This part here is after everything. This is what he had to say. Like, honestly, honestly, like I would have expected a little less negligence at this point. I'll be going guys, you guys. We're gonna get in court. Hello everyone. So I thought I'd give you all an update what's been going on and we've been recently protesting large head officers of supermarkets, government buildings and also welfare certification groups.  Part of this campaigning is to force transparency from supermarkets. Supermarkets have a responsibility to let the customer know at the point of purchase what is happening to these pigs because the labeling definitely doesn't show that. It's a small win that is achievable and that is one that the public can get behind. Vegan animal rights activists or not, most of the public want to be told the truth and want transparency. And also if there is transparency on pork products, let's face it. A lot of people simply won't buy it because they will be informed. The other day we protested the Sainsbury's head office in London but during the protest their director of corporate affairs, Rebecca Riley came out to speak to me which I actually thought was quite brave of her because there's a lot of quite angry protesters and we should be angry passionately opposing the torture of the sentient beings. And she said to me that we know people are gonna buy bacon and you supply what people want but you need to tell them so they can make an informed choice. That's it. I will come back. Okay, thank you very much. She will look into this and get back to me. I was very clear with her. If you want to see the video, we'll leave it linked down below so you can watch that video, come back and listen to their actual email or response that they gave me off the back of that conversation.  I was like, do you care about their suffering? She's like, well, I haven't been informed about this topic.  It's gross negligence that you're not informed. And I said, you need to be transparent with your customers. Otherwise we will force transparency by showing the customers what they're actually paying for and not hearing it from Sainsbury's themselves which I think that it's better, much better if someone like Sainsbury's or the other large supermarkets like Tesco or Waitrose or Asda, this isn't just about Sainsbury's by the way. It's all large supermarkets who have a responsibility in what they are marketing to consumers. The customer deserves to be informed so they can make an informed choice. This is what I said to her. And she said she'll go away. She'll think about it. I actually showed her the footage from the Pilgrims Pride gas chamber that I exposed in 2021 and that is featured in the documentary, Pigneran. And she didn't really want to watch it. When she did see it, she seemed, I mean, I guess slightly affected by it. It was very PR kind of thing, but I gave her the benefit of the doubt, went away, called off the protest at that point. We've been protesting for a few hours at that stage, called it off as a gesture of goodwill and see what they would come back with. Now, Rebecca didn't actually come back to me. There's a woman called Sarah Breach. She is the media relations manager at Corporate Affairs for Sainsbury's.  I says, good morning, Joey. Thank you for taking the time to speak to us on Thursday. As promised, we've looked into this and we can assure you that all of our suppliers have to meet strict welfare standards and be certified under one of our approved farm assurance schemes in addition to complying with EU legislation. Now, if they'd taken the time to watch Pigneran or do any kind of independent research at all, they would know that the criticism is, the criticism is on these farm assurance schemes. That is the criticism. These farm assurance schemes and the labeling on the products is misleading consumers and they're not telling them about the horrors of CO2 gas. Please find a comment below addressing your concerns from the Director of Food and Sustainability at the British Retail Consortium, the industry body which represents retailers including Sainsbury. So we've got Andrew Opie here, Andrew Opie, Director of Food and Sustainability at the BRC said, wait for it. I'm sure you'll be very surprised at how unique this is. Like, no, it's not actually. This here is another cookie cutter response to this topic.  He said, animal welfare is extremely important to retailers. They work closely with their suppliers to ensure high welfare standards and supply chains are regularly audited to ensure expectations are met and maintained.   Supply chains are not regularly audited because how come we are the ones who keep pulling out these investigations? It's never the director of food and sustainability at the BRC who's pulling out these investigations from turkey farms, chicken farms, pig farms and pulling out footage from CO2 saying this is horrible. We need to stop this from happening or tell the consumer. It's never the supermarkets. You never see bodies like the RSPCA doing independent investigations or Red Tractor doing independent investigations into their industry. It's always independent investigators who don't have a conflict of interest going in and investigating and bringing that out and forcing a response from the supermarkets. That's what happens. They are not auditing the farms or the slaughterhouses. CO2 is regarded as the, this part here is after everything. This is what he had to say. Like honestly, honestly, like I would have expected a little less negligence at this point seeing as we've been out the front protesting the footage is already out there and Sainsbury's are supplied by massive gas chamber companies. So CO2 is regarded as the most humane method of slaughter for pigs and it minimizes potential stress during live animal handling. CO2 is regarded as the most humane method of slaughter for pigs. Andrew Oppie 2024. Make sure that that is etched into history what he just said there. That's their response. CO2 is the most humane method for pigs. CO2 is literally a torture method. The animals are not stunned. You know, I'm an animal rights activist. I don't want animals to be killed at all. But from a welfare perspective, the animals are being tortured before they're rendered unconscious, not stunned and then slaughtered. That's not the case with gas chambers. They have an extreme aversion to the gas. They are suffering beyond belief in complete agony and terror for about 40 seconds sometimes over a minute. Sometimes you still see them moving after two or three minutes before they are rendered insensible to pain. So it's torture, insensible to pain. It's not insensible to pain and then slaughter. But he's saying it's regarded as the most humane slaughter method for pigs. It is literally not. It is literally not. What you probably meant to say is it's regarded as the most humane method of slaughter currently economically viable for pigs, maybe. Maybe that's what you meant that you should have been careful about your response here. Because if that's the most humane method of slaughter for pigs, then you just proved my point. If a torture method is the most humane method of slaughter for pigs, then it's just not even humane by a welfare definition. It's just torture, essentially. So no one agrees with you, Andrew. No one agrees with you. Even bodies that put their logo on the meat agree that they need to find alternative killing methods, which I would also disagree as, because they're violating the rights of pigs. But no one's agreeing with you. Not even many in the meat industry don't agree with you, Andrew. So what are you saying? As this method is not unique to Sainsbury's, I'm including a contact from the British Meat Processes Association on this email as they would be best placed to discuss the matter further from an industry perspective. Many thanks there are incredible that they would tag in the email, the British Meat Processes Association and all they do is try to, what are they? They're basically a front to secure sales for the meat industry, export imports, all this sort of stuff. They are an industry. Why would I want an industry perspective on an animal protection issue, on an animal welfare issue, and an animal rights issue? Why would I want an industry perspective? Obviously they have an incredible bias to make money. So I thought that that was particularly audacious of them and incredibly dismissive of the protest, actually. It's a response, so I'll give them that. I am actually, they did give a response. A lot of supermarkets haven't, so credit where credit is due for at least engaging, which is how I opened up my email back. Hello, Sarah. First of all, I appreciate that Sainsbury's has taken the time to give a response. This shows a willingness to engage with the serious concerns that have been raised for decades about CO2 as a slaughter method. I am aware that some stress may be minimized during the handling of pigs, but this does not address the profound and excruciating suffering experienced by the animals who are lowered down into the gas. Most of Sainsbury's customers are completely unaware of the serious welfare implications of CO2 gas. So Sainsbury's and other large supermarkets have a duty to be transparent with their customers at the point of purchase. We are calling on Sainsbury's and other supermarkets to provide transparent labeling on products made from pigs were killed in CO2 gas, which succinctly outline the horrific suffering the animals experience. This way, customers can make an informed choice as to whether they still want to purchase these products. The British Meat Processes Association, who you've included in this email, does not have a primary interest in protecting animals or providing transparency to the customer. In fact, anything that may affect meat industry profits would conflict with the goals of the BNPA as they primarily