What year was this song written, which is a Brazilian bossa nova jazz song and was a duet between Diana Krall and Rosemary Clooney on Brazil?
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Brazil (Rosemary Clooney album) Brazil is a 2000 album by Rosemary Clooney. John Pizzarelli accompanies Clooney on vocals on five of the tracks, and sings Antonio Carlos Jobim's "Wave". Diana Krall duets with Clooney on "The Boy from Ipanema".
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The Girl from Ipanema "Garota de Ipanema" ("The Girl from Ipanema") is a Brazilian bossa nova jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinicius de Moraes. English lyrics were written later by Norman Gimbel.
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Elis &amp; Tom Elis & Tom is a bossa nova album recorded by Brazilian singer Elis Regina and singer/songwriter Antônio Carlos Jobim, released in 1974.
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Carmélia Alves Carmélia Alves (February 14, 1923 – November 3, 2012) was a Brazilian singer known as "Queen of Baião," as she was one of the country's best known baião performers. Baião is a folk rhythm popular in Northeast Brazil.
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Con Alma "Con Alma" is a jazz standard written by Dizzy Gillespie, appearing on his 1954 album "Afro". The tune incorporates aspects of bebop jazz and Latin rhythm, and is known for its frequent changes in key centers (occurring every two bars), while still maintaining a singable melody.
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Caetano Veloso (1968 album) Caetano Veloso is the debut solo album by the artist of the same name, released in Brazil in 1968. He had released "Domingo" the year before in collaboration with Gal Costa. It was one of the first Tropicália efforts, and features arrangements by Júlio Medaglia, Damiano Cozzella, and Sandino Hohagen, as well as an eclectic assortment of influences, demonstrating the "antropofagia" (artistic cannibalism) of the Tropicália movement. Sounds from psychedelia, rock, pop, Indian music, bossa nova, Bahian music and other genres appear on the album. It includes the hit songs "Alegria, Alegria", "Tropicália", and "Soy Loco Por Tí, América".
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Afro-Cuban jazz Afro-Cuban jazz is the earliest form of Latin jazz. It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban jazz first emerged in the early 1940s with the Cuban musicians Mario Bauza and Frank Grillo "Machito" in the band Machito and his Afro-Cubans, based in New York City. In 1947 the collaborations of bebop innovator Dizzy Gillespie with Cuban percussionist Chano Pozo brought Afro-Cuban rhythms and instruments, most notably the tumbadora and the bongo, into the East Coast jazz scene. Early combinations of jazz with Cuban music, such as Dizzy's and Pozo's "Manteca" and Charlie Parker's and Machito's "Mangó Mangüé", were commonly referred to as "Cubop", short for Cuban bebop. During its first decades, the Afro-Cuban jazz movement was stronger in the United States than in Cuba itself. In the early 1970s, the Orquesta Cubana de Música Moderna and later Irakere brought Afro-Cuban jazz into the Cuban music scene, influencing new styles such as songo.
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1960s in jazz In the late 1960s, Latin jazz, combining rhythms from African and Latin American countries, often played on instruments such as conga, timbale, güiro, and claves, with jazz and classical harmonies played on typical jazz instruments (piano, double bass, etc.) broke through. There are two main varieties: Afro-Cuban jazz was played in the US right after the bebop period, while Brazilian jazz became more popular in the 1960s. Afro-Cuban jazz began as a movement in the mid-1950s as bebop musicians such as Dizzy Gillespie and Billy Taylor started Afro-Cuban bands influenced by such Cuban and Puerto Rican musicians as Xavier Cugat, Tito Puente, and Arturo Sandoval. Brazilian jazz such as bossa nova is derived from samba, with influences from jazz and other 20th-century classical and popular music styles. Bossa is generally moderately paced, with melodies sung in Portuguese or English. The style was pioneered by Brazilians João Gilberto and Antônio Carlos Jobim. The related term jazz-samba describes an adaptation of bossa nova compositions to the jazz idiom by American performers such as Stan Getz and Charlie Byrd.
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O Que É Que A Baiana Tem? O que é que a baiana tem? (English: What does the woman from Bahia have?) is a song composed by Dorival Caymmi in 1939 and recorded by Carmen Miranda.
