Good evening, friends. This is your home to welcome you through the creaking door into the inner sanctum. That music you hear is a new little thing dedicated to us. A little number called Baby It's Cold Inside. That's because the characters around here are 20 degrees below normal. Oh speaking of characters, meet our pet ghoul, Gorgie Gorgie. He's straight away from us but he came back because, as Gorgie puts it, there's no place like long. Gorgie was a real successful ghoul, never let any grass grow under his feet. Of course he wasn't always a ghoul, he was quite undecided on a profession. When one day he passed a burial ground and right then and there, Gorgie took a turn for the pair. Tonight's Inner Sanctum Mystery, Image of Death, was written by Ed Adamson and Bob Sloan and stars Barry Kroger and the role of Victor with Gene Allen as Kitty. Before we begin, let me warn you, any similarity between the characters in tonight's tale and those in your nightmares is purely intentional. Okay friend, hang on to your nervous systems. The man stands in the dim-lit room, looking down at the motionless body on the floor.  For another moment he stands there, staring vacantly. Then he walks to the telephone, dials the number and waits. I want to report a murder, you'll find the body at 14 crowns true. I'll be here waiting for you. Me? Right. I'm a man who's been dead five years. The police are on the way now. I sit here and I wait. And I think back over the five years. Back to the night that I, Victor Corday, died. I was in my studio working on the statue. There's a strange emotion that only a sculptor can feel. The acceleration of taking senseless stone and enduing it with life meaning. I was so overwhelmed with the feeling that night, I lost complete track of time and place. I had no idea my wife had come into the studio and was standing behind me. Victor, what? Evelyn, what are you doing up this time of night? I couldn't sleep, I was thinking. The money again? You know, we're almost down to rock bottom. Don't think I told you not to worry about it. I'm not worried anymore. The statue will be finished in a month or two. You don't have to wait until it's finished. What? It'll be so easy, so sure. What are you talking about? Your sister Clara. What's she got to do with it? Her insurance is made out to you. And Clara is a helpless and curable, invalid. Evelyn, I don't understand. How many times has she begged for death since the accident? How many times has she asked us to help her out of her misery? Evelyn, stop this. I've got it all planned. No one would ever find out. Stop it. Kill my sister? Make myself a murderer? She won't feel a thing. It'll be simple and quick. I won't listen to you anymore. You'll do it, Victor. Whether you want to or not. Evelyn, get away from that statue. This will make you do as I say. Oh, months of work. Destroyed. There'll be nothing coming in, Victor. Now you'll have to do exactly as I say. Victor, Victor. How could you do a thing like that? It'll feel good. Let's go, Victor. You're hurting me. Evelyn was limp in my arms. When I let go, she slumped to the floor. I stood over her, wondering what had happened. When I saw the ribbon of blood at my feet, and then the bloody wall hook against which I'd accidentally pushed her. I touched her. I spoke to her, but she was motionless and silent and dead. And that was the night that I died too. I didn't mean to kill Evelyn, but I knew no one would believe me. So I ran away, changed my name to Victor Kahn. I buried myself for five years. I became a gravestone cutter. I used these hands of mine for carving monuments to the dead. And for five years I hid, going nowhere, meeting no one. And then she came along. It was late one afternoon. I was in my shop near the cemetery, finishing work on a black marble headstone. Hello. Victor? I said hello. Who? Who are you? Oh, now don't tell me. Don't remember me. How do you know my name? I know a lot about you. I've been watching you for a long time. Watching me? Why? We could be friends, Victor. You need a friend.  Kitty Regan. You can just call me Kitty. I'm a waitress in a restaurant where you eat once in a while. Wouldn't you like me for a friend? What do you want, really? Oh, you shouldn't be afraid of me. I have no reason to be afraid of anybody. Oh, yes, you have. I can tell. I've watched you. When you're out of this shop, looking around like you were running away or waiting for somebody to catch you. You don't know what you're talking about. And you're always alone. Be afraid to make friends. You don't have to be afraid of me, Victor. Not as long as you give me the money. Why should I give you money? You don't have to. I can go to the police. I can always go to the police. And that's the way it began with Kitty. She couldn't have known what I'd done. She might have thought it was robbery or something like that. But she couldn't have known. It was murder. She drained me of every penny I'd made. But strangely enough, I didn't mind. I actually started to look forward to her visits. And then one day I realized why. Kitty Regan was cheap and low and evil. But I'd fallen in love with her. Well, how do you like that? He says he's in love with me. Don't laugh, Kitty. Please. I want to marry you. Marry me? Well, that's a riot. A crummy character like you. Where's my money? It hasn't been a very good week. I only had one job. Well, whatever it is, hand it over. Kitty, I want to show you how I feel about you. You already showed me. No. This will make you really understand. I'm going to make you a figurine in ivory to be very valuable. Oh, so you think you can make something that's worth a lot of money? You, a great stone cutter. I have talent in these hands of mine. Great talent as a sculptor. Oh, sure.   All right. Well, I'm going to prove it, Kitty. I'm going to prove that I'm somebody you'd be proud to love. I realized the danger in making that ivory figurine for Kitty. You would have my stamp on it. But then Kitty couldn't possibly know its real value. I only did it to prove to her that I was something better than a gravestone cutter. A week after I'd given her the ivory figurine, I went to her apartment. Two half-packed releases were on the studio couch. What's the matter, Victor? What are you looking at? Those bags, Kitty. Where are you going? Oh, all that. I'm moving away from here. This crummy room is getting on my nerves. You're running away from me. Where'd you get that idea from? Kitty, don't ever run away. Because I'm following you wherever you go. I'm not running away. I just rented a new apartment on the other side of town in the Linda Park section. Linda Park? You've got to have money to live over there. Oh, I have some money. Where'd you get it? It's none of your business. Let me finish packing. Kitty, the figurine I made for you is not on the table. What? Where is it? Oh, look, Victor, don't get excited. Where is it? What have you done with it? I sold it. What? I sold it. What's so awful about that? You sold it? You sold my gift to you? I needed more money. You haven't been doing so well lately. And I figured the ivory was worth something. You shouldn't have done that. You bought it, said the carving was pretty good. Oh. You really got talent, Victor. You can become an important guard. Kitty, I don't care about that. I just want you. All right, Victor, then. Then you can have me. You mean that? You really mean that? Well, sure. Yes, as long as you do what I say. How many of those figurines can you make a month? I'll do that. Sure, sure you can, baby. You'll do it for me now, won't you? Kitty, you don't realize what it may mean. There may be death in it for both of us.   Are you? Really? Mm-hmm. You never kissed me, did you? I never kissed you. Welcome here. You'll do what I want, baby, won't you? Oh, Kitty, I'll do anything for you. I knew I shouldn't have done as she asked. But the will to live isn't always as strong as the will to love. I worked day and night until my hands became raw from the mallet and chisel and stone. As time went on, the chances for my own personal safety became less and less. I was working in my shop one night when my dead past came to life. Well, at last we meet, Miss Carlin. He was George Adrien, an art dealer from the West Coast whom I dealt with years ago. Adrien looked at me and sly, secret smile on his lips. So, uh, that's the name you use now, awfully close to Corday, isn't it? I don't know what you're talking about. Corday, I consider it an honor to renew our acquaintance. Now see here, I never saw you before in my life. Oh, stop it, you're just wasting time. You needn't be afraid. I'm not going to expose you.  