Item No. SCP-808 Object Class Euclid Special Containment Procedures SCP-808 is currently unable to be moved from its original location. As such, armed containment Site-27 has been built around the area in which it was found. SCP-808 is contained within a 6m x 7m x 17m containment tank. It is constructed from 10cm thick walls of polyvinyl chloride, PVC, covered by 25cm thick acoustic foam. Furthermore, wooden sound dampeners are constructed 3m from the container to further insulate the object. These dampeners are susceptible to regular degradation, and as such are to be replaced by Class D personnel. SCP-808's housing, Area 80AA, is currently set with ████ explosive charges. The public cover stories that the property had been purchased by the military of the training area allow for complete destruction of the object if required. Barring maintenance, a 30m buffer zone has to be maintained around the object at all times. Once monthly, SCP-808's tank is to be opened and the main body is to be inspected for degradation. If sufficiently degraded, a diluted phosphorous acid spray is to be applied. Then the object is to be powerwashed and coated with further rust-proofing agents. Machinery originally found within the structure had been removed to a storage area of 250m to the southwest. In the event that any unconnected machinery in the vicinity of SCP-808 begins to operate, all personnel are to evacuate to Evac Point Beta. As a precaution to repel invaders, automated motion-sensitive flame-based defensive installations around the object will activate in the event of a site lockdown. Description SCP-808's mechanical construct standing approximately 16m tall, with the base approximately 5x6m 30m2 in area. The object is roughly cylindrical in shape. The upper 3m taper into a point. SCP-808 seems to be built primarily of steel and iron, with several smaller brass fittings. Randomly placed lense of cable and chain are attached half-fazardly to the lower areas, with the majority of the machine constructed of steel beams and gears in simple clockwork patterns. Components seem to have been taken from various industrial machinery with no single source. The machinery forming SCP-808 runs constantly with a low grind, despite no apparent power source. The uppermost portion of SCP-808 is constructed in a somewhat humanoid form. This portion is covered in grey carpeting and a white wedding dress, giving it a soft somewhat feminine appearance. The effigy possesses four limbs, the upper limbs appearing somewhat vestigial and the lower limbs apparently taken from a mannequin. The face seems to be a speaker system, possibly constructed of copper. While SCP-808 runs, a high-pitched whine is emitted from the humanoid construct. As SCP-808's structure degrades through rusting, or is tampered with, such as attempts to disassemble the object or through application of force, this noise's volume will increase dramatically. This noise will automatically tune the frequencies capable of causing local metals to resonate. After growing loud enough, approximately 70 decibels, non-electronic components of the machinery affected by this resonance, will spontaneously activate. This anomalous activity will cease once rust has been removed from SCP-808. No psychological effects have appeared in those exposed to the sound. Direct damage to the humanoid construct has caused it to emit approximately one ██ decibel scream, killing two indefiniting ██ personnel on site, as well as causing extensive property damage. No further attempts to deconstruct or destroy SCP-808 are to be taken except in extreme emergencies. Recovery Log SCP-808 is located within an abandoned factory in ██, France. An agent embedded as a local city worker heard rumors of a constant screech in the local countryside and called in a small investigation. Upon discovery of SCP-808 within its structure, the four present agents were assaulted by a group of civilians killed by agents in self-defense. Investigation of the structure revealed a sect dedicated to the Church of the Broken God. Associated members of the sect were captured and taken in a Foundation custody. Documents in paraphernalia retrieved from civilian residences revealed that SCP-808 had been under construction for approximately seven months and remains unfinished for being acquired by the Foundation. Investigation reveals that SCP-808 was intended to be a musician of sorts in preparation for the eventual return of the Broken God. Associated civilians have since been terminated under the guise of an attack by a mundane terrorist sale. Security for a location redacted has since been increased. Addendum Note from Dr. Bridge Judging by the main structure, I'd say that it was intended to be mobile. It has bits that look like the beginnings of legs, wheels as well. It's quite concerning that something the size of SCP-808 has been built outside our knowledge. However, I find it even more disturbing that a cult of the Broken God grew this large without alerting the Foundation. In light of this recent growth, I recommend increasing surveillance on known Church activities.


Hello everyone. Welcome to the next lecture in the course remote sensing principles and applications. We started discussing about the various remote sensing platforms from which we can observe the earth surface. We discussed about ground based platforms, aerial platforms and we started about discussing the space bound platforms that are satellites and today in this lecture we are going to continue with that particular topic. In the last lecture I told you about satellites, how to calculate the or what is the relationship between the orbital height, the velocity with which the satellite revolves around the earth surface and the time period taken for the satellite to complete one orbit around the earth surface. We assume the circular orbit while calculating all these things and for all practical applications we can consider the orbits of remote sensing satellites as circular. We are not exactly circular but we can treat them as so, with many minor differences will be coming between what we calculate and what the actual values are. And also in the last lecture we got introduced to the concept of inclination of the orbital plane that which the plane in which the satellite revolves we call it as orbital plane, the inclination of that particular plane with respect to earth's equator and also what is known as a orbital longitude or more precisely the right ascension of the ascending node. So, with this background we will just look deep into the different kinds of orbits available for satellites. So, based on the altitude of the satellite above which it is revolving around the earth surface we can classify the satellite orbits into 3. One is low earth orbit where the height of the satellite will be something around 200 to 2000 kilometers above the earth surface. Then comes medium at orbit in between them 2002 about like 35,000 kilometers and high at high earth orbit above a threshold of like 35,700 kilometers or roughly 35,800 kilometers. So, this is based on the orbital height above the earth surface. So, with this most of the remote sensing platforms or remote sensing satellites will orbit in the low earth orbit roughly in the range of say less than 700 or 800 kilometers mostly. There are certain observation certain platforms which are available at high earth orbit like around 36,000 kilometers it is there and that are like geostation orbits which we will see later. So, this is based on the orbital height. Similarly, based on like the direction also we can classify whether it is the satellite is moving in a prograde direction or retrograde direction. This I told you in the last lecture itself, but just like I am reiterating it that is earth is revolving in one particular direction or rotating in one particular direction. If the satellite also rotates around the earth in the same direction we call it as prograde the orbit is prograde. If the satellite revolves in opposite direction to the earth surface we call it retrograde. So, these two are like technical terms which we should remember. And when I discussed about like orbital inclination based on the orbital inclination there will be like a change in coverage of the earth surface. That is if a satellite is having an inclination of i degrees then and if the satellite is in prograde orbit then the satellite will cover latitudes between i degree north to i degree south. That is let us say a satellite is in orbit which is inclined at say 55 degrees with respect to equator in prograde. Then that particular satellite will cover 55 degrees north to 55 degrees south latitude it will not cover the entire globe. The satellite will be able to cover places occurring within this particular band 55 degree north to 55 degrees south. On the other hand if the satellite is in retrograde orbit like with the given inclination of i then the latitudinal coverage will be 180 minus i. Let us say some satellites or most of the remote satellites will be in the range of say 98 degrees inclination and it will be retrograde orbit. So, with 98 degrees inclination means 180 minus 98 will give us 82 degrees. So, those satellites will cover earth surface between 82 degrees north to 82 degrees south. So, that is how the coverage will be. So, this is with respect to direction and as well as the inclination the coverage of satellites will vary. First we will start discussing about the high earth orbits. One of the major or primarily used high earth orbit is geosynchronous orbit. In addition to geosynchronous orbit we also have what are known as Lagrange points in which satellite can be positioned to observe earth surface. There is actually a satellite which is looking at earth surface from one of the Lagrange points we will see it in the forthcoming slides. What exactly is a geosynchronous orbit? A geosynchronous orbit is an orbit in which if a satellite is placed it will have a orbital period equal to one sidereal day. That is earth is here the satellite let us assume the satellite is here i is equal to 0 let us assume inclination is 0 it is on the placed on the equator. If the satellite moves with the same speed as that of earth say earth rotates with some velocity. If the satellite rotates revolves around the earth with the same velocity then by the time earth completes one rotation around itself the satellite will complete one full revolution around the earth and come at the same point. Such satellites are called to be placed in geosynchronous orbits. So, in geosynchronous orbit the time period of one orbit or the orbital period for one revolution of satellite is equal to the time taken for earth to complete one full rotation around itself. In this particular slide I have mentioned about sidereal day. What exactly sidereal day? Normally when we learnt about like in school we learnt that earth takes 24 hours to complete one rotation around the sun. But the actual time taken for the earth to complete one full rotation is actually less than that. Why is it happening? Let us see with kind of like a very small illustration. So, let us say this is earth let us assume this is the reference point I am taking on the earth surface. Now this reference point is seeing the sun center ok. Now the earth is rotating around itself at the same time the earth is revolving around the sun in an elliptical orbit. So, the earth is simultaneously rotating around itself and also revolving around the sun. So, what will happen is let us say this point is actually earth is rotating like this. So, when we will say one full rotation has been complete we will say when the same point completes this circle and comes to this same starting point right. So, this particular arrow is our reference point. So, by the time earth will complete one full rotation around it that is the starting point has reached its origin. But due to earth's motion or earth's revolution around the sun the earth would have moved away from the sun. So, by the time earth completes one full rotation around itself it will not be able to see the sun because the earth has moved little bit further in its orbit around the sun. So, what it should do the earth should make more than one full rotation around itself in order to see the sun again. So, this time period taken for earth to complete one full rotation around the sun is 24 hours. So, from this we can infer that the time taken for earth to complete one full rotation around itself is actually less than the time taken to complete one full rotation with respect to sun. So, this basically happens because