Okay, let's take one more. Do this one. At B, one five five zero, at C, one. Shomik, check your answers. Siddharth, you're correct for B. Abhishek, that's correct for B. What about C? All right, let me solve it now. C, no, C is incorrect. Still you're getting incorrect. Okay, I'll solve it now. We need to find out internal energy of the gas at point B. So let's focus on B right now. So from A to B, I have internal energy at point A to be equal to one five zero zero joules, okay? So I can use delta Q is equal to delta U plus W only for A to B process, okay? So A to B process, what is delta Q? Let's see. A to B process, 50 joule of heat is absorbed. So delta Q is plus 50, okay? This is delta U and it is an isochoric process. Volume is constant from A to B. So work done is zero, okay? So delta U should be equal to 50 and delta U is what? U at B minus U at A, this should be equal to 50. So from here, U at B is equal to U at A plus 50, which is one five five zero joules, okay? Now let's find out the internal energy at point C. Again, I'll be using same formula, delta Q is equal to delta U plus W, but now I'm using it for the process B to C, okay? Now for B to C, do I know delta Q? B to C, no heat is involved. So delta Q is zero, delta U, I'll keep it like that only right now. And do I know the work done from B to C? Forty joule of work is done on the gas. So work is done on the gas. So work done is negative, minus of 40. So I'm getting delta U is equal to 40. Delta U is what? U at C minus U at B, this is equal to 40. From here, U at C is equal to energy at B plus 40, which will be one five nine zero joules. Is it clear, part A to all of you? Sir, how can we know the internal energy at a particular point? We can only measure change in internal energy, sir. Internal energy or some of kinetic energy plus potential energy. Sir, what about the other energy like vibrational? See, the thing is that we are not debating in this question how internal energy is calculated. Okay, so whenever you have, let's say kinematics question, velocity is given and acceleration is given to you. We don't debate how velocity is calculated or how expression is calculated. Okay, hypothetically, I can create anything. So suppose I have measured internal energy, that is what they want you to assume. But then if you start breaking your head on how it is calculated, then you'll not be able to solve the question itself. Any other doubt? Okay, now, see, Siddharth, here when I talk about the internal energy, since we cannot measure internal energy, we can assume any random value. I can say that assume internal energy at point A to be zero. Okay, just like when we talk about the gravitation potential energy in Vagpa energy chapter, I just used to draw a horizontal line and I used to say that horizontal line is zero potential energy. Okay, similarly here also, I can randomly say that at point A, this is the energy. Now calculate the other energy. So that is what they might be meaning here. Okay, sir. Now calculate the work done by the gas during part CA. Do the part B, all of you. I'm so good at remembering names. I'm able to find out who is speaking also. Skanda got it. Yes, that is correct. From C to A, you can use the first law of thermodynamics. Okay, I'll quickly solve it for the reference purpose. C to A delta Q is equal to delta U plus W. So W is equal to heat in C to A minus of delta U in C to A. In C to A, heat absorbed or released is given reflects for 70 joules. Reflect means it gives back to minus 70. I have to write as delta Q, minus of 70 and negative of delta U, delta U from C to A.  So this is equal to minus of 70, negative of U at A was 1500 minus U at C, 1590. So when you simplify this, you're going to get 20 joules. Okay, so like this, you can solve the entire question. All right, let's take one more numerical. No doubts on this, right? Please ask quickly if you have any doubts. This one, all of you start solving. Has anyone done? Anyone got the answer? Okay, I'll solve it now. Or should I wait? One minute, wait. First law of thermodynamics, direct application. Draw the diagram. There is a 20, 20 centimeters there. Who is saying that? Sir, Tirpan. Yes, Tirpan. It is 20. Okay, all of you please pay attention. First law of thermodynamics says delta Q is equal to delta U plus W. And my system is the one mole of helium gas that is kept inside the piston. Let, you know, drawing diagram will help you visualize what is going on. Okay, that's why I always recommend that you draw the diagram so that you feel lot in control. So this is the helium inside the piston over here. Helium gas is there. Intermediate is given by the formula. Area of cross section is given. Okay, what else is given? It is heated slowly with the heat 42 joules. This is given delta T is two degrees Celsius. Now, whether delta T is two degrees Celsius or two Kelvin, the same thing, because it is delta T. So you don't need to, don't add 273 degree Celsius, 273 to measure delta T in Kelvin. In Kelvin also, it is two Kelvin, okay? And the distance move by the piston you have to calculate. Atmospheric pressure is 100 kilo Pascal or 10 to the power of five Pascal, okay? Now you need to understand that we are assuming it is quasi-static process. So whatever is a pressure outside, during expansion the same pressure should be inside also. So pressure of the gas is also atmospheric pressure only. Otherwise, the piston will rise very quickly and you will not be able to determine pressure of the gas. At different point have different pressures, okay? That's the reason why outside pressure is assumed to be the pressure of the gas itself. And which process it is, which kind of expansion it is? Anyone? It is at constant pressure. Atmospheric pressure you can't change and that is the pressure of the gas also. So it's a constant pressure or isobaric process, all right? So delta Q is 42 joules, delta U is what? 1.5 NR delta T because formula for internal energy is given. So delta U is 1.5 NR delta T plus W. And since it is an isochoric process, W is equal to simply P delta V, okay? So anyways, I'll simplify that. P delta V should be equal to 42 minus 1.5 times N is 1, R is 8.3, delta T is 2, okay? So from here you'll get delta V, by the way, is area of cross section into the amount of distance it has moved. Let's say it has moved by a distance of delta X. So delta V is this extra volume, which is area into delta X, right? So delta V, which is area into delta X, will be equal to 42 minus 8.31 into 2 into 1.5 divided by the pressure, which is 10 to the power five, okay? So delta X will be this divided by area of cross section, which is how much? 8.5, 8.5 centimeter square. So in meter, it'll be 10 to the power minus four, all right? So when you simplify all of this, you're going to get 0.2 meters or 20 centimeters. Is it clear to all of you? Whatever we have done, any doubts? Will you tell me?


