L'ultimo giorno di Pompei influenced the canvas painting by the artist of what nationality in the period 1830-33?
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L'ultimo giorno di Pompei L'ultimo giorno di Pompei ("The last day of Pompeii") is an opera ("dramma per musica") in two acts composed by Giovanni Pacini to an Italian libretto by Andrea Leone Tottola. It premiered to great success at the Teatro San Carlo in Naples on 19 November 1825 followed by productions in the major opera houses of Italy, Austria, France, and Portugal. When Pacini's popularity declined in the mid-19th century, the opera was all but forgotten until 1996 when it received its first performance in modern times at the Festival della Valle d'Itria in Martina Franca. "L'ultimo giorno di Pompei" influenced either directly or indirectly several other 19th-century works, most notably Karl Bryullov's 1833 painting, "The Last Day of Pompeii".
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The Last Day of Pompeii The Last Day of Pompeii is a large canvas painting by Russian artist Karl Bryullov in 1830-33.
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Pietro Lorenzetti Pietro Lorenzetti (or Pietro Laurati; c. 1280 – 1348) was an Italian painter, active between c.1306 and 1345. Together with his younger brother Ambrogio, he introduced naturalism into Sienese art. In their artistry and experiments with three-dimensional and spatial arrangements, the brothers foreshadowed the art of the Renaissance.
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Fedele Fischetti Fedele Fischetti (Naples, 30 March 1732 – Naples, 25 January 1792) was an Italian painter of the Neoclassical period.
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Jacopo de' Barbari Jacopo de' Barbari, sometimes known or referred to as de'Barbari, de Barberi, de Barbari, Barbaro, Barberino, Barbarigo or Barberigo (c. 1460/70 – before 1516), was an Italian painter and printmaker with a highly individual style. He moved from Venice to Germany in 1500, thus becoming the first Italian Renaissance artist of stature to work in Northern Europe. His few surviving paintings (about twelve) include the first known example of "trompe l'oeil" since antiquity. His twenty-nine engravings and three very large woodcuts were also highly influential.
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Filippo Bellini Filippo Bellini (c. 1550/1555 – 1604) was an Italian painter from Urbino who was strongly influenced by artist Federico Barocci. He is known for his painting of Pope Sixtus V. Bellini worked mostly in the Marche and in Romagne regions of Italy. His paintings are mostly located in churches and museums in the province of Ancona and in Macerata.
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Luigi Querena Luigi Querena (May 30, 1824 – April 3, 1887) was an Italian painter.
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Pompeo Calvi Pompeo Calvi (Milan, 1806–1884) was an Italian painter.
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Orazio Brunetti Orazio Brunetti (born 1630) was an Italian engraver and painter, active mainly in Rome.
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Giovanni Battista Biscarra Giovanni Battista Biscarra or Giovan Batista Biscarra (February 22, 1790 – April 13, 1851) was an Italian painter, sculptor, lithographer. He principally painted historical and religious subjects and a few portraits.
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Pardo Venus The Pardo Venus is a painting by the Venetian artist Titian, completed in 1551 and now in the Louvre Museum. It is also known as Jupiter and Antiope, since it seems to show the story of Jupiter and Antiope from Book VI of the "Metamorphoses" (lines 110-111). It is Titian's largest mythological painting, and was the first major mythological painting produced by the artist for Philip II of Spain. It was long kept in the Royal Palace of El Pardo near Madrid (not to be confused with the Prado, a purpose-built museum), hence its usual name; whether Venus is actually represented is uncertain. It later belonged to the English and French royal collections.
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Sebastiano De Albertis Sebastiano De Albertis (Milan, January 14, 1828 – November 29, 1897) was an Italian painter.
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Gioacchino Giuseppe Serangeli Gioacchino Giuseppe Serangeli (1768 - 12 January 1852) was a Roman painter, a pupil of Jacques-Louis David, who painted in France during the period of the French Revolution and the subsequent First French Empire. For some time he was one of the more fashionable painters of portraits of the new ruling class in France. His more mature paintings, done after his return to Italy, were also well regarded.
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Verismo (painting) The Verismo (meaning "realism", from Italian "vero", meaning "true") refers to a 19th-century Italian painting style. This style was practiced most characteristically by the "Macchiaioli" group of painters, who were forerunners of the French Impressionists.
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Ponziano Loverini Ponziano Loverini (July 6, 1845 – August 21, 1929) was an Italian painter, known primarily for his canvases and frescoes of sacred subjects.
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Jean-Jules-Antoine Lecomte du Nouÿ Jean-Jules-Antoine Lecomte du Nouÿ (10 June 1842 in Paris – 19 February 1923 in Paris) was an Orientalist French painter and sculptor. He was strongly influenced by the works and teachings of Charles Gleyre and Jean-Léon Gérôme. Lecomte du Nouÿ found inspiration for his art through extensive travels to Greece, Turkey, Egypt and Italy. The thematic content of Lecomte du Nouÿ’s work was mainly figural, but also spanned over a vast range of imagery throughout his career, including classical, historical and religious.
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Dante Gabriel Rossetti Dante Gabriel Rossetti ( ; 12 May 1828 – 9 April 1882) was a British poet, illustrator, painter and translator. He founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais. Rossetti was later to be the main inspiration for a second generation of artists and writers influenced by the movement, most notably William Morris and Edward Burne-Jones. His work also influenced the European Symbolists and was a major precursor of the Aesthetic movement.
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Pietro Pezzati (artist) Pietro Pezzati (1828–1890) was an Italian painter.
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El Greco Doménikos Theotokópoulos (Greek: Δομήνικος Θεοτοκόπουλος ] ; 1541 7 April 1614), most widely known as El Greco ("The Greek"), was a painter, sculptor and architect of the Spanish Renaissance. "El Greco" was a nickname, a reference to his Greek origin, and the artist normally signed his paintings with his full birth name in Greek letters, Δομήνικος Θεοτοκόπουλος ("Doménikos Theotokópoulos"), often adding the word Κρής ("Krēs", "Cretan").
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Odoardo Fischetti Odoardo Fischetti (ca. 1780 – after 1823) was an Italian painter of landscapes and history paintings in a Neoclassical style.
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Pietro Perugino Pietro Perugino (] ; c. 1446/1452 – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil.
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Tommaso Salini Tommaso Salini (1575 – 13 September 1625) was an Italian painter of the early-Baroque period, active in Rome. He is best remembered for defending his friend, Giovanni Baglione, in his libel suit against Caravaggio and other painters in his circle. Baglioni describes his still life paintings. He joined the Accademia di San Luca in 1605. Salini is a frequently forgotten Baroque artist who fell under the spell of Caravaggio, despite having a tempestuous relationship with the great painter. Salini, also known as Mao, was a friend of Giovanni Baglione, the Italian art biographer, who included Salini in his "Le vite de’ pittori." Art historians have often shied away from exploring Salini’s career because the canvases that have carried his name seem stylistically dissimilar. The recent tendency has been to attribute these works to anonymous "Pseudo-Salini" painters. In order for Salini’s "oeuvre" to be presented with accuracy, connoisseurs have had to inspect the original works that Baglione mentions as being by Salini’s hand, as well as the pictures that have been successfully attributed to him.