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From around the globe, it's theCUBE with digital coverage of Dell Technologies World, digital experience brought to you by Dell Technologies. Welcome back to theCUBE's continuing coverage of Dell Technology World. Dell Tech World 2020, Jeff Clark is here. He's the Chief Operating Officer and Vice Chairman of Dell Technologies. Jeff, awesome to see you. Thanks for coming on. Thanks for having me today, I appreciate it. Yeah, you're very welcome. Well, my first question is, why do you have time to be Vice Chairman? Well, you know, in today's world, it's pretty hectic. We're all working around the clock. If there's anything about the new norm, there are no boundaries unless you establish some boundaries. So I've been able to find a rhythm that works for me personally, but also allows me to look after the company and kind of keep things moving and making progress at Dell. So pretty exciting times. It's certainly been a challenge finding new ways to break through, new ways to get things done, but our team has done a great job rising to the occasion.   You're several years now into the new Dell. You had to do a lot of tactical things, you know, including product portfolio rationalizations, but I wanted to start with the macro picture. Sure. And in particular, can you share some of the acceleration points and the levers that you're really pulling in the operation? Well, clearly if you look back at the company strategy and I'll start there and then kind of build on from that platform, if you think about the first tenant of our strategy is to win in the consolidation in our core marketplaces. So the core commercial PC market, the core server market and the core storage market. And clearly what we've been able to do and certainly been at this now for, gosh, I think it's three years now, that we've been turning over the portfolio and modernizing the portfolio on the ISG side. And to the point you referenced earlier, we've now modernized that portfolio. It is now under all the power brand. It now represents new, fresh, modern architecture, modern products that allows us to be competitive going forward across the entire ISG portfolio. We've had continued success on the commercial PC side. Then if you think about the next tenant of our strategy, which is to really build deeply integrated solutions across the Dell Technologies portfolio, we've made a lot of progress in the last handful of years, particularly integrating this new competitiveness of our ISG portfolio with VMware. And we're now beginning to see the fruits of that labor PC side real quickly. You've seen that with unified workspace one, our leading services and our leading PC products to be able to bring a differentiated experience for end users on the PC side. On the ISG side, this all started with getting again this competitive portfolio. It started with Dell Technology Cloud a little over a year ago. It now is in joint collaboration around the edge. You've heard from my comments during the keynote around 5G going forward. So as we think about this new modern world playing out, we now have the infrastructure competitive. We have a great asset and capability with VMware right now have figured out how to tightly integrate those and innovate on top of those platforms. And we think that's sort of the success for the future as we move forward. So it sounds like, I mean COVID's changed so many things but it doesn't sound like it's materially changed. You're thinking on these leverage points or your strategy is going to pre COVID post COVID you kind of sort of approaching the same playbook if you will. Well, COVID in many levels while it's had a huge impact on many lives around the world which we shouldn't that should not be lost on any of us and the impact that it's had across many businesses and many parts of the world. If you step back and what I tried to mention the keynote what COVID has done is really accelerate digital transformation. I've heard many characterizations but the way I tend to look at it is if you think of what's happened around us and the forcing of working remote, learning remote the world as we look at it going forward, data driven it's accelerated 10 years of what I thought would take us to get done into the first half of this decade in many cases the first three years. This nomenclature that I talk about is the future is now. And what it's really done is actually reinforced the points that we thought were going to happen brought them sooner and has made us believe more double down if you will that the path we were on is the right path and we see our customers migrating that way rapidly. In fact, what's interesting, if you look at customers who embrace digital transformation earlier, we call them digital leaders they are actually breaking away from the pack sort of speak from their peer set and driving differentiated performance in their sector. We think that's a great, obviously proof point of digital transformation but what all companies will have to go through to compete. Well, it's interesting, we saw early on in the US lockdown, worldwide lockdown you have such a broad portfolio that yeah, maybe some parts of the portfolio were directly negatively affected certainly for instance, your airline customers or your hospitality customers, et cetera but the work from home was a tailwind for you guys. So the fact that you have that broad portfolio somewhat, one part of the business that cushioned you maybe the other part of the business you felt it but on balance, you're able to get through that and part of that was your supply chain and some of your competitors struggled for instance with laptop supplies but you guys really have done a good job sort of navigating through that almost like you've been through it before but nobody's been through this before. No, you know, Dave thanks for recognizing it one of the benefits of the end end portfolio we have which no one else has the end end portfolio that we do we're able to weather the storm of different impacts to whether it's sectors whether it's different parts of the business and we've been able to do that and our supply chain has performed well it's been unbelievably resilient we think it's appointed differentiation over us against anyone else in the marketplace the couple that with our global service footprint the two of them working together we designated those capabilities as essential very early in the pandemic we protected our team members and we were able to serve our customers in a pretty non-disruptive way now behind the scenes our teams were doing all sorts of things to bring that continuity supply and those expectations we set to our customers to the forefront but I couldn't be more pleased at how we responded and it set us up to where things are going to go when we think about the future and migrating to more integrated solutions I suspect we may talk about as a service and the capabilities needed with that services in the supply chain play a key role I guess so much to talk to you about but I want to come back to digital transformation for a minute I was talking to CIO the other day and I asked them what does digital transformation mean to you? He said Dave I got a 15 year old SAP system digital transformation means to me my business has changed in the last 15 years but my SAP system hasn't I got to bring it up to speed I have to modernize so there's a spectrum on the other hand if you're not digital today and you're say a restaurant you can't do business so what does that spectrum look like of digital transformation to you and your customers? Well, I think your examples were very good I mean our industries as a long reputation of over hyping different constructs the fact is the world is rapidly digitizing it's undeniable if you look at the cost of a sensor and how those sensors are now being placed in everything and all of the data that's being collected as a result that's certainly the forefront of what's happening and every business has to deal with that I mean you can't we talked about hospitality you got hotel rooms that have sensors in them for lights, for water, for a temperature you think about what's happening in the finance sector and the amount of data that's being created on the edge that has to be processed on the edge you think about smart factories, smart hospitals and the amount of technology that's going in to bring those new areas to the forefront so in my mind digital transformation is catching up with where the world's going we know the world is going from an analog world to a digital world and as that acceleration goes faster and faster and faster which I absolutely, we absolutely believe is happening companies have to change their business they have to change their models they have to figure out how to take all of this data and turn data into information to drive better business outcomes we tend to get into this digital transformation and everyone wants to talk about this piece of gear or this piece of gear or this piece of gear I actually don't spend any time on that it's where customers are going what are they doing to really instrument if you will the digital world they're going to participate in and have to figure out how to overcome the obstacles and barriers with that to compete in their particular sectors that's where we come in, we help them help them with certainly the gear part of it but more importantly the solution orientation to bring better business outcomes to them to help them get to where they want to go does that help? Yes and it does and it sort of leads me to the hybrid cloud, multi-cloud to me it's edge is all part of that and it's critical for your customers digital transformations what I mean by that is creating a trusted operating environment across whatever platform you're on whether you're on-prem, whether you're in a public cloud whether you're at the edge so multi-cloud is part of that you know, I used to think a lot of this stuff was aspirational it seems to be coming more and more real where do you see your customers in that maturity cycle? Well, I love the way you described it what we see is the notion of cloud is much broader than perhaps we would have talked about earlier on when I got this job was the public cloud No, there's public cloud there's private clouds and clearly the edge is going to be a cloud operating model in fact, we see the world of 5G edge and cloud those three circles intersecting to a high degree so we're going to bring a cloud operating model to the edge we're going to bring new advanced connectivity data-driven connectivity to this edge where all of this instrumentation and all of this data is going to be created that will have to have real-time analytics done at the edge we think is this opportunity to really step back and go well, those cloud things can't be separate they have to be a set of systems in fact, it has to become an integrated system and we think that integrated system has to be able to move data be able to consistently manage, consistently orchestrate and consistently drive operations across those three cloud environments I think we have gone probably the best characterization is early innings we're certainly not in the first inning we're not in the ninth inning but we're certainly into the ballgame