Georges Favre, the French composer, was a student of which composer of "The Sorcerer's Apprentice"?
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Georges Favre Georges Favre (26 July 1905 – 25 April 1993) was a French composer and musicologist. He was a student of Paul Dukas for composition and Vincent d'Indy for conduction.
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Paul Dukas Paul Abraham Dukas (] ; 1 October 1865 – 17 May 1935) was a French composer, critic, scholar and teacher. A studious man, of retiring personality, he was intensely self-critical, and he abandoned and destroyed many of his compositions. His best known work is the orchestral piece "The Sorcerer's Apprentice" ("L'apprenti sorcier"), the fame of which has eclipsed that of his other surviving works. Among these are the opera "Ariane et Barbe-bleue", a symphony, two substantial works for solo piano, and a ballet, "La Péri".
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Joachim Raff Joseph Joachim Raff (27 May 182224 or 25 June 1882) was a German-Swiss composer, teacher and pianist.
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Armande de Polignac Armande de Polignac, Comtesse de Chabannes-La Palice (Marie Armande Mathilde; 8 January 1876 – 29 April 1962) was a French composer, the niece of Prince Edmond de Polignac and Princess Winnaretta de Polignac, the patron of Ravel, Stravinsky and Milhaud. She studied with Vincent d'Indy at Schola Cantorum, and married the Comte de Chabanne la Palice.
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Yves Baudrier Yves Baudrier (1906–1988) was a French composer. Along with  André Jolivet, Olivier Messiaen and Jean-Yves Daniel-Lesur  he was a founder of the La jeune France movement.
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György Cziffra György Cziffra (in Hungarian form Cziffra György, ] , also known as Georges Cziffra; 5 November 192115 January 1994), was a Hungarian virtuoso pianist and composer. He is considered to be one of the greatest pianists of all time. Among his teachers were István Thomán, who was a favourite pupil of Franz Liszt.
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André Hossein André Hossein, born Aminoullah Husseinov (Azerbaijani: "Əminulla Hüseynov" ; Persian: امین الله حسین ; Russian: Аминулла Гусейнов 1905, in Samarkand – 9 August 1983, in Paris) was an Azerbaijani/French composer of Neo-Romantic music and a tar soloist residing in France.
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Pierre Baillot Pierre Marie François de Sales Baillot (1 October 1771 – 15 September 1842) was a French violinist and composer born in Passy. He studied the violin under Giovanni Battista Viotti and taught at the Paris Conservatoire together with Pierre Rode (also a pupil of Viotti) and Rodolphe Kreutzer, who wrote the conservatoire's official violin method (published in the early 19th century). He was sole author of the instructional "L'art du violon" (1834). Baillot's teachings had a profound influence on technical and musical development in an age in which virtuosity was openly encouraged. He was leader of the Paris Opéra, gave solo recitals and was a notable performer of chamber music. He died in Paris in 1842.
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Louis Fleury Louis Fleury (24 May 1878 – 10 June 1926) was a French flautist, pupil of Paul Taffanel at the Paris Conservatoire. Claude Debussy dedicated the piece for solo flute Syrinx to him in 1913, and Fleury performed the première. In 1921 English composer Cyril Rootham dedicated to Louis Fleury a "Suite in Three Movements" for flute and piano.
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Francine Faure Francine Faure (6 December 1914 in Oran, Algeria – 24 December 1979) was a French pianist specializing in Bach and a mathematician, She was the second wife of Albert Camus, whom she met in 1937 in Algiers. They were married in Lyon on 3 December 1940. She came from a middle-class French family in Oran, Algeria, which was a French colony at the time. She also taught mathematics, sometimes as a substitute teacher.
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Charles-Henri de Blainville Charles-Henri de Blainville (1711 – 1769 [or after 1771]) was a French composer, cellist, pedagogue and theorician.
