This video will cover the following objective identify and describe the major anatomical areas of the heart chambers valves and greater vessels This illustration shows an anterior view of the heart blood flows through veins into the Superior chambers of the heart called the atria We'll start by focusing in here on the right atrium The right atrium receives deoxygenated blood blood that has a low oxygen Concentration that is coming from the systemic circuit So this blood has delivered oxygen to cells in tissues all throughout the body And this blood drains through the veins Into the right atrium And so the inferior vena cava is draining deoxygenated blood from the lower regions of the body So the lower limbs as well as the abdominal pelvic cavity are draining blood in through the inferior vena cava Whereas the upper regions of the body the head and the upper limbs are draining blood in through the superior vena cava blood also drains from the Coronary circuit the the blood vessels that are supplying blood to the muscle of the heart wall are the coronary Blood vessels there are coronary arteries that deliver the oxygen rich blood to the heart muscle And then cardiac veins drain that blood So the cardiac veins Like this great cardiac vein or this small cardiac vein Will also drain blood into the right atrium. They will join together So the cardiac veins drain into one large Cardiac vein known as the coronary sinus and then the coronary sinus drains into the right atrium Blood from the right atrium then moves down into the right ventricle the right ventricle Receives the deoxygenated blood from the right atrium and then it pumps this blood out Into the artery known as the pulmonary trunk So the pulmonary trunk then branches into the left pulmonary artery and the right pulmonary artery The left pulmonary artery is carrying this blood To the left lung Whereas the right pulmonary artery carries this blood to the right lung Then inside of the lungs There are small blood vessels known as the pulmonary capillaries where gas exchange occurs Oxygen will diffuse into the gas at the pulmonary capillaries Then the blood from the pulmonary capillaries Is oxygenated blood So notice I switched from the blue ink to the red ink to represent oxygenated blood We commonly illustrate the oxygenated blood in blue and oxygenated blood In red so this oxygenated blood is coming from the lungs And it's going to flow into the left atrium It will flow into the left atrium Through the pulmonary veins so we can see here the left pulmonary veins are draining the blood coming from the left lung and The right pulmonary veins are draining the blood coming from the right lung But both the left and the right pulmonary veins drain into the left atrium and then left atrium Pumps this blood down Into the left ventricle Then the left ventricle pumps blood out into the aorta So here we can see the ascending aorta as part of this large artery the largest artery of the Systemic circuit the aorta Distributes this oxygenated rich blood To smaller arteries that branch all throughout the body This illustration shows us a posterior view of the heart We can see the blood vessels are attached here at the superior region. This is the Base of the heart and down here this pointed region The apex of the heart is pointing off Inferiorly into the left side Now with the posterior view we can see the coronary sinus Which drains the deoxygenated blood from the coronary circuit Back into the right atrium So the inferior vena cava the superior vena cava and the coronary sinus Are the veins that return deoxygenated blood to the right atrium Blood flows from the right atrium down into the right ventricle And then from the right ventricle out into the pulmonary trunk that branches into the Right pulmonary artery and left pulmonary artery carrying the deoxygenated blood to the lungs where It becomes oxygenated then this oxygen rich blood flows back from the lungs through the pulmonary veins Into the left atrium And the left atrium then pumps the blood down into the left ventricle And blood flows from the left ventricle out into the aorta So the aorta is a large elastic artery that can stretch as it receives high pressure blood coming from the left ventricle And then the aorta will branch to numerous smaller blood vessels that distribute oxygen rich blood throughout the body So some more details of the surface anatomy of the heart that we can see in this illustration are the the oracles of the atria So the oracle of the left atrium is shown here the the oracle is a flap like outer portion of the atria That allows the atria to expand in order to hold more blood. So there's a little flap like Exterior portion of each atrium that Slightly resembles the External ear the oracle or pinna of the external ear and that's where this name came from this this flap shape here Looks a little bit like the ear And similarly on the left side this flap shape resembled the external ear And so it's called the oracle of the atrium So another thing we can see on the surface anatomy is the adipose tissue as well as the large arteries and veins are found within these grooves on the surface And so the grooves on the surface of the heart are known as the They're called a sulcus so this is a A sulcus on the surface of the heart and this sulcus is on the posterior in between the left and right Ventricles so we call this the posterior Interventricular sulcus There's also an anterior interventricular sulcus And then a coronary sulcus so the coronary sulcus is Where we see the coronary sinus is located this groove that's running In between the atria and the ventricles That contains the coronary sinus It's called the coronary sulcus And because it is separating the atria from the ventricles it is also sometimes referred to as the atrioventricular groove or atrioventricular sulcus So the coronary sulcus or atrioventricular sulcus are synonyms and they contain the large Cardiac vein known as the coronary sinus the coronary sinus functions to drain Deoxygenated blood coming back from the heart into the Right atrium of the heart There is a groove on the anterior of the heart here Located in between the left and right ventricles This groove is known as the anterior Interventricular sulcus So the anterior interventricular sulcus Is a groove on the anterior of the heart In between the left and the right ventricles and it contains The great cardiac vein as well as the anterior Interventricular artery Another structure from the surface anatomy. I wanted to point out on the anterior view here is the ligamentum arteriosome so ligamentum arteriosome Is connecting between the pulmonary trunk and the arch of the aorta And this is a remnant from a structure known as the ductus arteriosus In the fetal circulation the ductus arteriosus was a A blood vessel or a shunt a vascular shunt a blood vessel that allowed blood to bypass the pulmonary circuit and so In the fetal circulation the lungs are not functioning for gas exchange and the ductus arteriosus would allow blood to be Shunted from the pulmonary trunk into the aorta to bypass The lungs and go directly into the systemic circuit to travel to tissues throughout the body Here we see a view of the internal anatomy of the heart on this illustration from graze anatomy And we can see there are muscular ridges on the inner surface of the heart Within the atria these muscular ridges are called pectinate muscles And so I'll highlight the pectinate muscles in yellow to make those stand out. These are these muscular ridges Of the walls of the atria and so we can only see the pectinate muscles of The right atrium at the moment, but there's also pectinate Muscles that are muscular ridges on the inner surface of the left atrium Now there's also muscular ridges on the inner surface of the ventricles some of these ridges are called tribeculi carnii And there are others that are called papillary muscles So I will use the green color here to highlight the tribeculi carnii So these muscular ridges in here these muscular ridges within the ventricles and you can see they're sort of branching and irregularly arranged And all throughout the wall of the ventricle. There are these tribeculi carnii So the tribeculi refers to the irregularly arranged shape of these ridges and carnii refers to meat and so these are muscular ridges irregularly arranged muscular ridges the Inner surface of the ventricles called tribeculi carnii Now there are also ridges known as papillary muscles that are found in the ventricles and so the papillary muscles Look somewhat similar to the tribeculi carnii however they're attached to heart valves So I'm highlighting papillary muscles with the purple color now And so these papillary muscles they connect through tenderness cords we call the cordy tendony these cordy are what will distinguish the papillary muscles from the tribeculi carnii so cordy tendine like cords that are attaching from the papillary muscles to valves in the heart known as av valves or atrio ventricular valves So the atrio ventricular valves function to prevent blood from flowing backwards from the ventricles into the atria So I'm highlighting the av valves now in purple so av valves av stands for atrio ventricular and there's two av valves the right av valve is the tricuspid valve which prevents blood from flowing backward from the right ventricle into the right atrium whereas the left av valve is labeled bicuspid valve in this illustration however the there's another name for the bicuspid valve This is commonly referred to as the mitral valve So a mitre is the type of hat that the bishops and popes wear the pointed hat So that's where this name came from the mitral valve that has two flaps or cusps has the appearance of the mitre that the hat which is worn by the pope And so that's where its name comes from the mitral valve Also known as the bicuspid valve is the left av valve that prevents blood from flowing backwards from the left ventricle into the left atrium So when the ventricles contract the pressure of blood inside of the ventricles forces the av valves closed And blood is forced out of the ventricles into the arteries there are also Valves that prevent blood from flowing backwards into the ventricles from the arteries when the ventricles relax These are what we call the semilunar valves So semilunar valves we commonly just abbreviate sl So sl valve for semilunar valves Here's the aortic semilunar valve So the aortic semilunar Valve functions to prevent blood from flowing backward out of the aorta into the left ventricle As the left ventricle relaxes and there's a lower pressure in the left ventricle than there is in the aorta the blood in the aorta pushes back on the flaps of the aortic valve causing that those flaps to be pushed closed those flaps have a crescent shape like The moon so semilunar comes from that shape of the crescent similar to the shape of the moon and there's three of those crescent shaped flaps that Push closed in order to prevent backward flow from the aorta into the left ventricle Similarly, there's a pulmonary semilunar valve to prevent backward flow from The pulmonary trunk into the right ventricle, but we cannot see the pulmonary semilunar valve in this view With this illustration of the internal structures of the heart we can see the pulmonary semilunar valve This pulmonary semilunar valve functions to prevent blood from flowing backwards out of the pulmonary trunk into the right ventricle Another structure we can see here is the interventricular septum so the interventricular septum Is this muscular wall Separating the right and the left ventricles another structure we see here is Fossa ovalis Fossa ovalis literally means oval shaped depression in the surface of the right atrium, so this is an an oval shaped indentation In the right atrium But it's a remnant from a structure known as the foramen ovale And foramen ovale is a structure present in the fetal heart that allows blood to flow directly from the right atrium into the left atrium This is important in the fetal circulation because The fetal heart is bypassing the pulmonary circuit shunting blood directly into the systemic circuit as the lungs in the fetal body don't function to Support gas exchange. There's no need to send large amounts of blood through the pulmonary circuit and The foramen ovale would allow this blood to bypass from the right atrium directly into the left atrium normally the Foramen ovale seals at birth to become the fossa ovalis, although it is possible to have a patent foramen ovale A foramen ovale that is allowing blood to move from the right atrium into the left atrium after birth will make the heart Pump less efficiently and can increase the risk for blood clotting Here we have an internal view The picture of the internal structures of the heart where we can see the papillary muscles and the trabecular carnae the ridges of the muscular surface in the ventricles While they have a Similar appearance we can see that the papillary muscles are a little bit more prominent and also attached to the Cordy tendony the tendinous cords that are connecting the av valves to the papillary muscles When the ventricle contracts the papillary muscles also stimulated to contract placing tension on the cordy tendony Which helps to reinforce the av valve preventing Regurgitation preventing the valve from being forced backwards and preventing blood from Being able to move from the ventricle into the atrium


