Okay, I think we are alive. I hope we are live. Can you hear me? Okay, a little bit of delay at least. We'll see, we'll see. Yes, a little bit dark here perhaps. Let's see if we can figure that out. Bad morning, but it's evening. There's someone sneaking in the background. What are you creating? Today I will not be creating anything. I will be learning how to draw, because it's just about time that I learn how to draw. Don't you think? Wouldn't that be fitting to learn how to draw? So this is, I think this is number five of my Bridgman Complete Guide to Drawing from Life, where I'm reading through this book, which I've gone through many times in my life, but now I'm going through it with your help. And yeah, we have gotten all the way to the chapter on balance. So that is where we'll begin. My name is Kim Dias Holm. I'm an artist making art for free use. So whatever you see of my own art, you can use however you want. Of course, the practice art I'm doing today is just practice art. If you want more streams like these, or the Thursday streams where I draw your requests, then please consider supporting by becoming a YouTube member or sending a super chat. Draw Godzilla. I'm not drawing requests today and stupidly enough, Godzilla is copyrighted and I release all my art for free use so I can't really do Godzilla, even though it would be fun. Okay, shall we start? So first we'll start by reading some of the text. Then we'll be drawing some of the sketches and then we'll be reading some of the text again. If you have missed the first four episodes, then don't worry. You can go back into archive and see them. You can also get this book probably in this way with your pirate money. You can probably get this book many ways. If you have a few of Bridgeman's books, then please just follow along. One of the reasons why I'm doing this book is that it can be a little bit hard to figure out on your own, but I've gone through it so many times that I probably hopefully can make it clearer than the text is. If you want to know why it's a bit of a weird text and a weird book, then go back to episode one and two, I think. Okay? So we've gotten to balance. And last time I said that I would be doing one of the measuring exercises this time, but no, not this time either. We have to wait a little bit more because it's a little bit more technical to set up. Okay? So balance. When several objects are balanced at different angles, one above the other, they have a common center of gravity. In a drawing, there must be a sense of security, of a balance between the opposite or counteracting forces, regardless of where the center line may fall. This is true no matter what the posture may be. A standing figure, whether thrown backwards or forwards or to one side or the other, is stationary or static. The center of gravity from the pit of the neck passes through the supporting foot or feet or between the feet when they are supporting the weight equally. So this is basically... Let's find some paper. You have become one of my favorite artists. Thanks! So if you see these sketches here, this is what he's talking about in the beginning. So completely... We need to find... Let's do this instead. A completely standing figure, like this, is standing with the center of gravity right there. But if you, for instance, are leaning forwards, then you either have to, for instance, put a... Either you have to put a leg forward, like this, or, more likely, when most people lean forward, we actually bend our knees. That is the hinge motion that you hear so much about if you're lifting weights. So that is the hinge motion. And the reason why we do the hinge motion is because we're adding a counterweight, so we don't fall boom over. So in all of these, the center of gravity is kind of... Now I'm losing my train of thought because I'm being stalked by Kylo Ren again. Come on, come out here. I've noticed you've been stalking me the last few minutes, and it's getting me very unfocused. Bad Kylo Ren. Back to the dark side. Force invisibility. Hi, Mona. Okay, let's read some more. And if you're wondering why Mona has the cool green text, that's because she's a member on the YouTube channel and a patron. So please do consider becoming a member if you have the money. In a way, the pendulum of a clock, if you're looking straight or perpendicular, represents a standing figure without movement. It is static, it's stopped. So that's what these figures were trying to say. This is a static position. There's no movement here. And then we're going into the imbalanced pendulum movement, which will be when the body is in action or in movement. So it is static, it's stopped. So is the clock. But start the pendulum swinging, and it describes an arc moving back and forth, but always about a fixed center of gravity. The position of the pendulum, when at one or the other extreme of its swings or arc from its center of gravity, represents the extent to which a figure may be thrown out of balance. And this position would also represent the greatest rapidity of motion in the drawing of a figure in action. Yet even in the most extreme motion, there must be a sense of security, a feeling that the figure, like the pendulum, could come back to a fixed center of gravity. This feeling or sense of balance, which must be recorded in the flow or sweep of a drawing, is continuity and rhythm. This is a little bit complex. And I'll try my best to explain it. So you have the clock here. I can't draw clocks. And you have the pendulum like this. And the pendulum can go in, let's say, this arc. Okay? So in the same way, and this is just a way of thinking about it. So in the same way, and if we start with the very simple... If you remember, this figure, we start with the main... the main static, or the main... Now I've forgotten the word, so let's just continue. We start with the main static masses, and we draw them in. Then in the main... in the main... three main masses of the body, we see that this is going to be out of... this is going to be out of balance. Then the body has to adjust to sort of not get too much out of balance. So you have to create, just like the pendulum here, you have to create sort of an arc of movement where you can go thus far, but not any further, otherwise it will start looking like the body will be falling. And you can use some of those falling positions, especially in things like superhero comics and in manga and stuff like that, in the extreme motions, in the fast motions, you can use some of these that are way too out of balance. But if this... here is the figure standing, here we have a clock, then the pendulums can go thus far, but if it goes further, then we will have trouble believing that the person is standing, so that will be a falling person. So if we get this person even further down here, then it looks like he's falling. So the pendulum is sort of just representing the... I got a message, yes, probably. But I will not check my message now. Okay, so now that we've looked a little bit at that, let's draw some of his examples and you can draw along. So the text in this book is a little bit hard to understand and it isn't always presented in the order that would make the most sense if you actually did this as a class. Okay, so now first we're going to start with these two figures because they are... Okay, what do all these figures have in common? From what we've said on the previous page here, what do all of these figures have in common? All of these figures you see here have a straight center of gravity. Okay? You should write a four-dummies guide. Maybe I'll... One of the things I can do... We'll see, but make some videos where I actually talk about it, where I actually write more specifically about it. So all of these are in balance. And then we'll go to the next page. Also, all in balance... Huh, yeah, all of these are in balance all the way through. So we'll not be doing any... I got another message. We'll not be doing any figures out of balance today. So even though these figures are standing in different positions, they're all standing in positions where you could stand theoretically a long time. This would be hard. This would be hard and this would be hard. Even these are positions where you theoretically could stand as a figure drawing model. Okay? And if you are an artist who uses figure drawing models and go to figure drawing classes and such, I would actually recommend trying to be a model yourself as well. Not only because then you learn how to treat models and how hard it is, but also because you learn so much about the center of gravity and about the natural positions of the body when you're forced to stand in a position for one minute, for two minutes, for 20 minutes. Any position, no matter how... Oh, you can't see my art. Any position, no matter how comfortable it seems, after 20 minutes of sitting or standing completely still, your body will ache in ways that you didn't think were possible. Okay? So that is a good exercise. And it's also a good exercise in just getting over your shyness and inhibitions, because it is weird to be a standing model in front of a class of strangers. Okay? Or un-strangers, even. This is brilliant. Thank you! And don't be afraid to interrupt and ask questions if something isn't clear or if I'm fumbling something or if something needs more detail. This is brilliant, is a good comment. So I'm hoping that means that this is understandable, at least. So let's do this guy up here. And let's remember how we learned to do these figures. You're so inspiring. Thank you! We learned to do these figures with the masses of the body, the static masses. That was the word I was looking for earlier. Let's do the static masses first and try to measure the complete height of the figure. So make an opening at the top and at the bottom. And even in this position where it's standing basically upright, okay?  So if I go back like this, naturally when I take the arms forward, I want to move the back slightly back. Move the back slightly back. Because that's more comfortable. So just impulsively you do these things to balance with your body. What advice do you have for someone who's trying to get back into art drawing? I used to be really good, but that seemed to have faded. Just jump in again. What you will find is that... Sure, some skills might have faded, but that's usually just rust, so to speak. So you might be rusty, but you will probably re-learn the art much faster than you learned it the first time. So instead of using years to get to the level where you're really good, you will use weeks or months tops. Just start again. Just jump into it. Be comfortable.   We all do. Know that it will get better. And also, at the same time, try to have fun.  