What do you want from me? Why are you calling me? Leave me alone. Are you doing something important? Yeah. Yeah, man, I don't wanna know.   I'm Rick. And you can follow us on Instagram and Twitter for more juicy content. Thank you also to some Patreon, follow our official Twitter account, ring the bell to be part of the notification squad. Bang! I wonder what I had for lunch today. A chicken. You murderer.  Yes, please. Rick is doing a... What are you doing right now, Rick? I am about to do the beginning of a series of things called Afterthoughts, which are basically some afterthoughts whenever you and I are reacting to something and there's a ton of comments in there from stupid babies and they're wanting to hear more, especially interviews, like they're wanting to hear more about what it was like to interview Nawaz, so I'm gonna start doing those on a regular basis. And then, I have Leland on my channel. And you, you are the Gordon Ramsay of India, my friend. I don't know what that was. Anyways, today we're doing a movie review of a Malolium film because we love the Maloliums and we love Fahat Fasil and, you know, yeah, but we are reviewing a film that I cannot pronounce. So, Rick, why don't you just go ahead and try? Give it the old college try. It sounds like Dothraki. Oh my God! Dothraki. It sounds like Dothraki is what it sounds like coming from me. I can't pronounce it. How do you pronounce it? I'm gonna give it the old college try. I believe it's Fundimathalam Dricsaksium. Hands down one of the hardest titles we've ever come across. Without question. And actually, my understanding that the English translation of that is pretty quite simple. It's called The Mainer and The Witness. Well, that makes sense. But yeah, that is a really complicated title for a very simple concept. But yeah, you wanna read this in opposite for me? I do. Prasad and Sridja enter wedlock and they move to a new place to continue the rest of their lives. Unfortunate events begin to take place after Prasad, a small-time thief, robs Sridja's gold chain during a bus journey, or does he? It's directed by Dil, say his name? Dilish Pathan. Who also directed the other film, we just reacted to the trailer just a few days ago. He, that was, I believe, his first film. I think this was his second or it's the other way around. I could, one of the two. Yeah, I know he's only done two. Obviously starring Fahad Fasil. And say the other people for me, Rick, please.  And the music by Bijbal, if I'm mispronouncing that. Very, very sorry. And along with Fahad Fasil is Suraj Vinjaramudu. And then say the girl's name, because she's the other main one. Yeah, Namisha Sajayan. Yes. So yes, this is gonna be a spoiler review. Go watch it if you haven't seen it, and come back if you don't wanna be spoiled. Malolium people, you have seen it, so enjoy the review. And if you haven't seen it, which I know a lot of you haven't, because a lot of you are handy speaking only, or other regions, just explore other regions. I see people just like Americans that I don't like to read subtitles. I'm like, get past subtitles, please, guys. There's so many other film industries, Tamil, Telugu, Malolium, Hindi. If you don't speak the language, Chinese, Korean, there's just don't limit yourself to what language you speak. That's just my soapbox there. Anyways, so initial thoughts, Rick? Initial thoughts. I actually wrote, I don't have to read it right now, but at some point I will. I wrote a paragraph. I wrote like six sentences about what this film did. Ultimately, I think this is one of the most cinematically intelligent films we've seen. And one of my opening sentences is, is that this film sneaks up on you if you let it, and if you aren't careful, it'll slip away without you ever knowing what it was trying to tell you if you're not paying attention. It's like a thief itself.  Yep. And you could get for it if you're not paying attention cinematically to what the director's doing. But then they bring it back so many different times, so like, okay, we could kind of just get into it. I will say, I really enjoyed the film, not as much as I enjoyed Combalogy Nights, but I still really, and I think there's actually some parts of this that might, like the cinematography in this was impeccable, but it's also the same guy who did Gangs of Wassey Purr and what's his, what was the other one? The Gangs of Wassey Purr, Deb D, and I think there's another one. So like, he's a really good cinematographer. But so we could talk about that first, but like the cinematography in this was impeccable. There was some tracking, like I think it was one of the first things when they introduced you to the police, the tracking shot that it went for almost three or four minutes, it felt like, they tracked you from the water until they got to the police station. And that's, it's more complicated than it sounds to get a tracking shot correct. Yeah, and way more complicated to give you a film who's half of the film takes place in this tiny little police station that has virtually nothing in it that's aesthetically pleasing. And the lighting and the cinematography kept you engaged the entire time. Yeah, and that's one of the things I'm loving. And there was a couple shots with Fahat Fazil where he was in the shadows and he was in one lighting here and then they had him come up. And I think you remember that, I think you know the shot, he comes up and it's a completely different lighting but it's