Who commissioned the 1919 ballet written by the creator of the role of the Can-Can Dancer in "La Boutique fantasque"?
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The Three-Cornered Hat El sombrero de tres picos ("The Three-Cornered Hat" or "Le tricorne") is a ballet choreographed by Léonide Massine to music by Manuel de Falla, commissioned by Sergei Diaghilev and premiered complete in 1919. It is not only a ballet with Spanish setting but one that also employs the techniques of Spanish dance (adapted and somewhat simplified) instead of classical ballet.
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Léonide Massine Leonid Fyodorovich Myasin (Russian: Леони́д Фёдорович Мя́син ), better known in the West by the French transliteration as Léonide Massine (9 August [O.S. 28 July] 1896 15 March 1979), was a Russian choreographer and ballet dancer. Massine created the world's first symphonic ballet, "Les Présages", and many others in the same vein. Besides his "symphonic ballets," Massine choreographed many other popular works during his long career, some of which were serious and dramatic, and others lighthearted and romantic. He created some of his most famous roles in his own comic works, among them the Can-Can Dancer in "La Boutique fantasque" (1919), the Hussar in "Le Beau Danube" (1924), and, perhaps best known of all, the Peruvian in "Gaîté Parisienne" (1938).
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William Chappell (dancer) William Chappell (27 September 19071 January 1994) was a British dancer, ballet designer and director. He is most noted for his designs for more than 40 ballets or revues, including many of the early works of Sir Frederick Ashton and Dame Ninette de Valois.
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François Malkovsky François Malkovsky (1889–1982) was a French choreographer.
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Rigolboche (film) Rigolboche is a 1936 French historical musical film directed by Christian-Jaque and starring Mistinguett, André Lefaur and Jules Berry. It portrays a fictionalized version of the life of Rigolboche, the dancer who made the Can-can famous.
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Walter Gore Walter Gore (8 October 1910 – 16 April 1979) was a British ballet dancer and choreographer.
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The Four Seasons (ballet) The Four Seasons is a ballet made by New York City Ballet ballet master Jerome Robbins to excerpts from Giuseppe Verdi's "I Vespri Siciliani" (1855), "I Lombardi" (1843), and "Il Trovatore" (1853). The premiere took place on 18 January 1979 at the New York State Theater, Lincoln Center, with scenery and costumes by Santo Loquasto and lighting by Jennifer Tipton.
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Douglas Becker Douglas Becker is a choreographer and teacher working in many idioms, including ballet, contemporary dance, and improvisation throughout Europe and the United States. A founding member and principal dancer of the Frankfurt Ballet under the direction of acclaimed choreographer William Forsythe, he played a pivotal role in the creation of many of the choreographer’s early signature pieces and is one of a number of individuals around the world with the authority to remount his repertory. In the making of his own creations, Becker's choreography has been hailed as "innovative and energetic, very graphic and with purity of movement" (Swiss newspaper "24 Heures") and praised for its "delicate, intricate partnering and fleet movements" (The New York Times). Becker's collaborative process of choreographic development improvises upon and utilizes dancers' individual talents and characteristics.
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Swan Lake (Martins) Swan Lake is a two-act ballet made by New York City Ballet (NYCB) ballet master in chief Peter Martins (after Marius Petipa, Lev Ivanov, and George Balanchine) to Tschaikovsky's eponymous music (1875–56). The premiere took place 27 October 1996, with the Royal Danish Ballet at the Royal Theatre, Copenhagen; the NYCB premiere was 29 April 1999 at the New York State Theater, Lincoln Center. Peter Martins' wife, NYCB principal dancer Darci Kistler, chose to include the final act of "Swan Lake" in her farewell performance, Sunday, 27 June.
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Dances at a Gathering Dances at a Gathering is a ballet made by New York City Ballet ballet master Jerome Robbins to the music of Frédéric Chopin:
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The Firebird The Firebird (French: "L'Oiseau de feu" ; Russian: Жар-птица , "Zhar-ptitsa") is a ballet by the Russian composer Igor Stravinsky, written for the 1910 Paris season of Sergei Diaghilev's Ballets Russes, with choreography by Michel Fokine. The scenario by Alexandre Benois and Fokine is based on Russian fairy tales of the magical glowing bird that can be both a blessing and a curse to its owner. Premiered in Paris on 25 June 1910, the work was an instant success with both audience and critics.
