The entire team across both modern and classic have embraced their community. We are truly listening to your voices and taking action. My friends, I was the perfect time to prepare the closed chapters. Open new ones and double down on why we all fell in love with World of Warcraft in the first place. The team is planning to add a new way to play hardcore early next year. Okay, okay, Iron Man maybe? Maybe some Iron Man? So we'll sell some. I'm allowed to be released for a year if you'd like. Social media, forum, them and send it out if you'd like. And here, we're happy to announce... Unprediction, one more, I called it. I said it's free. They're trying to get you back just like you'd expect from the class. So now, we're going to get a reminder of... There we go. They're not done. They're not done. They're not done. Oh damn, it looks good. Oh, I think Hurricane made this. Dude, I met Hurricane last night. Yeah, Hurricane said they're releasing a new video today. Damn, dude, Hurricane is a god, man. Hurricane was one of my first viewers on YouTube. I met him last night. Cataclysm? Everybody says the catarades are so good at the beginning. I just maybe picked two months. I didn't like them. One of my predictions. Classic plus keys. That's fast, isn't it? I'm not really a... Last raid just came out, didn't it? So I'm going to do the raid today. Because we want you to discover all of the secrets together, there will be no public testimony. Launches in a few short weeks. Dude, only Fangs is dead. Our next major update is starting in three. Going live in this five days. So he's like... Dude, I have so many questions. It's actually up on the floor right now. Well, that's what I think we're going to play. Because we have ten people on our panel. We're going to show down Mr. Rock to present our new world series. But fear that we're trying to attract time. There's a lot more time and drag, like it will serve as both the epilogue of this story and the bridge to our next story. Like I said earlier, we are evolving. We are taking our approach to this big, beautiful day and how we look ahead at this chapter. Well, it's time. It's time for... That's a minus. One that has grown from the very seeds of what captured our hearts when we first set foot The last twenty years have led us to this. And for those who have yet to join us now, and who better talk about the first step in the path? I have so many questions. Dude, my voice is already shot. Dude, I can't stop thinking about this damn season of discovery. I'm starting to think about even some of the newer ideas that have played out in recent times but still in a way feel a little unresolved that stuff. The mix of all those ideas, particularly things like what the hell is that being actually been battling about? All these things?  Was the thing that it came to warn us about in battle for Azeroth, did it actually play out? Or is there potentially something is darker? Still looting? Will there eventually be a total elliptic confrontation between the forces of the light and the void? I'll tell you a little bit about this. I'm Palli B. I'm all in on that kind of thing. I've been tight, actually been doing it since the dawn of the station. The real purpose of all of their cute little installations slammed into the side of the planet. Do we know everything we need to know about their real intentions for Owl? All of these books and a hundred more are much more all cooking in the pot started to reveal a story behind it. I'm just, what the hell is Christmas I'm talking about right now? I feel like he's just like baiting with a shotgun. A storyline that in almost every way feels like the culmination of the first twenty years of our storytelling. A storyline provided we would do our jobs and do the things that would vector us into the next twenty years of it finished. William John, say thirty. Please come. It cannot be contained within any single expansion show. It is built to play out over multiple expansions over the next few years. Learning out of ideas so they want to have as many expansions as possible for one idea. We are working on multiple ways to deliver this adventure to you a little faster than you're used to. We're not going to get into it until Christmas time. I assure you we are moving with the purpose.  It is fun. Given the scale of this monster we have decided to change it up today. Here we go. Instead of just did you your next expansion all on its own. We have decided to give you a glimpse at your next three years. It's like seven years. Seven years of disappointment coming. Let's go. Let's go. Actually, I'm just kidding. They are engaged with the main person and the two of us and all that. We are working to establish a thundering heartbeat for this franchise. Now your expansion to go now sounds cool.  We are going to give you a deeper look at the war with it. But before we do that, I want to leave you with a little something that you want. I want to remind you all that sometimes very perfect things can begin with small heartfelt moments. What you're about to see is one. And with that let us come. Proud Defenders of Azeroth. Saga begin. The next three expansions. It sounds promising. Is that it? I suspect many have. The game is calling out from the heart of the war. It's coming. I need you all right again. Look at what they've done. We're about to go to the new class. Warband? Yeah. Both of them fell. It's actually really good. They actually wanted to do that in OG. Wow. So I need to go I think. I need to go stream. So we're going to this is only the beginning. I can't wait to walk on. It is truly a joy to be here with the Blizzard team and our players. Blizzard, be great to each other and enjoy the show. Season of Discovery right now they have us on a panel on a stream set up with five of the classic dance. And we're going to go for it. So I have so many questions I have no idea how it's going to turn out man.


Your gel manicure may be damaging your skin. Yes, they may last longer than regular polish, but a recent study found that UV dryers used for gel manicures can cause serious mutations seen in skin cancer. To protect yourself, always apply sunscreen to your hands about 20 minutes before your manicure. Never wear any fragrances or skincare products. Some can actually increase your sensitivity to UV rays. Limit dryer use to just 10 minutes per hand, or invest in a pair of UV absorbing gloves.


So in the previous video we talked about computing geometric sums, what if instead we wanna work on a geometric series? That is to say, what if we want to add together all the terms in a geometric sequence? We'll do all of them, right? Once it's a sequence, there's infinitely many terms right here, so we get this infinite sum.  N goes to infinity. Now, in the previous video, we actually found a formula for our S sub N, right? We saw that S sub N will equal A times one minus R to the N over one minus R. This is the general formula. And so what we wanna then consider is that we take the limit as N goes to infinity. That is, we're looking for the limit of this partial sum sequence. Well, let's take the limit as N goes to infinity here. Well, the calculation's gonna go forward in the following way. A is a constant, we can take it out. So we get A times the limit of one minus R to the N over one minus R, because again, this is the limit as N goes to infinity. A doesn't change based upon that. And then the next part is the one minus R, likewise, is constant with respect to N. So you get A over one minus R times the limit as N goes to infinity here of one minus R to the N. But in the next part, again, breaking things up a little bit more, you get A over one minus R times, well, the limit of one is just gonna be one here. So you get one minus the limit as N goes to infinity of R to the N. And so this is the critical junction right here. This limit will be, this sequence will be convergent only if this limit exists right here. The limit as N goes to infinity of R to the N. And there's kind of some options going on right here. Well, what can we say about R to the N? Well, if R's too big, this is gonna go off towards infinity, right? So if like R was two or four or three or pi, those powers are just gonna get bigger, bigger, bigger, bigger, bigger, bigger, bigger. And that's gonna go off towards infinity. So if, so this limit here, so this limit as N goes to infinity of R to the N, this could itself become infinity, right? This is gonna happen if R is like big, right? And this gets actually, it's gonna be, if it's greater or equal to one here, if R is bigger than one, that thing is gonna go off towards infinity, right? What else can we say? If it's a small number though, like if it's one half or one third, what's gonna happen as you start taking powers, this thing is gonna get some smaller over time. So like one half, the next power would be one fourth, then one eighth, then one sixteenth, then one 30 second. These are gonna get smaller, smaller, smaller, smaller, going towards zero in fact. And so in that situation, if you have a small number, makes like slightly amendments to what we had before, if the absolute value of our R is greater than or equal to one, this thing is gonna explode here. I guess they should just say, if it's greater than one, you're gonna explode. And then this would equal zero if our absolute value is less than one. So it takes small numbers. Negative's not a big deal either here. If you took negative powers of one half, that is, I'm sorry to say, if you take powers of negative one half, that thing's also gonna go off towards zeroes right here. And so this number, as you take the limit, will go to zero, like you see right here, only if the absolute value of R is less than one, in which case then the infinite sum will equal this A over one minus R. So you end up with the sum K equals one to infinity of your geometric sequence A times R to the K minus one. This will equal A over one minus R. Now, you'll notice I said that the absolute value of R has to be strictly less than one. If the absolute value of R is exactly equal to one, things can get a little bit different, right? If, we'll just try and do those separately, right? What if R was equal to one?  Right, continue on, right? And so unless A was zero or something, this is gonna equal, this will equal plus or minus infinity based upon whether A is positive or negative. So that's not a possibility either. And then another issue is if you took negative one, R is negative one, your sum would look something like the following and just for simplicity sake, I'll say A equals one. You end up with one minus one, plus one minus one, plus one minus one, plus one, let's see, plus one minus one, plus one minus one, et cetera. And so this, it turns out this series right here has confused people for a long time because some people all over the following mind says like, oh, I see what's going on here. If I take one minus one, that's a zero. If I take one minus one, that's a zero. One minus one, that's a zero. One minus one, that's a zero. If you have an infinite number of zeros, that adds up to be zero. So this thing is, this thing is convergent to zero, right? Wrong. Let me show you one slight modification of this. If we were to do it this way, we kind of redo the parentheses here, you're gonna have one, so this would be one plus, negative one plus one, which is zero, plus negative one plus one, which is zero, plus negative one plus one, which is zero, you get an infinite number of zeros, right? In which case, this you would get one plus zero, which is actually equal to one. And so one way of associating the parentheses gives you a sum of one, another one gives you zero, which one is it? It can't be one and zero, right? That's actually because this series here is divergent. This sum does not add up to be anything. It doesn't add up to be one, it doesn't have to be zero because it adds up to be nothing. It's divergent, there's no limit to this sequence here. And well, this will make a little bit more sense as we talk about the tests for divergence a little bit later, but like I said, this series has confused people for a long time because some people said it's zero, some people said it's one, in which case then you erroneously might say something like zero equals one. There was in fact middle age clerics that try to make, they did these philosophical proofs of the existence of God, and some of them actually based it upon this argument here that God must exist because we created something from nothing and whether one believes in Deity or not will be a topic I'm not gonna touch into you right now, but this proof of such existence of Deity is flawed because it's based upon a flawed calculus notion. Zero doesn't equal one, this series