Who appeared as what in several roles with that company, including Giannetta in what was first performed at the Opéra Garnier in Paris on 16 March 1894?
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Alyson Cambridge Alyson Cambridge is an American operatic soprano. A native of Washington D.C., she attended school in Cambridge and Oberlin College and studied at the Curtis Institute of Music. In 2003 she won the Metropolitan Opera National Council Auditions, which gained her entrance into the Metropolitan Opera's Lindemann Young Artist Development Program. In 2004 she made her Met debut as Frasquita in Georges Bizet's "Carmen". She has since appeared in several roles with that company, including Giannetta in "L'elisir d'amore", a Flower Maiden in "Parsifal", Karolka in "Jenůfa", Crobyle in "Thaïs", and Bianca in "La Rondine".
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Thaïs (opera) Thaïs (] ) is an opera, a "comédie lyrique" in three acts and seven tableaux, by Jules Massenet to a French libretto by Louis Gallet, based on the novel "Thaïs" by Anatole France. It was first performed at the Opéra Garnier in Paris on 16 March 1894, starring the American soprano Sibyl Sanderson, for whom Massenet had written the title role. The original production was directed by Alexandre Lapissida, with costumes designed by Charles Bianchini and sets by Marcel Jambon (act 1, scene 1; act 3) and Eugène Carpezat (act 1, scene 2; act 2). The opera was later revised by the composer and was premiered at the same opera house on 13 April 1898.
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Artaserse (Hasse) Artaserse is an opera ("dramma per musica") in three acts composed by Johann Adolph Hasse to an Italian libretto adapted from that by Metastasio by Giovanni Boldini. It premiered at the Teatro di San Giovanni Grisostomo in Venice on 11 February 1730, shortly after the libretto's first setting by Leonardo Vinci premiered in Rome 6 days earlier. Metastasio's libretto, "Artaserse", has been used in more than 90 works. Hasse himself would later re-work the score for performances at the Opernhaus am Zwinger in Dresden (1740) and the Teatro di San Carlo in Naples (1760).
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Zazà Zazà ] is an opera by Ruggero Leoncavallo, with the libretto by the composer. Its première at the Teatro Lirico di Milano on 10 November 1900, starring Rosina Storchio as Zazà, Edoardo Garbin as Milio, Mario Sammarco as Cascart and Clorinda Pini-Corsi as Anaide, and conducted by Arturo Toscanini, began its triumphant run of performances in opera houses around the world.
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Grisélidis Grisélidis is an opera (described as a 'conte lyrique') in three acts and a prologue by Jules Massenet to a French libretto by Armand Silvestre and Eugène Morand. It is based on the play by the same authors first performed at the Comédie-Française on 15 May 1891, which is drawn from the medieval tale of 'patient Grissil'. The story is set in 14th century Provence, and concerns the shepherdess, Grisélidis, and a number of attempts by the Devil to lure her into infidelity. Grisélidis' loyalty to her husband, The Marquis, is strong, however, and the devil is vanquished.
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Henriette Hansen Henriette Hansen (7 May 1814, in Oslo – 1892 in Oslo), was a Norwegian stage actress, opera singer and ballet dancer. She belonged to the pioneer generation of the first public theatre in Norway, the theatre of Johan Peter Strömberg in Oslo in 1827. This being the first public stage in Norway, she may be regarded as the first native professional ballet dancer in Norway: the first ballet dancer in Norway was likely the foreign Madame Stuart.
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Le roi de Lahore Le roi de Lahore ("The king of Lahore") is an opera in five acts by Jules Massenet to a French libretto by Louis Gallet. It was first performed at the Palais Garnier in Paris on 27 April 1877 in costumes designed by Eugène Lacoste and settings designed by Jean Émile Daran (Act I, scene 1), Auguste-Alfred Rubé and Philippe Chaperon (Act I, scene 2; Act V), Louis Chéret (Act II), Jean-Baptiste Lavastre (Act III), Antoine Lavastre and Eugène Louis Carpezat (Act IV).
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Carlton Gauld Carlton Gauld (before 1931 – after 1960) was an American operatic bass who had a prolific career during the 1930s through the 1960s. Raised in Bedford, Indiana, Gustos first rose to prominence at the Metropolitan Opera in New York City, making his debut with the company in the 1931–1932 season as the King of Egypt in Giuseppe Verdi's "Aida". He made his debut with the Teatro Colón in Buenos Aires in 1932, shortly followed by his European debut at the Opéra Comique as Nilakantha in Delibes's "Lakmé". He remained at the Opéra Comique for three years, portraying a variety of roles like, Basilio in "The Barber of Seville", the title role in Giacomo Puccini's "Gianni Schicchi", the Prior in Massenet's "Le Jongleur de Notre Dame", de Grieux in "Manon", Lothario in "Mignon", Ramon in Charles Gounod's "Mireille", the four villains in "The Tales of Hoffmann", Count Almaviva in "Le nozze di Figaro", and Scarpia in "Tosca" among others. He also sang in the world premiere of Emmanuel Bondeville's "L’École des maris" (1933) with the company.
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Arianna in Nasso (Mayr) Arianna in Nasso is an 1815 "azione drammatica", or scenic cantata in one act by Simon Mayr to a libretto by Giovanni Schmidt. It was premiered at the Teatro San Carlo, Naples, on 19 February 1815 with the role of Ariadne sung by Isabella Colbran who had requested Mayr to compose the piece for her to showcase her skills.
