The Violin Concerto No. 3 in E major was composed in 1826 by an Italian violinist who died in this year?
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Violin Concerto No. 3 (Paganini) The Violin Concerto No. 3 in E major was composed by Niccolò Paganini in 1826. On 12 December 1826, Paganini wrote from Naples to his friend L. G. Germi that, having recently completed his Second Violin Concerto, he had now "finished orchestrating a third with a Polacca", and added: "I would like to try these concertos out on my own countrymen before producing them in Vienna, London and Paris." In the event, the Third Violin Concerto does not seem to have been premiered until July 1828 in Vienna. Since Paganini's death in 1840 concerto wasn't performed for more than a century until it was eventually rediscovered in the late 1960s and first recorded and publically performed by Henryk Szeryng in 1971.
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Niccolò Paganini Niccolò (or Nicolò) Paganini (] ; 27 October 178227 May 1840) was an Italian violinist, violist, guitarist, and composer. He was the most celebrated violin virtuoso of his time, and left his mark as one of the pillars of modern violin technique. His 24 Caprices for Solo Violin Op. 1 are among the best known of his compositions, and have served as an inspiration for many prominent composers.
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Ignazio Albertini Ignazio Albertini ("Albertino") (c. 1644 – 22 September 1685) was an Italian Middle Baroque violinist and composer.
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Gilda Ruta Gilda Ruta (13 October 1853–26 October 1932) was an Italian pianist, music educator and composer.
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Luigi Tomasini Luigi Tomasini (or Alois Luigi Tomasini, 22 June 1741 – 25 April 1808) was an Italian violinist and composer. He was leader of Prince Esterházy's court orchestra, which was directed by Joseph Haydn.
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Carlo De Vincentiis Carolo Antonio Di Vincenzo also known as Carlo De Vincentiis or Acquaviva (1 May 1622 – 1677) was an Italian violinist.
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Violin Concerto No. 1 (Mozart) Wolfgang Amadeus Mozart's Violin Concerto No. 1 in B-flat major, K. 207, was originally supposed to have been composed in 1775 (when Mozart was 19), along with the other four wholly authentic violin concertos. However, analysis of handwriting and the manuscript paper on which the concerto was written suggest that the actual date of composition might have been 1773. It has the usual fast-slow-fast structure. Movements are:
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Jacopo Melani Jacopo Melani (6 July 1623 – 18 August 1676) was an Italian composer and violinist of the Baroque era. He was born and died in Pistoia, and was the brother of composer Alessandro Melani and singer Atto Melani.
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Giovanni Maria Bononcini Giovanni Maria Bononcini (23 September 1642 – 18 November 1678) was an Italian violinist and composer, the father of a musical dynasty.
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Violin concerto A violin concerto is a concerto for solo violin (occasionally, two or more violins) and instrumental ensemble, customarily orchestra. Such works have been written since the Baroque period, when the solo concerto form was first developed, up through the present day. Many major composers have contributed to the violin concerto repertoire, with the best known works including those by Bach, Bartók, Walton, Beethoven, Brahms, Bruch, Mendelssohn, Mozart, Paganini, Prokofiev, Shostakovich, Sibelius, Tchaikovsky, and Vivaldi.
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Jules Garcin Jules Auguste Garcin [Salomon] (11 July 1830 – 10 October 1896) was a French violinist, conductor and composer of the 19th century.
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Giovanni Battista Somis Giovanni Battista Somis (December 25, 1686 – August 14, 1763) was an Italian violinist and composer of the Baroque music era.
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Alessandro Rolla Alessandro Rolla (] ; 22 April 175715 September 1841) was an Italian viola and violin virtuoso, composer, conductor and teacher. His son, Antonio Rolla, was also a violin virtuoso and composer.
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Mauro Giuliani Mauro Giuseppe Sergio Pantaleo Giuliani (27 July 1781 – 8 May 1829) was an Italian guitarist, cellist, singer, and composer. He was a leading guitar virtuoso of the early 19th century.
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Count Ignazio Alessandro Cozio di Salabue Count Ignazio Alessandro Cozio di Salabue (1755–1840) was an Italian count known as the first great connoisseur and collector of violins. A trove of correspondence and memoirs on the history of violinmaking known as the "Carteggio" forms the basis of his biography. Cozio's meticulous notes on nearly every instrument that passed through his hands contributed enormously to the body of knowledge surrounding Italian violinmaking.
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Ignaz Pleyel Ignace Joseph Pleyel (] ; ] ; 18 June 1757 – 14 November 1831) was an Austrian-born French composer and piano builder of the Classical period.
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Giuseppe Antonio Brescianello Giuseppe Antonio Brescianello (also Bressonelli; ca. 1690, Bologna – 4 October 1758, Stuttgart) was an Italian Baroque composer and violinist.
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Siegmund Nissel Siegmund Walter "Sigi" Nissel OBE (3 January 1922, Munich – 21 May 2008, London) was an Austrian-born British violinist who played second violin in the Amadeus Quartet and served as its administrator.
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Gasparo Zanetti Gasparo Zanetti (after 1600 – 1660) was an Italian violin teacher, composer of the Baroque, who lived and worked in Milan.
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Pierre Baillot Pierre Marie François de Sales Baillot (1 October 1771 – 15 September 1842) was a French violinist and composer born in Passy. He studied the violin under Giovanni Battista Viotti and taught at the Paris Conservatoire together with Pierre Rode (also a pupil of Viotti) and Rodolphe Kreutzer, who wrote the conservatoire's official violin method (published in the early 19th century). He was sole author of the instructional "L'art du violon" (1834). Baillot's teachings had a profound influence on technical and musical development in an age in which virtuosity was openly encouraged. He was leader of the Paris Opéra, gave solo recitals and was a notable performer of chamber music. He died in Paris in 1842.
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Mario Abramovich Mario Abramovich (31 October 1926 – 1 December 2014) was an Argentine violinist and composer, considered an important figure linked to the music of tango.
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Giuseppe Branzoli Giuseppe Branzoli (Cento 1835 – Rome 21 January 1909) was a violinist, mandolinist, composer, author, educator at the Liceo Musicale di St. Cecilia in Rome, and the founder of the periodical "IL mandolin Romano". His compositions were for violin, mandolin, flute and cello, as well as church music.