Which  nineteenth-century art movement  was Francis Vielé-Griffin a poet of
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Francis Vielé-Griffin Francis Vielé-Griffin (May 26, 1864 – November 12, 1937), was a French symbolist poet. He was born at Norfolk, Virginia, USA and was the son of Egbert Ludovicus Viele.
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Symbolism (arts) Symbolism was a late nineteenth-century art movement of French, Russian and Belgian origin in poetry and other arts.
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Gustave Kahn Gustave Kahn (21 December 1859, in Metz – 5 September 1936, in Paris) was a French Symbolist poet and art critic. He was also active, via publishing and essay-writing, in defining Symbolism and distinguishing it from the Decadent Movement.
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Literary realism Literary realism is part of the realist art movement beginning with mid nineteenth-century French literature (Stendhal), and Russian literature (Alexander Pushkin) and extending to the late nineteenth and early twentieth century. Literary realism, in contrast to idealism, attempts to represent familiar things as they are. Realist authors chose to depict everyday and banal activities and experiences, instead of using a romanticized or similarly stylized presentation.
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Portrait de l’éditeur Eugène Figuière Portrait de l’éditeur Eugène Figuière, also referred to as The Publisher Eugene Figuiere ("Portrait de Figuière", "L'Editeur Eugène Figuière", "Portrait d'un Editeur", "Portrait d'Eugène Figuière" or "Portrait of the Publisher Eugene Figuiere"), is a painting created in 1913 by the artist, theorist and writer Albert Gleizes. This work was exhibited at the Salon d'Automne, 1913 (no. 768) and Moderni Umeni, 45th Exhibition of SVU Mánes in Prague 1914 (no. 47), and several major exhibitions the following years. Executed in a highly Cubist idiom, the work nevertheless retains recognizable elements relative to its subject matter. The painting represents . Head of his own publishing company, Figuière strove to be identified with every modern development. In 1912 he published the first and only manifesto on Cubism entitled "Du "Cubisme"", written by Albert Gleizes and Jean Metzinger. In 1913 Figuière published "Les Peintres Cubistes, Méditations Esthétiques (The Cubist Painters, Aesthetic Meditations)", by Guillaume Apollinaire. The painting, purchased directly from the artist in 1948, is in the permanent collection of the Musée des beaux-arts de Lyon, France.
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Neo-romanticism The term neo-romanticism is used to cover a variety of movements in philosophy, literature, music, painting, and architecture, as well as social movements, that exist after and incorporate elements from the era of Romanticism. It has been used with reference to late-19th-century composers such as Richard Wagner particularly by Carl Dahlhaus who describes his music as "a late flowering of romanticism in a positivist age". He regards it as synonymous with "the age of Wagner", from about 1850 until 1890—the start of the era of modernism, whose leading early representatives were Richard Strauss and Gustav Mahler . It has been applied to writers, painters, and composers who rejected, abandoned, or opposed realism, naturalism, or avant-garde modernism at various points in time from about 1840 down to the present.
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Medievalism Medievalism is the system of belief and practice characteristic of the Middle Ages, or devotion to elements of that period, which has been expressed in areas such as architecture, literature, music, art, philosophy, scholarship, and various vehicles of popular culture. Since the eighteenth century, a variety of movements have used the medieval period as a model or inspiration for creative activity, including Romanticism, the Gothic revival, the Pre-Raphaelite and arts and crafts movements and neo-medievalism (a term often used interchangeably with medievalism). The words "medievalism" and "Medieval" are both first recorded in the nineteenth century. "Medieval" is derived from Latin "medium aevum" (middle of the ages).
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Du &quot;Cubisme&quot; Du "Cubisme", also written Du Cubisme, or Du « Cubisme » (and in English, On Cubism or Cubism), is a book written in 1912 by Albert Gleizes and Jean Metzinger. This was the first major text on Cubism, predating "Les Peintres Cubistes" by Guillaume Apollinaire (1913). The book is illustrated with black and white photographs of works by Paul Cézanne (1), Gleizes (5), Metzinger (5), Fernand Léger (5), Juan Gris (1), Francis Picabia (2), Marcel Duchamp (2), Pablo Picasso (1), Georges Braque (1), André Derain (1), and Marie Laurencin (2).
