Finally, I think we're gonna just go straight to it and we'll do the networking break after hopefully everyone's okay on bathrooms Okay Like to welcome a mark jayvison arthur author. Sorry author author trainer and coach He helps companies as they speed up slow down created his own approach called calm And he had this in his bio why do smart people do dumb things one of the questions He's trying to figure out in his life. So I thought I would also put that up there So mark Success as many father's favorites and often August the 31st 1997 Who can remember what they were doing on that day on that day? It was what day of the week? Sunday, yep. I know it's Sunday Because I'm at work and I've been working every Sunday for the past 30 weeks and I'm in my 30s and I am riding this wave of success and taking over challenges and all of a sudden I'm dealing with the challenge that I didn't know whether I could cope with it or not and You might remember that day because that picture there is of the car crash in Paris when Lady Diana was killed and It was four o'clock in the afternoon in New Zealand I'm in my 30s. I've got two young children. I've got a mortgage I'm working for IBM and I'm a project manager and I'm Sort of in the spot where everything so far had been going really really well for me But I'm dealing with something that was in great big trouble and I'm running a team of 83 people So I know it's not the channel tunnel, but try managing 83 people when everything's going wrong And I'm the third project manager who's been brought into this particular situation Your first project manager typically that's the salesperson and so, you know Everyone's telling this really good story about how they want things to happen and someone sort of it's pretty salesy And he shows and it's going to happen Then you get in somebody knows what they're doing and we discover that the gap between what everyone was promised To what everyone thought what happened is quite a big gap and so this person generally tries to bridge it and it's pretty hard And generally they get their marching orders as well And then you have the third project manager who's the person who actually saves the whole situation and brings it into fruition So we're working away trying to make something work now in 1997. We had the internet might surprise you That's why that lady Diana death was one of the first events that actually Caused news agents to news sources to start running news feeds on the internet And it's actually the first big story that broken BBC and it's about Lady Diana die and I'm sitting there and it's Sunday And I know I should be with my wife and my two young children because that's important But you know what I'm so stressed They really didn't care that I was there or not in fact the best thing I said is you should be in work and I'm working on a Sunday because every other day of the week Because things are in trouble. You might have been in this place yourself Everybody wants a status report and a plan Yeah So what happens is you report on the Monday Then you get all this stuff on the Tuesday and the Wednesday and then you spend Thursday and Friday Spurning it so that by the time you get to Monday again, you've got half a reasonable story So the only time you get any work done is the Sunday because the other thing that happens is If you're used to this sort of thing and you've ever tried to run a big team of people Everyone that's coming in your door all the time and you're trying to be the school manager And you know which is giving time for everybody and helping everybody, but I'll tell you it's exhausting and Privately what's happening to me is that I am so so stressed I'm just thinking I don't know if I can actually cope with that sometimes I think I'm just going to burst and I remember Problems would come up to Sunday and what I would do is I go outside and walk in the evening and I'd walk around the block 10 times Just trying to get myself into some semblance of normality tough stuff But here's the thing We got the system live We had to take the system that was failing it had to meet a particular date Meet that date because it's a new commercial product. We wanted to beat the market first into netbank and in Australasia We had to make it launch on a certain day Because that's when we booked the advertising and the marketing people were in control everyone being there marketing. That's all right We've launched this we have all these issues of an issue list of 297 we work our way through this, but we made it we made it It was my time and it was the team's tribe. It was absolutely fantastic my crowning glory I was the absolute absolute hero fantastic Except After we've been live for two months the customer through The entire suspect because it never worked to their satisfaction So all of that effort everything that they've done Actually turned out in terms of result to be a great fat zero and the way the world goes That when everything is successful, there's all these people who have contributed to it if you've ever been in project management It's a bit like being an entrepreneur except there's no upside Seriously, that's why I'm now an entrepreneur You realize that you're the person who takes all the glory and you're the person who takes all the blame And I'm looking at this and I'm thinking this is not good Tell you how bad it is, right? We had spent 17 million dollars building the system and We didn't get paid any of it Yeah, and it didn't work and Of course, we lost one of the biggest customers in the country and I'm sitting there And I did sit there. I actually Went for a little drive into the hills and I went and sat down and I'm from Auckland. This is beautiful spot I remember it still I'm sitting there and I'm looking out over the city and I'm thinking What has happened? What can I do because by every objective measure and results is what they get measured by This is a disaster. This is a small town. I've failed publicly and I'm the guy He lost 17 million dollars Now I don't know if you've been in a tough spot now for me I Felt I had let the team down I felt that I'd sold them some some falsehood That we're all worked so well to actually make this work and then in the end all of their hard work Came to nothing. I felt like I had motivated them and jeep them along for something But if I've known this was going to happen, it's almost like I wish I'd known what was going to go wrong Because I've never taken them through this so I'm feeling pretty bad my professional reputation No matter how you look at this is in great danger because New Zealand's has walked out. By the way, this is 1997 and this is not the reason why I'm in Singapore now I only came here three years ago But here's a funny thing and I think you might have experienced it yourself It was odd that I ought to feel really terrible But at that time something else happened and and I find it difficult to explain But from somewhere something inside Somehow came to the fore and this something and I can't describe it, but I knew at that time that I would be All right, and it's difficult to describe But it's something that that feeling and that impression of being in a very tough place Actually swarming through so what do we got to do? We have to do damage limitation. Yeah, absolutely now Here's the really strange thing about this whole situation after it. I got promoted Yeah, I became the expert on Project failure because the one thing that drives you isn't it when we actually something doesn't work We really really want to know what happened because we never want to go through that again So I studied it and I learned quite a few interesting things And I think the one really interesting thing and in the IT market failure is the norm Yeah, people have been studying project failure for so so long Yeah, and this is some nice small figures that I don't expect you to read But basically you have still a let's get this right 74 percent of chance of fucking up on any IT project Yeah, it will either fail. Yeah, or it will be so challenged in the average that these challenge projects is I think they go over time by 180 percent and money by 160 percent These failed investments. We're wasting money and money and money and money. So here's the first thing if you're in IT You're going to have some pretty tough times. So you better learn how to deal with it. Absolutely. Here's the other really interesting thing So I got promoted I started getting a reputation for turning around trouble projects That was my reward because I knew an awful lot about it. The last project that I worked on 50 million dollar initial estimate 250 million dollars it cost to deliver the customer was happy Yeah, this world is not what they teach you in business school, right? This sort of stuff goes on all the time and companies are really really smart They're covering these things over.  Yeah, when things are going great Everything's going great. Yeah, I mean, there's no sense looking at it every unhappy family is unhappy in its own way Yeah, so when things start going wrong, you can look at all these multitude things of what's wrong There's tons and tons of things that are wrong. So when you start to study this and say why do things go wrong?  Yeah, it's about people Yeah, they don't talk to each other Politics egos Disputes about competencies you've all been there right everybody's sitting around and they're all arguing about It's just a good person is that a bad person's nobody's actually focusing on the job In sufficient project planning.  We all know we've done really dumb stuff and we've had lots of people talk up and we keep on doing it So I started myself and then I started looking at other people so I Discovered a few things One is that they what they don't teach you in business school and publishing the press is that failure is a way of life Yeah, any business event any tell me anybody's had a perfect life Yeah, perfect relationships perfect children that will grow up fine your jobs being fine your careers being fine Just doesn't work. This is life, right? So we can try and aim for success, but we actually have to acknowledge that you know life's tough And so here's the rule don't make it any harder than necessary. Yeah, and ourselves, right? What happens we do some stuff that's okay.  It's a contact sport. There's no way you can avoid it.  Absolutely, if it's about ideas and doing great stuff and great concepts Everybody looks at that and they look past you I got hired again by IVM six years ago, right the same organization, which I lost all this money Because it's the way that you are Yeah, it's not actually what you do.  This was not my own failure, right? I'm sitting there with two CEOs from leading organizations and a vice president from the US and the head of the Bank from Australia We're all in this together Yeah, doing really dumb stuff, but that's one reason why we don't talk too much about it But it's in my book so it's all right. It's out for you. You can make smart people do really dumb things What you need to do is get them really stressed. Yeah That's all you have to do.  It's all bad. And here's my favorite Because I am not Tony Robbins at all. I am the anti Tony Robbins seriously Passion is not enough the world's full of passionate people the world is full of really really bad advice Yeah Was only just what passion would all be wonderfully successful Yeah, it'll be great, but it takes a lot more than passion.  Um, I've worked in corporate for a long time. My customs are still corporate I love it. I love the big spice papers. I love the waterfalls. I love the pot plants It's cool. That's where I live. That's okay. I like it. I still wear suits But I'm not an entrepreneur Yeah, so let's look about how this works for us in entrepreneurs, you know, here's some figures They're easy. I think you believe him, right? First time entrepreneurs here only 18% work Right, this is a fact of life.   Hey, this is the world we're in.  Now. Here's the here's the one that I love Don't give up your day job if you've got a wife and a family Seriously, there's ways of following your passion like I do. Yeah, well still Keeping your day job. We all want to live a passionate life. I've loved talking about this. I don't do it full time That's all right. I do it enough to follow my passion and Here's the thing here's the thing Failure made me Yeah This terrible thing that happened to me when I was sitting there and I was thinking what am I going to do? something happened Something happened inside. I discovered this thing that anybody who's been in a terrible place knows the thing that comes to their rescue and I kept on looking at that thing Yeah, and I kept on looking why people did dumb things and I kept on looking at how we do smart things And I not only made a career about it I'm an entrepreneur about it and if you want to know it's all in my book. So thank you Go ahead Better late than never I'm so afraid I didn't hear me. I can say Better late than never Okay, we'll be trying. We'll be trying. Just for the sound test purpose. Another time. We'll have to shout. In these stressful situations, what do you do to stay calm all the time? Can you repeat the question Mark? Yes, you sit in these stressful situations. What did you do to stay calm all the time? Well The reason I wrote the book is that I did discover a way to be calm all the time and it's to do with mindfulness And it is about how you actually find that state. Now my first plume was when I was in a really tough time and something came to my rescue and I kept on wondering what that is and I talk about that and That is actually our natural nature And so everyone says if you want to do things to look inside to find that so while I'm working in the stressful situation No, I didn't have it. I'm doing what everyone else is doing and it's just not working But I did find a way And this is what I talk about with with clients now But it all boiled down to this really basic thing that people were getting so busy and worked up in their heads But I kept on doing dumb stuff Whereas if you can just be calm and centered inside and we call