Who wrote the original play that was inspired by a passion for a Vienne composer, and was the base for the opera Orpheus und Eurydike?
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Orpheus und Eurydike Orpheus und Eurydike ("Orpheus and Eurydice") is an opera by Ernst Krenek. The German text is based on a play by Oskar Kokoschka. Kokoschka began writing his play during his convalescence (from wounds received on the Ukrainian front in 1915) and it premiered in 1921, one year before Rilke's Sonnets to Orpheus appeared. In 1923 he let it be known that he was looking for a composer to write incidental music. Kokoschka's expressionist, psychological treatment of the Orpheus myth, marked by his passion for Alma Mahler, appealed to Krenek so he approached Kokoschka.
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Alma Mahler Alma Maria Mahler Gropius Werfel (born Alma Margaretha Maria Schindler; 31 August 1879 – 11 December 1964) was a Viennese-born composer. author, editor and socialite. She became the wife, successively, of composer Gustav Mahler, architect Walter Gropius, and novelist Franz Werfel, as well as the consort of several other prominent men, notably painter Oskar Kokoschka. Musically active from her early years, she was the composer of at least seventeen songs for voice and piano. In later years her salon became part of the artistic scene, first in Vienna, then in Los Angeles and in New York.
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Ritter Blaubart Ritter Blaubart ("Knight Bluebeard") is a fairy-tale opera (German: "Märchenoper") in three acts by the Austrian composer Emil Nikolaus von Reznicek. Herbert Eulenberg wrote the German libretto, based on his own five-act play with the same title, which had been first performed unsuccessfully at the Lessing Theater in Berlin in 1906.
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Der Ring des Nibelungen Der Ring des Nibelungen (The Ring of the Nibelung), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from the Norse sagas and the "Nibelungenlied". The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a " " ("preliminary evening"). It is often referred to as the Ring Cycle, "Wagner's Ring", or simply "The Ring".
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Der Sturm (opera) Der Sturm (The tempest) is a German-language opera in three acts by the Swiss composer Frank Martin to a libretto based on the Schlegel/Tieck German translation of Shakespeare's play "The Tempest". It was premiered at the Vienna State Opera in 1955. The role of Prospero was originally conceived for Dietrich Fischer-Dieskau, but illness prevented him participating.
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La naissance de la lyre La naissance de la lyre ("The Birth of the Lyre") is an opera (styled a "conte lyrique") in one act by the French composer Albert Roussel. The libretto, by Théodore Reinach, is based on the satyr play "Ichneutae" by Sophocles. It was first performed at the Paris Opéra on 1 July 1925 with choreography by Bronislava Nijinska.
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Helmina von Chézy Helmina von Chézy (26 January 178328 February 1856), née Wilhelmine Christiane von Klencke, was a German journalist, poet and playwright. She is known for writing the libretto for Carl Maria von Weber's opera "Euryanthe" (1823) and the play "Rosamunde", for which Franz Schubert composed incidental music.
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Rinaldo (opera) Rinaldo (HWV 7) is an opera by George Frideric Handel, composed in 1711, and was the first Italian language opera written specifically for the London stage. The libretto was prepared by Giacomo Rossi from a scenario provided by Aaron Hill, and the work was first performed at the Queen's Theatre in London's Haymarket on 24 February 1711. The story of love, war and redemption, set at the time of the First Crusade, is loosely based on Torquato Tasso's epic poem "Gerusalemme liberata" ("Jerusalem Delivered"), and its staging involved many original and vivid effects. It was a great success with the public, despite negative reactions from literary critics hostile to the contemporary trend towards Italian entertainment in English theatres.
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Hunyadi László (opera) Hunyadi László ("László Hunyadi") is an opera in three acts by the Hungarian composer Ferenc Erkel. The libretto, by Béni Egressy, is based on a play by Lőrinc Tóth. The opera was first performed at the Pesti Nemzeti Magyar Szinház, Budapest on 27 January 1844. "Hunyadi László" is considered to be the first important Hungarian opera and Erkel's musical style draws on folk influences, particularly the dance known as the verbunkos.
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William Tell discography This is a partial discography of William Tell (French: "Guillaume Tell"), an opera with music by Gioachino Rossini and a French libretto by Etienne de Jouy and Hippolyte Bis. The work was first performed on 3 August 1829 by the Paris Opera at the Salle Le Peletier. It was first performed in Italian as "Guglielmo Tell" in Germany on 28–29 January 1831 in Dresden and in Italy on 17 September 1831 in Lucca (translated by Calisto Bassi).
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Alceste (Gluck) Alceste, Wq. 37 (the later French version is Wq. 44), is an opera by Christoph Willibald Gluck from 1767. The libretto (in Italian) was written by Ranieri de' Calzabigi and based on the play "Alcestis" by Euripides. The premiere took place on 26 December 1767 at the Burgtheater in Vienna.
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Der Kuhreigen Der Kuhreigen is an opera (called a 'musikalisches Schauspiel' or 'musical play') in three acts by the Austrian composer Wilhelm Kienzl. The libretto, by Richard Batka, is after Rudolf Hans Bartsch's novel "Die kleine Blanchefleur". It was first performed at the Volksoper in Vienna on 23 November 1911.
