A Life for the Tsar is a  Russian libretto with four acts, Tosca an Italian libretto has how many acts?
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A Life for the Tsar A Life for the Tsar (Russian: Жизнь за царя , "Zhizn' za tsarya"), as it is known in English, although in Soviet times its name was "Ivan Susanin" (Russian: Иван Сусанин ) is a "patriotic-heroic tragic opera" in four acts with an epilogue by Mikhail Glinka. The original Russian libretto, based on historical events, was written by Nestor Kukolnik, Egor Fyodorovich (von) Rozen, Vladimir Sollogub and Vasily Zhukovsky. It premiered on 27 November 1836 OS (9 December NS) at the Bolshoi Kamenny Theatre in St. Petersburg. The historical basis of the plot involves Ivan Susanin, a patriotic hero of the early 17th century who gave his life in the expulsion of the invading Polish army for the newly elected Tsar Mikhail, the first of the Romanov dynasty, elected in 1613.
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Tosca Tosca (] ) is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, "La Tosca", is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's invasion of Italy. It contains depictions of torture, murder and suicide, as well as some of Puccini's best-known lyrical arias.
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Leben des Orest Leben des Orest ("The Life of Orestes") is a grand opera in five acts (eight scenes) with words and music both by Ernst Krenek. It is his Op. 60 and the first of his own libretti with an antique setting. The score is inscribed with the dates of composition: 8 August 1928 – 13 May 1929, and includes indications of recommended cuts made for the first production. It premiered at the Neues Theater in Leipzig on 19 January 1930, and opened at the Kroll Opera House in Berlin in early March of the same year (Leichtentritt 1930, 366).
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Le faucon (opera) Le faucon (English: The Falcon , Russian: Сокол ) is an "opéra comique" in three acts by the Ukrainian composer Dmitry Bortniansky with a French language libretto by Franz-Hermann Lafermière. It was first performed on 11 October 1786 at the Gatchina Palace in Russia by aristocratic amateur singers. The plot is borrowed from Boccaccio's "The Decameron" (Fifth Day, 9th tale) which also served as the basis for Pierre-Alexandre Monsigny's 1771 comic opera "Le faucon" (libretto by Michel-Jean Sedaine) (and later for Gounod's "La colombe").
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Tutti in maschera Tutti in maschera (Everyone in Disguise) is an opera (called a "commedia lirica") by Carlo Pedrotti. The libretto is by Marco Marcelliano Marcello, based on the 1759 comedy "L'impresario delle Smirne" by Carlo Goldoni. It was premiered at the Teatro Nuovo, Verona, on 4 November 1856.
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La finta semplice La finta semplice ("The Fake Innocent"), K. 51 (46a) is an opera buffa in three acts for seven voices and orchestra, composed in 1768 by then 12-year-old Wolfgang Amadeus Mozart. Young Mozart and his father Leopold were spending the year in Vienna, where Leopold was trying to establish his son as an opera composer. He was acting on a suggested request from the Emperor Joseph II that the young boy should write an opera.
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Loreley (opera) Loreley is an opera ("azione romantica") in three acts composed by Alfredo Catalani to a libretto by Angelo Zanardini, Carlo D'Ormeville and others. It premiered on 16 February 1890 at the Teatro Regio in Turin. Based on the German legend of the Lorelei, the opera is an extensive reworking of Catalani's four-act opera "Elda" which had premiered in Turin ten years earlier.
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Anyuta Anyuta (Russian: Аню́та ) is a one-act comic opera to a libretto by Mikhail Popov. First performed in 1772, it was one of the first operas written in the Russian language.
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Semirâma Semirâma is an opera in three acts by Ottorino Respighi to a libretto by Alessandro Cerè based on Voltaire's 1748 play "Sémiramis", the same subject used for Rossini's Semiramide. "Semirâma" premiered on 20 November 1910 at the Teatro Comunale in Bologna. The première obtained a great success, with several calls for the composer and the singers.
