When was the piece that Gorelik played at the Cleveland Institude of Music Concerto competition composed?
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Olga Gorelik Olga Gorelik is a Belarusian-born American pianist who obtained both bachelor's and master's degrees as well as Artist Diploma in music from Cleveland Institute of Music where she studied under guidance from such teachers as Paul Schenly, Margarita Shevchenko, and Sergei Babayan. In May 2005 she received an invitation to perform at the Las Galas Concert Series in Mexico and two years later got a silver medal at the Fischoff National Chamber Music Competition and joined Klimt. She also was a recipient of the Coleman Chamber Ensemble Competition's "Barstow Prize" which granted her to perform Rachmaninoff’s "Piano Concerto No. 3" at the Cleveland Institute of Music Concerto Competition the following year finishing her award grabbing years with Sadie Zellen's "Piano Prize". She has performed at the John F. Kennedy Center for the Performing Arts as well as Chicago and Naples. Golerik's tour of eight concerts throughout the UK in 2013 with violinist Feargus Hetherington culminated with a full house and a "breathless audience" at an Edinburgh Festival Fringe concert, for a programme on 'Elgar and his Contemporaries'. In 2012 their Scottish tour was also a success. Gorelik and Hetherington's Inverness concert was highly praised with comments such as "both musicians contributed to a powerful reading of these evocative and intense pieces ... this is a partnership which will go far ..."
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Piano Concerto No. 3 (Rachmaninoff) The Piano Concerto No. 3 in D minor, Op. 30 composed in 1909 by Sergei Rachmaninoff has the reputation of being one of the most technically challenging piano concertos in the standard classical repertoire.
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Symphony No. 2 (Górecki) Symphony No. 2, the "Copernican," Op. 31 "(II Symfonia "Kopernikowska")" (   ) is a choral symphony composed by Henryk Górecki in 1972 to celebrate the 500th anniversary of the birth of astronomer Nicolaus Copernicus. Composed in a monumental style for solo soprano, baritone, choir and orchestra, it features text from Psalms no. 145, 6 and 135, along with an excerpt from Copernicus' book "De revolutionibus orbium coelestium".
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A Hero's Song A Hero's Song (Czech: "Píseň bohatýrská" ), Op. 111, B. 199, also called Heroic Song for Orchestra, is a symphonic poem for orchestra composed by Antonín Dvořák between August 4 and October 25, 1897. It was premiered in Vienna in on December 4, 1898, with Gustav Mahler conducting the Vienna Philharmonic, and was later published in Berlin in 1899. Unlike Dvořák's other symphonic poems, this work is not based upon a specific text, and it may have been intended to be autobiographical. The piece is mostly energetic and triumphant, but it includes a slower section containing a funeral march. A typical performance lasts approximately 22 minutes.
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Violin Concerto (Sibelius) The Violin Concerto in D minor, Op. 47, was written by Jean Sibelius in 1904, revised in 1905. It is his only concerto. It is symphonic in scope, with the solo violin and all sections of the orchestra being equal voices. An extended cadenza for the soloist takes on the role of the development section in the first movement.
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Hungarian Rhapsody No. 8 Hungarian Rhapsody No. 8, S.244/8, in F-sharp minor, is the eighth Hungarian Rhapsody composed by Franz Liszt for solo piano. It was composed in 1847 and published in 1853. It has been nicknamed the "Capriccio". It utilizes a melody of Hungarian folk song "Káka tövén költ a ruca" in the slow section. The "allegro" motif was also used by Liszt in his symphonic poem "Hungaria" (1856).
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Violin Concerto No. 2 (Martinů) Bohuslav Martinů's Violin Concerto No. 2 in G minor, H. 293 was composed between February and April 1943 between his first two symphonies and premiered on December 31 by Mischa Elman and the Boston Symphony conducted by Sergei Koussevitzky. Elman requested the concerto following the premiere of the dramatic Symphony No. 1 by the same orchestra, impressed by the work. It was referred as Martinů's only violin concerto until an earlier concerto which was thought to be lost appeared in 1968, nine years after the composer's death.
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Bassoon Concerto (Weber) Carl Maria von Weber's Concerto for Bassoon in F Major, Op. 75 (J. 127) was composed in 1811 for Munich court musician Georg Friedrich Brandt, and then revised in 1822. Primarily an opera conductor and composer, Weber had only arrived a few months earlier in Munich, where he was extremely well received. The concerto is one of two pieces written for bassoon by Weber, the other being "Andante e Rondo Ungarese", Op. 35 (J. 158). A typical performance lasts 18–20 minutes.
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Concerto for Two Flutes and Orchestra The Concerto for Two Flutes and Orchestra is a composition for two flutes and orchestra by the American composer Steven Stucky. The work was commissioned by the Los Angeles Philharmonic, for which Stucky was formerly composer-in-residence and then New Music Adviser. The piece was composed from October through December 1994 and was given its world premiere in Los Angeles by the Los Angeles Philharmonic under the conductor Esa-Pekka Salonen on February 23, 1995.
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4′33″ 4′33″ (pronounced "Four minutes, thirty-three seconds" or just "Four thirty-three"<ref name="Solomon 1998/2002">Solomon 1998/2002.</ref>) is a three-movement composition by American experimental composer John Cage (1912–1992). It was composed in 1952, for any instrument or combination of instruments, and the score instructs the performer(s) not to play their instrument(s) during the entire duration of the piece throughout the three movements. The piece consists of the sounds of the environment that the listeners hear while it is performed, although it is commonly perceived as "four minutes thirty-three seconds of silence". The title of the piece refers to the total length in minutes and seconds of a given performance, "4′33″" being the total length of the first public performance.
