are Il re pastore and King Priam both Operas ?
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Il re pastore Il re pastore ("The Shepherd King") is an opera, K. 208, written by Wolfgang Amadeus Mozart to an Italian libretto by Metastasio, edited by Giambattista Varesco. It is an opera seria. The opera was first performed on 23 April 1775 in Salzburg, at the Palace of the Archbishop Count Hieronymus von Colloredo.
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King Priam King Priam is an opera by Michael Tippett, to his own libretto. The story is based on Homer's "Iliad", except the birth and childhood of Paris, which are taken from the "Fabulae" of Hyginus.
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Tolomeo Tolomeo, re d'Egitto ("Ptolemy, King of Egypt", HWV 25) is an opera seria in three acts by George Frideric Handel to an Italian text by Nicola Francesco Haym, adapted from Carlo Sigismondo Capece's "Tolomeo et Alessandro".
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L'enfant prodigue (Auber) L'enfant prodigue ("The Prodigal Son") is a grand opera in five acts composed by Daniel Auber to a French libretto by Eugène Scribe based on the Parable of the Prodigal Son in Chapter 15 of the Gospel of Luke. It was first performed at the Théâtre de l'Académie Nationale de Musique in Paris on 6 December 1850. The role of Azaël (the prodigal son of the title) was sung in the premiere by the celebrated French tenor, Gustave-Hippolyte Roger, (1815-1879).
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Orlando furioso (Vivaldi, 1714) Orlando furioso RV 819 (] , Teatro San Angelo, Venice 1714) is a three-act opera surviving in manuscript in Antonio Vivaldi's personal library, only partly related to his better known Orlando furioso (RV 728) of 1727. It is a recomposition of an "Orlando furioso" written by Giovanni Alberto Ristori which had been very successfully staged by Vivaldi and his father's "impresa" in 1713, and whose music survives in a few fragments retained in the score of RV 819. Therefore, Vivaldi's first cataloguer Peter Ryom did not assign the opera a RV number, but catalogued it as RV Anh. 84. The libretto was by Grazio Braccioli.
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Priam (horse) Priam (1827–1847) was a British Thoroughbred racehorse and sire. In a career that lasted from April 1830 to July 1832 he ran nineteen times and won seventeen races, including four walkovers. Unraced as a two-year-old he won seven of his eight starts in 1830 most notably the Epsom Derby. He continued to win major races, including successive runnings of the Goodwood Cup for the next two seasons before being retired to stud. He proved to be a successful sire of winners in both Britain and the United States. Priam was regarded by experts as one of the best horses to have raced in England up to that time.
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Abele (Alfieri) Abele is an Italian opera inspired on the first Bible's chapters by Vittorio Alfieri (1749–1803) which he described as a tramelogedia. It was written in 1786 and first published after Alfieri's death in 1804 in London. The play's characters can be divided in two groups:
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Il Bellerofonte Il Bellerofonte is an 18th-century Italian opera in three acts by the Czech composer Josef Mysliveček. It conforms to the serious type (opera seria) that was typically set in the distant past. The libretto, based on the Greek legend of Bellerophon, was written by Giuseppe Bonecchi. The work was dedicated to King Ferdinand I of the Two Sicilies and was first performed at the Teatro San Carlo in Naples on 20 January 1767, the birthday of his father, King Charles III of Spain. The cast featured two stellar singers of the time, Caterina Gabrielli and Anton Raaff, in the leading roles. The opera was only the composer's second one, and the first that permitted him the opportunity to write music for first-rate vocal artists. The production was highly successful, indeed responsible for a meteoric rise in his reputation as an operatic composer. From the time of the premiere of "Bellerofonte" until his death in 1781, Mysliveček succeeded in having more new "opere serie" brought into production than any other composer in Europe. During the same time span, he also had more new operas staged at the Teatro San Carlo in Naples than any other composer.
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Cambise (opera) Il Cambise is an opera by Alessandro Scarlatti to a libretto by Domenico Lalli presented at the Teatro San Bartolomeo for carnival 1719 in Naples. It was the composer's 111th opera and his last for Naples.
