What type of music did Domenico Salvatori sing that was an equivalent to that of a soprano?
9938b7fb412cf9973bcded4fad58a9da
Domenico Salvatori Domenico Salvatori (27 September 1855 – 11 December 1909) along with Alessandro Moreschi, Domenico Mustafà and Giovanni Cesari, was one of the famous castrati singers of the late 19th century.
accae123606b24a77b01c36175a9de8f
Castrato A castrato (Italian, plural: "castrati") is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity.
0be79fc016c84769c7fa914f538b5b11
Giovanni Battista Sammartini Giovanni Battista Sammartini (c. 1700 – 15 January 1775) was an Italian composer, oboist, organist, choirmaster and teacher. He counted Gluck among his students, and was highly regarded by younger composers including Johann Christian Bach. It has also been noted that many stylizations in Joseph Haydn's compositions are similar to those of Sammartini, although Haydn denied any such influence. Sammartini is especially associated with the formation of the concert symphony through both the shift from a brief opera-overture style and the introduction of a new seriousness and use of thematic development that prefigure Haydn and Mozart. Some of his works are described as "galant", a style associated with Enlightenment ideals, while "the prevailing impression left by Sammartini's work... [is that] he contributed greatly to the development of a Classical style that achieved its moment of greatest clarity precisely when his long, active life was approaching its end".
24576ea66db9af11be03bfcfb164dc93
Marie Wilt Marie Wilt (also Maria Vilda and Marie Liebenthaler) (30 January 1833 – 24 September 1891) was an Austrian dramatic coloratura soprano. Possessing a wide vocal range with a significant amount of power and flexibility, Wilt sang a wide repertoire that encompassed the operas of Wolfgang Amadeus Mozart, the German operas of Richard Wagner, the grand operas of Giuseppe Verdi, and the bel canto operas of Bellini, Rossini, and Donizetti. She sang for many years at the Vienna Hofoper (now Vienna State Opera) and for a number of seasons at the Royal Opera House, Covent Garden in London. She notably portrayed the role of Sulamith in the world premiere of Karl Goldmark's "Die Königin von Saba" in 1875. Also a regular performer of the concert repertoire, Wilt often appeared in performances of works by Beethoven, Haydn, and Mendelssohn.
def1c85d8d52f5505550105c008f88c5
Opera Opera (] ; English plural: "operas"; Italian plural: "opere" ] ) is an art form in which singers and musicians perform a dramatic work combining text (libretto) and musical score, usually in a theatrical setting. In traditional opera, singers do two types of singing: recitative, a speech-inflected style and arias, a more melodic style, in which notes are sung in a sustained fashion. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor.
b67cae811b963f4e1ef12f3b80bd5907
Giulia Frasi Giulia Frasi (fl. 1740–c.1772) was an Italian operatic soprano who was primarily active in the city of London. A student of educator and historian Charles Burney, Burney described her sound as "a sweet and clear voice, and a smooth and chaste style of singing, which, though cold and unimpassioned, pleased natural ears, and escaped the censure of critics."
ab415919398d351d80d96f951aa6877d
Voice flute The voice flute (also the Italian flauto di voce and the French flûte de voix are found in English-language sources) is a recorder with the lowest note of D, and is therefore intermediate in size between the alto and tenor recorders.
507f2a0f62c10eb5b63786147baac47c
Marie Le Rochois Marie Le Rochois (c. 1658 – 8 October 1728) was a French operatic soprano who belonged to the Académie Royale de Musique. She is often referred to as Marthe Le Rochois or simply La Rochois.
e28d7e55e51ad3a08ec207a107d671dc
Sonata Sonata ( ; Italian: ] , pl. "sonate"; from Latin and Italian: "sonare", "to sound"), in music, literally means a piece "played" as opposed to a cantata (Latin and Italian "cantare", "to sing"), a piece "sung". The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance, and is vague. By the early 19th century, it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas still maintain the same structure.
51342dcebdbf5926de9ea191c195bd43
Francesco Dominici (operatic tenor) Francesco Dominici (1885–1968) was an Italian operatic tenor particularly admired for his acting in comedic roles. He made his professional opera debut as Fernando in Donizetti's "La favorite" at the Teatro Donizetti in Bergamo in 1914. He created the role of Prunier in the original 1917 production of Puccini's "La rondine" at the Grand Théâtre de Monte Carlo, a role which he performed at many other opera houses including the Teatro Comunale di Bologna. Over the next several years he played mostly leading roles at the Teatro Costanzi in Rome including Rodolfo in Puccini's "La Bohème", Fenton in Verdi's "Falstaff", and the Ernesto in Donizetti's "Don Pasquale". In the early 1920s he joined the roster at La Scala where he began playing more buffo roles than leading roles. In 1921, he sang the role of doctor Cajus in Verdi's Falstaff at La Scala and in 1922 was Filipeto in the company's first production of Ermanno Wolf-Ferrari's "I quattro rusteghi". In 1926 he created the role of Emperor Altoum in the original production of Puccini's "Turandot" at La Scala. In 1929 he went on tour with La Scala to Germany. Other roles that Dominici performed at La Scala include David in Wagner's "Die Meistersinger von Nürnberg", Monostatos in Mozart's "The Magic Flute", and the Neipperg in Umberto Giordano's "Madame Sans-Gêne". In 1931 he moved to Cuba, where he taught music for many years. Dominici died in Havana in 1968.
