Today, September 30 is a wonderful day and an extremely happy occasion because the Marrakech Treaty, to facilitate access to published works for persons who are blind, visually impaired or otherwise print disabled, enters into force. This is a wonderful event for the visually impaired community, for the World Intellectual Property Organization and I think for multilateralism because it is a victory for multilateralism in addressing successfully a very, very worthy cause of bringing literacy and the opportunity of literacy to visually impaired persons worldwide.


Hi, my name is Clarita and during the 2013-2014 academic year I've been the co-president of SOAS Ventures Society. Ventures is the enterprise society at SOAS and it's here for students that want to set up their own business, social enterprise or charity. Maybe you have an idea, need some guidance or maybe you're just interested in getting inspired and motivated. Whatever your situation is, Ventures puts on events throughout the year for SOAS students to network, get involved and start up. Whether it's social events with other universities in London or hosting entrepreneur speaker events at SOAS, we try to cater to all SOAS students' entrepreneurial needs. If you're interested in getting involved, finding out more about us or attending one of our events, check out our website, Facebook or Twitter, or just send us an email. Thanks.


Head of Tatarstan advised Russians not to rely on air defence systems after drone attacks. After drone strikes on targets in Yelabuga and Nizhnekampsk, the authorities of Tatarstan called on the region's enterprises not to rely on the air defence of the Russian armed forces to repel attacks but to defend themselves independently, states the head of the Russian region Rustam Minikanov. According to RBC Ukraine, during a speech at an international energy forum, he commented on the early morning strikes on April the 2nd at a plant producing Shahed Kamikaze drones and an oil refinery and noted the inability of air defence systems to protect enterprises and facilities in the Russian region of Tatarstan from air attacks. You should not expect missile defence to work. It solves other tasks, the president of Tatarstan said. According to him, locals should solve these tasks on their own. In every enterprise, every municipality and every city, Minikanov added that the strikes on the Taneco plant and the Alabuga Polytech demonstrated the most vulnerable areas in Tatarstan and that the enemy feels it. The Almighty has given us a chance. Wake up, guys! No one will protect us but ourselves, said the head of the Russian region. He also called on local emergency services to be prepared for emergencies or other incidents. Earlier it was reported that on April the 2nd, drones from the Defence Forces attacked enterprises in the Republic of Tatarstan in Russia for the first time. The explosions occurred in the special economic zone Alabuga, where industrial enterprises are located over a thousand kilometres from the border with Ukraine. At that time, the so-called head of the Republic, Rustam Minikanov, stated that drone attacks had been carried out on enterprises in the cities of Yelabuga and Nizhnekampsk. According to a source in the special services, the target of the attack was the assembly plant for Shahead drones. In addition, Russian media reported that drones also hit a dormitory where workers of this enterprise lived. There are known casualties, according to Andrew Yusof, a representative of the Defence Intelligence of Ukraine. During the attacks on Russian facilities in Yelabuga and Nizhnekampsk, foreign weapons were not used. He also confirmed that one of the affected objects in Tatarstan was involved in the assembly of Shahead and Geran drones. Furthermore, one of the buildings located near the enterprise was hit by Russian air defence. By the way, at the end of March, the Partisan movement Ateş reported that in Russia, the heads of oil refineries were instructed to purchase electronic warfare systems, use camouflage and strengthen the protection of tanks with sandbags. All of this is to counter drone attacks.


So a woman needs to get, when they're young, they need to get wifed up, knocked up, live happy. These are me and my nephews. I figured they would enrage all the feminists. I say these things that are polarizing and offensive, but I really mean them, and I mean them in a positive way. For most women, this is gonna be a much better option than trying to get an advanced education when you're super young and super fertile, which then drops off the cliff exponentially, and other health markers, biomarkers along with it. Strength training, like Jay talked about, will actually help resolve a lot of these, or basically slow down the process of aging in a lot of very useful ways. For beauty, for your health, for your skin, for your muscles, for your bones as a woman too, but then also fertility and other issues. But still, women should, if they want to build a family, do it as soon as you can, young, wifed up, knocked up, boom, hopefully in that order. But hey, you know, it should happen. Live happy. And I did talk about female happiness coming from women having a ton of sex as much as they can with as few men as possible, but also comes from making cookies, sandwiches, and babies. I think this is a great thing. Women don't have to do this, but it's a pretty good life. I think women have been lied to you about, you know, Michael Foster again was talking to you about that, how the patriarchy is inevitable.  Maybe someone you knew there that fired you will care about you, and that's it. And that goes away.  We can't do this as men.  Parenting is too generic.  This should not be missed. If, you know, women that delay motherhood, like that article was talking about, delay, delay, delay, you could be missing out on children that would never exist. Maybe you have one or two kids if you delay motherhood to 37 instead of you having at 27 or 21 or something. You could have five kids. Now, we'll talk about unlimited babies here. I'm really proud of Michael Foster's banging out kids as much as he can. He's got seven now. He actually, he called, it's funny, because I interviewed him for weeks ago for the first time. Michael Foster and the red man group, my podcast show. He talks about how he says his wife doesn't like it, but I think she does like it. I think that's not right. I think she loves it, actually.  He doesn't squeeze in her prune. He doesn't squeeze all babies out of her. He's got seven. That's a lot of kids, especially today. I think women should have a limited babies.  Women should have as many babies as they want without getting bullied. And that's what another thing I see too. When I talk about women having a lot of kids, I think that's a great thing. And they should also, I think, they should also most likely put a man's preference for babies too as a priority, as an act of submission. That's how Michael's wife is doing, Michael Foster. He wants a lot of kids and she's going along with it, but he's the one leading that relationship. And then she's his grape and he's a squeezer into her prune, which is pretty funny. But women also get bullied when they defend me on the internet about women's having a lot of children and building big families. They get bullied, bullied, bullied, bullied.  Look on all, go on Facebook or Twitter and type 22 convention or make women great again.  And it's BS. They really go after, they say it's, you know, having, building families and marriage. They call marriage now for women a lot of times.  Babies and families and an awesome husband and a life like that make women happy. Certainly this is a super viable path that I think most women are happy with. Much better than building some career at a corporation that they think they should about you. No, you wanna do that later or build a business or do something amazing? Choose wisely, because it can be done. Women have done it. And as I said, it's a good example that Janice Fimengo is another one. But choose wisely. So I wanna promote, and I have been, I think, building out throughout this speech, the new motherhood first timeline.


