How to SEO Optimize Your YouTube Videos Full Proof Process. Hey guys, welcome back. And in this video, you're gonna learn the SEO process that's gonna get you so many views on your videos. And if you don't do the things in here, you won't get any views on your videos. So if you've been frustrated, if you've been making videos and nobody's watching them, nobody's commenting, nobody's liking, it's probably because you've missed one of these steps. So at the end of this video, you'll know what to do. You can breathe a sigh of relief and you'll know that people are gonna watch your videos from now on. All right, so let's jump right into this. If you haven't subscribed yet, please do so. Hit that big red button down there. Turn it from red to gray. If it's already gray, there should be a bell by it. Make sure you ring it. Turn on all bell notifications so you're notified each and every single time I go live. So you don't miss a thing. Or if I upload a video, we'll also tell you about that. All right, so let's get into it and we're gonna look at all the different parts. The first thing we're gonna look at is keyword relevance, keyword relevance. Super important that you know this. Now it's really important that you use the right keywords because when people search for keywords and yours are tagged on your videos, your videos will come up. That's what you wanna do. So let's look at all the steps of the processes. I'll put something on the screen for you to read so you can read along with me. The first part is to write a great title. The title of your video should incorporate keywords that best describe its content. Next to the thumbnail, this is one of the first things people notice and consider when deciding to click. Next up, use video tags. Tags are part of your video publication that contain all of the keywords that relate to your video. While your title contains two to three main keywords, you can use tags to provide more information that speaks to your audience and your brand. Next up, fill out your video description. Gosh, a lot of people don't even have descriptions. I don't know why. It would be a mistake to limit your description to a few sentences in a link back to your website. Anything that gives your audience context to your video, such as links to similar content, content summaries, or calls to action, helps SEO optimize your video. When appropriate, consider using closed captions or uploading a video transcript. Guys, I think this is so important. I would have this on every single video. Closed captions and transcripts can also contain keywords and help describe your video in a similar way that the video description does. Next thing I'm gonna tell you is have quality videos, okay? Just have quality videos. Don't make a video that's not high quality. Now, in the beginning, you're gonna have a hard time. It's gonna be difficult, but the more you do this, the more you try, the more you try to improve upon it, the better you're gonna get. Look at some of your competitors out there. Pick their top videos, go to their videos and sort it by most viewed. Look at that video and think about how you can improve that video. Could you put more content into it? Could you put more edits into it? Could you give more information? Could you make that video longer? What could you do to make that video better? And then go make your video. You see, YouTube knows when people watch your videos. They not only know when people watch your videos, they know how long they watched your videos. They also know if they come back and watch your video again and all of these things really matter. If people are watching your videos and coming back again, guess what YouTube's gonna do? They're gonna show it to more people. If they show it to more people, you're gonna get more views, more subscribers and more money, ultimately. So you wanna make sure you make good videos. When you make your videos, make sure you share them on other platforms. Put them on Instagram, put them on, you know, I don't know, Facebook, wherever you wanna put them, put them in your blog, but make sure you share them in different places. Number three is have audience engagement. What is engagement? Well, engagement is when they try to interact with you in some form or fashion.  Maybe they subscribe. Maybe they turn on the bell notifications like I just told you. And here's the key to all those things. You gotta ask them to do it. They will not do it otherwise. Yeah, I didn't do that in the beginning. I didn't say, hey, give me a thumbs up. And by the way, give me a thumbs up. I'll give you a second. Did you get that? Okay. And do me a favor, one more thing real quick. Real quick, hit that subscribe button there. If it's red, turn it gray. Did you do that? Did you get that done? Okay. And don't forget, ring the bell. Turn on all bell notifications so you're notified each and every time that I go live or upload a video. Did you do that? Did you do that? Okay. Oh yeah. Can you put something below? Tell me what the weather is. Ask me about this video. Ask me about the next video. You see what I just did? That's what you gotta do in your videos. They will not do this on their own. You know, unless you're Kim Kardashian or Kanye West, they're not gonna be commenting on your videos unless you tell them to. They're not gonna be liking. They're not gonna be sharing. They're not gonna be doing any of this. Now, if YouTube sees that there's interaction that one of these things I just talked about, they're gonna show your videos to more people. And guess what? If you show it to more people, you get more viewers, you get more subscribers, you make more money, okay? So you wanna make sure you do these things. Number four, build good channel strength. How do you build good channel strength? You make your channel good. So here's some of the things you can do. You can publish consistently, okay? Now I published on this channel Monday, Wednesday, and Friday. I was publishing Monday through Friday and doing six lives a week, but it was a bit much because I have a couple other businesses.  I have them scheduled out a month in advance or two months in advance sometimes.  Now, the next thing you could do is create playlist. Playlists are so important, guys. If you put playlist on your channel, and all it is is like a folder and you put related videos in it. So for this channel here, I may say this folder is gonna be for SEO, okay? And I'm gonna talk about SEO on YouTube videos. So that would be an SEO folder. Maybe the next one is about emails. And I have an email folder and it talks all about emails. So any video that's related to one of those subjects, I put them in that folder. And here's the cool thing you can do. You can take your video and put it in three or four different folders as long as they align with the video you just did. As long as that playlist actually describes what you did, okay? Don't do anything that doesn't align. So don't go put your video in 10 playlist and nine of them don't even relate to it. Don't do that, okay? So YouTube wants to see a strong channel. So that means you've gotta have tags on your channel too. Yeah, you've gotta have description on your channel too. Yeah, make sure that you're treating it professionally and you'll get paid as such. Now, I wanna take a second and talk about time. Time, time, time, time. Anytime I do a video, there's always gonna be a portion of the population. They're gonna say, JR, if I put a title and a description and I put keywords and I put a thumbnail on a video, it's gonna take me forever. I won't be able to do as many videos, JR. I could do a lot more videos if I didn't have to do all those things. Here's the truth. If you don't do those things, nobody's gonna see the videos you watch. If you don't have the keywords in there, how in the world when they search YouTube will they ever see your videos? If you don't have any keywords that match up, your video will never come up. If you don't put a title on there that matches to the keywords, how will they ever find your videos? If they do find your videos and you haven't done a good-looking thumbnail, they'll never click on it because your thumbnail's no good, okay? It's just a screenshot from your video. So they're not gonna click on it. So here's the dilemma. Do you put out more product? Do you make more videos? Or do you make the videos you have right now better? Well, I'd like to say you should do both. But if you had to pick, I would say make them better. And the way you make them better is you have those title tags. You have the description in there. You have a good description in there. You have closed captions in there. You have a good thumbnail in there. You have good content in there. You ask them to comment. You ask them to share. You ask them to subscribe, internal notifications, and give you a thumbs up and all that stuff. I would say if you can't make but four videos a month, just do one a week and make them really, really good. Do it that way. As opposed to making four videos a week and not doing all the things that will make those videos found on YouTube. Because if they aren't found, it makes sense. Nobody's gonna watch them, okay? This is the thing that most new YouTubers cannot get through their head. All they wanna do is make videos, turn on the camera. They wanna upload them as fast as they can and say I've got 100 videos or I've got 200 videos. But none of them are any good, okay? They're not good, because you didn't put the effort into them. It'd be a whole lot better to have 10 videos than to have 100 videos. And I proved it to myself the other day. I started a cooking channel. You're welcome to check it out. And the first video I put up there got tons of views. And the reason they got tons of views is because I did all those best practices. I put a good thumbnail on there. I put a good title on there. I put a good description on there. And it's a recipe channel. So I put the recipe in there. I put tags in there. I did all the things I was supposed to do. And lo and behold, I got more views on that than some of the ones I did on this channel six years ago. And the reason being is I did all the right things, guys. If you're going to do this YouTube thing, it's going to be work.  