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Daphne (opera) Daphne, Op.82, is an opera in one act by Richard Strauss, subtitled "Bucolic Tragedy in One Act". The German libretto was by Joseph Gregor. The opera is based loosely on the mythological figure Daphne from Ovid's "Metamorphoses" and includes elements taken from "The Bacchae" by Euripides. The opera premiered at the Semperoper in Dresden on 15 October 1938, originally intended as a double bill with Strauss' "Friedenstag", but as the scale of "Daphne" grew, that idea was abandoned. The conductor of the first performance was Karl Böhm, to whom the opera was dedicated.
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Die Soldaten Die Soldaten ("The Soldiers") is a four-act opera in German by Bernd Alois Zimmermann, based on the 1776 play by Jakob Michael Reinhold Lenz. Written and revised in phases between 1957 and 1964, it was premiered in 1965 and dedicated to Hans Rosbaud. Zimmermann himself faithfully adapted the play into the libretto, the only changes to the text being repeats and small cuts. It is the composer's only completed opera and is considered an important work of the second half of the 20th century.
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Die Kluge Die Kluge. Die Geschichte von dem König und der klugen Frau ("The Wise [Girl]. The Story of the King and the Wise Woman") is an opera in 12 scenes written by Carl Orff. It premiered in Frankfurt, Germany, on 20 February 1943. Orff referred to this opera as a "Märchenoper " (fairy tale opera). The composer also wrote the libretto, based on "Die Kluge Bauerntochter" ("The Peasant's Wise Daughter") from the Grimm's Fairy Tales. A performance lasts for about 90 minutes and is often paired with Orff's "Der Mond".
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Passions (Telemann) Between 1716 and 1767, Georg Philipp Telemann wrote a series of Passions, musical compositions reflecting on Christ's Passion – the physical, spiritual and mental suffering of Jesus from the hours prior to his trial through to his crucifixion. The works were written for performance in German churches in the days before Easter. A prolific composer, Telemann wrote over 40 "Passions" for the churches of Hamburg alone, of which 22 have survived according to the present state of research. He also wrote several Passion oratorios. Unlike the "Passions" intended for liturgical performance, they were not closely set to the literal text of the Gospels.
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Il ballo delle ingrate Il ballo delle ingrate ("The Ballet of the Ungrateful Ladies") is a semi-dramatic ballet by the Italian composer Claudio Monteverdi set to a libretto by Ottavio Rinuccini. It was first performed in Mantua on Wednesday, 4 June 1608 as part of the wedding celebrations for Francesco Gonzaga (the son of Monteverdri's patron Duke Vincenzo of Mantua) and Margaret of Savoy. Both Vincenzo and Francesco Gonzaga took part in the dancing. Monteverdi also composed the opera "L'Arianna" (to another libretto by Rinuccini) and the music for the prologue to Guarini's play "L'idropica" for the occasion.
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Loreley (opera) Loreley is an opera ("azione romantica") in three acts composed by Alfredo Catalani to a libretto by Angelo Zanardini, Carlo D'Ormeville and others. It premiered on 16 February 1890 at the Teatro Regio in Turin. Based on the German legend of the Lorelei, the opera is an extensive reworking of Catalani's four-act opera "Elda" which had premiered in Turin ten years earlier.
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Pygmalion (opera) Pygmalion is a monodrama in one act by composer Georg Benda with a German libretto by Friedrich Wilhelm Gotter. The opera's first performance was at the , the court theatre in Gotha, on September 20, 1779. "Pygmalion" was the fourth of the five theatrical collaborations of Benda and Gotter. Gotter based his text on Jean-Jacques Rousseau's 1762 play "Pygmalion". Benda's melodrama is unusual as it has three characters but only one spoken role. Two of the parts are silently acted on stage.
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Káťa Kabanová Káťa Kabanová (also known in various spellings including "Katia", "Katja", "Katya", and "Kabanowa") is an opera in three acts, with music by Leoš Janáček to a libretto by , based on "The Storm", a play by Alexander Ostrovsky. The opera was also largely inspired by Janáček's love for Kamila Stösslová. This is often considered his first "mature" opera, despite the fact that he was 67 when it was premiered. "Káťa Kabanová" is a clear response to Janáček's feelings for Kamila, and the work is dedicated to her. The first performance was at the National Theatre (Národní divadlo v Brně ) in Brno on 23 November 1921.
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Le roi s'amuse Le roi s'amuse (] ; literally, "The King Amuses Himself" or "The King Has Fun") is a French play in five acts written by Victor Hugo. First performed on 22 November 1832 but banned by the government after one evening, the play was used for Verdi's 1851 opera "Rigoletto".
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Idomeneo Idomeneo, re di Creta ossia Ilia e Idamante (Italian for "Idomeneus, King of Crete, or, Ilia and Idamante"; usually referred to simply as Idomeneo, K. 366) is an Italian language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, which had been set to music by André Campra as "Idoménée" in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it might have been Mozart. The work premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany.