Most school teachers try to cooperate with their principals, and our Miss Brooks, who teaches English at Madison High School, is no exception. But with her principal, Osgood Conklin, it isn't always easy. Last Monday, for instance, he instituted his wake-up plan, a series of early morning calisthenics for the faculty. Attendance, of course, was purely voluntary. You could either show up in the morning or make up your mind to live on relatives for a while. Mr. Conklin started the exercises to combat the restlessness that seems to come with spring. I wouldn't know about that, though, because I missed the first three sessions. That's why I slept in the other twin bed in Mrs. Davis' room on Wednesday night. She's my landlady and pretty absent-minded about most things, but she promised to wake me promptly at 7. We retired about 10 p.m., and I fell asleep almost at once. Connie? Oh, Connie, are you asleep? Are you asleep, Connie? What is it? What's the matter? Nothing, dear, but if you're going to get up earlier than usual, you'll need all the rest you can get. I'm glad you were sleeping so soundly, and it's only 11 o'clock. Oh, great. I'm way ahead. Now if you'll excuse me, I'll take up where I left off. Oh, right, Connie. Oh, Connie. Connie! Now, don't worry about anything. I mean, I slept all day yesterday, so I'll probably be wide awake in plenty of time to get you up in the morning. Thanks, Mrs. Davis. Oh, that's nice to know. Gives me a real feeling of security. Good night. I hope you'll get enough sleep. Uncle Conklin has a lot of nerve asking his teachers to get to the gym a half hour earlier. Why, he isn't even there for the calisthenics. Makes me mad. If I knew, Connie, I wouldn't go. Do you hear me, Connie? Connie, are you awake? No, Mrs. Davis, I'm fast asleep. Good. That's a lot better for you than a lot of idle conversation at this time of night. You're so right. Good night. Good night, dear. Oh, dear, there goes the phone. At least I think it's the phone. Our front door has a buzzer. Or is it a bell? No. No, that's the phone, all right. Connie. Connie, are you up? Yes, Mrs. Davis, I'm up. Oh, that's too bad. I was hoping you were asleep. But as long as you're up, would you mind answering the phone? Not at all. It's right on my way. You collaborated, Harriet, but that's all right. I've been sleeping like a log since 11 o'clock. What time is it now? Two minutes after. Game on me. I should have been up seconds ago. No, dear, Denton didn't. But what was he supposed to call about? Could you speak a little louder, Harriet? Heaven's sake, stop saying Miss Brooks. He's mad enough now to chew up the telephone. Besides, he's been barking at me like a bloodhound all week, and I don't feel like listening to any more of it. Just tell him it was a wrong number, Harriet.  I understand perfectly, Miss Brooks. Franklin. Oh, I'm sorry, sir. I must have dialed the wrong number by mistake. Do you always make calls in the middle of the night, Miss Brooks? I wonder you can never drag yourself down to school on time. But, Mr. Franklin, I... I suggest that you curtail the remainder of your nocturnal social calls, Miss Brooks, and hit the sack at once. Aye-aye, sir. Brooks. Yes? Oh, what in the world can that be? Connie's just fallen asleep. Must be the... Must be the phone again, and it's after midnight. Yes, it's the phone beyond the shadow of a doubt. You convinced me, Mrs. Davis. Don't go away, Morpheus. Hello? Hello, Miss Brooks. This is Walter Denton. I presume I woke you up, huh?  I didn't fall asleep until 12 o'clock. What time is it now? Well, adding those two minutes to the two I slept before Harriet called, I've accumulated a giant sleep jackpot of four minutes. If you don't mind, I'd like to be a sport and try for eight. I just woke up too, Miss Brooks, and I remembered that Harriet wanted me to call and say that I... Gee, I'm sleepy. Harriet wanted me to say... ...that her father is setting a little trap in the morning by taking over the calisthenics himself and to be sure and get to school promptly. Gee, thanks for warning me, Miss Brooks. Fine. That was the least I could do. Connie, I'm worried about you. The telephones kept you up half the night. Well, the kids were just trying to be helpful. Let's see now. I'm sure Mr. Boynton knows nothing about this trap. What trap? The one Mr. Conklin has set. It's terribly late, but I wouldn't sleep a wink if I didn't warn him. I'd better give him a ring. Oh, I'm sure knocked out. Here, Connie, let me dial the number for you.  There you are, Connie. Thanks, Mrs. Davis. Hello, Mr. Boynton. I'm terribly sorry to disturb you, but I know you'll forgive me when I tell you about the trap that's been set by that old devil Conklin. Is this, Mr. Boynton? Who is it? It's that old devil Conklin! Oh, no, Mrs. Davis, you fixed me up fine. Look, I'd better forget about Mr. Boynton for tonight and try to relax for a little while, anyway. That's right, dear. You've only got a few hours left to sleep. Here, why don't you take a couple of these aspirin tablets? There's some water right by the bed here. Thanks, Mrs. Davis. I think I will. Oh, now I ought to pop off in no time. Yes, I'm sure you will, dear. Oh, my, I forgot those tablets in that aspirin box. What's the matter, Mrs. Davis? They're not aspirin. They were the pills the vet prescribed for our cat Minerva. To make him sleep the time she was so nervous, remember? When the goldfish bit her paw. I put them in an empty aspirin box. Connie. Connie! Well, sleep is sleep, I guess, even if it's only a cat nap. Connie, Connie, get up. Oh, well, here we go again. Who's on the phone now? Nobody, but I'm afraid I dozed off, too. It's 10 a.m. Oh, I guess I'd better be thinking of 10 a.m. Mrs. Davis, hand me my clothes. I've got to get out of here. Now don't get panicky, dear. I'll make some coffee for you first. Give me a match and I'll go down and turn on the gas. Never mind the match, Mrs. Davis. Just turn on the gas. The garden will continue in just a moment, but first here is Vern Smith. Here's wonderful news, ladies. Wonderful, wonderful news. Now there's something thrillingly new in Palm Olive Soap's famous beauty lather. Yes, something thrillingly new. Palm Olive's famous beauty lather now brings you new fragrance, new charm, new allure. Millions of women will prefer beauty lather, Palm Olive. Over all other leading toilet soaps, the minute they try it. But Palm Olive Soap's famous beauty lather now has a new, clean, flower-fresh fragrance for new allure, new charm. So ladies, forget all other beauty care and use Palm Olive Soap the way doctors advised for a lovelier complexion.  Then rinse. That's all. All types of skin, young, older, oily, respond to it quickly. Don't wait another day to try Palm Olive's beauty lather. You'll be thrilled by its new fragrance, new charm, new allure. Thrilled again by the fresher, brighter complexion doctors prove may soon be yours. For new loveliness all over, use big bath size Palm Olive in tub or shower. I rushed down to school as fast as I could.  I made right for Mr. Conklin's office, figuring I might as well grab the bull by the horns. Sure enough, when I got there, the bull was pawing the rug in front of his desk. Come in. It's me, Mr. Conklin. Ah, so it is. Good afternoon, sleepyhead. I'd like to explain, Mr. Conklin. The Sandman worked overtime, eh? Well, yes, sir, but... What's the idea? Oh, my fault, Mr. Conklin. I took one of these pills about three o'clock and I didn't realize they were so powerful. Powerful? That's just a box of aspirin. Yes, sir. It's an aspirin box, all right, but the pills... I put that box on my desk and sit down, Miss Brooks. Put it down! That's better. Now, I realize, Miss Brooks, that I can't punish you for missing the voluntary calisthenics, but I can punish you for missing your morning classes. Yes, sir. This is a splendid method of giving you, if I may borrow an expression from the undergraduate body, your lumps. Well... Lump away, Mr. Conklin. Your sixth period has always been a free one, hasn't it? Well, yes, sir, but I've always... I know you have, but now you won't. As you know, Mr. Boynton is coaching the baseball team this year, and so I've decided to let him concentrate on that during his sixth period, while you, Miss Brooks, will take over his biology class. Oh, but, Mr. Conklin, I don't know enough about biology. Do you need to worry about picking up the rudiments of biology, Miss Brooks? From the look I've seen in your eye when Mr. Boynton passes your great bird and bee material... Now, the next step in your punishment... There's more? Oh, yes, yes. I'm going to report your delinquency to Mr. Gleason of the Board of Education. He's due here at any moment to inspect the result of the Conklin wake-up plan. But, Mr. Conklin, it was an accident. You don't have to report me to Mr. Gleason. Ah, but I do, Miss Brooks. You see, Mr. Gleason was almost made principal of Madison before I received the appointment. If I fail to report your absence this morning and Gleason finds out about it, he'll tear me limb from limb. I'd be happy to sell tickets. I mean, I have a good alibi for being late, Mr. Conklin. I hadn't slept all night, and those pills are so... You forget, Miss Brooks, thanks to your flair for telephoning.  But even so, I got here promptly at 7.30 and personally directed the faculty in a healthful stimulating series of exercises. We did back bends, push-ups, knee squats, cartwheels. Now, why do you look so tired? I am not tired, Miss Brooks. And what's more, I very rarely get tired. When the Board appointed me principal, they knew very well that Madison was getting a man of boundless energy and she made a determination. A gentleman I told them in my acceptance speech. From now on, Madison is my ship. And as its captain, I'll try to steer a true course on the stormy seas of Egypt. Mr. Conklin, the captain's asleep in the deep. Well, maybe if I leave him alone for a while, he'll forget about my punishment. Oh, it's Mr. Gleason. Hello, Miss Brooks. I suppose you've come to see Mr. Conklin. That's right. I'm here to inspect the result, if any, of his so-called wake-up plan. Oh, but you can't go in now. I think Mr. Conklin slipped out for a few minutes. And he left orders not to... Orders? Conklin takes orders from the Board. Now step aside, I'm going in. Well... Man overboard, Captain. Quiet, Miss Brooks. I've been waiting for an opportunity like this for years. I'll just make a little call to Mr. Stone, President of the Board, and ask him to come over. I want him to see with his own eyes, old boundless energy asleep at the switch. Oh, but Mr. Gleason, that isn't a very nice thing to do. That'll be all, Miss Brooks. I'm ordering you to leave this office at once. Very well, sir, but I'll be back in a little while to fix the hole in the ceiling. Hole? There's no hole in the ceiling? No, but there will be when Mr. Conklin wakes up and sees you sitting there. That's it, Mr. Boyden. I've got to take over your sixth-period biology class. And what I know about biology can't even be seen under a microscope. Oh, but that isn't fair treatment at all, especially for somebody like you. After all, you've done a lot for this school. It isn't the school I'm mad at. It's the principle of the thing. He probably had some other clever penalties planned for me too, but luckily he dozed off in the middle of a compound sentence. Then he's actually in this office sleeping like a baby?  