Live from Barcelona, Spain, it's theCUBE. Covering Cisco Live, 2018. Brought to you by Cisco, Veeam, and theCUBE's ecosystem partners. Hello everyone, welcome back to day two of live coverage with theCUBE here at Cisco Live, 2018 in Europe, we're in Barcelona, Spain. I'm John Furrier, the co-founder of SiliconANGLE Coast theCUBE. Let's do many, many analysts at wikibon.com as well as CUBE co-hosts, many events. Certainly Stu, not a stranger to Cisco, open source, and overall the disruption that digital is having on the enterprise. Our next guest is Michael Cade, global technologist and product strategy at Veeam Software. Michael, great to see you, thanks for coming on theCUBE. Hi John, hi Sue. So, we guys are here with Cisco Veeam.  Europe, Cisco, what's the vibe here? What's going on the show? So, so back in mid 2017, October 2017, we announced that we were gonna be on the global price list and so obviously that, this is different from last year in that we're having more conversations. People know what we're doing for starters. They're not asking how do we protect the network? How do we protect the ASAs and the firewalls and et cetera, so it's very good to have those conversations with the enterprise guys and they now understand that we're able to protect their workload, their data. So, I imagine it'll be exactly the same when we go over to Cisco live in the US but this is obviously the first show that we've had where we are talking about availability with Cisco as a joint partner on their global price list. One of the things that we always see with you guys is that your logo's everywhere, they've got the green Veeam. What's the relationship that you guys have with customers? You're playing a lot of great spaces. What's the main relationship and brand promise that Veeam has? So I guess, so from our point of view is that we come from an SMB route, if you like, but over the years, over that last 10 years we've developed that scalable product that allows us to protect the larger workloads within the enterprise, we also have cloud offerings to enable our service provider partners. So we've got exactly that. We want to be able to play and protect data in whatever facet that needs to be. So whether it be cloud, whether it be on-premises, SMB, commercial, enterprise, we want to be able to protect all of those workloads. So Michael, one of the things we've been talking about here at the show, you go look at the world of solutions. It's a big ecosystem and it's been changing. Cisco's got a lot of different pieces, big moving software, what's happening in cloud, and data center, they have dozens of storage relationships and that's where I think Veeam ties in a lot, maybe gives a little bit of an overview kind of the breadth and depth of the relationship where you play in relation to UCS converge, hyper-converged all those pieces. Yeah, so I guess converge first, if we look at the majority of the data center and the customers that we speak to, there's still very much, there's a large footprint of converged infrastructure, whether that be flex pod versus stack, Pure's flash stack, or Vblock from a Dell EMC point of view. And the good thing where we come in is that we have storage integration into all of them. So regardless of that compute, however, it brings a nice simplicity model to the customer from that stack, but for us to just slot into that and be able to leverage the storage integrations and be able to take an efficient snapshot of those virtual machines and push them onto a, maybe a Cisco S3260 that's that modular scalable server or both compute and high density storage, really gives us the best of both worlds in terms of plugging into that fabric interconnect and making that converged backup story or converged availability story. Yeah, so you mentioned there's a lot of options out there, still most customers, there's more customers that aren't doing some flavor of converge or hyperconverge than are. There's a lot of buzz around the hyperconverge piece of it. What are you hearing from customers? You said there's a lot of kind of CI versus HCI, still numbers show that out. I mean, there's a lot more solutions out there. Been on the market a lot longer, but where are the customers? What are some of the decision points and how's your organization held? So I guess where we're seeing things like the Hyperflex where we also have storage integration there from a protection point of view, seeing many of them feed into that major, that main data center. So we're protecting the data, we're using our replication engine to push data into that larger data center for hot DR or that high availability type solution. And I think that's why we're seeing it. We are also seeing more Hyperflex or more HCI come into that main data center for some certain verticals from that point of view. Okay, so if I could just unpack what you're saying there. Most of the HCI's have been kind of the robo, smaller environments where traditional, just three tier or CI has been there, but we're starting to see that blurring of the lines between what's there. Yeah, people are definitely bringing that HCI, that simplicity, that scalable simplicity model into their main data center as it kind of merges with that converged offering, right? So, yeah, the other thing, you know, very clear at the Veeam show last year when we covered, really customers trying to bake out their cloud strategy. You know, how does that tie into all of this discussion here, Cisco's talking a lot about multi-cloud, a lot of that's really the management plane. How do you see that from an availability solution? Yeah, so yesterday I was sat in the keynote reading some of the stuff. We had our sales kickoff last week and some of the stuff really resonates with our message as well that's out there. So the whole multi-cloud, our tagline is around any app, any data, any cloud. So it kind of resonates with what Cisco is saying and that's obviously a good thing, but so whether that be the public cloud, whether it's enabling our service providers to leverage the Cisco technologies plus Veeam to offer a service out to our existing Veeam customers, the on-premises solution, or whether it just be that on-premises, that data center that we just talked about with a converged or HCI type play. What's the big thing that you guys learned at your sales kickoff because, you know, we always wonder what goes on at these sales kickoffs. People like cheering, they're making their quota, business is good, but they listen to customers. What's the big use cases that you guys are really doing well with Cisco on? I mean, that's ultimately the patterns kind of emerge. It's always the best product. What's the hot use case for you guys with Cisco? So I think one of our biggest things is about how do we partner with the likes of Cisco? How do we leverage that relationship to bring more Cisco-validated designs, reference architectures from a technical point of view up? It's all good, all the numbers being rar rar as you're in the sales kickoff, but ultimately it's about the vision. How do we go forward with that partnership? Being on that price list is really gonna help us getting into some of those accounts from that point of view. But also, from a technical point of view, I know that we've got the design, we've got the model behind us that will... When did you guys get on the price list? Recently? I believe it was October 2016. Okay, so just recently. So really recently. So the deal's going to start flying in. Hopefully. Hopefully, right. What's the biggest challenge you find with Veeam's customers? You guys certainly done really well. Again, we've covered your success on theCUBE many times at other events like VMworld and others. What's the aha moment for the customers with Veeam? Just easy solution, is it a technical pain point or what's that moment where the customer really gets it? So I think the simplicity that easy to use, that easy to deploy, regardless whether you're a three ESXi host shot or whether you're a multi 10,000 VM type enterprise estate is being able to use that same tool set to protect all the way through. It's really simple. We want to keep that user interface really easy to consume and use and scale. So