is divergent and their error seems to come from the convergence of that statement, the belief convergence. And so if we wanna find the following geometric series, I should say, I mean a series is a sum, but it's an infinite sum. So the word series is a little bit better here. Let's find the geometric series right here. And so I claim this is a geometric sequence. Let's look at it real quick. The first term would be two, that's easy to see because it's just the first term right there. What about consecutive terms? If I take four thirds and I divide it by two, that equals two thirds, this is my candidate for R. And if I look at eight ninths divided by four thirds, you're gonna see that's likewise equal to two thirds. And as those are the only three terms they tell us and they claim it's geometric, we will have to take it on Gospel there and see that the constant ratio has gotta be two thirds. And so if we take the sum of this thing by the formula we saw before, right? The infinite sum, take the sum of a geometric sequence A times R to the N minus one as N goes from one to infinity here. This will equal A over one minus R. You just take the sum of all the geometric terms there. And so this is gonna look like the first term, which is two over one minus the common ratio, which is two thirds. And this then equals, well, one minus two thirds is equal to one third. And two divided by, two divided by a third is equal to six, like so. And this gives us, in fact, the sum of this geometric series. It adds up to be six, which is quite incredible. The sum of infinite numbers adds up to be six. And this kind of puts a lot of students back at first, like how in the world could an infinite sum be something finite? But we've actually been doing that for a long time. Integrals are infinite sums as well. It's an infinite Riemann sum, which again is slightly different than a series here, but a number of infinite things can in fact be finite. Another sort of example you can kind of think of is imagine we have a rope, which is exactly equal to one foot long. Well, if we were to cut it into two pieces, well, then we have two ropes, which are of one half length. Well, what if we take the second rope and we cut it in half, then we'll get a rope of one half, then a rope of one quarter, and then the other one is one quarter. Well, if we cut that one in half, we'll get two ropes of one eighth. The total length is still one. If we cut that last one in one half, we get one sixteenth, and then another sixteenth, and then we keep on doing that. We keep on cutting the last rope in half, half, half, half, half, half, and we do that at infinitum. Then it turns out that we will have an infinite number of pieces of rope, but each rope, when you add them all together, the length is still equal to one. And this is sort of a concrete way of trying to envision the idea that one half plus one fourth plus one eighth plus one sixteenth. If we take up all the powers of two, this will add up to be one. And this is, of course, is also, again, I kind of alluded to this earlier. This infinite convergence is sort of a thing that baffled the earlier scholars and such, right? If you look at the motion paradox of Zeno, known as Achilles and the tortoise, he tries to argue that existence, as we know it, is flawed because motion's impossible because motion would acquire an infinite sum. And Zeno then concluded that an infinite sum doesn't exist. Well, that, I would say, is a flawed argument because Zeno wasn't using proper notions of calculus here. An infinite sum actually can equal a finite number. That was the flaw in Zeno's argument there. So I'm not willing to say that motion in physics, as we know it doesn't exist. Let's look at one more example here of a geometric series here. So is the series n equals one to infinity of two to the two n times three to the one minus n convergent by virgent? Well, again, I kind of let the cat out of the back here. We're gonna represent this as a geometric series, in which case it's very easy to check whether a geometric series is convergent or divergent. And it requires rewriting things a little bit. This expression right here, this two to the two n times three to the one minus n, I'm gonna rewrite this using some exponent rules, right? So two to the two to the n, I can rewrite this as two squared times n using my usual exponent laws. And three to the one minus n, I can write as three to the first times three to the negative n, like so. N will range from one to infinity here. And again, rewriting these things a little bit more, we're gonna get the sum of four to the n on top times it by three over three to the n on the bottom, where n goes from one to infinity here. And so what we end up with is three times the sum where n ranges from one to infinity. And we're gonna have a four thirds to the n right here. And so this is where we can actually see evidence of a geometric sequence. We have our, we have some constant value right here times by four thirds. But in particular, we see this exponential expression right here, this exponential expression, four thirds to the n. So this is really what tells us we have a geometric sequence. And so what one has to do is just compare the ratio here. The ratio is gonna be the base of this exponential growth. The ratio will be four thirds. And this four thirds is too big, right? A geometric series will be convergent. A geometric series will be convergent if and only if your common ratio is, adaptive value is less than one. We say the ratio is small. Otherwise the series will be divergent. The geometric series will be divergent if and only if our ratios, absolute value is greater than equal to one. That is to say it's a big ratio. And this is the case that we're in right now. This, our ratio here is big because it's four thirds. And therefore we would conclude that this is a divergent geometric series. This thing doesn't necessarily add up to anything. It doesn't add up to a number. If we want us to describe something to it, we could say that it's equal to infinity. But if the series adds up to be infinity that still is the example of a divergent series.


For today's makeup lesson, I want to show you how to create your own makeup routine that is super quick and easy. I have lots of tips and tricks along the way of things that you might want to add or things that you want to take away, but before we get into the actual tutorial, something that I have to do for the algorithm is say this, if you're new here to the makeup tier channel and you enjoy videos like this, then I might suggest hitting the subscribe button below. It's totally free. And if you're already subscribed, then thank you so much and welcome back. Now let's get started with the tutorial. Okay, before we do anything, I'm going to share with you a couple of top tips on how to make your routine work best for you and to really make sure that the time, no matter how much time you have, really is what's the word I'm looking for utilized in the correct way. So my very first tip is to pick a feature, any feature that you want on your face that you feel like, Hey, if that's done, I feel good. As long as I have this done, I'm ready to go. For me, it used to be my brows. As long as my brows were on, then I would feel like I was put together. But now it's changed to my lashes only because I tint my eyebrows. So my eyebrows are kind of taken the backseat. So that's a feature that I would pick. But let me know what feature that you would pick. And then what you want to do is you want to allocate time to doing a quick look, and then you want to focus on your main feature. This is just going to make sure that you are utilizing your time in the best possible way. But I do have to say this, it's a little caution.  So for instance, if you pick your skin, you have some skin issues. So you want to have full coverage. You want to have full coverage.   So go a little bit more medium coverage. Even for instance, if your brows are your thing, you're like, I only feel put together when I have my brows on, you don't need to go as strong, particularly if you're not going to apply any face makeup because your brows will just really stand out. So you can tone them back a little bit. The great thing about that is that we don't have to allocate as much time, freeing up some extra time so that we can do the rest of our makeup. Okay, with all that said, now I'm going to take my makeup off and I'm going to show you how to apply this look super easy, quick and simple and I have lots of tips and long the way.  So we are back and I am makeup free and I've just applied my moisturizer and I would like to leave my moisturizer sinking to the skin for about five minutes. Now in those five minutes because this is a quick makeup look, we want to lay out everything in front of us. So I'm going to put a list here and in the description box of the products that we're using, not the brands that we're using but the products that I'm going to be using today. I don't want to sell you on particular brands. I want to talk about the actual products that I picked because I picked these type of products for a reason. But if you do want me to talk about products that I absolutely love, definitely let me know. I might bring back my Friday favorites. All of these were picked for very particular reasons when it comes to a quick makeup look and I keep doing this because this is a very slow version of it. I'm going to talk you guys through the quick makeup look in a very slow, relaxed kind of a way. Hopefully you'll be able to customize this to work for you. So bare skin, I have my moisturizer sitting on. I'm not using SPF today because it's pouring with rain outside. I'm not going out. So just moisturizer is enough. The moisturizer will just help to make sure that our makeup has something to sit on top of and it will grip hold of the makeup so much more for you. You don't necessarily need to use a primer every single time you do your makeup but you do need to moisturize your skin, not just for the sake of your skin but also for the sake of the makeup that you're going to be applying. So for me I'm just going to apply a little bit of base makeup and I'm also going to do my brows, then my eyes and then we'll just see what time it is and I do have lots of tips and tricks on what you can actually add to your routine that take no time at all. I'm going to say one thing to you, skip the baking, microwave. I'll show you in a second but let's work on my base so I can get that out of the way. I'm going to start off with a little bit of concealer. I want to cover up any of the discoloration that I have around here. My skin is being very active lately. The closer I get to you know that time of the month, the more my skin really shows discoloration and particularly the older and older you get, this is for my mature friends out there, you want to watch for around the eyes and around the nose. If you make sure that these areas have good coverage that works for your overall skin tone, those areas will seriously make you look so glowy and so healthy and so vibrant. It'll make a massive difference. So you really want to focus on those areas for my mature friends out there. Even for me, I'm getting there. I'm getting older as we all are and we're all lucky to get older. Those are the areas that I want to focus on today. I also have this blemish that showed up yesterday because it knew I was filming today and it was like, not without me. I'm not going to go over the top because I don't want a full coverage. Look, this is a quick and easy, simple type of a look. This is just to look more put together. Again, I will link what I've used below because I don't want to necessarily talk about brands. However, I am a brand ambassador for Blankabas Cosmetics, so I do want to show you this. This is the DO8 and it has that dome shape and it also has a concealer brush on the other side, which is a dome shape as well. I know I wasn't going to talk about products, but I will talk about my friends brand because I love them so much. And you know what I'm going to do is I'm actually going to apply everything with this brush today. I'm going to take my concealer and just going to focus this where I need coverage. This blemish, by the way, is not an active blemish. It's dried out completely. It's just still red. What you don't want to do is to go and use your brushes on active blemishes because it will just transfer any of the activity onto your brush and then it can spread it everywhere else. So this one is not active, so it's not going to spread anything.  