The origin of the genre of music that Jaime Enrique Amara primarily signs was in which country?
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Jaime Enrique Aymara Jaime Enrique Aymara Reinoso (Quito, June 24, 1968) is a singer and actor Ecuador of tecnocumbia, tecnopaseíto Bachata, national music, hall , pump Bolero, guayno jukebox pop music merengue, pop-flamenco, cumbia pop ballad, gravy , vallenato reggaeton and waltz. The lyrics of their songs are based on true stories of people in their country is known as "The idol of Ecuador" and "The idol of Quinceañeras", besides being much in demand in Latin concerts performed abroad as it is known for Ecuadorian emigrants.
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Bachata (music) Bachata is a genre of Latin American music that originated in the Dominican Republic in the first half of the 20th century with European, Indigenous and African musical elements.
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New Chilean cumbia The New Chilean Cumbia also known as New Chilean Cumbia Rock (Spanish: "Nueva cumbia chilena", "Nueva cumbia rock chilena") is a subgenre of cumbia music that originated in Chile in the early 2000s and that largely surfaced in mainstream media in 2009 and 2010. In contrast to older cumbias the lyrics of New Chilean Cumbia deals more with urban life and combines aspects of rock, hip hop and a wide variety of Latin American genres like Andean music, salsa, the son, reggae, boleros, ska, Latin-African music, diablada and even folklore from the Balkans, like the Klezmer, and Gipsy music.
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Tropipop Tropipop (also known as Colombian pop) is a music genre that developed in Colombia in the late 1990s and early 2000s. It is a blend of traditional musical forms of the Caribbean Region of Colombia, mainly Vallenato, with foreign Latin genres such as Salsa and Merengue, and pop and pop rock. The term "tropipop" comes from the synthesis of the words "tropical" and "Pop music" describing the genre's mix of Latin Tropical roots with American popular music.
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Music of Andalusia The Music of Andalusia encompasses a range of traditional musical genres which originate in the territory of Andalusia in southern Spain. The most famous are copla and flamenco, the latter being sometimes used as a portmanteau term for various regional musical traditions within Andalusia. Andalusia has a rich and thriving musical scene which draws from its own musical traditions as well as from external influences such as salsa and blues rock music.
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Caetano Veloso (1968 album) Caetano Veloso is the debut solo album by the artist of the same name, released in Brazil in 1968. He had released "Domingo" the year before in collaboration with Gal Costa. It was one of the first Tropicália efforts, and features arrangements by Júlio Medaglia, Damiano Cozzella, and Sandino Hohagen, as well as an eclectic assortment of influences, demonstrating the "antropofagia" (artistic cannibalism) of the Tropicália movement. Sounds from psychedelia, rock, pop, Indian music, bossa nova, Bahian music and other genres appear on the album. It includes the hit songs "Alegria, Alegria", "Tropicália", and "Soy Loco Por Tí, América".
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Tecnocumbia Tecnocumbia is a style of Cumbia where there is a fusion between electronic sounds generated by electronic musical instruments through electronic drums, the electric guitar, synthesisers, and samplers. "Tecnocumbia" was a word developed in Mexico to describe this type of music. However, the style of music was developed throughout South America with different names given to it before the name "Tecnocumbia" was adopted as the single denomynation for the music.
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Enrique Morente Enrique Morente Cotelo (25 December 1942 – 13 December 2010), known as Enrique Morente, was a flamenco singer and a controversial figure within the world of contemporary flamenco. After his orthodox beginnings, he plunged into experimentalism, writing new melodies for "cante" (flamenco singing) and jamming with musicians of all styles, without renouncing his roots in traditional flamenco singing, which he kept on cultivating. In spite of severe criticism from the most "purist" amongst the critics and public, "It hasn't been easy. First came the accusations of corruption of the music, of treachery in his struggle to disfigure what was already perfectly coded. When some albums and some categorical evidence of his knowledge of the classical approach laid these malicious comments bare, then came the most twisted condemnations. That the pace of the compás waned (just get a metronome and see for yourself), that he didn't really make you feel (are there really many true aficionados whose hair doesn't stand on end listening to his caña ‘Eso no lo manda la ley’, ‘La aurora de Nueva York’ or ‘Generalife’, to name three markedly different examples) and that kind of thing." he was perhaps the most influential contemporary flamenco singer, who not only innovated, but it could also be said that he created tradition: some of his "cantes" have been performed by other singers such as Camarón de la Isla, Mayte Martín, Carmen Linares, Miguel Poveda, Segundo Falcón and Arcángel. He also is the father of flamenco singer Estrella Morente.
