No doubt, reading is one of the most effective self-development habits a person can build. It exposes you to so many new things, places, ideas, words, information, etc. Over and over, history has proven that people who invest in themselves by reading and learning as often as they can have higher chances of becoming successful than people who don't.  Vera Nazirian explains it this way. Whenever you read a good book, somewhere in the world, a door opens to allow in more light. Reading develops our thoughts, gives us headless knowledge and lessons to learn which keeps our minds active. It also helps your vocabulary expansion and thinking skills. Okay, maybe we understand how essential reading is to our self-development, but it's a little challenging for us to develop a daily reading habit. Guess what? In this video, I'll share with you tips to make reading part of your daily routine. If you're new here, consider subscribing so that you won't miss out on exciting videos like this. 1. Make it the first thing in the day and the last thing at night. One of the best ways to build a reading culture is to do it first and last every day, Raiṃ chäraṇya, a serial entrepreneur said. With the craziness of our daily schedules, it can be hard to find time to read, but we all know how important it is to our success that we make reading a habit. I have found that if you are looking at 15 minutes first thing in the morning and 15 minutes before bed to read, you will start your day with ideas that expand your mind and go to bed with something other than work to think about. Reading first thing in the morning works because your mind is hyper sharp and fresh, also you are most creative in the early hours of the day, at night also, even though you've had a stressful day, you are ready to get charged so that you wake feeling recharged and willing to take on the day's task with so much positivity and renewed strength, two, create a designated reading space, so you know how you have designated spaces for different activities of the day, for instance when you want to get work done, you get a table or desk space dedicated to that, when you also want to get a good night sleep, you prepare your bed to be used for night time activities only and not working through a super stressful work deadline, let's think of reading as one of those activities that also requires creating a designated space to achieve your goal, so you can invest in a reading chair that you sit on only when you plan to read, if you do this sooner or later the chair will become your call to action for reading, also unlike reading on your bed where you most likely sleep off within minutes of reading, reading in that chair will help you stay alert and awake until you complete the day's goals, three, set a reading time, remember the smart way of setting goals, s specific, m measurable, a achievable, r realistic, t time bound, you're probably wondering how this has anything to do with developing a reading habit, well it helps to set specific goals, for instance, telling yourself you want to ensure you read a book today might not be wise decision, how about stating it clearly, what particular book you want to read, how many pages do you plan on reading daily, how realistic is your target, when do you intend to finish reading that book and what time of the day are you setting aside to read, if reading every day is a goal that you genuinely want to achieve then it will be best to set a calendar for it, Scott Baxter, a marine superintendent said, reading is no harder to achieve than your weekly conference call, if you schedule it on your calendar and take it just as seriously, I found that things that don't make it onto my calendar typically don't get accomplished, four, consider audiobooks, audiobooks are great because you can easily involve them in any of your daily activities, for instance, you can listen to them when eating, waiting for someone, exercising, commuting and even when you are working, Kylie Goguen, an American entrepreneur said, consider replacing reading with audio, things like audiobooks and podcasts are extremely efficient ways of consuming content, next time you are commuting, working out or cleaning, turn on your favorite book, you will efficiently fill your wasted time and will be blowing through books faster than ever, five, put ebooks on your phone, another great way to include reading in your daily activity is to have your books close by and make them accessible so that wherever you find yourself you can read easily, according to Bryce Walker, a certified public accountant, you can always find time to read as long as you have reading material with you and what better way to do that than through your phone, I have books on my phone that I read when I am waiting for anything, like a new update to load on my computer, it can be hard to find time to sit down and read but having ten minutes of quick reading throughout the day can be a great break for the mind, which of these reading habits are you willing to start doing to improve your reading culture, tell us in the comment section, thank you very much for watching our videos, if you like this video watch more videos on our channel and subscribe, we love you.


What's going on, guys? It is a fantastic morning, man.  He's got his coconut water. This stuff slaps, guys. Pure 100% coconut water. This is not a sponsor. I'm just simply trying to put you guys on. This stuff is fire.  I promise you you'll thank me later. But yeah, enough about the coconut water.  We are gonna be doing a fire prank on Janice today. Right now she's upstairs in the shower, getting ready in the bathroom, doing her thing. We're supposed to be going to the pool later with her family and whatnot, but I'm gonna try to squeeze this out before we go. As you guys can tell by title and thumbnail of the video, your boy is gonna be paying his girlfriend for her services, right?  Last night, things got a little spicy in the bedroom. Some things happened, right? There might be a little junior on the way in nine months. Who knows?  Here's your payment and now we're gonna see your reaction, guys. This is about to be crazy. I don't know if she's gonna get mad. I don't know if she's gonna want more money, but we're gonna find out. So if you guys are ready for today's video, make sure you guys smash that thumbs up button, comment down below and see my Zae all day every day. Let's get into it. Hey, Nene. What? What? What? What? We're having father and son time. Okay. You almost done? I was actually just about to walk out right now. All right, well come through. I wanna talk to you real quick. Come sit next to Papa. Come sit next to Papa? Yeah. I'm ready to go. Go. I know you are. I know you're ready to tan.  Oh, was that mean? Yes. Let's go to the beach. Let's go get a wife. Do you see? What's on the other side? Do you see? Do you see who's being pasty? You're really pasty. Yeah, my thoughts are pasty than yours.  Cause I love it. Nene, relax. Chill out. Chill, come here. Chill out. All right, shh, shh, shh. Relax. Okay, what? Be nice. Okay, good boy. Okay, anyway. You ever last night, the spiciness. Yeah? You did a really good job. Oh, thank you. Like really? Did that also go good job though? Yes, the last night was like exquisite. Well, okay. It was the positions you was hitting, the movements, the motion of the ocean, all that was A1. Okay. So I really wanna tell you how much I appreciate all that and how grateful I am for the hard work you do. Especially when I call- The hard work I do in bed or in general? In this instance in bed. Okay. Okay, and I really wanna thank you for rubbing my leg when I call a cramp. You're very welcome, babe. Okay, cause that was very serious and I almost fell off the bed. Okay. But, and you know, to show my appreciation, no, I'm not proposing.  