Are both Don Quichotte and Hugh the Drover the name of opera's?
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Don Quichotte Don Quichotte ("Don Quixote") is an opera in five acts by Jules Massenet to a French libretto by Henri Caïn. It was first performed on 19 February 1910 at the Opéra de Monte-Carlo.
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Hugh the Drover Hugh the Drover (or "Love in the Stocks") is an opera in two acts by Ralph Vaughan Williams to an original English libretto by Harold Child. According to Michael Kennedy, the composer took first inspiration for the opera from this question to Bruce Richmond, editor of "The Times Literary Supplement", around 1909–1910:
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Holger Danske (opera) Holger Danske (Ogier the Dane) is the title of a 1789 Syngespil opera based on the Oberon myth, with music by F.L.Æ. Kunzen and a Danish libretto by Jens Baggesen.
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The Lodger (opera) The Lodger is an opera in two acts composed by Phyllis Tate. The libretto is by David Franklin, after the 1913 novel of the same name by Marie Adelaide Belloc Lowndes. The opera was commissioned by the Royal Academy of Music, with a grant from the William Manson Fund, and the premiere took place there on 16 July 1960.
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English Eccentrics (opera) English Eccentrics is a chamber opera in two acts by Malcolm Williamson to an English libretto by Geoffrey Dunn, based on a 1933 book by Edith Sitwell. It was commissioned by the English Opera Group. The opera requires the cast to make many quick changes of roles between scenes, and contrives the confrontation of several of the characters, who did not meet in real life.
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Rodrigo (opera) Rodrigo (HWV 5) is an opera in three acts composed by George Frideric Handel. Its original title was "Vincer se stesso è la maggior vittoria" ("To overcome oneself is the greater victory"). The opera is based on the historical figure of Rodrigo, the last Visigothic king of Spain. The libretto was based on Francesco Silvani's "II duello d'Amore e di Vendetta" ("The conflict between love and revenge"). Dating from 1707, it was Handel's first opera written for performance in Italy, and the first performance took place in Florence late in 1707.
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Río de Sangre Río de Sangre is a Gothic-themed Spanish-language opera in 3 acts and 14 scenes by the film score composer Don Davis. Kate Gale wrote the original English prose libretto which was translated into Spanish by Alicia Partnoy. Commissioned by the Florentine Opera Company, the work premiered in October 22, 2010 in a production starring soprano Kerry Walsh and tenor John Duykers. The original cast recorded the opera for Albany Records in 2010. The opera is set in an unnamed South American country with a story centering on political intrigue and family tragedy. The role of its main character, Christian Delacruz, the country's newly elected president, was sung by Guido LeBron.
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El retablo de maese Pedro El retablo de maese Pedro ("Master Peter's Puppet Show") is a puppet-opera in one act with a prologue and epilogue, composed by Manuel de Falla to a Spanish libretto based on an episode from "Don Quixote" by Miguel de Cervantes. The libretto is an abbreviation of chapter 26 of the second part of "Don Quixote", with some lines added from other parts of the work. Falla composed this opera "in devoted homage to the glory of Miguel de Cervantes" and dedicated it to the Princess de Polignac, who commissioned the work. Because of its brief length by operatic standards (about 27 minutes), its very challenging part for a boy opera performer (who has by far the most lines), and its use of puppets, it is not part of the standard operatic repertoire.
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The Nautch Girl The Nautch Girl, or, The Rajah of Chutneypore is a comic opera in two acts, with a book by George Dance, lyrics by Dance and Frank Desprez and music by Edward Solomon. It opened on 30 June 1891 at the Savoy Theatre managed by Richard D'Oyly Carte and ran until 16 January 1892, for a respectable 200 performances, and then toured the British provinces and colonies.
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L'arbre enchanté L’arbre enchanté, ou Le tuteur dupé ("The Magic Tree, or, the Tutor Duped"), Wq 42, is a one-act opéra comique by Christoph Willibald Gluck to a libretto based on the 1752 opéra-comique "Le poirier" ("The Peartree") with a text by Jean-Joseph Vadé. Vadé's libretto was based on a tale from Boccaccio's "Decameron", as retold by Jean de La Fontaine. Gluck's opera was written for the nameday of Emperor Francis Stephan, premiering at the Schönbrunn palace in Vienna on the evening of October 3, 1759, anniversary of the death of Saint Francis of Assisi.
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Margot (opera) Margot is an opera in three acts (later reduced to two) composed by Joaquín Turina to a Spanish-language libretto by Gregorio Martínez Sierra. It premiered at the Teatro de la Zarzuela in Madrid on 10 October 1914. Set in Paris and Seville, the opera's story involves a love triangle between José Manuel, a young Spaniard; Margot, a Parisian courtesan with whom he has an affair; and Amparo, José Manuel's sweetheart in Andalucía.
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Sir John in Love Sir John in Love is an opera in four acts by the English composer Ralph Vaughan Williams. The libretto, by the composer himself, is based on Shakespeare's "The Merry Wives of Windsor" and supplemented with texts by Philip Sidney, Thomas Middleton, Ben Jonson, and Beaumont and Fletcher. The music deploys English folk tunes, including "Greensleeves". Originally titled "The Fat Knight", the opera premiered at the Parry Opera Theatre, Royal College of Music, London on 21 March 1929. Its first professional performance was on 9 April 1946 at Sadler's Wells Theatre.