Hey, folks, what's up? It's Rob. We are here live at the Polymer Summit. We are just getting ready for the keynote. You can see people are about to start filing in there. I just grabbed Chris Joel, one of our software engineers on the Polymer team. Chris, you're the author of Polymon and a thing called MeetScope. I know you're going to be talking about these a little bit in your session today or a lot in your session today. Can you tell me MeetScope? What exactly is that? So MeetScope came about when I looked out on the internet and saw a deficiency of selfie GIF apps. So I thought, I'll build one of those. OK, and what went into them making a MeetScope? What makes that a unique special experience? You know, there are a lot of really great APIs for accessing input devices on phones and on tablets and on desktops. And I thought, we should really take advantage of those and build a cool app you can install to your home screen to record selfie GIFs. Right on, right on. OK, now for the folks watching, how do they get MeetScope on their phone? So you can go to meetscope.camera today and install it to your home screen. Awesome. All right, so I expect all of you to go out there, start making some awesome selfie GIFs. Tweet them at us at hashtag Polymer Summit. Keep the conversation going. Chris, thank you so much for being with me today. Everybody at home, thank you for watching. I'm Rob, coming at you live from the Polymer Summit. Stay with us. See you guys.


Hello there, it's Sandy and I'm going to do the long-awaited Nina vs. Hammer Mill test along with some rainbow colored hummingbirds that I'll be creating from reverse confetti stamps. I've stamped it on the hammer mill on the left, Nina on the right so you can see the color difference right away. There's also a big weight difference between the two, even though they're 80 pounds. Even in the stamping, I was very surprised. I stamped both of them twice in the Misti so I could get even stamping and the hammer mill in two stampings was still kind of grayish. It did not stamp as well as the Nina. I was not really expecting that but I don't call that a deal-breaker because I'm a terrible stamper anyway and half the time I end up with my stamping having to be covered by my coloring because I'm a bad stamper. So I am going to be starting here with the Nina and I'll give you my blending tips on this one since I know how this will work. I started with my most intense color. I wanted some areas to be this really strong bright pink and I'm moving inward from it using lighter colors. I'm just going to step down the colors to be softer so that when I get to the parts where I'm going to blend with another color, I'm blending a light color into a light color. If you've ever tried blending a light and a dark color together, you know how hard that is. It's very difficult. So if you were to try to blend that dark pink into a pale blue, you'd be fighting it for a long time and when you fight things for a long time you end up with either muddy colors or you end up with a lot of bleeding because you're soaking the paper trying to force the blending to happen. But since I moved outward with the lighter pinks as the pinks and the blues start to mix at the edge, I'm working with two light colors and it just makes everything a lot easier. Instead of adding a green to the mix so that I have yet another color to blend into things, I just put some yellow down that is going to mix with the blue and be fine along with that. So I can create a green rather than having to have one more marker to try to figure out how to blend it. I can just extend the blue to blend with the yellow. And then I am going back in with the different colors to add intensity to certain areas that I want to be stronger and brighter. With Neenah cardstock, one of the things that I do is if I end up with too much of one color in an area, I can push in like more of this RV10 and it will displace some color that's there.  And in some cases you'll find that is really helpful. So now I'm going to try it on the hammer mill. And there's a number of things about this paper. It's extremely smooth. It feels more like my Copic sketchbook paper in that kind of way. It's just the smoothness of the surface which is not a deal breaker either. It just feels very different when you're putting the marker down. But what I began to notice pretty quickly is that the colors were not as intense on this paper as they are on the Neenah's. They weren't as bright just to start off with. I'm not sure how much you can really see here on camera because cameras capture things the way cameras do. And the color though, I just was a little bit on the disappointed side. Now when I say disappointed, it doesn't mean that you would notice it. If you saw this coloring separate from the, and even if I saw the coloring separate from the color that I normally see on my Neenah, I probably wouldn't notice. So the average human being, even somebody who's a Copic colorist is probably not going to go, oh, I betcha that's a different paper. No, it's not that bad. But it's still a difference. It's definitely a difference that I saw. There was also a big difference in how they blend. And this might explain some of the confusion that I've had with some students who have tried asking me questions and like, I can't get this to blend or that to blend or this ends up looking really muddy or whatever. Because what I noticed is that the hammer mill does not want to lift or displace color. The way I talked about the Neenah does, where you can pour more of the pink in and it'll push out the blue. It does not do that nearly as much. It barely will do it at all on the hammer mill, which could explain the muddy colors that you might be getting. So even that purple there is just kind of muddy and mottled on the right one, which is the hammer mill. And the one on the left is the Neenah. And there's just an intensity difference in colors that is very subtle, but it definitely can happen on the two different kinds of papers. Know that you can still go back in and work on intensity. I wanted to brighten up the greens on both of these. So I just went in and added yellow on top so you can keep working on your paper. But I think with the hammer mill, if you use that regularly, you may want to let it rest longer because of the way that I found it works. It just it just doesn't want to fix the modeling. And normally when I get that modeling and the word I'm using is M-O-T-T-L-I-M-G. It's like a pockmarked kind of surface. When I get that on Neenah, I can take the mid tone marker usually or the, I guess it depends on what kind of colors and what area it's in, but I'll take the mid tone and just do one quick stroke right across the surface. And it will just fix that modeling. That did not work on the hammer mill at all. So you know, I definitely can see why some people are having challenges if that's the paper they're using. And I haven't been answering that because I didn't know it until now. It took me a long while to find the hammer mill paper. And once I did, I got the test out here. But unfortunately, I'm not a fan of it. Let's just put it that way. I will continue to use the Neenah. Now the Neenah is about, I guess, three times as expensive. You know, something in that range, depending on where you get it. I'm going to link both of them. So if you want to buy the cheap roll, cheap roll, cheap ream of hammer mill and try it yourself if you're a Neenah user, you can certainly try it and see what you think of it. And I am however going to not be using it for my Copics because I don't find it to be good paper for these markers.  And I would rather use a better paper, even if it costs more so that I can get some work done and not have to be fighting it all the time. Because this one felt like an argument with the paper when I was trying to color it and I don't like arguing paper. I like liking paper. This stuff is really slick so it might work well for pen and ink work. So I might try it with that. And if I don't find that it works with that, I don't really know what else I would use it for. So I will probably don't need it to my church because it's not even good for card bases. It's really lightweight. And that was also, you know, one of those things, it says 80 pound on there should be 80 pound like the Neenah and it's not because the way everybody measures their paper is different. So you can't count on something like 80 pound being 80 pound in everything. It's not apples to apples necessarily. But on both of these, I have masked out the beautiful little birdies so that I could airbrush with the Copic Airbrush a bokeh bokeh background, just leaving some white ish circles to create that light, that little sparkling of light. And then I will recover the other one with my masks. This is some eclipse tape that I've cut these guys out. You can use these a couple times, they stay about as sticky as a post-it note. So eventually they do get destickified. And then I'll just airbrush this one. So this little graph is over on my blog. You can see it here where you can pause the video if you want to read it at this moment. But this is my general assessment. If you are on a budget, you could certainly use the hammer mill. Just know that there's going to be some techniques that are going to be really hard for you. So don't beat yourself up for it. Blame it on the paper and get mad at the paper. And by yourself a small pack, you can buy a tiny pack of the Nina over at Ellen Hudson if you want to just try a few sheets of it. But here are the finished cards and here is where you can see the Nina stands up on its own as a layer. There's no paper behind it. It's just that layer with dimensional down the two sides of it. I tried that with the hammer mill and it sagged. So I ended up putting the layer of pink right behind the hammer mill so that it would not sag into the card itself. And that gave it a little more structure and stability. So just know that it's much, much lighter weight paper. That's it from me. I hope that was helpful information. If you've struggled with your hammer mill, now we know why. And hopefully I've given you some tools to try to do something different. I will talk to you guys later. See ya. Bye bye.


