The painting The Quarrel of Oberon and Titania depicts a scene from a Shakespeare play that portrays the events surrounding the marriage of Theseus to who?
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The Quarrel of Oberon and Titania The Quarrel of Oberon and Titania is an oil on canvas painting by the Scottish artist Sir Joseph Noel Paton. Painted in 1849, it depicts the scene from William Shakespeare's comedy play "A Midsummer Night's Dream", when the fairy queen Titania and fairy king Oberon quarrel; Oberon was considered the King of the fairies in medieval and Renaissance literature. When exhibited in Edinburgh during 1850, it was declared as the "painting of the season". It was acquired by the National Galleries of Scotland in 1897, having initially been bought by the Royal Association for Promoting the Fine Arts in Scotland during 1850. An earlier version of this painting was Paton's diploma picture, which was submitted to the Royal Scottish Academy in 1846; the sum of £700 was paid for it.
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A Midsummer Night's Dream A Midsummer Night's Dream is a comedy written by William Shakespeare in 1595/96. It portrays the events surrounding the marriage of Theseus, the Duke of Athens, to Hippolyta, the former queen of the Amazons. These include the adventures of four young Athenian lovers and a group of six amateur actors (the mechanicals) who are controlled and manipulated by the fairies who inhabit the forest in which most of the play is set. The play is one of Shakespeare's most popular works for the stage and is widely performed across the world.
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Metope (mythology) In Greek mythology, Metope (Greek: Μετώπη ) was a river nymph, the daughter of the river Ladon. Her waters were near the town of Stymphalus in the Peloponnesus. She married the river god Asopus by whom she had several (either 12 or 20) daughters, including Aegina, Salamis, Sinope, Euboea, Tanagra, Thespia, Thebe, Corcyra, Ismene, and Harpina; and possibly sons, including Pelagon and Ismenus. The question of the exact parentage of these children of Asopus is very vague.
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Messapus Messapus, a character in Virgil's "Aeneid", appears in Books VII and IX of the Latin epic poem. He was a famous tamer of horses and king of Etruria, known for being one "whom no one can fell by fire or steel" (Mandelbaum, VII.911-912); perhaps because he is a son of Neptune. Although accustomed to peace, in Book VII Messapus joins forces with Turnus in his battle against Aeneas and the Trojans. In Book IX, which recounts the nighttime raid by Nisus and Euryalus on the Rutulian camp, the battle helmet of Messapus is taken by Euryalus. Light reflected off the stolen helmet, betraying Euryalus to his enemies and leading not only to his own death, but also that of Nisus.
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Titania Titania is a character in [[William Shakespeare]]'s play "[[A Midsummer Night's Dream]]". In the play, she is the [[Fairy Queen|queen of the fairies]]. Due to Shakespeare's influence, later fiction has often used the name "Titania" for fairy queen characters.
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Cymbeline Cymbeline , also known as Cymbeline, King of Britain, is a play by William Shakespeare set in Ancient Britain and based on legends that formed part of the Matter of Britain concerning the early Celtic British King Cunobeline. Although listed as a tragedy in the First Folio, modern critics often classify "Cymbeline" as a romance or even a comedy. Like "Othello" and "The Winter's Tale", it deals with the themes of innocence and jealousy. While the precise date of composition remains unknown, the play was certainly produced as early as 1611.
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Tantalus Tantalus (Ancient Greek: Τάνταλος , "Tántalos") was a Greek mythological figure, most famous for his eternal punishment in Tartarus. He was made to stand in a pool of water beneath a fruit tree with low branches, with the fruit ever eluding his grasp, and the water always receding before he could take a drink. He was the father of Pelops, Niobe and Broteas, and was a son of Zeus and the nymph Plouto. Thus, like other heroes in Greek mythology such as Theseus and the Dioskouroi, Tantalus had both a hidden, divine parent and a mortal one.