I actually don't mind my dark circles. I don't have very dark circles, but I actually don't mind them. As you can see, I haven't blended this out yet, but I'm going to use whatever's left over on the brush to just go around my lids just to apply a sheer wash of brightness. And then I'm going to blend out the edges of the concealer so that it blurs and blends into the skin. I want coverage here and then I want it to go and like smooth out and disappear into the rest of the skin. I'm still adjusting to my new lights and they're creating the weirdest shadows on my face. Doesn't that look like I don't really have any concealer on, at least for me in real life? Probably on camera it's showing because it's on like extreme high definition.  So this is a brow tint. This is great when you are in a hurry because it's going to do two things. It's going to shape your brows because it's a brow gel, but it also has fibers in it and some tint in it. So it's going to fill them in as well. What I like to do is I actually keep this. I have one in my makeup bag and I also have one in my car because sometimes I'm sitting in my car and I look in the mirror, like the flip down mirror and I'm like, I need to look like something today. Be completely barefaced and I'm like, I need a little bit of something. So I just grab this from my little side door and I'll just pop this through my brows and then I feel like there's a little bit of something. I got my brows on and the reason I do this before I touch my face with any powder, it can catch the little baby hairs, kind of overdid it on purpose so you can see, see how it's catching and kind of creating this like blown out look. We want to clean that up. So what you can do to clean up, just take a little bit of moisturizer, roll it onto your finger and then just go like this around the edges and the moisturizer will take it off and then you can even wrap your finger in a little bit of tissue and do that again and it should take it all away.  So I'm just going to rub this around the edges. So my brows are on, I have a little bit of coverage and now I'm going to go in with a powder foundation. So I'm going to be using two shades of powder foundation. I'm going to be using a light one and a dark one. A lighter shade pretty much matches my actual skin, which is ghostly pale. And then my darker shade is about two shades darker, which pretty much matches my tan if not about a shade darker than my tan. And then I just mix up the two of them. This means that I can customize them to say match my fake tan that I have, which I haven't applied onto my face. Then I can also use one for brightening, the center of my face, use the other one for darkening, kind of slightly contouring the rest of my face. So that's why I always use two different shades, a light and a dark. Now the reason I use powder foundations is because they're so quick and easy. I don't have to then go ahead and set them with anything except for maybe a setting spray. But I don't have to apply liquid, blend it really well, then I have to go in with powder, then I might even use a setting spray after the powder. It's just so much easier if I just go straight in with a powder foundation. So I have my two foundations in front of me and I'm going to mix and match these. And I'm going to be using this brush to apply this. Now depending on the tool that you use to apply your powder foundation will depend on the coverage that you're going to get from it. If you like full coverage, you're going to want to use a dry sponge or a velvet powder puff. This will give you maximum coverage. If you want kind of a medium to full coverage, go for a slightly smaller brush, something that's going to give you a lot of control, that's going to pick up the product really well. Then if you want a sheer, just quick kind of a look, use a larger powder brush. This is a great in between because it's a little bit of both. It's going to give me decent coverage, but it does have a lot of movement in it. So it's also going to blend it and sheer it out if I want to. So I'm going to go in with a mixture of both my shades and I'm just going to test it on my jaw before I start applying it everywhere, just so I can make sure that it is matching my tan. And I'm doing little circular motions working along the jaw. And then what I can do is as there's less product on the brush, I can bring this upwards and I can slowly start to blend over any active areas that I might have oils. So it's kind of the opposite to using a liquid foundation. Liquid foundations, you tend to start in the middle and blend out with powder foundations. I like to almost blend from the outer edge and blend in just so I can make sure that I'm not going to have one area that's going to hold too much foundation. So this just allows me to get it on the face. And I'm going to start really blending this across here. And then because this has a very sheer, very light leftover product onto the cheeks, it means I can then go straight in with a little bit extra and build up the coverage rather than going straight in across my cheeks, which would be too much. I'm also going to bring this over my eyelids just to give me a little bit of coverage. And that's just layer number one. So just all over kind of even. Now what I can do is because it's super quick, isn't going to take the lighter shade. And I'm just going to tap this underneath my eyes. This is going to brighten underneath my eyes. I'm going to brighten the edge of my nose a little bit on the chin and a little bit on the center. And then I'm going to take the darker shade and only use the darker shade instead of mixing it and work around the hairline into the hollow and then onto the jaw. Then if you want a little bit extra coverage, you can take your concealer brush or a slightly smaller brush or even a sponge, a dry sponge, and just take a little bit of your product and tap it where you need extra coverage. Essentially what we've done now is we've applied an even layer all over. We've kind of contoured and highlighted our face and even just applied a little bit of a base over our eyes. So we're pretty much good to go. I then like to take my brush. I'm very lightly just go over the face in a downward motion. This is just going to make sure we're removing any excess powder and kind of knocking it off the skin. But also if we have any dry patches, this is just going to make sure those dry patches are going to be sitting down. Also there's little hairs on the face that we all have to.  That's because I took a q-tip and I just went over the brows just to remove any excess powder that might have attached to our brows. Because we are in a hurry and we applied our gel, there's a chance that a little bit of that powder might drop onto our brows, hold onto the dampness of the gel, and then therefore be on top of the darkness of our brows. So just take a q-tip. You can even just apply a very small amount of makeup remover. Don't make sure it's not dripping. Don't drip it. You can even just put it onto a tissue and then just dampen this on the tissue and then just run over the brows to remove any excess powder. But if you start to see that there's color transfer onto here, you're pressing too hard because that means that you're removing the gel. You just want to remove the top layer of powder that might have set over the top of our brows. Now if you find that your face looks a little powdery after you've applied powder foundation, go in with a setting spray. This will literally bring it back to life. I always recommend using the long lasting spray. So don't necessarily look for a hydrating or a mattifying. Go for the long lasting sprays. They tend to have a better feel and look over the top of powder foundations, at least in my experience. And you also want to make sure you are staying quite far back. So even if you usually set your makeup here like this, when you have powder foundation on, you need to go a bit further back because otherwise the molecules will grab hold of the skin and create little kind of droplets and then it will take a little bit of that powder and create these little speckles. We don't want speckles. Freckles maybe but not speckles.  Spray in the opposite direction. Make sure it's not clogged and then you're ready to go. I know you're going to be like, but that wastes a spray. Trust me.  We don't want that. So spray in the opposite direction. Make sure it's not clogged and then you're ready to go. Where's my fan? Then get yourself a fan. You will use it more often than you think, particularly for my older friends out there. Are you going through the menopause? Get yourself a fan. So I'm pretty happy with my makeup. I've got my brows on. I have a little bit of like a difference with my highlight and contour and even base. I could apply blush now if I wanted to and just like get it out of the way, but I'll come back to it towards the end because I want to move on to the main focus, which for me is my eyes. So if you wanted to, you could finish off everything else, but then you might not have as much time for your main focus. Focus on your main feature, the main focus that you want your entire makeup look and the way that you feel to really show. So that's going to be my lashes and my eyes for me. So we're going to switch to doing the eyes now. Everything else can take a backseat. I want to give my eyelash curler a quick clean. And I want to show this in the video because I often don't say this, but honestly, this will make such a difference because of what we're going to be doing with this eyelash curler. So it needs to be clean and dry before we actually use it to make sure we don't have any product sitting on there at all. So when it comes to my lashes, I like to do a few extra steps. I'm going to be applying some falsies, but I'm also going to be doing several layers and several curls. Also, when it comes to eyelash curlers, I don't know, everybody uses them. I couldn't go without them. And I know a lot of people are getting their eyelashes permed, which I really want to do. I'm so nervous about it. I really want to do it. But let me know if you do it. Is there anything that you're like, don't do it or do it or something? Anyway, let me know. I curl my eyelashes 800 times a day. My lashes are very straight. So this is so important to me to make sure that this little sponge that's in the eyelash curler, you have to make sure that you are changing these regularly. You don't necessarily need to go out and buy an entire new eyelash curler itself. What you can do is actually get these pads individually. Sometimes they come with one or two of them, keep them, and then you can just replace them because otherwise they won't curl. So you need to be changing these on a regular basis. And what I do is I place the eyelash curler in there and then I like push backwards and this just allows my lashes to go like this. They literally go, what? Because they're being like pulled up from the root and then I can squeeze downwards. Just want to make sure you don't grab the skin. I've done it before. Now the longer you hold this, the longer the curl will hold. I literally did an experiment where I held the curl and I like went up in like intervals and I did like a mathematical equation because I want to show people how that actually makes a difference. So the longer you hold this for, the longer lashes are going to stay curled. While I'm doing this, I always like to use my time wisely. So while my eyelashes are curling, I'm kind of either just like re-centering myself, checking my breathing, or I'm just thinking, what will I make for dinner today? You know, and I'll go through that in my head and it just means that I'm using my time really wisely whenever I'm like in a hurry, you know? But sometimes when you're in a hurry, the best thing to do is just to let yourself breathe and sit in it and just realize that that time is just going to go how it wants to go and just take a few deep breaths. Okay, so that's my first curl. I'm now going to go in with my mascara. I'm going to apply a very thin layer. Now again, this is my main feature.  So I am going to take those extra steps that I really like to do. I'm going to apply a very thin layer and I mean the shearest layer of mascara, literally like one, two, three, four, done. It's very important that you don't over apply with this first step. So I'm just going to go wiggle, pull through, wiggle, pull through, and I'll just get the edge. Like that. Do the other side. One thing I do when I do the other side is I try to remember to flip my hand. Sometimes I forget. Because the thing is a lot of these mascara is not necessarily this one because this one isn't as tapered as a lot of them, but sometimes they're so thin and then they go so thick. So if you're doing this, right, and you have the thinner side to the inner corner, that's fine. But then if you go over here, you've got the thinner side to the outer corner and it changes the shape of the lashes. You might not believe it, but it's true. Okay, we're going to leave that too dry. It needs to dry fully before we do the next step. So I'm just going to leave that first thin layer to dry.  