Adrianus Jacobus Zuyderland was Vincent van Gogh's favorite model during his Hague period, he appears in dozens of drawings, easily identified by his bald head and prominent white whiskers, and he was the model for the drawing which was the basis for At Eternity's Gate, an oil painting by Vincent van Gogh that he made in which year, in Saint-Rémy de Provence based on an early lithograph?
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Adrianus Jacobus Zuyderland Adrianus Jacobus Zuyderland was Vincent van Gogh's favorite model during his Hague period. He appears in dozens of drawings, easily identified by his bald head and prominent white whiskers, and he was the model for the drawing which was the basis for van Gogh's later iconic painting "At Eternity's Gate".
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At Eternity's Gate Sorrowing Old Man (At Eternity's Gate) is an oil painting by Vincent van Gogh that he made in 1890 in Saint-Rémy de Provence based on an early lithograph. The painting was completed in early May at a time when he was convalescing from a severe relapse in his health and some two months before his death, which is generally accepted as a suicide.
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Aertgen van Leyden Aertgen Claesz. van Leyden (Leiden, c. 1498 – Leiden, c. 1564), also known as Allaert or Aert van Leyden, was a 16th-Century Dutch painter, draughtsman and designer of stained glass. Works by this artist can be found at the Rijksmuseum in Amsterdam, Stedelijk Museum De Lakenhal in Leiden, the Metropolitan Museum of Art in New York and Museo Thyssen-Bornemisza in Madrid.
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Crab on its Back Crab on its Back (Dutch: "Een op zijn rug liggende krab" ) is an 1888 oil painting by Vincent van Gogh. It is a still life of a crab lying on its back with a green background. The painting is in the permanent collection of the Van Gogh Museum in Amsterdam in the Netherlands.
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Farmhouse in Provence Farmhouse in Provence also known as Entrance Gate to a Farm with Haystacks was made in 1888 by Vincent van Gogh in Arles in Provence at the height of his career. Partially due to having been inspired by painter Adolphe Monticelli, Van Gogh sought the Provence region of France to further expand his painting skill and experience. Van Gogh used several pairs of complementary colors in the "Farmhouse in Provence", the color contrast bringing an intensity to his work. The painting is owned by the National Gallery of Art of Washington, D.C..
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Saint Luke Drawing the Virgin Saint Luke Drawing the Virgin is a large oil and tempera on oak panel painting, usually dated between 1435 and 1440, attributed to the Early Netherlandish painter Rogier van der Weyden. Housed in the Museum of Fine Arts, Boston, it shows Luke the Evangelist, patron saint of artists, sketching the Virgin Mary as she nurses the Child Jesus. The figures are positioned in a bourgeois interior which leads out towards a courtyard, river, town and landscape. The enclosed garden, illusionistic carvings of Adam and Eve on the arms of Mary's throne, and attributes of St Luke are amongst the painting's many iconographic symbols.
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Landscape with a Church at Twilight Landscape with a Church at Twilight is an oil painting created in 1883 by Vincent van Gogh.
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Les XX Les XX was a group of twenty Belgian painters, designers and sculptors, formed in 1883 by the Brussels lawyer, publisher, and entrepreneur Octave Maus. For ten years ""Les Vingt"" (] ), as they called themselves, held an annual exhibition of their art; each year twenty international artists were also invited to participate in the exhibition. Artists invited over the years included Camille Pissarro (1887, 1889, 1891), Claude Monet (1886, 1889), Georges Seurat (1887, 1889, 1891, 1892), Paul Gauguin (1889, 1891), Paul Cézanne (1890), and Vincent van Gogh (1890, 1891).
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The Geographer The Geographer is a painting created by Dutch artist Johannes Vermeer in 1668–1669, and is now in the collection of the Städelsches Kunstinstitut museum in Frankfurt, Germany. It is closely related to Vermeer's "The Astronomer", for instance using the same model in the same dress, and has sometimes been considered a pendant painting to it. A 2017 study indicated that the canvas for the two works came from the same bolt of material.
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Nicolaas van der Waay Nicolaas van der Waay (15 October 1855, Amsterdam - 18 December 1936, Amsterdam) was a Dutch decorative artist, watercolorist and lithographer. He worked in many genres, including stamp, coin and banknote designs. He is perhaps best known for the allegorical illustrations he created for the Golden Coach and a series of paintings depicting the lives of girls from the Amsterdam Orphanage.