Now, I guess those calisthenics knocked him out. Honestly, Miss Brooks, ever since he started that wake-up plan, I've been dog-tired. I guess I'm in pretty bad shape. You can't knock it to me, Mr. Boyden. Hello, Mr. Boyden. Hiya, Miss Brooks. Hello, Walter. How did things work out with Daddy, Miss Brooks? Oh, just Dandy Harriet. He's building the scaffold for me now. I better run along and enjoy my last free period for a while, Mr. Boyden. Oh, please don't go. If you're going to take this class over next week, you'd better study my methods of teaching. Don't you think you might get some ideas just by watching me? I always have. What do you mean about teaching biology? Well, if you're sure you don't mind. Oh, not at all. Now, come to order, class. There. We have a guest today, students. Miss Brooks will join our class as sort of honorary pupil. Now then, I don't know if you'll just sit down at that desk, Miss Brooks. We'll proceed with the class. First, I want someone to define the cellular structure of the Sirathala Johnsoni. The Sirathala who? Well, who's going to answer? I nominate our honorary pupil, Miss Brooks. I second the nomination. Well, you seem to have been elected, Miss Brooks. I do not choose to run, Mr. Boyden. Miss Brooks, don't hold back. Who knows you're the smartest teacher in the whole school? I'm not seeking a lengthy definition, Miss Brooks. Just tell us about the structure of the Sirathala Johnsoni, which, as you know very well, is the technical term for the horned tree frog. The horned tree frog? Oh, naturally. Well, the Sirathala Johnsoni is actually a horned tree frog named Johnson. It's a noun, frog, from the Anglo-Saxon frogger, froggiste, fragmente, frogaruni. Yes, but as regards the structure, Miss Brooks. The structure, yes. Well, in the structure of a sentence, the horned tree frog may be used in the forms of either subject or object, such as the quick-brown fox jumped over the lazy horned tree frog, or the lazy horned tree frog jumped over the quick-brown fox. Yes. In other words, Miss Brooks, you're telling us that the horned tree frog, unlike most Selentia, forms a secondary deposit of bone in the deeper dermal tissues and may produce ankylose incrustrations akin to triprion and turnohyla. Mr. Boyden, you took the words right out of my subclavian epiglottis. You did very well, Miss Brooks. And now, class, who will define leptodactylus pentadactylus? Mr. Boyden, I nominate our honor. Walter! Where are your manners? Didn't you see I had my hand raised first? Oh, I didn't notice your hand was raised. Well, that's fine. You may go right ahead, Miss Brooks. Thank you. What a racket. That conchlin has snored me into a splitting headache. Just wait till Mr. Stone arrives, you old foghorn. Madison may have a new principal after all, or as he'd have every dog in town around him. Mr. Stone, it better get here soon. My head will split wide open if I have to listen to. Well, what's this on conchlin's desk? Hmm, just what I need for my headache. A box of aspirin. Well, that's the end of another school day, Miss Brooks. Not for me, Mr. Boyden. By now, our beloved principal must have told Mr. Gleason all about my missing this morning's classes. He's probably got a dandy lecture already for me. I hope he doesn't take too long about it. I'm dog-tired from those calisthenics. Oh, here's his office. Here, let me open the door for you. Mr. Conchlin has a guest in his dream house. That's Mr. Gleason, isn't it? Yes, he's inspecting the wake-up plan. Say, look out the window, Miss Brooks. Isn't that Mr. Stone, president of the board, coming up the front steps? Let's see. Yeah, that's him all right. Oh, we've got to do something, Mr. Boyden. I can't let even Mr. Conchlin get caught in a trap like this.  I'll take charge in here. Mr. Conchlin. Mr. Conchlin, wake up, Mr. Conchlin. Wake up. Oh, yes, Miss Brooks, as I was saying, Madison High is my ship. As is Captain. Lower your sails, matey. It's past three. What happened to the day? And what does Gleason mean by falling asleep in my office? He might have dozed off waiting for you to wake up. He caught me sleeping on the job? Great scot, I'll be drummed out of Madison if Mr. Stone gets wind of this. But it won't take a very big wind either. He's out in the hall now. What? What'll I do? Miss Brooks, you've got to help me. You've got to think of me now, not as your principal, but as your friend. A friend who is drowning. I'll see you to chew it well. Quick, Mr. Conchlin, get into your inner office and act as if you're busy. All right, Miss Brooks. All this excitement has given me a terrible headache. I'll take this box of aspirin with me. Oh, but, Mr. Conchlin, that isn't it? Oh, great. Well, it seems only fair that I wake up Mr. Gleason before Mr. Stone. What's going on in here? Oh, hello, Miss Brooks. Oh, how do you do, Mr. Stone? Uh, this is Mr. Gleason, Mr. Stone. Mr. Stone, Mr. Gleason. Mr. Gleason? And I thought he was one of the board's most industrious members. This has certainly opened my eyes. Now all we have to do is get Mr. Gleason's open. Wake up, Gleason. Wake up, do you hear? Please, just give me five minutes more, dear. Gleason! What? Oh, my goodness. I must have dozed off, Mr. Stone. Believe me, sir, I have no idea how it happened. When I arrived here shortly after noon, I found Mr. Conchlin asleep behind his desk. Is this true, Miss Brooks? Well, the last I saw of Mr. Conchlin, he was quite busy in his inner office. Things were really jumping, in fact, running and jumping. You hear that, Gleason? You must have been dreaming. Why, Flash, Conchlin and I played football together, and I never knew up on Adam Osgood to be anything but on his toe. He's right in his office, sir. Here, I'll open the door for you. See, Mr. Stone, that's just how I found him before doing lunch hour. Oh, Mr. Stone, he must have taken a couple of Minerva's pills. I tried to stop him, but he... What are you talking about, Miss Brooks? Who's Minerva? Wake up, Mr. Conchlin. Where's my ball of beyond? What's the matter? Where am I? Well, hello, Mr. Stone. I'm amazed, Osgood. First, Mr. Gleason finds you sleeping in your office during lunch hour, and now this. Explain yourself. Well, that is, I... Miss Brooks, explain myself. Well, Mr. Stone, there is nothing in the board's rules that governs the actions of the faculty either during lunch hour or after the school day officially ends at 3 p.m. Since it is now well past that time, your board holds no jurisdiction over Mr. Conchlin whatsoever. None whatsoever. Now, Mr. Stone, there's no apology necessary. Well, not so fast, Mr. Conchlin. Wasn't there something else you wanted to report to the board? Yes, Osgood. What did you want to report? Wasn't it about cancelling your wake-up plan for the faculty, Mr. Conchlin? Oh, yes, yes. That was it. I find that calisthenics tend to make my teachers altogether too listless, very bad, calling the whole thing off. Now, as I see it, we should... Miss Brooks, what are you hanging around for? Well, I just thought I'd have to say... This discussion does not concern you in the least, run along. Goodbye. Bless you, my dear. Well, you can walk me home now, Mr. Boynton. Everything worked out fine. Mr. Boynton, you can get up from that chair now. I might as well make it unanimous. Good night, all. Brooks returns in just a moment, but first... Dream girl, dream girl, beautiful luster cream girl. Tonight, show him how much lovelier your hair can look after a luster cream shampoo. Only luster cream brings you K-Dumit's magic formula blend of secret ingredients plus gentle lanolin, gives loveliness lather even in hardest water, glamorizes your hair as you wash it. Luster cream, not a soap, not a liquid, but a dainty cream shampoo leaves hair frequently clean, free of loose dandruff, running with sheen, soft, manageable, gives new beauty to all hairdos or permanents. Four ounce jar, one dollar, smaller sizes, either tubes or jars. Tonight, try luster cream shampoo and be a... Dream girl, dream girl, beautiful luster cream girl. You owe your crowning glory to... luster cream shampoo. And now, once again, here is our Miss Brooks. Well, I finally got home and that evening I was telling Mrs. Davis about the events of the day when I received a rather distressing phone call. It concluded with my saying, now don't you worry, Mrs. Conklin, I'll get that information and call you right back. Mrs. Davis? Yes, Connie? What's the name of the vet who prescribed those pills for Minerva? We've got to get an antidote immediately. An antidote? But why, Connie? Mr. Conklin just finished dinner and he's under the piano licking his paws. Next week, tuned into another Our Miss Brooks show, brought to you by Pomali Sof, your beauty hope, and luster cream shampoo for soft, glamorous, caressible hair. Our Miss Brooks, starring Eve Arden, is produced by Larry Burns, written and directed by Al Lewis with music by Wilbur Hatch. Mr. Boynton is played by Jeff Chandler, Mr. Conklin by Gail Gordon. Other than tonight's cast were Jane Morgan, Dick Prenner, Gloria McMillan, Ed Begley and Earl Ross. Men, do you shave with a lather or brushless shave cream? Pomali shaving cream comes both ways, and whichever way you prefer to shave, you'll find that using either pomali brushless or pomali lather shaving cream can bring you more comfortable, actually smoother, shaves. Here's the proof. 2,548 men tried the new pomali way to shave, described on the tube, and no matter how they had shaved before, 3 out of 4 got more comfortable, actually smoother shaves. Get pomali brushless or pomali lather shaving cream today. For mystery liberally sprinkled with laughs, listen to Mr. and Mrs. North, the exciting, fun-packed adventures of an amateur detective and his beautiful wife. Tune in Tuesday evenings over most of these same stations, and be with us again next week at this same time for another comedy episode of Our Miss Brooks. Are you a young man who wants free training for a good job that pays well, then you'll be wise to inquire about enlisting in the United States Armed Forces. Today, America is building the largest, best-trained, best-educated peacetime army in its history. And to make sure it's the best, thousands of young servicemen are being carefully trained to be skilled experts in many fields. This could be your chance of a lifetime. Inquire at your nearest recruiting station. Stay tuned now for Life with Luigi, which follows immediately over most of these stations. This is CBS, the Columbia Broadcasting System.


