10,000 members of the NXT Universe packing into this place for show time.  Win the challenge, beat AJ Styles, become a millionaire. And tonight is the culmination of the WWE 2K19 Million Dollar Challenge. We will have the golden voice, Stefan T. Benton going up against AJ Styles. All right, and this is really something else. We have players from all over the world participating in this competition. After completing the extremely difficult AJ Styles Million Dollar Tower Game Mode, winner now what it takes to beat AJ Styles. So then we have four finalists who were chosen. They were flown in here to New York City for WrestleMania weekend. And then earlier today at AXS, the four finalists competed in a mini tournament to find out who would go on to face AJ Styles for the chance to win one million dollars. I tried the AJ Styles Million Dollar Tower at home. I did not get very far. I was not a finalist, not even close. These guys have a tremendous skill at this game. Yeah, I think you have to be great. I mean, there's a million dollars on the line. This could be an insane evening for the golden voice. He had to battle against the other three competitors earlier today at AXS. There he is celebrating hard. And now AJ Styles is gonna have to show us if he's phenomenal or not, with seven figures on the line. All right, what do you say we get things going? Let's get the Million Dollar Challenge started. Those of the WWE 2K19 Million Dollar Challenge. In just a few short minutes, somebody's gonna have the opportunity to become a millionaire for winning a video game. It's nuts, I know. But I didn't wanna have all this fun by myself, so I brought a friend. You guys may know him as one third of the new day. You may know him from up, up, down, down as Austin Creed. But I know you know him as Xavier Woods. It's a new day, yes it is. I think this will be the first takeover I'm at where I'm not getting beat up by Rusev, that's the thing. Ladies and gentlemen, the WWE 2K19 Million Dollar Challenge was first issued by one AJ Styles in June of 2018. He challenged the world saying that no one could beat him in this game. And if you could, you would win a million dollars. And all you had to do was go pick up a copy of the game and defeat every single WWE superstar in the Million Dollar Tower. Then make a video explaining why you should be a part of this tournament. Then the powers that be picked a couple of people. They have a tournament and the last man or woman standing would face AJ Styles. So earlier today at Access, we had four contestants. We whittled it down to one contestant and that person is here right now to try to win a million dollars. Or, or will AJ Styles send them home with nothing?  You really gotta get over this thing. I struck a nerve. Exactly. I struck a nerve. We play games, Graves, you guys gotta get over it. Who in here loves video games? Thank you, see? So without, without further ado, let us meet the contestant. He is known to some as the Golden Voice. We know him as Stefan T. Bensig. Miz's entrance music, Miz was the WWE superstar coach for Mr. Golden Voice, whereas everything about Miz is must see. This is kind of just can't unsee. He's got guts, we'll give him that. I say drink it in, the man is gold from head to toe. Now. Come on, people. He's got some courage, man. They're tough. That's fine. Trust me, I know. Now, let's meet the man who stands in his way of a million dollars. The phenomenal one, AJ, stop. We're gonna do this anyway. You guys ready to engage in some video game combat? I am. I'm ready to take him to Suplex City. He doesn't look like he's ready. But I'm ready. He's ready for something. I don't know what exactly that is. Uh-oh, uh-oh. Mr. Golden Voice, I think they want AJ to beat you. Oh, that's a shame because I'm taking him to Suplex City and that's all that's going to be said. There's nothing you can do to beat me. I told you at Access, I was destroying you. And you can boom me all you want because guess what? When I win that million dollars, I can buy and sell each and every one of you over it again. Bring me the booze. I love it because I'm here and you're not. Come on, Brooklyn. Show this man what you got. Come on. Well, I mean, I hope he hasn't been part-time playing like the character he's going to play with. Otherwise, I'm going to wax you. Well, the difference is, he's a champion and you're not. Oh-ho-ho. Oh. The difference is, I'm here 365 days out of the week in WWE and he's not. When he's that amazing, he doesn't need to be here like that. You do because you got to work your way up to get a championship again. You lost it and you haven't had been the same sense. And you never will be. And when Randy Orton faces you at WrestleMania, it's going to be an RKO. All right, anybody else getting bored? Before it gets too heated, let's go over the rules. That's good because I was thinking about shoving that microphone. Whoa, what's that? I'm going to do that. Just for your own safety. Check it out. We're going to move to the side because we've got to read the screen, too. All right. The rules are as follows. You have to win by pinfall or submission. Only. Only. We had a ring break earlier and had to do another match. No countouts or disqualifications. The guy with a 93. 10 minute time limit and in the event of a time limit draw, the winner will be determined by the player who has the most health remaining. Gentlemen, do you understand the rules? I know you do golden hat. You've been playing this for like the last year. Yes, sir. AJ, you ready? Got it. If you guys think the golden voice is going to win, make some noise. It's still noise. If you guys think AJ Styles is going to win, make some noise. Mr. Golden Voice, what's your strategy going into this matchup? I promised them once. Sue Plex City. And then in F5, and if he gets back up, I'll break his arm with a Kamorra. Guy, you've got a plan. Mr. Styles, you have a game plan? Win. That's pretty simple. That's effective. That's all I've got to do. All I've got to do is win here. That's it. It's quite, it's pretty easy. The thing is, if you win, though, no one gets the money. Yeah. It just disappears. That's all right, Winning. I'm going with that. Just as long as this guy doesn't get it. Honestly, I would actually love to see this match. Had a takeover. But me and Golden had that too. OK. Geez. Bring the good guy out.  Oh, I'm a champion this one, too. How about that? It's outdated, so you should fix it. That's Koki soon. Don't worry about it. It's Koki's fault. You may be phenomenal. Let me ask you, approximately, how long did it take you to get to this point in WWE 2K19? Not too long. Bobby took about a day and a half of that to win the challenge, and then I submitted my video. Here I am standing here today on takeover, one of the grandest stages. Brooklyn, does anybody else have a problem with a guy working for a day and a half and maybe becoming a millionaire? Doesn't seem fair to me. Make me a promise. Make everyone in Brooklyn a promise. Make yourself an AJ Styles, I promise. If you win a million dollars, you're going to get yourself a new wardrobe. How about you a new wardrobe? Oh. It's quick. AJ Styles versus Brock. What's wrong with you? Lost styles. Uh-oh. I feel like this is a rerun or something. Uh-oh. It's just. I think AJ's familiar. Batteries are dead. I think you need a little help. Oh, no, you want this all expense paid trip. All the bells and whistles. You got it, baby. Well, come on. Come on, Brooklyn. Count with me. OK, yeah, this is maybe like a little. This is what happened last time, and that was perfectly fine. AJ. All right, sooner or later, I'm going to do something. And all you want is not going to do him any good. And another. And guess what, Brooklyn? This is not a prediction. It's a spoiler. I took too long. This guy's pretty good. No, no, no, how about this? I got a present for you. Highbomb City. Go ahead, Brooklyn, move me. I want those moves. Bring them on. You're quiet. That's right, stay quiet. T. Benson has managed to silence Barclay center with his video game play. I don't know what to do here, guys. F5. F5. I'm not even going to sleep here. Now you can do some melt-up in your mom's basement. Hey, you're looking to have the winner of the Golden Voice of Sports Entertainment, Stephon Benson. I'm here live in Brooklyn, New York. And I'm doing it big, baby, unmatched, unbeaten. They couldn't see me. I took them to Suplex City. Nobody, and I mean nobody, can stop me. We all know the reason for this, right? Congratulations, Stephon. Thank you. The winner of a million dollars of the WWE 2K Challenge. And Brooklyn, let him know what you think. I could still suck, but I'm still rich, unlike all of you. He's a hill, folks. You're looking at the best, baby. He may be phenomenal, but I'm golden. Can become real. You should see me in a- Seven Easter, four Pacific. As always, the future, it's the now.


