What year was the most notible for a libretto which is an anonymous adaptation of William Shakespeare's wedding comedy "A Midsummer Night's Dream" performed at the Armonico Consort?
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Armonico Consort Armonico Consort is a British company founded in 2001 by conductor (music) and organist Christopher Monks, which specialises in producing performances of Renaissance music and Baroque music. In 2002 the company oversaw the creation of a series of academies designed to provide choral training for schoolchildren. The company’s period musicians and instrumentalists have an international reputation in the field, and its partners and collaborators have included Sir Willard White, Dame Emma Kirkby, and Dame Evelyn Glennie. Armonico Consort is known for its innovative productions, most notably its 2005 production of Henry Purcell’s The Fairy-Queen and its performances of Mozart’s Magic Flute at the Barbican Centre in London in 2007. In 2012 Armonico Consort’s opera, Too Hot To Handel, featuring the music of Baroque composer George Frideric Handel, attracted highly positive reviews from critics. Choirs from Armonico Consort’s academies will perform at the Royal Albert Hall in London in 2013.
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The Fairy-Queen The Fairy-Queen (1692; Purcell catalogue number Z.629) is a masque or semi-opera by Henry Purcell; a "Restoration spectacular". The libretto is an anonymous adaptation of William Shakespeare's wedding comedy "A Midsummer Night's Dream". First performed in 1692, "The Fairy-Queen" was composed three years before Purcell's death at the age of 35. Following his death, the score was lost and only rediscovered early in the twentieth century.
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L'Olimpiade (Pergolesi) L'Olimpiade is an opera in the form of a dramma per musica in three acts by the Italian composer Giovanni Battista Pergolesi. Pergolesi took the text, with a few modifications, from the libretto of the same name by Pietro Metastasio. The opera first appeared during the Carnival season of 1735 at the in Rome and "came to be probably the most admired" of the more than 50 musical settings of Metastasio’s drama.
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Giovanni Gualberto Magli Giovanni Gualberto Magli was an Italian castrato who had an active singing career during the first quarter of the 17th century. Born in Florence, he studied voice with Giulio Caccini before becoming a musician for the House of Medici on 23 August 1604. He participated in the world premiere of Claudio Monteverdi's "L'Orfeo" in 1607 at the court of Prince Francesco IV Gonzaga, Duke of Mantua, portraying the roles of La Musica and Proserpina and possibly one other part. The musicologist and historian Hans Redlich mistakenly allocates Magli to the role of Orfeo. In 1608 he sang for the wedding festivities of Cosimo II de' Medici, Grand Duke of Tuscany and Archduchess Maria Maddalena of Austria. In October 1611 he was granted two years paid leave by Antonio de' Medici to pursue further studies in Naples. He left Medici service in 1615 to join the musicians at the court of John Sigismund, Elector of Brandenburg. He remained there until September 1622. He was buried in Florence on 8 January 1625.
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Sir John in Love Sir John in Love is an opera in four acts by the English composer Ralph Vaughan Williams. The libretto, by the composer himself, is based on Shakespeare's "The Merry Wives of Windsor" and supplemented with texts by Philip Sidney, Thomas Middleton, Ben Jonson, and Beaumont and Fletcher. The music deploys English folk tunes, including "Greensleeves". Originally titled "The Fat Knight", the opera premiered at the Parry Opera Theatre, Royal College of Music, London on 21 March 1929. Its first professional performance was on 9 April 1946 at Sadler's Wells Theatre.
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Don Gregorio (opera) Don Gregorio is an 1826 opera by Gaetano Donizetti from a libretto by Jacopo Ferretti and adapted from his popular 1824 opera buffa L'ajo nell'imbarazzo ("The Tutor Embarrassed"), which had enjoyed considerable success when presented at the Teatro Valle in Rome on 4 February 1824.
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A Wedding (opera) A Wedding is a comic opera based on Robert Altman's 1978 film "A Wedding" and was composed by William Bolcom with a libretto written by Robert Altman and Arnold Weinstein.
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Twelfth Night Twelfth Night, or What You Will is a comedy by William Shakespeare, believed to have been written around 1601–02 as a Twelfth Night's entertainment for the close of the Christmas season. The play centres on the twins Viola and Sebastian, who are separated in a shipwreck. Viola (who is disguised as Cesario) falls in love with Duke Orsino, who in turn is in love with the Countess Olivia. Upon meeting Viola, Countess Olivia falls in love with her thinking she is a man. The play expanded on the musical interludes and riotous disorder expected of the occasion, with plot elements drawn from the short story "Of Apollonius and Silla" by Barnabe Rich, based on a story by Matteo Bandello. The first recorded performance was on 2 February 1602, at Candlemas, the formal end of Christmastide in the year's calendar. The play was not published until its inclusion in the 1623 First Folio.
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Agrippina (opera) Agrippina (HWV 6) is an "opera seria" in three acts by George Frideric Handel with a libretto by Cardinal Vincenzo Grimani. Composed for the 1709–10 Venice "Carnevale" season, the opera tells the story of Agrippina, the mother of Nero, as she plots the downfall of the Roman Emperor Claudius and the installation of her son as emperor. Grimani's libretto, considered one of the best that Handel set, is an "anti-heroic satirical comedy", full of topical political allusions. Some analysts believe that it reflects Grimani's political and diplomatic rivalry with Pope Clement XI.
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The Dream (ballet) The Dream is a one-act ballet adapted from Shakespeare's "A Midsummer Night's Dream", with choreography by Frederick Ashton to music by Mendelssohn arranged by John Lanchbery. It was premiered by The Royal Ballet at the Royal Opera House, Covent Garden on 2 April 1964 in a triple bill with Kenneth MacMillan's "Images of Love" and Robert Helpmann's "Hamlet".
