Which opera has more acts, Genoveva or Moses und Aron?
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Genoveva Genoveva, Op. 81, is an opera in four acts by Robert Schumann in the genre of German Romanticism with a libretto by Robert Reinick and the composer. The only opera Schumann ever wrote, it received its first performance on 25 June 1850 at the Stadttheater in Leipzig, with the composer conducting. It received only three performances during the premiere, and the negative criticism it received in the press played a decisive role in Schumann's decision to not write a second opera.
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Moses und Aron Moses und Aron (English: "Moses and Aaron") is a three-act opera by Arnold Schoenberg with the third act unfinished. The German libretto is by the composer after the Book of Exodus. Hungarian composer Zoltán Kocsis completed the last act, with Schoenberg's heirs' permission, in 2010, but as of 2014 "Moses und Aron" was almost always performed as Schoenberg left it in 1932, with only two of the planned three acts completed.
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The Two Widows The Two Widows () is a two-act Czech opera by Bedřich Smetana based on the libretto of Emanuel Züngel. The libretto is based on Jean Pierre Felicien Mallefille's one-act play "Les deux veuves". The opera was composed between June 1873 and January 1874, and its premiere took place on 27 March 1874 at the Prague Czech Theatre under the direction of Smetana. However, this premiere was not successful and the opera was rewritten in 1874. The spoken dialogue was replaced by through-composed recitatives and some of the music and characters were reworked. The second premiere on 20 October 1874 was very successful. A further revised version was premiered on 17 March 1878, under Adolf Čech.
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Ursula Zollenkopf Ursula Zollenkopf is a German classical contralto singer. A member of the NDR Chor based in Hamburg, she appeared as a soloist in opera and concert, including premieres of contemporary music such as Stravinsky's "Threni" and Schoenberg's "Moses und Aron".
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Alessandro Severo Alessandro Severo (Alexander Severus, HWV A13) is an opera by George Frideric Handel composed in 1738. It is one of Handel's three pasticcio works, made up of the music and arias of his previous operas "Giustino", "Berenice" and "Arminio". Only the overture and recitatives (as well as the words) were new. The impresario Johann Jacob Heidegger probably selected the 1717 libretto by Apostolo Zeno, originally written for Antonio Lotti and re-used by many composers thereafter.
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Sieg der Schönheit Gensericus oder Sieg der Schönheit TVWV 21:10 (Hamburg 1722 and Braunschweig) is a comic German-language opera in three acts by Georg Philipp Telemann. It was performed at the Oper am Gänsemarkt, while Keiser was director. Unlike "Orpheus" and "Flavius Bertaridus", the opera contains no Italian-language set piece arias. The librettist was Christian Heinrich Postel.
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Momo and the Time Thieves Momo and the Time Thieves (Danish: "Momo og tidstyvene ") is a Danish-language opera in two acts by Svitlana Azarova. The libretto, based on the children's book "Momo" by Michael Ende, was written by .
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Khovanshchina Khovanshchina (Russian: Хованщина , "Hovánščina", sometimes rendered The Khovansky Affair; since the ending -ščina is pejorative) is an opera (subtitled a 'national music drama') in five acts by Modest Mussorgsky. The work was written between 1872 and 1880 in St. Petersburg, Russia. The composer wrote the libretto based on historical sources. The opera was unfinished and unperformed when the composer died in 1881.
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Nabucco Nabucco (] ; short for Nabucodonosor ] ~] , English Nebuchadnezzar) is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on biblical books of Jeremiah and Daniel and the 1836 play by Auguste Anicet-Bourgeois and Francis Cornue, although Antonio Cortese's ballet adaptation of the play (with its necessary simplifications), given at La Scala in 1836, was a more important source for Solera than the play itself. Under its original name of "Nabucodonosor", the opera was first performed at La Scala in Milan on 9 March 1842.
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Helmut Kretschmar Helmut Kretschmar (born 3 February 1928) is a German classical tenor who spent most of his career performing in concerts and recitals with major orchestras and at important music festivals internationally. Although he focused his career mainly within the concert repertoire, Kretschmar did appear two times on the opera stage, notably singing in the world premiere of Arnold Schoenberg's "Moses und Aron" in 1954. Possessing a rich and warm lyric tenor voice, Kretschmar excelled in the concert repertoire of Johann Sebastian Bach, George Frideric Handel, Joseph Haydn, and Felix Mendelssohn. Also an admired interpreter of Lieder, Kretschmar performed and recorded a number of works by Franz Schubert, Robert Schumann, and Hugo Wolf.
