Which playright was influenced by Christopher Marlowe, who died in 1593?
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Eleanor Bull Eleanor Bull (c. 1550 – 1596) was an English woman who is known for owning the establishment in which Christopher Marlowe, the Elizabethan playwright and poet, was killed in 1593.
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Christopher Marlowe Christopher Marlowe, also known as Kit Marlowe (baptised 26 February 156430 May 1593), was an English playwright, poet and translator of the Elizabethan era. Marlowe was the foremost Elizabethan tragedian of his day. He greatly influenced William Shakespeare, who was born in the same year as Marlowe and who rose to become the pre-eminent Elizabethan playwright after Marlowe's mysterious early death. Marlowe's plays are known for the use of blank verse and their overreaching protagonists.
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Mary Shakespeare Mary Shakespeare, née Arden, (c. 1537–1608) was the mother of William Shakespeare. She was the daughter of Robert Arden. The Arden family had been prominent in Warwickshire since before the Norman Conquest. She was the youngest of 8 daughters, and she inherited her father's farm, now called Mary Arden's House, in Wilmcote, Warwickshire when Robert Arden died in December 1556.
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The Witch (play) The Witch is a Jacobean play, a tragicomedy written by Thomas Middleton. The play was acted by the King's Men at the Blackfriars Theatre. It is thought to have been written between 1613 and 1616; it was not printed in its own era, and existed only in manuscript until it was published by Isaac Reed in 1778.
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Thomas Killigrew Thomas Killigrew (7 February 1612 – 19 March 1683) was an English dramatist and theatre manager. He was a witty, dissolute figure at the court of King Charles II of England.
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Edward de Vere, 17th Earl of Oxford Edward de Vere, 17th Earl of Oxford ( ; 12 April 155024 June 1604) was an English peer and courtier of the Elizabethan era. Oxford was heir to the second oldest earldom in the kingdom, a court favourite for a time, a sought-after patron of the arts, and noted by his contemporaries as a lyric poet and court playwright, but his reckless and volatile temperament precluded him from attaining any courtly or governmental responsibility and contributed to the dissipation of his estate. Since the 1920s he has been among the most popular alternative candidates proposed for the authorship of Shakespeare's works.
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Richard Tarlton Richard Tarlton or Tarleton (died September 1588), was an English actor of the Elizabethan era. He was the most famous clown of his era, known for his extempore comic doggerel verse, which came to be known as "Tarltons". He helped to turn Elizabethan theatre into a form of mass entertainment paving the way for the Shakespearean stage. After his death many witticisms and pranks were attributed to him and were published as "Tarlton's Jests".
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Greene's Groats-Worth of Wit Greenes, Groats-worth of Witte, bought with a million of Repentance (1592) is a tract published as the work of the deceased playwright Robert Greene.
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The Spanish Gypsy The Spanish Gypsy is an English Jacobean tragicomedy, dating from 1621-22. The play was likely a collaboration between several dramatists, including Thomas Middleton, William Rowley, Thomas Dekker, and John Ford. Like Shakespeare's lost play "Cardenio", "The Spanish Gypsy" is an English reworking of the novellas of Miguel de Cervantes, combining two of Cervantes' "Novelas Ejemplares" into a single drama.
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Judith Quiney Judith Quiney (baptised 2 February 1585 – 9 February 1662), "née" Shakespeare, was the younger daughter of William Shakespeare and Anne Hathaway and the fraternal twin of Shakespeare's only son Hamnet Shakespeare. She married Thomas Quiney, a vintner of Stratford-upon-Avon. The circumstances of the marriage, including Quiney's misconduct, may have prompted the rewriting of Shakespeare's will. Thomas was struck out, while Judith's inheritance was attached with provisions to safeguard it from her husband. The bulk of Shakespeare's estate was left, in an elaborate fee tail, to his elder daughter Susanna and her male heirs.
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Christopher Wharton Christopher Wharton (before 1546 – 28 March 1600) was an English Roman Catholic priest. He is a Catholic martyr, beatified in 1987.