So this is going to create a lot more hold for the second curl that we're going to do. And it's going to make sure that that hold stays in place, but it needs to be a very thin layer. So while that mascara is setting in that first layer, I'm going to take a brown pencil. You can use black, you can use brown, whatever works for you.  So I'm going to be using this shade chocolate onto the upper tight line. So you have the waterline, which is the lower part here. Then you have the tight line, which is the upper part, or sometimes they're both used as, you know, people use the terms and they interchange them. But usually tight line is the top, waterline is the bottom. I'm going to apply this basically in between the lashes and onto the upper tight line. And what you can do is you can just like use your finger like this and just kind of lift it so you can get right in there. Or some people like to literally close their eyes and run it across. There's a million different ways that you can apply this. But I just feel like this adds so much to my eyes. If I had to pick like only to do a couple of steps, I would do my brows, I would curl my lashes, maybe not even apply mascara, but just like curl my lashes and then just use this. And maybe like like a nudy lip balm. Because it literally makes you look like you have something going on. I know some people naturally have this darkness there and I'm so jealous of those people. Now if this tickles, one thing I'd recommend is looking in the opposite direction. So if you're doing the outer corner, bring your mirror over here and then at least your pupil is going to be really far away from where you're applying the pencil. So the further your pupil is away, the less it tickles. However, over time you literally lose the senses in your eyes as a makeup artist or even as a model. You just, you don't, you don't feel things anymore. Like the first time I had my brows done, like tweezed my brows, I felt it so much like it was so painful. But now I'm like, I don't even notice it. Just become immune to these things. I need a little bit longer. I can still feel a little bit of dampness. So we're just going to leave it a little bit longer because it's always better to air on the side of caution because of the next step that we're going to be doing. Now for my older friends out there, I would recommend using a nude pencil on the lower part. Even if you just do this, like watch this, right? Boom. Don't do it like multiple times. Just go, boom, done. And it will just brighten your eyes enough. I hate making a point of being like, you're going to look so much younger because that's like younger is better. No, basically you're beautiful at whatever age you are. Just, you know, a few things can help you along the way to throw those little extra things out of the window and just be like, and still let yourself be yourself. Moving on. I'm going to check my lashes. They shouldn't feel crunchy. If they do, you've applied a little bit too much mascara, but these feel nice and dry and they're ready for the next curl. It's really important that you don't go in with an extra curl on crunchy or over applied mascara because literally they will damage the lashes. And this then there is going to give us that lift. It's going to give us that hold like hairspray. So we're going to do exactly the same thing that we did before. We're going to place it in there. Just going to give it a gentle squeeze this time. Look at that. Look at that lift. Oh my goodness. One of my favorite makeup artists, Robert Jones, absolutely love him so much. He gradually adds mascara as he goes along. He also has a heated eyelash curler that he uses, but one of the things I love is the fact that he doesn't just apply all the makeup and then wait to the end to apply mascara. He likes to build it up over time. And that way you can see the shape that he's creating as well. Now that our lashes are curled, we're going to go back in with a second layer of mascara and this is going to be our sealant. This is going to seal in that shape and it should hold for us so much more than if we curled our lashes and then just applied a few layers of mascara. And this is especially great if you wear glasses like me. You don't want your lashes to be dragging onto your lenses. So you want to make sure your lashes are up and away. Advice though when you're traveling with an eyelash curler.   She took out her liquids, but she left her eyelash curler in her makeup bag because she didn't have to show it. They took my dad's bag apart. They thought he had a, I can't say it on YouTube, a Schwaben should we say? And then they took out the eyelash curler out of the bag and they were like, what is this? And then they all had a big laugh. Make sure you have the eyelash curler at the top of the bag and not the bottom of the bag because otherwise it'll take everything out.  I'm going to use the same brush that we applied everything with because why not?  All about using your time wisely. So while we're waiting for our second layer of mascara to dry, why not? And then it still isn't dry. So it's almost getting there though. I'm just going to apply a little bit of lipstick. I will always opt for applying my lipstick first and then I will do my lip liner after if I don't have a lot of time. Yeah, my lashes are dry. So I'm going to skip my lip liner for a second and move back onto the eyes. I'm going to go in for my second third curl. I do just need to make sure that I don't have any mascara on the curler because otherwise our lashes will stick to the curler. So we don't want that. This one doesn't need to be, again, squeezed as much. Every light squeeze is all you need and you probably don't even need to hold it for as long as the second one either. I'm then going to go in with some falsies. Completely optional, obviously. I just love wearing falsies anytime I have a chance to, I will. So I just applied some lashes just off-camera. Also, I had to go and get myself a hot water bottle because it is so cold. Actually, Davey got me this one. Our heater is broken and we haven't got a electrician in yet. I will do a video talking all about lashes really soon. They're pretty much the same length as my lashes. They just add just a little bit more volume. They're very sheer, very lightweight, and I really like them. Our lashes are done. I'm pretty happy with everything. I've looked at my watch and I have a little bit of extra time. So I'm like, okay, what can I do next? I want to show you. I have a few extra steps that you can add if you have extra time, or you can just forget about if you don't. We don't need makeup. Makeup is supposed to be fun, but if you do have extra time for a little bit of extra fun, then here are some fun steps. I want to talk about microwaving. So have you heard of baking? So baking, for anybody who doesn't know, is basically applying a kind of a heavy layer of powder, usually along here and underneath the eyes, as a way to clean up the rest of your makeup. And it's basically called baking because you leave it to bake. You just leave it on there.  I want to show you how you can do it in a really quick and easy way. Microwaving instead of baking. Baking a cake takes like 30 minutes in the oven. Microwaving, you could do a cake in like three minutes. They pretty much both taste like cake. One's probably better than the other, but if you don't have much time, of course you can microwave. So that's what I'm going to show you how to do today. But first of all, we need an excuse to microwave. We want to create a clean line after we have contoured. So I'm going to go ahead and apply a little bit of my favorite sculpting product. I'm going to grab the brush that I've been using this entire time and I'm going to lightly contour. So we have our contour on and I'm going to show you guys how to microwave. First of all, I'm going to grab a sponge and look at you. I'm going to microwave with some eggs. Look how cute these are. This was an accident. I actually just wanted to use these because I was feeling very spring inspired. I'm really excited for spring that I just thought I'd take these out because they have that spring vibe. And let's use the yellow one. And we're going to keep this dry. Don't use a damp one. We want to keep this dry. What I'm going to do is I'm going to use a light pressed powder. So a lot lighter than I would go if I was using a powder to bake. When you want to microwave, you want the ingredients to just be a little bit more extreme. So I'm going to go in with the white and then this guy right here. Let me kind of dirty it up a little bit. Let me just bring this down a bit further. Okay, see there's no strong definition. We want to create strong definition. You're going to want to feel for the hollow of your cheekbones and then you are going to go underneath that. Just like that. I'm also going to do just the edge of my nose and also the edge of my eye. I'm going to squash down the sponge a little bit to create this like lifted effect just like that. And you can also do the edge of the nose, maybe even the center. And then what you're going to do is you're going to grab your brush and you're just going to blend that out. And that is essentially microwaving. It basically gives the effect of baking in a much shorter time.  This is also going to bring our skin a little bit more life because of the powder that we've also applied on top of our powder foundation. Again, extend and then just hit it. And then I take my brush with a little bit of highlighter and before my skin has time to dry, I'm just going to tap it a little bit on the inner corner. And then I'm just going to let this set while I finish off with my hair and apply some jewelry. So I just took the clips out of my hair, added a little bit of hair spray and added some jewelry, especially little stud earrings. Do not underestimate the effect. Just little studs.   I did have to go with gold ones today because this is one thing that I always do whenever I'm using particular brushes. If the handle is gold, I just have this weird thing that I have to wear gold jewelry that day because I applied it with a gold brush. So I'm going to wear gold. Little thing that I like to do. I'm also going to finish off my lips because I only have lipstick on. I don't have my lip liner. I always keep my lipstick and my lip liner in my handbag. That way, if I'm in the elevator, I can just like, you know, fix it up or if I'm waiting for the boss, I can fix it up. I always just have them there. Sometimes I'm even trying to do my makeup upstairs in my makeup room and I'm like, everything's downstairs. I have no lipstick up here. But I got my lip liner and I'm just going to go in with a lip liner and I know I'm also full of lip liner on before lipstick. But I actually like doing it after because I can put the lipstick on.  Top tip. If you want your lips to look bigger, first of all, focus in the center, right? But then make your top lip slightly darker, slightly darker than your lower lip. Don't try to make your upper lip look bigger unless you naturally have like the reverse so that your lower lip is smaller than your upper lip. That's fine. Work with that. But if you have maybe a one to one ratio with your lips, just allow that one to be slightly darker on top and it will make the bottom one look bigger no matter what. It's just the way that the eye works. But yeah, that is pretty much my quick and easy makeup routine. I hope that you learned something from this video. If you did, please give it a thumbs up because I really appreciate it. And comment something below about what your quick makeup routine is.  Let me know what that is because I would love to hear all about what your usual routine is. I'm always looking for easier ways of getting myself ready and feeling more put together. So if you have any tips on that, definitely let me know. And as always, my friends, be kind to yourself, be kind to others, and I'll see you in a video really soon. Oh, that was, I haven't said that in so long. Gosh, she makes me want to cry.  This shoulder is really swollen so if you see it on camera and you think that there's something wrong with it, it's because I have been in a sling and it is very painful. I have another video coming up soon that I filmed while I was wearing my sling. So I do have another one and I also have a video on Tierra Nino coming up as well but it's really nice to be back. I'm very emotional. Yeah, be kind to yourself and I'll see you in the next one.


