Naïve and Sentimental Music is a symphonic work by the American composer John Adams, the title of the work alludes to an essay by which German poet, philosopher, physician, historian, and playwright?
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Naïve and Sentimental Music Naïve and Sentimental Music is a symphonic work by the American composer John Adams. The title of the work alludes to an essay by Friedrich Schiller, "On Naïve and Sentimental Poetry", that contrasts a creative personality that creates art for its own sake (the "naïve") versus one conscious of other purposes, such as art’s place in history (the "sentimental"). The composer cites both the slowly developing harmonies of Bruckner's Fourth Symphony and the atmosphere of the Sonoma coastline (where the piece was composed) as inspirations for the work. The piece was co-commissioned by the Los Angeles Philharmonic, the Ensemble Modern, the Vancouver Symphony Orchestra, and the Sydney Symphony Orchestra. It received its first public performance by the Los Angeles Philharmonic conducted by Esa-Pekka Salonen on February 19, 1999. A recording by Salonen and the Los Angeles Philharmonic was subsequently released by Nonesuch Records.
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Friedrich Schiller Johann Christoph Friedrich von Schiller (] ; 10 November 17599 May 1805) was a German poet, philosopher, physician, historian, and playwright. During the last seventeen years of his life (1788–1805), Schiller struck up a productive, if complicated, friendship with the already famous and influential Johann Wolfgang von Goethe. They frequently discussed issues concerning aesthetics, and Schiller encouraged Goethe to finish works he left as sketches. This relationship and these discussions led to a period now referred to as Weimar Classicism. They also worked together on "Xenien", a collection of short satirical poems in which both Schiller and Goethe challenge opponents to their philosophical vision.
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Reflections on Having Left a Place of Retirement Reflections on Having Left a Place of Retirement is a poem written by English poet Samuel Taylor Coleridge in 1796. Like his earlier poem "The Eolian Harp", the poem discusses Coleridge's understanding of nature and his married life, which was suffering from problems that developed after the previous poem. Overall, the poem focuses on humanity's relationship with nature in its various aspects ranging from experiencing an Edenic state to having to abandon a unity with nature in order to fulfill a moral obligation to humanity. The discussion of man's obligation to each other leads into a discussion on the difference between the life of a philosopher and the life of a poet. By the end of the poem, the narrator follows the philosophical path in a manner similar to what Coleridge sought to do. The response to the poem from critics was mostly positive with many of them emphasizing the religious aspects of the poem in their analysis.
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Georg Wilhelm Friedrich Hegel Georg Wilhelm Friedrich Hegel ( ; ] ; August 27, 1770 – November 14, 1831) was a German philosopher and an important figure of German idealism. He achieved wide renown in his day and, while primarily influential within the continental tradition of philosophy, has become increasingly influential in the analytic tradition as well. Although Hegel remains a divisive figure, his canonical stature within Western philosophy is universally recognized.
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Neo-romanticism The term neo-romanticism is used to cover a variety of movements in philosophy, literature, music, painting, and architecture, as well as social movements, that exist after and incorporate elements from the era of Romanticism. It has been used with reference to late-19th-century composers such as Richard Wagner particularly by Carl Dahlhaus who describes his music as "a late flowering of romanticism in a positivist age". He regards it as synonymous with "the age of Wagner", from about 1850 until 1890—the start of the era of modernism, whose leading early representatives were Richard Strauss and Gustav Mahler . It has been applied to writers, painters, and composers who rejected, abandoned, or opposed realism, naturalism, or avant-garde modernism at various points in time from about 1840 down to the present.
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The Physicists The Physicists (German: "Die Physiker" ) is a satiric drama written in 1961 by Swiss writer Friedrich Dürrenmatt. Informed by the Second World War and the many recent advances in science and nuclear technology, the play deals with questions of scientific ethics and humanity's ability to handle its intellectual responsibilities. It is often recognized as his most impressive yet most easily understood work.
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Letter to M. D'Alembert on Spectacles Letter to M. D'Alembert on Spectacles (French: "Lettre a M. D'Alembert sur les spectacles" ) is a 1758 essay written by Jean-Jacques Rousseau in opposition to an article published in the "Encyclopédie" by Jean d'Alembert, that proposed the establishment of a theatre in Geneva. More generally, it is a critical analysis of the effects of culture on morals, that clarifies the links between politics and social life. Rousseau relates the issue of a theatre in Geneva to the broader social context, warning of the potential the theatre has to corrupt the morality in society.
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Samuel Taylor Coleridge Samuel Taylor Coleridge ( ; 21 October 177225 July 1834) was an English poet, literary critic, philosopher and theologian who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems "The Rime of the Ancient Mariner" and "Kubla Khan", as well as the major prose work "Biographia Literaria". His critical work, especially on William Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. Coleridge coined many familiar words and phrases, including suspension of disbelief. He was a major influence on Ralph Waldo Emerson and American transcendentalism.
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Robert Schumann Robert Schumann (8 June 181029 July 1856) was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.
