He's got a story. I've got a story. You've got a story. Where's God in your story? We're going to find out more about that. This is hope today. I'm Tom Hollis. I'm here with Sydney Goldman and Amy Schaefer. We've got God stories. God stories. It is so, I mean, we read the Bible and we love to read the stories of faith, the stories of Esther and Ruth and Sarah and Abraham. Well, today, not that I'm in that category, I want to share it with you. Let me see if you're in here somewhere. I don't know, but I think there's like definitely traits of the women that you mentioned, the Bible that you do have this quality. So we're just like super excited for Amy to share her story and just even her journey. So I think there's something we all can glean and we can learn when we hear your story. So we're super excited. And I loved hearing Tom's story.  And really you are like family to us. And we feel like we know you. You feel like you know us.  And that's why they're doing that today. So it'll be great. Oh, I'm really looking forward to it. And you know, as I said at the open, you've got a story too. And if you have something you want to praise God for, maybe you have a prayer request. You can always call our prayer partners. They're always there standing by the numbers there on your screen. And they'll pray with you. But I'll tell you what, if you've got a praise report, we'd love to hear that too. We'd love to hear the good things that God's doing. So give us a call and let us know all that God's up to in your life. Yeah. So I think Amy, without further ado, we would love for you to just share and take us through how God has walked with you step by step. So Amy, tell us your God story. Yeah, I'm really excited. You know, over a month ago, I was sitting in a group in a book club. They didn't know me. I don't know them. And we're coming together to talk about this book that we were reading. And they asked me, they said, Amy, how did you meet Buck? And how did you end up in Pittsburgh? So I thought, maybe you might want to know how I met Buck and how I ended up in Pittsburgh. Because when I look back at every intricate detail, God was all in my story. You see, my parents raised me up in a church. I was born and raised in church. I can count maybe on two hands in the 20 years I lived with them, how many times we missed church. It was not an option. You show up at church Sunday morning, Sunday night, Wednesday night, and whenever else. And that was our priority. So I had a deep, deep love for God's house. So I'm in college. And I mean, I just, I was like, God, what are you going to do?  You know, and you're like, well, I love acting. I love singing. I love dancing. I'm going to be a musical theater major at Oklahoma City University. My voice teacher, Florence Birdwell, 90% of her students went to Broadway. I was living the life.  I didn't need to change anything. So I'm at my home church, Crossroads Cathedral, in Oklahoma City. And it is the Easter production. And I'm standing behind the curtain. And here's a little clip of when I was Mary Magdalene in the drama. There is power in his presence. There is such power in his touch and in his words. And there's power in his name. So I'm behind this huge, I know I have a little girl. I'm standing behind it. I'm getting ready to go out. There's the church see 5500 people. It's packed. It's our Easter drama. I'm standing behind the curtain and I heard the voice of the Lord say to me so clear, I want you to go to Ramah and you will minister to thousands. And so I do the drama. I get done. I've never heard of Ramah. So I go to a couple of older ladies in the church, Gladys Luno. And I said, Gladys, where is Ramah? And she said, that is Kenneth Hagin. That is a Bible school in Tulsa, Oklahoma. And I said, the Lord told me to go to Ramah. And she said, well, that is the most wonderful ministry. You know, it's just an hour and a half away. I get in the car and on the radio, you know, I'm listening to Christian radio. Yeah. And this guy comes on. He says, Hey, I find apartments for Ramah students. And I went, Oh my gosh, I got his number down. I go home and I tell my parents, God has told me to go to Ramah. So that was Easter of 1993 by the fall. I was enrolled at Ramah Bible School. Now my last name, my maiden name was Allen. So I was always at the first in line, the first in class. And I ended up sitting by the S's. I don't know how, but God, and so I'm sitting next to Kevin Schaefer and Mark Schaefer, who are my husband, but his brothers. And I'm singing in the choir with the lady named Keely Schaefer, who ended up being my sister-in-law, Kevin and Mark and Keely. They're like, you've got to meet our brother. You've got to meet our brother. And I thought, Oh my gosh, you know, because they did call it at times, Ramah bridal training center. I was like, take a number.  Because the guys at that time, that's the only thing they were looking for. I need a girl that can sing. So Buck's brothers and sisters had a big setup. They invited me over for dinner. And they said, Buck, make sure you call. So he called me. And when I picked up the phone, I said, hi, this is Amy. And he said, I'm going to marry you. First thing he said. And I said, I'm going to marry you. And I knew that he was going to meet my husband. Now, before you freak out, we did date two years before we got married and we proved out the will of God. But in December of 1995, we got married. So now we are this young couple, just full of vision and ministry. And we loved God. And we just wanted to preach and sing all over the world. And so we did. We traveled for one full year in ministry. We were all over the United States. We were all over Europe. I mean, we would spend a month in England, Scotland and we'd be in Germany and we'd be in all over England if I said that. And so we got home and we're trying to make plans up in our head. What seems right? And we thought, Vienna, Austria, 100%. I mean, Vienna, Austria. It had this big, amazing Bible school and they needed a church and they needed passage. We're like, sign me up, Jesus, Vienna, Austria. So he's in the room and he's writing the newsletter to all of our partners out there. And man, I'm in the other side of the house. He's in the office. I knew we were not going to move to Vienna, Austria, because God said to me, Pittsburgh, so Buck comes in the room and his face is in agony. There's papers all over the floor. He was tight. You know, this is in the old days. We had to type and, you know, on the computer and print. And he said, Amy, we're not going to Vienna, Austria. I said, I know. God called us to go to Pittsburgh. So we packed up a U-Haul and headed to Pittsburgh, Pennsylvania to Pioneer Church. We had no clue how to start, what we were doing. There were not systems or structures or lessons or anything on how to plant a church. And here I was moving from the Midwest to the Northeast. The culture is different. And it is amazing in our God story, guys, how God had set us up to pioneer this church. Every need was met. We went to my home church. A lady came up with a wad of $100 bills, thousands of dollars. She said, this is about to pay for the move you're about to make. We're sitting in a meeting with Kenneth Hagan. He said, you're right here. You're an evangelist. God has called you to pastor. Go. And we're God guides, God provides. And my parents said, Buck and Amy, go and do the will of God for your life. So here's a picture of Buck and I when we first got here. We're on Mount Washington. I mean, look at that. Buck has hair. Buck has hair. I mean, that is it. And guess what? 27 years later, we're still here. Awesome. We're still building the kingdom. We're still building the church. And so we pioneer Grace Life Church in Easter. Isn't that interesting? It was the same timing that God had called us not planned at all by me, but God knows. We planted the church in 1997. God has been faithful throughout all of these years, all of these decades, the nine buildings that we were in, the staff and the leadership and the people. We are still planted. We are still flourishing. And guys, this really has everything to do with my life scripture. Those planted in the house of the Lord will flourish in the courts of our God. So I brought a picture of our East Campus. And that's the North Campus and the East Campus.  And I do believe that those planted in the house of the Lord will flourish in the courts of our God. So I wonder today in your story, maybe you're searching for significance and purpose everywhere else, but maybe just maybe like Jesus did, you know, they said of Jesus that as was his custom, he goes to the house of the Lord. He went to the temple. Where was Jesus? They found him in the temple. So I'm wondering if the purposes of God, the plans of God, hearing from God, there's something about being in God's house with God's people, with God's word being taught in the worship of God, being a part of a body, being connected to the body of Christ that God wants to speak to you and move in your life like never before. So I don't know, did you guys know that? Any of that about me and my story? I didn't know about Vienna. I thought maybe you wanted to, you know, the hills are alive with the sound of music. It would go 100% 100%. You still have hills here though, right?  So but tell me about like I wasn't when you started planning this church. I remember you guys showed up here. You were answering phones on the prayer line for a while there.  Well, the whole, I mean, that that's just like a touch of my story. There's a whole other story about pioneering the church, the trials, the struggles, the losses, the buildings that fell through, the people that let, I mean, it's like, and it's weird because you're right. We were always connected to here at Cornerstone Television. We did at, we, I mean, we just thought whatever we have, whatever we can do, we want to help build the kingdom, whether it's ministry. And you know, even at Crossroads at my home church, I was always on TBN, Trinity Broadcasting.  And so when we came here, not serving in and helping in any ministry was not an option. So we would answer the phones here and pray. And then our worship team was always very solid. I mean, it's amazing because I came here and we had just nothing, just absolutely nothing. And you know, you're just building and you're gathering teams and you're, you're learning and we would come and play here often as a young team. You know, we'd have 10, eight people on set leading worship and doing the telethons. And then one day is when it all shifted for me concerning tell, you know, Christian Cornerstone television. And I was preaching at the movie theater. Buck was in Oklahoma and it's our Easter Sunday again, Easter. And he had a video going of his Easter service, a guy in a wheelchair backed up and the cord that powered everything, the lights, the sound, the video got wound up in his wheel and it ripped out of the wall. And so I had papers, I had his sermon notes in front of me and I was like, this is not happening. This is not happening. This is not happening because I really just want to be on the background. I just want to help. I don't want to preach. I don't want to step out there and teach. When the lights came on, I was up there with his notes and I finished out Easter Sunday. I will never forget that day. And it was because of that, you know, I started preaching every other weekend, once or twice a month. I'm preaching again this weekend. My husband is on a mission trip and it was in one of those services. An executive producer here said, you know what, she would be really good on television. And he said, will you come and they're doing this whole sister thing and they're doing some things for real life. And I mean, it wasn't but a couple of months and I was on the sisters, which we're now celebrating our 10th anniversary of sister to sister. That is amazing.  