Henry Anderson was noted for his strong resonant type of classical male singing voice whose range is between what voice types?
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Henry Anderson (street vendor) Henry Anderson (born 1800) was a Philadelphia-area street vendor known as The Hominy Man, who became a local legend, beginning in about 1828, for his cries, which he used to hawk his wares. His were said to be the "most musical of all cries", and he was noted for his "strong resonant 'tenor robusto'".
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Tenor Tenor is a type of classical male singing voice whose vocal range is between the countertenor and baritone voice types. The tenor's vocal range (in choral music) lies between C, the C one octave below middle C, and A, the A above middle C. In solo work, this range extends up to C, or "tenor high C". The low extreme for tenors is roughly A♭ (two A♭ s below middle C). At the highest extreme, some tenors can sing up to two Fs above middle C (F).
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Overtone singing Overtone singing—also known as overtone chanting, harmonic singing or throat singing—is a type of singing in which the singer manipulates the resonances (or formants) created as air travels from the lungs, past the vocal folds, and out of the lips to produce a melody.
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Evan Williams (tenor) Harry Evan Williams (7 September 1867 – 24 May 1918) was an oratorio tenor with an exceptionally beautiful and tender voice. He recorded almost one hundred 78-RPM records for the Victor Talking Machine Company in the United States and The Gramophone Company (HMV) in England. Williams gave more than 1,000 performances and recitals during his 25-year professional career in England and the United States. Williams was praised most highly by critics for his interpretations of Handel.
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William Vennard William Vennard (31 January 1909 Normal, Illinois – 10 January 1971 Los Angeles, California) was a famous American vocal pedagogist who devoted his life to researching the human voice and its use in singing. He was one of the driving forces behind a major shift within the field of vocal pedagogy during the middle of the 20th century. Along with a few other American singing teachers, such as Ralph Appelman at Indiana University, Vennard introduced contemporary scientific research in the areas of human anatomy and physiology into the study of singing. This shift in approach led to the rejection of many of the beliefs and practices held since the bel canto era, most particularly in the areas of vocal registration and vocal resonation. Vennard was renowned as an excellent teacher whose written works have influenced generations of singers, vocal pedagogues and voice scientists. He taught many successful singers including acclaimed mezzo-soprano Marilyn Horne, who studied under him at the University of Southern California.
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List of tenors in non-classical music The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C, the C one octave below middle C, to the high C (C). The low extreme for tenors is roughly B♭ (two B♭ s below middle C). At the highest extreme, some tenors can sing up to two Fs above middle C (F).
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Alfred Deller Alfred George Deller, CBE (31 May 1912 – 16 July 1979), was an English singer and one of the main figures in popularising the return of the countertenor voice in Renaissance and Baroque music during the 20th century.
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Steuart Wilson Sir James Steuart Wilson (21 July 1889 – 18 December 1966) was an English singer, known for tenor roles in oratorios and concerts in the first half of the 20th century. After the Second World War he was an administrator for several organisations including the Arts Council of Great Britain, the BBC and the Royal Opera House.
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June Anderson June Anderson (born December 30, 1952) is a Grammy Award-winning American dramatic coloratura soprano. Originally known for "bel canto" performances of Rossini, Donizetti, and Vincenzo Bellini, she was the first non-Italian ever to win the prestigious Bellini d'Oro prize. Subsequently, she has extended her repertoire to include a wide variety of other roles, including those from the Russian repertoire and works by Richard Strauss. In 2008, Anderson was elevated to "Commandeur" of the Ordre des Arts et des Lettres by the French Government and in 2007 received a "Victoire d'honneur" at the "Victoires de la Musique Classique" in Paris.
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Richard Croft (tenor) Richard Croft is an American opera singer who is often characterized as a lyric tenor or "Mozart tenor."
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Neo-Riemannian theory Neo-Riemannian theory is a loose collection of ideas present in the writings of music theorists such as David Lewin, Brian Hyer, Richard Cohn, and Henry Klumpenhouwer. What binds these ideas is a central commitment to relating harmonies directly to each other, without necessary reference to a tonic. Initially, those harmonies were major and minor triads; subsequently, neo-Riemannian theory was extended to standard dissonant sonorities as well. Harmonic proximity is characteristically gauged by efficiency of voice leading. Thus, C major and E minor triads are close by virtue of requiring only a single semitonal shift to move from one to the other. Motion between proximate harmonies is described by simple transformations. For example, motion between a C major and E minor triad, in either direction, is executed by an "L" transformation. Extended progressions of harmonies are characteristically displayed on a geometric plane, or map, which portrays the entire system of harmonic relations. Where consensus is lacking is on the question of what is most central to the theory: smooth voice leading, transformations, or the system of relations that is mapped by the geometries. The theory is often invoked when analyzing harmonic practices within the Late Romantic period characterized by a high degree of chromaticism, including work of Schubert, Liszt, Wagner and Bruckner.
