What is the death date of this German composer and musician of the Baroque period, who had a cantana of his recorded by Midori Suzuki?
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Midori Suzuki (soprano) Midori Suzuki (Japanese: 鈴木美登里 , Hepburn: Suzuki Midori ) is a Japanese classical soprano, specializing in Baroque music. She has recorded many cantatas by Johann Sebastian Bach with the Bach Collegium Japan, both as a soloist and as a member of the ensemble.
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Johann Sebastian Bach Johann Sebastian Bach (31 March [O.S. 21 March] 1685 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the "Brandenburg Concertos" and the "Goldberg Variations", and vocal music such as the "St Matthew Passion" and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of all time.
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Carlo Domeniconi Carlo Domeniconi (born 20 February 1947) is an Italian guitarist and composer. Although his compositions include a wide variety of genres and instrumentation choices, he is best known for his works for solo guitar, and particularly the "Koyunbaba" suite. Domeniconi's style is characterized by his adoption of multicultural influences. His works explore and borrow from a wide variety of national traditions, including Turkish, Indian, Brazilian, and many more.
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Günther Ramin Günther Werner Hans Ramin (15 October 1898 – 27 February 1956) was an influential German organist, conductor, composer and pedagogue in the first half of the 20th century.
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Moritz Fürstenau Moritz Ludwig Carl Ignaz Franz August Fürstenau (born 26 July 1824 and died on 27 March 1889, also in Dresden) was a German flautist and music historian. He left only a few works that gained little significance, but was extremely helpful as a theater historian.
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Johann Ernst Eberlin Johann Ernst Eberlin (27 March 1702 – 19 June 1762) was a German composer and organist whose works bridge the baroque and classical eras. He was a prolific composer, chiefly of church organ and choral music. Marpurg claims he wrote as much and as rapidly as Alessandro Scarlatti and Georg Philipp Telemann, a claim also repeated by Leopold Mozart - though ultimately Eberlin did not live nearly as long as either of those two composers.
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Samuel Ebart Samuel Ebart (1655-1684) was a German baroque composer.
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Maria Radner Maria Friderike Radner (] ; 7 May 1981 – 24 March 2015) was a German contralto who performed internationally in opera and in concerts.
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Ferdinand Tobias Richter Ferdinand Tobias Richter (22 July 1651 – 3 November 1711) was an Austrian Baroque composer and organist.
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Johann Wilhelm Hertel Johann Wilhelm Hertel (9 October 1727 – 14 June 1789) was a German composer, harpsichord and violin player.
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Max Reger Johann Baptist Joseph Maximilian Reger (19 March 187311 May 1916), commonly known as Max Reger, was a German composer, pianist, organist, conductor, and academic teacher. He worked as a concert pianist, as a musical director at the Leipzig University Church, as a professor at the Royal Conservatory in Leipzig, and as a music director at the court of Duke Georg II of Saxe-Meiningen.
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Johann Bernhard Bach the Younger Johann Bernhard Bach (the younger; to distinguish him from an older family member with the same name) (24 November 1700 – 12 June 1743) was a nephew of Johann Sebastian Bach. He was a German composer and organist.
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Antonio Caldara Antonio Caldara (1670 – 28 December 1736) was an Italian Baroque composer.
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Nicolaus Vetter Andreas Nicolaus Vetter (] ; October 1666 – 13 June 1734) was a German organist and composer.
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Roberto Gerhard Robert Gerhard i Ottenwaelder (] ; 25 September 1896 – 5 January 1970) was a Spanish Catalan composer and musical scholar and writer, generally known outside Catalonia as Roberto Gerhard.
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Concerto Köln Concerto Köln is a Baroque music chamber ensemble.
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Georg Matthias Monn Georg Matthias Monn (born "Johann Georg Mann" April 9, 1717, Vienna – October 3, 1750, Vienna) was an Austrian composer, organist and music teacher whose works were fashioned in the transition from the Baroque to Classical period in music.
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Schnuckenack Reinhardt Franz "Schnuckenack" Reinhardt (17 February 1921 – 15 April 2006) was a gypsy jazz musician (violinist), composer and interpreter. He was considered the "great violin virtuoso of Sinti music." He was a German Sinto; his music was mostly published and categorized under the contemporary names gypsy jazz or "Musik deutscher Zigeuner" (music of German gypsies). He "made this music accessible to a broad public" and made the most significant contribution to the presentation of gypsy music and jazz in Germany into a concert form. He was the pioneer of this style of music in Germany and directly or indirectly inspired many of the succeeding generation of gypsy jazz players in that country, as well as preserving on record a great many folkloric and gypsy compositions for future generations.
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Renato Carosone Renato Carosone (] ; 3 January 1920 – 20 May 2001), born Renato Carusone, was among the greatest figures of the Italian music scene in the second half of the 20th century. He was also a modern performer of the so-called "canzone napoletana", Naples' song tradition.
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Mara Galassi Mara Galassi (born in Milan in 1956) is an Italian harpist, musicologist and recording artist specializing in the music for Early harps, including Gothic, Renaissance, and Baroque, in particular double (cross-strung) and triple harps of the Renaissance and Baroque eras, as well as Classical era single-action pedal harps.
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Joseph Martin Kraus Joseph Martin Kraus (20 June 1756 – 15 December 1792), was a composer in the classical era who was born in Miltenberg am Main, Germany. He moved to Sweden at age 21, and died at the age of 36 in Stockholm. He has been referred to as "the Swedish Mozart", and had a life span which was very similar to that of Mozart.
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Jean-Baptiste Senaillé Jean Baptiste Senaillé (23 November 1687 in Paris – 15 October 1730 idem) was a French born Baroque composer and violin virtuoso. His father was a member of Les Vingt-quatre Violons du Roi. Senaillé studied under Jean-Baptiste Anet, Giovanni Antonio Piani and in Italy under Tomaso Antonio Vitali and imported Italian musical techniques and pieces into the French court. He wrote around 50 violin sonatas. He is most well known for a fast 2/4 movement from one of these sonatas, "Allegro Spiritoso", which has had versions published transcribed for a wide variety of instruments, from violoncello to bassoon to euphonium.