What type of music, is the Italian composer who was supported by Andrea Leone Tottola, a prolific librettist, best known for?
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Andrea Leone Tottola Andrea Leone Tottola (died 15 September 1831) was a prolific Italian librettist, best known for his work with Gaetano Donizetti and Gioachino Rossini.
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Gioachino Rossini Gioachino Antonio Rossini (] ; 29 February 179213 November 1868) was an Italian composer who wrote 39 operas, as well as some sacred music, songs, chamber music and piano pieces.
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Music of Italy The music of Italy ranges across a broad spectrum of opera and instrumental classical music and a body of popular music drawn from both native and imported sources. Music has traditionally been one of the cultural markers of Italian national and ethnic identity and holds an important position in society and in politics. Italian innovation in musical scales, harmony, notation, and theatre enabled the development of opera in the late 16th century, and much of modern European classical music, such as the symphony and concerto.
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Giuseppe Nicolini (composer) Giuseppe Nicolini (or Niccolini; 29 January 1762 – 18 December 1842) was an Italian composer who wrote at least 45 operas. From 1819 onwards, he devoted himself primarily to religious music. He was born and died at Piacenza.
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Ancor che col partire "Ancor che col partire" is a four-voice Italian-language madrigal with music by the Italy-based Flemish composer Cipriano de Rore first published by Perissone Cambio in 1547. The madrigal became de Rore's most popular work, one of the most widely distributed madrigals of the entire 16th Century, and was the basis for further variations, adaptations and ornamentations by many other composers including Antonio de Cabezon, Andrea Gabrieli, and Giovanni Bassano.
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Antonio Maria Lucchini Antonio Maria Lucchini or Luchini (Venice, c. 1690 – Venice, before 1730) was an Italian librettist. His texts were set to music by Antonio Vivaldi, Baldassare Galuppi, Leonardo Vinci, and Rinaldo di Capua, among others.
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Gianni Marchetti Gianni Marchetti (Rome, 7 September 1933 – Rome, 11 April 2012) was an Italian composer songwriter. He collaborated with Piero Ciampi, lyricist Mogol, singer Bobby Solo and others. He also contributed to the soundtracks of around forty films.
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Nicola Francesco Haym Nicola Francesco Haym (6 July 1678 – 31 July 1729) was an Italian opera librettist, composer, theatre manager and performer, and numismatist. He is best remembered for adapting texts into libretti for the London operas of George Frideric Handel and Giovanni Bononcini. Libretti that he provided for Handel included those for "Giulio Cesare", "Ottone", "Flavio", "Tamerlano", "Rodelinda", and several others; for Bononcini, he produced two, "Calfurnia" and "Astianatte".
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Giovanni Battista Sammartini Giovanni Battista Sammartini (c. 1700 – 15 January 1775) was an Italian composer, oboist, organist, choirmaster and teacher. He counted Gluck among his students, and was highly regarded by younger composers including Johann Christian Bach. It has also been noted that many stylizations in Joseph Haydn's compositions are similar to those of Sammartini, although Haydn denied any such influence. Sammartini is especially associated with the formation of the concert symphony through both the shift from a brief opera-overture style and the introduction of a new seriousness and use of thematic development that prefigure Haydn and Mozart. Some of his works are described as "galant", a style associated with Enlightenment ideals, while "the prevailing impression left by Sammartini's work... [is that] he contributed greatly to the development of a Classical style that achieved its moment of greatest clarity precisely when his long, active life was approaching its end".
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Jacopo Corsi Jacopo Corsi (17 July 1561 – 29 December 1602) was an Italian composer of the late Renaissance and early Baroque and one of Florence's leading patrons of the arts, after only the Medicis. His best-known work is "Dafne" (1597/98), whose score he wrote in collaboration with Jacopo Peri. Six fragments of the score have survived, two by Corsi and four by Peri. The libretto, by Ottavio Rinuccini, has survived intact. Despite priority quibbles at the time, Dafne is generally accepted as the first opera.
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Giacomo Puccini Giacomo Antonio Domenico Michele Secondo Maria Puccini (] ; 22 December 1858 29 November 1924) was an Italian opera composer who has been called "the greatest composer of Italian opera after Verdi".