Thank you. If you have other questions, I can try to answer some of them while drawing. Otherwise, I also have to sometimes actually look at what I'm drawing and think about what I'm drawing and what I'm thinking as I'm drawing this. One of the ways my ways of learning to draw is by drawing badly on purpose. It helps me loosen up. So if you see my ink art, my daily ink monsters, one of the great things about the daily ink monsters' exercise is that a lot of them are badly drawn. I don't mean that they are bad drawings or that you shouldn't like them or anything like that. I mean that in relation to the technical skills I've built up over the years, a lot of the daily ink monsters are only using a fraction of it. A lot of them don't have anatomy. They are weird. They are ugly. Some of them are bad. Some of them just don't work. But even a lot of those who work are really simple bad art, in a sense. And that's why I could do the daily ink monster exercise for three years without break because some days all I had in me was a bad piece of art. Some days you can't really demand something good from yourself. And that's sort of also applicable to relearning how to draw. In a technical sense they are wrong, but bad art has more soul than correct art. Soulful art has more soul. But I do prefer art that has flaws because it feels more human in a sense. And on that same token I don't know if I can find any of the early sketches I did for these Bridgeman drawing classes, or Bridgeman drawing live streams. But I'm liking... I mean these lines are probably in some ways worse and uglier than what I drew then. But I feel warmer and more comfortable with my pencil again because I've warmed up to it again. I mean I... Right now I draw 99% or more of my art directly with a brush in some way with ink, or acrylic, or watercolours, but always with a brush. So doing this live stream was also for me a way to get back into doing pencils. Because pencils is the tool that I've used most throughout my life and it is also the tool that I learned how to draw with. If I had just worked directly with a brush then I would not have managed to learn a lot of these types of things that I put into my more... to my less cartoony ink monsters and ink art. Okay? So this is just a basic build up of one of these figures. I don't think we have to do... Oh, we can do just one of them here and then try to measure like this. This is just to... more easily... This is to more easily see the distribution of the weight. That's why Bridgman in this drawing has made the blocks of the body very clear because they are really... It's easier to sort of imagine the mass of these blocks than once you start putting detail on them. But originally all the drawings start with the consideration of the three static masses. Okay? So we basically did this one on the previous page so we don't have to do it again right now or we can do a little bit more detail here just to make the relationships clear. And remember from the first episodes that we had a side of action and a static side. Then we had a static side and therefore we have a side of action. A static side. This isn't how the body necessarily works but it is a way of drawing a dynamic body. Okay? It's not about just anatomy it's about drawing anatomy. Hey bebop, good to see you. You missed everything important. I think we did like three chapters so probably something important. Hello from Russia. Hello Russia. Hiya from USA. I've never seen a bad piece of art from you your art has feeling. Thank you. I can promise you I've done some bad pieces of art. 100% But you know I appreciate the compliment. You missed all the important stuff. Now I don't think... You can go back and watch Yesterday's Weeks Live. I think these are just illustrating how balance can be how it can appear. These are all balanced shapes that appear in different ways. Okay?  I know them. It's just not... It's not just anatomy. With most of my art there is this stuff is underlying even in the stuff where you'd think it isn't. Art is never bad. It's just different and it stands out. I mean I'm an artist. I have to believe that art is bad because bad is an opportunity to get better and mastery is one of the things that drives me to always... I always want to be better. That's why I'm doing this now. And yeah, taste is... All tastes are valid because they are true for the person who feels that way. It's that simple. But still, for an artist there has to be bad art. You can't strive to make good art without having an idea of bad art. I think. Maybe. I might be wrong. These figures on these pages are good. They seem like they don't really have all that much to do with the previous things we read. They obviously have to do with balance. The thing that makes them useful which should have been explained in the book is if you start applying the things that you learned previously and see how it goes. So if you start applying the previous lessons to drawing these, then you start figuring out things and finding out why they are included in the book. There was this one thing I heard that helps you find your taste in art when you go to an art museum pretend you're going to buy something from there. I don't know if that would work. It's an idea. Maybe I should do that but the instinct was very skeptical when I read that. Do you have any good advice for practicing circles and ellipses freehand? Yes. Or get a paper with squares on and they have to be square and then draw circles inside and then try to do the same without the squares. You can start working bigger and bigger. That is something I definitely need to do more of. I'm not an expert circle drawer. Could you please draw for me a Rasputin elbow dropping Abram Lincoln on the top rope. I will be doing a post asking for ideas for the next Thursday stream. I will probably do that post tomorrow or something. I was supposed to do it today but time flies away so suggest that and if you suggest that on the post I would most likely put it in because that sounds an awful lot of fun and it would be good to do something. I would probably do that cartoony. It also sounds like something that might win. So try. I'm not saying that you should post it on the post just to get you to interact with the page. That's an added bonus. I get at least a few dozen suggestions for what to draw every day. And even good ones they fly away. This one was cool. I'm glad we share a passion for wrestling. I am going to definitely do more things related to wrestling. I have deep fascination for the art of pro wrestling. And it's lifelong fascination. So this is sharpened with a razor blade or a sharp knife. And just do it carefully. The reason why you do it like this is to now I didn't pay attention to what I was drawing the reason you do it like this is basically to have less control. There is no point if you're holding it in comic book style. There is no point to sharpening the pencil like that. Most of my life I've trained holding pencils comic book style. But if you are holding it art art school style then you have a lot of variety and control with a long tip like this. Are you going to post another vid about goblins? I haven't finished another vid video about goblins. I will probably get into more goblins at some point. It's not one of the scripts I'm working on right now I can say. It might take a while Have you ever tried Indian food? I love Indian food and I never get to eat much spicy food anymore because none of my kids nor my wife likes spicy food. There we have it. Shall we do one more chapter? The way I choose videos is mostly by inspiration and is what I can write a good script about before I lose the passion for it. That is a hard thing going I want to move towards doing more long form scripts but it's harder to actually finish a video when it's long form. I play a guitar and I sing a little Shall we read the next chapter? Rhythm. The consciousness or idea of rhythm cannot be traced to any period or to any artist or group of artists. We know that in 1349 a group of Florentine artists formed a society for the study of the chemistry of colours, the mathematics of composition etc and that among these studies was the science of motion but rhythm was not invented it has been measured motion of the universe since the beginning of time the rhythm in the movement of the sea and tides, stars and planets trees and grasses and clouds and the thistle down what is this thistle down? I don't know it is part of all animal and plant life it is the movement of uttered words expressed in their accented and unaccented syllables and in the grouping and pauses of speech both poetry and music are the embodiment in appropriate rhythmical sound of beautiful thought, imagination and emotion. Without rhythm there could be no poetry or music in drawing and painting there is rhythm in outline, colour, light and shade. So let's we'll go back to this point but let's try to make what Bridgeman was saying a bit more clear there. So you for some of us seeing the world and thinking rhythm is very natural. For me I see and perceive rhythm in everything and it can be a beat or it can be a movement of weight it can be basically any aspect where things go in and out of balance I guess would be what I conceive of as a rhythm and you can see it in everything and what Bridgeman is trying to say here is that in order to make something beautiful and by beautiful we can mean basically anything it doesn't have to be beautiful but in order for something to be let's say meaningful it needs to have a rhythm that rhythm it can be like if you go like this you can have things that are offbeat that's the part of the rhythm we were talking earlier about art needing flaws and a lot of these flaws are simple breaks from rhythm so we could in a sense we could talk about it more as groove rather than rhythm it's not about being on time doing everything correct it's about the natural flow of balance out of balance, right, wrong beautiful, ugly saturated desaturated dark light it is about all of these contrasting things and finding the ownership of how they move around each other you can think about that in composition in movement, in color, in storytelling in everything it's a bit of a heady topic I guess but if you are an artist or a writer or form of creative person or even if you just are a person and you don't think of the world in a rhythmical way try it out try to go out and see the rhythms feel the rhythm of your body of your breath, of the wind of the birds of the sun and the moon of the clouds and also of art and it's a way of perceiving the world that is useful to at least have some familiarity with and to apply to your art to create rhythmical art in a sense does that make sense? the slow motion picture has given us a new appreciation of the rhythm of all visible movement this book was written while film was still relatively new I think this was in the 1920s and apparently slow motion pictures was very new and by slow motion I think that maybe he could even be talking about something like Edward Mewbridge books of just stills of people running and walking and horses and all of that stuff so yep but that was new at that time in pictures of Paul Volt or Steeplechase we may actually follow with the eye the movement of every muscle and note its harmonious relation to the entire action of the man or the horse so to express rhythm in drawing we have to have once again so to express rhythm in drawing a figure we have the balance of the masses a subordination of the passive or inactive side to the more forceful or angular side in action keeping constantly in mind the hidden subtle flow of symmetry throughout ok let's try to apply this again a little bit heady but let's try to apply it these two are beautiful let's start with this one and just do the simple boxes first as we think they are if anything is unclear again just comment and I'll try to make it more clear ok so we'll just have these very simple shapes ok and we'll do the other figure in the same way just to be able to think about them simultaneously and also to see if there are rhythms between the dancers not just in each of them ok so you have the main masses of the body something like this I will make this one slightly shorter hey great to see you great to see you Don lost my train of thought so now that we have the basic shapes of these let's try to find the rhythms and again find the action side here this side love the dancers yes it's a beautiful drawing this is the action side which means this is the passive side and again this comes the active side which means that even though you could have drawn the leg here like it was like the muscle was bulging but instead we're we're drawing it more smoothly because we want each part to