If you've joined us, this is our annual Thanksgiving mother-daughter, who's the mother, who's the daughter? I'm asking an answer episode. This is kind of fun. You know, Fundraising Academy joins us weekend and week out and they support us so much. But this is kind of a fun thing because my daughter, Camely Joy Patrick Jennings, not always been in town with us during the holidays. And so this is kind of one of those things that we get to do. And so this is really a lot of fun. And we are super excited, Camely, that you would be here today and share with us. You know, your perspective on things you do work in the nonprofit sector and you have been engaged in the nonprofit sector pretty much all your life, right? So I would say that's really an important thing.  They include Bloomerang, American Nonprofit Academy, your part-time controller, nonprofit thought leader, Fundraising Academy at National University, Staffing Boutique, Nonprofit Nerd, and Nonprofit Tech Talk. These are the folks that are really the backbone of going on now, almost four years for the nonprofit show, over 900 episodes. And so we extend our gratitude to these folks. If you've missed any of the episodes and you want to find out more or share some of this content, you can find us on our, as I like to call it, our sexy new app. Download the app with the QR code. You can find us on streaming and podcast platforms as well. Lots going on, a lot of ways to connect with us and all of the different things that we do. The second answer is only one part of what we do. But before we get going any further, Camely Joy, Patrick Jennings, hmm, that name, there's some resonance in that name. Tell us what you do. Yep. I am a marketing and project manager at GitHub. GitHub is a subsidiary of Microsoft and I'm on their social impact team. So it's a developer-focused collaboration platform. I am not a developer, but I work with our developers, our employees, the 100 million plus developers who are using GitHub, the platform to leverage their tech for good. So we don't have, you know, necessarily a traditional tech, big tech companies, grant making process, if you will. That's very common in industry, but rather we do in-depth programming that specifically caters to developers and leveraging their skills for good. Do you find that you are having to educate your members about what it means to be a philanthropic employee? Because I feel like some sectors over others already have that mojo. That's part of their corporate culture. What are you seeing within the framework of the tech world? Yeah. I mean, I would say yes and no. I think there's definitely a cohort of, we're just talking about employees who do volunteering in their day-to-day lives, but perhaps don't even recognize that it's volunteering, meaning it could be coaching their kids' football team, it could be volunteering in the PTA, it could be sitting on their alma mater's board, but they just don't realize that that's something that one of our company benefits is for every one hour you volunteer, you'll receive $20 to donate to the non-profit of your choice. Our team is always constantly working to say, hey, you're doing all these things, you're donating blood, for example. Those count. We're always trying to double their impact through messaging. Then there's also another cohort of folks, we're also an international company. Agriculture cultures, we're sitting here in the US that has a very strong sense of volunteerism and financial contributions, but other countries don't have that. We're also working to balance those different cultural aspects of what that means locally to activate employees in that sense. Wow. Is that a heavy lift? Is that hard to do? Yeah. I mean, yes and no. I think probably the hardest using air quotes lift would be that we are a remote first company. We have been since before the pandemic. It's just something that is within our company culture. I think that probably provides the most barriers, not just because of the work we do, but any employee communications is always just very difficult when you're in a remote environment because you always try to give several touch points honing in on the same message, but with us it's just limited because we're not seeing each other in person on a regular basis. I would say besides the fact that if someone has engaged in a volunteerism project before or not, it's just how do we communicate them through the few platforms that we have. I think just making that personal connect is super important to us and so we're always trying to drum up new ideas on how to reach employees that way. I have one more question. Do you have an English first situation in terms of communications? Yes. Okay. Yes. Everything that you're doing to engage and how many employees or it's not employees necessarily, but members of GitHub and the cohort, how many people are you trying to communicate and reach out to? Yes. The work we do is really twofold. One is our employees directly with them in our giving programs and then externally with developers. Our goal is if there's 100 million developers to use the platform, if we can just activate a small percentage of that to leverage their skills for good, how amazing is that these nonprofits need help. They need technical support and I think people think that non-profits are tech illiterate and don't use technology and GitHub is very technical, but they do use it and there's no reason they should and it's just how can we support them, not just the product, but really with services and volunteerism, not from just our employees, but also from a developer anywhere in the world who can spend a few hours of their time that really would make a difference to a non-profit. Fascinating. Well, we're thrilled you're here and I say let's get going because our first question is an interesting question that comes from your mother in Phoenix, Arizona. Oh my goodness. Okay. Your mother from Phoenix, Arizona writes in, Camely, while not new to the non-profit sector, you are engaged with board service now. What are some new skills you have learned with your non-profit board service? Great question. So, I have been on a board for just over a year now, as you said, first board and it's been super interesting. I have a communications and marketing background and so I've really tried to, I would say first I tried to take a step back and not just dive in, but really get to understand the work the non-profit does, who's on the board, who are the employees, what other skills are people bringing to the table and then trying to figure out what my skills can bring to the table. And so I would say probably after six to eight months or so, I finally said, okay, let me dive in now that I've kind of had a good assessment. We went through our annual gala. We went through a whole cohort of programming and so I really felt comfortable to really voice my opinion and so that's something that I always have ideas so it's not always easy to not say anything for some time. And so I really learned to just observe and then now I would say in the last maybe four months or so, I've really been more active and really being, I would say not up front is maybe an intense word, but really saying I'm the only one with the marketing and communication skills on this board. This is my suggestion. We don't have anyone specifically full-time position who is doing that work and so I can really bring a lot of expertise and just really been confident, I would say is probably a good word in my experience and my skills to helping the nonprofit with everything from annual marketing to bigger campaigns to narrative building and stuff like this. So I've learned that something that I might take for granted that it's just something I learned in my career is actually quite useful to someone else. And so I think that's been really special to kind of discover that I guess in the last few months. Do you feel, this is a follow-up question, do you feel that your age and not only your chronological age, but you being a new board member, so those two things, is that working against you and the way that the organization responds to your information and your expertise or do you have any sense of that? I would say no, which is refreshing because I think I don't know if that's unique. I think it might be I've been in a position where I've been early in my career and intern and then a full-time employee and there's always a big learning curve for other employees on how to treat you differently, similar to this scenario. But I would say I also will put the caveat that when I joined a large number of board members joined, so I wasn't the only person joining. So perhaps that's part of it. But no, there hasn't been any second guessing of my opinion based on my age, which I think I'm the youngest person. And then also my actual participation on the board. So no, which I've been very fortunate about, I guess. You are fortunate because my first major board I was on, and I had been on other boards, but this was a very significant board. I was the youngest person and I was a female, very few females. And for the first two or three meetings, the other old, I'll say it, white men board me, members would ask who I drove. Yeah. And I'd be like, at first, like the first time I didn't get it. I was like, well, I drove myself because I didn't get it. And then I realized they thought I was like somebody's secretary or caregiver, bringing them to the board meeting. Yeah, we, you know, this board where it's all female, so I don't have that. I think that it's, I think everyone's just there to learn. I think a lot of the other women on the board are, this is also their first board seat as well. And so I think it's a lot of us kind of in the same boat, which just creates a more welcoming environment, which is great, I think, for my first experience, you know, but also I, I mean, to your story, I caution that this is probably not super realistic for my next endeavor at some point.  You know, they're, they're all 1.8 million nonprofits in this country. Governance is a huge thing and it should be consistent, but it's not. And so things are different. And so, okay, well, let's go to our next question. And interestingly enough, this question, do you want to, do you want to read it? Because it comes. Julia, you have worked with a lot of nonprofit boards. What is the next type of nonprofit you want to serve? Interesting. Great question. Good question, your daughter from Menlo Park. You know, I think what I want to do is focus on a national board or a board doing NGO work, you know, meaning they're working outside of our country. Because I've moved to a point in my knowledge bank where I can be more strategic. I don't have to be so community focused, which is, I've been my whole life. As you know with you, you've been community focused in many, many ways. But I think, I think this is my, I think that's my next thing. And I have a different perspective. And so, yeah, I don't know, it's kind of interesting. Okay, let's go to the next question that came in from Linda from Dayton, Ohio. Ooh, I bet it's cold there today. I'm just saying. Yes. Camely, as a millennial people born between 1981 and 1996, and who are now ages 27 to 42, how many of your cohort friends serve on nonprofit boards? This is a good question. Do these friends and acquaintances even want to serve on nonprofit boards? Yeah, I'm trying to think. You know, I would say that I come, I'm a part of, yes, I'm a millennial, but I would say I'm also living in a bubble where my LinkedIn connections, my Instagram friends, you know, my cohort of people are people who I've met through types of service like this. So I don't, I would say that the answer is yes. Like I do have friends who serve on their community boards, be it a small nonprofit or maybe something about bigger as they kind of works their way up in their career. But I would flag that, you know, I, it's because I'm a part of that cohort.   I mean, there's a lot of different positions, which is awesome to see. And that's really across mostly US based across the country. But again, I'll just flag that if you were to, I don't know, maybe look at someone's link, look at my LinkedIn versus looking at, you know, someone I went to high school with who's now in finance or something had a very different path, they probably wouldn't see the same content that I'm looking at of, you know, people involved. Not to negate that, but I just think I'm in this like weird bubble of people who are like-minded in that sense. So within your career trajectory, I mean, having gone to the school in the East and then serving, working for charity water, serving in the White House, working in a UN agency, would you find, do you think that those people that you worked with, just because of not only their, their work, but maybe their empathy or the things that they were around has driven them that way as well? Or is it just opportunity?  