so beautiful the way it's done. It just, it gets you excited sometimes. Yes, there was another shot, another shot where he went downstairs to get a drink and you got it from Prasad, the other Prasad's perspective and all you saw was Fahat Fazil's shadow drinking the water. And just really, really well done as was the music. I thought the music was beautiful. Yeah, at times it was such a quirky, quirky, especially towards the beginning. Yeah. It was, it was almost like, remember like at the beginning when we saw like some Amir Khan films and they did those like whistles, like. That was, I mean, just gonna say, I was waiting, there were times, I was literally gonna say that, that there were moments you're waiting for the. Yeah, but it was more artistically done than that. They weren't doing it to like, oh, laugh at this, but they like artistically put it into the score and I thought it was really, really impressive that way. So I liked that a lot. We could talk about Fahat Fazil. I think Fahat Fazil is one of the most brilliant actors. Obviously we loved him from Kumbhaalji Nights, right? But this is a completely different character than Kumbhaalji Nights and you know, I love that actors that can like mold into different roles. And like he didn't, like he wasn't even under a lot of makeup. So he could have like, and he had the same mustache and so he could have very well been the same, but he was a, you almost couldn't recognize that it was the same actor playing that role, except at times when he would stare at camera and you would do that creepy grin that he has. Like, I think it was like, when they were X-raying him, he just turned to the camera and kind of smiled. And just like that. Which really helps with this character because if we hadn't been introduced to him, I don't think we would have enjoyed this character as much because it's like when you watch any actor that you've seen in many roles, there is that side of him we've already seen. So we're waiting. Is he gonna flip a switch here on us at any moment? Is he gonna, like when we first saw Ranveer and Gully Boy, we didn't expect him to do anything flamboyant, which everybody else would be watching going, when's it gonna snap? When's that wild man coming out? So yeah, I love those little shots I have. Yeah, I think he did really brilliant in this. This whole movie had some really brilliant scenes. And like you were saying, in the middle, the only reason I didn't like it as much as I did at Combahalajian Nights was because some parts did just drag a tiny bit in the middle bit of it. But I think it's what you were saying. I think it was almost on purpose, actually. They wanted you to feel in that place, like it was taking a long time, I think. Yeah. Is that what you felt as well? Yeah, that might be a good place for me to talk about. You tell me that paragraph I wrote, that for me is the larger picture for this, which is, I'll just read what I wrote. It's a film of over stealth and blatant subtlety. Yeah, that's good, that's fine. Showing us things with the sleight of hand of a master magician are better yet a common thief. What you think you're seeing is a main story about a stolen necklace, but that isn't really the main story. Who you think are the main players aren't really the main players because this isn't a movie about a thief who stole a necklace from a nappy girl. It's a scathing, biting satire that doesn't so much take big chunks out of what's wrong with society, but takes tiny, slow nibbles with the necklace itself playing the role of antagonists. It's silent unseen presence bringing out the true colors of the corrupt. In a word, it's a film about hypocrisy and corruption and how one, sometimes even the most honest are forced to play the game if they want truth and justice to actually prevail and two, good people do bad things and bad people do good things. And that's a good line, Rick. That's a good synopsis of the film. I like that a lot. Well, that's what I meant in the opening about. It's like one of the most cinematically intelligent films and you're right, there's points and I think it's on purpose where the director's lulling you like taking a little hypnotizing or insane. Is this getting tiring? Isn't it? Are you gonna get this? And it's, remember when we walked out of us and we said the people who need to see this the most won't. Yeah, yeah. I feel the same way about this. I think the very people that this points the finger at about corruption would never see it. And even if they did, they would just get lulled to sleep by it. Yeah, 100%, like if you're not paying attention, obviously this film is saying a lot more than like, because one, I love, I liked a lot how it ended. Me too. Because it's one, it didn't tie everything up at all. So he basically found, he found the Fahats character told him where the necklace was. He went, he found it. But then he writes a note and you don't know what the note says and you don't know how long Fahats was in jail, but he's out now. And so you don't know if they retracted their statement. You don't know what happened. And also like, one of the things we thought was gonna happen was like, are they gonna invite him to work on their farm? But no, they didn't do that. He was just walking off into the sunset.  