The director of the film "Muriel" also directed a film from a screen play by who?
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Muriel (film) Muriel (French: Muriel ou le Temps d'un retour , literally "Muriel, or the Time of a Return") is a 1963 French film directed by Alain Resnais. It was Resnais's third feature film, following "Hiroshima mon amour" (1959) and "L'Année dernière à Marienbad" (1961), and in common with those films it explores the challenge of integrating a remembered or imagined past with the life of the present. It also makes oblique reference to the controversial subject of the Algerian War, which had recently been brought to an end. "Muriel" was Resnais's second collaboration with Jean Cayrol, who had also written the screenplay of "Nuit et brouillard" ("Night and Fog") (1955).
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Last Year at Marienbad L'Année dernière à Marienbad (released in the US as Last Year at Marienbad and in the UK as Last Year in Marienbad) is a 1961 French-Italian film directed by Alain Resnais from a screenplay by Alain Robbe-Grillet.
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Street Corner (1953 film) Street Corner is a 1953 British drama film. It was written by Muriel and Sydney Box and directed by Muriel. It was marketed as Both Sides of the Law in the United States. While not quite a documentary, the film depicts the daily routine of women in the police force from three different angles. It was conceived as a female version of the 1950 film "The Blue Lamp".
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Martha (1964 film) Martha is a 1964 Australian television play. It is a filmed opera directed by Christopher Muir.
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Mid-Channel Mid-Channel is a 1920 American silent drama film based on a play of the same name written by Sir Arthur Wing Pinero. The film was produced and directed by Harry Garson and stars Clara Kimball Young. On Broadway the play starred Ethel Barrymore.
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The Girl from 10th Avenue The Girl from 10th Avenue is a 1935 American drama film directed by Alfred E. Green. The screenplay by Charles Kenyon is based on the 1914 play "Outcast" by Hubert Henry Davies. The film was released in the United Kingdom as Men on Her Mind.
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Joan the Woman Joan the Woman is a 1916 American epic silent drama film directed by Cecil B. DeMille and starring Geraldine Farrar as Joan of Arc. The film premiered on Christmas Day in 1916. This was DeMille's first historical drama. The screenplay is based on Friedrich Schiller's 1801 play "Die Jungfrau von Orelans" ("The Maid of Orleans"). This film was considered to be the "first cinematic spectacle about Joan of Arc."
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Janie (1944 film) Janie is a 1944 film directed by Michael Curtiz based on a 1942 Broadway play by Josephine Bentham and Herschel V. Williams, Jr.
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The Will (1921 film) The Will is a 1921 British silent drama film directed by A. V. Bramble and starring Milton Rosmer, Evangeline Hilliard and Anthony Holles. It was based on the 1914 play "The Will" by J. M. Barrie.
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Gaslight (1958 film) Gaslight is a 1958 TV play broadcast by the Australian Broadcasting Corporation based on the play by Patrick Hamilton. It starred Beverley Dunne.
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Twelfth Night (1986 film) Twelfth Night is a 1986 Australian film based on the play directed by Neil Armfield.
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Maggie Brown Maggie Brown (born 1948) is an American playwright, director and actress.
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Words Upon the Window Pane Words Upon the Window Pane is a 1994 Irish drama film and the directorial debut of Mary McGuckian. The film is based on William Butler Yeats' one-act play of the same name. Pat O'Connor was billed to direct the project but he personally offered McGuckian, who was writing the screenplay at the time, the opportunity to also direct. The film received its US premiere on 10 June 1994 at the Lincoln Center for the Performing Arts as part of the largest retrospective of Irish film ever shown outside Ireland. In September that year, the film was screened at the 51st Venice International Film Festival.
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Tilly of Bloomsbury (1921 film) Tilly of Bloomsbury is a 1921 British silent comedy film directed by Rex Wilson and starring Edna Best, Tom Reynolds, Henry Kendall and Isabel Jeans. It is based on the play "Tilly of Bloomsbury" by Ian Hay, and was the first of three film adaptations.
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Major Barbara (film) Major Barbara is a 1941 British film starring Wendy Hiller and Rex Harrison. The film was produced and directed by Gabriel Pascal and edited by David Lean. It was adapted for the screen by Marjorie Deans and Anatole de Grunwald, based on the 1905 stage play "Major Barbara" by George Bernard Shaw. It was both a critical and financial success.
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The Man Who Loved Redheads The Man Who Loved Redheads is a 1955 British comedy film directed by Harold French and starring Moira Shearer, John Justin and Roland Culver. The film is based on the play "Who is Sylvia?" (1950) by Terence Rattigan, which is reputedly a thinly veiled account of the author's philandering father. The film follows the play fairly closely, its main difference being the turning of Sylvia into a redhead.
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Camille (1917 film) Camille is a 1917 American silent film based on the play adaptation of "La Dame aux Camélias" ("The Lady of the Camellias") by Alexandre Dumas, "fils", first published in French as a novel in 1848 and as a play in 1852. Adapted for the screen by Adrian Johnson, "Camille" was directed by J. Gordon Edwards and starred Theda Bara as Camille and Albert Roscoe as her lover, Armand.
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Agnes of God (film) Agnes of God is a 1985 American mystery drama film directed by Norman Jewison, written by John Pielmeier and based on his play of the same name, and starring Jane Fonda, Anne Bancroft and Meg Tilly, about a novice nun who gives birth and insists that the dead child was the result of a virgin conception. A psychiatrist (Fonda) and the mother superior (Bancroft) of the convent clash during the resulting investigation.
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Summer and Smoke (film) Summer and Smoke is a 1961 American drama film directed by Peter Glenville based on the Tennessee Williams play of the same name. The film starred Laurence Harvey and Geraldine Page with Rita Moreno, Una Merkel, John McIntire, Thomas Gomez, Pamela Tiffin, Malcolm Atterbury, Lee Patrick and Earl Holliman. It was adapted by James Poe and Meade Roberts.The story follows a young reserved girl who meets a doctor who lives on the wild side. They become friends, but the beliefs they hold create difficulties for the relationship.
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Muriel Aked Muriel Aked (9 November 1883– 21 March 1955) was a British film actress. She was born to George Henry Aked and his wife Emma (née Bairstow). She was a student at Liverpool Repertory Theatre for six months but left to do war work. She made her screen debut in 1920 in "A Sister to Assist 'Er". She also appeared in "Can You Hear Me, Mother?", "Public Nuisance No.1", "Royal Eagle", "Fame" and "Don't Rush Me".
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Broadway (1929 film) Broadway is a 1929 film directed by Paul Fejos from the play of the same name by George Abbott and Philip Dunning. It stars Glenn Tryon, Evelyn Brent, Paul Porcasi, Robert Ellis, Merna Kennedy and Thomas E. Jackson.
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Anna Christie (1930 English-language film) Anna Christie is a 1930 Metro-Goldwyn-Mayer Pre-Code drama film adaptation of the 1922 play of the same name by Eugene O'Neill. It was adapted by Frances Marion, produced and directed by Clarence Brown with Paul Bern and Irving Thalberg as co-producers. The cinematography was by William H. Daniels, the art direction by Cedric Gibbons and the costume design by Adrian.