We really do want to rewrite our national stories. We really are at risk of a kind of no-nothing, cancel culture iconoclasm. And so we Conservatives will defend our history and cultural inheritance. To edit it now is as dishonest as a celebrity, trying furtively to change his entry in Wikipedia and it's a betrayal of our children's education. Britain's Conservatives are obsessed with the idea that we should never erase our history. There is a cancer in our education establishment. Attempting to change the history of this country, attempting to airbrush out the people they don't like from the history of this country. The idea that modern day Oxford University is in any way racist or oppressive is nonsense. Why do you stay in this country if you take such offence when you see Nelson's column? If you take such offence when you hear Winston Churchill's name? It feels sort of like with just one Sikh soldier there, you start going, oh did the Sikh soldiers serve with the English, I'm not a historian so I don't know. This whining isn't new but after a statue toppling spree last year, starting with Edward Colston's statue in Bristol, the whinging has reached a fever pitch. This kind of behaviour is a step on the road that leads to mob rules, to tumbles, to the guillotine. This is about our cultural heritage being under threat. These are our Great British Values so we're going to strip away our Great British Values.  In Britain this has caused outrage on the right. Sure, these were awful people then sinuated that they never actually say that but they were products of a different time. We shouldn't be erasing the past and bringing down statues and forgetting our history. Well that just isn't British. But what if forgetting history was a central part of British identity? What if erasing the historical record wasn't just encouraged but a matter of national policy and the basis of a decades-long clandestine operation to whitewash colonial misdeeds? Well it turns out that it was and its name Operation Legacy. In the aftermath of the Second World War it was quickly apparent that Britain's empire was falling apart. This came as something of a shock. After all, as recently as 1939 it had arguably been the most powerful empire in history, exercising control over a quarter of the world's population. During the country in 1940 Churchill still talked to an empire lasting a thousand years. If the British Empire and its Commonwealth lost for a thousand years men will still say this was their finest hour. And yet by 1947 the previously unthinkable happened as India gained independence. A year later British troops pulled out of Palestine and the manner of both withdrawals created scars which remain with us today, the standoff between India and Pakistan being one and the Israel-Palestine conflict being another. A hallmark of such retreat was the destruction of official records. During the partition of India in 1947 one administrator observed how the press greatly enjoyed themselves with the pool of smoke which hung over Delhi during the mass destruction of documents by the British. And after the withdrawal from Palestine was announced a correspondent in Jerusalem wrote how the burning of files is progressing satisfactorily. The fact such seemingly un-British behaviour was recorded by the press was a cause for embarrassment. So by the early 1950s, as it became obvious that the whole empire would eventually go, these efforts became a coordinated secret programme to eliminate all evidence of British wrongdoing. This was the genesis of Operation Legacy, so called to protect the legacy of Britain after the loss of its empire. It's aim being to maintain the charade that Britain was somehow different and more progressive than other colonial powers. A myth fundamental to our national identity even today. The British put in a system that actually brought about education, that actually brought about partial emancipation of women, that actually brought about democracy. It's time to stop seeing empire as a dirty word. One example of how pervasive that myth is can be found in the Home Office Guide for the UK Citizenship Test. It tells us there was, for the most part, an orderly transition from empire to commonwealth with countries being granted their independence. And such a convenient comforting myth is based precisely on what the right claim they disliked. The Erasure of History. The woke religion. Rewriting history. Judged history in whichever way it chooses to. Changing school curriculums. Wipe out any vestiges that there were bad people. It's the erasing of history.  How extensive was Operation Legacy and what kind of documents did it destroy? Well, we have something of an answer as a result of an instruction from Ian McLeod and Colonial Secretary in 1961. He wrote that post-independence nations should not be handed material that might embarrass Her Majesty's government, embarrass members of the police, military forces, public servants or others such as police informers, that might betray intelligent sources or be used unethically by ministers in the success of government. Basically, anything viewed as negative was fair game for destruction. This was necessary to eliminate evidence that would undermine the myth that the British establishment was busy constructing. This had explicitly racist, anti-democratic and anti-worker aspects with long-held documents on political parties and trade unions first among those set for destruction. Alongside them were any papers which might be interpreted as showing religious intolerance on the part of Her Majesty's government and all papers which might be interpreted as showing racial discrimination against Africans.  But that's partly because the records demonstrating otherwise were systematically destroyed. Here's another myth. Compared to the US before the Civil Rights Act of 1964, Britain likes to think of itself as superior on issues of race. That makes some sense given certain states in the US prohibited the cohabitation and marriage of whites and non-whites until just 60 years ago. And yet between 1902 and 1961, the White Highlands of Kenya were exclusively reserved for white Europeans, hence the name. This was a form of apartheid under the British Empire with white settlers who comprised a tiny part of the population owning most arable land. It was a similar situation in Zimbabwe, Sierra Leone, and elsewhere where Britain did pretty much the same thing as the United States. It's just its racist apparatus was primarily overseas and therefore out of sight. The word legacy in Operation Legacy also had a secondary meaning with legacy files be handed over to newly independent countries. But before such handovers took place, those files that weren't destroyed were extensively weeded. In Zambia, colonial officials were issued orders to destroy all papers which are likely to be interpreted either reasonably or by malice as indicating racial prejudice or religious bias on the part of Her Majesty's government. In Kenya, instructions were given which meant only British subjects of European descent could participate in weeding. Ensuring that required an elaborate code. Files marked DG, for instance, were meant to be for the viewing of the deputy governor. In reality, however, DG indicated documents that could only be viewed by British officers of European descent. Documents marked WATCH stamped with a red W were to be removed from the country in question or just destroyed. The steps were taken to ensure that post-colonial governments would never learn such vitally important files existed. With those officials involved, even told to keep their W stamps locked away. So why did this all happen? Well, the answer is quite simple because the British Empire committed innumerable atrocities. In Kenya, for example, the weeding of official documents was particularly necessary after the suppression of the Mao Mao uprising. That struggle, which took place between 1952 and 1960, saw 1.5 million of the Kukuyu people and indigenous people of Kenya put in detention camps with around 150,000 losing their lives during the uprising. During this period, white settlers openly called for the extermination of the Kukuyu while mass torture was used. It should come as no surprise that not on visiting Kenya in 1955, Labour MP Barbara Castle compared the regime's attitude to Nazism. Some documents from the era survived, however, stashed away at the secretive Hans-Loch Park. But these were only revealed in 2011 after a lawsuit brought against the British government by Kenyan torture survivors. Their case was partly based on oral testimony gathered by Harvard academic Caroline Elkins and what emerged from the migrated archives confirmed their accounts of systematic abuse and torture. Yet these files were a mere fragment of what should have been found expecting around 240,000 files Elkins only uncovered several hundred. Yet even this was enough and after multiple defeats in court, the British government finally moved to settle the case. I would say it is not quite enough because of our punishment which we had because for some years which we have been punished, it cannot pay off. It's important to say that such an admission of the truth happened against all of the odds. What other stories like it will never be uncovered. What's more, given the nature of Operation Legacy, the apology from the British government is essentially meaningless. Britain's problem is that it was caught. Similarly in Aden in 1967, there was an orgy of burning when the British departed. As with Kenya, this made sense given the widespread use of torture by the British, something documented by Amnesty International in 1966. A number of people died in captivity, though we don't know how many because the records have mostly been destroyed or remain inaccessible. Meanwhile in Malaysia, while fighting an insurgency after World War II, the British used concentration camps in Agent Orange, inspiring the US to adopt similar tactics against the Vietnamese. Here too, documentary evidence was destroyed and in 1957, one official reported to have five lorry loads of documents were incinerated at a naval base in Singapore. What was so appalling that those documents had to be destroyed and the past erased? After all, as we hear so frequently, doesn't Britain care about the truth? Doesn't it care about history? Operation Legacy continued all the way into the 1970s and remarkably, almost none of the countries involved besides Kenya and Malta appear to have known anything about it. Despite claims to the contrary, Britain is among the most secretive states in the world. MI6, for example, has never made a single page of a single document public since its creation in 1909. Yet alongside that secrecy was industrial-scale destruction of evidence documenting British crimes against humanity. The idea that Britain's empire was more progressive than those of other European powers is a myth. But the fact it's widely believed required erasing history as a matter of state policy, all of which means those who are pulling down statues aren't rewriting history, but starting an overdue conversation about a colonial legacy, which the powerful have done everything to obscure, dismiss, and deny for more than half a century. The people that really care about historical truth well, they're the ones who dumped it in Colston in Bristol's docks. We wanna create more videos like this. What kind of topics would you like to see covered specifically? Put that in the comments below.


Hi, I'm Sandrine. I'm Head Educator and Test Coordinator at ProNails. I'm very glad to show you our new LED UV camouflage gels. Take a closer look. The ProNails Camouflages Shell are here to help you to realize the perfect French manicure or natural look on any nail type. Take your in only 30 seconds in the light, 2 minutes in UV, there are low heat sensation. You can work on 5 fingers at the same time for thin application and finger by finger for building application with the reverse French techniques. And like all or hard builder gels, you can use them as base and builder for normal to dry nail types. The ProNails Camouflages Shell comes in different shades and with different covering intensities to suit all skin tones and nail problems. The Camouflage Mask is a deep skin colored hard builder gel with medium viscosity and is medium self leveling. Thanks to its high masking capability and strength, it is perfect for covering nail bed imperfections and extending very short or damaged nail bed or for example nail biters. The Camouflage Mask is the darkest color in the camouflage's range and is perfect for darker skin tones. The Camouflage Nude is a natural nude skin tone colored hard builder gel. With its medium viscosity and medium self leveling properties, it is so easy to extend nail beds and cover nail imperfections in a very natural way. The Camouflage Peach is a natural peachy skin tone colored hard builder gel. Also easy to use with its medium viscosity and self leveling properties. His subtle natural peachy skin tone covering color will revitalize all nail beds and covers any imperfections. And of course, the hard builder milky pink with medium viscosity and high self leveling can also be used as a camouflage gel. Its milky pink color after curing will cover nail imperfection in a very soft way and is highly recommended for baby boomer nails. And this is how one thin layer of the camouflage's gel looks on the natural nails. The Mask reinforces the pink color of the nail. The Nude gives a very natural skin tone. The peach will boost the color of the natural nail. And the milky pink will softens the color of the nail. The Pro Nails Camouflage Gel offers so much possibilities. You can use them as a base, as a builder and also as a natural color gel. I truly love them all. Have fun choosing and using your products. Bye!