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Vase of Flowers in a Window Niche Vase of Flowers in a Window Niche is a still life oil on canvas painting of flowers by Ambrosius Bosschaert the Elder. It was painted in 1620 and is now in the Mauritshuis in The Hague.
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Gerard Pietersz van Zijl Gerrit or Gerard Pietersz van Zijl, also van Zyl / Zyll or Geerards (c.1607, Leiden – 19 December 1665, Amsterdam) was a Dutch Golden Age painter of portraits and genre scenes.
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Pieter van Gunst Pieter Stevensz. van Gunst (1658/9, Amsterdam - buried 10 November 1732, Amsterdam), also known as Pieter Stevens van Gunst or Petrus Stephani, was a Dutch draughtsman, copperplate engraver and printmaker active in Amsterdam, London (1704), and the Dutch town of Nederhorst (1730-1731). Prints of engravings by Van Gunst are in the collection of the Rijksmuseum in Amsterdam, Museum Boijmans van Beuningen in Rotterdam, the British Museum and the National Portrait Gallery in London, among others.
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The Angelus (painting) The Angelus ("L'Angelus") is an oil painting by French painter Jean-François Millet, completed between 1857 and 1859.
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Lying Cow Lying Cow is the name of two oil paintings created by Vincent van Gogh around 1882 when he was living at The Hague.
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Dune Landscape near Haarlem Dune Landscape near Haarlem, also known as The Bush and The Thicket near Haarlem, is an oil on canvas painting by the Dutch Golden Age painter Jacob van Ruisdael. It is in the collection of the Louvre in Paris.
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Jules De Bruycker Jules De Bruycker (29 March 1870 – 5 September 1945) was a Belgian graphic artist, etcher, painter and draughtsman. He is considered one of the foremost Belgian graphic artists after James Ensor and achieved a high level of technical virtuosity. He is best known for his scenes of his home town Ghent, architectural views of cathedrals, war prints and book illustrations.
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Piet Ouborg Piet or Pieter Ouborg (10 March 1893, Dordrecht - 3 June 1956, The Hague) was a Dutch artist. He started out in life as a teacher; this profession was threatened with interruption by the outbreak of World War I when Ouborg was liable to enlistment. He managed to evade military service by taking up a teaching position in the Dutch East Indies. While there, Ouborg took up drawing and painting. Returning to the Netherlands after the war, Ouborg found himself drawn to the work of Vincent van Gogh. In 1923 he began to experiment with painting in the Cubist style. In 1931, Ouborg visited Brussels and found himself drawn towards surrealism. During the World War II and its immediate aftermath, Ouborg was drawn increasingly into the circle of the COBRA (avant-garde movement) and its members such as Karel Appel and Corneille.
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Double-square painting Double-square paintings is a painting made on uncommonly large canvases which have one dimension that is twice the size of the other. Vincent van Gogh used double-squares almost exclusively during the final weeks of his life in Auvers, in June and July 1890. Prior to Van Gogh, artists such as Charles-François Daubigny and Puvis de Chavannes had used canvases of similar proportions.
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Still Life: Vase with Pink Roses Still Life: Vase with Pink Roses was painted in 1890 by Vincent van Gogh in Saint-Rémy. At the time the work was painted Van Gogh was readying himself to leave the Saint-Rémy asylum for the quiet town of Auvers-sur-Oise outside of Paris. The painting reflects the optimism Van Gogh felt at that time about his future, both in his choice of flowers as a subject and the colors used. The painting is owned by the National Gallery of Art of Washington, D.C.
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Portrait of an African Man The Portrait of an African Man (Dutch: "Portret van een Afrikaanse man" ) also known as Portrait of a Moor (Dutch: "Portret van een Moor" ) is a painting by the Netherlandish Renaissance painter Jan Mostaert. Mostaert probably made the painting between c. 1525 and 1530, or slightly earlier. The exact subject of the painting has long been unclear, although numerous ideas have been put forward, including that the depicted figure is a soldier, a nobleman or Saint Maurice. The portrait is significant in that it may portray the earliest portrait of a specific black man in European painting, though Saint Maurice, and Balthazar of the Three Kings or Biblical Magi, had long been usually portrayed as black.
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Village at Sunset Village at Sunset is an oil painting created in 1884 by Vincent van Gogh.