The lead drummer of Stand By Me is known for innovation in what type of music?
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Stand by Me (Whatcha See Is Whatcha Get) Stand By Me (Whatcha See Is Whatcha Get) is an album led by jazz drummer Bernard Purdie which was recorded for the Mega label in 1971.
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Bernard Purdie Bernard Lee "Pretty" Purdie (born June 11, 1941) is an American drummer, considered an influential and innovative funk musician. He is known for his precise musical time keeping and his signature use of triplets against a half-time backbeat: the "Purdie Shuffle." He was inducted into the "Modern Drummer" Hall of Fame in 2013.
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Gene Parsons Gene Victor Parsons (born September 4, 1944 in Morongo Valley, California) is an American drummer, banjo player, guitarist, singer-songwriter, and engineer, best known for his work with The Byrds from 1968 to 1972. Parsons has also released solo albums and played in bands including Nashville West, The Flying Burrito Brothers, and Parsons Green. He is credited with inventing the B-Bender (also known as the StringBender) along with guitarist Clarence White and the device is often referred to as the Parsons/White B-Bender, a trademarked name.
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Warren Storm Warren Storm (born February 18, 1937 in Abbeville, Louisiana) is a drummer and vocalist, known as a pioneer of the musical genre swamp pop, a combination of rhythm and blues, country and western, and Cajun music and black Creole music.
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List of rock genres This is a list of rock music genres consisting of subgenres of popular music that have roots in 1940s' and 1950s' rock and roll, and which developed into a distinct identity as rock music in the 1960s, particularly in the United Kingdom and the United States. By the late 1960s, a number of identifiable rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, and jazz-rock fusion, many of which contributed to the development of psychedelic rock influenced by the counter-cultural psychedelic scene. New genres that emerged from this scene included progressive rock, which extended the artistic elements; glam rock, which highlighted showmanship and visual style; and the diverse and enduring major subgenre of heavy metal, which emphasized volume, power, and speed. In the second half of the 1970s, punk rock both intensified and reacted against some of these trends to produce a raw, energetic form of music characterized by overt political and social critiques. Punk was an influence into the 1980s on the subsequent development of other subgenres, including new wave, post-punk and eventually the alternative rock movement. From the 1990s alternative rock began to dominate rock music and break through into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged as well as conscious attempts to revisit rock's history.
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Michael Shrieve Michael Shrieve (born July 6, 1949, in San Francisco) is an American drummer, percussionist, and composer. He is best known as the drummer of the rock band Santana. He played on its albums from 1969 to 1974. When he was 20, Shrieve was one of the youngest musicians to perform at Woodstock in 1969. His drum solo during "Soul Sacrifice" in the "Woodstock" film has been described as "electrifying".
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Rick Marotta Richard Thomas "Rick" Marotta (born January 7, 1948) is an American drummer and percussionist. He has appeared on recordings by leading artists such as Aretha Franklin, Carly Simon, Steely Dan, James Taylor, Paul Simon, John Lennon, Hall & Oates, Stevie Nicks, Wynonna, Roy Orbison, Todd Rundgren, Roberta Flack, Peter Frampton, Quincy Jones, Jackson Browne, Al Kooper, Waylon Jennings, Randy Newman, Peter Gabriel, Kenny G, The Jacksons, Crosby, Stills & Nash, Warren Zevon, and Linda Ronstadt.
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Neo-psychedelia Neo-psychedelia (also called "acid punk") is a diverse style of music that originated in the 1970s as an outgrowth of the British post-punk scene. Its practitioners drew from the unusual sounds of 1960s psychedelic music, either updating or copying the approaches from that era. After post-punk, neo-psychedelia flourished into a more widespread and international movement of artists who applied the spirit of psychedelic rock to new sounds and techniques. Neo-psychedelia may also include forays into psychedelic pop, jangly guitar rock, heavily distorted free-form jams, or recording experiments. A wave of British alternative rock in the early 1990s spawned the subgenres dream pop and shoegazing.
