What kind of film making do René Clément and Elio Petri do
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René Clément René Clément (] ; 18 March 1913 – 17 March 1996) was a French film director and screenwriter.
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Elio Petri Elio Petri (29 January 1929 – 10 November 1982) was an Italian political filmmaker.
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My Brother-in-Law Killed My Sister My Brother-in-Law Killed My Sister (French: "Mon beau-frère a tué ma soeur" , (] ) is a 1986 French film directed by Jacques Rouffio. It played in competition at the 36th Berlin International Film Festival.In the film, two members of the French Academy agree to help the attractive young veterinarian Esther investigate the suspicious death of her sister. Esther is convinced her brother-in-law is responsible, but soon it becomes apparent that those responsible are linked to the very highest echelons of power in the Vatican.
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Rapi Films Rapi Films is an Indonesian film production company of mostly exploitation films which was founded in 1968 and was internationally successful mostly in the 1980s. They produced many martial arts films and horror films involving black magic, inspired by old Indonesian legends. Directors who worked for them during this period include Ratno Timoer, H. Tjut Djalil and Sisworo Gautama Putra.
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Fidelio Films Fidelio Films is an originally in New York founded independent film production company by filmmakers David Figueroa, Mark Raso, Mauro Mueller and Mauricio Leiva Cock in 2010. The company has set up offices in Los Angeles, Mexico City, Bogota, and Zurich.
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L'Avventura L'Avventura (English: "The Adventure" ) is a 1960 Italian film directed by Michelangelo Antonioni and starring Gabriele Ferzetti, Monica Vitti, and Lea Massari. Developed from a story by Antonioni, the film is about a young woman's disappearance during a boating trip in the Mediterranean. Her lover and her best friend, during the subsequent search for her, become attracted to each other. The film is noted for its careful pacing, which puts a focus on visual composition and character development, as well as for its unusual narrative structure. According to an Antonioni obituary, the film "systematically subverted the filmic codes, practices and structures in currency at its time." Filmed on location in Rome, the Aeolian Islands, and Sicily in 1959 under difficult financial and physical conditions, "L'Avventura" made Monica Vitti an international star. The film was nominated for numerous awards and was awarded the Jury Prize at the 1960 Cannes Film Festival. "L'Avventura" is the first film of a trilogy by Antonioni, followed by "La Notte" (1961) and "L'Eclisse" (1962).
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Slow cinema Slow cinema is a genre of art cinema film-making that emphasizes long takes, and is often minimalist, observational, and with little or no narrative. It is sometimes called "contemplative cinema". Examples include Ben Rivers' "Two Years at Sea", Michelangelo Frammartino's "Le Quattro Volte", and Shaun Wilson's film "51 Paintings".
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Pacific Street Films Pacific Street Films is a documentary film production company founded in Brooklyn, New York in 1969 by anarchists Joel Sucher and Steven Fischler. They have produced more than 100 films.
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Corrado D'Errico Corrado D'Errico (1902–1941) was an Italian screenwriter and film director. D'Errico was one of a number of directors in the Fascist era to graduate from the Instituto Luce.
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La Notte La Notte (English: "The Night" ) is a 1961 Italian drama film directed by Michelangelo Antonioni and starring Marcello Mastroianni, Jeanne Moreau and Monica Vitti (Umberto Eco appeared in a cameo). Filmed on location in Milan, the film is about a day in the life of an unfaithful married couple and their deteriorating relationship. In 1961 "La Notte" received the Golden Bear at the Berlin International Film Festival, as well as the David di Donatello Award for Best Director. "La Notte" is considered the central film of a trilogy beginning with "L'Avventura" (1960) and ending with "L'Eclisse" (1962).
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Petanqui Petanqui (original title: Pétanqui (Le droit à la vie) is a 1983 drama film directed by Yeo Kozoloa.
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Day and Night (1997 film) Day and Night (French: Le Jour et la Nuit ) is a 1997 French drama film directed by philosopher Bernard-Henri Lévy and starring Alain Delon, Lauren Bacall, Arielle Dombasle and Francisco Rabal. The film follows a French author who fled to Mexico for a quiet life and an actress who is willing to seduce him to get a part in a film adapted from one of his books. It is considered by some to be one of the worst films of all time.
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Mr. Orchid Mr. Orchid (French: Le Père tranquille ) is a 1946 French drama film directed by René Clément. It was entered into the 1946 Cannes Film Festival.
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Absolute film Absolute film is a film movement begun by a group of visionary artists in Germany in the 1920s: Hans Richter, Walter Ruttmann, Oskar Fischinger and the Swede Viking Eggeling.
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Robert and Raymond Hakim Robert Hakim (19 December 1907 – 9 February 1992) and Raymond Hakim (23 August 1909 – 14 August 1980) were Egyptian-born brothers who usually worked in collaboration as film producers in France and other European countries. Their brother André Hakim was also a film producer.
