Rattan Mohan Sharma (born 14 June 1971) is an Indian classical vocalist, he performs folk music including Bhajan, it refers to any song with religious theme or spiritual ideas, in a regional what?
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Rattan Mohan Sharma Rattan Mohan Sharma (born 14 June 1971) is an Indian classical vocalist. He belongs to the Mewati gharana of Hindustani classical music. He performs classical music forms such as Khayal, Tarana, Dhrupad, Haveli Sangeet, Tappa and also in light classical forms and folk music including Bhajan as well as Rajasthani Folk. He is considered an "A" grade artist on All India Radio .
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Bhajan A bhajan (Hindi: भजन ) literally means "sharing". It also refers to any song with religious theme or spiritual ideas, in a regional Indian language.
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Gnawa music Gnawa music (Ar. غْناوة or كْناوة ) is a rich Moroccan repertoire of ancient African Islamic spiritual religious songs and rhythms. Its well-preserved heritage combines ritual poetry with traditional music and dancing. The music is performed at "lila", entire communal nights of celebration dedicated to prayer and healing guided by the Gnawa "maalem", or master musician, and their group of musicians and dancers. Though many of the influences that formed this music can be traced to sub-Saharan West-Africa, its traditional practice is concentrated in Morocco
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Music of Kashmir, Jammu and Ladakh Kashmiri music (Urdu: ) reflects the rich musical heritage and cultural legacy of Kashmir. Traditionally the music composed by ethnic Kashmiris has a wide range of musical influences in composition. Due to Kashmir's close proximity to Central Asia, Eastern Asia and Southern Asia, a unique blend of music has evolved encompassing the music of the three regions. But, overall, Kashmiri Valley music is closer to Central Asian music, using traditional Central Asian instruments and musical scales, while music from Jammu is similar to that of North India and Ladakhi music is similar to the music of Tibet.
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Sangita Sangita (Devanagari: संगीत , IAST: saṃgīta ), also spelled Samgita or Sangeeta, refers to "music and associated performance arts" in the Indian traditions. According to Guy Beck, the root "saṃ-" implies "combining, coming together, convergent wholesome blending, unison" in the context of musical arts. "Sangita" connotes any form of singing with music, harmonious recitation or chorus singing in particular. In some medieval era literary genre such as the Puranas and poetic texts such as "Kathasaritsagar", a related term "Sangita-shastra" and "Sangita-vidya" mean the "art, science or knowledge of singing and dancing with music". According to Alison Arnold and Bruno Nettl, the modern term music fails to capture the historic sense of "Sanskrit "sangita" and Greek "mousike"". In the Indian tradition, the term "sangita" includes melodious singing, rhythmic dancing, instrumental music, classical, provincial, ritual chanting and incidental forms of music-related performance arts.
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Varnam Varṇam is a form of song in the Carnatic music repertoire consisting of short metric pieces which encapsulate the main features and requirements of a "raga". The features and rules of the raga (also known as the "sanchaaraas" of a raga) include how each note of the raga should be stressed, the scale of the raga, and so on.
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Kedar (raga) Kedar, also known as "Kedara", is a Hindustani classical raga. Named after Lord Shiva, the raga is placed on a high pedestal in the realms of Indian classical music. It is characterised by a lot of complex turns, which are brilliantly melodious but difficult to express in words.
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Asa (raga) Raga Asa is an Indian musical raga (composition) that appears in the Sikh tradition from northern India and is part of the Sikh holy scripture the Guru Granth Sahib. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune.
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Classical Indian musical theatre Classical Indian musical theatre is a sacred art of the Hindu temple culture. It is performed in different styles.
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Hamsadhvani Hamsadhvani (meaning Sound of Swans) also spelled as "Hansadhwani", is a rāga in Carnatic music (musical scale of Carnatic tradition of Indian classical music). It is an "audava" rāgam (or "owdava" rāga, meaning pentatonic scale). It is a "janya" rāga of the Melakartha raga, Dheerasankarabharanam (29th) but according to Hamsadhvani's prayoga or the way it is sung it is said to be the janya of Kalyani (65th)
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Devotional song A devotional song is a hymn which accompanies religious observances and rituals. Traditionally devotional music has been a part of Christian music, Hindu music, Sufi music, Buddhist music, Islamic music and Jewish music
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Gamanashrama Gamanashrama (pronounced gamanāshrama) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 53rd "Melakarta" rāgam in the 72 "melakarta" rāgam system of Carnatic music. This is the Carnatic equivalent of Marva in Hindustani Classical Music.
