Italian composer Donizetti's opera "Maria Stuarda" is based on a play by Friedrich Schiller about the final das of which royal figure?
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Mary Stuart (play) Mary Stuart (German: "Maria Stuart" ) is a verse play by Friedrich Schiller that depicts the last days of Mary, Queen of Scots. The play consists of five acts, each divided into several scenes. The play had its première in Weimar, Germany on 14 June 1800. The play formed the basis for Donizetti's opera "Maria Stuarda" (1835).
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Gaetano Donizetti Domenico Gaetano Maria Donizetti (] ; 29 November 1797 – 8 April 1848) was an Italian composer. Along with Gioachino Rossini and Vincenzo Bellini, Donizetti was a leading composer of the "bel canto" opera style during the first half of the nineteenth century. Donizetti's close association with the bel canto style was undoubtedly an influence on other composers such as Giuseppe Verdi (1813–1901).
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Franz, Duke of Bavaria Franz, Duke of Bavaria (German: "Franz Bonaventura Adalbert Maria Herzog von Bayern"; born 14 July 1933) is head of the House of Wittelsbach, the former ruling family of the Kingdom of Bavaria. His great-grandfather King Ludwig III was the last ruling monarch of Bavaria until deposed in 1918.
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Il ballo delle ingrate Il ballo delle ingrate ("The Ballet of the Ungrateful Ladies") is a semi-dramatic ballet by the Italian composer Claudio Monteverdi set to a libretto by Ottavio Rinuccini. It was first performed in Mantua on Wednesday, 4 June 1608 as part of the wedding celebrations for Francesco Gonzaga (the son of Monteverdri's patron Duke Vincenzo of Mantua) and Margaret of Savoy. Both Vincenzo and Francesco Gonzaga took part in the dancing. Monteverdi also composed the opera "L'Arianna" (to another libretto by Rinuccini) and the music for the prologue to Guarini's play "L'idropica" for the occasion.
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L'arbre enchanté L’arbre enchanté, ou Le tuteur dupé ("The Magic Tree, or, the Tutor Duped"), Wq 42, is a one-act opéra comique by Christoph Willibald Gluck to a libretto based on the 1752 opéra-comique "Le poirier" ("The Peartree") with a text by Jean-Joseph Vadé. Vadé's libretto was based on a tale from Boccaccio's "Decameron", as retold by Jean de La Fontaine. Gluck's opera was written for the nameday of Emperor Francis Stephan, premiering at the Schönbrunn palace in Vienna on the evening of October 3, 1759, anniversary of the death of Saint Francis of Assisi.
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Alceste (Gluck) Alceste, Wq. 37 (the later French version is Wq. 44), is an opera by Christoph Willibald Gluck from 1767. The libretto (in Italian) was written by Ranieri de' Calzabigi and based on the play "Alcestis" by Euripides. The premiere took place on 26 December 1767 at the Burgtheater in Vienna.
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Archduchess Maria Immakulata of Austria Archduchess Maria Immakulata of Austria (German: "Maria Immakulata Rainera Josepha Ferdinande Theresia Leopoldine Antoinette Henriette Franziska Karoline Aloysia Januaria Christine Philomena Rosalia, Erzherzogin von Österreich, Prinzessin von Toskana" ) (3 September 1878, Baden bei Wien, Lower Austria, Austria–Hungary – 25 November 1968, Schloss Altshausen, Altshausen, Baden-Württemberg, Germany) was a member of the House of Habsburg-Tuscany and Archduchess of Austria, Princess of Tuscany by birth. Maria Immakulata was the seventh child and fifth eldest daughter of Archduke Karl Salvator of Austria and his wife Princess Maria Immaculata of Bourbon-Two Sicilies.
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Troilus and Cressida Troilus and Cressida ( ) is a tragedy by William Shakespeare, believed to have been written in 1602. It was described by Frederick S. Boas as one of Shakespeare's problem plays. The play ends on a very bleak note with the death of the noble Trojan Hector and destruction of the love between Troilus and Cressida. The work has in recent years "stimulated exceptionally lively critical debate". Throughout the play, the tone lurches wildly between bawdy comedy and tragic gloom, and readers and theatre-goers have frequently found it difficult to understand how one is meant to respond to the characters. However, several characteristic elements of the play (the most notable being its constant questioning of intrinsic values such as hierarchy, honour and love) have often been viewed as distinctly "modern," as in the following remarks on the play by author and literary scholar Joyce Carol Oates:
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In questa reggia "In questa reggia" ("In this palace") is an aria from Giacomo Puccini's opera "Turandot" set to a libretto in Italian by Giuseppe Adami and Renato Simoni. The text is based on Friedrich Schiller's adaptation of the play "Turandot" by Carlo
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Tsar Fyodor Ioannovich Tsar Fyodor Ioannovich (Russian: Царь Фёдор Иоаннович , old orthography: Царь Ѳедоръ Іоанновичъ) is a 1868 historical drama by Aleksey Konstantinovich Tolstoy. It is the second part of a trilogy that begins with "The Death of Ivan the Terrible" and concludes with "Tsar Boris". All three plays were banned by the censor. "Tsar Fyodor" is written in blank verse and was influenced by the work of William Shakespeare, Casimir Delavigne, and Edward Bulwer-Lytton. It dramatises the story of Feodor I of Russia, whom the play portrays as a good man who is a weak, ineffectual ruler. The trilogy formed the core of Tolstoy's reputation as a writer in the Russia of his day and as a dramatist to this day. It has been considered Tolstoy's masterpiece.
