What genre of music that is highly dependent on technological developments does Jenn Vix record?
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Jenn Vix Jenn Vix is an American solo electronic-rock recording artist, songwriter, producer, and recording engineer, who has ventured into other genres including alternative rock, trip hop, darkwave, modern new wave and electro-industrial.
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Electronics in rock music The use of electronic music technology in rock music coincided with the practical availability of electronic musical instruments and the genre's emergence as a distinct style. Rock music has been highly dependent on technological developments, particularly the invention and refinement of the synthesizer, the development of the MIDI digital format and computer technology.
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John Foxx and the Maths John Foxx and the Maths is a musical project featuring electronic music pioneers John Foxx and Benge. The duo were initially a studio based project working from Benge's studio in Shoreditch, London but have also engaged in live work.
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British pop music British pop music is popular music, produced commercially in the United Kingdom. It emerged in the mid-to late 1950s as a softer alternative to rock 'n' roll and later to rock music. Like American pop music it has a focus on commercial recording, often orientated towards a youth market, as well as that of the Singles Chart usually through the medium of relatively short and simple love songs. While these basic elements of the genre have remained fairly constant, pop music has absorbed influences from most other forms of popular music, particularly borrowing from the development of rock music, and utilising key technological innovations to produce new variations on existing themes. From the British Invasion of the 1960s, led by The Beatles, British pop music has alternated between acts and genres with national appeal and those with international success that have had a considerable impact on the development of the wider genre and on popular music in general.
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Immersive virtual musical instrument An immersive virtual musical instrument, or immersive virtual environment for music and sound, represents sound processes and their parameters as 3D entities of a virtual reality so that they can be perceived not only through auditory feedback but also visually in 3D and possibly through tactile as well as haptic feedback, using 3D interface metaphors consisting of interaction techniques such as navigation, selection and manipulation (NSM). It builds on the trend in electronic musical instruments to develop new ways to control sound and perform music such as explored in conferences like NIME.
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Quetzatl Esiris Kayab Lyons, also known as Quetzatl, is an American electronic musician and record producer. His music has charted extensively on College Radio Top Tens and is featured in Independent Films, Documentaries, and Television Programs. Relying heavily upon improvisation and taking an avant-garde approach, his music has been described as "an alien blend of disrupted electro and bleep led techno". His drum and bass recordings have been cited as "original and authentic" as well as "otherworldy". For Quetzatl releases such as "Meta Tek", visual counterparts have been produced.
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Big beat Big beat is an electronic music genre that usually uses heavy breakbeats and synthesizer-generated loops and patterns - common to acid house/techno. The term has been used since the mid-1990s by the British music press to describe music by artists such as The Prodigy, The Chemical Brothers, Fatboy Slim, The Crystal Method, Propellerheads, Cut La Roc, Basement Jaxx and Groove Armada.
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AeTopus AeTopus is a progressive Electronic music project performed and produced by composer Bryan Tewell Hughes. The music has received critical acclaim within the new-age and electronic music genres, and the album "Between Empires" won the award of Best Electronic album in the 2012 Zone Music Reporter Awards. The album "Tempula" was nominated in the Best Electronic category in the 2006 NAR Lifestyle Music Awards.
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Industrial techno Industrial techno is a subgenre of techno and industrial dance music that originated from United Kingdom in the 1990s. Characteristically, it incorporates influences from the bleak, noisy sound and aesthetics of early industrial music acts, particularly Cabaret Voltaire and Throbbing Gristle. American industrial music label Wax Trax! also had a profound influence over the genre's development. The genre has seen a resurgence in the 2010s, spearheaded by acts such as Blawan and Karenn. As a result, it has gained a significant fanbase from the post-dubstep audience.
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Experimental rock Experimental rock (or avant-rock) is a subgenre of rock music which pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics (or instrumentals), unorthodox structures and rhythms, and an underlying rejection of commercial aspirations.