You, you know, the score. Right. Um, you know, I think it's a bit of both. I think probably first it's the passion that we share in this type of person, you know, whether it was our upbringing, whether we had a, um, I know you talk about this, uh, I'm gonna say it's the aha moment, but it's your, your moment that really says, opens your eyes to say, oh, this is my call to serve or the passion that I want to follow. Um, I think that's probably a bigger driver than, oh, hey, this spot's open. Do you want to come join the board? You know, I think with the people I know that's probably leaning more towards that. Um, but needless to say, of course, I mean, a lot of it is networking and, and, you know, just finding that passion left or right. Um, but I will also say something that I, I have, um, fantastic mentee and I, she's, um, studied the same thing I did in university and she's looking, she's graduating soon and she's trying to figure out what she wants to do. And she, she wants to lead a, a career that is impacts driven, but it's, it's difficult. You know, you oftentimes have to take a pay cut or less benefits or move somewhere you don't want to. And so she's, she's toying with what do I do? And so I said, you can, if you find that great, but you can also find that passion project outside of work. And so I think that finding that balance is, you know, some of the people in my cohort back to that question is some of them, um, might have that in their job. I am lucky to have that in my job. Um, was what I've chosen to do, but doesn't mean you can't do that outside of work and kind of fill that gap if you're, if you're missing that. So I think some people have, have finding, are finding both. And I've also seen as I'm getting older, you know, people are a little more established on your career and they're looking for the outside of their career. Um, so I think that the passion and then having that little kind of void, if you will, is, is driving people to, to be more active. I love that. And I think that's, I think that's incredibly wise. Um, it kind of dovetails to this next question. And it comes to us from Houston and it's actual, and this happens every once in a while. An actual board or group will send in a question. And the question is this, when it comes to getting younger board members, which we've been chatting about, to participate in a give or get process, how can we make this commitment more achievable? We want to cultivate younger board members, but our $5,000 give or get is prohibitive. I think that's a high give or get, especially if you're looking for someone who's, um, uh, younger millennial, um, I think also now it's really tough with, I mean, macroeconomic climate we're in and companies are really not giving benefits like this anymore. Um, I think they're probably, um, they have employee benefits, meaning something like we have, you know, where it's like, oh, you can volunteer and get $20 or, or we'll match your contribution, which is great. But those are the types of things that start to go when budgets are being cut and workforces are being reduced. And so I think, you know, in a more traditional corporate America where they would say, okay, here's the budget for, or here's the product you can give or the services you can give, you know, via your job to a non-profit. I really don't know too many companies that are doing that right now, at least in my group of friends, um, you know, who are, have all different types of jobs, not just talking about tech. Um, so I would say that it seems to be a higher number and I would say it doesn't have to necessarily come from the company they work for, but you could focus on, um, you know, ticket sales for a fundraiser or just donations from family and friends. But it's tough. I mean, that gets repetitive year after year.  And no, no one likes to ask for money. That's scary, you know. So, well, it is hard. And as you know, I do a lot of public speaking and, um, years ago I came up with a solution that worked for me at a young age and that was to develop, if you will, a scholarshiping. And I think you can do that for a lot of different things. Now, I'm not saying you can, you can scholarship, you know, 70% of your board, but you could scholarship in, you know, one, two, three. And you need to make it very clear, like, wow, this is, to the board, it can be very transparent. This is why we're doing this. And I think it's brilliant. I think it's an easy way to get new blood in and then cultivate something different. Yeah, I love that idea. I think, I think, and also, you know, it just increases their board diversity, which is so important, you know, from skills to age to demographics. It's so important to have a different perspective. So, but yeah, I would say a lot of people who I know who are interested in looking for board service have never heard of a scholarship option. And that is the give or get is something that is, is primitive because they're like, oh gosh, that's a lot of money, you know, and because I'm already giving my time and then, you know, so it's, it's kind of a, it's tricky, but I love that idea. Well, thank, yeah. I mean, I think it's just one of those things that we need to be thinking about what it is we need for our boards, how we're going to navigate that, that talent mix and then figure out how we bring that talent in. Also, the other thing is, you know, 1.8 million nonprofits in the U.S. There's a lot of competition. Yeah, good talent, right? So, you know, you have to be thoughtful about this and the $5,000 is or 10,000 or 100,000, whatever it might be, is not the money that should be running the organization. Yes. Right? So, I mean, that needs to be a little bit more creative. And, you know, look at that. Well, it's hard to believe that another year of the Mother-Daughter episode on the nonprofit show has come to a close. It's been very exciting to see Kamely Jo Patrick Jenks. You might recognize one of those last names. I'm just saying. Marketing and Project Manager, Social Impact at GitHub. GitHub.com. Fascinating work that you do. It touches all of our lives and so many people don't know about. They might have seen your logo somewhere out and about, but this is really interesting work that you're doing. And thank you so much. Thank you. Thank you for having me. Happy Thanksgiving. Happy Thanksgiving to you. I just am so excited to be able to have these conversations with you. You bring a really rich and robust perspective to how the nonprofit sector works on so many different levels.  I am very thankful in the spirit of Thanksgiving. So I say thank you. And so you might have to wait a whole year to have Kamely Jo Patrick Jenks back on the nonprofit show. But check out the day after Thanksgiving because it's always kind of fun. Again, we have amazing sponsors and they include Blumerang American Nonprofit Academy, Your Part-Time Controller, Nonprofit Thought Leader, Fundraising Academy at National University, Staffing Boutique, Nonprofit Nerd, and Nonprofit Tech Talk. These are the folks that help us get this content out. Again, Kamely, more than 900 shows we're marching towards 1000, which will happen in early 2024. Wow. Oh my gosh. Big celebration. Can't wait for that. I know we do. Jared Ransom was like, look, we can't just say, oh yeah, today's our 900th show like we did. We need to like have something. Yeah. A whole week dedicated to the big day. I mean, that's huge. That's wild. Yeah, it is kind of crazy, but it's an amazing thing. Well, hey, you know what? Kamely, again, I'm just delighted that you could join us and be a part of a really interesting perspective from so many, so many ways and routes that you come to a life of service and working in a much, in a very profound way from, you know, being a little girl and working on so many different organizations and projects that you found your own. Didn't always come from your dad and I. I mean, things that you would, you know, show up when you learned to drive. You were driving downtown Phoenix to serve food at Andre House by yourself. So, I mean, it's pretty cool to see this trajectory and we're incredibly proud of you. So, thank you very much. Thank you. The apple does not fall far from the tree, as I think I'd say every year. So, thank you. I don't know. I think I try and kick it away from the tree every once in a while. You shouldn't. You shouldn't. Oh, my gosh. Well, hey, everybody, we end every episode with our mantra and it means different things every single day, honestly. And it goes like this, to stay well so you can do well. We'll see you back here on Monday. Camely Jennings, enjoy your weekend, my love. Thank you. Bye. Bye.


They said it was a drought at the time of Moses and continued year after year to the degree that people couldn't even go out to the to pray in congregation and people were suffering and famine started to appear due to the drought.  Let's go out and do the prayer for rain. That may the rain comes and we are alleviated from our trials and tribulations. So they all went out outside the city skirt into the desert and start praying. And as Moses was praying to forgive us all my Lord sent down the rain of mercy and the people in California we have experienced drought and you know how difficult it could be and so God says I will not send down rain because there's a sinner amongst you who's disobeying me while my prophet is in the same city and Moses said, oh my Lord who is the sinner and he announced it to the community that there's a sinner amongst us And that's why rain is not coming down So Everybody is standing there and the sinner realized this he is the reason why rain is not coming down So Moses saying oh my Lord show me this sinner I want to know who this is that we are all suffering because of him for years and the sinners He does something really amazing. See he can't run. He can't hide He's stuck there, but he can't even pray by saying something because everybody would hear him He can't raise it his hand in prayer. He can't move. He doesn't want to be recognized and be humiliated What does he do? he simply goes to the depth of his soul and Praise in that moment. It says oh my Lord, please do not humiliate me in front of these people Please save my dignity. I promise I will change I will not be a sinner anymore and as he prays Moses is saying show me this man who is this man that we are deprived from the reign of mercy and The tears that start to drop from this man the sinners eyes into his cheeks and into his beard and as Moses is saying I want to see who this man is They see clouds coming from all four corners as though they are rushing for a race And they come and rain started to drop and one of the great commentators said before The tear of this sinner hit the ground the entire earth was wet from the reign of mercy From the reign of mercy and Moses said oh my Lord you said that there's a sinner You're not gonna send down rain. What happened and he said oh Moses My servant made up with me my servant. He made up with me and then he said Can you show me who this man is? I wonder who he is and God said to him He said oh Moses we didn't unveil him when he was disobeying us Do you think I'm gonna unveil him now that he became my friend and That is the power of prayer that it changes it bring cosmic shifts to the heavens and the earth That is the power of prayer But the prayer has to be done from the depth of the heart with from the depth of your soul And it doesn't need eloquence. It doesn't need grammar. It needs the grammar of the heart


The Storybook Scenes class in colored pencil is an intermediate mini class over at art-classes.com. In this course you'll learn how to do five different Storybook Scenes. With really simple shapes, you'll learn some principles for shading and some techniques for coloring. Since it is an intermediate class, there's an assumption that you've taken the color pencil jumpstart class or have equivalent experience in basic application of color and blending. The five scenes in the class are ones that you can use with stamped images after you learn how to do them with just a blank piece of paper. So this class does require having a little bravery to start with blank paper and draw your own scenes in very, very simple and accessible ways. The supplies are all listed in the free pre-class lesson. The class is taught with polychromos pencils, but you can use any brand you wish and you can use any colors. Notice that the colors shown in these samples are all kinds of wacky ones, so bring your imagination and your fun colors to class and learn how to color these great scenes. Click on the link in the description or the link on the screen to go to the class and see more information about it. I hope to see you in class very soon.


