Remember a Hallmark card when you carry enough to send the very best. Hallmark will bring you Hollywood's greatest stars in outstanding stories chosen by one of the world's best known authors. They distinguish novelists, Mr. James Hilton. Good evening, ladies and gentlemen. This is James Hilton. Tonight on our Hallmark Playhouse, we present a dramatization which, in its happy way, signalizes the approach of summer. For the baseball season has already opened and a good story about baseball can be as enjoyable as the game itself. Fortunately, we have such a story and one written by an American of genius who not only writes but draws. He is James Thurber, well known in the pages of national magazines and deservedly admired by all who can see the funny side of things. Mr. Thurber's humor is so unlike anyone else's that one just has to use a special adjective to describe it. So let's call it Thurberish. I think you'll agree that our story tonight is thoroughly Thurberish. Indeed, it has a Thurberish title. You could look it up. And it's appropriate too that we should have as our star that very fine actor, William Frawley. And now, Frank Goss, have you a word about Hallmark? Hallmark is the name to remember when you want to remember your friends. For birthdays, weddings, anniversaries, holidays, there is a quality about Hallmark cards that whispers good taste. And you'll send them with pride for that identifying Hallmark on the back adds meaning. It says, you cared enough to send the very best. Hallmark Playhouse presenting James Thurber's You Could Look It Up, starring William Frawley. And is now Grandpa Doc? Why, Jamie boy, when your grandpa Doc was trainer for a big league team, baseball was baseball. Things really happened in ball games then. Like the time Pearl DeMondville. Pearl DeMondville? A girl on a baseball team? Pearl was a midget. A midget? On a ball team? You heard me. A midget. Gee, Grandpa, that must have been a long time ago. Now, don't go trying to pin me down to dates, Jamie, and I'll tell you how it happened. Is this a true story, Grandpa? True. Well, you could look it up in the record. Every blessed word. It was toward the tag end of September, the year after we was world's champs. And I was chief trainer and Squawks McGrew was manager. Squawks? Yeah, they called him Squawks because when things was going bad, he lost his voice and squealed like a little girl when you stepped on her doll or something. We was in a terrible slump. From leading the league by seven or eight games, we went flapping down to a half a game ahead of St. Louis. And Squawks McGrew was yelling at everybody. He wouldn't listen to nobody, and none of the players would listen to him. Well, what about the midget, Pearl? Well, now I'm coming to Pearl, don't rush me. We was on our way to St. Louis and stopped off in Columbus, Ohio to play an exhibition game. Columbus playing the world champs? That's right, and I couldn't stand watching them slaughter us. So I sneaked back to the hotel. I made the coffee shop okay, opened the door, got inside, and there was Squawks McGrew. So I sit down beside him, and there we are, like a couple of stiffs waiting for the coroner. Well, maybe this is the end, McGrew, the end of the losing streak. I'll never smile again, Doc. Never so long as I live. Like a horse laughing into a tin can. Come, sonny. Come, sonny, me, Junior. Hey, wait here. Get this kid out of here. I seen that ball game today, McGrew.  Oh, and I'll leave Mr. McGrew alone. He don't need no harm. Bein' a kid. Don't call me kid, Junior. It'll be enough. Come on. He don't need no harm by that. He calls everyone, Junior, because it always turns out that he's a year older than them. Now, come on, come on. Wait a minute, wait a minute. How old are you, sonny? How old are you, Junior? Fifty-three. I'm fifty-four, Junior. A midget. Boy, I don't believe it. He got you, Junior. A midget with a cane, a straw hat and a cigar. Now I've seen everything. Make this flat for that waiter. Leave me go, McGrew. Leave him alone. Wait. I'll bring him a sassaparilla. With a drop of poison in it. You tell him, needle. You got the eye. Look here, you. Who are you? I'm the guy just seen ball dressed up in beans. I ask you who you are. What's your name?  My name is that. Where are you from? I'm away to the station. Are they going, doc? By ambulance? Encourage him, McGrew. Cut it out.  Yeah, five games. Well, I see, McGrew. And I'm giving it to you free. Put your outfields freshest and let the beast... How about the fishes, Pearly? Hear that doc. He'd teach him cricket. I'm getting out of here, McGrew. Your brain's going. All right. I'm coming. Good. And Pearly's coming along with me. Oh, no. See what those fugitives from the old man's home look like? Out of the bandages and braces. Look, tell him that, Pearly. Don't forget. You can't do that to the boys. They're touchy already. Come on, Pearly. I'll lift you down. Oh, look, McGrew, don't do it. Pearly will start a mutiny. I know what I'm doing, doc. Oh, why didn't I take up embalming like my mother wanted me to? Sir, that's what's wrong with em, doc. You've been practicing embalming the players.  Now, wait a minute. Pearl's the answer we've been looking for, doc. The team's in a slump over confidence. They've turned into a gang of primadonnas. They won't listen to anyone, not even to me, the manager.  You watch, Pearl. Imagine telling off the world's champs. Take five for taking Cincinnati, Indianapolis, and St. Leonard. You take Pearl over and meet the team. I'll check the tickets. You want to get me indicted for murder?  The boys... I got a strange feeling the boys ain't going to like you or your jokes. Like me? If one of them waterheads ever sat on a... Pearl, honey, don't say I didn't warn you. Little doc, we've got a crowd following us. Hello, boys. Hi, guys. Hi, guys. I had the idea of bringing a parade with you, doc. Who's your little friend, doc? A whitey-cott? This is... An old pant for McGrews. A buddy's. Yeah, yeah. A pal of McGrews. Pearl. McGrew wants you to treat Pearl nice like. A cot? Shake hands with Pearl. This is whitey-cott, one of the league's greatest catchers. Sorry. Okay, Pearl, shake. Don't try shaking hands with me, Junior. Because if you do, don't choke fingers of yours. Ray Cook, what is this? A gag? Gag, no. Cut it out, Klinger. Look, I've taken just about enough from you, Klinger. That's enough, Cot. You too, Klinger. If I was you, Cot, I'd retire.  And you and who are the boys out here in the station? Brasslers. That's what I got for a ball club. And not good wrestlers at that. Now, now, the police. Stop them. McGrew, you're the manager. Why should I? Let them murder each other. Break it up.  He started that midget stuff. I already told you, McGrew. You better apologize and send Pearl back to Columbus. Pearl's coming with us to St. Louis. Oh, no, no, no, you can't. You heard me. Pearl's coming to St. Louis. He's our new mascot. Ah, to me? I'm not masquerading for no bunch of feeble minor directs.  