Google has announced that on September 30th, 2020, Google Drive will transition to a single parent model. Let's look at what this means and the impact it will have. Usually all files and folders in Google Drive have a parent folder and are arranged in a branching structure. However, Google Drive does not actually use a branching structure right now. On September 30th, Google Drive will transition to a hierarchical branching structure. Let's take a look at what that means and what exactly will happen. Google Drive's actual file structure is just a flat list of connected files. Files can have no parent folder. These are called orphaned files and usually result from shared folders.  Then the files you add, it still exists. Only the owner of a file can delete it. As such, the file gets orphaned having no parent folder. You can find orphaned files by searching for is colon unorganized. Folders can also be orphaned. Most files and folders have just one parent folder. A file or folder, however, can be in multiple folders at the same time. This can be done by selecting the file and pressing Shift Z. Instead of the normal move file dialogue, you get a dialogue which allows you to add a reference to the file in another folder. Having a file in multiple folders can lead to some issues. It's impossible to directly delete a reference to the file since that would delete the file itself. Instead, you have to drag one reference of the file into the same folder of another which merges the two references together. Also, if you try to create a folder loop, then Google Drive will give you a vague cryptic error message. Due to these issues, Google has made an alternative system to allow a file to be in multiple folders, shortcuts. From a hierarchy perspective, shortcuts are just like normal files. However, when you double click a shortcut, you are taken to that shortcut's location. You can create a shortcut by right clicking on a file or folder and clicking Add a Shortcut to Drive. Deleting a shortcut deletes the shortcut, not the underlying file it points to. This system resolves almost all of the issues with files in multiple places. As such, on September 30th, all cases of multiple references to the same file will be turned into shortcuts. One of the references will be the main file and the rest will be shortcuts to that main file. Google hasn't said if or how orphan files are going to be affected by these changes. Thanks for watching.


Personal finance, practice problem, using Excel. Get ready to get financially fit by practicing personal finance. Here we are in our Excel worksheet. If you don't have access to the Excel worksheet, that's okay, because we'll basically build this from scratch. We got three tabs down below, an example tab, a practice tab and a blank tab. The example tab and essence being an answer key. Let's take a look at it now. We've got the information on the left-hand side, calculations in the blue on the right-hand side and down below. We're looking at automobile insurance or car insurance, imagining an accident happening and what the possible insurance payout might be. The second tab, the blue tab, represents a tab with the pre-formatted worksheets so you can work through the practice problem with less Excel formatting. The third tab, the one we're gonna work on, is basically working the problem from scratch. If you don't have this and you wanna just build it from a blank sheet in Excel or some electronic spreadsheet, I would start off by selecting the whole sheet, right-clicking on it, format the cells first, go to currency, brackets, get rid of the dollar sign, get rid of the decimals. That's where I start with at least, I'm not gonna do it to this sheet, but that's what I would start off with if you don't have the sheet and then add your data on the left-hand side, like so, I do recommend doing this, especially with the numbers, because you want to be able to be drawing from something, a data set, that's just good practice and then we got a skinny C column and that's it, then we're ready to go. So we're gonna say we have insurance, auto insurance or car insurance, we've got the 80, 160, 90, these three numbers are often part of the complication, so we'll have to get into that. We got three people awarded injuries in an accident in which you were at fault, so we're gonna say we got in an accident, we were at fault in the accident. Now remember, the car insurance represents multiple kinds of insurance because when we think about insurance, we usually think about things like liability insurance or property insurance and stuff like that and we're kind of combining this under auto insurance, so these are all different kinds of insurances that are under like the act of driving or that could fall under, you know, driving or related to the car in some way. So we got multiple different kinds of insurance, we're kind of concerned here with liability insurance generally and that's the kind of insurance we're often required to have to some degree, depending on the states that we are in. So if we're at fault for the accident, if we were not at fault for the accident, hopefully the other person has insurance and hopefully that would be, you know, they would be liable. If we are at fault, then we're gonna end up being liable and hopefully our insurance will help us out and kick in at that point. So we've got the 80, 160, and 90, we got down here a little blurb, tells us what that means. The first number represents a bodily injury per person. So we're talking bodily injury, not property damage, which is usually the more costly item or could be possibly potentially could have more cost. The second number represents bodily injury per occurrence, meaning we've got so much per person for bodily injury, but it's gonna be capped if you've got multiple people at some point. And the last number represents property damage per occurrence. So we're talking still kind of liability insurance on both sides, but ones for bodily injury and the others for the property. So these two represent the bodily injury one, the last one, the property one. So that's the idea. So we're gonna go down here, let's kind of recap these three numbers too first. So let's call the first one. This is gonna be the max per person, max per person injured. So this is the bodily injury, max per person, meaning that 80 means 80,000. So there's 80,000 coverage for that one. So you could think about these in thousands, right? So the next one is gonna be the max per accident or event for injury, injury. So we're talking injury, not property damage here. So we're gonna say this is gonna be the 160,000. And then we've got the property damage, property damage liability, which we're not really focused in right now because we're talking about bodily injury, but that would be the 90,000 for like the damage to the car and whatnot. So I'm gonna select this one and go to the home tab and we're gonna go to the font group. Let's put some borders around that and let's make it blue. Border blue. Okay, so now that we have that, we can do our calculation so I can say, okay, well, if there were three people injured and they were all awarded 140,000, let's do our calculation in kind of a systematic way. We could kind of shortcut it for certain problems, but let's try to set it up and think it out logically. We're gonna say, all right, we've got the injuries per person, per person. And let's put the actual here, actual. And then the max and then the lesser of, see, lesser of the two. So that's gonna be our headers. I'm gonna make these three centered. Gonna go to the home tab alignment and centered. And then I'm gonna make all of these black and white as has been our custom.  So there we have it. So I'm just gonna say person one, and then person, person two and person three were all injured and they were all awarded, we're saying 140, which I'm gonna draw from my data set. I'm gonna say the actual awarding that they got was 140. So let's say that's gonna be the same all the way. I could do an F4 thing. Let's do an F4 thing. Let's do this and make it absolute and say F4 on the keyboard dollar sign before the B and the seven. So I could just copy that down just to practice our Excel skills. We're gonna grab that fill handle and grab it and drag it on down. So then the max though is 80, which I can't really pull from this cell. So that's why I think it's good to break that out down below and say, well, the max per person is 80. And that's the same all the way across. I'm gonna say equals to 80. And again, I'm gonna copy that or absolutize it, freeze in the cells F4 dollar sign before the B and the 13. You only need a mixed reference, but an absolute is kind of the easiest thing to do. So I'm gonna say, okay, and then I'll just copy that down. You could just double click on the fill handle, which I just call a fill button at that case. No one calls it a fill button, but it kind of acts like a button in that. I mean, I feel like it's a button when you're doing it that way. So then I'm gonna take the lesser of these two for each one of them, which would be, of course, 80, 80,000. So, but I wanna use the men function in Excel to do that. So equals to M-I-N, the men function, the lesser of the two brackets just like the sum, but instead of S-U-M, there's an M-I-N for the men. And then we'll select those two and that's it. It's just gonna take the 80,000 you would expect, right? You would expect it to take the 80,000. So then there it is. I'm just gonna copy that down and that'll copy the relative cells over. So I'm gonna copy that down and it's not copying that 80, it's doing the men there and it's doing the men there. So we took the men of those things. We can have our totals. Let's put our totals down below and use our trusty sum function equals the S-U-M, sum it up. And then we're gonna put a bracket up arrow once, holding down shift, selecting those. We could do some copying and pasting this time. Let's copy that one this time. I'm gonna go control C, do an all keyboard, right arrow, holding shift down, go to the right and then control V, pasting it fancily. And that of course pastes the sum function. If I double click on them, let's put an underline right here. We'll say home tab font underline. So we've got the actual was 420, but we're capping each one of them at 80. So that would be a cap of the 240 for the max. If they all hit the max and they did all hit the max, therefore we have the 240. So now we're gonna say that there's also a max per accident though. So there's a max per accident for injury. And that happens to be the second number, the 160. So 160, which we broke out down here, 160. Let's put an underline there, underline font group underline. And this is gonna be the insurance payout then. Insurance payment is gonna be the men of these two then. The men of those two then equals the men brackets of these two and then enter. So that comes out to the 160. So let's put some brackets around this. Let's select this whole thing and we're gonna go to the font group and bracket and border blue. Let's do a border blue thing. So you could probably see that. Like you could probably say, I didn't need to do this whole thing to figure that because I can see that 140, 140, 140 is gonna be greater than the 160 cap here. And you can kind of visualize that so you can get a good visual feel for it. But it can get a little bit complex when you start to think about it. So it's nice to have a table and it's useful to kind of be able to put these into a logical table because now if you were to adjust things and it would be even better if I put these three people out in a table on the left-hand side and drew them from the table. So if I was to say, for example, that I'm gonna draw my data from person, person one, person, person two and person three and say that we got then the three amounts which were 140, 140,000 and equals the one above it. And if I draw this data from that data source, this comes from here, this comes from here, this comes from here, then it might be a little bit easier for us, again, to change the data. What if this was different, right? What if person two was something like 60,000 that they were awarded instead of the 140? Let's say it was 60,000 and let's say the last one was 30,000. Well, then this top one would have been at the 140 that they were awarded, maxed out at the 80,000, it was capped. So it took the lesser of, took the 80. This next one, the actual amount was less than the cap of the 80,000. Therefore, the min function took the lesser of, that's not gonna be at the cap, it's gonna be the 60. And then this last one was at the 20,000 or 30,000 which is less than the cap of 80,000. So they got the 30,000. We add that up to 170,000 and that then is still limited by the amount per person of the 160 and therefore we took the difference of the 160. If we did that down a little bit more, if I took this and said this was like 5,000 on this last one, right now we've got the 140 capped at 80 at the 80, we've got the 60 versus the 80. So we took the lesser of the 60, we've got the 5,000 to 80. So we took the lesser of the 5,000, that adds up to the 145, which is less now than the total cap per person of the 160, so you get to the 145 in that instance. So it's nice to be able to work through a table even when you have a couple different variables because when you start to put them together it can get fairly complex fairly quickly and if you're running different scenarios and what if could happens, then it gets a little complex. So let's bring it back up to the original 140 and 140. I'll make this blue and border two. So it's part of our table, blue and bordered, there it is.


