Good morning everyone. Thank you so much for joining us today for our webinar, Communications Made Beautiful with Adobe. Before we get started I just want to go over a few housekeeping items so all callers will be muted. If you have questions you should see a chat box on the left hand side where you can ask your questions throughout the presentation. And if you lose your Internet connection just reconnect using the link that was emailed to you or try refreshing your browser. Sometimes ReadyTalk can kick you off for a second but it's pretty easy to log back in. If you have to leave the webinar early we host our webinars on our website at techsoup.org slash community slash events dash webinars. If you want to re-watch it you can also watch it on that URL. Also after the webinar is over you'll receive an email with the presentation, the recording, and any relevant links. And if you're on social media feel free to tweet at us at TechSoup using hashtag TSwebinars. But like I said earlier we'll be monitoring the Q&A box that you see on the left hand side. So just a little bit about TechSoup. We are located in 236 countries and territories. We partner with several technology organizations like Adobe, Intuit, Microsoft, Symantec to service over 1 million nonprofits globally. So now that you guys know a little bit about TechSoup and I just want to make sure you guys can hear me okay. If you want to tell me where you're calling in from in the chat box and I will read a few of them out. So we have Washington, D.C., New Hampshire, Boston, Tulsa, Clearwater. Do we have any international folks on the call? I don't see any yet. We've got Mississippi, Chicago. Okay so you guys can hear me okay. Awesome. Alright so again if you have not heard of TechSoup before or you haven't had the chance to explore our marketplace, we have several products that are available to nonprofits either donated, discounted. So if you get a chance feel free to browse the URL that you see here to see what technology is available to your organization. And this webinar specifically is focused on Adobe tools so we also partner with Adobe. And you can see here on the right hand side some of the software that we offer our nonprofits. So if you're curious about what Adobe products are available please visit techsoup.org slash Adobe. Alright so just a little bit about who's on the call today. So my name is Seema Tucker. I'm the online learning producer here at TechSoup. You probably saw a message from my colleague Lashika Phillips. She is helping out on the back end today with any technical issues that you might have. And then we have Mark Ketchner who is going to be presenting today. And he is an award-winning creative director and was the co-founder of the Shotwell Company, a digital agency that was based in San Francisco. And he is now the creative director at TechSoup. And he's been with us since 2015. So I'm going to go ahead and hand it off to Mark. Thank you so much Seema. That was a very kind introduction. And thank you everyone for joining. This is my first webinar that I'm doing for TechSoup, but like Seema said, I've been with the organization for almost four years at this point. So we'll have to see how it goes. You guys can leave some feedback later and tell me if this is useful, if we should do more webinars on the subject of design, specifically Adobe, those are the tools we use every single day. So to be clear, this is an entry level. It's really a beginner class. I'm just going to show some sort of basic things you can do with what I consider to be the key applications in the Adobe Creative Suite. So specifically Photoshop and Illustrator. And I'll say a few more words about that later. I think we have a quick little poll just to see everyone's, just get a sense for how well everyone on the call is familiar with these applications or if at all. And then again to be clear, if you're pretty advanced, then this could potentially be boring, but I'll try to keep it interesting nonetheless. So this is great how quickly this works. So it looks like the, well not quite the majority, but there's quite a few people here who know some basics, but still need some help. So hopefully I can provide that. And also a good amount of people who don't know anything about it. And that's why you're here today. So you are in the right place for that. And then I see we have 0.9% of you. Step aside Mark, I'll teach, which I'm really grateful for because if a bus hits me or something, I'm glad that you're here. So I'm going to move to the next slide. Here we go. This is our agenda. So first I'll just say a few words about the power of design just in general. We're going to look at some common design challenges for nonprofits specifically. Then we have a short section about just basic principles of good design. We're going to look at a list of assets for any kind of campaign that you might want to run. And then really the meat of this, I'm going to jump into Illustrator and Photoshop and see if right here on the fly with everyone watching I can produce an actual designed asset that could be used in a campaign. So let's just jump right in. The power of great design. So this is something that I'm going to risk losing my job by saying this here right off the bat. I'm sure data can be found that any specific action that your nonprofit, any specific campaign that your nonprofit may run, might not need great design. So if you're doing a fundraising campaign, if you're writing letters, if you're sending emails, are there numbers to show that something that looks better will perform better on the spot? And the answer is, I don't know. The reason though that design is important is maybe the bigger picture. So that's the brand of your organization which speaks to your credibility. And brand, that's a heavily overused word. I like to think of it just as the identity. Who are you? What's the personality of your organization? At TechSoup, for the longest time, there was no design team here. And TechSoup has been around for 32 years now I think. And it's a nonprofit. TechNonprofit provides tech support, tech help for other nonprofits around the world.  So who needs good design? But of course, that's a little bit like the half price ticket booth. If you're trying to get tickets for a play, terrible user experience, it's no fun, it doesn't look good. If the half price ticket booth wanted to sell you coffee or coffee machines or anything else, you might not want to trust them to do that. So therefore, we think that organizations with a strong brand and good design, they just have more credibility. And I'm going to move to the next slide now. Nonprofit Common Design Challenges, this I'm sure we're all familiar with, lack of money, lack of time, results in poor design, poor design can be visually confusing, and then poor conversions. And the conversions, whether that is a fundraising campaign, in the case of TechSoup, that's often getting nonprofits to join and to request hardware and software from us, specifically on the website. If it's confusing, you don't get from point A to point B. If the communications materials aren't well designed, you might feel less compelled to click. So enough said about the importance of design. Basic principles of great design. So this is something I have to thank SEMA for. She did a little bit of research ahead of this and found actually on the Adobe Spark website, and we can send a link to that later. What they describe is the eight basic principles of great design. And those are alignment, hierarchy, contrast, repetition, proximity, balance, color, and space. And I'll say a few words about each of those. But just to preface this, design is of course an inherently subjective discipline. And for each of these principles, I can easily find counter examples that violate them. It's a little bit like music. You need to learn to play your instrument, but then once you're good, you can break the rules and make it more interesting. But for people like myself who are terrible musicians but like to play, you want to start with following the rules, right? And this is as good a list of any. To me, it really boils down to what I wrote here in the center of the slide, less is more. And I'll say something else about that later as well. So I'll start with the first one, alignment. I personally think this is the most important thing. The difference between something looking sort of slapdash and poorly designed versus designed is alignment. I have a couple of examples here on screen. The one top right, that's actually something that we produced. And then the other two, just something I found online. Always look for the invisible