earth is not only spinning around its axis it is also revolving around the sun. By the time earth complete one full rotation around itself due to its forward motion in its orbit the reference point from where earth started rotating where we assumed as a reference point it will not be positioned seeing the sun it will be positioned further away. So, the earth has to make more than one rotation to complete one full rotation above the sun. Okay. So, in 24 hours or I will convert it into seconds this will be 86400 seconds earth will complete one full rotation around itself plus 1 over 365.24 rotation. So, one full rotation around itself is this reference point came here like exact full circle but in order to see the sun it is making a slightly more than one rotation it is doing in order to see the sun and that rotation in a day will be 1 by 365.24 because earth takes 365.24 days to complete one full revolution around the sun and this is one out of the 365.24 days. So, in order to make this much rotations earth takes 86400 seconds this is what we know the time taken by earth to complete one rotation around sun. So, the actual time taken for earth to rotate around itself is what we call the sidereal day and the time taken will be 86164 seconds. So, the sidereal day for the earth to rotate around itself is actually less than a mean solar day which is 24 hours. Okay. So, that is the time taken or the time yeah time taken by earth to complete one rotation around sun. So, the orbital period or the rotation time taken for earth is actually one sidereal day it is 6164 seconds only with respect to itself. Say for example, you can think of think this is of like kinding of rotating in what to say a merry-go-round or something. Let us say a person is standing in center of merry-go-round. Let us say you are spinning around yourself you are also coming in rotation. So, by the time you complete one rotation around yourself you would have moved in the merry-go-round you will not be able to see the person either you have to tilt your head or go slightly further in order to see the person again. Similar effect earth is rotating around itself and also it is moving further which is slightly increasing the time taken to complete one rotation around the sun. So, for geosynchronous satellites the period of revolution to complete one orbit is one sidereal day 86164 seconds. By the time let us say earth is here this is the reference point in earth here is the satellite. So, the satellite and earth will move synchronously we call it as geosynchronous. Geo means earth or related to earth synchronous means what to say they are somehow linked with each other both of them move in tandem. So, this is earth's reference point this is here. So, they will move like this and by the time this reference point come here again satellite also will be here. So, that velocity period is exactly one sidereal day 86164 seconds. In this geosynchronous satellite we know like what to say the satellite rotation revolution speed is synchronized with earth's rotation speed. Within this geosynchronous orbit there is a special orbit in which if the i is equal to 0 like if the inclination is 0 the satellite is placed exactly over the equator and the direct star of motion is prograde. Prograde means it is moving in the same direction as the earth then what will happen the satellite will appear as if it is constantly overhead over a particular point on the earth surface that is let us say this is like one particular city in India let us say some satellite is positioned over Mumbai. So, what will happen like Mumbai is more than above 0 degrees north but let us assume it is placed over certain location which is at 0 degree equator. So, as the earth rotates the speed at which the satellite rotates also will be synchronized. So, the same place in the earth will be seen by the satellite continuously. So, such orbits in which if the satellites are placed if they are able to observe the same spot on the earth continuously throughout its lifespan we call the orbits as geostationary orbit. So, a geostationary orbit or orbits which are like a special kind of geosynchronous orbit in which i is equal to 0. So, i is equal to 0 means the satellite will be stationed over one particular location on the earth surface. Now, let us think briefly. So, what will be the major purpose of launching a geostationary satellite? A geostationary satellite should look at the same location again and again. So, the first major purpose for the geostationary satellites were launched was communication that is in order to achieve like global communication through satellites geostationary satellites were placed in different different longitudes around the earth. So, they will be able to constantly watch over a region and relay communication signals that is let us say this is earth, this is the equator. Let us say there will be like lot of longitudes on the earth surface we know that. Let us say a satellite is positioned here. So, this particular satellite will be seeing one full region of this earth like what I am shading now. This particular shaded portion will be like one example I am telling. So, this particular satellite placed in orbit will be constantly seeing that particular region throughout of its lifespan. It will not be in a position to see other parts of the globe. It is going to observe only that particular part of the globe. That means it will be useful for communication purposes and also lot of weather monitoring satellites are put in geostationary orbits. So, for weather monitoring satellites that is when we want to get data continuously like there may be large hurricane going in towards a particular country. These weather monitoring satellites may acquire images once every 15 minutes or so. So, for such high temporal resolution imaging people place weather monitoring satellites in geostationary orbits. So, the major purpose of placing a satellite in geostationary orbiters for weather monitoring applications and also for communication purposes. And nowadays like the data from weather monitoring satellites are very much useful in remote sensing like India has INSAR 3D meteorological satellites, it had Kalpana 1. Those are all for majorly launched for meteorological applications, but they also have applications in earth resources like for earth surface monitoring for remote sensing. US has geostationary operational environmental satellite goes there are satellite called Meteoset. There are plenty of satellites for remote sensing applications placed in geostationary orbits constantly looking over a particular location on the earth surface that means it will cover only one region of the globe continuously it will observe. Maybe we did not discuss the orbital height at which the satellite should be placed that is like in the initial point where we started discussing about satellites. We learnt that based on the orbital height of the satellite its velocity will vary. So, here we need a velocity of satellite to be synchronized with the earth surface. So, we can use the earlier equations which we learnt in the last lecture like using the time period the time period is 86164 seconds. If you substitute that equation if you substitute this time period in the equation relating time and velocity as well as orbital height we can calculate these satellites has to be placed at a height of approximately 35800 kilometers that is the orbital height h will be approximately 35800 kilometers above the earth surface. So, such orbits with this much altitude and the satellites having a time period of rotation one side of the day is geosynchronous satellites and if i is equal to 0 for geosynchronous satellites they are called geostationary. And the next question I posed is will the rotation of geosynchronous satellite will be prograde or retrograde it will be prograde for geostationary it must be prograde because if earth rotates like this satellite also rotate in the same direction so that it can see the same point. If the orbit is in retrograde then earth will be moving like this satellite will be moving like this it will not be seeing the same spot it will be seeing different different spots on the earth normally that will not be done. And also if an orbit is in retrograde along the equator the i we will not call it as 0 we will call it as 180 degrees as a convention because as a convention inclination angles i 0 to 90 degrees we call them as for prograde direction we assign them numbers 0 to 90 90 to 180 degrees inclination we assign numbers to orbits which are in retrograde ok. So, for geostationary satellite i is equal to 0 direction motion is the same direction asset of earth surface this is one thing and also one more question I like you to think is geosynchronous satellites with i greater than 0 is extremely difficult to find almost not there to the best of my knowledge why is it so? The reason for this is the major purpose of launching a satellite in geosynchronous orbiters to achieve this geostationarity to look at the same spot on the earth again and again continuously. If you put any orbit other than 0 like if you put inclination other than 0 then this geostationary nature will go off that is let us say we have a satellite say this is earth let us say this is like one geostationary orbit and this is the equator let us say i is equal to 10 degrees ok just for an explanation even if it is geosynchronous orbit what will happen is the period of revolution will be ok like it will be synchronized with earth but as the earth rotates the satellite due to its orbital inclination will be moving like in an inclined plane like this earth will be moving like this satellite will be moving like this so essentially what will happen it will not be stationed over one particular region it will move from 10 degree north latitude to 10 degree south latitude right we have seen this the orbit will be moving like that so it will not be covering one's location it will be covering different different portions of earth so that stationarity will be removed from it. So normally for remote sensing applications satellites with i greater than 0 will not be launched they will be launched only geostationary orbits ok so there are like conditions so geosynchronous means h is equal to 35800 time period of rotation is one sidereal day this is geosynchronous general nature for a geosynchronous orbit to be geostationary i must be equal to 0 in which the satellite is rotating in a prograde direction these are like very simple overview of geosynchronous and geostationary orbit so as I told the main purpose of launching a satellite in geosynchronous orbit is to produce or observe the same spot on the earth continuously an example is given in this particular slide you can see a satellite is centered over like African continent so whatever be the time period be the time the satellite is observing the same spot again and again say this is morning 11 45 am local solar time so this will be daytime here let us see in this direction ok and this is afternoon so this is like afternoon this is like evening you can see like night is beginning to fall and at night 8 45 this is night time here so essentially the same spot will be continuously observed over different different time period we can see like how clouds are moving in different different time instances and these kind of multi temporal images even within a day will help us to understand highly temporal or highly varying factors such as cloud formation hurricane moment and etc those are all the main applications for launching a satellite in geosynchronous or geostationary orbit so this is like a small video I would like to present where you will be able to see the beauty of the observations from geostationary orbit so this video is like produced by NASA in order to tell us how season varies basically ok so this will again observed over a satellite positioned over like African continent maybe I will just tell the context and this video is a combination of images acquired by a satellite over one full year at morning 6 am I think 6 or 6 30 am roughly that is in the same time period what I want to say same time period in the morning so observed over one full year so sun is always positioned like this whenever the image is taken like it is always on the right side from our point of view the image start date is 10th September 2019 it moves all the way up to next year 11th September 2019 just see how suns light varies with different different days this is actually to depict seasons you can clearly see like how the suns radiation varies on