Which American film cinematographer and director, has been a five time Academy Award nominee, and has had some works executivly produced by Vincent Arcaro?
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Vincent Arcaro Vincent Arcaro (born February 22, 1953) is an American film, television, and commercial producer based in Los Angeles. He is best known for executive producing some of the works of directors Caleb Deschanel, Michael Lehmann, Brad Silberling, Andy Garcia, and Conrad Hall.
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Caleb Deschanel Joseph Caleb Deschanel, A.S.C., (born September 21, 1944) is an American film cinematographer and film/television director. He has been nominated for the Academy Award for Best Cinematography five times. He is a member of the National Film Preservation Board of the Library of Congress, representing the American Society of Cinematographers. The actresses Emily and Zooey Deschanel are his daughters by his wife, the former Mary Jo Weir, whom he married in 1972.
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Allen Daviau Allen Daviau, A.S.C. (born June 14, 1942) is an American cinematographer. He has been nominated and won numerous awards, including 5 Oscar nominations and 2 BAFTA nominations, winning 1 BAFTA award.
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St. Vincent (film) St. Vincent is a 2014 American comedy-drama film written, directed and co-produced by Theodore Melfi, in his feature film debut. The film stars Bill Murray as the title character and features Jaeden Lieberher, Melissa McCarthy, Chris O'Dowd and Naomi Watts.
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Daniel L. Fapp Daniel L. Fapp, A.S.C. (April 21, 1904 – July 19, 1986) was an American cinematographer, best known as director of photography for "West Side Story" (1961), for which he won an Academy Award for Best Cinematography, and "The Great Escape" (1963). He also was nominated for Academy Awards for his cinematography for "Desire Under the Elms" (1958), "The Five Pennies" (1959), "One, Two, Three" (1961), "The Unsinkable Molly Brown" (1964), "Ice Station Zebra" (1968) and "Marooned" (1969).
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John Frankenheimer John Michael Frankenheimer (February 19, 1930 – July 6, 2002) was an American film and television director known for social dramas and action/suspense films. Among his credits were "Birdman of Alcatraz" (1962), "The Manchurian Candidate" (1962), "Seven Days in May" (1964), "The Train" (1964), "Seconds" (1966), "Grand Prix" (1966), "French Connection II" (1975), "Black Sunday" (1977), and "Ronin" (1998).
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Sidney Lumet Sidney Arthur Lumet ( ; June 25, 1924 – April 9, 2011) was an American director, producer and screenwriter with over 50 films to his credit. He was nominated for the Academy Award for Best Director for "12 Angry Men" (1957), "Dog Day Afternoon" (1975), "Network" (1976), and "The Verdict" (1982). He did not win an individual Academy Award, but he did receive an Academy Honorary Award and 14 of his films were nominated for various Oscars, such as "Network", which was nominated for ten, winning four.
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Robert Altman Robert Bernard Altman ( ; February 20, 1925 – November 20, 2006) was an American film director, screenwriter, and film producer. A five-time nominee of the Academy Award for Best Director and an enduring figure from the New Hollywood era, Altman was considered a "maverick" in making films with a highly naturalistic but stylized and satirical aesthetic, unlike most Hollywood films. He is consistently ranked as one of the greatest and most influential filmmakers in American cinema.
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Frank Stanley (cinematographer) Frank Walter Stanley (May 5, 1922 in New York – December 21, 1999 in Sarasota, Florida) was an American cinematographer. He is best known for four Clint Eastwood films in a row: "Breezy" (1973), "Magnum Force" (1973), "Thunderbolt and Lightfoot" (1974) and "The Eiger Sanction" (1975). During the filming of "The Eiger Sanction", shot in Switzerland, which required a great deal of precarious mountain-climbing cinematography,
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Sharon Oreck Sharon Oreck (born April 10, 1955) is an American film, music video and commercial producer. She has Oscar and Grammy nominations in addition to other awards. She is credited with coining the term "populence". Oreck has been married to cinematographer Bill Pope since the 1980s. She was a cinema student at Los Angeles City College in Los Angeles.
