Orff Schulwerk was developed by the composer who was best known for what cantata?
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Orff Schulwerk The Orff Schulwerk, or simply the Orff Approach, is a developmental approach used in music education. It combines music, movement, drama, and speech into lessons that are similar to child's world of play. It was developed by the German composer Carl Orff (1895–1982) and colleague Gunild Keetman during the 1920s. Carl Orff worked until the end of his life to continue the development and spread of his teaching method. The Orff Approach is now used throughout the world to teach students in a natural and comfortable environment. The term "schulwerk" is German for (literally) "school work" or "schooling", in this regard in the area of music.
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Carl Orff Carl Heinrich Maria Orff (] ; (1895--)10 1895 – (1982--)29 1982 ) was a German composer, best known for his cantata "Carmina Burana" (1937). In addition to his career as a composer, Orff developed an influential approach toward music education for children.
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Jesus schläft, was soll ich hoffen? BWV 81 Jesus schläft, was soll ich hoffen? (Jesus sleeps, what shall I hope for?), BWV 81 , is a church cantata by Johann Sebastian Bach. He composed it in 1724 in Leipzig for the fourth Sunday after Epiphany and first performed it on 30 January 1724.
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Cantatas (Bruckner) Anton Bruckner composed eight cantatas during his life, the earliest "Vergißmeinnicht", in 1845, the last, "Helgoland", in 1893.
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Ach Herr, mich armen Sünder, BWV 135 Johann Sebastian Bach composed the church cantata Ach Herr, mich armen Sünder (Ah Lord, poor sinner that I am), BWV 135 , in Leipzig for the third Sunday after Trinity and first performed it on 25 June 1724. It is the fourth chorale cantata from his second annual cycle, and is based on the hymn by Cyriakus Schneegass.
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Ich elender Mensch, wer wird mich erlösen, BWV 48 Ich elender Mensch, wer wird mich erlösen (Wretched man that I am, who shall deliver me), BWV 48 , is a church cantata by Johann Sebastian Bach. He composed it in 1723 in Leipzig for the 19th Sunday after Trinity and first performed it on 3 October 1723.
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Uns ist ein Kind geboren, BWV 142 Uns ist ein Kind geboren (Unto us a child is born), BWV 142, is a Christmas cantata formerly attributed to Johann Sebastian Bach. The text is based on a libretto by Erdmann Neumeister first published in 1711. Since the cantata was first published by the Bach-Gesellschaft in the nineteenth century, Bach scholars, including Johannes Schreyer, Arnold Schering and Alfred Dürr, have not accepted this attribution, although the identity of the original composer has not been established. In the late twentieth century it was withdrawn from the Neue Bach Ausgabe, replaced by a detailed historical commentary on authenticity and attribution by Andreas Glöckner. Because of uncertainty of attribution, it remains in Anhang II of the BWV. It is now considered plausible that Johann Kuhnau, Bach's predecessor as Thomaskantor in Leipzig, may have composed the cantata, as originally suggested by .
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Felix Draeseke Felix August Bernhard Draeseke (7 October 1835 – 26 February 1913) was a composer of the "New German School" admiring Liszt and Richard Wagner. He wrote compositions in most forms including eight operas and stage works, four symphonies, and much vocal and chamber music.
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Weinen, Klagen, Sorgen, Zagen, BWV 12 Weinen, Klagen, Sorgen, Zagen (Weeping, lamenting, worrying, fearing), BWV 12, is a church cantata by Johann Sebastian Bach. He composed it in Weimar for Jubilate, the third Sunday after Easter, and led the first performance on 22 April 1714 in the "Schlosskirche ", the court chapel of the "Schloss" in Weimar.
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Sheep may safely graze Sheep May Safely Graze (German: "Schafe können sicher weiden") is an aria by Johann Sebastian Bach setting words by Salomon Franck. The piece was written in 1713 for soprano with 2 recorders and continuo, and is part of the cantata ""Was mir behagt, ist nur die muntre Jagd", BWV 208" ("The lively hunt is all my heart's desire"), also known as the "Hunting Cantata".
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Johann Baptist Wendling Johann Baptist Wendling (baptised 17 June 1723 – 27 November 1797) was a flute player and composer of the Mannheim School. He held the position of principal flute in the Mannheim and Munich court orchestras under directors Johann Stamitz and Christian Cannabich, and was acknowledged as one of the finest virtuosos of his time.
