What's the word y'all another instant reaction one take no edits carry Irvin is a Dallas Maverick Let me let me say that one more time Kyrie Irvin is a Dallas Maverick See something told me not to leave the house today. It's Sunday. We usually go grocery shopping for the week We be running errands and stuff. I was like, you know what? Let me chill Let me tune into the Charlotte horn is plague is your lendo magic on a Sunday afternoon a game that nobody's watching other than the People in the arena I was wanted I'm one of the people on the outside that was watching cuz I just had a feeling I think it was gonna be Kyrie Irvin is fast, but I feel that something in the NBA was gonna fall and the biggest domino has fall as fail as fail Kyrie Irvin is a is a Dallas Maverick. That is so crazy to say alright. Here we go If you don't know here's the trade package. It is the Brooklyn Nets trading Kyrie Irvin's for Spencer Then what he doing finish Smith a first round picking multiple seconds off rip I was like, whoa, that's insane and happen Luke and Kyrie. How this gonna look We don't talk about that and then the tweet came out six minutes after that Saying that the Dallas Mavericks are sending a 2029 unprotected 2029 Cuban we couldn't add a top foe I'm saying we but you give us a lottery a top eight a one a one now You probably think okay, we had Luca Donchich for fall of this time We can't even say for sure the way players are moving across the country to play for different teams now I'm not saying Lucas that type do I'm just saying 2029 is so unpredictable and two years ago was unpredictable last year was unpredictable 2029 unprotected is crazy Especially considering this could be a half a season plus postseason rental and I'm also looking that my green screen is tripping So let me let me do that again. No takes look at that now the green in the background is still green You see Jason Tatum right here on that speaker. That's Jason Tatum. If you didn't know shooting a jump shot 2029 protect this crazy Especially considering this could be now now you can argue that you don't pull off this trade unless you're giving Kyrie What he wants because obviously the reason Carrie Irvin wanted out was because of the contract stuff We're not trading for him and we know he won't this amount of money and that's the reason he was willing to walk So if Mark Cuban and must think okay, we're gonna trade for him We're gonna give him this money, but now I'm thinking about it even if you gave him the four year 200 million He's looking for that steal ending before 2029 So this is this is a swing Will it be worth it? I'm the only time will tell the new cycle is so crazy because we found out that Carrie Irvin requested trade I don't know we're on Friday And again, I'm saying I don't know we're because as long as Carrie Irvin and Kevin Aran had been healthy I think this the stat was they were 20 and four in the season something along those lines 24 on the season so when they had been playing together They had been damn good damn near unstoppable and they looked like they were a contender and then Kevin Aran got injured or whatever He's gonna be back soon So you thought that there was nothing going on Carrie Irvin and things have been going great for like two months or so And he requested a trade and in that he said either you move me before the deadline or I'm gonna walk it free He basically saying hey you do what you got to do but no matter what I'm leaving And it also came out from Chris Hayes that that of course it was the contract things that led to this But he did say that if you don't move me before the deadline I'll honor my contract I'll continue to play in that left a little bit of wiggle room for Joe side company Because because because whenever hoping they were damn good. So maybe there's a world We don't find the purpose perfect trade partner and we're willing to let Carrie Irvin Just play out the season may we do something some damage in the postseason and then if you want to walk so be it Nope this morning came out that the brickling that said you sit your ass at the crib Kyrie We don't find a partner and it ended up being the Dallas Mavericks The Dallas Mavericks also says six days ago that they were willing to trade Dora Finney Smith for a star level player And we laughed I laughed Dora Finney Smith like he's a really good role player though It's like that. You know I'm saying catch a shoe. He's gonna be he's gonna be on the perimeter He's a big wing that guards on the perimeter like he does a lot of stuff But willing to give him up for a star player and it happened they did they literally did it They literally did it mark Cuban and I've been guilty this right I'm a guilty of this saying that the Dallas Mavericks need to get Lucas something because you never really know What's gonna happen? You have to take advantage when you have us a talent like Luca Dodge You have to do everything in your power to build a team around them That's competent enough to get before championship.  Absolutely not So anytime look at Don just had a game where he had 26 points and nobody else in the team had double digits I was tweeting about it at a tweet that said mark Cuban, please like do something do something help this man out He got 57 points and especially they would he got 12. He's a second lead in score And they did it they got Kyrie Irvin And now we can start thinking about the fit between Kyrie Irvin and Luka Donch as far as on-court stuff I don't think it's gonna be that much of a problem because as long as we are just talking about the basketball Kyrie Irvin alone side whether it be Kevin Arant. Kyrie Irvin alone side LeBron James He's a guy that LeBron James specifically is the one we should probably focus on because LeBron James is definitely more ball dominant than Kevin Arant is Kyrie Irvin has been able to be successful So Kyrie Irvin is not a dude that needs the ball in his hands to be the ultimate version of himself I just looked it up before I hit record in this video He's shooting 42% on three point two three point catch and shoot attempts to season like Kyrie Irvin We know he can he can do his thing without needing the ball And of course Luka Donch is a guy that uses and needs the ball a lot But this is also gonna go into allowing Luka to not have to have the ball all the time because Kyrie Irvin is that nice Strictly talking about the basketball. It is definitely going to hurt to lose guys like didn't we it's going to hurt to lose Dough because now that perimeter got some got a hole in his first perimeter defense Josh Green got to get to work and Josh Green a 6-8 with wingspan That's crazy. You know what I'm saying, but it's the price you have to pay in order to get a guy like Kyrie Irvin Now again, I think that's 2029 first round pick unprotected. It's kind of crazy But but like having to give up quality quality players in this trade is a necessity So now you're running out lineups or Kyrie Irvin. You have Luka Donch it's gonna have Christian Wood eventually You hope that Maxi Clebe is back like I think they're they're hoping That that Maxi Clebe comes back and he's extremely healthy And he's the Maxi Clebe we saw in the last year title run or conference finals run because they're gonna need that They're gonna need his protection They're gonna need his his versatility on defense because losing Dora Finney Smith is ridiculous Now, I wouldn't be surprised if this is not the end of the work for the Dallas Mavericks I don't think they're about to go crazy because again, he's gave up 2029 I said you can't go much crazier than that. You just trade it for Kyrie Irvin You can't get much crazier than that But I do think there's there have some holes now where they'll probably try to feel using some stuff And I just don't know exactly what that is, but I'm excited to see the Dallas Mavericks take a risk Even if that risk is I'm sorry. I can't convince myself that 2029 was worth throwing to the story. Yeah, I can't convince it I'm sure I was gonna say who you who you were competing against you're probably competing against one of the Lakers Maybe the Lakers were willing to throw in 2027 and they were like no We ride we want something further down the line and now the Dallas Mavericks they gave me 2029 I don't know but from the Brooklyn Nets perspective again We mentioned in our video It's not a tray where you're looking for crazy draft capital again I think you got some you did get crazy draft capital in 2029 But you wanted to get people in that can help you right now Spencer Damwon he's back in Brooklyn Spencer Damwon is having a really decent season and it just adds another ball handle as a team since you're giving up a ball Handling Kyrie Irvin and Dora Finney Smith on a wing is dope because right now that they've been