Yeah, it's possible you could have a viral video. And I've seen some channels. And I will be searching. And a video will come up. And it's got 10,000 views or 50,000 views. I'm like, oh, must be a really good channel. And I click on it. And that's the only good video they got because they had one video go viral. And they didn't tag it. And they didn't do descriptions like this. They didn't do anything they were supposed to. Just somehow, the algorithm pushed it out there. You would do much better to do better videos. You would do much better to do it right. In the long run, you're going to get more views, more subscribers, and you're going to make more money, which is what we want to do. Also, don't get hung up on how many views you get. If you get zero views, maybe you want to look at it. But if you get one or two views, understand that is one or two more people that are listening to you than were yesterday or the day before. And this will compile because in the beginning, you're not going to get a lot of views. Nobody knows about you.  But if you keep doing videos, you'll find that maybe you get five views. Maybe you'll get 10 views. Maybe you'll get 40 views. Maybe one of them gets 100 or 200 views. I've got videos that have 100,000 views. I don't have any that have millions because the subject matter I talk about, about making money online is not for everybody. My message is not for everybody. My message is you got to work hard. And this stuff's difficult, but I can show you how to make millions of dollars. They don't want to hear the first part. They want to hear the second part about making millions of dollars. Everybody wants to make that. But very few people really want to put in the effort. The truth is the people that really make the money always put in the effort. They don't always tell you that.    You got to know this, right? If it was so easy to make money, why would they do it for you? Why would they just do it for themselves? Why would they help you out? Because they're not, because they can't, because they're collecting money from you and telling you they're going to make you rich and the way they're getting rich is collecting money from you. So I do have courses, I sell courses and they're good courses, but my message is you're going to have to work hard. And if hard work isn't in your game plan, this channel ain't for you. And I just want to throw that out there because some of you may watch me and think, oh wow, this is so easy. It's not easy, it's hard. I'm on my seventh video I've recorded today. I started at 7.30 this morning and it's now three o'clock in the afternoon. I've taken time out for lunch and that's it. And I've got to work to probably eight or nine o'clock tonight, so there's the glamorous life, guys. I hope you enjoyed this video. I hope you got a lot out of it. And if you have any questions that I can help you, I will seriously help you out. Put your comments below, put your questions below. If you just want to say hi to me and tell me what the weather's like in your town, go ahead, do it. I'll probably comment back and I may ask you a question or I'll share my weather with you, too. Okay, hey, give me a thumbs up. It helps the algorithm. Don't forget to subscribe. Hit that subscribe button down there. Turn it from red to gray. Don't forget to ring the bell. Turn on all bell notifications so you're notified each and every time I go live. Thank you so much for watching this video. I really appreciate it, guys. And I really do appreciate you guys one on one. I'll see you in the next video. Hey, thanks for watching my video. Don't forget to subscribe to my channel and click that little bell right there so you can be notified every time I do a new video. Also, click on one of those videos there. Keep watching on my channel.


This is the animation minute as always let's start with jobs Micro's animation is looking for a ton of positions including animation supervisor Axi Studios is looking for senior creature animators Warner Brothers is looking for storyboard artists for wings of fire and another job hosting from Warner Brothers This time it's for technical director for wings of fire Matt is tweeting it at they're looking for a pixel artist slash animator Switching over to news. They're not good news. Activision Blizzard has been sued by California over frappe boy culture Breaking down the visual effects in fear street. It's a really cool trilogy. Check it out on Netflix Full trailer for doing the movie is out. It's going to be glorious. I can't wait The last of season two is out first episode was great Here's a great thread on how we fell in love with the main character a new course will be released for how to animate in Blender this is definitely for me Ross is diving into the world of being self-employed. Check out his latest podcast episode I can only agree with this use reference. It's not cheating Here are a few tweets about Maya and the three which is looking really really cool Speaking of cool. Look at that. Come on classic movie. Here's another one at this time and go full screen here Look at that. That is so cool. Love seeing these as well There are a couple of these check out this one and that one There's a lot of crazy action in here. It's two minutes of awesomeness Make sure to check out the full sequence. This looks really really cute hand drawn to the animation I am absolutely into this game now Speak of a game Sean once again with the cuteness overload a little workflow glimpse that it says here He starts with a 2d walk cycle and then puts that into his characters really cute This is some absolutely fascinating 2d animations breaks my brain this one and This one what is going on here? I love it This is cool to see here get your standalone animation and then how it looks like in the game really nice creature animation work Yep, I'm always going to have pixel art. This is super cute. This is also a game. I'm waiting for more pixel art really cool wait for it wait for it and Very cool and last but at least another really cool pixel art piece I love here the container with the fluid all that is so well done I love it and that is that for the animation minute You will find it every Monday on my channel at 10 a.m


Welcome to this explainer video on the STM32 Nucleo Motor Control Expansion Board using Arm Embed Environment. During this video, we will show you how to drive a bipolar stepper motor. We are going to explain how to get your application running in the Arm Embed Environment. The first half of the video will focus on the software setup and the second half will detail the hardware functionality available. Now, connect one bipolar stepper motor to the expansion board. Then, connect a voltage supply. In this case, we use a 12 volt supply. Then you can connect the STM32 Nucleo Board to a PC using a mini USB cable. And then, you are ready to power on. The board is automatically detected and seen as a disk drive. Now, connect to the armdeveloper.embed.org website and log in with your credentials. Click on Hardware, then Components, and select Motor under the actuators category. Click on XNucleo IHM05A1 Bipolar Stepper Motor Driver and find the Hello World underscore IHM05A1 application example on the next page. Then, import it into the online compiler. Open the main program and choose the desired target platform. Add a new one if needed. At this point, build the application and download it on the Nucleo Board. After completing download or when pressing the black button on the Nucleo Board, the application will reset and start. This simple application shows how to run the bipolar stepper motor at different speeds. And now, some details about the STM32 Nucleo Bipolar Stepper Motor expansion board. It includes a fully integrated Demos stepper motor driver, the L6208. At www.st.com.x-nucleo under the reference XNucleo IHM05A1, you can find user manuals, quick start guides, bill of materials, and lots of other detailed documentation to help you on your way to building your application. Thanks for watching. We hope we helped you get started on your dream application.