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Émile Bernard Émile Henri Bernard (28 April 1868 – 16 April 1941) was a French Post-Impressionist painter and writer, who had artistic friendships with Vincent van Gogh, Paul Gauguin and Eugène Boch, and at a later time, Paul Cézanne. Most of his notable work was accomplished at a young age, in the years 1886 through 1897. He is also associated with Cloisonnism and Synthetism, two late 19th-century art movements. Less known is Bernard's literary work, comprising plays, poetry, and art criticism as well as art historical statements that contain first hand information on the crucial period of modern art to which Bernard had contributed.
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Futurism (music) Futurism was an early 20th-century art movement which encompassed painting, sculpture, poetry, theatre, music, architecture and gastronomy. Filippo Tommaso Marinetti initiated the movement with his "Manifesto of Futurism", published in February 1909. Futurist music rejected tradition and introduced experimental sounds inspired by machinery, and influenced several 20th-century composers.
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Section d'Or The Section d'Or ("Golden Section"), also known as Groupe de Puteaux (or Puteaux Group), was a collective of painters, sculptors, poets and critics associated with Cubism and Orphism. Based in the Parisian suburbs, the group held regular meetings at the home of the Duchamp brothers in Puteaux and at the studio of Albert Gleizes in Courbevoie. Active from 1911 to around 1914, members of the collective came to prominence in the wake of their controversial showing at the Salon des Indépendants in the spring of 1911. This showing by Albert Gleizes, Jean Metzinger, Robert Delaunay, Henri le Fauconnier, Fernand Léger and Marie Laurencin (at the request of Apollinaire), created a scandal that brought Cubism to the attention of the general public for the first time.
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La Promenade (Renoir) The forest was a popular landscape subject for nineteenth-century French artists, particularly the forest of Fontainebleau. Before Renoir, Claude Monet (1840–1926) painted "Bazille and Camille (Study for "Déjeuner sur l'Herbe")" (1865), showing a couple together in the forest. In 1869, Renoir and Monet spent time painting together at La Grenouillère. By 1870, Renoir was living in Louveciennes with his mother. Throughout this decade, the eighteenth-century rococo art movement was back in style and Renoir embraced it. France declared war against Germany on July 19, 1870, starting the Franco-Prussian War. Renoir was conscripted and served four months in the cavalry but never saw combat.
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Poetic realism Poetic realism was a film movement in France of the 1930s. More a tendency than a movement, poetic realism is not strongly unified like Soviet Montage or French Impressionism but were individuals who created this lyrical style. Its leading filmmakers were Pierre Chenal, Jean Vigo, Julien Duvivier, Marcel Carné, and, perhaps the movement's most significant director, Jean Renoir. Renoir made a wide variety of films some influenced by the leftist Popular Front group and even a lyrical short feature film. Frequent stars of these films were Jean Gabin, Michel Simon, Simone Signoret, and Michèle Morgan.
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John Everett Millais Sir John Everett Millais, 1st Baronet, PRA ( ; 8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood.
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William Holman Hunt William Holman Hunt {'1': ", '2': ", '3': 'OM', '4': "} (2 April 1827 – 7 September 1910) was an English painter and one of the founders of the Pre-Raphaelite Brotherhood. His paintings were notable for their great attention to detail, vivid color, and elaborate symbolism. These features were influenced by the writings of John Ruskin and Thomas Carlyle, according to whom the world itself should be read as a system of visual signs. For Hunt it was the duty of the artist to reveal the correspondence between sign and fact. Of all the members of the Pre-Raphaelite Brotherhood, Hunt remained most true to their ideals throughout his career. He was always keen to maximize the popular appeal and public visibility of his works.