Hello friends welcome back to the channel in today's video I'm going to show you how you can get the mythical pokemon mellowetta in pokemon scarlet and violet. So with the latest installment of the indigo disc for scarlet and violet we've had a bunch of new pokemon become available one of these is the mythical pokemon mellowetta and in today's video I'm going to show you exactly where you can get this pokemon and exactly what you need to do to be able to obtain it. So in your game what you're going to want to do is head up to the coastal biome and specifically to the coastal outdoor classroom this is the fly point and you want to head over here straight away at this location you want to head over to the left and you're going to want to make your way to this direction you're going to want to drop off the ledge and come down to where this big tree is right here so when you're at this location this is the bush that you're going to want to be at right this location right here I'll pan around in a minute but this is exactly where you want to be on your map so this exact spot you can see here there's a big tree there the waterfalls are to the right of you and then you can pan around for the rest of you so once you're here want to be getting yourself in a position where you've got this bush in front of you here and now we're going to want to be spinning our character clockwise using the analog stick that moves your character so you want to just toggle that round in a circle like this and you want to be doing this for at least 10 seconds make sure that you do between 10 and 15 just to make sure that you aren't having to do this a second time because if you don't do this step long enough if you want in the right place this whole process won't work so you want to just make sure that you're spinning around for the right amount of time and yes it does seem like a crazy method to do in this but once you've done that 10 seconds you want to just stop the first thing you're going to want to do is boot up your camera and turn to sepia mode and you're going to want to just pan around and then you'll be able to hear the relic song start when you hear the relic song start that is how mellowetta appears so make sure you have your music on and you can hear that great music drop a save in front of it if you would like to before you start the the whole thing and then you can just jump in and encounter mellowetta so like i said just make sure you drop a save before you encounter mellowetta so if it does go wrong if you knock it out or anything you can start over again and come back and get this polka one so mellowetta set to level 70 it will have the sing move it will have its signature of attack of relic song so it will transform throughout the battle when it's using that attack and just be aware that you can be put to sleep so having something like a false wipe user something with sleep yourself will help you out with this battle and make it a little bit easier to get the mellowetta being a mythical pokemon it is pretty strong and set to level 70 so it's pretty high level as well for you to catch but once you've got it weakened down to a point and you can start throwing pokeballs at it and hopefully it doesn't take too long but as it stands i am not a hundred percent sure whether or not mellowetta is shiny locked or not so i don't know whether you can save in front of it and shiny hunt for it and i have no information what i will do when i do find out about if mellowetta is shiny locked or not i will update the comment section down below the pinned comment down below will be an update with whether or not you can shiny hunt for mellowetta because if you can it does mean that is the first time that this pokemon is going to be available in its shiny ever so it could be possible that it is going to be shiny in this game but as it stands so early on in the indigo disc and i don't have that information but like i say if we once we do get that information keep an eye on the pinned comment and i will update you and i'll probably put a post out as well on the community section of the channel so make sure you do subscribe so you don't miss that when that update goes live come on premier ball and there we go critical catch and we get it in a premier ball which is very nice and that is going to be how you get yourself mellowetta in pokemon scholar and violet it will have the fighting terra type so very cool to have a different terra typing on it as well and it will have the seren grace ability no mark this time at all but that is going to be mellowetta and exactly what you need to do in your game to be able to get it great pokemon to be able to get an mythical in pokemon scholar and violet so very nice to be able to get this pokemon and have it for the collection that is everything for today's video i hope you found it useful and good luck going and getting yourself mellowetta just make sure that you're in the exact same spot that we were in the video do the spinning for the required amount of time and then if you've done those steps right when you boot up the camera turn the sepia mode and pan around the area you will hear the music change to the relic song and that'll be a huge indicator that you've done everything right and that mellowetta will appear in this area and you'll be able to then go and grab it for yourself and add it to your collection thank you for tuning in have a great rest of your day and i will see you all in another video very soon so until then friends take care and bye bye


Hi I'm Faith Hughes and this is Monica Snyder. Hello! And we work at Spectrum Youth and Family Services over here on Pearl Street in Burlington Vermont. We're a basic needs program so we provide basic needs to the community ages 14 through 25. You can come grab a shower, get a hot meal, do some art, have a safe space to hang out. You can do your laundry and stuff like that.  So yeah, thank you!