a decent defense And a lot of that is is Nicholas Klaxon holding it down who should get some all defensive votes It's Kevin Arant playing the best defense of his career when he's healthy and then Ben Simmons don't score the ball Don't do shit offensively, but defensively He still locked in and stuff and now you add dough to that and dough has the two-way thing like a guy like Joe Harris He's a great shooter He ain't got the defensive side of the ball You know I'm saying Seth Curry's one of the best shoes in basketball But he ain't got the defensive side of the ball and dough can add like slightly above average three-point shooting when he's doing his thing And and really good defense. So I really do like this trade for what it's worth For the Brooklyn Nets because again We knew that the value one gonna be some of the stuff that y'all was sent sent to me Which was Zach Levine being the one traded or or the value I saw some other things like us CJ McCullum and stuff like that you running and get that tier player the the tier underneath the current all-star tier But you got some solid role plays was exactly what you need for Kevin now Kevin in this without no stars Kevin is in this with his own team with no stars around him anymore And we'll see what happens come playoff time because I do think once Kevin comes back this team is still competent enough to Hold one of the top six spots. It could be wrong But the team is deep you know I'm saying the team is good and I would love for them to get like a backup center in this one Maybe I mean maybe didn't want to take to the white pals contract or something because you are running some day Ron Sharp who will go out there in the case to get you a 14 rebound game But he also let Al Horford shoot a wide open three without even turn this hit the notice the ball hit bit inbound Like that's the type of stuff you can get from day Ron Sharp And there I think Brooklyn S fans are probably feeling pretty good right now after cam Tom has just showed that he can randomly drop you a 44 and now you got dough and Spencer Then what he I'm sure that there's gonna be the what is it the five stages of grief or whatever You're gonna go through that Brooklyn And I think Dallas is about to go through a different couple stages with Carrie Irvin on the team And I'm still waiting again this trade just happened. I follow a bunch of mass fans I'm I need to go through the tweets I need to go watch some of their videos because I don't know exactly how they're gonna feel about this Of course Carrie Irvin again as a talent As far as talent on the market, there was no bigger name. So you did that You know I'm saying you got into the ball handle for the Dodgers so he could take a goddamn break everyone So how and you got another dude that can be a carry Irvin is a killer, bro Fourth quarter scorn. I think he still leaves the league. So you got two Bonafide closers in your lineup and don't get a lot better than that. It's a stone You know I'm saying it don't get a lot better than that even if you had to give up 2020. I still camp Lakers quickly Rob blink of fun with it It had to get too complicated. It had to get too complicated They didn't have the role players that the Brooklyn Nets were looking for this is my speculation Of course, I ain't my sources and my two my two sources one and on any of these organizations So I would assume that that the the Lakers of course don't have the role players that the Brooklyn Nets were looking for So they were calling around to the Spurs They were calling around to the jazz trying to get them to come in and help them out get Carrie Irvin And in this one you see they didn't the Dallas mavericks didn't need any help sweeten the pot a little bit with a 2020 Not okay. I'm done. I'm done. I'm done. That's all about 2020 now But they sweeten the pot a little bit, but they didn't need any help This is a trait that they might have negotiated for a couple seconds. It was like I you got it Those one of the better role players in basketball dorm a semester. Dimity is one of the better Secondary type ball handle type tubes and now he's basically going back to a primary ball handle in eyes in Brooklyn And the Lakers missed out Lakers missed out I mean even LeBron James was talking about it and his post-game interview LeBron James tweeted a crown in the eyes emoji Once he found out Carrie Irvin that requires of the trade He went to a post game interview and they asked him about it and he said that's the piece We need to get over the top and they failed to do it And it felt inevitable, you know, we made a video where you're talking about the potential teams that Lakers were number one I think I had the Mavs number two or number three I think they were number three because because the Clippers were number two another scene I missed out on an opportunity because they also have really quality role players They could have done similar things to what Dourifery Smith and Smith's identity, but they probably want thinking about giving up a 2029 You know, I'm saying so the trade has happened Let me know what you think Carrie Irvin is a Dallas Maverick We might revisit this in two days and have a different opinion, but again instant reacts, baby Leave a like subscribe subscribe to the enjoy basketball newsletter. The link is in the description Level-headed content there Similar to me if you like what I do around here You're gonna like to enjoy basketball newsletter because that's that's what we do. I appreciate you


And then I will go to the last big feature that I'm going to cover today, and this is the new endpoint point for importing tracker data. This is a feature we have been working on for well over a year. And we have been working in the earlier releases, we have been working on this new endpoint. The reason is that even though we are constantly enhancing the old endpoints for tracker data and the backend for tracker data, we have seen that in order to make big progress, we would need to rewrite the old endpoints and make new ones. And in the new endpoints, we would build the functionalities that we want needed. We will use a new architecture that is more maintainable, easier to optimize, and more expandable with functionality. So in the 236, we are releasing the new endpoint. It's being released side by side with the existing endpoints. And that means for anyone that is using tracker endpoints in their custom apps, they can still use their apps with 236. Nothing is being removed. But in 236, we are also releasing this new endpoint side by side with the old ones. This is mainly to give app developers and scripters an animal interested the opportunity to integrate with the new endpoints if they upgrade and try 236. In the later version, we will completely replace the old endpoints with the new one, but we have not decided on when this will happen. And we have no information on that today. It is a couple of releases into the future, for sure, and we are having to take input as well from you if you have any input on that topic. I will show you a little bit of the new endpoint and to make it visible, I think I need to stop sharing and then share a specific window. So I will do that right now there and share only my postman. And this seems very technical, but I will try to narrate as well. The new endpoint is located at API slash tracker. I can send data to this endpoint much in the same way that we sent data in the old endpoints. One of the differences between the old and new endpoint is that the new endpoint is asynchronous first. And I'm getting a reference back to check how my import is going as a link here. And I will need to go and ask for a result from the API and see whether my import was done. It is also possible to do synchronous direct imports if you want and need that, but we are trying to encourage asynchronous first. So if I go and check my job here. I will see that I got an error back and this is an error that might be interesting to look at. It says that it's generated by a program rule and that either first or last name needs to be supplied. And here we see one of the things that is new in this new tracker importer. It's no longer running only rules for sending messages. It's running all the program rules for validating, assigning, hiding and other operations. And it's possible from the API side to generate error messages like this. This one is an error message that states that I need either first or last name to be supplied. And in the payload that I sent, I did not send any of those in. And I will enter it here and send the payload again. And again, I will open the job. I will look for the report. And I see that the import has been completed successfully. This is because I fixed the problem that the program rule reported, the cross validation problem.