spaghetti dinner with homemade pasta sauce for $15 and 15 minutes. Check it out. One pound of ground beef. Add about a half cup of water.  We're gonna add that whole packet in.  San Marziano peeled tomatoes. There's no substitute. So now it's been cooking for about five minutes and you see we got our spaghetti sauce now. We're gonna add a little bit of dried oregano as well. All right now it's time to get a bite but hang on I think we're missing one more thing. So we bust out the new dandos cheesening. That's right it's not seasoning it's cheesening. Parmesan cheese mixed with Italian herbs and spices and some dandos. Crazy good. That flavor for making it homemade. You'll never buy the store-bought stuff again. You guys get those tomatoes make this sauce put some dandos in it let me know what you think. Yum yum get you some we'll see you next time.


Step back three How's the top of the yard pure we got that when you almost touch the seal of the then jump Bump it and it's The salmon Joey show going on. I'm trying to tell you it's like a law firm right now putting in work Sam How's it? hesitation 14-footer I tell you that jump shot is wet or day thrown it in the ocean Joey how's it double team finds his brother Sam the law and the jam Ed Morrow The alo for the shoe Pulls up for three blocked by how's it and that's the end of the first half Morrow Jump on Rebound and stick back Right now Marquette putting on a clinic on the road And in Bailey Houser again with a long jay and a big smile and Marquette has its largest lead of the game Extra pass Houser sets He looks very good right now cross court Sam Houser catch and shoot and splash man You


The form in a bin will bite. Sprung Free Entertainment is a popular YouTube studio that released cryptic ARG videos that involve UBON SpongeBob SquarePants. The ARG was called, my dear son, another story to mention next month. Yet another episode of this cryptic spastic CG cartoon was uploaded from Dailymotion and Vimeo into channels named Jackrabbit Animations and TNT Animations, respectfully. Now, before I start, there was one more lingering question from the second episode. Why didn't they show the carnage? That can only be responded to by co-writer Kerpaski Kibinsky. When the storyboards showed the carnage, people were horrified. They argued against the storyboards showing the carnage, causing a flux with the storyboard artists and writers. Even some of the storyboard artists joined the writers in this clash. Now, does the actual carnage show up? Well, you're just about to find out because episode 3 is where things go south from spastic and crazy to a bloodfest of green and black blood and some resident evil-like transformations. This episode was also a take that to the people that complained about the bloodbore and disturbing topics. Episode 3 starts right off with the intro. Now, two of the episodes never shared the intro because it was lost until someone named Spastic Sam uploaded a now-deleted intro song. A vaporwave-sounding song with a slight bit of experimental post-rock and even break-core sound samples. After the intro, it snapped right into the three, walking into a decrepit castle. T700 was holding the key from episode 2 and slowly inserted it into the rusted keyhole. It slides in perfectly with a loud creaking click. A series of mechanisms were heard, loud beeps, clicks, whores and occasional cracks and creaks before the doors suddenly flung open. Well, this is where our jury starts. F-rank said, as he and C9 slowly cracked through the bridge to the front door. T700 followed behind with some hesitation. This castle seems decrepit. T700 said to C9. Yeah, almost like a castle wasn't used in... A loud click was heard. Under their feet was a pressure plate. The fireplace from the corner slowly opened up into a decrepit hallway. A faint bubbling voice was heard from the hallway. T700 F-rank and C9 ran to the hallway quickly and found a talking rusted robotic head, with black blood oozing slowly. Who, exactly, are you?  The head started glitching as its eyes turned black. All three robots screamed as black blood started collecting vines, pieces of rock and chunky blots of the same black blood. This creature, the people dubbed, is called, Phantom, and it shows, literally. A loud robotic scream shook the castle as the three pulled out their weapons. F-rank with his butcher's knife, T700's spread shotgun, and C9's explosive touch sensitive plates. F-rank started by trying to slice the rocks, but each time, it made an electric flak bouncing off. F-rank shouted. C9, throw the plate. C9 shouted back. Under the F-rank, just don't... F-rank's legs snapped against the side of Phantom's arm before a loud flush was heard. But just as he was launching, Phantom's arm slashed through. A loud crunch and foof were heard. F-rank. T700 screamed. BOSS. C9 screamed. F-rank crashed on the side of the castle walls with a loud crash and flatter. T700 started panting and rally before screaming.  C9 threw an explosive plate before T700 shot it, causing it to spin and slam onto the Phantom's body.  T700 ran over and with one yell, he shot through the core, causing a squishy pop. The aftermath was shown with rock-green vines and black and green blood oozing out the walls. T700 and C9 got up as T700 silently pulled out something from his leg and started working. Buzzing, beeping and whirring were heard. What are you doing? C9 asked weekly. I'm fixing up F-rank, just finishing up. After a minute, F-rank woke up with a groan and said, Well, ain't that just anti-climactic? We better continue on before any more surprise. A soft pop was heard as all three fell from the floor. Three screens were heard as, yet again, the To Be Continued was shown. After the third episode, they stopped using the To Be Continued screen and used a new screen where it showed the next episode name. Ever since the last two episodes uploaded, I've been finding newer and newer updates and I'm so glad my voice is being heard and that I'm not crazy. I'll continue looking for more updates. The next episode would be called, Flux of the Pit. Be warned. It may deal with some disturbing topics.


Founded in 1996, Changde Dongfeng Canvas Factory is the largest private enterprise specializing in canvas production in Hunan Province. The factory owner Xu Xiu Gao says the American brand Converse has been a stable business partner for over 20 years. But because of COVID-19, Converse has halted their orders with the factory since May. Everything has been kept in our storage as we are unable to ship to the U.S. Earlier this year, they notified us to stop supplying the raw materials. Some employees were able to return to work after a two-month shutdown. The boss helped us with the living costs during the shutdown. Economic department supervisor of Changde Government, He Hua, says private enterprises are returning to normal operations. Well-fair benefits are also provided by the government to help workers. According to Gao, starting this month, Converse is resuming 30% of the orders with the Changde Dongfeng Canvas Factory. Reporting from BUTV10, I'm Mohang Ge.


Good morning Hank, it's Tuesday. So listen, I've been helping out with some of your jobs on account of the chemotherapy, and I kind of can't believe that you do all of this. Like it just sort of strains the imagination that you are the CEO of our educational media company Complexly and of DFTBA.com and the founder of the awesome socks and coffee clubs and sun, base and soap. And also that you're the host of Crash Course, SciShow, Journey to the Microcosmos, Vlogbrothers, and a Bad Advice podcast. As we used to say in French class back home in Alabama, soon a popo cibla. Like Hank, you often credit me for coming up with the idea for Crash Course, which is fair, because I did come up with the idea for Crash Course. I loved making educational videos on Vlogbrothers, but I wanted to do it in a bigger and better way, and I recognized that we couldn't do that alone. But the thing is, having that idea did not get Crash Course 15 billion YouTube subscribers over 1.8 billion views and a place in many American high schools and colleges. Because ideas, to borrow a line from W. H. Auden, make nothing happen, or at least they make nothing happen on their own. Ideas matter, but for things to actually happen, logistics and systems have to build up. People have to collaborate. There's often even a need for, and I struggle with how hard this word is for me to say, but there's sometimes a need for meetings. So yeah, maybe I came up with the idea for Crash Course, but I didn't make it happen, and in fact I couldn't have made it happen. Not only because I really dislike a meeting. For Crash Course to become real and especially for it to remain real, it needed you, Hank, and also thousands of other collaborators who you could welcome into that process. Writers, editors, curriculum consultants, animators, teachers, and the thousands of people who support Crash Course every year, which allow us to keep making it free for everyone forever. Now some of those people support us by Patreon, but many support us via drumroll, please. The Crash Course coin, which was your idea, Hank. And usually it would be Hank talking about the Crash Course coin, but this year you get me. Great value, Hank Green. This year's Crash Course coins, which are available only for the next 11 days, were minted in Arkansas from hand-engraved dyes, and gosh, are they beautiful. This year's engraving was inspired by this photograph taken by the JWST. If you held a grain of sand at arm's length, that's about how much of the sky we're seeing here, and yet it is vast, teeming with galaxies that we're only just learning how to see. And for me, the coin image represents how learning can illuminate unseen areas of ourselves and our universe, and it also represents how acquiring and building knowledge can lead to ever more acquisition and building of knowledge. And I think that's how breakthroughs in technology and understanding really happen, not with one brilliant person having one brilliant idea, but with many, many people having ideas and working together. Like a few human lifetimes ago, we didn't even know there were galaxies. And now we know that smudge is a galaxy. This year were minting four Crash Course Coins, one for three-year patrons, one $100 coin that supports 2,000 Crash Course Learners, a limited edition $500 coin that supports 10,000 learners, and an even more limited edition $1,000 coin that supports 20,000 Crash Course Learners. Each of these coins is minted on a different medal, and some come with signed thank you notes, but the main thing is they're all amazing and incredibly important to Crash Course's ability to fulfill its mission. And I mean that this is not like some tiny slice of a massive corporate pie. The Patreon and coin campaigns represent the single largest slice of the annual Crash Course budget. Like this year, thanks to support from the coin, we launched Crash Course in Black American history, botany, biology, and Crash Course on Espanol, among many others. I've been the reluctant and temporary CEO of this enterprise for about 18 days. And so I feel like I can say with some authority that this just would not be possible without support from our viewers. So thank you. If you can afford to get a coin, and of course no worries if you can't, CrashCourseCoin.com. Heck, after a couple weeks of having a small portion of your jobs, I am of course impressed by your astonishing productivity and your commitment to bring beautiful and interesting things into the world. But I do think I've begun to at least glimpse how you do it. Which is that you don't do it alone or even anywhere close to alone. You do it with a huge array of colleagues and collaborators, and together you're able to make something that none of us would be able to make alone. That's the story of Crash Course. It's the story of JWST, and it's the story of how almost everything worth doing gets done together. So if you can help us reach more learners with Crash Courses Resources CrashCourseCoin.com, Hank, I will see you today actually. So that'll be nice.