I'm the Whistler, and I know many things before I walk by night. I know many strange tales hidden in the hearts of men and women who have stepped into the shadow. Yes, I know the nameless terrors of which they dare not speak. Tonight, transcribe, it's the Whistler's strange story, The Lovely Look. It began quietly, matter of fact. Charles Belden would have found it difficult to trace it back to the exact moment when he began to feel as he did toward the girl. Certainly it wasn't love at first sight. Somehow he could still tell himself that he was beyond that sort of thing. That is a respectable married man and the competent manager of the London importing firm, founded by his wife's father, he'd accomplished a certain reputation. But he did remember the first time they met. Some of the words they spoke, the way she looked at it. It was a Sunday morning and out near the front gate, the fog parted momentarily, drew back like a soft gray curtain, and there she was. She came walking up the road, hesitated as you discovered one another, silently. And then, oh, hello. I'm sorry, but I've been walking forever, it seems. I wonder if you could direct me. I'm trying to find the Belden residence. Oh, well, I'm Charles Belden. Oh, Mr. Belden, of course you don't know me, but I came in response to the ad regarding a housekeeper. Oh, or you didn't write, Mrs. Belden, talk to her on the telephone? No, no, I thought it was best to meet her, talk to her in person. Ah, yes, yes. Well, along I believe she's back from her morning stroll, in a daily ritual with her, you know. Oh, here, I'll take your suitcase. Oh, you're very kind, Mr. Belden. Not at all. Strange isn't it, Charles, the effect of that brief moment of silence when you first caught sight of her. And a few minutes later, you find yourself oddly interested in the outcome of Helen's questioning. The interview with... Lori, ma'am, Lori Edgeley, I read of your need in the courier. I know I should have thought of references, but if you have no one else in mind... Well, we haven't, have we, Helen? No, however, I'd appreciate a few days' trial, Mrs. Belden. Mm. Very well, we'll try it for a week. Oh, thank you, ma'am. And you, Mr. Belden. The way she looked at you, that fit isn't it, Charles? Lori's gentle, lovely look. It lingers in your mind, fading in and out of focus as you think about it. Consider its meaning. Somehow it's more than a grateful glance, Charles. You're a certain of it. And it remains with you all through the days that follow, through the dull hours at the office. And then one night as you arrive home... Charles, in here. Mm? Hi. What is it, Helen? Close the door. Charles, that young woman. We've got to get rid of her. Well, Lori? Isn't she satisfactory? As a housekeeper, she's excellent. Whoa. Then I don't understand. It happened early this afternoon. Oh, Charles, that upset me so. Mrs. Belden drove up from the door. Well, that busy body... She came to discuss the elections at the club. You know I'm running for the presidency and I'm counting on her support. All right, all right, all right. Well, what happened? Well, Lori didn't answer the door. I finally had to do it myself. Is that all? I, Helen, the girl simply hasn't caught on to the routine of things. It isn't that. I'm trying to tell you. I spoke to her and Mrs. Belden had gone. Charles, she asked if... If she did everything else to our satisfaction, would we mind if she didn't answer the door or take telephone calls? What? Naturally, I demanded an explanation. Well, did she give one? It isn't satisfactory. Not to me, Charles. What did she tell you? Oh, a wild tale. Something about coming out here to get away from someone. Uh-huh. A man. He's in love with her. She professes to be pedified of him.  Oh, you don't believe her? Believe her? Of course not. Oh, Charles, he's not as all alone as about leading me way out here alone with her. Charles, I'll never understand you. You're careless of me, thoughtless, disinterested in everything. Even my father's company. Oh, Helen, please. No, you're going to talk to that girl. Charles, just miss her. Oh, oh, I'm sorry. I didn't know. It's all right, Laurie. Come in. I'm going to bed, Charles. Good night. Good night, Mrs. Belden. Laurie. Yes, Mr. Belden? Laurie, we've just been talking, and... Yes? And she... Mrs. Belden told me how well you did your work today, and it's all right, Laurie. I'll get that. You don't have to answer the phones or the front door, ever. And you're going to be all right, right here. Oh, thank you, Mr. Belden. Thank you very much. In just a minute, the whistler will continue tonight's story. All of us are proud of our hometown that rightly so. In this brief moment before we continue with our program, we'd like to offer a salute to one of our hometowns in America, New York City. Hometowns with more people than any other in the world. Its history is pretty well known. How it was supposedly bought for $24 worth of trinkets from the Indians. How it started under the Dutch, went to the British, and passed to the young United States after the Revolutionary War. It was our national capital for five years, and George Washington was inaugurated there. Today, it's not only the biggest, but probably the busiest and noisiest place in the world. Much of its growth and prosperity is due to New York Harbor. The port clears more than 5,000 vessels a year, and ships almost half of the entire trade of the United States. But New York City is many things to many people. It's not just San Francisco multiplied by 10, or Chicago multiplied by three. It's Wall Street and Harlem, the Statue of Liberty and Greenwich Village. It's Broadway, otherwise known as the Main Stem, or the Great White Way.  It's the Empire State Building, the world's tallest structure. It's a parade up Fifth Avenue, and a baseball game between the New York Yankees and the Brooklyn Dodgers. It's the Metropolitan Opera and Madison Square Garden. It's Rockefeller Center occupying 12 acres and 15 buildings, and it's the headquarters of the United Nations. It's the native New Yorker who never moves off his block and the immigrant who came from halfway around the world. It's the George Washington Bridge and the Holland Tunnel and Grant's Tomb. And when you've said all this, you've still only scraped the surface of what New York is like, what it's all about. But one thing is for sure, the people of New York are proud of their hometown and proud of the part it has played in the building of America. And now back to the Quistler. You couldn't dismiss her, could you, child? Temporarily, you win Helen over to your way of thinking when Laurie stays. But week after week, the contest between you and Helen is renewed and her patience reaching the breaking point. But it doesn't seem the matter, does it? Because you know that Laurie understands. And all the time the strange unspoken bond between you is increased. As she attends to your every wish, hangs on every word you say. You wonder how long it will go on, where it will leave. Then the answer finally comes in a phone call to your office. This is doubting calling, sir. Go ahead. Yes, Helen. Charles, I want you to drop around to the employment agency sometime today and see about another housekeeper. Another? Helen, what do you mean? What's the matter with you? I can't stand it any longer. I won't have Laurie around another minute. I've discharged her. What? I'm just not satisfied with this arrangement at all. I tell you. Really, Charles, I don't care to discuss it any further, nor have I the time. I'm due at the club in half an hour. The elections are no... Helen, will you listen to me now? No, no, Charles. I've made up my mind. I told Laurie she can stay just one more week and that's all. For a moment you sit there stunned, then slowly replace the receiver.  