And I wouldn't do it this way. Here's a 20 for your hard work and dedication. Okay? What exactly is this for? I just told you for your hard work and dedication. I really appreciate what happened last night and I wanna thank you so there's a 20. So you're thanking me for giving you a pom-pom with $20? Yeah. You're saying it like it's a bad thing. 20? What about it? What?   I was gonna use this for gas. You can't have it all. Yes, I can't have it all. I'm the most work. I deserve it, like you said. Give me the $20. Okay, well let me get on a payment plan then. What? A payment plan? You need to chill out. Yeah, this ain't your money. This ain't your money. For what? You just fell. You can't even keep your balance. Anyway, yeah. All I'm worth is $20 to you. I can give you 100 but put me on a payment plan. $100, I deserve more than that. How much do you want? How are you paying me? Also remember that we are in a relationship so I should be getting some type of discount here. Discount? Yeah. I put about discount. That is false. You put in 90% of the work. All right, that's literally 10%.  Let me see this. No. Let me see real quick. I'm gonna give you a 50. Give me. Let me see the $50 before you give me. Let me see the $50. I gotta go get it. Yeah, you lying. Stop being greedy. Don't be ungrateful. I'm not being- The street get more money than this. They do get more money than that. They be getting $60 for a little blow pop. So what the hell? You're giving me $20 for giving you all of this. $60 for a blow pop? You're paying way too much for a blow pop. Yo. You're paying way too much. I'm just saying. I know they get paid more than $20. So give me the price. So what do you feel last night's service was worth? But- Not you. Not you. Your service. What you performed last night. What do you feel like? I feel like I'm over here like, like a slave or something working for you. Listen. What? How much do you- Yeah. Because here's how I'm doing my money doing it. Oh my God.   How much do you feel that your service was worth? Babe, for real? How much do you feel that your service is worth? Not you. Your service, babe. What you did. Right list. You shouldn't be paying me for nothing. Here, take the 20. Yeah, exactly. You're happy with 40? No, I'm not happy with 40. You should be giving me like, $20,000 or $20,000. That is the most outrageous thing I've heard. How's it outrageous? That is the most outrageous thing I've heard about. Give me that. Hey!   You're gonna be greedy and not take 40?    What do you mean? And my night, I'm your biggest hype man during that performance. Okay. Who's hyping you up the whole time? It's only the two of us. And him. You act like sometimes he doesn't see. He does, but he's not involved. Is he hyping you up? Is he hyping you up? I think not. This is our business. I'm the one who's hyping you up through the whole performance. You should be hyping me up. That's your job. Okay, so where's my cut? You don't get a cut. The cut that you get is the explosion you get at the end. That's your cut. The explosion I get at the end. Yes. Do you know what it takes to produce such an explosion like that? Oh my gosh. Do you know the... Are you for real like China Painting? Or are you just messing around with me? You can have 120. I need this for gas. 120? 120 dollars. 120 dollars. You know what, now you get nothing. How about you just give me the money? No, now you get nothing for being greedy and now you're on suspension and you're not getting anything for about a week. Okay, I'm not getting one for no money. Anything, I don't want nothing.  You can't even last a day without getting nothing. So that is on you, baby. That's your choice. All right, well, I mean, would you take the 20 dollars? I'll take the whole 40 dollars. All right, good. Now do me a favor and there's only one condition and you can take that money. What? You have to take it and you have to say Team Isaiah. For what? Say Team Isaiah for accepting money for your services. What are you giving me? I'm not accepting the money. What are you, a girl on the street giving blowpops? Give me the money back.  I wasn't. I just told you that I was worth more. You still took the 40. Yeah, because... Say Team Isaiah. No. You are something else. Say it. Next time you're getting $4. We got the money. Next time you're getting nothing. We get the money. What is wrong with him? What is wrong with him? He's not normal, man. He's not normal. You want the money? You want the money, you gotta work for it. What is wrong with you? Why do you do the things you do? That's the definition of money hungry. That's a good book. That is the definition of money hungry. He has his eyes on the prize. Okay, baby.  That's rude. So you're really just gonna accept that 40 and not give me my cut? You don't get no cuts. I did 10% of the work. No, you didn't. And I got injured doing so. I caught a cramp. Yeah, you definitely did. How do you put yourself on glass like that? I don't care. That don't need to act like I care. I don't care. So yeah, Team Isaiah all day, every day. Is there anything you want to say? No. Yo, I don't know how I feel about you accepting money for something. I wasn't accepting it. You took the 40. You accepted it. I was not taking you serious. You're giving me money. I'm taking no matter what you talk about, what it's for. All right, bro, whatever. All right, Team Isaiah all day, every day in the comments. That's all I want to see. All right, back with another W.   I was gonna say something, but that might have been a little too dirty. Guess, Mac, if you want to. Watch your mouth. We'll see you guys in the next video.


Hi there, I'm Sandy Olok and today's video is an exercise in shading and I hope you'll enjoy it. I'm coloring this in Prismacolor pencils. These are the very small selection of colors used for this entire card and I wanted to share it with you in kind of sped up form but you can do this kind of thing in any medium and I just want to talk a little bit about the shading that I'll be using here. The fact that these were shoes and they had openings and that sort of thing reminded me of the Casting Shadows class that I launched quite recently and a lot of people want to know more about shading. This one has some interior shading that I want to talk about as well as the outside shading on the tops of the shoes so I'm picturing my lighting coming from the right hand side so the shading is going to be on the left. The highlights will be on the right and I chose to use a brown color because if you've been around dogs like I have and if these are your park shoes they're going to be brown. There's going to be brown all over them because that's what happens to all of my shoes that go with us to the park including all those areas inside the laces. Those are going to be the darkest shadows because they're deepest down underneath. They're furthest away from the light. They have shadows from the laces, they have shadows from the flaps of the shoes and everything so you want a little more dark color in those types of areas as well as on the left hand side of the shoe. For my transitional mid-tone color I'm using more of a golden warm kind of yellow going over top of the brown as well as into the the brighter yellow area. That's going to give it that roundness. I hadn't decided at the beginning whether or not I was going to end up using any blending solution for this and I recommend that as a way of doing your coloring in general is assume you're not going to because it's going to help you to work harder on your color pencil technique. If you're one of those people that doesn't try something until you have to until you're forced to like if you're taking the color pencil jump start class when I made you do things in the class because that was your homework this is one of those ways to just constantly remind yourself of your skills and working on those basics because in any kind of art when you work on those basic skills it's going to play out into everything you do but if we kind of do some cheater things as we're doing our coloring thinking well I'm going to use a blending stump on this I'm going to use Gamsol on this so