The Alliance Theatre staged its first production, a semi-opera with how many acts, at the Alliance in 1968?
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Alliance Theatre The Alliance Theatre is a theater company in Atlanta, Georgia, based at the Alliance Theatre, part of the Robert W. Woodruff Arts Center, and is the winner of the 2007 Regional Theatre Tony Award. The company, originally the Atlanta Municipal Theatre, staged its first production ("King Arthur") at the Alliance in 1968. The following year the company became the Alliance Theatre Company.
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King Arthur (opera) King Arthur, or The British Worthy (Z. 628), is a semi-opera in five acts with music by Henry Purcell and a
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The Carp (opera) The Carp is a one-act comic opera (styled "a whimsicality") with a libretto by Frank Desprez and music by Alfred Cellier. It was first produced at the Savoy Theatre from 13 February 1886 to 19 January 1887, as a companion piece to "The Mikado". It was then revived as companion to "Ruddigore" from 21 February 1887 to 5 November 1887. The piece also toured throughout 1888.
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South London Theatre The South London Theatre is a Community theatre in West Norwood in the London Borough of Lambeth, England. The first play opened in October 1967, and it is now a busy theatrical venue, presenting more than 22 shows annually in two auditoria: the 100-seater proscenium arch "Bell Theatre" and a smaller "black box theatre" called "Prompt Corner", it also has a private basement bar open 363 nights a year which is host to regular social events.
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Les deux petits savoyards Les deux petits savoyards ("The Two Little Savoyards") is a comic opera in one act by the French composer Nicolas Dalayrac. It was first performed by the Comédie-Italienne at the first Salle Favart in Paris on January 14, 1789. The libretto is by Benoît-Joseph Marsollier des Vivetières. The opera was a great success; according to the records of the Comédie-Italienne, 104,000 spectators had seen it by 1793. The theme of reconciliation between the social classes appealed to audiences at the beginning of the French Revolution. "Les deux petits savoyards" received its British premiere at Sadler's Wells in June, 1789 and it first appeared in the United States in Philadelphia in 1797.
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L'ambassadrice L'ambassadrice is an opera or opéra comique in 3 acts by composer Daniel Auber. The work's French language libretto was written by Eugène Scribe and Jules-Henri Vernoy de Saint-Georges. The opera's world premiere was staged by the Opéra-Comique at the Théâtre des Nouveautés in Paris on 21 December 1836. It was revived in Paris on 4 January 2013 by the opera company Les Frivolités Parisiennes at the initiative of two research fellows who specialized in nineteenth-century historically informed performance, Pierre Girod (vocal coach) and Charlotte Loriot (stage director).
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The Dream (ballet) The Dream is a one-act ballet adapted from Shakespeare's "A Midsummer Night's Dream", with choreography by Frederick Ashton to music by Mendelssohn arranged by John Lanchbery. It was premiered by The Royal Ballet at the Royal Opera House, Covent Garden on 2 April 1964 in a triple bill with Kenneth MacMillan's "Images of Love" and Robert Helpmann's "Hamlet".
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Loreley (opera) Loreley is an opera ("azione romantica") in three acts composed by Alfredo Catalani to a libretto by Angelo Zanardini, Carlo D'Ormeville and others. It premiered on 16 February 1890 at the Teatro Regio in Turin. Based on the German legend of the Lorelei, the opera is an extensive reworking of Catalani's four-act opera "Elda" which had premiered in Turin ten years earlier.
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Teatro Regio Ducal The Teatro Regio Ducal (Italian, "Royal Ducal Theatre") was the opera house in Milan from 26 December 1717 until 25 February 1776, when it was burned down following a carnival gala. Many famous composers and their operas are associated with it, including the premieres of Mozart's "Ascanio in Alba", "Mitridate, re di Ponto", and "Lucio Silla". The opera house also saw the premiere of Maria Teresa Agnesi Pinottini's "Ciro in Armenia" in 1753; one of the earliest successfully received operas by a female composer. Variant forms such as "Regio-Ducal Teatro" and "Teatro Regio Ducale" are also seen.
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Canente (Collasse) Canente (English: "Canens") is an opera by the French composer Pascal Collasse, first performed at the Académie Royale de Musique (the Paris Opéra) on 4 November 1700. It takes the form of a "tragédie lyrique" in a prologue and five acts. The libretto is by Antoine Houdar de la Motte. A new setting by the composer Antoine Dauvergne appeared in 1760.
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Repertory theatre A repertory theatre (also called repertory, rep or stock) can be a Western theatre or opera production in which a resident company presents works from a specified repertoire, usually in alternation or rotation. In the British system, however, it used to be that even quite small towns would support a rep and the resident company would present a different play every week, either a revival from the full range of classics or, if given the chance, a new play, once the rights had been released after a West End or Broadway run. However the companies were not known for trying out untried new work. The methods, now seldom seen, would be also used in the United States, Canada, and Australia.