And just as she has tried to tell you with every action, every look, you suddenly feel the urge to tell her. An hour later, you're racing across the English countryside. The rain driving against you with the cars swerved perilously along the narrow cliff road. Finally, you swing into the driveway, hurry up the steps, then into the house. Laurie! Laurie! Then you hear it, the movement in the kitchen. Hurry down the hall. Catch sight of her. Laurie, her thunder drowned your voice. She doesn't hear. Move across the kitchen. Touch her arm gently. Whoa! Oh, Laurie, I'm sorry. I didn't mean to startle you. No. No, no, it's quite all right. It was silly of me to... Well, I always think it might be him. I know. What are you doing here, Mr. Bellamy? Laurie, listen to me. You can't go away. You mustn't. But Mrs. Bellamy... Oh, no, no, she's quick tempered. She says a lot of things she doesn't really mean. Besides, I can't let you go. Well, I suppose I could stay until you've got someone else. No, that isn't what I mean, Laurie. It's that I know I'm handling this rather badly. I don't quite know how to say it. You see, I have never really been in love with her before. In love? Please, Mr. Bellamy, you mustn't talk that way. I had to let you know how I felt. And once I'm free, well, I don't expect an answer right away, Laurie. But I hope you'll want to think about it a little. I think... I think I'd better go now, Mr. Bellamy. You watch Laurie as she hurries out. Somehow you feel confident that she'll want you to find a way to be free, a way to rid yourself of Helen. But that isn't going to be easy, and a divorce would leave you penniless. The importing business, the house, everything belongs to Helen. Later in the library, you're so engrossed with your thoughts you don't hear the car and the driveway and the sound of the front door. And then... Wow! What? Oh, Helen, Helen, I... I know. It didn't look like me so soon. Well, I thought this was going to be an old-day meeting. It was going to be, yes. I... By the way, Charles, what are you doing home at this time of day? Oh, well, I... Oh, really, Charles? I could have saved you this early trip back from town. I should have told you Laurie always goes to the village on her day off. Didn't you know? What do you mean? I know why you came here, darling. You thought I'd be gone all day. You came back to see Laurie, didn't you? Laurie? Oh, that's ridiculous. Is it? Helen, you... You just can't be serious, can you? Oh, stop it, Charles.  I've noticed the way you watch the lesson.  Really? Helen, you're imagining things, aren't you? It's a deed. I tell you, Helen... Oh, just all music, Charles. Do you think for one moment she'd be interested in you? Helen, that's enough.  So unromantic. Helen! I feel sorry for you. If you get over it, Laurie's gone. You'll go back to your old rose garden, your pipe collection. And you'll still have me. Won't you, darling? Charles, where are you going? Charles?  Yes, with Helen dead, you'd be free to marry Laurie, wouldn't you? Suddenly the answer to your problem becomes quite clear. You stop your car in the village and enter the tobacco shop. Good morning, Mr. Bellman. Good morning, Matthew. Seems like it's clear enough a bit, eh?  Ah, yes, yes, it was. What's going on over at the Constable's office? I know there's quite a few people. Oh, there. Yeah, a bit of excitement we had. Constable and some of the lads brought a man down from the cliffs. Huh? The cliffs? Tourist chap, staying over at the inn. Decided he'd take a bit of a stroll early this morning whilst he's put him. Lucky thing for him he wasn't killed. I see. Well, what would it be, Mr. Bellman? Uh, well, the same as usual, Matthew, small tin. Oh, no. Yeah, Lucky chap, that one, dropped some 15, 23 down to a ledge he did. He was lucky, all right. See you, Mr. Bellman. Thank you. Does Mrs. Bellman still take her walks along the cliffs every morning? Yes, yes. If she does. A bit of a warner, but the cliffs are dangerous in this kind of weather. Never can tell what might happen, you know. You're quite right. You will. Never can tell. That's it, isn't it, Charles? It's acted in on the cliff and you are free. Everyone knows that Helen's daily walked. Yeah. Late that evening when you return to the house, Helen is already retired. You'll hurry to find Lori. As you step into the half-darkened library, you see her standing by the window, staring out into the garden. You approach within a few feet of her. Lori, don't turn around. Don't say anything. Just listen to me. I found a way, a way to be free of Helen. But first, I've got to know how you feel. I've got to know if you want me to go ahead with it. Now, listen, Lori, this is very important. You will not be implicated. Now, you don't have to answer me. You don't have to say a thing, Lori. Unless, unless you want to stop me. Lori, shall I, shall I go ahead with it? All right, darling. I'll do it. Oh, good morning, Charles. Morning, my dear. My, you're up bright and early. Rather surprised. We haven't had breakfast together in ages. Yes. I wanted to catch you before you left the house. You are going for a walk this morning. I thought I would. The rain has stopped. But why do you ask? Helen, I'm, well, it might sound odd to you. Early in our marriage, we used to go for walks together. It seemed that we were able to talk out so many things. That too, Charles. I was wondering, couldn't I walk along with you now this morning? We'll walk along with Chris, like we did before. Well, I'll get my clothes. And Charles. Yes? I'm glad that you thought of this. Good. I think it will settle a lot of things, Helen, for both of us. Don't be half right. Use you, Safi. For example, how many of our United States presidents were former lawyers? 11? No, that's only half right. Brush up on your American history. Tell your eye and e-officer, you want to study with the United States Armed Forces Institute. You, Safi. It's easy. It's simple. If you don't want to be half right, use you, Safi. And now back to the whistler. It's all over now, isn't it, Charles? The walk along the cliffs with Helen was the last one you'll ever have to take with you. And as you turn away from the president, the fog moves in around you. And you hurry back along the path toward the house. You're anxious to see Laurie again, talk to her. Gain the reassurance that sweeps over you every time she looks at you. There's magic in those moments, isn't it, Charles? An enchantment and beauty that cannot be denied. And after the weeks of waiting, you settle it finally. And Laurie need never leave the house. It will now be yours. Laurie! Laurie! Oh, there you are. Oh, is something wrong? No, no, no, Laurie. It's over. Exactly as I said. Over? It'll seem like an accident, Laurie. I'm sure of it. It happened to someone from the hotel in the village. They'll think it was the same with Helen. Your wife? Oh, don't you understand, Laurie? Helen's dead. Now, if they come around, just tell them we missed her this morning.  Laurie, uh... No, no, don't come near me. Don't touch me. Laurie, she turns, hurries away. You take a few steps after her, then stop. It's a shock, isn't it, Charles? You can feel it yourself now. The realization of what you've done. But you'll be all right, and so will Laurie. You wonder if you should go on to the office and give her time to think. Then suddenly you hear the sound of Helen's car from the drive and rush to the window. And Laurie, hiding toward the village, good lord. Rating after her in your own car, a dozen thoughts pound in your mind. As you wonder what you've done wrong, perhaps it was the way you told her the suddenness of the coal shop. And then you see Helen's car parked at the curb. You stop, step out, and realize too late that you have followed Laurie right to the constable's office where he is talking to her. And then as you turn to hurry away... Yes, a minute, Belden. What? I wouldn't try to get back on that car if I were you. So what, uh... What's the matter, constable? I have a few questions to ask you.  