In which period did this type of film emerge of which Texas, Adios directed by Ferdinando Baldi and starring Franco Nero is a good example?
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Texas, Adios Texas, Adios (Italian: "Texas, addio") is a 1966 Italian Spaghetti Western film directed by Ferdinando Baldi and starring Franco Nero. It is often referenced in connection with "Django", also starring Nero, and although was referred to as "Django 2" in some countries, it is not considered a sequel. The film is mostly remembered as a lesser known Spaghetti Western.
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Spaghetti Western Spaghetti Western, also known as Italian Western or Macaroni Western (primarily in Japan), is a broad subgenre of Western films that emerged in the mid-1960s in the wake of Sergio Leone's film-making style and international box-office success. The term was used by American critics and other countries because most of these Westerns were produced and directed by Italians.
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Rumberas film The rumberas film (in Spanish cine de rumberas) was a film genre that flourished in Mexico, in the so-called Golden Age of Mexican cinema in the 1940s and 1950s. These movies starred "rumberas", dancers who performed to popular Afro-Caribbean rhythms. With roots in various film styles, the genre is one of the most fascinating hybrids of international cinema. Today, thanks to their unique characteristics, they are considered cult films. The rumberas and the luchador films were two of Mexico's contributions to international cinema. The rumberas film represented a social view of the world, focused on "women of the night" in the 1940s and 1950s, which confronted the moral and social conventions of their time, exhibiting a more realistic look at Mexican society. These were melodramas about the lives of these women, redeemed through exotic dance.
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Warbus Warbus (aka War Bus) is a 1985 Italian-Philippine internationally co-produced action film directed by Ferdinando Baldi under the pseudonym "Ted Kaplan".
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Nero (2004 film) Imperium: Nero is an Italian-British-Spanish television film, part of the "Imperium" series; it was made film available on DVD as of November 2005 in the U.S. and Canada. Produced by EOS Entertainment and Lux Vide for RAI and Telecinco.
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Cinema of Switzerland The film industry based in Switzerland dates to the 1930s. It is influenced by the neighboring countries of France, Germany and Italy, with which it shares languages. Before the mid-1960s Swiss films were often sentimental, but the French New Wave led to more experimental cinema.
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Centauros del pasado Centauros del pasado is a 1944 Argentine historical biopic film directed by Belisario García Villar, with a screenplay by Villar, Eliseo Montaine, and Roberto Talice, as based upon the original historical novel by Montaine and Talice about Pancho Ramirez, a governor of Argentina's Entre Ríos Province during the Argentine War of Independence, and founder of the Republic of Entre Ríos.
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The Third Eye (1966 film) The Third Eye (Italian: "Il terzo occhio" ) is a 1966 Italian horror film. It was directed by Mino Guerrini and stars Franco Nero, Gioia Pascal and Erika Blanc. A young count, who lives with his domineering, jealous mother, begins on a downward spiral into madness after his fiancée dies in a car accident. This was one of Franco Nero's earliest films, before he achieved stardom in the spaghetti western genre. Erika Blanc plays a dual role in the film, portraying both the Count's dead fiancee Laura, as well as Laura's twin sister Daniela.
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Wine Cellars (film) Wine Cellars (Spanish:La bodega) is a 1930 French-Spanish film directed by Benito Perojo and starring Colette Darfeuil, Valentín Parera and Enrique Rivero. It was originally made as a silent film, with sound added later. Based on the film's reputation, Perojo was invited to Hollywood to make Spanish-language films for the major studios.
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Operetta film Operetta films (German: Operettenfilm) are a genre of musical films associated with, but not exclusive to, German language cinema. The genre began in the late 1920s, but its roots stretch back into the tradition of nineteenth century Viennese operettas.
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Softly, Softly (film) Softly, Softly (Italian: "Sotto.. sotto.. strapazzato da anomala passione" , also known as "Sotto... sotto") is a 1984 Italian comedy-drama film directed by Lina Wertmüller.