A few weeks ago I spent a week in Utah doing a few collaborations and had an opportunity to collect a resource I've been wanting to get for some time. All it took was a mere 14 mile hike up a mountain just to collect a very precious orange dirt. But this dirt was an important historical key to unlocking the industrial age as this dirt can be turned into metal. So let's see if I'm able to collect some of this soil, take it home and turn it into steel. In my quest to make everything from scratch, metals have always been a challenge. Most abundant sources have been fully tapped or are currently owned and restricted from accessing, so for more sources I've been limited to mostly low grade options like leftover tailings, being given a small sample from a now closed mine, low grade ore that wasn't mined, to even scavenging the concentrated ore pellets that had fallen off of trains. So a natural high grade source of iron ore has always been of interest to me. Bog ore is a type of iron ore that forms by natural biological processes that happen in bogs, allowing concentrated chunks of iron oxide to form in the right conditions. Historically humans have been using this as a source of iron for smelting since pre-Roman times and most iron from the Viking era was made from bog ore. Bog ore can potentially form in any bog, but it requires the right combination of a few factors to occur, so tracking down one in the wild could be a bit of a challenge. Fortunately the YouTube channel Good and Basic were able to locate one in Utah and offered to take me back to it. Be sure to check out their original video where they first discovered it. But first, today's video is possible thanks to today's sponsor, Upstart. Your debt can be exhausting and hold you back from many things in life. High interest loans are especially painful as you can just watch your debt go up every month with no escape in sight. Today's sponsor Upstart might be a good option to consider to help escape these challenges. They have helped over 1.8 million customers to get on path to financial freedom. The process is entirely online with simple and easy to understand payment terms making it a breeze to set up. You can check your rate in minutes for loans between 1,000 and 50,000 without impacting your credit score. You can even receive funds as fast as one business day after accepting your loan. Whether it's paying off credit cards, consolidating high interest loans, or funding personal expenses, Upstart can help you get one fixed monthly payment with a clear payoff date. Rather than only looking at your credit score alone, their model considers other factors like your income and employment that can help you find a smarter rate for your loan. Check your rate today at Upstart.com slash everything. That's Upstart.com slash everything to check your rate today. Don't forget to use our URL and let them know we sent you. All it should have been was a drive up the mountains and then a short hike to the location but things then ran into a little bit of an issue. On our way to get some bog order we ran into a little bit of a problem as the road is closed still. I zoomed for winter a little early in the season I guess so we're on our own to go by foot. This is about seven or eight miles so this will probably take a good part of the day but hopefully we can still succeed and get our iron. We're in trail moment. We're gonna forge it's been about three hours about a half mile from the actual location. Just got touched through the snow, I'm sorry about the snow shoes. Almost there. All right so it took about four hours. We ended up the trail hiking on foot. Very exhausting. It was a little over seven miles very treacherous towards the end. Lots of snow got pretty deep at some points and lots of kind of roulette of what when you're just gonna fall in up to your waist. Snow shoes would have been nice. Didn't expect that. Look what the trip I was expecting for this. We made it to the bog but now unfortunately it's covered in snow. It's gonna be a little bit hard to find the actual bog ore because it's can't really look for the red soil when it's covered in snow so hopefully we got lucky. Hopefully Joseph's memory of where was that before works out and we can track down some and get out of here before it gets dark and cold and miserable. Let's start digging and hopefully find something. I do like it when things work.  Yeah. That's rust. This is an organic form of iron ore. It's high grade which means it's easy to smell with primitive means. So no wonder this was the stuff to fuel the iron age. You know it's not gold but every single time we find ore like this I can't help but feel like we've struck it rich. Oh it'd not be good. Right now it's making lumps and I suspect that's because it's frozen. It's a bag of rust but it's fancy rust. It's organic. No really it's it's organic iron ore. This is easy to find high grade stuff so if you're gonna do it primitive bog ore is the way to go. This place is amazing. Okay now that bag goes in another bag. It might sound a little bit random to be looking for iron ore in a bog but the way it works is actually extremely cool. There are certain types of bacteria that can actually consume dissolved iron oxidize it into iron oxide and there's a little bit of energy stored in the iron when they do that which means they're actually eating metal. They eat dissolved metal. They turn it into rust but as soon as it's been eaten and turned into iron oxide it precipitates out of solution and it won't dissolve anymore. This stuff builds up. You get water trickling into a bog. You get acidic conditions which are just right for this type of bacteria and then you get the iron building up and a second iron bacteria finds this iron oxide toxic and so they will aggregate it together into lumps kind of like coral. So if you run around an old Irish bog and stab into the dirt if you feel a lump it's very likely to be iron ore. Look how staining that is. Snook one. This one's staking kidney pie. That's amazing. Thank you Boggler. It's been a lovely trip. Then just the same seven mile hike back to the car. This time carrying the heavy load of ore. Meanwhile while I was out gathering ore in Utah Joe one of the blacksmith and brewmasters we've collaborated with in a few videos was preparing to do a smelt and was busy building everything he needed for that with some of his friends. We are going to be building the smelter stack today. It is bricks and clay which provides a stable base for the rest of the smelter stack to sit on top of. As we're making it we want to need it and then form it into about softball sized balls. I've always wondered about life as a dung beetle and I'm trying to feel it.  I like it. All right we're just going to start layering clay up against our form. We have about half of our smelter constructed. It's now wrapped up to make sure all of our clay stays nice and wet so we can continue building up tomorrow. This is the end of day one. Now we are forming a clay twir which will be the air inlet for the smelter. This should hopefully be a more durable internal structure inside of the smelter that'll survive the entire smelt and keep the hot spot in the smelter right in the center where we want it in that reducing atmosphere. It's looking like all the ones I've seen on the internet. Nothing non-phallic about it. We are going to drill the hole in the side of the furnace that will be mounting our twir in that provides air flow into the charcoal burning inside. We're going to drill it sort of at a 20-ish degree angle. We want the twir to kind of create a hot spot in the center of the furnace but not be too steep. Otherwise it can actually interfere with bloomery formation and potentially even split the bloom in half of the smelter. This bloomery furnace ready to go. The twir is installed. The door has been tweaked and everything's ready. So now we are just going to light a nice gentle fire inside of it to kind of cure up the rest of the clay in the internal shaft. Solidify the twir and then tomorrow morning we're ready to light it up to actually start putting ore charges in. Back from Utah after a really grueling hike in the mountains I was able to get a decent supply of bog ore. A lot of vikings used for smelting iron. I'm here with Joe who's been working on recreating a viking style bloomery. Here you go. Thank you very much. So we'll roast this up and use this as some of our charges today. We'll burn off the water and we should see a bit of a color change as the oxides present themselves as much more red after it's roasted. I built a sort of Viking Age short stack bloomery furnace that should take about six hours total and hopefully at the end of it we'll pull a nice lump of iron. We'll do everything right and we're lucky. We're creating a like four inch high layer of charcoal finds or charcoal powder below the twir and this will give kind of a nice pre-filled area for the bloom to start consolidating on and forming that nice liquid bed of slag. Once it's got a nice solid heat going we'll start adding two kilogram charges of ore and charcoal at a time. Hopefully six hours later we'll be able to pull out a consolidated bloom chunk that will then forge into something. And how much ore are you planning to put in and how much do you expect to get out? Today I think we're going to charge about 55 pounds of ore total but if we pull 15 I'll be very happy. I need to take a little out which is where we want to be. So much ash. I can't even see down there now. If we can all gather around please to a productive efficient smooth running smelt. We shall offer some sage for the friend's wedding. Some very nice island scotch and a sampling of the abalore that we used last time. The Wendy's bag really sells it. A clanking method. You're not afraid of arm hair? If I have arm hair at the end of this I've done something wrong. Imagine doing this all day. That's what a princess is like. Can you imagine? This is how you're going to make every bit because I'm a fan of it. I'm not a fan. I know you're sticky. Oh my gosh. There we go. How does it taste? Bile mean? How it's flying. So yeah a little bit. We're going to open this back up and try to get a little bit more slag out. We're getting a little full inside. There we go. So right now we're seeing nice like liquid silica. I'm looking to not, I don't see any sparks which is good. It means there's not a lot of iron coming out in it. In fact now we are going to call that done for a little bit. The hot spot is where we want it to be this time. This is a much better slag composition. That's really good. Again we learned a couple things. So that was our third successful slag tap. As the slag builds up in the furnace it'll start to block the airflow from the twir. So we're essentially removing it to provide more room for more slag to fill it. The slag is mostly silica other elements from the smelter stack itself as well as there should be a small amount of iron in there which is actually a good thing. It means we're reducing it properly. So in there there should be like little beads of iron and eventually we can actually run this back through the furnace and re-extract that reduced iron. This is our final charge. This will be our 34th kilogram of ore.  