Whitney Elizabeth Houston was an American singer, actress, producer and model. In 2009, Guinness World Records cited her as the most awarded female act of all time. Houston is one of pop music's best-selling music artists of all time, with an estimated 172 million records sold worldwide. She released seven studio albums and two soundtrack albums, all of which have diamond, multi-platinum, platinum or gold certification. Houston's crossover appeal on the popular music charts, as well as her prominence on MTV, starting with her video for How Will I Know, influenced several African-American women artists who follow in her footsteps. Houston is the only artist to chart seven consecutive number one Billboard Hot 100 hits. She is the second artist behind Elton John and the only woman to have two number one Billboard 200 album awards, formerly Top Pop Albums, on the Billboard Magazine year-end charts. Houston's debut album, Whitney Houston, 1985, became the best-selling debut album by a woman in history. Rolling Stone named it the best album of 1986, and ranked it at number 254 on the magazine's list of the 500 greatest albums of all time.Her second studio album, Whitney, 1987, became the first album by a woman to debut at number one on the Billboard 200 Albums chart. Houston's first acting role was as the star of the feature film The Bodyguard, 1992. The film's original soundtrack won the 1994 Grammy Award for Album of the Year. Houston's lead single, I Will Always Love You, won the Grammy Award for Record of the Year and became the best-selling single by a woman in music history. With the album, Houston became the first act, solo or group, male or female, to sell more than a million copies of an album within a single week period under Nielsen's soundscan system.The album makes her the top female act in the top 10 list of the best-selling albums of all time, at number 4. Houston continued to star in movies and contribute to their soundtracks, including the films Waiting to Exhal, 1995, and The Preacher's Wife, 1996. The Preacher's Wife soundtrack became the best-selling gospel album in history. On February 11, 2012, Houston was found dead in her guest room at the Beverly Hilton, in Beverly Hills, California. The official coroner's report showed that she had accidentally drowned in the bathtub, with heart disease and cocaine use listed as contributing factors. News of her death coincided with the 2012 Grammy Awards and featured prominently in American and international media. Life and Career 1963-1984, Early life and career beginnings Whitney Houston was born on August 9, 1963 in what was then a middle-income neighborhood in Newark, New Jersey.She was the daughter of Army service man and entertainment executive John Russell Houston, Jr., September 13, 1920 and NBSP, February 2, 2003, and gospel singer Emily Sissy, drinkered, Houston. Her elder brother Michael is a singer, and her elder half-brother is former basketball player Gary Garland. Her parents were both African-American. Through her mother, Houston was a first cousin of singers Dionne Warwick and Dee Dee Warwick. Her godmother was Darlene Love and her honorary aunt was Aretha Franklin, whom she met at age eight or nine when her mother took her to a recording studio. Houston was raised a Baptist, but was also exposed to the Pentecostal Church. After the 1967 Newark riots, the family moved to a middle-class area in East Orange, New Jersey, when she was four. At the age of 11, Houston started performing as a soloist in the Junior Gospel Choir at the New Hope Baptist Church in Newark, where she also learned to play the piano. Her first solo performance in the church was Guide Me, O Thou Great Jehovah. When Houston was a teenager, she attended Mount Saint Dominic Academy, a Catholic girl's high school in Caldwell, New Jersey, where she met her best friend Robin Crawford, whom she described as the sister she never had. While Houston was still in school, her mother continued to teach her how to sing.Huston was also exposed to the music of Chaka Khan, Gladys Knight and Roberta Flack, most of whom would have an influence on her as a singer and performer. Houston spent some of her teen age years touring nightclubs where her mother Sissy was performing, and she would occasionally get on stage and perform with her. In 1977, at age 14, she became a backup singer on the Michael Zager Band's single Life So Party.In 1978, at age 15, Houston sang background vocals for Chaka Khan and Lou Rawls. In the early 1980s, Houston started working as a fashion model after a photographer saw her at Carnegie Hall singing with her mother. She appeared in 17 and became one of the first women of color to grace the cover of the magazine. She was also featured in layouts in the pages of Glamour, Cosmopolitan, Young Miss, and appeared in a Canada dry soft drink TV commercial.Her looks and girl next door charm made her one of the most sought after teen models of that time.While modeling, she continued her burgeoning recording career by working with producers Michael Beinhorn, Bill Laswell and Martin Beesey on an album they were spearheading called One Down, which was credited to the group Material. For that project, Houston contributed the Ballad Memories, a cover of a song by Hugh Hopper of Soft Machine. Robert Christgau of The Village Voice called her contribution one of the most gorgeous ballads you've ever heard. She also appeared as a lead vocalist on one track on a Paul Jabara album, entitled Paul Jabara and Friends, released by Columbia Records in 1983. Houston had previously been offered several recording agencies, Michael Zager in 1980, and Elektra Records in 1981, but her mother declined the offer stating her daughter must first complete high school. In 1983, Gary Griffith, an Ondar representative from Arista Records, saw her performing with her mother in a New York City nightclub and was impressed. He convinced Aristas head Clive Davis to make time to see Houston perform. Davis was impressed and immediately offered a worldwide recording contract which Houston signed. Later that year, she made her national televised debut alongside Davis on the Merve Griffin show. Houston signed with Arista in 1983, but did not begin work on her album immediately.The label wanted to make sure no other label signed the singer away. Davis wanted to ensure he had the right material and producers for Houston's debut album. Some producers had to pass on the project because of prior commitments. Houston first recorded a duet with Teddy Pendergrass entitled Hold Me which appeared on his album, Love Language. The single was released in 1984 and gave Houston her first taste of success, becoming a top five randbee hit. It would also appear on her debut album in 1985. 1985-1986, Rise to International Prominence With production from Michael Masser, Kashif, Jermaine Jackson and Narada Michael Walden, Houston's debut album Whitney Houston was released in February 1985. Rolling Stone magazine praised Houston, calling her one of the most exciting new voices in years while The New York Times called the album an impressive, musically conservative showcase for an exceptional vocal talent. Arista Records promoted Houston's album with three different singles from the album in the U.S., U.K. and other European countries. In the U.K., The Dance Funk Someone for Me, which failed to chart in the country, was the first single while All at Once was in such European countries as the Netherlands and Belgium, where the song reached the top five on the singles charts, respectively. In the U.S., The Soulful Ballad You Give Good Love was chosen as the lead single from Houston's debut to establish her in the black marketplace first. Despite the U.S., the song failed to get enough attention to become a hit, but in the U.S., it gave the album its first major hit as it peaked at number three on the U.S. Billboard Hot 100 chart, and number one on the Hot Rant B chart.As a result, the album began to sell strongly, and Houston continued promotion by touring nightclubs in the U.S. She also began performing on late-night television talk shows, which were not usually accessible to unstablished black acts. The Jazzy Ballad Saving All My Love for You was released next and it would become Houston's first number one single in both the U.S. and the U.K. She was then an opening act for singer Jeffrey Osborne on his nationwide tour. Thinking About You was released as the promo single only to Rant-oriented radio stations, which peaked at number ten on the U.S. Rant B chart.  The third U.S. single, How Will I Know, peaked at number one and introduced Houston to the MTV audience thanks to its video. Houston's subsequent singles from this, and future albums, would make her the first African-American woman to receive consistent heavy rotation on MTV. By 1986, a year after its initial release, Whitney Houston topped the Billboard 200 Albums chart and stayed there for 14 non-consecutive weeks. The final single, Greatest Love of All, a cover of The Greatest Love of All, originally recorded by George Benson in 1977, became Houston's biggest hit at the time after peaking number one and remaining there for three weeks on the Hot 100 chart, which made her debut the first album by a woman to yield three number one hits. Houston was number one artist of the year and Whitney Houston was the number one album of the year on the 1986 Billboard year-end charts, making her the first woman to earn that distinction.At the time, Houston released the best-selling debut album by a solo artist. Houston then embarked on her world tour, Greatest Love Tour. The album had become an international success, and was certified 13 times platinum, diamond, in the United States alone, and has sold 25 million copies worldwide. At the 1986 Grammy Awards, Houston was nominated for three awards including Album of the Year. She was not eligible for the best new artist category because of her previous hit Rand B Duet recording with Teddy Pendergrass in 1984. She won her first Grammy Award for Best Pop Vocal Performance, Female Four Saving All My Love for You. Houston's performance of the song during the Grammy telecast later earned her an Emmy Award for Outstanding Individual Performance in a Variety or Music Program. Houston won seven American Music Awards in total in 1986 and 1987, and an MTV Video Music Award. The album's popularity would also carry over to the 1987 Grammy Awards when Greatest Love of All would receive a record of the year nomination, ten years after the original recording of The Greatest Love of All by George Benson, which was the main theme of the boxer Muhammad Ali Biopic The Greatest in 1977. Houston's debut album is listed as one of Rolling Stones' 500 Greatest Albums of All Time and on the Rock and Roll Hall of Fame's definitive 200 list. Houston's grand entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to USA Today. Following Houston's breakthrough, doors were opened for other African American women such as Janet Jackson and Anita Baker to find notable success in popular music and on MTV. 1987-1991, Whitney, I Am Your Baby Tonight and the star-spangled banner. With many expectations, Houston's second album, Whitney, was released in June 1987. The album again featured production from Maser, Kashif and Walden as well as Jelly Bean Bonitez. Many critics complained that the material was too similar to her previous album. Rolling Stone said, �The narrow channel through which this talent has been directed is frustrating.