here of helping customers orchestrate a multi-cloud hybrid cloud environment if you think about what we've done with VMware's enablement or interaction with the public domains the work that we've done from our private area we have accomplished a lot in a short period of time I'd also tell you there's a fair amount of work in front of us as this spends very quickly and the edge evolves we have to connect those worlds and not leave the edge out on an island by itself we have to bring it together or bring it into the public and private cloud domains that we have today and I definitely want to hit on as a service but since we're on this topic I want to talk about 5G and telco a little bit let me just spiel for a bit and then you can respond so I mean there seems to be a lot of confusion around 5G there's very high expectations there's a lot of talk but it's hard to sort of identify the true impact that's tangible today anyway and then you got the telco transformation going on and we've been hearing this for a long long time meanwhile you got the over the top providers they're living off the infrastructure the telcos price per bit is declining but the usage is exploding and so what do you make of all this? You know the telcos are reinventing themselves 5G is a part of that consumers are waiting for that there's a lot of mixed marketing messages going on what's your take on this and what's Dell's role? Well I tend to try to break it down into things that at least I can understand if I look at 5G as the next generation cellular which I believe it's far more than that I mean I think it's the next data fabric for the data era I think it's going to be this intersection as I mentioned moments ago of 5G, cloud and edge all coming together but I think about it from the infrastructure side that you described what we have is the first opportunity to bring a cloud environment to the telco space that hasn't happened before and I think a cloud environment needs to be implemented because I think there are cost pressures in that sector and this is going to be a way to become more competitive and to bring out new technologies and services much faster so now if you bring a cloud operating model to this which I believe 5G enables there's now the opportunity to bring I think a more standard based infrastructure rather than the proprietary ones of the past we now can bring a industry standard set of architectures with softer to fine layers in the stack and for the first time in the telco space you have the ran going through significant transformation and on my mind the ran is one of the significant control points in the telco or 5G stack and that is going to be more open and then we have to think of 5G as just more than a cellular network I mean, we're going to have private 5G so to the degree that it displaces Wi-Fi will be interesting to see and unfold but there's a huge opportunity now as those sensors that I talked about and the digitization of hospitals and factories and cities all interconnected by a bunch of private 5G networks all working in an interactive and combined system way I think it just lends itself to a solutions orientation a standardizations orientation a cloud model and that's sort of what we do so I get excited all of what I just said or alluded to is not solved to your point you've been hearing this discussion for some time but the opportunity is large for us it's one of the single biggest opportunity that we see for Dell and VMware and we're going to pursue it together and we think we can take our at scale technologies that we've brought to the Enterprise data center and bring those to the telco providers and the private 5G build out. Yeah, it's amazing, Jeff when you think about the when you and I started in this business and how far we've come it's just mind boggling, isn't it? It really is we've been at this a while and things have changed but again it's been on this consistent technology curve this consistent standardization curve and it's now applying to new sectors. I want to end with as a service you mentioned that before and so you've got actually a really growing business in subscriptions you got a lot of options for customers which is good but sometimes it's confusing what's the strategy around as a service what can we expect there? Well, one of the things that we've done and you're right, we've made a lot of progress we launched Dell technology and demand last year we have 2000 plus customers of $1.3 billion revenue run rate it's growing at 30% so we're pleased but at the same time all the data suggests customers are gonna want to deploy even at a greater rate so I think I made reference to our keynote today about 75% of the world's data is gonna be created outside of the data center 75% of the edge build out is going to be done as a service as is half of the infrastructure so we think we need to take this to the proverbial next level we announced Project Apex Project Apex for us is to take all of the properties that we have across the company all of the different activities and to unify them a single effort for as a service model for the Dell company going forward for our entire portfolio we think the timing is right we think we have to be able to if you will Project Apex should be translated as the easy button for our customers it's a way to make things simpler it's a way to give them the choice they need to drive consistency in the operating model and that's the path wrong we're pretty excited about this unification if you will galvanizing across the entire organization with Project Apex Awesome, listen I know you're super busy I appreciate all the time you've given us you're a fun executive to hang around with I miss you man, I wish we were together but hopefully sometime soon we can see each other face to face I would like that very much I miss the interactions themselves I appreciate the time of day, thank you Dave All right, we'll see you Jeff, thanks again All right, and thank you for watching everybody keep it right there, we'll be back with our next guest at Dell Technology World 2020 you're watching theCUBE


kia kut patentu kwa. because sometimes you will be taking a risk when you don't believe in people and they still succeed.  This is what you get when you come to church. The wisdom, seeds of mercy. Many people you will be merciful to will not recognize you. Many of them will not even appreciate you. many of them will trivialize your impact don't worry the seeds fell on different kinds of soil not every soil is a bad soil there will be a grateful mother there will be a grateful young lady there will be a grateful young man who will stand up one day and say i must do this is there any man in the house of sol that i may show kindness for jonathansik and that became the breakthrough of mefi bushe


Welcome to the second video of our suite of eight mini videos to support you through the data requirements needed to run the local housing market assessment tool, referred to as LHMA in this video. Please use these as reference resources prior to and as you populate the LHMA tool. You will need to have populated your housing market areas as shown in video one before starting this task. This video focuses on the local authority household projections by housing market area. If you are rewriting your local authorities LHMA, you will need to run the tool on all Welsh Government household projections and copy the tables in section four, sheet labelled, summary tables for the LHMA report into your LHMA. You will need to select an initial household projection from this drop down list to be able to estimate the average annual newly arising need. You have five options, principal, higher variant, lower variant, user projections one or user projections two. The first three are the Welsh Government household projections. The principal projection is based on recent past trends in births, deaths and migration. The higher variant is based on assumptions of high fertility, life expectancy and migration. The lower variant is based on assumptions of low fertility, life expectancy and migration. The tool uses the Welsh Government's latest published household projections. The user projections allow you an opportunity to run the estimates informed by your local authority growth strategy plans. It cannot be the only option used. It would need to be in addition to using the Welsh Government household projections. To input your user projections, click on the user projection button here or move to the next sheet. The household projections will be required over the 15-year LHMA period in line with local development plans. This data is also required by household categories. For example, for four persons, it can be made up of all adults, two adults, two children or one adult and three children. The household projections generate the estimated average annual newly arising need. This need is taken as the difference in the household projections over the 15-year LHMA period and shared equally over those years. Moving to table 2A, you will need to decide what percentage of the newly arising need is allocated to each housing market area. You can allocate 0% to a housing market area but you cannot have a negative percentage. In setting these percentages, you can use data sources such as the census data, the local authority housing register or the local authority growth strategy plan. Table 2B then allocates the average annual newly arising need across each housing market area using the percentages of input into table 2A. You can choose different allocations for the first five years from the remaining 10 years if there are housing policies or strategies to support this decision. Moving to table 3, the data in this table will be used to allocate the newly arising need requiring social rent by number of bedrooms. You can use the drop-down list and from these you will need to select a range of one bedroom, two bedrooms, three bedrooms or four plus bedrooms for each household category from one person down to five plus persons. This allocation policy allows you to select up to two options when choosing the required number of bedrooms for a household category. For example, you could select two bedrooms and put that at 100%. Alternatively, you could say that a two bedroom would only be required 90% of the time and a one bedroom would be required 10% of the time. The overall percentage must always come back to 100%. This completes table 3. These calculations are further discussed in the video covering the existing and met need. Section 4 of the tool has a sheet label scenario test done for you to vary the key assumptions and we're relevant the data sources to understand the sensitivity of the additional housing need estimates to these changes. When you are content with all your dated inputs and key assumptions required to estimate the additional housing need, you can run the tool on the required Welsh Government household projections using the sheet labelled summary tables for the LHMA report in Section 4 of the tool. When you have completed all of these steps, you can tick the relevant box on the front page of Section 2 and that concludes the data requirements for the household projections. The further information you can consult the LHMA guidance or email Welsh Government at afdl-lhma.wales.


