't really want me. He wants you. You. I trapped him into it. I trapped him. And I know Rex. He's a good sport. He'll stick to it if you do, dear. Only you won't. You've caught him by playing on his worst. Don't hold him by playing on his best. But what shall I do? I'm nearly twenty-six. I've got to escape from home in some way. But what a way? Rex returns. Ready, Jean? To Helen. Lucy and John and your cousin Theodore are in there having a fine old-fashioned family fight with the judge. With Uncle Everett? What about? They shut up when they saw me. All I heard was the parson. Marriage is a social institution. Grand Old Rail, though. A butler and footman appear, wheeling a teawaggin. Looks as if they were coming out here. Then I am going in. Detaining Jean. You will follow my advice. Apart to Helen. Oh, I don't know. Soon or late I must follow the only profession I have learned. Jean leaves with Rex. Helen watches them, sighs, and goes in. The servants arrange the tea-table and go into the house. Lucy comes out, followed by her husband John and the judge, who is Uncle Everett, and cousin Theodore. John, the masterful type of successful American businessman, well set up, close-cropped mustache, inclined to baldness, keen eye, vibrant voice, quick movements, quick decisions, quick temper. Uncle Everett is a genial satirist with a cynical tolerance of the ways of the world, which he understands, laughs at, and rather likes.  They are continuing an earnest discussion, with the intimate manner of friendly members of the same family. John, Lucy, and Theodore deeply concerned. Uncle Everett detached and amused. But Uncle Everett hasn't had Julia always been a good wife to you? Quite so, quite so. A good wife, Theodore, a good wife.  Devoted, Lucy? Devoted. She has always obeyed you, Uncle Everett. Yes, John, a true old-fashioned woman. She has been a great help to me in the parish work, Uncle Everett. An earnest worker in the vineyard, Theodore. In fact, I might say a model female. Then why, why do you want a divorce?  But think of poor Aunt Julia. But, damn it, she doesn't like me. Wagging head, sadly. Ah, yes, I suppose there has been fault on both sides. Not at all. No fault on either side. Both patterns of Christian fortitude to the end. We still are. Just listen to this telegram. Puzzled. From Aunt Julia? Yes, from Aunt Julia in Reno. Not used to travelling much without me. New-eyed worry. Thoughtful of her, wasn't it? Puts on glasses. A night-letter. Much cheaper. Your Aunt Julia was always a frugal wife. Besides, she never could keep within ten words. Reads. Arrived safely. Charming rooms with plenty of air and sunlight. Our case docketed for March 15th. Wish you were here to see the women in divorcee row. Overdressed and underbred. Rather neat, eh? Overdressed and underbred. I should love to hear your comments on the various types. Now isn't that sweet of her? Well, you know, I always could make her laugh. Except when I made her cry. Right soon, with love, Julia. Now... Fold's telegram. Isn't that a nice message? From a wife suing for divorce? You happily married people couldn't beat that. Pat's telegram and pockets at Tenderly. John, like a practical businessman. But if there's no other woman, no other man, what's it all about? She likes her beef steak well done. I like mine underdone. She likes one window open, about so much. Indicates four inches. I like all the windows open wide. She likes to stay at home. I like to travel. She loves the opera and hates the theatre. I love the theatre and hate the opera. Stop, aren't you willing to make a few little sacrifices for each other? Haven't you character enough for that? We've been making sacrifices for 25 years. A quarter of a century. Character enough to last us now. Why, I remember the first dinner we had together after we were pronounced man and wife. With a full coral service and a great many expensive flowers. Quite a smart wedding, Lucy, for those simple days. Darling, I asked my blushing bride, do you like tutti frutti ice cream? I adore it, dearest. She murmured. I hated it, but nobly sacrificed myself and gave her tutti frutti and gained character every evening about honeymoon. Then, when we got back and began our new life together in our little home, my darling gave me tutti frutti and indigestion once a week until I nearly died. But why didn't you tell her? I did. I did. Got chronic dyspepsia and struck. You may adore this stuff, darling, I said, but I hate it. So do I, dearest, says she. Then why in thunder have you had at all these years sweet heart? For your sake, beloved. And that tells the whole story of our married life. We have nothing in common but a love of divorce and a mutual abhorrence of tutti frutti, two souls with but a single thought, two hearts that beat as one. It has been the dream of our lives to get apart and each is nobly refrained for the other's sake and all in vain. Bah! All a cloak to hide his real motive and he knows it. After a painful pause I may as well confess looks around to see if overheard. Whispers. For over twenty years I... I have broken my marriage vow. Lucy drops her eyes. Theodore aghast. John wags head. So has your Aunt Julia. No, not that. Well, we solemnly promised to love each other until death did us part. We have broken that sacred vow. I don't love her. She doesn't love me. Not in the least. Rot! A matured middle-aged man, a distinguished member of the bar, break up his home for that? Dan Rot. Right again, John. That's not why I'm breaking up my home. I prefer my club. What does the modern home amount to?  Of course. It doesn't matter about the poor little wife left at home. When Lucy, it does matter. That's why I stayed at home and was bored to death with her prattle about clothes and the opera. Instead of dining at the club with my intellectual equals, picking up business there, getting rich like John, supplying her with more clothes and a whole box of the opera, like yours, Lucy. She shoots a glance at her husband. Oh, that's the way you meant always talk. It never occurs to you that business, business, business is just as much of a bore to us. Wrong again. It did occur to me, hence the divorce. She couldn't stand seeing me bored. I couldn't stand seeing her bored. Once we could deceive each other, but now, too well acquainted, now happy home, a hollow mockery. You ought to be ashamed. I love my home. So do I. All right, stick to it if you love it. Only don't claim credit for doing what you enjoy. I stuck to my home for a quarter of a century and disliked it the whole time. At last I'm free to say so. Just think of it, Lucy, free to utter those things about marriage we all know are true, but don't dare say. Free to be honest, John. No longer do I. Free to be honest, John.   A soul set free, Theodore. Two souls, in fact. Two souls with but a single thought. Stop! You have children to consider. Not merely your own selfish happiness. Yes, think of Tom and little Julia. We did for a quarter of a century. Sacrificed everything to them, even our self-respect. But now, what's the use? We are childless now. Tom and Julia have both left us for little homes of their own to love. Ah, but don't you want them to have the old home to come back to? No place like home for children, eh? You're right. Can't have too much of it. Most children only have one home. Ours will have two. When they get bored with one, they can try the other. But seriously, Uncle Everett, whom God has to join together. Clasping John's arm. Yes, Uncle Everett. Marriages are made in heaven. I see. Quite so. But your Aunt Julia and I were joined together by a pink parasol made in Paris. What rot! Stop your fooling and speak the truth, man. Just what I'm doing. That's why you think I'm fooling. A very pretty parasol. But it wasn't made in heaven. You see, God made poor dear Julia pale. But on that fatal day, 25 years ago, the pink parasol, not God, made her rosy and irresistible. I did the rest with the aid of a clergyman whom I tipped even more liberally than a waiter who served as tutti frutti. Blame me for it. Blame her, the parasol, the parson. But do not, my dear Theodore, blame the deity for our own mistakes. It's so blasphemous. A pause. Lucy takes place at the tea table to serve tea. And to think we invited you of all people here today, of all days. To John. We mustn't let Rex know. The bakers don't believe in divorce. What's this? You don't mean that gene. Yes. Just in time, before he knew Helen was back. She's landed him. She's landed him. We're marrying into the Baker family. The Baker family. Shaking hands right and left. Why, she'll have more money than any of us. Well, well, we'll all have to stand around before little gene now.  Those pearls. I'll buy them. They're yours. Hooray for Lucy! Kisses Lucy. Feeling her importance. Now if I could only get Helen out of this awful mess and safely marry to some nice man. Sipping his tea. Meaning one, having money. The Hamilton's are an older family than the Baker's, Lucy. Older than our own. Meaning they once had money. Still pacing to and fro. Waste of beauty on a bacteriologist? A crime! See here, John. Ernest Hamilton is the biggest thing you've got in the Baker Institute. One of the loveliest fellows in the world, too. And if you expect me, why did you ask us here anyway? As far as I can make out, we're here to help one of John's sisters marry a man she doesn't love and prevent the other from marrying the man she does. Oh, look here. I've nothing against young Hamilton. I like him. Proud of all he's done for the Institute. Why, Mr. Baker is tickled to death about the Hamilton Antioxid. But Theodore, this is a practical world. Your scientific friend gets just $2,000 a year. Lucy, sent for Helen. Lucy goes, obediently. Well, why not give the young man a raise? Oh, that's not a bad salary for scientists, college professors, and that sort of thing. Why, even the head of the Institute himself gets less than the superintendent of my mills. No future in science. Perfectly practical Theodore. The superintendent of John's mills saves the company thousands of dollars. These bacteriologists merely save the nation thousands of babies. All our laws, written and unwritten, value private property above human life. I'm a distinguished jurist, and I always render my decisions accordingly. I'd be reversed by the United States Supreme Court if I didn't. We're all rewarded in inverse ratio to our usefulness to society, Theodore. That's why practical men think changes are dangerous. Muckraker! It's all on a sliding scale, John. For keeping up the cost of living, you and old man Baker get... Stretch his arms out full length. Heaven only knows how much. For saving the Constitution I get... a good deal. Hands three feet apart. For saving in wages and operating expenses your superintendent gets so much. Hands two feet apart. For saving human life Ernest Hamilton gets that. Hands six inches apart. For saving immortal souls Theodore gets... Holds up two forefingers an inch apart. Now if anyone came along and saved the world... They crucified him. Muckraker! Muckraker! Lucy returning. Tried my best, John, but Helen says she prefers to talk with you alone sometime. Furious. She prefers? See here! Am I master in my own house or not? But Helen is a guest in it now. No longer under your control, John. She's the new woman. John, you can't stop that girl's marrying Ernest if she wants to. He's head over heels in love with her. What? We thought he was in love with his work. He thinks there's no hope for him, poor boy. To John. And she's mad about him. To Lucy. And he is on the way out here now. What? He's coming to see her? No, no. I think she's still in Paris. So she was when I invited him, damn it. But something had to be done and done delicately. That's why I invited you two. Ha-ha-ha-ha! Beautiful! These lovers haven't met for a month, and tonight there's a moon. You may as well give in, John. It's the simplest solution. Timidly. Yes, John. She's nearly thirty, and think how she treats all the nice men. Who's doing this?  