Who did Paul Hindemith base a symphony about?
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Symphony: Mathis der Maler Symphony: Mathis der Maler ("Matthias the Painter") is among the most famous orchestral works of German composer Paul Hindemith. Music from the symphony was incorporated into, or reworked for, Hindemith's opera "Mathis der Maler", which concerns the painter Matthias Grünewald (or Neithardt).
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Paul Hindemith Paul Hindemith ( ) (16 November 1895 – 28 December 1963) was a prolific German composer, violist, violinist, teacher and conductor. Notable compositions include his song cycle "Das Marienleben" (1923), "Der Schwanendreher" for viola and orchestra (1935), and opera "Mathis der Maler" (1938). Hindemith's most popular work, both on record and in the concert hall, is likely the "Symphonic Metamorphosis of Themes by Carl Maria von Weber", written in 1943.
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Symphony, K. 16a (Mozart) The Symphony in A minor "Odense", K. Anh. 220/16a, was formerly attributed to Wolfgang Amadeus Mozart. It is one of only three symphonies possibly by Mozart (alongside the two G minor symphonies, No. 25 and No. 40) to be in a minor key.
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Symphony No. 4 (Arnold) The Symphony No. 4, Op. 71 by Malcolm Arnold was finished on 13 July 1960. It is in four movements:
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Symphony No. 2 (Górecki) Symphony No. 2, the "Copernican," Op. 31 "(II Symfonia "Kopernikowska")" (   ) is a choral symphony composed by Henryk Górecki in 1972 to celebrate the 500th anniversary of the birth of astronomer Nicolaus Copernicus. Composed in a monumental style for solo soprano, baritone, choir and orchestra, it features text from Psalms no. 145, 6 and 135, along with an excerpt from Copernicus' book "De revolutionibus orbium coelestium".
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Symphony No. 3 (Glazunov) Alexander Glazunov composed his Symphony No. 3 in D major, Op. 33, in 1890, and it was published by 1892 by the Leipzig firm owned by Mitrofan Belyayev. The symphony is dedicated to Pyotr Ilyich Tchaikovsky and was first performed in St. Petersburg in December 1890 under the baton of Anatoly Lyadov. The symphony is considered a transitional work, with Glazunov largely eschewing the influences of Balakirev, Borodin, and Rimsky-Korsakov inherent in his earlier symphonies for the newer influences of Tchaikovsky and Wagner. Because of this change, the Third has been called the "anti-kuchkist" symphony in Glazunov's output ("kuchkist" from "kuchka", the shortened Russian name for the nationalist music group The Five). He would tone down these new influences in his subsequent symphonies as he strove for an eclectic mature style. The Third also shows a greater depth of expression, most evident in the chromatic turns of its third movement, reminiscent of Wagner's opera "Tristan und Isolde".
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Symphony No. 64 (Haydn) The Symphony No. 64 in A major (Hoboken I/64) is a symphony by Joseph Haydn dated between 1773 and 1775. The likely date of composition puts it at the tail end of the "Sturm und Drang" period that produced masterpieces such as symphonies 44 to 48. It is often known by the nickname Tempora mutantur.
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Gordon Sherwood Gordon Sherwood (August 25, 1929 – May 2, 2013) was an American classical composer. Known in Germany as the "Beggar-Composer", his works exhibit various early 20th-century European and American classical music styles, as well as showing influences from blues, Arabic, Indian and Asian music. The New York Philharmonic under Dmitri Mitropoulos gave his career a promising start as a prize-winning young composer at Carnegie Hall in 1957. Aaron Copland said he was "his most gifted student". He studied with famous teachers and won more awards and stipends in academia, but drifted into virtual anonymity until the mid-1990s. He began begging on the streets of Paris around 1980. A 1994 Norddeutscher Rundfunk/Arte feature-length television documentary "Der Bettler von Paris" exposed his life and work to German audiences, who were the first to hear his symphony and other works were premiered and recorded at the beginning of the 21st century.
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Symphony No. 3 (Rachmaninoff) Sergei Rachmaninoff composed his Symphony No. 3 in A minor, Op. 44 between 1935 and 1936. The Third Symphony is considered a transitional work in Rachmaninoff's output. In melodic outline and rhythm it is his most expressively Russian symphony, particularly in the dance rhythms of the finale. What was groundbreaking in this symphony was its greater economy of utterance compared to its two predecessors. This sparer style, first apparent in the "Rhapsody on a Theme of Paganini", enhances the emotional power of the work.