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Troilus and Cressida Troilus and Cressida ( ) is a tragedy by William Shakespeare, believed to have been written in 1602. It was described by Frederick S. Boas as one of Shakespeare's problem plays. The play ends on a very bleak note with the death of the noble Trojan Hector and destruction of the love between Troilus and Cressida. The work has in recent years "stimulated exceptionally lively critical debate". Throughout the play, the tone lurches wildly between bawdy comedy and tragic gloom, and readers and theatre-goers have frequently found it difficult to understand how one is meant to respond to the characters. However, several characteristic elements of the play (the most notable being its constant questioning of intrinsic values such as hierarchy, honour and love) have often been viewed as distinctly "modern," as in the following remarks on the play by author and literary scholar Joyce Carol Oates:
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Phineus (son of Belus) In Greek mythology, Phineus (Greek: Φινεύς , ] ) was a son of Belus by Anchinoe and thus brother to Aegyptus, Danaus and Cepheus. He had been engaged to Cepheus' daughter Andromeda before she wed Perseus, and Phineus plotted against him, leading Perseus to turn him and his co-conspirators into stone by showing them the head of Medusa. The affair appears to have formed part of Euripides' lost "Andromeda", but the sole extensive ancient treatment is found Ovid's "Metamorphoses".
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Salome (Titian) Salome is an oil painting, probably of Salome with the head of John the Baptist, by the Italian late Renaissance painter Titian. It is usually dated to around 1515 and is now in the Doria Pamphilj Gallery in Rome. Like other paintings of this subject, it has sometimes been considered to represent "Judith with the Head of Holofernes", the other biblical incident found in art showing a female and a severed male head . Historically, the main figure has also been called Herodias, the mother of Salome.
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Oresteia The Oresteia (Ancient Greek: Ὀρέστεια ) is a trilogy of Greek tragedies written by Aeschylus concerning the murder of Agamemnon by Clytaemnestra, the murder of Clytaemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and pacification of the Erinyes. The trilogy—consisting of "Agamemnon" (Ἀγαμέμνων ), "The Libation Bearers" (Χοηφóρoι ), and "The Eumenides" (Εὐμενίδες )—also shows how the Greek gods interacted with the characters and influenced their decisions pertaining to events and disputes. The only extant example of an ancient Greek theatre trilogy, the "Oresteia" won first prize at the Dionysia festival in 458 BC. Many consider the "Oresteia" to be Aeschylus' finest work. The principal themes of the trilogy include the contrast between revenge and justice, as well as the transition from personal vendetta to organized litigation. "Orestia" originally included a satyr play, "Proteus" (Πρωτεύς ), following the tragic trilogy, but all except a single line of "Proteus" has been lost.
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Megareus of Onchestus In Greek mythology, Megareus of Onchestus was king of Onchestus in Boeotia. He was either son of Poseidon and Oenope, daughter of Epopeus, or of Onchestus (eponym of their kingdom), or of Apollo, or of Aegeus, or of Hippomenes. He came with his army to the assistance of Nisos, husband of his sister Abrota, against Minos. In one version, he died in the battle, and the city of Nisa (Nisos' domain) was renamed Megara in his honor; in another, he married Iphinoe, daughter of Nisos, and succeeded to his father-in-law's power over Megara. His children by Iphinoe were Evippus, Timalcus, and Evaechme; he also had a son Hippomenes by Merope. With the aid of the god Apollo, Alcathous killed the Cithaeronian lion, for which Megareus gave him his daughter Euaechme as wife. He subsequently made Alcathous his successor, because his own sons did not outlive him: Evippus was killed by the lion, and Timalcus was slain by Theseus, having joined the Dioscuri in the campaign against him.
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Baucis and Philemon In Ovid's moralizing fable which stands on the periphery of Greek mythology and Roman mythology, Baucis and Philemon were an old married couple in the region of Tyana, which Ovid places in Phrygia, and the only ones in their town to welcome disguised gods Zeus and Hermes (in Roman mythology, Jupiter and Mercury respectively), thus embodying the pious exercise of hospitality, the ritualized guest-friendship termed "xenia", or "theoxenia" when a god was involved."
