Who brought the raga into Northern Indian music that is often sung or played in drut laya before a vilambit composition in raga Adana?
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Adana (raga) Adana is an Indian raga. It is also called Adana kanada. It is often sung or played in drut laya after a vilambit composition in raga Darbari Kanada, as Adana is straighter than Darbari in its chalan, thus allowing faster passages. The flow of this raga is similar to a mix of Madhyamad Saranga with Darbari. Another common vivadi some artists use sparingly is shuddha ni which enhances the Saranga mood of the raga.
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Darbari Kanada Darbari Kanada, or simply Raga Darbari, (pronounced darbāri kānada), is a raga in the Kanada family, which is thought to have originated in Carnatic music and brought into North Indian music by Miyan Tansen, the legendary 16th-century composer in emperor Akbar's court. This tradition is reflected in the name itself; "Darbar" is the Persian derived word in Hindi meaning "court." As the most familiar raga in the Kanada family, it may sometimes also be called Shuddha Kanada or "pure Kanada". It belongs to the Asavari thaat. This raag is called Kannada in Yakshagana.
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Gayakapriya Gayakapriya (pronounced gāyakapriya) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 13th "Melakarta" rāgam in the 72 "melakarta" rāgam system of Carnatic music.
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Sangita Sangita (Devanagari: संगीत , IAST: saṃgīta ), also spelled Samgita or Sangeeta, refers to "music and associated performance arts" in the Indian traditions. According to Guy Beck, the root "saṃ-" implies "combining, coming together, convergent wholesome blending, unison" in the context of musical arts. "Sangita" connotes any form of singing with music, harmonious recitation or chorus singing in particular. In some medieval era literary genre such as the Puranas and poetic texts such as "Kathasaritsagar", a related term "Sangita-shastra" and "Sangita-vidya" mean the "art, science or knowledge of singing and dancing with music". According to Alison Arnold and Bruno Nettl, the modern term music fails to capture the historic sense of "Sanskrit "sangita" and Greek "mousike"". In the Indian tradition, the term "sangita" includes melodious singing, rhythmic dancing, instrumental music, classical, provincial, ritual chanting and incidental forms of music-related performance arts.
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Moinuddin Khan Moinuddin Khan is a veteran Indian classical instrumentalist and vocalist, who plays sarangi. Based in Jaipur, he belongs to the "Jaipur gharana" of Hindustani classical music. Renowned for dignified method of presenting ASTHAI-ALAAP-ANTRA in Vilambit and DRUT with LAYAKARI has an extereme control over TAN - GAMAKplaying.
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Asa (raga) Raga Asa is an Indian musical raga (composition) that appears in the Sikh tradition from northern India and is part of the Sikh holy scripture the Guru Granth Sahib. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune.
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Rupavati Rupavati (pronounced rūpavati, meaning "the beautiful one") is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 12th "melakarta" rāgam (parent scale) in the 72 "melakarta" rāgam system of Carnatic music. It is one of the few rāgams given the same name by the Muthuswami Dikshitar school of Carnatic music.
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Poornachandrika Poornachandrika is a raga in Carnatic music, classical music of South India. It is a "janya" raga of Shankarabharanam, 29th in the 72 Melakarta ragas.
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Drut (disambiguation) Drut is the concluding section of a vocal raga performance in Hindustani music. Drut may also refer to
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Jaitsri Jaitsri is an Indian classical raga that appears in the Sikh tradition from northern India and is part of the Guru Granth Sahib. Raga Jaitsri is not in the Ragmala. Jaitsri is performed between 6 pm and 9 pm. It provided the setting for hymns by Guru Ram Das, Guru Arjan and Guru Tegh Bahadar for a total of 30 hymns.
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Suryakantam Suryakantam or Sooryakantam (pronounced sūryakāntam) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 17th "melakarta" rāgam (parent scale) in the 72 "melakarta" rāgam system of Carnatic music. It is called Chāyāvati in Muthuswami Dikshitar school of Carnatic music.
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Kosalam Kosalam (pronounced kōsalam) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 71st "Melakarta" rāgam in the 72 "melakarta" rāgam system of Carnatic music and is the "prati madhyamam" equivalent of "Shoolini", which is the 35th "melakarta". It is called Kusumākaram in Muthuswami Dikshitar school of Carnatic music.
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Rishabhapriya Rishabhapriya is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 62nd "melakarta" rāgam (parent scale) in the 72 "melakarta" rāgam system of Carnatic music. It is the "prati madhyamam" equivalent of "Charukesi", which is the 26th "melakarta". It is called Ratipriya in Muthuswami Dikshitar school of Carnatic music.
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Rag Lalit Rāg Lalit is a studio album by Indian classical musician Ram Narayan, released in 1989. Recorded December 3, 1987, in Wyastone Leys near Monmouth, Wales, the album features a performance of the serene dawn raga Lalit on sarangi. Narayan performs a long non-metrical introduction to unfold the raga, during which he adds a pulse, until he is joined by tabla to perform a composition.
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Ram Chatur Mallik Ram Chatur Mallik (1902-1990) was an Indian classical musician and an exponent of the Darbhanga gharana of the Dhrupad tradition, one of the oldest genres of Hindustani vocal music. Known to be the last of the court musicians of the Dharbanga court, he was a member of the "Mallik family" of singers. He was honoured by the Government of India in 1970 with Padma Shri, the fourth highest Indian civilian award.
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Jhankaradhvani Jhankaradhvani or Jhankaradhwani (pronounced jhankāradhvani) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 19th "Melakarta" rāgam in the 72 "melakarta" rāgam system of Carnatic music.
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Tarana Tarana or Taranah (Urdu: ‎ , Hindi: तराना ) is a type of composition in Hindustani classical vocal music in which certain words and syllables (e.g. "odani", "todani", "tadeem" and "yalali") based on Persian and Arabic phonemes are rendered at a medium ("madhya") or fast ("drut") pace ("laya"). It was invented by Amir Khusro (1253-1325 CE), and is similar to the Qalbana form of Sufi poetry. In modern times, the tarana is most commonly associated with the singer Amir Khan, who helped popularize it and researched its origins and the syllables used. Tarana was also used by Sikh tenth Guru Sri Guru Gobind Singh in his compositions like "jagardang nagardang bagardang".
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Multani (raga) Multani is a Hindustani classical raga. The newer raga Madhuvanti was inspired by Multani. Multani belongs to Todi Thaat. It is generally sung in the third prahar of the day, that is, around 1 PM to 4 PM.
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Navaragamalika Navaragamalika (pronounced navarāgamālika) is a composition in Carnatic Music that is composed using a collection of nine ragas. Each verse is set to a different raga.
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Ram Narayan Ram Narayan (Hindi: राम नारायण ; IAST: Rām Nārāyaṇ , ] ; born 25 December 1927), often referred to with the title Pandit, is an Indian musician who popularised the bowed instrument sarangi as a solo concert instrument in Hindustani classical music and became the first internationally successful sarangi player.
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Dharmavati Dharmavati is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 59th "Melakarta" rāgam in the 72 "melakarta" rāgam system of Carnatic music. It is called Dhaamavati in Muthuswami Dikshitar school of Carnatic music. "Madhuvanti" is the nearest Hindustani music scale to "Dharmavati".
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Patdeep Patdeep (पटदीप) is a Hindustani classical raga.