Incense Musk. Two of the best hard to give fragrances on the planet. Welcome to the channel where fashion meets fragrance. My name is Kevin Samuels, your style godfather. And guys in today's video we're going to talk about two of my favorite fragrances on the planet. If you like this kind of video cool way to subscribe. Drop a like down below. Gentlemen, what are my favorite notes? Rhodes, Amber, and Oud. What are my secondary notes? Musk, Pechuli, Incense, Tonka. In this spring I am going to be focusing heavily on the note of Musk, Incense, and Pechuli. More on those things later. But I want to share with you guys two hard to get fantastic fragrances. Probably never seen, never smelled, but I still had to tell you about them anyway. And one is from La La Bo, but they have this thing called City Exclusives. And the City Exclusive for LA is the note of Musk. When I think of LA I don't typically think of Musk, but La La Bo did this. But La La Bo changed that with me. This is a minimalist dream. That's this fragrance. La La Bo Musk 25. Simple, minimal, sexy Musk. And it gets better and better as it cooks on your skin as it warms up. One of the things I love about Musk is that can be worn by men and women alike. It's sensual, it's sexy, and it plays so differently in our body chemistry. Musk 25 takes everything I like about Musk and just amps it up. In my opinion, it's probably one of the most sensual yet wearable must in a guy or a woman can own. La La Bo Musk 25 is a must have in my fragrance collection and something that I would never be without. And the other from Dolce Gabbana from the Velvet line, this is a Velvet Instant So. This is a masterpiece of an instant Fragrance, a peppery incense. This stuff is love it first sniff. Love it first sniff as soon as I sprayed it on my hand. Let's just do it right now. Oh yeah, baby. Oh, this stuff is so good. So, so good. As soon as I sprayed it on, I knew I had to have it. Now, if you aren't by Dolce and Gabbana boutique and you can't get your hands on it, I will say Armani Prevay makes something that's along the lines of it. If you take Bois des Insants and Insants 13 and mix those kind of together, you can kind of emulate it, but it's not the same. This is a standalone winner and this stuff is strong. On my skin, this is beast mode. For my Musk, for my incense, these are fantastic fragrances. Let's go over the C3PO system. Compliment factor, Musk 25. Amazing. People love this stuff on my skin. Performance. It's not a performance monster. On my skin, it's a solid six hours. Projection, two to three feet, CIs, three feet plus. The style personality can definitely say this is a corporate powerhouse boss fragrance. This stuff is a Musk, a clean, sensual, sexy Musk that does wonders on men's skin or women's skin and the occasion signature sent worthy. It is signature sent worthy and that's saying something for a must because it can be worn all season, all reason from any age. I love this stuff. C3PO system for Velvet Incenso. Compliment factor. Amazing. Again, this is a this thing stops traffic. Performance. A solid six to eight hours plus projection, two to three feet plus. CIs, two to three feet plus. Style personality I see pulling this off best. This is definitely going to be much more one of those bad boy, almost player flirt, but definitely that bad boy. And the occasion I see you wearing this, I can either see this in a black leather jacket or dressed up. This is that unique. This is that powerful of a fragrance to where yes, you wore it during your dress down a little bit more casual. It just wouldn't have the same vibe even though you might want to use this as an accent for other fragrances. Guys, overall, I wanted to talk about these two fragrances because I didn't want to do a standalone video for either one of them because the reality is most people are never going to be able to get this one or this one, but I did want you to know about them. They exist and what I thought about it. If you're ever in the market or have the opportunity to pick up must 25, do yourself a favor. Grab it. And the same thing with this one. Velvet Incenso. If you're ever in the market to grab an incense, grab it, especially if you're an incense lover. If you're an incense lover like me, this is a must have. Right along. If you're a must lover, this is a must have. I'm glad I have it. But like I always say, don't just leave it up to me. Hit us up in the comments section. Let us know. Do you have either one of those things? Have you worn them? Have you rocked them? Let us know what they did on your skin. Inquiring minds would like to know. Hey guys, whether look style or life, whether personal or professional, you can level up and be your personal best each and every day. If you're interested in any of that, do us both a favor. Follow the link in the description and book your one on one session with me. Details down in the description. Peace.


Jim has a question about adding a website to favorites on an iPad. He said, I wanted to add a new website to the menu bar in Safari on my iPad. For the life of me, I couldn't figure it out at first, since this was a site I visit a lot. I wanted it visible on the Safari menu bar. Of course, you did all the time. So I tried dragging the website address into the menu bar, as I'm able to do on my MacBook Pro, but no luck. It didn't work. Then I remembered to click on the share icon and add the bookmark to the favorites. And sure enough, it appeared in the access list where you can see when I click on the ellipses at the far end of the Safari menu bar, I have all my favorites. But it was at the bottom of the list and I wanted it at the top. Drawing on years of Apple experience, I tried an often used rearranging technique and clicked on the new shortcut and tried dragging up the list and nothing happened there. A bit frustrated. I closed Safari, opened a brand new blank page. And of course, it showed all of my favorite website shortcuts with a new site at the very end. Then came the yah-ha moment. I clicked on the icon for the new website and dragged it to the top of the screen and dropped it as the third item in the array. It stuck in Safari. And the Safari menu bar now shows the new shortcut right where I want it. Not sure why it's different on the Mac than the iPad, but it is. So maybe this will help someone save a few minutes trying to get their website shortcuts visible on their iPad's Safari menu bar.


Hello! Welcome back to Resident Evil 3 Uh, turns out I did some research. I cannot change the difficulty Um, which, uh, which sucks, so I'm stuck unassisted for the rest of the game So, that's just the way it is.  About you, I mean me? Come on.  Subway tunnels Oh no Oh no How are we gonna get rid of Nemesis? We've killed him Like 40 times What is the right way? Hmm? What is the right way? Oh, you didn't even give me any ammo at all? Come on now, come on Hmm, hmm, hmm I don't like these noises, dude I don't like these noises So here's a question What if we shut that door? Wouldn't that be smart? Wouldn't that be the smart thing to do?  Where will I put you, okay I am no longer upset, I just wish that I could carry more Okay, I'm gonna put some stuff in here I'm gonna put that in there And I'm going to put, uh, I don't really use my knife ever, you know Should I? Unlocks the outside of kendo shop, granting it Okay, I don't need that at all I'll just store that in there just for funsies Um, I'll put this in there just for fun as well Uh, explicit B Okay Cool beans, guys, cool beans I'm so happy, I'm so happy I was so afraid that I wasn't gonna be able to use it at all That would have really sucked That would have really sucked Well, well now What do we have here? We have some good stuff here Yes we do, yes we do It makes me so sad that it's assisted So sad, so sad, so sad Alright, let's get rocking and let's get rolling So, here's the thing about it, guys Do we have a grenade launcher now? Yeah, yeah we do Didn't like him just rolling out, that wasn't cool Uh, do we have a grenade launcher now, yeah Is it gonna do us any good against Nemesis? None, none good Because if we've already exploded him twice Like, it's just, it's not gonna do anything It's not gonna do anything It'll be good for those big frog boys Don't wanna use that Um, for those big frog boys if we see him again That'll be, it'll be perfect for those Because those guys don't like big I feel like I'm, ooh See, now would be a great time to have the pistol Well, it's just one shot, it's fine It's fine, we can spare it, we can spare it See, but we've only got two I don't, what's that sound?  Yeah, whatever, whatever At least we're getting ammo Hey, clock tower Say Michael's clock tower Any good information here Nope, not really Maybe there was, there was nothing green, so you know Whatever Could I have a little bit more ammo? That'd be nice That'd be nice, all these little boxes on the ground look like ammo They sure do look like ammunition Ooh, that's like the only reason why I wanted to keep Can't do anything with it It's like the only reason why I wanted to keep the knife So I could use it to open boxes so then I don't waste ammo Here he come The Wicked Witch of the West Just a big lava boy Oh, is he gonna jump in the river? Not really How good of a swimmer is he? Bitch can't even swim Are you betting on that dude?   What's his weak point? This dude doesn't have a weak point, man Ow, he got a loud scream What's that loud scream?  What he doing, dude? What he doing?  What is he doing?  Yeah, that was good stuff Oh, I'm getting you, Nemi I'm getting you, bub What if I just use it like that Cause he's bound to walk across it Gotta find a way to stop it Gotta find a way to stop it, how? Like, what could I possibly do? I really don't know Oh god Do I have other rounds? Dude, I don't have anything else I don't know what to do Okay Okay How am I gonna do that?  Okay, I got me some ammo, that's good Dude, I just... I just don't know what to do Uh, mine runs Uh Dude, me rollin' skills Me rolly-polies Doin' damn good, not anymore Okay How am I gonna stop it in its tracks? What do I do? What do I do? What do I do? Uh, I'm not sure what to do I don't know What could I possibly do? I need to figure out something Cause I don't have any ammo left Oh jeez Maybe I'll just stab him with this knife Maybe that'll work Maybe that'll work Do I have anything? Okay, flame round Am I willing to waste a bullet?    Why didn't Why didn't this happen before? I don't I don't trust it I don't trust Nemesis to be dead There you go You think that's gonna hurt him? Oh I thought it was gonna get his actual I thought it was gonna pin him down for real I still gotta mess with this dude When can I finally be rid of this torture? Oh no Oh no Jill Wait Wait Wait Wait Wait Was he Nemesis?    