How many acts are in both Iphigénie en Aulide and  La fanciulla del West?
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La fanciulla del West La fanciulla del West ("The Girl of the West") is an opera in three acts by Giacomo Puccini to an Italian libretto by and , based on the play "The Girl of the Golden West" by the American author David Belasco. "Fanciulla" followed "Madama Butterfly", which was also based on a Belasco play. The opera has fewer of the show-stopping highlights that are characteristic of other Puccini works, but is admired for its impressive orchestration and for a score that is more melodically integrated than is typical of his previous work. "Fanciulla" displays influences from composers Claude Debussy and Richard Strauss, without being in any way imitative. Similarities between the libretto and the work of Richard Wagner have also been found, though some attribute this more to the original plot of the play, and have asserted that the opera remains quintessentially Italian.
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Iphigénie en Aulide Iphigénie en Aulide ("Iphigeneia in Aulis") is an opera in three acts by Christoph Willibald Gluck, the first work he wrote for the Paris stage. The libretto was written by François-Louis Gand Le Bland Du Roullet and was based on Jean Racine's tragedy "Iphigénie". It was premiered on 19 April 1774 by the Paris Opéra in the second Salle du Palais-Royal and revived in a slightly revised version the following year.
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L'arlesiana L'arlesiana is an opera in three acts by Francesco Cilea to an Italian libretto by Leopoldo Marenco. It was originally written in four acts, and was first performed on 27 November 1897 at the Teatro Lirico di Milano in Milan. It was revised as a three-act opera in 1898, and a prelude was added in 1937.
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Orlando furioso (Vivaldi, 1714) Orlando furioso RV 819 (] , Teatro San Angelo, Venice 1714) is a three-act opera surviving in manuscript in Antonio Vivaldi's personal library, only partly related to his better known Orlando furioso (RV 728) of 1727. It is a recomposition of an "Orlando furioso" written by Giovanni Alberto Ristori which had been very successfully staged by Vivaldi and his father's "impresa" in 1713, and whose music survives in a few fragments retained in the score of RV 819. Therefore, Vivaldi's first cataloguer Peter Ryom did not assign the opera a RV number, but catalogued it as RV Anh. 84. The libretto was by Grazio Braccioli.
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Françoise de Rimini Françoise de Rimini (Francesca da Rimini) is an opera in four acts with a prologue and an epilogue. The last opera composed by Ambroise Thomas, it sets a French libretto by Michel Carré and Jules Barbier which is based on an episode from Dante's "Divine Comedy". The opera was first performed by the Paris Opera on 14 April 1882 but fell into relative obscurity until its revival in 2011.
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Polyxène et Pirrhus Polyxène et Pirrhus ("Polyxena and Pyrrhus") is an opera by the French composer Pascal Collasse, first performed at the Académie Royale de Musique (the Paris Opéra) on 21 October 1706. It takes the form of a "tragédie lyrique" in a prologue and five acts. The libretto is by Jean-Louis-Ignace de La Serre.
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Les Abencérages Les Abencérages, ou L'étendard de Grenade (English: "The Abencerrages, or The Standard of Granada") is an opera in three acts by Luigi Cherubini with a French libretto by Etienne de Jouy, based on the novel "Gonzalve de Cordoue" by Jean-Pierre Claris de Florian. It was first performed on 6 April 1813 by the Académie Impériale de Musique (Paris Opera) at the Salle Montansier, with Napoleon and his wife, the Empress Marie-Louise, in the audience. The opera was initially a success but its popularity waned after the fall of Napoleon.
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L'enfant prodigue (Auber) L'enfant prodigue ("The Prodigal Son") is a grand opera in five acts composed by Daniel Auber to a French libretto by Eugène Scribe based on the Parable of the Prodigal Son in Chapter 15 of the Gospel of Luke. It was first performed at the Théâtre de l'Académie Nationale de Musique in Paris on 6 December 1850. The role of Azaël (the prodigal son of the title) was sung in the premiere by the celebrated French tenor, Gustave-Hippolyte Roger, (1815-1879).
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La finta semplice La finta semplice ("The Fake Innocent"), K. 51 (46a) is an opera buffa in three acts for seven voices and orchestra, composed in 1768 by then 12-year-old Wolfgang Amadeus Mozart. Young Mozart and his father Leopold were spending the year in Vienna, where Leopold was trying to establish his son as an opera composer. He was acting on a suggested request from the Emperor Joseph II that the young boy should write an opera.
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Le Diable amoureux (ballet) Le Diable amoureux (also known as Satanella or Love and Hell) is a "ballet pantomime" in three acts and eight scenes, originally choreographed by Joseph Mazilier to the music of Napoléon Henri Reber and François Benoist. The libretto by Jules-Henri Vernoy de Saint-Georges is based on Jacques Cazotte's 1772 occult romance "The Devil in Love". The work was first presented by the Ballet du Théâtre de l'Académie Royale de Musique in Paris on 23 September 1840, with Pauline Leroux (as Uriel), Mazilier (as Alvaro, for ballet his name is Frederic), and Louise Fitz-James (as Lilia).