Thank you very much and good evening colleagues. The Central Committee of the Patriotic Prefront made today to discuss a number of issues by talk on the agenda of the adoption of a candidate for the Kavata Constituents by Election scheduled for 20 January 2022 as announced by ECZ. The meeting was chaired by a panel of a given commander who is now the party's acting president during the transition period as the party awaits the election of the new party president at the next Central Committee, the General Conference. We received before applications and we were very grateful to the colleagues who showed interest in retaining or bringing back the Kavata seat to the Patriotic Prefront. Those who contested, those who applied, were one lady, Mrs. Nadechevo Sinyama, Mr. Gavilo Tibomwe, Mr. Patrick Muapwe and Mr. Clement Tambo. After long deliberations and consideration by the Central Committee, as we honor, there is just one position. So after long deliberations, the party Central Committee has elected to adopt Mr. Clement Tambo as the Patriotic Prefront candidate for the Kavata by Election. The Central Committee is confident that Mr. Tambo is the right candidate for Kavata Constituents because not only is he popular with the grassroots, but he has been a necessary and competent party steward on the ground and we believe that he is going to represent the people of Kavata very effectively and very well as a member of parliament. The Central Committee is going to incorporate and work with all aspiring candidates in the campaign so that they can play a role because each one of these candidates, they are bringing unique competencies which will ensure that we win the Kavata by Election with a landslide. The Central Committee has failed and gone ahead to appoint Honourable binoculars Mr. Rafa Naga Jinda as the Party's campaign manager in Kavata and he will be assisted by former Deputy Speaker Honourable Mimbamalama to ensure that the program goes according to plan. We wish to thank everybody who has participated. We want to thank the districts and the Constituents Committee for doing a thorough job for ensuring that they scrutinize our plans and our candidates and that we call them as well to be part and parcel of the process today and in our midst. This is the new way of doing things in the Patronist Front. It's part of the rebranding process where we do not just sit in a corner as Central Committee but call the candidates, call the other party structure so that they are part and parcel of the process. As Patronist Front, we pledge to conduct peaceful campaigns. I should repeat this. As Patronist Front, we pledge to conduct peaceful campaigns, divide over any form of violence, insults, malice or intimidation and we pray and hope that our opponents will surely follow the same route. I pledge in the Patronist Front, compliments of the season and wishing everybody present here today was blessings. Thank you very much. But we apologize for all the wrongs that we might have done. We come to you with the spirit of humility. Trust in us that this time around you can trust as to rank and what are your stories. Today there are so many activities that are going on. You are the witnesses to ask the patriotic front. You know what is going on? The bills, fees and so many other things that are coming up. We just want to appeal to you, especially the mothers, the most recent activities that happened. I'm crying because I was raised by a marketeer myself and I know what is going on for those that have been chased from the streets. I know what is happening to you. We want to come to you and say the patriotic front in as much as we might have failed, we really would have loved to take care of you, especially those people that are trading in the streets. We also want to speak to our civil servants. We want to speak to the marketeers and kawata construers, the taxi and bus drivers. We want to speak to the church because the church is the one that has the custodian of the large masses of people in the market. I repeat, we are coming out as a different team. For those that may not speak English now, wafiajwaesu, inne, la cha kwae wa tiawa nkwa si shewariwa markete, have hope that your children also can be raised to become members of parlaments, they can be raised to become presidents of this nation.  Pazimai, nasbamu, ma chaichi, tizu wa mavutu amingari. Ita wiafika optum fagepumana wan, monga inne claimendemi. Naku nidam kawata, sinachokebu, nabari nam kawata, na endapu skulpa tumutu manakadu michi leji.  I'm down on my knees. I'm begging for this vote so that we demonstrate to you that we are rebranding as a party. For all those churches that we have visited, even those that we have not yet visited, we just want to come on board. We want to show you that we are turning away from other activities that we might have done bad in the past. Our colleagues in the UPND have adopted most of the things that made us fail and you are able to see by yourselves all brothers that are going to mime and attack some of our members. Watch them nicely and we've said that they are not attacking claimendemi on the team and the PF in Kawata. They are attacking the people of Kawata Constituence. Kawata Constituence is a very civilized constituence and we pray that the people be able to vote based on marriage. We want to represent you well. We know that Kawata has got five votes. Part of it is very much developed.  We trust you. We are coming to God bless you.


Okay, so let's get started for the last lecture. Thank you. There are many excellent review articles on this subject. Here's a collection of notes, actually a book now that you might find useful. So let's just recall where we were at the end of my previous lecture. So the kinematic data for n-particle massless scattering is equivalent to a collection of n-ordered points p3. And one way to think about this is as an n by 4 matrix where you have n columns and 4 rows, and each column consists of the 4 component homogeneous coordinate of some point in p3. Now while you can do this for any massless quantum field theory, something very special happens in particular quantum field theories, in particular n equals 4 super Yang-Mills theory. There is a surprising symmetry called dual conformal invariance, and this amounts to a symmetry that acts on this matrix via left multiplication by, acts via left multiplication by GL4, let me say on the Z matrix. This is a highly non-trivial symmetry. When you work backwards, so what it means is that if you calculate any scattering amplitude as a function of the kinematic data, it has to be invariant under multiplying this n by 4 matrix by any 4 by 4 GL4C matrix. When you translate back to ask what that implies in the other sets of variables that we've considered, it amounts to, remember we defined these dual momenta that I called x, where pI was xi minus xi plus 1. Dual conformal transformations amount to conformal transformations in x space. So I'll just write it here, conformal transformations x space. Notice it's well known that n equals 4 super Yang-Mills theory is an exact conformal field theory, but this is not the ordinary conformal symmetry in position space. Even though these have been given historically the somewhat confusing name x, these are not position space variables. These are more naturally thought of as momentum space variables. In a sense, this dual conformal symmetry is conformal symmetry in momentum space. So what this means is that it's convenient to introduce a notation where we let ABCD be permanent of ZA, ZB, ZC, ZD. So you just take these four component objects, put them together into a 4 by 4 matrix, and calculate the determinant, and that's what this notation will indicate. So under any GL4 transformation, these things will always transform by an overall factor, namely the determinant of that matrix. Now these Zs themselves are only homogeneous coordinates on P3. So these must always appear in combinations like, you know, I'm going to make up something here, ABCD, EFGH over ABGH. Okay, so you can never have one of these things alone in any formula for scattering amplitude because it's not a well-defined variable keeping in mind that these are homogeneous coordinates and you need this to all be invariant under arbitrary projective transformations. So good variables are ratios of this type. So we'll encounter these things throughout the rest of this lecture. And notice that, importantly, if you were to do an arbitrary GL4 transformation on this so that you pull out a factor of the determinant, that will always cancel in these kinds of ratios. Okay, so the main thrust here I just wanted to introduce some notation. Oh, and before I go on, at the end of this lecture we're going to be doing some fun examples where we play games with solving equations involving these kinds of brackets. So it's important to get some kind of geometric intuition for them. So if you go to a patch in projective space, it's essentially R3 plus some pieces of infinity. So you can geometrically think about these points in twister space as if they were points in R3. And then you can use some geometric intuition. So the geometric intuition tells you that A, B, C, D is equal to 0 if and only if the points A, B, C, D lie in a plane. Okay, so if you have any three generic points in R3, generically they will lie in a plane. Now if you add a fourth point it's a non-trivial condition that all four of them lie in a plane and you can think about this as expressing that condition. Yes. It is invertible for generic kinematics. These things might blow up absolutely. So scattering amplitudes are supposed to be complicated analytic functions that have poles and branch cuts. So we do expect scattering amplitudes to have singularities and the study and classification of those singularities is very important. But let's always for these lectures assume we have generic kinematics. Or you can think about it, I mean another way you can think about it if the lines A, B and C, D intersect. Here I'm introducing a new notation. I mean it's implied in that sentence but I'll state it here explicitly. Notation A, B means the line through the points A and B. So you can get a geometric intuition for what these brackets mean and we'll be exploiting that later on in today's lecture. The thing we want to play with are loop amplitudes. So any loop amplitude, if we think about it in terms of Feynman diagrams, schematically any L-loop amplitude can be written as integral where in capital D space-time dimensions over L-loop momenta and then this thing is the sum of all L-loop Feynman diagrams. Now again we hope to never actually have to add up Feynman diagrams and compute them but we know that they exist and we know that you could do this computation for any amplitude you're interested in and if you did do that computation you would add up all your Feynman diagrams and you would get something and this is the thing we're interested in. This is what we call the integrand or let me write the L-loop integrand and importantly it is a rational function and we know that just because you can choose your Feynman rules to be manifestly rational functions. You can have various numerator factors that depend on momenta that typically happens in gauge theory and then you have propagators in the denominator. So it is a rational function of the external kinematic data that would be P1 through Pn and the loop momenta L1 through LL. We're integrating over these loop momenta from minus infinity to infinity in all components but in today's lecture I mean there's a huge body of mathematics about carrying out that integral and we're not going to have time to discuss any of that. What we're going to discuss today are the properties of this thing as a rational function and how to determine it easily, absolutely not and in general it doesn't converge. Alright so I want to do one example in order to motivate how fantastic this momentum-twister notation is. So often we