What is the lowest note of Albert Lim's standard range?
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Albert Lim Albert Lim (Traditional Chinese: 林俊) is a Hong Kong Baritone graduated from the Royal College of Music and Hong Kong Academy for Performing Arts.
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Baritone A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice types. It is the most common male voice. Originally from the Greek βαρύτονος ("barýtonos") , meaning "deep (or heavy) sounding", music for this voice is typically written in the range from the second F below middle C to the F above middle C (i.e. F–F) in choral music, and from the second A below middle C to the A above middle C (A to A) in operatic music, but can be extended at either end. The baritone voice type is generally divided into the baryton-Martin baritone (light baritone), lyric baritone, "Kavalierbariton", Verdi baritone, dramatic baritone, "baryton-noble" baritone, and the bass-baritone.
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Basso profondo Basso profondo (Italian: "deep bass"), sometimes basso profundo or contrabass, is the bass voice subtype with the lowest vocal range.
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G♭ (musical note) G♭ (G-flat) or Sol Bémol is the seventh semitone of the solfege.
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Reference tone A reference tone is a pure tone corresponding to a known frequency, and produced at a stable sound pressure level (volume), usually by specialized equipment.
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Dominant (music) In music, the dominant is the fifth scale degree of the diatonic scale, called "dominant" because it is next in importance to the tonic, and a dominant chord is any chord built upon that pitch, using the notes of the same diatonic scale. The dominant is sung as so in solfege. The dominant function (diatonic function) has the role of creating instability that requires the tonic for resolution.
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Alpha scale The α (alpha) scale is a non-octave-repeating musical scale. In one version it splits the perfect fifth (3:2) into nine equal parts of approximately 78.0 cents. In another it splits the minor third into two equal parts, or four equal parts of approximately 78 cents each    . At 78 cents per step, this totals approximately 15.385 steps per octave. The scale step may be precisely derived from using 9:5    to approximate the interval ⁄ , which equals 6:5    .
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Soprano clarinet The term soprano clarinet is used occasionally to refer to those instruments from the clarinet family that occupy a higher position, both in pitch and in popularity than subsequent additions to the family such as the basset horns and bass clarinets. The B♭ clarinet is by far the most common type of clarinet and indeed the unmodified word "clarinet" usually refers to this instrument. However, due to a tendency for writers and historians to imitate the terms used to denote instruments in other instrumental 'family groups' the term soprano is sometimes used to apply not only to the B♭ clarinet but also to the clarinets in A and C, sounding respectively a semitone lower and a whole tone higher than the B♭ instrument, and even the low G clarinet—rare in Western music but popular in the folk music of Turkey—sounding a whole tone lower than the A. While some writers reserve a separate category of sopranino clarinets for the E♭ and D clarinets, these are more usually regarded as soprano clarinets as well. All have a written range from the E below middle C to about the C three octaves above middle C, with the sounding pitches determined by the particular instrument's transposition.
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Perfect fourth In classical music from Western culture, a fourth is a musical interval encompassing four staff positions (see Interval number for more details), and the perfect fourth (   ) is a fourth spanning five semitones (half steps, or half tones). For example, the ascending interval from C to the next F is a perfect fourth, as the note F lies five semitones above C, and there are four staff positions from C to F. Diminished and augmented fourths span the same number of staff positions, but consist of a different number of semitones (four and six).
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Jazz scale A jazz scale is any musical scale used in jazz. Many "jazz scales" are common scales drawn from Western European classical music, including the diatonic, whole-tone, octatonic (or diminished), and the modes of the ascending melodic minor. All of these scales were commonly used by late nineteenth and early twentieth-century composers such as Rimsky-Korsakov, Debussy, Ravel and Stravinsky, often in ways that directly anticipate jazz practice. Some jazz scales, such as the bebop scales, add additional chromatic passing tones to the familiar diatonic scales.
