and people want to tie things up which is why people were like he's not having a crisis or like he's he's depressed and like people want to label things and it's like maybe i'm just a lie donald glover who is known as the multi-talented actor singer rapper comedian writer producer and director he's probably best known as performing his music under the stage name childish gambino i'm trying to make the best product i believe the people deserve quality and when they taste it they see their own value and they don't ask for less glover recently snagged a major modern real estate upgrade in flintridge for 4.2 million dollars mr. glover and his longtime girlfriend michelle white now have two young gambinos of their own so it makes sense that they'd want to upsize their living situation and with the cash rolling in this new luxurious home was well worth the investment coincidentally the new dig lies on the exact street of glover's old home so it looks like he may have saved money with the mover guys we'll take a look at glover's massive almost 7 000 square foot modern home designed perfectly by acclaimed architects and i'm telling you this place is massive so it's definitely the perfect place for growing a family a donald in these videos we don't reveal any addresses so please do not show up at any private residences because it is not safe for anyone the multi-talented star has already made a lucrative career earning a net worth of 35 million dollars at the age of 23 glover got his first big break as he was hired by tina fae as a writer for the mbc sitcom 30 rock he said he was jack's boss in the sketch he doesn't even have a line don't eat in costume he laid a roast of fame for portraying college student barns on the mbc sitcom community that ran from 2009 to 2014 out these beatitudes however it was only recently where his career really began to take off and began rolling in the cash between september 2018 and september 2019 donald glover earned more than 30 million dollars from his various entertainment endeavors that was actually enough to make him one of the most highest paid entertainers in the world during that period i mean you are something else right now aren't you what's going on on fire yeah you're on fire on fire your video has got like more views than the keyboard cat now it's really like on top of the money he makes with his acting and music career glover has supported several brands throughout his career he featured in the 2010 holiday advertising campaign for gat in partnership with adidas glover reimagined three pairs of classic adidas sneakers and released them in april 2019 as the donald glover presents line when you add up all the money he made from acting his music career as childish gambino and the endorsements glover began making bank glover is notoriously private about his personal life he shares two sons born in 2016 and 2018 with partner michelle white however it was only a matter of time before this luxurious home would make the news it was going out guys the boy marlin palm and today we're bringing you another house tour here for you on famous entertainment now i know it's 95% of you guys are not subscribed so please be sure to hit that subscribe button because we post new videos daily now we've previously reported on the homes of tiger woods and jaden smith now if you guys want to check those out please feel free to do so on our channel and if you like these videos ring that bell for notifications and follow me on instagram at that doom and flash so we can chat some more put in the comments down below whose house tour do you guys want to see next and let's get into the video now donald glover's career taking off and all the money rolling in glover recently forked out nearly 4.2 million dollars for his new beautiful la canada flint rich home glover obviously loved the area because it's previously stated the new place actually lies on the very same hill-sized streets as the old house it's just a half mile down the widening road this massive two-story compound was originally built in 1983 and this lovely modern home was designed by acclaimed architects buff and hensman the lavish abode is fused almost entirely from concrete and glass which gives the outside spectacular views now as remarkable as the outside looks do not let the inside of the dig fool you because those soaring walls features a whopping 6800 square feet of living space now while the la canada house is very larger remains discreet from the street in front the mansion is tucked back at the end of a long driveway and surrounded by a dense canopy of mature oak trees which adds to the stunning appearance this is a perfect step for glover and white who are committed to living their private lifestyle now while the house itself is enormous the property itself is also massive as it spans over a whopping four acres of land as soon as you enter the luxurious mansion the sites of the interior are truly a thing of beauty some features of the main rooms include double height ceilings brownish top floors and slap-sided walls with a world-class contemporary art collection while the inside provides a spacious living space the rooms get a splash of personality with the elegant art collection and let me tell you the feature that takes the cake on the enormous glass windows they are really stunning with six beds and seven baths the structure has plenty of space for guests and potential for a growing family the manner comes complete with elegant dining room family room and giant wet bar for those that fancy a chardonnay the master suite is probably one of the more lavish and relaxing rooms in the house as it features a bedroom sitting area access to a private outdoor terrace a walking closet and bathroom a built-in soaking tub i would have a hard time choosing between relaxing the outdoor terrace or the soaking tub probably the coolest features are found in the backyard as the mansion boasts this lovely outdoor laggia overlooking the forested property spanning over four acres of property there are numerous outdoor living spaces scattered throughout the multi-acre estate family and guests have the option of dining by the gardens sunbathing on the concrete terrace or sipping champagne by the oversized pool i mean obviously the kids won't be able to sip the champagne until they are of age right for those lucky enough to visit the mansion they will be able to catch a breathtaking view of a nearby mid-century ranch or if you turn your head the other way and catch views of the angeles national forest and its magnificent mountains along with the huge outdoor terrace and oversized pool the backyard comes with a built-in fire pit perfect for family gatherings i'm actually kind of sad to find out that as amazing as this home is glover does not have a basement at the residence i figured maybe you could set up a recording studio there to work on future projects i don't i'm just i'm just saying you'll be happy to know that glover's massive compound also comes complete with three parking spaces plus a garage because we all know how much glover likes his whips we're willing to bet that he parts his favorite whip a wonderful Mercedes Benz 600 with a price tag of a little bit over a hundred ninety thousand dollars it appears that lacking out of flint ridges prime real estate because the house was originally purchased by glover for four point two million dollars in 2018 and within two years the property has increased to nearly five million dollars i mean it appears that glover really bought that at the right time all right so i think we'll bring this house to an end here we got to take a quick look at donna glover's home it is impressive outdoor terrace logia and pool overlooking beautiful california scenery after seeing his house what did you guys think was it everything you expected out of glover i really want him to build that studio i think that would keep him in the game for at least three more years out of the glover features which ones were your faves you guys can go ahead and rate them in the comments down below i'd also love it if you guys follow me on instagram so we can chat some more and let me know in the comments below whose house to you want to see next i'll see you guys next time


The Fast Fourier Transform is amazing at telling you which frequencies your signal is built out of, but like any tool, if you put garbage in, you'll get garbage out. I once fed the FFT a poorly sampled signal and got back complete gibberish. In this video, we'll learn how to avoid that problem by exploring three key pitfalls to dodge when preparing your signal for the FFT. Stay tuned to discover how you too can master the Fourier Transform. Hi, I'm Mark Newman and I'm here to help you understand the fascinating world of signals and systems. Here are three tips that will improve your chances of finding all the frequencies that exist in your signal. 1. Set the optimum sampling rate For accurate frequency analysis of the FFT, providing it with enough data to do its job is crucial, but giving it too much information will cost you increased computational load and memory usage. When you sample a signal, you are, by definition, throwing away some of the information about that signal. It's like taking snapshots of a scene. What is happening between those snapshots? Nyquist Rule says that so long as you take at least twice the number of snapshots per second as the fastest moving element in your scene, then you will have enough information to perfectly reconstruct that movement. However, if you don't, a phenomenon known as aliasing occurs. In an audio signal, this is what it sounds like. Aliasing occurs because there are not enough samples to faithfully describe the higher frequencies of your signal. Any frequencies greater than half your sampling rate, also known as the Nyquist frequency, will disguise themselves as lower ones and distort your signal. So to make sure you get an accurate representation of your signal, you must set the sampling frequency at least twice as high as the highest frequency in your signal. But why not set the sampling frequency to 10 times the highest frequency? That way you can be sure to capture all those high frequencies. Sampling your signal too often can lead to computational overload. The FFT may be very efficient, but it too has its limits. So just like the story of Goldilocks and the Three Bears, make sure you don't set your sampling frequency too high or too low, but make sure it's set just right. Number 2 Use an Anti-Aliasing or Low Pass Filter Audio engineers often record signals like music, which typically contains frequencies up to 20 kHz, the upper limit of the human hearing range. However, there may well be noise around with higher frequencies that your ears cannot detect. These high frequencies can get into your recording and without proper filtering can lead to aliasing distorting your signal. To prevent aliasing, use an Analog Low Pass Filter before sampling. But remember, these filters don't have a sharp cutoff. They gradually attenuate frequencies above the specified cutoff frequency. While setting the cutoff frequency to 20 kHz might seem sufficient, some higher frequencies will still leak through due to the filter's roll-off. Therefore, the sampling frequency needs to be higher than twice the cutoff frequency to ensure you capture relevant information and avoid aliasing. For audio applications, a common choice is 44.1 kHz, which allows an accurate representation of human audible frequencies while accounting for the filter's roll-off. Number 3 Use a Windowing Function to Reduce Spectral Leakage Silence, they say, is golden. Silence at the beginning and end of the signal you feed into your FFT improves the accuracy of its output, enabling it to more faithfully represent the frequencies present in your signal. Imagine this