that's one of the key areas that I see that we're playing in. All right, so it's 2018 now. We've got a looming headwind that a lot of customers, we are concerned about, haven't heard a lot about it yet at this show, but GDPR, definitely something on everybody's mind. Is this another Y2K that's really going to slow down IT buying or are there engagements? How does Veeam work with customers and what's it going to do to the landscape of IT this year? So we've been looking at the GDPR compliance and our messaging has been, we've been really working on how we start mentioning this and marketing this out from a Veeam perspective. So we're not going to get anyone GDPR compliant, but what we are going to do is help you understand where that data is, how long it's been kept for, where it is kept, where it's stored, et cetera. So in update three that we released just before Christmas, it was around location tagging. So if that backup comes into a certain geo then we want to be able to tag that and that tag stays with that backup data wherever it goes. So, and then we've got Veeam one that monitors and reports against that. So you know whether you're violating your GDPR compliance or a violation of where that data should be located. But it's one of the things that, so we're seeing it's not a day kind of that goes by at the moment where I'm not speaking to someone about GDPR and obviously it's really, it's coming around very fast. What we've made this year is when it comes into force. Are people shaking in their boots? I mean I'm hearing like a lot of people really nervous. I mean it's kind of not been played out, but certainly the press has been covering it, but I mean the Y2K problem, remember the Dough Glory days too, the millennial, that bug never really happened, but GDPR is a freaking hardcore enforcement and the penalties are stiff.  That's a big percentage of your gross income, right? The people that I speak to are definitely aware and concerned that they need to be in this particular state by the time we get to May. It's not about waiting until that date in May, either it's about how do we do it now and start understanding a bit more about our data. Cisco yesterday on the main stage, they said it's all about data and absolutely resonates exactly with what we want to do. We want to be able to do more with that, but also we need to understand what that data is, how long we keeping for, why we keeping it and all ask those questions to these new data protection officers, data, data. Well I mean people are having more data driven strategies and we were commenting yesterday, we didn't hear much here about that, Cisco's not using that data driven because it's not a little big data show or not a lot of AI here yet, but if you got data driven you better have data protection, right? I mean you can't have both. They kind of go hand in hand, right? And I think that's another thing where we're coming into the fold is that we've got features in our tool set that allow us to spin up that data in an isolated network, be able to run tests against them, run compliance checks against them to make sure one the backup comes up. So when you're not waiting until that problem hits, so you can bring it up, but also be able to test against updates, et cetera. All right, so here's a question for you. So I'm a customer, pretend I'm a customer, okay? Well, you know, I really am on premises, on-prem Stu, pretend how you want to argue that point with Stu and I were yesterday about on-prem versus on-premises. I'm on-premises, I'm getting my cloud operation, I got my data protection, but I really got to get in the cloud, I got some stuff in the cloud now. Cloud is my mission, I'm going to be moving to the cloud in a very big way. How does Veean help me? So we want to bring the technology that you've been using on-premises hopefully maybe Veean, and we want to take that same easy to use concept, that same UI that you've been using and really hopefully you've seen it as a simplistic approach to your data, taking the headache out of the data protection story, but if you are pushing into those public clouds, being able to give you a seamless way of being still be able to protect. So same dashboard, same mechanism. Similar tool sets, exactly that, and be able to protect that. Across multiple clouds as well, because multi-cloud is hot. Yeah, exactly. We want to be able to be, like we are within virtualization, be able to protect any workload on VMware, Hyper-V, et cetera. We also want to be able to protect any of those public clouds using the same tool set to be able to protect that same file format that we're backing up to, same fundamentals that we have. Yeah, Michael, want to get your view on Cisco Live here. You were in the keynote. You go to a number of shows. This show used to be, I mean, it was hardcore networking. It was all networking, CCIEs and everything. We're sitting here in the DevNet zone. They've got developers. Got good storage ecosystem here. How do you look at the audience here compared to, say, a VM world or some of the other partner activities that you go to? So I think a couple of years ago, they were kind of saying that you need to broaden your knowledge. As an IT consultant, IT person within a company, you have to expand your technologies. You can't just be the networking guy. You can't just be the storage guy. And I think, I don't know if you guys see it, but definitely seeing more broadened people, again, like I said, the people, the conversations that I'm having at the booth, they're all aware of what we do now. So they've clearly broadened their knowledge away from that networking, but also with the likes of the DevNet, so being able to code and all of the API-driven type stories that we hear is also being able to leverage that and push that into whatever that data center needs to be from an automation orchestration point of view. And everyone plays a part in that, whether it's the storage, whether it's the availability vendors, whether it's the compute vendors, whether it's the virtualization, everyone has a part to play in that automation orchestration piece. Awesome. Well, how's your experience, the show been, how's the European flavor here? What's your takeaway? I guess, so just- Good customer action, good partners. Yeah, I mean, so speaking to your Cisco reps, go and see us from a beam point of view in your region, understand a bit more about around GDPR. GDPR's coming, there's no way of getting around that. Understand what tools can actually help you be more compliant. Also look at, I've spoken to a number of people around that converged and HCI piece, and they weren't aware around the integration. So go away and see if we do fit in that integration piece. Existing customers go away and find out that information. And yeah, and- All right, so what's the difference between the North America customer and the European customer? They have little nuances, they obviously have regional issues, obviously by sovereignty countries. Is there a buyer behavior and from a beam customer standpoint, difference between customer in North America versus Europe? So I'm mostly over in Europe, but from the customers that we speak to over in the US, they're still, that's the most concerning part around that GDPR piece, they still need to have that understanding of what GDPR is doing if they're holding data, especially the larger enterprises, they're going to be holding data for those European countries. So they need to be compliant that way. And I think that's the misunderstanding maybe from some of the people or- So Europeans are more savvy on the compliance side. From the people that I've spoken to, they know that it affects them because they're in country and they're holding that data. However, it affects everyone. It's a global compliance. If you're holding data from anywhere. I mean, in North America, they kind of kick the can down the road and they're like, oh wow, GDPR is upon you. Yeah. All right, Europeans are very savvy on compliance. Obviously a huge issue, data-driven data protection. We're here inside the queue with Veeam Software. I'm John Furrier, Stu Miniman live from Barcelona for Cisco Live 2018 Europe. More coverage after the short break.


