Which play has a vocal score that has been dedicated to George V of  Hanover, Romeo and Juliet or Mireille?
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Romeo and Juliet Romeo and Juliet is a tragedy written by William Shakespeare early in his career about two young star-crossed lovers whose deaths ultimately reconcile their feuding families. It was among Shakespeare's most popular plays during his lifetime and along with "Hamlet", is one of his most frequently performed plays. Today, the title characters are regarded as archetypal young lovers.
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Mireille (opera) Mireille is an 1864 opera in five acts by Charles Gounod to a French libretto by Michel Carré after Frédéric Mistral's poem "Mireio". The vocal score is dedicated to George V of Hanover.
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Achille et Polyxène Achille et Polyxène ("Achilles and Polyxena") is a tragédie lyrique containing a prologue and five acts based on Virgil's "Aeneid" with a French libretto by Jean Galbert de Campistron. The opera's overture and first act were composed by Jean-Baptiste Lully, who died from a conducting injury before he could complete the score. The prologue and the remaining acts are the work of his pupil Pascal Collasse who finished the work, eight months after Lully's death on March 22, 1687. The opera was first performed on November 7, 1687, by the Paris Opera at the Théâtre du Palais-Royal in Paris.
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William Tell (opera) Guillaume Tell (English: William Tell , Italian: Guglielmo Tell ) is a French opera in four acts by Gioachino Rossini to a libretto by Étienne de Jouy and Hippolyte Bis. Based on Friedrich Schiller's play "William Tell," which drew on the William Tell legend, the opera was Rossini's last, although he lived for nearly forty more years. Fabio Luisi said that Rossini planned for "William Tell" to be his last opera even as he composed it. The overture, in four sections and featuring a depiction of a storm as well as a vivacious finale, the "March of the Swiss Soldiers," is often played.
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The Lady of Lyons The Lady of Lyons; or, Love and Pride, commonly known as The Lady of Lyons, is a five act romantic melodrama written in 1838 by Edward Bulwer-Lytton, 1st Baron Lytton. It was first produced in London at Covent Garden Theatre on 15 February 1838 and was revived many times over the rest of the 19th century. It was also adapted into two operas, and formed the part of the plot of an operetta.
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Metro Voices Metro Voices is a choir group based in London, England that specialises in performing for the motion pictures. They work closely with the London Philharmonic Orchestra and with acclaimed British composer Craig Armstrong. They are known from their light and melodic singing (heard in the soundtrack from Love Actually) to their flamboyant and bombastic chorus (heard in the soundtrack from Romeo + Juliet and ).
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Vénus et Adonis Vénus et Adonis is an opera ("tragédie en musique") in a prologue and 5 acts composed by Henri Desmarets to a libretto by Jean-Baptiste Rousseau. Based on the story of Venus and Adonis in Book X of Ovid's "Metamorphoses", it was first performed by the Académie Royale de Musique at the Théâtre du Palais-Royal in Paris on 28 July 1697 with Marie Le Rochois and Louis Gaulard Dumesny in the title roles. Desmarets staged a major revival of the work with a new prologue at the court of Leopold, Duke of Lorraine in 1707. During the composer's lifetime, it was performed in Germany, Belgium, and France, but then fell into obscurity. Its first staging in modern times took place at the Opéra de Nancy on 28 April 2006.
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Romeo and Juliet (Nureyev) Rudolf Nureyev's production of Sergei Prokofiev's "Romeo and Juliet" premiered at the London Coliseum on 2 June 1977.
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Les Abencérages Les Abencérages, ou L'étendard de Grenade (English: "The Abencerrages, or The Standard of Granada") is an opera in three acts by Luigi Cherubini with a French libretto by Etienne de Jouy, based on the novel "Gonzalve de Cordoue" by Jean-Pierre Claris de Florian. It was first performed on 6 April 1813 by the Académie Impériale de Musique (Paris Opera) at the Salle Montansier, with Napoleon and his wife, the Empress Marie-Louise, in the audience. The opera was initially a success but its popularity waned after the fall of Napoleon.
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Nymphs and Shepherds Nymphs and Shepherds is a song by the English composer Henry Purcell, from the play "The Libertine" by Thomas Shadwell. When the play was first performed, in 1675, the accompanying music was by William Turner. Purcell's music was first used in either 1692 or 1695; the musicologist Ian Spink has concluded that the latter year is the more probable, although the earlier date is often cited.
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Grisélidis Grisélidis is an opera (described as a 'conte lyrique') in three acts and a prologue by Jules Massenet to a French libretto by Armand Silvestre and Eugène Morand. It is based on the play by the same authors first performed at the Comédie-Française on 15 May 1891, which is drawn from the medieval tale of 'patient Grissil'. The story is set in 14th century Provence, and concerns the shepherdess, Grisélidis, and a number of attempts by the Devil to lure her into infidelity. Grisélidis' loyalty to her husband, The Marquis, is strong, however, and the devil is vanquished.