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Nausicaa Nausicaa ( ; Greek: Ναυσικάα or Ναυσικᾶ , ] ; also "Nausicaä, Nausikaa") is a character in Homer's "Odyssey". She is the daughter of King Alcinous (Αλκίνοος, "Alkínoös") and Queen Arete of Phaeacia. Her name, in Greek, means "burner of ships" (ναῦς: ship; κάω: to burn).
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Theseia The Theseia (Ancient Greek: Θησεῖα, Thēseĩa) was an ancient Greek festival held in Athens in the honor of Thēseús.
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Ithaka (play) Ithaka is a 1996 play by the German writer Botho Strauß. It has the subtitle "Schauspiel nach den Heimkehr-Gesängen der Odyssee", meaning "play after the homecoming songs from the "Odyssey"". It tells the story of how Odysseus, the Greek hero from the Trojan War, returns after 20 years to his court in Ithaca, where he massacres the suitors of his wife Penelope to recreate order.
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Herakles (Euripides) Herakles (Ancient Greek: Ἡρακλῆς μαινόμενος , "Hēraklēs Mainomenos", also known as "Hercules Furens ") is an Athenian tragedy by Euripides that was first performed c. 416 BCE. While Herakles is in the underworld obtaining Cerberus for one of his labours, his father Amphitryon, wife Megara, and children are sentenced to death in Thebes by Lycus. Herakles arrives in time to save them, though the goddesses Iris and Madness (personified) cause him to kill his wife and children in a frenzy. It is the second of two surviving tragedies by Euripides where the family of Herakles are suppliants (the first being "Herakles' Children"). It was first performed at the City Dionysia festival.
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Teseo Teseo ("Theseus", HWV 9; ] ) is an opera seria with music by George Frideric Handel, the only Handel opera that is in five acts. The Italian-language libretto was by Nicola Francesco Haym, after Philippe Quinault's "Thésée". It was Handel's third London opera, intended to follow the success of "Rinaldo" after the unpopular "Il pastor fido".
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Sonnet 144 Sonnet 144 (along with Sonnet 138) was published in the "Passionate Pilgrim" (1599). Shortly before this, Francis Meres referred to Shakespeare's Sonnets in his handbook of Elizabethan poetry, Palladis Tamia, or Wit's Treasurie, published in 1598, which was frequently talked about in the literary centers of London taverns. Shakespeare's sonnets are mostly addressed to a young man, but the chief subject of Sonnet 127 through Sonnet 152 is the "dark lady". Several sonnets portray a conflicted relationship between the speaker, the "dark lady" and the young man. Sonnet 144 is one of the most prominent sonnets to address this conflict.
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Attic War In Greek mythology, the Attic War is the conflict between the Amazons and the Athenians, led by Theseus or Heracles. The Amazons fought to free Antiope or her sister Hippolyta from captivity. Per some Greek myths, Heracles abducted Hippolyta during his ninth labor and later gave her to Theseus. Per other myths, Hippolyta was killed during the ninth labor and Theseus, who had joined Hercules during his expedition, abducted Hippolyta's sister Antiope. In all the myths, the Amazons then went to war against the Athenians and were defeated.
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Peleus In Greek mythology, Peleus ( ; Greek: Πηλεύς , "Pēleus") was a hero whose myth was already known to the hearers of Homer in the late 8th century BC. Peleus was the son of Aeacus, king of the island of Aegina, and Endeïs, the oread of Mount Pelion in Thessaly. He married the sea-nymph Thetis with whom he fathered Achilles.
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Charnabon Charnabon (Ancient Greek "Χαρναβών", gen. "Χαρναβώντος") was a king of the Getae, mentioned in Sophocles' tragedy "Triptolemos" as ruling the Getae, without a precise geographical location of his kingdom. Although the play survived only in brief fragments, the myth of Charnabon and Triptolemus is preserved in the "Poetical Astronomy" by Hyginus (who refers to the king as "Carnabon"), and runs as follows.