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John Pringle (baritone) John Pringle AM (born 17 October 1938) is a retired Australian operatic baritone. He sang leading and supporting roles with Opera Australia and its predecessors for 41 years (1967–2008), and with some overseas companies. He was strongly associated with roles by Mozart, such as Figaro and Count Almaviva in "The Marriage of Figaro"; the title role and Leporello in "Don Giovanni"; Guglielmo and Don Alfonso in "Così fan tutte"; and Papageno in "The Magic Flute".
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La Terre Promise La Terre Promise is an oratorio in three parts by Jules Massenet to a French libretto by the composer based on the French translation of the Vulgate by Silvestre de Sacy. It was first performed at L'église Saint-Eustache in Paris on March 15, 1900, with Jean Noté, baritone, Lydia Nervil, soprano, and the orchestra and chorus totaling 400, directed by a former pupil of Massenet, Eugène d'Harcourt. The work was preceded at its first performance by the French premiere of "Das Liebesmahl der Apostel" (given as "La dernière Cène des Apôtres").
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Der Schauspieldirektor Der Schauspieldirektor ("The Impresario"), K. 486, is a comic "singspiel" by Wolfgang Amadeus Mozart, set to a German libretto by Gottlieb Stephanie, an Austrian "Schauspieldirektor". Originally, it was written because of "the imperial command" of the Holy Roman Emperor Joseph II who had invited 80 guests to a private luncheon.
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Carlton Gauld Carlton Gauld (before 1931 – after 1960) was an American operatic bass who had a prolific career during the 1930s through the 1960s. Raised in Bedford, Indiana, Gustos first rose to prominence at the Metropolitan Opera in New York City, making his debut with the company in the 1931–1932 season as the King of Egypt in Giuseppe Verdi's "Aida". He made his debut with the Teatro Colón in Buenos Aires in 1932, shortly followed by his European debut at the Opéra Comique as Nilakantha in Delibes's "Lakmé". He remained at the Opéra Comique for three years, portraying a variety of roles like, Basilio in "The Barber of Seville", the title role in Giacomo Puccini's "Gianni Schicchi", the Prior in Massenet's "Le Jongleur de Notre Dame", de Grieux in "Manon", Lothario in "Mignon", Ramon in Charles Gounod's "Mireille", the four villains in "The Tales of Hoffmann", Count Almaviva in "Le nozze di Figaro", and Scarpia in "Tosca" among others. He also sang in the world premiere of Emmanuel Bondeville's "L’École des maris" (1933) with the company.
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Le roi s'amuse Le roi s'amuse (] ; literally, "The King Amuses Himself" or "The King Has Fun") is a French play in five acts written by Victor Hugo. First performed on 22 November 1832 but banned by the government after one evening, the play was used for Verdi's 1851 opera "Rigoletto".
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Demofonte Demofonte (also "Demofoonte"; "Il Demofoonte"; "Demofoonte, ré di Tracia" [King of Thrace]; "Démophon"; "Demophontes"; or "Dirce, L'usurpatore innocente" ["Dirce, The Innocent Usurper") is an opera seria libretto by Metastasio. The libretto was first set by Antonio Caldara in 1733, but remained popular throughout the eighteenth century and was set over seventy times.
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Re Enzo (opera) Re Enzo ("King Enzo") is an opera in three acts by Ottorino Respighi to a libretto by Alberto Donini (a student friend of Respighi). "Re Enzo" premiered on 12 March 1905 at the Teatro del Corso in Bologna. The singers were amateurs selected in the world of the Bolognese students; among them, Rosina Giovannoni Zacchi as Lauretta and Ernesto Lavarello as Leonzio. Following the will of the composer, there was a single performance, which obtained a good success.