the earth surface from north pole to south pole this is actually the seasonal effect how season changes so these sort of images this is just to this is not to explain geostationary observation but this is like way to explain seasons this is like produced for school kids to understand seasons by NASA but here I am showing this particular video just to show the beauty of geostationary observations same location if it is observed continuously we will be able to understand or comprehend many more things that is the main reason and also like I told you about equinox right when I described about what to say orbital launch tube right ascension of the ascending node that can also be understood from this particular video that is when the video starts the earth surface is it was standing somewhere here let us say okay it was standing somewhere here basically this portion indicates equinox that is this is north south east west something of like that we can map so this is one full circle of earth with the satellite is seen so basically on equinox sun will be overhead the equator so one half of the globe will be exactly illuminated giving rise to equal day and equal night time for places around the equator so this time 10th September we call it as like autumnal equinox okay that is sun is moving from north to south it is crossing the equator during that time that is autumnal equinox so that will be indicating the winter season for the northern hemisphere summer season for the southern hemisphere like observe this video carefully around this 11th March when the time period crosses 11th March here again it will cross an equinox that is sun is move from north to south then again it will start moving from south to north again it will cross the equator that particular day in which sun crosses the equator once more we call it as vernal equinox vernal equinox is sun is moving from south to north you can think it opposite in ascending motion okay so that day is vernal equinox so this is just to explain those concepts but this kind of observation is possible from geostationary satellites we can even learn about different things which we have not seen from any other perspectives so thus just for one that particular reason I showed this particular video so the next kind of orbit what we are going to see is Lagrange points so these are not exactly orbits I will say but these are certain points if two bodies are moving with respect to each other due to the combined gravitational effects there will be certain points around their orbit which will be fixed in space that is let us say this is sun this is earth so earth is moving around the sun in a fixed orbit right so sun will also sun will have a gravity earth also will has a is having gravity due to the combined gravity effects there will be certain points and if certain objects are placed in those particular points they will those objects will appear in the point continuously say earth and sun is here earth is here both of them are moving means those five points labeled here as L1, L2, L3, L4 and L5 those five points also will move with them such points are called Lagrange points okay so there are like detailed physical explanation of why these points are there and all they are not going to discuss in detail about those points but the one thing what I want to mention is this is because of the combined gravitational effect of two bodies not only with respect to sun and earth even with respect to earth and moon you can fix five Lagrange points around it so at those five points if you place some objects they will be kind of moving along with these two objects in tandem okay so they will behave as if like a system those points are called Lagrange points in this three Lagrange points L1, L2, L3 they are actually located along the line joining sun and the earth one L1 between sun and earth L2 beyond earth L3 beyond sun L4 and L5 are at points on the vertex of an equilateral triangle that is this triangle it is actually equilateral triangle so one vertex is sun one vertex is earth one vertex is that L4 point sorry similarly one vertex is sun one vertex is earth another vertex is L5 point so totally five Lagrange points will be there for a two body system sun and earth earth and moon and so on so it will be like a two body system so there will be five Lagrange points you can fix it so as the system moves the five Lagrange points also will move among these five points L1, L2, L3 are relatively unstable points that is if you play some object there very easily they will move out of that particular point so we have to maintain some or provide some force to it in order to keep it there so these points are unstable but L4 and L5 are highly stable points if you place certain objects there it will be remaining there okay so naturally like people are telling like whenever there is kind of like a two body system like a planet and its satellites normally some kind of asteroids will be coming in and located in the L4 and L5 points because of this combined gravitational effect it is observed so this is like naturally occurring points it is not like man designated orbit these are like naturally occurring points because of the combined gravity okay so if we take a look at this L1, L2, L3 points we can observe earth from L1, L4 or L5 basically L4 and L5 are like pretty large distances we will not use normally we will use L1 for observing earth and then L2 point is beyond earth so this is useful for astronomical applications there are satellites placed at L2 observing the outer space L3 we will not use because L3 is beyond the sun so whatever the data collected by this L3 satellite will be very difficult to reach the earth since it is at very extremely farther distance okay sun is in between so we will not get any signal so L3 will not be of much use L4 and L5 are useful for solar observations that is with respect to earth they are very far we may not get any meaningful data but they were useful for solar observations and again outer space observations so these 5 points are called Lagrange points so as a summary in this lecture we discussed about the classification of satellite orbits with respect to orbital heights we discussed about geosynchronous orbit and as a special case geostationary orbit and also we discussed about the Lagrange points with this we end this lecture thank you very much


If I had to recommend one new tropic to everybody, regardless of their age or who they are, just one blanket new tropic to everybody, it would be Prasitam. Hey, what's up guys, it's Josh here. So I want to do a little review on Pyrasitam, the original Rasitam. Now, my experience with Rasitams has been all over the place. My favorite Rasitam and my favorite new tropic of all time by far is phenylprasitam or phenylprasitam hydroxide. I'm just mind blown about how good that supplement is, the balance that I get from it, the energy boost, the motivation. And it also seems like the more that I take it, the more balanced I am, it's just a perfect new tropic. I personally had really bad experiences with oxyrasitam and anorasitam. And then you have cholerasitam and pramerasitam, which to me are kind of in the middle. Like when I looked up Rasitams, they kind of felt like I would expect them to feel very middle of the road, very middle of the pack, not too much energy and motivation, but a definite cognitive boost. Now you have the original Parasitam. I ordered mine from Cosmic New Tropics. They came in this new tropics bundle. So I only got a total of 12 pills. I think I've taken them all. They give you two sets of this six right here. And they recommend taking two to four a day. Now to me, I felt really good off of one pill. Maybe I could go up to two pills, but I definitely wouldn't want to take two at a time, at least for me. One of the first times I took it, I was borderline getting frustrated and angry. So I don't know if that would increase with two, but I feel really good off one, which is 800 milligrams. And I think they are like straight from Russia. They have like Russian text on here, which makes them seem like their pharmaceutical grade, which I really appreciate. Cosmic New Tropics looks way too good to be true. They have like 20 pages of new tropics and they're giving you like brand name straight from Russia. It almost seems like, is this too good to be true? But thankfully it's not. One of the best things to get into if you know nothing about new tropics is this new tropics bundle because it only doesn't have Parasitam and you could try that as well. But also has Fennel Parasitam, which is my favorite new tropic of all time. So you could try a bunch at once onto Parasitam. Anytime there's a new cognitive booster, they always compare it to Parasitam. If you look at Anorasitam, Newpep, they'll say it's a hundred times stronger than Parasitam. It's this and that. It seemed like Parasitam had only good reviews. Like I don't know anybody who has anything bad to say about it. I've heard multiple times that people have taken Parasitam for years straight. So I could see somebody arguing that this is more balanced than Fennel Parasitam, which is crazy. For me, I'd probably prefer Fennel Parasitam, but a lot of people say it's very awakening. It's very stimulating. And people don't wanna take it all the time for that reason. This one provides a lot of the same balance that Fennel Parasitam does, but there's just a lack of dopamine-style effects. You don't get such a dopamine-style boost, but you do get a decent boost of energy because it is working on those acetylcholine receptors. So the way that this felt to me is like a better version of Nupept, a better version of Chloracetam. Those were kind of my go-to, middle-of-the-road brain boosters. It's weird. You don't get this dopamine-style boost that you get from Fennel Parasitam, but there's just something pleasant about this compound, something balancing, something that makes you wanna take it, something that makes you enjoy using it and getting things done. And then on top of that, it doesn't really zap your brain. It kind of enhances it without draining it, which is just mind-blowing because almost all energy-producing compound supplements, eventually they will drain you, like caffeine, DMHA, DMA, Modafinol. Eventually, if you take them for a long time and you stop, you will be drained. But this compound, along with the other Rasitams, has a way of enhancing your brain without draining it, which is amazing. I already really liked Chloracetam and I liked Prameracetam. And there was something about those compounds that made me kind of wanna take it, kind of enjoy taking it. But I gotta say that this compound is just a little bit better for me personally. I see why it inspired all the other Rasitams. To be honest, it's just one of the easiest new tropics to take. And if we had to rate new tropics, it's hard not to say this is number one because it just does everything. It's so balancing, just like Newpep, just like Chloracetam, but it's just better to me. Like I feel better, I feel more balanced, I feel more healthy and it has loads of health benefits as well. So if you're somebody looking for a solid brain boost, you don't want anything too crazy, you want something really safe that you could take every day that's going to boost cognition, boost verbal fluency, boost memory recall, it's very hard for me not to pick the original Prasitam. The only place I know where to get it is Cosmic Neutropics, but it does seem to be on the safer side versus a lot of other compounds. So I wouldn't be surprised if other websites carry it. There was a website called BuyDMA online and that's where I got my Chloracetam, my Oxyracetam, my Aniracetam from. They always had Paracetam listed, but it was always out of stock. I really don't know why it is, maybe it's in demand, maybe it's not, but if you know another source of Paracetam, let me know, I would love to try it. If I had to recommend one Neutropic to everybody regardless of their age or who they are, just one blanket Neutropic to everybody, it would be Paracetam. And I can't believe I'm saying it, but it's almost a more balanced version of Fennelprasitam. Still love Fennelprasitam, it's still king. You could try both of these in the bundle if you want to try them as well. So anyways guys, let me know what you think of Paracetam. Have you tried it? Have you not tried it? What is your favorite brain booster? What's your favorite racetam? I'd be very interested to see. Having a great day out here. Hopefully having a great day at home. See you all in the next video. Peace.


