Can both War and Peace and Les vêpres siciliennes be arranged as five acts?
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War and Peace (opera) War and Peace (Op. 91) (Russian: Война и мир , "Voyna i mir") is an opera in two parts (an Epigraph and 13 scenes), sometimes arranged as five acts, by Sergei Prokofiev to a Russian libretto by the composer and Mira Mendelson, based on the novel "War and Peace" by Leo Tolstoy. Although Tolstoy's work is classified as a novel, the 1812 invasion of Russia by the French was based on real-life events, and some real-life people appear as characters in both the novel and the opera, e.g. Prince Mikhail Kutuzov and Napoleon Bonaparte.
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Les vêpres siciliennes Les vêpres siciliennes ("The Sicilian Vespers") is a grand opéra in five acts by the Italian romantic composer Giuseppe Verdi set to a French libretto by Eugène Scribe and Charles Duveyrier from their work "Le duc d'Albe", which was written in 1838. "Les vêpres" followed immediately after Verdi's three great mid-career masterpieces, "Rigoletto", "Il trovatore" and "La traviata" of 1850 to 1853 and was first performed at the Paris Opéra on 13 June 1855.
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Calypso War War is a calypso form that has existed since at least the turn of the twentieth century. Originally it was sung in patois or French creole. The classic War form is an eight-line stanza, the first four lines in a minor key, then modulating into the major, and returning to the minor with the refrain "santimanite" ("sans humanité" in patois, in English "without humanity").
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Manon Manon (] ) is an "opéra comique" in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel "L’histoire du chevalier des Grieux et de Manon Lescaut" by the Abbé Prévost. It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (Act I), Auguste-Alfred Rubé and Philippe Chaperon (Acts II and III), and Jean-Baptiste Lavastre (Act IV).
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Les fêtes de l'Hymen et de l'Amour Les fêtes de l’Hymen et de l’Amour, ou Les dieux d'Egypte is an "opéra-ballet" in three "entrées" and a prologue by the French composer Jean-Philippe Rameau. The work was first performed on March 15, 1747, at the La Grande Ecurie, Versailles, and is set to a libretto by Louis de Cahusac. The opera was originally composed as part of the celebrations for the Dauphin’s marriage to Maria Josepha of Saxony. "Les fêtes de l’Hymen" proved to be a popular work and by the March 1776 it had been performed exactly 106 times. The librettist, Cahusac, was especially pleased with the ways in which he had succeeded in giving especial import to the supernatural elements of the work—the plot is based on Egyptian mythology—and to allow particular use of impressive large-scale stage machinery, which was much admired by the audience. The opera contains seven ballets, a consequence of Cahusac’s desire to further integrate dance and drama, which grew from the typical French devotion to ballet, particularly when allied with opera.
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Le piccole storie Le piccole storie, subtitled "Ai margini delle guerre", is a one-act chamber opera for young people by Lorenzo Ferrero set to an Italian-language libretto by Giuseppe Di Leva. Some episodes are loosely based on Guy de Maupassant's 1884 short story "Le Lit 29" and on William Shakespeare's play "Julius Caesar". The stories do not touch directly upon the subject of war but depict moments in the lives of involuntary victims who subsist, as the subtitle suggests, on the margins of wars.
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Le roi s'amuse Le roi s'amuse (] ; literally, "The King Amuses Himself" or "The King Has Fun") is a French play in five acts written by Victor Hugo. First performed on 22 November 1832 but banned by the government after one evening, the play was used for Verdi's 1851 opera "Rigoletto".
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Khovanshchina Khovanshchina (Russian: Хованщина , "Hovánščina", sometimes rendered The Khovansky Affair; since the ending -ščina is pejorative) is an opera (subtitled a 'national music drama') in five acts by Modest Mussorgsky. The work was written between 1872 and 1880 in St. Petersburg, Russia. The composer wrote the libretto based on historical sources. The opera was unfinished and unperformed when the composer died in 1881.
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Phèdre Phèdre (originally "Phèdre et Hippolyte") is a French dramatic tragedy in five acts written in alexandrine verse by Jean Racine, first performed in 1677 at the theatre of the Hôtel de Bourgogne in Paris.
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Diane et Endymion Diane et Endymion ("Diana and Endymion") is a French-language opera by the composer Niccolò Piccinni, first performed at the Académie Royale de Musique, Paris (the Paris Opera) on 7 September 1784. It takes the form of an "opéra" in three acts. The libretto, by Jean-François Espic Chevalier de Liroux, is based on the story of the goddess Diana's love for the shepherd Endymion.
