What Australian dramatic coloratura soprano collaborated with Richard Conrad?
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Richard Conrad Richard Conrad (born 1935) is an American singer whose voice has at times inhabited both the tenor and baritone ranges. He has sung in opera, cabaret and musicals. He is perhaps best known for his 1963 recorded collaboration with Joan Sutherland and Marilyn Horne, conducted by Richard Bonynge, known as "The Age of Bel Canto".
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Joan Sutherland Dame Joan Alston Sutherland, OM, AC, DBE (7 November 192610 October 2010) was an Australian dramatic coloratura soprano noted for her contribution to the renaissance of the bel canto repertoire from the late 1950s through to the 1980s.
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Anne Sharp Anne Sharp (24 October 1916 – 25 August 2011) was a Scottish coloratura soprano particularly associated with the operas of Benjamin Britten.
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Richard Lane (writer) Richard Hamilton Lane (OAM)), (18 January 1918 – 20 February 2008) was an Australian writer (dramatist and playwright) known particularly for his skillful adaptation of plays and films for radio. He is often called the father of Australian radio drama. His career spanned over 60 years, and he is recognised not only for his writing achievements but for his contribution to the Australian Writers' Guild. He also wrote for television, and was described after his death as "luminary of the Australian radio and television industries".
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Richard Verreau Richard Verreau, {'1': ", '2': ", '3': ", '4': "} (January 1, 1926 – July 6, 2005) was a French-Canadian operatic tenor, particularly associated with the French and Italian repertories.
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Richard Watson (singer) Richard Charles Watson (1903 – 2 August 1968) was an Australian bass opera and concert singer and actor. He is probably best remembered as a principal with the D'Oyly Carte Opera Company who sang the comic bass-baritone roles of the Savoy Operas, but he appeared in a wide range of operas at the Royal Opera House and with the Carl Rosa Opera Company with singers including Lotte Lehmann and Lauritz Melchior, under conductors including Sir Thomas Beecham and Bruno Walter.
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The Australian Ballet The Australian Ballet is the largest classical ballet company in Australia. It was founded by J. C. Williamson Theatres Ltd. and the Australian Elizabethan Theatre Trust in 1962, with the English-born dancer, teacher, repetiteur and director Dame Peggy van Praagh as founding artistic director. Today, it is recognised as one of the world's major international ballet companies.
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Adelaide Bishop Adelaide Bishop (23 June 1928 – 20 June 2008) was an American operatic soprano, musical theatre actress, opera director, stage director, and voice teacher. She began her career appearing in Broadway musicals as a teenager during the early 1940s. She became a principal soprano with the New York City Opera (NYCO) in 1948, where she performed through 1960 in a broad repertoire encompassing German, French, Italian, and English operas from a variety of musical periods. In the late 1950s, she started working actively as a stage director and as a voice teacher, working with many opera companies throughout the United States and serving on the music faculties of several different American universities. She also served as the artistic director of the Wolf Trap Opera for many years.
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Rosa Mannion Rosa Mannion (born 1962) is a British operatic soprano who has sung leading roles both in the opera houses of the UK and Europe and in the recording studio. Although particularly known for her roles in the operas of Handel and Mozart, she sang a wide repertoire during her career including Violetta in "La traviata" and all three of the leading female roles in "The Tales of Hoffmann" (Olympia, Antonia, and Giulietta).
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Roberta Peters Roberta Peters (May 4, 1930 – January 18, 2017) was an American coloratura soprano.
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Marilyn Cotlow Marilyn Cotlow (born January 10, 1924) is an American lyric coloratura soprano best remembered for originating the role of Lucy in Gian Carlo Menotti's "The Telephone". She sang professionally during the 1940s and 1950s in the United States and Europe, performing with such companies as the Metropolitan Opera. After retiring from the stage, Cotlow taught voice at the Peabody Conservatory and currently teaches privately out of her home. Several of her students have gone on to have successful careers, including Alessandra Marc and Jennifer Wilson.