Hi, you guys Lindsay here welcome back to my channel inside the him So you probably remember a couple of months ago when I made the Sally jeans skirt by style arc I used the camo fabric from style maker fabrics Well while I was making that well before I started making it when I was getting ready to cut out the fabric I took some video to help show you guys how I Predetermine if a pattern is going to fit me before I ever even touch fabric To do it. I use Lunagraphix coze curve runners which make measuring Pattern pieces especially curved pattern pieces Super super simple. So let's cut to the tutorial where I show you how I measure a pattern Alright, so I have my Sally skirt pieces all cut out This is the waistband and then I have the skirt back and the skirt front Those are the only pieces. I am going to be checking here at this initial stage of Checking the sizing So I pulled out the instructions and you can see that There is two inches of positive ease based on a size 10 So that's what I'm going to be looking for in the waist and the hip There are no actual Finished garment measurements none that I could find anyways so When there aren't any that's what I really like to check To make sure that this is my right size and that this is going to fit So first things first is I will grab the measurement of this Wasteband and you can see it's all one piece and it's beautifully curved, which I absolutely Love love love. That's a really really good start But to measure this guy I can't even get it all on one Camera angle to measure this guy would be really really difficult with your like regular um measuring tape because you'd have to Kind of follow along the curve and it's just not Super accurate or super fast. I mean obviously it can be done as you can see I'm doing it here But you know if it flattens out right there and you don't get into that little curve You could be missing little millimeters and as we know millimeters add up and become Centimeters and centimeters add up and become inches and before you know it You've got like a completely wrong measurement for your waistband So I have marked the center front. That is where I need to stop measuring The style work patterns all have the seam allowances marked on them already, which is a huge plus I absolutely love love love that So if your pattern piece does not have that You will need to go in Find out what your seam allowances are and mark them all before doing this because you were going to use the curve runner Along the seam allowance not along the raw edge, but the seam allowance and basically the curve runner is just this little Acrylic wheel kind of like a pizza cutter and all along the wheel are Measurements starting at zero and then this one goes up to one foot There is another one that's smaller that does an eight inch measurement So you can see that there if you'd rather do a smaller one I'm going to use a larger one just because this is such a large you know piece and basically you put the zero at the corner of the seam allowances and Then you just run the curve runner right along the seam line And when you get to 12 you say to yourself 12 Then you keep going Keep going keep going and you get to 12 again and you say to yourself 24 And then you keep going keep going keep going keep going keep going keep going keep going keep going And I got to another 12 so it's about 36 inches Or it is 36 inches from the Seam line here to our center front so my waist measurement is 34 This piece is 36 34 plus the two inches of positive ease equals 36 This is exactly the perfect size for me, which never happens I bet if I like a lunch or something it would be a little bit different, but that's okay I do want it to sit right at my waist. I guess that's technically called a It's not really a high Wasted garment, but it will sit up there. It's not going to sit on my low hip. It's not going to sit Below my belly button. It's going to sit right there on my way. So this piece is actually Perfect, which I am so happy about If if your piece is not then you will need to do slash and spread or go up a size to Whatever the next size up is so keep that in mind. I am very happy that I don't have to do anything to this That's great news. Okay. Now.  So now I am working on the skirt pieces This is the back piece and I have also laid down the back yoke so that I can get a full measurement of the side seam I measured the Width of the waistband as well and it came to side seam to side seam one and three-quarter inches So I need to measure where my hip circumference falls because it's not marked on this pattern And it's also not measured at least I couldn't find the measurements anywhere So I'm going to show you how to find it on your own So basically we take our curve runner again And we're going to start it at one and three-quarter inches at the side seam at the Where the waistband seam is as well so that little cross intersection of seam lines and you put it down at one and three-quarter inches like So and then we're going to measure all the way down, but we're going to stop at nine Which is this pink line here? And we're stopping at nine because that's like the industry standard for Distance between waist and hip if you've done a sloper before or something like that then you know if you have a short Hip measurement or a long one Mine actually is pretty average at nine. It can be anywhere from seven to ten. I think so if you don't know where it is you want to You can quickly find it by measuring the Marking the widest part of your hip like with a pin into some clothes and then folding yourself over Finding your waist measurement and measuring down and whatever that length is is where You need to mark your hip measurement because you're trying to find the widest part of you on this black piece of paper Okay, once you do that I extended the straight green up That's what this pink line this Vertical pink line is just so that I could have a good straight line on the pattern to do a perfectly Horizontal line right at that nine inch mark and once you've measured that across then you have your hip line marked and To measure it you put the end of the ruler at the seam line over here And then you measure across to the seam line on this end and I'm getting Let's see. I'm getting 11 and a quarter inches so that means that the back piece is 22 and a half so you can do like the big four does and make a little bullseye and Size 14 is 22 and a half Cool. Okay. Now we're gonna do the same thing for the front piece The front piece has a little pocket on the side seam Like this You've got your little pocket piece and I've lined up to match This little curve with this little curve and Then you fold the pocket over on the fold line and that's what your front Side seam is going to look like and when I do all the same Things that I just did I get my nine inch hip line right here And I measured it across and it is also 22 and a half inches. So when you add those two things together 22 and a half plus 22 and a half you end up with 45 Yes 45 inches Is the full circumference of the this pattern at the hip line So my measurement is also 45 So I am exactly the same width as this and I need to add in the two inches of ease So I'm gonna go in and add The extra to the side seam here There is our beautiful new front skirt piece with the hip measurement Being exactly what I need to get two inches of positive ease along the hip line So now we're just going to do the exact same thing for the back in terms of adding Those strips of paper to the side and filling in three eighths of an inch On the side seam We are not touching the center fronts or center backs at all. We're only adding to the side seams Okay, and I did the exact same thing to the back piece. I measured from our hip line measurement out half an inch and then filled it in with my hip curve So we are maintaining the waist measurements at the top So both of these just blend into that so that we don't have to add anything to our pockets We don't have to add anything to that yoke piece We're just blending so then it all will fit Anything from you know, the low waist up will already fit any pattern piece that's up there Which also includes like the zip fly and all of that Pocket piece is going to be the same Everything all the other pieces are going to be the same because all we've really done is add a little bit of Width to the side seam and didn't touch the center front or center back or the waist All of those pattern pieces are going to remain the same. So that's how I go by double checking the pattern against my own measurements and Making sure that I'm going to get a fit that I like and not rely on the measurement chart of The pattern designer this one though was pretty spot on I gotta say I think I would have been I think I would have known to add some width to the hip simply because I know there's such a difference between my waist and hip but I Am really impressed that the waist was exactly what I needed it to be so that's really reassuring for this pattern I'm already seeing some things that I'm loving like this curved center back kind of like a built-in sway back That is awesome. I think this is going to be really really great. I can't wait to cut it out and get selling So there you have it I was able to make the Sally Jean skirt without ever even making a muslin and trust that it was going to have a Pretty close if not really good fit Here's how the skirt ended up looking if you didn't see the video the first time around And if you want to try out the curve runner for yourself to try Measuring your pattern pieces before you cut out the fabric I have a link where you can buy them in the description box also Claire the lovely owner of Luna graphics co on Etsy has Generously offered all of my viewers a 20% off coupon code for the curve runner and anything else in her shop She has some really great tools in there. I love the sleeve placket template. I've done a tutorial on that before I'll put that in the description box as well and her 5 8 inch wide Curve rulers are also really really awesome So I will give you guys links to where you can watch my videos about that and see if those are things that you Will be interested in but honestly all of her products are really really great super helpful super unique things You can't really find anywhere else so that coupon code is Lindsey 20 right here on your screen So be sure to use that at checkout for 20% off your entire purchase So until next time that's gonna do it for me today. Thank you all so much for watching and I'll see you all very soon. Bye