lines. And I'm going to see if I can put a little arrow on the screen. See how this image and this text and this logo, all a beautiful straight line. Then they wrote something right over it which becomes the focal point because it breaks that. Likewise, here I think this is someone's resume. Again, everything is aligned really nicely. We try to do the same. And then of course where you break the line here, we have emphasis. It jumps out at you. But you don't want too many things to jump out. You want it to look clean. And really if you take nothing else away from this webinar today, take away this one thing, align everything. Draw yourself a grid and align things on the grid. And now I'm going to the next slide. Hierarchy, another important principle in design. I found this example. This is a text block here that's not even particularly good design. But what it shows is on the left we have some text. It's really hard to make heads or tails of that. On the right though, that's formatted nicely. Probably just done by someone who knows how to use Microsoft Word or a tool like that. And all of a sudden you can see the main point, thoughts on design. There's something important to be said about symbols, and then the individual facts are nicely enumerated. And hierarchy, different ways to achieve it. Typically we speak of levels of headings. That's really important to observe. Make them all consistent. Your level one is a certain size. Your level two is another size, maybe has a color. And then level three is the information. Top of left, that's kind of an extreme example. We're going to focus your attention by writing something really big. But size isn't the only thing to achieve hierarchy. It can be where you place things on the page, which color jumps out. The rule to live by here is first you want to attract, then you want to create a little interest at the second glance. And then the last thing you see is the actual message you want to deliver in more detail. And just give each of those three things its appropriate amount of emphasis in your layout. Contrast, it's another way to achieve a visual hierarchy. So we see this thing here on the right where there's a button read more. Clearly that's what they want you to do. It stands out. I would say that's actually the first thing you see. There's a big headline. Other uses of contrast are just to make things pop. We've all seen these iPod ads. Top of left is an example of putting text over a photo. It's really important to have high contrast there because text becomes very hard to read when you just place it on a photo without high contrast. So important principle of design, space. Did I say that alignment is the most important one? I did say that in line. So in close competition with which is the most important is space. In fact when I look at work that we produce here internally, that's usually my first comment. Can we have more space between the elements? Can we leave parts of the page blank? That really to me is what makes a design beautiful. Sometimes that means having to keep it real brief. The text you're putting into a piece. But if you sort of think to great designs you've seen almost certainly they have lots of white space on the page. Or I should say negative space here in the case with this pencil it's yellow space. Oh, here this is a quote. A designer knows he has achieved perfection not when there's nothing left to add but when there's nothing left to take away. That is a principle to live by. Just design everything the way you think it should look, and then start deleting stuff. And then after you think you've deleted everything you can delete a little more and I promise it'll look better than before. Repetition. So I interpreted this to mean, and I want to talk about that a little more in a second, just sort of adherence to a brand.  So at TechSoup our brand guidelines specifically describe these circles that we use everywhere. And you can see from these examples that's one thing we repeat quite a lot in different materials but then the other thing is our colors. We stick to those quite slavishly so we don't use colors that are not specifically defined in our palette. And again if you think of brands of design that's associated with organizations that you know or companies, that's probably rule number one. Just use the same fonts. Use the same colors. Don't try to be too different with different campaigns. Proximity, this was on the list. I interpret that mainly as meaning be mindful of what things you put together in a layout. Like here this one is a Nike ad. Choose the right path for you. They put that right on the path. They could have put that anywhere on the page but I think that makes the whole scene just that much more evocative. It puts you right there on that path. So things don't necessarily have to be evenly distributed. Things that belong together can go together, put your text onto the visual in a way that creates proximity between the two. Balance, that's probably a basic from design school art class. Balance, compositions. I found a website I'm going to see if I can share my screen which I actually thought was quite useful and we can share the link to this. It's also in the presentation. Anyone who's edited a photo on their iPhone has probably seen this or on Instagram. You get this grid, the rule of thirds. So we got thirds horizontally, thirds vertically. And if you align the items you're putting in the page onto a grid like this, it doesn't have to be that everything is centered on the grid. Here we have the text centered in the two thirds on the left. We have this picture then to the right that makes a nice balanced composition. This clearly looks balanced, but again if you put the grid over it, you've got something in the top third, middle third, bottom third. Even something that's centered can see it's roughly equal what extends into the top and bottom thirds. So that is one of those rules that of course you'll be able to find lots of examples where this is violated and it's a good one to start with. So I'm going to go back to my presentation. Color, that's the final of the eight principles. So this is probably what defines your design more than anything else. This is what defines your visual identity. My general talking point on this is that yes, there's color theory, different colors mean different things. Red and green we know, stop and go. Yellow is happy, green implies environmental, and also money. So you can certainly use those kinds of rules. But I think most people have a sense for what moods different colors put them in. These ones here on the screen are TechSoup brand colors, actually rendered sort of in the order of importance in our materials. And I'll just do a really quick jump over to our brand guideline document which I have here. So the real criterion for whether you're choosing the right colors, whether you're choosing the right fonts, whether you're choosing the right photos is not necessarily, do I like this? Does it express the personality of your organization properly? And the reason I'm showing this screen is that this is what TechSoup's visual personality is defined to be. And we also have values, trust, relevance, resourcefulness. And basically these values and personality descriptors are what we judge the design that we produce by. So again it's not necessarily, do I love it? Does it express the personality as defined? So I think we have another poll question, is that right? We do, yeah. So if we could just break really quickly, we have a couple questions that came in. So William wants to know, what are good fonts to use for website, brochure, flyers, and programs? Do you have a recommendation in terms of specific fonts? It used to be that you had a very limited palette for choosing fonts for a website because it depended on that very small set of fonts, website fonts, that you could assume every single person had installed on their computer. But those days thankfully are over, meaning you can mix and match any font combination you want. I'm not answering your question because honestly there are so many fonts that I'm reluctant to pick any specific one. Google Fonts, if you Google Google Fonts has a terrific tool where they show you samples of little page snippets with a heading, a subheading, and body text. And you can mix and match right there and it's kind of preview it. I would judge the choice again not by whether you like it, but by whether the fonts you choose express the personality of your organization. So are you edgy and irreverent? Are you very formal? Are you modern? And then the way you evaluate the font is generally serif fonts that have little