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The Antient Concert The Antient Concert is a sixty-minute-long English language opera in one act by Daron Hagen with a libretto by Paul Muldoon. Hagen describes it as a "dramatic recital for four singers."
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Il Bellerofonte Il Bellerofonte is an 18th-century Italian opera in three acts by the Czech composer Josef Mysliveček. It conforms to the serious type (opera seria) that was typically set in the distant past. The libretto, based on the Greek legend of Bellerophon, was written by Giuseppe Bonecchi. The work was dedicated to King Ferdinand I of the Two Sicilies and was first performed at the Teatro San Carlo in Naples on 20 January 1767, the birthday of his father, King Charles III of Spain. The cast featured two stellar singers of the time, Caterina Gabrielli and Anton Raaff, in the leading roles. The opera was only the composer's second one, and the first that permitted him the opportunity to write music for first-rate vocal artists. The production was highly successful, indeed responsible for a meteoric rise in his reputation as an operatic composer. From the time of the premiere of "Bellerofonte" until his death in 1781, Mysliveček succeeded in having more new "opere serie" brought into production than any other composer in Europe. During the same time span, he also had more new operas staged at the Teatro San Carlo in Naples than any other composer.
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Manon Manon (] ) is an "opéra comique" in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel "L’histoire du chevalier des Grieux et de Manon Lescaut" by the Abbé Prévost. It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (Act I), Auguste-Alfred Rubé and Philippe Chaperon (Acts II and III), and Jean-Baptiste Lavastre (Act IV).
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The Yeomen of the Guard The Yeomen of the Guard; or, The Merryman and His Maid, is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 3 October 1888, and ran for 423 performances. This was the eleventh collaboration of fourteen between Gilbert and Sullivan.
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Jubilee (opera) Jubilee is an opera in three acts composed by Ulysses Kay to a libretto by Donald Dorr. The opera is based on the narrative in Margaret Walker's 1966 novel "Jubilee" which described her biracial grandmother's experiences as a slave and then as a free woman during the Reconstruction Era. It was first performed on 20 November 1976 in Jackson, Mississippi by Opera South who had commissioned the work for the U.S. Bicentennial. The premiere performance was conducted by James DePreist with Hilda Harris as Vyry, the opera's protagonist. "Jubilee" was revived by Opera South in 1977 and then disappeared after Margaret Walker threatened to sue if there were any further performances.
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Linda di Chamounix Linda di Chamounix is an operatic "melodramma semiserio" in three acts by Gaetano Donizetti. The Italian libretto was written by Gaetano Rossi. It premiered in Vienna, at the Kärntnertortheater, on 19 May 1842.
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Céphale et Procris (Grétry) Céphale et Procris ("Cephalus and Procris") is an opera by André Grétry with a French-language libretto by Jean-François Marmontel based on the Classical myth of Cephalus and Procris as told in Book Seven of Ovid's "Metamorphoses". It takes the form of a "ballet héroïque" in three acts. It was first performed at the Palace of Versailles on 30 December 1773.
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Berliner Ensemble The Berliner Ensemble (] ) is a German theatre company established by playwright Bertolt Brecht and his wife, Helene Weigel in January 1949 in East Berlin. In the time after Brecht's exile, the company first worked at Wolfgang Langhoff's Deutsches Theater and in 1954 moved to the Theater am Schiffbauerdamm, built in 1892, that was open for the 1928 premiere of "The Threepenny Opera" ("Die Dreigroschenoper").
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Palm Beach Opera Palm Beach Opera, a professional opera company in West Palm Beach, Florida performs at the Kravis Center for the Performing Arts as well as other locations throughout South Florida, was founded in 1961 as "Civic Opera of the Palm Beaches." Over its history, the company has presented a season of fully staged operas ranging from a single production in early years to four beginning in the mid-1990s.
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Teatro Stabile di Catania The Teatro Stabile di Catania (Permanent theatre of Catania) is a theatrical institution based in Catania, Sicily, Italy which was formed in 1958. It has three theatres, the Teatro Giovanni Verga, the Teatro Angelo Musco and the Ambassadors Theatre. Annually, the program offers a choice of many shows, partly self-produced. It is the first permanent theatre in the South of Italy.
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Oronthée Oronthée (or "Orontée") is a French-language opera by the composer Paolo Lorenzani, first performed by the singers and musicians of the Académie Royale de Musique (the Paris Opera) at Chantilly on 23 August 1688 as part of the celebrations the Prince of Condé gave for the Dauphin. It takes the form of a "tragédie en musique" in a prologue and five acts. Almost all of the score is lost.