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Les brigands Les brigands ("The Bandits") is an opéra bouffe, or operetta, by Jacques Offenbach to a French libretto by Henri Meilhac and Ludovic Halévy. Meilhac and Halévy's libretto lampoons both serious (Schiller's play set to music by Verdi) and light theatre ("Fra Diavolo" and "Les diamants de la couronne" by Auber). The plot is cheerfully amoral in its presentation of theft as a basic principle of society rather than as an aberration. As Falsacappa, the brigand chieftain, notes: "Everybody steals according to their position in society". The piece premiered in Paris in 1869 and has received periodic revivals in France and elsewhere, both in French and in translation.
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Doktor Faust Doktor Faust is an opera by Ferruccio Busoni with a German libretto by the composer himself, based on the myth of Faust. Busoni worked on the opera, which he intended as his masterpiece, between 1916 and 1924, but it was still incomplete at the time of his death. His pupil Philipp Jarnach finished it. More recently, in 1982, Antony Beaumont completed the opera using sketches by Busoni which were previously thought to have been lost. Nancy Chamness has published an analysis of the libretto to "Doktor Faust" and a comparison with Goethe's version.
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Nabucco Nabucco (] ; short for Nabucodonosor ] ~] , English Nebuchadnezzar) is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on biblical books of Jeremiah and Daniel and the 1836 play by Auguste Anicet-Bourgeois and Francis Cornue, although Antonio Cortese's ballet adaptation of the play (with its necessary simplifications), given at La Scala in 1836, was a more important source for Solera than the play itself. Under its original name of "Nabucodonosor", the opera was first performed at La Scala in Milan on 9 March 1842.
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Fair Rosamond (opera) Fair Rosamond is an English historical opera in four acts composed by John Barnett, written in 1837 to a libretto by Charles Zachary Barnett, after the legend of Rosamund Clifford ("Fair Rosamond" or the "Rose of the World"), the 12th century mistress of King Henry II who was said to have been poisoned by the King's wife, Queen Eleanor. In his opera, Barnett effects a happier ending.
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Don Juan Triumphant Don Juan Triumphant is the name of a fictional opera written by the title character in the novel "The Phantom of the Opera". In the 1986 musical "The Phantom of the Opera" by Andrew Lloyd Webber, the concept is expanded as an opera within a musical and the performance of it plays a major role in the storyline. The fictional piece draws major inspiration from the Mozart's famous work "Don Giovanni" yet the Phantom's opera is depicted as far more bleak and dark.
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L'heure espagnole L'heure espagnole is a 1911 one-act opera, described as a "comédie musicale", with music by Maurice Ravel to a French libretto by Franc-Nohain, based on Franc-Nohain's 1904 play ('comédie-bouffe') of the same name The opera, set in Spain in the 18th century, is about a clockmaker whose unfaithful wife attempts to make love to several different men while he is away, leading to them hiding in, and eventually getting stuck in, her husband's clocks. The title can be translated literally as "The Spanish Hour", but the word "heure" more importantly means "time" – "Spanish Time", with the connotation "How They Keep Time in Spain".
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Usher House Usher House is a 2014 opera by Gordon Getty to the composer's own libretto based on Poe's short story "The Fall of the House of Usher". The staged world premiere of the opera took place in June 2014 at the Welsh National Opera and was later performed by the San Francisco Opera. It was performed as a pair with his opera "The Canterville Ghost" at the Centre for Contemporary Opera in New York in August 2017.
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The Beauty Stone The Beauty Stone is an opera, billed as a "romantic musical drama" in three acts, composed by Arthur Sullivan to a libretto by Arthur Wing Pinero and J. Comyns Carr. The medieval Faustian story concerns an ugly, crippled girl, who dreams of being beautiful and meeting a handsome prince. The Devil offers her a magical stone that confers perfect beauty to anyone who wears it. The stone is passed from one character to another, but eventually the prince recognizes the girl's beautiful soul, the stone is discarded, and the disappointed Devil leaves the town.
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Julián Gayarre Sebastián Julián Gayarre Garjón (9 January 1844 in Roncal, Navarre – 2 January 1890 in Madrid), better known as Julián Gayarre, was a Spanish opera singer who created the role of Marcello in Donizetti's "Il Duca d'Alba" and Enzo in Ponchielli's "La Gioconda".
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The Dangerous Liaisons The Dangerous Liaisons is an opera in two acts and eight scenes, with music by Conrad Susa to an English libretto by Philip Littell. It is based on the novel "Les Liaisons dangereuses" by Pierre Choderlos de Laclos. The opera received its first performance by the San Francisco Opera on 10 September 1994, with stage direction by Colin Graham and Donald Runnicles as the conductor. The world-premiere cast included Thomas Hampson as Valmont, Frederica von Stade as Merteuil, David Hobson as Chevalier de Danceny, Renée Fleming as Tourvel and Mary Mills as Cécile de Volanges. The opera was performed at Washington Opera in March 1998.