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Georg Friedrich Daumer Georg Friedrich Daumer (Nuremberg, March 5, 1800 - Würzburg, December 14, 1875) was a German poet and philosopher. He was educated at the gymnasium of his native city, at that time directed by the famous philosopher Hegel. In 1817 he entered the University of Erlangen as a student of theology, but abandoned that study for philosophy. For a number of years Daumer was professor at the gymnasium of Nuremberg; owing to ill-health he was pensioned in 1832 and henceforth devoted himself entirely to literary work. While at Erlangen he came strongly under the influence of Pietism. Soon, however, he became sceptical and exhibited decided leanings towards pantheism. From an orthodox Protestant he gradually became a bitter enemy of Christianity, which he attacked in a number of writings and for which he strove to substitute a new religion "of love and peace", formulated in his work "Religion des neuen Weltalters" (Hamburg, 1850). Karl Marx and Frederick Engels joined in writing a critical review of Daumer's "Die Religion des Neuen Weltalters" in January through February 1850 which was published in the "Neue Rheinische Zeitung: Politisch-Ökonomische Revue". Marx and Engels criticized Daumer's theory of history from class point of view. Instead of a struggle between economic classes in society, Daumer saw only a struggle between "coarseness" and "culture."
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The Romantic Manifesto The Romantic Manifesto: A Philosophy of Literature is a non-fiction work by Ayn Rand, a collection of essays regarding the nature of art. It was first published in 1969, with a second, revised edition published in 1975.
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Max Scheler Max Ferdinand Scheler (] ; 22 August 1874 – 19 May 1928) was a German philosopher known for his work in phenomenology, ethics, and philosophical anthropology. Scheler developed further the philosophical method of the founder of phenomenology, Edmund Husserl, and was called by José Ortega y Gasset "the first man of the philosophical paradise." After his death in 1928, Martin Heidegger affirmed, with Ortega y Gasset, that all philosophers of the century were indebted to Scheler and praised him as "the strongest philosophical force in modern Germany, nay, in contemporary Europe and in contemporary philosophy as such." In 1954, Karol Wojtyła, later Pope John Paul II, defended his doctoral thesis on "An Evaluation of the Possibility of Constructing a Christian Ethics on the Basis of the System of Max Scheler."
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The Over-Soul "The Over-Soul" is an acclaimed essay by Ralph Waldo Emerson, first published in 1841. With the human soul as its overriding subject, several general themes are treated: (1) the existence and nature of the human soul; (2) the relationship between the soul and the personal ego; (3) the relationship of one human soul to another; and (4) the relationship of the human soul to God. Influence of Eastern religions, including Vedantism, is plainly evident, but the essay also develops ideas long present in the Western tradition, e.g., in the works of Plato, Plutarch, and Neoplatonists like Plotinus and Proclus – all of whose writings Emerson read extensively throughout his career – and Emanuel Swedenborg.
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Henry Adamson Henry Adamson (1581–1637), was a Scottish poet and historian.
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Heiner Müller Heiner Müller (] ; January 9, 1929 – December 30, 1995) was a German (formerly East German) dramatist, poet, writer, essayist and theatre director. Described as "the theatre's greatest living poet" since Samuel Beckett, Müller is arguably the most important German dramatist of the 20th century after Bertolt Brecht. His "enigmatic, fragmentary pieces" are a significant contribution to postmodern drama and postdramatic theatre.
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Ralph Waldo Emerson Ralph Waldo Emerson (May 25, 1803 – April 27, 1882) was an American essayist, lecturer, and poet who led the transcendentalist movement of the mid-19th century. He was seen as a champion of individualism and a prescient critic of the countervailing pressures of society, and he disseminated his thoughts through dozens of published essays and more than 1,500 public lectures across the United States.
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Hans Egon Holthusen Hans Egon Holthusen (April 15, 1913 – January 21, 1997) was a German lyric poet, essayist, and literary scholar.
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Albert Ehrenstein Albert Ehrenstein (23 December 1886 – 8 April 1950) was an Austrian-born German Expressionist poet. His poetry exemplifies rejection of bourgeois values and fascination with the Orient, particularly with China.
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Adalbert Stifter Adalbert Stifter (] ; 23 October 1805 – 28 January 1868) was an Austrian writer, poet, painter, and pedagogue. He was especially notable for the vivid natural landscapes depicted in his writing and has long been popular in the German-speaking world, while remaining almost entirely unknown to English readers.
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Richard Wagner Wilhelm Richard Wagner ( ; ] ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is primarily known for his operas (or, as some of his later works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Weber and Meyerbeer, Wagner revolutionised opera through his concept of the "Gesamtkunstwerk" ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle "Der Ring des Nibelungen" ("The Ring of the Nibelung").
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Psyche (book) Psyche (German: "Psyche, zur Entwicklungsgeschichte der Seele" ) is an 1846 book by Carl Gustav Carus, a physician and painter noted for his work on animal psychology and physiognomy. In his "The Discovery of the Unconscious" (1970), Henri Ellenberger calls "Psyche" "the life-work of a physician and keen observer of the human mind" and "the first attempt to give a complete and objective theory on unconscious psychological life", adding that "It shows the shape reached by the theory of the unconscious at the end of the Romantic period, before the positivistic trend became dominant." He notes that Carus influenced Eduard von Hartmann and later Carl Jung. According to him, Carus defines psychology as "the science of the soul's development from the unconscious to the conscious" and believes that "human life is divided into three periods: (1) A pre-embryonic period in which the individual merely exists as a tiny cell within the mother's ovary. (2) the embryonic period; through fecundation, in which the individual is suddenly wakened from his long sleep, and the formative unconscious develops. (3) After birth, in which the formative unconscious continues to direct the individual's growth and the function of his organs. Consciousness arises gradually, but it always remains under the influence of the unconscious and the individual periodically returns to it in his sleep."
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Dichtung und Wahrheit Aus meinem Leben: Dichtung und Wahrheit ("From my Life: Poetry and Truth"; 1811–1833) is an autobiography by Johann Wolfgang von Goethe that comprises the time from the poet's childhood to the days in 1775, when he was about to leave for Weimar.