"Peter und Ännchen" premiered on 29 September 1809 in the theatre of the Ludwigsburg Palace, Franz Carl Hiemer had written the libretti for who, which was a German composer, conductor, pianist, guitarist and critic, and was one of the first significant composers of the Romantic school?
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Peter und Ännchen "Peter und Ännchen" premiered on 29 September 1809 in the theatre of the Ludwigsburg Palace near Stuttgart. The opera was popular in Germany in its day and a version of the score for voice and piano was published by Breitkopf & Härtel. It was also performed in Paris in 1810 as "Pierre et Annette". Franz Carl Hiemer had written the libretto for Abeille's first opera, "Amor und Psyche" (1800) as well as the libretti for Carl Maria von Weber's operas "Silvana" and "Abu Hassan".
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Carl Maria von Weber Carl Maria Friedrich Ernst von Weber (18 or 19 November 1786 5 June 1826) was a German composer, conductor, pianist, guitarist and critic, and was one of the first significant composers of the Romantic school.
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Robert Schumann Robert Schumann (8 June 181029 July 1856) was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.
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Joseph Graetz Joseph Graetz (2 December 1760 - 17 July 1826) was a German composer, organist, and music educator. In 1790 two of his stage works premiered: the operetta "Das Gespenst mit der Trommel" and the opera "Adelheid von Veltheim". His notable students included Kaspar Ett, Peter Josef von Lindpaintner, and Eduard Rottmanner.
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Max Reger Johann Baptist Joseph Maximilian Reger (19 March 187311 May 1916), commonly known as Max Reger, was a German composer, pianist, organist, conductor, and academic teacher. He worked as a concert pianist, as a musical director at the Leipzig University Church, as a professor at the Royal Conservatory in Leipzig, and as a music director at the court of Duke Georg II of Saxe-Meiningen.
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Johann Andreas Streicher Johann Andreas Streicher (13 December 1761 in Stuttgart – 25 May 1833 in Vienna) was a German pianist, composer and piano maker. In 1793 he married Nannette Streicher (1769–1833), another piano maker and the daughter of Augsburg piano maker Johann Andreas Stein. In 1794 they moved to Vienna. From that time Streicher worked as a piano teacher and became increasingly known for his compositions. The Streicher piano-making business provided at least one fortepiano to Beethoven in his early years, of which the composer was fond, writing that it was "too good for me ... because it robs me of the freedom to produce my own tone".
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Georg Matthias Monn Georg Matthias Monn (born "Johann Georg Mann" April 9, 1717, Vienna – October 3, 1750, Vienna) was an Austrian composer, organist and music teacher whose works were fashioned in the transition from the Baroque to Classical period in music.
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Adolf Bernhard Marx Friedrich Heinrich Adolf Bernhard Marx (15 March 1795, Halle – 17 May 1866, Berlin) was a German composer, musical theorist and critic.
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Ferdinand Beyer Ferdinand Beyer (Querfurt, 25 July 1803 – Mainz, 14 May 1863) was a German composer and Pianist. Well known in his day for his light music and piano arrangements of popular orchestral works, he is now mainly known for his book "Vorschule im Klavierspiel" (Beginning Piano School or Elementary Instruction Book for the Piano) op.101 (1851).
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Károly Thern Károly (Carl) Thern (13 August 1817 – 13 April 1886) was a Hungarian composer, pianist, conductor and arranger. He was of German descent, but was among the second generation of composers who developed the language of Hungarian art music.
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Johann Bernhard Vermehren Johann Bernhard Vermehren (6 June 1777 in Lübeck – 29 November 1803 in Jena) was an early Romantic poet and scholar.
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Wilhelm Taubert Carl Gottfried Wilhelm Taubert (Berlin, 23 March 1811 – Berlin, 7 January 1891) was a German pianist, composer, and conductor, father of philologist and writer Emil Taubert.
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Helmina von Chézy Helmina von Chézy (26 January 178328 February 1856), née Wilhelmine Christiane von Klencke, was a German journalist, poet and playwright. She is known for writing the libretto for Carl Maria von Weber's opera "Euryanthe" (1823) and the play "Rosamunde", for which Franz Schubert composed incidental music.
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Adolphe Gutmann Adolphe Gutmann (originally Wilhelm Adolf Gutmann) (12 January 1819 – 22 October 1882) was a German pianist and composer who was a pupil and friend of Frédéric Chopin.
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Franz Bornschein Franz Carl Bornschein (February 10, 1879 – June 8, 1948) was an American composer, teacher, and music critic. Born in Baltimore, Maryland, he studied at the Peabody Conservatory of Music, later becoming a professor there. He also served for a time as the music critic of the "Baltimore Evening Sun". His wife, Hazel Knox, was a singer who taught at Peabody. Much of Bornschein's output is orchestral, including a number of suites as well as a violin concerto; he also wrote a good deal of chamber music, some songs, and some works for choir which won a handful of prizes. In larger forms, he wrote cantatas, oratorios, and operettas.
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Friedrich Koch Friedrich Ernst Koch (3 July 186230 January 1927) was a German composer, cellist and teacher. He was born in Berlin and studied cello with Robert Hausmann and composition with Woldemar Bargiel at the Berlin Hochschule für Musik. He served as a cellist in the Royal Orchestra of Berlin between 1882 and 1891, after which he accepted a position of music director (Kapellmeister) for the resort town of Baden-Baden. A year later, he returned to Berlin, where he concentrated on composing and teaching, eventually becoming a professor and director of theory at the Musikhochschule where he had studied. Kurt Weill, Pablo Sorozábal, Boris Blacher and Paul Kletzki were among his many students.
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Gustav Mahler Gustav Mahler (] ; 7 July 1860, Kaliště, Bohemia, now Czech Republic – 18 May 1911, Vienna, Austria-Hungary) was an Austrian late-Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.
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Carl Baermann Carl Baermann (24 October 1810 – 23 May 1885) was a clarinetist and composer from Munich, Germany.
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Georg Joseph Vogler Georg Joseph Vogler, also known as Abbé Vogler (June 15, 1749 – May 6, 1814), was a German composer, organist, teacher and theorist. In a long and colorful career extending over many more nations and decades than was usual at the time, Vogler established himself as a foremost experimenter in baroque and early classic music. His greatest successes came as performer and designer for the organ at various courts and cities around Europe, as well as a teacher, attracting highly successful and devoted pupils such as Carl Maria von Weber. His career as a music theorist and composer however was mixed, with contemporaries such as Mozart believing Vogler to have been a charlatan. Despite his mixed reception in his own life, his highly-original contributions in many areas of music (particularly musicology and organ theory) and influence on his pupils endured, and combined with his eccentric and adventurous career, prompted one historian to summarize Vogler as "one of the most bizarre characters in the history of music".
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Felix Draeseke Felix August Bernhard Draeseke (7 October 1835 – 26 February 1913) was a composer of the "New German School" admiring Liszt and Richard Wagner. He wrote compositions in most forms including eight operas and stage works, four symphonies, and much vocal and chamber music.
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Ludwig Wenzel Lachnith Ludwig Wenzel Lachnith (Prague, July 7, 1746 – Paris, October 3, 1820) was a Bohemian horn player and versatile composer influenced by Joseph Haydn and Ignaz Pleyel. Today he is chiefly remembered because of his adaptions of operas by Wolfgang Amadeus Mozart. The French composer and writer Hector Berlioz immortalized him in a diatribe in his autobiography.
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Ferdinand Pelzer Ferdinand Pelzer (1801–1860) was a German music teacher, guitarist and composer.