Thank you all for being here. All right, it's three o'clock. So I'm gonna go ahead and get started as you guys are just settling in. So good morning, it's not morning, good afternoon. My name is Iliana and I'm a librarian at the San Francisco Public Library in California on the unceded land of the Ramatish Aloni people. Wherever you're tuning in from, we're so happy to have you with us today. Thank you for joining us. And welcome to our Viva Craft Series for Youth with Alejandra Ramirez. Every Friday at 3 p.m. from today to October 16th, we'll be sharing a special craft with you. So while you gather your supplies, I do have a couple of reminders and tips. You'll notice our Zoom meeting tips slide right here. We hope today's program will be as interactive and as engaging as a virtual craft program can be. I'm gonna ask our grownups in the room to take a moment to rename your Zoom window to your child or children's names that are tuning in. This will allow Alejandra to see windows and call out to youth participating in the program. We are also asking for you to mute yourselves unless called on and use the raise hand function or wave a hand, we'll see you. And feel free to utilize the chat to ask our staff questions directly. We are going to record today's session. So if you prefer to not be on camera, please turn off your video by clicking stop video. You'll know that it's off because there'll be a red line across it. We welcome everybody to this program but just wanna emphasize that it is focused for youth. So the content will be directed to you. I have it, I think. Before we begin, a huge thanks to the friends of the San Francisco Public Library for their generous support of the special series for Viva. We couldn't do it without them. We're gonna make a mold. I want to introduce Alejandra. Alejandra Ramirez. It was Salinas and Bay Area artist. She's a museum educator and co-director of the Marigold Project. You can follow her on Instagram at Alemina or at www.dayofthedeadsf.org. A little bit about the Marigold Project serves the community by creating healing spaces connecting us to our ancestors and our impermanence in one spirit. And today's craft, she's going to show everybody a little bit about what you can find from the Kuna women of Panama. So welcome Alejandra. Thank you for joining us. Take it away. Hi, everyone. Can everyone hear me okay? See me okay? If you have any questions, please let us know in the chat. As soon as one of us gets to read it, I'll make sure to answer. Well, thank you so much for coming today. I'm very excited to get to create art with you all. Well, today, again, it's Biva, it's Hispanic Heritage Month, Latino Heritage Month. And I thought it would be really special to create a craft from Panama. For anyone who doesn't know, maybe the children, Panama is a Central American country that is bordered by Costa Rica and Colombia and is right in between the Caribbean Sea and the North Pacific Ocean. Okay. Can everyone hear me? All right. Sorry about that. Okay. We're back. Most Canadians are descended from indigenous Europeans, Afro-Caribbeans, and immigrants from all over the world. One of the three largest indigenous groups in Panama are the Kunas, also known as the Kunas with the G. While the official language of Panama now is Spanish, and most indigenous people do speak it, the Kunas continue to practice their own dialects, language, and customs. Today we'll be creating a craft inspired by the Kuna people who have been living who have been living in the islands of northern Panama for over a hundred years now. The Kuna people today create one of the most best known handicrafts, Mola. As you can see here, if you... Can everyone see the screen with the red background with the red table? Perfect. As you can see, this is my inspired Mola. Okay. In the chat, we will be sharing a link to a slideshow of original textile Mola, just so you can have an idea of what, you know, the very broad looking, the different uses of colors that the Kuna people use to create their Mola. The Mola is a textile art that is probably the most important part of the Kuna women of Panama wear. The origin of the Mola comes from the painting of the body, basically tattoos, which was then practiced onto fabrics. The Mola's art style offers the view of a world full of colorful indigenous culture. Through color and contrasting patterns and shapes, the Kuna people tell us about their history, their practices, beliefs, and their home. Okay. Okay. So again, if you go to the chat, you'll be able to find the YouTube link to view a slideshow of various different Mola. Usually, they're sewn into clothes and they're so colorful. There's so many different patterns, graphics, basically in the cloth, every color that you see is one layer of fabric. And that is the biggest takeaway of the Mola style. There is no actual painting or printing on the fabric. Everything is its own layers, okay? The layers are stacked and stitched together to make a design. Usually the designs, the main focus of the designs that you'll see have animals, have shapes, have like geometric patterns, okay? And usually the most layers you'll see on the Mola style is six layers, but they can definitely start with only three. So I, if you were able to get the list of the materials that I requested, I ask for everyone to bring in six different colored papers. I think that's definitely easier the way to go. You definitely do not have to use all of them. You can use three, four, five, or six as you see fit. Today, we're gonna be following this craft, Mola inspired craft that I did, but definitely along the way, if you are inspired to do a different design, I'm sure you have very different colors than mine. Please go ahead, no artwork is gonna be looking the same. Please make sure that it looks how you envision it, okay? All right, does anyone have any questions? If you happen to have a question, you can text us in the chat and send us a message on the chat. You can maybe do a reaction and we'll take notice of that. You definitely don't have to be on video, you don't have to be on audio, but definitely as I'm going along with steps, I'm gonna try and pause and check in with everyone. I'm usually very much used to being in the classroom, you know, in a workshop in an actual physical space. And for me, it's very important to pause and just check in where everyone's at. So definitely feel free to message me, ask me questions. And yeah, let's go ahead and get started, okay? All right. Alejandra, I'm also going to, I can bring in questions too, whenever you'd like them to be brought in. So if this is an opportunity, somebody did ask a question if there's any information available on this in Spanish. Yes, we will actually be sharing this next week. I'm creating a short lesson plan of this Mola lesson, and I'll be sharing it in Spanish and English for you. And if you have questions in Spanish, please let us know and we'll answer them as soon as we can. Okay? All right, thank you. All right, so we're gonna go over the scenario. Another quick question that came in. How do they stick the layers? Can you show a sample on the fabric? Can you show a sample on the fabric? So we're gonna, basically, there's six together. If you look at the YouTube link I shared, you'll see the different textiles examples and how basically they're all stitched in the edges in order to stack all the layers together. Today, we're gonna be trying, we're gonna be doing a little bit of that with our construction paper, right? This is gonna be our textile. The blue is gonna be our largest fabric, right? And then as you can see the butterfly here in the middle, the butterfly here in the middle, we have one, two, three, around three different layers, okay? I have the color of my butterfly that is black. I have a set, I layered it, I glued it on top of a second layer to make an outline, which I chose the red. And then on top of the actual black butterfly, I added small shaped layers, right? Making it three layers so far. Then when I added it all to the base fabric, that is four layers, okay? So we're gonna go over the materials really quick. I'm gonna