Personal notice, Stange is my stock and trade. If the job's too tough for you to handle, you got a job for me, George Valentine. Write full details. Standard of California on behalf of independent Chevron gas stations and standard stations throughout the west invites you to let George do it. No riders, another adventure of George Valentine. Mr. Valentine, there's a boy need your help terribly. His name's Floyd Bronson and he's in terrible trouble. He hasn't got any friends and they won't let me see him. He'll still be here, I think, until the fire's over. It's a terrible fire. Please, please drive fast and get here. It's on Highway 41 just a few miles east of Passarobles. You can find me because I'm a waitress at the Stop and Sip Cafe. Respectfully, Juan de Murphy. Face, where's the car? I'm fixing it as fast as I can. Oh, Mr. Valentine. Hey, hey, hey, what's this? I'm so tired. Everybody's tired. Well, Juan de Cantes is down. Oh, I've been on a loan since six last night. That's when he was here eating supper. Tommy Tucker, I mean, one that died. The what? He's a truck driver for a San Francisco fur company. Hey, mud face, what's this about Tommy? Ask one of the men down the counter, Mr. Evans. They know more than I do. Salesman, that's all. That's all because Mabel's not here. She's good looking. Yeah, we'll skip it. Now look, Juan de, I know you're groggy, but in words of one syllable, what's it all about? Yes, and you said something about a fire. We saw carloads of men on the highway. Well, that's what I've been doing, feeding all those men. You see, Mr. Valentine, last night a truck went over the grade 11 or 12 miles east of here towards Bakersfield. Went out of control and the driver was killed. That's Tommy Tucker. And the fire was from the wreck, is that it? Truck caught the grass on fire? Brush and scrubbed him to be yes. But they were afraid it would spread. They're only just now getting it out. Okay, I follow you that far only. Hey, boy, what do you think of that old timid Tommy, huh, mud face? Say, how long's he been on this run anyway? Oh, George, give me a nickel. Yeah, yeah. Did you hear me, Juan de? I said, how long's he been on this run anyway? I'm excited, so that's much better. All right, Juan de, there was a wreck and a fire. But you wanted us here for something else, didn't you? Something like a boy in terrible trouble? Floyd Bronson. Okay, let's hear it. Well, I don't know what it is exactly, but I just met Floyd yesterday, Mr. Valentine. Yeah, go on. Well, he was just going through, but I had the afternoon off and I was sitting here playing records when he stopped by. He sort of talked and I talked and I guess we talked nearly all afternoon. Salesman and truck drivers don't pay much attention to me except a kid about the food. He was, well, he was different. He liked you and you liked him. Oh, yes. Yes, very mutual. I mean, well, he said he'd write to me. He hasn't got a family like I don't either. But he's expecting a very good job down in Bakersfield and, well, anyway. Floyd isn't working now, huh? No, but he's really expecting... I meant yesterday he was going through Hitchhiking, right? Yes. He left here late in the afternoon with a farmer who said he'd taken the first few miles. Hitchhiking on 41, going east, right? Yes, sir. The same way as the truck that was wrecked later on. What happened, was it? Oh, I don't know. But the first we saw of anything was a highway patrol car coming back here and inside was Floyd. And they locked him up in that autocourt across the highway by the woods. But if Floyd's under arrest, what's it for? Well, he hasn't got any friends or anybody to help. I told you, I don't know, but... All right, all right, Wanda. I'll find out for myself. But in the meantime, do something, will you? All right, sir. What is it, sir? Well, I was going to say, pour yourself a cup of your own coffee, but hey, look, after this, call me George, huh? So Wanda asked you to help me, huh? Yeah. Yeah, the kid's upset. Worried silly about you. Well, you know how it is. No, I don't.  Oh, I see. Traveler, huh? Okay, what happened on the highway? Well, nothing. I mean, all I got a hitch from a farmer, five or six miles, and then, boy, nothing had picked me up. Not many cars on 41 at night, anyway. Guess I walked for hours until, well, there it was. The wreck?  I was just wondering where I could get help when... Yeah, when a cop's car came along and you ran. Oh, but just a guy out of the way. They were coming fast, and, well... Well, really, Mr. Valentine, that's what happened. That's what happened. Well, Wanda was sure right about one thing, Gloria. If every guy needs help, you're it.  Yeah, yeah, lots of them. Look at this here. Silver Foxes, he was going to deliver to a stern baker's field. Couldn't tell them from parchment now. Stuff's insured, isn't it? Oh, yeah, but it's a headache. Know what happens to wholesale furriers like me? They get bald. Sure not much left at the back of that truck. Well, there's crate of Persian land. Shish kebab. And the box of chinchilla looks like burnt cigar butt. Okay, okay, so you've had bad luck with it.  It's because I've been up all night driving the getter to see what could be saved. Well, the driver, Mr. Valentine, Tommy Tucker. Nicest boy I ever had working for him. I liked him. He understand that. So, is anything funny about this if it's not just a case of Tommy's clutch or breaks given out on the grade? Well, how about that kid they picked up? You know as much as I do, or the police so far. Mr. Justin, has anyone ever tried to rob one of your truck?  No, no, this is not a movie, Miss Brooks. Car goes all boxed and locked and bolted to the floor. Besides, it's all still here. What's left of it? Still was curious about that kid, that's all. So am I. He was running away from the wreck. Maybe he was in the wreck. He doesn't want to admit it.  Sure, why not? Little company, late at night. No, no, no, that doesn't make sense. Why not? Don't you see the sign? No riders. That's the one rule we're really tough about and Tommy wasn't a boy to break rules. Yeah, I heard a salesman call him Tim at Tommy. Well, can't she interest that song? Reliable. I told you, the best man I ever had, best driver, too. That's what bothers me. Say, what do they find up here in the cab of the truck? Ashes, mostly, see. Flashlight was here in the city. Huh? Flux out of gear, huh? Yeah. I got a McCombie coming to take a look. Little iron ring. What's that with you? Two little iron rings about an inch in diameter. On the shelf up here, back of the seat, see. Yeah, I saw those, miss. Of course, I'm alive. I mean, I can't... Iron's pretty well under control now, but I sent Tucker's body off to Paso Robles. Oh, thanks, McGee. Two thanks bother me, Valentine. Yeah. Number one, we couldn't find any jack at any place for the driver, Tucker, not even a zipper. But in the fire, it might have burned. And anyway, maybe he didn't pack one. The cab of a truck is heated, isn't it? Well, I know, it doesn't mean much. But finding a wallet does. A wallet? That's right. A firefighter just phoned from several miles down the road. Says, come take a look at something he picked up there. Tucker's wallet.  No, I'm not. I told you. It'll only take, Mr. McGee, a few minutes to get back here, Floyd.  But this is just an ordinary leather jacket, isn't it? You can buy them like this by the Minions at Army Navy Store. You can steal them off bodies, too. No, I didn't. I told you I didn't. I said steal them off bodies. No, no, it wasn't even on them. It wasn't... Oh, is that so? Well, well, anyway, I didn't steal it. The client there on the ground phoned from the cab like he was. I was cold, and I knew it would have a long way to go for help, and so I took it. This was when you just happened by the scene of an accident? Well, sure. Now, when you look to see if the driver was dead, you look in his pocket for his wallet. It was in the jacket, Mr. Valentine. Honest it was. I didn't realize it until after the cops had picked me up. And I knew I'd be in worse trouble, so when they weren't looking, I'd throw it out the window of their car. That would explain how it was found down on the road, but I... Floyd, when you hitchhike, do you carry a rucksack? I know you haven't got one now, but you see these little iron rings? Well, there what hold the straps of a rucksack? The rest of it was burned, I suppose. Inside the cab of the truck. Well, Mr. Valentine... Now, for the last time, would you tell me the truth? Well, well, what really happened... Never mind that fawny preamble. Well, all right.  Then a sedan came along, didn't even see me. I had to die for the ditch. It hit my ankle, and I was still lying there when the foot truck came along. And it stopped. Sure. But I thought I'd been hurt in an accident. He helped tape up my ankle. He did here, see it?  I said if anybody was seen in his cab, he'd be fired. It was the rules. Well, I pretended I was sicker than I was, and he finally opened the back of the truck where I couldn't be seen. He said he'd dump me out before he got to Bakersfield. Then what happened? Well, well, I was so tired I'd probably sleep and the next thing I knew were they'd been this accident. He broke the whole rear end, you saw how? Well, I was off afraid for a second and the fire was burning around me, and, well, you know all the rest. Yeah. Now even forgetting it's a wild story, what bothers me is, why didn't you say all this in the first place? It's like pulling teeth. Maybe we'll have to pull out a molar of Valentine. Mr. McGee? Yes, yes, I've been out there listening. Some story, son. Well, it's what really happened. Is it? I just got a phone call, Valentine. Coroner in Paso Rovo says Tommy Tucker was murdered. What? Hit over the head with a heavy instrument, sometime before the accident. The instrument appears to be that flesh like we found. Your fingerprints are on it, Floyd. We'll return to tonight's adventure of George Valentine in just a moment. Maybe you're counting on your favorite football team to do its very best this coming weekend. If you're driving to the game, I can tell you how to make sure your car does its very best. What the team does is up to the coach. What your car does depends on your choice of gasoline. Make it Chevron Supreme gasoline, for here's a premium quality gasoline that's climate tailored. Tailored to the season and to each different altitude and temperature zone in the West. That means peak performance whenever you drive and wherever. Try a tank full of Chevron Supreme tomorrow. Right away, you'll notice the difference. Faster starts, smoother pickup and traffic, ping-free power on hills. In fact, you can't buy a better gasoline for today's high compression engine. Get Chevron Supreme at standard stations and at independent Chevron gas stations, where they say and mean, we take better care of your car. Now back to tonight's adventure of George Valentine. You go to a little roadside café on Highway 41 east of Paso Robles.  A girl is plain lonely. But the boy's little hearted a figure. Lloyd Bronson was in the wreck of a truck last night, but it's like pulling teeth to get in to tell you about it. And if you're anything like George Valentine, you're never very satisfied with the teeth you extract. Which ones are real and which ones are false? Well, just now Mr. McGee of the Sheriff's Office has said something which may shed a little light on the subject. Good Samaritan who stops to pick up a hitchhiker then gets brained and robbed for his kindness. Afterwards it's a good idea to wreck the vehicle, cover up the evidence. I didn't do it. Well, how about your fingerprints on that flashlight? Well, I've been thinking about that.  Huh, you always seem to have explanations after we tell you what we want explained. Well, sometimes it's hard to remember, that's all. Oh, kid, kid, you watch the world like a card player expecting a crooked deal. Well, don't you know how that makes you look? A sharpie holding aces in his pocket. Oh, everything I told you is the truth. You can't prove anything as a lie, can you? No, Floyd, I'll say that for you. You don't trip yourself, but then neither does a lizard. Come on, Valentine, let's go into town and see what else the coroner... Wait a minute, wait a minute, Mr. McGee.  Yeah, but I just thought of something. I did.  I mean, what really happened? This had better be good.  