Which song descended from "I'll Overcome Some Day" and used "O Sanctissima "?
bfa4231fd780bddd5333807dacfb36c2
O Sanctissima "O Sanctissima " (O most holy) is a Roman Catholic hymn in Latin, seeking the prayers of the Blessed Virgin Mary, and often sung in various languages on her feast days. The earliest known publication was from London in 1792, presenting it as a traditional song from Sicily; but no original source or date has been confirmed for the simple melody or the poetic text. The tune is often called "Sicilian Mariners Hymn" or similar titles, referring to the seafarers' nightly invocation of Mary as their maternal protector: Our Lady, Star of the Sea. The tune has been notably reused for the German Christmas carol "O du fröhliche" (O, how joyful), the English recessional hymn "Lord, Dismiss Us With Thy Blessing", and the first half of the American civil rights anthem "We Shall Overcome".
8e449fc27822e1ca93c10492b7ede3c0
We Shall Overcome "We Shall Overcome" is a gospel song which became a protest song and a key anthem of the Civil Rights Movement. The song is most commonly attributed as having descended lyrically from "I'll Overcome Some Day", a hymn by Charles Albert Tindley that was first published in 1900.
9bcff4ccb90cc572256e2f91cea0df55
Llorando se fue "Llorando se fue" (English: Crying [he/she] went away ) is a Bolivian folk song recorded by Los Kjarkas in 1981 on the album "Canto a la mujer de mi pueblo" and released as a B-side of the "Wa ya yay" single in 1982. The song has been very popular in Latin America since the 1980s and has been covered several times. It obtained international fame with artists such as Wilkins in 1984, Argentine singer Juan Ramón in 1985, Brazilian singer Márcia Ferreira in 1986 and the French pop group Kaoma in 1989. Kaoma's cover "Lambada" was an unauthorized translation of the song and based on the music of Cuarteto Continental group and Márcia Ferreira's Portuguese version that led to a successful lawsuit against Kaoma's producers Olivier Lorsac and Jean Karakos. Recently, the song was adapted by several artists including Ivete Sangalo, Red Fox's "Pose Off", Jennifer Lopez for her 2011 single "On the Floor", Don Omar's "Taboo" and Wisin & Yandel's "Pam Pam".
5fc10b5547d1c9e05b05aefdcdcc635e
Jesus to a Child "Jesus to a Child" is a song by British singer George Michael. The song peaked at number one in the United Kingdom and Australia, and at number 2 in the mainland European charts. The song has also become George Michael's highest-direct entry in the American charts. The song is one of George Michael's best-known songs and was included on the 1996 album "Older". It was a melancholy tribute to his lover Anselmo Feleppa.
14ae552903cc7b50e7fd2860e37a52a0
Stabat Mater Speciosa Stabat Mater Speciosa ("The beautiful mother stood") is a Catholic hymn to Mary about the Nativity of Jesus.
486c37d00fc8e93ada168eb6d5937cc4
Song of Ascents Song of Ascents is a title given to fifteen of the Psalms, 120–134 (119–133 in the Septuagint and the Vulgate), each starting with the ascription Shir Hama'aloth (Hebrew: שִׁיר המַעֲלוֹת‎ ‎ , meaning "Song of the Ascents"). They are also variously called Gradual Psalms, Songs of Degrees, Songs of Steps or Pilgrim Songs.
5fb6ecac6ccbb93a4786def1fa1fbf4f
Sanctify Yourself "Sanctify Yourself" is a song released by Scottish rock band Simple Minds as the second single from their seventh studio album "Once Upon a Time" in January 1986. The song reached number 10 in the UK Singles Chart and number 14 on the US Billboard Hot 100.
bfbbf700c2c717cd1c6b44e4d38ae634
Litany of the Saints The Litany of the Saints (Latin: Litaniae Sanctorum) is a formal prayer of the Roman Catholic Church and Western Rite Orthodox communities. It is a prayer to the Triune God, which also includes invocations for the intercession of the Blessed Virgin Mary, the Angels and all the martyrs and saints upon whom Christianity was founded, and those recognised as saints through the subsequent history of the church. Following the invocation of the saints, the Litany concludes with a series of supplications to God to hear the prayers of the worshippers. It is most prominently sung during the Easter Vigil, All Saints' Day, and in the liturgy for conferring Holy Orders.
