Hi, I'm Russell Stanard, the founder of teachertrainingvideos.com. I'm also a TechSmith recommended trainer. Just to clarify, I don't work for TechSmith. I'm simply recommended by them as a trainer here in the UK. This is a great quick introductory course, really useful if you've just bought Camtasia and you want to kind of get going with it and start to learn to use it straight away. Or if you're thinking of buying Camtasia and you simply want to understand what it can actually do, I'll take you through the three key stages. That is making your original screen capture, editing it, and then the different ways that you can distribute and save the video. One final thing is I have added some links below to some additional videos that are up on YouTube that will allow you to continue your studies if you want to learn more. So let's get straight into it. OK, I'll turn off the webcam while we're working with Camtasia. I'm just clicking on Camtasia 2018. I'm going to open it up onto the screen. And the first thing then we need to do is how to do a recording. My advice to you is click on new project rather than new recording. That is it will simply open up this editing window and then you can click the record button from here. If we click on the record button, ignore this. This is happening because I'm doing a Camtasia of a Camtasia at the same time. But everything will function. And I'm not going to have the camera on, so I'm going to turn the camera off as well. Let's just bring the recording screen onto here so that you can actually see it. Now a couple of settings that I would suggest you think about before you start. Let me just take you through those. So I just want to go through a few basic settings. As I just said, if you want to turn off the camera here, if you want to turn it back on, of course you can. I'm going to turn it off. So click on that here. Make sure that you are connected to the correct microphone. I'm going to use my webcam mic for doing the recording on here because I'm using my major microphone to actually create this recording that you're watching. Get your volume level right. Mine seems to be okay. Now, how do you record? Well, actually the easiest way is just to click here, come down to select area to record and simply mark an area that you want to record on the screen. Now, obviously in this particular case at the moment, there's nothing there behind us, okay? And then we would click on the record button and then that area of the screen would be recorded. However, just before we start, I want to point out a couple of settings that I would suggest that you change before you start and I'll explain why. So the one recommendation I'm going to make is click on tools, click on options. Come down here and I would click on program and then choose. Make sure that this is unselected hide preview window after the recording is stopped. Now, why is that? Well, because I think once you make the recording, the first thing that you quickly want to do is just to be able to preview it and just play it back and check, yeah, I'm happy with that and then you can decide what you want to do with it. If you don't, if you have this check, then it's going to automatically save the video or it's going to do one of the following things. So my first thing is I always like to have the preview window. Now, let me show you that in action so you simply understand. I don't want to make things too complicated. So that's just the one thing I want to show you, but it's really important. So if I now quickly do a recording, so I'm going to click on this button just for a few seconds, okay? And we just play a few, a few, a recording for a few seconds. Testing, testing, one, two, three, testing, testing, one, two, three. So I'm just doing my recording here. Now I'm going to stop the recording and notice that it opens up immediately in this preview window and that's what I mean about the preview window. Now that I've done the recording, I can decide what I want to do with it. Do I want to produce it straight away? Do I just want to save it as somewhere and save it, which is what I normally do? Or am I going to save it and edit? So you've got three options. You've made your recording. Are you going to save this video and then edit it? Or are you going to save it and make another recording? Perhaps you want to do two or three together or are you going to produce it? Now what we're going to do for this first example, and I will come back and talk about the other examples, is we're going to save and edit, okay? Meaning we're going to save the original file, the raw file that you've actually created when you did the recording and then we're actually going to edit that as well. But to do this, I'm going to delete this one. I'm going to do a better recording, okay? So what we'll do for this one is just take an example of perhaps me talking over an image or talking over some kind of document and then turning that into a video. So let's have a quick look. So what we've got on the screen at the moment is an image I just opened up. In fact, what I've got here just to quickly show you is in fact three images. So if I just click through the image finder, you'll see it starts with an image of France and if I move forward there's an image of Spain and if I move forward that's an image of Italy. So I've got three images. Now what I'm going to do is I'm going to open up the screen recorder software and I'm going to mark an area. So select area to record. And I want to make sure that it kind of will be big enough to cover all three maps. So I'm just going to quickly check that that's okay. So if I just click back, Spain fits in there and France. Okay, now I'm going to start recording. So what I'm going to do, imagine that I was perhaps creating a geography lesson and I'm just talking about the big cities in certain countries. So I'm just going to click here and start with note. I've got obviously got my audio set up, but I'm not using a webcam. So I'm going to click on that button now. Off we go. Here we've got a map of France. The major cities in France would be Paris, Lyon and Marseille is also a pretty big city there in the south of France. Next country, Spain, major cities would be Madrid, Barcelona. Valencia has got about a million people and so has Seville here in the south. And now the next country is Italy. Italy has quite a number of big cities, but perhaps in terms of significant numbers would be Rome, which is the capital. There's a pretty big city fairly near to Rome, which is Naples. Certainly Milan in the north of Italy is also a pretty big city. And other well-known cities, and there are many in Italy, but perhaps would be Bologna. OK, so I've finished my recordings. I click on delete. OK, no, sorry, not a click on. What am I doing? I don't want to click on delete. I want to click on stop. So I click on stop. Here we've got a map of France. Immediately opens up in the playback window, which is the point I was making earlier about always being able to play the video back straight away. Now we've got three options again, just like I mentioned before. If we are actually going to edit this and we just click on save and edit. If if if perhaps we're going to make two or three videos and then bring them all into the editor together, then I would click on save as. Or if I'm not going to do any editing, but I'm simply going to make that into a video immediately and put it on YouTube or YouTube or save it onto my computer or put it in my drop box, then I can do this. I can actually skip the editing stage. And that's what produce means. No editing going from doing the recording to immediately outputting. Now I sometimes use that. If I've just produced a video and I know that's exactly what I want to do. There's no need to edit. Then I'll often do that. In this case, I'm going to click on save and edit. And when I do that, first of all, I have to save the initial file. So I'm going to call this maps recording two because I've already kind of done a test one. And then notice that see that comes straight into the editing window. It even places the recording on the editing window for me. And I can even click on this button here and play this back. Here we've got a map of France, the major city. OK, so I'm quite happy with that. So now you've really looked at stage one that is making the recording. Now we're going to move to stage two where we start to really focus on the editing. Now this is an introductory video.  And you'll notice that underneath this video, I have provided you with links to some playlists where you can learn more. But sit back and I'm going to at least introduce you to the editing window. Now the first thing to think about is the size of the production that you want to make. Most of the time, if you're going to be producing for things like YouTube, if you click on project settings, the standard size at the moment is still probably 120 by 720. If you were going to go full screen, then you would go 1080. I'm going to just produce this one at 720 by 120 by 720. Now you'll notice now that we've set the canvas size, but the actual recording is a lot smaller. Now what we can do is a couple of things. First of all, if we right click, we can scout a fit. So it will make the image grow as much as possible so that it can fit into the screen. We can stretch that out even further. Remember, this is your canvas. This is actually what it's going to look like. So at the moment, what you're going to have is some black area and then this kind of video inside.  I'm going to just push that out as far as I can take it without losing the map in the middle. OK, and I will have to remember, though, of course, I've got another map and another one. I just want to make sure that that's not too. I've probably pushed it out a little too much there. Let me bring that in a little bit just so that we've got that both maps in or we can definitely get all maps that probably still a bit too big. Yeah, let me make that a bit smaller still. So OK, that's about right. Good. Now what we can do, see, we've got this black background here, but we can actually go up and just choose the project settings and we're going to change the color of the background to kind of if I can click here and then click on that and make the same color and then apply it. See, now it looks like the canvas area. We've got the map in the middle. It looks a little bit better. So that's the first thing I've done. Now the second thing that I'm going to show you is how we can now add a cursor effect to that video. Now I can zoom in and out of that video very easily, OK? And what I want to do is kind of select the whole video. So I'm going to kind of zoom in a little bit just so that you can see it, but not too much. I'm going to select the whole of the video, all right? Now we've got two here. We've got this line of the video is where we've got the sound channel and this one is where the actual screen captures. So I'm just going to click on the screen capture. Come down to cursor. I'm going to drop a cursor property over that and then suddenly what you'll notice is we've played a video now. Here we've got a map. You've got this lovely yellow cursor. Now we weren't limited to yellow. We could have come over to the properties here and perhaps chosen another color and you'll see now it changes. I find yellow works the best. So I'm going to sort of put it on a yellow color and then I normally just slightly change it sometimes because at the moment it's about opacity of 60, 75%. I'll sometimes put it down to about 60. So now we've got a lovely cursor effect on our video. So we've got this video still, which we've resized, ready to add up onto YouTube and we've clicked on the buttons. The major cities in France. And we've got this lovely cursor now. Now one thing that we may want to do in this case as well is kind of draw on the screen as we're talking about the different cities and I'm going to show you that next. What I'm really trying to do is just show some of the things that you can do with Camtasia in terms of the editing. Now let's play the video a little bit and just kind of what we're going to do is we're going to kind of draw onto the screen at certain points. Here we've got a map of France. The major cities in France would be Paris, Lyon and Marseille is