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Boyarina Morozova (opera) Boyarina Morozova (Боярыня Морозова) is a 2006 choral opera by Rodion Shchedrin based on his own libretto on the story of Boyarina Morozova (d.1675), from the account of archbishop Avvakum and inspired by the painting "Boyarina Morozova" by Vasily Surikov.
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Margot (opera) Margot is an opera in three acts (later reduced to two) composed by Joaquín Turina to a Spanish-language libretto by Gregorio Martínez Sierra. It premiered at the Teatro de la Zarzuela in Madrid on 10 October 1914. Set in Paris and Seville, the opera's story involves a love triangle between José Manuel, a young Spaniard; Margot, a Parisian courtesan with whom he has an affair; and Amparo, José Manuel's sweetheart in Andalucía.
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Teseo Teseo ("Theseus", HWV 9; ] ) is an opera seria with music by George Frideric Handel, the only Handel opera that is in five acts. The Italian-language libretto was by Nicola Francesco Haym, after Philippe Quinault's "Thésée". It was Handel's third London opera, intended to follow the success of "Rinaldo" after the unpopular "Il pastor fido".
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The Demon (opera) The Demon (Russian: Демон ) is an opera in three acts (six scenes) by Russian composer Anton Rubinstein. The work was composed in 1871. The libretto was by Pavel Viskovatov, based on the poem of the same name by Mikhail Lermontov.
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L'arlesiana L'arlesiana is an opera in three acts by Francesco Cilea to an Italian libretto by Leopoldo Marenco. It was originally written in four acts, and was first performed on 27 November 1897 at the Teatro Lirico di Milano in Milan. It was revised as a three-act opera in 1898, and a prelude was added in 1937.
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Arden Must Die Arden Must Die (Arden muss sterben ) is an opera by Alexander Goehr. It premiered in 1967 at the Hamburg State Opera, conducted by Charles Mackerras and directed by Egon Monk.
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Die Harmonie der Welt Die Harmonie der Welt ("The Harmony of the World") is an opera in five acts by Paul Hindemith. The German libretto was by the composer.
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Eugene Onegin (opera) Eugene Onegin (Russian: Евгений Онегин , "Yevgény Onégin"), Op. 24, is an opera ("lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky. The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's novel in verse, retaining much of his poetry. Tchaikovsky's friend Konstantin Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky himself arranged the text for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1.
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Pimmalione Pimmalione ("Pygmalion") is an opera in one act by Luigi Cherubini, first performed at the Théâtre des Tuileries, Paris on 30 November 1809. The libretto is an adaptation by Stefano Vestris of Antonio Simone Sografi's Italian translation of the text Jean-Jacques Rousseau wrote for his "scène lyrique" "Pygmalion" (1770). It is based on the Classical legend of the sculptor Pygmalion.
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Atlas (opera) Atlas is an opera in three acts composed by Meredith Monk who also wrote the libretto and choreographed the dances. It is scored for 18 voices and a small chamber orchestra which includes a shawm and a glass harmonica. The story is very loosely based on the life and writings of the explorer Alexandra David-Néel and is told primarily through wordless vocal sounds with brief interjections of spoken text in Mandarin Chinese and English. The opera was co-commissioned by Houston Grand Opera, the Walker Art Center in Minneapolis, and the American Music Theater Festival in Philadelphia. It premiered at Houston Grand Opera in February 1991, followed by performances that same year in Philadelphia and Minneapolis. It subsequently toured in the US and Europe and had its New York premiere in May 1992 at the Brooklyn Academy of Music.
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Opera Opera (] ; English plural: "operas"; Italian plural: "opere" ] ) is an art form in which singers and musicians perform a dramatic work combining text (libretto) and musical score, usually in a theatrical setting. In traditional opera, singers do two types of singing: recitative, a speech-inflected style and arias, a more melodic style, in which notes are sung in a sustained fashion. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor.
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Aida Aida (] ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in Egypt, it was commissioned by and first performed at Cairo's Khedivial Opera House on 24 December 1871; Giovanni Bottesini conducted after Verdi himself withdrew. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, "Aida" has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera.