Cry, Onion, a film directed by Enzo Castellari, comes from a subgenre of films that emerged from what time period?
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Cry, Onion! Cry, Onion! (Italian: "Cipolla Colt" , lit. "Onion Colt", also known as "The Smell of Onion") is a 1975 Spaghetti Western comedy film directed by Enzo G. Castellari. It is openly comedic and parodic.
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Spaghetti Western Spaghetti Western, also known as Italian Western or Macaroni Western (primarily in Japan), is a broad subgenre of Western films that emerged in the mid-1960s in the wake of Sergio Leone's film-making style and international box-office success. The term was used by American critics and other countries because most of these Westerns were produced and directed by Italians.
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The New Barbarians The New Barbarians (Italian: I nuovi barbari ) is a 1983 Italian post-apocalyptic action film directed by Enzo G. Castellari. The film was released in U.S. theaters by New Line Cinema as Warriors of the Wasteland in 1984.
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The Icicle Thief The Icicle Thief (Italian: "Ladri di saponette" ) is a 1989 Italian comedy film directed by Maurizio Nichetti, titled in imitation of Vittorio De Sica's classic Italian neorealist film "The Bicycle Thief" (Italian: "Ladri di biciclette"). Some feel "The Icicle Thief" was created as a spoof of neorealism, which predominated Italian cinema after World War II. However, it is generally understood to go beyond this and to take a stand against commercialism as destructive towards art. The film won the Golden St. George at the 16th Moscow International Film Festival.
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Once You're Born You Can No Longer Hide Once You're Born You Can No Longer Hide (Italian: "Quando sei nato non puoi più nasconderti" ) is a 2005 Italian drama film directed by Marco Tullio Giordana. The film concerns undocumented migration to Italy via the Mediterranean.
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Horror films of Cambodia Horror films in Cambodia, first popular in the 1970s, have received renewed attention in Cambodian film making since the resurgence of the local industry in 2003. Horror is one of three popular genres into which most Cambodian films can be loosely grouped, the other two being period pieces and melodrama/romantic drama. The fledgling Cambodian industry of the mid 2000s looked to capitalize on the world-wide popularity of Japanese horror films which have heavily influenced Cambodian horror films. Common themes are ghost or spirit hauntings, possession, folk mythology and revenge by supernatural means. The storytelling takes a slower pace than Western horror and relies on suspense, a pervasive sense of doom and dread, and psychologically disturbing events and situations. Unlike its Japanese counterparts however, many Cambodian horror films also feature over the top gore as seen in Western horror.
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Stato interessante Stato interessante is a 1977 Italian comedy-drama film directed by Sergio Nasca. It consists of three segments, all sharing the abortion as the main theme.
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Neo-psychedelia Neo-psychedelia (also called "acid punk") is a diverse style of music that originated in the 1970s as an outgrowth of the British post-punk scene. Its practitioners drew from the unusual sounds of 1960s psychedelic music, either updating or copying the approaches from that era. After post-punk, neo-psychedelia flourished into a more widespread and international movement of artists who applied the spirit of psychedelic rock to new sounds and techniques. Neo-psychedelia may also include forays into psychedelic pop, jangly guitar rock, heavily distorted free-form jams, or recording experiments. A wave of British alternative rock in the early 1990s spawned the subgenres dream pop and shoegazing.
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Idoli controluce Idoli controluce is a 1965 Italian film directed by Enzo Battaglia.
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Catalan cinema The term Catalan cinema encompasses film productions produced and acted preferably by people from the Catalan Countries. In Spain, it is a subset of Spanish cinema, and includes movies both in Catalan and Spanish.
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1980s in film The decade of the 1980s in Western Cinema saw the return of studio-driven pictures, coming from the filmmaker-driven New Hollywood era of the 1970s. The period was when "high concept" films gained popularity, where movies were to be easily marketable and understandable, and, therefore, they had short cinematic plots that could be summarized in one or two sentences. The modern Hollywood blockbuster is the most popular film format from the 1980s. Producer Don Simpson is usually credited with the creation of the high-concept picture of the modern Hollywood blockbuster.
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New Nigerian Cinema New Nigerian Cinema (also known as New Wave or controversially as New Nollywood) is an emerging phase in Nigerian cinema, in which there became a major shift in the method of film production, from the video format, which came about during the video boom, back to the cinema method, which constituted the films produced in the Golden era of Nigerian cinema history. The films in the New Wave are specifically characterized by improved narrative complexity, aesthetic nuance, much higher budgets and advanced overall production values, when compared to video films from the second generation of filmmakers. They are mostly released theatrically, although some are still released directly on DVD.
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1990s in film The decade of the 1990s in film involved many significant developments in cinema. Continuing from the 1980s, low-budget independent films unceasingly rose and maintained their popularity in the industry within the decade.
