Who is a German composer and musician from the Baroque period that composed Ach Gott, wie manches Herzeleid BWV 58?.
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Ach Gott, wie manches Herzeleid, BWV 58 Ach Gott, wie manches Herzeleid (Ah God, how much heartbreak), BWV 58 , is a church cantata by Johann Sebastian Bach. He composed the dialogue cantata in Leipzig for the Sunday after New Year's Day.
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Johann Sebastian Bach Johann Sebastian Bach (31 March [O.S. 21 March] 1685 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the "Brandenburg Concertos" and the "Goldberg Variations", and vocal music such as the "St Matthew Passion" and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of all time.
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Late church cantatas by Johann Sebastian Bach Late church cantatas by Johann Sebastian Bach refers to sacred cantatas he composed after his fourth cycle of 1728–29. Whether Bach still composed a full cantata cycle in the last 20 years of his life is not known, but the extant cantatas of this period written for occasions of the liturgical year are sometimes referred to as his fifth cycle, as, according to his obituary, he would have written five such cycles – inasmuch as such cantatas were not late additions to earlier cycles (e.g. chorale cantatas added to the chorale cantata cycle), or were adopted in his oratorios.
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Joachim Raabe Joachim Raabe (born 1974) is a German church musician and a composer of sacred music, especially of the genre Neues Geistliches Lied.
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Concerto Köln Concerto Köln is a Baroque music chamber ensemble.
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Ach Herr, mich armen Sünder, BWV 135 Johann Sebastian Bach composed the church cantata Ach Herr, mich armen Sünder (Ah Lord, poor sinner that I am), BWV 135 , in Leipzig for the third Sunday after Trinity and first performed it on 25 June 1724. It is the fourth chorale cantata from his second annual cycle, and is based on the hymn by Cyriakus Schneegass.
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Nicolaus Vetter Andreas Nicolaus Vetter (] ; October 1666 – 13 June 1734) was a German organist and composer.
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Georg Matthias Monn Georg Matthias Monn (born "Johann Georg Mann" April 9, 1717, Vienna – October 3, 1750, Vienna) was an Austrian composer, organist and music teacher whose works were fashioned in the transition from the Baroque to Classical period in music.
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Georg Joseph Vogler Georg Joseph Vogler, also known as Abbé Vogler (June 15, 1749 – May 6, 1814), was a German composer, organist, teacher and theorist. In a long and colorful career extending over many more nations and decades than was usual at the time, Vogler established himself as a foremost experimenter in baroque and early classic music. His greatest successes came as performer and designer for the organ at various courts and cities around Europe, as well as a teacher, attracting highly successful and devoted pupils such as Carl Maria von Weber. His career as a music theorist and composer however was mixed, with contemporaries such as Mozart believing Vogler to have been a charlatan. Despite his mixed reception in his own life, his highly-original contributions in many areas of music (particularly musicology and organ theory) and influence on his pupils endured, and combined with his eccentric and adventurous career, prompted one historian to summarize Vogler as "one of the most bizarre characters in the history of music".
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Selig ist der Mann, BWV 57 Selig ist der Mann (Blessed is the man), BWV 57 , is a church cantata by Johann Sebastian Bach. He wrote the Christmas cantata in Leipzig in 1725 for the Second Day of Christmas, which was celebrated that year as St. Stephen's Day, and first performed it on 26 December 1725.
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Arnold von Bruck Arnold von Bruck (also Arnold de Pruck, Arnoldus Brugensis, indicating his origin) (c. 1500 – February 6, 1554) was a Franco-Flemish composer of the Renaissance, active in several Habsburg courts. He was one of the most famous and influential composers in German-speaking areas during the first half of the 16th century, the period of the Protestant Reformation; however he seems to have remained a Roman Catholic.<ref name="Wessely/Kreyszig, Grove online">Wessely/Kreyszig, Grove online</ref>
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List of compositions by Johann Sebastian Bach Johann Sebastian Bach composed cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, cello, flute, chamber ensemble and orchestra.
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Gott ist unsre Zuversicht, BWV 197 Gott ist unsre Zuversicht (God is our confidence), BWV 197, is a church cantata by Johann Sebastian Bach.
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Darzu ist erschienen der Sohn Gottes, BWV 40 Darzu ist erschienen der Sohn Gottes (For this the Son of God appeared), BWV 40 , is a church cantata by Johann Sebastian Bach. He composed it in 1723, his first year in Leipzig, for the Second Day of Christmas, and first performed it on 26 December that year in both main churches, Thomaskirche and Nikolaikirche. It was the first Christmas cantata Bach composed for Leipzig. The title of the cantata also appears in more modern German as "Dazu ist erschienen der Sohn Gottes ".
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Brandenburg Concerto No. 5 Johann Sebastian Bach wrote his fifth "Brandenburg Concerto", BWV 1050, for harpsichord, flute and violin as soloists, and an orchestral accompaniment consisting of strings and continuo. An early version of the concerto, BWV 1050a, originated in the late 1710s, and in its final form it was dedicated to Margrave Christian Ludwig of Brandenburg on 24 March 1721.
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Johann Christian Schickhardt Johann Christian Schickhardt (or Schikardt, c. 1682c. 25 March 1762) was a German composer and woodwind player.
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Durchlauchtster Leopold, BWV 173a Durchlauchtster Leopold (Most illustrious Leopold), BWV 173a, is a secular cantata by Johann Sebastian Bach. Bach composed the cantata in Köthen for the birthday of Leopold von Anhalt-Köthen.
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Johann Gottlob Harrer (Johann) Gottlob Harrer (8 May 1703 – 9 July 1755) was a German composer and choir leader.
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Ich hatte viel Bekümmernis, BWV 21 Johann Sebastian Bach composed the church cantata Ich hatte viel Bekümmernis (I had much grief), BWV 21 , in Weimar, possibly in 1713, partly even earlier. He used it in 1714 and later for the third Sunday after Trinity of the liturgical year. The work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as "e per ogni tempo " (and for all times), indicating that due to its general theme, the cantata is suited for any occasion.
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Weimar cantata (Bach) Johann Sebastian Bach worked in Weimar from 1708 to 1717. The composition of cantatas for the Schlosskirche (court chapel) on a regular monthly basis started with his promotion to "Konzertmeister " in March 1714.
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Performance practice of Bach's music Johann Sebastian Bach's music has been performed by musicians of his own time (including himself), and in the second half of the eighteenth century by his sons and students, and by the next generations of musicians and composers such as the young Beethoven. Felix Mendelssohn renewed the attention for Bach's music by his performances in the 19th century. In the 20th century Bach's music was performed and recorded by artists specializing in the music of the composer, such as Albert Schweitzer, Helmut Walcha and Karl Richter. With the advent of the historically informed performance practice Bach's music was prominently featured by artists such as Nikolaus Harnoncourt, Gustav Leonhardt and Sigiswald Kuijken.
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Was Gott tut, das ist wohlgetan, BWV 100 Was Gott tut, das ist wohlgetan (What God does is done well), BWV 100, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig between 1732 and 1735. The chorale cantata is based on the hymn by Samuel Rodigast (1674).