Who was dubbed the father of the type of rock music that emerged from post-punk in the late 1970s?
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Dead Artist Syndrome Dead Artist Syndrome is a mainstream Christian gothic rock band formed in 1989 in Orange County, California. The group consists of singer-songwriter Brian Healy and a rotating cast of side men. Healy was dubbed the "father of Christian goth" by Rozz Williams, and is an ordained minister. The name of D.A.S. according to Healy is "Dead Artist Syndrome means greater in death than in life, be it James Dean, Van Gogh or Jesus Christ". His debut album "Prints of Darkness" was a notable, groundbreaking release. After several years of inactivity in the late 1990s due to health issues, Healy is active again, having released two albums so far in the 2000s. In 2006, Dead Artist Syndrome was named "Outstanding Orange County Band" by the editors and readers of Rock City News, a Los Angeles local music paper. For several years Healy was privately in poor health his gallbladder exploded while recording vocals resulting in emergency surgery, and a neurological disorder his wife Marie Tullai Healy described as "a combination of Michael J. Fox and the late Foster Brooks everybody thought he was drunk, Brian was falling down he broke his arm, slurring his speech trying to complete his record, next thing we know he's in a wheelchair, finally in 2012 they discovered the cause and he had brain surgery and is 100% back to his old self and had no idea any of this was going on, inside his head everything was fine". Healy himself has said on his Facebook page 'He's back" and is actively recording, producing others and hosting Frontline Records Rewind Broadcast and podcast
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Gothic rock Gothic rock (also referred to as goth rock or simply goth) is a style of rock music that emerged from post-punk in the late 1970s. Proto-gothic rock bands grew from the strong ties they had to the English punk rock and emerging post-punk scenes. Such bands include Siouxsie and the Banshees, Joy Division, Bauhaus and the Cure.
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D-beat D-beat (also known as "discore", "kängpunk" (Swedish for "boot-punk"), and "discrust") is a style of hardcore punk, developed in the early 1980s by imitators of Discharge, after whom the genre is named, as well as a drum beat characteristic of this subgenre. D-beat is known for its "grinding, distorted and brutally political" sound. Discharge may have themselves inherited the beat from Motörhead and the Buzzcocks. D-beat is closely associated with crust punk, which is a heavier, more complex variation. The style was particularly popular in Sweden, and developed there by groups such as Crude SS, Anti Cimex, Mob 47 and Driller Killer. Other D-beat groups include Doom and the Varukers from the UK; Disclose from Japan; Crucifix and Final Conflict from the U.S.; Ratos de Porão, from Brazil; and MG15, from Spain. While the style initially developed in the early 1980s, a number of new groups working within the subgenre emerged in the mid-1990s. These include the Swedish groups Wolfbrigade, Totalitär, Avskum, Skitsystem and Disfear.
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José Rey de la Torre José Rey de la Torre (December 9, 1917 – July 21, 1994), known by his stage name Rey de la Torre, was one of the most significant classical guitarists of the mid-twentieth century, and considered by many to be the father of "modern classical guitar technique".
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Punk blues Punk blues (or blues punk) is a fusion genre of punk rock and blues. Punk blues musicians and bands usually incorporate elements of related styles, such as protopunk and blues rock. Its origins lie strongly within the garage rock sound of the 1960s and 1970s.
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Celtic punk Celtic punk is punk rock mixed with traditional Celtic music. The genre was popularized in the 1980s by The Pogues, a band of London Irish punk musicians in London who celebrated their Irish heritage. Celtic punk bands often play covers of traditional Irish, Welsh or Scottish folk and political songs, as well as original compositions. Common themes in Celtic punk music include politics, culture, religion, drinking and working class pride.
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Ramones The Ramones were an American punk rock band that formed in the New York City neighborhood of Forest Hills, Queens, in 1974. They are often cited as the first band to define the punk rock sound. Despite achieving only limited commercial success, the band was a major influence on the 1970s punk movement in both the United States and United Kingdom.