Synthesis of adrenal steroid hormones occurs in three layers of the adrenal cortex. From outermost to inner side, these layers are zona glomerulosa, zona fasciculata, and zona reticularis, that is GFR. Zona glomerulosa synthesizes mineralocorticoids, zona fasciculata synthesizes mainly glucocorticoids, and zona reticularis synthesizes androgens. So I remember it like obviously for the layers as GFR and G synthesizes M, that is a general manager like that. So glomerulosa synthesizes mineralocorticoids. And last one I remember as Ra, like sun god Ra is there, so reticularis synthesizes androgens. So obviously the middle layer fasciculata synthesizes mostly the glucocorticoids. So what are the steps in the synthesis of these adrenal steroid hormones? Well all the steroid hormones, let it be adrenal or any other hormones like testosterone, vitamin D, all are synthesized from cholesterol. But the further steps vary. Various adrenal steroids are synthesized by multiple steps and multiple pathways. The basic one of which is this, that is cholesterol is converted to pregnenonon, which is converted to progesterone. Then there is 11-deoxy corticosterone, and then corticosterone, so this is sorry corticosterone. And finally it is converted to aldosterone. So we can remember it like pre-pro-d-c. So once you remember these steps pre-pro-d-c you will see that the other steps are also easy to remember. So if you focus here basically this pathway is synthesizing the mineralocorticoid that is aldosterone. From this pathway there are diversions also. The pregnenonon is converted to 17-hydroxy-pregnenonon and progesterone can also be converted to 17-hydroxy-progesterone. You see I have drawn two arrows from here, further there are no arrows. So when the enzyme 17-alpha hydroxylase acts on pregnenonon it creates 17-hydroxy-pregnenonon. Similarly for creating 17-hydroxy-progesterone same enzyme acts, 17-alpha hydroxylase.  So again if you see it is easy to remember with the same pre-pro-d-c. It is here only difference is 17-hydroxy then it is pre-pro-d-c. So instead of corticosterone here it becomes deoxy cortisol and then cortisol. Now this pathway further again branches. So you see this 17-hydroxy-pregnenon is converted to dehydroepi-androgesterone and the 17-hydroxy-progesterone is converted to andro-stenedion. And there is a vertical pathway also DHEA is also converted to andro-stenedion. So this horizontal pathway you see same enzymes are acting 17-20 liase. So here it is 17-alpha hydroxylase and in the second step there is 17-20 liase. So horizontally we are seeing that how the various chemicals are travelling. Now vertically let us see what are the various enzymes. See for conversion of first step that is pregnenon to progesterone or 17-hydroxy-pregnenon to 17-hydroxy-progesterone or for DHEA to convert into andro-stenedion. There is same enzyme that is 3-beta hydroxy steroid dehydrogenase. Same enzyme is acting across all the steps. So you see till the top two steps the chemicals are travelling horizontally also that is they can synthesize aldosterone, cortisol or the androgens and same enzyme is acting vertically in all the three steps of adrenal steroid synthesis. Now further down if we see if you remember the steps that is pre-pro DC and here also pre-pro DC. So logically here one enzyme should act which should be common in both the zones and here also one enzyme should act which should be common in both the zones. So that is what is happening. For conversion of progesterone to 11-deoxychoticosterone or for conversion of 17-hydroxy-progesterone to 11-deoxychotisol there is enzyme 21-beta hydroxylase. Then for next step there is another enzyme that is 11-beta hydroxylase. So as I told in the beginning that glucocorticoids are synthesized in the zona fasciculata. Now if you see till here all the steps which are occurring in the synthesis of the mineralocorticoids the enzymes which are required they are also present in the zona fasciculata that means this particular pathway is also going on in zona fasciculata if cholesterol is present since enzymes are there it will form corticosterone also and cortisol also. So yes these are the major glucocorticoids which are synthesized in the zona fasciculata that is cortisol and corticosterone. The corticosterone is responsible for only 4% of the glucocorticoid activity still. These are the major steroids synthesized in zona fasciculata. Now the next step from corticosterone to aldosterone requires an enzyme aldosterone synthase which is present only in zona glomerulosa that is the reason that mineralocorticoids are synthesized only in the zona glomerulosa. So friends hopefully you have understood the steps in the synthesis of the steroid hormones I have tried to make it as easy as possible by telling you the major enzymes that is horizontally if we see it is 17 alpha hydroxylase and then 17 20 liase which are responsible for the first two steps then vertically if we see there are three major enzymes three beta hydroxy steroid dehydrogenase 21 beta hydroxylase and 11 beta hydroxylase and for the synthesis of aldosterone aldosterone synthase is required which is present in the zona glomerulosa. Now this knowledge is very important for understanding adrenogenital syndromes which will be dealing in a subsequent video. Well thanks for watching the video. If you liked it do press the like button, share the video with others and do subscribe to the channel Physiology Open. Thank you.


I'm very excited to be here even in this virtual world. It presents interesting challenges, of course. So what we'll be talking about a little bit is about our paper on the three perspectives in dealing primarily with buyers, suppliers, and integrators. So first, kind of an overview. Today, we all understand you know, we're in an industry of the evolution and the solution space is becoming very complex, right? You have the disparate services and technologies and methodologies which are often achieved really through a unification of legacy systems and new technologies. So the whole focus of this is really maintaining operational and competitive benefits in this changing world. So we need to actually, you know, rapidly develop and rapidly adapt our systems as well as create and bring new ones online. So our paper here discusses really the concerns, risks, and challenges, and really the benefits of utilizing the face reference architecture in order to meet those challenges and utilizing it, in particular, the face data architecture and utilizing it to benefit the whole process. Now here we look and as part of the three roles of interactions, we present a very simple case of the buyers, suppliers, integrators, and you might note on supplier three, you know, some of these are off the shelf components. So really the idea is how to pull all this together from your specification, how to integrate those, and of course what the suppliers need to do. Now as Captain Wilson mentioned a little earlier, one of the things with MOSA, as we look at our modular open systems approach, it really begs the question or begs the solution of model-based systems engineering. And that's really where face enters the fray. It really does help manage some of that complexity and when we look at this model-based MOSA, it really helps us through unification of those legacy systems, right, as well as those new systems. So that's a real focus. Now one thing I'll mention is I'm going to talk about the buyer perspective. And then Bill Tanner will talk about the supplier perspective. And then Leanne will follow up with the integrator perspective. Okay, so the buyer perspective. So the real focus here when we look at the MOSA approach, right, is really it's a divide and conquer approach. And this diagram, by the way, it's not marked, but it's a benefit provided by Southwest Research Institute out of San Antonio. So it's a divide and conquer and really looks at the flow and the life cycle of your system and breaks that up into the different pieces. So from a buyer's perspective, the idea and the real focus is really developing the specification so they can go out for procurement for the integrators and for your suppliers as well, potentially. Some of those components that are purchased, like off the shelf, are then provided to the integrator as part of complete subsystems. So it really adds to a lot of complexity. Now there's a question of how do they do that, right? How do you create these specifications? Now there's a lot of work through different technologies. Of course, when we talk MBSC, everybody here says ML, and that's one key technology, but it's not the only one. There's other ones out there such as ADL, FACE, and the real focus is how to integrate all these different model-based systems engineering tools to really create this solid specification that's not ambiguous. When we have ambiguity, it's really the enemy of any systems development effort. Ambiguous, it means it takes someone's interpretation or that they have to seek clarification. So it becomes a real problem for long term systems development. And usually when people make assumptions about the specifications, which is horrible, we end up with the problems arising or identified much later in the cycle and that gets very expensive when you look at your life cycle. So the phase of data architecture, one of the things we do talk a little bit in the paper, but there is limited amount of space in the paper and then presentations obviously when we get 20 minutes, some of these topics could take days to discuss. But it's really how do you take the phase data architecture and how does it support that specification? Now some of the key areas we look at because FACE was designed for unambiguous identification of your data, right? It's really defining your data dictionary within your system and being able to share that with your suppliers and integrators. It's one of the key components is really understanding what we're talking about. And it doesn't just do that in terms of the semantic definition or what the thing is, but it also does it in terms of the measurement specifics. We are dealing with aerospace after all and so the key is making sure that we all understand exactly what it is. But it goes beyond just the data itself. It also gets into your performance, understanding the different units of portability as they are defined in the system. There's a functional, non-functional specification as well as one of the keys is also interface specification. Making sure we really understand what those interfaces are and we specify them sufficiently but not over specified to reduce the flexibility needed in any development or