Who wrote the opera that was described as A New Grand Opera Bouffe Feerie, in Four Acts and Nine Tableaux, and was English Folklore?
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Whittington (opera) Whittington is an opera (described in the premiere programme as 'A New Grand Opera Bouffe Feerie, in Four Acts and Nine Tableaux) with music by Jacques Offenbach, based on the legend of "Dick Whittington and His Cat". It was premiered in a spectacular production at the Alhambra Theatre, London, on 26 December 1874. "Whittington" is the only major work of Offenbach to have received its premiere in London, and came between the incidental music for "La Haine" and his third version of "Geneviève de Brabant".
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Dick Whittington and His Cat Dick Whittington and His Cat is the name of English folklore surrounding the real-life Richard Whittington (c. 1354–1423), wealthy merchant and later Lord Mayor of London, telling a story of how he supposedly escaped his poverty-stricken childhood and made his fortune thanks to the ratting abilities of his cat. However, the real Whittington did not come from a poor family of common stock, and there is no compelling evidence supporting the stories about the cat, or even whether he owned one.
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Bluebeard (ballet) Barbe-bleue (en. "Bluebeard") (ru. «Синяя борода», "Sinjaja boroda") is a "ballet-féerie" in three acts and seven scenes, originally choreographed by Marius Petipa to the music of Pyotr Schenk. The libretto was created by the author and dramatist Countess Lydia Pashkova from the fairy tale "Bluebeard" by Charles Perrault. The ballet was first presented by the Imperial Ballet on December 20 [O.S. December 8] 1896 at the Imperial Mariinsky Theatre in St. Petersburg, Russia, the first performance being a benefit in honor of Marius Petipa's fiftieth anniversary in service to the St. Petersburg Imperial Theatres.
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Loreley (opera) Loreley is an opera ("azione romantica") in three acts composed by Alfredo Catalani to a libretto by Angelo Zanardini, Carlo D'Ormeville and others. It premiered on 16 February 1890 at the Teatro Regio in Turin. Based on the German legend of the Lorelei, the opera is an extensive reworking of Catalani's four-act opera "Elda" which had premiered in Turin ten years earlier.
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William Tell (opera) Guillaume Tell (English: William Tell , Italian: Guglielmo Tell ) is a French opera in four acts by Gioachino Rossini to a libretto by Étienne de Jouy and Hippolyte Bis. Based on Friedrich Schiller's play "William Tell," which drew on the William Tell legend, the opera was Rossini's last, although he lived for nearly forty more years. Fabio Luisi said that Rossini planned for "William Tell" to be his last opera even as he composed it. The overture, in four sections and featuring a depiction of a storm as well as a vivacious finale, the "March of the Swiss Soldiers," is often played.
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The Emerald Isle The Emerald Isle; "or, The Caves of Carrig-Cleena", is a two-act comic opera, with music by Arthur Sullivan and Edward German, and a libretto by Basil Hood. The plot concerns the efforts of an Irish patriot to resist the oppressive "re-education" programme of the English, which has robbed the Irish of their cultural heritage. A quirky "Professor of Elocution" who is hired by the English to continue this "re-education" of the Irish switches sides to help the Irish. Romantic complications cause a confrontation between the Irish patriots and the superstitious English at the supposedly haunted caves of Carric-Cleena, and disguises are employed to hold the English off; but the professor ultimately comes up with a solution that works out happily for all.
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William Tell Overture The "William Tell" Overture is the overture to the opera "William Tell" (original French title "Guillaume Tell"), whose music was composed by Gioachino Rossini. "William Tell" premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement, although he continued to compose cantatas, sacred music and secular vocal music. The overture is in four parts, each following without pause.
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Opéra féerie Opéra féerie (plural: "opéras féeries ") is a French genre of opera or opéra-ballet, often with elements of magic in their stories. Popular in the 18th century, from the time of Jean-Philippe Rameau onwards, the form reached its culmination with works such as "La belle au bois dormant" by Michele Carafa and "Cendrillon" by Nicolas Isouard at the beginning of the 19th century.
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Le caïd Le caïd, also spelled Le kaïd ("The Qaid"), is a comic opera ("opéra bouffon " or "opéra bouffe ") in two acts composed by Ambroise Thomas to a libretto by Thomas Sauvage. It was premiered on 3 January 1849 by the Opéra-Comique at the second Salle Favart in Paris. The opera was originally titled Les boudjous (The budjus).
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The English Cat The English Cat (in German, Die englische Katze) is an opera in two acts by Hans Werner Henze to an English libretto by Edward Bond, based on "Les peines de coeur d'une chatte anglaise " ("The heartbreak of an English cat") by Honoré de Balzac. The opera was first performed in a German translation by the Stuttgart Opera at the Schlosstheater Schwetzingen at the Schwetzingen Festival on 2 June 1983. The French premiere was at the Opéra-Comique, Paris in 1984. The first performance using the original English text was at Santa Fe on 13 July 1985. The UK premiere was at the Leith Theatre, Edinburgh, on 19 August 1987. A revised version was performed at Montepulciano in 1990 and this was given in London in 1991.