What's going on, everyone? Sam here with late in sports cards. You've been 23. Penetri Mosaic, football hobby, six box break, number nine. Pick your team style. Realvelist for names in our teams. Andrew P. with the Packers. Andrew M. Bengels. Brett W. Bucks and Commanders. Carson T. Colts. Christopher J. Giants. Cory S. with the Browns. Derek I. Cardinals. Greg E. Rams. ENZ with the Panthers. Jabari L. Bears and Saints. Jacob H. Chargers. Jenner A. with the Vikings. Jesse A. Texans. Jim G. Bills. Joe H. Ravens. Jun Z. Dolphins. Kenny H. Seahawks. Kishon W. with the Eagles. Matthew M. Falcons. Patriots. Jets. Matthew G. with the Titans. Matthew M. also with the Cowboys and Jags. So Matthew M. you have the Falcons. Patriots. Jets. Cowboys. Jags. Matthew G. with the Titans. There we go. Patrick P. Steelers. Niners. Rob F. with the Raiders. Robert D. Lyons. Stephen D. with the Broncos. And William S. with the Chiefs. Good luck, everybody. Let's do it. Nightcloth. All right, got Anthony Richardson debut. That's going to be 400 points rammed all at the end. Sorry about that, everybody. Byron Young Red. Silver LT. Lawrence Taylor. Jimmy Garoppolo. We'll have a random to do on these carbon copies as well. Zae Flowers debut. Corian Bennett. Ray Lewis. Orange. Sean Alexander to 199 for Seattle. Carbon copy. 1, 2, 3, left, 4, 5, 6, right. If it's low numbered like gold and under, I'll do a separate random at the end for the card. It's going to be a 6. Those will go to the right. Those will go to the right. And Mosaic center stage, C.D. Lamb. So we've got a gold coming up here already, everybody. Peyton Manning. Volame Fajoco Jr. Gold. Joe Montana. To 10. That's awesome, dude. Two of 10. How difficult is, I mean he's always difficult to deal with, Shane. It's not super like extra difficult, but now he was pretty happy about it. White Shoes Johnson. C. Higgins. Jamir Gibbs debut. Orange Dante Hall. Silver Bryce Young. Nice one there. Congrats to the Panthers. Josh Allen. Silver Adam Thielen center stage. This, I would just do anything 90, like blue and under. Yeah, no oranges. Will Leviss debut. That is going to be Dorian Thompson. Robinson. DTR, going to the Browns. Nice one there. Congrats, Cleveland. Congrats, Cleveland. Phillip, picking up the Cowboys. Just the Packers available, everybody. Thank you, Phillip. Cameron Lattu. Red John Dotson and Silver of DJ Moore. Still has a Panther in this. Just the, I think they're Francis picking up a beginner spot. Bijan, debut. Blue Mike Alstott for the Bucks to 99. Just the Green Bay Packers available, guys. That is a Audible Lamar to 99 for the Ravens. Last spot of the daytime, TyJ Spears rookie. Orange DJ Moore to 199. Silver Paul Krause and Carbon Copy. Will Anderson, debut. Kenan Allen, Sauce Gardener. Bryce Young, rookie and Jalen Hertz. Don't look so good 90s, 240p. Marvin Mims, debut. National Pride, Jared Goff, Red Denzel Ward. Silver Splash, Patrick Mahomes. Who got that? Yeah, they did the whole thing for it. Someone finally got it. I guess we're sleeving Devanna Shane's after yesterday. George Kittle. Blue is Michael Meyer to 99. Congrats on that, Raiders. Bass and a Dalvin Cook. Peter Skaronski. Ah, nice. Jackson Smith and Jigba to 49. Congrats on that, Seattle. Well, JSN Purple. Introductions, Levis and Bass. Aaron Rodgers, Silver. Jackson Smith and Jigba. John Mechie. And B. John. Introductions, Mosaic for the Falcons. Kincaid. That was Aaron Rodgers. We've got Sean Clifford, Mosaic Auto. Nice one there for the Packers. Penn State Legend. Silver, CJ Stroud. Josh Downes. Jaylen Hertz. Orange, Andre Reed to 199. Let's go into the bills. Silver, Josh Jacobs. And Purple, George Kittle. Swagger to 49. Hendon Hooker, debut. B.J. Ojalari. Red, Thurman Thomas. And Silver, Tyler Algier. Quentin Johnson, debut. Ooh, Brandon Jacobs on the auto for the Giants. That's a throwback, man. Hell yeah.  Could not bring that guy down. Rats on that. Also a 49ers. No. He played in the Niners? Yeah, I think he did play in the Niners, too, for a bit. Brian Brees. Silver's Day Flowers, debut. And Carbon Copy Picket and Mack Jones. Luke Musgrave. Orange, Fred Taylor for the Jags to 199. First off the line, Gold Lino version of this. Both are one of Bryce Young's. So for 48, where would you put the True Hobby version? Tavius Martin. You can answer that, too. Devante Smith. Deandre Swift, Jesus. Both an eagle. First off the line, Gold Vinyl version. So for 48, would you put that at the same? Would this be worth more than the First Off the Line? That's probably more, I think. Yeah, I think that's probably more. He was the host where she was at. Yeah, I'd probably say it's more. Literally same exact card this week, but it's like a Gold Vinyl looking version. Yeah, I would say it's probably more. Oh boy, that's going to be fun, man. Okay. It's going to be fun. Get ready for that. That is a Parris Johnson Jr. to 199. Orange, I mean, red for the Cardinals. Congrats, Arizona. That's Invenet Mosaic. Red Clayton Toon. CJ Stroud and Josh Allen. Got a redemption coming up here. That is going to be Devanna Shane. Nice one there. Congrats, Dolphins. Infocus signatures. Good time to get that one, man. Good stuff, Miami. Let's get that written down. Dolphins. Going to the Finns. Devanna Shane. Clayton Toon's Silver. Jacob Seedy. Infocus. Or Metamaster. That is going to be Henden Hooker's debut. Orange is Jaden Reed to 199 for the Packers. Marquis Brown. And Blue is Seedy Lamp. Moment in time. To 99. Bryce Young debut. Nice one there for the Panthers. Ken Anderson. Orange, National Pride. Jabar Chase to 199 for the Bengals. Space and Carbon Copy of CMC and Dalvin. Again, speaking of Packers, after we pulled that Jaden Reed, that's the only team available today. Last spot of the day. On sale. Over $100 on sale. Just the Packers remain, everybody. Just the Green Bay Packers and Flawless. Rogers. Farve. Romeo Dobbs. Christian Watson. Lot of names in that. A Chan. I know. That's what I'm saying, Robert. It's like, I don't know what his name is. I don't know how to say it. Like, someone who is a Texas A&M alum told me it was a Shane. Yeah, whatever he says, that's what we got. But he says it like a Shane. Yeah, a chain. But he says it like a Chan. Yeah, I don't know, man. I don't know. Yeah, whatever, whatever. The guy whose name it is says. Exactly. That's what it is. Dorian Thompson, Robinson. Christian Watson. Red Grunk. Silver. Jaylen Wolff. Jay Caner debut. Red John Mechie. Silver Brian Robinson Jr. Straight Fire Burrow. DJ Turner. Christian Watson. Purple to 49. Tucker Kraft. Silver. Dalton Kincaid. Mosaic Derek Carr. Blue is Jaylen Waddle National Pride to 99. And Swagger of Isaiah Pacheco on the Mosaic. For the Sheets. Zach Sharper. There's Jason Taylor. A Mosaic Derek Gump. And Carbon Copy. Kenny Pickett, Matt Jones. James Jerome Bettis. Silver Hunter Renfrow. And Bates. CJ Stroud, debut. That is a Shamari Conner. Jim Kelly. Orange to 199. Dan Marino-Silver. Bijan Introductions. And Bates. Bryce Young, debut. White to 25. Marvin Minz rookie. Nice. There you go, Broncos. One of 25. First one stamped. Take that for sure. And Justin Herbert Splash Mosaic. Or Achan. Brian Brice. And Micah Parsons montage. Mosaic. Heiner, Joni Romo, Silver Jerry Rice. The Bronco hit, Givante Williams. Nice one there. He comes back, I mean he already is back. But hopefully he returns to 100% form. Congrats Broncos. Nice one here. There's a Red Brice Young, true rookie. And Herbert. That is a Chad Riley. That is a Chad Ryland to 199. Red Auto for the Patriots. Congrats New England. Jackson Smith and Jigba. Scary Terry. That. And Bates. Jared. Jason, you got to get yourself cherry there. There's Clinton Port. It's Blue Tyjay Spears. Rookie to 99 for the Titans. I think we got to get Mo to try to cherry. Mo is just wandering around out there when I went out there last. I don't know what that was all about. Orange Drake London to 199. It's your boy. That's not my boy. The 99 Jamar Chase. I'm not boys with bots. Week one. What's that? You had him in week one, right? When he had the Dillman. Yes dude. And then I had him this week too. When he bowed out. Listing. No he didn't. Hell no. Quentin Johnson. Yeah I missed him. I missed both times. Now 0 for 3 on Drake London. There's Fahoko Jr. Silver. Now he's stonked this week again. Yeah Falcons have a great game this week. Say Adams, Shaq Leonard, and Center State. See you in. My team stinks dude. My team is so bad. Oh my god. My latent team is atrocious. Like I'm not even excited for fantasy anymore. Like every week. Like I'm not even excited. I still set my line up. And I'm like oh here we go. Here we go. Ready to lose. Make these wrong decisions again. Let's let our bench. Outscore our starters. That's going to be fun man. Yeah wait. Woo. CJ Stroud. Orange is Chad Ryland again. A lot of Chad Ryland in this break. It's a 199. Silver, Richard Dent. And Blue is Jalen Hertz. 99. Metamastry for the Eagles. You know you usually have someone else pick them on. Honestly. Honestly. I can't put too much analysis. Exactly. Clearly. Tariq Wollin. Orange is Hennan Hooker debut. Nice one there to 199. Eric Henry. No. Not my boy this week. He's been my boy the first two weeks. Not my boy this week. Red Alec Pierce. And Silver Stefan Diggs. Nobody was my boy on my team this week. Except for Amari Cooper. Cooper carried the bums that I started this week. Bijan debut. Oh man. What a rough week of fantasy. Again dude. Mack Jones. The door was so open when Donnie blew it. And I still am going to lose by probably over 20. I have DeAndre Swift tonight. But he has Jamari Connor. Maurice Jones Drew. That's a blue Bryce Young debut. Congrats on that Carolina. That is 38 of 99. Very nice. Get that into a mad. Congrats Lana. And that OBJ. Not numbered OBJ. Splash Mosaic. But Donnie. So I'm up by like I mean I'm up by a lot right now. I'm up by like 50. That is Tessellation. Jordy Nelson. That's sick. Going to the Packers to 15. But Donnie has Hertz, Smith, Chase. And I think a kicker or a defense. I have the lone DeAndre Swift. He needs to be an absolute vulture today. There's Broderick Jones. I need a repeat of last week. That's the only thing that could save me. I need Donnie's boy to go against him. Turn on him. CPAT Riley Moss Rookie. And Nick Foles moments in time. There you go. That's your boy right there. Nick Foles is your guy right there. Jaylen Hyatt. And Luke Schoonmaker. Nice one there for the Cowboys. Mosaic rookie autumn. Clark Phillips Rookie. Red debut of Bijan. That's a cool color match.  They're going to look dope with that jersey. That's going to be Mike Quick going to the Eagles on the Mosaic autograph. Congrats, Billy. We'll throw a back hit there. Sean Clippard, Red. Derwin James. And Patrick Peterson. Again, everybody, just the Packers. Just the Packers. That is all that is left today. All we've got remaining is the Green Bay Packers. That's it. No more. No less. That's it. That's all. Last spot of the daytime. That's going to be points again. Ran into all two teams. We'll get 400. That is a Anthony Richardson. Silver moments in time of Mahomes. CJ Stroud debut. Kalyza Kansi. Nice one there. I can see that this is a nice auto for the Bucks. Congrats on that Tampa. Richard Dent and base of C. Bijan Robinson. Lawrence Taylor. Purple Ray Lewis. That is cool. That is a color match Ray Lewis for a 49. And I now need to possess one of those. More than I need oxygen. Devonishan Daniel Jones color match to 99 for the Giants. Silver J Jetta's base. And a blue Desmond Ritter. Audible to 99. That's cool. Congrats there Falcon. Good little path there for sure. Jimmy G. I guess we got an extra auto. No we didn't. Devon Witherspoon is upside down but not auto. And center stage Russ. Look at it. Oh my god. That's a bot. National Pride Tay Adams. Roshan Johnson Silver. Splash Christian Watson. That's got to look at him dude. I don't even know what he's doing out there. What's he getting? You getting an olivar? Probably grabbing an olivar. Yeah you are. JSN. Clark Phillips Orange Fields to 199. JSN again. Holy dude. Holy. God Luke Muzzgrave. I'm over those people. J Jetta's Orange Keenan Allen to 199. And Audible Jordan Love. Quentin Johnson Rookie. Tay Adams National Pride. Emmanuel Forbes who's a stud in the secondary for the commanders and Joe Montana. Last pack of the break. Good luck everybody. We'll do a quick points random and a quick recap and then we'll be done. Michael Wilson Mosaic Rookie. Silver Randy White. Holmes Rodgers and Ace. All right guys so we set this points random up and we'll do a quick recap. Again two teams are going to win 400. You can call in to redeem your points. I didn't know that. Got to sign in really. I'm going to do the points random. 32 participants roll the dice. Whatever two teams are on top after four times we'll get the points. One, two, three, and four. Jags and Seahawks. Going to get those. And Jags and Seahawks four times. There we go. All right quick recap now. We had Blues to 99. Desmond Ritter, Daniel Jones, Tyjay Spears, Jamar Chase. Jalen Hertz, Jalen Waddle. C.D. Lamb, Michael Meyer, Lamar. Mike Galstop, Purples to 49. George Kittle, Ray Lewis, Christian Watson, JSN. Nice one there for the Seahawks. White to 25. Marvin Mims. Tessellation to 15. Jordy Nelson. Gold to 10. Joe Montana. We had Autos. Devanna Chan. Brandon Jacobs. Devante Williams. Luke Schoonmaker. Mike Quick. Colesha Cansey. Sean Clifford. Dorian Thompson. Robinson. Paris Johnson Jr. Chad Ryland. And then a Blue at debut to 99. A Bryce Young. I'll do it for the break guys. Thanks again for the build. Up next the second half case mosaic.