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Animal Trilogy The Animal Trilogy consists of three consecutively released Italian giallo films by Dario Argento: "The Bird with the Crystal Plumage" (1969), "The Cat o' Nine Tails" (1971) and "Four Flies on Grey Velvet" (1972). The giallo trilogy has had an influence on horror films and murder mysteries made outside of Italy since the late 1960s.
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Sexploitation film A sexploitation film (or "sex-exploitation film") is a class of independently produced, low-budget feature film that is generally associated with the 1960s, and that serves largely as a vehicle for the exhibition of non-explicit sexual situations and gratuitous nudity. The genre is a subgenre of exploitation films. Sexploitation films were generally exhibited in urban grindhouse theatres, the precursor to the adult movie theaters of the 1970s and 1980s that featured hardcore pornography content. The term soft-core is often used to designate non-explicit sexploitation films after the general legalization of hardcore content. Nudist films are often considered to be subgenres of the sex-exploitation genre as well. "Nudie" films and "Nudie-cuties" are associated genres.
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Apparatus theory Apparatus theory, derived in part from Marxist film theory, semiotics, and psychoanalysis, was a dominant theory within cinema studies during the 1970s, following the 1960s when psychoanalytical theories for film were popular.
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Day by Day, Desperately Day by Day, Desperately (Italian: "Giorno per giorno disperatamente" ) is a 1961 Italian drama film written and directed by Alfredo Giannetti. According to the film critic Morando Morandini, the film is "a naturalistic drama of strong emotional charge, crossed by a vein of desperate lyricism."
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Operetta film Operetta films (German: Operettenfilm) are a genre of musical films associated with, but not exclusive to, German language cinema. The genre began in the late 1920s, but its roots stretch back into the tradition of nineteenth century Viennese operettas.
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New German Cinema New German Cinema (German: "Neuer Deutscher Film" ) is a period in German cinema which lasted from the late 1960s into the 1980s. It saw the emergence of a new generation of directors. Working with low budgets, and influenced by the French New Wave, such directors as Rainer Werner Fassbinder, Werner Herzog, Alexander Kluge, Harun Farocki, Volker Schlöndorff, Helma Sanders-Brahms, Hans-Jürgen Syberberg, Margarethe von Trotta and Wim Wenders made names for themselves and produced a number of 'small' motion pictures that caught the attention of art house audiences, and enabled these directors (particularly Wenders and Schlöndorff) to create better-financed productions which were backed by the big US studios. However, most of the films were commercial failures and, by 1977, 80% of a budget for a typical German film was ensured by a subsidy.
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Love and Anarchy Love and Anarchy (Italian: "Film d'amore e d'anarchia, ovvero: stamattina alle 10, in via dei Fiori, nella nota casa di tolleranza..." ) is a 1973 film directed by Lina Wertmüller and starring Giancarlo Giannini and Mariangela Melato. The story, set in Fascist Italy before the outbreak of World War II, centers on Giannini's character, an anarchist who stays in a brothel while preparing to assassinate Benito Mussolini. Giannini's character falls in love with one of the women working in the brothel. This film explores the depths of his emotions concerning love, his hate for fascism, and his fears of being killed while assassinating Mussolini.
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List of rock genres This is a list of rock music genres consisting of subgenres of popular music that have roots in 1940s' and 1950s' rock and roll, and which developed into a distinct identity as rock music in the 1960s, particularly in the United Kingdom and the United States. By the late 1960s, a number of identifiable rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, and jazz-rock fusion, many of which contributed to the development of psychedelic rock influenced by the counter-cultural psychedelic scene. New genres that emerged from this scene included progressive rock, which extended the artistic elements; glam rock, which highlighted showmanship and visual style; and the diverse and enduring major subgenre of heavy metal, which emphasized volume, power, and speed. In the second half of the 1970s, punk rock both intensified and reacted against some of these trends to produce a raw, energetic form of music characterized by overt political and social critiques. Punk was an influence into the 1980s on the subsequent development of other subgenres, including new wave, post-punk and eventually the alternative rock movement. From the 1990s alternative rock began to dominate rock music and break through into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged as well as conscious attempts to revisit rock's history.
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Mexican sex comedy The Mexican sex comedies film genre, generally known as Ficheras film or Sexicomedias is a genre of sexploitation and Mexploitation films of the Mexican Cinema that flourished in the 1970s and 1980s. It is recognized as a collection of usually low quality films with low budgets. Although the films had sexual tones and used double entendre, they were not particularly explicit. The genre is possibly based on the Italian erotic comedies. The popular term for it came from the film "Las ficheras," produced and released in 1975, which described the experiences of many women who entertained men at nightclubs.