go from being an action side with loads of jagged edges to a passive side with not so much ok again here is the action side there ok and then neck up a little bit like this and with the head you don't really get that much of action side and passive side but in just twisting the head you can make these shapes dynamic and then very still underneath there ok and then again we find the action side on top of the arm and then it's smooth there's a W rhythm yeah where do you see the W rhythm is it here in the hands or is it all the way because there is this type of W again and again or an M even again in Bridgeman's drawings so one of the things we talked about the rhythm and the balance and about placing characters out of balance and if you read the Conan comics drawn by John Bushima or any of the other Marvel comics he drew you will see that he is definitely of the Bridgeman school but he takes a lot of these things these ideas of rhythms and balance and starts applying them to the very exaggerated movements and figures actions of Jack Kirby so what he's doing is he's Bushima really bends and breaks anatomy he bends and breaks balance he cuts of rhythms to make the whole rhythm of the comic book page the storytelling work and that is the genius of Bushima gotta go to bed have serious jet lag have a nice sleep thank you for joining and thank you for joining is Donna still in the chat in that case I have to say that I'm just more than a little bit jealous of Scott for having someone to read the chat and ask questions and interact while Scott is drawing it is such exercise in balance actually in mental balance going from from chat answering questions back to the text back to the drawing trying to keep it all in mind how to fight burnout even when I have projects do that is a interesting question probably deserves more attention than I can give it while drawing but I the best way I found to deal with with that is in periods where I have really tight deadlines a lot of pressure no time for anything I start giving myself I start setting alarms like every 25 minutes now you have to go up loose just stop everything you're doing pause for a minute or two move your body sit down again and you know force yourself to take breaks because if you don't take the breaks you will get sloppier and sloppier and do more and more mistakes and yeah so it's a bit counterintuitive but let's find some paper here it's a bit counterintuitive but you have to have breaks in order to keep working why do sharpen the pencil that way it's just one of a few ways to sharpen a pencil this makes it easier to hold it down here you get a different sense of control I mean holding it like this like comic book style is you get more fine control holding it like this you you don't get more control but you get you get a flow and you can also use it in different ways you can go almost completely at the side like this or head on it's just a different way of holding the pencil I've always worked mostly in the comic book way so this is relatively new for me and there's a few times in life before so it's not something I've never tried but like 95% of all my penciling is probably with the comic book style holding of the pencil and right now it just felt like something way out doing more and I'm loving it I've probably not given it the proper chance before so yeah again we're going through this figure we're finding the action side and then that leads into the richie side that leads into action side action side, passive side and now I'm exaggerating this a little bit just to show here you get the passive side again active side, passive side okay and this is just a way of thinking about rhythm in the figure it's not I've said this, sorry if I'm repeating myself but it's not a question of how the body actually works it can work like this on certain occasions like if you're trying to show off your triceps then your biceps will get to be in the passive side so it does work like that in some sense but it's not sorry I keep getting the art out of view I need to I need to get a better setup for my whole streaming so that I can monitor all these things by myself and here is the same figure as on the other page and here is an interesting exercise where let's make the main blocks first and now I'm just making it more difficult for myself by doing the blocks but let's do it like that and then you start throwing in these rhythmical patterns I'm going to read the comments and just have to keep yawning detail into this one here you see something special that you see Bridgeman doing he's shading here and shading here has that got to do with the light well sort of but he's choosing to see the light in places rhythmically dark dark dark dark because it's light light light light it's manipulating manipulating the light if Scott Sava was here he would probably hate it because he's a sucker for lighting I learned last time I listened to one of his streams and here we're just messing with the lighting we're not doing anything accurate we're just placing it to get the rhythm we need going here harsh here let's try to draw ourselves on our neck with a pen why because why not I'll answer these comments and then I'll get back to the point I'm very heavy handed with my drawing when drawing like a pencil so maybe it will help loosen my drawings up more if you are too heavy handed you should do scribbling exercises which you can do like this and just scribble for 20 minutes a day something like that my biggest weakness art wise is that I forget to think as I'm used to working very intuitively so that is probably often more of a strength than a weakness art wise it is very hard if you are very unintuitive with your art if it's all very schematic then I think you're probably making it harder for yourself but learn some structure and get some tools to help you take breaks and to think and assess during those breaks that would be my advice so let's find these rhythms here we're doing not caring about how it's supposed to look we're just trying to get the rhythms down so this is action and dark, this is light and in action and then down here we get dark again which means here it's light again and here it is the light shape which means here it's the dark shape I think that even with very sloppily drawn figures like this there is such a beauty in thinking about rhythm that way no problem fiddle wheel X let's do a couple of things from the next page and then we end before turning and twisting so we do turning and twisting next time and here it is just showing the flows of lines together and then you start combining them you combine them up to the figure and when I'm doing what fiddle sticks fiddle wheel, not fiddle sticks what fiddle wheel said about being used to working intuitively the idea here is that you study and learn these things so that you do them intuitively so you're doing the study in order to not have to think so when I for instance when I go out and draw metal concerts I'm doing a lot of these things but never once have I stopped myself and thought what would bridgeman do if I stop and actually think about what I'm doing I'm probably going to mess up the drawing in a pressure setting like the drawing live concerts yeah this is interesting if we go back to where was our previous drawing my mind is all over the place now when I'm doing my ink monsters I'm doing a lot of these types of rhythmical things but never once am I saying gotta go it's 1am here have a good night so never once am I saying to myself I need to make sure this has the right rhythm I'm not ever in the art stopping thinking like if we're analyzing this figure here we're going like it goes this way that way that way and we're making this sort of accordion of the figure but when I'm drawing like something like this or yeah I mean you can look at this this composition is imbalanced it's all on this side I don't know if I like it because of that so let's not analyze that action side in action side action side in action side action side action side let me see if I find another let's do one of the cartoony ones action side in action side rhythm pretty much there not exact and I was a little bit scared that I would start drawing on the drawing but you know so all this work practicing these things is so that you don't have to think about them and that's why it's so useful to go through these books again but with you guys this time because if I read this book by myself again I would probably skip 90% of it because I've internalized so much of it but what happens when you internalize things is you also start putting your own problems in so let's do these rhythms it's like music it follows a subconscious rhythm sense yes and I mean there are composers who sit down and think here we have to use this kind of scale and then it has to go into this kind of thing and then it has to go into this kind of thing and that can be very useful but doing it by feel is pretty cool as well it is in a sense not easier that way because making good music or making good art is hard no matter what so it's not easy but part of me really doesn't want to continue my current drawing session why not? I'm thinking of songwriters like Kurt Cobain for Nirvana he definitely did it intuitively but there are some complex chord progressions happening in those songs at the right places to elevate them from other which is most of Nirvana stuff is basically 3 chord or 4 chord punk that's all it is but there are these small touches that's taken from stuff like Beatles and stuff like that and just elevate it also with anything I mean in Black Sabbath when they, if you listen to the first Black Sabbath album there are parts, there are songs that are almost impossible to play along to because the guitar and different parts of the song are tuned differently and the reason for that is that nobody had taught Tony Iommi and Giser Butler how to tune to a note, they just tuned to each other each time so the guitars came if they recorded one song over two days the guitar would be slightly different tuned and that is such a basic thing that you think oh everyone should know that but god damn it they knew so much more that was more important as well that is intuitive and I want my art to be intuitive in that sense now I'm just playing around with the rhythms here and there's so many different that can be rhythmical or offbeat even just playing around I don't know the part that I'm working on is really repetitive and tedious parts of art is repetitive and tedious and the question is if you stick to it will the repetitiveness and tediousness disappear in the finished work and become a part of the bigger rhythm and make it all worthwhile oh we can't see the side of the paper sorry that was my last sketches for today because now it's the next chapter and I'm out of steam I will try to figure out a way so that I can show you what I'm drawing all the time not have it all the way over here sorry about that I'm still figuring out this streaming business sorry I'll get better I think there's a lot of stuff that was better this time than last time so we're heading in the right direction most of all I'm using my phone my new phone to film the paper and I'm using my DLSR camera to film my face so the face has more depth and definition and the paper has more clarity so that is much better than how it was my face was crystal clear and the paper was slightly out of focus so it's all good I'm trying to get better at drawing and I'm trying to get better at streaming and I'm trying to get better at talking and I'm trying to get better at all of these things at the same time what paper do I use for my ink drawings so a bunch of different ones but I can show you one of the ones here this is Fabriano white