Well, I think I heard voices. Voices? Where? Well, we'd gone over a bump or maybe we'd stopped. Yeah, yeah, that's it. And then riding along, I heard the driver talking to somebody with him in the cab. Hey, wait a minute. How did you know it was the driver talking? Well, well, I didn't exactly. I mean, the whole thing was kind of a memory. That's all, two voices up there. But he must have stopped to pick up another hitchhiker, don't you think? Sure, sure, that must have been it. That must have been it. It won't work, son. Who was it told us Tommy Tucker wouldn't carry riders up front? He said he was so conscientious about the rules he wouldn't take a hitchhiker up there. Oh, well, I did. But, well, I might have been wrong about that. And maybe he just didn't want me to ride up there. Kid, kid, don't make it any worse. Well, Mr. Valentine, I suppose Tucker might have picked somebody up, but I can't believe it. What about a man riding in the back of the truck?  I wouldn't blame a driver for that. He wouldn't have given his mother-in-law a ride to her own funeral. What's that? No, it's a pack. Evans is my name, wholesale plumbing. Just been waiting for a chance to help you guys. Yeah, well, look, salesman. Timid Tommy Tucker, that was my name for him. Oh, a real sweet boy. Don't misunderstand me, but he swallowed the rulebook. You know what I mean? Afraid of the powers that be. Now, look, Frank. Wait a minute, George. Go on, Mr. Evans. A pleasure, Miss. South of King City about a month ago, I ran out of gas and tried to flag a hitch. Long came Tommy, but you think he'd pick me up? No, not on your 10-type. And that's me, mind you. Traveled the same route all the time. A friend practically, you know? Yeah, yeah. I think we get the idea. Another funny thing that happened was... Thanks, Mr. Thanks. Now, I doubt if Tommy did pick up a second hitchhiker, or that he was carrying anyone in front, Mr. Valentine, or maybe even in the back. Well, at least some of Floyd did. Well, at least some of Floyd Bronson's story isn't true. How do you know? How do you know a person's guilty until they've been proven so? How do you? I don't want to come over here. Would you excuse us? All right, sir. But how do you... Now, you listen to me. I don't get mad at a case just because I don't like the way somebody parts his hair.  It's only a habit, Mr. Valentine. Is it? You've been standing around watching everything. Scared of that Floyd to get himself in deeper and deeper. Just that... Oh, well, I knew he'd act that way. That really stand up for himself, right? How did you know, Wanda? Well, even yesterday, he... he told me things that weren't true. What things? Well, just little things. But jobs he'd had, and he was going to get. Quarting people he knew. Patience he'd been. Sure, sure.  Oh, kid, what you see in a guy like that is beyond me. Mr. Valentine, he doesn't mean to tell things. And, gosh, nobody can be perfect. Only... Only, I don't even think Floyd Branson's his name. Holy sister, why didn't you say... Oh, I'm so tired now, I'm not sure. But, well, he gave me an address I could write to him later on. He wrote it on an old envelope. Only... Well, there was a place where he'd scratch the name out. And it was sort of like his. It was Mickey Floyd. Mickey Floyd, huh? Here. Give me some change for the phone. Long distance. The phone's across the highway at the motel. But, Mr. Valentine... Oh, now, relax, relax. Come on, come on, get some change. Yeah. So, that's the story. Okay, Lieutenant Riley, thanks. Sure, I got it. Well, George, what'd they say in the city? Same thing they'll say in the country. As soon as McGee's fingerprint report comes through. George, what are you talking about? Mickey Floyd, alias Floyd Bronson, escaped from a reform school up in Idaho last week. Oh, no. Yeah, that's our boy, Angel. Oh, what are you going to tell Wanda? The truth? She'll just have to get over it. Well, George, at least it explains the way Floyd's been acting. He was just trying to hide who he is. Uh-uh, think again. Which would you rather have happen? Be caught and sent back to reform school? I'll let yourself be thrown in jail for murder. Now, Brooksy, there's something else that we... Hey, come on. What's that? Hey, Evans. Evans, what's happened? Oh, brother, I don't know. Somebody said the kid broke up. What? A troll car came to pick him up, but they found the cabin open in the guard nocta. Ah, sure, listen to that. He must have headed up through the woods. Come on. No, no, we'll meet you. Go ahead. Brooksy, if he's running up there, there's nothing we can do. But if Floyd's really got a bad ankle, then he'd more likely head down the other way, wouldn't he? You make a getaway? What do you mean, George? I mean I ought to have my head examined. I left the keys of my car back in the highway. So long, Angel. Get away from me, Mr. Valentine. Look out. Oh, no, you don't. Whoa, whoa, whoa, will you? No, no. I said move over. I'm driving this buggy. I wasn't going to steal you, huh? Oh, no, just borrow it. Say, whose car is that? That's it in. How should I know? Well, what are you doing?  Out of the frying pan into the fire. Run, run, run. That's all you think of. Okay, well, for my money, you're guilty. But I'm not.  Yeah, you said that. Now, come on. Describe the inside of that fur truck for me again.  Oh, well, well, it was pretty dark and I was sleepy. But, well, there was a big box that silver pox on it. And I laid down next to a big bolted crate that said chinchilla. The bolts kept banging me. You're going to stick with that hogwash? Hogwash? But it's true. It's what happened. Why did you slug that guard? Listen, they're coming after us. I said, why did you slug that guard just now to get away? What guard? Oh, cut it out. The guard that was standing there. It wasn't there. I mean, I didn't see him. I just found the door was open. I knew I had to get away before they put me in the chair where I could. Listen, they're closing. Milwaukee, isn't it? It's all Milwaukee. You're not slugging the guard. But I didn't. You're going to stick with that stuff? Mr. Balanchine. With all of it? Are you? Your lad looks not shooting. Right faster, faster. Now, you listen to me. Are you going to stand on your feet for once? Look a cop in the eye and say that stuff and make him believe it because you believe it? Mr. Balanchine, I'm a little guy. I'm all alone. There's nobody that I can... Look out! They're right behind you. What are you doing? Just take it easy, kid. We're not going to be hurt. But... Yeah, that's right. I said we. Because I'm right here with you, Floyd. And I believe you. Everything you've said. Mr. Balanchine, what in the name of blue blaze? Obstructing justice here, I know. But now wait a minute, McGee. You just heard the boy here describe the inside of the truck, didn't you? I'll save this, McGee. It was quite an accurate description. Thanks, Justin. And how could he have known what it looked like unless the driver did let him in there? He wouldn't have known how to work the lock on the outside. And if Floyd was riding it back, how could he have got up front again to attack the driver? Well, I know we haven't got all the answers yet. But in the meantime, I can hold him for his breakaways, slugging the guard. McGee, McGee, the kid says he didn't do it. Oh, now look... The thing that's been bothering me and probably you too is that there's no other handy explanation for this whole business. Well, maybe I can come up with one. Don't count on it. You see, I think instead of it all being true, it's all false. Like the boy riding in back. Well, we turned up a witness who passed the truck on the road and who swears there were two people in front. Oh, great. But look if the kid can describe what was in back. Back, front, back, front, will you all be... Okay, okay. But McGee, just suppose there's somebody who's scared to death of Floyd. Because, well, by sheer accident, Floyd was along and asleep when a crime was committed. Funny man. And there are things in Floyd's memory like he recognized somebody's sedan over here. Well, I remember he was driven off the highway by a sedan. That's when he heard his ankle. Now, suppose it was a sedan that shouldn't have been seen in that neck of the woods last night. Go on, Valentine. The guard comes next, doesn't he? Yeah. Yeah, if there was someone who was terrified of Floyd's possible evidence and at the same time knew the kid was a perfect fall guy, wouldn't it be logical to set up a chance for Floyd to escape? The crazy kid would be bound to keep running until he'd be stopped someplace by a bullet. And then there'd never be any question of an alternate explanation. No more dangerous investigation. Well, there are lots of holes in a story like that. I'm afraid so, Mr. Valentine. And if my theory is right, Mr. Justin, then even the business of front and back fits into place. The kid said he was asleep and back and heard voices. Okay, McGee, you got a witness says there was somebody up front. Well, yes. It's true that checks, but... Only how could there be another hitchhiker in the cab when the driver was so conscientious about no writers? No, I'm sure he wouldn't have picked that up. There's only one person in the world I can figure would benefit by a carload of valuable furs being burned to a crisp, a person who'd naturally have to kill the conscientious driver to manage it. Wait a minute. Are you trying to...? And it's the only person that a driver who lived by the rules could pick up on the highway. The guy who owned the furs. The guy who wrote the rules, Mr. Justin. You. Insurance, Mr. Valentine. Well, I don't understand. Sure one. Insurance on the furs. Why, there was even chinchilla in that loader. Maybe some of them weren't even the real thing to begin with. And the insurance company would never know.  But apparently he needed to keep his company going. And it was Mr. Justin who met the truck out there on 41. Sure. Probably pretended he had a flat tire or something. Only poor Tommy Tucker. It's all going to be made to look like an accident, wasn't it? That's right. It would have. But it hadn't been for your stumbling Romeo wandering into it. The police found enough evidence to make Justin confess. Oh, uh, give me a nickel, will you? Here. He has some music, Wanda. Because this is where we came in. See you later. George? What on earth? Oh, excuse me. Hello. Mr. McGee said I could come in for a few minutes and, well, anyway...  Well, um... Mudface is in there for him.  I'm very attractive. But, well, maybe if you get a chance to travel around again, you'll meet somebody. No way, man. Who said she's not attractive? What do you mean, mudface? Look, Mr. Valentine, I stood in love without a criticism for you, but when it comes to one...   Get in there. George, I wonder if he'll ever really grow up. Straighten himself off. I think he's already started. You can easily keep the outside of your car from rusting, but how are you going to protect internal engine parts when rust is responsible for 80% of the wear? That's the rust caused by acid-laden moisture. This moisture settles on cylinder walls and other vital parts the moment you turn off the ignition. The one sure way to prevent it is to use RPM motor oil for RPM is compounded to keep a moisture-proof film on all parts at all times. Even though your car stood idle for days or weeks, that acid-laden moisture could not reach internal parts, not with RPM on the job. No wonder this motor oil is first choice in the West. It's the oil that stops 80% of engine wear. Rely on RPM to add years to the life of your car and to keep repair bills at a minimum. Ask for it at independent chevron gas stations and at standard stations where they say, and mean, we take better care of your car. Tonight's adventure of George Valentine has been brought to you by Standard of California on behalf of independent chevron gas stations and standard stations throughout the West. Robert Bailey is starred as George with Francis Robinson as Brooksy. Let George do it is written by David Victor and Jackson Gillis and directed by Don Clark. Also heard in the cast were Virginia Eiler as Wanda, Bill Conrad as Evans, Walter Burke as Floyd, Ted DeCorsia as Justin, and Joe DeVall as McGee. The music is composed and presented by Eddie Dunstetter, your announcer, John Heaston. Listen again next week, same time, same station too. Let George do it! This is the Mutual Don Lee Broadcasting System.