Undoubtedly, she deserved it. How'd you find me, Adrien? Oh, it was quite by accident.  All of it had the unmistakable stamp of Victor Corday on it. And what do you want? Frankly, I'm one to take advantage of a situation. Then it's money. Exactly. All right. How much? Quite a sum. It's much more than you're able to give me at present. Now being two reasonable men, I'm sure we can work out installments. Adrien had my life in his hands. I had only one defense against him.  He stepped closer to examine the statue. My fingers tightened around the gouge in my hand. Five hundred dollars should be a reasonable amount for the first installment of his life. I stepped in behind him and drove the gouge home deep into his soul. I carried Adrien's body to the cemetery near my shop and buried it in a freshly dug grave. But I had no peace of mind. In a few days, death began to close in on me again. An art critic from a Chicago paper wanted to do an article on me and I couldn't refuse. Kitty kept egging him on and he insisted on seeing every bit of my work including the tombstones I'd made for the dead. The night we went to the cemetery, a heavy rain was falling. I shook with fear as we stopped at the grave where Adrien's body lay just a few inches underneath the surface and the rain kept pouring down, washing the dirt away. Well, this is an interesting piece, Mr. Carlin. It's not really one of my important works, Mr. Rogers, shall we go on? Oh, you mustn't be so modest. This sculpture would be worth a great deal to a gallery. It's pretty that it remains here unseen. Oh, Victor, maybe the owner would sell it back. No, Kitty. I wouldn't think of asking such a thing. I still have other pieces we can sell. Let's go back to the shop, shall we? What are you looking at, Mr. Rogers? The face on this figure. It's uncanny. What do you mean? It's much like the face of a figure I saw in Los Angeles some years ago. It was done by a man named Corday. You ever hear of it? Yes, I've heard of it. Your work is very much like his, especially the face on this figure. The face you see there is Kitty. Oh, still it might pass for the model Corday always used, his wife, Evelyn. You have a great future, Mr. Carlin. Thank you. Now, shall we go? Victor, can I speak to you for a minute? Don't mind me. I'll just walk ahead of this. What is it, Kitty? Why'd you lie to him? That's not my face. I never posed for you. I know that. There's some other woman, isn't there? No, there is. Now that you're making money, you'll spend it on another woman. That old sculptor's wife, Evelyn.  Because her husband killed her. You see what Roger's meant yesterday? You see what a great sculptor I really am, Kitty? Could be that Roger's is dead wrong about you. He knows Roger's is an expert. Expert, my eye. He isn't even an art critic. What? He's a phony. What are you talking about? Roger's. He doesn't work for Chicago paper. That's just a guess. Kitty, how do you know? Oh, I have ways of finding things out. How do you know? Oh, let's go with me, Victor. This is important to me. Let's go. I'll leave it. How did you find out? All right, I'll tell you. Pull up the paper he said he worked for. Yes? I got something invested in this thing, too, you know. And? And? They never heard of him. There's no reason for you to get all hot about it. Don't you understand, Kitty? If he isn't an art critic, why is he posing as one? I don't know. Well, I do know. Only I've got to make sure. What difference does it make? Probably just an agent trying to get a line on your work. An agent for home? The police? I never thought of that. Victor, I know you've been hiding for some reason. You're in some kind of trouble. What kind? Let me alone. Kitty. Yeah?  Stay there until I call. Why? What are you going to do? That's none of your business. You just stay there and wait. I may need you later on. I went to the hotel where Roger's was staying. Climbed down the fire escape to his window. I opened the window carefully. Went into the room. I could hear the water running in the shower. I quickly found out what I wanted to know. The identification was in his pocket. Frank Rogers, Los Angeles Police Department. Suddenly the door to the bath opened and Rogers was standing there in a robe. What are you doing here, Carlin? I knocked Mr. Rogers, but you didn't answer. So I just came on in. Oh, I guess I couldn't hear you from the shower. I, uh, thought I'd locked the door. No. The door was open. Well, I was sure I'd locked it. Well, however, it doesn't make any difference. You're here and that's the important thing. Isn't it? Cordy. Thanks for coming over and sending me the trouble. It's good you didn't try to run away. I'd have gotten you anyway. Quite wrong, Rogers. I have you. I found this gun in your pocket. Put it down, Cordy. You haven't a chance. The shot at this time of the night will bring everybody in a hotel here. Thank you for warning me. Killing me won't help you. I, uh, sent my report to headquarters. It'd be just a matter of time before they catch up with you. Maybe you're right. Sure, I... Cordy, I've already killed one man with this gouge. Put that down, Cordy. Stay where you are. I'll have to do this quietly, Rogers. You warned me. Cordy, don't! I left the hotel. A few blocks away, I went into a drug store and called Kitty. She didn't answer. I went to her apartment. She wasn't home. I waited in the park across the street. I waited and waited. And finally she came home. And with her was there was another man. I wanted to kill them both right then and there. But I was too stunned. I wandered around for hours. And then the thought came to me. I went back to my shop and worked. For the rest of the night I worked in a blind rage. Then this morning Kitty came to see me. Victor. Yes, Kitty? Victor, have you seen the morning paper? No. I've been busy. Rogers been murdered. Has it? He was killed in his hotel room last night. I was right, Kitty. Rogers was from the police. You did it, didn't you, Victor? There. The stone's finished. Answer me. You did it, didn't you? Yes. I could. Why? I had to. But you won't tell on me, will you? What makes you think I won't? Because I'm too valuable to you. I can give you the things you always wanted. A lot of good you are to me now.  We could run away. We could hide. They could never find us. Not on your life. I'm not running away with you from now on. I'm running from you. And I came here to say goodbye. Yes. I had an idea that's why you came. There's somebody else, isn't there? No. You don't have to lie to me. I saw you with him last night. What? I was outside your house last night No. All right. So there is someone else. You're no good to me anymore. No. Kitty. What do you want? Just one more thing. I'll make it snappy. I have a gift for you, Kitty. A parting gift. It'll stay with you long after I'm gone. Gift? What kind of a gift? A figure in black marble. This one? Yes. I worked all night on it. I think it's the most beautiful figure I ever made. It's a tombstone. See here. Your name engraved. May the date. Yes. Today's date. Yes. Kitty. Today. The date of your death. No.  Victor, wait. Just wait. The rest of this gardener will be all over. No, Victor. I won't leave you. I won't ever leave you. But you don't love me. I do. I do. I'll prove it to you. I'll go with you. I'll run away any place you go. You're only saying that because you're afraid to die. No. No. It's because I want to be near you. No, Kitty. Victor, put your arms around me. Put your arms around me. Kitty. I'll show you how much I care. You're just saying. No. No, I'll prove it. Hold me tight. Isn't this nice, Victor, isn't it? Wonderful, Kitty. No. Kiss me. You'll see I name it. Kiss me, Victor. I want to report a murder. You'll find a body at 14 Crown Street. I'll be here waiting for you. I'm a man who's been dead five years. And that finishes our sculptor's model story. Kitty should have known better.   Well, friend, as we say here in the Inner Sanctum, it's all over but the screaming. It's all over.  Armed Forces Radio, sir. The voice of information and education.