recording of me suddenly ended before I had finished what I was saying. Did you hear that click? That click happened because I cut the signal short. I didn't wait until it fell silent. That click is full of frequencies that shouldn't be there. This distorts the FFT's output, a distortion known as spectral leakage. Some of the energy of the signal has leaked into adjacent frequencies due to discontinuities at the beginning and end of the frame. So how does windowing help? Real-world signals are generally not periodic signals, they don't keep on repeating. Life would be very boring if they did, as no new information can be transferred in a repeating signal. The problem is that within a limited band of frequencies, non-repeating signals involve sinusoids at an infinite number of intermediate frequencies. No matter when you end the recording, some of those sinusoids will not have completed a whole number of cycles. The best we can do is to wait for these signals to fall silent, but they won't necessarily have done so by the time you need to stop your recording to run the FFT. So we need to force them to do so by using a windowing function to prevent discontinuities like the click we just heard. Windowing functions fade a signal in from zero at the beginning of the window and fade them out again at the end. This ensures that there are no sharp edges at the beginning and end of the signal, and it reduces, but doesn't solve, the problem of spectral leakage. Unfortunately no windowing function can perfectly achieve both minimizing spectral leakage and maintaining high frequency resolution. Reducing spectral leakage often comes at the cost of broadening the main frequency peaks, which reduces our ability to distinguish between closely spaced frequencies. Therefore, choosing the right windowing function depends on your specific needs and priorities. For example, here's a signal containing only one sinusoid at a frequency of 16.5 Hertz. The output of the Fourier transform should show us a single line at 16.5 Hertz because that is the only frequency present. However, because of the length of my FFT window, I've had to cut the signal short and the sinusoid has not had time to complete a whole number of cycles, leading to all this spectral leakage. Let's apply a 2-key window to the signal in the time domain. The 2-key window has given us a reasonably sharp frequency peak, but suffers from these side lobes, meaning there is still some spectral leakage. In contrast, if I try a hanning window, the peak is not quite as sharp as the 2-key window, but there are no side lobes, meaning it has got rid of more of the spectral leakage. If you want the best of both worlds, a hanning window gives a reasonable balance between these two conflicting requirements, which is why it is one of the most commonly used windowing functions. By following these tips, you've prepared your data for accurate and insightful analysis with the FFT, but the real magic happens inside the black box. Ever wondered what's going on in there? Understanding the Fourier transform isn't just about using it, it's about unlocking its true potential. Imagine being able to interpret its results with confidence, troubleshooting issues like a pro, and squeezing even more insights from your data. That's why I've created How the Fourier Transform Works, an online course that breaks down the mathematical complexities of the Fourier transform into clear bite-sized lessons, no more feeling lost in equations. On the course, you'll learn to unravel the mystery of sine waves, and build a solid foundation for understanding the building blocks of the Fourier transform. We'll demystify the world of complex numbers and learn how they make your calculations a lot easier to do, and you'll discover the power of convolution to reveal the secrets your data has been hiding. The official release is still a few months away, but you can be one of 50 early birds and get 50% off the course price, instant access to the first 15 lectures, automatic updates as new lectures are completed revealing how all these concepts combine to form the Fourier series and the Fourier transform, and the chance to shape the development of the course with your valuable feedback. Don't wait to unlock the awesome power of the Fourier transform. Click the link in the description and secure your spot as one of the lucky 50 today.


Generally, when we wage war against weeds, our inclination is to shoot first and ask questions later. What typically happens with this approach, however, is that we pull the trigger and never come back to ask questions. South Dakota is so fortunate because the ARS's Dr. Randy Anderson has asked a lot of questions about weeds. One of the questions is, why do long-term no-till farmers experience a reduction in herbicide use? The answer may surprise you. When farmers first started no-tilling, of course they used a lot of herbicides, herbicides replace tillage. And of course they used a lot of herbicides, so they developed this perspective that no-till requires a lot more herbicides in conventional agriculture. A very surprising trend has been observed by long-term no-tillers. They actually use less herbicides than they used to when they're doing conventional. There are some biological reasons for that, and I'd like to explain that. And part of that is related to the survival of weed seeds out in a crop field. When you have no-till, you leave the seeds on the soil surface, and this is quite a benefit. When the seed enters the soil or the seed bank, it can go through a series of fates. We're probably familiar with the germination because that's why we're spraying herbicides. The seedlings are there in the field. They're also dormant, and this is a reason why we have seeds in following years, even though we have complete control of the weeds during year one. There's also some other fates that they can go through. For example, lethal germination is when the seed germinates, but it's not able to establish the seedling. For example, say maybe it germinates, but the soil is kind of dry. The roots don't grow very well in dry soils. Predation is when insects or microbial communities consume the seed, as comprised of carbon and animals like carbon. Another is the environmental exposure. The wetting and drying of the seed coat can actually cause it to split, and therefore when it's split, it dries out that embryo. Another one is natural death. It simply runs out of carbohydrates to survive. A key point is when you leave the seeds on the soil surface, you enhance these fates. In other words, predation is much greater if the insects can reach the seeds. If they're buried in the soil, the insects do not process the soil looking for seeds, so therefore it actually protects it. Almost all studies with weed seeds have shown that when you bury them in soil, they live longer, they survive longer. Okay, this is all theory though, right? Do we have actual on the ground proof here in South Dakota that this happens? Stay tuned, because that's where we hit it in our next video. See you soon.


Was Andrew Jackson, the seventh president of the United States, the most racist president in U.S. history? This is a question that has sparked much debate. His presidency was marked by controversy, particularly his role in the forced removal of Native American tribes and his status as a slave owner. These actions seen through the lens of our modern understanding of racism make him a contentious figure in American history. Hold that thought as we delve deeper into the life of Andrew Jackson. Born on March 15, 1767, Andrew Jackson's early life was marked by hardship and struggle. Andrew was born to Irish immigrants in the backwoods of the Carolinas. Tragedy struck early when he lost both his parents by the tender age of 14, but adversity forged his resilience. He cultivated a rebellious spirit during the Revolutionary War as a young courier, witnessing firsthand the brutality of conflict. First war, Jackson moved west to Tennessee, where he began his law career. His boldness and charisma soon made him a popular figure. He was known for his fiery temper and willingness to duel to defend his honor, a characteristic that would follow him throughout his political career. His military prowess was brought to the forefront in the War of 1812. As a major general, Jackson led a successful campaign against the British in the Battle of New Orleans, earning him national recognition and the nickname Old Hickory for his tenacity. His reputation propelled him into the political arena. He served as a U.S. Representative, a U.S. Senator, and a Justice on the Tennessee Supreme Court. But it was his populist appeal that led him to the highest office in the land. In 1828, Jackson was elected the seventh President of the United States, promising to advocate for the common man. Now let's explore the actions and decisions that have made his presidency a subject of intense debate. In 1829, Andrew Jackson assumed the highest office in the land, and it wasn't without controversy. As he stepped into the role of the seventh President of the United States, Jackson carried with him a set of policies and beliefs that would leave an indelible mark on the nation's history. One of the most contentious aspects of his presidency was his stance on Native American tribes and their rights to their ancestral lands. Jackson's presidency saw the signing of the Indian Removal Act in 1830. This act led to what is now known as the Trail of Tears, a forced relocation of Native American tribes from their homelands in the southeastern United States to lands west of the Mississippi River. Thousands of Native Americans were uprooted from their homes, forced to endure immense hardship and suffering with many losing their lives during the grueling journey. This policy was a reflection of Jackson's attitudes towards Native Americans, attitudes that were widely shared during his time. However, in retrospect, many contemporary observers and historians have labeled these actions as deeply racist. But this wasn't the only controversial aspect of Jackson's presidency. He was also a firm supporter of the institution of slavery, a practice that led to the suffering and dehumanization of millions of African-Americans. Jackson himself was a slave owner, further solidifying his position on this deeply divisive issue. These controversial policies, along with his attitudes towards race, have led to a great deal of debate about Jackson's legacy. While some admire his strong leadership in populist politics, others condemn his actions and policies as racist and inhumane. So as we reflect on the presidency of Andrew Jackson, we must grapple with the complex and often uncomfortable realities of our nation's history. We must acknowledge the suffering caused by policies like the Indian Removal Act and the institution of slavery, while also understanding the context in which they occurred. As we can see, Andrew Jackson's presidency was marked by policies that many now view as deeply racist. Andrew Jackson died on June 8th, 1845, but his actions continued to reverberate through American history. His death marked the end of an era of significant change and turmoil. The legacy he left behind is a complex one, fraught with controversy and debate. On one hand, Jackson is celebrated for his role in the expansion of democracy, his military prowess, and his commitment to the Union. On the other, his policies towards Native Americans and his support for slavery are viewed with disdain.  Yet there are calls to replace his image due to his controversial actions and views. The debate about Jackson's legacy mirrors the ongoing conversation about America's past and how it should be remembered. So what do you think? Was Andrew Jackson the most racist president in US history? Comment your thoughts below.


