Morrisson Kaye also spelled as Morrisson K, formerly known as Morrisson, is an American singer, songwriter, producer and musician from the San Francisco Bay Area, his earliest official releases were underground tracks of which subgenre of house music, and originated in the 1980s, initially fusing elements of Chicago house with 1980s jazz-funk and touches of soul music?
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Morrisson Morrisson Kaye also spelled as Morrisson K. (formerly known as Morrisson) is an American singer, songwriter, producer and musician from the San Francisco Bay Area. He is the lead singer, bassist, and principle songwriter of Dawn Of Eros, an indie rock band he formed in 2011. Before then, he produced several demos in various musical genres in the late 1990s and early 2000s and his earliest official releases were underground deep, soulful house tracks for veteran DJ/Producer Julius Papp on Julius' NeoDisco label.
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Deep house Deep house is a subgenre of house music. It originated in the 1980s, initially fusing elements of Chicago house with 1980s jazz-funk and touches of soul music. Deep house tracks generally have a tempo of between 120 and 125 beats per minute (BPM).
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Electro-industrial Electro-industrial is a music genre drawing on EBM and post-industrial that developed in the mid-1980s. While EBM has a minimal structure and clean production, electro-industrial has a deep, complex and layered sound. The style was pioneered by Skinny Puppy, Front Line Assembly, and other groups, either from Canada or the Benelux. In the early 1990s, the style spawned the "dark electro" genre, and in the mid-/late-1990s, the "aggrotech" offshoot. The fan base for the style is linked to the rivethead subculture.
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Beninese hip hop Hip hop music is a genre developed in the 1970s by African Americans in New York City. It began to spread across the world in the 1980s, and became a major part of Beninese music after a 1992 concert by Senegalese-French rapper MC Solaar. At that concert, the crew H2O performed a Fon language-cover of Solaar's "Bouge de là". H2O are known for using folk styles like the Mahi tchinkounme and Yoruba music gbon.
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West Coast jazz West Coast jazz refers to styles of jazz that developed in Los Angeles and San Francisco during the 1950s. West Coast jazz is often seen as a subgenre of cool jazz, which consisted of a calmer style than bebop or hard bop. The music relied relatively more on composition and arrangement than on the individually improvised playing of other jazz styles. Although this style dominated, it wasn't the only form of jazz heard on the American West Coast.
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Hardcore punk Hardcore punk (often abbreviated to hardcore) is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time. It was also inspired by New York punk rock and early proto-punk. New York punk had a harder-edged sound than its San Francisco counterpart, featuring anti-art expressions of masculine anger, energy and subversive humor. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of mainstream rock" and often addresses social and political topics with "confrontational, politically-charged lyrics".
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Fulanito Fulanito is a Dominican-American musical group that combines traditional merengue with other styles (specifically house, hip hop, and bachata among other genres). With over 5 million albums sold throughout the world, they were at one time the top selling act in Colombia, and were placed on other charts including those of Japan, Switzerland, United States, and Chile. Their name means "Little John Doe" (i.e. unknown) in Spanish (see "Fulano" + "-ito"). Members of Fulanito were formerly with popular groups such as 740 Boyz and 2 in a Room.
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DJ S.K.T DJ S.K.T is a British underground music producer, DJ and label manager, known for his work involving garage, experimental bass, deep and soulful house.
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Soul Jazz Records Soul Jazz Records is a British record label based in London. The label started in the 1992 to draw "cross cultural connections between various music genres". These genres include reggae, soul, ska, dub, jazz, Brazilian music, and Latin music. The label expanded its range and released compilations of post-punk, electronica, Chicago house music and world music, as well as a number of artist studio albums and singles.
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Ghetto house Ghetto house, booty house or G-house is a genre of Chicago house which started being recognized as a distinct style from around 1992 onwards. It features minimal 808 and 909 drum machine-driven tracks and sometimes sexually explicit lyrics.
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DJ Marfox DJ Marfox — the stage name of Marlon Silva — is best known for pioneering a new music genre that emerged from the Portuguese capital’s housing estates, referred to as "ghetto sound of Lisbon", "batida" or "batucada", which incorporates African-influenced dance music such as kuduro, kizomba, funaná and tarraxinha with house and techno.
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Modern soul Modern soul is a style of music with associated clothing and dance styles (precursors to the Disco era), that developed in Northern England in the early 1970s.
