Hérodiade and Arlecchino, are which type of theatre?
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Hérodiade Hérodiade is an opera in four acts by Jules Massenet to a French libretto by Paul Milliet and Henri Grémont, based on the novella "Hérodias" (1877) by Gustave Flaubert. It was first performed at the Théâtre de la Monnaie in Brussels on 19 December 1881.
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Arlecchino (opera) Arlecchino, "oder Die Fenster" ("Harlequin, or The Windows", is a one-act opera with spoken dialog by Ferruccio Busoni, with a libretto in German, composed in 1913. He completed the music for the opera while living in Zurich in 1916. It is a number opera written in neo-classical style and includes ironic allusions to operatic conventions and situations typical of the late 18th and early 19th centuries. It even includes a parody of a duel.
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Théâtre Graslin The Théâtre Graslin is a theatre and opera house in the city of Nantes in France. Created in a new district of the city in the late 18th Century by the local architect Mathurin Crucy and named after the owner of the land, Jean-Louis Graslin. Built in the Italian style, the auditorium holds 823 people.
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L'Olimpiade (Pergolesi) L'Olimpiade is an opera in the form of a dramma per musica in three acts by the Italian composer Giovanni Battista Pergolesi. Pergolesi took the text, with a few modifications, from the libretto of the same name by Pietro Metastasio. The opera first appeared during the Carnival season of 1735 at the in Rome and "came to be probably the most admired" of the more than 50 musical settings of Metastasio’s drama.
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The Hero (opera) The Hero is a two-act opera by Italian-American composer Gian Carlo Menotti. Commissioned by the Opera Company of Philadelphia, the work premiered at the Philadelphia Academy of Music on June 1, 1976. At this point of his career, Menotti's style of composition, which rejected the avant-garde, was out of favor with the classical music world. "Time" stated in its review of the opera, "Most of Menotti's music is passable Puccini: melodic, easy to take—and totally beside the point in 1976."
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Teatro Farnese Teatro Farnese is a Baroque-style theatre in Parma, Italy. It was built in 1618 by Giovanni Battista Aleotti. The theatre was almost destroyed by an Allied air raid during World War II (1944). It was rebuilt and reopened in 1962.
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Arrighetto Arrighetto is an opera in one act by Carlo Coccia. The Italian-language libretto was by Angelo Anelli, after "Madonna Beritola", sixth tale of the second day of the "Decameron" by Giovanni Boccaccio. It premiered on 9 January 1813 at the Teatro San Moisè, Venice.
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Loreley (opera) Loreley is an opera ("azione romantica") in three acts composed by Alfredo Catalani to a libretto by Angelo Zanardini, Carlo D'Ormeville and others. It premiered on 16 February 1890 at the Teatro Regio in Turin. Based on the German legend of the Lorelei, the opera is an extensive reworking of Catalani's four-act opera "Elda" which had premiered in Turin ten years earlier.
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Theatre Royal, Wakefield The Theatre Royal Wakefield is a theatre in Wakefield, England, which dates back to 1894. The theatre was originally known as the "Theatre Royal and Opera House" and dates back to the 1770s.
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Herodas Herodas (Greek: Ἡρώδας ), or Herondas (the name is spelt differently in the few places where he is mentioned), was a Greek poet and the author of short humorous dramatic scenes in verse, probably written in Alexandria during the 3rd century BC.
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Ohnsorg-Theater The Ohnsorg Theater in Hamburg, Germany is a stage run after the British system of repertory theatre with up to six produced plays per season. Plays are exclusively performed in "Plattdeutsch" and play a major role in spreading the knowledge and, in recent times, renewed appreciaton of this minority language. Exceptions in "Hochdeutsch" are only made for television broadcasts. These broadcasts on the regional NDR network for Northern Germany and on the nationwide ARD network have made the theatre and its former main star Heidi Kabel popular in many parts of Germany and beyond.
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Lazzi Lazzi ( ; from the Italian "lazzo", a joke or witticism) are stock comedic routines that are traditionally associated with "Commedia dell'arte". Performers, especially those playing the masked Arlecchino, had many of these "bits" in their repertoire, and would use improvisatory skills to weave them into the plot of dozens of different commedia scenarios. These largely physical sequences could be improvised or preplanned within the performance and were often used to enliven the audience when a scene was dragging, to cover a dropped line or cue, or to delight an expectant audience with the troupe's specialized lazzi.
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The Italian Girl in London The Italian Girl in London ("L'italiana in Londra") is one of eight comic operas, termed intermezzi, which Domenico Cimarosa wrote between 1777 and 1784 for the Teatro Valle, a handsome neo-classical Roman theatre built in 1726, which still stands today.