integration effort. So next, Bill Tanner will talk a little bit about the supplier perspective. Thanks, Sean. Okay, so from a supplier perspective, really what I focused on was my experiences with building data models for the Aviation System Integration Facility work basically in phase 2.1. And so what I tried to present is some practical or pragmatic approaches and how I manage things I bought in real early to the fact that I could be able to create a conceptual model from which I could generate multiple logical and platform instances. And so that kind of worked well for the varying projects that we had. So if you look at this common V diagram, there are really three different efforts that or types of efforts that I would encounter. One where it was pretty much like a green field from the very beginning and I could define the concepts and the semantics and pretty much have control over that. Others were a little bit of mix where there was some requirements coming in from project management or engineers or maybe even system people that didn't really have that much experience but they had some SME knowledge in the subject matter, so that was a very good thing. Other times, I was basically given a set of header files and said, hey, go make a phase data model for this that's conformant and we don't really have any time to tell you what these things mean. And so what I found out is one of the real benefits that I thought of phase was that I could model each of those successfully and actually get a phase file that was conformant and that did the need. Go ahead and advance the slide if you wish, Sean. So that kind of brings up some issues here, right? You can actually have a phase file that passes conformance but doesn't really, truly reflect accurately the semantics or the context that was intended. And so that's flexible and that allows you to, if you've got only a few hours budgeted to get something accomplished that's conformant, but it kind of defeats a little bit of the purpose. So there's a concern there, but I definitely thought that was a benefit that we could move on and we could make changes in the future. That's another really interesting point is point three is this realization disconnect. And what the realization disconnect allows you to do is really disconnect the messages and the views from the semantic context and the definition of the meaning of the data that's in the messages or in the views. And so that's very powerful because if you make a mistake in the semantics or in your understanding of the semantics progresses over time, then it's very helpful because you can change the upper portion of the model. That's to say the conceptual and the logical perhaps without influencing what the platform views or the platform messages look like. So there was some flexibility. Some folks don't really, you know, when they're building these models are not too keen on having to harden the frame of references and or the units, but that's just a little thing that we kind of deal with and some of that's been mitigated a little bit in 3.0, although I don't talk about it too much. And then the code generation is tied pretty much to the platform. And so there's some issues there where you want to where you want to have your naming conventions lined up, especially for the platform types. Go ahead and advance to the next slide. Here's just, you know, again, trying to be a little pragmatic and show you what I did. This is just kind of one conceptual, logical and platform and UOP model packaging that might be of use to some people. And, you know, I know we're kind of constrained on time. So I'm not going to go through this too much. But really the goal was to try to keep the common generic, more abstract conceptual semantics and context within the conceptual model, you know, independent of any particular specific project. Now I broke that a few times when, you know, I didn't have the time to do those abstractions, but that would certainly be an opportunity to go back and rework those. But this generally worked for me. And so this is an example that you can think of. And kind of with that, the following slide goes into a couple or the following two slides go into a couple different ways of managing how the changes occur from conceptual to logical. There's this notion of a single entity with multiple characteristics where you've got something like a rotorcraft and you need to realize the speeds differently using different frames of reference, different units, and perhaps even different constraints. So that's one way to do it. And you can see that I've used some suffixes to the names of the, to the characteristic compositions there, P1, P2, you know, perhaps for Project 1, Project 2. And then you can see similarly at the platform level with a Type 1 and Type 2 and that gives you kind of a flexibility without having to create a lot of redundancy. Now, the next slide shows realization of interseparate entities.  Sometimes I did a combination of each. I'll just come clean as what I tried to do with this model, it had kind of a two-fold purpose. It had the purpose of showing what, you know, we're providing what needed to be done and then also exploiting as many as the Phase 2-1 constructs as I could. So I think that's it and we're ready for the end now. Hi, so can everybody hear me? Yeah, so when we're looking at the integration perspective, we looked at the traditional challenges for an integrating. Some of those were legacy systems and custom solutions and the challenges that they provide generally being brittle, patched over their life cycle. So they're and, you know, the custom solutions are usually narrow in purpose. So they're not well suited to integration into a larger system of systems. And when you consider additionally the multi-organizational solutions, you have challenges there for the integrator in understanding the domain of the interfaces defined, possibly the number of interfaces they need to support and other data rights. And the number three was the data interpretation. It was found that even within teams, there was not necessarily a common understanding of the data. So we need to build that out in a larger organization in a group with the breadth of that knowledge and the understanding of the data becomes skewed. The last point for the challenges was the skill set. As these systems and systems become broader, the integrator has to have a blending of skills and that gets difficult for building those in the marketplace. Next slide. So looking at the traditional integration, this kind of shows you graphically the challenges that were encountered with a multi-vendor solution. So, you know, as I spoke, you have interfaces that are defined custom or they're proprietary. So, you know, going left or right, vendor A has a certain set of interfaces. They're not standardized. So it gets difficult to integrate those with the other vendors, vendor B and vendor C, because the points there may not align. In some cases, some of those solutions are still monolithic and that, again, presents a challenge because your alignment is not there. And then it causes more work for the integrator, either writing adapters or working to integrate those through additional means. And then when you look down toward the bottom, this graphic shows you that there is a bit of a horizontal achievement for each of those vendors across that last component, but the point is here that without, in a traditional environment, those are typically opportunistic and not well coordinated. Next slide. So now here's a look at integrating those same types of vendor solutions in an AMBOSA environment with an MBSC approach and what the FACE standard gives us there. So when you look at the FACE standard, it defines the interfaces for us. It has the OS interfaces. It has the transport services interfaces. It's the IO interfaces. So with the well-defined interface and it has convergence among the industry, that allows us to have an anticipate better where those integration points will be and it allows us to coordinate better. So we can be in a position where we can achieve the horizontal modularity and it gives us more opportunities to do so. Additionally, with the transport services interface and the data model, we can now capture that data and express that semantic meaning in a very powerful way so that there is less ambiguity and everybody understands the interpretation of that data. So again, the FACE with the MOSA gives us much more powerful tools for horizontal modularity as well as vertical modularity within a systems of system solution. Next slide. So to conclude the effort here with the three perspectives you can add to that, you know, we're very much saying that the FACE standard and MOSA is a powerful tool set to achieving integration, achieving the needs of the buyers and the suppliers, all in a solution set that and in a process that gives us a good path forward. We recommend that all of those roles are participate in FACE data architecture to development understanding of the data and it gives us the best of breeds from our component standpoint for moving forward in the industry. Thanks. Okay, that concludes our presentation. I'm not sure if we have time for questions. We have one question come in. We have a couple minutes till we're at our breaking point. So let me read that to you. Have you considered the open group standard open data element framework for a common semantic starting point? I'll take a stab at this. When we originally looked at the FACE data architecture, we did pretty exhaustive analysis of all the things that were out there. This has been quite a few years. And what we identified was things like XML and UML and every other ML. They really didn't provide enough semantic definition in terms of the measurement or the framework reference as well as the semantic relationships, right, the interrelationships of the data. So the real challenge, you know, we had was we needed to develop this data architecture. Now, what we did in FACE is we didn't tie it to a single definition of different elements but allow them as, you know, building blocks. We do have a shared data model which does provide the foundational kind of observables that we call observables or fundamental things like mass weight and that. And then we added, of course, measurements that define things like measurement systems that's similar to a topologies or metric spaces to be able to build that model. So what we find is most of the existing model data architectures that are out there like UDEF or Open Data Element Framework, they can be built on top of FACE, but it's a little hard to adapt and take it wholesale.