Ysgrifenni. Rwy'n meddwl. Fy griffenol ynglyn ar hyn… Ysgrifenni'n meddwl pan rhaid ddim yn Ysgrifenni, ymddwch ymdduniaeth cair. Mae'r ffordd o un o'i gyda'n ymddwn i'r rhannu cymdeithas i'r ysgrifenni ar y Sgrifenni Mae'r Rhaid ddim yn gwneud, ynogi ar y cyf weteniol ac ar y dyfodol, Ar y llogau cair oherwydd yr ysgrifenni, a'r ysgrifenni yn gweithio am ystod yn ymwinech ac a'r bwysig hwnnw'n meddwl gweithio i'r bwysig hwnnw o'r hynny. Mae hwn ymddangos yn y perspektifol o'r bwysig hwnnw a'r bwysig hwnnw i'w meddwl gweithio'r bwysig hwnnw, a'r bwysig hwnnw i'w meddwl gweithio i'r bwysig hwnnw o'r hwrdd yn ysgolodol. Roedden nhw'n rhoi'n gêm ar y ddweud o'r Cardin Ddechrau'r Cyfeiriad Bwysig Hwnnw, the Ordnance Service Britain's National Mapping Agency. They used to depict maps, they used to depict archaeological sites on maps. Third pointer. I like words from that. A map, this point. So this is the hill for chesters and they would select some of the entities and put them on the map. It doesn't work on the screen, does it? Don't see the sign? No. I didn't see that. There you go. So, we used to put monuments on maps. And we still have that row of supplying information to the Ornans survey. It's very much decreased these days. But there's a lot more to the archaeological landscape than monuments. We've got our Crop-March programmes, we've transcribed the archaeological landscape as revealed by Crop-Marchs. There's a series of pit alignments, settlements that are plowed out. This is all the information that we hold in our national monuments record. Mae'r informatio yw hyn yn cael ei bwysig o'r unrhyw ymlaen, oherwydd i mi o Sgo Hoeach. Felly mae'r bwysig i'r newid yw'r ysgolio ar Canmore.  Gallwn maith. Wrth inneb o'r ér bar renewalau jor sailodol oedd ydych chi'n ddweud i'r hanes wedi'i gweithio arall, ac yn dweud i'r iawn, a we'n meddwl o'r swyddfa ddechrau cyhoedd i'r cyflon, ac mae'n amser i ddu i'r cyfnwysgau i'r gweithiau, i'ch gweithio arall, o'r ddychrau ac yn ei cynllun. Mae'r berthynas rhywbeth o'r cyllidechau a'r dynod o'r ddweud yn cwrinol, a'r cyllidechau ar hollau a'r ddechrau o'r ddweud i'r d innwys hyd yn ei gawd yn ymgyrch. Mae'r rhaid am yrddoll-naeth yn ymddangos iawn. Gweithio, mae'r rhaid am ychydig yn rhaid atyllwyr y Llywodraeth iechydig ar gyfer gwaith y Chydigel mae'r bêlig o gyllidau ar gyfer gweithio i fynd, fel y ddweud. Daeth fydd hon i'r maes Tomorrow Shipping yw mewn cychwyn i'r hynod o grwyddiad cym organismol yn ysgrifennid ei wath o'r cyd-radd sceneryf.  Callanwch. Rhaid i erioed yn ysbarchaig ywtteb sydd yn cyfan hynny o'ch hyffredinol o'r gweithgaredd ystafellol. The historic environment sort of is in the protected sites annex but it is not very clear. And there is a lot of wiggle room at launch it to say well my data does not formally protect sites. So we are going to include... We took the view very early on that it is all the historic environmental data and it is managed through other effective and means it is managed through the planning system through the archaeologists so it does have a positive impact. And we work for the aerадцate authority colleagues i gael nhw'n gweineiddu gydag unig ar godi nid ystod. Rydyn ni'n bob edrych cenderfeyddio arill gysylltaeth ydy'r gwaith ar y llyfr, ac mae'n gallu gwneud eich data, gyda newid y fel arnyddion. Rhefyd, mae'n urgylch ar gyllideblu i'r m fretu yn mawr i unig, yn y ddechrau ar gyhoedd hwnnw. Pwedeblu i ni'n gweithio ar hyn o gwydig ydweithiau, ac mae'n gweithio ar gyhoedd hwnnw yn y diolchion mewn gweithio'r gydag. Yn hyn ychydig, mae'n cydweud bod yw'n amlwg beth o bwysig i gael cyfnodol ar gyfer cyfnodol. Felly, ar 1998, rydyn ni wedi'u gael ar gyfer Cymru i'r newid yn ymwneud gan gymrygu. Mae'n bwysig i'r 4th o'r weffyrdd. Mae'r cyfnodol yn cydweithio'r cydweith. Mae'r cydweith yn cydweithio'r cydweith ar gyfer cyfnodol. Mae'r cydweithio'r cydweith yn cydweithio'r cydweithiaid yn cydweithio'r cydweith. geografic searches, a ddim yn cael ei ddwylliant a'r ddweud i'n cael ei ddweud o gwyloedd ar gyfer y llyfr ar y ddweud i'n hynny, ond bynnag o'n gyda'r ddweud i'r ddweud i'r ddweud i'r ddweud i gŵrdau Gordyn Chyllidau y ddweud. Mi'n ddweud o'r gwybod yn fyw cael trwy'r rhwm yn cyflawni'r hwnnw, o'r Llyfr yn y ddweud i'r ddweud i'r edynbarod, ac rydyn ni fod yn ei ddweud i'r ddweudio'r ddata. mae'r cyfnod ddataeth yn fwyaf. Mae'n gwneud yn ystod o'r cyblwch gyda hynny, y gŷn soedd y cyfleidwyr yn ystod syniadau yma, a'r fwyaf amser yn y blaenau cymru. Felly dyspwn gwybod hynny'n ffordd a wneud cyfnodd eu gwirio'r cyfleidwyr oherwydd mae'r cyflwch. LEGRO Ond we've threw through the Inspire and One Scotland mapping agreement, we were able to bring in or in serving map backgrounds, historic map backgrounds managed by the National Library for Scotland, and an ortho-imagery area layer from get mapping policy. We also work with our local authorities who hold a lot of, it's the same situation in England with this information, both the national and local records. We're probably a bit closer together in Scotland, this is a smaller country, and we do manage concordance between a lot of the data sets. We work with the local authorities to ensure that the data is improved, the data standards and consistency are ruled out, trying to deliver efficiency through data creation, reporting, etc. And again, very importantly, the training and the promotion of the standards that we try and encourage people to think about what the term is made and use them in the same way. Again, we have PassMap, which is a collaborative port of combining various data sets, bringing together the national monuments, record data sets, scheduled monuments, the statutory data sets that Historic Environment Scotland maintain, and the local authority data sets, and that's published online. It's viewable, it has the same download facility, you can select an area and you're able to then download a CSV file of data sets. This is combining data from Historic Environment Record from scheduled monuments from Camel. It's very homogenised, it's stripped down to very simple things, the name, the coordinates, and a link out to the relevant resource. So it's a way of sound posting richer information in whichever data set. As I said, PassMap contains the designation data, we can also, so again, because of Inspire, we've got an obligation to make a protected sites data available online. So this heritage directory of Historic Environment Scotland has launched a heritage portal, which allows you to find out metadata about the site, access the WMS, the web map service, web feature service, atom page, and download a zip-down shapefile of designated data sets. As part of our obligations for Inspire, we create a record in the Scottish Spatial Data Infrastructure Portal, it's a snappy name, but on that you can go and find out information about which data sets are available. This is a local node for Scotland, which is then harvested to data.gov in the UK, so that's that one. And then on that, the other side is the Inspire Geo Portal, so the information is fed into the SSDI, it's harvested to data.gov, and then it's fed up into the Inspire Geo Portal, where it may or may not appear depending on the connections and updates, as I tried to find this and I couldn't find the example when I was putting this together. So this is great for all the sort of formal information that we create, the information that we gather, and the information that we give, the designated data sets, but there's a lot more spatial information created in heritage than just those data sets. So briefly look at the range of primary data sets from the crop mark interpretation, remote sensing data sets, and the interpretation of those data sets, field survey, excavation, laser scanning, and also the scientific analysis, the radiocarbon dates. There's a wealth of other information that we don't formally gather. It's in the national record, but it's not very accessible, and we certainly don't have the spatial footprints for all the excavations. We've got some of the crop marks mapped, and we're just clearing them up and trying to publish them. We also have to deal with a lot of new data sets, the new technologies, the structure for motion, laser scanning, and how do you deal with those data sets, and it's the metadata that describes them. We're also dealing with scale. We've gone from a very much a sort of postage stamp geophysical survey, a small site in the field, to a massive area landscape survey of the Heart of Orkney World Heritage Site. These bring a lot of challenges about presenting that information, accessing that information, and actually also archiving and dealing with the long-term preservation. The archive is wrapped up with the discovery metadata. It's all part of the continuum. As I say, it's the metadata that describes the nature and the content of the data set, the information to allow you to assess whether you can use the data, whether the data set is appropriate for purpose. Again, the access writes whether it's under an open licence, et cetera, just the ability to use that data. As I say, we start to publish our area of photographic transcriptions. We've released a marker. This is showing the crop marks against the area of photography there and starting mapping might cycle through. It requires applying a data standard to that line work so it's consistent across data sets, which is fine. We're the main organisation that maps the area of photography so we can apply our