Acid House DJ Gerald Simpson recorded his 1988 single, and later the album "Black Secret Technology" under what name?
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Voodoo Ray "Voodoo Ray" is a 1988 acid house single by Gerald Simpson, recording under the name A Guy Called Gerald. The single was released in the UK in 1988, in the 7" and 12" vinyl formats, on the Rham! label.
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A Guy Called Gerald Gerald Simpson (born 16 February 1967), better known as A Guy Called Gerald, is a British DJ, record producer and musician. He was an early member of 808 State, and later achieved success as a solo artist. He is best known for his early work in the Manchester acid house scene in the late 1980s and the track "Voodoo Ray". His style developed during the early 1990s, and his 1995 album "Black Secret Technology" would become a "much-touted candidate for 'best jungle album ever.'"
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Big beat Big beat is an electronic music genre that usually uses heavy breakbeats and synthesizer-generated loops and patterns - common to acid house/techno. The term has been used since the mid-1990s by the British music press to describe music by artists such as The Prodigy, The Chemical Brothers, Fatboy Slim, The Crystal Method, Propellerheads, Cut La Roc, Basement Jaxx and Groove Armada.
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3 Gerald Remix / 24 TSIM 2 "3 Gerald Remix / 24 TSIM 2" is a single by Irish-born electronic musician Richard D. James, released under the pseudonym Aphex Twin on 16 June 2017 on
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UK hard house UK hard house or simply hard house is a style of electronic dance music music that emerged in the 1990s and is synonomous with its association to Trade club and the associated DJ's there that created the style. It often features a speedy tempo (around 150 BPM), offbeat bass stabs, hoovers, horns and crowd cheering samples. It usually contains a break in the middle of the track without drum. UK hard house often uses a long and sharp string note to create suspense. Most of the time, the drops are introduced by a drum roll.
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Gerald Donald Gerald Donald is a Detroit techno producer and artist. With James Stinson he formed the afrofuturist techno duo Drexciya, and he is the main member of Dopplereffekt.
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The Four Aces Club The Four Aces Club was a pioneering music and recreational space in Dalston, London, that in the 1960s and '70s was one of the first venues to play black music in Britain, being credited with a significant "role in the evolution of reggae into dance music, from ska, to rocksteady, to dub, to lovers, to dancehall and the evolution of jungle." A host of notable Afro-Caribbean musicians appeared at the Four Aces – often referred to as "the jewel in Dalston's crown" – as well as soul and R&B artists, its clientele over the years including stars such as Bob Marley, Stevie Wonder and Jimmy Cliff. With the Thatcher era came more divisionist politics; racial tensions built in the area and the club was a target for police raids. In the early 1990s, its character changed as it became home to the early indoor "rave scene", featuring drum & bass and acid house, and appealing to a new, predominantly white audience, under the name , where The Prodigy made their first live public appearance.
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DJPC DJ Patrick Cools, most commonly known as DJPC, is a Belgian techno DJ and producer, who was most active in the late 1980s and early 1990s. His biggest hit, "Inssomniak" (1991) peaked at #62 in the UK Singles Chart. It featured an "auditory ambigram", which sounded like the word "insomniac" when played forward, but sounded like the words "I'm asleep" when played backwards.
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Aquemini Aquemini is the third studio album by American hip hop duo Outkast. It was released on September 29, 1998, by LaFace Records. The title is a portmanteau of the two performers' Zodiac signs: Aquarius (Big Boi) and Gemini (André 3000), which is indicative of the album's recurring theme of the differing personalities of the two members. The group recorded the majority of the album in Bobby Brown's Bosstown Recording Studios and Doppler Studios, both in Atlanta, Georgia.
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Fear of a Black Planet Fear of a Black Planet is the third studio album by American hip hop group Public Enemy. It was released on March 20, 1990, by Def Jam Recordings and Columbia Records. For the album, Public Enemy's production team The Bomb Squad sought to expand on the dense, sample-layered sound of the group's 1988 record "It Takes a Nation of Millions to Hold Us Back". Having fulfilled their initial creative ambitions with that album, Public Enemy aspired to create what lead rapper Chuck D called "a deep, complex album". Their songwriting was partly inspired by the controversy surrounding member Professor Griff and his dismissal from the group in 1989.
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Funky President (People It's Bad) "Funky President (People It's Bad)" is a funk song by James Brown. Released as a single in 1974, it charted #4 R&B. It also appeared on the album "Reality". According to Brown the "funky president" of the song's title was meant to refer to U.S. President Gerald Ford, who had succeeded Richard Nixon in the White House shortly before it was recorded.