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Concerto Grosso No. 1 (Schnittke) The Concerto Grosso No. 1 was the first of six concerti grossi by Soviet composer Alfred Schnittke. It was written in 1976-1977 at the request of Gidon Kremer and Tatiana Grindenko who were also the violin soloists at its premiere on 21 March 1977 in Leningrad together with Yuri Smirnov on keyboard instruments and the Leningrad Chamber Orchestra under Eri Klas. It is one of the best-known of Schnittke’s polystilistic compositions and marked his break-through in the West.
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Violin Concerto No. 1 (Mozart) Wolfgang Amadeus Mozart's Violin Concerto No. 1 in B-flat major, K. 207, was originally supposed to have been composed in 1775 (when Mozart was 19), along with the other four wholly authentic violin concertos. However, analysis of handwriting and the manuscript paper on which the concerto was written suggest that the actual date of composition might have been 1773. It has the usual fast-slow-fast structure. Movements are:
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Dalit Warshaw Dalit Hadass Warshaw (born August 6, 1974) is a New York-based composer, pianist, thereminist. Previously on the composition and music theory faculty of Boston Conservatory, she currently serves on the composition faculty at CUNY-Brooklyn College. Her works have been performed by dozens of orchestral ensembles, including the New York Philharmonic and Israel Philharmonic Orchestras (Zubin Mehta conducting), the Boston Symphony, the Cleveland Orchestra, the Houston Symphony, the Y Chamber Orchestra, the Colorado Symphony and the Albany Symphony Orchestra. In April 2006, her piece "After the Victory" for orchestra and chorus, was premiered by the Grand Rapids Symphony and the North American Choral Company. Her first recording, entitled "Invocations" was released by Albany Records in 2011. Her first piano concerto, "Conjuring Tristan," was commissioned by the Grand Rapids Symphony in 2014. The work was inspired by Richard Wagner's "Tristan und Isolde," as well as by Thomas Mann's novella "Tristan." The piece received its world premiere in January 2015, with Warshaw as the soloist.
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Cantata (Stravinsky) The Cantata by Igor Stravinsky is a work for soprano, tenor, female choir, and instrumental ensemble (of two flutes, oboe, cor anglais (doubling second oboe), and cello), and was composed from April 1951 to August 1952. The premiere performance on 11 November 1952 was by the Los Angeles (Chamber) Symphony Society (to whom the work is dedicated), conducted by Stravinsky himself. After completing the opera "The Rake's Progress", Stravinsky felt the urge to compose another work setting English words, but in a non-dramatic form .
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Piano Concerto No. 1 (Rubinstein) The Piano Concerto No. 1 in E minor, Op. 25, written in 1850 and published in 1858 by Anton Rubinstein is a Romantic concerto is dedicated to Alexander Villoing, the composer's principal piano teacher. It is his fourth attempt at writing a concerto, two were from 1849 and were lost while the third from the same year was transformed into a Piano Octet, Op. 9. Although the First Concerto is the most traditional of the five concerti, a characteristic leonine quality in the piano scoring often emerges throughout.
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Brandenburg Concertos The Brandenburg Concertos by Johann Sebastian Bach (BWV 1046–1051, original title: Six Concerts à plusieurs instruments) are a collection of six instrumental works presented by Bach to Christian Ludwig, Margrave of Brandenburg-Schwedt, in 1721 (though probably composed earlier). They are widely regarded as some of the best orchestral compositions of the Baroque era.
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Flute Concerto (Reinecke) The Flute Concerto in D major, Op. 283, is a composition for solo flute and orchestra by the composer Carl Reinecke. The work was composed in 1908 and was Reinecke's last concerto before his death. It was first performed on March 15, 1909 in Leipzig by the flutist Maximilian Schwedler, to whom the piece is dedicated.
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Ionisation (Varèse) Ionisation (1929–1931) is a musical composition by Edgard Varèse written for thirteen percussionists. It was among the first concert hall compositions for percussion ensemble alone, although Alexander Tcherepnin had composed an entire movement for percussion alone in his Symphony No. 1 from 1927. The premiere was at Carnegie Chapter Hall, an annex to New York City's Carnegie Hall, on March 6, 1933, conducted by Nicolas Slonimsky, to whom the piece was later dedicated. One critic described the performance as "a sock in the jaw."
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Oboe Concerto (Corigliano) The Concerto for Oboe and Orchestra is a composition for solo oboe and orchestra by the American composer John Corigliano. The work was commissioned by the New York State Council on the Arts and was first performed in Carnegie Hall on November 9, 1975, by the oboist Bert Lucarelli and the American Symphony Orchestra under the conductor Kazuyoshi Akiyama.
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Cello Concerto (Bates) The Cello Concerto of Mason Bates is an American concerto for cello and orchestra, dating from 2014. The work was a joint commission by the Seattle Symphony, the Columbus Symphony Orchestra, and the Los Angeles Chamber Orchestra. It received its premiere on December 11, 2014 by the cellist Joshua Roman, former principal cellist of the Seattle Symphony and for whom Bates composed the concerto, and the Seattle Symphony, conducted by Mirga Gražinytė-Tyla.
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Stringmusic Stringmusic is a musical composition for string orchestra by the American composer Morton Gould. It was commissioned by the National Symphony Orchestra and was premiered at the Kennedy Center by the NSO on March 10, 1994. The piece is dedicated to the conductor Mstislav Rostropovich upon his leave.
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Violin Concerto No. 5 (Paganini) The Violin Concerto No. 5 in A minor was composed by Niccolò Paganini in 1830. It is one of the most widely performed of Paganini's last four violin concertos. A typical performance lasts about 40 minutes. It is in fact the last concerto of Paganini (the concerto #6 was partly written in 1815 and the third part is postume)