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English Renaissance theatre English Renaissance theatre, also known as early modern English theatre, or (commonly) as Elizabethan theatre, refers to the theatre of England between 1562 and 1642.
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John Manningham John Manningham (died 1622) was an English lawyer and diarist, a contemporary source for Elizabethan era and Jacobean era life and the London dramatic world, including William Shakespeare.
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The Arcadia (play) The Arcadia is James Shirley's dramatization of the prose romance, "The Countess of Pembroke's Arcadia" by Sir Philip Sidney — one expression of the enormous influence that Sidney's work exercised during the 17th century. Shirley's stage version was first published in 1640.
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The School of Night The School of Night is a modern name for a group of men centred on Sir Walter Raleigh that was once referred to in 1592 as the "School of Atheism". The group supposedly included poets and scientists Christopher Marlowe, George Chapman and Thomas Harriot. There is no firm evidence that all of these men were known to each other, but speculation about their connections features prominently in some writing about the Elizabethan era.
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Barten Holyday Barten Holyday or Holiday (1593–1661) was a clergyman, author and poet. He earned a Doctor of Divinity degree, and entered the clergy in 1615; he was appointed archdeacon of Oxford by King Charles I in 1626. "Technogamia" was his only play. In 1618, the year it was produced, Holyday served as Sir Francis Stewart's chaplain on Stewart's embassy to Spain. Holyday translated the "Odes" of Horace and works of Juvenal and Persius, and wrote "A Survey of the World, in Verse" (1661), plus sermons and miscellaneous works. He was summed up by one commentator as "a good scholar, a shrewd critic, and a fair wit." His translations show strong fidelity to their originals, and have often been considered the best of his works. Samuel Johnson said in "Idler" 69 that his translations were those of "only a scholar and a critick" not a poet.
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John Fletcher (playwright) John Fletcher (1579–1625) was a Jacobean playwright. Following William Shakespeare as house playwright for the King's Men, he was among the most prolific and influential dramatists of his day; both during his lifetime and in the early Restoration, his fame rivalled Shakespeare's. Though his reputation has been far eclipsed since, Fletcher remains an important transitional figure between the Elizabethan popular tradition and the popular drama of the Restoration.
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Dolly Walker-Wraight Annie Doris ("Dolly") Walker-Wraight (24 April 1920 in Java – 15 February 2002) was a British school teacher and writer, notable for her support of Marlovian theory, the view that Christopher Marlowe was the true author of Shakespeare's works.
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Clifford Leech Clifford Leech (1909–1977) was a prolifically published British-born professor of English at University College at the University of Toronto 1963-74. His contribution to Christopher Marlowe studies was considered "historically important." In Canada he was considered a "distinguished scholar." His publications mainly concerned Elizabethan and Jacobean dramatists, including William Shakespeare, John Webster and John Ford. He also wrote a book on American playwright Eugene O'Neill. Leech's published reviews include one on a Canadian play, The Last of the Tsars, produced at Stratford, Ontario in 1966 on the subject of the last Russian czar.
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Richard II (play) King Richard the Second is a history play by William Shakespeare believed to have been written in approximately 1595. It is based on the life of King Richard II of England (ruled 1377–1399) and is the first part of a tetralogy, referred to by some scholars as the Henriad, followed by three plays concerning Richard's successors: "Henry IV, Part 1"; "Henry IV, Part 2"; and "Henry V".
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The Queen (play) The Queen, or The Excellency of Her Sex is a Caroline era tragicomedy. Though published anonymously in 1653, The play is now generally attributed to John Ford — making it a significant addition to the very limited canon of Ford's works.
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The Royal Master The Royal Master is a Caroline era stage play, a comedy written by James Shirley, and first published in 1638. The play is "ranked by many critics as Shirley's ablest work in romantic comedy...It is a play notable for well-knit plot, effective scenes, pleasing characterization, clever dialogue, and poetic atmosphere."