ecological artist paper I bought it because they didn't have the stock I usually use student grade paper it says artist paper so maybe it's artist grade doesn't matter I usually use student grade paper 200 grams and up with a bit of tooth, not too much Fabriano it makes great papers Figura makes good papers I have a bunch of other papers depends on on what they have in stock at my local art store and if you're for instance in the United States then your art supplies will be different you will have a lot of Kansan and a lot of other brands that I'm not that familiar with I thought the stream was fine, just paper was slightly off sometimes yes I need to figure out how to do that better I'll probably just zoom out the camera a little bit more I have that book too I should do this along with you next time go through the first four episodes and draw through there and then join us next Sunday for turning and twisting I think that's all I have Are you going to do this tomorrow as well? No, I'm going to be streaming next time I'm streaming is on Thursday then it will be a draw what stream where you can request art for me and we can draw stuff like the Anarchomancer and also Sawings the Stupid Dragon we drew on last on the last draw what on Thursday and that is Thursday at 1900 hours GMT plus one and then on Sundays we we do the art learning maybe some red tape to show you where the edges of the camera is that is a great idea mind blown but that's sort of something that's important to underline is that there are a lot of things with how I'm doing streaming with how I'm doing YouTube editing all of that stuff which takes a bit of time for me to figure out and one of the reasons is that I'm doing so much other stuff I'm making so much art, I'm writing I'm planning other things and when you are doing too much stuff then learning takes time so if you're trying to learn how to draw anatomy and you have a job or school or kids or other projects these things stack up and that makes it harder to learn and that makes the learning process go a little bit slower and you know if I had sat down and thought about ooh how can I make sure that my drawings don't go out of the frame I probably could have thought of something like red tape but getting the time to sit down is hard and that's the same with everything when you're learning something you need to take those breaks red tape or hmm yeah maybe I could draw like this instead you need to sit down and take those breaks and think about even if you're working intuitively once in a while think about what you're doing, what you're working on in order to progress Thank you all so much for joining the stream remember to go to patreon.com or send super chats or go to buy originals prints and merch and if you can't afford to support in any of those ways you can afford to support by using my art all my art is available for free so you can download it, you can print it you can change it, you can send it to your long lost niece you can even sell it as long as you put my name on it and that's supporting me as well Thank you all so much, bye bye


My name is Dr Georgina Murphy. I'm an epidemiologist by training but have a combination of backgrounds starting with molecular medicine, then development studies and then combined with epidemiology to try and take a more holistic approach to global health issues. At the moment I work on health systems strengthening in Kenya with a particular focus on neonatal care. And our interest particularly on neonates is that now we are facing this large issue where 45% of all under five deaths occur in the neonatal period. So there's almost half of all childhood mortality occurring in just the first month of life. And we know that great gains could be made with preventing these deaths if we focus on improving the quality of care that newborns receive within health facilities. But a lot of newborns aren't accessing health facilities and those who do access quite often are being cared for in facilities that have some optimal provision of care. So we're really lucky particularly within Nairobi County in Kenya to better understand what some of these gaps are with regard to access to neonatal services and then also the quality gaps that exist. And linked with that we appreciate that nurses are the primary caregivers for small and sick babies in this setting. So we're better trying to understand the role of nurses in providing this care and the challenges that they face. So our aim is that once we have a better picture as to what's happening with these vulnerable babies that we'll be able to bring this evidence together with expert opinion and to have stakeholders on board who have been working with us throughout this whole process so that we can provide evidence for policy and practice improvements. And it's really about empowering people on the ground who want to make a change and really want to see improvements for this vulnerable group and enabling them to do so by providing the evidence so that they can really see where their attention can be best placed and what type of improvements would really make a big difference. So I find this whole process very fulfilling as you would have gathered from the first statements that I come from quite a mixture of different backgrounds. So health services, research has been fairly new to me in the last about four years. But I find it really, really valuable working with a multidisciplinary team and being able to approach a health issue from a lot of different angles. So I think it's important particularly for younger researchers who are maybe thinking of embarking on a career, particularly one within global health, that you don't narrow your focus too much and you really think about what other disciplines can bring to what are essentially complex problems and that you really also listen to people on the ground, be they within your own local facility or even internationally to try and get a bigger, fuller picture as to really what the challenges are that are being faced by a number of different players. And I think with those different perspectives, both disciplinarily and from different individuals, you get a good understanding of the fabric of a problem and can really feel empowered and able to think about what some of the research solutions might be.


well it's a sad day here at protected trust our intern max has gone back to college and we will miss him dearly but anyway our new camera guy slash editor is schmitty take a bow schmitty thank you conference called flogisa recently and during that conference we had to do a presentation kind of on the fly hey so what is uh flogisa stand for Florida local government information system association and i introduced everyone to a new feature in powerpoint called design ideas if you've ever had the question of can office 365 do my job for me this would be the application you use because this thing literally turns any powerpoint presentation into a work of art let me show you what this demo presentation i have here so i have all my slides picked out right it's all in black and white nothing very too uh interesting about it however if i click on design and then i go over to the design ideas tab it will go and it will search for some ideas and look at that it's pulls up several different ideas that you can choose for uh so i'll just pick that one there that looks good and then we'll just go down our slides and if we want to change the direction or change what kind of ideas we have we'll do that look at that easy peasy i really don't like the words easy peasy you may be saying to yourself hey that's great but i really wish i could work with uh oh there he goes see you better not be coming in here and okay all right so you may be saying uh well i wish i had some help from other people working on this powerpoint presentation so what you can do is you can upload your file into teams and then you could make it easier on everyone in your team by making it its own tab so i'm going to do that right now and so so i've asked cindy to help me with my presentation here and i can see by this icon here that she is now in the presentation and that she's editing content and i can see what she's working on by seeing the little person icon here indicating that that is the uh part of the presentation she's currently working on and since uh collaboration allows you to work in real time i can see the changes that she's making in real time so she's editing this slide the words on the slide and i can even chat to her and give her a little thank you for uh helping me out with this thing and there's the rest of the updates there and uh pretty cool pretty cool so that's how we did it at flageesa um she didn't have to be with me uh what else happened shared it teams made its own tab i think we're good i think we nailed it


Hi, everyone, Joe for Jaspy's case breaks.com. Happy Thanksgiving day Eve. Happy hump day. Happy Wednesday. Happy new release day We've got 2022 Bowman Chrome baseball hobby edition dropping today HCA drops on Friday. This is pick your team five All-card chip a lot of great stuff here Bowman, so it's a lot of prospect hunting. I appreciate everybody getting in on it Here on the Wednesday Thanks everyone So before we pulled the teams for the filler which I did in a different video Bill got the Padres Last spot mojo. All right. Here's the case right here all of your boxes right here. All right, and away we go To all chrome autographs per master box be one per mini we're looking at looking at Clio Watson and Bobby Whit jr. On the box I think some of the guys we're looking for in addition to the rookies like Julio Wander Bobby Whit jr. O'Neal Cruz Spencer Torpleson. We're also looking for prospects like Jeremy Pena Christian Vecchero, Roderick Arias, Jackson, Kuryo, Yasser, Mercedes, young Quill Fernandez, Jackson Merrill Among others, but listen all-card chip And whatever I miss our shipping team will be able to catch those names right there Prospect hunting so a lot of times you're It's a great chance that some of these no-namers could be could be namers In a short amount of time Autograph hunting parallel hunting all that good good stuff All right, and good luck everybody so we can discover a lot of new faces here. I Like this it came to the league. I don't know how common or uncommon those are but that looks pretty cool This one's on a slightly thicker cardstock And here's our first autograph Thomas far 179 out of 499 The stamp on the number the number stamp looks a lot more bold Kind of like that and we got a Wilfred Varys Purple chrome for the white socks that'll be for Fred 241 out of 250 Oh, right, that's cool Yeah, happy Thanksgiving. I'll see you man. Thank you Denzer Guzman gold wave 27 out of 50 Angels it'll be from Michael and Curtis me 14 out of 99 shades of greatness Autograph that's for the rays. That's gonna go to Jose with Tampa Bay. We've got Rosemann Verdugo 11 out of 75 That's for San Diego. That'll be for Bill and Jeremy Pena going to Joe and the Astros All right first box in the books will do an autograph recap at the end of this as well yeah, that does kind of sound like the the name of a Shades of greatness this kind of sound like a name of a sunglass kiosk at a at an outdated mall isn't isn't saying a person showing shades of greatness is Isn't that low-key throwing some shade? It's like Curtis made you're showing some shades of greatness Not not outright greatness. It's just shades of it. It's just shades of greatness Patrick Bailey these uh Arizona fall league inserts look pretty cool Guess these are a little more common, but I like that old horror movie insert going on there There's Haleo Ramos 250 out of 499 refractor for the Giants will be for Paul There's a Max Muncie. A's Max