like to compute integrands not by summing Feynman diagrams but by guessing. Here I'll explain computing integrands by educated guessing and a more sophisticated and technically correct word would be called generalized unitarity. This is a method that has been used for decades especially by leading practitioners of the art like Bern-Dixon and Kosovo and we're just going to do an extremely simple example. So let's consider a one-loop four-particle amplitude. So here this gray blob what it means is the sum of all one-loop Feynman diagrams. Now if you're in a complicated theory like n equals 4 super Yang-Mills theory that can be a rather non-trivial sum. There will be several dozen Feynman diagrams contributing to it and each one will be quite a mess. Let's guess this turns out to be true but let's imagine that this sum of Feynman diagrams if you would literally add them all up what if they somehow cancel and collapse into a single scalar integral. So let me finish drawing this and then explain what I mean. It means a constant to be determined. I'll need to define an L here. Okay this picture stands for this Feynman integral. So if you literally translate this scalar Feynman integral as an integral over the loop momentum that's what it means. Okay so let me take a step back and explain the motivation what's going on here. The poor man's version of the generalized unitarity method is simply to say well gosh I really don't want to compute all these Feynman diagrams. Let me try to guess what they could possibly add up to. So what I'm going to do is I'm going to try to solve for this coefficient C and if I get a solution that's good. That doesn't prove that I'm correct but maybe I'm on the right track. The basic idea is let me be a little more sophisticated. We know this thing is a rational function so what I can do is I can make some educated guesses about some relatively simple rational functions that might appear. I could make a list of them. I could take a linear combination of them and try to determine all the coefficients. In this particular example it's kind of trivial because we'll see that in fact you only need one single rational function. In a more complicated example that we'll do in a moment you would have some more complicated amplitude here and you would make a guess. Oh well there are six obvious rational functions I could think of that it might involve. So let me try to guess that it's a rational function of a linear combination of those six and then try to determine the coefficients somehow. And if you find a self-consistent solution you're on a good track. If you find there's no solution then your basis is not big enough or what you thought was a basis was not actually a basis. So the basic idea here is we're going to probe these rational functions by looking at their singularities. So we'll probe this equation and compute C by looking the singularities of both sides as rational functions. So specifically we'll integrate both sides over L. But instead of the physical contour if you were actually wanted to calculate the value of the scattering amplitude you would integrate either side over loop momenta ranging from minus infinity to plus infinity with a particular I epsilon prescription that's absolutely crucial for getting the physics right but I'm not going to do that at all. I'm going to integrate both sides over a completely different contour in the complex plane. I'm going to integrate over a closed contour in the complex, well actually it's in C4 because I'm going to treat each of the four components of L as an independent complex variable and then instead of integrating over the physical contour which is the one that goes mostly along the real axis in all of them I'll integrate over a closed contour around the locus where L squared equals L minus K1 squared equals L minus K1 minus K2 squared equals L plus K4 squared equals 0. In other words basically I want to compute a residue. It's a little fancier than a residue because it's four complex dimensional. If I had two rational functions of a single complex variable Z and I told you I'm going to integrate both sides over a little circle that goes around some point Z naught in the complex plane that's a fancy way of saying I'm going to compute the residue on both sides and compare them. Here I'm just doing essentially the same thing but in a higher complex dimension. Each of these is a ration... So the sum of all Feynman diagrams is some rational function of L and this thing is a rational function of L and what I'm going to do is I'm going to compute the residue on both sides of this equation around the locus where these four are zero because I need four conditions to completely localize my loop integration variables to a point. So that's the logic here. Yes, the locus will be... So let's determine what that point is. So these four equations... Actually it's two points. They're quadratic equations so you get two solutions. These four equations have two solutions and they are given by L1. That means the first solution and L2, the parity conjugate. Okay, let's check that these are solutions. Okay, first of all they have to satisfy L squared equals zero. They have to be null. Both of these are clearly null because I've manifestly written them in a form that's an outer product of two component objects. So thinking about this as a two by two matrix in AA dot indices, yes, the determinant of this is zero. Check. Okay, so we've satisfied the first equation. Now let's look at the second equation, L minus K1. Well, and let's just look at this one for a moment. If we do this, that's obviously also null. So let's do L1 minus K1. This is 1, 2 over 4, 2. I'm going to go ahead and factor this out. It's lambda 1, 1, 2 over 4, 2, lambda 4 tilde minus lambda 1 tilde. That's also null because, again, it factors into an outer product. There's nothing to check. This one is also obviously null. And the same holds for L2, obviously. L minus K4, sorry, L plus K4 is obviously also null for both L1 and L2. So the only non-trivial thing to check is the last one. Let's check L1, L, and I'll do the first solution. The solutions work essentially the same way. So this is 1, 2 over 4, 2, lambda 1, lambda 4 tilde minus lambda 1, lambda 1 tilde minus lambda 2, lambda 2 tilde. This is equal to lambda 1, 1, 2, lambda 4 tilde minus 4, 2, lambda 1 tilde minus 4, 2, lambda 2, lambda 2 tilde. I'm combining this all over the common denominator 4, 2. Now this piece here, you can simplify it with what's called the Scouton identity. Scouton identity says that AB lambda tilde C plus BC lambda tilde A plus CA lambda tilde B equals 0. This identity is true simply because the lambda tildes are two component objects. So if you have any three of them, they can't all be linearly independent. There has to be some linear relation between them. So if I've got lambda tilde A, lambda tilde B, and lambda tilde C, they can't all be linearly independent. There's a linear relation between them and this is the linear relation between them. So you can simplify that with the Scouton identity and this simply becomes 1, 4, lambda 1 minus 4, 2, lambda 2. Everything factors now over 4, 2. And this is again null because here it's written in factored form. Are there any questions about this? So I've hopefully convinced you that this and this are the two solutions of these four equations. They're complex conjugate solutions or parity conjugate. It's the same thing. So remember that in general we think of our lambdas and lambda tildes to be independent complex variables. So this is some point in loop momentum space that's in general nowhere near the physical integration contour. It's way off somewhere else and this is at the complex conjugate point. But what we're going to do is compute the residue of that thing around each of these points. Separately. So first let's compute the residue of the right-hand side. This is a fairly simple calculation. It's 1 over, it's a multi-dimensional residue, so it's 1 over the determinant.  This is a 4 by 4 matrix. I runs from 1 to 4. This runs over the four components of the loop momentum, 0, 1, 2, 3. So you just compute that matrix of partial derivatives as a 4 by 4 matrix and then you evaluate it at the pole. It's a very simple exercise and I'll just quote for you the answer. It's 1 over k1 plus k2 squared k3 plus k4 squared. So the residue on the right-hand side is going to be literally c times this. What about the residue on the left-hand side? We did a similar calculation in my lecture earlier this morning. It's the same idea that goes into the residue calculation of the tree-level BCFW relations, hand side. We have the residue 1, 2, 3, 4 equals... Okay. Now this gray blob means all possible one-loop Feynman diagrams. There are many of them. Clearly, the only Feynman diagrams that are going to contribute to that residue are the ones that have four propagators of the form... Where was my... I was pointing up here. Only Feynman diagrams with this topology, meaning only Feynman diagrams that have this propagator and that propagator and that propagator and that propagator. Only those can possibly contribute to the residue. They just throw all the others away. They don't contribute. And so here you literally get... Again, anytime you have something non-singular, you can pull it right out of your residue. So when I draw this picture, this picture means a product of four tree amplitudes. So when we did BCFW this morning and we calculated the residue, we got a product of two tree amplitudes, one on the left and one on the right. Here we're doing a more complicated, higher-dimensional residue calculation, but the idea is the same. The residue of this is going to give this product of four tree amplitudes times the residue of the remaining propagators here, but that we've already computed as one over ST. Let me quickly assemble everything here. Let's specify a definite helicity configuration. For definiteness, let us look at one loop, one minus two minus three plus four plus. You could make any choice you want, but then we have two possible helicity assignments. I also mentioned this earlier today. Here I should really have a sum over helicities of the internal leg, because if you look at all Feynman diagrams that have this topology of propagators, there are several possible contributions. You could have positive helicity there, negative helicity there, or the reverse. You have to allow all possible helicity configurations. Here, if we've got one minus two minus three plus four plus, and we look at the possible helicity assignments, now remember the three-particle amplitude is special. There are two possible non-vanishing three-particle amplitudes, plus plus minus and plus minus minus. There are only going to be two possible things that we can draw here. Over here in the left-hand column, let's pick minus minus plus for the... Let me just draw it in here. Here we can do minus plus. Let's pick the case where this is negative helicity, and that's positive helicity. Over here we'll do the opposite. Over here we'll do plus minus. These are the two possible diagrams, and now you can fill in all the rest of the helicities because we know the only non-vanishing amplitudes. If this is minus minus, the only way to get a non-zero answer there is a plus. If you have an outgoing plus here, that turns into an incoming minus. Here you have minus minus, so the only possibility is plus minus. Here you have plus plus, so the only possibility is minus plus. Here you can play the same game. Here it's a little bit more complicated because there's some ambiguity. Here I could put plus or minus. In general, you'd have to sum over all possibilities, but I happen to know the only one that gives a non-zero answer, so I'll just quickly... The residue of left-hand side equal to this diagram plus this diagram, evaluated at L1 or L2. Sorry, times 1 over ST, but that's going to cancel out of both sides of the equation. That's right. Yes, thank