The painter of "A Lady Playing the Guitar" was born in what year?
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A Lady Playing the Guitar A Lady Playing the Guitar (after 1670s) is an oil on canvas painting by an unknown copyist after a work by the Dutch painter Johannes Vermeer. It is an example of Dutch Golden Age painting and is part of the collection of the Philadelphia Museum of Art.
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Johannes Vermeer Johannes, Jan or Johan Vermeer ( ; ] ; October 1632 – December 1675) was a Dutch painter who specialized in domestic interior scenes of middle-class life. Vermeer was a moderately successful provincial genre painter in his lifetime. He evidently was not wealthy, leaving his wife and children in debt at his death, perhaps because he produced relatively few paintings.
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Portrait of an Unknown Woman Portrait of an Unknown Woman, also known as The Unknown Woman, An Unknown Lady or Stranger (Russian: "Неизвестная" , "Neizvestnaya" ) is a painting by the Russian artist Ivan Kramskoi, drawn in 1883. The model, whose identity is unknown, is a woman of "quiet strength and forthright gaze". It is one of Russia's best-known art works, although a number of critics were indignant when the painting was first exhibited and condemned what they saw as a depiction of a haughty and immoral woman. Its popularity has grown with changes in public taste.
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Evie Hone Eva Sydney Hone RHA (22 April 1894 – 13 March 1955), usually known as Evie, was an Irish painter and stained glass artist.
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Portrait of a Woman (van der Weyden) Portrait of a Young Woman (or Lady Wearing a Gauze Headdress) is a painting completed between 1435–1440 by the Netherlandish artist Rogier van der Weyden. The sitter in this small work wears a wide, white hennin over a brown dress, which features a black-lined, v-shaped neckline. As is usual of van der Weyden's female portraits, her hands are clasped tightly in prayer, while her expression is generally humble. Unusually for a van der Weyden', she does not bow her head or gaze into the middle distance. Instead she looks directly at the viewer, creating an intimate relationship between sitter, viewer and artist, which art historian and research curator Lorne Campbell describes as "appealing and vibrant".
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Portrait of Mrs. Cecil Wade Portrait of Mrs. Cecil Wade or Portrait of a Lady is a large oil-on-canvas painting by John Singer Sargent, depicting Frances Frew Wade, a Scottish socialite. Painted in 1886, it currently hangs in the Nelson-Atkins Museum of Art in Kansas City, Missouri.
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Lady with the Rose (Charlotte Louise Burckhardt) Lady with the Rose (Charlotte Louise Burckhardt) is an 1882 painting by John Singer Sargent. It is part of the collection of the Metropolitan Museum of Art.
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Rita Letendre Rita Letendre, {'1': ", '2': ", '3': ", '4': "} (born November 1, 1928 in Drummondville, Quebec) is a Canadian painter, muralist and printmaker closely associated with the Automatistes. She is an officer of the Order of Canada and a recipient of the Governor General’s Award.
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The Birth of Venus (Cabanel) The Birth of Venus (French: "Naissance de Venus") is a painting by the French artist Alexandre Cabanel (1823–1889). It was painted in 1863, and is now in the Musée d'Orsay in Paris. A second and smaller version (85 x 135.9 cm) from ca. 1864 is in Dahesh Museum of Art. A third (106 x 182.6 cm) version dates from 1875; it is in the Metropolitan Museum of Art in New York City.
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Isabel McLaughlin Isabel Grace McLaughlin, CM, O.Ont, CGP, Hon. CPA (b. 10 Oct 1903; d. at Toronto 26 Nov 2002) was a Canadian visual artist, patron and philanthropist. She was an early Modernist Canadian painter specializing in landscapes and still life with a strong interest in design. McLaughlin appreciated depicting small "...growth, lichen, rocks and mosses; the exquisite beauty of colur and pattern delighted..."
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Mariangiola Criscuolo Mariangiola Criscuolo (c. 1548–1630) was an Italian painter of the Renaissance period, active mainly in her natal city of Naples. She is known for portraiture and history painting, and excelled in painting altarpieces.. She was also involved in the foundation of one of the first female-organized schools of art during the sixteenth century.
