Who worked as a composer in the French opera, but was born in Germany?
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French opera French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Bizet, Debussy, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Rossini, Meyerbeer, Offenbach and Verdi.
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Giacomo Meyerbeer Giacomo Meyerbeer (born Jacob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer of Jewish birth who has been described as perhaps the most successful stage composer of the nineteenth century. With his 1831 opera "Robert le diable" and its successors, he gave the genre of grand opera 'decisive character'. Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital of the nineteenth century.
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Oronthée Oronthée (or "Orontée") is a French-language opera by the composer Paolo Lorenzani, first performed by the singers and musicians of the Académie Royale de Musique (the Paris Opera) at Chantilly on 23 August 1688 as part of the celebrations the Prince of Condé gave for the Dauphin. It takes the form of a "tragédie en musique" in a prologue and five acts. Almost all of the score is lost.
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Wal-Berg Voldemar Rosenberg, better known by his stage name Wal-Berg (born October 13, 1910, Istanbul - July 12, 1994, Suresnes) was a French composer and conductor.
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Die Soldaten Die Soldaten ("The Soldiers") is a four-act opera in German by Bernd Alois Zimmermann, based on the 1776 play by Jakob Michael Reinhold Lenz. Written and revised in phases between 1957 and 1964, it was premiered in 1965 and dedicated to Hans Rosbaud. Zimmermann himself faithfully adapted the play into the libretto, the only changes to the text being repeats and small cuts. It is the composer's only completed opera and is considered an important work of the second half of the 20th century.
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Joachim Ulric Voyer Joachim Ulric Voyer, was born on July 5, 1892 in Saint-Roch, Quebec City (province of Quebec) and died on January 8, 1935, at the age of 42, in the same. He was a Canadian opera composer, whose opera L'Intendant Bigot, created in Montreal on February 5 and 7, 1929, is considered to be one of the first Canadian operas.
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Ludwig Wenzel Lachnith Ludwig Wenzel Lachnith (Prague, July 7, 1746 – Paris, October 3, 1820) was a Bohemian horn player and versatile composer influenced by Joseph Haydn and Ignaz Pleyel. Today he is chiefly remembered because of his adaptions of operas by Wolfgang Amadeus Mozart. The French composer and writer Hector Berlioz immortalized him in a diatribe in his autobiography.
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Henri Bertini Henri Jérôme Bertini (28 October 1798 – 30 September 1876) was a French classical composer and pianist. He was born into a family of musicians and attracted the attention of François-Joseph Fétis when he toured Europe as a child prodigy. As an adult he was admired both as a soloist and as a chamber musician; it was said that he played with Johann Nepomuk Hummel's simplicity and elegance without sacrificing the brilliance of the instrument. As a composer he had an original style which was rich in musical ideas, attractive melodies, and effortless harmonies. In 1848 he retired from the musical scene and settled in the Dauphiné in south-east France.
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Bayreuth Festspielhaus The Bayreuth Festspielhaus or Bayreuth Festival Theatre (German: Bayreuther Festspielhaus , ] ) is an opera house north of Bayreuth, Germany, dedicated solely to the performance of stage works by the 19th-century German composer Richard Wagner. It is the venue for the annual Bayreuth Festival, for which it was specifically conceived and built. Its official name is Richard-Wagner-Festspielhaus .
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Raoul Gunsbourg Raoul Samuel Gunsbourg (born January 6, 1860 in Bucharest - died May 31, 1955 in Monte Carlo) was a Jewish-Romania-born opera director, impresario, composer and writer. Gunsbourg is best known for being the longest-serving director of the Opéra de Monte-Carlo, where his career spanned almost six decades.
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André Gailhard André Gailhard (29 June 1885 – 3 July 1966) was a French classical music composer.
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Ignaz Pleyel Ignace Joseph Pleyel (] ; ] ; 18 June 1757 – 14 November 1831) was an Austrian-born French composer and piano builder of the Classical period.
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Reiner Bredemeyer Reiner Bredemeyer (2 February 1929 − 5 December 1995) was a German composer. He was born in Vélez, Santander and went to school in Breslau. In 1944 he was drafted into military service and was briefly held as a prisoner of war of the American Army in Bavaria. After the end of World War II, he met composer Karl Amadeus Hartmann who introduced him to the music of Igor Stravinsky, Béla Bartók, Anton Webern, Edgard Varèse, Charles Ives and Erik Satie. From 1949 to 1953 he studied composition with Karl Höller at the Munich Academy for Musical Arts. In 1954 Paul Dessau took him to East Germany, where Bredemeyer became a master student of Rudolf Wagner-Régeny at the DDR Academy of Arts, Berlin.
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Romeo und Julie Romeo und Julie is a singspiel in three acts by composer Georg Benda. The opera has a German libretto by Friedrich Wilhelm Gotter that is based upon Christian Felix Weiße's translation of William Shakespeare's play "Romeo and Juliet".
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La naissance de la lyre La naissance de la lyre ("The Birth of the Lyre") is an opera (styled a "conte lyrique") in one act by the French composer Albert Roussel. The libretto, by Théodore Reinach, is based on the satyr play "Ichneutae" by Sophocles. It was first performed at the Paris Opéra on 1 July 1925 with choreography by Bronislava Nijinska.
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Gustav Hinrichs Gustav Ludwig Wilhelm Hinrichs (later Anglicized to Hinricks) (10 December 1850 - 26 March 1942) was a German-born American conductor and composer. He immigrated to the United States at the age of twenty, conducting opera in San Francisco, New York and Philadelphia where he founded his own opera company. His compositions include an opera and an accompanying score to the 1925 silent film "The Phantom of the Opera".
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Polyxène et Pirrhus Polyxène et Pirrhus ("Polyxena and Pyrrhus") is an opera by the French composer Pascal Collasse, first performed at the Académie Royale de Musique (the Paris Opéra) on 21 October 1706. It takes the form of a "tragédie lyrique" in a prologue and five acts. The libretto is by Jean-Louis-Ignace de La Serre.
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Nicolas Hotman Nicolas Hotman (also "Autheman", "Haultemant", "Hautman", "Otteman"; ca. 1610–1663) was a Baroque composer, who spent most of his career in France. He is believed to have been from Germany, but was probably born in Brussels. He came with his family to Paris around 1626, where he died in April of the year 1663.
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Elisabeth von Herzogenberg Elisabeth von Herzogenberg née Elisabet von Stockhausen (born in Paris on 13 April 1847; died in Sanremo on 7 January 1892) was a German pianist, composer, singer and philanthropist.
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Hilaire Penet Hilaire Penet (born 1501?) was a French composer of the Renaissance, who worked for at least the earlier part of his life in Rome.
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Jean-Baptiste Matho Jean-Baptiste Matho (16 March 1663 – 16 March 1743) was a French composer of the Baroque era. Born in Montfort-sur-Meu near Rennes, his name was originally M. F. H. Thomassin. As a child, Matho attracted attention for the quality of his singing voice and he was sent to Versailles where he began a career as one of the king's musicians. In 1720, he became Master of the King's Music and was charged with the musical education of the young Louis XV alongside François Couperin and Jean-Joseph Mouret. He wrote several works for the stage, including the "tragédie en musique" "Arion" (1714) as well as ballets and other divertissements.
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Joseph Martin Kraus Joseph Martin Kraus (20 June 1756 – 15 December 1792), was a composer in the classical era who was born in Miltenberg am Main, Germany. He moved to Sweden at age 21, and died at the age of 36 in Stockholm. He has been referred to as "the Swedish Mozart", and had a life span which was very similar to that of Mozart.