Lucy shrugs, starts reluctantly, and lingers listening. Now, Uncle, you have more influence over her than any of us. Don't let her know about Aunt Julia. Helen thinks the world of you. Of course not. Never let the rising generation suspect the truth about marriage if you want them to marry. There are other truths than unpleasant truths, Uncle Everett. Other marriages than unhappy marriages. Want me to tell her the truth about your marriage? At the door. Why, Uncle, even you must admit that Theodore and Mary are happy. John is too much surprised to notice Lucy's presence. Happy? What's that got to do with it? Marriage is a social institution. Theodore said so. Every time a boy kisses a girl, she should first inquire a sacrifice for society. And if he says, I want to gain character, sweetheart, then darling, do your duty. And he'll do it. Well, Theodore has certainly done his duty by society. Six children. Then society hasn't done its duty by Theodore. Only one salary. The more credit to him. He and Mary have sacrificed everything to their children and the church. Even health. We don't need your pity. We don't want your praise. Poverty, suffering, even separation have only drawn us closer together. We love each other through it all. Why, in the last letter the doctor let her write, she said—she said— Suddenly overcome with emotion, turns abruptly. If you'll excuse me, Lucy. Sanitarium. The telephone. Theodore goes into the house. Not praise or pity, but something more substantial. And by George, I'll get it for them. Turns to John, who interrupts. See the example he sets to society? I honor him for it. Fine. But that doesn't seem to restore Mary's radiant health. Theodore's brilliant youth. Ah, but they have their children. Think how they adore those beautiful children. No, don't think how they adore them. Think how they rear those beautiful children. In the streets. One little daughter dead from contagion. One son going to the devil from other things picked up in the street. If marriage is a social institution, look at it socially. Why, a marriage like mine is worth a dozen like theirs, to society. Look at my well-launched children. Look at my useful career as a jackal to big business. Look at my now perfectly contented spouse. But if you are divorced. Is the object of marriage merely to stay married? But character. Think of the character they have gained. Or is it the gain character at the expense of helpless offspring? Society doesn't gain by that. It loses, Lucy. It loses. It's simply because, God bless them, they love each other through it all. You sentimental stand-patterns believe in lying about it. Do you? Oh, talk, talk, talk. Board. Whips out pocket checkbook and fountain pen. Money talks for me. But they're both so confoundly proud. Go on. Write that check. John writes. They must sacrifice their pride, John. Nothing else left to sacrifice, I'm afraid. Well, you get this to them somehow. Hands check to judge. Aha! Talk did it. Five thousand? Generous, John. Impatiently. Never mind about me. That problem is all settled. Now about Helen. Lucy! I thought I told you! Lucy, in a guilty hurry, escapes into the house. John, charity never settles problems. It perpetuates them. You can't cure social defects by individual treatment. More impatiently. Does talk settle anything? Everything. We may even settle the marriage problem if we talk honestly. Theodore returns from telephoning to the sanitarium. Theodore, it's all right. John honestly believes in setting an example to society. Crazy to have his sisters go and do likewise. Splendid, John. I knew you'd see it. An ideal match. Overriding, John. Right, Theodore. Ideal. This scientific suitor will shower everything upon her John honours and admires. A host of servants. I mean sacrifices. Carriages and motors. I mean character and morals. Just what her brother advocates in Sunday school. For others. An ideal marriage. Hands in pockets. You think you're awfully funny, don't you? Hmm. I do more for the church, for education, art, science than all the rest of the family combined. Incidentally, I'm not divorced. But this is a practical world, Theodore. I've got to protect my own. Returning. Helen will be here in a minute. Suddenly getting an idea. Ah. I have it. I know how to keep them apart. Be careful, John. These two love each other. Yes. Young people still fall in love. Whether we make it hard or easy for them, they will do it. But, mark my words, unless we reform marriage, there is going to be a sympathetic strike against it. As there is already against having children. Instead of making it harder to get apart, we've got to make it easier to stay together. Otherwise the ancient bluff will soon be called. Shh. Here she comes. Please don't talk this way before her. All right. I'm not divorced yet. Still in the conspiracy of silence. Helen appears at the door. A sudden silence. Kissing Theodore and Judge affectionately. I'm so sorry to hear about Dear Mary. To Judge. But why didn't Aunt Julia come? Is she ill too? Slight panic in the family party. She's gone to Rio de Janeiro. I mean the Santa Barbara. Once a complete change. The rest cure. To Theodore. Apart. Lie number one. Another silence. Lucy makes tea for Helen. Taking the cup. Well, go on. Go on with what? Stirring tea. Your discussion of marriage. How did you know? Oh, it's in the air. Everybody's talking about it nowadays. She sips tea and the others look conscious. My dear marriage is woman's only true career. Raising her shield of flippancy. So Lucy tells me cousin Theodore. But a woman cannot pursue her career. She must be pursued by it. Otherwise she's unwomantly. As we passed through the library a while ago, I think I saw your little sister being pursued by her career. Yes, Uncle, but Jean is a true woman. I'm only a new woman. All the same. You'll be an old woman someday, if you don't watch out. Ah yes, my life's a failure. I haven't trapped a man into a contract to support me. You ought to be ashamed.  Making marriage so mercenary. Helen, dear, haven't you knew women any sentiment? Enough sentiment not to make a mercenary marriage, Lucy, dear. And what kind of marriage do you expect to make? Not any, thank you, Uncle. What? You don't believe in holy matrimony? The last extremity, Uncle, like unholy divorce. Jumps. What do you know about that? I know all about it. Others jump. I have been reading up on the subject. All relax, relieved, but now gather about the young woman. Simply because one marriage and a thousand names and singles. Wait. One in a thousand? Dear me, what an idealist you are, John. In America, one marriage in every eleven now ends in divorce. And yet you wonder why I hesitate. One in eleven, brat! To judge. All this muckraking should be suppressed by the government. One in eleven. Bah! Demurely. The government's own statistics, John. They all turn to the judge for denial, but he nods confirmation, with a complacent smile murmuring, two souls with but a single thought. Well, I may be old-fashioned. Sweetly knitting. But it seems to me that nice girls shouldn't think of such things. Their husbands will tell them all they ought to know about marriage, after they're married. Ah, I see. Nice girls mustn't think until after they rush in, but they mustn't rush in until after they think. You marriage people make it all so simple for us. Right. The way to cure all evil is for nice people to close their minds and mouths to it. It's unpleasant for a pure mind, and it leaves a bad taste in the mouth. So there you are, my dear. Oh, talk, talk, talk. I've had enough. See here, young lady. I offered to pay all your expenses abroad for a year. You didn't seem to appreciate it. Well, the trustees of the Institute are now to give Dr. Hamilton a year abroad. How do you like that? I'll turn and look at Helen. Splendid. Just what he needs. Dr. Mechnikov told me in Paris that America always killed its big man with routine. When do we start? She tries to look very business-like. We? Springing to his feet. Do you think you are going? Of course. I'm his assistant, quite indispensable to him. To all? Oh, well, if you don't believe me, ask him. Pacing to and fro. What next? Paris? Alone with a man? Here's where I call a halt. But if my work calls me, I don't really see what you have to say about it, John. Better not defy me, Helen. He scowls. Better not bully me, John. She smiles. I am your brother. But not my owner. Then, instead of defiance, she turns with animated interest to the others. You know, all the women used to be owned by men. Formerly, they ruled us by physical force. Now, by financial force. But at last, they are to lose even that hold upon us. Poor dears. Pat's John's shoulder playfully. Amused, but serious. That's all right in theory. But this is a practical world. My pool got you into the institute. My pool can get you out. You give up this wild idea or give up your job. What did I tell you? Financial force. They still try it, you see? To John. What if I refuse to give up either, John? Then, as a trustee of the institute, I ask for your resignation. Right here and now. Turns away. I guess that will hold her at home a while. I simply must go to Paris now. I've nothing else to do. With a confident smile. You will, eh? Who'll pay her expenses this time? Dr. Hamilton. Helen, please. You oughtn't to say such things, even in joke. He'll take me along as his private secretary if I ask him. A pause. The others look at one another helplessly. John, she's got you. You might as well quit. Nonsense. I have just begun. You'll see.  Helen resents the intrusion, but hides her feelings. Can you keep a secret? They all seem to think they can and gather near. He has never asked me. The family seems annoyed. No wonder, dear. With matchmaking ardour. He has never seen you except in that awful apron. But those stunning dinner gowns John bought you in Paris. My dear, in evening dress you are quite irresistible. A part to Theodore. Irresistible? Pink parasols. What a system. But you see, I don't want him to ask me. I've had all I could do to keep him from it. The family seems perplexed. She's got some sense left. But suppose he did ask you, dear? Why, I'd simply refer the matter to John, of course. If John said, love him, I'd love him. If John said, don't love him, I'd turn it off like electric lights. The family is becoming exasperated. Insinuating. Oh, you can't deceive us. We know how much you admire him, Helen. Oh, no, you don't. The family is amazed. Not even he does. Did you ever hear how he risked his life in battle down in Cuba? Why, he's a perfect hero of romance. Never even saw a war, molly coddled germ killer. Not in the war with Spain. The war against yellow fever, John. No drums to make him brave, no correspondence to make him famous. He merely rolled up his sleeve and let an innocent-looking mosquito bite him. Then took notes on his symptoms till he became delirious. He happened to be among those who recovered. The family is impressed. Old-fashioned maidens used to marry their heroes, Helen. Arising, briskly. This new-fashioned hero gets only $2,000 a year, Theodore. She turns to escape. Nodding. I told you she had sense. Helen, you selfish, too. Why, Mary and I married on half that, didn't we, John? He looks around. The family looks away. Dr. Hamilton needs every cent of that enormous salary. Books, travels, scientific conferences. All the advantages he simply must have if he's to keep at the top and do his best work for the world. The most selfish thing a girl can do is to marry a poor man. With that, she hurries up the steps, following her. All the same, deep down under it all, she has a true woman's yearning for a home to care for and a mate to love. She is silently crying. Why, Helen, dear, what's the matter? Hiding her emotion. Oh, why can't they leave me alone? They make what ought to be the holiest and most beautiful thing in life the most horrible and dishonest.  Unseen by Helen, the butler steps out. Theodore patting her shoulder. Just you wait till the right one comes along. Butler to Lucy. Dr. Hamilton has come, ma'am. Good heavens! Runs to the family. Show Dr. Hamilton out. The butler goes. A plot to entrap him. Running to and fro wildly. But it's no use. I'm going. Until he's gone. Helen runs into the garden.  But what'll we do? Don't worry. She can't stay away. The sweet thing. Now listen. We must all jolly him up. He'll be shy in these surroundings. Going to surrender, John? What I am going to do requires finesse. In a flutter, seeing Hamilton approach. Oh, dear! How does one talk to Highbrowse? Talk to him about himself. Highbrowse, lowbrowse, all men love it. Ernest Hamilton, discoverer of the Hamilton Antitoxin, is a fine-looking fellow of about thirty-five, without the spectacles or absent-mindedness somehow expected of scientific genius. He talks little but very rapidly, and sees everything. It does not occur to him to be shy or embarrassed in these surroundings, not because he is habituated to so much luxury on three thousand a year, nor because he despises it. He likes it. But he likes other things even more. That is why he works for two thousand a year instead of working for fat, fashionable fees and private practice. John meets his distinguished guest at the door, effusively, yet with that smiling condescension which wealthy trustees sometimes show to scientists, college professors, and that sort of thing. Ah, Dr. Hamilton! Delighted to see you on my little farm at last. Out here, I'm just a plain old-fashioned farmer. Ernest glances about at the magnificence and smiles imperceptibly. He makes no audible replies to the glad welcome, but bows are vainly, master of himself and the situation. Dr. Hamilton, so good of you to come. How are you, Ernest? Glad to see you. I don't think you've met our uncle, Judge Gray. Humorously adopting their manner. Charmed! I've heard so much about you for my niece. To Ernest's rescue, like a tactful hostess. A cup of tea, Dr. Hamilton? Unperturbed by the reference to Helen. Thanks. While Lucy makes tea, trusty manner. I have often desired to express my admiration of your heroism in the war against yellow fever in, um, Cuba. When you let an innocent-looking mosquito bite you. And then took notes on your symptoms till you became delirious. Nodding and poisoning sugar tongs. No sugar, thanks. He looks from one to another with considerable interest. No drums to make you famous. No war correspondence to make you brave. I mean the other way round. To Lucy, Poising Creampitcher. No cream, please. Senator Root says this one triumph alone saves twenty million dollars a year to the business interests of the United States. I call that true patriotism. With a nod of assent to Lucy. Lemon. With sincerity. General Wood says it saves more human lives a year than were lost in the whole Spanish war. I call it service. Colonel Gertl says the Panama Canal could not have been built if it hadn't been for you self-sacrificing scientists. Not only that, but you have abolished forever from the United States a scourge which for more than a century had through periodic outbreak spread terror, devastation, and death. A pause. Bored but trying to hide it. The ones who deserve your praise are the four who died to prove that theory. He smiles. Of course, you all know their names. He looks at John, who looks at Judge, who looks at Lucy, who looks at Theodore. He takes up his cup. Delicious tea. Ah, but they didn't do it for fame, for money. That's the beauty of the sacrifice. With a smile. Quite so. That's what Congress told us when we suggested a pension for the widow of the first victim. What? Did Congress refuse the pension? Finishes his tea. They finally voted the sum of seventeen dollars a month for the widow and no less than two dollars a month extra for each of his children. Is that all? No. We pestered Congress to death until, a few years ago, they replaced the pension with an annuity of one hundred and twenty-five dollars a month, though some of them said it was a very bad precedent to establish. Returns cup to Lucy. No more thanks. Delicious. And turns to admire the wide-sweeping view of the farm. Hands in pockets. After a pause. Well, I think our scientists might well be called philanthropists. Hardly. You see, everyone knows the name of philanthropists. Better let it go at scientists. He's right. Well, anthropists don't give their lives. They give their names. Have them carved up in stone over their institutes and libraries. John approaches and joins his guest. Charming little farm you have here. Dr. Hamilton, America kills its big men with routine.  