Which composer worked closely with both Joseph Sonnleithner and Luigi Cherubini both in personal and professional capacities?
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Joseph Sonnleithner Joseph Ferdinand Sonnleithner (3 March 1766 – 25 December 1835) was an Austrian librettist, theater director archivist and lawyer. He was the son of Christoph Sonnleithner, brother of Ignaz von Sonnleithner and uncle of Franz Grillparzer and Leopold von Sonnleithner. He was a personal friend and attorney of Ludwig van Beethoven, and he wrote numerous librettos, among them, Beethoven's stage opera "Fidelio", "Faniska" by Luigi Cherubini and "Agnes Sorel" by Adalbert Gyrowetz.
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Luigi Cherubini Luigi Cherubini (] ; 8 or 14 September 1760 – 15 March 1842) was an Italian composer who spent most of his working life in France. His most significant compositions are operas and sacred music. Beethoven regarded Cherubini as the greatest of his contemporaries.
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Josef Pasternack Josef Alexander Pasternack (7 July 1881 – 29 April 1940) was a conductor and composer in the first half of the 20th century.
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Ludwig Wenzel Lachnith Ludwig Wenzel Lachnith (Prague, July 7, 1746 – Paris, October 3, 1820) was a Bohemian horn player and versatile composer influenced by Joseph Haydn and Ignaz Pleyel. Today he is chiefly remembered because of his adaptions of operas by Wolfgang Amadeus Mozart. The French composer and writer Hector Berlioz immortalized him in a diatribe in his autobiography.
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Joseph Franz Weigl Joseph Franz Weigl (19 May 1740 - 25 January 1820) was a Bavarian and Austrian cellist. He was a cellist in the orchestra of the Esterházy family. He played under the directorship of Joseph Haydn, who also was godfather to the cellist's son, and it is thought that Haydn wrote his cello concerto in C major (Hob. VIIb/1) for him.
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Isidor Seiss Isidor Seiss (23 December 184025 September 1905) was a German composer, conductor, pianist, piano pedagogue and philanthropist. His surname also appears as Seiß, and his first name also appears as Isidore.
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Conservatorio Luigi Cherubini The conservatorio statale di musica Luigi Cherubini is located in piazza delle Belle Arti in Florence.
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Georg Joseph Vogler Georg Joseph Vogler, also known as Abbé Vogler (June 15, 1749 – May 6, 1814), was a German composer, organist, teacher and theorist. In a long and colorful career extending over many more nations and decades than was usual at the time, Vogler established himself as a foremost experimenter in baroque and early classic music. His greatest successes came as performer and designer for the organ at various courts and cities around Europe, as well as a teacher, attracting highly successful and devoted pupils such as Carl Maria von Weber. His career as a music theorist and composer however was mixed, with contemporaries such as Mozart believing Vogler to have been a charlatan. Despite his mixed reception in his own life, his highly-original contributions in many areas of music (particularly musicology and organ theory) and influence on his pupils endured, and combined with his eccentric and adventurous career, prompted one historian to summarize Vogler as "one of the most bizarre characters in the history of music".
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Gaspare Spontini Gaspare Luigi Pacifico Spontini (14 November 177424 January 1851) was an Italian opera composer and conductor.
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Camillo Sivori Ernesto Camillo Sivori, (October 25, 1815 – February 18, 1894) was an Italian virtuoso violinist and composer.
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Andonios Liveralis Andonios Liveralis (Greek: Αντώνιος Λιβεράλης or Λιμπεράλης, Italian: "Antonio Liberali"; 1814 in Corfu – 1842 in Corfu) was a Greek conductor and composer of the early Ionian school. He was the son of Italian conductor Domenico Liveralis and one of Nikolaos Mantzaros' favorite students. He later continued his studies at the Conservatory of San Pietro a Majella in Naples. When he returned to Corfu he was joyfully received into the circle of national composers, where he was considered a musician of great talent. He then began working as assistant to his teacher Mantzaros, who left him very little time for his own compositions. He was among the first teachers of his younger brother Iosif and served as vice director of music to the Philharmonic Society of Corfu.