They'll push him on a train window. Come on, Pearl. I'll lift you down. No. You're rushing for kidney. St. Louis and help me knock the overconfidence out of this ball club. Ah, he's never... Then we'll return to present the second act of You Could Look It Up, starring William Frawley. Tell you about how my wife and I just settled an argument. There's a new baby next door to us, and I said, here, I've never seen two prouder people than those young parents. Let's send a card congratulating them. But my wife said, the grandparents are always the proudest of all. They are the ones we should send the card. So what did we do? Sent cards to both the parents and the grandparents. And why don't you do that? Next time a new baby arrives in your circle of friends. You'll find a hallmark card that says just what you want to say, the way you want to say it, even for twins. Or if you are about to become a proud parent yourself, you'll find in the wonderful selection of hallmark baby cards just the card you want to announce the new arrival to your friends. Just the card you want for every other occasion associated with babies, too. Cards to send with gifts to new babies. Thank you, cards for baby gifts. Invitations to baby showers. You can see them all at the friendly store where you buy hallmark cards. And the hallmark you see on the back. That tells your friends you cared enough to send the very best. Now we present the second act of James Thurber's U-Cract. Of James Thurber's U-Cract. Of James Thurber's U-Cract. Of James Thurber's U-Cract. Of James Thurber's U-Cract. Of James Thurber's U-Cract. Starting William Crawley with Jerry Austin at Pearl DuMondville. Morrill is champion ball club in a terrible losing streak. Beaten by a bunch of bush leaguers and heading for a shellacan from St. Louis. With a cigar smoke and wise crack and midget named Pearl DuMondville in our hair. Grandpa, did Pearl get the overconfidence of the team? Not so you'd notice it. St. Louis knocked us off too straight like tin soldiers. The third game it's raining cats and dogs. And at the end of the seventh, when we was trailing nine to three, the games calling a kind of rain. McGrew and me was in the dugout trying to keep dry and think of some other way we could make eleven. And Pearl, he was sitting there grinning and puffing away at his big cigar. I wish I was manager of a lady's sewing circle. You are, Junior. You are. I can't take no more, McGrew. Pearl ain't doing us no good. The team's never been this bad before. A world series slipping out of our hands. World series? These bumps can't even play. Yeah, because all the cards are in St. Louis. How long, Jack? What do you think you're going? To the lawyers again. Again, I never even knew he'd been to the lawyers once to get us to show you how much you don't know. With the team, you better...  Come on, Pearly. See you tomorrow, Doc. What you got there, McGrew? A portable radio. McGrew, not in the dugout. The boys are touching them. They're broadcasting on its grace to the whole country. Pearly thought the boys would like to hear it. A beautiful day for a ball game, folks. The stands are packed to see St. Louis making four straight games and head for the World Series. Turn it all. That guy has got to speak before the game starts. He's seen his play yesterday. Something's got to say from here. Just a second. What's happening? What are they laughing about? The crowd's a team. McGrew, you didn't... The kids carried a toy. They took him off the field, McGrew. Why'd he kind of kill him? The first guy that lays a hand on Pearly threw his baseball. Wait a minute. What is this? He's lighting up a big cigar. No, I'm wrong. It's not a kid. It's a midget. McGrew, you did this. Yes, it is a midget. Why'd he count the catchers walking up to him now? Oh, yes, you'd have seen that. Cobb pulled the Stokey out of the midget's mouth and stamped on it. How the whole visiting team is converging on the little fella. He's running. They're after him. He's heading for the visitor's dugout. But I've lost him. He's disappeared behind the wall. Just a minute. I'll switch you to Jack Collins down on the field with the microphone. Take it, Collins. This is Jack Collins. The midget has gotten away from Cobb. Billy Clinger's climbing up after him. The rest of the team is going over after McGrew. Now here's McGrew coming up out of the dugout with his trainer, Doc. And here's the midget. He jumped down from the wall. He's hiding between McGrew's legs now. Why'd he cut his reaching for him? Hey, you guys, McGrew says, leave Perley alone. That's not uniform on the field. He's gracing the whole team. Let me take him to the shower. They're going to run in our uniform. Who put him up for this? That uniform made something to us, making a mockery out of the uniform. It might surprise you.  Hold him on. Bill has been made a regular member of this so-called ball club.  All right, we'll warm up. I don't believe it. I fixed it up at the front office by long-distance telephone. Perl! I can just see our owner saying to you exactly what we need, Mr. McGrew, a cigar-smoking midget. I'm telling you, Doc, our owner's okayed it. Mr. McGrew, just exactly what did you tell the owners on the telephone? Dear owners, I said. I want to sign up a new player, that no living pitcher in the whole league can strike out. And did you tell the people who own this ball club what size man this new player, Perl DeMondville, is? Never mind about that. Legally, Perl DeMondville is a member of this ball club. But, McGrew, even if it's legal, the game is only yours.  Four, so help me. I'm replacing anyone that doesn't with a three-foot midget. McGrew, open your eyes. They're walking another man. I don't believe it. Perl! You done it, McGrew. They're playing ball at last. Puttin' Perl in uniform, turn to trick. We're still trailing, ain't we, one to nothing? Perl! Walk to him! Step on the slump-sober. Turn on that radio and let's see what that wise guys got to say for us now. Some things come over the visitors and they're playing baseball. It's the first of the night. Score, St. Louis won. Visitor, there's nothing. With the bases loaded and Whitey Cot, their strongest hitter coming up. Looks like this ball game is going to be tied up or perhaps won in the next couple of minutes. See, even he said the slump-sober. All Cot's got to do is let that pitcher walk him and we tie him up just the second. Cot, hold it. McGrew, where you going? Some things happen. Cot's not going to the plate. But through the manager he's out on the field. Just a second. Perl! Perl, come on, Bill. Get up to the plate. He'll put you in a padded cell, McGrew. We're going to win this ball game, Doc. There's not a pitcher in the world who can throw three strikes to a three-foot man before he pitches four balls. Perl. Perl, now, listen to me, baby. All you have to do is just stand there. You got that? He's got to walk you. They won't let you. Here comes the St. Louis manager. Muller with the umpire. Tell him, ump! Off the plate in 30 seconds or I'll forfeit the game with the St. Louis manager. I told you, McGrew. I told you. Take a look at this contract, umpire. A contract for a midget? You really was to the lawyers. No, no. What's this midget player been doing all season? Growing up. Here's the book, Muller. Read me in print where it says there ain't no allowing a midget to play. Go ahead. Read me. In the next year they'll change the rules. Now play ball.  