Who was the father of the artist from a town and "comune" of Italy in the Province of Perugia in the Umbria region who learned to paint in the workshop of Cesare Nebbia, primarily moving between Orvieto and Rome ?
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Cesare Sermei Cesare Sermei (Città della Pieve, c.1581 – Assisi, 1668) was an Italian painter. Son of painter Fernando Sermei, he learned to paint in the workshop of Cesare Nebbia, primarily moving between Orvieto and Rome.
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Assisi Assisi (] , from the Latin: "Asisium" ) is a town and "comune" of Italy in the Province of Perugia in the Umbria region, on the western flank of Monte Subasio.
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Niccolò Codazzi Niccolò Codazzi (Naples 1642 – Genoa 1693) was an Italian painter of architectural paintings, capricci and "vedute". He also created decorative elements in fresco's as a painter of 'quadratture'. A son of the prominent architectural painter Viviano Codazzi, he trained with his father and was active in Rome, Paris and Genoa.
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San Domenico, Perugia San Domenico is a Roman Catholic basilica church, located on Piazza Giordano Bruno and via del Castellano in the city of Perugia, region of Umbria, central Italy.
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Giovanni Mazone Giovanni Mazone (or Masone, Mazzoni) (c.1453 – c. 1510) was an Italian painter and woodcarver active in Genoa. Born in Alessandria, he was released from his familial bonds ("patria potesta") in 1453 when he is documented to have established a workshop in Genoa. Giovanni's father, Giacomo, was also a painter and the family is first mentioned in 1414, in regards to a rental dispute.
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Cesare Cesariano Cesare di Lorenzo Cesariano (1475–1543) was an Italian painter, architect and architectural theorist. He authored the first Italian-language version of Vitruvius' "De architectura".
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Sant'Anatolia di Narco Sant'Anatolia di Narco is a "comune" (municipality) in the Province of Perugia in the Italian region Umbria, located about 60 km southeast of Perugia. It is a medieval town commanded by a 12th-century castle, with a 14th-century line of walls.
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Giacomo Pavia Giacomo Pavia (1655–1740) was an Italian painter of the Baroque period, active mainly in his native Bologna. He studied and worked under Giuseppe Maria Crespi and Giovanni Gioseffo dal Sole. He died in Spain. His son Lorenzo Pavia painted quadratura.
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Giovanni Francesco Perini Giovanni Francesco Perini (active 15th to 16th centuries) was an Italian painter of the early Renaissance active mainly around Amelia, Umbria, Italy.
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Pietro Ciafferi Pietro Ciafferi or Ciaffero, called Lo Smargiasso, was born at Pisa about 1600, and flourished, according to Lanzi, till at least the year 1654. He belongs to the Florentine school, and painted marine subjects and seaports, which his residence at Livorno enabled him to study from nature. His pictures are highly finished, and ornamented with small figures correctly drawn. He also painted architectural and perspective views, and sacred subjects. His works are principally at Pisa and Livorno. An 'Ecce Homo' by him is in the Pitti Palace, Florence.
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Giovanni Bernardo Lama Giovanni Bernardo Lama (1508–1579) was an Italian painter of the Renaissance period, active mainly in Naples. He was the son of a generally unknown artist, Matteo Lama. He was the apprentice of Giovanni Antonio D’Amato, then Polidoro da Caravaggio who had fled Rome after the Sack of 1527. He worked in the style of his friend and contemporary Andrea di Salerno. A "Madonna and child with saints" is in the sacristy of San Luca Evangelista in Praiano. A "Deposition from the Cross" is found in the Royal Basilica of San Giacomo Spagnoli in Naples.
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Antonio Bernieri Antonio Bernieri (1516–1565) was an Italian painter of the Renaissance period. He was born in Correggio. He was first trained under Correggio; on the death of that master he went to Venice, and attended Titian's school. He visited Rome, and returning to Venice worked there until 1563. He died at Correggio. Bernieri was an eminent painter of portrait miniatures. He is sometimes called 'Antonio da Correggio’, which unfortunately confuses him with his mentor.