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Post-industrial music Post-industrial music is a collection of related music genres that emerged in the early 1980s, all of which blended elements of varying styles with the then new genre of industrial music. "Industrial" had first been applied to music in the mid-1970s by the Industrial Records label artists. Since then, a number of labels and artists have come to be called "industrial". These offshoots include fusions with noise music, ambient music, folk music, industrial rock and electronic dance music, as well as other mutations and developments. The scene has spread worldwide, and is particularly well represented in North America, Europe, and Japan.
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Soulboy Soulboys (sometimes spelled soul boys) were a working class English youth subculture of the late 1970s and early 1980s, and fans of American soul and funk music. The subculture emerged in North-West England as northern soul event attendees began to take more interest in the modern funk and jazz funk sounds of artists such as Lonnie Liston Smith and Roy Ayers, instead of the obscure 1960s soul records that characterized the northern soul scene.
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Gqom Gqom /ᶢǃʱòm/ isiJokojoko is a style of house music music that emerged a decade into the 21st century from the townships of Durban and small towns in the Eastern Cape, South Africa. The style features minimalistic and dark beats produced with software such as FruityLoops, and has gained prominence in London. The word "gqom", sometimes expressed as "qgom", "igqom", "gqomu" or variants thereof, derives from an onomatopoeic combination of click consonants from the Zulu language that represents a drum.
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Terry Hunter Terry Hunter is an American house music DJ from Chicago, Illinois. He has been active in the Chicago music scene since the early 1990s. He has produced many of his own albums, as well as remixes for other artists.
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Bay Area Improv Scene The Bay Area Improv Scene is a commonly used name for a loose association of musicians and composers centered in the San Francisco Bay Area who create a style of music that evolved largely from avant-garde jazz and modern classical music, with influences from other areas such as Electronic art music, Free improvisation, and Musique concrète. Other names of this scene tend to use phrases such as "Creative Music" to try to incorporate a wider focus than just the improvisational approach.
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Tropical house Tropical house, also known as trop house, is a subgenre of deep house, with elements of dancehall and Balearic house. Artists of the genre are often featured at various summer festivals such as Tomorrowland. The genre was popularized by artists including Thomas Jack, Kygo, Matoma, Lost Frequencies, Seeb and Klingande.
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Psychedelic folk Psychedelic folk (sometimes acid folk or freak folk) is a loosely defined form of psychedelia that originated in the 1960s. It retains the largely acoustic instrumentation of folk, but adds musical influences common to psychedelic music.
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Dance-pop Dance-pop is a pop and dance subgenre that originated in the early 1980s. It is generally up-tempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of electronic dance music and pop music, with influences of disco music, post-disco, new wave, synth-pop, electropop and house, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions.
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Boomba music Boomba music, also referred to as kapuka (due to the beat pattern; not to be confused with kapuka rap), is a form of hip pop music popular in Kenya. It incorporates hip hop, reggae and African traditional musical styles. The lyrics are in Swahili, Sheng or local dialects. It is associated with the Ogopa Deejays and is believed to have originated in the late 1990s with artists such as Redsan, Bebe Cool and Chameleone. It went on to dominate East African airwaves (especially Kenya and Uganda) after the release of the Ogopa Deejays' first album in 2001, which included artists such as the late E-Sir, Nameless, Mr. Lenny, Amani, Mr. Googz and Vinnie Banton amongst others.
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List of rock genres This is a list of rock music genres consisting of subgenres of popular music that have roots in 1940s' and 1950s' rock and roll, and which developed into a distinct identity as rock music in the 1960s, particularly in the United Kingdom and the United States. By the late 1960s, a number of identifiable rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, and jazz-rock fusion, many of which contributed to the development of psychedelic rock influenced by the counter-cultural psychedelic scene. New genres that emerged from this scene included progressive rock, which extended the artistic elements; glam rock, which highlighted showmanship and visual style; and the diverse and enduring major subgenre of heavy metal, which emphasized volume, power, and speed. In the second half of the 1970s, punk rock both intensified and reacted against some of these trends to produce a raw, energetic form of music characterized by overt political and social critiques. Punk was an influence into the 1980s on the subsequent development of other subgenres, including new wave, post-punk and eventually the alternative rock movement. From the 1990s alternative rock began to dominate rock music and break through into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged as well as conscious attempts to revisit rock's history.