It just, it just happened. I mean I'm a beast. The bricks are sacrificial. So right now we have opened up the door birthing chamber, what you will. We're letting it free tap and in a few moments we're going to start digging around to see if we can't find a bloom. We're at the moment of truth. I'm very excited. And then I get to sit down. It's going to be great. I haven't sat down since we got here. Okay to all who wants to watch this whatever the f*** is going to happen next, we're doing it. Conveniently, I think the bloom has migrated towards that opening. Perfect. Yep, that's it. This will be right where you're standing to take a step back. Yes, all right we've got two chunks. Let's get some tea. Get perfect. Definitely some good mass there. I'm going to play with it. That I'm not feeling like I'm going to be lit on fire. All of these are going to be pieces of iron. So right here is probably our single most consolidated chunk of bloom. If I'm going to hazard, I guess. Hazard. Probably maybe 10 pounds. Not bad. It's too high carbon, bad for blade steel. It's an absolute bear to consolidate. So I may actually decarbarize this a bit. How do you do that? You can bake it. That's very high carbon. I wasn't what I was shooting for, but it works. So we did not make iron. We made steel. It'll be a lot harder to turn into a workable material afterwards. But it'll be a fun challenge, I think. So honestly, successful. So at the end we are able to produce a pretty large supply of steel or this orange dirt. Thanks again to Good and Basic for sharing with me the location of this boggler and for being willing to go on this really long hike with me. And thank you to Joe for his expertise in turning this dirt into steel. We're going to continue working with this piece of steel with Joe, fully working it into something a little bit more usable, which will likely involve turning it into iron and then potentially back into steel. I think it'll be a good opportunity to do a bit of a deep dive where we explore the differences of some of the alloys of iron with steel and to kind of explore reliable ways of turning one into the other. So we can comfortably say we've moved on into the age of steel. So be sure to subscribe for that. Thank you again to all of our supporters on Patreon. Thanks for watching. And one last thing, catch me at VidCon where I'll be next week. If you enjoyed this video, be sure to subscribe and check out other content we have covering a wide variety of topics. Also, if you've enjoyed this series, consider supporting us on Patreon. We are largely a fan-funded channel and depend on the support of our viewers in order to keep our series going. Thanks for watching.


The weird circle. In this cave, by the restless sea, we are met to call from out the past stories, strange, and weird. Bellkeeper, hold the bell, so all may know we are gathered again in the weird circle. In the world gone by speak again the immortal tale, the case of Monsieur Voldemort. Dr. Foissard, you may proceed with your statement. Murder. I, Dr. Emile Foissard, stand charged with murder. But your honor, murder means to take away the life of someone. I did not take away the life of Marie-Valdemar. I granted her life. Granted it from the depths of my knowledge of facts which previously were known only to God. But let me tell you my story. One night, about eight months ago, I was sitting in my study. Dr. Foissard, a visitor wishes to see you. I'm about to begin an experiment in self-hypnosis. I cannot be disturbed. Tell him to come some other time. Sir, I told him that, but he said it might be too late. Too late? I'm no longer a physician subject to the call of every glutton whose stomach repents his sins.  He said he needs you to implore your powers of mesmerism. I wouldn't have bothered you, sir. But he seems so desperate. Mesmerism, eh? Yes, sir. I'll see him. Dr. Foissard was seen. Dr. Foissard, I'm Ernest Valdemar. I don't know how to thank you.  I'm sure she will die. Mr. Valdemar, you have gained entrance to my office by a trick. I cannot help your wife. My license to practice medicine has been taken away by pill peddlers who didn't have sufficient intelligence to understand my study of hypnotism. Take your case to one of them, Mr. Valdemar, and permit me to go on with what they call my black art. Dr. Foissard, when I told your servant I wanted to implore your hypnotic powers, I meant it. I am acquainted with what your fellow physicians have done to you. You know. Yes, and I've heard your lectures on mesmerism many, many times. Oh, you like my lectures, eh? Oh, they were nothing. Wait till my new experiments are complete. But, doctor... Then, please, you will really hear something then on the threshold of discovering the art of hypnotizing myself. Yes, but... You see, when a trance has been... Please, please, Dr. Foissard, some other time! I beg your pardon. My enthusiasm, I forgot myself. Please, go on. My wife is at the point of death. You have a physician attending her? Yes. Dr. Bulo. Bulo? That dealt with it.  Please, let me tell you... I... Oh, please forgive me. Go on. We've been married a short year, during most of which Maria's been ill. We have not even had time to skim the cream of our happiness when ill health overcame her. What is the nature of her illness? Dr. Bulo says that it's a rare type of incurable consumption.  I see. Tonight. Perhaps tomorrow she will breathe her last. Mr. Waldemar, believe me, sir. I understand your desperation, but I cannot see how I can help you. By hypnotism, Dr. Fazzar. Hypnotism? Yes, from the depths of my anguish an idea came to me. In your lectures you have stated that a person in a mesmeric trance is, how shall I say it, suspended, lifted out of the stream of life. Yes? His consciousness is not like that of an ordinary feeling mortal. I see. I see. You mean that if your wife were put in a trance before she died... She would go on living exactly. She would be beyond the reach of death. Stop now. Mr. Waldemar, you... you have leaked the last step in the logic of mesmerism. This is the thing for which I have been groping blindly in my studies. You'll do it then. Well, the idea intrigues me. It has never been tried, but... I need time to think. But Dr. Fazzar, there is no time. Maria may be gone before we can attempt to save her. Well... Very well then. I'll do it. God bless you, sir. But there is one condition. For my own protection, her doctor must be in attendance. Bülow? Yes. Otherwise, if the experiment should fail, I will be placed in jeopardy. I might be accused of unlawful practice. But at this time of night, how can we gain his consent? We must induce him to attend. Otherwise, I cannot risk the experiment. My carriage is outside. Good. We will go to see my friend, Dr. Bülow. Oh, thank you, doctor. Come, come. We must hurry.  Bülow. You have thrown me out of the profession. You have deprived me of my right to earn a living. Very well, Hal. Not hold that against you. Oh, that's quite gracious of you. Please, gentlemen, my wife. That's right, Bülow. This issue is, Mr. Waldemar's wife. Not my pride. Not your medical orthodoxy. I do not presume to tell you whether to make your worthless pills out of bread or out of sugar. Oh, I should hope not you. Well then, please don't presume to tell me how to practice my art. Art? Sheer bunkum. Perhaps it is. But I am willing to put it to the test. I approach this experiment with an open mind. Mr. Waldemar's wife lies a bed dying. Mr. Waldemar loves her, wants her to live. You shrug your shoulders and say, poor fellow, it is hopeless. Well, it is. If you remembered any of the medicine you learned, you'd agree. I say it is not hopeless. He wants his wife. I'm willing to try to save her. God bless you, sir. No, Mr. Waldemar, God will not bless him. The first thing a physician learns is that there comes a time in the course of an illness when it is sacrilege to stand between man and his maker. Bülow, please do not dress up your lack of medical knowledge in the cloak of a sermon. I tell you, sermon or not, no mortal person can meddle in matters of life and death without meeting the consequences. As Madame Waldemar's physician, I cannot sanction this blasphemous experiment. Well, Mr. Waldemar, there is your answer. I'm sorry, but the proceed without Dr. Bülow would only be putting my head in a noose. Dr. Bülow, I have held my tongue, but I can no longer be silent. I have given to your care the most precious thing I own, my wife. You see, Waldemar, are you suggesting that I have not performed my duty? No, Dr. Bülow, I am not at least not until now. As long as you are willing to try anything your knowledge and experience suggests that I have been patient. But I cannot. I cannot bear to let Maria slip away from me without attempting to save her. What more can I do? Come to my wife's bedside. Oh, yes, madness. Dr. Bülow, I have hesitated to say this, but if you do not come at my request to attend my wife, I shall spend the rest of my days reviling you to the people of this town. A doctor who is unwilling to come to the death bed of his own patient, no matter what the circumstances, will not find himself welcome in the house of the sick. Very well. I shall go with you, Mr. Waldemar, but only to protect you from this charlatan. For was I, this is your doing. I won't forget it. The light is on in my wife's chamber. Come, gentlemen, we have no time to lose. I warn you, for was I do not attempt any medical cure. Dr. Bülow, please. This way, gentlemen. Oh, Mr. Waldemar, I am so glad you're here. Madame has nearly left us. Twice she called your name and cried, I'm going, Ernest. I'm going. May God preserve her. In here, Dr. Fusar. Oh, I was afraid you'd left