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Bernardino Borlasca Bernardino Borlasca (c. 1580-c. 1631) was an Italian composer of the renaissance era, noted for antiphonal choral music.
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Giambattista Varesco Father Giambattista Varesco (26 November 1735 – 25 August 1805) was a chaplain, musician, poet and (most famously) librettist to Wolfgang Amadeus Mozart. His given name variously appears as Giambattista, Gianbattista, Giovanni Battista and Girolamo Giovanni Battista. He is sometimes referred to with the Italian title "Abate" or the French "Abbé", both used for priests:
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Giovanni Antonio Giay Giovanni Antonio Giay (sometimes spelled Giaj; 11 June 1690 – 10 September 1764) was an Italian composer. His compositional output includes 15 operas, 5 symphonies, and a significant amount of sacred music.
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Rinaldo (opera) Rinaldo (HWV 7) is an opera by George Frideric Handel, composed in 1711, and was the first Italian language opera written specifically for the London stage. The libretto was prepared by Giacomo Rossi from a scenario provided by Aaron Hill, and the work was first performed at the Queen's Theatre in London's Haymarket on 24 February 1711. The story of love, war and redemption, set at the time of the First Crusade, is loosely based on Torquato Tasso's epic poem "Gerusalemme liberata" ("Jerusalem Delivered"), and its staging involved many original and vivid effects. It was a great success with the public, despite negative reactions from literary critics hostile to the contemporary trend towards Italian entertainment in English theatres.
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Remo Giazotto Remo Giazotto (September 4, 1910, Rome – August 26, 1998, Pisa) was an Italian musicologist, music critic, and composer, mostly known through his systematic catalogue of the works of Tomaso Albinoni. He wrote biographies of Albinoni and other composers, including Vivaldi, the composer of "The Four Seasons".
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Francesco Manelli Francesco Manelli (Mannelli) (13 September 1594 – July 1667) was a Roman Baroque composer, particularly of opera; and theorbo player. He is most well known for his collaboration with fellow Roman composer Benedetto Ferrari in bringing commercial opera to Venice. The first two works, in 1637 and 1638, to be put on commercially in the Teatro San Cassiano were both by Manelli - his "L'Andromeda" and "La Maga Fulminata".
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Serafino Amedeo De Ferrari Serafino Amedeo De Ferrari (6 May 1824 – 27 March 1885) was an Italian composer, conductor, organist, and pianist. He is best known for his operas, of which his most popular were "Pipelè" (1855) and "Il Menestrello" (1859).
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Vincenzo Legrenzio Ciampi Vincenzo Legrenzio Ciampi (Piacenza, 2 April 1719 – Venice, 30 March 1762) was an Italian composer. Ciampi was resident in London from 1748 to 1756. He is best known today for a work that cannot be certainly ascribed to his pen: "Tre giorni son che Nina in letto senesta", formerly called Pergolesi's "Nina".
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Antonio Quintavalle Antonio Quintavalle (1688–c.1724) was an Italian opera composer. By 1703 and perhaps earlier he was chamber organist at the Mantuan court. He wrote music for three operas while he was in Mantua, one in collaboration with the maestro di cappella Antonio Caldara. In 1712 he became maestro di cappella of Trent Cathedral. His fourth and last opera was produced in Trent. The exact year of his death is uncertain. There is evidence suggesting that Quintavalle was in Trent until at least 1724. However, there is also record of death for an Antonio Quintavalle, chaplain at Torcello, who died near Venice on 28 January 1721 at the age of 45. It is possible that this other Antonio Quintavalle may be the composer or a different person entirely. None of Quintavalle's works have survived to today.
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Origins of opera The art form known as "opera" originated in Italy in the sixteenth and seventeenth centuries, though it drew upon older traditions of medieval and Renaissance courtly entertainment. The word "opera", meaning "work" in Italian, was first used in the modern musical and theatrical sense in 1639 and soon spread to the other European languages. The earliest operas were modest productions compared to other Renaissance forms of sung drama, but they soon became more lavish and took on the spectacular stagings of the earlier genre known as intermedio.
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Michele Pesenti Michele Pesenti (Verona ca. 1470after 1524) was an Italian composer and lutenist who served the House of Este at Ferrara. Pesenti was one of the most lively and inventive of the so-called "frottola" composers, including Marchetto Cara and Bartolomeo Tromboncino.