Which of the following is an opera in one act: L'enfant et les sortilèges or La Juive?
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L'enfant et les sortilèges L'enfant et les sortilèges: Fantaisie lyrique en deux parties ("The Child and the Spells: A Lyric Fantasy in Two Parts") is an opera in one act, with music by Maurice Ravel to a libretto by Colette. It is Ravel's second opera, his first being "L'heure espagnole". Written from 1917 to 1925, "L'enfant et les sortilèges" was first performed in Monte Carlo in 1925 under the baton of Victor de Sabata.
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La Juive La Juive (] ) ("The Jewess") is a grand opera in five acts by Fromental Halévy to an original French libretto by Eugène Scribe; it was first performed at the Opéra, Paris, on 23 February 1835.
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L'ambassadrice L'ambassadrice is an opera or opéra comique in 3 acts by composer Daniel Auber. The work's French language libretto was written by Eugène Scribe and Jules-Henri Vernoy de Saint-Georges. The opera's world premiere was staged by the Opéra-Comique at the Théâtre des Nouveautés in Paris on 21 December 1836. It was revived in Paris on 4 January 2013 by the opera company Les Frivolités Parisiennes at the initiative of two research fellows who specialized in nineteenth-century historically informed performance, Pierre Girod (vocal coach) and Charlotte Loriot (stage director).
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L'épreuve villageoise L’épreuve villageoise is an opéra bouffon in two acts by André Grétry to a French libretto by Pierre Desforges.
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La caverne (Méhul) La caverne ("The Cavern") is an opera by the French composer Étienne Méhul. It takes the form of a "comédie en prose" in three acts. It premiered at the Opéra-Comique, Paris on 5 December 1795. The libretto, by Nicolas-Julien Forgeot, is based on incidents from the novel "Gil Blas" by Alain-René Lesage.
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The Golden Cockerel The Golden Cockerel (Russian: Золотой петушок , "Zolotoy petushok") is an opera in three acts, with short prologue and even shorter epilogue, by Nikolai Rimsky-Korsakov. Its libretto, by Vladimir Belsky, derives from Alexander Pushkin's 1834 poem "The Tale of the Golden Cockerel", which in turn is based on two chapters of "Tales of the Alhambra" by Washington Irving. The opera was completed in 1907 and premiered in 1909 in Moscow, after the composer's death. Outside Russia it has often been performed in French as "Le coq d'or".
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Fantine Fantine is a fictional character in Victor Hugo's 1862 novel "Les Misérables". She is a young orphaned "grisette" in Paris who becomes pregnant by a rich student. After he abandons her, she is forced to look after their child, Cosette, on her own. Originally a pretty and naïve girl, Fantine is eventually forced by circumstances to become a prostitute, selling her hair and front teeth, losing her beauty and health. The money she earns is sent to support her daughter.
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L'Ipermestra L'Ipermestra is an 18th-century Italian opera in 3 acts by the Czech composer Josef Mysliveček composed to a libretto by the Italian poet Metastasio first produced in 1744. This opera (and all the rest of Mysliveček's operas) belong to the serious type in Italian language referred to as "opera seria".
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Énée et Lavinie (Dauvergne) Énée et Lavinie ("Aeneas and Lavinia") is an opera by the French composer Antoine Dauvergne, first performed at the Académie Royale de Musique (the Paris Opéra) on 14 February 1758. It takes the form of a "tragédie lyrique" in five acts.
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La naissance de la lyre La naissance de la lyre ("The Birth of the Lyre") is an opera (styled a "conte lyrique") in one act by the French composer Albert Roussel. The libretto, by Théodore Reinach, is based on the satyr play "Ichneutae" by Sophocles. It was first performed at the Paris Opéra on 1 July 1925 with choreography by Bronislava Nijinska.
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Toulon Opera The Toulon Opera (L'opéra de Toulon), inaugurated on 1 October 1862, is the second-largest opera house in France, after the Palais Garnier in Paris, although it opened thirteen years before the Garnier. The inaugural performance was "Les Mouquetaires de la reine", a comic opera by Fromental Halévy, followed a few days later by "La Juive", the same composer's most famous opera.
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Mrs. Jarramie's Genie Mrs. Jarramie's Genie is a one-act comic opera with a libretto by Frank Desprez and music by Alfred Cellier and François Cellier. The piece was first presented at the Savoy Theatre on 14 February 1888, as a curtain raiser to the revival of "H.M.S. Pinafore" (November 1887 – March 1888). It was subsequently presented as a curtain raiser to revivals of "The Pirates of Penzance" (March – June 1888) and "The Mikado" (June – September 1888), and then with "The Yeomen of the Guard" (October 1888 – November 1889).