Every part is I've created a bidding war for and got them into deals worth seven fingers eight fingers. Guess what they're willing to listen to me because we're at the mercy of the ad platform. What's up? What's up? What's up? I'm Burnman Sean and I'm Corey. We are back with another episode of no labels necessary. Podcasts. You can catch us on every place you stream your podcast. We don't do every Tuesday and Thursday no more.  This is the intersection of creativity and currency. And today we have a very special guest. She is the guru. This man does it. He's a digital marketer. He's broken artists over and over and over again. Yeah, it's always a pleasure to get up with brand man Sean and Corey. Yo, I really don't linger with a lot of marketers like that.  You see everybody got a little page where they so called giving advice on how to help artists because you know, a lot of these guys they're not in the field. What are they doing? Brand man Sean and Corey. I know they actively do this. So it's always a pleasure. Whenever they say, yo, let's wake up. I'm here. I'm going to appreciate that, man. Appreciate that. And same to you, man.  So we got to talk about ads, right? Because you have blown artists up off of ads. And this is something that I know you've heard before. Ads don't work. Ads don't work, right? Yeah. So like, I want to get into the entrepreneurial side of your career and some of the other natures. But I feel like the best way to start so people can understand like the value that you bring and how to see things differently. Yeah.  Well, I say this, right? Since 2016, my agency on average, we break like at least one or two artists a year or whatever. Yeah. No, honestly, it's more like two or whatever. You feel me? Sometimes they spoke over the the next year, whatever. I average two artists every year, whatever. We've countless artists, millions of streams, whatever, millions of views, this and that, whatever. So when people say ads don't work, whatever, all they got to understand is this, ads is just an opportunity for somebody to see your content. You know what I mean? At the end of the day, there's so many different forms of marketing inside this business, different ways of skin and cat that gives you the attention that you need as artists, whatever. But what a lot of artists don't understand is your content still has to be high quality. It still has to be good, you feel me? So when they say ads don't work, okay, cool. These platforms are confusing. Sometimes it could be all about how you set up the campaigns because the platforms do put things in place to trick you, whatever, and make you do the wrong thing and spend more money, whatever, and not get the results you're looking for. That does happen, whatever. But on the same note, a lot of times artists don't have their content together the right way. The look is unbelievable. You know what I'm saying? This is about branding. This is about storytelling. I say all the time, branding equals trust. When people see you do these ads, they have to believe you. They have to believe you. They have to believe your story. You know what I mean? It has to be authentic, whatever. So a lot of people miss that part. You know what I'm saying? So ads do work.  Man, I ain't gonna lie, man. I heard it somewhere. I don't know if it's true or not. You can't find me with it now. But I heard you pop a card if you're up for ads. I had some hands and I ran some campaigns for her, whatever, around the time she was coming up, you know what I'm saying? But I wouldn't say that it was simply my work that built that up because at that time that she had she was making money off the action by my God, whatever. He was the one who had her sign, whatever. And when she was getting her bag, whatever, she invested a lot into radio advertising at that time, whatever. But also we got to know that Cardi B wasn't just coming from nowhere. She already she was already active on social media. She had her own platform, whatever. So I think it was a situation where people were sitting back waiting to see like, yo, oh, you know, is it for real? You said once it's all real, they all got behind it. But I did have a hand like running campaigns for her, whatever, early on in her career, whatever. Just saying, though. But there are a few acts that are actually major that I did have their hands on, my hands on.   So a lot of these artists for the most part that you don't think you feel like they just came out of nowhere. Now they come out of nowhere. They have people like me or someone else working in things like six to eight months behind the scenes, whatever, you know what I'm saying? That's crazy that you mentioned that because there is times where there's multiple things going on and people don't know exactly where the impact is going from. So you might have a major artist. It could be smaller artists, too. But we've seen campaigns where it might have ads. You'll see some maybe a couple of influencer posts. The artist might be doing something organically, right? But the thing that's really moving them the needle is that or some campaigns, it might be the influencers. But like, it's crazy how it really could be one thing that's supposed to work. The rest of it's just a vision. But you know how, look at it though. Everything else is like, what's the word? It's like, it's a holistic approach. Everybody thinks it's one main thing, whatever, right? Because if I'm just running the ads and the artist isn't active on their platforms, whatever. They don't have other things going on, whatever. Lots of times it's not going to come together. You know what I mean? The dope thing about ads is automate your process.  People are seeing your content, whatever, you know what I'm saying? So it's a good backup for the most part, whatever. Sometimes it looks like it's leading the way, but it's a good backup to have.  You know that retarget is going to catch it back and you can follow up and tap back into that audience. So it's just a good thing to automate your whole process for the most part, you know? Yeah. Yeah, I like that, man. Because like, in so many ways, if you're just doing one of these things, you can blow up with almost every single part of marketing by itself, right? But whatever you do, but with it by itself, you can probably do like five, 10 times more if you're doing other things. It's just a big difference. I know I passed her in clients where it was just strictly me, my ads running the thing, whatever. And it got into a dope situation. And the deal was worth, it was like seven finger plus, eight finger plus situation, whatever. Just off of ads. Just off of ads, whatever, you know what I'm saying? But is it really just the ads, whatever, yo? Nah, it's also that artist, you know what I'm saying? You know, being active on the stories, whatever, knowing how to engage with the audience, knowing what they're talking to, having their vision, their story locked in. A lot of you artists, whatever, and it's okay because y'all still learning y'all coming up on, but a lot of you artists don't know who you're talking to. Y'all just throwing songs out there. You're throwing music out there and seeing what sticks.  When I hit them ads behind it, they hit so much different, they weigh so much more, you know what I'm saying? So, my thing, by myself, I've been able to get people's situations, but also the best situation is when they got somebody who's gonna reach out to certain platforms, get them to interviews, you know what I'm saying? They got a real public, I'm not talking about the public, it's just that it gets you on a blog site or website that's not even active, you know what I'm saying?  It's a holistic approach, whatever. So I never try to be like, I'm the main thing, whatever. It's been there some few times, whatever, but I know the power of everything moving and sinking. People be at lockdown, you know what I'm saying? You see so many campaigns and you always say, the content has to be dope. I can guarantee somebody sees it, but if it's not dope, it's not dope. What have you noticed in terms of the best content that you've seen really started to get results over the years? Yo, you know what's funny though? Here's the thing, right? I tell people all the time this, I keep on saying I'm sorry all the time today, there's multiple ways to skin a cat. You know what I'm saying?  I'm not the only way to get action going. I'm not the only way with a radio, but if somebody come to me, your content need to be compliant because we're at the mercy of the ad platforms. You feel me? Sometimes artists, every artist I've created a bidding war for and got them into deals with seven figures, eight figures plus with a radio. Guess what? They're willing to listen to me, right? Yo, I'm telling you, this intro needs to be chopped. Even though they've made a whole drawing out story in the intro, one minute, 30 seconds, yo. They know they want to get it. They'll chop that whole thing, whatever, you know what I'm saying? I tell them, yo, it has to be compliant. We got to remove certain things out the video to remove that. They'll have clean audio. A lot of artists who want, so many artists don't know what I do, but they're willing to make those changes with a radio. So what works the most is pretty much part compliant content with what I do.  It's simple. Like if the song is dope enough, the music is going to speak for itself, yo. The music is going to speak for itself, yo. So you know, you got to have all this craziness in the video. I've always seen like a simple video that looks authentic, though. It looks like the lifestyle. It looks like the message that you're saying, yo. You got to be congruent with what you're talking about, yo, you know what I'm saying? Like people got to see it. They got to believe it. They got to feel like this is real. So authentic content, yo. That's what works the most far as content, man.  Why not have your thing compliant? Why? Well, you know we're at the mercy of the platform. Why are we going to do things to hinder our growth, whatever. The most terrible thing you can have is a campaign running for like six months. Millions of views at that point, yo. The labels are already checking you. Research A&Rs are already tapping in because they got a chart measure. They see your growth, whatever. And then your thing's going out here. And then Google catches it and out of nowhere, boom, it drops, whatever. Why would you want to do that to yourself, yo? You feel me? That's the real thing. It's always crazy when it's running. And then it stops. Running, yeah.  You've been able to get so many dirty content going. I'm like, yeah, we sometimes do that. And I always, but in my decks, when I'm marketing them, I'm like, yo, clean is predictable. We require you to run clean, whatever. Now don't get twisted.  Now you got people in a row sitting down talking, oh, this artist is it, yo, he about to be the next thing. We about to get like five million, this and that, building your whole career on. And then, yo, your whole buzz dropped. And the person that's trying to sell you to the people upstairs can't even sell you no more because your momentum is clipped, yo, you feel me? Yo, that's a huge thing. I don't think a lot of artists understand if you're not in that position and it sucks because when they're having those conversations, it really is based off of a real time. Like the constant, like I can say whatever I want to say, but the selling is they're looking at the numbers. Like the person that does it, that's not you, right? The other guy in the back that you're selling to, they don't care. They just see numbers. The moment that number look like it's slowing down. Oh, done, yo. It's funny, cause my, I'm pointing to Mary in the corner whatever shot that Tamara wanna, you know what I'm saying? She runs a lot of my campaigns now, like optimizing, making them go crazy, whatever, right? But it'd be funny sometimes when clients tell her, oh, it's not that dirty. You feel me? You know what I mean? We like, yo, like Jen's recommends it to be clean whatever before he touches it. Oh, it's not that dirty. Or what we see you run this and that. We seen Jen's get this going, this and that, blah, blah. And I'm like, I don't know what I'm telling you guys. Yeah, I ran mad campaigns. I got mad artists, but I'm telling you all the bidding war situations I've created has been with compliant content, yo. So who are y'all to still question me? You feel me? One question hurts.  