everybody forced here ripping 2022 NT football hobby four bucks full case number 47 pick your team Andrew L with the Raiders Andrew A. Bills and Pat's Anwar with the Jets Bill A. Bengals Packers and Bucks David D with the Cowboys Eric W. Washington Ezekiel with the Eagles and Seahawks Hannah with the Jags Harry V. Steelers Niners and Saints Jared C. Browns Giants Chiefs Cardinals Bears and Chargers Kyle S. Vikings Matthias with the Ravens Michael F. Rams Michael C. Lyons Peter H. Texans Philip N. Broncos and Colts Sean M. Falcons Simon S. Titans Stephen G. Dolphins and Thomas T. with the Panthers let's rip good luck everybody thank you very much fill this up sorry we finished behind today more breaks tonight with Sam let's get those filled up let's do it um yeah six series has a good bit to go finest genres team all crown i'm at collegiate yeah a lot of stuff tonight guys let's get those filled up play for more Merlin check tomorrow fanatics live check fanatics live got you tomorrow fanatics live Kyle's got you tomorrow right here that Merlin Merlin it's going hot it's going fast just like uh Champions League chrome uh or not Champions League club conference is grown we'll get through the base and the relics a little quicker here guys just because we are behind all right got Juice Landry to 99 for the Saints nice midnight it's Taylor Heineke to 20 for the commanders quad relic washington chase young diron pain montez sweat and jonathan allen forbton nice they got a good D line um player worn allen and that's kind of cool because it is like the best patch i would say because it's partial letter heirlooms patch card 10 of 10 for san francis frank gore their worn gore 10 of 10 dual patch commanders terry mclauren johan dotson tandem there nice relics for the commander so far tremendous treasures jersey to 49 jail and her its eagles rookie auto the marvin leal for a 49 stealers a mark duper auto dolphin's nine of 49 super duper he actually signs it super duper i just realized that that's pretty cool that is pretty cool patching ball rookie auto 11 of 99 v lish jones jr chicago all right that'll do that'll do this is one of the last teams taken to and they were pretty on sale so congrats whoever snagged them detroit gold rpa jameson williams six of 10 yup god i'm on sale michael c congrats three color patch gold rpa that's insane man great hit that is now i think the biggest part of the day right there also is by far the most expensive prod regroup today got montana out of 99 for san francisco brady to 12 six of 12 brady base there you go buccaneers jersey card to 99 alvin camara sains jersey card minnesota out of 99 is harrison smith player worn dual jersey tennessee to 49 is going to be malik willis and trailing berks they're saying trailing berks are caught off the field today i hope that is not severe i love berks two color patch packers nice jumbo to 10 erin rogers player worn into the autos that's cool champ bailey jersey auto to 49 on card the better corners to ever play especially if you consider longevity player worn jersey auto on card to 49 broncos champ bailey titan's auto is the freak javon cursed to 49 jersey auto bears to 99 is bryan urlocker some great 2000s defenders right there and a great current defender rookie gloves signatures lions aiden hutchinson six of 15 holy cow michael c will do that's like a cherry on top right there jaymo gold is really big that that hudges is pretty nice too yeah check out fanatics live tomorrow i'm gonna list some uh some baseball and football tomorrow as well as merlin see you everybody's leaving god two out of 99 for the dolphins midnight justin jepperson minnesota 12 of 20 jersey card to 25 or patch card erin jones player worn patch for the packers rookie dual jersey to 99 isail likely for the ravens panthers dual jersey out of 99 sam donald dj more both no longer panthers uh game war donald player worn dj more minnesota quad jersey justin jepperson adam feeling randy moss and chris carter 86 of 99 got rookie auto falcons tyler algear to 99 a darin woodson jersey auto to 99 dalis darin woodson player worn jersey treasured impressions rookie patch auto damian pierce 14 of 25 he used to nice one there and out of 99 is a bailey zappy rookie jumbo prime signatures pats booklet that would not good if i hit that phone up there though oh yeah kind of glad it landed in the perfect spot i got air underneath it yeah that's what happens uh we got treasured rookies wandale robinson out of 99 for the giants berry sanders to 25 lions jersey card for the ravens anquan bolden gained gear to 99 and it is game worn triple jersey is um lions chargers and titans jamal williams austin eckler and darik henry let me check for majority really quickly probably random at the end tennessee is simon s the chargers is justin c and the lions is michael c we know random at the end on that one jersey card out of 99 for the broncos rossol wilson dangerous dual patch nine of ten sam howell jahan dotson nice rookie dual rally commanders all right last few hits rookie autodavido jobo to 90 for the ravens four of ten niners auto fred warner rookie material signatures 15 of 25 kyle hamilton the ravens nice one there and first edition rookie signatures to 99 titans malik willis rpa book nice good-looking card partial number patch three color good way to end it there all right one random and then we'll do a really quick recap and that will be it guys end it quick here lions chargers titans triple relic to 99 is jamal williams austin eckler darik henry ten times six and four purpose up top gets it one two three four five six seven eight nine and ten titans up top titans get the card i'll recap everything else i'm gonna start with the books we can get those put away we had the malik willis to 99 first edition rookie signatures aly zappy to 99 rickie jumbo prime signature's book relics russol wilson and quan bolden game used quad vikings receivers donald and more is a likely harrison smith alvin camara jaylon hurts uh willis and berks erin jones mclauren dotson frank gore quad d line commanders relic there erin rogers and howlin dotson a lot of commanders there we've got autos now of darin woodson tyler algear bryan urlacher bilish jones jr david ojabo mark duper javon curse champ bailey the marvin leal gave me in pierce 25 kyle hamilton to 25 and fred warner to 10 and then lions with a couple of sick ones here rookie glove signatures the 15 aiden hytanson gold rpa six of ten jamison williams as a big guard and that'll do it thanks again everybody much appreciated


Also just note that when you buy the equipment, you probably wanna save the detailed information of what you're buying. You don't want it to just say like equipment because on the tax side of things and the sub ledger, they wanna list out exactly what you purchased. If it was five forklifts, you wanna put five forklifts. If it was 10 computers, you wanna list out each computer separately on the sub ledger because if they don't do that, some tax preparers won't, they'll try to shortcut it. It'll be fine in the year that you put it on the books, but when you sell one of five forklifts and they have five forklifts grouped together as just equipment, and you don't even know it's a forklift or whatever, and you can't, you try to figure out which one you sold and even though you figured out it's on, you got five on one line item on the sub ledger, it's gonna be a mess, right? So you wanna make sure, you wanna try to have as much detail as possible so that the sub ledger, usually prepared by the tax return, has the details so that you can actually assign what's on each line item of particular piece of equipment to that piece of equipment in the office space or in the workplace so that when you sell it, you can know which one to sell, which one to take off the amortization schedule. All right, that said, let's add it. We get it, we get it. Let's go, let's see what happens. So we've got a new rule.  So there we have the rules. This is the new one. If I go to the balance sheet, run it, and we dive into the checking account, diving into the checking, there's the transaction, there's the expense form. So it's like a check form, but an expense form, check form without a check number. And there it is in check form format. So we're now to the source document, which doesn't take us to the bank feeds, of course, but rather to a check form. And then we're gonna go back on up, back on over to the profit and loss, the PNEL to run it again. There's nothing on the PNEL. I just wanted to point that out because it's not an expense. We did an accrual thing, even small businesses forced to do the accrual thing by putting it on the books as a fixed asset. So if I go into the fixed assets here, there we have it. There's our expense form drilling back down on it. There's the expense form. You can see the attachment that it matches to a banking transaction. Of course it does, because we created it from the bank transaction, but that helps us to kind of reconcile that this is tying out to something that did indeed clear the bank. Now, at the end of the year, there's not gonna be too many transactions in the equipment account, as opposed to a cash account, for example, because we don't buy equipment all the time. You're gonna wanna give this detail most likely to your CPA along with the added detail of what you purchase, financing options, and so on, to try to straighten out these transactions, which is tedious, but not too bad, given the fact that there's not too many of them typically. So that's the general idea. When will we be expensing this equipment account? Don't I get to expense it at some point for taxes? Do I get a benefit of it to write it off? We do, that's the form of depreciation. So if we depreciate it, and