Muncie. It's Bobby with Junior and Antonio Pinheiro. I guess there's no Thing over the end. Maybe just Pinero That'll be for Matthew and the brew crew moment first autograph Bobby with Junior going to Tim and the Royals And you'll find some low parallels of him. That'd be awesome More autographs. It's blaze Jordan. Nice 50 out of 1 at 99 Like that sort of design in the background there. It'll be for Boston EA in the Red Sox For some others here and all card ship I get a better idea of all the Top names here. There's Eddie's Leonard that that shimmer is not numbered But a shimmer parallel. We've got a wander and a Spencer Torkelson Rookie cards. Oh and a redemption hiding behind Wander Franco. That is Yarlene Susanna for the Padres That'll be for Bill in the Padres last spot mojo strikes again bill and we got purple chrome Simon Juan 179 out of 250 that'll be for the Metropolitan's and I feel like young quill Fernandez. Yeah, I think he's one of the one of the more Higher end names here. Yeah signed out of Cuba at 16 out of 2019 This birthday on the new year look at that One one oh three by the way born in oh three That'll be for Rockies. All of those will go to Ed in the rocks next box Rex is wondering if cops will use those judge engulfment cars for auto. What what judge engulfment carts? Oh, that's the Oh, that's the buyback program Gotcha. There you go. You hear that Rex Evan saying It's only an in-store thing and no, they're only for that this particular promo I don't think they'll use those for future autographs or if there's even autographs for those cards Wait Evan, how does that work? What are what are they buying back? I? Saw the notice and the team the team slack, but I did not pay attention to the details We got George Valera 142 out of 250 Cleveland this is for you Ed with the Guardians and There's Juan Guerrero one two three out of one five zero I like that parallel nice blue little lava action in the background It's a nice one for Ed and the Rockies who won that in the filler And we got Nick Madrigal 60 out of 99 I think you said Mercedes is one of those guys that we want we want to look out for as well For the twins that's going to be for Darren and there's Ricardo Cabrera for the Red Legs It's going to be for Donald a Rosemont Verdugo refractor 230 out of 499 Moment first for the Padres that's going to go to Bill another box See you guys.  How does that work? So they're buying those cards back? Yes from collectors. Yes base cards are 20 bucks. It's I'll bring the sheet real fast So Rex is asking why they're why are they buying them back?  No, that's where it's going. No. Yeah. Yeah, this is through come see we send the cards to come see once So once a month Yeah, it's crazy. It's for and so and they kick back some great credit for us to emulate some business in the store Exactly, exactly number cards under 100 200 bucks. There you go. I mean hopefully all right. Hey, sirs. Hey, thank you very much Man have a good Thanksgiving appreciate you I'm hope I hope they keep some to I hope they keep some to Maybe for some put the monographs on there. Yeah pop pop those cards and archives They might save some of those for All right, hey, see you happy Thanksgiving So there you go Little little hobby shop local car shop promo get get people in local car shops around the country They might they still might next box Baskets in here. No, no, we're looking for a Christian of a carol Although Khalil Watson is he's on the box and we got sedan raffa raffaella Red socks that's gonna be for EA and the red socks Um That's not that weird Rex. Who's gonna do it? Who's gonna see who's gonna Gonna move those cards You know, they might end up getting millions of cards back There's Curtis me to 150 Water franco for the rays This is you Sarah Mercedes. I Think they want to put they want to cycle the cards back into Back into the hobby and there's a Christian of a caro shimmer. Nice Not number, but that's gonna go to Ryan Harold and the Nats It's one of the I'm sure there's a lot of chase cards here But I think this is one of the the upper tier guys right there and there's Roderick Arias I think same with this guy For the Yankees Matt Smith of the Yankees and there's a Max Muncie 175 out of 299 for the A's A's originally drafted the Dodgers edition of Max Muncie. It looks like they're like, you know what next max Muncie we get We're drafting them. Are they shady? Not with our dealings with them. They seem just fine but it's like Top tops doesn't have like a card clearing house You know department They're not in the card-selling business probably partnered somebody like hey You want to do this thing for us because we're about to do this program. They're like, yeah Pretty easy Let's have some poor intern do it that tops probably not Gotcha Mike tower saying that last Yankee out of Roderick Arias is the top international project prospect in all of baseball or just for the Yankees Rated as top prospect international signing class by mlb.com. Yeah checks in at number two on Baseball America's bonus board someone to look out for Are you kidding max Muncie A's and max Muncie Dodgers have the same birthday? Kind of weird. Yeah, would that be weird if the Dodgers got Have old Max Muncie a new Max Muncie And it's not like how would you differentiate them like on a jury? It's in the number I guess but it would be like Muncie in the dad have to have to have different numbers Interesting Different year ofs.  If our kids born today, we got a name of max There's Gavin Tonkle 31 out of 50 Gold speckle for the Phillies and it'll be for Darren. It's from Brentwood, California. That's it's right here in Los Angeles There's a yay son more bell 297 out of 299 for the Rangers. It'll be for John Samuelson. They could use as a lure for judge Hey Aaron judge, we have both max Muncie's Aaron judge is like, you know what? I will take that short-year high average annual value deal that you're inevitably gonna offer me Something that I would never ever take But since you mentioned you have both Since you mentioned you have both Max you have both you have max Muncie then off Where's the dotted line says Aaron judge There's a Luis Mesa purple shimmer 138 out of 250 Toronto, that's gonna be for Brian and there's Roiland Machandi Joe with the Astros and we got a Roberto Campos 174 out of 199 for Detroit Stephen Carney breaking news. Yeah Dodgers targeting Cornering the market on max Muncie Muncie's Muncie on all max Muncie You'd think there's other max Muncie's out there it would work on Jilo Got two max Muncie's on this team Now Jilo, would it be doubly effective if the Dodgers got relief pitcher Will Smith on their team as well as A's max Muncie So they would have a Will Smith so potentially Will Smith could pitch to Will Smith with both max Muncie's in the infield Dodgers max Muncie can pretty much the utility guy You can think you can play pretty much everywhere anywhere in the infield really and Will Smith could throw up throw up throw to Will Smith and the max Muncie's can uh The max Muncie's can turn the double play I think Take a look at the back of his cars. I want to say A's max Muncie is also an infielder Yeah, he's a shortstop and in this in this era of baseball that usually means he could probably play a few different positions Got an O'Neill cruise for the pirates Chad with the buckos And we've got a bowman first autograph Estanley Castillo 335 out of 499 Tampa Bay raise Jose with the raise Got a Christian Hernandez refractor 146 out of 499 That's for the Cubs that'll be for Mark Got a Julio Rodriguez It's a cool photo of him We got Yerlin confidant Shimmer and we got Cameron Colley John Samuelson in the Rangers. I don't know is it max Muncie or max Muncie's I Do like max Muncie? Jose Ramirez to 25 nice The numbering on that Castillo looks different. I think all the autos numbering looks like that Now there's a it's a more of a bolder stamp on the auto Think the the stamps on the back look the same though As previous years. Jose Ramirez, of course going to Cleveland. That'll be for Ed Yeah, you know what the Dodgers? I don't know what the Dodgers are doing at second base Jilo, but yeah, and if you get I guess current max Muncie could play Second base A's max Muncie to play shortstop We just need to find an old quote from like Dave Roberts or the front office saying We love max Muncie a lot. We wish we had a whole team of max Muncie's or something like that Now you think there are other max mine. That's kind of crazy max Muncie A's Same birthday as max Muncie Dodgers. It's already hard enough to become a Major League ball player. What are the odds? Of two dudes with the same birthday and same name both You know, I will I guess max Muncie A's is still in the minors, but Both in one capacity or another in professional baseball How crazy is that it might have to change that rain in human songs? The odds I guess the odds are a hundred percent. I mean because it happened You're right. No, Mike Mike's right. There's Freddie Friedman to 249 and There's Louis Chevalier 11 out of 100 Atomic parallel for the M's that's gonna be for Tamoya picked up the Mariner straight up. There's Marco Luciano to 75 Yeah, Rex does like conspiracy theories. I'm sure I'm sure you can dig something up. I'm sure I'm sure Some of the more cynical people in the hobby will will claim that will claim that tops had a genetically engineered another max Muncie so they can make max Muncie cards and Somehow save money. There's a one-bin show or could be the A's right. You're right. You know These are pretty cheap. Maybe that's a mold max Muncie jerseys laying around. They're like, I'll give it to this guy Well, they'll save us a little bit on the on the jersey budget Cardinals John Samuelson and got more for John Jordan Walker to 150 How often do you think? How often do you think Jordan walks you think he's got a good walk rate Axios claiming that the odds on having the same name and the same birth date are one in 120 million I like that reboot of money ball. Yeah, Jordan Peele's money ball would be Would be the A's Doing some Doing some of their own cloning Apparently all their money went to cloning operations Just got out of hand first they just want to first they just want to make another max Muncie to save on the the the Jersey budget The uniform budget now they found themselves just cloning a lot of people and as we've learned as we learned in a In pet cemetery, you're not supposed to bring things back, right?  That's gonna go to Fred Schultz And the white socks Right, they come back changed Axios They come back changed There's Dustin Harris 53 out of 299 Rangers John Samuelson, there's for Carol again For the Nationals, I'll be for Ryan Harrell. There's George Valera to 199 For Cleveland that's gonna be for Ed right you think Mike towers may be thinking maybe some animatronics that they invested in Colin Burns to 499 that'll be for the Orioles. That'll be for Michael F on the board Michael You can guarantee that 100% Pete Crow Armstrong cubs to 125 And that is for Mark All right, almost there four boxes to go I mean, I'll probably got another what 15 20 minutes to go. What M night Shyamalan movie was that Gilo where trees attacked people But what's this the Shyamalan the Shyamalan twist it would be like the trees are actually real people dressed up as trees and it was a scary science experiment The whole time the half I don't think I watched the happening and just just didn't happen for me Mike What about the Wizard of Oz? Are you saying it's like a Wizard of Oz situation Rex? We're like Don't look at the man behind the curtain. Is that an old Joe? Sounds like a Twilight Zone episode So trees are making people commit suicide weird movie. You didn't miss anything. All right. It doesn't sound doesn't sound like I did Jake Fox to 499 Cleveland that's gonna be for Ed and Francisco Lindor to 250 Wonder how many times movie studios want him to write something would like hey give us another one M night Give us another one where where you see dead people.   