Hey everybody, Steve McFart here at Monview Dodge. What do I have here? A beautiful Jeep Gladiator Rubicon. We have a front camera here for when you go down that trail. Awesome, and it can wash off if it gets dirty. You got a front steel bumper that you can remove that and you can put a winch on if you want. Cool hood. I love the graphics across there against Rubicon. You got nice tires on the front. You can release your sway bars. You can lock in your diff's front and back. Leather seats. Red interior on that with that. So nice. Lots of room in the back here. Not that you want to put anybody in the back anyways. Nice hard ton of cover on it. Coming on the back again. You got your backup camera. Nice cool red tow hooks in the back. Trailer tow all ready to go. So, and sensors as well. So when you're ready for your Gladiators, you can see me, Steve McFart at Monview Dodge. Have a great day.


Hi everybody, Joe for JaspysCaseBreaks.com here with 2020 Panini Prism of Football, solo pack break number 84, giving away 10 of those Flash 1 NFL Mixer spots, that's coming up next in a separate video, big thanks to this crew right here for filling up this filler break and there are the teams right there, let's roll it and randomize names and teams 10 times, the giveaway part will be in a separate dice roll, but for names and teams 10 times, 1, 2, 3, 4, 5, 6 and 10, 5 and 5, 10 times for the teams, 1, 2, 6, 7, 9 and 10 and final time. Alright, first half of the list right there, boom, second half of the list right there, bam, that's the Mixer in the background right there, separate video, this is for the filler, might be some surprises here, nothing too crazy there, what about the red, white and blues, Xavier and McKinney, alright, hoping for one of the big quarterback names, that's alright, now let's flip back to that list and let's see who's gonna win those final 10 spots, let's grab everybody's names, new dice, new list, let's roll it, let's randomize it, 3 into 3, 6 times, 6 the hard way, 1, 2, 3, 4, 5 and 6 and final time, top 10 after 6, so from 11 on down, tears, sad times, unhappy faces, sad emoji, but happy time, happy emojis, 4, Sean O, Sean, Sean, Sean P, Steve Burch, Sean O, Sean O, Sean, Sean and Sean, wow, what a run, 8 of the 10 spots, I don't think I've ever seen that before, all S names, so congrats to the S names, congrats to the Sean's, Steve the only non-Sean in there, that's pretty crazy, thanks for playing, thanks for watching, thanks for breaking with us, I appreciate it, we'll see you for the mixer in a separate video, jaspyscasebreaks.com


So my name is Michelle Daly and I am a PhD student at the University of Limerick within the School of Modern Languages and Applied Linguistics. And so I'm researching novice teachers who go out to Dubai to the Gulf region and looking at intercultural awareness. So I have a great insight into teacher training. But as well as that, I'm coming to this interview today, I suppose, from a training teacher point of view, but also an English language teaching point of view. So I teach on a program that is a partnership program between the University of Limerick and Shangdong University in China. So I have a lot of insights into how we teach online, both from my own perspective of a teacher, as well as the students perspectives. I think that's important as well to highlight today. And then I'm also working as well as a language advisor for a partnership program between the University of Limerick and students from the Algerian context that we teach online and their trainee teachers. So I'll be drawing on some insights there as well as we move forward in this, Peter. Great. So I'm going to start by asking you what challenges the pandemic has posed in your classroom. Okay, great question. Where do I start, Peter? So I suppose the challenges that the pandemic has posed in my classroom, definitely with teaching online. And the number one aspect I see is student engagement and how can we foster that type of engagement moving from a classroom based context to a virtual online based context. And as well as that I see challenges in terms of internet connectivity and time zone issues when you're teaching, let's say in the Chinese context or the Algerian context time zone definitely comes up and opposes the challenge. What is that technology use? So the upskilling for staff. That is a major point that has come about as we have, you know, engrossed in online teaching as this pandemic has drawn with us. And as well I think classroom size that has posed as a challenge. So I'll be drawing on all these aspects today as we kind of come up with solutions to these problems. But another aspect I see that might be more easier to manage in an online classroom or sorry in a classroom based is the use of L1 and the students talking in their, you know, native language and how you manage that in an online context. So I think they're the major challenges that the pandemic has posed in my own teaching experience. Great. Well, let's move on then to say to look at how have you responded to those challenges. Yeah, absolutely. So if I just look, Peter, at this was the first issue is engaging students in the classroom. And you'll know you'll always have the louder students who are more visible in the classroom, and they could dominate the conversations. And while the quieter kind of more shy or students, they resort to listening and those passive kind of observers, rather than contributing. And how do we manage that. So really I suppose it's key the solution to this is that we embrace the silence firstly, and that we give learners time to think and to formulate their answers. And I suppose what they need to say give them time to discuss this in advance, provide them with enough scaffolding that they can talk to their peers, and then they feel more capable of producing the language that you want them to produce. So there's providing ample, you know, flexible opportunities to reinforce course concepts. I think that is key, especially in louder students dominating the classroom. But as well as that, another challenge that we face is, you know, when learners are put into their groups and they are using their one. And usually it can be about topics that are completely unrelated to the discussion that's happening in class. And how do we manage that really a solution to this is to ensure that the content is challenging to the students. And it's appropriate to the students, and they feel that challenge and they can act on that challenge and providing them with enough practice to, you know, to practice new vocabulary, using different aids to support all types of learners, because all types of learners, you know, they don't enjoy or want to engage in online learning. So we do have to have different methods of engagement there. And I think as well, I'm choosing group members to balance the group work, you know, calling on particular students or assigning group members that will be the speaker. So you kind of avoid, avoid like the close friends in groups or in breakout rooms. And that works quite well as well. And in an online classroom, much of the