Are you alright? Could I do something on you maybe One of these? Could I use on you? Maybe Or this? No I'll just put you out of your misery What if What if they let you do that? Oh my god What do I need to get for you? Jill Come on Jill What do I need? What do I need? Alright Jill I'll be back Don't you worry about a thing alright Don't you worry about a thing Alright Alright We'll go on ahead then What will we find for Jillie? Huh? Jillie-Booie Alright alright Alright alright Alright there Don't worry about me alright Alright there papa How are you? How you doing me star? Just one more for the ride alright I was worried that somebody was gonna come out of there And a third And a fourth Okay fine That's totally fine Wouldn't that be nice Wouldn't that be nice if we could use that But we can't Okay Spencer I gosh I clicked out of it too soon But that says Spencer on it Oh my gosh You'll love to see it when your little boy Is represented in the game Oh Get out of my house Was that supposed to happen? I guess so Well that's no fun dude I hate that Or hate that Don't like it when my boy gets Gets bit Ooh Dude It would be so nice If I had A lockpick That would be so nice But that last I did not Unless I could pick one up Mmm Well how do I get that How do I get high out there That's the question isn't it That's the question Alright Just gonna take you out And a 10 real quick Well damn how do How do we How do we get out there Oh Dr. Nathaniel Tape player What's a tape player do Uh Let's see I don't really need this anymore do I No I do not Uh Am I thing is fine Okay okay okay Uh This I don't need anymore either do I Hopefully Hopefully I would I would think that I don't need that Alright well this tape player let's examine it Um Can I Wait Can I Hear anything from it Hmm No Okay Oh we have to put a tape in it Okay we don't have a tape Easy Enough Uh Use Alright we're We're gonna We're gonna Alright so we have to find A record Okay nothing super important there Otherwise it would be highlighted Uh Get me one of these boys Let's combine it with that boy You love to see it You love Oh my god And bang Oh man I wish I could shoot through there Because he's gonna slip out You know it's gonna happen You know it When I least expect it She's dead right Okay thank you Hi sir I don't want to deal with you right now I really really don't Oh boy Oh no Oh I need a I need a medical idea I was like Wait I just want that Kikai Oh my way Alright Let's go through here A little table Not nice I was over here before wasn't I? I thought that was one of those Big creepy crawly guys again And I was not about it I was not about it I don't like those guys Those little friends Hmm Interesting That guy behind me I feel like he's gonna come alive again So that'll be fun to deal with Once that happens I hate Hate those noises I feel like I need to go down there Staff only Well maybe there's some staff in here Maybe in the staff room There would be staff Never mind I will save That's nice Good stuff Good stuff I don't I don't have anything in here That could be of use No I will however I'll put one of these in there Because why not Also the flashes I feel like I don't really need right now I don't feel like I'm gonna really use them So I'll put them in there too I'll just pick that up Oh it's just ammo Okay I wish that there was some sort of record Around here in the staff room Wouldn't that be nice What do we have Some journals Okay I could read those I know that they probably give me Slight information But I know that they It's just extra information That I don't really really need Um That's not 100% mandatory to know We need to remember to go down that other hall Hate that music a lot More than anything More than anything do I hate it Oh boy Okay well I can't get it in there Guys Please don't wake up Alright I'm begging ya Is this a tape Nope Fuck Oh my god I hate it Oh my gosh I hate it What is this Okay Cool Alright so it looks like We gotta go to the courtyard To get That So that's fun God that room was creepy Very creepy This music right now Is creepy as well Alright So we're at the nurse's station Whoops Somebody's in here Zoink scoob That's not gonna be fun to deal with Not at all Oh From both ends Hey do we have any clues to What about a tape recording I think I know what happened to the missing tape Of Dr. B His research assistant took it One of my patients saw Abbot remove something From a locker in the nurse's station And walk around the treatment room I'll try to sneak in and look during the night shift You stay cool and keep doing your job Okay Cool So it's in the treatment room Which I don't know Where that is Did you guys see That shroud of headshot That I just got though Some good Good shit Okay Easy enough Can't get in there That's fine Just for good measure Okay Might be able to This kind of looks like a treatment room I knew that was gonna happen I knew that was gonna happen And that's why you shouldn't get up This looks like a treatment room though Ooh Grenade Like it Like it but I would like the type recorder I would like the type recorder Bummer This looks like a treatment room This looks like a place where people would be treated Maybe not Maybe not Alright Well Let's uh Let's skedaddle on out of here guys Let's get Ooh I can get down here Oh yes dude Look at you I hate the rustling of the bushes Side do I hate Ooh A tactical grip Oh ho ho ho Combine Put it on there Oh yeah Makes the recoil a little less Little less dirty Well it's this Okay For the locker room Uh okay I'm going to Combine those And I will uh take that Sick dude Sick Uh I'm not Yet Okay Well at least I'm getting a ton of ammo right now That's nice Is this a locker room?  Oh okay it's a shadow I don't even know where I'm going now Oh I have the I have the ID card Um Which means So I can go I think one of these rooms back here Yeah that door Has an ID card that's good Okay So we can get in here That's good That's Gucci that's Gucci Oh sick two more of them Can't wait for that Can't wait Can you see how excited I am Can you see how excited I am Oh hi Just gonna tap you one more One more time for a good measure Okay I wish I had a lock pick Uh hi Gotty I don't have one of those Okay Oh god oh god Get away get away get away Alright open this door Well We're gonna have to deal with them at some point right So Might as well do it now Right Might as well do it now Go in guns blazing Take that Real quick Did I get both of them dude that was a Sick that was A clutch move Please don't wake back up I swear if you wake back up I'll be so upset I will be so upset Ooh what's this Is it a type Well what if we What if we do a little bit of this What if we combine that with that Hey now What if we Spec this Uh how do we Wait can Can we listen to it Search for an audio because I did I put one in there Wait What are you talking about Uh how do Listen Listen Uh Okay cool Well hopefully that wasn't A glitch and at a certain point we Listened to the audio tape Cause I just came here and killed these two criminals For it dude Whatever Whatever Hate the way you move I really do I really do I really cannot stand it actually Ah fuck Get away This is a horrible place for me to be I am completely backed up in corner Ooh okay So grenades are really good Against those guys good to know Good to know Alright so we have the ID card Now I think if we just go back Downstairs I'm gonna take one of those boys Real quick I think if we go back downstairs then Should be Should be chilling I think I think I think I think I think I can't remember the other place that Required the The ID card it might have been further back in the hospital Honestly Can't remember There's a bunch There's a bunch more people over here now You'll love to see it Oh good Oh good Hey guys Hey guys Hey guys Oh yes a nice little A nice little collateral Please don't get back up Oh great I told you not to get when you bite me On my footsies It sucks dude It sucks a lot I do not like I do not like Greening some ham Come on There we go There we go there we go Alright well we can't get that But we can't get this The operations room Alright wonderful Maybe there will be something in here That will benefit us Something that will kill us They're giving us a lot of ammo Which makes me afraid And health great Can't wait for that Can't wait for what's to come Oh my god dude they are Stocking me up right now That is no good That is no good I don't need this key anymore I can discard it I guess I'll take the two flashes I'm so afraid I'm so afraid What are they What are they about to do What are they about to do guys Lost items We've been Inundated with reports of lost items If you find something and it's unclear Who belongs to do not take it home Please deposit in the nurse's station The turn safe combination is 9 clockwise 3 counter clockwise 9 clockwise 3 counter clockwise Hi God damn it Well the first of the bunch At least you're easy to take down Don't really want to use a flash There we go Okay so Let's go back up Back up Steyos Do I not feel good About this guys do I not feel good About this So Back you're up again Dude come on Come on man this is my third time around When you go sleep forever Huh Nurse's station Question mark Oh yeah 9 clockwise 9 9 3 counter clockwise What we got Okay ammo Dual mags You found this in the hospital Yikes Okay well cool that helps me I like that Search for an audio So I think the game is glitching because I found the audio cassette A player with For audio cassette tapes A tape player with a doctor Okay Oh so Maybe I just need to bring this Back to her now Question mark I'll just assume that that's what I have to do Is just bring it back to Jill We'll have a little listening party For it or whatever Sounds right I guess I guess I could have just Jumped out the window but Whatever we'll go the long way Around we'll go the long way around Alright so back to Jill We go hopefully that's What I'm supposed to do I don't really even remember How to get back So hopefully this is Correct I'm Trying to prepare oh Wait This I forgot about that I'm god damn Nathaniel Bard Oh god I Cannot wait to just get Absolutely destroyed here Hmm whose feets were those Cause those were not Uh oh Um Missile, Missile Bard Missile Bard Well I guess Yeah there's a little lappy toppy here Banquet invitation Damn damn damn So we got invited to a dinner Someone wanted that Invitation obviously That's obviously what happened Uh the computer Right over here See it now Email from Nathaniel Bard Greg I know you're watching the news This virus is going to develop the whole country The dead will wash over the capital You're like a Tyler wave You're not safe however you've always been a good friend of me So I'd like to offer you a way out I have in my possession one dose of Vaccine for the virus The holy grail and it's not for my family Not for my ladies on the side So I know better than anyone That you're the future of the US But if you want the goods Greg You have to get me the hell out of here Now without umbrella finding out Lean on the pentagon for me I know you've got the clout Dude that's a clout If somebody can get a rescue team in here Without UBCS involvement You scratch my back I scratch for yours Which should sound Pretty uh Pretty chaste After the parties we've been to Hurry my time is running out Somebody dare with you boy Ho ho ho I'm Boa That's when the person came in So we gotta go underground Oh Carlos You hottie Dude Joinks Hmm Convenient Well Imma just Step through here That purple thing kinda looks like It might be the vaccine A A what's up What's up Dude Give the vaccine to Jill I have a feeling that there's gonna be some uh I got it Some monsters ahead Be careful Alright well at least you're aware I fucking knew it dude I knew it You damn cretin Here have one of those There we go There we go That's it for you right Alright cool How many more of those am I gonna have to deal with A lot of them probably I would guess a lot of them I don't know how to get over to that little like Case thing Is it Oh boy oh boy alright Alright alright That is where I need to go isn't it Wait or do I go back here Nope that's where I need to go Alright sick Okay Just uh Push the door open God Wonderful It's hard to do this With this damn door closed Alright Imma just jump through here real quick Real quick real quick I know that I probably Should shoot all those guys The door placement Was annoying I've gotta be completely honest with you Alright Jill Imma give you this record player okay Imma give you this vaccine Jill You're gonna be okay baby doll Ooh hot Take it out with your teeth yes Ooh all that purple stuff All that purple stuff Jill how you feel How you feel how you feel You know I just don't think that That's a good idea You know what I mean I don't The life of one versus the lives of million He said it was the only vaccine So I don't know A little selfish But who knows what I would do with that scenario Surprise Cool Sick dude Well I mean Got a point though Why Why, why do I got this Why Why do I got this Alright well I'm going to stop this one here Sorry that this was weird I mean It'll be edited for you but I recorded Like two days after The original recording But anyway I will see you guys next time I think the next one May be our last Episode There may be two more but I'm not sure Anyway I'm gonna end it here thank you guys so much for watching I'll see you tomorrow Bye bye