The trustees think you need a year abroad. That's strange. I came out here to suggest that very thing. Somebody has been saying kind things about me in Paris. Just had a letter from the great Mechnikov. Wants me to come over and work in the pasture. Chance of a lifetime. He didn't have to jolly me up to consent to that. Pacing terrace with his guest arm in arm. By the by. My sister is rather keen on science. Best assistant I ever had. You can pile an awful lot of routine on a woman. The female of the species is more faithful than the male. She's over there already. We can get right to work. She'll be back before you start. Stop short. I didn't know that. Well, what is it? John hesitates, turns to the family, all watching with breathless interest. Don't you see, old chap, under the circumstances it would hardly do for her to go back to Paris with you. Why not? You're a man. Smiling. You mean I'm dangerous? But she's a woman. They mean she's dangerous? My dear fellow, we are going to ask you quite frankly to decline to take her. So that's it, eh? Looks about at the circle of anxious faces. He won't let them read him. But it's the chance of a lifetime for her, too. She needs it more than I do. She's had so little chance to do original work. But she's a woman. Just what has that to do with it? Everything. We have the highest respect for you, Dr. Hamilton, but also one must respect the opinions of the world, you know. That's right. Thinks it over. One must. I forgot to think of that. It's curious, but when working with women of ability, one learns to respect them so much that one quite loses the habit of insulting them. Too bad how new conditions spoil fine old customs. Suppose you let her go and let me stay. I can find plenty to do here, I fancy. I fear it would offend our generous benefactor, Mr. Baker. He has set his heart on your going abroad, meeting other big men, getting new ideas for our great humanitarian work. The family exchange glances while John lies on. Besides, my sister would only go to accommodate you. She particularly desires to stay here this winter. That's why she's returning so soon, you see. Oh, I see. Believes it. I'm sure I have no desire to drag her over with me. Smiles at himself. I rather thought the opportunity to continue our experiments together. But that's all right. Then it's all settled. You agree to go alone? A slight pause. Yes, alone. It's quite settled. How soon could you start? Absently. How soon?  Could my sister run it? Could she run it? Smiles. She can't run without her. She's as systematic as... To Lucy. As a good housekeeper. With a satisfied look at the others. Then that's all fixed. She'll stay when I tell her that you want her to. Could you arrange to start at once? Pesitates. By leaving here tonight, I could. With a triumphant look at the family. Then I'll telephone for your passage. I have a pool with all the steamship lines. Going. Of course, I hate to cut short your weekend, but I don't want to spoil any scientific careers. John hurries in to telephone. Ernest starts, too, as if to stop him, but restrains the impulse. He stands alone by the door gazing out over the landscape, while Lucy, Theodore, and the judge discuss him in low tones by the tea-table.  He's crazy about her, but thinks there's no hope. If he finds he's leaving for a year, she'll change her mind about marriage. Ernest comes back to Earth and to the house party. To Ernest, joining them. We were just discussing the marriage danger. I mean the marriage problem. With a smile. Oh, right on. Don't mind me. Old friend, Manor. See here, when are you ever going to marry? Modern bachelors laugh. When am I ever going to get more than two thousand a year? Bah! What has money got to do with it? Just you wait till the right one comes along. Helen comes along, stealing up the steps from the garden on tiptoe with the grave absorbed look of a hunter stalking game. She catches sight of the man she wants and stops short, as motionless as if frozen. But not so. Her lovely hands were poised, one of them now goes to her bosom and presses there. There is nothing icy about this new woman now. Ernest, as unconscious of danger as a mountain lion on an inaccessible height, smiles easily at his sentimental old friend Theodore. How do you know the right one hasn't come already? Theodore catches sight of Helen.  Then don't let her go by. Helen stops at the door and makes a face at Theodore. No. Affecting indifference. I couldn't stop her even if I wanted to. Turning to wink at Helen. How do you know? Did you ever ask her? To marry me? Oh no. She hasn't any money. Helen is dumbfounded. Money? You wouldn't marry for money. Helen draws near to hear the answer. You don't suppose I'd marry a woman who hadn't any. Most selfish thing a poor man can do. Helen is interested. Oh fiddlesticks, you modern young people. Make her a sort of superior servant in an inferior home? Not that girl. Helen is pleased. Feministic nonsense. The old-fashioned womanly woman. Sentimental twaddle. What makes it more womanly to do menial work for men than intellectual work with them? Helen delighted, applaud noiselessly. All the same.  Benign and secure. As it happens, I don't. Nothing could induce me to marry. Helen raises her chin. Her eyes glitter dangerously. So are you going to run away to Europe like a coward? Theodore. Smiles patronizingly.  I have nothing to be afraid of. I simply do not care to marry. That's just what I said. I'll turn and behold Helen. My heavens.  But I agree with you perfectly. She holds out her hand to him. I was so afraid you believed in marriage. He rushes to her eagerly. As the lovers shake hands. You wronged him. Apologize. Why? Why? All this time I thought you had the usual attitude. Wronged her. Both apologized. Why didn't you ever tell me you had such enlightened views? Why didn't you ever tell me? Each understands the other now. Everything lovely. Think of the discussions we might have had. Not too late yet. Julia and I had discussions for a quarter of a century. Don't think I had any hand in this. I was going to warn you, but now it is unnecessary now. Warn me? What do you mean? Can't you see? It was all a plot. Lucy draws near noiselessly. A plot to entrap you in marriage. They had about given me up as a bad job. You were my last hope.  Louder but without turning. Weren't you, Lucy dear? Caught listening, turns abruptly to the others. These new women are utterly shameless. Too earnest. These old-fashioned women are utterly shameless. After a decent interval they will all with one accord make excuses to leave us here alone so that I can... She comes nearer. It's near you. Ernest laughs nervously. Lucy is going to say... Imitates Lucy's sweet tones. If you'll excuse me, I always take forty weeks before dressing. Dressing is the hardest work Lucy has to do. Cousin Theodore will find that he must write to his wife and Uncle Everett will feel a yearning for the billiard room. Ernest is nodding and chuckling. They are hanging on longer than usual today and I simply must have a talk with you. Our shop talk would scandalize them. Wait, I'll get rid of them. She sits and begins to make tea. I've had my tea, thanks. Stupid, sit down. Indicates a chair close to hers. He takes it cautiously. We'll have a little fun with them in a minute. She is busy now making tea. To Lucy and the judge apart. You may be right, Uncle Everett, but upon my word it is the strangest courtship I ever witnessed. They ought to be spanked. Don't worry, old Mother Nature will attend to that. Well, I may be old-fashioned, but... But this is merely a new fashion, my dear Lucy. Nature, her ancient custom holds, let science say what it will. Handing cup to Ernest with a glance at the others. Then be attentive to me. He leans toward her rather shyly, abashed by her nearness. She makes eyes at him reproachfully. Oh, can't you be more attentive than that?  Now tell me all about anterior poliomyelitis. Suddenly taken aback, he laughs. Nothing doing since you left. And bends close to explain. If you'll excuse me, Dr. Hamilton, I always take forty winks before dressing. We dine at eight. Going she signals to the others. Ernest and Helen exchange smiles. Sst! Laughing to Lucy. Don't tell John what's going on. Keep him busy telephoning. Lucy nods excitedly and almost runs to obey the church. Helen, if you and Ernest will excuse me, I really must write to Mary. Their shoulders are close together and they seem too absorbed to reply. Theodore smiles down upon them and signals the judge to come along. The judge, however, shakes his head but waves Theodore into the house. Uncle Everett looks at the lovers with quizzical interest. He draws near and eavesdropped shamelessly. You oughtn't to have dropped the polio experiments. You oughtn't have dropped me, right in the midst of the experiments. Those agar plates you were incubating dried up and spoiled. You played the very devil with my data. God bless my soul. What are we coming to? Without turning. It is perfectly proper for your little ears, uncle. Only you can't understand a word of it. Won't anyone play billiards with you? But I'm fascinated. It's so idyllic. Makes me feel young again. To Ernest. I have plenty of men assistants who can estimate antitoxin units. Men assistants lose interest. They are also confoundedly ambitious to do original work. Why is it women can stand day after day of monotonous detail better than men? Because men always made them tend the home. Ah, nothing like a good old-fashioned love scene in the scientific spirit. Uncle, dear, can't you see that he's paying me wonderful compliments? Haven't you any tact? Go and play canfield in the library. Very well. Lighting cigar. I'll leave you to your own devices. And may God, your God, have mercy on your scientific souls. With sudden animation and comraderie, thinking they are alone. Now I must tell you what Dr. Mechnikov said about you and your future. Sssst! Helen and Ernest turn. My children. Pause. Raises his hand. Don't forget the scientific spirit. The judge saunters off into the garden, smoking. How did you ever meet Mechnikov? Chaffing. I had worked under Hamilton. They all wanted to meet me. With an unmistakable look. Um, was that why? Fleeing danger. Didn't you let them know your part in that discovery? Why, if it hadn't been for you, I should never have stumbled upon the thing at all. Oh, I know my place too well for that. Talk about artistic temperament. You scientists are worse than prima donnas. Takes printer's proofs out of pocket. Hands them to her in silence. Some proofs of a monograph I was correcting on the train. Mind hammering those loose sentences of mine into decent English? You can write. I can't. Reading innocently. Experiments in anterior polyomyelitis by Ernest Hamilton, MD, PhD and Helen. What? Why? You've put my name with yours. Much excited and delighted. Well, if you object, like a prima donna, takes out pencil to mark on proof. Object? Snatching proofs away. Why, this makes my reputation in the scientific world. Well, didn't you make mine? You can't imagine what this means to me. Still glowing with pride, but touched by his unexpected generosity. It's so hard for a woman to get any recognition. Most men have but one use for us. If we get interested in anything but them, it is unwomely. They call it a fad. But they've got to take me seriously now. My name with Ernest Hamilton's. Points to her name and swagger's back and forth. But then you see. Bantering.  