A Novel written by who is an opera based on in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann, that is a mainstay of the repertory during its history have included the following works which have each been performed more than 1,000 times by the company?
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Opéra-Comique The Opéra-Comique is a Parisian opera company, which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with, and for a time took the name of its chief rival the Comédie-Italienne at the Hôtel de Bourgogne, and was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located in Place Boïeldieu, in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France, and to French opera. Its current mission is to reconnect with its history, and discover its unique repertoire, to ensure production and dissemination of operas for the wider public. Mainstays of the repertory at the Opéra-Comique during its history have included the following works which have each been performed more than 1,000 times by the company: "Cavalleria Rusticana", "Le chalet", "La dame blanche", "Le domino noir", "La fille du régiment", "Lakmé", "Manon", "Mignon", "Les noces de Jeannette", "Le pré aux clercs", "Tosca", "La bohème", "Werther" and "Carmen", the last having been performed more than 2,500 times.
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Werther Werther is an opera ("drame lyrique") in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann (who used the pseudonym Henri Grémont). It is loosely based on the German epistolary novel "The Sorrows of Young Werther" by Johann Wolfgang von Goethe, which was based both on fact and on Goethe's own early life. Earlier examples of operas using the story were made by Kreutzer (1792) and Pucitta (1802).
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Kuningas lähtee Ranskaan Kuningas lähtee Ranskaan (English: The King Goes Forth to France ) is an opera in three acts by Aulis Sallinen, based on the novel of the same title by Paavo Haavikko, who also wrote the libretto. The English singing version is by Stephen Oliver.
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L'écume des jours (opera) L'écume des jours (English: "The Foam of Days") is an opera in three acts (14 scenes) by the Russian composer Edison Denisov. The French (also German and Russian) text is by the composer based on the novel of the same title by Boris Vian. It was composed in 1981.
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Opera Opera (] ; English plural: "operas"; Italian plural: "opere" ] ) is an art form in which singers and musicians perform a dramatic work combining text (libretto) and musical score, usually in a theatrical setting. In traditional opera, singers do two types of singing: recitative, a speech-inflected style and arias, a more melodic style, in which notes are sung in a sustained fashion. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor.
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Le roi de Lahore Le roi de Lahore ("The king of Lahore") is an opera in five acts by Jules Massenet to a French libretto by Louis Gallet. It was first performed at the Palais Garnier in Paris on 27 April 1877 in costumes designed by Eugène Lacoste and settings designed by Jean Émile Daran (Act I, scene 1), Auguste-Alfred Rubé and Philippe Chaperon (Act I, scene 2; Act V), Louis Chéret (Act II), Jean-Baptiste Lavastre (Act III), Antoine Lavastre and Eugène Louis Carpezat (Act IV).
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L'heure espagnole L'heure espagnole is a 1911 one-act opera, described as a "comédie musicale", with music by Maurice Ravel to a French libretto by Franc-Nohain, based on Franc-Nohain's 1904 play ('comédie-bouffe') of the same name The opera, set in Spain in the 18th century, is about a clockmaker whose unfaithful wife attempts to make love to several different men while he is away, leading to them hiding in, and eventually getting stuck in, her husband's clocks. The title can be translated literally as "The Spanish Hour", but the word "heure" more importantly means "time" – "Spanish Time", with the connotation "How They Keep Time in Spain".
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Les brigands Les brigands ("The Bandits") is an opéra bouffe, or operetta, by Jacques Offenbach to a French libretto by Henri Meilhac and Ludovic Halévy. Meilhac and Halévy's libretto lampoons both serious (Schiller's play set to music by Verdi) and light theatre ("Fra Diavolo" and "Les diamants de la couronne" by Auber). The plot is cheerfully amoral in its presentation of theft as a basic principle of society rather than as an aberration. As Falsacappa, the brigand chieftain, notes: "Everybody steals according to their position in society". The piece premiered in Paris in 1869 and has received periodic revivals in France and elsewhere, both in French and in translation.
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Don Quichotte Don Quichotte ("Don Quixote") is an opera in five acts by Jules Massenet to a French libretto by Henri Caïn. It was first performed on 19 February 1910 at the Opéra de Monte-Carlo.
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Astrée (Collasse) Astrée is an opera by the French composer Pascal Collasse, first performed at the Académie Royale de Musique (the Paris Opéra) on 25 November 1691. It takes the form of a "tragédie lyrique" in three acts. The libretto, by Jean de La Fontaine, is based on the romance "Astrée" by Honoré d'Urfé. The opera was a failure.
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Opéra National de Lyon The Opéra de Lyon (known also as the "Opéra National de Lyon") is a French opera company based in Lyon. The company performs in the Opéra Nouvel, a modernized version in 1993 of the original 1831 opera house.
