Between Prima la musica e poi le parole and Death in Venice, which piece is composed of more acts?
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Prima la musica e poi le parole Prima la musica e poi le parole ("First the music and then the words"), also called "Prima la musica, poi le parole " is an opera in one act by Antonio Salieri to a libretto by Giovanni Battista Casti. The work was first performed on 7 February 1786 in Vienna, following a commission by the Emperor Joseph II. The opera (more specifically, a "divertimento teatrale ") was first performed at one end of the orangery of the Schönbrunn Palace in Vienna by an Italian troupe: simultaneously, Mozart's "Der Schauspieldirektor" was staged at the other end.
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Death in Venice (opera) Death in Venice is an opera in two acts by Benjamin Britten, his last. The opera is based on the novella "Death in Venice" by Thomas Mann. Myfanwy Piper wrote the English libretto. It was first performed at Snape Maltings, near Aldeburgh, England, on 16 June 1973.
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La Fenice Teatro La Fenice (] , "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre", and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major "bel canto" era composers—Rossini, Bellini, Donizetti, and Verdi were performed.
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Roma Symphony (Bizet) The Symphony in C "Roma" is the second of Georges Bizet's symphonies. Unlike his first symphony, also in C major, which was written quickly at the age of 17, "Roma" was written over an eleven-year span, between the ages of 22 and 33 (he died at age 36). Bizet was never fully satisfied with it, subjecting it to a number of revisions, but died before finishing his definitive version. All four movements were performed in his lifetime, but never all on the same occasion. The full symphony in its latest revision was premiered in 1875, after his death. It is perhaps because of Bizet's dissatisfaction that the work is often said to be "unfinished". However, in the form in which it exists today, it is a complete work and is fully scored. It has been recorded a number of times but is not often heard on the concert platform.
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La Rose, la violette et le papillon La Rose, la violette et le papillon ("The Rose, the Violet, and the Butterfly") is a ballet "divertissement" in one act, with choreography by Marius Petipa, and music by Duke Peter Georgievich of Oldenburg. The libretto was by Jules Perrot.
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Francesca da Rimini (Zandonai) Francesca da Rimini, Op. 4, is an opera in four acts, composed by Riccardo Zandonai, with libretto by Tito Ricordi, (1865–1933), after the play "Francesca da Rimini" by Gabriele d'Annunzio. It was premiered at the Teatro Regio in Turin on 19 February 1914, and is still staged occasionally.
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The First Death Dimitris Lyacos's The First Death is the latest installment of the "Poena Damni" trilogy. The book tells the story of a marooned man on a desert island in a sequence of fourteen poem-sections, recounting his relentless struggle for survival as well as his physical and mental disintegration. The work alludes simultaneously to a modern Philoctetes, an inverted version of Crusoe as well as the myth of dismemberment of Dionysus. The dense and nightmarish imagery of the poem, replete with sensations of hallucination, delirium, synesthesia and putrefaction have drawn comparisons to Lautreamont, Trakl and Beckett. Despite being first in the publication history of the Poena Damni trilogy, "The First Death" is the latest installment of the narrative sequence.
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L'Olimpiade (Pergolesi) L'Olimpiade is an opera in the form of a dramma per musica in three acts by the Italian composer Giovanni Battista Pergolesi. Pergolesi took the text, with a few modifications, from the libretto of the same name by Pietro Metastasio. The opera first appeared during the Carnival season of 1735 at the in Rome and "came to be probably the most admired" of the more than 50 musical settings of Metastasio’s drama.
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Loreley (opera) Loreley is an opera ("azione romantica") in three acts composed by Alfredo Catalani to a libretto by Angelo Zanardini, Carlo D'Ormeville and others. It premiered on 16 February 1890 at the Teatro Regio in Turin. Based on the German legend of the Lorelei, the opera is an extensive reworking of Catalani's four-act opera "Elda" which had premiered in Turin ten years earlier.
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Antigona Antigona ("Antigone") is an opera in three acts in Italian by the composer Tommaso Traetta. The libretto, by Marco Coltellini, is based on the tragedy "Antigone" by Sophocles. But there is also an opera "Antigona" by Josef Mysliveček.
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The Last Savage The Last Savage is an opera in three acts by composer Gian Carlo Menotti. Menotti wrote his own libretto, originally in the Italian language ("L'ultimo selvaggio"). The opera was translated into French ("Le dernier sauvage") by Jean-Pierre Marty for the work's first (private) performance at the Opéra-Comique in Paris on 21 October 1963, followed the next day by the public premiere. George Mead translated the work into English for the opera's American premiere at the Metropolitan Opera the following year.