also a pretty big city. So if we were just to come back to where it says Paris, so if we just move the player back. Here we've got a map of France. The major cities in France would be Paris. Now, it's fairly clearly marked because of my cursor but maybe just to demonstrate what we can do. I'm going to come down here to annotations and then I'm going to click on this one here which allows me for sketch motion and then I'm going to kind of add a sketch motion onto the screen with my play head at the correct position, okay? Going to add that sketch motion onto the screen here. Going to make it a little bit smaller because I know I just want to kind of ring around the word Paris. I'm just going to play that so you can see what's going to happen. Lyon. Okay, now obviously I need to bring that forward a little bit, all right? Because I need to make it match with the where I'm saying that. So let me just have a quick look again. Cities in France would be Paris. Okay, so now it's lovely. You can see that as I'm saying Paris it starts to draw on the screen. Just cities in France would be Paris. Now I can even do that again if I wanted to. So that was quite, I might want to make that a bit faster. So I'm going to bring that down there, okay? And then I'm going to do another one. Lyon. And so again, I could just click on that and copy it, okay? I'm going to paste. Now we've already got the play head in the right position. So I'm just going to press on paste. And of course I need to move that over Lyon. So we've now got one going over Paris and then one going over Lyon. And you can see how I can use all these different draw tools to kind of highlight different things on the screen. So it's one of the things that you can do with Camtasia in terms of the editing, which is really nice. Now another thing, let's say that you wanted to add some extra information. So just to keep things simple, I'm going to delete that, okay? Let's just leave one on the screen, okay? So we just got the Paris one. And what we're going to do is we're going to have some information about the population and it's going to pop up in an area here. So I'm going to come over to annotations. Again, come on the first one.  So I'll do that. I'll make it a little bit smaller. It doesn't need to be that big, okay? And I'm just going to write in there population 7 million because I think that's the population of Paris. I'm going to actually check on the internet, but I think that's right. So you can see that I can kind of have these basically call outs coming onto the screen at certain points. And we've got one here that gives them some additional information. So I'm just going to show you how that would work. Again, I don't need it on the screen for that long. So I'm going to kind of put it on the screen for a bit of a shorter period. So now cities in France would be Paris.  Now one thing I could do is even animate that cursor as well. In fact, I've got that wrong. The population of a Paris is less than three million. So we'll just put three million, okay? But what I'm going to do here is I'm going to animate this. I'm going to come down to something called behaviors. And in those behaviors, I'm going to do this one here. I'm going to drop this slider onto this one here. So now what's going to happen is we played a video again. The major cities in France would be Paris. So we've got this coming onto the screen. Now if we come over here, this is the properties of that particular animation. And I can always get to those by just clicking here and then kind of clicking and it will open here on the right-hand side.  So when it comes in, it's going to slide on from the left. During, I don't want anything to happen. So I'm going to put it none. And then out, I'm going to, at the moment, it's sliding off. So that's fine. So let's just check that now with this new properties that we've set. Cities in France would be Paris, Lyon and Marseille is also a pretty big city. They are in the south of France. So now let's carry on with Spain and let's try to add some extra things on about Spain. So again, what I'm going to do in this one is I'm going to show you how we can actually use another kind of technology to focus in on a particular area. So I'm clicking on annotations and let's find a bit where I start talking about Madrid. Country Spain, major cities would be. So what I'm going to do here when I start to talk about Madrid is I'm going to come up and I'm going to see from the top here, I'm going to click on this one here called special. And then what I'm going to do is I'm going to click on spotlight and I'm just going to have a spotlight so that when we talk about Madrid, we just focus in that area and the rest of it becomes dark and I'm going to make that quite dark outside. Okay. So let's just see how that works. Major cities would be Madrid, Barcelona. Now, then again here, notice that there's on the screen for too long. So I'm just going to move that off a little bit and I'm going to do the same again. I'm going to copy that. So it just saves me time. I'm going to paste that in. It will always add wherever the playhead is. I'm going to move that one to Barcelona. All right. So we've got now one on Barcelona there. So let's just see if that's worked. Major cities would be Madrid, Barcelona, Valencia. Right, Barcelona needs to come in a bit quicker. So let's just do it there. There's about a million people and so has Seville. And we could do Seville again. Again, we could do the exact same thing here. We could have a spotlight on Seville. And sorry, I moved the wrong thing there. One little trick here to avoid that happening so that you don't move the wrong object on the screen when you're working is that you can actually lock. So now the video behind it can't move and that way I can kind of really make sure that I narrow my video down to where I want to go, which is here, okay? And we've got this kind of area. And again, we're going to increase the intensity. All right, so again, now if we move the playhead back. Seville here. So a bit quicker actually. In the south. And now the next country is Italy. Okay, so again, we could make that bit quicker. Come off the screen and then now we're on to Italy. So you can see again that we can augment. And there's quite a few things that we can do we can, for example, blur things. If we don't want something to be easy to read, we can actually blur it. It's very common if you're perhaps doing a screen capture where you've got people's email addresses, all their names, especially with all the data protection that we now have to have. Then that's particularly important, especially revealing people's email addresses. So that's a really important one. And you can even as well highlight. So if you want to highlight something on the screen while you're talking it, you can do it that way as well with a color rather than just darkening out. So lots of options in terms of the things that you can do. Now you can have lots of animations going on. So one of the things that I do a lot of is that I tend to add lots of animations onto the screen. I'm just going to show you a little bit more about the types of animations that we can add on. Now a couple of extra features then that we could look at. First of all, I just want to sort of point out to you if you come to annotations you've got all sorts of things that you could add onto the screen. All right, so if we were to click here we've got shapes, we've got a whole range of different kind of text and we can change anything. So if I bring something onto the screen and then I want to change the background color of it and then I want it to change by clicking here on the font, I can change the font color. I can make massive changes to anything that I bring onto the screen. I can take off the effects if there's a particular effect. I can move it around on the screen and then again, I can animate anything. So for example, let's say that I want to do reveal and I'm going to drop that on. Now if we play that here then you'll see that this way it has a number of big cities but perhaps in terms of significant numbers would be. And then off again. So again, all these different possibilities. Another great thing that we could do for example is that we can add in if we want to, if we click on more here, you'll see you've got captions. So if I click here and then I'm going to add captions, let's put the captions on from the beginning. So just going to play a little bit. Here we've got a map of France. So let's imagine I want to put that. So I'm going to click on add caption and I'm just going to write here we have a map of France. Okay. And if I just play that I can actually listen to where that's going to go up to and it will kind of play in a loop. It's really useful. Here we've got a map of France. The major cities in France. Here we've got a map of France. The major cities in France. Here we've got a map of France. The major cities in France. Here we've got a map of France I'm just going to stop that. So I can know exactly how much to write. Okay. So I'm just going to put that on to another line. So then I'm going to put a full stop and then if I just simply click on plus it will now carry on and it will carry on from exactly the same point. So let's just watch again. be Paris, Lyon and Marseille would be Paris, Lyon and Marseille would be Paris, Lyon and Marseille would be Paris, Lyon and Marseille would be Paris. This is really good because it shows you how to make sure that exactly what you write is exactly what is underneath. Now you can't even resize this and you can change the duration to be longer or shorter. It's fantastic, it really works well, they vastly improve this and the result, let's just kind of give you an example, so if I just close that now, is that and we've now got the subtitles along with the video. So you can start to see all of the things that you can do at the editing stage to make this all more interesting. You can do all sorts of things, you could add music into the background, you have a whole library, so if you wanted to say some introductory music or an introduction at the beginning then you can also do that. We're going to have a quick look at that now. If you wanted to make our video a bit more professional what could we do? So let's imagine that we want to put a professional start to this video. What I'm going to do is I'm going to select everything that we've got on the timeline and I'm going to group it so it all becomes one object. There it is, it's all one object. Now I'm going to move that object out. I'm going to come up to the media and if that's the library, sorry I got that wrong, the library and I'm going to come down and choose intros. So what I want to hear is this one here intros and I'm going to choose spinning computer and I'm going to drag that onto the screen. So we're going to have like a professional opening and then after the opening we're then going to have the video plays. So now we've got this kind of video that comes on the screen and at the moment it says TechSmith Camtasia but I'm just going to stop the video then just double click on that and I'm going to change that to teacher. So let me just override that so I can write teacher training videos which is mycompany.com. Okay so now we've got this kind of lovely professional intro and what I'm also going to do is I'm going to add some music. So again coming to the library, all right, and coming up here because we've now introdone that. We want some music so just find the music. Got some music tracks in. I'm going to click on that. Double click and just listen to the music. Let's see if I've got something a bit more interesting. All right so I like that one there. So I'm going to put that. I'm going to drag that onto the screen. So that's going to be kind of on the screen now. Now obviously I only want the music to play until the actual talking starts. So let's just see how this is starting to look now. So we've got this kind of music live drag on. We've got this intro video and then my actual content starts. Let's have a quick look. Right so at that point where the music stops and I can actually use these this thing here to kind of click back to the previous media it says. So just going to click and it'll bring me back. At that point there it's going to