Topps City in Latin America with the highest demand for English language teachers, Rio de Janeiro. As Brazil is one of the largest emerging markets in the world, it is no surprise that the country is also a lucrative destination for English teachers. The country is eagerly investing in English education, due to its major rise as an international economic force. Rio de Janeiro not only offers attractive job opportunities for English teachers, but it also attracts visitors, because of its natural scenery and year-round sunny weather. The low cost of living also makes it possible to live a comfortable lifestyle. The city boasts a long coast and as many beautiful beaches, Copacabana and Ipanema beaches being the most famous. The 38-meter tall Christ the Redeemer Statue atop Mount Corcavado, is the city's main landmark.


You wait for people to get comfortable. You wait for people to come out of their place of complacency, or like what they're used to or familiar with. They won't ever do that. This is not a favor.  Corporate America has to be urgent and take action, right? The rallying cry that we have with our leadership of the company are three words. Expectations, accountability, and capability. If you truly care about diversity, and that is something obviously that we hope every company is having a reckoning within themselves and that they care about, you have to tell the full story. And in order to do that, you have to have more diversity at your table on your team. You need those voices to be heard. That is truly how this world is going to be a better place for everyone. Non-LGBTQ people want to see LGBTQ people in ads because it helps them build acceptance and think better of the company. Having brands look at diverse audiences not because of that we're gay or black or white or yellow, but more about the alignment about who we are as people, how we buy, how we shop, who we are, and how brands align with us. You know that non-dinary people that are transgender have a really tough time just giving any name of the chosen name on their documents. The trans person might be the number one candidate that's being interviewed, but if a person interviewing them is worried about how they're going to integrate this person into their company, then they're not going to hire them even if they're best. The reality is that we need to continue to educate people and we can only do that through an open, non-defensive dialogue.  I think it's an opportunity in that brands can show how they actually are going to put their money where their mouth is, hiring people, you know, not just selling a shirt where 5% of profits go to a non-profit but actually doing something substantial that has a real clear signal behind it. Megan Rapinoe, one of our athlete ambassadors says you cannot win championships without the gays. You just can't. I really believe that with success with business. You cannot be successful without, you know, all the team players.


Hey, Psych2Goers, and welcome back to another video. Thank you all so much for the love and support that you've given us, enabling us to make yet another exploration into everyday psychology. So, let's begin, shall we? Do you often lie to yourself? Can you tell when and why? The human mind is complex, and it can make us deceive ourselves without even knowing it. Sometimes, evading the truth gives us a feeling of security in what we do. But if left unattended for too long, lying might actually become a part of who you are, and create problems that are very difficult to solve. Living a lie can be damaging to your peace of mind. So, watch this video to find out about hidden signs that you might be lying to yourself. This will help you identify your behavior and veer you away from the damaging consequences. Number one. Your emotions don't match your words. When an accident happens, do you pretend you're not mad just to make the other person feel better? Or when you have tears coming down your face, are you quick to say everything is fine? This occurs when we experience situations where we don't know how to feel, or don't want others to know what's really going on in our minds. According to a study by Dior in 2020, this happens when you try to convince yourself of something, but your emotions tell a different story altogether. Number two. You keep justifying other people's behaviors. One of the clearest examples of this is when there's an abusive partner in a relationship who attacks emotionally and physically. The affected person says, It's okay. They're only stressed because of work and need to blow off some steam. If this statement feels familiar, then it's clear as day you might have been lying to yourself. When you want to evade the truth rather than face it, you end up making excuses for the behaviors of other people. Number three. You keep justifying your behavior. Just like the others, do you also make excuses to justify your own behavior as well? You tend to garner strength from these excuses, using them as rationalizations or invented reasons to defend the way you behave, as reported in a study by Sysinski. Common examples of this is when people choose a career they don't like at all, and it's wearing them down, but they justify their choice, claiming that they're just feeling stressed. Number four. You don't like listening to other people's advice. This is attributed to the fact that there are times when we don't even want to admit that we're lying to ourselves. When this happens, people who are lying to themselves tend to only side with people who reassure their lie and oppose those who challenge it. Let's use the career example, where you lie to yourself about being happy with your choice. If you shut off people who suggest looking for different career options, that is a form of lying to yourself. Number five. You feel inauthentic.  According to a study by Dior in 2020, having this feeling usually comes with deceiving yourself for too long and not really knowing what you want anymore.  Number six. You make extreme statements. Do you make extreme statements to justify your situation? If so, you may be lying to yourself to have the feeling of safety. You decide to only consider one vantage point without considering any other possibilities. One example of this is when people claim there are no good men around. By claiming this, you're justifying yourself and protecting yourself from the thought of being afraid to fall in love. And number seven. You're anxious for no apparent reason. Feeling anxious for no apparent reason is a common sign that you're deceiving yourself. In a study by Bundrant, it was found that people who lie to themselves and others are always worried that they'll be found out, which is why they live with a constant feeling of unease and insecurity. People who are anxious for no apparent reason might be lying to avoid punishment, avoid shame, or to fit in. We hope we were able to give you a little insight into some of the ways you might be lying to yourself. Do any of these apply to you? Let us know in the comments below. If you found this video helpful, be sure to hit the like and subscribe button and share it with someone who might be unknowingly deceiving themselves as well. Thanks for watching and we'll see you soon.


Hi, so my name is Andrea, I'm a volunteer at the Magna Carta through the ages exhibition. And Andrea, do you have a favourite thing about volunteering here? Yeah, I really like it, I love the fact that I've been able to learn so much about Magna Carta, so that's been really good. And then also meeting people, meeting the public and being able to sort of share my new friend knowledge with them as well. And do you have a favourite object? I'm probably one of the richest third paintings, so either the Plantagenet period one or the Tudor period one. Great, thank you so much.


Hello, I'm Ali Lopez and I'm talking about the work from work to assist welfare global vulnerability in Colombian ecosystems. A background about this topic is the historical frequency for the Wi-Fi, the alerts in this country. And it's important because we lost three cover, about that 6.7%. And this is very important because the impact for the emission to CO2 are very important, but the ecosystem and the ecological biodiversity. In Colombia, you have in this map the frequency for the Wi-Fi and as you look the principal urban areas, we are very questioned about what is the impact for the Wi-Fi near to the urban areas. And we've selected two areas with this criteria and Kundinamarca and Magdalena were the selection for this analysis. You can see that for example, Kundinamarca, it's the region with elevation for the sea level and Magdalena, it's located near to the sea. The ecosystem that you can be in Colombia, in the Kundinamarca, it's this, in Sandinian forest on Paramo. You look at the vegetation is very different with the Magdalena, the tropical dry forest is a vegetation that allows leaves in the dry seasons. And this is very important because the organic matter is different in the combustion capacity. We analyzed the rigs, but in this presentation only focused to the vulnerability and response capacity. But to analyze this in Grayson's file with the FWU and exposure for the Wi-Fi. For the framework, this is for analysis in the line cover type. We use the MODIS image and calculate the NDVI and NDWI for the vegetation and this is go to the line cover and they use the meteorological neural network for the estimate the FWU for the probability to Wi-Fi and use to the probability of Wi-Fi occurrence in function on the line cover and use this prediction for reduction the scale and in this moment we calculate with the vulnerability. Okay, this is the category but the equivalence for the categories in the NWU and NDWI. For the vulnerability analysis, we review the international, regional, national and local information about that base source and integrate this data about the global vulnerability index. It's adapted to Colombia about that criteria, that multi-criteria matrix. This is the six criteria that we use. The occupation in the WUE is the Wayland-Urban interface and the neighborhood 2G line cover about that you confuse to capacity. Use the response capacity that this is an index national for disaster rigs and use for the vulnerability ecology. Others data, for example, the Corinland cover distribution category that use the adaptation to fire combustion used to the consistent red list of Colombia and calculate the Wayland-Urban interface base it to Miranda. This is the final index with the six criteria and in this criteria we calculate for the Magdalena and Cundinamarca and finally we have this MAPE. This MAPE can you see about the global vulnerability in the two regions and finally use the result to neural network that FW for calculate the rigs in this area. We think that is the vulnerability framework is being adapted for Latin American country. Colombia has in this moment database that is used for the wildfire rigs assessment and the predict for the wildfire vulnerability can be used to increase the response capacity and the results have been used to adapt adaptation plan by temperature increase in the country. Thanks. Thank you. Any questions for Alli?


