Are the Kids Alright? and The End of America are both what genre of film?
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Are the Kids Alright? Are the Kids Alright? is a documentary film which explores mental health care for children and youths at risk in Texas. Filmmaker, Ellen Spiro, gained unprecedented and unique access to troubled children and their families, as well as the judicial, psychiatric and correctional institutions. By following several different families, the filmmakers document the results of the decline in the availability of mental health services for the youth who most desperately need it.
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The End of America (film) The End of America is a 2008 documentary film directed by Annie Sundberg and Ricki Stern, adapted from Naomi Wolf's 2007 book, "". The film analyzes policy changes made during the Bush Administration, and makes the case that these changes threaten American democracy.
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Children of Divorce (1927 film) Children of Divorce is a 1927 American silent romantic drama film directed by Frank Lloyd and starring Clara Bow, Esther Ralston, and Gary Cooper. Adapted from the 1927 novel of the same name by Owen Johnson, and written by Louis D. Lighton, Hope Loring, Alfred Hustwick, and Adela Rogers St. Johns, the film is about a young flapper who tricks her wealthy friend into marrying her during a night of drunken revelry. Even though she knows that he is in love with another woman, she refuses to grant him a divorce and repeat the mistake of her divorced parents. Produced by Jesse L. Lasky, E. Lloyd Sheldon, and Adolph Zukor for the Famous Players-Lasky, the film was released on April 25, 1927 by Paramount Pictures.
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Adam (1983 film) Adam is a 1983 American television film starring Daniel J. Travanti and JoBeth Williams. It aired on October 10, 1983, on NBC. On its original air date, it was seen by an audience of 38 million people. It was rebroadcast on April 30, 1984, and again on April 29, 1985. At the end of each broadcast of the film, a series of missing children's photographs and descriptions were displayed on the screen for viewers, and a number was given to call if a viewer had information about them. The 1985 photograph series was introduced by President Ronald Reagan in a pre-recorded message, "...maybe your eyes can help bring them home." A sequel, "Adam: His Song Continues" followed on September 29, 1986, also starring Travanti and Williams.
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The Children from the Hotel America The Children from the Hotel America (Lithuanian: "Vaikai iš „Amerikos“ viešbučio") is a 1990 Lithuanian drama film.
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Hal E. Chester Hal E. Chester (born "Harold Rapatsky"; March 6, 1921 in Brooklyn, New York – March 25, 2012 in London), was an American film producer, writer, director, and former child actor. He appeared in the opening performance of "Dead End" on Broadway in 1937, playing the part of "Dippy" – one of the gang of kids later to gain fame as The Dead End Kids – going on the road with this hit play for 22 weeks, before accepting an offer to appear in the sequel to the film version "Crime School" for Warner Bros in 1938. As a teen actor, his most regular work was with "The Little Tough Guys" series for Universal, appearing also in "Juvenile Court" for Columbia Pictures, and "The Eastside Kids" for Monogram. His last appearance in this series was in "Sea Raiders" in 1941. Credited as "Hally Chester" when he first appeared on stage (he had taken the name of his step-mother 'Chesler') quickly becoming known as 'Chester'.
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Prison film A prison film is a film genre concerned with prison life and often prison escape. These films range from acclaimed dramas examining the nature of prisons, such as "Cool Hand Luke", "Midnight Express", "Brubaker", "Escape from Alcatraz", "The Shawshank Redemption", and "Kiss of the Spider Woman" to actioners like "Lock Up" and "Undisputed", and even comedies satirizing the genre like "Stir Crazy", "Life", and "Let's Go To Prison".
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South Central (soundtrack) South Central is the soundtrack to the 1992 drama film, "South Central". It was released on September 18, 1992 through Hollywood Records and consisted of a blend of hip hop, R&B and soul music. The album itself did not make it to any Billboard charts, but the single "It's Alright" peaked at 68 on the "Billboard" Hot 100.
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The Fault in Our Stars (soundtrack) The Fault in Our Stars (Music from the Motion Picture) is the soundtrack for the American romantic comedy-drama film "The Fault in Our Stars". The full track list was released on April 13, 2014, and arranged by Nate Walcott and Mike Mogis of Bright Eyes. It includes a few high-profile artists like Kodaline, Birdy and Ed Sheeran, the last of whom wrote the song for the end credits ("All of the Stars"). The soundtrack was released in North America on May 19, 2014, and in the United Kingdom in June 23, 2014.