Where does most frustration come from? It comes from experiencing doubt. And when a man goes silent most likely, what he's experiencing in this moment is his own doubt about the relationship. So we're gonna dive into this a little bit. And I know this is very confusing for so many women because initially in the early stages of dating and the courtship period or just getting to know someone, oftentimes we're driven by our hormones, the chemicals within our body. This is known as chemistry. And when two people have an affinity for one another and they feel a connection, they oftentimes are communicating at a fairly rapid pace. And what I mean by rapid pace, I should say a consistent pace with one another. There's lots of communication. And then usually this is also reaches a crescendo where two people become physically intimate with one another. And then after this physical intimacy, usually within the first 90 days, we find that a lot of men go silent. They start to pull back. They're starting to experiencing doubt. And if this has happened to you, we're gonna dive into this a little bit deeper today. You know, it's interesting the other day on my live stream on YouTube, we had a woman come on and talk about how she connected with a man two years ago on a dating site. And she actually openly admitted that she got a little bit drunk, a little bit belligerent. And then she didn't hear from the man. And then two years later, he happened to swipe on her on a dating app and they connected with one another. And I'm giving you the clip note version of what happened. Excuse my slurping. It's just a little hot, the coffee.  Why am I bringing up this story? Well, she had communicated with him on Monday and it is now Thursday and she hasn't heard from him. And she's in this panic, if you will. She's in this state of frustration. She's in this state of doubt. She's in this state of longing for him to communicate. And she's wondering why this happened. Now the why is actually irrelevant, why he went silent. There are a hundred possible reasons why he might have went silent, okay? Might have been that he just lost interest in her. He might be communicating with someone else. Maybe they didn't have a good connection over the phone. And I don't mean static. I mean, there wasn't a real connectivity. In fact, she was a little bit surprised why. Oh, by the way, when he swiped two years later, she was like fascinated that he didn't remember her. And she went into a little bit of a confusion around that. I'm gonna say, when you swipe on hundreds, if not thousands of people, oftentimes people start to blend together. What fascinated me was how much real estate this person was occupying in her mind, her heart, her soul. For someone she barely knew. I mean, barely knew this person. And yet she's feeling so much frustration over this silence. And then she comes on to say that, well, you know, I'm so picky with so many other men and he checked all the boxes, if you will, in the beginning. I think one of the challenges most women and men experience in this area of frustration is this scarcity mentality. And that if someone goes silent, you think they're the only person on the planet that will fulfill the job order of your soulmate, of your beloved, of your boyfriend or girlfriend. We are riddled with scarcity mentality. And it's no wonder there's a lot of frustration going on. So coming back to what causes silence, it's experiencing doubt. And I get that it's frustrating because in the early stages of the community or connecting, there's a lot of communication. So there doesn't seem like there's doubt. But at the same time, we have to recognize that it takes about, first off, Jay Shetty says it takes about 40 hours of face to face time just to begin to get to know someone. I always say it takes about a hundred hours of face to face time just to build the first layer of trust. And it takes about 200 hours according to Jay Shetty of face to face time just to build a good, solid foundational friendship with another human being. 200 hours is a lot of time. And that's what's needed to get to know someone. And typically within the first 90 days when a man is, for lack of a better word, courting you, if you will, or getting to know you and you're getting to know them. Hopefully you've amassed that much time together. Now that's a lot of time, a hundred hours, okay? And if you're going out on dates for a couple hours here or a couple hours there, it's gonna take time to really get to know another human being. And when we're driven by the chemical reaction, especially if we engage in physical connectivity, we can temporarily bond with another human being. Now for men, it's temporary bonding. For women, it tends to be a much longer bonding period once they are physically intimate with a man. So I'm reminded of something my son shared with me and I hope he doesn't mind if he feels like I'm throwing him under the bus here, but there's a picture of my oldest son right there. And a couple of years ago, he was in a relationship with a woman, a young woman, I should say. And they met on a dating app. They began seeing each other regularly and because they lived relatively close to one another, they amassed a fair amount of time together. And around the 90 day mark of them dating, he said, dad, I'm just not feeling it for her, you know? And what he meant was he wasn't feeling a level of what he believes love should feel like. He was in a relationship when he was in college and he said by the 90 day mark. Now it wasn't that this was like on the clock or on the calendar, 90 days. It was just roughly within this 90 day period. He recognized that he wasn't having stronger feelings for her. He wasn't feeling like he wanted to progress the relationship much further. And he checked in with me and I said, you know, Colin, just give it a little more time. I know this is kind of confusing. And he did, you know, for another two months and he came to the conclusion that he wasn't feeling this strong drive towards her. And love is a fickle thing, you know? And then this happens for men, this happens for women is that we can spend time with someone, we can get to know them, we can enjoy them, we can like lots of things about them, yet the same time we don't actually, I'm gonna use the term fall in love with them. Now he did the honorable thing and he expressed, you know, he was wrestling with his emotions for a little bit, we were talking about it. He wasn't being, you know, he didn't ghost, he didn't disappear, but he pulled back a little bit because when you're in a state of uncertainty, when you're in a state of confusion, it's hard to move forward in a relationship. So for a couple of months, he did pull back energetically a little bit as he was navigating his emotions. And then at the five month mark, he intimated that he just needed to exit the relationship. And she was devastated because she liked him a lot and maybe she did fall in love with him, maybe she didn't. But you see, now the challenge is, is he did the honorable thing to do, he did it in person. Today, especially for those in midlife, a lot of times how men exit a relationship is they go silent for a period of time, they pull back and they're actually kind of waiting for you to initiate the conversation because they're in a state of fear, they're in a state of confusion, they're in a state of doubt, they might like things about you. And yet at the same time, they don't feel that you're, for lack of a better word, the one, okay? This is just like, we have to experience that this is life. And when these things happen, oftentimes women take it as a sign of rejection, men take it as a sign of rejection too. When someone wants to end a relationship, sure, you might feel rejected, you're not rejected, it's just they couldn't reach the level that you reached. That's all, they didn't reach the level you reached. And yet we oftentimes as human beings take this so personally, just like this woman who barely met him, I mean, met the man once. And yet he was occupying so much real estate in her mind and in her heart. And she felt a lack of self-worth, a lack of self-esteem. And then she wanted to progress or profess how picky she is in the dating marketplace and how hard it is to find a good person. Folks, I'm here to say most men and women are good people. We're wounded people, many people don't have good relationship skills, but most people are good people. You know, when we actually give a person a chance and we find out who their heart is, we're surprised. And yet here, particularly in the United States, we are very superficial, we're hyper-focused on physical beauty, men and women alike, and men tend to be more so than women, but we're so hyper-focused on the superficial aspects, no wonder it is an absolute cluster F out there when it comes to the dating marketplace. So I wanna lean into something that's really important that I shared a moment ago regarding this 90-day period. I've observed that most men within 90 days of getting to know a woman, he knows whether or not he wants to progress it forward or if he wants to end it, okay? Most men know this. The challenge is because we have a lot of broken and wounded men out there, they will stay in a, from their perspective, and I'm just saying it's a perspective, I'm not saying this is a fact, they'll stay in a mediocre relationship because it's better to stay in a mediocre relationship than it is to be alone. In fact, it kind of surprises me, women stay in mediocre relationships and then when the relationship ends, they're so devastated and yet the relationship was rather unfulfilling, it was mediocre. But why do men stay in mediocre relationships? And what I mean is it just doesn't fulfill them. It's because they're either waiting for somebody to replace you or they're waiting to lose interest because they're getting the benefits of companionship occasionally speaking. They're getting the benefits of connection occasionally speaking, they're getting the benefits of sex occasionally speaking. And so because they're getting some basic needs met, there's no need to make a change until something better comes along or they've completely lost interest. And men know, here's the thing, men know by the 90 day mark whether or not you are worth pursuing full term. In the case of my son, he was like in a state of doubt, that's understanding, it wasn't a no, but it was like I'm not feeling it and he gave it a little more time and a lot of times that happens too, we need a little more evidence to determine how we truly feel about someone. And quite frankly, the first year of a relationship, is the getting to know you phase. It takes a couple of years to truly get to know someone, to then choose the deep to build. The problem is that when couples are actively building the deep roots of trust in the very early stages of dating, that gap of getting to know a person shrinks substantially. The problem is most of you humans out there don't actually know how to get to know someone. In my private coaching, we have an exercise called Radical Honesty Prequalifying Your Prospect. We