learning is completed asynchronously. So learners often feel maybe disconnected to us as instructors, as well as their peers. So we as teachers must create those feedback opportunities, and to allow building strong connections with learners in an online environment. So I think collaboration Peter is key. And as well, collaboration is one of the most difficult things to achieve when learners are not physically present in the classroom. So to encourage collaborative problem solving. So we could consider giving learners a more specific task and ask them to comment on each other's ideas. I think asking that really provides constructive feedback on their colleagues submissions that works quite well. And I think they're the main kind of solutions that we have come up with in teaching online. I'm sure there are many others, but they're the highlights of what I would like to discuss today. Can I ask you then about how feedback from the students has informed those as you've been trying to adapt, solve the problems that arose, what role did student feedback have in that? Absolutely. Now you just, you know, gathered a really important point there of asking the students for their feedback. That's absolutely key in an online environment more than ever before, so that we do give time to ask students for their feedback, and we feed that into our creation of our material and how we do that. And I know there are issues that that poses as well as we move forward, but strategies to enhance collaboration. You know, some students and other colleagues, teachers, they mentioned that teaching online has increased their awareness of student needs, and the methods that they need to create engaging lessons. So what I've done in that regard is I tried to tailor my classes to the needs of the students. So for example I might create a project that's related to what they're studying. So for example I have major students now that are majoring in computer science and mechanical engineering. And one of my lessons last week was to go and create a project. That was related to a Stephen Hawking quote about artificial intelligence. And it was also got to do with I suppose the week that's in it of Science Week in Ireland. So I got them to go away and to research a project that was actually related to them, and you see more engagement then they're more excited about doing something like that, that you tailor it to their needs. So online teaching, it does seem to take more time in creating all these materials systematically compared to a classroom based course, but I think meeting the students needs, asking them what they want to know, what they want to learn, and meeting their needs will increase and engage students in the lessons. So this is a very important point. Like, when you're performing as a teacher, so it's easy to kind of overlook what the differences between the students and the different things that they need along the way. So, kind of you kind of moved into the next question here a little bit, but what would you say you've learned along the way and I don't mean about how to use the technology more effectively. As a learning organization or individually as a practitioner, anything that maybe was surprising or dawned on you as you worked through the various challenges that you've been describing there. Absolutely, Peter, that's a great question again. You know, one issue that I've seen is for us as educators, the important aspect of seeing all the students faces. You know, students might not feel comfortable with turning on the cameras. And they might do some more when they move into the breakout rooms. But just the simple task of turning on the cameras that really, you know, embodies student engagement as well as the social and emotional connection that they need. And I think another aspect of moving away from, you know, physically, allowing students to see you and for us to see them is setting clear deadlines, timely deadlines that they adhere to and that we adhere to. That also can, I suppose, allow students to to know I suppose the limits that they have, as well as to have that constant engagement and interaction and they don't fall between the cracks as well. I think students appreciate that regular communication and that timely feedback on their progress, again, even more so in an online setting when we compare it to an in class setting. So I think meeting deadlines, adhering to deadlines and giving feedback on time. Again, this adds to the learning environment. So I hope that answers your question, Peter. Yeah, does indeed. Let's have a look then forward and say and and I want to ask you from all of the things that you've developed and new strategies and new approaches. What do you think is going to stay with us? What do you think might be put back in the drawer when we can be comfortably back in the classroom? And how do you see it developing going forward? That's a great question, Peter, as well. And we're all thinking, you know, where is this going? What is the future of teaching online? I suppose the role of technology for me, I feel that it plays a central role in the future as we move forward. You know, educators, they also need more options to ensure students can participate and that their voice is heard. So in terms of education, I see that, you know, now when we use online platforms, students can raise their hands in class meetings. We can create attendance reports easily. We can view class insights like this intelligent data analytics breakdown is such a great resource for us as we engage online. And all the assignments are, you know, there's always the resources that will be there and activity metrics and grades. So that's a great resource to have as we move forward. What I envision that blended learning, a combination between online and offline teaching is what I see as becoming increasingly popular as we adjust to gradual reopenings throughout the remainder of 2020 and even moving forward to 2021. And I think CPD continuous professional development is something that we will all need as we move forward in this environment. And I actually would like to show you a really interesting study. I'm just going to share my screen with you now. This is a really interesting study by McCary. So this was at a recent conference I know it's 2018 but I think it's very applicable today. It was a conference paper that was presented on a report from a teacher at the University of Cyprus. And she shares some interesting findings. So let me share this with you, Peter. What she looked at is the literature that was completed up to date on the opportunities and challenges of e learning now she focused on a European context. I'm just going to hide my video for a moment as I talk through this. This is an interesting study here from McCary 2018. And so what she did is reviewed the opportunities and challenges that she foresees educators having. And as you can see here she looks at the perspective of the students, but also the perspective of the tutors so us as teachers, and then kind of brought that in more widely to the management, the educational organizers, their perspective. Into the challenges and into the opportunities. And looking in terms of the challenges. She divided these into four key challenges here. Firstly, technology barriers as we're all fully aware of now, having access to technology. So in general parts of Ireland, students have strong access to technology. And again, I drew on aspects of the lack of interest and motivation, and how we can capitalize this is engaging students in collaborative activities and reinforcing that form of communication, having those deadlines and creating those deadlines and giving them feedback in some ways technology problems are out of our control, but we certainly can do can engage in other methods to overcome this. Also, in, I'm thinking of teaching barriers here, communication interaction. She's highlighted this again, of creating that emotional and social intelligence with your cohort of students, and then moving to the organizational I suppose in terms of cost more, more than anything now. It's less cost involved having all of this online, but then opposes other challenges in terms of time. We definitely have additional working hours in creating the material. You know, if you compare this, we have to adopt our online activities, and this requires more polish as well. And then moving over to the opportunities look at the students perspective that she's found in her study here. There is ample opportunities for interaction, especially online when you can create activities around social media blogs and all that goes with that. As this, I think there's importance in noting the personalization of content, meeting the students needs, asking the students for feedback. What do they want to learn, maybe looking at their own personal insights and how we can relate the material to them and update the material, you know, accordingly. There's definitely greater access and support nowadays. And I think of that, even in terms of the Chinese context that I'm teaching in right now. You know, it's quite interesting because in China, as you know, YouTube is banned, we cannot use YouTube and I rely heavily on YouTube for additional videos. So I've had to adopt to that and use Chinese platforms. And some of them are solely in Chinese. There's no English translation. And how I've had to overcome these issues, you know, asking for a teaching assistant to translate for me, even when I'm setting deadlines. So all of this requires extra thought, but I think there's many perspectives from the students that we can learn, as well as our own as teachers in the diversity of teaching that we draw upon using different methods for teaching. That's not solely reliant on one, let's say if it's Zoom, for example, that we do engage and incorporate other activities, you know, outside of this. As well, I think one other important aspect I've drawn on already is the learners evaluation, ask the students for their feedback and incorporate that into your lesson. I do think that's very useful and very helpful as we move forward. So I hope that you find this report interesting, and I've got a link to it. It'll come up in Google Scholar McCarrie 2018 from the University of Cyprus. So I'm going to stop sharing my screen just now and come back to you, Peter. My final question just to kind of wrap it up is, you wouldn't have wished for this to happen, of course, but do you think that we're better at what we do as a result of having to deal with it? I do think we're better at what right now I think I'm definitely better. I have been thrown in the deep end, Peter, I really have. And I would be quite tech savvy, for example. But I think, along the way, I've had to upskill, and I've had to learn to adapt. And I think moving forward, I envision that it will be a blended learning form, where there will be online classes as well as in class classes. And I think that we all need to be able to adapt to this. And I think we're doing a great job at that. You know, as humans, we have to be able to do this. You know, so moving forward, I do think I can bring all these skillsets with me into making this definitely a more permanent opportunity.


RCA Victor, world leader in radio, first in recorded music, first in television, proudly presents Screen Directors Playhouse star Jane Wyman, production A Kiss in the Dark, director Delmer Dave's The Hollywood Screen Directors presents some laughter on a love song The motion picture comedy A Kiss in the Dark starring Jane Wyman in her original role of Polly Haynes Although few of you are familiar with Miss Polly Haynes I assume that most of you are familiar with her legs On magazine covers and billboards, you've seen them encased in nylon Miss Polly Haynes is a model Miss Polly Haynes is, to put it bluntly, quite a dish The orchestra will now play a brief passage while the gentlemen of the audience record the fact that she lives at the Cleopatra Arms apartment house The Cleopatra Arms Mr. Willoughby, you can't mean it It's happened, Polly After all these years, the old girl and I have parted Oh, you poor darling Here, sit down on the couch She belongs to somebody else now, Polly I wonder if they'll treat her as well as you did I hope they'll keep her warm in the winter And paint her balconies every three years And keep her plumbing in good shape Golly, Mr. Willoughby, I just can't believe that you've sold the apartment house I tried to make the Cleopatra Arms a real home for the 53 tenants, Polly But I went broke doing it But you're going to stay on as manager, aren't you? If the new owner will permit it Mr. Willoughby, you didn't sell it to a... A businessman Oh, no, Polly I couldn't do a thing like that I sold it to an artist A man with a soul A man with a heart to understand her drainage problems Well, who is he? Eric Phillips, the concert pianist Of course I didn't meet him I closed the deal with Mr. Danilo, his business manager Mr. Willoughby, come on You and I are going to pay a call on Mr. Eric Phillips Mr. Danilo, are you or are you not my business manager? No, no, please, Eric, don't upset yourself Upset myself? Every time I sit down at the piano You come slamming into my apartment, shoveling papers in my face Is it your investments? You manage my investments, I want to practice If you'll only sign these papers Practice? Why won't people let me practice? Practice, Mac, to sign the papers Mr. Danilo, I've come to a decision I have to work harder, improve myself I want you to cancel the summer concert to... Cancel? What about my 10% commission? Cancel that, too Very well I hope you have time to sign these papers What are they? Your latest investment I bought you an apartment house, the Cleopatra Arms Alright, alright, I'll sign Thank you And good afternoon Backstabber Peace Mr. Phillips Mr. Phillips Mr. Phillips I'm Mr. Willoughby, and this is Polly Haynes Well, how interesting Now, if you'll excuse me, I'm very busy Oh, Mr. Willoughby has a question to ask Very well, Mr. Willoughby Uh, it's just that Now that you've got her What are you going to do with her? Who? Cleopatra Much too old Oh, but Mr. Phillips, she's yours now I knew I shouldn't have entered that soap contest Oh, there's so many