Cot! And the visitors dug out. After a big argument the umpire has ruled Perl to Monville can pinch hit for Whitey Cot. And the 35-inch tall player is up at bat waiting to be walked to force in the run that'll tie up the score. The St. Louis pitcher, Frazee, six feet three inches tall is studying the situation. He's crouching low, measuring the batter. And he up now on his tiptoes. He's going to his catcher. There goes the catcher back and right in front of me. Just staying right there like a little statue. Don't move now. He's been in after the ball. I'll see if my line will stretch out there. Here comes the St. Louis right fielder moving under him for the catch. He's in slump. After that, Jamie, when the team saw what McGrew made a fool out of through the whole world they felt sorry for him and busted out of their swell heads and played like demons. We hit Chicago for five straight games and it's a lot of dynamite to win the pennant. And then the World Series. This was so shook up they never hit their stride again. Their best pitcher, Frazee, the one who got Perl to bite on that slow ball he kept shooting everything too low. Took to misjudging everything that came their way. Why didn't you say this happened, Grant? Just like I told you. You could lug it up. I'd like to remind you of a joyous gift for children, the newest kind of greeting cards. Hallmark Little Women Dolls. Famous stars of MGM's new movie, Little Women, posed for these Hallmark dolls and autographed them. Think what a thrill for a child to receive a doll of Margaret O'Brien as Beth. Elizabeth Taylor as Amy. Janet Lee as Meg. June Ellison as Joe. Characters they've loved in the book, on the screen, now their very own dolls to play with day after day. Each doll is eight inches high, stands up by itself, and there's a charming verse that tells all about her. Their costumes of beautiful colors are just like the movie, and they have real feather plumes in their hats. You can nail them as easily as greeting cards, and they cost only twenty-five cents each. Or for only one dollar, you can get all four Little Women Dolls in a permanent portfolio, a truly glamorous present. Tomorrow at the Friendly Store where you'll find Hallmark greeting cards, look for Hallmark Little Women Dolls. Here's James Hilton. Thank you, Mr. Frawley, for a thoroughly, feverish performance. We've been very happy, and I think very lucky to have you here. It's been a pleasure, Mr. Hilton. And thanks to Jerry Austin, who played Pearl DeMond. Yes, indeed, a grand performance. You know, I always enjoy myself when I get mixed up with baseball. Its traditions are as truly American as, well, as your Hallmark cards. I think that's one of the nicest compliments we've ever had paid us. Thanks again, Mr. Frawley. And I hope you'll listen to us next week when we present Sir Arthur Pinero's great love story, The Enchanted Cottage, starring one of Hollywood's newest and brightest stars, Richard Widmark. And following that, Kenyon Nicholson's fine story of American carnival life, The Barker, starring that distinguished actor, Charles Bickford. Our Hallmark playhouse is every Thursday. Our director-producer is D. Engelbach. Our music is composed and conducted by Lynn Murray. And our script tonight was adapted by George Corey. Until next Thursday then, this is James Hilton saying, Good night. Look for Hallmark cards that are sold only in stores that have been carefully selected to give you expert and friendly service. Remember, Hallmark cards when you carry it up to send the very best. This is Frank Goss saying, Good night to you all, and inviting you next Thursday and every Thursday to tune in one half hour earlier and listen to the adventures of KC, crime photographer followed by the Hallmark Playhouse. This is CBS, the Columbia Broadcasting System. This is KMBC, Kansas City, Missouri.


As you know, I'm here for an official bilateral visit and will be heading to Da Nang tomorrow for the APEC Economic Leaders meeting. Yesterday in Hanoi, I had some really interesting meetings with officials, including the General Secretary, the President, the Prime Minister, and the Chairwoman of the National Assembly. But before that, I had an important discussion with civil society leaders, where we talked about some of the challenges facing Vietnamese society, including issues around freedom of expression. Now, on this, as we know, Vietnam and Canada are very different countries, and we do disagree on certain things. But even when we disagree, our dialogue must always be respectful. And I really believe that we can move the needle forward by challenging each other to be better and to do better. And that's how we drive progress. The key to having a constructive relationship lies in finding common ground. So with that in mind, what do we share? Well, for one, Canada and Vietnam understand that in the modern world, with an ever-changing and globally influenced economy, we need to work with other countries. And the obvious and most persuasive example of this is trade. On this front, Canada and Vietnam are already very strong partners. Last year, we did over $5.5 billion worth of trade with one another, and that makes Vietnam our most important partner in the region. Yesterday, we signed a comprehensive partnership agreement that will allow us to work even more closely together on a number of issues, including trade and investment, development cooperation, and defence and security. And our people-to-people ties are especially strong. Canada is home to some 240,000 people of Vietnamese descent. But there is another area of common ground. In the region, we have a very strong partnership agreement that will allow us to work together even more closely together on a number of issues, including trade and investment, defence and security, and development cooperation. And the ties that unite our people are particularly strong. Canada is home to some 240,000 people of Vietnamese descent. But there is another area of common ground I'd like to delve into a bit more, one that we see so clearly today, the value that our two countries place on education. Now I understand that there's a pretty impressive cohort of Canadian students here at the university. Students, I hear you. Students who've chosen to pursue a quality education while studying abroad. And likewise, Canadian colleges and universities are brimming with scholars from Vietnam. As bright young students yourselves, you understand the importance of experiencing other cultures as a way of expanding your worldview. And of course, through education, you learn new ways of thinking and problem solving. But perhaps most importantly, going to school teaches you about respecting diversity. Diversity of opinion, yes, but also diversity as it relates to our defining characteristics, like our background, our gender, our religion or socioeconomic status. In Canada, for example, we have a reputation as a pretty diverse and welcoming society. We're not perfect, but there is a certain level of openness to Canadians that people mention everywhere I go. And I really think that that openness and that welcoming spirit comes from among other things our focus on education. By getting more kids in classrooms and by empowering our youth to learn, form opinions and voice those opinions respectfully, we've fostered a society that doesn't just allow for diversity and debate, we encourage it. So keep up with your studies. Sign up for exchanges. Take classes outside your faculty. And in doing so, I promise that you'll learn a lot more than just the content of a course. Now, I know we want to get into the discussion, so I'll close with this. Canada and Vietnam are partners. We have a relationship that is only getting stronger with time and we must ensure that education remains a top priority going forward. You young people in this room, you may get told from time to time that you are the leaders of tomorrow, but I don't want people to tell you that anymore. I don't want you to think of yourselves as leaders of tomorrow because this world, your communities, needs you to be leaders today. What you do, the questions you ask, the actions you take in your school, in your community at home show that young people are already leaders. Thinking about the big challenges the world faces and the opportunity you have to be part of solving those challenges.  Because you're not just citizens of any one country. All of us are also citizens of the world because we are so interconnected. Those are some pretty awesome responsibilities, but I know that if you stick with it, I guarantee your education and your engagement will pay off in more ways that you can imagine, not just for you, for all of us. So I am incredibly excited about what the future holds for you. I'm very excited about getting started in this discussion. So thank you very much for your attention today. Look forward to our conversation.


What's going on guys my name is Jack you can call me I should we won't go back to a brand new attack on Titan episode today We have the second the last episode in the season It's basically setting up for the chase after Rainer and Bertolt of course They have Ymir on their side kind of now and they have Aaron as a captive still and we have the entire scouts against them Yes, we'll see if there's any collisions any resolutions guys will use link down below as per usual drop a sub if you're new and Let's get started Tarzan Oh my did you see the moves? Yeah, Tarzan. She pointed her toes and everything. They're just like, huh? Wait, what? Think a little one peeking peeking around the tree. Yeah He's gonna lead the Titans into him. I bet he knows that uh They can't outrun all the Titans She's fast. Yeah Okay, the horses are insanely fast. What's his plan? I don't he's probably trying to get the Titans chase after them because Reiner's gonna realize that like he has to stop or there's no way that he cannot run both the horses and Titans Like this point.  Is she gonna go back? She just like closes the hatch. She's like, okay Like we switch teams They do trust each other It's a little bit of a manipulation of her Titans are pretty bad Dude, Birdhole has just been showing the whole time. I know honestly Don't want to think I do fight Yeah What no she had the crazy eyes could you look tasty what? Wasn't it injected into her?  You accept in a lot of weird situations. I know Nice try I mean like what do they do? Oh, I don't know what happens here Because of going over What'd you do wait what happened there whoa Wait, what did he go in? Yeah. Oh, he's always hand. Oh I was like Body or something.  I mean she knows the Amir is like true. I don't know Yeah, you can't protect everyone though Yeah, these teams are getting weird. Yeah, I can't tell who's Who's with who now? I look you feel really bad for birdhole. I'm gonna be honest He just feels like he's he's around for the trip. Yeah Me you see him This is a dream actually I guess it is kind of a shell shock that they've known each other for so long I feel like he's trying to get to his heart. Yeah, guilt him. Yeah And birdholes the one to feel bad about it too. Yeah Like shut up just do it She's kind of right though, yeah She's gonna transform At least he's honest But who's he trying to appeal to I don't understand He has to explain Yeah, yeah, like they're lost. Yeah, maybe they don't even another plan. I don't know It's like he's like he can It's So I would follow that man into the gates of hell.   His Titan voice is pretty sick though It's like hollow, but it will be This is gonna be so hard.  I guess yes, slow down. Maybe a little bit I said gates of hell, dude Where's Levi dude? It's always any hurt still.  Yeah as hand of them He's lucky. He has the armor Um They really don't want birdhole to transform. I guess because he has Eren actually. Yeah, if you transform Eren would Pretty much be free. I guess I don't know Oh my god Oh, we actually got caught. I thought he had his arm like slicing through him. Oh my god.  What are you doing? What is he looking for? Oh my god And Mikasa is just amazing at at this. Okay. She's like that one kid in school. That's just good at literally everything.   Oh my god. Yeah That sound effect. Let's go, baby That's why I like to see Oh Weren't you like just, okay Armin has had some pretty solid development It's slow, but it's solid. I hope Armin survives that. Oh my god. What else is there to abandon? Oh my god Did you talk about Annie? Oh my god. He's playing mind games so hard right now Dude, he's marinating them Armin's so terrifying Let's go, that's a little small bean Armin Oh no, that's exactly what he wanted. Wait Irving did that? Armin's like that worked? Is he gonna fall on his horse? No Dude, who's man? Oh my god. That did not work What about yeah? Sasha there's no way they actually let her go. There's absolutely no way Yeah, the ymir is just lost That's they she's a character dude She only cares about cares for her about the trade. Yeah, she doesn't Dang Connie. She's brother. Oh Is Rainer just throwing Titans at them? He's like Rainer's just like tossing him off of them. Yeah Yeah That's actually really funny. It's like shot bullet. Oh my god I thought it was the beast Titan for a second. Oh, yeah, dude. What happened to sassy? He's a subplot right now. Oh Oh, the horse is okay. The horse is gone The flowers the theme returns Oh, that's a big boy Who is it? It's the one that ate his mom. Oh my god That got interesting. Wait, that has to be like a person then not just like some rando Titan, right? Like that I would that would be just casually Casually stroll up like that. Wow.   That is it for the episode I hope you did enjoy willy is linked down below as per usual We would be back with the season finale next episode We'll be able more for us today as per usual and we'll catch you in the next one


So today we are going to be doing a headband, what I like to call a boho headband bohemian because it has a kind of a bohemian pattern to it. This is only half of it, by the end of it we'll be working two of these pieces and sewing them together with the mustard color yarn. So we're using three different shades here, a brown, a mint color, dark brown, and a mustard color. And we're also going to be using Red Heart's Boutique yarn.  This one is fairly stretchy, so it has a lot of give, so when I put this one around my head and measure it, go around your forehead to the back of the nape of your neck and bring the two ends together and make it so it has a little bit of stretch and it's tight a little bit so that when you get it on your head it doesn't just slide off. So when I do that with my head it measures about 19 inches around, but we chain less than that because it's going to stretch. So this chain I chained and it changed to about 17 and a half inches, and I want the number of chains to be in twos, so we're going to make them an even number of chains and then once you've chained an even number of chains, chain two more at the end because you're going to be working a double crochet back through. So here I'm at 88 and I'm holding this chain at the end, I'm going to chain two and then I'm going to go into where my 88th stitch. So you're really chaining 90 and doing your first stitch, I'm going to do double crochet and doing your first stitch into the 88th chain stitch. So this entire row is going to be double crochet and I'll meet you back. Okay so we've worked the row of double crochets and we're going to work into our last stitch and then we're going to switch colors. So yarn through or put your hook through the last loop, yarn over pull through once, yarn over pull through both loops, then here's where we add our greens so we're going to pick up our green, wrap it around our hook and we're going to pull it through the last two loops that creates our final stitch and our chain, it completes the stitch. So now we are going to kind of pull it taut and we're going to yarn, chain one, we're going to do double crochets in the next row, we're going to chain two and I'm going to turn the work. This chain two is not going to count as our first double crochet because we have other things that we need to do and then I'll show you in a minute. So we're going to work these two tails in to our work as we move along so kind of wrap them around the back, you're going to hide them back there. When you go through this chain you're also going to go through the tails so we're going to do our first double crochet in this first stitch after this, after the chain so it's not going to be this chain, it's going to be this one. So you go through, you got your other yarns there, yarn over pull through once, yarn over pull through twice, yarn over pull through the third time and see this is just going to end up being kind of like our border, this is our first double crochet, our second double crochet was worked into the same stitch as the first one and it creates a V so yarn over pull through, yarn over pull through two, pull through three and there's your second double crochet and then we're going to work on like this we're going to skip one, work into the next we're going to yarn over, skip one, I'm sorry just go through the same chain, oops I accidentally pulled through our tails so I'm going to pull that back out you can get a little cumbersome working with the tails in but it's easier than when you get towards the end you don't have to weave them all back through with the needle so there is our two double crochet or four double crochets you do these into the same chains so you have one chain here has two double crochets skip it, skip a chain and then the next one has two double crochets then you're going to skip a chain and go into the next one and work two double crochets into the same stitch, skip one, move to the next one you see I'm still working those tails in when they get towards the end they will begin to kind of go a little wild so here I'm just doing double crochets skip one, go into that one these double crochets will create a V pattern because you're crocheting into the same stitch we're not putting any chains in between because we want to keep the stitch count at a certain number and so here we have you can see our pattern starting to form and so here we've got one two first stitch second third fourth so I wanted to keep my stitch count the same if possible so this is one we worked into this stitch there we skipped that one we have worked into that one and skip that one so that's a chains on the lower level it's one two three four and so up here you can see I've got one two three four stitches that's what I want to keep so work this until the end and I will see you back at the other side so I've ended the other green row and we're now going to add in this mustard color which we changed over to the color what we're going to do here is we're going to do a spiky stitch throughout the whole entire row using single crochets so we're going to single crochet the first two chain stitches or the first two stitches chain single crochet we're working in the tail ends also into this stitch so we've got two single crochets for our first two stitches of the row four one two three and this is a row four and we're going to single crochet into the double crochet spaces space right there in between these two double crochet so put your hook in underneath the chain and in between the two stitches pull up to the level so it's the same level yarn over pull through there's your single crochet then we're going to single crochet into the next stitch yarn over pull through kind of work these hidden ones back and then we're going to single crochet into the next double crochet spaces bring it up pull through that one little tiny straggler there we go then single crochet into the next one single crochet single crochet we're working the tails in we're almost to the end see we got those little stragglers crochet and we're going to work this pattern all the way to the end of the row and I will meet you back here at the end that's what it begins look like so it has a little bit of a spike stitch come to the end of this row and what I'm going to do is we're going to add the new color so we're going to frog that stitch frogging is just when you add the new color you take out the old color then you're going to go back in and start the stitch but we're going to finish it with the new color so there we go and pull everything a little tight and we're going to work these ends we're