have multiple exercises designed to ask the deeper questions to evoke the emotional aspects of the relationship. Many humans operate from a very transactional type of relationship, mostly centered around entertainment. This is why women appreciate romance because it's entertaining. When I say they appreciate, they kind of feel some sense of validation. As I always say, romance should be reserved for those couples who are in a fully committed relationship with one another and not as an entry point into relationship. Men use romance as an entry point to get physically intimate with you and not necessarily an expression of true care and love in the early stages. So what should we do in those early stages is to be more radically honest, to be more authentic, to be more transparent, to be vulnerable early on and have deeper conversations to determine compatibility and ideally holding off the physical intimacy for a period of time. I once did a blog called The 10 Date Rule, The 10 Date Rule. Now it used to be, I remember when I first was single out on the dating marketplace after my divorce in 2005, there was something called the three date rule. And what that meant was if a man hasn't been physically intimate with you by the third date, he was usually out the door. And that seemed to be the ongoing narrative from 2005 to 2020. And actually for most younger people that is a very common narrative. If you haven't had sex right away, it's usually not going anywhere. My 10 date rule said if a man reaches 10 physical dates with you, he is most likely going to explore a deeper relationship with you, most likely. Midlife men are a little bit different because of distance and proximity and such. A lot of people will accept occasional companionship, occasional connection, occasional sex, and they can drag out this period of time. But for the most part when a man has physically been with you 10 times and you haven't had physical sex, you haven't had sex with one another, there's a good chance that by the time you have sex with one another, whether it happens on the seventh, eight, ninth, or 10th date, or the 10th date thereafter, there is a greater chance for success. That's all that means. So why is it important that we hold off or at least before there's physical intimacy that there's actually some agreements with one another because then you determine someone's validity, their intentionality. Folks, you all have heard me talk about, maybe you haven't. Something called my dating vows, okay? This is like a prenup to relationship, a prenup to relationship. By the way, there's a link below to get my dating vows. You can also get a copy of my book, What the Heck Is Self Love Anyway, and schedule a coaching session with me. Okay, or at least a discovery call with me. The dating vows are like a relationship prenup. It's an agreement between two people before you physically give your heart, before you get too physically intimate with one another, and you make agreements with one another. Like we should be doing dating prenups. I call it dating vows. It's a vow to one another, but it's a prenup, and it's basically spelling out what if we're going to explore a relationship together and we're gonna be physically intimate, then let's have a conversation. Prenups in marriage are to decide if this doesn't work out, is having clarity of what we're going to do if this doesn't work out, and a vow or a relationship prenup is simply an opportunity to find out where someone stands, and it goes like this. I'll say it quickly, and there's a link below to get a copy of it. I agree to explore the process of getting to know you with the intent to declare something serious in the next three to six months. It's like we're making an agreement to explore this with intentionality. I agree to be monogamous sexually while we're having regular sex together. I think that's a fair thing to agree with one another. I agree not to actively seek to meet and date others while we're in the dating process, including my dating, taking my dating profile down if you met through a dating service. Why is this important? It's not about exclusivity. It's about a commitment to explore each other. Exclusivity, exclusively. Making a commitment. I agree to speak up if this isn't working for me versus pulling back, ghosting, disappearing, or going silent, silent. I agree to invest regular time in the process of getting to know you, which looks like social activities, hobbies, mutual interests. These are conversations to have with one another. My clients that do this have a greater chance of success. By the way, in the dating marketplace right now, you have a greater chance practically of getting hit by lightning and finding a real, true, juicy, delicious, healthy, happy relationship. Those of my clients that do these things have a greater chance of success by 10 fold because they're operating from a place of intentionality. Is this sinking in? Is this resonating? I'd like to hear because the fact of the matter is when a man goes silent, because he's experiencing doubt, but that doubt is because you didn't build the deep roots of trust in the very early stage by being vulnerable, by being authentic, by being transparent with one another. And it's no wonder there's a lot of relationship frustration. So what do I wanna recommend for all of you? Show this video to a man you're dating. Have a conversation about this. Read the vows with one another. Have conversations because the more you converse with one another, the safer you feel with one another. And when that doubt comes up, it's a lot easier to talk about it from a place of sincerity, from a place from that vulnerable, authentic, transparent place. And that's my invitation for all of you. Is this sinking in? I'd like to hear your thoughts. Please post a comment below. If you're part of my group called Midlife Love Master, I'd like you to send your friends to my website, jonathanasley.com. Have them click the group coaching button so they can join our fantastic group and get these videos as well as a lot of personal connection with me through our Facebook group as well. Okay, I'm gonna sign up this video as I always do first off, give myself a big gigantic Jonathan Barrett of self love. I'm gonna reach into the camera and give you a hug of love if that's okay. I'm gonna ask you to turn to someone, a pet, the teddy bear pillow and give Iter them a hug of love because hugs are a great source of love. And let's face it, we could all use more love in our lives. Thanks a bunch. Bye-bye now, bye-bye.


Hi, I'm Zor. Welcome to Unizor education We continue solving problems combinatorics very good problems and I really like the combinatorics as a very good example of the mathematical problems which Build your logic build your analytical abilities. So the more the merrier All right. So Today I just have a few problems six of them All of them and the lecture itself are presented on the unizor.com website and that's where I suggest you to to view it from There are notes for this lecture. It's right on the side of the of the lecture itself of the video the problems are presented in the notes as well and The answer so you can first try to solve them yourself. That would be great if you do it and only then You could listen to this lecture So it's very important for you to spend some time thinking about these problems before you View the solution because again the purpose is development of your mind And the problem solving is the best way to do it Okay so Without further ado, let's just do the problems. Okay problem number one We have to prove that for any natural n and k number of combinations from n plus k by 2 and from a n plus k plus 1 by 2 represents a square of sum number All right. Well, this is a very simple exercise on Knowing the formulas now. I was talking about formulas in the previous lecture that you don't really have to remember them You can always derive the formulas of combinatorics just knowing the permutation n factorial formula. So anyway considering I know the formula and I'll just use it right now because to to prove it is really very simple. You can know the formula So this one is n plus k Factorial divided by 2 factorial and n plus k minus 2 Factorial now this one is n plus k plus 1 factorial divided by 2 factorial and n plus k plus 1 minus 2 So it would be minus 1 Factorial Well, obviously I have to bring them to the common denominator Now, let's just think about it. This one is one greater than this number, right?  Well, let's just think about it n plus k factorial is all the numbers multiplied together from 1 to n plus k, right? So I think it would be beneficial for me if I will use n plus k minus 1 factorial here So these are all numbers from 1 to n plus k k minus 1 multiply together and n plus k and n plus k minus 1 Now, why do I need it?  So I don't need factorial minus 1 factorial and now we cancel n plus k minus 1 factorial now we factor out n plus k and what would be in the parentheses It would be n plus k minus 1 and n plus k plus 1. So it would be 2 n plus k divided by 2 So the result is n plus k square, which is exactly what needs to be proven So this sum is n plus k square and the problem next one Next one is we have to solve the equation partial permutations from x by x minus 3 equals x times permutation of x minus 2 Well again, we have to use the formula which again I happen to remember Now this one is factorial of the x divided by factorial of the difference x minus x minus 3. So it's 3 factorial Now this one is x times x minus 2 factorial, right? Now 3 factorial is 1 times 2 times 3 is 6 So we have x square Sorry x factorial equals to 6x x minus 2 factorial Now what is x factorial is the product of all numbers from 1 to x And this is from 1 to x minus 2. So it's 2 less than to x, right? So I can basically Say that this is x minus 2 factorial times x minus 1 And times x that's what x factorial is all the numbers from 1 to x minus 2 Then x minus 1 and then x and this is equal to 6x x minus 2 factorial And now we can cancel this out We are not talking about anything equal to 0 in this particular case because it's factorials, right? Zero factorial for instance is 1 anyway. So we obviously are talking about numbers greater than 2 actually greater than 3 um, maybe equal That's the condition of this particular Equation we have to really think about this this way Um, otherwise we will have negative number Which which doesn't make much much sense anymore. Now x is also canceling out So what do I have x minus 1 equals 6 x equals 5? Uh, sorry 7 7 That's the solution So for those people who really Need to make sure this is a solution Substitute it here And what do you have p from 7 to 4 Should be equal to 7 times p 5 right So this is 7 factorial divided by 7 minus 4 3 factorial Should be equals to 7 times 5 factorial Well, let's just count 7 factorial is 1 2 3 4 5 6 7 Which is 5 factorial is 120 6 factorial is 720 And 7 factorial is you have to multiply it by 7 4 50 I think that's where it is And we have to divide it by 3 factorial which is 6 6 which is 8 2 4 2 4 4 8 40. So this is 8 40 How about this 5 