you. That's a better way of saying it. I have the 1 over ST on both sides of this equation, so now I've determined C. Let's keep in mind it's all of this evaluated L equals L1 or L equals L2. Here's the important point. There are two separate residues. We can do the calculation separately. No one tells us to add them. At the pole L equals L1, and now I need to remind you what that was, at the pole L equals L1 equals this, let's look at... We have one corner that looks like this, 1 minus minus plus, where this is L and this is L minus K1. Now let's remember our formula for the tree-level three-point amplitude. It's the two negative helicity gluons in the numerator cubed, and then it's L minus K1, L, L1. That was our formula for the three-point amplitude with two negative helicity gluons. But this is now zero. It's zero because of this factor in the numerator that the inner product, you see, because the undotted index, this angle bracket denotes the... I remind you 1 comma L means epsilon AB lambda 1 with LA, keeping the other index untouched, if you will. That's very poor notation. But the point is L1 is already equal to lambda 1, so you get a zero. Similarly, on L equals L2, the second diagram vanishes. The two non-vanishing diagrams are the same. So at L equals L1, the second diagram evaluates 1, 2 cubed over 2, 3, 3, 4, 4, 1. So I won't do that exercise on the board for lack of time, but if you take this three-point amplitude, times this three-point amplitude, times this three-point amplitude, times this three-point amplitude, and evaluate it at the solution L equals L1, you'll see that it collapses to this. At L equals L2, the first diagram also evaluates to exactly the same thing. All we can conclude now is that C equals 1, 2 cubed over 2, 3, 3, 1, 4, 4, 1 is consistent. So let me take a step back, and here we're trying to compare two different rational functions. We found that each rational function, I'm sorry, this rational function obviously has precisely two poles at L1 and L2. Then we computed the residue, and on the residue of those two poles, it takes the same value, except for a crucial minus sign, which I'm really suppressing the minus sign here, but it's important. Then I computed the residue of the left-hand side on those two poles, and I got the same value. Had I gotten different values here, then this formula, there's no way it would have worked. There's no way that you can have one rational function that has different residues on two poles be equal to a rational function that has the same residues on two poles. So the conclusion is, unfortunately I still have this on the board, that this is equal to 1, 2 cubed over 2, 3, 3, 4, 4, 1 times this integral, so let me put a time sign, plus possibly terms with zero residue, L equals L1 and L equals L2. I'm comparing two rational functions, and I've only checked two poles. The left-hand side can have plenty of other poles, because who knows what the Feynman diagrams look like. Now here I'm going to invoke a little bit of magic that I'm actually not going to prove it all. These terms vanish in N equals 4 super Yang-Mills theory, but can be non-vanishing in other gauge theories, either with less supersymmetry or with less supersymmetry with various matter contents, pure QCD, whatever. Okay, so now that I've done this kind of calculation the hard way, I definitely have improved that this is correct, but I've given you hopefully some indication as to how these kinds of calculations go and how we approach this kind of problem. Yeah, so the point, oh, but I'm talking about a one-loop amplitude. Yeah, sure. So the statement is that the sum of Feynman diagrams is a complicated rational function, but you can move pieces around and regroup terms, and it's possible to express it just as this single one term. This was originally derived, this formula was actually originally derived by Green and Schwartz decades ago by taking an alpha prime to zero limit of a one-loop string amplitude. But yeah, from the point of view of Feynman diagrams, it's not at all obvious that everything cancels, you know, you can have all kinds of crazy triangles in them and all kinds of stuff, but the supersymmetry, one way to think about it is supersymmetry allows all that to cancel leaving just this. But if you have a non-super symmetric theory or even a less supersymmetric theory, those cancellations will be less exact. Ah, yeah, so you correctly noted that this thing here appearing is exactly the tree-level amplitude. Yeah, that turns out to be a general feature for MHV amplitudes to all loop order. That you could be at 27 loops or whatever, any, and then you wouldn't have a, you wouldn't, if you were at 27 loops, you would not have a residue in C4, you would have a residue in C4 times 27, which is 112, and you calculate the residue and you would always get the overall MHV amplitude times some pure scalar function. So, now that I've done this calculation the hard way, since I only have 10 minutes or so left, that's plenty of time to do it the easy way. And I'll even do a more complicated example. I'll do a five-point example using momentum twister geometry. And it's here that we're going to appeal to intersections of lines and planes, etc. First of all, how to write loop integrals in momentum space. Well, let's look at that example again. Let's observe, so in that example I had defined this leg to be L. A more symmetric way of writing that integral is to switch to these variables where you associate the integration variable not to one edge of your loop diagram but to the face, okay? And when you do that, let's see, let me be consistent here, X2. Remember that momentum P2 is in my notation X2 minus X3. So notationally this is indicated in this diagram. This is the nice thing about planar diagram that every edge is sandwiched between exactly two adjacent regions. So the momentum flowing along this edge is the difference between X2 and X3. That also works for the loop momenta. This propagator here, this propagator is 1 over L minus K1 minus K2 squared or the same thing as 1 over X1 minus X3 squared. How did I get that so quickly? Because this line is the boundary between regions marked by X and X3. So maybe except for an overall factor of 2 pi, this integral here is exactly the same as the integral over there. So now when we transform to twister space or momentum twister space, we need to know what happens to this integral over D4X. And the answer is that you have to introduce two auxiliary points, momentum twister space. So what this means is that integral over points space time translates into integral over lines in P3. That was our twister correspondence that we talked about earlier. How do you specify a line in P3? Well, you can specify two points, B, A, and Z, B, and specify that that means the line going between A and B. Now that's redundant because if you give me any two points A and B, I can slide either one of them along the line and it still describes the same line. So in other words, if you take Z A and Z B and you multiply by any two by two matrix, you'll get new points Z A and Z prime that describe the same line for any GL2 matrix. So we need to mod out by that symmetry and that's what's indicated by this volume factor. Okay, anyway, so that's how you transform the measure into momentum twister space. I dwelled perhaps too long on that because I actually won't use the measure. I'm just interested in discussing rational functions. All right, so this is literally my last half page. Let's consider a five point example. And I guess I mean gray blobs here. Let's calculate. Let's look for the locations of singularities where these four propagators are on shell. So the idea is exactly identical to the previous example we did except now I have a five point amplitude. And instead of using L, L minus K1, L minus K1 minus K2 and L plus K4 plus K5, we want to do this everything in momentum twister space. Momentum twister space, the propagators are very simple. AB12 equals zero. This is the propagator AB12. How do I know that?  The X point corresponding to this face is the line in twister space between points one and two. This face is AB. That's my loop integration variable. So this line, this propagator goes on shell precisely when this line in twister space and this line in twister space intersect. So once again, putting this propagator on shell is saying that you demand this line and that line to intersect. And I do the others. So here are my four propagators and I need to find all possible solutions. I'm really in my last minute now because I'm just going to write down the two solutions and you'll see how simple it is. When I did this in momentum space, it was actually a little bit of an exercise to check that I was indeed satisfying all of my conditions. Here it's really simple. These equations have two solutions. Suppose here are my five points in twister space. Let's draw the four lines one, two, three, four and five, one. And let me do two copies of this because I'm going to claim there are two solutions. There's some inherent in precision in the blackboard. Okay, now your goal is to... So the problem of finding a way to put all four propagators on shell transforms into momentum twister space as the problem of finding lines that intersect these four given lines. Well here's an easy solution. The line one, three clearly intersects those four other lines. So that's one of my solutions. There's a second somewhat more subtle solution which looks as follows. If you let the blue here be the plane one, two, five and you let the yellow be the plane two, three, four and I'm running out of colors. But if you let this be the intersection of those two planes then clearly way over here, I'm sorry I ran out of space, but inevitably there's going to be, well there can be two different points where this intersection line intersects all those. So the second solution is the line five, one, two intersect two, three, four. This notation means the intersection of that plane with that plane. This was an example meant to indicate that solving these kinds of on-shell problems, these geometry problems where you need to put a collection of propagators on shell, becomes completely trivial or relatively trivial. I mean there are more complicated examples in momentum twister space. And so you can use these kinds of methods. So let me just write the final formula. Product of four tree amplitudes vanishes on one, on the second solution, but not the first. We saw a similar phenomenon in our study of the four point case. So this suggests that an appropriate rational function to use in constructing the amplitude is, and here's my very, very last formula. You've got the propagators downstairs and we need something upstairs in the numerator that will cancel one of those residues so it doesn't appear. So we can explicitly put a factor like this in the denominator. That's a factor that vanishes when the line AB intersects that line. And then that's almost correct. There's a little bit more here that you can only guess because you needed to have the right scaling, two, four, five, one. So this is required to give correct projective scaling. And then we have this integral d4zA d4zB over vol gl2. So here with almost no work, we've computed the integrand for a five particle one loop amplitude. And I haven't specified the helicities. There's one particular helicity assignment for which this is the correct answer and there's another helicity assignment for which it's the conjugate answer. But anyway, just to conclude, I hope I've given you some flavor of how these momentum twister variables really help to expose a lot of the geometry of n equals four super Yang-Mills theory. Most of the material in my first three lectures has been fairly generic to massless gauge theories. But these tools that have been pushed really, really far are quite special to n equals four which has the most mathematical structure. Okay, so thank you for your attention.


