The following is a presentation of TFNN, The Trader's Edge with Steve Rhodes, toll-free at 1-877-927-6648 or internationally at<PHONE_NUMBER>. The Trader's Edge. Now, Steve Rhodes. Good afternoon, folks. Welcome to the March 1st, the terrific Tuesday edition of today's Trader's Edge show. I'm your host, E.V. Perseverance Rhodes, who absolutely knows that each of us should always be pioneers of our future versus prisoners of our past. Hope everyone out there is having a great day. Hey, let's make sure we have an extraordinary one of the easiest way to do that is to always remember that life is happening for us, not to us. That's right, when you and I make that one little two-by-four shift, means we can find the gift in every set of circumstance that life is going to toss at us. Now, today, you and I, we're going to go check on the circumstance of these markets. We'll go figure out what those bulls and bears, what those buyers and sellers are communicating to you and I just past one o'clock in the afternoon. I want you to know I'm absolutely grateful for your presence here. But more important than that, and that's this. During this next 16 minutes, I'm here to serve you. So feel free to pick up that phone. You can dial on at<PHONE_NUMBER>. And if you can't dial in, we've got you covered there, too. You can always let those fingers do the walking. That means you can send me an email. Send it to Steve at TFNN.com. And inside the subject, please put radio show question, of course, in our Tigers. Then, well, any and every ping will do. So let's go ahead and get this show started on terrific Tuesday. Of course, this is Tiger Financial News Network. I'm Steve Rhodes. Welcome to Let's Show. Right now, we've got all the U.S. indices trading to the downside, the Dow down 605 points. Nearly one in eight tenths percent. The S&P 61, one in four tenths percent. NASDAQ one in two tenths, or 170 points. Russell down 33, or 1.6 percent. Semi's up a little three and a quarter, three tenths percent, down 112 points. Trendy's up 260. New York Stock has changed down 230. Spot follow takes up 10.8 percent out here. So what you're going to be looking for is a one-day rate of change. If you do get that at four o'clock and it's above somewhere above plus 10 percent, you're going to look and anticipate some type of at least tradable bottom that would come into the market. Gold's up 38 bucks. Silver's up a buck. Lights recruit up 850 points. What a move up there. It's a trade printed out at 104 on its way to the 107 level. Not saying that's where it's going to stop. Just saying that's where it's headed to. Natural gas up 15 cents. That's a big move. Up trading out of 456 and a 30-year treasury up over two full points. It's trading out at 158.30. Lead the charge dollar-wise to the upside. You've got Tars J. Target. TGT is a ticker symbol. Up 11.5 percent or 22 bucks. Zscaler is up 7 percent or 18 bucks. E-Pam Systems, 19 bucks, 9 percent. Lockheed Martin, 18 bucks or 4 percent. To the downside, it's booking holdings up 63 bucks. 3 percent. Ambrella, 43 bucks. Ruins, 31 percent to the downside. Out there, AutoZone, 38 bucks or 2 percent. SVP, financial, 37 bucks, 6 percent. So we've got some winners and we've got some losers. John says, please show the chart of the Spot Volotenix with the greater than and less than minus 10 percent Spot Volatility Index. So that would take us to this chart right here. So let me just get rid of that. There we go. So we take a look at this right here. The blue arrows on this chart identify days where there's a one-day rate of change greater than plus 10 percent. And what that typically leads to is either a bounce or bottom in the market in the following trading session. It typically takes place, well, sometimes it could take place in the early afternoon and still have that Spot Volotenix close above plus 10 percent. And what you're really looking for there would be the better pattern is the rose-metamindicator signal. Because that's where the market stretches itself to one side and then you've got that, you know, ball coming out of the water so that you get that little bit of a bounce. So we'll take a look at that when we take a look at the equity future contract. The green arrows are one-day rates of change below minus 10 percent. Those typically lead to initiation moves to higher price out there. Now, let's go take a look at the markets out here. Let's go take a look at what they're doing. In fact, what we'll begin with is what each of you can do on your screens out there. And this is taking a look at the index ETFs. So here you've got the spy in the upper left-hand corner. The Q is in the upper right. Lower left, I've got the diamonds. And the lower right, I've got the IWM. So we've got all four of these. And what we're focused on is their most recent swing point. The case here, that was from February the 24th. Each made a lower low on that trading session. Now, the volume in the spies on that trading day, again, that's February 24th, was 213 million. We're 111. We've been trading 930, 1030, 111, 1231. Four hours. We only have two and a half more hours. Two more hours left. Two hours and 15 minutes, I should really should say. Two hours, 45 minutes. And you've done 68 million shares. It's light in the loafers as prices point back in that swing point. Now, we already have a test because the low, so the high of that session was 428.76. The low so far today is 428.50. Yep, by 26 pennies out there. So if price close above 428.76, you'll have a test rejection of that swing point that could or should lead to lower price. In the case of the Qs out there, its swing point high from the 24th was 341.04. You've only gotten down to 341.39. The Dow Diamonds, that level is 332.74. The volume on that trading session was 14 million. You're at 4.8 million today. So truly pulling back on light volume out here. And if price can close above the top of that profile, which is 332.74, you'll have that test rejection. Let's talk about this for a moment. What happens if price close below in the case of Dow Diamonds, closes below 332.74. Closes into that swing point on light volume. Well, then we don't know. What we do know is that then price can go and test that bottom. If you close into a swing point with volume, whether it's the downside, in this case here, that's what we're talking about, or to the upside, then it increases the odds that price is going to go test that either upper range, in this case here, really be the lower range out there. So you want to watch for that. But you've got, in the case of the IWM, has it actually performed the test. So the low today is 198.58, 198.48. It's missed it by 10 pennies out there. But what we can see with regard to the volume aspect of the markets is the markets are pushing lower on lighter volume out there. And that's a suggestion that we're not going to see the markets break out this low from February 24. It doesn't mean that it can't. It just means that we're not likely to see that. We take a look at the equity futures out here, the daily equity futures. Well, you're going to see that the ESMini has tested so far and rejected the 42.90 level. That's the high of the same swing point from that February 24th level. The NQ has not made it back, so much like the QQQs out there. 39.83 would be the number. We've only gotten down to 13.998. The Dow has tested it. 33.205, we're trading at 33.223. So we've got to go look at the intraday chart and see if there's any kind of bottom signal out here. But so far we've got a test and a rejection. And in the case of the Russell 2000, the low so far today is 198.1997.40 is what it needed to get to to get a complete rejection. So we've got the same signals, if you will, taking place here in the equity futures as we just took a look at inside of the index ETFs out here. Let's say this is a signal that the markets are going to move higher. Where's the ESMini going to move higher to? Well, the first level that it would move to would be the 43.69 level, the center of its daily profile. The second level would be its descending trend line and maybe even get up to spike the 44.84 level. Now in the NQ, it's got a slight problem out here. If you can ask me where it's going to bounce to, basically is the high of the day, which is 14.342, which is the bottom of that daily profile. And that in essence is really the level to be watching on any move higher inside the NQ because if price can get back inside there, then we could see it move up to 14.653. The Dow, the Dow diamonds, or the Dow equity futures contract. If this thing can close above 33.902, that's going to signal a run to 35.060. Look, that's not where we're at right now. Right now, it's just testing the bottom or the top of those swing points from February 24th. And that's really the key level to be watching through the rest of the day. So let's go out to the beach. Steve Rhodes with TFNN. We'll be right back. Finishing at number two for the year. An amazing accomplishment. Steve Rhodes is committed to sharing his techniques and knowledge with anyone who wants to learn. And he shares his vast amount of trading knowledge every day in his Mastering Probability newsletter. Steve's award-winning newsletter, Mastering Probability, is delivered every trading day with updates throughout the afternoon. Sign up for Steve's Market Newsletter, Mastering Probability, and you'll receive access to educational webinars absolutely free. 