Demofoonte was an opera by the composer who was part of what period?
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Demofoonte (Gluck) Demofoonte is a dramma per musica or opera in 3 acts by composer Christoph Willibald Gluck. The work uses an Italian language libretto by Pietro Metastasio. The opera premiered on 6 January 1743 at the Teatro Regio Ducal in Milan.
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Christoph Willibald Gluck Christoph Willibald (Ritter von) Gluck (] ; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate (now part of Germany) and raised in Bohemia, he gained prominence at the Habsburg court at Vienna, where he brought about the practical reform of opera's dramaturgical practices that many intellectuals had been campaigning for over the years. With a series of radical new works in the 1760s, among them "Orfeo ed Euridice" and "Alceste", he broke the stranglehold that Metastasian "opera seria" had enjoyed for much of the century.
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Gherardello da Firenze Gherardello da Firenze (also Niccolò di Francesco or Ghirardellus de Florentia) ( 1320-1325 – 1362 or 1363) was an Italian composer of the "Trecento". He was one of the first composers of the period sometimes known as the "Italian ars nova".
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L'Ipermestra L'Ipermestra is an 18th-century Italian opera in 3 acts by the Czech composer Josef Mysliveček composed to a libretto by the Italian poet Metastasio first produced in 1744. This opera (and all the rest of Mysliveček's operas) belong to the serious type in Italian language referred to as "opera seria".
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Domènec Terradellas Domènec Terradellas (baptized 13 February 1713, Barcelona – 20 May 1751, Rome) was a Spanish opera composer. The birthdate is sometimes incorrectly given as 1711. Carreras i Bulbena did extensive research in contemporary documents, such as baptismal records, and found that the correct date was 1713. All his works are thoroughly Italian in style.
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Francesco Cellavenia Francesco Cellavenia (fl. c. 1538 – 1563) was an Italian composer of the Renaissance, active in Casale Monferrato.
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List of operas by Joseph Haydn Joseph Haydn is not primarily remembered as a composer of opera, yet the genre occupied a great deal of his time. During the 1770s and 1780s, Haydn ran an opera troupe on behalf of his employer, Prince Nikolaus Esterházy, which put on up to 150 performances per year. A number of the operas were Haydn's own work. Haydn's operas are only occasionally performed today.
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Giovanni Valentini (classical era composer) Giovanni Valentini (ca. 1750 – 1804) was an Italian classical era composer, poet and painter. He is best remembered for his innovative instrumental music. Among his many works are two operas, "La statua matematica" and "Le nozze in contrasto", the latter of which premiered at the Teatro San Moisè, Venice, in November 1774.
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Il Bellerofonte Il Bellerofonte is an 18th-century Italian opera in three acts by the Czech composer Josef Mysliveček. It conforms to the serious type (opera seria) that was typically set in the distant past. The libretto, based on the Greek legend of Bellerophon, was written by Giuseppe Bonecchi. The work was dedicated to King Ferdinand I of the Two Sicilies and was first performed at the Teatro San Carlo in Naples on 20 January 1767, the birthday of his father, King Charles III of Spain. The cast featured two stellar singers of the time, Caterina Gabrielli and Anton Raaff, in the leading roles. The opera was only the composer's second one, and the first that permitted him the opportunity to write music for first-rate vocal artists. The production was highly successful, indeed responsible for a meteoric rise in his reputation as an operatic composer. From the time of the premiere of "Bellerofonte" until his death in 1781, Mysliveček succeeded in having more new "opere serie" brought into production than any other composer in Europe. During the same time span, he also had more new operas staged at the Teatro San Carlo in Naples than any other composer.
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Pietro Raimondi Pietro Raimondi (December 20, 1786, Rome – October 30, 1853) was an Italian composer, transitional between the Classical and Romantic eras. While he was famous at the time as a composer of operas and sacred music, he was also as an innovator in contrapuntal technique as well as in creation of gigantic musical simultaneities.
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La Partenza "La partenza" is a 1749 canzonetta by Pietro Metastasio (1698-1782). It is among his most famous canzonettas and after being set by the poet himself was set again by many composers including Farinelli, Caffarelli, Giovanni Paisiello, Mozart, Beethoven himself and Beethoven's pupil Archduke Rudolph.
