Yes, we are back again with entrepreneurship Tuesday and this is our last segment of the day. This is a special young gentleman trained in bachelors of education, physics and mathematics taught for a while, left employment just to start his own business in the Jua Kali sector and now is an innovator and has a prototype in the studio that is going to surprise some of you guys. Why 254 channel on Twitter, 254 underscore channel on Instagram, 254 on Facebook is the way to interact with us. If you are an enthusiast of engineering or manufacturing, one of the pillars of the Big Four agenda, this particular one is for you, Samuel Mureydi in the building. Thank you very much. Karebusana. Thank you. Your camera is number four. I don't have a problem with head damage. So your camera is number four, you can just introduce yourself and just say everything that I left out. My name is Samuel Jage and I am a teacher about profession, 729007 is my TSE number. My physics combo is what I am supposed to teach but I am not teaching as of now. You are not teaching as of now. Would you like to get back to teaching sometime soon? Yeah, I would love to. You would love to get on permanent basis. On permanent basis. It's stressful to some extent. It's stressful to some extent. On permanent basis and you like to impart some knowledge into kids, you like to train kids. Give them a better future. You have something special in studio with us here. This is a prototype you worked on. For how long did you work on this particular prototype? Basically this was supposed to be a science project that I had way back in 2017 but unfortunately the job just went off and was supposed to be presented to the SunSphere but I didn't. But I went ahead and just decided to actualize it for myself. Then I took just more like a month or just basically a couple of weeks. It took you a couple of weeks to come up with this. Before you get to what was your intention when you were building this particular thing. If we can showcase this prototype, don't demonstrate first. We can just show it to the people. This is an excavator prototype right here. So yeah. We have four controls right there. There's three actually. Basically four you might want to say four. But these are just, you see the first excavator to function, there's what is called the swing. The swing? It's called the wide swing and it is called the booming down and the booming up and it's the shortening of the arm and the lengthening of the arm and it's the opening of the bucket and the closing of the bucket and it's just how basically it works. And then the rotation? And that is called the swing. That's the rotation. The rotation is what is called the swing. And then the basic operation, for example if you have some soil or you just need to make some deep excavation, you just need to lower the boom or you just have to boom down like this and scoop whatever you scoop in there then you put the boom down. So we have the boom, the arm? This is called the boom and this is the arm and this is the bucket. That is where the soil is. All right, I see a demo here where you have your driver or the operator and the engine is somewhere here. So traditionally what you have here is always somewhere here. Yeah, it's always behind here. All right, and then the controls are here? Yeah, the controls are here. For a digitalized excavator, that is a modern excavator. You're going to have the DCVU or basically the joysticks which controls the opening and closing of the bucket and basically the functioning of the excavator. And on the back right here you're going to have something that is called the counterweight because it's going to be used in deep excavation and carrying some heavy material. So you need some counterweight or to bring the center of gravity somewhere here. To bring the center of gravity is just in between here. And right here you're going to have the engine and the hydraulic pump or basically the spool. That's what they call it. All right. It's basically an excavator. Where did you get your dimensions from? Because I bet this needs to be done in precision, yeah? Yeah, you have to use some ingenuity and some little bit of thinking. I went to the internet and just Googled a couple of materials like I went to when I got this PDF materials from the caterpillar and there's Komatsu. Komatsu is Japan, Japanese. It's Japanese made. The caterpillar is just US made. Caterpillar is American. Do you have any other brands so far? We got some Duesen from South Korea. I've seen Duesen somewhere. Duesen. It's Duesen. Duesen. You've seen something like Duesen along Mombas Road? I don't know. They have varieties. I mean like there's Komatsu, there's Duesen, there's Noram, there's Saini. The one that is the green momma that is used to demolish buildings just a couple of days ago. All right. So that was a brand used along the road. All right. So the next brand is going to be yours. That is the reason you built the prototype. You want to convert this to the actual machine. Yeah. I want to do that because it's easy. All right. Because it's easy. You think it's easy? It's very much easy. But I think I'm convinced that it's easy. You want to build your own excavator. Machines that work similar to an excavator. All right. Critics will say this is impossible. We don't have the raw materials for this. What do we mean raw materials? There's nothing such as we don't have raw materials. We need to ask ourselves, what are the US people who get those raw materials from? We need to ask ourselves, where are the Japanese people who got those raw materials or maybe the South Koreans? It's just basically metal. And some rubber pipes, high pressure pipes, that's all we need to get one. All right. So if you were asked, what is the basic, what is the fundamental concept that this machine works on? Basically, it's using the basic principle, it's just a form of physics, the pressure in liquids. Pressure in liquids? Yeah. They call the Pascal's principle. I can't recall the principle, but the Pascal principle, but it's just basically the pressure in liquids principle that is being used to it. And the sense that, for example, if you look at this syringe on my right-hand side, this is responsible, it's connected directly using this adhesive pipe to this range over here such that now, when you fill this one syringe with H2O, that's water, and the other one is going to remain empty, you see that's going to happen, it's going to shut in the air. And when you pull back like this, it's going to create some partial vacuum over here, and it's going to push, the atmospheric pressure is going to push the syringe on the other side. To control. All right. So you have three levers on this side? One, two, three. The three levers, the technical term for this is called, this is the arm cylinder, it's the bucket cylinder, this is the boom cylinder, they're called cylinders. All right, so the cylinders control some?  Lifting my arm up and down. All right, so the machine basically works on the concept of pressure, and what all you're saying is there's no way we can't apply pressure, the concept, the basic principles of pressure to build machines locally in Kenya? Yeah, we as Kenyans, we need to come out of that thing of basically importing each and everything. If you look at now, we have Toyota's, we've got Isuzu's, I'm not saying we're not supposed, it's bad to have Isuzu, but we need to have around manufacturing industries where we have to run our own machineries, if we have to realize they go to an eternity, which is so close. Matter of fact, it is around the 11 years, or less, and we don't even have a single, single manufacturing industry that produces cars, not even motorcycles, everything is Chinese or basically Japanese, so we need to come out of that stuff where we need to buy everything, but we need to come up with our own stuff. Let's start by building our own machines, only go to realize the goal of here. So there's no way we are going to achieve this Vision 23 thing, if we don't manufacture our own cars. I would like to echo what Koigu Amare once said, we cannot realize 2030 if we don't have our own, if we keep on buying everything. Just like your family, you just cannot be rich when you're basically buying everything, including your own food.  That's how you become rich. If you were a producer, if you were a consumer, you would never become rich. The problem is, whatever we produce, we don't consume, and we consume what we don't produce. That is a problem with Kenya, in a nutshell. In a nutshell. All right, so to achieve this, it takes a lot to get a prototype to a factory somewhere and just convert it to something we can use in excavation projects safely, number one, safety is always the most important thing when it comes to engineering. So safety first.  That's what you think. Myself, I'm not an engineer, but I came up with this stuff. I never went, I don't have a PhD in engineering to come up with this. I wasn't even in an engineering class back in my campus days, but I came up with this. And I need to ask you a question, whoever came up with the first excavator, which university did they attend to come up with that? If you answer that, then you have all your questions answered. We don't need that kind of thinking that all these people, you know, you need to invest a lot of money, or you need to, it's just maybe just a few things right over here. And some things over there, you will have something that is our own, something expensive of our own. So you're a strong believer of apprenticeship or apprentice training? Yeah. Wow. Don't you think we don't risk if we go this direction? No, if we don't risk, we adjust, if we want to continue playing safe, that means you're going not to realize everything. Even in business, you need to take risks. And this is a calculated risk. For example, if I was to build my own excavation, I don't think it's going to cost me more than five million Kenyan shillings. It's way... And now people are buying them for up to 30 million Kenyan shillings. This money is going to America. This money is going to Japan. This money is going to America. This is going to Japan. And they come to us telling us that we are going to give you grants and just basically our own money, which they are giving us. You were painting a scenario for me. So say we bought a thousand Toyotas in a year as a country at a million Kenyan shillings each. That is a billion shillings. Do you do the math? That's what I'm talking about. That's a billion shillings sent to Japan. What if we constructed our own? If we construct our own, for example, I don't think a Toyota machine, I mean like a saloon car is supposed to be like all that expensive. It's just a few pastels right here and we can, you know, we can build them. I've seen people do something, it's called reboring. And that's basically you just fill up the engine and then rebore it again. You come up with a brand, some sort of generic engine. But if we Kenyans, we are so much used to buying everything. That's where we go wrong. We need, I'm just saying this from a very deliberate, I mean, from a very light perspective. And I'm saying that we need a dictator. We just want to come and say we are not going to do more important, we're not going to import anything. We need to impose some rules. We need to build our own stuff. Yeah, that's what I'm saying. I mean, that's all I believe in. Do you think we have the capacity so far to build our own stuff? No, let me just ask you, you want the University of Nairobi. It's just a couple of blocks away. How many engineers do we produce? Hundreds every year. Hundreds and every year. Now I'm asking this one thing. How many of those engineers have come up with something that is can be used, I mean, can solve certain problems in Kenya today? All right. It's significantly. Significantly. But we got the potential. I mean, all I'm saying is if we include the computer engineers. We got the computer engineers. Who can do the computer design? If we include the computer engineers, I can say quite a number have come up with solutions, IT solutions. Yeah, that's