cha DJ neshe yuu Magik Mic. As promised, amekuja me take time away from his busy busy schedule. Ike ni ka, ma nachocha. But 2019 ya kwa bizi. I will lie or not. I kwa bizi man, ni mihansona high note. Ya man. But that's awesome. That's awesome. Ya man, thanks for having me. I'm happy to be here. Karibu, I like to say where the guests are. I like to say where the guests are. Actually this is my attachment here at KBC after college. Ya, where it's been a while. Then what happened? Man, I decided to pursue music. Ya. So your first love was journalism? Ya, I was always in the newsroom preparing news for... So we would have seen how Magik Mic like... No. Definitely not Swahili. Definitely not Swahili. Ya. But that's awesome though. Ya man. Remember DJ Nesh Bado is just filling in for DJ Talk. So do the necessary. So you requested Zarko Zote on social media platforms that's on Y244 and the East Circuit and the Zingo JAP. Ovipe? Kabi sa. Safi kabi sa. Magik Mic. Ya. That's an interesting fun fact. Zanalizim Kwanzaa. Then we got Tana Naya after attachment. Ya. Then Sound Engineering. Ya. E Lingili ya api? Niksabu, I think the whole time nili kwa... Even before I was always interested in music. So even during my college life, I didn't have friends in college because I was the guy who after college I was in the studio just chilling. And so because I was interested in music I had recorded a few songs, but later we had Kujibamba. But ya. So in the process I learned how to produce just from watching the producer do his thing. I learned how to produce. What produces this? Who's your mentor? A friend of mine is called Tony. Had a studio in Ghidorai. Ya. So guys from Ghidorai know what I'm talking about. So is hudstuff still there? Ah, no, no, no. Ya, guys grew into different things. Different things, guys. Ya. Wainasazilewao na ingyao. So let me get deeper. How I wanna talk. But you started your music career around 2011? Ya. On 2011. 2011 was when I went back to school, I think, or still in school. So that's when I did Sound Engineering. And I did that just to up my game because I don't think anyone can teach ya. I don't think anyone can teach you production production per se. I think that's a talent. But I did Sound Engineering because I wanted to up the quality of my production, which I think is quite important. Can you let us know what that means? Because I know there are some aspiring producers back at home as well. Ya. There's another producer. It goes by the number of Swiss beats. Ya. I believe you have familiar with them. Ya. He likes to say there are two types of producers. Ya. Actually, there's a beat creator and there's a producer. Ya. Because the producer can create the beat mix and master. Ya. So you're the full package. You're the producer. Ya. Do you need to go to school for Sound Engineering so that you become the producer and not just a beat creator? No. A producer is basically a creative. You don't need to go to the studio. Like professionally, a producer is the guy who puts things together. Ya. It's like the same concept with a TV producer. It might not switch in between. But he's the one directing and saying, okay, put this here, put this there. Ya. So it's like Puff Daddy is a producer. So that's what he does. He says take this musician, give them this song. Ya. Sing it like this. We're going to package it like this. Ya. And then there's the beat maker, the guy who makes beats. Ya. So and then there's an engineer. So normally those are two, three completely different people. Ya. So the engineer is the technical guy. So you're the technical guy. Ya. Is the guy setting up for the session. Ya. The guy doing the mixing and mastering and just controlling quality. Ya. That's awesome. Ya. So it's a fun thing because even all these foreign beat makers we know we know the Lex Lugas and the Swiss Beat and the Kanye West. The Timbalands. All these dope beat makers slash producers. Ya. They don't necessarily do their own engineering. They have an engineer in the studio. They just put it together then they leave the mixing and mastering to everyone else. Ya. Do you think that's why maybe they're saying there's some lacking in quality in African music because we're not delegating the way we should. The way the producers just mentioned are. Ya. I think so. People want to do everything themselves and take all the credit. Ya. I think it's a contributing factor but you have to appreciate that we are a growing industry. Ya.  Ya. So we are growing. There are guys who like have mixed and mastered for a few guys who I haven't produced for. There are guys who even send their music like abroad for mixing and mastering. Ya. Just to get that quality. Ya. Ya. So we are growing. We are growing industry. I think slowly by slowly guys are getting to recognize the importance of certain processes. And specialize. Ya. Because we are we are setting ourselves up to really compete on an international level. Ya. So you know if you are setting ourselves up for that then we have to be as professional as we can. Talking about international there's a guy ya. It goes by the name of Calligraph Jones who is an Agita Miss International. Ya. You've worked with him before. Yes. You've engineered some songs for him ya. Ya. Produced as well. Produced as well. Ya. Kolabo no no come nezafanya? No. No. We actually knew Kali Bach in the day before. That's not came way too quickly. Way too quickly. Ya. Why is that? Kolabo. I would do a if I was spoken about it if not each other for long actually knew him through his older brother because his older brother was a dope hip-hop head back in the day. Spanwan. He's still a dope hip-hop head though. So I don't know man let's see what the future holds. We never talked about it. But if I may ask you're gospel gospel. Ya. You're not like Esamwain between trying to wadi in the world. Clearline. Clearline. Ya. There can be like an opportunity for you to do a kolabo with a secular artist. I have. Like I have a song with Madrax. But me and him agreed we would never release it. Why? Just because of the because here's how we look at it. And I think a lot of people would share our thoughts. It's a like it's a dope song and it's an honest song. But I think releasing it and pushing it would seem like we are chasing the controversy and the numbers. Looking for the clout. Ya. But in order if we ever release the song it would probably just be featured on the album. So that it can have the intended effect. Because the intended effect is what it talks about. So if someone would listen to it just as an album track then they wouldn't overthink it. It wouldn't be overrun by the hype and the controversy. Like we would take the controversy out of the song by not releasing it. By just having it on the album. And if someone found it online cool but we didn't Ya, we didn't push it. Ya. So I would Speaking as an artist and a producer I think in Kenya that distinction gospel, gospel, secular, secular in a hoge na sumboa wa sanee weingisana they're not comfortable because I think as someone like Willipo he's been trying to he's not really trying to become secular. He's just singing about love. You can't say Christians don't love each other. We love each other. Ya. What do you think can happen so that that distinction is not that clear as in that line I think it's a bit too thick for now. Yes. I think the issue that we have is that guys are too harsh without considering all the facts. Because if you say gospel like the one gospel we know is the word of God everything we sing about is inspired and if you look at the word of God in its entirety it addresses so many things it addresses love it addresses betrayal it addresses money so even your proper church does not always talk about salvation it addresses so many things like there are guys out there who preach about biblical principles on finances because the Bible addresses that doing your marriage counseling and talking about love holistically then the teachings are coming from the Bible so if you look at that I think the thing that guys just need to accept is that when you say gospel and this is our biggest problem is that we have to stop limiting it otherwise the more we continue to limit it the lesser effect it has on our daily lives because gospel to me and what it actually is is daily living. Because I would think it's actually freedom because it's not really rules and guidelines it's just a way of life guide guide that's awesome we're about to take you guys to church on the east side Kitovipi praise Jesus ladies and gentlemen can I get a amen amen brother amen now there's the Koch Studio thing before we get into the new track tuna featuring DJ Ruff Koch Studio the invite when you got it how did it feel to be part of it it was dope man it had been a dream of mine since let me be honest since I think last year because I was there before engineering for mud trucks and mud trucks was producing so I think after that the dream just stuck in the head you envisioned yourself there because I think for I think for Africa there are very few platforms that get you on that level if you're talking about Africa I think Koch Studio is one of the big ones because it's very inclusive and the exposure is amazing the kind of people you get to work with are amazing they're on a different level so it was a really exciting phone call to so far who have you worked with within Koch Studio I've produced two projects one is a collaboration between Caligraf and Root Boy from P-Square and the other one is a collaboration between Moji Shot Baba and Bistrat from Ethiopia and so far what hints can you give us is it fire or is it fire fire hey yo you know how we do it because my head gets big yo you know how we do it we don't know anything else other than fire no actually you're supposed to add an accent now you know when you some pigeon yeah man I don't know man I hope people love what we did two tracks are completely different you know that's one of the things I try to do as a producer I don't want to be the producer of that like if you hit magic mic you already know it's magic regardless of the artist like you already know what the sound is going to be so I think it's predictable I like that you said that a lot of producers sometimes I'm afraid to ask that because let's just be honest though most African producers they stick to a certain sound I was talking to my producer earlier tia ni hip-hop na tia ni maju I know a madabit track by the 808 and I think that's unfortunate people need to like expand evolve I think the only way you guarantee longevity is if you're