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Rogneda (opera) Rogneda (Russian: "Рогнеда" ) is an opera in five acts, composed by Alexander Serov between 1863 and 1865. The scenario, by the composer, was based on the novel "Askold's Grave" ("Аскольдова могила", 1833) by Mikhail Zagoskin and the poem "Rogneda" (ca. 1825) by Kondraty Ryleyev. The actual Russian libretto was created by Dmitry Averkiev in the same manner as with the composer's previous opera, "Judith", with the words written to fit the vocal lines "after" the music had been composed.
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Parisina (Mascagni) Parisina is a "tragedia lirica", or opera, in four acts by Pietro Mascagni. Gabriele D'Annunzio wrote the Italian libretto after Byron's poem "Parisina" of 1816.
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The Canterville Ghost (Knaifel opera) The Canterville Ghost (also "The Ghost of Canterville", Russian: "Кантервильское привидение" – Kantervíl’skoye privedénie, however usually spelt as "Кентервильское привидение" – Kentervíl’skoye prividénie; French: Le fantôme de Canterville, German: Das Gespenst von Canterville), an opera by the Russian composer Alexander Knaifel (Russian: Кнайфель) in three acts for 18 singers and chamber orchestra, also in an abridged version for two soloists and chamber orchestra.
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The Lady of Lyons The Lady of Lyons; or, Love and Pride, commonly known as The Lady of Lyons, is a five act romantic melodrama written in 1838 by Edward Bulwer-Lytton, 1st Baron Lytton. It was first produced in London at Covent Garden Theatre on 15 February 1838 and was revived many times over the rest of the 19th century. It was also adapted into two operas, and formed the part of the plot of an operetta.
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Énée et Lavinie (Dauvergne) Énée et Lavinie ("Aeneas and Lavinia") is an opera by the French composer Antoine Dauvergne, first performed at the Académie Royale de Musique (the Paris Opéra) on 14 February 1758. It takes the form of a "tragédie lyrique" in five acts.
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Polyxène et Pirrhus Polyxène et Pirrhus ("Polyxena and Pyrrhus") is an opera by the French composer Pascal Collasse, first performed at the Académie Royale de Musique (the Paris Opéra) on 21 October 1706. It takes the form of a "tragédie lyrique" in a prologue and five acts. The libretto is by Jean-Louis-Ignace de La Serre.
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Hallelujah of Love Living Pictures - "War and Peace" (Russian: "Zhiviye kartiny Voyna i Mir", Живые картины - Война и мир) is a Russian-language musical composed by Russian film music composer Alexey Rybnikov based upon the eponymous novel by Leo Tolstoy. The musical has yet to be produced. Scenes from the forthcoming musical were presented by the Alexey Rybnikov Theatre Company in the musical show Hallelujah of Love («Аллилуйя любви») on the stage of the Moscow International House of Music in September 2012.
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Le roi de Lahore Le roi de Lahore ("The king of Lahore") is an opera in five acts by Jules Massenet to a French libretto by Louis Gallet. It was first performed at the Palais Garnier in Paris on 27 April 1877 in costumes designed by Eugène Lacoste and settings designed by Jean Émile Daran (Act I, scene 1), Auguste-Alfred Rubé and Philippe Chaperon (Act I, scene 2; Act V), Louis Chéret (Act II), Jean-Baptiste Lavastre (Act III), Antoine Lavastre and Eugène Louis Carpezat (Act IV).
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Twenty-Five Scottish Songs (Beethoven) "Twenty-Five Scottish Songs" (or in full "Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano") (Opus 108) was composed by Ludwig van Beethoven. The work was published in London and Edinburgh in 1818, and in Berlin in 1822. It is the only set among Beethoven's folksong arrangements to be assigned an opus number; the rest are only given WoO numbers.
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Les brigands Les brigands ("The Bandits") is an opéra bouffe, or operetta, by Jacques Offenbach to a French libretto by Henri Meilhac and Ludovic Halévy. Meilhac and Halévy's libretto lampoons both serious (Schiller's play set to music by Verdi) and light theatre ("Fra Diavolo" and "Les diamants de la couronne" by Auber). The plot is cheerfully amoral in its presentation of theft as a basic principle of society rather than as an aberration. As Falsacappa, the brigand chieftain, notes: "Everybody steals according to their position in society". The piece premiered in Paris in 1869 and has received periodic revivals in France and elsewhere, both in French and in translation.
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Aida Aida (] ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in Egypt, it was commissioned by and first performed at Cairo's Khedivial Opera House on 24 December 1871; Giovanni Bottesini conducted after Verdi himself withdrew. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, "Aida" has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera.
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Chants d'Espagne Chants d'Espagne, Op. 232, (Spanish: "Cantos de España" = Songs of Spain) is a suite of originally three, later five pieces for the piano by Isaac Albéniz. "Prélude", "Orientale" and "Sous le palmier" were published in 1892, and "Córdoba" and "Seguidillas" were added in the 1898 edition.