serve the interests of their members, the others in the pork industry. See the key role of the BNPA from their website. The key role of the BNPA is to act as a conduit between the government and the meat industry to safeguard the interests of our members as well as the businesses and customers they serve or consumers they serve. They don't serve the consumers. That's nonsense. They're safeguarding the interests of their members and businesses. That's their key role. So why would you loop them in as someone who would be concerned with the rights of pigs? They're using them for the money and they're concerned with their members, the animal killers, not the animals. They use CO2 because it's very efficient and it's cheap. They don't care about, they don't balance that with welfare. It's a complete scam. It is a complete scam. They don't say it's the most humane method available. That's why we're using it. No, you're using it because it's efficient and cheap and makes the most money and you can slaughter so many more pigs in a slaughterhouse with one gas chain but then you could with electric stun slaughterhouses. It helps the industry. I find it especially troubling that Andrew Oppie from the BRC has said CO2 gas is regarded as the most humane slaughter method for pigs. This is simply not true. CO2 slaughter is tantamount to a torture method as the animals experience extreme suffering before being rendered unconscious. And here's my final statement to them. I know that the pork industry is most concerned with financially viable methods, not with more humane methods. True, they want financially viable methods, not humane methods. They cared about what was humane, they wouldn't be doing it at all. Which is why they would prefer to keep CO2 as the standard. Because of the unwillingness by the industry to change, it's imperative that large supermarkets like Sainsbury's, at bare minimum, let their customers know what they are paying for when they buy pork products. And then I left some CO2 facts from our website, a ignorant website, I mean, ubiquitously agreed upon in the scientific space that it's horrifying. I mean, what more do you need? These aren't even vegans that agree. People are disturbed even studying the topic. They don't even wanna talk to us in the documentary. They didn't wanna be interviewed about it. Because they know it's horrible. And they probably feel that there's some type of ethical implications of them even doing research on this topic. Because it's a torture method. They're torturing the animals to even research at this.  Why would they be concerned about the welfare of the animals in these gas chambers? Sainsbury's need, Sainsbury's and all the large supermarkets, not just Sainsbury's, at least Sainsbury's responded with something, at least they're willing to engage. So maybe Sainsbury's out of all the supermarkets might be someone probably likely not, but they might be at least they're engaging. Someone like Tesco probably would never engage. At least they're engaging, there'll be some light in the end of the tunnel there. But basically, if you can get some labeling on these products, this would obviously deter people from buying it, because they wanna be informed. And once they're informed, it's like the K-Jeg situation. It's like the K-Jeg situation. There's K-Jegs, on the K-Jeg, people wouldn't buy free range, even though I have serious concerns about free range eggs. But yeah, it does deter people. And the pork industry know that, which is why they spend all this money on advertising and marketing at the point of purchase to get people to pick up the product. So there you go, that was the Sainsbury's response, kind of saw it coming in a way. I didn't think that would go, yeah, no worries, yeah, no worries. Like tag in the British meat industry. Essentially, the industry in this email about the concerns about animals is kind of like, well, why would you tag them? Why would you tag the oppressor who's making money and ask them to be kind to the animals that they're making money off of? Not one of their primary interests. So yeah, I'll leave the video from the Sainsbury's director down below. That's their email back. That's their reply. That was my reply back to them. It was quite loud in the middle of London. Everyone heard it, and I said to them, if they do not become transparent with the customer, this goes to all the supermarkets, the customer will find out in another way. Yeah, and that's it. Thank you all for watching. Please share, ignorant with as many people as possible to create awareness so people can make informed choices. You know, we really need to see the end of this apperent industry, the pork industry and other industries that exploit and kill animals for profit. Obviously, the welfare movement is failing the animals. There's one solution here. It's to give animals fundamental rights for them to actually be protected from scumbags who want to exploit and kill them and to boycott industries that won't listen, essentially. The animals need rights that legally protect them. And before that happens, we all need to do a mass boycott and then apply pressure to the industry to force them to change and to create awareness with the public and create public outrage about this because they're lying to the public, okay? We want the public on our side because they're the evil doers. They're the ones torturing the animals and lying to the public. We're the whistleblowers, but we want the public on board. Thank you all. We'll see you in the next video. Peace.


To all the parts of Africa, thousands of supporters have given Côte d'Ivoire's controversial former president, Lawrence Babour, a hero's welcome, as he made a triumphant return to his home village on Sunday. The village in the southwest of the West African country has been a beehive of activity in anticipation of his visit since Babour arrived back in Ivory Coast from Europe on June 18. That's after he was definitively acquitted by the International Criminal Court on charges stemming from violence that claimed around 3,000 lives after he refused to concede electoral defeat in 2010 to current President Alison Wotara. On Sunday, Babour made his way to Mamma by road, stopping first in the capital, Yamosokoro, in the centre of the country, the world's top cocoa producer. He then headed to the town of Lausanne, Mamma, to visit the grave of his mother, who died in 2014 when he was in prison at the ICC in The Hague. Mamma has begun buzzing at dawn. Its main artery choked with coaches, motorbikes and cars, filled with supporters of the former president.


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Okay folks, Larry Pesavino for TFNN checking in to see what the markets are doing and folks we are rocking and rolling today. We had a beautiful three drive to a bottom pattern I posted it here in the Dow Jones Industrial Average exactly at the 78% level of the October 2nd low when we were making new lows in the NASDAQ and we were making new lows in the S&P 500 so it was a big divergence there and as you can see the leader of the pack so far has been the Dow Jones Industrial Average. Gold has come back we'll talk about gold when we get back to the beginning of the show but we should mention the currencies have all turned rally we've had about 150 point pip rally in the British pound and just about the same thing about a hundred pips in the Euro these are these are what we call dead cat bounces folks that's what we're looking at here in the currency so that's really what we're looking at same thing in the Treasury bonds I'll cover that during the regular show we're having a nice two point rally in Treasury bonds from a handle of 123 up to 125. But I can't understand his why on Bloomberg today everybody is rejoicing in saying the bear market is over the bear market is over yes it could be and also Santa Claus might come tomorrow I don't know which one will be true but this is to me looking at this this is nothing more than a bear market rally we do have these reports coming out and also by the way we have Rich Anderson is our guest here today we're going to be talking about the grains and also about the bond market and some of the things that are going on in in the world of geopolitics and stuff not politics but geopolitics big difference of course and then tomorrow of course we're going to have Bill Meridian of cycles research is going to be my guest so I think we've got a really nice group this week and we have lots of volatility we had a new low in the S&P today folks we got down to 36 excuse me 3580 the low previous low was 3585 and those of you that like ABCD type patterns you'll be able to see one when we post this next chart because it just pops up just as clear as a bell so hold on one second and we will get this chart up God willing and she usually is so let's see if we can get it up here it will be right back folks<PHONE_NUMBER>


That final in-call job here, and water star from Doyle. Jason Doyle has got there. Watch out for Lincoln in yellow. He's going to try the outside run, but Doyle has got there at the moment. Here comes Lincoln in yellow. Will Doyle are getting tight? Oh, the lead choice! And on the inside as well. Doyle's taking it out! And now Lincoln chose the inside run. Nothing's going to stop him here. Fast, pretty, lead. That was tall, didn't even hide in the second place. The Danish boy pushing hard. He will start food and up out of the back. Still racing to be done for second place. Doyle have the inside this time. Charges into second place, but Freddie Lincoln... And that's a well-maintained hide. Neither will Doyle have it in second place. Yeah, Freddie Lincoln though here in his 30th Grand Prix final. It's going to be his fifth win. Ah! What's their contact there? They were in danger. Doyle puts his left arm in the air. That is furious about that. That's Freddie Lincoln. Wow.