feet are more formal. Think the New York Times, Sun Serif fonts which don't have the little feet are more modern, and then of course legibility is important. So I wouldn't get too fancy with what are called display fonts where it's lots of curlies. Those literally are for splashing maybe a giant headline onto a billboard, but if you want your materials to be legible I would keep it traditional. Don't go crazy. And in the end it's really the aesthetic that best defines the personality. So for TechSoup we use Sun Serif fonts because we're TechSoup or modern. We have this bright color palette, but if we were a law firm that would look quite different. We'd probably have serif fonts. And the only real rule to observe and then we'll go to another question is don't choose too many fonts. Have one for your headings, one for your body, and try to keep it at that. That's what makes your design clean. Great. So I think you actually just answered the next question. So somebody was asking how many fonts are too many to use on a digital flyer or announcement, and it sounds like three-ish. It sounds like a good number. Yeah, less is more. I do like the look of having a different font for headings and then for the body it can be nice to have a serif font for the headings and a Sun Serif font for the body or vice versa, but that's not a hard and fast rule. For body the important thing is legibility. And to keep your design clean really less is more. I would say stick to two. I wouldn't do a ton of different font sizes. One really big one for the main heading and then try to keep everything else at another consistent size. We're going to do a little design exercise. I think that's the next thing we're going to do. And we can play around with that a little bit, but generally don't overdo it. So if we don't have any other questions, I think I'm going to just jump right in. I'm going to open up Illustrator and design something. Oh wait, first we're going to look at our campaign assets. So this is a list that I get quite often. I'm sorry, I'm just showing the results of the question that was asked. So logos, social media graphics, perfect, because that's what we're making, a social media graphic. Photo editing, I'll do a little bit of photo editing. Video editing, not this webinar, but maybe we'll do another one. And documents and pamphlets, that's a big one. I think the little social media assets that I'm going to jump in and make will at least show some of, it's just really the same techniques, as you would just have to set up a different document. But yeah, that's interesting to see. All right, I can move on, right? So here, this was the list I just referred to, campaign assets. So this is a typical to-do list that my department gets, email banners, so we send out designed emails. And along with the text, we want to have some kind of illustration or visual, social media graphics, Facebook, Twitter, LinkedIn. We're active in all those. A website banner, so this could be for advertising around the web, or something you put up on your own site. Landing pages, we create a lot of those. So that's where an ad, or a promotion in an email, or even through any other means, gives you a very specific URL that's just specific to whatever the campaign is. And then we have a page that isn't everything with all our navigation that you would find on TechSoup.org, but just more information about the specific campaign. And then of course, print pieces, brochures, wires, posters, all the rest of it. And when we have an actual campaign, then obviously assets will need to be created for all of these. And the challenge is to strike the balance between sticking to your brand guidelines. You don't want every communication that people receive from your organization to look different than the last. But at the same time, you want a specific campaign to be coherent. So you might choose one color from your brand palette more prominently in one campaign, and then another one more prominently in another one. You might want to have photos that resemble one another. But in the end, that's the balance that you have to strike. And Sima, signaling me, we have some more questions, so I'll turn it back over to you. Sima- Alright, so we have some good questions coming in for you, Mark. So in terms of the brand guideline document, are there, like, I know a lot of people on this call probably have never created one before, are there specific things that should be included in a brand guideline document, such as color, font, what are kind of the essential elements of a good brand guideline document? Mark- That is an excellent question, and I apologize for just glossing over that, like, use your brand guideline. And for sure, that's, I mean, we have, I'm going to share my screen again, so give me a second here. We have a very formal document that was actually created in conjunction with an agency. I'll show you the table of contents. I thought it had a table of contents, so maybe it doesn't. Oh, here it is, yeah. So logo, color, type, photography, graphics, voice, and tone. So this is a pretty comprehensive brand guideline, right? I actually can think of a few other things that you might want to include there. I think the key three of these are really logo, color, and type. And by type, we mean the fonts. And I'll show you how that looks. You want to make sure that your logo always looks the same. So sometimes we see organizations where the logo is stretched, or someone changed the colors. So this is just marketing 101. Don't make fancy designs using elements of your logo pulled apart. This is a picture that should never change.  This is a picture that stands on its own. And then we've defined that there should be a little bit of space around it. So that's probably the number one most important thing. And then there's rules about how to use it. And other than that, it's the colors. I'll show that really quickly. I don't want us to run out of time. This is the TechSoup color palette, defined in all the different color spaces. But the main thing to know here is we use only these colors in our design. And that right there makes, even if we produce something that violates other aspects of our brand guidelines, if we just stick to these colors it will always look like it's something that TechSoup produced. And then type, we have fonts. These are the ones we use. And we had a question earlier, are these better or worse than others? And in the end that is a subjective decision. The important thing is to define them and use just those fonts. All right, since I'm already sharing my screen, why don't I get to the heart of the presentation here, and we'll produce something in Illustrator. I did have a slide and I don't need to go back to it, but just to quickly talk about Photoshop and Illustrator. If you know anything about Adobe Creative Suite, I'm sure you'll know. I think I can pull it up here. They have a ton of different applications. Photoshop, Illustrator, InDesign, on and on and on. So there's video editing, there's web editing, web designing, web coding, animating for big screen, small screen. Whatever design you need to produce there's an application that Adobe has. The great thing about the Creative Suite is that you have access to all of them. You can see on my screen here that there are several I haven't installed. I use just some of these. It really depends on the type of asset you're producing. We have a great infographic that we're going to share with this group, which is like a little sort of a flow chart. What type of a project are you working on? Does it have this or that attribute? And then it kind of walks you through to a recommendation which Adobe application is the right one to use for your particular use case. The reason I'm focusing on Photoshop and Illustrator is because I really think those are kind of a mommy and daddy of them all. It's everything else that's based on these two. And the reason they're two and not one is because they're similar. You can produce complete designs in either, but they have slightly different purposes. So Photoshop is for editing photos or speaking more technically, pixels. So any image has X number of pixels on the screen from left to right and from top to bottom. And those in Photoshop can be manipulated any way you want, really at this point. Illustrator, you're working with objects, scalable vectors. If you've ever interacted with a graphic designer or with a printer, you wanted them to print an ad or a logo. Inevitably you'll get the question, would you have the vector version of this? And what that means is vectors rather than breaking images into pixels which are finite. So