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Cidade Maravilhosa Cidade maravilhosa (] , "Marvelous City") is a march that was written and composed by André Filho and arranged by Silva Sobreira for the Rio de Janeiro carnival in 1935. It has since become the anthem for the city of Rio de Janeiro. In the same year, Aurora Miranda recorded a sung version of the song that became extremely popular.
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Bim-Bom "Bim Bom" (] ) is considered the first bossa nova song. It was composed by João Gilberto around 1956. The song wasn't recorded until July 1958 when Gilberto released it under Odeon Records along with his version of the first produced bossa nova song, "Chega de Saudade", which had been released by Elizete Cardoso earlier that year.
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Bachianas Brasileiras The Bachianas Brasileiras (] ) are a series of nine suites by the Brazilian composer Heitor Villa-Lobos, written for various combinations of instruments and voices between 1930 and 1945. They represent not so much a fusion of Brazilian folk and popular music on the one hand, and the style of Johann Sebastian Bach on the other, as an attempt freely to adapt a number of Baroque harmonic and contrapuntal procedures to Brazilian music (; ). Most of the movements in each suite have two titles: one "Bachian" (Preludio, Fuga, etc.), the other Brazilian (Embolada, O canto da nossa terra, etc.).
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One Note Samba "Samba de Uma Nota Só" ("One Note Samba") is a bossa nova song composed by Antônio Carlos Jobim with Portuguese lyrics by Newton Mendonça. The English lyrics were written by Jobim. It was first recorded by João Gilberto in 1960 for his album "O Amor, o Sorriso e a Flor".
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Bossa Nova Jazz Samba Bossa Nova Jazz Samba is an album by saxophonist Bud Shank and pianist Clare Fischer released on the Pacific Jazz label.
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Swing Around Rosie Swing Around Rosie is a 1959 studio album by Rosemary Clooney, accompanied by the Buddy Cole trio.
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Red Garters (album) Red Garters is an LP album of songs by Rosemary Clooney (and others, especially Guy Mitchell) from the movie of the same name, released by Columbia Records in 1954.
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Miúcha Heloísa Maria Buarque de Hollanda (born November 30, 1937 in Rio de Janeiro), whose artistic name is Miúcha, is a Brazilian singer and composer. She is the daughter of historian Sérgio Buarque de Holanda and Maria Amélia Cesário Alvim, and sister of the singer and composer Chico Buarque and two other singers Ana de Hollanda (prior Ministry of Culture in Brazil) and Cristina. Her career began in 1975 working with her husband at that time, João Gilberto, and Stan Getz, recorded as a participant in the disc "The Best of Two Worlds". This was followed by forays into jazz with Tom Jobim, Vinícius de Moraes, João Gilberto and her daughter Bebel Gilberto.
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Braziliana (album) Braziliana is a 1965 album by Brazilian guitarist Luiz Bonfá and his wife singer Maria Toledo, of songs mainly composed by Bonfá and Toledo, produced by Bobby Scott. The backing musicians included drummers Hélcio Milito and Dom Um Romão. Stereo Review accorded it a Recording of Special Merit. The album was recorded after the success of the 1964 Getz/Gilberto album, and increased interest in samba and bossa nova in Europe. After being out of print for many years the LP was reissued as CD in the Verve Originals series in 2008.
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Momento (album) Momento is an album by Brazilian bossa nova singer Bebel Gilberto.
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Mina canta o Brasil Mina canta o Brasil is an album by Italian singer Mina, released in 1970. It was recorded entirely in Portuguese. It was re-issued on CD by EMI in 2001.
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Songbird (Barbra Streisand song) "Songbird" is the title track and first single released from Barbra Streisand's 1978 album. It was written by Dave Wolfert and Steve Nelson and produced by Gary Klein.
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Do the Bossa Nova with Herbie Mann Do the Bossa Nova with Herbie Mann (subtitled Recorded in Rio de Janeiro with the Greatest Bossa Nova Players) is an album by American jazz flautist Herbie Mann recorded in 1962 for the Atlantic label.