Real life, it was every day. We would do, we'd film two hours every day, you know, here and then now on hope today. It's just been a beautiful, beautiful God's story, but truly those planted in the house of the Lord will flourish in the courts of our God. So I wonder, you know, if you're not flourishing, are you planted in the house? Because I know God's plan, God's will, God's purpose is that we do flourish in life and Sydney, you know, really it's flourishing in the hard times as well as flourishing in the good times. It's in the dry seasons. It's in the hard seasons. It is flourishing. And I just want to say just such an honor just to hear your story and to see how you have flourished so much. And we know that the best is yet to come. And there's so much. And just thank you for just sharing. Even that moment just really sticks out to me when you were talking about being behind the curtain and you're singing. And I never heard like, we've heard her sing sometimes on set, like, but I haven't just to hear how like that bravado and just like your voice is so beautiful. You don't hear it sometimes, but we hear like eight people be singing. But just in that moment that your step of obedience of just saying, okay, God, I'm going to pursue you and I'm laying down this dream of wanting to be on Broadway to literally share the gospel. That's truly incredible and to see the great stages and the places that he's put you to preach the gospel. So I just want to say it is an honor to have you with us. It is an honor for what you share and what you deposit the joy and the hope of the Lord every single day. That's what we do. That's who we are. Yeah. Well, we're going to take a quick break, but when we come back, we're going to dive into our 21 days of prayer and we're going to talk about the matters of the heart. We'll be right back. Every now and then life gets the best of us and we need a reminder to keep calm and trust God simple, but striking the keep calm and trust God box of blessings provides messages of reassurance to help carry you through tough and challenging times. These small cards fit into the palm of your hand and will turn your focus to the one who is in control of everything. Inside you'll find 51 colorful double-sided cards featuring a combination of inspirational scripture verses and faith-based quotes. Add it to a get well basket or use it to encourage a teacher, family member or friend or save it for the time you need encouragement. Be sure to ask for the keep calm and trust God box of blessings when you give today. It's our way of saying thanks as you encourage others by providing life-changing Christian television through Cornerstone TV. Call us at 888-665-448-3 or give at ctvn.org slash donate. We are so glad you're joining us as you know that Cornerstone Television Network, we are on a journey of 21 days of prayer where we're taking each day, we have a specific prayer focus. And today it really ties in when you're listening to Amy's story about really having a heart that mirrors God. We just heard how Amy that she had to lay down her dream and sacrifice what she really wanted her desire to go on to Broadway and to sing. But when God called her to be a preacher, to be an evangelist and to literally share the gospel thousand, she was mirroring God's heart. And we have a scripture that goes with that today and it comes from Psalm 5110 and it says this, you're probably really familiar with it. Create in me a pure heart, oh God, and renew a steadfast spirit within me. You know, I know a lot of us have heard this scripture time and time again.  And what I think one of the things, you know, when we talk about purpose and we talk about calling, the one thing I heard a while ago that the greatest calling that we have is literally for our lives to mirror after Jesus, for our lives to reflect the heart of God. And so today as you're taking time, as you're meditating on the scripture and you're journeying with us on the 21 Days of Prayer, we just encourage you today to just seek the heart of the Father and say, God, what are some things that need to be removed out of me? What are some things that you need to do a deep, deep, deep rooted cleaning in my heart that come out of so that I can walk in your fullness, I can walk in your purpose. I can show your glory to people that need it because a lot of times, Tom, you know, and I think about when we're pursuing the heart of God, he does call us to sacrifice and to lay down things, maybe, you know, dreams and visions and things that we want to pursue in the world, but so we can do what's on his heart and on his agenda. Yeah, I think of David, of all the things that David did, slaying the giant and leading the hosts of Israel to victory and leading as a king, of all the things that was said about him, the thing that we remember the most and the thing that was probably the most significant, I'm sure to him, is that he was a man after God's own heart. That's what really matters. It matters where we are in that relationship. Are we following after God? Is our heart completely his? Because let me tell you, it's easy to, even after we're saved, to grab your heart back and put yourself back on the throne and start to, you know, kind of follow your own way. But David, and he did some real foul ups, let me tell you, but he realized that God was where he had to stay. Is that where you are today? Is that where you say I'm a person after God's own heart? I'm someone who wants to see God glorified in all things. And you can kind of test that when everything doesn't go your way. Are you still following after God? Amy, I think that's a key for anyone in ministry, anyone at any stage of their Christian life. Where is my heart? Is it really after God's desires or my own desires? Well, and if you're going to follow God, you're going to have to step out in faith. I mean, when God said Pittsburgh, it wasn't all set up where there was a home for us, a church for us, a leadership. It was, it was nothing. We had to step out in faith, trusting God, and I'll never forget driving to Pittsburgh.  I don't know what we were going to do, like to live. So we have a U-Haul full of furniture and no place to go. And I'll never forget when we got a phone call and we were at West Virginia. We had almost pulled over the Pennsylvania state line and we got a call that said, Hey, our friends have this house for you. It's in, uh, Squirrel Hill area. So we pull up to this house, five bedrooms, four bathrooms. We had our church offices downstairs and every room, listen to these details. Every room matched every piece of furniture that we had brought. God cares about the details, but in order to follow him, you're going to have to step out in faith and you're going to have to make a big, bold move. So maybe you today need to make a big, bold move. And you know, you've heard from God and he told you something and that word is so strongly impressed in your heart and in your spirit, but maybe fear is holding you back. And I just break that spirit of fear in Jesus name. Just step out and go, just go for it and do what God is asking. Abraham and Sarah, what they do, they went and they didn't know where they were going and God led them into the promised land. God has a promised land for you today. I just feel like you are preaching.  And I just think about when we are called to follow God, man, it is not easy. I know we can all attest about seasons and times where God was just like, take this step out. You've no idea where you're going. You have no idea what's going to happen. But you know, one thing that I always like to think about like, I'm one of those like, I think one of my love languages surprises, I love to be surprised. And you know, I know God loves to do that. You know, you just heard with Amy's story about when they moved and they didn't know where they're going and a couple, like bless them to live in a house in Squirrel Hill and everything matched the furniture. God is in the details. And sometimes I think we're, you know, we like to be in control. Let's all be honest. It is so scary not to be in control, not to understand what's going to happen, not knowing where you're going to going. But there are seasons and times and I really believe in this season that God is trying to get all of us to a new place where we consecrate our lives to him, where we fully devote ourselves to him, that we are so surrendered in September that we know God wherever you're leading me and wherever you're taking me, that I'm going to trust you. I'm going to follow you even though sometimes it may be dark, but there's a light. There's another side at the end of this. And so we want to encourage you today that you just seek the heart of God. You be still and you don't move until you hear his voice. But we know that our God is faithful. We know that our God, he is like, there's a new word I've learned of God. It's like a Hebrew. It's el, a math. It means the faithful God. He is faithful to us. He is our husband. He is one that looks after us, that he is surely going to take care of you no matter what the journey looks like. I love that. And I still keep going back to David. He's such a lesson for us because we have a lot of where he wrote a lot of the Psalms, about half of them. And he's got, you know, some of the really high crescendo times, Amy, where everything's going great. And he even is standing before you. He's like, search me, oh God, know my heart. And it's like, everything's good. And then the verse right before the one we read, you know what he said?  You know, like he knows that he messed up with Psalm 51, the great Psalm of repentance that David had. So, but God is with him no matter what. He's with him no matter what. He's ready to forgive. He's ready to restore. He's ready to create that clean heart. So I just have to ask you once again, have you made that commitment? I hope you have. I hope you've opened the door of your life and said, Lord Jesus, come into my heart and be my Lord and Savior, and I'll follow after you. And you know, when he, when you, when you do that, he rushes in the prodigal son's father ran through the town, ran and picked him up and said, my son has been restored. My son who was dead is now alive. That's for you today. Your son, you are God's son or daughter. Have you been dead to him? He wants to restore you. He wants to make you alive again. So do that today. Give that, that, that time, give that, take that time of prayer, that time of repentance and say, Lord, I'm yours today. Forgive me. Let me walk and follow after you and he will rush out to you. Amen. Well, and let's let our lives be an offering to him. Let's offer our like, like David's saying, here's my heart. And many are the plans in a man's heart, but the Lord will direct his steps.  Here's my little offering. I ask that you take it and that you break it and that you make it a beautiful gift to the world. So today give your life to Christ, give your whole heart, your spirit, soul and body to him and let him write your story. You know, just saying as you're saying, like you were just talking, I just really feel like God is saying just like, this is the season to follow after him because the world is waiting for your story.  It testifies of his grace and it testifies of his love, not only for you, but of the whole world. So why don't you go out and share your God's story today. We'll see you tomorrow.