What's up everybody, once again it's Brandon man Sean and this video right here is brought to you by BrandonManNetwork.com because I signed myself. Now this snippet of this video is from an interview I did with Game BusyWorksBeat.com, super awesome and I gotta admit man, I gotta be completely transparent with y'all. This gym for me personally is so major that I almost say, you know what I'm just gonna keep this one in Brandon Man Network, you know I'm not gonna put this one out on YouTube, but I say you know what, I'm gonna put this one on YouTube and you know what, here it is. It's the network. My agenda is a little bit different so the way I look at music is just different because I don't want to be locked into a tour where I have to be gone because what's happening then I'm dissipating the energy I need for my business. People don't understand that. So I'm using this as advertising, like that's what people need to get in their mind. Music is a medium, like the thing between me and you, it's how we communicate. So if I show you all these values and I show you these concepts like Sirach in the video and like there's product placement in my music video. There's this company called Thug Life who we put his bottle in the video. There's Golden Girls in Miami who have done videos with Lil Pump, Gucci Mane, all the top guys. I just saw one girl in the DJ Khaled video. She's in our video too. Wonder how we did that. What else, what else am I doing in those videos? It's mainly a bigger picture. I went over this in the Kyle Beats podcast, but I think about the way I think is I don't do one thing. I do one thing to create 12 things. So not only are we doing a music video, we're advertising. So let me just do like a little caveman counting. So we're doing the music video.  I don't want to advertise.   The fourth thing would be that I can send the songs as a project around the world stream the obvious way. The fifth thing is I can break down the tracks and then let people have those tracks. And that's what we're going to have available in our 808s of Mermaids. Once it's released, people are going to get the tracks, the songs, the music video, how I made the music video. So that's number six. So they're going to get a course on top of all the music video stuff. And then what else did I plan on doing? The sounds, I said that. So that's the way I think. Like I multiply one moment into 12. I never, like if I'm filming, like we just did this with Sine. Like yes, she could film in front of the camera, but I'm doing behind the scenes. I'm doing pictures. I'm multi-purposing the pictures as ads. I'm doing content over here. You can't just do one thing. That's where people are getting stuck. It's the network. All right. Again, that's gangfrombusyworksbees.com, one of our most valuable, value-packed interviews to date. You can find a full thing on brandmannetwork.com, of course. But one thing I got to focus on is just that simplification of the idea that I work on one thing to create 12 things. Because if you are always in that one-to-one relationship, I create this one product to make one sale or to make multiple sales, but it's only giving me this one output, you're likely going to stay in this system, this cycle where it becomes harder and harder to scale out your work, especially as a content creator. And every artist is a content creator.   So you should always be trying to figure out a way to do one thing, to allow you to do multiple things. Because at the end of the day, we're trying to do more with less. That's the way to think smarter. This system I can vouch for not just because I've done it in my own way multiple times, but Master P is essentially known for this. So if you have any doubt and you think this just sounds like some kind of smart theory or something like that, Master P has said again and again that he does this. This is what he does. You have to have product placement. I have to wear my own shoes and things like that in my video when I have one artist and I'm promoting their music back in the day when they had CDs. So he had CD covers and things like that. He would have a slit of all the other artists' projects that are going to be coming out. So he's giving you this CD, but in the jacket, it's advertising all the artists' music that are going to be coming out on the label that year.  Even if the value is just a message, you have to be thoughtful about what you're doing with that attention you have when you have it. It's the same reason we talk about having a catalog when you blow a song up so you can actually capitalize and increase the ROI that you get just from that one song being listened to. So I'm not going to go much deeper into this. I can literally talk about this for days and days and days, but other than that, man, as always, you can catch this full interview on brandmannetwork.com, man. I appreciate your game. If you're watching this clip for whatever reason, man, I appreciate you doing this interview. And other than that, if you liked this video, go ahead and like it. But if you like it, mine's well-shared, and if you're not subscribed, you know what to do. Hit that subscribe.


Hey everyone, welcome to my live video just at the lake district for Christmas Spend it a few days in a cottage Then head into a hotel. I've got a great topic for you today The narcissist doesn't want you to live your life, but first Let's just set the mood Okay, I Think we're ready the narcissist Doesn't want you to live your life What do I mean when I say that? Well, if you ask them, of course, they're gonna say they want you to live your life Of course, they're gonna say They want you to have the best of everything They want you to be happy, but no what they're really saying is They want you to live your life Through them through their filter or lens of seeing the world You see the problem we have when we get involved with these narcissists is That they don't even see you anyway They don't see you as your own separate person They see you as an extension of them so It's only natural that they're going to want to see You filter everything through them your Likes and interests your hobbies the people you associate with Everything has to be filtered through their ideals Because when they first met you They took a snapshot of everything. They thought you were this perfect idealized image as fantasy and Naturally they expect you to live up to that image Throughout the relationship they don't consider that Everything they saw in that one snapshot wasn't Everything that you were if anything they see it as though You were withholding things from them like other likes and interests People you associate with things that They might not approve of things that don't really interest them because they They won't tell you this and some of them aren't really completely conscious about it, but they really do just want you to Filter everything through them They want you to see the world in the way that they do you have to remember that narcissists are self-absorbed They lack empathy They could not share your experience They're only concerned with their own experience From the moment they meet you They place you in this box which is made up of their standards and expectations and Anytime you try to do your own thing In their minds you are stepping outside of that box one of the greatest threats To a narcissist false self.  They will raise you at a core level So really you've got to hold on to your identity The narcissist doesn't want you to live your life They want you to live through their filter or their lens of seeing the world of seeing you But the more you try and do that you're never going to satisfy them anyway. They can't be satisfied You're just going to run yourself into the ground And you're going to raise everything good about yourself Thanks for the donation Martha Here's an example I've had people say on my videos like they don't like my voice Some people have said it's creepy or it sounds robotic or whatever and you know, I could have I could have agreed with them or something I could have said, okay, maybe my voice isn't that great Maybe I should use someone else's voice, but then This this channel wouldn't be what it is today You know what attracts so many people to this channel Is because it's just me being real It's like love me or hate me. This is who I am so What some people might hate Other people are going to love about you So if you start making all of these changes Then the real people Who will really love you for who you are Then they're even going to get to know you Because you've just changed everything about yourself To Please this insatiable person There's always going to be people who love things about you And there's always going to be people who Don't like things about you What people love about you? Other people might find it really irritating Just like some of the music I use in my videos Some people have said that they hate the music But then as I said earlier It's okay to make changes sometimes You can change things sometimes if if you look at it yourself and you think Okay, maybe that could be a good idea and that's why I did do other videos as well The narc survivor raw videos without music because I personally thought That it could be a good idea And those videos do get a lot of views. They have helped a lot of people So sometimes People's criticism can be good It can be helpful It can be good to take on other people's opinions sometimes But not all the time you have to remember This is your life. This is you You have your own mind You have your own thoughts feelings and ideas That you have been gifted with By god And you should never Let anyone take those gifts away from you Because once people take that You're as good as dead Just look at any narcissist They abandoned who they really were and created the false self And then everything authentic about them Everything that people could have loved Everything that would have drawn people to them and given them the attention that they crave so bad They threw all of that away Because they thought that who they really were wasn't good enough When it's not that who they really were wasn't good enough It's just that they needed to work on themselves Just because something isn't working It doesn't mean that you have to throw it away But narcissists don't understand that But of course they're never going to tell you that you just have to Learn from what they've done wrong Narcissists can be the greatest teachers It's almost like everything they do just do the opposite Anyway, I really wanted to put this message out there How narcissists don't want you to live your life But how we should celebrate What makes us different and unique Celebrate our authenticity As I said, I'm