all one perspective altogether. But the mechanical part of it. I mean, for example, the Thika Super High was built by Chinese. Why do we have Chinese building our own roads and we have civil engineers in Kenya produced in their hundreds? It doesn't make a lot of sense to me. Maybe it's because they gave the government a better price. Oh, come on. The government is playing their part. WhiteFive on Twitter. WhiteFive on Instagram. And WhiteFive on Facebook. Is there a way to interact with us? Don't forget the hashtag. Why in the morning? Don't forget the hashtag. Entrepreneurship Tuesday. We have the main man himself, Sammy here. He's an engineer. He's a street engineer, but trained teacher in physics and mathematics. And he's applying this to the fullest. All right, so if, say, who now? If somebody was to ask you, let me not give a name. What do you need to convert this to something we can apply? Even small excavators. Let's start small, with small excavators that we can use in gardens. Now, what we need is just somebody who can believe in us, who can believe in me. What do you need yourself? I need some capital to come first, but I need somebody who can believe in it. We got trillions of money in Kenya, but I need somebody who's that person is going to risk. And we're going to come up with something that is going to work as small excavators just our own, which is going to be a baby step, towards the bigger steps, towards the goals that we need to get as a kid in general. So you have a dream that one day we won't be importing cars from outside. We won't be importing excavators from outside. And these are billions of shillings that we sent to other countries. All right, you have a dream that we won't be importing motorcycles. Motorcycles would not be. We won't be importing bicycles. You have a dream that this is going to happen. Yeah, we have a dream, but... Is it going to happen in the next 10 years? Do you think we're going to... I can't promise you that. We need to change that. First of all, we need to change the education system, which supports that we came from monkeys, which is to me, that's blasphemy against God. All right? You can't... You see, if I... I think about Kenyan and I'm a patriot of Kenya. And this is the Kenyan anthem. We're like, we're saying, oh, God of all creation, that's the first line. We can't say, oh, God of all creation, and we get back to school. We're like, we came from monkeys. It doesn't make a lot of sense. I think that's just a theory, because when you go to school... It's not a theory. It's not a theory. It's just not a theory. Because what am I saying this? If you change the mind-seeing, if you start believing that we agree to get God's image and God's likeness, we're going to come up with stuff that even... We are going to be like, whoa, we never thought this could happen, but it just happened. All right, so you don't believe in evolution, number one? I don't believe in evolution. This machine didn't evolve, so I'm not like, didn't evolve. So you don't believe in evolution? Your mobile phone didn't evolve. You don't believe in evolution, that's a fact. But what aspects of this education system do you think that can be changed to support manufacturing as an aspect of the Big Four agenda? That's my feeling. That's what I'm trying to be in education. I'm in a curriculum in Plimera. And that's what I think. We should have changed the curriculum way long before. We've measured so much in... We want to speak that impeccable English. I've seen Chinese who speak broken, totally broken English. They build the best roads. They've got the best buildings. Even here in the U.N., the tallest building was built by a Chinese. So I don't think you're speaking the best English. You know, having a kid son and one kid who can talk, you can speak a very nice English. He'll be like, you know, speaking that nice English, but you can't build your own toys. I don't think that's the way to go. I don't think that's the way to go. You can have all the A's in a dead pieces of papers. You can have all the B's in a dead pieces of paper. But that does not mean that you're all bright. All right. But self-expression is a very important aspect of life, if you ask me. Expressing yourself, being understood. And we have careers that are built on self-expression. Like law is one of them. PR is one of them. Psychology is another one of them. Media is another one of them.  No, I'm not saying. I'm not saying we want to do away with it. We still need it. I need the lawyer to come and patent my stuff. We all need it. We all need people who are going to teach us how to speak with those white people. I mean, education is necessary in the broader sense. But we need to adjust some few stars. We need to adjust something. We both agree on that. But I'd like to go back to your project right here. So yes, you can take us through it again. Three controls, or four controls. One is the rotor. Three controlling the person. And this, you say, is just a prototype. You want to actualize this and build actual excavators made in Kenya to solve Kenyan problems. We need to solve this Kenyan problem. We just import a lot of stuff. Even some of these things we don't need to import. It's just important. I just want to say that we don't even have to import an excavator. We just need to build our own. It's so simple. That is the only way we are going to achieve this vision 2030. Vision 2030, we're just going to achieve it if we adjust and we change our minds here. All right. So apart from building prototypes of things you'd like to actualize in the future, what else do you do on the side? On the other side, I also assemble sound music systems. Like, for example, I've gone to the supermarket and I found this home theater system. I'm not going to say the brand for all these reasons. And it's 100,000 Kenyan shillings. And I'm like, whoa, that's too much, man. Then I went on the other side and the Juwakali stuff. We assembled this, you know, I believe, let me just, it's something I didn't mention. I believe in a reverse engineering. You look at a thing, then you come up with the generic of the thing. It's not the actual one. But you just come up with your own that looks like the original. So that's called reverse engineering. So I went to the supermarket and I found this home theater system is so expensive. I was like, whoa, that's too much, man. Then I assembled mine. That's the only cost for only 20,000 Kenyan shillings. So you've got the raw materials for 20,000? Not the materials for 20,000. I'm just saying the price because that's what I do. All right, so you won't tell me how much you've got the raw materials for. I just don't want to. That's a top CIA secret, I want to say. So the home theaters that you assemble cost 20,000. The power is the same. Yeah, I use a 12 inch subwoofer with a nice cabinet which is going to produce a big booming sound, more powerful than any home theater system that you're going to find in the supermarket or any shopping mall you go get. But mine is powerful.  All right. I'm going to give mine for free. So there are different aspects to sound system. Power is just one of them. We have the surround sound. We have the special effects. We have the 3D sound aspect of it. So maybe the extra 80,000 is for these things. Yeah, whatever. It's nothing, man. The sound is just sound. You see, the machine operates on a very basic principle.  You put in a weak signal, you expect the machine to respond in a weak manner. But you put a nice collision. You get garbage out. Yeah, if you inject some nice signals with all the surrounds, with all the left and right balanced, with all the bass, you're going to get a very, very powerful and nice sound on the other end. All right. So if I plug my fake phone to your subwoofer with my 1MB. Yeah, 1MB. 1MB music file. So I'm going to get a baton. That is a basic thing. All right, so you assemble music sound systems. You're creating prototypes of things you'd like to build in the future. But sound systems are things you're really creating as of now. That's what I've been. That's actually what puts food on my table. All right, all right. So if we're going to achieve this manufacturing thing, we'll still have to important. Do you agree? You still have to import some raw materials. Yeah, we need to import. For example, for those machines, like for the cutting machine, like the lasers, maybe it might import them. But you'll have to build them with time. Or maybe, or somebody somewhere from UON, or any other kid in university come up with a laser gun that is going to cut through the metal. Just like the knife cuts through the powder, the better. If we have to. But for me, to start off, we need some smooth transition because you just cannot wake up one day and you say that, we're not going to import everything. We're not going to import nothing. We need some smooth transition. For example, we started by coming up with a brand new motorcycle, Kenan, then it's Kenan made. That's what I'm saying. Then from there, we shift to maybe come up with a small car. I've always been inspired by guys like the Honda. Or they call it Honda, it's Honda. That guy who invented Honda, he dropped out of college himself. And he started to build his own stuff. It was like he was doing electricals just like me, some systems just like me. But he went to build his own machine because he was inspired about what was already in existence. So he came up with his own machine. We have the likes of the Lamborghinis and. Lamborghini was a farmer.  Lamborghini Ferruccio. Lamborghini Ferruccio. And these guys were just trying to solve problems in their farms. After the World War II, the countries were torn apart. And then like they needed to put it together. And they were basically wheat farmers in their countries. So they built machines from there that destroyed tanks. So your message is if Italy did it, if France did it, if UK did it, if America did it, after all these European countries, as a matter of fact, if Egypt industrialized before everyone else, it's possible here. Education started in Egypt. That's what I'm saying. There's a problem in Africa that whatever you produce, you don't consume.  It just doesn't finish this. We started education in Egypt. Then it was exported to somewhere in Greece. Then Greece exported it to the UK. Then they brought it back to us. In a different form. In a different form, like refined form. And they're selling it, it's true, it's true, yeah. So we need to change stuff. So we can go on and on and on. There's a lot to complain about. But the solution, you say you have the solution. We can go on and on in complaining, but you say you have the solution. The solution is manufacturing our own stuff. And looking up to the countries that have did it. There's no industrialization if we can't make our own stuff. Thank you very much for coming and thank you very much for what you're doing. Once again, how can they find you on Facebook if they'd like to invest in your dream? You can find me on Facebook at Samuel Morely. That is S-A-M-W-E-L-M-U-R-I-T-H-I, Samuel Morely. And Facebook account, that's my Facebook account. And my mobile phone number, I just cannot give that. All right. They can find you on Facebook, that number works for you. All right, thank you very much for tuning in to what end of the morning. Thank you very much for coming through, Samuel. And all the best in your endeavors.  I can fix everything. All right. And we end this particular show today with a demonstration from Samuel, from his prototype of an excavator, something he says he'd like to actualize in future. Tomorrow is my favorite day. Tomorrow is Gwyn's Wednesday. We'll be here with the rest of the crew or the gang, as you like to say it, gangly. So be sure to tune in to what end of the morning. The repeat is at 2 p.m. or you can find us on YouTube at white54channel.com. I go by the name of Bergmosses or it's Bergmoque Wakilam Tadawakijemi. Beautiful day. 20 kazi, 20 kazi, 20 kazi, 20 kazi. Okay, watch out the team, be happy. Hit number one. Hit number one, carpet. Mm-hmm.  Mm-hmm. Mm-hmm. Mm-hmm. Mm-hmm.


