Who wrote  a tragedy that John Sinklo performed with Sussex's men in?
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John Sinklo John Sinklo (also Sinclo, Sincklo, Sincler, Sinkler, Sinclair) was an English Renaissance theatre actor, known to be active between 1592-1604. He was a member of several playing companies, including Lord Strange's Men, Pembroke's Men, Lord Chamberlain's Men and the King's Men. It is likely that Sinklo also performed with Sussex's Men, following the text of "Titus Andronicus" which Sussex's inherited from Pembroke's.
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Titus Andronicus Titus Andronicus is a tragedy by William Shakespeare, believed to have been written between 1588 and 1593, probably in collaboration with George Peele. It is thought to be Shakespeare's first tragedy, and is often seen as his attempt to emulate the violent and bloody revenge plays of his contemporaries, which were extremely popular with audiences throughout the 16th century.
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Cato, a Tragedy Cato, a Tragedy is a play written by Joseph Addison in 1712, and first performed on 14 April 1713. Based on the events of the last days of Marcus Porcius Cato Uticensis (better known as Cato the Younger) (95–46 B.C.), a Stoic whose deeds, rhetoric and resistance to the tyranny of Julius Caesar made him an icon of republicanism, virtue, and liberty. Addison's play deals with, among other things, such themes as individual liberty versus government tyranny, Republicanism versus Monarchism, logic versus emotion, and Cato's personal struggle to hold to his beliefs in the face of death. It has a prologue written by Alexander Pope, and an epilogue by Samuel Garth.
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Macbeth Macbeth ( ; full title The Tragedy of Macbeth) is a tragedy by William Shakespeare; it is thought to have been first performed in 1606. It dramatises the damaging physical and psychological effects of political ambition on those who seek power for its own sake. Of all the plays that Shakespeare wrote during the reign of James I, who was patron of Shakespeare's acting company, "Macbeth" most clearly reflects the playwright's relationship with his sovereign. It was first published in the Folio of 1623, possibly from a prompt book, and is Shakespeare's shortest tragedy.
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The Prophetess (play) The Prophetess is a late Jacobean era stage play, a tragicomedy written by John Fletcher and Philip Massinger. It was initially published in the first Beaumont and Fletcher folio of 1647.
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Fair Rosamond (opera) Fair Rosamond is an English historical opera in four acts composed by John Barnett, written in 1837 to a libretto by Charles Zachary Barnett, after the legend of Rosamund Clifford ("Fair Rosamond" or the "Rose of the World"), the 12th century mistress of King Henry II who was said to have been poisoned by the King's wife, Queen Eleanor. In his opera, Barnett effects a happier ending.
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Summer's Last Will and Testament Summer's Last Will and Testament is an Elizabethan stage play, a comedy written by Thomas Nashe. The play is notable for breaking new ground in the development of English Renaissance drama: "No earlier English comedy has anything like the intellectual content or the social relevance that it has."
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George Lillo George Lillo (3 February 1691 – 4 September 1739) was an English playwright and tragedian. He was a jeweller in London as well as a dramatist. He produced his first stage work, "Silvia, or The Country Burial", in 1730. A year later, he produced his most famous play, "The London Merchant". He wrote at least six more plays before his death in 1739, including "The Christian Hero" (1735), "Fatal Curiosity" (1737) and "Marina" (1738).
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The Bashful Lover The Bashful Lover is a Caroline era stage play, a tragicomedy written by Philip Massinger. Dating from 1636, it is the playwright's last known extant work; it appeared four years before his death in 1640.
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Careless Rapture Careless Rapture is a 'musical play' by the Welsh composer Ivor Novello and lyrics by Christopher Hassall. It premiered on 11 September 1936 at the Theatre Royal, Drury Lane. It ran for 295 performances, a relatively modest success given Novello's other major successes.
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Dioclesian Dioclesian (The Prophetess: or, The History of Dioclesian) is a tragicomic semi-opera in five acts by Henry Purcell to a libretto by Thomas Betterton based on the play "The Prophetess", by John Fletcher and Philip Massinger, which in turn was based very loosely on the life of the Emperor Diocletian. It was premiered in late May 1690 at the Queen's Theatre, Dorset Garden. The play was first produced in 1622. [??] Choreography for the various dances was provided by Josias Priest, who worked with Purcell on several other semi-operas.