just out here At the lake district Just here for a week of a Christmas At a cottage and head into a hotel soon It's a barn conversion Used to be an old barn Yeah, it's good sometimes, you know, just to Take some time out Get away from the busy cities and Just be out in nature One of the most healing things we can do Is just to go for a walk in nature I was just working on a video this morning Just sitting here, I recorded it Hopefully It'll be ready for tomorrow evening I've got another one of these on the way soon Which should be a bit quicker And in 4k Which will really help with making the videos And this is the microphone I usually use Is the Blue Yeti What do you think of the sound quality Of my recent videos? I've adjusted some of the controls on there to try and improve it I was thinking of maybe upgrading the microphone but I think the sound quality is okay So unless any of you think it could be improved Everyone's saying it's great That's good to hear Yeah, I'm really happy, you know, the way this channel is coming along I'm so proud of it I feel like this is definitely One of my greatest accomplishments in life And of course it's not all about me It's about changing lives Putting this message out there Helping people We help each other And I don't know if I believe in karma Or is it the law of cause and effect But whatever it is I know that when I do this When I make these videos And I help people It makes me feel so much happier as well It makes me feel so much at peace with myself It's just a great feeling, you know It's really the greatest feeling in the world To know that I'm making a difference Just to know that there's people out there Who are just like I used to be Like when I had no confidence I didn't believe in myself Like everyone always told me, you know, I'll never be anything I was always told like I'm just a loser and And it just means so much, you know, that you all believe in me It makes me believe in myself It makes me believe, you know, maybe I can achieve great things And then people come to me and You know, it seems like They're lacking the confidence And I'm just thinking to myself You know, if they knew my story And everything I had to go through Really, if I can If I can make it this far anyone can But then that's the thing, you know, I didn't do it on my own I had all of your support I don't know if I could have done it without you Like building this channel The website Getting this message out there We all achieved this together And soon we're going to be at 100,000 subscribers But I'm not all about talking about narcissists as well I'm sure many of you know I've got another channel now Spiritual Secrets You can find the link to it on my community page Because I think at some point we all need to move on Past the narcissism I mean, it's good to keep checking on the videos I mean, because even if you have left a relationship Or toxic family members There's always the chance that you could run into more in the future So it's definitely good to be aware of this information But then you don't want to spend all day every day Watching narcissists videos It's good to reserve like Maybe 30 minutes or an hour a day But you don't want it to take over your life But then at the same time, I know people enjoy watching my videos And that's why I decided to create the new channel, Spiritual Secrets It's about spirituality, healing and self-development Raising our vibrations I think that's starting to become my new mission now It's just to raise the vibes And, you know, life is meant to be enjoyed, not endured It's supposed to be fun I really believe that we came here to have fun To experience the physical Life is too short to be around narcissists And to be miserable And just constantly hoping that things are going to improve Life's too short for that So yeah, check out the other channel, Spiritual Secrets There's quite a few videos on there already And there will be more soon And also the new website www.narcsurviver.co.uk You can read my blog posts on there I think there's over 150 now And you can also book coaching sessions And you can join the support forum as well I think it'd be really good for us to Start growing the community now On the support forum on the website So please do check out the website And join the forum And then we can all share our experiences together I think it's good for us to stay in touch And we can get to know each other more So do check out the website It's www.narcsurviver.co.uk Anyway, that's all for this video Thank you for joining me And I hope you all have a good day or evening Depending on where you are


That's what it is. It's that curve. It's like a cam. It's like you're down here. Most of us, I've never passed two, three percent of it, five, ten, if you're lucky. But when you get like 50 percent of that power curve, it feels like a thousand. When you get to 70 percent, it feels like ten thousand. It's amazing. And that's what gives you a sense of purpose.  So that's probably, that's one thing I'm really, really big on. You'll never run out of conversation.  You'll really like yourself. You can't help but be successful.  Even if it doesn't work the first and second time, eventually you will be. If you're finding who you truly are, your true self, your essential self, that North Star, that emotional GPS, that really is you, rather than, well, I want to get a good job at Wall Street because it pays well. I've been there, not on Wall Street, but I've been a millionaire. It felt it was the most empty place on earth. It was me. Now I earned like five percent of what I earned like ten years ago, but I'm very happy doing it. I'm working 80 hours a week, not because I feel like I need to, but because it's fun. It's what I do. I enjoy it. My girlfriend hates it kind of, but it's what I do. I enjoy that. I truly love what I'm doing. And that gives you self-esteem. And that's not something that a little shut down. It's like some girl that gives you a lip.  Okay, thank you. And it can't get to you. It's like water off a duck. If you want to have self-esteem, find out who you really are and then live that and you'll find you'll never have these other problems again. Do you think I'm insecure with any woman because of her beauty? It can't happen. And I'm not even as cute and young as you guys are. And I'm not saying I'm getting them all, but I don't feel like inferior. I sit there because I know who I am. There's not a goddamn thing she can do a say to make me doubt that because it's real. It's not state management. It's not wiped out on the computer screen like most NLP and other techniques. It's real. It's who you are. I want to give you one more exercise with this because most people kind of flip flop. Ever had that? I had that when I was probably your age, 20s, 30s, whatever. I had that a lot, this roller coaster. One day and I was trying to become a professional musician, even though I didn't have quite the talent to be the next Herbie Hancock, the next Diana Crawl, but I wanted to be that because it was cool. And I thought I needed that to feel good about myself. It couldn't be done, even though I practiced 12 hours a day sometimes, 8 to 12 hours a day of piano. Couldn't quite get there because I didn't have the core talent. You need to find that core talent. You need to really get an accurate self-assessment. And I was on this roller coaster because some days I felt like, this is incredible, man. I'm like God on the keyboard. So I get it right, everything worked. But that was only one in 10 days. And for the other nine days, I was struggling trying to get that asymptotic perfectionism.  I can't do it.  And no amount of Steve P hypnosis, NLP or any of that stuff worked on me. It couldn't. It couldn't do it. I tried to hypnotize myself to be that guy that can play like God. No. If it's not there, it's not there.  Yeah, I know if you learned like the talent code in all these books, it doesn't work. And then I would be like on this roller coaster. It's like a candy, riding the candy bar express. You've done that, sugar rush, mental sugar rush. It's called bipolar. It's manic depressive. Those very few moments that I was in this perfect state, I was God to myself in my own universe, obviously. The other nine days I was like dirt, piss on. And that roller coaster is what happens when there's nothing solid there. And eventually once I got to know who I was, and what I stood for, then it all kind of, it's like it went steadily, like Apple stock. It may dip a little, but eventually it's going up unlike most stocks. But that's how it works because it's solid. So the one thing that one exercise that I would really like for you to do is to just write down several areas of your life. And those would be your personality, your body, how you relate to other people. Pick your own categories, sexuality, your work. Do all that. We did this exercise and a guy wrote about his body. He said flabby, kind of chunky, feminine, whatever. He wrote all this stuff about his body, ugly, incredible. And then I was like, who wrote that? Would that guy please sit up? That guy was six foot five. He had arms bigger than my legs. He was on a SWAT team. That guy looked like a friggin' Navy SEAL. He felt feminine.  He was good looking. He was like Arnie. He looked like, I mean, he was like built, right? Ripped. Not as ripped as he wanted to. And then we reframed it for him or we helped him reframe it. And he was like, no, that's not me. He would completely shut out all evidence to the contrary. But that guy was like the exact friggin' opposite of what he wrote. Everything he wrote, you would expect some little deformed guy to come up there and crawl up on the, in the center of the room.  He looked like he was, he could have been taken out of a commercial for physical fitness. And he thought he was like feminine and flabby and all that. Because he had like, he could pinch about an eighth of an inch. But to him, that was fat. Distorted self image. And it may not be, most people then say, well, I'm great at this and they're trying to prop themselves up. No, get a friggin' accurate self image. Take several categories in your life that are important to you. Write these down.  All these things. Write those down. Get categories. Six, seven, eight. And then write down. First, write down just brainstorm what you think it is. And then once you have that list, let it sit for a day, wallow in it, and then next day go through it again. And then, eliminate all puritive language from it. All subjective language. All negativity. All generalizations, globalizations, all that global labeling. Get all that out of that. And just really sit down with a friend. Do this with a buddy. And have, and you know, keep yourselves honest.