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Livius Andronicus Lucius Livius Andronicus (c. 284 – c. 205 BC) was a Greco-Roman dramatist and epic poet of the Old Latin period. He began as an educator in the service of a noble family at Rome by translating Greek works into Latin, including Homer's "Odyssey". They were meant at first as educational devices in the school he founded. He wrote works for the stage—both tragedies and comedies—which are regarded as the first dramatic works written in the Latin language of ancient Rome. His comedies were based on Greek New Comedy and featured characters in Greek costume. Thus, the Romans referred to this new genre by the term comoedia palliata (fabula palliata). The Roman biographer Suetonius later coined the term "half-Greek" of Livius and Ennius (referring to their genre, not their ethnic backgrounds). The genre was imitated by the next dramatists to follow in Andronicus' footsteps and on that account he is regarded as the father of Roman drama and of Latin literature in general; that is, he was the first man of letters to write in Latin. Varro, Cicero, and Horace, all men of letters during the subsequent Classical Latin period, considered Livius Andronicus to have been the originator of Latin literature. He is the earliest Roman poet whose name is known.
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Atmospheric theatre An atmospheric theatre is a type of movie palace design which was popular in the late 1920s. "Rather than seating the theatre patrons in a boxlike, formal setting as passive observers of stage entertainment, the atmospheric design transported them to an exotic European courtyard or garden. A cerulean sky, often intricately dotted with accurately depicted starry skies with wispy floating clouds produced by a projector replaced the ornate domes of traditional theatre design. Rather than crystal chandeliers and gilt ornamentation there were arches, trellises, balconies and statuary to evoke a sense of the outdoors. Other ornamentation included trees, palms and vines and even taxidermy birds. As the stars twinkled above, creating in the audience a sense of infinite space, when the entertainment was about to begin the lighting effects created an illusion of the setting sun, as colors changed from yellow to red to mauve. The atmospheric theatre design made the patron an active, comfortable resident of an imaginary time and place, not a passive, aloof occupant of an oppressive formal space."
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John Rich (producer) John Rich (1692–1761) was an important director and theatre manager in 18th-century London. He opened the New Theatre at Lincoln's Inn Fields (1714), which he managed until he opened the Theatre Royal, Covent Garden (1732). He managed Covent Garden until 1761, putting on ever more lavish productions. He introduced pantomime to the English stage and played a dancing and mute Harlequin himself from 1717 to 1760 under the stage name of "Lun." Rich's version of the servant character, Arlecchino, moved away from the poor, disheveled, loud, and crude character, to a colorfully-dressed, silent Harlequin, performing fanciful tricks, dances and magic. The British idea of the Harlequin character was heavily inspired by Rich’s idea of a silent character. Rich’s choice of being a silent character was influenced by his unappealing voice, which he was well aware of.
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Amadeo's theatre Amadeo's theatre was founded in Zagreb, Croatia, in 1797 and lasted until 1834.
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Philadelphia Lyric Opera Company The Philadelphia Lyric Opera Company was an American opera company located in Philadelphia, Pennsylvania that was active between 1958 and 1974. The company was led by a number of Artistic Directors during its history, beginning with Aurelio Fabiani. Other notable Artistic Directors include Julius Rudel and Anton Guadagno (1966–1972). The company produced between four and six of their own operas every year in addition to sponsoring numerous traveling productions from the New York City Opera. In 1975 the company merged with the Philadelphia Grand Opera Company but retained its original name. With the combined resources of both companies, the Philadelphia Lyric Opera Company began producing higher quality productions with name artists such as Luciano Pavarotti, Joan Sutherland, Roberta Peters, Montserrat Caballé, and others. For the bicentennial year 1976, the company commissioned famed opera composer Gian Carlo Menotti to create a new opera. The work, The Hero, premiered on June 1, 1976. In 1980, the company artistically reorganized to form the Opera Company of Philadelphia.
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Odeon of Herodes Atticus The Odeon of Herodes Atticus is a stone theatre structure located on the southwest slope of the Acropolis of Athens, Greece. The building was completed in 161 AD and then renovated in 1950.
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Heroic drama Heroic drama is a type of play popular during the Restoration era in England, distinguished by both its verse structure and its subject matter. The subgenre of heroic drama evolved through several works of the middle to later 1660s; John Dryden's "The Indian Emperour" (1665) and Roger Boyle's "The Black Prince" (1667) were key developments.
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Amadis de Gaule (La Borde and Berton) Amadis de Gaule is an opera by the French composers Jean-Benjamin de La Borde and Pierre Montan Berton, first performed at the Académie Royale de Musique, Paris (the Paris Opera) on 26 November 1771. It takes the form of a "tragédie en musique" in five acts. The opera is a new setting of a libretto by Philippe Quinault, originally set by Jean-Baptiste Lully in 1684.
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Il Postino (opera) Il Postino is an opera in three acts by Daniel Catán with a Spanish libretto by the composer. Based on the novel " Ardiente paciencia" by Antonio Skármeta and the film "Il Postino" by Michael Radford, the work contains elements of drama and comedy, integrating themes of love and friendship along with political and spiritual conflict. The opera premiered at the Dorothy Chandler Pavilion by Los Angeles Opera on 23 September 2010.