Hello and welcome to our video summarizing all you need to know about the League of Nations. My name is Barbara and in this video we'll examine the history of the League of Nations from its inception all the way to its end. But also we'll look at key case studies on which on one side the League of Nations did register notable successes but equally the failures and weaknesses that ultimately led to its ending. So let's get started. Now when it comes to the League of Nations, which is also abbreviated to LN or LON, it was an intergovernmental organisation founded on 10th January 1920 as a result of the Paris Peace Conference that ended the First World War. It was the first worldwide intergovernmental organisation whose principal mission was to maintain world peace. Its primary goals, stated in its Confident, included preventing wars through collective security and disarmament and settling international disputes through negotiation and arbitration. The League also dealt with other issues including labour conditions, just treatment of native inhabitants, human and drug trafficking, the arms trade, global health, prisoners of war and protection of minorities in Europe. At its greatest extent from 20th September 1934 to 23rd February 1935 it had 58 members. The League's main aims were firstly to stop wars and provide a centralised mechanism for monitoring and regulating global politics, secondly to encourage the disarmament of nations and the subsequent seeking of peace between them and thirdly to make the world a better place by improving people's working conditions and by tackling disease, poverty and hunger. The organisation itself had an assembly which met once a year, a council which met more regularly to consider crises, a small secretariat to handle the paperwork, a court of international justice and a number rather of committees such as the International Labour Organisation and the Health Committee to carry out its humanitarian work. Now when you're thinking about broadly the strengths and weaknesses of the League, when it comes to the strengths, firstly it was set up by the Treaty of Versailles which every nation signed meaning it had the cooperation of 58 nations which were members by the time it was in the 1930s. Also to enforce its will it could offer arbitration through the court of international justice or apply trade sanctions against countries that went to war. However the League did have significant weaknesses so despite being a product of the Treaty of Versailles which were signed for every nation, most nations disliked the principles of this treaty and thus disliked the League of Nations by extension. Furthermore the League was too ambitious, Germany, Russia and the USA which were all global superpowers were not members, it had no standing army, its organisation was quite cumbersome and decisions had to be unanimous making discussions quite difficult and unnecessarily prolonged. Now it's really important to consider the case of Manchuria and Abyssinia. So the Manchurian and Abyssinian crises shook people's confidence in the League and proved that the League had no real power or authority over its members. Since the early 1930s two vents destroyed people's beliefs in the ability of the League to stop wars. In both situations the League did not act quickly enough or made pure decisions about how to suppress the aggressor nation. This served to show that smaller countries could not expect protection from the League and that aggressors such as Hitler had nothing to stand in the way. So when it comes to Manchurian crisis so by February 1932 Japan which is a member of the League's council had essentially invaded and conquered Manchuria which was part of Chinese territory. It took the League nearly a year to send a commission and declare that Japan ought to leave where upon Japan left the League. The League couldn't send an army to enforce this departure and it needed America's support to impose sanctions successfully and in the end it essentially did nothing. Also in 1935 there was the Abyssinian crisis where Italy essentially invaded Abyssinia which today is modern day Ethiopia. Although the Abyssinian emperor Haile Selassie went to the League himself to ask for help all the League did was ban arms sales which did Abyssinia more harm than Italy. The League commission offered Italy part of Abyssinia but Italy invaded anyway and far from stopping Italy, Britain and France they tried to make a secret pact to give Abyssinia over to Italy or two-thirds of Abyssinia over to Italy. Now the effects of both crises were important so it's important to have an understanding of the effect that both of them had on the League. So firstly it became clear that if a strong nation was prepared to ignore the League the League could essentially do nothing about it that's reducing its effectiveness in practice. The League's delays and slowness also made it look scared as it lacked intimidating atmosphere in an international Regulative Council which it should hold if countries are to respect it. Furthermore sanctions were shown to be quite useless reducing the League's credibility with those with a belief in it turning the heads elsewhere. Furthermore everybody realised that Britain and France were not prepared to use force thus strengthening Germany's confidence in the lead up to the Second World War. The four major powers Japan, Italy, Britain and France all betrayed the League and smaller nations realised that the League could not and would not protect them. Moreover Britain and France decided that the League was essentially useless to stop war and instead followed a policy of appeasement and Hitler was encouraged to move ahead with his plans which ultimately of course led to the Second World War. Now when it comes to the Manchurian crisis and a more detailed timeline of it so it began in September 1931 when the Japanese claimed that signed Chinese soldiers had sabotaged the Manchurian railway in Korea which Japan controlled. Japan attacked and by February 1932 it had brutally conquered Manchuria. Meanwhile in January to March 1932 Japan attacked and captured this history of Shanghai in China itself. In March 1932 China appealed to the League of Nations. In April 1932 a League delegation led by Lord Lytton arrived in Manchuria to see what was happening and in October 1932 it declared that Japan should leave. In February 1933 a special assembly of the League voted against Japan and the Japanese ended up walking out of the League of Nations. The League however could not agree in sanctions and Britain and France were not prepared to send an army. Not only did the Japanese stay in Manchuria but in January in July rather 1937 they also invaded China. Now when it comes to a more detailed timeline of Abyssinia essentially in December 1934 there was a dispute about the border between Abyssinia and Italian Somali land which fled into fighting and in January 1935 Haile Selassie who was the Emperor of Abyssinia asked the League to arbitrate. In July 1935 the League banned arm cells to either side and in September 1935 it appointed a five power committee to arbitrate. In October 1935 the League's committee suggested that Italy should have some land in Abyssinia. However instead Italy's 100,000 strong army men invaded Abyssinia. The Italian troops used poison gas and attacked Red Cross hospitals. Britain and France refused to intervene. In December 1935 news leaked out about the Hall of El Pact which was a secret plan made by the Foreign Secretary of Britain and the Prime Minister of France to give Abyssinia to Italy which you're going to look at in some detail just now. And in the end the League almost did nothing and by May 1936 Italy had conquered Abyssinia. So as was mentioned the Hall of El Pact was really important and a key turning point in the Abyssinian crisis. So what was it in detail? So this pact which was made in 1935 was a secret plan to offer Benito Mussolini who was the leader of Italy, most of Ethiopia then called Abyssinia in return for a truce in the Italo-Ethiopian War. It was put together by British Foreign Secretary Sir Samuel Hoare and French Premier Pierre Laval who tried and failed to achieve a rapprochement between France and Italy. When news of the plan leaked out it drew immediate and widespread denunciation. On 10 December British Secretary of State for Foreign Affairs Samuel Hoare and French Prime Minister Pierre Laval secretly agreed on a plan to end the Italo-Ethiopian War by terms of strongly favouring Italy. On 11 December details of the Hall of El Pact were published and brewed by Pierre Laval with the agreement of Sir Samuel Hoare, the British Foreign Secretary. The plan suggested that Italy received large slices of northern and southeastern Abyssinia with half of the country handed over for future exploitation and settlement and Abyssinia's compensation would be only an outlet to the sea. The Hall of El Pact plan raised such vigorous protests and outrage from British public opinion once it was leaked that and this led Hoare to be sacked and the Baldwin government forced to disown the plan. And harsh editorials against the Hall of El Pact were published in British and French newspapers, thus seriously damaging the league's reputation even further on a global stage. Now when it comes to the collapse and legacy of the league itself. So in 1936 the League's Disarmament Conference failed, thus proving that the league's fundamental reason for existence, which was peace, was essentially defied by its participants and other countries. And it was really important and a key weakness that the league lacked an armed force of its own and dependent on the great powers to reinforce resolutions, which they were very unwilling to do. Its two most important members, Britain and France, were reluctant to use sanctions and even more reluctant to resort to military action on behalf of the league. Immediately after the First World War, pacifism became a strong force both among people and governments in the two countries and in 1937 Italy formally left the league. The final meeting of the League of Nations took place on 18th April 1946 in Geneva. Delegates from 34 nations attended the assembly and this session concerned itself with liquidating the league. As the situation in Europe escalated into war, the assembly transferred enough power to the Secretary-General on 30 September 1938 and on 14 December 1939 to allow the league to continue to exist legally and carry reduced operations. The headquarters of the league, the Palace of Nations, remained unoccupied for nearly six years until the Second World War ended. And despite being a failure in practice, the league was important in formalising institutionalised international collectiveness between nations, thus paving the way for institutions such as the United Nations to govern and regulate with more success on the global scale. So that's it. If you found this video useful, do give us a thumbs up and subscribe to our channel, but also make sure you visit www.firstreadtutors.com there you will find lots of revision materials that you can use as part of your studies, model answers and essay questions that you can use to support your studies and your endeavours. Thanks very much for listening.


As Brett, I'm at the Chicago 2021 auto show. We're outside and we're checking out the all-new Ford Maverick the new small truck from Ford. This one's a hybrid comes with the tie-downs and the cleats Get a power outlet 120 volt 400 watt plug-in get the LED bed lighting Nice brand bud liner comes with towing package for pin wiring four-wheel disc brakes Looks like it comes with 225 65r 17 tires This is an XLT package This is an XLT HEV. They call it piece 758 But it's the Maverick They don't have a price on it yet Let's check out the interior though, so I'm sure this won't change Some pretty cool kind of a bluish-green interior with orange accents orange stitching on the seats These are cloth seats Pretty nice set up here turndile transmission sliding rear window Nap lights there Pretty cool Pretty cool little ride plenty of room Nice and room has a tilt telescopic steering wheel steering wheel set up nicely light controls are right there and almost like cabinet or for like tiling in your bathroom or something Dash trim. It's pretty cool Anyways Do one more Walk around here Front end looks pretty good Cool color Verify the color here I think this is Might be cactus gray Area 51 is the color. This is the Navy Pier medium slate trim and Pretty cool little ride has the door code entry, which I like Thanks for checking out the video and remember to like subscribe and share on our channel We do videos each and every day here at Summit Auto and Whole bunch of videos from the 2021 Chicago Auto Show. Thanks for checking out the video


We just all were on the same page. We couldn't just stand by and not do anything. After Hurricanes Irma and Maria, the island of Puerto Rico, was devastated, but Sabe Escobar rallied ferro-perturricans to form Borricuas in Berkeley. A response to the aftermath rooted in the mission to provide direct aid to those in need. She and her peers gathered resources to bring on the ground. She visited isolated villages on the island to deliver relief directly. And we went through house-to-house delivering water, delivering water filters, delivering water purification tablets and drops because that's the biggest concern right now for that community is access to clean water.  No wonder they have the most amount of cases of leptosporosis. For Rafael Rivera, he hadn't heard from his family for weeks with limited communication established. He's now able to speak to them at least twice a week. My mother, my family over there in Puerto Rico still don't have water or electricity, so they're still being affected directly by all this. Pablo Paredes Burgos says the issues the U.S. territory are facing are long-term and systemic. I just came back from the island from a short trip trying to provide some relief and it was devastating to see the violence of the hurricane and the violence of the continuous colonial relationship that hasn't allowed a lot more to be done. Residents he spoke with recounted the horrifying night the hurricane hit. People were between 10 and 12 hours locked in rooms or a lot of people locked in bathrooms and they literally watched their house be torn apart piece by piece. Natasha Fernandez noted the gap in aid distribution for communities forgotten in the conversation. Being in the metro area has been very privileging and when Donald Trump went to Puerto Rico those communities that are mostly okay were the ones that he visited. He didn't visit those communities who are really in need. He didn't go much farther than someone on his visit. Burgos encourages those who helped to reach out to grassroots organizations. He added that during his trip he not once encountered a federal aid official. Not to sell ourselves but when you know you're putting materials in the hands of somebody who's going to put it in the hands of folks on the island that goes a lot further and a lot faster and a lot more effective for folks who need it yesterday. When Trump visited Puerto Rico he lauded what he called a low death toll. Burgos says the number is much larger than most people think. Promoting the idea that there were 16 casualties in Hurricane Maria which is ridiculous. Everyone knew that that was a devastating undercount. We are now playing with numbers that are between 450 and over a thousand. Boricoz and Berkeley calls on the community to help in their upcoming events as a part of their efforts. I have to mention that we do have an upcoming event on December 17th in La Beña Cultural Center in the afternoon. There's going to be this huge Puerto Rican Christmas party but right on the outside of La Beña we'll be collecting basic need donations. Much like Boricoz and Berkeley the people of Puerto Rico are coming together as a resilient community. Reporting for CalTV News I'm Thomas


How are you doing? Good to meet you. We're glad to be here. We're working. Yeah, yeah. So, good to meet you. Bye.