select the music and I'm going to cut it and just chop it off. So the music stops there and I'm going to do something really clever. I'm going to come up here now to Audio Effects and I'm going to fade that music at the end so that the music fades doesn't need to fade so early so I'm going to just drag that along a little bit. The music will fade and then the speaking to start. So let's look how professional this is. Now I've got this introduction that I've changed to teacher training videos. Let's have a look how it looks. Here we've got a map. Whoa this is starting to look really professional and of course I could do the same thing at the end as well. All right so that's making use of the library. Now there are lots more things that I can do. We've really got lots of different things here but that gives you a taster of what you're able to do with the editing. So you've got that crucial record stage at the beginning then you come into this editing stage where you can really make your video quite funky and quite professional and add lots of elements to it and now we're going to move on to the last stage which is the distribution. Now the first thing we must do is save this project. We've got that original recording plus we've added all these extra bits so we're going to click here and click on save as and we're going to call this map video to project file. So this is the actual project file. That isn't just the basic raw recording. This is the raw recording plus all this extra stuff that we've done and that's really important because we may at a later stage want to come back and edit this and change it. So we've now saved all our work and we know that even if we produce a final video and then we find there's a mistake we can come back here and edit now. So that's really really important and I will quickly at the end talk about the file types so that we just make that really really clear. Now we can share this.  I'm going to click on local file and for the first one I'm just going to make a simple video so I'm going to choose mp4 only nothing else and the size I'm going to do is 720 because if you remember we're going to upload this into YouTube so we're going to put it at 720. Click on next. Don't worry about this. I'm just going to click on okay and click on finish. It's going to use the same name map video to project file. Click on finish and we just have to wait a few seconds while that video is now being rendered and now if we look on the screen here you'll notice that we've got three files and I just want to talk through these three files all right. The first thing was that we made that recording where we talked over the map that's the raw original recording. We then produced a project file and the project file is the raw recording but then all the changes and the edits that we made and now we've produced an output file which is in this case is an mp4 file which we can then share on the internet and if I was to click that open there it is that is the actual video now all ready to share on the internet. Notice this is an mp4 and if I was to click on that we've got that lovely introduction here we've got a map now we've got this lovely bit where we've got that map and we've got this cursor if I remember rightly we've got all other little bits happening got something coming onto the screen and we've got that draw in here absolutely brilliant yeah and it's all there and that then of course and we've even got that little bit where it focuses on and I think we had another bit where something else comes on the screen you can see all the work that we've done it's all been put into the video so you can see now the whole process the original recording stage and just close that down original recording stage the editing stage and then the final output now we've put that final output on our computer but we could have done lots of other things we could have saved it on youtube we could have saved it on our google drive we could have put it into dropbox so let's just have a look at the other options in terms of distribution now we can share this video in lots of different ways uh we've already obviously just saved it onto our computer but if we click on share here notice that we could put into our google drive we could add it onto Vimeo onto screencast onto youtube i'm going to show you youtube so i'm going to click on youtube and it opens up this window here where we can basically add in the file so i'm just going to call this let's use that name and then what we have to do is copy that and we do need a description so just to save time i'm going to put the tag in the description all the same i'm just call that map now i can also choose which level i want so i'm going to choose unlisted so that's the privacy level that means that only students who have the link who i shared the link we've can actually access this video it will not be searchable on the internet i click on finish and that video starts to upload now i'm going to just pause for a while that'll take a while to upload that video now the interesting thing is that when the video is uploaded the URL that is the unique resource locator of the is actually sent back to you like it's in your basics it's in your clipboard so it's like when you copy and paste something so just to show you what i mean by that let me just quickly open up a browser and i'm just going to come to the top of the screen here and i'm going to click on paste because remember it's been copied into my clipboard automatically and then i'm going to click on enter and you'll notice now that there is the video that is how easy it is to upload a video into youtube now obviously you'll need to understand a little bit more about your youtube channel for those of you that are not familiar with the fact that you have a youtube channel basically if i was to jump back to google one second and if i was to click over here i can come to my youtube channel anytime but just clicking on that button then that will bring me to my channel and if i click here i can just click and it will bring me into where all my videos are in my youtube channel so i click on studio creator i can't really teach you about youtube on this particular particular course but you can connect your gmail account to camtasia and then your videos are automatically being logged up into your youtube channel now if you want to learn more about your youtube channel i will give you some information in this last video about where to continue your studies okay now underneath this video you'll find that there's some links to some additional content if you decided you wanted to learn more about camtasia and also if you wanted to learn a little bit more about your youtube channel it'd be very very useful uh if you want to follow my work i can suggest two things that you can do or maybe three first of all please come to teachertrainingvideos.com lots of content at the top of the screen you can see all the different technologies that i focus on and it's kind of the same idea you've got an introductory video and then some additional learning material if you want to pursue that in more detail and if you click on the home button uh as well as kind of technology based videos there's also topic based videos the same idea you can click click on on a particular topic and then there's additional material if you want to carry on learning it any further if another thing you can do apart from coming to the website is to subscribe to my youtube channel if you subscribe to the youtube channel just very quickly click on the subscribe button and make sure you also click on the bell here if you click on the bell you get warned about when i upload new videos please like the videos if you do like them and please leave comments particularly if you'd like to ask me about any more videos that you would like me to make so please leave your comments there and i'll try and do my best to to respond to your comments and the last thing is we do have a newsletter i update you on all the latest videos i update you on any short courses i'm running i update you on occasionally i get some special offers on software and i do webinars and there's about 25 people thousand people not 25 25 thousand people signed up to that newsletter um so please if you want to sign up to the newsletter as well and thank you very much and i hope you learn something about camtasia


What's going on guys got Kyle here related sports cards, and we are rip in 2022 2023 obsidian basketball 12 box case number 8 It is pick your team style. We had Adam M with the Hawks Bernard H had warriors bogey a bee had T wolves Bradley has the thunder again Cheng s with the spurs Chia Cal Z has the Raptors David s with the calves and sixers Diddy a m has the Hornets Got Dominic H with the Celtics Edgar B has wizards incu K has heat Jeff W has pistons and magic Jeff M has the Mavericks Jeffrey H has the Lakers or Jeremy H. Sorry Jeremy H has Lakers lead T with the bulls mark H with the pelicans Marvin has the nuggets Michael L has Bucks Oriole C Blazers Patrick C has the Kings and Sons Robert S has the Pacers Rory C has the nicks and jazz Ryan s Grizzlies Scott T has the Nets. We've got Tom G with the Rockets, and we have Wong s with the Clippers Good luck guys. This is 12 box number 8. Got one more full case coming after this one as well guys number 9 And we've got some good win champions and some chronicles to finish out the day We are full up for the daytime check out our break schedule guys see what Sam's got filling up for the rest of the night You can always see a book on our break schedule what we're filling up and at what time the breaks go I Believe we're filling all the way through Monday night at the moment. I think force and rich we're working on Tuesday so Definitely check out the break schedule guys See what we got going for the next couple days This one is rookie Kendall Brown Pacers their number 299 on the purple got a equinox been mattering This one is numbered also to 99 Also Pacers got our three base got Steve Nash Quinton Grimes and Tony Parker To 149 got galaxy of will Barton now when it's for the wizards on the galaxy auto The magic picked a sign of GM and his name was Anthony Parker And at first I was like did we really sign Tony Parker? Sorry GM.  It's a Candace Parker's brother though the 25 we have green doula relic RPA that one's tarry eason Going to the Rockets. Hmm. That's pretty cool Yeah, he's been he's been in our front office since he got out of the league. So I like it 25 tarry eason We still got well God making all the decisions the president of basketball operations Jeff Welkman Pretty solid a look As he took over we had some bad GM for a while man making some bad decisions So I will take Parker in a well God For the money In there Slowly, but surely there's a green Chris Middleton bucks a little color match their bucks number to 25 Chris Middleton and a Lofton on the purple rookie to 99 base is Paul George Tyrese Halliburton and Gordon Hayward, and we have a redemption It is Isaiah Mowgli on the rookie jersey ink that one's gonna be calves on the redemption Cavs Isaiah Mowgli Evans little brother Nice one there calves and this one is for the magic. It is dirty It is one out of ten jersey auto penny Got the color the number match there One out of ten on the gold jersey auto penny hardaway Very nice one there magic jealous of this one Very nice penny can back this one for you one out of ten on the penny I know he does sell pretty well So I've tried to buy some It's not easy. It's the penny stuff goes like good penny stuff. It's gone. It's gone. It's gone It's a lot of it's in China too. I know that uh, there's a lot of penny collectors out there I've seen a couple Instagram accounts that have crazy penny collections They do seem to be a couple of them Chinese accounts. It's like They definitely like penny out there. Yeah, there's a blue tracy migrating now. This one's raptors on the tracy 231 of 30 tracy And Jabari Smith this one is tunnel vision Little Kodak black action there on the tunnel vision 5 of 35 even looks like a a cassette tape Tunnel vision Jabari Smith. No another one. There's a base there Dorian Finney Smith That's a Jabari Walker rookie Blazers and Michael Porter now. We got my favorite magic player ever come on now It's a 99. We got Otto