Jane Henschel, born on which date, is an American operatic mezzo soprano, a mezzo-soprano or mezzo, a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types?
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Jane Henschel Jane Henschel (born 2 March 1952) is an American operatic mezzo soprano. Henschel, who was born in Wisconsin, studied at the University of Southern California, and then pursued further studies in Germany, where she has made her home. Her numerous opera appearances include Baba the Turk in Igor Stravinsky's "The Rake’s Progress" with Glyndebourne Festival Opera, the Saito Kinen Festival Matsumoto, and the Salzburg festival; Brangäne in Richard Wagner’s "Die Walküre" with Paris Opéra and the Los Angeles Opera; the Principessa in Giacomo Puccini’s "Suor Angelica" with conductor Riccardo Chailly and the Royal Concertgebouw Orchestra; Blanche de la Force in Francis Poulenc’s "Dialogues des Carmélites" in Amsterdam; Kostelnicka Buryjovka in Leoš Janáček’s "Jenůfa" under Seiji Ozawa in Japan; and the Kabanicka in Janáček’s "Katya Kabanova" at the Salzburg Festival among others.
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Mezzo-soprano A mezzo-soprano or mezzo ( , ; ] meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A–A in scientific pitch notation, where middle C = C). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F) and as high as "high C" (C).
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Waltraud Meier Waltraud Meier (born 9 January 1956 in Würzburg) is a Grammy Award–winning German dramatic soprano and mezzo-soprano singer. She is particularly known for her Wagnerian roles as Kundry, Isolde, Ortrud, Venus, Fricka, and Sieglinde, but has also had success in the French and Italian repertoire appearing as Eboli, Amneris, Carmen, and Santuzza. She resides in Munich.
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Jacqueline Bobak Jacqueline Bobak is an American mezzo-soprano singer. She teaches at the California Institute of the Arts.
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Haute-contre The haute-contre (plural hautes-contre) is a rare type of high tenor voice, predominant in French Baroque and Classical opera until the latter part of the eighteenth century.
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Soprano clarinet The term soprano clarinet is used occasionally to refer to those instruments from the clarinet family that occupy a higher position, both in pitch and in popularity than subsequent additions to the family such as the basset horns and bass clarinets. The B♭ clarinet is by far the most common type of clarinet and indeed the unmodified word "clarinet" usually refers to this instrument. However, due to a tendency for writers and historians to imitate the terms used to denote instruments in other instrumental 'family groups' the term soprano is sometimes used to apply not only to the B♭ clarinet but also to the clarinets in A and C, sounding respectively a semitone lower and a whole tone higher than the B♭ instrument, and even the low G clarinet—rare in Western music but popular in the folk music of Turkey—sounding a whole tone lower than the A. While some writers reserve a separate category of sopranino clarinets for the E♭ and D clarinets, these are more usually regarded as soprano clarinets as well. All have a written range from the E below middle C to about the C three octaves above middle C, with the sounding pitches determined by the particular instrument's transposition.
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Cecilia Bartoli Cecilia Bartoli, (] ; born 4 June 1966) is an Italian coloratura mezzo-soprano opera singer and recitalist. She is best known for her interpretations of the music of Mozart and Rossini, as well as for her performances of lesser-known Baroque and classical music. She is known for having the versatility to sing soprano and mezzo roles.
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Hanna Schwarz Hanna Schwarz (born 15 August 1943), is a German mezzo-soprano and contralto singer in opera and concert. In 1976 she performed the parts of Fricka and Erda in the centenary production of Wagner's "Der Ring des Nibelungen" at the Bayreuth Festival, staged by Patrice Chéreau.
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List of tenors in non-classical music The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C, the C one octave below middle C, to the high C (C). The low extreme for tenors is roughly B♭ (two B♭ s below middle C). At the highest extreme, some tenors can sing up to two Fs above middle C (F).
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William Vennard William Vennard (31 January 1909 Normal, Illinois – 10 January 1971 Los Angeles, California) was a famous American vocal pedagogist who devoted his life to researching the human voice and its use in singing. He was one of the driving forces behind a major shift within the field of vocal pedagogy during the middle of the 20th century. Along with a few other American singing teachers, such as Ralph Appelman at Indiana University, Vennard introduced contemporary scientific research in the areas of human anatomy and physiology into the study of singing. This shift in approach led to the rejection of many of the beliefs and practices held since the bel canto era, most particularly in the areas of vocal registration and vocal resonation. Vennard was renowned as an excellent teacher whose written works have influenced generations of singers, vocal pedagogues and voice scientists. He taught many successful singers including acclaimed mezzo-soprano Marilyn Horne, who studied under him at the University of Southern California.
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Treble voice A treble voice is a voice which takes the treble part. In the absence of a separate descant part, this is normally the highest-pitched part, and otherwise the second highest. The term is most often used today within the context of choral music in reference to youthful singers. The American Choral Directors Association defines a treble as "a singer, both male and female, ages eight to sixteen".