The Kraft Foods Company presents Harold Perry as the Great Gilder Sleeve. The Great Gilder Sleeve is brought to you by the Kraft Foods Company makers of Parquet Margarine. Millions of women all over America serve Parquet because it tastes so good. Why, Parquet tastes like it should cost twice as much. To market, to market, to get some Parquet. Home again, home again, try it today. You'll like it, you'll love it, like millions who share it. A flavor with margarine. Parquet Margarine made by Kraft. The house can certainly change a person's life. Take the Great Gilder Sleeve, for instance. Usually at eight o'clock in the morning, he's fast asleep. But now things are different. At eight o'clock, he's up, dressed, and cheerfully bathing the baby. This is fun, isn't it, baby? I'm gonna get you all nice and clean, then you'll have your breakfast. Let's wash your little toesies. Ooh, you're splashing me, baby.  There. Give me your foot now. We'll wash your little toes one at a time. This little piggy went to market. Tickles.  Come in, Bertie. Mr. Gilder Sleeve. What's the matter? Looks like you got more water on you than the baby has. Yes, I guess so. This letter just came for you. Letter? I'll read it later, Bertie. Might be something important came special delivery. Oh, did? Let me see the envelope. Collie Wellfair, department. Here, hold the soap, Bertie. Yes, sir. Wonder what they want. Here, Mr. Gilder Sleeve. Concerning the baby that you found in your car several weeks ago, since the parents have not been located, we feel it's time to discuss the future plans for this child. Our welfare investigator, Miss Phoebe Crabtree, will call on you at your home Saturday evening. Please be there. Yours truly, Mr. and somebody. Collie Wellfair, department. Investigator. What's she coming around here for? Oh, Miss Gilder Sleeve. Maybe they want to take the baby away. What? That's it, Bertie. I suppose I'm not raising your right. Mr. Gilder Sleeve, you're doing a fine job with the baby. That doesn't make any difference. This investigator will come spying around and find something wrong. Well, they can't do this to me, Bertie. No, sir, don't you laugh. I'm going to fight this thing. I'm right with you.  No, sir, you too big. I'll never give up. That's right, Mr. Gilder Sleeve. Don't give up the ship. Don't worry, Bertie. I've just begun to fight. Oh, what about it, Judge? What am I going to do? Oh, now, Gilder, you just calm down a minute. How can I calm down when this woman's coming tomorrow to take the baby away? Now, this letter doesn't say anything of the kind. It merely states that this Phoebe Crabtree is coming down. I know what's in the letter hooker I can read. Oh, now, Gilder, don't get yourself in a tizzy. This is... The whole thing is merely routine. The welfare department always checks up in cases like this. Well, I don't want anybody named Phoebe Crabtree. Well, I don't want anybody named Phoebe Crabtree snooping around my house. Yeah, baby. They have no reason to take the baby away. After all, you're not a bank robber. Well... You're not a second story, man. No. And there's no law against being your fathead. Now, see here, hooker. This investigator will merely interview you and then ask for a few references. Oh. I'd suggest that you ask a few of our leading citizens to vouch for you. How about the mayor? The mayor? Well, I don't know. What's the matter? Any trouble with him again? Well, he was sort of unreasonable about my last water report. Just because it was a little late, three months. Uh-huh. Well, let's see. It ought to be someone who is a prominent member of the community. I know. Mrs. Pettibone. Oh, that old busybody. I know you two don't get along very well, but she has a lot of influence in this town.  I can just hear her. Ooh, what do you do, Mr. Gilda Slave? Well, it's up to you, Gildy. You said you were worried about keeping the baby. Yeah, guess you're right, Horace. I'll have to go see her. And Gildy, if I were you, I'd make an effort to be nice to her. It'll be an effort, all right. But I'll do it for the baby. Hey, Mrs. Pettibone. Oh, how do you do, Mr. Gilda Slave? Eh, just happened to be going by. Thought I'd drop in and say hello. Oh, hello. Hello. Is there something you wanted, Mr. Gilda Slave? Wanted? Oh, no. Just happened to be going by. Thought I'd say hello. Yes. Well, if you'll excuse me, I'm very busy this morning. Of course. Suppose you are pretty busy with all your activities. I was just saying to Judge Hooker, I don't know what Summerfield would do without Mrs. Pettibone. Oh, you were. Yeah. Well, you're one of the town's leading lights. Well, nice of you to say so. Well, you are. You're president of the women's club, the book lovers, the Summerfield Shakespeare Society. While you've got your nose, I mean, you're in everything. I don't see how you do so many things and stay so attractive, too. Well, thank you. Won't you come in, Mr. Gilda Slave? Ray, I made it. Please sit down. Oh, thank you. Mr. Gilda Slave, I was a little surprised when you mentioned our Summerfield Shakespeare Society. I didn't know you were a follower of the Bard. Who? The Bard. That's what we call Shakespeare. Oh, well, I never knew him that well. But you do like his play. Oh, yes, I wouldn't miss one. Oh, well, in that case, you'll want to see our thrilling production of Macbeth next week. Well... I am playing Lady Macbeth. Is this a dagger that I see before me? Huh? Where? That's a line from the play, Mr. Gilda Slave. Oh, of course. Here are four tickets for you and your family. You can send me a check for $12. $12, then. Well, thank you. Mrs. Pettibone. Yes? I wonder if I could ask you a teeny-weeny little favor. Oh, of course. You see, an investigator from the Welfare Department is coming to see me tomorrow about my keeping the baby. Oh, yes. Now, if you could just put in a good word for me, it would mean a lot. Well, I don't know, Mr. Gilda Slave. What? I would have one or two little reservations about recommending you. Oh, you would? Yes. There are a few of your habits I do not approve of. Smoking cigars. Corrosing with those jolly boys. Not to mention your little peccadillos with the fair sex.  I'd be glad to give up cigars. And the jolly boys. Not to mention the little peccadillos. It's easier said than done. But Mrs. Pettibone. I'll have to think it over, and I'll let you know tomorrow. What? Oh, if for now I must rehearse. What? Is this a dagger that I see before me? No, that's me, and I'm leaving. Good day, Mr. Pettibone. I don't see anything so strange about that, Marjorie. Perfectly natural for a man to sit in his own living room after dinner and read? Oh, sure. There's nothing so funny about it. I don't have to be out courousing with the jolly boys every night. Singing. Having a good time. Of course not, Anki. You just go right ahead and read if you want to. Want me to get you a cigar? A cigar? No, thank you, my dear. I've given up cigars. Uncle Mort, don't you think you've been overdoing this being respectable? Well, just because Mrs. Pettibone... Marjorie, I know what I'm doing. All right, Anki. I think all this pretending is silly.  Well, thank you, my dear. But we mustn't give him any reason to take the baby away. Let's all be on our good behavior. No, you're not. You're going to practice staying home for a change. Playing out in the street like some ragamuffin? Suppose Mrs. Pettibone should see you. Mrs. Pettibone, what's she got to say? No, don't argue. You're staying in. What's the matter with him? I'll tell you later. And quit whispering. We're going to start behaving like a normal, civilized family.  Uncle Mort. Yes? I thought you had a date with Miss Fairchild tonight. Adline? Well, I did, but I'm calling it off. Oh. There's no reason why I have to be going out on dates all the time. After all, women aren't the most important thing in my life. Lear life! Shouldn't you call Miss Fairchild and tell her you're not coming? Yes, I intend to. But now, it's eight o'clock. All right, I will. I'm not afraid to call Adline. I'll do it right now. Hope Adline won't mind my breaking our date. Oh, well. She'll understand. I think I'll be polite, but firm. I have to let her know that I mean business. Miss Fairchild? What? Who's this? This is Mr. Gillersleeve. Oh. Oh. You silly. I'm not playing. Adline? I mean Miss Fairchild? I'm waiting for her. Well, I... Smart. There is? They are?  I've got to be strong. I mean, I'm going to stay home and read a book. Bessie? Bessie? I suppose she's down getting another soda. I guess Adline will never speak to me again after last night. I hope Mrs. Pettybone is satisfied. I've given up everything. That old cigar in the ashtray sure looks tempting. Maybe if I just... No. Be strong, Gillersleeve. The cigar sure is. Come in. Adline. Hello. All right. I'm sorry I was so mean to you last night. What?  But Adline, aren't you? Angry at my... It's a bit... Oh, Strockmorton. Marjorie told me all about your noble sacrifice. Oh, she did? And I think you're just wonderful doing all this for that little baby. It's the finest thing I ever heard of. Well, I'm just doing my duty, that's all. Well, I think it's mighty honorable. And I want you to know, Strockmorton, that little Adline is right with me. If you can make a sacrifice, so can I. What do you mean? Strockmorton, this is goodbye. Goodbye? Huh?  I don't think I should ever see you again. No, Adline, we don't have to overdo this. Farewell, Strockmorton. Adline. Now, don't take it too hard. Let's have no tears, no regrets. When I leave, just imagine I'm going into the next room there. But that's the broom closet. We're just two little bees that met in the Magnolia Blossom. We sipped our honey and then flew away. Buzz, buzz, buzz. Yes? Before I fly away, would you do me a teeny-weeny favor? Why, of course.  