� Still, the album enjoyed commercial success. Houston became the first woman in music history to debut at number one on the Billboard 200 Albums Chart, and the first artist to enter the Albums Chart at number one in both the US and UK, while also hitting number one or top ten in dozens of other countries around the world. The Album's first single, �I Wanna Dance With Somebody, Who Loves Me,� was also a massive hit worldwide, peaking at number one on the Billboard Hot 100 Chart and topping the Singles Chart in many countries such as Australia, Germany and the UK. The next three singles, �Didn't We Almost Have It All, So Emotional, and Where Do Broken Hearts Go� all peaked at number one on the US Hot 100 Chart, which gave her a total of seven consecutive number one hits, breaking the record of six previously shared by the Beatles and the BGs. Houston became the first woman to generate four number one singles from one album. Whitney has been certified nine times platinum in the US for shipments of over nine million copies, and has sold a total of 20 million copies worldwide. At the 30th Grammy Awards in 1988, Houston was nominated for three awards, including Album of the Year, winning her second Grammy for Best Female Pop Vocal Performance for �I Wanna Dance With Somebody, Who Loves Me�. Houston also won two American Music Awards in 1988 and 1989, respectively, and a Soul Train Music Award. Following the release of the album, Houston embarked on the �A Moment of Truth� World Tour, which was one of the ten highest-grossing concert tours of 1987. The success of the tours during 1986-87 and her two studio albums ranked Houston number eight for the highest-earning entertainers list according to Forbes magazine. She was the highest-earning African-American woman overall and the third-highest entertainer after Bill Cosby and Eddie Murphy. Houston was a supporter of Nelson Mandela and the anti-apartheid movement. During her modeling days, the singer refused to work with any agencies who did business with the then-apartheid South Africa. On June 11, 1988, during the European leg of her tour, Houston joined other musicians to perform a set at Wembley Stadium in London to celebrate a then-emprisoned Nelson Mandela�s 70th birthday.Over 72,000 people attended Wembley Stadium, and over a billion people tuned in worldwide as the rock concert raised over $1 million for charities while bringing awareness to apartheid. Houston then flew back to the U.S. for a concert at Madison Square Garden in New York City in August. The show was a benefit concert that raised a quarter of a million dollars for the United Negro College Fund. In the same year, she recorded a song for NBC�s coverage of the 1988 Summer Olympics, One Moment in Time, which became a top five hit in the U.S., while reaching number one in the U.K. and Germany. With her world tour continuing overseas, Houston was still one of the top 20 highest-earning entertainers for 1987-88 according to Forbes magazine. In 1989, Houston formed the Whitney Houston Foundation for Children, a non-profit organization that has raised funds for the needs of children around the world. The organization cares for homelessness, children with cancer or AIDS, and other issues of self-empowerment. With the success of her first two albums, Houston was undoubtedly an international crossover superstar, the most prominent since Michael Jackson, appealing to all demographics. However, some black critics believed she was selling out.They felt her singing on record lacked the soul that was present during her live concerts. At the 1989 Soul Train Music Awards, when Houston�s name was called out for a nomination, a few in the audience jeered. Houston defended herself against the criticism, stating, �If you�re going to have a long career, there�s a certain way to do it, and I did it that way. I�m not ashamed of it.� Houston took a more urban direction with her third studio album, I Am Your Baby Tonight, released in November 1990. She produced and chose producers for this album and as a result, it featured production and collaborations with L.A. Reed and Babyface, Luther Vandross and Stevie Wonder. The album showed Houston�s versatility on a new batch of tough rhythmic grooves, soulful ballads and up-tempo dance tracks reviews were mixed. Rolling Stone felt it was her best and most integrated album. While entertainment weekly, at the time thought Houston�s shift towards an urban direction was superficial. The album contained several hits, the first two singles, I�m Your Baby Tonight and All The Man That I Need peaked at No. 1 on the Billboard Hot 100 chart, Miracle peaked at No. 9, My Name Is Not Susan peaked in the Top 20, I Belong To You reached the Top 10 of the U.S. R&B chart and garnered Houston a Grammy nomination, and the sixth single, The Stevie Wonder Duet We Didn�t Know, reached the R&B Top 20. The album peaked at No. 3 on the Billboard 200 and went on to be certified four times platinum in the U.S. while selling 12 million total worldwide. In 1990, Houston was the spokesperson for a youth leadership conference hosted in Washington, D.C. She had a private audience with President George H. W. Bush in the Oval Office to discuss the associated challenges. During the Persian Gulf War, Houston performed the star-spangled banner at Super Bowl 25. At Tampa Stadium on January 27, 1991. This performance was later reported by those involved in the performance to have been lip-synced or to have been sung into a dead microphone while a studio recording previously made by Houston was played. �Dan Clause, a spokesman for Houston, explained, �This is not a milli-vanilla thing.� She sang live, but the microphone was turned off. It was a technical decision, partially based on the noise factor. This is standard procedure at these events. See also star-spangled banner lip-sync controversy. A commercial single and video of her performance were released, and reached the top 20 on the U.S. Hot 100, making her the only act to turn the U.S. national anthem into a pop hit of that magnitude, Jose Feliciano�s version reached No. 50 in November 1968. Houston donated all her share of the proceeds to the American Red Cross Gulf Crisis Fund. As a result, the singer was named to the Red Cross Board of Governors. Her rendition was critically acclaimed and is considered the benchmark for singers Rolling Stone commented that her singing stirs such strong patriotism. �Unforgettable,� and the performance ranked No. 1 on the 25 most memorable music moments in NFL history list. VH1 listed the performance as one of the greatest moments that rocked TV. Following the attacks on September 11, it was released again by Aristurecords, all profits going towards the firefighters and victims of the attacks. This time it peaked at No. 6 in the Hot 100 and was certified platinum by the Recording Industry Association of America. Later in 1991, Houston put together her Welcome Home Heroes concert with HBO for the soldiers fighting in the Persian Gulf War and their families. The free concert took place at Naval Station Norfolk in Norfolk, Virginia in front of 3,500 servicemen and women. HBO descrambled the concert so that it was free for everyone to watch. Houston�s concert gave HBO its highest ratings ever. She then embarked on the �I Am Your Baby Tonight� world tour. 1992-1994, Marriage, Motherhood, and the Bodyguard. Throughout the 1980s, Houston was romantically linked to American football star Randall Cunningham and actor Eddie Murphy, whom she dated.She then met Rand B. Singer Bobby Brown at the 1989 Soul Train Music Awards. After a three-year courtship, the two were married on July 18, 1992.On March 4, 1993, Houston gave birth to their daughter Bobby Christina, the couple�s only child. Brown would go on to have several run-ins with the law, including some jail time. With the commercial success of her albums, movie offers poured in, including offers to work with Robert De Niro, Quincy Jones and Spike Lee, but Houston felt the time wasn�t right. Houston�s first film role was in The Bodyguard, released in 1992 and co-starring Kevin Costner. Houston played Rachel Marrone, a star who is stalked by a crazed fan and hires a bodyguard to protect her. USA Today listed it as one of the 25 most memorable movie moments of the last 25 years in 2007. Houston�s mainstream appeal allowed people to look at the movie color blind. Still, controversy arose as some felt the film�s advertising intentionally hit Houston�s face to hide the film�s interracial relationship. In an interview with Rolling Stone in 1993, the singer commented that �people know who Whitney Houston I�s and NBSP, I�m black. You can�t hide that fact.� Houston received a Razzie Award nomination for Worst Actress. The Washington Post said Houston is �doing nothing more than playing Houston�, comes out largely unscathed if that is possible and so cockamamie and undertaking, and the New York Times commented that she lacked passion with her CO star. Despite the film�s mixed reviews, it was hugely successful at the box office, grossing more than $121 million in the U.S. and $410 million worldwide, making it one of the top 100 grossing films in film history at its time of release, though it is no longer in the top 100 because of rising ticket prices since the time the film was released. The film�s soundtrack also enjoyed big success. Houston executive produced and contributed six songs for the motion pictures adjoining soundtrack album. Rolling Stone said it is �nothing more than pleasant, tasteful and urbane.� The soundtrack�s lead single was �I Will Always Love You,� written and originally recorded by Dolly Parton in 1974. Houston�s version of the song was acclaimed by many critics, regarding it as her signature song or iconic performance. Rolling Stone and USA Today called her rendition the tour de force. The single peaked at number one on the Billboard Hot 100 for a then-record-breaking 14 weeks, number one on the Rand B chart for a then-record-breaking 11 weeks, and number one on the adult contemporary charts for five weeks. The single was certified four times platinum by the RIAA, making Houston the first woman with a single to reach that level in the RIAA history and becoming the best-selling single by a woman in the U.S. The song also became a global success, hitting number one in almost all countries, and the best-selling single of all time by a female solo artist with 20 million copies sold. The soundtrack topped the Billboard 200 chart and remained there for 20 non-consecutive weeks, the longest tenure by any Arista album on the chart in the Nielsen Sound Scan era, tied for tenth overall by any label, and became one of the fastest-selling albums ever. During Christmas week of 1992, the soundtrack sold over a million copies within a week, becoming the first album to achieve that feat under Nielsen's SoundScan system. With the follow-up singles I'm Every Woman, a Chaka Khan cover, and I Have Nothing both reaching the top five, Houston became the first woman to ever have three singles in the top 11 simultaneously. The album was certified 17 times platinum in the U.S. alone, with worldwide sales of 44 million, making The Bodyguard the biggest-selling album by a female act on the list of the world's top 10 best-selling albums, topping Shania Twain's 40 million sold for Come On Over. Houston won three Grammys for the album in 1994, including two of the Academy's highest honors, Album of the Year and Record of the Year. In addition, she won a record eight American Music Awards at that year's ceremony including the Award of Merit, 11 Billboard Music Awards, three Soul Train Music Awards in 1993-94 including Sammy Davis, Junior Award as Entertainer of the Year, five NAACP Image Awards including Entertainer of the Year, a Record Five World Music Awards, and a Brit Award. During the success of the project, Houston embarked on another expansive global tour, The Bodyguard World Tour, in 1993-94. Her concerts, movie and recording grosses made her the third highest-earning female entertainer of 1993-94, just behind Oprah Winfrey and Barbara Streisand according to Forbes magazine. Houston placed in the top five of Entertainment Weekly's annual Entertainer of the Year ranking and was labeled by Premier Magazine as one of the 100 most powerful people in Hollywood. In October 1994, Houston attended and performed at a state dinner in the White House honoring newly elected South African President Nelson Mandela. At the end of her world tour, Houston performed three concerts in South Africa to honor President Mandela, playing to over 200,000 people. This would make the singer the first major musician to visit the newly unified and apartheid Free Nation following Mandela's winning election. The concert was broadcast live on HBO with funds of the concerts being donated to various charities in South Africa. The event was considered the nation's biggest media event since the inauguration of Nelson Mandela. 