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Gil-Pérès Gil-Pérès, real name Jules-Charles Pérès Jolin, (9 July 1822 – 30 January 1882) was a 19th-century French stage actor and vaudevilliste, who was a member of the troupe of the Théâtre du Palais-Royal in Paris in the mid-19th century, and created several roles in Offenbach operettas.
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Jean-Vital Jammes Jean-Vital Jammes (known by the stage name Ismaël) (28 April 1825 – 13 June 1893) was a French opera singer. During a stage career spanning 40 years, he created many leading baritone roles, including Zurga in Bizet's "Les pêcheurs de perles" and Ourrias in Gounod's "Mireille". Born in Le Passage d'Agen near the town of Agen, he was largely self-taught and made his stage debut in 1841 at the age of 16. After singing in a several provincial theatres, he was engaged by the Théâtre Lyrique in Paris and later by the Opéra-Comique. Following his retirement from the stage, Ismaël lived in Marseille where he died at the age of 68.
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Gaetano Molla Giuseppe Cesare Gaetano Molla (1845 – 1894) was an Italian impresario, conductor, pianist, and opera director. Born in Milan, he first came to prominence as the chorus-master at La Scala. After touring with the opera company to Russia in 1863, he settled in Taganrog where he became director of the Taganrog Theatre. He became the center of the town's music life for the next 31 years, notably organizing a new and highly successful symphony orchestra for the city. Among his admirers was a young Anton Chekhov. Gaetano Molla died in a train on the way from Kharkiv to Taganrog.
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Oresteia (opera) Oresteia ("Орестея" in Cyrillic) is an opera in three parts, eight tableaux, with music by Sergei Taneyev, composed during 1887-1894. The composer titled this work, his only opera, a "musical trilogy." The Russian libretto was adapted by A.A. Wenkstern from "The Oresteia" of Aeschylus. The opera was premiered on October 29 [O.S. October 17] 1895 at the Mariinsky Theatre. Nikolai Rimsky-Korsakov wrote that soon after the premiere, the Mariinsky management made cuts to the opera, which angered Taneyev.
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Zanetto Zanetto is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci. It received its first performance on 2 March 1896 at the Liceo Musicale Rossini in Pesaro. Only 40 minutes long and with cast of two singers, "Zanetto" was originally described by its composer as a "scena lirica" (lyric scene) rather than an opera. It is set in the countryside near Florence during the Renaissance and tells the story of an encounter between a beautiful courtesan, Silvia, and a young wandering minstrel, Zanetto. The libretto was adapted from an Italian translation by Emilio Praga of François Coppée's play "Le passant" (The passer-by) in which the young Sarah Bernhardt had won fame in the "en travesti" role of Zanetto.
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Iolanta Iolanta, Op. 69, (Russian: Иоланта ) is a lyric opera in one act by Pyotr Tchaikovsky. It was the last opera he composed. The libretto was written by the composer's brother Modest Tchaikovsky, and is based on the Danish play "Kong Renés Datter " ("King René's Daughter") by Henrik Hertz, a romanticised account of the life of Yolande de Bar. In the original Danish play, the spelling of the princess's name was "Iolanthe", later adopted for the otherwise unrelated Gilbert and Sullivan operetta of that name. The play was translated by Fyodor Miller and adapted by Vladimir Zotov. The opera received its premiere on 18 December 1892 in Saint Petersburg.
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Emma Juch Emma Johanna Antonia Juch (July 4, 1861 – March 6, 1939) was a popular soprano opera singer of the 1880s and 1890s from Vienna, Austria. She sang with several companies and later formed her own company.
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Isabella Girardeau Isabella Girardeau (née Calliari?; ? – ?) was an Italian operatic soprano who flourished in London, England from 1709 to 1712. Commonly referred to by the opera going public in London as "La Isabella", she is best remembered today for creating the role of Almirena in the momentous premiere of George Frideric Handel's "Rinaldo" on 24 February 1711 at the Queen's Theatre in the Haymarket (it later became the "King's Theatre" after King George I's accession in 1714) in which she introduced the famous aria "Lascia ch'io pianga". She had succeeded Joanna Maria Lindelheim, "The Baroness", as one of the leading sopranos at that theatre. She is said to have had a bitter rivalry with the Queen's other prima donna, the soprano Elisabetta Pilotti-Schiavonetti.
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Yvonne Printemps Yvonne Printemps (] ; 25 July 1894 – 19 January 1977) was a French singer and actress who achieved stardom on stage and screen in France and internationally.
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Opéra National de Lyon The Opéra de Lyon (known also as the "Opéra National de Lyon") is a French opera company based in Lyon. The company performs in the Opéra Nouvel, a modernized version in 1993 of the original 1831 opera house.
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Maître Péronilla Maître Péronilla is an opéra bouffe in three acts of 1878 with music by Jacques Offenbach. The French libretto was by the composer with Charles-Louis-Étienne Nuitter and Paul Ferrier.
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Dante (opera) Dante et Béatrice is an 1890 opera in four acts by Benjamin Godard to a libretto by Édouard Blau premiered at the Opéra-Comique, Théâtre du Châtelet, May 13 Paris. In Godard's opera Dante is not as a famous poet, but a young man implicated in political and love intrigues in his quest for Beatrice.
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William Tell discography This is a partial discography of William Tell (French: "Guillaume Tell"), an opera with music by Gioachino Rossini and a French libretto by Etienne de Jouy and Hippolyte Bis. The work was first performed on 3 August 1829 by the Paris Opera at the Salle Le Peletier. It was first performed in Italian as "Guglielmo Tell" in Germany on 28–29 January 1831 in Dresden and in Italy on 17 September 1831 in Lucca (translated by Calisto Bassi).