The Philippine dance similar to Cheraw dance originated in what era?
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Cheraw dance Cheraw dance is a ritual dance performed in Mizoram, India, consisting of four people holding two crossed pairs of bamboo staves. It is one of the most famous dances in Mizoram, and a center of attraction during festive occasions. Similar dances are found in the Far East and in the Philippines, where it is known as Tinikling.
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Tinikling Tinikling is a traditional Philippine folk dance which originated during the Spanish colonial era. The dance involves two people beating, tapping, and sliding bamboo poles on the ground and against each other in coordination with one or more dancers who step over and in between the poles in a dance. It is traditionally danced to rondalla music, a sort of serenade played by an ensemble of stringed instruments which originated in Spain during the Middle Ages.
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Sarugaku Sarugaku (猿楽 ) , literally "monkey music", was a form of theatre popular in Japan during the 11th to 14th centuries. It originated from "sangaku," a form of entertainment reminiscent of the modern-day circus, consisting mostly of acrobatics, juggling, and pantomime, sometimes combined with drum dancing. It came from China to Japan in the 8th century and there mingled with indigenous traditions, particularly the harvest celebrations of dengaku. In the 11th century, the form began to favor comic sketches while other elements faded away. By the late 12th century, the term "sarugaku" had come to include comic dialogues based on word play (toben), improvised comic party dances (rambu), short plays involving several actors, and musical arrangements based on courtesan traditions. During the 13th century, there was increased standardization of words, gestures, musical arrangements, and program combinations; as well as the adoption of the guild ("za") system to which all present-day Noh schools can be traced. "Kyōgen" also developed from sarugaku.
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Pangalay Pangalay (also known as Daling-Daling or Mengalai in Sabah) is the traditional "fingernail" dance of the Tausūg people of the Sulu Archipelago and Sabah. The dance also means offering from its Sanskrit origin "pang-alay". "Mangalay", which also means dance, is very similar to classical Balinese and Thai dances.
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Jaipongan Jaipongan, also known as Jaipong, is a popular traditional dance of Sundanese people, West Java, Indonesia. The dance was created by Gugum Gumbira, based on traditional Sundanese Ketuk Tilu music and Pencak Silat movements.
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Khorumi The Khorumi (Georgian: ხორუმი ) is a war dance that originated in the region of Adjara, which is located in the southwestern region of Georgia. The dance was originally performed by only a few men. However, over time it has grown in scale. In today’s version of the Khorumi, thirty or forty dancers can participate.
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Ballo The ballo was an Italian dance form during the fifteenth century, most noted for its frequent changes of tempo and meter. The name "ballo" has its origin in Latin "ballō", "ballāre", meaning "to dance", which in turn comes from the Greek "βαλλίζω" ("ballizō"), "to dance, to jump about". In Greece there is the Greek dance named Ballos.
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Raqs sharqi Raqs sharqi (Arabic: رقص شرقي‎ ‎ , ] ; literally "oriental dancing") is the classical Egyptian style of belly dance that developed during the first half of the 20th century.
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Code of Kalantiaw The Code of Rajah Kalantiaw was a purported legal code in the epic history Maragtas that is said to have been written in 1433 by Datu Kalantiaw, a chief on the island of Negros in the Philippines. The code is now believed by many historians to have been a hoax and that it had actually been written in 1913 by Jose E. Marco as a part of his historical fiction "Las antiguas leyendas de la Isla de Negros" (English: The Ancient Legends of the Island of Negros ), which he attributed to a priest named Jose Maria Pavon.
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Para Para Para Para (パラパラ , "Para-Para" or "ParaPara") is a synchronized dance that originated in Japan. Unlike most club dancing and rave dancing, there are specific synchronized movements for each song much like line dancing. Para Para is said to have existed since the early 1980s when European countries started selling Italo disco and Euro disco, and in the mid-to late 1970s, new wave and synthpop music in Japan. However, it did not achieve much popularity outside Japan until the late '90s.
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Ronda de Salsa Ronda de Salsa, also known as Ronda Manila or simply "Ronda," is a group dance inspired by Rueda de Casino. The dance was invented at the Asian Social Institute in an attempt to energize a disintegrating Filipino-Hispanic culture through a fusion of a local Hispanic dance called Pandanggo and a popular modern dance, Salsa, which for decades has been making waves in other Hispanic countries.
