Portrait of Wally is a 1912 oil painting by a protégé of Gustav Klimt whose work is noted for its intensity and what?
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Portrait of Wally Portrait of Wally is a 1912 oil painting by Austrian painter Egon Schiele of Walburga "Wally" Neuzil, a woman whom he met in 1911 when he was 21 and she was 17. She became his lover and model for several years, depicted in a number of Schiele's most striking paintings. The painting was obtained by Rudolf Leopold in 1954 and became part of the collection of the Leopold Museum when it was established by the Austrian government, purchasing 5,000 pieces that Leopold had owned. Near the end of a 1997–1998 exhibit of Schiele's work at the Museum of Modern Art in New York, the painting's ownership history was revealed in an article published in "The New York Times". After the publication, the heirs of Lea Bondi Jaray, to whom the work had belonged before World War II, contacted the New York County District Attorney who issued a subpoena forbidding its return to Austria. The work was tied up in litigation for years by Bondi's heirs, who claimed that the painting was Nazi plunder and should have been returned to them.
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Egon Schiele Egon Schiele (] ; 12 June 1890 – 31 October 1918) was an Austrian painter. A protégé of Gustav Klimt, Schiele was a major figurative painter of the early 20th century. His work is noted for its intensity and its raw sexuality, and the many self-portraits the artist produced, including naked self-portraits. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings mark the artist as an early exponent of Expressionism.
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Stefan Hirsch Stefan Hirsch (January 2, 1899 – September 28, 1964) was an American artist. Many of his paintings have the hard edges, smooth surfaces, and simplified forms of the precisionists and their typical subjects—cityscapes and industrial scenes—are sometimes also his, but in general his works have an emotional element and, as one critic as said, "take on an otherworldly tone" that sets them apart. In addition to work showing a personal version of precisionism, he produced paintings, drawings, and prints in the social realist, Mexican muralist, and surrealist styles as well as still lifes, portraits, and landscapes that defy easy classification. His work achieved critical recognition from 1919 onward, has been widely collected, and is today found in many American museums including the Phillips Collection, the Whitney Museum of American Art, the Metropolitan Museum of Art, and the Corcoran Gallery.
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Karl Knaths Karl Knaths (October 21, 1891 – March 9, 1971) was an American artist whose personal approach to the Cubist aesthetic led him to create paintings which, while abstract, contained readily identifiable subjects. In addition to the Cubist painters, his work shows influence by Paul Cézanne, Wassily Kandinsky, Utagawa Kuniyoshi, Paul Klee, Stuart Davis, and Agnes Weinrich. It is nonetheless, in use of heavy line, rendering of depth, disciplined treatment of color, and architecture of planes, distinctly his own.
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Academic art Academic art, or Academicism, is a style of painting and sculpture produced under the influence of European academies of art. Specifically, academic art is the art and artists influenced by the standards of the French Académie des Beaux-Arts, which practiced under the movements of Neoclassicism and Romanticism, and the art that followed these two movements in the attempt to synthesize both of their styles, and which is best reflected by the paintings of William-Adolphe Bouguereau, Thomas Couture, and Hans Makart. In this context it is often called "academism", "academicism", "L'art pompier", and "eclecticism", and sometimes linked with "historicism" and "syncretism".
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Portrait of a Lady (Klimt) Portrait of a Lady is an 1916-17 oil on canvas painting by Gustav Klimt. The painting measures 60 x . It depicts a portrait of a female figure, composed in an unusually lively expressionistic style. It was acquired by the Galleria Ricci-Oddi in Piacenza in 1925.
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Intensity (heat transfer) In the field of heat transfer, intensity of radiation formula_1 is a measure of the distribution of radiant heat flux per unit area and solid angle, in a particular direction, defined according to
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Color realism (art style) Color realism is a fine art style where accurately portrayed colors create a sense of space and form. It employs a flattening of objects into areas of color, where the modulations occur more as a result of an object interacting with the color and light of its environment than the sculptural modeling of form or presentation of textural detail. The actual color of an object, or 'local color', is held secondary to how that color interacts with surrounding light sources that may alter the look of the original color. Warm light of the sun, cool light from the sky, and warm reflected light bouncing off other objects are all examples of how a local color may be affected by its location in space.
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Suprematism Suprematism (Russian: "Супремати́зм" ) is an art movement, focused on basic geometric forms, such as circles, squares, lines, and rectangles, painted in a limited range of colors. It was founded by Kazimir Malevich in Russia, around 1913, and announced in Malevich's 1915 exhibition, The Last Futurist Exhibition of Paintings 0.10, in St. Petersburg, where he, alongside 13 other artists, exhibited 36 works in a similar style. The term "suprematism" refers to an abstract art based upon "the supremacy of pure artistic feeling" rather than on visual depiction of objects.
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Impressionism Impressionism is a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, inclusion of "movement" as a crucial element of human perception and experience, and unusual visual angles. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s.
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Expressionism Expressionism was a modernist movement, initially in poetry and painting, originating in Germany at the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists sought to express the meaning of emotional experience rather than physical reality.
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The Cubist Painters, Aesthetic Meditations Les Peintres Cubistes, Méditations Esthétiques (English, The Cubist Painters, Aesthetic Meditations), is a book written by Guillaume Apollinaire between 1905 and 1912, published in 1913. This was the third major text on Cubism; following "Du "Cubisme"" by Albert Gleizes and Jean Metzinger (1912); and André Salmon, "Histoire anecdotique du cubisme" (1912).
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Interior portrait The interior portrait (portrait d'intérieur) or, in German, Zimmerbild (room picture), is a pictorial genre that appeared in Europe near the end of the 17th century and enjoyed a great vogue in the second half of the 19th century. It involves a careful, detailed representation of a living space, without any people. These paintings were generally rendered as watercolors and required great technical mastery, if little creativity. By the mid-20th century, although such scenes were still being created, photography had changed this style of painting into a form of intentional archaism.
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Charles Demuth Charles Henry Buckius Demuth (November 8, 1883 – October 23, 1935) was an American watercolorist who turned to oils late in his career, developing a style of painting known as Precisionism.
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Hans Makart Hans Makart (28 May 1840 – 3 October 1884) was a 19th-century Austrian academic history painter, designer, and decorator; most well known for his influence on Gustav Klimt and other Austrian artists, but in his own era considered an important artist himself and a celebrity figure in the high culture of Vienna, attended with almost cult-like adulation.
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Sydney Strickland Tully Sydney Strickland Tully (March 10, 1860 – July 18, 1911) was a Canadian academic painter. She is known for her pastel and oil portraits, landscapes and genre pictures, and for her success in a number of academic exhibitions. Tully kept a studio in Toronto from 1888 until her death. Her major works include "The Twilight of Life" (1894), an oil painting in the collection of the Art Gallery of Ontario.
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Giornata Giornata is an art term, originating from an Italian word which means "a day's work." The term is used in Buon fresco mural painting and describes how much painting can be done in a single day of painting. Knowing how much can be painted in a day is crucial in the Buon fresco technique, because in this technique a watercolor paint, without binder, is applied to wet lime plaster which binds the paint into the surface of the plaster when it dries, making for an extremely durable painting. An experienced fresco painter knows how much surface can be painted in a day, and wet plaster is applied to the wall in the right amount needed for each day's work. That amount is the "giornata". Generally the plaster is applied in a way that will conform to the outline of a figure, or object, in a painting, so that the daily segments will not show, but it is occasionally visible as different sections in a work where the artist may not have been able to replicate a pigment exactly the next day, or where restoration has altered or made apparent the changes in pigment between the sections.
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Portrait of Daniel-Henry Kahnweiler Portrait of Daniel-Henry Kahnweiler (Spanish: "Retrato de Daniel-Henry Kahnweiler") is a 1910 oil on canvas painting by Pablo Picasso in the Analytical Cubism style. It was completed in 1910, and is in the collection of the Art Institute of Chicago. The artwork displays brown as its prominent color, with dimensions 100.5 cm × 73 cm.
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The Wounded Deer The Wounded Deer ("El venado herido" in Spanish) is an oil painting by Mexican artist Frida Kahlo created in 1946. It is also known as "The Little Deer". Through "The Wounded Deer", Frida Kahlo shares her enduring physical and emotional suffering with her audience, as she did throughout her creative oeuvre. This painting in particular was created towards the end of Kahlo's life, when her health was in decline. Kahlo combines pre-Columbian, Buddhist, and Christian symbols to express her wide spectrum of influences and beliefs.
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Ethel Schwabacher Ethel Kremer Schwabacher (born May 20, 1903, New York, New York, U.S.— died November 25, 1984, New York, New York, U.S.) was an abstract expressionist painter, represented by the Betty Parsons Gallery in the 1950s and 1960s. She was a protégé and first biographer of Arshile Gorky, and friends with many of the prominent painters of New York at that time, including Willem de Kooning, Richard Pousette-Dart, Kenzo Okada, and José Guerrero. She was also the author of a monograph on the artist John Ford and a memoir, "Hungry for Light".
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Kliment Red'ko Kliment Nikolaevich Red'ko or Redko (Russian: Климент Николаевич Редько , Ukrainian: Климент Миколайович Редько , Klyment Mykolayovych Redko), 15 (27) October 1897 - 18 February 1956) was a Ukrainian-Russian painter-scientist, avant-garde artist (Constructivist, Projectionist, Suprematist), graphic artist.
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Clement Greenberg Clement Greenberg ( ), occasionally writing under the pseudonym K. Hardesh (January 16, 1909 – May 7, 1994), was an American essayist known mainly as an influential visual art critic closely associated with American Modern art of the mid-20th century. In particular, he is best remembered for his promotion of the abstract expressionist movement and was among the first published critics to praise the work of painter Jackson Pollock.