And I think that's really brilliant. Did you like this more or less than Cumbulonji Nights? That's hard to say, honestly. I would say that I, the movie I would watch way more often is Cumbulonji Nights. I would just watch that because it has a, it doesn't have a hidden message in any way. It's very direct in what it's telling you. It's a direct story. It's beautiful. I love the moral to the story. This is one of those that's like a study in cinema and to see, this is like one of those movies I would show to aspiring directors and writers and say, look, there is a place obviously for you to do a blatant mirror up to society. The most recent one in American cinema would be Joker. What's like, this is who we are everybody and this is wrong. And then there's ways that you might even have to tell a story in a more subtle way. You can't be as overt with your rebellion and you're saying, here's what's wrong with the system. And then the writing and directing covers a lot of, just like one line to talk about something that makes you go, huh, like just a simple line where they're there and he says, okay, so is this a love marriage? That's a, just that little moment right there was that wasn't a throwaway. There was a lot. And I heard a rumor, I saw online after we watched it that almost all except for the guy who was about to be fired, who was gonna go live with his daughter in retire, you know that guy that was about to be fired if they didn't catch the guy. He was the only actor. The others were real policemen. Well, the whole ensemble is believable. You guys can tell us if that's true, if like the main chief is like not an actor and like all these people aren't actors are just policemen because they were really, and that's one of the things I want to talk about. The police scene was almost as good as the ugly scene. Right? You just read my mind again. It's exactly what reminded me of it. It was almost as good as the ugly scene in the police station when he's trying to figure out what's going on and then he just gets up and starts asking the rest. He's like, why did you hit him? Yes. Yes. I was just, I was dying laughing during that scene. I thought it was so funny. He just went like, now it's like the biggest thing is why did you hit him? Why did, why did you? I know, right? No, I agree. That's exactly what it was reminiscent of. And I felt all of the performances and Namisha, there were moments with Namisha where she reminded me of Kajol sometimes when they got pretty close to her face that was very reminiscent to me of her. And I thought everybody was even the smaller roles. There were no hollow characters. And you know what I mean when I say that? One of the things I'm loving about Malolium in the three films we've seen, and I know it's not a lot, but even in Virus, which we liked, but we didn't love. We most liked it. But it's never the acting is a problem. The acting is never a problem. Nope, never. For everybody. For actors is beautiful. Yeah. It's really wonderful. It makes a movie that you might otherwise not have enjoyed worth watching because there's, I mean, we may be biased admittedly, but I can watch actors act all day long. If it's good acting, and maybe the cinematography isn't great, the score isn't great, maybe the story itself isn't great, but I've got some great actors. I'm good to go. Yeah, yeah. So that was great. And then that same actor who was the main, I believe chief of the police station, the young guy with the mustache, he had a couple of great scenes. Like one, it was a long scene, but these people came in and they were talking to him, and they said, this guy slapped me, and I need you to punish him. Yeah, yeah, toward the front of the film. Yeah, so, and he was dealing with that.  I think it was, right? And then he came back in, and they kind of just resolved it really quickly. And there was a lot of little subtle things in the film that were just super, super funny that weren't like slapstick. Like, even though I know you guys love the film, the Buhul film with Akshay, that they were almost blatantly trying to make you laugh. I don't think they were trying to make you laugh in here. These were just funny situations. That's hilarious. Funny situations. And little subtle things about the characters as well. We always talk about this in film, show, don't tell. And there was a moment when both of the Prasads were in the river fighting, and he wasn't letting them go. First of all, that was one of my favorite scenes. The river scene was phenomenal. Just everything from the cinematography to the choreography to just every, like when Fahat Fasil at the end just turned around. And he was still holding on. Oh, it was dying. Anyway, it's going.  And I thought, you want to get away, crush his head. But he doesn't. And that's because this thief, this bad guy, the supposed antagonist for all intents and purposes, it's not that simple. It's not that simple. There's reasons he's doing what he's doing. And he's actually a soft, generous person who we never even get to know why he was stealing. But the subtext that's given to this guy is don't cast stones on this guy before you look at yourself, because you don't know why he's a thief. The police kept saying, I know this guy. He was doing it with anybody, blah, blah, blah. They're categorizing him like that. But I think one of the biggest messages that this film was trying to get across was that old, I don't know if it's an adage, but would you steal bread to feed your family? Yes. Exactly. That's basically what I think they were trying to get across. Good people will steal if they need to eat or do basic human necessities