that, again, usually often done by the tax software, tax depreciation is different than book depreciation. So you might keep your books if you're in a small business on tax depreciation. So you don't have two depreciation schedules, or you can have book depreciation and then the tax depreciation and have those two schedules to deal with. And so you probably wanna discuss that. I would definitely discuss that with your accountant in terms of what your best options are for lining up the equipment, how to record the equipment, how to record the financing, how to categorize the categories of equipment to line up to the sub ledger and how to depreciate the equipment, whether or not the accountant is gonna be running book and tax depreciation schedules to help you out with the recording of the adjusting entries to record depreciation expense periodically. Now we also know, of course, that we did create a new vendor over here. So if I wanted to track this stuff by vendor, I can go to the first tab. We got a new GL account that we set up the GL account, by the way, as well over here. There's our fixed asset account that we set up on the fly as we were flying. And then also if I hit the hand boogie, then we're in the expenses. We've got the vendor center, which by the way, if you're in the business view is under the get paid and pay area, little in less formal terminology over here. And we're in the pay area in the vendors. So there you've got your information there and we can sort that now we've got our new vendor that we set up and we can go into it and we can see the detail by vendors. You don't have to add the vendor when you do the data input from the bank feeds. But if you don't, you're losing this level of being able to sort your data. And you might as well be able to sort your data of this way as well. If you have the vendor information, which you often do, if they're electronic transfers, because you can pull it from the bank feed stuff in the memo section. So also if you go to your expenses, you can sort your stuff by expense forms. We've mainly been making expense forms. If you're in the business view, by the way, that's located in a bit different area. It's under bookkeeping transactions, expense forms. All right, I'm gonna actually delete this beginning balance transactions because I wanna tie out to what I had before. So remember, you'll recall that if I went into this checking account, this amount was that beginning balance. I'm actually gonna remove this amount and we'll deal with putting the beginning balance in place when we do the bank reconciliation. So I'm gonna actually remove this because QuickBooks recorded it when I first put the thing on the books. And I don't want it there. So I'm gonna say more, and I'm just gonna delete it. So be careful deleting stuff, and we could adjust it. If you wanna keep it there and you wanted to adjust it, we could do that. But for the practice problem to tie into my worksheet, I wanna delete it and we'll deal with that beginning balance issue later. Now we're left with, of course, a negative balance account because we don't have any beginning balance and all we've had are outflows and we'll deal with that beginning balance issue when we do the bank reconciliation. So I'm gonna right-click and let's just look at the trial balance. I'm gonna duplicate and take a look at the trustee TB, trial balance, Teba, the Teba. And then we're gonna say trial balance. And this is 01, 01, 22 to 02, 12, 31, 22, run it. So this is where we stand at this point in time. You can see the balance sheet on top of the income statement. You can see how much more streamlined it is, of course, to see the construction of the trial balance because you don't have all the subtotals involved. This, of course, being the asset account, asset account, we don't have any equity accounts here yet. Although you could see we do have them on the balance sheet, right? You could say, well, why don't I have an equity account because its income is rolling into the equity and that income after the following year in 2023 for the next year will roll into the equity. So now it goes net income into equity. So right here, that equity is reflected by these two income accounts. If I was to go to the next year up this way just so you could see how this is being constructed, it would roll into equity. So now I don't have an income statement, I just have the equity from the prior period, you might call it retained earnings, earnings that have been accumulated, in this case losses that have been accumulated because we only had expenses, but net loss that has accumulated, if it was earnings, it would be accumulated earnings, retained earnings in essence, which for sole proprietorship we usually just call owner's equity or something, which we have not yet distributed out to the owners.


Neal Long is an American actress who acquired the bulk of her money and fame while starring in popular films like The Best Man, Big Mama's House and TV shows like The Fresh Prince of Bel Air and Empire. After spending the better part of a decade getting her acting career off the ground, Neal became a Los Angeles homeowner for the first time when she dropped an undisclosed amount on the former home of actor Giovanni Ribisi, a 2,819 square foot residence with three bedrooms and four baths that she picked up in April 2003. In these videos we don't reveal any addresses and even though I've done a house tour of my own place, please do not show up at any private residences because it's not safe for anyone. When asked by Architectural Digest to describe her home in five words or less, Neal chose to frame it like this, a peaceful private little tree house and honestly she nailed it. I mean just look at the outside of this thing. Not only does it extend high up off the ground, but there are trees everywhere you look. This property was originally built in the 1940s and Neal claims that the home's clean lines were one of the first things that drew her to the place. But when it comes to her sense of interior design, she says that the most important thing is that her house gives off a ton of color. Neal started off with neutral tones for her furniture like in the den where she has a custom made chaise lounge that she had specifically designed to better suit her former partner Yime Udoka. To complete the look, she tops everything off with explosions of color from her accessories be it pillows, carpet, or the art hanging on the walls. In fact, a whole bunch of the paintings on display in Neal's house have been created by her mother, a professionally trained artist from the University of Iowa who was two master degrees in fine arts. The heart of Nea's original LA home is made up of an open floor plan that combines the living room, dining room, den, and kitchen all into one epic space. It's something that Neal always appreciated about her home because it forced her family to all occupy the same area as much as possible. Or as she put it to architectural digest, the open layout keeps everybody close. So while Nea is over in the kitchen cooking up a healthy meal with the help of that top-of-the-line range on her center island, which also boasts a built-in oven and stainless steel finish, she can keep an eye on her kids sitting at the dining room table directly across from her or watching TV around the corner in the den. Upstairs are the home's bedrooms including the master suite which comes complete with a vaulted beam ceiling as well as a walking closet on one side of the room and directs access to the ensuite bathroom and the other. Speaking of the master bath, inside you'll discover a deep soaking tub, massive glass enclosed shower and a marble finish on the vanity. Rounding out the bedrooms are two more rooms perfectly suited for each of Nea's children and big enough that they can include not only a bed but a desk for schoolwork. With this home being set into the hills of LA, Nea's backyard is composed mostly of one large multi-tiered deck. That of course with her partner being a former basketball storm also includes an entirely necessary stationary hoop. Not far from there is also a lagoon-style pool set into a stone deck and surrounded by a giant hedge that cultivates privacy. After living in this home for almost 20 years, Nea listed the home in March 2021 for $2.9 million. Reason being, she was getting ready to move to Boston to spend more time with Emei, who was about to take over as the head coach of the Boston Celtics. Emei Udoka was named the head coach of one of the NBA's most prestigious franchises heading into the 2021-2022 season. By the end of that season, he had managed to take his squad all the way to the NBA Finals where they ultimately came up short to the Golden State Warriors. For all intents and purposes, it seemed like Emei's tenure as Boston's head coach would turn legendary. And then in September 2022, just weeks before the new season was set to kick off, the Celtics issued a statement that Udoka had been suspended for violating team policies and noted that his future with the team was being re-evaluated. Shortly before the Celtics issued that statement, ESPN reported that Emei had a role in an intimate relationship with a female member of the franchise's staff. People magazine would later confirm these allegations.  I am sorry for putting the team in this difficult situation, and I accept the team's decision. I gotta be honest, if I was him, I would have led with apologizing to my family instead of stuffing them into the middle of that statement like an afterthought. But maybe that gives you a sense of his priorities, at least at that time. Nia and Emei had been together since meeting in early 2010 when Udoka was still playing in the NBA as a member of the Sacramento Kings. At the time Nia was in Boston filming a pilot for NBC and Emei just happened to be in town playing against the Celtics when a mutual friend set them up. By June 2011, Emei and Nia were expecting their first child together and their son Kez was born that November. During the bulk of their relationship, Nia had always been adamant that marriage was not necessarily a priority for her, but the two would nonetheless get engaged on May of 2015. They took their time to walk down the aisle but after Emei was named the head coach of the Celtics, things seemed to be progressing in that regard. As previously mentioned, Nia listed her longtime Los Angeles home and, along with her kids, packed up to move to Boston to be closer to Udoka. They had even started to house hunt. Then literally two weeks later, the scandal involving Emei hit the internet. Sources suggest that by the time Nia moved to Boston, Emei was already well aware that his affair had been discovered by the front office and it was about to blow up. Still he waited until just a few days before the news hit the airwaves to tell Nia about it. As devastating as it must have been for her, Nia says the hardest part about this whole thing is how the Celtics organization handled the press conference announcing what had happened. She told The Hollywood Reporter, I think the most heartbreaking thing about all of this was seeing my son's face when the Boston Celtics organization decided to make a very private situation public. Once the truth was out there, Nia's relationship with Emei was definitely over. They remain committed to co-parenting their son, Kez, but outside of that, Nia was ready to start over by returning to Los Angeles. After returning to LA late 2022, rather than move back to her original Hollywood Hills home, Nia found a modern house in the same area for $3.6 million, boasting four bedrooms, four baths, and a whole host of other goodies. Nestled into a secluded cul-de-sac and located on a gated parcel of land, spending less than a quarter acre, much like her original Los Angeles home, Nia's new digs has been described in listing materials as a peaceful private retreat. Originally constructed in the late 1950s, this stucco structure has undergone a series of transformations, including the conversion of the formerly pinkish exterior to a new shade of all-white. Out front, a serene courtyard holds a fountain that empties at a pair of dark blue front doors neatly encased in a wood design. These open into a wide entry foyer boasting that same moody shade of blue. The interior of Nia's new digs measures out to just over 2,000 square feet of split-level living space and both glamourous interiors with new hardwood floors, high post and beam ceilings, skylights, cloristry windows, as well as designer life fixtures, plus a sound system that extends all the way to the outdoors. In a light-filled living room, a floor to ceiling, a wood-burning fireplace with a tile and terrazzo-clad hearth serves as the space's focal points, while also boasting sliding doors that spill out to a partially covered, separate patio that no-dog gets a lot of use for alfresco dining and a little bit of lounging. Elsewhere tucked off to the side is a small den lined with a built-in wall unit painted in a bright shade of green, only a few feet from there is a window dining area that connects seamlessly to a wood-blanketed kitchen outfitted with a breakfast bar and top-of-the-line appliances. Upstairs is Nia's spacious primary suite that includes its very own sitting area and enclosed balcony, overlooking the multitude of treetops surrounding the property, a walk-in closet, and an all-inviting bath equipped with dual vanities, a soaking tub and a shower.  Upon moving into her new family home, Nia celebrated the moment by posting a picture of her new kitchen to Instagram and writing in a now-deleted post, Thankful for new places and spaces. So is Nia Long finally ready to move on after everything that happened this past year? It certainly seems that way. And hey, if anyone deserves that opportunity, it's her. Thankfully, she's appearing in great projects like Netflix's hilarious comedy You People to keep herself occupied. Alright, that'll bring this latest tour to an end. Thanks for watching and before you go, consider answering the following question. Would you rather live in a private abode shrouded in trees or an exposed home with epic views of the nearby surrounding area? Let me know if privacy is important to you as it is to Nia in the comments below. Otherwise, like, subscribe, and turn on your notifications to never miss an episode. And if you're looking for more house tours, be sure to check out the other ones on this channel, including Jonah Hill and Lauren Linden. My name is Kara, follow me on Instagram to chat and I'll see you all in another one. Bye.


This international student is asking for advice on how he can date steered typical blonde women in college Let's try to answer his question. Hey guys, I'm an international student who moved to LA for college I am better at attracting indie alt and international student girls But I never get to attract those all among them But you know those typical basic girls in the sorority is it because they mainly go for Americans and whites? Is it because they like surfer and granola, you know, skate her boys I know they're normal girls, but they definitely have serpent certain type of guys. They date. How do I be one of them? dude, I Don't know if this is a serious question or not, but I got a lot of responses. So we're gonna add our two cents and Anyways, please hit that like button check out other episodes of the hot pot boys and check out smaller sauce calm It is for pre-orders shout out to the YouTube family that is going to click on that link below But David I will say this he has other posts. Why are most sorority girls boyfriend's white? Why does all-american blonde girl almost never end up with POC? Let's just pop up some photos of the blonde sorority girls. I'm sure he's in referencing whether we're talking about UCLA USC UC Santa Barbara UC Irvine, maybe UC Irvine might be too Asian anyway, et cetera, et cetera Here are the photos Andrew. Here are examples of white guys in France. What should he do? first of all This is kind of a stupid question But anyways, I'm just gonna go ahead and say no like being an Asian international student is really Not the type of guy that these typical all-american girls go for because typical all-american girls They want to go for somebody who is considered cool in America or part of America and as an international student You are exactly not that usually unless you nine out of ten times Possibly even more public probably 93 out of a hundred times statistically speaking. However, Andrew I just pulled a photo from USC From a fraternity called pikes pikes is considered one of the frattiest of fratty Houses in America. That's their reputation. Here's a photo at USC. There's so many Asians who go to USC Andrew There's a couple Asians in pikes with the blonde surfer dudes with the frosted tips. Yeah, could he be one of these guys? Yeah, no, no, by the way, I just because you're an international student that doesn't assume that like oh your English is heavily accented I know like it's 2024 right now. You got the bilingual schools overseas. Yeah, exactly Yeah, there's there's people who are a lot cooler nowadays, but I just think it's really goofy if things running to the internet for help But I would say why would you want to date these girls ask yourself? Why first cuz yeah, because that's like what I you know, I see at the tailgate I watch a national lampoon college trip. Are you at the tailgate?  Have you become American eyes? Why would you want to date these women? And yeah, I think that his best bet Immediately if he's just upset, this is crazy thing if he's obsessed with blonde women get a Ukrainian or Eastern European girl Who's blonde and they just put her in some Abercrombie They're gonna be the Eastern European girls if you meet them They're a little bit more open to Asian guys and they pretty much look white, okay? If that's the vibe you're going for but even if you don't got the Riz like Remi Z here You don't even got a chance and even Remi Z is probably gonna be dating more like the Asian girls and sororities or an Asian sororities Do you think if he looks like Jackson Wang or Godfrey Gao does he have a chance? Oh my gosh, dude this guy I can already I don't have a picture of him But I can almost bet he doesn't look like one of them All right, I just came up with a plan for him First of all the first thing he needs to do Andrew is immerse himself in Americana Middle America frat sorority content follow all the frat Instagrams Andrew barstool Sports baseball pages hockey pages lacrosse pages anything that is considered white Even though these things are kind of becoming more like Japanese or a Korean over time a skating surfing You know, I mean like yeah, I guess be into the things That Ken Malibu Ken is into right? Yeah Also, he should probably just talk to them first because how are you gonna run to the internet for advice without even taking a shot? Yourself if you don't even can't even muster up the courage to talk to them in class and be like, hey You know, I don't know if you've ever had hot pot But I'd love to show you guys hot pot and just even see what they say that would be interesting Yo, that's pretty funny. Um Country music also was it last night? We let the liquor talk Yeah, yeah, but I would say LA if I had to say maybe the white people they still maybe like country But maybe less so maybe it's like Taylor Swift if you I don't know you'd have to like just talk dude I don't understand like if like for guys to get a girl of a certain culture, right? That is