I can't believe how much has happened over the last three days. We have had people come together around the world online and in person to work together on projects, to attend sessions, to host sessions, to wander around a silly little game space full of funny games and brilliant people all working together to improve projects in the Wikimedia space. Thank you all for being here. It has been such a pleasure and an honor to work with the Global Hackathon Committee. Andre, Jay, Nestlehan, Gopa, Chico, Lucas, Sele, James, with a lot of help from Melinda and Marios as well. And as a committee we want to thank all the people who helped make this event happen because it really takes a village as they say. Thank you. The previous committee who advised us and made sure we knew what we were doing when we started this process six months ago, everyone in the grants team at the Wikimedia Foundation who helped us set up a grants process for people to plan local meetups and apply for scholarships. The developer advocacy team at the Wikimedia Foundation, which is a group of people around the world with truly probably the most creative people I have ever met, an incredibly talented group of people who has worked on every task under the sun to get this hackathon moving. All of the local meetup organizers who applied for funding with incredible proposals and then put on their own events in so many countries around the world. It is mind-bogglingly cool to be part of an event that's this global. We want to thank people who created projects throughout this hackathon, people who gave sessions, people who attended sessions and helped with projects. The many, many people who provided tech support and testing to help make sure this online platform would be fun and generally all of you who attended and made this hackathon what it is. A couple last things to note, Nestle made these incredible badges to show your participation in the hackathon. There's three of them, the Explorer Goat Badge, the Contributor Goat Badge and the Easter Egg Goat Badge. You can find information about those badges on the website and add them to your user pages. We will also be conducting a survey after the hackathon to learn how it went, whether it worked well for you, whether it didn't, if you have ideas for the future. It would mean a lot if you would fill out the survey because this will help us put on a good event next year and that will also be on the website. And finally, we'll actually be conducting some focus groups at the end, especially for people who attended local meetups. So, if you're willing to get on a call and tell us how it went, unfortunately, I wasn't able to attend any local meetups, so I'd love to hear from you how that went. Please reach out and we would love to hear your thoughts. Thank you all so much for attending. It was a pleasure to meet you. Please stay in touch and we'll see you at the Wikimedia Hackathon in a couple months. Cheers!


Welcome everyone to the first store for today. If, like me, you didn't sleep a lot yesterday night, well, I hope to keep you awake, and as you know, I'm using a microphone to do that. And my talk is about sound, so I had to show you something interesting. So my name is Jean-Lucca Memoli. It's an Italian name, as you might guess, from my actual accent. And I've been working in acoustics for, well, now for 10 years. I've been doing all strong, constrained stuff. I've been doing noise. I've been doing soundscapes, which is the word that people use to describe how they perceive sound, and how we design space around it. I've been a bubble scientist for now, for 12 years, and now I'm working on metamaterials. My talk, then, comes from my experience as an amateur testing. So when I direct a play, I consult to my light person, can I please have a spotlight? Or can I please have a light there? Can I have a diffuse light? Can I have a light which follows the character? I cannot do that with sound. With sound, I have to rely on speakers, which are placed in strategic positions by people who know what to do that. You can see that there is an array for a concert. What we do is we design goals that everyone in the room hears the same sound. So let me show you something from my days as a consultant. Imagine this is a theatre, and what you see there is the sound which is going on, and as it goes on, you see the waves which propagate, and suddenly everybody is filled with sound, the same sound for everyone. But that's not what we do with light. When it doesn't pick up, of course. So my days, can we get the same? Can we do the same with sound that we do with love? So that's my outline of my talk, and I start to read what we can do, and what they do in updates, and eventually I tell you about my ideas and the exciting opportunities that they offer to us. You can see some stuff here, and they might need some volunteers in the audience to have a deal with my talk. So what can we do today? So what you see here are two pictures about Dolbydweith, so surround sound. Now what I would like you to get from your seats in the audience is how many speakers do you need to do a five plus one surround system in a home? So you guess? Well it's written there, isn't it? So what about if you go to the cinema, how many speakers can you actually get to have an experience in a nine-mark? Any guess? Forty. Forty. Any other number? Twenty-two. Twenty-two. Forty-two is giving you the answer, isn't it? Say, normally you can reach up to 64 speakers, and even in that case, the feeling that you have is great, but it's an illusion. Sound is not really around you. You are tricked to believe that. But there are other applications where you need a lot of speakers to control the shape of sound. So one of that is diagnostic. So we are all familiar with the idea of using ultrasound to see babies in the womb of mum.  And this is an image from destroying prostate cancer with ultrasound. So how many speakers, or chasaric speakers, do you need for this application? What about the first number? How many? Sixty-one. Any other? One? Okay, so you need about 100 speakers to get an effect of a beam which gives you an image on the screen. Here, the number increases. So all of these technologies want in the same way. You have a lot of speakers and a computer attack which controls them like the director of an Oxford conductor, does with your orchestra. So the conductor tells them you play, no, it's your time to play, no, it's your time to play, no, it's your time to play. Each of them is tuned to a note, and in this way, they get a shape. What I just described is called digital signal processing. And, well, the simple way is in that but you also see that in front of that flow there is something which is labelled an acoustic lens. So there might be then a way to improve the performance of these devices. But my goal today is to demonstrate to you that maybe in a short future all these devices will be obsolete. And we can do sound control in our car. So to do that, I use a case study which is levitation. So acoustic levitation has been around for a while. You cannot levitate men, unfortunately, because you wouldn't need the power supply that's of a big cold plant. But you can levitate polystyrene beads. So what I'm doing here is I'm getting some polystyrene beads which of course, since I'm live, they're not getting on the object here, on the scoop. So what I do is I take my polystyrene beads, I put them here, and what I have here is a wave which is trapped between two sets of speakers, which are sonic speakers, and that's why you don't hear them. And we're in the digital house clipping for that. And I know that's the people who are cleaning this room lately after that. But eventually, when it works, something levitates. So let me show you the video. And then you can come and try. I had someone try that earlier to check that it was working. Well, you can try it later. So what you can do with the time for the speakers, you can move objects in media. And so you can make parts, you can make figures, you can make shapes, you can transmit information. And then you can load two of them together and move them around. So this work was done in the University of Bristol from my former supervisor. You can see it's quite cool. What you really want is not that. What you really want is this. What you want is to control in remote with sound something far away. What you want is the possibility of dragging something from you or sending it away. So the first step in that direction comes here where you have levitation on only one side. I don't have this demo. What you see is that you create basically a shape. So you create a shape, a cup, which takes the particle and keeps it afloat. So the problem with these technologies, so before we can actually use them, is that the cost ramps up very quickly. So transducers are very easy. Speakers are very easy to control, but you need a lot of them if you want to have a control, a special control to the seat of these audience, for instance. And then there is a physics limit because speakers are big. They need to be big because sound as a wavelength, which is quite big. And so if they are not big, then they don't respond to buses. So there is a technology limit in making speakers and the same applies to ultrasonic speakers. But in optics, they don't do that. What they do since the time of Archimedes is they use lenses. And what we do for those lights is we use reflectors which change the shape of the light. We use lenses to... We put objects in the middle between the source, so the light and myself, to change what happens to the light. So why can't we do that with sound? So these devices have been around for a lot of time for light. So much that actually if you take a £5 note, you'll find anologram in it, so the big Ben. So we normally use these things every day and night. Why can't we use them for sound? I think we can use them for sound. Let me show you what you can do now without going that direction, but the