Monkeypox is a neglected tropical disease that has recently spread across Europe and North and South America. It is caused by a virus similar to smallpox and can be transmitted from animals to humans. The virus is highly contagious and can cause serious illness or death if not treated promptly. Despite its prevalence in Western and Central Africa, it has never before been seen outside of these regions. This recent outbreak has raised concerns about the lack of preparedness for such an event. Medical professionals are often the first line of defense against infectious diseases like monkeypox, so it is important that they have adequate knowledge and resources to protect themselves and their patients. Our research found that many medical professionals had limited knowledge of monkeypox and did not consider it a major threat. Additionally, those who had been vaccinated against seasonal flu were more likely to support the use of a vaccine to prevent monkeypox. These findings suggest that there is a need for better education and awareness of monkeypox among medical professionals. This article was authored by Matteo Rico, Pietro Ferraro, Vincenzo Camisa, and others. We are article.tv, links in the description below.


Opinions on marijuana legalization range from regarding it as a landmark human rights advance to one of a disastrous anarchic profiteering sham. Most may agree, though, that the trillion-dollar war on weed has been a failed policy, a vehicle for the hideous expression of our racism, diverting law enforcement resources away from violent crime, and yet having no appreciable effect on marijuana availability. Yes, legalization might free up law enforcement, but opponents argue that legalization may increase marijuana use among the youth, not because they couldn't get it before, but because it'll be cheaper and more socially acceptable. In other words, the argument goes, think about the children. So what happened in states like Washington and Colorado after they legalized marijuana? Among teens in Washington state, perceived harmfulness indeed went down and marijuana use went up, doubling from 2 to 4 percent. In contrast, no change in Colorado, but presumably that's because they had five years of commercialized medical marijuana before recreational use became legal, and indeed with the original liberalization in Colorado, perceptions of risk among teens dropped more than elsewhere, and rates of dependence went up. A frequently cited concern with legalization is that it would allow the rise of big cannabis, similar to big tobacco and big alcohol. After the cannabis industry successfully beat back pesticide regulations in Colorado, public health advocates experienced a feeling of deja vu, trying to mitigate the adverse public health consequences in the face of an industry that just aims to maximize profit. The biggest concern, though, may not be big cannabis turning into big tobacco, but rather big tobacco turning into big cannabis. Marijuana legalization advocates may not have considered the potential effects of the multinational tobacco companies entering the market. Internal memos show that big tobacco have just been waiting in the wings for the right time to strike. The fact that they created perhaps the leading cause of preventable death in the world shows how much they care about people compared to profits, so that should raise some red flags. Big tobacco is expected to profit from legalization, whether or not it takes over, though, as frequent cannabis use is a predictor of future cigarette addiction. For teen non-smokers, weekly cannabis use predicted a more than eight-fold increase in the odds of moving from just joints to cigarettes. This may be because tobacco is commonly mixed with cannabis to help it burn more smoothly. Thus, cannabis use may indirectly expose one to tobacco, which may be seven or times more addictive than cannabis. Or it may just be that teens who smoke marijuana are hanging out more with a crowd that tends to smoke more cigarettes, and that's the reason, though even after controlling for pure use, cannabis does still seem to be a gateway drug to tobacco, and perhaps is a way to deal with cannabis withdrawal. Either way, one of the most potentially harmful effects of cannabis is that it may lead to nicotine addiction, which wipes out nearly five million lives every year, about 24 times more than all illegal drugs combine.


Live from Las Vegas, it's theCUBE. Covering NAB 2017, brought to you by HGST. Hey, welcome back everybody. Jeff Frick here with theCUBE. We're at NAB 2017, 100,000 people. The Las Vegas Convention Center is packed and it's everything you could ever want to get involved in video and media and it's pretty crazy, exciting. Hope trying to get the guys from spinning all of our budget money next year on new cameras. But we're excited to have Brian Raleigh on. He's a VP post-production and production business intelligence at ABC Studios. Welcome. Thank you, I'm excited to be here as well. Absolutely, so first impressions of the show? You said you haven't been that many times as you walk around, what strikes you? Yeah, this is only my second time here. I will say I've seen plenty of booths that have the words ingestion, transcode, archival, distribution. There certainly is a lot of distribution out here at the Broadcasting Convention, which makes sense. But you're involved in that pesky little process between what comes off the camera and what goes out to distribution. Yeah, exactly. We're prior to broadcast, right? So my world is really production and post-production and the production management systems we use within them. Right. So, love to hear kind of how has that world evolved? I mean, it used to be, you had an artist on a machine with local files, doing the editing and all this stuff and clearly that world is long, long gone. Yeah, most of our production and post-production workflow is in the cloud. You know however you want to call it. And very recently what we've done is we've tried to move on from the email-based world and saving everything on your desktop-based world. A lot of it revolves around the push, the push to move off of that revolves around security, efficiencies, better distribution, better control over who has access to what. So my role is really to introduce digital production management system, digital daily systems, digital purchase order systems, digital scheduling systems. Just kind of take us into more of like a holistic one-way world that covers both the production side as well as the studio side. And where would you say you are kind of on that journey? Year one is what I would say. Year one. Early days. So our department is called the production business intelligence department but that's really, I would say we have more enthusiasm for business intelligence than we do have knowledge of business intelligence. So phase one is really getting our systems rolled out, to get these digital systems in use with 100% adoption on all of our shows and all of our studio and network users. Once we have that piece done, we can actually start to collect the data and make some use of it. Right, right. And how has kind of the efficiency in the workflow, I know you're still early days or how do you anticipate it really being impacted by moving to more cloud-based systems versus kind of local on your hard drive on the controls? So security is 100 times better than it was before, right? Just because everything is hidden behind a password now. Axis is much more controlled. Efficiency has increased many times over as well. I will say that we project over the course of our first year with these systems, we will have reduced our email count just within the studio by 650,000. Who doesn't love that? Right, exactly. I keep telling them it's good. I'll be. Everything is more searchable now. Right. Higher quality, we're getting things faster. Our PAs are no longer burning thousands of DVDs and distributing them all across town. So it's improved our world in many ways. Right, and how do you kind of boil that ocean? Is it kind of by department? Is it by show?  I mean, that's a big rollout.  When the department, it used to be called the production technology department, and when it started eight, nine years ago, the approach was really like, let's build everything in-house and try to piece it out one by one. What we have learned is that doesn't really work and it was really difficult to get adoption and it was going to take a huge workforce in order to build what we needed. So we started to go with the best and breed approach with these applications. And what came with them was 24-7 support and kind of white glove training and admin services. Because I have a really small centralized team, they can focus on just the training administration and we have really this third-party service team that comes with each one of these production management systems that we use. So we've been able to boil the ocean because we have a lot of help. Right, and the other nice thing is, just because of the nature of the studios, teams kind of form around shows, right? So now you can onboard a new team around your infrastructure piece. They do the show for one season, two seasons, however many seasons, then they go away. They log off even though it's a huge training endeavor for sure with our production teams because we have something like 8,000 people on our freelance production teams at any time. And they're a transient workforce. They go from studio to studio and show to show. But I think something like 60 to 70% of the people that we hire, we've hired before. So the good news is once we've trained them once, there's a good likelihood that we won't need to train them again. Right, and so there's kind of the application-centric piece of it, and then there's kind of the infrastructure piece behind the applications. I mean, good news is, you didn't have it eight years ago, but I mean, the developments on the infrastructure side around storage and bandwidth and CPU, huge change from where it was before. I mean, could you even have done what you were hoping to do eight years compared to kind of where you are today? I don't think the companies just didn't exist at that point. That's right, so the companies weren't there because the technology wasn't there. Now they've both kind of aligned, and aligned at a good time, right? When I think people are ready to hear that we need to modernize as a studio. There's so much competition out there that we need to make sure that we're doing things as good or better than everyone else.  