it mindfulness we call it awareness We call it balance. We call it that really nice place. We call it whatever it is peace if we can find that and actually It can be found and it's actually based on a psychological understanding and I talk more about that Significant to a particular geography like India designers or view ass or Singapore Because when you watch the movie social network Zuckerberg seems to bust out of the Facebook, you know, yeah Yeah, I haven't seen the movie Where we look at success rates, there seems to be a couple of things I'm not an expert on this But when I look at these people who we normally quote like Steve Jobs or Bill Gates or Facebook and Who who of us wouldn't actually like to in our carriage Become so rich. We don't know what to do with the money. It'd be fantastic But they seem to be outliers or it seemed to be that everything seemed to have to happen at the right time So maybe they got lucky It's difficult for me to see any other reason in terms of project failure my other pet subject There's not much difference across geographies There is a difference across size of project So if your project budget was more than 10 million dollars, you are almost certainly going to fail Yeah, the success rate is about 5% If your project is under $500,000 it's got about a 70% chance of working So, you know, one of those rules in the agile world is just make it small Yeah, like just things get really complicated people are good and talented. We all do our best But once that things start getting big then it's just really hard To make it work. So it seems to be more There's no real pattern or geographical pattern to it and even Putting a PMO in or project management expertise or the rest of that most of those factors are not to do Project management disciplines bad to do about people and their decision-making and not being clear about what they wanted or being political or Not giving it's it's human stuff seem to be the key factors not the not the practical techniques of project management No, I really really don't Sunday is my Day of rest and rejuvenation Absolutely, absolutely I want to make sure it's all sinking in so could everyone please turn in their seat to the right Everyone turns or your


Have I been lying to you about my age all these years? How do you find your God given purpose? And what do I think about vegans? That's what we're gonna be talking about today in this Q&A. Hey guys, what's up? It's Isaac David and this is The Daily Disciple where I help you follow Jesus daily. If you're new to the channel, subscribe because I'm putting out new videos all the time. A huge shout out to my patrons on Patreon. Honestly, it is a huge blessing having you guys because of you, the ministry keeps going and growing. So thank you. And if you wanna support on Patreon, head over to the link in my bio. I would be so grateful and blessed by that. So thank you. Now on to the questions. On to the questions. I hope that isn't insensitive to French people. Well, maybe that's not, maybe that's even more insensitive that I tried to identify that as a French accent. Apologies, apologies. So age, what is my age? Have I been lying to you guys all these years? No, I have not. I am 22.  No, I'm not. I'm not 30. No, I'm not. What is my dream car? My dream car. I do not have a car. I'm just gonna be straight up with you guys. I don't have a car. I'm hoping to get a car pretty soon though, but it will not be a, well honestly, any car is a dream car to me. But the dream car would be a Tesla. Yeah, a Tesla. I think I've seen enough people in Teslas that it where it's like, that's a cool car. It's not too showy, but it's nice. And yeah, so that I'd probably go with a Tesla. Favorite musical, Les Mis. I've been listening to Les Mis, the musical since I was a little kid. We'd always gather around the TV and watch the 10th anniversary on stage, Les Mis performance. And it's fantastic. I can still quote a lot of the songs, a lot of the lines. And yeah, I do a pretty good bang up job of Gervere in my day. I'm okay. So was I ever the edgy homeschooler? No, I had friends I think that were kind of the edgy homeschooler that would swear sometimes and stuff. But I was pretty like a goody two shoes. I was not rebellious at all ever. Honestly, I feel like now I'm like entering a little bit of a rebellious stage where I'm like, I don't know, like getting out some of that rebellion. But in like the dumbest ways that aren't really rebellious at all. Anyway, it's my own weird stuff. But no, I was not the edgy homeschooler unfortunately. I mean, or fortunately. Have I ever considered, I forgot how to speak for a second, have I ever considered living in another country? Yeah, I've definitely considered it. The question is, how do you sneak across the border? That's really the question to me. Cause I would love to go to the United States like Tennessee or Texas. They got so much land down there. Housing's pretty cheap, at least according to what I've seen.  I don't know. What do you even call it? A commune? I don't know, commune's probably the wrong word. But a lot of houses and develop your own community and stuff like that. That'd be pretty cool. But what I've realized is that I cannot stand the heat. I like the heat, but right now it's 30 degrees Celsius in the studio and I'm dying. I'm dying. So ideally the perfect temperature is like 22 degrees Celsius or like 18 degrees Celsius. But I've heard down there, it gets a lot hotter than that for a lot longer. I don't think I could do that. As much as I despise the cold weather here that we exist in for like seven months, I think it's just like, I don't know, the grass is always greener. I think that might be what I'm finding out here, but maybe it might be fun to just head down there and see what it's like. How do you cope with discouragement when your plans don't go how you want them to? That's tough. I'm trying to think of how I would usually deal with that kind of discouragement. Well, generally it starts off with like a regrouping process. Like, okay, I'm gonna step back. I'm gonna figure out where did I go wrong here? Actually, that's probably not where I start. Honestly, I probably start with like trying to unplug from anything, taking a total step back and distracting myself. I'm not saying that's a good thing, but that is probably what I do. And then I have like a regrouping process where I'm like, okay, I'm ready. I'm kind of distanced myself from the discouragement, from the hurt, from the, you know, whatever. And I'm like, okay, what went wrong here? How can I, not necessarily how can I prove in the future, but what went wrong? How can I reorient my focus to still try to save some of the things that maybe I was disappointed by or reschedule some goals that I hoped I would hit. But then honestly, pouring into community that accepts you and loves you, regardless of the failures that you experience or the disappointments that you go through. Somebody that doesn't, you don't need to feel like you're constantly putting on a performance for or acting like you're doing great. That's not the kind of person that you want to be hanging out with anyway, but also, but definitely in a situation where you're like, oh man, I'm really discouraged about this, this went really badly. You don't want to be hanging out with somebody that just like feels, always feels like their life is totally together and expects you to be the same way. So I think finding that community, that compassionate, curious community and friends that you can be with and regroup from, I think that's the key for me. What do I think about vegans trying to protect animals? So there's two things here. I think of the moral aspect and then the dietary aspect or perspective. So if it's like a dietary reason, like it doesn't make you feel good. Meets just like not, you just prefer not to eat it because of dietary reasons. That's totally cool. You do you, right? Like I don't eat carbs sometimes. And you know, it's not cause I like think eating carbs is wrong, like bred our people. But, oh man, what on earth? That's so dumb, bred our people. Yeah, but it's not like I think they're muffins or like muff men, like little muffin men. No, it's just because I just don't want to cause it's like not according to what I wanna put in my body. But in terms of animals, animals are in different spectrums. Like they're not as high as us. And the Bible makes that clear. Like I mean, we are put over dominion over them. They do not have the same intrinsic worth value that humans have. They're not creating the image of God. Does that mean we abuse them and torture them? No, no, no. And I think that's where some of the debate comes in. It's like, is this practice, whatever it may be, is this actually taking good care and stewarding God's creation well? That's where the real debate and discernment needs to come in. And people can have interesting conversations on that for sure. What's my favorite Christian movie? I love cringy Christian movies, but usually not for the purposes of like pure, like, I don't know, like cinematic wonder, but it's more like laughing at them and enjoying the cringiness of them. Not all of them, but definitely some of them. A cheesy Christian movie that I love is Facing the Giants. It's one of the best. Like, I love those kind of like comeback stories of sports and underdogs and stuff. It's a great one. But actually a great cinematic masterpiece is The Prince of Egypt. And some people with the Bateman with me, I said, that's not a Christian movie. That wasn't made by, I'm like, what, it's about Moses, man, it's about Moses. Doesn't get any more Christian than that. The soundtrack is fantastic. Oh man, that movie is just so great. I love it. I'm having a hard time quitting porn. What are some tips or advice? I'd like to point you, my friend, to a couple videos that I've done on this. There's a nine step video, quitting porn step by step, that I'm gonna link here or here somewhere there. You can click on that and you can watch that. And then also another video talking about how girls struggle with porn too, because I think that's not talked about enough. I haven't talked about it enough. So that was kind of, I shared some thoughts about that issue in that video that you can watch as well. How exactly can I know what God's purpose is for me? Whew, that's a doozy. That's a doozy. And I don't, like I'm just trying to process it through my own experience and how I kind of discerned what God's purpose was for me. And really it was like taking a step into an opportunity that you could be used. And you could be useful in. So wherever those opportunities are for your life, right? In your life, where can you be useful? That's the real question that you should be asking yourself. What do you talented at? What do you gifted at? Or what, where do you see a need that maybe you don't necessarily feel like you have all the skills or talents or abilities that could fulfill that, but you can at least with faith, step into that and see where that's gonna take you. I think it's a process. Like it took me years to actually be confident in saying this is where God wants me. And even now I'm like, yo, God, like I need those little things of like confirmation and just like, God, am I still on the right path? You know, and that kind of thing. But I just think it's being open and being guided by love for God rather than fear. Cause sometimes our purpose or where we're gonna be useful is right in front of us, but we're so bogged down with fear and like, oh, is this what I should, is this response? But is this all this stuff? And we're so bogged down and weighed down by fear instead of faith focused on God and following him despite how we feel. What are the aspects of daily disciple that has been most beneficial for your walk with Christ? I think for me it has been the trusting, the faith aspect in like God using what I'm doing. Like, cause it's all God ultimately. It's so tangible that it is God who either makes things work or doesn't make them work or you know, like I have no control over views or people that see it or people that are impacted. Like I don't, I can't control that. That is totally up to God. So it's a real, it feels like a shot in the dark sometimes. It's like I'm just putting this out there and then I'm just praying for God to use it. And it's been amazing to see how God has come through in so many ways. My faith has definitely been built in that way and just my understanding of how God provides for us, that's something that I'm really growing in currently. I'm kind of at the beginning stages of that honestly, kind of recovering from this. I'm gonna call it over dependence on my own ability to make life work and instead handing it over to God and really trusting in him and focusing on his opinion of me rather than what I perceive other people's perspectives of me and that is something that I'm really working on that Daily Disciple has been kind of an avenue to grow in that way. What artists did you discover this year? I don't know if I discovered an artist per se, let me think. I discovered a couple artists last year, John Mark Pantana, so great. Chris Renzema, great music as well. Love their like vibe with the, I don't know, it's a little bit, like it's Christian, Mello, Indy. I don't know how to explain it but I love that kind of thing. What are my biggest life goals? I have like three major, maybe four major life goals, maybe four major life goals. So one is to do Daily Disciple full time and focus all my energy and all of that into this ministry. Two, I forgot how to use my fingers for a second. Two would be get married, three would be have kids and four would be follow God exactly where he wants me despite fear or anxiety and pursue him with courage. Those are my four big goals. Thank you so much for watching this video. I'll have another normal video for you next week but I hope you enjoyed it and leave the comment down below with some of your answers to these questions. I'd be interested to know what's your take on these things. Thanks again for watching and I'll see you next time. God bless.