be using six different colors today. Does everyone have around three to six colors? Perfect. Perfect, I see thumbs up, thumbs up, okay? Awesome, thank you. Okay, so you just need three to six colors, all right? The next, we're gonna need a pencil, a color pencil, okay? Preferably something that we can write lightly on, draw lightly on so that just in case we need to erase, it won't really pop up. Then we're gonna need a pair of scissors and maybe some tape or a glue stick, okay? If you do have a glue stick or a bottle of glue, definitely liquid glue, you can definitely use that. Tape, it will also be super easy to use, okay? So now we have these materials. Now comes the time to choose what color each construction paper will, what role each construction paper will have, okay? So I'm gonna ask you, of all the color construction papers you have to choose one that will be the color of your butterfly and your two half suns, okay? So just to clarify, the butterfly in yours is the black. Yes, for me it's the black. And also the two half suns are the same color, okay? So you can react with a thumbs up as soon as you have chosen your color for your butterfly and your sun, perfect. Then the second color you will choose will be the actual main fabric that everything will be glued or stitched on. Okay. And you can put a thumbs up when you have that. Perfect, perfect. Does anyone have any questions so far? Perfect. And now the rest of the papers we're gonna put aside for a little bit, okay? And the main fabric, we're gonna be gluing or stitching everything on. We're gonna put very far away so we can make sure that we don't grab it by accident and we don't cut it, okay? Everything will be glued here towards the end. So make sure to not confuse it with the rest of your construction paper. So we're gonna go the first step with our paper that we're gonna be using for our butterfly and our half suns. Okay, and we're gonna go ahead and fold it in half one way and then a second time. So we're gonna be folding it into fours, one to fours, and you can keep it folded, perfect. And no worries if you're folding is a little bit crooked or such, no need to start over. We just wanna make sure that we have a small one-fourth space to draw our butterfly on, okay? So I'm gonna place my folded paper horizontally. So, right, sideways, and we're gonna go ahead and start the drawing of a butterfly. You might have a specific way that you like drawing your butterfly and if you would like to go ahead and do that, please do so. I'm gonna show a very simple way that I do mine, okay? And I'm gonna start right at the top in the middle, okay? And I'm gonna do two small rectangles. I don't think people can see that.  Then- On the folded part? On the folded part. Yeah, we're gonna be using one square, one-fourth of the paper, okay? And so at the top we're drawing two little rectangles and those are gonna be the antenna, okay? And then we're gonna be drawing the head. So we're gonna do a small little circle around the size of a quarter. And then I add two more circles at the bottom for the body. And I like adding a little tail. So I'm gonna do a little cone at the bottom. So it kind of looks like an ice cream cone, right? Thumbs up if you have the butterfly's antenna, the head, the body done. Perfect. Perfect. Good job, everyone. Okay. Now we're gonna add the wings. Some people like adding just two wings, maybe the wings or a heart shape. I like doing four wings. And as you can see, they don't exactly all look the same, but I just like doing some kind of wavy shape around thumbs up if you have finished your butterfly. Perfect. Awesome, Marlene. Awesome, Betty. Katie, Kathy. Okay, Linda, thank you. Perfect. Now we're gonna open up our paper and we're gonna go ahead and cut out our butterfly. As we're cutting out our butterfly, don't worry too much about cutting a little bit outside of the line, cutting over the line. Then the side of the butterfly with the drawings, that's the part that we're gonna be adding the glue on. So as we glue it to the next layer of cloth, of color paper, you won't be able to see the drawings, okay? So go ahead and cut your butterfly and give us a thumbs up as soon as you're done and we can move forward to the next step. While they're cutting, there was a question that came in. Will the Spanish, English video tutorials include other templates or do you always use the butterfly as the sample? Thinking of different level learners, task level easier to more difficult? Yeah, definitely. I wanted for us to follow a general similar template. So I saw the butterfly kind of meeting all ages in the middle, but definitely I encourage you all, if you want to, instead of a butterfly, do a different kind of animal, we will be following the same steps. Please feel more than welcome. In the template, I will show another example. I like also drawing, instead of butterflies, I like drawing birds or flowers. So yes, I'll be including that. So you're cutting your butterfly and once you're done, please give us a thumbs up. And again, don't worry about cutting over the line. Two more questions came in asking, why did we fold the paper? We're folding the paper because we're going to be using, thank you for that. We will be using two of the squares for the half sign. Okay, so what's very important about this activity also is that we are trying to save all of our scraps. So make sure if you have maybe a little bowl or a little area where you can keep all the scraps together, towards the end, as we're adding patterns to our mola, we'll be able to use all those scraps into little shapes or rectangles or strips. I am done with my butterfly. Thumbs up if you're done with your butterfly. Perfect, awesome. Jennifer, Amelia, Kevin, thank you. Linda, Betty, Catherine, Katie, Sushma, thank you. Okay, so we're gonna start going into the next step now. As you remember, part of what's very important about the mola textile is that each color is a different layer, right? So we're gonna be adding a back layer to this butterfly. If we're looking at the example I made, the back layer I added was the red paper. So I'm gonna, so go ahead and choose a color paper that you will like to have as the background to your butterfly. Thumbs up when you're choosing your color. Perfect, perfect. Thank you, Bridget, thank you, Daphne. Thank you, Linda, Jennifer, thank you. All right, so now again, as I was mentioning, it's really important to just save all the scraps and such. So we'll be gluing the butterfly towards one of the edges of the paper that you chose. So what's really important, as you can see here, is that we're able to have enough enough of the background paper all around, right? So we have the butterfly to create an equal size border. If you're wondering maybe, you know, how much border, with the size of the border, how it should be, maybe measure it with your pencil. The width of the pencil would be a good idea. Maybe you're pinky, right? So it's a pretty thin layer, just enough so the color can pop out once your whole artwork is complete, okay? So again, glue the butterfly towards your edge and we're gonna go ahead and glue on the side of the butterfly where you can see the drawing on. So mine is glued and now with my pencil I'm gonna draw as equal as I can be, okay? Border all around the butterfly and we wanna do this lightly because this is the part, this is the view that the artwork will be on, right? So if we have some pencil marks left around, we just wanna be able to erase it pretty quick and not also wrinkle or rip the paper, okay? On the hundred, oh, there you go, you got it. Wonderful. Yeah, let me turn that over again. Got it. I'm gonna draw my border really quick. Thumbs up when you're done cutting out your butterfly on the second layer and all the scraps you're getting from the red paper, make sure to put them all aside, you know, from the second paper, make sure to put them all aside with the first paper scrap. Let's just keep everything together. Thumbs up if you're done with your butterfly and the outline, okay? Awesome, Jennifer, Amelia. Perfect, Tiffany, thank you, awesome. Let's see, okay. I see some