Well, there's no harm in one little kiss, since we're saying goodbye. I'm puckered. Mr. Gilderslave. Miss Honeybee, I mean Miss Fairchild. How do you do? How's Lady Macbeth today? Mr. Gilderslave, I came here to tell you that you could count on an excellent character reference from me. Oh, thank you. But after what I just witnessed, I find I must reverse my decision. But Mrs. Pennybourne. Well, Rockmorton and I would just say goodbye forever. A likely story. And what's that in the ashtray? A cigar. That's from yesterday. I'll have a few things to say to that welfare investigator. Good day. I'm sorry, Rockmorton. That's all right. Here are real prizes for you. Twenty brand new 1949 Ford sedans will be won in Parquet series of baby naming contests. Yes, four big beautiful Ford sedans will be awarded every week for five separate weeks. And the winner of the grand prize gets a $1,000 bonus to go with the Ford he wins. And there are more and more prizes. Each week for five weeks, Parquet Margin will award 40 General Electric Table Radios, 20 Corey Coffee Makers, 20 Toastmaster Automatic Pop-Up Toasters, 16 new $10 bills. Now, as you know, Dildar Sleeve is trying to find a name for the cuddly baby girl he found a few weeks ago. So, to enter this contest, just send us a name for the baby. Write it on an entry blank. They're available at your food dealers with complete contest rules. Or use a plain piece of paper. Send entry with one red flap from end of a package of Parquet Margin and your name and address to Parquet Margin, Box 736, Chicago 77, Illinois. Be sure to enclose name and address of your Parquet dealer. Make a bid for your new beautiful 1949 Ford tonight. Mail your entry to Parquet Margin, Box 736, Chicago 77, Illinois. This week's contest closes October 16th. Well, the great Dildar Sleeve is a very worried man. With the influential Mrs. Pettybone against him, he feels his chances of keeping the baby are very slim. It's afternoon now, and we find our water commissioner, Croshton Spirit, plotting homework from the office. He's just passing Floyd's barbershop. Ask you something. Well, what is it, Floyd? What's this I hear about you and Miss Fairchild schmoozing around in your office? What? That's nice work if you can get it, Commish.  Now, Floyd, that was all perfectly innocent. I suppose you was just collecting a water bill. Who told you about this? Well, it ain't exactly a secret, Commish. Mrs. Pettybone's spreading it all over town. Well, this isn't funny, Floyd. It may interest you to know that I might lose the baby on the holidays. No kidding? I was counting on Mrs. Pettybone for a character reference when that investigator comes tonight.  Gee, I'm sorry. If there's anything I can do, Commish, if you need a reference or anything, you can always count on little Floydie Munson. Well, thanks, Floyd, but I'm afraid a recommendation from Munson's barbershop wouldn't be much help. Why not? Mrs. Pettybone is an important civic leader, and well...  No, Floyd, I didn't mean it. Well, your information, Commish, that Barberin is an honorable profession. Of course it is. I didn't mean it. I don't know why you should talk. They had barbers before they had water commissioners. No, Floyd. Started way back with the Romans. By them Roman togas is nothing but barbersheets. Floyd! If you'll just listen to me. I'm proud to be a barber. It's honest toil. And at least I don't spend my time chasing dames around the desk. Oh! Now look here. Good day, Casanova. Floyd! Oh, what's the use? I'll drop into Peavey's and get a cigar. Mrs. Pettybone's got her mind all made up about me anyway. Nobody... Peavey knows her pretty well. I wonder if he'd put in a good word for me. Maybe if I flatter him a little. Good afternoon, Peavey. Well, hello, Mr. Gildersleeve. What can I do? Peavey, you're a wonderful fellow. How's that? I said you're a wonderful fellow. That's what I thought you'd say. Yes, sir. You're a splendid pharmacist, a stalwart friend, and a model husband. Well, no, I wouldn't say that. Well, you are, Peavey. I don't know. I've been pretty mean to Mrs. Peavey at times. Why, I can't believe that. Well, it's true. Just the other morning I cooked her breakfast, washed the dishes, swept the floor, but I refused to burn the papers. You did? Yes, I was in a rebellious mood. I don't know what comes over me sometimes. Well... I guess I'm just a Dr. Jekyll and Mr. Hyde. Well, Peavey, as far as I'm concerned, you have a sterling character, and I'd give you my recommendation any time. Thank you. To anybody. Thanks again. And I'm sure you'd do the same for me. Well, wouldn't you? Well, I don't know. Peavey, I just said some nice things about you. I didn't ask you to. Well, I did. Can't you say something nice about me? Not today, I can. Why not? I don't approve of kissing during office hours. Peavey, don't you listen to Mrs. Pettibone. It was all a mistake. It certainly was. Peavey, Adeline and I were just saying goodbye. Mr. Gilder-Sleeve, you can tell that to Sweeney. So hard, too. Well, there's nothing we can do about it now, my dear. It's water over the dam. I'm gonna miss that baby so much. Yeah, me too. Children, this is an unhappy day for all of us. Ms. Crabtree will be here in a few hours.  We've got to be brave. It's just one of life's little tragedies. We've got to keep our chins up, heads high. Sure, Uncle. Sure, Uncle. We'll take it like little soldiers. Just be cheerful about it. Cheers, baby, Mr. Gilder-Sleeve. Thank you, Bertie. I got her all bundled up in the carriage like you told me. Where are you taking her, Uncle? For a walk in the park. It'll be our last little visit together. It's mean of that investigator to take her away.  Yes. Bertie, we've decided to be cheerful about this. Yes, I'll be cheerful. That's the spirit. It's gonna be mighty lonesome not seeing that little face in the morning. Now, Bertie? But I'll be cheerful. Good. I'm gonna feel awful when I look in her crib and there's nobody there. Empty. Bertie, please. But I'll be cheerful. You'll find it. House is sure gonna be quiet and gloomy without that little baby's laughter. Pretty. But don't you worry about me. I'll be cheerful. Come on, baby. Has Mr. Gilder-Sleeve lived here? Yes, he does, but he ain't home right now. Oh, well, I'm the investigator from the welfare department, Miss Crabtree. Investigator? Oh. I was supposed to call this evening, but I got away a little earlier than I expected. Yes, ma'am. Is the baby here? No, ma'am. Was she with Mr. Gilder-Sleeve? Yes, ma'am. Well, it's very important that I see them. Could you tell me where they are? Mr. Gilder-Sleeve's in the park. Oh, well, I suppose I can find him. Well, when you see a sad fat man wheeling a baby carriage, that's him. Park, baby. It is beautiful. Leaves all turning red and gold. Good. See those birds? They'll be flying south pretty soon. Well, I've been walking quite a while now. I think I'll sit down on this bench for a minute. Well, baby, I guess this is the last time we'll sit in the park together. Yeah. Well, I hope wherever they take you, you'll be happy.  You're going to miss me a little, baby? Well, I'm certainly going to miss you. Oh, my. That's a cute baby. Yes, she is. Oh, there. Kitchy-kitchy-coo. I love babies, don't you? Yeah. Mind if I sit down? Oh, no, no, not at all. Thank you. Huh? You getting cold, baby? Here, let me tuck your little blanket in. There. You kind of like that baby, don't you? Yeah. Well, I wish I didn't. What? I won't have her after tonight. See, she isn't really my baby. I'm just taking care of her. The welfare department's going to take her away from me. They are. Yeah. They're sending some investigator down to snoop around. Miss Phoebe Crabtree. Probably some old sourpuss. Oh, do you think so? Sure. I can just see her skinny old hatchet face. I see. She probably hates children, too. Well, she might be nice. With a name like Crabtree? Don't be ridiculous, Miss. Crabtree. Yeah, Miss. Crabtree? Yes. Yes, I...  I heard a few things about you this afternoon, Mr. Gilda Sleeves. I had a long-distance call from a Mrs. Pettybone. Oh, yeah. I guess you're going to take the baby away then. Oh, no. In fact, I came here to ask if you'd mind keeping the baby a little longer. You did? Well, what about Mrs. Pettybone? Oh, we didn't take her charges very seriously. The welfare department doesn't take much stock in rumors. Of course not. Fine organization, the welfare department. We've checked you very thoroughly. And besides, anyone seeing you and that baby together would know you've done a wonderful job. Well, thank you. Thank you, Mr. Gilda Sleeves, and goodbye. Goodbye, Mrs. Crabtree. Wonderful name. Come on, baby. We're going home. Excuse me while I light a cigar. The Great Gilda Sleeve will be back in just a minute. Remember, just choosing a name for the Gilda Sleeve baby girl may bring you one of the following big prizes. 20 powerful streamlined 1949 Ford sedans, 200 beautiful General Electric radios, 100 Corey coffee makers, 100 Toastmaster automatic toasters, and cash prizes galore, 721 prizes in all in these parquet contests, plus a $1,000 bonus to the grand prize winner. Just write your choice of a name on an entry blank obtainable at your dealers. Then send your entry with one red end flap from a package of parquet margarine and with your name and address to parquet margarine box 736 Chicago 77 Illinois. You want a big new Ford sedan? Send your entry now. The Sleeve is played by Harold Perry, Adeline Fairchild by Miss Luna Merkel. The show is written by Gene Stone and Jack Robinson with music by Jack Meakin. Included in the cast are Walter Chetley, Mary Lee Robb, Lillian Randolph, Earl Ross and Richard McGrann. This is John Wall saying goodnight for the Kraft Foods Company, makers of the famous line of Kraft quality food products. Be sure to listen in next Wednesday and every Wednesday for the further adventures of The Great Gilda Sleeve. Lady, your food store has a big bargain waiting for you. A bargain in nutrition, it's cheese. Cheese prices have come down and cheese is a protein food. Actually, ounce for ounce, no other basic food matches cheese for high quality, complete protein for calcium, phosphorus and other nutrients from milk. For the tastiest cheese main dishes, use one of Kraft's pasteurized process varieties. Medium mellow Kraft American, sharp old English, or for rich yet mild cheddar flavor, use the famous Cheese Food Belvita. Be a wise homemaker, cook with cheese often, it's a bargain in nutrition. This is NBC.