to live. Yes. But it doesn't make them bad people. Right. And I found even the subtlety, for example, of what was the obvious, but not overt. It was such smart writing and directing. The obvious and not overt corruption of the police, because we've seen it depicted just straightforward corruption, just direct. That's a very common Indian cinema, yeah. Very common, because it's a common occurrence. But what I loved was this juxtaposition of all of this corruption taking place right next to this temple. Mm-hmm. And it wasn't the police who figured out a fight was gonna break out, it was the thief. That's gonna break out. He's the guy who can sense what's going on over there better than the police can. Yeah, just all of these really intelligent, subtle, seemingly, the director and the writer were saying, does anybody else see the incongruancies and the hypocrisy in our society right now? And I'm gonna point it out, kinda. Yeah, it was a really brilliant film and the only reason I say it, I like Cumbology Nights More is because I could watch Cumbology Nights More. That's it, that's all. In Cumbology Nights, I never got bored. And I think, like we were saying, I think this film intentionally bored you at times because that's what it wanted to do in the film. And so I don't hold that against it, it's just in terms of favorites if I had to rank and I like to rank, Cumbology Nights, and then this would be right there, currently, in terms of Millalium films. And so that's great, but I do wanna talk about one more person, what's his name? Sujjar. Yes, Suraj, forgive us, sir. Suraj Benjaramundo. It felt like I've seen him before. I don't know if he just has that face of like in every man face. Yeah, there was a familiarity, I agree. I wouldn't definitively say we have seen him. He had an innocence about him that I liked a lot. And that was the other thing about him too, like at the beginning of the film, the writer and the director was gonna kinda, like my very first note that I wrote down was, hey, people should mind their own business. Don't start spreading this about a girl because she just bought a pregnancy kit. And then when he's getting on the bus, he says, he's kind of blaming her for the necklace being stolen. But that's what I mean by these aren't hollow characters. They're complex.  They're gonna say crappy things sometimes and they'll do it intentionally. And they're like, man, why did I do that? You know, it was just a smart, smart, smart movie. I thought they also did some intelligent commentary on the cast system because this was, it was very subtle, almost in this film. But obviously these two people were in different casts and the girl was dealing with that, I'm assuming she was a higher cast dealing with her parents and family not approving. But I think the conversation with the dad on the phone, he says, don't come here for a few years, but you know, I think he said, I'll help you with money, right? He did, he did. And that's where like those little things, even it covers so much. It covered cast system, it covered love marriage versus arranged, it covered corruption and hypocrisy and they covered, and when it did it, I just grabbed a penny. It's almost like at the beginning of the movie. It's like, hey guys, look, look, there's some toxic masculinity. Oh, wait a minute, what else are we gonna shoot now? It's like these little, tiny little moments of really beautiful holding up the mirror to society but doing it in such a subtle way that unfortunately those who would need to hear it and learn from it might see this film and go, well, that was boring. Can I go see something? You know what I mean? So, yeah, that was great. Nate plus liked it a lot. So, yeah. By the way, I'm sure there's comments rolling all over the place from this.  I saw the Band-Aid on your finger. No. You did, didn't you? No? Hold on. What was it? Actually, it wasn't on the channel, but it was something. It was while you were prepping. It was while I was prepping. I got, we got a blender because we made Lassie and I was trying to clean it and I put my hand in to take out the blades because they'd come out and I went too far in my hand, sliced on the blade. You have a legit cooking channel now, man. You've spilled blood over that thing. I'm barely, yeah, I'm barely cooked, guys. Don't, please don't get your hopes up for my cooking skills. It's more for the stupidity than the cooking and Leland, of course, he's there. But anyways, yeah, so let us, please let us know because you know I'm obsessed now. What's next for Hot Facile? I know that film that we just watched a trailer for is also by the same director is highly recommended. And I know obviously he's probably one of the best, if not the best to come out of Malolium in terms of current actors. So let us know what of his films we should watch next because I wanna explore him a ton. And what's next in terms of Malolium films we should watch next because I think we're hooked. Three. And all of you, we don't lose hope, everybody. You folks that were excited about the Tamil reaction we just did and it's available on Amazon Prime, we hear you, we're not ignoring you. It's coming.  Guys, there's a lot of industries and we have very little time. Yep. So, I apologize, but yeah, let us know what we should watch next down below. And yes, Bengal, I hear you, my Bengali brothers and sisters, I know. We need to get to you as well. We just watched the Saatchi's Array film, okay?


