Which painter has a Crucifixion painting located in the Cathedral built on St. Jame's Mount?
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Craigie Aitchison (painter) John Ronald Craigie Aitchison CBE RSA RA (13 January 192621 December 2009) was a Scottish painter. He was best known for his many paintings of the Crucifixion, one of which hangs behind the altar in the chapter house of Liverpool Cathedral, Italian landscapes, and portraits (mainly of black men, or of dogs). His simple style with bright, childlike colours defied description, and was compared to the Scottish Colourists, primitivists or naive artists, although Brian Sewell dismissed him as "a painter of too considered trifles".
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Liverpool Cathedral Liverpool Cathedral is the Church of England Cathedral of the Diocese of Liverpool, built on St James's Mount in Liverpool and is the seat of the Bishop of Liverpool. It may be referred to as the Cathedral Church of Christ in Liverpool (as recorded in the Document of Consecration) or the Cathedral Church of the Risen Christ, Liverpool, being dedicated to Christ 'in especial remembrance of his most glorious Resurrection'.
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Čajniče Monastery The Monastery of the Dormition of the Holy Virgin (Serbian: Манастир Успења Пресвете Богородице Чајничке ) is a Serbian Orthodox monastery located in Čajniče, Republika Srpska. There are two churches side by side, the new and the old one. The old church dates from 15th century, and the new one was built in 1857. The church is known for the miraculous icon of the Holy Virgin. This is the only extant example of icon painting in Bosnia dating from pre-Ottoman times is the processional icon the Virgin and Child painted on one side, and of St. John the Baptist on the other. Popularly known as the Čajniče Beauty and deemed miraculous, the icon comes from the Church of the Dormition in Čajniče, a traditional place of pilgrimage. It is the work of a Byzantine artist in the first half of the fourteenth century. Historians believe that this icon was painted around 1329-1330.
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The Adoration of the Kings (Bruegel) The Adoration of the Kings is an oil-on-panel painting of the Adoration of the Magi by the Flemish renaissance artist Pieter Bruegel the Elder, painted in 1564, and now in the National Gallery, London.
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Claude-Marie Dubufe Claude-Marie-Paul Dubufe (1790 – 1864) a French historical, genre and portrait painter, was born in Paris in 1790, and studied under David. His subjects were at first classical, and then scriptural. He then gave himself up to the painting of genre pictures and portraits. His reputation rests chiefly on his portraits, of which he produced a large number. Dubufe, who was the last representative of the school of David, died at Selle-Saint-Cloud in 1864. Amongst his chief works are:
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The Death of Marat The Death of Marat (French: "La Mort de Marat "or" Marat Assassiné" ) is a 1793 painting by Jacques-Louis David of the murdered French revolutionary leader Jean-Paul Marat. It is one of the most famous images of the French Revolution. David was the leading French painter, as well as a Montagnard and a member of the revolutionary Committee of General Security. The painting shows the radical journalist lying dead in his bath on 13 July 1793 after his murder by Charlotte Corday. Painted in the months after Marat's murder, it has been described by T. J. Clark as the first modernist painting, for "the way it took the stuff of politics as its material, and did not transmute it".
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Manuel de la Cruz (painter) Manuel de la Cruz (1750–1792) was a Spanish painter. He was born and died in Madrid. He distinguished himself by his pictures in the cathedral of Carthagena and in the monastery of San Francisco el Grande at Madrid. In the Gallery of the latter city there is a painting by him of "The Annual Fair at Madrid". He also etched a few plates of heads of strongly marked character.
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Señor de los Temblores The Señor de los Temblores (Lord of the Earthquakes), known in Quechua as Taytacha Temblores, is a statue of the crucifixion of Jesus from Cusco Cathedral in Cusco, Peru. The image is popularly believed to have placated any further disaster caused by the 1650 earthquake. It became the patron saint of Cusco, and is one of the most well-known images in Peru. It was probably created in Peru by native artists around 1570, and is made of mixed materials, including sticks, plaques of agave fiber, and plaster. The black color is not the original tone but was created by the buildup of soot from candles and oil lamps, and pigment and pollen from the red "ñuk'chu" flowers that are showered on the statue when it is taken in procession on Holy Monday.
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The Ecstasy of St. Cecilia (Raphael) The St. Cecilia Altarpiece is an oil painting by Italian High Renaissance painter Raphael. Completed in his later years, around 1516-1517, the painting depicts Saint Cecilia, the patron saint of musicians and Church music, listening to a choir of angels in the company of St. Paul, St. John the Evangelist, St. Augustine and Mary Magdalene. Commissioned for a church in Bologna, the painting now hangs there in the Pinacoteca Nazionale, or National Painting Gallery. According to Vasari the musical instruments strewn about Cecilia's feet were not painted by Raphael, but by his student, Giovanni da Udine.
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Temptation of St. Thomas (Velázquez) The Temptation of St. Thomas is a painting by the Spanish Baroque painter Diego Velázquez, executed in 1632 and housed in the Museum of Sacred Art of Orihuela Cathedral, southern Spain.
