What composer achieved few successes before his final work, "Carmen", Georges Bizet or Domenico Cimarosa?
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Georges Bizet Georges Bizet (] ; 25 October 18383 June 1875), registered at birth as Alexandre César Léopold Bizet, was a French composer of the romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, "Carmen", which has become one of the most popular and frequently performed works in the entire opera repertoire.
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Domenico Cimarosa Domenico Cimarosa (] ; 17 December 1749, Aversa, Kingdom of Naples, now Province of Caserta – 11 January 1801, Venice) was an Italian opera composer of the Neapolitan school. He wrote more than eighty operas during his lifetime, including his masterpiece, "Il matrimonio segreto" (1792). Cimarosa also wrote numerous instrumental works, both secular and religious in nature.
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Cesira Ferrani Cesira Ferrani (May 8, 1863 in Turin – May 4, 1943 in Pollone) was an Italian operatic soprano who is best known for debuting two of the most iconic roles in opera history, Mimì in the original 1896 production of Giacomo Puccini's "La bohème" and the title role in Puccini's "Manon Lescaut" in its 1893 world premiere. Ferrani sang a wide repertoire that encompassed not only verismo opera but the works of composers like Verdi, Gounod, Wagner, and Debussy.
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Camillo Sivori Ernesto Camillo Sivori, (October 25, 1815 – February 18, 1894) was an Italian virtuoso violinist and composer.
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Nell Rankin Nell Rankin (January 3, 1924 – January 13, 2005) was an American operatic mezzo-soprano. Although a successful opera singer internationally, she spent most of her career at the Metropolitan Opera where she worked from 1951-76. She was particularly admired for her portrayals of Amneris in Verdi's "Aida" and the title role in Bizet's "Carmen". "Opera News" said, "Her full, generous tone and bold phrasing, especially in the Italian repertory, were unique among American mezzos of her generation.
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Edmond Dédé Edmond Dédé (November 27, 1827, New Orleans, Louisiana – January 5, 1901, Paris, France) was a free-born Creole musician and composer. He moved to Europe to study in Paris in 1855 and settled in France. His compositions include "Quasimodo Symphony", "Le Palmier Overture", "Le Serment de L'Arabe" and "Patriotisme". For more than forty years, he worked as assistant conductor at the Grand Théâtre and subsequently as conductor as the orchestras at the Théâtre l'Alcazar and the Folies bordelaises in Bordeaux.
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Carnaval (Schumann) Carnaval, Op. 9, is a work by Robert Schumann for piano solo, written in 1834–1835, and subtitled "Scènes mignonnes sur quatre notes" (Little Scenes on Four Notes). It consists of 21 short pieces representing masked revelers at Carnival, a festival before Lent. Schumann gives musical expression to himself, his friends and colleagues, and characters from improvised Italian comedy ("commedia dell'arte"). He dedicated the work to the violinist Karol Lipiński.
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Giacomo Puccini Giacomo Antonio Domenico Michele Secondo Maria Puccini (] ; 22 December 1858 29 November 1924) was an Italian opera composer who has been called "the greatest composer of Italian opera after Verdi".
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Te Deum (Berlioz) The Te Deum (Op. 22 / H.118) by Hector Berlioz (1803–1869) was completed in 1849. Like the earlier and more famous ""Grande Messe des Morts"", it is one of the works referred to by Berlioz in his Memoirs as "the enormous compositions which some critics have called architectural or monumental music." While the orchestral forces required for the "Te Deum" are not as titanic as those of the "Requiem", the work calls for an organ that can compete on equal terms with the rest of the orchestra. It lasts approximately fifty minutes and derives its text from the traditional Latin Te Deum, although Berlioz changed the word order for dramatic purposes.
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Les nuits d'été discography Les nuits d'été ("Summer Nights"), Op. 7, is a song cycle by the French composer Hector Berlioz, setting six poems by Théophile Gautier. The cycle, completed in 1841, was originally for soloist and piano accompaniment. Berlioz orchestrated one of the songs in 1843, and did the same for the other five in 1856. The cycle was neglected for many years, but during the 20th century it became, and has remained, one of the composer's most popular works. Of the many recordings made in the 20th and 21st centuries, most are of the orchestrated version and are sung by a soprano or mezzo-soprano.
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Rudolf Friml Charles Rudolf Friml (December 7, 1879 – November 12, 1972) was a Czech-born composer of operettas, musicals, songs and piano pieces, as well as a pianist. After musical training and a brief performing career in his native Prague, Friml moved to the United States, where he became a composer. His best-known works are "Rose-Marie" and "The Vagabond King", each of which enjoyed success on Broadway and in London and were adapted for film.