going to do a chain one and then turn and then we're going to crochet in the tan color or the mustard color because we're not going to we're not going to cut it we're going to just chain it on in there with this color so we don't have another tail hanging out so we're going to do a single crochet in this entire row and that's basically going to be the entire stitch so we're going to go into this very first stitch here we're going to work in those ends the mustard blue are getting worked in and this yarn that I'm using the blue yarn is a brand named called unforgettable and I will post that information inside the instructions so here we go we have our first row and I will meet you guys back at the other end we've completed the row of blue and now we worked our mustard stitch we've weaved it in as we went along so it's over here at the end for us to pick up we're still going to take out the last stitch of frugging it and then we're going to pick up the mustard color there we've got two we're going to drop the blue pick up the mustard and pull through that will give us our last so we're going to chain one we're going to turn the row turn it in the and cut the blue because we're not we don't need it here we're going to single crochet into the first stitch we're going to grab that yarn to so we're going to hide the blue tail we've got our first single crochet so we've done our first single crochet and now we're going to work into the bottom edge of the blue rows down here so we're going to do another spike stitch but it's going to be over those rows underneath so what you do is you kind of look to see where the top chains are these are chains one two three four so what we're going to do here it's a little interesting is we're going to the second chain we're going to go straight down into the middle of those two down here bring it up to the top pull through single crochet and then we're going to do a single crochet in the next chain we're working in that blue yarn to hiding it and then we're going to go down again in between next these two I just pulled something through that keeps happening to me that's okay so in the middle of these two orange or mustard stitches and go down pull it up pull through single crochet into the next stitch and down into the middle of these two we're going to work our way like that across the entire row so single crochet into the next stitch down in between single crochet and single crochet in between two stitches so that's what it's going to be look like and I will meet you at the end we have come to the end of row seven and now we've single crochet the entire row in the mustard all the way up to the end and we're going to switch to turquoise now and so we're going to frog that stitch like we did the other ones so you pull it out and then we're going to go back in I'm going to chain one through and then we're going to finish off the stitch with our turquoise then this last row is going to be different so come right back to you okay so we've got our first blue I'm going to go ahead and snip the mustard color because we don't need it anymore then we're going to just work with the turquoise on this last row and I say last row because it is going to be the last row we do and we're going to repeat this entire section and then sew it together at the end so this is just going to be a row of single crochets so we're going to do a single crochet row of the turquoise to the very end and I'm going to work these two ends in so I'm working these loose ends back in like we did before so you don't have to go back through and do a bunch of sewing at the end so work this entire row single crochets and when we turn the video back on or the next edit cut we'll show you how to piece together these two pieces to make your completed headband so now we're at the end of the row here and I'm going to go ahead and snip the blue we're going to just yarn over and pull through the last loop and then just kind of tighten it off like that so then we have our finished pieces what we're going to do is make two of these looks like I got a little fray in there but that's okay I'll make sure to tuck it back in so what we're going to do is make two of those then we're going to put them together like this and that's going to be your finished headband so once I make the second one I'll come back and we'll show you how to sew them together using the mustard colored yarn okay so I'm going to start off here in these first two top stitches going through the bottom rows and just do a normal sewing stitch I'm going to bring it up to right towards the end of the where I've made a little knot but I'm not going to close it up and then just keep working your way into the top of each of those stitches through hopefully not getting it tangled up I'll do a couple like this and then show you what they look like so when you actually turn it over it's going to look like that and I'll show you at the end we'll see then we've come up on the end of our piecing it together so what I'm going to do for the very end is I'm going to go in to the edge the very last stitches and tie it together I'm using my hook because I just think it's easier than using needles just pull it on through and then I'm going to go back through and just kind of try to tie it off actually I think I might go back through the same stitches bring it back through I'm going to take that loop put the other end in and tie a knot just make it go tight and I'm going to cut it off a few inches down the row and work that back in probably down here and into the gold to hide it the tail so this is the finished piece together headband that's the this is the wrong side which looks I like the way these stitches look this is the okay so once you've it completed both sides we're going to join these two pieces together like this these are my two tails I still need to work those in but we're going to join these two pieces together in the same way we did the middle stitch and after you've completed that and this way can be a little bit more difficult but you just need to match up as best you can the edges and match them with the stitch here is the finished headband this is the seam side which is going to go on the bottom in the back I should have used the brown here because I don't like the way that that looks so I recommend using the brown to go ahead and seam it together I hope you enjoyed my tutorial and I hope you enjoy wearing your new boho headband


In this video, we are going to create a conflict system using the hazard recipe. The hazard recipe paves the way for our incentive systems, and is the core for upcoming recipes, including the boss battle recipe. This video is sponsored by the platform Essential Recipes ebook. The ebook is currently on pre-order, so it's your chance to get it with a 30% discount. A conflict system is when an entity offers passive or active opposition to players progress in the game. Some examples of conflicts include enemies, negative statuses such as burn, poison, freeze, etc. Other players in the case of PvP and mechanics such as traps, spikes, flame towers, etc. We call them hazards, as they offer danger to the player's avatar existence. I'll use the gutted asset library import feature to import the recipe into the project. This is quite an abstract recipe, as the overall setup is quite simple and most of its value comes from our own season. In other words, each game requires its own concrete implementations of its hazards, as they build up on the game team, and even on each individual level team as well. The essence of a hazard is that it somehow deals damage to players based on a trigger, but different from enemies, they don't have any intelligence in their decision making mechanism. That's why we call them mechanics nest little brothers, because they have a mechanical and predictable harmful behavior. So let's create our first hazard. It will be a bomb that explodes after it enters in contact with the player. I will set up the animated sprite 2D animations first, then I will add the hit R2D which is our hitbox. By default, it looks for collisions in the third collision layer, which I will rename to combat layer. This bomb will deal one damage and is not on the player's team, so it deals damage to players. Then based on the last frame of the boom animation, I will create a collision shape matching the damage error. By default, this collision shape will be disabled, we will only enable it when the bomb explodes and just for few frames. The bomb should know when the player is closed, so it triggers its explosion. So I will add the vision error to D as its child. This is a simple system that detects when something visible gets into a given vision or site area. For that, it looks for collisions in the fifth collision layer, which I will rename to visibility layer. Now let's choreograph what will happen once the bomb detects the player. For that, I will use an animation player and create an animation called explode. First of all, it will play their own animation, which will basically light up the bomb's wake. It should also disable the vision error collision shape. This should prevent the animation from triggering twice if the player reenters the vision error. And then it will play the boom animation after the on animation looks once. Then I will enable the hit error to the collision shape for a few frames and then disable it again. Finally, at the end of the animation, I will call the kill free method to remove the bomb from the scene tree. With the desired behavior in place, let's take the condition that will trigger it. I will create a new script for the bomb and connect the vision error to the error entered signal to a callback inside of it. I've made a method called explode that essentially plays the explode animation. So it's just a matter of calling this method inside the signal's callback. Using this same process, we can create a range of other hazards. For instance, I've made this crate pick that tricks the player. When it attacks that the player entered its vision error, it jumps, dealing damage to the player. So we've finished our first hazard, but remember, this is a two sided system. So let's set up the other side of the coin, the player. I will open the king pick scene and instance a hurt error to the and a visible error to the and set up their respective collision shapes. Then I will connect the hurt error to the damage signal to the king pick script. I will create a health variable and a coin health, sell the private variable to make the damage logic. The idea is to decrease the player's health based on the damage it received until it's zero, or rather, below one. Here we play the hit animation. When the health is below one, we play the dead animation. Then whenever the player gets damaged, we disable its physics and input process until the hit animation finished. Note that since this is a two sided system, we can do the same thing on the player, adding a hit error to the king pick and creating objects with hurt error to these. This was made using a recipe from the platform essentials cookbook. Get your copy with 20% discount before December 1st. Ready to make your dream game? Click the link in the description. In this video, we've created the core of our combat system. With this in place, we can enrich the game's world with other characters, while with enemies should be more specific. In the next video, we'll add a kamikaze pig using the bumping enemy 2d recipe. That's it, thank you so much for watching, keep developing and we'll see you next time.