Lux presents Hollywood. We've got this company, the makers of Lux Flakes bring you the Lux Radio Theatre, starring Dana Andrews, Edmund Gwynne, and Malah Powers in Mr. 880. Ladies and gentlemen, your producer, Mr. William Healy. Greetings from Hollywood, ladies and gentlemen. I'm sure you're all aware of the tremendous task accomplished by our Treasury Department in protecting the public from counterfeit money. In tonight's play, Mr. 880, we will present a case that had one of the top agents of that department completely battled because the unknown counterfeiter made nothing but $1 bills, which he used only when he really needed money. Recreating his original role in this unique comedy is Edmund Gwynne, one of our most beloved character actors and co-starting as a new romantic team, Dana Andrews and Malah Powers. Mr. 880 was made into a screen success by 20th Century Fox, not only to amuse and entertain you, but also to give you some idea of the ingenious work done by the agents of our Treasury Department. Which reminds me, Lux Flakes are a treasure for the modern housewife. For new Lux is enriched with color freshener and can be depended upon to protect the delicate colors in your fine washables. You're assured of gentle, safe washing care with Lux Flakes. Now, Mr. 880, starring Dana Andrews as Steve Buchanan, Edmund Gwynne as Skipper and Malah Powers as Anne. The records of the United States Secret Service would indicate that it's almost impossible for a counterfeiter to stay in business very long without being caught, but the records also show that it has been done. The case is known as Number 880, the oldest unsolved counterfeiting case on file. The scene of Mr. 880's activities is New York, where for 10 unhappy years he's driven the Secret Service wild. Now and then, when patience runs out, they'll call in a troubleshooter from one of their other offices. This time it's Steve Buchanan. Steve has just reported to the agent in charge, Thad Mitchell. Well, Steve, any conclusions? Well, it's obvious, Mitch, that your Mr. 880 is strictly small time. In 10 years, he's averaged less than $50 a month. Oh, we don't say the man's been greedy. Of course, what makes it tough is the fact that all he makes are $1 bills. And we'll never educate the public to examine $1 bills. Here, look at this one. Did you ever see anything more amateurish? Common bond paper, ink you can buy in any stationary store. I can't stand much more, Steve. I'm going nuts. Holy smoke. Yes, yes, the way he spells George Washington's name. W-A-H-S-I-N-G-T-O-N. Well, this is practically insulting. In the 10 years we've been looking for this pest we've convicted, 1,385 counterfeiters, broken up some of the most vicious gangs that ever existed. Hey, take it easy. Well, I'm sorry, but that's what 880 does to you. Well, look, what makes you think I can crack this? I don't. Oh? The idea came from Washington. The chief thinks it needs a fresh mind. You mind if I recheck the list of people who got stuck with his dollar bills? I don't care what you do, Steve, but remember, I warned you. Very good service, huh? That's right, Mr. Gustav. I've just been checking with some of the people who've been victimized by counterfeit $1 bills. Now, in 1942, according to our records... That was nine years ago. You never caught that guy? Nope. What have you guys been doing all this time? Playing pinnacle? Look, the man we're looking for came into your cigar store here and he gave you a... Yeah, you bet he came in here. But I'll tell you one thing, brother. I'll never get hooked again. I'm an expert now. No? Whose picture is on the $10 bill? Well, that's easy. A predator of some kind. Now, let me see. I should know that one. Morning, Gus. Hiya, Skipper. Same thing, huh? Pipe tobacco? That's right, Gus. Thank you. Help yourself to matches. Thank you. Here's your change, Skipper. Take a look at this one, Gus. Cute, isn't it? What's it supposed to be? Hmm? Why, it's a spinning wheel. A miniature spinning wheel for a mantelpiece. Don't look practical, do me, Skipper. Not practical. Well, see you again, Gus. So long. I thought you said you examined all bills. Why, Skipper's an old friend of mine. Hey, maybe I'd better. Well? Here. You look. Relax. It's okay. Here, take this card. Anytime you get suspicious, pick up your phone and call us now. It's just me, Miss Winslow. I brought you something. Skipper? For your mantelpiece. A spinning wheel. Yeah. Oh, Skipper, it's beautiful. Oh, I knew. I knew I'd find one eventually, Miss Winslow. Why, it's perfect, Skipper. How much is it? Oh, $3. $3. It must be worth much more than that to say nothing of all the time you must have spent. Now, what else do I have to do with my time? Matter of fact, I'll be making a disgraceful profit. All it cost me was $2. Here's $5, Skipper. The price is $3, Miss Winslow. I won't hear of it. Oh, Skipper, it's sweet. Oh, golly, look at the time. I've got to get to work. Thanks again, Skipper. You're wonderful. Oh, $5. I can't take $5. I'll put the change in her purse. Of course, that's it. I'll just slip $2 into her purse. There we are. There. There's about time you got back. Oh, I'm sorry, Doc. I had to see Miss Winslow down on the first floor. Oh, I... I apologize for my room.  Antiques, Doc. My hobby. Antiques. How can you live in a place like this? More flights of stairs. Nothing but an attic. Very comfortable, really, and the rent is most reasonable. Here, here. Look at my dog, Doc. He likes you. See? He hasn't barked once. That dog is why I'm here. You're still owe me $20. $20? I cured him of distemper, didn't I? Maybe you've forgotten it, but I haven't. Oh, bless my soul. Of course you did. Yes. Oh, now go away, please. Go away.  His name is, please. You know, I started out being polite to him, and now he's spoiled. He won't come unless you say, please. Doc, I'm afraid I don't have $20. Not at the moment, but here's five, Doc, on account. Why don't you sell some of this junk here and pay your debts? Oh, I couldn't do that. These things I've collected are like old friends. No, no, no. Don't you worry, Doc. You'll get paid all right.  Oh, no.  Would you see, Doc, I... I don't like to go to cousin Henry. Accepting an emergency? Well, this is an emergency. I'll give you one week, Skipper. I want that $20 one week from today.  Keeping that poor man waiting all these months. Well, looks like we've got to go to cousin Henry after all. Cousin Henry. They think I've got a rich relative, please, called cousin Henry. We know better, don't we? Yeah, we know that cousin Henry's just a little old printing press. And he's always ready to help us out, isn't he? Isn't he? So, with cousin Henry's cooperation, we're going to make some money. Fifteen brand new $1 bills. Yeah, now then I'll get some paper and ink and before you know it... Well, Steve, it looks like Mr. 880 is giving you a royal welcome. Eleven phony $1 bills in the last four days. I don't think it's funny. Neither do I. Look at the map again. Two of the bills turned up here in Kingsbridge Heights. One more in Norwood. Any bills turned up from the subway McIntyre? Three, the last one about an hour ago. I still believe that 880 lives in that same neighborhood, downtown. Oh, Steve, I've been through this routine 6,000 times.  Tell him, Mitch, save this boy some heartbreak. You know what he's planning to do? He wants to stalk the beast in his original layer downtown. That'd be foolish, I suppose. Oh, sure. Here's another one, Mr. Mitchell. Oh, my... From a taxi stand near Washington Square. The driver's out in the hall. He knows who gave it to him. Washington Square, huh? Well, it looks like the beast is still down there. What a break. Tell that cab driver I'll be right with him. Yes, sir. You busy, Mac? Okay, I'm coming. Let's take a ride with that cab driver. With your brains and my luck, this'll be a breeze. Okay, driver, now once again, at 9 o'clock this morning, you pull up to this address and a girl gets into your cab, right? Right. She phones for the cab. The name's Miss Winslow. Mac, check the names in the lobby. I've done it already. Anne Winslow, first floor. Where did you drive her? United Nations Building. Like I said, she works there. What makes you so sure? Because she tells me she's late for work. Okay, that's where you can take us then. United Nations Building. Big building, Steve. You know where we're going? According to her boss, somebody named Perry, Miss Winslow is an interpreter. She translates French into English. At the moment, she's at the end of this hall in a conference room. Interpreting? Right. How are we going to recognize her? They said it's a committee meeting, and she's the only female in attendance. There's a window and a door. All I want is one good look. This is it, huh? Yeah. You'd better look her over, too. That's Anne Winslow? That's Anne Winslow. Well, if that chick is Mr. 880, she must have started counterfeiting in grammar school. Who said she was 880? There's a pretty good chance, though, that she could lead us right to him. Hey, better phone Mitchell. Tell him what we've got. You'll also want to know what we're going to do about it. We either shadow the lady or cultivate her. Maybe both. Oh, you like that cultivating angle, don't you? In this case, I think I'm going to like it very much. While you're phoning, I'll find out what time this place closes. Then all we have to do is follow her. Well, we're not doing so good, are we? We're doing all right. I like the way she walks, don't you? Well, I could tell better if we got a little closer, she's half a block away. We'll see where we are. I think you missed your best bet in the subway. All we can do now is... She's stopping. She's looking in a shop window. Art supplies, it says. Paintings and prints. Here's where you go to work, Mac. Woke up to her, make a few passes. Start getting freshened. Oh, now look, I don't think she's the kind of a girl. Exactly. Then I come by, I tell you to let her alone. One thing leads to another, and I let you have it. Isn't that pretty corny? So it's corny, we don't have time for anything classy. Now, I'll slug you as easy as I can, Mac. Gee, thanks.  