Was it not? Sandman Maybe you're thinking about that Was Eric Hernandez to 499 refractor for the White Sox that'll be for Fred sixth sense though still really good I Think I rewatched six cents not too long ago. That's right black mirror does have that kind of magic They've got different guys. They're not they're not making M night do this all the time Yeah, six cents. I thought was was really good and even if you know the ending You know even with knowing the ending I still think it's like a compelling watch if you stepped on This was an M night Shyamalan movie You stepped in the sand the sand would start to dissolving pull you under like like quick sand Might be one of his earlier films perhaps But he did have a good run. I'd like sixth sense Unbreakable was not too bad either Signs I I think I like better than a lot of other people did I think it's I guess the village Was was really the first one where people are like, oh, I feel like I think it was hotly anticipated but Axios watch the horror documentary called hard knocks to Troy Lyons Hard knocks cardinals. I think it's gonna be pretty good with that O line coach being Fired and sent home from Mexico City after like groping some ladies Is I'll to vey to 150 Joe with the Astros There's Cabrion Hayes To 299. I do watch the Raiders every week. That is pretty scary I was a little scared last week, too They cut myself here Where I did that there's Andy Thomas. Oh, oh, it's not it. I was I thought you were talking about yeah try to pay attention Rex Taking us off topic. I thought you were talking about M night Shyamalan movie. We were talking about the happening. We were talking about Old M night stuff There's Ellie Della Cruz For the Reds that'll be for Donald the Andy Thomas will go to the Mariners that'll be for Tomoya Might be the trees that cut me Jillo the M night Shyamalan trees Does this mean the end for me? Like more cuts will mysterious appear 45 and a 99 There's rain donkone To 99 for my Dodgers that'll be for Mark What would you do if like leaves started sprouting out from there like a tree grew out of that that that wound? Bobby with junior rookie card and we got a Dylan died another one This time speckle 102 to 299 for Sean and the Braves And we've got a Francisco Alvarez 22 out of 50 That is for the Mets. That's gonna go to Ed Was lady in the water good or no was that bad? I thought there was one that was sort of like Then there was the happening. I missed that and then People really liked I know some people really liked the last airbender. I think I got It's a little bit of a cult classic after earth no The visit split glass old I've not heard of any of these He must have had like a Seven picture deal with universal because these are all under universal. He must have just been like, um, let's just knock these out The visit something about farmhouse grandparents People said it was their turn to form Split. Oh, this was the uh, James McAvoy picture with the split personalities James McAvoy being a master of of accents I guess that's pretty that's pretty good. Oh glass. Was that the unbroken unbreakable sort of pseudo sequel I guess that did okay too Oh and old was the uh, was the one where they went to the tropical island This was based off a apparently a swiss graphic novel But where they go to a tropical island or a tropical beach or something and they suddenly get older Oh glass with a sequel to split Which is somehow connected to unbreakable I don't know if old did very well. I don't know if they said it was a box office success But a box office success but polarized reviews from critics Let me guess old critics were like It is terrible And young movie critics were like, yeah, there's nothing more terrifying than being old And that that's where the split was Or they were just like it's just a dumb movie Freddie Freeman refractor to 499 And a victor labrata Mariners that's going to be for to moya Reviews on old were split Some said they had a sixth sense About this old movie Right, what did you say that right Harold? There's Josh Donaldson to 199 Well, most of the split reviews were Most of the split reviews were saying hey, this just isn't happening This movie just isn't happening for me You know There's averson art arteaga shimmer And daniel, uh, make a lent meck Macklevinny Got it That goes to ea and boston That colos was a case it see this is why I need you I need you guys. There you go Thanks grizzle bees That's a case it ding There it is White sauce that'll be for fred shaltz There's Jeremy Pena 250 Which joke? Which joke would would have gotten you made fun of rex? Come on, Mike Hopefully nobody named coca in the colos family Come on get out of here. All right. We made it final box And we've got another case coming up right after this What's going on with future cases of bowman chrome? Um pick your team seven is now in a filler a team ran go and get it The sixth well because I made it that that's what's it's what makes it funny rex Because I made the joke now when you make the joke Mixed see the thing is rex It's all about it's all about delivery It's all about timing context Time and place knowing your room You could you could write the same joke For a dozen different comedians and funny people some of them It'll be funny Some of them will make it funny. Carson will deliver it in a different way than Adam Sandler, you know And some will make it funny some won't I tend to be in the category where I make it funny rex Matt Chapman 131 out of 499 And we've got Daniel Vasquez 175 out of 299 speckle autograph Uh if eight nine filler posts and they sell out grizzled bees then you'll well We'll see a good chance of more cases being loaded up Royals tim with the royals Wander franco and riccardo cabrera 63 out of 99 Whereas easy just swinging a bat up against the outfield wall. That's what it looks like, right? The difference between a good joke and a bad joke time. That's right. Gilo. It is timing Some people have it some people don't There's a torkelson for the tigers and it'll be for steven jason dominiga's shimmer We got yan kill fernandez I think he's part of our little list here Rockies and the last one here is for tim and the diamond back. That's Jorge barosa Bowman first autograph and so I like that unique auto. He's got going on there Tim and the snakes We've got a dillon carlson to 199 And that closes things out ladies and gentlemen Here's a quick little recap Got that redemption there And that my friends Is that i'm joe for jasmies case breaks.com. That's the brand new bowman chrome hobby. That was picker team five I'm joe. I'll see you next time for the next one. Bye. Bye You


Unfortunately for so many, this has become a norm out here. People don't get upset. They just turn off the TV like they got another one. This can't be happening. Gun violence, police, the police running around here with assault weapons now. We trying to ban them, does that mean they got to get theirs up too? That's what I want to know. No, they will not. That's what doesn't make any sense here. This is a glaring contradiction in the left's arguments against the Second Amendment and this anti-gun rights speaker accidentally stumbled onto it. If you think the government's evil always has been and is now using police to purposely target you with gun violence, why would you want the citizens disarmed leaving only those in power and criminals armed? But that's besides the fact that the speaker has no idea what she's talking about and doesn't understand that assault weapon can literally be just about any gun.


What's up everyone? It's your girl Kinsey here from Layton Sports Cards, and I'm ripping a personal for Eric W Thanks for the follow Ryan. We've got four 2022 woman draft sapphire edition baseball boxes. Best of luck here Eric Thanks again for hopping back in Let's see. Let's see again. Every single one of these will get sleeved and top loaded for ya Nah, send me out of my fingers. Don't get tired Yeah, use to it, man All right, Anthony Hall first Yankees, Walter Ford first, Carson Williams, Errol Vera Let's see a red. Chandler Simpson first, Arias, Judd Fabian first, nice Orioles, and Jordan Beck first Campbell first, Robert Hassel, D'Shara first, Angels, and Milbrant first, Marlowe's Owen Murphy first, Braves, Don Conn, Curtis Mead, and Kyle Menzardo Gabriel Hughes first, Rocky's, Tobar, Meza, and Colossae Guzman, Serta, Polanco, and Mayo First in that pack Got a green coming, Michael Kennedy, Henry Davis A. Adam Mazur, and green first for the D-backs, a Nate Savino, 5 of 50 on the green There's green there, Mejia, we've got Harry Ford Trevor Martin first, Reyes, and we got yellow first for the Guardians, a Joe Lambs 53 of 99, geez This one there, Guardians Monts first, Cardinals, Watson, Jackson Job, and Confidant Got Troy Melton first, got an aqua coming Jose Salas, and a pre-let first, Twins First for the Mets, a Jet Williams, 12 of 20 Nice hit there for you, Eric Jet Williams, Magdalen, Alexis Hernandez, Ben Joyce first, Angels A. Jacob Marcy first, Padres first for the Cardinals, A. Cooper, Herpe, 59 of 99 His Herpe Hernandez, Crooks the third first for the Cardinals, Tres Gonzalez, Pirates, and Warming Burnabelle, York Robert Moore first, Brewer's at his Leonard, and Logan Tanner for the Reds Henry Bolt first, Ace, Jason Dominguez, William Diaz, and Brooksley first, Twins Matt McLean, Eric Brown Jr. first, Brewer's, Bredugo, and Cole Young first, Mariners Last pass, box two, Ramos, Romero first, Red Sox, Jonathan Cannon first, White Sox, and Drew Gilbert first for the Strokes, John Kenzie-Nowell, Pasciola, Cubs first, Adult Rushing first, Dodgers, and JR Richie first, Tamar Johnson first, nice one there, Pirates first of him that we've seen today, nice hit Eric, Deandrade, and Cueva, Hernandez, Jace Young first, Dolos Santos, and Justin Boyd first for the Reds, Dustin Harris, Landon Sims first, D-Backs, Brenner Cox first, Washington, and Felix Valerio, Cunha, Wallace first, Royals, Belzkar, and Artega, Jenner Schoble first, Twins, Mason Wynn, Cardinals, William Kepner, Giants first, and Colesama Montgomery-White Sox, but Green, Jay Allen, a Yanquil Fernandez, Paulette first, White Sox, and Green first for the Marlins, a Jacob Miller, 7 of 50, Jacob Miller, Jordan Walker, Huggins, first of Jake Bennett, Washington, and Yellow first, Pirates, and Jack Branigan, 46 of 99, beautiful color much there for the Pirates. All right, last box here, Eric, come on, we need a big hit. We need a big hit here for you. Jimmy Crooks, the third first, Cardinals, Alexis Hernandez, Bernabelle, and Ben Joyce, first Angels, Robert Morf, first Brewers, Hernandez, Logan Tanner, first Reds, and Tres Gonzalez, first Pirates, Jason Dominguez, Nick York, Brooks Lee first for the Twins, and Eddie's Winner, Eric Brown Jr., first Brewers, Henry Bolte first, Ace, Cole Young first, Mariners, and William Diaz, Dodgers, Romero first, Boston, Matt McLean, Drew Gilbert first, Astros, and Verdugo, Kate Horton first, Cubs, Jose Ramos, Jackson Chirillo, and Jonathan Cannon first, White Sox, Gadget Williams first, Thomas Harrington, Jordan Lawler, Gadget Green for the Nationals, a Robert Hassel, two out of 50, Robert Hassel. Last pack here, Eric. Good luck. Marco Luciano, Jacob Belton first, Astros, a Kevin Alcantara, and last hit, a first for the Reds, a Kenya Hughes, Kenya Huggins, sorry, 98 of 99 on the yellow. All right, Eric, that will do it for your unboxing. Thanks as always for hopping in, and we'll get these right out to you.


