Ballerina Marie Bonfanti appeared in what ballet with a mythological Arcadian setting?
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Marie Bonfanti Marie Bonfanti (1845-1921) was a 19th-century ballet dancer whose New York City première came at Niblo's Garden on Monday, September 10, 1866. She then was the prima ballerina in "The Black Crook" at the same theatre, which premièred two days later. She appeared in "Sylvia" by Léo Delibes at the Metropolitan Alcazar concert hall on July 15, 1882. In August 1901, Bonfanti performed with Rita Sangalli at the Metropolitan Opera House, during the inaugural season of ballet at the New York City venue. Her talent for expressionist dancing and her private life were covered widely from the mid-1860s until the early 20th century.
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Sylvia (ballet) Sylvia, originally Sylvia, ou La nymphe de Diane, is a full-length ballet in two or three acts, first choreographed by Louis Mérante to music by Léo Delibes in 1876. "Sylvia" is a typical classical ballet in many respects, yet it has many interesting features that make it unique. "Sylvia" is notable for its mythological Arcadian setting, creative choreographies, expansive sets and, above all, its remarkable score.
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The Nutcracker and the Mouse King "The Nutcracker and the Mouse King" (German: "Nussknacker und Mausekönig" ) is a story written in 1816 by German author E. T. A. Hoffmann, in which young Marie Stahlbaum's favorite Christmas toy, the Nutcracker, comes alive and, after defeating the evil Mouse King in battle, whisks her away to a magical kingdom populated by dolls. In 1892, the Russian composer Pyotr Ilyich Tchaikovsky and choreographers Marius Petipa and Lev Ivanov turned Alexandre Dumas père's adaptation of the story into the ballet "The Nutcracker", which became one of Tchaikovsky's most famous compositions, and perhaps the most popular ballet in the world.
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The Firebird The Firebird (French: "L'Oiseau de feu" ; Russian: Жар-птица , "Zhar-ptitsa") is a ballet by the Russian composer Igor Stravinsky, written for the 1910 Paris season of Sergei Diaghilev's Ballets Russes, with choreography by Michel Fokine. The scenario by Alexandre Benois and Fokine is based on Russian fairy tales of the magical glowing bird that can be both a blessing and a curse to its owner. Premiered in Paris on 25 June 1910, the work was an instant success with both audience and critics.
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Serenade (ballet) Serenade is a ballet by George Balanchine to Tschaikovsky's 1880 "Serenade for Strings in C", Op. 48. Students of the School of American Ballet gave the first performance on Sunday, 10 June 1934 on the Felix M. Warburg estate in White Plains, N.Y., where "Mozartiana" had been danced the previous day. This was the first ballet that Balanchine choreographed in America. It was then presented by the Producing Company of the School of American Ballet on 6 December at the Avery Memorial Theatre of the Wadsworth Atheneum with sets by the painter William Littlefield. Balanchine presented the ballet as his response to the generous sponsorships he received during his immigration to America. The official premiere took place on 1 March 1935 with the American Ballet at the Adelphi Theatre, New York, conducted by Sandor Harmati.
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Ballet Comique de la Reine The Ballet Comique de la Reine (at the time spelled "Balet comique de la Royne") was an elaborate court spectacle performed on October 15, 1581, during the reign of Henry III of France, in the large hall of the Hôtel de Bourbon, adjacent to the Louvre Palace in Paris. It is often referred to as the first "ballet de cour".
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La Fin du jour (ballet) La Fin du jour is a one-act ballet created by Kenneth MacMillan in 1979 for the Royal Ballet, London. The music is Maurice Ravel's Piano Concerto in G (1931).
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Le papillon (ballet) Le papillon (The Butterfly) is a 'fantastic ballet' in two acts (four scenes) of 1860, with choreography by Marie Taglioni and music by Jacques Offenbach to a libretto by Jules-Henri Vernoy de Saint-Georges.
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Marie Taglioni Marie Taglioni (23 April 1804 – 22 April 1884) was a ballet dancer of the Romantic ballet era, a central figure in the history of European dance. She was one of the most celebrated ballerinas of the romantic ballet, which was cultivated primarily at Her Majesty's Theatre in London, and at the Théâtre de l'Académie Royale de Musique of the Paris Opera Ballet. She is credited with (though not confirmed) being the first ballerina to truly dance en pointe.
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La Rose, la violette et le papillon La Rose, la violette et le papillon ("The Rose, the Violet, and the Butterfly") is a ballet "divertissement" in one act, with choreography by Marius Petipa, and music by Duke Peter Georgievich of Oldenburg. The libretto was by Jules Perrot.
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Bluebeard (ballet) Barbe-bleue (en. "Bluebeard") (ru. «Синяя борода», "Sinjaja boroda") is a "ballet-féerie" in three acts and seven scenes, originally choreographed by Marius Petipa to the music of Pyotr Schenk. The libretto was created by the author and dramatist Countess Lydia Pashkova from the fairy tale "Bluebeard" by Charles Perrault. The ballet was first presented by the Imperial Ballet on December 20 [O.S. December 8] 1896 at the Imperial Mariinsky Theatre in St. Petersburg, Russia, the first performance being a benefit in honor of Marius Petipa's fiftieth anniversary in service to the St. Petersburg Imperial Theatres.
