The director of the tv film "The Comrades of Summer" got his first credit as an art director on what film?
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The Comrades of Summer The Comrades of Summer is a 1992 television film featuring Joe Mantegna. It was directed by Tommy Lee Wallace, written by Robert Rodat and aired on HBO on July 11, 1992.
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Tommy Lee Wallace Thomas "Tommy" Lee Wallace (born September 6, 1949) is an American film producer, director, editor, and screenwriter. He is best known for directing horror films such as "", "Fright Night Part 2" and "It". He is a long-time collaborator of director John Carpenter, getting his first credit as an art director on Carpenter's directorial debut "Dark Star". Along with Charles Bornstein, he edited both the original "Halloween" and "The Fog". Initially approached to direct "Halloween II", a position eventually taken by Rick Rosenthal, he directed the following entry "Season of the Witch."
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Alan J. W. Bell Alan J. W. Bell (born 14 November 1937) is a British television producer and director. He has produced and/or directed many BBC series since the early 1970s, most notably "Last of the Summer Wine", "Ripping Yarns" and the TV adaptation of "The Hitchhiker's Guide to the Galaxy". He was also assigned to re-edit and improve Ronnie Barker's short 1982 film, "By the Sea". Other comedy shows include "There's a Lot of it About", "The Hello Goodbye Man", "The Clairvoyant", "Wyatt's Watchdogs", "Dogfood Dan and the Carmarthen Cowboy" and "Split Ends".
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Delbert Mann Delbert Martin Mann Jr. (January 30, 1920 – November 11, 2007) was an American television and film director. He won the Academy Award for Best Director for the film "Marty" (1955), adapted from a 1953 teleplay of the same name which he had also directed. From 1967 to 1971, he was president of the Directors Guild of America. In 2002, he received the DGA's honorary life member award. Mann was credited to have "helped bring TV techniques to the film world."
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John Frankenheimer John Michael Frankenheimer (February 19, 1930 – July 6, 2002) was an American film and television director known for social dramas and action/suspense films. Among his credits were "Birdman of Alcatraz" (1962), "The Manchurian Candidate" (1962), "Seven Days in May" (1964), "The Train" (1964), "Seconds" (1966), "Grand Prix" (1966), "French Connection II" (1975), "Black Sunday" (1977), and "Ronin" (1998).
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Lev Kulidzhanov Lev Aleksandrovich Kulidzhanov (Russian: Лев Александрович Кулиджанов ; 19 March 1924 – 18 February 2002) was a Soviet film director, screenwriter and professor at the Gerasimov Institute of Cinematography. He was the head of the Union of Cinematographers of the USSR (1965—1986). He was a People's Artist of the USSR (1976). He directed a total of twelve films between 1954 and 1994.
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James J. Murakami James J. Murakami is an art director. He was nominated for an Academy Award for Best Art Direction for his work on the film "Changeling" (2008).
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Hilyard M. Brown Hilyard M. Brown (16 February 1910 – 12 October 2002) was an American art director. He won an Academy Award in the category Best Art Direction for the film "Cleopatra".
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Zoltán Huszárik Zoltán Huszárik (born József Zoltán Huszárik, May 14, 1931 – October 15, 1981) was an influential Hungarian film director, screenwriter, visual artist and occasional actor, an acclaimed auteur of the European modern art film.
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Willi Herrmann Willi Herrmann (1893–1968) was a German art director.
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Summer Hours Summer Hours (French: L'Heure d'été ) is a 2008 French drama film directed by Olivier Assayas. It is the second in a series of films produced by Musée d'Orsay, after "Flight of the Red Balloon". In the film, two brothers and a sister witness the disappearance of their childhood memories when they must relinquish the family belongings to ensure their deceased mother's succession.
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Comrade X Comrade X is a 1940 American comedy spy film directed by King Vidor and starring Clark Gable, Hedy Lamarr, and Oskar Homolka.