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TFNN Educating Investors from the United States internationally at<PHONE_NUMBER>. Questions that have come in, we've come in by e-mail, the first one coming in by Tom G. Tom writes in Good afternoon Steve, dumped all of Nordic American tankers yesterday at 3.57 p.m. Nice move out there as you take a look at the chart we're showing the Nordic America tankers chart. So today starting a real laughs and I do have a finder fee for Brent out in California. Hey, Brent, that's good news for you. That's a wonderful thing. So we've got to, you know, surrounded by a group of great traders, all the folks that are inside the Tigers Den, all of you listening in. It's always such a pleasure to be with you and to, you know, share your emails and read them. So Tom G, let's go take a look at Nordic American tankers. Whereas yesterday I was like, you know, is this possible? Could this possibly pull back? Because Tom's question was, where was the entry point? And then Brent was kind enough to say, Hey, look, that oscillator and change, I believe it was for Nordic American tankers is getting ready to change colors, which it did, which it has, or maybe we looked at it yesterday and that really becomes the price target. So now what you've got out here today is going to become bar number eight of a TD nine count price found resistance at that 240 level. You're at the low of the day. So from an accumulation standpoint, I don't think we have any signals on the interday charts. We're going to go take a look at those for you to try to. So actually, let me pull over a different set of charts here for Nordic American tankers because that didn't have any of the interday time frame. So let me pull this one back over. Thank you very much. But back to where from a daily standpoint, those of you that listen in that want to get in on Brent's action, get in on Tom G's action out here, then the entry point right now is going to be a buck 74. Now that's going to change. That's that oscillator and change line. And when that changes colors, we typically see price and it catch up to each other. Now, that typically occurs when we get some type of topping signal. Well, today is definitely going to be bar number eight. I could draw some kind of A to B equal CD. And you've got a dark cloud cover. So that's a sell the D point price running resistance at that TD nine count breakdown level 240 out there. So that's the target area on a move lower. So you should get bar number nine tomorrow. You'll have that topping signal. And I'd say over time, that's what you would be looking for. Now, let's go look at an intraday chart. Let's start with the 30 minute chart. Okay, perfect. So on the 30 minute, why is it perfect? Why'd you say perfect, Steve? Well, really, because there's two tops out here. So yesterday at 12 noon, that's not when Tom got rid of it, but at 12 noon, what the 30 minute chart had was a TD nine count pattern. And then we can see that this morning on the spike higher inside of Nordic American tankers, what it did still close below that threshold level bar number eight, but also generated a road's momentum indicator top. Now you've got two topping signals, does two tops make it stronger than one? No, not to my recollection, not that I know of. Now you are in bar number six on a 30 minute chart out here. So this could form a TD nine count bottom, could we don't know whether it will or won't, you've got to get to those counts out there. But you're in bar number six, that ends at 130, seven, eight, that would be 230. Three o'clock would be bar number nine. So between three and 330 Nordic American tankers could could form a TD nine count bottom. And that could be the place where you'd be looking at to get in. And it's going into this. You can see here's where the gap to the upside from yesterday morning was wide ranging bar out there. So that would be logical. If you don't get a TD nine count bottom out here on a 30 minute chart, then with that suggesting to us, we may see a move back to buck 85. That's its breakout level. No, buck 85 gets as close to that buck 74. How it here doesn't get us there. But that would be an area to be looking at. Let's just look at, well, let's get a 15 minute chart. 15 minute chart says, oh, so this is cool here, Tom. You have the same Rosamund to Mindicator top on a 15 minute basis. You do have a TD nine count bar. That says you want to watch the close here coming into this 130 timeframe. If price starts trading lower, that means that close, or I should say close below 215, that tells you this 15 minute TD nine count has failed to put in the bottom and the price would have lower. And there is also looking at a buck 85. So you got two buck 85s out there, bucks, the 16 minute chart says, watch the 215 level price close below that. It wants to move to lower ground. So with regard to the accumulation, I'd wait a bit. I'd wait to the 333 timeframe. Hopefully, you know the TD nine count pattern out there. You'll be able to keep up with that. And maybe that will assist you. But thanks so much for writing in, Tom. And thanks for recognizing Brent much appreciated. Let's take a look at the next question coming in from David in Tom Baltex. He wants to take a look at ConocoPhillips, COP. Let's get this fired up here. Let's go pay read the question. I'd like to ask you to look at ConocoPhillips. Perfect. We got that. It helped me to identify an A to B equal CD up pattern on the daily and weekly charts. You're also interested in any support area. If you have time, please look at oil futures contract as well. So support is going to be pretty easy, which is that yesterday price closed above the top of its daily profile. You're above it today. Day number two old resistance. That's what it was becomes new support. So the next support level on the way down is 9333. That's from the daily. The weekly is trying to take out the support level of the top of its profile 9493. So on Friday, you're looking for a close above that level. If I take a look at ConocoPhillips and go to the monthly timeframe chart, I know you asked about A to B equal CD patterns, not necessarily the easiest here to come up with, but we can come up with something. But in essence, here's what we've done here, David. If we just simply go from the swing point high from the trading period month of October of 2018 to the low out here in 2020, and we just simply do a Fibonacci expansion, we can see the price right now at the 1.272 expansion 9640, 9668. As long as price continues to hold this level, we don't see any kind of topping signal on the daily timeframe. Then this suggests that price will head higher. Well, the next expansion level gets you to the 1.1695 area. Now, this is the monthly chart. I know you asked about the daily and the weekly. I'm just looking to see if there's any kind of easy A to B equal CD pattern. So I don't see one so easy here or just clear, but it is much more clear on the weekly timeframe chart. Now, the question becomes, where do we want to start this A to B equal CD stuff at? Because there are several patterns that are out here. So where is it? So let's just take the conservative one. And the conservative one says, let's start at the most recent swing point low, which here I would choose the swing point from August 16th. That's why I'm going to choose the question from my system. There we go. Then for the B point, I'm using the week that began October 25th. And the C point was a retracement into the week of December 20th. Now the B point had volume of 35 million shares and it was passed with 43 million shares. So this A to B equal CD pattern here, conservative one, has a confirmed pattern. You don't have a bearish reversal candle. So this says the next price target is 99.85. The next one after that, 10904. You'd be watching for some type of bullish reversal candle to confirm a sell the D point pattern. If we look at A to B equal CD patterns here on the daily timeframe, I take the conservative one, which has a swing point from February 4th of 12 million. You're at 8.7. So it seems like you may be able to pass that. This small one, and there's A to B equal CD patterns all over the place out here. But the small junior one, January 24th low is the A point, the B point of February 4th. The C point is out here at February 24th. So you likely have volume. We don't know that to be the case just yet. You'll need to look at days in, but that gives you a one to one up into the 101, 44 level, 105, 83 would be the 1.272. So I do hope that helps you out. Thanks so much. You mentioned go take a look at Lightspeed Crude. And of course we need to take a look at Lightspeed Crude. So let's go take a look at it. As we get to Lightspeed Crude church, we'll take a look at our four panel chart out here. And what we'll see is prices above all profile levels. If I were to do the A to B equal CD pattern similar to what we just did out here, you know, that's not what I'd really use. We look at the weekly, I'm sorry, that was the monthly. Well, that was the weekly. I'll look at this when I get back from the break. But basically what we have Lightspeed Crude doing, it's trading into now the Sunday quarterly basis, but it's already trading into the swing point that set up that all time high back in July of 2008. So on a longer term basis, looks like Lightspeed Crude is going to get much, much higher in price. Steve Roach with TFNN. And surround yourself with these sharpest minds in the trading world. Educating investors. Features trading services with a 30 day money back guarantee for new subscribers, as well as TFNN's Tiger Den trading room, trading software and educational webinars for all trading levels. And make sure you check out Tiger TV for free on TFNN.com or TFNN's YouTube channel for live financial content from 8.30 a.m. to 4 p.m. Eastern on market days.  TFNN Educating Investors. TFNN is excited about our new software charting program, the Art of Timing the Trade Charts. In collaboration with Tom O'Brien and using his bestselling book, The Art of Timing the Trade, your ultimate trading mastery system, David White has programmed an outstanding piece of software that will complement any trader's methodology. Using this first of its kind program, The Art of Timing the Trade Charts allows you to scan thousands of stocks for Fibonacci formation setups, including Gartley's, ABC's, Butterfly's and much more. The Art of Timing the Trade chart is designed to help you when scouring the markets for stocks just beginning to form the trading patterns that many investors spend days, weeks or even months searching to find. And right now we're offering licenses available at only $79 a month. We are so confident that you're gonna love this new charting software that will even give you a 30-day unconditional money back guarantee. Don't miss out on this incredible new piece of software. Get your copy of The Art of Timing the Trade Charts today by visiting tfnn.com. This segment is brought to you by Think or Swim. For more information, just click the Think or Swim banner on the front page of tfnn.com. Welcome back, guys. So, David, we take a look at Lights We Crewed out here. We've got the April contract up. It's really hard to draw in a A to B equal CD pattern. Yes, Stevie's got one drawn in. But if you look at that B to C retracement, only 19%, 20%. Now, it's still a valid pattern, but I like to see something closer to a 0.382 retracement out here. So this suggests targets of $119, $128, $139 out there. And not that price can't get up there, because it most certainly can. I guess the last thing that I would do out here for Lights We Crewed is go to our A panel chart. And so I'll switch over to that here. We'll see that today is going to become bar number six of a TD9 count. So that says that we could see a short-term topping pattern occur anywhere from the next two to four days out there. Once we get to bar eight, that can be a top. It's either bar eight, nine, or the bar following nine out there that we'll be looking at. And as an example of that pattern, if you look at the 30 minute time frame chart, the upper right-hand panel, or let's just expand this out, you'll see that there's a TD9 count top that's in place out here. This formed on the bar following bar number nine out there. But what price does when you get a valid topping pattern? Now think of this as about Nordic American tankers. What I'm saying is when that oscillator and change line changes color, sometimes it doesn't have to