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Paul (dancer) Antoine Paul (21 December 1798, Marseille - November 1871, Anet) known as Paul, was a French ballet dancer. After dancing in Lyon and Bordeaux, Paul débuted at the Opéra de Paris in 1820 and quickly became one of the public's favourite premiers danseurs. Nicknamed "l'Aérien" due to his technical qualities, August Bournonville stated "Paul's superiority is his lightness, elasticity, speed, softness and precision. He knows how to combine daring and natural grace." He regularly performed in London, with partners including his sister Madame Montessu and Madame Anatole, as well as at Naples, where he was praised by Stendhal. He retired from the stage in 1831.
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Balanchine technique Balanchine technique is the ballet performance style invented by dancer, choreographer, and teacher George Balanchine (1904-1983), and a trademark of the George Balanchine Foundation. It is used widely used today in many of Balanchine's choreographic works. It is employed by ballet companies and taught in schools throughout North America, including the New York City Ballet and School of American Ballet, where it first emerged.
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Carlo Blasis Carlo Blasis (4 November 1797 – 15 January 1878) was an Italian dancer, choreographer and dance theoretician. He is well known for his very rigorous dance classes, sometimes lasting four hours long. Blasis insisted that his students learn theories and definitions of dance steps. He trained all of Enrico Cecchetti's teachers and it is thought that Blasis's influence in his training is what led Cecchetti to create the Cecchetti method of ballet.
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Carlotta Grisi Carlotta Grisi (born Caronne Adele Josephine Marie Grisi; 28 June 1819 – 20 May 1899) was an Italian ballet dancer. Born in Visinada, Istria (present-day Vižinada, Croatia), she was trained at the ballet school of Teatro alla Scala in Milan and later with dancer/balletmaster Jules Perrot. She was especially noted for her performance in the classic role of "Giselle".
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Frances Wessells Frances Wessells (born August 18, 1919) is an American dancer, choreographer, and Associate Professor "Emerita" and founder of the dance department at Virginia Commonwealth University (VCU). She helped form the department of dance at VCU and is still teaching and dancing professionally in her late nineties.
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Elite Syncopations "Elite Syncopations" is a 1902 ragtime piano composition by American composer Scott Joplin, originally published in 1903 by John Stark & Son. One of his more popular works, it is one of a handful of Joplin's rags for which he recorded a piano roll. The cover of the original sheet music prominently features a well-dressed man and lady sitting on a treble staff, looking down upon a cherub clutching a cymbal in each hand, which reflects plainly the title of the piece. In 1974, the British Royal Ballet, under director Kenneth MacMillan, created the ballet "Elite Syncopations" based on tunes by Joplin and other composers of the era.
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Valerie Bettis Valerie Elizabeth Bettis (December 1919 – 26 September 1982) was an American modern dancer and choreographer. She found success in musical theatre, ballet, and as a solo dancer.
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Can-can The can-can (or cancan as in the original French; ] ) is a high-energy, physically demanding dance which became a popular music hall dance in the 1840s, continuing in popularity in French cabaret to this day. Originally danced by both sexes, it is now traditionally associated with a chorus line of female dancers. The main features of the dance are the high kicks, splits and cartwheels. The "Infernal Galop" from Jacques Offenbach's "Orpheus in the Underworld" is the tune most associated with the can-can.
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Balanchine method Balanchine method is a commonly used alternative name for Balanchine technique, a ballet performance style invented by George Balanchine (1904-1983) during his long career as a dancer, choreographer, and teacher. Balanchine had talked about documenting his technique but never accomplished this goal. After his death, the George Balanchine Foundation was formed to preserve his technique and choreographic works.
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Gower Champion Gower Carlyle Champion (June 22, 1919 – August 25, 1980) was an American actor, theatre director, choreographer, and dancer.
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The Prince of the Pagodas The Prince of the Pagodas is a ballet created for The Royal Ballet in 1957, by choreographer John Cranko, with music commissioned from Benjamin Britten. The ballet was later revived in a new production by Kenneth MacMillan in 1989, achieving widespread acclaim for Darcey Bussell's premiere in a principal role. The world premiere of Cranko's original production took place on 1 January 1957, at the Royal Opera House, Covent Garden, London, conducted by the composer. MacMillan's production premiering at the same venue on 7 December 1989. A recording of a slightly cut version of the score was produced with Britten conducting the orchestra of the Royal Opera House.