Which book, being the first of three volumes of the epic novel "The Lord of the Rings", is where the Old Forest makes its first and main appearance?
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Old Forest In J. R. R. Tolkien’s fictional universe of Middle-earth, the Old Forest was a daunting and ancient woodland just beyond the eastern borders of the Shire. Its first and main appearance in print was in "The Fellowship of the Ring", especially in chapter VI, which is itself titled "The Old Forest".
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The Fellowship of the Ring The Fellowship of the Ring is the first of three volumes of the epic novel "The Lord of the Rings" by the English author J. R. R. Tolkien. It is followed by "The Two Towers" and "The Return of the King". It takes place in the fictional universe of Middle-earth. It was originally published on 29 July 1954 in the United Kingdom. The volume consists of a prologue titled "Concerning Hobbits, and other matters" followed by Book I and Book II.
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Gothmog (The First Age) Gothmog is a fictional character in J. R. R. Tolkien's Middle-earth legendarium. He appears in "The Silmarillion". Gothmog is a servant of Melkor (I.e. Morgoth) and leads or participates in many of his invasions throughout Arda. Though extremely formidable, Gothmog would meet his end at hands of Elf lord Ecthelion during the surprise attack on the hidden city of Gondolin.
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Álfheimr Alfheim (Old Norse: "Álfheimr" , "Land Of The Elves" or "Elfland"), also called Ljosalfheim ("Ljósálf[a]heimr", "home of the light-elves"), is one of the Nine Worlds and home of the Light Elves in Norse mythology.
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The Two Towers The Two Towers is the second volume of J. R. R. Tolkien's high fantasy novel "The Lord of the Rings". It is preceded by "The Fellowship of the Ring" and followed by "The Return of the King".
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The Romance of the Forest The Romance of the Forest is a Gothic novel by Ann Radcliffe that was first published in 1791. It combines an air of mystery and suspense with an examination of the tension between hedonism and morality. The novel was her first major, popular success, going through four editions in its first three years. Furthermore, "this novel also established her reputation as the first among her era's writers of romance. There is surprisingly little essential difference in characterization, Gothic décor, or plot outline to distinguish this novel from its predecessors. Its superior merit lies in the expansive and subtle use which the author makes of these elements so that the characters are relatively well realized, the Gothic décor is blended into the sensibility of the reader rather than imposed upon it, and the plot is an intricate and often dramatic series of congruent incidents and living tableaux, not a congeries of barely related and stillborn scenes and surprises.” Most critics who have given any attention to Mrs. Radcliffe as a novelist have decided that she is important chiefly for her use of the supernatural, and for her emphasis upon landscape. Her use of the supernatural and emphasis upon landscape can clearly be seen throughout this novel. We see the aforementioned when confronted with the principal character in the novel, Adeline. She is a "highly-interesting character, whom the writer conducts through a series of alarming situations, and hair-breadth escapes, in which she has skillfully contrived to hold the reader’s curiosity continually in suspense, and at the same time to keep their feelings in a state of perpetual agitation.”
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The Lord of the Rings: A Reader's Companion The Lord of the Rings: A Reader's Companion (2005) is a nonfiction book written by scholars Wayne G. Hammond and Christina Scull. It is an annotated reference to J. R. R. Tolkien's "The Lord of the Rings". Hammond and Scull proceed chapter-by-chapter from the original foreword through to the end of "The Lord of the Rings". Appendices, examining the evolution of the text, changes, inconsistencies, and errors, often using comments from Tolkien's own notes and letters. Other sections cover the numerous maps of Middle-earth, chronologies of the story and its writing, and notes on the book and jacket design of the first editions of 1954-55. The book includes some previously unpublished material by Tolkien. It also reprints part of a 1951 letter in which Tolkien explicates, at some length, his conception and vision of "The Lord of the Rings". Reprinted for the first time since 1980, and corrected and expanded, is Tolkien's "Nomenclature of The Lord of the Rings" (previously referred to as "Guide to the Names in The Lord of the Rings"), an index of persons, places, and things designed to aid the translator in rendering Tolkien's work into foreign languages. It is available in both hardcover and paperback.
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The Sum of All Men The Sum of All Men is the first novel in David Farland's epic fantasy series The Runelords. First published in 1998, the novel has been printed under a number of names, including "The Sum of All Men", "The Runelords", and "The Runelords: The Sum of All Men".
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Angmar Angmar (Sindarin: 'Iron-home'; pronounced ) is a fictional kingdom in J. R. R. Tolkien's continent of Middle-earth, at the north end of the Misty Mountains. It was used by the Lord of the Ringwraiths as a base from which to attack the kingdoms of the Dúnedain in the North, all of which were eventually destroyed. Angmar itself was subsequently destroyed by combined armies of men and elves shortly thereafter.