I don't need to blah blah blah then you're going to lose the ability to learn the very simple blending techniques that are going to give you like in this shoe a larger area that's going to go from light on the left hand side to a darker color on the right hand side and if you challenge yourself to still do that and still try to create some semblance of light area to dark area and to get it relatively smooth although with a shoe again these are dirty shoes they would have my feet in them so I do have to get some yellow shoes like this I think that would be really fun to take to the park but I digress but I do recommend practicing your pencil technique now this is done on the drawing paper that I've been recommending and if you are one of those people that has not tried it yet it's called Stonehenge and this is the Stonehenge White and I really really really recommend it for color pencil and if you're still using other papers this might be one that you want to treat yourself to a pad of it is quite nice paper and it makes all of your blending techniques whether you're using Gamsol or not it makes them all work a little bit better and a lot of the students who have taken my classes and seen that recommendation there have said oh my gosh it's revolutionized my coloring so it's not just me I'm not telling you that because I want you to do what I do or anything I want you to be successful and getting this paper is going to help you to be successful just like I was my hand just went off camera so I could sharpen my pencil I don't tell you to get the quiet sharp sharpener for my health I tell you to get it because it's going to give you that nice sharp tip on your pencils and that's going to make your coloring not only better but easier I added a little shading to those shoe laces on the left hand sides of each one of them where they go into the holes but also a little bit on the curly lace portions and those are they're kind of random I didn't talk about that as I was doing it because there's not there's a whole lot of real science I could apply to it but I decided not to and I'm going in with my black pencil and I should have I'll tell you this now I'm going to use my my blending solution I should have waited to do some of this black portion because you're going to see some of the challenges that I have with my my blending solution blending in just a few minutes but it's still worked so it's okay but I'm adding my darkest shading on the inside of those shoes on the right hand side and you might think well Sandy you always tell us the shading is on the left when the highlight is coming from the right well on the inside of an object it's the opposite and in the casting shadows class I talk about that to a greater extent but when you've got an an inside object that you want to make it look hollow like it's hollowed out it's a bold shape like the inside of these shoes then the shading is the opposite because the wall on the right side of that shoe is what's going to cast that shadow on the inside of the shoe on the right side and the light is going to hit the left side I didn't show you all the coloring of that crazy mat because it took me forever to do that but I wanted to do like a floor mat in a mud room and then some tile floor I did them at an angle just because it was fun not because of anything other than it adds some movement to it rather than just having some static shoes on the card and then I got out my baby oil and the little jar thing that I have here has a cotton ball in it that I've poured my baby oil into you can do the same thing with gamsol I have another one with gamsol in it and I keep it in that because then it won't spill I have this nice big thing I can dip my blending stump into and it it just isn't going to slosh around onto the paper if I bump it or anything like that it's just going to stay in place so I will put a link in the description to the little jars that I got to there just some makeup jars but you can use anything that you can put a cotton ball in and a lid on but look how nicely that shading comes out with the gamsol really darkens it up nicely but the one thing of course that it did do is I had to work carefully around those black areas where I did the shoelace shadows so that was a little more challenging than it would have been had I waited to add that afterward for the mat I wanted to make it fuzzy so I'm letting my blending stump do the fuzzing work on the edge of the the mat but just kind of coloring it in on the rest of it so that it's relatively uniform shaped if you want to add some decor to your your mat or anything the word welcome on it or anything you can draw that underneath of it but I just wanted to have a mat and the flooring so that the shoes could just be sitting there having just come in from the park which is where all my shoes sit they they all are on the floor by the washer and dryer because the shoes have to come off after a trip to the park because I live in Washington where it's either snowing or raining all the time it seems lately and we don't come home from the park with clean dry shoes very often so that's all kind of colored in and I let it be a little bit mushy so that it feels like there's some texture to it so I didn't go for perfection and smoothness and now I'm going to quickly go over the yellow portions of the shoes as well and with each one of these if you're transferring your color like here I was going to use the brown color in the shading portions on the yellow anyway so I didn't have to clean my nib off on my blending stump but I did clean it off in between the the gray portion inside the shoes and the brown part because I didn't want to transfer that color so be aware of what color is on the end of it you can scribble it off on a sheet of paper or use a little sanding block to sharpen it up as well as clean that off I'm adding some more dark shadows on the left sides again where the light is casting a shadow onto the mat itself and following along where I think the the curve of each one of my shoelaces is going to go and again there's a lot of science you could apply to this to try to make it look perfect but I like to just think about it as making it believable just so that people think oh wow look she did that shadow a little bit away from where the shoelace is so it looks like there's air between it and that's good enough for me I don't worry about whether somebody's going to go the light wouldn't do that that shadow would go over to the left more I just look to make it believable I added a little sentiment to it out of some black card stock a hello by Ellen Hudson from the one of the recent releases and I'll have links to all the supplies in the doobly-doo as well as over on the blog that is about it for me for today I hope this was helpful to you and I will see you again in another video same bat time same bat channel and I hope you go out and make something beautiful and then send it to someone else because why are we hoarding all the beauty share it with somebody else and make them smile at their mailbox I'll see you guys later


Yeah, I need the police. I think there's something in the sky. Look, you need to send someone down here. Look, these things just appeared in the sky and they really hurt. Public safety. Please do not contact the authorities further. If you can see this message, please do not panic. Calmly follow the instructions within this alert to stay safe. Communications in this area have been blocked to prevent general public panic. You must stay within your home, preferably in a room without any windows. If you cannot stay in a room without windows, please cover windows with solid obstructions. You must not look outside under any circumstances. Take care not to look at the sky. If you are tempted to observe the sky, be aware that observing the sky is lethal at this time. An anomaly is in your area, which is hazardous to observe and is in the sky in your area. Stay inside, stay safe, and do not look outside.


