What is the genre that AllMusic defines as the "most abrasive and aggressive fusion of rock and electronic music" and is used in the fourth and final studio album by The Axis of Perdition?
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Tenements (of the Anointed Flesh) Tenements (of the Anointed Flesh) is the fourth and final studio album by British industrial black metal band The Axis of Perdition. It was released on May 2, 2011, on Code666 Records. Dan "Storm" Mullins could not play drums on this album due to a broken arm so drums were programmed.
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Industrial music Industrial music is a genre of experimental and electronic music that draws on transgressive or provocative sounds and themes. The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza; on Throbbing Gristle's debut album "The Second Annual Report", they coined the slogan "industrial music for industrial people". In general, the style is harsh and challenging. AllMusic defines industrial as the "most abrasive and aggressive fusion of rock and electronic music"; "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation".
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List of rock genres This is a list of rock music genres consisting of subgenres of popular music that have roots in 1940s' and 1950s' rock and roll, and which developed into a distinct identity as rock music in the 1960s, particularly in the United Kingdom and the United States. By the late 1960s, a number of identifiable rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, and jazz-rock fusion, many of which contributed to the development of psychedelic rock influenced by the counter-cultural psychedelic scene. New genres that emerged from this scene included progressive rock, which extended the artistic elements; glam rock, which highlighted showmanship and visual style; and the diverse and enduring major subgenre of heavy metal, which emphasized volume, power, and speed. In the second half of the 1970s, punk rock both intensified and reacted against some of these trends to produce a raw, energetic form of music characterized by overt political and social critiques. Punk was an influence into the 1980s on the subsequent development of other subgenres, including new wave, post-punk and eventually the alternative rock movement. From the 1990s alternative rock began to dominate rock music and break through into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged as well as conscious attempts to revisit rock's history.
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UK hardcore UK hardcore is a genre of music which evolved from and incorporates sound elements from happy hardcore. UK hardcore has a characteristically "harder" style by its "thicker" harsher bassline as wells as less break-beat associated with the happy hardcore music of the 1990s.
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Skeletons (Nothingface album) Skeletons is the fourth and final studio album by the American heavy metal band Nothingface. The album was released on April 22, 2003, via TVT Records, their second as well as last album released on the label. The album is considered Nothingface's most diverse release to date, featuring elements of genres such as thrash metal and hardcore.
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The Judas Kiss (song) "The Judas Kiss" is a song by American heavy metal band Metallica, the fourth single taken from their ninth studio album, "Death Magnetic".
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Blitzkreuz Blitzkreuz is the fourth studio album by German metalcore band Callejon.
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Arena rock Arena rock (known additionally by various names such as "AOR" or "album-oriented rock", "anthem rock", "corporate rock", "dad rock", "melodic rock", "pomp rock", and "stadium rock" ) is a style of rock music that originated in the mid-1970s. As hard rock bands and those playing a softer yet strident kind of pop rock became increasingly popular, groups creating material inherently designed for large audiences, arena rock developed from their use of more commercially oriented and radio-friendly sounds. The often highly-produced music, including both upbeat, dramatic songs and slower power ballads, features strong emphasis on melody and frequently employs anthemic choruses. Other major characteristics include prominent guitar effects and the use of keyboard instruments.
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List of metalcore bands Metalcore is a broad fusion genre of extreme metal and hardcore punk. Its subgenres include mathcore and melodic metalcore. This incomplete list includes bands described as performing any of these styles, including those who also perform other styles (with the exception of deathcore bands, which fuse metalcore with death metal and are listed separately).
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Blast beat A blast beat is a drum beat that originated in hardcore punk and grindcore, and is often associated with certain styles of extreme metal, namely black metal and death metal, and occasionally in deathcore and metalcore. In Adam MacGregor's definition, "the blast-beat generally comprises a repeated, sixteenth-note figure played at a very fast tempo, and divided uniformly among the bass drum, snare, and ride, crash, or hi-hat cymbal." Blast beats have been described by PopMatters contributor Whitney Strub as, "maniacal percussive explosions, less about rhythm per se than sheer sonic violence".
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Thrash Zone Thrash Zone is the fifth album by the American crossover thrash band D.R.I., which was released in 1989. It continues the thrash metal style of the previous album, "4 of a Kind". "Thrash Zone" was D.R.I.'s most successful album to date, and produced the song, "Beneath the Wheel", which was made as a music video and received airplay on MTV. The song also was featured in the video game "Skate 2".