But I don't think they, a lot of people understand what we just said that it could get cut off after it starts well. They miss stuff, but eventually. Eventually, yeah, they're gonna catch you. Yo, I've had artists, whatever, who I've actually got. It's funny, artists who I've sometimes, I've got the content to go dirty, you whatever, and they've got their deal situation, whatever, yo. They went into their record deal and they're like probably like, eight months after we done running the campaign, we'll get a notification with Google, like, oh, this is disapproved, but not, you know? So they eventually will catch you. No matter what it is. It's about like, but while I play that game and be at the mercy of the platform, you feel me? So, yeah, man, it's about like, honestly, yo, what I've seen over this year, over the years, this comes down to like comprehension. A lot of you guys, yo, did bad at reading comprehension in school, y'all probably were the bad students that like, yo, handed in like record essays, whatever. And because you didn't write it in blue pink, you got the F plus, whatever. It's about following directions and following the rules, whatever, to get what you want. And it's like, man, you know what I mean? Yeah. All right. So I want to give a reminder that being independent, it's not just about not being signed to a label. It's actually making money without being signed to a label, being able to have a sustainable career. And for those of y'all who actually want to be able to make money from your fan base, you're serious about figuring out how to monetize. I have a free video that you can check out. I don't need your email. I don't need your phone number. I don't need any information. All you have to do is go to www.nolabelsnecessary.com slash monetize. And I'm going to show you the lies that artists have been told that have been keeping them, probably you too, from monetizing your fan base and how shifting that perspective has allowed one artist we're working with to be on track to make over $500,000 this year. This is a different era. Don't fall for that trap saying artists can't make money. Artists do not have to be broke. So if you want to escape that trap, go to www.nolabelsnecessary.com slash monetize. You do have to make sure you put the www in the beginning when you type it in your URL and watch this free video again. You're not going to be asked to put in your email. You're not going to be asked for your phone number, but it won't be up forever. Check it out. It makes me think about one side is content to quality. The other side are the choices. Yeah. Right. And there's a lot of different choices we can get into. Let's just start here. All right. If somebody who knows how to run in that, you got the audience, the targeting and all that stuff. Just keeping it general because I know it's subjective for each artist.  Let's talk about that, right, yo? Boom. Let's talk about that, right? I always said this from the beginning, right, yo? My business has never changed with this, whatever, right, yo? At the end of the year, when you see the Spotify wrap up, you never see an artist who blew up, oh, yeah, they blew straight from one country, yo. It's always like 93, 90, whatever, some country, whatever, right, yo? So you have to run international to pop, yo, to get the, you cannot make you with just USA alone, you feel me? Can't do it at all, yo. I've never seen that happen. It has to be, and guess what? When it should take off, whatever, it's always other countries involved in what's why.  It's not about padding numbers, yo. It's not about, yo, we're gonna get 50 million cooked from Zimbabwe, this and that, whatever, you know what I'm saying? Now, if Zimbabwe had a way to monetize, you know what I'm saying, the music that you're presenting to them, whatever, yo, then cool, let's go to Zimbabwe. But no, we're gonna run the places that can actually, like, yo, support our music through streams, whatever, you know what I'm saying? Can support our number, and it can matter, you know what I'm saying? So when I run international, I run relevant. Obviously, USA and Canada, North America has to be the number one thing with that, cause you got, you got, you get a list of all the countries that you run to, whatever, you know what I'm saying? So a good sign to me is when we, before even optimization, and before optimization, when we start like checking those numbers, whatever, and we see that off rip, USA and Canada are like the number two countries, whatever, off rip, whatever, and then everything else could follow, whatever, so it's about basically running relevant, make sure a home is tapped, then whatever, you know what I'm saying? Yo, yo, it's good to hear that, man, cause I mean, people only look at international asses, like spammy, stuff like that. Yeah, but those people, yeah, but those people not really, they're not really doing it, they don't understand. Yeah, yeah, yeah. When somebody come to me, yo, when somebody come to me, yo, and they be like, yo, I run a USA, Canada, I'm like, you clearly know more than me, customer's always right, so I'll forgive you, but if you want me to do it, how I do it, yo, how it turns things up, whatever, yo, you gonna let me mix that in, you know what I'm saying? It's a global village, man, it's a whole global village. And it depends on what you're trying to accomplish and where you wanna go, so it's like you'll see people talk about just doing one particular place or maybe just US, and they will have success, like some of them might have a success, but it's just like how big do you wanna be? But I'm saying, yo, it's also what you're trying to accomplish, too, though, right? If your whole thing, cause we have a situation where it's like, yo, okay, let's start in just the US for starting a certain region to get that artist so lit in that region, it's all about strategy, there's no one way to go inside this thing, that's why, like, yo, we don't have cookie cutter things, whatever, yo, as cookie cutters, this is the most cookie cutter our campaigns go, right, yo?


The Jack Benny program transcribed and presented by Lucky Strike. Lucky tastes better. Lucky strikes means fine tobacco. Lucky strikes means fine tobacco, cleaner. Fresher, smoother. Lucky, lucky, lucky, lucky, lucky strikes means fine tobacco. Lucky strikes means fine tobacco, cleaner. Fresher, smoother. Better get a cotton. Better get a cotton. Better get a cotton, better get a cotton today. Hello friends. This is Don Wilson. I've been cheering many years for Lucky's Better Taste. But I can't cheer that loud. It takes a bigger group to do that. And that's just what we've got all over the country. The biggest college cheering section for luckies that any cigarette could want. You see, a nationwide survey based on actual student interviews in 80 leading colleges reveals that more smokers in these colleges prefer luckies than any other cigarette, and by a wide margin. What's more, the survey shows that Lucky Strike gained far more smokers in these colleges than the nation's two other principal brands combined. Just think of that, and listen to this. The number one reason they gave for smoking luckies was luckies better taste. So try a carton of those cleaner, fresher, smoother tasting luckies. You'll feel like cheering too. Lucky Strike means fine drackel, Lucky Strike means fine drackel, cleaner, fresher, smoother.  The Lucky Strike program starring Jack Benny with Mary Livingston, Rochester, Dennis Day, Bob Crosby, the sportsman Quartet, and yours truly, Don Welles. And now, ladies and gentlemen, it's my pleasure to introduce the star of our show. Amanda. Wait a minute, Don. Wait a minute. You better not start the program until we're sure we're working. Working? Mary, what's this all about? Well, Bob, remember what happened last week with a change from daylight to standard time? Jack got all mixed up, missed half his program, and now he's in trouble with his sponsor. Hey, this is serious. Jack loses the program, I'll have to go out and find a job. So will I. What did you do, Mary? Well, I don't know whether to get my own radio show or go into television. Oh? But in the meantime, tell your wife to buy her stockings at the May Company. I'll give her a discount. I will. Where's Jack now? He's on the phone in his dressing room talking to the sponsor. Gee, I hope it works out all right. You see, you see, Mr. Lewis, when I missed my program last week, it wasn't Mr. Lewis. Mr. Lewis, are you listening? Yes, Jack, I'm listening. Well, when I missed the first half of my program last week, it wasn't my fault. My watch said 3.15 when it was really 4.15. Man! So you see, it wasn't my fault at all, you know? Excuses, excuses, nothing but excuses. But Mr. Lewis, didn't you ever make a mistake? I never make mistakes. Well, anyway... Mr. Lewis, when you hired me... All right, I made one. I knew you'd admit it. Anyway, Mr. Lewis, when you hired me, we had an understanding. Wait a minute, Jack. Hold it a minute. He's winding up. Here comes the pitch and f***ing up in second. It's a clean double for Rizzuto. Hmm. My future is at stake and he's listening to the World Series. What were you saying, Jack? Mr.  The mantle is now at bat. Here comes the pitch and f***ing up. What were you saying, Jack? Now, now, Mr. Rizzuto... I mean, Mr. Lewis. Mr. Lewis, when you hired me, we had an understanding. Mr. Lewis, Mr. Lewis.  Operator, operator. Oh, Mabel, what is it, Gates? Mr. Benny's line is flashing. Yeah, I wonder what Tissa Fire wants now.  Oh, I'm sorry, Mr. Benny, I'll connect you again. Say, Gates, let's listen in and hear what he's saying. Listen in. Mabel, how can you suggest a thing like that? Oh, now, Gates, don't put on airs for me. You know, you didn't get that cauliflower ear from boxing.  I don't have to listen in. I'm going out with him tonight and you know him. One glass of Manashevitz wine and he tells everybody... Oh, what a man.  Put on the earphones and listen to what he's saying. Okay. See, the sponsor's really given it to him. And Mr. Benny's sure pleading for his job. No kidding. Yeah, and now he's bragging about his talent. What a great comedian he is. What a wonderful violinist. Now he's imitating Johnny Ray. He sure is lucky. The sponsor said he'd give him another chance. Operator, operator. Yes. Well, Gertrude, Gertrude, I'm through with my New York call. Would you please figure up the charges? Now, how long did I talk? Well, you talked 27 minutes and 30 seconds, making a total... $18.45. Thank you, Gertrude. You're welcome, Mr. Einstein. Imagine $18.45 to call New York. And $0.06 for an air mail stamp. But then you can't cry in a letter. Oh, well, I better get on the stage. Hey, Dennis is going into his song. I went to your wedding sung by Phil Rizzuto. I mean, Dennis Day. And very good, Dennis. And now, kids... Well, say Jack. What is it, Mary? I mean, Don. Don, what is it? How'd you make out with your phone call to the sponsor? Fine, fine. We had a little argument, but he talked me into not quitting. And now... But, Jack, something's wrong. Look how nervous you are. Mary's right, Jack. What are you worried about? Look, all of you. Everything went fine. I'm not worried and I'm not nervous. Now, let's get on with the show. Where's Kenny Baker? Kenny Baker? He has been with us for 12 years. Oh, yes. Anyway, look, kids, I'm not nervous. I'm not upset. Why should I be upset? The sponsor didn't fire me. I'm glad to hear that, Jack. Me, too. Same here. I wouldn't want to have to look for a new job. It doesn't make any difference to me. I was going to quit anyway. Quit? Uh-huh. But, Dennis, what's the reason? It's confidential. Well, if it's confidential, come out in the hall and tell me. Okay. Excuse us, Mary. Oh, she can come, too. But, Dennis, you said it was confidential. It's confidential. It should be between two people. Oh, then you and Mary go. I'll stay here. Look, Dennis, haven't I had enough trouble today? Now, tell me why you want to quit. My mother doesn't like your program. Well, she doesn't, eh? What does she like about it? You. Me? Every time you say hello again, you ought to see the veins in her neck stick out. Look, Dennis, you can tell your mother whether she likes me or not. You have a contract with me, and it's got two years to run. Gee, two years. I don't think her neck will make it. I don't care about that. Dennis, behave yourself.  