Hi, my name is Yuna Kravitz. I'm a developer relations engineer working on the Chrome team at Google. I want to talk to you today about responsive design. This is what we think of today when we say the term responsive design. We think of using media queries to change a layout as we resize a design from a mobile size to a tablet size to a desktop size. But soon, this perception of responsive design may be considered as outdated as using something like tables for page layout. We get a lot of powerful tools with viewport-based media queries, but we also lack a lot of finesse. We lack the ability to respond to user needs, and we lack the ability to inject responsive styles into components themselves. And when I say components in this talk, I'm referring to elements, including elements that are made up of other elements, like a card or a sidebar. Those components make up our web pages. We can use global viewport information to style these components, but they still don't own their styles. And that doesn't work when our design systems are component-based and not page-based. The good news is the ecosystem is changing, and it's changing pretty rapidly. CSS is evolving, and a new era of responsive design is right on the horizon. We see this happen about every 10 years. 10 years ago, around 2010 to 2012, we saw a huge change with mobile and responsive design and the emergence of CSS3. So it works out that, yet again, the ecosystem is ready for some pretty big changes to happen to CSS. The engineers at Chrome and across the entire web platform are prototyping, specking, and starting the implementation for the next era of responsive design. These updates include user preference-based media queries, container queries, and media queries for new screen types like foldable screens. So let's talk about some of these new technologies and what it means to be responsive to the user, the container, and to the form factor. Let's start with being responsive to the user. New preference media queries give us the ability to style web experiences that align with our user's own specific preferences and needs. This means that preference media queries allow you to adapt your user experiences to your user's experiences. These preference queries include prefers reduced motion, prefers contrast, prefers reduced transparency, prefers color scheme, inverted colors, and there are a few more experimental preference queries too. Preference queries help to build a more robust and personalized web experience, especially for those with accessibility needs. And they align with operating system preferences. For example, users who have set operating system preferences for reduced motion might not appreciate loud animations when using their computer in general, so they also likely wouldn't appreciate a flashy intro screen, card flip animation, intricate loader, or other flashy animations while using the web. Instead, we can design our pages with reduced motion in mind and create a motion-enhanced experience for those who don't have this preference set. Here, we have a card with information on both sides. The baseline reduced motion experience is a crossfade to show that information on the back side, while the motion-enhanced experience is a card flip. Preferred reduced motion shouldn't mean no motion since motion is so critical to conveying information online. Instead, make sure to provide some solid baseline experience that guides your user and progressively enhance that user experience for those without accessibility needs or preferences. Another preference media query is prefers color scheme. This one allows for you to customize your UI to the theme which your user prefers. In their operating system, whether it's on desktop or mobile, users can set a preference for light, dark, or auto themes which change depending on the time of day. For first color scheme is a really fun media query because you can really get creative in the themes you design. It's a new access for UI design that lets you represent your brand in another light. Ba-dum! And if you set your page up using CSS Custom Properties, swapping color values is incredibly rewarding. You would simply update your color theme values such as background color and text on primary to dynamically adjust to the new theme within the preference query. To make it easier to test out some of these preference queries, you can use DevTools for emulation instead of opening up your system preferences each time. But be aware when designing for a dark theme, it's not just about inverting background and text colors.  For example, you might need to desaturate colors on a dark background to reduce visual vibration. Instead of using shadows to create depth and draw the element forward, you may want to use light in the element's background color to draw it forward. And this is because shadows won't be as effective on a dark background. Material Design provides some great guidance on designing for dark themes at material.io. Dark themes not only provide a more customized user experience, but they can also improve battery life significantly in AMOLED screens. Those are the screens we're seeing in newer high-end phones and they're becoming increasingly popular across mobile devices. A 2018 Android study on dark themes showed a power draw savings of up to 60% depending on the screen brightness and overall user interface. The 60% statistic comes from comparing the YouTube Play screen with a paused video at 100% screen brightness using a dark theme for the UI versus a light theme for the app UI. So you should always provide a dark theme experience for your users whenever possible. One of the most exciting emerging areas in CSS is container queries, also frequently called element queries. It's hard to understate what the shift from page-based responsive design to container-based responsive design will do to evolve the design ecosystem. Here's an example of the powerful abilities that container queries provide for us. We can manipulate any of this card's element styles, including the link list, font sizes, and overall layout based on its parent container. In this example, we have two identical components with identical markup that have different container sizes. Both take up space in this CSS grid layout, but each component fits a unique space allotment and then styles itself accordingly. This amount of flexibility is something that is just not possible with media queries alone. Container queries provide a much more dynamic approach to responsive design. This means that we can now put this card component in a sidebar or a hero section or within the grid inside of the main body of a page and the component itself owns its responsive information. We do this using the at container property, similar to using a media query with app media, but instead at container queries the parent container for information rather than the global viewport and user agent. First, we need to set containment on the parent element and then we can write a container query to style any of the elements within the container based on its size using min width or max width. In this case, we're using the max width and setting the links to display none as well as decreasing the time font size when the container is less than 850 pixels wide. Let's take this a step further. Here we have a demo plant website and each of those product cards, including the one in the hero, the sidebar recently viewed items and the product grid are all the exact same components with the same markup. There are no media queries used to create this entire layout, just container queries. This allows for each product to shift to fit the proper layout and fill its space. In the grid area, for example, we're using a min max column layout to let the elements flow into their space and relay out the grid when that space is too compressed which means that it hit the minimum size and that is the product grid of items. When there is at least 350 pixels of space inside of that grid, the card layout goes horizontal by setting the display to flex which has a default flex direction of row. With less space, the product cards stack. Each product card styles itself which is something that would be impossible if we were only able to rely on global and viewport styles. Container queries give us true component based styling. It's really, really cool. Container queries have so many use cases, one of those being a calendar component. You can use container queries to relay out the calendar events and other segments based on the available width of their parent. Here, we're using container queries to change the layout and style of the calendar's date and day of the week as well as to adjust the margins and font size on these scheduled events to help them better fit the space. Then we're using a media query to shift the entire layout for a smaller screen size. This example shows how powerful it is to combine media queries, adjusting the global or macro styles with container queries, adjusting the container's children and their micro styles. So now we can think of macro and micro layouts within the same UI component to allow for some really nice nuanced design decisions. These demos are now available to play with behind a flag in Chrome Canary. Go to chrome.com slash slash flags in the Canary URL bar and turn on the enable container queries flag. This will enable support for app container, inline size and block size values for the contained property and the layout ng grid implementation. I've been playing around with container queries to build these demos and it's honestly really cool to see how powerful they are live in a browser. And now you can try it out too. Flip on the flag, give app container a try and let us know what you think. Keep in mind, this is still very much a work in progress and you may run into some bugs. And to build on container queries, the CSS Working