change color, just simply when you get a topping pattern, the typical push on a move upside or move downside on a retracement is back to the oscillator and change line. Exactly what is transpired here inside of Lights We Crewed. It's the reason that I developed that oscillator and change line. Because I want to be able to identify or be able to communicate to myself, certainly be able to communicate to you, what a retracement is just a retracement. And a green line says we have a price oscillator is above zero and it's rising as long as price is above that. That is a very bullish condition. So retracements that are still in those very bullish conditions are nothing more than just retracements back to levels of support. And oftentimes it's the oscillator and change line. It's profiles, if they're available as well in this case here, it was the center of its bare structure profile that's in place. So you've got a TD9 count top. You know that if the high of the D gets taken out, that tells you about a strong moment to move to the upside. There's nothing bearish here at this stage. And that's as long as the oscillator and change line are 104-24 level holds out here. So that's what's going on short term. But the bigger picture, it does appear that Lights We Crewed wants to continue to move higher. So David H, thanks so much for writing in. We've got a couple questions that have come in inside the Tigers Den. So if you'd give me a moment here, we're going to change screens and I'll get over to the panel that would take a look at those instruments for us. Where's our three panel chart? Here's our three panel. And inside the, which what was the symbol? ABNB, Airbnb, ABNB. So let's get that up and I will get my other charts rolling here momentarily so I can get back to the Rs radio charts. There we go. So we take a look at Airbnb. It's trading below the bottom of its daily profile. Consolidating with inside its weekly profile. So the range here is 138.64 to 172.79. I'm assuming that the request was for more than just that information. So let's look at the white background charts and look at the daily timeframe. What do we have out here? You know, price pulled back to its breakout level at 143.81. We see the oscillator and change line has recently changed colors. So a key level of support is held. That likely is the upside target Coda, 164.45. The downside target would be 143.81. That is the TD9 count breakout level. That's what the daily chart tells us. So not really providing a ton of information to us, but more likely not. It wants to make that move to the 160 and change level. On a weekly basis out here, we can see how the TD9 count breakout level is active as support. That's at 141.50. That was back in January on a monthly basis. Don't really have anything here. And short-term, I'll just look at a 30-minute chart. Nice TD9 count bottom. Turns into a TD9 count top. Now you've got your consolidation between breakout support and breakdown resistance. So Coda, if you're trying to understand what direction is this going to head to, well, the answer will be whichever one of these fails with two consecutive bars above 158.27 says we move higher or two consecutive bars below 149.12 says we go back and we retest the lows from February the 24th out there. So I hope that helps you out with regard to Airbnb, but it's a twofer because Coda wanted to take a look at ticker symbol AMLP. Now that, I don't know what that is, but we're going to go find out. AMLP is drumroll Johnny. It is the Alps ETF Trust, all Allerian. So I've got no idea what this actually is trying to track out here, but what we do know is that price found resistance to the top of that daily profile. That's at 37.53. That's where you'd be looking for price to close above to suggest it wants to move higher. Price is trading above the top of its weekly and the top of its monthly. So it's really the daily chart that those two are waiting on, or I believe they are, but those might have tops you never know. Let's go take a look at the white background chart. So we've got a TD9 count, road momentum indicator and wave number seven chart out there, Coda. So that's courtesy of Basil Chapman. So we've got all three patterns out here. What does price do? Moves all the way back to the breakout level, holds the breakout level moves higher price right now on a daily basis is testing that green oscillator and change line. If price can hold this level, this level is 37.23. That suggests that it wants to move higher back to those highs that created that TD9 count wave number seven and that roads momentum indicator top. On a weekly basis out here, we've got no kind of a topping pattern. Well, I take that back. Well, the topping pattern actually takes you back to June 18th when that was a TD9 count top. And that's been, that has failed to have been taken out. So you really need to see a close above that to get bullish. That closes would be 38.92. You get above that, then you're going to run to 44.10. But you've got good support of that 30.57 level. And then lastly, let's go take a look at the monthly timeframe chart. Again, a TD9 count top. So getting above that high out there, again, that high is 38.92 is going to be a significant event in the life of AMLP, but not until it does that will it signal any kind of significant move higher. So hope that helps you out Kota inside the Tigers. And we've got a caller. It's Ron in Denver. Ron, thanks for calling. Thanks for holding. How are you today? Great, Steve. I just wanted to, I sold some puts on Pacific Biosciences, PACB. I went down here. That's one of Kathy Woods favorite companies. Less than a month ago, it was 58 and a half. And now it's just barely getting above 12. And I sold the 12 puts at Expire Friday, but I was thinking, I'm buying some long-term calls on it. And I just wondered what, how's that look to you? So right now, what the Pacific Biosciences is doing, at least today, Ron, is testing resistance, which is the top of its daily profile, 1233. So if it closed above 1233, then the next move would be up to 1308. And 1308 is the top of the weekly profile. And if it closed above 1308, this thing is suggesting to me, at least from a profile standpoint, that it wants to move higher. So that's your resistance zone, 1233 and 1308. Your support area is between 970, 1101 and 1039 and 1061. Those would be the foreign numbers there at this stage. Let's pull over the white background chart to see if we can find any additional information to assist us. So as this was making a low, so that's a weekly chart. Let me get to the daily chart. As this was making a low, back on the trading day of January 28th, that was a TD nine count bottom. And that is also, so not only is it testing the resistance level at the top of its daily profile, Ron, it's also testing on that breakdown level that was established by that TD nine count that generated to the bottom on January 28th. And that's at 1251. So if you see a close above 1251, certainly two consecutive close above 1251, this is going to signal wants to move to 2101. We don't have that just yet. And we'll look at a 30 minute chart to see if there's any kind of signal there, but really this is trading. So that's the, that's a significant level of resistance. Any questions about that on the daily time frame before I move to the week? No, sir. Okay. So on the weekly chart out here, the weekly chart says that red oscillator and change line is a real key level out here. Price can close above that. And that by the way is currently printed at 1288. That's another resistance point. If price were to close above that, that says it wants to make its merry way back to 2634. Rob, do me a favor. We're going to break here. Hold on. I want to make sure I answer all your questions about PACB. So we'll be back in just a few and we'll head back out to Denver. Are you in the market for buying or selling real estate in the Bay Area, including the surrounding St. Petersburg, Tampa and Clearwater markets? Tiger Real Estate LLC is a firm that has extensive experience in the Tampa Bay Area. 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The prospectus and summary prospectus contain this and other information about direction shares. To obtain a prospectus or summary prospectus, please contact direction shares at<PHONE_NUMBER>. The prospectus or summary prospectus should be read carefully before investing. An investment in the funds is subject to risk, including the possible loss of principal. The funds are designed to be utilized only by sophisticated investors such as traders and active investors. Distributor, four-side fund services, LLC. Don't forget, you can listen to TFNN live on your mobile device 24 hours per day. Go to TFNN.com and hit Watch Tiger TV. That's TFNN.com and hit Watch Tiger TV. Welcome back, folks. We'll take a look at ticker symbol PACB with Ron and Denver. Kathy Woodstocks is what Ron has indicated. If we're looking at the weekly time frame chart, which is what we're looking at right now, you can understand why she either has taken an additional position in it or it has a nice weekly TD9 count bottom. And the last week was a road momentum indicator signal with that bullish hammer. So right now it's just the battle of resistance. And that is the oscillator and change line. And again, Ron, that's printing at about 1288 right now. So we know that resistance has held when we took a look at the daily charts out there. And if I look at a 30-minute chart, as resistance was being hit, the 30-minute chart was generated road momentum indicator top. So it does add an 11 o'clock and it pushes price right back to the support area. And that's its bullish structured profile. And that's between 1166 and 1177. So this level is held. So here's what I would say, Ron, if price is able to close them up 1231, the top of that profile, then it's going to go retest today's highs. If it closed below 1166, then price is going to go test 1101. Do you have any questions with regard to the information I've shared with you so far? No, thank you very much. I appreciate that, those writers. Okay, perfect. Because that's all the information that I've got. So I hope that that helps you out and best of luck to you in that trade. Yeah, this is a little company does DNA sequencing. You know, you have children, rare disorders in children, but they're, they move to about 40 different cancers now that they, it's one of those companies going to change your DNA and chromosomes and so forth. And oh, so this is so really the ticker symbol here should be GOD, right? That's what they're doing. They're going to start playing around with DNA. They're going to start playing around with DNA. I think they made a point about that. Jurassic Park or something, didn't they? Anyway, that's just my thinking there. I don't like companies that think they can play God. Okay. So, but anyway, hey, Ron, thanks much for calling. And we'll look forward to speaking to you again. That was Ron in