Hito Turcaloo on the lightning strike for the magic Magic legend is a magic break going right now. Nice Hito magic legend for sure I like that lightning strike Otto. That's sick Nice one there magic 48 and 99 And to 149 got Max Christie on the rookie eruption Christie there Lakers Box four Let's see some fire So 99 we got Lamello For the Hornets and we got another tunnel vision. This time is Jimmy Hardin Orange to 35 30 to 35 Sixers another redemption as well Got a spicy Pete base Jaylen Williams rookie thunder In Rudy Gobert Our redemption is Daelyn Terry on the rookie jersey ink. That one's going to the bowls Bowls on the Daelyn Terry rpa That's the 199 on the base And to 99 we've got Jeremy Sohan nice one there for these spurs on the rookie eruption autograph box five and I got Jaylen Williams again. This one's thunder Equinox thunder Shea Gilgis to 99 Desmond Bain base Paolo rookie base there magic And Darius Garland To 75 we got galaxy auto of Georges Nieng. This is a magic case Georges Nieng there to 75 galaxy auto sixers and we've got to 75. It's france on the Magnetic signatures france the 75 Nice one there magic Grab three autos already We are on box six now box six We're having a magical case That's that's what happens man. I know uh Of course, it's a lot of red socks cards. I hit a lot of magic cards like How would be purple tarry eason and 99 rookie rockets Equinox haliburton that one is red to five four out of five nice one there on the haliburton equinox Pacers there four out of five Nice low number haliburton You got a nice contract extension That rookie max Chris stops porzingus. He is very deserving of it as well. Alan iverson rj barrett To 50 we have magnetic signatures chris duarte Pacers pacers doing well as well Some nice cards and this is to 75. We've got obsidian rpa of window more That one is tea wolves tea wolves window more ready guys halfway box seven Purple 99 ant man Tea wolves got chuck barkley on the rainbow flood now when it's not a number nice hit suns. Oh, these are beautiful Beautiful card our base. We have rookie blake wesley spurs manual quickly and jeremy sohan rookie base To 149 galaxy auto is drew you banks Galaxy auto to 149 for the uh the lasers And to 75 we've got rpa bend the bucket nice one there pacers bend matherin on the rpa Pacers hitting well in this one Nice bend to 75 This is box eight Orange we got jaden ivy nice rookie there. That is uh 22 of 50 Nice hit uh pistons and equinox jalen williams that one is number to 75 purple equinox Faces iodosunmu norman powell and steve gnash sums To 75 we got purple auto galaxy tyus jones. That one's going to the grids Grizzly's purple auto and to 99 we got a doma sabonis on the galaxy for the kings Nice doma there number to 99 this guy is a beast man And the magic traded him and oladipo for oibaca RIP less than a year nine Remember we talked about bad management bad gms That is the case endpoint that in the uh bismac biombo four years 64 million dollar extension Those are the case endpoint for the uh former magic uh front office It's a purple to 99 is a mobly rookie nice one there caps and rookie supernova. This one is paolo To 99 nice one there magic Go magic got a face quentin grimes tony parker himmie butler Got auto number to 50. This one is beef stew. I'd say a steward magnetic signatures pistons I really like those pistons throwbacks They're sweet little horse Some of my favorite jerseys Number 275 we got dual rpa also for the magic kaleb houston Magic just keep hitting the fourth auto for the magic. You can get you a palo here at the end. I'm gonna say now Box 10 for shack shack will be sweet Promise shack is a private Laker. Exactly. I'm gonna check. I need someone who's got no other choice Got a green chris middleton second green middle 10 of this break to 25 And purple to 99 rookie ryan roland's Come on me true You got a you got a ring quick there eighton Kenneth lofton rookie base And uvre It's a 49 volcanic jersey is dougie mcbuckets McDermott their spurs And so 35 we have rpa nice patch here three color is nicola jovic On the orange rpa number to 35 nice one there heat Appreciate matthew and dave grabbing some spots for later. Josiah Appreciate you guys got sam coming in at five. He'll be doing more group breaks for you guys Um check out our break schedule can always see what breaks we got going on and at what time Breaks got eight or sam's got a full night tonight. There's some 99 rookie chet holmgren third chit chet purple We've got orange charles barkley number to 25 or sorry 50 chuck for the suns got a lamello base Patrick balvin rookie and christian wood Auto 275 galaxy purple that one is zaire williams Zaire on the purple Auto 299 we got big shot bob for the lakers robert ory Lakers there on the auto 299 I'm like rumble ory Yo lakers i wish Almost made to leave if i could have shot like rob Would have pushed me over the edge Probably doing about 65 Need a few inches you're not wrong Not wrong A little taller You need to grow a little bit before I get there Come on ballers you're not calling 28. I think you stopped growing at like 35 or something I still got a few inches to go There is a orbital yannis there on the orange that one is to 50 nice yannis and Volcanics rookie this one is sick jabari smith jr Bout a case hit on these nice one for the rockets The volcanics that is a sick die cut Penny hardaway base colt and jalen how ya doing? To 75 we got j cross over matrix material for the tea wolves That's interesting one there jamal crofford for the tea wolves. He did play for a lot of teams so And definitely get him on a couple different ones Nice j cross over their tea wolves The sweet matrix material and redemption on the back It is patent watson on the rookie jersey autographs electric etch orange that one's going to go to the nuggets Payton watson on the rpa Alrighty friends that will do it for case number eight do a quick hit recap here. Then we'll get case number nine going Had an rpa jamal crofford or sorry a jersey out of jamal crofford Uh, joe vich number to 25 Or 35 rpa cale hueson rpa got ben the bucket ben matthorn rpa to 99 window moore Tari eason rpa. We had isaia mogley on the rpa redemption rpa redemption also dailin terry Had big shot bob gallacy the 99 auto uh the 75 zaire williams 75 dug Mc buckets We had a magnetic signatures the 50 that one is isaia steward Had doma sabonis number to 99 auto Ty's jones is 75 max christie auto he dope go magic We had will barton uh jeremy sohan and that one is number two 99 75 george disney ang uh franz there number to 75 purple We had christie warte orange drew view banks and gold to 10. We had jersey auto of penny hardaway Nice one there jersey numbered one out of 10 on that game worn jersey as well Sick magic card there. Congrats everybody. We'll get those right out to you I'm gonna get going on number nine here and just aim


Well, this particular summit coincides, of course, with the 70th anniversary of the United Nations and, as always, this was a moment to take stock of where UMP's keeping is today and it comes on the back also of a report that has been produced, recently had us come out called the high-level panel on peace operations. And this operation was commissioned last year to look at the challenges facing UMP's operations. And this was part of the subject matter for this peacekeeping summit. And those challenges are multiple. On the one hand, the good news is that there is still a great deal of demand for UMP operations. There are about 120,000 peacekeepers deployed around the world. But many of these operations are in what might be called a serious trouble, in part because they are deployed to areas where there is in fact very little peace to keep. And this holds in truly in particular for the largest peacekeeping operations in Congo and also in the Horn of Africa. And what this summit was about was trying to reinvigorate peacekeeping and try to answer some very difficult questions, including what is the role of use of force in these kinds of operations. And also, in particular, whether western countries or developed countries, countries that in many ways withdrew to some extent from peacekeeping in the 1990s, late 1990s and 80s could re-engage. There is some sign that they are prepared to support peacekeeping again, though I think we should be very cautious about not confusing declaratory commitments at a summit with a real long-term commitment to build up peacekeeping. So, in terms of the future of peacekeeping, what does this mean? Would we be able to see Llew Helmets, for example, in Syria any time soon? Does this mean there is more willingness to use peacekeeping forces by the nations and the United Nations in general? No, I think the fundamental, if you like, context to peacekeeping now, which sort of came through at this particular summit. And the real big issue is that geopolitical tensions have changed. Relations within the Security Council, as we know between the permanent five members, is very, very poor. And this is, of course, what affects policy in a place like towards Syria. So the chances that I'm actually agreeing on deploying a peacekeeping force, let alone whether the conditions are right for it, are very remote. I think the real issue facing peacekeeping, what this means, is really a discussion again about what are the right circumstances for deploying peacekeepers. And when they are being deployed, what purpose are they serving?  Or are they just there as a bandaid to try to alleviate humanitarian suffering? That is very important, but in the long run you alleviate humanitarian suffering by trying to bring around a political settlement. And one of the problems with peacekeeping over the past 15 years, if you like, is that increasingly troops have been deployed, often on a large scale, to situations where there is no peace to keep, but also where there is no clear sense of strategic direction for those troops. And that may, in many ways, keep a conflict from ticking over and continuing, rather than addressing the root causes of it. So I think that is one of the profound questions facing peacekeeping. How can it be made relevant to support mediation processes and political processes? And of course then there are a whole set of structural issues about how to make it more efficient, more resources, how it can improve the way it generates troops. There's always been a problem with logistic support for peacekeeping operation, the whole range of practical issues. But I think there is in some sense our secondary to the more fundamental issue where the instrumentality of peacekeeping is still relevant to the kinds of conflicts in which they are often deployed today. What is the significance of the UK's commitments to peacekeeping troops in South Sudan and Somalia? I think it is very welcome. I mean it is very welcome primarily, I think, to be perfectly honest at this stage for the political signal it sends, that advanced armies have not abandoned peacekeeping, that we are prepared to deploy even in difficult circumstances. We are prepared to deploy even after the bruising experience of deployments elsewhere. The real test is whether this also goes along with a renewed diplomatic effort and political effort to get to the root cause of the conflict. 300 British troops are not going to make a difference, a critical difference to the conflicts in that part of the world. But they send an important signal, particularly if it goes alongside a political effort. Of course those troops that come from western countries often have the advantage that they bring special capabilities that might in that respect act as force multipliers for larger contingencies of forces. And that also might be useful. But at the end of the days these are conflicts where we need to see progress and a coordinated effort in terms of addressing the underlying and political issues at the heart of it, and simply increasing the number of peacekeepers is not going to necessarily resolve it. And I think the best example of that now is probably Congo where we've had peacekeepers now for almost close to 15 years. We've increased the number of troops steadily. We've engaged in robust peacekeeping and even so we are very far from alleviating completely certainly the humanitarian disaster and catastrophe that is eastern Congo today.