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Lysistrata (opera) Lysistrata, or The Nude Goddess is an opera in two acts by composer Mark Adamo. The work is based on Aristophanes's fifth century BCE play "Lysistrata". The opera had its world premiere at the Houston Grand Opera on March 4, 2005. It was subsequently produced in March 2006 at the New York City Opera, and it will be produced in San Francisco by Ensemble Parallele in February 2013.
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Il ballo delle ingrate Il ballo delle ingrate ("The Ballet of the Ungrateful Ladies") is a semi-dramatic ballet by the Italian composer Claudio Monteverdi set to a libretto by Ottavio Rinuccini. It was first performed in Mantua on Wednesday, 4 June 1608 as part of the wedding celebrations for Francesco Gonzaga (the son of Monteverdri's patron Duke Vincenzo of Mantua) and Margaret of Savoy. Both Vincenzo and Francesco Gonzaga took part in the dancing. Monteverdi also composed the opera "L'Arianna" (to another libretto by Rinuccini) and the music for the prologue to Guarini's play "L'idropica" for the occasion.
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Un re in ascolto Un re in ascolto ("A King Listens") is an opera by Luciano Berio, who also wrote the Italian libretto. It is based on a short story, Under the Jaguar Sun by Italo Calvino, but incorporates excerpts from Friedrich Einsiedel's 1778 libretto (as reworked by Friedrich Wilhelm Gotter between 1790 and 1791) for an opera based on Shakespeare's "The Tempest". This became "Die Geisterinsel" in 1798, set to music written by Friedrich Fleischmann. In addition, W. H. Auden's "The Sea and the Mirror: A Commentary on Shakespeare's The Tempest" was a source.
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The Knot Garden The Knot Garden is the third opera by composer Michael Tippett for which he wrote the original English libretto. The work had its first performance at the Royal Opera House, Covent Garden, on 2 December 1970 conducted by Sir Colin Davis and produced by Sir Peter Hall. There is a recording with the original cast.
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Orlando furioso (Vivaldi, 1714) Orlando furioso RV 819 (] , Teatro San Angelo, Venice 1714) is a three-act opera surviving in manuscript in Antonio Vivaldi's personal library, only partly related to his better known Orlando furioso (RV 728) of 1727. It is a recomposition of an "Orlando furioso" written by Giovanni Alberto Ristori which had been very successfully staged by Vivaldi and his father's "impresa" in 1713, and whose music survives in a few fragments retained in the score of RV 819. Therefore, Vivaldi's first cataloguer Peter Ryom did not assign the opera a RV number, but catalogued it as RV Anh. 84. The libretto was by Grazio Braccioli.
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La Cleopatra La Cleopatra (1789) is an opera seria in two acts by composer Domenico Cimarosa with an Italian libretto by F. Moretti.
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A Midsummer Night's Dream A Midsummer Night's Dream is a comedy written by William Shakespeare in 1595/96. It portrays the events surrounding the marriage of Theseus, the Duke of Athens, to Hippolyta, the former queen of the Amazons. These include the adventures of four young Athenian lovers and a group of six amateur actors (the mechanicals) who are controlled and manipulated by the fairies who inhabit the forest in which most of the play is set. The play is one of Shakespeare's most popular works for the stage and is widely performed across the world.
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Teatro Regio Ducal The Teatro Regio Ducal (Italian, "Royal Ducal Theatre") was the opera house in Milan from 26 December 1717 until 25 February 1776, when it was burned down following a carnival gala. Many famous composers and their operas are associated with it, including the premieres of Mozart's "Ascanio in Alba", "Mitridate, re di Ponto", and "Lucio Silla". The opera house also saw the premiere of Maria Teresa Agnesi Pinottini's "Ciro in Armenia" in 1753; one of the earliest successfully received operas by a female composer. Variant forms such as "Regio-Ducal Teatro" and "Teatro Regio Ducale" are also seen.
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Il campiello Il campiello ("The Little Square") is an opera in three acts by Ermanno Wolf-Ferrari. The Italian-language libretto was by Mario Ghisalberti, after the famous comedy of the same name written for the 1756 Venetian Carnival by the great Venetian playwright, Carlo Goldoni.
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Alessandro Severo Alessandro Severo (Alexander Severus, HWV A13) is an opera by George Frideric Handel composed in 1738. It is one of Handel's three pasticcio works, made up of the music and arias of his previous operas "Giustino", "Berenice" and "Arminio". Only the overture and recitatives (as well as the words) were new. The impresario Johann Jacob Heidegger probably selected the 1717 libretto by Apostolo Zeno, originally written for Antonio Lotti and re-used by many composers thereafter.
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Opera Opera (] ; English plural: "operas"; Italian plural: "opere" ] ) is an art form in which singers and musicians perform a dramatic work combining text (libretto) and musical score, usually in a theatrical setting. In traditional opera, singers do two types of singing: recitative, a speech-inflected style and arias, a more melodic style, in which notes are sung in a sustained fashion. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor.
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Artaserse (Hasse) Artaserse is an opera ("dramma per musica") in three acts composed by Johann Adolph Hasse to an Italian libretto adapted from that by Metastasio by Giovanni Boldini. It premiered at the Teatro di San Giovanni Grisostomo in Venice on 11 February 1730, shortly after the libretto's first setting by Leonardo Vinci premiered in Rome 6 days earlier. Metastasio's libretto, "Artaserse", has been used in more than 90 works. Hasse himself would later re-work the score for performances at the Opernhaus am Zwinger in Dresden (1740) and the Teatro di San Carlo in Naples (1760).