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Arena rock Arena rock (known additionally by various names such as "AOR" or "album-oriented rock", "anthem rock", "corporate rock", "dad rock", "melodic rock", "pomp rock", and "stadium rock" ) is a style of rock music that originated in the mid-1970s. As hard rock bands and those playing a softer yet strident kind of pop rock became increasingly popular, groups creating material inherently designed for large audiences, arena rock developed from their use of more commercially oriented and radio-friendly sounds. The often highly-produced music, including both upbeat, dramatic songs and slower power ballads, features strong emphasis on melody and frequently employs anthemic choruses. Other major characteristics include prominent guitar effects and the use of keyboard instruments.
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Swell Maps Swell Maps were an experimental DIY rock group of the 1970s from Birmingham, England, that foreshadowed the birth of post-punk.
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Rasin Rasin is a musical style that began in Haiti in the 1970s when musicians began combining elements of traditional Haitian Vodou ceremonial and folkloric music with rock and roll. This style of modern music reaching back to the roots of Vodou tradition came to be called "mizik rasin" ("roots music") in Haitian Creole or "musique racine" in French. In context, the movement is often referred to simply as "rasin" or "racine"".
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British pop music British pop music is popular music, produced commercially in the United Kingdom. It emerged in the mid-to late 1950s as a softer alternative to rock 'n' roll and later to rock music. Like American pop music it has a focus on commercial recording, often orientated towards a youth market, as well as that of the Singles Chart usually through the medium of relatively short and simple love songs. While these basic elements of the genre have remained fairly constant, pop music has absorbed influences from most other forms of popular music, particularly borrowing from the development of rock music, and utilising key technological innovations to produce new variations on existing themes. From the British Invasion of the 1960s, led by The Beatles, British pop music has alternated between acts and genres with national appeal and those with international success that have had a considerable impact on the development of the wider genre and on popular music in general.
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Tulsa Sound The Tulsa Sound is a musical style that originated in Tulsa, Oklahoma. It is a mix of rockabilly, country, rock 'n' roll, and blues sounds of the late 1950s and early 1960s. Tulsa Sound artists include J. J. Cale, Jimmy "Junior " Markham, Leon Russell, Elvin Bishop, Roger Tillison, Jack Dunham, Gene Crose, David Gates, The Tractors, Steve Ripley, David Teegarden, Dickey Sims, Dwight Twilley, The Gap Band, Jim Byfield, Clyde Stacy, John D. Levan, Bill Pair, Chuck Blackwell, The Zigs (previously The Notions), Gus Hardin, Rocky Frisco, Don White, and Steve Pryor.
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Bill Davis (musician) William "Bill" Davis (born New Orleans, Louisiana) is an American guitarist, vocalist, and songwriter. He is the founder, lead guitarist, and lead vocalist of the rock band Dash Rip Rock, and a member of the Louisiana Music Hall of Fame. Davis founded Dash Rip Rock in 1984 and is often credited as a pioneer in "country punk," "cowpunk," and alt-country music that combines elements of rock with country and outlaw country with punk rock, but Davis has said in interviews that he considers his music to be widely roots-based. His work has been inspired by a variety of styles, including rock, country, punk, power pop, punk, soul and, at times, Cajun.
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Modern soul Modern soul is a style of music with associated clothing and dance styles (precursors to the Disco era), that developed in Northern England in the early 1970s.
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Classic alternative Classic alternative is a radio format focusing on alternative music from the late 1970s to early 1990s, with particular focus on the early days of MTV.
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Punk rock Punk rock (or "punk") is a rock music genre that developed in the early to mid-1970s in the United States, United Kingdom, and Australia. Rooted in 1960s garage rock and other forms of what is now known as "proto-punk" music, punk rock bands rejected perceived excesses of mainstream 1970s rock. Punk bands typically produced short or fast-paced songs, with hard-edged melodies and singing styles, stripped-down instrumentation, and often political, anti-establishment lyrics. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through informal channels.