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Antigone (Honegger) Antigone is an opera ("tragédie musicale") in three acts by Arthur Honegger to a French libretto by Jean Cocteau based on the tragedy "Antigone" by Sophocles. Honegger composed the opera between 1924 and 1927. It premiered on 28 December 1927 at the Théâtre Royal de la Monnaie with sets designed by Pablo Picasso and costumes by Coco Chanel.
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Carolina Rosati Carolina Rosati (1826–1905) was an Italian ballet dancer who gained fame with the Paris Opera Ballet and the Imperial Ballet in St Petersburg.
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Pas de Quatre Pas de Quatre is a "ballet divertissement" choreographed by Jules Perrot in 1845, on the suggestion of Benjamin Lumley, Director at Her Majesty's Theatre, to music composed by Cesare Pugni.
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The Dream (ballet) The Dream is a one-act ballet adapted from Shakespeare's "A Midsummer Night's Dream", with choreography by Frederick Ashton to music by Mendelssohn arranged by John Lanchbery. It was premiered by The Royal Ballet at the Royal Opera House, Covent Garden on 2 April 1964 in a triple bill with Kenneth MacMillan's "Images of Love" and Robert Helpmann's "Hamlet".
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Céphale et Procris (Grétry) Céphale et Procris ("Cephalus and Procris") is an opera by André Grétry with a French-language libretto by Jean-François Marmontel based on the Classical myth of Cephalus and Procris as told in Book Seven of Ovid's "Metamorphoses". It takes the form of a "ballet héroïque" in three acts. It was first performed at the Palace of Versailles on 30 December 1773.
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Les Sylphides Les Sylphides (] ) is a short, non-narrative "ballet blanc". Its original choreography was by Michel Fokine, with music by Frédéric Chopin orchestrated by Alexander Glazunov. Glazunov had already set some of the music in 1892 as a purely orchestral suite, under the title Chopiniana, Op. 46. In that form it was introduced to the public in December 1893, conducted by Nikolai Rimsky-Korsakov.
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Paul (dancer) Antoine Paul (21 December 1798, Marseille - November 1871, Anet) known as Paul, was a French ballet dancer. After dancing in Lyon and Bordeaux, Paul débuted at the Opéra de Paris in 1820 and quickly became one of the public's favourite premiers danseurs. Nicknamed "l'Aérien" due to his technical qualities, August Bournonville stated "Paul's superiority is his lightness, elasticity, speed, softness and precision. He knows how to combine daring and natural grace." He regularly performed in London, with partners including his sister Madame Montessu and Madame Anatole, as well as at Naples, where he was praised by Stendhal. He retired from the stage in 1831.
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Ondine (ballet) Ondine is a ballet in three acts created by the choreographer Sir Frederick Ashton and composer Hans Werner Henze. Ashton originally produced Ondine for the Royal Ballet in 1958, with Henze commissioned to produce the original score, published as "Undine", which has since been restaged by other choreographers. The ballet was adapted from a novella called "Undine" by Friedrich de la Motte Fouqué and it tells the tale of a water nymph who is the object of desire of a young prince named Palemon. The première of the ballet took place at the Royal Opera House, London, on 27 October 1958, with the composer as guest conductor. The first major revival of this Ashton/Henze production took place in 1988.
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Le diable à quatre (ballet) Le Diable à quatre is a ballet in two acts and three scenes (or in three acts), with choreography by Joseph Mazilier, music by Adolphe Adam, and libretto by Adolphe de Leuven, first presented by the Ballet of the Académie Royale de Musique on 11 August 1845, with Carlotta Grisi (as Mazourka) and Lucien Petipa (as Count Polinski).
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Agon (ballet) Agon (1957) is a ballet for twelve dancers, with music by Igor Stravinsky and choreography by George Balanchine. Composition began in December 1953 but was interrupted the next year; work was resumed in 1956 and concluded on April 27, 1957; the music was first performed on June 17, 1957, in Los Angeles conducted by Robert Craft, while the first stage performance was given by the New York City Ballet on December 1, 1957, at the City Center of Music and Drama, New York . The composition's long gestation period covers an interesting juncture in Stravinsky's composing career, in which he moved from a diatonic musical language to one based on twelve-tone technique; the music of the ballet thus demonstrates a unique symbiosis of musical idioms. The ballet has no story, but consists of a series of dance movements in which various groups of dancers interact in pairs, trios, quartets, etc. A number of the movements are based on 17th-century French court dances – saraband, galliard and bransle. It was danced as part of City Ballet's 1982 Stravinsky Centennial Celebration.
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La fille du Danube La Fille du Danube ("The Daughter of the Danube") is a ballet in two acts and four scenes, choreographed by Filippo Taglioni to music by Adolphe Adam.