Why, you have a mind like a man. Like a man? Coming close to him, tempting him. If you had a mind like a woman, you would know better than to say that to me. Re-enter Judge from Garden. He smiles and glances at them. The lovers keep quiet as he crosses to the door. Then they look at each other and smile. Judge has gone into the house. It is nearly dark. The moon is rising. Raises eyebrows. They all take for granted that I want to make love to you. Smiles but avoids her eyes. Well, avoids his. You took for granted that I wanted you to. You are about the most conceited man I have in you. How can I help it when you admire me so? I admire you. You're always telling me what great things I'm going to do. Stimulating me, pushing me along. Why, after you left, everything went slump. Tell me, why did you leave? Was I rude to you? Did I hurt your feelings? Not in the least. It was entirely out of respect for your feelings. My feelings? Oh, I see.  Men sometimes do. Looks away. I suppose they do. It's been known to happen. Talk about conceit. Well, you needn't be afraid. I'll never ask you to marry me. Turns and looks at him a moment. You can't imagine what a weight this takes off my mind. She looks away and sighs. Enthusiastically. Yes. I feel as if a veil between us had been lifted. He looks away and sighs, too. Someone begins, Tristan, and is old on the piano within. The moon is up. After a pause. Suppose we talk about our work? Yes, our work. Let's drop the other subject. Look at the moon. Music and the moonlight flooding them. Seriously, you promise never to mention the subject again?  I promise. He keeps his eyes averted. Turning to him with a sudden change to girlish enthusiasm. Then I'll go to Paris with you. Recoils. What's that? Why, Dr. Machnikov? You promised me he would invite you. Yes, but... Don't miss the chance of a lifetime. No, but you...you can't come. Simply. If you need me, I can, and you just said... But you mustn't come to Paris with me. Don't you want me with you? You are to stay home and run the department for me. Stepping back. Don't you want me with you? Stepping forward with his heart and voice. Do I want you? Stops. But I am a man.  What of it? Are you one of those small men who care what people say? No, that's not your reason. She sees that it is not. What is it? You must tell me. Hesitates. It's only for your sake. Think of all I've done for your sake. You wouldn't be going yourself, but for me. I was the one to see you needed it. I proposed it to Machnikov. I urged him, made him ask you for your sake. And now am I to be left at home like a child because you don't care to be embarrassed with me? Oh, please. This is so unfair. But I simply can't take you now.  With growing scorn. You pile work upon me until I nearly drop. You play upon my interest, my sympathy. You get all you can out of me. My youth, my strength, my best. And then, just as I too have a chance to arrive in my profession, you of all men throw me over.   And I love you. They stare at each other in silence. The moonlight flooding Helen's face. The music coming clear. I've done it. I've done it. Stepping back slowly. I knew I'd do it. No, I did it. Forgive me, I had to do it. Oh, when this spoils everything, comes closer. No, it glorifies everything. He breaks loose. I have loved you from the first day you came and looked up at me for orders. I didn't want you there. I didn't want any woman there. I tried to tire you out with overwork, but couldn't. I tried to drive you out by rudeness, but you stayed. And that made me love you more. Oh, I love you. I love you. I love you. Don't, oh, don't love me. Why? Still closer. I never knew there could be women like you. I thought women were merely something to be wanted and worshipped, petted and patronized. But now, why, I love everything about you.  Those beautiful hands that toiled so long, so well, so close to mine, and not afraid. You mustn't. I am afraid now. I made you say it. Smiling and crying. I have always wanted to make you say it. I have always sworn you shouldn't. Pained. Because you cannot care enough? Enough? Too much. You love me. He takes her in his arms, a silent embrace with only the bland, blasé moon looking on. It is because I love you that I didn't want you to say it. Only I did. It is because I love you that I went abroad to stay only I couldn't. I couldn't stay away.  Oh, do you know how I love you? No, you're only a man. Kisses her rapturously. Every day there in the laboratory, when you and your apron, the dear apron which I stole from your locker when you left me. When you asked for orders, did you know that I wanted to say love me? Every day when you took up your work, did you never guess that I wanted to take you up in my arms? Smiling up into his face. I didn't you. Thank God I didn't. For while we worked there together, I came to know you as few men ever know the women they desire. Woman can be more than sex, as man is more than sex, and all this makes man and woman not less, but more overwhelmingly desirable and necessary to each other, and makes both things last. Not for a few years, but forever. Sounds of voices approaching from the garden. The lovers separate. It is Jean and Rex, Rex laughing, Jean dodging until caught and kissed. No, no, it's time to dress. Be good, Rex, don't. Without seeing Helen and Ernest, they disappear into the house. Helen is suddenly changed, as if awakened from a spell of enchantment. What have we done? This is all moonlight and madness. Tomorrow comes the clear light of day. Ah, but we'll love each other tomorrow. But we cannot marry, then, or any other tomorrow. Can't? What nonsense? I have slaved for you all these months. Shaking her head and restraining him. Not because I wanted to win you from your work, but to help you in it.  No, no. I love you. You love me. Nothing else matters. Everything else matters. I'm not a little debutante to be persuaded that I am needed because I am wanted. I haven't played with you, I have worked with you, and I know. Think of Theodore, think of Lucy.  Never. You mean your career? My career? With supreme scorn. No, yours, always yours. With the same scorn and a snap of the fingers. Then that for my career. I'll go back into private practice and make a million. That's just what I said you'd do. Just what you must not do. Your work is needed by the world. Wooing.  But there is no love without marriage, no marriage without money. We can take it or leave it. Can we leave it? No, I can't. You can't. Come. She steps back slowly. Why should we sacrifice the best? Come. So this is what marriage means. Then I cannot marry you, Ernest. You cannot do without me, Helen. Holds out his arms. Come. You have been in my arms once. You and I can never forget that now. We can never go back now. It's all or nothing now. Come. She is struggling against her passion. He stands still, with arms held out. I shall not woo you against your will. But you are coming to me. Because by all the powers of earth and heaven, you are mine, and I am yours. Come. Like a homing pigeon, she darts into his arms with a gasp of joy. A rapturous embrace and silence with the moonlight streaming down upon them. The music has stopped. John, dressed for dinner, strolls out upon the terrace. He stops abruptly upon discovering them. The lovers are too absorbed to be aware of his presence. End of Act One Act Two of Why Mary This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Why Mary by Jesse Lynch-Williams Act Two It is the next morning, Sunday. It appears that at John's country place they have breakfast at small tables out upon the broad shaded terrace overlooking the glorious view of his little farm. Ernest and Theodore, the scientist and the clergyman, are breakfasting together. The others are either breakfasting in their rooms or are not down yet, it being Sunday. The man of God is enjoying his material blessings heartily. Also, he seems to be enjoying his view of the man of science who eats little and says less. Theodore, with coffee cup poised. What's the matter with your appetite this morning, Ernest? Ernest gazing up at one of the second-story windows does not hear. The door opens. He starts. Then, seeing it's only a servant with food, he sighs. Expecting something? The codfish balls? Well, here they are. Ernest refuses the proffered codfish balls, scowls, brings out cigar case, lights cigar, looks at watch, and fidgets. Oh, I know you're crazy to go with me, to church. Ernest doesn't hear, creates a cloud of smoke. Their regular rector is ill, so I agreed to take the service this morning. Always the way when off for a rest, isn't it? No answer. Theodore gets up, walks around the table, and shouts in Ernest's face. Isn't it? I beg your pardon. I'm hopeless. I can't stand people who talk so much at breakfast. Wait a minute. Sit down, have a cigar. Let's talk about God. Theodore stops smiling. But I mean it. I'd like to have a religion myself. I had an idea you took no stock in religion. Takes the cigar. Ernest holds a match for him. Just what I thought until... Well, I've made a discovery, a great discovery. A scientific discovery? Ernest with a wave of the hand. It makes all science look like a... mere machine. Well, if you feel so strongly about it, better come to church after all. I'm not talking about the church. I'm talking about religion. You're not talking about religion. You're talking about love. Certainly. The same thing, isn't it? I'm talking about the divine fire that glorifies life and perpetuates it. The one eternal thing we mortals share with God. If that isn't religious, what is? Theodore smiles indulgently. Tell me, Theodore. You know I wasn't allowed to go to church when young, and since then I've always worked on the Holy Sabbath day. Like yourself. Does the church still let innocent human beings think there's something inherently wrong about sex? Theodore drops his eyes. Ernest disgusted with him. I see. Good people should drop their eyes, even at the mention of the word. Sex is a necessary evil, I admit, but... Evil? The God-given impulse which accounts for you sitting there, for me sitting here? The splendid instinct which writes our poetry, builds our civilizations, found our churches. The very heart and soul of life is evil. Really, Theodore, I don't know much about religion, but that strikes me as blasphemy against the Creator. Very scientific, my boy. Very modern, but the church believed in marriage before science was born. As a compromise with evil? As a sacrament of religion, and so do you. Good. Then why practice and preach marriage as a sacrament of property? Who giveth this woman to be married to this man? Woman are still goods and chattels to be given or sold, are they? Oh, nonsense. Then why keep on making them promise to serve and obey? Why marry them with a ring? The link of the ancient chain. In the days of physical force it was made of iron, now of gold. But it's still a chain, isn't it? Symbols, my dear fellow, not to be taken in a literal sense. Time honored in beautiful symbols. But why insult a woman you respect, even symbolically? Oh, you scientists. We try to find the truth and you try to hide it, eh? Well, there's one thing we have in common, anyway. One faith I'll never doubt again. I believe in heaven now. I always shall. Do you mind telling me why, my boy? Not in the least. I've been there. John comes out to breakfast. He is scowling. Good morning. Could you spare me five minutes? John, ringing bell. Haven't had breakfast yet. After breakfast? I have an appointment with young Baker. I'll wait my turn. Going to be pretty busy today. You too, I suppose, if you're sailing tomorrow. I can postpone sailing. This is more important. I should hate to see anything interfere with your career. Lucy also arrives for breakfast. She always pours her husband's coffee. I appreciate your interest. But I'll look out for my career. To Lucy. Could you tell me when your sister will be down? John, overriding Lucy. My sister is ill and won't be down at all. Until after you leave. Lucy pretends not to hear. Theodore walks away. Ernest aroused but calm. I don't believe you quite understand. It is a matter of indifference to me whether we have a talk or not. Entirely out of courtesy to you that I suggested it. Don't inconvenience yourself on my account. Ernest shrugs shoulders and turns to Theodore. Wait. I think I'll sit in church till train time. Come along. I'm going to preach about marriage. Theodore starts off. Ernest going turns to Lucy. Thanks for your kindness. Will you ask the valet to pack my things, please? I'll call for them on the way to the station. To John.  I have no favors to ask of you. You don't own your sister. She owns herself. The scientist goes to church. John turns to Lucy. Rather impertinent for a $2,000 man, I think. Resumes breakfast, picks up newspaper. Lucy says nothing, attending to his wants solicitously. Ah! But what does this highbrow know about the power men of my sort can use when we have to? Lucy cringes dutifully in silence. John, paper in one hand, brusquely passes cup to Lucy with other. Helen got her own way about college, about work, about living in her own apartment, but if she thinks she can put this across, hmm, these modern women must learn their place. Lucy, smiling timidly, returns cup. John takes it without thanks, busied in newspapers.  