willing to evolve that's the only way otherwise you'll become the guy who was really big at some point you guys come with some new sound and some new vibe and you become extinct you can't compete because you're not ready to compete you have to keep evolving it's tough but you have to find a way in terms of production what's the plan for 2019 in terms of production I don't know man do more music push new sound more in Kenya it's really hard to push new sound because even the song we played earlier it took a while it has everything it has jazz, it's afro pop but it took a while for guys to catch up but once they did sometimes it can be a bit discouraging when you're trying to push the envelope and contribute to the evolution of the Kenyan sound but I think that's what I'm going to do more sometimes that hurts the business but I think we need guys who are willing to push the industry forward even when guys are having conversations like play ke music but listen man there are some guys in the industry who are really pushing the envelope and they're doing some amazing job work so I want to be part of that contribution so I think this year the main goal is to just push the envelope as much as I can as it's a question of tuna Khabisa I think I follow DJ Ruff on Instagram that's when I was first acquainted to that song and I was like oh this is going to be a banger it is a banger it's an awesome song let's talk about it for a minute the collaboration between you and DJ Ruff how did that come about so Ruff and I have been friends for a while and I feel like that's always important we have done a collaboration we have always been friends before and I think it just makes the process easier told Ruff Kitambo there is a jam and you are going to come on it and I don't want you to rap I want you to hype it I want you to be like the old school MC what the old school MCs did and Ruff was just the perfect fit just because of who he is and the kind of music he does and then he can hype the jam he is just a true guy and I know he is Christian stand because we serve in the same church so that also makes it a bit easier in terms of working with people the Christianity part is important to you it's extremely important because I feel like if I work with someone which is always limiting is they have to we have to have the same mindset in terms of why are we doing this music how are we going to push it we are not doing it for the numbers so it's music with the purpose not just to create for the sake of creating and it has to be people who are also they also want to push the envelope and do amazing music it has to have content there are some aspects of the music that we cannot compromise on and we cannot get carried away by hype if we decide this is the direction then we have to stick to that direction and the purpose has to be clear because music is a really powerful tool and I think we mess up society when we misuse it because music is super influential and people look at and the guys who listen to our music especially the young ins they are not only fans of the music they are fans of the people as well so they look at what we do music is also a big deal so having someone who is not a borderline Christian like someone you are sure about their stand I think it helps the process and it gives confidence I like the conversations I've had today because even with Kerji the donor was having an interview with him earlier he was telling me for him to work with anyone or sign him to his label first and foremost it's the character he's going to look at the character it's not just about the music it's about the friendship the bond that you can build I think yours is through faith we'll get deeper into that later but I like these conversations that I'm having today I think you're the real OGs these are the guys they're not even trying to mentor the young kids I will be honest for a minute these are the guys Ness they're not really telling these young guys get yourself right then go back to the music and get this bag yes and it's something interesting you know how they used to do it back in the day with the record labels it's like when someone got signed they used to be an artist development process you didn't get signed and then it was straight into the studio and some guys even used to complain but it's taking too long like you got signed 2 years ago but you haven't put music out but even through that whole time it was always to prepare and there's something that I learned from mud trucks as well because mud trucks would sign an artist and tell them listen you know you can come to the studio we hang out we don't have to be making music we can not only be hanging out when we are making music just come let's chill let's know each other let's figure out how you're doing figure out how I'm doing it has to be more than just about the music and I think that it creates a nice environment to make really good music because music is very much music is the relationship influences the music a lot and so what let's say when an artist comes to the studio and producing for them what stands in place of the relationship is the character sometimes an artist will come through and their attitude will just put you off on the first day and you can make amazing music with someone whose attitude is off because you'll always be because the first impression was something off about this guy you always have friction and you can't make music in such an environment so character is key even all these youngins who want to make it we were all there we were youngins we wanted to make it we knew nothing about the industry but character is a big deal because it opened a lot of doors for us social media Instagram magic.mic on Facebook it's just magic mic and it's magic with a J selfie MAJIC MAJIC people so we wish you all the best thanks man thanks for having me and actually it was more of an inspirational talk than an interview I hope you got inspired man because this is an edutainment show we are teaching some kids out there edutainment edutainment it's a mixture of education and entertainment speaking of which we had a topic Kaliya on it's actually the topic of the day we have that I'm trying to look at the preview for him we were asking this if you were to go back to high school like Keshaw but unfortunately we had a topic we had a topic itujwe itujwe from mathematics to English just one because many of you want to other ones I did which one now I think geography why geography I don't know why I'd spend a whole month studying rocks it's just dumb and that was one of the toughest because you have to cram names metamorphic I remember that it's so dumb man I don't even want to be a farmer even if I'm a farmer I don't need to know rocks I think geography is probably one of the most I remember that part I think there are some aspects of it that are dope but come on man majority of it you can cover that in university even when people are in the army they get PTSD I just got flashbacks right now I feel traumatized remember the types of rocks the practicals that you have to go and look for rocks and then you why are you doing this to us I was thinking chemistry I'm like no chemistry we actually need chemistry you really need physics even physics for me was super irrelevant because the last topic in my syllabus it was waves and waves is the basis of sound you know what producer is telling me that the architects, the contractors they use stones but they probably don't know what stone that is they probably don't know what stone that is what I don't know in Imawea 9 the big stone in Imawea 9 they probably don't know the type of stones only stones come from quarries but probably if you ask so which type of stone is the best to build my house bro, actually I don't know what stone that is that's the best they would do for you Imawea 9 Imawea 8 Imawea 8 is a decoration I don't know what stone is I'm not sure but this type of stone I've had so much fun thank you so much for coming through we appreciate you what's up we have a lot of things we'll do it yes just play it play it for the people it has a dance guys need to learn apparently we are going to dance Eve is still in the building so Eve is going to join us myself and magic mic and DJ Neishke on the deck we're about to play tuna by magic mic featuring DJ Ruff Mwazin mwazin mwazin.


So before I begin the topics of this video, I wanna make mention that in the world of mathematics, there is a wide range of opinions when it comes to proof by contradictions, okay? Now, as a reminder in the previous video for lecture 23, we were talking about how you can prove conditional statements P and plus Q. And I mentioned there's a lot of options you have there. There's direct proof, there's proof by contra positive and there's proof by contradiction. And honestly, the previous video focused a lot on contradiction, but in particular, the video was focusing on, the main topic of the video was how you can combine these techniques to prove statements, conditional statements, of course, being an important example of that. Now, in that video, I also had made mention that while we did prove some things using contradiction, we could have actually proven it better using contra positives. And what makes a proof better? This is actually the heart of what I'm trying to get here. And this is why contradictions, proof by contradictions can be a divisive topic for many people. So let me give a personal story here. When I was an undergraduate student, I was taking a introduction to logic class offered by the philosophy department. This is very common class at universities. And actually it's a class I highly recommend to mathematical students. If you're watching these videos, but you haven't had a formal logic class like from your philosophy department, I would suggest take that as an elective. It's a fantastic class. You learn a lot about logic and the philosophical perspective is a little bit different from mathematics. And that actually makes us better when we work with logic there. But anyways, in the class, there was a time that we had learned about reductio absurdum, an RAA argument, which of course is just proof by contradiction. And I remember there was a classmate in that class that at one moment had his epiphany and he was basically like, wow, I can prove everything using RAA. I can prove everything using proof by contradiction. And he just said this in excitement as we were working on some problems in the class. And the philosophy for professor who was teaching our logic class, he basically acknowledged that