So was the security, was it a security hole? Was it people forgetting their laptop at the coffee shop? I mean, what were some of your main security concerns that you've now been able to address? It's interesting. So we're ABC Studios, but we do a lot of co-productions with Marvel Studios. And Marvel Studios' culture is very security-centric, and because we work so hand-in-hand with them, we've been very cognizant of the security abilities of these applications as we bring them in. So I will say, whereas we didn't have any big outbreaks that we didn't have, we had shows like Lost that people were really concerned about, shows, Scripps getting out, but more recently, we haven't had these huge high-security titles, but now that Marvel is on board, it's made us very security-conscious. Okay, and it's more early leaks and people getting access to the assets. Yeah, mostly we're worried about Scripps. Right, right. Really, mostly Scripps, as opposed to images or finished products and those things. Scripps and rough cuts, I would say. Okay, so that's kind of the bat, the stick. In terms of a carrot, what were some of the benefits that you hope to achieve or you are really starting to achieve on the carrot side of the equation? Well, so we're still in phase one, as I said, in kind of rolling out these applications. We'll let you talk about vision, Brian, you will not hold you to whatever you say that's being actual in-production. The carrot, so we're now called production-business intelligence, but we don't have much intelligence at this point. So, now that we're seeing some light at the end of the tunnel in terms of rolling out these systems, the hope is, the carrot is, we're going to be able to find some really great business insights from the data we collect. The kinds of questions we want to be able to answer are things like, which of our directors that we hire are costing us the most in production staff over time? When an editor's cut delivers and it delivers 11 minutes long, how does that correlate with the length and complexity of the script? We can start to learn these things, and the hope will be that what was going to be a nine-day production schedule, we really can do it in eight. We'll have the data, not just anecdotally, but real data to back that up. And I wonder, and don't tell me if you can't, but within kind of the whole budget of a movie, production, post-production, distribution, promotion, what pieces is post-production? I mean, I just think of the complexity of it. It can be just a sinkhole if it's not managed well. As a part of the production, well, it depends on the show, right? The complexity of the visual effects, right? But I would say 10 to 20% of the budget is post-production, and the systems piece of it is much, much less, maybe 1%. So you can make a pretty significant impact on that budget by being more efficient and leveraging that intelligence. Below the line, which is what these systems really do impact, so not just post-production, but production as well as two-thirds of the budget, so absolutely. I mean, that's, I get many millions of dollars. Right, right. Okay, so as you look forward, have you got any insights that are kind of helping you drive to the next place, or are you just kind of working down a road map as you look at 2017? I know we're a third of the way through, which I find really hard to believe. Yeah.  I'd say we're still working down the road map, right? So we have, like I said, we have documents figured out, we have digital dailies figured out, we have production purchase orders figured out. Now we're going to start looking at asset management, and we're going to start looking at scheduling, and hopes that ultimately we can, you know, really, I guess the real vision here is that we can have kind of a production ratio, right? So we can start to rate our productions against each other based on all of these, this information that we have, but it requires some additional systems first. All right, Brian. Well, I wish you, at least you got 650,000 less e-mails to deal with. I mean, that's a free out of a ton of time. Yes. That's a great start. All right, he's Brian Raleigh from ABCM. Jeff Rick, again, thanks for stopping by. Thank you. All right, you're watching theCUBE from NAB 2017. Thanks for watching.


You can find yourself in a lot of situations that might seem to be a little bit difficult You're not real sure how you're gonna make your way out of this But when you look at this person who this officer is dealing with who might have been able to beat him up Who knows rather than resorting to really carnal means and I'm using carnal means for a reason Rather than resorting to the most extreme means or using a gun He simply allowed someone else to take down this perpetrator The Bible tells us that the weapons of our warfare are not carnal but mighty through God who pulling down strongholds So what we can learn from this is that we ought to allow God to be the one first? Primarily to be the first source that we go to to deal with and pull down whatever strongholds through prayer through reading through Fellowship let God be the one who ultimately fights our battles. Amen


Academic Search Complete is a gigantic multidisciplinary database filled with many sources, including full-text journal articles covering just about every academic subject from 4,400 peer-reviewed journals. Academic Search Complete was created specifically for academic institutions and is a great tool for students in need of scholarly articles for their research assignments. Even if you are not sure which topic you will choose to research or which academic discipline your topic falls under, Academic Search Complete is a great place to start your research because it contains sources on virtually everything. If you are unsure about how to get to and log into the IRSC Libraries databases, see the link to the login video in the description below. When you first arrive at the Academic Search Complete database, you will see the Advanced Search page. This page consists of search fields where you enter your keywords and select your search options called Limiters. Let's start with the search fields. Choosing concise and descriptive keywords that get right to the point is the right way to use keyword searching in Academic Search Complete. If I am interested in articles about the future impact of climate change on the state of Florida, I can type Climate Change into the first search field and Florida into the second search field. You can see the default is to combine the keywords in the search fields with the Boolean operator AND. Leaving it set to the default AND will usually serve you well because this means that the words in both search fields must be present somewhere in the article or its record in order for the article to be returned in the search results list. You can use OR for situations where either the first keyword or the second or both would be acceptable. An example of a search where OR could be useful is if I wasn't sure if climate change or global warming was the preferred terminology. I could search for both combined with OR and receive all articles that mention either or both of those terms. Use the third Boolean operator NOT sparingly as the database will eliminate all articles containing the keyword entered after NOT from the search even if the article is not primarily about that keyword. Now before we click search let's have a look at the limiters. You can set some or all limiters now or after searching on the results screen where the limiters will appear on the left side of the screen. Commonly used limiters include full text, scholarly peer-reviewed journals, and published date. By selecting full text you are eliminating from your results articles which IRSE libraries does not have full access to. While many of the sources in this database are scholarly or peer-reviewed some sources like videos or newspaper and magazine articles are not. If your assignment requires scholarly articles go ahead and check this box to weed out sources which have not been peer-reviewed. Similarly some professors require students to use newer sources. If your assignment specifies sources published in the last five years you can set that now in the published date fields. Now we're ready to click search. After searching you will see the results page. Your search fields are still at the top of the screen and the limiters are now to the left. Your search results are this list of articles shown in the center of the screen. They are listed by date newest by default but you can change that to sort by relevance instead if you like. The journal article titles are listed first and are hyperlinked. You can click on any title to see the detailed record and the full text of the article. Let's have a look at one article by clicking on the title. This is the detailed record for one journal article. You can see the title, the authors, the source, which is the journal the article is from, the subject terms, which are the categories the database uses to group similar articles together, and the abstract which provides a summary of the article. The full text of the article will be available at the bottom in HTML or over in the top left as a PDF or sometimes both. On the right side we have some tools. Email, site, and permalink are very handy tools. When you find an article you like and may want to use, it's a good idea to email it to yourself right away so that you don't have to try to recreate your search if you decide later on that you want to use it. Click on the email tool then enter your email address into the email to field. You can select the radio button next to citation format and choose your citation style from the list to email yourself a direct link to this article and the references or works cited citation. The site tool is everyone's favorite feature. Click on site then scroll down in the window that appears above the article title. Find the citation style used in your class and copy the citation. Now you have a complete citation you can carefully paste into your references or works cited page. This tool does make some mistakes so check your citation against the examples on the citation lib guides to be sure it's correct. The permalink tool is useful for sharing the exact location of this article with others at IRSE like your instructor. Congratulations! Now you're ready to search for articles using the database Academic Search Complete.