Good health to all from Rexall. It's the Phil Harris Alice Fay show presented by the makers of Rexall drug products and 10,000 independent Rexall family drugists. Good evening. This is your Rexall family drugist welcoming you for the 10,000 independent drugists who have added the word Rexall to their own store name. You know us by the orange and blue Rexall sign on our windows and that sign means that we carry the 2,000 or more drug products made by the Rexall drug company. Each one scientifically compounded to do a job for you. Take Rexall's famous mouthwash, MI31 as an example. MI31 is a special antiseptic formula that kills contacted germs almost instantly when used full strength, yet will not harm delicate membranes of the mouth and throat. It's quality like that we family drugists are talking about when we tell you you can depend on any drug product that bears the name Rexall. Good health to all from Rexall. And now your Rexall family drugist brings you the Phil Harris Alice Fay show written by Ray Singer and Dick Chevrolet with Elliott Lewis, Walter Tetley, Robert North, Janine Roos and Whitfield, Walter Sharpen is music, yours truly Bill Foreman and starring Alice Fay and Phil Harris. Mr. Scott of Rexall has asked Phil to call the band together so that he might address them on a matter of importance. It must be very important for Mr. Scott has been talking to the boys for over 2 hours and as we look in he is just finishing his speech. And in conclusion gentlemen, I'd like to say that any resemblance between you and musicians is not only accidental but downright malicious. Now then, are there any questions? Yeah, who are you? I'm Mr. Scott. I represent the 10,000 independent Rexall dealers who pay for this program and I'm here to see that you do your best for Rexall. Now, any other questions? What's a Rexall?  They can too. Fellows, I'll explain what Rexall is. It's one of the world's foremost dispensers of pharmaceuticals. Furthermore, it's one... That's enough Harris. Their little minds are loused up enough without your explanation. I'll explain. A number of years ago a group of drugists formed the company. They needed a title to identify themselves and after many months they came up with a grand old name. Do you know what they called it? They called it Mary! Mary! Mary is the grand old name! They didn't call it Mary! Rexall! Rexall! Harris, please, you talk to them. My ulcer is starting to nudge me. Or better yet, Mrs. Harris, you talk to them. Please, Mr. Scott, you're asking me to lose my self-respect. They won't listen to anybody. How does Mr. Harris keep them in line? Well, there's one way. He gets behind a curtain and says, Now hear this. Now hear this. This is Patrillo speaking. Does that work? Well, that depends. If their union dues is paid, they ignore that too. Harris, as the leader of this band, it's up to you to see that they play properly, even if you have to teach them to read music. Them guys know how to read music. And I'll show you. Artie, read what's on your music stand. Abbey rents $2 per day. I mean the music. What does it say on the music? Shermer's book won for beginners.  Isn't there anyone in this orchestra who knows what he's doing? Yes, there is. There is one man. My concert master, Mr. Remley. Remley? Why that no-talent slob? Wait a minute. Not just a minute, Mr. Scott. Don't knock Frankie. He's a pretty smart kid. He knows music. We'll soon find out. Remley, read that music you have in front of you. Say, please. All right, please read the music. What music? The sheet of paper you have in front of you. The one with the black dots. That's music? I thought I was seeing spots in front of my eyes. I haven't had my glasses changed everywhere. Frankie, listen, now, will you cut out the clowning? Now, stop kidding. Now, read your guitar part just the way I wrote it for you. Very well, maestro. It says when you hear noises coming from the other instruments, you'll know the number has started.  At which point you count two strum once and put your guitar down before you get in trouble. Harry, is that the way you write the music for them? Yeah, I do all my own arranging. Of course, a little tough with the violin section. They can't read English and I gotta draw pictures. Now, one of these musicians don't know anything. They've got a leader who knows even less. If you learn to read music and play yourself, maybe... Now, wait a minute. Just a minute, sir. I'm not only a fine instrumentalist, but I read music fluently. You do, eh? Let's see you read this. Very well. It's in the key of D-flat, which has five flats, is in the Alabrave Temple with a fermata on the end chord, finishing with a big piati. I'll be done. He did it. Hey, Alice, look at me. I can read music. Frankie, did you hear that? I read the music. I read the music. Exhibitionist? What are you trying to do? Show the rest of yourself? I'm not trying to show nobody up. I'm just trying to prove to them. Gentlemen, gentlemen, gentlemen, please, please. I'm tired of all this bickering and I want it to stop right now. Oh, please, Mrs. Scott, control yourself. Nobody asked you to butt in. Oh! Oh, you... I'm so sorry, Mrs. Harris. I couldn't mean to shout at you. What's wrong, Mr. Scott? You've been irritable all morning. Yeah, what's up, Scotty? I hate to see you this way. Your usual miserable self. I apologize, Mrs. Harris. I'm all upset. It's a personal problem at home.  Frank! How can you say a thing like that about such a fine person as Mr. Scott? If he's having any trouble at home, it's because he can't stand his wife. She's probably a nag who spends all his money, runs around with other... Wait a minute, wait a minute. I'm not having trouble with my wife. It's somebody else. Your girlfriend, huh? No, no, no, we got long splendid... I'm having trouble with my daughter, Marjorie. Well, what's wrong? Well, as you know, she's only 17 and she's fallen in love with a man of 40. There's 23 years difference in their ages and she wants to marry him. Well, what's so terrible about that? When I married Phil, there was 23 years difference in our ages. The one? Yeah. I happen to like older women. I don't mind the difference in their ages so much. It's just that this fellow is a fortune hunter and he's after Marjorie's money. She's got money, huh? I think I can help you, Mr. Scott. When this greedy fortune hunter comes around tomorrow and I tell him that Marjorie is already married. But she isn't married. We're eloping in the morning. You wouldn't object to your daughter marrying me, would you? No. No, I wouldn't object. I just rather see her dead, that's all. Who cares what you think? Have Marjorie meet me at her bank and we'll leave from there. And you can send what we can't carry so we'll have another...  I'm sorry I mentioned the whole thing. Good bye. What's he sore about? I had a solution to his problem but he wouldn't give me a chance to tell him... Wait a minute! Wait a minute! Wait a minute! What are you doing, Artie? Well, we're playing. What do you care? Let's fetch one anything. Music, music, music... Closer, my dear, come closer... The nicest part of Bentley melody Is when you're dancing close to me So trued another nickel in In the Nickelodeon All I want is loving you And music, music, music... Music begins, Mr. Knorr Have that nostalgic! Music, music, music, music, music, music, music, music, music, music, music, music, music, music. I've been thinking about Mr. Scott's problem. You know, it's pretty serious. I think we ought to help him. I know one thing. I wouldn't want my daughter married to a fortune hunter. Now you know how my father felt about you. Oh, honey, when I married you, I didn't know you had money. By the time I found out it was too late to back out and I have suffered through it. Say, Phil, I have an idea. All we have to do is make Marjorie forget this older man she's going with. I know that, but how? Well, let's find a young, handsome, clean, cut, typical American boy that she can fall in love with. Yeah, but after she falls in love with me, then what happened? I wasn't talking about you. But honey, will you listen to me? I'm the only one to make Marjorie forget this guy. If you remember, when I met her last year, she practically swooned over me. She had a terrific crush on me. That's right. The poor, weak-minded child did. Well, let's get over to the house and you can talk to her. Hey, Curly, what makes you think you'll be able to get Marjorie to forget this other guy? Are you kidding? What are you kidding? I'm not kidding. Ah, kidding. I'll make her forget him like that. Before I married Alice, she was going with Tyrone Powell. Alice, tell him, how long did it take me to make you forget Tyrone? Ten years. And I've only known you eight years. You still have two years to go, dear. And so, Mr. Scott, that's, well, that's what we're doing over here. We want to help you. In short, as long as you're not capable of handling your family affairs yourself, we'll do it for you. That's very nice of you, Rimley. I appreciate your efforts on my behalf.  