other direction, this way. So that is the example of a lighthouse. And what they do is they use what is called a Fresnel lens to send light away, long, long distances. And what you see down there is a design, so it's measurements that I recently did with my special lenses for sound that project the sound of a speaker from here to the tent down there in workshop one, I believe. All of this is done with metamaterials. So what is a metamaterials? Metamaterials are devices which are engineered to have a special property. Well, saying that, I said nothing, because with these words I can describe everything. I can describe a guitar, I can describe a shredder diffuser, which is the one that you see on top and that is used at concert halls. I can describe a sponge. The trick is that these materials, and I have some of them here, 3D printed, can be made of any actual material, but you can shape them inside so that the sound gets delayed in this particular case. How do they look like? Well, this is a big version, so this is a big lens, and this covers the highest note of a piano, quite bulk, isn't it? But also you can have them in the shape of sodacans. So this was the first lens that I saw. This is done with the trick that you use to make a xylophone with glasses, where you fill the glasses with different depth or liquid, and in this way they send the sound around, you can see the speakers at the corners there, and they created a spot. Now what was my contribution to this is that I found that actually you can do this in a much simpler way and you just need Lego-like bricks to do this. So instead of taking the cans and filling them every time, you just need 16 types of cans or shapes to give you a control on sound beyond what you can perceive. Just like you need 26 letters to make any word. So how do they work? What they do is they... Well, I have a microphone here, let me go closer. So how do they look like? They are like objects where you can change the size of the maze inside, and you can have a go at this after my talk, and by changing the size of the maze, you change the time the sound passes inside, like in that picture, and you see that depending on the length of the maze, you change a different delay. So what you see in this picture is a wave, which takes more and more time to reach this point here. So in this way, you control phase, just like you do that with a digital processing, but in a passive way. So what you can do with it then is by using these bricks, you can do, obviously, levitation. So what that one is... Oh no, I went too quick. So let me try this one first. So these are the bricks, and you can hear the go-getters on the background probably. That's my son who is keeping himself occupied while I talk to you, and we use 16 of those bricks, and by putting them together, and you can see that I'm doing that very quick in this movie, it doesn't take so, it's not so quick in real life, what you can do is you can make patterns. And so with these patterns, two of them, I can put them together, and I can make them to levitate, which is what I needed. So with a speaker, a general speaker, and two objects that I 3D printed, I can do levitation. And if I can do levitation, I can do much more because I can do a lot... Levitation is a way for me to show you that I have control. It's a way for me to show you that I have the power. But in reality, levitation is something that might be... Well, it managed to bring me on ITV to levitate food, but it might be far from the real application, unless we can control it so well that we can use this type of control into the body, for instance, to deliver medicines. But since this is an ICT friendly community, let me tell you that you can do more. Just like suppose you don't have space to have, or you don't want to print 16 types of bricks, what you can do is you can use techniques to use less of them. And these are very similar to the one you use in compressing images, in doing a JPEG, for instance. And in this way, I'm using less of them, 11, if I remember correctly, in this one. And still, I can get levitation. And if I can go further, I can then levitate with just eight bricks. Which means that if you can be clever, then given a space and some requirements on the sound that you want to control, then you can transform one of this, which is bulky, into one of those. And they have the same effect on a normal speaker. Now, what's the problem? The problem is that the advantage of the problem is that at the moment the limit is how small you can make this with 3D printing. And the problem is that the other bit is, at the moment compared to a lot of speakers controlled electronically by processing, is that this solution is static while the others are dynamic. But we learn from optics that turning lenses into something dynamic is not too difficult. You can use that for headsets in 3D displays. So let me go to applications. Because I can see that probably you're already wondering what we are doing here. Why are we wasting my time here at 10 o'clock? So this was Iron Man. And so as a scientist, I feel that I always try to catch up with Hollywood. That is one of my challenges at the moment. And what you see here is that soon to become Iron Man is trying to find vibranium in a map. But there is something in this which is implicit. So it's not just an hologram there which it can pass through. It's not just telling the computer, please spin. It can do more than that. It can actually, and this is even clearer later in the movie, you can actually touch the stuff. So he is doing what technically, so did you see that? Spin it just by touching. So he knows where to put his hand. So what's up there? So this is called technically media optics. Can we do that already? Yes, we can. With speaker arrays. So this is a company in Bristol which sells devices which transform and gives you shapes in media made of sounds. So how does it work? You have a lot of speakers and if they send the sound at the same time on your hand you feel nothing. But if you time that with different delays then this eventually creates a spot on your hand and you feel something. And if you create many spots at the same time then you can create shapes. And so then in this case you can then create the outside of a sphere. So can I do that with metamaterials? Yes I can and I can do much more. Because with metamaterials I can create shapes which are more complex all at one time. So we have a demo here, I have a demo here where you will be able to touch sound if you come a bit later. But what I want to show you and that's the demo we will do now is this. So this is again catching with Oliver. This is Minority Report 2002. Now if we had the audio we could be hearing that Tom Cruise is fast around to recognize and see at first. So that's personalised metamaterials. So that means to down just for a person with spots. OK. So at the moment this is usually a show and let me show you how it works. So you have a speaker. So this is one made by us at Suset. So in ours. And let me show you how it works. Let me use some of the speakers. This is something which is already out there. What you can do with metamaterials. So I do that instead of doing this.  So now I do the energy change. So the people here start raising their hands when they were not before. So what I did is I put something in front and I changed the direction of sound. And I can shape this in a way that actually goes around this pillar here and be a scenario of silence in the middle in sound of a rap. Now imagine you are in a distance and you are dancing and eventually there is a space in the middle of the dance floor where you can talk and decide that side you go. Or you can also go to the bar and finally talk to the barman and get yourself understood and maybe make an order without being so silly. Or at least what we hear in Australia is yes this year in Las Vegas you can be in the car and you create zones. So you have a speaker, so the driver which is listening to the GPS and the passenger who is listening to the music and my son on the back who is listening to the sound of his CV is and we are not hearing it in charge. So it's a world where you have perfect control to the seat level or sound without... So if you push this pillar like us physics is also works the other way around you can then cancel the sound inside. So this was the window and there are a lot of companies that are trying to start and this is the window which lets the air through but not cancel the sound within the system language. So imagine now you have a reconditioning unit on that side you will not hear it. But you will see that. So where we are going to do this? When you see that, it's a way of seeing it. It's a way of going to a world where we will not use headphones anymore. Where we will have 3D shapes on our phones that you can touch. Where instead of having personalised rings for my mum I can have a shape where I can feel that it's my mum for it and I can decide on what's on it. Or we are going to a world where if you are sitting on a sofa I can send Spanish to that side and English to that side and you can learn a language just by changing seats on a sofa. So what we are doing is we are going to give you and we are reaching a world where we have control sound just like we have on a live CD which as you can see is quite cool today. But change the way we think sound. The moment sound is something that either we have or we don't. Either we have it on our headphones or we don't. We are changing sound in a way that there will be just the right sound for everyone. For medical applications, for concert halls, for controlling your cars in your sofa, in your sitting rooms, in your kitchen. So we are going beyond what we can do with a lot of our speakers through materials that we engineer specifically to do that. So thanks for your attention and I hope you enjoyed my talk and we are recruiting for this if you are interested and otherwise please pass the device. Thanks a lot.


Hi everybody it's Sam at Mixed Up Craft. Thank you for watching my tutorial today. I'm going to be showing you how to make what I'm calling a double concertina gatefold card. So this is how it looks when you take out the envelope and I'll talk you through that in a moment and then basically these sides all pop out. You can see there the concertina fold and it stands up really nicely. It's just got a great profile I just love it. Also I love the holographic cardstock. I think it works really good with the angles and just all those different panels. It's got a real like art deco look about it and I just yeah really really pleased with it. If you wanted to put pattern paper on everything you can but I just really liked how you see those kind of triangles when you open it and then you just yeah you just get hit with all this cool color and stuff as it catches the light and then on the back you've got lots of room there to stamp and write your message and then the envelope I've made is slightly it's like a more of a padded style envelope so it's just got an extra quarter of an inch kind of side all the way around there and I just done that on the envelope punch board which I'll show you and I've also just attached one of my wax seals on the back there so I've got it all I just was playing around seeing how they all looked. I need to obviously this one will not get filled out yet because I've got nobody to give this one to just yet but when I do go around to needing one then I can just you know pop a little blue dot underneath that and it's all stuck down then I've just popped a piece of playing card on the front there but I've used matching papers as well so the whole thing I don't know just makes it look very very pretty so let me show you how to make this. Okay so that's what I keep all my wax seals in so I've just done a lot on mine so I've got them ready and then I just attached them to the envelope with my like foam sticky pads. I did try using the hot glue and if it's too hot it's just going to mount the wax so you do need to be very careful if you're going to use hot glue but otherwise I just use a liquid glue and like I said the foam taps work fine but yeah I'll pull one of those out near the end of this video so I've already done one half we'll go through all of that and I've done the topper again we'll talk through all of that. So the paper I used for that one I showed you is the new Festedition Bloom and Wonder so this is a 12x12 and it's really lovely and I used this one here and then they have this kind of cut out sheet here and that's where that it was that section there was where the peacock image was so that's that one and then for today's I've gone back to an oldie one of my well it is possibly yeah the my most favorite ever Festedition paper and it's Let's Celebrate I just absolutely adore this one so that's the one I'm using again you can still get it as well okay so you want two pieces of 10x7 okay so I'm going for this nice pink color to just pull in you know all the colors from the cake there that I fussy cut and what we do first of all so you can either score both pieces at five six seven eight and nine and then one of them you'll just flip around okay or you can score one at five six seven eight and nine and one at one two three four five okay so either way it doesn't matter but you will need to do that on two pieces okay and then what we're going to do before we fold and burnish all of our score lines there on one so say this one here I'm talking you through now you're going to come up from the bottom up here and it's three and a half inches yeah okay then on this one you would need to flip it so the those score lines are on the right hand side because this big five by seven section in the middle they're going to stick on top of each other so you want your all those one inch lines you want one lot on the left you want one lot on the right then on this one you're going to mark a pencil mark again three and a half inches up I mean it's halfway yeah okay so you can see there I've just put a little pencil mark at three and a half inches but when you go to cut it you need to make sure that you're doing your angles in the right direction so on the left hand section you're going to cut from the three and a half section up to here and then on the right hand side you're going to cut from the three and a half section up to there okay so I'm just popping it in my trimmer lining up that's that five inch center score line here on the side of the blade and then just bring this one down to that pencil mark like so come up a little bit there and trim that off this one here where you've got your score lines on the left fold it all in half okay and then you're going to do a mountain fold a valley a mountain a valley okay so you have that concertina on one side then on the other piece where you've got everything on the right fold it all over again but this time it will open obviously to you know out to the right rather to the left but you're going to fold the same way so then you're going to have a valley a mountain a valley and a mountain again just make sure you burnish all of those score lines really well like so okay so just hold them there so you can see you want to make sure you're cutting down in the right on the right angle on each piece that makes you got one on the left and one on the right and then it doesn't matter which one you stick over the top but one of them wants to go over the other and cover that whole five by section five by section five by seven section so i've just got some of my glue here and i'm just going to cover the back and then just sit that whole one over at the top like so i'm going to remove my score ball so i don't want to get any glue on that just make sure it all lines up perfectly fold that over again it should all line up nicely okay and just fold it all back in again like so you can see your card now will stand up nicely with this piece here this is going to go right in the middle now with my decoration what i've done is i've made this center piece so that you can fold in once that's all stuck down you can fold in the sides and you'll still see all of that that's just the way i've done it there's nothing to say that you can't obviously you know have it have a bigger image you know it's entirely up to you but this piece here the holographic card stock is a piece of four and three quarters by six and three quarters and then the pattern paper is four and a half by six and a half and then this smaller section here is three and one eighth of an inch by four and a half and then the pink piece for me is two and seven eighths of an inch by four and a quarter okay yeah four and a quarter and i've just put some foam pads behind this holographic piece here just so that's got some dimension and then the fussy cut image again i've put on some foam tabs as well because the height of this piece almost starts to level up with the height of this kind of springy concertina fold which is why it fits nicely in that more padded kind of style envelope and then this one here i've put foam on the back as well so i'm just going to stick that one down in the center you should have a nice even border it all folds up and you've got that nice centerpiece for the back this is a piece of four and a half by six and a half yeah so i'm just going to stick this one down while it's here now if you want that can be the card done okay it does look lovely i think you really see the folds you know it's it's got a great look about it but if you do want to add a bit more like i am then you're going to need four pieces please measure three and three quarters by six and five eighths of an inch okay now what i would suggest you do is work on one side at a time just so you don't confuse yourself because obviously you're working on an angle and just concentrate on like one side first okay so i'm not going to cut all these at the same time so i'm going to work with this one first and i basically i want to cover these well let's just say we're just going to work on the back here first of all okay so it would go from the top here down there you just want to make sure your angle goes the same way as whatever side it is that you're working on sorry i know i'm off screen a bit there okay but just make sure your angle's the same so you want to come down on whatever side you're going to bring your angle down to you want to come down at two and five eighths of an inch and i'm just going to use this here so two and five eighths i'm just going to mark just there i'll just put a little marker just here and then with my trimmer i'm going to cut from that top left down to that point on the right hand side like so so now we know this is going to go in here then turn it around so you're along the flat side and you want to trim at every three quarters of an inch so i can see here is at three and three quarters so i'm just going to bring it down to the three inch trim bring it down to two and a quarter trim and down to one and a half trim and then down to three quarters all right so i'd already worked that all out for you and then you'll see that this one will fit the first one the tallest one will fit perfectly the rest now you're going to have to trim a little bit off of the bottom of each one but the angle will be perfect on all of them and that's the most important part so it was just easier to cut that angle rather than do the angle different you know cut that separately on each one because the likelihood of you being able to get the angle perfect on every one you know is obviously more challenging to do but so the first one fits in there perfectly and you'll have that nice border this next one here you want to just bring it up so it has the same border but down here again i just find marking mirrored card better with like a poke tool rather than a pencil because you can't rub it out but i'm just going to mark you know so it lines up with the other silver or mirrored piece there and that's where i'm going to trim that piece then bring the next size down so your next largest one again line it up so you've got the same border at the top here as you've got there and again just mark them keep them in order just so you know and then this one here and it's just better to do this each side at a time and then you know exactly where you are because if you do all these pieces then it's just gonna um you know it might confuse yourself although saying that just thinking you will need probably you'll do this one twice because it will be the same as what goes in this section on this side because you do both sides if you want so you see there that one will fit perfectly in there so you can cut two of them and that one where it just you know i've done that little marker lines up the same so you will do two like that so you could grab your other piece come down two and five eighths on that same side because it's exactly the same piece so two and five eighths i'm just going to push those up there so once you get used to doing it and that then you you know by all means cut them all and just keep them in their own like little piles or something there's that one and then again just twist it around and again bring that one down to three and just you drop it down by three quarters each time all i can do with this one i know the first one's perfect in terms of its size and then this one i can just bring this one next to it and just use that marker there so just use that as your guide just make sure the bottoms line up so now i know that i've got that piece to cover this back of this side but the inside of that side and then if you flip them that way with your two pieces of this you're going to do the same but this time you're going to come down by two and five eighths on the left hand side so on those two we came down on the right on this one we're going to come down on the left again pop it in here and just drop it down three quarters each time we'll do that on the other one but now you can see the first one always will fit perfectly and then the rest you just want to mark again okay so i'm going to go and get them all done and get them all stuck down okay so there is the card now i don't think i'm going to put pattern paper here i'm going to keep this one just all with just that mirrored card stop but if you do want to add a piece just on these two front panels you may want to do pattern paper on all of them as well i mean i may well do that in you know future when i make this card again but for the minute i just want to keep it um it's like a disco so but if you did want to do these ones here because i'll bring in this one again you can see i've just put pattern paper on the front panels so you will need two pieces that are they will be half an inch wide by we're going to look at three and a half and then you'll just have to do your okay but um yeah i mean you can see it's up to you it does they both look lovely so i just want to see all this mirrored cardstock so now we want to make the envelope so it's really straightforward really easy to do but i am using the envelope punch boards you want a piece because this is going