I'm on Chrome, I'm on Safari because I want hangouts to not crash. I'm Chrome in my face, witness me. Witness me. Yeah, after last week's Chrome update, I've so far knocked on wood. Not risking it. Well, you know, that's the safer way to go for sure. What if it turns out just because it was running on Flash all this time? I'd like to live on the edge. If you would like to know the history of baby carrots, check out the pre-show available in the DTMS Treasure Chest. Baby, hey Mr. Baby. Baby Carrot. Mr. Carrot. I actually want to do a podcast, like I have time to do another podcast, but I actually want to do a podcast today called False History, where like me- Yeah, I discussed that with you. Yeah, I know, I've discussed it with probably both of you before, but you just go into the history of things, but without any actual research, just making stuff. But you want to do it in such a way it actually sounds incredibly plausible. It's an improv challenge, essentially. It's kind of like taffy coming from Howard Taft, like that was just his thing. Like for example, people don't realize, and this is true, this actually isn't made up. The teddy bear came from Teddy Roosevelt. Yeah. He did these little bear things with his teddy bear, so Teddy Roosevelt and so the name stuck. So we have teddy bears. The Cincinnati Reds, for instance, were originally owned by the Soviet Union. The New York Giants once were actually composed entirely a team of baseball playing giant humanoids. Yeah. They weren't like 10 feet tall, but they were like 7 to 8. Yeah, and when they moved to San Francisco, they decided that there weren't enough Giants out here on the West Coast, so they just used regular men. Which is ironic, because in today's terms they were actually kind of short, because they all averaged about 5'7". But back when nutrition was very poor, and the average common man was only 5' tall.  No, I think he's actually like trying to do it. I totally made everything up, but that's the whole point. You got to do it with a straight face. That was real. Nutrition has gotten better, and people have gotten taller. No, he used a real fact to then say, that's why they were considered Giants back then. I see. Okay. But that was almost too real. That's too real. Too real. Too soon. That's too real. All right. Let's get going on the show here. Disappearing. We really should just do all of this as a podcast. All the pre-show. I mean, it essentially is. A lot of it's on the video for people who watch the video, and then the other pre-shows in the audio on the treasure chest. We don't waste it. We waste no part of the podcast. We use every bit. Yes. Here we go. One person can't make a difference, but all of us together on Patreon, we can. Daily Tech News Show relies on your support and every little helps. Please give generously. DailyTechNewsShow.com forward slash support. This is the Daily Tech News for Leap Day, February 29th, 2016. I'm Tom Merritt, joining me from Engadget, Dear Veronica, and so many other things, Sorden Laser, et cetera. Ms. Veronica Beaumont, how are you? We have an extra day. How are we going to make the best use of our extra day? I consider this day an abomination. It is unholy. Like, next year, I won't have this day. I can't celebrate. It's been a year since Veronica and I did DTNS talking about Leap Day because it won't exist. It won't exist. It never existed. I'm sorry. I do not mean any insults to people born on February 29th who are for the first time in four years celebrating your birthday on the right day. Also, abominations. No, they're not. They're not abominations, as long as they back the show. Hey, we're going to talk about augmented reality. Is Microsoft making an abomination? Expensive, augmented reality. That's what we're going to talk about and how they launched their developer edition pre-orders on a Leap Day. So did HTC Vive. That's all in the headlines. Let's get there first. Microsoft began taking orders Monday for its $3,000 HoloLens development edition. It will start shipping or launching or whatever they call it on March 30th in the United States and Canada. But you have to be an approved developer to be able to give them the money and get the hardware. If you are approved, the hardware includes the headset, a charger, Bluetooth 4.1 controller, some people call it a clicker, a carrying case, a microfiber cloth, just like it comes with your glasses, yeah, and some replacement nose pieces. Microsoft corporate VP Kudo Tsunoda blogged that the game fragments a crime drama, a game called Young Conquer, a platformer, and RoboRate, a first-person shooter, will be included on the hardware or with the hardware. Other software included will be HoloStudio. We knew that. We've seen that and HoloTour for 360-degree displays. A storytelling app called ActionGram will come out this summer. Thanks to Scott Pentall for submitting this on the subreddit. Yeah, I'm excited to talk more about this, especially the Skype stuff is kind of cool, but we will discuss that later in the show as well. And to celebrate, yeah, to celebrate the four-year anniversary of the launch of the first Raspberry Pi, the foundation launched a new Raspberry Pi. The Raspberry Pi 3 has a 64-bit, 1.2 GHz ARM Cortex A53 chip, one gigabyte of 900 MHz RAM with built-in 802.11 N Wi-Fi, and Bluetooth 4.1 for $35 or 30 Euro. It also requires 2.5 amps of power and thanks to Stevio for submitting this over on the subreddit. So does this mean every Leap Day will get a new Raspberry Pi, like every four years? This is pretty cool. Nice, nice processor boost. They're still only running a 32-bit OS, but they put the 64-bit chip in there because the 32-bit OS runs so much better, and then you've got the 64-bit chip to play around with if you want to. If they just had waited two more weeks, they could have launched the Raspberry Pi on March 14th. March 14th, you would think. But then why did they originally launch on February 29th then? Why? Why? Because they didn't want to wait two weeks? Two weeks we could have had Pi Day be the launch date of the Raspberry Pi. Two weeks? I know, that is pretty brilliant though. Also, you Pi fans who say, I didn't want to wait two more weeks for it, get a little upgrade to your Wi-Fi and Bluetooth 4.1 built in. That's pretty awesome. Nice. Congratulations. Apple General Counsel Bruce Sewell published the opening statement he will make to the U.S. Congress tomorrow when he testifies in front of the House Judiciary Committee. Sewell is focusing in his opening statement on three main questions. Should we limit the technology that secures our data? Should the FBI be allowed to stop a company from making its products as safe and secure as they believe they can? A little bit of a loaded question there. And should the FBI be able to compel a company to make a product to the FBI's specifications for the FBI's use, which pertains specifically to the court case in Sanford, India? Every new thing just makes me increasingly more angry. And we're going to get more from this coming tomorrow too. Did we talk about what a nutjob Pierce Morgan is? No, I don't even know what you're talking about, to be honest. We'll talk about this later. He suddenly is a technology expert, apparently, and understands how Apple... Everyone is on this story, yeah. It's related, trust me. I believe it. Sony has updated its Japanese product page for the PlayStation TV to indicate it has stopped shipping the mini-console in Japan. The PS TV plays Vita and PS1 and remote-play games, and thanks to Motang for submitting this over on the subreddit. I never quite understood the PlayStation TV, and maybe that's the cord killers hosted me going, but it doesn't really focus on TV. It's just games, but not PlayStation games. So I don't know. It's not a surprise to me that they might be shutting this down. It seems a little extraneous. Yeah. I mean, if they'd really pushed it as like a Roku competitor with the idea of like, hey, but our game store has PS1 games and the ability to play real PlayStation games with remote-play, I don't know, that could have been interesting. Well, not happening too bad. The Verge passes along a report from the economist writer Mark Harris on Twitter that one of Google's self-driving Lexuses had a low-speed collision with a bus in Mountain View, California, and for the first time, Google did not claim that the collision was not its fault. Every other collision Google has reported has said it wasn't our fault. They didn't say whose fault it was in this filing. They don't deny fault. No. They don't assign or deny. Here's what happened. The car, the self-driving car, was moving at about two miles per hour from the right turn lane into the center lane in order to go around some sandbags that were on the side of the road, and it made contact with the side of a bus which had been traveling at 15 miles per hour and did not slow down as the car started to change lanes. That damaged the Google car's left front fender, left front wheel, and one driver's side sensor. No injuries were reported. It was a very low-speed collision, and apparently the driver of the car said that he saw the bus coming in the rearview mirror, but sort of assumed it was going to slow down as the car changed lanes. So I wonder how that happened. So the driver who was, because all of the Google cars when they're self-driving around right now, need to have a human in the car with them. That's part of the rule. And so the driver tell the car it was okay to continue. Like when did the car have sensed? Like the car was just doing it, and the attendant was like, I think this is going to be okay. And I guess the car didn't appropriately estimate the bus's speed or something? That actually is the question. Why didn't the sensor notice the bus coming at 15 miles an hour and hold off? That is 100% my question, because I feel as though you can never anticipate what another driver is doing. You always have to be driving defensively. And so for the car to assume that the bus was not going to slow down, and for the driver to assume the bus was going to slow down is not good driving, period. Yeah, and I get why the attendant, the human in the car, might think the bus would slow down. That's a mistake. It's not a sustainable mistake. I get why the bus driver who's driving along seeing this thing going two miles an hour is like, well, it's not going to pull out. It's going too slow. I'm a bus. I need to keep the schedule. It's not going to slow down. And he had the ride away. The bus had the ride away anyway. So yeah, I'm curious why what made the self-driving car, which is notoriously over-conservative, continue with its move? Unless the driver really was in control and doesn't want to hit. Oh, the logs will show. Yeah. I want the logs to bear out what actually happened here. I think Google is hedging its bets right now and is like, well, we're not going to make, we're not going to say who's fault it was until we really know who's fault it was. Maybe that's why the filing doesn't say anything. Interesting. All right. HTC started taking pre-orders for the HTC Vive today for $799, 689 pounds, or $899 Australian. Shipping is coming in April, expected to start April 5th. In addition to the headset, you get two wireless motion controllers, two lighthouse base stations, and a breakout box for connecting everything. For a limited time, buyers will get three free VR apps, two puzzle game fantastic contraption, job simulator, and 3D art game tilt brush. Job simulator is amazing, by the way. Yeah. Have you played it? It's pretty fun. Because it simulates like in a world where the robots do everything, right? That's the idea. I think so. Maybe I'm thinking of a chef game I played, which I thought was job simulator because my job was being a chef and all I did was take orders and make food. Interesting. It was actually really fun. Well, I can't wait to try this out. I did order one for DTNS to take a look at, and it didn't give me a ship date. It said it will let me know once shipping is ranged, and I'm like, okay, so I don't know if I'm going to get it in April 5th. The EU and the United States published the final text of their data transfer agreement that they refer to as Privacy Shield. This replaces the old Safe Harbor agreement. DL sets rules for companies who store European data in the United States. Among those rules are that U.S. intelligence services will follow European rules when surveilling European