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Carmen Suite (ballet) Carmen Suite is a one-act ballet created in 1967 by Cuban choreographer Alberto Alonso to music by Russian composer Rodion Shchedrin for his wife, prima ballerina assoluta Maya Plisetskaya. The premiere took place on 20 April 1967 at the Bolshoi Theatre, Moscow. The music, taken from the opera "Carmen" by Georges Bizet and arranged for strings and percussion, is not a 19th-century pastiche but rather "a creative meeting of the minds," as Shchedrin put it, with Bizet's melodies reclothed in a variety of fresh instrumental colors (including the frequent use of percussion), set to new rhythms and often phrased with a great deal of sly wit. Initially banned by the Soviet hierarchy as "disrespectful" to the opera for precisely these qualities, the ballet has since become Shchedrin's best-known work and has remained popular in the West for what reviewer James Sanderson calls "an iconoclastic but highly entertaining retelling of Bizet's opera."
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Armando Manzanero Armando Manzanero-Canché (born in Ticul, Yucatán on 7 December 1935) is a Mexican musician, singer, and composer of Maya descent, widely considered the premier Mexican romantic composer of the postwar era and one of the most successful composers of Latin America. He received a Grammy Lifetime Achievement Award in United States in 2014.
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Chôros No. 9 Chôros No. 9 is an orchestral work written between 1929 and 1942 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled "Chôros", ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. A recorded performance of "Chôros No. 9" made by the composer lasts almost 28 minutes.
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Giovan Tomaso di Maio Giovan Tomaso di Maio (also Majo, Mayo, c. 1490 - after 1548) was an Italian composer. His villanelle, like those of Giovanni Domenico da Nola, were popular throughout Italy.
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Benjamín Solís Menéndez Benjamín Solís Menéndez (born 4 May 1932, in Chalchuapa) is a Salvadoran composer, pianist, organist and choir director. As choirmaster, he participated in the opening and closing of the V Central American Games in 1994 with the choir "Nueva Vida", and also formed part of the Vienna Opera, presenting the operetta "Die Fledermaus" by Johann Strauss and the "Merry Widow" by Franz Lehar, in the same year. He has directed many choirs, including the Coro Nacional de El Salvador, Coro de la Primera Iglesia Bautista de El Salvador, Coro del I.S.S.S., Coro Juvenil and the Coro Infantil del Liceo Cristiano "Reverendo Juan Bueno", and the Opera de El Salvador.
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Pierluigi Cimma Pierluigi Cimma or Pier Luigi Cimma (August 19, 1941 – July 31, 2006), was an Italian composer, lutenist, guitarist and teacher.
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Remo Giazotto Remo Giazotto (September 4, 1910, Rome – August 26, 1998, Pisa) was an Italian musicologist, music critic, and composer, mostly known through his systematic catalogue of the works of Tomaso Albinoni. He wrote biographies of Albinoni and other composers, including Vivaldi, the composer of "The Four Seasons".
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The Italian Girl in London The Italian Girl in London ("L'italiana in Londra") is one of eight comic operas, termed intermezzi, which Domenico Cimarosa wrote between 1777 and 1784 for the Teatro Valle, a handsome neo-classical Roman theatre built in 1726, which still stands today.
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Leo Blech Leo Blech (21 April 1871 – 25 August 1958) was a German opera composer and conductor who is perhaps most famous for his work at the Königliches Opernhaus (later the Berlin State Opera / Staatsoper Unter den Linden) from 1906 to 1937, and later as the conductor of Berlin's Städtische Oper from 1949 to 1953. Blech was known for his reliable, clear, and elegant performances, especially of works by Wagner, Verdi, and Bizet's "Carmen" (which he conducted over 600 times), and for his sensitivity as an accompanist.
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Philippe Musard Philippe Musard (8 November 1792 – 31 March 1859) was a French composer who was crucial to the development and popularity of the promenade concert. One of the most famous personalities of Europe during the 1830s and 1840s, his concerts in Paris and London were riotous (in several senses of the word) successes. Best known for his "galop" and "quadrille" pieces, he composed many of these numbers himself, usually borrowing famous themes of other composers. Musard plays an important role in the development of light classical music, the faculty of publicity in music, and in the role of the conductor as a musical celebrity. He has been largely forgotten subsequent to his retirement in the early 1850s.
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Carlo Domeniconi Carlo Domeniconi (born 20 February 1947) is an Italian guitarist and composer. Although his compositions include a wide variety of genres and instrumentation choices, he is best known for his works for solo guitar, and particularly the "Koyunbaba" suite. Domeniconi's style is characterized by his adoption of multicultural influences. His works explore and borrow from a wide variety of national traditions, including Turkish, Indian, Brazilian, and many more.