we've all seen images on the computer that have been blown up too much and then you start seeing all the little dots and squares because there just aren't enough pixels at that resolution. Vectors are basically mathematically defined objects that can be infinitely scaled and because they're all individual objects they can easily be moved around when you're designing. And that's what Illustrator is for. I think this will become a little more clear when I jump in and use both these tools. So that's what I want to do. We are going to design an image that we want to run on Instagram. And one really useful link that we can also share later and there's a number of these, this is just one that we found is this one right here which shows you the social media image sizes per network. So we want to do an Instagram post and then it shows you the dimensions for profile picture, thumbnails, isn't that? We're going to create an actual photo that runs on Instagram. And the recommended pixel dimensions are 1080 x 1080. It's a square. You can see I already set this up here. I also on the left made little color swatches of our brand colors because again I'm trying to stick to our guidelines. I'm only going to use these colors. How I got here I can show that really quickly is I'm an Illustrator. I'm going to make a new document. They have a bunch of presets but custom I typed in a width of 1080, height of 1080, and then the other thing that's important is the color mode. For print generally use CMYK because color and print unless you're using custom Pantone inks is made up of black. I never learned why black is indicated with the letter C. If someone knows that please text it. Magenta, yellow, and K is for black. But we're creating something for the screen. On screen all colors are components of red, green, and blue RGB that makes more sense. Then you click this button and that creates your document. I'm going to close this because I already set it up for myself. This is Illustrator so all the objects are infinitely scalable. Here's our TextSoup logo. You can see I can zoom in really close, make it really big, perfect crystal clear edges because this is a vector, mathematically defined shape on the screen. But that's not what we're going to do. Typically when we get the text from our writers this is something I wrote up in advance of this webinar so I don't want to get our writers in trouble if this is poor grammar. It's an ad for a TextSoup help desk. That's something we offer in addition to hardware and software. We offer tech support. Then the value proposition is rapid response, extended hours, and then we have a call to action, get tech help. So we're going to make a little Instagram image with this text. So I'm going to copy my text. Now in Illustrator there are lots of things you can do. You can create shapes. You can move objects around. So by default I don't just have a text box. So I'm going to go to my little type tool here and I'm going to make a box. I'm going to put my text right here. You'll see that Illustrator automatically creates Lorem Ipsum text. That's no good. I'm going to replace it with our actual text. And now we need to make that much, much bigger. What's going on? Select that, make it big. This is not our font. So here in the font, and by the way what I'm looking at is the little type palette. Those are all the different things you can do in Illustrator. Again this is a basic one. Window is the, I believe they call it the character palette. Then there's paragraph. Anyway, we're going to use our replica pro. Oh and of course I have to have this selected in order for that to work. Try that again. This should be an alphabetical order. The replica pro, that's our font. We want it bold. And because this is going to be in a photo on Instagram, I'm going to try to go into the type menu here and change the case to all uppercase. Because that's really going to pop on a photo. Now this is not much of an asset yet. So let's put some colors in. I have a little tool here, rectangle tool. I can drag like this or I can just click. And I want it to be half of my screen. So I know that my image is ten hundred and eighty pixels wide. And I want it to be half the height. So if my math is correct that's 540. Got a big old square here. There's this great little eyedropper tool. So while this is selected, I'll just eyedrop one of our blues here. And now you can see this is in front of my text. So I'm going to grab my text and I'm going to say Object, Arrange, Bring to Front. And then I'm going to align my square nicely. We want more contrast. This is not very legible. So let's make that text white. That's great. And then we have Rapid Response Extended Hours. I'm going to go back to my text object. So I've got this one here. I'm just going to reduce that in size a little bit. And create another one and type this. What you can also do is you can select text and do the eyedropper. You can select colors. If you select other text it just takes up the same attributes, font size, all the rest of it. But we want some visual hierarchy right. So we're going to make this just the regular replica. And we're going to make it a little bit smaller. And note that when I move things around, when they're aligned, Illustrator automatically gives me this little line here. And that really makes all the difference. This looks a little messy. There we go. We've aligned it. It looks much better. Last thing is Get Tech Help. That's our call to action. That's the thing we want to click. So I'm going to draw another rectangle. This has a fill color that's white. And it has no outline. I'm going to give it a black outline. I don't really see very much here. I'll flip that around and give it just the white outline. And then I can go to my stroke palette. That's the weight of the stroke. And then making that four points. I'm going to align this here also. And I can't remember if I copied the text. I'm copying this. Going back over to Illustrator, Get Tech Help. I'm going to select this text. And this is on the principle let's not have too many different fonts. I'm just going to eyedropper this. And then we have the exact same font here. Let's see what that looks like. Enter them together. Let's actually see if we make that a little bit smaller and change the case to upper. I want this to be centered text. And I want to center it with, so I'll show you another really important tool, which is the Align tool. And I'm going to select this and that. And then I'm going to say Align them like this. And center them that way. And then I have these two perfectly centered. I'm going to group them. And now it's just one object, one group that I can – All right. So it's starting to look pretty good. It's a little bit boring. So it takes soup. We like circles. So I'm going to take the Ellipse tool. This is where I have the rectangle but the ellipse. If I hold down the Shift key while I draw an ellipse, it makes a perfect circle. If I don't hold down the Shift key, it's just all over the place. I can make all kinds of – But we don't want that. We want a circle. And we want it to be one of our brand colors. Again, I need to select it and make it orange. That looks pretty good. Put that here. Have it run off the page a little bit. Create some motion. And put another circle in. And it seems like it's passing me a note. How did I get the color palette on my screen ahead of time? I created these objects. So what I did is I just – so this was the little prep work I did so that I wouldn't have to separately choose all the colors. I just drew a little square. And then there's actually a color palette, window color. Oh, here it is. It's already open. And I know the values of each TechSoup brand color, but I could type in anything else. These are hex values. There. No, I've made another one. Of course, you can just go in here and pick colors. If you double click this color thing here, you get an even more advanced color picker. So there, I made a nice pukey green. And so that's what I did. And these logos, same thing, we have them in other files. And I just put them – so I'm going to delete the screen because this is not part of our color palette. But I'm glad I looked over here because we do want to brand everything. You can see I've dragged this over here. Why don't I see it? Well, that's because it's behind the blue square. So I'm going to go to the Object, Arrange, Bring to Front. And I'll share another design secret. People always make the logo too big. If you think of Apple, Nike, think of any of these companies that do a lot of great design, they don't do this. Totally unnecessary. We're going to make the logo nice and small. It's a much classier approach. If I had a dollar for every time I was asked to make the logo bigger, I would not be working here anymore. But as a designer, I always insist, let's not make this too big. Okay, so this is taking shape. It's not done yet. We want to add a photo to it. Since we are getting close to time, I'm not going to spend a lot of time talking about sources for photos. We use Adobe Stock, so I was going to demo that a little bit. But I'm going to skip over this and go straight to these photos that I picked. This is a nice friendly guy. And then here's this lady. Let's use her. So I'm going to open this in Photoshop. Now we're in Photoshop. This is where we manipulate photos. I'm sorry, I've got some pallets floating around. I'm going to zoom out a little bit so that we can see her. Alright, so I want this photo to have the right dimensions to fit into my square that I've produced over here in Illustrator. And the way I like to do this, in Photoshop you have this selection tool so you can select areas and then work in those. We're just going to use this today to crop this to the right size. So I'm going to say Fixed Ratio. And the ratio of the dimensions here are 2 to 1, right? 