data. A U.S. state department, Auden, will be set up to handle complaints about such matters. Europeans can file the complaints with their local data protection authorities or use an individual company's alternative dispute resolution. Companies must resolve complaints within 45 days. There's a European panel that can make binding decisions if resolution of problems fails, and the agreement must be approved by an EU committee and the Article 29 Working Party of European Data Protection Authorities before it's actually accepted. So the whole thing could still fall apart if the data protection authorities don't like it. Interesting. Amazon announced a deal with Morrison's in the UK. This is cool to add hundreds of products to Amazon's pantry service, which allows Amazon Prime customers to order grocery store items for next day delivery. Morrison's items will also be available through the one hour delivery service Prime Now available in select cities. Yeah, this is interesting in lots of ways, one of which is Amazon kind of partnering with a brick and mortar store in a way that benefits that brick and mortar store. So Morrison's is going to sell more things now, have a little bit of brand awareness, and even get a change in a deal they have with a third party that handles their own delivery. Morrison's has its own delivery service so they can get some more flexibility there. So it's kind of a win for Morrison's and Amazon. Yeah, I wonder if this will start happening in US stores as well. That would be great. Yeah, I order stores open. Seriously, one hour delivery of groceries is already possible from Google and everything. But for some reason, because it's Amazon, I feel like more people will take it. But I can do that with Instacart too. So this sounds like this is really this is coming up against Instacart in a major way because they're already working with well, not working with technically kind of working with a lot of the brick and mortar stores here. They kind of did it under the radar at Trader Joe's and got booted out because they have their own delivery service in certain cities. Not San Francisco though, by the way. So that kind of teed me off. But it does work really well with Whole Foods and a couple other smaller stores around the city that like Byrite, for example, that aren't national or even state chains. So it's really nice to be able to have that convenience factor. So it seems like that's what Amazon is really going towards now is. Yeah, it's actually Amazon. If Amazon's crushing anyone in this scenario, it's the little startup apps that want to do these kinds of grocery store delivery for you. Not the actual grocery stores. They can handle themselves at this point. I don't feel too bad for them. BizTechAfrica reports that Teraco, the continent's only vendor neutral data center, will add to its existing operation to make it the largest data center in Africa. The Asando facility in South Africa will have 9,000 square meters of white space and 18,500 square meters of utility space with a 16 megavolt amp power connection. When the addition is completed, it should be operational by the end of the year. Awesome. That's great. Snapchats, live stories. Sometimes collect chats from various locations or events. So you can see what everybody has been snapping, kind of like Instagram's special event stuff that they also do. Last night, it unsurprisingly had an Oscars live story, but you didn't have to have a Snapchat app to see it. The first time, Snapchat put one of its live stories on the web at snapchat.com slash live. So is this a sign of things to come? Is Snapchat going to be more web-friendly? That's a really interesting move, because you do it for the Oscars because you know a lot of people are into the Oscars who might not have Snapchat. So the idea is to get people to see, like, hey, if you had the app, you could be looking at stuff like this. Isn't this cool? You should download the app. So it's very much meant to bring people into the app, but sometimes those sorts of features that start out meant for one thing can get a life of their own. I think it would be interesting if there was a page I could go on any browser, no matter what device I have, and just see, like, this is the world right now via Snapchat. Like, I don't know. It feels like there could be so much more going on. It's somewhat telling that they finally launched username URLs recently. And now this web stuff is coming, so potentially we'll be able to share and actually have people stream our Snapchat stories on the web. It's almost like an open standard like HTML does end up being a good choice for things. Who knew? Who knew? I think Tim, Tim Berger's leading. Meanwhile, Razer and the open source VR Alliance, or OSVR, have their first game titles for the OSVR's SteamVR compatible development kit. Titles are Half-Life 2, Team Fortress 2 Elite, I'm sorry, Team Fortress 2, Elite Dangerous, Spermination, and Live for Speed. If you're like, what? I want these things. You can actually pick up a Razer OSVR hacker dev kit for 300 bucks. Awesome.  And that is a dev kit price that most people can take advantage of. More on that. At least many people can. And yeah, I think people forget all about this Razer OSVR thing. So getting some big name Valve titles on that platform is pretty cool. That is it for our headlines, folks. Submit some stories to us at our subreddit, dailytechnewshow.reddit.com. It definitely helps us put together our lineup every day. Get in there and vote! And like on the weekends, I just look at the subreddit to see like what kinds of things bubbling up to the top of people's minds. It's really interesting to do that every day. Dailytechnewshow.reddit.com. And that is a look at the headlines. All right, so Windows Insiders. If you're already joined as a Windows Insider, you're good. If you're not, you gotta sign up to be a Windows Insider. Then, as a Windows Insider, you get to apply and say, hey, I wanna use HoloLens dev kit for this. And then if Microsoft signs off on you and says, okay, yeah, no, we think that's a good development use to the HoloLens. Then you get to give them $3,000 and they will start shipping you a dev kit March 30th. So yeah, this seems like we were joking about it a little bit earlier, but it's significantly more expensive than like the Oculus dev kits, for example, which I think were around the $300 price range or so. And so this must be catered to studios. I mean, this can't be for personal developers. I mean, clearly they're going a slightly different route. Yeah, I think they're looking for, if I read the developer pitch correctly on their website, I think Microsoft is going for developers of all sizes. They do want some indie developers. So they're not making it be like, you have to have an enterprise level agreement with us in an NDA, but there probably is an NDA involved. But you know what I mean? Like they're making it more open so that it's not just big companies that already have a relationship with Microsoft, but it's $3,000. So an individual who's like just getting started is probably not going to want to plunk out for this. Yeah, and then of course it is the difference between AR versus VR. HoloLens is definitely more, is on the augmented reality side of the spectrum. And some of the stuff looks really pretty great. I mean, I was, we use Skype a lot for podcasting and for calls and meetings. And the HoloLens Skype stuff looks amazing. So you have a conversation, where are you gonna say? No, I'm just gonna agree.  How's that gonna be so cool other than it being? But yeah, you're right, explain what it does. So you can actually, you get in a call and the viewer, you can give them the opportunity to see what you're actually looking at. So say I needed some computer help. I could stick you in my field of vision off to the left or stick you to the wall or whatever so I could look back at you when you were talking to me. But you could then see exactly what I'm looking at. So you could see the computer screen I was looking at. You could see, you know, if I was trying to build something with my hands, you could see what I was doing with my hands in that moment without me having to move the camera around. And so I just think it's a phenomenal way. I mean, that's next level tech support right there. I mean, it was gonna be amazing for like, nevermind. I was gonna say helping my mom fix computer stuff. Why would she, she would never have HoloLens? Helping someone, friends and relatives fix it. Yeah, you know. And the example they show in the video was fixing a light switch that was broken. And that is a really good illustration of what they did with Skype that's different than just hanging the video call in front of you, which is I don't have to have a HoloLens. I could be on a tablet, I could be on a laptop, whatever. But I can draw on the screen like a telestrator and the person wearing the HoloLens sees what I'm drawing show up across what I'm looking at. So you could say like, you know, draw an arrow and like that's the screw you need to unlock and then take this red wire and wrap it around like that. And it's a lot easier to figure out what you need to do next. How many HoloLens does it take to change a light bulb? I think it's the question. Just the one, because the other person doesn't have to have a HoloLens. No. Yeah, the games, the games look pretty crazy, especially Minecraft in HoloLens just looks phenomenal from what we've seen of it so far, being able to just like build on your couch or build on your floor and then it goes up to your couch and then it does all this. Minecraft's not coming with the development kit, which I was a little disappointed with, but the ones that are, I think the one that really got me, I don't know, Fragments, which is the crime drama where people like show up and sit on your couch, like virtual people and walk around and like they hide clues under your furniture so you have to move your furniture to see them. That's pretty crazy, but then Young Conquer is just a platformer.  This, yeah, this is gonna open up whole new levels of creativity and nerdiness and I'm very excited about it. I'm not sure which I'm more excited for, like augmented reality technologies or virtual reality technologies. I think they both have huge upsides, but they're gonna be expensive to buy multiple kits of that kind. So what do you think is gonna take off more? I think it's interesting, if everything else is equal, like the hardware works as advertised, it becomes affordable, et cetera, it's compatible with enough devices, augmented reality might have the edge because they can do virtual reality without having to impede you as much. So one of the things that ships with the DevKit for HoloLens is HoloTour, which just immerses you in a 3D trip. It's exactly the same kind of thing you can do with an Oculus Rift or HTC Vive, but you do it in HoloLens, it just blacks out everything else around you, but then it can, without HTC Vive relies on these whole sensors to let you see the world around you within it, so it does a little bit of that augmented reality, but HoloLens is already built to do that by default, so that can happen naturally as part of the environment, but, and then you can do these other things that are in real life, which I think are totally mind blowing, like the idea of saying like, ah, I can't make that jump, maybe I'll just put some phone books under my coffee table, now I can make the jump, it's crazy. So I feel like augmented reality gives you a little more flexibility because it can kind of do virtual reality as well. Here's another question, do you think we're going to see more physical therapy appointments based on people wearing two pound to put on faces on their necks? Yeah, the HoloLens is 579 grams, that's a pound and a third, roughly, so that's not as bad, but still. That's more pounds than you have on your head now. Exactly, and Microsoft mouse is not terribly heavy, but it can sure give you wrist problems if you repetitively stress your wrist out. That's right, I'm just saying. So you think we're going to get a purple tunnel of the neck? Yeah, essentially. I mean, okay, we'll cross that bridge, we'll cross that neck. That'd be cervical tunnel, I'm trying to think. Did we go over the specs yet for the dev kit? Oh yeah, so they released the full specs of the dev kit. They still won't tell us what the processor is, they call it a holographic processing unit. Does that sound like BS to you? That just sounds like they've been up to me. I love that that's a thing. 