Which style of opera that predominated Europe from the 1710s to 1770 was one of the genres Giuseppe Scarlatti composed in?
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Giuseppe Scarlatti Giuseppe Scarlatti (1718 or 18 June 1723, Naples – 17 August 1777, Vienna) was a composer of "opere serie" and "opere buffe". He worked in Rome from 1739 to 1741, and from 1752 to 1754 in Florence, Pisa, Lucca and Turin. From 1752 to 1754, and again from 1756 to 1759, he worked in Venice and for short periods in Milan and Barcelona. In 1760 he moved to Vienna, where he enjoyed the friendship of Christoph Willibald Gluck. "The third most important musician of his clan", it is still uncertain whether he was the nephew of Alessandro born 18 June 1723 or the nephew of Domenico born in 1718. Giuseppe Scarlatti was married to the Viennese singer Barbara Stabili who died about 1753. By 1767 he had married Antonia Lefebvre, who that year bore him a son; she died three years later. Scarlatti died intestate in 1777 in Vienna.
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Opera seria Opera seria (] ; plural: "opere serie"; usually called "dramma per musica" or "melodramma serio") is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to c. 1770. The term itself was rarely used at the time and only attained common usage once "opera seria" was becoming unfashionable and beginning to be viewed as a historical genre. The popular rival to "opera seria" was "opera buffa," the 'comic' opera that took its cue from the improvisatory commedia dell'arte.
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Francesco Carattoli Francesco Carattoli (1704 or 1705 – March 1772) was an Italian bass "buffo", or singer of opera buffa.
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Giovanni Valentini (classical era composer) Giovanni Valentini (ca. 1750 – 1804) was an Italian classical era composer, poet and painter. He is best remembered for his innovative instrumental music. Among his many works are two operas, "La statua matematica" and "Le nozze in contrasto", the latter of which premiered at the Teatro San Moisè, Venice, in November 1774.
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La finta semplice La finta semplice ("The Fake Innocent"), K. 51 (46a) is an opera buffa in three acts for seven voices and orchestra, composed in 1768 by then 12-year-old Wolfgang Amadeus Mozart. Young Mozart and his father Leopold were spending the year in Vienna, where Leopold was trying to establish his son as an opera composer. He was acting on a suggested request from the Emperor Joseph II that the young boy should write an opera.
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Il Parnaso confuso Il Parnaso confuso ("Parnassus in Turmoil") is an opera by the composer Christoph Willibald Gluck. It takes the form of an "azione teatrale" in one act. The Italian-language libretto is by Pietro Metastasio. The opera premiered on 24 January 1765 at Schönbrunn Palace in Vienna. All the members of the cast were archduchesses of the Habsburg family and the work was conducted by the future Emperor Leopold II from the harpsichord.
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Melodramma Melodramma (plural: "melodrammi") is a 17th-century Italian term for a text to be set as an opera, or the opera itself. In the 19th-century, it was used in a much narrower sense by English writers to discuss developments in the early Italian libretto, e.g., "Rigoletto" and "Un ballo in maschera". Characteristic are the influence of French bourgeois drama, female instead of male protagonists, and the practice of opening the action with a chorus.
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Music of Italy The music of Italy ranges across a broad spectrum of opera and instrumental classical music and a body of popular music drawn from both native and imported sources. Music has traditionally been one of the cultural markers of Italian national and ethnic identity and holds an important position in society and in politics. Italian innovation in musical scales, harmony, notation, and theatre enabled the development of opera in the late 16th century, and much of modern European classical music, such as the symphony and concerto.
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L'Olimpiade (Pergolesi) L'Olimpiade is an opera in the form of a dramma per musica in three acts by the Italian composer Giovanni Battista Pergolesi. Pergolesi took the text, with a few modifications, from the libretto of the same name by Pietro Metastasio. The opera first appeared during the Carnival season of 1735 at the in Rome and "came to be probably the most admired" of the more than 50 musical settings of Metastasio’s drama.
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Alessandro (opera) Alessandro (HWV 21), is an opera composed by George Frideric Handel in 1726 for the Royal Academy of Music. Paolo Rolli's libretto is based on the story of Ortensio Mauro's "La superbia d'Alessandro". This was the first time the famous singers Faustina Bordoni and Francesca Cuzzoni appeared together in one of Handel's operas. The original cast also included Francesco Bernardi who was known as Senesino.
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List of opera topics Opera is an art form in which singers and musicians perform a dramatic work (called an opera) which combines a text (called a libretto) and a musical score. Opera is part of the Western classical music tradition. While the scale of opera can be larger or smaller—there are many different genres of opera—performance typically involves different types of artist (singers, instrumentalists and often dancers and actors) and technical staff. Usually an orchestra led by a conductor accompanies the singers. In contrast to spoken theatre, the opera world is international. German, French, Italian and English works are performed worldwide in their original languages, and artists travel from country to country performing.
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Musique mesurée Musique mesurée à l'antique (] ) was a style of vocal musical composition in France in the late 16th century. In "musique mesurée", longer syllables in the French language were set to longer note values, and shorter syllables to shorter, in a homophonic texture but in a situation of metric fluidity, in an attempt to imitate contemporary understanding of Ancient Greek music. Although this compositional method did not attain popularity at first, it attracted some of the most famous composers of the time. Its basis in a desire to re-create the artistic ethos of Ancient Greece, especially in respect to text declamation, had a strong similarity to contemporary movements in Italy, such as the work of the Florentine Camerata which engendered the first operas, and brought about the beginning of the Baroque era in music.