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Ken Loach Kenneth Charles Loach (born 17 June 1936) is an English director of television and independent film. He is known for his socially critical directing style and for his socialist ideals, which are evident in his film treatment of social issues such as poverty ("Poor Cow", 1967), homelessness ("Cathy Come Home", 1966) and labour rights ("Riff-Raff", 1991, and "The Navigators", 2001).
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Gianni Bongioanni Giovanni (Gianni) Bongioanni (born August 6, 1921 in Turin) is an Italian film director, screenwriter, cinematographer, camera operator, editor, writer and occasional actor. He was one of the earliest directors to adopt an authentic, neo-realistic approach to Italian film-making, and his film "La svolta pericolosa" (1959) is considered the first Italian television series. In addition, Bongioanni was actively involved in the Italian TV and radio broadcasting industries, in which he worked for several years before making his first feature film, "Tre per una rapina" (1964).
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Duncan Cramer Duncan Cramer (1901–1980) was an American art director. He designed the sets for more than a hundred films and television series during his career.
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Lesley Selander Lesley Selander (May 26, 1900 – December 5, 1979) was an American film director of Westerns and adventure movies. His career as director, spanning 127 feature films and dozens of TV episodes, lasted from 1936-68. Before that, Selander was assistant director on films such as "The Cat and the Fiddle" (1934), "A Night at the Opera" (1935), and Fritz Lang's "Fury" (1936).
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Herman Raucher Herman Raucher (born April 13, 1928) is an American author and screenwriter. He is best known for writing the autobiographical screenplay and novel "Summer of '42", which became one of the highest grossing films and one of the best selling novels of the 1970s, respectively. He began his writing career during the Golden Age of Television, when he moonlighted as a scriptwriter while working for a Madison Avenue advertising agency. He effectively retired from writing in the 1980s after a number of projects failed to come to fruition, though his books remain in print and a remake of one of his films, "Sweet November", was produced in 2001.
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Maurice Carter (film designer) Maurice Carter (24 April 1913 in London, England – April 2000 in London, England) was a British production designer. He was one of the first in England to use back projection. He also founded the Guild of Film Art Directors a.k.a. British Film Designers Guild.
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Ian Hendry Ian Mackendrick Hendry (13 January 1931 – 24 December 1984) was an English film, television and stage actor. He was best known for his work on several British TV series of the 1960s and 1970s, including the lead in the first series of "The Avengers" and "The Lotus Eaters", as well as for his roles in films such as "The Hill" (1965), "Repulsion" (1965), "Get Carter" (1971), and "Theatre of Blood" (1973).
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Art Evans Arthur James "Art" Evans (born March 27, 1942) is an American actor who has made multiple film and television program appearances over the span of three decades.
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Summer Heat (1968 film) Summer Heat is a 1968 Hong Kong film directed by the Japanese director Kō Nakahira (credited by his Chinese name Yang Shu-hsi) and produced by Shaw Brothers Studio.
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Takeo Kimura filmography The following is the filmography of Takeo Kimura, the Japanese art director, writer, and film director who has art-directed more than 200 films over a span of more than six decades and ranks among Japan's best-known art directors. His training began with the Nikkatsu Company in 1941, whose production division was merged into Daiei during the wartime industry reorganization, where he was promoted to art director in 1945. His debut film as such was "Umi no yobu koe" (1945). Nikkatsu re-opened its production studio in 1954 and Kimura moved there. He worked with several directors, including top action director Toshio Masuda on films such as "Red Quay" (1958) with top star Yujiro Ishihara and "Gangster VIP" (1968) starring Tetsuya Watari. However, his longest and most famous collaboration has been with director Seijun Suzuki, which began with "The Bastard" (1963). Together they developed a bold, expressive style exemplified in "Gate of Flesh" (1964) and "Tokyo Drifter" (1966). Suzuki often rewrote his scripts with Kimura, who was given his first screenwriting credit on "The Flower and the Angry Waves" (1964). Kimura was also a part of Guryū Hachirō, the pen name of the writing group that formed around Suzuki in the mid-1960s and wrote "Branded to Kill" (1967).