Which opera was performed first La Cenerentola or Betrothal in a Monastery ?
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Betrothal in a Monastery Prokofiev began the work in 1940, and it was in rehearsal that year, but World War II halted production of the opera. The composer revised the score in Almaty in 1943. The first performance did not occur until 3 November 1946 at the Kirov Theatre with Boris Khaikin conducting. The producer was I. Shlepianov.
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La Cenerentola La Cenerentola, ossia La bontà in trionfo (Cinderella, or Goodness Triumphant) is an operatic "dramma giocoso" in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the fairy tale "Cendrillon" by Charles Perrault. The opera was first performed in Rome's Teatro Valle on 25 January 1817.
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William Tell discography This is a partial discography of William Tell (French: "Guillaume Tell"), an opera with music by Gioachino Rossini and a French libretto by Etienne de Jouy and Hippolyte Bis. The work was first performed on 3 August 1829 by the Paris Opera at the Salle Le Peletier. It was first performed in Italian as "Guglielmo Tell" in Germany on 28–29 January 1831 in Dresden and in Italy on 17 September 1831 in Lucca (translated by Calisto Bassi).
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Diane et Endymion Diane et Endymion ("Diana and Endymion") is a French-language opera by the composer Niccolò Piccinni, first performed at the Académie Royale de Musique, Paris (the Paris Opera) on 7 September 1784. It takes the form of an "opéra" in three acts. The libretto, by Jean-François Espic Chevalier de Liroux, is based on the story of the goddess Diana's love for the shepherd Endymion.
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Demofonte Demofonte (also "Demofoonte"; "Il Demofoonte"; "Demofoonte, ré di Tracia" [King of Thrace]; "Démophon"; "Demophontes"; or "Dirce, L'usurpatore innocente" ["Dirce, The Innocent Usurper") is an opera seria libretto by Metastasio. The libretto was first set by Antonio Caldara in 1733, but remained popular throughout the eighteenth century and was set over seventy times.
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La Terre Promise La Terre Promise is an oratorio in three parts by Jules Massenet to a French libretto by the composer based on the French translation of the Vulgate by Silvestre de Sacy. It was first performed at L'église Saint-Eustache in Paris on March 15, 1900, with Jean Noté, baritone, Lydia Nervil, soprano, and the orchestra and chorus totaling 400, directed by a former pupil of Massenet, Eugène d'Harcourt. The work was preceded at its first performance by the French premiere of "Das Liebesmahl der Apostel" (given as "La dernière Cène des Apôtres").
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La Cercha La Cercha is a liturgical drama that takes the Holy Friday, in Collesano, province of Palermo (Sicily). It was staged for the first time 1667.
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Jason (opera) Jason, ou La toison d'or ("Jason, or The Golden Fleece") is an opera by the French composer Pascal Collasse, first performed at the Académie Royale de Musique (the Paris Opéra) on 15 January 1696. It takes the form of a "tragédie lyrique" in a prologue and five acts. The libretto, by Jean-Baptiste Rousseau, is based on the legend of Jason in the epic poem "Argonautica" by Apollonius of Rhodes.
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Oronthée Oronthée (or "Orontée") is a French-language opera by the composer Paolo Lorenzani, first performed by the singers and musicians of the Académie Royale de Musique (the Paris Opera) at Chantilly on 23 August 1688 as part of the celebrations the Prince of Condé gave for the Dauphin. It takes the form of a "tragédie en musique" in a prologue and five acts. Almost all of the score is lost.
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Teatro Regio Ducal The Teatro Regio Ducal (Italian, "Royal Ducal Theatre") was the opera house in Milan from 26 December 1717 until 25 February 1776, when it was burned down following a carnival gala. Many famous composers and their operas are associated with it, including the premieres of Mozart's "Ascanio in Alba", "Mitridate, re di Ponto", and "Lucio Silla". The opera house also saw the premiere of Maria Teresa Agnesi Pinottini's "Ciro in Armenia" in 1753; one of the earliest successfully received operas by a female composer. Variant forms such as "Regio-Ducal Teatro" and "Teatro Regio Ducale" are also seen.
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Don Quichotte Don Quichotte ("Don Quixote") is an opera in five acts by Jules Massenet to a French libretto by Henri Caïn. It was first performed on 19 February 1910 at the Opéra de Monte-Carlo.
