Between Pelléas et Mélisande and Riders to the Sea, which one has more acts?
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Pelléas et Mélisande (opera) Pelléas et Mélisande ("Pelléas and Mélisande") is an opera in five acts with music by Claude Debussy. The French libretto was adapted from Maurice Maeterlinck's Symbolist play "Pelléas et Mélisande". It premiered at the Opéra-Comique in Paris on 30 April 1902 with Jean Périer as Pelléas and Mary Garden as Mélisande in a performance conducted by André Messager, who was instrumental in getting the Opéra-Comique to stage the work. The only opera Debussy ever completed, it is considered a landmark in 20th-century music.
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Riders to the Sea (opera) Riders to the Sea is a short one-act opera by Ralph Vaughan Williams, based on the play of the same name by John Millington Synge. The composer completed the score in 1927, but it was not premiered until 1 December 1937, at the Royal College of Music, London. The opera remained largely the province of students and amateurs until it entered the repertoire of Sadler's Wells in 1953.
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Journey Through the Impossible Journey Through the Impossible (French: Voyage à travers l'impossible ) is an 1882 fantasy play written by Jules Verne, with the collaboration of Adolphe d'Ennery. A stage spectacular in the "féerie" tradition, the play follows the adventures of a young man who, with the help of a magic potion and a varied assortment of friends and advisers, makes impossible voyages to the center of the earth, the bottom of the sea, and a distant planet. The play is deeply influenced by Verne's own "Voyages Extraordinaires" series and includes characters and themes from some of his most famous novels, including "Twenty Thousand Leagues Under the Sea", "Journey to the Center of the Earth", and "From the Earth to the Moon".
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Daphnis et Alcimadure Daphnis et Alcimadure (in Occitan classical norm, Dafnís e Alcimadura, or according to the original libretto spelling, Daphnis e Alcimaduro) is an opera by the Baroque violinist, conductor and composer Jean-Joseph Cassanéa de Mondonville to a libretto in the Occitan language, written by the composer himself and loosely inspired by La Fontaine's fable bearing the same title. It takes the form of a pastorale in three acts and was later endowed with a prologue in French entitled "Les jeux floraux", to a libretto by Claude-Henri de Fusée de Voisenon.
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Pygmalion (opera) Pygmalion is a monodrama in one act by composer Georg Benda with a German libretto by Friedrich Wilhelm Gotter. The opera's first performance was at the , the court theatre in Gotha, on September 20, 1779. "Pygmalion" was the fourth of the five theatrical collaborations of Benda and Gotter. Gotter based his text on Jean-Jacques Rousseau's 1762 play "Pygmalion". Benda's melodrama is unusual as it has three characters but only one spoken role. Two of the parts are silently acted on stage.
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The Golden Cockerel The Golden Cockerel (Russian: Золотой петушок , "Zolotoy petushok") is an opera in three acts, with short prologue and even shorter epilogue, by Nikolai Rimsky-Korsakov. Its libretto, by Vladimir Belsky, derives from Alexander Pushkin's 1834 poem "The Tale of the Golden Cockerel", which in turn is based on two chapters of "Tales of the Alhambra" by Washington Irving. The opera was completed in 1907 and premiered in 1909 in Moscow, after the composer's death. Outside Russia it has often been performed in French as "Le coq d'or".
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Vénus et Adonis Vénus et Adonis is an opera ("tragédie en musique") in a prologue and 5 acts composed by Henri Desmarets to a libretto by Jean-Baptiste Rousseau. Based on the story of Venus and Adonis in Book X of Ovid's "Metamorphoses", it was first performed by the Académie Royale de Musique at the Théâtre du Palais-Royal in Paris on 28 July 1697 with Marie Le Rochois and Louis Gaulard Dumesny in the title roles. Desmarets staged a major revival of the work with a new prologue at the court of Leopold, Duke of Lorraine in 1707. During the composer's lifetime, it was performed in Germany, Belgium, and France, but then fell into obscurity. Its first staging in modern times took place at the Opéra de Nancy on 28 April 2006.
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La Foire de Guibray La Foire de Guibray (English: The Guibray Fair ) is a one-act farce by Alain-René Lesage. It was first performed at the Foire de Saint Laurent in 1714. "La Foire de Guibray" is actually a prologue to two other one-act farces, "Arlequin Mahomet" and "Le Tombeau de Nostradamus". Between the three works, Lesage created a comedy in three acts.
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Tolomeo Tolomeo, re d'Egitto ("Ptolemy, King of Egypt", HWV 25) is an opera seria in three acts by George Frideric Handel to an Italian text by Nicola Francesco Haym, adapted from Carlo Sigismondo Capece's "Tolomeo et Alessandro".
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Aladdin Jr. Aladdin Jr. is a one-act, seven-scene theatre musical adapted from the 1992 Walt Disney Animation Studios film "Aladdin" which is an adaptation of the folk tale "Aladdin". The production runs between 60 and 80 minutes and includes five female parts, six male parts, and a chorus.
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Little Christopher Columbus Little Christopher Columbus is a burlesque opera in two acts, with music by Ivan Caryll and Gustave Kerker and a libretto by George R. Sims and Cecil Raleigh. It opened on 10 October 1893 at the Lyric Theatre in London and then transferred to Terry's Theatre, running for a total of 421 performances, which was a very successful run at the time. May Yohé created the title role, and Furneaux Cook and E. J. Lonnen were in the cast. Mabel Love, Geraldine Ulmar and Florence St. John joined the cast as replacements.