Denver. So let's go to some additional questions that we've got out here. One coming in from Hector and the fuel injectors. And Hector wants to take a look at Happy Taco Tuesday back at you, my friend. CVX, please confirm this is a clear consolidation breakout. Well, let's go take a look at that three time frame panel out or CVX. As we take a look at CVX out here, what do we have? So consolidation breakout. So not really the pattern that I see. I see one of your favorite A to B equal CD pattern, most certainly. Let's do this here. Let's just pull over the white background charts and see what clear signals we have here. So since that just happens to be on the monthly tab, Hector. Oh, you even got written here. You got on a monthly since July of 2014. Well, here on a monthly tab, let me share with you there's certainly an A to B equal CD at the upside. So we'll come back and we'll draw that in. But you're looking for a large consolidation. So no, I see the consolidation he's looking at. Let me go back. Well, first, let me stay with this and then I'll go back to the black background chart. So I see your consolidation just had to pull the chart back far enough. But you've also got an A to B equal CD at the upside. You're in bar number six on a weekly, on a monthly basis. You know, you don't get a TD9 count top until you get to bar eight, nine or the following nine. So on a monthly basis, Chevron looks way bueno. On a weekly basis looks even better than that. Why? Because price negated as TD9 count top tells you about a strong moment to move for this timeframe to the upside. So that says it wants higher price. And on a daily timeframe, you're in bar number five, you do have wave number seven, that's letter G. This needs a bearish reversal candle to suggest some type of top or short term top, which will initially be a pullback to the 141 level. I'm not saying that's where we're at in Chevron or CVX, but everything here looks pretty good. Now with regard to the consolidation, just have to pull this back further. We'll expand out the chart. The consolidation pattern, where are you going back to? You were going back to, you went to July, 2014. Hey, we can do better than that. We can take it back to 2008, if you would like. That's really the bottom of the consolidation hector. So this is going to be a gigantic one. So as we take a look at CVX, let's get Stevie's consolidation tool out here. And here's what I would be drawing in. Here is your good old fashion. Let's do it like this. Your good old fashion consolidation. And the beauty of a long or any consolidation period is that once you've got the consolidation, and if you break it, you typically have a measured move that is equal to or greater than the consolidation. So now as we move that consolidation, so over the long tall out here, the long haul, the consolidation breakout says that what Chevron wants to do is get up into the 210 area. You're trading at 147. So hector, yes. Good spot. Another consolidation. We just extrapolated it and took it back a little bit further. And thanks so much for writing in and hope that that helps you out. Next question coming in from Sat P. Please look at Airbnb. We just did that. Okay, so we took, so we had two people wanting to Airbnb. Code into Tiger's Den and Sat P. So we've gotten taken care of that for you. Hopefully you heard that, Sat. If you hadn't, please go re-watch the archive, which should be posted about an hour or so. Nick writes in and he says, could you please go over to the SMH if you have time, where we're going to make time for you. So let's go take a look at the SMH. I know that they are trading back into their swing point from a few days ago. Let's check out the volume matrix here. So that was the swing point from February 24th, 10.7 million shares. You're at 4.8 million shares right now. So it's pulling back with light volume. In order to suggest to us that this may not go test, even when you trade into a swing point with light volume, let's assume that it closes inside this. In order to close inside it, it needs to close below 266.80 and you're at 258.79. But because you've got this profile out here, if the SMHs can hold 263, that should be a test of support with inside that with inside that swing point that would suggest, okay, maybe that's it. And I want to go make a move back to 270 to 273 out there. If you look at the weekly timeframe chart for the SMHs, prices just simply pulled back to trend lines as well as the bottom of its profile, which is at 256.29. So that has held your inside the profile on the monthly timeframe. Let's just pull over quickly the SMHs. Let's look at the daily. That moved lower. A couple of days ago was a roadsman to indicator signal, wave number seven. It was also confirming a TD9 count that was out there. So you got three different bottoming signals. That's attempting to bottom. But boy, what you don't like is when prices below a red oscillator and change line. So even though you want to see this close back above 260.13, I know you're more bullish on the SMHs out here. You really need to see a close above 263.43 or thereabouts because that is that red oscillator and change line. It's always dangerous when prices below that level. So Nicholas, I hope that that helps you out with regard to the SMHs. As always, thanks so much for taking the time to write in. The next question, the last one that we've got here so far, which would be timely, is Stevie, could you please provide your announced Bitcoin and XBI? So let's take a look at, well, let me just put a BTC. I think it is still the March contract out here. That would be age 22. And let's just take a look at that and see what kind of profile. So as we look at Bitcoin futures, what it's doing here, Rich, it's trading with inside its bullish structured daily profile. And as long as price closed about $43078, that would suggest to you and I that it should go make a run for the $459.65 level. Let me pull over. This is just the daily chart out here. Just looking for any other signals. Now, this can't be right. What the heck? So for whatever reason, I'm not getting a good day to feed on the black background chart because this has a 53.3. Oh, I got two. No, I know why, because I'm looking at 2021. Hello, Steve. So let me get this fired up and go to March of 2022. That would seem to be more appropriate. Don't you think, Rich, if I'm analyzing something that should be in the present, not the past, I don't want to be a prisoner of my past. And we're not going to be. Now we've got the charts out here. We take a look at Bitcoin. What has it done? What other information can we provide? And the answer is not much. But Steve Rhodes with TFNN, your key reliable resistance of Bitcoin is going to be 49.710. Steve Rhodes, great. Sharpening your skills as an investor is like getting better at playing a musical instrument. You have to practice, sure, but you also need excellent instruction from experts. At TFNN, you'll get advice and guidance from the authority and technical market analysis. And it's not just dry tedious text either. TFNN airs live financial content streamed live on TFNN.com and TFNN's YouTube channel with Tiger TV, live every market day from 8.30 a.m. to 4.00 p.m. Eastern for free. 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The Tiger First mortgage program may be just the program for you. The Tiger First mortgage program pays 7% per year, paid monthly. For more information, you can call<PHONE_NUMBER>. That's<PHONE_NUMBER>. Don't forget, you can listen to TFNN live on your mobile device 24 hours per day. Go to TFNN.com and hit Watch Tiger TV. That's TFNN.com and hit Watch Tiger TV. Welcome back, folks. So, I'm just going to leave the black charts up on my screen out here. I can share with you that we had a nice rogment-dominicator bottom pattern on the 24th on the daily timeframe. And this is XBI, by the way, that we're taking a look at. So, you've got a valid bottoming pattern out here. It's just simply led to a consolidation with inside the daily profile. Resistance is 9169 and support is 8599. You close above resistance, you should add higher, at least to the 98 level.  The weekly chart last week generated a buy the D point pattern. So, now you have a long-term A to B equal CD.  So, a second bottom, you've got it on the weekly, you've got it on the daily. If price can close above on a weekly basis, 90.95, XBI should make its move to 101.55. That's the top of its profile. The monthly chart has a TD9 count bottom. Now, the TD9 count bottom formed in January of 2022. And as long as that low holds, that is 83.89, doesn't mean you can't test it. As long as price close above that, you have a TD9 count bottom for the monthly, buy the D point on the weekly, and a roadsmanship indicator bottom on the daily. So, the answer to your question, if you was a question, was, even though this looks weak, it has all the signals you want to be able to make a move higher out there. It's not a guarantee, but if you were looking for something that had patterns for all three time frames, well, just turns out that XBI is in. Now, to finish off the show, just to kind of give you a feel for what might take place in the short term out here, let's go look at those 30-minute equity future contract charts. What do we have out here? You've got a potential for a TD9 count bottom that could form between two and three in the ES mini. It's just got to spike a little bit lower. Well, let me just make sure. Maybe it has already done that. If I update this, will it move over? It has not. So, it still needs to spike lower in order to be able to do that, but look for that. That's a possibility. Only in bar number seven on the NQ, that defers it for about another half an hour out there. Same thing for the Dow equity future contract between two and three. There could be a bottom in the same thing when I take a look at the Russell 2000. Actually, it's in bar number nine right now. So, watch this between now and two-third. So, folks, stay tuned. You've got two more great hours left. Tom O'Brien from 3 to 4 will take you home. Your favorite polar bear, he's up next. David White. Take care, folks.


Ships carrying Ukrainian grain awaited inspection in Turkey's Bosphorus on May 10 as the Black Sea grain deal which allowed Ukrainian exports via the Black Sea was in danger of collapsing. Four-way talks on the deal between Russia, Ukraine, Turkey and the United Nations are due to take place in Istanbul this week, as Russia threatened to quit on May 18 over obstacles to its own grain and fertilizer exports. The inspection of vessels by the United Nations resumed on May 9, after the United Nations said no ships were inspected on Sunday or Monday. The UN in Turkey brokered the Black Sea export agreement in July to help tackle a global food crisis that has been worsened by Moscow's war in Ukraine. Officials from Russia, Ukraine, Turkey and the UN make up a joint coordination center in Istanbul, which implements the deal.


