What was the historical play, believed to have been written in approximately 1592, written by the known playwrite who's plays have been staged thousands of times since the end of the 16th century?
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Shakespeare in performance Thousands (perhaps even millions) of performances of William Shakespeare's plays have been staged since the end of the 16th century. While Shakespeare was alive, many of his greatest plays were performed by the Lord Chamberlain's Men and King's Men acting companies at the Globe and Blackfriars Theatres. Among the actors of these original performances were Richard Burbage (who played the title role in the first performances of "Hamlet", "Othello", "Richard III" and "King Lear"), Richard Cowley, and William Kempe.
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Richard III (play) Richard III is a historical play by William Shakespeare believed to have been written in approximately 1592. It depicts the Machiavellian rise to power and subsequent short reign of King Richard III of England. The play is grouped among the histories in the First Folio and is most often classified as such. Occasionally, however, as in the quarto edition, it is termed a tragedy. "Richard III" concludes Shakespeare's first tetralogy (also containing "Henry VI" parts 1–3).
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The Golden Rump The Golden Rump is a farcical play of unknown authorship said to have been written in 1737. It acted as the chief trigger for the Theatrical Licensing Act of 1737. The play has never been performed on stage or published in print. No manuscript of the play survives, casting some doubt over whether it ever existed in full at all. The authorship of the play has often been ascribed to Henry Fielding, at that time a popular and prolific playwright who often turned his incisive satire against the monarch George II and particularly the "prime minister" Sir Robert Walpole. Modern literary historians, however, increasingly embrace the opinion that "The Golden Rump" may have been secretly commissioned by Walpole himself in a successful bid to get his Bill for theatrical licensing passed before the legislature.
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Every Man out of His Humour Every Man out of His Humour is a satirical comedy written by English playwright Ben Jonson, acted in 1599 by the Lord Chamberlain's Men. It is a conceptual sequel to his 1598 comedy "Every Man in His Humour". It was much less successful on stage than its predecessor, though it was published in quarto three times in 1600 alone; it was also performed at Court on 8 January 1605.
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The Courageous Turk The Courageous Turk, or Amurath I is a play by the Jacobean dramatist Thomas Goffe, first performed in 1618 and published posthumously in 1632. The plot is based primarily on passages from "The generall historie of the Turkes" by Richard Knolles. The play purports to be an account of the life of the Ottoman Emperor Murad I, called "Amurath," but it also incorporates elements from Knolles's description of the life of Mehmed II.
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The Witch (play) The Witch is a Jacobean play, a tragicomedy written by Thomas Middleton. The play was acted by the King's Men at the Blackfriars Theatre. It is thought to have been written between 1613 and 1616; it was not printed in its own era, and existed only in manuscript until it was published by Isaac Reed in 1778.
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The Winter's Tale The Winter's Tale is a play by William Shakespeare originally published in the First Folio of 1623. Although it was grouped among the comedies, some modern editors have relabelled the play as one of Shakespeare's late romances. Some critics consider it to be one of Shakespeare's "problem plays" because the first three acts are filled with intense psychological drama, while the last two acts are comedic and supply a happy ending.
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The Four Prentices of London The Four Prentices of London is an Elizabethan play by English Renaissance playwright Thomas Heywood, thought to have originated "c". 1592.
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The True Tragedy of Richard III The True Tragedy of Richard III is an anonymous Elizabethan history play on the subject of Richard III of England. It has attracted the attention of scholars of English Renaissance drama principally for the question of its relationship with Shakespeare's "Richard III".
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Henry VIII (play) Henry VIII is a collaborative history play, written by William Shakespeare and John Fletcher, based on the life of King Henry VIII of England. An alternative title, All Is True, is recorded in contemporary documents, the title Henry VIII not appearing until the play's publication in the First Folio of 1623. Stylistic evidence indicates that individual scenes were written by either Shakespeare or his collaborator and successor, John Fletcher. It is also somewhat characteristic of the late romances in its structure. It is noted for having more stage directions than any of Shakespeare's other plays.