Hey, hey there guys! It's me, Dune, and we're back again with another reaction video. And yet again, I am sorry that it's just freaking easy. No, I have to keep on uploading in so late, and I would react to them. But it's just people are sleeping in my house, and I need to respect them because they have work, they have university, and I'm on holiday, so I don't really have anything to worry about. But I've got to respect the people in my family, you know, they've got stuff to do, and I kind of do have stuff to do, but it's not as important as that. But yeah, today we're going to be reacting to freaking SF9 second teaser, and it's got to be. It has to be the teaser that's got freaking ZUHO, YOUNGBIN, CHENLEE, and HUAYUNG. Like it has to be like that. But yeah, if it doesn't have them in this, I'm going to be a bit annoyed, but at the same time, it's still going to be SF9 teaser, so it's going to be cool. Because that last one, man, I've just been watching that so freaking much, it's just, oh! But yeah guys, I think that gets straight into this. I'm freaking excited. I hope you guys are too. And it's DODY. Okay. Oh, yo, Chenlee. Oh, someone! This is the one with everyone in it. Okay, this is going to be good. This is going to be good. That's HUAYUNG, we see YOUNGBIN and... Yo, he just threw a Molotov at a freaking door. Maybe that's a portal. Maybe that's a portal. Oh, math. Okay, so from watching this teaser, I am just, I am a bit confused, because it's like completely different to the other teaser. So maybe this part, like with the beat.  Maybe it's something a bit like that. Oh, yo, I might do a video where I put them both together. Ooh. That shouldn't take too long to make, because it's just legit overlapping both of the clips, so I'll do that after I do this video. But that freaking teaser, man. That freaking teaser. That was just awesome. That was awesome. We got to see ZUHO. It was all basically in black and white, except for when we saw a few of the things, and then the freaking fire and Molotov at the door. I'm guessing it's like a portal that they're creating or something like that. I don't know. But like that, that looks cool. But I want to watch this again, and then kind of just like look at each part, really. Okay, so is that... That's YOUNGBIN and ZUHO. Okay, so YOUNGBIN and ZUHO, they're in the car. Okay. And that...  That shot looks pretty dope. That really does look dope. I really like that, like the car driving through the plane. Oh, wait. So that must mean they're in the same location as Rowoon and Inseong. Well, maybe it's a different time, and that's why they're going to... Like making a portal. Oh. Oh. Oh. Yo, theories, man. Theories. So that must mean that they might be in a different time, because they're some black and white for whenever ZUHO and YOUNGBIN are there. So maybe it is different teams. You know? Chenny and Wei Young and then ZUHO and YOUNGBIN. And then ZUHO is throwing the monotone at the door so he can go forward in time or something like that to make a portal. I don't know, because it's black and white for them. This is just a theory. A fantasy theory. Now ZUHO and Wei Young are there. Okay, so maybe it's just this is black and white shots. They're not in the pass. Okay. Okay. But damn, that beat. And then they're at the same location. It's Da Won, Tae Young, and Jae Yoon. Oh, that's slow. Oh, the glitches are still... Wait, who's that in the water? Okay, we're going back. We've got to see who's that in the water. Who is that? I think it's... No. It might be Chenny. Yeah, that's Chenny. Oh, yo, that's sort of Wei Young though. That's shot... Oh. Oh, yo, man. Everyone's on point for this. We can come back, okay? Okay. Okay, so they're all in the car there. They're all hopping out. There's got to be something to do with that. There has to be something worth that. Is it a portal? I feel like it's a portal. I swear it is a portal. Okay, I'm calling it. And if it's not a portal, then my bad. But I'm pretty sure it's a portal. Just look at it. He's throwing a mototov on a shape thing like that. You couldn't really see me do that with my hands. But it just looks like he is creating a portal to somewhere. Yo, Youngbin back there. He just... I love that car. I love the car. See, there's got to be something to do with that. It's showing that door. It must be important. It has to be a portal. It has to be a portal. It's just so important. Like, they wouldn't be showing it for the final clip if it wasn't important. Okay, so after breaking that down, it looks like that my first part was wrong. You know how I said that they're in the past? They're clearly not because... They're clearly not because all four of them were together. Or maybe... I don't know. I don't know. I'm getting confused. But the only thing that I know is that they all look sexy and that freaking portal, that portal, that's got to be something important. So it has to probably lead them to the other group, to the vocal line. But yeah, this was going to be all for this video. I hope you guys did enjoy it. If you guys did, don't forget to give me a like and also comment down below some theories that you guys have.  It's going to be, like, of both the teasers, like Together or something like that. Or maybe I'll just break both of them down side by side. I don't know. But stay tuned for that. And also, subscribe if you guys are new to the channel because there'll be more reactions coming to you guys. There'll be more about SF9 because SF9 are my bias group. I freaking love them. They're not my favorite group out there. And yeah, they're supposed to give you. So I hope you guys have a great day. And just keep on smiling. And adios, amigos.