Curly, don't ask him. Look, Scotty, we're going to help you. I don't want your help. You're going to get it whether you want it or not. Now, get lost. We got work to do. Please, Frankie. Mr. Scott, very often children resent interference from their parents. And we thought, well, perhaps, you know, we might make Marjorie understand. That's right. Now, just let me talk to her for five minutes. That's all. Five little minutes. Now, where is she? She's in the den. Do you think you can influence her? Scotty, five minutes with me and you won't be able to take her out of the house. Without a leash. Excuse me.  Happens to be my business. Yes, sir, I hope seeing me again doesn't stagger the girl. Uh-oh, there she is. Hiya, Margie. Hello, Curly. Got her on the ropes already. I see you didn't forget me. How could I? I once had a terrific crush on you. Yeah, you did, didn't you?  Well, I wouldn't say silly. Discriminating is a better word. Perhaps, but at any rate, it's all over now. Is it, my dear? This time I'm really in love. There's only one man for me, and that's Mr. Krayle. Krayle? Is his first name Clyde? Uh-huh, Cly-Krayle. How do you like that? I always thought that was the name I made up. Say, Margie, but look, honey, after knowing me, how could you even look at anyone else? Because Mr. Krayle is more romantic than you. I'll pull yourself together, kid. This Krayle is just a preliminary boy. With me, you is messing with a main event. Mr.  What do you mean, in my day? Well, Clyde is ever so much younger than you. He's only 40. Well, how old do you think I am? You must be at least 42. What do you mean? I'll settle for that. You might think about this older man when I'm available. But you're not available. You're married to Mrs. Harris. And now, if you'll excuse me, I must finish writing this letter to Clyde. Goodbye. Clyde, Clyde, impossible has happened. Harris has been rebuffed. Or could I be losing my charm? No! Poor kid must have a stigmatism or something. Well, Phil, how did you do? Well, uh, well, practically had her in the boat, but she slipped the hook. Losing your touch, huh, Curly? I guess you're not as seductive as you think you are. I am too, and I'll prove it. It's just because I'm married. She's a nice kid, and she doesn't want to take me away from poor old Alice. Look, I'll show you. Alice, all you've got to do is to go in and tell Margie that you've given me up and I... I ain't gonna do it. Honey, it's to help the girl and watch your grammar. We're just pretending. If you tell her you're giving me up, she'll be amenable to my approach. She'll think that amenable... I'm crazy. Maybe if you think it'll work, I'll try it.  And Alice, all you have to do is to tell Margie that you're giving me up and she'll take the cue. And the rest is gonna be a cinch.  Wait a minute, honey. Look, leave the door ajar. I want to hear Margery pant when you tell her the news. Hello, Margery. Hello, Mrs. Harris. What are you doing here? Well, I... I have some news that I know will interest you and I came to tell you. You see, I'm leaving Mr. Harris. A very wise move. How are the kids being subtle? Margery, you don't understand. I'm giving Mr. Harris up so you can have him. What would I want with him? She doesn't want to appear anxious. Now, look, dear, you needn't pretend with me. I know you want him. But I don't want him. You can keep him. I don't want to keep him. I'm giving him to you. I don't want him. I wish they wouldn't fight over me like that. I'm not worth it. Margery, please take him. But I don't... Look, look, I'll make you a sporting proposition. You can have Mr. Harris in 13 points. Don't palm him off on me. Why are you so anxious to get rid of him? I've outgrown him. That's why I'm giving him to you. I've outgrown him, too. Hear them dames talk. You'd think I was an old girdle. Margery, why don't you take him? He's too old to make any trouble. He'll just lie around the house. No. He'll make a wonderful watchdog. He barks when strangers come in. I'm sorry, Mrs. Harris, but I already have a dog. Bet he ain't got a pedigree like mine. Well, Margery, if you're not interested, I guess I'll run along. Well, Phil, Margery won't even take you with him. I know, I know, I know. I told you. Watchdog. I told you this wouldn't work. What we need is a nice boy her own age to take her mind off this other fellow. Phil, Phil, I know just the boy. Who? Julius. Julius! I'd rather see her go steady with Cecil the C-6 C-server. Now, Julius is a nice boy and he's just about her age. But Alice, don't you... Don't argue. Go call him and tell him to come over here. Oh, all right. Curly, I don't get it. Why did you call Julius to come over? Well, it was my idea. I thought we could use Julius to lure her away from the other fellow. Fine bait. Would be kinder to throw her a hunk of dope tors meat. He's such a contrary kid. How'd you get him to come over? I appealed to his romantic side. I told him I want him to make love to a beautiful girl. And I certainly wish he'd hurry and come on... You can relax, Bob. Errol LaBruzio is reporting for duty. Well, it's about time you got here. Do you know what you're supposed to do? Sure. You thought pretty blonde away from a no-good fortune hunter. That's right. Now, get started. Okay, step aside. Miss Faye, fly with me and I'll rescue you from the clutch in his money, man. Alice ain't the girl. It's Mr. Scott's daughter. Oh, now you have to earn money. It's not me. There's another guy after her money and we want you to... Oh, Curly, what's the use? Marjorie won't even look at him.  As himself, yes. But I've got an idea. Now look, Julius, she likes my type. And I thought instead of being your usual repulsive character that you could act like me. Oh, instead of being repulsive, you want me to be nauseate. Never mind. I'd do this myself, but I'm a little old for Marjorie. But she loves my personality. She loves your personality? How about this girl? What? How'd she get hurt? She's not Daffy. She's Mr. Scott's daughter and she's a very nice girl. Please, Julius, do it for me. All right, Miss Faye, I'll go for your sake. I'll... Shh! Julius, quiet. Here comes Marjorie. Just like me in your assent. Okay. Oh, Margie, hi. I want you to meet a young friend of ours, Miss Scott. This is Julius Abruzio. Hello, Julius. I'll come with me to Alabama and come and meet my dear old Pappy. He's always spoiled, oh, so happy. And that's what I like about that sound. Yeah! What the heck was that? I think he's cute. Yeah. A-dye. Do you think I'm cute, Julius? You'll have to ask me later. I'm too busy thinking about how cute I am. Since the Nylon 90. Alice, please, tell me I don't act like that. All right, I'll tell you you don't. But you do. Marjorie, prepare yourself for a thrill.  Gee, you're so masterful.  Your mother and I have reached a firm decision about this Mr. Craio. Who? Mr. Craio, your fiancee. Oh, him. Daddy, I want to introduce you to a new boy I just met. This is Julius Abruzio. Julius? You mean you and Julius... You said it, Dad! Son-in-law! You are not my son-in-law! It's just been... Now, just a minute, young man. Nobody asked you to change our radio program. What?  