Ivanhoé is an 1826 pastiche opera in three acts with music by Gioachino Rossini, the  music was adapted, with the composer's permission, by the music-publisher Antonio Pacini from Rossini's operas, namely La gazza ladra, is a "melodramma" or opera semiseria in two acts by Gioachino Rossini, with a libretto by who?
8397c7e66a48aeeb485cfc47d0cb03c4
Ivanhoé Ivanhoé is an 1826 pastiche opera in three acts with music by Gioachino Rossini to a French-language libretto by Émile Deschamps and Gabriel-Gustave de Wailly, after Walter Scott's novel of the same name. The music was adapted, with the composer's permission, by the music-publisher Antonio Pacini from Rossini's operas, namely "Semiramide", "La Cenerentola", "La gazza ladra", and "Tancredi" in order to introduce his music to Paris. An examination of the score shows that Pacini also used music from "Bianca e Faliero", "Armida", "Maometto II", "Aureliano in Palmira", "Sigismondo", "Torvaldo e Dorliska", "Mosè in Egitto" and an amount of newly composed music including fanfares and the gallop that was later to become famous from its inclusion in "Guglielmo Tell". The work was premiered on 15 September 1826, at the Odéon Theatre.
a173a117d4f8cb3b0befa1929a456bd0
La gazza ladra La gazza ladra (] , The Thieving Magpie) is a "melodramma" or opera semiseria in two acts by Gioachino Rossini, with a libretto by Giovanni Gherardini based on "La pie voleuse" by Théodore Baudouin d'Aubigny and Louis-Charles Caigniez.
0ab622451d47c268c54ac80a7412298b
Orlando furioso (Vivaldi, 1714) Orlando furioso RV 819 (] , Teatro San Angelo, Venice 1714) is a three-act opera surviving in manuscript in Antonio Vivaldi's personal library, only partly related to his better known Orlando furioso (RV 728) of 1727. It is a recomposition of an "Orlando furioso" written by Giovanni Alberto Ristori which had been very successfully staged by Vivaldi and his father's "impresa" in 1713, and whose music survives in a few fragments retained in the score of RV 819. Therefore, Vivaldi's first cataloguer Peter Ryom did not assign the opera a RV number, but catalogued it as RV Anh. 84. The libretto was by Grazio Braccioli.
da446a0261724b8232ebf8d0e54884af
Semiramide riconosciuta (Porpora) Semiramide riconosciuta ("Semiramis Recognized") is an Italian opera with serious action, or "dramma per musica", by Nicola Porpora, set to a libretto by the renowned poet Metastasio with some textual changes, possibly by Domenico Lalli. The opera was written for some of the finest contemporary singers, and includes a technically demanding series of da capo arias.
45cd650b3c223d97c249c2b2b04b6feb
Callirhoé Callirhoé is an opera by the French composer André Cardinal Destouches. It takes the form of a "tragédie en musique" in a prologue and five acts. The libretto, by Pierre-Charles Roy, is based on a story from "The Description of Greece" by Pausanias (see Coresus). The opera was first performed on December 27, 1712, by the Académie royale de musique at the Théâtre du Palais-Royal in Paris. Destouches reworked the score for a revival on 22 October, 1743. This version ends abruptly with the death of Corésus.
0f807cddc2363ddb3e029b3871fe491f
Lucia di Lammermoor Lucia di Lammermoor is a "dramma tragico" (tragic opera) in three acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's historical novel "The Bride of Lammermoor".
be4a1cc15592586091b9daf10ba2d659
L'Olimpiade (Pergolesi) L'Olimpiade is an opera in the form of a dramma per musica in three acts by the Italian composer Giovanni Battista Pergolesi. Pergolesi took the text, with a few modifications, from the libretto of the same name by Pietro Metastasio. The opera first appeared during the Carnival season of 1735 at the in Rome and "came to be probably the most admired" of the more than 50 musical settings of Metastasio’s drama.
443c5d28028b5a3685022a00df969cb1
Eugenio Cavallini Eugenio Cavallini (16 June 1806 — 11 April 1881) was an Italian conductor, composer, violinist, and violist. In 1833 he became first violinist of the orchestra at La Scala, a post he held through 1855. He also served as a conductor at La Scala, notably leading the world premieres of Gaetano Donizetti's "Lucrezia Borgia" (1833), Donizetti's "Gemma di Vergy" (1834), Donizetti's "Maria Stuarda" (1835), Saverio Mercadante's "Il giuramento" (1837), Mercadante's "Il bravo" (1839), Giuseppe Verdi's "Oberto" (1839), Verdi's "Un giorno di regno" (1840), Donizetti's "Maria Padilla" (1841), Verdi's "Nabucco" (1842), Verdi's "I Lombardi alla prima crociata" (1843), Verdi's "Giovanna d'Arco" (1845), Federico Ricci's "Estella di Murcia" (1846), and Domenico Ronzani's "Salvator Rosa" (1854).
e17df53f4625ff09ca12e4761c9cbfc2
La lettera anonima La lettera anonima ("The anonymous letter") is a farce in one act composed by Gaetano Donizetti in 1822 to a libretto by Giulio Genoino, a former monk and the official censor of the Kingdom of the Two Sicilies. Genoino based his libretto on his own farce which, in turn, had been based on "Mélite, ou Les fausses lettres " by Pierre Corneille in 1630.
