What Hungarian composer wrote Poème symphonique in 1962?
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Poème symphonique Poème symphonique is a 1962 composition by György Ligeti for one hundred mechanical metronomes. It was written during his brief acquaintance with the Fluxus movement.
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György Ligeti György Sándor Ligeti ( ; Hungarian: "Ligeti György Sándor" , ] ; 28 May 1923 – 12 June 2006) was a Hungarian composer of contemporary classical music. He has been described as "one of the most important avant-garde composers in the latter half of the twentieth century" and "one of the most innovative and influential among progressive figures of his time".
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Ferenc Herczeg Ferenc Herczeg (born "Franz Herzog", 22 September 1863 in Versec, Hungarian Kingdom – 24 February 1954 in Budapest, Hungary) was a Hungarian playwright and author who promoted conservative nationalist opinion in his country.
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Gyorgy Bp. Szabo Gyorgy Bp. Szabo (born September 30, 1953 in Budapest) is a designer and musician.
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Isidor Philipp Isidor Edmond Philipp (first name sometimes spelled Isidore) (2 September 1863 – 20 February 1958) was a French pianist, composer, and pedagogue of Jewish Hungarian descent. He was born in Budapest and died in Paris.
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Kossuth (Bartók) Kossuth, Sz. 21, BB. 31, DD. 75a is a symphonic poem composed by Béla Bartók inspired by the Hungarian politician Lajos Kossuth.
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György Orbán György Orbán (born 12 July 1947 in Târgu Mureș, Romania) is a Romanian-born Hungarian composer.
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Joseph Szigeti Joseph Szigeti ([[Hungarian language|Hungarian]]: "Szigeti József" , [[Help:IPA/Hungarian|[ˈjoːʒɛf ˈsiɡɛti]]] ; 5 September 189219 February 1973) was a Hungarian [[violin]]ist.
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Hungarian Rhapsody No. 8 Hungarian Rhapsody No. 8, S.244/8, in F-sharp minor, is the eighth Hungarian Rhapsody composed by Franz Liszt for solo piano. It was composed in 1847 and published in 1853. It has been nicknamed the "Capriccio". It utilizes a melody of Hungarian folk song "Káka tövén költ a ruca" in the slow section. The "allegro" motif was also used by Liszt in his symphonic poem "Hungaria" (1856).
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László Melis László Melis (b. Budapest, Hungary, 14 August 1953) is a Hungarian composer and violinist. He writes primarily in the minimal style and his compositions are often characterized by a propulsive, bouncy quality. Melis was a founding member of the Hungarian new music group Group 180, which during its existence (1978-1990) performed and recorded five of his compositions.
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Béla Drahos Béla Drahos (born 1955 in Kaposvár, Hungary) is a Hungarian conductor and flautist.
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Psalmus Hungaricus (Kodály) Psalmus Hungaricus, Op. 13, is a choral work for tenor, chorus and orchestra by Zoltán Kodály, composed in 1923. The Psalmus was commissioned to celebrate the fiftieth anniversary of the unification of Buda and Pest, and Óbuda for a gala performance on 19 November 1923 along with the "Dance Suite" by Béla Bartók, and the "Festival Overture" by Ernő Dohnányi, who conducted the concert. The work's first performance outside Hungary took place under Volkmar Andreae in Zurich on 18 June 1926. This marked a turning-point in the international recognition of Kodály as a composer, beyond his renown as an ethnomusicologist and music educator.
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Tas László Dobos Tas László Dobos (born 6 March 1947) is a Hungarian poet and philosopher.
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Péter Máté Péter Máté (4 February 1947 – 9 September 1984) was a Hungarian pop singer, composer, and pianist. He was the composer and performer of nearly 150 songs, achieving cult status in Hungarian pop music.
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Géza Anda Géza Anda (] ; 19 November 192114 June 1976) was a Swiss-Hungarian pianist. A celebrated interpreter of classical and romantic repertoire, particularly noted for his performances and recordings of Mozart, he was also a tremendous interpreter of Beethoven, Schumann, Brahms and Bartók.
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Weihnachtsbaum (Liszt) Weihnachtsbaum (English: "Christmas Tree"; French: "Arbre de Noël") is a suite of 12 pieces written by Franz Liszt in 1873–76, with revisions in 1881. The suite exists in versions for solo piano and piano four-hands. "Weihnachtsbaum" does not demand great virtuosity, and it has been described as a distant relation of Schumann's "Kinderszenen" and Debussy's "Children's Corner". It occupies an unusual place in Liszt's output, and it may be for these reasons that it has received relatively little attention from performers.
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György Cziffra György Cziffra (in Hungarian form Cziffra György, ] , also known as Georges Cziffra; 5 November 192115 January 1994), was a Hungarian virtuoso pianist and composer. He is considered to be one of the greatest pianists of all time. Among his teachers were István Thomán, who was a favourite pupil of Franz Liszt.
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Paul Arma Paul Arma (Hungarian: Arma Pál, aka "Amrusz Pál"; né Weisshaus Imre; 22 November 1905 in Budapest – 28 November 1987 in Paris) was a Hungarian-French pianist, composer, and ethnomusicologist.
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Rudi Spring Rudi Spring (born 17 March 1962) is a German composer of classical music, pianist and academic. He is known for vocal compositions on texts by poets and his own, and for chamber music such as his three Chamber Symphonies.
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Miklós Sugár Miklós Sugár (born 2 July 1952) is a Hungarian conductor, music educator, and composer. He is the son of the composer Rezső Sugár. He was born in Budapest and studied at the Ferenc Liszt Academy of Music with Kórodi Andrásné and Emilnél Petrovich.
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Leó Weiner Leó Weiner (16 April 1885 – 13 September 1960), was one of the leading Hungarian music educators of the first half of the twentieth century, and a composer.
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Gustav Mahler Gustav Mahler (] ; 7 July 1860, Kaliště, Bohemia, now Czech Republic – 18 May 1911, Vienna, Austria-Hungary) was an Austrian late-Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.