Four months after the surprise attack on Pearl Harbor that drew the United States into World War II, American forces were looking for a way to strike back at the Empire of Japan. What was spawned was an idea that was so outlandish that many didn't believe it could succeed. 16 Army Air Corps B-25 bombers under the command of Lieutenant Colonel Jimmy Doolittle were loaded aboard the aircraft carrier USS Hornet and sent towards mainland Japan. The plan was to get as close to the island of Japan as possible and launch the bombers on a one-way mission to bomb Tokyo. Detection by Japanese naval forces caused the commanding officer of the Hornet, Captain Mark Mitchell, and Doolittle to launch the raid early. All 16 bombers were able to get airborne from the deck of the carrier and 15 were able to drop their bombs on mainland Japan. To honor these events, members of the United States Congress presented a congressional gold medal to the United States Air Force on April 15. Immediately following the ceremony, a bronze replica of the gold medal was presented to the United States Navy for their involvement in the raid.


Welcome to Tea Cakes and Tarot. My name is Will Wilhelm. I am so grateful that you are here. Thank you to those of us who are joining in the Zoom room that are here to chat and hang with us. Also, this is our first episode that is being live streamed via HowlRound. So thank you so much to those of you that are tuning in through them and who will join us along the way. So Tea Cakes and Tarot began as an idea that my friend Erin Berry and I cooked up, a way to create some virtual togetherness and community in these wonky times. And something that I really love to do is to host events or friends in my home and my MO is always to connect the webs of queer people that I know to form a deeper and stronger community. So that's what we're doing here. We're going to meet a wonderful friend. We're gonna have a chat about our lives in the industry as artists and actors. And we're going to reflect and we're gonna dream. So welcome to my virtual living room. As my friends and my guests, I wanna see how you're doing, how you're feeling today. So I've got a little poll question for you. And as we are interpreting this episode, which I am very excited about, I'm going to be quiet for a moment so you can read and respond to that. Okay, we're almost ready to publish this poll. Thank you all for participating. Yep, let's do it. Okay, we've got a ton of fire signs in here, which I love. I appreciate the amount of people, the percentage of people who just admitted, I don't know. It took me a long time just to know that I am an air sign, which thinking about it now makes sense. So what I want you to do is center yourself, sip on something. If that's your vibe, light a candle, make yourself cozy. I'm gonna be sipping on my Egyptian licorice tea. Please feel free to use the chat for those of you that are gathered here. I'd love to know where you're tuning in from, what you're sipping on, if that's something that you're doing. Settle on in. So as I mentioned, I'm gonna bring in a friend, we're gonna have a conversation, a little chat. And then, because this is Tea Cakes and Tarot, conversations with queer futurists, we gotta have some tarot, right? So I'm gonna pull one card from the Major Arcana, from the Star Spinner Tarot by an artist named Trungles. We'll talk more about what that means a bit later, in case anyone doesn't know. And then the Island Shakespeare Festival, our producer has our very gorgeous, very elegant, custom deck of Sonic cards. So I'm also gonna pull one of the Shakespeare's Sonnets. And that's it. Like I said, feel free to use the chat. Thank you for people coming in from all countries. I love that. If you have questions for our guests, feel free to put those in the chat as well. And let's do it. Let's get cozy, let's get comfortable, and let's do some dreaming. So our guest today is a super talented actor, based out of LA. His credits include the Deaf West production of Spring Awakening on Broadway. He's played Romeo in Romeo and Juliet at Act Seattle. He played Quasimodo in the Fifth Ave's theater production of Punch Back of Notre Dame. And he's all over the internet, doing some amazing thing like web series directing, solo shows, so many things. My guest today is the super cute, super sweet, Joshua Castile. Let me bring him in right now. Hello. Come on with the bits already. Hi, Josh. How are you? It's Guac. Hi. I'm good. How are you? I'm doing really well. I'm so happy that you're here. Thank you for having me in your intergalactic space. Absolutely. Josh, you are such a beautiful bundle of joy. And that like pervades through literally five seconds of interaction with you and anyone who's seen you on stage or anywhere on social media. Can you just tell us a little bit, like where does that come from? It's funny you said that because I just realized the other day that my friend was like, I'm from like a French background, and I said, that means I like to discuss the philosophical questions and discuss, you know, what is the existence of life? And I was like, oh, and then we looked at what Cajun means. And that's from like Louisiana where I'm from. And we just like to have a good time. I mean, I like to hold things against people just like to smile and have a good time. So I think I get that from like my culture in my background, but I just feel like life is so beautiful. And I get to meet wonderful people, people like you and just have fun, why not, you know? I love it. Thanks for being here. Thanks for having this fun with us. Oh my God, yes. So I, oh, thank you so much. Here we go. I have a few questions for you, but I also know that you have come to this space prepared with at least one joke. So I'm gonna let you start off with that. Okay. So my first one is, what are the chocolate bars pronouns? I don't know, Josh. What are the chocolate bars pronouns? Are you sure you don't know? Milk and dark? Ooh, that's great. Okay. Hershey.  I love it, right there. Yeah. Zoe from the chat did get Hershey. That is really good. Oh my God, I love it. Josh, I just sort of went over your like very expansive resume going from Shakespeare to film to Broadway. Like she's doing it all. Oh, she's shy. She's shy. Will you talk to me a little bit about like spanning all of those mediums? Like what's the same for you? What's different? Do you have one that you love most? You do film and theater both, right? I've actually never really done film. I do a lot of theater. Ooh, I'm really curious to see what your voice looks like in film because I feel like you have a lot of like really cool ideas and I'm just like... Thank you. Yes, yes. Feel free to introduce me to whoever will make that happen. Yes. So to answer your question, I've always been into theater. Theater was my biggest thing. Like I love, I love. And I think it came from, I tell the story that where when I grew up on the playground, a lot of kids didn't want to play with deaf kids. So we always had to play with trees and like each other, we weren't allowed to like use the swings or anything. And so when we, I went into my first theater space, I remember whenever I had to play like a king role and everyone was treating me with respect and I was like, oh, this is fun. You get to play with dynamics. I like this. And then as we kept going in the classes and I realized like, oh, I like telling stories with like meaning and messages. And so it started with that. And then someone was like, you should try film. And I was like, I'm a theater person. And then I got into film stuff. I was like, oh. And then now I'm just like, no, no, I just want to tell a story in every possible medium. And I think we all have perspectives and experiences that bring to those mediums. And so that's where I'm at, I think. And that's a simple answer, but that's my answer. That's amazing. No, that's perfect. And we were sort of chatting about that the sort of necessary parameters of this time have made us feel like, ooh, how are we telling stories and through what mediums? Oh, I love your nails too. I'm just noticing those somehow for the first time. Well, I had time to like paint them while I was waiting. I was like, mm-hmm, mm-hmm, mm-hmm, mm-hmm.  Yeah, well, you were saying the necessary time now. And I feel like, yeah, it's very interesting for me because I feel like social media has brought a lot of people together, especially the queer kids like us. Yes. I feel like we really connected. And the deaf community really connected through social media because queer kids and deaf kids are very similar in that we're born to parents that aren't like us usually. 80, 85% of deaf kids are born to hearing parents. So they have no connection right off the bat with that element. And I feel like queer kids have that same experience. And also we're born in places where we're like, there's not really another deaf person around, just like a queer kid. So I'm feeling like I'm seeing both communities really thrive through social media. And my parents are now saying things like, social media divides as we talk about politics and it's not really connected as we're like connected through fake screens. And I'm like, that's your experience and I get that. But like for me, I feel it's so refreshing to see like your work and other queer artists, other deaf artists, and really just having this pandemic give us space to really create content and connect. And I'm really excited about that. I'm really excited because I feel like it woke up a part of us that I'm hoping doesn't go back to sleep after the pandemic. Yes, absolutely. I thought the same way. I feel the same way. And what you just said about, I think about that all the time, especially how queer and trans people are born into surroundings where there is very often no queer community, no trans community. Certainly like very often no, it's not a familial hereditary thing. And I didn't know that statistic about how deafness is very much the same.  Does that make sense? Do you find mutual understanding? Because I feel like sometimes when we're talking about intersectional identities, it's hard where someone will say, in this space, I occupy the other, like I'm still always an other no matter where I am. But I'm wondering if those communities, because of their personal experience with ostracized, like being ostracized, if there's a common understanding. Essentially that's a very good question I've never really thought about, but my immediate reaction is that I've noticed in queer spaces, people of color except me more than white people. And that was something I didn't realize until I was in Seattle with, oh my gosh. Oh, Chip Sherman.  