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Before I put 1984 to bed here, I wanted to talk about this gloriously inappropriate cover on this particular edition that I own. When I bought this 25 or 30 years ago, of course, it was the cover that caught my eye, and that's why I picked it up. I did a double-take when I saw it on the shelf, and I was like, really? This is so contrary to the spirit of the book. I'm sure this painting was done at the publisher's instruction trying to make it look like one of the sexy men's adventure novels that were popular at the time. When I took this book out of the plastic bag for this review, by the way, the cover cracked off, and the book broke into pieces. I'm sorry to say, but what are you going to do? I mean, old books. This is a 1950 edition 13th printing. I don't know if every printing of this signet speciality was cheap paperback novels, so I imagine this was probably the original 1950 cover. But 1950, the book was published first in 1948 and or will died in 1950, so immediately American publishers were giving it the inappropriate sexy American cover. I mean, I have to think that the artists who painted this knew better. The publisher had to be telling him or her, you know, there's a girl in the book, isn't there? So put the girl on the cover, make her sexy, give her a plunging neckline. The artist did it and also gave this armored security guard an equally ridiculous plunging neckline. Yeah, I have to think the artist knew what he or she was doing. I wish I knew who painted this. If anybody knows, tell me and go read 1984 if you haven't.


Hey, welcome back, everybody. Jeff Frick here with theCUBE. We're at the North American International Auto Show in Detroit, Michigan. It's all about these beautiful new vehicles, but the big trend that we're hearing over and over again is autonomy. Self-driving cars, autonomous vehicles, this is really where it's happening. You would think it would scare the Bejesus out of these car companies, but no, they're embracing it wholeheartedly and we're seeing the adoption in all the different manufacturers. And we're really excited for our next guest because the brains behind a lot of this autonomous vehicle technology is the NVIDIA chip, treating the world like a video game. So we've got with us Daniel Shapiro. He's the Senior Director of Automotive from NVIDIA. Daniel, welcome. Thanks so much, Jeff. So it's been a busy week. You guys were at CES last week. You had the keynote. Now you're raced up here. Exciting times for NVIDIA. It's been great. We've been working with the auto industry for 20 years, essentially. All the cars are designed using NVIDIA graphics and that's what our company's known for. But more recently, we started bringing our graphics inside the car, so all these outies you see here are powered by NVIDIA, the graphics on the screens, whether it's a touchscreen like in a Tesla, the MMI here, the virtual cockpit, it's all NVIDIA. But now we're also taking it a big step further. So before we get to the big step, what is it about a GPU chip that makes it the right application or the right solution for this application? So the GPU has many cores and let's contrast that with the CPU. Maybe you've heard of a dual core CPU or quad core CPU. Think of that as lanes on the highway. Maybe there's two or four lanes for the data or the traffic to go through. Our cores count goes to thousands. So imagine a highway with 3,000 lanes. How much data could you push through that? And that's why we're able to handle this massive amount of computation on a very small chip. And then if you've seen any video that comes out of these things, it does kind of make the whole world into a big video game, right? Creates shapes around objects, identifies those objects, tracks those objects. So write up your guys at Bailey. Essentially what we've done now is created a custom supercomputer for the car and it uses artificial intelligence. We call it DrivePX2, we're on the second edition now. And that's what's now going into all these self-driving prototypes as well as production vehicles. So the first real production self-driving cars on the road today, the newest Tesla Model S. So that has our DrivePX2 technology in it, the hardware there, plus the sensor array.  We're trying to track different objects, people, cars, buses, motorcycles, whatever. We have a map so we know where the roads go. We know where we are on those roads and then we can figure out and predict where the other vehicles are going to be to avoid them.  That's right. You know, 300,000 of your closest friends were there for this big event. That's great, we announced again a continuation of our partnership with Audi but moving beyond graphics in the car to now use artificial intelligence to put a level four automated driving vehicle on the road starting in 2020. And just for those who don't know, level four is just one step below where there's no control even in the car, right? Which is a level five. Yeah, basically it means wherever the car has been authorized to be used. So whether it's a highway or whether it's urban or certain geofenced areas, the car can take over and fully drive. Now in California, we have currently laws that means there has to be somebody behind the wheel. But again, like the project we're doing with Volvo, the drive me, people will be able to do other things behind the wheel. So when they turn over the car's control to the autopilot, they're then free to read, watch TV, do a video conference, whatever it is. And then the car eventually will turn control back to them maybe when they leave the highway. This is really interesting because, you know, there's a lot of hubbub when the poor guy crashed his Tesla a while ago. But it really wasn't an autonomous vehicle. It was driver assist. He wasn't supposed to be reading it, but. I think that's the key thing is people need to understand that there's a huge difference between a driver assistance system, a front-facing camera, and a fully autonomous vehicle. And so you just look at what's happened in that six months or so, the new Tesla system, now with our processor inside, has 40 times more processing power than they previous had. So we're bringing a supercomputer into the car and then it's gone from one camera to eight cameras, a big difference. Now, you sit in a nice kind of catbird seat because you can see all the various automakers coming at this thing at kind of different speeds and feeds and different strategies. Wonder if you can kind of share, you know, who's kind of going aggressive? It sounds like Volvo. You said they're having a hundred cars on the road with a level four autonomous vehicle versus some of the other people that are taking it a little bit slower. Yeah, I mean, we work with over 80 different automakers and tier one suppliers and other startup companies. Yeah, they're definitely moving at different rates We can't talk about them all obviously yet, but you look at, again, what's going on with Audi, with Tesla, Mercedes, even Ford, their new prototypes are leveraging the power of the GPU because everyone is realizing that there's no way you can possibly program or write code for the randomness that happens out on the road. Right, right. But instead, with artificial intelligence we can train the system and we can iterate very quickly if we want to teach it how to recognize street signs. Instead of spending two years writing software to recognize street signs like some smart camera companies do, in just a couple of hours we can actually feed a massive database of images of signs into the system and it then knows how to recognize stop signs, yield signs, street signs, everything. So it's this accelerated learning process that is enabled by artificial intelligence. Right, there's so many interesting things on this story. Another one that I think most people just miss, I like to drive. Well, you don't like to drive in traffic but really where the early stage is going to come is in commercial vehicles, commercial fleets where people can make a single purchase decision and turn over a boatload of vehicles all with one purchase order. I think there'll be that. There'll be ride sharing services that will go this way, those fleets, but also trucking, right? We just announced with ZF, one of the top suppliers to the trucking industry. They're taking our drive PX technology and