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Cipriano Piccolpasso Cipriano di Michele Piccolpasso (1524 – 21 November 1579) was a member of an Italian patrician family of Bologna that had been settled since the mid-fifteenth century in Castel Durante, which was an important center for the manufacture of maiolica. He had the humanist education of his station in life and was trained as a surveyor and civil and military engineer and draughtsman, which took him to Rimini, Ancona, Fano and Spoleto, but his true vocation was as a painter of maiolica, for which he returned to Castel Durante and founded a highly successful workshop
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Pietro Perugino Pietro Perugino (] ; c. 1446/1452 – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil.
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Padovanino Padovanino or Varotari Alessandro Leone (4 April 1588 – 20 July 1649), also commonly known as Il Padovanino, was an Italian painter of the late-Mannerist and early-Baroque Venetian school, best known for having mentored Pietro Liberi, Giulio Carpioni, and Bartolommeo Scaligero.
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Pietro Gaietto Pietro Gaietto is an Italian artist, scientist, and writer. He is associated with the Museum of the Origins of Man, an institution in the city of Genova, Italy in which he also resides. He has a wife, Licia Filingeri, and a son.
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Cascia Cascia (] ) is a town and "comune" (municipality) of the Italian province of Perugia in a rather remote area of the mountainous southeastern corner of Umbria. It is about 21 km from Norcia on the road to Rieti in the Lazio (63 km).
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Crestano Menarola Crestano Menarola (1605 - 1687) was an Italian print-maker and painter of the Baroque period. He trained in Vicenza under Alessandro Maganza, then moved to work in Bassano del Grappa. He followed the style of Paolo Veronese. He also painted for churches and palaces, but little of his painted work remains. He painted for the presbytery in Asiago. He painted portrait of Federico da Molin for the Audience Hall in the Palazzo Pretorio of Bassano. He painted altarpieces for the Cathedral and the chapel of Spirito Santo in the church of San Francisco in Bassano. His son, Marco, was also a painter. Pietro Menarola, an engraver, was also a member of his family. A "Sacrifice of Iphigenia", attributed to Menarola is in display in the Pinacoteca of Palazzo Chiericati, Vicenza. Among his prints, is a "Descent of the Holy Spirit", after a design of Jacopo Bassano.
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Luigi Benfatto Luigi Benfatto (1551–1611) was an Italian painter of the late-Renaissance period. He was born at Verona, was the nephew and pupil of Paolo Veronese. He painted Glory of the saint for the church of St. Nicholas and pictures of St. Marta for the Church of Santa Marta al Collegio Romano. He is also called "Luigi Alvise dal Friso". A pupil of his was Maffeo Verona.
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Alvise Vivarini Alvise or Luigi Vivarini (1442/1453–1503/1505) was an Italian painter, the leading Venetian artist before Giovanni Bellini. Like Bellini, he was part of a dynasty of painters. His father was Antonio Vivarini and his uncle, with whom he may have trained, was Bartolomeo Vivarini. Another uncle, on his mother's side, was the artist known as Giovanni d'Alemagna, who worked with his brother-in-law Antonio. Alvise may have trained Jacopo de' Barbari.
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San Filippo Neri, Spoleto San Filippo Neri is a baroque-style, Roman Catholic church located in the town of Spoleto, in the province of Perugia, region of Umbria, Italy.
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Orazio de Ferrari Orazio de Ferrari (1606–1657) was an Italian artist, active in the Baroque period, born in Voltri, a suburb of Genoa. de Ferrari was a pupil of Giovanni Andrea Ansaldo. He was a member of the family of Genoese artists, with surnames "de Ferrari", which also included Giovanni Andrea de Ferrari and Gregorio De Ferrari. During the 17th century, he painted murals in the chapel and many of the state rooms of the Royal Palace in Monaco.