The "Coronation of the Virgin" mosaic over the inside door of the Florence, Italy Cathedral is attributed to which Italian painter and mosaicist?
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Gaddo Gaddi Gaddo Gaddi (c. 1239, Florence – c. 1312, Florence) was an Italian painter and mosaicist of Florence in a gothic art style. Almost no works survive. He was the father of Taddeo Gaddi. He completed mosaics on facade of Santa Maria Maggiore in Rome. The "Coronation of the Virgin" mosaic over the inside door of Florence Cathedral, dated 1307, is also attributed to Gaddo Gaddi.
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Florence Cathedral The Cattedrale di Santa Maria del Fiore (] ; in English "Cathedral of Saint Mary of the Flower") is the main church of Florence, Italy. Il Duomo di Firenze, as it is ordinarily called, was begun in 1296 in the Gothic style with the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th-century Gothic Revival façade by Emilio De Fabris.
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Lorenzo di Credi Lorenzo di Credi (c. 1459 – January 12, 1537) was an Italian Renaissance painter and sculptor. He first influenced Leonardo da Vinci and then was greatly influenced by him.
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Madonna and Child with an Angel (Botticelli) The Madonna and Child with an Angel is a painting by the Italian Renaissance painter Sandro Botticelli, c. 1465-1467. It is housed in Spedale degli Innocenti of Florence.
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Luigi Guardigli Luigi Guardigli (20 July 1923 – 19 September 2008) was an Italian painter and mosaicist.
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Annunciation (Lippi, Rome) The Annunciation is a painting by the Italian Renaissance painter Filippo Lippi, finished around 1445-1450. It is housed in the Galleria Doria Pamphilj, Rome.
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The Ecstasy of St. Cecilia (Raphael) The St. Cecilia Altarpiece is an oil painting by Italian High Renaissance painter Raphael. Completed in his later years, around 1516-1517, the painting depicts Saint Cecilia, the patron saint of musicians and Church music, listening to a choir of angels in the company of St. Paul, St. John the Evangelist, St. Augustine and Mary Magdalene. Commissioned for a church in Bologna, the painting now hangs there in the Pinacoteca Nazionale, or National Painting Gallery. According to Vasari the musical instruments strewn about Cecilia's feet were not painted by Raphael, but by his student, Giovanni da Udine.
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Equestrian Monument of Niccolò da Tolentino The Equestrian Monument of Niccolò da Tolentino (1456) is a fresco painting by the early-Italian Renaissance master Andrea del Castagno, housed in the Florence Cathedral, Italy. Located on the left internal wall of the church, it pairs the adjacent fresco of "Equestrian Statue of John Hawkwood" by Paolo Uccello (1436).
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Girolamo Nanni Girolamo Nanni was a 17th-century Italian painter of the Baroque period, active mainly in Rome. According to Baldinucci's "Notizie", he was called Girolamo Nanni Romano, also called "il Poco e Buono" (few and good). He is known to have frescoed in the chapel of the church of Santa Croce in Gerusalemme and in the chapel of the Assumption of the Virgin in Santa Caterina dei Funari. He painted in the chapel of the Sancta Sanctorum (Chapel of St. Lawrence) in the Lateran Palace.
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Giotto Giotto di Bondone ( 1270 – January 8, 1337), known mononymously as Giotto (] ) and latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the "Gothic or Proto-Renaissance" period.
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Seven Saints (Filippo Lippi) Seven Saints is a tempera on panel painting by the Italian Renaissance master Filippo Lippi, dating to  1449–59 , in the collection of the National Gallery, London. It is a pendant to Lippi's "Annunciation", also in the National Gallery. The lunettes were commissioned as part of the decoration of the Palazzo Medici in Florence, where they were likely placed above a door or a bed.
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Assumption of the Virgin (Titian) The Assumption of the Virgin or Frari Assumption is a large altarpiece panel painting in oils by the Italian Renaissance artist Titian, painted in 1515–18. It remains in the position it was designed for, on the high altar of the Basilica di Santa Maria Gloriosa dei Frari or Frari church in Venice. It is the largest altarpiece in the city, with the figures well over life-size, necessitated by the large church, with a considerable distance between the altar and the congregation.