me alone forever. Never, Maria. I've brought someone who will help you. No one can help me now. Do not say that, Madame. Put yourself in my hands. Think only of life, of the joy of living. Dr. Bülow, would you care to examine the patient? I have given my judgment. You may proceed. Do you need anything, Dr. Fusar? Give me a candle, please. Everyone be good enough to remain quiet and let me have your attention and good wishes. Here. Here is the candle. Thank you. Now, Madame Waldemar, I'm going to put you in a trance. Are you willing? Yes. Yes, I want to be put in a trance, but I'm afraid you've come too late. There is yet time life does not exist in quantity. It is all or none. While there is life, it can be preserved it, wish it, if there is nothing dearer than it. Look at the candle. See the flame of the candle. I see the candle. The candle will preserve you from death. If you will put yourself in my hands, in my hands. Look at the candle and think. Think slowly. Go to sleep. Go to sleep. To sleep. Are you asleep now? Not asleep. Very tired. You want to sleep. You want to fall deep. Deep. Asleep. You're tired. You're drowsy. Sleep. Sleep. There. Sleep. Maria. Are you asleep? Do not wake me. Let me die so. Do you still feel pain? No pain. I am dying. Raise your arm and point at the candle. She hasn't had the strength to do that in days. Now, lower it. That's very good. She's in a trance now. Will you take over Dr. Bulo? Perhaps feel her pulse. Very well. God bless her. She looks so beautiful. The pulse is steady, but it's very weak. It's growing weaker. Her breath is hardly noticeable. Give me a mirror, we'll see. Here, doctor. There. Just the faintest clouding. Her life is heading away fast. Are you asleep, madame? Yes. Still asleep. Her pulse has stopped. The mirror doesn't cloud. She's stopped breathing. You mean... all hope is gone, doctor Bulo? Hope was gone before, Mr. Vandema. Life cannot be lengthened by the application of parlor games. I only regret that your hopes have been reared so cruelly by this charlatan. Bulo, did you ever think that there may be matters in this world beyond our kin, forces which are indestructible, which live independently of the beating of the human heart?  A deathbed is no place for this cabalistic mumble jumble. There can be no better place. For there, where life and death meet, is the great mystery which man must ever aspire to know if he is to know God. What do you mean? You, a physician, say she is dead. But I put her in a trance and only I can release her. But she is dead, man. Dead. There's nothing beyond death. I put her in a trance, I say, and only I can release her. It's blasphemy. Call it what you will. I care not for names, but watch. And watch carefully. Listen, Maria. Are you still asleep? No. No. I have been sleeping. But now. Now. Dr. Foissac, you testify under oath that after her heart and breath had stopped, Madame Valdemar spoke. Is this really true? I swear to what your honor, I cannot deny that these words issuing from the still, lifeless Maria Valdemar called forth in an utterable shuddering horror in every one that was present at her bedside. Even Bulo stood aghast, his face moist with fear. This is the devil's work. Maria Valdemar is dead. But it was her voice. Sounded as if it came from a distance or echoed through a large cavern. I heard the voice, but there's no pulse, no breath.  Perhaps it is my turn to preach a sermon, Bulo. A mere mortal presumed to say what constitutes life and what does not. Her breath is stilled, her heart no longer beats. She's dead. Bulo, Bulo, can't you see? This is no time to recite elementary physiology by rote. She's dead. All the signs prove it. Signs? What signs? Does a dead person speak? No. It is plain that death has been arrested by the mesmeric process. Dr. Bulo, why do you insist she is dead? We had so little time for happiness together. Do you begrudge me the faint small spark of life that yet remains? Maria! Maria, my love is yours forever. Her lips trembles as she's trying to reply. Mr. Valdemar, I have my responsibility.  Her death must be reported. Bulo, I know your responsibility well. I have exercised it many times myself with heavy heart, but I cannot see how you dare pronounce Madame Valdemar dead. For what, sir, I told you at your trial in front of the committee that no good would come of this dealing with the devil. I warned you before that you would regret your meddling with life and death. Madame Valdemar has died. I must report it. Please. Please, Dr. Bulo, I beg of you. You heard her speak. You saw her lips tremble. Can't you accept this miracle? Suppose I do accept it. Would you? I can accept the miracle, but I cannot accept the responsibility arising from it. Then you will issue no certificate of death. There will be none issued so long as the flicker of life remains. Good night, gentlemen. Proceed, Dr. Foissard.  Madame Valdemar remained in the same condition. Her heart beat and breath continued absent. But her skin, though cold and lacking blood, neither shriveled nor decayed, her lips still responded to questions put to her with the slightest quiver. But there were no other evidences of life. Mr. Valdemar derived much comfort from the presence of his wife and became my devoted pupil. Ah, Ernest, what brings you here today? To see you and perhaps ask you a few troublesome questions. We'll save the trouble for last. No, Emil. My mind is ill at ease. Nonsense, Ernest. Listen, I have been making great progress lately with my new studies. Oh, yes? Yes, indeed. I have been practicing self-hypnosis. Really? There's no limit to the possibilities of mesmerism. When I can completely grasp the art of hypnotizing myself, perhaps then I will have come close to my goal. Don't you see? A man can be released from a trance only by the person who put it into it. Now, if I should put myself in a trance, Ernest, you're not even listening. Emil, I'm troubled. Sorely troubled. Your wife remains the same. Yes, Buolo has been to see her. Yes, as usual. He agrees that there is no change. Yes. Look, Emil, when I came to you seven months ago in desperation, you did what I asked you to do. Whatever is the matter with you today, Valdemar? I'm beginning to realize the horror of my situation. My dear fellow, it's just that it's new, perhaps strange, but when mesmeric science becomes better known, you will feel more at ease. This is not just the mood at the moment. I felt it growing for some time. You've been listening to Buolo's battle. No, no, for some. I'm fed up with heavy chains.  This is hallucination, not science. Was it hallucination when she cried out, Ernest, my beloved, for the sake of God if you love me, release me? I'm neither on earth nor in heaven. Again, hallucination. You're giving your imagination free reign. Maria is still with you. This is not Maria. Not my Maria. You saved all the life that was in her. You did, and I thought it would be enough. But as day after day goes by, as night follows upon night, I come more and more to the conviction that this is not she. The real Maria lives in my brain, in my heart, and in the love I bear her memory. Not in this corpse with the trembling limp. For as long as you understand, I'm living in a tomb with the body of a stranger. Voldemire, what would you have me do? Release her from the trance. Come, Voldemire. Come, there's no need to be hysterical. The trance has lasted a mere seven months. Give me a year. That is not much to ask. I shall be mad at dead before the year is out. You must release her from the trance. Remember, Ernest, I cannot tell what will happen. Whatever happens, at least it will be God's will. Very well. For you, Ernest, for you is my pupil and my friend. I shall try to release Maria tonight. Good evening. Good evening. It's good to be in out of the rain. They are up in Madame Val in her chamber. They? Monsieur Voldemire and Dr. Boulot. Oh, that is Boulot doing here. I beg your pardon, sir. Oh, nothing, nothing. They are waiting for me. Yes, sir. Thank you. Come in for, sir. We're ready. Boulot, what are you doing here? Attending my patient. I see. After all, we agree that she is alive, don't we? Of course. Monsieur Voldemire, I'm sorry. Tonight's work cannot be done in the presence of an unsympathetic spirit such as Bureau's. It will require the most delicate hypnotic adjustment. Put your mind at ease for us, sir. Not for the world would I be present at tonight's meeting with the devil. That's your responsibility, completely. I leave her in your hands. Alive. Good. Now that he's gone, I can work. Maria Voldemire, you are in my power. Awake. Awake. Awake from the trance. Look, how highly twitched. Maria, I command you to raise your arm. Your right arm. Your arm. Move your right arm. Maria, Maria, can you explain what your feelings or wishes are now? Look, her lips. Oh, God, sink. Quick. Quick. Put me to sleep. Awaken me. Quick.  Maria Voldemire, awaken be among the living. Waken. Dead. Dead. See, her whole body's moving. Rise. Awaken. Live. No, she lies still. It is too late. Paria, are you with us? She does not answer. Her lips tremble no more. Dr. Biolo! Voldemire. You called? Biolo. She's gone. She's dead. Froissart. What have you done? I...done? She was alive when I left this room. What have you done? Nothing. I released her from the trance. Release? Trance? Neither science nor the law recognizes these terms. What do you mean, Biolo? This is the end of your meddling, Froissart. My patient was alive when I left this room. We agreed that she was alive. Now she's dead. I charge you with the murder of Madame Maria Voldemire.  With full faith in the justice of the court, I shall await the verdict. Amiel Foissart, you have been tried fairly before this court and you have been judged guilty of the murder of Maria Voldemire. It is now my duty to pronounce sentence. I hereby condemn you to hang by the neck until you are dead. They thought they could kill me, but they forgot that it was I, Amiel Foissart, who had discovered in mesmerism the secret of immortality. They led me to the gallows. They blindfolded me. They put the noose over my head. But I laughed at them. Yes, laughed at their gallows and their noose. They sprang the trap. With the noose tightened around my throat, I quickly put myself in a trance, a trance from which I could be released only by myself. Dead. I shall go on living forever. Time-worn pages of the past, we have brought you the immortal tale, the case of Michelle Laldemar. Keeper of...