own standards. For a lot of the other data sets, that's information created from the third party and that's a lot harder to apply standards. Take the points out there about different data schemas and things. We use an online form called Oasis, which the commercial archaeological units use to feed in information about their project through the Oasis to the local authority curators ourselves. The information is published on the ADS, the Great Literature Library. This captures information to a standard format so you have got a degree of standardisation that allows you to describe the project. What it's not very good at is capturing the spatial information. People can upload boundary files but they don't have to and they don't necessarily understand what they're doing. So we need to work with the people who are actually creating the data, the primary source of the information to try and encourage a data standard there. Open data is great. We can release CSV files, text files, whatever tables, but the spatial information, it just sits in the report. That file cannot be taken and combined with a survey in the next field without having to re-digitise. So we need to move into a world where we're actually digitising. We're working with the contractors to say this is information that's valuable. We can provide those services out but you need to provide the data. Just to conclude, we've been very proactive in publishing the spatial data. It's certainly a steer that we want to have our information accessible so that people know the heritage that is there. Inspire is a driver for making protected sites data available. The data should be harmonised and readily available through WMS, WFS so that whoever wants to use it can use it. But we're missing the potential of the primary data sets. We're just not harnessing what's there. So you have got diversity and information valid. As I said, the information spatial information, so much of it's just locked in the PDF. It's actually very limiting what you can do with that information. So I said there's a need for a coordinating approach to harnessing standardised spatial data that goes across from the curators to those who are creating the information. Thank you.


unbelievably destructive. Just a couple of, you know, quick examples of how this is playing out. This is at universities, so two articles. Now, I've recommended this before. I recommend it again. I hope you guys do something about it. But I recommend signing up for Barry Weiss' sub-stack. It's called Common Sense with Barry Weiss. If you're interested in CRT, if you're interested in equity, if you're interested in what's going on in the world around us, she is the person that keeps track of it, that publishes it, that, you know, and this is two examples. These are two university professors, each with a different story, but the same basic thrust of the struggle that you face. The first one is Gordon Klein, who is teachers at the Anderson School of Business at UCLA. During last summer, he got an email from a student saying, right, saying, you know, that he should grade his black, so this is from a white student, a non-black student at least, that he should grade his black classmates with greater leniency than others in the class. To quote the email, we are writing to express our tremendous concern about the impact of this final exam and project, what I have on the mental and physical health of our black classmates. The unjust murder of Aubrey, Breonna Taylor, and George Floyd, the life-threatening actions of Amy Cooper and the violence conducted of the University of California Police Department have led to fear and anxiety, which is further compounded by the disproportionate effect of COVID-19 on the black community. As we approach finals week, we recognize that these conditions place black students at an unfair academic disadvantage due to the traumatic circumstances out of their control. So you requested that the final be a no-harm exam, that it could only boost the one grade, it couldn't hurt the grade. The email continues, this is not a joint effort to get finals canceled for non-black students, but rather than ask that you exercise compassion and leniency with black students in our major.  Black students can cope. They don't have the mental fortitude to cope with problems out there. I mean, students have problems all the time. There's all kinds of stuff going on. But an exam is an exam. Individual students might be able to go and say, look, I've got this trauma going on right now and maybe get a pass or maybe get an extension or maybe get something. But this is treating black students as a monolith and claiming that they're not capable of standing the stress that's involved. Now, this professor was not going to have any of this, right? He says, as he says, I welcome, I celebrate a diversity of opinions and arguments. And to say the least, I believe in making room for anyone with the grades and gumption to study at one of the nation's most competitive universities. But academia has so corrupted the word diversity today that today diversity means ideological homogeneity. And inclusion means the exclusion of some from a taxpayer-supported university to favor others deemed more deserving of an educational springboard to prosperity. So he was shocked by the student's email. And this is what he wrote 20 minutes later. He wrote, quote, are there any students that may be a mixed parentage such as half black, half Asian? What do you suggest I do with respect to them? A full concession or just half? He's calling them on the racism thing. What do you suggest I do with respect to them? That's right. Also, do you have any ideas if any students are from Minneapolis? I assume that they're probably especially devastated as well because of the riots at the time. I'm thinking that a white student from there might possibly even more devastated by this, especially because some might think that they're racist even if they're not. So he wrapped or applied by Sidon Martin Luther King's vision of a colorblind world where people are judged solely by the content of their character, making it clear that I had no intention of treating any students differently on the basis of their skin color. Pretty good. Daniel says Iran is pretty NPR-ish today. Is that a good thing? A bad thing? I don't know what to make of it. I like NPR, so maybe it's a good thing. Well, what do you think happened to this professor? Well, by the evening, students were calling for his job. Soon after, they circulated petition demanding I be fired. Within a day or two, nearly 20,000 students had signed. Without knowing anything about me or taking into account, as far as I could tell, the implications of non-colorblind grading. Think about this. We have to grade based on color of skin.  Again, I quote from the article, on June 5th, three days after I first e-mailed, I was suspended amid a growing online campaign directed at me. It was around that time I started receiving death threats on voicemail and e-mail.   End quote. Whoa! About a week after this whole thing first blew up, there were police officers stationed outside my house. It would take UCLA's threat manager another 10 days to check in with me to make sure I was okay. I mean, the university was freaking out. They didn't know what to do. He continues saying Anderson administrators were rattled for good reason. But now because of the fact that my life was now being threatened, the problem was Anderson's reputation. It hadn't granted an African American professor tenure in decades. It had had better handful of tenured Latino professors. Black students make that about 2% of the student body, and men outnumbered women roughly two to one, leading many students to call Anderson the man-descent school of man edgment. So even though the university administrator made it clear the university would not take any action against me, there was no grounds to do so. The dean took it upon himself and he basically was worried about the school's reputation and suspended him from teaching without any deliberations, right? Not just suspended, he was banned from campus.  