And as we were going, he was like, do you notice that when I introduce you to white people, I don't really talk to you? I was like, that's interesting. I never realized that. I just go into the space and connect with people. I don't really think about when I'm an other. I just feel like, oh, you don't understand. You don't have the vocabulary to express what you're going to be by. I'll talk to someone else. But when it comes to the deaf element, I think that's something I've noticed. As a queer person, the deaf community has definitely historically gotten its resources from the church. So I do think we still have some conservatism, but also at the same time, I've been really, really embraced by the deaf community. So it's an interesting paradox, I think, but I think that's what we're going through now is we're realizing the otherness is something that can unite us.  That doesn't divide you. It just tells us how to respect you. And I'm really excited that we're talking about this now and we're really connected. We're saying, oh, you have an otherness experience. We were late now. It's both before I feel like we were a lot more like, oh, you're deaf, I don't know that experience, I'm trans, I'm over here, I'm straight and I'm over here. Now it's more like, oh, you're over there, but what are your experience too, you know? 100%, yeah. Because I feel like we are all in this space of trying to fight for ourselves, but realizing everyone has to be coming along with us. It's kind of like, I feel like I've heard and said a few times, if we think of the most marginalized group, if we're thinking of Black trans women, if they're thriving, then everyone else should hopefully be thriving too, because they're experiencing the most things working against them from our society. That's really interesting that you mentioned that sort of conservatism. There was a moment in, you have this really cool web series on D-Pan, which is a deaf channel online, called Reverse Polarity, and I haven't finished it, but I've gotten to see the first few episodes. There's a moment where you're rehearsing a Romeo and Juliet scene, and there's nudity involved. They're like, oh, I have to be naked for the audition.  Is that, did I pick up on that? What? Yeah, yeah, yeah, absolutely right. It's very funny because Jules Dameron, who wrote that and directed it, she talked, we talk a lot about our struggles, because I'm obviously speaking and signing at the same time, which the deaf community is not going to like that very much because I, just how I express myself. But we have this small nature in the sense that we know each other, you know, like we see each other. I almost feel like the gay community is almost the same way, like when you go to like WeHo, every week you go, go, go, and then you'll start to see the same people and you'll start to get to know the same people, so then you start to, like the pool becomes small. So with deaf people, it's definitely a small community. So when you see someone naked, that changes the dynamic of things, you know, like, but now I think we're talking about nudity is not pornography, but I think for the deaf community, that was a hard concept. So you did pick up on something right, it's like nudity is something that the deaf community does not accept well, and that was something that the director, right, I wanted to push and I wanted to push that too. I felt like our bodies are beautiful as they are, so why not talk about it and show it, you know? Yes, 100%. Cool, that was a really beautiful episode and scene, and I think in the same one, y'all take off your clothes and you do a Romeo and Juliet scene together, but it's all signed. I don't think any of it is spoken, right? No, it was all signed, right? That was beautiful to watch. And I'm curious, you know, to hear about you playing Romeo, I, what is it, what is the feeling like, what's your experience with embodying Shakespeare and literally internalizing that poetry? I think to many people that might initially seem paradoxical or contradictory, but I'm curious, like, what your experience of that intersection is. Oh, she's thinking of a lot of good questions. Okay. People think ASL is spoken English, but it's not. It's like signed English, but it's not. It's conceptual and, I mean, you said you saw it, like you can see we put concepts and value and meaning behind things. So what I think ASL does is just solidifies the concepts into our hands. And I think Shakespeare's already emotional, which fits ASL because we put our emotions out there. We're not like, oh, hi. And we're like, hi, how are you? What's up? La, la, la, la, la. I was like, I think it comes hand to hand and I think it's something that we were playing with at ATT with that show. Oh my God, no, I'm so sorry. No, no, no, no, sorry. You're here. Someone just caught me. Someone just caught me. I'm here. We were playing with that with ATT and it's interesting because it's, when you put one deaf character in a whole crowd of other hearing characters, it's hard to explore that, but then he added Fire Lawrence. Howie. Like Howie Sego, yes. Howie Sego, who also is in a Star Trek. And Spring Awakening, right? And Spring Awakening in Los Angeles. Yes, yeah, oh my God, no, yeah. He is great, I love him. And he made Fire Lawrence.  Like how does this, oh, when the both of you use the same language, it connects you in a unique way. And I think it really helped me see Fire Lawrence's lines in a stronger light. You know, I think all of our experiences are like a lens. That's what my friend Joel says, is that all like a lens of a camera and when you put the script, which is the body onto it, you see different things.  Yeah, or any of us. And because we're all like, every single individual artist is their own unique lens. And I really, the artists whose career I follow and I'm most interested in are not the ones who sort of sink away into their roles and disappear, but the ones who have a very clear crystal cut point of view. And it doesn't need to be the same exact thing for every single production, but when you take a really strong stance and really strong point of view and then add that onto your two-dimensional character, that's the kind of shit that I live for. I love what you were saying about, I'm realizing now like being able to sign Shakespeare and incorporate ASL, it makes it like a dance almost because like dance is movement that we put meaning to. And you know, maybe I'm making this, I don't know if this is a correct correlation, but to think of like you said, ASL, not as a direct translation, but movements that we're putting meaning and story behind is very much how I think of what a dance is as someone who cannot do it myself. Well, I think that's what happens with signing is that I think it's a natural response to say that it feels like dancing because dancing has so much thought and meaning behind it. Usually sometimes it does it and you're still involved by it, but I just think that we've definitely developed, we've developed parameters in the language and we've developed communication through movement. I think that's something unique to see two people communicate without speaking at all because that's not something the majority has experienced or seen. And it's funny because I often forget until someone mentions it, am I right? Because I'm just in it, I'm just communicating. So it doesn't feel like a dance, it doesn't feel like this beautiful thing and it's not a bad thing to say that. For me, it's just words and expressing ourselves, but in this conversation, we're talking with words, like we're saying words and painting the picture, but in ASL it's more of the feeling just comes through and it just, it just... Yeah, no, that's it. And thank you also, thank you for educating not only our audience, but also me on all of that and the way you speak about it is sometimes, I feel like sometimes when I am in the gay club or a queer space or whatever, it's kind of like, I almost forget that the world outside is not like that because we're just doing what we do in this space and this is who we are and this is what we bond over. So it's like sort of like, we just don't even think about it, it's a non-event. I wanna talk to you more about, you mentioned like being in a relationship, like a stage relationship with Howie and how that really informed that character duo and correct me if I'm wrong, but you've been on both ends of the spectrum of like being with many deaf actors in Spring Awakening on Broadway and also maybe being the only deaf actor in tribes. Or yeah, can you talk about like what the differences in those experiences are? It's an interesting experience because when we did Spring Awakening, when we did Spring Awakening, I think about like how we were all learning together on that stage and I mean, we were all like babies, like babies and learning about the process, learning about how to do the show was something different than when I did it with Howie. It wasn't as much learning, it was a lot more about just delving into the relationship between us in that moment and Spring Awakening, we didn't really, I mean, the lines aren't really talking to each other, we're talking to the audience like 75% of the time. So I think that's a very interesting question. I'm curious to see what a show where I'm talking with other deaf actors directly in a scene and having relationships rather than songs so the audience defining our relationship, does that make sense? Yeah, 100%. That's what I think about. I also think about like Hunchback and Romeo and Juliet where Romeo and Juliet and Howie, but Hunchback, I was the only one, Trimes, I was the only one. It definitely becomes an advocating space where you have to be like, no, like this character would not do that. So I think we need to think about these options but in terms of the artistic creative space, I love that, I live for fusion, I live for cultural differences because I feel like there's so much that we can put together that we never thought alone. Yeah, of course. I really love for that, yeah, yeah. Yeah, I'm always curious to talk to other people, especially like of my age demographic because I think advocating for yourself like is a hugely important thing to do in the rehearsal space and I've sort of had to learn it. I think we've all had to learn it the hard way but I also, when I am given the opportunity to speak to students or younger people, I'm always like harping on like, please, please, please advocate for yourself, you have to.  