Which  aria from the final act of Giacomo Puccini's opera did  Paul Potts perform
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Paul Potts Paul Robert Potts (born 13 October 1970) is a British tenor. In 2007, he won the first series of ITV's "Britain's Got Talent" with his performance of "Nessun dorma", an aria from Puccini's opera "Turandot". As a singer of operatic pop music, Potts recorded the album "One Chance", which topped sales charts in thirteen countries . Prior to winning "Britain's Got Talent", Potts was a manager at The Carphone Warehouse. He had served as a Bristol city councillor from 1996 until 2003, and also had performed in amateur opera from 1999 to 2003.
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Nessun dorma "Nessun dorma " (] ; English: "None shall sleep") is an aria from the final act of Giacomo Puccini's opera "Turandot" and one of the best-known tenor arias in all opera. It is sung by Calaf, "il principe ignoto " (the unknown prince), who falls in love at first sight with the beautiful but cold Princess Turandot. However, any man who wishes to wed Turandot must first answer her three riddles; if he fails, he will be beheaded. In the aria, Calaf expresses his triumphant assurance that he will win the princess.
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La cena delle beffe La cena delle beffe ("The Jesters' Supper") is an opera in four acts composed by Umberto Giordano to an Italian libretto by Sem Benelli adapted from his 1909 play of the same name. The opera premiered on 20 December 1924 at La Scala. Milan. The story, set in Florence at the time of Lorenzo de' Medici, recounts the rivalry between Giannetto Malespini and Neri Chiaramantesi for the affections of the beautiful Ginevra and Giannetto's thirst for revenge over a cruel joke played on him by Neri and his brother Gabriello. Giannetto's revenge "joke" ultimately leads Neri to murder both Ginevra and (by mistake) his own brother. The opera ends with Neri's descent into madness.
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L'Ipermestra L'Ipermestra is an 18th-century Italian opera in 3 acts by the Czech composer Josef Mysliveček composed to a libretto by the Italian poet Metastasio first produced in 1744. This opera (and all the rest of Mysliveček's operas) belong to the serious type in Italian language referred to as "opera seria".
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Vénus et Adonis Vénus et Adonis is an opera ("tragédie en musique") in a prologue and 5 acts composed by Henri Desmarets to a libretto by Jean-Baptiste Rousseau. Based on the story of Venus and Adonis in Book X of Ovid's "Metamorphoses", it was first performed by the Académie Royale de Musique at the Théâtre du Palais-Royal in Paris on 28 July 1697 with Marie Le Rochois and Louis Gaulard Dumesny in the title roles. Desmarets staged a major revival of the work with a new prologue at the court of Leopold, Duke of Lorraine in 1707. During the composer's lifetime, it was performed in Germany, Belgium, and France, but then fell into obscurity. Its first staging in modern times took place at the Opéra de Nancy on 28 April 2006.
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Il mio tesoro "Il mio tesoro " (or "Il mio tesoro intanto ") is an aria for lyric tenor voice from scene 2 in act 2 of Mozart's opera "Don Giovanni". It is often performed in recitals and featured in anthologies of music for tenor.
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Tutti in maschera Tutti in maschera (Everyone in Disguise) is an opera (called a "commedia lirica") by Carlo Pedrotti. The libretto is by Marco Marcelliano Marcello, based on the 1759 comedy "L'impresario delle Smirne" by Carlo Goldoni. It was premiered at the Teatro Nuovo, Verona, on 4 November 1856.
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Arrighetto Arrighetto is an opera in one act by Carlo Coccia. The Italian-language libretto was by Angelo Anelli, after "Madonna Beritola", sixth tale of the second day of the "Decameron" by Giovanni Boccaccio. It premiered on 9 January 1813 at the Teatro San Moisè, Venice.
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Un bel dì vedremo "Un bel dì vedremo " ("One fine day we’ll see") is a soprano aria from the opera "Madama Butterfly" (1904) by Giacomo Puccini to a libretto by Luigi Illica and Giuseppe Giacosa. It is sung by Cio-Cio San/Madama Butterfly (on stage with Suzuki), when she imagines and performs the return of Pinkerton on a white ship, signalled by a thread of smoke on the far horizon.
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Il burbero di buon cuore Il burbero di buon cuore ("The Good-Hearted Curmudgeon") is an opera dramma giocoso in two acts by Vicente Martín y Soler. The Italian libretto by Lorenzo da Ponte is based on the French comedy "Le bourru bienfaisant" by Carlo Goldoni. The opera premiered on January 4, 1786 in Vienna at the Burgtheater with a cast that included three well known Viennese singers of the day: Nancy Storace as Angelica, Francesco Benucci as Ferramondo, and Maria Mandini as Marina. The opera premiered in the same year and at the same house as Mozart's "Le nozze di Figaro", and both operas enjoyed revivals at the Burgtheater three years later — each boasting two new arias for new leading ladies. The new arias for "Il burbero di buon cuore" (""Chi sa, chi sa, qual sia"" K. 582 in Act I and ""Vado, ma dove?"" K. 583 in Act II, both for Lucilla) were actually composed by Mozart, as Martín y Soler had left Vienna to work at the court of Catherine the Great in St. Petersburg. The opera recently received its first modern revival in 2007 at the Teatro Real in Madrid, a performance which was videotaped live and released on DVD in 2009.
