Jerry Scoggins sang what that was written and composed by Paul Henning, and sung by Jerry Scoggins, who was accompanied by bluegrass musicians Lester Flatt and Earl Scruggs?
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Jerry Scoggins Jerry Scoggins (September 30, 1911 – December 7, 2004) was an American country/western singer, guitarist, and band leader. He performed on radio, in movies, and on television from the 1930s thru the 1980s. He was noted for his work with Gene Autry and Bing Crosby and especially for singing "The Ballad of Jed Clampett", the theme song to the 1960s sitcom "The Beverly Hillbillies".
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The Ballad of Jed Clampett "The Ballad of Jed Clampett" was the theme song for "The Beverly Hillbillies" TV show and movie, providing the back story for the series. The song was written and composed by Paul Henning, and sung by Jerry Scoggins, who was accompanied by bluegrass musicians Lester Flatt and Earl Scruggs. When the theme was released as a single, Flatt sang lead vocals instead.
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Rhythm changes In jazz and jazz harmony, "rhythm changes" refers to the chord progression occurring in George Gershwin's song "I Got Rhythm". This pattern, "one of the most common vehicles for improvisation," forms the basis of countless (usually uptempo) jazz compositions and was popular with swing-era musicians: It is found in "Shoeshine Boy" (Lester Young's 1936 breakout recording with Count Basie) and "Cotton Tail" written by Duke Ellington in 1940, as well as Charlie Christian's "Seven Come Eleven", Dizzy Gillespie's "Salt Peanuts", and Thelonious Monk's "Rhythm-a-Ning", for instance. The earliest known use of rhythm changes was by Sidney Bechet in his September 15, 1932 recording of "Shag" with his "New Orleans Feetwarmers" group.
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Planet Earth Rock and Roll Orchestra (album) Planet Earth Rock and Roll Orchestra is the final solo album by Paul Kantner and the only Kantner solo release to be solely credited to the singer-songwriter. The title comes from an unofficial name for San Francisco artists who recorded on various albums in 1970–1973, also known as PERRO. "The Mountain Song" is dedicated "to David C, Jerry G, Graham N, Grace S, David F, Billy K and Mickey H and to one summer when all of our schedules almost didn't conflict," and was written during the 1970s recording sessions by Kantner and Jerry Garcia. On the album, Kantner utilizes many of his collaborators and family members to front an extended musical trip similar to his then-recent Jefferson Starship efforts.
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Cumberland Gap (folk song) "Cumberland Gap" is an Appalachian folk song that likely dates to the latter half of the 19th century and was first recorded in 1924. The song is typically played on banjo or fiddle, and well-known versions of the song include instrumental versions as well as versions with lyrics. A version of the song appeared in the 1934 book, "American Ballads and Folk Songs", by folk song collector John Lomax. Woody Guthrie recorded a version of the song at his Folkways sessions in the mid-1940s, and the song saw a resurgence in popularity with the rise of bluegrass and the American folk music revival in the 1950s. In 1957, the British musician Lonnie Donegan had a No. 1 UK hit with a skiffle version of "Cumberland Gap".
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Heebie Jeebies (composition) "Heebie Jeebies" is a composition written by Boyd Atkins which achieved fame when it was recorded by Louis Armstrong in 1926. The recording on Okeh Records by Louis Armstrong and his Hot Five includes a famous example of scat singing by Armstrong.
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Ain't Misbehavin' (song) Ain't Misbehavin' is a 1929 stride jazz/early swing composition with 32 bars in AABA measure with a slow-to-moderate pace. With lyrics by Andy Razaf and score by Thomas "Fats" Waller and Harry Brooks, the number was created specifically as a theme song for the Razaf/Waller/Brooks off-Broadway musical comedy "Connie's Hot Chocolates". In a 1941 interview with Eddie "Rochester" Anderson, Fats said the song was written while "lodging" in alimony prison, and that is why he was not "misbehaving".
