What type of media does The Watercolor and Up have in common?
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The Watercolor "The Watercolor (Tr: Suluboya)" is a 2009 Turkish animated film, directed by Cihat Hazardağlı. The film went on nationwide general release on November 13, 2009.
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Up (2009 film) Up is a 2009 American 3D computer-animated comedy-adventure film produced by Pixar Animation Studios and released by Walt Disney Pictures. Directed by Pete Docter, the film centers on an elderly widower named Carl Fredricksen (Ed Asner) and an earnest young "Wilderness Explorer" (a fictional youth group similar to the Boy Scouts) named Russell (Jordan Nagai). By tying thousands of balloons to his home, Carl sets out to fulfill his dream to see the wilds of South America and complete a promise made to his late wife, Ellie. The film was co-directed by Bob Peterson, with music composed by Michael Giacchino.
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Up the Creek (song) "Up the Creek" is a non-album single by American rock band Cheap Trick, released as the title track for the 1984 film "Up the Creek", appearing on the film's soundtrack release as the first/opening track. The song was written by Rick Nielsen and musician/songwriter Randy Bishop. Bishop also wrote/co-wrote a lot of the soundtrack's material, including "Chasin' The Sky" by The Beach Boys, "The Heat" by Heart and "One Track Heart (Passion In The Dark)" by Danny Spanos.
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Kodacolor (still photography) In still photography, Kodak's Kodacolor brand has been associated with various color negative films (i.e., films that produce negatives for making color prints on paper) since 1942. Kodak claims that Kodacolor was "the world's first true color negative film". More accurately, it was the first color negative film intended for making paper prints: in 1939, Agfa had introduced a 35 mm Agfacolor negative film for use by the German motion picture industry, in which the negative was used only for making positive projection prints on 35 mm film. There have been several varieties of Kodacolor negative film, including Kodacolor-X, Kodacolor VR and Kodacolor Gold.
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Giornata Giornata is an art term, originating from an Italian word which means "a day's work." The term is used in Buon fresco mural painting and describes how much painting can be done in a single day of painting. Knowing how much can be painted in a day is crucial in the Buon fresco technique, because in this technique a watercolor paint, without binder, is applied to wet lime plaster which binds the paint into the surface of the plaster when it dries, making for an extremely durable painting. An experienced fresco painter knows how much surface can be painted in a day, and wet plaster is applied to the wall in the right amount needed for each day's work. That amount is the "giornata". Generally the plaster is applied in a way that will conform to the outline of a figure, or object, in a painting, so that the daily segments will not show, but it is occasionally visible as different sections in a work where the artist may not have been able to replicate a pigment exactly the next day, or where restoration has altered or made apparent the changes in pigment between the sections.
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Water-jet printer A water-jet printer (or waterjet printer) is a printer that makes use of paper coated with special dyes and ink cartridges filled with water to print paper copies of documents. Using paper treated with oxazolidine, the water jet changes the colour of the chemical to produce a print which fades in about a day, depending on temperature, and the paper can be re-used rather than being disposed of. The print fades away within about 22 hours at temperatures below 35 degrees Celsius (95 degrees Fahrenheit) as the water evaporates. While the chemical treatment makes the paper slightly more expensive, use of water instead of ink in the printer makes it much cheaper overall, and the only change needed to the printer is to replace what's in the cartridge.
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Pop art Pop art is an art movement that emerged in the mid-1950s in Britain and the late 1950s in the United States. The movement presented a challenge to traditions of fine art by including imagery from popular and mass culture, such as advertising, comic books and mundane cultural objects. One of its aims is to use images of "popular" (as opposed to elitist) culture in art, emphasizing the banal or kitschy elements of any culture, most often through the use of irony. It is also associated with the artists' use of mechanical means of reproduction or rendering techniques. In pop art, material is sometimes visually removed from its known context, isolated, or combined with unrelated material.
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Natural color Natural Color was a term used in the beginning of film and later on in the 1920s, and early 1930s as a color film process that actually filmed color images, rather than a color tinted or colorized movie. The first natural color processes were in the 1900s and 1910s and were two color additive color processes or red and green missing primary color blue, one additive process of time was Kinemacolor. By the 1920s, subtractive color was mostly in use with such processes as Technicolor, Prizma and Multicolor, but Multicolor was mostly never in use in the late 1920s, Technicolor was mostly in use. The only one who cared to mess with Multicolor was William Fox, probably because Multicolor was more cheaper of a process and at the time in 1929 William Fox was in debt. The difference between additive color and subtractive color were that an additive color film required a special projector that could project two components of film at the same time, a green record and a red record. But additive color didn't required a special projector, the two pieces of film were chemically formed together and was projected in one strip of film.
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Airbrush An airbrush is a small, air-operated tool that sprays various media, most often paint but also ink and dye, by a process of nebulization. Spray painting developed from the airbrush and is considered to employ a type of airbrush.
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Surf's Up (album) Surf's Up is the 17th studio album by American rock band the Beach Boys, released in 1971. It was met with a warm critical reception and reached No. 29 on the US record charts, becoming their best-performing album in their home country since 1967. In the UK, the album peaked at No. 15, continuing a string of chart successes that had not abated since 1965.
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Serial imagery Serial imagery is the repeating of one image in many variations or forms. It is a central idea in modern and contemporary art. It can take several forms. A portrait can painted in differing hues and backgrounds with subtle changes to the subject as in Van Gogh's L'Arlésienne and Claude Monet’s Rouen Cathedral Another type is where the same subject is painted at different times of day or seasons of the year for example Claude Monet in his Poplars, Haystacks. The same subject may also be rendered in different mediums, and in different poses, thus, the practice of underpainting may be considered a form of serial imagery even if the image is lost in the completed work. It is common in photography where multiple exposures at varies angles are taken with different lenses etc. in search of the desired effect. It is also used in literature, especially poetry.