things you ought to know about her You'll find it difficult to keep her warm on winter nights Please, don't be vulgar I'm afraid she needs a new foundation Ms. Haynes, I refuse to be intimidated by a girdle A girdle? Mr. Phillips, we're talking about your apartment house, the Cleopatra Arms Oh, oh, yes And I'm one of the tenants Mr. Willoughby is the manager and former owner Yes, well, you can take everything up with Mr. Danilo, my business manager Aren't you interested in the Cleopatra Arms? I'm a pianist, I must practice I don't want to be concerned with the Cleopatra Arms But that's absentee ownership And that's life Good day, Mr. Willoughby Ms. Haynes Dear me, he isn't interested Mr. Willoughby, in a situation like this A woman always has a last resort Thank goodness I'm a model Oh, Mr. Phillips Please, Ms. Haynes Sometimes I envy Beethoven Why? He was deaf Oh, oh, Mr. Phillips The apartment house needs you The apartment house will have to get along without me Oh, dear, I just got a run in my stocking The apartment house will... The apartment... Well, don't be embarrassed, Mr. Phillips If you want to look at my legs, go right ahead Yes, I... Oh, thank you They're kind of my stock and trade, you might say Ms. Haynes is a model Wearing stockings is what I do best, Mr. Phillips Yes, well, I can't tell you how much I admire your career Mr. Phillips, what were you saying about the apartment house? Apartment house? Of course, yes Well, I was just thinking that it would be nice if all five of us ran over and took a look at it Five of us? Yes You and me, Ms. Haynes and her two... Don't say it, Mr. Phillips I'll bring them Mr. Phillips, there before you stands a clear patch of arms What? Oh, the apartment house, yes Well, it's substantial Why don't you inspect the premises? I've been doing that ever since you walked into my apartment If Polly means why don't you inspect the building, Mr. Phillips? Oh, well, if that's what you want But I really should be practicing Polly, I don't think I made a very good impression on her Well, I did And if I can get Mr. Phillips interested in me I can get him interested in the Cleopatra arms But what about Bruce Arnold? Oh, well, he does get awfully physical when he's jealous, doesn't he? Well, well, we'll get him on our side Bruce sells insurance And Mr. Phillips ought to have something he can insure He's a pianist His hands are very precious His hands? I'll tell Bruce that I'm trying to get Mr. Phillips to insure his hands with Bruce's company Excellent Miss Haynes My name is Polly Polly, the building is very nice But now I must get back to the piano Oh, dear, I just got another run in my other stocking I... Yes, well, I... I really should get back to my work Yes, Mr. Phillips Well, aren't you going to show me the lobby? Right this way, Mr. Phillips I want you to particularly notice the potted palms The tenants are very proud of them Well, I'm happy for the tenants You'll find it a pleasant place We're all friends here All just one happy family Except... Hey, you! Except for him Yes, Mr. Bot What's the idea of world noise? Hey, Mr. Bot We know you have to work at night and sleep during the day Nothing but noise Noise and clear the cladding The man can't sleep Who owns the cat that keeps stomping up and down outside my door? Now, see here, Mr. Bot Quiet! Who's this swimmer? That's the new landlord Yeah?  Please, just let me up Now you just lie here and rest your head in my lap Polly Hello, Bruce Oh, Mr. Owl Polly, what's the meaning of this? Who is this man? What? Practice Why won't people let me practice?   Mr. Willoughby, what are you writing? An order for another set of potted palms The tenants have become quite attached to them, Mr. Phillips And as managers Who's going to pay for them? You are, you are the owner That's fine, fine I get hit in the right eye, hit in the left eye Battered, bruised and insulted And I end up paying for potted palms Oh, poor Eric Does it hurt much?  What, Mr. Phillips? Fired Eric Potted palms Why won't people let me practice? Polly, don't you think you owe me an explanation? Bruce, you melonhead, he's the new landlord And he's a famous pianist I was only trying to get him to take out an insurance policy On his hands from you Oh, gosh, Polly, I'm sorry Oh, and poor Mr. Willoughby here Out of a job That's all right, Polly It's the clear pattern of arms I'm worried about Well, don't you worry, Mr. Willoughby When I get through with Mr. Eric Phillips He'll wish he was back in the potted palms Fired You are listening to the screen director's Playhouse production Of A Kiss in the Dark, starring Jane Wyman And presented by RCA Victor Baseball is sure in the air these days And we mean actually in the air Flying through space on those television channels And when you can't be there in person There's RCA Victor Eyewitness Television Take, for example, the big handsome T-164 The very biggest direct-view table model In Eyewitness Television Big 16-inch pictures that are brilliantly clear And wonderfully steady And these big pictures are framed in a beautifully Finished wood cabinet of striking design Which can stand either on a table Or on a matching consulate base There is an antenna built into this RCA Victor T-164 The sound comes to you through the famous RCA Victor Golden Throat Tone System Yet all this television is yours For only $299.95 Suggested less price Slightly higher in some locations Plus a small federal tax The consulate base at extra cost See it at your RCA Victor dealers See why the RCA Victor T-164 Is just about perfect for your home And now back to screen director's Playhouse production of A Kiss in the Dark Starring Jane Wyman in her original role Polly Haynes with Olan Soleil as Eric Phillips The shadow of absentee ownership Has fallen over the Cleopatra Arms Apartment House And Mr. Willoughby, gentle Mr. Willoughby Was fired yesterday But what is this? Can this be Polly Haynes? She has the lovely legs Striding down the corridor Leading to Eric Phillips' door Her face set in grim determination It can be and is Polly Haynes Oh, it's you You heal You rat Oh, I wish I could think of a nasty word Pianist? Yes Thank you I suppose you've come in connection with Mr. Willoughby I have He's heartbroken over what you've done to him Well, after all, he did sell the Cleopatra Arms Do you know why? Because he went broke taking care of people in it Oh That's right Oh Eric Phillips, you're so occupied with yourself That you don't even know what world you're in Or what kind of people are in it with you Eric, is this you? Yes Now, if you'll pardon me, I'm leaving But where are you going? I'm going out to make more trouble for myself I'm beginning to like it I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm beginning to like it Yes, I'm beginning to like her, too Can I make you a cup of coffee or something before you go?  