So everybody Jeremy says I've been lucid dreaming for a while and I've noticed that the more times I go through this the more time I spend on this right the more time I spend learning how to lucid dream and writing my dreams down It's got to the point where I have so many things to write down That it feels like each dream journal entry is just taking up pages and pages and pages of space Right our friends basically worried that he's writing too much of his dreams down It's becoming so time-consuming that he's you know, it's stopping him doing other things He's he's worrying and he's almost got to the point where he doesn't want to remember his dreams Because he's worried he's then gonna have to write them down and it's gonna take him ages to write them down So it says what do I do? You know, what's the solution here? What is the answer to this problem? Well, firstly recognize that that's not really a problem You know if you if you remember so much of your dreams that you're writing pages and pages of them down That is that's beautiful really that is what we're all aiming for You know, I wish that I could write down pages of dream journal entries every single morning But that's just not the case for most of us, you know for most of us We write a few notes and maybe and then occasionally will have like a really detailed dream where we write down more But for most of us, it's just not that simple, you know We just can't remember our dreams that well because when we wake up we get distracted by things We start thinking what we're gonna have for breakfast Right It's very easily done and I do that all the time, you know, there are so many mornings when I wake up And I just I know I've had a good, you know crazy lucid dream or even just a normal dream But I just can't remember it. It's a very common problem. It happens to the best of us It happens to everyone so the fact that you can write down pages and pages of dream journal entries Come on, that is a good problem to have that is probably one of the best things that you could be doing Because you're that much more in touch with your dream life You have that much more insight you can basically remember the details that most of us Really really wish we could remember we wish we wish we could remember that much that level of detail as some wise I'm sure famous person once said the grass is always greener on the other side the people that can't remember their dreams They probably think I wish I could write down pages of details every morning and the people that do remember their dreams like in this case Jeremy You're probably thinking well, I wish I could remember slightly less, you know, I wish there was slightly less detail in my dreams So I didn't have to write down all this stuff So I didn't have to write down these pages of information and essentially waste my time, right? That's what it sounds like from the tone of your message there Do you know what I would suggest I would suggest actually just taking a week off Right, if you're if you are having trouble staying motivated to write your dreams down You can remember them anyway, so that skills not going to go anywhere You're just not that type of guy that's just going to lose that skill You're always going to be able to remember your dreams, but if you just take a week off writing them down What will happen is you'll for that week. You'll probably remember slightly less of them and When you start remembering less of them, you'll probably start missing that detail I know that if I was remembering such vivid levels of Dreams and I was able to write down that much detail every day If I stopped that I would feel like I was missing out on something You know, I'd feel like I wanted to get back into that state where I could write down pages and pages of stuff of dreams every morning So maybe you just don't know what you have until it's gone my friend So what I would advise you to do is just to stop writing your dreams down for a week and see how you feel If you genuinely feel happier and you don't miss those detailed dream memories Then fine carry on you haven't lost anything However, if you do miss it because you're that type of guy who can just remember your dreams You're gonna have a very easy time getting back into that you just pick up the journal again Okay to pick up the journal pick up the pen again start writing your dreams down and the whole process begins again. You don't need to Cling to the idea that you have to remember your dreams But at the same time if you do want to remember them It's pretty easy to get back on track and start writing them down. So don't worry too much. You know, it's it's a common Thing to worry about especially if you start remembering more and more of your dreams and you start thinking Oh, I just don't I don't want to spend all this time writing them down But the truth is you really don't know what you have until you lose it And I feel like just taking that week off will give you a chance to really to really understand the gift That you've been given here the the gift of being able to have that level of recall done Thanks for watching guys this video and this channel was supported by my patreon followers Please consider giving just a dollar a month to support this channel or just click the links in the description You'll find links to various lucid ring products articles techniques and tutorials if you did enjoy this video Please click the notification bell and subscribe and I'll see you next time Why are you still watching that you should have clicked one of my related videos by now right or subscribed or gone On to my website or something like that