The fact that he was accused of what he's accused, lost a massive consulting income, massive loss of reputation, and he's suing as he should. The school, acting irresponsibly, not the students, the school for backing them up in the way they did. This is the fear that this equity nonsense has instilled in people. Another professor, Doe and Abbott, non-political, he is a professor at the Department of Geophysical Sciences at the University of Chicago. But during the summer of 2020 with the street violence all over Chicago, he recorded some short videos in which he argued for the importance of treating each person as, God forbid, an individual worthy of dignity and respect, giving everyone a fair and equal opportunity when they apply for a position as well as allowing them to express their opinions openly when you disagree with them. He was immediately they attempted to cancel and this was planned and coordinated but they went after him. There was a group of graduate students. This professor, Abbott, wrote an op-ed in Newsweek. We argued that diversity, equity, and inclusion DEI, it violates the ethical and legal principles of equal treatment and treats persons as merely means to an end, giving primacy to a statistic over the individuality of a human being. That's excellent. He proposed instead an alternative framework called merit, fairness, and equality whereby university applicants are treated as individuals and evaluated through a rigorous and unbiased process based on their merits and qualifications alone. Excellent. So then there was, you know, they kept going after him over and over and over again. At some point he was chosen to give the Carson lecture at MIT, very prestigious lecture, major honor in his field and your public talk to a large audience. The topic was climate and the potential for life on other planets. Not exactly a political issue. On September 22nd a new Twitter mob composed of group of MIT students, postdocs, and recent alumni demanded that I be uninvited. It worked. He was uninvited. On September 30th the chairman of the MIT at MIT told me that he would be canceling the Carson lecture for the year in order to avoid controversy. Unbelievable. Now it turns out that he's giving the lecture but a different university is going to do it at Princeton where Robbie George who is a conservative academic runs a James Madison program in American Ideas and Institutions and he's going to have him with the lecture there. But still this is insanity and we can go on and on and on and again if you're interested in these kind of stories you can follow Barry Weiss. She documents the insanity out there on a daily basis. These are mobs and not interested in justice, that aren't interested in right versus wrong. It's complete groupthink. It's complete collectivism. The individual matters not the political statement is everything. But this is where we are to defend individualism, to defend the idea of justice as giving people what they deserve based on merit, based on achievement or failure, desert, justice is considered radical and insane and worthy of being kicked out of university or denied a speech. It's a crazy world out there. Crazy world out there. Thank you for listening or watching the Iran Book Show. If you'd like to support the show we make it as easy as possible for you to trade with me. You get value from listening. You get value from watching. Show your appreciation. You can do that by going to iranbrookshow.com or go to Patreon, subscribe star locals and just making a appropriate contribution on any one of those channels. Also, if you'd like to see the Iran Book Show grow, please consider sharing our content and of course subscribe. Press that little bell button right down there on YouTube so that you get an announcement when we go live. And for those of you who are already subscribers and those of you who are already supporters of the show, thank you. I very much appreciate it.


Cabinet Secretary Wano Gwababuna Muamba and now me to recognize also the presence of my SA Mr. Ivan Sachoki, our new chief in the block, CEO Mr. Maena Moturi, sorry, on a chance, we know Moturi and Gashiru are almost the same height, there already difference is complexion, so, let me also recognize the members of the fourth estate, the CEO sports fund, also present here Jim Kaogura, movie and team, the FII team, and the members also from my department present here, Bonaetian Karibusana, and your colleague from NYS, good afternoon, good afternoon once again. I think, as usual, when we are having this kind of meeting with you, like I usually say in my office, like preparing some bits and pieces of information for me to go through, commonly known as a speech, and whenever you stand to speak about events in this ministry with you, I sometimes wonder how you have the graft of this ministry, youth affairs, sports, the government itself, and then again, when we are discussing things granular, like WRC, the kind of information, in fact sometimes I wonder whether you should be the one inducting the CEO for this particular secretary. And I'm saying this because, I joined last year when we were commissioned, I think we had commissioned the WRC itself, and I can see somebody laughing there. We had lots of problems, but you are the one who inducted me into what was happening at that particular moment. So for me today, I want a repeat of the same, basically yourself to undertake an induction of those of us who have come in afresh, like the CEO, and also remind those who have been around what we have been up to as a government in terms of improving the management of the WRC, and at the same time, how we are going to manage it differently this year. We had a very successful sporting event last year. We can all confirm. So for the ladies that I've seen here, participated and lead us proud, including Kulin Sheko here, you made this country proud. You made the ministry proud because you competed despite all the odds and you managed to get, to link the finish line. And for those who are coming from an area where we have a lot of athletes, it doesn't matter whether you are the first, the second or the third, but I think what is very key, especially in Marathon, is hitting the finish line. Right? So what is this event all about? One is that we've decided to reorganize the management of WRC this time afresh. We realized at the gazetan that our zero gazetan only included the steering committee and the secretariat. We don't have the LOCs, we don't have everything else because we realized we can bring ourselves together and manage this thing without having all the protocols that we have in the past. We become lean but manage effectively. What we are saying is that we want this thing to be the best effort that has been had. Why? Because the discussions they see us and of course the head of state have had with FIA this event for the first time is coming back to their own visitor quality. And that is a milestone that we pride ourselves as a government, we pride ourselves as a ministry to have achieved. And I want to thank those of you who worked with us together particularly the taking about team that has been put in by the FIA and the rally drivers themselves for having worked with us to ensure that this event is moved to the traditional April Pasaka holidays. So when we look at the management that we've put in place we will only be having a very lean secretariat also. We don't want to crowd this event. The reason is the timeframe is short and we have everybody checking to see that this thing succeeds. The secretariat that we are unveiling today has also been given their roles and responsibilities which I am not going to spell again although it is in my speech this is something that we are continuously having discussions on. Before I call the CS Tokaman address us I want to speak to three issues here. The first one is that I am happy with my technical team that has been handling the WRC prior to the unveiling and the let's call it the unveiling of the secretariat itself. You've done a very good job. We all understand where we came from and I think given the milestones that we've been able to achieve we are doing very well. So what am I saying? Those that are being unveiled today as a secretariat you are getting into a space that already is a team that will induct you there is a team that will work with you together and hence you will not have a problem just plugging in. The other one is the other issue I wanted to speak to is what our CEO and unit the issue of traffic scenarios everybody is asking about what the ministry has been able to do and the reason and I recognize you and everybody else the reason you are here is for us to be able to give you a worked out plan of action and that is why you have people from the ministry of transport so that you can be able to work together with the administration here to see how before the event we will have sent out information on the routes that motorists should not use on that specific day and I think this has been done by the team that went for the record and you will be given that information this time round we are zeroing in on what we want the fun experience and basically what we are saying about the fun experience is that we want fans and everybody else not to untangle themselves into this commonly known as traffic scenarios because a team that plans is a team that will be able to foresee that given the numbers that will be there during those 3 or 4 days we need to have done something prior to that then hence the reason we are here so it is expected that when you finish this meeting the teams will organize themselves in a manner that then they will speak to traffic scenarios and how we ensure that we don't have the management of security in specific areas so that we can give the funds the experience that they want the villages that we are able to set up to the effect that then everyone that will be there will have some funds you have your kids you have everybody else being Easter and every individual in that place the CEO will be speaking more to that later on in other forum but that is what the government has been able to do so in other words what am I saying that this is one of the best organized safari handis despite the short period of time because we brought together the experts prior to unveiling the secretariat and I want to thank you for two things one is your foresight in managing their affairs of business it is your decision it is because of the decision that you made that we are here today it is because you saw that we would have problems if we don't meet together like this and discuss specifics and hence the team so because I don't in the interest of time allow me at this particular moment you know how we usually welcome Waziri before it gives us his keynote address Waziri Kariko