Ah! I've got something up my sleeve for that young woman. Lucy says nothing, looks of contempt while he reads. Well, why don't you say something? I thought you didn't like me to talk at breakfast, dear.  No reply. Haven't you anything to say? Apparently not. You never have any more, nothing interesting.  No. Yes. Would you mind very much if I left you, John? Left me? When? Where? How long? Now, any place, entirely. What suddenly put this notion in your head? I'm sorry, John, but I've had it. Oh, for years, I never dared ask you till now. Like to leave me, would you? You have no grounds for divorce, my dear. But you will have after I leave you. You have no lover to leave with. But couldn't I just desert you without anything horrid? No money to desert with.  But you see, I can stand it. I want you to stay.  You belong to me. Lucy shrinking away as he approaches. Don't touch me. Every time you come near me, I have to nerve myself to stand it. What's got into you? Don't I give you everything money can buy? My God, if I only gave you something to worry about, if I ran after other women like old man Baker. If you only would, then you'd let me alone. To me you are repulsive. Taking hold of her. Lucy, you are my wife. Lucy, looking him straight in the eye. But you don't respect me.   John holds her fast. I am your husband, your lawful husband. Lucy stops struggling. Yes, this is lawful. But oh, what laws you men have made for women. The judge comes out, carrying a telegram. Rather early in the day for conjugal embraces, if you should ask me. John and Lucy separate. Makes me quite sentimental and homesick. Judge raises telegram and kisses it. Lucy, calming herself. From Aunt Julia again? Do you get telegrams every day from Reno? No, but she caught cold. Went to the theatre last night and caught a cold. So she wired me. Naturally got the habit of telling me her troubles. Can't break it. Even in Reno. I thought she hated the theatre. So she does. But I'm fond of it. She went for my sake. She's got the habit of sacrificing herself for me. Just as hard to break good habits as bad. True women enjoy sacrificing themselves. Yes, that's what we tell them. Well, we ought to know. We make them do it. Brings out a fountain-pan and sits abruptly. That's what I'll tell her. I can hear her laugh. You know her laugh. Lucy rings for a servant. A telegraph blank? Judge, with a humorous expression he brings a whole pad of telegraph blanks out of another pocket. Carry them with me nowadays. Begins to write. Wish I hadn't sold my Western Union, John. I don't believe you want that divorce very much. It doesn't matter what I want. What she wants is the point. You must give the woman you marry toot-de-fruity, divorces, everything. Why, I've got the habit myself, and God knows I don't enjoy sacrifice. I'm a man. The superior sex. I don't believe you appreciate that wife of yours. Judge, between the words he's writing. Don't I? It isn't every wife that had travelled away out to Reno.  Suddenly getting an idea strikes table. I know what gave her a cold. She raised all the windows in her bedroom for my sake. I always kept them down for her sake. I'll have to scold her. Bends to his writing again. Poor little thing. She doesn't know how to take care of herself without me. I doubt if she ever will. Looks over telegram. A servant comes, takes telegram, and goes. Uncle Everett, I want your advice. John, do you want a divorce? No, we are not that sort, are we, Lucy? No answer. Are we, dear? No, we're not that sort. We believe in the sanctity of the home, the holiness of marriage. Yes, we believe in the holiness of marriage. Turns away, covering her face with her hands and shuddering. Lucy, tell Helen and Jean to come here. Lucy goes. Well, young Baker spoke to me about Jean last night. I told him I'd think it over and give him my decision this morning. That's right. Mustn't seem too anxious, John. When a properly qualified male offers one of our dependent females a chance at women's only true career, of course it's up to us to look disappointed.  About that chorus girl? Afraid of scaring him off? Not at all, but, well, it's all over and it's all fixed. No scandal, no blackmail. Hmm. By the way, got anything on Hamilton? I don't believe in Saints myself. I see. Good thing. Virginia, Rex isn't a saint. I suppose you'd break off the match. Rex, in riding clothes, comes out. John salutes him warmly. The judge is reading the paper. Rex, not eagerly. Well... Well, of course you realize that you're asking a great deal of me, Rex, but... Offers hand to Rex warmly. Be good to her, my boy. Be good to her. Thanks awfully. See what I mean? Congratulate me, Judge. I'm the happiest of men. So I see. Don't let it worry you. Jean, in riding costume, comes from the house. John signalling Judge to leave. If Helen asks for me, I'm in the garden. If any telegrams come for me, I'm writing to my wife. Jean and Rex alone. They look at each other. Not very loverlike. You weren't in love with me yesterday. You aren't now.  So you have spoken to John.  I admire you for that, Rex. Too much to hold you to it. You are released. What? Why? Don't suppose I want to be released? Well, I do. Yesterday I let you propose to me when I cared for someone else. That's not fair to you, to me, to him. Who is he? What do you mean by this? Why didn't you tell me? I am telling you now. What have you ever told me about yourself? You have no right to play fast and loose with me. I'm making the only amends I can.  I don't want to be free. He can't have you. You are mine. If you think you can make me stop loving you. Love, Rex. Only jealousy. You've never been in love with me. You've always been in love with Helen, but you couldn't get her so you took me. Isn't that true, Rex? I'll be honest with you, too. Yesterday I wasn't really very serious. I felt like a brute afterwards. You tried your best to prevent what happened and ran away from me, but now... Don't you know why I ran away? To make you follow. I made you catch me. I made you kiss me. Then you realized that we had been thrown together constantly, deliberately thrown together if you care to know it. And, well, that's how many marriages are made. But I shan't marry on such terms. It's indecent. I never thought a woman could be capable of such honesty.  You aren't like the rest that have been shoved at me. Why, I can respect you. You're the one for me. He tries to take her. Jean restraining him with dignity. I'm sorry, Rex, but I am not for you. Jean, without you... don't you see? I'll go straight to the devil. That old cowardly dodge? Any man who has no more backbone than that? Why, I wouldn't marry you if you were the last man in the world. You won't, eh? We'll see about that. I want you now, as I never wanted anything in my life, and I'll win you from him yet. You'll see. Helen now appears. Oh, I beg your pardon. Lucy said Jean was out here. I'll call him. She runs down to the garden. I'll call him. Helen helplessly watches them go, sighs, standing by the garden's steps until John ascends. He looks at Helen a moment, wondering how to begin. She looks so capable and unafraid of him. If you hadn't gone to college, you could have done what Jean is doing. But how proud you must be, John, to have a sister who isn't compelled to marry one man while in love with another.  If you think I'd let a sister of mine marry one of Old Man Baker's $2,000 employees. Why, John, didn't Ernest tell you? Dr. Hawksby has offered him a partnership. Just think of that. What? Going back into private practice? But it's such a fashionable practice. Hawksby made a million at it. But the Institute needs Hamilton. But we need the money. So you were going to spoil a noble career, are you? That's selfish. I didn't think it of you. There are thousands of successful physicians, but there is only one Ernest Hamilton. Oh, don't worry, John. He has promised me to keep his $2,000 job. Ah, I'm glad. You must let nothing interfere with his great humanitarian work. Think of what it means to the lives of little children. Think of what it means to the future of the race. Why, everyone says his greatest usefulness has hardly begun. Oh, I know all that. I've thought of all that. Now, such men should be kept free from cares and anxiety. What was it you said yesterday? He needs every cent of his salary for books, travel, all the advantages he simply must have for efficiency. To marry a poor man, most selfish thing a girl could do. Yes, John. That's what I said yesterday. But that was before he asked you. Rather pleased with yourself now, aren't you? Just a woman, after all. Heroin of cheap magazine story. Sacrifice his career for love. All very pretty and romantic, my dear. But how about the man you love? Want to sacrifice his career too? But I'm not going to sacrifice what you're pleased to call my career. Therefore, he won't have to sacrifice his. What? Going to keep on working? Will he let the woman he loves work? Helen, demure. Well, you see, he says I'm too good to loaf. Hmph. Who'll take care of your home when you're at work? Who'll take care of your work when you're at home? Look at it practically. To maintain such a home as he needs on such a salary as he has, why, it would take all your time, all your energy to keep him in his class, you'll have to drop out of your own. Become a household drudge, a servant. And if I'm willing? Then where's your intellectual companionship? How will you help his work? Expense for him? Disillusionment for both? If you're the woman you pretend to be, you won't marry that man. The world needs his work, but he needs mine, and we both need each other. And marriage would only handicap his work, ruin yours, and put you apart. You know that's true. You've seen it happen with others. You have told me so yourself. Then that settles it. We must not, cannot, shall not marry. We have no right to marry. I agree with all you say. It would not join us together, it would put us asunder. And you'll give him up? Good, good. Give him up? Never! The right to work, the right to love, those rights are inalienable. No, we'll give up marriage, but not each other. But, but I don't understand. We need each other, in our work, and in our life, and we're to have each other, until life is ended and our work is done.  Are you in your right mind? Think what you're saying! I have thought all night, John. You have shown me how to say it. But, but why? This is utterly unbelievable. Why, I'm not even shocked.   If I were a bad woman, I'd invagle him into marriage, John. Invagle? Marriage?  Oh, this is all one of your highbrow jokes. John, weren't you serious when you said marriage would destroy him?  Well, even if that were so, which is more important to the world? Which is more important to your great humanitarian work? Ah, very clever. It bluffed to gain my consent to marrying him. A trick to get his salary raised. John, nothing you can do, nothing you can say will ever gain my consent to marrying him. I've not told you half my reasons. My God, my own sister. And did you for one moment dream that I would consent to that? Not for one moment. I'm not asking your consent. I'm just telling you. Ridiculous. If you really meant to run away with this fellow, would you come and tell me, your own brother? Do you suppose I'd run away without telling, even my own brother? Ah, all pose and poppycock. He abruptly touches bell. I'll soon put a stop to this nonsense. Muttering. Damnedest thing I ever heard of. John, I understand exactly what I'm doing. You never will. But nothing you can do can stop me now. We'll see about that. The butler appears. Ask the others to step out here at once, all except Miss Jean and Mr. Baker. I don't want them. Is Dr. Hamilton about? No, sir. He went to church. All right. The butler disappears. To church, my God. Helen pays no attention. She gazes straight out into the future, head high, eyes clear, and wide open. First of all, when the others come out, I'm going to ask them to look you in the face. Then you can make this statement to them, if you wish, and look them in the face.  