What structure does the dance that evolved into Pandanggo follow?
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Pandanggo Pandanggo is a Philippine folk dance which has become popular in the rural areas of the Philippines. The dance evolved from Fandango, a Spanish folk dance, which arrived in the Philippines during the Hispanic period. This dance, together with the Jota, became popular among the "illustrados" or the upper class and later adapted among the local communities. In the early 18th century, any dance that is considered jovial and lively was called Pandanggo.
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Fandango Fandango is a lively couples dance from Spain, usually in triple metre, traditionally accompanied by guitars, castanets, or hand-clapping ("palmas" in Spanish). Fandango can both be sung and danced. Sung fandango is usually bipartite: it has an instrumental introduction followed by "variaciones". Sung fandango usually follows the structure of "cante" that consist of four or five octosyllabic verses (coplas) or musical phrases (tercios). Occasionally, the first copla is repeated.
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Sarugaku Sarugaku (猿楽 ) , literally "monkey music", was a form of theatre popular in Japan during the 11th to 14th centuries. It originated from "sangaku," a form of entertainment reminiscent of the modern-day circus, consisting mostly of acrobatics, juggling, and pantomime, sometimes combined with drum dancing. It came from China to Japan in the 8th century and there mingled with indigenous traditions, particularly the harvest celebrations of dengaku. In the 11th century, the form began to favor comic sketches while other elements faded away. By the late 12th century, the term "sarugaku" had come to include comic dialogues based on word play (toben), improvised comic party dances (rambu), short plays involving several actors, and musical arrangements based on courtesan traditions. During the 13th century, there was increased standardization of words, gestures, musical arrangements, and program combinations; as well as the adoption of the guild ("za") system to which all present-day Noh schools can be traced. "Kyōgen" also developed from sarugaku.
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War dance A war dance is a dance involving mock combat, usually in reference to tribal warrior societies where such dances were performed as a ritual connected with endemic warfare.
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Algorave An Algorave is an event where people dance to music generated from algorithms, often using live coding techniques, and short for "algorithmic rave." Alex McLean of Slub and Nick Collins coined the word "algorave", with the first event to be held under that name taking place in 2012. It has since become a movement, with algoraves taking place around the world.
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Panda! Go, Panda! Panda Kopanda (パンダ・コパンダ , translated "Panda, Baby Panda" ) is a children's Japanese animated film, first released in 1972. It was created by the team of Isao Takahata (director), Hayao Miyazaki (writer, layout, scene design), Yoichi Kotabe (animation director) and Yasuo Otsuka (animation director, character design). This short movie was released in Japan at the height of the panda craze, initiated in September 1972, when the government announced the loan of a pair of giant pandas from China to the Ueno Zoo as part of panda diplomacy.
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Ballo The ballo was an Italian dance form during the fifteenth century, most noted for its frequent changes of tempo and meter. The name "ballo" has its origin in Latin "ballō", "ballāre", meaning "to dance", which in turn comes from the Greek "βαλλίζω" ("ballizō"), "to dance, to jump about". In Greece there is the Greek dance named Ballos.
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Kakilambe Kakilambe or Kaki lambe (sometimes spelled as "Kalilambe") is an African dance. It is a ritual dance.
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Manipuri dance Manipuri dance, also known as Jagoi, is one of the major Indian classical dance forms, named after the region of its origin – Manipur, a state in northeastern India bordering with Myanmar (Burma), Assam, Nagaland and Mizoram. It is particularly known for its Hindu Vaishnavism themes, and exquisite performances of love-inspired dance drama of Radha-Krishna called Raslila. However, the dance is also performed to themes related to Shaivism, Shaktism and regional deities such as Umang Lai during Lai Haraoba.
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Parasol dance The Japanese Parasol Dance is an example of a simple Japanese dance that uses an umbrella. The dance is suited for girls making use of shuffling steps that is basic to a typical Japanese. The Parasol Dance is from Kabuki. The song played during the dance is called Mikado (a song in 4/4 time).
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Circle dance Circle dance, or chain dance, is a style of dance done in a circle or semicircle to musical accompaniment, such as rhythm instruments and singing. Circle dancing is probably the oldest known dance formation and was part of community life from when people first started to dance.