This 2017 Ram 3500 crew cab short box single rear wheel is stock number 12354Z, we're here at Summit Automotive in Fond du Lac, Wisconsin, you're new and used heavy-duty truck and Ram headquarters. This 2017 Ram 3500 has the 6.7 liter Cummins diesel engine. This truck has been fully safe and inspected by our service shop as a fresh oil and filter change. All the fluids have been checked and topped off and this truck is 100% ready to go. Bright white clear coat is the color, we shoot all of our videos in 1080p 60 frames per second so if you have HD capabilities on your computer, tablet, smartphone or television I highly recommend turning them on right now because it is definitely your best way to check out the quality, condition and options of the truck before seeing it in person. And if you like the video and want to subscribe to our YouTube channel where we do videos of our new and used inventory each and every day here at Summit Auto in the upper right hand part of the screen is a subscribe button, click that and then click the bell notifications because you'll get updates every single day. We do videos of our new and used inventory here at Summit Auto. Comes with the 20 inch painted alloy rims with the chrome pockets and it has Firestone TransForce AT LT28560R20 tires. These tires have probably about I'd say 60 to 70% of the tread left. Frame and underbody is exceptionally clean on this truck and that's because it is a one owner out of North Carolina. Front fenders in excellent condition, didn't see any dents or dings on there. Headlight lenses are nice and clear, comes with the factory fog lights. Front bumper is in excellent condition as well, no dents or dings on that. You do get the chrome trimmed grille. The hood is in very nice shape as well. That's the one thing that's really nice about these videos, you can see the light reflecting off the truck and get a really good idea of the quality and condition. Passengers side front rim looks good, no dents or dings on that fender. And take note as you go down this side of the truck, how clean the body is, how reflective and mirror like that paint is. We take these HD videos so if you are far away or even if you're close by, just cannot make the trip down but you're still interested in purchasing the vehicle. You can see the truck, hear the truck and have confidence in the vehicle that you're looking at before you even get here. So when you do get here there's absolutely no surprises. You can make a smart buying decision from wherever you're at. And if you do decide to buy this truck, let your salesperson know that you saw the video and that Brett sent you. Back rim is in excellent shape as well and the back tires have right around 50% of the tread left, maybe just a little bit more. Framing the underbody is an exceptionally nice clean condition as you'd expect. On a truck from North Carolina has all the remaining factory exhaust so it hasn't been altered in any way. Lower rockers and cab corners all look really good and the factory chrome step bars are in nice shape as well. Our passenger side box is in pretty nice shape, coming around to the back. Rear bumper, absolutely perfect, no dents or dings under that, does have the backup parking sensors, full towing package, which includes a receiver hitch, four pin and seven pin wiring, excuse me. Tailgates in really nice shape as well, does have a locking tailgate backup camera and it does come with a very nice spray and bed liner as well as a bed mat. And for some reason they took the frame bumpers out of it, or blocks or whatever those are. They go on the frame in the back, I'm not sure why they took those out but they do come with the truck. Coming down the driver's side just as clean as that passenger's side, box looks really good and for full disclosure this back rim is in excellent shape as well. Down the rest of this side of the truck doors look really good, does have the heated fold up tow mirrors, they have built in directional signals right there, they also fold in like so. Inside the big horn package gives you the gray cloth interior, there are no rips or tears on those seats, they are in excellent condition. Power driver seat with lumbar comes with a very nice set of husky all-weather floor mats, auto headlamps, audio controls on the back of the steering wheel, power windows, power locks and power mirrors. We'll hop inside, take a look at the ignition, radio and everything that the interior has to offer. I'll dim it down here so you can see a little bit better. You do get, this one does have 28,641 miles, you do get a compass and outside temperature display, fuel economy, vehicle info, all that good stuff on there, instrument cluster is very nice and clean. Leather wrap steering wheel, cruise controls on the right, bluetooth and information center controls on the left and like I said it has audio controls on the back. This one has the six speed automatic transmission with the optional tap shift, AM FM and Sirius XM radio capabilities on the five inch touchscreen radio and there are your AM and FM and Sirius capabilities. This is also where your backup camera shows up, that shows up there and it does connect to your bluetooth cell phone. Turned out four wheel drive, factory brake controller, stability control, tow haul, factory exhaust brake and your parking sensors, you can turn those off and on, climate controls right there, it does have a 115 volt, 150 watt plug-in. Passengers side floor mat and seat are in excellent condition, no rips or tears on there and the headliner is in very nice shape. Map lights, power sign, rear window button and we'll take a quick look at the back seats and then we'll start it up and take a look under the hood, but very, very clean in the front and just as clean on the back seats, no rips or tears back here, does have the latch, child safety system for any child car seats you may have, power sliding rear window.  Storage underneath there, husky liner back here, they also get a factory floor mat back here as well and in-floor storage with removable bins for easy cleaning. You can put ice and drinks in there and it's like you have too many coolers wherever you go. This truck does have side curtain airbags and child safety locks on the back doors. Bottoms of the doors all look really good and we'll start it up, take a look under the hood. Starts right up, no check engine lights or anything like that. I would personally like to thank you for checking out the video today and hopefully from this HD video, you will have been able to verify the quality and condition of this truck inside and out all the way around. Under the hood we have the 6.7 liter Cummins diesel engine, engine base very clean, runs very smooth and once again this truck has been fully safe and inspected by our service shop as a fresh oil and filter change, all the fluids have been checked and topped off and this truck is 100% ready to go. There's your mission sticker and I would highly recommend this truck from a quality and condition standpoint and to see more pictures of this truck or one of our other 450 new and used cars, trucks, SUVs, minivans, Wranglers, half tons, recorder tons, one tons, you name it we got it go to that website right there www.summitauto.com. All pictures and descriptions of every single vehicle from two locations all at www.summitauto.com and if you'd like to check out more HD videos you can go to www.youtube.com slash www.summitauto.com. Remember to like, subscribe and share on this video and all the videos that you see there. Click the bell notifications you'll get updates on the videos we do each and every day here at www.summitauto.com. In fact in a second you'll see a link to subscribe to our YouTube channel on the upper left, a link to more Ram 3500 truck videos like this one on the upper right. Link to this vehicle on our website on the lower left and a link to one of our latest YouTube videos in the lower right. Click those, check us out and we're super excited to help you with this truck clean 2017 Ram 3500 crew cab short box single rear wheel big horn and bright white clear coat with the Cummins diesel. Thanks again for checking out the video remember to like, subscribe and share.


The ALN-L2003-0001 interface has been found to possess strong interfacial interactions, resulting in unique interfacial properties such as reduced band gaps and enhanced ultraviolet light emission. This finding suggests that incoherent interfaces may be able to generate stronger interfacial interactions than coherent ones, providing new opportunities for the development of heterojunction materials and devices. This article was authored by Shuishi Yang, Yixiao Jiang, Qianqian Jing, and others.