32-bit HPU, two gigs of RAM, 802.11 AC, Bluetooth 4.1, USB2 ports, not USB3. It was a little bit disappointed about that. 64 gigabytes of onboard storage, which probably is plenty since you're really just streaming most of the stuff through a computer. 60 Hertz refresh rate, 169 light engines, two of them, one for each eye. They have a bunch of thousands of light points. They don't really define what those are, but they say 2,500 light points per radian, so whatever the light points are, there's 2,500 of them per radian. They have four cameras that sense the environment, one that senses depth for depth maps, a two megapixel camera for photos and video, four microphones, an ambient light sensor, what they call an inertial measurement unit, which basically combines gyroscope and accelerometer, and they're estimating two to three hours of battery life. They have active use too. What are we thinking about that two megapixel camera for photos and video? Yeah, that's for depth. That's just depth kit, like we're too lazy to put in a better camera? Maybe, maybe, I mean, they're obviously not trying to keep the price down, so it's not bad, but maybe they just didn't want to bother splashing out on a five megapixel camera, because I mean, you should have at least a five with this thing, ships to consumers. I don't think HoloLens needs to have the ability to take like great DSLR level pictures, but a little bit better than two would be nice. I feel like this is, they're saying like, well, we need a decent enough camera for the Skype video to look decent, that's all. Well, I'm excited. I'm not gonna shell out $3,000, nor would I probably be approved, but. Yeah, exactly. I don't think I would be allowed to give them the $3,000, even if I wanted to, but. But I am stoked to see what people come up with. Yeah, so we're a couple of years away from this becoming a consumer product, is what this tells me, but I do like the Microsoft's being a little more transparent. We're making fun of them for making people approved to have $3,000 dev kits, but that sort of stuff has happened a lot in the past. We just didn't know about it. People didn't make it public. They go privately to their own developers. So casting the net a little lighter, so maybe you can get some smaller devs that you wouldn't have discovered otherwise on board, is a cool thing. And I can't wait to see once the ships what people come up with to work with. I can't remember how much they were, but back when I used to work for the PlayStation magazine, the PlayStation dev kits were very expensive and they were huge. Yeah, yeah. I can't remember exactly how much they were, but I mean, if you got a PlayStation 3 dev unit in advance, I mean, that was a big deal and that was like way under wraps. So that was, yeah, a lot of this has happened before and we'll continue to happen. I mean, can you imagine, just a side thought, if Google had required approval, well, I guess they did require approval, but it just didn't, it felt like anybody could get Google Glass even though it was 1500 bucks and ridiculously expensive. They should have really pitched it more as a developers kit because they created some unnecessary expectations, I think. Right. All right, our pick of the day is a quick pick from Preston, aka BioCal, for you science geeks out there. You a science geek, Veronica? Yeah, I would say so. I'd call myself a science geek. Preston says, do you recognize the names Neil deGrasse Tyson and Bill Nye? Yes, of course. How about Sir Martin Polyakoff or Michyukaku, I recognize those two. I know Michyukaku. Yeah, yeah. Ever watched YouTube channel's Minute Physics or Smarter Every Day? If any of these ring a bell, you should check out a great book called Stuff Matters, Exploring the Marvelous Materials that Shape Our Manmade World by Mark Mjodovnik. I'm gonna make a guess that that's the pronunciation. It's M-I-O-D-O-W-N-I-K, spelled myodonic. In this book, Mark takes a close look at the common materials of every day that you may think are boring and then dives into the physics and chemistry that make them secretly amazing. He elegantly answers seemingly simple questions like why glass is transparent, how cement goes from a powder to a solid mass, and the history of China, the dishware, not the country, and what makes it so sturdy. Even if you know some of the material that he covers in this book already, Mark covers it in an interesting and entertaining way, and it makes for a great read. Stuff Matters is available at bookstores and Amazon are on audible.com, which is how BioCal enjoyed it. Nice. We'll have a link to that in our show notes too at dailytechnewshow.com. Send your picks to us, folks. We want your picks. What do you think is good? Let us know. Feedback at dailytechnewshow.com. You can find more picks at dailytechnewshow.com slash picks. Couple emails, do you wanna read couple emails here? I got one. Yeah, do you want me to read one? You can read the next one after this. Christopher says, I have had Eero for about a week now. The only problem I have had is one of my units is bricked, and the response time is not great. So that's not awesome. But otherwise, he said, the other two units are working great. I'm lucky enough to have areas on each end of my house so I could hardwire the units. This has fixed my wifi even without having the third unit. When I get the third unit, I'll drop it in the middle of the house, and I can't imagine how good it'll be. With the two units, I have had zero issues streaming movies and TV from my video server to all my Apple TVs, current and last generation before I would buffer forever. So definitely love an Eero, even if he's not loving the speed of the customer support for his bad unit.  The product is still amazing. We got four of them for around the house, and so far so good. There was some kind of issue where we're not getting the speeds we can get. I mean, our speeds are still very fast, but they're not as fast as they could be. So I think right now we're experiencing some kind of bottleneck somewhere and we're trying to figure it out. Yeah, I wonder if there's more learning and maybe a few firmware upgrades that need to happen because when I first installed mine, I was getting full 300 megabits per second symmetrical, which is the business fiber account that I pay for. Over Wi-Fi, I've never gotten that over Wi-Fi before, so I was super impressed. Then I think it was Friday, the unit I had at my living room suddenly gave me an error and said it couldn't connect to the other two, so I repositioned it so it had a little better connection and then it worked out better, but Eileen and I have noticed less than 10% of the time, kind of weird connectivity issues that we weren't having before. So when it connects, it's super fast for us, but it's not always consistent. Yeah, sometimes I've noticed my phone maybe isn't picking up the Wi-Fi when it should and some of our connected home stuff we have to, our connected home stuff we have to reset because it all kind of decided to stop working. I'm not sure if that's typical. But that's not good. Well, I will report more when I have more information. This is just what I heard Ryan complaining to their support team about over the phone. Yeah, and we've only had them for what, four, five days now? Yeah, less than a week. Yeah, more to come, but thank you, Christopher, for that. All right, the next email comes from Harry, the airline pilot who says, Tom, I know the subject of AI moral decision making and self-driving cars has been discussed many times. Most people seem to think it is a trivial problem and it will just get worked out. I'm not so sure. Here is a particularly well-written article on that subject. Yeah, and it's by Andrew Haikala. Again, apologies if that's not the proper pronunciation. And he's talking about things like the famous trolley problem. Have you, if you're familiar with the trolley problem? I'm not, but he's also referring to the Kobayashi Maru. He also, he gets you into it by bringing up the Kobayashi Maru, the no wins scenario. But the trolley problem is like a real life version of the Kobayashi Maru. It's basically you can, there's a trial, a runaway trolley coming and you can either kill one person and save the people on the trolley or save the one person, but everybody on the trolley dies. And so the question is like, are you willing to sacrifice? And those of you who've really studied trolley problem and saying, Tom, that's not exactly right, I'm way over simplifying it. So the idea- But you don't have to be able to save all the people, by the way. Right, exactly. The idea is you're not Spider-Man, so you're going to have to sacrifice someone in this scenario in order to save someone else. And his point in this article is, how do we program computers to do that in a way that doesn't cause controversy because then, because somebody dies and that's- Yeah, absolutely. This is the like, if the car, the self-driving car is speeding towards a cliff and it either has the option to veer into oncoming traffic or actually kill the oncoming traffic vehicle or take everybody in the car over the cliff, what does it decide to do? I think that's one of the examples that have been floating around about self-driving cars for a while now. Now he says in a study where they asked people about this, people generally want the driverless car to sacrifice the occupant in favor of saving the higher number of lives unless they're in the self-driving car, of course.  That's a good question. Like, I mean, if it has a bus, it can make a good guess that, oh, that's a large vehicle, probably has more people in it, but they can't know easily, I wouldn't think. Infrared sensors?  It'll have to be some liability. Yeah. You're right, I didn't even think about that. You could wave your right to survival. Yeah, interesting. Good stuff, Harry. Thanks for bringing that up. And thank you, Veronica Beaumont, for joining us. As always, a fantastic Monday. What's going on in your world you can tell people about? You know, snapping. Just snapping, you and LeBega. Snapchats, mostly Veronica Beaumont, my Snapchat name. Let's see what else. Dear Veronica, as always, taking questions on using the Dear Veronica hashtag over on Twitter. And Sorden Laser, we've got a lot of great interviews coming up at sordenlaser.com with many fantastic authors, including the author of the Life Engineer, J.F. Dubow, who's gonna be on tomorrow and whose book is going live. And we're very excited about that. It's part of the Sorden Laser ink shares collection contest. Our first novel is being published tomorrow. Yeah, so congratulations to J.F. on A, getting selected in our contest, but also getting published and having a real life published book out tomorrow. Check out, keep an eye on the Twitters and maybe even the Snapchats for more information about that. You're not following Veronica on Snapchat, by the way. Hurry up and do it because you're gonna miss her amazing tour of San Francisco that she did by bicycle yesterday. Thank you, support folks, for making this show possible. If you get any value out of the show, all we ask is put a dollar figure on that. I mean, it can be as high as you want, but it doesn't have to be super high. It could be a dollar a month. DailyTechnewshow.com slash support is the place to figure out how to do that. Patreon.com slash DTNS is our main source of funding and the way we can know how much we're gonna get every month. And tomorrow is payday from Patreon. So big thanks to everybody who already backs us for making this show possible. You mean the world to us. You've absolutely changed our lives. Speaking of which, March is for meetups. I'm gonna be in Austin, Texas for the Diamond Club Party on Saturday, March 12th from 2 to 5 p.m. at the Brew Exchange with Justin, Robert Young, and Brian Brushwood, and others as well. And we're gonna be doing an LA meetup on Saturday, March 19th, the week after that, at 3 p.m. at the Farmers Market by the Grove.  