If I ask you the question, how did Shanks get his iconic scar? Your answer would be simple. Blackbeard gave it to him. But what if I asked again? How did Blackbeard give Shanks his scar? The answer to this question may very well be, what triggers the biggest war since Marineford? And at the center of this war are the four biggest pirate names in the world, which have now been recently updated. Four individuals with deep-seated histories with one another, four men whose destinies are inextricably intertwined with the upcoming final saga promising to eternally link their names for all to witness. The previous era of whitebeard, Kaido, big mum and Shanks, who were introduced as the first version of the Four Emperors of the Sea in the series, is no more, with Shanks being the only one left from the original Emperors. And like the previous Yonko, our current group of Four Emperors share a long history with each of them crossing parts with one another throughout their pirate careers, leaving deep impressions and a promise that this volatile and intriguing web of relationships will ultimately come to a head. With these four individuals becoming embroiled in an all-out legendary war, forever changing the one-piece world as we know it. And while it will eventually come down to a battle between Luffy and Blackbeard, the first spark will be lit through the dark and mysterious relationship between Shanks and Blackbeard, unveiling a secret story that has been brewing in the background for years, finally exploding to start what may be the conflict of the century. Hello, Manakamatachi, this is Joygirl, and this is a question 15 years in the making. A story that despite being first presented to us all the way back in chapter 434, we still don't know how exactly Shanks got that iconic scar. Admittedly, for the large part, it's a story that many of us don't spend too long questioning. The detail about Shanks' scar, having been given to him by Blackbeard, is significant to the extent that this showcase for us that Blackbeard was someone formidable enough to leave such a deep scar on Shanks' face even before acquiring the powers of the Yamiyami no Miya, that regardless of the outcome of their battle, at one stage, at one moment at least, Blackbeard had the upper hand against Shanks to the point he could leave such a mark on his face. And while that's usually taken at face value, establishing the foreboding caution with which we should approach Blackbeard, there is a much deeper, darker story to be told. Because scars in One Piece are an extremely important element of a character's design that means much more than a simple aesthetic choice from Oda or even being the result of some ordinary injury. To the extent that scars decorate a significant recurring character in One Piece, they symbolize something that serves as a reminder of an important event or memory. In a world of conflict and constant fighting, only those scars that have a deeper meaning behind it remain a part of a character's design. They represent a significant bond or a promise to steadfast that character's will. Take Luffy's scar on his chest, for example. That mark is a constant reminder of what happened to his brother at the hands of Akayinu during the Marineford War. For Zoro, the scar across his upper body symbolizes the bridge he still has to cross in order to fulfill his dreams of becoming the world's greatest swordsman. There's a reason why fans have been wildly speculating as to how Zoro obtained that scar over his left eye during his time with Mihawk in the timeskift, believing it to contain a much richer story than just being a simple design choice. So when it comes to Shanks' scar over his left eye, it's not merely the fact that Blackbeard was able to leave a mark on Shanks that is important. After all, these men live and breathe the life of pirates where scars and injuries are just part of the trade. Shanks' dialogue and actions, however, highlight that there is a seriously horrible memory attached to whatever happened during their conflict. Because from what we know of Shanks, he's generally an easygoing guy. Despite carrying the weight of the future of the world on his shoulders, he knows how to lay back, have fun, and not take insults personally. Only getting serious when something important to him is threatened. And if we take his relationship with Buggy, for example, despite Buggy not acting in the friendliest of terms towards him, Shanks still treats Buggy like you would an old friend. But when it comes to Blackbeard, Shanks' laid back manner seems to disappear entirely. He becomes much more tense. Shanks is seeing the full extent of Blackbeard's evil. Shanks has a firsthand experience of Blackbeard's evil. In fact, Blackbeard poses a threat grave enough that Shanks found it necessary to meet Whitebeard face to face alone just to warn him of Blackbeard's danger, a meeting that resulted in a sky-splitting duel. So what did Blackbeard do that was so impactful for Shanks to feel so seriously about him? In Shanks' own words of all the battles he's faced, of all the countless scars that he's been given in his illustrious pirate career, the only one that aches is the one left by Blackbeard. And this piece of dialogue suggests that there is a special and particular reason why Shanks remembers this scar. A very personal reason. In Chapter 650, we see Jinbei feel Luffy in on the affairs of the rest of the world, including Blackbeard and his hunt for devil fruit, as well as the conflict that erupted between Akainu and Aokiji. And there's a small panel of Luffy reacting to Akainu's name, which is a subtle detail that I've always really appreciated. We see Luffy grip his chest, frowning and muttering Akainu's name. And this one small panel represents Luffy painfully remembering everything that this scar symbolizes. The loss of Ace, his failure in saving his brother, and his promise to become strong so that he never has to lose someone important to him ever again. So this idea that Shanks still feels the stinging of his scar, that this one is the only one that aches suggests a similar significance. We've never known Shanks and Blackbeard to have a close or personal relationship with neither of them particularly friendly towards the other upon their first interaction during the three-day battle between the Roger and Whitebeard Pirates during Odin's flashback. Though Shanks did seem quite intrigued by the prospect of Blackbeard never sleeping, for him that equaling to fun and more adventures. But we never even saw the two speak to one another. However, is a broken camaraderie part of the history between these two men? Is it actually possible that as their parts continue to cross, they formed some sort of relationship, a bond, and given what we know of Blackbeard's nature, biding low and waiting his time before betraying his brethren, is this what Shanks experienced? Is that why Shanks could so confidently inform Whitebeard of Blackbeard's nature that he's a shrewd and cunning creature that will pounce when others least expect it? Was it the first betrayal that Blackbeard committed? Not to his brothers under Whitebeard, but a relationship that he and Shanks potentially forged at some stage in the past? Or is it a story that is more similar to how Luffy got his scar? A story that perhaps involves Shanks losing not just the fight, but maybe losing the life of someone close to him? Is that the reason why this is such a personal matter that he keeps close to his chest? Or are we about to come full circle and perhaps the battle between Shanks and Blackbeard concerned the devil fruit that is now possessed by Luffy? Blackbeard says himself that he memorized all the shapes of the devil fruits so that he could instantly recognize the one that he's after. The time Blackbeard spent studying devil fruits might have led him to the discovery of the true nature and capabilities of what would eventually become Luffy's devil fruit. And although he says it was the yummy yummy no me that has been after his whole life, it's also possible that he was after the hito hito no me model Nika himself as well. And while we now know that Shanks faced the CP9 to acquire the devil fruit, it's also possible that he became involved in a battle with Blackbeard for it. In any case, for whatever the reason the scar means as much as it does, one thing's for certain. The history between these two men will result in an epic showdown. Blackbeard says it himself at Marineford. When he retreated at Shanks' challenge to him to battle, commenting that this is not yet the time to fight Shanks, not yet. Very foreboding words for the saga to come. Whatever happens, this fight won't be just between these two pirates. This is a conflict wherein each of the four emperors will become embroiled in this legendary battle. Because not only does Shanks have a deeper connection to Blackbeard, but there also may be more to the relationship between Buggy and Blackbeard than meets the eye. While Shanks might be the one who knows the extent of the danger that Blackbeard poses, he wasn't the first to recognize Blackbeard's darkness. Instead, it was Buggy who in his apprentice days along with Shanks was involved in that three-day battle with the Whitebeard pirates, during which time it was Buggy who uncovered Blackbeard's monstrous nature of going without sleep. And while Shanks found that fact somewhat exciting, it was Buggy who acknowledged the creepy, dangerous significance of Blackbeard's peculiar nature. In addition to this, there is also the possibility that Buggy may have an even deeper connection to Blackbeard through the ever-dark and mysterious crew that was the Rocks Pirates. While the recent development of Buggy being named one of the Yonko caused a great shock, it really isn't something that should have come as such a surprise to us at all. Because despite his initial appearance as an early series villain, somewhat dismissed as a comical punchline, it became more and more obvious as the story continued that Oda had big plans for Buggy, one of which seemed to be the running sideplot of Buggy's pursuit of Captain John's treasure which had been spanning over several arcs. And ever since the introduction of this side story, I've personally been speculating that Buggy has a much richer backstory than we're currently aware of. Although Buggy was initially introduced as a villain with the simplest understanding of what treasure means, in an arc which centered around the idea of how treasure can symbolize more than just golden riches, through the