bringing it to market, putting it into production for other types of vehicles, passenger cars, plus commercial vehicles, trucks, even tractors, mining equipment, factory automation, remote AI and autonomous forklifts, for example, or the material handling. So this is not just about cars, it really affects the entire $10 trillion transportation industry. Right, in the, I guess so many angles. Another thing I think is interesting that people don't really pay attention to is even when you're just driving to the store and back in an autonomous vehicle, it's collecting data about the environment that's happening all around it that may or may not have anything to do with that trip, but feeds all kinds of data on behavior of bicycles and behavior of pedestrians and behavior of other vehicles. So there's a whole bunch of positive learning that comes out of this that has much more to do than just what do you get to the store and buy. I mean, you're right. There's several different aspects to that. One is just the data collection in general. Even before we get to that autonomous car collecting the data, once we put the sensors on the car, even if you're driving, it's still collecting data. And that's part of the process of teaching it. Now the car isn't necessarily going to learn from you or I, because if we're not good drivers, we don't want that data to go into the whole training system, but we can use a lot of that data, you're absolutely right, for the training of how do you recognize bicyclists or other vehicles or to create a system that can discern the difference between an ambulance and a FedX track, we need to have a lot of images of FedX tracks and ambulances. And so all of that data collection from the fleet will help with that process. Yeah, it's just really interesting how there's kind of this, this collection of data analysis and big data and massive amounts of compute power, cloud enabled systems, you know, are coming together to create these cool technologies that you guys are spearheading. That's right. And I think again, if you look at automotive as an industry, it's still a very small part of NVIDIA, but it's a very important and growing part. But our underlying technology, the GPU and artificial intelligence applies in medical with healthcare systems being developed on AI to discern, okay, you look at an x-ray, you can tell, oh, that's a cancer cell. Well, that same technology applies to looking at an image from a front-facing camera and deciding that's a pedestrian. And again, we can apply this both in the cloud with companies like Amazon and Google and Netflix and Facebook and Baidu, and this goes on and on. They're developing AI solutions on the GPU, that same core technology that we can apply to self-driving cars. Yeah, we just think cars are cool, they're fun, but they are kind of the bright, shiny pointy end of this whole internet of things and some would argue you're biggest and most expensive wearable, but they do kind of represent all those technologies that are happening right now in the scene because I can't see the oncologist looking at the cancer cells. All right, well, Daniel, I'll give you the last word. What's getting you up in the morning as hopefully you get a little break after CES in this show, but next week, what's on the short term, what are you excited about? We were just really excited about what happened at CES, the announcements there, the announcements now with our customers here, rolling out more vehicles with our technology inside. And when we were in Vegas, we had one of our test cars that we were putting people like yourself in the back seat and we'd send the car out with nobody in the front seat and we were driving on different roads. It was a close course, of course, but different road surfaces, dirt roads on grass with different landscaping on the sides, instructions on, we had cones set up, a big construction flashing out, we'd wheel in and wheel out in the car, we'd then navigate and change course based on what it sensed. That was such a hit, everyone wants to do it. So I think I'm rebuilding that course out in California and we'll have people coming through that on a regular basis. All right, excellent. Well, I live in Palo Alto, so I see the Google cars. Sometimes they'll like practice left turns on my street. I got kind of a tricky left turn onto a busy street, so we see them all in place. We'll film segment two down in Santa Clara at our headquarters. Well, Daniel, thanks for taking a little bit of time and congratulations on a great couple of weeks from Vidya. Thanks so much. All right, he's Daniel Shapiro. I'm Jeff Frick, you're watching theCUBE. See you next time.


Hi, I'm Joana and I'm a Saxon alumni. I'm originally from Romania and I have started studying at Saxon five years ago and last year I have graduated. You may wonder why from Romania I came to this side of the Netherlands. Well, I was looking for a place where I can experience a lot during my study, go to internship, work with real companies, get real experience and hands-on projects and that's what guided me to Saxon. Moreover, the area here is so student-oriented and so nice that I will never regret coming here. Now that I finished my study, I'm so excited that I studied at Saxon and I think it was an amazing experience. I would recommend everybody to try it.


Welcome, this is Melissa Armo. The stocks was here reviewing Cisco. This was a long today, and I really thought this would be great if it gapped up long, and it was. We were up in this, it rallied right out of the gate, nice call, and then looked great, pretty much all day until about 2.15. Couldn't hold up, it just fell off. It just couldn't get enough momentum under it early enough, I think, in the day, which ideally, ideally would have been around 12 o'clock noon, although I was thinking by 2 it would go, and it just didn't. So some people did make money in this, they got out early. If you held it all day to try to get it up, it didn't go anywhere. It really should have gone to 50 in the morning, and looking back, the fact that it didn't, I guess, was kind of a sign, but sometimes longs take longer to go, and I talk about this all the time, which is why I do prefer to go short mostly. I do think this continues higher in the chart. Whether or not it'll be tomorrow, or take a couple of days, I just don't know, that will somewhat depend on the market here, because we have a lot going on in the next two weeks, but I will say that this had the rally that you would have wanted to see right a ways out of the gate why it didn't fall through right up to 50. I don't know, and if it had, we would have been out. So it kind of was a bummer, but I'm gonna go back and show you just really what this did here this morning. Again, it's okay to be aggressive on things that rate well, and this just looked great. So boom, here it is right out of the gate. Thought it would shoot right out. Came in, boom, made a new high right in here, 32 cents. Again, these are areas, and looking back, I'm like, gosh, I just expected more out of this. I just expected more, but everybody was up in it, and again, some people got out, and it just couldn't get enough momentum under it. It even looked good in here. And this is really, again, I'm gonna just take this off. You know, that should have followed through, and it just didn't do it, just didn't do it. So if you didn't get out of Cisco in the morning, Cisco was a stop today, and you could have tried to damage your control yourself a little bit to lower your cost average position by adding in it, but really, when I was looking at that and doing that, I was thinking it was gonna take off and go, or at least go back to the high of the day, or 49, or 49.50 even would have been great. It just couldn't get there. So I'll be watching Cisco and see where it goes in the long term. Every once in a while, something just does not work out. Sometimes then it goes the next day. I usually look for a new thing on the day, but Cisco just didn't do it. Valentine's Day, Cisco was a disappointment for a long term hold, but again, if you get out of it in the morning, you made money. And looking back, it should have hit 50 earlier in the day, and it should have gone over 70, 75 too, and it didn't. So we'll see what this does, and the next couple of days I'll be watching it. Good luck everyone, and we'll see you tomorrow.