Well, it was nice of you to invite me in here for a drink, Mr. Buchanan, but I... Well, I just assumed you wanted to get off the street as quickly as you could. Oh, yes, of course, but I... It attracted quite a crowd. And then when the police came... Look, I don't want to seem ungrateful, but I was quite prepared to deal with the situation myself. I don't suppose I could have hit him as hard as you did. By the way, what's your name? Anne Winslow. Who are you? Anyone special? I mean, do you work at anything, or do you just... Oh, I'm a French interpreter. I work at the United Nations building, but I do most of my typing at home. Would you believe it? That was the first time a thing like that has happened to me since I've been in New York. You've never even been whistled at? Oh, it's not the same. A whistle's too, uh, impersonal. I see, what you mean. Oh, I've been whistled at all right. Matter of fact, I've done a little whistling of my own. Huh? In a quiet, lady-like way, of course. Now, what about you? Are you anyone special? Uh, is there someone out to make a fast buck? Oh, well, who isn't these days? Oh, I didn't mean that. A fast buck implies dishonesty, doesn't it? Yes. What's the matter? Why? Well, you were staring at me. Oh, I'm sorry. That's a habit I've picked up in New York. I stare at people. I keep thinking they look familiar. It comes from looking at too many unfamiliar faces. Well, you know, that's very interesting. Now, if you stop to analyze... I wish I had time to, Mr. Buchanan, but we did agree on, well, just one drink. Okay, we'll go. But, uh, when you were staring at me just now, do you know what I was hoping? What? That you, uh, whistling in a quiet, lady-like way, of course. Now I'm sure it's time to go. I just said I was hoping. Come on, I'll take you home. Mr. Perry. Oh, my goodness, I forgot all about you. I just got home a minute ago. Mrs. Winslow, I know. I've been waiting out in the street. Oh, I'm terribly sorry, Mr. Perry. Forget it. Well, everything's in this envelope. I'm afraid you've got a lot of typing here. Oh, I'll have it done by morning, Mr. Perry. And I'm so sorry. This friend of mine... I mean, I was late getting home because, well, we just happened to bump into each other. He's, uh, persistent, isn't he? Persistent? Yes. He does a lot of bumping in the course of a day. He, uh, he does? This afternoon at the office, he almost knocked me down. He did? Mr. Buchanan? Well, yes. This afternoon, when you left the office to go home... Well? He made a beeline after you. The corridor was pretty crowded, and he darn near knocked me down. But, apparently, he caught up with you. Good night, Mrs. Winslow. Good night, Mr. Perry. I don't get it. Good morning. May I help you? I hate to trouble you, but do you remember me?  I should say, I do remember. Well, I was just curious to know what happened to that man. I mean, when the police... Why, they didn't even arrest him. Seems he was with the Treasury Department. Treasury Department? Yes, Secret Service Agent. He showed his credentials and they let him go. And talk about apologies. Thank you. Thank you very much. Mr. Perry, may I bother you for a minute, Mr. Perry? Uh, come in, Anne. And thanks for that typing you did last night. Mr. Perry, when I applied for this job, wasn't I thoroughly checked? Of course you were. Why? Can you think of any reason why the United States Secret Service would be after me? Well, the two chief functions of the Secret Service are to guard the President and catch counterfeiters. I'm safe in assuming you're not the President. Can I be suspected of being a counterfeiter? Oh, now, Anne, Anne.  You passed it on to somebody who reported you. It happened once to a friend of mine. They watched him a few days and suddenly dropped him. You'll probably have the same experience. Thank you. He's a very attractive man. I don't think I'd like to be dropped so suddenly. And besides... Well? He, uh, he asked me to have dinner with him tonight. I told him I would. Well, if he gives you any trouble, just tell him to see me. Hmm, he doesn't know what trouble is, Mr. Perry. Just wait till he takes me to dinner tonight. Now here's our producer, Mr. William Keely. Act II of Mr. 880, starring Dana Andrews as Steve, Edmund Gwynne as Skipper, and Mala Powers as Anne. Yes, Mr. 880 has whipped up another homemade batch of dollar bills to the utter torment and dismay of the United States Secret Service. But Steve Buchanan at last has a lead in the shapely person of Anne Winslow. Steve has invited Anne out for dinner, unaware, of course, that Anne knows who he is. Well, I hope you like it here, Anne. I ought to. It's a terribly expensive place, isn't it? Well, what's money for? I mean, why make it if you can't spend it? Steve, would you mind handing me my purse? Well, it's certainly bulging, isn't it? What do you carry in this thing? My compact. I have a distinct feeling that my nose is shining. Your nose is fine. As a matter of fact, it's just about as nice a nose as I've... Well, what's the matter? Your purse. What about it? How much money do you carry around? That's not real, is it? Well, what do you think it is? A boodle of queer? Oh, is there any more wine? A boodle of queer? And believe me, it's mine. I'm not trying to shove the stuff. All right. How did you find out who I am? Find out about you? A boodle of queer. The word boodle hasn't been used since the Civil War. Really? Now, I wonder how I came to use it.  As for your money, it came out of your savings account also this morning. You made a big show of looking guilty. Why? Well, it seems so silly that you'd suspect me of counterfeiting. I thought I'd give you ample cause. You're not very good at it, but you're much better at dancing. Nothing like finding out, is there? Come on. Counterfeiter named Mr. 880. You asked me, I think Mr. 880 is making fools out of you. Nobody asked you, and he is. But the fact remains that you passed two of those ridiculous dollar bills. Now, where did you get them? Well, let me see. Think back over the past week. Where did you go? Who gave you the dollar bills and change? Oh, Steve, it's no use. I can't remember. Honestly. Will you keep trying? Of course. I'll be around every night and give you a memory test. Mmm, sounds like fun. I mean, I'll try to remember, Steve. I really will. I gave what Mac and I have been through. Steve, you're no closer to 880 than the day you walked in here. Now, what about the girl? She's under constant surveillance. Let's look. For ten years, 880 has followed a definite pattern. Your records prove that. And for almost two weeks, you followed that pattern. He prints his dollar bills and proceeds to pass them out. But never in just one section of the city. Oh, a couple here and a couple there. Now we know this site tenorary by the order in which those phony bills are reported to us. Yes. Downtown, Burrow Park, Flatbush, Bay Ridge and Bensonhurst, like he had a papal route. Well, you covered those sections, didn't you? All right, he's made a sucker out of me. Fine. Now what about Coney Island? What do you mean what about Coney Island? According to your records, he goes there once a year. He goes to these other places once a month. Once a year to Coney Island on practically the same Sunday and the same month. Oh, what Steve means, he's due out at Coney Island this Sunday, along with a few hundred thousand other people. I've played long shots in my time, but... Okay, if anybody around here's got a sure thing, I'll forget about Coney Island. We never had a sure thing on 80 and we never will. Then you've got a date for Sunday, Mac. Goodie-goody. You need me tonight? No, as a matter of fact, I've got a date tonight. Anne Winslow. Oh, break the date. Forget business for a change. Who said it was business? Oh. What you can do after I feed you is help me with the dishes. I'll get this pan of hands, but here goes. Do you feel any better, Steve? You certainly were in a mood when you came in here. I'm sorry. Poor Mr. 880. What about me? He's doomed. Oh, he's escaped your clutches so far, but I have a distinct feeling you'll never give up. A bootle of queer. By the way, what are you doing on Sunday? Skipper has to take a flock of kids to the zoo. Skipper? I told you about him. Skipper Miller. That nice old man upstairs. The spinning wheel on my mantle. Oh, so sure. Well, every year on the Sunday nearest his birthday, he rounds up the kids in the neighborhood and takes them somewhere. I promise to help. The zoo, huh? Oh, that's so bad. I have to go to Coney Island. 