What short and violent movement in 20th century art is attributed to photographer Friedl Kubelka?
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Friedl Kubelka Friedl Kubelka (née Bondy, née vom Gröller) is one of Austria's major photographers, filmmakers, and visual artists born in London, England in 1946. Her photographic practice has been attributed to a 20th century movement known as Feminist Actionism or Viennese Actionism, perhaps due in part to certain performance elements, and her ties with post-war European avant-garde artists, writers and filmmakers. Kubelka's photographic works sometimes focus on accentuating temporality, seriality and the body.
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Viennese Actionism Viennese Actionism was a short and violent movement in 20th-century art. It can be regarded as part of the many independent efforts of the 1960s to develop "performance art" (Fluxus, happening, action painting, body art, etc.). Its main participants were Günter Brus, Otto Mühl, Hermann Nitsch, and Rudolf Schwarzkogler. As "actionists", they were active between 1960 and 1971. Most have continued their artistic work independently from the early 1970s onwards.
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Impressionism Impressionism is a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, inclusion of "movement" as a crucial element of human perception and experience, and unusual visual angles. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s.
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New Secession The New Secession (German: "Neue Secession" ) was an association of expressionist artists organizing joint exhibitions in Berlin 1910–1914.
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Dekorative Kunst Dekorative Kunst (meaning "Decorative Art" in English) was a German avant-garde art magazine published from October 1897 to 1929. The magazine promoted the Jugendstil or Art Nouveau style and was founded by Julius Meier-Graefe. The publisher of the magazine was Alexander Koch. It was based in Munich where it was published on a monthly basis. It had a sister magazine, "Die Kunst", which was a fine arts magazine.
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De Stijl De Stijl ( ; ] ), Dutch for "The Style", also known as neoplasticism, was a Dutch artistic movement founded in 1917 in Leiden. The De Stijl consisted of artists and architects. In a narrower sense, the term "De Stijl" is used to refer to a body of work from 1917 to 1931 founded in the Netherlands. Proponents of De Stijl advocated pure abstraction and universality by a reduction to the essentials of form and colour; they simplified visual compositions to vertical and horizontal, using only black, white and primary colors.
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Salon de la Sécession The Salon de la Sécession was an Avant-gardist art exhibition which was held in Luxembourg each year from 1927 to 1930. It was the main event of the Luxembourg Secession movement which had been founded in 1926 by a number of artists including Claus Cito, Nico Klopp, Joseph Kutter and Auguste Trémont who were unhappy with the academic approach of the Cercle artistique de Luxembourg and its support of Impressionism. Hoping to develop interest in Fauvism and Expressionism, they had been inspired by similar but substantially earlier secessionist movements in Munich (1892), Vienna (1896) and Berlin (1897). The Luxembourg movement folded in 1930 following the reconciliation of the Secession movement and the Cercle artistique.
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Herman Sachs Herman Sachs (Hermann Sachs, originally Segall) (1883–1940) was an artist and art educator, active in Germany and the United States during the first half of the 20th century.
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The Night (painting) The Night is a 20th-century painting by German artist Max Beckmann, created between the years of 1918 and 1919. It is an icon of the post-World War I movement, Neue Sachlichkeit, or New Objectivity. It is an oil painting on canvas, located at the Kunstsammlung Nordrhein-Westfalen, Düsseldorf.
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Antifa (United States) Antifa ( ) is a militant political movement of autonomous, self-styled anti-fascist groups. The salient feature of Antifa is its opposition to fascism by direct action. Antifa groups are known for their militant protest tactics, including property damage and physical violence. They tend to be anti-government and anti-capitalist, and they are predominantly far left and militant left, including anarchists, communists and socialists. They focus on fighting far-right and white supremacist ideologies directly, rather than on encouraging pro-left policy.
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Post-surrealism Post-surrealism is a movement that arose in Southern California in 1934 when Helen Lundeberg and Lorser Feitelson wrote a manifesto explaining their desire to use art to convey the relationship between the perceptual and the conceptual.
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František Kupka František Kupka (23 September 1871 – 24 June 1957), also known as "Frank Kupka" or "François Kupka," was a Czech painter and graphic artist. He was a pioneer and co-founder of the early phases of the abstract art movement and Orphic Cubism (Orphism).
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New Objectivity (filmmaking) New Objectivity (a translation of the German "Neue Sachlichkeit", alternatively translated as "New Sobriety" or "New matter-of-factness") was an art movement that emerged in Germany in the early 1920s as a counter to expressionism. The term applies to a number of artistic forms, including film.
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Die Brücke Die Brücke (The Bridge) was a group of German expressionist artists formed in Dresden in 1905, after which the Brücke Museum in Berlin was named. Founding members were Fritz Bleyl, Erich Heckel, Ernst Ludwig Kirchner and Karl Schmidt-Rottluff. Later members were Emil Nolde, Max Pechstein and Otto Mueller. The seminal group had a major impact on the evolution of modern art in the 20th century and the creation of expressionism.
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Expressionism Expressionism was a modernist movement, initially in poetry and painting, originating in Germany at the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists sought to express the meaning of emotional experience rather than physical reality.
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Bambule Bambule, a term of German prison sociolect, originally refers to a form of mostly non-violent prison protest, typically effected by banging hard items against the cells' metal bars. The term is derived from the African dance "Bamboule" or "Bamboula".
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Zero (art) Zero is a group of artists founded by Heinz Mack and Otto Piene and the name of their magazine. The word “zero” expressed, in Piene’s words, “a zone of silence and of pure possibilities for a new beginning.” The movement is commonly interpreted as reaction to Abstract Expressionism by arguing that art should be void of color, emotion and individual expression.
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Fine Art of Leningrad The Fine Art of Leningrad is an important component of twentieth-century Russian Soviet art, in the opinion of the art historians Vladimir Gusev and Vladimir Leniashin "one of its most powerful currents". This widely used term embraces the creative lives and the achievements of several generations of Leningrad painters, sculptors, graphic artists and creators of decorative and applied art from 1917 to the early 1990s.
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Greta Knutson Greta Knutson or Knutson-Tzara (also known as Greta Knutson; 1899–1983) was a Swedish modernist visual artist, art critic, short story writer and poet. A student of André Lhote who adopted Abstraction, Cubism and Surrealism, she was also noted for her interest in phenomenology. Knutson was married to Romanian-born author and co-founder of Dadaism Tristan Tzara, but they later divorced.
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Futurism (music) Futurism was an early 20th-century art movement which encompassed painting, sculpture, poetry, theatre, music, architecture and gastronomy. Filippo Tommaso Marinetti initiated the movement with his "Manifesto of Futurism", published in February 1909. Futurist music rejected tradition and introduced experimental sounds inspired by machinery, and influenced several 20th-century composers.
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Absolute film Absolute film is a film movement begun by a group of visionary artists in Germany in the 1920s: Hans Richter, Walter Ruttmann, Oskar Fischinger and the Swede Viking Eggeling.
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Hyperrealism (visual arts) Hyperrealism is a genre of painting and sculpture resembling a high-resolution photograph. Hyperrealism is considered an advancement of Photorealism by the methods used to create the resulting paintings or sculptures. The term is primarily applied to an independent art movement and art style in the United States and Europe that has developed since the early 1970s.