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Festejo Festejo (from Spanish 'fiesta') is a festive form of Afro-Peruvian music. The dance is a staple in the Black coastal populations and it celebrates the emancipation of slaves. Festejo is recognized for its high energy and the improvisation carried out by the dancers. Some believe that its origins trace back to competitive dance circles performed by individuals playing cajóns. Despite its African origins, people of all different backgrounds participate in the dance that many consider to be one of the greatest representations of Peruvian culture.
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Zapateado (Mexico) The zapateado is a group of dance styles of Mexico, characterized by a lively rhythm punctuated by the striking of the dancer's shoes, akin to tap dance. The name derives from the Spanish word "" for "shoe": "zapatear" means to strike with a shoe. It is widely used in huapango, son jarocho, son jaliscience, son calentano, and mariachi.
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Dance in Cuba Cuban culture encompasses a wide range of dance forms. The island's indigenous people performed rituals known as areíto, which included dancing, although little information is known about such ceremonies. After the colonization of Cuba by the Spanish Kingdom, European dance forms were introduced such as the French contredanse, which gave rise to the Cuban contradanza. Contradanza itself spawned a series of ballroom dances between the 19th and 20th centuries, including the danzón, mambo and cha-cha-cha. Rural dances of European origin, such as the zapateo and styles associated with punto guajiro also became established by the 19th century, and in the 20th century son became very popular. In addition, numerous dance traditions were brought by black slaves from West Africa and the Congo basin, giving rise to religious dances such as Santería, yuka and abakuá, as well as secular forms such as rumba. Many of these dance elements from European dance and religious dances were fused together to form the basis of la técnica cubana. Cuban music also contributed to the emergence of Latin dance styles in the United States, namely rhumba (ballroom rumba) and salsa.
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Lakhon chatri Lakhon chatri (Thai: ละครชาตรี ) is a genre of dance-drama from Central Thailand and is closely related to the Nora of Southern Thailand. The word "chatri" has been derived from Sanskrit "kshatriya" which means a member of the Hindu royal and warrior class above Vaisyas and below the Brahmans. Lakhon Chatri presents the story of the kings.
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Nightclub two step Nightclub two step (NC2S, sometimes disco two step or california two step) is a partner dance initially developed by Buddy Schwimmer in the mid-1960s. The dance is also known as "Two Step" and was "one of the most popular forms of contemporary social dance" as a Disco Couples Dance in 1978. It is frequently danced to mid-tempo ballads in 4/4 time that have a characteristic quick-quick-slow beat. A classic example is the song "Lady In Red".
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Fely Franquelli Fely Franquelli (November 11, 1916-January 8, 2002) was a Filipino dancer, choreographer, and actress. Franquelli became known in the international dance scene in the 1930s.
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Philippine mythology Philippine mythology is the body of myths, tales, and superstitions held by Filipinos, mostly originating from beliefs held during the pre-Hispanic era. Some of these beliefs stem from pre-Christian religions and were regarded by the Spanish as "myth" in an effort to de-legitimize pre-colonial Animism. Today, some of these myths are still held by Filipinos, especially in the provinces.
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Gavotte The gavotte (also gavot, gavote, or gavotta) is a French dance, taking its name from a folk dance of the Gavot, the people of the Pays de Gap region of Dauphiné in the southeast of France, where the dance originated according to one source. According to another reference, however, the word "gavotte" is a generic term for a variety of French folk dances, and most likely originated in Lower Brittany in the west, or possibly Provence in the southeast or the French Basque Country in the southwest of France. It is notated in or time and is usually of moderate tempo, though the folk dances also use meters such as and .
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Sundanese dance Sundanese dances is a dance tradition that is a part of ritual, artistic expression as well as entertainment and social conduct among the Sundanese people of West Java, Indonesia. Sundanese dance is usually cheerful, dynamic and expressive, with flowing movements in-sync with the beat of kendang accompanied with Gamelan degung music ensemble.
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Kinamotay Kinamotay (Also correctly pronounced as "Kinamutay" due to Cebuano language quirks, but erroneously referred to as "kino mutai" and ""kina mutay"" by Western martial artists who have misheard the term) is a specialized sub-section of some Filipino martial arts that emphasizes biting, pinching, eye-gouging and other "dirty" fighting techniques. The root word of the term is the Cebuano term for hand, kamot. Although in Cebu, it is culturally associated with the way women fight (pinching, scratching and gouging), the techniques used are effective against opponents of all sizes.
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Theatre of Cambodia Theatre of Cambodia known as "Lakhon" (Khmer: ល្ខោន ) is composed of many different genres. There are three main categories: classical, folk, and modern. Many forms of theatre in Cambodia incorporates dance movement into performances and are referred to as dance dramas.