TLO what's pop We are on twitch. We are live, but by the time you see this we won't be so just leave a like comment subscribe turn on your post Notification bells. Let's continue to grow the family from Chicago to the UK and all around the world cuz At this point everybody watches around the world and I like that. I like that vibe You just got to expand so I'm gonna just start doing a lot of content Anyway, this is my warning you see it. Don't forget. We do got twitch.com if you want to watch past lives or Be ready for the next live. The username is down there. You see it Yeah 1976 allowance is made for fair use for purposes such as criticism comment news reporting teaching scholarship and research Fair use is a use permitted by copyright statute that might otherwise be infringing Non-profit educational or personal use tips the balance in favor of fair use No copyright infringement intended all rights belong to their respective owners. I Stop doing these for a minute man cuz somebody like Like did I forgot what they did they gave me a copyright strike, but a lot of people man They be so new to YouTube man. They you like bro like you can't how Sam is a OG like Sam does great work out here. Sam travels 4k Does great work out here. He's the best at the night walks anyway, so let's just Just stick to Sam man. If you use a creative commons License on YouTube it allows for Reuse I don't understand some people. I don't know man I guess a lot of people don't even know what license they're using when they upload stuff You can change it that it'll stop people like if you don't want reaction channels reacting to your stuff Make sure you're using the right license on there simple in my opinion Anyway, Manchester UK nightlife walk tour man. It's keeping my right now It's it's about like what time like 5 a.m. In the UK. I'm Tweaking now five at 2 a.m. So yeah, man, I'm just trying to be out there with y'all right now. Let's get into it Is this a preview? Oh, we jump right into it Sam Slow down buddy She did the cupid shuffle what she drunk on When you do like this when you start going backwards equilibrium on one thing man, I cannot like And we'll never understand how people in general walk barefoot on concrete outside Salute though. Love Manchester reminds me of the Chicago.  This is like the Chicago 100% Step in the night ain't that cuz I haven't seen three people were in this type of outfit She had Buttocks Barefoot barefoot this outfit though. It's like business attire type situation. Yeah, the double back And that's what I like. That's the type of energy that I like Double back is crazy Is this what street is this Y'all said what is this on the trees? What is this like is it Chinese New Year's? Is that what that's for now? I'm being serious. I'm asking a real question. What is this? Because we do that here too for Chinese New Year. I'm not sure Sound ignorant down. It's just something about the way women carry themselves in Manchester Everybody dresses towards I like that type of energy. This looks like this really looks like Chicago like Like it really like from this angle like I could see this being Chicago like if somebody's like, oh, that's Chicago I'd be like, oh, yeah for real so And I'm from there gotta look like a financial district Like Manchester's downtown right now. This must be the new style has to be a body suit thing I feel like nothing will ever be better than a woman in blue jeans and like heels I don't know what it is. Like maybe it's just the time I grew up It's so simple that it's a W This definitely looks like the financial district of Chicago There's literally three types of people on four types of Outfits out here literally all you see is four different types of outfits. That's it Here's one right here. There's the same There's the same Oh, they're together Oh And dudes they all wear like there's two types. There's this and there's like dressed up And then there's the mind in Be on subject This must be the best bar over here I honestly want to see Sam's setup like It had the camera has to be hidden. It's just at a good like level now All right, this look lit. Whatever this is look like a good time. Wait a minute Wait a minute. Never mind. I see something in the window that I'm unfamiliar with. I don't know what's going on in there now Now I'm skeptical albergs Killers my what is this All right This W camera work I'm telling you like If y'all ever having one of them nights and y'all don't know what to wear just throw on them blue jeans that y'all got Them blue jeans them highways blue jeans or whatever wasted. I don't know if they hide. I don't know what I'm talking about But just throw in the blue jeans There you go put on a nice little shirt And you know live your best life We can actually watch this in 4k, huh now we got to go back Because it's going to take too long to upload And before that Okay, here go to mandem.  They're all automatically gonna walk away like That's intimidating leader Follow the leader For some reason from afar looked crazy Respectfully Manchester Leeds Liverpool nights out. I don't I like just from watching these Those three Manchester Leeds Liverpool, I think that was it, right?  I'm thinking Manchester's at the top though for sure. I don't care Manchester's leading the pack We must have went down Younger atmosphere The thing about these videos like you could never tell if it's whole cold hot springs something like I see people in hoodies full-on leather bubble jackets leather jackets No jackets Dirty martini got to take out in his hand. She got to take out. He got the phone ordering the uber trying to get home I get it Salute Good takeout. I think we've been back here. Remember the bad boy chillin cool above me. What's going on? What club was this even at a good pace block is crazy the whole alley is this line I'm paying the bouncer at the front. I'm not waiting. I told y'all already when I come I'm not waiting in those lines every bouncer You're gonna take this little 20 40 dollars now Pounds because I'm being outside. I gotta experience this night life I'm gonna make my own little travel to like a little you know what I'm saying night walk thingy thing And it's up this place called the queue or is the or do they mean like the line like cues queue like line Hey, this is where you queue up to get in I ain't never seen a sign pointing out the line like we know. Isn't that obvious? See, this is what I'm talking. This is my type of entry All around You know what I'm saying? Go to this bouncer Pay him the 40 piece and get right on in there. Matter of fact, I'm not paying no 40 I'm I need bottle service. Anyway We're finally we need bottle service That way everything is handled They got kicked out of the club. Definitely. They was like, you know what I got a boombox. Let's go make our own Oh, buddy is out there doing karaoke undergarments I see what you're doing sam Hold on the build up was legendary. I didn't even see this Happy Is crazy. Why would you put panda dunks along with this? This is all tan and you threw on the pandas. It doesn't pandas don't go with everything I just want to let people know You can't put pandas on and be like, oh it matches. It's black and white, right? No, no Who's that jacks? Who is that jacks? That jacks from top boy. This is mana hata. Let's kick it off. Did she mute the audio?  You're a grown man Trying to wrestle me Like to stop trying to wrestle me out here, man What are you doing? Before I really get these people to show out here I don't want to play this Is that a black taxi? This right here? Bros out here from the uk or is he from new york brooklyn? Which one you got to choose? What was that kai? That kai right here keep leaving All of the women that I've seen now granted they really put it together tonight. They look great They look awesome, but they all look toxic Well, nobody out here looked like they just could be my piece, you know And maybe because it's because I found my piece my bad Let me speak on behalf of the fellas if nobody out here could be your piece is what it looks like Well, they got street vendors trapping off vapes Oh my god, and this is what I be saying Maybe I haven't been out in a long time But I've never seen nobody walk around selling vapes strapped to their chest It hit different when this is what's happening Sam is a guy Watch this elbow You see it I'm unsure of what's going on here, but this person looks about seven feet tall Romeo by I see the rules Where the rose come from What's good could barely stand up There's the Lamborghini I heard earlier I've seen the red lamp SV it's an SV too What is love baby don't hurt looking I watched Is it me or does His buddy left arm look way bigger than his right arm Bro, what you be doing at night man? Chill chill bro fail four arms so big And this one not Anthony Joshua. Jesus be with me. Everybody themselves. Where's the homies at? Got the same haircut circle of people doing class a's in the middle of the city center Just getting there eating kebabs Oh, it's a little kebab shop Greek Giro's I just want a regular Giro with lamb meat. No, that was them. That was sitting down, right? Who's he bucking up his pants? What just happened? What converted out here?  She got the best fit so far one on one No, I wouldn't say the best It's the most unique I didn't see nobody else dressed like that. I look like he a part of the ocg. He just walked out on business Wait a minute, where are we? It don't got no more letters on it I mean salute to the community, but I didn't know what was going on. I was just and all Now in Chicago, there is some place a place called Boystown, but I was just shocked at the way that is up there What's that stand for? Wow block right here. Wow. What is happening here? first of all The mandem right here is coming through to make his drops like Damn bro is over here tweaking. I don't know what it is about something like this would irritate me Like I don't know. Let me explain my irritation would be with this There's three of you you're in a group of three and you all want to walk side by side connected arms So no one else could get in your way like get out of the way Like no, you're in the way at this point. So for you to be this aggressive, which are excuse me ma'am is Gonna send me like this is irritating to me. Like what are you talking about? Like I'm gonna be respectful because you like Older things of that nature So I'm just gonna be I'm gonna be cool with it But in my mind like I would curse you out in my mind Because I would know as an adult like it ain't even that serious, but like the the level of The level of what's the word? the level of Like you think that you could just walk arms and arm and arm In a row of three and no one else can walk like come on, bro Didn't say excuse me with such aggression Out there creating memories be a 21st birthday. What's treat is um, oh this word good food that though the kebabs What's this mix mixtuckys? mixtuckys fried chicken and burgers like Kentucky fried chicken like koc mixtuckys that now that is funny W marketing It's definitely class aid up. Just look at this Never mind. I'll take that back. I think he was doing sign language. Is that what that was? Definitely, okay Well, don't change the fact that he might be class aid up If you walk out the club and do what this man is about to do just go home your night's done But you gotta massage your temples. Just just call it a night, buddy So what's the man them doing that? Okay, let's subscribe first of all already like Already subbed up on its Session, I don't know if I spelled that right, but you know ill speller Till I leave a like comment subscribe won't go


These Cowboys are showing you some moxie, aren't they? And I think what we've seen is, give it to Ezekiel Elliott. That's what they've done the last couple of weeks. He's been a monster. Is that enough to get them to the playoffs? Well, when you look at how Washington coming into this weekend got to the top of the NFC East, it's been on the legs of a 33-year-old running back by the name of Adrian Peterson. They rode the heck out of him to the top. I think that is the formula for Dallas. It plays into what your offensive line does best. Ezekiel Elliott is one of the best backs in the league, bar none. And it allows Dak Prescott to throw off a play-action and also use his legs in some quarterback run game as well as they continue to break in Amari Cooper. So to me, that's the formula. Run it first, run it second, run it last, throw it when you need to. And they've got a good chance now to rise their way up into the division. I can't believe they've just won two in a row for the first time this weekend. And did it on the row where they hadn't had a single win and now they go home and take on the Redskins in just a little bit of importance on Thanksgiving night. That one should be fun.