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The Maiden Queen Secret Love, or The Maiden Queen is a 1667 tragicomedy written by John Dryden. The play, commonly known by its more distinctive subtitle, was acted by the King's Company at the Theatre Royal, Drury Lane (which had escaped the Great Fire of London the year before). The premiere occurred on 2 March, and was a popular success. King Charles II, his brother the Duke of York and future King James II, and Samuel Pepys were all in the audience on opening night.
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Ignoramus Ignoramus is a college farce, a 1615 academic play by George Ruggle. Written in Latin (with passages in English and French), it was arguably the most famous and influential academic play of English Renaissance drama. Ruggle based his play on "La Trappolaria" (1596), an Italian comedy by Giambattista della Porta (which in turn borrows from the "Pseudolus" of Plautus).
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A Midsummer Night's Dream A Midsummer Night's Dream is a comedy written by William Shakespeare in 1595/96. It portrays the events surrounding the marriage of Theseus, the Duke of Athens, to Hippolyta, the former queen of the Amazons. These include the adventures of four young Athenian lovers and a group of six amateur actors (the mechanicals) who are controlled and manipulated by the fairies who inhabit the forest in which most of the play is set. The play is one of Shakespeare's most popular works for the stage and is widely performed across the world.
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A Yorkshire Tragedy A Yorkshire Tragedy is an early Jacobean era stage play, a domestic tragedy printed in 1608. The play was originally assigned to William Shakespeare, though the modern critical consensus rejects this attribution, favouring Thomas Middleton.
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Macbeth Macbeth ( ; full title The Tragedy of Macbeth) is a tragedy by William Shakespeare; it is thought to have been first performed in 1606. It dramatises the damaging physical and psychological effects of political ambition on those who seek power for its own sake. Of all the plays that Shakespeare wrote during the reign of James I, who was patron of Shakespeare's acting company, "Macbeth" most clearly reflects the playwright's relationship with his sovereign. It was first published in the Folio of 1623, possibly from a prompt book, and is Shakespeare's shortest tragedy.
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English Renaissance theatre English Renaissance theatre, also known as early modern English theatre, or (commonly) as Elizabethan theatre, refers to the theatre of England between 1562 and 1642.
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The Maid's Revenge The Maid's Revenge is an early Caroline era stage the play, the earliest extant tragedy by James Shirley. It was first published in 1639.
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The Countess of Pembroke's Arcadia The Countess of Pembroke's Arcadia, also known simply as the Arcadia, is a long prose work by Sir Philip Sidney written towards the end of the 16th century. Having finished one version of his text, Sidney later significantly expanded and revised his work. Scholars today often refer to these two major versions as the "Old Arcadia" and the "New Arcadia". The "Arcadia" is Sidney's most ambitious literary work by far, and as significant in its own way as his sonnets.
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The Bashful Lover The Bashful Lover is a Caroline era stage play, a tragicomedy written by Philip Massinger. Dating from 1636, it is the playwright's last known extant work; it appeared four years before his death in 1640.
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A Match at Midnight A Match at Midnight is a Jacobean era stage play first printed in 1633, a comedy that represents a stubborn and persistent authorship problem in English Renaissance drama.
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Sebastian (Twelfth Night) Sebastian is one of the main characters from William Shakespeare's play "Twelfth Night", believed to have been written around 1600 or 1601. It has been played by several famous actors, and even by actress Vivien Leigh in an acclaimed production directed by John Gielgud in 1955.
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The Merchant of Venice The Merchant of Venice is a 16th-century play by William Shakespeare in which a merchant in Venice must default on a large loan provided by an abused Jewish moneylender. It is believed to have been written between 1596 and 1599. Though classified as a comedy in the First Folio and sharing certain aspects with Shakespeare's other romantic comedies, the play is perhaps most remembered for its dramatic scenes, and it is best known for Shylock and the famous "Hath not a Jew eyes?" speech. Also notable is Portia's speech about "the quality of mercy". Critic Harold Bloom listed it among Shakespeare's great comedies.