1080 to 540 is half of my screen. And so I'm going to find like a nice part of this photo here. And I kind of like this crop. And then I'm going to go to Image, Crop. Alright, so now this has the right aspect ratio. I'm going to do a little bit of adjusting. Let's just make this bigger so that we can see adjustments. We can play with the brightness and the contrast. I'm going to make this picture brighter. I'm not going to do that though. This is a nice tool, Levels. This shows you the color distribution from dark to light. If I move the center around a little bit, like I'll make the center of the image darker versus lighter, again I don't think that's necessary. A really nice one is Auto Tone which will just automatically brighten it up a little bit and also do auto contrast. So unfortunately I picked a pretty good image so not much is happening adjustment-wise. But you can make it brighter. We can also change the colors a little bit. Again, Image, Adjustments, the Hue and Saturation so I can really oversaturate this a little much. But it's nice to give it a little extra saturation. You can change the colors. We're not going to do that here but just give it a little more color. I'm just going to declare myself happy with this. Again, we're only touching the surface of Photoshop so we could put another person into this image. I could put something in the background here. I was just looking here at these different adjustments, vibrance, the Hue, lots of interesting stuff. But I think if you just sort of keep to the Hue, Color Balance, that will get you pretty far. So now we want the image to have the correct size. I went to Image, Image Size, got this palette. So this is too many pixels. Don't need that much data. Don't need such a heavy file. It only needs to be 1080 pixels wide. And because I had already cropped it to the right aspect ratio, it's automatically the height is what we need, 540. I'm going to say OK. And I'm going to Select All. Select All. See the little ants running around the entire image. I'm going to say Copy. And now we're going to go over to Illustrator and Paste. Why is that so small? I forgot to do the proper pixels per inch. So let's go back into Image Size. So I want an image that's 1080 pixels wide and 540 pixels tall. On screens, the resolution is always 72 pixels per inch. And Illustrator thinks of things in terms of inches. So now if I have 1080 times 540 at a resolution of 72, say OK to that. Copy this and Paste. And there we go. It's perfect. Alright, I think we are at time almost. So I'm just going to quickly show you how we save that out for the web file. Export for screens. I want to use my entire artboard. I can save it out as a PDF, as a JPEG. We're going to do JPEG. Export the artboard. And there it is, our finished Instagram post. Alright, so I think I ran us right up against the clock. Hopefully that was helpful. I'm going to turn it back over to Sima to finish the webinar. Thank you so much, Mark. It looks like we are at time. I know some of you had some questions for Mark, and we will try to get back to you individually in case you didn't get your questions answered. If you guys don't mind sharing one thing that you guys learned today in the chat box, it's always helpful for us to see that. And we also have a post-event survey. So any feedback that you can give us is always really helpful and helps us dictate future content. If you're on social media, feel free to give us a follow on Facebook, Instagram, Twitter. I believe we're also on LinkedIn. And feel free to visit our blog, blog.techsoup.org. We post a lot of tips and tricks related to design and other things as well. And if you are interested in some of our upcoming webinars, we have a full list here that you can see. If you go to techsoup.org slash community-events, you can see what webinars we have coming up and register for them there. And lastly, I would like to thank Mark for his excellent presentation. And I'd like to thank LaShika for helping out on the back end. And thank you to the attendees for attending today's webinar. And we look forward to seeing you on the next one. Thank you.


Let me show you what I'm seeing right now. It wasn't in my latest few videos, it is in this one. Music with permission is not enough. Now, did you know that you can simply sort by this estimated views in the last 48 hours column to show you exactly which videos are generating views right now on your channel? It turns out there's only two videos that are causing this massive spike in views on Freedom Central and they're both about music with permission, not enough, and YPP suspended music channels, discussing why music channels are getting suspended on YouTube lately. My guess is these made it on a popular music website or a popular YouTuber shouted them out, talking about that YouTube no longer allows you to monetize music promotional channels that use visualizers to create, you know, bars that move to the beat of the music. Why is this not allowed anymore? Well, click that I to see the music with permission is not enough. Click that video, KYC number 14, and click that I to see the YPP suspended music channels, KYC number 13, which I will summarize here. YouTube is saying they do not allow music channels to monetize in this way because you typically don't have permission as someone uploading SoundCloud music or other artists' music. You typically do it because everyone else is doing it. Now, let's say you do have permission. Still, YouTube will YPP suspend those channels because most of the channels do not have permission and the few that do, they want a different solution. The solution is put those channels in a managed CMS because when a channel is in a managed CMS then the MCN is completely responsible for that channel and all the content on it. It's called an owned and operated CMS, but it doesn't really mean the MCN owns the channel, but it does mean that the MCN operates the channel or at least is responsible for everything on that channel tantamount to operating it themselves. Think of it like having staff running a channel that's the purpose of a managed CMS. So YouTube trusts that everything in a managed CMS has all the rights cleared and that's why no channels that are music get YPP suspended and managed CMS, but they do in affiliate CMSs. Now guys, we really did push YouTube to ask them why they made this decision to YPP suspend all the affiliate CMS music channels. And the best that we can understand because YouTube is kind of vague about these things, they don't actually tell you exactly the reason, they kind of point to general reasons. And the most specific answer I can give you is that YouTube feels there are too many abuses of music promo channels and this isn't just from music, it's also compilation channels. Let's say you're putting a Vine compilation, Best Vines of 2018. Those are also getting YPP suspended or if you're doing like those soccer channels where American football, where you're showing highlights from television of amazing goals or amazing plays or focused on amazing stars in sports like Lionel Messi or Neymar Jr. Those channels are all getting YPP suspended as well for the same reason that you are indiscriminately monetizing other people's content and even if you're doing it with permission, then you need to seek out a managed CMS and owned and operated CMS to put your channel into to avoid suspension. Note, the copyright owner can still monetize the videos on YPP