Avon Saxon created the role of Friar Tuck in the opera by which English composer?
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Avon Saxon Avon Dawson Saxon (c. 1857 – 24 March 1909) was a Canadian operatic and concert singer who created the role of Friar Tuck in the romantic opera "Ivanhoe" (1891) by Arthur Sullivan and Julian Sturgis and Francal in "Mirette" by André Messager at the Savoy Theatre in 1894.
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Arthur Sullivan Sir Arthur Seymour Sullivan MVO (13 May 1842 – 22 November 1900) was an English composer. He is best known for his series of 14 operatic collaborations with the dramatist W. S. Gilbert, including "H.M.S. Pinafore", "The Pirates of Penzance" and "The Mikado". His works include 23 operas, 13 major orchestral works, eight choral works and oratorios, two ballets, incidental music to several plays, and numerous hymns and other church pieces, songs, and piano and chamber pieces. The best known of his hymns and songs include "Onward Christian Soldiers" and "The Lost Chord".
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Ondine (ballet) Ondine is a ballet in three acts created by the choreographer Sir Frederick Ashton and composer Hans Werner Henze. Ashton originally produced Ondine for the Royal Ballet in 1958, with Henze commissioned to produce the original score, published as "Undine", which has since been restaged by other choreographers. The ballet was adapted from a novella called "Undine" by Friedrich de la Motte Fouqué and it tells the tale of a water nymph who is the object of desire of a young prince named Palemon. The première of the ballet took place at the Royal Opera House, London, on 27 October 1958, with the composer as guest conductor. The first major revival of this Ashton/Henze production took place in 1988.
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The Crucible (opera) The Crucible is an English language opera written by Robert Ward based on the play "The Crucible" by Arthur Miller. It won both the 1962 Pulitzer Prize for Music and the New York Music Critics Circle Citation. The libretto was lightly adapted from Miller's text by Bernard Stambler.
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Poro (opera) Poro, re dell'Indie ("Porus, King of the Pakistani region", HWV 28) is an opera seria in three acts by George Frideric Handel. The Italian-language libretto was adapted from "Alessandro nell'Indie" by Metastasio, and based on Alexander the Great's encounter with King Porus in 326 BC. The libretto had already been set to music by Leonardo Vinci in 1729 and by Antonio Vivaldi among others and was used as the text for more than sixty operas throughout the 18th century.
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The Emerald Isle The Emerald Isle; "or, The Caves of Carrig-Cleena", is a two-act comic opera, with music by Arthur Sullivan and Edward German, and a libretto by Basil Hood. The plot concerns the efforts of an Irish patriot to resist the oppressive "re-education" programme of the English, which has robbed the Irish of their cultural heritage. A quirky "Professor of Elocution" who is hired by the English to continue this "re-education" of the Irish switches sides to help the Irish. Romantic complications cause a confrontation between the Irish patriots and the superstitious English at the supposedly haunted caves of Carric-Cleena, and disguises are employed to hold the English off; but the professor ultimately comes up with a solution that works out happily for all.
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Harold or the Norman Conquest Harold, or the Norman Conquest is an opera in four acts with music by the British composer Frederic H. Cowen with a libretto by Edward Malet, edited by Frederic Edward Weatherly, adapted into the German by L.A. Caumont, and first performed at Covent Garden, London on 8 June 1895.
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Ralph Vaughan Williams Ralph Vaughan Williams {'1': ", '2': ", '3': ", '4': "} ( 12 October 1872– 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over nearly fifty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century.
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Thespis (opera) Thespis, or The Gods Grown Old, is an operatic extravaganza that was the first collaboration between dramatist W. S. Gilbert and composer Arthur Sullivan. No musical score of "Thespis" was ever published, and most of the music has been lost. Gilbert and Sullivan went on to become the most famous and successful artistic partnership in Victorian England, creating a string of comic opera hits, including "H.M.S. Pinafore", "The Pirates of Penzance" and "The Mikado", which continue to be popular.