1995-1997, waiting to ex-hail, the preacher's wife, and Cinderella. In 1995, Houston starred alongside Angela Bassett, Loretta Devine and Leela Rochin in her second film, Waiting to Ex-Hail, a motion picture about four African-American women struggling with relationships. Houston played the lead character Savannah Jackson, a TV producer in Love with a Married Man. She chose the role because she saw the film as a breakthrough for the image of black women because it presents them both as professionals and as caring mothers.After opening at number one and grossing $67 million in the U.S. at the box office and $81 million worldwide, it proved that a movie primarily targeting a black audience can cross over to success, while paving the way for other all-black movies such as How Stella Got Her Groove Back and the Tyler Perry movies that became popular in the 20s. The film is also notable for its portrayal of black women as strong middle-class citizens rather than as stereotypes. The reviews were mainly positive for the ensemble cast. The New York Times said, Ms. Houston has shed the defensive hotir that made her portrayal of a pop star in The Bodyguard seems so distant. Houston was nominated for an NAACP Image Award for Outstanding Actress in a Motion Picture, but lost to her CO-star Bassett. The film's accompanying soundtrack, Waiting to Ex-Hail, original soundtrack album, was written and produced by Babyface. Though he originally wanted Houston to record the entire album, she declined. Instead, she wanted it to be an album of women with vocal distinction, and thus gathered several African-American female artists for the soundtrack, to go along with the film's message about strong women. Consequently, the album featured a range of contemporary R&B female recording artists along with Houston, such as Mary J. Bleige, Brandy, Tony Braxton, Aretha Franklin and Patti LaBelle. Houston's Ex-Hail, Shoop Shoop, peaked at number one, and then spent a record 11 weeks at the number two spot and eight weeks on top of the R&B charts. Count on me, a duet with Cease Winans, hit the US top 10, and Houston's third contribution, Why Does It Hurt So Bad?, made the top 30. The album debuted at number one, and was certified 7 times platinum in the United States, denoting shipments of 7 million copies.The soundtrack received strong reviews, as Entertainment Weekly stated, The album goes down easy, just as you'd expect from a package framed by Whitney Houston Tracks The soundtrack waits to ex-Hail, hovering in sensuous suspense and has since ranked it as one of the 100 best movie soundtracks. After that year, Houston's Children's Charity Organization was awarded a VH1 honor for all the charitable work. In 1996, Houston starred in the holiday comedy The Preacher's Wife, with Denzel Washington. She plays a gospel-singing wife of a pastor, Courtney B. Vance. It was largely an updated remake of the film The Bishop's Wife, 1948, which starred Loretta Young, David Niven, and Carrie Grant. Houston earned $10 million for the role, making her one of the highest-paid actresses in Hollywood at the time and the highest-earning African-American actress in Hollywood. The movie, with its all-African-American cast, was a moderate success, earning approximately $50 million at the U.S. box offices. The movie gave Houston her strongest reviews so far. The San Francisco Chronicle said Houston is rather angelic herself, displaying a divine talent for being virtuous and flirtatious at the same time, and she exudes gentle yet spirited warmth, especially when praising the Lord in her gorgeous singing voice. Houston was again nominated for an NAACP Image Award and won for Outstanding Actress in a Motion Picture. Houston recorded and co-produced, with Mervyn Warren, the film's accompanying gospel soundtrack. The Preacher's Wife, original soundtrack album included six gospel songs with Georgia Mass Choir that were recorded at the Great Star Rising Baptist Church in Atlanta. Houston also do it with gospel legend Shirley Caesar. The album sold 6 million copies worldwide and scored hit singles with I Believe in You and Me and Step by Step, becoming the largest-selling gospel album of all time. The album received mainly positive reviews. Some critics, such as that of USA Today, noted the presence of her emotional depth, while the Times said, to hear Houston going at full throttle with the 35-piece Georgia Mass Choir struggling to keep up is to realize what her phenomenal voice was made for. She won favorite adult contemporary artist for The Preacher's Wife at the 1997 American Music Awards for The Preacher's Wife soundtrack. In 1997, Houston's production company changed its name to Brown House Productions and was joined by Debra Martin Chase. Their goal was to show aspects of the lives of African Americans that have not been brought to the screen before while improving how African Americans are portrayed in film and television. Their first project was a made-for-television remake of Rodgers and Hammerstein's Cinderella. In addition to C.O. producing, Houston starred in the movie as the fairy godmother along with Brandy, Jason Alexander, Whoopi Goldberg and Bernadette Peters. Houston was initially offered the role of Cinderella in 1993, but other projects intervened. The film is notable for its multiracial cast and non-stereotypical message. An estimated 60 million viewers tuned into the special giving ABC its highest TV ratings in 16 years. The movie received seven Emmy nominations including Outstanding Variety, Musical or Comedy, while winning Outstanding Art Direction in a Variety, Musical or Comedy Special. Houston and Chase then obtained the rights to the story of Dorothy Dandridge. Houston was to play Dandridge, the first African-American actress to be nominated for an Academy Award for Best Actress. Houston wanted the story told with dignity and honor.However, Halle Berry also had rights to the project and got her version going first. Later that year, Houston paid tribute to her idols, such as Aretha Franklin, Diana Ross and Dionne Warwick, by performing their hits during the three-night HBO concert Classic Whitney, live from Washington, D.C. The special raised over $300,000 for the Children's Defense Fund. Houston received the Quincy Jones Award for Outstanding Career Achievements in the field of entertainment at the 12th Soul Train Music Awards. 1998-2000, My Love Is Your Love and Whitney, The Greatest Hits After spending much of the early and mid-1990s working on motion pictures and their soundtrack albums, Houston's first studio album in eight years, the critically acclaimed My Love Is Your Love, was released in November 1998. Though originally slated to be a greatest hits album with a handful of new songs, recording sessions were so fruitful that a new full-length studio album was released. Recorded and mixed in only six weeks, it featured production from Rodney Jerkins, Wycliffe Gene and Missy Elliott. The album debuted at number 13, its peak position, on the Billboard 200 chart. It had a funkier and edgier sound than past releases and saw Houston handling urban dance, hip-hop, mid-tempo R&B, reggae, torch songs and ballads all with great dexterity. From late 1998 to early 2000, the album spawned several hit singles, When You Believe, US Number 15, UK Number 4, a duet with Mariah Carey for 1998's The Prince of Egypt soundtrack, which also became an international hit as it peaked in the top 10 in several countries and won an Academy Award for Best Original Song, Heartbreak Hotel, US Number 2, UK Number 25, featured Faith Evans and Kelly Price, received a 1999 MTV VMA nomination for Best R&B Video, and Number 1 on the US R&B Chart 4. Seven weeks, it's not right but it's okay, US Number 4, UK Number 3, won Houston her sixth Grammy Award for Best Female R&B Vocal Performance, My Love is Your Love, US Number 4, UK Number 2, with 3 million copies sold worldwide, and I learned from the best, US Number 27, UK Number 19. These singles became international hits as well, and all the singles, except When You Believe, became number one hits on the Billboard Hot Dance Slash Club Play Chart. The album sold 4 million copies in America, making it certified 4 times platinum, and a total of 11 million copies worldwide. The album gave Houston some of her strongest reviews ever. Rolling Stone said Houston was singing with a bite in her voice and the village voice called it Whitney's sharpest and most satisfying so far. In 1999, Houston participated in VH1's Divas Live 99, alongside Brandy, Mary J. Bleach, Tina Turner and Cher. The same year, Houston hit the road with her 70 date My Love is Your Love World tour. The European leg of the tour was Europe's highest grossing arena tour of the year. In November 1999, Houston was named top-selling R&B Female Artist of the Century with certified US sales of 51 million copies at the time and The Bodyguard soundtrack was named the top-selling soundtrack album of the century by the Recording Industry Association of America, RIAA. She also won the Artist of the Decade, Female Award for Extraordinary Artistic Contributions during the 1990s at the 14th Soul Train Music Awards, and an MTV Europe Music Award for Best R&B. In May 2000, Whitney, The Greatest Hits was released worldwide. The double disc set peaked at number five in the United States, reaching number one in the United Kingdom.In addition, the album reached the top ten in many other countries. While ballad songs were left unchanged, the album features house-slash-club remixes of many of Houston's uptempo hits. Included on the album were four new songs, Could I Have This Kiss Forever, a duet with Enrique Iglesias, same script, different cast, a duet with Deborah Cox, If I Told You That, a duet with George Michael, and Fine, and three hits that had never appeared on a Houston album, One Moment in Time, The Star Spangled Banner, and If You Say My Eyes Are Beautiful, a duet with Jermaine Jackson from his 1986 Precious Moments album. Along with the album, an accompanying VHS and DVD was released featuring the music videos to Houston's Greatest Hits, as well as several hard-to-find live performances including her 1983 debut on The Merve Griffin Show, and interviews. The Greatest Hits album was certified three times platinum in the U.S., with worldwide sales of 10 million. 