When did one of Bassive's house's music emerges?
53b08e16c3de13f76ee181f40fdc1471
Bassive Bassive, is a French electronic dance music producer and DJ raised in Dubai, United Arab Emirates. He produces Electro-House, Dutch-House and Progressive-House music.
d9f3ce5dfc1f5cbf48603d1644ce0edd
Progressive house Progressive house is a style (subgenre) of house music. The progressive house style emerged in the early 1990s. It initially developed in the United Kingdom as a natural progression of American and European house music of the late 1980s.
47101a24dc62a8df98e32d95dbdc438f
Diva house Diva house or handbag house is an anthemic subgenre of house music that became most popular in gay clubs during the second half of the 1980s. Handbag house is one of the most mainstream and accessible subgenres of electronic dance music. "The Encyclopedia of Contemporary British Culture" defines handbag house as having "prominent female vocals, breakdowns, and a proliferation of piano 'stabs'." Modern diva house compositions use synth stabs and four on the floor rhythms.
0069f818af0f96a2936ce021759bc8e3
Electro-industrial Electro-industrial is a music genre drawing on EBM and post-industrial that developed in the mid-1980s. While EBM has a minimal structure and clean production, electro-industrial has a deep, complex and layered sound. The style was pioneered by Skinny Puppy, Front Line Assembly, and other groups, either from Canada or the Benelux. In the early 1990s, the style spawned the "dark electro" genre, and in the mid-/late-1990s, the "aggrotech" offshoot. The fan base for the style is linked to the rivethead subculture.
ad6cbbba9c9675340dfcc6fbf3d13474
Tropical house Tropical house, also known as trop house, is a subgenre of deep house, with elements of dancehall and Balearic house. Artists of the genre are often featured at various summer festivals such as Tomorrowland. The genre was popularized by artists including Thomas Jack, Kygo, Matoma, Lost Frequencies, Seeb and Klingande.
ffe86e308b6d8d0a20a7989cae597ea1
Acid house Acid house is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style was defined primarily by the deep basslines and "squelching" sounds of the Roland TB-303 electronic synthesizer-sequencer. Acid house spread to the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes. By the late 1980s, acid house had moved into the British mainstream, where it had some influence on pop and dance styles.
671bf682534b032a784cad9ab3038a49
Funk carioca Funk carioca, favela funk, and in other parts in the world, baile funk, is a music genre from Rio de Janeiro, derived from Miami bass and Gangsta Rap music.
6e7b61c98782a8c959ec96b6466a326d
DJ Marfox DJ Marfox — the stage name of Marlon Silva — is best known for pioneering a new music genre that emerged from the Portuguese capital’s housing estates, referred to as "ghetto sound of Lisbon", "batida" or "batucada", which incorporates African-influenced dance music such as kuduro, kizomba, funaná and tarraxinha with house and techno.
ce2b0e3d1b3ff0507515f2dda9d7a1b8
Musique concrète Musique concrète (] , meaning "concrete music") is a form of musique expérimentale (experimental music ) that exploits acousmatic listening, meaning sound identities can often be intentionally obscured or appear unconnected to their source cause. It can feature sounds derived from recordings of musical instruments, the human voice, and the natural environment as well as those created using synthesizers and computer-based digital signal processing. Compositions in this idiom are not restricted to the normal musical rules of melody, harmony, rhythm, metre, and so on. Originally contrasted with "pure" "elektronische Musik" (based solely on the production and manipulation of electronically produced sounds rather than recorded sounds), the theoretical basis of "musique concrète" as a compositional practice was developed by Pierre Schaeffer, beginning in the early 1940s. From the late 1960s onward, and particularity in France, the term acousmatic music ("musique acousmatique") started to be used in reference to fixed media compositions that utilized both musique concrète based techniques and live sound spatialisation.
df377c6e926ed1c173503866f2b6f8fe
Music of the Democratic Republic of the Congo Music of the Democratic Republic of the Congo varies in its different forms. Outside of Africa, most music from the Democratic Republic of Congo is called "Soukous", which most accurately refers instead to a dance popular in the late 1960s. The term "rumba" or "rock-rumba" is also used generically to refer to Congolese music, though neither is precise nor accurately descriptive.
48d694ad57540552decbc1f0f4b39f14
Soulboy Soulboys (sometimes spelled soul boys) were a working class English youth subculture of the late 1970s and early 1980s, and fans of American soul and funk music. The subculture emerged in North-West England as northern soul event attendees began to take more interest in the modern funk and jazz funk sounds of artists such as Lonnie Liston Smith and Roy Ayers, instead of the obscure 1960s soul records that characterized the northern soul scene.