kids still working on it, awesome. So now remember how I told you the main fabric, the main background paper that you want to have to put it all the way far away. We're gonna go ahead and grab that and we're gonna add the first piece to it. So I have chosen blue. You see the contrast of the red and the blue and the black, great, right? So I'm gonna glue the back of my butterfly again. And I'm gonna place mine right in the middle. Sending a thumbs up if you're done gluing your butterfly to the background. Awesome, Isabella, thank you. Awesome, Bridget, okay. If you see that you want to place your butterfly in a different area, it's totally fine. Awesome, Santiago and Cleo. Thank you, Michael. All right. Now we're gonna be repeating these same steps again while we do the half sun. So again, as you can see here, I did with my first paper, I did a butterfly and I did two half suns, okay? So we're gonna go back to the first paper we used that was folded, okay? And we're gonna keep two squares together so we can cut the rest of the paper off right now. So we only need two squares. It's okay if you cut all the pieces separately. We'll just be stacking the two pages, the two small squares together, okay? Thumbs up when you have that. Hoff and Linda, Arlene, thank you. Daphne, Isabella, perfect, perfect. All right, so now we're gonna place it right vertically on in front of us and we're gonna be drawing the half sun. So I like to layer the two pieces of paper together because I only have to make one half sun and then as I'm cutting the two layers, you know, I save myself time from drawing two things, right? Okay, so the half sun, I think of it as the circle of the sun being around three fingers size, okay? We're gonna do a half circle right on the edge of the paper, right on the edge of the paper, okay? It's okay if you would like it to be smaller, if you would like it to be bigger, totally fine. And now we're gonna add the sun rays. And so I like going, let me get this a little closer. So the sun rays, I do them as like rectangles, long rectangles, so the first one, then I do the second one at the bottom, I do the third one horizontal right in the middle. So I have these three sun rays so far. And then I add two last ones right in between those three rays. Thumbs up when you have your sun and all the rays ready to go. Perfect, Katie, Kathy, Isabella, Catherine, Arlene, thank you, thank you. Now, as we said, we have two stacked papers together, right? We're gonna hold both together as we cut the sun outline, all right? So at the end, we're gonna end up with two half ones, okay? Go ahead and start cutting. And the same way as when we get the butterfly, don't worry about cutting over the pencil lines you've done or a little bit outside of the line. That's okay, this side will be the one that we glue onto the paper. If you're having a hard time cutting with the two pieces of paper layered, you can totally draw in the second paper the sun again. That's totally fine. And again, remember the sun is around three fingers width. And then the sun rays we can do as little rectangle strips. And again, all the scraps are left over. Make sure to push some to the side with the rest of your little scraps mount that we'll be using in a bit. So I am being left with my two sun rays. Awesome, Holly. Awesome, all right. Now, if you can imagine the next step, right, from the butterfly is gluing it onto your second color paper. In my case, it was the red paper.  And before I glue my half suns there, I'm gonna make sure that I glue them where I know there will be, there is enough background paper to create an equal border. So go ahead and glue your half sun. Glue the side where the pencil marks are at. So I've glued my half suns onto the background paper that will be its outline. And now the next step will be cutting. Sorry, it will be drawing the border. So definitely if you don't need to draw the border as you, as you can cut, you can see that the border will be kind of equal size. It's totally fine. I just think sometimes it's easier just to make us a little bit less nervous. It's easier for me to sometimes follow the line just to make sure as I'm cutting, I don't lose track of the space that I need. So I've created the outlines for the borders to my sun. And now I'm gonna go ahead and cut it out. Alejandra, we lost the overhead. Wonderful, there it goes. Yeah, okay. Thank you for letting me. Yeah, sure.  I just finished cutting one for mine. Now I'm gonna go on to the second one. So I finished my two half suns. Thumbs up if you finished yours. Thank you for not being clear. And all the scraps from that paper, we can move to the side and we'll be using them just in a few steps. So give me a thumbs up as soon as you have your two half suns. Thank you, Noreen. Thank you. Thank you, Betty, Isabella. Thank you, Katie, Betty. Let's see, Arlene, thank you. Okay. The next step, if you remember, from the butterfly is to glue it to your background, to your main fabric, okay? So I chose blue, so I'm gonna go ahead and glue it. Here you can see, I chose to place them on either side of my mola, right? I placed them in the center a little bit lower. However you see fit, however you would like your mola to look, please go ahead. You might want to put the suns actually at the bottom, right? The bottom side, the bottom top. As soon as you have glued them both, please send us a thumbs up. Move on here. Awesome, Holly. Awesome, thank you, Kevin. Okay, Linda, thank you. Thank you, Arlene. So again, right now we have glued the butterflies and the half suns. Awesome, that looks beautiful, Tiffany. Looks awesome, I love the color choice. Now comes the very special last part. We're gonna grab the rest of the construction paper we have and the scraps that we have and we're gonna be creating different patterns, cutting out different shapes and covering all the background and all of our butterfly and half suns, okay? So I'm gonna be showing you just a little bit how I did this, but as you can see, the back room, I cut up strips of paper. I cut out really thin, long, great candles, okay? I did the same for the sun rays. I chose one color. For the sun, I cut out a circle and I divided it and I folded it in half and then I cut out a little smaller circle which left me with a ring and that was just very, very easy and cool thing to try on on my half sun. On my butterflies, you can see I cut out, I used the purple paper and I cut out smaller shapes for the body, for the wings, I did a teardrop shape, right? And I cut out some little circles right through the detail. So however you see fit, this is your chance to make your... Now's your chance to make it your own. Alejandra will be right back. Looks like she may have a connectivity issue. These things happen, especially with the virtual programming. So thank you for your patience. She'll be back shortly. We'll get her back and set up. But the photos that have been shared and the pictures that have been shared are fantastic. This is a great opportunity to continue just putting in questions. I have them ready for Alejandra when she comes back. And Alejandra will definitely be back next Friday for our next program which is going to be focused on Selena and Cumbia. So that's gonna be a lot of fun. Thank you, Niana. I'm back. Wonderful. Actually, while you're back, a question did come in. Are molas traditionally symmetrical as you were showing your beautiful sample? I think maybe that created that question. I think my style is very symmetrical. I do see... If you do have a chance to check out the YouTube channel, the YouTube link I shared, you'll find that sometimes some molas are very symmetrical. Especially, I noticed the molas that I use around three colors. That's what I've found. That's how I found it to be. However, sometimes I'll see a lot of animals such as tigers as the focus of the molas, right? And that already, if it's in the middle, it's not a symmetrical artwork. I see people doing strips, such as this one. Let me see. I chose to do all of mine vertical. In a lot of molas, I see different parts of the strips, different parts of the strips throughout the background