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Highway 101 Highway 101 is an American country music band founded by Paulette Carlson (lead vocals), Jack Daniels (guitar), Curtis Stone (bass guitar, mandolin) and Scott "Cactus" Moser (drums). With Carlson as lead vocalist, the band recorded three albums for Warner Bros. Records Nashville and charted ten consecutive Top Ten hits on the Hot Country Songs charts, four of which went to Number One. After Carlson left in 1990 to pursue a solo career, the band recorded a fourth album for Warner with Nikki Nelson on lead vocals before exiting the label. One album each followed on Liberty, Intersound and Free Falls Records. Moser, Stone, Nelson and Andy Gurley comprise the current lineup.
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Jerry Reed Jerry Reed Hubbard (March 20, 1937 – September 1, 2008), known professionally as Jerry Reed, was an American country music singer, guitarist, and songwriter, as well as an actor who appeared in more than a dozen films. His signature songs included "Guitar Man", "U.S. Male", "A Thing Called Love", "Alabama Wild Man", "Amos Moses", "When You're Hot, You're Hot" (which garnered a Grammy Award for Best Male Country Vocal Performance), "Ko-Ko Joe", "Lord, Mr. Ford", "East Bound and Down" (the theme song for the 1977 blockbuster "Smokey and the Bandit", in which Reed co-starred), "The Bird", and "She Got the Goldmine (I Got the Shaft)".
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Arkansas Traveler (radio show) Arkansas Traveler was a long-running bluegrass show on WDET 101.9 FM out of Detroit, Michigan, United States. Its host was Larry McDaniel, a passionate fan who had an encyclopedic knowledge of the genre. A transplant from Arkansas, McDaniel broadcast bluegrass over the Detroit airwaves from 1977 until his death in 2013. "Arkansas Traveler" was one of the longest running bluegrass shows in the country and the only show of its kind in southeast Michigan.
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Nashville Airplane Nashville Airplane is the 27th album by Lester Flatt and Earl Scruggs released in 1968 on the Columbia Limited Edition label. It was recorded shortly before their breakup in 1969. Lester Flatt resisted the change in direction (although Earl Scruggs embraced it) to a point that led to the breakup.
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Melvin Endsley Melvin Endsley (30 January 1934 – 16 August 2004) was a musician, singer, and songwriter best known for writing the song "Singing the Blues", along with over 400 songs recorded by hundreds of artists since 1956. Some of the artists that have recorded his songs include Johnny Cash, Marty Robbins, Andy Williams, Paul McCartney, Stonewall Jackson, and Ricky Skaggs. At the beginning of his career, Endsley recorded including RCA and MGM, however, his vocal recordings were commercially unsuccessful. In 1998, he was inducted into the Arkansas Entertainers Hall of Fame.
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One Day at a Time (album) One Day at a Time is a 1970 album by Joan Baez. Recorded in Nashville, the album was a continuation of Baez' experimentation with country music, begun with the previous year's "David's Album". It is significant in that it was the first to include Baez' own compositions, "Sweet Sir Galahad" and "A Song for David", the former song a ballad for her younger sister Mimi Fariña, and the latter song being for her then husband, David Harris, at the time in prison as a conscientious objector. "One Day at a Time" also included work by The Rolling Stones, Willie Nelson and Pete Seeger.
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The Conversation (song) "The Conversation" is a single by American country music artists Waylon Jennings and Hank Williams Jr. Originally, the song was one of the tracks featured on Hank Williams Jr.'s 1979 Platinum selling album "Whiskey Bent and Hell Bound". The track was included on Jennings' 1983 album "Waylon and Company", which consisted almost entirely of duets, and was released as the album's second radio single. A music video was made to promote the single, a rarity for country music at the time. It was the first for Jennings and the second for Williams, with his first being "Queen of My Heart". The song was a moderately successful hit and reached number 15 on the "Billboard" Hot Country Singles & Tracks chart.