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Georg Joseph Vogler Georg Joseph Vogler, also known as Abbé Vogler (June 15, 1749 – May 6, 1814), was a German composer, organist, teacher and theorist. In a long and colorful career extending over many more nations and decades than was usual at the time, Vogler established himself as a foremost experimenter in baroque and early classic music. His greatest successes came as performer and designer for the organ at various courts and cities around Europe, as well as a teacher, attracting highly successful and devoted pupils such as Carl Maria von Weber. His career as a music theorist and composer however was mixed, with contemporaries such as Mozart believing Vogler to have been a charlatan. Despite his mixed reception in his own life, his highly-original contributions in many areas of music (particularly musicology and organ theory) and influence on his pupils endured, and combined with his eccentric and adventurous career, prompted one historian to summarize Vogler as "one of the most bizarre characters in the history of music".
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Jacques Mauduit Jacques Mauduit (16 September 1557 – 21 August 1627) was a French composer of the late Renaissance. He was one of the most innovative French composers of the late 16th century, combining voices and instruments in new ways, and importing some of the grand polychoral style of the Venetian School from Italy; he also composed a famous Requiem for the funeral of Pierre de Ronsard.
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Louis Coerne Louis Adolphe Coerne (February 27, 1870 – September 11, 1922) was an American composer and music educator.
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Jean-Louis Lully Jean-Louis Lully (24 September 1667 – 23 December 1688) was a French musician and composer. He was born in Paris, the youngest son of Jean-Baptiste Lully.
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L'arbre enchanté L’arbre enchanté, ou Le tuteur dupé ("The Magic Tree, or, the Tutor Duped"), Wq 42, is a one-act opéra comique by Christoph Willibald Gluck to a libretto based on the 1752 opéra-comique "Le poirier" ("The Peartree") with a text by Jean-Joseph Vadé. Vadé's libretto was based on a tale from Boccaccio's "Decameron", as retold by Jean de La Fontaine. Gluck's opera was written for the nameday of Emperor Francis Stephan, premiering at the Schönbrunn palace in Vienna on the evening of October 3, 1759, anniversary of the death of Saint Francis of Assisi.
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Jean-Baptiste Faure Jean-Baptiste Faure (] ) (15 January 18309 November 1914) was a celebrated French operatic baritone and an art collector of great significance. He also composed a number of classical songs.
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Wilhelm Mayer (composer) Wilhelm Mayer (10 June 183122 January 1898) was an Austro-Bohemian composer who published his works under the name W. A. Rémy. He was also a noted teacher, whose pupils included Ferruccio Busoni and Felix Weingartner. His name sometimes appears as Wilhelm Mayer-Rémy.
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Pierre Hantaï Pierre Hantaï (born 28 February 1964, Paris) is a French conductor and harpsichordist. The son of painter Simon Hantaï, he took up the harpsichord at the age of 11 and studied in Paris with the American teacher Arthur Haas followed by two years in Amsterdam with Gustav Leonhardt. In 1982 he won the second prize in the Bruges harpsichord competition.
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Ginette Martenot Ginette Martenot (1902–1996) was a French pianist and expert and leading performer on the twentieth-century electronic instrument the ondes Martenot, which was invented by her brother Maurice. At the age of sixteen, she entered the Paris Conservatory, where she studied counterpoint and fugue with the composer Arthur Honegger. She gave the first performance (and subsequently made recordings) as solo ondist in Messiaen's Turangalîla-Symphonie, with Yvonne Loriod taking the solo piano part.
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Carl Filtsch Carl Filtsch (28 May 1830 – 11 May 1845) was a Transylvanian pianist and composer. He was a child prodigy, and student of Frédéric Chopin.
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Reiner Bredemeyer Reiner Bredemeyer (2 February 1929 − 5 December 1995) was a German composer. He was born in Vélez, Santander and went to school in Breslau. In 1944 he was drafted into military service and was briefly held as a prisoner of war of the American Army in Bavaria. After the end of World War II, he met composer Karl Amadeus Hartmann who introduced him to the music of Igor Stravinsky, Béla Bartók, Anton Webern, Edgard Varèse, Charles Ives and Erik Satie. From 1949 to 1953 he studied composition with Karl Höller at the Munich Academy for Musical Arts. In 1954 Paul Dessau took him to East Germany, where Bredemeyer became a master student of Rudolf Wagner-Régeny at the DDR Academy of Arts, Berlin.