Somebody make me come through, I'll always be there, as frightened as you, to help us survive, being alive, being... Mm-hmm. That lady. That lady has some beautiful legs. So I know Marzied Oats, right? And I know also that Dozied Oats, but I haven't the foggiest what little lambs eat. Welcome back to Life Lessons in Film. Do you foresee Operation Condor, Armored for Gods? That should be your next one. My coffee is out of reach. Welcome back to Life Lessons in Film. Hello. Today we're going to make sense of life through marriage story. Mm-hmm. So juicy. It follows a couple going through a divorce. And it's basically Scarja's character. She's at the point of no return. They need to get a divorce, ask her family, sister to serve her husband, the divorce papers, and then it's the process of them needing to get lawyers and them trying to figure out the whole process and how going through a divorce can really destroy an already destroyed marriage and just what it puts two people through. It's ugly as it gets at one point where there's two lawyers having a proxy war, a proxy argument, picking out all the deepest, darkest secrets that only the couple know but because they share all this stuff with the lawyers. Now it's like the two lawyers know all this stuff and they're just ripping the other person apart, very personal intimate things and using it against them. So even after that, they end up coming to actually a pretty good negotiation between the two sides and then now they're trying to figure out a way to have a balanced life. This is what grinds my gears. These two people, Nicole and Charlie, should not have gotten divorced. Let me not say should because, you know, I do not have the authority to determine who's, you know. It is not vested in you. Okay, let me go. Yeah, I feel like they should have gone through therapy. You know, like obviously things had gotten to that point but I don't feel like they'd gotten to that impasse where you kind of like, this is the point of no return. The reason I say that is because of how they are actually moved through the whole divorce like you were saying, the divorce lawyers just go super, super dark and then in the end they basically just make the decision to fight for each other and what they, the two of them committed to in terms of how they would actually divorce, ultimately, amicably. That's what they wanted.   You know what I mean? Obviously, Nicole is visibly frustrated and in the end, I remember, it was her night, she's like, he seems tired, why don't you take him home? We had a dinner and he's like, it's your night. No, it's okay. So that to me says these people were not out of love with each other, first of all. And they were also immature and empathetic enough as far as I'm concerned to actually work through their issues. They understand each other, they have such a deep respect and love for each other. And I understand that you could love someone and then there's no prospect of it working because I think a lot of people, you do end up and you find yourself in a relationship and you are in love with someone, but there are lots of reasons that we turn to love. You know, maybe it's just because you're lonely or because they remind you of someone or something and you feel that, well, I guess at this point, maybe one could say is infatuation. But at the end of the day, there are lots of reasons we love people and sometimes it doesn't justify actually being with those people. But with Nicole and Charlie, I was like, what? Especially the scene at the end when Charlie is reading what? A cold robe of the therapist, the counseling therapist, the divorce therapist or whatever. And it's a lot of very sweet, complimentary stuff, you know. And we've never read it before because she didn't want to read it in front of the therapist at the beginning of the movie. And then Nicole seeing him would read it and everyone was getting very emotional and sad. The great thing about the movie... No, you go. No, you go. My thing is divergent. I feel like my thing is divergent too. Yeah, I think they're always divergent. The great thing about the movie for me was that I felt like it was quite an accurate portrayal. I mean, a fair portrayal because a lot of times with these kinds of movies, there's always, there has to be a villain, right? You know, and a person who is taking advantage of it. This was the second time watching this movie. And I remember the first time watching it, I felt so upset about how Charlie was being treated. You know what I mean? Yeah. Because I felt like... You're like, Nora's taking advantage from the beginning, her lawyer, Nicole's lawyer. And then Nicole does seem to be changing the game a lot. Charlie seems to be, no, no, she wouldn't do this. She wouldn't do this. She keeps asking for more, trying to take more. And you're like, that does seem pretty manipulative. Exactly. And then you find out that, oh, Charlie cheated. And then you're like, oh no. You know what I mean? Because I mean that Charlie was the bad guy. But then later you find out that, well, you know, as they're talking about it, he's like, you know, you weren't sleeping with me. You know, like you weren't giving me love, obviously, right? So then you discover that, you know what? The cheating was most likely a symptom of something. You know what I mean? That was already happening. Yeah. The fact of her feeling like she wasn't seen or respected is what for her, she led, what led her to make the decision to divorce him. It's really tricky, you know? Because her feelings about why she ended up pursuing divorce, I felt like they both were in the same kind of position. And these are things that kind of come up throughout the movie. I remember later, as they're arguing at Charlie's apartment, he reveals that, you know what? Like you wanted to get married so early. I was scared, you know? Yeah. So basically, obviously he loved her and got married because that's something that she wanted. But he wasn't, he didn't feel ready for it. You know what I mean? Yeah. You know, my life changed. I had all of these, you know, in my 20s, I could have done ABC, but you know what I mean? Yeah. But I kind of, I didn't take advantage that I feel like I wasted my 20s because I wanted to be true to you. Exactly. And we got married at that point. Yeah. So then maybe had that kind of resentment. At the same time, you know, you're like, okay, you could see where he feels like, well, he wasn't ready, pressured into it. Lots of loss in terms of his own ambition. Loss, like, because he was already like, it's just his career was skyrocketing. And of course, he was getting a lot of attention then from people. He's like, there were a lot of women that were interested in him. But then, so it's like, on one hand, you're like, okay, he felt like he wasn't ready. But at the same time, you're like, well, I was young. I would have wanted to still like hook up more with people.   What does that even mean? I don't know.  And then, you know, I could say the same for Nicole because even as he's talking about like, he's not really hankering for the women that he didn't have, you know, this was when he was talking about, they were talking about the relationship. Basically kind of pointing out that if women were an actual issue, I could have done it in my 20s when women were throwing themselves at me.  For me, what I see with these two people is that both of them had their own needs that they never brought to light. You know what I mean? They never actually shed light on what they feel and what concerns that they have. So for him, he feels like he lost critical years of his life where he could have pursued his career and his ambitions to a greater degree than he did. It's not to say that he didn't love her.  And maybe that's where on her end, she feels like he never compromised the beat of their, of the drum of their relationship always went to his beat, right? She was always playing second fiddle, always like going along with whatever he wanted to do. But maybe in his mind, he was still compromising because he had even loftier goals or wanted more freedom that way. So then he thinks, I'm doing lots of compromising. In her mind, she's like, I have no person. I have no self. I don't know who I am. I don't know what I, you know. Exactly. So that's where I'm like, these people had the same exact concerns. So none of them talked about the concerns that they had. They weren't vulnerable with each other, you know, about this is where I'm at in my life. But they had this expectation that the other person would actually be understanding of the sacrifices they made without actually coming together and discussing that. So many things that she was good at, so many things that he was good at, they kind of, they balance each other out in a lot of ways. And on top of that, they're very communicative. Like it, well, obviously I'm not going to say communicative because clearly didn't, you know, they care about each other and they make the effort to give to each other. Which I think that if actually they were communicative, then things would have been fine because they, both of them, you know what I mean? I remember when the gate was, the gate, the power is out and I can't close the gate. And then he comes around, you know what I mean? And then he's like, I'm just looking for hair versus my hair. I was like, you're looking pretty shaggy. And okay, I'll handle it. You know what I mean? I mean, it might be one of those situations some people say that that happened in real life where they're kind of better in divorce. People say that. Yeah. People always say that. And I'm not saying people always say that. And it's true. Some people are better in divorce and some people end things without fighting for things.  