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Vallombrosa Altarpiece The Vallombrosa Altarpiece is a painting by the Italian Renaissance painter Pietro Perugino, dating to 1500–01. It is housed in the Accademia Gallery of Florence, Italy.
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Madonna of the Stairs The Madonna of the Stairs (or Madonna of the Steps) is a relief sculpture by Michelangelo in the Casa Buonarroti, Florence. It was sculpted around 1491, when Michelangelo was about seventeen. This and the "Battle of the Centaurs" were Michelangelo's first two sculptures. The first reference to the "Madonna of the Stairs" as a work by Michelangelo was in the 1568 edition of Giorgio Vasari's "Lives of the Most Excellent Painters, Sculptors, and Architects".
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List of works by Leonardo da Vinci Leonardo da Vinci (baptised Leonardo di ser Piero da Vinci) (   ), (April 15, 1452 – May 2, 1519) was one of the leading artists of the High Renaissance. Fifteen works are generally attributed either in whole or in large part to him. Most are paintings on panel, with the remainder a mural, a large drawing on paper, and two works in the early stages of preparation. The authorship of several paintings traditionally attributed to Leonardo being disputed. Two major works are known only as copies. Works are regularly attributed to Leonardo with varying degrees of credibility. None of Leonardo's paintings are signed. The attributions here draw on the opinions of various scholars.
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Raffaello da Montelupo Raffaello da Montelupo (c. 1504/1505 – c. 1566/1567), born Raffaele Sinibaldi, was a sculptor and architect of the Italian Renaissance, and an apprentice of Michelangelo. He was the son of another Italian sculptor, Baccio da Montelupo. Both father and son are profiled in Vasari's "Le Vite delle più eccellenti pittori, scultori, ed architettori" (or, in English, "Lives of the Most Excellent Painters, Sculptors, and Architects").
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Portrait of Sigismund of Luxemburg The Portrait of Sigismund of Luxembourg (Italian: "Ritratto di Sigismondo di Lussemburgo" ) is a tempera on panel painting formerly attributed to the Italian Late-Gothic master Pisanello and probably executed between 1432 and 1433. It is on display at the Kunsthistorisches Museum in Vienna, Austria.
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Madonna of the Yarnwinder The Madonna of the Yarnwinder (Italian: "Madonna dei Fusi" , “Madonna of the Spindles”) is a subject depicted by Leonardo da Vinci in at least one, and perhaps two paintings begun in 1499 or later. Leonardo was recorded as being at work on one such picture in Florence in 1501 for Florimond Robertet, a secretary to King Louis XII of France. This may have been delivered to the French court in 1507, though scholars are divided on this point. The subject is known today from several versions of which two, called the Buccleuch Madonna and the Lansdowne Madonna, are thought to be partly by Leonardo’s hand. The underdrawings of both paintings show similar experimental changes made to the composition (or "pentimenti"), suggesting that both evolved concurrently in Leonardo’s workshop.
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The Prophet Isaiah (Raphael) The Prophet Isaiah is a fresco located in Basilica di Sant'Agostino, an early Renaissance church in Rome. It is an Italian Renaissance painting, influenced by Michaelangelo's work on the Sistine Chapel ceiling.
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Albani Torlonia Polyptych The Albani Torlonia Altarpiece is a painting by the Italian Renaissance painter Pietro Perugino, executed in 1491 and housed in the Torlonia Collection, Rome. It was commissioned by Cardinal Giuliano della Rovere, the future pope Julius II.
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Madonna della Vallicella The Madonna della Vallicella is an oil-on-slate painting produced between 1606 and 1608 by Peter Paul Rubens. It is his second confirmed commission in Rome, after his now-lost painting cycle for Santa Croce in Gerusalemme.
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Michelangelo and the Medici Michelangelo (6 March 1475 – 18 February 1564) had a complicated relationship with the Medici family, who were for most of his lifetime the effective rulers of his home city of Florence. The Medici rose to prominence as Florence's preeminent bankers, some of which was used for patronage of the arts. Michelangelo's first contact with the Medici family began early as a talented teenage apprentice of the Florentine painter, Domenico Ghirlandaio. Following his initial work for Lorenzo de' Medici, Michelangelo's interactions with the family continued for decades including the Medici papacies of Pope Leo X and Pope Clement VII.