880 again? Yeah, 880 again. I thought maybe you'd say do you think Skipper would pass up the zoo if we took him all out to Coney Island? Steve, he'd love it. I'm sure he wouldn't. So would the kids. Look, you finish the dishes and I'll see if I can find him. I thought we were going to the movie. We are. I'll be back in five minutes. It's a splendid idea, Ms. Winslow. Splendid. Are you sure we're not imposing on Mr. Buchanan? I told you, Skipper. It was his own idea. Well, you know, I usually take him to Coney Island. I thought the zoo might be a change. You know, between us two, Ms. Winslow, I... I like Coney Island much better. Good. I'll tell him. But nice Mr. Buchanan. I can't wait to meet him. Oh, he wants to meet you too, Skipper. Does he now? I wonder why. Right, Mitchell. Go ahead and say it. I told you so. Well, I'm still not quitting. Who said a word? I just gathered that Coney Island yesterday was a bust. Complete. Not a sign of 880. Maybe I'll have better luck today out at Bay Ridge. Now, before you have a nervous breakdown, I'll tell you once again that any time you want to drop 880, it's perfectly all right with me. Drop and why? Well, I don't want to see you make a career of it. After all, there are more important cases to work. Well, yesterday was a bust. There's an irate citizen in my office from Coney Island, Steve Look. He brought in a souvenir. Mack, that's an 880. Yes, and furthermore, he can give us a perfect description of the passer. Yeah, he still want me to drop him, Mitch? Bring in that irate... Got away in concession out of Coney, see? I guess you wait, see? If I guess wrong, you get a beautiful Cupid doll. Okay. I break for a sandwich. See, cause I'm hungry. I'm eating the sandwich and counting up the take. And here's this bonus bolognese given to the yacht. Quick as a flash, I know who it is. He's a wise guy, see? And that's him. That's the Dady Crook right there. Me? I gave you a counterfeit dollar bill? Oh, you like this guy. He's with a tomato, see? He says to hunt... Okay, okay, fine. That's all we want to know. If this is the crook who gave you that pony dollar bill, he's already under arrest. Thanks for coming in. He's a very dangerous character. Yeah, you're right. You're right. Throw the book at him, but throw the book at him. Well, this is one for the book, so you're Mr. 880. Yeah, some joke, but 880 was there, Mitch. Maybe he was right under my nose. All right, I missed him, but he was there, right on schedule. And according to your research, his next stop should be Bay Ridge. Let's get moving. And if we don't get him in Bay Ridge, we'll get him in Bensonhurst. Mac, where are those cards you had printed? Right here. Warning, counterfeit one dollar bill. How do I identify? Well, we'll have one of those cards on every cash register from Bay Ridge to Canarsie. Sure, sure. And I'll eat every one of them if 880 doesn't show up. Let's get going, Mac. Hello there, Grandpa. I haven't seen you in this awful week. Yeah, I've been a long time. I don't get to Bay Ridge very often. Mr. Schmidt's been asking for you. Oh, I've just been talking to him. It isn't often that I find someone I can talk German with. No. Well, better pay for my root beer. Get along. That'll be 10 cents, Pa. Well, here you are. Oh, almost forgot. I think I'll buy one of those German newspapers. Oh, I'll get it for you. Oh, no, no, no. And do you stay where you are? You've been checking all those dollar bills, Mary? Oh, yes, sure, Mr. Hankel. I've got that card that those men left is right here on my... Hey, Mr. Hankel, look. Who gave you that dollar bill? Him, at the newspaper stand by the door. Hey, mister, that dollar bill you just... He's gone! He's gone! Well, let me see that bill again. Are you sure this is... Mr. Hankel, just look at the way Washington is bowed. Look, that's the card of police! Card of German! Hurry! Hurry! Hello, Skipper. Hmm? Oh, Mr. Buchanan. How nice seeing you again. Calling on Miss Winslow, huh? Well, I have hopes of finding her at home. Did you recover from Coney Island? Oh, it was a wonderful day, Mr. Buchanan. Wonderful! I've never seen the kids happier. Well, this must be your dog I've heard so much about. Please and I take a walk every evening, rain or shine. Well, remember me to Miss Winslow, won't you? Yes, you will. A lovely girl, Mr. Buchanan. A kind girl. Well, come on, please. Come on, buddy. Come on. I thought we could decide that at dinner. Okay? Okay. Still no news on Mr. 880? Or am I asking embarrassing questions? He was in Bay Rids this afternoon. But you didn't find him? No, but we know a lot more than we did. His age and that he speaks German. Oh. We even got a description. Really? Only the description's worthless. There must be 10,000 old men floating around who'd fit it. I still can't get away from the idea that he lives in this neighborhood. The chances are, that's how you got those two bills that time. Don't you ever relax. Ann, what about that old fella who runs the stationery store around the corner? Mr. Kimmel? You'd suspect anybody, wouldn't you? Well, he's got a German accent and that's... There's a home for the aged around the block. It's full of old men with German accent. I've already been there. Oh, you weren't. I could very easily learn to dislike you. Meanwhile, shall we go? Ann, it's not that I'm suspecting everybody. Oh, good evening, Mrs. Winslow. Hello, Skipper. Have a nice walk? Yeah, fine night for walking. Come on, please. Come on, up the stairs. Say, Skipper. Up we go. Yes, Mr. Buchanan? Spreckensee Deutsch, my dear.  Steve. Just a shot in the dark.  I am.  We're going to have to take another walk. Yes, we're going to that vacant store down the block. And in the backyard, we're going to dig a home. You see, please, cousin Henry has to go. They almost caught me this afternoon in Bay Ridge. And now, Mr. Buchanan, now why? Why would he want to speak German to me? Hmm? So? We'll bury the printing press and the plates, and no one will ever use them again. No. Come on, old man. Come on, dog. Come on, then. You'll stand guard and I'll bury poor cousin Henry. Yes. Yes. Come in, Steve. Come in. Sit down. Max had the chief just called from Washington. Yes. Among other things, he wanted to know about you. Well? Steve, the chief wants you to go to France. Yep. There's a popular demand for the American dollar in Europe right now, and some outfit in Paris is trying to satisfy it. It's big stuff, Steve. And after all, we haven't had one of Mr. 880's dollar bills for weeks now. Well, 880's a counterfeit, Amit. He's breaking the law. If we can't stop him, we may as well close shop. Well, I just thought you might be interested. Well, I am. I hate to admit it, but I am. Look, can I think it over for a day or so? Sure, sure. Take it down. All right, thanks, Mitch. I'll give you an answer tomorrow. Hello? Of course, come over. Is anything wrong, Steve? Well, if you won't tell me, I guess I'll have to wait. Fine, Steve. I'll be waiting. I'm sorry, Mrs. Wagner. Now, what were you about to tell me? It's about Skipper, Ann. There's something wrong. Skipper? Well, I'm not the nosy neighbor. You know that. But I've been suspicious for days.  Suspicious? Of what? Remember all that stuff he used to have up there? Furniture, bric-a-brack statues, vases. Like a regular antique shop.  Oh, but he loves those things. Well, they're gone. Almost every day I've seen him carry something else away. But why? It's obvious. He's had to sell them. Oh, no. Never really earned enough to live on. But he used to get money from some rich cousin until he passed away. I didn't know. Didn't he leave him anything? Ah, I guess not. I'll never forget how brave Skipper was in his grief. All he said was, I had to bury my cousin Henry. Mrs. Wagner, we've got to do something for him. Oh, he's too proud to take charity. Then we've got to find him a job. Right away, Mrs. Wagner, we've got to find that poor man a job. So if you don't mind, Steve, I thought that instead of going out, we could have a bite right here. I don't. This is fine. So you're all working for that Skipper again. But I haven't told you the best part. I saw the manager of this apartment house. He has two more on the block. And he's going to give Skipper a job. Sort of a handyman. He'll get his rent free and $70 a month. Isn't that wonderful, Steve? Well, Anne, really swell. Now, what about your big news? Well, I think I'm going to France. Steve! Yeah, a big assignment. International stuff. Oh, how exciting. But what about Mr. 880? I'm giving him back to the Indians. Anne, do you think there's a chance that, well, that you could wangle a trip over? After all, you're working for the government too. Well, I don't know. I could try. We'd be in Paris together. Who's going to work on 880? I don't know. I don't care. Make them send you, Anne. Put on that old charm. I'll take you around to places you've never even heard of, respectable ones, of course. Oh, I've only been to the other kind. And you'd better start brushing me up on my French. I think I'll fly. That is, unless we can go together. In that case, we'll find the slowest boat there. Steve, are you sure you gave 880 back to the Indians? You know, someone once said that a task left undone creates a void that no amount of achievement can fill. Who's the ambassador that dreamed that one up? I am. And if you really want to know... Me, Miss Winslow. Skipper. Skipper, come on in. It's just this, Miss Winslow. Look, I found something for you. Skipper, another spinning wheel. Hello, Skipper. Oh, I'm interrupting something, aren't I? But Miss Winslow told me if I could ever find another spinning wheel I'd match the one on the mantis.  