Suspense. Autolight and its 96,000 dealers present Ms. Lana Turner in The Flame Blue Glove, a transcribed suspense play produced and edited by William Spear. Now, let's see, are we going to put the tree over there again? Uh-huh. And we'll have Santa Claus hang presents for Uncle John, cousin Joey. Oh, I'm going to ask Santa Claus to fill their stockings with Autolight resistor spark plugs. Look, honey, you're home. This is me, your wife. You can get away from business. Business? It's a pleasure to give such a Christmas present. But hollow Christmas is a time for sentiments. Sentiment, sure. John and Joey will love us because Autolight resistor spark plugs will make their cars idle smoother and give better performance on leaner gas mixtures. Actually, save gas. Oh, my goodness. Ohm is the secret, all right, that exclusive built-in 10,000 ohm Autolight resistor. Only Autolight resistor spark plugs have it.  Now you're talking. Autolight resistor spark plugs have 200% longer electrode life. Cut down spark plug interference with radio and television too. Why, Uncle John and cousin Joey will say, just as I do. You're always right with Autolight. And now with the flame blue glove and with the performance of Lana Turner, Autolight hopes once again to keep you in suspense. The trouble is you never had any feelings, Dutch. You don't know what it is to feel, not like other people feel. You've spent too much time looking out at the world through dirty windows. I never liked working for your detective agency. I never liked you, Dutch. I never liked you at all. This is my last case. And this is my last report. You'll have to train someone else to go out and get tangled up in other people's lives. I thought I was through working for you when I married Jimmy Conway, but I was wrong. You showed up again last week. I was working in my garden, even above the smell of the roses I could smell trouble. Hello, Shadow. What? Dutch. Where did you come from? Just in the neighborhood. Yeah, give me those things. What do you know about a rose bush? I know this one's got thrips. Trim it, use nicotine spray for a week or 10 days, clear it up just like that. Death, taxes, and Dutch. You know everything. You haven't changed a bit. Same pipe, same awful tobacco. How's the detective business? I miss you, Shadow. You were the best operative I ever had. Oh, I'm flattered, Dutch. This gilded cage stuff, OK? Gardens, clothes, car, time on your hands. You really like it? What do you think? Would you rather be a lady detective if you were me? Maybe. I don't know. You wouldn't be interested in working on a case, would you? I am now a happily married bride working on keeping her handsome husband. Besides, my license expired. Could fix that. This one's right up your alley, Shadow. You did the groundwork when you were with me. Sorry. I know the case was closed, but it's been nagging me, and I still think it was murder. What case are you talking about? The Conway case. Mrs. Conway. I looked at you. You weren't kidding, but you were smiling. And you only smiled when something might go wrong to somebody.  Hate me. Who hired you? Nobody, just nagged by the fact, Shadow. And Louise Conway, wealthy wife of not so wealthy Jim Conway, drinks 10 dissolved sleeping tablets New Year's Eve. Coroner's jury says suicide. I just can't find it. The police accepted the coroner's verdict. That day at the coroner's inquest, you disappointed me, Shadow, refusing to go on the stand. You'd been tailing him for two months. You could have told about his three lady friends. Telling those things to a coroner's jury wouldn't have helped one way or the other. Jimmy's clean and decent Dutch. He would have been arrested on suspicion of murder if you'd spoken up. Those girls meant nothing to him. They were just friends. Maybe, and he might have fed her those pills so he could have one of those friends. Then why did he marry me instead of whoever it was? He was saved. He was hired, Bidgen. You didn't tell the coroner about his friends. Maybe he married you to play it safe for a while. Maybe he... Jimmy had nothing to do with Louise's death. You know, I keep thinking what she said when she hired us. How did she put it? Yeah, Jimmy married me for my money. He was in love with somebody else. As soon as he thought it was safe, he went back to her. Went back to who? Who do you mean? Want to work on the case with me? No. No, I don't. Shadow, did you ever stop to think what might happen to you if he isn't innocent?  Doesn't it ever scare you? Oh, Jimmy, you're home early. No, no, please, keep playing. Did I ever tell you I love you? You wouldn't if you knew how really bad I am. But I love you. But you certainly know how bad I am. I bet there isn't a husband in the country married to the girl who tailed him all over town before she... Please, Jimmy. I'm sorry. We've kidded about this before, I've... It's just that I've had a bad day, that's all. My fault. Oh, you're trembling. Poor darling, Sarah. Yes, Jimmy? Maybe you stay around this house too much. Or maybe it's around you too much. What do you mean? After all this happened here. This is where Eloise died. I just thought maybe it gives you the creeps to live here. We can sell it, darling. Get another place. Oh, no, Jimmy. This is our house now. I never was really jealous of Eloise. Well, there's nobody else. But, Jimmy, when Eloise did what she did, you had other friends... No, Sarah. Were you in love with any of those girls? Kathy Dane. You used to sit around that nightclub listening to her sing. And Judy... Sarah, I never loved anyone. Not Kathy, not Judy, not Eloise, anyone. Until I met you. You believe that, don't you, Sarah? I want to, Jimmy. I want to so much. The next afternoon, walking down Hollywood Boulevard, I saw an ugly second floor office. And there was an ugly sign to go with it. Dutch detective service. I came up to see you, Dutch, to tell you to drop it. I won't drop it.  But they don't go around hiring detectives to watch their husbands before they do it. Eloise Conway was bumped and I'm going to find out about it. You're not going to pin it on Jimmy. He didn't have anything to do with it. If he didn't, one of his little friends did. Look, these old reports of yours include the names of three dames he went out with while you were tailing him. Yes, that's right. A torch singer named Kathy Dane. His private secretary, Millison Taylor, and the Miss Million Dollars named Judy Fleetwood. And what about them? Look, Dutch, I asked Jimmy about those girls last night. They didn't mean anything to him. A woman knows her husband. Yeah, well, I know a woman. And if they want a guy bad enough, they'll kill for it. And one of them left his glove on the floor of the bedroom the night our client passed away. Oh, that old glove. The police weren't even interested in it as evidence. Well, I am. The police didn't have any Cinderella's to fit it on because you didn't mention Jimmy's girlfriends at the inquest. Which one of them does it fit, Shadow? Size six and a half, commonest size in the world, fit anybody. Look, even fits me, Dutch. Well, the color is a little unusual. You'll grant me that. Flame blue? Yes, I guess so. All right. If we find the partner to this glove, we've got something. You going to help? I can't. All right. There's other female ops in this burg. I kind of thought you'd like to do it. You know, see that your husband's handle fair and square, no frames or anything like that. Oh, all right, Dutch. I'll give it a whirl. Good. But in a week, you'll come to me and tell me I was right. That Jimmy's innocent. Oh, I'm sure I will, Shadow. I'm sure I will. But O'Lide is bringing you Miss Lana Turner in The Flame Blue Glove, tonight's production