...and... ...ostiukau, losa bleb, ...viva ta pademia, ...viva pa... ...en amana, ...en a reo, ...en a hoi fa, ...tina koutou, ...tina koutou, ...tina koutou katoa. ...vais chancella, ...pro chancella, ...council members, members of the university, ...special guests, ...graduands, ...families and friends. I extend a warm welcome to this, ...the second spring graduation ceremony ...for 2011 ...of the University of Auckland. This week the university is bestowing a total ...of 2,708 qualifications ...on some 2,450 students. At this ceremony degrees will be conferred ...and diplomas awarded ...in the Faculty of Creative Arts and Industries ...and the Faculty of Law. A total of 197 in person ...plus a further 56 in absentia. I am privileged as Chancellor to preside ...at spring graduation for a third year. The regularity of graduation ceremonies ...makes them no less special for the university ...and me personally than for those of you ...being capped here today, many for the first time. It is also a pleasure to return ...to the Auckland Town Hall, ...long our traditional graduation ...variant venue ...for the first time since 2009. The AOTA centre which we now use ...has been temporarily captured ...for rugby world cup purposes. Graduation is a festive event ...rich in history, pomp and colour ...with a lively array of contemporary touches. Auckland, our rich mix of cultures ...and ethnicities, can be seen in the striking ...variety of dress and adornments ...worn by graduands. Today is one of hard-earned celebration ...by you, the graduands and diplomas, ...on your academic accomplishments ...and by your family and friends ...who have encouraged and supported you ...and who are here to share in your success. The university, represented by the council ...and academic staff members seated behind me ...and those many staff who control proceedings ...with remarkable precision, ...takes equal pleasure at this hugely significant day ...for each and every one of you. The University of Auckland is deservedly ranked ...as one of the best universities in the world. Your qualifications will always serve you well ...in this country and abroad, ...in qualifying you for a satisfying career ...or leading to more advanced study, ...or simply as a route to personal ...and intellectual enrichment. In today's ever-changing world, ...you cannot afford to stop learning. So please keep in mind our enormous range ...of postgraduate opportunities. I urge you, as alumni of New Zealand's ...leading university, always to remember ...your alma mater. We depend increasingly on our graduates ...for support, moral and political, ...as well as financial. Your advocacy and influence are vital ...in encouraging government and the community ...at large to fund universities, ...so they can generate the knowledge needed ...to drive a productive and competitive economy ...and to create full and satisfying lives ...for all New Zealanders. At the same time, philanthropy has become ...crucially important to our university, ...funding major capital projects, ...scholarships and professorial chairs. The critical contribution of major ...research universities is not well understood ...and therefore insufficiently acknowledged. It is inconceivable that a developed, ...progressive 21st century nation ...can maintain that status without strong, ...internationally recognised research-based universities ...such as the University of Auckland. Innovative research is vital for long-term ...sustainable economic growth and social cohesion. Never more so than in the testing economic times ...we face in the wake of global recession ...and now the devastating Christchurch earthquakes. Universities equip graduates like you ...not simply for the jobs of today, ...but for future careers not yet imagined. Universities need greater investment by government, ...the commercial sector and private philanthropy, ...not less. But that's sufficient for me on the challenges ...facing this institution. For today is unquestionably your day. I congratulate you and trust that you will ...long cherish the memories of your graduation ...in September 2011. Our speaker this afternoon is Mr Roy Clair, ...who took up his appointment as director ...of Auckland War Memorial Museum only last month. He came from Britain, where he was chief executive ...of the museums, libraries and archives council ...from 2007. This organisation's responsibilities include ...the accreditation of museums, ...the designation of outstanding collections ...and administering schemes to develop ...their strengths and reputation of collections ...and encourage their accessibility to people. From 2000 to 2007 Mr Clair was director ...of the National Maritime Museum in Greenwich, ...where he expanded resourcing for scholarships, ...schools and informal learning. He and his team initiated highly successfully exhibitions, ...fundraising campaigns and redevelopment projects. Mr Clair was awarded the CBE in June 2007 ...for his services to museums. He was formerly a rare admiral in the Royal Navy, ...which he joined at the age of 15. A keen yachtsman he competed in the first ...witbread round-the-world yacht race in 1974. Mr Clair. Chancellor, vice-chancellor, academic staff, ...parents, whenua, friends, ...graduums, most importantly, ...tena koutu, tena koutu, tena koutu. This is for me, I don't know about for you, ...a very happy day. I can still remember graduating in physics, ...I can still remember paying for my children to graduate, ...and I can still remember running the naval college ...when I was sort of the vice-chancellor ...without enough money. ...and I'm moderately irresponsible today, ...but I do empathise with everybody who's paid for something. Parents, whenua, friends, I suspect that's you lot, ...graduums, you're about to pay big time. We've had a very interesting six weeks, ...my wife and I, we've been made very welcome, ...very welcome indeed here in New Zealand, ...and I bring greetings from London to this ceremony, ...and it is therefore a 25,000 kilometre speech ...that you're getting from somebody who has taken to New Zealand, ...that's why I've come here, ...and rather as the Chancellor suggested, ...I didn't know that my career would bring me here, ...and I think having read physics, ...I didn't know that I'd end up running a bunch of museums either, ...so I think just hang in there because what you've read ...may not be what you end up reading, if you see what I mean. What I do know is that this is rather an exciting week in other ways. It was this week in 1893 that New Zealand led the world on votes for women, ...some 25 years ahead of the UK, for example. Earlier this week on Sunday, up at the cenotaph at the museum, ...we marked the Battle of Britain ...and the 70th anniversary of the Air Training Corps, ...and it only rained between 11 o'clock and 1130. So you can imagine that as that's roughly when you do remembrance, ...we remembered with some stoicism and conviction, ...the sacrifice of those who'd gone before us, ...and I can tell you that personally I was sitting between an umbrella on the left ...and one on the right, and you know what happens. I'm now wearing my old suit, forgive me. What we know from that commemoration, ...what we know from decisions such as New Zealand talking in 1893, ...is that one of the things we would all be is leaders. We're all going to be leading something, ...and it seems to me, following the advice of Winston Churchill ...to a new Member of Parliament before they're made in speech, ...my boy make one point only, ...no one will remember what it is, ...but they can pass you in the corridor and say good point. My one point only, which is that we are all leaders. And one of the wonderful things that New Zealand is tackling right now ...in the Treaty settlement era, ...is how to be an effective bicultural nation. But in your nations, and many of you come from other countries, ...there will be similar grand strategic issues ...that affect the quality of life for millions of people. It's not innocent bystanders in it. I think it's also interesting when you look at that idea of leadership ...that just today, Len Brown has published the draft Auckland Plan. And this is looking ahead 30 years. It's looking to 2040. Where are we all going to be in 2040? ...and what jobs will we be doing? But Len is not going to lead this on his own. He needs us. Because every great city is three things. It's a great economy. It's undoubtedly a great place to live, ...as the liveable city idea suggests. But it's also going to be a city, wherever it is, ...of social and economic divides. And one of our challenges, ...one of the challenges of today's graduates, ...is what are we going to do to assist the process ...of reconciliation across that divide? How do we contribute to the economy? How do we contribute to the great place to live? Well, of course, the museum and art galleries ...and culture generally are all about a great place to live, ...and the economy, and the understanding across generations, ...because moderately we're neutral, ...and we're able to be a place where people can debate. But actually each one of us has as an opportunity ...the leadership to make the difference. And this isn't new. We have a mariner drawing on a mariner, ...an ancient mariner, even more ancient than me, ...going back to a Nelsonic period. Nelson, who had quite a bit to do for Britain ...in a period when Napoleon was a bit of a risk. One of the interesting things about him ...was he studied the French very closely. He studied them in all kinds of ways. And he wrote copious letters. A former colleague of mine, Dr Colin White, ...no longer with us, published a thousand of Nelson's letters ...to commemorate the bicentenary of the battle of Chafagar in 2005. One of the letters picks up on Nelson's critique ...of a French general's leadership. And Nelson writes of the French general ...that there are two kinds of leadership he's perceived. Alon, Uigo, Ale, Uigo. And what is interesting about Nelson's evaluation ...because Nelson was always conscious of himself, ...was he writes, of course I, Nelson, ...follow Alon, but so does the French general. In other words, there was also an underlying admiration for the foe. Ladies and gentlemen, I think the proposition we have in front of us ...is that Alon, Uigo, is a really good leadership model for us ...to think about as we now go out in celebration ...of a great achievement of degrees hard fought for. I still remember being completely overwhelmed ...by the whole pressure of getting the degree ...and then the complete joy of being awarded it. And then wondering what happened next. But the Uigo is absolutely something we can all hang in on ...and it's handed down 200 years. We don't need to look for somebody who's making money today ...writing a book on management or leadership technique ...that they can be useful. There is a historic reference to a style of leadership ...in which Nelson himself worried about whether his people were fed. You might say, well that was self-serving, he needed them to fight. In fact, he worried about them to a very substantial degree ...that their health should be protected. He worried about them in a life after they were fighting with him. And his letters nudged his captains on the quality of their living. As we go to our workplaces, as we think about this ...and I've just inherited this great museum ...with about 500 people of one kind or another working in it. My question always is, what's it like being a cleaner in the museum? What is Talita, who I've met, who's Samoan? What's her life like and how well she's doing that job for us? So we go, ladies and gentlemen, is what I'd like to offer you ...as my point, bearing in mind Winston Churchill ...in a very historic week. Historic for you. Historic in a really positive way because from here nothing is the same again. Historic for fellow friends, family who've helped fund you. Joyful and I suspect for the very good people sitting behind me ...a huge measure of relief too. But thank you for inviting me to come. I hope the day is as joyful as it should be, as it deserves to be. I wish you very well in the careers that come. Spectacularly so for leadership because we need you. You need to perhaps think you can make less of a mess of it than my generation did. But I would say actually we need you on that equal footing right away now. We need your courage, your conviction, your integrity. And thank you for listening to me. Tena koutou. Well thank you Mr Clear for a very interesting and at times humorous speech ...and he probably all as graduands reminded that in fact it didn't finish today ...with graduation that the next chapter is starting for you ...and it's all about leadership. This is a meeting of council and convocation of the university ...for a ceremony of conferring degrees and awarding diplomas.  