What two sub genres is the music, in which Hal Bynum is most closely associated, rooted?
9b892c83e8467344b4be9764d9377ee8
Hal Bynum Harold L. "Hal" Bynum (born 1934) is an American songwriter associated with the Outlaw country movement in the 1970s. Bynum has written more than 200 songs for popular country artists, including Kenny Rogers ("Lucille"), Patty Loveless ("Chains"), Johnny Cash ("Papa Was a Good Man"), Cash and Waylon Jennings ("There Ain't No Good Chain Gang"), and Jim Reeves ("Nobody's Fool"). Bynum also wrote "The Old, Old House", which has been performed by George Jones, Bill Monroe, Ralph Stanley, and the Grateful Dead.
8d4f9c4205de634e2876bee08fba1a1b
Outlaw country Outlaw country is a subgenre of American country music, most popular during the 1970s and early-1980s, sometimes referred to as the outlaw movement or simply outlaw music. The music has its roots in earlier subgenres like honky tonk and rockabilly and is characterized by a blend of rock and folk rhythms, country instrumentation and introspective lyrics. The movement began as a reaction to the slick production and popular structures of the Nashville sound developed by record producers like Chet Atkins.
0d122d03f77850fa1408aa072203233c
Chamber jazz Chamber jazz is a genre of jazz involving small, acoustic-based ensembles where group interplay is important. It is influenced aesthetically by musical neoclassicism and is often influenced by classical forms of Western music as well as non-Western music or culture. That stated, in many cases the influence is traditional Celtic music, , or Latin American music instead. The genre primarily began in Europe so significant neoclassical composers of Europe, like Igor Stravinsky, are important in it. The German ECM Records also played a role in it beginning in the late 1960s. It is also noted for using instruments not normally associated with jazz. For example, chamber jazz will make use of the oboe, mandolin, cymbalum, or the tabla.
5d18502d6232dfe56e91128207ee2049
New Orleans blues New Orleans blues, is a subgenre of blues music and a variation of Louisiana blues that developed in the 1940s and 1950s in and around the city of New Orleans, rooted by the rich blues roots of the city going back generations earlier. Strongly influenced by jazz and incorporated Caribbean influences, it is dominated by piano and saxophone but has also produced major guitar bluesmen. Major figures in the genre include Professor Longhair and Guitar Slim, who both produced major regional, R&B chart and even mainstream hits.
2a4094d9bd9472b3f8de88fddde35da5
Hip hop Hip hop or hip-hop is a subculture and art movement developed in South Bronx in New York City during the late 1970s. While people unfamiliar with hip hop culture often use the expression "hip hop" to refer exclusively to hip hop music (also called "rap"), Hip hop is characterized by nine distinct elements or expressive realms, of which hip hop music is only four elements (rapping, djaying, beatboxing and breaking). Afrika Bambaataa of the hip hop collective Zulu Nation outlined the pillars of hip hop culture, coining the terms: "rapping" (also called MCing or emceeing), a rhythmic vocal rhyming style (orality); DJing (and turntablism), which is making music with record players and DJ mixers (aural/sound and music creation); b-boying/b-girling/breakdancing (movement/dance); and graffiti art, which he called "aerosol writin'", although many say that the graffiti that hip hop adopted had been around years earlier, and had nothing to do with hip hop culture. (visual art). Other elements of hip hop subculture and arts movements beyond the main four are: hip hop culture and historical knowledge of the movement (intellectual/philosophical); beatboxing, a percussive vocal style; street entrepreneurship; hip hop language; and hip hop fashion and style, among others.
9b9916f7e353fa6d19444bdd1a8a1a64
List of blues festivals The following is an incomplete list of blues festivals, which encapsulates music festivals focused on blues. This list may have some overlap with list of historic jazz festivals and list of historic rock festivals, both later genres dependent on elements of the blues. The blues is a genre and musical form that originated in African-American communities in the "Deep South" of the United States around the end of the 19th century. The genre is a fusion of traditional African music and European folk music, spirituals, work songs, field hollers, shouts and chants, and rhymed simple narrative ballads. Blues has since evolved from unaccompanied vocal music and oral traditions of slaves into a wide variety of styles and subgenres, such as country blues, Delta and Piedmont, Chicago, West Coast blues. World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to a wider audience, especially white listeners. In the 1960s and 1970s, a hybrid form called blues rock evolved, which was featured prominently in the Summer of Love, for example, and became ubiquitous at rock festivals.
84c1f40e8413934e79360a99e499d2dd
Industrial techno Industrial techno is a subgenre of techno and industrial dance music that originated from United Kingdom in the 1990s. Characteristically, it incorporates influences from the bleak, noisy sound and aesthetics of early industrial music acts, particularly Cabaret Voltaire and Throbbing Gristle. American industrial music label Wax Trax! also had a profound influence over the genre's development. The genre has seen a resurgence in the 2010s, spearheaded by acts such as Blawan and Karenn. As a result, it has gained a significant fanbase from the post-dubstep audience.
3536c5738cbe69407eb671c1358597bc
Tech house Tech house is a subgenre of house music that mixes elements of techno with house. The term "tech house" developed as a shorthand record store name for a category of electronic dance music that combined musical aspects of techno, such as "rugged basslines" and "steely beats," with the harmonies and grooves of progressive house. The music originally had a clean and minimal production style that was associated with techno from Detroit and the UK.