Bradford City vs. Galar United, 7th against 4th, just two points between these two sides. Galar looking to get closer to Northampton Town in 3rd from start tonight, 4 points to him there. Bradford City only in the playoff places on Goldifries, looking to consolidate that spot. Bradford City coming off the back of that minimum draw of Wimbledon. Galar with 4th side of the tune of hope, he's got the counter, quick top. Turned back towards goal, it's unconvincing from Bradford City, but just about good enough. And they're forcing. A tale of two strikers tonight, and the cook of Bradford City's got 13 in the week this season. Tennis of Galar with 40, keeping out 4th, taking a pass between lines. And a chance for Galar to build by Noxham. And then a really awkward cross. Didn't quite get the final touch, but signs for Galar United. Impressive away from home for much of this season, ball coming into this one. 4 wins from 5, I'm beating that one. And City, I'm beating 6. Straight tours recently, which have slightly held up their crowd push. Noxham. He looks like an imposing figure of cook. Isn't quite the physical tussle, eventually loses it. Now Bradford City can pile forward, foul from Moxham. Could be a card as well. Crossfield. And they're nodding down. And they're for Galar United. Not much defending to do so far. Bradford City. Crossfield. And nodding down. He did a good save from Lewis. Taking as many points away as at home this season. But it hasn't quite been the fortress they might want it to be. A good slide and challenge from Smallwood. Allwoods. No touch at the final post. At the far post. Newt it appeals for a penalty from Galar. Any one of us can feel low. Our thoughts can get us down. We can also feel worried about family and friends. But you don't need to struggle on your own. A helping hand is at the end of the phone, or keyboard, every day of the year.  Two in his two, one nil back in December. The Huntington's goal, the difference. But if motivation tonight will keep the soul of that, with the chance to go second, we've got work to do up here against Cook, who's managed to get through. And still, what a run from Andy Cook. Didn't quite get the goal to show for it. He made mincemeat out of Barclay. One more defence from Galar. You might have to do just enough. Like it was coming into tonight, Galar. Just two points clear of Barrow in eight, but just outside the glove places. Without giving there, Bradford can build. Fast everybody, eventually goes down. Looks like it would have been a very soft penalty if they hadn't been given. Surrounded here, Andy Cook, and Galar United defenders, and yet still nearly worked his way through. And then the chance, deflected off the bar. So close to the open up. Who else but Cook? Still there for them. Goodness me, Galar. They've had some defending to do. Back in it comes from Halliday. Clean sheet tonight. They've definitely earned it. And goal might well decide this out of the way. A real series of collisions in midfield, and now it's gone. The work his way through. Wins a free kick right on the edge. Purposeful run, right through the heart of the Bradford City defence. Moxham! And it's over to the relief of Valley Parade. A vast, vast majority of those in it to be clear.  Cook takes the save. Some good positions, Andy Cook tonight. Hasn't quite got his reward yet. Both sides and beaten runs go on. They'll be both of them frustrated, you sense? Bradford City. Pritchlow-Noble. That's it, why? More than a good one. Pritchlow-Noble's managed to win it back, though. Now the cross comes in, and flick just over. Once again, the Bantams pushing. This time a substitute for Dean Oliver. Instead, Bradford City knows, and either side is settling for a point. It's making for a great finish here. And that is deliberate, late and cynical. And the yellow card is straight out. That is the most professional or professional fouls from Arma. Necessarily a good one. Stop the attacker everywhere you could. Come on by Bradford. Ficked on. And the chance deflected into the gloves of Holy. That is a little bit of luck for Karl Arma to get the late winner. Now the chance so close off the post from Gibson. The substitute nearly wins it with seconds left. And that will be that. It's a point and a clean sheet for both sides. But both will feel like they had the chances to win the game. Karl Arma United missed the chance to go second. Had this gone in from Gibson, they would have gone second. As it is to fourth straight draw for Bradford City to frustrate their playoff push. Back-to-back stalemates for Karl Arma United. And for these sides right in the promotion mix.


Pump problem and operator problem. Let's find out. What's going on here, Tom? I can't get this fricking pump started. We'll get it started. Let's square away this pump site first. Copy that. Okay, so as you can see we've got the pump site squared away. The pump site is level. The pump's not vibrating. It's trying to slide into the creek. We've got our hazmat issue resolved with the containment berm and the absorbent pad. Fuel can located properly away from the exhaust. Foot valves on a shovel. Keep dirt out of the pump head. Pump's set up according to the instructions in the kit. Everything looks good to go. Let's get this thing running. All right. Well, before we start it up, something I find useful is I like to start at the foot valve, work my way toward the pull cord, and just double check everything to make sure we're good to go. Okay. So our foot valve has submerged on a clean surface. Looking good. Next, we want to check the draft hose coupling on the suction side of the pump head.  That's good and tight. Now we'll check the priming cap. Same deal there. Lose your prime. That's nice and tight. Now we're just going to prime the pump head. Make sure it's good to go. It's already got water to it. Let me go to start this thing. So you want to stroke this thing until water comes squirting out of the handle area. That should be good to go. As quick as possible, you want to uncouple this and couple your hose leg. Now this is a pressure fitting. It doesn't have to be gorilla tight. Hand tight will work. So now I'm just going to verify that the fuel line, the fuel inlet block is good and tight.  So I'm going to make sure the ignition switch is up, on. I'm going to make sure the reset rod is in and now I'm going to prime the carburetor. So I'm going to squeeze this primer bulb until I see the fuel in this hose just reach the bottom of the carburetor and I'm good. So now that's primed. We know we got fuel. Does that fuel vent open? Yes, it is. Okay, cool. Is that fuel can lid tight? Yeah, that's tight. Okay, Tom, it's pretty cold. We should probably choke this thing. Okay. What's the choke do? Choke just increases the amount of fuel entering the engine to get enough liquid fuel to create enough vapor for ignition. And you normally do that when it's cold or hasn't been run in a long time? Yeah, cold starts only pretty much. Okay, and what's next? Put it in the warm-up start position? Yeah, now you just want to get a firm grasp on that thing and pull that cord. Okay, now that wanted to go. It did. We could open the choke at that point, but we can open it now. Okay. And tug it another couple of times. It should fire right up. Okay, so I'm disengaging the choke. Yep. We've heard the pop. Yep. You can go to full throttle. Hey, Tom, we just lost the water show. What's going on? I don't know, dude. It just revved up super high, about blew my ears out, and here we are now. Okay, so we had an over-speeding situation. Right. Huh. Well, I know that the reset rod is designed to pop out when that occurs. Okay. Thus killing the engine, so let's see if that reset rod's popped out. So why did that thing pop out? Well, the pump was over-speeding. It's designed to push water under a load when there's no load on the engine. It spins too fast. The air veins and the cooling fins pop the reset rod out. So what are you saying? I think we lost the prime somehow. Okay, so we need to check and see if everything's tight. You bet. So see our foot valve's still in the water. That's still tight. Oh. I think our priming cap rattled loose while you were napping. We're going to just verify we still have our water in the pump head here. Yeah, it's not dribbling out like it should, so we're going to go ahead and reprime the pump head. Hey, where are your earplugs, Tom? Oh, we'll find where earplugs so I get all dizzy and stuff. Well, it's PPE. The kit comes with like 12 pairs. Let's go ahead and put some in. All right, copy. Okay, Tom, I think we got that problem solved. Let's go ahead and try to start it again. All right, sounds good. What the hell, dude? Dude, you got that thing on choke? Yeah. No, dude, it was just running. It's warm already. We don't need to choke it now. But I think we've flooded at this point, so we need to correct it. Okay, so we need to... There's some sort of deflighting procedure we need to go through. Yeah, why don't you go ahead and disconnect the fuel line. I'll take the spark plug out. As long as we've got the spark plug out, we might as well check for spark. Make sure that's not our problem. I've reconnected it to the boot and the plug body is grounded to the pump head. Tom, you want to pull that starter cord a couple of times and I'll observe the gap here for the spark? I'd love to. We got good spark. Next, we need to take the cylinder drain plug out. It's located on the bottom of the crankcase. Oh, there it is. That bad boy. Okay. It's kind of hard to get onto. That's a copper gasket, Tom. It seals the bottom of the crankcase. You need to make sure you don't lose it when you're taking it out. You need to make sure it goes back in. Okay, now that I got this out, what's next? Well, fuel line's disconnected. We've removed the fuel from the situation. Now we're just going to air out the cylinder. We need to put the choke and throttle in full run-run position. Okay, so the choke's going to be back. The throttle's going to be all the way open. Roger. Okay, and I'll just pull on it. All that extra fuel will come out of the bottom. You bet. We're just drying out the inside of the car. How many times do I pull on this thing, man? Ah, 12, 15. This is being safe.  Oh, yeah. Okay. Should be unfluttered. Let's put the spark plug back in and the cylinder drain plug back in. All right. That's tight, dude. Okay, let's hook that fuel line back up. Well, she's hooked up, captain. Okay, Tom, let's leave it in the run-run position with the throttle and choke. Okay. And let's give it a couple pulls, see what it does. Copy that. Okay. So now we've tried that. We know it's not flooding anymore. Now we know we don't have enough fuel. Okay. So let's go ahead and move the throttle level to start warm-up. Yep. And go ahead and give it a choke. Okay. And give it a couple pulls. Okay. Right there. Now we know we're good. Choke off and give it another pull. Okay, so there's no more line at the start for the winner. Sweet. So remember, Mark III pumps are highly reliable if you understand how to use them. Keep going. Seriously? No.


My name is Jonathan Blum, and I'm a painter, a portrait painter, and I do print making, especially model prints, and I'm in Park Slope, Brooklyn, I have a storefront here. I've been painting forehead portraits, essentially, since I was like, since 1985, and so more important than my medium, which has been basically all over the place, is basically my subject matter has been pretty consistent. And now I'm doing a lot of oil on monoprint collage. So a monoprint is essentially a one-off print, and what it is, is I paint on glass, I put the paper on top of the glass, or in my case a lot of times it's collage, I'm painting on collage, and then putting the paper on top, and then putting it through my press, and then I put it through, and then the imprint comes out. You get the line quality of a print, but the originality of a painting or drawing. So that's actually what I'm doing, and I love them because you never know what you're going to get. I've been in Park Slope for about, since 1999, and I think the reason why I'm able to make a living in Brooklyn is my storefront studio space. I mean, I get a lot of commissions, people see my work, and like, tourists, now there's a lot of tourists in Park Slope on Fifth Avenue. The problem, of course, is being interrupted, and a lot of kids after school, I want to come in and see my work. It's okay, because people see my work, and I don't mind. I have a lot of kids like my work, and now I'm addicted to the storefront. I love having it, and the reason why I live on my work is because I have a window that's 24 or 7 to the street.


Turkey's defense minister and intelligence chief met the Syrian counterparts in Moscow on Wednesday, in a clear side of normalization between Ankara and Damascus in the decade-long Syrian war.  The Turkish defense ministry said, Syrian crisis, refugee issue, and efforts of joint fight against all terror organization on Syrian soil were discussed in the constructive meeting. The ministry statement said, The Turkish, Russian and Syrian sides agreed to continue trilateral meetings. The statement added, Turkish President Ayyip Erdogan this month announced that he proposed to his Russian counterpart Vladimir Putin forming a trilateral mechanism with Russia and Syria to accelerate diplomacy between Ankara and Damascus. He also said he wanted to meet Syria's president Bashar al-Assad. After a deadly bomb attack in Istanbul last month, Erdogan says that Turkey would mount a land operation into northern Syria on targets linked to YPG militia, which Ankara says is a wing of the outlawed Kurdistan Workers' Party PKK.


