When was the style of music of Folder 5 developed?
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Folder 5 Folder 5 (also spelled Folder5) (フォルダファイヴ "Forudafaivu") were a five-girl Japanese pop idol group on the Avex Trax music label. The group's music was known for its Eurobeat style. The band's music was produced by Takashi Kimura.
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Eurobeat Eurobeat is either a form of the British dance-pop variant of Eurodisco or Hi-NRG-driven Italo disco music that both developed in 1980s.
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Garage rock Garage rock (sometimes called ' 60s punk or garage punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. The term "garage rock" derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional.
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Les Chants Magnétiques Les Chants Magnétiques (English title: Magnetic Fields) is the fifth studio album by French electronic musician and composer Jean-Michel Jarre, released on Disques Dreyfus on 22 May 1981. The album was one of the first records to use sampling as a musical element and represents a departure from the sound of Jarre's previous efforts.
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French hip hop French hip hop is the hip hop music style which was developed in French-speaking countries.
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Punk rock Punk rock (or "punk") is a rock music genre that developed in the early to mid-1970s in the United States, United Kingdom, and Australia. Rooted in 1960s garage rock and other forms of what is now known as "proto-punk" music, punk rock bands rejected perceived excesses of mainstream 1970s rock. Punk bands typically produced short or fast-paced songs, with hard-edged melodies and singing styles, stripped-down instrumentation, and often political, anti-establishment lyrics. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through informal channels.
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American Five The American Five is a collective name applied by some writers to the modernist American composers Charles Ives (1874–1954), John J. Becker (1886–1961), Wallingford Riegger (1885–1961), Henry Cowell (1897–1965), and Carl Ruggles (1876–1971). They were noted for their modernist and often dissonant compositions which broke away from European compositional styles to create a distinctly American style. The name was coined in imitation of the group of Russian composers called The Five.
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Musique concrète Musique concrète (] , meaning "concrete music") is a form of musique expérimentale (experimental music ) that exploits acousmatic listening, meaning sound identities can often be intentionally obscured or appear unconnected to their source cause. It can feature sounds derived from recordings of musical instruments, the human voice, and the natural environment as well as those created using synthesizers and computer-based digital signal processing. Compositions in this idiom are not restricted to the normal musical rules of melody, harmony, rhythm, metre, and so on. Originally contrasted with "pure" "elektronische Musik" (based solely on the production and manipulation of electronically produced sounds rather than recorded sounds), the theoretical basis of "musique concrète" as a compositional practice was developed by Pierre Schaeffer, beginning in the early 1940s. From the late 1960s onward, and particularity in France, the term acousmatic music ("musique acousmatique") started to be used in reference to fixed media compositions that utilized both musique concrète based techniques and live sound spatialisation.
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Electro-industrial Electro-industrial is a music genre drawing on EBM and post-industrial that developed in the mid-1980s. While EBM has a minimal structure and clean production, electro-industrial has a deep, complex and layered sound. The style was pioneered by Skinny Puppy, Front Line Assembly, and other groups, either from Canada or the Benelux. In the early 1990s, the style spawned the "dark electro" genre, and in the mid-/late-1990s, the "aggrotech" offshoot. The fan base for the style is linked to the rivethead subculture.
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Pole Folder Benoit Franquet better known as Pole Folder is a Belgian electronic musician and live club performer, based in Brussels.
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De Wolfe Music De Wolfe Music is a British production music company that became the originator of what has become known as library music. De Wolfe Music was established by Meyer de Wolfe in 1909 and began its recorded library in 1927 with the advent of 'Talkies'. The library consists of over 80,000 tracks, all pre-cleared for licensing and synchronisation. They have been used in thousands of productions including "Monty Python", "Emmanuelle", "Dawn of the Dead", "American Gangster", and "Doctor Who". Well known theme tunes include "Van der Valk", "Roobarb" and "The NFL Today". De Wolfe built and owns Angel Recording Studios, a recording and mixing complex situated at The Angel, Islington, London. Artists who have recorded there in recent years include Adele, Snow Patrol, Cee Lo Green, Labrinth, George Fenton (BAFTA and EMMY winner for his scores to the BBC's "The Blue Planet" and "Planet Earth"), Ian Brown, Elbow, The Doves, The Feeling, and Kaiser Chiefs. Its specially composed department is called Inter Angel. De Wolfe is still a family-run company.
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Shadow Music Shadow Music is the fifth rock album by British instrumental (and sometimes vocal) group The Shadows, released in 1966 through EMI Records.
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Modern soul Modern soul is a style of music with associated clothing and dance styles (precursors to the Disco era), that developed in Northern England in the early 1970s.