2000-2005, Just Whitney and Personal Struggles Although Houston was seen as a good girl with a perfect image in the 1980s and early 1990s, by the late 1990s, her behavior changed. She was often hours late for interviews, photo shoots and rehearsals, and cancelling concerts and talk show appearances. With the missed performances and weight loss, rumors about Houston using drugs with her husband circulated. On January 11, 2000, airport security guards discovered marijuana in both Houston's and husband Bobby Brown's luggage at a Hawaii airport, but the two boarded the plane and departed before authorities could arrive. Charges were later dropped against them, but rumors of drug usage between the couple would continue to surface. Two months later, Clive Davis was inducted into the Rock and Roll Hall of Fame. Houston had been scheduled to perform at the event, but failed to show up. Shortly thereafter, Houston was scheduled to perform at the Academy Awards but was fired from the event by musical director and longtime friend Bert Bakarak. Her publicist cited throat problems as the reason for the cancellation. In his book The Big Show, High Times and Dirty Dealings Backstage at the Academy Awards, author Steve Pond revealed that Houston's voice was shaky, she seemed distracted and jittery, and her attitude was casual, almost defiant and that while Houston was to sing over the rainbow, she would start singing a different song. Houston later admitted to having been fired. Later that year, Houston's longtime executive assistant and friend, Robin Crawford, resigned from Houston's management company. In August 2001, Houston signed one of the biggest record deals in music history, with a Rista slash BMG. She renewed her contract for $100 million to deliver six new albums, on which she would also earn royalties. She later made an appearance on Michael Jackson, 30th anniversary special. Her extremely thin frame further spurred rumors of drug use. Houston's publicist said, Whitney has been under stress due to family matters, and when she is under stress she doesn't eat. The singer was scheduled for a second performance the following night but cancelled. Within weeks, Houston's rendition of the star-spangled banner would be re-released after the September 11 attacks, with the proceeds donated to the New York Firefighters 9-11's Disaster Relief Fund and the New York Fraternal Order of Police. The song peaked at No. 6 this time on the US Hot 100, topping its previous position. In 2002, Houston became involved in a legal dispute with John Houston Enterprise. Although the company was started by her father to manage her career, it was actually run by company president Kevin Skinner. Skinner filed a breach of contract lawsuit and sued for $100 million, but lost, stating that Houston owed the company previously unpaid compensation for helping to negotiate her $100 million contract with a risked records and for sorting out legal matters. Houston stated that her 81-year-old father had nothing to do with the lawsuit. Although Skinner tried to claim otherwise, John Houston never appeared in court. Houston's father later died in February 2003. The lawsuit was dismissed on April 5, 2004, and Skinner was awarded nothing. Also in 2002, Houston did an interview with Diane Sawyer to promote her then-upcoming album. During the prime-time special, Houston spoke on topics including rumored drug use and marriage. She was asked about the ongoing drug rumors and replied, First of all, let's get one thing straight. Crack is cheap. I make too much money to ever smoke crack. Let's get that straight. Okay? We don't do crack. We don't do that. Crack is whack. The line was from Keith Haring's mural which was painted in 1986 on the handball court at 128th Street and 2nd Avenue. Houston did, however, admit to using other substances at times, including cocaine. In December 2002, Houston released her fifth studio album, Just Whitney. The album included productions from then-husband Bobby Brown, as well as Missy Elliot and Babyface, and marked the first time that Houston did not produce with Clive Davis as Davis had been released by Top Management at BMG. Upon its release, Just Whitney, received mixed reviews. The album debuted at number nine on the Billboard 200 chart and it had the highest first week sales of any album Houston had ever released. The four singles released from the album did not fare well on the Billboard Hot 100, but became dance chart hits. Just Whitney, was certified platinum in the United States, and sold approximately three million worldwide. On a June 2003 trip to Israel, Houston said of her visit, �I�ve never felt like this in any other country. I feel at home, I feel wonderful.� In late 2003, Houston released her first Christmas album One Wish, the holiday album, with the collection of traditional holiday songs. Houston produced the album with Mervyn Warren and Gordon Chambers. A single titled One Wish, for Christmas, reached the top 20 on the Adult Contemporary Chart, and the album was certified gold in the US. Having always been a touring artist, Houston spent most of 2004 touring and performing in Europe, the Middle East, Asia and Russia. In September 2004, she gave a surprise performance at the World Music Awards in a tribute to longtime friend Clive Davis. After the show, Davis and Houston announced plans to go into the studio to work on her new album. In early 2004, husband Bobby Brown starred in his own reality TV program, Being Bobby Brown on the Bravo Network, which provided a view into the domestic goings-on in the Brown household. Though it was Brown�s vehicle, Houston was a prominent figure throughout the show, receiving as much screen time as Brown. The series aired in 2005 and featured Houston in, what some would say, not her most flattering moments. The Hollywood Reporter said it was undoubtedly the most disgusting and execrable series ever to ooze its way onto television. Despite the perceived train wreck nature of the show, the series gave Bravo its highest ratings in its time slot and continued Houston�s successful forays into film and television. The show was not renewed for a second season after Houston stated that she would no longer appear in it, and Brown and Bravo could not come to an agreement for another season. 2006-2012, Return to Music, I Look to You, Tour and Film Comeback After years of controversy and turmoil, Houston separated from Bobby Brown in September 2006, filing for divorce the following month. On February 1, 2007, Houston asked the court to fast-track their divorce. The divorce was finalized on April 24, 2007, with Houston granted custody of the couple�s daughter. On May 4, Houston sold the suburban Atlanta home featured in Being Bobby Brown for one point one nine million dollars. A few days later, Brown sued Houston in Orange County, California court in an attempt to change the terms of their custody agreement. Brown also sought child and spousal support from Houston. In the lawsuit, Brown claimed that financial and emotional problems prevented him from properly responding to Houston�s divorce petition. Brown lost at his court hearing as the judge dismissed his appeal to overrule the custody terms, leaving Houston with full custody and Brown with no spousal support. In March 2007, Clive Davis of Arista Records announced that Houston would begin recording a new album. In October 2007, Arista released another compilation �The Ultimate Collection� outside the United States. Houston gave her first interview in seven years in September 2009, appearing on Oprah Winfrey�s season premiere. The interview was billed as �the most anticipated music interview of the decade.� Whitney admitted on the show to using drugs with former husband Bobby Brown, who laced marijuana with rock cocaine. She told Oprah that before the bodyguard her drug use was light, but after the film�s success and the birth of her daughter it got heavier, and by 1996 doing drugs was an everyday thing. �I wasn�t happy by that point in time. I was losing myself.� Houston released her new album, I Look To You, in August 2009. The album�s first two singles were the title track I Look To You and Million Dollar Bill. The album entered the Billboard 200 at No. 1, with Houston�s best opening week sales of 305,000 copies, marking Houston�s first No. 1 album since The Bodyguard, and Houston�s first studio album to reach No. 1 since 1987�s Whitney. Houston also appeared on European television programs to promote the album. She performed the song I Look To You on the German television show Wet'n, Das. Three days later, she performed the worldwide first single from I Look To You, Million Dollar Bill, on the French television show LE Grand Journal. Houston appeared as guest mentor on The X Factor in the United Kingdom. She performed Million Dollar Bill on the following day�s results show, completing the song even as a strap in the back of her dress popped open two seconds into the performance. She later commented that she sang herself out of her clothes. The performance was poorly received by the British media, and was variously described as �weird and ungracious, shambolic and a flop.� Despite this reception, Million Dollar Bill jumped to its peak from 14 to No. 5, her first UK top five for over a decade, and three weeks after release I Look To You went gold. Houston appeared on the Italian version of The X Factor, also performing Million Dollar Bill, this time to excellent reviews. Houston was later awarded a gold certificate for achieving over 50,000 CD sales of I Look To You in Italy. In November, Houston performed I Didn�t Know My Own Strength at the 2009 American Music Awards in Los Angeles, California. Two days later, Houston performed Million Dollar Bill and I Wanna Dance with Somebody, Who Loves Me, on The Dancing with the Stars season 9 finale. As of December 2009, I Look To You has been certified platinum by the RIAA for sales of more than one million copies in the United States.On January 26, 2010, her debut album was re-released in a special edition entitled Whitney Houston and NBSP, the deluxe anniversary edition. Houston later embarked on a world tour, entitled The Nothing But Love World Tour. It was her first world tour in over 10 years and was announced as a triumphant comeback. However, some poor reviews and rescheduled concerts brought some negative media attention. Houston canceled some concerts because of illness and received widespread negative reviews from fans who were disappointed in the quality of her voice and performance. Some fans reportedly walked out of her concerts. In January 2010, Houston was nominated for two NAACP Image Awards, one for Best Female Artist and one for Best Music Video. She won the award for Best Music Video for her single I Look To You. On January 16, she received the Bet Honors Award for entertainer citing her lifetime achievements spanning over 25 years in the industry. The 2010 Bet Honors Award was held at the Warner Theater in Washington, D.C. and aired on February 1, 2010. Jennifer Hudson and Kim Burrell performed in honor of her, garnering positive reviews. Houston also received a nomination from the ECHO Awards, Germany's version of the Grammys, for Best International Artist. In April 2010, the UK newspaper The Mirror reported that Houston was thinking about recording her eighth studio album and wanted to collaborate with Will.i.am, of the Black Eyed Peas, her first choice for a collaboration. Houston also performed the song I Look To You on the 2011 Bet Celebration of Gospel, with Gospel jazz singer Kim Burrell, held at the Staples Center, Los Angeles. The performance aired on January 30, 2011. Early in 2011, she gave an uneven performance in tribute to cousin Dionne Warwick at music mogul Clive Davis' annual pre-Grammy Gala. In May 2011, Houston enrolled in a rehabilitation center again, as an outpatient, citing drug and alcohol problems. A representative for Houston said that it was a part of Houston's long-standing recovery process. In September 2011, The Hollywood Reporter announced that Houston would produce and star alongside Jordan Sparks and Mike Epps in the remake of the 1976 film Sparkle. In the film, Houston portrays Sparks' not-so-encouraging mother. Houston is also credited as an executive producer of the film. Deborah Martin Chase, producer of Sparkle, stated that Houston deserved the title considering she had been there from the beginning in 2001, when Houston obtained Sparkle production rights. Rand B. Singer Aliya Handnbsp, originally tapped to star as Sparkleenednbsp, died in a 2001 plane crash. Her death derailed production, which would have begun in 2002. Houston's remake of Sparkle was filmed in the fall of 2011 over a two-month period, and was released by Tristar Pictures. On May 21, 2012, Celebrate, the last song Houston recorded with Sparks, premiered at RyanSeacrest.com. It was made available for digital download on iTunes on June 5. The song was featured on The Sparkle, music from the motion picture soundtrack as the first official single. The movie was released on August 17, 2012 in the United States. The accompanying music video for Celebrate was filmed on May 30, 2012. The video was shot over two days, and a sneak peek of the video premiered on Entertainment Tonight on June 4, 2012. Death and Funeral On February 9, 2012, Houston visited singers Brandy and Monica, together with Clive Davis, at their rehearsals for Davis' pre-Grammy Awards party at the Beverly Hilton Hotel in Beverly Hills. That same day, she made her last public performance, when she joined Kelly Price on stage in Hollywood, California, and sang Jesus Loves Me. Two days later, on February 11, Houston was found unconscious in Suite 434 at the Beverly Hilton Hotel, submerged in the