What's up everybody Jason for Jasper's case breaks calm we are doing a little 2020 Donner's Elite team on one box break Ratings number 11, which unlocks and gives away six spots in impeccable football So again guys first we do the break randomize because my name is a team to strip the hits out And then we will randomize only the customer names and the top six will get a spot each in impeccable football Number 12 is on the website already It is down to 25 left if that sells out tonight guys it'll sell out the promo And it'll also sell out the break of impeccable football so 25 left guys So let's do the break here number 11 break first Roll the dice two and a three five times one two three four and five So don down to don all right five times one two three four five Five times 49ers Down to the Los Angeles Rams All right guys stick to what you got, but I'll quickly show you guys 30 seconds your teams So quick 30 seconds glance That's a ramming out the first spot In the next filler George got a spot in the next filler Sean got a spot in the next filler and then it looks like Robert got four spots And then six spots in the high end one one two four five six all right guys switch scenes Let's do the quick box break. All right guys. Good luck Antonio again he gold in the 399 Jaylin hurts to 799. That's nice Eagles Marlon Mack to 399 we have DeAndre Swift elite company DJ Dallas to 95 for the Seahawks Utah states that's Jordan loves I think All right guys, there you go Now let's switch scenes and give away those six spots in impeccable And again guys last filler unlocks the break and the break crater promo So switch scenes and let's roll the dice We got ourselves a three and a six for nine times. There you go again Top six to get in after nine times one two three four five six seven eight nine oh Three to six nine times top six get in Matthew's in Adam's in Jonathan's in Don's in Matthew and Matthew There you go after nine times top six get in congratulations guys One more way to win guys is on the website. It is down to 25 left That'll sell out the promo pretty sure you guys jazby's case breaks.com


Hello and welcome to the session I am Deepika here. Let's discuss a question which says find the general solution of the differential equation T by by Tx plus Ck xy is equal to tan x, 0 is less than equal to x, x is less than pi by 2. So let's start the solution. The given differential equation is D by by Tx plus Ck xy is equal to tan x, 0 is less than equal to x, x is less than pi by 2. Let us get this equation as number one. Now this is a first order linear differential equation with P is equal to Ck x and Q is equal to tan x. Therefore, the integrating factor is given by e raised to power integral of P ds and this is equal to e raised to power integral of Ck x dx and we know that integral of Ck x dx is equal to log of mod Ck x plus tan x. Now e raised to power log of mod Ck x plus tan x is equal to Ck x plus tan x. So this is the integrating factor and this is defined for 0 is less than equal to x, x is less than pi by 2. Now on multiplying equation one by integrating factor Vg over dx into Ck x plus tan x plus Ck x plus tan x y is equal to tan x into Ck x plus tan x. Left hand side is a differential of the function y into Ck x plus tan x. So this equation can be written as y into Ck x plus tan x Ck x plus tan x integrating both sides with respect to x. We have integral of d over dx of y into Ck x plus tan x integral of tan x Ck x plus tan square x. This equation can be written as y into Ck x plus tan square x integral of Ck square integral of 1 dx because tan square x can be written as Ck square x. This equation can be written as y into Ck x plus tan x. Now integral of x dx the general solution of the given differential equation is y into Ck x plus tan x is equal to Ck x plus tan x minus x plus Ck for the above question. I hope the solution is clear to you and you have enjoyed the session. Bye and take care.


Fighting games take a lot of time and experience to get comfortable with, especially so when you're playing at some of the higher ranks available to you in any game. Whether it be Street Fighter, Marvel vs. Capcom, Mortal Kombat, or even Dragon Ball Fighters, you never want to hop into the higher ranks without having experience, but that's exactly what I'm going to force somebody to do today. Because I'm going to let Barry Crave, another YouTuber, jump in on my account and fight some of the opponents I have to fight and see what happens when a newer player takes on the online ranked world in Dragon Ball Fighters. My guess now is that I'm going to lose a lot of points for this. Oh!  Okay, okay, okay. I'm going to explain to you why I picked my team. Okay. Um, Hot Girl? Okay. I don't know what supports her then. See? Mmm... I don't know what a team, probably A or B. Okay, I trust you. Don't let me down. Okay. Don't disappoint me. Don't disappoint me. Oh yeah, you only had two characters locked down. I know. I just finished Dragon Ball. Almost Dragon Ball Z. Yeah, you... Harry did just read all of Dragon Ball and Dragon Ball. It's like two weeks. We might do, I might do another video with you on that, just because I think it'd be funny. Really funny. Yeah, just because it'd be funny. I'm gonna think Gohan, I think he's just a silly guy. Just a silly little fellow there. Hey, fellas, fellas. Fellas, fellas, my psycho. Yeah, he does say that a lot. I don't, oh, is that what I want? Which one's good? You know, C-Beam assist not bad. He also has the uppercut assist, which is probably, you know, one of his best. But that's C-Beam.  I would, for you, I'd go C. What is that supposed to be? I think I suck. No, I just think the Miseiko is really usable. And then I want... And now here it is, the third character. Honestly, I know who you're gonna pick. I just think he's cool. You haven't even met Goji to see Misei before. No, I watched the video, I watched the video. Whoa, you want me to see? Okay, okay. Is it bad? No, no, no. Whoa, whoa, whoa, whoa, why are you gonna get peer pressure that easily? When you saw it, it's very cool. Lightning hammer. Lighting hammer. I'm gonna look at his low key. He looked at like that.  I don't know who to pick. What do you think? See? See what? I'm asking you what.  Okay, I don't care about this, right?  What? You just talking... Whoa! This is a lot of waiting.  I didn't pay $50 to wait. I didn't pay $60 in tax to block. I don't know where to go. I didn't expect this to be the hard part. I don't know how to play. And world match and base. Okay, where's the guy? Right there. Damn! He's kind of a big deal. He's kind of big man on campus. The hoes gonna love this. The hoes... You gotta make the whole team. Oh my God! Okay, speedrun. You know, I didn't really want to hit him with it. I'm gonna put up the speedrun clock. Sees get the grease. Wow! That's the same strategy I used in college. In high school, in elementary school. In elementary school? They were greeting you there. Yeah, I was already pretty mad. What? They gave you a D for your noodle art. I said I didn't need a C to pass. I thought I was gonna get my degree. We already got a match. Don't act so panicked. The game hasn't even started. Okay, I'm gonna try my best to get you this dove. You're getting a dove on this one. No. Well, that confidence dropped off.  I feel like people should know that. Ah, you're not. Oh, he's a great priest. He's a higher rank than me. Oh, really? Yeah. I was gonna say something I didn't even want to. What? I can't. It's out of pocket. You're out of pocket, say it. Say it.  Me? Why is that out of pocket? Think about it.  Okay, the game has started. He's already playing neutral. I'm gonna comment on this. Can I get a chance, Bella?  Please. You might as well get a chance, Bella. Watched him toes.  Let me out. Let me out. Please. Oh, my God. He doesn't drop anything. He's kind of good at the game. Well, I mean, can we get to the green squares, please? Green squares? All right. You want to hit him at least one time? I think I hit him no times. You didn't. But you got it this time. There's no one thinking. Why are you... Up the... I even got a little... Look at me. Look at me. Right there. Yeah. Yeah. And some of these. And some of these. And nice.  No, you won't. No. Wow. I'm making strong Dark Souls videos here. No, why, Mom? I'm a new Dragon Ball fan. I'm a new Dragon Ball fan. Oh, I didn't see that. I did. I did that on purpose. Watch them toes. The great priest got 69 hits. Oh, nice neutral.  This is so bad. Please, please. I'll send you feedback. Dad, please don't do anything. I'll give you feedback. Stop it. I was trying to take out. You told me that. Nice, nice. Yeah, I did teach you how to take. Taking it real slow. You take it. Oh, no. He's going for the dramatic finish. Oh, no. He didn't get you. He didn't get you. That's embarrassing, isn't it? Yeah. I didn't realize why he was playing with you until then. I would have been a bad, bad person and skipped it just to make him mad. Would you have actually done that? I know. Yes. Why'd you whisper to the mic? What'd you say? Nothing, nothing. Don't worry about us.  