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List of Christmas operas Christmas operas are operas which are thematically based on either the Nativity of Jesus or secular Christmas stories. The earliest Christmas operas appeared in the early 17th century, not long after the creation of the art form. Because of the ban on secular theatrical works during the season of Advent, these early Christmas operas, while elaborately staged, were based on religious themes relating to the Nativity. By the mid 19th century the ban on secular operas during Advent had ceased, and operas based on a wider array of Christmas themes, such as Santa Claus and King Wenceslaus, emerged. Several operas have been inspired by Charles Dickens' "A Christmas Carol", including works by composers Bernard Herrmann and Thea Musgrave. The story of the Magi has also been the basis of several operas, including Gian Carlo Menotti's 1951 opera "Amahl and the Night Visitors". Initially written for television performance, Menotti's opera has become the only modern Christmas opera to earn an enduring place in the live opera performance repertoire. In the 21st century, composer Kevin Puts' "Silent Night" (2011) achieved critical success and won the Pulitzer Prize for music in 2012.
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Ritter Blaubart Ritter Blaubart ("Knight Bluebeard") is a fairy-tale opera (German: "Märchenoper") in three acts by the Austrian composer Emil Nikolaus von Reznicek. Herbert Eulenberg wrote the German libretto, based on his own five-act play with the same title, which had been first performed unsuccessfully at the Lessing Theater in Berlin in 1906.
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William Tell (opera) Guillaume Tell (English: William Tell , Italian: Guglielmo Tell ) is a French opera in four acts by Gioachino Rossini to a libretto by Étienne de Jouy and Hippolyte Bis. Based on Friedrich Schiller's play "William Tell," which drew on the William Tell legend, the opera was Rossini's last, although he lived for nearly forty more years. Fabio Luisi said that Rossini planned for "William Tell" to be his last opera even as he composed it. The overture, in four sections and featuring a depiction of a storm as well as a vivacious finale, the "March of the Swiss Soldiers," is often played.
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Hérodiade Hérodiade is an opera in four acts by Jules Massenet to a French libretto by Paul Milliet and Henri Grémont, based on the novella "Hérodias" (1877) by Gustave Flaubert. It was first performed at the Théâtre de la Monnaie in Brussels on 19 December 1881.
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Grisélidis Grisélidis is an opera (described as a 'conte lyrique') in three acts and a prologue by Jules Massenet to a French libretto by Armand Silvestre and Eugène Morand. It is based on the play by the same authors first performed at the Comédie-Française on 15 May 1891, which is drawn from the medieval tale of 'patient Grissil'. The story is set in 14th century Provence, and concerns the shepherdess, Grisélidis, and a number of attempts by the Devil to lure her into infidelity. Grisélidis' loyalty to her husband, The Marquis, is strong, however, and the devil is vanquished.
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Manon (disambiguation) Manon is an opera by Jules Massenet, adapted from Abbé Prévost's novel "Manon Lescaut".
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Les fêtes d'Hébé Les fêtes d'Hébé, ou Les talens lyriques ("The Festivities of Hebe, or The Lyric Talents") is an "opéra-ballet" in a prologue and three "entrées" (acts) by the French composer Jean-Philippe Rameau. The libretto was written by Antoine Gautier de Montdorge (1707–1768). The work was first performed on 21 May 1739 by the Académie royale de musique at its theatre in the Palais-Royal in Paris..
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Aida Aida (] ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in Egypt, it was commissioned by and first performed at Cairo's Khedivial Opera House on 24 December 1871; Giovanni Bottesini conducted after Verdi himself withdrew. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, "Aida" has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera.
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Ivanhoe (opera) Ivanhoe is a romantic opera in three acts based on the novel by Sir Walter Scott, with music by Sir Arthur Sullivan and a libretto by Julian Sturgis. It premiered at the Royal English Opera House on 31 January 1891 for a consecutive run of 155 performances, unheard of for a grand opera. Later that year it was performed six more times, making a total of 161 performances.
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Vénus et Adonis Vénus et Adonis is an opera ("tragédie en musique") in a prologue and 5 acts composed by Henri Desmarets to a libretto by Jean-Baptiste Rousseau. Based on the story of Venus and Adonis in Book X of Ovid's "Metamorphoses", it was first performed by the Académie Royale de Musique at the Théâtre du Palais-Royal in Paris on 28 July 1697 with Marie Le Rochois and Louis Gaulard Dumesny in the title roles. Desmarets staged a major revival of the work with a new prologue at the court of Leopold, Duke of Lorraine in 1707. During the composer's lifetime, it was performed in Germany, Belgium, and France, but then fell into obscurity. Its first staging in modern times took place at the Opéra de Nancy on 28 April 2006.
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Business is business Business is business (French: "" ) is a French comedy in three acts, by the novelist and playwright Octave Mirbeau, performed in April 1903 on the stage of Comédie-Française, in Paris, and worldwide acclaimed, especially in Russia, Germany and United States.