3536c5738cbe69407eb671c1358597bc
Tech house Tech house is a subgenre of house music that mixes elements of techno with house. The term "tech house" developed as a shorthand record store name for a category of electronic dance music that combined musical aspects of techno, such as "rugged basslines" and "steely beats," with the harmonies and grooves of progressive house. The music originally had a clean and minimal production style that was associated with techno from Detroit and the UK.
62b39bf62454bd7c021dc9bbc77a19d8
Rave music Rave music may either refer to the late 1980s/early 1990s genres of house, breakbeat, acid house, techno and hardcore techno, which were the first genres of music to be played at rave parties, or to any other genre of electronic dance music (EDM) that may be played at a rave. The genre "rave", also known as hardcore by early ravers, first appeared amongst the UK "acid" movement during the late 1980s at warehouse parties and other underground venues, as well as on UK pirate radio stations. The genre would develop into oldschool hardcore, which lead onto newer forms of rave music such as drum and bass and 2-step, as well as other hardcore techno genres, such as gabber, hardstyle and happy hardcore. Rave music is usually presented in a DJ mix set, although live performances are not uncommon.
f14f903f37339d1387dfa15d7b52a74f
The Bassline (club) The Bassline is a popular music venue and club in Johannesburg, South Africa. The original Bassline, established in 1994 in the Melville neighborhood of Johannesburg, closed in 2003, only to reopen in Newtown.
9b1d985177b4455e5de4511db637a507
Bass Down Low "Bass Down Low" is the debut single by American recording artist Dev, written and performed by Dev and The Cataracs. Produced by The Cataracs, the song was released on November 16, 2010, through Universal Republic as the lead single for Dev's debut studio album, "The Night the Sun Came Up" (2011). Initially, the song was made for The Cataracs with Dev as the featured act, but she was made the main artist as they believed it would be a suitable follow-up to Far East Movement's "Like a G6", which Dev and The Cataracs appeared on. British rapper Tinie Tempah was featured on an official remix of "Bass Down Low" that was made for the song's release in the United Kingdom. Musically, "Bass Down Low" is an electro song with skittering synths and the lyrics speak of different forms of debauchery.
0c51a82dfaf40d67deb82aba76ad0e84
Madchester Madchester is a music and cultural scene that developed in the Manchester area of the United Kingdom in the late 1980s, in which artists merged alternative rock with acid house culture and other sources, including psychedelia and 1960s pop. The label was popularised by the British music press in the early 1990s, and included groups such as Happy Mondays, the Stone Roses, Inspiral Carpets, Northside, 808 State, James and The Charlatans, amongst others.
4dc3632d599a8e60d6dbd90cf925f976
Force MDs The Force MDs is an American R&B vocal group that was formed in 1981 in Staten Island, New York. Although the group has old school hip hop roots, it is perhaps best known for two tunes that are widely considered 1980s quiet storm classics, "Tender Love" and "Love is a House". They are considered major forerunners of the new jack swing movement.
62ac0724adff93acb09da4f1bdeb0121
Get Out of the House! "Get Out of the House!" is a song by Australian band, Boom Crash Opera. The song was released in September 1989 as the second single from their second studio album, "These Here Are Crazy Times!" (1989).
5d4cce8f7f7a74814a80694d9aba6bb8
Microhouse Microhouse, buftech or sometimes just minimal, is a subgenre of house music strongly influenced by minimalism and 1990s techno. Microhouse shares some common elements with less intense deep house, notably low pulsating basslines and long-lasting crashes; however, they diverge in tempo and the presence of vocals.
420884e0bdbcd3388e67ff076e3a65b3
Raï'n'B Raï'n'B (written Raï&B and Raï/RnB) is a musical genre that appeared in the 2000s in France, with elements of both French contemporary R&B and Algerian raï.
d475e92ad92d373944825288224a7cb1
Hardstep Hardstep is a subgenre of drum and bass which emerged in 1994. It is characterised by a gritty production style, that has an inner-city feel to it. The breaks are less cut-up sounding rather than oldschool jungle, and have faster and harder simple electronic melodies. One characteristic is an accentuated, yet sparse percussive beat.
5e62c0ee23179d54fd4947f36175b5db
Ziglibithy Ziglibithy is a style of Ivorian popular music that developed in the 1970s. It was the first major genre of music from the Ivory Coast. The first major pioneer of the style was Ernesto Djédjé.