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Music of Texas The U.S. state of Texas has long been a center for musical innovation and is the birthplace of many notable musicians. Texans have pioneered developments in Tejano and Conjunto music, Rock 'n Roll, Western swing, jazz, punk rock, country, hip-hop, electronic music, gothic industrial music, religious music, mariachi, psychedelic rock, zydeco and the blues.
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Gar Samuelson Gary C. "Gar" Samuelson (February 18, 1958 – July 22, 1999) was an American musician best remembered for being the drummer for American thrash metal band Megadeth from 1984-1987, contributing to their first two albums "Killing Is My Business... And Business Is Good!" and "Peace Sells... But Who's Buying?". He is considered as one of the most influential drummers to thrash metal, having pioneered the incorporation of jazz fusion into the subgenre.
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Modernism (music) In music, modernism is a philosophical and aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that lead to new ways of organizing and approaching harmonic, melodic, sonic, and rhythmic aspects of music, and changes in aesthetic worldviews in close relation to the larger identifiable period of modernism in the arts of the time. The operative word most associated with it is "innovation" . Its leading feature is a "linguistic plurality", which is to say that no one music genre ever assumed a dominant position .
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Traditional grip Traditional grip (also known as orthodox grip) is a technique used to hold drum sticks while playing percussion instruments. Unlike matched grip, each hand holds the stick differently. Commonly, the right hand uses an "overhand grip" and the left hand uses an "underhand grip". Traditional grip is almost exclusively used to play the snare drum, especially the marching snare drum, and often the drum kit. Traditional grip is more popular in jazz drumming than in other drum kit styles due to the early jazz drummers evolving their style from marching and military styles and instrumentation, although it is also used by several rock drummers.
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Keb' Mo' Kevin Roosevelt Moore (born October 3, 1951), known as Keb' Mo', is a three-time American Grammy Award-winning blues musician. He is a singer, guitarist, and songwriter, currently living in Nashville, Tennessee. He has been described as "a living link to the seminal Delta blues that travelled up the Mississippi River and across the expanse of America". His post-modern blues style is influenced by many eras and genres, including folk, rock, jazz and pop. The moniker "Keb Mo" was coined by his original drummer, Quentin Dennard, and picked up by his record label as a "street talk" abbreviation of his given name.
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Kenny Malone Kenny Malone is an American drummer/percussionist from Nashville, Tennessee. He has been, since the 1970s, and continues to be a prominent session musician in folk, country and many other acoustic-based genres.
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Turntablism Turntablism is the art of manipulating sounds and creating new music, sound effects, mixes and other creative sounds and beats, typically by using two or more turntables and a cross fader-equipped DJ mixer. The mixer is plugged into a PA system for live events and/or broadcasting equipment (if the DJ is performing on radio, TV or Internet radio, so that a wider audience can hear the turntablist's music. Turntablists manipulate records on a turntable by moving the record with their hand to cue the stylus to exact points on a record, and by touching or moving the platter or record to stop, slow down, speed up or, spin the record backwards, or moving the turntable platter back and forth (the popular rhythmic "scratching" effect which is a key part of hip hop music), all while using a DJ mixer's crossfader control and the mixer's gain and equalization controls to adjust the sound and level of each turntable. Turntablists typically use two or more turntables and headphones to cue up desired start points on different records.
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Lauren Brown (musician) Lauren Brown is an American percussionist, known for her skill as a "tap dancing drummer", and the invention of that specific style of percussion.