I now invite the pro chancellor to award the diplomas ...and confer the degrees in the first half of the ceremony. Thank you Chancellor. By the authority vested in me by resolution of the University of Auckland Council ...I Ian Parton pro chancellor confer the degrees and award the diplomas ...stated upon those who within their faculties have satisfied the requirements of this university. I call upon the Dean of the Faculty of Creative Arts and Industries, ...Professor Dixon, to present graduands in that faculty. Pro Chancellor is Dean. I have the honour of presenting to you ...the students qualified for the conferment of a degree or award of a diploma ...in the Faculty of Creative Arts and Industries. Graduate Diploma in Music, Phillip Stewart Anderson ...to the Degree of Bachelor of Architecture, Jackson-Ingwe Law ...to the Degree of Bachelor of Architectural Studies, Eleanor Louise Glinton ...Esta Lauren McCready, Finn Moon, Kelly Louise Norris, James Rowan Rust, ...Baron Saad, Josephine Fairley-Stoddard, Nera Kumar Sumer, ...Josefa Makas Vikasi, to the Degree of Bachelor of Music, ...Anna Miriam-Cable, Joong Dunn, Jeanine Dorothy Joyce Foster, ...Alexander Christopher Freer, Son-Min Lee, Nina Jauru Lin, ...Totipo Morris Mackay, Adam Hunter McCoy, Kirsten Mary McCray, ...Lindsay Allen McDonald, Antonius Lennardus Middeldorp, ...Anthony Robyn Shire, Roseanne Georgia Zakanan, Isaac John Charles Williams, ...Shun Hinyu, ...to the Degree of Bachelor of Performing Arts, ...Yay Lim Choi, Anastasia Olegovna Kultseva, Sonia Renee Peck, ...to the Degree of Bachelor of Visual Arts, Sharon Amani Omatangi, ...To the Degree of Bachelor of Music, Conjoint, Cameron Thomas Barclay, ...and a Bachelor of Arts, Jessica Sharon Jones, and a Bachelor of Arts, ...Diploma in Creative and Performing Arts with Merit, ...Mirna Labide Aranita in Dance Studies, ...Diploma in Creative and Performing Arts, Andrew Jeremy Breton in ...Sound Recording and Design, Jia Yingfa in Sound Recording and Design, ...Monesha Ashini Kumar in Dance Studies, ...Tutiploma in Fine Arts with Distinction, ...Sharira Azdola Zadi, to the Degree of Bachelor of Fine Arts Honours ...with Second Class Honours Second Division, ...Kate Megan Lill, Anna Starr, ...to the Degree of Bachelor of Music Honours with First Class Honours, ...Natalie Jane Harris in Performance and a Bachelor of Music, ...to the Degree of Bachelor of Music Honours with Second Class Honours Second Division, ...Flavio Villani in Performance, ...to the Degree of Bachelor of Fine Arts Honours Conjoint, ...Tamerson Mary Hopkinson and a Bachelor of Arts, ...Rose Marine King and a Bachelor of Arts, ...to the Degree of Master of Architecture with First Class Honours, ...Bruce CNA Doa Moa, ...to the Degree of Master of Architecture with Second Class Honours First Division, ...Nijia Binti-Mohamed Awee in Sustainable Design, ...to the Degree of Master of Architecture, Alexi Surju, ...to the Degree of Master of Architecture Professional with First Class Honours, ...Allan Jane Aschenden, Thomas Bonnington and a Bachelor of Architecture Studies, ...Karina Genki Chung, Leong Kim Choo, Wei Guan, ...Natasha Desiree Hutchins, Abra Wai Kwan Lowe, David Xiu Chun Lowe, ...Matthew Sean McGrace, Alex Lien, ...to the Degree of Master of Architecture Professional with Second Class Honours First Division, ...Craig Michael Barrett, Melissa Ann Bennett, ...Maria Shea Chen, Yu Chung and a Bachelor of Architecture Studies, ...Kae Yung Chu, Hibawang Phuong, Ye Yu Ja, ...Daria Linadovna Koladesnia, Anjuleesh Pranish, ...Nicholas James White and a Bachelor of Architecture Studies, ...Stephanie Aileen Winkrist, Jun Hee Yun and a Bachelor of Architecture Studies, ...to the Degree of Master of Architecture Professional with Second Class Honours, ...Second Division, Min Bo, Anisha Bhattacharya, ...Hiu Sun Lee and a Bachelor of Architecture Studies, ...Yi Ching Lee, Ji Young Park, Tan Ye Fong, ...Jun Wong Young, to the Degree of Master of Architecture Professional, ...Chai Wei and a Bachelor of Architecture Studies, ...Wing Te Toi Ni, to the Degree of Master of Creative and Performing Arts ...with First Class Honours, ...Hannah Brie K and Dance Studies, ...3 of Master of Creative and Performing Arts with Second Class Honours, ...First Division, Sarah Lee Isabel Pearson in Dance Studies, ...to the Degree of Master of Creative and Performing Arts ...with Second Class Honours, Second Division, ...Wanita Ruth Jalliman in Dance Studies, ...to the Degree of Master of Fine Arts ...with Second Class Honours, Second Division, ...University Graduate Scholar, ...to the Degree of Master of Music with First Class Honours, ...Daria Unhalik Undercovac in Musicology, ...Jonathan Peter Mandano in Composition and a Bachelor of Music, ...and in absentia, all those other persons named in the Book of Convocation ...qualified for the Confirmant of a Degree or the Award of Diploma ...in the Faculty of Creative Arts and Industry. My Chancellor, for conferring the degrees ...and awarding the diplomas in the first half of this ceremony, ...one of the great pleasures of graduation ...is the opportunity to hear performances by students ...from our acclaimed School of Music. Nick Hall on trumpet, accompanied by James Tybald, ...will now perform Resusance by Te Laman. Te Laman actually wrote The Five Heroic Marches. That's the first one from it. It's a particularly appropriate piece of music ...for the occasion, but the music itself, of course, ...was beautifully played by Nick and accompanied by James. Can I ask you to show your appreciation again, please? By the authority vested in me by Resolution of the University of Auckland Council, ...I, Roger France Chancellor, confer the degrees ...and awarded diplomas stated upon those who within their faculties ...have satisfied the requirements of this university. I now call upon the Dean of the Faculty of Law, Dr Stockley, ...to present graduands in that faculty. Chancellor, as Dean, I have the honour of presenting to you, ...the graduands in the Faculty of Law, ...to the degree of Bachelor of Laws, ...Herman Suwik Chung, ...Lina Joan Evelay, ...Yong Siok Kim, ...Anna Manison, Karen Mary O'Shea, ...Marie Summers, Anna Cecilia White, ...The Bachelor of Laws Conjoint, ...Ayusha Myra Amon, and the Bachelor of Arts, ...Hallie Elizabeth Scanlon-Bergen, and the Bachelor of Arts, ...Jazvinjit Kaur Boparoi, and the Bachelor of Arts, ...Julia Elizabeth Hine Elrangi-Broughton, and the Bachelor of Arts, ...Madeline Jane Collier, and the Bachelor of Arts, ...Jason Brian Cox, and the Bachelor of Arts, ...Beth Ford, and the Bachelor of Arts, ...Christopher John Sepi Fraser, and the Bachelor of Commerce, ...Christopher Russell Gillies, and the Bachelor of Arts, ...Caroline Sarah Glenn, and the Bachelor of Commerce, ...Nichole Kathleen Gordon, and the Bachelor of Arts, ...David Jeffrey Harris, and the Bachelor of Commerce, ...Mafiu Donald Hartles, and the Bachelor of Commerce, ...Jesse Anna Hitchcock, and the Bachelor of Arts, ...Kim Sara Hope-Huhaya, and the Bachelor of Arts, ...Yohan Vajitaran Richard James, and the Bachelor of Commerce, ...Emma Louise Kemp, and the Bachelor of Arts, ...Hannah Bomyee Kim, and the Bachelor of Commerce, ...Jasinda Jewyn Kirtland, and the Bachelor of Arts, ...Kipline James Milton, and the Bachelor of Arts, ...Katey Moore, and the Bachelor of Arts, ...Seok Hoon Ngo, and the Bachelor of Commerce, ...Mafiu John O'Neill, and the Bachelor of Arts, ...Pora Hitt, and the Bachelor of Commerce, ...Rett Anthony Rawlings, and the Bachelor of Commerce, Renei Seto, Bachelor of Arts. Victoria Rose Skelton, Bachelor of Arts. Elise Sonia Sorenson, Bachelor of Arts. Chien Sun, Bachelor of Commerce. Aiyushi Tandon, Bachelor of Commerce. Chelsea Filomena Tere, Bachelor of Arts. Ngai Tu Underhul Sem, Bachelor of Arts. Angela Kaurusetu, Bachelor of Arts. Renei Sera West, Bachelor of Arts. Ian Yat-Wen Wong, Bachelor of Arts. Katie Manda Yukich, Bachelor of Arts. Bachelor of Laws, Honours. Rupert Henry Gillies. Sarah Elizabeth Lawrence. Thomas Michael Pasley, Bachelor of Laws, Honours. Michael Anthony Burns, Bachelor of Arts. McGregor Thomas Kennedy Chapman, Bachelor of Arts. Yun Sun Choi, Bachelor of Commerce. Fiona Clark, Bachelor of Arts. Michelle Clinton, Bachelor of Science. Francis Mary Jess Cummings, Bachelor of Arts. Michael Jeffrey Dodge, Bachelor of Commerce. Sean Patrick Donovan, Bachelor of Arts. Amy Wenjin Duane, Bachelor of Commerce. Martin Timothy Dewis, Bachelor of Arts. Kate Eastwood, Bachelor of Science. Elizabeth Grace Fox, Bachelor of Arts. Tracy Lynn Hall-Dane, Bachelor of Science. Max David Noble Harris, Bachelor of Arts. Senior Scholar in Law and Senior Scholar in Political Studies. Danielle Huntley, Bachelor of Arts. Gloria So Yee on Kim, Bachelor of Arts. Hunling Lai, Bachelor of Commerce. Christie Sicily, Bachelor of Arts. Patrick George Lily, Bachelor of Arts. Christie Jay McGrath, Bachelor of Commerce. John Moan, Bachelor of Commerce. Alexander Joseph Nelda, Bachelor of Arts. Lily Eve Nunwick, Bachelor of Arts. Michael John O'Brien, Bachelor of Arts. Jessica Maxine Pridjourn, Bachelor of Commerce. Radhika Rani, Bachelor of Commerce. Michael Karen Reagan, Bachelor of Arts. Jasper James Rhodes, Bachelor of Arts. Kingi Dennis William Snellgar, Bachelor of Arts. Shao Jisoo, Bachelor of Commerce. Pauline Tiong, Bachelor of Commerce. Keri Rangi Toki, Bachelor of Arts. Theo Nicholas VanDeVille, Bachelor of Commerce. Angela Walker, Bachelor of Arts. The degree of Master of Laws with first-class honours. Lauren Patricia Anderson, Commercial Law. Alistair Ian Charles Birchell. Justin Scott Emerson, Public Law. Todd Richard Nichols. Marcus Arthur Paul Roberts, University Graduate Scholar. Christine Margaret Scott, Public Law. Nigel Leonard Kennaf Stone, Incorporate and Commercial Law. To the degree of Master of Laws with second-class honours, First Division. Rana Muhammad Asad Abbas, Commercial Law. To the degree of Master of Laws with second-class honours, Second Division. Bruce James Heskiff, Public Law. Jia Young Min, Commercial Law. In absentia, all those other persons named in the Book of Convocation qualified for the conferment of a degree or the award of a diploma in the Faculty of Law. I now call upon the Vice-Chancellor to present the doctoral graduands. The pleasure of presenting to you, the doctoral graduands. To the degree of Doctor of Fine Arts. Clinton Ron Watkins, University Doctoral Scholar. Clinton investigates the effects the combinations of sonic and visual information can have on an audience. He observed these effects through the use of sound, colour, duration and scale of installations incorporating video production, custom-designed audio and video hardware. Leong Dung, University Doctoral Scholar. Leong investigated advanced technical solutions for pianists in the performance of some of the most difficult and challenging new repertoire for the piano. With particular reference to the music of Legehi, Crum and Jeffsky, Doctor of Philosophy, David Haldane Griffiths in Law, University Doctoral Scholar. David argued for a certain way of reading Section 15 of the New Zealand Bill of Rights Act, which protects the right to practice religious beliefs in public and applied this reading to a series of case studies involving Islamic religious practices, architecture, University Doctoral Scholar. Ning studied the eco-burden from various transport modes in Auckland using the ecological footprint method, Ferguson Turner in Planning. David's research investigated the story of suburban housing in Auckland in the context of recent planning strategies to intensify the city. His study informs the development of regulating policies for sustainable urban form and in absentia, all those other persons named in the Book of Convocation qualified for the conferment of a Doctoral degree. On behalf of the University, I now invite all today's graduates to stand and receive the congratulations of us all. It would be the perfect opportunity for the graduates to show their appreciation of their families and supporters and the staff of the University who have helped them as they achieve their qualifications today. This concludes this meeting of council and complication of the University for the conferment of degrees and the award of diplomas. I now invite you to sing the first verse of God Defend New Zealand in Maori and then in English. The words are printed on the reverse of your programs.