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Les Abencérages Les Abencérages, ou L'étendard de Grenade (English: "The Abencerrages, or The Standard of Granada") is an opera in three acts by Luigi Cherubini with a French libretto by Etienne de Jouy, based on the novel "Gonzalve de Cordoue" by Jean-Pierre Claris de Florian. It was first performed on 6 April 1813 by the Académie Impériale de Musique (Paris Opera) at the Salle Montansier, with Napoleon and his wife, the Empress Marie-Louise, in the audience. The opera was initially a success but its popularity waned after the fall of Napoleon.
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Rinaldo (opera) Rinaldo (HWV 7) is an opera by George Frideric Handel, composed in 1711, and was the first Italian language opera written specifically for the London stage. The libretto was prepared by Giacomo Rossi from a scenario provided by Aaron Hill, and the work was first performed at the Queen's Theatre in London's Haymarket on 24 February 1711. The story of love, war and redemption, set at the time of the First Crusade, is loosely based on Torquato Tasso's epic poem "Gerusalemme liberata" ("Jerusalem Delivered"), and its staging involved many original and vivid effects. It was a great success with the public, despite negative reactions from literary critics hostile to the contemporary trend towards Italian entertainment in English theatres.
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Pimmalione Pimmalione ("Pygmalion") is an opera in one act by Luigi Cherubini, first performed at the Théâtre des Tuileries, Paris on 30 November 1809. The libretto is an adaptation by Stefano Vestris of Antonio Simone Sografi's Italian translation of the text Jean-Jacques Rousseau wrote for his "scène lyrique" "Pygmalion" (1770). It is based on the Classical legend of the sculptor Pygmalion.
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Le chalet Le chalet is an opéra comique in one act by Adolphe Adam to a French libretto by Eugène Scribe and Mélesville after the singspiel "Jery und Bätely " by Goethe. The score re-uses material from Adam's Prix de Rome cantata "Ariane a Naxos" (1825). The text for the singspiel had previously been set to music by Peter Winter, 1790, Johann Friedrich Reichardt, 1801, and Conradin Kreutzer, 1810, and later by Donizetti, 1836, Julius Rietz, 1841, Heinrich Stihl, 1867, and Ingeborg Bronsart, 1873.
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L'arlesiana L'arlesiana is an opera in three acts by Francesco Cilea to an Italian libretto by Leopoldo Marenco. It was originally written in four acts, and was first performed on 27 November 1897 at the Teatro Lirico di Milano in Milan. It was revised as a three-act opera in 1898, and a prelude was added in 1937.
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L'arbre enchanté L’arbre enchanté, ou Le tuteur dupé ("The Magic Tree, or, the Tutor Duped"), Wq 42, is a one-act opéra comique by Christoph Willibald Gluck to a libretto based on the 1752 opéra-comique "Le poirier" ("The Peartree") with a text by Jean-Joseph Vadé. Vadé's libretto was based on a tale from Boccaccio's "Decameron", as retold by Jean de La Fontaine. Gluck's opera was written for the nameday of Emperor Francis Stephan, premiering at the Schönbrunn palace in Vienna on the evening of October 3, 1759, anniversary of the death of Saint Francis of Assisi.
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Cenerentola Cenerentola is a 2011 two-part Italian television drama directed by Christian Duguay and produced by "Lux Vide". According to the plot, its title is the Italian name for Cinderella.
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Astrée (Collasse) Astrée is an opera by the French composer Pascal Collasse, first performed at the Académie Royale de Musique (the Paris Opéra) on 25 November 1691. It takes the form of a "tragédie lyrique" in three acts. The libretto, by Jean de La Fontaine, is based on the romance "Astrée" by Honoré d'Urfé. The opera was a failure.
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Oristeo The opera is notable for containing one of the first examples of a da capo aria, "Udite amanti", sung by Corinta.
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Il rapimento di Cefalo Il rapimento di Cefalo ("The Abduction of Cephalus") was one of the first Italian operas. Most of the music was written by Giulio Caccini but Stefano Venturi del Nibbio, Luca Bati and Piero Strozzi also contributed. The libretto, by Gabriello Chiabrera, is in a prologue, five scenes and an epilogue and is based on the Classical myth of Cephalus and Aurora.
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L'Ipermestra L'Ipermestra is an 18th-century Italian opera in 3 acts by the Czech composer Josef Mysliveček composed to a libretto by the Italian poet Metastasio first produced in 1744. This opera (and all the rest of Mysliveček's operas) belong to the serious type in Italian language referred to as "opera seria".