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Joseph Marx Joseph Rupert Rudolf Marx (May 11, 1882 - September 3, 1964) was an Austrian composer, teacher and critic.
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Domenico Puccini Domenico Vincenzo Maria Puccini (5 April 1772 – 25 May 1815) was an Italian composer, a contemporary of Muzio Clementi and Johann Nepomuk Hummel.
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Jean-Baptiste Arban Joseph Jean-Baptiste Laurent Arban (28 February 1825 – 8 April 1889) was a cornetist, conductor, composer, pedagogue and the first famed virtuoso of the "cornet à piston" or valved cornet. He was influenced by Niccolò Paganini's virtuosic technique on the violin and successfully proved that the cornet was a true solo instrument by developing virtuoso technique on the instrument.
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Violin concerto A violin concerto is a concerto for solo violin (occasionally, two or more violins) and instrumental ensemble, customarily orchestra. Such works have been written since the Baroque period, when the solo concerto form was first developed, up through the present day. Many major composers have contributed to the violin concerto repertoire, with the best known works including those by Bach, Bartók, Walton, Beethoven, Brahms, Bruch, Mendelssohn, Mozart, Paganini, Prokofiev, Shostakovich, Sibelius, Tchaikovsky, and Vivaldi.
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Johann Ernst Eberlin Johann Ernst Eberlin (27 March 1702 – 19 June 1762) was a German composer and organist whose works bridge the baroque and classical eras. He was a prolific composer, chiefly of church organ and choral music. Marpurg claims he wrote as much and as rapidly as Alessandro Scarlatti and Georg Philipp Telemann, a claim also repeated by Leopold Mozart - though ultimately Eberlin did not live nearly as long as either of those two composers.
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Johann Strauss I Johann Strauss I (German: "Johann Baptist Strauß, Johann Strauss (Vater)" ; also Johann Baptist Strauss, Johann Strauss Sr., the Elder, the Father; March 14, 1804 – September 25, 1849) was an Austrian Romantic composer. He was famous for his waltzes, and he popularized them alongside Joseph Lanner, thereby setting the foundations for his sons to carry on his musical dynasty. His most famous piece is the Radetzky March (named after Joseph Radetzky von Radetz).
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Vinzenz Lachner Vinzenz Lachner (also spelled Vincenz) (19 July 1811 – 22 January 1893) was a German composer and conductor.
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Overture in G major (Cherubini) The Overture in G major by Luigi Cherubini (1760-1842) is an orchestral work written for concert use in early 1815. It is unusual among Cherubini's overtures in that his other, better known overtures (such as those to "Anacreon", "Médée", "Les deux journées" and "Ali Baba"), were intended to introduce stage works. Although born in Italy Cherubini had been living in France since 1784, and had earned world fame through a series of operas composed for the Paris stage. In the first decade of the nineteenth century the vogue for his dramatic works began to wane, and he turned increasingly to sacred music.
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Benedetto Pallavicino Benedetto Pallavicino (c. 1551 – 26 November 1601) was an Italian composer and organist of the late Renaissance. A prolific composer of madrigals, he was resident at the Gonzaga court of Mantua in the 1590s, where he was a close associate of Giaches de Wert, and a rival of his younger contemporary Claudio Monteverdi.
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Ignaz Lachner Ignaz Lachner (11 September 1807 – 24 February 1895) was a German composer and conductor.
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Joseph Alfidi Joseph Alfidi (May 28, 1949 – February 2, 2015) was an American pianist, composer, and conductor and initially a child prodigy. He was born in Yonkers, New York as the son of American-born parents of Italian descent, his father, Frank Alfidi, was an accordion player who ran a music school in Yonkers. Known as "Joey" in his childhood, he was three when he started to play several instruments in his father's studio. By the age of four, he frequently improvised little compositions at the piano, and soon became fascinated by symphonic music as well.