Are La púrpura de la rosa and Semiramide both operas?
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La púrpura de la rosa La púrpura de la rosa ("The Blood of the Rose") is an opera in one act, composed by Tomás de Torrejón y Velasco to a Spanish libretto by Pedro Calderón de la Barca, the last great writer of the Spanish Golden Age.
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Semiramide Semiramide (] ) is an opera in two acts by Gioachino Rossini.
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Fair Rosamond (opera) Fair Rosamond is an English historical opera in four acts composed by John Barnett, written in 1837 to a libretto by Charles Zachary Barnett, after the legend of Rosamund Clifford ("Fair Rosamond" or the "Rose of the World"), the 12th century mistress of King Henry II who was said to have been poisoned by the King's wife, Queen Eleanor. In his opera, Barnett effects a happier ending.
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La Conquista (opera) La Conquista (also known as Montezuma) is an opera in two acts by Lorenzo Ferrero set to a trilingual libretto by the composer and Frances Karttunen, based on a concept by Alessandro Baricco. It depicts the major episodes of the Spanish conquest of the Aztec Empire in 1521 and the subsequent destruction of the Aztec civilization. The libretto (English-Spanish-Nahuatl) is a blend of historical and literary sources drawn from transcriptions of indigenous and European literature, both kept, with some exceptions, in their original languages. The texts are taken from "The Truthful History of the Conquest of New Spain" by Bernal Díaz del Castillo, the Book XII of the "Florentine Codex", the works of Juan Boscán Almogáver, Bernardino de Sahagún, Lope de Vega, Heinrich Heine, and from Aztec prayers, songs and poems as collected in "Cantares Mexicanos" and "Romances de los señores de Nueva España".
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La dama de rosa La dama de rosa (English: "The Lady of the rose") is a successful Venezuelan telenovela that was produced by and seen on Venezuela's Radio Caracas Televisión in 1986.
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Linda di Chamounix Linda di Chamounix is an operatic "melodramma semiserio" in three acts by Gaetano Donizetti. The Italian libretto was written by Gaetano Rossi. It premiered in Vienna, at the Kärntnertortheater, on 19 May 1842.
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Loreley (opera) Loreley is an opera ("azione romantica") in three acts composed by Alfredo Catalani to a libretto by Angelo Zanardini, Carlo D'Ormeville and others. It premiered on 16 February 1890 at the Teatro Regio in Turin. Based on the German legend of the Lorelei, the opera is an extensive reworking of Catalani's four-act opera "Elda" which had premiered in Turin ten years earlier.
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Don Quixote (Strauss) Don Quixote, Op. 35 is a tone poem by Richard Strauss for cello, viola, and orchestra. Subtitled "Phantastische Variationen über ein Thema ritterlichen Charakters" ("Fantastic Variations on a Theme of Knightly Character"), the work is based on the novel "Don Quixote de la Mancha" by Miguel de Cervantes. Strauss composed this work in Munich in 1897. The premiere took place in Cologne on 8 March 1898, with Friedrich Grützmacher as the cello soloist and Franz Wüllner as the conductor.
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Elena da Feltre Elena da Feltre is an opera in three acts by 19th-century Italian composer Saverio Mercadante from a libretto by Salvatore Cammarano, well known as librettist of Donizetti's "Lucia di Lammermoor" and Verdi's "Il trovatore". The premiere took place at the Teatro San Carlo in Naples on 1 January 1839 as part of the Carnival Season. While not successful at the time, the opera was revived at La Scala in 1843 with twenty performances.
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O Garatuja O Garatuja is an opera by Ernst Mahle with libretto by Eugênio Leandro, based on the homonymous novel by José de Alencar (1873) and premiered in Piracicaba at the Teatro Municipal "Dr Losso Netto", on 27 April 2006.
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Il ballo delle ingrate Il ballo delle ingrate ("The Ballet of the Ungrateful Ladies") is a semi-dramatic ballet by the Italian composer Claudio Monteverdi set to a libretto by Ottavio Rinuccini. It was first performed in Mantua on Wednesday, 4 June 1608 as part of the wedding celebrations for Francesco Gonzaga (the son of Monteverdri's patron Duke Vincenzo of Mantua) and Margaret of Savoy. Both Vincenzo and Francesco Gonzaga took part in the dancing. Monteverdi also composed the opera "L'Arianna" (to another libretto by Rinuccini) and the music for the prologue to Guarini's play "L'idropica" for the occasion.
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Satyricon (opera) Satyricon is a chamber opera by Bruno Maderna with a libretto adapted by Ian Strasfogel and the composer from Petronius. It was written during Maderna's last illness in 1973 and premièred as part of the Holland Festival on 16 March 1976, in Scheveningen, The Netherlands.