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The Fury of Hercules The Fury of Hercules (Italian: "La furia di Ercole" , also known as "The Fury of Samson") is a 1962 Italian peplum film written and directed by Gianfranco Parolini.
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Long Live Your Death Long Live Your Death (aka "Don't Turn the Other Cheek!", originally titled "Viva la muerte... tua!") is a 1971 Italian/Spanish/German international co-production spaghetti western/ action comedy film directed by Duccio Tessari. The film is mostly a send up of "political" Spaghetti Westerns (also called Zapata Westerns), like A Professional Gun and Compañeros.
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A Bullet for the General A Bullet for the General (Spanish: "Quién sabe?"), also known by its international title El Chucho Quién Sabe?, is a 1967 Italian Zapata Western film directed by Damiano Damiani, written by Salvatore Laurani and Franco Solinas, and starring Gian Maria Volontè, Lou Castel, Klaus Kinski and Martine Beswick. The film tells the story of El Chuncho, a bandit, and Bill Tate (or El Niňo), who is a counter-revolutionary in Mexico. Chuncho soon learns that social revolution is more important than mere money. This is one of the more famous Zapata Westerns, a subgenre of the spaghetti western which deals with the radicalizing of bad men and bandits into revolutionaries when they are confronted with injustice. Others in this subgenre include "Compañeros", "The Mercenary" and perhaps most famously "Duck, You Sucker!"
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La Notte La Notte (English: "The Night" ) is a 1961 Italian drama film directed by Michelangelo Antonioni and starring Marcello Mastroianni, Jeanne Moreau and Monica Vitti (Umberto Eco appeared in a cameo). Filmed on location in Milan, the film is about a day in the life of an unfaithful married couple and their deteriorating relationship. In 1961 "La Notte" received the Golden Bear at the Berlin International Film Festival, as well as the David di Donatello Award for Best Director. "La Notte" is considered the central film of a trilogy beginning with "L'Avventura" (1960) and ending with "L'Eclisse" (1962).
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Bellas de noche Bellas de noche (in English Beauties by the Night), also known as Las ficheras, is a Mexican film directed by Miguel M. Delgado. It was filmed in 1975 and starring Sasha Montenegro and Jorge Rivero. It's regarded as the film that began the saga of the Mexican sex comedies film genre if the Mexican Cinema.
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Gangsters of the Frontier Gangsters of the Frontier (also known as Raiders of the Frontier in the United Kingdom) is a 1944 American film directed by Elmer Clifton. One of Producers Releasing Corporation "Texas Rangers" film series, the film is regarded as a metaphor for World War II as a fascist-type gang enslaves a town.
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Bloody Moon Bloody Moon (German: Die Säge des Todes/ The Saw of Death) is a 1981 slasher film directed by Jesús Franco.
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Black Humor (film) Black Humor or Umorismo in nero is a 1965 black comedy anthology film directed by Claude Autant-Lara, Giancarlo Zagni and José María Forqué.
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Cantaclaro Cantaclaro is a 1946 Mexican drama film directed by Julio Bracho and starring Esther Fernandez, Antonio Badú and Alberto Galán. The film is based on a novel of the same name by Rómulo Gallegos. It was part of a spate of film adaptations of Gallegos' novels following success of "Doña Bárbara" (1943). The film's sets were designed by the art director Jesús Bracho.
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Texas oil boom The Texas oil boom, sometimes called the gusher age, was a period of dramatic change and economic growth in the U.S. state of Texas during the early 20th century that began with the discovery of a large petroleum reserve near Beaumont, Texas. The find was unprecedented in its size and ushered in an age of rapid regional development and industrialization that has few parallels in U.S. history. Texas quickly became one of the leading oil producing states in the U.S., along with Oklahoma and California; soon the nation overtook the Russian Empire as the top producer of petroleum. By 1940 Texas had come to dominate U.S. production. Some historians even define the beginning of the world's Oil Age as the beginning of this era in Texas.
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Hasta que perdió Jalisco Hasta que perdió Jalisco ("Until He Lost Jalisco") is a 1945 Mexican film. It was directed by