not exactly there is you kind of have to become that person that matches them That's why he's able to go on dates with the alternative American women because they are already more open-minded and edgy They're already like fringe outlier types. They're already not playing into the mainstream culture. Yeah, somebody did ask him What's wrong with the old indie weeaboo Korea boo streamer types, huh? What what do you want to try tuna casserole for so much? Why don't you get a girl who already wants to try hot pot and sushi and Korean barbecue? If you're not that person attracting that person is going to be very tough, right? You're saying if you're not Travis Kelsey, how are you gonna get Taylor Swift? People were saying that yeah, I did notice that I'm always Contacting a lot of like blue haired or like geek or like theater girls as an Asian American guy Like you said because they don't necessarily fit that all-american archetype somebody said This guy should just wait out wait it out and then go after the all-americans post college Because in college the sorority girls they're matched up with the fraternity guys So highly unlikely they're even gonna reach out of side of that system. Oh, you mean it's very clicky in college Yeah, especially in the fraternity scene. Yeah, I mean, I think that some people in college They use this like microcosm like micro world of what the campus is they use it to their advantage But depending on what you want to do it could actually be a disadvantage Because people are already paired up in clicks off the bat Yeah, why don't you learn the guitar and go sing some English songs over in the quads and then see if the sing some whites To sing a Taylor Swift's cover. Can you play the the guitar if you can't then? I don't know what you can offer body like a back row this ain't whatever Somebody said just try and see what happens But you might just end up with a girl that reminds you of all America Americana girl like an Asian girl. Yeah Don't you see people recreate like other archetypes from like other worlds, but within the Asian bubble? Yeah, I'm not even saying it's impossible I'm just saying like you got to get out there and start trying it takes a while for these things to little match up and for the stars to align So, yeah, there's a low probability thing right? Yeah. Yeah. Yeah. Yeah. Yeah Somebody said man if you go out and approach all of them You might get something if you just become a bartender when you turn 21 or you work at like some sort of Thing that they value like That you start cooking bows at the tailgate, bro, okay You start cooking Cha Cha Cha Siu at the tailgate barbecue and you give it away That would be interesting or or saying you would be automatically filtering for white girls at the tailgate We're open-minded. Yeah, because a lot of them are not even gonna want to come to your stand But the ones that want to come to your stand, maybe they were in a Mandarin immersion class in the Bay Area from a young age That's yeah a good pool Yeah, yeah, or or like some five spice chicken wings over at the tailgate or you go work at the local College bar you got a volunteer there be a bus boy So you get a lot of face time and a lot of repetitions in and talk to people What about the local Asian bar, but it's an Asian fusion bar that has a lot of you know, I mean like sorority girls Might go. Yeah, Asian Asian. Oh, yeah I get it you start working at the Asian restaurant or the Asian spots that catered towards white people But you're just like the and you take the minimum wage job Just so you can meet get in the system just so you can meet the non Asians who like some version of Asian food, right? Somebody said why would you want to drive walkable distance eat microwave pizza rolls and learn how to shoot guns? Obviously, this was a joke about what we view as Americana. This guy also Interestingly said what do you mean Americana means something different to everybody. Are you talking about surfer skater girls in California? Nice Christian midwestern chicks. Are you talking about southern bells? Are you talking about a ratchet Florida girl who dances to Kodak black? What even is an all-american girl in 2024? That's an interesting question Oh, they do love pizza on things though because TGIF sells those tater skins that with pizza on the top So I just know that that is true all Americana stuff is pizza-based things People were talking about the divorce race the divorce rates because this guy said hey Buddy, I'm a former Asian guy who loved blonde women I would talk to thousands of them until I found one that would marry me But then we got divorced just a few years later and someone said yeah This guy clearly was going for the look instead of personalities match.  Hey, young Jew. Thanks for coming You know me and the girls we put together some Kool-Aid and some Boba iced tea.   It was in the Mandarin immersion class. That's my whole thing. Um, I'll Says just say this man. Here's my takeaway Andrew Like you said this is kind of like asking. Hey man. I just got a USC. How can I play on the basketball team? You can't you don't got a spot on the basketball team. I'm not saying it's super unlikely I don't know if you came from a basketball academy in China Maybe you do got a chance, but it's just unlikely. It's not impossible It's improbable and you'd have to do a lot of things to increase that probability No, you have to do a ton of stuff that you you have to be willing to do Those things to get that thing and then of course a lot of people are questioning Why do you even want that thing that much that thing that doesn't want you back? Why do you value it? So you know, I don't think it's like when we say it's hard to do it It's not because I think blonde women are better people Not at all, but I just think they are more outside of the general It's just more difficult. It's like, you know It's funny because UCLA that college actually has a fairly low admissions rate because a lot of people want to go there, right? Because a ton of people apply Even more people apply to UCLA than a lot of Ivy League schools because just there's more spots at UCLA and more people want To go to UCLA, but they accept an even lower percentage of people because already the Ivy League is already filtered out by people who only think they have a shot Anyways, so it's kind of like it's not necessarily that UCLA is a better school than the Ivy League But it is difficult to get into that's what I mean, right? So you're saying that getting with the blonde sorority girls It's like getting into yeah, it's not necessarily a better life It's not necessarily better people but it is an American life. They are accepted in America Would you agree define America they're the face of America?  So if you like tall athletic good-looking dude Maybe you're international. Maybe you got an accent. That's okay But you got to make up for it somehow because it's all like a point distribution, right, right, right? I'll say this you just got to have a higher social IQ for whatever you whatever you want to achieve This goes the same for a guys who are like computer programmers Andrew But they want ABG's but they're really like into that hiking like hot pot like computer science look and Man, whatever you want in life. Just come up with a plan Execute on it, but you just got to know there's different things in life with different probabilities And you really got to look within yourself and be like why am I valuing this thing this much and then maybe the Guys like y'all because I feel like if I got that I can feel American because that's what I came here for But it's like there's other ways to feel American too and Yeah, anyway guys, let us know what you think in the comment section below What would be your advice for the OP the original poster who wants to come here as an international student and date blonde women? What are your own experiences? Let us know in the comment section below until next time we out. Peace


Hey everybody, welcome back to Magic Arts at Oxy. My name's David and this is a magic review. Hey, today we're gonna look at fortuity from David Jonathan and Alec Azam. What is fortuity? Fortuity is a card trick. It's a mentalism trick. It uses a rainbow deck, which is pretty cool. And it's just a really neat way to do a prediction effect with pretty much no skill. It's pretty self-working. You wanna see the trailer? This is it. So I have a deck of cards here. And well, it's actually a very special deck of cards. Now, I know it looks normal from the front. So I mean, it's everything you sort of expect to see in deck of cards. We have all the different values, all the different suits. Nothing really jumps out as different here. But when you turn it over, you see that it is in fact special because each and every card actually comes from a different deck. So you can check these out if you want, but I love playing cards. Each one is kind of like a piece of art to me. All the intricate details and designs that go into each card, they're all so unique to me. So what I did here is I went through cards that I've handpicked. I went through all 52 different decks that I own, and I picked out one card from each and sort of assembled this unique, very cool-looking deck of cards here. So we have a wide variety of selections on the backs. And of course, we have all the values in the deck of cards that you'd expect on the fronts, right? So what can we do with a unique deck of cards like this? Well, I'm actually gonna have you create your own playing card, but we're gonna do this in a very unique way. You see, I don't want you to be influenced. Like, for example, this dragon card might here, that might jump out to you, right? The same way, like look, if I were to ask you to think of a card right