factorial is 120 times 7 8 40. Okay, so Checking is fine So the root of this equation is 7. That's the solution Next and obviously it's greater than 3 Okay, now we have to prove That number of permutations is equal to n minus 1 The number of permutations of n minus 1 and n minus 2 Well, this is probably one of the simplest problems because on the left I have n factorial right on the right. I have n minus 1 factorial, which is this one Plus n minus 2 factorial Which is this one and I multiply then by n minus 1 Which is equal to n minus 1 Now what is n minus 1 factorial? You can write it as n minus 1 and n minus 2 factorial, right? Because this is all the numbers from 1 to n minus 2 And n minus 1 gives you n minus 1 factorial plus n minus 2 factorial Now we can factor out n minus 2 factorial And I will have this And what do I have here? n minus 1 Plus 1 So what do I have? All together n minus 2 factorial, which is this one Then n minus 1, which is this one And then n So which is numbers from 1 to n minus 2 and n minus 1 and n which is n factorial Which is something which we're supposed to get Simple Next Okay We have certain Building co-op building and it has board of directors So this cooperative has seven members Of the board Now there are two positions which they have to basically Choose candidates among themselves for one position is president of the board And the second position is I mean it's also one And one position treasurer Now question is now the rest or other five people members of the board are just members of the board Now my question is how many different distributions of responsibilities this board can have Considering, you know, we have Seven people and these two positions must be chosen. Well, there are many ways to do this type of This type of problem. For instance We have seven different choices to choose a president, right? We have seven people So we have seven different choices to choose a president. So it's seven With with each of those choices We have remaining six people and we have to choose one of those for a treasurer And there are six choices, obviously. So that makes it for you to That's some kind of a pure logical explanation without any formulas, etc On the other hand, you can think about more like Formal combinatorics What does it mean to choose the president and the treasurer out of the seven people? Well, it means you have to really Make choice of partial permutations of Seven by two So you have to choose two, but the order is important like the first one is a president The second one is a treasurer. So you have to choose two people in certain order That's what partial permutation actually is all about and the formula is Seven factorial divided by seven minus two factorial Which is seven factorial divided by five factorial, which is seven times six Which is four two two And probably there are some other ways to approach this problem But these two are sufficient at least So we have four two two Next is A System of two equations combinatorial equations with two variables unknown Well, we have not solved Linear systems of linear equation for a very long time since I was doing algebra lessons. So anyway Well, the easiest way to approach this is the following First of all, let's just do this type of New variables now In this new language with new variables. I have something which is very easy to solve Now how can I solve this well subtract from the first one I subtract the second one I will have five v equals 50 So v is 10 And u is If this is 10, this is 30 60 six 10 I meant So 60 is that right? 60 minus 20 40 60 plus 30 90, right? Okay, so v is equal 10, u is equal 60 u is equal 16 And v is equal to 10 That's what we've got. All right. That's good Now Let's just do it this way x factorial divided by x minus y factorial equals 60 x factorial divided by x factorial and x minus y factorial equals 10 Okay, now let's compare one to another. What do we have? If I will divide this by this My x factorial will cancel out and x minus y factorial will cancel out This is one over x factorial, but we divide on this, right? So it will be uh in the numerator. So I will have only x factorial and 60 divided by 10 gives me 6 Well, that defines x x is equal to 3 right 3 factorial is 6 Well, once I have x now I can actually use something like this um Oh wait a moment. I think I made a mistake. This should be y factorial. Sorry y factorial So it's y is equal to 6 3 x factorial divided by y factorial and x minus. Yes, that's right It's my mistake. Anyway, so if I divide this by this I will have y factorial is equal to 6 and y is equal to 3 correct Now since I know that y is equal to 3 Let's just do this job for for x We can take any one of those two equations for instance this one and substitute 3 So x factorial divided by x minus 3 factorial equals 60 Now what is x factorial relative to x minus minus 3 factorial? Well, I can always Write x factorial as x minus 3 factorial And x minus 2 x minus 1 and x right That's what will be in my numerator and now Obviously I can do this So what do I have? I have x times x minus 1 times x minus 2 equals 60 Now we definitely know these are integer numbers positive integer numbers So we have three numbers in a row multiplied Give give you 60 Well, you don't want to to to solve the the cubic equation obviously The best way is just to find a couple of numbers and think about These numbers are not supposed to be very large anyway. So let's say it's 5 4 and 3. What happens 5 times 4 20 times 360. So I just guessed my my first guess was x is equal to 5 So that's basically your Best approach in this particular case Considering the numbers are relatively small and you definitely know that these numbers are integers. So that's the solution Okay, and my last Problem today is Okay, you have two male men and you have n two people Male men and you have n letters Which are supposed to be delivered to 10 different addresses Now they have to split the job somehow among themselves Question is how many different ways of this distribution of the job exists? Well, there are two different approaches to do this approach number one Basically, we have to pick something pick the job for one of them and that actually defines the job for another Right. So what kind of a job I can pick for the first one? Well, I can either choose For him to deliver zero letters out of the n or one letter out of the n Or two etc or all n letters to be delivered by this particular person Now how many different combinations to choose zero letters from n? Well, it's c from n to zero This is c from n to one. This is from c from n to two So it's number of combinations of two letters out of n So I have to pick two letters and say, okay, this is your job Or I have to pick one letter and say this is your job. So the sum of these Give me the number of different job distributions among these two guys. So this is the answer great It's a very long formula, right? Well, but let's do it differently Let's pick one letter out of this n And assign it to one or the other mailman. There are two choices, right? So we have two choices Let's pick up another letter The second one Well, it's also two choices And with each one of the previous choices, we can have each one of these choices I have to multiply the choices, right? And then the third letter, the fourth letter, etc All letters are supposed to be distributed among these two Using the same logic and obviously since choices are multiplying, I have to multiply them. So it's two to the n's degree Look at this formula This is quite an interesting formula Well, if you don't recognize it I can tell you this is a newtons binomial So if you use newtons binomial Which I actually am presenting on unizer.com among the lectures on induction I think it's the problem 1.6 in the induction. That's from from the beginning of this course where Some math concepts actually are explained In particular the concept of mathematical induction. So that's where actually I'm presenting the binomial newtons binomial and and suggest the Proof of the formula by induction. So if you will open up this particular formula binomial Newtons binomial, you will get exactly this And this is two to the n's degree So that's an interesting Confirmation if you wish of the newtons binomial formula in case one plus one So the two to the n's degree is the sum of all these binomial coefficients as they are called Okay, that was my last problem I do suggest you to go through these problems again on the unizer.com website Try to do it yourself and then read the solutions which I am providing and there are answers So you can check your solutions Well, basically, that's it. Thank you very much and good luck


What's up everybody, Jason here for jazbeastcasebreak.com. 2023 tops for steam baseball just sold out. This is a eight box case break pick your teams number four. And here we go guys. So, and we have a full case coming up. All right guys, last one mojo. Mariners right there. Thank you, Jan. This paper here, let me just take them off this way. Box seems like it's gonna be a little difficult to pull out, so. And we'll go through the four boxes. My God, it's a red. Oh, that's a monster. So this case has had two thick cards. That orange from the, oh sorry, that was the last case actually, sorry. No, this case hasn't had two thick cards. I was thinking we were doing half case breaks. All right, so, here's four boxes right here guys. So again, we're gonna go to the next four. Looks like I said, we'll make the whole case right there. So here we go guys. First one over here on the side. All right, we got Yoshida. And then we got a purple Alec Burleson. 