4a88e33f09845606122d29585de543b1
Rodrigo (opera) Rodrigo (HWV 5) is an opera in three acts composed by George Frideric Handel. Its original title was "Vincer se stesso è la maggior vittoria" ("To overcome oneself is the greater victory"). The opera is based on the historical figure of Rodrigo, the last Visigothic king of Spain. The libretto was based on Francesco Silvani's "II duello d'Amore e di Vendetta" ("The conflict between love and revenge"). Dating from 1707, it was Handel's first opera written for performance in Italy, and the first performance took place in Florence late in 1707.
b53b0e5a4e159792cf9fc8015a1340fb
Teseo Teseo ("Theseus", HWV 9; ] ) is an opera seria with music by George Frideric Handel, the only Handel opera that is in five acts. The Italian-language libretto was by Nicola Francesco Haym, after Philippe Quinault's "Thésée". It was Handel's third London opera, intended to follow the success of "Rinaldo" after the unpopular "Il pastor fido".
cbc6e3a67142c73d4e840801aea74bb7
Tamerlano Tamerlano ("Tamerlane", HWV 18) is an opera seria in three acts written for the Royal Academy of Music theatre company, with music by George Frideric Handel to an Italian text by Nicola Francesco Haym, adapted from Agostin Piovene's "Tamerlano" together with another libretto entitled "Bajazet" after Nicolas Pradon's "Tamerlan, ou La Mort de Bajazet".
130608794f1819a472243f7d47da8094
Linda di Chamounix Linda di Chamounix is an operatic "melodramma semiserio" in three acts by Gaetano Donizetti. The Italian libretto was written by Gaetano Rossi. It premiered in Vienna, at the Kärntnertortheater, on 19 May 1842.
7eebc91384e424ef3597aa0122d2b1d7
Casa Ricordi Casa Ricordi is a publisher of primarily classical music and opera. Its classical repertoire represents one of the important sources in the world through its publishing of the work of the major 19th-century Italian composers such as Gioachino Rossini, Gaetano Donizetti, Vincenzo Bellini, Giuseppe Verdi, and, later in the century, Giacomo Puccini, composers with whom one or another of the Ricordi family came into close contact.
154aa57f72de1682091a647f916d560c
Farsa Farsa (Italian, literally: "farce", plural: "farse") is a genre of opera, associated with Venice in the late 18th and early 19th centuries. It is also sometimes called "farsetta".
4f7e6371d30c00f80c66553b9e930c8c
Melodramma Melodramma (plural: "melodrammi") is a 17th-century Italian term for a text to be set as an opera, or the opera itself. In the 19th-century, it was used in a much narrower sense by English writers to discuss developments in the early Italian libretto, e.g., "Rigoletto" and "Un ballo in maschera". Characteristic are the influence of French bourgeois drama, female instead of male protagonists, and the practice of opening the action with a chorus.
87c4320e32ed7c6e03a260eff14a0692
Alessandro Severo Alessandro Severo (Alexander Severus, HWV A13) is an opera by George Frideric Handel composed in 1738. It is one of Handel's three pasticcio works, made up of the music and arias of his previous operas "Giustino", "Berenice" and "Arminio". Only the overture and recitatives (as well as the words) were new. The impresario Johann Jacob Heidegger probably selected the 1717 libretto by Apostolo Zeno, originally written for Antonio Lotti and re-used by many composers thereafter.
b6b97b6ad3c24c8374d044f42729f817
Agrippina (opera) Agrippina (HWV 6) is an "opera seria" in three acts by George Frideric Handel with a libretto by Cardinal Vincenzo Grimani. Composed for the 1709–10 Venice "Carnevale" season, the opera tells the story of Agrippina, the mother of Nero, as she plots the downfall of the Roman Emperor Claudius and the installation of her son as emperor. Grimani's libretto, considered one of the best that Handel set, is an "anti-heroic satirical comedy", full of topical political allusions. Some analysts believe that it reflects Grimani's political and diplomatic rivalry with Pope Clement XI.
be175c180ad74214fed76d10e2b2b68f
Il campiello Il campiello ("The Little Square") is an opera in three acts by Ermanno Wolf-Ferrari. The Italian-language libretto was by Mario Ghisalberti, after the famous comedy of the same name written for the 1756 Venetian Carnival by the great Venetian playwright, Carlo Goldoni.
50895b7e81b03442466b0c05a1b1e6c6
Elena da Feltre Elena da Feltre is an opera in three acts by 19th-century Italian composer Saverio Mercadante from a libretto by Salvatore Cammarano, well known as librettist of Donizetti's "Lucia di Lammermoor" and Verdi's "Il trovatore". The premiere took place at the Teatro San Carlo in Naples on 1 January 1839 as part of the Carnival Season. While not successful at the time, the opera was revived at La Scala in 1843 with twenty performances.
2bbc5bdc6feb5219260249cf735f8f3b
Il viaggio a Reims Il viaggio a Reims, ossia L'albergo del giglio d'oro (The Journey to Reims, or The Hotel of the Golden Fleur-de-lis) is an operatic dramma giocoso, originally performed in three acts, by Gioachino Rossini to an Italian libretto by Luigi Balocchi, based in part on "Corinne, ou L'Italie" by Mme de Staël.
6de6f646ac1665e9e0a08b8f2e2293d5
William Tell (opera) Guillaume Tell (English: William Tell , Italian: Guglielmo Tell ) is a French opera in four acts by Gioachino Rossini to a libretto by Étienne de Jouy and Hippolyte Bis. Based on Friedrich Schiller's play "William Tell," which drew on the William Tell legend, the opera was Rossini's last, although he lived for nearly forty more years. Fabio Luisi said that Rossini planned for "William Tell" to be his last opera even as he composed it. The overture, in four sections and featuring a depiction of a storm as well as a vivacious finale, the "March of the Swiss Soldiers," is often played.