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Albertus Pictor Albertus Pictor (English, "Albert the Painter"; Immenhusen, c. 1440 – c. 1507), also called Albert Pictor, Albert Målare and Albrekt Pärlstickare (Swedish), is the most famous late medieval Swedish painter, known for his wallpaintings surviving in numerous churches in southern and central Sweden. Celebrations for the quincentenary of his death were arranged for 2009.
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Cristo Yacente of El Pardo The Cristo Yacente (Dead Christ) of El Pardo, is a life-size polychromed sculpture by Spanish sculptor Gregorio Fernández, executed between 1614 and 1615. Housed in a chapel of the Capuchin Monastery of El Pardo (Madrid), the sculpture was commissioned by King Philip III to celebrate the birth of his son Philip IV.
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Penitent Magdalene (Artemisia Gentileschi) Penitent Magdalene is a painting by the Italian artist Artemisia Gentileschi. It hangs in Seville Cathedral. It has probably been in the cathedral since the late 17th century. The painting's first home was the collection of Fernando Enriquez Afan de Ribera, from 1626 to 1637.
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Virgin and Child with Canon van der Paele The Virgin and Child with Canon van der Paele is a large oil-on-oak panel painting completed around 1434–36 by the Early Netherlandish painter Jan van Eyck. It shows the painting's donor, Joris van der Paele, within an apparition of saints. The Virgin Mary is enthroned at the centre of the semicircular space, which most likely represents a church interior, with the Christ Child on her lap. St. Donatian stands to her right, Saint George—the donor's name saint—to her left. The panel was commissioned by van der Paele as an altarpiece. He was then a wealthy clergyman from Bruges, but elderly and gravely ill, and intended the work as his memorial.
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Georgije Mitrofanović Georgije Mitrofanović ( ; 1550–c. 1630) was a Serbian Orthodox monk and painter, remembered best for his work on the Morača monastery church and the frescoes (wall paintings) inside the Krupa monastery church. Mitrofanović, a monk, had trained at the Hilandar monastery workshop, situated on Mount Athos, before coming to Montenegro where he worked on frescoes in the Morača monastery. He had many pupils and associates, but his most famous follower was Zograph Jovan.
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Juan Galván Jiménez Juan Galván (or Galbán) Jiménez (19 November 1596 – 1658), a Spanish painter, was born at Luesia, in the kingdom of Aragon. According to Palomino, he went to Rome for improvement, where he remained some time, and on his return to Spain in 1624 resided chiefly at Zaragoza, where he was named painter by the Corporation, and executed various pictures for the cathedral and Carmelite convent. For the cathedral of Zaragoza he executed pictures of the "Nativity," "Santa Justa," and "Santa Rufina," as well as other large works, which Cean Bermudez praises for their colouring. He painted the cupola of Santa Justa y Rufina, and a picture of the "Trinity" for the Barefooted Carmelites; but his principal work was the "Birth of the Virgin." He died at Zaragoza.
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Christ on the Cross Christ on the Cross, Christ between the two murderers or Le Coup de Lance is a 1620 painting of the Crucifixion of Jesus by Peter Paul Rubens, originally intended for the Convent of the Friars Minor. It is now in the Koninklijnk Museum voor Schone Kunsten in Antwerp.
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Majestatis Majestatis (Latin: "Magister Majestatis Domini" , "The Master of Christ in Majesty", usually shortened to Majestatis and sometimes referred to as the Tryde Master, fl. second half of the 12th century) was a Romanesque stone sculptor and the creator of several richly decorated baptismal fonts mainly in Scania and on Gotland (present-day Sweden).
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St. Michael (Raphael) St. Michael is an oil painting by Italian artist Raphael. Also called the Little St. Michael to distinguish it from a larger, later treatment of the same theme, "St. Michael Vanquishing Satan", it is housed in the Louvre in Paris. The work depicts the Archangel Michael in combat with the demons of Hell, while the damned suffer behind him. Along with "St. George", it represents the first of Raphael's works on martial subjects.
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Entry of Christ into Jerusalem (van Dyck) Entry of Christ into Jerusalem is a 1617 oil painting by Flemish artist Anthony van Dyck, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It depicts Jesus entering Jerusalem as described in the Gospels, the event celebrated on Palm Sunday.
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The Crucifixion of St Julia The Crucifixion of St Julia is a triptych by the Dutch painter Hieronymus Bosch. Like many Bosch paintings, the date of this work was long disputed, until dendochronologic analysis assigned it to around 1497. It is housed at the Palazzo Ducale in Venice.
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Allegory of Painting (Artemisia Gentileschi) Allegory of Painting is an artwork painted by the Italian baroque artist Artemisia Gentileschi. It hangs in the Musee de Tesse, Le Mans, France. It is one of many paintings done by Gentileschi with this theme, but the depiction in this particular painting is unusual, and scholars have suggested it may have another meaning. Its attribution to Gentileschi is relatively recent, being associated with her in 1988.