1099. Goncalin orange, out of the 25. And popular demand, how about a little Pete Alonzo for the Mets. Howard with the Mets. All right, so let's keep it going guys. So then we got a Brad Beatty. And look at that, two relics in here, Dylan Cease. Now, I will say guys, last year that was kind of a problem. I wouldn't be surprised if there's a box in here that doesn't have a relic autograph because we had two in here. But just like last year, I've also seen cases where they just had extras, right? Maybe just didn't make it onto this case. But just be aware though, there could be a box here that might not have a relic, but because this one had two. That happened to me last year on Fanatics Live. All right, so, let's continue on guys. We have a Kevin Kiermeyer, that's a blue there for the Toronto Blue Jays out of 75. So Blue Jays, that's gonna go to DY. We got Matthew Bann autograph for the Padres. Padres, kind of falling out of place right there. Kind of sticking out too, I wanna try with this too. Throw it back in there, there you go. So Padres, that's Walter. We got Luis Ortiz for the Pirates. Pirates that is south. Then we got Zac Plasac, that's an orange out of 25. And we got a Jeter Downs, there you go. Nationals going to South. And then of course, Wilson Contreras, that is Cubs version of Wilson Contreras at the time. All of those are like all stars from like last year I guess. All right guys, so like I said, you wanna get this, we have another case going if you guys wanna get another one going before the night's over. Could be possibility, Duncan, especially when we posted them all up at the same time. That's usually what customers do, man. They just snag up their favorite team or the teams that they're chasing. Just leave none for everybody else. Grissom, then a Chissom for the Marlins to 50. Oh, snap, Aaron Judge. Trevor Hoffman for the Padres. It's Kyle Tucker, nice around the diamond. Kyle Tucker, that is two out of 50. And Vinny Pass Frantino, 75. I actually really love the Bluejust logo. Yeah, I do. I do? You see my Super Factor? That's funny, huh? I put it in the big hits. I made a funny comment too. Tripper Jones. Oh yeah, the same subset. Yeah, cause that's like next to everybody else's kid. Tripper Jones out of 50. There's a red in here too, the thick momma. Tristan Casas, nice one there for Boston. Radsox, Steven. Atlanta Brazos, Tristan. Got a trout uncirculated. We got Xander Bogarts. That is Boston out of 75. And then a nice sandy alcantara. Orange autograph to 25 for the Marlins going to DIY. And then Von Grissom. For the Atlanta Braze for Tristan. All right, let's keep it going. Shers are gold. Shers are. Christopher Morone, Byron Buxton. Little rapper stuck to it still. What? I was looking at your, I thought I was looking at my looks. So I was like, I don't recognize any of these guys. You were like, what? There's no at symbol to it too? Yeah. And Paul Goldschmidt. Nice, around the diamond or like autograph. Cardinals going to add a nice Santiago Espanol. How did I do that? Let's go to the hits. Edgar Martinez for the Mariners. Last Bob Mojo. Jen, there you go, out of 50. And look at this. Corbin Carroll, blue rookie autograph. Very nice there for the Diamondbacks. That's 75 out of 75 going to Shawn Matic and the Diamondbacks. There you go, buddy. Nice hit. Mark McGuire for the Cardinals. Uncirculated. JT Romuto, gold for the Phillies, out of 50. And then how about another Tristan Casas for the Boston Red Sox, Steven. There you go. What a great box. Casas and a Corbin Carroll autograph. Chipper Jones, uncirculated. Sweet hit right there. All right, here we go, guys. This one's the one that has the patch autograph that's red. My red patch autograph yesterday was Mike Trout. Let's see what this one is. Harley Green, Corey Kluber, O-Snap, Cedric Mullins, Adley. Wow, look at that. And a gold, going, going, gone, Babe Roof. Beautiful looking cards, they're Yankees. Matt Smith, there you go. That is one out of 50. Those cards that you see in those encased cards, Duncan, you can only find them in the encased part of the box. You'll never find them here as a base. So, basically, it'll never be loose. It'll only be in these right there. It also means like no one else has been able to touch them, minus the people that put them in the mags from the warehouse. All right, here we go. What did I tell you guys? Chicago White Sox, they do hit Eloy Hamenez, two color patch, and autograph four out of five. Tell you guys, White Sox for 60 bucks and a solid team. That was the patch on them? Yeah, so very nice right there. One of the last few teams taken as well. All right, let's finish off here. Got Ken Griffey, and then we got a gold Anthony Rendon. Anthony Rendon. Oh, that's right. Forgot about that. There you go. All aboard, the big hit express. For you guys, I love that right there. The longest one, the longest trim whistle. There you go. Shohei Otani, blue out of 75 for the Angels. Matt Howell. Then we got Josh Smith for the Texas Rangers, going to Tristan. Jacob DeGrone, uncirculated there for the Texas Rangers again. And how about the little Sherzo? What is this, all pitchers right now? Jesus Christ. My name is Matt Smith, he's been on pitchers. Out of 25 orange Mets, and more pitchers. Zach Thompson for the Cardinals. Ed with that one out of 25. And then a Bernie Williams. So very nice though, guys. That Corbin Carroll's pretty big. Got that babe going, going, got in gold. It was really nice. And that Corbin Carroll blue rookie autograph as well. So that was half of the case. Still have the oh snap diaper potentially. Maybe some other little numbered cards, short prints. Let's do that again. The White Sox spot is what I always kinda talk about. I feel like they're valued. I've been seeing a lot of White Sox pop out a lot, man. So that's kinda cool, out of five is awesome. Hopefully a lot more. Snaps are just base inserts, I'd assume, unless they're numbered. But obviously the whole snap autographs, it seems like there's like one per case. So I would probably consider those a case hit. But the base oh snap, they're just normal insert base. I think the White Sox are probably as good as they have been in the past, but Luis Robert is actually relatively healthy for the most part, I feel like. I think he has like 30 plus homers. And obviously kind of what we want to see, right? I mean, I don't know where I left my phone. Yeah, Luis Robert this year is 33 home runs, 266, 67 RBI, 16 solo bases. And for the most part, I think, yeah, the most games he's played in his whole career really actually. Rookie year 2020, only played 56 games, 68 games, 98 games last year. He's at 121 this year already. And obviously I think also was an all star, right? So finally, healthy for the most part. We'll go through the hits guys. Or to look say Ben is looking forward to getting some more pristine going. He just got a team of Minnesota Twins and number five. So again, number five is at 16 left. I mean, obviously still plenty of teams out there. I almost have to leave, but again, I'm sure people will start getting into that once they see what they do and don't get out of this case. Groeschens at 99. Got a, oh snap.  Oh snap. Byron Buxton. What song is that where it's like, oh snap. There's a song like that? It's like a, it's like an album. Oh, no, I don't know what to know about this. I will definitely put up more dunking. You just got to sell what's on the website first. That's kind of usually what we do. Another old snap there. That one actually might be orange. Yeah, there you go. Old snap. Bryce Harper at a 25. So there's an orange for the Phillies. Went to Sean. Ricky Henderson to 25. Various, nice little autograph. Kind of reminds me of Randy Johnson's. Or Moles actually, I should say not right at Johnson. Very small lettering. Have you done the breakers, the light breakers? No, I haven't done one of those yet today. But it's moving though. We have a random team, that's what I have. Aaron Judge at a 75. But I figure I'll do it at some point this weekend. Yankees, nice one for the Yankees, Matt Smith. Josh Young, nice one for Texas. Tristan, last couple Ks man getting a lot of Josh Young. Or Donius. That's for Detroit. Going to Mark. We have a Vladimir Guerrero Jr. out of 25. And look at that, what the hell? This box had two Josh Youngs. This one's out of 99 though. That's pretty cool. And then a little Pudge. Or Vlad Senior, sorry. Yeah, did I say junior? Sorry. Wait, what's going on, Grizzlyweez? What'd you say? I got the power snap, or I will attack you and you won't want that? Is that the song? Maybe? Sounds like a long song though. Going, going, going, babe. Senga. And Oscar Gonzalez. Out of 75. Jim Tome. Ooh, nice, bulky purple. Yankees, Matt Smith. Kevin Kiermeyer. Out of 99. Osnap Tatis. And a Scott Rowland. He was in Dutch as a Hall of Fame, right, this last year? Thanks for that. Scott Rowland. Cardinals of that one. Some of our sleeves. What's with the genius, I think? I wouldn't copy that to get tickets. Absolutely. How'd you do that? What do you mean? When I was doing it, when I was pacing it into the dock, I wouldn't copy it, I was done. So you had to actually go like, I do it? No, I can, you can actually go back on your phone. Well, yeah, on your phone, yeah. You just type it, yeah, I guess you can. All right, we got Incarnacion. That is funny, but that's funny. You wouldn't copy that. We got a Reese Hoskins for the Phillies. Going to Sean. Trevino. For the Yankees. Nice pool holes, pink. That's out of 15, seven out of 15 for the Cardinals. That's what that one was. Another Zach Thompson auto. This one's numbered to 99 for St. Louis. Another back-to-back hits. And Gregory Soto for Detroit. All right, two more boxes, guys. Dos más, dos más. All right, we got Soto to 25. Max Meyer. Yeah, I just remember he went in because I think a lot of people were saying why did he get in? Those other people were more worthy, but I mean, I don't know. I don't really pay attention to too much to a lot of the baseball guys, especially the older guys. Marco Pell. That's also a color match, and it's a red out of five. Two out of five. There you go, Phillies. Nice break there for Sean and the Phillies. Former number one pick. Peter Lanzo. And Andres Jimenez. 45 out of 50. And Acunia, nice swings of summer. So one out of 60 packs I was told, I believe. So kind of like a K-Sit. All right, Staphatic for the Angels to 75. Alcantara for the Marlins, D-Y. Oh, well, Vladdy Senior, sorry, if I messed up and said Vladdy Senior, it goes to the Expos, which will go to the Nationals. So that'll be you, so don't worry. Montreux Expos goes to Washington. Bonheur, Herrera for the St. Louis. We have a Joe Mantably to 15 for the Diamondbacks. Wow, what a break for the Texas Rangers. This time you're getting Josh Young Fresh Faces autographs. Three autos of Josh Young in this case. Pretty wild. No, no worries, if I messed up, don't worry. If I said it out loud, the wrong team, wrong name, the sorting team obviously is gonna go by what's on the card, not by what I say. So it doesn't matter. There's been times where all of us have done that. We said like the wrong name, wrong team, but because we say it, it doesn't mean it's gonna go to them.  Just like whatever it says on the team. So yeah, sorry, I must have just skimmed through that and I said, June here.  All right, Tim Sam in the 50. She wants to make sure I don't mess up, that's all. Francisco Alvarez. All right, last box for all of you guys. Ruttsman, Senga, or the New York Mets, it's a 99. Bregman. Did you watch the Sokatana episodes already? No, not yet. Also they're fire. Ronald Raccoon Jr., Raleigh Fingers, for the A's, Brian, and you know what? This is one of those boxes I was talking about. They didn't have a relic. It's because the other box had two. 100% Rex. All right, Bernie Williams, last box module, here we go. Yankees, nice one here for the Met, Howard. How about a Francisco Alvarez blue autograph, number to 75. Very nice here right there. We had Adley Ruttsman uncirculated there. We got Jacob de Grom for the Rangers out of 50 gold. Rangers have an amazing break. Jordan Diaz for the Athletics, for the A's, Brian K, and then Giancarlo Stan there for the Yankees going to Matt Smith. And there you go folks, that was the break. Ton of nice stuff, a lot of good rookies, three Josh Jones, a Corbin Carol blue, Alvarez, we had an out of five patch autograph red of Eloy Hemines. Very, very solid stuff here guys. This was pristine, number four. Again, if you guys wanna run another one back, number five is starting to move guys. Down to 16, JasperysKaysBrace.com.