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Aquarela do Brasil "Aquarela do Brasil" (] , "Watercolor of Brazil"), known in the English-speaking world simply as "Brazil", is one of the most famous Brazilian songs, written by Ary Barroso in 1939.
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PowerColor The PowerColor brand was established in 1997 by the TUL corporation(撼訊科技), based in New Taipei City, Taiwan. PowerColor maintains office locations in a number of countries, including Taiwan, the Netherlands, and the United States. The United States branch is located in City of Industry, California, and serves the North and Latin American markets. Tul also has another brand, VTX3D, which serves the European and some Asian markets.
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Mashup (video) A video mashup (also written as video mash-up) combines multiple pre-existing video sources with no discernible relation with each other into a unified video. These are derivative works as defined by the United States Copyright Act  /101 § 101  , and as such, may find protection from copyright claims under the doctrine of fair use. Examples of mashup videos include movie trailer remixes, vids, YouTube Poop, Wishfie Reaction Videos, and supercuts.
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Chromoxylography Chromoxylography was a colour woodblock printing process, popular from the mid-19th to the early-20th century, commonly used to produce illustrations in children's books, serial pulp magazines, and cover art for yellow-back and penny dreadfuls. In the 19th century the art of relief engraving and chromoxylography was perfected by engravers and printers, most notably in England by Victorian engraver and printer Edmund Evans. A wide range of hues and tones were produced by the color mixing of the chromoxylography process—a technique that was complicated, requiring intricate engraving and printing for good results. Less expensive products, such as covers for pulp magazines, were coloured with as few colours as possible, often only two or three, whereas more intricate and expensive books and reproductions of paintings used as many as a dozen or more colors. For each colour a separate woodblock had to be carved.
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Color theory In the visual arts, color theory or colour theory is a body of practical guidance to color mixing and the visual effects of a specific color combination. There are also definitions (or categories) of colors based on the color wheel: primary color, secondary color and tertiary color. Although color theory principles first appeared in the writings of Leone Battista Alberti (c.1435) and the notebooks of Leonardo da Vinci (c.1490), a tradition of "colory theory" began in the 18th century, initially within a partisan controversy over Isaac Newton's theory of color ("Opticks", 1704) and the nature of primary colors. From there it developed as an independent artistic tradition with only superficial reference to colorimetry and vision science.
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Cliché verre Cliché verre is a combination of painting and or drawing, with photography. In brief, it is a method of either etching, painting or drawing on a transparent surface, such as glass, thin paper or film and printing the resulting image on a light sensitive paper in a photographic darkroom. It is a process first practiced by a number of French painters during the early 19th century. The French landscape painter Jean-Baptiste-Camille Corot was the best known of these. Some contemporary artists have developed techniques for achieving a variety of line, tone, texture and color by experimenting with film, frosted Mylar, paint and inks and a wide assortment of tools for painting, etching, scratching, rubbing and daubing. Scratching a negative is another form of cliche verre. Many ways to get different designs for a cliche verre is to print a design off of the computer onto transparent paper. Or even scan a photo onto transparent paper and alter it that way before exposing it.
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Oil pastel Oil pastel (also called wax oil crayon) is a painting and drawing medium with characteristics similar to pastels and wax crayons. Unlike "soft" or "Japanese" pastel sticks, which are made with a gum or methyl cellulose binder, oil pastels consist of pigment mixed with a non-drying oil and wax binder. The surface of an oil pastel painting is therefore less powdery, but more difficult to protect with a fixative. Oil pastels provide a harder edge than "soft" or "French" pastels but are more difficult to blend.
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Action painting Action painting, sometimes called "gestural abstraction", is a style of painting in which paint is spontaneously dribbled, splashed or smeared onto the canvas, rather than being carefully applied. The resulting work often emphasizes the physical act of painting itself as an essential aspect of the finished work or concern of its artist.
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Lightpainting Lightpainting is an art form developed by artist Stephen Knapp and introduced in 2002. Lightpainting (one word) is not to be confused with light painting (two words), the latter of which is a photographic process recording traces of light on film or digital media to create images that must be reproduced in printed or transparency form. Lightpainting uses white light projected in space through specially coated glass that breaks the light into bands of color, producing optically complex virtual 3D images that sit at the intersection of painting and sculpture. Lightpaintings can take the form of moveable wall-mounted panels but the most spectacular effects are achieved in large-scale architectural installations. Layers of metallic coating are applied to glass pieces to refract and reflect colors, which becomes the palette to be used as pure chroma or mixed into a wide spectrum of colors. Glass is cut into various sizes and shapes that determine planes of color and other elements that can be used much as in traditional painting or sculpture.
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Gainor Roberts Gainor Roberts (born September 14, 1941) is an American artist known for still life and landscape paintings that explore color, forms and symbolism. A classically trained artist in the realist tradition, Roberts uses impressionist brush techniques and intense color. She works in egg tempera, oil, pastel, watercolor and monotype.
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Ink-wash animation Shui-mo animation (Ink-wash animation, 水墨动画) is an animation style that is unique to China. This style combines both Chinese traditional aesthetics of Shui-mo and modern animation techniques. It first appeared in the 1961 with the first Chinese ink-wash animation "Tadpoles Searching for Mother". After the 1990s, film studios gradually gave up ink-wash animation production due to the high demand in cost and techniques.