Name another podcast like this. Check it, check it, check it. It's a unique hustle. It's your boy, E-C-E-O. And I'm here with a lovely, amazing official. Mr. Mako, what's going on? None, none, none. You know my dad, what's going on? Hey man, we in Los Angeles, man. Hey man, you gotta be well connected and, yeah, respected, man, to get this guy right here. He not feel that you just come in his hood. Really, you niggas in trouble, man. Y'all, we don't pull it up on the gym, nigga. Yeah, man, come to me, it's in the building, man. Yeah, yeah, what's up with it? Man, thank you so much for inviting us into your city. I appreciate you for having me. Man, you one of them guys, man. You know what I'm saying? Like, when I look up here and see the city, I'll be like, dang, man, wonder what that nigga like. You one of them guys, you know what I'm saying? You got the star power to look. You know what I'm saying? What's he saying? Yeah, he does. That's you, man. Because all I can do is remember him and straight out of contact. That's all I'm like, yeah, you. Man, I mean, it wasn't hard to prepare for something like that. You just had that scene like, I'm a killer. How did you end up even getting in that situation? Really, when I, once I, well, I had a mutual friend that was working with F. Gary Gray on the movie. Okay.  Cause I just wanted to be more into what it, you know what it is. It was just a good look, came out good, everybody loved it and now it's another blessing in my life right there. Who choked? Like who, how did you, you didn't know none of these people, how did they call you or what? Well, F. Gary Gray, he just said he been following me. He liked my image and he just saw me in the movie.  Right apart in there, he is.  Like you been putting it down for some years. When it comes to the music scene and all that stuff. So I know how, I know how my wife feels.  She feel to go down through there with you. I'm not like that. I like to get to the juices stuff, nigga. I'm going to be over with cash, money, all this stuff. I want to know how this happened. But she got on with doing, I got to respect them. Yeah. Cause I want to know how you were raised, where you were raised, environment you were raised in.  Anything, but you know, I wasn't going to say it was just, I was raising like a normal household, I would say. You get me? It's just, I grew up, it was two of my sisters, my mom, my father, you know, he was an army veteran. He passed away now. Rest in peace. Rest in peace pops. Yeah, but I always had like a different thought about different things and how to carry myself when I was the one outside the house and when I was the one inside the house, you know. So I guess that always helped me, you know what I mean? Yeah. Being one that grew up in Compton, man, up in Compton. I done been told how to say it, because it doesn't check me already. Oh, gee, nigga, I told them all to check me. Oh, you know menace? I said, I know, I'm getting to know him, nigga. That's my guy, you know, he's like, oh, he's a good dude, man. Everybody love you, bro. Even them dudes just left it like he family. Like you got a good report in the city, bro. I spread a lot of love. You feel me? Yeah. I spread a lot of love.  Wow. It ain't nothing behind it, behind it. Behind the carpet and then like that. Yeah. So straight up. So just being around like the whole Compton area, just tell us how it was like when you first, you know, start coming up and start understanding the streets and like just like how I'm a move, where I'm a go, like who you, how was you linked in, like, you know? Yeah, well, like in my neighborhood. Yeah, a neighborhood. And they say that, well, I grew up playing sports, like basketball. Oh, you played at ball? Yeah, you're tall. You had some? Yeah, it's like. You take a nigga? I could have went to college.  My girl. How many kids you have? I got five kids. Wow. Yeah, I got a brand new baby. That's the one we seen. Yeah, yeah, yeah, yeah. That boy ready, right? Now I got a 14. Are you done? Nah, I want like 10 kids. I got a 14 year old, 11 year old, 10 year old, eight year old, and you know. So you start, so what happened to the gap? Eight year old and then dropped to him? Well, I was doing a lot of just moving around and not trying to have a baby at the time. Oh, okay. Yeah, you were. But you were on 10. Yeah. Wow. How many boys, how many girls? How many I got right now? Yeah. How many boys and two girls? And two girls, okay. He moved with precision. Yeah, yeah, I think you're not playing. Got a, got a, I wasn't. Oh, I said he could come over here if you wanted to take, if you wanted to do, was he trying to take pictures of you? Nah, he's just videoing. Oh, okay, I was gonna say if he wanted to do one of you. In Japan, he actually had artists out there too. Really? Yeah, yeah, yeah. So basically, how did you and him link? Man, he met through mutual people, but we just been grinding together. Grinding together? After that, yeah, yeah, yeah. He got a lot of city doing a lot going on. That's crazy. The same culture that we have over there they have. What's his name? John Doe. John Doe. John Doe. John Doe in the building. He's behind the scenes doing his thing around his thing. You know what I'm talking about? Yes, sir. Man, John Doe in the building, man. So if you went over there, you would swear that you was another too. Oh, yeah?  That's Doe, man. I know, man. That's right. Man, so when you think about, like I said, the come-up scene, you would link with the game. Yeah, I came up with the game. Yeah, so did you take that nigga to the hoop or what? No, he good at basketball. He good at basketball, he good at rapping, do you feel me? Yeah, yeah.  That boy be rapping, man. That's one of the ones right there, like, when you think of this place right here, this nigga is like... Yeah, nah.   Come out his room, you just see what's happening right now. When did y'all link, how old was you? I link with game probably in, I was about 19. 19?  So we had a mutual friend too, shout out to Michael Hunt. Okay.   You feel me? Just come hold him down because they want to know some real niggas around. Yeah. So that's kinda how I really got in there. And I was playing sports at the time for like Southwest College. Okay. And then I just fell in love with the music. Man, and there is this history, huh? Like, when you think about the, you and like the South, for some reason Lil Wayne and them have a real connection to this L.A. culture. When I look at Birdman and them and I've interviewed people and I always be like, dang honey, they love the L.A. culture. They lived out the blood and all that. The colors, they whole set up is funny because they name cash money after that movie. But then, that's in New York. But then you end up looking like the people of L.A., you know what I'm saying? Do you ever think about that? I've been Birdman a long time. See, yeah, Wayne, Wayne the good dude. Wayne the good dude. Me and Wayne had a relationship before me and Birdman did. Yeah, y'all did. Wayne is a good dude, man. So Wayne, like you guys, like when you look at Birdman and that whole, they had a, was it, you was with them before they did what they called the cash money West Coast? Or did you? Yeah. You was before that, right? Yeah, yeah, thanks.  No, no, it wasn't. It wasn't? No, no. It was just, I think I was on a roll somewhere.  It was my situation. So after that, we had chopped it up and probably like a month later, I was on the road with Birdman. And we was just, you know, getting in, building on the music, having a bunch of conversations and he was telling me like, there's too many rappers in there, ain't no CEO, that's why niggas ain't getting looked out for that's why this and this, you feel me? So kind of, I did my project, I was supposed to do with them, but after that, it was, you know, the option. So I kind of took that to come back and build with, you know, my people went and we'll be up to now, you feel me? Wow.  Yeah, like, like it's not, I talked to King Noor, he the guy that rocked with them. You heard, you know, King Noor, they've been on my show. They always show me love, man. It's people that have been around him from Nicki, natural to everybody that been around him. God keeps putting me into Mr. People that rock with him. I know I get the interview in one day. You know what I'm saying? Cause I was like, man, I'm a big, she know I am about Birdman. Like this nigga boss, I love boss talk, you know what I'm saying? So it's like this dude here, man, and everybody's story be like that, you know? And it's like genuine, you know what I'm saying? Like you did, how did the song come about with Lil Wayne? I had, really, me and Wayne was real close at this time. So the game had me hit him up so he could get verses from Wayne.  Oh! You know what I mean? So he did the verse for me and then he was getting ready to go to jail.   So he's like, I'll be out there on Wednesday. Let's shoot it Wednesday. And that was before jail? That was before he went to jail. So he pulled out and shot the video. Why do you think he picked that time to do it? Just he wanted to get something out before he went? He was probably in LA and he probably just wanted to work. Yeah, he wanted to just make sure that he could fulfill promises. Yeah, cause he was doing so many features and everything. Cause he knew it's going to be gone for a minute, so. Yeah.  Yeah, trying to figure out a way to stay relevant until he got back. Cause he knew his beard wasn't that long. He didn't have a long beard. Like something that was going in there and the niggas don't know when to get out. In the entertainment a year away, that's a long time. Do you think that, like it's a plot against you guys?  Do you think it's something like a special kind of way that they treat y'all in a bad way? You get a bad rap for you. I mean, from what I came across personally, like sometimes cops do have like a bad, you know, day or something like that. And probably have an attitude or something with you. But at the end of the day, you gotta know how to deal with people yourself. That's real. So I feel like most people put, put theyself in a position that they do. Either with a ego or, you know, anything else.  I don't like going to jail. I'm like, I don't wanna go to jail. You know, I'm the same way. And I had the same experience being one that been through a lot. You know what I'm saying? Like a lot of times, I remember one night I got jiggy with the laws. I'm like, nigga, what you doing that to him for my partner? Then he can tell me, you move while I put my foot in your chest. And I was trying to flex, you know what I'm saying? The next thing you know, I'm in the back of the car too. I'm behind, what you saying makes sense? And I'm going to jail.  I'm in the car with my boy. Listen, he's looking at the car crazy. Turn around, pull his over. You feel me?  Exactly, you can't do it.   He said put your daughter in the back seat with me and see what I would do.  It's a black cop with me, it's a white cop with him.  He looked at me dead in my eyes and he said, see what? You feel me?  Damn. I mean, nothing to do with it. Wow. The white cop up in the door said, you got something to say?  They kinda got the leverage on you. You know what I'm saying? Thanks.    You've had to do that. You know what I'm saying? I talked to one of my cast men, shout out to High Boy Wiz, he was like, man, these folks make me nervous. When I go, he was young, he a youngster. He like, when I go out there and look, man, that crowd, man, it's a lot of people out there. I said, what the? He's like, Gucci there with me. It's a lot of people out there. It is, it is. So how do you deal with that? I mean, first coming in, when I first came into my career, it's like kind of crazy been around.  Like I used to have to call homies like, hey, you think they're looking at you, man? And kind of find out they was fans, you feel me?  