This is Witchface news for Friday the 26th of May 2023, I'm CMDR Buur. In Elite Dangerous News this week, the community brings science to bear against the Glaive with some interesting results. While Aegis contacts the player base directly there's also a player driven initiative to drive forward the Azimuth mandate and this week's community goal brings us a significant step closer to analysing the Titans. As always if you enjoy our videos please do hit the like button and if you haven't already be sure to subscribe and click the bell so you don't miss any of our Elite Dangerous content. You can also join our Patreon if you'd like to help directly support our work, links to that and everything else are below. Aside from the unveiling of the Titans, one of the key features update 15 will also be remembered for is the introduction of the new Hunter class Thargoid Vessels and the arrival of the Glaive. Whilst we've seen many a new Thargoid ship arrive in past years, if you're not particularly killy when it comes to Thargoids we've largely had the choice to either outrun them or avoid them completely. It was suspected when we first saw the Glaive at a Frontier Preview event however that these more pacifistic tactics were likely not going to be an option when faced with one of this new class of ships and within just a few days of their arrival our fears were indeed confirmed. When they were first introduced the Glaives could be found exclusively in the space immediately surrounding the Thargoid Titan vessels however after that they began moving outward and quickly inter and hyperdictions from Glaives started to become all too common on the frontline and counter strike systems. As I've mentioned this wouldn't be a problem so much with previous iterations of Thargoid weaponry but the Glaive is different and it's clearly been designed to be disruptive. The Glaive is extremely fast. Orders of magnitude faster than anything else the Thargoids have fielded before. Only the very fastest of highly engineered ships designed for racing appear to be able to easily outrun them. Worse than that however is the Glaives toolset when it has you in range. If you're a player who is unfamiliar with combat or worse unwilling to participate in combat with the Thargoids then an encounter with a Glaive can be devastating. Upon initial contact the vessel immediately shuts down your Frameshift drive preventing escape. It then initiates a series of dazzling lightning quick attacks that sap the power from engines and prevent you from moving with any great speed let alone boosting away. Once you are to all intense dead in the water it then deals damaging attack after damaging attack some of which are caustic in nature wearing you down until the icy grip of the void mercifully takes you away from the harrowing all deal. When it comes to actual combat with a Glaive they are thankfully uncomplicated beasts accepting just pure mindless damage but for all but the most prepared combat will likely leave you in no fit state to do anything else. This is of course likely all to happen before you even reach the Maelstrom system and the highly damaging environment of the clouds themselves. For the explorer, scientist or just plain content curious tourist to call it a rough road is somewhat of an understatement and honestly right now for those folks Thargoid space is currently somewhat of a no go area. The question has to be is there anything aside from a stand up fight that can be done about them. This week Commander Greybeard Seawolf asked on twitter for folks to relay their experiences of the Glaive and just asking of the question became somewhat of a beacon for a bit of community science to happen. I do want to preface this next bit by saying that right now we don't have any definitive answers for you but the thread did contain some useful collected experiences that are worthy of further testing in the wider community hence our inclusion of it here this week. As things stand without definitive proof right now given what we've read this week here's what I'd suggest. There is some compelling evidence that the immediate split second use of silent running is absolutely worth trying you'll find video evidence from commander radium IO below. Really importantly whilst you need to be as fast as you can there is again very compelling evidence that resisting the urge to boost while you are in silent running may have significant value. Upon contact you'll get a missile launch alert. It's that missile that shuts down your frame shift. Use of a regular ECM burst when the missile is close enough is definitely very compelling from ours and others results. The most important thing you can do with any of these tactics or anything you try yourself is share your results good or bad. The more information we can get out to the hands of more commanders the more chance we have of negating the debilitating effects of the Glaive in open space. You'll find a link to the Twitter thread I've mentioned below if that platform suits you or maybe get your results to the frontier forums or comment below this video with what you find. Clearly wanting to get your attention Professor Albert Tesro of the previously ridiculed and retired but now renewed and reforged Xeno Defense and Research Agency Aegis contacted every single independent commander in the Elite Dangerous Live Game Galaxy this week with a 3 part fully voiced message to their cockpit inbox. If you've not seen and heard it already check your inbox and look for the discovered Logs entry. In the message Professor Tesro recounts the recent trials and tribulations of Aegis acknowledging and accepting the problems of their previous iteration whilst also highlighting their new efforts and recent successes. The most notable of their previous failings being their almost complete reliance on independent pilots and their rebies for the defence portion of their stated mandate. Rarely if ever in fact pitching in and actually you know defending, preferring instead to bravely supervise from the safety of a megaship parked near an AXCZ but not so near that they are in danger of actually being CZ themselves. With the reforging of Aegis we have now started to see Aegis combatants and megaships directly involved as part of the ongoing struggle against the Thargoid invasion. And the Aegis science and engineering divisions can now proudly count the recently released Caustic Sync Launcher and the Thargoid Pulse Neutraliser amongst their early wins. All facts that are pointed out by Tesro in the address to commanders. The previous failings of the former incarnation of Aegis are not lost on the player base of Elite Dangerous either, indeed this very channel is guilty of mocking Aegis in its former life for merely observing Thargoid incursions from a safe distance while commanders throw themselves off the cliffs in an effort to stop the swarm. And a number of weeks ago we were made aware of a then draft and now public statement from a new player initiative that was forming with the specific mandate of supporting the efforts of Azimuth Biotech. Azimuth Biotech being the company formerly headed by Caleb Wichely who preferred more recently to be known as Salvation and is now either properly dead or evolving into the Guardian based equivalent of Tron's Master Control Programme depending on who you speak to. Sojin A the artist formerly known as Subject D2 would have you believe the latter. The Azimuth Biotech Player initiative is now organising and has a Discord server where you'll find the public statement that I mentioned. The statement is lengthy but if you're unfamiliar with the long history of Enra, Aegis and indeed Azimuth it makes for an interesting read and whilst I think it's fair to say they have no specific love or importantly trust of Aegis they do acknowledge that the organisation is providing what they refer to as the shields for combat. Their argument is that a shield is just part of the equation and it's Azimuth Biotech that has been providing the most effective weapons and as such they should be supported not attacked. Of course the in-game Azimuth Corporation themselves are not in a position to inhabit a colossal stretch of the moral high ground, their legacy of human experimentation speaks to that quite clearly but in their defence as far as we know right now those actions were under the previous administration who as I mentioned is now beyond his corporeal existence in one form or another at least. Whilst it's early days for the Azimuth Player initiative they do now have some BGS goals and a structured discord which I've linked to below if you'd like to get involved. Whilst we're talking all things Aegis in this week's recorded message Albert Tesro goes on to comment that the science division's next trinket from their toy box is rapidly approaching and indeed this week's community goal which launched on Thursday aims to bring that very trinket to the cockpit in the form of the pulse wave Xeno scanner. Not to be confused of course with the Xeno scanner, the Thargoid pulse neutraliser or the SRV wave scanner, the pulse wave Xeno scanner will enable pilots to scan the Thargoid titans at the centre of the maelstroms. There's quite a lot of waves and pulses and scanners drifting about in the Thargoid marketplace these days leading to some significant brand identity dilution and likely resultant consumer confusion, I'd like to humbly suggest to the marketing teams at Aegis that they consider simplifying things somewhat, lose the pulse and wave descriptors and maybe just call it a titan scanner. I suspect that's what the consumer will default to anyway. Brand awareness concerns aside as I've mentioned the plan was that the titan scanner would be available at the bubble's rescue mega ships outfitting base following the completion of this week's community goal. Just after the goal kicked off however commanders began noticing that the titan scanner was in fact already available at military surface ports, obviously accidentally. Frontier have confirmed that with this morning's tick the titan scanner was removed from outfitting options but those that have already fitted the errant module will be allowed to keep it. Its premature arrival did give the community a preview of its stats and operation and it appears from what we've seen that the scanner has dual functionality as well as acting as a titan scanner it can also be used to scan the smaller garden variety thargoids as well. Scanning a titan itself reveals points of interest in research limpet attach points that can be used to gather some of the materials that have been listed in the fleet carrier inventories since update 15 launched but players couldn't actually yet gather as well as locations for the materials that we can already see and chip off of the thargoid capital vessels using weapons fire. Whether the titan scanner has the range of the enhanced zeno scanner or just the regular zeno scanner when being used on the more common goids rather than titans is currently unclear. The community goal this week is a dual pronged hauling protect the haulers affair with the top 25% of participants for both cgs receiving a free titan scanner after the gold ends. It does seem currently that the scanner will be widely available to purchase rather than unlock at a tech broker once the cg cycle is complete this week.  It's worth noting however if you've not yet visited a titan that thargoid vessels enter and leave the mothership by phasing through some sort of biotechnological goopy membrane that itself appears to be researchable and sample worthy via usage of the titan scanner. It's not a gigantic leap then to postulate that with appropriate research we ourselves might be able to replicate whatever system allows thargoids through but keeps us out allowing human weapons or perhaps even ships access to the interior. How have you fared when trying to evade the thargoid glaives will you be joining the pro azimuth movement or perhaps keeping a closer eye now that you know it exists were you lucky enough to bag a titan scanner and if you were what is it showing you let us know in the comments below that's it for now thanks very much for watching we'll be back later this week with more videos until then 07 commanders follow the greens on the way out and do keep clear of the toast we very much look forward to seeing you next time


