Tosca is an Opera seria by who?
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Tosca Tosca (] ) is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, "La Tosca", is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's invasion of Italy. It contains depictions of torture, murder and suicide, as well as some of Puccini's best-known lyrical arias.
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Opera seria Opera seria (] ; plural: "opere serie"; usually called "dramma per musica" or "melodramma serio") is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to c. 1770. The term itself was rarely used at the time and only attained common usage once "opera seria" was becoming unfashionable and beginning to be viewed as a historical genre. The popular rival to "opera seria" was "opera buffa," the 'comic' opera that took its cue from the improvisatory commedia dell'arte.
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Tamerlano Tamerlano ("Tamerlane", HWV 18) is an opera seria in three acts written for the Royal Academy of Music theatre company, with music by George Frideric Handel to an Italian text by Nicola Francesco Haym, adapted from Agostin Piovene's "Tamerlano" together with another libretto entitled "Bajazet" after Nicolas Pradon's "Tamerlan, ou La Mort de Bajazet".
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Servilia (opera) Servilia (Russian: Сервилия , "Serviliya", the name of a main character), is an opera in five acts by Nikolai Rimsky-Korsakov. The work was completed in 1901, and was first performed in 1902 in St. Petersburg, Russia. The composer wrote the libretto, which is based on the drama by Lev Alexandrovich Mey. The story is set in Ancient Rome during Nero's reign.
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Origins of opera The art form known as "opera" originated in Italy in the sixteenth and seventeenth centuries, though it drew upon older traditions of medieval and Renaissance courtly entertainment. The word "opera", meaning "work" in Italian, was first used in the modern musical and theatrical sense in 1639 and soon spread to the other European languages. The earliest operas were modest productions compared to other Renaissance forms of sung drama, but they soon became more lavish and took on the spectacular stagings of the earlier genre known as intermedio.
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Arianna (Marcello) Arianna (concert performance Venice, 1727, first fully staged performance Venice, 1913) is an opera by the Venetian nobleman composer Benedetto Marcello to a libretto by Vincenzo Cassani, with contributions by Pietro Pariati. The opera was recorded under Filippo Maria Bressan in 2000.
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Artaserse (Hasse) Artaserse is an opera ("dramma per musica") in three acts composed by Johann Adolph Hasse to an Italian libretto adapted from that by Metastasio by Giovanni Boldini. It premiered at the Teatro di San Giovanni Grisostomo in Venice on 11 February 1730, shortly after the libretto's first setting by Leonardo Vinci premiered in Rome 6 days earlier. Metastasio's libretto, "Artaserse", has been used in more than 90 works. Hasse himself would later re-work the score for performances at the Opernhaus am Zwinger in Dresden (1740) and the Teatro di San Carlo in Naples (1760).
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Idomeneo Idomeneo, re di Creta ossia Ilia e Idamante (Italian for "Idomeneus, King of Crete, or, Ilia and Idamante"; usually referred to simply as Idomeneo, K. 366) is an Italian language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, which had been set to music by André Campra as "Idoménée" in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it might have been Mozart. The work premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany.
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Elvira Casazza Elvira Casazza (15 November 1887 – 24 January 1965) was an Italian mezzo-soprano opera singer (also known as Elvira Mari-Casazza). One of Toscanini's favourite singers, she was considered an outstanding interpreter of Mistress Quickly in Verdi's "Falstaff" during the 1920s and created several roles in Italian operas of the early 20th century.
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Victorien Sardou Victorien Sardou (5 September 1831 – 8 November 1908) was a French dramatist. He is best remembered today for his development, along with Eugène Scribe, of the well-made play. He also wrote several plays that were made into popular 19th-century operas such as "La Tosca" (1887) on which Giacomo Puccini's opera "Tosca" (1900) is based, and "Fedora" by Umberto Giordano, a work that popularized the fedora hat as well.
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Francesco Manelli Francesco Manelli (Mannelli) (13 September 1594 – July 1667) was a Roman Baroque composer, particularly of opera; and theorbo player. He is most well known for his collaboration with fellow Roman composer Benedetto Ferrari in bringing commercial opera to Venice. The first two works, in 1637 and 1638, to be put on commercially in the Teatro San Cassiano were both by Manelli - his "L'Andromeda" and "La Maga Fulminata".
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Demofonte Demofonte (also "Demofoonte"; "Il Demofoonte"; "Demofoonte, ré di Tracia" [King of Thrace]; "Démophon"; "Demophontes"; or "Dirce, L'usurpatore innocente" ["Dirce, The Innocent Usurper") is an opera seria libretto by Metastasio. The libretto was first set by Antonio Caldara in 1733, but remained popular throughout the eighteenth century and was set over seventy times.
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Ezio (libretto) Ezio is an opera libretto by Metastasio, first officially set to music by Pietro Auletta and premièred in the Teatro delle Dame, Rome, on December 26, 1728; an unauthorized setting by Nicola Porpora had already been premièred a month earlier (November 20) in Venice.
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Giovanni Consolini Giovanni Consolini (1808–1906) was an Italian composer. His opera "Il conte di Salto" successfully premiered at the Teatro Chiabrera in Savona on 21 January 1894. He was also known for his opera "La finta pazza".
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Tutti in maschera Tutti in maschera (Everyone in Disguise) is an opera (called a "commedia lirica") by Carlo Pedrotti. The libretto is by Marco Marcelliano Marcello, based on the 1759 comedy "L'impresario delle Smirne" by Carlo Goldoni. It was premiered at the Teatro Nuovo, Verona, on 4 November 1856.
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Antigona Antigona ("Antigone") is an opera in three acts in Italian by the composer Tommaso Traetta. The libretto, by Marco Coltellini, is based on the tragedy "Antigone" by Sophocles. But there is also an opera "Antigona" by Josef Mysliveček.
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Adelina (opera) Adelina is an opera farsa (described as a ‘medodramma sentimentale’) in one act, by the Italian composer Pietro Generali with words by Gaetano Rossi. It was first performed at the Teatro San Moisè in Venice on either 15 or 16 September 1810. It premiered just before the first of Rossini's farse at the same theatre.
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La Cleopatra La Cleopatra (1789) is an opera seria in two acts by composer Domenico Cimarosa with an Italian libretto by F. Moretti.
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La Fenice Teatro La Fenice (] , "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre", and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major "bel canto" era composers—Rossini, Bellini, Donizetti, and Verdi were performed.
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Teseo Teseo ("Theseus", HWV 9; ] ) is an opera seria with music by George Frideric Handel, the only Handel opera that is in five acts. The Italian-language libretto was by Nicola Francesco Haym, after Philippe Quinault's "Thésée". It was Handel's third London opera, intended to follow the success of "Rinaldo" after the unpopular "Il pastor fido".
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Antonio Smareglia Antonio Smareglia (5 May 1854 – 15 April 1929) was an Italian opera composer.
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Giampaolo Zennaro Giampaolo Zennaro (born October 19, c. 1940) is an Italian Opera director and stage designer.