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Henry Rushbury Sir Henry George "Harry" Rushbury {'1': ", '2': ", '3': ", '4': "} (28 October 1889 – 5 July 1968) was an English painter and etcher.
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Theodore Garman Theodore Garman (1 July 1924 – 22 January 1954), known as Theo, was an English painter of the mid-20th century.
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Portrait of a Lady (Klimt) Portrait of a Lady is an 1916-17 oil on canvas painting by Gustav Klimt. The painting measures 60 x . It depicts a portrait of a female figure, composed in an unusually lively expressionistic style. It was acquired by the Galleria Ricci-Oddi in Piacenza in 1925.
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Flower paintings of Georgia O'Keeffe Georgia O'Keeffe is best known for her close-up,or large-scale flower paintings, which she painted from the mid-1920s through the 1950s. She made about 200 paintings of flowers of the more than 2,000 paintings that she made over her career. One of her paintings, "Jimson Weed", sold for $44.4 million, making it the most expensive painting sold of a female artist's work .
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Louise Jopling Louise Jane Jopling (née Goode, later Rowe) (Manchester 16 November 1843 – 19 November 1933) was an English painter of the Victorian era, and one of the most prominent women artists of her generation.
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Petrona Viera María Petrona Viera Garino (24 March 1895 – 4 October 1960), commonly known as Petrona Viera, was an Uruguayan painter known for being the first female professional painter in Uruguay and for her participation in the Planismo movement.
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Mariette Leslie Cotton Mariette Leslie Cotton (1866-1947) was a celebrated American artist who usually gave her name as Mrs. Leslie Cotton. A student of William Merritt Chase, Carolus-Duran, and Jean-Jacques Henner , she worked mainly in Paris but also maintained studios in London and New York. By birth and marriage she possessed a level of wealth and social prestige that, together with her artistic skill, enabled her to obtain lucrative commissions from prominent individuals. The portraits she painted were praised for their veracity, style, and fine technique. Their subjects included kings, aristocrats, celebrities, and members of wealthy families. Late in her career a critic wrote that her "popularity has a sound basis, for her portraits combine such abstract artistic qualities as effective and infinitely varied design and daringly unconventional arrangements of color, with strong characterization and a likeness that never fails to be convincing," and added, "her concern with the artistic problem never makes her obtrude her own personality or offend the sitter's susceptibilities."
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Femme au miroir Femme au miroir (en. "Woman with a Mirror"), Femme à sa toilette or Lady at her Dressing Table, is a painting by the French artist Jean Metzinger. This distilled synthetic form of Cubism exemplifies Metzinger's shift, at the outset of 1916, towards less surface activity, with a strong emphasis on larger, flatter, overlapping abstract planes. The manifest primacy of the underlying geometric configuration, rooted in the abstract, controls nearly every element of the composition. The role of color remains primordial, but is now restrained within sharp delineated boundaries in comparison with earlier works. The work of Juan Gris from the summer of 1916 to late 1918 bares much in common with that of Metzinger's late 1915, early 1916 paintings.
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Paul Gauguin Eugène Henri Paul Gauguin ( ; ] ; 7 June 1848 – 8 May 1903) was a French post-Impressionist artist. Underappreciated until after his death, Gauguin is now recognized for his experimental use of color and Synthetist style that were distinctly different from Impressionism. His work was influential to the French avant-garde and many modern artists, such as Pablo Picasso and Henri Matisse. Gauguin's art became popular after his death, partially from the efforts of art dealer Ambroise Vollard, who organized exhibitions of his work late in his career, as well as assisting in organizing two important posthumous exhibitions in Paris. Many of his paintings were in the possession of Russian collector Sergei Shchukin and other important collections.
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Horsewoman (painting) Horsewoman is a painting by Russian painter Rudolf Frentz (Russian: Рудольф Рудольфович Френц ) (1888-1956). The picture is a portrait of an equestrian of the artist's wife Catherine Anisimovna Stulovskaya (née Frentz).
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Painter Man Painter Man is a song by the English rock band The Creation. Their 1966 single was the group's second, and most successful. Guitarist Eddie Phillips used a violin bow, a technique later made popular by Jimmy Page. The single was a minor hit in the UK but was far more successful in mainland Europe where the band had a string of successes.