During the late 1520s and early 1530s Simone Mosca worked with a sculptor described as one of the what?
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Simone Mosca Simone Mosca (1492–1554) was an Italian sculptor who was born in Settignano (part of Florence). His sons were sculptors Francesco Mosca, called "Il Moschino" (ca. 1531-1578) and Simone Simoncelli, also known as "Simone Moschino" (1533-1610). During the late 1520s and early 1530s Simone worked with Michelangelo on the Medici Chapel in Florence. Simone Mosca died in Orvieto, Italy in 1554.
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Michelangelo Michelangelo di Lodovico Buonarroti Simoni ( ; ] ; 6 March 1475 – 18 February 1564) was an Italian sculptor, painter, architect, and poet of the High Renaissance born in the Republic of Florence, who exerted an unparalleled influence on the development of Western art. Considered to be the greatest living artist during his lifetime, he has since been described as one of the greatest artists of all time. Despite making few forays beyond the arts, his versatility in the disciplines he took up was of such a high order that he is often considered a contender for the title of the archetypal Renaissance man, along with his rival and fellow Florentine Medici client, Leonardo da Vinci.
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Head of a Faun Head of a faun is a lost sculpture by Italian Renaissance master Michelangelo, dating from c. 1489. His first known work of sculpture in marble, it was sculpted when he was 15 or 16 as a copy of an antique work with some minor alterations. According to Giorgio Vasari's biography of the artist, it was the creation of this work that secured the young Michaelangelo the patronage of Lorenzo de' Medici.
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Giuliano da Sangallo Giuliano da Sangallo (c. 1445 – 1516) was an Italian sculptor, architect and military engineer active during the Italian Renaissance. He is known primarily for being the favored architect of Lorenzo de' Medici, his patron. In this role, Giuliano designed a villa for Lorenzo as well as a monastery for Augustinian monks and a church where a miracle was said to have taken place. Additionally, Giuliano was commissioned to build multiple structures for Pope Julius II and Pope Leo X. Leon Battista Alberti and Filippo Brunelleschi heavily influenced Sangallo and in turn, he influenced other important Renaissance figures such as Raphael, Leonardo da Vinci, his brother Antonio da Sangallo the Elder, and his nephew, Antonio da Sangallo the Younger.
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Pietro Torrigiano Pietro Torrigiano (24 November 1472 – August 1528) was an Italian sculptor of the Florentine school. He was important in introducing Renaissance art to England, but his career was adversely affected by his violent temperament.
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Giovanni Pisano Giovanni Pisano (c. 1250 – c. 1315) was an Italian sculptor, painter and architect, who worked in the cities of Pisa, Siena and Pistoia. He is best known for his sculpture which shows the influence of both the French Gothic and the Ancient Roman art. Henry Moore, referring to his statues for the facade of Siena Cathedral, called him "the first modern sculptor".
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Lorenzo di Credi Lorenzo di Credi (c. 1459 – January 12, 1537) was an Italian Renaissance painter and sculptor. He first influenced Leonardo da Vinci and then was greatly influenced by him.
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Jerónimo Cosida Jerónimo Vicente Vallejo Cósida (1510–April 5, 1592) was a Spanish Renaissance painter, sculptor, goldsmith and architect.
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Domenico Gagini Domenico Gagini (Bissone, c. 1425–30 - Palermo, 29–30 September 1492) was a Swiss-Italian sculptor who was active in Northern as well as Southern Italy.
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Tilman Riemenschneider Tilman Riemenschneider (c. 1460 – 7 July 1531) was a German sculptor and woodcarver active in Würzburg from 1483. He was one of the most prolific and versatile sculptors of the transition period between late Gothic and Renaissance, a master in stone and limewood.
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Juan de Juni Juan de Juni (Fr. Jean de Joigny; c. 1507–1577) was a French–Spanish sculptor, who also worked as a painter and architect.
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Giotto Giotto di Bondone ( 1270 – January 8, 1337), known mononymously as Giotto (] ) and latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the "Gothic or Proto-Renaissance" period.
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Niccolò Tribolo Niccolò di Raffaello di Niccolò dei Pericoli, called "Il Tribolo" (1500–7 September 1550) was an Italian Mannerist artist in the service of Cosimo I de' Medici in his natal city of Florence.
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Bartolommeo Bonone Bartolommeo Bonone, also called Bartolomeo Bernardi, (active 1491–1528) was an Italian painter of the Renaissance period.
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Diego de Pesquera Diego de Pesquera was a 16th-century Spanish sculptor of the Sevillian and Granadan schools. Records show he was active in the city of Granada in 1563, and in Seville from 1571 to 1580. With a style influenced by the Italian Renaissance and that of Michelangelo, he may have trained in Italy.
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Francesco Mochi Francesco Mochi (29 July 1580 – 6 February 1654) was an Italian early-Baroque sculptor active mostly in Rome and Orvieto.
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Giovanni Angelo Montorsoli Giovanni Angelo Montorsoli (1507 – 31 August 1563), also known as Giovanni Agnolo Montorsoli, was a Florentine sculptor and Servite friar. He is today as often remembered for his restorations of famous classical works as his original creations.
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El Greco Doménikos Theotokópoulos (Greek: Δομήνικος Θεοτοκόπουλος ] ; 1541 7 April 1614), most widely known as El Greco ("The Greek"), was a painter, sculptor and architect of the Spanish Renaissance. "El Greco" was a nickname, a reference to his Greek origin, and the artist normally signed his paintings with his full birth name in Greek letters, Δομήνικος Θεοτοκόπουλος ("Doménikos Theotokópoulos"), often adding the word Κρής ("Krēs", "Cretan").
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Clemente Susini Clemente Michelangelo Susini (1754–1814) was an Italian sculptor who became renowned for his wax anatomical models, vividly and accurately depicting partly dissected corpses. These models were praised by both doctors and artists.
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Giuseppe Bernardi Giuseppe Bernardi (Pagnano, 24 March 1694 – Venice, 22 February 1773), also called Torretto, was a prominent mid-18th-century Italian sculptor. He is also known as a carver of intaglios and as the first teacher of Neoclassical sculptor Antonio Canova. His father was Sebastiano Bernardi whose works include the statues of the park of the Villa Manin di Passariano (Udine) and of the Prato della Valle in Padua. His mother, Cecilia Torretto, was sister to the sculptor Giuseppe Torretto and Bernardi took the nickname "il Torretto" as a child in honor of his uncle.
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Cesare da Bagno Cesare da Bagno (1530–1564), also known as Cesare di Niccolo di Mariano Federighi, was an Italian sculptor and medallist.
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Madonna of the Stairs The Madonna of the Stairs (or Madonna of the Steps) is a relief sculpture by Michelangelo in the Casa Buonarroti, Florence. It was sculpted around 1491, when Michelangelo was about seventeen. This and the "Battle of the Centaurs" were Michelangelo's first two sculptures. The first reference to the "Madonna of the Stairs" as a work by Michelangelo was in the 1568 edition of Giorgio Vasari's "Lives of the Most Excellent Painters, Sculptors, and Architects".