Group is also actively discussing scope styles to help with proper name spacing and collision avoidance for component styles. Scope styles allow for a pass through and component specific styling to avoid those naming collisions. Something that many frameworks and plugins like CSS modules already enable us to do within frameworks. This spec would now allow us to write encapsulated styles natively for our components with readable CSS without the need to adjust the markup or use a framework. This is also something that Chrome will be prioritizing once the spec is finalized. Scoping would allow us to create donut shaped selectors where we can specify where to keep a style encapsulated and where to break out of that scope style to refer back to a more global style. An example of this would be a tab panel where we'd want the tabs to get the scope style and the panel within the tabs to get a global style. The last point I wanna bring up in our conversation about the new era of responsive design is a shift in form factors and the growing possibilities of what we'll need to be designing for as a web community. Keep in mind this stuff is only just on the horizon and there's still so much to think about in terms of how form factor will evolve in the future. What happens to CSS when we bring it into a virtual world, for example? Foldable or flexible screens and designing for screen spanning is one example of where we can see a form factor shift today. And screen spanning is yet another spec which is being worked on to cover these new form factors and needs. To play with this, we're using an experimental media query for screen spanning which looks like at media and then in parentheses spanning. We're setting up a grid layout with two columns. One has a width of a sidebar width variable which is five frames by default and the other is one FR. When we have a dual screen that has a single vertical fold, we're going to update the variable value of sidebar width by the environment value of the left fold. This enables us to create a layout where the sidebar or navigation in this case fills the space of one of the folds where the app UI fills the other. And this prevents a crease in our UI. Here is what that looks like. You can test out foldable screens in Chrome DevTools emulator to help debug and prototype screen spanning directly in the browser today. Exploring UI design beyond a flat screen is yet another reason why container queries and scope styles are so important. They give us the opportunity to silo component styles from page layout and global styles and user styles enabling more resilient responsive design. This means we can now design macro layouts using page-based media queries including screen spanning nuances along with micro layouts using container queries on our components along with user preference-based media queries to customize user experiences based on their unique preferences and needs. This is the new responsive. It's combining macro layout with micro layout and on top of all of that, it's taking user customization and form factor into account. Now any of these changes alone would constitute a considerable shift in how we design for the web but combined they signify a really big shift and how we even conceptualize responsive design. It's time to think about responsive design beyond viewport size and start considering all of these new axes for better component-based and customized experiences. The next era of responsive design really is here and you can already start to explore it yourself. And for now, if you want to level up your CSS game and maybe revisit some basics, my team is launching a brand new completely free CSS course and reference on web.dev. You can access it via web.dev slash learn CSS. There you'll find 24 modules with demos, check-ins and samples for all sorts of CSS topics like color, layout, Zindex, scrolling, and so much more. You can start from the top and go through each of the modules one by one or you can use this page as a reference when you run into a CSS question or bug. We're really excited to launch Learn CSS today to help you level up your web styling knowledge. So check out Learn CSS on web.dev. I hope you enjoyed today's overview on the next era of responsive design and some of the primitives that will come along with it. And I also hope you're as excited as I am about what this means for the future of web design. It opens up a huge opportunity to us as a UI community to embrace component-based styles, new form factors and create user-responsive experiences. I can't wait to see what you build.


Good afternoon everyone. So Mr. Singh, the way he conducted the session, it's a big show to fill, but I'm trying my best. But again, not afraid to be embarrassed, so feel free to point out if anything goes wrong. So the topic I'm here to talk about is painting a future proof digital strategy. By the way of quick introduction, my name is Ankit Anand. I take care of central strategy at Bobble AI. We are a conversation media platform. And through the course of this conversation, we will see what a conversation media platform is like. So if we talk about Bobble AI, what we are doing here is we are building a conversation media platform. Now our mission is to make expressions, the smartphone conversations that happen, we try to make it expressive, low-clines and intelligent with deep-tech innovation. Now what I mean to say by that is that we have a smartphone keyboard at the core of our offering.  So that experience is what we aim at elevating through various solutions that we have. And through the course of this presentation, we will see what all those innovations are. Now today through different panels and conversations, we have already seen that future readiness is important. Two things that have been talked about again and again since morning is the fact that cookies are going away. Third party cookies are obviously going away. So marketeers need to think of what alternate technologies they can use in order to achieve the same ROI that they used to have before. And the second fact is that customer privacy has come into picture. We are already aware of what Apple has done. Google is also on its way to do it. So it makes all the more important for marketeers to debate on this that what next. And if we think about future readiness, there are four key things that come to play. One is of course data strategy. I mean, just the last session was about programmatic, right? Where we spoke about how we can use the first party data in order to run a successful programmatic ad strategy. So data strategy, of course, sits at the center of it. Now, when we have the right data, when we have identified the customer, next thing is activating these through the right channels, right? Where exactly are these customers spending time? Where are they likely to engage with the most? What media formats are they likely to engage with? These are some questions we need to answer as we look through this journey. And of course, when we have the good data, we are using that data to activate customers. The next thing that's important is what kind of content are we engaging them with, right? And similarly, just acquiring a customer is not important. Once they have come to the fold, what all do we do in order to ensure that they remain engaged to the platform? Because I think everybody of us knows that it's always better to keep a repeat customer than acquire a new one. Obviously, simple maths, right? CAC is lower for a repeat customer. So that's why creating engagement tactics that keeps a customer engaged who has come to your platform is also very important. So let's start with data strategy first. Cookie is, of course, going away. We already spoke about it, which caused the need for marketers to look at alternate strategies, right? And mobile IDs obviously come into picture, right? And the reason for that is that mobile IDs are, of course, going beyond your session, right? Whether you're using application A or B, your mobile ID is able to track it. Mobile ID belongs to a real user who is using a smartphone who has downloaded an application from the Play Store. We just started on the Play Store, right? It's cross-device. Based on the actions you take on your smartphone, a marketer is able to target you on, let's say, your tablet or maybe outdoors. So that's the power of mobile ID, something that a cookie was not able to give us earlier. So that's why mobile ID could be a perfect substitute. And that gives us a segue into why keyboard is also important. And yes, that links with our product also, which is a keyboard. Now, when we think about the keyboard, we talk that it's integrated to someone's smartphone experience. Everything that they do in their smartphones. Keyboard sits at the center of it. And if you look at the stats, you will realize that more than 100 times everybody's engaging with a keyboard. And the beauty of a keyboard is, and this is a very important point, that keyboard is an OS level application. Which all applications you're using. What's your session time there? What are inputs you have entered while you're using the keyboard in a specific application? All those data pointers are available. So you create a CDP, something that we did, and within the CDP, you have a rich customer insights available, which you can slice and dice according to your targeting and your targeting objective, etc. So that's the power of a keyboard. And yes, that's just a glimpse into how powerful a keyboard is. And if you see that on a daily basis, this is the volume of intents that we are able to generate over 80 million users. So if we just talk about shopping, 14 million times, more than that, every day, users are doing something that is related to shopping. They might be saying that, you know, sales are running, or they might be looking at big basket application, or they might be, you know, booking a cab at Uber. So all those are intents which are relevant to a shopping, right? And that's why these are intents that could also help a market here, right?  