So we are here with GuangdaHiSo who are you?My name is CaitlinAnd these guys?你們叫什麼名字?Lohen JiaMr. YaMr. YaCaitlinAlright, and here you do LCD display screenYesOnly LCD or AMOLED?LCDLCDSo what do we see here?This is Samsung display這是什麼型號?A10SA10SA10SA10SSoIs the display replacementFor the broken displays in the marketAnd there's all thoseAll these are Samsung displaysAll the different modelsYes, exactlyAndYour company can provide a good priceYeah, good price, good qualityHow good price?How good is the price?Depends on the customer needsWe have like expensive oneCheaper oneBut it depends on what you needWhat's the cheapest one?Cheapest one它是最便宜多少钱?美金Like around 10ish dollarsHow many pieces?1,000?就是起定最低多少It doesn't matterIt doesn't matterSo starts at 10 dollarGo up to 50 or就是範圍就是你的價格範圍是多少?Yeah10 to 2010 to 20For exampleAlrightSo which one is the most expensive one?You have最贵的是哪一个?RightAnd this is for the Samsung什么新产品?One of those Samsung with curvedIt's got the curveThis is theS8S8 PlusS8 PlusI need one of thoseMine is completely destroyedOh really?How long time it takes to install it?就是换的话要多久啊很快就换好了吧We don't do repairWe just putBut the guys who do itThe fast guysThey can do it in 10 minutes一般换要多久换就是他们据维修对 换了维修是最好的所以一般是最好的20分钟吧Yeah within an hour should be fineWithin an hourYeahAlrightAnd here's all theIphone displaysAnd is this the brand?Yeah this is our brandYimizuYimizu yeahAlrightCoolIs it Japanese?No it's ChineseIt sounds likeNo it doesn't sound likeIt's likeI miss you tooLike you knowAh I miss youYeahAlrightCoolAnd then you have the XR12 12 miniYou have the 14 13Yeah we do have the 14 and 13But we didn't show it in hereOLEDYeahSo you do OLEDOLED in cellAlrightOkay and where is your factory?The factory is in the oneAlright


But Snoop was already who Snoop was. Of course he was. When it's summer by Slim, Snoop click with first. Then him and Snoop was tight, tight. Damn. Snoop was the first one that he. He locked in with. He locked in with. I don't know, did they make, they didn't ever make, did they make some music to him? They did the song called at the same time. And my flow again is stopin' now. I took one brim for soldier Slim, it's time to open now. At the same time. Yeah, we on boss talk, one on one, one on one. Yeah, we gon' talk. And Slim was also look mad, funky beat look mad. This man paying us no money right now. I'll wait till you get home, boom, boom, boom.   How long he stay in jail? Man, he was always in and out. Like, he'll come in, do a few years, come out, do a few months, go do a day or two, do a week, come out and then boom, boom, boom. So when they find it that time when no limit finally hit, I told Pete, man, I'm bringing him up here. He was like, man, look.  He know already. He don't have to babysit nobody. Right, but when I finally got Slim up there and him and Pete met, he had never met him. Pete knew of him, but he had never met him. Never met him, but see, Pete and, by the red dude who be with Pete. Yeah. Him and Slim cousins. Okay. You know what I'm saying? So when I finally bought Slim up, him and Pete instantly became close. And when Snoop came down. See, that's all these, these making sense, right? See, and when Snoop came down, Snoop was the first one that he clicked with. I like. Because when we got on the road, Slim and Snoop was the new comers. Yeah, correct. They was the new. By them being the new comers, but Snoop was already who Snoop was. Of course, he was Slim. When he said I'm about Slim, Snoop clicked with first. Them and Snoop was tight, tight. Damn. Snoop was the first one that he. He locked him. We locked him with. I don't know. Did they make, they didn't ever make that. Did they make some music? They did a song called at the same time. In my flow again, it's over now. I took one brim for soldier Slim. It's time to open now. At the same time. Damn. They both came in at the same time. I got it. Oh, you know I'm riding them. You know, I definitely will ride to it. And so did you, did you produce that or somebody else produced that? I think I did. Yeah, I think I did it.


What's going on everybody? Welcome to The Craft Box. My name is Rynardron with Fenner. Today we're back on the Road to 100 series episode 29. I nearly forgot there. I've only just saved the other one. I should know. Episode 29. Today we're doing Ketsenstein's lab. You're using hand movements. My hand movements. Even though they can't even see my hand gestures. I know. It's annoying. Okay, let's go. We're going to enter a den. We're not having change for this. We don't need them. We don't need them. We're too good. This is not actually that good. We're too good for you. We got new spells. I got blades. I got my satyr. Finn got satyr. I got all the blades. And I got... What else did I get? I got spectral blast. That's my new one that I got. So do you want to hop on my mount? Yes. Do you want to mount my mount? Let's talk to Watson. Watson. Watson, where are you? Come hither. It's Shakespeare Day today. That's not. Yeah, it is. Is it really? Let's talk like Shakespearean talk, speaking day. Oh, Brent, you know what? What? We didn't put our Easter skins on for the Pixelmon Easter video. You mean the one that we didn't record? Yeah. But Antic Day's tomorrow. Yeah, it is. So we're going to have to wear our Antic ones and record the Pixelmon. We're good, yeah. Wow. Take this turnkey and go forth. There is a metal man known as Firegut who has some sway on these rooftops. Maybe he knows the right combination. Okay, let's go to Firegut. I'm not even going to mark this place just because... It's easy to get back to. Let's go through. Thank you. Easy to get back to. Let's go to Firegut. So yeah, we got... I got spectral blast, which does like damage and either ice storm or fire. So that's why I got... This way, I always lose. And we got satyr. And Finn got satyr, which is an OP heal that he uses for the rest of the walkthrough. Yeah. Basically the only spell he will ever use. Yeah. Just kidding, it's not, but it should be. Yeah, but most of it... Most of it, he will use it, yeah. Yeah. Yeah. Have we talked about the mist, bros? No, not this. No, we haven't. Okay. Do you want to? No, let's do it. Anyway, hi guys. Welcome, my name's Finn. Hey, Finn. The flames will consume you in defeat, little one. I need it. I like how I'm going first and I'm hitting. Oh well. Really, you should go first. You can go first from now on, if you want. Just give it a try. I got Faint as well, by the way, guys. Faint's OP. Maybe you actually might need me. Nah, yeah, we're good. We're good, James. So, yeah, you were talking anyway, sorry. Oh, anyway, so we've got a new series coming out. It may or may not be after some other series that may be created that brings giving a teaser on with his recordings. When? Oh yeah, that one. Pirate 101 is a teaser for what's coming out. So, after we've done this series, we've gotten to level 100, completed the story. What we're doing is we're going to be doing... What are we doing? You just used my faint. Damn it, Finn. Um, we will be... We will be doing a Pirate 101 series, which is pretty much the same as this. Spoilers, gee, oh my god. Since when? I never knew about this. Just child.  Please go watch those videos, they're great. Oh, okay. There's only one, though. Yeah, more to be edited. More to be edited. Hopefully, possibly. Yeah, I've been a bit slack, a bit busy. We're really busy, though. Also forgot that I had things to edit. Yeah. I thought I'd done it all. Yeah. But I haven't, oh well. It's too long. Oh well, never mind. So, um, that's coming up. Yeah. So, looking forward to that, that's Pirate 101. You're excited. Also, also, after that series, we don't know how long we're going to go for. How many little serums is there in Pirate 101? 65 at the moment, but they're bringing out a new update in summer, 2016, which is this year. If you're watching. Which is our winter. Which is our winter. In their summer.  No offense against Americans. Oh, he's going to hurt me. No, me. Oh, not as you. It's a pretty cool hit. It's decent damage. Yeah. So yeah, we're going to be going there. That's going to come out. Leprechaun! And once we get to the highest level possible, slash complete the storyline. Yeah. We're going to be coming out with Myth Bros. Yeah, Myth Bros. Which is when we're both myth.  We see the whole thing we've just done then, but with myth and there's going to be a lot more gets. Do a serif. Oh, no, I'm going to do a seder. No, do a serif. You're doing it on me, because I haven't seen it yet. Do a serif on that menu. Just trials. Next. I'm doing work. Next. I've bladed you. I did my work. Boom. Oh my God. It's cool. I know, right? He's so cool. He does a rainbow backflip and heals me. I know. That's cool.  What? The amount of fricking crowns you're going to have to use, changing your colors. Because we're going to try and keep to, if you guys didn't know, Let's meet in that Shush Nintendo Mario and Luigi. What? Oh, since when? But instead of red and what? Red and green. Red and green we're going different, and we're going to be yellow and blue. Yeah, so what about primary... Then it's going to be yellow, and I'm going to be the blue. Primary yellow, and then the trim is going to be blue, gonna be primary blue with the tree being yellow I prefer the blue and yellow and you can have yellow and blue but my house is my house is blue I want to be blue no I want to be blue shut up Luigi I'm allowed to be blue you're Luigi are you being racist good I do you did because I'm not gonna do any damage I want to do spectral blast but I'm afraid I'm gonna get ice and he's got a two shields for ice and it's gonna do no damage no money me right now no money boom got him oh god that was okay very little damage that was pretty good got him down a lot four peps is so long to wait for like honestly let's just do this instead and just in this right now the locus blasted the locus swarms for days 420 locusts remember when it still is an opa yet not really yeah 40 blade wow oh no what's this I haven't seen this before it's a lava shark it's attacking me I think it's like a storm shark oh no it is you except mutated to be lava or fire it's a decent amount of damage it does yeah and they had no boosts are you attacking or am I attacking I'll take them yes now it's now pranks so that's teenage years it's gonna become really moody and depressed and hating myself yeah sure are you gonna finish them I can't this round the next room I have shit pips that are killing yeah do it do it do it do it good good on ya get that double boost as well yeah is it do I think it yes anyone wrecked him now well I got a new get nice I got a new I saw me fire one on city fun with it what you must good money good money good money and it's talk to Watson again what's open mock door I forgot the combination oh well just use a teleporter a Ronie and he pay Ronie this way I'm so ready to get on my mount mount now yeah stop moving so now I can go oh shit I forgot the thing oh it's here son bird