How's everyone doing? That's nice. I want to say that we're at a Star Trek theme word press conference, and my first name is Scott. And not one person has come up to me and said, beam me up, Scotty. Now, what I like to just people do that, I go, what are you talking about? And they go, Star Trek. And I'm talking about what you mean like with the light swords and stuff. And they go, no, that's Star Wars. And I said, what's the difference? And they go, no, Scotty, beam me up. They show with the ball guy, and they go, no. And I can only do it so long without cracking a smile. But yeah, I like doing that. So OK, so all the funny stuff aside. Hi, my name's Scott. I work for CCL Branding. My topic, we just talked about optimizing word press. The word press running for use with Gutenberg and advanced custom fields. I submitted this one. I did my talk in Raleigh. And I don't know if you can see the fine print. It's fine print for a reason. This is essentially more than, did anybody see the, no, most of you weren't here in Raleigh, so probably didn't see that. One other thing I want to say, two years ago when I spoke here, last time I almost passed out and had to leave the stage. I want you all to know I had a muffin and some yogurt, so I should be OK. All right, so now I'm done with the funny stuff. All right, so I learned a lot from when I did this in Raleigh, so I'm going to cover actually more than what the title says. So if you were hoping for less, I'm sorry.  We're going to look at an example, and then we'll go through the code again to cover all the stuff I'm talking about here. So this is me. This is my website, scotsunders.design. I'm a senior front-end developer for CCO Branding at Winston-Salem. I've been doing word press development for 12 years. Before that, I was an illustrator. And before that, I was an Apple Hi-Rite Systems engineer from LNDC in Virginia. I've been a, what else? Instructional technologist. Bounced my way in college. And that doesn't matter, I'm not pertinent to this.  Dieselpunk Industries and Pulp Library, which I just started. That's my website. Here's some stuff I build with word press. Corporate sites, digital signage. So I configure the mini PCs. People connect the content with word press and it updates all the machines after they do it. So we're using REST. Archiving tools, which is Pulp Library and Dieselpunk Industries. That's what those are. Interactive sales presentations. This slideshow is in word press. And Roku and Amazon channels, presentation tools, which I don't know why I put that in it twice, because technically that's what this is. Web-based iPad apps, which is part of the Pulp Library. I'll talk about that again. And the stuff dreams are made of. OK, this is some of the stuff. Yeah, that's cool. OK, next. OK, so I'm going to start. We're going to do the basic stuff. And that's free and that's using. Is anyone here advanced? How many people are familiar with Advanced Custom Fields? Sweet. OK. So that's key to this. Let me see. Then I go to Advanced Custom Fields Pro. So I'm going to start with this. As I go to this presentation, it's going to actually go from the basic to the intermediate. And if we have time, we'll go to the complex where I'm replacing Gutenberg entirely, but they probably don't be doing that. So I don't know if I have time for that. OK, let's keep going. OK, so the example I'm going to be using is the Pulp Library. The Latin at the bottom roughly translates means books with science and adventure. If you run it through Google Translate, you'll get another translation completely. All right, so what does this consist of? This consists of a .php file. And I'm using, I don't know if you can read that, uses PHP Glob. I'm sorry. Is that much better? OK. It uses PHP Glob to read a directory of images, and then I pass a variable in the URL. And I'm getting a little bit of feedback, is that better? OK, I'll pitch the mic back. That seems to have taken care of it, seems to have. OK. So it's a static PHP file that reads a directory and then spits out all the images for that. Then in WordPress, there's WordPress part where I have two custom post types. There's the pulp, which is a single magazine, and then the collection, and then all that spit out on the home page. I'll go into more of that. And for advanced custom fields, I'm going to be using single fields for the pulps or a peter for the pulp collection and a repeater for the home page. You guys, for me, ACF, you don't repeat it, all right? OK, cool. All right, and this is what it looks like. And here's a quick video. This is what the pulp reader looks like. Now, it works really cool. You save this as an iPad app, and you can read it, and it does all this cool stuff here. And again, this is using design motor slides. Essentially gutted it and had spitting out the PHP spitting on all the images. So you can do that. Yeah, that's cool. Because man has lived too long beneath the yoke of poor comic book. And oh, this works really good with comic books, too. Comic book and pulp readers. And I'm using an ACF, the relationship field. I'm not going to go into too much detail about this, but if you've ever used the plug-in post-to-post in many to many, this is a really good replacement for that. So you can actually eliminate an entire plug-in using the relationship stuff. But that's part of this. OK, yeah, and I mean, this is a shelf I'm still in, because it's my stuff. I have to do it for clients so I have to answer for anybody. I'm not entirely sure that what I'm showing you is a good idea, so just boo, have fun, I guess. OK, so let me, I'm not sure the best way to do this. I want to go through all of it, and then I'm going to go look at the WordPress theme. You think that's going to work, or how do you guys? Anyway, I'm going to go through it, and then it'll go through pretty quick, and then we'll go and look at it on WordPress. All right, so the first thing I'm going to do is modify the functions.php file. And you can see I'm doing an in-queue. I've got an admin.js, and that's only going to do two things.  That's what I'm modifying with that. And for fun, I'm including some fonts. And if you look, the material icon from Google, because why not? OK, so you'll see why I did that, too. All right, and this is what it looks like by default. So this is just your standard. This is Gutenberg, and if we look here, our ACF stuff is here at the bottom. So we've got Gutenberg, because it takes up all this space, and then the ACF stuff at the bottom. OK, so what I did was, to alleviate some of this stuff, I did the using Chrome, I went through, right-clicked on all the elements that I had issues with, and inspected the elements. And these are some of the ones that I had trouble with. All right, so let's start one. It's not really a problem, but we're going to hide it, because we're going to hide number. I say number three, it's actually number four. It's the middle part. Number two, the admin link is too close to the update button. So with Gutenberg, whenever I'm hitting the update button, I keep hitting, did anybody else do this? You actually hit the top, and it takes you to the admin section? OK, so I'm not alone in that. All right, cool. Solidarity. All right, and let's see. Oh, yeah, Gutenberg's too tall. It forces all the ACF stuff at the bottom. And the ACF stuff, in my opinion, is not that obvious. So it's sort of hidden. And one of the things I want to say is we don't use, in this particular application, if you want to call it that, we don't use the text that are all that much. The focus is going to be on the magazine list, and all the ACF stuff. OK, all right, and this is my WP admin JS file. And I'll go over what this does exactly. But in clicking on all this stuff, the editor and all this stuff, the editor, post editor, the post wrap area, the WP expand, all that stuff, we're going to toggle that and hide that. So what that's going to do is let us toggle the main content area. Now I have the classes in there for the default WordPress editor. I'm also going to cover how to add Gutenberg to custom post types, which it doesn't do by default. So some of that you don't need, but if you put it in there, it's not going to matter. And the post editor toolbar, that is this thing, when we had Gutenberg, that's number one, we're going to hide that when we had the Gutenberg stuff. We're not disabling it, we're just hiding it. OK, and this is some of the CSS classes I'm using to hide this stuff. So the editor, that's the display none, that's what we just saw in that. Post editor toolbar, that's that little thing over on the left, the number one, that's what that is. Oh yeah, and then when we toggle it, we're going to add a show class, so it's going to give it a pass you one so we can see it. Editor, and there's probably better ways to do this. Somebody said you could have done this with a plugin. Yeah, but I was on a roll, so I just kept going with the CSS stuff. And setting the post editor to a maximum height of 50 VH, which we really don't need to use. That's an option not to do that. We actually don't have to do any of this. And to do these, to toggle this stuff, these are my styles for the toggle buttons. So and then again, these are built in ACF, and this is still the free stuff you can do with ACF. OK, and this is what it looks like. So I'm using the message thing in ACF. So here's my toggle button. You see I added that class, M and toggle, and that's also going to be with the JavaScript calls. And to log out, I'm doing that class, and it's the href to the location of the logout button. And that was part of the top of the part where howdy scott, that's a hide that. OK, OK, so by default, and I'm going to minimize this a little bit, I'll go whoa. OK, so by default, somebody correct me if I'm wrong, Gutenberg is not added to custom post types. Is that correct? OK, so what you're going to need is this part that's highlighted in yellow, and that show in rest equals true. And then you put your support in your array. So you don't have to put everything in there. If you're not going to use comments, don't put that in. If you're not using a thumbnail, don't put that in. OK, and let's see. And if you're going to add categories, which I think is kind of weird, you have to do the same thing. So for my pulp collection, I have to do show and rest is true. So that means I can see my categories in my new custom post type. And you can see that at the bottom. I did not know that at the time of word camp Raleigh. So I didn't talk about that then. And I think the last thing, these are the admin CSS classes. So I'm also going to, with that toggle, or not with a toggle, but in the style sheet, I'm going to hide the left admin stuff that you might not want the client to see, so that your plugins, your theme editor, your themes, all that stuff. Again, you can do this with a plugin, but I'm doing it in CSS because, again, I was on a roll. And the admin bar, these are all the classes. So creating a new post, we're not going to be using that. We're not going to be new media. Nope, nope, nope, nope, new user. Nope, comments, nope, and all that stuff. We're not going to be doing any of that. And this is, again, this is for, like, in my job, I try to build the website so that the client does not shoot themselves in the foot. And yet somehow they keep finding the guns and extra ammo, and I had ammo with foot-seeking bullets. Oh, OK. So one other thing about this that I really didn't realize at word camp Raleigh either is that when you're using Gutenberg, you have the block manager, which is right here. And that will remove blocks. I don't know if you guys knew this, but you can remove extra blocks by disabling them here. So we're going to do that, too. We're going to limit the number of blocks because they're not going to, oh, and then I'm also going to hide the block manager so they can't go back in and add blocks after I've hidden them. I know it makes me seem like a control freak, but the people actually call me at 7 o'clock at night while I'm cooking dinner, so this is all to not do that. All right, so again, this is the default look. And the first thing I want to do is, like, if we click this, what time is this over? 12.30? OK. Cool, I've got plenty of time. Are there any questions so far before I do this? Am I making sense? OK. If not, you're not going to hurt my feelings a lot, maybe. I don't know. All right, about that. And I'm going to edit.  