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Lobt ihn mit Herz und Munde, BWV 220 Lobt ihn mit Herz und Munde (Praise him with heart and voice), BWV 220, is a church cantata by an unknown composer, formerly attributed to Johann Sebastian Bach.
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Singet dem Herrn ein neues Lied, BWV 190 Singet dem Herrn ein neues Lied (Sing a new song to the Lord), BWV 190 , is a church cantata by Johann Sebastian Bach. He wrote it in Leipzig for the New Year's Day and first performed it on 1 January 1724 as part of his first cantata cycle. He adapted it in 1730 to "Singet dem Herrn ein neues Lied", BWV 190a , for the celebration of the bicentennial of the Augsburg Confession.
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Georg Joseph Vogler Georg Joseph Vogler, also known as Abbé Vogler (June 15, 1749 – May 6, 1814), was a German composer, organist, teacher and theorist. In a long and colorful career extending over many more nations and decades than was usual at the time, Vogler established himself as a foremost experimenter in baroque and early classic music. His greatest successes came as performer and designer for the organ at various courts and cities around Europe, as well as a teacher, attracting highly successful and devoted pupils such as Carl Maria von Weber. His career as a music theorist and composer however was mixed, with contemporaries such as Mozart believing Vogler to have been a charlatan. Despite his mixed reception in his own life, his highly-original contributions in many areas of music (particularly musicology and organ theory) and influence on his pupils endured, and combined with his eccentric and adventurous career, prompted one historian to summarize Vogler as "one of the most bizarre characters in the history of music".
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Karl Amadeus Hartmann Karl Amadeus Hartmann (2 August 1905 – 5 December 1963) was a German composer. Some have lauded him as the greatest German symphonist of the 20th century, although he is now largely overlooked, particularly in English-speaking countries.
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Johann Strauss I Johann Strauss I (German: "Johann Baptist Strauß, Johann Strauss (Vater)" ; also Johann Baptist Strauss, Johann Strauss Sr., the Elder, the Father; March 14, 1804 – September 25, 1849) was an Austrian Romantic composer. He was famous for his waltzes, and he popularized them alongside Joseph Lanner, thereby setting the foundations for his sons to carry on his musical dynasty. His most famous piece is the Radetzky March (named after Joseph Radetzky von Radetz).
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Dem Gerechten muß das Licht, BWV 195 Dem Gerechten muß das Licht (The light shall [ever rise again] for the righteous), BWV 195, is a church cantata by Johann Sebastian Bach.
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Gelobet seist du, Jesu Christ, BWV 91 Gelobet seist du, Jesu Christ (Praise be to You, Jesus Christ), BWV 91 , is a church cantata by Johann Sebastian Bach. He wrote the Christmas cantata in Leipzig in 1724 for Christmas Day and first performed it on 25 December 1724. The chorale cantata is based on the hymn "Gelobet seist du, Jesu Christ " (1524) by Martin Luther.
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Chorale cantata cycle Johann Sebastian Bach's chorale cantata cycle is the year-cycle of church cantatas he started composing in Leipzig from the first Sunday after Trinity in 1724. It followed the cantata cycle he had composed from his appointment as Thomaskantor after Trinity in 1723.
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George Frideric Handel George Frideric (or Frederick) Handel ( ; born Georg Friedrich Händel ] ; 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition.
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Othmar Steinbauer Othmar Steinbauer (6 November 1895 - 5 September 1962) was an Austrian composer and music theorist. He progressed developments in twelve-tone composition (""Klangreihenmusik""). His own teachers included Joseph Marx, Anton von Webern, Arnold Schönberg and Josef Matthias Hauer.
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Ach Gott, vom Himmel sieh darein, BWV 2 Johann Sebastian Bach composed the church cantata Ach Gott, vom Himmel sieh darein (Oh God, look down from heaven), BWV 2 , in Leipzig for the second Sunday after Trinity and first performed on 18 June 1724. It is the second cantata of his second annual chorale cantata cycle, and is based on Martin Luther's hymn "Ach Gott, vom Himmel sieh darein ", published in 1524 in the first Lutheran hymnal.