So it's an absolute huge honour to be able to speak to 500 students, I believe it is, from 70 different countries to all come together and to interact, and the wonderful thing is just how interdisciplinary it is from wide range of different disciplines. We need a lot more of that. We need a heck of a lot more of that in science because that's where the real innovation comes from. It's when people from different disciplines communicate with each other. So I'm a physicist, but some of the most important discussions I've had in terms of driving my research and the group's research forward has been with artists and musicians and with biologists, yeah, even biologists, and right across the board, and that's what I love about this, it's not just the international character but the interdisciplinary character. And those students, when they talk to each other, they get their sort of intellectual world broadened, and that's wonderful.


Hey guys, what is up? Welcome to my channel. So for today's video, I'm so excited. I am going to be talking about refer. So if you are interested in hearing about this brand-new luxury makeup brush brand, then just keep watching. Watch channel is similar to mine. I am sure you have already heard of refer. If not, I'm really happy I can bring you this information. And even if you have heard of this brand, I am very happy to be jumping on the bandwagon of supporting this wonderful brand. So yeah, refer, let's talk about it. Like I said, they are a luxury brush company. They are brand new. So they launched officially two weeks ago, and they are a brand that works in a totally different way. So I'm about to explain that. So essentially refer began with just three engineers who knew nothing about makeup, which is very cute. And they traveled to Kamano, Japan. They got into the whole brush making industry there. And in Kamano, those are where the best brushes in the world are created. If you are familiar with Wengos, Sonuji, those brands are also developed in Japan. That is where their brushes are made. And I have said this on my channel many times before, Wengos, Sonuji. I'm telling you right now, the refer brushes are right up there with them. I know a lot of you guys love Sonuji, Wengos. This is another brand that is on their level. These brushes are so good. All of the brushes are handcrafted. They're made with love. They take their sweet time making these brushes, making sure they are perfect. And honestly, it really does show in their product. So the name refer actually came from reference because that is what the brand is all about. They do not do marketing, anything crazy like that. What they did was they traveled to Kamano, Japan. They developed these brushes. They worked with a brush maker. They fully involved themselves in that process. They created these prototypes. They gave away thousands of free prototypes to make up artists, make up lovers, make up enthusiasts, anybody and everybody. They would give their feedback and adjust the prototypes based on that. They spent a whole year doing that, a whole year traveling across the world meeting with different artists, people, creators, all of that. Just to create these final brush collections that I am excited to be talking about with you guys. So the whole concept of the brand is that we created it with our feedback. We created these brushes. These brushes were made for us, which I think is so awesome. I know this sounds like an ad, but I swear it's not. These brushes were sent to me. However, these brushes were so nice. I showed my mom.  She ordered every single one of the brushes because they are that good. I am not making this up. One of the founders of the company actually traveled to me and we sat down, we talked about the brand and the brushes and little old me, like that should speak so much volume about the people behind this brand. These are good people. These are people that you want to support. I think this brand is going to be really, really big. You will hear about them in the future. So I would say jump on now. Be the first people to support this launch. Let me stop gushing right now. So I'm gonna talk about their actual launch. Two weeks ago, they launched on Kickstarter. So the way that this works basically is that you are pledging a certain amount of money that is going to go into their production. As a reward for this, you are getting a discounted price. So in December, these brushes will actually be on sale ready to be sent, but if you pledge your money now, then you actually get a better deal. You're saving money. They originally had a goal of $25,000. Currently, there is $365,000 pledged into this brand, which is absolutely amazing. I cannot believe that.  That is so amazing. They have 2,042 backers. So they're currently is only five days left in this campaign. So I did want to make this video so you guys don't miss out. So how it works is they're different tiers of amount of money that you pledge and then you get different things sent to you. You're pledging your money now. You are guaranteed for production of your brushes to start in August and then you will get them in December. Like I said, they take their sweet time making these brushes with love. These are handcrafted. So good things take time. You know, these brushes are with the way and you are saving money with this. So you can pledge any amount of money, but I'm gonna start with the rewards. So the first one, if you pledge $99 or more, you are getting sent their core collection. So that will be 40% off of retail. These are going to retail for $168, but if you pledge now, you can get them for $99. I think that this is such a great set. Excuse my brushes that are dirty. I wash them for this video and then I use them. So whatever, these are loved and used. I've been using these religiously in my videos in real life.  So yes, I've been using these, loving these. They are super soft. That is what is so special about brushes made in Japan. It's just how soft the bristles are, but they still pick up product. So the core set or the core collection, basically the idea behind this is that you are never going to need any brush. Like this is all you need for a complete makeup look and I totally agree with that.  I definitely would add other brushes, but if you are a makeup beginner, this is a fabulous set. So the number one brush, it's long. It's kind of like a blender at brush and a packer brush in one. This is great for makeup beginners who don't really know how to do eyeshadow because you can sweep a color all over the lid and then you can turn it and then you can blend it out. The number two brush is just like a regular shader brush.  All you need to do is pack it on. It's great for packing on shadows, wet or dry. This is just a basic brush that everybody needs. The number three brush is a tiny little bullet brush. This is really great for lower lash line detail or in the inner corner. And then these two brushes are my favorite in the collection. The number four brush is just an angled brush. Now you can use this to contour for a little bit more precision in your bronze, blush, highlight. This brush is extremely versatile. Then we have the number five brush. This one I love for contour and bronze. It's not too big. It allows for some precision. You can turn the brush for a blush and then you can turn it so that you're getting an accurate contour. This brush is probably my favorite in this set. But all of these, really great. I think if you are interested in this brand, definitely pledge for this set because this is a great introduction to the brand. But these are brushes that you are going to use. They're really good. So that was the core collection. Refer also has the bespoke collection. Sorry, mine are so dirty. And the idea behind this collection was that these specific brushes are made for different eye shapes and face shapes. I'm not going to go into too much detail because there are already so many great videos that do go into detail. And I will definitely be linking those down below for you guys. We have the number 12 brush, which is like a fat bullet brush. And it's a good fat. This fits perfectly under the lower lash line. I like to use it to apply a really dark color right in the outer corner. This is good for blending out concealer or for spot concealing, really like that one. I am really big about detailed crease brushes. So this is the number 13 and this is so nice and tiny to really get in there. I know for me, since I do a lot of crazy looks, I do like more precise brushes so that colors can be seen more. So this brush really is great for that very precise color right here or the lower lash line. Same thing with the number 14 brush. It's just a little bit longer. The number 16 brush is really great. It's still precise because it's tapered at the end, but it's a really great all over crease brush, transition brush, but it still allows for a precise application. You could also use that for a precise kind of highlight brush. The number 17 is one that I'm very excited about. I love this for blending out cream contour. You can also use this for blending out any cream products or for blending out some harsh powder. This is just great. It's a really small flat top kabuki, extremely, extremely soft. I think this brush is so unique. Number 18, I use it to set under eye powder. You can use it to contour, to blush, highlight. This is an extremely versatile brush. Number 20, this guy right here is good for highlight. I personally am not a big fan brush person, but this is best with loose highlighters. I will say this one I do struggle with picking up product. It