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Apala Apala (or Akpala) is a musical genre, originally derived from the Yoruba people of Nigeria.
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Music of Nigeria The music of Nigeria includes many kinds of Folk and popular music, some of which are known worldwide. Styles of folk music are related to the multitudes of ethnic groups in the country, each with their own techniques, instruments, and songs. Little is known about the country's music history prior to European contact, although bronze carvings dating back to the 16th and 17th centuries have been found depicting musicians and their instruments. The largest ethnic groups are the Igbo, Hausa and Yoruba. Traditional music from Nigeria and throughout Africa is almost always functional; in other words, it is performed to mark a ritual such as a wedding or funeral and not to achieve artistic goals. Although some Nigerians, especially children and the elderly, play instruments for their own amusement, solo performance is otherwise rare. Music is closely linked to agriculture, and there are restrictions on, for example, which instruments can be played during different parts of the growing season.
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Pil Trafa Enrique Chalar (born February 1, 1959), better known as Pil Trafa, is a singer and Argentine composer. He is regarded as the pioneer of punk in Spanish in Latin America, with his band Los Violadores.
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Guajira (music) The Guajira is a music genre derived from the Punto cubano.
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Funk carioca Funk carioca, favela funk, and in other parts in the world, baile funk, is a music genre from Rio de Janeiro, derived from Miami bass and Gangsta Rap music.
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Son jarocho Son jarocho is a regional folk musical style of Mexican Son from Veracruz, a Mexican state along the Gulf of Mexico. It evolved over the last two and a half centuries along the coastal portions of southern Tamaulipas state and Veracruz state, hence the term "jarocho", a colloquial term for people or things from the port city of Veracruz.
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Raï'n'B Raï'n'B (written Raï&B and Raï/RnB) is a musical genre that appeared in the 2000s in France, with elements of both French contemporary R&B and Algerian raï.
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Rock en español Rock en español (Spanish: "Spanish-language rock" ) is a term used widely in the English-speaking world to refer any kind of rock music featuring Spanish vocals. Unlike English-speaking bands, very few acts reached worldwide success and often not even between different Spanish-speaking countries due to a lack of promotion. Despite "rock en español" 's origins in the late 1950s, many rock acts achieved at best nationwide fame until the Internet consolidated the listeners. However, some "rock en español" artists did become internationally popular with the help of a promotional campaign from the mid 1980s to the mid 1990s called ""Rock en tu idioma"" (Rock in your language). Some specific rock-based styles influenced by folkloric rhythms have also developed in these regions. Some of the more prominent styles are "Latin rock", a fusion of rock music with Latin American and Caribbean folkloric sounds developed in Latino communities; "Latin alternative", an alternative rock scene which blended a Latin sound with other genres like Caribbean ska, reggae, and soca; or "Andalusian rock", a flamenco-influenced style that emerged in Spain.
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Beninese hip hop Hip hop music is a genre developed in the 1970s by African Americans in New York City. It began to spread across the world in the 1980s, and became a major part of Beninese music after a 1992 concert by Senegalese-French rapper MC Solaar. At that concert, the crew H2O performed a Fon language-cover of Solaar's "Bouge de là". H2O are known for using folk styles like the Mahi tchinkounme and Yoruba music gbon.
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Banda (music) Banda is a term to designate a style of Mexican music and the musical ensemble in which wind instruments, mostly of brass, and percussion, are performed.
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Jaime Murrell Jaime Murrell (born 1949 in Panama City) is a prolific Christian music composer in Latin-America. He was a secular music national talent in the 1970s. He sang leads for a group by the name "The Mozambiques" in Panama City.
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Joropo The Joropo is a musical style resembling the fandango, and an accompanying dance. It has African, Native South American and European influences and originated in the plains called "Los Llanos" of what is now Colombia and Venezuela. It is a fundamental genre of "música criolla" (creole music). It is also the most popular "folk rhythm": the well-known song "Alma Llanera" is a joropo, considered the unofficial national anthem of Venezuela.
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Argentine rock Argentine rock (locally Rock nacional) is rock music composed or made by Argentine bands or artists mainly in the Spanish language. For nearly half a century it has been a major popular genre, and is regarded as part of the music tradition of Argentina alongside tango and Argentine folk music.
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Juan Aguirre Juan Vicente García Aguirre (born 11 February 1965 in San Sebastián, Basque Country, Spain) is a Basque musician and songwriter. He is best known for being one-half of the Spanish group Amaral with its namesake Eva Amaral.