So I'm going to click this, going to go into my. Now, why don't you remember, like, remember this block manager, right? All right, so I'm going to. It also hides other things, but I think it's worth it to hide it if you're trying to protect your clients. So I'm just going to cut off everything, and then I'm going to select only this stuff I want them to be able to see. Because we're not going to be using short code in this. We're not going to be using embeds. Cool. All right. Oh, whoops, I need to add something there, because I don't want to be able to do anything. All right, so block manager. So we're going to use paragraphs and header. And I guess, maybe code. They can't do much damage with that. Yeah, they can actually, but why not? All right, and just so you can see it. All right, so I'm just going to leave those six things. And you're going to have a seventh, and that's the reusable blocks, but we want to keep that. All right, so now if we look at this, when they add stuff, they only see these things. Nope, they will not. They will not be able to. Nope, it only should matter of fact, if I look for, what's another name that's missing here? Embed, or Embed, you're not going to find that either. So Embed, they just see Custom, so no, that's gone too. Behold, all right. So we're good with that. I'm going to click Update, although I didn't change anything. All right, one other thing I want to show you, this is, what is this? Nato is the font they're using for this? The client side, whatever, the front end, the website, it's minus or odd, and I hope I'm pronouncing that right. The font, all right? So now, and I've set up a couple of different themes. This is the default one. So now let's switch, not Theme Editor. Excuse me. I'm going to switch to three, and watch what happens. Boom. So we lost, like, 50% of the sidebar. They can only clear the cache if they're going to add something new. They can only do this. Now, if I'm in there and I need to get to, like, so if we go to wp-admin, so all that CSS stuff that I had in there earlier, that's what this was. OK. So if we go to our pages, let me see this. And we edit this. And back to your question, what happens when they do that? They go to the block editor. It's gone. Yeah, because in the CSS that I did back in my presentation, I used the last. So if you look at this, components, nth child 2, 2 being nth child 2 is next to last. That one. So if they go and change things, I'm going to have to change this. But for right now, you mean the WordPress editor? CSS editor? No, I did it when I was building the theme. You can. But yeah, I don't typically like to edit stuff from WordPress from the back end. I did here because nothing else works when I was in the cabin I was staying at. OK, so here we see that we don't see the Gutenberg stuff. Now, I've hidden, all right, notice we can't accidentally take ourselves to the back end. And over here, we have our toggle content and our logout buttons. Now, if you don't want to show that, you can do that. And again, that is all in advanced custom fields. I probably need to switch back so you can see how I did that. Well, I did show you how to do that. So now we see our Gutenberg stuff. There's all our, and we notice that the stars show up because we included the monosrott and the materials icon. So I'm adding custom font styles to the back end editor of this. So all right, so we toggle the content. If I want to log out, click that. So they can still log out. And you can still log out from, if you do, View Page. I'll also eliminate some stuff from the, what is the front end?  But I'm a front end developer, but I'm editing the back end. And you would think, like, I've been doing this for 12 years, you'd think I would know the difference. All right, so we see new, we eliminated page. We just see pulp and we're not because we're not using post or anything like that. Yeah, I did that. That's CSS, I forgot to add that to. Yeah. So yeah, like 15, it's got an opacity of zero. So when you roll over, it gives it a full opacity and it gives it, had a negative value up. So then it slides down and you set your body to position absolute top lift zero. And that, because sometimes you'll get that gap. Unless I'm generating this, I don't want to see it because it throws it off by putting that 30 pixel, 40 pixel gap in between there. So yeah, and now if I go back, edit page. So let's go look at the pulp section. So like I was saying, this consists of, oh yeah. So let's, all right, so let's add a pulp. So we're going to actually use this. All right, so I'm going to add an issue of Captain Future. All right, and there's our categories right there. All right, so and have a text document open. I'm going to talk about Captain Future. All right. So I'm going to add a 19. So the way this is, again, I've uploaded it. I've got a directory called pulps. And all I need to do this is use. Okay, so this is, again, advanced custom fields. I'm not bringing in over the Gutenberg side, over to this because we don't need it. So there's no toggle. We're not going to be adding any text with this. We just need these three fields here. So, and I'm not counting the title because that's a default. So I'm using that. I'm putting in the link and this is going to spit out the URL for the pulp. And I'm going to put in the publication date is, whoops. Ah, man, I hate it when it does because I forget how to zoom back out. Command zero, thank you. Okay, and there it is, that's not the publication date. That would be July 1943. And my thumbnail, which I already did.  Because usually it would see there was a little square with nothing in it, so it added a little arrow, but that was because a client complained about it. All right, and I'm going to sign this to a category. And that is going to be kept in future. And then publish. Okay, now that we've created our single pulp, we're going to add this to a pulp collection. And so these are all my pulp collections.  A, B, C, D, C, kept in future. Okay, now again, we do have, it's going to show up like the home page did. All right, so right now we don't see Gutenberg yet, but also added some CSS to my ACF stuff. So it helps differentiate between, so we've got it colored sort of like the Brazilian money palette, I guess you'd call it, the pastels. So it's 40, so we know it's 1943, so I'm going to do, put it in my category, so it's going in that category that added in the pulps, and it's only going to show kept in future issues. And it's sort of changing them because I was building this, I'm not sure how to do it, but I know that it's 4307. All right, now I'm going to click update. Now I'm going to add content to this because like typically you're not going to add a lot of content, so that's why Gutenberg is not first and foremost in this. Most, 90% of the time, you're going to just be adding pulps to this. You're going to rarely use the text editor. So I've got my copy for that over here. So let me just take this here and paste this in, and there we go. So there it is, automatically adding my blocks to that and I don't have to do anything. So yay, now this was taken from Wikipedia, so I'm totally ripping them off, just for this example. And update. Oh, and now when I was doing the example I was using when I was talking about the object ID, that's when I go through and I'm finding the pulp magazine issue that's using that object ID, or no, that's using relationship. So if you, I'll go back and we'll look at ACF and I'll show you how that works. But this is my copy on kept in future. These are the issues. And if we go to 1943, this is the one I added here. And if we want to look at this, it will launch the static. All right, so this is the URL I'm talking about where it says question mark issue equals kept in future. That's what's telling you which directory to go to and pull all the issues out. So you get this really cool pulp reader thingy. And so I sort of took some design cues from the nook. I know it's not popular as the other one, what the Kindle, but, or what was it the Kindle? I don't remember one or the other. All right, so we go back. Okay, so that's how it works. Now that we've created our pulp collection, we want to add this to the homepage. So let me go to my pages, edits and our magazine list. Again, we're not adding any content. Oh no, we don't have to do that because it's already been done. Once we update that, we go to the homepage. Oh, let me, yeah, I should have gone back and done that again. All right, so if I'm adding a collection here, I would go, let me delete kept in future here and add it again. So let me delete this. And again, this is just a repeater and it's going in between captain, Satan and captain hazard. Well, what do you put in? Wait, is that right? ABCDEFGL, no, sorry, it goes before captain hazard. Oh, I keep that. Sorry, sorry, sorry until it added kept in future. And we go down here and we'll see captain future. And we are still getting the copy that we put in on the page. So it's pulling in the, now I'm only specifying that it pulls in that pit, the content field and this stuff. And our 1943 issue is right there, the one with the lady and the bird dude, whatever. Not the most plausible scenarios. All right, any questions? Anything you'd like me to go in more detail about on this? Oh yeah, absolutely. Let me go back into my, so we can get to that. So if we need to go back to, if we go to theme, using CSS, because the theme still exists, I can do this and go back and activate the original one. And that will, yep. Yeah, but not what the client sees. So, I mean, not what the client sees. The client will still see this, not what the people looking at the website see.  Yeah, yeah. Okay, so custom fields. Let's look at this. So if we're going to look at the collection builder, I believe is what it's called. Again, I used, when I first bought PULPLE, I was surprised that PULPLE Library was available. So I had to buy it because. Okay, so let's see. Issues, all right. So if we look here, a relationship. Issues, all right. And we're filtering by, so it's an advanced custom field, so you're gonna go in, you add your field and it is issue, is what I called it. It's a relationship. And we're going to select a post type, which is just pull. That's the one we're going to. And we're not gonna be the use taxonomies because I will let you look at other stuff and we're not really using them. And search and taxonomy, that's the categories we added. So there we go. And we're not using a featured image. And we're doing the post object. All right, so that's what that does. So if we go to our theme, just so we can look at what that looks like. And part of this one I did is like, one of the websites, I built an ad builder using the same methodology, so you create your ad and then you can go in and add a group of ads and things like that.  