the student was right. You can prove everything with RAA and sort of encourage the student to go ahead and do that. So that's one opinion of proof by contradiction. You can prove everything with proof by contradiction. On the other hand, I know of another mathematics professor who has basically forbidden his students from ever proving anything by proof by contradiction. I mean, he lists proof by contradiction amongst the seven deadly sins. I mean, you have gluttony, you have pride, you have proof by contradictions and that's how he ranks them. And I had never quite understood why there's so much hatred to proof by contradiction there. I talked to some of these students who were in this class. I myself never actually took a class from this professor, but talking to some of his former students, they were afraid to write proof by contradiction because he ingrained in them so much that you don't prove by contradiction. I would like to suggest we take a happy medium here. While I'm not gonna advocate that we prove everything by contradiction, I am certainly also not of the camp where we prove nothing by contradiction. Proof by contradiction is a very valuable proof technique and it is a valid proof technique. So we can use it when it's appropriate. So the decision that comes down to when do we use it and when do we not? What is the deciding factor? It's not logic that decides it because logically proof by contradiction is a valid argument. Truth is truth. If you can prove it with a valid proof, even if there's another valid proof out there, it doesn't really matter. It's still true. It's not more true if you write it with a better proof. It's just as true as it was before. And so then what makes it a better proof? Really what we should be using as our golden standard here to decide, do I prove this by direct proof, by contradiction, the golden standard should be clarity. Okay? Which proof techniques makes the proof most clear for the reader? Would it be a direct proof? Would it be contra-positive? Would it be contradiction? Which of those three methods is gonna be most clear to the reader? And oftentimes you start off by saying what's most clear to you? Like if you're writing the proof, like this is a homework exercise or something, if you're trying to write the proof, you're gonna write the proof that kind of seems most clear to you. Now for that classmate I had in the logic class, RAA was most clear to him. He was struggling to understand a lot of stuff in the class. At least he said that to me. He sounded like he was struggling, but he had that epiphany where RAA became clear to him. And therefore he wanted to prove everything with RRA because nothing else in the class was clear except for this one. So for him everything became clear using RRA. So he wanted to prove everything with that. And the logician professor, understanding that truth is truth, one valid proof is just as good as the other one. He encouraged the student to do that, to write using RRA proofs because that was what was clear to the student. And it was still just as true. Now of course we wanna be better than that. We wanna understand all of the topics in play here and we want our readers also to understand us. So we might choose one proof over another because it's more clear. Oftentimes in mathematics we say this proof is slicker, right? Oh, that was a slick proof. And typically what we mean is it was clear, but it was also short, right? When you look at these two proofs on the screen, I'm gonna read them in just a moment. I intentionally put them line by line and actually use very similar language. In fact, I actually copied a lot of the text here and went over here when I rewrote the contrapositive proof. So in many cases it's verbatim. And you can see that there's a noticeable gap here. This is a shorter proof. And that's what makes it slicker. It's clearer and shorter. These are what we want. We want a clear proof. We also don't want long proofs. Long proofs are actually usually make it less clear. And so with that said, let's compare two proofs of the exact same statement and make a decision, which one we think was better here. Suppose that A is an integer. If A squared minus A plus seven is even, then A is an odd number. Now, this proof is a little bit awkward if you try to do it by direct proof. We've seen some examples like this before to motivate why we would use contrapositive. Because after all, like the expression that you know to be even, A squared minus A plus seven is a lot more complicated as an expression than A. And so we know something about the complicated expression and we're supposed to infer something about the simpler expression. Again, that's sort of an awkward argument because we would love if we could just plug A into this expression and work from there. That makes it very clean. And if I had to prove something like, oh, if A is odd, then such and such is odd or even, you can kind of just plug and play and go with that proof. That's very nice for direct proof. But because we have to, we assume something with a more complicated expression, we have to conclude something about the more simple expression. A direct proof gets a little bit more awkward. An indirect proof actually is a little bit more preferable. And so our two main methods of indirect proof would be contrapositive and contradiction. Let's start with contradiction here. Assume that A squared minus A plus seven is an even number. That is, there exists some integer K, such that A squared minus A plus seven is equal to two K. So suppose to the contrary that A is not odd. That is, A is likewise an even number. Thus, there exists some integer N such that A equals two N. Now let's make a comparison. Let's plug this A into the expression like we wanted to do in the first place. A squared minus A plus seven would be equal to two N squared minus two N plus seven. Simplifying that, that'll become four N squared minus two N plus seven, for which if you factor that, you can write that as two times two N squared minus N plus three plus one. So this shows that A squared minus A plus seven is an odd number. Now this contradicts the fact that we assumed that A squared minus A plus seven is an even number. Since we got a contradiction, the opposite of what we assumed for the sake of contradiction must be true. So it actually must be that A is odd. Now this is a perfectly fine proof, but it turns out we could do better because notice here, we showed that A squared minus A plus seven is an odd number, but we assumed that A squared minus A plus seven is even. So the contradiction, we got two statements that were, we got a statement and its negation both true, but one of the statements was our assumption. We did nothing with this assumption other than prove its negation, which if that's your proof by contradiction, it turns out you can simplify it by writing it instead as a proof by contrapositive. The thing is we didn't need A squared minus A plus seven to be even. I mean, we did for the sake of contradiction, but if we had slightly rewritten it, we could avoid some of the awkwardness and actually make it a more straightforward proof, still indirect proof, but more straightforward using contrapositive. So for contrapositive, instead of proving P implies Q, we're gonna prove not Q implies not P as these are logically equivalent. So assume that A is not odd, that is, it's even. Thus there exists some integer N such that A equals two N. Then we're gonna plug this into A squared minus A plus seven.  And so this is the thing is I never needed to introduce all of this for the sake of contradiction. Assume this, because it turns out that this argument right here is basically just the contrapositive argument, but you just added some more bloat to it. If we were to revise our proof from a contradiction to a contrapositive, then this actually makes it for the slicker argument. Now, I don't want you to get the false impression that this is always the case. Sometimes contrapositive might be more awkward than contradiction. Sometimes the direct proof is the best proof, but sometimes direct, sometimes contradiction is the best one. So our metric should be always clarity. What makes for the most clear proof? Now, if you're writing a proof, by all means, you might start off with something like contradiction. That's perfectly fine. But then as you're revising it, you're reading it, you're like, you know, I did this by contradiction, but it actually is a little bit cleaner, if I just do it toward contrapositive. So this might be your first draft, which is a very good first draft, but then in revision, you can then get your final draft over here, and that's what mathematical writing's all about. We have different proof techniques, but we can improve our writing and switch our techniques for the sake of clarity. That is the golden standard. So don't buy into these conversations that don't use contradiction or always use contradictions. Those are baloney. The standard is, do I use contradiction? If it makes the argument more clear, then yes. If it makes it less clear, then no. And so with that, we're at the end of lecture 23. Thanks for watching. If you learned anything about proofs by contradictions or relations or any other topics we've talked about in this lecture, please like these videos. Subscribe to the channel to see more videos like this in the future. Share these videos with friends so they also can learn this type of advanced mathematics. And as always, if you have any questions, feel free to post them in the comments below and I will answer them as soon as I can.


This is Coach Mack. We're getting ready to go beneath the surface powered by Microsoft Surface beginning now. Today we're going to look at two plays offensively, two plays defensively from the game against the Houston Texans. The first play we're going to look at, first and 10, 9-22 first quarter, balls on the plus 48. Titans are an 11 personnel. They're in shotgun and Austin Hooper now motions to the sideline. Houston is in a four man front, single high safety. Titans are in an offset back. They run a counter OT to the right side. Brewer and Daley Poole, front side, Petit Frere and Roos Dutton, a great job of collapsing the defense down inside. Nice kick out by Brewer, Petit Frere and Daley, blocked the second level linebacker. Henry makes Petrie miss from the safety spot back deep. Woods and Hooper downfield, excellent job of blocking downfield and King Henry hits the accelerator, outruns everybody to the end zone for a 48 yard touchdown. This is fourth and one, 13-01.