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Bill Monroe William Smith Monroe ( ; September 13, 1911 – September 9, 1996) was an American mandolinist, singer, and songwriter who helped to create the style of music known as bluegrass. Because of this he is commonly referred to as the "Father of Bluegrass". The genre takes its name from his band, the Blue Grass Boys, named for Monroe's home state of Kentucky. Monroe's performing career spanned 69 years as a singer, instrumentalist, composer and bandleader.
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It's All Going to Pot "It's All Going to Pot" is a song written by Buddy Cannon, Larry Shell and Jamey Johnson. The song was recorded by Willie Nelson and Merle Haggard featuring Johnson. It was released on April 20, 2015, as the single to the album "Django & Jimmie".
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Bill Rice Wilbur Steven "Bill" Rice (born April 19, 1939 in Datto, Arkansas) is an American country music singer and songwriter. Rice charted six singles between 1971 and 1978, including the Top 40 hit "Travelin' Minstrel Man", but is better known for his songwriting. Rice has written songs for artists such as Johnny Paycheck, Reba McEntire, Charley Pride and Jerry Lee Lewis, and he has more awards from the American Society of Composers, Authors and Publishers than any other songwriter. Rice has also been nominated for two Grammy Awards.
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Jerry Corbitt Corbitt was born in Tifton, Georgia. He began his career in Cambridge, Massachusetts at the beginning of the 1960s as a bluegrass musician, then was known as a folk singer. In mid-1960s, Corbitt met Jesse Colin Young, a Queens, New York City-born moderately successful folk singer. In January 1965, the two began touring in Canada as a duo, eventually naming themselves "The Youngbloods". Young played bass, and Corbitt played piano, harmonica and lead guitar. Later on, they were joined by Corbitt's friend, a bluegrass musician Lowell "Banana" Levinger, and drummer Joe Bauer.
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Carolina Slim Edward P. Harris (August 22, 1923 – October 22, 1953), known as Carolina Slim, was an American Piedmont blues guitarist and singer. His best-known records are "Black Cat Trail" and "I'll Never Walk in Your Door". He used various pseudonyms during his brief recording career, including Country Paul, Jammin' Jim, Lazy Slim Jim and Paul Howard. He recorded 27 songs. Details of his life outside of his music career are scant, and the reasons for the use of different names are unclear.
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Cousin Emmy Cynthia May Carver (March 14, 1903 – April 11, 1980), known professionally as Cousin Emmy, was a banjo player and country singer who was one of the pioneering solo female stars in the country music industry. Although hit records eluded her, she proved to be a major name in personal appearances and on radio in the 1940s and 50s. In the 1960s she gained a new audience on the folk music circuit. Her song "Ruby, Are You Mad at Your Man?" became a bluegrass standard after it was covered by the Osborne Brothers. She started out her career by playing with Frankie Moore's Log Cabin Boys. She influenced the playing of Grandpa Jones. She appeared in two films, "Swing in the Saddle" and "The Second Greatest Sex".
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Every Which Way but Loose (song) "Every Which Way but Loose" is a song written by Steve Dorff, Snuff Garrett and Milton Brown, and recorded by American country music artist Eddie Rabbitt. It was released in November 1978 as the only single from the soundtrack to the 1978 film of the same name, it spent three weeks atop the "Billboard magazine" Hot Country Singles chart in February 1979.
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Take These Chains from My Heart "Take These Chains from My Heart" is a song by Hank Williams. It was written by Fred Rose and Hy Heath and was recorded at Williams' final recording session on September 23, 1952, in Nashville. The song has been widely praised; Williams' biographer Colin Escott deems it "perhaps the best song [Rose] ever presented to Hank...It was one of the very few songs that sounded somewhat similar to a Hank Williams song." Williams is backed by Tommy Jackson (fiddle), Don Helms (steel guitar), Chet Atkins (lead guitar), Jack Shook (rhythm guitar), and Floyd "Lightnin'" Chance (bass). In the wake of William's passing on New Year's Day, 1953, the song shot to #1, his final chart topping hit for MGM Records. Like "Your Cheatin' Heart," the song's theme of despair, so vividly articulated by Williams' typically impassioned singing, reinforced the image of Hank as a tortured, mythic figure.