And it's just a different energy that come while I'm on stage. And I just want to touch everybody. So every show that I have, I go to the back of the motherfucker, no matter where we at. You do? Every show. We're gonna climb it, we're gonna go all the way up, all the way to the back. We're gonna make sure you deal with all the pigs. So I'm on everybody level every time. Wow, that's love too. Do you take pictures with your fans and all that every time? The last one, if you want it, I'm here. Wow. Who was that told us that like, he gonna take pictures with everybody? That was what Kiki told me that. He was like, pow wow, gonna take pictures with everybody. I didn't used to do that. And I'm so privileged to be in this position right here, you feel me? Yeah. So I like, when I came up on the show. How did you learn that? Cause I saw artists and found out what it really was or how they was really acting and it made me, you know, not wanting to do something to them. You know what I'm saying? And the people that you come across, like they deserve like, it's what I mean like, if they see you want to take a picture, they deserve that. Cause I used to always say like, you know what comes with the business in the first place. So why go into this business if you're not ready to deal with your fans?  I don't want to do nothing else. Yeah, it ain't gonna have to work. It comes with a package. Yeah. Like it's so many stories we hear doing this type of work.  He couldn't believe he like, I wouldn't have done it. But it was like, they love him so much they tattooed their name on them. Like it showed it to him. Like, yeah, look, like, what the hell? That's what you call a super fan. Hell yeah. I mean, it's a lover. I embrace all that stuff. I got people out the country with my face tattooed on them. Oh really? Hell yeah. Is that the craziest thing a fan ever done? Yeah, well. What's the craziest thing? Yeah, I would say so. I would say so.  They're having a little way. They're having a little way. They're having somebody else. Somebody else. Who else? I saw that as a kid. I saw that, I saw it right up on it like two days ago. Some other celebrity, it was a white guy, some female broke into his house, an artist and was in there waiting on him. In the bed. They send that to many people in their house. In their house, right. Like nobody come to my house. Nobody. My neighbors is a, I mean my neighbors is asians in there, and it is. It is. Right, right. If I see, if I see a nigga look like me, I'm gonna ask you about it. What is he doing over here? You getting there? Don't listen to him. No, you don't live there. Who you living with? So, when you think about just, what's your favorite, like outside of LA, what's your favorite place to perform in? I'm like, man, it's the small places, man. That'd be the ones, don't it?  It's a lot of places in the world.  You get more love. It's just a different feeling.  They feel in the vibe, but they ain't gonna let it know, it be known. They don't want it, they want to be two gangs. Yeah, they ain't gangsta with it. But, you know, I like it when in places it's termed up where this is what it is to do, you feel me? I'm gonna tell you, like when we walked out of here, a while ago, we went up on the roof and took some pictures and it was like three or four people standing there and being from Texas, three or four people standing there, three or four people get spoke to. But here they don't do that. They don't talk to people. But tell them. That's the same like New York. New York is doing it. New York the same way we go up there, like, but in the South, like if you walk in, I don't even care, I don't care about your tattoos, none of that. I'm like, what's up, man? I might not even know you, but I'm just gonna do it because she know how I am.    What's up, bro, you good? What's up? No, my cousins from out here, they basically come, they used to be faster than us. They'll come down. They're like, I never forget these niggas were like, they let you pump the gas first down there. I'm like, yeah, nigga, what? These niggas trippin', they think like, we better go, then they like, you a buster, like if you don't steal the gas, like, you a, but they get mad at them, like, I don't know these people. They was so, they trippin', man, they come down to the wind, bro, and we took them to Shreveport, the same thing. They wanna check the other niggas to see if they really who they saying they is. I'm like, nigga, lead them niggas alone. These my first cousins, so we always, I would always laugh at how different we was, but we still a niggas, like, like Jay said. No, it's definitely different. It's very different. Like, when you went to the sound, what was something that stuck out to you, like they didn't, you guys didn't even rock with up here. Man, all these niggas the same, man, I ain't gon' lie. But really, with me, it was like the food difference, I think. But the food different? Yeah, it wasn't really about like, how they act or nothin' like that. Man, when I seen, niggas a little, all right, I'm gonna say this, niggas kinda scary on this side, bro, like sneaking. You feel me? That's something you see. Yeah, they sneaky. But it's different, though, called Hispanics. Like, I got an old school. They don't never say like, nice car, they just stare. That kinda weird me out. You know what I'm sayin'? I'm like, well, they don't just say it's a nice car. What they tryin' to think? I don't know what you do. Nigga, you don't. Yeah, I don't want you to know what they do. Nigga, I'm gonna get this one, nigga. Yeah. Thanks. Nah, man, it's just, it's a different way. I love getting off the plane in different places. You know, I am Philadelphia. Wherever I go, I like to just get off and just, like you just said, test the temperature of other people. Like, I be tryin' to figure everything out in the city when I get there. I go to the hood. I done been to Compton. I just had to go when I, I'm like, oh, what they do over here? You know what I'm sayin'?  Like, my people over here, yeah. But no, you don't wanna get caught up when it's Chicago, like, it's like, it's Chicago is the same thing. South side of the west side, yeah. What they doin' over here? But like, damn, they do somethin' cause Nigga be talkin', yeah. Nah, it's cool, it's cool. You have a problem in Chicago. I just got back. I be goin' over, I be trippin', I be like tryin' to figure this stuff out, man. But when you perform in Chicago, how is it? Have you performed over there? Yeah, I performed there before. It's cool. It's cool. What's the, so? I wanted to ask, since you are in straight out of Compton, have you had or, are you workin' on any of the film right now? Oh, yeah, I did Fatale, that came out last year. Hilary Swain, Michael E. Lee, Tyrant Turner. Wow. Directed by Dion Taylor, South of the Dion. I did BET Tales with everybody. Ooh! I did Kansas City, Double Crosswords, Crossroads. I did, um... And these were major roles or small roles? Yeah. Yep, yep. Okay. And you have anything comin' out that hasn't been out yet? Yeah, we really, we're startin' to get everything settled to do the series for OG Two-Tongue character from start out at Compton. Yeah. So we startin' to get that done. We should be shooting that by next year. And then I did Baby Gancer. That's a movie that was produced and written and put together by Bluzz and Chris from here in California in Los Angeles. So that was a big thing that we did. We all worked on that together. Did you end up doin' any acting classes? Nah, I, well, I did Snowfall for John Singleton and the first time he talked to me, he was like, I think you should... She did some acting. I think she did a couple acting classes. She lost her parts. You got it.  Man, John Singleton. And you did? Yeah, yeah. I went, I went like twice, but... He didn't like it.  They be different. That's what somebody told me. Everybody just in their own world. Bro, Columbus Chargers left here and I promise you, they crazy. They different, bro. The real hardcore, serious actors. It's, he was just here and now I'm like, this nigga here, he can turn it on and turn it off, baby. It's weird to me. I'm like, she asked him about a sex scene and about how, he's like, it's nothing. It's like going to work. He's like, they serious as hell, bro. Like, it's like going to work and going on. But we asked somebody else about it too.  Scenarios and you're supposed to just do it. And they were like, it's not that easy the way how people make it sound at all.   Like she Kevin Hart or somebody. No, but the reason why, the reason why I asked you that because right now in majority of your roles, you played almost the same type of character, right? But in order for you to change and if they wanted you to play a different kind of role, that's why I was wondering if you went to class to be able to learn all of those type of... Oh, no, for the next five years, for the next five more years, I'm gonna be the gangster in the movies. The gangster in the movies. Then when we start shooting our movies and they gonna get to see the lawyers and the doctors come up out of me. Oh, God, God, God, God. Yeah, we gotta have the power for it though, they ain't gonna give it to us like that. I gotta ask Fruitown, the difference between living there, I mean being there and being anywhere else, growing up like, I've heard Nickerson and all these different hoods, like what's the difference in Fruitown?  You feel me? I feel like that was different. They always steered me in the right direction. You feel me? Make sure I wasn't just out here hanging out and never put a gun in my hands. Never put no drugs in my hands. If I was supposed to be somewhere, you give me, then they'll make sure I was there. Like, you know, I had a different set of OGs around me. They felt, it was rooms.  You know what I mean? But then they said, well, if you know Tupac, the way he was, he not gonna listen. He gonna do what he wanna do anyway. Well, the thing about that part is like even some of my older homies, like I was listening to them, but I feel it was holding me back from my career and what I was doing. Yeah. But at the end of the day, I had to tell them, like, you own the fish market. You got this, you got this, going on, you got this, going on. This is all I do, you feel me? So I kinda need to make my own choices and moves and decisions no matter how they feel about it because this is what I have going on. Man, that boy got on that bus, OG, too, Tupac. Man, like you got on that thing, it was so real. I love that scene, bro, man. Hey, look out, dawg.  Like you went in, like I believed it, bro. I believed it.  Yeah, how many times you had to do that? When I first had, when I was getting the shit right, I had to ask for like a little 10 minute break or I didn't beat myself up real fast and show me the shot.  Yeah. Fitting like, like I was an acting class, you know what I mean? Fitting like that. So once I had got that message, then it was just all the way to go. Once I knew everybody was here for me, they spent $350,000 today. Just for you to do that scene. Let me go do my thing, you know what I mean? That helped that work. And it was a good thing.  That's what I'm telling you. You rocked that whole, man.   I feel like I'll watch the colors again, nigga. It went down. You took me back to colors, nigga. You know what I'm saying? That was definitely a good time to kick it off, man.  No, it didn't. It didn't. But you made that whole fit, though. That whoever directing you and that, but whatever they, did they write it on paper, nigga? How did they do it? They had to rewrite it. You had to rewrite it? Yeah, yeah, because you know how they write things, it's not like that. Yeah, you like this ain't it. This ain't it. That's not real.  He don't know the hood, nigga. Like you, I got to show this, nigga. There's a white ball, okay?  How would I do this? Mr. Midas, Mr. Midas. How was you supposed to be? How did they write it?  I probably got the paper somewhere after I had my hosting over with him. It was so long ago, I don't remember. That was like, what, seven years ago now. Yeah, man, but I'm telling you, that's the part of the movie when they told me that part, that's what's wrong.  So, man, working with Chris Brown, how was that? Man, Chris is a beast, man. They say he better than Michael Jackson. These niggas is saying it. Man, I ain't got to be around Michael, so I would be able to tell you.  