She told you? Yes, just now. But she was in on it herself. She knew I was going to do it, I told her. And she didn't stop me. No, no, no, that's not true. Laurie, last night in the library, you were standing by the window, looking out into the garden. The library? Last night? Well, I didn't even see you. But you heard me, Laurie. You must have just a moment, Belden. Laurie said she didn't see you, she couldn't have heard you. What?  That's why I couldn't answer the doorbell or the telephone. That's why I made up that story of the man who was supposed to be threatening me. Belden, haven't you ever noticed the way Laurie looks at you? I think... Yes, a lovely look. She has a good reason for that look. You see, Laurie can't hear. And when she looks at you like that, she's reading your lips. Now, a question. Do you know the significance of the oak leaf worn by the Navy's commanders and lieutenant commanders? In the early days of the Navy, since all ships were constructed of wood, a wood had to be selected which would be durable and long-lasting, capable of sailing through any kind of weather. Thus, the wood of the sturdy oak tree was selected. Later, when insignia were selected for the officers of the Navy, the oak leaf was chosen for commanders and lieutenant commanders as a symbol of their capability and strength of leadership. This is but one of many interesting facts which can be found in the history of your United States Navy. Each and every night's transcribed story were built foremen as the Whistler, John Daener, Lorraine Puddle, Mary Lou Harrington, Eric Snowden, and Dick Ryan. The Whistler, directed by Gordon T. Hughes, with music by Wilbur Hatch, is produced by Joel Malone and transmitted overseas by the Armed Forces Radio Service. Tonight's Whistler was based on a story by Mary Ruth Funt. The Whistler was entirely fictional and all characters portrayed on the Whistler are also fictional. Any similarities of names or resemblances to persons living or dead.


OK, let's get started. Hello, everyone. I'm so excited to see some of you here. And I will show you my presentation named Hyperd Telemetry Data Backend. Firstly, let me introduce myself. My name is Xu Yuzhan, and I come from the Huawei Cloud Database Innovation Library. And there was a co-speaker with me whose name is Xiaotun Yang. And she is a professor of the Northeast University in China. And she has been engaged in teaching and researching in the field of data manager and analysis. But I have to announce that she can't be here due to some scheduling conflict. So I will step in to show her part for you. OK, in my team, there is an open source project named Open Gemini, which aimed to processing the monitoring data on Huawei Cloud. And my presentation will depart in four parts. The first is a challenge of the processing of observability data on Huawei Cloud. And the second is Open Gemini as a backend storage solution of Open Telemetry. And the third, I will show you some key design of the backend storage for logs and metrics. And last, I will show you some evaluation of our system. OK, there are two types of telemetry data on Huawei Cloud. First is a metric data which describes the status of the hardware and the software. And there is about 10 million per second. And the total size is about 20 per beta per day. And another is a log data is about 18.5 terabeta per day. So this data is used for some real-time analysis for monitoring, such as alert, anonymous detection, time-serving sites, and some troubleshooting. And for these goals, we introduce a lot of data engine into our system, such as Spark for processing the streaming and the treat for the overlap and some time-assist database to store the metrics data. And for the logs data, we introduce some search engine for full-time searching and the log storage. It seems that it can solve some of the problems. But the disadvantages is also apparent. Firstly, the metrics data is redundantly stored in the different storage engine. So the cost of the storage must be sensitive. And the second different data engine has different agent and different collector. So we have a lot of cluster, a lot of software to update, and a lot of cluster to scale out or scale in. The operation cost is so expensive. And last, when we want to do some correlation analysis, such as joining the same trace ID of the logs and the trace, it's necessary to pull the whole data out of the data engine and computer them. And the cost of the transformation is so expensive, and that's not efficient. So we want to exploring a simple data stack of the data generated and the data collecting and want to unify storage engine to process all of this data. In the next part, I will explain the solution of OpenJMNI compatible with the OpenTelemetry. For the years, OpenTelemetry has become the standard rate of visibility. And it provides a unified access protocol and standard rate data models for metrics, trace, metrics, trace, and logs. And it provides various SDK, such as C++ and Golang. And it's absolutely open source. So that gave us a big opportunity to unify our agent and the collector. And there are three ways for us to comfortable with OpenTelemetry. First, we call it agent to agent. Some of the search engines choose this way. And the two agents are deployed on the same data source end. And the data is transferred from the OpenTelemetry agent to the search engine backend. And the second, we call the collector to collector. The data is transferred from the OpenTelemetry collector to the time series backend. And the third, this is what OpenTelemetry choose is we call the collector to the backend. We think this is mostly the native way, because there are just two times of the protocol conversion and passing. In order to further understanding the OpenTelemetry format, we have abstracted it into three fields, three types of fields. Firstly is tags, which description will the data come from, such as the host name, the host IP, the trace ID, and the span ID. The next is a time step which describes the data when the data is generated. And the rest is columns, which contains the metric value, the log content, and the trace tags. And Open Gemini provides such a schema to match them. The next part, I will explain how Open Gemini is working for stores, logs, and metrics. Starting with the metric store, first let me show you about the data partition. The metric data is sharding by two types of property. First is a partition key, which is equal to the tag sets by default. And the second is a time range. After this, the data from the same data source end is sharding to the same partition. And there are and is convenience for the query that specific the tag set and the time range. And there are two types of storage in the shard. The first is a tag storage, which is implemented by the inventory tags. The term of the index is key value of the tags. And the position list is pointing to the data in the metric store. And the metric store is implemented by a column layout. And there is some disadvantage of this system with some when it can handle the log state for searching. And when the text value is the continuity is high, the performance value is poor. When it comes to the log store, we introduce a new type of for-text index called the airway index. When the log state ingestion into our system, we tokenize it and sharding it to the shard. And the tag set is used to build the tag index. And the token from the logs content is used to build the airway index. And the log is the same column store layout. So it's the same that we can store both the metrics and log data in one system. And I'll show you how it's running. For the for-text search, we provide a unified circle engine for all of the queries. When the circle come into the system, we separated the log searching and the tag filtering by the circle optimizer in the index gain stage. If you want a wrong log query, such as exactly query for a keywords, the keywords is searching from the airway index. And when it comes to the tag filtering, the result is searching from the tag index. And the result of them is composed to the position