The eyes of God who made love, no matter how I may appear in the eyes of men who made marriage, I know that I am doing right. Lucy comes out, followed by the judge. John, not seeing them. He is loud. Say that to Uncle Everett and cousin Theodore. Say that to my wife. Stand up and say that to the world if you dare. Lucy, to judge. She has told him. John, wheeling about. What? Did she tell you? Why didn't you come to me at once? She said she wanted to tell you herself. I didn't think she'd dare. They all turn to look at Helen. Theodore comes back from church alone. It had to be announced, of course. Announced? What is announced? All turn to him in a panic. Their engagement, Theodore. Yes. John has given his consent at last. Example to society. Of course, one of the finest fellows in the world. And with all he has a deep religious nature. Congratulations. My dear, he'll make an ideal husband. Takes both Helen's hands about to kiss her. Helen can't help smiling. Thank you, cousin, but I don't want a husband. A sudden silence. Theodore looks from one to the other. A lover's quarrel already? No, Theodore. These lovers are in perfect accord. They both have conscientious scruples against marriage. Conscientious. So they're simply going to set up a housekeeping without the mere formality of a wedding ceremony. Theodore drops Helen's hands. We are going to do nothing of the sort. Uncle Everett. Takes her hands again. We are not going to set up housekeeping at all. He will keep his present quarters and I mine. But they are going to belong to each other. Theodore drops Helen's hands aghast. I don't believe it. Judge. Apart to Theodore. The strike against marriage. It was bound to come. Theodore to judge. But church and state. Indicates self and judge. Must break this strike. John is a practical man. He will prove to you that such a home as we could afford would only be a stumbling block to Ernest's usefulness. A hollow sphere for mine. You can't fill it with mere happiness, Lucy. Not for long. Not for long. Judge restrains Theodore about to reply. Oh, let her get it all nicely talked out. Then she'll take a nap and wake up feeling better. Whispering. We've driven her to this ourselves. But she really doesn't mean a word of it. Come, dear child, tell us all about this nightmare. Why, think what would happen to an eager intellect like Ernest Hamilton's if he had to come back to a narrow-minded apartment or a dreary suburb every evening and eat morbid meals opposite a housewife regaling him with the social ambitions of the other commuters. It has ruined enough brilliant men already. Judge restrains Theodore and others who want to interrupt. Now at the university club, he dines at slight expense compared with keeping up a home upon the best food in the city with some of the best scientists in the country. Marriage would divorce him from all that, would transplant him from an atmosphere of ideas into an atmosphere of worries. We should be forced into the same deadly rugs as the rest of you, uncle. Do you want me to destroy a great career, Theodore? Do you want to be a blot upon that career? I'd rather be a blot than a blight, and that's what I'd be if I became his bride. Ask John. Do you want to be disgraced, despised, ostracised? A choice of evils, dear. Of course, none of those costly well-kept wives on your visiting list will call upon me, but instead of one day at home, instead of making a tired husband work for me, I'll have all my days free to work with him, like the old-fashioned woman you admire. Instead of being an expense, I'll be a help to him. Instead of being separated by marriage and divergent interests, we'll be united by love and common peril. Isn't that the orthodox way to gain character, Theodore? Oh, this is all damned nonsense. Look here. You've either got to marry this fellow now or else go away and never see him again. Never, never! Just what I thought, John. I intended never to see him again. That was why I let you send me abroad. But I'll never, never do it again. It was perfectly dreadful. Ernest couldn't get along without me at all, poor old thing. And I, why, I nearly died. Then you'll have to be married. That's all. Why, of course, you'll have to. That's all. Oh, I know just how you feel about it. I thought so too, at first, but I can't marry Ernest Hamilton. I love him. But if you love him truly, marriage, my dear, brings together those who love each other truly. But those who love each other truly don't need anything to bring them together. The difficulty is to keep apart. That's all romantic, Rott. Everyone feels that way at first. At first? Then the practical object of marriage is not to bring together those who love each other, but to keep together those who do not. To Lucy. What a dreadful thing marriage must be. Ah, so you wish to be free to separate. Now we have it. To separate? What an idea! On the contrary, we wish to be free to keep together. In the old days, when they had interests in common, marriage used to make man and woman one, but now it puts them apart.  He goes downtown and works. She stays uptown and plays. He belongs to the labouring class. She belongs to the leisure class. At best, they seldom work at the same or similar trades. Legally, it may be a union, but socially, it's a mesalliance. In the eyes of God, it's often worse. No wonder that one in eleven ends in divorce. The only way to avoid spiritual separation is to shun legal union like a contagious disease. Modern marriage is divorce. I found my work. I found my mate. And so has he. What more can any human being ask? The butler appears. Dr. Hamilton is outside in a taxi cab, sir. Show him here at once. He says he does not care to come in, sir, unless you are ready to talk to him now. Well, of all the nerve! You bet I'm ready! Starts off. Helen starts, too. Judge interrupting them calmly. Wait a minute. Wait a minute. Two-servant. Ask Dr. Hamilton kindly to wait in the library. The butler goes. Now we're all a bit overwrought. Soothes Helen, pats her hand, puts arm about her, gradually leads her back. I still believe in you, Helen. I still believe in him. To all. It's simply that he's so deeply absorbed in his great work for mankind that he doesn't realize what he is asking Helen to do. So I told him when he asked me to marry him. What? He asked you to marry him? Of course. Implored me to marry him. So absorbed. Not in mankind, but in me, that he didn't realize what he was asking me to do. And you refused him? The man who loves you honorably? Of course. You don't suppose I take advantage of the poor fellow's weakness? Women often do, I admit, even when not in love sometimes. Not because they depraved, but dependent. And then he proposed this wicked substitute. Poison her innocent mind, the bounder. But he did nothing of the sort. Oh, your own idea was it. Of course. John, to all. And he is willing to take advantage of the poor child's ignorance, the CAD. To Theodore. Deep religious nature, eh? I can't believe it of him. He knows nothing about it yet. I haven't even seen him since I made my decision. All exchange bewildered glances. John, a part to judge. We've got to get him off to Paris. It's our only hope. You can't stop her following. She's on the edge of a precipice. You want to shove her over?  The Butler returns. Dr. Hamilton asks to see Miss Helen while waiting. Tell Dr. Hamilton that Miss Helen will see him here. The Butler leaves.  We've got to keep him apart. Our one chance to save her. No, bring them together. That is our one chance. Come, we'll go down into the garden and they'll have a nice little talk. Nothing like talk, John. Honest talk to clear these marriage problems. Going. And let them elope in that taxi cab? Not on your life. Runs to and fro. Come, John. Girls never notify the family in advance when they plan elopements. It's not done. Uncle Everett is right. Ernest will bring her to her senses. He has a deep religious nature. He leads John away to the garden. Lucy, lingering, to Helen. If you offer yourself on such terms to the man who loves you honorably, he'll never look at you again. Theodore, leading Lucy off to garden. Don't worry, she won't. Ernest rushes out to Helen. Ernest. At last. He takes her in his arms. She clings to him and gazes into his eyes, a long embrace. Tell me that you're all right again. I accept that you deserted me, dear, just when I needed you most. Ernest, Ernest, never leave me again. Deserted you? Why, your brother said you were ill. Ah, I see. He was mistaken. But never mind now. I've got you at last, and I'll never, never let you go. You've got to sail with me tomorrow. Together. Oh, think. Together. Another embrace. Are you sure you love me? Ha, am I sure? Ten million times more today than yesterday. Even so. It is not and can never be as I love you. Ernest, with her hands and his. Then you can apologize. Apologize? For saying, years and years ago, in other words, last night, that you didn't think you'd marry me after all. She starts. Why, what's the matter?  You are ill. No. Oh, no. Still a few lingering doubts. I had hoped a good night's rest would put those little prejudices to sleep forever. Sleep? She shakes her head, gazing at him soberly. So you could not sleep? Neither could I. I was too happy to sleep. I was afraid I'd miss some wondrous throbbing thought of your loveliness. Takes her passive hand, puts a kiss in it, and closes it reverently while she looks into his eyes without moving. Do you know, I'm disappointed in love. I always thought it meant soft sighs and pretty speeches. It means an agony of longing, delicious agony but, oh, terrific. She says nothing. Dear, dear girl, it may be easy for you, but I can't stand much more of this. Nor I. You must come to Paris with me, or I'll stay home. All through the night I had waking visions of our being parted, just when we had found each other at last. Some terrible impersonal monster stepped in between us and said, No, now that you have had your glimpse of heaven away, ye twain shall not enter here. Silly, wasn't it? But I couldn't get the horror of it out of my head. Do you know why, Ernest? Because it was in mine. It came from my thought to yours. You and I are tuned like wireless instruments. Even in the old blind days there in the laboratory used to read your mind. Shall I tell you the name of the monster that would put us asunder? Its name is marriage. But I need you. You know that. And you need me. It's too late. We are helpless now in the clutch of forces more potent than our little selves. Forces that brought us into the world, forces that have made the world. Whether you will or know, this beautiful binding power is sweeping you and me together. And you must yield. Helen, reaching for his hand. Ah, my dear, could anything make it more beautiful, more binding than it is now? It is perfect. The one divine thing we share with God. The church is right in that respect. I used to look upon marriage as a mere contract. It's a religious sacrament. Does the wedding ceremony make it sacred? That medieval incantation? No, love, which is given by God, not the artificial form made by man. I knew it. I knew you'd see it. The mistake of all the ages. They've tried to make love fit marriage. It can't be done. Marriage must be changed to fit love. Yes, I'll go to Paris with you. You darling. But not as your wife. You mean without marriage? I mean without marriage. A moment ago, I thought I loved you as much as a man could love a woman. I was mistaken in you. I was mistaken in myself. For now I love you as man never loved before. You superb, you wonderful woman. Helen holds out her hand to be shaken, not caressed. Then you agree? Ernest kneels, kisses her hand, and arises. Of course not. You blessed girl.  It's all for my sake. Therefore, for your sake? No. Then for my sake? For the sake of everything our love stands for? Do you think I'd let you do anything for anybody's sake? You're sure later to regret? Then don't ask me to marry you, Ernest. We'd both regret that later. It would destroy the two things that have brought us together. Love and work. Nonsense. Nothing could do that. Besides, think of our poor horrified families. Think of the world's view. Aren't we sacrificing enough for the world? Money, comforts, even children? Must we also sacrifice each other to the world? Must we be hypocrites because others are? Must we, too, be cowards and take on the protective coloring of our species? Our ideas may be higher than society's, but society rewards and punishes its members according to its own ideas, not ours. Do you want society's rewards? Do you fear society's punishment? With you in my arms, I want nothing from heaven.  But, my dear, consider the price. Consider the price. Aren't you willing to pay the price? I? Yes. But it's the woman, always the woman, who pays. I am willing to pay. I am not willing to let you. You'll have to be there. I shall go with you on my terms, or not at all. You will come with me as my wife, or stay at home. Now? After all I've said, all I've done? Ernest, I've told the family. I relied upon you. I took for granted. Ernest, you wouldn't. You couldn't leave me behind now. Thanks to you and what you've made of me, I must, and I will. Ernest. Opens her arms to him to take her. Ernest, about to unfold her, resists. No. If you love me enough for that. Point to her pleading hands. I love you enough for this. He turns to go. Come when you're ready to marry me. Do you think this has been easy for me? Do you think I'll offer myself again on any terms? Never! You must marry me, and you will. You don't know me. Goodbye. Very well. Ernest, afraid to stay, goes at once. She waits motionless until she hears the automobile carrying him away. She immediately turns from stone to tears, with a low wail.  