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Art dans Tout The Art dans Tout movement was a French art group which operated from 1896 to 1901. Originally called Les Cinq, because it had five founder members, artist and lace designer Félix Aubert, sculptor and craftsman Alexandre Charpentier, sculptor and medalist Jean Dampt, sculptor and medalist Henry Nocq and architect Charles Plumet, it later changed its name to Les Six when Nocq left the group in 1897, replaced by painter Étienne Moreau-Nélaton and architect and decorator Tony Selmersheim. In 1898, the group expanded further to become Art dans Tout when Carl-Albert Angst, a sculptor and student of Dampt, Jules Desbois, a sculptor, Paul Follot, a furniture designer, Alphonse Hérold, a cabinetmaker, Antoine Jorrand, a painter and tapestry designer, Henri Sauvage, an architect, and Louis Sorrel, an architect and collaborator of Aubert's, joined. The group dissolved in 1901 due to commercial necessity.
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Lise (Renoir) The painting was one of Renoir's first critically successful works. At this time, Renoir's technique was still influenced by Gustave Courbet, but he continued to develop his unique style painting filtered light which he would return to in "The Swing" (1876) and "Dance at Le Moulin de la Galette" (1876). The almost life-size portrait and unusual contrast in "Lise" led several critics to ridicule the work. Théodore Duret, a passionate supporter of the nascent Impressionists, bought the painting from Renoir, who was unable to sell it. Karl Ernst Osthaus, a German patron of avant-garde art, acquired "Lise" in 1901 for the Museum Folkwang.
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Arthur Waudby Arthur Waudby (1821–1872) was an English painter of the nineteenth century who specialised in carrying out work for the trade union movement.
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José María Velasco Gómez José María Tranquilino Francisco de Jesús Velasco Gómez Obregón, generally known as José María Velasco, (Temascalcingo, 6 July 1840Mexico City, 26 August 1912) was a 19th-century Mexican polymath, most famous as a painter who made Mexican geography a symbol of national identity through his paintings. He was both one of the most popular artists of the time and internationally renowned. He received many distinctions such as the gold medal of the Mexican National Expositions of Bellas Artes in 1874 and 1876; the gold medal of the Philadelphia International Exposition in 1876, on the centenary of U.S. independence; and the medal of the Paris Universal Exposition in 1889, on the centenary of the outbreak of the French Revolution. His painting "El valle de México" is considered Velasco's masterpiece, of which he created seven different renditions. Of all the nineteenth-century painters, Velasco was the "first to be elevated in the post-Revolutionary period as an exemplar of nationalism."
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Indianism (arts) Indianism (in Portuguese: "Indianismo" ) is a Brazilian literary and artistic movement that reached its peak during the first stages of Romanticism, though it had been present in Brazilian literature since the Baroque period.
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Art in modern Scotland Art in modern Scotland includes all aspects of the visual arts in the country since the beginning of the twentieth century. In the early twentieth century, the art scene was dominated by the work of the members of the Glasgow School known as the Four, led Charles Rennie Mackintosh, who gained an international reputation for their combination of Celtic revival, Art and Crafts and Art Nouveau. They were followed by the Scottish Colourists and the Edinburgh School. There was a growing interest in forms of Modernism, with William Johnstone helping to develop the concept of a Scottish Renaissance. In the post-war period, major artists, including John Bellany and Alexander Moffat, pursued a strand of "Scottish realism". Moffat's influence can be seen in the work of the "new Glasgow Boys" from the late twentieth century. In the twenty-first century Scotland has continued to produce influential artists such as Douglas Gordon and Susan Philipsz.
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John Ruskin (painting) John Ruskin is a painting of the leading Victorian art critic John Ruskin (1819–1900). It was painted by the Pre-Raphaelite artist John Everett Millais (1829–1896) during 1853–54. John Ruskin was an early advocate of the Pre-Raphaelite group of artists and part of their success was due to his efforts.