Giacomo Domenico Mario Antonio Pasquale Giuseppe Tritto, was an Italian composer, known primarily for his 54 operas, amongst his pupils were Vincenzo Bellini, around which year?
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Giacomo Tritto Giacomo Domenico Mario Antonio Pasquale Giuseppe Tritto (2 April 1733 – 16 September 1824) was an Italian composer, known primarily for his 54 operas. He was born in Altamura, and studied in Naples; among his teachers were Nicola Fago, Girolamo Abos, and Pasquale Cafaro. Amongst his pupils were the young Vincenzo Bellini around 1821, plus Ferdinando Orlandi. He died in Naples.
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Vincenzo Bellini Vincenzo Salvatore Carmelo Francesco Bellini (] ; 3 November 1801 – 23 September 1835) was an Italian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania".
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Antonio Sacchini Antonio Maria Gasparo Sacchini (14 June 17306 October 1786) was an Italian composer, most famous for his operas.
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Giuseppe Farinelli Giuseppe Farinelli (7 May 1769 – 12 December 1836) was an Italian composer active at the end of the 18th century and the beginning of the 19th century who excelled in writing opera buffas. Considered the successor and most successful imitator of Domenico Cimarosa, the greatest of his roughly 60 operas include "I riti d'Efeso" (1803, Venice), "La contadina bizzarra" (1810, Milan) and "Ginevra degli Almieri" (1812, Venice). More than 2/3 of his operas were produced between 1800-1810 at the height of his popularity. With the arrival of Gioachino Rossini his operas became less desirable with the public, and by 1817 his operas were no longer performed. His other compositions include 3 piano forte sonatas, 3 oratorios, 11 cantatas, 5 masses, 2 Te Deums, a Stabat mater, a Salve regina, a Tantum ergo, numerous motets, and several other sacred works.
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Giovanni Tadolini Giovanni Tadolini (18 October 1789 – 29 November 1872) was an Italian composer, conductor and singing instructor, who enjoyed a career that alternated between Bologna and Paris. Tadolini is probably best known for completing six sections of Rossini's 1833 version of the "Stabat mater" after the latter fell sick. However, he also composed eight operas as well as sinfonias, sonatas, chamber music, and numerous pieces of religious music and art songs.
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Luigi Tomasini Luigi Tomasini (or Alois Luigi Tomasini, 22 June 1741 – 25 April 1808) was an Italian violinist and composer. He was leader of Prince Esterházy's court orchestra, which was directed by Joseph Haydn.
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Mario Tiberini Mario Tiberini (8 September 1826 – 16 October 1880) was an Italian tenor who sang leading roles in the opera houses of Europe and the Americas in a career spanning 25 years. Known for his advanced singing technique and dramatic ability, he sang the role of Alvaro in the premiere of the revised (and now standard) version of Verdi's "La forza del destino" and created several roles in operas by lesser-known composers, including the title role in Faccio's "Amleto".
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Beniamino Carelli Beniamino Carelli (9 May 1833 – 14 February 1921) was a celebrated Italian singing teacher and composer.
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Pasquale Errichelli Pasquale Errichelli (also "Ericchelli" or "Enrichelli"; 1730–1785) was an Italian composer and organist based in the city of Naples. Trained at the Conservatorio della Pietà dei Turchini, his compositional output consists of 7 operas, 2 cantatas, 1 symphony, 3 sonatas, several concert arias, and the oratorio "Gerosolina protetta". He was for many years the organist at the Cattedrale di Napoli.
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Eugenio Cavallini Eugenio Cavallini (16 June 1806 — 11 April 1881) was an Italian conductor, composer, violinist, and violist. In 1833 he became first violinist of the orchestra at La Scala, a post he held through 1855. He also served as a conductor at La Scala, notably leading the world premieres of Gaetano Donizetti's "Lucrezia Borgia" (1833), Donizetti's "Gemma di Vergy" (1834), Donizetti's "Maria Stuarda" (1835), Saverio Mercadante's "Il giuramento" (1837), Mercadante's "Il bravo" (1839), Giuseppe Verdi's "Oberto" (1839), Verdi's "Un giorno di regno" (1840), Donizetti's "Maria Padilla" (1841), Verdi's "Nabucco" (1842), Verdi's "I Lombardi alla prima crociata" (1843), Verdi's "Giovanna d'Arco" (1845), Federico Ricci's "Estella di Murcia" (1846), and Domenico Ronzani's "Salvator Rosa" (1854).