I mean, it hurt, you know, because like I said, we, after the game, I wouldn't expect to come in and give that type of speech. And then just to see everybody about it today, man, it just felt dry, you know. It still don't feel real, but like I said, man, I mean, it's something that we gotta keep building off of, because, I mean, eventually we gotta stop feeling like this one, and hopefully next year, we let this, let it hurt all the way until next year, and then build off of it.  We got to the quarterback nine times, but there wasn't no strip sack. So I think just by being able to get the ball out of the offense hand, it would help us, not just on defense, but offense, putting them in a great fit position. So I think that's one of the things that we have to keep preaching and putting it into our game.  So I'm very encouraged.  And I think especially we're on third down. And now the next step is creating turnover and trying to get the ball. So I think once we get and be able to create them type of turnovers, that's just put out defense, you know, in a, I guess top, I mean, number one, because like I said, we finished number two and run defense.  The thing was turnover. So I think that just our main focus, especially going into camp.  You guys have been the, how much that it sucked to kind of lose to the team that found this? I mean, that's something we just, I can say, I mean, I think turnovers, they found a way to make our offense turn the ball over. And we didn't find a way to get turned over. And I think, I can say, that's something we have to keep preaching. Something we have to, you know, take advantage of, especially on defense, when guys running with the ball. I've seen, one time we, no, Chase had the ball out here. How can we punch that ball out? So I think that's what we have to find a way to create turnovers.  It sucks to lose against a team like that, where we was getting after them. But they have more turnover. They want to turn over margin. So, I mean, that's kind of, when you win turnovers, and especially late in playoff or late football, that's who win games. Thanks for being so great. Knowing, you know, some of the things that you had in 20 years for us, the trip to the Seaton Bowl going through here, like, how do you process it and use that as motivation?  I mean, we know how far we came as a team. Me personally, I know how far I grew as a player. And I know for a fact, I have so much room to improve. I know that just off-season, I'm going to work my tail off to, you know, even be better this upcoming season next year. So, I think that's just where you have to put it in our mind that, you know, we're going to come back and not have this feeling again.  I said, I really felt it coming in this morning, driving in for the extra physical. Just man, like, we're supposed to be getting ready to play the Chiefs right now. And, you know, that feeling hit me as I was coming in. I was just, you know, like, man, this don't even feel real. So, I think that right there just kind of motivate me as personally that, you know, I hate this feeling and I'm going to do whatever I can as a leader, as a captain on this team to get us past this point next year. You mentioned your progression as a player. I remember speaking to you in July, you wanted to impact the quarterback more. How much of a job do you think you've done with this? I did a great job. I think my thing is, you know, I've finished this year with 11 and a half sacks total, you know, with the playoff games, but I didn't have a strip sack. I think that's where I have to kind of take, I think I could take my game to the next level by affecting the quarterback. Because, like I said, when you look at it around the lead, the quarterback from the bottom most, and we get into the quarterback so much, you know, I'm affecting the quarterback, but how can we get the ball out of his hand so we can help change the game? I think that's where I have to kind of focus on, you know, not all about, you know, getting the quarterback to the ground, but also trying to get the ball out of his hand. How much did the Nicos arrival kind of make the perfect complement to your game because you guys think just wreak havoc there on the inside beside each other? Yeah, man, it's always great playing against a guy like Nico, man. A guy with knowledge, a guy who have that mindset, that dominant mindset.   Like one time I beat a guy, but I didn't, you know, clear him here. Like you got to pull it through and stuff like that. Just being able to get that type of knowledge from an older guy that been in this league, man. It was helpful for me as still a young player in this league. And, you know, I think a lot of guys could say the same thing about Nico, man.  And I think, you know, just the beginning of what we both could do, you know, on the same line. Jeff, that mentality you guys have this season to overcome, like the injuries, you know, the adversity you guys went through and stuff like that. Do you think that can carry over into next season, even if, you know, you guys may have, you know, different personnel here and there? Can you take momentum from a previous season into it? I think you can more definitely. I mean, I think guys, guys kind of, I mean, just to hear and kind of see how guys feel about this game and this past game, I think guys understand that we could be so great here. Guys know that we could win the Super Bowl here.  We might not have a lot of guys back. But, you know, I feel like the guys who I know are going to be here for sure, kid, the type of leadership, like with Kevin, man, KB, I think he probably one of the best leaders I've ever been around just by, you know, his, not even just on the field, you know, off the field stuff as well, you know, just, I mean, there being the type of guy here with his character, his type of leadership, I think that would make the team great. That will make teams great because you know, I always been