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Big beat Big beat is an electronic music genre that usually uses heavy breakbeats and synthesizer-generated loops and patterns - common to acid house/techno. The term has been used since the mid-1990s by the British music press to describe music by artists such as The Prodigy, The Chemical Brothers, Fatboy Slim, The Crystal Method, Propellerheads, Cut La Roc, Basement Jaxx and Groove Armada.
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Hardstep Hardstep is a subgenre of drum and bass which emerged in 1994. It is characterised by a gritty production style, that has an inner-city feel to it. The breaks are less cut-up sounding rather than oldschool jungle, and have faster and harder simple electronic melodies. One characteristic is an accentuated, yet sparse percussive beat.
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Funk Funk is a music genre that originated in the mid-1960s when African American musicians created a rhythmic, danceable new form of music through a mixture of soul music, jazz, and rhythm and blues (R&B). Funk de-emphasizes melody and chord progressions used in other related genres and brings a strong rhythmic groove of a bass line played by an electric bassist and a drum part played by a drummer to the foreground. Like much of African-inspired music, funk typically consists of a complex groove with rhythm instruments playing interlocking grooves. Funk uses the same richly-colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths.
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The Numbskulls The Numbskulls (aka HyperzombieNumbSkulls) were an influential acid house band from Boulder, Colorado in the early to mid-1980s. Influenced by the Madchester style of music of The Stone Roses and Happy Mondays, as well as punk/new wave bands New Order and The Cure, the Numbskulls catalogue included whimsical lyrics juxtaposed against repetitive keyboards, trance-like drumming, melodic vocals and quirky punk guitar hooks. They referred to their musical style as "danceable dirge". The band was a four piece with band leader, Mike Harris Bacidore on keyboards, bass, and vocals, Mateo Juarez (Matthew Harris Sullivan) on lead guitar and vocals, Mike Tomich on guitars and vocals, and Scuz Roland (Don Adydan) on drums. The Numbskulls were founded by Bacidore and Sullivan in Longmont, Colorado in 1983. The band often dressed up in leisure suits and rubber masks, reggae attire, or as hippies and played under a variety of inane monikers, most notably "Happy World Beat" — thus, only their most rabid fans were aware of their true identity. They enjoyed playing techno punk jams, an antithetical punk style whereby their songs would often last fifteen minutes or more and were a spontaneous combination of funk, punk, reggae, jazz, techno, and new wave. The Madchester style to which their music is often associated was not yet popular in the United States, and as fervent followers, the Numbskulls ushered the era of ecstasy laden rave culture of the late eighties in the Boulder and Denver area of Colorado. The band released several underground albums including "HyperzombieNumbSkuLLs" (1983), "Rubberface" (1984), "Big Bowel Movement" (1985), "Get in the Groove" (1985), and "Red Light" (1986).
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Tecnocumbia Tecnocumbia is a style of Cumbia where there is a fusion between electronic sounds generated by electronic musical instruments through electronic drums, the electric guitar, synthesisers, and samplers. "Tecnocumbia" was a word developed in Mexico to describe this type of music. However, the style of music was developed throughout South America with different names given to it before the name "Tecnocumbia" was adopted as the single denomynation for the music.
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Track 5 Track 5 is an Australian urban music act based in Melbourne, Australia.
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Grandwizard Theodore &amp; the Fantastic Five Grandwizard Theodore & the Fantastic Five (also known as the Fantastic Freaks or simply Fantastic Five) was an old school hip hop group, best known for their 12" single, "Can I Get A Soul Clap" (1980) The group also appeared in the film "Wild Style" (1982) and recorded a song in 1994 with the Cold Crush Brothers and Terminator X which appeared on Terminator X's album, "Super Bad".
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List of rock genres This is a list of rock music genres consisting of subgenres of popular music that have roots in 1940s' and 1950s' rock and roll, and which developed into a distinct identity as rock music in the 1960s, particularly in the United Kingdom and the United States. By the late 1960s, a number of identifiable rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, and jazz-rock fusion, many of which contributed to the development of psychedelic rock influenced by the counter-cultural psychedelic scene. New genres that emerged from this scene included progressive rock, which extended the artistic elements; glam rock, which highlighted showmanship and visual style; and the diverse and enduring major subgenre of heavy metal, which emphasized volume, power, and speed. In the second half of the 1970s, punk rock both intensified and reacted against some of these trends to produce a raw, energetic form of music characterized by overt political and social critiques. Punk was an influence into the 1980s on the subsequent development of other subgenres, including new wave, post-punk and eventually the alternative rock movement. From the 1990s alternative rock began to dominate rock music and break through into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged as well as conscious attempts to revisit rock's history.
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Neotraditional country Neotraditional country, also known as new traditional country, is a country music style that emphasizes the instrumental background and a "traditional" country vocal style. Neotraditional country artists often dress in the fashions of the country music scene of the 1940s, 1950s and early 1960s. Some neotraditional artists are sometimes associated with the alternative country movement.