Fodd yn bwysig, dyfyddiwyd a i chi'n oedgar ywlad ac yn dddwyd yn enw. Mae ni'n galwedd yn gwlad gan hyn. Maen nhw'n gael gweld iawn fel nhw'n iawn. Mae't fydd pwn yn amddangos a'r argynnau yn ôl i chi'n mynd i ddefnyddu. Felly rydyn ni'n gwybod rhan y dda, yr cymryd yn ymddiad, mae'n cael fynd i chi'n gydgylchedd yw oedd ni'n gweithio arno. Fy grefraedd hwnnw'n dda y gondig, mae hynny'n ei wneud, Felly mae'n autyn nhw'n gwneud hynny'n gwneud ddim yn gwneud cmwylau o'r newyddion, regerwch chi'n gwneud hanfosol a i chi i nim yn ôl iawn. Felly mae'n rhaid i flwyddyn ar y gallu hyn cyfan hyn, ond ond iawn havai chi'n gwneud ar y wath, na dwi'n llei am ymddangosol. Udych yn gwneud 3 mae 5 o 5 o 5 o 5 o 5 a i chi hynny'n ystod o ddigon o hynny'n gwneud i'r altru. Mae'r gwaith o gweld iawn gwnaed hirthio ag y plesffol a ffrydol i chi hyd yn wentanol Llywodraeth. Bit borders that is still a very good side. There is side over the years and the club has been very used to play lots of games in seasons so there is some things that you wonder why they at pay you back and might be helpful but you can't guarantee that. Felly, gyda'r cythegymodu maith o gynnig yma yw'r llain yn y cyfnodol, a byddwn i'w Chalcgyrch yn ei gynnwys ar y cyfryd yma, bofin o'r ffrwyng i'r gynhyrch, byddwn i'r gynhyrch ffysigol yn fwyaf, felly rydyn ni'n dechrau aman. Felly mae'r pryd yn gondol, a'r hyffaith ei bod yn ysgrifennu, pob o'r trife paid i'r gynnwys. Yna, rym ni efallan golygu'r Llywodraeth, ac rhywbeth e strikes yn ychydig, ac mae'r gwneud yn ymdegisio yng Nghaerwyr. Ac mae'r gwneud yn ymdegisio ymdegisio. A'r gwneud yn ysferth yng nghaerwyr yn ysferth, ac mae'r gwneud yn ymdegisio. Mae angen i chi'n ddigwydd? Rwy'n gweithio. Markas Thrashawer yn mynd i'r ysferth, mae'n bwysig o'r newid yma. Yn y cyflwyno gwahanol yma, mae angen i gydag? Mae'n gweithio i'r ysferth yng Nghaerwyr yn ein gweithio. Ie ddodbwyd i'r gwyntau eich ddweud. Cynnwch i'ch eich ddweud yn hyfyrniad yn hwnnw, wych yn ei wneud i'r cael y d Kinodau. Rhyw gweithio yn gymryd o'r tair cynllun, ond mae hefyd yn trai'n defnyddio i gyd ddweud i'r gweithio, yn y gallu gwêl hwn, o syl penodol a'r ddweud iddyn nhw. O flynyddoedd yn cyffoeddwch o'r ddweud i Joe Keen, mynd i'r ddweud i'r cyflugfaenau. Rhyw gweithio eu ddweud i chi, mae'n ddigor yma. fel gyhoedd, lle mae'n gweld o'r eistedd yn holl ar y fwg, fel hynny yw eich clywed ar gyfer o'r effyniadau hynny yn cael eu cael eu cyfrofiadau. Mi'n tarl deg i fi'n cael eu lle mae'n cael eu fwyaf oherwydd ym gyhoedd ar yr olaf pan ei cael eu rhannu hyn a bwysig oherwydd roedd yr iechymau fwyaf ar hyn, ond rwy'n cael eu siaradau hynny o ran y byd, doti, ac mae'n gweithio'r rhai yn cael eu chyfluriaethau. We've scratched away in some games, we've played well in others and we've certainly showed a clear mind and spirit to other performances and I'm pleased with that because it's an important factor in the Premier League season. All these things add to something different. Kinos Goal added a different feel to what was a strong performance I thought, you know, 11 to 11, 10 to 11, 10 to 10 at the end, it was a strong performance so I was very pleased with performance level ac mae eisiau adegu ran o'r ffactor eich ffactor, i fewn i'n ddysgu i gael gweithio i lawr i ddeudio y ffgus gynnod a'r ffr contributions ni'n dweud hwn. Gweithio beth sy'n rhaid i ddweud i gael gweithio i gyd� ingredientydd yn agnifiant gweithio y cantau i'r unrhyw a'r ffr續 ac mae'r ffr續 yn y gyfnod yn ddweud iawn, a byddai'n gwneud gweithio eich gwneud arweinydd ac mae'n ddweud i gael gweithio eu pan wyliad dros i bob amser. Rydyn ddes, mae'n dod i gyddonedd i'w'ch werthau'n gweithio. Rydyn ddod i gyddonedd i'w'ch werthau'n gweithio. Rydyn ddod i'w'ch werthau'n gweithio. Felly, traidol iawn i'w peth yn dwmwygo'r newydd gyddonod. Roeddwn i'r ddymiandedd, nad oes yn rhoi gyddonod yn siŵr yn fawr 9, 5, 9, 6, 9, 7, a oedd chi'n meddwl am grefiau. nya TikTok ac rydyn ni'n meddwl, fel cael ymgyrch yn pethau, y gwisno 11 o 5 halych am gweithio. Mae hi wedi bod gen i gefnig ar equalityg ac ein hyn yn gyfreidio ar yr ysgrifennwys hir gwrs. That's not a reason why that's not a reason why that's not. Mae hyn yn hen, mae'n gweithio, maen nhw'n gwieithio, ond ti'n gwisno'r ymlaen. Mae hyn yn mynd i ddechrau i'r cwmwyllio a gweithio, ond i ni'n gweithio'n gweithio ar gyfer, y mae'n gweithio'r ysgrifennwys cyfrifiadol ac yn teimlo, yma ydi'r pwyddo unexpectedly. You've been to Al Trafford many times in recent years. How does this Manchester United compare to the ones you've faced in the past? They're all different. I mean they've had a few ups and downs but there's still a group of very good players. We know that. It's very rare that these clubs don't have a group of very good players, it's just that they've had their ups and downs that form, they were flying and their big result goes against them and that everyone makes a story out of that and they recover. The end of the day is the thing I've learnt about the Premier League and the reason I mention it all the time is not to be straight back and everything. You can look at the opposition and make up all the stories around it. At the end of the day it comes down to the whistleblower and you being ready. That's all my talk about to the players, it's always about that. If anything else comes your way that helps, so be it. But we've got to be ready, we've got to be clear minded in what we need to do. Let's go to a place like Al Trafford and then deliver. How much faith do you have in this group to go there and do that this weekend? I think about faith since I've been in the building and some of the players are paying that back with the way they're working on the training ground. In fact all of the players are. The squat mentality that I've preached to them is important and I think you should be relaxed about it from the bench here that night. People coming into games, people wanting and being thirsty to affect a situation. Everyone's got to make a difference, not just one person, it's everyone. Thank you Sean. Thank you. This is James Bamford at Radio Moses High. Sean, we see the team respond well on the different sort of scenarios. Brentford, when you took the league really early in the year, you saw that out and then the last two games going behind and then getting something out. Do you have a scenario for each game in terms of the game management? Now I think the way that we want the players to be effective, we're hoping it covers many situations, tactical situations during a game. Some teams do flex their tactics during a game. We want a way of working that can be effective against whatever happens in a game. So far there's been good signs about it. I say so far it's not a given, it's not a magic moment when they've sliced