49dba3bec285d60e87f85743ea7775c6
List of songs recorded by Laura Pausini Italian pop singer-songwriter Laura Pausini rose to fame in 1993, when she won the Sanremo Music Festival in the "Newcomers' Section" with the song "La solitudine". Following the success of her Italian-language albums "Laura Pausini" (1993) and "Laura" (1994), Pausini released an eponymous Spanish-language compilation album in 1994. Starting from her third full-length record, she recorded her albums both in Italian and Spanish, with the exception of 2002's "From the Inside", her only English-language album composed of new material, and the holiday album "Laura Xmas" (2016), released in English and Spanish.
09a4f41c9331b49bc997b2af6ad34bcd
Te Deum (Berlioz) The Te Deum (Op. 22 / H.118) by Hector Berlioz (1803–1869) was completed in 1849. Like the earlier and more famous ""Grande Messe des Morts"", it is one of the works referred to by Berlioz in his Memoirs as "the enormous compositions which some critics have called architectural or monumental music." While the orchestral forces required for the "Te Deum" are not as titanic as those of the "Requiem", the work calls for an organ that can compete on equal terms with the rest of the orchestra. It lasts approximately fifty minutes and derives its text from the traditional Latin Te Deum, although Berlioz changed the word order for dramatic purposes.
4040aed4754ceeb3ce24f21964b08050
Papa Chico "Papa Chico" is a song by Italian drummer Tony Esposito from his album "As tu as" (1985). Topping the charts in Austria, the Netherlands and Italy, "Papa Chico" became his biggest hit after "Kalimba de Luna" (1984). Both songs were covered by Boney M.
d69b8174c0d0ddfd196bd3ed95f3e718
John the Conqueror John the Conqueror, also known as High John the Conqueror, John de Conquer, and many other folk variants, is a folk hero from African-American folklore. He is associated with a certain root, the John the Conqueror root, or John the Conqueroo, to which magical powers are ascribed in American folklore, especially among the hoodoo tradition of folk magic. Muddy Waters mentions him as Johnny Cocheroo pronounced Johnny Conqueroo in the song "I'm a Man". "I think I'll go down/To old Kansas too/I'm gonna bring back my second cousin/That little Johnny Conqueroo"
5cddc7bdcb1f38464ec6b6b08f9c827a
Hope of Deliverance "Hope of Deliverance" is a Rock, Latin song by Paul McCartney, featured on his 1993 album "Off the Ground".
eb6d90698ecd66347fc0880c4b99659f
I Will Survive "I Will Survive" is a hit song first performed by American singer Gloria Gaynor, released in October 1978. It was written by Freddie Perren and Dino Fekaris. A top-selling song after its initial release, it has remained a popular disco anthem, as well as being certified platinum by the RIAA.
a42bd7591e2ddce6314272d31f02824a
Carmen Ohio "Carmen Ohio" (Latin: Song of Ohio) is the oldest school song still used by The Ohio State University. The song was composed by freshman athlete and Men's Glee Club member Fred Cornell in 1902 or 1903. According to some accounts, he composed it on the train ride home from Ann Arbor, Michigan after Ohio State suffered an 86-0 loss to the Michigan Wolverines. Set to the tune "Spanish Hymn", or "Spanish Chant", the Men's Glee Club first performed the song in 1903; however, it did not gain popularity until after its October 10, 1906 publication in "The Lantern". At the following Ohio State-Michigan football game on October 20, 1906, "Carmen Ohio" was published in the program. In 1915, Cornell recalled that he wrote the song in 1903 at the request of the Men's Glee Club, and other family members later stated that the train story might be an exaggeration or outright fabrication.