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Music of Gujarat Gujarat, a western state of India, is known for lively it has one of the best music traditions of both folk and classical music.
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Long song The Long drawn song (Mongolian: , "Urtiin duu") is one of the central elements of the traditional music of Mongolia. This genre is called "Long song" not only because the songs are long, but also because each syllable of text is extended for a long duration. A four-minute song may only consist of ten words. Certain long songs such as Uvgin shuvuu khoyor, also known as Jargaltain delger (lit. 'Old man and the Bird') has a length of up to 3 hours if to sing in full length with complete 32 stanzas. Lyrical themes vary depending on context; they can be philosophical, religious, romantic, or celebratory, and often use horses as a symbol or theme repeated throughout the song. Eastern Mongols typically use a Morin khuur (horse-head fiddle) as accompaniment, sometimes with a type of indigenous flute, called "limbe". Oirat groups of the Western Mongols traditionally sing long songs unaccompanied or accompanied with the Igil.
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Manipuri dance Manipuri dance, also known as Jagoi, is one of the major Indian classical dance forms, named after the region of its origin – Manipur, a state in northeastern India bordering with Myanmar (Burma), Assam, Nagaland and Mizoram. It is particularly known for its Hindu Vaishnavism themes, and exquisite performances of love-inspired dance drama of Radha-Krishna called Raslila. However, the dance is also performed to themes related to Shaivism, Shaktism and regional deities such as Umang Lai during Lai Haraoba.
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Zoroastrian music Zoroastrian music is a genre of religious music that accompanies religious and traditional rites among the Zoroastrian people.
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Religion in Maharashtra Religion in Maharashtra is characterized by a diversity of religious beliefs and practices. Maharashtra possesses six of the world's major religions; namely Hinduism, Islam, Buddhism, Jainism, Christianity and Sikhism. Throughout Maharashtra's history, religion has been an important part of the state's culture.
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Khanjani Khanjani is a percussion musical percussion instrument, a variety of Daf, found in West Bengal & Odisha. After the hard work in the field all farmers and villagers gather in a small club (which is called "tungi" ) at evening and sing songs and use this musical instrument which is call Khanjani. This is usually created from the sell of the Snake, Cow and Crocodiles.
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Durga Puja Durga Puja, also called Durgotsava, is an annual Hindu festival in the Indian subcontinent that reveres the goddess Durga. It is particularly popular in West Bengal, Odisha, Assam, Jharkhand, Bihar, Tripura, Bangladesh and the diaspora from this region. The festival is observed in the Hindu calendar month of "Ashvin", typically September or October of the Gregorian calendar. A multi-day festival that features elaborate temple and stage decorations ("pandals"), scripture recitation, performance arts, revelry and processions, Durga Puja is particularly observed by Hindus in eastern and northeastern states of India, in Bangladesh and in Nepal where it is called Dashain. It is a major festival in the Shaktism tradition of Hinduism across India and Shakta Hindu diaspora.
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Bhayānaka Bhayānaka (Sanskrit: भयानक, Bhayānaka) is one of the nine rasas, usually translated as fear. Rasa means "flavour", and the theory of rasa is the primary concept behind classical Indian arts, including theatre, music, dance, poetry, and even sculpture.
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Adi Dharam Adi Dharam or ādi dharam ( आदि धरम, আদি ধারাম, આદિ ધરમ, ଆଦି ଧର୍ମ, ఆది ధారణ, ஆடி தரம், ആദി താരം, ಆದಿ ಧರಮ್) (literal meaning the ancient or the root "(Ādi)" religion ("Dharam") ) refers to the tribal religion or the traditional religion or the indigenous religion or the Adivasi (Hindi for original settlers) religion of the indigenous peoples of India. It is an umbrella term used to denote the religion of indigenous peoples of India. The term 'Adi Dharam' was made popular by the tribal scholar and philosopher Ram Dayal Munda when he sought to unite the ancestral beliefs of the all the indigenous people of India
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Kosalam Kosalam (pronounced kōsalam) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 71st "Melakarta" rāgam in the 72 "melakarta" rāgam system of Carnatic music and is the "prati madhyamam" equivalent of "Shoolini", which is the 35th "melakarta". It is called Kusumākaram in Muthuswami Dikshitar school of Carnatic music.