Unser Mund sei voll Lachens is a church cantata by a composer born in what year?
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Unser Mund sei voll Lachens, BWV 110 Unser Mund sei voll Lachens (May our mouth be full of laughter), BWV 110 , is a church cantata by Johann Sebastian Bach. He composed the Christmas cantata in Leipzig for Christmas Day and first performed it on 25 December 1725.
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Johann Sebastian Bach Johann Sebastian Bach (31 March [O.S. 21 March] 1685 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the "Brandenburg Concertos" and the "Goldberg Variations", and vocal music such as the "St Matthew Passion" and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of all time.
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Klaus Lang Klaus Lang (born 26 April 1971 in Graz) is an Austrian composer, concert organist, improviser, and academic teacher.
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Isidor Seiss Isidor Seiss (23 December 184025 September 1905) was a German composer, conductor, pianist, piano pedagogue and philanthropist. His surname also appears as Seiß, and his first name also appears as Isidore.
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Carl Zeller Carl Adam Johann Nepomuk Zeller (19 June 1842 – 17 August 1898) was an Austrian composer of operettas.
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Ich hatte viel Bekümmernis, BWV 21 Johann Sebastian Bach composed the church cantata Ich hatte viel Bekümmernis (I had much grief), BWV 21 , in Weimar, possibly in 1713, partly even earlier. He used it in 1714 and later for the third Sunday after Trinity of the liturgical year. The work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as "e per ogni tempo " (and for all times), indicating that due to its general theme, the cantata is suited for any occasion.
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Günter Kochan Günter Kochan (2 October 1930 – 22 February 2009) was a German classical composer. His compositions include cantatas, film scores, orchestral music, songs, symphonies and music for radio dramas.
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Johann Balthasar Christian Freißlich Johann Balthasar Christian Freislich (also Freißlich, Fraißlich, baptised 30 March 1687 - 17 April 1764) was a German composer and organist.
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Robert H.P. Platz Robert H.P. Platz (born 16 August 1951) is a German classical composer.
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Salomon Franck Salomon (also Salomo) Franck, 6 March 1659  – 11 July 1725), was a German lawyer, scientist, and poet. He was the librettist of some of the best-known cantatas of Johann Sebastian Bach.
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Georg Matthias Monn Georg Matthias Monn (born "Johann Georg Mann" April 9, 1717, Vienna – October 3, 1750, Vienna) was an Austrian composer, organist and music teacher whose works were fashioned in the transition from the Baroque to Classical period in music.
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Cantata Cycle 1716-1717 (Telemann) The Cantata Cycle 1716-1717 (also known as the Concertante Cycle) is a series of cantatas written by Georg Philipp Telemann while he was Frankfurt's Director of Municipal Music. In addition to composing music for civic occasions, he conducted and composed for several churches in the city, including the Katharinenkirche and the Barfüßerkirche where he was Kapellmeister. During his time in Frankfurt (1712–1721), he composed five new year-long cycles of sacred music for the Sundays and holy days of the ecclesiastical calendar. He also completed several cycles which he had begun earlier in Eisenach where he had been the leader of the court singers. After taking up his post in Hamburg in 1721, he continued to supply Frankfurt with cantata cycles — one complete cycle every three years, as part of an arrangement to maintain his citizenship of that city.
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Gerd Zacher Gerd Zacher (6 July 1929– 9 June 2014) was a German composer, organist, and writer on music. He specialized in contemporary compositions, many of which feature extended techniques, and are written in graphic or verbal scores. He interpreted the scores of numerous contemporary composers, including John Cage, Juan Allende-Blin, Mauricio Kagel, György Ligeti, Hans Otte, and Isang Yun. He is also known as an interpreter of the works of Johann Sebastian Bach.
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Michalis Souyioul Michail Sougioutzoglou ( ] ; 1 August 1906 – 16 October 1958), known professionally as Michalis Souyioul ( ] ) was a prominent Greek composer of light music in the early 20th century.
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Ignaz Lachner Ignaz Lachner (11 September 1807 – 24 February 1895) was a German composer and conductor.
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Lobt ihn mit Herz und Munde, BWV 220 Lobt ihn mit Herz und Munde (Praise him with heart and voice), BWV 220, is a church cantata by an unknown composer, formerly attributed to Johann Sebastian Bach.
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Piotr Lachert Piotr Lachert (born 5 September 1938 in Warsaw) is a Polish composer, pianist and teacher.
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Günther Ramin Günther Werner Hans Ramin (15 October 1898 – 27 February 1956) was an influential German organist, conductor, composer and pedagogue in the first half of the 20th century.
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Weinen, Klagen, Sorgen, Zagen, BWV 12 Weinen, Klagen, Sorgen, Zagen (Weeping, lamenting, worrying, fearing), BWV 12, is a church cantata by Johann Sebastian Bach. He composed it in Weimar for Jubilate, the third Sunday after Easter, and led the first performance on 22 April 1714 in the "Schlosskirche ", the court chapel of the "Schloss" in Weimar.
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Ludwig August Lebrun Ludwig August Lebrun (baptized 2 May 1752 – 16 December 1790) was a German oboist and composer.
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Johann Ernst Eberlin Johann Ernst Eberlin (27 March 1702 – 19 June 1762) was a German composer and organist whose works bridge the baroque and classical eras. He was a prolific composer, chiefly of church organ and choral music. Marpurg claims he wrote as much and as rapidly as Alessandro Scarlatti and Georg Philipp Telemann, a claim also repeated by Leopold Mozart - though ultimately Eberlin did not live nearly as long as either of those two composers.
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Ludwig Wenzel Lachnith Ludwig Wenzel Lachnith (Prague, July 7, 1746 – Paris, October 3, 1820) was a Bohemian horn player and versatile composer influenced by Joseph Haydn and Ignaz Pleyel. Today he is chiefly remembered because of his adaptions of operas by Wolfgang Amadeus Mozart. The French composer and writer Hector Berlioz immortalized him in a diatribe in his autobiography.