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A Midsummer Night's Dream A Midsummer Night's Dream is a comedy written by William Shakespeare in 1595/96. It portrays the events surrounding the marriage of Theseus, the Duke of Athens, to Hippolyta, the former queen of the Amazons. These include the adventures of four young Athenian lovers and a group of six amateur actors (the mechanicals) who are controlled and manipulated by the fairies who inhabit the forest in which most of the play is set. The play is one of Shakespeare's most popular works for the stage and is widely performed across the world.
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The Witch (play) The Witch is a Jacobean play, a tragicomedy written by Thomas Middleton. The play was acted by the King's Men at the Blackfriars Theatre. It is thought to have been written between 1613 and 1616; it was not printed in its own era, and existed only in manuscript until it was published by Isaac Reed in 1778.
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Tyrannick Love Tyrannick Love, or The Royal Martyr is a tragedy by John Dryden in rhymed couplets, first acted in June 1669, and published in 1670. It is a retelling of the story of Saint Catherine of Alexandria and her martyrdom by the Roman Emperor Maximinus, the "tyrant" of the title, who is enraged at Catherine's refusal to submit to his violent sexual passion. Dryden reportedly wrote the play in only seven weeks.
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Philip King (playwright) Philip King (30 October 1904 – 9 February 1979) was an English playwright and actor, born in Yorkshire. He is best known as the author of the farce "See How They Run" (1944). He lived in Brighton and many of his plays were first produced in nearby Worthing. He continued to act throughout his writing career, often appearing in his own plays.
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The Arcadia (play) The Arcadia is James Shirley's dramatization of the prose romance, "The Countess of Pembroke's Arcadia" by Sir Philip Sidney — one expression of the enormous influence that Sidney's work exercised during the 17th century. Shirley's stage version was first published in 1640.
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Oedipus Rex Oedipus Rex, also known by its Greek title, Oedipus Tyrannus (Ancient Greek: Οἰδίπους Τύραννος IPA: [oidípuːs týranːos]), or Oedipus the King, is an Athenian tragedy by Sophocles that was first performed around 429 BC. Originally, to the ancient Greeks, the title was simply "Oedipus" ("Οἰδίπους"), as it is referred to by Aristotle in the "Poetics". It is thought to have been renamed "Oedipus Tyrannus" to distinguish it from "Oedipus at Colonus". In antiquity, the term “tyrant” referred to a ruler, but it did not necessarily have a negative connotation.
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Cymbeline Cymbeline , also known as Cymbeline, King of Britain, is a play by William Shakespeare set in Ancient Britain and based on legends that formed part of the Matter of Britain concerning the early Celtic British King Cunobeline. Although listed as a tragedy in the First Folio, modern critics often classify "Cymbeline" as a romance or even a comedy. Like "Othello" and "The Winter's Tale", it deals with the themes of innocence and jealousy. While the precise date of composition remains unknown, the play was certainly produced as early as 1611.
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Tragedy Tragedy (from the Greek: τραγῳδία , "tragōidia" ) is a form of drama based on human suffering that invokes an accompanying catharsis or pleasure in audiences. While many cultures have developed forms that provoke this paradoxical response, the term "tragedy" often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilisation. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it.
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Every Man out of His Humour Every Man out of His Humour is a satirical comedy written by English playwright Ben Jonson, acted in 1599 by the Lord Chamberlain's Men. It is a conceptual sequel to his 1598 comedy "Every Man in His Humour". It was much less successful on stage than its predecessor, though it was published in quarto three times in 1600 alone; it was also performed at Court on 8 January 1605.
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Oedipus (Voltaire play) Oedipus (French: "Œdipe" ) is a tragedy by the French dramatist and philosopher Voltaire that was first performed in 1718. It was his first play and the first literary work for which he used the pen-name Voltaire (his real name was François-Marie Arouet). In adapting Sophocles' Athenian tragedy "Oedipus Rex", Voltaire attempted to rationalise the plot and motivation of its characters. In a letter of 1719 he indicated that he found it improbable that the murder of Laius had not been investigated earlier and that Oedipus should take so long to understand the oracle's clear pronouncement. Voltaire adds a subplot concerning the love of Philoctète for Jocaste. He also reduces the prominence of the theme of incest.
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The Queen and Concubine The Queen and Concubine is a Caroline era stage play, a tragicomedy written by Richard Brome and first published in 1659. It has sometimes been called Brome's best tragicomedy.