Go into the library and talk this over. Hey, Mr. Scott, don't listen to him. Julius, what are you doing to me? Now, just what did you have in mind, my boy? Now, as I see it, Pop, all we gotta do is prove that these two guys have no talent which shouldn't be hard. Keep talking, boy. I love your style. Alison Phil will be back in just a moment. But first, here's your Rexall family drug. The other day, I was telling a customer about one of Rexall's best-known products called Bismarex. Oh, you don't have to tell me about Bismarex. I already know for myself what swell relief it is for acid indigestion. Well, as a matter of fact, that's exactly what this customer said. But wouldn't you still like to know why that's true? Well, yes. I guess I would. Well, the secret lies in the scientifically developed formula for Bismarex. You see, the active ingredients in Bismarex vary in the time it takes them to dissolve in the stomach. That way, the relief it gives is not only prompt, but continuous and prolonged. Excess acidity is often neutralized within one minute. Then, the other ingredients dissolving more slowly ease up those acid-gastric pains, and finally, Bismarex leaves a soothing protective covering on irritated stomach membranes. No wonder Bismarex is so popular. Well, ma'am, 10,000 family druggists don't wonder about it. You see, we know you can depend on any drug product that bears the name Rexal. Good health to all from Rexal. Sirius, do you really like Marjorie? Yes, she's wonderful. Now, wait a minute.  Margie's not for you. Just because she happens to have money, she's... Mr. Harris! Do you think I'm the kind of person who'd sell my soul for money? Well, no, I... Do you think I'd bother my affections for my scenario game? No. Do you think I'm making love to this girl just so I can get my hands on her money? No. How do I have to phrase this to get him to say yes? For quick relief from a winter cough, try pleasant tasting Rexal Cherisote. Cherisote goes after coughs two ways, soothing irritated membranes of the throat and bronchial tubes, and helping to loosen the cough. If your cough's really stubborn, better see your doctor. Ask for Cherisote wherever you see the orange and blue Rexal sign on the window. And remember, you can depend on any drug product that bears the name Rexal. Next, it's Sam Spade. Then Gertrude Lawrence stars on Theatre Guild on NBC.


Hey guys, welcome back to beer buddies a beard product reviews today is gonna be a product that I would want and encourage you guys to avoid now I Would reach out to this company. This is a product called beard balm It's I believe it's made in Detroit And I really respect what those guys are trying to do in Detroit and again because this is a naturally based product My batch could vary from what better batches might have my experience with the beard balm Has hasn't been the best if you look at its consistency. I found that it isn't any better than this Vaseline it looks and it feels like it petroleum jelly is Just makes your beard feel oily all day. It's a heavy It's probably one of the heaviest ones that I've used if you know what I mean. Yeah, that's all I have to say about I don't I haven't even recommended this to Micah to try because it's not so I opened it looked at it and said oh No, I gotta do that I gotta do that. He literally did I because I he's right. I opened this one and saw the same thing I'm like, wow No, maybe mixed with a little Crisco now in terms of smell I respect what well you guys it beard balm We're trying to do like if it smells nice now. I hope it's just what was in my batch That I got but at this point I can't say I love it. So again, it's just one of those like you get some you don't but hey That's my thoughts about beard balm in terms of hold throughout the day It's so greasy that it holds But anyways, that's it for the beard balm from Detroit Hope you guys enjoy it and check it out as always comment below save the beard


This September, Brighton will host the first Labour Conference since Keir Starmer became party leader. That's because the last one took place just online. It was just speeches online. The conference is expected to be a stage-managed affair with less time set aside for policy battles and with all the attention intended to be focused on the leader's speech from Keir Starmer. But the overbearing management from Labour's bureaucrats in what is supposed to be a democratic party has already got under the skin of some key players. Jess Barnard is the democratically elected chair of young Labour, which represents every Labour member under the age of 26. Take a look at what she tweeted this week. A few months ago, myself and Lara McNeill, who's the NEC Youth Representative, met with David Evans, that's the party's general secretary, once we were told the party would not be holding a young Labour conference this year, despite it being a rulebook requirement. We tried to negotiate, made the case for democratic engagement, but were outright refused. I asked David Evans if he would inform young members that this was his call and if he would provide young Labour with more resources at national conference to make up for it. He agreed to both. Months ago, the entire young Labour committee submitted our proposals for young Labour day at conference well within the deadline given. Everything we do and all our speakers have to be approved by the party. I have been pushing for an update on this multiple times a week with no joy. The most concrete information I have been given is that anyone from Palestine Solidarity campaign will be refused as a speaker, as will Jeremy Corbyn. I have requested this in writing with reasoning. Appalled that PSC, who have had a space at conference for years, would be silenced. So in short, according to that, Fred party bureaucrats cancelled Labour conference, then came to a compromise, which was that young Labour could have an increased presence at the national Labour conference. Then they didn't reply for months and then said only that Jeremy Corbyn and people from the Palestine Solidarity campaign would be banned from speaking if that had all happened under Jeremy Corbyn. I'm sure the press would be decrying such behaviour as Stalinist, yet because it's Starmer, they don't give a damn. Well, we at Navarra Media do. And I'm joined now by Jess Barnard. Jess, could you talk me through some of the interactions you've had with the party that led you to write that, Fred?  And for me in particular, because I guess as chair of the committee, a lot of the duties pulled on me to be the one that is negotiating with the party and kind of the party bureaucracy. And it has been a very much one-sided relationship of me pushing and pushing and pushing and feeling quite like I'm harassing the staff members for answers, which they either can't answer or won't answer. And so whether that is a factional decision or a matter of incompetence or just lack of resources, I know the party are going through a tough time. But increasingly, it does feel like a factional situation and that because we're a left-wing committee, because I'm a socialist and we've made it really clear that we are going to organise our socialists in the Labour Party because that's what young members like us to do. We're being given not just the cold shoulder, not just the cold shoulder, just complete silence. And I think it's increasingly disappointing as well because I think we have really, really tried to approach the relationship with good faith, particularly the meeting with David Evans that I referenced. We were really, really disheartened and really upset that we were told outright that our conference would be refused. But we agreed to it. We acknowledged the challenges that the party was facing. We acknowledged the challenges of the pandemic and all we asked in return was a little bit more resources. To make sure that after two years of everything that young people have been going through, the demographics most likely to have lost their jobs or had to work on the front line during the pandemic, that we make sure that there is a space for them to organise and discuss their politics in the Labour Party in a safe and supported environment. Let's talk a bit more about the Palestine Solidarity Campaign because that's what I found most shocking from your Fred and I think what lots of people did. The reason I found that strange is because one, the Palestine Solidarity Campaign is the most prominent Palestine organisation in this country in the