Oh No No, no, no, I'm telling you there is something here. I can hear it Don't tell me that I don't know what's going on in my own apartment. I Can hear something rustling around in my room.  I have to look for it myself fine. You guys are worthless. All right. Where is it coming from is it? No, that's just okay. That's just that way I can't be it. This is you geocards What is that I hear something Ladies and gentlemen, welcome to 10 minute testing my favorite series that I do all the time on my channel And because I'm an expert on deck building dueling and of course banless reactions I have put together the greatest deck of all time petite moth perfectly ultimate great moth turbo This deck is unbeatable. It is literally never lost. You will see later how to win with this deck It's really not that hard simply put together the deck draw five cards and you win every time This video is sponsored by warlock of the seashore warlock of the seashore has recently released an amazing new product The sorcery 300th festival This new product is a ticket to a festival where you could celebrate the awesomeness of warlock of the seashore This ticket cost a small one million dollar fee and here's the best part You don't even have to or even get to attend the festival simply send in your one million dollars and bam You have just spent one million dollars Thanks to warlock of the seashore for sponsoring this video. You are now looking at the perfect deck list First of all, we have the three petite moth the most important part of this deck. I mean 300 attacks 200 defense I mean, what else do I need to say this small but deadly creatures better off avoided unless you're playing this deck You definitely do not want to avoid this card because it's crazy Then we've got three pin the bullseye. They could special summon themselves for free They can burn for 200 every turn plus, you know, if there's multiple on the field It can be more than that three maxi because we're playing on master duel and insects. I mean come on when you're playing insects You get to use maxi. That's just how it works Then we have more battle wasp these guys can be normal summon They can add pin the bullseye that can add any of our other battle wasp But usually it's pin the bullseye to special summon goki pole He's gonna search whenever we send him to the graveyard, which is awesome Then we have another battle wasp special summon itself three scout buggy. They could special summon from deck all that different stuff It's basically a free link to and stuff like that Then we've got three be true for scale bomber special summon itself from hand when you have summoned an insect They also have a gate built in which is pretty nice residence insect Of course is going to be searching our big stuff like doom-dozer perfectly ultimate great moth Sometimes but not usually because we're trying to keep it in the deck for the cocoon of ultra evolution Then we have the battle wasp which is normal summon you can special summon a level three Which can work pretty well with our be true for armor horn If you add it and then you have an extra normal summon you get the normal summon this from hand The special summon from grave a lot of stuff can happen there mimicking man in your bug because it's hilarious You said it you flip it up you get to steal other attack can't be destroyed by You know battle and then card effects of the same type so you can change the type to the one you want it to be It's crazy Then we have perfectly ultimate great moth the most important card in this deck this card wins you every game It's insane. I mean look at this effect Can I be normal summoner set must first be special summon from your hand by tributing one petite moth on your six turn Or later after it was equipped cocoon of evolution. Wow, that's so good. It's insane Like the effect is amazing Then we got doom-dozer a very big guy that can be special summoner by banishing two from the graveyard very good Then we have a gadarla kai juice insects cool harby's feather duster We'll always be in your hand because if you need it it's going to be there terraforming grab Of course our giant ballpark, which is a lot of fun You know just sending petite moth to the grave special summoning it once they see three petite moth going hog wild on their life points They basically shrivel up and die. It's over. It's just one of the greatest plays you can do three amulet of ambition It means amazing equip it to a petite moth attack level seven and you guys like 5000 attack It's insane Then we have of course the cocoon of ultra evolution just in case you don't love the Amazing effect of perfectly ultimate great moth awaiting six turns equipped with cocoon of evolution You can use this instead on any insect with an equip spell. I don't know it's not as good But it could work out I guess and then a call by the grave whatever extra got slack or magician We got all kinds of level ones, you know stuff that we can go into zoos with we've got the number three cicada king We've got downer and of course the zoos we've got link one for the link spider for the petite moth You want to link that off a couple of the link ones link link rebo We got a link with anima to steal your opponent's monsters three peek of felina because that can equip from deck that can get you access to your cocoon of ultra evolution Then you've got the beach river armor horn, which is pretty nice because it basically gives you an additional normal summon It also can be special summon from grave So it's more bodies to link off with then the pathway on it's it's it's an okay card It can't really link climb very well because it's effects can't it's a first effect is placing a counter and then after that's kind of And then you go into the beach river because he's a big tower guy But basically the real plan here get the petite moth perfectly ultimate gray moth out and you will never lose If you lose with this deck, you are bad at dueling keep that in mind So do not lose. I know this is supposed to be a 10 minute testing, but this deck is too good This is exactly how the deck works every time it is 100 success rate So i'm just going to show you one duel where this is basically what happens every time you use this deck So first of all this guy is going to activate the pot of his stravians. He's going to do a little drawing out of his deck He's going to set five back row naturally because we have an amazing deck.  It's simply that good You draw two cards on your own turn and you're off to the races. He activated pot of extravagance draw two I activate maxi. I draw two. That's just how it goes with this deck. Then he's going to summon his eldritch Okay, whatever. He's big. He's scary. Whatever. What are we going to do? We're just going to wipe his back row. Then we're going to wipe the floor with him So we're going to special summon or normal summon our scout buggy special summon one from the deck Then we're going to use our little b guy special summon him burn him for 200 damage Then we're going to link summon into the one the only link to be trooper armor horn from here We're able to get an additional normal summon. We're going to summon our be trooper from our hand We're going to special summon the maxi from the graveyard that gives us more link material We're going to go into yet another link this one It will be the injector peeka fulina peeka fulina is going to come out Activate the effect soon as it's link summon pitch the goki pole target the maxi equip the resonator insect We get the goki pole effect from grave add the main eater bug Then we're going to target three in our graveyard with the peek fulina effect Shuffle them up draw one we draw of course another card that could be special summon because we're that good We then link it to a link four which is the hercules beetle guy And now we activate our armor horn from graveyard banish three bring back the armor horn So now we've got another guy in the field. We're going to activate our cocoon of ultra evolution special Summon the perfectly ultimate great moth just how you drew it up in the deck We're going to draw the doom dozer doom dozer is then going to banish two from the graveyard We're going to get the resonator insect effects and goki pole go to battle phase We're going to attack over with the be trooper invincible atlas Then we're going to attack with our doom dozer for 2,800 We're going to mill one card from the top of the deck to a thousand and then finally for game the perfectly ultimate great Moth and that is just how this deck works ladies and gentlemen. It is that good. It is that powerful You will win like this every single game. There was no luck involved. Just make sure to use this deck list All right, let's discuss them pros and cons of this deck the pros It wins every game that you play Secondly, it contains the most beloved monster in yukio you have the petite moth in your deck You now have the card that everyone wants you are the cool kid and that leaves me into the third point Your friends are going to respect you now you've become popular You're cool. You're that guy that has the coolest yukio deck and the coolest yukio card that never loses a yukio duel So there's a couple pros and nothing too serious But then we get into the cons which are I mean, they're pretty major if you're playing this deck You might have too much fun You're going to win so many duels that you might stop having fun into my second point This makes yukio too easy If you like yukio because if there's a challenge you got to think you got to read Read Maybe not that you will simply never have to think about how to play yukio again It's autopilot. You use the deck you win. That's just how it works And finally this deck will make you too popular people will be trying to take pictures with you get your autograph You'll be trying to steal your shirt so they can sell it on ebay. You will be way too famous You'll be the most well-known person in the world. So Yeah, this deck has a lot of cons So honestly after all this my final decision is you probably should not play this deck Okay, but in all seriousness, this was a really fun collab to do make sure you guys go check out Mbt's video We did a little bit of a collab if you haven't figured it out already obviously We don't do 10 minute testings on this channel, but this was fun to do I actually have been playing the stack on my twitch stream twitch.tv slash ruxen 34 and it's been hilarious and really fun So if you guys enjoyed the video, you want to see more goofy stuff maybe with mbt in the future Let me know in the comments and uh, thank you guys for watching See you in the next one. Shout out the tone foe show daxer jt chill puffins of doom or nesto dand Dizzy hoppest choice 333 my cycle james jance tcg trusted cards america doitzer supreme stage 21 and on the tie show Ian moosa junior barding mimic echo and thomas beclaim. Thank you guys for supporting the channel. I'll see you guys in the next one peace