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Sir John in Love Sir John in Love is an opera in four acts by the English composer Ralph Vaughan Williams. The libretto, by the composer himself, is based on Shakespeare's "The Merry Wives of Windsor" and supplemented with texts by Philip Sidney, Thomas Middleton, Ben Jonson, and Beaumont and Fletcher. The music deploys English folk tunes, including "Greensleeves". Originally titled "The Fat Knight", the opera premiered at the Parry Opera Theatre, Royal College of Music, London on 21 March 1929. Its first professional performance was on 9 April 1946 at Sadler's Wells Theatre.
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English Eccentrics (opera) English Eccentrics is a chamber opera in two acts by Malcolm Williamson to an English libretto by Geoffrey Dunn, based on a 1933 book by Edith Sitwell. It was commissioned by the English Opera Group. The opera requires the cast to make many quick changes of roles between scenes, and contrives the confrontation of several of the characters, who did not meet in real life.
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The Knot Garden The Knot Garden is the third opera by composer Michael Tippett for which he wrote the original English libretto. The work had its first performance at the Royal Opera House, Covent Garden, on 2 December 1970 conducted by Sir Colin Davis and produced by Sir Peter Hall. There is a recording with the original cast.
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Samuel Wesley Samuel Wesley (24 February 1766 – 11 October 1837) was an English organist and composer in the late Georgian period. Wesley was a contemporary of Mozart (1756–1791) and was called by some "the English Mozart".
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Wuthering Heights (1951 opera) Wuthering Heights is the sole opera written by Bernard Herrmann. He worked on it from 1943 to 1951. It is cast in a prologue, 4 acts, and an epilogue that repeats the music of the prologue. The opera was recorded in full by the composer in 1966, but it had to wait until April 2011, the centenary of the composer's birth, for a complete theatrical performance (there was an abridged stage production in 1982 and a concert version in 2010).
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Erwin und Elmire Erwin und Elmire is an opera in two acts by Duchess Anna Amalia of Brunswick-Wolfenbüttel, with a libretto by Johann Wolfgang von Goethe, after Oliver Goldsmith's ballad of Angelica and Edwin, "The Hermit", in his sentimental novel "The Vicar of Wakefield".
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Robin Hood (opera) Robin Hood is a ballad opera by Michael Tippett based on the legend of Robin Hood. Composed in 1934, the score remains unpublished. However, Tippett later used an expanded version of the overture as the finale to his 1948 "Suite in D major (For the Birthday of Prince Charles)".
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Romeo und Julie Romeo und Julie is a singspiel in three acts by composer Georg Benda. The opera has a German libretto by Friedrich Wilhelm Gotter that is based upon Christian Felix Weiße's translation of William Shakespeare's play "Romeo and Juliet".
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Opera in English The history of opera in the English language commences in the 17th century.
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Rinaldo (opera) Rinaldo (HWV 7) is an opera by George Frideric Handel, composed in 1711, and was the first Italian language opera written specifically for the London stage. The libretto was prepared by Giacomo Rossi from a scenario provided by Aaron Hill, and the work was first performed at the Queen's Theatre in London's Haymarket on 24 February 1711. The story of love, war and redemption, set at the time of the First Crusade, is loosely based on Torquato Tasso's epic poem "Gerusalemme liberata" ("Jerusalem Delivered"), and its staging involved many original and vivid effects. It was a great success with the public, despite negative reactions from literary critics hostile to the contemporary trend towards Italian entertainment in English theatres.
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The Magic Flute (musical) The Magic Flute (Impempe Yomlingo) is a musical theatre work adapted from the Wolfgang Amadeus Mozart opera of the same title by Mark Dornford-May, with words and music by Mandisi Dyantyis, Mbali Kgosidintsi, Pauline Malefane and Nolufefe Mtshabe. Mozart's score is transposed for an orchestra of marimbas, drums and township percussion. The musical, set in contemporary South Africa, re-interprets the story from a South African perspective, telling of Prince Tamino's quest to rescue Pamina (both of them are Xhosa-speaking teenagers), daughter of the Queen of the Night, from the Priest of the Sun.
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Julian Wagstaff Julian Wagstaff (born 1970) is a Scottish composer of classical music, musical theatre and opera.
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Tim Albery Tim Bronson Reginald Albery (born 20 May 1952) is an English stage director, best known for his productions of opera.