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Carnival Overture The concert overture Carnival (Czech: "Karneval, koncertní ouvertura" ), Op. 92, B. 169, was written by Antonín Dvořák in 1891. It is part of a "Nature, Life and Love" trilogy of overtures written by Dvořák, forming the second "Life" part. The other two parts of the trilogy are "In Nature's Realm", Op. 91 ("Nature") and "Othello", Op. 93 ("Love").
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Una furtiva lagrima "Una furtiva lagrima " (A furtive tear) is the romanza from act 2, scene 8 of the Italian opera "L'elisir d'amore" by Gaetano Donizetti. It is sung by Nemorino (tenor) when he finds that the love potion he bought to win the heart of his dream lady, Adina, works.
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I puritani I puritani ("The Puritans") is an opera in by Vincenzo Bellini. It was originally written in two acts and later changed to three acts on the advice of Gioachino Rossini, with whom the young composer had become friends. The music was set to a libretto by Count Carlo Pepoli, an Italian émigré poet whom Bellini had met at a salon run by the exile Princess Belgiojoso, which became a meeting place for many Italian revolutionaries.
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L'heure espagnole L'heure espagnole is a 1911 one-act opera, described as a "comédie musicale", with music by Maurice Ravel to a French libretto by Franc-Nohain, based on Franc-Nohain's 1904 play ('comédie-bouffe') of the same name The opera, set in Spain in the 18th century, is about a clockmaker whose unfaithful wife attempts to make love to several different men while he is away, leading to them hiding in, and eventually getting stuck in, her husband's clocks. The title can be translated literally as "The Spanish Hour", but the word "heure" more importantly means "time" – "Spanish Time", with the connotation "How They Keep Time in Spain".
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Il Bellerofonte Il Bellerofonte is an 18th-century Italian opera in three acts by the Czech composer Josef Mysliveček. It conforms to the serious type (opera seria) that was typically set in the distant past. The libretto, based on the Greek legend of Bellerophon, was written by Giuseppe Bonecchi. The work was dedicated to King Ferdinand I of the Two Sicilies and was first performed at the Teatro San Carlo in Naples on 20 January 1767, the birthday of his father, King Charles III of Spain. The cast featured two stellar singers of the time, Caterina Gabrielli and Anton Raaff, in the leading roles. The opera was only the composer's second one, and the first that permitted him the opportunity to write music for first-rate vocal artists. The production was highly successful, indeed responsible for a meteoric rise in his reputation as an operatic composer. From the time of the premiere of "Bellerofonte" until his death in 1781, Mysliveček succeeded in having more new "opere serie" brought into production than any other composer in Europe. During the same time span, he also had more new operas staged at the Teatro San Carlo in Naples than any other composer.
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La Rose, la violette et le papillon La Rose, la violette et le papillon ("The Rose, the Violet, and the Butterfly") is a ballet "divertissement" in one act, with choreography by Marius Petipa, and music by Duke Peter Georgievich of Oldenburg. The libretto was by Jules Perrot.
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Carmen (1983 film) Carmen is a 1983 Spanish film adaptation of the novel "Carmen" by Prosper Mérimée, using music from the opera "Carmen" by Georges Bizet. It was directed and choreographed in the flamenco style by Carlos Saura and María Pagés. It is the second part of Saura's flamenco trilogy in the 1980s, preceded by "Bodas de sangre" and followed by "El amor brujo".
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Zarzuela Zarzuela (] ) is a Spanish lyric-dramatic genre that alternates between spoken and sung scenes, the latter incorporating operatic and popular song, as well as dance. The etymology of the name is uncertain, but some propose it may derive from the name of a Royal hunting lodge, the "Palacio de la Zarzuela" near Madrid, where, allegedly, this type of entertainment was first presented to the court. The palace was named after the place called "La Zarzuela" because of the profusion of brambles ("zarzas") that grew there, and so the festivities held within the walls became known as "Zarzuelas".
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L'Olimpiade (Pergolesi) L'Olimpiade is an opera in the form of a dramma per musica in three acts by the Italian composer Giovanni Battista Pergolesi. Pergolesi took the text, with a few modifications, from the libretto of the same name by Pietro Metastasio. The opera first appeared during the Carnival season of 1735 at the in Rome and "came to be probably the most admired" of the more than 50 musical settings of Metastasio’s drama.
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Semirâma Semirâma is an opera in three acts by Ottorino Respighi to a libretto by Alessandro Cerè based on Voltaire's 1748 play "Sémiramis", the same subject used for Rossini's Semiramide. "Semirâma" premiered on 20 November 1910 at the Teatro Comunale in Bologna. The première obtained a great success, with several calls for the composer and the singers.