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Synth-pop Synth-pop (short for synthesizer pop; also called techno-pop) is a subgenre of new wave music that first became prominent in the late 1970s, reached its heyday in the 1980s, and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the "Krautrock" of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s.
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Progressive music (disambiguation) Progressive music is a type of music that experiments with alternative routes. It may also refer to:
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Hyperbits Hyperbits is an electronic dance music producer based out of New York City. Billboard.com was quick to rank Hyperbits in the top 10 of their "Next Big Sound" charts in 2013. Having since signed singles and remixes with Armada, Island Def Jam and Ultra, Hyperbits has received support from some of the biggest DJs in the world. As a classically trained musician, Hyperbits energetically and melodically fuses together big room, progressive house, electro & trance, using choice of DAW: Logic Pro. Hyperbits primarily uses digital synths such as Lennar Digital Sylenth1, Spectrasonics Omnisphere & Trilian, ReFX Nexus2, Synapsis Dune, FAW Circle, and commercial audio plugins by Sound Toys, Izotope, Waves, Brainworx, URS, Fab Filter, Vengeance, Audio Damage, Cytomic, DMG audio, Sonalksis, and many more.
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Indonesian popular music recordings Recorded music is a reflection of modern Indonesian history and culture—specifically class consciousness, economics and post-colonial identity. Since the early 1970s, the production, marketing and distribution of recorded media, particularly popular music cassettes and VCDs, in Indonesia have evolved in tandem with the archipelago's ongoing integration of tradition and modernity.
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New musicology New musicology is a wide body of musicology since the 1980s with a focus upon the cultural study, aesthetics, criticism, and hermeneutics of music. It began in part a reaction against the traditional positivist musicology (focused on primary research) of the early 20th century and postwar era. Many of the procedures of new musicology are now (2016) considered standard, although the name more often refers to the historical turn rather than to any single set of ideas or principles. Indeed, although it was notably influenced by feminism, gender studies, queer theory, postcolonial studies, and critical theory, new musicology has primarily been characterized by a wide-ranging eclecticism.
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High modernism High modernism (also known as "high modernity") is a form of modernity, characterized by an unfaltering confidence in science and technology as means to reorder the social and natural world. The high modernist movement was particularly prevalent during the Cold War, especially in the late 1950s and 1960s.
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Albhy Galuten Albhy Galuten (born December 27, 1947) is an American technology executive and futurist, Grammy Award-winning record producer, composer, musician, orchestrator and conductor. He has numerous inventions and has produced 18 number 1 singles with songs and albums selling over 100,000,000 copies. He has won two Grammy Awards, a Dramalogue award and a BMI award. He also teamed up with Barry Gibb and Karl Richardson under the name Gibb-Galuten-Richardson.
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Downtempo Downtempo (sometimes called "trip hop") is a genre of electronic music similar to ambient, but with a greater emphasis on rhythm, and is not as "earthy" as trip hop.
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Programming (music) Programming is a form of music production and performance using electronic devices, such as sequencers, to generate sounds of musical instruments. Programming is used in nearly all forms of electronic music and in most hip hop music since the 1990s. It is also frequently used in modern pop and rap rock music from various regions of the world, and sometimes in jazz and contemporary classical music. In the 21st century, programming has been incorporated into various styles of screamo and metalcore music known as crunkcore and electronicore respectively.
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Tech house Tech house is a subgenre of house music that mixes elements of techno with house. The term "tech house" developed as a shorthand record store name for a category of electronic dance music that combined musical aspects of techno, such as "rugged basslines" and "steely beats," with the harmonies and grooves of progressive house. The music originally had a clean and minimal production style that was associated with techno from Detroit and the UK.
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The Young Punx The Young Punx are an English-based electronic dance music group whose eclectic and energetic style encompasses french house, breakbeat and drum and bass, mashed up with elements as diverse as 1980s pop music, hard rock, disco and glam rock.
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Tech trance Tech trance, also known as techno-trance or techno/trance, is a subgenre within electronic music that draws upon the techno and trance genres as the name suggests.