doesn't have too much grip on it, so that's what makes this perfect for loose highlighters. But pressed highlighters, I'm not the biggest fan of. If you like a really soft highlight, this is perfect for you, but personally I would use this for loose highlights because I like highlight. We also have the number seven brush. This I think is a prototype because it says number six on it. I think this was originally supposed to be in the core collection. You can only get this brush if you pledge the highest amount of money, but this is great. I mean, I just like to pet myself with this brush, honestly. I use this for my bronzer application today. It is so beautiful and so soft. I love this brush. So really quickly I do want to get into the other tiers. Some of them are no longer available because I'm too late, I'm very sorry. I already said the $99 pledge. So if you pledge $110 or more, you get to pick any three eye brushes you want and then any two face brushes. So you are literally customizing your own set from the brushes that they have. The next pledge for $199 or more is any six brushes and then any four face brushes. So that is 10 brushes altogether for $200. And I mean, these are soft, high quality luxury brushes that is such a good deal and you get to customize your own set for $220 or more. You get the whole bespoke brush collection, which is nine brushes and then the whole core collection, which is those five brushes. That one currently only has 29 left at the moment that I'm filming this. Oh, you better hurry. So those are the ones that are still currently available. A lot of them are gone, I'm sorry. But definitely you have some good options still. Hey, okay, I'm so mad. I forgot to mention this when I was filming. So I'm just gonna mention it now.  If you watch that, you will see Michelle Wong, Kingie Sweat on there, who by the way did amazing. But if you watch to the very end, they will actually tell you how you can customize the brushes, meaning you can decide what type of handles that you want if you want them longer, shorter, matte, shiny. So I think that's also a really awesome feature that they are including right now. So definitely take advantage of that. I just think it's amazing to be supporting a company that really, truly shows that they care what their customers think. They're extremely responsive. People behind the brand are great. I wanted to give a little bit of recognition for the last few days that their launch is still open. So if you are interested at all, definitely go click the link down below. This is the best deal that you can get for brushes of this quality because you guys know how expensive luxury brushes are. So yeah, I'm just really excited about this and hopefully you guys are too. I am going to link down below some other videos that creators have made that I think did a fabulous job and a better job explaining than I could do. So I know Michelle Wong, Kinky Sweat, they did a great job explaining the brushes individually. So I am going to link them down below for you guys to check out. Thank you guys so much for watching. I hope you enjoyed this video and found it helpful. Let me know if you are picking up any of these brushes and I will see you guys in the next video. Bye guys, have a good one.


Hi My name is Chimale. I grew up as a nomad in Somalia where my family have been livestock farmers for generations As livestock farmers, we struggle it a lot at least half of the year because We could not find buyers for our animals This affects millions of farmers in Africa The reason why we couldn't find buyers was because the local traders who control the trade of livestock Afoid to buy livestock half of the year, especially during dry season. It's like winter and summer This creates the reason they are affording is because of lack of liquidity and infrastructure. So they will rather not buy animals So I want to solve this problem and I thought about why not find something Innovative so I built an app an online platform that allows people from all over the world to become investors in livestock So basically what we do is that? Through our platform people like you guys from all over the world can buy on and trade animals in Africa and We buy diamonds for you from the farmers We maintain diamonds at our farms and we sell the diamonds for our owners and share the profits Why it walks is because this is an investment. It's not a charity. So people make money It's an impact because it creates a market for the farmers and it's really cool. I mean, where else can you buy a goat or a camel? But this is not just a joke. It's it. This is huge 80% of Africa's Population owns livestock in East Africa. There are 20 million livestock farmers and only in Somalia 50% of the population are livestock farmers. So this is really important Our impact is because we help the farmers get an alternative market. We just open throughout the year We create jobs. We have about 15 employees right now in Somalia and we are contributing to the whole economy I'll skip this one our team. I'm a former nomad myself and I have IT background my last job was at the UN My other team members are also former nomads So we launched this company last year in Stockholm. We are based in Sweden and we have done 150k investments from 26 countries and right now we have built our own farms in Somalia trying to scale the the model All right, that's that's about thank you. All right. Thank you. Do we have any questions? But it's a innovative idea It's hard to find a replicable platform somewhere else Can you talk a little bit about how this actually works? So does a person buy a specific animal and then how does that work for you infrastructure early to? to basically maintain that that Animal after and then right in the morning. Let's say you want to buy Goals or camels you go to our website you choose the number of animals that you want to buy We forward the order to our team in Somalia They buy the animals from the farmers and we move them to our own farm where we take care of them You through our app You can also see the how the local market price looks like and at any time you can decide to sell your animals Where the market goes up? So how do you guys make money we take a commission from when you sell your animals But we also buy the animals really at low price during dry seasons and we have a high merchants when we sell the animals So we make money when you make money as a as an investor This is huge. I mean only Somalia we are talking about nine billion dollars and in Africa I mean 80% of the people our livestock. So yeah, so how do you prevent fraud? You know, how do I make sure that if I'm a buyer that I actually benefit when the animals are sold How do I not scare reports saying sorry they died? Actually, if an animal dies, we replace for free for the for the owner So there is no worry about that but in terms of fraud we try to also Get make you involved in the process So we boast all the time in social media and our app about what's going on whenever we buy animals You can see them. We have a physical farm where you can visit all payments are done through a mobile banking system So it can be track it. So we really try to to make it as transparent as possible Just to check I understand from the first question Is it more like an animal ETF or am I actually getting a specific, you know, Barney the sheep? We started with a specific animals, but I was looking a little bit too much administration So we move it more to a general so you own animals But we don't really assign you a specific animal But through our app we try to make it more gamified so you can give a name to your animal You see a pictures of them. So we try to make it a balance between a really fun, but also a Manageable business and what do you think the expected rate of return is for an investor investing in camels? For example anywhere from 20 percent to 40 percent annually. Yeah great How do you what's your marketing strategy? How do you find people to download the app and actually make an investment so far? We have not spent any money on marketing. So all our users come from social media Events like this people like to share because it's a feel-good. It's fun. So in going forward We probably like to make more of like online Advertising that would be more interesting for us So if no more questions, thank you very much every farm amazing stuff


