Lisbeth Hummen stared in which 1975 French erotic fantasy horror film?
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Lisbeth Hummel Lisbeth Hummel (born 1952 in Copenhagen, Denmark) is a Danish film actress. She is known for the controversial film "The Beast", directed by Walerian Borowczyk, and "" and "Dangerous Women", both directed by her husband . She is now working as an artist, and lives in Denmark and Italy.
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La Bête (film) The Beast (French: "La Bête" ) is a 1975 X rated French erotic fantasy horror film written, edited, and directed by Walerian Borowczyk. Although sometimes compared with "Beauty and the Beast", there are no parallels in the plot except that it features the relationship between a beast (monster) and a woman. The film was noted for its explicit sexual content upon its initial release. It has become a cult film.
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The Spiral Staircase (1975 film) The Spiral Staircase is a 1975 British horror mystery thriller film directed by Peter Collinson, starring Jacqueline Bisset and Christopher Plummer. It is a remake of the 1945 film of the same name.
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L'Ange et la Femme L'Ange et la femme ("The Angel and the Woman") is a 1977 Quebecois fantasy romance film directed by Gilles Carle. The film follows a woman who, after being brutally shot, dies in the snow and is resurrected by an angel who falls in love with her and eventually teaches her how to incinerate objects with her mind. The film is shot entirely in black-and-white and gained some controversy due to its explicit unsimulated sex scenes between the two leads.
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The Nun and the Devil The Nun and the Devil, or "Le Monache di Sant'Arcangelo" in the original Italian, is an erotic 1973 French/ Italian nunsploitation film directed by
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Raging Fists Raging Fists (French: La Rage au poing ) is a 1975 French drama film directed by Éric Le Hung.
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The Headless Ghost The Headless Ghost is a 1959 British comedy horror film, produced by Herman Cohen and directed by Peter Graham Scott. It stars Richard Lyon, Liliane Sottane, David Rose, and Clive Revill. The films tells of three young people who spend the night in a haunted English castle. With the help of a friendly ghost, they reunite the head of the Headless Ghost with its body, thus ending its 600 years of wandering about headless. The film was made specifically as the second feature for an American double bill with "Horrors of the Black Museum" (1959).
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Les deux orphelines vampires Les deux orphelines vampires (The Two Orphan Vampires) is a 1997 French fantasy horror/drama film directed by Jean Rollin. The film was an adaptation of Rollin's novel of the same name. Rollin was primarily known for his vampire-themed works, but "Les deux orphelines vampires" was actually Rollin's first vampire film since 1979's "Fascination".
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Let Sleeping Corpses Lie (film) Let Sleeping Corpses Lie (Italian: "Non si deve profanare il sonno dei morti" / "Do Not Profane the Sleep of the Dead"; Spanish: "No profanar el sueño de los muertos" / "Do Not Profane the Sleep of the Dead"), also known as The Living Dead at the Manchester Morgue and Don't Open the Window, is a 1974 Spanish-Italian science fiction horror film written and directed by Jorge Grau and starring Ray Lovelock, Arthur Kennedy and Cristina Galbó. The film focuses on two protagonists who are harassed by a local police investigator in the English countryside and are implicated in murders committed by zombies who have been brought to life by a farming tool designed to kill insects via ultra-sonic radiation.
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Days of Darkness (2007 Canadian film) Days of Darkness (French: L'Âge des ténèbres ), also known as The Age of Ignorance, is a 2007 French Canadian sex comedy-drama film written and directed by Denys Arcand and starring Marc Labrèche, Diane Kruger and Sylvie Léonard. It is the third part of Arcand's loose trilogy also consisting of "The Decline of the American Empire" (1986) and "The Barbarian Invasions" (2003). The film follows a depressed Quebec bureaucrat, who feeling insignificant, retreats into a fantasy world.
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The Grotesque (film) The Grotesque (also known as Grave Indiscretion and Gentlemen Don't Eat Poets) is a 1995 British film by John-Paul Davidson, adapted from the 1989 novel of the same name by Patrick McGrath. It stars Alan Bates, Lena Headey, Theresa Russell and Sting.