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Hardang Hardang is a fictional character in J. R. R. Tolkien's Middle-earth legendarium. He is introduced in "The War of the Jewels" as a Chieftain of the Men of Brethil in the First Age.
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The History of The Hobbit The History of The Hobbit is a two-volume study of J. R. R. Tolkien’s "The Hobbit". It was published by HarperCollins in June and July 2007 in the United Kingdom, with both volumes released in the United States by Houghton Mifflin on September 21, 2007; a boxed set combining "The Hobbit" with "The History of" The Hobbit was released on October 26, 2007. A single volume edition was released on October 27, 2011.
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Barnstokkr In Norse mythology, Barnstokkr (Old Norse, literally "child-trunk") is a tree that stands in the center of King Völsung's hall. Barnstokkr is attested in chapters 2 and 3 of the "Völsunga saga", written in the 13th century from earlier tradition, partially based on events from the 5th century and the 6th century, where, during a banquet, a one-eyed stranger appears and thrusts a sword into the tree which only Sigmund is able to pull free. Scholarly theories have been put forth about the implications of Barnstokkr and its relation to other trees in Germanic paganism.
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The Summer Tree The Summer Tree (1984) is the first novel of The Fionavar Tapestry trilogy by Guy Gavriel Kay.
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Huorn The Huorns are fictional creatures from J. R. R. Tolkien's Middle-earth legendarium. They are described as "trees" that can speak to Ents and are capable of locomotion.
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Arda (Tolkien) In J. R. R. Tolkien's legendarium, Arda is the name given to the Earth in an imaginary period of prehistory, wherein the places mentioned in "The Lord of the Rings" and related material once existed. It included several seas and oceans, and the continents of Middle-earth, the Dark Lands, Aman (the Undying Lands), the island of Númenor, and other unknown lands left largely unnamed by Tolkien.
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Myrkviðr In Germanic mythology, Myrkviðr (Old Norse "dark wood" or "black forest") or, as anglicised by William Morris and later adopted by JRR Tolkien, Mirkwood, is the name of several European forests.
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The Hobbit: An Unexpected Journey The Hobbit: An Unexpected Journey is a 2012 epic high fantasy adventure film directed by Peter Jackson. It is the first installment in a three-part film adaptation based on the 1937 novel "The Hobbit" by J. R. R. Tolkien. It is followed by "" (2013) and "" (2014), and together they act as a prequel to Jackson's "The Lord of the Rings" film trilogy. The film's screenplay was written by Peter Jackson, his longtime collaborators Fran Walsh and Philippa Boyens, and Guillermo del Toro, who was originally chosen to direct the film before leaving the project in 2010.
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The Icewind Dale Trilogy The Icewind Dale Trilogy is an epic fantasy trilogy of novels by American writer R.A. Salvatore. The trilogy contains three books: "The Crystal Shard", "Streams of Silver", and "The Halfling's Gem" and tells the tale of ranger Drizzt Do'Urden the drow (or dark elf), Wulfgar the barbarian warrior, Regis the halfling, dwarf king Bruenor, and Bruenor's adopted human daughter Catti-brie. It is the first of Salvatore's "Forgotten Realms" novels, describing the events that created some of the best-known characters in that world. The final book of this series, "The Halfling's Gem", appeared in the New York Times Best seller list.
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Middle-earth Middle-earth is the fictional setting of much of British writer J. R. R. Tolkien's legendarium.
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Dunharrow Dunharrow is a fictional place from J. R. R. Tolkien's Middle-earth legendarium. Aldor established it as a refuge of the Rohirrim hidden in the White Mountains and fortified against attack. Dunharrow had been used as a refuge by the Middle Men of the White Mountains during the Second Age — many millennia before Rohan.
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The Book of Lost Things The Book of Lost Things is a fantasy novel by John Connolly. The book follows David, a twelve-year-old boy who struggles with his mother's death and his father's remarriage. When a World War II bomber plane crashes into his garden, he finds himself in the fantasy world of his books; he must find the King, who can return him to his home. The novel takes a fresh look at traditional fairy tales, following a child's journey into adulthood.
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Barrow-wight Barrow-wights are wraith-like creatures in J. R. R. Tolkien's world of Middle-earth, based on Old Norse beliefs such as Draugr or vǣttr (wights). "Barrow" refers to the burial mounds they inhabited and "wight" is a Middle English word for "living being" or "creature", especially "human being". It does not necessarily mean "spirit" or "ghost"; it is cognate to modern German "Wicht", meaning small mythical creatures (also "Wichtelmännchen"). Tolkien borrowed this concept from Norse mythology, see e.g. "Waking of Angantyr" and "Hrómundar saga Gripssonar". The name "Barrow-wight" itself was first recorded in 1869 in the Eiríkr Magnússon and William Morris translation of "Grettis saga", which features a fight with such a creature. In Norway, farmers of the 19th century were still concerned about "vetter" (wights) around old viking barrows, when these were first excavated.