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Nitétis Nitétis is an opera by the French composer Charles-Louis Mion, first performed at the Académie Royale de Musique (the Paris Opera) on 11 April 1741. It takes the form of a "tragédie en musique" in a prologue and five acts. The libretto, by Jean-Louis-Ignace de La Serre, Sieur d'Anglade, is based on the mythological history of Ancient Egypt. The work was a failure at its premiere.
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Loreley (opera) Loreley is an opera ("azione romantica") in three acts composed by Alfredo Catalani to a libretto by Angelo Zanardini, Carlo D'Ormeville and others. It premiered on 16 February 1890 at the Teatro Regio in Turin. Based on the German legend of the Lorelei, the opera is an extensive reworking of Catalani's four-act opera "Elda" which had premiered in Turin ten years earlier.
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La caverne (Méhul) La caverne ("The Cavern") is an opera by the French composer Étienne Méhul. It takes the form of a "comédie en prose" in three acts. It premiered at the Opéra-Comique, Paris on 5 December 1795. The libretto, by Nicolas-Julien Forgeot, is based on incidents from the novel "Gil Blas" by Alain-René Lesage.
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L'Ipermestra L'Ipermestra is an 18th-century Italian opera in 3 acts by the Czech composer Josef Mysliveček composed to a libretto by the Italian poet Metastasio first produced in 1744. This opera (and all the rest of Mysliveček's operas) belong to the serious type in Italian language referred to as "opera seria".
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Antigone (Honegger) Antigone is an opera ("tragédie musicale") in three acts by Arthur Honegger to a French libretto by Jean Cocteau based on the tragedy "Antigone" by Sophocles. Honegger composed the opera between 1924 and 1927. It premiered on 28 December 1927 at the Théâtre Royal de la Monnaie with sets designed by Pablo Picasso and costumes by Coco Chanel.
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La fille du Danube La Fille du Danube ("The Daughter of the Danube") is a ballet in two acts and four scenes, choreographed by Filippo Taglioni to music by Adolphe Adam.
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Achille et Polyxène Achille et Polyxène ("Achilles and Polyxena") is a tragédie lyrique containing a prologue and five acts based on Virgil's "Aeneid" with a French libretto by Jean Galbert de Campistron. The opera's overture and first act were composed by Jean-Baptiste Lully, who died from a conducting injury before he could complete the score. The prologue and the remaining acts are the work of his pupil Pascal Collasse who finished the work, eight months after Lully's death on March 22, 1687. The opera was first performed on November 7, 1687, by the Paris Opera at the Théâtre du Palais-Royal in Paris.
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Daphnis et Alcimadure Daphnis et Alcimadure (in Occitan classical norm, Dafnís e Alcimadura, or according to the original libretto spelling, Daphnis e Alcimaduro) is an opera by the Baroque violinist, conductor and composer Jean-Joseph Cassanéa de Mondonville to a libretto in the Occitan language, written by the composer himself and loosely inspired by La Fontaine's fable bearing the same title. It takes the form of a pastorale in three acts and was later endowed with a prologue in French entitled "Les jeux floraux", to a libretto by Claude-Henri de Fusée de Voisenon.
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La naissance de la lyre La naissance de la lyre ("The Birth of the Lyre") is an opera (styled a "conte lyrique") in one act by the French composer Albert Roussel. The libretto, by Théodore Reinach, is based on the satyr play "Ichneutae" by Sophocles. It was first performed at the Paris Opéra on 1 July 1925 with choreography by Bronislava Nijinska.
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Gloria (opera) Gloria is a tragic opera in three acts by Francesco Cilea with an Italian libretto by Arturo Colautti. A variation on the Romeo and Juliet story and set in 14th century Siena, the libretto is based on Victorien Sardou's 1874 play "La Haine" ("Hatred"). The opera premiered on 15 April 1907 at La Scala conducted by Arturo Toscanini with Salomea Krusceniski in the title role. "Gloria" was a failure at its premiere when it was withdrawn after two performances and fared little better in the 1932 revised version, although there have been two late 20th century revivals. It proved to be Cilea's last staged opera. In the 43 years following the premiere of "Gloria" he worked on two or three further operas which were never performed and continued to compose chamber and orchestral music.
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La bohème (Leoncavallo) La bohème is an Italian opera in four acts, with music and libretto by Ruggero Leoncavallo, based on "Scènes de la vie de bohème" by Henri Murger. The opera received a successful premiere at the Teatro la Fenice, Venice on 6 May 1897.
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La Foire de Guibray La Foire de Guibray (English: The Guibray Fair ) is a one-act farce by Alain-René Lesage. It was first performed at the Foire de Saint Laurent in 1714. "La Foire de Guibray" is actually a prologue to two other one-act farces, "Arlequin Mahomet" and "Le Tombeau de Nostradamus". Between the three works, Lesage created a comedy in three acts.