Well, it's my last transaction in antiques. On Monday I start a new career. Well, have you heard about that? The news traveled so fast I thought it was a presidential appointment. Now, how much do I owe you? Nothing. Not a cent. Skipper, how much? Oh, well, $3 then, same as last. Let's go into the other room, Skipper. I left my purse in there. And stop telling me it was $3. The other one was $5. Now here, you take this $5 bill. Oh, well, that's funny. I was sure I had $2 someplace. Stop searching your pockets. I insist on paying the same price. Well, you will as soon as I find your change. Ah, here we are. One, two. There. Now, my new job calls for a celebration. I'm going out to get some things. A bottle of wine, maybe. Hey. Oh, knock on your door as soon as I get back. Skipper. Yes, Miss Winslow? Are you sure it was $3? That other spinning wheel? Well, of course I'm sure. You didn't see me do it, but I put the $2 change in your purse. Anne. Yes, Steve? What did Skipper want? Nothing. Nothing much. Steve, if 880 were caught, what would the penalty be? Oh, up to 15 years. Why? 15 years? If I ever lay a hand on that old crook, that's just what he will get. All that close call he had in Bay Ridge get him off for a while. But he'll step out again. They never know when to... Anne. Those aren't tears. Oh, Steve. Steve, if... Maybe I'd better answer that. Maybe you'd better. Hello? Oh, hello, Mitch. What? Well, that's just a couple of blocks from here. Well, sure will, right away. Well, I knew he couldn't hold on. They just caught someone passing an 880 in a grocery store. They're taking him over to the police station. Steve! I'll phone you as soon as I can, honey. This is it, Anne. I know what it is. Act 3 of Mr. 880 will continue in a moment. The curtain rises on Act 3 of Mr. 880, starting Dana Andrews as Steve, Edmund Gwen as Skipper, and Malah Powers as Anne. Suddenly, the case of Mr. 880 has broken wide open, and Steve Buchanan has dashed down to the police station. But instead of an old man with a German accent, in custody are three rather small boys. What is this, Sergeant? When my office phoned, they told me you had someone... You saw the evidence in the detective bureau, didn't you? I never saw so many $40 bills in my life. Enough to fill a bushel basket. Plus one small print and press and two engravers plates. You want to talk to the kids? You're darn right I want to talk to them. Well, you can forget about two of them. Why? Like this, Mr. Buchanan, the littlest one, Melvin, he gets the print and press from the middle-sized one. That's Johnny. He wins it from him on the Royal Series. That puts Melvin in the clear, right? I'm listening. Okay, the middle-sized one, he gets it from a punk named Mickey. He lets Mickey join his mob, and Mickey gives him the hot print and press. Mickey's the kid that found it to begin with. Well, put Mickey in a prowl car. I want him to point out the exact spot where he found that stuff. I'll wait for you outside. Give him. Now, you found the press yesterday. Is that right, Mickey? The printing press and two engravers plates. Yeah, I put some ink on it, and I tried it out, see. I figure it's stage money, so I start making deals. I sure made a lot of deals. Okay, punk, now where? There it is, that empty store. Only it's behind the store in the backyard. All right, let's get out. We're playing a game, see, and I'm hiding from the rest of the fellas. I run them back of the store and hide behind them old boxes and stuff. Then this dog comes along and starts scraping the dirt. Right next to me. Dog? You a dog? Not mine, brother. Anyways, pretty soon I see something. So I start helping the dog and out comes the printing press. What kind of a dog, was it? One of them shaggy ones. I think he belongs to some old geezer down the street. Here's the hole, see, right here. Take him to the car, Sergeant. See that he gets home, will you? You staying here, Mr. Buchanan? No.  I don't get it. You don't have to. Oh, and let those other kids go too. That's the day of the parents. Right. Steve.  It's Skipper, isn't it? Where is he? Up in his room. He's waiting for us to celebrate his new job. Oh, Steve, he's an old man. He can't survive a long jail term. He's a counter-fitter, and no matter what you or I think of him, he robbed people. He reached into their pockets and robbed them. All right, Steve. We may as well go up. Yes, and I want to thank you again, Mr. Buchanan, for accepting my invitation. Now, if you'll get the glasses, Miss Winslow, I'll open up the wine. Yes, Skipper. Oh, I had a lot of trouble to get the wine I wanted. I said to the man, I said, when I asked for Liebfrau Milch, I said, I want Liebfrau Milch, I said. Oh, then maybe you'd better open the bottle, Mr. Buchanan. I'll put the cheese on the plate. If I can find the plate. Now, now, now, just be patient, please. You know, he loves cheese. All dogs love cheese. Yes, Mr. Buchanan. I'm with the United States Secret Service. I hope you're acquainted with Liebfrau Milch, Mr. Buchanan. It's a lovely wine. Oh, and to be just right, it should be... Skipper, have you been passing counterfeit $1 bills? Oh, yes, yes, indeed, for quite some time now, yeah. Here, here, here, here, here, just wait. Just wait till you taste this. Now, here, here we go. Here we go, Mr. Buchanan. Down the hatch, eh? Oh. Oh. Yes, in all the world, there's nothing like Liebfrau Milch. You'll have to come down to the office with me, Skipper. Oh, yes, yes, of course. They'll probably want to ask me a lot of questions. I'm really leaving anytime now, only... Oh, only my dog. Don't suppose they'll let me take, please? I'll take care of you, Skipper. Oh, yes. Ah, thank you. Thank you. And in case I'm... I'm detained, he likes ground meat, at least once a day. You'll need a lawyer, Skipper. I know a very good one. Mr. Liebfrau Milch. No, no, no, no need of that. No. I suppose there is a lot of detail to a thing like this, Mr. Buchanan? Considerable, Skipper. Well, I hope it won't take too long. I wouldn't like to spoil your evening with Miss Winslow.  Behave yourself. Now, you...  See now?  Be a good dog. That's amazing, good boy. All right, all right, all right.  They've been asking me a lot of questions, Mr. Mitchell. You may be able to think of some, too. Did it ever occur to you that this was like stealing, that every person who accepted a counterfeit bill from you suffered a loss? Did you get that, Miss McGulligar? What? I was afraid he was talking too fast for your short end. What? Yes, Mr. Mitchell. Yes, I'm a little aware of what I was doing. But I never gave anyone more than one bill. Oh, no, I made sure about that. You planned it that way? Oh, indeed I did, yes. Well, then I'd always buy something from them. They'd make a profit on that, so the loss wasn't too great, you know? Oh, no, no, less than a dollar. I'm sure, never did mind it. I understand you were in the Navy for many years. No, machinist, first class. Well, then you were eligible to enter a veteran's home. Instead of committing your crime against the government, why didn't you apply for a veteran's home? I thought about that, goodness, no. But cost the government $82.70 a month for each veteran in a home. But I didn't need over 40 or 50. Yeah, I saved the government a lot of money, Mr. Mitchell. Hundreds and hundreds of dollars. He's all yours, Steve. Take him down to the commissioners for arraignment. Now, and I want to thank all of you. You've been very kind, patient. Thank you. Then it's no use, Mr. Lee. No use at all. And I'm a lawyer, I've had a lot of clients, but believe me, nobody like this one. He insists on pleading guilty. Tell me, do you know anything about Judge O'Neill? Yes, and you may as well be prepared. Well, I will depend on the Secret Service on how hard they push it. Your friend, you can go to help. I could, but he's gone to Washington. Then I won't see you in court, Mr. Lee. Oh, I may drop around, but it won't do any good. Ten o'clock in the morning. Right, Federal Court Judge O'Neill. Good luck, Ann. Conclusion, Your Honor. May I remind the court that this case and this defendant has cost the United States Secret Service more time and money than any other case in its entire history? That's all, Your Honor. And I would suggest that the defendant pay a little more attention to what's going on in the courtroom. Oh, I'm sorry, Your Honor. I was just asking Miss Winslow about my dog. Mr. Miller, before I impose sentence, I'll give you one more opportunity to get counsel. Your Honor, may I approach the bench? Is that you, Mr. Lee? Yes, Your Honor. Although the defendant insists he doesn't want me, I would like to submit certain facts. Mr. Miller, why do you feel you have no need for counsel? Well, it seemed to me, sir, he was going to a great deal of trouble for nothing. Well, aren't you disturbed that you may have to go to jail? Jail? Never been there, Judge. Probably not a very nice people there. With the court's permission, I'd like to continue. Perhaps you'd better get his permission. Oh, no, no, no, no. Let him go ahead, Judge. He's got it on his chest.  