They gonna put Chris on Michael Jackson, nigga, around this whole, yeah. Chris Living. Yeah, yeah, he living good. How do you feel like I did, I had a clip to go viral about Chris, to be honest with you, it was like, Artola was on there, and he was like, he was on my show, and he was like, man, putting guns in the hood, that ain't helping nobody, man. He said, he need to check in.  How do you feel about that?  Y'all niggas hangin' out.  But I never had no problem when I was feeling about what niggas got going on, other places, how they dressed, what they represented, because niggas need to clean shop from the inside before they start workin' about everything. You're right, like, we got some work to do.  Really? Like, you got niggas here that ain't genuine?  I always felt like that about, that's what it was, I ain't never, you know, but I just feel like it's all love, cause I gotta go to different places, too. But it's like so many people love the culture, did you ever think like this coach, I done interviewed OGs, I done interviewed everybody, but like, people everywhere, do you really understand how much they embrace what you guys are? For sure, yeah.  You know what I'm talkin' about? You gotta be careful, nigga.   Down south, they say cuss a lot. They said a lot, they don't mean it like that.  I know how they tryin' not to say cuss. Yeah, he a bud, he really is. He ain't tryin' to hear it, man. You know what I'm talkin' about, really, that's right. But it's crazy, like, you guys culture, man, and really just, it spread it, bro. And the young niggas really made it to where it was still cool, like, it could've faded away. But y'all lived it, it had to embrace it as well, you know what I'm sayin'? So, do you have to be careful what side of, I'm not from here. So, you gotta name, like, you can't just go to this block or that block? I go where I wanna go. So, the earth is your turf? I'll be on my bike, I'll be by myself. I just left Snoopy Blue, my homeboy got killed. Snoopy Blue. Snoopy Blue is from East Coast. He just got killed, I just came from, he was buried right there before I came over here. Really? Yeah. What happened to him? He got killed, gang violence. Here recently? Yeah, about two weeks ago. So you had to go by and visit his grave? Yeah, yeah, yeah. Today they buried him. Oh, they buried him today, so you went by afterwards? Yeah. Man, that's, and how did you know him, like, just in the streets? Been out here, yeah, yeah, was he an artist? Yeah, he was an artist too. That's what it was. It's been a lot of artists from up here that really been like, I've seen one dude, I think he got stabbed in the neck or shot in the neck. Yeah, Draco. And then it was another one that got shot at a place, you know, it was one before that. Like it was like back to back to back. Nah, it was a couple of them, it was a couple for sure. How does that, that's why I go back to the rappers again. Like it's like, dang man, like it's a target thing. You got Dolph down in the south, Mothree from where we from. A lot of people be doing things besides rap. So what I'm saying is- It's a lot of Mothree though. Yeah, it ain't just killing the niggas at a rap. It's a lot of niggas dying period too.  So do you think that like, when you think about just the coach up here and when you go to other cities, like people, they respecting like where are you from? They, it's niggas that, I ain't gonna, we wanna bring this up, but I gotta bring it up. I had Larry Hoover at my store Larry Hoover Junior and this nigga that was on my show, he just came by. He out there throwing the Hoover signs like this nigga is lost in the south. My old boy said to me, he said, look at this fool man, he think this nigga- It's from Hoover. Ah! That's every, these young niggas crazy man. They ain't doing whatever to fit in this thing. You know, like I be tripping off of a bed. Cause they young, I'm old, so I ain't got a word about it no more. I'm like, let that nigga go, babe. Right, yeah. They ain't thinking niggas ain't on the right of cereal. How he's going up? Do you see, who hot in like, if I was listening to a hot artist in LA, somebody I'ma look up, who is it now?  I hot it, but everybody don't know about it. LA? I would say, it's always named G-Down. G-Down, remember that. Write that down for me. I need that. He probably, G-Down 103. G-Down 103. I'ma listen to him. Bye-bye. Anybody else? A couple people, man. Lawless, he just got some plex, young artist. Lawless? See, I mean, I know how you telling me the truth. You's like, you know what's going on.  You rock with. No, that's what I want to know. Top three artists of all time, dead or live, I'm gonna get you out of here. Top three artists, dead or live. I say Tupac. Tupac and Lemoy. Number two. The game, I got to put the game in there. Yeah, that boy bad. Number three. Drake. Drake? What? Drake, this nigga slide in everywhere he go, man. But you know, but you know what's the most popular top three we've had? Oh. We've had Michael Jackson, Prince, and then Tupac. And Tupac. The top three. Cause he's any genre. Not only rap. Yeah, but he shut it down with his, don't try to change his genre, that's how we rap crazy, right? Man, so did we miss anything, man? My boy man come to Menace in the building.  You gotta be kidding me. Don't say you know. First urban to get it done. You got a Harley-Davidson deal. Well, we're gonna do a lot of promotion, partnership, cross-branding. I'm trying to get an ambassador, deal with them so I can build my own bike. Wow. How did that happen though? If somebody say something can't get done, just don't believe me. So you reached out to them or did they reach out? I had a car, Ryania. She do a lot of business for me. Shout out to Ryania. I told her that I wanted to try and get a Harley-Davidson sponsorship or something like that. So she reached out to us like three, four months. We came up with agreement and you know, that is right. That's a blessing, man. How many Harley-Davidson's do you have? Right now? Yeah. Five now. Wow. And you be pulling them out and sliding everywhere, all over town. Well, now that I let the homies ride. Oh, you let them ride with you there, and y'all be rolling? Yeah, fact. Well, y'all go what's the longest trip you ever took? That whole like, like driving an old school. Nah, like Vegas, you feel me? Yeah, that's dope. That's three and a half, that's about three. Before we go to Oakland on the first. Y'all going to Oakland? Like six hours. I never been to Oakland. I want to go up there, man. We going up there. We going up there. I'm trying to get too short. It's gonna be Vegas, gonna be like 2,000 bikes up there. Oh, yeah? And are you a part of a club? Yeah, Street Woods. So I'll tell you Street Woods, man. Compton Street Woods. That's cool. Yeah, we got a low water bike club to Rack City, and we got a car club to all Racks. Yeah. So in all y'all club? Yeah, classes. Y'all be killing it, don't you? They still riding them 13s out here? Yeah.  He got 13s on his car. Do it. I'm going in and out in there. Them 13s, boy, they serious about them time, man. And it's some dudes that move to Texas and they be rolling like that from LA, but they be in Texas. Abbey tripping me out and then we got a lot of Hispanics. They ain't playin' no games. Yeah, they out in there, they with it down. Like they pull up and they gonna hit switches like they out here. Do they still be in them switches like that? Yeah, yeah. Where they go? Like what day is a good day? I can see them do it. Saturday? Sunday, probably. Yeah, like Saturday, Sunday, the beach. Dockwalla Beach, they all out there. Dockwalla, remember that? Dockwalla, that's what Beach we've never been to. Yeah, well, hell, I need to go there. And it's straight off the 105. And it's the old schools too? They be killing it.  Hell yeah. I mean, see, I don't know that. So if I knew that, I'm going. You don't go check it. Tomorrow we gonna go to Malibu, so we're in Malibu. They're gonna be in Malibu? Yeah, is what you gonna be at? Yeah. Y'all just over there chillin', showin' them bikes off. Yeah, that's right, that's right. You pull up on them. Niggas say, there you go. He outside. So they know, they know the, like what's the name of the club again? Compton Streetwards. Come. We got different chapters, shout out to I.E. Streetwards, shout out to all the Streetwards, we're the Compton Streetwards. Y'all got the shirts or? Yeah, I seen it, yeah. What's on the back of that hole? So I know when I see y'all coming. Yeah, that hole goin' in too. Got the wolf on that hole. Man, whole love. Man, whole love, and it's leather. It almost remind me of what's the name. You know what's the name, right? Fred Hampton, Jr. Oh yeah. They done Black Panther with that leather. They ain't playin' with that leather up there in Chicago, man. Man, thank you so much, man. It's a love, bro. I love you, bro.  When you come to Dallas, you better check in. I'll for sure, for sure. You be like, A.E., I'm in Dallas, I'ma pull up. And I don't even go to it, they know it too. They be like, that nigga don't come out for nobody. Yeah, shout out to the homegirls, she own the Weed Spot in Dallas. It's a CBD. What's her name? Uh, uh, uh, uh, April. April? Yeah, April. And where's that? It's, she got like three locations up there. Really? Yeah. And it's called what? The Weed Spot. The Weed Spot. The Weed Spot. It's CBD because it's not legal over there. What's coming? She getting ready. She piped up. Yeah, yeah, yeah.  It's dope spot. Check it out, yeah, check it out. Man, thank you so much. Shout out to Sean again, man. It's my dog, man. Shout out to Sean. That's the reason I'm over here with my boy, man. Compto Minus in the building. I was excited about this one. And as soon as I was like, I got you one, man. I'm so happy that I got to, you know, hang out with you here in Los Angeles. I feel like I'm in there now. I done did comedians. I got my boy right here, Compto Minus, who an artist and an actor. It's going down, man. Check it, man. Hey, man. Hey, how can people get a hold to you? I got to say that. Compto Minus, everything. Just look up Compto Minus, everything. Everything, man. See, I go tag Harley-Davidson, thank him for giving us a nice position. Look at how he do it, man. This nigga here can always come on my show, man. Nigga's kicking it.  You don't even know it, nigga. I'm gonna be calling. He's like, man, we got to do another interview. Let's get it. Let's get it. If you're up on beer, I got a wife too, so we got to go. Yeah, I'm gonna be here. Okay, cool. Yeah, we're gonna be here. We ain't doing, we're here. We outside. They did what they said, huh? Them young niggas. There you go. Check it, man. Hey, man. This is another great segment of Boss Talk 101 where the boss is talking. Oh, yeah. Man.


You are about to witness an epic Tarot Magnus reaction. Kamehameha, Magnusites. So, we got a trailer here for Hyper Dragon Ball Z. Demo trailer 2014. I have not seen this, nor have I heard about this. So, let's get it in. It's got over a million views, I believe. So, it must be good. Look at this wall.  They did it just like Street Fighter. If this is real, I'm gonna look it up. Y'all better let me know if it's real or not. I did not, boo. He was hitting them with some hard, hard straight ones. What? A mix between Super Street Fighter, Super Turbo, you know that remake they did with the better graphics and Super Heroes. Magnusites. Oh, man. That was good. I'm gonna look for it right now. Post some comments. If I don't find it, let me know if it's real or not. If it did come out. All right, y'all. That was good. Thank you very much for sending that to me. Y'all, if you like my reaction, hit the like button. If you didn't like my reaction, hit the like button. One million subscribers with a 100,000 subscribers plaque on the way. Woo! Subscribe!


Here's to the superheroes in white. The ones who stand for the purest of things, life. Adding hope to their prescriptions. Equipped with state-of-the-art tools like goodness and compassion. Here's to the warriors in white. The ones blessed with a healing touch. Spending their lives saving others. Bestowing equal parts of care and comfort. Here's to the knights in white. Being the saviours in times of need. Curing troubled minds through their comforting words. Because amidst all this chaos, they are the voice of calm.