And that's how impactful it's going to be in your marketing strategy. And yes, every input collects multiple intents. And let me take an example to illustrate it. For example, if I am chatting to a friend where I say that, you know, I'm booking an Uber. So here two intents are essentially displayed. One intent is to commute, second intent is to book an application like Uber. Now each of these intents essentially lead to a decision and every decision leads to a transaction, something that every marketer intends to have. So let's say if you have data about your competition, if you have data about your own customers, then you can use that data to mix it with your first party database and then create a strategy that can help you in a better manner. And yes, the best part here, it's a first party database, right? The insights that collect from that data, it comes from the consented data that users have given to us, which means that, you know, it can just plug into your strategy and then make it very seamless. And this data can be used for, again, multiple applications, market intelligence, right? So if we think about market intelligence, if we understand what's the trend of our customers, what's the trend in our market, right? Then on the basis of that, you will be able to take up strategic level decision in terms of what products to launch, what markets to go next. Similarly, you also get an insight into what are users doing in your competition apps. For example, for an Amazon, what are users doing on Amazon app? What are they doing on a big basket app? What are they doing on, let's say, a Flipkart app? All such information pieces are available through the market intelligence offering so to say. And all that can help you make a lot of top-level choices in terms of your marketing structure. Then we have data enrichment, right? We spoke about first-party data that there are some data points that are already available with every brand of market here out there, right? Now, how do you sketch it with more data that you can gather from more first-party data sources? That's what the data enrichment offering is about. Then we have identity resolutions. Again, how do you create the full persona of a user based on different kinds of non-PII information? So that's what identity resolution is about. So with the help of market intelligence, data enrichment and identity resolution, you are equal to make a lot of choices that could define the chart that your company is going to. And predictive audience is something we are already aware of, where we spoke about once we have identified the data, once we have decided our strategy, then what's next? What's important is to activate these customers, right? And then we do it through the programmatic ad platforms. And of course, I will not take much time there because already a lot of people have gone into the ad topic. But yes, if we talk about programmatic ads, then it helps us slice and dice data on various parameters like intent, your app usage, and the products a user is interested in.  These guys are shopping, let's say, three times a week. These guys are searching all these terms. We create a segment of audience and then license it to you so that you can run programmatic ads through a history of your charts. It's that simple, right? And of course, on the left, if you see, on through the keyboard, all those things are happening. Users are searching within the app, within the browser. Then you have all the data of apps and time spent, which is, of course, useful to you as a marketer. And the demographic parameters, location, these things are, of course, hygiene. And now we have geo-fencing, et cetera, et cetera, to ensure that this data is even more pointed. Now, of course, we spoke about the power of data next. Very important thing is also creating the content that users can immediately resonate with, right? And that's where, if we think about what major content formats do we have, then your rich media formats like emoticons, your stickers, also become very important, right? We all know, I mean, this is something we already know that how much we chat with each other, right? Every day, we are opening keyboard more than 100 times a day. We are chatting with at least 15, 20 people. Just imagine how many intents you are expressing them, right? Mujhe shopping karne hai, chal naika siye kharin lethe. A lot of things you are saying. Now, just imagine that when a user says that, right, then and there, you are suggested a branded content, right? Now, it might seem very trivial that it's just a mere sticker. What's the value at, right? The value at is that WhatsApp or any chat platform as an ecosystem was never open to market users. And with the help of keyboard, you are actually able to enter into that medium also, right? So, and the beauty of a keyboard being the delivery platform is that it has a contextual technology. So, for example, if you are saying that, you know, I am on my way. So, at that exact moment, since you wrote on my way, the keyboard understands your intent to commute. It suggests you, let's say, an Uber service suggestion. It suggests you an Uber content. It suggests you, let's say, an AirAsia content, which you can share. Now, of course, service and product suggestion is there which you can enable commerce from. On the other side, you also have your rich media formats like stickers, which help you convey the same information and interesting manner. In the morning, one of the panel discussions about commerce media, Varda was talking about, you know, every new brand at least needs to create five to six impressions in order to create that impact on the mind. Now, think about this media format, right? It certainly puts your content and brand out there in the subconscious of the user. So, that next time they see something else related to your brand, automatically they connect. So, that's the power of a rich media format like this. And the fact that it's suggested to the user on the basis of context and their intent makes it even more relevant. And these, again, are also very important because that's the language of GenC and million years, right? And something that anybody instantly relates with. Like, the best meme I like is the Daya one, right? I mean, when the tourist secured, so that's how Daya is going to react, right? So, immediately you look at it and it's funny. And it's very powerful when it comes to controlling brand perception, right? So, immediately you amplify a message that resonates with your brand in a meme and put it out there. Immediately, people see it, they relate it with something they already know, right? So, I knew Daya and CI, so I immediately relate it with the good rich meme, for example, right? And immediately there's an instant connect in my mind. I'll go and speak to 10 other people that, you know, I didn't know that this was so much fun, right? So, that's the power we are talking about, right? In terms of controlling brand perception, while your entire data strategy is going on, it's also very important. Now, of course, we spoke about an acquired customer engaging them, right? So, if you think about that, just think about modern chatbot experience. It's very plain vanilla, right? It's mostly text.  Then you get a very long order number and then it says that it will take five minutes. Just imagine if you can humanize it, right? And there's a sample that we have given that, let's say if you are inquiring about where is my order, then, you know, there's a rich media format that is simple. So, of course, you relate better with it. Your engagement with the platform is even better. So, that's the last bit of what, you know, we wanted to speak about. So, these are some brands we have worked with in the past and just to sum it up, what we need for the next generation because our party cookies are going away is a holistic strategy where you focus on the full panel. So, you start with building a powerful strategy around data, where you are building your first party databases, targeting the right customers on the right platforms. You're also focusing on building the top of the funnel. And at the same time, the customers that you acquire, you're also engaging them. So, that would be all. Thank you so much, everyone.


Hello and welcome to the session. My name is Asha and I am going to help you with the following question which says the inner diameter of a circular well is 3.5 meters. It is 10 meters deep. Find its inner curved surface area and second the cost of plastering this curved surface at the rate of rupees 40 per meter square. Let's begin with the solution and here we are given the inner diameter of the well is equal to 3.5 meters. Therefore inner radius of the well let us denote it by small r is equal to 3.5 meters divided by 2 and this gives 35.20 removing the decimal sign which further gives 7.4 meters. Also we are given that the depth of the well denoting it by h is equal to 10 meters. Now first we have to calculate the inner curved surface area and to calculate the inner curved surface area of a cylinder this formula is 2 pi r h where r is the radius and h is the height. So substituting the values of inner radius of the well and the depth of the well we get the inner curved surface area of the well. So this is equal to 2 into 22 upon 7 into radius is 7 upon 4 into height is 10. Now in simplifying it 7 cancels out with 7, 2 2's are 4, 2 1's are 2, 2 11's are 22 therefore we have 110 meters square. Therefore inner curved surface area is 110 meters square. Now proceeding on to the second part where we have to find the cost of plastering this curved surface at the rate of rupees 40 per meter square. Now the cost of plastering 1 meter square is equal to rupees 40 therefore cost of plastering 110 meters square is equal to rupees 40 into 110. This gives rupees 4400. Therefore our answer is the inner curved surface area of the well is 110 meters square and the cost of plastering the well from inside at the rate of rupees 40 per meter square is rupees 4400. So this completes the session. Bye and take care.