What artist that released Whatever and Ever Amen uses a track recorded and mixed in 1979 as their live show staple?
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Whatever and Ever Amen Whatever and Ever Amen is the second album by Ben Folds Five, released in 1997. A remaster was made available on March 22, 2005. All of the extra tracks had been previously released (as b-sides, soundtrack contributions, etc.) except for a cover of the Buggles song "Video Killed the Radio Star", which is a staple of Ben Folds Five's live show.
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Video Killed the Radio Star "Video Killed the Radio Star" is a song written by Trevor Horn, Geoff Downes and Bruce Woolley in 1978. It was first recorded by Bruce Woolley and The Camera Club (with Thomas Dolby on keyboards) for their album "English Garden", and later by British group the Buggles, consisting of Horn and Downes. The track was recorded and mixed in 1979, released as their debut single on 7 September 1979 by Island Records, and included on their first album "The Age of Plastic". The backing track was recorded at Virgin's Town House in West London, and mixing and vocal recording would later take place at Sarm East Studios.
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Whatever You Want Whatever You Want is the twelfth studio album by the British rock band Status Quo and features 10 tracks
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Live as I'll Ever Be Live As I'll Ever Be is the title of a recording by American singer/songwriter Chris Smither. It is a live album recorded over the course of several years. The cover was painted by Eric Von Schmidt.
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Live at Hammersmith '79 Live at Hammersmith '79 is a live album by Ted Nugent, consisting of a performance originally broadcast on the "King Biscuit Flower Hour", recorded during the second set of a sold-out night at London's Hammersmith Odeon in 1979 and not released until 1997.
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Live at Rockpalast (Joe Jackson album) Live at Rockpalast is a compilation live album by Joe Jackson. This double-disc set is an accompanying release to a double-DVD set of the same name. Chronicling the three concerts Joe Jackson gave German television between 1980 and 1983, this captures several different phases in the ever-shifting Jackson's career, including the punky beginning, the ska-inflected "Beat Crazy," and the sophisticated pop of "Night and Day", and throughout Jackson and his band are in top form.
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Live Stock Live Stock is a 1975 live album by Roy Buchanan released on Polydor. The album documents a show consisting of blues standards and a few originals played in New York City, with an additional song ("I'm Evil") added from a later show in Evanston, Illinois. The cover photo was taken and sent to Roy by Australian music commentator Glenn A Baker.
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Amen (gospel song) "Amen" is a traditional gospel song that was popularized by The Impressions with their 1964 version.
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Shadows and Light (Joni Mitchell album) Shadows and Light is a 1980 live double album by the Canadian singer-songwriter Joni Mitchell. It was recorded at the Santa Barbara Bowl in September 1979 on Mitchell's "Mingus" tour. A film of the concert was also released on VHS, LaserDisc and DVD.
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Nevermind It's an Interview Nevermind It's an Interview is the only officially released interview CD of American grunge band Nirvana. It was only a promotional release and was never commercially available. Released in limited-edition form worldwide in 1992 by Geffen Records, written, produced and engineered at WFNX Boston by Kurt St. Thomas and Troy Smith (authors of "Nirvana: The Chosen Rejects", St. Martin's Press, 2004). The original interview sessions were recorded by St. Thomas the night of Nirvana's first appearance on NBC's "Saturday Night Live" in 1992. It contains over an hour of audio interview with live and studio recordings. Copies of the CD are rare and have become collectors items. However, the entire CD was included at the end of the iTunes version of "With the Lights Out", Nirvana's posthumous box set. It is listed as:
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In Concert (The Doors album) In Concert is a live double album recorded by The Doors. The album's performances are culled from a variety of different concerts and releases. "In Concert" includes all the tracks from "Absolutely Live" (with all but one track appearing on disc one, with the remaining track on disc two) and "Alive, She Cried". The three remaining tracks come from "An American Prayer", "Live at the Hollywood Bowl" and one previously unreleased.