today is a very special day we are officially starting the road to Vasha 2024 starting today we start at the Liberate countdown and it is exactly 27 days in exactly 27 days we will all be in Laudia for the checkdown on the 27th of our March and that same day 27th when we do checkdown we have also scheduled to officially unveil the Kenya School of Rally our Rally Academy and therefore the first official day of this year's rally is being curated to coincide with one of the key legacy projects of this ministry and a legacy project that is very dear to his excellence is present with Ambuto our Rally Academy you will recall that his excellence in the president officially announced this project of the Rally School on June 9 as we launched the Talantahela initiative at Steadhouse Talantahela and these rally school are the only government program that have been launched by the president from Steadhouse so they are very special initiatives and in 28 we flag off exactly 28 days from today we flag off at KICC and head to the triple S extravaganza of the super special stage at KICC which is a special stage not just for the rally drivers because it's a competitive stage but it is also a stage for the public to have a test of the safari rally at Kasarang 29 we are in Kedang 30 we conclude at Hellsket where we also do the prize giving and so today is when we officially start the critical countdown and as has become our tradition when we are doing countdown it is hands on deck one for all all for one deploying our experience, our energies our expertise to deliver a world class event and good people that is the reason why we are gathered this morning here to start the countdown together and be assured that from now on our focus is on this event and that is why I want to thank each one of you and especially my colleagues in the ministry engineer Peter Tu who is not just a colleague but also a friend because we you cannot really work well together if you have not built synergy a level of friendship and mutual respect with those people you work with infact I want to advise you as a team to pick some lessons from the way you are cabinet secretary and your principal secretary work we work as a team we consult we make decisions together we respect one another don't be cheated it's not that we don't hold different opinions on things no we do we do sometimes you actually hold the emergent opinions on issues and that is as it should be because working together does not mean you think alike it's not possible for two human beings to think uniform and think alike on everything but what it means is that even when you hold different opinions or different positions of the matter you can still build common ground for common good and so this morning as we start countdown I want you to borrow the same leaf from our team our team at the ministry and our team at the ministry is led by myself and the PS our team at the ministry also values the spirit of inclusivity making sure that everybody feels a part of the team and a part of the process you know the PS and me could just sit in our office and we decide even if it doesn't happen and we will just direct it from where we are sitting and we will actually deliver this event but it wouldn't be inclusive and it wouldn't deploy the full set the full skill set that all of you bring to this event this incredible event and so I want we need to applaud our team PS together with our team our secretary administration Choki our fund CEO and you know that the fund is a critical partner in this process because they provide the financial support to make this event possible our staff and we have our staff here who are part of this process we have sent a number of our staff to provide backup to the project the team in finance in accounts and procurement and we have a good team to provide backup that whole team is working in unison to ensure that we deliver a successful successful event as you have seen we are also projecting the whole of government approach to this event by making sure that the relevant arms of government are involved and so the long and short this event is for us to start the journey together for us to start the countdown and the road to Varsha together this year's event is characterized by a number of key changes that we have made to the rally and these are changes which I want to amplify but before I do that I want to congratulate each one of you for not only getting the opportunity to serve this important event it's a legacy event for this country but also for accepting the responsibility to serve so each of us who have been named to the what we are calling the world rally championship safari rally project oversight team I want to thank you for accepting that responsibility the project oversight team is going to be the overall organ overseeing this project it is a very lean team when I came to this ministry I found a steering committee of 39 and a local organizing committee of about 29 so before you went to the secretariat and the technical teams you had two heavy landing committees this year's event has a project oversight team of about 7 people down from 39 steering committee and it has no local organizing committee because we want to keep it lean and efficient and I have no doubt that the smaller team we have put together is going to deliver this event without a drama without Poland push and tough little tough wars that just end up crowding an event then undermining the effective delivery of the event the secretariat has also been trained considerably and we expect this trained secretariat to deliver when it is amended and so those of you who will be serving on the project oversight team Hongera that team will be led directly by myself and the peers will be leading that project oversight team a small mean efficient team to oversight this project then we have a new secretariat and we organize secretariat and a new leadership of Mrs. Charles to share here this young man is an Eastlander he was born and bred in Shawrimoyo so all the good, bad and ugly of Eastlands you can expect to see them in Charles but he brings mostly the good more often than not he brings the good so Charles allow me to congratulate you on your new responsibility as the CEO of this important project we have gazetted you as the new CEO of this project because we have failed in you of the experience and expertise you bring and together with the rest of the team that you will be working with we want to wish you well because today we now formally unveil you and your team to now manage the project publicly and you have seen from the gazet notice which I published a couple of weeks ago we have handed you a very robust mandate as the secretariat and in the absence of a local organizing committee you have a very solid mandate, a very solid responsibility to deliver this project without any side shows and the last thing we want to see are side shows we have no time or space for side shows we want to see an event delivered I also want to acknowledge the Kenya Motorsport Federation which this year also has a new leader in Mr. Maina Motore and Maina is a rally man through and through and Maina knows I worked with him when I was many years ago in the coalition government he knows exactly what my expectation is and he knows that if his leadership but Kenya itself succeeds it will help us achieve one critical agenda this government has a strong Kenyan flavor in the safari rally which is lucky at the moment because we don't have Kenyans competing at the elite level overall event sounds ridiculous but and we want Kenya self through the KMRC to do that through the ARC really to raise the bar in preparing Kenyan drivers to compete at the highest level of the safari rally and I keep on insisting that the safari rally must go back to the days when Kenyans will be excited about the Joginda scenes the Shafakamletas the big president juniors the Pancreta Jivush we must go to a point where we have Kenyan drivers driving at the top tier of the safari rally so Maina Motore your work is cut out and this government is fully supportive and to help you with that journey to a rally school to help more talk to Kenyan talents for the future we wish you well my man together with your team and talking about Kenyan talents let me also acknowledge this young man Karan Patal Karan is the reigning Afrika Rally champion you see there might be people here who might have a gender with you so it's good they see you in fullness now this young man is a very young man you're 29 is it 21 now this young man was the Motosport personality of the year in 2022 now he's an Afrika Rally champion champion right now I have so much faith in this young man as we go into the safari rally especially especially rally talent so good people really that is what we want to see happen we want to see a rally that reflects the very best of Kenya and a rally that is delivered efficiently and cost effectively we have succeeded to cut the budget for this rally very very significantly we cut the budget a billion last year we have reduced the budget further and it is all because we wanted to see value for money every shielding that goes into this event must really reflect value for money everybody is tightening their belts across the country and we have to do the same we have to tighten our belt and stretch the shielding now as I had said earlier there are a few changes actually significant changes not a few number one we have moved the flag of point or the