Who coined the term in "The Wire" of the music genre that follows from bedroom pop?
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Bedroom pop Bedroom pop is a music genre or aesthetic in which bands record at home, rather than at traditional recording spaces. It is characterized by DIY techniques, quiet, dreamy, textured sounds with heavy reverb and self-conscious, self-effacing lyrics. The term is often thrown around indiscriminately. An offshoot, chillwave, places more emphasis on lo-fi aesthetic. Hypnagogic pop, from the mid 2000s, follows in the traditions of bedroom pop.
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Hypnagogic pop Hypnagogic pop (sometimes used interchangeably with "chillwave" or "glo-fi") is a 21st-century style of pop music or general musical approach which explores elements of cultural memory and nostalgia by drawing on the music, popular entertainment, and recording technology of past decades, particularly the 1980s. The term was coined by journalist David Keenan in an August 2009 issue of "The Wire" to label a developing trend which he characterized as "pop music refracted through the memory of a memory." It has been variously described as a contemporary update of psychedelia, a reappropriation of media-saturated capitalist culture, and an "American cousin" to the British hauntology scene.
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Crunkcore Crunkcore (also called crunk punk, crunk rock, screamo-crunk, and scrunk) is a fusion genre characterized by the combination of cultural and musical elements from crunk, screamo, and emo. The genre often features screamed vocals, dance-pop beats, and "sexually provocative lyrics."
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British pop music British pop music is popular music, produced commercially in the United Kingdom. It emerged in the mid-to late 1950s as a softer alternative to rock 'n' roll and later to rock music. Like American pop music it has a focus on commercial recording, often orientated towards a youth market, as well as that of the Singles Chart usually through the medium of relatively short and simple love songs. While these basic elements of the genre have remained fairly constant, pop music has absorbed influences from most other forms of popular music, particularly borrowing from the development of rock music, and utilising key technological innovations to produce new variations on existing themes. From the British Invasion of the 1960s, led by The Beatles, British pop music has alternated between acts and genres with national appeal and those with international success that have had a considerable impact on the development of the wider genre and on popular music in general.
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Diva house Diva house or handbag house is an anthemic subgenre of house music that became most popular in gay clubs during the second half of the 1980s. Handbag house is one of the most mainstream and accessible subgenres of electronic dance music. "The Encyclopedia of Contemporary British Culture" defines handbag house as having "prominent female vocals, breakdowns, and a proliferation of piano 'stabs'." Modern diva house compositions use synth stabs and four on the floor rhythms.
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Nitty (musician) Frank Ross (born December 23, 1977), better known by stage name Nitty, is an American hip hop recording artist from The Bronx, New York. He is perhaps best known for his debut single "Nasty Girl" and his pop rap style of hip hop, which he calls "playboy rap".
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Garage rock Garage rock (sometimes called ' 60s punk or garage punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. The term "garage rock" derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional.
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Electropop Electropop is a variant of synth-pop that places more emphasis on a harder, electronic sound. The genre has seen a revival of popularity and influence since the 2000s.
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Quiet storm Quiet storm is a radio format and a "super genre" of contemporary R&B, jazz fusion and pop music that is characterized by understated, mellow dynamics, slow tempos, and relaxed rhythms. It was pioneered in the mid-1970s by Melvin Lindsey, while he was an intern at the radio station WHUR-FM in Washington, D.C.. This format was named after Smokey Robinson's 1976 album "A Quiet Storm".
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Glam metal Glam metal (also known as hair metal and often used synonymously with pop metal) is a subgenre of heavy metal which features pop-influenced hooks and guitar riffs, and borrows from the fashion of 1970s glam rock.
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UK hard house UK hard house or simply hard house is a style of electronic dance music music that emerged in the 1990s and is synonomous with its association to Trade club and the associated DJ's there that created the style. It often features a speedy tempo (around 150 BPM), offbeat bass stabs, hoovers, horns and crowd cheering samples. It usually contains a break in the middle of the track without drum. UK hard house often uses a long and sharp string note to create suspense. Most of the time, the drops are introduced by a drum roll.
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Punk rock Punk rock (or "punk") is a rock music genre that developed in the early to mid-1970s in the United States, United Kingdom, and Australia. Rooted in 1960s garage rock and other forms of what is now known as "proto-punk" music, punk rock bands rejected perceived excesses of mainstream 1970s rock. Punk bands typically produced short or fast-paced songs, with hard-edged melodies and singing styles, stripped-down instrumentation, and often political, anti-establishment lyrics. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through informal channels.
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Outsider house Outsider house (also referred to as outsider dance) is a genre of electronic music combining elements of house music, techno and noise. The music is often rough-sounding and "lo-fi", in contrast to the "polished cleanliness" of other contemporary electronic music genres.