You have his permission, Mr. Lee. Your Honor, I respectfully call the court's attention to the fact that the defendant is an old man, 73 years of age. Mr. Lee, I have always dealt severely with counterfeiters as a matter of public policy. I see no reason to forget that policy because of his age. Well then, may I suggest that that intent should be considered? The circumstances under which he began his counterfeiting. Mr. Miller is a junk dealer. Now, it's quite... Antique dealer, Your Honor. Anyway, it's quite possible that among the things he picked up was this printing press.  Oh, but that's wrong, Your Honor. I bought that printing press. Yes. This and those plates. I engraved them myself. Yeah, it took me quite some time. It's not easy, you know? No, no, no. No, I'm... I'm sorry, Mr. Lee, but I'm afraid the facts contradict you. Thank you, Your Honor. That's all I have to say. Now, where's this secret service agent who made this arrest? Mr. Buchanan, isn't it? Down here, Your Honor. Well, any recommendations? I've never had any sympathy for counterfeiters, Your Honor. I agree with the court. Counterfeiters should be dealt with as severely as possible. Thank you, Mr. Buchanan. But if the court pleased, there is something I would like to add. Yes. What the defendant did wasn't because of greed or because he wanted to get rich quick. He printed just a few bills at a time, only when he needed money badly, and then not always for himself. You arrested this man. Are you now pleading for him? I realize it's unusual, Your Honor, but the defendant is an unusual man. Your Honor, I was absent when Mr. Miller was indicted because I went to Washington. I went there to check his record to see if he had ever engaged in any other criminal activity. I'm happy to say I couldn't find a thing. I think we have quite enough evidence against Mr. Miller as it is. But I did run across something which you may want to consider. The defendant spent a good part of his life in the United States Navy. In 1918, when he was 41 years of age, he received a declaration for bravery. I have a full aesthetic copy of the citation in case you're interested. You seem to have gone to a great deal of trouble for this man. Why? Well, that's hard to say, Your Honor. Maybe it was because I had read something in a book I just happened to pick up the other day. Justice rules without regard for the feelings of the human mind or the charity in the human heart. A book you happen to pick up? Yes, Your Honor. I am the author of that book. Yes, Your Honor. And I still believe that counterfeiters must be sent to jail. However, in view of the defendant's extreme age and the other considerations, the other sentence will be kept at a minimum nine months. Thank you, Your Honor. Yes, sir. Thank you. Thank you, indeed. Your Honor, may I approach the bench? Mr. Mitchell, isn't it? Well, Mr. Mitchell? Thank you, Steve. And Mr. Lee, I hope you don't think I was rude.  You'd better keep your hat off. Oh, yes, yes, yes. Yes, indeed. I should like quiet, please. I have been reminded that a sentence of nine months does not provide for parole. It has been requested that sentences be changed to a year and a day so the defendant could get off in four months. The sentence is so chained. Oh, thank you, Your Honor. Thank you. Skipper, Skipper, just four months. It's not like going to Florida for the winter, isn't it? Oh, for heaven's sake. I have also been reminded that the sentence must be accompanied by a fine. We will make this nominal, too. Mr. Miller, I find you one dollar. Well, I believe I have a dollar bill. Right here. Right here with me, Your Honor. Yes, sir. A brand new... Oops, not that one. Skipper, maybe you'd better let me pay. Oh, I wouldn't hear of it. I do have another one somewhere. Ah, here we are, judge here, yes. Mr. Buchanan, you'd better look it over. Is as good as gold, Your Honor. That's right, Mr. Miller. Oh, goodbye, Skipper. Four months isn't long. Thank you, Steve. Thank you. Skipper, would you mind terribly if I kissed you? My goodness. Well, after that, I don't feel a day more than seventy-two. No. Yeah. You saved the rest of your kisses for him, my dear. Thanks, Skipper. I think you've got something there. We hope you enjoyed the night's play. In just a moment, Mr. Keely will tell you about next week's play and bring back our stars for a curtain call. But first, I'd like to remind you that something wonderful has happened to your favorite luxe. You owe it to your wardrobe to try new luxe with color freshener. Hollywood Screen Stars say it's the finest beauty treatment for fragile white things for prints, for all colors they've ever seen. Why not take a tip from the girls who have the most glamorous clothes? Use luxe not only for stockings and your Sunday best. Use it for everything you care about. Nightgowns, pajamas, house coats, washable dresses and blouses, too. Colors stay so ravaging you'll never want to use anything else. Now at last, whites stay truly sparkling white. Colors keep their bright new beauty. Prints look brilliantly sharp every time you luxe them. No soap, no suds of any kind is safer for your washable silks, rayons, nylons and nice cottons. Get a big box of new luxe with color freshener tomorrow and discover for yourself how easy it is to give your washables that freshest new luxe look. Now here's Mr. Keely with our stars. And we welcome them back to the footlights for an extra curtain call. Dana Andrews, Edmund Gwynne and Malaparte. Well, we were certainly lucky to find you three in town this week. Yes, you were, Bill. Because just about every available star on Starlet is making a tour for movie time, USA. Malo and I just did get back in time for the show. I was in New York City with the tour and Malo went all the way to Jacksonville, Florida. Isn't it a wonderful idea for all those actors and actresses to go all over the United States? So that the people can see them as well as their pictures. Yes, Teddy, and we're proud that nine out of every ten actresses who went on the tour were Luxe Girls. That's right, Mr. Keely. And believe me, we also saw to it that we had plenty of Lux Flakes. Lux Flakes certainly come in handy on personal appearance tours, don't they? Yes, Mr. Keely. Luxe and a good personal appearance always go together. Teddy, how is it you didn't go on one of the tours? Well, I'm only just out of hospital. And besides, someone had to be here tonight to tell you about some good pictures you'll soon be seeing. For instance, the Desert Fox, made of course at 20th Century Fox. James Mason stars as General Rummel. Yes, we're certainly looking forward to that one, Teddy, because it tells the story of the man as well as the famous general. And I'd like to mention that Samuel Goldwyn has a very fine picture soon to be released called I Want You. Starring Dorothy McGuire, Farley Granger, Peggy Dow and Dana Andrews. That's right. We think I Want You is a great love story and very timely. Now, who has time for romance these days when Uncle Sam wanted the boys back again? Well, if Uncle Sam wants me again, I'm ready. Ready for what Teddy? Ready to recruit waves, wax, stars, lady marines. And what have you recruited for next week's show, Mr. Keely? A very charming love story that will take us all back a few years to reminisce about those romantic high school days. It's the 20th Century Fox screen success, Margie.  We look forward to that one, Bill. Good night. Good night. It was a wonderful evening. Don't you admire the lovely screen star, Teresa Wright? She has one of the loveliest complexions in Hollywood. Teresa says, I'm a luxe girl. Luxe soap facials leave my skin softer and smoother. So why don't you try this famous complexion care? It's so easy, but it really works. Just cream the rich luxe active ladder well into your skin, rinse with warm water, splash with cold. Then pat dry with a soft towel. You'll be delighted with the way your skin takes on fresh new beauty. Looks really luxe lovely.  Discover why 9 out of 10 screen stars are luxe girls. Lever Brothers Company, the makers of Luxe Flakes, join me in inviting you to be with us again next Monday evening. When the Luxe Radio Theater presents Jean Crane and Hugh Marlowe in Margie. This is William Keely saying good night to you from Hollywood. Malah Powers appeared through the courtesy of the RKO Radio Studios, whose current release is the Howard Hughes presentation and Technicolor of the Flying Leathernecks, starring John Wayne and Robert Ryan. Our play was adapted by SH Barnett and our music was directed by Rudy Schrager. This is your announcer John Milton Kennedy reminding you to join us again next Monday night to hear Margie starring Jean Crane and Hugh Marlowe. This is the CBS Radio Network.