bathtub. Beverly Hills paramedics arrived at approximately 3.30 and nbsp, p.m. and found the singer unresponsive and performed CPR. Houston was pronounced dead at 3.55 and nbsp, p.m. pst. The cause of death was not immediately known.Local police said there were no obvious signs of criminal intent. On March 22, 2012, the Los Angeles County Coroner's Office reported the cause of Houston's death was drowning and the effects of atherosclerotic heart disease and cocaine use. The office stated the amount of cocaine found in Houston's body indicated that she used the substance shortly before her death. Toxicology results revealed additional drugs in her system, diphenhydramine, alprazolam, cannabis and cyclobenzaprene. The manner of death was listed as an accident. An invitation-only memorial service was held for Houston on Saturday, February 18, 2012, at the New Hope Baptist Church in Newark, New Jersey. The service was scheduled for two hours, but lasted four. Among those who performed at the funeral were Stevie Wonder, rewritten version of Ribbon in the Sky, and Loves in Need of Love Today, C. Swinans, Don't Cry, and Jesus Loves Me, Alicia Keys, Send Me an Angel, Kim Burrell, rewritten version of A Change is Gonna Come, and R. Kelly, I Look to You. The performances were interspersed with hymns by The Church Choir and remarks by Clive Davis, Houston's record producer, Kevin Costner, Ricky Miner, her music director, her cousin, Dion Warwick and Ray Watson, her security guard for the past 11 years. Aretha Franklin was listed on the program and was expected to sing, but was unable to attend the service. Bobby Brown, Houston's ex-husband, was also invited to the funeral but he left before the service began. Houston was buried on February 19, 2012, in Fairview Cemetery, in Westfield, New Jersey, next to her father, John Russell Houston, who died in 2003. In June 2012, the McDonald's Gospelfest in Newark became a tribute to Houston. Reaction Pre-Grammy Party The Clive Davis's Pre-Grammy Party that Houston was expected to attend, which featured many of the biggest names in music and movies, went on as scheduled although it was quickly turned into a tribute to Houston. Davis spoke about Houston's death at the evening's start, by now you have all learned of the unspeakably tragic news of our beloved Whitney's passing.  I am personally devastated by the loss of someone who has meant so much to me for so many years.  She was so looking forward to tonight even though she wasn't scheduled to perform. Whitney was a beautiful person and a talent beyond compare. She graced this stage with her regal presence and gave so many memorable performances here over the years. Simply put, Whitney would have wanted the music to go on and her family asked that we carry on. Tony Bennett spoke of Houston's death before performing at Davis's party. He said, first, it was Michael Jackson, then Amy Winehouse, now, the magnificent Whitney Houston. Bennett sang How Do You Keep the Music Playing, and said of Houston, When I first heard her, I called Clive Davis and said, You finally found the greatest singer I've ever heard in my life. Some celebrities opposed Davis decision to continue on the party while a police investigation was being conducted in Houston's hotel room and her body was still in the building. Chaka Khan, in an interview with CNN's Piers Morgan on February 13, 2012, shared that she felt the party should have been cancelled, saying, I thought that was complete insanity. And knowing Whitney I don't believe that she would have said the show must go on. She's the kind of woman that would have said stop everything. Un-un. I'm not going to be there. I don't know what could motivate a person to have a party in a building where the person whose life he had influenced so enormously and whose life had been affected by hers. They were like. I don't understand how that party went on. Sharon Osbourne condemned the Davis party, declaring, I think it was disgraceful that the party went on. I don't want to be in a hotel room when there's someone you admire who's tragically lost their life four floors up. I'm not interested in being in that environment and I think when you grieve someone, you do it privately, you do it with people who understand you. I thought it was so wrong. Further reaction and tributes. Many other celebrities released statements responding to Houston's death. Darlene Love, Houston's godmother, hearing the news of her death, said, It felt like I had been struck by a lightning bolt in my gut. Dolly Parton, whose song I Will Always Love You was covered by Houston, said, I will always be grateful and in awe of the wonderful performance she did on my song, and I can truly say from the bottom of my heart, Whitney, I will always love you. You Will Be Missed. Aretha Franklin said, It's so stunning and unbelievable. I couldn't believe what I was reading coming across the TV screen. Others paying tribute included Mariah Carey, Quincy Jones, and Oprah Winfrey. Moments after news of her death emerged, CNN, MSNBC and Fox News all broke from their regularly scheduled programming to dedicate time to non-stop coverage of Houston's death. All three featured live interviews with people who had known Houston including those that had worked with her, interviewed her along with some of her peers in the music industry. Saturday Night Live displayed a photo of a smiling Houston, alongside Molly Shannon, from her 1996 appearance. MTV and VH1 interrupted their regularly scheduled programming on Sunday, February 12 to air many of Houston's classic videos with MTV often airing news segments in between and featuring various reactions from fans and celebrities. Houston's former husband, Bobby Brown, was reported to be in and out of crying fits since receiving the news. He did not cancel a scheduled performance and within hours of his ex-wife's sudden death, an audience in Mississippi observed as Brown blew kisses skyward, tearfully saying, I love you, Whitney. Ken Ehrlich, executive producer of the 54th Grammy Awards, announced that Jennifer Hudson would perform a tribute to Houston at the February 12, 2012 ceremony. He said event organizers believed Hudson and NBSP, an Academy Award-winning actress and Grammy Award-winning artist and NBSP, could perform a respectful musical tribute to Houston. Ehrlich went on to say, It's too fresh in everyone's memory to do more at this time, but we would be remiss if we didn't recognize Whitney's remarkable contribution to music fans in general, and in particular her close ties with the Grammy telecast and her Grammy wins and nominations over the years. At the start of the awards ceremony, footage of Houston performing I Will Always Love You from the 1994 Grammys was shown following a prayer read by host L.L. Cool J. Later in the program, following a montage of photos of musicians who died in 2011 with Houston singing Saving All My Love For You at the 1986 Grammys, Hudson paid tribute to Houston and the other artists by performing I Will Always Love You. The tribute was partially credited for the Grammy's telecast getting its second highest ratings in history. Houston was honored in the form of various tributes at the 43rd NAACP Image Awards, held on February 17. An image montage of Houston and important black figures who died in 2011 was followed by video footage from the 1994 ceremony, which depicted her accepting two image awards for Outstanding Female Artist and Entertainer of the Year. Following the video tribute, Yolanda Adams delivered a rendition of I Love the Lord from the preacher's wife soundtrack. In the finale of the ceremony, Kirk Franklin and the family started their performance with The Greatest Love of All, the 2012 Brit Awards, which took place at London's O2 Arena on February 21, also paid tribute to Houston by playing a 32nd video montage of her music videos with a snippet of one moment in time as the background music in the ceremony's first segment. New Jersey Governor Chris Christie said that all New Jersey state flags would be flown at half-staff on Tuesday, February 21 to honour Houston. Houston was also featured, alongside other recently deceased figures from the movie industry, in the in-memoriam montage at the 84th Academy Awards on February 26, 2012. Artistry and Legacy Voice Houston was a mezzo-soprano, and was commonly referred to as the voice in reference to her exceptional vocal talent. She was third in MTV's List of 22 Greatest Voices, and sixth on online magazine Cove's List of the 100 Best Pop Vocalists with a score of 48.5 slash 50. John Perelz of The New York Times stated she always had a great big voice, a technical marvel from its velvety depths to its ballistic middle register to its ringing and airy heights. In 2008, Rolling Stone listed Houston as the 34th of the 100 Greatest Singers of All Time, stating, her voice is a mammoth, corresponding cry, few vocalists could get away with opening a song with 45 unaccompanied seconds of singing, but Houston's powerhouse version of Dolly Parton's I Will Always Love You is a tour de force. Matthew Perpetua from Rolling Stone also eulogized Houston's vocal, enumerating ten performances, including How Will I Know from the 1986 MTV VMAs and The Star-Spangled Banner at the 1991 Super Bowl. Whitney Houston was blessed with an astonishing vocal range and extraordinary technical skill, but what truly made her a great singer was her ability to connect with a song and drive home its drama and emotion with incredible precision, he stated. She was a brilliant performer, and her live shows often eclipsed her studio recordings. John Caramanica of The New York Times commented, her voice was clean and strong, with barely any grit, well suited to the songs of love and aspiration. Her's was a voice of triumph and achievement, and it made for any number of stunning, time-stopping vocal performances. Mariah Carey stated, she Whitney has a really rich, strong mid-belt that very few people have. She sounds really good, really strong. While in her review of I Look To You, music critic and powers of the Los Angeles Times writes, Houston's voice stands like monuments upon the landscape of 20th century pop, defining the architecture of their times, sheltering the dreams of millions and inspiring the climbing careers of countless imitators, adding when she was at her best, nothing could match her huge, clean, cool mezzo-soprano. Lauren Everett from BBC News Magazine commented on melisma Houston's recording and its influence. An early eye in Whitney Houston's I Will Always Love You takes nearly six seconds to sing. In those seconds the former gospel singer-turned-pop star packs a series of different notes into the single syllable, stated Everett. The technique is repeated throughout the song, most pronouncedly on Every I and You. The vocal technique is called melisma, and it has inspired a host of imitators. Other artists may have used it before Houston, but it was her rendition of Dolly Parton's Love Song that pushed the technique into the mainstream in the 90s. Perhaps what Houston nailed best was moderation. Everett said that in a climate of reality shows ripe with over-zinging, it's easy to appreciate Houston's ability to save melisma for just the right moment. Houston's vocal stylings have had a significant impact on the music industry. According to Linda Lister in Divification, the deification of modern female pop stars, she has been called the queen of pop for her influence during the 1990s, commercially rivaling Mariah Carey and Celine Dion. Stephen Holden from The New York Times, in his review of Houston's Radio City Music Hall concert on July 20, 1993, praised her attitude as a singer, writing, Whitney Houston is one of the few contemporary pop stars of whom it might be said, the voice suffices. While almost every performer whose album sell in the millions calls upon an entertainer's bag of tricks, from telling jokes to dancing to circus pyrotechnics, Ms. Houston would rather just stand there and sing. With regard to her singing style, he added, her Houston's stylistic trademarks and NBSP, shivery meli-s-m-a's that ripple up in the