everything out. But that open minded it. The mind is on the pitch to affect things. If they see something, players are football bright. If I ask them at halftime, which I often do, what they think, they give you the right answers and then I express and get it changed while you're on the pitch. You know, don't just always wait for halftime, affect it while you're on the pitch. And I think we've got some players who can do that and help while they're out there. And then obviously my job is to guide them at halftime and then feed back after the game to get us stronger for the future. A lot's been made on the outside of Michael Keane's research since he came in there. And James Tarkowski has been, has he been part of that? And how useful has that been, being a former centre half yourself, having that chemistry between the players and the fact that they played together at Burnham? Well, they weren't quite as good as me, obviously, but the idea being that just the connection between them, you know, it was a long standing one. I didn't change it for that reason. I just felt that a change was relevant at that time. Keane knows he's enjoying his football, he's enjoyed his training. I suppose when he got there he didn't think he was fair enough and sharp enough he's worked hard at that. And he's shown good signs of that. You know, he's not the only player and there's a lot of players who are working very, very hard at the game. And that's what we want. We want players to be at it all of the time, you know, every day in training, every time there were some blows. We want a connected group who give their lot and I think we're growing with that. And while you're concentrating yourselves, what do you make of the table? It's remarkable, isn't it, that you've got 18 separated by 40 points? Yeah, it is what it is. I don't bother me. I've never really thought overly about it. But when I mention all the times, the one at the end of the season, that's the one that counts. Thanks. We'll go on to Shamina. Hi, Sean. You made a point after the game on Monday about the players taking ownership. How much does that come from yourself and how much does it come from the players themselves? Well, I think as a manager, I've always felt that you guide them towards what you think is appropriate, what you think is good for them as individuals, good for the group. And then eventually you want it to rub off where they start, the idea of ownership is they start organising things and stuff. I don't mean tactical organisation. I mean, you know, looking after each other professionally, looking after the standards, sort of self-governing what we lay down has been important to the group and the team and the expectation of delivering performances. So I think that's clear signs of that. I think the group are demanding more of each other. Not just me and the staff, but obviously taking it on both in training and on the pitch when they're demanding from each other as well. Have you spoken to Abdelhaith since Monday? Has he sort of spoken to the group or apologised or what? No, he certainly doesn't need to apologise.  When I thought at one point he might have snapped his eyelash, which would have been tragic. But he seemed to be responding okay. He knows you can't raise your hands in football as simple as that. But he's a very strong minded character and I like that. He's worked very, very hard. So a moment when it goes wrong is not going to be judged by that on me. How big a miss will it be?  Well, we don't know whether it will be a miss or not. You have to play and see because it's a great opportunity for someone else to play. The Spurs game took place in the evening where the fasting players were able to eat and drink. Now this game was taking place during the day. Does that affect any of your plans for players such as Idris or Amadou? Are you worried about any energy levels? No, they know they've got the support necessary. They know how to conduct themselves. I spoke to them about it. They're quite happy with what their culture suggests they need to. They've done it very well so far. I spoke to them again the other day just to make sure. And they said, yeah, we've got everything in place. And just one final thing on a form of prayer that you had at Burnley. Were you surprised he went to United and what sort of character was it for you at Burnley? He's very good. He worked very hard, very professional. Different managers look for different things. I certainly wouldn't underestimate him as a player. I think he's a very good player. That's what took him at Burnley. A different manager goes into Burnley, a different manager thought at Man United. Players have a chance and he's a very good pro when I was at Burnley with him. I hope he's not such a good a pro if he plays. Thank you. Thank you. We'll go to Carl on the press. Hi Sean. Consistency of selection is a big thing for you. So that midfield three unit has done such a good job for you. How easy or how much of a challenge is it when you have to swap someone out when they've done so well as a unit? We'll see because there's lots of good players here. I said that when I got here. I believe in them all. A different reason for an opening to come around. But they do. You know, openings do come around and you can step in and take it. So we're looking at the group and now we can piece it together to continue with the strength that we show. And just on the situation around the bottom of the table, we've seen a couple of clubs. Llyws their managers. With your experience in this situation, what's the best advice you can give to your squad as you approach the last nine games? I don't think it's advice. I think it's a day-to-day working environment and how we go about it. There's not one bit of advice. It's about the mentality on a daily basis and taking that into games. So we work at a certain level in training. We want that to go into every game that we play. And finding them consistencies that I've been speaking about for weeks. You know that, in my experience, over a season it pays you back. If you find true consistency on the training pitch, ending games. I think what I'm saying is that when your name is referenced, it's always like Sean has actually been there. He's had the experience of escaping relegation. And some of these players had it last season, but not as much as you. I don't think I had to escape it many times. I think whether we are now, we're just planning on not being in a different mindset for me. It's about the work that we do to progress the way we want it to be. And I think that work is in progress. And just quickly on Dominic, you said his rehabilitation continuing. Does that mean that he's no chance for the weekend? It just means it's continuing on a daily basis, but he's back on the grass.