to be for a five by seven envelope just grab it here so you just want to find five by seven which is the card size it's telling me i need a piece of paper that's nine and a half by nine and a half so i've got this piece here which isn't actually from the paper pad i always go for a paper when i make the envelopes rather than a cardstock and i've got this big paper pad which i've shared before and i've just found one that matches really well so it's telling me my first score line is the four inch score line so here i'm just going to take this out i'll link up a video on how to use this because i always get asked it whenever i bring it in but i've done a separate tutorial on that so i'm going to line this up with four inches punch and score don't worry if you can't go all the way down it will work out in a moment but then i'm also going to then move it along to the four and a quarter don't punch just score okay then i like to flip it so this is now at the bottom and work on the opposite side again pop it in at four and score punch and score and then move it along four and a quarter but do not punch or you go to want to do it just score down that line then for the next ones all you're doing is bringing it along here so just look at this this kind of little notch here until it sits with this score line here there's a score line you just want to line it up with that and then score and then this time you want to just pull it along focusing here until this score line that you've just scored comes out by about a quarter of an inch again because you can't use it up there but i have just roughly you know you can see that that's quarter of an inch there if you want to you know measure between the score lines with your pencil but again yeah that's fine i'm happy with that and then again flip it to the other side bring this along until it hits that corner score and then i'm just going to bring out a little bit more to about there and score okay get rid of that excess oh oh i didn't punch on those sides you have got a punch there so yeah when you've lined it up there on those two other sides you're just doing that one punch so again just bring that down there we go it's the second one you just don't want to punch on okay and then just fold if i bring it up you'll see now those score lines so you see we've got two quarter of an inch apart it's just by doing that simple you know extra score line it will give you that bolt but like i said if you don't want to do that and you'd rather do a box envelope then just follow that link that i would have put in earlier and you'll be able to um to make one so i'm just going to fold and burnish both of those score lines and then just using some double sided tape i'm going to run so your sides are going to come in and then this is going to come up so you just want to run it along it's close to that without going over i've just ripped all that it's my own fault in fact i'm going to bring it in a thinner what have i got here there we go that was thinner so you just want to line it up with the edge there and this one here take the backing off and then when you bring up the base you want to make sure that you bring up the sides that you're constructing a box and just make sure you've got a nice right angle because if you come in too tight so just bring up the side so they you know like i said it sits at a right angle and it should yeah just tack itself you can go in side the envelope there and then this one will just automatically kind of line up and then again take the backing off of that one just bring up and then bring all that down i always turn it upside down and pop in an envelope because that way anything that you've got that might catch will slide in nicely and now you can bring that one over and there's your envelope okay and then i'm just going to pull out some of these and it's a hot pink it might do maybe the silver because it's sitting there that doesn't look so good there hmm see i like that one let's do that one so i've got a foam pad here this is probably too big let's just trim this down a little i'm just going to pop the foam pad right down into the corner there take the backing off you don't have to use a foam dot like i said you can use a um a glue dot and then i'm just going to stick that on top so that one says with love on it and then when i do go to stick it i've just got to put some you know glue underneath there but once that all squares off again can you see it's cute so there is the envelope and then i'll just cut a white piece sometimes i put a sticker on there just like those labels but um now you've got a nice envelope and then a gorgeous card which is just like i said it's like a party it looks really really cool and then it's yeah stands up perfectly so that's that one and then that one so it will once it's been in the envelope that will kind of stay see this stays a bit more this is just quite bouncy still plus it's got all that card stocks it just needs to settle but it will kind of be a bit more manageable once you've um popped it in the envelope for a while but yeah there are my double double or yeah my concertina gatefold cards so i hope you like them if you do please give me a thumbs up and consider subscribing to the channel and i'll be back again very soon with another fun tutorial see you later bye


If you'd like to embed a YouTube video on your website, you should know that there are two options where there are more than two. But to me, the most important question is at the end of the YouTube video or when they pause the video on your website, do they see related videos, suggested videos from other channels or only related or suggested videos from your channel? There is an option to do this. Most people don't know about it. Let me go ahead and show you on the screen. So here it is. I've already started the page to show you. It's called the REL code, okay? And let me show you what the code is. This is, let me first show you what it looks like with and without the REL code. I've muted the audio so you can't hear it. But in fact, I'm going to mute the audio right now for myself. And notice I've started playing this video and if I just embed the YouTube video without the REL code, which is by default, there is no REL code. If I pause the video, see what happens. It is now recommending videos from, yes, from my channel, they'll recommend one video, but it also recommends videos from other people's channels. This is not helpful because people can get taken into usually other people's thumbnails are very attractive compared to mine. I like Heather, but it's like, yeah, anyway.  And then there are some of my videos, but there's also other people's videos. This also happens at the end of the video. So I'm going to scroll all the way to the end of the video. So let's just say I am finishing the video here. Yeah, there's my end screen. But after the video finishes, it does the same thing. You've all noticed this when you're, if you're a YouTube subscriber, see it also has other people's videos, right? Sure, it has some of mine, but it has other people's videos. With the REL code, REL code is putting this question mark REL equals zero at the end of the video ID, which I'll show you later. This is what happens. Let me show you and then mute this away. If I pause the recording or pause the video, it only shows you videos from my channel. This is Sarah, I interviewed her also on my channel. These are all my channel videos, right? Great. So then even if they want to go down a rabbit hole and be distracted, they're still watching my videos versus someone else's videos. And same thing, like I said, at the very end the same thing happens when they finish watching the video, it will show my videos only. And yeah, see, only my videos, right? Only my videos, okay? These are all my videos. So how do we put the REL code after the video ID? So when you're embedding on your website, let me show you the code. Okay, let me show you the code here. Sorry, I know it's a lot to look at, but let me just kind of walk you through this step-by-step here. When you get the YouTube code, right? When you go to a YouTube, I'm just going to youtube.com, I'm just going to click on a random video, okay? Yeah, whatever. Click share, embed, okay? They give you this code, right? And by the way, I would encourage you to keep player controls on because player controls on allows people feeling, but more feeling of control. And if you take player controls off, then they don't have that feeling that they can control the video. Okay, there's no fast forward or anything like that. So it's kind of annoying. So I like to keep that on. Enhanced privacy mode, I keep that off. You can search YouTube on that for what that means. I'm not going to describe that, that's too complicated. So usually just take this code, you copy it, you go to the website, and I'm just going to paste it in here, right? Okay, see, you don't need to know how to code. You just need to copy paste into your website, the source code part of your website. And then notice, this is the video ID. Now let me show you again.  But then there's this. This looks like a YouTube URL, it's not. It's not a YouTube VR because it has the word embed in it. But in this URL, the video ID is the thing after embed slash, okay, embed slash. And then this is what's called a video ID or that's how I'm calling it. After the video ID, if you put, before the quotation mark put, I'm going to make this a little larger here. Whoops, let me do that one more time here. Okay, I made it too big, sorry about that. I'm going to paste the code again. Before the quotation, after the video ID, put question mark, R-E-L equals zero. Question mark, that's it. That's all I got to do. Then it will only show related videos from that channel, the channel that you're embedding. And that's it. So if I'm going to click okay and you can see it's still embedded normally. And if I play this video and if I stop the video, it only shows videos from MrBeast because this is a MrBeast video that I'm embedding, okay? So that's it, that's as simple as that. I hope this is helpful. If you have any other tips about YouTube embedding for others watching this, you can feel free to comment below. Thanks.


The German government has organized a four day capacity building training for the Michigan Local Government legislative arm in Adamawa State, aiming to enhance social cohesion through community development planning and monitoring. The Michigan Local Government in Adamawa State, one of seven affected by Bukoharam insurgents in 2013, is partnering with Germany's Ministry for Economic Cooperation and Development. The Christian Rural and Urban Development Association of Nigeria in the Center for Public Education and Mobilization for Development in Nigeria. Also is a development partner who has been assisting both in the monetary aspect to the needs among the community, who has mostly been affected by the insurgencies that took place some years back, let's say 2015, 2016 and 2017. And now the German government is assisting now GIZ with a development plan that will help rebuild some of the destruction carried out by the insurgencies. Projects coordinator Oxfam Enok Bamai outlined the project aimed in strengthening social cohesion in Michigan, targeting over 1,280 people across 16 words leverage in citizen engagement for social and economic development. The project is aimed at improving social cohesion through community development planning approaches across 16 words of Michigan. As you are aware, Michigan is one of the worst hit local governments in Adamawa State in terms of when, during the insurgency attack. So one of the, that is one of the reasons why Michigan is selected as part of early recovery or a recovery effort from the attack of the Bukoharam insurgents in Adamawa State. And the project is actually leveraging on the citizen's engagement and participatory planning policy, which was recently passed by the Adamawa State government, geared at ensuring that development initiatives are guided and driven by community people by themselves. This program is actually a consultative workshop and also a capacity building training for senior government officials in Michigan on monitoring and evaluation of this community development plan, which was actually developed and reviewed and also validated. So why we're here is that, okay, Michigan has a plan, has a community development plan. How can they monitor it? How can they be able to track some of those projects? Some of those priority needs are even identified. So that's why we're here. So two things. First is to have a consultative forum with key stakeholders to look at some of those indicators, look at some of those key areas that they need to track and monitor and then also build the capacity of the managers of this framework. So we're developing a framework and also building the capacity of the managers of this framework. So that's why we're here. I will still go to my community, to my village to enlighten them more about what I have learned here, to still encourage them that what they are planning to bring to them is real.