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Cinderella (Fitinhof-Schell) Cinderella (ru. «Золушка», "Zolushka") (fr. "Cendrillon") is a "ballet-féerie" in three acts, with the choreographyof Enrico Cecchetti (Acts I and III) and Lev Ivanov (Act II) supervised by Marius Petipa. Music is by Baron Boris Fitinhoff-Schell; the libretto is by Lidia Pashkova (ru: Лидия Александровна Пашкова) and Ivan Vsevolozhsky. It was first presented by the Imperial Ballet on 17 December [O.S. 5 December] 1893 at the Imperial Mariinsky Theatre in St. Petersburg, Russian Empire.
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Servilia (opera) Servilia (Russian: Сервилия , "Serviliya", the name of a main character), is an opera in five acts by Nikolai Rimsky-Korsakov. The work was completed in 1901, and was first performed in 1902 in St. Petersburg, Russia. The composer wrote the libretto, which is based on the drama by Lev Alexandrovich Mey. The story is set in Ancient Rome during Nero's reign.
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Eugene Onegin (opera) Eugene Onegin (Russian: Евгений Онегин , "Yevgény Onégin"), Op. 24, is an opera ("lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky. The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's novel in verse, retaining much of his poetry. Tchaikovsky's friend Konstantin Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky himself arranged the text for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1.
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The Tale of Tsar Saltan (Rimsky-Korsakov) The Tale of Tsar Saltan (Russian: Сказка о царе Салтане , "Skazka o Tsare Saltane") is an opera in four acts with a prologue (a total of seven scenes) by Nikolai Rimsky-Korsakov. The libretto was written by Vladimir Belsky, and is based on the poem of the same name by Aleksandr Pushkin. The opera was composed in 1899–1900 to coincide with Pushkin's centenary, and was first performed in 1900 in Moscow, Russia.
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Francesca da Rimini (Zandonai) Francesca da Rimini, Op. 4, is an opera in four acts, composed by Riccardo Zandonai, with libretto by Tito Ricordi, (1865–1933), after the play "Francesca da Rimini" by Gabriele d'Annunzio. It was premiered at the Teatro Regio in Turin on 19 February 1914, and is still staged occasionally.
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Teseo Teseo ("Theseus", HWV 9; ] ) is an opera seria with music by George Frideric Handel, the only Handel opera that is in five acts. The Italian-language libretto was by Nicola Francesco Haym, after Philippe Quinault's "Thésée". It was Handel's third London opera, intended to follow the success of "Rinaldo" after the unpopular "Il pastor fido".
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Lucia di Lammermoor Lucia di Lammermoor is a "dramma tragico" (tragic opera) in three acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's historical novel "The Bride of Lammermoor".
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Genoveva Genoveva, Op. 81, is an opera in four acts by Robert Schumann in the genre of German Romanticism with a libretto by Robert Reinick and the composer. The only opera Schumann ever wrote, it received its first performance on 25 June 1850 at the Stadttheater in Leipzig, with the composer conducting. It received only three performances during the premiere, and the negative criticism it received in the press played a decisive role in Schumann's decision to not write a second opera.
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Lady Macbeth of the Mtsensk District (opera) Lady Macbeth of the Mtsensk District (Russian: "Леди Макбет Мценского уезда" , or "Ledi Makbet Mtsenskogo uyezda") is an opera in four acts and nine scenes by Dmitri Shostakovich, his Opus 29. The libretto, jointly written by Alexander Preys and the composer, is based on the novel of the same name by Nikolai Leskov. (The opera is incorrectly named "Lady Macbeth of Mtsensk" on several commercial CD and DVD recordings.)
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Aida Aida (] ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in Egypt, it was commissioned by and first performed at Cairo's Khedivial Opera House on 24 December 1871; Giovanni Bottesini conducted after Verdi himself withdrew. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, "Aida" has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera.
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La Cleopatra La Cleopatra (1789) is an opera seria in two acts by composer Domenico Cimarosa with an Italian libretto by F. Moretti.
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Eine florentinische Tragödie Eine florentinische Tragödie , Op. 16, is an opera in one act by Alexander von Zemlinsky to a libretto adapted by the composer from a German translation by of Oscar Wilde's unfinished play "A Florentine Tragedy".
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Il barone di Trocchia Il barone di Trocchia was the first of fifty-one operas written by Italian composer Giuseppe Gazzaniga. The two-act intermezzo has an Italian libretto by Francesco Cerlone and premiered at the Teatro Nuovo in Naples, Italy during carnival 1768.