So stop bothering with your family problems. Yes.  My father likes you. He does? May he rest in peace. Stop being silly. This morning when I called your house, your father answered the phone. That was a recording. I'll cut that. And do me a favor, will ya? Let's forget about the sponsor and just concentrate on doing good shows. Well, Jack, I'll do all I can. I know, Bob. I know. Say, by the way, did you notice the way I've improved the orchestra? I certainly did, Bob. The band sounds wonderful lately. Thank you. Especially the saxophone. What'd you do to that section? I eliminated it. Oh, good. Jack, I've also been scouting around for a new piano player. A new piano player? What's the matter? Don't you like the way Bagby plays? Well, it's not that, but I can save you a lot of money if we replace them. You see, the musician's union demands that we pay Bagby time and a half. How come? Well, he's got 15 fingers. Bagby's got 15 fingers? Yeah. He can play kitten on the keys and pick your pocket at the same time. How do you like that? Say, Bob, I think you ought to be careful how you make changes in the band. Well, why? Well, those boys have been together for a long time. Yeah. You take one off, they'll all fall down. That's right. Anyway, Bob, we'll talk about the band later. Right now, we've got a very important play to do. Yeah, Jack, we better get started with it. What's the play about, Jack? Well, it's a thrilling story of how a newspaper reporter solves a murder.  The two-fisted editor-in-chief of the Los Angeles Daily Bugle. Am I in it? Yes, Bob, you play my star reporter. You're in it too, Mary. And Dennis... Dennis, where's Dennis? Listening to the World Series on that portable radio. Oh, for heaven's sakes. Dennis. Quiet, I want to hear this. Well, that wasn't exciting, any. Dennis. Dennis. We're now going into the last half of the film. Brooklyn is at bat, the Yanks are in the field, and the Giants are in the bleachers. The Giants. Cleveland wouldn't even come to the game. Rachea. It's really Reynolds, but since he got Poison Ivy, everyone calls him Rachea. Now, Dennis, how about taking an interest in my program? Oh, I wanted to hear the World Series. Look, the series will be our next year. Me, I'm not sure about. Come on. Come on, Jack. Okay, now go ahead, Don, announce it. I can't, Jack, the scripts aren't here. They aren't? Do you see the scripts, Mary? Well, maybe your writers have them. They're in the conference room. Oh, yeah, maybe they're revising it. I'll go and see. Now, writers are the only ones who take an interest in the show. Say, fellas. Quiet. Hey, fellas, I'm looking for the script you wrote for our play. Where is it? We don't know. We don't know. We didn't see nothing around here. When we wrote it, we gave it to Yaz. Yaz? Yaz. What a mistake I made hiring those guys. They were standing on the corner selling pencils. I thought they were writers. Script, Jack? No. But, Jack, this is ridiculous. How are we going to do a play without a script? Yeah. Wait a minute. Maybe I'll let them at home. Give me the phone, Mary. I'll call Rochester. Okay, here it is. I said he gave me the script. I wonder what happened to it. Maybe Milton Burrell. No, he's in New York. I don't know. Oh, you are. Well, why aren't you listening to my program? Put Jackie Robinson on it, and I will. Robinson got a home run. That was on your radio. Five home runs. Are you listening to K.H.J.? No, C.A.N. What's that? Sir? Well, Avenue Network. Yeah, you ought to listen to the game on this radio. It's sure exciting. Why? Robinson's... Robinson's playing on both teams? Why? At five o'clock he's fighting Marciano. Rochester, we got a play to do here, and I can't find the scripts. Did I leave them at home? No, you put them in the ground compartment of your car. Oh, yes. Now I remember. Thanks, Rochester. Goodbye. Goodbye. Oh, Rochester. Yes, boss. You better rush down here at the studio. You know, we do our television show as soon as my radio program is over. I know. And don't be late, Rochester. I need you. Oh, boss, let's just say we need each other. Yeah, yeah, goodbye. Goodbye. I left my scripts in my car.  But, Jack, I'm supposed to do the commercial now.  I'll do the commercial for you. But, Jack... Never mind. Run along. Okay. This is my chance to get on the good side of my sponsor. Be happy, go lucky. Be happy, get better taste. Be happy, go lucky. Get better taste today. Pull-de-dee-poo-poo-poop-de-dee-poo. This is Jack Benny and smokers. There's no doubt about it. Luckies taste better. And this better taste starts with Lucky's fine tobacco. Yes, LS MFT. Lucky strike means fine tobacco in a cigarette that's made better to taste cleaner, fresher, smoother. Cleaner? Yes, bet. I mean, you bet. Yes. Lucky's not only tastes cleaner, fresher, smoother, but they are made by one of the nicest sponsors you'd ever want to meet. And now I'd like to dedicate this next number to my sponsor, Mr. Lewis. Be happy, go lucky. Be happy, get better taste. Be happy, go lucky. I hope I'm here next week. I thank you. You're the first, Jack. Oh, thank you, Don. And now, ladies and gentlemen, for our play. A day in the life of a newspaper man. Take it, Don. Ladies and gentlemen, as our scene opens, we find Scoop Benny, the two-fisted editor-in-chief of the Los Angeles Daily Bugle, hard at work in his office. Sitting at the next desk is his star reporter, Likes Crosby. Los Angeles Bugle, Scoop Benny speaking. What? Give me all the details. Seven of them, huh? Say they're taking off at midnight? Thanks for the tip. I'll be there. What is it, Scoop? Late show at the Burbank Theater. Daily Bugle, Scoop Benny speaking. Hello, big boy. This is Mrs. Archibald J. Stuffington of 204 Stuffington Road, California. Stuffington, eh? How are you, Stuffy? Got a big story for you. Come up to my apartment. My husband has just been... murdered. What was that? My husband has just been... murdered. What was that? You don't like him, do you? I don't even know. Are you sure he's dead? Any more questions? Well, I'll be right over there, Mrs. Stuffington, and try to solve this murder before the police come. See that the body stays where it is. What's that? If it moves now, you've got a real story. Well, I'll be right over. Goodbye. We'll get to the bottom of this murder or know the reason why. Hello, we're from the Los Angeles Daily Bugle. Who are you? I'm the butler. Oh, you're the butler, eh? Well, I'll question you first. Were you here when the murder was committed? Uh-huh. You hear any gunshots? Yes, well, I was making coffee. How many gunshots did you hear? I heard the first one in the kitchen, the second one at the front door, and three more as I was going through Anaheim, Azuz, and Cucamonga. Cucamonga, how'd you get back here so fast? My suspenders were caught on the doorknob. Your suspenders were caught on the doorknob? Pretty snappy comeback, eh? Yours gave me that one. Now, where is Mrs. Stuffington? Well, here I am, boys. I've been waiting for you. Now, Mrs. Stuffington, I'm here to solve this murder, and I'm going to question you right now. Now, just a minute. I'll call my butler. Oh, Goodrich, bring me a martini. Yes, madam. Wait a minute, Mrs. Stuffington.  You're right. Goodrich. Yes, madam. Put a black olive in it. Now, Mrs. Stuffington, I know you committed the murder, so you might as well confess. Oh, yeah? Well, you can't prove a thing. Oh, yes, we can. Look here, Scoop. I just found a dictograph. I played it, and there's incriminating evidence in it. Evidence, eh? Well, turn it on again, Flash. Okay. I want to hear this. Well, Mrs. Stuffington, are you ready to confess? Why should I? There's not one word there that says I killed my husband. She's right, Flash. Oh, no, she isn't. She hasn't heard the rest of it. You mean there's more? Turn on that dictograph again. Okay. What's that? Oh, my goodness. I guess the radio must have been on while we were planning the murder. Yeah. Oh, then you did plan it. You did it for a long time. Ladies and gentlemen, here is a special message. This year, as always, it'll be the family vote that really decides things at election time. And families everywhere are pitching in to remind every eligible American to register so he and she can vote on November 4th. If you're helping your community get registered, congratulations. If you're not, maybe you'd like to remind your friends and neighbors tomorrow. Remember, you have to register to vote. Thank you. The back will be back in just a moment, but first... We find the back so clear. Pressure. Smoother. Lucky, lucky, lucky. Lucky strike. We find the back so lucky strike. We find the back so clear. Pressure. People want to cheer luckies, too. Once you try them, they taste that much better. Let me tell you why. LS, MFT, lucky strike means fine tobacco. And there's another reason. Luckies are made better, round and firm and fully packed to taste cleaner, fresher, smoother. The fact is, a nationwide survey based on actual student interviews in 80 leading colleges shows that more smokers in these colleges prefer luckies than any other cigarette. And furthermore, this survey shows that luckies gained far more smokers in these colleges than the nation's two other principal brands combined. Yes, these college men and women, just like so many of us, prefer luckies. The cigarette that tastes better. So make your next carton lucky strike and see for yourself what the cheer is all about. Be happy, go lucky, go lucky strike today. Ladies and gentlemen, in about 30 seconds, I'll be doing my first television show of the season. So I hope you'll all be watching. Well, I'll be seeing you. I mean you. I'm writer. The next program this week was written by most Joseph Spurge, John Tackerberry, Al Gordon, Al Bowman, and produced and transcribed by Hilliard Marks. Jack Benny program is brought to you by Lucky Strike, product of the American Tobacco Company, America's leading manufacturer of cigarettes. This is the CBS Radio Network.


13 runs on 14 hits what's the feeling like when guys are contributing one through nine oh man It's a lot of fun this you know We all know this lineup can be pretty pretty special pretty dangerous and say it was a great example of a top-to-bottom Great at bats all the way through we had a real good game plan coming into it went out and executed it really well How have you been able to stay so locked in with limited opportunities? You know, I don't know as you know Just I think the work I'm putting in you know Before and after games, you know going in I'll stand into some bullpens. It's trying to try to stay ready You know, you never know when your numbers called you just got to find a way to compete and contribute when you get that opportunity Eight home runs so far this season seven total the last two years you talked about retooling your swing What's been the biggest difference for you? You know really just the bat path, you know finding that You know connection in my swing being able to keep my barrel in the zone for a long time That was the thing that I've been kind of chasing the last couple seasons, you know Kind of lost my way a little bit with as far as the way that feels and Thankfully was able to put a lot of great work in with a lot of good people this offseason and find it and the results so far I've been pretty good. You enjoying the results for sure. Absolutely mathematics for the time. All right. Thank you