middle of a song, twirling embellishments at the ends of phrases that suggest an almost breathless exhilaration and NBSP, infuse her interpretations with flashes of musical and emotional lightning. Alyssa Gardner of the Los Angeles Times in her review for The Preacher's Wife soundtrack praised Houston's vocal ability highly, commenting, she is first and foremost a pop divawned NBSP, at that, the best one we have. No other female pop star and NBSP, not Mariah Carey, not Celine Dion, not Barbara Streisand and NBSP, quite rivals Houston in her exquisite vocal fluidity and purity of tone, and her ability to infuse a lyric with mesmerizing melodrama influence. During the 1980s, MTV was coming into its own and received criticism for not playing enough videos by black artists. With Michael Jackson breaking down the color barrier for black men, Houston did the same for black women. She became the first black woman to receive heavy rotation on the network following the success of the How Will I Know video. Following Houston's breakthrough, other African-American women, such as Janet Jackson and Anita Baker, were successful in popular music.Aker commented that because of what Whitney and Sada did, there was an opening for me. For radio stations, black women singers aren't taboo anymore. All music noted her contribution to the success of black artists on the pop scene, commenting, Houston was able to handle big adult contemporary ballads, effervescent, stylish dance pop, and slick urban contemporary soul with equal dexterity and that the result was an across-the-board appeal that was matched by scant few artists of her era, and helped her become one of the first black artists to find success on MTV in Michael Jackson's wake. The New York Times stated that Houston was a major catalyst for a movement within black music that recognized the continuity of soul, pop, jazz and gospel vocal traditions. Richard Corliss of Time magazine commented on her initial success breaking various barriers of her first album's ten cuts, six were ballads. This chanteuse Houston had to fight for airplay with hard rockers. The young lady had to stand uncowed in the locker room of Macho Rock. The soul strutter had to seduce a music audience that anointed few black artists with superstardom. She was a phenomenon waiting to happen, a canny tapping of the listeners' yin for a return to the musical middle. And because every new star creates her own genre, her success has helped other blacks, other women, other smooth singers find an avid reception in the pop marketplace. Stephen Holden of The New York Times said that Houston revitalized the tradition of strong gospel-oriented pop soul singing. And powers of the Los Angeles Times referred to the singer as a national treasure.John Caramanica, other music critic of The New York Times, called Houston Randbs' great modernizer, adding slowly but surely reconciling the ambition and praise of the church with the movements and needs of the body and the glow of the mainstream.He also drew comparisons between Houston's influence and other big names on 1980s pop she was, alongside Michael Jackson and Madonna, one of the crucial figures to hybridize pop in the 1980s, though her strategy was far less radical than that of her peers. Jackson and Madonna were by turns lascivious and brutish and, crucially, willing to let their production speak more loudly than their voices, an option Ms. Houston never went for. Also, she was less prolific than either of them, achieving most of her renown on the strength of her first three solo albums and one soundtrack, released from 1985 to 1992. If she was less influential than they were in the years since, it was only because her gift was so rare, so impossible to mimic. Jackson and Madonna built world views around their voices, Ms. Houston's voice was the world view. She was someone more to be admired, like a museum piece, than to be emulated. The independence music critic Andy Gill also wrote about Houston's influence on modern Randby and singing competitions, comparing it to Michael Jackson's. Because Whitney, more than any other single artist Michael Jackson included effectively mapped out the course of modern Randby, setting the bar for standards of soul vocalace, and creating the original template for what we now routinely refer to as the soul diva, stated Gill. Jackson was a hugely talented icon, certainly, but he will be as well remembered, probably more so, for his presentational skills, his desling dance moves, as for his musical innovations. Whitney, on the other hand, just sang, and the ripples from her voice continue to dominate the pop landscape. Gill said that there are few, if any, Jackson imitators on today's TV talent shows, but every other contestant is a Whitney wannabe, desperately attempting to emulate that wondrous combination of vocal effects and nbsp, the flowing melisma, the soaring mezzo-soprano confidence, the tremulous fluttering that carried the ends of lines into realms of higher yearning. Houston was considered by many to be a singer's singer, who had an influence on countless other vocalists, both female and male.Similarly, Steve Huey from All Music wrote that the shadow of Houston's prodigious technique still looms large over nearly every pop diva and smooth urban soul singer around nbsp, male or female-ianed nbsp, in her wake, and spawned a legion of imitators rolling stone, on her biography, stated that Houston redefined the image of a female soul icon and inspired singers. Ranging from Mariah Carey to Rihanna Essence ranked Houston sixth on their list of 50 most influential Rant B stars of all time, calling her the diva to end all divas. A number of artists have acknowledged Houston as an influence, including Celine Dion, Mariah Carey Tony Braxton, Christina Aguilera, Leanne Rimes, Jessica Simpson, Nelly Furtado, Kelly Clarkson, Brittany Spears, Sierra, Pee, NK Annie Ca, Ashanti, Robin Thicke, Jennifer Hudson, Stacey Orico, Amory, Destiny's Child and Ariana Grande. Mariah Carey, who was often compared to Houston, said, She later told USA Today that none of us would sound the same if Aretha Franklin hadn't ever put out a record, or Whitney Houston hadn't. Celine Dion who was the third member of The Troika that dominated female pop singing in the 1990s, did a telephone interview with Good Morning America on February 13, 2012, telling Whitney's been an amazing inspiration for me. I've been singing with her my whole career, actually. I wanted to have a career like hers, sing like her, look beautiful like her. Beyonce told The Globe and Mail that Houston inspired her to get up there and do what she did. She also wrote on her website on the day after Houston's death, I, like every singer, always wanted to be just like Houston. Her voice was perfect. Strong but soothing. Soulful and classic. Her vibrato, her cadence, her control. So many of my life's memories are attached to a Whitney Houston song. She is our queen and she opened doors and provided a blueprint for all of us. Mary J. Bleach said that Houston inviting her on stage during VH1's Divas Live show in 1999 opened doors for her all over the world. Brandy stated, The first Whitney Houston CD was genius. That CD introduced the world to her angelic yet powerful voice. Without Whitney, half of this generation of singers wouldn't be singing. Kelly Rowland, in an Ebony feature article celebrating black music in June 2006, recalled that I wanted to be a singer after I saw Whitney Houston on TV singing greatest love of all. I wanted to sing like Whitney Houston in that red dress. She added that and I have never, ever forgotten that song greatest love of all. I learned it backward, forward, sideways. The video still brings chills to me. When you wish and pray for something as a kid, you never know what blessings God will give you. Alicia Keys said Whitney is an artist who inspired me from the time I was a little girl. Oscar winner Jennifer Hudson cites Houston as her biggest musical influence. She told Newsday that she learned from Houston the difference between being able to sing and knowing how to sing. Leona Lewis, who has been called the new Whitney Houston, also cites her as an influence. Lewis stated that she idolized her as a little girl. Awards and achievements Houston was the most awarded female artist of all time, according to Guinness World Records with two Emmy Awards, six Grammy Awards, 30 Billboard Music Awards, 22 American Music Awards, among a total of 415 career awards as of 2010. She held the all-time record for the most American Music Awards of any female solo artist and shared the record with Michael Jackson for the most Amas ever won in a single year with eight wins in 1994. Houston won a record 11 Billboard Music Awards at its fourth ceremony in 1993. She also had the record for the most WMAs won in a single year, winning five awards at the Sixth World Music Awards in 1994. In May 2003, Houston placed at number three on VH1's list of 50 greatest women of the video era behind Madonna and Janet Jackson. She was also ranked at number 116 on their list of the 200 greatest pop culture icons of all time. In 2008, Billboard magazine released a list of the hot 100 all-time top artists to celebrate the U.S. Singles Chart's 50th anniversary, ranking Houston at number nine. Similarly, she was ranked as one of the top 100 greatest artists of all time by VH1 in September 2010. In November 2010, Billboard released its top 50 R&B slash hip-hop artists of the past 25 years list and ranked Houston at number three who not only went on to earn eight number one singles on the R&B slash hip-hop songs chart, but also landed five number ones on R&B slash hip-hop albums. Houston's debut album is listed as one of the 500 greatest albums of all time by Rolling Stone magazine and is on rock and roll Hall of Fame's definitive 200 list.In 2004, Billboard picked the success of her first release on the charts as one of 110 musical milestones in its history. Houston's entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to USA Today in 2007. It stated that she paved the way for Mariah Carey's chart topping vocal gymnastics.In 1997, the Franklin School in East Orange, New Jersey was renamed to the Whitney E. Houston Academy School of Creative and Performing Arts. In 2001, Houston was the first artist to be given a Bet Lifetime Achievement Award. Houston is one of pop music's best-selling music artists of all time, with an estimated 172 million records sold worldwide.He was ranked as the fourth best-selling female artist in the United States by the Recording Industry Association of America, with 55 million certified albums sold in the U.S., and held an honorary doctorate in Humanities from Grambling State University, Louisiana. Houston was inducted into the New Jersey Hall of Fame in 2013. In August 2014, Houston was inducted to the Official Rhythm and Blues Music Hall of Fame in its second class, Film. On April 27, 2016, it was announced that the British Academy Award-winning film director Kevin MacDonald, who created Marley, 2012, and the production team, Altitude, behind the controversial award-winning film about Amy Winehouse, Amy, 2015, that a documentary film on Whitney Houston's life and death, entitled simply as Whitney is in progress and is scheduled to be released in 2017. This is the first documentary to be officially authorized by the estate that will tell the unvarnished and authentic story of the singer's life in a film, including access to never-before-seen footage of Houston, exclusive demo recordings, rare performances, and audio archive. MacDonald also will interview those who knew her best, including Clive Davis, founder and president of Arista Records. MacDonald stated, the story that is never told about Whitney is just how brilliant she was as an artist, by many measures she had the greatest voice of the last 50 years. She changed the way pop music was sung, bringing it back full circle to its blues and gospel roots. She was also completely unique in being a black pop star who transcended her race globally with her work sold in countries where black artists don't sell.