start of point we have moved this rally from Huwupau to KCC so KCC which again as you recall used to be the iconic start point for the rally we are going back to KCC number two we have returned the rally from June to Easter it always seemed a bit misplaced to run the safari rally in June the safari rally was always a minister event and I want to commend the promoter Simon Larkin together with his team and the FIA we had very very good discussions to change the timing of the rally I had to travel all the way to Greece to seal this deal and I also want to commend the president because the president assisted us to make that push to get this rally back to Israel and so while last year we were celebrating the 70th anniversary of the safari rally this year it is Easter the rally Easter the rally and we expect to really have a special atmosphere for the safari number three we have changed the prize giving ceremony or the closing ceremony from the KWS service park that place is called the service park so we have moved the closing ceremony from the service park to Hell's Gate and you good people who have run this rally before, go over here and call last year I couldn't understand why you finished the rally at Hell's Gate without a doubt the most picturesque the most beautiful the best natural setting for the conclusion of this rally and then you come back to the service park for perhaps the most watched part of the rally which is the closing ceremony and so we made a decision as we sat there watching you run Hiltaskelter first of all moving from Hell's Gate to the service park at Hell's Gate it is a logistical nightmare it has a lot of challenges with traffic management of circulation of the people then you just break the atmosphere you see at Hell's Gate the adrenaline of the conclusion of the rally the excitement of the public peaks at Hell's Gate then you just drop it moving to to the service park so you didn't advise us on this that we saw sitting there we saw and we just felt well these guys are supposed to be advising us on this one we will advise them so we decided to advise you that we move the closing ceremony for service park to Hell's Gate that is a significant change we have discussed it with the promoter and we have agreed at Hell's Gate is that Hell's Gate is really a perfect setting for this kind of ceremony number 3, number 4 as I have already mentioned we are accompanying this rally with the takeoff of our rally school and so we have requested the promoter we are still in discussion of the promoter on the logistics to get some of the elite drivers of the rally to join us for a special ceremony to flag off the rally school at Kasaranya after Shetdown and Laudia so that after Shetdown we should all be gathered for a special ceremony to flag off the rally school I keep on mentioning the Israeli school because it's a legacy project and this is what we will get Kenya back to the high table of rally many of you are officials of this rally but you never go to our junior event you don't go to those wrestlers at the Whisperin Moran Whislin Moran not Whisperin we call Whislin Moran this place what is it called? Whislin Moran yes, I have not seen many of you at the Whislin Moran I go to the Whislin Moran to watch 5 year olds drive cuts 5 year olds or Machakos to watch 10 11 year olds drive bagis the other day I was watching I am 18 year old I was testing his new his new Subaru he is just transition from the bagi to his first car go ahead that is go ahead yes go ahead you are just transition from the bagi to the car that excites me when I see them transiting from the car to the bagi to the car good people that's the future of Kenyan rally and we want now to consolidate that ecosystem under a school of rally to develop this talent in a very deliberate way I am obsessed with that project because I know that's the future of Kenyan rally the president is fully sold to that project I was talking to Carl Rovan Parra last year the young man who is running at the top of the camp and he was telling me he started the journey of rally at the age of 5 at the age of 5 many of you believe your children should not get anywhere near their stereo mail this young man has been comfortable around the stereo mail from age 5 by age 2021 he was on top of the world then you expect a Kenyan who has a fast experience with a car at the age of 21 to compete with this young man who has been behind the stereo mail from the age of 5 it will just not happen it is the same thing with football you want to be like Kodi Voa why doesn't Kenya perform like Morocco and then you forget that these people have a pipeline so you expect a player you have stumbled on at the age of 18 to start competing with someone who has been kicking around a ball in an academy from the age of 3 it will not happen it won't happen that is why talenta hella is a big thing for us and this rally school is going to be operating under the talenta hella brand 5 we have also brought them the best of inclusivity as I have said inclusivity is important for us and inclusivity is number 1 we want the rally stars project to be enhanced Safi Nigel as your club informed that the rally stars cars are not ready yet you think I don't know I know more than you may imagine and so there is a chance that Jeremy Mahome Hamza Anwar, Gati Mondiza young people that we want to see because for me the rally stars are the pioneers for this whole pipeline we are establishing with the rally school I have just whispered to Maidam Turi and the CEO working with yourself that the rally stars are ready it is unthinkable and it is unacceptable that these rally stars will not rest when we don't decide that's just an encouragement that the rally stars are ready because having those young stars participate is important for us having our women crews our women teams the talenta hella women teams participate is important for us it's important for inclusivity and I hope Pauline and the team you guys are getting ready yes the women team our inclusivity is also going into strengthening partnerships and we will be broadening the base of partners that we are working with for this rally number 6 the higher viewership we want to see bigger economic spin-offs as you know we have introduced the whole Haslapazar experience a place where our traders can come to make some money pay some fukoni in the spirit of our bottom up economic empowerment agenda so the Haslapazar this year is going to be integrated in the rally ecosystem so that our people can make money we will be elevating the sports tourism agenda and we will also be using this event to highlight other upcoming sporting events this is an olympics year so as we do Vasha we will also be promoting Timkanya as they prepare to go to Paris for the Olympics 2024 this year we are also ramping up our preparation for the Africa Cup of Nations 2027 we will also be highlighting Kenya as a destination for AFKOM 27 so this event is also giving other platform to bring the spotlight on other activities that are coming up let me conclude by thanking our concrete partners who have come on board to support us I want to support to upload KCB Kenya commercial bank who remain our top partners our top corporate partners at Sentinel KCB I want to thank Sifao Motos Fomali Teweta who are not only supporting the rally but have also committed to be our key partners for the rally school and have already donated a couple of cars have already donated a couple of cars for the rally school and they will be working with us the journey of the rally school so thank KQ Kenya Airways Kenya Airways is our official career and will continue to be our official career let us support KQ let us continue flying Kenya Airways Kenya Airways is our ambassador extra ordinary in the skies Safarekom Safarekom continues to be Listas and this year again they will be supporting the rally school we thank Safarekom for that Vivo Energy Vivo Energy working together with Shell who have offered to provide all lubricants and fuels needed by the rally school so Vivo Energy will be the official lubricant and fuels partner for our school of rally which is a big big contribution to our rally because the school will be consuming a lot of lubricants and fuels so we thank you Vivo together with Shell and Vivo have also stepped forward to sponsor Pauline Steep for we are talking to them to extend that generosity to the entire women all the women crews they are sponsoring two teams already so your team and your team is team where is the lady oh she is in school so herself and Pauline already are under that umbrella of Vivo Energy I want to encourage East African Brawamis Limited to come on board Varsha is not Varsha without the things you people so please come on board I want to invite Coca-Cola to come on board Charles I hope you have opened the channels of communication with EABL and Coca-Cola and other companies come on board the icons are incredible you are guaranteed absolutely fantastic marketing with the partnership we offer to the rally so today count this we have a special unveiling of our new team both the secretariat and the project oversight team your appointment letters will be are ready and will be handed to you by the CEO who is your team leader your CEO Mr. Kashere is your team leader and he will be handing you your letters of appointment for those who will be holding various responsibilities please let us go forth and deliver an incredible world class event something that will continue to make our country proud officially the road to Varsha is ignited let's go


