Oskar Kokoschka used what style in his painting that features a female Viennese-born composer, author, editor and socialite?
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The Bride of the Wind The Bride of the Wind (Die Windsbraut) (or The Tempest) is a 1913-1914 oil on canvas painting by Oskar Kokoschka. It is housed in the Kunstmuseum Basel. Kokoschka's best known work, it is an allegorical picture featuring a self-portrait by the artist, lying alongside his lover Alma Mahler.
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Alma Mahler Alma Maria Mahler Gropius Werfel (born Alma Margaretha Maria Schindler; 31 August 1879 – 11 December 1964) was a Viennese-born composer. author, editor and socialite. She became the wife, successively, of composer Gustav Mahler, architect Walter Gropius, and novelist Franz Werfel, as well as the consort of several other prominent men, notably painter Oskar Kokoschka. Musically active from her early years, she was the composer of at least seventeen songs for voice and piano. In later years her salon became part of the artistic scene, first in Vienna, then in Los Angeles and in New York.
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Adelaïde Leuhusen Amalia Aurora "Adelaïde" Leuhusen, née "Valerius" (1 December 1828 – 1923), was a Swedish baroness, painter and concert singer. She was a teacher and benefactor of the famous Swedish opera singer Christina Nilsson, whom she introduced to Paris, where Nilsson started her international career. She was a member of the Royal Swedish Academy of Music. During her lifetime, she was famous throughout Sweden and known for her work outside of her native country.
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Willy Wiedmann Wilhelm Richard Heinrich "Willy" Wiedmann (14 March 1929 in Ettlingen, Germany – 21 June 2013 in Bad Cannstatt, Stuttgart) was a German painter, muralist, sculptor, musician, composer, writer, author, publisher, and art dealer.
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Anna Maria Klechniowska Anna Maria Klechniowska (b. 15 April 1888; d. 28 Aug 1973) was a Polish music educator and composer. She was born in Borowka, Ukraine, and studied at the Warsaw and Lemberg (Lviv) Conservatories, and then in Leipzig and Paris. She graduated from the Vienna Academy in 1917, after studying with Lech Jaczynowski, Gustaw Roguski, Mieczyslaw Soltys, Joseph Pembauer, Stanisław Niewiadomski, Christoph Krehl, Klara Czop-Umlauf, Franz Schmidt and Nadia Boulanger. After completing her studies, she worked as a teacher and arts administrator. She died in Warsaw.
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Amalia Pachelbel Amalia Pachelbel (29 October 1688 – 6 December 1723) was a German painter and engraver. She was born in Erfurt and was the oldest daughter of composer Johann Pachelbel. She was named after Amalia Oeheim, Johann's sister-in-law. According to Pachelbel's obituary retold in Mattheson's "Grundlage einer Ehrenpforte" of 1740, Amalia's interest in art pleased her father, and he was always supportive of her. Amalia became known for her floral watercolors, copper engravings and porcelain pieces. In 1715 she married notary J. G. Beer. She died in Nuremberg in 1723. In 1730, seven years after her death, she was included in Doppelmayr's encyclopedia of important mathematicians and artists of Nuremberg ("Historische Nachricht von den Nürnbergischen Mathematicis und Künstlern"), as was her father.
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Anna Seghers Anna Seghers (19 November 1900 – 1 June 1983) was a German writer famous for depicting the moral experience of the Second World War. The pseudonym Anna Seghers was apparently based on the surname of the Dutch painter and printmaker Hercules Pieterszoon Seghers or Segers (c. 1589 – c. 1638).
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Portrait of Baronne de Rothschild Baronne de Rothschild is a 1848 portrait by the French Neoclassical artist Jean-Auguste-Dominique Ingres. The sitter, Betty de Rothschild (1805–1886) had married banker James Mayer de Rothschild and was one of the wealthiest women in Europe, and one of the foremost Parisian patrons of the arts. Her beauty and elegance were widely known and celebrated, and inspired Heinrich Heine's poem "The Angel". For her portrait, which is painted in oil on canvas, Ingres sought to infuse symbols of her material wealth with the dignity, grace and beauty of Renaissance art, especially that of Raphael, while at the same time adhering to the command of line as practiced by Jan van Eyck. It is this combination which, according to art historians, places Ingres so far apart from his early modernist contemporaries.
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Lily Strickland Lily Strickland (28 January 1884 – 6 June 1958) was an American composer, painter and writer.
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Elisabeth von Herzogenberg Elisabeth von Herzogenberg née Elisabet von Stockhausen (born in Paris on 13 April 1847; died in Sanremo on 7 January 1892) was a German pianist, composer, singer and philanthropist.