96ff6ad4da7fce7cad4a4f0107c3d8aa
Record collecting Record collecting is the hobby of collecting sound recordings, usually of music and/or the "spoken word" (i.e. recordings of drama, poetry, historical speeches, significant news broadcasts, speech dialect samplings, etc.), but, in some cases (although mostly on a smaller scale), even of other recorded sounds (e.g. bird calls and/or other sounds of nature; railroad and other mechanized vehicle sounds; urban, rural, forest, and other "soundscapes"; various "sound effects"; etc.). Although the typical focus is on vinyl records, all formats of recorded music can be collected.
c5e2d90b62db8a83820c31c021cc719b
Outsider house Outsider house (also referred to as outsider dance) is a genre of electronic music combining elements of house music, techno and noise. The music is often rough-sounding and "lo-fi", in contrast to the "polished cleanliness" of other contemporary electronic music genres.
307236fcc13cf3494e353389086abeec
Mount Sims Mount Sims (also Mt. Sims) is the stage name of Matthew Sims, a Berlin-based American DJ, performance artist and producer. A native of Milwaukee, Wisconsin, Sims began his career in the local music scene there. Sims was involved in several groups, the most notable of which was Citizen King, an Alternative Rock band famous for their 1999 hit "Better Days (And The Bottom Drops Out)", which reached #25 on the US Billboard Hot 100 chart. However, Citizen King would not see any further success, and was disbanded by 2002. Around the same time Sims relocated to Los Angeles, where he continued his music career as a solo artist. Starting Mount Sims as a purely electronic music act, later releases have also shown influences from post punk, new wave, and darkwave. Sims is almost exclusively responsible for every aspect of his music, providing vocals, instrumentation, and production. He was originally supported by two dancers, whereas the last incarnation under the altered spelling Mt. Sims was a three-piece band that included Rand Twigg on bass and Andre Lange on drums.
19bc24aa8fbe6949bae38556f9955d35
Christian R&amp;B Christian R&B (also known as Gospel R&B, Rhythm & Praise music, and R&P) is a subgenre of rhythm and blues music consisting of Christian-based lyrics or of musicians typically known for writing such songs, with the purpose to uplift, entertain, or to simply give a Christian perspective of any topic. Some people may view Christian R&B as a subgenre of gospel music, or a cross-genre under both gospel and R&B.
d354e9cc185a51e009dad1c64bf8cba3
Funk Funk is a music genre that originated in the mid-1960s when African American musicians created a rhythmic, danceable new form of music through a mixture of soul music, jazz, and rhythm and blues (R&B). Funk de-emphasizes melody and chord progressions used in other related genres and brings a strong rhythmic groove of a bass line played by an electric bassist and a drum part played by a drummer to the foreground. Like much of African-inspired music, funk typically consists of a complex groove with rhythm instruments playing interlocking grooves. Funk uses the same richly-colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths.
701eb550609c322600ce326b067e84ae
Neotraditional country Neotraditional country, also known as new traditional country, is a country music style that emphasizes the instrumental background and a "traditional" country vocal style. Neotraditional country artists often dress in the fashions of the country music scene of the 1940s, 1950s and early 1960s. Some neotraditional artists are sometimes associated with the alternative country movement.
3608089a7657ed563f2f8bd013396ea7
Synth-pop Synth-pop (short for synthesizer pop; also called techno-pop) is a subgenre of new wave music that first became prominent in the late 1970s, reached its heyday in the 1980s, and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the "Krautrock" of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s.
2b72094c84de10259f659f8e1a2f7413
Downtempo Downtempo (sometimes called "trip hop") is a genre of electronic music similar to ambient, but with a greater emphasis on rhythm, and is not as "earthy" as trip hop.
ad6cbbba9c9675340dfcc6fbf3d13474
Tropical house Tropical house, also known as trop house, is a subgenre of deep house, with elements of dancehall and Balearic house. Artists of the genre are often featured at various summer festivals such as Tomorrowland. The genre was popularized by artists including Thomas Jack, Kygo, Matoma, Lost Frequencies, Seeb and Klingande.
a7d0d2bfaebbeb138604dddc8716a602
Post-industrial music Post-industrial music is a collection of related music genres that emerged in the early 1980s, all of which blended elements of varying styles with the then new genre of industrial music. "Industrial" had first been applied to music in the mid-1970s by the Industrial Records label artists. Since then, a number of labels and artists have come to be called "industrial". These offshoots include fusions with noise music, ambient music, folk music, industrial rock and electronic dance music, as well as other mutations and developments. The scene has spread worldwide, and is particularly well represented in North America, Europe, and Japan.
78f4ded0f4c39a3af93466787498d661
Vocal harmony Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes).
b79eeb1656aaff687261c2e66a320c2d
Jazz drumming Jazz drumming is the art of playing percussion (predominantly the drum set, which includes a variety of drums and cymbals) in jazz styles ranging from 1910s-style Dixieland jazz to 1970s-era jazz fusion and 1980s-era Latin jazz. The techniques and instrumentation of this type of performance have evolved over several periods, influenced by jazz at large and the individual drummers within it. Stylistically, this aspect of performance was shaped by its starting place, New Orleans, as well as numerous other regions of the world, including other parts of the United States, the Caribbean, and Africa.
27441f3a1bf50e6a101bc585e6e4169d
Avant-pop (artistic movement) Avant-pop (or avantpop) is an American artistic movement which derived from postmodernism in the 1990s. The name of the movement has been taken by Larry McCaffery from the homonymous 1986 album by American jazz musician Lester Bowie ("Avant Pop - Brass Fantasy"), where pop tunes are scored for a brass ensemble.
c4a5cc1c661190945f279537b853b06f
Punk rock Punk rock (or "punk") is a rock music genre that developed in the early to mid-1970s in the United States, United Kingdom, and Australia. Rooted in 1960s garage rock and other forms of what is now known as "proto-punk" music, punk rock bands rejected perceived excesses of mainstream 1970s rock. Punk bands typically produced short or fast-paced songs, with hard-edged melodies and singing styles, stripped-down instrumentation, and often political, anti-establishment lyrics. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through informal channels.