9bf813971dbb519787fcd35137660a9c
Domenico Viglione Borghese Born in Mondovì, he gave up his studies in medicine to dedicate himself to the study of singing, first with Leonese at Conservatorio Rossini in Pesaro and later with Antonio Cotogni in Rome. He made his début in 1899 at the Teatro Verdi in Lodi as the Herald in "Lohengrin". Though he continued working in small, provincial theaters, he soon gave up opera, saying that he did not care "for the atmosphere and intrigues."
83e24cf2e6a1a9f8642ef52821485b1e
Basso profondo Basso profondo (Italian: "deep bass"), sometimes basso profundo or contrabass, is the bass voice subtype with the lowest vocal range.
04b7ff1fee56fa8593162e5d400f4980
Music of Naples Naples has played an important and vibrant role over the centuries not just in the music of Italy, but in the general history of western European musical traditions. This influence extends from the early music conservatories in the 16th century through the music of Alessandro Scarlatti during the Baroque period and the comic operas of Pergolesi, Piccinni and, eventually, Rossini and Mozart. The vitality of Neapolitan popular music from the late 19th century has made such songs as "'O Sole mio" and "Funiculì Funiculà" a permanent part of our musical consciousness.
7d08431af7e8e25739dbd10e50c977d9
List of tenors in non-classical music The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C, the C one octave below middle C, to the high C (C). The low extreme for tenors is roughly B♭ (two B♭ s below middle C). At the highest extreme, some tenors can sing up to two Fs above middle C (F).
51b9862a13d6870118748c1006f63e05
Carlo Evasio Soliva Carlo Evasio Soliva (27 November 1791 – 20 December 1853) was a Swiss-Italian composer of opera, chamber music, and sacred choral works. Soliva was born in Casale Monferrato, Piedmont to a family of Swiss chocolatiers who had emigrated from the canton of Ticino. He studied pianoforte and composition at the Milan Conservatory.
9ee6eb0525cfd5551f3bc531a3c32f69
Matteo Babini Matteo Antonio Babini (none }} – none }} ), also known by the family name of Babbini, was a leading Italian tenor of the late 18th-century, and a teacher of singing and stage art.
ddfd9f52afbc477b0554d4b1ed1049ac
Caterina Galli Caterina Galli (c. 1723 - 1804) was an Italian operatic mezzo-soprano. She first rose to fame in England in the 1740s and early 1750s where she was particularly admired for her performances in the works of George Frideric Handel. She then enjoyed success in her native country in the 1750s and 1760s, before returning to England where she remained active as a performer up through 1797.
01ebda12921e5698ae9edb761cb06ec7
Sofia Scalchi Sofia Scalchi (November 29, 1850 – August 22, 1922) was an Italian operatic contralto who could also sing in the mezzo-soprano range. Her career was international, and she appeared at leading theatres in both Europe and America.
9cc6891b98527af99760007217ee4e3c
Haute-contre The haute-contre (plural hautes-contre) is a rare type of high tenor voice, predominant in French Baroque and Classical opera until the latter part of the eighteenth century.
5e2bda9b919fd969f2ef3dd1c79b6181
Mario Tiberini Mario Tiberini (8 September 1826 – 16 October 1880) was an Italian tenor who sang leading roles in the opera houses of Europe and the Americas in a career spanning 25 years. Known for his advanced singing technique and dramatic ability, he sang the role of Alvaro in the premiere of the revised (and now standard) version of Verdi's "La forza del destino" and created several roles in operas by lesser-known composers, including the title role in Faccio's "Amleto".
4757f76ff48b26e3b48a36bc4ed30bd1
Giuseppe Farinelli Giuseppe Farinelli (7 May 1769 – 12 December 1836) was an Italian composer active at the end of the 18th century and the beginning of the 19th century who excelled in writing opera buffas. Considered the successor and most successful imitator of Domenico Cimarosa, the greatest of his roughly 60 operas include "I riti d'Efeso" (1803, Venice), "La contadina bizzarra" (1810, Milan) and "Ginevra degli Almieri" (1812, Venice). More than 2/3 of his operas were produced between 1800-1810 at the height of his popularity. With the arrival of Gioachino Rossini his operas became less desirable with the public, and by 1817 his operas were no longer performed. His other compositions include 3 piano forte sonatas, 3 oratorios, 11 cantatas, 5 masses, 2 Te Deums, a Stabat mater, a Salve regina, a Tantum ergo, numerous motets, and several other sacred works.
a629347917d62c798baa4fe022a3c48a
Domenico Ronconi Domenico Ronconi (11 July 1772 - 13 April 1839) was an Italian operatic tenor who had an active international career in leading opera houses from 1796-1829. He then embarked on a second career as a voice teacher in Milan which lasted until his death in that city in 1839.