tree bug son oh that's right this one that's like weird son bird tree tree bug yeah live a lot my god so many moneys oh didn't lock the other gate that's a shame I must talk to what's another gate with a combination hmm it looks like our only choice is to revisit those clockworks I'm sure if you defeat you'll get so many dungeons I know you know what I hate about this dungeon to what is that this so far away from each other I know if we had like dungeons that were really close to each other it'd be so much more fun it would be but we don't yeah well we nearly finished from Malibu though yeah two more episodes I think then we go to Wisteria and we'll do the spiral cup we'll compete for a cup and we'll win spoilers doesn't learn that we won anywhere yet we automatically won you know oh no we won because we're cool we'll be we win because we're the coolest there fuck from place if the police going I'm gonna have to bleep everything out now I think I think I might just start bleeping but we're not a PG show we should be it's 16 it's R16 R16 R20 it's R13 balance and life oh I'm going in I'm in why are you going I don't know I'm so used to it because I've been on my life and I always gone first hey friend look at my boots make a compliment compliment them I really like your boots they bring out the green and your outfit and it's because I got them from that that those those packs oh yeah with the motorbike and you didn't get the motorbike well that's rude isn't it yeah I've done the same don't hit the boss because I put a faint on okay will not flippin flippin minus accuracy like gonna fizzle this I'm gonna put it on the thing as well but I'm gonna come combat that minus eight by giving you a plus 40 don't hit anyone I've put things on both of them okay here you go what I'll do is I'll do a to rude same storm next but I just need a blade I think and it will be pretty okay if I can find a blade I'm just gonna what if I put another towel shield on you really be fine minus 500 100 no they don't stick that is so cool though if they stacked it would be but okay they only stick if they're different so if you enchanted that with bolstered ward which gives them minus extra minus 10% I know remember when that was okay and killed you in one shot they killed all of us in one shot I don't remember dying to a sunbird it happened probably I probably was me more than you but it happened oh by the way James is behind us yeah still do I hit no I don't know you can yeah sure hit the um okay then do it summon your little fairy person I'm sending in the Dorotta stand storm oh pee yeah no because I'm balance and so is he you know it's gonna suck Brent the myth but bros when we're both myth and we have to go to a myth area well at least they have prisms balance don't have prisms it's not memes it's very sad the forest sprite is in Brent he's coming to help he's coming in to help he's coming in to help okay hit the balance dude once smack him one hit him in the face yeah I really love my new wand you need to take a moment just to appreciate how cool the part of cool effects look I like your one on your life my yeah give it give it a me I can't sorry you should go to Everlon first and get one yourself can you actually give one yeah but as a request no you have to buy one no you just um it's a drop oh use your names we're all attacking the clanker the clankiest clanker I fizzled if everyone fizzled that would be embarrassing what I'm gonna do is I'm gonna do my new three used lippercorns it wasn't very effective it only did 56 damage names names names sweet memes my children oh it wasn't very effective it could have been more effective could have been more damaged could have done more damage how assemble how's it like a life thing hmm how's it a life what the tree no the sprite the the the clanker oh storm you know why you know I should be balanced yeah I think or storm like it's mechanical bird sun no tree sun bird bug tree sun bird bug here we go I got it oh hello tree sun bird bug yeah do you like my rap it's goes tree some bird bat bat I said but tree some bird bat bird some tree bug good my god let's get throwing open that door and fine dude don't do that had please don't miss the sun ah stop it James you're such a What's your past? Sun. Tree. Tree. No, wait, you've already done tree. No, no, I haven't. It's tree, sun, bird, bug. Bug. I did wrong. Oh, turn them all off. It's even here. How could you fail? I did bird, sun, tree, bug. Tree? No. Do it. Am I doing it? Yeah, you're doing it. I didn't trust me anymore. Tree. Sun. Bird. Bird.  Yay, thank you. Took you a while. Do you want to hop on my ride? Yes, please. Get on. Go. Yay, let's zoom away. What was the first dual mountain? Green? I'm not sure. There was a whale that was three person. And it was, like, huge. It was. There still is. There still is. You can't get on the crunch up, I don't think.  But people still have it, I think. I think. I want a whale. It was pretty huge. It would be a whale at the time if we had a whale. Plans for days. Where are we going this way? I always hate this, because, like, the arrow always glitches out. Sometimes. Like, sends you the wrong way. I'm not sure if this is the one where we need to turn off the chimneys. There's one where you need to turn off chimneys, and I think we've already done it, but I'm not sure. Is it boring? No, we just need to go around. Yep, this is one where we turn off chimneys. Hi, yay. Fun. It's a chimney. One of five. There's one over here. Is she going to turn it off on the way? Yeah, you have to. Well, actually, you can do it afterwards, but it's easier to do it this way. I think there's one up here. There's one behind you, brother. Yeah, no. I'll get that at the end. Two, three, four, five, two more. I always forget where the last two are. There's one here. Oh, sweet. Four. They put these so close together. What was the jump animation on us? Not very good. I so nearly got pulled, yeah. Yeah, I know. And if you got pulled, you both would have been pulled. Yeah. Sometimes I can make it where only the person riding gets, the person who's hitching a ride gets pulled. That's fun.  It would be, and it does every time. I rage quit sometimes. I'm like, I want to be in that battle as well. And then I'm like, well, I'm not first. So why should I? Why are you already here? Oh, wait. No, you are already here. I've got ze brains and ze brawn. You stand no chance. I've got ze brains and ze brawn. You stand no chance. You're going first again. I was on the mount first, OK? I should have just mounted. There's a James. What? A wild James appears. Oh, this can come in handy. You can actually be helpful. My shields are actually helpful. You can actually be smart now. But in this case now, because James is hitting, it's fine. You're not hitting? You're not hitting. So why are you here? Oh, I got a other faint. So many status only. I'll hit. I'll hit. I'll hit. No one hit and I'll kill. OK. Ripper only pass. I'm just fainting it. Ripper only pass. No one hit. I want to see if I can kill them all. You can, easily. Easily. Why are you questioning yourself? It's easy. Like if you don't... That was a cool casting animation. Hmm, it is. Who was it? Honesty is natural attack. The cat guy. The cat guy? The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. The cat guy. It did max. It did max. You have a chance of doing ten, like a hundred or a thousand, and critical doubles it, so, yeah. What are we doing? What are we doing? What are we doing? What are we doing? Hakuna Matata. Don't summon the mood. And you know I've got a minion in there already. James, what are you doing? What am I doing? Oh, I'm not doing anything. I'm doing this. I'm passing for now. What are you killing with? Oh my god, he used some liquid one. I didn't know. Names. What are names, Ted? Did you see that defense, James? It makes your fricking... Your convert irrelevant. No, it doesn't. It doesn't at all. Because the convert was put on me for the shield. So, it's still storm damage when it hits the shield. I'm about to hit. You're hitting this time? What are you doing? What are you doing? What hit? Storm load. Storm load, do a storm load. I want to see how much damage you can do. Do you have a chance on? Overkill him. Yeah, I'm giving him, like, so many blades. I've only given him two blades. I'm giving myself five blades first. Oh cool. Wow. I wonder what my sprite's going to do. I don't see what it's doing. Can you believe my crit? I used the accuracy to cast an accuracy. That was the first time I've ever seen myself crit. Cool. Oh, look. That's a heal. Oh, it's a heal on her. On James. And it's boosted as well. Yeah. To 507. T.Y. Sometimes James says Y.T. Good, do it. I do you. I do you. I thought smart. Did you see what I did bring? Yeah, I did. I thought smartly, yeah. He's not weak against it though. Because we're not, we're not mobs. Only mobs boost. Oh. Yeah, that's all clever. I did that anyway. Cool. How much damage? Of the boost. That was pretty bad. This one's going to do mass. That's going to do hapes. Fuck, he destroyed it. That was only one point. No. It was 15 points. I watch my master build clockworks. I can do the same for you. We build clockwork, yes. And it'll tell us where the other clockworks went. It's named Blaster. It makes you know all the books by now. We need clockwork parts to build a clockwork. Parts are in crates. Find crates to the center platform. We need to find crates and bring crates to center platform. Do it together. Except I'm doing all the work here. These aren't crates. It looks like you could bridge the gap up to that next rooftop. Why not look for some wooden planks? Why would we want to do that? I don't know. Okay. Wait, are these actually crates? I didn't think these were crates. Yeah, they're not. I want to see what's up there. I've never been up there. I feel adventurous. Where are you? Up here. It's a power lever. Wait, should we get a 3-piston out? They're hard to find. Oh, we're partying this way. Computer power on. Power lever on. Charging lever. On. Charging lever on. Now we talk to him. Gotta get him shrooms. Can we get a literature tutor? No.  He's getting gold just to take him along. Now we are tea is in Big Ben clock tower. Go tell your master what you know. And don't bother grunk no more. You have no master. Be I not have one either. Tower order. Tower order. We're gonna need you now, James. So we're about to end the episode. We'll talk to Watson. And then we'll end the episode. And next time we will do the clock tower. The Big Ben tower. Nearly done with molly bone. How many? How many? Talk to him. That's a lot. I got a level. I got a level. Nice work. Bones must know the full story. I've been informed he's waiting at the museum. At the base of Big Ben. I'm putting it on. Okay. We will talk to Sherlock Bones next time. So thank you for watching. We'll see you next time where we do the clock tower. And yeah. Bye. Bye. Hope you guys enjoyed it. Remember to craft it outside the box.