"Mucho gusto" is an instrumental piece originally recorded by a composer born in which year ?
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Mucho Gusto "Mucho gusto" is an instrumental piece originally recorded by Percy Faith for the 1961 album "Mucho Gusto! More Music of Mexico". The piece is, like the rest of the album, influenced by Mexican music. It has a high, galloping tempo and an advanced arrangement, where the melody is played by alternating strings, brass and percussion. The piece is known for its use of whistles and whips, as well as instruments that are typical of Mexican music, like guitars, maracas and trumpets.
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Percy Faith Percy Faith (April 7, 1908 – February 9, 1976) was a Canadian bandleader, orchestrator, composer and conductor, known for his lush arrangements of pop and Christmas standards. He is often credited with popularizing the "easy listening" or "mood music" format. Faith became a staple of American popular music in the 1950s and continued well into the 1960s. Though his professional orchestra-leading career began at the height of the swing era, Faith refined and rethought orchestration techniques, including use of large string sections, to soften and fill out the brass-dominated popular music of the 1940s.
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Danilo Pérez Danilo Pérez (born 29 December 1965) is a Panamanian pianist and composer.
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David Granadino David Granadino (June 13, 1876 – August 22, 1933) was a Salvadoran composer and musician, one of the most celebrated of the country.
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Jesús Rodríguez Picó Jesús Rodríguez Picó (born Barcelona, Spain, 12 July 1953) is a composer of contemporary classical music, a clarinet player and a pedagogue. He studied at the Conservatori del Liceu where he obtained a certificate as a clarinet teacher, completing his training in France. He collaborated with many ensembles specialized in the contemporary repertoire, like the Grup Instrumental Català (GIC) and Solars Vortices, as well as forming a duo with the pianist Manuel Cabero. As a performer, he has strived to promote clarinet music and contemporary music, in addition to working in musical pedagogy and in various fields relating to cultural management.
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Roberto Valera Roberto Valera Chamizo (b. Havana, 1938) is a Cuban composer and pedagogue that has a made a substantial contribution to the development of music in Cuba.
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Giorgio Nottoli Giorgio Nottoli (born 1945) is an Italian composer, musician and academic.
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Octavio Brunetti Octavio Brunetti (May 12, 1975 – August 29, 2014) was a pianist, arranger and composer from Argentina. He was best known for his participation in the album "Te amo tango" (Soundbrush Records SR 1009) by Raul Jaurena, which won the Latin Grammy Award for Best Tango Album in 2007, and was one of the most sought after tango pianists.
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Fausto Bordalo Dias Fausto (] ), , born Carlos Fausto Bordalo Gomes Dias; 26 November 1948 in Atlantic Ocean, registered as Trancoso, ), is a Portuguese composer and singer.
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Anthony Braxton Anthony Braxton (born June 4, 1945) is an American composer and instrumentalist. Braxton has released well over 100 albums since the 1960s. Among the instruments he plays are the sopranino, soprano, C-melody, F mezzo-soprano, E-flat alto, baritone, bass, and contrabass saxophones; the E-flat, B-flat, and contrabass clarinets; and the piano. He used to play flute and alto flute as well, but has since discontinued his use of these instruments.
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Agustín Barrios Agustín Pío Barrios (also known as Agustín Barrios Mangoré and Nitsuga—Agustin spelled backwards—Mangoré; May 5, 1885 – August 7, 1944) was a Paraguayan virtuoso classical guitarist and composer, largely regarded as one of the greatest performers and most prolific composers for the guitar.
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Edgar Palacios Rodriguez Edgar Palacios Rodriguez (born October 7, 1940, Loja), known as Edgar Palacios, is an Ecuadorian music composer.
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Rafael Solano Rafael Solano Sánchez (born April 10, 1931 in San Felipe de Puerto Plata, in the Dominican Republic) is a Dominican pianist, songwriter, composer, arranger, author, and former Dominican ambassador to UNESCO. He is credited with writing over a hundred songs of various genres that include romantic, folk, as well as choral, religious, and merengue music. His most famous love song, "Por Amor", has been translated into several languages and performed by renowned artists, such as Marco Antonio Muñiz, Vicki Carr, Jon Secada, the Mariachi Vargas, and Plácido Domingo.
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Enzo Camporeale Enzo (Vincenzo) Camporeale (born July 27, 1966 in Giovinazzo (Ba), Italy) is an Italian composer, musician, pianist, and arranger.
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Julio de Caro Julio de Caro (December 11, 1899March 11, 1980) was an Argentine composer, musician and conductor prominent in the Tango genre.
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Luigi Nono Luigi Nono (] ; 29 January 1924 – 8 May 1990) was an Italian avant-garde composer of classical music and remains one of the most prominent composers of the 20th century.
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Alex Conrado Álex Conrado (born 29 March 1969) is a Spanish soundtrack composer for TV and cinema.
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Ronaldo Cadeu Ronaldo Cadeu (born 3 November 1977) is a Brazilian composer, conductor and classical guitarist.
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Chick Corea Armando Anthony "Chick" Corea (born June 12, 1941) is an American jazz and fusion pianist, keyboardist, and composer.
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Julio César Brero Julio César Brero "(also spelled" Giulio Cesare; 20 December 1908 Milan – 8 December 1973 Milan) was an Italian-born Argentine composer, music educator, and lawyer.
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José Bragato José Bragato (12 October 1915 – 18 July 2017) was an Italian-born Argentine cellist, composer, conductor, arranger and musical archivist who, in his early career, was principal cellist in the Colón Theatre orchestra in Buenos Aires, Argentina. Apart from his involvement in classical music he also performed for many years in a number of Ástor Piazzolla's "Nuevo tango" (New tango) ensembles where his cello solos, which had never before featured in tango, put him in the vanguard of "Nuevo tango" from its birth in the 1950s. Since then he has done numerous and varied arrangements of Piazzolla's compositions.
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Cristóbal Oudrid Cristóbal (Carlos Domingo Romualdo y Ricardo) Oudrid y Segura (] , 7 February 1825 – 13 March 1877) was a Spanish pianist, conductor, and composer. He is noted for his many contributions to the formation and development of the zarzuela genre in Spain during the second half of the 19th century. He was a gifted musician—but with little technical knowledge, which he bragged about to receive more credit from others with relation to his creations. This habit earned him the scathing criticism of people like Antonio Peña y Goñi who, nevertheless, praised the bright, sensual and cheerful ease with which Oudrid used to bring to life the true meaning of the Spanish song.