Welcome to ToffeeTV, it's the Intermaster Action Ever and I've just been beaten 3-0 by Bournemouth in what feels like a real, the real lowest point of the season even though there's been a few of them. Just ahead of obviously the break ahead of the World Cup. We are fortunate that we're not in the bottom three. We are 17th with 14 points from 15 games minus 6 goals and frankly, that was abysmal. That was absolutely abysmal. An absolute disgrace of a performance. Just horrendous performance. There was absolutely nothing from them. I just don't know how. One thing I'll say is I'm glad he put Tom Cannon on in the second half. I'm a bit disappointed that he didn't put players on. That he didn't put them on half time actually because we were that bad in the first half and we're 2-0 down. I'm a little bit annoyed that he didn't put Stanley Mills on actually because he deserved to be on the pitch with that showing in the first half. But that was just horrendous and that's been what again in the last week basically all the issues that we've had prior that we've got away with. Shot them outside the box. The defending in general, the midfield, the not scoring goals. It's all come back to haters in the last three games getting one goal in three games.  This is where it's come from.   Let's get it right. Let's get it right.   Let's get it right. Let's not mix our words here.  Let's not play to the crowd. Those three are championship players.  So therefore he's sitting on the bench and well else if you've got, you've got Dom and the Carvel Luminue. He's been playing with three injuries and whatever reason hasn't played.  And whoever sanctioned Maupai signing and Dwight MacNeill signing needs running out of not only for Everton Football Club but football as a whole.  Well, I'll tell you what. Maupai just doesn't suit us. Just doesn't suit us at all.  I don't care. I've said this loads of times this season. He is a woeful footballer. A woeful footballer. Absolutely shite he is. Right. He's not anywhere near the level Everton are trying to be in. Right. And that front three are the cause of everything. Plus Anthony Gordon, who his attitude stinks the gaff out.  Are useless. What we've been relying on is the back line. That's what we've been relying on. Tarkowski and Connor Cody and Michael Enko and obviously Patterson up till when he got injured. Unfortunately what's happened is the recipe for disaster has always been there. It's always been there. We've let too many shots come in and we put blocks and tackles in. Funny enough, it's been said to me a couple of times that that will only last as good as those two players are playing well and Jordan Pickford is doing well. Well, Jordan Pickford throws one in today, doesn't he, for the first goal and that's the end of it. At that point, we had 71% possession and it rolled on. The second goal is just farcical. It's farcical. The referee is a joke.  He's a joke because the player goes down on the floor injured and he doesn't deal with it. And then just before our time, one of their players goes down. He wasn't even hitting the head and he stops the game immediately. That's criminal, absolute criminal. And the player who went down for us didn't even go off. Michael Enko went off. That goal is just beyond the disgrace. It's beyond the disgrace. And then the third goal is almost like we've give up because it's a set piece and we've give up. And at the end of the game, listen, it went off. Let me just show you this from the end of the game when the Everton players came over to the Everton fans. You can see they're not great teams. Jordan Pickford saying to the players, we tried. Alex Owoby getting into it with somebody. Shate being thrown into the crowd. Shate being thrown out of the crowd. Just not good at all. Absolutely not good at all. I mean, we've had this harmony together and listen, I'm not blaming anyone there.  They've been down to Bournemouth twice and seen this concede seven in the last few games. So I'm not, I'm not. The fans have got every right to be angry.  To saying to fans we've tried is a joke. We have not tried there at all. The partner plays, we are just, I don't understand what we're trying to do on the pitch. I really don't. I really don't. We pass it. Possession was really high today. They just hit on the counter-attack. David is on the counter-attack again like Saturday, sorry, like Tuesday. But what are we trying to do? Because when we get in the final third, nobody shoots. Nobody has an attempt to goal. Nobody tries to have a shot. I think, I think we've had four attempts there today, a goal from our right back alone. We've had four attempts to goal. You know, where are the efforts coming from? Mopai, where are the efforts coming from? Mawobi, where are the efforts coming from? Our wide men. It's abysmal. And it doesn't take, by the way, this stuff does not take ages to do. It doesn't take ages to do. We just make it look like it takes ages to do. It hasn't took Newcastle ages to do. It didn't take West Ham ages to do. All right, they're not doing brains at the moment. Brentford have been to cities today and beaten them 2-1. They had nicely mid-table in the mid-table. You know, they're doing fine. All these teams that are above us that have spent far less money.  We make it look hard all the way through the club. It starts at the top, starts at the top and comes all the way down to the dressing room. There's just an ineptness at the club. And I'm glad that we got to see Tom Cannon. People have been telling me he's not good enough. He's not good enough for this level. Sand, if he's not good enough, he's not good enough. But at least give him a chance because the people who've been playing are a joke. Mopai is nowhere near. Again, £15 million for a player who's nothing like the player you've got on your side. I don't know how do we spend £5 million on a key for more? I know he's not a great footballer, but he would have been decent back-up, more like Dominic Harvent-Lewan than Mopai. He might be a very good player, but he's definitely scored more goals than Mopai this season. He's definitely scored more goals than Dominic Harvent-Lewan. You've got to go a bit more like for life. And I'd rather have someone like that than what we've got. So this is to me, whichever way you cut it, this is the beginning and the end for Frank Lampard. As a football club, we've proved time and time again. You don't come back from this. You do not come back from things like this. And to me, he's proved he's not really a good enough manager for what we need, for where we are, for what we're trying to do. I don't know what we're trying to do, by the way. I really don't. I watch this every week and I'm like, Palace game is great, but as I said at the time, I said at the time against Palace, Palace had one midfielder. I said that and everyone was like, oh, just enjoyed the win. Well, yeah, you can enjoy the wins and also point out why the other team was so shite. And it was because that day Palace had one midfielder and we walked through and it was dead easy and everyone was patting each other on the back. But that's one winning seven, is he? One winning seven. That's diabolical. That is diabolical and people have got, oh, look where we were last season. Look how bad. Yeah, but we spent money in the summer to improve. We spent money in the summer. And we never replaced what we needed to, which was for Charleston's goals and we bought in dross. Dwight MacNeil is dross. Maupite is dross. They are not good footballers. They are not good enough for Everton Football Club. But people just seem to have accepted that these players are good enough for Everton Football Club.  I understand that from where we were coming from. But this is what we've been reduced to. This is what we've been reduced to. And it hasn't taken that long, by the way. Two seasons ago, we got 59 points, which any other year would have got you Europe. But 59, but we all go, people, you know, what Carlos, football was rubbish, but his football got us where it was. And it was 59 points. And normally that would get you Europe by just using what you add and winning games. And we've sold, we've sold all that attack and threat in the last few years, in the last two years. With Charleston, Guilfrey Sigartons left the club, Hamas Rodriguez left the club. You know, Luca Dean left the club, who was our only goal threat in from wide areas. We've allowed these people to leave the club and have not replaced them. We've replaced them with shite and we wonder why we are where we are now. We've got Mopai playing in front of them for us instead of with Charleston and Dominic Alvin Lewin.  We've got full backs, you can't go forward. You know, we've got no goals in midfield, no goals whatsoever in midfield, none whatsoever. And by the way, I'm getting this all this out now because I don't have to talk for six weeks. I'm getting it all out now. I'm not asked. The team has been decimated in the last two years. Absolutely decimated.  It's not. If you sell with Charleston, if you know you've got to sell with Charleston, you've got to go and get someone who's like with Charleston. You have to, you have to go looking all over the world for talent that's on its way up.    We went to a centre forward who does not score goals, who does not score goals and thought that was going to be good enough. We thought those plays were going to be good enough to improve the team. The only thing that's improved this season is Tarkowski and Connor Cody.   Can you imagine how bad we'd be or where we'd be? Rock bottom. Rock bottom. And if something does not change in January, this team will be exactly where it was last season, but except without any goals in it. And if you can't score goals, if you don't have a Charleston type, you can grab over the scuff of the neck of game and go and get a goal.  And the clubs have to start understanding that.  I don't care. There is no goals in this team. None. None whatsoever. And if everyone do not go and get players, if they do not go and have the plan already in place to bring people in, then we are fucked. And we are fucked. It doesn't matter how many centre backs you've got or left backs or right backs or whatever. If you've got no one up front you can score. No one in the wide age can score and no man feels can score. Then you are fucked. It's as simple as that. And that either means... And what that means is it doesn't matter about the manager. It doesn't matter about the manager, right? One tiny bit.  It's abysmal. And that's why I'm not sitting here going, I've got to get rid of Frank. We've got to get rid of Frank. Nobody could work with this shit, Joe. Nobody. Nobody could work with those players. Nobody. I don't quite understand Frank Lampard's tactics. I don't understand this sub. I don't understand the subs.  