9973c892fea4cf36a964fa9572aee162
Sic transit gloria mundi Sic transit gloria mundi is a Latin phrase that means "Thus passes the glory of the world." It has been interpreted as "Worldly things are fleeting." The phrase was used in the ritual of papal coronation ceremonies between 1409 (when it was used at the coronation of Alexander V) and 1963. As the newly chosen pope proceeded from the sacristy of St. Peter's Basilica in his sedia gestatoria, the procession stopped three times. On each occasion a papal master of ceremonies would fall to his knees before the pope, holding a silver or brass reed, bearing a tow of smoldering flax. For three times in succession, as the cloth burned away, he would say in a loud and mournful voice, "Pater Sancte, sic transit gloria mundi!" ("Holy Father, so passes worldly glory!") These words, thus addressed to the pope, served as a reminder of the transitory nature of life and earthly honors. The stafflike instrument used in the aforementioned ceremony is known as a "sic transit gloria mundi", named for the master of ceremonies' words. A form of the phrase appeared in Thomas à Kempis's 1418 work "The Imitation of Christ": ""O quam cito transit gloria mundi "" ("How quickly the glory of the world passes away").
2b474688f89cf5c5daa9d886e588d3a8
Stigmata Martyr At least two albums contain a song called "Stigmata Martyr":
9a2b7fa04e6ac6aeebe6a5c3f60a1779
24.000 baci "24.000 baci", also spelled "24 mila baci", is a 1961 song composed by Piero Vivarelli, Lucio Fulci, and Adriano Celentano. The song premiered at the 11th edition of the Sanremo Music Festival with a double performance of Adriano Celentano and Little Tony, and placed at the second place. It is regarded as the first rock and roll song to enter the competition at the Sanremo Festival. During his performance, Celentano created a large controversy for performing part of the song with his back to the public.
b502b2698a82d3f912a95df458a85324
Ad Mortem Festinamus Ad Mortem Festināmus is a monodic song (fol. 26v) from the 1399 Llibre Vermell de Montserrat, one of the oldest extant medieval manuscripts containing music. Its lyrics talk about the inevitability of death and the need to stop sinning. Its first few verses overlap with those of “Scribere Proposui”, a song from the 1582 "Piae Cantiones". It has been recorded by a variety of artists, including the electronic neo-medieval act Qntal, that gave new music to the lyrics and made it a club hit in 1992.
4bc724b9f22a9610fdfbab9211d5afa5
Alma Redemptoris Mater Alma Redemptoris Mater (] ; English: Loving Mother of our Saviour ) is a Marian hymn, written in Latin hexameter, and one of four seasonal liturgical Marian antiphons sung at the end of the office of Compline (the other three being "Ave Regina cælorum", the "Regina cœli" and the "Salve Regina"). Hermannus Contractus (also called Herman the Cripple; 1013–1054) is said to have authored the hymn based on the writings of Saints Fulgentius, Epiphanius, and Irenaeus of Lyon. It is mentioned in "The Prioress's Tale", one of Geoffrey Chaucer's "Canterbury Tales". Formerly it was recited at compline only from the first Sunday in Advent until the Feast of the Purification (2 February).
80016c4dba94ef5781f0c00d0649a31d
The Silence (song) "The Silence" is a song by British singer Alexandra Burke from her debut studio album "Overcome" (2009). The song was written by Bilal Hajji and Savan Kotecha, along with the song's producer Nadir "RedOne" Khayat. The song was released as a promotional single in anticipation of the re-release of "Overcome" (2010). Burke stated that the song was written when her aunt told the singer about how she and her partner were experiencing troubles in their relationship, and that they were not telling each other how they felt. In response, Burke asked her aunt why he was letting the silence in their relationship do the talking instead of them discussing it. "The Silence" is an R&B and pop-influenced power ballad and instrumentation consists of a piano, a guitar and drums. The lyrics of the song feature the protagonist asking why the other person in the relationship remains silent about their difficulties instead of talking about them.
f6b6a6b32c0723d74678dab50068d5cb
O Sacred Head, Now Wounded "O Sacred Head, Now Wounded" is a Christian Passion hymn based on a Latin text written during the Middle Ages. Paul Gerhardt wrote a German version which is known by its incipit, O Haupt voll Blut und Wunden.