suspended channels. So if you happen to be like a record label or the owner of these vines, you can still claim the videos on these YPP suspended channels and you, the real rights holder, does make money even though the channel owner does not if he's been YPP suspended. So as we've been talking, these views have steadily been increasing to these two videos. This is like music to my ears, guys. I've never seen this happen. Look, our channel is now at 6000 views in the last 48 hours and look at the spike. I mean, come on, this never happens here. Has this happened to you? Tell me down there in the comments below. Better yet, send us links to your videos that suddenly got lots of views and tell us how it happened so we can all help each other grow together as a family because that is the spirit of freedom. There are three things that make compilation videos okay in my opinion. One, that you show short clips and don't play the entire work. Most music promotional channels, what they do is they play the entire song. So that's bad right there. Play a clip. Two, add your commentary. Talk about it. Give a review. Say what you like, what you don't like about it. Be critical. That is a fair use argument. And three, have permission from the rights holders to use those clips. Now, technically, you don't need permission if you are using fair use as the reason for putting copyright works into your video. And news agencies do this all the time. They would show a picture of a celebrity, talk about that celebrity. Did they get permission to use that picture? Maybe, maybe not. But the point is it's always safer to get permission. So commentary, clips and permission. In my opinion, those are the three things every compilation channel should have, whether it's music, vines, best soccer or American football. Anything that has clips of other people's work. Add those three elements and I think you'll be safe. Now I want to hear from you. Tell me down there in the comments below, whether you agree with my opinions. What you think channels should do to keep safe? And do you have any personal experiences to share so we can all learn from each other? Click that I to see my playlist of the videos that I talk about keeping your channel safe. Everything we've learned through these several months of doing cleanup and unlinking many channels in our network. All of that is summarized in those KYC videos in the playlist up there. So guys, it is now almost midnight, local time. I am in Dubai. I'm filming this on a Sunday. It's about to become Monday. And did you actually know that Friday and Saturday are the days off in Dubai? The entire Middle East region typically has Friday and Saturday as the two days off, not Saturday and Sunday. That means Sunday is a Monday here in this place. What am I doing here in Dubai? Well, click that I to see the playlist of the Freedom Experience where I show you all the videos I created while here in this city. It's a city state, one of seven in the country, UAE, United Arab Emirates. I am here to build the Freedom Experience, which invites you to come. I'm trying to do something. I'm thinking it faster. My fingers are moving faster than my mouth. Dubai is a unique environment that gives everyone a zero tax place to live and work because that's the law here. The government makes money off of fixed fees, not a percentage of your income. So the goal and I'm the guinea pig is to show everyone that you can live and work in Dubai. It's a very safe and clean city and you can make your videos here. You could buy your bananas here. You could send your kids to school here. All of the things that I'm doing. I'm encouraging you to contact us to join me here in Dubai. Benefit from the zero tax environment. Let's have an adventure together. I'm trying to create a community of creators that live and work in the same area. There's a YouTube space here. It's 30 minutes away from anywhere you happen to live in Dubai. There's only 10 YouTube spaces in the entire world. And one of them is right here in a place called Studio City. So check those videos out if you're interested to learn more. And if you'd like to take my offer and join us here in Dubai, then email support.freedom.tm, your intentions, explain why you're interested, and we will get back to you for any serious inquiry. All right guys, whom I am your Papa George, your George's son Pi and many other names, you the beautiful freedom family has given me. I am the CEO and founder of freedom for freedom and the freedom family. And everyone who's watching my videos right now on the KYC 13 and 14 music channel suspensions. That's awesome. Thanks you. Thank you everyone. Now actually, I don't know who it who is watching. One idea I had was to just look at the comments beneath these videos. So I just refreshed the comments of the whole channel and there are none. No one's leaving comments on these videos that are getting all these views. So I don't know is because they're still watching the video and they're going to comment later because this spike just just happened like maybe 20 minutes ago or someone is botting view botting these two videos. That's possible. I hope not. Or they are just watching and they have nothing to comment. So we'll find out later and I'll let you know what I discover maybe in a few days from now. Hope you guys had a great weekend. I hope you're looking forward to your Monday and tell me a little bit about how things are going. We never talk anymore. I don't read your comments anymore. I do want to. I'm just trying to find time because remember I recently moved to Dubai less than a month ago. Actually it's been a month now. So I've been here a month now and I'm still adjusting to this lifestyle, adjusting to all the new routines. I have to learn where to go buy my bananas and we're looking at different places to move to permanently. Right now I'm just in a hotel apartment as a temporary residence. We're still exploring different apartments and locations in Dubai to live and work permanently. So there's still a lot of time being spent adjusting and exploring the city. So I just haven't had time to do the type of videos where I do like segments like reading your comments, doing the wait, what are we watching? Where I play one of your clips introducing the George show, the collaborations we used to do. I'd love to start that again. If you remember the $100,000 sponsorship, I'd love to start that again. And there's many things I'd love to do that we used to do and more new things as time permits. Love to hear from you. What do you think was the most exciting parts of the George show? Or what do you think makes it the most exciting for you? Maybe something new. Tell me down there in the comments below. I do read every single comment and I'd love to hear from you. Till next time, Freedom Family. Ooh, that was another spike. Keep safe. I am George and you've been watching. Click that I to partner with Freedom and join the Freedom Family so we can all grow together. You get many perks like position music. You also get epidemic sound, a lot of other access to royalty free videos, sponsorships and many things to help you grow. Just click the links down there in the description below to get involved in our community, our forums, our Discord chat servers, meet our graphics team, meet our community team, all of that on Discord and the forums. What are you waiting for? Get started. And we will grow together as a family because this is the Freedom Family. You are part of it. We are all part of it and we're all growing together. To get more George, click that big F that will subscribe you to Freedom Central, the home of the George show. And PewDiePie gave one of you, Freedom Family, a big shout out. Click that video to see the shout out and to see our new 3D sets for you. And click that video to see what YouTube recommends you watch next.


That was the leave our kids alone rally going on in Ottawa, Ontario right now and you can see the clash of worldviews. They're pushing back against the gender ideology that says you can be whatever gender you want to be. This is not just about difference of parenting styles. This is about objective truth and falsehood. Our culture exists on subjective truth and morality. Whatever works for you, that's great. You do you. But God does not operate that way. He created us in a particular way for a purpose you are not a mistake and your gender is not a mistake. And to cheer our kids and lead them down a path that will harm them is not love that is hate. What we need is to repent of our pride saying that we know better than God and submit ourselves to him. Follow for more Christ centered content.