set, which point to the column, the data in the column store. The traditional implement of the for-text index is always inverted list. And there is a problem of it. When the words with the high frequency, the linked list of the term will be longer. And with the lower frequency, it will be shorter. And this result in this imbalance of linked list result in a problem of the fluctuation of the query performance. So our theory index is aimed to balance the linked list and reduce the total size of it. For the right image, it is constructed by the theory index. And you can see where it sacrificed the number of keys and reduce the total size of the linked list. Even the high frequency words get have a shorter linked list. This work has published in well-db and sig mode. If you want to know the detail of it, I will send the paper name in the Slack channel. And last, I will show you some evaluation of our system. Starting from the metric store, our Open Gemini has replaced the orange system, which contains HBase, Dread, Elastic Search, and OpenTSDB. And we replace the orange system and reduce the CPU cost by 16%. But unfortunately, we observe that when the tag value, the cardinality of the card value reaches 10 million per node, Open Gemini ingestion performance starts to degrade. That was the next phase where we must tackle the problem. For the log store evaluation, we compared with a search engine with 1 billion data set. And the result is that the index size reduced by 16% and the index pure time reduced by 16%. And for the performance of the query, the exact query latency reduced by 75% and the further query latency reduced by 16%. And the regress query latency reduced by 16% 3%. The man of optimization is due to the theory index and our circular engine. And let's review the roadmap of Open Gemini. Firstly, in the first phase, we position it as a metric store. And we reference a lot of time series, time series DB, database design, such as the inward index and the storage layout and the compression algorithm. So the metric store, we can support the unit and the float and the string types and provide a circular-like syntax and can manage a pair of beta data. And the next phase, we position it as a log store. There are more data types such as JSON and the text is supported. And we introduce the tokenizer text indexing and text retrieval in our system. And we connect to the open telemetry. And the next phase, we want to be as a observability backend storage. Firstly, we must support the tracing data storage and the tanker with a high cardinality problem and support the metrics and log and tracing correlation analysis. If you want to give some feedback, if you want to learn more about the Open Gemini, welcome to the BOSS D7. OK, that's all. Thank you.


Okay, so this problem says how much heat in joules is required to heat a 43 gram sample of aluminum with a specific heat capacity, 0.903 joules per gram times the degree Celsius from 72 degrees Fahrenheit to 145 degrees Fahrenheit. So we've already gleaned all the information that the problem is giving us that we're going to need for this problem, okay? The one thing, so I guess going back to, again, y'all's answers in general, a lot of us understand how to do this problem. It's not that. The thing we're having trouble with is reminding ourselves that the degree Celsius and the degree Fahrenheit have, they're measuring different amounts of temperature change, okay? So you can't just subtract your 145 from 72 and get that answer and go with that or do the problem that way. You've got to actually convert each one of those Fahrenheit temperatures to degree Celsius temperature first, okay? Because, again, the magnitude of the degrees Fahrenheit is different than the magnitude of the degrees Celsius, okay? So you just got to remember that. So how do we do this? Well, okay, so we just use that and we're going to use that for each one of these things, okay? So in the first case in this one, we're going to say 22-32 times 5 divided by, so degrees Celsius. Is everybody okay with what I've done? Leave those trailing digits if you like to. I'm just rounding into the significant things, okay? Same thing here. If you prefer dividing by 1.8, that's fine too, okay? This is just the way that I was talking about, way back when. 113 times 5 divided by 9 gives us 63. So when we take 63 and subtract 22, we actually get, so what I'm doing now is delta T, right? And I'm subtracting T2 from T1 here, or T1 from T2, I mean, and I get that, I get 41 degrees Celsius, okay? If you convert that Fahrenheit degree, you get a different answer, and that's where a lot of people messed up, okay? What was that answer you got? 22, so, or 23 degrees, right? As you can see, 23 degrees and 41 degrees are quite significantly different, okay? And this hopefully instills the magnitude difference inside of your head between the Fahrenheit and the Celsius degrees. Is everybody clear on what I'm saying? Okay. And this was really the big problem for everybody, okay? Everybody knew Q equals MC delta T, and once you get all of this stuff, it's just a regular old problem. The next thing that people had a hard time, well, of course, significant figures always, okay? But the real issue was when you don't put your units into this equation and try to cancel them out, you oftentimes forget what units you're supposed to get to, okay? So I encourage you once again, you know, I think this is a daily encouragement, okay? That you put your units into your calculations, because we're solving for heat. Heat is units of joules, okay? It even asks you joules. You can put kilojoules or whatever, but since this problem says joules, that's what you want to put. Some people put joules degrees Celsius, joules, grams, you know, that's not joules, okay? So just keep that in mind. The whole thing is, is every one of these algebra problems will cancel out to give you the correct units. And if you get, like, for energy units, joules, you know you've done the problem correctly, okay? That's what I'm really trying to say, but just help you out. So 43 grams, that's the mass here, right? C, 0.903 joules divided by 1 gram degree C. Okay, I like to write it like that to remind myself that I can cancel out because the grams in the numerator, grams in the denominator. And then the delta T, 41 degrees C. Again, I do it that way so I can remind myself to cancel out. And look what comes naturally from just doing that, joules, right? That's the units that I want, okay? So no big deal if you like to just do your calculations without your units, okay? When I look at your work, that's not what I'm looking for necessarily, okay? But if I see you're putting the wrong units on there, I'm going to make a comment that says all your units will make your life a lot easier, okay? Okay, so now it's just multiply, multiply, multiply. Okay, so 41 times 43 times 0.903. And I get 1591.89, or 989, okay, joules. But I don't write all of those numbers. Why? Because of significant digits. There's only 2, 3, 2. So what am I going to use? 2, right? So 1.6 times 10 to the 1, 2, 3, joules. Or like what Harlan was saying, you can just put 1,600 joules without that decimal point there. That says 2 significant figures as well. Either one of these answers is correct. Although it might be easier for you guys right now to think about it this way, okay? Is everybody okay with what I'm saying? I think you guys are doing great, you know? It has nothing to do. I think it's just these little misconceptions, you know? And once you get over the fact that anything could be a convergent factor is very brutal. Or, oh yeah, I need to plug in my units to make sure I get the right units. Or, oh yeah, the degrees Celsius and degrees Fahrenheit are different magnitudes. The two temperature scales are different magnitudes. Once you get those little bits of information nudged into your brain, then I think you'll be set with these types of problems. Any questions on this one? Okay, wonderful.