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Basso profondo Basso profondo (Italian: "deep bass"), sometimes basso profundo or contrabass, is the bass voice subtype with the lowest vocal range.
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Hedli Anderson Antoinette Millicent Hedley Anderson (1907–1990) was an English singer and actor.
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Baritone A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice types. It is the most common male voice. Originally from the Greek βαρύτονος ("barýtonos") , meaning "deep (or heavy) sounding", music for this voice is typically written in the range from the second F below middle C to the F above middle C (i.e. F–F) in choral music, and from the second A below middle C to the A above middle C (A to A) in operatic music, but can be extended at either end. The baritone voice type is generally divided into the baryton-Martin baritone (light baritone), lyric baritone, "Kavalierbariton", Verdi baritone, dramatic baritone, "baryton-noble" baritone, and the bass-baritone.
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Soprano clarinet The term soprano clarinet is used occasionally to refer to those instruments from the clarinet family that occupy a higher position, both in pitch and in popularity than subsequent additions to the family such as the basset horns and bass clarinets. The B♭ clarinet is by far the most common type of clarinet and indeed the unmodified word "clarinet" usually refers to this instrument. However, due to a tendency for writers and historians to imitate the terms used to denote instruments in other instrumental 'family groups' the term soprano is sometimes used to apply not only to the B♭ clarinet but also to the clarinets in A and C, sounding respectively a semitone lower and a whole tone higher than the B♭ instrument, and even the low G clarinet—rare in Western music but popular in the folk music of Turkey—sounding a whole tone lower than the A. While some writers reserve a separate category of sopranino clarinets for the E♭ and D clarinets, these are more usually regarded as soprano clarinets as well. All have a written range from the E below middle C to about the C three octaves above middle C, with the sounding pitches determined by the particular instrument's transposition.
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Peter Dvorský Peter Dvorský (born 25 September 1951) is a Slovak operatic tenor. Possessing a lyrical voice with a soft, elastic tone, and warm and melodious timbre, Dvorský's repertoire concentrates on roles from the Italian and Slavic repertories.
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Treble voice A treble voice is a voice which takes the treble part. In the absence of a separate descant part, this is normally the highest-pitched part, and otherwise the second highest. The term is most often used today within the context of choral music in reference to youthful singers. The American Choral Directors Association defines a treble as "a singer, both male and female, ages eight to sixteen".
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Farinelli Farinelli (] ) (24 January 170516 September 1782), was the stage name of Carlo Maria Michelangelo Nicola Broschi (] ), celebrated Italian castrato singer of the 18th century and one of the greatest singers in the history of opera. Farinelli has been described as having soprano vocal range and sang the highest note customary at the time, C6.
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Ingeborg Hallstein Ingeborg Hallstein (born 23 May 1936 in Munich) is a German operatic coloratura soprano famed for the purity and range of her voice, which extended from the G-sharp below middle C to the B-flat more than three octaves above it.
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Richard Holm (tenor) Richard Holm (3 August 1912 – 20 July 1988) was a German operatic tenor, particularly associated with Mozart, though he sang a wide range of roles.
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Hugues Cuénod Hugues-Adhémar Cuénod (] ; 26 June 19026 December 2010) was a Swiss tenor known for his performances in international opera, operetta, both traditional and musical theatre, and on the concert stage, where he was particularly known for his clear, light, romantic and expressive poised interpretation of "mélodie" (French art song). His repertoire encompassed everything from the medieval chansons of Guillaume de Machaut to the avant garde works of Igor Stravinsky, as well as recordings of lute songs. Cuénod contributed to the revival of baroque music, performing compositions by Francesco Cavalli and others. A distinguished singer of Johann Sebastian Bach's music, he was particularly praised for his interpretation of the Evangelist in Bach's "St Matthew Passion". He had the longest career of any recorded vocalist or performer in history: he gave his first concert in Paris in 1928, aged 26, and his last in 1994, when he was 92. He was as fluent in English, German and Italian as he was in his native French.
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Voice leading Voice leading is the term used to describe the linear progression of melodic lines (voices) and their interaction with one another to create harmonies, according to the principles of common-practice harmony and counterpoint.