kind of intersecting with each other. So this force will be vertical. And then over here, you'll find some being a horizontal. Over here, you'll find some being side waves. But in general, it is very much about playing with all the shapes, geometric shapes. So definitely at however you see fit, please go ahead and create your artworks like that. If you have any other questions, please let us know. Great, great time to ask that because another one just came in. Is a repeating pattern on a larger surface area or does the entire image just in itself larger? And somebody will check the video out after the class. Can you keep the question one more time? Yeah. Is a repeating pattern on a larger surface area or does the entire image just in itself up here larger? It's my question. Okay, fabulous. So right now we have this eight and a half by 10. So in my mind, I'm like, well, that's cool. But then it mentions curtain and wall hangings and placemats. Is it one image that then can be repetitive or do they make one image to fit the size of the garment or the curtain? Yeah, I think in general, I think it's one image that they fit. I don't, in general, like the, I guess how I see it, the difference that I did in the one following the usual Mola style was that the two half suns, you know, right? Like it shows like it has a repeated pattern but it's not something I really saw when studying their work. In general, Mola people, they, they're giving stories through their images. So I don't really, when I think of like repeating, it's a, yeah, I don't think I have really seen that or at least in the main focuses, right? Like here, I, yes, I have the half sun but my main focus is the butterfly. Right. So here, are you ready for one more question for me? Yeah.  Have you, and now that we're with the library, the San Francisco Public Library, do you or a fellow librarian have a suggestion of a book that could accompany this project and hopefully in Spanish? I have a lot of other questions. I love that question. No, that's a great question. We do have some recommended reads that'll be listed in the chat and I could also send that out when I send out the PDFs. I don't know if any of them are in Spanish but I can, we can do some research there. Yeah. Librarians and museum educators and teachers for life. We love it and parks. We love parks too. Great question. Another question that came in, I think Bridget, if that, feel free to continue chatting or asking questions if you need to, okay? There's another question that came in. Betty asks, not to complicate things, are Mola sometimes made in reverse manner, layered from full top and cut down through layers? What is our background actually have shapes cut into it and next layer same process? Thanks. And let's see, Betty, if you would like to clarify your question, feel free to unmute yourselves. I just have to say this has been amazing that everybody has been just so thoughtful of the group and I'm continuing to kind of work through all the hundred steps and really ask questions. So, Betty, if you'd like to clarify. Okay, at the risk of seeming ridiculous. I just wondered somehow I thought this process went in kind of a reverse manner where you had to kind of cut the shapes you wanted from the top and then figure out each successive layer and what other color would come through. So it would take a lot more material and forethought, but it sounds like it's always additive like we did, right? Yes, but I have seen especially, I have seen some textiles and then some of the art activities that other people do for Mola where so here in my background, they will cut out pieces and then they will grab another textile, right? Place it right in the background and it will be seeable. And so textile wise that is possible and then it would just be stitched right in the middle, right in the edge of the top textiles. Takes a lot more material that way though. This just makes more sense, but I've looked at textiles and tried to figure that out. So I'm not totally crazy on asking that. Thanks. This is making me wanna try it. When I thought about doing it the other way, I'm like, oh no, too much planning. I'm curious, my time in Panama was so long ago and I'm trying to remember when I first saw these, which is what got my interest in your class today. I'm trying to remember how it felt, the Moles and to answer the previous moment to think about the previous woman's question. I feel like it did not feel like layered, like that it was embedded or does that make sense? But no, I don't remember, it was too long ago. What was a kneel as a textile? When it's... I think what they also include as layers is the sewing, the material of that. So a lot of times the, so as you can see here, right? So red, I chose as the red that I chose as a border, it's a whole layer in the background. In a lot of more last practices, it will actually just be in a sewn in border. That's a very common practice. And so it's just something that takes a little bit more time, right? A lot of times, I see especially if they're trying to do a thin layer, they definitely sew the whole border in. If they're trying to do multiple layers or pretty thick layer in the background, that's when they just sew the edges, right? Like a little horizontal sewn in. Any other questions before we head out? Can you put up your first fork? Okay, so you could do it. Okay, thank you. Yeah, so as you can see, I definitely, I just grabbed my scrap and the extra paper and I just did a lot of strips. For me, that was my, okay, when I see Mola, I see so many patterns, patterns of lines. That's something that I really loved about this art style. So that was a pretty easy choice for me. I just decided to do a pattern with the colors also, but in general, a lot of Mola styles, when they do strips line, it's basically two colors just contrasting each other. So background and the actual strips. And do you use like some sort of molds or stencils to cut your, so you do everything freehand? I do everything freehand. I make sure that, you know, as I draw for me, I make sure to not dress out too much about, you know, like my butterfly being equal, looking the same on both sides. I always think it's the end product. I think it's very easy sometimes is we, if I worry too much about following, you know, a very symmetrical drawing style, I'm going to get stuck there. And Mola. So here you can see, you know, in this part, my butterflies, the wings are definitely not symmetrical, you know, not the same size, but the end product, you know, I think it's going pretty well. Yeah, so just, you definitely, a lot of people do practice this art activity, creating templates. However, just with time, I wanted to instead just have us follow like a simple three step butterfly drawing process, you know, and at the end we, we glued the part that we drew. So we didn't even see it. So yeah, thank you. So far. I wanted to share some, oh, I wanted to share some appreciations that are coming in as we're, as we're finishing up. So thank you, very creative class and somebody, it's really bringing, bringing memories back. There is someone who, Sheila has had several molas and they're all reverse applique, in other words, cut out. And she was lucky enough to get hers in the San Blas Islands many years ago. So I'm just hearing just a lot of appreciation for, for this craft and as whether it's textile or whether it's what we have in front of us, right? Paper, construction paper. And yeah, if we're, we're coming up on time but Alejandra will be back next Friday. You can follow her on Instagram at A-L-E-I-M-A-N-A. We would love if you wanted to share your, what you've created here and tag it, tag her, tag the San Francisco Public Library and add our hashtags, Viva, and we'd love to feature those as well. Alejandra, thank you so, so much for, for bringing this to us. There is just so much appreciation and love for Panaman for bringing this craft. Yeah. So we'll hopefully we'll see everyone. Thank you, thank you everyone for having me. Yeah, we'll see everybody next Friday. Same time, same place for Selena and Cumbia. All right. Thank you very much. Bye.