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L'heure espagnole L'heure espagnole is a 1911 one-act opera, described as a "comédie musicale", with music by Maurice Ravel to a French libretto by Franc-Nohain, based on Franc-Nohain's 1904 play ('comédie-bouffe') of the same name The opera, set in Spain in the 18th century, is about a clockmaker whose unfaithful wife attempts to make love to several different men while he is away, leading to them hiding in, and eventually getting stuck in, her husband's clocks. The title can be translated literally as "The Spanish Hour", but the word "heure" more importantly means "time" – "Spanish Time", with the connotation "How They Keep Time in Spain".
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Cora (opera) Cora is an opera in four acts by the French composer Étienne Méhul. The libretto, by Valadier, is based on the novel "Les Incas" by Jean-François Marmontel. It was the first opera Méhul wrote but the second to be performed, receiving its premiere at the Académie Royale de Musique (the Paris Opéra) on 15 February 1791. "Cora" was not a success and there were only four more performances (18, 20, 25 February and 4 March).
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Jean-Vital Jammes Jean-Vital Jammes (known by the stage name Ismaël) (28 April 1825 – 13 June 1893) was a French opera singer. During a stage career spanning 40 years, he created many leading baritone roles, including Zurga in Bizet's "Les pêcheurs de perles" and Ourrias in Gounod's "Mireille". Born in Le Passage d'Agen near the town of Agen, he was largely self-taught and made his stage debut in 1841 at the age of 16. After singing in a several provincial theatres, he was engaged by the Théâtre Lyrique in Paris and later by the Opéra-Comique. Following his retirement from the stage, Ismaël lived in Marseille where he died at the age of 68.
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La Cage aux Folles (play) La Cage aux Folles (] ) is a 1973 French farce by Jean Poiret centering on confusion that ensues when Laurent, the son of a Saint Tropez night club owner, and his gay lover bring his fiancée's ultraconservative parents for dinner. The original French production premièred at the Théâtre du Palais-Royal on 1 February 1973 and ran for almost 1,800 performances. The principal roles were played by Jean Poiret and Michel Serrault. A French-Italian film of the play was made in 1978 (with two sequels "La Cage aux Folles II" (1980), directed by Édouard Molinaro and "" (1985), directed by Georges Lautner.) In 1983, Poiret's play was adapted in the United States as a musical with a book by Harvey Fierstein and music and lyrics by Jerry Herman and later remade as the American film "The Birdcage".
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Le Diable amoureux (ballet) Le Diable amoureux (also known as Satanella or Love and Hell) is a "ballet pantomime" in three acts and eight scenes, originally choreographed by Joseph Mazilier to the music of Napoléon Henri Reber and François Benoist. The libretto by Jules-Henri Vernoy de Saint-Georges is based on Jacques Cazotte's 1772 occult romance "The Devil in Love". The work was first presented by the Ballet du Théâtre de l'Académie Royale de Musique in Paris on 23 September 1840, with Pauline Leroux (as Uriel), Mazilier (as Alvaro, for ballet his name is Frederic), and Louise Fitz-James (as Lilia).
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Entente Cordiale (opera) Entente Cordiale is a comic opera in one act by Ethel Smyth with an English-language libretto by Smyth, who describes the work as "a post-war comedy in one act (founded on fact)". It was first performed by students at the Royal College of Music in London on 22 July 1925.
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Abu Hassan Abu Hassan is a comic opera in one act by Carl Maria von Weber to a German libretto by , based on a story in "One Thousand and One Nights". It was composed between 11 August 1810 and 12 January 1811 and has set numbers with recitative and spoken dialogue. The work is a Singspiel in the then popular Turkish style.
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La Rose, la violette et le papillon La Rose, la violette et le papillon ("The Rose, the Violet, and the Butterfly") is a ballet "divertissement" in one act, with choreography by Marius Petipa, and music by Duke Peter Georgievich of Oldenburg. The libretto was by Jules Perrot.
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L'enfant prodigue (Auber) L'enfant prodigue ("The Prodigal Son") is a grand opera in five acts composed by Daniel Auber to a French libretto by Eugène Scribe based on the Parable of the Prodigal Son in Chapter 15 of the Gospel of Luke. It was first performed at the Théâtre de l'Académie Nationale de Musique in Paris on 6 December 1850. The role of Azaël (the prodigal son of the title) was sung in the premiere by the celebrated French tenor, Gustave-Hippolyte Roger, (1815-1879).
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Diane et Endymion Diane et Endymion ("Diana and Endymion") is a French-language opera by the composer Niccolò Piccinni, first performed at the Académie Royale de Musique, Paris (the Paris Opera) on 7 September 1784. It takes the form of an "opéra" in three acts. The libretto, by Jean-François Espic Chevalier de Liroux, is based on the story of the goddess Diana's love for the shepherd Endymion.