I started playing guitar when I was 16, mainly because I grew up watching Back to the Future and the Johnny B. Good scene was real big for me when I was five or six. I really have been chasing that high ever since. When I was a teenager, I'd already been playing piano and violin and I asked my parents if I could play guitar after seeing a, probably in reflection, really bad local band play at my high school and then I've been playing for the 19 years this year. I like playing guitar, I think, because I'm just really into music overall. That's a big piece of it. I'm not much of a writer. I am more interested in other people's composition, but I spend most of my guitar playing more improvisationally, so putting out some sort of backing track or some sort of song and then usually trying to riff some sort of solo on top of it. That's probably the most part for me. It's kind of have some tools in your tool set and just kind of see where you end up in the solo more or less. Yeah, so if I'm thinking about the progression of music I learning, it started with mostly nirvana and punk music, so I remember a lot of just West Coast. But from there, my dad was really into Zeppelin and Van Halen, so it was a lot of that and then the classic Van Halen. But I was really into like older heavy metal, you know, priest metal. And then I grew up mostly listening to classical music, so it kind of turned into like shred, you know, classical music. You know, Bach and stuff like that. I've been into some bands previously. My favorite band I've played with all of them was like a hero metal 80s kind of throwback band with the wig and everything. You know, that's probably the most fun I had and I was probably the 18 or 19 at that point. I did some gigs every now and again, but now I just kind of play it for myself and for my 10 Instagram followers.  I think I probably spend most time playing just like neoplassical shred sort of stuff, just a lot of sweep lipegeos, things like that. But when I play for myself, it's usually a blues or classic rock sort of thing because they're much easier to improvise and shred over. So that's the music I prefer to play, but when I'm just playing for myself, it's probably more jammy, more bluesy, something like that. Yeah, so at work, we don't usually advertise it, although with the work from home, my Zoom background has a few more guitars in it and it goes here in the office. So there were, once or twice where I was asked to maybe play to the national anthem before a team's meeting that may have happened. Yeah. Yeah, so I don't ever see myself not being into music and, with that, just comes with playing guitar. So I have an appreciation for a lot of other instruments but this is really the only one I like playing. I don't like playing bass. I don't like playing rhythm. I like playing lead. That's really it. So I don't see that ever going away, necessarily. I just see buying a lot more guitars. It's probably it. For someone I wanted to play, I would say it's an empty weight. It doesn't matter how old or what you're into. Realistically, anyone can get into it and they have to drive to practice and work on it.


News Network. News Update. Hi everyone, Basel Chapman here. This is the 10 o'clock Tiger Financial News Network Market Update on this Friday, the 3rd of June. We're looking at the Dow down 186,000 to 30,062, really nice over 400 point rally yesterday. Almost increased leg A to the upside and say we've made a peak A. This is now a buy signal technically, waiting to get a confirmation of a buy mode. That'll happen if we can close above the high of yesterday, which is 33,000. I believe it was 272. I typed it enough times. 33,272, yes. That was the high of three days ago. What we're looking at is the S&P. So this sell-off so far is starting to find some footing and the S&P is down 38 to 41,37, was as low as 41,17, 20 points off that. That was a leg C to the upside. Looking at the QQQ, NDX100 is trading at 310 minus 4. That was a really good rally yesterday. Actually, it was a very good rally yesterday. Let's see if we can get back at least some of that. We've had a pullback, the expected pullback that I sent to subscribers to open a call. We can anticipate that. Now we're looking at the IWM, which is the Russell 2000, acting very well down 86 cents, at 187.92 in a leg C. This is quite good action. Let's get gold. Gold at this particular point is down five points at 1866. It's right on that 200-period moving average. Let me just see the GDX. The GDX is under the two. It's in leg D under the 200-period moving average. This is going to be a very big test of gold's strength. The dollar is holding quite nicely. It's up 20 cents at 101.97 in a digestive phase since the 105 high that was made just a week and a half ago. We're looking at the TLT, which is bonds. Bonds are down again, down 94 to 115. The bond market is doing the Fed's work for it. It keeps pushing those rates higher. What can I say? Looking at crude oil, that's going to be very interesting. Yesterday, this time, I said crude is down. No, it was actually up in the end. And now it's up again, 99 cents at 1786, holding really well. Try to get back to that 120 level just under 20. We'll see what happens. The day is young. I'll be back for the Tiger technicians hour. This is going to be a very interesting show because we've got a lot to look at, a lot of pauses in a couple of minutes. See you soon. Otherwise, check out my opening call on my daily newsletter. Have a great day. It's a flash.