So, the second concern of the green social policy is food. The world population is now around 7.7 billion and it is likely to increase to 11 billion in 2100. The rate of population is declining but the overall population is exploding. How we are going to feed all these people? So, if you look at this graph, it just tells you how the population has exploded during the recent times. So, this is the size of world population in the last 12,000 years. So, from in the first 11,800 years, we reached 1 billion and from then on in 1800, we increased to 2 billion in around 100 years but in 3 we reached 3 billion in only 40 years and now we are at 7.7 billion. So, this is how the world population has exploded. UNICEF estimates that around 800 million children are undernourished and 2 billion have poor diets and most of the children these children live in developing countries. So, what we are going to do? Should we go for forced population control because we have there are many campaigns and still people are not ready to accept that more children is not the solution to their problems or we should go for genetically modified foods and animals. But again, there is also a concern with the genetically GM foods and animals because people think that these animals and plants are unhealthy because they are unnatural. So, this will harm their bodies and eventually lead to many epidemics. Then there is the issue of cash crops and food crops. So, people around the world and mostly in the developing countries are forced to start growing cash crops so that they can export it and earn foreign exchange. So, they are moving from food crops to cash crops meaning thereby that less and less land is cultivated for food crops and people are need food. So, either the food has to come from outside or they will starve. Then there is the problem of over consumption in many countries many advanced countries they have problem of over consumption people are dying because of obesity and people are dying because of heart attacks and you know blood pressure and diabetes because of these are the diseases which are linked to a middle class life. These are diseases which are linked to over consumption of food and then there is other parts of the world where as I said 800 million children had had not enough to eat. Then there are food subsidies in the west. So, west to maintain its culture to maintain its follower gives money to its farmers to grow food. What happens afterwards if they can they because they have over production they sell it to outside at a lesser cost and when we do the do that the farmers in developing countries suffer because the price of the product goes down. Then of course there is issue of lifestyles. So, over the years we have moved from a very healthy lifestyle healthy diets to longer working hours dual earner households meaning by thereby that there is no female mother or wife to in home to cook healthy food and greater commuting meaning thereby people are spending one to two hours daily one way going to work and coming back. So, at least three to four hours in in their car sitting they are driving or waiting for the traffic log to move away. Then there is issue of intensive farming. There is more food is in a very small area using fertilizer and other scientific techniques but it results in more diseases also food distribution is also an issue. So, epidemics do not happen because of the non availability of food but because of the problems in distribution of food. Food distribution has become costly. There are supermarkets which are not local food is coming from outside and then there is this there is the issue of refrigeration and climate change effects and issues related to then food that is that has gone bad and this has also lead to more food miles and food deserts food desert meaning thereby that there is no local food vendor and people have to travel to go to the supermarkets to buy food which of course have cheaper food but that food is mostly coming from outside as we look at this figure the supermarkets get food from outside and then sell it to another country. So, lots of food miles meaning thereby food travels thousands of miles from from first from the grower to the supermarkets distribution center and from there to the another country to another city. So, lots of food miles which of course means that more costly and more environmental degradation what is required is a low carbon footprint locally used foods.


What's going on? This is Don Flop, Berlin.  This is the main event, we've had two so far. Shout out to Johnny Chan in your window. This is the final English-speaking battle of the card of the evening. It's our last battle that we are hosting as Don Flop in Berlin tonight.  MC on my right-hand side making his debut in Don Flop. Make some noise for Jean-Gaud Frey. Let's go! MC on the English team that I'll be introducing for the entire event from London to capital, the UK.  Make some noise for Og Miorz.  Shout out to Don Let the label label you for having us out. I'm sure we'll be back in the future. Final time on camera tonight. We flipped off camera. It's going to be Jean-Gaud Frey, round number one. Let's go. This is Jean-Gaud Frey, a remarkable team. I'm a mack of all trades and the master of cheaters. I'm going to impart the mystery of what started the history between them. See, I first met him in Italy and I thought he was cool. If not, quite as sick as me. See, meet Jean-Gaud Flash and Johnny J. Have an annual mass of holiday on Sicilian shores. Thrill in Chile and margaritas and resilient wards. Mozzarella and fresh tomatoes. Sambol the best gelato. On legardo with cargo on the classiest basketball. We welcome Og Miorz aboard. We play table tennis, blaze. I thought this Brenner was safe. I thought this is the kind of guy I could be calling a mate. But then I discovered you have a secret, dude. You better reconsider who you leak your secrets to. Because the problem is now I've got beef with you, Ivan. And I didn't want to air it when I speak with you, Ivan. No more hiding about the share with these people here, Ivan. Because the truth runs deep when it sleeps with you, Ivan. Og Miorz is vegan. Don't you know what that means? That means he doesn't like cheese. Because this fairy doesn't eat dairy.  Does that mean I can't technically beef you? See, when I first heard about your condition, the first thing I thought was this. If you're vegan, then you can't even pork a chick. You can't beat your meat when you fill the horn. So what the vegan's doing is saying, cream your corn? See, and your money situation must be money over strain.  So you teach Fizz Egg, but how do you expect your children to get hench?  Child amateurs need fibers to grow like a protein. Can't think of a hunger this guy gets. What does he digest if he doesn't eat fried flesh?   That's so easy.  Abracadabra, these outcomes. That's my outcome. I'm an abracadabra rapper, you can count on me. I'm that usual suspect in a rose gallery. This poetry rose from the ashes of your tragedy called by Yeshe. It's encoded in the rap sheets. Covash at the commerce and now the facts speak, and they're certain. I'm the verbal Kaiser Sozegoz who see me in person. You didn't earn this, so while earning, when they call out my name I burn them. But I am here to teach or preach a sermon. I'm here to finally use my GCSE German exams from the old days. But I never went on no exchange. Still I've got top marks, pound for pound. I've got the grape, but you never see Jean-Gaule for eight. Jean-Gaule for eight. Wait, is that a bad bar? Sorry. That's true me like. If I said I'd bring my A-game for you then brother like. But don't be bitter, because you see in these quicker.  In shoulder guns he fitter, but I don't see it. Spitter, I see a creepy hipster. Who speaks like a seedy thicker that wants to sleep with my sister. Man has no antidote known for your very man alone flow. I said man has no known antidote known for your very man alone flow.  More like Mike Rubly. You think you're pretty smooth, eh?   That's how I soothe say. I'm smooth jazz. You don't get smoother than that. I'm slick, weak on future rap. The ruler's back. I'm a beatnik with a neat click. Coolest cat since Heathcliff. I'm on some deep trip.  You just sooth or wrapped your way to this loophole clash. If you know Jolly J, so I was that old K. You had one hit on the books and you think that's how it's always gonna play. You must really think of the fun, eh? More like Peter Andre.  It's beyond say what I'm beyond say. It's the basis. I'll be on J. Afraid. If it's match up and messy then it'll be on J. So be afraid. Through conflicting ideologies. You preach metaphysical meditation in a class on physical education. On sports day. Imagine his irritation. He's doing some deep initiation. Trying to teach Tai Chi for some spiritual awakening. But the only ties they need is for some three-legged racing. They're trying to make a spiritual contribution within an institution.  