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The Margin (film) The Margin (French: "La Marge" , also known as "The Streetwalker" and "Emmanuelle 77") is a 1976 French erotic drama film written and directed by Walerian Borowczyk and starring Sylvia Kristel. It is loosely based on the novel "The Margin" by André Pieyre de Mandiargues.
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Shut In (2016 film) Shut In (classified under the name Oppression in France) is a 2016 French-Canadian psychological thriller horror drama film directed by Farren Blackburn, written by Christina Hodson, and starring Naomi Watts, Oliver Platt, Charlie Heaton, Jacob Tremblay, David Cubitt, and Clémentine Poidatz.
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Bedside-films The "Bedside"-films is a series of eight feature films directed by John Hilbard in 1970–76, and form part of the wave of erotic films from Denmark.
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Hellphone Hellphone is a 2007 French comedy horror film co-written and directed by James Huth and starring Jean-Baptiste Maunier, Jean Dujardin and Édouard Collin.
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Deranged (1974 film) Deranged is a Canadian-American horror film made in 1974 and directed by Alan Ormsby and Jeff Gillen. It is also known by the title Deranged: The Confessions of a Necrophile in the USA. It is a low-budget movie that is based on the life of Ed Gein. The title is, however, misleading since Ed Gein never experimented with necrophilia; although a necrophile is also defined as "an obsessive fascination with death and corpses."
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Diva (1981 film) Diva is a 1981 French thriller film directed by Jean-Jacques Beineix, adapted from the novel "Diva" by Daniel Odier (under the pseudonym Delacorta). It is one of the first French films to let go of the realist mood of 1970s French cinema and return to a colourful, melodic style, later described as "cinéma du look".
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Laure (film) Laure (also known as Forever Emmanuelle and "Laura") is a 1976 Italian erotic film directed by Louis-Jacques Rollet-Andriane and Roberto D'Ettorre Piazzoli, even if the film was advertised as directed by Emmanuelle Arsan. The first choice for the title role was Linda Lovelace, but due to her personal problems at the time, she was first recast in the secondary role of Natalie Morgan, and eventually put out of the film. It was shot in the Philippines and in Rome.
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Emmanuelle 2 Emmanuelle 2 (aka "Emmanuelle, The Joys of a Woman;" original title "Emmanuelle: L'antivierge") is a 1975 French softcore erotica film directed by Francis Giacobetti and starring Sylvia Kristel. The screenplay was written by Bob Elia and Francis Giacobetti. It is a sequel to the 1974 film "Emmanuelle" which was based on the novel "Emmanuelle: The Joys of a Woman" by Emmanuelle Arsan, and it loosely follows the plot of the novel's print sequel. The music score is by Pierre Bachelet and Francis Lai.
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La Maldicion de la Bestia La Maldicion de la Bestia (Curse of the Beast) is a 1975 Spanish horror film that is the eighth in a long series about the werewolf Count Waldemar Daninsky, played by Paul Naschy. The film has also been known as The Werewolf and the Yeti, Night of the Howling Beast and Hall of the Mountain King. This film ignored the events from the earlier films "The Fury of the Wolfman" (1970) and "Curse of the Devil" (1972), and provided an all-new origin for Waldemar's lycanthropy, having the curse transmitted by the bites of not one, but "two", vampire women! A yeti is woven into the storyline (as in "The Fury of the Wolfman"), but in this film the yeti isn't the cause of Waldemar's lycanthropy, but rather the catalyst that brings Waldemar to Tibet in the first place. <br>
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Phobia (1980 film) Phobia is a 1980 Canadian horror-thriller film directed by John Huston and starring Paul Michael Glaser.
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The Night Porter The Night Porter (Italian: "Il portiere di notte") is a 1974 Italian erotic psychological drama film. Directed and co-written by Liliana Cavani, the film stars Dirk Bogarde and Charlotte Rampling, and features Philippe Leroy and Gabriele Ferzetti. Its themes of sexual and sadomasochistic obsession have made the film controversial since its initial release, with critics being divided over the film's artistic value.