Hi everybody it's Sam here, thank you for watching today, so I've got this little cute kind of match box easel card, I have made these before, I've made a taller or longer one with a chocolate bar in and I'll link that one up here because you might want something bigger, but basically it's just this little box, so that will all sit nice and flat, and then you can pop it up like so, so you have your easel and you can write a message there, so there's a card and a gift box in one as well, I love the little sentiment on the front here, a friend is a good bra, hard to find, supportive and close to your heart, and then inside you pull the drawer and up pops this heart, which says love, I might add you on there actually as well, then you have four Ritter Sport, now you could double those, there is room, so if you wanted to put eight in there you can, you actually get a pack of them, I'll show you in a moment, but I've split the two across, but you have room there to maybe put a different gift, you might want to put a bit of jewelry, you could put a necklace in there or something, it's entirely up to you and you don't have to put chocolates in here, and of course it doesn't have to be, I'm doing it as a gallantine, so it's a Valentine's for my girlfriends, this could be a lovely birthday theme, it could even work for Christmas, many occasions, really easy to do, so let me show you how, okay so this is the tray of the Ritter Sport, I already have a couple of other tutorials using these as well and I'll link that in case you have a few of these and you want to make some other gifts, they're really nice, this box you get nine and it was £1.99 from B&M in the UK, so I've got the four there that I'm going to use, for the stamp is an old creative stamping issue 55 and it was a stamped by Chloe one and that's where I've used the bra, the sentiments just underneath there and the heart there as well, so if you do have that one knocking around, I've pulled that one out, but of course anything will work and then for the heart on the inside, I've used this one here which was from the, it was a first edition one, I'm not sure the name of it but I will link it if I can find it in the description box, okay so I'm going to start off first of all with the tray, it's best to make that first and then we'll make the little wrap that goes around for it to slide out from, so grab your trimmer and I've cut this to five and three quarters squared, so cut it to five and three quarters squared and then just take a little shaving off of each side, so you can see it's five and three quarters, I'm just bringing it down to the next little tiny marker there, just such a small amount and again you can see there, yeah five and three quarters, so I'm just bringing it down a little bit, so you can see what I've just shaved off there, okay it's easier to just do it that way than to give me, than to give you that funny measurement and now you just want to score that one inch on all four sides, so one, one, one and one, okay so that's that piece and I'll just give you the measurements for the strip here, so this is a piece of ten by three and seven eighths of an inch, I've gone slightly over the width of the box because it's nice to have this just kind of overhang just slightly so it really conceals the tray when you slide it in and then along the ten inch side you want to score it half an inch, one and a half, five and a quarter and six and a quarter, okay and then for the little easel card on top which is optional you might not want to put that on, this is a piece of six and a half by three and a quarter, along the six and a half side you're just going to score it three and a quarter and at four and seven eighths of an inch, okay so that's all of the scoring done, so just fold and burnish all of the score lines, okay so starting with the tray I'm just going to cut down, just pick a side because they're all the same, it doesn't matter and just cut down each of the score lines to the first score line and just take away the sides a little bit there and again flip it so now that's facing away from you and you've got the opposite end and again just cut down those two lines, okay and then grab some glue and just pop it on the top of one of the tabs like so and just bring it under the side and bring that around to form one of the corners of the tray, make sure you get a nice right angle there and then go around to the next one and bring it down and wrap that side around and repeat the same at this end, okay and now we've got our tray next you want a piece of acetate so I've got quite a strong piece here this is actually off of some packaging I've just done about a quarter of an inch and then just fold you don't have to score it just fold about an inch or so at the end there I'm just going to pop a bit of red tape on that just put some red tape on the end there take the backing off and then choose what you want to do the front of the tray so I'm going to have that there and you're going to sit this with the folded side facing you and you're going to pop it in the middle if you want to mark a little pencil and measure it you can so it's folded in like so and what will happen we'll trim the end of this but you'll push that down with your little pop-up top up and then it will pop up so I'm going to bring mine in now I'm just going to trim this down so I'm not giving a measurement for this I've given you the width but you're all going to have something a bit different so it's easier just to see how I'm doing it it's very easy to adapt it for what you have and then I'm just going to run that tape along the middle of the heart and then I can just use the bottom of the heart there to sit in the middle of the acetate and then I can see that will just sit perfectly and just go over it and you'll see all the bubbles will come out as well okay so now that will pop inside the box also you want to just add a little hole punch you'll need to do it again once we've covered it and so yeah what I'm going to do is just go in here you just want to go about halfway okay and then I'm going to end up putting some pattern this paper now over the top but because I can see inside there I can punch through again it's just a bit easier because you're not having to punch through two layers of pattern paper so now I'm going to stick these all down and these measure up to cut four of them they're all the same and these measure three and a half by three quarters of an inch I'm just going to stick all four down okay so that's that and then I've got this piece here which is going to go inside so it's going to cover up that little bit of acetate that's three and a half inches squared and I'm going to use my cowl glue for this just to strengthen the bottom and then we're also going to add another piece inside the front there just to add some extra support so that when you pull the drawer you might have something a bit heavier in there and it will just hold that so that is just going to sit in the bottom so it just tidies everything up and then because we've already punched a hole before you can just go back over that now that same area so and then I've got some ribbon here so I don't need all of this at all so let's just take you need about three inches probably even that's too much fact yeah that's going to be too much you just want the smallest amount so maybe even two inches and I've just folded it over I'm just going to feed it through here I want it so that this is facing up rather than on the side like that that's just my preference but you can obviously do it however you want and then I'm just going to pop a bit of glue above the hole and along the bottom I'm just going to split open that ribbon like so you see I've just split the ribbon apart so a bit of it stuck above the hole and below you might find that easy to do and add this and this piece after so I've just popped that in place and then I've cut this piece here and this is that reinforced piece and this is three and five eighths of an inch by seven eighths of an inch and again I'm going to use my stronger glue there I'm just going to slide that in and it's going to cover up the ribbon but it's going to really reinforce that and now that's all ready to pop up I've just quickly swapped over that acetate because it wasn't thick enough it needed to be wider I done half an inch on the other box I don't know why I didn't do on this one but you'll see it really pops now which is what you want so go wider with your acetate there like I said I've just replaced it and it was fine that was still a little bit wet so I could lift it up but now you've got a really nice little tray and that will fit your four chocolates really nicely just lift it up like the little wrapper ends there okay and that will sit on the top with the wrap you then want to sit this so the tab is going to go underneath so that will end up being the bottom and it's easy to do this and wrap it around the box and that way you'll know that your tray is going to fit because I've done it before but the amount of times you make something and then you just don't find it fits and don't wrap it so it's you know so tight but you can see there that's going to now fit really nicely if I sit it down I can see that my tray it's going to slide out just need to give that glue a little bit longer to dry but by wrapping it around that way you know it's going to fit so I'm just going to pop my glue on the tab you'll see it's slightly bigger because I wanted just a little bit to hang over the edge because I just think it really does conceal the tray rather than having exactly the same width so while that's drying I've got all these pieces here to decorate so again this is all optional you might just want to put a nice topper on there and be done with it so these this piece here is three and a half by three and a half that's going to go on there this is the easel one so that is going to go on top and this piece is going to layer on top of this one so this is three by three so I'm going to stick that in there and then this pink piece is three and a quarter by three and a quarter and then that white piece is three by three and that is going to stick just on this front half of the easel like so so I'm going to get all this stuck down okay so that's all the mats and layers down and I've just started adding these little hearts for my stopper so I've just put the heart there on some foam and it's up to you where you position it you just want it to be able to hold this in place and then obviously it will lie down flat as well so just push that a bit more and then I'm just going to cut a few more and then the last one is going to go just on top just for a bit more decoration and then I finished it with my sparkle pen on the heart here so and you can once that's dry you can go over it again if you want it even more sparkly it dries very quick and then I'm going to add some glossy accents just over those hearts but you can see the glossy accents just catching the light and the glitter on that heart as well but that will just lock in behind there now and then just pull the tray and that pops the heart I think it looks brilliant I do have another one with this pop-up piece as well on it I need to share it again you'll see them pop up in this video so if there's other sizes that you'd like you can have a look at those but there you have it so thank you for watching as always if you haven't subscribed and you've enjoyed today please do hit the subscribe button and also the notification bell and then you'll be notified every time I upload a tutorial coming up now as well you should see those kind of similar tutorials so they will be linked along the video but I'll also pop up a couple of videos here that you might enjoy so feel free to watch those I'll look again very soon with more fun tutorials thanks for watching bye


Something dangerous is happening, and it's happening on your doorstep. But instead of fighting against intolerant politics, those that govern Europe are fanning the flames. We are DM25, the Democracy in Europe movement. For years we have warned that the policies of the establishment are fuelling the far right. The way we are moving, I can see a replay of the 1930s. And one result has been contempt for institutions and the collapse of centrist political parties. With the rise of the most toxic, misanthropic, xenophobic, racist, horrible political forces everywhere. Now these predictions are becoming a frightening reality. But there is an alternative. By pursuing political reform in Europe, DM25 is taking a stand in the fight against fascism. Add your voice to the thousands already saying no to hate, intolerance and bigotry. Join us.


This week we're going to be talking about the breaking down of the cellulose. Cellulose is a little bit different than starch. It has a little bit different connections to the structure, and because of those connections, you have to use some different chemistry to break it down to the point that would be much easier for starch to break down. Eventually, in our next lesson, we'll be talking about how to take those chemicals that you make as their intermediates and make that into ethanol. But we have to go through an extra step here with cellulose.