exploration of Buggy going after Captain John's treasure, there is cause to believe there actually may be a deeper reason why Buggy has been chasing this treasure, a much more personal reason. And this had seemed especially plausible after finding out that Captain John was a part of the Rocks Pirates, making him another one of the legendary figures in the series connected to a deeper and much more significant lore. The God Valley incident remains a very mysterious event in one piece history. One that has resulted in a widely speculated possibility of either Buggy or Shanks being present at God Valley, given their age, meaning they are both only one year older than the incident. An idea that is also possibly supported by the seemingly flyaway comment made by Roger, that it has been a while since Roger held a baby, leading to speculations that Roger was referring to either Buggy or Shanks, or both. And given the obvious connections that Blackbeard has with the mysterious enigmatic Rocks D. Zabeck, an ominous relationship that has now been addressed through the road to Laugh Tale material itself, where after years of fan speculating on the possible connection, the additional series material teased the possibility of the connection between Blackbeard's ship, the Saber of Zabeck, signifying a deeper relationship to the legendary figure. And so, if Buggy has some deeper relationship to either Captain John or the events at God Valley, then it's also possible his story is more intricately related to Blackbeard's as well. And despite his outward treatment of Shanks, when Push comes to shove, it's highly likely that Buggy would ally with his longtime acquaintance and former crewmate, thereby bringing him into the fold. Or perhaps the way that Buggy becomes involved in this conflict is if the only reason why Buggy became a Yonko in the first place is because Shanks went to the Gorosei to discuss Buggy, suggesting the clownic figure to be a much more important individual than anyone realized, thereby saving him from capture as speculations present. And all that we've mentioned so far are the pieces needed for a clash of the ages. One that wouldn't be complete unless it includes Monkey D. Luffy, a legendary tale that for readers started with Luffy and Shanks, and their highly awaited reunion now on the horizon.  Now, whether you want to believe that in terms of power levels is up to you. But at least narrative-wise, Luffy is of the same recognition level as Shanks now that he is an official member of the new Yonko. Luffy could very well be in a position to prove to Shanks that he has fulfilled his promise to gather a formidable crew strong enough to take on Shanks and the red-haired pirates. And to honor their agreement with Luffy returning Shanks the straw hat now that he has indeed become a great pirate. Whether Luffy will actually return the straw hat and no longer have the most iconic symbol of the series is a story for another day. But for now at least, it's fair to say that Luffy has fulfilled his promise to become a great pirate. However, there is a looming threat to this reunion in the form of Blackbeard. As our protagonist, it comes as no question that Luffy will remain at the heart of everything that's about to unfold. Whether that be because the original battle between Shanks and Blackbeard concerned his devil fruit or because the eventual clash of Shanks and Blackbeard will result in another tragedy for Luffy being the death of Shanks. Not that Luffy needs any further reason to want to fight Blackbeard, mind you. At the end of the day, it was Blackbeard murdering Thatch leading to Ace challenging Blackbeard that became the catalyst to the Summit War ultimately resulting in Ace's death. And Ace is a figure that actually connects to all of these individuals as well. Not only is he obviously the brother of Luffy as well as the son of Shanks and Buggy's former captain, but he also partied with both Shanks and Buggy as well. In fact, in his quest to find Blackbeard, the three most notable figures that he met in his journey were Luffy, Shanks and Buggy. Meaning Ace met with each of the figures who would later go on to form the next Yonko. And of all the long-running connections that Oda has drawn out between these four men, the unmistakable parallels between Luffy and Blackbeard is perhaps the most stark example of the deep-rooted connections between these emperors. Ever since their first meeting, this idea of these two characters being two opposite sides of the same coin was spelt out for us loud and clear. A connection that has only become more obvious since the reveal of Luffy's devil fruit. Luffy now being confirmed to represent the son through his Nika devil fruit with the perfect match to Blackbeard's yami yami no mi. An ominous devil fruit where not even a ray of light can escape the darkness of Blackbeard's world. And so, rather than preserving the world from spiraling into chaos as he had so desperately hoped, Shanks will actually play a direct hand in plunging the world into this madness. However, it will in fact be Luffy who embodies the light to shine through Blackbeard's dark void. The eventual clash between Luffy and Blackbeard finally fulfilling a promise that began with Shanks entrusting Luffy with his prized straw hat so that even if Shanks does lose the fight against Blackbeard, he will be the one to win the war, winning on a bet that he placed on the new era all those years ago. And these are just some of my thoughts on the intricate set of relationship between our new Yonko and how these connections will result in the greatest war we will ever witness. But let me know your thoughts by leaving a comment below and don't forget to like and share the video. Please do subscribe for more One Piece discussions. You can also join our Joyfleet Discord server or even become a Patreon member. And I do wanna thank all our patrons for help supporting the channel. This is Joygirl and I'll see you again soon.


Hi everyone, Sean with jaspyscasebrakes.com here doing panini elite football six box half case break picker team number four Where all-card ship and this is the second half of a case we started with picker team number three Here's the list of customers and respective teams from Sean O'Leary and the Cardinals down to Patrick Davis and the Washington football team Sean O'Leary last spot mojo with the Cardinals Falcons Raiders and Rams Here are the six boxes. We're gonna do in this case So let's get going. Here is that list in person finalized So first part of this break guys is gonna be me going through and stacking up these packs If you're watching this on Replay you can actually go ahead and forward through So the good stuff of us uncovering what we've got First half of this case was really good. So I'm hoping that this is a repetitive case and it continues on the same path With the names numbers and autos for anybody wondering. Jared Walsh is up the bat with Shohio Tani on first base And the angels are down one run. Jared Walsh lots of home runs this year So It'd be really cool to see him walk this off in the bottom of the ninth of two outs and a runner on first down one Shohio Tani just just plated two runs with a Single behind in the count one and two now. Tani, I'll go to third But Tani steals home to tie the game Let's see it happen What are the odds on a Tani stealing home right now to win the game or to tie it? You think I can get really good odds in Vegas wild pitch pass ball, whatever it is Get that tying run in Fill the goose gasoline up to bat inside again Still haven't found the Trevor Lawrence auto That's what we're trying to zero in on for Sean Maddock. First half of this case was very nice for him We had a Trevor Lawrence to 16 a Trevor Lawrence to 49 and a Trevor Lawrence to 599 plus the rookie on deck There is a redemption there So far the redemptions I've seen are either Kyle Pitts or Josh Palmer They are not the same Obviously if much rather have Kyle Pitts redemption, but Josh Palmer for my chargers is a very promising wide receiver out of Tennessee Oh, oh get down. No, that's enough game over Damn it. It was exciting.  Maybe a compromise 12 packs 8 cards, you know 10 packs 10 cards. You really want to make it a hundred cards like you have But why 20 packs 5 cards? It makes it super over a four-volume piece out by the pack, right? This is pick your team for three is already done Jeremy Video has been uploaded. It may not have processed all the way yet, but this is pick your team for On the schedule from 9 30 to 10 15 It'll probably run a little bit over 10 15. We started a little bit later than 9 30 No worries We do have the next full case up for sale as well pick your teams five and six I have loaded So for anybody I loaded it before I started pick a team three. So I'm guessing some of the teams are already gone but For anybody listening watching live, you do have early billing for your teams on there So you got first dibs Good luck everybody and Matt Ryan the 399 for the Falcons and Sean O'Leary And there's the one I saw Jalen waddle Pen pals blue ink auto for the Dolphins That is Jen's McLeese Eric Stokes to 999 for the Packers and Leo Cora and Dante Hall out of 75 For the Chiefs and Josh X line Jalen waddle again for the Dolphins Jen's McLeese Matt Jones for the Patriots Matt Johnston Davis Mills to 999 for the Texans Brandon Morocco CD lamb to 399 for the Cowboys Mark Costanzo Justin Jefferson to 349 For the Vikings Darren Porter Travis Etienne Jaguar Sean Maddock Patrick Surtain to 49 for the Broncos Patrick Davis Kyle Pitts to 399 for the Falcons and Sean O'Leary and He's in some trouble right now out of 49 Richard Sherman two-color patch 49ers Josh X line elite company Jamar Chase plus three others that'll be randomized at the end To the teams on that card Felipe Franks to 87 For the Falcons and Sean O'Leary Dwayne Eskridge to 24 for the Seahawks Kevin Schlafer Sam Ellinger to 999 for the Colts Corey Davidson and Peyton Manning to 75 for the Colts and Cody Davidson Tyreek Hill Two-color patch out of 49 for the Chiefs Jersey number 10 out of 49 Kansas City Chiefs Josh X line Cadarius Tony for the Giants Daniel Hayes Travis Kelsey to 49 for the Chiefs Josh X line So weird the two relics One somebody who's been convicted multiple times of domestic violence. They have the ones currently going through domestic violence To believe a Franks to 24 for the Falcons Sean O'Leary We're not convicted charged Patrick Surtain the 999 for the Broncos Patrick Patrick Davis Trey Lance 49ers Josh X line and Jalen Hurts to 25 