You know, that's the thing about love. Like love is a mix of conflict, constant hurts, huge expectation. Once you fall in love with someone, the bar for what they need to give you is like, is extremely high. Do you know what I mean? Yeah. And that's why so many people understandably struggle with that commitment because you now become the financier, house cleaner, the confidant, the best friend, the lover, the everything put on one person. Exactly. Yeah. Expectations are high because you need a lot from that person. Yeah. Realistic expectations are high. Yeah. Realistic expectations are high, but there are also a lot of unrealistic expectations. For example, Charlie is not seeing me and it does not allow me to pursue my dreams. But whose responsibility is it? Is it Charlie's responsibility to have Nicole pursue her own ambitions? No, it's not. It's hers. And so if anybody should be upset at anyone, it's Nicole and herself for allowing the situation to go for so long. I mean, she probably... She was also young, I imagine, at the time too. And then I think a lot of people can get very lost in the relationship. It's easy to lose yourself, I think. It's easy to fall into this kind of healthy or unhealthy kind of enmeshed, weird one entity thing. And then, you know, a lot of people then have that struggle to also be interdependent, right? Or whatever, like have your own, maintain your own sense of self. It's a tough thing to have that balance of being independent, but also being as interdependent as there for the other person or as supportive as you need to be. There are three people in their relationships that we often talk about. There's you. There's the person you're married to. And there's the relationship itself, right? The person you are outside of the entity that is your marriage. The person you are, it's your responsibility. As much as you wish your partner could read your mind. You're going to have needs pop up that maybe we're always there or you're gonna have new needs because the needs are always coming in and out as the waves do. You're gonna have to let your partner know about the new needs. Yeah, 100%. And I'm not even saying that it's just Nicole here who was problematic. Who was problematic in that sense. Because she's only finding out about what Charlie felt about his own needs that were met in this relationship and what things he feels that he sacrificed. Both of them carried all of this animosity towards each other and resentment towards each other. And yet they never actually expressed themselves. And even like the little things which naturally come up because humans are complicated and maybe even petty or kind of envious or judgy people where she talks about she loves that Charlie loves being a dad which is something that you would think she's so lucky she found a guy that loves all the annoying things about being dad the tantrums of getting up when the kid is like he loves all that stuff and you're like is this person even real? But then even a kind of a noisier at times how much she likes it because they're kind of like is he better parent than me or how can you enjoy it? It's phony or something you shouldn't be enjoying but no one likes that stuff. And that's just human stuff that can pick away at you if it's also not something that's like if she told him like Charlie I gotta say like it's weird and like maybe I'm a bad person for this or something but like sometimes it annoys me that you love this stuff and then you can talk about it and you can smooth it out but you know He loves being a dad he loves all the things you're supposed to hate like the tantrums that waking up at night I had a bad dream I had a bad dream It's almost annoying how much he likes it but then it's mostly nice Dad I remember the song when Charlie was saying Oh my God I was gonna look that up being alive I don't know but we gotta look it up because it broke me and even now like I'm just getting super bad It completely kind of wraps up their situation Exactly and the heartbreak of it the relationship they have afterwards they're still friends Being alive also To me the relationship ended because two people were disgruntled I think the greatest gift that you can give to your ex as a parent and as a human being is that understanding that as much as I don't like you right now you're still my kid's dad or you're still my kid's mom and so that is something that I have to respect not for you not for me but for my kid I really felt for Charlie even where he goes to visit the family home Nicole's family home where she's living right now the pictures are not there of him anymore because he used to be you know on the gallery wall but he's not there anymore those kinds of things it's kind of like feels like you're getting raised That's the thing of them realizing that you meld your lives together so much and then when you have to split that apart it's like you are cutting a big chunk of yourself off as well and like yeah when he first gets served the divorce papers and he's very close with his mother-in-law Nicole's mother and it's an awkward thing because understandably Nicole's frustrated that her mother is still like Charlie I love you we do things together we hang out sometimes we're very goofy with each other and I get where she's like yeah but you can't look at Charlie the same anymore you can't interact with them the same anymore it's a tough thing because it's kind of like you'd wish that you'd have your mother-in-law like your husband that much so then you know that's kind of the idea and then yeah and then it's like so it's complicated in another way it's hard if you have in-laws that don't like your partner but then if you divorce then I guess it's easier but then in the reverse she actually had the best situation there but then it's harder when you do get divorced that was also really heartbreaking honestly because there's so many relationships ending there was no juice for divorce you know what I mean people who hurt each other every single day on purpose because maybe they're angry I'm not really sure I mean you know and they're sticking it out and I'm not saying that they should I'm not saying they should stick it out what I'm saying is that I'm just confused by what it is I don't know if I'd say there is no juice for divorce yeah I'd say give me the grounds well I think I think the grounds for the juice I think Nicole clearly got to the point where she felt there is no other option so I think that she had grounds she felt there was juice now I think that there's some completely unsavable right well here's the qualm yes what's the qualm as I said what is the juice your juice I have qualms in the sense that you know how a lot of times you'll be like I can't read your mind gotta tell me what's going on and then we've talked about it where I'm like I reflect on I cannot be upset with you because I never told you you know what I mean and you only figure out that I'm upset because I'm like I'm on top and then you realize okay what did I do you kind of trying to figure out what did I do oh my god is that fair that is for me at that time when I'm upset with you I feel like I have a qualm and if I then make the decision this is I'm like I'm you know ending things because of this issue that I had that I never told you about do you know what I mean that's the thing I feel like both parties do that to each other because even when Nicole as Charlie says stopped being more intimate or like being more intimate to him Charlie should have talked about that instead of letting that play out to the extent that he then seeks comfort and intimacy into me I see into me I see with the other lady you know what I mean both of these parties nobody is is absolved from my court of law not even no reason justice court of qualm my court of qualm nobody is absolved from my court of qualm both Nicole Nicole and Nicole and Charlie both Nicole and Charlie would have served time yes they're both guilty I feel that but I mean I wouldn't say there's no juice I think there was some juice but the juice was exaggerated they really diluted the juice with a lot of water and at the end it's just barely flavored water at that point you know they really dragged out the juice and they could have still made good punch with it I think I'm getting a little high most of it I'm like I'm trying but the ingredients for a good punch were there and they did not take advantage of that you know I am utterly desiccated at this point but yeah that's some of the stuff that we got thought about from Marriage Story but we'd love to hear what you guys think more what we'd really like we're just curious to know who watches our stuff and who likes the same kind of movies because we love movies but we only have each other really we're just curious to know if they're human beings if you're out there and you like it just say yes just leave a yes do you reflect on movies like this do you when you watch movies sit down and just kind of like reflect on your life everything that happened in the movie does it feel like you know these people or you're only watching Marriage Story because of the drinking games like every time they get upset with each other you take a shot you know I mean I guess you could do that do you just need to make a drinking game out of Marriage Story sure you could do it if you tried but yeah