Which visual art movement involved the director of experimental films starring John Cale?
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John Cale filmography John Cale is a Welsh musician, composer and record producer. Although his main field is music (he composed original musical score for many films), he starred in several films as an actor. It began in the sixties in various experimental films (mostly by Andy Warhol, but also by other directors). In 1987, he received lessons from an actor F. Murray Abraham and subsequently played the role of a character named Hubbley in the short film "The Houseguest". He later starred in several other films and television series. As a composer, he composes mainly for French drama films. He also participated in a variety of documentary films and television programs. As a director he made one experimental film called "Police Car".
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Andy Warhol Andy Warhol ( ; born Andrew Warhola; August 6, 1928 – February 22, 1987) was an American artist, director and producer who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, celebrity culture, and advertising that flourished by the 1960s, and span a variety of media, including painting, silkscreening, photography, film, and sculpture. Some of his best known works include the silkscreen paintings "Campbell's Soup Cans" (1962) and "Marilyn Diptych" (1962), the experimental film "Chelsea Girls" (1966), and the multimedia events known as the "Exploding Plastic Inevitable" (1966–67).
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List of avant-garde films before 1930 A list of avant-garde and experimental films made before 1930. Though some had dedicated music scores written for them, or were synchronized to records, nearly all of these films were silent. Several of them involve color, through tinting, hand-painting or even photographic color.
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George Kuchar George Kuchar (August 31, 1942 – September 6, 2011) was an American underground film director and video artist, known for his "low-fi" aesthetic.
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Poetic realism Poetic realism was a film movement in France of the 1930s. More a tendency than a movement, poetic realism is not strongly unified like Soviet Montage or French Impressionism but were individuals who created this lyrical style. Its leading filmmakers were Pierre Chenal, Jean Vigo, Julien Duvivier, Marcel Carné, and, perhaps the movement's most significant director, Jean Renoir. Renoir made a wide variety of films some influenced by the leftist Popular Front group and even a lyrical short feature film. Frequent stars of these films were Jean Gabin, Michel Simon, Simone Signoret, and Michèle Morgan.
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Carter (artist) John Carter is an American artist and film director based in New York City, using the professional name Carter for his artworks. He was born in 1970 in Norwich, Connecticut
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Eden Cale Eden Myfanwy Cale (born July 14, 1985) is an American actress and filmmaker. She is the daughter of Risé Irushalmi Cale and Velvet Underground founding member John Cale.
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Jean-Luc Godard Jean-Luc Godard (] ; born 3 December 1930) is a French-Swiss film director, screenwriter and film critic. He is often identified with the 1960s French film movement "La Nouvelle Vague", or French New Wave.
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Normal Love Normal Love is a 1963 experimental film by filmmaker Jack Smith.
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Absolute film Absolute film is a film movement begun by a group of visionary artists in Germany in the 1920s: Hans Richter, Walter Ruttmann, Oskar Fischinger and the Swede Viking Eggeling.
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Images Festival The Images Festival is a yearly event devoted to independent and experimental film, video art, new media and media installation that takes place each spring in Toronto.
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Víctor Jara Víctor Lidio Jara Martínez (] ; 28 September 1932 – 16 September 1973) was a Chilean teacher, theater director, poet, singer-songwriter, and political activist. He developed Chilean theater by directing a broad array of works, ranging from locally produced plays to world classics, as well as the experimental work of playwrights such as Ann Jellicoe. He also played a pivotal role among neo-folkloric musicians who established the "Nueva Canción Chilena" (New Chilean Song) movement. This led to an uprising of new sounds in popular music during the administration of President Salvador Allende.
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Caribbean Sunset Caribbean Sunset is the ninth studio album by Welsh musician John Cale, released in 1984 by record label ZE.
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Aestheticism Aestheticism (also the Aesthetic Movement) is an intellectual and art movement supporting the emphasis of aesthetic values more than social-political themes for literature, fine art, music and other arts. This meant that Art from this particular movement focused more on being beautiful rather than having a deeper meaning - 'Art for Art's sake'. It was particularly prominent in Europe during the 19th century, supported by notable figures such as Oscar Wilde, but contemporary critics are also associated with the movement, such as Harold Bloom, who has recently argued against projecting social and political ideology onto literary works, which he believes has been a growing problem in humanities departments over the last century.
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Philip Goring Philip Kenneth Alfred Goring (born 1966) is an English film director, known for his pioneering subversive, experimental and controversial style. He has attracted criticism for being obsessed with sexuality and the church. His narrative films in the main are adaptations of existing texts and biographies, although, the majority of his video and film works are what would be considered Avant-garde or experimental.
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San Francisco Cinematheque San Francisco Cinematheque is a film society founded in 1961 by a group of filmmakers, including Bruce Baillie and Chick Strand. Working with other groups like Canyon Cinema, the San Francisco Cinematheque has shown experimental film and video in cooperation with venues such as San Francisco Art Institute, New College of California, Frameline, The Roxie, Yerba Buena Center for the Arts, and San Francisco Museum of Modern Art.
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Raymond Cauchetier Raymond Cauchetier (born January 10, 1920) is a French photographer, known for his work as the set photographer from 1959 to 1968 on many of the seminal films of the French New Wave. His photographs are an important record of the New Wave directors at the beginning of their careers, and of their unconventional and groundbreaking production methods. A 2009 profile of Cauchetier in "Aperture" magazine declared that his photographs "are themselves central works of the New Wave."
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Jules Engel Jules Engel (March 11, 1909 – September 6, 2003) was an American filmmaker, painter, sculptor, graphic artist, set designer, animator, film director, and teacher. He is the founding director of the Experimental Animation Program at the California Institute of the Arts, where he taught until his death, serving as mentor to several generations of animators.
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Post-surrealism Post-surrealism is a movement that arose in Southern California in 1934 when Helen Lundeberg and Lorser Feitelson wrote a manifesto explaining their desire to use art to convey the relationship between the perceptual and the conceptual.
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John Knecht John Knecht (born 1947) is an American filmmaker. He has been active in making experimental and avant-garde film and video since the 1970s. Most of his better-known work is animated, including "The Possible Fog of Heaven" and "The Poxiox Series".
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Dada Dada ( ) or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centers in Zürich, Switzerland at the Cabaret Voltaire (circa 1916); New York Dada began circa 1915, and after 1920 Dada flourished in Paris. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up writing, and sculpture. Dadaist artists expressed their discontent with violence, war, and nationalism, and maintained political affinities with the radical left.
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Soviet Parallel Cinema Soviet Parallel Cinema, often referred to simply as Parallel Cinema, was an underground film movement in the Soviet Union in the 1980s. The films made as part of the movement were noted for embracing amateur aesthetics and for "deliberately [refusing] to conform to professional standards."