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Bajidor Kahot Bajidor Kahot is a dance from West Java which combines the dance movements of "Ketuk Tilu" and "Jaipongan" as the basic of its motions. What distinguishes them from the two, Bajidor Kahot dance doesn't optimize shoulder movement as the Jaipongan and Tap Tilu does. In the dance, hips, arms, shoulders, head, and hands move dynamically. Footsteps also incorporated into the dance. The dancers wear typical Sundanese kebaya. The kebaya is designed fit the shape of the body and the clothes are brightly colored. Additional accessories such as scarves and fan are incorporated into the dance. Often the dancers are also moving in formation of interest. Bajidor Kahot dance was created around the year 2000. In each show, dance is always accompanied by a typical drum from Land of Pasundan. In addition, the Balinese gamelan music adds to the wealth of music that accompanies the dance. As in jaipongan, Bajidor Kahot is often performed by young women. The dance usually performed by four to eight dancers.
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Sandungueo Sandungueo is a style of dance and party music associated with reggaeton that emerged in the late 1980s in Puerto Rico. The dance resembles twerking. This style of dancing and music was created by DJ Blass, hence his Sandunguero Vol. 1 & 2 albums. It is a dance that focuses on grinding, also known as perreo, with one partner facing the back of the other (usually male behind female). This is also known as "booty dancing" or "grinding" in the United States of America.
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Son de los Diablos The Son de los Diablos is an Afro-Peruvian dance that developed as a mixture between African, Spanish, and Amerindian rhythms. Nicomedes Santa Cruz explains that, despite popular opinion, the "Son de los Diablos" has no links with African rituals or with the Andean Morenada, but rather it has a very slight similarity with the "Diabladas" of Oruro (Bolivia).
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Sundanese dance Sundanese dances is a dance tradition that is a part of ritual, artistic expression as well as entertainment and social conduct among the Sundanese people of West Java, Indonesia. Sundanese dance is usually cheerful, dynamic and expressive, with flowing movements in-sync with the beat of kendang accompanied with Gamelan degung music ensemble.
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Gilbertese dancing The Gilbertese dancing, which is accompanied by singing, is a characteristic dance style of the Melanesians and the Polynesians. It is a fusion of folk and ballad dance forms. Rhythm in the music is accentuated by beating with hand the upturned wooden boxes.
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Biyelgee Biyelgee (Mongolian Cyrillic: Биелгээ) or Bii (Mongolian Cyrillic: Бий), is a unique form of dance, originated from the nomadic way of life. It has often been labelled in English by Chinese troupes as Mongolian bowl dancing.
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Crossovers (dance) Crossovers are classic moves from Balboa (dance).
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Pangalay Pangalay (also known as Daling-Daling or Mengalai in Sabah) is the traditional "fingernail" dance of the Tausūg people of the Sulu Archipelago and Sabah. The dance also means offering from its Sanskrit origin "pang-alay". "Mangalay", which also means dance, is very similar to classical Balinese and Thai dances.
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Sequence dance Sequence dancing is a form of dance in which a preset pattern of movements is followed, usually to music which is also predetermined. Sequence dancing may include dances of many different styles. The term may include ballroom dances which move round the floor as well as line, square and circle dances.
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Jam skating Jam skating (or Jamskating) is a combination of dance, gymnastics, and skating, performed on roller skates. The origins of jam skating are disputed, but it is often traced to the Great Lakes region and Florida. The style has its roots in traditional roller disco, but has been greatly influenced by breakdancing, artistic skating, gymnastics, and modern dance. Successful jam skaters are well practiced in these different forms and must have the ability to translate these movements while on skates. Jam skating first became popular in the early 1990s and is still going strong throughout the nation. Competitions, such as Heartbreak Skating Competition (Carrollton, GA), Pajama Jam (Franklin, IN), Southern Slam (Anderson, SC), and The Championship (Cookeville, TN) are examples of existing competitions happening. Jam Skating, like breakdancing in its early evolution, was an almost underground movement fueled by teenagers and skaters in their early 20s. Events were created to allow Jam Skaters to meet, trade moves, and, most importantly, "battle". Battling and performing remain a very important aspect of Jam Skating. This element pushes the boundaries of what is possible to perform while on skates; moreover, it ignites evolution within the skate culture.
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Setapa Setapa is a traditional music dance which originates from Bangwaketse tribe of Kanye village and surrounding areas in Botswana, such as Sesung, Selokolela and Molapo wa Basadi villages. Setapa traditional dance was started by Bangwaketse in the past and therefore it is regarded as the dance for the tribe. Setapa involves a group of people stamping in to the ground with their feet to the song played or sung by the choir or the group. The word is derived from the Tswana word "Go tapa-tapa", which means to step into the ground continuously. Setapa troupes involves an equal mix of both men and women dressed up with the skin of animals. The dance troupes wear brown shells in their feet which gives out a perfect sound as they dance and the males usually carry on whistles and heifer horns to produce sound from the stream of air or as they blow into them.