How did you learn? I think that would help me remember mine. I just, I think what it was for me was feeling like I had to do a good job for a lot of other people and that was a sort of pressure. Like no one was asking me to be a martyr in any way but I think I felt a responsibility to a community and myself to, yeah, do a good job and act, represent well and authentically and so I think in the moments where I ask myself like, ooh, do I wanna be like the squeaky wheel right now or do I wanna take up time and space? I sort of stop thinking about myself and I start thinking about the young trans person in the audience and that sort of helps me realize like I need to speak up for that future audience member right now. Mm, that's right. Well, yeah. I think it came from my mother when she would tell me like, people don't know. We just don't know. Like when you were born, I didn't know. I didn't know what you needed. I didn't know what you feel. I don't know what you think. So I think part of what you're saying is like my second level. I'm sorry, when you asked me the question I didn't know where, so you helped me put context in it. I think that was my second level awareness. I think the first one was more of like people don't know what I need. They don't know what an interpreter is. They don't know where to get Brad. Like I had to work a long time to find Brad but you know, like people don't know where to find Brad the interpreter. They don't know where to find an older deaf adult. Like where do you, did you know where to go find one? Mm-hmm, no. No, no, right. So that's where I think it started with that but then now it's become a lot more about like I said, the future. Like that little deaf kid in the audience who is watching the show, like they get to see themselves. And it's just, yeah. Yeah. Thank you for sharing that. I'm curious and I wanna say thank you and I appreciate you coming here to this queer space where I knew we were gonna talk about queerness and also like I know that people ask you about your experiences as a deaf person all the time including myself. What else do people not know about you? What do people not give you the time and space to ask about that may or may not have anything to do with that? Like what do you wish someone asked you about or you got to talk about? Food, like I mean, food, Louisiana food like gumbo, jambalaya. I can tell you, we're talking about boudé balls.  No, I don't.  No, tell me anyway though. Well, it's like pork but it's ground up like pieces of pork because in Louisiana we have a big culture of using up the whole animal.  But I don't mind talking about my deaf identity.  I think it's where it becomes like you're trying to devalue the experience of my community. That's where I'm like, okay, this is not a fun conversation anymore. You know what I mean? Yeah, 100%, yeah, yeah. Well, I hope you get to be the host of a food show. What were you gonna say? Oh yeah, I would love to be a host of like a mmm.  Thank you so much. No one ever really asked me questions back in this space and so I'm like, oh. That's you, I'm talking to you. You're a friend now. Yeah, we are. I think the part of my self that I don't get time and space to share a lot is that I'm a nerd, I'm very dorky. Like I would love to sit around and play like very complicated board games and like what I did earlier in the afternoon was I like teach calculus as my day job.  And I bring these things up. Like when people are like, what's a fun fact for you?  But I wish- Like what kind of board game are we talking about here? Like Settlers of Katon, I will destroy anyone in. I, some of the people in the chat have played board games with me before. And I like the card games like Dominion, like the deck accumulation games or anything simple like a sorry, aggravation, like a classic board game is fun too. But I feel like that's something that I don't talk about very much. See, I would have never thought of calculus. I would think you're definitely like an artist who like paints on there every time. No, she's just calculus by day.   Cause like, I don't want to do this anymore. I'm just painting. Okay. I have one last question for you. And then I'm going to give you a reading. I'm curious because you've had at least two opportunities to like share a role, right? Both Quasimodo and Ernst were both like you're sharing the role with a hearing actor and also maybe a non-queer actor. I don't know about Ernst or, well, I don't know about either of them, but what does it like to sort of have joint responsibility of a character in that way, especially with someone who's coming at it from a very different experience and angle? Well, both of them were different. I think Daniel who was my voice in Spring Awakening was not queer. If he is, I'm very sorry for that. I don't, I believe he's not. And then E.J. Cardona is also a straight man, but he's very open-minded and we'll talk about anything. And he's also from Latin background. That's where we can, I think, you know, background. But he and I definitely have, I learned a lot because like I said, with Spring Awakening, that was a learning process. So I was learning through Michael Arden's way of doing it. Like, so when you're doing a character together, I think it's important to think about like, what does this relationship on stage mean? And I think that's what I learned from Spring Awakening was like, I had to figure out with Michael what does Ernst's character mean? So we talked about like these ideas of like him embracing his gay identity, but not knowing yet until he kisses Hanshin. And then that's when my voice walked away from me because I didn't need this anymore. I knew what I was.  So I know this, I don't need you anymore. And so that relationship changed in the play. With Hunchback, it was, I defined E.J. as the one gargoyle who wasn't based on a saint. Because all the other ones I thought were based on saints. So I didn't think that my mind would allow me to fully show my full self.  So I thought that one would know everything about me and would sign the best. And so we really worked a lot together on that relationship of when you're alone, like who do you talk to? Like who's that character? And so we talked about that a lot. And E.J. and I just sat, I mean, every day and just talked about choices and things just like David, Daniel, David Stewart. And I feel like you have to have the sense of humility because you have to be willing to say like this character's not 100% mine. But at the same time, you have to know that you're driving it. Like I'm the one driving this car. You're just telling me the direction sometimes. And so it's just a very interesting process of sometimes E.J. like my favorite thing about E.J. was in one rehearsal, we were rehearsing made of stone. And I remember we were doing one part of it and I signed a certain way. I was just doing my thing. And he stopped doing it. I called up this, this has a lot of hurt and anger that I didn't realize he was putting in the line, let's go back. And so we went back and did it again. And then he was like, oh, when you said this, I noticed this about this line. I was like, oh my God. So it's almost like you get two eyes on one character and it gives you more depth and more discussion and more heart. And so I love it, I live. But I think it's important that we separate between access for the audience and access for the characters in the stage world. Yeah. That makes sense when I'm saying like, creatively when you have a voice with a deaf actor, I always say like, are they here for the audience? Are they here for my characters or are they here for me? Yeah. And so when you define that, I think it helps, you should make choices to match that goal rather than just being like, it feels cool.  That's amazing. That's so cool. I can't wait to see you on stage one day. I know like, y'all won an award, right? For your jointly for, for that Quasimodo, Gregory. Yeah, Gregory, yes. And like, I know so many people were so deeply moved by that production of Spring Awakening, which is a musical I love. Like I've heard many people say like, wow, Spring Awakening made sense to me for the first time. Like it elevated the material. Like I wish I could have seen that, but I'll see you soon. Yeah, the first scene, you on stage two, I have another joke for you before. Okay, yeah, please. I'm gonna, yeah, I'm gonna start shuffling the cards and we need another joke. Okay, so this is another nine binary joke, which I think are great. How does one non-binary ninja kill another non-binary ninja? They slash them. Literally, why am I literally missing every single one of these and everyone in the chat screams them? Are they really? Are they really? No. Literally everyone is like saying the answers as you say them. Something else that I guess I don't get to talk about is that sometimes I'm like, have a lot of very useless knowledge, but the easy, the easy things to tie together just go right over my head. Oh, same, same thing for TikTok. TikTok has worked hard for me to do nine binary jokes and I'm like, yes, I had to do it. I love it. All right, Josh, are you ready to do a reading? Ready. I have my Lisa Frank cards ready with you. All right. Hi. Here we go. I'm obsessed with the Lisa Frank cards. So I'm gonna tell, you know, I know you know, you're familiar with the tarot, but for those of us who are not, it's separated into two parts, the tarot deck, the major arcana and the minor arcana. I'm gonna overly simplify, let's think of the minor arcana as sort of like a deck of cards, like there are different suits and you know, numerical levels. The major arcana is like the 22 cards. I think of them sort of as archetypes. Like we were talking before about taking your three-dimensional lens to a two-dimensional character. The major arcana is very much like archetypical characters that when we translate ourselves through them, hopefully give us a little bit of insight and knowledge. So Josh, what are you thinking about right now? What are your questions? What do you want some clarity on? I have a question.  How do I wring with them and make the most impact? That's my question. That's a good, like important two-part question. How to wrangle the projects in attempt to make the most impact, that's good. Okay, so I've shuffled. I'm gonna sort of bring these on the camera now and just cut the deck. So when you are ready, say stop and then the top card will be yours. Okay, so thinking about many projects, how to manifest them for the most impact, how to focus. You've drawn the emperor. The emperor is very interesting because it's about sort of leadership, power structures. Sometimes it sort of symbolizes a potentially, I don't know, patriarchal, like rule of society or government or civilization. But I think of the emperor also, like there's these mountains in the back as a very like sturdy grounded card. The emperor is definitely leading something. So especially in consideration with so many opportunities being around you in so many different directions to go, interesting to think about the ones in which you feel like you're leading the narrative or the project or the idea. We'll talk more about that, but I also want to bring in a sonnet. So I'm gonna do the same thing, just cutting the deck. Let me know what to stop. Because reading is what? Fundamental. Fundamental. Stop. Okay. This is sonnet 91. 90 cents down. Some glory in their birth, some in their skill, some in their wealth, some in their body's force, some in their garments, though newfangled ill, some in their hawks and hounds, some in their horse. And every humor hath his adjunct pleasure, wherein it finds a joy above the rest. But these particulars are not my measure. All these I better in one general best. Thy love is better than high birth to me, richer than wealth, prouder than garments cost, of more delight than hawks and horses be, and having thee of all men's pride I boast, wretched in this alone, that thou mayst take all this away and me most wretched make. So sonnet 91. I'll read it for you a second time. It's just since there's so much there, but what jumps out to me, please. I liked it. I felt like there was a connection and I need to have read it again, like you said. Yeah. So sonnet 91 is so much about all of the worldly trappings, all of the status symbols, which I feel like we can get very wrapped up in as people that are in the performing arts and in the entertainment industry and on social media. It's a lot about material possessions. But the poet here is saying like, y'all can take all of that because the most important thing to me is the one person that I love or whatever is the thing that I love, the thing that I'm leading with love.  