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Metalcore Metalcore is a fusion genre combining elements of heavy metal and hardcore punk. The word is a portmanteau of the names of the two genres. Among other styles blending metal and hardcore, such as crust punk and grindcore, metalcore is noted for its use of breakdowns, which are slow, intense passages conducive to moshing. Pioneering metalcore bands—such as Integrity, Earth Crisis and Converge, all of which had formed by 1990—are described as leaning more toward hardcore, with their style sometimes being called metallic hardcore, whereas later bands—such as Killswitch Engage, All That Remains, Trivium, As I Lay Dying, Bullet for My Valentine, and Parkway Drive—are described as leaning more towards metal. Pantera and Sepultura (who influenced Trivium, Atreyu, Bleeding Through and Unearth) have been particularly influential to the development of metalcore in the 2000s, which saw many bands in the genre achieve commercial success.
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Eternal Damnation Eternal Damnation is the second full-length album released by Cypriot Power metal band Winter's Verge. It was recorded in Germany and released in April 2008 by Limb Music Productions. The album combines elements of metal. The music is characterized by fast-paced riffs, double-bass drumming and vocals, with interspersed keyboard parts and composition influenced by other music.
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Big beat Big beat is an electronic music genre that usually uses heavy breakbeats and synthesizer-generated loops and patterns - common to acid house/techno. The term has been used since the mid-1990s by the British music press to describe music by artists such as The Prodigy, The Chemical Brothers, Fatboy Slim, The Crystal Method, Propellerheads, Cut La Roc, Basement Jaxx and Groove Armada.
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Stoner rock Stoner rock or stoner metal is a rock music fusion genre that combines elements of heavy metal and/or doom metal with psychedelic rock and acid rock. The name references cannabis consumption. The term desert rock is often used interchangeably with the term "stoner rock" to describe this genre; however, not all stoner rock bands would fall under the descriptor of "desert rock". Stoner rock is typically slow-to-mid tempo and features a heavily distorted, groove laden bass-heavy sound, melodic vocals, and "retro" production. The genre emerged during the early 1990s and was pioneered foremost by the Californian bands Kyuss and Sleep.
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Synth-pop Synth-pop (short for synthesizer pop; also called techno-pop) is a subgenre of new wave music that first became prominent in the late 1970s, reached its heyday in the 1980s, and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the "Krautrock" of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s.
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Too Many Voices Too Many Voices is the fourth studio album by English experimental techno producer Andy Stott, released on 22 April 2016 under Modern Love Records. The album involved Stott intending to create grime-influenced tracks, and much of the LP consists of sounds from the Korg Triton, a keyboard used in several works of grime. "Too Many Voices" is another album in his discography that uses the dark and abrasive style of his previous records that was first present on his EP "Passed Me By" (2011). However, it adds a much cleaner, more spacious, and what some reviewers labeled as an "airier" element to that sound, which caused the LP to garner more criticism from reviewers than his previous albums did, though critical reception was still very favorable. The album peaked at number 11 on the American "Billboard" Dance/Electronic Albums chart.
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Crazy Itch Radio Crazy Itch Radio is the fourth studio album by English electronic music duo Basement Jaxx. The album features Linda Lewis and Swedish popstar Robyn among the guest vocalists.
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Music Is the Weapon Music Is the Weapon is the upcoming fourth studio album by American electronic band Major Lazer.
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For the Love of Money (album) For the Love of Money is the fourth album by the industrial hip hop group Tackhead, released on January 10, 2014 by Dude Records. It marks their first full-length release of studio material since "Strange Things", released twenty-four years prior. It comprises covers of musical acts that have proven influential to the group over the years, along with an extended cut of their original song "Stealing" from "Friendly as a Hand Grenade".
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Nintendocore Nintendocore (also known as Nintendo rock, nerdcore, and video game rock) is a broadly defined music genre that fuses chiptune and video game music with various styles of aggressive modern rock. The genre was pioneered by Horse the Band, The Advantage, and Minibosses. Nintendocore initially emerged from hardcore punk and heavy metal, and has been influenced by many other musical genres.
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D-beat D-beat (also known as "discore", "kängpunk" (Swedish for "boot-punk"), and "discrust") is a style of hardcore punk, developed in the early 1980s by imitators of Discharge, after whom the genre is named, as well as a drum beat characteristic of this subgenre. D-beat is known for its "grinding, distorted and brutally political" sound. Discharge may have themselves inherited the beat from Motörhead and the Buzzcocks. D-beat is closely associated with crust punk, which is a heavier, more complex variation. The style was particularly popular in Sweden, and developed there by groups such as Crude SS, Anti Cimex, Mob 47 and Driller Killer. Other D-beat groups include Doom and the Varukers from the UK; Disclose from Japan; Crucifix and Final Conflict from the U.S.; Ratos de Porão, from Brazil; and MG15, from Spain. While the style initially developed in the early 1980s, a number of new groups working within the subgenre emerged in the mid-1990s. These include the Swedish groups Wolfbrigade, Totalitär, Avskum, Skitsystem and Disfear.