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Subminor and supermajor In music, a subminor interval is an interval that is noticeably wider than a diminished interval but noticeably narrower than a minor interval. It is found in between a minor and diminished interval, thus making it below, or subminor to, the minor interval. A supermajor interval is a musical interval that is noticeably wider than a major interval but noticeably narrower than an augmented interval. It is found in between a major and augmented interval, thus making it above, or supermajor to, the major interval. The inversion of a supermajor interval is a subminor interval, and there are four major and four minor intervals, allowing for eight supermajor and subminor intervals, each with variants.
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C-flat major C♭ major is a major scale based on C♭ , consisting of the pitches C♭, D♭, E♭, F♭, G♭, A♭, and B♭. Its key signature has seven flats.
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Lydian chord In jazz music, the lydian chord is the major 7♯ 11 chord, or ♯ 11 chord, the chord built on the first degree of the lydian mode, the sharp eleventh being a compound augmented fourth. It is described as "beautiful" and "modern sounding."
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Two hundred fifty-sixth note In music, a two hundred fifty-sixth note (or occasionally demisemihemidemisemiquaver) is a note played for ⁄ of the duration of a whole note. It lasts half as long as a hundred twenty-eighth note and takes up one quarter of the length of a sixty-fourth note. In musical notation it has a total of six flags or beams. If human pitch perception begins at 20 Hz (1200/minute), then 256th notes become pitched at quarter note ≈ 80 bpm.
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Concerto for Harmonica and Orchestra (Arnold) The Concerto for Harmonica and Orchestra, Opus 46, is a concerto featuring a harmonica soloist, written by English composer Malcolm Arnold. The piece was composed in 1954 for the American harmonica virtuoso Larry Adler, and was premiered on August 14, 1954 at the Royal Albert Hall, with accompaniment by the BBC Symphony Orchestra. The concerto was one of the first of a number of "serious" pieces composed for the harmonica after the Second World War (in addition to works by Darius Milhaud, Ralph Vaughan Williams, and Heitor Villa-Lobos).
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Se (instrument) The se () is an ancient Chinese plucked zither (string instrument). It has 25–50 strings with moveable bridges and a range of up to five octaves.
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G♯ (musical note) G♯ (G<nowiki>-</nowiki>sharp) or Sol Dièse is the ninth semitone of the solfege. In the German pitch nomenclature, it is known as "gis".
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Albert system The Albert system refers to a system of clarinet keywork and fingering developed by Eugène Albert. In the United Kingdom it is known as the simple system. It has been largely replaced by the Boehm system.
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Fifteenth In music, a fifteenth or double octave, abbreviated 15, is the interval between one musical note and another with one-quarter the wavelength or quadruple the frequency. It has also been referred to as the bisdiapason. The fourth harmonic, it is two octaves. It is referred to as a fifteenth because, in the diatonic scale, there are 15 notes between them if one counts both ends (as is customary). Two octaves (based on the Italian word for eighth) do not make a sixteenth, but a fifteenth. In other contexts, the term "two octaves" is likely to be used.
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Voice flute The voice flute (also the Italian flauto di voce and the French flûte de voix are found in English-language sources) is a recorder with the lowest note of D, and is therefore intermediate in size between the alto and tenor recorders.
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Five-limit tuning Five-limit tuning, 5-limit tuning, or 5-prime-limit tuning (not to be confused with 5-odd-limit tuning), is any system for tuning a musical instrument that obtains the frequency of each note by multiplying the frequency of a given reference note (the base note) by products of integer powers of 2, 3, or 5 (prime numbers limited to 5 or lower), such as .
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Minor sixth In classical music from Western culture, a sixth is a musical interval encompassing six staff positions (see Interval number for more details), and the minor sixth is one of two commonly occurring sixths. It is qualified as "minor" because it is the smaller of the two: the minor sixth spans eight semitones, the major sixth nine. For example, the interval from A to F is a minor sixth, as the note F lies eight semitones above A, and there are six staff positions from A to F. Diminished and augmented sixths span the same number of staff positions, but consist of a different number of semitones (seven and ten).