nice one there for the Eagles Robert Flores Mack Jones elite company that'll be randomized at the end of the break And Trey Lance to 99 for the 49ers Josh X line and Kyle Pitts Nice. We had a redemption for him earlier, but apparently his pen pals. This is a blue ink auto is live Falcon Sean O'Leary Justin Fields for the Bears Jason wainer. What's up, Adam? How are you buddy? Happy Friday. Caleb Fairley to 999 for the Titans and Ethan Cook Najee Harris to 78 for the Steelers Michael Gallucci And almond Ross St. Brown to 399 for the Lions Patrick Davis Nico Collins turn of the century autograph out of 99 for the Texans and Brandon Morocco Devonta Smith for the Eagles Robert Flores Justin Fields to 599 for the Bears Jason wainer Derek Henry to 399 for the Titans Ethan Cook Lamar Jackson to 349 for the Ravens Aaron Billingsley Terrace Marshall to 999 for the Panthers Leo Kaur Joseph Osai to 399 for the Bengals Eric Ainge Elite company randomizer at the end Jeremy Jermiah owosu Karamoa Field vision Terry Bradshaw to 349 for the Steelers Michael Gallucci Najee Harris to 599 also for the Steelers and Michael Gallucci Rashad Bateman one out of ten Ravens Aaron Billingsley Nice what receiver there And Tylen Wallace to 399 for the Ravens Aaron Billingsley First auto is back to the future Fletcher Cox out of 75 for the Eagles Robert Flores and Travis Etienne for the Jaguars Sean Maddock Patrick Mahomes to 999 for the Chiefs Josh X line Juju Smith Schuster to 999 for the Steelers Michael Gallucci There we go Sean Maddock Trevor Lawrence purple ink auto Congrats, dude. I knew we were we had to be zeroing in on it with all the stuff we had pulled of his Very nice. Congratulations Najee Harris Steelers Michael Gallucci Ajay Brown craftsman relic for the Titans Ethan Cook and Jamar Chase for the Bengals Eric Ainge That is trace sermon to 92 for the 49ers Josh X line Absolutely man. Congratulations. Barry Sanders to 399 for the Lions Patrick Davis Ian booked to 999 for the Saints Jackson Wilhite. It's had a feeling you know Hadn't seen anything in that first case the first half of this case We hit, you know Those three numbered cards for you like I said, I don't know what the Hierarchy is of the color ink, but I think purple is one of the lower ones So far the only three colors I've seen are either purple, which was a redemption The blue ink and the black so But yeah purple I've only seen one and it was a redemption So I'm assuming that's pretty low. That's like a one of the higher end ones that you want and Cadarius Tony So this is a non numbered last year. This was a case hit. I believe I hit a Zach Wilson in the first case This is not numbered, but I think it's another one of the case hits That's for the Giants and Daniel Hayes. Very nice. I Don't know what it's called I'm just gonna go off until somebody tells me otherwise Terris Marshall to 99 for the Panthers Leo core redemption Micah Parsons elite company that'll be a randomizer at the end of the break Micah Parsons to 999 for the Cowboys and Mark Costanzo Dalvin Cook to 399 for the Vikings Darren Porter and Jason Peters, that's a big man right there. That's to 99 for the Eagles Robert Flores, Matt Jones, Patriots, Matt Johnston, our redemption Pen pals Amon Ross, St. Brown It's my guy from USC.  His mom is a professional tennis player out of Germany He and the rest of his family are all free gaffets His brother Equinomius and Osiris both also have either are either still in or have made the NFL Out of modern-day high school here in Southern California, Santa Ana to be specific Davonta Smith to 599 for the Eagles Robert Flores Tutu Atwell to 399 for the Rams, Sean O'Leary and Taysom Hill out of 349 for the Saints Jackson Wilhite Keenan Allen Relic for the Chargers and Damian Cortez and Zach Wilson for the Jets Randon Aquino Nick Bolton to 68 for the Chiefs Josh X-Line Larry Roundtree to 399 for the Chargers Damian Cortez Kadarius Tony to 999 for the Giants Daniel Hayes Got two boxes left guys Two boxes Dan Marino to 99 for the Dolphins Jens McLean Zach Wilson Rookie Lee nice one there for the Jets and Randon Aquino One looks different like it Levi on who's a wreck is a Ricky to 399 for the Dolphin or Lions Patrick Davis and Another redemption Otto Patrick Surtain Zach Wilson to 599 for the Jets Randon Aquino Russell Wilson to 97 for the Seahawks and Kevin Schlaffer Joe Burrow to 399 for the Bengals Eric Ainge And Ricky Williams pulled him earlier love to see him. That's out of 75 for the Saints Jackson Wilhite Not Ian Book Jackson, but Ricky Williams for you Nico Collins to 999 for the Texans Brandon Morocco and Rashad Weaver to 399 for the Titans Ethan Cook Trevor Lawrence elite company. That's a randomizer Raheem Moser to 349 for the 49ers and Josh X-Line Justin Jefferson spark plug relic for the Vikings Darren Porter and Devonta Smith for the Eagles Robert Flores You got Najee Harris out of 25 nice one there for the Steelers Michael Galucci You can see these ones apparently got caught in the crimper Hopefully nothing crazy comes out. Tredavius White to 399 for the Bills Jeffrey Punt Seth Williams to 999 for the Broncos Patrick Davis and Cadarius Tony for the Giants Daniel Hayes See who the redemption is Just looks different And the redemption auto from box 5 is pen pals of blue ink Nico Collins Who I believe is the Texans right? Nico Collins Houston Texans Which is Brandon Morocco and last box guys Mack Jones elite company. That's a randomizer Patrick Mahomes to 349 for the Chiefs and Josh X-Line Aaron Rodgers relic for the Packers That is Leo Corr and Justin Fields for the Bears That is Jason Wainer Rashad Weaver to 83 for the Titans Ethan Cook Trey Lance out of 399 49ers Josh X-Line Let's finish this off with another big working quarterback Travis Etienne to 999 for the Jags Sean Matic Devonta Smith for the Eagles Robert Flores And Mahomes to 399 for the Chiefs Josh X-Line our two autos should be on this side here Davis Mills to 999 for the Texans Brandon Morocco Jerry Rice to 99 for the 49ers Josh X-Line Najee Harris for the Steelers Michael Galucci and TJ Watt to 399 for the Steelers Michael Galucci For the Jets Elijah Moore black ink pen pals auto Brandon Aquino for the Jets Travis Etienne for the Jaguars That is Sean Matic Eric Stokes for the Packers to 999 Leo Corr Jalen Waddle for the Dolphins Jens McLeese DJ Chark out of 17 for the Jaguars Sean Matic and Patrick Sertain to 399 for the Broncos Patrick Davis and Final auto for the break Marquez Stevenson That is out of ten three out of ten for the Buffalo Bills Jeffrey Punt and there you go guys. That's the break. We've got one randomizer to do which is for the elite company Multi-team cards Let's do those And That'll finish the break Okay, and the elite company cards. We've been doing them randomizing just like this So we sort based on the back of the card So Mack Jones is number one to is number two Jalen Hertz is number three and Joe Nameth is number four So just like this and we're gonna randomize numbers one two three and four Whatever number it is will correlate to whatever player it is on the card and that's what team it will go to so Let's pop over here to the randomizer one two three four dice roll Number on top after three to one four times. Good luck Three is one the last three times. So let's see It's number one this time. So fourth and final time You can see there four times on the dice. So I think that's gonna go to all the rookies Which is kind of what you want, right?  Those are all gonna go to number one and that's the break that was 2021 Panini elite football six-box half case break picker team number four from Jasper's case breaks calm on Sean Jasper's case breaks calm. Thanks for hanging out. We'll see you next time


In this presentation, we're going to enter a sales receipt and apply that sales receipt to a job that we have set up in a prior presentation. Let's go with Sage 50 cloud accounting. Here we are in our get great guitars file. We're currently in the customer and sales section. You'll recall in a prior presentation that we had set up some jobs here. Let's take a look at those jobs. If we set up if we take a look at the jobs dropdown and then go into the view and edit jobs. We will see the jobs that we have set up. So that's going to be 3005 and 4002. If you want to set up those jobs, you can do so by simply going to the jobs dropdown and saying new job. And then we just basically imported the job number so you don't have those jobs set up already. You can do so in that format. Now we're going to create a sales receipt and post them to the job. So we're going to go down here sales receipt we've seen in the past. We're going to use the receive money form and we're going to kind of imagine that we're going to be recording the sales receipt to the job here. So we're going to say receive money from customer. Now the job that we're looking at is going to be job 4002 and it's tied to Sam the guitar man. Who is the customer? So I'm going to go ahead and put a deposit ticket number here and we're going to say that. So we're going to put this through the clearing account so that we can group them together of our two methods of thinking about how we're going to group the deposits together. So and then I'm going to go into our item dropdown. Now this is going to be connected to Sam the guitar man. So I'm going to apply it out to Sam the guitar man but then apply it to the job down here with the jobs field in our system. So I'm going to put a reference number. I'm going to add a reference number and receipt number and then this is going to be on the date of 013120. We're going to say and then we are going to populate the item down below. I'm going to I'm going to we could have it as a check or some other type of format and then I'm going to go down below and say that we want the quantity of. And I'm going to say one and this is going to be a service item which is going to be guitar service. I'm going to set up the guitar service. I'm going to say tab and that's going to be the 100. Actually I want it to be there for 100. So I'm just going to put 100 here and change that to 100. And so there we have that. Now the key here is we're going to be assigning it to a job. And the job we want to assign it to is if I select the job dropdown we want the 4002. So we're going to assign that to the job 4002. And then I want to be up top as well. So we're going to put this into the clearing account. So our objective or what's going to happen when we do this. It's going to be a sales receipts. So we're imagining this is a service basically