They brought players on while we've got players sitting on the bench and we're 3-0 down or whatever it was. I don't understand that at all. I don't understand that. So his in-game, and I've always been consistent on that, his in-game management is poor, very, very poor.  Everything do not get this sorted out. They've got six weeks, six weeks now, right? To sort some, to get some training done and get some players in. And that's the only, players in is the only thing that's going to change it. And is that Kevin Fellwell buying the place or is that Frank Lampard? That needs to be addressed. Who's doing that properly? The club has been far too wishy-washy for years.    And if they don't give the power to someone like Kevin Fellwell to sort this out, then it's pointless. Kevin Fellwell should be bringing players in. And Frank Lampard shouldn't even have a say on it. And Frank Lampard should be taking them round and going, nah, don't want him, don't like the look of him. If we've done all the work, if we've done all the data, if we've done all the homework on these players, then that's down to the recruitment side. That's down to them. And they have to get that sorted. And they have to bring people in and the manager doesn't like it and the manager walks. So be it. But there has to be a thread running through this football club of who's in charge and who's bringing the players in. So that has to start happening. That has to start happening. Simple as that.  Those players, I personally feel in a different setup with attacking options would do so much better. Garner's not a bad player.  You can't do that. And a niner's not playing exactly where he needs to be either. So that can be sorted. I believe that can be sorted personally. It's those forward areas which can, we do not have to play as the football. Dominic Alvin will never ever be the Dominic Alvin who played for under Carlo Ancelotti. He will never be that player again. We have to all just, we have to all just understand that. He's never going to be that player ever again. Let's be honest. And that's where everything got it wrong this summer. Instead of looking for a backup for Mopai, if by buying Mopai, they should have been looking for a replacement for Dominic Alvin. And it's great that we went in late for Kudos and mudricking up. It doesn't matter, it doesn't matter. They should have been the first ones coming in. Instead of bringing better players in, we bought more dead board in the summer. So I have not had one of these rant phrases. And listen, it has been coming. It's not like we can sit here going, this is, you know, this, everything's alright. Everything isn't alright, is it? Everything isn't alright. I think a lot of people fooled themselves. Maybe those included when we had the run and we weren't getting beat. And that was fine. You've got to enjoy the moments. You've got to enjoy when your team's doing alright and expected. And we were seeing improvements, but we were patching it up. The team was patched up. The team was, if you looked at all the data, we were conceding far too many chances. We were conceding far too many shots. This isn't a knee-jake reaction. Getting beat three times in a week. Conceding seven goals to boom is not a knee-jake reaction. Frank Lampard has been at this football club genuinely. Kevin Fellwell has been at this club since March-April time. They've had plenty of time to try and get this sorted. And they haven't. So there's no way on earth. If you're an Evertonian tonight and you're sort of sitting here going, it'll be alright. Then fine. Do you know what? Good stuff. I would love to have your interpretation or your way of thinking on games of football. I really would. But I don't have that. I simply don't have that. That's not me. I've seen this a million times. And that's why I'm not sitting here going, Frank Lampard must go. Frank Lampard must go. It's the team. The players. You know why on it, why did we, why honestly did we reject a bid for Anthony Gordon? Why? Anthony Gordon can't get in this Everton team and we knocked back 40 million for him. Why? We could have used that money and gone and bought real talent. It's no point going spending all your money on a defence when you can't score goals or you haven't got a way of scoring goals. Set pieces again today. Jesus Christ. Set pieces today. Abismo. Great in the face man. Jesus Christ. That's, that's their fundamentals. They, that's the fundamentals of football. Scoring off set pieces. We laughed, we laughed at Martin's because he didn't like them. I don't think Frank likes them or his coaching team like them because he doesn't look like they work on them. We've won nine games under Frank Lampard. Nine games. Is that good enough really? Is that good enough not to be asking questions? Is that good enough not to be angry? The question is, is are Everton going to really go out and bring in some attacking players? If they are, fine. If they get them in on the first of January, fine. We have something to work with then. Listen. As I said before, I'm not sitting here saying Frank Lampard should be sacked because I don't think we've got the place. I don't think we've got the place. I look at that, that front three today are a championship. A championship team. That front three. Last year Jamie Carrick said we had a championship back four. Now we've got a championship three. Front three. Because we sold the money out of our strike here and we spent it on a back four. And I think the back four will be alright. I think the back four will be fine. I do. Get, get. We had, up to when they scored today we had 70% of the possession but we had one shot. The Mal Pie one. The one shot we'd had. And that sums up our team and then they went down the other end. The keeper makes a mistake and they score. And that sums up and everyone's head went down. Everyone's head went down. Everyone knew. Fans knew, players knew. When they scored, that was the game. That was the game. The game was over the minute they scored because that is the confidence levels of our team. That's the confidence level as a fan. We've got another team. We knew that. We knew that on Tuesday night. We knew that. It's not, this is not a, you know, we're not sitting here telling anyone they don't, they don't tell anything, no one knows but it's just, it's just shite.  I've been, people's someone's actually asked me today why am I so negative. The reason I'm so negative is because I look at other clubs do the basic things so easy like not only on the pitch but off the pitch we don't, we make everything hard. I was watching the documentary the other day about Neville Southall on BBC about like, you know, one of being Wales is great and you know what? It made me feel so sad and it wasn't, it wasn't that, I was sad that we don't win anything anymore. I'm well over that. I was just sad that you look at that everything and you're at pride. You've got Neville Southall and you're at pride in that team. You look at, Neville Southall wasn't both a million pounds. He was both a buttons and he played with his heart and his soul and that team, that team played with their heart and the soul and I just watch these players every week and I watch this football club and I'm embarrassed by them. I'm embarrassed by them. Not because, not, not, it's, it's, and I said it's, I'm not asked, I know everyone won't win trophies and nobody won't. Football just isn't geared like that anymore. It just isn't set up for people, old-fashioned clubs like us anymore. But you, I don't see any pride.      I just look at them and I'm embarrassed that they play for our football team. I'm embarrassed, I'm embarrassed by my football team. And it's very, very, you know, you've got the likes of, you've got your Seamus Coleman's and you've got the two centre backs and I have so much respect for them because they do look like they'd run through a brick wall forever. Others, it's all just bollocks.  I'd rather have kids playing for us.  I'm embarrassed by a football club that can't get out of its own way to finish in the top half of the table. It's not even that hard. It's not even that hard to do that in football now. I'm just embarrassed by them.  In the summer, I said they were going down but then we brought in a couple of defenders and I thought, no, we might be all right. We might be all right.  It's as simple as that. If you cannot score goals, you are heading to one place and that's as simple as that. You've got to bring a winger in and you've got to bring a centre forward in before it's too late and you might as well get Stanley Mills in there. I'd rather Stanley Mills played every game than Dwight McNeil. I'd rather Tom Cannon was coming off the bench. The fans, I don't believe, and this is just me, I don't believe the fans will do what they did last season and that's not any slant on the fans. There will be so much anger in the fan base that I just don't think it can happen. I just don't. I just don't think it can happen again. Because you're seeing it now. You're seeing it now. It's his team. It's his team. And you're seeing the support already gone. The support already melted away in the last few weeks. It's already gone. How can the fan base lift itself to do what we did last season? How can they do that? I don't know. So we've got six weeks to go to go away and have a little think about it, haven't we now? Watch the World Cup, enjoy the World Cup. There you go. Rant over. It's my first run of the season. But there you go. There you go. I'm going to be back to do my play ratings in a little bit. Make sure to check out Baza's videos as well. There you go. I need to lie down first. See you in a bit.