Why does the narcissist hate you? It may seem as though the narcissist only hates you But they actually hate everyone They just pretend to be kind to people if they believe that they can get something from them They hate everyone including themselves They actually hate themselves more than anyone else They hate themselves because of their inadequacies and their insecurities They hate you just for existing because whenever you're around them It reminds them that they are not perfect It reminds them of their inadequacies and their insecurities It makes them feel as though they are not good enough It may seem as though the narcissist hates you But really that hate is towards themselves It's just projected outwards Whether their emotions are positive or negative They are never genuine when they are positive It's used to obtain supply or extract something from you When their emotions are negative It's to project their own self-hatred onto you and it also gives them supply Whether their emotions are positive or negative It never has anything to do with the other person It's always about them It's always about using people to regulate their emotions or boost their self-esteem But they don't even see us as real people We are just objects used to serve them We are objects that they use to either make themselves feel better or to hurt themselves It may seem as though the narcissist is playing a game with us But they are actually just playing a game with themselves We are nothing more than objects that they are using to play the game Narcissists hate people who are not broken or weak They hate people who still have hope or belief in themselves They hate people who make their own decisions People who have lots of energy Because these qualities and traits trigger the narcissist to reflect But they do not have hope or belief in themselves They hate people who make their own decisions Because they want to be the ones who make the decisions for them They want to be in control They hate people who have lots of energy Because they don't have any energy of their own They have to extract it from positive people They hate you But they actually admire you at the same time They admire your qualities and traits And this is also the reason why they hate you Because it triggers them to reflect on how they don't possess those qualities or traits They become envious and want to take it from you Because they believe that you are not worthy or deserving of possessing those qualities and traits They believe that you are superior to them So they want to destroy the perception that other people have of you They are jealous of how other people perceive you They are jealous of the attention and admiration that you receive They believe that the attention and admiration that you are receiving Is meant for them And you are taking it away from them They have to put you down to make themselves feel as though they are above you They don't want to do the work by developing their own qualities and traits They have neglected themselves for so long That they do not possess the capabilities or potential to compete against those who are developed Instead of relieving the pain of their insecurities by working on themselves They choose to attack and destroy anyone or anything that threatens them They target people who have desirable or admirable qualities and traits Only so they can then have power and influence over them And then direct their behavior or the course of events They will then transfer or extract these qualities and traits From the person in an unfair or underhanded way And use them for emotional strength and as a defense They will focus their attention on every aspect of your life And take over anything that you are doing or anything that you are about So that they can make it all about them But no matter how much they try They can never fully adopt your qualities and traits They can never fully take up, follow or use them as their own And this is what builds up their hatred and resentment towards you The bitterness, anger and annoyance By what was perceived as unfair treatment Your existence reminds them that they cannot possess your qualities and traits This is why they hate you They hate you because they perceive you as being superior to them They expect you to hide your qualities and traits So that no one will notice or admire you Because any time that someone recognizes your worth or compliments you It makes the narcissist jealous They feel as though you are taking away the attention and admiration that was meant for them They are jealous of the attention and admiration that you are receiving And this is why they have to sabotage everything that you are doing They want and expect you to hide your qualities and traits And sacrifice the person that you are Or the person that you are meant to be So that they can shine Thank you for watching I hope this video resonated with you Please like, comment, share and subscribe Click the bell icon to receive notifications for my future videos If you would like to donate My PayPal link is in the video description Coaching inquiries You can email me at www.narsweathercoaching.com Check out the emergent dice in the Narsweather store Where you can purchase your own Narsweather t-shirt, tank top or mug The link is in the video description Thank you for watching and I'll talk to you soon


and now act two of the man from Medicine Bow starring Sonny Tubbs. It is now the morning after, and Dave Sherman is talkering about his apartment, looking a little bit wrackled.  He hasn't the vaguest notion that his meeting with Slapsy O'Connor was a carefully rigged bit of high whimsy, and if he did, it's doubtful that he would appreciate the humor. At the moment he is pawing through the morning papers in quest of a little diversion to quell his fevered thoughts. All of a sudden, Whamble, a startling headline looms up before his jaundiced eyes, then does unpleasant things to the region of his solar plexus. In a veritable tizzy, he yanks the telephone out of its cradle and frantically dials Connie Bannister. You sure Miss Bannister's not there? Well, she heard about the robbery? Well, the robbery by her father's bank. They did it. Never mind, listen. Slapsy O'Connor is supposed to come to his apartment at three o'clock. If he shows up, don't let him in. Meanwhile, I'll try to hit him up in the club. Bye. Slapsy. What do you want, mugs? Can't you see I'm talking on the phone? Slapsy, there's a guy out here named Sherman, Dave Sherman. He says he knows who pulled that job this morning. What?  Yeah. I'll call you back, Lifty. I gotta take care of something. Okay, I'll ditch this bag. You let him in. I'll stick around. He may make trouble. All right. Hey, you. Come on in. Sure, thanks. Now, look here, O'Connor. You've got the... Hey. Yeah? What? Some mistake, guys. I want to see Slapsy O'Connor. I am O'Connor. What about it? Oh, kid, man. Look, I know O'Connor. Miss Bannister and I had dinner with him. One of his malls. Or one of his lady friends here last night. Yeah. Oh, yeah, yeah. He was here last night. I remember now. I've seen you with that Park Avenue bunch. The Park Avenue bunch? What? Wait a minute. Let me get it, man. Yeah, I guess I'm wrong, Miss Bannister. You see, I'm a stranger in town. I guess I'm just running my way around. So, I'll be running along. There's no where you are. Now, wait a minute. Now, I don't know who you are, but you played a bump card this time. Fresco Muggs. I don't think your father would better try that. No, no. Turn around. Uh... Oh, sure. You mean that like this? Oh, look out, Miss Bannister.  