After the Second World War, Australia escalated its child migration program from Europe. Ron Metcalf was one of the Australian immigration officials who worked closely with the organisation selected to care for the children. Well, I was called a migration officer child. But to know after a while, it became obvious. See, what had happened? Mr Corwell had felt like many others. During those war years, the bombings in London would mean that we've got to get rid of these children. They're all going to be bombed to death here. Let's get them out to Canada and to Australia. Then there was submarine trouble in the Atlantic. It was obvious you couldn't put all the kids on these ships going over there. They'd be all sinking. So they had to stay in England. So that screen which he had in mind initially, that faded completely. But then he knew that prior to the war, and even then showing some signs of existence, there were all these people like Fairbridge and Banados and all sorts of organisations that had taken small, very small numbers before the war. Here was one avenue at least that might work. He'd also sought very much about Norway because Norway had been taken over by the Germans. They reckoned there was going to be a lot of illegitimate children in Norway. They also thought that all the bombings that had taken place, that they'd be all doubly orphaned and they weren't doubly orphaned. They usually had one still alive or they had a close relative. They also had some governments that felt that it was unwise, even though some of these people were unsuitable, weren't going to be accepted by their own friends and so they felt that they had a responsibility to look after them too. So that the numbers that were thought available in every sink were much smaller than they ever anticipated. And as I say, in 10 years, in 10 years from these countries and churches, there were only 2,536 I think children, 7 to 13 years of age came to Australia. Now that was one of the reasons why I've always felt unhappy about the criticism because they mainly talked about people of 10,000, 20,000, 30,000, some of them even got up to 50,000. The figure was 2,500 in 10 years. So when you felt that there was this sort of publicity, you're worried about the whole thing. And as I say, I did my best on a few occasions to actually be able to be heard by the people that were making inquiries and I could not get them to agree to me. I had some here in this house, but I couldn't get any of the inquirers, the politicians who were making the inquiries or others to come and I had a dealings with the British High Commissioner with them and eventually they sent a note back to me which is in the House of Lords in the library about my views. But never have I spoken to any of all these critics and yet I was the only Migration Officer child in existence at the time. They were people who in my opinion in the main had been deprived of a normal home life and this was something better. The man who came out from London who I saw, John Moss, who came to this house and I travelled with her for a short time, he was the one who sent a report back saying to the British authorities if I were you I'd send more. The question of housing was always a problem as to whether it was going to be you're going to have them in a large numbering or whether you're going to have them in small numbers or whether, which was the best method of doing it. They were trying all sorts of systems, whether they should have housing as well or they should have just looked after by two or three people in various areas in the one. It wasn't as if there was, you know, it was ignored. My opinion was that the, I felt that some orders, some orders of the Catholic Church were tougher than others but I think from my own experience they were tougher than in their own homes too. They were not, they believed in that sort of behaviour, that was the way they felt people should be looked after and there were some orders, we refused some orders. I didn't know one of the children who ever complained about the fact that they never got to school. I never heard of any children that had been badly treated. Well, you can understand perhaps that's why they didn't do that because they wouldn't be game to perhaps. But nevertheless, they went, some of them went to public schools in their own, in the town, they weren't in their own little school in their own little room, they were going to normal public schools. If anything was adverse was happening, it surely would have been known to some of the other people in those schools as well. This is not to say that you know that I'm sure as we can even see today the handling of children is not an easy matter and particularly when some of the mothers just left them, some of the fathers more frequently left them and it was a genuine attempt to help these young people to live a new life. Mind you, they had all in mind then we were will and sheep and they thought about farming as being the best way to do it. So a lot of them were in farming property areas. As I said earlier, when you consider in the first 10 years Arthur Corwell was very interested in child migration. He wanted to succeed. The money that was granted, there was more money available than there are for people today in building homes, providing ablutions, providing everything that was clothing, equipment. I had to make a submission, as you all know, to the government about equipment allowance to get more paperwork available, knives and pencils and pens and all that sort of thing. Each state government gave money, the Commonwealth gave money, the federal, the Commonwealth's endowment was paid. I think that there are certainly, you would always find ways to improve child migration, always. But I don't think that the way that has been put that all the people looking after them were devils and so on, just died out, doesn't rad out.


Hello and welcome to this presentation of the STM32 Debug Interface. It covers the debug capabilities offered by STM32L4 devices. The debug interface of STM32 products provides an access to MCU internal resources. This interface is used to program the MCU and debug applications using basic debug features. In addition to the basic debugging features, applications benefit from the trace capability used to quickly identify possible malfunctioning parts of the application and to create coverage and profiling reports used for application tests, optimizations and certifications. The STM32L4 offers several basic debugging features which are supported by all hardware and software debug tool sets. Debugging hardware can interface with the STM32L4 through the five-wire standard JTAG interface or the two-wire serial wire debug port. The debugging tool set can directly access the AHB access port and AHB master able to access all internal databases or directly read or write to all registers and memories, including programming the flash memory. The user can control the execution of the application through breakpoints and code stepping. When the program reaches a breakpoint, internal peripherals like timers can be frozen in their current state or can be left running. The STM32L4 also supports more advanced debugging features. These features require additional support by the debugging tool set, both hardware and software, as well as support on the MCU side for features requiring additional pins like the embedded trace macro cell or ETM or the trace point unit interface or TPUI. The flash patch and breakpoint unit provides hardware breakpoints for debugging the application or possibly correcting software bugs in the code memory space. The full implementation option offers two literal comparators and six instruction comparators. The embedded data watch point trigger provides four comparators configurable as a hardware watch point, ETM trigger, PC sampler, or data address sampler. It provides the necessary information for data tracing and system profiling analysis for which it embeds counters for counting the number of clock cycles, load and store operations, sleep cycles, clocks per instruction, and also information about interrupt overhead. It can also generate reports about the application profile. The instrumentation trace macro cell or ETM supports print F-style debugging information for diagnostics. Packets can be invoked by software, a direct write to the ETM, or by hardware, triggered from the data watch point trigger or DWT. It also provides a timestamp from the 21-bit counter. The embedded trace macro cell or ETM provides information about the execution flow of the application by tracing data through the DWT or ITM and tracing instructions through the ETM. This information is then sent to the debugger host for processing. This information allows the debugger to completely reconstruct the execution flow. It is very useful to quickly identify bugs and also generate code coverage and profiling reports which are used for test purposes and certifications. The trace port interface unit formats information from the on-chip trace unit, ITM and ETM and sends them to the debugger host. It supports asynchronous mode with one pin used for communication in single wire mode or synchronous mode with up to five pins working in both JTAG and single wire modes. Synchronous mode provides better data throughput. After a device reset, these pins are not assigned and must be configured by the debugger host. The STM3204 supports flexible debug pin assignments. After a reset, all five debug pins are assigned to the debug interface. The application may reconfigure them back for GPIO operation and release these pins for application use. Please note that these debug pins have internal pull-up or pull-down resistors enabled after a reset to prevent any uncontrolled IO levels on these pins. The debug interface operates in all low power modes. For sleep, stop and standby modes, related bits must be configured in the dbgmcucr register in order to prevent the clock and regulators from stopping when entering a low power mode. For more technical details, visit the InfoCenter.arm.com website.