My name is Kaye Felix and I will come you to Kaye Felix inspire always remember if you are coming here for the first time please don't forget to subscribe hit the bell icon so that you get notified whenever I post new videos please do stay tuned for more details in this video When you are a minister of finance the LEWALANDE thing abu Kaye Felix and he is always a KF importance and then he is under under debt and then he is under debt for what he is doing he is doing whatever he is doing and then he is trying to pay his debt and when he has experience as a good teacher me too I was really inspired by the thing he showed at the time ḍ Ḃ �ла Ḷ ılı � 고양e ᵢs̶, Ḿ ᴂ ᴜ Ḉ ớ ir Ḷ ᵬᵉ�分享 ḍ ᵀ ᶬ ᵍ ᴉ ᴄ �ᵈ ᴑ ḅ ḣ ᴜ ᵣ ᵃ ᴈ ᵛ ᴎ ᵏ ᵎ ᵒ ᵜ ᵕ Ḽᶽ � spatial Ḕ ḉ p . Ḷ ḗlarda ᵒ ᴇᵃ ᵓ Ềᴆ p ఆప్న నింప్రిని. లారింపెపెండిగింత్ట్లానిలుంద మారింప్రమిక్టరి. ఇకరారింపెనిస్రిమా. ఆనిక్ట్టిలతిపెని. పిత్నంచిమానింపిటరి


I just recently picked up the Air Jordan 13 Oregon Ducks football PE's, and I am excited to give you guys a review because I know the shoe looks a little simple and a little bit loud, but trust me, there's a lot of cool details, and man, I'm glad to have these back in my collection. Oh yeah, and if you didn't know by now, my name is DJ, and this is the DNA show. So let's go ahead and take it to the studio so I can give you guys the in-depth review of this shoe. So here we have it, the Air Jordan 13 Oregon Ducks football PE. The shoe that I had, I wore, got rid of, but I had to get them back. As you guys know, I'm from Oregon and I love my Oregon Ducks PE's. Now this one in particular, it hit me a little bit differently because the colorway, it's not the same as what we typically get. You have these neon, bright, crazy colors. I was used to Oregon Ducks PE's being darker, more deeper greens, like kind of like this right here, but a little bit more vibrant, you know, like similar to the Ducks jerseys. We have seen Ducks jerseys with these kind of darker green colors, but these neons was like really kind of throwing me off. We hadn't really seen this before during that time. So in that time, I got the shoes when the players first got them and I was happy. I was rocking them, I was great, you know? But just for some reason, they was kind of rubbing me the wrong way when it came to the colors. And then I got rid of them some years go by and I'm like, bro, I need these back in my life. Like this is a clean shoe. It's not my favorite 13 of all time, but I came up on these on a good deal. I got these from Soul Steals. Shout out to my homies over there at Soul Steals. If you guys haven't heard of them, click on the link down below. I talk about them all the time. It's a membership, a monthly subscription. They give you deals on sneakers.  They do raffles, they do a bunch of different things. So check them out.  And this one right here, they popped up. I was like, you know what? I gotta pull the trigger, I gotta grab these. So before we start breaking down all the styles, cuts and materials of this shoe, we gotta talk about the history first. Back at the end of 2017, going into 2018, we saw the Air Jordan 13 made in three different versions for the Oregon players, the student athletes and the teams that they had. So not only did they make these for like the football team and they typically will give some to other players on different teams with different stuff, they decided to designate different colorways for different sports. So they gave these to the football team. That's why you'll see the details later. It says football right here on the toe of the shoe. Then they have a version for the basketball team, which is the gray and white version. And then you have the track and field team, which is a black and yellow version. So there was actually three different versions of these that were made around that same time. Now it's a little bit harder for me to get my hands on the other ones, which those are more money, but don't worry, I'll be grabbing those soon. So this shoe in particular was made for the football team. Typically you got about 100, 150 guys on the squad. And then you got staff, coaches, different things like that. So roughly on a football PE, you're gonna see, maybe around 300 pairs, 250 pairs that were made on the shoe like this. Typically when you have a sneaker that's this rare, under 500 pairs ever made, that means what? The prices are always gonna be expensive. That's just kinda how it goes, especially when it's a Jordan PE mixed with the Oregon Ducks. No matter what colorway it is, it's still gonna go for way more than your typical retail value on a typical Air Jordan 13, even if the colorway is better than these right here. It's just kinda how things go these days. So now that you guys know a little bit about the sneaker, the history and how it kinda came about, this is something that Tinker designed and made a special colorway for and gifted to the team. Now, let's break down the details because honestly, I know it kinda looks like a simple shoe, but there's a lot of cool details and materials on this sneaker. Now looking at the outsole, you got your classic Air Jordan 13 outsole, but this time you got a different twist.  This is actually a Puddles duck right here. And it's actually kinda dope because it's a black duck. And during this time, we hadn't seen too many organ PEs with a black duck on it. Now I know this is on the bottom of the outsole and the Jordan 8 was the first one featured with the duck on the chenille patch on the tongue. This is definitely a huge statement for the progression of the organ duck PEs. Now to compliment those details, you have that neon green all throughout the outsole and then you have the black pods in the center of that and it's just giving me altitude 13 vibes. And if anybody has the altitude 13s in their collection and it wants to see them retro, please raise your hand in the comment section because I would love for the altitude 13s retro. That is a sleeper shoe. Am I tripping or what? Because I love those. Now going up to the midsole, again, classic materials right here for the 13.  But honestly, I feel like it's more of a really, really deep, dark green color. Correct me if I'm wrong, but a lot of people say black, but even honestly on the black areas, like I was talking about on the pods on the bottom, those are actually a really, really dark green as well. Maybe I'm tripping, but let me know down below in the comment section what you think. Now going to the upper right here, you have a couple of different mixtures of materials. You got two different types of tumbled leather, a little bit more of a smoother one right here around the toe on the cap and then on the back end, a lot thicker of a tumbled leather right here and then you have a suede all throughout the upper with a green area on both sides of the panels of the shoe and then going to the tongue, tumbled leather matching kind of that back end with that type of leather and then you have a green suede tongue with a big organ O embroidered right here on the center of that. Now going to the back end of the heel right here, another dope detail. Again, we see the Jordan hologram right there and it's got like the Jordan Jump Man with a 23 in it. Now right here, it's not really a hologram, it's more of an image, but you got the duck right here in the image of the heel of the foot as well and I think that's a really dope touch and detail to the sneaker as well. And like I was talking about earlier in the video, you have a football branding right here. It's a white tab on the toe and then it says football and the neon kind of yellowish green. And then behind that, if you flip it over, you can see the Jordan 13 branding and the Roman numerals. Now these come standard with a pair of more of an emerald type green laces and it honestly doesn't really match that well with the upper just because there's nothing else kind of really with that color. I mean, maybe you could say the puddles is kind of that color, but to me, I feel like it might have hit a little bit better if they put some white laces in there or some neon laces or some darker green laces that kind of matched the suede on there. Let me know what you guys think down below in the comment section. And speaking of that, I'm also interested to see is this shoe even a cop for you? Do you like the shoe? Or even if it's not a cop, do you like it and respect it? Sometimes there's shoes out there in the world that it's like, that's a dope shoe. That's a nice shoe. I like them, I respect them, but it's just not for me. I wouldn't spend my money. I understand those scenarios as well. So where does this shoe kind of fall in that category for you guys? Obviously for me, I fell back in love with it. I wanted to get them. I got them for a good deal. It made sense. I had to add these back to the collection. So for me, if I were to vote fire or trash, you know I'd say fire. Now on my Instagram story, I always post a poll asking people the same question. Is this shoe fire or is this shoe trash? If you haven't already, make sure you follow me on IG so you can participate in the polls and see all the results here on the channel. But I asked them civil question and this is what they said. 70% of the people chose fire and 30% of the people chose trash. So do you think those results are a good representation of this sneaker? Let me know down below in the comment section. And where would you rank these amongst other Jordan PEs or even general release sneakers? Would it be a sellout sneaker? Would it be sitting on shelves? Would it go to outlets? Let me know what you think down below in the comment section. And if you guys wanna see any other PEs or special edition friends and family sneakers, you know I love going over them and showing you guys all the detailed shots here on the channel. I made a full playlist dedicated to that which I'll have linked down below in the description. So make sure you guys go check that out after this video because trust me, there's a lot of bangers on there. And I got some new pickups that you guys might just be interested in seeing too. So subscribe, I'll see you later. I'm out. I will never let you down. So before you go, I just launched my sneaker head Academy where we got everything on the inside. I teach you all the stuff that I learned over the past 15 years. When it comes to sneakers, scaling, real estate, you name it, we talk about all of it in there.  I give away shoes literally way too much honestly. But either way, I'll see you guys on the inside. Hit the link down below in my description or pinned in the comment section for DJ sneaker head Academy. I'll see you guys over there. Send my DNA, the only choice I like to make what I'm aware today. I will never let you down and send my DNA, the only choice I like to make what I'm aware today. I was made for it, it's in the DNA.


Amazon is in talks with Disney to team up on the ESPN streaming service and Amazon might even buy a 30% minority stake in ESPN. Chris, what are your ideas about ESPN's future? New media is really stepping up. I mean, I haven't watched ESPN in probably the better part of five years. They fired about 10, 15 hosts just over the last two months. Then they bring in Pat McAfee for $80 million. They could have got Shannon Sharp. They should have used this as an opportunity to build up or invest in the new media style because all of these shows and all these former athletes are super popular and they could have put a bunch of them together and made their own little ESPN if they will. Why are they buying into this? I don't understand it.