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Christel Goltz Christel Goltz (8 July 1912 – 14 November 2008) was a German operatic soprano. One of the leading dramatic sopranos of her generation, she possessed a rich voice with a brilliant range and intensity. She was particularly associated with the operas of Richard Strauss, especially Salome and Elektra, and with contemporary operas.
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Helen Zerefos Helen Zerefos OAM, is an Australian coloratura soprano. Her career has spanned more than 50 years on stage, television, in nightclubs, concerts and recordings.
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Marie Wilt Marie Wilt (also Maria Vilda and Marie Liebenthaler) (30 January 1833 – 24 September 1891) was an Austrian dramatic coloratura soprano. Possessing a wide vocal range with a significant amount of power and flexibility, Wilt sang a wide repertoire that encompassed the operas of Wolfgang Amadeus Mozart, the German operas of Richard Wagner, the grand operas of Giuseppe Verdi, and the bel canto operas of Bellini, Rossini, and Donizetti. She sang for many years at the Vienna Hofoper (now Vienna State Opera) and for a number of seasons at the Royal Opera House, Covent Garden in London. She notably portrayed the role of Sulamith in the world premiere of Karl Goldmark's "Die Königin von Saba" in 1875. Also a regular performer of the concert repertoire, Wilt often appeared in performances of works by Beethoven, Haydn, and Mendelssohn.
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Lotte Lehmann Charlotte "Lotte" Lehmann (February 27, 1888 – August 26, 1976) was a German soprano who was especially associated with German repertory. She gave memorable performances in the operas of Richard Strauss, Richard Wagner, Ludwig van Beethoven, Puccini, Mozart, and Massenet. The Marschallin in "Der Rosenkavalier", Sieglinde in "Die Walküre" and the title-role in "Fidelio" are considered her greatest roles. During her long career, Lehmann also made more than five hundred recordings. Her performances in the world of Lieder are considered among the best ever recorded.
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Emelie Hooke Emelie Hooke (24 September 19129 April 1974) was an Australian soprano who was notable in opera, oratorio and concert, and sang in Australia, England, Europe and South Africa.
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Sheila Armstrong (singer) Dr. Sheila Armstrong (born 13 August 1942) is an English soprano, equally noted for opera, oratorio, symphonic music and lieder.
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Cecilia Bartoli Cecilia Bartoli, (] ; born 4 June 1966) is an Italian coloratura mezzo-soprano opera singer and recitalist. She is best known for her interpretations of the music of Mozart and Rossini, as well as for her performances of lesser-known Baroque and classical music. She is known for having the versatility to sing soprano and mezzo roles.
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Rachel Szalay Rachel Szalay is an Australian actress and artist.
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Alice Guszalewicz Alice Guszalewicz (September 21, 1879 – October 26, 1940) was a Hungarian dramatic soprano.
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Luba Mirella Luba (or Ljuba) Mirella ("née" Ljuba Wagenheim; 13 April 1894, Rostov – 4 March 1972, Milan) was an Italian coloratura soprano of Polish descent. Her name is sometimes given in cast lists as Mirella Luba and Mirella Lubov.
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Dramatic soprano A dramatic soprano is a type of operatic soprano with a powerful, rich, emotive voice that can sing over, or cut through, a full orchestra. Thicker vocal folds in dramatic voices usually (but not always) mean less agility than lighter voices but a sustained, fuller sound. Usually this voice has a lower tessitura than other sopranos, and a darker timbre. They are often used for heroic, often long-suffering, tragic women of opera. Dramatic sopranos have a range from approximately low A (A) to "high C" (C). Some dramatic sopranos, known as Wagnerian sopranos, have an exceptionally big voice that can assert itself over a large orchestra (of more than 80 or even 100 pieces). These voices are substantial, often denser in tone, extremely powerful and, ideally, evenly balanced throughout the vocal registers. Wagnerian sopranos usually play mythic heroines. Successful Wagnerian sopranos are rare and often Wagnerian roles are performed by Italianate dramatic sopranos.