in radio's Outstanding, Theater of Thrills Suspense. Harlow, if you're through rhapsodizing about auto-light resistor spark plugs, I'd like to plan out the rest of our Christmas. Oh, sure, of course. I've asked Aunt Helen to drive over for the day. Aunt Helen, I haven't seen her for a long time. Wonder if she's got auto-light resistor spark plugs in her car. Everybody else is dreaming of a white Christmas. Not my husband, Harlow. He's dreaming of an auto-light Christmas. I'll tell Aunt Helen that with auto-light resistor spark plugs, her car will idle smoother, give better performance on leaner gas mixtures, actually save her gas. Look, my super salesman. I'll tell her that auto-light resistor spark plugs never worry radio and television reception. That they have 200% longer electrode life. Yeah, I know. What a Christmas party we'll have. I'll bet Aunt Helen's eyes will light up like the famous auto-light bullseye headlights. Then I suppose you'll tell her to get a set of auto-light resistor spark plugs at her dealers. Oh, no, I'll have a set on the tree for her. Or maybe she'd prefer the famous regular type auto-light spark plugs, long recognized for their dependability. Well, anyway, it's a present you can't go wrong with because you're always right with auto-light. And now auto-light brings back to our Hollywood soundstage a star Lana Turner in the flame blue glove, a tale well-calculated to keep you in suspense. May I help you, please? I want to buy some gloves, a size six and a half. Certainly. Any particular shade in mine? Yes, blue. Blue? Yes, of course. Here's a lovely shade, hands-ditch. I was thinking of, well, more of a flame blue, flame blue. Oh, I'm afraid. Oh, I do happen to have a pair, six and a half. Yes. Here you are. What about these? Yes. Yes, that's a pair, exactly what I want. Oh, don't wrap them. I'll wear them. Lovely for cocktails. Yes, that's what I'm going to use them for. Mrs. Wingate? Yes, I'm Mrs. Wingate.  I've always admired your singing so much. I've always been a fan of yours. Kathy Dane records our favorites with all my friends. Oh, I took the liberty of ordering martinis. Well, thank you, Mrs. Wingate. I don't go on here for another half hour. Oh, I didn't come to hear you sing this time, Miss Dane. I came to ask you a favor. Oh? I want you to sing at a party I'm giving next month at my Bel Air home. I'm flattered, but I'm afraid I couldn't possibly accept any private engagements. Oh, I wish you'd reconsider. It's such a special occasion for a very dear friend who's spoken of you. Oh, who? Jimmy Conway. Jimmy? Yes. He's my neighbor. You know, he's been through so much in the last year with Eloise's death and everything. I felt this party might have been. You, uh, you know Jimmy's wife? Yes. I've met Sarah. She's very nice. I'm glad for Jimmy. I know I talk too much, but since I've met you, I can't help wondering why you and Jimmy. It's really quite simple, Mrs. Wingate. I'm a singer. I need backing. Jimmy couldn't help me then. He didn't have the money he inherited when his. Well, anyway, by the time I got my backing, what's her name? Sarah had come between us. I never met her, but. Oh, oh, I'm sorry. Did any get on you? No, no, but I'm afraid those beautiful gloves of yours are ruined.  Well, I hope it won't take the color out. Flame blue is my favorite. Mine too, I guess. I had some gloves pretty much like those ones. Oh, really? I lost one of them. Oh, really? Well, I've ruined one here. Perhaps we could make a pair between us. Which one did you lose? Oh, I can tell by just looking at yours, they'd be too small. I wear a 7 and 3 quarters glove. Have to have them made to order. My piano teacher used to call me ham hands. Sorry, I'm not your girl. No, I'm afraid you're not. No, she wasn't Dutch. I'd played the scene well, smart. Well, you'd have been proud of me, Dutch. It wasn't easy.  But I did it just the way you taught me. And I gave you the report just the way you taught me. All facts, no emotion. All right, Shadow, so it isn't Kathy Dane. But that glove fits somebody. Dutch, I hate it. I'm shaking from it. Oh, Jimmy, you'll know I'm up to something. Look, drop the whole thing. I'll give you 15,000 I have in my check. I want more than that. Dutch, I won't let you break this up for me. Jimmy and I have too much. You mean you're going to try hanging on to him and his money, even if Eloise was murdered? Stop it! That make you feel better? I'm sorry. OK, one down and two to go. That's the secretary and a grass widow. Who's first, Shadow? I'm so tired, Dutch. Sure, kid. Sure, you need a good night's sleep. I'll drive you home. Oh, by the by, do you sleep good in that house? Very well. Just ask, Shadow. Just ask.  I don't know what I was thinking to let you do it. When we got there, we spent an hour sitting in the car while you gave me all the details of about Millison Taylor again. She'd been Jimmy's secretary for four years. She'd been out of town at the time of Eloise's death. You wanted to know where. We said good night, finally.  Since one of the taxis has been slipping up to the house without rights? Oh, Jimmy, didn't you get my message? Sure, darling. You wouldn't be home for dinner. Why are you so nervous? Who'd you have dinner with? Oh, uh, Louise Dowlands. You remember Louise. She just got in from Honolulu. Oh, how is Lou? Oh, fine. Fine, Jim. She asked about you. Well? What is it, darling?  Oh, of course. What's the matter? You're smoking a new brand of cigarettes or something?  I seem to remember from somewhere. Oh, the cab driver was smoking a pipe. Well, I remember now.  So two people smoke it. Yes. Yes, of course. I was too clever for him.  In the next day, Dutch, I used everything you taught me. I had to. Because on my way back from Hollywood, I noticed that a gray coupe had turned with me off the boulevard. I noticed it because it looked exactly like my old car that I sold when I got married. And when it turned with me again at sunset and followed me out to Loyal, I knew that it was tailing me. Oh, I used what you taught me so well, Dutch. I time tracked lights, dodged up narrow streets, and got away from it. I would have taken this license number and looked them up, Dutch, but I had other things to do first.  Come in. Oh, Millicent. Millicent, it was so sweet of you to come. Sit over here by the bed. Are you ill, Mrs. Conway? My green headaches. Unbearable sometimes. Oh, Jane. Oh, but I never let Jimmy know about them. Sick wives are such a nuisance to a man. Yes, they certainly are. I called you, Millicent, because I've been planning a surprise for Jim's birthday. A costume party. And you want me to call it off? All right. What guests are coming? Oh, no. No, no, I don't want to call it off. Jimmy needs relaxation. I wondered if you'd play hostess for me. Me? Hostess?  And I know Jim would like it. Say you will, please. Really, Mrs. Conway? Oh, please not. Well, I have the costume. I don't know what.  I got it from Hollywood Customers today. It would fit you. Which one? The colonial with the... Oh, oh, yes. Yes. Well, it's lovely, Mrs. Conway. You'd look beautiful in it. I'd almost be afraid to let Jimmy see you wearing it. Would you? Now, the only thing it needs is some blue gloves. A flame blue, don't you think? Of course, they're rather difficult to find. That's no problem. I think I know. Yes?  How do you mean? You aren't like Eloise, migraine headaches. She'd have called him away from work a couple of days to nurse him. She was that kind of wife.  