I just came to apologize, Polly To you, Mr. Willoughby I want you to stay on and run the Cleopatra Arms for life Thank you, Mr. Phillips I'll tell everyone the news immediately Oh, Eric You don't know what you've done for him You don't know what I've done for myself I feel wonderful Boss again He's in the next department What? I'd like to... Oh, you can't Your hands That's the answer to the whole problem Wow Well, you're worried about not being able to practice All right, practice here Here Mr. Willoughby has a piano We'll move it right next to that wall Six inches away from Boss's bed The noise will drive Boss out of his mind And out of the Cleopatra Arms Noise? I mean, you're music, Eric Right I'll do it Tomorrow... Yes, tomorrow we declare war Watch us synchronized Watch us synchronized I make a ten a.m. Check The target is taking to his bed Do you think Boss would appreciate a few Strauss waltzes? Are they loud? Very loud I think he'd love it Fire away He stopped pounding It took all day, but exhaustion has finally set in Time for a change of pace Let's try something different That's beautiful, Eric Just the kiss in the dark It's very convenient Two people meet, kiss, and bingo Only, it doesn't happen that way How does it happen, Polly? Propinquity I beg your pardon? Propinquity It means nearness I've got a theory about it What's your theory? Well, propinquity is really the thing that starts romance You know, when two people are together for a long period of time Like us sitting here playing the piano for hours? Something like that That's how people fall in love? Well, it helps, I guess Propinquity Propinquity It's just a theory Oh, it couldn't possibly work on us, could it?  Polly Yes, Eric What about that fellow who hit me in the eye?  I'm not even touching the back of your neck Genius Oh, I forgot to lock the door Play the piano, will you? Botz, I'm going to...  Sure, a policy on your hands And I can prove it I've got the policy right here I worked it out with your business manager And all it needs is your signature I see Well, I seem to have made a mistake Oh, Eric I love you, Eric The first thing you said was Eric You said you loved me Well, of course I love you That's all I want to know Well, you double-crosser Stand up and fight like a man Isn't this before a pleasure? You want me to sign that insurance policy? Fight like a man be... Sure, I want you to sign it Where's the payment? Right here And here's the policy All right, I'll sign it Now then, let me get this straight My hands are insured against anything That's right Fine Here Bots has expressed an intention to vacate his apartment Eric, we've won All the way around Eric It is Danilo it most certainly is Eric, I had to call you I can't sleep nights You aren't serious about cancelling the summer tour Oh, darn There goes another run in my stock The summer tour Mr. Danilo I just had a wonderful idea Cancel the winter tour, too I'm going to be very busy You, young lady You know what I'm going to be busy with? Propinquity Sweet propinquity This is Jimmy Wallington speaking You have just heard the last act of a kiss in the dark And our star, Jane Wyman With our guest screen director, Delmer Dave's Will be with us in just a moment Next Friday, another great star Brings the excitement of a memorable performance To the screen director's playhouse Our story is Rope of Sand And recreating his original role will be Bert Lancaster With screen director, William Dieterley Now, here to get us tonight's star, Jane Wyman You know that character, Mr. Bots Made things very difficult for me For you, Jimmy? How was that? Well, he made fun of music, that's what And he socked that nice guy, the musician Oh, why, Jimmy, you act as though he'd hit you Well, he did hit me in a sense, Jane You see, I was planning to make a beautiful comparison Between the beautiful live music in the play And the beautiful recorded music you hear When you own an RCA Victor 45 RPM Automatic record changer and records I was going to point out that recorded music Actually sounds alive on the 45 That's what I was going to say if Bots hadn't spoiled my mood But you have said it, Jimmy Well, I have said it, haven't I? And what's more, I agree with you completely About that live quality, it's marvelous Well, now we're clicking Which model 45 do you own, Jane? The plug-in model for $12.95 Or the $29.95 complete photograph The Victorola 45 The Victorola 45 And I love its looks, Jimmy It's so small and cute and streamlined And I love those tiny 4-5 platters That change automatically Platters? Well, maybe saucers would describe their size More accurately Oh, yes, the records are only 7 inches across That handy record size, Jane, is one reason Why the 45 in just one year on the market Has become the fastest selling record system in history Those RCA Victor 45s are fairly Flying out of the factory Say, maybe those flying saucers Are 45 records Don't be surprised, Jane! And speaking of surprises, you know RCA Victor has come up with a honey To celebrate the first birthday of the 45 They brought out a special first Anniversary album of 10 records By America's favorite artists and bands And they're offering it, along with the Victorola 45 For the usual price of the Victorola 45 alone Only $29.95 Friends, don't miss this wonderful value It's at your RCA Victor dealers For a limited time only A matchless Victorola 45 Plus a delightful 10 record First anniversary album With selections by top artists such as Perry Como, Vaughn Monroe, Tommy Dorsey And The Boston Pops All for only $29.95 Ladies and gentlemen, I confess I wondered a little when I learned That a kiss in the dark was to be directed By the creator of such films as Destination Tokyo, Pride of the Marines And Task Force After all, a girl is entitled to wonder When she's directed by a man who specializes In making submarines and aircraft carriers Look good But believe me, he's a man to wonder at A wonderful director, Delmer Davis Thank you, Jane But if all battleships Looks as wonderful as you do on the screen A lot more men would be running off to join the Navy Sarah, you flatter me Now enough of your winning ways And for goodness sakes, tell us how You turn from high adventure films To a picture like a kiss in the dark Oh, that's easy, Jane, propinquity Propinquity? It means nearness I know, Del, I heard the show Well, that's the thing That starts the motion picture, you know When a director gets alone with a script And he knows that Jane Wyman is going to be the star Oh, but there's no adventure Just propinquity and a barrel of fun Mr. Davis, it takes much more Than just propinquity to make a motion picture It takes a director to show us how And why So here's my thanks, Del, to you And to all the directors Thank you, Jane, and good night Good night, Del, good night, everyone And good night to you, Jane Wyman and Delmer Davis Remember next Friday, Burt Lancaster In Ropes of Sand With screen director William Dieterley Brought to you by RCA Victor World leader in radio, first in recorded music First in television A kiss in the dark was presented Through the courtesy of Warner Brothers Caged, starring Eleanor Parker Jane Wyman can currently be seen In the Warner Brothers production stage fright Delmer Davis' latest picture Is the 20th century Fox production Broken Arrow, starring Jimmy Stewart You're invited to listen again next Friday When RCA Victor presents Screen director's play house Star, Burt Lancaster Production, Rope of Sand Director, William Dieterley Stay tuned for Jimmy, the great Rupert Karate On NBC