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Tonkunst Tonkunst, literally "The Art of Tone", is an obsolete term in the German language applied for art music of the 19th century, and often used in music history and musical aesthetic representations. It probably originated from the need to give the music a place among the classical arts like architecture, sculpture, painting, prose and poetry, and also recognize the composer or musician as a creative individual. The term is found for example in the inscriptions of the Walhalla memorial built in 1842, where a good example is Joseph Haydn, titled as "Doctor der Tonkunst" ("Doctor of Tone-Art"), and Ludwig van Beethoven as "Tondichter" ("Tone-poet"). Today the term is rarely used, but lives on, for example, in the name of the Tonkünstler Orchestra.
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Helene von Druskowitz Helene von Druskowitz (May 2, 1856 – May 31, 1918), born Helena Maria Druschkovich, was an Austrian philosopher, writer and music critic. She was the second woman to obtain a Doctorate in Philosophy, which she obtained in Zürich. She usually published under a male alias because of predominant sexism.
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Luise Adolpha Le Beau Luise Adolpha Le Beau (April 25, 1850 in Rastatt, Grand Duchy of Baden – July 17, 1927 in Baden-Baden) was a German composer of classical music. She studied with noted musicians Clara Schumann and Franz Lachner, but her primary instructor was Josef Gabriel Rheinberger. Like many other 19th century female composers, Le Beau began her career in music as a pianist, and later earned her living teaching, critiquing, and performing music.
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Wilhelm Kandler Wilhelm Kandler or, in Czech, Vilém Kandler (28 February 1816, Chrastava - 18 May 1896 in Prague), was a Bohemian German painter, illustrator, engraver and amateur essayist.
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Sophie Küppers Sophie Lissitzky Küppers (1891–1978), born Sophie Schneider, was a German art historian, patron of the avant-garde, author, and art collector.
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Mathis der Maler (opera) Mathis der Maler ("Matthias the Painter") is an opera by Paul Hindemith. The opera's genesis lay in Hindemith's interest in the Reformation. The work's protagonist, Matthias Grünewald, was an actual historical figure who flourished in that era, and whose art, in particular the Isenheim Altarpiece, inspired many creative figures in the early 20th century, including Joris-Karl Huysmans's novel "Là-bas".
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Wilhelm von Lenz Wilhelm von Lenz (born 20 May 1809 in Riga - died 7 January 1883 in Saint Petersburg) was a Baltic German Russian official and writer. Wilhelm von Lenz was a friend of many mid-century Romantic composers, including Franz Liszt, Frédéric Chopin and Hector Berlioz, Lenz's most important and influential work was an early biography of the German composer Ludwig van Beethoven, entitled "Beethoven et ses trois styles" (1855), written in response to the disparagement of Beethoven by Alexander Ulybyshev in his "Nouvelle biographie de Mozart" (1843). Lenz promoted the idea (already suggested by earlier figures such as François-Joseph Fétis) that Beethoven's musical style be divided into three characteristic periods. Lenz's periodisation, with minor changes, is still widely used today by musicologists in discussing Beethoven's compositions.
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Caroline Bardua Caroline Bardua (also Karoline Bardua; 11 November 1781 in Ballenstedt – 2 June 1864) was a German painter. She was one of the first middle-class women who was able to create an existence for herself as an independent artist.
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Marie de Villermont Marie de Villermont (1848–1925), countess of Hennequin, was a Belgian artist, writer and feminist.
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Eduard Künneke Eduard Künneke (also seen as Edward and spelled Künnecke) (27 January 1885 – 27 October 1953) was a German composer of operettas, operas and theatre music. He was born in Emmerich. His daughter was the actress and singer Evelyn Künneke.
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Johann Strauss I Johann Strauss I (German: "Johann Baptist Strauß, Johann Strauss (Vater)" ; also Johann Baptist Strauss, Johann Strauss Sr., the Elder, the Father; March 14, 1804 – September 25, 1849) was an Austrian Romantic composer. He was famous for his waltzes, and he popularized them alongside Joseph Lanner, thereby setting the foundations for his sons to carry on his musical dynasty. His most famous piece is the Radetzky March (named after Joseph Radetzky von Radetz).
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Elsa Kazi Elsa Kazi (1884–1967), commonly known as "Mother Elsa", particularly in the Sindh province of Pakistan was a German writer of one-act plays, short stories, novels and history, and a poet. She was a composer and a musician of considerable achievement, involved in virtually every conspicuous branch of fine arts. Her paintings are often seen in many distinguished family homes.