Take a look. Don't wave. Remember, I saw you shoot. Punch him full. Break. Don't wave. Come on. Come on. Conner. Back against the wall. Both of you. Move. Yeah, no. I'll look here. Okay. I'll look. You know what I mean, do as I say and move fast. Now, where's that dough? Oh, we have... Don't give me that. If the money wasn't here, you wouldn't be. Better make up your mind, O'Connor. Hey, he means it. Slapsy. It's right over there, bud. Thanks. Well, look, look, look. You. You don't think you're going to get away with it? Hang on your trailer. Yeah. Now get smart. Make a split. You wouldn't call it square. Well, I'm sorry, old boy. You see, I've got other plans, O'Connor. I don't need all this dough. Now, wait a minute. Wait. Stand back. Hope you don't mind waiting in the middle. I'll get on the way. What's the long and thanks for saving me a lot of trouble? Ow! Well, how do you like that? Come on. He's locked it from the outside. Come on. Come on. The car's in the alley, ain't it? Why do you think we're going to a train like that? Hey, Glassman. Well, we could carry it on from now on out. Oh, sure, Connie. Hey, what's happened to you? Don't tell me you've gone soft for Mr. White Open's faces. Well, it's a dirty trick. Suppose we went to Wyoming. We'd be pretty green ourselves. We wouldn't expect the people we... Well, that is our friends who try to make fools of us. Connie's right. Suppose we just use the gag again when he just gets here and then we'll let him in on it. You know, I want to see his face when Connie tells me. Hiya, Connie. Oh, Dave. Here you are. Hello, Slapsy. Hiya, Margie. Hello. Glad you showed, Wyoming. I thought you might have gotten cold feet. Cold feet? Yeah. I guess you people haven't seen the papers. Here. Read this. Bank holder. Yeah, that's right. A $200,000 job. You know, it's my nice to Slapsy here to tip me off on it. Well, I tip... I tip you. Well, sure.  No. Open that bag. Why, I... Look, it's money. It's thousands. Exactly $200,000. That's what the paper said. That thought I'd wait till now. You see, since you gave me the steer, Slapsy, I wanted to cut you in. Cut me in? Listen to me. You didn't really do this thing. You couldn't. Why, that bank belongs to my father. Talk to your friend. It was his idea.  This whole thing was just a gag. You can't take it seriously. No. Why can't I? But you'll get caught, Dave. You'll be in a terrible jam. I suppose I do. What's that to you? It's a lot to her, if you really want to know. After you left last night, she said she wondered where Wyoming had been all her life. Do you say that? Connie, did you say that? I suppose I did. Come here. Well, Dave, please, I'm sorry. I didn't really mean to... teeth. Grushy. Kissed her. Well, that settles that. Connie, you're coming with me. And what? You're coming with me. This gang string is a waste of time unless you've got a mall to hang diamonds on and you'll do for me. Get the money and let's go.  If you think I'd go away with you and with my father's money. Well, I could steal somebody else's money, you know. Well, you get out of here. Oh, okay. I'm sorry. Toss me that bag, please. Here you are. It's too bad, Connie. Do you really swell together in post offices? Well, I guess a guy can't have everything. So long. Can you be having nightmares and still have your eyes open? Connie, what's happened to that guy? Is that all you're going to do? Ask questions? We've got to stop him. We may have started all this, but that doesn't mean we can't finish it, too. Hey, who are you calling? The police. I'm going to call them and... All right. Put down that phone and quit. Who are you? How dare you break in here?  All right, lady, where is he? Just tell us quick and there'll be no trouble. Where is who? Connie, these men must be detectives. Detectives. Can you get that Slapsy? Slapsy? Connie, he's Slapsy O'Connor. Slapsy O... Oh, this is wonderful. Don't you get it? No. Oh, get what? Now, look there, Mrs. Slappy. This whole thing, it's all a joke. He's simply trying to fool us with our own trick. Oh, it's wonderful. And I think we almost fell for it. All right, Mr. Whatever your name is, relax. You both did a grand job. Oh, lady, I'm warning you. Oh, now don't be stubborn. Hey, Connie, look out. He is Slapsy O'Connor. I have seen his picture. Your friend's right, Miss. And there's none of us doing any more laughing. Where's that cowboy? Yo, I said where's that guy? Me? He's right here, O'Connor. Dave! Drop those guns and put them up both here. I dropped mine. And now you, O'Connor. Yeah? Yeah! Oh! Honey, are you all right? All right, here's the place in here. Come on in, guys. All right. All right, who's this fellow chairman who's some for the police? I sent for you, officer. You'll find that Eastern National Bank money over there in that bag. That money from... Is this on the level? Well, it should be. This is Slapsy O'Connor and the other one is Mugs Halstead. Well, I'll be an Irish cop. What about the rest of these people? Well, I'm... I can't tell you much about the men, you see, but I'll be glad to swear in court that this girl told me she was Slapsy O'Connor's maul. Dave, don't tell them that. As for the other one... Dave, Dave, you win. We admit it. Please, officer, I'm Connie Bannister and these people are all my friends. You're the men you want. Yeah? Well, I'll take your word for it. For now. Come on on, you two. Let's go. Oh, Mr. Sherman, you... Yes, sir, man. I'll have to confess that... Maybe we'd better be going. Come on. Because we might have tried to stay quiet. And who would have cared if we did? Why don't you say something? Why don't you? Dave, I want you to know... I want to... Sorry. Well, I really... My turn? Your turn. Well, Wyoming, use me. How about it? Just like that? Just like that. I mean, well, you said you wanted... Well, Wyoming had been all your life. You did say that, didn't you? Mm-hmm. My turn? Your turn. Yes, ma'am. I've... I've got an idea.  And so the curtain falls in the last act to demand for medicine bowls starring sunny tufts. In just a moment, a word from our star, but first, an important message from our government. Nurse anesthetists, did you know that you may be eligible for appointment at the Army Nurse Corps Reserve in the grade of captain? The requirements are seven years of professional nursing experience, one year of practicing anesthesiology, and, of course, your certificate from the American Association of Nurse Anesthetists. A captain's base pay is $313.50 monthly plus subsistence allowance. Write for further details today to the Surgeon General, Department of the Army, Washington, 25 D.C. Now once again, our star and our host, C.P. McGregor. That was doing the expected, and in spades no less sunny, which means giving us a fine performance. Tell us, how come you gave up the full monitor for plain sunny? Well, I'll tell you, C.P., it is kind of funny, but you see, people have been calling me sunny for a long time, but I really decided on it when I graduated from Yale. I wasn't exactly what you might call the Phi Beta Kappa Timber and commencement, and I walked up to get my diploma. The president of Yale said, well, sunny, just like that, you know. As if he hadn't expected me up there for another 10 years. Anyway, I thought if sunny was good enough for the president of Yale, it was good enough for me, good enough for me. Tell us, how did you get started in pictures? Well, C.P., I'd been working as master ceremonies in New York nightclubs and hotels and things, and some of you said, why didn't you try pictures? So out I came, and with me was, as far as Jack Brownlee, and Pave the way, but he actually was no agent, but he knew a few people here. He called a friend of a friend of a friend of a friend, one of those things, you know, in the paramount... Oh, an appointment was arranged, and Jack... Well, the casting department broke all directives and ordered a test. That's really one for the book. What then, Sonny? Well, they gave me a handful of scripts and asked me to pick a scene that I liked. And the funny part was, I chose one that looked vaguely familiar and played it all the way through for laughs. And then I found out a little bit later that I'd burlesque Charles Boyer's most tender love scene with Irene Dunn in love affair. I need trick if you can get away with it. Well, Sonny, thanks again for spending an evening with us. Well, I enjoyed it very much, C.P., and, you know, I sell a mission program. There's no kidding. And anytime you want me back, I'll be around. I love it. Well, I certainly appreciate that, and I'm going to ask you to join us again real soon. And now, Sonny, ladies and gentlemen, next week we will present another favorite of yours, Michael O'Shea, who will star in a fast action story titled Fighters Always Come Back. This is the story of a great ring champion who was framed in a tidal bout the long trail back to the rosin and squared circles. I know you'll enjoy every minute of it, so be sure to join us. Until next week then, this is C.P. McGregor saying thanks for listening and cheerio from Hollywood. You can currently see the Hollywood coordinate of Eddie with the rainiest holy appearance of all stars in this program. The script was by Paul Franklin for the music of Eddie Dunn-Steppen. His program is transcribed in Hollywood by the name of Michael O'Shea. Wendell Niles speaking.


