Are both pieces The Immortal Hour and L'incoronazione di Poppea an opera?
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The Immortal Hour The Immortal Hour is an opera by English composer Rutland Boughton. Boughton adapted his own libretto from the works of Fiona MacLeod, a pseudonym of writer William Sharp.
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L'incoronazione di Poppea L'incoronazione di Poppea (SV 308, "The Coronation of Poppaea") is an Italian opera by Claudio Monteverdi, with a libretto by Giovanni Francesco Busenello, first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 carnival season. One of the first operas to use historical events and people, it describes how Poppaea, mistress of the Roman emperor Nero, is able to achieve her ambition and be crowned empress. The opera was revived in Naples in 1651, but was then neglected until the rediscovery of the score in 1888, after which it became the subject of scholarly attention in the late 19th and early 20th centuries. Since the 1960s, the opera has been performed and recorded many times.
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L'Olimpiade (Pergolesi) L'Olimpiade is an opera in the form of a dramma per musica in three acts by the Italian composer Giovanni Battista Pergolesi. Pergolesi took the text, with a few modifications, from the libretto of the same name by Pietro Metastasio. The opera first appeared during the Carnival season of 1735 at the in Rome and "came to be probably the most admired" of the more than 50 musical settings of Metastasio’s drama.
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Farsa Farsa (Italian, literally: "farce", plural: "farse") is a genre of opera, associated with Venice in the late 18th and early 19th centuries. It is also sometimes called "farsetta".
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Nabucco Nabucco (] ; short for Nabucodonosor ] ~] , English Nebuchadnezzar) is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on biblical books of Jeremiah and Daniel and the 1836 play by Auguste Anicet-Bourgeois and Francis Cornue, although Antonio Cortese's ballet adaptation of the play (with its necessary simplifications), given at La Scala in 1836, was a more important source for Solera than the play itself. Under its original name of "Nabucodonosor", the opera was first performed at La Scala in Milan on 9 March 1842.
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La Cleopatra La Cleopatra (1789) is an opera seria in two acts by composer Domenico Cimarosa with an Italian libretto by F. Moretti.
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I due Foscari I due Foscari ("The Two Foscari") is an opera in three acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on a historical play, "The Two Foscari" by Lord Byron.
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Giacomo Puccini Giacomo Antonio Domenico Michele Secondo Maria Puccini (] ; 22 December 1858 29 November 1924) was an Italian opera composer who has been called "the greatest composer of Italian opera after Verdi".
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Lo speziale Lo speziale ("The Apothecary"), Hob. 28/3, is a three-act opera buffa by Joseph Haydn, with a libretto by Carlo Goldoni.
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L'arbre enchanté L’arbre enchanté, ou Le tuteur dupé ("The Magic Tree, or, the Tutor Duped"), Wq 42, is a one-act opéra comique by Christoph Willibald Gluck to a libretto based on the 1752 opéra-comique "Le poirier" ("The Peartree") with a text by Jean-Joseph Vadé. Vadé's libretto was based on a tale from Boccaccio's "Decameron", as retold by Jean de La Fontaine. Gluck's opera was written for the nameday of Emperor Francis Stephan, premiering at the Schönbrunn palace in Vienna on the evening of October 3, 1759, anniversary of the death of Saint Francis of Assisi.
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Sly (opera) Sly, ovvero La leggenda del dormiente risvegliato (English: "Sly, or The Legend of the Sleeper Awoken") is an opera in three acts by Ermanno Wolf-Ferrari to an Italian libretto by Giovacchino Forzano, based on the Induction (the Prologue) to William Shakespeare's "The Taming of the Shrew" (the German version of libretto, "Sly, oder Die Legende vom wiedererweckten Schläfer", was translated by ). Unlike most of Wolf-Ferrari's other operas, this is a tragedy.
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Lohengrin (Sciarrino) Lohengrin "(Azione invisibile per solista, strumenti e voci)" is an operatic monodrama by the Italian composer Salvatore Sciarrino. Premiered in 1982 in Milan the work was later revised by Sciarrino and the new version was premiered in on 9 September 1984 in Catanzaro. The opera, which is less than an hour long, is loosely based on the plot of Wagner’s opera of the same name.