Before I begin, I would like you to meet a group of wonderful people. They are graphic design students at the University of Monterey, where I currently work as a professor. They tend to distract easily. All of them have what I would say an unhealthy relationship with Instagram and social media in general. Some of them are still figuring out if they want to be graphic designers or not, and a couple of them, just a couple, because of any number of personal reasons, do not see education as a priority. I've been given the task of teaching them about typography, and it has been a very enlightening experience. Typography is taught as a core subject within the majority of graphic design courses, if not within all of them. However, because of its rich theoretical and practical content, typographic teaching carries a series of inherent challenges. First of all, in order to develop typographic awareness, students are expected to learn about a wide array of subjects, going from general to specific, from the history and development of a specific writing system to current typesetting conventions and within some programs, even typeface design. Secondly, students need enough time to digest theoretical information, put it into practice, and develop their own typographic skills. Besides the fact that type-related content varies from institution to institution, the amount of time available to cover it greatly differs amongst them. And finally, the majority of universities treat graphic design not only as an academic degree, but also as a launchpad into other areas of specialization. As a result, within any given graphic design program, there is a complex ecosystem of core and optional subjects, from branding to motion graphics and illustration, all of them competing for this student's time and attention. How we as educators tackle these challenges is of great importance, since greater minds that my own have stated that type is the single most important graphic design element and typography is the most consequential course or set of courses a student can take as an undergraduate. Now, education is a very complicated subject. There are countless studies that showcase the advantages and disadvantages of both traditional and non-traditional education models, and experts have yet to come up with a unified framework on how to improve slash change things. I will not be providing such framework. Instead, I will be bringing up for discussion two tools that have made my job as a professor, which is the facilitation of learning both engaging and enjoyable for myself and more importantly for my students. I am talking about gamification and storytelling. Gamification promotes learning by introducing several mechanics that help students retain information and develop new skills. Storytelling, on the other hand, provides a narrative structure to typography, presenting both its historical and theoretical content in a contextual manner.  My point is not to advocate their use, but to open up a dialogue between educators, professionals and students about typographic teaching, and by consequence about typographic learning. So, let's play some games. Gamification is using game-based mechanics, aesthetics and game thinking to engage people, motivate action, promote learning, and solve problems. Within this definition, there are three key elements to take into consideration. The first one being game mechanics, which are all the procedures commonly found within any game, like rules, scores, goals, objectives, time limits, and so on and so forth. All of these can be sorted out into wider categories, which are narrative, control, feedback, challenges, collaboration, social connections, and mastery. The second element is game aesthetics, which refer to the look and feel of any gaming experience. This is a very important element, since how an experience is aesthetically perceived by a person greatly influences his or her willingness to engage with it. And finally, game thinking, which is probably the most important element of gamification. It is turning an everyday activity into a game, turning jogging into a competition, or pretending you are Tom Cruise running at full speed to fulfill a mission that seems impossible and save the world from total annihilation for the eleventh time. With these three concepts in mind, certain learning outcomes can be framed within the context of a game. For instance, the assimilation of theoretical information, which if we take a step back and see it from the perspective of a new graphic design student, can be a daunting task. This can be presented as a jeopardy game, with the professor playing the part of the host and everything. Doing so provides a narrative structure to the act of studying. It promotes collaboration and helps students develop social connections. It also gives them a sense of progress, and it tricks them into studying without them really noticing it, which is awesome. Whenever I present typesetting conventions only within a digital environment, the students tend to approach it as a recipe or a checklist. However, when presented within a playground for creative experimentation, such as a letterpress or printing studio, typesetting nuances are better appreciated and understood. Not only the physicality of type helps students understand the difference between typeface, font, leading, kerning, and feeding, but the whole printing process can easily be framed within the context of a game, introducing time limits, scavenger hunts, quests, and so on and so forth. The technical knowledge and abilities regarding typeface design and typeface development seem to be a very hard subject to grasp for my students. They particularly struggle with the correct implementation of the CI curves and with the correct execution of kerning. Thankfully, there are specific type teaching tools, or graphic design teaching tools for that matter, that have been developed with gamification as a core component. These tools take advantage of what a digital environment has to offer in terms of gaming, providing instant feedback, a sense of progress, and instant gratification for students. Mine are particularly fond of these two, for example. Now, if we're going to talk about daunting tasks, coding seems to be the Achilles heel for any graphic design student. Mine in particular struggle not necessarily with syntax, but with logical thinking and structure. Thank God there's a wonderful application called Dropout, which not only provides a graphic environment for coding, specifically Python coding, but also serves as a playground, a graphic playground where students can experiment, have fun, make mistakes, learn, or they can code just for the hell of it. Now, let's tell some stories. Since the development of the spoken language, human beings have been using stories to transmit important information. Narratives have served as a way not only to engage and entertain, but also to instruct on values, norms, practices, and history or general knowledge. Our appetite for story is a reflection of the profound human need to grasp the patterns of living, not merely as an intellectual exercise, but within a very personal, emotional experience. Within this phrase, Robert McKee, Pinpoint, sorry, the main characteristics that make storytelling and stories in general so universally appealing. They make what he calls the patterns of living personal, meaning that the listener develops a social or sympathetic relationship with a character, a thing, or an event. As a result, information presented within a story is no longer foreign or inconsequential. It gains meaning. Stories are emotional. They elicit an effective state of consciousness in which joy, sorrow, sadness, or anger is felt by the listener. As a result, the information presented within a story is no longer foreign or inconsequential. It gains meaning. And finally, stories are an experience. The listener is involved, is a participant in a specific event, engaging and connecting with it. As a result, information presented with a story is no longer foreign or inconsequential. It gains meaning. Whenever I bombard my students with specific dates, facts, and events, they quickly sound out. It is hard for them to care about the development of mnemonic, pictographic, ideographic, transitional, and phonetic writing. Or to understand the relevance of each of these stages. However, if I tell them a story about an ancient man who, by the end of a hunting trip, sat next to the fire and looked up over the sky, he started to think about his father, trying to remember his face and failing at it. He started to feel sad and wonder if the same thing will happen to him, if his son and everyone he knew would eventually forget about him. He started to feel so small and significant. He started to feel angry because he mattered, because he existed, because he was born and he reached adulthood, not on his feet to accomplish. He loved a woman and mourned her death while celebrating his son's birth. He lived, he laughed, he cried, he suffered, he prospered, he mattered. But when he decided he was not going to be forgotten. So he wet his hand with the blood of the hunted animal, mixed it with a bit of dirt, and pushed it against the wall of the cave as strong as he could, leaving an undying imprint of his existence. Or maybe he just got dirty and used the wall of the cave as an apkin. We don't know, but the thing is that you all got hooked up in the story and my students do the same thing. Between the story I can insert bits and pieces of information about the development of pneumonic pictographic, ideographic, transitional, and phonetic language. And this resonates better with students. A similar thing happens with the capital Roman. When presented without any context, students struggle to understand the relevance of the inscription found at the base of the trigence column. However, if I present such information as an emotional story of an ancient civilization capable of the highest highs and the lowest lows with a constant fear of being invaded, fighting multiple wars, winning some and losing some, during which many political, economic, social, cultural, and typographic conventions were established, plenty of which we still use till this day. Then this information better resonates with students and they appreciate it. While Gutenberg's type crafting and type setting processes of vital importance for any type-related course, the process itself is so archaic and distant from current graphic design students that the importance and relevance gets lost in translation. There is no relationship between Gutenberg's process and students. However, we can build such a relationship. If we tell the story of Johannes Gutenberg as a radiant hero, who managed to make the impossible possible, whose wit and perseverance helped him fulfill his destiny, who developed a series of progressive and interdependent steps, which included matrixes, punches, swords, molds, and presses in order to make large-scale printing feasible, who risked and sacrificed everything for the greater good and whose legacy forever changed the face of the earth, the historical and technical difference between several type-formants as well as which one contains what in terms of features and how and when to implement such features is a lot of information for any student to digest. However, I can present such information as a story that recounts a technological race, a ruthless technological race filled with intrigue, espionage, betrayal, and alliances where companies try to outdo one another. And then the nuances between specific format and the other one and the features that each of them provide are easier to digest and implement for students. Now, when executed properly, both storytelling and gamification work wonders within an educational environment, even within a graduate or post-graduate context. I've always found that the KVK approach to type design is very game-like with experimentation and ingenuity at its core. And the University of Reading has an amazing archive filled with historic wonders that come to life thanks to some of the greatest storytellers I've ever met in my life. However, it's important to acknowledge that these tools are not perfect and that they will not work for every teaching scenario. There are specific subjects that are easier to translate to a story or a game. Others are very hard to do so or nearly impossible. Additionally, there are a couple of risks that are convenient to take in mind.  