The round-dodged city and in the territory on West, there's just one way to handle the killers and the spoilers, and that's with a U.S. Marshal and the smell of guns smoke, starring William Conrad, the story of the violence that moved West with young America, and the story of a man who moved with it. I'm Matt Mann, Matt Dillon, the United States Marshal, the first man they look for and the last they want to meet. It's a chancy job that makes a man watchful and a little lonely. William Bendix. Nobody can act up to par with a nasty cold. I checked my cold to stress the fast way with four-way cold tablets. Yes, tests of four leading cold tablets proved four-way fastest acting of all. Amazing four-way starts in minutes to relieve aches, pains, headache, reduce fever, calm upset stomach, also overcomes irregularity. Always the fast way to relieve those cold miseries, then you feel better quickly. Four-way cold tablets, only $0.29 and $0.59. And now a word about another fine product of Proof Laboratory, to get rid of embarrassing dandruff in three minutes, change to Fitch Dandruff Remover Shampoo. Three minutes with Fitch regularly is guaranteed to keep unsightly dandruff away forever. Apply Fitch before wetting hair, rub in one minute, add water, lather one minute, then rinse one minute. Every trace of dandruff goes down the drain. Three minutes with Fitch and embarrassing dandruff's gone. At the same time, Fitch can brighten hair up to 35 percent. Get Fitch Dandruff Remover Shampoo today. We'll think of Dot City here in the 1870s as a wild, lawless town, swamped with exciting women and strong, daring men.  Men whose courage is as raw and harsh as the prairies it's bred on. Well, this is the picture, but it isn't quite complete. We've got our share of cowards, too. Like the one whose work I ran into the night I found a note on my door, said, come up to Doc Adams' office as fast as they could. What's the back room, Mr. Dillon? What's the trouble, Chester? We've got Jack Massey in there. Jack Massey? You know, that cowboy who looks you up whenever he comes to town, you remember him? He always comes in to the office and sets around and talks. Oh, yeah, the red hat is probably your name. What's he doing up here? What's wrong? Here's Doc. You better ask him. Hello, Matt. Well, he's dead. Poor fellow. As soon as I saw him, I knew he couldn't make it. Not with a hole like that. But what happened, Doc? Somebody shot him, Matt. We don't know. I was coming down the street, Mr. Dillon, and I heard a shot, and I ran into him and found him laying there on the floor right where he fell out of the chair. About what chair? Yours. Mine? Yes, sir. Down in the office. He was waiting for you, I guess, and somebody must have sneaked in the back way and shot him. But why? He was shot in the back. So? He was sitting in your chair, and we noticed he was wearing a hat just like the one you wear. And also, he's about the same size as you.  To kill you the easy way. Well, what brings you into the long branch this time of night? I'm just working around there. There are a lot of men at the bar over there. I think you can pick him out. What? The man who thought he shot you the night. Well, news travels fast. I heard somebody was asking you two days ago. You did? I figured it's a talk. Didn't anybody tell you about it? Well, I haven't been around much the last couple of days, kiddie. But even so, it isn't a kind of talk people feel easy about passing on. And to me, that is anyway. I guess not. You know who started it? He did. Who's he? Coming this way. I said, he'd be. What's he doing with that? Got to drop around more often, Matt. He's been bankin' Pharrell here three or four days now. But Sam, are you? Yeah, he's been doing fine, too. He always was a smart gamble. Hello, Marshall. Miss Kitty? Ed? Hello, E.D. You mind if I sit down? Now go ahead. Thanks. I've been meaning to come to see you, Marshall. Oh, is that so? Yeah, I heard about the shooting tonight. It seems most everybody has. I know something about it, Marshall. Would you like to hear it? Now tell me. Well, a couple of nights ago, I went out back to breathe a little fresh air. I was standing out there in the dark around the corner in the alley. And I heard a couple of men come out. They couldn't see me. And I couldn't see them. But I heard one of them tell the other he was going to shoot Marshall Doom, shoot him any way he could. That's all you heard? All they said something else, but I couldn't understand it. And then they went back in. You got no idea who it was. I didn't dare take a look, Marshall. It had killed me, sure. Tell me this. I should you be? I don't exactly owe you any favors, but why did you bother to tell me at all? I don't like killing. That's why I hate killing. Those are everything I know, Marshall. They're going now. Like, Kitty? That all about, Mark. What's between you and me, dear? Well, I knew him up in Santa Fe one time, Kitty. He was bully in a band.  A lot of people witnessed it, didn't they? He never forgave me. Well, maybe his story's a lie. Maybe he's the one who did the shooting tonight. I don't think Ed E.B. has the guts to shoot a man, even in the back. Who is it, then? Haven't you had any ideas? No. There are a lot of men that like to see me dead, Kitty. I know. I'm always willing to take my chances with anybody who will face me. There's a man who shoots out of a dark amateur. I don't know. Well, for Nash Rambley, what's your best buy for 59? How do they really compare in size, horsepower, comfort, and economy? Read the facts about every 59 car in the January Popular Science Magazine, the giant 256-page new car issue. It's now at your newsstand at the special new Reader's introductory price of only $0.25 instead of $0.35. Can the big three automakers stop the swing to the little foreign cars? Has Detroit sacrificed safety for styling? Can your family get more pleasure and value from a station wagon? Are today's automobile brakes really able to handle today's horsepower? January Popular Science brings you the inside pack, plus a goldmine of you money-saving ideas. Pick up your sample copy of January Popular Science at the get-acquainted price. Look for the big yellow band on the bright blue cover. Remember, this month, you get Popular Science, the same magazine that regularly cost $0.35 for only $0.25. At your newsstand today, while the supply lasts, Popular Science Magazine. Just to die, but it's even worse without a chance to fight back.  It's not dying. It's being slaughtered like a hog in a pen. It rubs a man of everything he's lived for.  You're worth it. You bet I would. Out there, you can see a man coming tomorrow. You know, he wouldn't like that, Chester. Oh, I guess you're right. He wouldn't never follow you out in the open, not him. Or them. You think you might be more nor? Might be. Well, no, no, Mr. Jones, why don't you hire some men to hang around to sort of a bodyguard for you? Then nobody wouldn't dare try him. Well, sooner they'd try. The better, Chester, to get it over was one way or the other. I wish I was as cool about it as you. Am I cool, Chester? I'm mad. I'm sure he's got a funny way of killing it. Now, if I was mad, I'd be hopping around like a bone to the bone under the tail.  He's up there now, eh? Yeah, I'm going after him. Then I'm going with him. Now, you stay here. Wouldn't, Mr. start shooting while you got a chance. I sure will, Chester. That's just as good. That's what I'm going to do, Chester. All right, drop the gun. Mr. Jones, he had a gun in his hand. He's drunk, Chester. You gonna help him out? I hit him hard enough. Come on, let's get him up to docks. We'll sober him up and find out what this is all about. Here's your coffee. Cup down, yes, sir. Not before you drink every drop of coffee in it. I'm drowning in coffee, Doc. Come on, drink it. No more, Doc. No, I'm sober now. Yeah, all right, Doc. Matt, we can talk straight enough now. It's about time. Swann. But I didn't mean nothing, Marshall. I didn't know what I was doing. Honestly, I didn't know.  Weren't you? No! No, please don't hit me. You better shoot me in the back. You have to take on a little whiskey.  