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George Lillo George Lillo (3 February 1691 – 4 September 1739) was an English playwright and tragedian. He was a jeweller in London as well as a dramatist. He produced his first stage work, "Silvia, or The Country Burial", in 1730. A year later, he produced his most famous play, "The London Merchant". He wrote at least six more plays before his death in 1739, including "The Christian Hero" (1735), "Fatal Curiosity" (1737) and "Marina" (1738).
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Iolanta Iolanta, Op. 69, (Russian: Иоланта ) is a lyric opera in one act by Pyotr Tchaikovsky. It was the last opera he composed. The libretto was written by the composer's brother Modest Tchaikovsky, and is based on the Danish play "Kong Renés Datter " ("King René's Daughter") by Henrik Hertz, a romanticised account of the life of Yolande de Bar. In the original Danish play, the spelling of the princess's name was "Iolanthe", later adopted for the otherwise unrelated Gilbert and Sullivan operetta of that name. The play was translated by Fyodor Miller and adapted by Vladimir Zotov. The opera received its premiere on 18 December 1892 in Saint Petersburg.
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Sosarme Sosarme, re di Media ("Sosarmes, King of Media", HWV 30) is an opera by George Frideric Handel written in 1732 for the King's Theatre in the Haymarket, London, where it ran for 12 performances. The text was based on an earlier libretto by Antonio Salvi, "Dionisio, Re di Portogallo" (Dionisius, King of Portugal), and adapted by an unknown writer. The original setting of Portugal was changed to Sardis in Lydia.
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I'll Be The Devil I'll Be The Devil is a play by Leo Butler that was commissioned by the Royal Shakespeare Company and written in response to "The Tempest" by William Shakespeare. It was staged for the first time at the Tricycle Theatre in 2008 directed by Ramin Gray, and featured Derbhle Crotty, Tom Burke, John McInerny, and Gerard Murphy in the cast.
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Tamerlano Tamerlano ("Tamerlane", HWV 18) is an opera seria in three acts written for the Royal Academy of Music theatre company, with music by George Frideric Handel to an Italian text by Nicola Francesco Haym, adapted from Agostin Piovene's "Tamerlano" together with another libretto entitled "Bajazet" after Nicolas Pradon's "Tamerlan, ou La Mort de Bajazet".
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Clitandre Clitandre is a play by Pierre Corneille.
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La lettera anonima La lettera anonima ("The anonymous letter") is a farce in one act composed by Gaetano Donizetti in 1822 to a libretto by Giulio Genoino, a former monk and the official censor of the Kingdom of the Two Sicilies. Genoino based his libretto on his own farce which, in turn, had been based on "Mélite, ou Les fausses lettres " by Pierre Corneille in 1630.
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La Terre Promise La Terre Promise is an oratorio in three parts by Jules Massenet to a French libretto by the composer based on the French translation of the Vulgate by Silvestre de Sacy. It was first performed at L'église Saint-Eustache in Paris on March 15, 1900, with Jean Noté, baritone, Lydia Nervil, soprano, and the orchestra and chorus totaling 400, directed by a former pupil of Massenet, Eugène d'Harcourt. The work was preceded at its first performance by the French premiere of "Das Liebesmahl der Apostel" (given as "La dernière Cène des Apôtres").
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Les fêtes d'Hébé Les fêtes d'Hébé, ou Les talens lyriques ("The Festivities of Hebe, or The Lyric Talents") is an "opéra-ballet" in a prologue and three "entrées" (acts) by the French composer Jean-Philippe Rameau. The libretto was written by Antoine Gautier de Montdorge (1707–1768). The work was first performed on 21 May 1739 by the Académie royale de musique at its theatre in the Palais-Royal in Paris..
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Rodrigo (opera) Rodrigo (HWV 5) is an opera in three acts composed by George Frideric Handel. Its original title was "Vincer se stesso è la maggior vittoria" ("To overcome oneself is the greater victory"). The opera is based on the historical figure of Rodrigo, the last Visigothic king of Spain. The libretto was based on Francesco Silvani's "II duello d'Amore e di Vendetta" ("The conflict between love and revenge"). Dating from 1707, it was Handel's first opera written for performance in Italy, and the first performance took place in Florence late in 1707.
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Coronation March (Edward German) The Coronation March is a piece for full orchestra composed by Edward German in 1911 upon invitation for the coronation ceremonies of King George V of the United Kingdom and Queen Mary. The march and its accompanying hymn, "Veni Creator Spiritus," were partly derived from the composer's incidental music to Henry Irving's 1892 production of Henry VIII.