happening in the shop. We're going to get paid at the same point in time that we recorded increasing revenue with the sales receipt the other side increasing cash. We're going to put it into the cash on hand because we're going to imagine we take it from the cash on hand. And then we're going to put it into the bank and some lump sum and we want to transfer it at that point in time. The bank or in our system in the same format that it will be showing in the bank. So that's going to be what we have here. So I'm going to save this and then I'm going to do it again and then we'll go ahead and check it take a look at them. So I'm going to say save and let's do another one. So I'm just going to put a ticket up top and note that I'm putting a deposit ticket up top. It's like we don't have we haven't actually made the deposit in our imaginary problem here. But we're going to be taking it through the clearing account and that's we're going to use that method to group the deposits. That's why I'm going to put the ticket up top. And then in any case we're going to say the customer then the customer is going to be Jones Jones guitar. And so then it pops over and we have our invoice but we're not going to be dealing with the invoice right now. We want to be back on over to the apply to the revenue item. We're going to give it a reference number. So we'll have the reference number and the receipt number. It's going to be as of the 31st again. It's on the cash on hand. It's going to be the account that we are going to want. And then we're going to populate down below the item. So this time I'm going to put two and we want a partial service partial service. And that's going to give us that $200 and we're going to apply this then to the job. And the job this time we want to apply to is going to be if I select the drop down. We want Jones so the 3005 the 3005. That's going to be it. What's this going to do again? It's going to be putting the money into the cash on hand the clearing account that we can then transfer to the checking account when we make the deposit. So it's going to go into there. The other side is going to be going to revenue and it's going to be assigning to this job 3005. Let's go ahead and save that. And then I'm going to say yes. Then let's take a look at our reports. So I'm going to close this back out. We're going to go to the reports. We'll take a look at the financial statements. So let's open up the financials. Actually, let's take a look at the general ledger report and go to the working trial balance. It's going to be working trial balance. I'm going to adjust the options up top. So we will adjust the options in the working trial balance. I'm going to put this for the specific date of the end of January. Let's go to the end of January. And then we're going to remove the zeros. Let's remove the zero balances here. And then say OK. So there we have it. Now we have the cash on hand has the 300 in it. If I double click on it, there is our two transactions. There's the 300. Now it's increasing again. It's going to be decreasing when we make the deposit. So we're going to make the deposit out of there into the checking account and group them together as they will be seen on the bank statement. The other side then going to revenue. So the revenue is going to be down below. It's going to be on our income statement accounts and it's going to be in the service revenue double clicking on the service revenue. That will take us into the 100 and the 200 we can see there as well. So we see those items closing this back out. Let's look at the jobs reports now. So if I close this back out and we go back to our reports here, let's take a look at the jobs reports. We have some options for the jobs reports. We have the estimates, estimates, estimates. We have the job ledger transactions that are assigned to a job. Let's look at that one. Let's look at the job ledger. And then if we open this up, there's the 200. There's the 100 assigned to job 4050 and I'm sorry assigned to job 3005 and job 4002. And then if I close this back out, the other thing we can take a look at is the profit, the job profitability report. So if we look at the job profitability reports, then you've got a similar report here for job 3005 and job 4002. So we're not going to get into a lot of detail on the jobs or a job costing system, but you can take a look at those in here. We might do another course just on job costing at some point in the future. That's going to be it for now. Let's get out of here.


Reverse State Governor Yosem Wickey says there is greater gain communities can derive when they notify the state government of any dispute that may have with oil companies operating in their areas. Yosem Wickey says there are these when members of the Oboe Traditional Council and stakeholders formally introduce its eminence, Oachuku, Oboeha, Onam, Obe the Third, Oboe of Oboe Land to the Governor of the State at Government House, Port Hacot. Governor Wickey said that the state government will not longer tolerate a situation where communities with block roads stop operations of companies and think that the government will intervene on their behalf. He insisted that communities must at all times first report their grievances to the state government and not resort to taking laws into their own hands. It is not when you go and blow up the pipeline for the gas that you get what you want to get. There's nothing wrong in you liars with the government to make sure companies fulfill their promises and whatever it is provided in the memorandum of understanding. No community can do it alone in a government to give you support. If you recognize the government, the first thing you would do is to let government know these are your grievances against companies operating in your domain, but not just to go and take the action and then say government will come, I will not come. Your business is the interests of your people and make sure that your communities are in peace. What is actually peace that we enjoy in our area? You were the government and the government was government. It was difficult for everyone to lie down and see, but today peace has returned and the very essence of the case has returned. We are not unmindful of the efforts we made. The architecture we put in place, indeed, we don't know how to say that thank you properly. But however it is, for us to do it, and I know your spirit has succeeded.


Next thing is we need some links. Wikipedia needs to have links so that everything is connected to something else. Your page should be connected to another page, another page should connect to you. So it's a little different for user pages, but if it's an article you're creating then your article should link to another page. On Wikipedia and Wikipedia's pages should link back to your page. So you don't want to underlink or overlink. If you're talking about a concept you only need to link it the first time you mention it. And we don't link common everyday expressions like dog, cat, house, football. Just anything that we feel that will add to the reader's comprehension or understanding of a subject or that they might be interested in learning more about having read our article. So to do links we're going to click edit to go in a visual editor and we're going to click on pages that we want to help the reader click through to. So University of Edinburgh we know has a Wikipedia page. Just highlight the text and we're going to click the link drop down this one. And if I scroll up, now that we're in the link menu we've got two options here. We can have the first one which is search pages and that brings up all the Wikipedia pages that relate to the University of Edinburgh. So it's a keyword search looking through all the Wikipedia pages. Alternatively there is a section if we wanted to add a website link to a page outside of Wikipedia. Say for example the University of Edinburgh's own website. But I'm wanting to link to the Wikipedia page and it's this first hit. So I'm going to click on that and now if I move my highlighting you can see that's now a blue clickable link. So if you haven't already now would be a good time to pause the video and create a sentence or a couple of words that you can now link to on your user page. And I can link a few more things while you're doing that. And I've created my example link section and just to show you how easy it is to link. It's important that you are very careful about which one you're linking to. If it comes up as a red link that means that page doesn't exist. And you need to make sure if it is someone that has many different pages for the same name. That they are disambiguated by having that little bit of extra text at the end to determine whether it's a lawyer, a comedian or a fighter or a footballer. It's the author I'm interested in so click on that to do that. Paul Oster. There we go. Novelist. Okay. Now I've got a fair few links on my page now. I'm happy with how they look. If you've done your link as well, you can click save page, added links. And there we have it. We've now done headings, a contents box, bold italics, bullet points, numbered bullet points. And we have clickable internal links. And that's part one done. Next part, I'll show you how to add an image, citation and some references.


One thing with a lot of reservists is that many reservists have already done 3D printing in their industrial jobs, so they've got that technical background that can help really accelerate the implementation of additive manufacturing. SurgeMain is a perfect example of that because you've got a highly technical workforce of reservists that quickly can understand what additive manufacturing is within a very short brief. They understand some of its limitations and very quickly can be used to go ship board and help facilitate those conversations with ship's force. This spanner wrench is a good example. Conversation occurred, utilized the civilian workforce we had that brought 3D scanners with them, scanned up the part, printed it within a few hours. As reservists, we bring a unique perspective, I think, and skill set to the force in that we do have day jobs. A lot of times those civilian skill sets are very valuable to the Navy. They can be newer technologies or newer processes that may not be fully implemented throughout the active side yet. The civilian skill sets database as a way that the reserve forces kind of crack the code on how do we know what our collective knowledge is and deploy the actual resources to where they can deliver the most value.