This introductory unit provides an overview of classical teaching and learning scenarios and discusses the options to make them fit for the new millennium. These are referred to as digital enhancement and digital integration. Make sure you understand the differences between these two methods of digitalization. We will first deal with the lecture, the standard teaching format in high-level education and will define its main properties, its benefits and disadvantages and will discuss the effects of digital enrichment or enhancement and of digital integration. If you are not sure what to do first, start with the how to proceed section where you find useful hints and most importantly the question set with the typoling as default guidance. If you can answer these questions, you can be sure to have mastered this unit. The mastery test, which we recommend to tackle at the end, presents some basic questions about teaching and learning using a set of different question types which are randomly chosen. Finally, like all units, we have a sheet with suggestions for in-class activities or further research. Try on your own first, the model solutions will be given later. Surely a lot of material, but we are sure at the same time enjoyable and profitable. So, good luck! And by the way, don't forget to tick off an activity once you have successfully completed it.


The leadership crisis brewing in the all-progressives Congress APC took a new turn on Monday when armed security men took over the national headquarters of the party in Abuja. At least 15 patrol vehicles of security operatives cordoned off access roads to the party secretariat early on Monday morning, with over 70 armed operatives barricading all of Blanthire Street stopping all human and vehicular movements into the secretariat. Meanwhile, APC workers were granted access to the complex after thorough screening while visitors and journalists were reportedly turned back.


I knew a young lady who did not know how to dress. She dressed in revealing provocative ways and the people in the church would shake their heads, they would talk about her, they would call her all sorts of names, they would ostracize her, they showed her no love whatsoever. But when she left the church, vowing never to go back to the church again, she found herself in different clubs, hanging out with men and women who though they may not have loved her but showed her love, they hugged her, they bought her things, they made her feel like she was a part of their world. And so because of that, she has not left those clubs, she has not left that lifestyle. Why? Because they showed her more love. It should never be that we would show a hurting, misguided person no love. Rather, we should treat them the exact same way that God treated us. Because at one point in time, we were just like that young lady. So make sure that you show love to any and everyone regardless if you think they deserve it or not.


This meeting is being recorded. Well, simply I'll look at this ad and see what was wrong and why it didn't go through. But then, yeah, let's set it, let's set it live. Now here's the thing too on ads. Let's say, for example, this ad did run. And you ran it for three days and then, and then you shut it off for whatever reason. And then we're coming back in. And you're saying, Hey, Dave, let's put this one back on. That would be a huge no, no. Okay. So, so it's only because the ad did not go active. Where we can now come in and fix it and then send it, send it to go active. Okay. When we can edit everything about it because it did not go live. But if it did, if it did, we would not be working on this one. We would simply just start a whole new one. Okay. Right. So, so, so yeah. So in this case, we could for sure edit. So let's start here on the campaign level. These are your three tabs. Okay. Okay. Okay. Okay. Okay. Okay. Okay. So let's start on the campaign level. Check the box to the left of the blue circle. And then let's just edit from here. So right below the title, click on edit. And then let's just. Simply come in here. And make sure that credit is. And hit the dropdown. You may want to want to go with a couple of the boxes. Maybe we go with credit and we go with housing, just, just to be safe. Okay. Okay. Okay. And then we'll scroll down. So we got credit housing and then, and then here are our objectives at the bottom campaign objectives. So what you've been running and what we've been running this entire time are simple engagement ads, right? To get people in the local area to engage with the post. So X out of this one. So here just simply click on engagement. Let's go engagement. And I have to click that one or I can. Okay. So do you want to? Yeah. So he continued. Yeah. I'm sorry. Yeah. Okay. Okay. Cool. And then scroll down. So now we have. Now we have. Okay. So we're going to go post engagement. Perfect. And then, and then next. That's it. Okay. So now we're on the second tab, the second level, which is the ad set level. So over here, all we're doing is choosing our budget. Going with the calendar. Choosing our location. So there's like the date, right? Yes. Yes. So depending on the time of day, like right now it's still, it's still before noon. So in this case, I'll set it for the next day to go live at 6 a.m. Okay. Let's go 13, 6 a.m. And then, and then is it to the 22nd? Yeah, I didn't really matter. I didn't know. Would you just do one week? Or would you go ahead and go to Sunday? I just did Sunday. I would go, I would go Friday to Friday, whatever that is. What's, what's that the 22nd? 20th. 20th. Yeah. Let's bring it back. So again, it just comes down to as you, as you really set these ads, it just comes down to what, what's the budget? What's the monthly budget and, and, and how many ads do you want to put out? You know, because if the budget is going to go ahead. So would you do 100 for one week or size? Go 200 and run it for two weeks. Again, it just, it depends on the monthly budget. What's our month? What's the monthly budget from these? I could afford 200 for this because this is a big ad for us. Okay. So then, so then, but what's, what's, so let's say today's the first or let's say today's the 12th. We're going from the 12th to the 12th. What's the budget? From the 12th to the 12th. What's the budget? $500. Okay. So then break that down. How many ads, how many ads do you, do you project or how many ads do you think? Well, this one is on eight ATV. It's all recreational. So that's a total of about $500. So I have my budget for the month. I have my vehicle stuff, but then I need a regular car ad too. So I'm going to run both. So I don't want to spend more than $250 on this for the month. Yeah. Yeah. For sure. So then if, if, so again, if the budget is 500 for the month and we have two ads that we want to get out this month. Then, then run this for two weeks. And spend. 