First it didn't sound like a scream.   Do you have some Corbin? I'm Rick Welcome Hi, how you doing? Doing good happy 100th birthday To I'm hoping this is when we're gonna drop this That's the plan. It's it depends on if one other thing happens. I guess best laid plans of mice and men Of the it's a Bengali film by the Infamous yes more than famous yes If you don't know that story me goes Saturated right Ray right right right. I didn't know is it both No, no, I thought somebody said it was both. Is it a swarior Ray? Might be no Anyways, but it's the 19 what year 66 1966 film Nyak or the hero is that you put that nyak almost what is it? It's actually Nyok Because Bengali. Yeah, you know the O's the O's habits, but yes, Nyok Which is Bengali's favorite cereal Cheerios. Yep. Hmm. No, it would have to be something with fish and rice Cereal yeah with fish. Absolutely gross And the translation for it. It's interesting and Johnny was asking me the if that was the you know If she thought after I watched it up, I thought that was the better Translation for it because that's technically not What the root meaning is I mean it can be hero, but it really does mean lead actor Yeah, but obviously an Indian cinema. We know it as the hero exactly We even know here unless it's a superhero movie. You don't call your leads heroes, right? And I actually after watching the movie Think that the hero is a perfect title perfect title. Absolutely. Yeah, so 1966 It's a in route to Delhi to receive an award a Bengali film star reevaluates his success for fellow passengers dreams and past experiences written directed by Satya Jit Rai and composed by Satya Rai and then cinematography by Subrata Mitra who I believe was also his cinematographer on the appu. Yes, and well other things right many many things Starring Sartaj's mom. Yes and Uttam Kumar and her name is Shumla Tagore. Yes Shumla, I realize that halfway Like I think we saw that one scene from this right on the train and then it just it recalled me I was like, oh, yeah, that's and because I was like, oh, yeah. Yeah, is that it's it's not just mom. Yeah Well, I yeah, they uncanny. He looked I mean we've seen her obviously more but man does he favor his mom? Yeah, he does. Yeah, your initial thoughts Rick. I don't have a paragraph But of the Satya Jit Rai things we have seen thus far This is my favorite over the appu as much as the appu trilogy is groundbreaking undeniable and it is a meteoric rise debut especially with the first one for him I I Like this for the same reason I prefer Beethoven over Mozart. Hmm. This is to me a Of the things we've seen this is by far in a way his most personal work Hmm, and it's got some flaws and I like the flaws Yeah, in the same way that Beethoven when he wrote everything was scratched and I I feel like this was really a work of Where the other one had a lot of his vision and his tech technology and his Flexing his muscles as the director. Yeah, I felt like this one Tapped more into if that one was autobiographical storytelling. I felt like this one was a Therapy session inside the mind of Satya Jit Rai. Yeah, and because of that I Mean it's it's hard to pick the two as far as what's the better film, you know what I mean? Yeah, but I This is my favorite of his films because I think it's so I think it's so freaking personal And I think it is so brilliant and different than the things we've seen him do in many respects I'll get into that but I I Love that that was shocking to me that you said you've loved it above a poo. Yeah, that's crazy. This is my favorite of his as well I was good. I was watching it. I was like, this is extremely different Mm-hmm, which makes me respect him even more Yep, the fact that even though a poo the poo trilogy three films and then the other one which I always forget the name of it It's not the wife the wife, which I enjoyed Rick didn't enjoy as much But yeah, that would be my least favorite by the ones that that was a little at least similar to a poo in terms of Style wise in terms of all and so I was like, okay, this is just type of director We have and then you kind of just kicked everything out sure did and it was like oh Okay, so you could do you could do a bunch of different stuff. Yeah, this is the most stylized film of his Obviously, we've haven't seen a lot of who's is what three of who trilogies one of the film This is our fifth six that you count the short film to two. Yeah, right But I thought this was incredibly smart. It was incredibly a classic feel to it Yeah, it it gave me even though it wasn't Like sci-fi it gave me Twilight zone. That's it, right? I said that many times I was watching it with with Andrani She saw it as a little girl and was rewatching it with me and there were especially the nightmare sequences I said, okay, if he wasn't a Rod Sterling fan and didn't like the twilight zone Then this is a strange uncanny coincidence. It's in the twilight don't always had some sci-fi E slash supernatural kind of thing going on behind it This didn't have that but it had the vibes Especially in the dream sequences and there's a lot of cinematography It's just even some of the the score behind it even though it was a very M score Which it was reminiscent of a lot of his other films Even though a lot of it didn't have score behind it I thought it had a lot of the vibes and I really really enjoyed that and I love the style Like stylistic feel of the whole thing that he took some risks with it And I always enjoyed it. So, yeah, I totally agree. I really really enjoyed this film I I let's talk about him. I enjoyed his performance a lot This is our first time seeing Say his name with Tom Kumar Which I know he was a Bengali legend big right monster movie star Andrani's mom had a big movie star crush on him growing up In fact when we were watching it her mom came in to bring her some cha and biscuits to eat and saw What was on the TV and I saw her stop And then she sat down on the bed next to Andrani And then she stayed there. It was the remaining half hour of the film He just stayed the whole time watching it was it was great. So yeah, he's a huge Bengali star of the day Yeah, I really enjoyed his performance. It was all over the place Because obviously you went through a whole a whole bunch and I thought it was smart of him to get an actual star for this Yeah, absolutely because obviously this the character he's playing is a massive star I thought of him almost like a an srk level star, right? Absolutely, even though his personality isn't much like srk But his the stardom correct, so that's what I was envisioning a srk level star legend That is You know even srk talked about in one of his interviews that we saw I was like he has to be conscious of what his audience wants He's was for a long time Tied to the box office. Yeah, which is one of the big things I liked about this is What satchel did rye had to say about the movie industry? Oh, yeah, which you know, we echo a lot today, yeah um He I have so much to say about this and for morning you Andrani and I have already done a 30 minute afterthought. Oh, really? Yeah, so I'll be putting the afterthought up because there's so much to talk about So anything we didn't get into here you can go to my personal channel There's gonna be an afterthought between we I have her skyped in so you can see and hear her um I felt like I mean we could spend the whole time and I won't because it's on that afterthought But I could spend the whole time just talking about what I think He was symbolizing what he was talking about and as it pertains to that one of the first lines at the very beginning That I found to be very intriguing was when he was explaining to her that he had been Accused of being a puppet by his theater teacher. Yeah, and he said to her Was Marlon Brando a puppet? James James Dean and he's genuinely Trying to figure that out and she and I'll mention this obviously in the afterthought but for me This was such a deep thing and I don't think he meant any One person to represent exactly the same thing I think there were people on the train that represented aspects of his own personality And I think there were people on the train that asked that represented Circumstances that he's been in and I thought she for me was This was the voice of his conscience. Yeah, she was jimmy cricket. Yeah, their chemistry was off beautiful It was it was wonderful. And she This is our first time actually seeing her. She's a wonderful actor. Well, no, we saw her in the opu trilogy Oh, that's right. That's right. That's right. That's what I was gonna say was when we first saw her in that It was obvious. Yeah, it was like, okay. Yeah, you're Made for cinema. Yeah, there's so beautiful to look at and what I love and this is a guys There's a point in the film this same segment Where he's talking with her and he says everything we learned about movies we learned from america and everything we learned about acting and if you notice in this film if you watch this film and this is 1966 And Thank you marlon brando and leash drossberg and everybody who was at the pinnacle and james dean of method acting and grounding the work in in realism and believability because The groundedness of this is what we're looking for in in modern-day cinema because It's been since the days in the inception since street her name desire hit It's been about realism and believability unless the film call like unless it calls for a Choice right unless there's an artistic decision by the director or the style of the film itself to take it in a direction that This is what you're supposed to be as actors. Everybody in this was really doing their especially our two leads I felt we're grounded I loved some of the choices that he made to accentuate that where He just had a static shot of the two of them and I really enjoyed how he did just the slow pan He said something and then the slow pan She was now talking and then the slow pan He says something and the dream sequences Lot to say about those but stylistically if you just turned those on and didn't know what you were watching You'd think you're watching with twilight. Absolutely. Yeah, especially the one with the money It was the cinematography that shot out once again to the satcha satcha di rai and um um Say his name Man the cinematography especially in that same. I mean the whole thing the lighting of course was Wonderful, especially for black and white. It's just it's an art form in and of itself. Yeah, uh, but the dream sequence Was something out of a a classic Like it almost felt horror. It did like it did and even though the film wasn't horror That's what it felt like and that's a good place to talk about like that first nightmare when he had the piles of money It does convey the obvious warnings about and the negativity about uh movie stars Doing it for the love of money, right? But I really felt it went a lot deeper into the psyche of satcha di rai and the recognition of If you were in this position yourself, don't be so quick to judge And I think he was dealing with that himself because this is 10 years after opu Right, so he's got an established sense of stardom himself notoriety money making And that's that's intoxicating and no one is immune to it no matter how much you think you immune to it Stallone said this recently about you may think well if I had that money, I'm never going to do that I'm never going to do that and then the next thing you know You're on a yacht with 50 of your friends in the middle of the caribbean and you're like crap. I'm doing it Uh, because it's that difficult to turn away from and I love the symbolism Of what I think he meant as opportunity With the skeletons holding the phones ringing and that Now that you're at this place and at first you're relishing in the fact that you're making the money But now the artist in you Is realizing that you've sold yourself to the highest bidder And all the phone calls that come in are harder and harder for you to turn away from because each of them is connected To this big stash of money and as he sucks into it What's the thing he remembers and looks toward his theater teacher who connected him to the love of the art Who doesn't pull him out? Reaches but he himself and droney pointed out has decayed Everything about why he was doing what he was doing as an artist had grown so old and broken and distant from him And he was now a victim of his own creation by having chosen box office money and fans Over artistry and audience and I thought I thought creativity the writing get it really subtly as well of Leaving this story I love the whole it's just a train ride Uh thing, uh, it's and that's that's the entire thing. He talks to all these different people I love the every conversation between the main two leads. I love the conversation with the old Oh, that was fantastic. Especially at the end when he's drunk He's drunk and then just both looking at each other and the old guy just does this Because he told him but that too I thought because droney asked me what I thought about the old guy She said did you think that represented him? What do you think that represented? You know who who what was it? I said, I don't I don't want to oversimplify I mean, I think the train itself Is the recognition of this journey that every artist is on with this journey that sachi jarai is on in his life And that I think and we met it early on I really do think if if he was around That would be pointing to The societal mindsets that have become so structured and so Calcified in the name of higher morality that they've missed the point that what they're fighting for Isn't for things that are morally upright What they have done is become ridgeless religiously legalistic and missed The realities of just human existence and and the level of what life really is in the name of I have the moral high ground. Yeah, and how that impacts people's not just their lives, but their their artistry. Yep.  