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Global a Go-Go Global a Go-Go is the second album by Joe Strummer and The Mescaleros, displaying trademark genre-melding folk-rock and Strummer's unique lyrical style. As the title suggests, there are world music influences on the album, mostly on the title track and "Bhindhi Bhagee", a celebration of the "humble" but diverse and exciting ethnic and multi-cultural areas of London and other major cities. The album is heavy on acoustic instruments, especially in the instrumental "Minstrel Boy", a nearly 18-minute-long arrangement of a traditional Irish song. Other topics covered include Strummer's radio show, which was broadcast on the BBC World Service ("Global a Go-Go") and left-wing political issues Strummer was well known for expounding as a member of The Clash. The album was well received by critics and fans, making much more of an impact than the group's previous effort "Rock Art and the X-Ray Style". The title track, "Global A Go-Go", features backing vocals from longtime friend of Strummer, Roger Daltrey. Pete Townshend is also rumoured to be buried in the mix of "Minstrel Boy", but this has never been positively confirmed. The cover-art for the album was designed by Josh Shoes and Strummer.
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Jazz improvisation Jazz improvisation, which is the making up of new melodic solo lines or accompaniment parts, is a key aspect of jazz. Improvisation is composing on the spot, in which a singer or instrumentalist invents solo melodies and lines over top of a chord progression played by rhythm section instruments (piano, electric guitar, double bass, etc.) and also accompanied by drum kit. While blues, rock and other genres also use improvisation, the improvisation in these non-jazz genres typically is done over relatively simple chord progressions which often stay in one key (or closely related keys using the circle of fifths, such as a song in C Major modulating to G Major).
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Stop-time In tap dancing, jazz, and blues, stop-time is an accompaniment pattern interrupting, or stopping, the normal time and featuring regular accented attacks on the first beat of each or every other measure, alternating with silence or instrumental solos. Stop-time occasionally appears in ragtime music. The characteristics of stop-time are heavy accents, frequent rests, and a stereotyped cadential pattern. Stop-timing may create the impression that the tempo has changed, though it has not, as the soloist continues without accompaniment. Stop-time is common in African-American popular music including R&B, soul music, and led to the break of hip hop.
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Jazz Jazz is a music genre that originated in African American communities of New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in blues and ragtime. Since the 1920s Jazz Age, jazz has become recognized as a major form of musical expression. It then emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African American and European American musical parentage with a performance orientation. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms and improvisation. Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Although the foundation of jazz is deeply rooted within the black experience of the United States, different cultures have contributed their own experience and styles to the art form as well. Intellectuals around the world have hailed jazz as "one of America's original art forms".
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Barrett Martin Barrett Martin (born April 14, 1967) is an American drummer, composer, producer, award-winning writer, and Zen artist. He was the drummer for the Seattle, Washington groups Skin Yard and Screaming Trees, as well as the supergroups Mad Season and Tuatara. A multi-instrumentalist and producer, he does recording session work in Seattle and Los Angeles and has played on, or produced, over 100 albums to date. In 2014, he was awarded the ASCAP Deems Taylor award for excellence in writing for his liner notes in the Mad Season Deluxe Reissue. He is primarily known for his powerful tribal drumming style, which includes the use of the tom toms as a rhythmic component that replaces the traditional hihat and ride cymbal. He credits the jazz drummers Art Blakey, Max Roach, and Elvin Jones for inspiring this approach to his drumming style, as well as the rock drummers John Bonham, Keith Moon, and Neil Peart. He has also stated that the heavyweight boxer Muhammad Ali inspired his drumming at a young age, saying, "Ali was so incredibly fast on his feet, and his hands were both light and heavy at the same time. Float like a butterfly, sting like bee, that's the way a great drummer should play – light and heavy, the way Ali boxed."
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Punk rock Punk rock (or "punk") is a rock music genre that developed in the early to mid-1970s in the United States, United Kingdom, and Australia. Rooted in 1960s garage rock and other forms of what is now known as "proto-punk" music, punk rock bands rejected perceived excesses of mainstream 1970s rock. Punk bands typically produced short or fast-paced songs, with hard-edged melodies and singing styles, stripped-down instrumentation, and often political, anti-establishment lyrics. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through informal channels.