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Die Harmonie der Welt Die Harmonie der Welt ("The Harmony of the World") is an opera in five acts by Paul Hindemith. The German libretto was by the composer.
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Sculpture (Lindberg) Sculpture is an orchestral composition by the Finnish composer Magnus Lindberg. The music was commissioned by the Los Angeles Philharmonic with support from the Koussevitzky Music Foundation to celebrate the orchestra's inaugural season at the Walt Disney Concert Hall. Its world premiere was given by the Los Angeles Philharmonic under the direction of Esa-Pekka Salonen on October 6, 2005.
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Piano symphony A piano symphony is a piece for solo piano in one or more movements. It is a symphonic genre by virtue of imitating orchestral tone colour, texture, and symphonic development.
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New York Symphony Orchestra The New York Symphony Orchestra was founded as the New York Symphony Society in New York City by Leopold Damrosch in 1878. For many years it was a fierce rival to the older Philharmonic Symphony Society of New York (New York Philharmonic). It was supported by Andrew Carnegie who built Carnegie Hall (opened in 1891) expressly for the orchestra. The Symphony was known for performing more colorful French and Russian works than the Philharmonic, which excelled in German repertoire.
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Prometheus (Liszt) Franz Liszt composed his Prometheus in 1850, numbering it No. 5 in his cycle of symphonic poems when he revised it in 1855. The work is based on the Greek myth detailing the Titan Prometheus' theft of fire from the gods and is numbered S.99 in the Searle catalogue.
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Symphony No. 2 (Beethoven) The Symphony No. 2 in D major, Op. 36, is a symphony in four movements written by Ludwig van Beethoven between 1801 and 1802. The work is dedicated to Karl Alois, Prince Lichnowsky.
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Symphony for Organ and Orchestra (Copland) Aaron Copland wrote the Symphony for Organ and Orchestra in 1924. It represents a major work in the composer's oeuvre, as it was his first fully realized orchestral work, his first work for organ, and the first piece whose orchestration he heard. In 1928, Copland re-orchestrated the work without organ as his Symphony No. 1, rewriting the organ part in the brass and adding saxophone.
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Symphony No. 4 (Mozart) The Symphony No. 4 in D major, K. 19, by Wolfgang Amadeus Mozart was composed in London during the Mozart family's Grand Tour of Europe in 1765, when Mozart was 9 years old.
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An American in Paris An American in Paris is a jazz-influenced orchestral piece by the American composer George Gershwin, written in 1928. Inspired by the time Gershwin had spent in Paris, it evokes the sights and energy of the French capital in the 1920s and is one of his best-known compositions.
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Symphony No. 5 (Enescu) Symphony No. 5, in D major is a large-scale composition for orchestra, tenor soloist, and female choir by the Romanian composer George Enescu, using a text by the Romanian poet Mihai Eminescu. Drafted in 1941 and partially orchestrated at some later date, the symphony was left unfinished at Enescu's death, but has been completed posthumously, first partially by in 1970–72 and 1990, then in complete form by Pascal Bentoiu in 1995.
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Symphony No. 1 (Enescu) Symphony No. 1, Op. 13 in E♭ by the Romanian composer George Enescu reflects the composer's training in both Vienna and Paris. In the former location he studied the Brahmsian tradition with Robert Fuchs, and in the latter the French tradition with Jules Massenet and Gabriel Fauré .
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Symphony No. 2 (Milhaud) The Symphony No. 2, Op. 247, is a work for orchestra by French composer Darius Milhaud. It was written in the U.S. in 1944 on a commission from the Koussevitzky Music Foundations in memory of Serge Koussevitzky's second wife Natalie, who had died in 1942. The premiere of the work was played by the Boston Symphony Orchestra in 1946, with the composer himself conducting.
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Symphony No. 1 (Dohnányi) The Symphony No. 1 in D minor, Op. 9, was completed by Ernő Dohnányi in 1901, when the composer was 24. Premiered in 1902, it is an early work by Dohnányi, and is his first full venture into orchestral writing (the 1896 Symphony in F was neither completed nor published). Although audibly influenced by the prevailing voices of the time, including Bruckner, Strauss, Tchaikovsky, Wagner, Mahler and Brahms, the work nonetheless demonstrates a formidable handling of complex compositional techniques and is a notable precursor to what would become Dohnányi's distinctive neoromantic style. As with most of his public work, Dohnányi published the composition under the Germanized version of his name, Ernst von Dohnányi. The symphony is 50–55 minutes in duration.