I come to town, heard all that talk, thought I could make a name for myself if I done the shoot. Ain't no more to it than that. No more to it than that. Never mind, Doc. You know something I believe, dear Swann? You do? Look, it's true. Honest, dear. Sure, it's true. And there are a lot of other drunk and brainless bums gonna try for the same reason. They heard somebody's out to murder me and they got to thinking why shouldn't they do it and get that credit for themselves. No, Matt, it's not that bad. I already started, Doc. There'll be others, lots of them, as long as I last. Come by your bed. Don't let acid into gestions for your sleep. Nothing but tums work so fast to make you feel so good so long. Get T-U-M-S, tums, ten cents, three rows back a quarter, or get the view tums six rows back with free metal carrier, only 49 cents. Matt swaned down to the Arkansas and told him to get his horse across and keep going. I guess he thought I was about to shoot him the way he rode off all hunkered up in the saddle trying to look small. I was pretty sure he'd never show up in Dodge again. There was one less glory on this deal with how many were left in the alleys, hiding in the shadows.  We put our horses under their stalls and we're walking toward the door. He's barren, corn deserted tonight, Mr. Jones. That was late, Chester. Everybody's here to drink her in bed, but... There's somebody who went... What's he doing at that rifle? He's ducking at that storm. He saw us. Drop the rifle, Mr. Not likely. Drop it, I say. You got him. Stay back, Chester. Shoot again, Mr. I've never seen him before. Oh, you care who? You don't kill me. That's what you're doing. Why were you asking me? Somebody hire you.  Wasn't there after nobody? Did it come from our horses? I think he's telling the truth, Mr. Jones. Still? Marshal? Who did you think I was? Well, somebody was out to shoot you. Or me. I was just trying to get home to Texas. Well, Mr. You, you were about to shoot. I thought I was being held up. Oh, you hollered at me. Mr. Jones, he ain't got nothing to do with this. Of course I ain't. It was I you, Marshal. If there was talk about somebody after me, I'd find out who was making talk. I wouldn't go around shooting innocent folks. Somebody got you out smart. Well, he'll get you out the box, Mr. He. He'll take care of you. Don't, don't, don't, don't bury me. Don't blank it, Marshal. Fix me a box, would you? Promise. Fix me a box? Yeah, yeah, I promise. Can't swallow no more. Well, he'd have shot you if you hadn't. They don't even know his name. He'll fix him up a real good one. I do something else, he said. What's that? I've been off smart and he was right. But I know what I'm doing now. You're looking for someone. You bet I am. Trouble? No, the trouble's over. It's going a little bit. Fight? You might have surprised that there was a fight. Kidding cowards don't carry guns. Ed E. B. Yeah. Come on. What, gentlemen? Is that a drink of wine? No. What? Marshal Dillon.  My luck ran out about an hour ago, E.B. What? I shot and killed an innocent man. What are you talking about, Marshal? You were too cheap to hire somebody to get me, E.B., and too much of a coward to try at yourself. I don't like that word. Your story about overhearing that talk, I'll back you, spread it around, hoping to give some brainless fool the idea of trying himself. That's a lie. Well, two men tried it and maybe said jumpy, but I just killed a man I thought was trying it again. I feel pretty bad about that, E.B. I've got nothing to do with it.  Well, you outsmarted me, E.B., for a little while. But you can't prove any of it. I don't have to, now come on. You can't arrest me. No, but I'm gonna lock you up, and tomorrow I'm gonna run you right out of town. Rural. Till an innocent man had died because of your cowardess. They're gonna hang you for it. Call me a coward.  Stop saying it! You're doing just what you did out in Santa Fe.    I got a gun in here.  So you won't, you're not gonna draw that. Oh, yes, I am. Not you, E.B. I'll do it. Just keep talking, E.B., just keep talking. I'll do it.   What?   To buy Norman McDonald's, start William Conrad as Matt Dillon, U.S. Marshal. The story was specially written for Gunsmoke by John Messon. Featured in the cast were Joseph Kearns, Jack Moyles, and Lauren Stobbson. Harley Bear is Chester, Howard McNeer is Doc, and Georgia Ellis is Kitty. This is George Waltz inviting you to join us again next week for another story on Gunsmoke.


Let's cover all the changes coming in dialogic 0.9. I moved the dialog node, which is the one that you use on your scene, to the root folder of the addon, so it's easier to find. I added a link to the online documentation directly from the editor. Right now it doesn't have a lot of information, it's more the information about how the plugin works, but I will keep updating it regularly. I refactored a lot of code and continued splitting the main plugin code into smaller pieces. I did a lot of work here, it's hard to show, but hopefully it will translate to having less bugs in the plugin itself. I rewrote most of the saving and branching systems, so if you were having issues with that, you should expect it to be much more stable right now. I added the new tool, the glossary editor, which in this recording that I have, it's a bit broken, but a few hotfixes are coming out, you're now able to write XLR for any words and dialogic will create a hovercard with that information. You can create also strings and numbered variables from this glossary interface and you can access them either using the conditionals or by the new dialogic class. I will cover that later in the video. Portrait changes are reflected in-game. This wasn't happening before, but now it is, and there has been a lot of small improvements on how they display and the order in which the events happen. The theme editor has a new section for the glossary font and a color for the words highlighted. I will keep adding stuff here, but for now it's a minimal thing that you can edit. And now the biggest changes come to the timeline editor. I color coded most of the events in the same category to avoid having a distracting rainbow in the screen. You will see that all the events in the same category has the same color, so you can recognize what kind of action they are performing. I renamed the end branch file names to match the name of the event. This means that if you have some timelines created in 0.8 you will have to update them and I will keep breaking compatibility until the version 1.0 is out, then I will make it so that dialogic will update this automatically for you from version to version. There is a new event called setValue, which will change the value of a glossary variable inside your conversations. Right now this will reset whenever the dialogue closes, but in the future you will be able to save those values in a save game, so if you change some of the stats and you want to keep track of those during several playthroughs, you will be able to do that. There is a new event called emitSignal. This event will make the dialog node emit a signal called dialogicSignal. If you want to do some extra code whenever something happened in your dialogue, you can do so in gd-script and have the full flexibility of the godot engine. There's a new event called changeSign, so we had the change timeline before, now we have the changeSign, which will change the current scene to whatever you pick. This will happen right now instantly, but in the future I will add some transition effects, so it's not that abrupt. There's another new event which is called waitSeconds. This event will hide the dialogue, wait X amount of seconds, and then continue with the rest of the timeline. The text event now resized vertically when you are writing, so at the beginning when I announced the logic I said that this was going to be a feature, but I implemented it just now, so each new line will create a different dialogue, that way you don't have to repeat over and over and over again the same event in your timeline. I renamed the copy timeline ID, right click menu option to copy timeline name, since now you don't have to use the ID anymore, so this is more handy if you're doing it via code. So about the new dialog class. With this class you can add dialogues from code easily, so you can do like this, new dialog, dialogic start, and the name of your timeline as a string, and then you can add that dialogue into your scene. To connect signals you can also do something like this, which is pretty basic if you've been using Godot. There has been a lot of backstage changes that I made and a lot more will come, but these are the big changes, and I'm really excited because dialogue is more stable than ever, and I really see version 1.0 being released very soon. I've also been creating a lot of tickets in Githubs, if you want to follow the progress you can do it there, and I would really like to thank my Patreons, a lot of you have come recently to support me doing dialogue, which I really appreciate, so a big shout out to all of you, and if you're considering contributing to the project, I'm always happy to review your pull requests. Thank you everyone again, I know that most of the people have left already the video, but if you're still there, thank you. See you soon, take care and bye.