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Ernelinde, princesse de Norvège Ernelinde, princesse de Norvège ("Ernelinde, Princess of Norway") is a three-act operatic tragédie lyrique, by the French composer François-André Danican Philidor. The libretto was by Antoine-Alexandre-Henri Poinsinet, after Francesco Silvani's opera libretto "La fede tradita, e vendicata".
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Hollywood Pinafore Hollywood Pinafore, or The Lad Who Loved a Salary is a musical comedy in two acts by George S. Kaufman, with music by Arthur Sullivan, based on Gilbert and Sullivan's "H.M.S. Pinafore". It opened on Broadway at the Alvin Theatre on May 31, 1945, and closed on July 14, 1945 after 52 performances. It was directed by Kaufman himself and starred Shirley Booth, Victor Moore, George Rasely, and William Gaxton. The adaptation transplants the maritime satire of the original "Pinafore" to a satire of the glamorous world of 1940s Hollywood film making, but Sullivan's score is retained with minor adaptations.
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Il viaggio a Reims Il viaggio a Reims, ossia L'albergo del giglio d'oro (The Journey to Reims, or The Hotel of the Golden Fleur-de-lis) is an operatic dramma giocoso, originally performed in three acts, by Gioachino Rossini to an Italian libretto by Luigi Balocchi, based in part on "Corinne, ou L'Italie" by Mme de Staël.
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A Trip to the Moon A Trip to the Moon (French: Le Voyage dans la Lune ) is a 1902 French silent film directed by Georges Méliès. Inspired by a wide variety of sources, including Jules Verne's novels "From the Earth to the Moon" and "Around the Moon", the film follows a group of astronomers who travel to the Moon in a cannon-propelled capsule, explore the Moon's surface, escape from an underground group of Selenites (lunar inhabitants), and return to Earth with a captive Selenite. It features an ensemble cast of French theatrical performers, led by Méliès himself in the main role of Professor Barbenfouillis, and is filmed in the overtly theatrical style for which Méliès became famous.
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Iolanta Iolanta, Op. 69, (Russian: Иоланта ) is a lyric opera in one act by Pyotr Tchaikovsky. It was the last opera he composed. The libretto was written by the composer's brother Modest Tchaikovsky, and is based on the Danish play "Kong Renés Datter " ("King René's Daughter") by Henrik Hertz, a romanticised account of the life of Yolande de Bar. In the original Danish play, the spelling of the princess's name was "Iolanthe", later adopted for the otherwise unrelated Gilbert and Sullivan operetta of that name. The play was translated by Fyodor Miller and adapted by Vladimir Zotov. The opera received its premiere on 18 December 1892 in Saint Petersburg.
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La journée aux aventures La journée aux aventures ("The Day of Adventures") is an opera by the French composer Étienne Méhul. It takes the form of an "opéra comique" in three acts. It was first performed at the Opéra-Comique, Paris on 16 November 1816. The libretto is by Pierre-David-Augustin Chapelle and Louis Mezières-Miot. This was the last of the composer's works to be premiered in his lifetime and was a great success; it enjoyed 66 performances before the end of 1817 and helped remedy the financial problems of the Opéra-Comique. It was revived to acclaim in a German translation in Berlin in December 1839.
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Ritter Blaubart Ritter Blaubart ("Knight Bluebeard") is a fairy-tale opera (German: "Märchenoper") in three acts by the Austrian composer Emil Nikolaus von Reznicek. Herbert Eulenberg wrote the German libretto, based on his own five-act play with the same title, which had been first performed unsuccessfully at the Lessing Theater in Berlin in 1906.
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Les fêtes d'Hébé Les fêtes d'Hébé, ou Les talens lyriques ("The Festivities of Hebe, or The Lyric Talents") is an "opéra-ballet" in a prologue and three "entrées" (acts) by the French composer Jean-Philippe Rameau. The libretto was written by Antoine Gautier de Montdorge (1707–1768). The work was first performed on 21 May 1739 by the Académie royale de musique at its theatre in the Palais-Royal in Paris..
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Le roi s'amuse Le roi s'amuse (] ; literally, "The King Amuses Himself" or "The King Has Fun") is a French play in five acts written by Victor Hugo. First performed on 22 November 1832 but banned by the government after one evening, the play was used for Verdi's 1851 opera "Rigoletto".
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Transatlantic (opera) Transatlantic (aka "The People's Choice") is a Grand Opera in 3 acts by George Antheil written in 1928 to a libretto by the composer. It was premiered in Frankfurt on May 25, 1930. Though a critical success the work ran for only 6 performances and was not performed again during Antheil's lifetime.
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Senza sangue Senza sangue (Without blood) an opera in one act by Péter Eötvös with a libretto by Mari Mezei. It is based on the second part of the novel of the same name by Alessandro Baricco and is intended to be performed jointly with Béla Bartók's one-act "Bluebeard's Castle". The concert première was given by the Cologne Philharmonic Orchestra on 1 May 2015. It was premièred in full on 15 May 2016 at the Festival d'Avignon. It is his tenth opera. Anne Sofie von Otter, who gave the New York première with the New York Philharmonic, said: "“The piece is not at all easy for the two singers... [It’s] hard to find the pitch; you have to work it into the voice, unless of course you happen to have perfect pitch, which I don’t."