Which opera was first performed, Don Quichotte or Euridice?
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Don Quichotte Don Quichotte ("Don Quixote") is an opera in five acts by Jules Massenet to a French libretto by Henri Caïn. It was first performed on 19 February 1910 at the Opéra de Monte-Carlo.
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Euridice (Peri) Euridice (also Erudice or Eurydice) is an opera by Jacopo Peri, with additional music by Giulio Caccini. It is the earliest surviving opera, Peri's earlier "Dafne" being lost. (Caccini wrote his own "Euridice" even as he supplied music to Peri's opera, published this version before Peri's was performed, in 1600, and got it staged two years later.) The libretto by Ottavio Rinuccini is based on books X and XI of Ovid's "Metamorphoses"
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Orpheus und Eurydike Orpheus und Eurydike ("Orpheus and Eurydice") is an opera by Ernst Krenek. The German text is based on a play by Oskar Kokoschka. Kokoschka began writing his play during his convalescence (from wounds received on the Ukrainian front in 1915) and it premiered in 1921, one year before Rilke's Sonnets to Orpheus appeared. In 1923 he let it be known that he was looking for a composer to write incidental music. Kokoschka's expressionist, psychological treatment of the Orpheus myth, marked by his passion for Alma Mahler, appealed to Krenek so he approached Kokoschka.
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La Fenice Teatro La Fenice (] , "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre", and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major "bel canto" era composers—Rossini, Bellini, Donizetti, and Verdi were performed.
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Phaedra (opera) Phaedra is a 'concert opera' in two-acts by Hans Werner Henze. Its first performance was given at the Berlin State Opera on 6 September 2007. The work is a co-commission and co-production with the Berliner Festspiele, Théâtre de la Monnaie, Brussels, Alte Oper Frankfurt and the Vienna Festival.
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Diane et Endymion Diane et Endymion ("Diana and Endymion") is a French-language opera by the composer Niccolò Piccinni, first performed at the Académie Royale de Musique, Paris (the Paris Opera) on 7 September 1784. It takes the form of an "opéra" in three acts. The libretto, by Jean-François Espic Chevalier de Liroux, is based on the story of the goddess Diana's love for the shepherd Endymion.
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Francesco Dominici (operatic tenor) Francesco Dominici (1885–1968) was an Italian operatic tenor particularly admired for his acting in comedic roles. He made his professional opera debut as Fernando in Donizetti's "La favorite" at the Teatro Donizetti in Bergamo in 1914. He created the role of Prunier in the original 1917 production of Puccini's "La rondine" at the Grand Théâtre de Monte Carlo, a role which he performed at many other opera houses including the Teatro Comunale di Bologna. Over the next several years he played mostly leading roles at the Teatro Costanzi in Rome including Rodolfo in Puccini's "La Bohème", Fenton in Verdi's "Falstaff", and the Ernesto in Donizetti's "Don Pasquale". In the early 1920s he joined the roster at La Scala where he began playing more buffo roles than leading roles. In 1921, he sang the role of doctor Cajus in Verdi's Falstaff at La Scala and in 1922 was Filipeto in the company's first production of Ermanno Wolf-Ferrari's "I quattro rusteghi". In 1926 he created the role of Emperor Altoum in the original production of Puccini's "Turandot" at La Scala. In 1929 he went on tour with La Scala to Germany. Other roles that Dominici performed at La Scala include David in Wagner's "Die Meistersinger von Nürnberg", Monostatos in Mozart's "The Magic Flute", and the Neipperg in Umberto Giordano's "Madame Sans-Gêne". In 1931 he moved to Cuba, where he taught music for many years. Dominici died in Havana in 1968.
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Callirhoé Callirhoé is an opera by the French composer André Cardinal Destouches. It takes the form of a "tragédie en musique" in a prologue and five acts. The libretto, by Pierre-Charles Roy, is based on a story from "The Description of Greece" by Pausanias (see Coresus). The opera was first performed on December 27, 1712, by the Académie royale de musique at the Théâtre du Palais-Royal in Paris. Destouches reworked the score for a revival on 22 October, 1743. This version ends abruptly with the death of Corésus.
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La bohème (Leoncavallo) La bohème is an Italian opera in four acts, with music and libretto by Ruggero Leoncavallo, based on "Scènes de la vie de bohème" by Henri Murger. The opera received a successful premiere at the Teatro la Fenice, Venice on 6 May 1897.
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Margarita Salicola Margarita Salicola ("floruit" 1682 – 1706) was a famous opera singer of her time. She came from a family of musicians at the court of the Ferdinando Carlo Gonzaga, Duke of Mantua and became a staple of casts at San Giovanni Grisostomo, Venice's newest and most famous theater, in the 1680s. The earliest work with which she can be linked is Pietro Simone Agostini's "Il ratto delle sabine" ("The Rape of the Sabine Women"). She was especially praised for her appearance in the title role of Carlo Pallavicino's "Penelope la casta" ("The Chaste Penelope") in the winter of 1685. The Saxon elector Johann Georg III, in whose court Pallavicino already served, was so thrilled by her performance that he became intent to taking her and two "castrati" from the same cast into this service. After a staged "kidnapping," Salicola was escorted en route to Dresden by a Mantuan agent.
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Euridice (Caccini) Euridice is an opera in a prologue and one act by the Italian composer Giulio Caccini. The libretto, by Ottavio Rinuccini, had already been set by Caccini's rival Jacopo Peri in 1600. Caccini's version of "Euridice" was first performed at the Pitti Palace, Florence on 5 December 1602. Caccini hurriedly prepared the score for the press and published it six weeks before Peri's version appeared.
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El retablo de maese Pedro El retablo de maese Pedro ("Master Peter's Puppet Show") is a puppet-opera in one act with a prologue and epilogue, composed by Manuel de Falla to a Spanish libretto based on an episode from "Don Quixote" by Miguel de Cervantes. The libretto is an abbreviation of chapter 26 of the second part of "Don Quixote", with some lines added from other parts of the work. Falla composed this opera "in devoted homage to the glory of Miguel de Cervantes" and dedicated it to the Princess de Polignac, who commissioned the work. Because of its brief length by operatic standards (about 27 minutes), its very challenging part for a boy opera performer (who has by far the most lines), and its use of puppets, it is not part of the standard operatic repertoire.
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Les deux petits savoyards Les deux petits savoyards ("The Two Little Savoyards") is a comic opera in one act by the French composer Nicolas Dalayrac. It was first performed by the Comédie-Italienne at the first Salle Favart in Paris on January 14, 1789. The libretto is by Benoît-Joseph Marsollier des Vivetières. The opera was a great success; according to the records of the Comédie-Italienne, 104,000 spectators had seen it by 1793. The theme of reconciliation between the social classes appealed to audiences at the beginning of the French Revolution. "Les deux petits savoyards" received its British premiere at Sadler's Wells in June, 1789 and it first appeared in the United States in Philadelphia in 1797.
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Ezio (libretto) Ezio is an opera libretto by Metastasio, first officially set to music by Pietro Auletta and premièred in the Teatro delle Dame, Rome, on December 26, 1728; an unauthorized setting by Nicola Porpora had already been premièred a month earlier (November 20) in Venice.
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Françoise de Rimini Françoise de Rimini (Francesca da Rimini) is an opera in four acts with a prologue and an epilogue. The last opera composed by Ambroise Thomas, it sets a French libretto by Michel Carré and Jules Barbier which is based on an episode from Dante's "Divine Comedy". The opera was first performed by the Paris Opera on 14 April 1882 but fell into relative obscurity until its revival in 2011.
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Demofonte Demofonte (also "Demofoonte"; "Il Demofoonte"; "Demofoonte, ré di Tracia" [King of Thrace]; "Démophon"; "Demophontes"; or "Dirce, L'usurpatore innocente" ["Dirce, The Innocent Usurper") is an opera seria libretto by Metastasio. The libretto was first set by Antonio Caldara in 1733, but remained popular throughout the eighteenth century and was set over seventy times.
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Don Juan Triumphant Don Juan Triumphant is the name of a fictional opera written by the title character in the novel "The Phantom of the Opera". In the 1986 musical "The Phantom of the Opera" by Andrew Lloyd Webber, the concept is expanded as an opera within a musical and the performance of it plays a major role in the storyline. The fictional piece draws major inspiration from the Mozart's famous work "Don Giovanni" yet the Phantom's opera is depicted as far more bleak and dark.
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Il Postino (opera) Il Postino is an opera in three acts by Daniel Catán with a Spanish libretto by the composer. Based on the novel " Ardiente paciencia" by Antonio Skármeta and the film "Il Postino" by Michael Radford, the work contains elements of drama and comedy, integrating themes of love and friendship along with political and spiritual conflict. The opera premiered at the Dorothy Chandler Pavilion by Los Angeles Opera on 23 September 2010.
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Aida Aida (] ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in Egypt, it was commissioned by and first performed at Cairo's Khedivial Opera House on 24 December 1871; Giovanni Bottesini conducted after Verdi himself withdrew. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, "Aida" has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera.
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Re Enzo (opera) Re Enzo ("King Enzo") is an opera in three acts by Ottorino Respighi to a libretto by Alberto Donini (a student friend of Respighi). "Re Enzo" premiered on 12 March 1905 at the Teatro del Corso in Bologna. The singers were amateurs selected in the world of the Bolognese students; among them, Rosina Giovannoni Zacchi as Lauretta and Ernesto Lavarello as Leonzio. Following the will of the composer, there was a single performance, which obtained a good success.
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Little Christopher Columbus Little Christopher Columbus is a burlesque opera in two acts, with music by Ivan Caryll and Gustave Kerker and a libretto by George R. Sims and Cecil Raleigh. It opened on 10 October 1893 at the Lyric Theatre in London and then transferred to Terry's Theatre, running for a total of 421 performances, which was a very successful run at the time. May Yohé created the title role, and Furneaux Cook and E. J. Lonnen were in the cast. Mabel Love, Geraldine Ulmar and Florence St. John joined the cast as replacements.
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Don Rodrigo Don Rodrigo is an opera in three acts by Alberto Ginastera, the composer's first opera, to an original Spanish libretto by Alejandro Casona. Ginastera composed the opera on commission from the Municipality of the City of Buenos Aires, Argentina. The first performance was at the Teatro Colón, Buenos Aires, Argentina on 24 July 1964 with Carlo Cossutta in the title role. The production was directed by Jorge Petraglia and conducted by Bruno Bartoletti.