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Gaetano Donizetti Domenico Gaetano Maria Donizetti (] ; 29 November 1797 – 8 April 1848) was an Italian composer. Along with Gioachino Rossini and Vincenzo Bellini, Donizetti was a leading composer of the "bel canto" opera style during the first half of the nineteenth century. Donizetti's close association with the bel canto style was undoubtedly an influence on other composers such as Giuseppe Verdi (1813–1901).
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Oronthée Oronthée (or "Orontée") is a French-language opera by the composer Paolo Lorenzani, first performed by the singers and musicians of the Académie Royale de Musique (the Paris Opera) at Chantilly on 23 August 1688 as part of the celebrations the Prince of Condé gave for the Dauphin. It takes the form of a "tragédie en musique" in a prologue and five acts. Almost all of the score is lost.
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Serafino Amedeo De Ferrari Serafino Amedeo De Ferrari (6 May 1824 – 27 March 1885) was an Italian composer, conductor, organist, and pianist. He is best known for his operas, of which his most popular were "Pipelè" (1855) and "Il Menestrello" (1859).
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Giovanni Antonio Giay Giovanni Antonio Giay (sometimes spelled Giaj; 11 June 1690 – 10 September 1764) was an Italian composer. His compositional output includes 15 operas, 5 symphonies, and a significant amount of sacred music.
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Opera Opera (] ; English plural: "operas"; Italian plural: "opere" ] ) is an art form in which singers and musicians perform a dramatic work combining text (libretto) and musical score, usually in a theatrical setting. In traditional opera, singers do two types of singing: recitative, a speech-inflected style and arias, a more melodic style, in which notes are sung in a sustained fashion. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor.
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Manuel de Zumaya Manuel de Zumaya or Manuel de Sumaya (c. 1678 – 1755) was perhaps the most famous Mexican composer of the colonial period of New Spain. His music was the culmination of the Baroque style in the New World. He was the first person in the western hemisphere to compose an Italian-texted opera, entitled "Partenope" (now lost).
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List of Classical-era composers This is a list of composers of the Classical music era, roughly from 1730 to 1820. Prominent composers of the Classical era include Carl Philipp Emanuel Bach, Johann Stamitz, Joseph Haydn, Johann Christian Bach, Antonio Salieri, Muzio Clementi, Wolfgang Amadeus Mozart and Luigi Boccherini. Prominent composers of both the Classical and early Romantic eras include Ludwig van Beethoven and Franz Schubert.
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Mattia Verazi Mattia Verazi ( 1730 – 20 November 1794) was an Italian librettist primarily active at the court of Charles Theodore in Mannheim. He became known as the leader of a group of librettists who challenged the conventions of "opera seria" in the mid-18th century and was a long-time collaborator of composer Niccolò Jommelli. He also produced the libretti for Salieri's "Europa riconosciuta", Sacchini's "Calliroe", and J.C. Bach's "Temistocle"
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Musique mesurée Musique mesurée à l'antique (] ) was a style of vocal musical composition in France in the late 16th century. In "musique mesurée", longer syllables in the French language were set to longer note values, and shorter syllables to shorter, in a homophonic texture but in a situation of metric fluidity, in an attempt to imitate contemporary understanding of Ancient Greek music. Although this compositional method did not attain popularity at first, it attracted some of the most famous composers of the time. Its basis in a desire to re-create the artistic ethos of Ancient Greece, especially in respect to text declamation, had a strong similarity to contemporary movements in Italy, such as the work of the Florentine Camerata which engendered the first operas, and brought about the beginning of the Baroque era in music.
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Luigi Rossi Luigi Rossi (c. 1597 – 20 February 1653) was an Italian Baroque composer. Rossi was born in Torremaggiore, a small town near Foggia, in the ancient kingdom of Naples and at an early age he went to Naples. There he studied music with the Franco-Flemish composer Jean de Macque who was organist of the Santa Casa dell’Annunziata and "maestro di cappella" to the Spanish viceroy. Rossi later entered the service of the Caetani, dukes of Traetta.
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Felix Draeseke Felix August Bernhard Draeseke (7 October 1835 – 26 February 1913) was a composer of the "New German School" admiring Liszt and Richard Wagner. He wrote compositions in most forms including eight operas and stage works, four symphonies, and much vocal and chamber music.