now, odds are you're probably thinking of an Ace, a Queen, a Seven or a Three. They're just common cards that people go to. And the same can be said with these cards right here. I mean, each one is very different of all these different unique back designs. Some may jump out to you, some might not. But I really don't wanna influence you. So instead, we are going to use dice. So what we're gonna do is we're gonna roll the dice. And whatever number you land on, we're gonna count down to the card at that position in the deck. And whatever card that is, we'll use that for the back design. And then we'll do that again for the value. So for example, if you were to roll a two, we'd count one, two, and you'd have this skull card right here, okay? So give the dice a roll, and we have a six. Now, would you like the sixth card from the top of the deck, or would you like to have the sixth card from the bottom? It's totally up to you. Top, sure. So that's one, two, three, four, five, six. Now you can confirm that there is no other card in this deck with that same back design, correct? Now here's the interesting thing, you rolled six. So how do you set bottom? It would have been one, two, three, four, five, six. It would have been a total different card. Remember that. But you set top, and you rolled six. So we'll go with this card here. Now we'll do the same for a value. So give the dice a roll, and we have an eight. And if you want, you can roll again, but let's say they go for an eight. Now again, would you like the eighth card from the top, or do you want to go for the eighth card from the bottom? Let's say they go for the bottom this time. So that'd be one, two, three, four, five, six, seven, eight, two of diamonds. And again, you can confirm there is no other two of diamonds in the deck. So how do you set top? It would have been one, two, three, four, five, six, seven. The queen of diamonds, total different card. But today we ended up on the two of diamonds. Now that's interesting. You see, because this envelope has been on the table right here from the very start. And earlier today, I placed one playing card inside. And if you take a look, it's actually a perfect match, nothing else in the envelope. And that is pretty impressive. All right, I know what you're thinking. Maybe I got lucky, right? I mean, the odds are only 152. But you also ended up on the two of diamonds. See, that's the crazy part. The odds of me getting the back right, that, you know, it could happen. I may have just gotten lucky. But if I were to get the back and the value correct, that double prediction, the odds jumped to one in over 2,700. I'd say that's a miracle. And sometimes miracles can happen. An absolute perfect match. Could have been any other card. It could have been this way. You chose the two, you chose the design, and that, my friends, is fortuity. All right, so that was fortuity. David Jonathan, Alec Azam. Couple questions we always ask about all of our magic reviews. And the first of which is, what's in the box? What's in the box? You're getting a real box, real box, and a DVD. It's an hour-long teaching, okay? Hour-long teaching. You're getting at the deck, of course. Now, the deck is a rainbow deck, like I mentioned earlier. Rainbow deck means it's comprised up of other decks. So it's 52 decks came together to build this one deck. So every single card is from a different deck. That means every single card will have a different back design. Every single card will have a different type of face, okay? So it's 52 cards from, so it's a rainbow deck, okay?   Is it what I thought? You know what? I really didn't know what to think, actually. I've seen other tricks similar to this, but didn't know how David Jonathan had solved his puzzle, and so I was pleasantly surprised. How are the angles on this? The angles are really clean. There's probably no angles to speak of. I think if you're already familiar with this style of gimmicked deck, and it is a gimmick deck, a classic gimmick deck, if you're already familiar with that, and familiar with the handling on it, I think you should have no trouble at all, and your angles should be completely clean. Can it be inspected? No, of course not. It is a gimmicked deck.  So there shouldn't be any heat on it, and you kind of move through the routine very slowly, and allow the spectator to make a free selection on the front and back. And so I think you show the deck fairly, and there shouldn't be a reason why the spectator would want to see it. What's the overall quality and production value of the video? Alakazam makes great videos, okay? It is an hour long, but it is broken up into two sections. So the first section of the video is all Peter Nardi, David Loosley, mostly David Loosley, explaining the effect to you from the Alakazam studio. It's all shot in-house, in-studio. Even the performance is also an in-studio performance. It's not a live performance. And you're basically getting David Loosley explaining everything to you from a seated position at a table, okay? There's a stationary camera, he's well-miked. Everything's pretty much that one shot. Then the second part of the video is David Jonathan, okay? And David Jonathan has obviously filmed this himself. So he's filmed it himself, probably in his living room. He's sitting on a couch, he's got a stationary cam. I don't think he's miked. It's a little grainy, but it just gives you a second video. It gives you a second teaching. And so you get to hear it from David's mouth. He gets to explain to you where he was received his inspiration from. Mostly it was John Bannon's detour de force dual match. And those are the ones that he credits. I have detour de force from John Bannon. So that was kind of one of the effects that I said earlier that I thought it kind of looked like. There's also another effect that Alakazam released a little earlier called Thought Wave Extreme. I own that one too, did a review on that one. Similar to that as well, but the solution is different. So the effect is the same, just the solution and the plot is different, but the tricks are similar. So what's taught on the DVD, like I said, is Peter Nardi, David Loosley, mostly all in studio, going over just the deck, how it's set up, how you can get in and out of the trick. It's basically the routine and there's just a few pointers. Is it well made? It's very well made because these are a lot of decks that you're familiar with already coming together to make this rainbow deck. And like I said, it's a classic gaffed deck. And so there's really no wrong way to make this classically gaffed deck. I don't wanna tell you what it is because I don't wanna give it away. But yeah, I think it's really well made. You get nice quality dice, good quality production envelope and you get an hour's worth of teaching. How much practice does this require? Not much. You pretty much just need to memorize the routine, okay? So memorize the routine, how it goes, how you do your selections and how you do the reveal. And then pretty much the deck does all the work for you. It is self-working. How much setup and reset is there? There's almost none. I think at the very beginning, you're putting the prediction card in the envelope, really. And then at the end of the routine, as far as cleanup, there should only be three cards out of place and you just put those three cards back in the deck and you're good to go. All right, so positives. What are the positives to fortuity? David Jonathan's fortuity is a mentalism trick. It's a card trick. It's unexplainable and it's so, so easy. Negatives, all right. So like we say around here, there's negatives to everything. These are just the negatives that I see.  Really, everything about this trick is great. Great quality deck, great quality video. Alakazam does great stuff. I love their work. It's a great solution to this plot. For me, it was just too similar to other effects I already do and perform, okay? I already do the tour de force. I already do thought wave extreme. Those are tricks that I already do that are in my repertoire and they didn't see anything from fortuity that I thought could replace those two. So I didn't feel like putting it into my rotation and taking one of those two earlier ones out. So just for me, because I do tricks that are already very similar, then it didn't kind of win a new slot in my repertoire. But if you don't do those style effects, I think this is probably a really good one to pick up. All right, so is it worth your money? It's $38, $38. And like I said, you're getting a gimmick deck or getting a gimmick gaff deck comprised up of 52 other decks. So that right there is worth $38 plus the hour long instruction. It's definitely worth your money. All right, so who would like this? I think you could go either way with this. This could be like, you could go a strong card trick with this or you could go a strong mentalism trick with this. There's certainly some comedy aspects in there. I think it's great for walkarounds which is certainly great for table hopping. I think you have a table or a surface or you're doing in a restaurant or corporate walk around. I think this is great. So it's just a great little packet trick. Like I said, you stick your deck in there, the envelope and they're two dice and you're good to go. You really can't do anything else with this deck. It is a one hit wonder. So, you know, we'll be carrying all of that just for the one effect. But like I said, it's a great effect. All right, so that was Fortunity from David Jonathan and Alec Azam. I wanna thank Murphy's Magic for allowing me to have this trick so that I could do the review for you. And if you'd like to purchase this trick for yourself, you can find it from your very favorite Murphy's Magic dealer. Thanks, bye.