Oh, Ernest! How could you? Lucie, Theodore, Judge, and John all hurry back, all excited. Did you see his horrified look? Fairly running away, riv-vaulted. Points at Helen. Helen arises, defiant, confident, calm. What did I tell you? You have thrown away the love of an honorable man. Trampled upon the finest feelings of a deep nature. Let this be a lesson to you. You've lost your chance to marry, your chance to work, and now, by heavens, you will cut out independence and stay at home where women belong. And live down this disgrace, if you can. With one excuse or another, he'll stay away. He'll never come back. He will. He is coming now. He is crossing the hall. He is passing through the library. He's here. But she doesn't turn. Ernest reappears at the door and takes in the situation at a glance. He'll never look at you again, and I don't blame him. I'm a man, I know. We don't respect women who sell out so cheap. You lie. All turn, astounded. Helen runs toward Ernest with a cry of joy. John starts to block her. To John. Stop. You're not fit to touch her. No man is. I suppose that's why you ran away. Yes. To protect her from myself. And why come back? To protect her from you. You cowards. You hypocrites. He rushes down to Helen, puts a strong arm about shoulder and whispers rapidly. Just as I started, something stopped me. In a flash I saw...all this. Helen clasping his arm with both hands. I made you come. I made you see. John advances menacingly. By what right are you here in my home? By what right do you take my sister in your arms? By a right more ancient than man-made law. I have come to the cry of my mate. I'm here to fight for the woman I love. My trip to Paris is postponed. One week from today gather all your family here, and in your home we'll make our declaration to the world. In my home? Not if I know it. Judge, restraining John. Play for time, John. He'll bring her round. John, to Ernest. Do you mean to marry her or not? Speak my language! Ernest releases Helen and steps across to John. She decides that. Not you. I'll turn to Helen. Never.  And that will only cry aloud the thing you wish to hide from the world you fear. Just now Jean is seen slowly returning from the garden without wrecks. Her pretty head is bent and busy with her own sad thoughts. She is startled by the following. There are laws to prevent marriage in some cases, but none to enforce marriage on women unless they will it. Enforce! Do you think I'll ever allow a sister of mine to marry a libertine? Jean thinks they are discussing her and is outraged. But I'm not going to marry him. My engagement is broken. General consternation. Sobbing Jean runs into house. My God, what next? Lucy, don't let Rex get away. You know what he'll do and when he sobers up it may be too late. To Ernest. As for you, you snake, you get right out of here. Judge, in the sudden silence. Now you've done it, John. Oh, very well. This is your property. But I am not. I go too. She runs to Ernest. Don't commit this sin. Let her go. She's no sister of mine. If she leaves this house now, it's all up. A woman who will give herself to a man without marriage is no sister of mine. Give. But if I sold myself as you are forcing poor little Jean to do to a libertine she does not love, who does not love her, that is not sin. That is respectability. To urge and aid her to entrap a man into marriage by playing the shameless tricks of the only trade men want women to learn, that is holy matrimony. But to give yourself of your own free will to the man you love and trust and can help the man who loves and needs and has won the right to have you.  She turns to Ernest, gives him a look of complete love and trust, then bursts into tears upon his shoulder, his arms enfolding her protectingly. End of Act II. Act III of Why Marry. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Why Marry. By Jesse Lynch-Williams. Act III. It is well along in the afternoon of the same busy day of rest. Most unaccountably, until the judge accounts for it later, the terrace has been decked out with festoons and flowers since the excitement of the morning. Japanese lanterns have been hung, though it is not yet time to light them, and though it is Sunday in a pious household. Most incongruously and legubriously, Lucy is pacing to and fro in silent concern. Theodore now comes out of the house, also looking harassed. Lucy turns to him inquiringly. He shakes his head, sadly. No word from Uncle Everett? No word. He must have reached town long ago unless he had tire trouble. It's a bad sign, Lucy, a bad sign. He would surely telephone us. He only hadn't missed their train. Uncle Everett is the only one who could have brought them to their senses. It may not be too late. He took our fastest car, our best chauffeur. Detectives are to watch all the steamers tomorrow. John telephoned at once. But tomorrow will be too late. And oh, when it all comes out in the newspapers. The ghastly headlines. Well-known scientist, beautiful daughter of a prominent family. Oh, what will people say? John, hurried and worried, rushes out shouting for Lucy. Any news? Any news? Theodore and Lucy give him gestures of despair. Then it's too late. He too paces to and fro in fury, then bracing up. Well, I found Max over at the golf club. Terribly cut up, but listen, not a drink, not one. Where's Jean? Got to see her at once. Locked herself up in her room, John, crying her little heart out. Rexed is a changed man, I tell you. We've got to patch it up, and we've got to do it quick. But, John, when the bakers hear about Helen, Rexed marry into our family? Never. We're disgraced, John, disgraced. But they're not going to hear about Helen. No one knows and no one will. Helen has simply returned to Paris to complete her scientific research. My press agent, he's attending to all that. But questions, gossip, rumor, it's bound to come out in time. In time, but meanwhile, if Jean marries Rex, the bakers will have to stand for it. What's more, they'll make other people stand for it. Back by the bakers, no one will dare turn us down. Our position in the world, my business relations with the old man, everything hangs on little Jean now. Tell her I've simply got to see her. Lucy hesitates. Hurry! Rex is coming over later. He catches sight of the table, fastoons, etc. Heavens, what's all this tomfoolery? Uncle Everett's orders. He wouldn't stop to explain. He left word to summon the whole family for dinner. Lucy goes. The whole family? Today of all days. John, you must not, shall not, force Jean to marry this man. Haven't I done everything for my sisters? Can't they even marry for me? The man she loves, or none at all. That cub at the law school? No money to keep a wife, no prospects of any. His father's a college professor. No love without marriage, no marriage without money. Ernest Hamilton's words this morning when we walked to church. John, watching house, expectantly. Survival of the fittest, Theodore. Survival of the fittest. The fittest for what? For making money. The only kind of fitness encouraged to survive, to reproduce its species. If the ability to make money is not to test a fitness, what is? Then you are more fit than a hundred Hamilton's, are you? And Rex? How fit is he? Rex never made a cent in his life. He's got it all the same. Say here, haven't I enough to worry me without your budding in? Jean's got to marry somebody sometime, hasn't she? But not Rex, not if I can prevent it. But you can't. You have nothing to do with it.  I marry Jean and Rex? Never. Jean comes out. She's frightened and turns timidly to Theodore for protection. Jean, don't detain Theodore. One important business letter to write. Theodore turns to Jean indignantly. Your wife's sanatorium bills. Better settle up before they've done you again. With your money? Takes Jean's check out of pocket, about to tear it. Jean, catching Theodore's hand. For Mary's sake, for the children's, don't give way to selfish pride.  Then take her out of the sanatorium. You and your children? Then take them out of school.  Theodore glances at Jean. At check. A struggle. At bay, he finally pockets check and dejectedly goes into the house. Jean, with a wet handkerchief in hand.  Oh, come.  I never force anybody to do anything. My heavens, what's the matter with all of you? I only want to give you and Lucy and Helen and Theodore and the whole family the best of everything in life. And what do I get for it? I'm a brutal husband, a bullying brother, and a mouth factor of wealth. Lord, I guess I have some rights even if I have got money. Rex has money, too. Should that give him the right to women? I, too, have some rights, even though I am a woman. Any woman who can't care enough for a baker to marry him? Rex is the sort who would do everything in the world for the woman he loves, everything. All the bakers are like that. But what would he do for the woman he no longer loves? He wasn't full enough to tell you about that? About what? Nothing. I thought... I tell you, Rex has reformed. You thought I meant his past. I meant his future and my own. Well, if you expect to find a saint, you'll never get married at all. And if I never married at all? Then what will you do? That's it. Then what should I do? What could I do? Oh, it's so unfair, so unfair to train girls only for this. What chance, what choice have I? To live on the bounty of a disapproving brother or a man I do not love. Oh, how I envy Helen. If I only had a chance, a decent chance. Any sensible girl would envy your chance. You'll never have another like it. You'll never have another at all. Grab it, I tell you, grab it! Rex comes quietly, a determined look on his face. John sees him. Now think, before too late, think hard. Think what it means to be an old maid. And leaves them abruptly. Jean stands alone, looking very pretty in girlish distress. Rex gazes at her a moment and then with sudden passion he silently rushes over, seizes her in his arms, kisses her furiously. Jean indignant struggles, frees herself, and rubs her cheek. Oh, how could you? Because I love you. Love? It is demon respect now. Has that fellow ever kissed you? I have begged you never to refer to him again. He has. He has held you in his arms.  How many women have you held in your arms? Have I ever tried to find out? You don't deny it. You can't. I can. He respects me. I don't deserve it, but he does. Thank heavens. Oh, you don't know how this has tormented me, little Jean. The thought of any other man's coming near you, why, I couldn't have felt the same toward you again. I just couldn't. Well then, other men have come near me. Other men have kissed me, Rex. What? When? Where? Oh, in conservatories in town, John's camp in the North Woods, motor rides in the country. Once or twice out here on this very terrace, when I've felt sentimental in the moonlight. Oh, Jean. I never supposed you were that sort. Oh, I don't make a habit of it. I'm not that sort. But, well, this isn't all I could tell you about myself, Rex. Don't.  Oh, I've merely been handled, not hurt. Slightly shopworn, but as good as new. Jean, what makes you say such horribly honest things to me? Yesterday I did you a great unkindness, Rex. I deserve to suffer for it. You don't suppose I enjoy talking this way about myself? I never heard a girl, a nice girl, talk like this before. Naturally not. Usually nice girls hide it. It's an instinct in women to keep up their value. Often I've had thoughts and feelings which nice girls of your artificial ideal are supposed never to have at all. Perfectly natural, too, especially girls of my sort. We have so little to occupy our minds except men. To have a useful, absorbing occupation. It rubs off the bloom, lowers our price in the market, you see. Oh, stop. If you're not going to marry me, say so, but... But I am. I am not going to be a dependent old maid. But first I want you to know exactly what you are getting for your money. That seems only business-like. Would you only marry me for that? I told you I loved another man. Do you want me? Do I want you? He shan't have you. Then take me. Rex seizes her passionately. I'll make you love me. Kisses her triumphantly. I'll bring a different light into those cold eyes of yours. Wait until you're married. Wait until you're awakened. I'll make you forget that man, all other men. You're to be mine. All mine. All mine. But I don't care to marry an iceberg. Can't you love me a little?  