Our email address is feedback at dailytechnewshow.com. You can give us a call 51259 daily. Catch the show live Monday through Friday at 4.30 p.m. Eastern at alphageekradio.com or diamondclub.tv. Visit our website, dailytechnewshow.com. Back tomorrow with Patrick Beja. Talk to you then. This show is part of the Frog Pants Network. Get more at frogpants.com. Diamond Club, hope you have enjoyed this program. Boom. Boom. Good show. Yeah. Always mean it. It was a really good show. Yeah. What should we call it? We didn't talk about as many social issues as we have in the past. No. Took a little break from the policy. Yeah. We did bring up the trolley problem, though. We did. So that was good. We did. Roger back. Yeah, I'm here. All right. I just clicked on this. So showbot.tv has our titles. It's just straight up abominations. Google car hits bus at 300 bod. That's funny. How many HoloLens does it take to change a light bulb? That was funny. Abominations, Raspberry Pi 3. 3,000 HTC vibes for one HoloLens. FBI equals Pandora. It's not the right math, but it's funny. Apple versus FBI, pre-trial, around 9,000. Microsoft's Holo Promise. Or is it? You actually see all. I see both AR and VR being huge in construction for design. Yeah. A lot of people wrote in about VR saying they were hoping to use it or already using it in situations like that. One of the big ones is on complicated projects like a large ship. People who design the plumbing for the ship aren't the same people who design the electrical or who design the bulkheads. And so if you can VR seeing what someone else does, when you design your stuff, it's not going to cut through someone's water main or cut through an electrical junction box. Plus, and this is the big thing, you can kind of figure out how tight, like fitting, something is like, oh, the ceiling's too low or it's not wide enough. Well yeah, that was the point of a guy who works on the North Slope in Alaska, saying the designs will look fine on paper and then when they build them, there's just, you know, there's just the way they fit together in 3D causes problems. He's like, if we can walk around with the engineers beforehand, we can show them like, hey, this isn't actually going to match up over here, which is really cool. Fascinating. Windows facials, problems with the level, rearrange your house, heavy as a head that wears the HoloLens. Ha, ha, ha, ha, ha, that's good, that's good. Let me draw on your face from Shane. Where is heavy as the head? I don't see it. Oh, wait, wait, wait, it just moved up. Yeah. Oh, that keeps, it keeps jumping. Yeah, it keeps jumping because people are voting on it. Right there, it's number three. More, yeah. I will vote on it because I like it. Actually, HoloLens won't change a light bulb, the person will. Yeah, I think heavy is the head that wears the HoloLens. I like that one. Yeah, I like that one. Yeah. Good job, Fred. Fred with a P. Frontier pharmacist. It's so Shakespearean. Heavy is the head that wears HoloLens. Does it ruin the joke if you say heavy is the head that wears HoloLens? I would like drop the article. Just give you more characters. That's a good idea. A few more. No, heavy is the head that wears the crown. It's so iconic, though. Yeah, so let's keep it, if that's, yeah, if the context is better that way. It's not super crazy long. It's OK. That's super crazy. Super crazy long. Well, what if it's beyond super crazy? Then it's just like crazy crazy. Ultra is crazy. Extreme crazy. That was the 90s, wasn't it? Early 2000s. That was your next level of enhancement was extreme. Extreme. Super heavy. Super crazy turns into extreme crazy. Same thing I did Friday, where I played the frog pants thing even though I shouldn't have, because I need to put them in an edit after. I want to make a pizza waffle. Ooh, pizza waffle sounds good. Wait a minute. Is that a pizza using a waffle as the base? No, it's a pizza using, it's a regular pizza that you cook in a waffle iron. No, terrible idea. No, it looks amazing. Terrible. It's going out a lot, though. But it looks unreal. It looks so good.  Yeah, you're going to burn the cheese unless you do like a weird. You cover the top with another roll, so it's like. So it's another pizza. Calzone. I'm fine. Calzone.   He's just got back from Jersey. Let's just call it a pizza waffle. Can it just be a pizza waffle? No. Yes, it's a pizza waffle. It's a pizza waffle. It is on a waffle. You can have pizza. In my face. I don't want a waffle. I would rather have it in my mouth. The waffle. Veronica, oh yeah, you were going to mention Piers Morgan. Piers Morgan, are you recording? Oh, OK, yeah, yeah. Well, yeah, I mean, we're live. So this will be in the video version.   Who is British? You're just name calling, though. What did he do? What did he do?  Basically, go look at his Twitter feed from, like, Saturday. He did a Twitter storm on Saturday. Yeah. What did he say? What did he say that so riled you up? Let's see. What are some of my favorite selections? Oh, he's pro FBI. Yes. OK. You can have pizza on Piers Morgan.  Well, because he obviously disagrees with you, but there's something that's making him more upset at him than just his disagreement. Like, is he supposed to be a journalist? Like, is that? No, he's a commentator. He's a personality. He's a personality. He's a presenter, I believe, is what the UK would call him. Where are his bunch of, ah, gosh. We typically call him red. I never tweet so much. I think we call him a hanger on. FFS, where are these tweets? For the sake of fudge. OK. FSF. He's trying to maintain a profile. This is why he does what he does. He's still on CNN.  Let the FBI know what's on the phone, then close it again. This isn't difficult. OK, yeah. No, I see. Because you can, I think there's a perfectly rational reason to support the FBI. I get that. I don't, but I have heard rational defenses. That is not one. Just saying, let them open the back door. They can close it again. Just let them open the damn back door. Let the FBI know what's on the phone. Then just close it again. This isn't difficult. You can't just close it again. No, I'm not difficult. Wait, your video just froze. Not difficult.  I mean, if I had to make an argument for the FBI side, I would say we'll be very careful with the sign file to make sure that no one else can get to it. And we'll make that the precedent is that very few people can handle it and we'll make it virtually impossible for it to get leaked out. There's arguments you can make. I don't buy those because I know how digital stuff works, and it's almost impossible, as the MPAA can attest, to keep copyable files from being copied. However, that's a reasonable thing to say. What he's saying is not reasonable.  I think it's just tremendous. He's even asking for a back door. The FBI is asking for the ability to help brute force a password. And then he just goes off and off and off about how Bill Gates agrees with me. Bill Gates agrees with me. Well, OK, that comment that Bill Gates made was taken out of context, and Bill Gates later went back and changed his tune a little bit. So I don't know if he so much agrees with you as you are just clinging onto that one article and hoping that gets you through. In fact, the misunderstanding about Bill Gates centered around the fact that he was saying it's not a back door. Which apparently appears to have missed that part. Yeah, not a back door. I think that the bigger thing that this all reveals is that if you really want to maintain your security on any device, you need to have a method of securing it on your own without having to rely on it. I mean, honestly, it really comes down to it. No, there's more. I could take that terrorist iPhone down to Tottenham Court Road right now and they'd get into it safely, Apple's lying. So he's brought himself, well, no, Apple never said they couldn't get into it. That was no one ever said it was technically problematic. Well, I mean, Apple has said that, well, they have encryption wise they have said that they can't break the encryption. Right, but they haven't denied that they could create the software that the FBI wants. Yeah, they just want to deny that the FBI's approach is not a reasonable approach to cracking the password. So it's never been a fight about whether Apple technically could do it or not. It's always been about whether they should do it or not. Yeah, anyway, so that's why I'm mad. My feeling is, three days later, the FBI is actually following the right procedure here in what they're asking. I actually don't fault the FBI for asking this. You can argue about what their motivations really are, but this is the right way to ask for this if this is what they want. They're doing it transparently in a court with a search warrant. I think Apple's defense is that you shouldn't be able to compel us to write new software to break into something. And there are other reasons that are why they don't want to. But in this particular case, their defensible legal argument is like we shouldn't be compelled to create something new, a new tool for them. And I think that's reasonable as well. So what Apple should do, and I think that sounds like they're going to do, is create a new security system for the iPhone that makes it a little harder to troubleshoot your iPhone, makes it possible that you could lock yourself out of your iPhone, but allows you to 100% protect your data so that nobody could ever get into it. So that Apple couldn't create a signed image file that could brute force the password. Yeah, anyway. See, you are a commentator that understands how technology works. Maybe you should take over for Piers Morgan. Is he on TV? No, he's not. He's just a personality. He shows up at things. Okay, so he doesn't have a show anymore. He doesn't have, at least in the US, he's not seen it anymore. Yeah. I don't know if he's on it. He doesn't have anything on his profile. I don't even know what he does anymore. He's probably one of those jerks that just started his own podcast. Everyone just be super careful what you leave on your phone and make sure if you really don't want it to be discovered, move it off. And honestly, if the phone is protected with a six-letter alphanumeric password or more, the FBI's not gonna be able to brute force it anyway. I just also love that he's in the Trump School of Trolling where he just retweets everyone who complains at him and then calls them names. Yeah, I don't know. Yeah, but- Which is real classy. Both of them are not the only ones who do that either. But Trump knows his voter base. He just panders to it. What about Ted Cruz? What about Hillary Clinton? What about Bernie Sanders? What about Marco Rubio? What should they do? Just make sure we're giving equal time. Anyway. I told you how you settle this. You've settled what? Settle the primaries. You basically- I don't wanna talk about the primaries. I don't wanna talk about politics. I don't wanna talk about politics. I so don't wanna talk about the primaries. We can talk about that on Eastmeat Quest. Yeah. Okay. Just do American Gladiators. I like that idea. That's a good idea. I am doing- I'm learning JavaScript. Yay! Hopefully when you're done, that's fantastic. I'm gonna- Because I'm gonna write bots. You wanna write bots? Yeah. That's a good reason. That's it. I'm working backwards, yeah. I don't think she means spam bots. I don't mean spam bots. I think you mean like clever AI bots. I mean like slack bots and stuff like that, yeah. Or like we have chat bot. Yeah. And show bot. Yeah. Bots like that. I like bots. Oh, when he bot. All right. You should jot down all your famous quotes.  Really?   No, it's actually technically she's not. Oh, cause she's fixed. Damn it. You're right. She's not. Sorry. Okay. Yeah, I'm almost done publishing anyway, so. Oh Shane, do you like the answer on Dear Veronica? You're welcome. Tom, do you wanna be on Dear Veronica this week? Sure. You need me to ask a question or answer? Answer something. Yeah, sure. Roger, do you wanna answer something? I can do it. What am I answering? I don't know. I haven't picked a question for you yet. Okay. A question. Doesn't need a verbal agreement. Does it have to be accurate? Do you want me to answer or? Depends on the question. I will be accurate as humanly possible. Actually. Can I just talk about the origin of baby carrots? Baby, baby carol. It's all about marketing in his last name. Baby carol is the creator of the baby carrots. Who's from Quebec? Baby carol? Quebec. Baby. Baby carol. Baby carol is the creator of the baby carrots. Who's from Quebec? Baby carol. Baby carol. I'm actually out of the post. Yay. Did I get the belt? Did the chairman give me belt for saying bitch? Yeah, I think so. No, sorry. Whatever. Are you gonna keep dropping it? Just all the way out as you close the door. Bitch.