And with power. And so if I don't need all of these fancy garments and all of these things, then they don't have the power to define me or to control what I think and how I feel about myself. So I'm gonna read it one more time while I'm also gonna show you the emperor. And just like this time, just think about if anything jumps out at you.  That panda bear in overalls. Okay, I'm gonna try to look at your emperor while I also read and you look at my emperor. Some glory in their birth, some in their skill. Some in their wealth, some in their body's force. Some in their garments, though newfangled ill. Some in their hawks and hounds. Some in their horse. And every humor hath his adjunct pleasure wherein it finds a joy above the rest. But these particulars are not my measure. All these I better in one general best. Thy love is better than high birth to me. Richer than wealth, prouder than garments cost of more delight than hawks and horses be. And having thee of all men's pride I boast. Rretched in this alone, that thou mayst take all this away and me most wretched make. What do you notice? What's resonating? Really resonating with me with that picture was the eagle hawk on the chair coming up, watching and this sense of strength behind the person if you realize it's there, just take that strength. So that's what I'm getting from this is just to trust the strength and power I have and just go forth with it. Yeah. And look at this scepter has a little globe on the top of it. He's holding the entire world. It looks to me like sitting at the top of a mountain top or something. And what I think about- But it's also humble with his head down. Isn't that like ha-ha, he's like. Yes, yes, yes, yes. So when it comes to making your impact, I think, despite our age, it's clear that you've had a lot of amazing experiences and you've have a very clear point of view. And I think what we're gathering from this moment is like the world is ready and also needs to hear it. So when it comes to this sonnet too, it's very easy to let other metrics define us but something that I think is very important as a queer person. And I wonder if you feel as a deaf person is that my metric of success does not look like a heteronormative or a cis-heteronormative metric of success. I am defining something that I would like to accomplish for myself. And I try to not necessarily be, I try to not necessarily let the outside world influence that my leadership at this point and your leadership at this point, we've made it to the spot where we've survived the childhoods and we've survived some of the traumas and we know where we are and what we have to say and why we need to say it. So what more is there than that? I feel like the only thing to trip us up and make us wretched is getting too caught up in other people's nonsense. And I think it seems from today and this evening that you and I are well poised to pay bitches no mind unless they're paying our bills. Pay our, paying our bills. Yes, yes, yes, yes, yes, yeah. Thank you, that was really nice. Yeah, thank you. Josh. Do you have time for me to do your tarot card or no? Yeah, let's do it. That would be amazing. Okay, okay. Hannah, is it that you seek? Right now I am seeking some clarity on balance as a Libra that's very important to me, but I also can have like workaholic tendencies. So I go like play hard, work hard. I like do the most when I'm working and then I have to have like zero percent when I'm disconnected from the world when I am playing. It's just a lot of balancing and balancing. It's a lot of balancing from extremes. So I'm wondering about if I need to consider a more consistent balance or intersection. Is the balance of, is the balances of our choices and like working for us? Yes. I'm gonna shuffle and cut the deck. Yes. Tell me. Stop. Great. Yes, thank you. So what this means is I don't know tarot card so you're gonna have to find this one. So, oh my God, I'm reading myself. Wow. I mean, that's honestly my personality those to read myself. The wheel of fortune says, you know, like keep on keeping on when it's good, it's good. When it's bad, it's bad, but it's only, you know, temporary. It's just, it's fate. Fate keeps turning and it keeps going on. Make peace with the change. And so I wonder if in response to my question, it's saying like, you know, work is gonna come and it's gonna go, rest is gonna come and it's gonna go and like life goes on and things are as they are meant to be. So try to just appreciate the busyness when, you know, when many opportunities are coming your way as opposed to being overwhelmed by it. And then, you know, make your time in your space to chill and relax. Cause the situation is not always when in your control, like, you know, as artists and actors, we don't necessarily get to decide when we're working. And so I think your Lisa Frank card just told me, you know, to chill and go with the flow, which is not wrong. The wheel of fortune, what that means is you have to accept that life comes and goes. Things are like clouds, but in this case, you're in a fishbowl, okay? I know you're an air sign and not used to water. Girls, time for you to be fluid. Don't be so rigid, be fluid. Fit in the opportunities that I presented to you. Amen. Thank you, Josh. I will take that with me for sure. Oh my God, this has been an iconic and one-of-a-kind episode of Teacakes of Tarot in so many ways. Thank you so much for just giving me that literal treat. Well, I think that happened in a time we can be foolish together, so thank you. Oh my God, and there's more foolishness to come, I can tell.  Oh, I love you. Thank you so much for spending time with me. Like, this has been really, really just like so fun and so beautiful and so silly and so wonderful. Bye, Josh, I'll see you soon. See you soon. Oh my gosh, thanks all for being here. Wow, so much happened that I didn't know was gonna happen and isn't that like a really fun surprise as a host? So here we are, Teacakes of Tarot. Thank you so much for being here. If you enjoyed what you saw, we this very morning just released the Teacakes of Tarot podcast. So you can find that on Spotify and Apple Podcast. We just released four episodes this morning. So we're gonna be releasing a new one every Thursday. They go back to our first season in September and yeah, and we're gonna be working forward. I'm so excited for, every single one of these encounters has been so wonderful and so iconic and so special and really honestly like educational. The guests have brought so much beauty and intellect and insight. And so we quickly realized like, oh my God, we have to preserve these somehow. And so we are preserving them in that podcast. So if you enjoyed your experience today, I hope that you'll give that a download.  Thank you so much to HowlRound and our producer Island Shakespeare Festival who have made this all possible. This is our first of a trio of HowlRound episodes. So we are going to be in this space wherever you found us on Zoom, on Facebook, on Vimeo. We're going to be here two weeks from today with Yehan Osanyin, who is like a multidisciplinary, just like super capable Seattle artist, non-binary person who is creating such ways with community focused art. I cannot wait to talk to them. And then two weeks from that, so four weeks from today, we'll be talking with Robert O'Hara, who is the like iconic director of Slave Play on Broadway, a hugely talented playwright, huge voice in the American theater.  Thank you again so much for being here. Thank you for bringing Teacake Centero into your evening. I hope to see you again soon. Please, please, please make sure that you are being gentle with yourselves and each other as we learn how to be in community again. I know I'm very excited, but I know it will present challenges. And so I think the best thing you could do is be gentle and kind with yourself and with others. Until the next time, thank you very much. See you soon. Big thanks to my interpreter, Brad. Brad, Brad, Brad, Brad. Thank you, Brad Galloway. And to all of you, I hope you have very sweet dreams.


The Cayuna mountain bike trails have quickly made the area of Crosby, Minnesota an outdoor adventurer's dream. Crosby sees thousands of tours throughout the year but lodging has always been a problem for the area. Now a new resort is being built to help solve that issue. Anthony Scott has more. Crosby's old iron mines have created some of Minnesota's most beautiful scenery and clearest lakes. The mine pits are now the focus around a 28-mile mountain bike trail that has attracted many tourists and outdoor enthusiasts to the area. We're now a national destination. Earlier this year Crosby was recognized as one of the best places to live according to outside magazine. That national attention has led to more people wanting to come to Crosby but the city has not caught up to the increasing demands for lodging. We host a lot of events here and one thing that we see is when we're having these large events lodging can be an issue. We have one hotel over in Deerwood and then there's one other campground and then the DNR has one on Portsmouth mine pit but otherwise there was just nothing available and people are always hounding and coming and asking for places to stay. Vern Lewis saw this as a great opportunity to build the Red Rider Resort. Well we bought the property for a cabin for ourselves and my wife said it was be a good idea to enjoy it or let other people enjoy the property with us. The Red Rider Resort will have eight lodging cabins capable of holding up to 32 people as well as many tent and RV sites as well. Located right on the Yawke mine lake there is no shortage of things to do at the resort. We will do paddle board and kayak rentals and it's good fishing snow bill trails half a mile away. The new tar bike trail that's going to Deerwood is within half a mile from the property hustle. It's exciting to see new businesses like the Red Rider Resort popping up to help bring more people to the area and boost our local economy. The Red Rider Resort may just be the tip of the iceberg of things to come to Crosby. I think we're just on the precipice of you know what is to come. There's a lot of things in the works and I think we'll continue to grow. Reporting from up and coming Crosby Minnesota, Anthony Scott Lakeland News. The Red Rider Resort is planned to be completed and fully functioning by Memorial Day weekend of next year and reservations can be made as early as next spring. If you enjoyed this segment of Lakeland news please consider making a tax deductible contribution to Lakeland PBS.