Hey friends, welcome back to my channel. I hope you're all well. Today, I'm really excited to do this video. I really enjoy watching these kinds of videos. We're going to be chatting about the most beautiful books that I own. Alexa, tell me I'm stunning. This was hard because I just love so many different covers. Like, I just love so many different books, so many different covers. It was really hard to whittle this down. Well, I haven't really whittled it down. I've got a lot of books to show you. But yeah, we're just going to be chatting about my most beautiful books. I really enjoy having beautiful editions of stuff. There's definitely some kind of collections of things that I want to continue to collect more. And I feel like collecting books and reading books are two separate hobbies, and we all need to accept that. Actually, before I show you any, I just want to quickly mention I do have three of the Penguin Clothbound editions, which are some of my favorite books ever. I have it in Sherlock Holmes, Alice's Adventures in Wonderland, and Little Women. And that's definitely a collection that, like, when I'm older and stuff, that's definitely a collection I want to collect, but they are all wrapped up. I have, if you don't know, I have a series called Wrapped Up, where I've wrapped up some of my books and I unwrapped them and read them. So I can't show you them. But yeah, let's just get into it. I've got a lot of books to talk about. So probably, you know, two of my most loved books are my Erin Morgenstern books. Firstly, we have got The Starless Sea by Erin Morgenstern. So this is, I believe, like, the special edition that Waterstones did. Both of these are Waterstones special editions, I think. And I just love this cover. And then you turn to the spine, and it's got that pattern on it. And then you turn to the back. It's got this gorgeous, like, multicolor pattern on it. And then on the sprayed edges, it's got a key, a bee, and a sword. And then also, without the dust jacket, it's this beautiful blue with this foiling of the key, the sword, and the bee, which are, like, key motifs in The Starless Sea by Erin Morgenstern. This is probably, like, one of my favorite bookish editions of anything ever. She's an icon. She's a legend. And she is the moment. Now come on now. Also, the kind of chapter illustrations and everything, the way the book is laid out, it's just beautiful. This is why this book is at the center of one of my bookshelves, because I just love it so, so much. It's so pretty. I love, oh, I just love it so much. And I also really, really love my edition of The Night Circus. I believe this is the Waterstones special edition as well. This one has this beautiful design on the front cover. I love, like, this, I think this kind of ornate illustration style, you'll see a lot through some of my favorite books. This kind of, like, I don't know how I would describe it. But this, yeah, really detailed ornate illustration in this kind of, like, almost Victorian or vintage-y. I don't know how, what actual word you'd use to describe it. But this is definitely one of my favorite styles, and you'll see that replicated through a lot of my favorite books. The edges are sprayed edges. And then I also love on the inside of this, there's some really cool pages in terms of illustration, like, with this as well. Like, I think that really adds something to it. I love both of my Erin Morgenstern books. Erin Morgenstern is one of my favorite authors. These are both five stars, and I just cherish them and love them so much. Okay, next. I haven't actually read either of these yet. This is all a mix of books I have and haven't read. I'm going to kind of show you stuff that is grouped in collections, so either series or similar authors and stuff or, you know, yeah, collections and stuff first. And then we'll get into, like, individual books that I like. These two, Midwinter Murder and The Mystery of the Blue Train by Agatha Christie, are both these cloth-bound, hardcover, special editions that Harper Collins have been doing of some of Agatha Christie's books. This is definitely a collection that I want to collect because I think they're just such gorgeous covers. The Mystery of the Blue Train, I think this is, like, one of my favorite books that I own. I love the orange and the blue together and the gold foil. I also love on the inside, it's got this beautiful illustration that kind of, like, continues the cover on, and I just think it's so gorgeous. I just absolutely love how this cover looks. I just think this book is just so stunning. And then I also really love the Midwinter Murder one. Similarly, on the inside, it has this kind of, like, snowflake design, so I really like that they all have something on the inside of the cover. And yeah, I just love, I love cloth-bound. I love cloth-bound books. I think all books should be cloth-bound. It's no, it's true. Oh, it's true. I just really love the foil on these and, like, how vintagey they look. I just think they're absolutely gorgeous, so I can't wait to have more in this collection. And then I feel like some of the books I get complemented on the most are my Collected Editions of Six of Crows and Cookin' Kingdom by Lee Bardugo. You can get these pretty easily. They're sold from Waterstones and stuff, but I think they are so stunning with, again, cloth-bound foil. We're seeing a pattern. They also have sprayed edges as well. I love, like, all the motifs and the hidden meanings on these covers, and I also now have the Fairly Edition of Shadow and Bone, which matches these ones, which I absolutely love that they match. Oh, look at them all together. They're so shiny. Shiny. Oh, they're so beautiful. Yeah, this is the Fairly Edition of Shadow and Bone. It also has these gorgeous sprayed edges as well. And yeah, you can just tell I love cloth-bound foil. That's, like, my thing. I just think these books are so, so gorgeous. I don't understand if you're in the UK why you wouldn't just pay a little bit extra to have these instead of the other covers, which I think are kind of ugly, not gonna lie. Now, the next books I feel like I may be biased because it is one of my favorite series. But as I said, it has that kind of vintage-y illustration style that I love. So my favorite series ever, we know The Strange Case of the Alchemist Daughter by Theodora Goss. Then we have European Travel for the Monstrous Gentlewoman and the Sinister Mystery of the Mesmerizing Girl. I just love these covers. I love the lettering on them.  I think the color schemes are amazing, the vibes. Again, all of this ornate illustration with, like, hidden meanings to what happens in the story on them. I also really like just little things like the chapter headers in these books. I think it just adds to the story. I'm so happy I own these all. I just think they're so pretty. These are like some of the only books in this series. I have both the first and the third face out on my bookshelf. That is so rare. That's how you know I love these covers so much. They just bring me so much joy. I think there's so many, like, hidden details on these covers that I just love. So yeah, I mean, I would always recommend you read Strange Case of the Alchemist Daughter because it is one of my favorite books ever. But I feel like how beautiful the covers are should just be an added incentive. Okay, and then I think we only have one more collection of books. And that is my editions. What editions are these? Oh, these are the Vintage Classic editions. I have of Emma by Jane Austen, and I have of Man's Sword Park by Jane Austen. And I also have Pride and Prejudice in these editions, but that is wrapped up as well. So I can only show you these two. These were gifted to me by a lovely subscriber. And I just think these are so gorgeous. They make me want to read the classics even more, even though I'm only just getting out of like a five month reading slump. So like, let me give myself some space before we think about tackling these. But I'm kind of in the mood. Like, I'm kind of in the mood for Miss Jane Austen. Miss Jane Austen, she's a special one. I just love kind of how abstract these illustrations are. I just think they're absolutely gorgeous and bring something really different to the design of classics. Because I think often classics can kind of look, if they're not special editions, they can look a certain way. But I just think these are so gorgeous and different and unique. Now we're going to get into just like individual book covers that I love. I probably shouldn't have pulled this many books, but you know what? I love covers. Also, you'll probably see a theme. I really love hardbacks. I am a hardback girl at heart. I just loved how they feel and I love how they look even more. I think they just look bougia. So next is my special edition of The Invisible Life of Adi LaRue by V.E. Schwab. This is again the Water Sewing Special Edition. I always love the special editions they do of books. I have quite a few of them. This one, the cover is beautiful. And then we have these gold sprayed edges, which are absolutely gorgeous. I believe these endpapers are unique to the special edition, but I may be wrong on that.  