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L-pop L-pop (an abbreviation for Lao popular music) is a musical genre consisting of pop, rock, hip hop, electronic, and R&B music.
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Cloud rap Cloud rap (also known as trillwave or based music) is a microgenre of hip hop music. It is typically characterized by its "hazy", lo-fi production.
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Grunge lit Grunge lit is an Australian literary genre usually applied to fictional or semi-autobiographical writing concerned with young people living in suburban or inner-city surroundings. It was typically written by "new, young authors" who examined "gritty, dirty, real existences", of lower-income young people, whose lives revolve around a nihilistic pursuit of casual sex, recreational drug use and alcohol. It has been described as both a sub-set of Dirty realism and an offshoot of Generation X literature. The genre was first coined in 1995 to capitalise on the success of Andrew McGahan's first novel "Praise" which had been released in 1991 and became popular with sub-30-year-old readers, a previously under-investigated demographic. Since its invention the term "grunge lit" has been retrospectively applied to novels written as early as 1977, namely Helen Garner's "Monkey Grip".
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Madchester Madchester is a music and cultural scene that developed in the Manchester area of the United Kingdom in the late 1980s, in which artists merged alternative rock with acid house culture and other sources, including psychedelia and 1960s pop. The label was popularised by the British music press in the early 1990s, and included groups such as Happy Mondays, the Stone Roses, Inspiral Carpets, Northside, 808 State, James and The Charlatans, amongst others.
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Tropical house Tropical house, also known as trop house, is a subgenre of deep house, with elements of dancehall and Balearic house. Artists of the genre are often featured at various summer festivals such as Tomorrowland. The genre was popularized by artists including Thomas Jack, Kygo, Matoma, Lost Frequencies, Seeb and Klingande.
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Nintendocore Nintendocore (also known as Nintendo rock, nerdcore, and video game rock) is a broadly defined music genre that fuses chiptune and video game music with various styles of aggressive modern rock. The genre was pioneered by Horse the Band, The Advantage, and Minibosses. Nintendocore initially emerged from hardcore punk and heavy metal, and has been influenced by many other musical genres.
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Hip hop Hip hop or hip-hop is a subculture and art movement developed in South Bronx in New York City during the late 1970s. While people unfamiliar with hip hop culture often use the expression "hip hop" to refer exclusively to hip hop music (also called "rap"), Hip hop is characterized by nine distinct elements or expressive realms, of which hip hop music is only four elements (rapping, djaying, beatboxing and breaking). Afrika Bambaataa of the hip hop collective Zulu Nation outlined the pillars of hip hop culture, coining the terms: "rapping" (also called MCing or emceeing), a rhythmic vocal rhyming style (orality); DJing (and turntablism), which is making music with record players and DJ mixers (aural/sound and music creation); b-boying/b-girling/breakdancing (movement/dance); and graffiti art, which he called "aerosol writin'", although many say that the graffiti that hip hop adopted had been around years earlier, and had nothing to do with hip hop culture. (visual art). Other elements of hip hop subculture and arts movements beyond the main four are: hip hop culture and historical knowledge of the movement (intellectual/philosophical); beatboxing, a percussive vocal style; street entrepreneurship; hip hop language; and hip hop fashion and style, among others.
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Adult contemporary music Adult contemporary music (AC) is a North American term used to describe a form of radio-played popular music, ranging from 1960s vocal and 1970s soft rock music to predominantly ballad-heavy music of the present day, with varying degrees of easy listening, pop, soul, rhythm and blues, quiet storm, and rock influence. Adult contemporary is rather a continuation of the easy listening and soft rock style that became popular in the 1960s and 1970s with some adjustments that reflect the evolution of pop/rock music.
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List of rock genres This is a list of rock music genres consisting of subgenres of popular music that have roots in 1940s' and 1950s' rock and roll, and which developed into a distinct identity as rock music in the 1960s, particularly in the United Kingdom and the United States. By the late 1960s, a number of identifiable rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, and jazz-rock fusion, many of which contributed to the development of psychedelic rock influenced by the counter-cultural psychedelic scene. New genres that emerged from this scene included progressive rock, which extended the artistic elements; glam rock, which highlighted showmanship and visual style; and the diverse and enduring major subgenre of heavy metal, which emphasized volume, power, and speed. In the second half of the 1970s, punk rock both intensified and reacted against some of these trends to produce a raw, energetic form of music characterized by overt political and social critiques. Punk was an influence into the 1980s on the subsequent development of other subgenres, including new wave, post-punk and eventually the alternative rock movement. From the 1990s alternative rock began to dominate rock music and break through into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged as well as conscious attempts to revisit rock's history.