So, one more query I want to make is now we're dealing with, obviously, medical information, which means we're dealing with medical bills, and occasionally, guess what, there are going to be people who do not pay their medical bills. So what I want to go ahead and do is I'm going to go ahead and let's take a look at that invoice table. You see that, again, every invoice has an associated visit to it, and every visit has a patient to it. So I can immediately find out who owes what. Well, we also see that my invoice table has an amount, a reason, and whether or not they are paid. So what I'm going to go ahead and do is anyone who has not paid, I'm going to just go ahead and apply a late fee to them. I know, future, just work with it. So I come in here, and I'm going to go to my query design. Now, again, I'm going to first add in my invoice, and then I'm going to add in my patient information. Now, you see that there's not too much of a link going on there, but when I add in the visit table, the visit table acts as that bridge between these two. I cannot have an invoice without a visit. I can't have a visit without a person, a patient. So the first thing I'm going to say is I want to look up my first and last name of my patient. Again, boom, I get that pretty easily. But then I want to go ahead and get the invoice date, the item, the amount, and whether or not they paid. So again, now if I run this, what I should see is when they were invoiced for this amount, for what they're invoiced for an office visit, here's the amount, invoice paid. Again, I don't really care if they've paid. I got my money. I need the ones that haven't paid up and I need to go and convince them to. So to kind of make a query for a Boolean yes or no statement, yes or no. Now it's going to try and say now, don't worry about that. You can hit escape and it'll vanish. Now when I run this, all of a sudden invoice paid, only my nose are going to show up pretty nice. That's exactly what I want. So you can see Julia Ingram hasn't paid $250. I haven't paid $125. Now just like when we were dealing with Hartford, because I know these people haven't paid, I don't need to show that. I can uncheck that. Now I'm going to go ahead and save this as applying, applied late fees. Now that I've built this out, how do I apply a late fee? How do I calculate a late fee? Let's say I'm going to give them a 5% late fee. Well what I can do is I can actually come up here and you notice I have this query setup section and I can actually click on the builder option. The builder option is actually going to bring up this dialogue box which allows me to do sort of a mathematical calculation. Invoice AMT, invoice AMT is currency, it's money, it's an amount.  We apply a 5% late fee and when I hit OK, that's going to appear right here. Now I run this. You'll see that I get exactly that. I get 250 and then this 12.5. All right, well that's not really useful. Well if we look at that design, notice what it says right there, X E P R 1.  This field doesn't exist anywhere in my database except for in this query. And so I can go ahead and just apply late fee. Oh, where'd you go? All right, I'm not sure what happened there. So I'll just do it again, late fee. Okay, there we are. When I run it, now I see late fee. Now again, I want to keep on dulling this up a little bit because we're dealing with currency, we're not dealing with arbitrary numbers. To do that, with this selected or highlighted, I want to go to my property sheet. This property sheet option is going to build up just another little extra thing. And as you can see, I get a few different options. I can change the format from just nothing to currency. And I can change my decimal places from nothing to two. Now when I run this, you can see that I have applied that. So I get now invoice amount, late fee. So the last thing I'm going to do is, again, I'm dealing with my invoice amount. I'm dealing with my late fee. Let's merge these together. Let's actually kind of add these together. So I'm going to add in another field. Again, notice I have invoice amount. Well, first I'm going to say new balance because we're dealing with a new balance. That's going to be my caption again. In invoice amount plus late fee. We run this, contains invalid syntax. There we are. Now just because I saw that, okay, what did I do there? Builder. It was new balance. If you see that EXPR, just go ahead and get rid of that plus late fee, okay? That gives me that new balance. When I run this, you see I get my invoice amount, I get my late fee and then I get my new balance as well. So I see a new calculated total for every one of my unpaid invoices.


Once over everybody, Jason here for JaspysCaseBrace.com. Random number block number two for four spots in 2021 Transcendent Baseball Case Break number one just sold out. So again, the way this works is random number block number two is gonna be the name of the customer that'll get four hits, of course. We're putting it in four times. It'll automatically get four hits in Transcendent, random hit. Of course, whatever the hit is the random number block number two ends up with is what hit is for the random number block. So if it's the one of ones, if it's the Transcendent Invite, if it's the sketch card set, all that will be distributed out here. And as it says here, then it works like our usual random number block. Everyone gets a random number from throws that are not zero through nine, with each spot they buy, but only one for that hit. So of course, any redemption slash invite will go to spot zero. As an example, RnB2 spot gets randomized number five out of 20 Mike Trout. Whoever had the number five spot in the block would get that card for number two. So pretty simple, basically. You're guaranteed four hits. Now you got four chances to get a hit with your random number in the random number block style. So here you go, guys. Here's the dice roller, here's the customer names. Ross, Dana, Danny. And then we have zero through nine. So let's roll the dice and we got ourselves a six and a two for eight times. Good luck. One, two, three, four, five, six, seven, and six of the two, eight times. Jeremy down to Brian. This is RnB2, eight times here now. One, two, three, four, five, six, seven, eight. Boom, eight times. So eight down to three. So here we go. So Jeremy, you have spot eight, Ross with seven. Jared, any one-on-ones, if they are lined up with the transcendent hit, that'll be yours. Danny, any invites, any redemptions for any hits, we'll go to you at zero. Alexander with nine, Danny with four, Marlon with two, Kevin with six, Danny with five, and Brian with three. So there you go, guys. Now again, we had to do one more random number block, plus a few spots sold out straight up, but I really think we can get this done tomorrow with Joe on Monday, so. Keep it going, guys. Sell out random number block number three as it is on the website for tomorrow. Jaspy'scasebricks.com, thank you, guys.