I want to start off by saying that um yeah my work has been uh although I don't personally, I haven't personally interacted with Derp very much uh my work has been quite heavily motivated and influenced by like his work um and yeah my my PhD advisor is Karen who was advised by Derp so sort of like my academic grandfather you could say um and yeah obviously one way in which uh influence is going to be displayed in this talk um so I'm going to sort of a high level I'm going to talk about um some tree-like equations so these are these are going to be generalizations of well the generalizations of certain dysentery equations um and then I'm going to describe how uh so core diagrams come into play when solving these all right so uh I mean I'm sure most people here know the conch primer hop algebra um so it's combinatorial hop algebra introduced by Derp uh in the context of renormalization um it's the free commutative algebra freely generated over uh so in this case field F by the set of rooted trees uh the product is concatenation of forests and the co-product looks like this um yeah you're basically uh living a tree at the vertices of an anti-chain um and so what's sort of the relevant property um here uh is the universal property of conch primer um and this is one of the reasons why conch primer is uh important in certain contexts um so it has this universal property uh and it is the only hop algebra up to items more than with this property so what is this property um for those who may not be familiar with it um so if we have a co-algebra a we first have to define something called the hock shroud one co-cycle this comes from uh hock shroud co-homology um and it's a linear map so a linear map uh from the co-algebra to itself um where it satisfies this equation um which basically says what happens if you um take the composition of the met of the uh the co-product and the linear map l um then you basically get two terms you have the identity tensor l composed with the co-product plus this extra term of l uh tensor one um well this is the this is the identity map this is the identity uh yeah so that's what a one co-cycle is um and the conch primer the add a root operator so this is the operator that takes a bunch of trees and you basically uh add add a root and then stick each tree uh as a child of that root um so this operator is a one co-cycle you can check that this equation is satisfied and then this is the universal property uh proved by uh conch primer um we have a commutative algebra a over a field f and we have some linear map from a to itself um then there exists what what the uh universal property says is that there exists a unique algebra homomorphism from uh conch primer to this commutative algebra a such that uh if you compose the homomorphism with b plus that is the same as composing l with the homomorphism so basically this homomorphism is turning um b plus into l essentially um uh and if you assume a bit more about a you get some stronger properties on the homomorphism so with a is a bi-algebra so both an algebra and a co-algebra um in a compatible way and l is the one co-cycle that's where the one co-cycle comes in then uh this homomorphism real well is a bi-algebra homomorphism and if a is also a hopped algebra then the homomorphism becomes a hopped algebra homomorphism so i mean these are both just saying that it's compatible with that structure um um yeah so that's a really nice property um so and then slightly differently uh where are the tree like equations going to come from um or how are we going to motivate them at least um we're going to motivate them by these sub-algebras um so these are um some pop sub-algebras um of kong primer that foici looked at um and they're generated by a family recursive equations of the following form um so we have t of x uh is equal to x times then we're applying b plus to five t of x so phi is some formal power series um and it has a uh basically a non-zero constant term setting it equal to one um so this gives some some like uh formal power series solution with coefficients uh in kong primer um and so if we write uh p sub n for the the nth coefficient of you know the solution to this equation then um foici characterized when the sub-algebra generated by those coefficients by the t ns um sub-algebra uh of kong primer is hop so when it when it's a hop sub-algebra um and the theorem is this so it's a hop sub-algebra if and only if uh the formal power series phi uh has this simple form uh yeah so it's basically just specified by two constants a and b um yeah and it's basically just this simple like when your polynomial raised to this fractional power um so we're going to basically apply the universal property to get uh these tree-like equations that we want to look at um which are motivated by these uh what you call like tree equations uh here so in this case you could you could apply um you could think about applying this to sort of any uh algebra or co-algebra um or bi-algebra structure we're going to apply it to the polynomial algebra uh in a linear map from polynomial algebra to itself and that gives some algebra homomorphism be a little the universal property from kong primer to the polynomial algebra um so there's polynomial algebras just the algebra polynomials um and so yeah you get this algebra homomorphism and then we apply this to the tree equation so we apply it to both sides and that gives this two variable equation um yeah where l is now so b plus has become l this linear map and so one way you can think about this is that um in this case the the algebra homomorphism corresponds to the Feynman rules um that means Feynman graphs associated with Feynman integral via the tree of sub divergences um and this is going to ultimately you can sort of sometimes think of this as a kind of Dyson Schrodinger equation or like a generalization of Dyson Schrodinger equations so here we're just working with any any arbitrary linear map that's not necessarily going to give you much that's all that interesting but the universal property sort of points the way to what would be interesting to look at which is uh one co-cycles arising arising from co-algebra structures on the the polynomial algebra um f of y yeah and just a comment you could also you know not look at the polynomial algebra you could look at some other algebra and co-algebra structures on that algebra and then consider one co-cycles for those um it may be of interest but we're going to focus on the polynomial uh really bi-algebra here um or co-algebra at the very least um and there are actually two classic uh graded co-algebras on polynomials so it's the binomial co-algebra and the divided power co-algebra um and they're isomorphic um but they which one we look at does matter here because we're keeping the algebra the same but varying the co-algebra um so we'll get different results um so for the binomial co-algebra the co-product is the following um yeah you get this binomial coefficient you're breaking y to the n into y to the k tensor y to the n minus k um now if it's uh what we get then is that uh we get this limit uh defining or you know describing the one co-cycles for the binomial co-algebra um oh this should be f of y uh uh so what this says is that there is uh so for each such one co-cycle there's a power series f of z defining it uh and the action of l on y to the n um is given by so you substitute in a differential operator uh into f this power series it's formal power series and then that is applied to t to the n and then we're integrating all of that from zero to y yeah so that gives the the one co-cycle for the binomial co-algebra um and then the divided power co-algebra so what does that look like it looks basically the same or we're just dropping the binomial coefficient from the co-product and then the corresponding one co-cycles look also very similar they're also defined by some formal power series f and in this case you replace the differential operator here by a different a slightly different sort of operator that sort of behaves similarly so if you look at its action on or how it acts on uh y to the n instead of uh dropping the exponent by one and then multiplying it by n you just drop the exponent by one so all this operator does is drop exponents by one basically um or if you have constants uh they go to zero um so we're substituting that into f just like we did up here and then instead of integrating we're just multiplying by y um yeah so that's what that's what the one cosine was applying for the divided power co-algebra um yeah so we have these two co-algebras and we can look at uh which we like equations for each of them so now we have uh the equation we were looking at before and l is now uh it could be a one co-cycle for the binomial co-algebra or a one co-cycle for the divided power co-algebra and we're sort of interested in solving both of these um and we can think of these as uh dysentering equations in particular the form or corresponds to a dysentering equation um for a class of Feynman graphs generated by we're recursively inserting at one place in a single primitive graph um if we keep the Feynman integral unspecified then we get exactly this we're unspecified just means like you consider an arbitrary like Laurent uh Laurent expansion um Laurent series expansion of that of whatever the Feynman integral is um then you get basically this this first equation from the binomial co-algebra the divided power co-algebra doesn't really correspond to a dysentering equation at least as far as I know in the same way um but yeah uh it's sort of motivated by by the same background um so what I was kind of interested in what we were kind of interested in um along with Karen um and what others have looked at as well in the past um is solving these uh via some like or as some like weighted generating functions indexed by some nice combinatorial objects um this has already been done for this first