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La caverne (Méhul) La caverne ("The Cavern") is an opera by the French composer Étienne Méhul. It takes the form of a "comédie en prose" in three acts. It premiered at the Opéra-Comique, Paris on 5 December 1795. The libretto, by Nicolas-Julien Forgeot, is based on incidents from the novel "Gil Blas" by Alain-René Lesage.
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Monsieur Beaucaire (opera) Monsieur Beaucaire is a romantic opera in three acts, composed by André Messager. The libretto, based on the 1900 novel by Booth Tarkington, is by Frederick Lonsdale, with lyrics by Adrian Ross. The piece premiered at the Prince of Wales Theatre in Birmingham, England, on 7 April 1919, before opening at the Prince's Theatre in London under the management of Frank Curzon on 19 April 1919 and transferring to the Palace Theatre on 29 July 1919, for a successful run.
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Les fêtes d'Hébé Les fêtes d'Hébé, ou Les talens lyriques ("The Festivities of Hebe, or The Lyric Talents") is an "opéra-ballet" in a prologue and three "entrées" (acts) by the French composer Jean-Philippe Rameau. The libretto was written by Antoine Gautier de Montdorge (1707–1768). The work was first performed on 21 May 1739 by the Académie royale de musique at its theatre in the Palais-Royal in Paris..
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Fennimore and Gerda Fennimore und Gerda (subtitled "Two Episodes from the Life of Niels Lyhne in Eleven Pictures") is a German-language opera with four interludes, by the English composer Frederick Delius. It is usually performed and recorded in English, as Fennimore and Gerda in a translation by Philip Heseltine. The German libretto, by the composer himself, is based on the novel "Niels Lyhne" by the Danish writer Jens Peter Jacobsen. In neither German nor English is the libretto highly regarded; rather, the work is considered an "orchestral opera," limited in its dramatic appeal but voluptuous and engaging in its instrumental texture.
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Zemire en Azor Zemire en Azor is a 1784 semi-opera, a musical play "with spectacles and a ballet" by Bartholomeus Ruloffs. It is one of the most successful attempts to create a Dutch-language opera in the 18th Century. Zemire en Azor was, for its time, a box-office success, with thirteen performances. Ruloffs composed new music to a Dutch libretto, which had been translated from French.
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The Bohemian Girl The Bohemian Girl is a ballad opera composed by Michael William Balfe with a libretto by Alfred Bunn. The plot is loosely based on a Cervantes tale, "La Gitanilla".
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Peter Grimes Peter Grimes is an opera by Benjamin Britten, with a libretto adapted by Montagu Slater from the narrative poem, "Peter Grimes," in George Crabbe's book "The Borough". The "borough" of the opera is a fictional village which shares some similarities with Crabbe's, and later Britten's, own home of Aldeburgh, a town on England's east coast.
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Maître Péronilla Maître Péronilla is an opéra bouffe in three acts of 1878 with music by Jacques Offenbach. The French libretto was by the composer with Charles-Louis-Étienne Nuitter and Paul Ferrier.
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Le maréchal ferrant Le maréchal ferrant ("The Blacksmith") is a 1761 French two-act "opéra comique" with spoken dialogue and music composed by François-André Danican Philidor as well as several "vaudevilles" (popular old songs with new words), which were typically included in "opéras comiques" of the time. The libretto is by Antoine François Quétant, after one of the stories in Boccaccio's "Decameron" (VII, 1), with verses for the "ariettes" by Louis Anseaume and a plan devised by Serrière.
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Ivanhoe (opera) Ivanhoe is a romantic opera in three acts based on the novel by Sir Walter Scott, with music by Sir Arthur Sullivan and a libretto by Julian Sturgis. It premiered at the Royal English Opera House on 31 January 1891 for a consecutive run of 155 performances, unheard of for a grand opera. Later that year it was performed six more times, making a total of 161 performances.
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Sir John in Love Sir John in Love is an opera in four acts by the English composer Ralph Vaughan Williams. The libretto, by the composer himself, is based on Shakespeare's "The Merry Wives of Windsor" and supplemented with texts by Philip Sidney, Thomas Middleton, Ben Jonson, and Beaumont and Fletcher. The music deploys English folk tunes, including "Greensleeves". Originally titled "The Fat Knight", the opera premiered at the Parry Opera Theatre, Royal College of Music, London on 21 March 1929. Its first professional performance was on 9 April 1946 at Sadler's Wells Theatre.
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Le faucon (opera) Le faucon (English: The Falcon , Russian: Сокол ) is an "opéra comique" in three acts by the Ukrainian composer Dmitry Bortniansky with a French language libretto by Franz-Hermann Lafermière. It was first performed on 11 October 1786 at the Gatchina Palace in Russia by aristocratic amateur singers. The plot is borrowed from Boccaccio's "The Decameron" (Fifth Day, 9th tale) which also served as the basis for Pierre-Alexandre Monsigny's 1771 comic opera "Le faucon" (libretto by Michel-Jean Sedaine) (and later for Gounod's "La colombe").