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Gloria (opera) Gloria is a tragic opera in three acts by Francesco Cilea with an Italian libretto by Arturo Colautti. A variation on the Romeo and Juliet story and set in 14th century Siena, the libretto is based on Victorien Sardou's 1874 play "La Haine" ("Hatred"). The opera premiered on 15 April 1907 at La Scala conducted by Arturo Toscanini with Salomea Krusceniski in the title role. "Gloria" was a failure at its premiere when it was withdrawn after two performances and fared little better in the 1932 revised version, although there have been two late 20th century revivals. It proved to be Cilea's last staged opera. In the 43 years following the premiere of "Gloria" he worked on two or three further operas which were never performed and continued to compose chamber and orchestral music.
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Dioclesian Dioclesian (The Prophetess: or, The History of Dioclesian) is a tragicomic semi-opera in five acts by Henry Purcell to a libretto by Thomas Betterton based on the play "The Prophetess", by John Fletcher and Philip Massinger, which in turn was based very loosely on the life of the Emperor Diocletian. It was premiered in late May 1690 at the Queen's Theatre, Dorset Garden. The play was first produced in 1622. [??] Choreography for the various dances was provided by Josias Priest, who worked with Purcell on several other semi-operas.
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Le piccole storie Le piccole storie, subtitled "Ai margini delle guerre", is a one-act chamber opera for young people by Lorenzo Ferrero set to an Italian-language libretto by Giuseppe Di Leva. Some episodes are loosely based on Guy de Maupassant's 1884 short story "Le Lit 29" and on William Shakespeare's play "Julius Caesar". The stories do not touch directly upon the subject of war but depict moments in the lives of involuntary victims who subsist, as the subtitle suggests, on the margins of wars.
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Jone (opera) Jone, ossia L'ultimo giorno di Pompei is an opera in four acts by Errico Petrella. The Italian-language libretto was by Giovanni Peruzzini, after Edward Bulwer-Lytton's famous novel "The Last Days of Pompeii".
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La Fenice Teatro La Fenice (] , "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre", and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major "bel canto" era composers—Rossini, Bellini, Donizetti, and Verdi were performed.
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El retablo de maese Pedro El retablo de maese Pedro ("Master Peter's Puppet Show") is a puppet-opera in one act with a prologue and epilogue, composed by Manuel de Falla to a Spanish libretto based on an episode from "Don Quixote" by Miguel de Cervantes. The libretto is an abbreviation of chapter 26 of the second part of "Don Quixote", with some lines added from other parts of the work. Falla composed this opera "in devoted homage to the glory of Miguel de Cervantes" and dedicated it to the Princess de Polignac, who commissioned the work. Because of its brief length by operatic standards (about 27 minutes), its very challenging part for a boy opera performer (who has by far the most lines), and its use of puppets, it is not part of the standard operatic repertoire.
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Melodramma Melodramma (plural: "melodrammi") is a 17th-century Italian term for a text to be set as an opera, or the opera itself. In the 19th-century, it was used in a much narrower sense by English writers to discuss developments in the early Italian libretto, e.g., "Rigoletto" and "Un ballo in maschera". Characteristic are the influence of French bourgeois drama, female instead of male protagonists, and the practice of opening the action with a chorus.
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Il Bellerofonte Il Bellerofonte is an 18th-century Italian opera in three acts by the Czech composer Josef Mysliveček. It conforms to the serious type (opera seria) that was typically set in the distant past. The libretto, based on the Greek legend of Bellerophon, was written by Giuseppe Bonecchi. The work was dedicated to King Ferdinand I of the Two Sicilies and was first performed at the Teatro San Carlo in Naples on 20 January 1767, the birthday of his father, King Charles III of Spain. The cast featured two stellar singers of the time, Caterina Gabrielli and Anton Raaff, in the leading roles. The opera was only the composer's second one, and the first that permitted him the opportunity to write music for first-rate vocal artists. The production was highly successful, indeed responsible for a meteoric rise in his reputation as an operatic composer. From the time of the premiere of "Bellerofonte" until his death in 1781, Mysliveček succeeded in having more new "opere serie" brought into production than any other composer in Europe. During the same time span, he also had more new operas staged at the Teatro San Carlo in Naples than any other composer.
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Ezio (libretto) Ezio is an opera libretto by Metastasio, first officially set to music by Pietro Auletta and premièred in the Teatro delle Dame, Rome, on December 26, 1728; an unauthorized setting by Nicola Porpora had already been premièred a month earlier (November 20) in Venice.
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Peter Grimes Peter Grimes is an opera by Benjamin Britten, with a libretto adapted by Montagu Slater from the narrative poem, "Peter Grimes," in George Crabbe's book "The Borough". The "borough" of the opera is a fictional village which shares some similarities with Crabbe's, and later Britten's, own home of Aldeburgh, a town on England's east coast.