equation um with the binomial one co-cycle but not for the second one no one's no one's as far as I know until the second one before um and so how was it done for this first one and how did we do it for the second one also is uh well the weighted generating functions are going to be indexed by core diagram um so let me briefly explain some of the background here um core diagram is perfect matching this is at one up to two n so that just means you're pairing you're pairing these elements up um so we might represent it by this this sort of diagram where the chords are just these little lines uh yeah and we have to look at um we wanted to find some parameters in order to specify the solution to these tree like equations um and those parameters are going to be defined in terms of the core diagram and its directed intersection graph um so the directed intersection graph uh has the chords as vertices the direction intersection graph of this core diagram has the chords as vertices and two chords are adjacent if and only if they cross so like literally you look at the diagram and the two lines crossed and the chords cross yeah yeah so that's an intersection graph associated with each core diagram um and it's directed in the sense that uh so one chord that comes earlier in the diagram so it's it's a source uh first end point comes earlier than the first endpoint of the other chord then then we put a directed edge from this i'm saying this chord to the next chord um so from earlier chords to later chords we directed that in that way so we're going to be interested in certain special chords that are in a sense terminal so they're terminal in the sense that there are no outgoing edges in the directed intersection graph um but they have no outgoing incident edges um so in particular what that means for the diagram is a terminal chord uh has no uh chords that cross it to the right so for example this chord diagram right here has three terminal chords uh basically these last three chords because they have no chords crossing crossing them to the right but everything else does have a chord crossing to the right so they are not terminal so those are going to be important for defining the solution to these three line equations and a diagram uh is so one one particular type of diagram that's especially relevant are one terminal diagram so they're diagrams that have exactly one terminal chord um and if there's only one terminal chord or there is always one terminal chord and that is the last chord so the chord whose endpoint comes at the very end um whose second endpoint whose uh sync comes at the very end one of the thing that we need which is uh so there's a there's one standard way to order to give a total order on the chords of a chord diagram the most standard way is just to look at the first end points of each chord so the source of each chord um and that's just ordered by that there's another there's a few other ways to to define a total order on chord diagrams at least a few other ways um and one that will be important here is called the intersection order um and how this order works is you label the root chord so that's the very first chord this very first chord one and then you remove it and when you remove it you'll get a bunch of nested connected components um so nested connected chord diagrams so they're connected in the sense that the the intersection graph is connected um and then what you do is you label the first connected components recursively and then you label the second one and so on and the labels determine the order um yeah in general that order is not going to uh correspond to this like standard order by the first end points of each chord they're actually going to diverge quite a bit in general um yeah so okay what does the solution look like to these three like equations we will focus on the the divided power one um so first we have to mention um something that we'll need to define the solution to the divided power uh feel like equation um so one thing that one might notice is that there are exactly two chord diagrams whose intersection graph uh if you forget the directions is an induced cycle so that's a cycle with no uh well no chords um so a cycle that uh yeah is also a whole um and those two induced cycle chord diagrams are what we're calling the top cycle and bottom cycle so this one right here and this one right here these are the only two ways to make uh an induced cycle of any particular size um as a chord diagram so okay then we can define the solution um well mostly define it at least um so we look at the the divided power uh tree like equation that we had before um it is uniquely solved by the following power series formal power series in x and y so its formal power series is indexed by top cycle free chord diagrams so these are chord diagrams that don't have any top cycles as sub diagrams so um this chord diagram doesn't appear it's forbidden to appear as a sub diagram of these chord diagrams um so you can think of it as sort of like halfway to tree to to tree to diagrams that are just trees uh if we forbid if we forbid both top and bottom cycles then we just have trees um but it's sort of halfway there um so those are those are what's indexing the formal power series solution um and then we have uh so the x variable is sort of counted by as is counting the size um of the chord diagram and the y variable is uh counting the uh position of the first terminal chord these are these terminal chords there's going to be a first one um in the intersection order it's its uh index in that in the intersection order um that's going to be this t1 of c so it's uh y is sort of counting the uh the index of the first terminal chord um minus one and then uh someone unusually we're sort of applying the divided power one goes to this um so yeah um so really for each chord diagram you're getting uh a y to the i for all i up to the index of the first terminal chord minus one is how that works or no just the index of the first terminal chord um yeah and then uh to this we have a few different weights um so one of the weights phi sub c is just some weight that's determined by the coefficients of the the uh full power series phi that defines tree like equation um those i'm not actually going to define but they're relatively simple and they're just determined by c and then sort of more importantly is this f fc um these this is a weight uh that's determined by the co so these are the these are the coefficients f i of that formal power series f that defined uh the divided power one core cycle so this l div um so this these f i's are the coefficients of that formal power series f defining the one core cycle and this weight is defined by so basically we're indexing we're taking a product of these coefficients indexed by differences in the consecutive adjacent uh terminal chords so the indices of these terminal chords in the intersection order we're looking at those and then we're taking the differences of consecutive indices of these terminal chords um those differences are going to index these terms in this product of the uh f i coefficients um and then we also get uh an f zero raised to the uh size of c minus k um yeah so basically you can just think of this as just some weights that's determined by uh the one core cycle and the positions of the terminal chords in the intersection order um yeah so that's the solution relatively nice um and okay so now what we're sort of interested in is thinking about how we can analyze this solution and what sort of uh combinatorial questions uh does this motivate and one of them is one of the obvious ones is counting uh these top cycle free core diagrams that haven't been counted before um and in particular we would like to determine um the number of top cycle free diagrams of size n and uh with the first terminal chord having index k so those are those are precisely the diagrams that index this solution um so for the rest of the talk I'm basically going to describe what that count is um um how we get that count is we're going to we're going to find a bijection so I'm not really going to describe that describe how to prove it but the way you would do this is you find a bijection to some other combinatorial object that has already been counted or some of the combinatorial objects that have already been counted um that's the most simple the most straightforward way at least in the sort of most combinatorially illuminating way um and what are those other objects uh they're going to be triangulations um so triangulations in this case are plane graphs in which every bounded face is a triangle so the un unbounded face um is not necessarily a triangle so a triangle is uh just three vertices all of which are mutually adjacent um and yet we're forcing every bounded face to be a triangle but um the unbounded face may not be a triangle it might have more than three vertices and we're actually specifically going to look at rooted triangulation so we're rooting at a boundary edge so this is an edge on the boundary face on the bounded uh the unbounded face the exterior face um and we'll call vertices that are not on the unbounded face interior vertices so on unbounded faces those vertices are going to be interior vertices um um and the want the vertices on the unbounded face will be exterior vertices so this is just what one of these triangulations look like all the bounded faces are triangles we're rooting at this edge up here um and uh yeah the unbounded face is not a triangle because that's more than three vertices uh yeah I mean it could be a triangle of course but in this case it is not a triangle um so then what do we get uh well there's an old result uh from the 60s by uh William Brown um that counts that counted the number uh he counted the number of rooted triangulations with a given number of interior vertices so in this case n and m plus three exterior vertices there always have to be at least three