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1970s in jazz In the 1970s in jazz, jazz become increasingly influenced by Latin jazz, combining rhythms from African and Latin American countries, often played on instruments such as conga, timbale, güiro, and claves, with jazz and classical harmonies played on typical jazz instruments (piano, double bass, etc.). Artists such as Chick Corea, John McLaughlin and Al Di Meola increasingly influenced the genre with jazz fusion, a hybrid form of jazz-rock fusion which was developed by combining jazz improvisation with rock rhythms, electric instruments, and the highly amplified stage sound of rock musicians such as Jimi Hendrix. All Music Guide states that "..until around 1967, the worlds of jazz and rock were nearly completely separate." However, "...as rock became more creative and its musicianship improved, and as some in the jazz world became bored with hard bop and did not want to play strictly avant-garde music, the two different idioms began to trade ideas and occasionally combine forces."
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Bill Monroe William Smith Monroe ( ; September 13, 1911 – September 9, 1996) was an American mandolinist, singer, and songwriter who helped to create the style of music known as bluegrass. Because of this he is commonly referred to as the "Father of Bluegrass". The genre takes its name from his band, the Blue Grass Boys, named for Monroe's home state of Kentucky. Monroe's performing career spanned 69 years as a singer, instrumentalist, composer and bandleader.
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Bauhaus (band) Bauhaus were an English post-punk band, formed in Northampton, England in 1978. The group consisted of Peter Murphy (vocals, occasional instruments), Daniel Ash (guitar), Kevin Haskins (drums) and David J (bass). The band was originally named Bauhaus 1919 in reference to the first operating year of the German art school Bauhaus, although they shortened the name within a year of formation. One of the first gothic rock groups, Bauhaus were known for their dark image and gloomy sound, although they mixed many genres, including dub, glam rock, psychedelia and funk.
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Buffalo (band) Buffalo was an Australian rock band formed in August 1971 by founding mainstay Dave Tice on lead vocals (ex-Head). Fellow founders, also from Head, were Paul Balbi on drums, John Baxter on guitar, and Peter Wells on bass guitar; together with Alan Milano on lead vocals (ex-Mandala). Milano left after their debut album, "Dead Forever..." (June 1972), and Balbi was replaced on drums by Jimmy Economou. Their next two albums, "Volcanic Rock" (July 1973) and "Only Want You For Your Body" (June 1974), were also issued by Vertigo Records. After 1975 line-up changes resulted in a more commercial sound and the group disbanded in March 1977. Australian musicologist Ian McFarlane noted that there was "nothing subtle about Buffalo's primal, heavyweight sound, but it was delivered with a great deal of conviction ... combining the dense, occult riffing ... with the progressive blues chops ... the band certainly captured the arrogant disposition of the times in a bold and thunderous fashion". Alongside Billy Thorpe & The Aztecs and Blackfeather, Buffalo pioneered Australia's heavy metal, pub rock and alternative rock movements. Peter Wells died on 27 March 2006, aged 58.
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Post-hardcore Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression initially inspired by post-punk and noise rock. Like post-punk, the term has been applied to a broad constellation of groups. The genre took shape in the mid to late 1980s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black and Jawbox that stuck closer to post-hardcore's noise rock roots.
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Rave music Rave music may either refer to the late 1980s/early 1990s genres of house, breakbeat, acid house, techno and hardcore techno, which were the first genres of music to be played at rave parties, or to any other genre of electronic dance music (EDM) that may be played at a rave. The genre "rave", also known as hardcore by early ravers, first appeared amongst the UK "acid" movement during the late 1980s at warehouse parties and other underground venues, as well as on UK pirate radio stations. The genre would develop into oldschool hardcore, which lead onto newer forms of rave music such as drum and bass and 2-step, as well as other hardcore techno genres, such as gabber, hardstyle and happy hardcore. Rave music is usually presented in a DJ mix set, although live performances are not uncommon.