See even the hippie things are corporation and reality. Just another fashion with no individuality. You're not even doing the ethical thing because standardly you'll be wearing whole outfits made in sweatshop batteries. You want to talk peace but what really could you say to me? They hit them with sticks. Those innocent kids that were stitching your kicks. You were in some other children's slavery. Oh, and that's something Satan were blatantly paid to see.   And it doesn't even look good. What kind of sweatshops are clothing it?  I mean look at this designer, man. This shirt's made by the finest hat. Just turns out it was an Asian minus training hat. But back to your confliction. See even your name can't be said with conviction. See who Og holds in reverence is the Celtic god of elegance. And he likes to think his cross group was in with pure elegance. But a sentence of an entrance on the internet gave me evidence that the sentiment has no relevance because the reference is irrelevant. Now let me explain. See, I don't mean to question your intelligence but Ogmios wasn't a god who stood for spiritual betterment. He seduced men to rebelence. A beast that persuaded men to pain instead of peace and would hang up a man up to the chains between his teeth. But look at this Ogmios, y'all. He's so chilled he can't even be bothered to flow. He's so chilled on birthday candles he doesn't bother to grow. He's so chilled his hair doesn't even bother to grow. But enough about you. Let's talk about me. When they taste my golden zola I say to pick a little bambino trying to pick my pecorino. I'll take a spicy chicken, use my dairy just to soothe her. And your baby bells are given to her. Gouda. Cheese bars, baby. Seed down right, the borellas in my left. Wait, what did I just say? I said I've got a block of cheese, the e-dams right and the cheddar in my left. See if I ain't got the borellas, I'll pull out the borson. Wait, what did I just say? I said if I ain't got the feta, I'll pull out the borson. See I pull out a steel tongue Watch the cannon blur. Wait, what did I just say? I said I pull out the stilton and got the camembert. I won't make your shirt red unless the furies pass my eyes. Wait, what did I just say? I said I won't make the red lester unless the puree's pasteurized. And I ain't talking breeze. Wait, what? And I ain't talking break of her. I want an homage to Frey. What did I just say? Tai Chi, I fried cheese. On both sides, me, lightly. Will it taste nice? Hmm, quite likely. So you think you can guess what my next move might be? But bro, this ain't chess. Spell it right. This is cheese. Cays are my stuff.  Bro, mate, your brain's fucked. You need to shape up. Apparently your madness is squarely irreversible. You're about three triangles short of a derrily circle. What do you keep going on about cheese for? You mentioned about 20 types. Now we're cheese board. Put a knife to those schemes, but I don't care how this joker feeds. You can go and munch on some roast beef or a crow's beak or go suckle on a goat's teeth. It just doesn't involve me. It just doesn't involve me. And that's a snazzy shirt. Without that, it's just an average 12. Yo, bro. What's that saying in your hat? Beast mode. You're gonna beast me, bro. You must beast on me. Shit. Free flow. You should try it. I challenge you next round. Do a bit of free. Yo. Yo. What's that saying about that cheesy shit? Who come back to me on some Jesus shit? Brain for redemption. Resurrection.  Let me go back and just say it again. That sentence. Because I said something about cheese. Then I lost my way. Jungle free.  I'm not gonna say it. Bro, listen. I know you, Chris.  It's like he's developed a twitch and a broken jaw. Jungle free. Gets all the girls to go eight. Do they find that that's not your name? And you've got no change. You pilot no front stage. So they just go away. Jungle free. And you're gonna be macking the ladies. Coming straight out the eighties. Practicing your tactics daily. Watching Patrick Swayze.  It's a bit easy with a dash of the rabies. Your whole manner is rabies.  You ain't getting digits and engagements. You're just getting victim statements. You're less Patrick Swayze, more Patrick Bateman. He says he's a lady killer. He's got shackles in his basement. Have you ever got laid, when it was actually consensual? Rob, I'm laid back. I keep it tantric consensual. Shit. Cos I've got what you lack. They're attracted to the men too.  They're sapio sensual. Oh, me, us, baby.  Love about cheese. Let's talk about me. See, I was always this cool from the littlest age. Soon as I stepped up the womb, I was like, give me some shades. The nurse had never seen a baby with a ding this big before. She's about to give it the chop, but I said, bitch, you better stop. This is not the umphilical chord. The nurse wanted my body, but I gave her fingers a snap. And it was easy as that. She saw me wink out the flaps. She was like, Jesus, I'm mad. See, I didn't have to wait till a crisis of midlife. The first threes to my hand was when me and my dad were double-teaming that premium midwife. I never synced up and breastfed up and living it large. I was like, thumbs down on the tees and lit a cigar. But then Ognios was born. But not to limit my hands, one body, one head, but more like, ah, the kazoo! And he was floating cross-legged. People were amazed at how he came up from inside her, but he just turned to them and said, easy, but I was just levitating out her vagina.  They prepared his first meal and his supper from the teat of his mother. But before they began feeding this bundle of joy, he said, oh, sorry, I'm vegan. Have you got any soy? Take us forward to high school. See, while you were 12 in the class from lighting incense sticks making bracelets as friendship gifts, I was 12 in the gym with the popular chicks. So when the PE teacher helped her properly lift. See, nowadays, only cops getting lame going mental. While you're at your mum's eating quinoa and lends me to me.  See, while I'm leading the girl to my mattress, that's pretty funny. You're teaching a girl about chappers. The fact is, even once you finish playing, she still won't care what that is. See, I spent bread and I'm needing some dough. The only time you're making bread is when you're needing some dough. See, I've got the swagger of the rock. You've got the swagger of a rock.  But I'll just suplex you through it because I'm so hench. See, I'm a megalithic vitamin with megalithic biceps and monolithic boulders on my shoulders and I'm flexed by two terrific triceps.  Heat you with a German suplex that will leave you with a Deutsch mark.  The king of cheese is hungry and all that, the warrior rumble. Ha! I don't want to laugh and play this just because I'm kind of voida, shy than freida. So how are you going to be trying to mock me as a mystical guy?  Oh, come here, so I've been the I and I unify. So why would I choose spiritual advice from someone who's persona is superficial and try it? You shouldn't diss it till you try it. In fact, I know little Chris inside you would like it.   But if I whip back the cloth, the real you will crawl out unwhithered and lost. See, I am the boss. There's no division in my fabric. This is the ogre. And you know that's how I stayed because I met you before on holiday. You know, Charlie J. He had a ping pong table. You wanted to play. I said, hey chap, slow down. I'm pretty tough. He said, me too. What happened? I crushed you. When you finished crying, we talked it over and we were friends.  So fine. Let's get it over with then. Your time. Give me the tin. Imacist. Temerates. Never miss. Whether it's semi-western grip or pen old flicks. It's set 11 zip. 11 zip. 11 zip. Free sets. I always get the best of it. Shit. Keep your eye on this, bro. Would you come back? Yes. I believe I play like T-Mobile.  Believe, bro. T-Tennis I like. I could put you in a hide.    But ain't no bad, bro. Your time, bro. Give me the other tin.  Come to your opponent.  What's the best? We could do hand-to-hand combat. It's like watch your own back on crack.  Don't ya? Move to me. That would be a phone call. Cobra. Because it's my nose dog. Big crumb yoga. Twist your hip. Back to your shoulder. If you get out of that, you need a jack and a crowbar. Then I'll fix you. When I fix that cobra. I'll put this man in a coma.  Who killed his pose? I'm the composer. Hold up. Let me get my composure. What do you know about teaching chess twice a week for a strategic mind? This ain't no easy, right? What do you know about picking up teams to make even science?