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William Tell (opera) Guillaume Tell (English: William Tell , Italian: Guglielmo Tell ) is a French opera in four acts by Gioachino Rossini to a libretto by Étienne de Jouy and Hippolyte Bis. Based on Friedrich Schiller's play "William Tell," which drew on the William Tell legend, the opera was Rossini's last, although he lived for nearly forty more years. Fabio Luisi said that Rossini planned for "William Tell" to be his last opera even as he composed it. The overture, in four sections and featuring a depiction of a storm as well as a vivacious finale, the "March of the Swiss Soldiers," is often played.
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The English Cat The English Cat (in German, Die englische Katze) is an opera in two acts by Hans Werner Henze to an English libretto by Edward Bond, based on "Les peines de coeur d'une chatte anglaise " ("The heartbreak of an English cat") by Honoré de Balzac. The opera was first performed in a German translation by the Stuttgart Opera at the Schlosstheater Schwetzingen at the Schwetzingen Festival on 2 June 1983. The French premiere was at the Opéra-Comique, Paris in 1984. The first performance using the original English text was at Santa Fe on 13 July 1985. The UK premiere was at the Leith Theatre, Edinburgh, on 19 August 1987. A revised version was performed at Montepulciano in 1990 and this was given in London in 1991.
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Artaserse (Hasse) Artaserse is an opera ("dramma per musica") in three acts composed by Johann Adolph Hasse to an Italian libretto adapted from that by Metastasio by Giovanni Boldini. It premiered at the Teatro di San Giovanni Grisostomo in Venice on 11 February 1730, shortly after the libretto's first setting by Leonardo Vinci premiered in Rome 6 days earlier. Metastasio's libretto, "Artaserse", has been used in more than 90 works. Hasse himself would later re-work the score for performances at the Opernhaus am Zwinger in Dresden (1740) and the Teatro di San Carlo in Naples (1760).
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Artemisia (opera) The performances included a number of substitition arias, and in the 1656 libretto, next to Erillo's aria "Chiedete e sperate", was noted the instruction "a different aria to be sung every night".
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Lo speziale Lo speziale ("The Apothecary"), Hob. 28/3, is a three-act opera buffa by Joseph Haydn, with a libretto by Carlo Goldoni.
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Jone (opera) Jone, ossia L'ultimo giorno di Pompei is an opera in four acts by Errico Petrella. The Italian-language libretto was by Giovanni Peruzzini, after Edward Bulwer-Lytton's famous novel "The Last Days of Pompeii".
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Missa L'homme armé sexti toni Missa L'homme armé sexti toni is probably the later of two "L'homme arme" masses by Josquin des Prez. "sexti toni" refers to the use of the sixth mode. The theme is shared between all voices rather than being confined to the tenor, as in Josquin's earlier "L'homme armé" mass ("Missa L'homme armé super voces musicales"). The five sections of the mass contain several examples of compositional virtuosity, including strict canons in the Sanctus/Osanna and simultaneous statements of the theme both forwards and in retrograde in the final Agnus Dei.
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Oristeo The opera is notable for containing one of the first examples of a da capo aria, "Udite amanti", sung by Corinta.
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Francesco Dominici (operatic tenor) Francesco Dominici (1885–1968) was an Italian operatic tenor particularly admired for his acting in comedic roles. He made his professional opera debut as Fernando in Donizetti's "La favorite" at the Teatro Donizetti in Bergamo in 1914. He created the role of Prunier in the original 1917 production of Puccini's "La rondine" at the Grand Théâtre de Monte Carlo, a role which he performed at many other opera houses including the Teatro Comunale di Bologna. Over the next several years he played mostly leading roles at the Teatro Costanzi in Rome including Rodolfo in Puccini's "La Bohème", Fenton in Verdi's "Falstaff", and the Ernesto in Donizetti's "Don Pasquale". In the early 1920s he joined the roster at La Scala where he began playing more buffo roles than leading roles. In 1921, he sang the role of doctor Cajus in Verdi's Falstaff at La Scala and in 1922 was Filipeto in the company's first production of Ermanno Wolf-Ferrari's "I quattro rusteghi". In 1926 he created the role of Emperor Altoum in the original production of Puccini's "Turandot" at La Scala. In 1929 he went on tour with La Scala to Germany. Other roles that Dominici performed at La Scala include David in Wagner's "Die Meistersinger von Nürnberg", Monostatos in Mozart's "The Magic Flute", and the Neipperg in Umberto Giordano's "Madame Sans-Gêne". In 1931 he moved to Cuba, where he taught music for many years. Dominici died in Havana in 1968.
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I puritani I puritani ("The Puritans") is an opera in by Vincenzo Bellini. It was originally written in two acts and later changed to three acts on the advice of Gioachino Rossini, with whom the young composer had become friends. The music was set to a libretto by Count Carlo Pepoli, an Italian émigré poet whom Bellini had met at a salon run by the exile Princess Belgiojoso, which became a meeting place for many Italian revolutionaries.
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Pygmalion (opera) Pygmalion is a monodrama in one act by composer Georg Benda with a German libretto by Friedrich Wilhelm Gotter. The opera's first performance was at the , the court theatre in Gotha, on September 20, 1779. "Pygmalion" was the fourth of the five theatrical collaborations of Benda and Gotter. Gotter based his text on Jean-Jacques Rousseau's 1762 play "Pygmalion". Benda's melodrama is unusual as it has three characters but only one spoken role. Two of the parts are silently acted on stage.
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Madamina, il catalogo è questo "Madamina, il catalogo è questo " (also known as the Catalogue Aria) is a bass catalogue aria from Mozart's opera "Don Giovanni" to an Italian libretto by Lorenzo Da Ponte, and is one of Mozart's most famous and popular arias.