So that, but let me see if I can find this. Oh, I think it's test builder and because I didn't change the name of it, either way they're gonna essentially do the same thing. Okay, so, oh, it's a builder.php. Yes, I'll pull it out because it's in a separate thing. Yeah, I know I should be using get template part, but yeah. All right, so I set this up. Make this a little bit bigger. So we're gonna query our post in this case it's pulp collection and negative one, so we're gonna include as many. So not going over that part. Head and then the ACC body and then, wait, is this the right one? Oh, yeah, no, that's parts correct. It's the collection builder part. So that's our subfield is the collection builder. That's the repeater and then the covers and then the year and then, okay. So right here, get subfield issues if have post and then so you're doing this. So this, the issues thing, this is where it's doing the relationship stuff. And by default when you see all the ones being pulled in so you can pull in, like for 1943, there are multiple ones, you can click those and it puts it inside this loop. So you're only seeing the ones that you click for that particular year when you add them. And that's what this is doing inside the pulp item. Inside, actually it's inside this part right here from here to where the four each ends. So it's inside a loop and that's why you're able to show each issue that you click shows up in that thing. But this is like using post to post to many, many relationships you're doing that. That's what this does. So you essentially replace that plugin. Any questions? Sorry if this seems a bit disjointed. Okay, so one last thing. I'm sort of hesitant to, all right. So a little hesitant to show you this because it's sort of something I'm working on but I don't know if it's, but I'll show you anyway because we have, how much time do we have left? 30 minutes. 30 minutes. And this, I'm not gonna go into a lot of detail how I did this. I just think it's pretty freaking cool. All right, so if we go back to my presentation and I said if we have time. So is anybody here familiar with Ready Mac? Nobody. Is anybody here familiar with Adobe Spark? Okay, so yeah. So essentially Elementor does what Adobe Spark does. What about, let me see. So ACF we've talked about Elementor. Who here's familiar with Elementor? How do y'all feel about it? Better than Visual Composer. All right. Yeah. In the, I don't know, how much should we bad mouth the other, I've had to use a lot of stuff. I've used Divi and this is when we have clients like ours, some of them want stuff fast and they're cheap and so you have to pick the best solution for them. And you know, using like the phone devices I'll build it myself, but Elementor is the only one that I think gives the client the, that gives them a quality product and is quick for us to build. So what I did was this kind of inexpensive solution. It's like $450 to do this, I think. But using ACF Pro, Elementor Pro and Slides, I built this. So when Adobe came out with the magazine stuff when the iPad first came out, it's cool because now we want to build like an online magazine, like you can, like you used to do with the, I forget what it was called, but you'd build it with Adobe InDesign. Wire and stuff like that was built with that. Okay, so this is Slides. And this is the same thing I built then it's a little bit sluggish on this.  These are Slides animations. This is not Elementor. And add some, Slides of Framework. It's made by a company called Design Moto. And I think they do just like some weird licensing thing. I think it's like $140. But essentially I get the HTML and CSS and I take it up. Oh, there's a little bit about me. So I do stuff like this. I've worked for CCO branding of another office in Greensboro where I do freelance stuff. And a lot of times I go on the weekend, I'm like, hey, let me see what I can cram in WordPress. This is something I crammed in WordPress just for fun. So if we click this, we get the, there's a motor window. So we can watch the trailer for that. Ah, sorry for the potty mouth. All right, and so you get these cool transitions like this. I got this background.  But you got the cool scaling effect. So as you look at this, it scales up. I'm using Custom Fonts. That is using the Gutenberg. When you do the typography settings and things like that. So if we, let me pop this out a full screen. So the way this works is, there we go, is with, for me with Gutenberg, you can build templates. Now this is with Gutenberg Pro. So what I did was I went and I built a series of templates in Elementor, yeah. What did I say? Oh, I'm sorry, Elementor. And over here we get these ID numbers, the 496, 467, right? So if we look at one of these, I'm gonna look at the one for Matt Baker. A comic book artist, an African-American comic book artist from North Carolina, by the way. He was born here. So we get a sample of, so this created like one simple slide from Slides, and this is what it looks like. But if we do, let me go back, and I do Edit, and where was Matt Baker at? Here we go, Edit with Elementor. There we go.  Like if I wanna change the width on this, column width, that should be, you know, I can do that.  So to me, this is sort of similar to the way we do things and, well, I say it's a comic illustrator, but not really. And I think if I grab it right here in the middle, I can pull it out and change the width like that and then add new images, stuff like that and add these individual blocks.  All right, so that's one thing I built in Elementor. I'm not gonna save that. Then if I go to the homepage, what I'm doing is I'm taking each one of these and putting it within slides, the loop. So if I go here, edit, all right, and so here's our page builder. And so I'm doing this into the same thing I did on the other one. Let's see where Matt Baker's next. So last, so I can go here and I click, it's gonna go through all my templates that I created. I'm gonna select Matt Baker and then I can do like template settings. Whoops, that's Carol Lumbar, that is not Matt Baker. Looked two vastly different people. Not using a background image with this one. And I can set the slide page thing, that's the slide thing. Now, I have effects over here, so I'm gonna switch this over to Zen. Now this is how the slides transition when I go between them, not me. So where they were sliding before, now we're getting a different transition. I don't know if you guys noticed that, but anyway. Yeah, stop jumping. Yeah, and it's the, now this was done the same way. This is just the same object ID we used in the other ones. If we go to our custom fields, and again bypassing Gutenberg all together because we're not really using it. I don't build templates in elements. Oh, wait, you mean the, you mean like. Yeah, so you do your layups. For this particular case, yeah, I am. And Elementor does a cool thing where it lets you save like chunks of templates, they use it over again, so the titles and things like that. I can go in and put those individual parts in and use them over again. I can change the text, it won't, you know, it'll retype, but it'll keep the same textile. And there's this other thing where you can copy a template element, you copy and you go to another one and you can do copy style and it will copy over the other CSS changes you created from Elementor. That's really cool. So, yeah, so this is, again, this is what I'm saying, this is what sort of cost me my job because they didn't need me to do development really, and they didn't need me to do design anymore. And I didn't feel bad about that because I was kind of tired of working there anyway. And they really didn't need me. I'd been there for 12 years, so it was time. Yeah, so no, there was actually no animosity. I was fine with it. They said, you know, we're cutting ties. I went, okay, I got a job interview on Tuesday. So, but also got like severance too, so I'm glad, you know, I waited. That was, I like two months severance for that. Oh, and the one thing that I put is it the, the slide ID, okay, that's not the slide ID. It is the, I'm trying to find, oh, there it is, that's where again, it's the template name, that's the post object. So we're looking at that and I'm specifying that we're using template is what we're using. So that's the Elementor template. And that, in that particular case, I'm using the post ID versus the post object. If you're using relationships, I'm using the post object and they essentially do the same thing. This one doesn't, isn't gonna do a repeater like the other one did. You're not gonna get, I don't wanna select one from July, August, like we did in the pulp thing. So I hope you all were able to take something from this. I don't know, like I've been doing this for 12 years, so I do this stuff and I don't see anybody, and I don't mean this to brag. Like, I don't see anybody else doing this, so I don't know if this is a particularly good idea. If any of this stuff I'm doing is particularly smart, I don't have anything to compare it against.   And so again, it's a good idea. I don't know, I think it's kind of cool, whatever. I'm sorry, I didn't mean to ramble. Any other questions about this? Yeah, cool, I'm glad you liked it. And I think, we should, this is also, I built this the exact same way. So my presentation is a series of, because this was all built with Drop and Drag 2. So if it ever gets to the back end. So there it is, there's me, there's all my slides, so a multi-slide, and that was, I got this from, I think, Cody House. It's, again, I took some, everything we do in WordPress is a WordPress developer. We're standing on the shoulders of giants, meaning other people have done the hard work, and it's sort of like the same thing they said in Jurassic Park, except if my stuff breaks, dinosaurs don't eat everybody. But so I went through and I color-coded this and made it easier to see, I've got the multi-slide and then single-slide stuff. So I took somebody else's work and then crammed it into WordPress with the help of somebody else's stuff. So I'm using stuff everybody else has built and then doing very little work on my part. So it was, yeah, and I think, I don't know where I got it from. It's in my GitHub repository. So that's on the front, oh, by the way, if you want to look at this again, if you want to relive the magic, it's presentations.scotsunders.design, is where I put it, and I should give it a name, but that's where this is. So, and that may change if I do another work because that's a subdomain I set up and all that stuff, so. Well, cool, thanks for coming and hope there was something you were able to take from it. Yeah, I'll add WordCamp Asheville to that, so it'll be scotsunders.wordCamp Asheville. I think it actually may be that, but because I'm setting it as the home page, we're just getting .design, so. Yeah, I'll email, yeah. All right, that's it. Hope you liked it.