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Marguerite Krull Marguerite Krull is an American classical soprano who has had an active international performance career since the 1990s. Due to her wide vocal range, she also sings several roles traditionally performed by mezzo-sopranos.
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Fach The German Fach system (] ; literally "compartment" or "subject of study", here in the sense of "vocal specialization") is a method of classifying singers, primarily opera singers, according to the range, weight, and color of their voices. It is used worldwide, but primarily in Europe, especially in German-speaking countries and by repertory opera houses.
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Baritone A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice types. It is the most common male voice. Originally from the Greek βαρύτονος ("barýtonos") , meaning "deep (or heavy) sounding", music for this voice is typically written in the range from the second F below middle C to the F above middle C (i.e. F–F) in choral music, and from the second A below middle C to the A above middle C (A to A) in operatic music, but can be extended at either end. The baritone voice type is generally divided into the baryton-Martin baritone (light baritone), lyric baritone, "Kavalierbariton", Verdi baritone, dramatic baritone, "baryton-noble" baritone, and the bass-baritone.
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Marcia Van Dresser Marcia Van Dresser (1877 – July 11, 1937) was an American operatic soprano, recitalist and actress. She was sometimes referred to as a mezzo-soprano.
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Janet Baker Dame Janet Abbott Baker (born 21 August 1933) is an English mezzo-soprano best known as an opera, concert, and lieder singer.
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Spinto soprano A spinto soprano (also lirico-spinto, spinto lyric soprano or "pushed lyric") is a type of operatic soprano voice that has the limpidity and easy high notes of a lyric soprano, yet can be "pushed" on to achieve dramatic climaxes without strain. This type of voice may possess a somewhat darker timbre, too, than the average lyric soprano. It generally uses "squillo" to "slice" through the sound of a full orchestra, rather than singing over the orchestra like a true dramatic soprano.
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Joyce Castle Joyce Castle (born Lillian Joyce Malicky, on January 17, 1939, in Beaumont, Texas) is an American mezzo-soprano who has had an active opera career for the last four decades. She earned degrees in music from The University of Kansas and the Eastman School of Music. She made her professional opera debut in 1970 at the San Francisco Opera as Siebel in Charles Gounod's "Faust". In 1984 she became the first woman to portray Mrs. Lovett in an operatic staged production of at the Houston Grand Opera. She spent seven years performing with opera companies in France during the 1970s, after which her career has mainly been spent performing with opera companies throughout the United States. She has sung leading roles at the Metropolitan Opera for nine seasons and has also appeared frequently at the New York City Opera. Her career was recently profiled in the June 2010 issue of "Opera News". She currently teaches on the voice faculty of the University of Kansas.
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Regina Resnik Regina Resnik (August 30, 1922 – August 8, 2013) was an American opera singer who had an active international career that spanned five decades. She began her career as a soprano in 1942 and soon after began a lengthy and fruitful relationship with the Metropolitan Opera that spanned from 1944 until 1983. Under the advice of conductor Clemens Krauss, she began retraining her voice in the mezzo-soprano repertoire in 1953 and by 1956 had completely removed soprano literature from her performance repertoire.
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Gundula Janowitz Gundula Janowitz (born August 2, 1937) is an Austrian lyric soprano singer of operas, oratorios, lieder, and concerts. She is one of the most renowned opera singers of the 20th century and was pre-eminent in the 1960s and 1970s.
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Muriel Costa-Greenspon Muriel Costa-Greenspon (December 1, 1937 in Detroit, Michigan – December 26, 2005 in New York City) was an American mezzo-soprano who had a lengthy career at the New York City Opera between 1963-1993. She portrayed a gallery of character roles that extended from twentieth-century works by Leonard Bernstein, Benjamin Britten, Carlisle Floyd, Lee Hoiby, Arthur Honegger, Gian Carlo Menotti, and Douglas Moore, to the contralto heroines of Gilbert and Sullivan, and comic scene-stealers by Puccini, Mozart, and Donizetti.
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Mary Mackenzie (mezzo-soprano) Mary MacKenzie is an American classical mezzo-soprano and voice teacher. She earned both bachelor and master of music degrees from the Juilliard School. In 1955, she won the Walter W. Naumburg Foundation competition, and in 1960, she won the Metropolitan Opera National Council Auditions. She was also twice awarded the Martha Baird Rockefeller Fund grant and was a recipient of the Sullivan Award. Her performance credits include appearances with The Bach Choir of Bethlehem, the Dallas Opera, the Lyric Opera of Chicago, the Metropolitan Opera, the NBC Opera Theatre, the New Orleans Opera, the San Diego Opera, and the Santa Fe Opera among others. She was formerly the head of the vocal pedagogy department at San Diego State University where she taught for more than 20 years. She currently teaches private voice lessons at Point Loma Nazarene University and is the administrative vice-President of the Board of the National Association of Teachers of Singing (NATS). She previously served as the Vice-President of NATS for five years.