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America: Imagine the World Without Her America: Imagine the World Without Her is a 2014 American political documentary film by Dinesh D'Souza based on his book of the same name. It is a follow-up to his film "" (2012). In the film, D'Souza contends that parts of United States history are improperly and negatively highlighted by liberals, which he seeks to counter with positive highlights. Topics addressed include appropriation of Native American and Mexican lands, slavery, and matters relating to foreign policy and capitalism. D'Souza collaborated with John Sullivan and Bruce Schooley to adapt his book of the same name into a screenplay. D'Souza produced the film with Gerald R. Molen and directed it with Sullivan. The film combined historical reenactments with interviews with different political figures.
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Category 7: The End of the World Category 7: The End of the World is a 2005 four-hour television film miniseries that was broadcast in the United States on CBS in two parts, the first part aired on November 6 and the second on November 13. It was directed by Dick Lowry. A sequel to the 2004 miniseries "", this film starts directly after the events shown in that film. The new director of the Federal Emergency Management Agency (FEMA) must continue to contend with the massive storm system that hit Chicago in the first film. The storm has continued to gain strength, spawning additional storms around the world, with three converging over Washington, D.C. and forming a massive tropical cyclone scale 7 hurricane (although no tropical cyclone scale has a category numbered 7).
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Lisa Cholodenko Lisa Cholodenko (born June 5, 1964) is an American screenwriter and director of film and television. She has made the films "High Art", "Laurel Canyon" and "The Kids Are All Right."
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Our America Our America is an award-winning film based on the book "Our America: Life And Death on the South Side of Chicago".
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Gabriel Dell Gabriel Dell (October 8, 1919 – July 3, 1988) was an American actor and one of the members of what came to be known as the Dead End Kids, then later the East Side Kids and finally The Bowery Boys.
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No Kids (film) No Kids (Spanish: "Sin hijos" ) is a 2015 Argentine comedy film directed by Ariel Winograd.
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Hollywood for Kids Hollywood for Kids is a provider of educational workshops and after-school programs in the field of filmmaking, electronic media and cinematic arts for K-12 students worldwide.
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Comedy of remarriage The comedy of remarriage is a subgenre of American comedy films of the 1930s and 1940s. At the time, the Production Code, also known as the Hays Code, banned any explicit references to or attempts to justify adultery and illicit sex. The comedy of remarriage enabled filmmakers to evade this provision of the Code. The protagonists divorced, flirted with strangers without risking the wrath of censorship, and then got back together.
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Airplane! Airplane! (titled Flying High! in Australia, New Zealand, South Africa, Japan and the Philippines) is a 1980 American satirical parody film directed and written by David and Jerry Zucker as well as Jim Abrahams, and produced by Jon Davison. It stars Robert Hays and Julie Hagerty and features Leslie Nielsen, Robert Stack, Lloyd Bridges, Peter Graves, Kareem Abdul-Jabbar, and Lorna Patterson. The film is a parody of the disaster film genre, particularly the 1957 Paramount film "Zero Hour!", from which it borrows the plot and the central characters, as well as many elements from "Airport 1975". The film is known for its use of surreal humor and its fast-paced slapstick comedy, including visual and verbal puns and gags.
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We Have Come for Your Children We Have Come for Your Children is the second and final studio album by the American punk rock band Dead Boys. It was recorded and released in 1978, on Sire Records. The recording of album was troublesome for the group and led to a break because of tensions with producer Felix Pappalardi once the band didn't think he understood their music. When they tried but were unable to get James Williamson of The Stooges to salvage the sessions, the band broke up a short time later.
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Until the End of the World (song) "Until the End of the World" is a song by rock band U2 and the fourth track from their 1991 album "Achtung Baby". The song began as a guitar riff composed by lead vocalist Bono from a demo, which the band revisited with success after talking with German filmmaker Wim Wenders about providing music for his film "Until the End of the World". The song's lyrics describe a fictional conversation between Jesus Christ and Judas Iscariot. The first verse discusses The Last Supper; the second is about Judas identifying Jesus with a kiss on the cheek in the Garden of Gethsemane; and the final is about Judas' suicide after being overwhelmed with guilt and sadness.
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The End (novel) The End is the thirteenth and final novel in the children's novel series "A Series of Unfortunate Events" by Lemony Snicket. The book was released on Friday, October 13, 2006.
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B movie A B movie or B film is a low-budget commercial movie, but one that is not an arthouse film. In its original usage, during the Golden Age of Hollywood, the term more precisely identified films intended for distribution as the less-publicized bottom half of a double feature (akin to B-sides for recorded music). Although the U.S. production of movies intended as second features largely ceased by the end of the 1950s, the term "B movie" continues to be used in its broader sense to this day. In its post–Golden Age usage, there is ambiguity on both sides of the definition: on the one hand, the primary interest of many inexpensive exploitation films is prurient; on the other, many B movies display a high degree of craft and aesthetic ingenuity.