Anyway, in order to successfully achieve the gamification of learning, it is paramount to design teaching activities around specific learning outcomes while implementing gamification. The main risk of gamification is not that it domes down the learning experience, which is debatable, but bad game design. It's not enough to reward points and badges. The game is not the evaluation of a task, but the task itself. And designing tasks takes time and effort. Another risk is that gamification changes or morphs the process of learning and students might develop specific expectations about the whole thing, meaning that students can get accustomed to the use of extrinsic motivators for learning, which is great and feasible within certain contexts. But there will be scenarios where learning is not engaging and nor that it should be, where students have to take off their partying hats and put on their thinking hats, where the main goal and reward of learning is learning for the sake of learning. Once again, if you don't know what this is, this is the poster for what is considered to be one of the worst movies ever made. It's so bad that it's good and the story makes absolutely no sense. When telling a story for the purpose of education, certain aspects and events are either greatly simplified in order to maintain narrative structure or dramatized and exaggerated. This means that in every single story there's a subjective point of view, the point of view of the narrator. And it's very important to make sure that such point of view does not interfere with the learning outcomes, to walk a very thin line between factual and based on factual. Telling a story for teaching is pretty much the same as dressing a salad, where the salad itself is the information that we want the students to learn, and the dressing being the story we are building around it. Too much dressing can easily ruin a salad, meaning that the student might focus too much on the story and not enough on the actual information we want him or her to learn. So, I have students that can't recall what Gutenberg's innovations were, but they won't forget that he died in poverty, because that's what resonated with them. Whenever telling a story for educational purposes, it's important to reinforce and emphasize, constantly and poignantly, the learning outcomes. I've been using storytelling and gamification within my classes for a couple of years now, and the effects these tools have had on students are evident. They distract less, are more focused and engaged. They process information faster, turning it into knowledge, and they implement it in a better way. And even when these tools work wonders with any student profile, they excel with the ones that already value learning, like them. They are part of what is considered to be a high-performance group, meaning that they are the smartest and most committed kids within campus, and it's been a joy to work with them. They do not represent the majority of students. Most students struggle, either with type or math, and I see it as part of the job description to make sure that they struggle a little less, perhaps by telling stories and playing games. Now, the main thing to do is to change the perception of the struggling students of education, from education being boring to being interesting, which I'm kind of getting the hang of it. The next step is changing this perception once again, from education being interesting to being valuable. And there's where the true challenge resides. Thank you very much.


Everybody for us here up in 22 23 contenders basketball hobby 4 box number 16 pick your team style Adam K. Pistons Alan D. Bucks Bohia be hawks she won with the Blazers and the magic Christopher s Mavericks and T Wolves Daniel C. Hornets Nuggets Edward P. Lakers Florian calves hero thunder Humon Pacers James L. Raptors Jeff M. Nets Nicks and Sons Kieran C. Rockets Mark S. Clippers Mike F 76ers Nick L. Grizzlies Paul G. Jazz Randy V. Warrior Scott G. Pelican Scott N. Spurs Sean H. Kings Steve R. Celtics You sung with the Bulls Zachary W. Wizards and Z June with the heat Here we go y'all Believe we have eminence on Sunday if it's not already sold out. Give me one second here dropping a link for your right now Mr. Gutierrez there you go that breaks Sunday night. There's eight to go guys for eminence I that's the last case we currently have Don't know if we have plans to get more but that's the last case we currently have so yeah That's where you that's where you can get some evidence One hit everybody hits in a random hit style of course 10 spots that break 10 hits. So yeah, good luck y'all Variation Halliburton Pacers Sohan Ricky of the Year insert Chauncey billips Nice, you got license to dominate first or second pack basically Scotty Barnes second pack of the break SP for the Raptors Anthony Davis, Damian Lillard and a redemption Christian Brown rookie variation season ticket Nuggets solid hit there for you. He's been good for them recently too John Chichato, I'm trying to I'm trying Devon Vassal playoff ticket Spurs at 249 Superstar Dica Luca Donchich Chris Paul Season ticket Carl Anthony Towns Timberwolves at 25 There you go Christopher s for the Timberwolves cat cracked ice Tatum sweet shots Walker Kessler and Another redemption here Patrick Baldwin junior Warriors Ricky variation playoff ticket Playoff ticket should be to 99. I believe I think I never remember Oh my god, dude that dude Jake Jake just destroyed obliterated a deal with that one and then his whole career Whoo, don't have a Mitchell variation season ticket shade on sharp Vince Carter nice at Jalen Williams on the variation rookie ticket premium edition for the Thunder Kyle's live on drip guys different personals links right there in chat for you So we do personals four nights a week now the next time you get personals on this channel is going to be Sunday Even if you have an order here you can get it done over there Just go let Kyle know the finals to 49 finals ticket Paul George Clippers Mellow lottery ticket Ben caro other pre-medition to premium editions in the in the box James Hardin OSHA ag Baji and it is a Peyton Watson rookie premium edition ticket auto nuggets Good break for the nuggets so far Mack McClung is in the game. Oh boy. Oh boy dunk time Blazers first round ticket to 199 is Damian Lillard John Morant Kawai Heat playoff ticket the 249 Jimmy Butler buddy healed sweet shots Hawks, this is this is an error by the way as I've seen this a few times. I work at the year AJ Griffin It's an error card Figured I go along kid Cunningham sweet shots Lottery ticket Jay Nivey and another premium edition is Jabari Walker. Wow. That's the third one so far, right or fourth third auto Jabari Walker Blazers. I Agree Anthony The Wenby hype is going to be on is going to be outrageous Bucks Chris Middleton numbered to 99 The Wenby hype is going to be insane It's gonna be kind of fun though. It's it's it's gonna be a roller coaster There's good and bad when there's a rookie that big, but yeah, it's gonna be awesome Lillard variation season ticket for the Blazers Bars with a junior rookie of the year super starts I cut Anthony Edwards and Bones Island nuggets to 199 connectors out of two nuggets are killing it third auto for them in three boxes They've got half the hits Got Watson brown and bones Yeah, KJ.  It's gonna be fun Got Anthony Davis to 249 for the Lakers James Harden super starts I cut LeBron Chet Holmgren lottery ticket sweet shots Jordan pool how we saw Take it to the hall Jabari Walker again rookie ticket out of Blazers Blazers second hit second Jabari Walker in fact Pelicans on this one finals ticket Brandon Ingham to 49 Jay Nivey sweet shots Shaq Variation AJ Griffin rookie ticket Atlanta They're gonna Vicki ticket to the hall Keegan Murray and Nice Rockets Tari Eason finals ticket rookie out of 41 to 49. Okay That is gonna do it. Thanks again everybody moving on to the next one


Technology has surely been one of the main drivers of human development throughout history. Every time that we have mastered the productive opportunities that a new technology brings, we have changed the course of history. Now, given the importance, the potential importance of technology for human development, we should pay a great deal of attention in understanding the general patterns that technology diffusion has followed over time in the past and in the future, as well as the precise mechanisms by which technology affects human development. Until very recently, unfortunately, we knew very little about these big questions. The little that we knew was based on a few studies, focused on a few technologies in a few countries. And therefore, it was very hard to discern whether the conclusions that we draw from these studies represented general patterns or just mere anecdotes. This big gap in our knowledge motivated me about 10 years ago to go and spend time measuring directly the diffusion of dozens of technologies in 150 countries over the last 200 years. And that was quite painful. But after all the pain that gave me the tools to address two questions which I think are critical and which now I can illustrate to you, which are first, what have been the critical patterns in technology diffusion that we have seen over the last 200 years? And second, how critical, how important are those patterns for the dynamics of income that we have observed in the world for the same period? Now, before providing the answers, it's important to distinguish two notions of technology diffusion. The first is the time it takes for technology to arrive to a country. That's the adoption lag. But the second is how intensively we use technology once it has penetrated. Now, we're looking at the data, it's clear that adoption lags have declined dramatically over the last 200 years everywhere. However, the drop in adoption lags has been much larger in poor countries than in rich countries. That's interesting and it's also consistent with the notion that most people have that now technologies are present everywhere. But at the same time it presents a puzzle because it doesn't ring very well with the fact that income per capita has diverged big time over the last 200 years. So how can we reconcile these two facts? How can we solve this puzzle? Well, the solution to the puzzle has to do with the intensity of use of technologies. So for a technology to affect significantly productivity in a country, it needs to both have arrived to the country but also be used intensively. From that perspective, the critical question is, has the gap between the intensity with which new technologies are used in rich countries and poor countries increased or decreased over the last 200 years? Going back to the data, the answer is clear. The gap has increased big time. That is, when you look at how intensively new technologies are used today in rich countries relative to poor countries, this ratio of intensities is way larger than what it watched 200 years ago. So those are the two key facts that characterize the diffusion of technology, convergence in adoption loss and divergence in the intensity of use of technologies. But you may wonder how important is that to explain the dynamics of income across countries? Well, the short answer is very important. Just to give you a sense. You think about the great divergence, the increase in the income difference between rich and poor countries. The trends in technology diffusion, they explain, they are responsible for about 80% of the great divergence we have seen over the last two centuries. And that's basically driven by the divergence in the intensity of use between rich and poor countries. Given the importance of the intensity of use, the question I ask you, the question I pose, is how can we fix this gap with which rich and poor countries have used new technologies? That's the question for our discussion. Thank you.