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Hot! Live and Otherwise Hot! Live and Otherwise is a combination live and in-studio album by American singer Dionne Warwick, released in 1981 on Arista Records. The LP was originally issued as number A2L 8605 in the Arista Catalog.
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Live/Dead Live/Dead is the first official live album released by the San Rafael-based band Grateful Dead. Recorded over a series of concerts in early 1969 and released later the same year, it was the first live rock album to use 16-track recording.
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Forever (Orleans album) Forever is a 1979 album from the soft rock band Orleans. The album spawned two singles, "Love Takes Time" (#11 on Billboard) and the title track "Forever" (#24 on the Adult Contemporary Chart).
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In the Flesh (Pink Floyd song) "In the Flesh" (working title "The Show") is a song by English progressive rock band Pink Floyd. It appears on their 1979 album "The Wall".
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Live &amp; Loud Live & Loud is a live album recorded by then former Black Sabbath singer Ozzy Osbourne, released on 28 June 1993. At the time, it was to be Osbourne's final album following Osbourne's final tour before retiring, aptly titled "No More Tours". The track "Black Sabbath" featured the original line-up of Black Sabbath, the members of which were invited to join Ozzy as guest stars for the Costa Mesa Reunion shows.
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Legends of the Lost and Found Legends of the Lost and Found: New Greatest Stories Live is the second live album by the American singer/songwriter Harry Chapin, released in 1979 (see 1979 in music). It featured ten new songs plus live versions of six tracks from recent albums. The album was not released on CD until 2005 when the Chapin family acquired the rights to the music. The new version was remixed from the original multitrack recordings by Harry's son Josh (executive producer) and Chapin Foundation board member and archivist Jason Dermer (producer/engineer). While making every attempt to stay true to the original version's sound as mixed by Steve Chapin, the new release features a revised track order that better follows the progression and feel of a Harry Chapin concert from that time period, as well as vocals that, through modern technique, rely less on the overdubs that were used in the original.
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You Had to Be There You Had to Be There is a live double album by the American popular music singer-songwriter Jimmy Buffett. It was originally released in October 1978 as ABC AK-1008/2 and later re-released on ABC's successor label MCA. It is the first of Buffett's many live albums and his tenth album overall. The original vinyl print album included a fold-out poster showing many photos taken during the 1978 tour.
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Any Way You Want It "Any Way You Want It" is a popular song performed by Journey, released on the album "Departure" as the opening track and as a single in 1980. The song was written by lead singer Steve Perry and guitarist Neal Schon. It peaked at #23 on the "Billboard" Hot 100 chart. The band often plays it to close their concerts. It appears on all four of the band's live albums ("Captured", "Greatest Hits Live", "", and "Revelation" on DVD). Since its release, the song has continued to infiltrate public consciousness through its use in numerous movies (notably the 1980 comedy film " Caddyshack "), television series, and advertisements.
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The 1999 Party The '1999' Party is a live album by Hawkwind recorded at the Chicago Auditorium Theatre on 21 March 1974 released retrospectively in November 1997 by EMI. It was issued for the first time as part of EMI's re-releasing re-mastered versions of the Hawkwind back catalogue. A further budget single disk derived from this set titled Hawkwind Live 74 was issued in April 2006.
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The Ever Popular Tortured Artist Effect The Ever Popular Tortured Artist Effect is Todd Rundgren's tenth studio album, released in 1982. The album is a return to the pop sound for which Rundgren is generally most lauded by critics. Considering it a contractual obligation, he spent little time working on "Tortured Artist" (hence the title). However, the album was generally well-received, and Rundgren scored a hit with the novelty song "Bang the Drum All Day".
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Something/Anything? Something/Anything? is a double album by Todd Rundgren, released in February 1972. It was Rundgren's third solo release, and was recorded in late 1971 in Los Angeles, New York City and Bearsville Studios, Woodstock. Three quarters of the album was recorded in the studio with Rundgren playing all instruments and singing all vocals, as well as being the producer. The final quarter contained a number of tracks recorded live in the studio without any overdubs, save for a short snippet of archive recordings from the 1960s.