50. And then, and then that second one spent 250 on that one. Okay. have had the plan be you know we're putting out four ads this month okay well then just divide it by four the 500 that's it so just that's kind of how you want to play it out um so I'm gonna take it one more week into 200 because then I can add a special I'm trying if I it just depends on if I have time to create one more perfect perfect so then um and so how many days is that two weeks 14 14 days okay so so 200 divided by 14 is simply 14 bucks a day so here's what I want you to do here's what I want you to do I want you to change the lifetime let's go to daily let's go to daily it's the same dollar amount let's just the daily budget and let's go 14 a day it's the same 200 so um yeah let's let's go daily budget perfect and are there any dollar amounts that are like this is going to get you more traction than another or it's all basically random to their algorithm no it's just it's just however high we want to go 14 20 bucks a day would obviously get you more engagement 25 dollars a day right so just yeah it's all about the dollar if we were doing five bucks a day then that would get you less engagement it's just it's just whatever a dollar but it's it's always five dollars and above so anything for five a day then then yeah it increases your chances of the algorithms favoring your ad over the person spending three bucks a day right this many more it's all about the more that's all it's about so the person who can outspend the other person you know wins right so fortune a day and now this case all we're doing is we're now forcing Facebook the difference between lifetime and daily in this case we're just now forcing them in a 24 hour period to spend that 14 bucks okay versus I think that's a better tool than just giving them the blanket amount okay yeah yeah yeah let's let's let's really speed up the engagement and make them make them spend it 24 every 24 hours so that's perfect so that's good okay so now we'll scroll down and we'll go down to the location is that location where we're where we're targeting is that Napa is that um it was where do you see I'm sorry the audience down settings locations United States hit um go back up um yeah Napa 25 go to is that is that is that it so Napa 25 okay cool so go to name that at the very very top is that what you named it actually I think you did already yeah I did Napa 25 yeah okay cool okay awesome so we're good so now scroll down actually change that hundred at the top it's now 200 oh right or 14 a day you can go 14 a day oh rename it since I've never done that yeah do 14 day perfect okay perfect we're good there scroll down and there's location we're good there so now you have all these audiences in there so customize those are the ones you had me pull from before I wasn't sure but that's what I had in there let's take out the fb business page visitors take out that one just excel one out lobby video you can leave Noah's Christmas party you can leave people engage with any poster add yeah you can leave that one welcome video in the lobby perfect those are good audiences to retarget for sure be cool so now scroll down and what we want to do here on the automatic is let's let's let's let's go manual we're going to go manual when you go automatic well yeah automatic is letting facebook place it everywhere right everything right below that's everywhere on facebook all these different platforms within the facebook app so what I want to do is I want to narrow it in I want to spend the 14 bucks on just the news feed so uncheck instagram uncheck audience network and you can always run an instagram ad separately but here we're going to just go all in so scroll down we're going to leave the facebook news feed checked and we're going to even leave the marketplace checked we're going to uncheck everything else so video video yeah all that everything below so all everything yeah keep unchecking everything below so it's only the marketplace and the news feed 14 bucks a day is going straight to that to that location within the platform so we're good okay next okay cool fat step two and then the last step is just simply um and I don't need to worry about this no we don't need to worry about any of that okay next okay cool and then now over here um there's the post so it's already there by default is that the one we're using yep okay cool and then scroll down and then here it'll ask it'll let you um yes see so you put in your learn more button okay cool that's fine okay and then and then scroll down we don't have any web website events just yet because we haven't we haven't got your dot com up here so that's fine so publish and that's it okay so now that ad will go live tomorrow morning at 6 a.m okay and then can you remind me what I want to place on my pay on our website I'm going to just walk over here and real quick x out of this I'm sorry really really quick this um yeah you could just x out on the top right in the middle just x out of this window that the ad window that we're in oh sorry go to Facebook again yeah well just go to your bookmark go back to the ad manager or go to business settings actually it's business settings that I wanted to look at business settings okay and then to the left click on um brand I believe it's brand safety yeah brand safety and go to your domains which domain do you have do you have any domain on here okay so yeah we have an integrated the domain cool we'll do that next so any questions on the ad part nope awesome


So I guess we'll start with Alize, 23 points, 15 rebounds. We joked about just meeting them earlier today. What did he show you tonight? He was great. Stuffed the stat sheet, played good defense, tons of energy. I mean, I don't think he's really played since the G-League bubble. So heck of an effort from him and proud of the way he played. What was your message to the guys throughout this one and at the end of it in the locker room? A lot of guys get an opportunity that they don't usually have. Yeah, you know, that's a great team. That's the team with the best rep in the league. We went out there severely under men. And most importantly, they stuck together, played hard. Defensively were pretty good. Maybe gave up too many threes, but otherwise did a lot of good things defensively. And just told us proud of them. It was great to see some of those guys get some minutes, some opportunity, make some buckets, get some rebounds and stops and just kind of develop. So lots to be thankful for. And we move on to Detroit. Alex Schiffer, the athletic. Hey, Steve, I got two for you. Picking back and off a grade, you mentioned kind of the speed dating aspect with Alize.  We didn't run anything for him. You know, he just played hard, rebounded the ball really well. You know, got in the cracks, cut screen, rolled, played, read the floor. You know, he made a lot of little floaters in and around the basket, just activity and energy. So it's a great effort for a guy who joined us this morning.