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Mozart and Salieri (play) Mozart and Salieri (Russian: Моцарт и Сальери , "Mozart i Salieri") is a poetic drama by Alexander Pushkin. "Mozart and Salieri" was written in 1830 as one of his four short plays known as "The Little Tragedies", and was published in 1832. Based on one of the numerous rumours caused by the early death of Mozart, it was the only one of Pushkin's plays that was staged during his lifetime.
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I due Foscari I due Foscari ("The Two Foscari") is an opera in three acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on a historical play, "The Two Foscari" by Lord Byron.
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Il campiello Il campiello ("The Little Square") is an opera in three acts by Ermanno Wolf-Ferrari. The Italian-language libretto was by Mario Ghisalberti, after the famous comedy of the same name written for the 1756 Venetian Carnival by the great Venetian playwright, Carlo Goldoni.
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Parisina (Mascagni) Parisina is a "tragedia lirica", or opera, in four acts by Pietro Mascagni. Gabriele D'Annunzio wrote the Italian libretto after Byron's poem "Parisina" of 1816.
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La bohème (Leoncavallo) La bohème is an Italian opera in four acts, with music and libretto by Ruggero Leoncavallo, based on "Scènes de la vie de bohème" by Henri Murger. The opera received a successful premiere at the Teatro la Fenice, Venice on 6 May 1897.
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Los amores de la Inés Los amores de la Inés ("The Loves of Inés") is a zarzuela in one act, two scenes, composed by Manuel de Falla in collaboration with Amadeu Vives. The work uses a Spanish language libretto by Emilio Dugi (Mannel Osorio y Bertrand) and the music is organized into a prelude and five musical sections.
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Gloria (opera) Gloria is a tragic opera in three acts by Francesco Cilea with an Italian libretto by Arturo Colautti. A variation on the Romeo and Juliet story and set in 14th century Siena, the libretto is based on Victorien Sardou's 1874 play "La Haine" ("Hatred"). The opera premiered on 15 April 1907 at La Scala conducted by Arturo Toscanini with Salomea Krusceniski in the title role. "Gloria" was a failure at its premiere when it was withdrawn after two performances and fared little better in the 1932 revised version, although there have been two late 20th century revivals. It proved to be Cilea's last staged opera. In the 43 years following the premiere of "Gloria" he worked on two or three further operas which were never performed and continued to compose chamber and orchestral music.
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Hey, Luciani Hey! Luciani: The Life and Codex of John Paul I is a play written by Mark E. Smith, best known as the lead singer of the band The Fall. Described by its author as "a cross between Shakespeare and "The Prisoner"", the play centres on the mysterious death of Pope John Paul I in 1978.
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Artaserse (Hasse) Artaserse is an opera ("dramma per musica") in three acts composed by Johann Adolph Hasse to an Italian libretto adapted from that by Metastasio by Giovanni Boldini. It premiered at the Teatro di San Giovanni Grisostomo in Venice on 11 February 1730, shortly after the libretto's first setting by Leonardo Vinci premiered in Rome 6 days earlier. Metastasio's libretto, "Artaserse", has been used in more than 90 works. Hasse himself would later re-work the score for performances at the Opernhaus am Zwinger in Dresden (1740) and the Teatro di San Carlo in Naples (1760).
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Orlando furioso (Vivaldi, 1714) Orlando furioso RV 819 (] , Teatro San Angelo, Venice 1714) is a three-act opera surviving in manuscript in Antonio Vivaldi's personal library, only partly related to his better known Orlando furioso (RV 728) of 1727. It is a recomposition of an "Orlando furioso" written by Giovanni Alberto Ristori which had been very successfully staged by Vivaldi and his father's "impresa" in 1713, and whose music survives in a few fragments retained in the score of RV 819. Therefore, Vivaldi's first cataloguer Peter Ryom did not assign the opera a RV number, but catalogued it as RV Anh. 84. The libretto was by Grazio Braccioli.
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Giovanni Valentini (classical era composer) Giovanni Valentini (ca. 1750 – 1804) was an Italian classical era composer, poet and painter. He is best remembered for his innovative instrumental music. Among his many works are two operas, "La statua matematica" and "Le nozze in contrasto", the latter of which premiered at the Teatro San Moisè, Venice, in November 1774.