In my soul? Yes. It's only my body I'm selling, you know. Then deliberately, clearly without passion, throws her arms about his neck, clinging close and kissing him repeatedly until Rex responds. Look out. Here comes the person. Theodore comes out of the house. Oh, Theodore. Rex and I have come to an understanding. Will you solemnize our blessed union? Not unless you truly love each other. Marriage is sacred. A large church wedding that will make it sacred, a full choral service, many expensive flowers, all the smartest people invited. That always makes the union of two souls sacred. Those who truly love, their friends should witness the solemn rite. And my wedding gown will be white satin with a point lace veil caught up with orange blossoms and a diamond tiara, the gift of the groom. That ought to make it solemn. The white veil is the symbol of purity, Jean. Of purity, Rex, do you hear? Whenever you see a bride in the white symbol of purity, she is pure. That proves it. That makes it all so beautiful, so sacred, so holy, holy, holy. Hysterically turns and runs into the house as John comes out. Jean, you must not. You shall not. Rex runs in after Jean. John, I warn you. I'll prevent this marriage. I'll tell every clergyman in the diocese. I'll inform the bishop himself. This marriage would be a sacrilege. You dare threaten me? After all I've done for you! Your five thousand was alone, not a bribe. Every cent of it will be returned. You can't return it. I wouldn't let you if you could. Come. It's all in the family. Theodore shakes his head. You know that beautiful gothic chapel Old Man Baker is building on his estate? He likes you. I'll tell him you're just the man he's looking for. Safe and sane. No socialistic tendencies. Don't trouble yourself. He offered me the place this morning. You didn't refuse it. I did this morning. But since my last talk with you I've reconsidered. I've telephoned my acceptance. Bully! Great! Why, now you're fixed for life. Only one kind of fitness encouraged, eh? Right always triumphs in the end. Never lose your faith again, Theodore. Right. That whiteed sepulcher. His mill hands dying like flies. His private life a public scandal. Then why accept his tainted money? To keep my wife alive. To keep my children out of the streets. To keep myself out of deeper debt to you. That's why I accept it. That's why many a man sells his soul to the devil. If I had only myself to consider, why, to me a little thing like death would be a blessed luxury. But I, why, John, I cannot afford even to die. I must compromise and live. Live for those dependent on me. Your five thousand will be returned with interest. But your little sister will not be married to a man she does not want. But Rex wants her and money talks in this world, louder than the church. Refuse to marry Baker's son and how long will you keep Baker's chapel? Think it over, Theodore. Think it over. Suddenly the judge in motor garments covered with dust comes out panting, followed by Lucy calling. Uncle Everett. Uncle Everett. John. Oh, John. Where is she? You were too late. Wait. Give me time to get my breath. Fans himself with his cap and mobs brow. My detective. Didn't he meet their train? Judge nods yes. But they saw him first? Judge shakes head no. Didn't he follow them? Judge nods yes. Where'd they go? Where are they? Speak, man. Speak. Judge raises cap and handkerchief. Now give me a chance and I'll tell the whole story. The detective was waiting at the station. He saw them step out of the train. He followed them to the cab stand. He watched them get into a taxi, jumped into another himself.  Even now they don't know they were being watched. Or else, well, they might have taken another course. Quick. Tell us the worst. Well, they drove straight to Helen's apartment. And you were too late. I thought so. But my detective? He followed and reported to me when I reached town. Reported what? Tell us all. First, he saw Ernest help Helen out of the taxi. Very tenderly, like this. Little they realized then how every detail was to be reported to you now.  Then the detective saw Ernest deliberately. Yes, go on. Deliberately, lift his hat like this. Say, good afternoon, just like that. And drive on to his own apartment a mile away. There is a sudden silence. The others waiting. The judge now sits down. Oh, is that all? Why, it's exactly as if they were engaged. No, Theodore, not exactly as if engaged. You're keeping something back from us. Speak! Judge gets up from chair. Must I tell you? It's rather delicate. Well, he didn't even step into the vestibule to kiss her goodbye. But where are they now? Quick! They met later. I knew it. Yes, it's true. They are alone together at this very moment. Where? Where? Judge pointing to house. There. What? What are they doing here? Judge resumes fanning. Discussing the marriage problem. General rejoicing and relief. Not so loud. You might interrupt them. Cold feet. Knew he'd lose his job. The disgrace. She couldn't face it. No conscience. A deep religious nature. They all think it over a moment, each sure of his own diagnosis. John, turning to judge with amusement. So, decided the soulmate theory wouldn't work in practice, eh? And they agree to marry? Judge stops fanning. Marry? My no. Nothing like that. They think less of marriage than ever now. Helen is using women's sweet indirect influence on Ernest in there at this moment. All start toward the house impulsively, but on second thoughts they all stop. Then how on earth did you get them back? Oh, perfectly simple. I promised Helen you'd apologise to Ernest. I promised Ernest you'd apologise to Helen. I promised both you'd arrange a nice little family party for them. They'd be no grudge. They're too happy. A family party? For them? Horrors. Yes, here in your happy home. The others turn on the judge, indignantly. Well, don't jump on me.  Consider it of them, I say. You don't deserve it, if you ask me. Tell the whole... See here, are they crazy?  Do you think I'm crazy? Impetuously turns toward the house, a man of action. Judge stopping John. Wait.  But you've utterly failed. They've done nothing wrong. As yet. Why, they're the finest, truest, noblest pair of lovers I ever met. Now aren't they, Theodore? I can't say that I call Helen's ideas of marriage noble, exactly. She is willing to sacrifice even marriage for his career. Isn't that noble? And he, willing to sacrifice even his career for marriage. Both noble, if you ask me. Noble Tommy Rott. A pair of pig-headed, high-brow fools. They don't have to sacrifice anything for anybody. Can't they work together just as well married as unmarried? That's what I said to her. But you had already convinced her that it was impractical. Work and marriage. Combine the two and you'll fail at both. Your own warning, John. You think you're very funny, don't you? But that's my sister in there planning to be that fellow's mistress, right here in my own house. Anything funny about that? All right. Go put a stop to it then. John starts toward house. It's your own house. Turn her out again. John stops short. What are you going to do about it, John? John has no answer. Drive little Jean into marriage with a man she does not love? She is an old-fashioned girl. But your other sister, you can't make her marry even the man she does love, unless she sees fit. She is the new woman. Society can no longer force females into wedlock, so it is forcing them out by the thousands. Approve of it? Of course not. But what good will our disapproval do? They will only laugh at you. The strike is on. Few of the strikers will let you see it. Few of the strikers have Helen's courage. But, believe it or not, the strike will spread. It cannot be crushed by law or force, unless society wakes up and reforms its rules and regulations of marriage. Marriage is doomed. What are you going to do about it? I thought so. Nothing. Call them bad women and let it go at that. Leave it all on human nature, made by God, and leave untouched our human institutions, made by man.  Human nature today is better than it ever was, but our most important institution is worse. The most sacred relationship in life has become a jest in the marketplace.  You're afraid of life, afraid of love, afraid of truth.  All right, all right. But we can't change marriage overnight just to suit Helen. What are you going to do about it? There's just one thing to do. Will you back me up in everything I say? Anything. Everything. Then tell Helen she doesn't have to marry. That, with the best intentions, the church has made a muddle of monogamy. Everett, I protest. That we all admire their consecrated courage and advise their trying this conscientious experiment. Not if I have anything to say about it. But you haven't. Do please get that through your head, Theodore. They've talked enough. Ask them to step here and receive John's blessing. Go on. I'll fix John. Theodore goes. To John, who is about to burst forth. You see here, did you ever pull a dog into the house against his will?  You mean they'll come in, be respectable? Admit that marriage has numerous drawbacks. And they'll see its advantages, deny it, and they'll see nothing but each other. Marriage is in a bad way, but it's the less of two evils. Marriage must adjust itself to the new woman. For the new woman must, meanwhile, adjust herself to marriage. To Lucy. Now then, did you send out that hurry-call for the family this evening? Yes. They're on their way here now, but Uncle Everett, Dr Hamilton said next week. Yes, I know. It'll be a little surprise party for Helen. Did you order some music? Yes. The musicians are to be stationed in the library. Excellent. Excellent. Indicates table and festoons. All that junk will help too. A good Sunday supper this evening, Lucy. Your best champagne, John. Gay spirits, family affection, warm approval, toast to the future. Why, all we'll have to do is, here they come. Now follow my lead. They've done a lot of thinking since she saw them last. But make one misstep, and it's all off. Be nice to her, John. It was just a girlish impulse. John opens arms to receive Helen. My sister! All is forgiven. Helen stops short, her lip curls. You forgive me? Before John can reply, Theodore and Ernest follow, talking. But I tell you, he had a perfect right to put me off his property. The thing I can't overlook. Please, John and Lucy, point finger at them accusingly. Theodore has told me what you thought. Please don't judge us by yourselves again. You licentious-minded married people. Well, I'll be damned. Danvard, he's right. But Ernest, I'm bound to say when two people run away together... Ah, Theodore, you two are all married people alike. Did we want to run away, as you call it? Did we not ask for a week to think it over? Did we not stipulate that in any case we must frankly face the family first? But this person, what did he do? He ordered us off his property like trespassers. What could we do? Sit down in the road and wait a week? Bah, we went home. You suspicious married people. You hypocritical, unspeakable married people. Judge has difficulty in restraining John. I believe our good friend the judge here is the only decent-minded, properly married person on your property. Decent-minded? Why, he's the... Lucy stops him. Devoted to his wife. Lucy is jealous of what I'm doing for my wife. Now come, we must all just let bygones be bygones. We know your intentions are honourable, your courage admirable, and for whatever was a miss in word, deed or thought, we all humbly apologise. Don't we, John? John bows uncomfortably. Lucy, Theodore, and now I want you all to tell Ernest and Helen what you told me, that their arguments against marriage are unanswerable, their logic unimpeachable, and we no longer have the slightest intention or desire to get them divorced by matrimony. John, Theodore and Lucy look dubious. Judge crosses over and pinches them. Helen and Ernest are utterly bewildered. Why, we wouldn't let a little thing like marriage come between them for the world, would we, John? Would we, Lucy? Would we, Theodore? I agree with Uncle Everett entirely. And you, Theodore? Perfectly. And you, Lucy? Absolutely. There, you see? Ernest looks from one to the other in amazement. I don't believe a word of it. Why not? Why not? Very well, then invite the whole family here next Sunday. They'll be here in an hour. In an hour? In an hour? Yes, you were to begin your new life together this evening. Isn't it lovely? But that's so sudden. Why, we, we aren't ready. Just as ready as you'll ever be. Ernest's vacation begins tomorrow. Your honeymoon. But don't you see? Those new Paris clothes John gave you. Your trousseau. Well, but... And this family gathering this evening, you're, in a manner of speaking, wedding party. Now it's all fixed. Let's go and dress for the, as it were, ceremony. Wait. Did I ever say I would not marry this woman? All stop. Turn. Exchange glances. Judge. Ah, a broad-minded chap. John, with a wink at judge. Ah, so you think you'd like to marry my sister after all?  What have I been doing for the past 24 hours, begging her to marry me? What have you been doing? Preventing it. Why did I postpone sailing for a week? Why did I insist upon the family party?  Stand for it, John. You've got to stand for it. Tell him you love him like a brother, in law. Well, I... I... You have my consent, Dr. Hamilton, I'm sure. Your consent? What's that got to do with it? They all turned toward Helen. Ernest steps between them. Now wait. This morning you tried bullying. Did it work? This afternoon, bluffing. Think that will work? You can't frighten her into marriage. I've tried that myself. We've got to appeal to some higher motive than self-interest or superstition with this woman. Racial motives. Unselfish motives. But don't talk to me about her being immoral. I won't stand for it. If you want her to marry, prove the morality of marriage. The morality of marriage? What next? That's what I said, the morality of marriage. This woman is not on trial before you. Marriage is on trial before her. And thus far, I'm bound to say you've not made out a good case for it. But simply justify her marrying me, and I give you my word, you can perform the ceremony this very evening. No license is required in this state, you know. Now, what could be fairer than that? To Helen. Do you agree to this? We agree in everything. Both broad-minded. I never said I did not believe in a legal wedding. Others surprised.  Without children, I don't see how any marriage is ever consummated, socially. Ah, but this relationship, it's a sacred thing in itself. I know it. I want to do right. Theodore, please believe that I do. But the kind of marriage preached by the church and practiced by the world, does that cherish the real sacredness of this relationship? Of course, I can only judge from appearances, but so often marriage seems to destroy the sacredness. Yes, and also the usefulness of this relationship. But, my dear girl. He thinks so, too. Only he has a quaint, managed