What's going on everyone? Sam here with late sports guards, ripping 22, Peony rookies and stars, football hobby, 4 box break number 21, random team style, there's a look again at your random results. As always, you can find these on the website under the results tab as well as the link that's in chat. So good luck here everybody, let's do it. Yeah, apologize on that Eric, sorry about that man. Swiffer, and here we go, rookies and stars. In a minute's of openness, having like mixers and 10 box twosies and stuff but having a 4 box, I don't think we've done a 4 box in a while to be honest. Here we go, Piggins, Hertz, Amonra, there's a Mack Jones, that is nice. 20 of 25, four color patch, big time for the Patriots. Congrats New England, Josh Pascal, rookie 16 of 35 on the red for the Lions, that's a Bailey Zappy, don't need to recappy Zappy, I'm not gonna do it. Jameson Williams, Desmond Ritter rookie, and Bo Milton, got Sauce Gardner, nice one there on the blue auto, 94 of 99, congrats Jets, that is going to Ragey, Brees Hall, that is 3 of 149 on the Thrillers White, this was Garrett Wilson Rookie. We don't need to recappy the Zappy, it's not a hit, breathe, breathe, breathe, 20 out of 99, there's a Thrillers Damien Pierce, a good box right here actually, nice one there for the Texans, Thrillers Rookie Auto, trust an Evner Orange to 175 for the Bears, rookie, Crusade Randy Moss, Silver, Jonathan Taylor, Touchdown Club, Mahomes, Alante Taylor, and Montrell Washington. Here's Cooper Cuck, that is man in motion, 6 of 49 for the Rams, got Airborne Russell Wilson, Pink, 57 of 75, Broncos Country Let's Ride, Jordan Davis, Rookie Rush Romeo Dobbs, Traylon Burks, and Evan Neal, Cross Training, that's Jameson Williams, 19 of 249, one-off Jersey number for the Lions, Arnold Bikita, Orange to 175, Rookie for the Falcons, Jamar Chase Thrillers, Silver, man in motion is Kyle Pitts, James Connor, Romeo Dobbs, Jalen Petrie, Crystal Lavey, on the draft class to 125 on the Orange, got 50 of 50, Malik Willis, Airborne, Rookie, Blue, Titans, Sauce Gardener draft class, man in motion, Waddle, Schuyler Thompson, Malik Willis, now going into OT, at least there's still hope, at least there's still hope Joshua, at least there's still hope, Drake London, that is big time, 48 of 49, two-color patch, nice one there, yeah I remember you saying that, I remember you saying that, that's kind of rough Joshua, Orange, Sam Williams, the 175, that's one there for the Cowboys, Silver, Crusade, Garrett Wilson, Cup of Touchdown Club, Lamar, Zemir White and Andrew Booth, as your Rook to Pick one right here, there's Traylon Burke's Dress for Success, nice one there, that is 12 of 25, three-colored RPA going to the Titans, a good couple of boxes so far, not bad, Najee Harris, Blue Crusade, 23 of 50, one-off Jersey number again, Kevon Tibidow, Rookie Rush Kenneth Walker, Snoop Connor and Carson Strong rookies as well, make sure to mag all those, Fine Robinson Jr. for the Commanders, that is Otto to 2.99, nice one there, congrats Washington, yeah that's just yeah, Trevor Lawrence on the red 435, nice one for the Jags, Thrillers, Josh Allen Silver, Darnell Mooney, Nick Bosa, Jelani Woods Rookie and Brian Robinson Jr. Rookie as well, CMC, Trayvon Walker, that is 2, 175, one there we've got 7 of 10, Kenny Pickett on the airborne, gold, congrats on that Pittsburgh, that's going to Eric R, there you go buddy, gold, Kenny Pickett, very nice, Devin Lloyd, Devin Lloyd and Sauce Gardener, I would say yes, sorry, I might not tell you before, I was thinking of it, Jamison Williams, that is big time, 146 out of 249 for the Lions, a David Montgomery, Blue 35 of 49, True Blue, Lamar Airborne, Skymore Rookie Rush, Juan Brisker, George Pickens Rookie, Salty, oh yeah we'll be able to get to that for sure Salty, we've got a Fanatics Under Rhett baseball, Salty we've pulled some fire out of those recently, pulled a Vladigarero Sr. in 10 Box Tuesday, inscribed 01 ALMVP, pulled Pete Alonzo, last Tuesday inscribed Polar Bear, pulled a Judge out of there, we pulled what the Otani that one time, that was the Home Run Ball. Yeah, Ika McWanoo Red, 11 of 15 draft class for the Panthers, nice one there, we've got the 149 Airborne Mack Jones, very nice on the white touchdown club, Duffy and Calvin Austin, tough last two minutes, yeah true, true, yeah Salty those could be loaded sometimes, those could be loaded for sure, there is some good names in there, you're always going to get somebody who's like relatively notable too, you know what I mean, like they're not going to put Sean Sylvia in there, they probably would, I got a couple others in there, Skymore, Cross Training 29 of 49, three color, three color, got a super in there, yeah in a base in an autographed baseball brought, yeah super ball, there's 10 of 49, Kenny Pickett draft class for the Steelers, Drew Brees Airborne, Shod White, Mack Rowell, baseball, there's a James Cook, Orange Otto, 41 of 125, Cook Rook for the Bills, Pats from the Homes, 12 of 99 on the red color match thrillers, that's kind of nasty, nice one there, Chiefs, draft class Jermaine Johnson, Samari Toray in Hutchinson Rookie as well, that's funny, you can make that face all you want, it's funny, ooh redemption is Dak Prescott, airborne signatures going to the Cowboys, nice one there, Dallas, who's got Dallas, Stephen H, congrats Stephen, cookie the rookie, got Tyree Kill, that is Orange to 175, Dan Marino, Rookie Rush, George Pickens, Tua, Kyra Elum, and Nikobi Dean, yeah I saw that Keegan, Kyle Hamilton draft class, two 125 on the Orange for the Ravens, got Charles Woodson 14 of 99, Red Crusade for the Raiders, touchdown club Mahomes, Kyle Phillips, Jameson Williams Rookie, there's Michael Thomas and Chris Olave on the dual jersey, team duels, 148 out of 249, nice one there for the Saints, got Jalen Waddle, 15 of 25 standing ovation, Malik Willis thrillers, Silver, Corral, Rookie Rush, Malik, Willis, Charles Cross, and out Pierce, last pack of box three, Tristan Evner, Orange to 175, nice one there, nice one here 21 of 35, Tom Brady on the pink airborne, there you go Tampa going to Keegan, nice one there Keegan, you like the shack in the back, that one's funny yeah, Arnold Bikite, Brock Purdy on the rookie, Sean's guy, right next to Bailey's happy, there's Rookie Rush, Jahan Dotson, 14 of 15, nice for the Commanders, Orange thrillers, Tyree Kill to 25, another nice one there for the Dolphins, Rookie Rush, Drake London, we got London on the trail, there's Christian Watson rookie, Ty Chandler, Amon Ross St. Brown, nice one here, that's going to be a high octane 178 out of 249, Sean Didge Curse you, followed by another Amon Ross St. Brown, this time true blue color match to 49 for the Lions, Traylon Burks, Silver Rookie, Crusade for the Titans, wasn't me Josh, wasn't me, Malik Willis draft class rookie, James Cook and K-Dot, probably Dylan, could have been Dylan for sure, I'd blame that one on Dylan, next time you top load Joshua, yeah not me, I'll tell you Johnson, Orange Jalen Petrie to 175, got thrillers Jahan Dotson, Rookie for the Commanders, 25 of 99, nice color match there, Najee, Rookie Rush is, got to pick it, Hassan Haskins and Dax Hill, Dak Prescott is big time, 36 out of 149 for the Cowboys, second Dak Prescott hit of the break, 24 at 35 Cooper Cup for the Rams, you've got Malik Willis on the stellar rookies, Aaron Rodgers, some club Jamar Chase, Tray McBride and Brian Cook, another Cook, different Cook, sauce gardener on the auto at 299, second sauce auto at the break, this one there again Jets, Traylon Burks white thrillers to 149 for the Titans, Juanu, Keontae Ingram and a Drake London Rookie, nice one there, I got a lot of good sauce tonight for sure, we've got Dress for Success, Romeo Dobbs, nice one there, 52 of 99 on the Jersey Auto, congrats on that one, Green Bay, Derrick Young to 175 Orange, Cooper Cup on the Silver Thrillers, Rookie Rush, James Cook, Derrick Stingley and Josh Pascal, you're good, no worries man, let's do a quick recap here guys, we've got Dak Prescott, Monroe St. Brown, Duel for the Saints, Skymore, Jamison Williams, Drake London, Jamison Williams, Mack Jones, Autos, Romeo Dobbs, sauce gardener, Dak Prescott, James Cook, Ryan Robinson, Traylon Burks, Damian Pierce, another sauce gardener, and a gold, Kenny Pickett Airborne, number 7 of 10, that'll do it for the break guys, thanks again for the fill, next up we've got our three box mixer,