Yes. Yes, I am. Are you in love with him? Yes. Last winter, it got so bad that I had to go to a sanitarium for a while. Oh, you poor dear. Everyone thought I was spending the holidays with my sister. When I came back, a lot of things had happened. Eloise had committed suicide, and I was married to Jimmy. Yeah. Here. But aren't you going to take the costume with you? I've got a feeling you'll be up and around by party time, if there is a party. Oh, just in case, you want to check it. On New Year's Eve, I was in Riverview Sanitarium, Mrs. Conway. Goodbye. Just another secretary carrying a torch for a boss. Another bad lead, Dutch. You checked on it next morning. Well, that's that, Chet. OK. But there's still the grass widow. She's smart. Judy Fleetwood. Look, she was in Reno getting a divorce. Claim service is good, and that glove might fit her. OK. Well, anyway, we're getting near the end, aren't we? You won't say, Uncle, will you, Dutch? Nope.  The one above the mantle was an oil of Judy herself. But a modest photograph on the desk below was the real eye catcher. It was Jimmy. So you're Sarah Conway. Yes. Well, this is cozy. Sarah, the winner. Judy the loser, meet like two ladies and talk about the battle. What do you have? Oh, nothing, thank you. No, Prim too. Cheers, Twits. What are you doing here? Well, I'd like to have you over for dinner, say, tomorrow night. I think that would be positively nostalgic. Want me to bring someone with me? If you wish, yes. The guy across the road just left his wife. Shall I bring him along? Anyone you want. Yeah. You know what? I only wanted one guy, and you got him. Have a drink. This is quite an occasion.  I have to sing so much of me. Sure, last year, every time I was out with Jimmy, I'd see you lurking in the bushes somewhere. With your magnifying glass and bloodhounds. I didn't like doing it, Miss Fleetwood. It was a job. You made it pay off, honey. Now come off it. Telling a man getting the dope on his private life and scaring him into marriage. That's a lie. It is. Night always died. I want to see her. You? You were with her the night she died? That's what I said. And she told me she was more scared of you than any of us. So you're good, sister. You're real good. But you're not going to keep him. You hear me? It would have been me if you hadn't been in her room. Dutch, Judy Fleetwood was there the night Eloise died. She told me so herself. That's how smart she is. Good. Anything else? Well, I didn't get a chance to find out about the glove. I got so mad. I found the glove, Shadow. What? Yeah, the other flame blue glove. Well, where'd you find it? Where every day, me and the smartest one can lose a glove when she's driving my car, tucked down on the cushions. Oh, I see. Cost me a lot of time and money, Shadow. But I expect to get it back. Girl who owned that car got lots of money. Loaded. Well, what happens now? We'll wind it up tonight, Shadow. You know that little house outside the gate to the Fleetwood Deems place? Yes. Meet you there at nine. Oh, I have to hang up. Mara. Goodbye, Mr. Dameron. Sir, who are you talking with? Oh, just a friend. Jimmy, do you think I'm lying? Two nights ago, you were having dinner with Louise Cowans. She just came in from Hawaii? Yes. Louise called me at the office today. She tried to get you at home. She told me she just got in today from New York. Well, Sarah? I hoped you wouldn't catch me, darling. Actually, I had to meet a man. Well, it was for your birthday. A surprise. It's hard to keep up with you sometimes, Sarah. But who do we know drives a great coupe? I know you, one's own one, but I'm not sure. I don't know. Coming home twice now, I've seen him sitting. It seemed to be interested in our house. I thought he might be your doctor. My doctor? What are you talking about, Jimmy? Migraine headache, darling. Oh. Millicent shouldn't have mentioned it. They're really nothing. It's funny. Eloise used to have migraines. Here. What are those? Take two of these, but you're right to sleep.  You shouldn't take too many of these, of course. Well, that's awfully sweet, Jimmy. But I feel perfectly fine. Do as I say. Here, take them. But Jimmy did. All right. I'll go on up to bed. Sarah, I'm sorry I found out about my birthday surprise. Yes, darling. I'll have to plan a surprise for you someday, won't I? My pa was sleeping pills, of course. Another little trick you taught me. I waited in my room 20 minutes. I could hear Jimmy listening outside my door. Then I quietly dialed the operator and told him my phone seemed to be out of order and asked her to call me back. As soon as it rang and I heard Jimmy race to answer downstairs, I was down the back stairs and out of the house. I was still 10 minutes early for our appointment at Judy Fleetwoods. I was quite calm. The night was dark and I had my gun. I stood in the shadows and waited for you. I expected to hear your car first, but you fooled me, Dutch. I couldn't make out the shadow across the driveway, but I could smell the pipe smoke. And I fired. Dutch, Dutch. All right, Shadow. Drop it. I said drop it.  It's money you want, isn't it, Dutch? What good would it do me, Shadow? I'd be asking for something like this every time I came around to collect from you. And you might learn to shoot straight after a while. So this is it, Dutch. This is it, baby. I've got the glove in your old car, the mate to the one you left in Eloise's room the night you fed her those pills. Even got you now on attempted murder. Nothing much for me to say, is there? Nope. Is that enough for you, Lieutenant? Yes, it is. Sarah Oliver Conway, you're under arrest for the murder of Eloise Conway. Jimmy came to see me today.  Dutch, Jimmy gave me two sleeping pills after he talked to you. He was trying to keep me from doing anything until he could think of some way out of all this. But you wouldn't understand what that means to me, I guess. You never loved anybody, Dutch. Suspense presented by Autolight, tonight's star, Lana Turner.  I still love you.  Just like Autolight resists the spark plugs are one of more than 400 products made by Autolight for cars, trucks, planes, and boats in 28 plants coast to coast. These include complete electrical systems used as original equipment on many makes of America's finest cars, batteries, spark plugs, generators, coils, distributors, starting motors, and bullseye-sealed beam headlights. All engineered to fit together perfectly, work together perfectly because they're a perfect team. So don't accept electrical parts supposed to be as good. Ask for and insist on Autolight original factory parts at your neighborhood service station, car dealer, garage, or repair shop. Remember, you're always right with Autolight. Next Thursday for Suspense, Eddie Cantor will be our star. The play is called Double Entry, and it is, as we say, a tale well calculated to keep you in suspense. Tonight's transcribed suspense play was produced and edited by William Spear and directed by Norman MacDonald. Music for Suspense is composed by Lucian Morawek and conducted by Lud Bluskin. The Flame Blue Glove is an original radio play by Lois E.B. and John C. Fleming. Adapted for Suspense by E. Jack Newman. Lana Turner appeared by arrangement with Metro Goldwyn Mayer, producers of Door Sherry's Battleground, starring Van Johnson, John Hodiak, Ricardo Montalban, and George Murphy. For the second consecutive year, Lana Turner has been named the most popular star by the readers of Modern Screen Magazine in its motion picture popularity poll. In the coming weeks, you will hear such stars as Ida Lupino, Danny Kaye, and Ozzie and Harriet Nelson. Don't forget, next Thursday, same time Autolight will present Suspense, starring Eddie Cantor. You can buy Autolight resistor or regular spark plugs, Autolight staple batteries, Autolight electrical parts at your neighborhood Autolight dealers. Switch to Autolight. Good night. 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