ask me who killed jessica okay who killed jessica no one killed her our stupid reaction is i'm corvin and this is rick i haven't been that scarred since the last time you did something like that uh please follow us on instagram reacting to no one killed jessica it's what the film's called um hence the opening um but this has been requested for it's one of the longest things to be requested that we have no reaction to i remember such things uh but i it didn't have subs and so our friend heinous yes thank you heinous nadar for the subs they're the subs are so delicious they always have some mustard but it's been requested a long time uh and he subbed it for us thank you thank you heinous hopefully it's worth it um i'm assuming it's about somebody or nobody killing jessica i wouldn't it be the game of thrones it's a spin-off well no one killed jessica a man knows no one named jessica um i'm not sure If you are in the police, come down. People are coming. Police has come. Come down my brother. I have many court cases. Chettika has a murder case. The court has also filed a case against R.O.P. In any case, we have a lot less cases in our country. Let's raise the bastards. No, don't make justice. Justice has been denied. You can live with it. I will not. I will see the great fun. If you are there, you will definitely come. Excuse me, what did you say? I will not go. That looks very good. The irrespective of the old trailer. Yeah, exactly. That was the most off-putting thing of it. But the subject matter looked really good. Very good, very interesting. So I'm guessing it's like... Did it say true or not? I can't remember. I didn't see either. I don't think it said anything about whether or not it was a true story. I came out 2011. Wow, it looked older than that. It did, the trailer looked older than that. Journalist. What voice is that? I don't know. A journalist. Who's more of an activist? Spider-Man! Where's Rachel? A journalist. That was better. A journalist who's more of an activist teams up with the sister of a murdered model as she gets interested in the case and wants to bring justice to her case. The idea of bringing justice... I knew it. That's the main girl is the girl from Black. And the other one that we saw the other day too. The action that she was in, that someone when we did Black... We did the other one and they said that's the same girl from Black. She had a... But anyway... Is she blind or deaf? I can't remember. The... It gave me a feeling of... I don't know if you've seen this film, this is an old film. Have you seen the film, An Justice for All, without Pacino? And Justice for All. Pacino plays an attorney. Is it the one that he has that speech in? Yeah, he has a couple of speeches in it. He hasn't really spoken in a bunch of films. And now when he plays an attorney who is challenged with the moral conundrum of what to do when he's having to defend somebody that he knows is guilty and it's about justice and it's about making sure that the judicial system and the legal system is actually doing the right thing, not just the legal thing. This looks like it's that. Because law here in the United States isn't about right and wrong. It's about who can prove their case. Bottom line. Yeah. It's supposed to be unambiguous in that way. You just bring the evidence and I'm sure it's the same here. So it looks very interesting. Amatara. No, it's not Amatara. No, it's just because he has a first name. Doesn't mean he's related. I think he was definitely named that. There's some writer. His name was Amatara. Yeah, but because I saw Amatara. I was like, ooh, is he related? Yeah, he is.  His name was definitely inspired by Amataka Pakjana. Everybody named Rick must be my family member. But yeah, she looks like a really good actress. I don't think we've actually watched anything of hers. We haven't. Which we will. No, we will.  Yeah, it was this one that we saw her in the other day. Hitchkey. Hitchkey. The hiccup. Yes. Yes. That's the actors. The one who was doing the... Oh. Yeah, yeah, that's her. Black and Hitchkey. I was like, I bet this lady is freaking awesome. But yeah, she is quite a resume. What of hers should we watch first? Great question. The ones on our list. A Hitchkey. This one. And Black. Black. The three main ones on our list. I bet it's going to be Black because Black's got Black just... I mean, it's got Amataka Pakjana. Exactly. So it has to be good, right? He's never done a flop. No actor has ever done a flop. He's never done a flop.


You'll experience patient care that is specific to you with exceptional follow-up care that ensures your hearing and balance needs are being met. Audiology Associates at 1428 Northlake Drive in Prestonsburg. The Floyd County Library will be hosting the Community of Friends kickoff event Saturday, April 21st in Archer Park. The event is free to attend and will work to create opportunities, make friends, network and create collaborations for the special needs community. You know, there comes a point where a lot of these kids age out of school. At least the kids that are at school age have some activities at school, but you know, as a parent of a special needs young adult, we get to the point where they age out, they're kind of just home and we're trying to figure out what to do with them to keep them joined in the community, involved, not feeling like they're just kind of put over in the corner and left to play a video game all day. So we just really think it's important to get things like this going and we're just super excited the library has taken it and running with it. The event will feature a cookout, cakewalk, cornhole tournament and sensory activities. We're just excited about the opportunity to develop some community connections, get these individuals more plugged in in the community, and also as a resource for the parents to, you know, figure some things out maybe that they didn't know, you know, resources for their for their individuals. As we've been talking about this, we've run into other parents who've said, I'm so excited, I'm not the only one. You know, people seem very excited that something like this could be, you know, starting to become available. So we're hoping that tons of people will come out. For more information, go to Floyd County Public Library on Facebook. Reporting for Mountaintop News, I'm Brianna Robinson.


In this video, I'm going to demonstrate how to change reference styles in Zotero referencing software. Here I have inserted Vancouver style, which is a numeric style. So this Vancouver is Vancouver in brackets. So many will be struggling to change Vancouver in brackets to Vancouver in superscripts or Vancouver in superscript brackets and various other styles like Harvard style, Oxford style, etc., etc. So they will be manually changing this reference after using this referencing software. Here I'm going to show how to change this referencing styles in just a matter of click. So here we have to go to document preferences. When we open the document preferences, since I have kept it as Vancouver style, so that is selected. So we have to check whether the available referencing styles is needed or not. If you want something else, then you need to go to this manager of manage styles. When manage styles is open, this dialogue will automatically appear. So you have to go to get additional styles. It will take to Zotero style repository. So it has various referencing styles. So if we type Vancouver, so suppose my intention here is to change from Vancouver in brackets to Vancouver in superscripts. So I just scroll down and I go for this Vancouver superscript. So when I keep the cursor on this referencing style, it automatically shows how it appears. So this is Vancouver superscript. This is Vancouver superscript only in date and issue numbers. Likewise, we have LC where Vancouver author date and the LC where Vancouver, Cardiff University Vancouver is there. So we can select as many as references from here. So now I am selecting this Vancouver superscript. So it will be added here. So when I click on this, it will ask for include URL or not. So by default, these URLs will be added for only websites. If we want to add the URLs for the journals and books, we have, we need to click on this. So we need to click on this Vancouver superscript. So automatically it will be converted into Vancouver superscript. Let me show you how to change into some other different referencing other than this numeric style like Vancouver. Again, I'm going on to the document preferences. So I want to click on the manage styles. So in manage styles, get additional styles, Vancouver is a numeric type of style. So I want an author date style. Suppose we have APA style, fifth edition or sixth edition. Suppose I'm going with sixth edition, I'm clicking this, it is added here. Then I now go back to this reference style. We have this American Psychology Association APA sixth edition downloaded. I click on this, I click OK. Then automatically the document will be changed to the author date type of citation that is here it is APA style. So it has changed automatically by using this. When the journal as for a different reference style or the university as for a different reference style or your guide as for a different reference style, then you can change to any reference style and you can modify the document accordingly. Thank you very much for watching.