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Roxy Film Roxy Film is a German film production company established in 1951 by Luggi Waldleitner. During the 1950s, it was a leading producer with films such as melodramas which continued the traditions of the 1930s and 1940s. During the 1960s the company struggled, partly due to fierce competition from other producers such as Rialto Films which were better at using new genres such as Edgar Wallace thrillers and Karl May westerns. By the late 1960s the company had begun to specialise in making sex comedies, but in the 1970s moved to producing adaptations of classic literature and funding ambitious projects by members of the New German Cinema such as Rainer Werner Fassbinder.
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Wavelength (1967 film) Wavelength is a 45-minute film that made the reputation of Canadian experimental filmmaker and artist Michael Snow. Considered a landmark of avant-garde cinema, it was filmed over one week in December 1966 and edited in 1967, and is an example of what film theorist P. Adams Sitney describes as "structural film", calling Snow "the dean of structural filmmakers." "Wavelength" is often listed as one of the greatest underground, art house and Canadian films ever made. It was named #85 in the 2001 "Village Voice" critics' list of the 100 Best Films of the 20th Century. The film has been designated and preserved as a masterwork by the Audio-Visual Preservation Trust of Canada. In a 1969 review of the film published in "Artforum", Manny Farber describes "Wavelength" as "a pure, tough 45 minutes that may become "The Birth of a Nation" in Underground films, is a straightforward document of a room in which a dozen businesses have lived and gone bankrupt. For all of the film's sophistication (and it is overpowering for its time-space-sound inventions) it is a singularly unpadded, uncomplicated, deadly realistic way to film three walls, a ceiling and a floor... it is probably the most rigorously composed movie in existence."
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Camera Buff Camera Buff (Polish: "Amator" , meaning "amateur") is a 1979 Polish drama film written and directed by Krzysztof Kieślowski and starring Jerzy Stuhr. The film is about a humble factory worker whose newfound hobby, amateur film, becomes an obsession, and transforms his modest and formerly contented life. "Camera Buff" won the Polish Film Festival Golden Lion Award and the FIPRESCI Prize and Golden Prize at the 11th Moscow International Film Festival, and the Berlin International Film Festival Otto Dibelius Film Award in 1980.
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A Quiet Place in the Country A Quiet Place in the Country (Italian: Un tranquillo posto di campagna , French: Un coin tranquille à la campagne ) is a 1968 Italian-French thriller film directed by Elio Petri.
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Clemente Fracassi Clemente Fracassi (5 March 1917 – 2 February 1993) was an Italian film producer, director and screenwriter. His career spanned from 1939 to 1967.
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René Barberis René Barberis (11 March 1886 – 11 August 1959) was a French screenwriter and film director.
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Christopher Panzner Christopher Panzner (born 1959) is an American artist/writer/producer living and working in France. He has worked for a number of pioneers in the television and film industry, notably as Technical Director for the inventor of interactive television shopping, the Home Shopping Network and as Operations Director, France, for the inventor of the colorization process for black-and-white films, Color Systems Technology. He has developed animation software (Pixibox), designed theme channels (Canal +) and was Managing Director of the Luxembourg-based studio, Luxanima, which shared an International Emmy in 1994 for French CGI series Insektors. He went on to set up an animation/FX studio (motion capture/motion control), Image Effects, where he supervised the creation of 2D animated series "The Tidings" for Entertainment Rights before creating his own studio in the east of France the following year, Talkie Walkie, specializing in pre-production (design, storyboard and layout) and computer production (ink-and-paint/compositing) and whose clients included a Who’s Who of international television animation producers such as SIP, RTV Family Entertainment, Alphanim and Cinar (now called Cookie Jar.) He joined Paris-based production company TEVA in 2001 and was instrumental in the financing and/or the making of five animated features there in 2002–2004: double-Oscar nominated The Triplets of Belleville, Venice Film Festival selection "The Dog, the General and the Birds", "Jester Till", "Blackmor’s Treasure" (Associate Producer) and "Charlie and Mimmo" (Co-Producer). In 2002, TEVA and Mistral Films won the grand prize at IMAGINA for an experimental short film, "The Tale of the Floating World" directed by Alain Escalle, beating such prestigious competition as "Shrek", "Amélie" and "The Lord of the Rings", and was entirely responsible for the fabrication of Storimages’ Pulcinella-winning and International Emmy-nominated special, "Harold Peeble", based on the book by famous French illustrator Sempé. In 2006, "The Triplets of Belleville", "The Dog, the General and the Pigeons" and "Blackmor’s Treasure" were part of an eight-film retrospective of contemporary French animation at the Museum of Modern Art in New York called "Grand Illusions: The Best of Recent French Animation."