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Five Miles to Midnight Five Miles to Midnight (French: Le Couteau dans la plaie, literally The Knife in the wound) is a 1962 internationally co-produced drama film directed by Anatole Litvak. It starred Sophia Loren and Anthony Perkins. It was produced through Filmsonor S.A., Dear Film Produzione and Mercury, and distributed by United Artists.
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Lucien Ballard Lucien Ballard, A.S.C. (6 May 1908 – 1 October 1988) was an American cinematographer.
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Vilmos Zsigmond Vilmos Zsigmond, ASC (] ; June 16, 1930 – January 1, 2016) was a Hungarian-American cinematographer.
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Frank A. Montaño Frank A. Montaño is an American re-recording mixer. He has been nominated for eight Academy Awards for Best Sound. He has worked on nearly 145 films since 1987.
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Amir Mokri Amir M. Mokri (Persian: امیر مکری‎ ‎ ; born June 11, 1956) is an Iranian-born American cinematographer known for his work on blockbuster action films such films as "Bad Boys II", "Fast & Furious", "Man of Steel" and "," collaborating with directors like Michael Bay, Andrew Niccol, and Zack Snyder.
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Renato Berta Renato Berta is a Swiss cinematographer and film director, best known for his collaborations with directors Alain Tanner and Jean-Marie Straub. Trained at the Centro Sperimentale di Cinematografia in Rome, Berta has worked as cinematographer in more than 100 films since 1969. He won a César Award for Best Cinematography for "Au revoir les enfants" in 1988 and a David di Donatello for Best Cinematography for "Noi credevamo" in 2011.
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ARY Film Award for Best Cinematography The ARY Film Award for Best Cinematography is an ARY Film Award that is awarded each year to a cinematographer for work in one particular motion picture. It is one of eleven Technical Awarding category.
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Luca Bigazzi Luca Bigazzi (born 9 December 1958) is an Italian cinematographer. He won seven David di Donatello for Best Cinematography (fourteen nominations). He worked with directors such as Silvio Soldini, Mario Martone, Felice Farina, Gianni Amelio, Francesca Archibugi, Michele Placido, Abbas Kiarostami and Paolo Sorrentino.
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Takao Saito (cinematographer) Takao Saito (斎藤 孝雄 , Saitō Takao , March 5, 1929 – December 6, 2014) was a Japanese cinematographer who frequently collaborated with filmmaker Akira Kurosawa. He was nominated for the Academy Award for Best Cinematography for his work in the film "Ran" (1985).
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Ronald Víctor García Ronald Víctor García is an American cinematographer and film director. He is known for directing 1970s horror and exploitation films, such as "The Toy Box" and "Inside Amy", as well as his later work on television series, including directing "Silk Stalkings", and working as the director of photography on series such as "Hawaii Five-0", "Numb3rs", "Gilmore Girls", and the pilot of "Twin Peaks". In 1991, García received the CableACE Award for Direction of Photography for a Dramatic or Theatrical Special/Movie or Miniseries for his work on the film "El Diablo". In addition, he received 2 Primetime Emmy Award nominations for other projects and was honored with a lifetime achievement award from the American Society of Cinematographers.
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James Signorelli James Signorelli is an American film director and cinematographer, best known for his work on the TV show "Saturday Night Live". He has been the film segment producer for more than 400 episodes of "Saturday Night Live" since 1976. He has produced many of the commercial parodies for which the show is noted.
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Ernest Miller (cinematographer) Ernest Miller (March 7, 1885 – April 23, 1957) was an American cinematographer who was nominated for an Academy Award at the 1939 Oscars for Best Cinematography for the film "Army Girl", sharing the nomination with Harry J. Wild. He had nearly 350 film and television credits to his name, mostly Westerns, including some of the early episodes of "Gunsmoke". Location work on "Army Girl" was done primarily at the Iverson Movie Ranch in Chatsworth, Calif., where Miller cut his teeth in B-Westerns and became one of the most prolific -- and one of the best -- of the site's shooters during the course of his career. His camera work at Iverson became identifiable for Miller's trademark use of the site's charismatic sandstone rock features as framing devices, as he incorporated the giant boulders into the artistry of the outdoor action shots in ways that few cinematographers could match.