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Nabucco Nabucco (] ; short for Nabucodonosor ] ~] , English Nebuchadnezzar) is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on biblical books of Jeremiah and Daniel and the 1836 play by Auguste Anicet-Bourgeois and Francis Cornue, although Antonio Cortese's ballet adaptation of the play (with its necessary simplifications), given at La Scala in 1836, was a more important source for Solera than the play itself. Under its original name of "Nabucodonosor", the opera was first performed at La Scala in Milan on 9 March 1842.
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Semiramide riconosciuta (Porpora) Semiramide riconosciuta ("Semiramis Recognized") is an Italian opera with serious action, or "dramma per musica", by Nicola Porpora, set to a libretto by the renowned poet Metastasio with some textual changes, possibly by Domenico Lalli. The opera was written for some of the finest contemporary singers, and includes a technically demanding series of da capo arias.
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Francesco Dominici (operatic tenor) Francesco Dominici (1885–1968) was an Italian operatic tenor particularly admired for his acting in comedic roles. He made his professional opera debut as Fernando in Donizetti's "La favorite" at the Teatro Donizetti in Bergamo in 1914. He created the role of Prunier in the original 1917 production of Puccini's "La rondine" at the Grand Théâtre de Monte Carlo, a role which he performed at many other opera houses including the Teatro Comunale di Bologna. Over the next several years he played mostly leading roles at the Teatro Costanzi in Rome including Rodolfo in Puccini's "La Bohème", Fenton in Verdi's "Falstaff", and the Ernesto in Donizetti's "Don Pasquale". In the early 1920s he joined the roster at La Scala where he began playing more buffo roles than leading roles. In 1921, he sang the role of doctor Cajus in Verdi's Falstaff at La Scala and in 1922 was Filipeto in the company's first production of Ermanno Wolf-Ferrari's "I quattro rusteghi". In 1926 he created the role of Emperor Altoum in the original production of Puccini's "Turandot" at La Scala. In 1929 he went on tour with La Scala to Germany. Other roles that Dominici performed at La Scala include David in Wagner's "Die Meistersinger von Nürnberg", Monostatos in Mozart's "The Magic Flute", and the Neipperg in Umberto Giordano's "Madame Sans-Gêne". In 1931 he moved to Cuba, where he taught music for many years. Dominici died in Havana in 1968.
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Rinaldo (opera) Rinaldo (HWV 7) is an opera by George Frideric Handel, composed in 1711, and was the first Italian language opera written specifically for the London stage. The libretto was prepared by Giacomo Rossi from a scenario provided by Aaron Hill, and the work was first performed at the Queen's Theatre in London's Haymarket on 24 February 1711. The story of love, war and redemption, set at the time of the First Crusade, is loosely based on Torquato Tasso's epic poem "Gerusalemme liberata" ("Jerusalem Delivered"), and its staging involved many original and vivid effects. It was a great success with the public, despite negative reactions from literary critics hostile to the contemporary trend towards Italian entertainment in English theatres.
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Isabella Girardeau Isabella Girardeau (née Calliari?; ? – ?) was an Italian operatic soprano who flourished in London, England from 1709 to 1712. Commonly referred to by the opera going public in London as "La Isabella", she is best remembered today for creating the role of Almirena in the momentous premiere of George Frideric Handel's "Rinaldo" on 24 February 1711 at the Queen's Theatre in the Haymarket (it later became the "King's Theatre" after King George I's accession in 1714) in which she introduced the famous aria "Lascia ch'io pianga". She had succeeded Joanna Maria Lindelheim, "The Baroness", as one of the leading sopranos at that theatre. She is said to have had a bitter rivalry with the Queen's other prima donna, the soprano Elisabetta Pilotti-Schiavonetti.
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L'Olimpiade (Pergolesi) L'Olimpiade is an opera in the form of a dramma per musica in three acts by the Italian composer Giovanni Battista Pergolesi. Pergolesi took the text, with a few modifications, from the libretto of the same name by Pietro Metastasio. The opera first appeared during the Carnival season of 1735 at the in Rome and "came to be probably the most admired" of the more than 50 musical settings of Metastasio’s drama.