praying at night washes away the sins that you commit that you committed during the day one of the signs of true love is to sacrifice some sleep and speak to Allah have you ever seen people who are engaged have you seen people who are you know they're they're engaged they're getting to know each other when did they spend the bulk of their time talking you know especially if you have a sibling may Allah give you patience you know you have a sibling who's engaged they're on the phone at night they cannot go to sleep unless they make that call and they chat why do they do that because they're in love because the night is when the lovers chat this is why Allah says to mousa ya mousa kathaba man za'ama anna hu yuhibbuni oh mousa the one who claims to love me is a liar why fa'idah jannahu lail nama anni because when night comes he goes to sleep he forgets about me in the month of ramadan let's try to develop this habit i'm not saying go from today salatul layla love and raka'a just do do two raka'a and then go to sleep train yourself you know there was there's a beautiful story about sheikh ja'far kashif al ghita he's one of the great scholars of nejaf sheikh ja'far kashif al ghita he was living in nejaf he was a scholar and he had a teenage son you know this is advice for parents you know you're not the only ones that have teenagers even our malaji our ulama they also have teenage children how do they deal with them sheikh ja'far kashif al ghita it's winter time and for those of you who've been to nejaf in the winter you know how cold those nights are it's about three a.m and it's the time the time of fajr is approaching it's about an hour before salat al fajr sheikh ja'far goes and he wakes up and he goes to his son's room about 15 years old he wakes up his son he says oh my son come let us go to the harem of amir al mu'mineen let's do salat al lay let's recite some monajat and pray fajr there and then come back when you're 15 years old how do you sleep you sleep like ashab al kahaf when you're 15 years old deep sleeper sheikh ja'far tries to wake up his son his son is reluctant he tells his father that oh my father you you get i'll meet you there i'll meet you there sheikh ja'far of course you know you can't fool the nejafi he says i'll wait for you i'm not going anywhere he says it's gonna take me some time to get ready he says okay i'll wait i'll wait for you to get ready he waits for his son to get dressed to do wudu together they leave their house in the middle of the night about an hour before fajr and they're walking through the alleyways of nejaf sheikh ja'far is walking he's looking at his son freezing his son dragging his feet reluctantly going to the haram probably mumbling under his breath probably wishing his dad wasn't a scholar he goes sheikh ja'far notices that his son is bothered he didn't want to wake up they reach the gate may Allah give us all the tofi to go to the haram of amir al-muminin they reach the gate and they see a beggar someone sitting at the gate begging sheikh ja'far kashif al-ghita he takes advantage of a teachable moment he looks at his son he says oh my son what is this man doing what is this he tells his father that oh my father this is a man he's begging he's poor the sheikh asks his son how much do you think he's gonna make this morning how much you think he's gonna get the son says i don't know he's not gonna get a significant amount of money something very trivial a very minute amount of wealth few durhams maybe sheikh ja'far kashif al-ghita he says oh my son do not be less ambitious than this beggar this beggar he woke up in the middle of the night he left his bed he left his family he walked through the alleyways of nejaf in this bitter cold he's sitting on the cold ground for hours extending his hand because maybe it's not guaranteed maybe someone will give him something oh my son Allah subhanahu wa ta'ala has guaranteed that those who rise up to speak to him in the middle of the night it's not a maybe it's a guarantee that he will give them something beyond their imagination what does Allah say this beggar the possibility of getting a small amount of dunya was enough to motivate him why don't you rise up and go towards that which Allah has guaranteed you the hadith from the holy prophet says praying at night washes away the sins that you commit that you committed during the day


My fellow Americans, when I ran for the presidency in 1980, I made a solemn commitment to do all in my power to restore to our country a national defense second to none. In that election and again in 1984, the American people, I believe, gave me a mandate to do precisely that. Today, however, that commitment and many of the great gains we've made together these past five years have been placed in jeopardy by actions taken in the House of Representatives. Let me outline for you a few of the decisions which, if permitted to stand, would pull the rug out from under our arms negotiators in Geneva, and eventually, imperil the national security of the United States. First, the House voted to deny the U.S. Air Force the right even to test our small anti-satellite weapon called ASAT. The ASAT is designed to destroy, in the event of a conflict, Soviet military satellites that would guide Russian bombers and missiles to American targets. It is a defensive weapon built to help protect the men and women of the U.S. armed forces at home and abroad. It's inexplicable to me how the House could deny us the right to even test this weapon when a killer satellite weapon has long been deployed inside the Soviet Union. Second, the House voted to halt any nuclear test larger than a single kiloton. If that vote is permitted to stand, all testing to maintain the safety, credibility, and reliability of the U.S. strategic deterrent would come to an end. As a majority of the House forgotten history, in 1958, the United States agreed to a similar moratorium. Three years later, the Soviets unilaterally smashed that moratorium with the largest series of nuclear tests in history. It took us almost a decade to discover what the Soviets had learned from those tests, prepared in secret, even as the United States relied upon a Soviet promise. We must not make the same mistake again. Third, the House by a single vote refused to fund the chemical weapons we requested. If that vote is permitted to stand, the House will have increased the probability these dreadful weapons will one day be used. History has taught repeatedly that the best deterrent to such awful weapons is when both sides, not just one side, possess them. Hitler did not use his terrible gas weapons against the Allies for a single reason. He feared retaliation by the Allies with the same kind of weapon. Fourth, the House voted to severely slash our request for the Strategic Defense Initiative. But SDI is not the only, or not only, I should say, the great hope of this country for finding a way out of the prison of mutual terror. It is an idea that helped bring the Soviets back to the negotiating table at Geneva. To gravely underfund SDI is to place in jeopardy all our hopes for arms reduction. It is to leave America indefinitely naked to missile attack, whether by accident or design. These radical cuts in SDI would permit the Soviet Union, which has been working on Strategic Defense for decades, to make strides at the expense of the United States. Finally, the House voted to deny us any funds to move beyond the limits of SALT-2, even though SALT-2 was never ratified, even though the Soviet Union has violated its terms. What message is received in Moscow when a majority of the House votes to force its own country to strictly observe an expired and unratified treaty the Soviet Union has itself undercut? Beyond this, the House voted to cut away at several of the programs that are at the heart of this nation's strategic deterrent, the land-based MX missile, the Trident submarine, and the advanced cruise missile. Soviet arms negotiators must be mystified today that U.S. legislators would give away in Washington what they have been unable to win at Geneva. Soviet military planners must be astonished at the blows the House delivered this week to America's national defense. Finally, the House mandated that 10 percent of countless military contracts be awarded without competition on the basis of a quota for certain businesses, and this they call military reform. It's a step in the wrong direction. Make no mistake, the House defense bill is a reckless assault upon the national defense of the United States. It threatens our hopes for arms control and moves us back toward an era in policies which the American people emphatically rejected in the last two national elections. While it is my custom not to say whether I will veto a bill until it reaches my desk, if the defense budget arrives in anything like the present form, it will be vetoed and national security will be the issue in 1986. Until next week, thanks for listening.


T.B. Joshua buys Gospel singer Ceciva Pali five million house. The great man of God senior prophet T.B. Joshua was praised by his followers on a midweek service that he bought Gospel singer Ceciva a five M house in South Africa because it is all the work of the enemy, Satan, and his demon of homeless keeps on monitoring and following the award-winning gospel singer Ceciva day and night. The man of God further said the demon of homeless was able to attack gospel singer Ceciva again two weeks back when he got angry with his wife and then SM0K3DW33D.Cciva gave the devil a chance. That is why the Bible says resist the devil and he will flee away from you. Gospel musician Ceciva Pali was left in the cold on Monday when he was evicted from his home in Vosloras, Icarculane. The singer had been staying in the there for the past 12 years with his wife and two children. Speaking to Mzansi stories, Ceciva said he was not aware of the eviction and one of the men who came told him that he bought the house at R7500, the house which he bought for R480000 how can someone buy a house at R7500 which I bought at R480000. The man of God will deliver Ceciva this Sunday because deliverance is continuous.