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Matteo Babini Matteo Antonio Babini (none }} – none }} ), also known by the family name of Babbini, was a leading Italian tenor of the late 18th-century, and a teacher of singing and stage art.
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Ciro Pinsuti Ciro Pinsuti (9 May 1829 – 10 March 1888) was an Anglo-Italian composer. Educated in music for a career as a pianist, he studied composition under Rossini. From 1848 he made his home in England, where he became a teacher of singing, and in 1856 he was made a professor at the Academy of Music in London.
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Giuseppe Branzoli Giuseppe Branzoli (Cento 1835 – Rome 21 January 1909) was a violinist, mandolinist, composer, author, educator at the Liceo Musicale di St. Cecilia in Rome, and the founder of the periodical "IL mandolin Romano". His compositions were for violin, mandolin, flute and cello, as well as church music.
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Vincenzo da Rimini Vincenzo da Rimini, also Magister Dominus Abbas de Arimino, L’abate Vincençio da Imola, Frate Vincenço, was an Italian composer of the medieval era, active in the middle of the 14th century.
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Gemma Bellincioni Gemma Bellincioni (] ; 18 August 1864 – 23 April 1950) was an Italian soprano and one of the best-known opera singers of the late 19th century. She had a particular affinity with the verismo repertoire and was renowned more for her charismatic acting than for the quality of her voice.
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Luigi Rossi Luigi Rossi (c. 1597 – 20 February 1653) was an Italian Baroque composer. Rossi was born in Torremaggiore, a small town near Foggia, in the ancient kingdom of Naples and at an early age he went to Naples. There he studied music with the Franco-Flemish composer Jean de Macque who was organist of the Santa Casa dell’Annunziata and "maestro di cappella" to the Spanish viceroy. Rossi later entered the service of the Caetani, dukes of Traetta.
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Vincenzo Reschiglian Vincenzo Reschiglian (21 February 187417 July 1955) was an Italian operatic baritone who specialized in the comprimario repertoire.
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Tommaso Gaffi Tommaso Bernardo Gaffi (4 December 1667 - Rome, 11 February 1744) was an Italian baroque composer. He was a pupil of Bernardo Pasquini, organist of the church of Santa Maria Maggiore, where Gaffi succeeded him in 1704. As Pasquini he enjoyed the patronage of cardinals Benedetto Pamphili and Pietro Ottoboni, as well as Prince Francesco Maria Ruspoli. His own students included Girolamo Chiti and Andrea Basili.
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Matteo Capranica Matteo Capranica (26 August 1708 – c. 1776) was an Italian composer. Born in Amatrice, Capranica studied at the Conservatorio di Sant'Onofrio a Porta Capuana in Naples under Nicola Porpora, Ignazio Prota, and Francesco Feo. After completing his studies he worked as maestro di cappella at various churches in Naples and devoted himself to music composition of both sacred and secular works. He was for many years organist at the Naples Cathedral. His first opera, "Carlo", premiered at the Teatro Nuovo in Naples in 1736. He went on to compose eight more operas through 1753. His other works include 2 oratorios, 2 masses, 2 sonatas, a cantata, several works for harpsichord, and various arias and duets for singers. He died in Naples.
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Giovanni Battista Sammartini Giovanni Battista Sammartini (c. 1700 – 15 January 1775) was an Italian composer, oboist, organist, choirmaster and teacher. He counted Gluck among his students, and was highly regarded by younger composers including Johann Christian Bach. It has also been noted that many stylizations in Joseph Haydn's compositions are similar to those of Sammartini, although Haydn denied any such influence. Sammartini is especially associated with the formation of the concert symphony through both the shift from a brief opera-overture style and the introduction of a new seriousness and use of thematic development that prefigure Haydn and Mozart. Some of his works are described as "galant", a style associated with Enlightenment ideals, while "the prevailing impression left by Sammartini's work... [is that] he contributed greatly to the development of a Classical style that achieved its moment of greatest clarity precisely when his long, active life was approaching its end".
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Giovanni Sbriglia Giovanni Sbriglia (June 23, 1832 - February 20, 1916), was an Italian tenor and prominent teacher of singing.
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Natale Monferrato Natale Monferrato (1603–1685) was an Italian baroque composer. He was a pupil of Giovanni Rovetta, then was a singer at St Mark's Basilica in Venice, and then with the aid of Francesco Cavalli vicemaestro, or "maestro di coro" (1647–76). On 30 April 1676 he became director, after a competition with Giovanni Legrenzi, another of Rovetta's pupils, and Pietro Andrea Ziani. He was earlier maestro at the Mendicanti.