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Alessandro Severo Alessandro Severo (Alexander Severus, HWV A13) is an opera by George Frideric Handel composed in 1738. It is one of Handel's three pasticcio works, made up of the music and arias of his previous operas "Giustino", "Berenice" and "Arminio". Only the overture and recitatives (as well as the words) were new. The impresario Johann Jacob Heidegger probably selected the 1717 libretto by Apostolo Zeno, originally written for Antonio Lotti and re-used by many composers thereafter.
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Vénus et Adonis Vénus et Adonis is an opera ("tragédie en musique") in a prologue and 5 acts composed by Henri Desmarets to a libretto by Jean-Baptiste Rousseau. Based on the story of Venus and Adonis in Book X of Ovid's "Metamorphoses", it was first performed by the Académie Royale de Musique at the Théâtre du Palais-Royal in Paris on 28 July 1697 with Marie Le Rochois and Louis Gaulard Dumesny in the title roles. Desmarets staged a major revival of the work with a new prologue at the court of Leopold, Duke of Lorraine in 1707. During the composer's lifetime, it was performed in Germany, Belgium, and France, but then fell into obscurity. Its first staging in modern times took place at the Opéra de Nancy on 28 April 2006.
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Genoveva Genoveva, Op. 81, is an opera in four acts by Robert Schumann in the genre of German Romanticism with a libretto by Robert Reinick and the composer. The only opera Schumann ever wrote, it received its first performance on 25 June 1850 at the Stadttheater in Leipzig, with the composer conducting. It received only three performances during the premiere, and the negative criticism it received in the press played a decisive role in Schumann's decision to not write a second opera.
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Giuseppe Farinelli Giuseppe Farinelli (7 May 1769 – 12 December 1836) was an Italian composer active at the end of the 18th century and the beginning of the 19th century who excelled in writing opera buffas. Considered the successor and most successful imitator of Domenico Cimarosa, the greatest of his roughly 60 operas include "I riti d'Efeso" (1803, Venice), "La contadina bizzarra" (1810, Milan) and "Ginevra degli Almieri" (1812, Venice). More than 2/3 of his operas were produced between 1800-1810 at the height of his popularity. With the arrival of Gioachino Rossini his operas became less desirable with the public, and by 1817 his operas were no longer performed. His other compositions include 3 piano forte sonatas, 3 oratorios, 11 cantatas, 5 masses, 2 Te Deums, a Stabat mater, a Salve regina, a Tantum ergo, numerous motets, and several other sacred works.
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Johann Ernst Eberlin Johann Ernst Eberlin (27 March 1702 – 19 June 1762) was a German composer and organist whose works bridge the baroque and classical eras. He was a prolific composer, chiefly of church organ and choral music. Marpurg claims he wrote as much and as rapidly as Alessandro Scarlatti and Georg Philipp Telemann, a claim also repeated by Leopold Mozart - though ultimately Eberlin did not live nearly as long as either of those two composers.
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Semiramide Semiramide (] ) is an opera in two acts by Gioachino Rossini.
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Il Bellerofonte Il Bellerofonte is an 18th-century Italian opera in three acts by the Czech composer Josef Mysliveček. It conforms to the serious type (opera seria) that was typically set in the distant past. The libretto, based on the Greek legend of Bellerophon, was written by Giuseppe Bonecchi. The work was dedicated to King Ferdinand I of the Two Sicilies and was first performed at the Teatro San Carlo in Naples on 20 January 1767, the birthday of his father, King Charles III of Spain. The cast featured two stellar singers of the time, Caterina Gabrielli and Anton Raaff, in the leading roles. The opera was only the composer's second one, and the first that permitted him the opportunity to write music for first-rate vocal artists. The production was highly successful, indeed responsible for a meteoric rise in his reputation as an operatic composer. From the time of the premiere of "Bellerofonte" until his death in 1781, Mysliveček succeeded in having more new "opere serie" brought into production than any other composer in Europe. During the same time span, he also had more new operas staged at the Teatro San Carlo in Naples than any other composer.
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Il turco in Italia Il turco in Italia (The Turk in Italy) is an opera in two acts by Gioachino Rossini. The Italian-language libretto was written by Felice Romani. It was a re-working of a libretto by Caterino Mazzolà set as an opera (with the same title) by the German composer in 1788.
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Cambise (opera) Il Cambise is an opera by Alessandro Scarlatti to a libretto by Domenico Lalli presented at the Teatro San Bartolomeo for carnival 1719 in Naples. It was the composer's 111th opera and his last for Naples.
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Giovanni Battista Lampugnani Giovanni Battista Lampugnani (c. 1708 – 2 June 1786) was an Italian composer, born in Milan. He studied in Naples where he made his debut as a composer of opera in 1732. In 1743 he went to London to take over the Opera from Baldassare Galuppi at the King's Theatre, but he soon returned to Milan. Lampugnani later became the "maestro al cembalo" (meaning "master of the harpsichord") in 1779 at the Teatro alla Scala.