same year. There has been a brutal attack on Palestine, on Gaza. Also, people who are currently in the leadership of the party have been fairly open to working with the Palestine Solidarity Campaign in the past. I want to bring up a tweet from Lisa Nandy. She signed up to the pledges put forward by the Palestine Solidarity Campaign during the leadership campaign. I haven't always will support Palestinian rights. That's why I oppose Trump's plan and have campaigned against British businesses profiting from the occupied territories and support any embargo on arms deals which violates human rights. I'm happy to back these Palestine Solidarity Campaign commitments. Keir Starmer has also spoken at a Palestine Solidarity Campaign hustings in 2015. What's going on there then, Jess? Did they explain why they thought that the Palestine Solidarity Campaign shouldn't be able to speak at Labour Party Conference? No, I mean, this is, I guess, probably an ongoing situation. PSC have confirmed that they will be given their usual stool at conference. They will have their usual fringe event. We have since heard that there won't now be a blanket ban on PSC through due diligence checks as we were initially told. I stand by my account of what I was told by the party but we have since received an apology. What I'm taking from this is, hopefully, this was a mistake but this does need to mark a point in which the party starts to acknowledge they cannot continue to make arbitrary decisions like this. There needs to be accountability. There needs to be due processes. I hope that they reach out to the Palestine Solidarity Campaign to apologise and make amends because obviously this has been a really stressful time for them not knowing where they stand with the Labour Party which they have always felt was a place at which they could organise. So the story is perhaps more what about chaos within the Labour Party than sort of a Stalinist purge of the Palestine Solidarity Campaign. Is that correct? I guess time will tell. It's really hard to know. I think it's a bit of a turning point and definitely a turning point for us in that young members have a constitutional right to organise within the Labour Party as do people who want to support Palestinians. We have in the rule book that we have a right to hold our conferences. We have the right to organise within Labour and it doesn't say young members can only organise within the party if they agree with Keir Starmer. That's not what it says and the party have a decision whether they keep looking over their shoulder, keep looking to control, keep looking to shut down and that will eventually just disenfranchise all their young members, not just left-wing ones, all of them, or they can say, right, we've won power, we've got control of the Labour Party, let's use the space to put forward our vision, whatever that is, start looking forward and stop looking over their shoulder at what young members are doing. I want to go to some responses to your Fred. The most dramatic was from Oliver Kahn. We've had our own altercations with Kahn before. He's come from a Navarra medium more than once. He's a Times columnist. If you didn't know that, all ready. And Oliver Kahn responded to your Fred. Good to see that Labour is getting a grip on this parasitic pressure group which has no members of its own as any young person who joins the party is deemed to belong and whose views are incompatible with Labour's values and traditions. He followed that tweet up with the following. Labour supports a two-state solution between a secure Israel and a sovereign Palestine. Young Labour urges the abolition of Israel which could only be accomplished by means of the Second Holocaust against the Jewish people. Hence, young Labour's views are alien to the parties. That second tweet particularly grotesque. How would you respond to Oliver Kahn, though? I'm still in shock that he's getting away with writing this in the public domain. Obviously, I completely refute that. Everybody knows that that's just an absurd thing to accuse young Labour of. Young Labour is a broad organisation. We have not adopted an official position on a two-state solution. So the initial part of that tweet doesn't even make sense. And absolutely, of course, we are not supporting it or calling for a second Holocaust. It's one of the most vile things I've actually ever seen written on Twitter, let alone about young Labour. And so obviously, I will be taking legal advice about this. He has since, I don't know if you've seen, written another article where he's doubled down on the accusations against both myself and young Labour. And we have approached the party for legal support as well. So we will see where that takes us. But I think we are at a point where we have to start pulling together to challenge these people. There is absolutely no way it's acceptable that someone who calls himself a reporter in the times should be allowed to get away with writing completely defamatory, made up lies about young members. This isn't people who are elected MPs on 80k wages who can go and fund their own legal battles. This is young members who are all volunteers, myself working a full-time job on a very minimal wage. And he has just completely taken his position of power to spread hate, lies and fear. And I think that's the worst bit of fear amongst young people in society, which is actually just about a group of young people who are trying to fight for a better, fairer world. I have a very relevant super chat, actually, from Sol, Solidarity Jest, and on a different matter entirely, if there's a crowdfund to sue, Cam, I'll donate. So if the Labour Party don't stump up the money, because I think they're probably more keen to stump up their money, when it's against their factional opponents, rather than to defend them, then you might do well on a crowd funder. Finally, I want to ask you about, I suppose, young Labour's strategy more generally. From this interview, it sounds like Labour is slightly all over the place when it comes to how they are dealing with you. It also seems pretty clear they're not keen on you having much voice or say within the party. What can you do to challenge that? Obviously, it seems like potentially this tweet, Fred, was quite effective, but what else will young Labour be doing to challenge the manoeuvres by Keir Starmer to basically silence young Labour, because you're too left-wing? Yeah, and that's a really good question. I'd just like to say, for the record, the tweet threads are always a last resort. I hate having to bring it into the light of day because it's not pleasant, and I guess there's a lot of staff who are also deeply unhappy in the middle of all this, and it's not nice, but it does feel like a last resort sometimes, and lo and behold, things are moving now. But I think in the future, we are looking at other options. So, obviously, this year for the first time, we're partnering with the World Transformed to deliver some panels at their events. So, look out for those. Do make sure you come along and support us, including one on Palestine. So, please be there. A little plug, but we're also looking to build our relationships with lots of other left organisations, including the trade unions, just solidifying at those links. Because, obviously, if you understand the structures of labour, we're entirely financially dependent on Labour Party. We have no funds of our own. We don't have any staffers that are directly accountable to us. There is one staffer in the Labour Party in Southside who works on Labour. That's it. So, you have an organisation that is entirely dependent on the Labour Party, and so I think we need to start thinking about how we broaden our connections with other left organisations, and we're working really hard to deliver that. And also, you know, just making sure that we are, like, delivering face-to-face actions. We are, when there is, you know, key issues arising, when people are organising on the ground, young labour is going to be focused on being in those spaces where members are, rather than, you know, wasting more of our time in party bureaucracy and trying to fight barriers that are just put up to kind of silence, you know, young socialists.