This could well be the only amp suite that you ever need The black star send James plug in plug in plug in plug in Got that wolf like you get out of like the real amp on the bottom Whoa, one of the best amp plugins I've ever used. It's a Pretty versatile got to say and you can very likely get killer recordings with it It just sounds like I've miked up an amp in another room and I'm listening back to it through the studio monitors This plug is amazing sounds amazing. It's a great Interactive fantastic sound in plug in


Oh, beautiful souls. Welcome to the second episode of Souls of Fire, Inspiration for Awakened Entrepreneurs. My name is Oda Christie, and this week we're going to be looking at how can we attract more financial wealth and specifically revenue into your business and your life. And this really comes at the tail of the message that I released last Sunday. That message was really about mastering your vibration and working with like yourself as a magnetic being. Okay. And so I'm going to reiterate some of the message from that because it really does relate to a ability to bring in wealth. Okay. So the first part of that message was that we live in a responsive universe and that we are magnetic beings. Okay. And that we are constantly calling in something at every moment. Okay. So it's really, really important that we kind of watch our vibration because that really affects what we're capable of calling in or what we are calling in. Okay. And one of the things to be aware of is that we're usually any kind of being is going to have, there's this aspect of inertia, right, that we tend to settle into a particular vibration. And we can settle into a lower vibration or we can settle into a higher vibration. But to get into that higher vibration, we have to work at it. And the working at it calls on our fire element, right, our solar plexus plexus chakra to be able to have the passion within and to take the action that is needed to do whatever shift we have to make. Okay. But the danger is that we can get into that state of activity and that in itself we can end up kind of getting this sort of stuckness in the activity itself. So if you've ever gotten into that phase of constantly the mind going or constant planning or if you feel like you're spinning your wheels, okay, what can happen as entrepreneurs is we can start to fixate on worry and lack. So we see that there's not enough revenue coming in and we start to think about that. Well, yes, of course, we need to think about that. We need to take the action that we need to take in order to get that money flowing again. But when we start fixating on the lack and the worry it what it does is it can spur us into action that keeps us in that loop of not bringing in the revenue, right, because we're constantly acting and and really without bringing in the vibration that we need to okay, which is the higher vibration of abundance and gratitude. Okay. So when I tuned into my guidance and really asked about this, okay, here's the message I got. It said to start getting very clear on specific avenues for revenue, make a list of what you can do that is fun and that brings in revenue, okay, then prioritize that list and start taking action. All right, so this is just a really simple matter of, okay, let's be honest with ourselves. What do we like to do? Okay, because there's so often that we sort of get this like, oh, I should be doing this, I should be doing that, right. And really get honest is like, there's a million ways that you can bring in more cash flow, right, what feels good, what would be fun for you to do, okay, and just make a list of things of different possibilities and then choose, okay, which one would be first of all fun and also would bring in the money that you need, okay, and then prioritize. It's like, which one you want to do, which one you want to start with, pick that one thing, one thing at a time, pick the one thing that excites you the most and creates significant revenue and focus on that revenue stream until it manifests. Okay, there's a tendency for creative people especially to, you know, you have the idea and you take the action on it, but not to follow through long enough to even determine whether it's going to work for you, okay, so really focus on that revenue stream and then assess after you've given it, you know, some decent time, is it really working for you, then assess what you want to pursue it further, but focus on one thing at a time, okay, and they say, don't scatter yourself, consolidate. So, well, maybe that's not your problem, maybe it's not too much activity, maybe it is inertia, okay, again, inertia is like procrastination, right, and sometimes that comes from a lack of clarity, it's like, what do I do next?  Maybe it's $5,000, right, and okay, so what feels fun? Do you want to bring in three new clients? Do you want to do a class? You know, what feels good? Choose that and then determining, well, what's the next step? And if you look at my last video from last week, it was all about that process of determining what to do, right? So I hope this has been helpful. I would love to hear your thoughts. And also, like, what are your biggest issues in your business? Or if there's something that you feel would be helpful to you, would love to hear about that in the comments below. If you have a business, introduce yourself, would love to hear about that. And also, if you are feeling like I just can't find that clarity on my own, sometimes it really helps to have a third party or a coach who can take a look and give you, you know, help you get that clarity that's sometimes really, really hard to get when we're really too close to our own business. That is something that I do for people. If you'd be interested in working with me or at least discussing it, there's a link in the description for a discovery call. And regardless, have a wonderful week and we'll catch you next time.


Slenderman is not an SCP, but if it were, how would the SCP Foundation contain it? Slenderman is attributed a wide array of abilities, depending on different interpretations of the entity. Some consistent powers are invisibility, teleportation, the ability to turn humans into its proxies, and infecting its prey with what has been dubbed slender sickness, a combination of memory loss, paranoia, sleepwalking, nausea, and nosebleeds. There is also the associated phenomenon that it seems to prey on individuals who have knowledge of it. The more you learn about the entity, the more it wishes to attack you. This led to our first, albeit unsuccessful, attempt at containing Slenderman using disinformation. In the early days of the entity's spread, Foundation webcrawlers rapidly took down swaths of websites mentioning Slenderman in hopes of keeping the public from attracting its attention. Not only did this fail due to the viral spread of Slenderman intelligence, but several Foundation researchers on the project also inadvertently became victims of the entity themselves. All work on Slenderman past this point was transferred to the Department of Miss Communications, experts at dealing with anomalies that attack you for knowing of them. The final containment protocols were enacted on August 10th, 2018. The entity was lured into a containment chamber using a D-class, at which point the SRAs were activated. Oh, what is an SRA? The Scranton Reality Anchor is a wonderful piece of paratech concocted by our top Foundation researchers. To summarize, Dr. James Caldman and Carlos Ruzewski's report. Reality can be measured in a unit we call HUMES. Baseline reality measures at one HUME, and it is possible for certain places or entities to be more or less real than the baseline. Entities with lower HUME counts than their surroundings tend to be pushed around by the waves of reality, while entities with higher HUME levels than their surroundings are the ones doing the pushing. Using the Scranton Reality Anchor, we can siphon reality from a different universe and bring it to a specific location to balance the HUMES with the entity, negating the entity's ability to push reality around. Coming back to our dear Dapper Slendy. With the trap sprung, reality around the entity balanced, leaving a tall, sad, faceless man pounding at the walls of its prison with hands and a few errant tentacles. Make sure to like and share this video, comment to any creatures you would like to see containment procedures implemented for, and remember that patrons of Site 42 get priority for their Conprox requests. Secure. Contain. Protect.