Do you hit no remaster? He's going to cook me. Why did you hit no? That's the old way of the video. Well, boys, I gotta go give this to somebody else. You know, gotta give the works like guys a little bit too good for me. If that was you, you wouldn't know. Am I not supposed to say no? I don't know. You could have just played it for the video. It's funny that you said no right away. I said no and left. Oh, it's going to be the same guy. Oh, Solid State Scouter Bardock. Oh, he was in a bag with that one. Is he the guy that picked Bardock or the people that made Bardock? The people that made the song. Oh, Solid State Scouter. I was like, which people in their bag? Everybody. Just everybody that had a hand in it. Free bags, free bags, 25 cents a gallon for it. All right, you're looking at his team right now. He's lower rank. He's a yellow square. How are you feeling about this one? I feel like I'm going to pee my pants. What? Can we just go get a happy feel like this? I'm just going to McDonald's. I don't really want to play this game. Please, I just want to chicken nuggets with the roll. His team is color matching.  Focus. Focus. Okay, he did a long range to him. You know how to block those. I do. Okay. I'm going to catch right there. Let me just give my combo one. This guy's like, he's going to go on Twitter. I cooked out of the way. All right, you got him. I'm trying. He's juggling me. Focus up. Focus up on this neutral. You got this. He's grinding. He's grinding. Nice. Nice. Nice. Now do the normal. Oh, he did that. It's fine. Good pressure on the block there. Tag out. You're trying to switch. No tech out. Oh, nice. Jesus. He was ready for the buttons. He was ready for the buttons. Oh, you can see my hands. Oh my God. I got him. You have a spark. I don't have a spark on this controller. All right. I just, these two buttons are all the face buttons. You might want to do one of those soon. Nice. Perfect timing. End of rebuttal. Wow. You're sitting at the debate table just talking. I did it. I did it. All right. Now just play it calm. Play it safe. Nice neutral. Nice pussy. Oh, that should not have hit. I don't even know how you. Oh, the movement was sick. The movement was sick. And nice follow up. Oh, you kind of caught. Oh, he's lagging. He's lagging. He's lagging. He's lagging. He's lagging. He's lagging. That's fine. Hit him with level three. No shot. Let him know. Okay. Calm down. Yeah, calm down. You got it. Just know your buttons. Not your buttons. Oh, he's done. He said I'm done playing with the dog. He said I'm done with this game. Please. Oh, are you going to just break it home here with a little three? I'm trying. I can't believe it. Not your level three, but that one. I can't even think that. The level three wouldn't have been working. That's it. Oh, he did the thing. He's blue. He's blue. W-D-W-Daw. Oh. He's doing Super Saiyan blue. Okay. But, you know, that was fine. At least I got one that time. So would you rate your, would you give him a rematch? Yeah. Okay. I'll rematch him. What changed? He was a little scary, I think. Just not as frightening. Does it mean? No, I think that's a fine thing to say. Oh, he rematched me. He kind of liked like me. Yeah, he either likes you or wants the points. Oh, I thought I was walking back. Why did I block that? Oh, he got you in a loop. Jesus Christ.  Please. They got my eyes. Oh, I'm so... I'm good. I'm good. You could have taken that out too. I was pushing down. No, you have to hold a button and hold down. Well, I mean... Oh, well? I mean, get him in the next one. Nice dodge. Oh. Okay, he's got you in the corner here. What is he doing? His decision-making's crazy. You're already like, this guy's decision-making's crazy. Haha. Oh, a nice jump away. Oh, he got you with the trigger. What? He just put his fingers in my butt. What was that? What? I saw totally different moves right there. Oh.  You know nothing. How are you going to spark? Gojita was your clutch character for you. In tech. What's your button? Are you holding right now? Hold your eggs. Nice spark. That's fine. That's fine. Oh, and now you're back. Now you're in the driver's seat. Haha. You're in the go-kart. Yeah, you're in the driver's seat in the go-kart. Yeah. Oh, you didn't. Oh, he's trying to charge up. You got to embarrass him now. Oh. Oh. He was in your bag with that.  He's not even blocking. He's not dead for that, though. He's still got a little bit of health. Oh. Level three. Oh. Okay. Okay. I'll take him. I'll take the man. Hit with level three. He's going to try to blow up. Jump. Oh. That was actually sake. You were too fast for him. You might try it again. You might try to be caught. Oh. No, he was good. He was good. He was fine. He was good. He wasn't about to do that twice. And you're done. Oh. That was pretty fun, though. Yeah. Yeah. I mean, you kind of had both of them pretty well there. I think that brings us to the end of it, though. The end. Yeah, the end. You did it. That's it. Yeah. Oh. You want to go one more? I guess not. Go one more. I didn't want to do it, so it'd be fun. All right. Do one more. Do one more. You have to do it on my channel. You said, um, please don't lose the pink square. No. I wasn't kicking you out. Yes, you were. I just thought you were done. I thought, you know, we did the two guys.  She turned to me and had like a katana on. Where'd you get that katana from? You know what it is. No, you heard. I heard the katana noise when you put it in. You're cartoonishly cut us into the next match with a katana slice. Editor, please edit all of the pretty bunch with every single Dragon Ball character. You haven't met this guy yet? No, I don't know who this is. Who is pretty sweet? Oh, bam. It's cooler than I originally anticipated.  Wow, he's huge. Yeah. Babe, you're huge. Okay. He's going with a pretty standard combo. You're nothing you haven't seen before, though. I want to do mine. I want to do mine. I want to do mine. Oh, you're out. You slipped out of the court. You got him. Oh, you kind of just let him go, though. Oh, please. Oh, brother. Oh, he's got the cooler loops. Oh, brother, this guy's got the fruity loops. Oh, you could have pecked out. The fruity loops. Oh, that was sick, Barry. You just got... The loops, the loops, the loops. Oh, no, you let you out. You got it. You got it. Who the super... I tried. He's almost half. You might switch out. Set your feet in 2HM when he switches in. Right there. Yeah! But good enough, good enough, good enough. Good enough for me to be proud. Good enough for me to be proud. Why are you teaching me? Uh-oh. He's just a funny little guy. Leave him alone. Barlock or Gohan. Gohan. I'm trying to check out. You're trying to what? Check out. Oh. He's bouncing. That was a nice assist. Please. Oh, my god. Don't get hit and say please. That's embarrassing. Have a good day. Please. Okay, this is my clutch. You're good. You're clutching up right now. Oh, he dropped it. He dropped it.  Look, I'm learning. Look, I'm learning. I'm a robot. Little Smith. Nice combo. The walling for the last time, walling is not a thing. Wall-y. Wall-y. Wall-y. Please, look at him. He's coming along for my third day.  You just let you get up bashing. See, I can kind of do that once I... I did it. Oh. No. I think I had the right idea of bad execution. Whoa, you slipped underneath his spirit sword. Nice. Whoa, that's what you... And you let him go. No, I was trying.  I'm sorry. You don't have to apologize. You're not going to think I'm threatening you. Guys, please help me. Guys, I'm blinking. Can I do it again? Yeah, do you want to? Yeah. Then beat him up, rematch. You need a laser square. No, not if you win. Just win, then. Is it the down and heavy that I'm doing? Yeah, at 2-H, there would have been nuts. Look at how much damage he's done. It's really not a lot of damage at all. Nice. Oh. Well, you landed the first part of the combo. I'm nervous. Oh, my God. I'm done playing with you. Pathetic. Nice tag. Nice tag. 2-H tag. Oh, I tried to vlog it. No, that was good. That was good. Pretty nice sequence for you there. Pretty nice sequence for you, man. Easy. Easy. Easy. Easy. Please, I just want to play the Fanky Game at Cracker Barrel. Oh, nice. Nice combo. Nice. That was smooth. You're just trying to go for a dragon, right? Dragon's super, but I messed it up. Oh, you're going for this. Going super is not the best. Okay, so I should save it. No, his level three is fine, but if you're just doing his one level one, it's not the best. That was clean. Of course, I got to ruin it, but that's okay. You were getting into it. I was going to say that. You're doing it. Oh, DP in the spark. You were almost nuts for that. You were almost crazy for that. Nice tag. Nice tag. Oh, nice. What? How did you even hit him there? What's happening? None of this is real. Oh, no, you let him go. He's going to switch. Not on your watch. I got one guy. I got one guy. Not on your watch. Yeah, focus up. Focus up. Nice. That was a good tech on his part. That was a good tech on his part. Nothing you could do. Nothing you could do. Oh, he's walling me. Yeah, you're dead. He's walling me.   That's so embarrassing.  Why did you make Bardock sound like Tom from Tom & Jerry? Nice. What would Bardock say here? We can't hear the game audience. What does he say? Loser. No. No. Really? What did you think I was going to say? Well, that is better. I don't think it's that way. Can I redo that? You're just addicted to Dragon Ball Fighters. I am. All right. Well, how would you rate your experience?  But I had hair. No. You made it through. Yeah. You passed the challenge. I feel like this is like the squid games of video games. You're referencing squid games in 2022. Yeah.


Hey David, this is Megan with Oxmore Toyota. I just wanted to send this quick video greeting just to personally introduce myself. I also wanted to see how your search is going for a new 2016 Toyota Sienna. When you can, go ahead and give me a call. You can reach me at<PHONE_NUMBER> and I look forward to hearing from you soon. Bye!