Just this beautiful like foil design of Adi under the tree on the inside. This is also signed, which we love. I think Vengeful by V.E. Schwab was one of the first signed books I ever owned as well. I'm a sucker for gold sprayed edges. I think all spray edges should be gold. I just love how they look. And yeah, I just think it's a beautiful edition with all the different like unique little bits that it has. Let's show you another Water Sewing Special Edition. I showed this on my channel recently. I read it in a reading vlog recently. And that is the Devil and the Dark Water. I like this cover, like I really enjoy it. But this is I think my favorite sprayed edges on any book, this wave pattern and design on the sprayed edges. I just think it's so unique. I've never seen anything like it. So that is why this makes it onto my most beautiful books, because I just think that that sprayed edge is like so detailed, like it's got all these tiny dots to make up the shape of the waves. And I just love it. I also really love the cover. Like I just think it's a gorgeous, gorgeous book. But those are, I think these are my favorite sprayed edges that I own. Or another one that will compete with that for sprayed edges. I don't think, I don't know if this is the Water Sewing Special Edition, but The Girl in the Walls by AJ Genuse. I love this cover. I think she looks very good in this. That's a beautiful, very flattering shot. I read up on how this cover was made. So this is actually like a 3D paper set that was made with each of these, each of the kind of elements spaced out against one another. So like each a distance apart. And then when you look at them head on, it creates this dimension to the cover. I just love this cover. I know I need to take my stickers off. I'm sorry. I just, I live in fear of not taking them off, right? And so I just don't do it. I just pretend they're not there. Wishful thinking.  You dream a lot in your sleep. But this also has beautiful sprayed edges in the design of the wallpaper in the house. I just love, I love sprayed edges that continue the design from the front cover, like this one, like the Devil in Dark Water did as well. I think it always ties in so well. So yeah, I just love knowing the story behind this cover and how it was made. And yeah, I just love it. And look at like the wallpaper tear on the back for the blurb. I think it's so unique. One that I just hauled, a few of these I just hauled actually in my book haul that I posted this week, but this has quickly become one of my favorite books that I own. And it is Circus of Wonders by Elizabeth McNeil. This is the Waterstone signed exclusive edition. I just love this. I just, again, you can, you can see the kind of aesthetic that I love. I feel like this is also in like the Night Circus and Strange Case of the Alchemist Daughter, this ornate vintage Victorian style of book cover. I love the endpapers on this. I feel like this is some of my favorite endpapers I've ever seen. I love this design. And then we have this beautiful, absolutely beautiful foil on the hardcover itself. And it's, I love like the delicacy of these lines hanging down because she's kind of like a trapeze artist, I think, the main character in this book. And I love the delicacy of the lines hanging down and how detailed all of this foil is. I think it's absolutely gorgeous. This is like, quickly become one of my favorite books. I think this is one of the most beautiful books I own. I just love how dainty and delicate and ornate all the different elements of this book are. I almost didn't put this one on the list but I had to. It kind of has similar vibes to those covers I was talking about. And it is Marion Lane and the Midnight Murder, another one which I just heard. I just love this cover. Like, you can't talk to me. I love, I think I love like deep colored covers with ornate designs on them. I love little motifs on covers, like all these like daggers and poison bottles and stuff. I just think it's absolutely gorgeous with the foil and the blue. This cover has drawn me into this book. I have spent much, before I bought this, I spent a lot of time staring at the front cover, wondering if I was gonna buy it. This is probably one of my favorite contemporary covers that I own, which is Fat Chance Charlie Vega by Christelle Maldonado. I just think like the peach with the gold foil is absolutely gorgeous. I need to stop saying that because obviously I think it's all gorgeous.   I hate now. But I love how like joyful this cover looks and bright and fun and kind of vintage again. It always looks like 70s with the gold and the peach. I feel like it looks kind of like a retro. I just wanted to show this cover. I just wanted to show it. I just wanted to show it because I really, really love it. And again, this was one that I bought because I love the cover. One of my favorite paperback covers that I own is You Must Not Miss by Katrina Leno. I absolutely love this book and I love this design. I love how it captures the anger in this book and also the surrealism and strangeness and fabulism in this book. I've spent a lot of time staring at it. It's generally one of my favorite covers ever. I just think it's absolutely amazing. I want the, I want the designer of this cover to design any book I write in the future because I just absolutely love it. I think it's so unique. I really like unique covers and I think it's so different. I also love Horrid by Katrina Leno. I haven't read this yet. I don't know if you would term this beauty. I mean, I would term this beautiful, but I feel like when I think of beautiful, I think of more of those like ornate covers and this is like a cool cover.  I love the flowers in the eyes and the flowers all around. I think it's like a real haunting cover, which also this last one is as well. I can't put my hands on why I love this cover so much, but it's Drowned Country by Emily Tesh. This is the sequel to Silver in the Wood, which is also gorgeous, but there's something about this cover. Don't ask me what, because I can't tell you, but I think it's just so cool and different and haunting and I don't know. I just love it. It's like this cathedral abandoned like cathedral almost with like this deep root under the sea or the swamp. And I just kind of, I don't know why I love it so much, but I just think it's such a cool, dope cover. So that's definitely one of my favourite books just because how different the cover is. And it's always just like elicited this feeling for me that I don't really understand. So there we have it. That is all of what I would class as my most beautiful books or my favourite books. I'm really lucky to have so many different special editions of stuff. And I just think it's really fun to collect some of these. And yeah, I thought it'd be just fun to share that with you. Let me know down below what some of the most beautiful books you own are. I would love to know. And if you've gotten to the end, comment a heart eye as emoji. And yeah, I will see you very, very soon in another video. Bye!