Today, Mike isn't biased at all and critiques your vlog channels. Yeah, Mike's about as unbiased as Fox News. Ahem. What? Nothing. What is up everyone? My name is Zesty Mike and today we're going to be kicking off our Monday Critiques. I decided to break things down by genre to make things a little bit more organized. Today, we're starting with vlogs. Because I like vlogs. And I'm a vlogger. Vlog. First off, we have Ron's Wrecker who submitted his video A Trip to Enchanted Kingdom, which essentially is a mixture between a sit-down and talk vlog and a walk-and-talk vlog. Instead of telling the story as he goes, he narrates it later. Personally, I feel like he did a really good job at it. He added music which helped pace the video really well. However, the music can be a little bit loud at times. But overall, it was a nice addition. So when you're editing, make sure you check your audio levels and make sure that you can actually clearly understand yourself over top of the music. But keep in mind, you know what you're saying, so it might be easier for you to understand it rather than a person who's heard it for the first time. I also enjoyed that you added comedy throughout the vlog. I feel it really worked for you. This one is the most scariest.  Just look at this video. Now, I can't tell you if this would make your videos better or not. This is more so something for you to try. But I feel like you'd be really good at a walk-and-talk type vlog instead of sitting down narrating it later. You seem to have a really good personality and comfortable talking to the camera. So this might be something good for your channel. It might be something fun to try. Now, before we get to the next video, remember that you can click the links in the sidebar to see the full video. And you guys can let them know what you think of their videos as well. Next up, we have Gamers for Life. He submitted his video, The Beginning of a New Adventure in 4K. He takes us on a tour of his office, his house, and a few other things. First off, vlogging in 4K, props to you. Accent, props to you. Working on your own computer, props to you. And good delivery, props to you. However, there's a couple things you should look for when you're making your vlogs. It looks as though your audio and your video aren't properly synced. It's probably off by like half a second, which can actually be really distracting for viewers. I noticed that sometimes recording at higher resolutions can mess with your audio capture and sometimes make it go out of whack. So maybe try turning down the quality a little bit and see if that helps fix your audio, or you can try and re-sync it in post. Secondly, this is something you have to learn over time, and that is learning your camera. Learn where the mic holes are and learn your camera lens so you can get an idea of what you're aiming at. I noticed a couple of times when you were switching hands, you would cover up one of the mics with your finger or something and it would make it muffled and hard to hear. Or a couple of times when you were vlogging, you were actually aiming at something other than what you were meaning to aim at. So this is something that the viewer might start to notice and actually get distracted by. So when you're editing, try and make mental notes of different things that you notice throughout your vlogs. And then next time you got to vlog, try and adjust this so you don't have these issues in the future. Next up, we have Zach St, who submitted one of his videos from this year's VEDA. It's titled, Random Meetups at Coffee Shops. First off, love the energy that you put into the vlogs. You can tell that you really care about what you're doing, which is important. Just by being positive and having a strong energy, viewers will connect to you easier and be able to enjoy your videos all the better. I love the bicycle montage and you seem to have a really good eye for editing. In your submission, you said that you record in 720 and export at 1080, but the video itself is only uploaded at 480. So there's something off with your export settings. Also, there's nothing wrong with exporting at 720. In fact, it'll give you a better picture if you do this. Now in your video submission, you ask specifically about vlogging in stores and how often you get asked not to vlog. Now personally, I love this question because more times than not, you hear, how are you comfortable vlogging in public? Not, will I get in trouble in public? So this means you want to vlog in public, you're just worried about getting in trouble. So props to you. Now in my 600 days of vlogging on my vlog channel, not to mention all the vlogs I did on other channels, I only got asked not to vlog twice. One of them being in Chinatown, which most everywhere in Chinatown, you'll see signs that say no photography, especially in gift shops, and they are very strict about it. I learned this the hard way when I did not notice the sign. They about kicked me out. The other time was when myself and four other vloggers were in a mall and doing a little vlog game that we came up with. We went into a clothing store and dressed each other in random clothes that we picked out for the other vlogger. We used their dressing rooms, we used their clothes, and I actually used their employees for a couple parts. The manager found us and kindly asked us not to vlog anymore after we were done with our game. And in our defense, we'd probably be fine if I didn't round up their employees and make them participate in our game, because they were kind of on the clock. So my advice to you is if you don't see a no photography sign, you shouldn't have to worry about it. More times than not, stores will actually be excited that they're getting free promotion. Not to mention, it might be good promotion for yourself if people ask you what you're doing. Remember, as long as you're not doing anything illegal, the worst that they could tell you to do is not to vlog. Put away your camera. But anyways, guys, that's it for today's critique. Don't forget to click the links in the sidebar to check out the full videos. And of course, submit your videos to this critique by using the link in the description below. And remember, spamming gets you nowhere. The comment section is for love, learning, and growing together. As always, I will not be picking anyone from the comment section. I'm only going to be picking from the submission form and the link in the description below. If you want to see more of my tips and tricks, you can click the link in the sidebar for a full playlist of all the different stuff I've done on this channel. And of course, if you want to see more of me, you can click the link in the description below and visit my channel where I post up videos every single day. We'll see you tomorrow. See ya. Impulse is produced by the Freedom Network. Ever wanted to earn revenue from your videos? Freedom offers a great partnership program which includes access to hundreds of thousands of audio tracks, sponsorships with great partners, and most importantly, a no-lock-in contract. You can leave at any time for any reason. We accept everyone, both big and small. For more information, click here or visit the link in the video description.


One point twenty-one gigawatts! One point twenty-one gigawatts! One point twenty-one gigawatts! Great Scott! Shooter! The heck is a gigawatt? You got a real attitude problem here, uh...  Reminds me of an infielder who used to play here. I coached him in college. He was a slacker too. I go now, Murph. Wait a minute. Shooter, you're telling me you made a time machine out of the bullpen car? 88. 88 miles per hour? 88 miles per hour, what did I tell you? Here's how it works. First, you turn the time circuit on. This readout tells you where you're going. This one tells you where you are. This one tells you where you were. You enter the input destination time onto this keypad. Okay? Say you want to see something from the first 50 years of Brewer's history, like you majorly debut. Nigel Morgan's walk-off. Robin Yau's 3,000th hit. Harvey's wall bangers. This, this is what makes time travel possible. The flux capacitor. Flux capacitor? What? You're Craig Council. Yeah? Then who are you? Shooter, I need your help to get back. My goodness. I thought I told you never to come in here. Hank has just become the world's first time traveler. You're going to be a gold-glover someday. Gold-glover? Lorenzo Cain? Man, I like the sound of that. Shooter, can we have enough road to get up to 88? Roads. Well, we're going. We don't need roads.