Item Number – SCP-821 Object Class – Neutralized Special Containment Procedures The area SCP-821 is located in has been purchased by the Foundation, with a standard containment warehouse constructed around it. Designated Containment Outpost 821 Daily inspections of SCP-821's exterior structure are to be performed by security personnel, with any significant changes being reported to the containment supervisor. No personnel are to enter SCP-821 due to its structural instability. Description – SCP-821 is a structure located within the former town of Asheville, Florida. Records recovered from the local government indicate it was constructed sometime between 1955 and 1957. The interior is in a permanent state of degradation, with all attempts at maintenance or restoration being unsuccessful. SCP-821's interior contains a varying number of devices intended for children, such as a carousel, a stage with a set of four animatronic figures, and a variety of midway games. There are also a number of kiosks, which sold food and souvenirs when SCP-821 was active. During initial containment, these devices were fully functional. Maintenance was performed by humanoids within SCP-821, formerly known as SCP-821-1, who also operated the devices within SCP-821. Instances of SCP-821-1 were humanoid automatons, composed of painted copper. Devices contained within SCP-821 displayed anomalous properties when they functioned, including models of animals that were attached to the carousel would move autonomously. Animatronics were shown to be able to engage prepubescent subjects in conversation. Food and drink were produced within SCP-821 without a source. Midway games that would emit vocalizations, complimenting users with high scores. The animatronic band was composed of four machines, each playing a different instrument. Once per hour, they would play a set of popular songs from 1957 to 1960, when not playing. These animatronics could communicate with subjects observing them, and were capable of conducting basic conversation. Notably, vocalizations produced in this manner were shown to be unique, with logs compiled between 1959 and 1961 showing that no conversation had been repeated. However, following incident SCP-821-A, all instances of SCP-821-1 were apparently destroyed or otherwise removed, and SCP-821 began to exhibit rapid structural deterioration. The devices contained within SCP-821 began to function erratically, showing much more dangerous properties than had been previously observed. In addition, SCP-821 itself is no longer safe to enter, due to its structural damage. Alterations to devices include portions of the carousel and animatronic band becoming aggressive, striking and biting any subjects that approached them. Notably, portions of SCP-821 capable of speech were highly apologetic, offering to assist the subject that had been injured. Currently, no components of SCP-821 capable of producing speech are functional. Addendum, Incident 821-A On 4-11, 1989, personnel attempting to enter SCP-821 found that the entrance had been sealed off, and a note labeled out of business affixed to the door. Investigation into SCP-821's interior showed that no instances of SCP-821-1 could be located. In the center of the main floor, a letter was found. The text of the letter has been included in this report. As of 5, 16, 1999, SCP-821 has been designated as neutralized. Hello, my friends. This is a day we have all been dreading, and I am sad to be the one who has to break the news. You've all known for a while that Funland has been having troubled times for a very long while, and although times were tough, we always managed to pull through. But we can't do it anymore. I've seen the parks and attractions that come from the huge amusement companies, and we just can't compete. The children just aren't interested in old places like this. The Ski Ball, Big Bertha's show plaza, the Carousel, they just don't care. They're bored by it. The world has moved on. I know that each of you has put a lifetime into making Funland a success, and that's the hardest thing for me. Each of you will receive a generous severance package, followed by a pass to return to your home. Thank you for your service, Mr. Funland. Lesson complete. If you missed the previous orientation, go watch SCP-820, Las Longostas Pintadas, right now. Or for the complete course, watch this playlist.


Hey, this is Brett, and this 2021 Dodge Durango RT is stock number 23T160A. I am here at Summit Automotive in Fond du Lac, Wisconsin. You're new and use Dodge and Dodge Durango headquarters. This 2021 Dodge Durango has the 5.7-liter V8 Hemi engine. It's paired up with the 8-speed automatic transmission. This is an all-wheel drive vehicle. It has been fully-safetyed and inspected by our service shop. Has a fresh oil and filter change. All the fluids have been checked and topped off, and this vehicle is 100% ready to go. Very clean all the way around. That's exactly what I'm going to do in this video. Go all the way around inside. Go under the hood, start it up, take a look at everything, show you all the options, and give you the most accurate representation that I can of the vehicle. Octane red is the color. I shoot all my videos in 4K. If you like the video, you can subscribe to the YouTube channel, which is youtube.com slash Summit Auto. Click the bell notifications and get updates on the videos I do each and every day, as well as having access to one of the largest catalogs of vehicle walk-arounds on YouTube. This one comes with the 20-inch painted granite crystal black alloy wheels, and that's part of the black top package. Has Bridgestone Acopia HL tires. These are 26550R20s, and I would say they have right around half the tread left on them. This is a one-owner clean title history, clean car fax from right here in Wisconsin. LED headlamps, LED running lights, and LED fog lamps equipped on this vehicle. I'm going to turn all those on at the end of the video so you can see just how bright they are. Front bumper parking sensors. Grille is in nice shape. It has the performance hood with the two heat extractors and the collet induction. I believe that's an SRT hood, but we'll check that out as soon as we open it up. Passenger side front fender. No dents or dings on there. Note that you do get the blacked-out Hemi logo, the gloss black on the mirrors, also part of that black top package. Passenger side front wheel, no major scuffs or scrapes on there, and octane red. Got a little bit of pearl in it. Really a good-looking color. As you go down this side of this 2021 Dodge Durango, take note of how clean that body is and how reflective and mirror-like that paint is. I take these HD videos so if you're far away or even if you're close by and you just cannot make the trip down but you're still interested in purchasing the vehicle, you can see the vehicle, hear the vehicle, and have confidence in what you're looking at before you even get here. When you do get here, there's absolutely no surprises and you can make a smart and informed buying decision or decision to come take a look at the vehicle from wherever you're at. If this video helps you do that, either of those things, let your salesman know that you saw the video, it was helpful and that Brett sent you. Back wheels in excellent shape, looks like it has brand new brakes in the back, and the back tires have just as much tread as the front tires. Coming around to the rear of the vehicle, you get the LED tail lamps, the chrome-tipped dual rear exhaust backup parking sensors. This one does have the tow package, you get the receiver hitch four pin and seven pin wiring. We do have the hitch cover for there. The rear gate is in excellent condition as well, and I think once I turn on all the lights I'm going to come around to the back so you can see those tail lights because they're pretty impressive as well. Here's the hitch cover. We keep those inside so they don't go missing on the lot, that's in really nice shape. You do get storage underneath here, I believe that's a subwoofer and there your jack tools are in there. These seats do fold down, obviously for extra storage, and they come back up just like so. To get this gate down you press this button here, it'll beep at you three times, and then it'll begin its descent. It actually beeps at you a total of four times, but you can see that is working nicely. Coming around to the driver's side just as clean as that passenger's side, no major dents or dings on the rear quarter or door, and for full disclosure this back wheel is in excellent shape as well. Down the rest of this side of the derango, no dents, no dings, paint is in very nice condition.  You also get the armrest and center console here, which is a pretty nice feature. I believe that's like a $595 option, and then to get to the third row, obviously the wheels go down and up like that, and the third row seats are in fantastic condition as well. No rips or tears back there, and you do get factory floor mats.   Inside and bottoms of the doors all look really good on this vehicle. Show you the VIN sticker here, no Canadian vehicles here, and then the tire and loading information sticker.  You get the red stitching on those seats here, so you get the Rambai logo right there, stitched into the backrest. Once again, no rips, no tears, very minimal wear, has the factory floor mats in the front as well. Auto headlamps, powered telescopic and tilt steering wheel, power windows locks and mirrors, and then it does have the memory driver seat. Hop inside, check out the miles, radio, and everything that this derango has to offer on the interior. So I didn't know this, this one has like 50, 1,000 miles on it. You can never tell by looking at the outside, 51,257 miles. You do get the digital speedometer on there, on that 7-inch LCD display. It does have a compass display, and you can change those corners to read pretty much whatever you want. It comes with the heated leather-wrapped steering wheel, cruise controls on the right, Bluetooth and information center controls on the left, audio controls on the back of the steering wheel, as well as paddle shifters, and it does have the flat bottom steering wheel, which is pretty cool. You also get the brake controller, and this is the Uconnect, I believe it's the 10.1-inch radio, Uconnect 5, and it does have AM, FM, and Sirius XM radio capabilities, as well as all your different sources here, Bluetooth, USB, Augs, all that good stuff.  It does have the factory navigation system. There is Highway 41, so you know that is working nicely. And then you get all your different apps on here. I'm not going to go through all of them, but just kind of show you what's on here. It does have performance pages, which are kind of cool. And then I'm going to show you the backup camera real quick, and you can see that is working nicely. Note the dark chrome trim around the radio. It's on the door handles and everything, too. Down here you have more tactile volume tuning and climate controls, two USBs, two USB C's, and an Augs jack, your wireless cell phone charge pad, eight-speed automatic transmission shifter, keyless entry with remote start. And then you get the all-wheel drive low and a neutral setting for flat-toeing. Passenger side floor mat and seat are in fantastic condition. This vehicle has never been smoked, and you do get rear air controls right there. And then the power sunroof and the headliners in fantastic shape. Map lights, home link buttons for your garage door security systems and lane systems, rear gate button and SOS and assist buttons in the mirror. Let's start it up, take a look under the hood, and check out all those LED lights as promised. Starts right up, no check engine lights or anything like that. I would personally like to thank you for checking out the video today, and hopefully from this HD video, you've been able to verify the quality condition options and, of course, cleanliness of this Durango all the way around inside and out. All those LED lights are very bright and working nicely. And under the hood, we have the 5.7-liter V8 Hemi engine, engine bay is very clean, runs very smooth. Once again, this vehicle has been fully safety and inspected by our service shop, has a fresh oil and filter change, all the fluids have been checked and topped off. And this Durango is 100% ready to go. There is the emission sticker, so you can see that true color induction hood there with the heat extractors. Sometimes on the Grand Cherokee, they'll say SRT on the fire plate there, but not this one. Anyways, you get the shock there, that's holding up the hood nicely. And I would highly recommend this Durango from a quality and condition standpoint. I'd ship this one to California, Texas, New York, Florida, North Dakota, South Dakota, Arizona, whoever's going to get this thing is going to love it, and it's in really nice condition. And to see more pictures of this Durango, or one of our other 550 new and used cars, trucks, SUVs, minivans, Wranglers, Durangos, you name it, we got to go to the website right there, summonauto.com, full pictures and descriptions of every single vehicle all at summonauto.com. And if you'd like to check out more HD videos, you can go to youtube.com slash summit auto. Click the bell notifications, get updates on the videos I do each and every day as well as having access to one of the largest catalogs of vehicle and SUV walk-arounds on YouTube, almost 9,000 videos in county. In fact, in a second, we'll see a link to subscribe to my YouTube channel in the upper left, a link to all the Durango videos I've ever done in the upper right, a link to this vehicle on our website in the lower left, and a link to one of our latest YouTube videos in the lower right. Click those checks out. We're super excited to help you with this Ultra Clean 2021 Dodge Durango RT Blacktop Edition in Octane Red Pearl Coat. Thanks again for checking out the video. Remember to like, subscribe, and share on the YouTube channel. I really appreciate it. Thanks again.