Yes It got in a really close-up side shot. It was on purpose. Yeah, and he became the hero every single time He put on those glasses and from the beginning when he got on the phone call To when he got off the train to I think there was one other time as well But every single time he put on that His clear facade he became Yeah, the hero his voice changed his his demeanor changed the shot was a very stylistic shot And the eyes were the window to the soul And yes a lot of celebrities wore sunglasses because the flashes of the photography are just blinding and you can't see But many of them are using it as a protective thing and to hide themselves and I found it a beautiful juxtaposition To have his conscience wearing clear glasses the whole time And I loved at the end The difference between I mean when when she says goodbye, I said out loud Don't let her go and I meant it. I meant it too full I meant it relationally like I think he found the perfect match. She's somebody who would not be enamored with him but she would Relate to him as who he is, you know the difference between Michael Jackson versus Michael, right when they get off the train He's got the glasses on and he's in celebrity mode and he's he's in what he's in But the difference with her is that she's just very down-to-earth and practical and with that person who I think was her dad And I do think I'll ask you this question before I answer it myself Do you think he ends the journey changed and I have something to point to that that is evidence of my answer to that question Do you think he ends the? train travel Changed and if so for the better or for the worse I don't know. I could see it. I could see both I'm glad such as Ryan did it the way he did. Me too You know, I love those endings that lets you decide. I'm I'm hoping they never met ever again That's just my hope I wanted to be like this was just a passing. It was a great passing relationship Um, but yeah, I'm hoping and I love the way he just she walked off screen He was talking to them and it just the end. Yeah, I did. I love that. I don't I don't know if he changed I I could I could I could see that he that he did but I don't know I have a feeling I'm a skeptic I think he did and this is where I think it isn't my own Imposition of optimism on the movie. I think it's evidenced by this I think the the relationship he has Small as it is With the girl with the fever So when he first gets on She's just watching him And she's not like other fans now granted She doesn't feel well But all she is is smiling and amazed that the star that she loves is there and the mama says that we've seen all your movies Except the most recent one because she's been sick And it really doesn't dawn on him at the moment what's occurring Then He comes in later And he's noticing her. He didn't really notice her before But now we notice was her and he puts his hand on her makes his hair your fevers come down and he recognizes this one Isn't a fan who wants something for me or his who is deifying me and kneeling and worshiping at the altar of Who I am She's she genuinely is someone who loves my artistry And then when he sits down later on She's in her mama's lap and he asks her if she The mom says can you do a favor for her? She wants an autograph and he says oh give me your autograph book And the mom says she doesn't have an autograph book And it registers with him It's huge that she doesn't have an autograph book. She's not a celebrity hunter.  He actually takes the time to find a picture of himself And writes on it and if i'm not mistaken He's not wearing glasses in the picture It's a headshot with the glasses off and to me that symbolized that this trip I think brought him back to the place where maybe sachi jirai himself was struggling at the time of his fame Of it's so tempting to now make things that the audience wants or that The people around me want or the people who give me money to make what I want want But am I going to be true to what I really do this for am I going to do this because I love the art form Or am I going to do this because now it's what the audience expects of me And he Proved his decision by the film this film itself. This film is not Made for box office success. Yeah, this is made for the film festival circuit. Yeah, right. Absolutely. Yeah Really really enjoyed it. There's so much we could obviously talk about I said I got a 30 minute after thought already But yeah, uh, we wanted to get to at least one For his birthday. We're gonna get to every one of his work before before it's all over and we either are dead When by the way, who who's the girl she was great What are my favorite moments in the movie is the scene Where he's thinking about daydreaming about the girl who came to him and said she wants a part and he said Are you married and she bursts into tears? And then he said what's the matter? She said see I can act That was great. I love that scene. Yeah, I don't know who she was. I can't I don't remember her name And there's also we could say a lot and I do in my afterthought thing about The man with the pipe who runs the apex and the the the girl who I think the man with the pipe is another aspect of side to dry, but again, we could There's there's a whole bunch this film has a lot to say Uh, and I think it does it really really well So let us know what the next such a ride film we should watch. I hear the music room is really good Obviously, I'm sure I don't know if it's gonna be any good. His track record. Yeah, he's a bad track record He's probably made two good films. Yep And they're both named a poo. Yeah Actually, none of them are named Let us know that tomorrow Let us know what's the next such a ride film should be down below


In a hearing this morning in Fayette Circuit Court, the Kentucky Judicial Conduct Commission heard testimony in the case of Pike Circuit Court Judge Stephen D. Combs. Because of the judicial misconduct allegations against him, the Commission held the proceedings to determine whether or not to temporarily suspend Combs. We believe that the evidence we're going to present in this case today will say that it is in the best interest of the justice that Judge Combs be temporarily suspended, depending on the final adjudication of the charges. In an attempt to substantiate allegations of misconduct, sworn written statements were read in court from Pikeville City Manager Donovan Blackburn, Police Chief Phillip Reed and Captain Chris Edmonds, as well as representatives from EQT. Two Pikeville attorneys, on the other hand, testified on behalf of Judge Combs. How would you describe his demeanor on bench? Very good, very cordial, very nice, treats attorneys and witnesses very kindly. But at the same time, the respect you have to have in this circuit court will be to advance that as well. Have you ever known Judge Combs to be in any way impaired while he's on the bench? Absolutely not now. Has he ever been the scariest anyone that you've seen? No, on the bench. On the bench or off the bench? After both sides finished presenting their cases, it only took the commission a short time to reach a decision. The commission finds that it will be in the best interest of justice that Judge Combs be suspended temporarily from acting in his official capacity as a judge and from the performance of his duties without affecting his pay status until final adjudication of the pending formal proceedings. And those formal proceedings have been tentatively scheduled for September of this year. For EKB Evening News at 6, I'm Shannon Deskins.


If you're seeking for things, outcomes, goals of the world and we were taught to have goals, most of us were taught not to just sit and om and meditate all day, we were taught to go for your goals, achieve, accomplish, you know, make something of yourself, carve out your niche in the world and make something useful of yourself, go out and work and achieve and accumulate and save. It's okay, save, save, save, save for a rainy day and then, oh, the rainy day comes and spend, spend, spend, spend, spend, have fun spending. Just go shopping on a rainy day, you know, that'll get you out of the blues for maybe a few minutes, but you know, basically saying while you seek for it and things that have no meaning, you bind yourself to laws that make no sense. In other words, the answer to scarcity is not stuff. Stuff is not the answer to scarcity. Stuff is not the answer to lack. And some of you know this because you've tried it, like, you've got a lot of stuff and you still feel you're lacking. So you can say, yeah, I've tried it. The ego tricked me. It said, if I would just get stuff, I would not have this whole of lack anymore and I would be, I would feel complete. I would feel satisfied. But remember what Mick, Mick Jagger said. I can't get no satisfaction. And I've tried, and I've tried, and I've tried, and I've tried, I can't get no. So this is why, that was his greatest contribution to the plan of awakening was leaving us with a song by saying he couldn't find satisfaction. And he did try. How many times? Four times. He tried four times and he couldn't get any satisfaction. So basically this is, Jesus is giving us the answer and he's saying that's been the problem.  And why is that a problem? It's because there's only one law and that's the law of love. And when you bind your mind to ego make-believe fictitious laws, then you are covering over the only law that there is, which is the law of love. Love is all there is. And it's the only law there is. And that's because God is very simple. God doesn't create many laws. He just creates one. And when we're not aware of it, we're not happy. And then we do a lot of strange things. Forgive them for they know not what they do, Jesus said from the cross. We pursue crazy things. And then he says thus do you seek to prove salvation is where it is not. You seek to prove you can find salvation in the form, in the things, in the stuff, when actually the kingdom of heaven is within you. It's a state of mind that's the small still voice guiding you into this still place of mind that will satisfy you. That is your natural state. That is where you are one with the law of love. That is the only law that there is.