exterior vertices uh and the number of these of number of these is given by this uh fraction of uh factorials so that's a relatively nice you know explicit expression um and it turns out this is exactly the object uh these are these exactly the objects thrown by Jackson with top cycle free core diagram so we have the following theorem um one can find a bijection between uh connected top cycle free diagrams oh this is one thing that I forgot to mention actually um the uh the solutions here uh oh did I skip over it I did uh this is actually uh these are these I should have said these are connected top cycle free core diagrams so they have to be uh the intersection graph of these diagrams has to be connected um yeah so there exists a bijection between uh connected top cycle free diagrams with n chords and the first terminal chord having index k in the intersection order t1 is k um and rooted triangulations with n minus k interior vertices and k plus 1 exterior vertices so in some sense this is almost a more natural object to work with um because instead of you know dealing with this the intersection order first terminal chord we're just dealing with uh interior vertices and exterior vertices of a triangulation um yeah and that was it thank you thank you Lucas all right I see a question in the q and a um where Marcus asks if there's any hope to calculate the values for the top cycle free diagrams of size n but then where you have information on the other terminal chords or whatever the analog of yeah of the other terminal chords yeah um yeah you would certainly want that um to know more I think it's yeah I think it's probably possible um perhaps also by looking looking further at the uh the related parameters in the triangulations um and getting another bijection or just looking directly at the diagrams and explicitly counting them um but I haven't looked at the number of other terminal chords is going to correspond to in the uh in the triangulations um that is a good question I'm not entirely sure um yeah you that there'd be some sort of recursive thing um yeah I'm not entirely sure I haven't thought too much about that all right there are other questions I had a quick question just in general the divided power out of hop out of up versus the binomial one I mean if I think about it naively right this is exponential connection I mean one x is primitive and the other it's group like so can you somehow transform transport this relation between the hop fighter brass to your to the different results for the two cases or do you have to do independent calculations for both um I think generally a few independent calculations um there may be something there it would be really nice if there was some way to uh yeah to transform that that connection between the like the co-algebras of the hopped algebras um to yeah these like core diagram solutions uh I don't know of such a way but that would be nice if there was thank you well and as people are thinking of remaining questions maybe just as a comment the side you didn't emphasize is that you have a more conceptual way of proving the original core diagram result that my original proof of was ugly quite frankly so there's value on both sides even if the connection between them is not completely clear any other questions yes I have a quick one still um can you hear me yeah yeah uh so um so with this universal property then can you just go out um to uh hop algebra and core diagrams this way too or not uh is there a hop algebra and core diagrams that's yeah that's that's another way to phrase the question yeah um that would be nice uh I thought a bit about this but I don't know if such a hop algebra um it would be nice if there was something like that and that was relevant here um yeah I guess the the follow-up question would be if if a hop algebra of core diagrams could be set up then what would be the common total objects indexing the formal solution to the datas and swing equations in that hop part of the question all right seeing no further questions let's thank Lucas again


front left tire leak right here corrosion so the tire needs to come off all right so since i got to replace the valve the stem i need to remove the tire so obviously air the air out and also that i showed you how to use this kind of machine i'm gonna break the bead now since there is no sensor air pressure sensor tpms sensor and this rim i don't need to worry about it so it's a it's a rubber stem but if that was the case then i would simply avoid so as i was saying i would simply avoid where is it this guy here being here like from here to here so keep it halfway away from this thing flip it now break the bead on the other side you still want to avoid that tpms sensor now i'm just gonna spray some soap and water lubrication is key to success so this machine has three arms or two extra helping hands helping arms i'm gonna i probably don't need to use the extra two or at least the one like this one because it's a 205 55 16 55 meaning the profile that's pretty high which means the higher the easier but i'll use it anyway just to show you so first i want to mark the tire where the stem is i got no weights on top of the rim here like these outside weights so i don't need to take any off if there was one then this would damage this part of the this is actually plastic so it doesn't scratch the rim but you want to keep this away i'll show you in a second so anyways i'm gonna lubricate okay so first this arm okay don't go all the way down there's a plastic kind of a spacer here too but you want to avoid touching the rim so about even a quarter is okay let me show you what i mean so you see so this part here that's maybe an eighth maybe three sixteenths and then this part that's actually a quarter away okay now you take this tool shovel i forgot to lock it it moved on me so this is where you lock it so it keeps this away now it won't move well it will a little bit this is still this is a cheap machine but i'm gonna as i swing this over i'm gonna push in here on the other side of the tire so the the i think the beat of the tire will go down okay now i gotta move you again right so we have that a go in now holding this pushing it i'm gonna start it now i don't need this in you anymore again this is gonna be this is an easy tire i'm gonna keep spinning it now watch this area here okay you see what i mean so if this was here this right now that beat of the tire would take that sensor out so you know even though the top of the tire is off the rim i would still spin this and stop right there you know this area here now this arm comes into play just a helping hand if it wasn't for this i would have to take this guy here i mean i'm sure it is doable you know swing it over and then with one hand keep this tire this side of the tire up but since i have an extra hand i don't have to that's doing it for me swing it over arm no longer needed actually you you'll want to move it away now again holding it spin it again there's actually something inside the tire i i heard as i was as i took it oh it's a weight okay look at this nice bonus so that was inside the tire we don't need the tire now it's gonna go right back on so here's the replacement the short valve stem i'm gonna cut out the bottom here's the situation it's actually not that bad a little look at this right even though that's pretty clean so i'm gonna apply beat sealer or rtv whatever you want something just to be sure on the stem that is it for the valve stem i'm gonna lubricate the tire now i'm gonna use all the arms but not not for the first part of the the bottom part of the tire so now just gonna go in like that and now you need to line up that line where's the line right here for balancing purposes so we don't have to balance it so line stem now our helping hand simply gonna push it down here this guy gonna push it down here and i don't need to hold it but i'm not gonna do it with one one spin i need to remove this arm once it gets here see you so thanks mr. compressor okay so this arm keeps it down so the tire the b doesn't get on you know on the higher part of the rim because then it would be too wide the tire needs to be down away from this part of the rim all around and this guy is making sure that the tire doesn't slip out here usually it likes to kind of sometimes slip underneath the other part of the this this arm and notice it's still away this thing is not touching the rim so we're gonna keep going now more than halfway we don't need this arm anymore so lift that up and just simply keep going and that's it check this out perfect now it's really time to start taking care of those bushings


Schizophrenia, SCZ, is a serious mental condition that causes hallucinations, delusions, and disordered thinking. Traditionally, SCZ diagnosis involves the subject's interview by a skilled psychiatrist. However, this process can be slow and prone to human error and bias. Recently, brain connectivity indices have been used in a few pattern recognition methods to discriminate neuropsychiatric patients from healthy subjects. The study presents SchizoNet, a novel, highly accurate, and reliable SCZ diagnosis model based on a late multimodal fusion of estimated brain connectivity indices from EEG activity. First, the raw EEG activity is pre-processed exhaustively to remove unwanted artifacts. Next, six brain connectivity indices are estimated from the windowed EEG activity and six different deep learning architectures with varying neurons and hidden layers are trained. The present study is the first which considers a large number of brain connectivity indices, especially for SCZ. A detailed study was also performed that identifies SCZ-related changes occurring in brain connectivity and the vital significance of BCI is drawn in this regard to identify. This article was authored by Nitin Grover, Aviral Charya, Rahul Upadyai, and others. We are article.tv, links in the description below.