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Derrick Carter Derrick Carter (born October 21, 1969) is an American house producer and DJ from Chicago, Illinois. He is regarded as one of the best underground house key players currently active and is popular in Europe.
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Human Technology (EP) The Human Technology EP is an extended play released by trance DJ BT in 2005 under the Human Imprint label. It contains two remixes of two different songs from BT's fourth studio album, "Emotional Technology". The two songs remixed were "Knowledge of Self", a track featuring the Gang Starr rapper Guru, and "The Great Escape", a track featuring Caroline Lavelle, with remixes by Evol Intent and Alliance, respectively. It is BT's fifth EP and most recent to date.
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Jesse Saunders Jesse Saunders (born March 10, 1962 in Chicago, Illinois) is an American DJ, record producer, film producer and entrepreneur. He is one of the pioneers of house music, often cited as "the originator of House music" by critics and historians. His 1984 single, "On & On", co-written with Vince Lawrence, was first record with a house DJ as the artist that was pressed and sold to the public. Chicago Mayor Richard M. Daley declared July 17, 1997, as "Jesse Saunders and the Pioneers of House Music Day" in Chicago. Since his emergence as a DJ almost three decades ago, Saunders has run several of his own independent labels, and worked extensively in music and film production, as well as artist promotion and management. In recent years, through House music reunions, a pending book release and a live 'disc-jocumentary' – where, while DJing, he visually takes the audience through the history of House and Electro – Saunders has worked towards erasing the misconceptions associated with the genre's origins. He is also a long-time member of the National Academy of Recording Arts and Sciences.
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Robert Babicz Robert Babicz (born January 5, 1973 in Niemodlin, Poland) is a Polish music producer, mastering engineer and live performer living in Cologne, Germany. With a career spanning nearly two decades covering genres from techno to acid house to minimal, Babicz has also been known under the pseudonyms "Rob Acid", "Acid Warrior", "Department of Dance" and "Sontec" amongst many others. He has released a number of very well respected records on labels such as Kompakt, Treibstoff, Bedrock, Intec Digital and Steve Bug’s Audiomatique, as well his own labels, Junkfood and Babiczstyle. He is well known as a live performer, never a DJ, as he uses synths and live equipment and improvises in every set he plays.
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Acid house Acid house is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style was defined primarily by the deep basslines and "squelching" sounds of the Roland TB-303 electronic synthesizer-sequencer. Acid house spread to the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes. By the late 1980s, acid house had moved into the British mainstream, where it had some influence on pop and dance styles.
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Don't Disturb This Groove (song) "Don't Disturb This Groove" is a song by American synthpop/R&B duo The System, from the 1987 album of the same name. The song was written by The System's David Frank and Mic Murphy. It was released as the album's first single.
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Techno Twins The Techno Twins (later known simply as The Technos) were a British electronic music duo in the 1980s.
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Hustler Musik "Hustler Musik" is the second single from Lil Wayne's 2005 album "Tha Carter II". Although popular it failed to live up on the "Billboard" chart to other singles put out by Lil Wayne. The song received airplay on East Coast radio stations and moderate airplay elsewhere, and a music video was also shot for it which also received moderate airplay. Lil Wayne has stated that this was one of his favorite songs he ever recorded. A remix was made sampling Anita Baker's "Mystery".
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Blood on the Dance Floor (song) "Blood on the Dance Floor" is a song by Michael Jackson. The song was released as the first single from the remix album, "". Jackson and Teddy Riley created the track in time for the 1991 release of "Dangerous". However, it did not appear on that record and was minimally altered before commercial release in 1997. The song is about a predatory woman by the name of Susie, who seduces Jackson before plotting to stab him with a knife. The composition explores a variety of genres ranging from funk and new jack swing.
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Private Parts (album) Private Parts is a hits compilation album by Belgian electronic band Lords of Acid and the second compilation released by the band in 2001. "Private Parts" was issued by Fingerlicking Good Records in European territories only. It contains tracks originally appearing on the band's four studio albums "Lust", "Voodoo-U", "Our Little Secret" and "Farstucker". All the songs on the album have been re-recorded with Deborah Ostrega's vocals (except "Crablouse" and "I Sit on Acid") Also included are three new tracks ("Gimme Gimme", "Nasty Love", and "Stoned on Love Again"), a new remix of the band's 1988 dance hit "I Sit on Acid" and the uncensored music video for "Gimme Gimme".
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Can You Feel It (Larry Heard song) "Can You Feel It" is a 1986 house record released by Larry Heard (also known as Mr. Fingers). It is regarded as one of the first deep house records. Its seminal impact on deep house has been compared to that of Derrick May's "Strings of Life" (1987) on Detroit techno.