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Archduke Ferdinand Karl Joseph of Austria-Este Archduke Ferdinand Karl Joseph of Austria-Este (25 April 1781 – 5 November 1850) was the third son of Archduke Ferdinand of Austria-Este and of his wife Princess Maria Beatrice Ricciarda d'Este, last member and heiress of the House of Este. For much of the Napoleonic Wars he was in command of the Austrian army.
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Ferdinand II of Portugal "Dom" Ferdinand II (Portuguese: "Fernando II") (29 October 1816 – 15 December 1885) was a German prince of the House of Saxe-Coburg and Gotha-Koháry, and King of Portugal "jure uxoris" as the husband of Queen Maria II, from the birth of their son in 1837 to her death in 1853.
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William Tell (opera) Guillaume Tell (English: William Tell , Italian: Guglielmo Tell ) is a French opera in four acts by Gioachino Rossini to a libretto by Étienne de Jouy and Hippolyte Bis. Based on Friedrich Schiller's play "William Tell," which drew on the William Tell legend, the opera was Rossini's last, although he lived for nearly forty more years. Fabio Luisi said that Rossini planned for "William Tell" to be his last opera even as he composed it. The overture, in four sections and featuring a depiction of a storm as well as a vivacious finale, the "March of the Swiss Soldiers," is often played.
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Tomás de Torres Tomás de Torres was a Portuguese teacher of King John III of Portugal, an astrologer and an eminent doctor during the early 16th century in Portugal. He was satirized by Gil Vicente in one of his plays as Doctor Torres in the "Auto dos Físicos" (Play of the Physicians). He had an influence in Portuguese palace life, was one of the most prominent astrologers in Portugal, and influenced many astrologers including the ones that made great prophecies about King Sebastian's life that would take him to the Battle of Ksar El Kebir where he died leading Portugal to a dynastic crisis.
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Princess Maria Antonia of Parma Maria Antonia of Parma (Maria Antonia Giuseppa Walburga Anna Luisa Vicenza Margherita Caterina; 28 November 1774 – 20 February 1841) was a Princess of Parma, daughter of Duke Ferdinand I of Parma and his wife, Archduchess Maria Amalia of Austria. Contrary to what has been frequently stated, she was not named after her aunt, Queen Marie Antoinette of France, who was not her godmother. Maria Antonia's godparents were her uncle, Emperor Joseph II, and her father's aunt, Maria Antonia of Spain, Queen of Sardinia, after whom the princess was named.
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Anna Maria Luisa de' Medici Anna Maria Luisa de' Medici (11 August 1667 – 18 February 1743) was the last lineal descent of the House of Medici. A patron of the arts, she bequeathed the Medici's large art collection, including the contents of the Uffizi, Palazzo Pitti and the Medicean villas, which she inherited upon her brother Gian Gastone's death in 1737, and her Palatine treasures to the Tuscan state, on the condition that no part of it could be removed from "the Capital of the grand ducal State...[and from] the succession of His Serene Grand Duke."
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Rodrigo (opera) Rodrigo (HWV 5) is an opera in three acts composed by George Frideric Handel. Its original title was "Vincer se stesso è la maggior vittoria" ("To overcome oneself is the greater victory"). The opera is based on the historical figure of Rodrigo, the last Visigothic king of Spain. The libretto was based on Francesco Silvani's "II duello d'Amore e di Vendetta" ("The conflict between love and revenge"). Dating from 1707, it was Handel's first opera written for performance in Italy, and the first performance took place in Florence late in 1707.
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Charlotte von Lengefeld Charlotte Luise Antoinette von Schiller, born Charlotte von Lengefeld (22 November 1766 – 9 July 1826) was the wife of German poet Friedrich Schiller.
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Der Schauspieldirektor Der Schauspieldirektor ("The Impresario"), K. 486, is a comic "singspiel" by Wolfgang Amadeus Mozart, set to a German libretto by Gottlieb Stephanie, an Austrian "Schauspieldirektor". Originally, it was written because of "the imperial command" of the Holy Roman Emperor Joseph II who had invited 80 guests to a private luncheon.
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Don Gregorio (opera) Don Gregorio is an 1826 opera by Gaetano Donizetti from a libretto by Jacopo Ferretti and adapted from his popular 1824 opera buffa L'ajo nell'imbarazzo ("The Tutor Embarrassed"), which had enjoyed considerable success when presented at the Teatro Valle in Rome on 4 February 1824.
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Charles Theodore, Elector of Bavaria Charles Theodore (German: "Karl Theodor" ; 11 December 1724 – 16 February 1799) reigned as Prince-elector and Count Palatine from 1742, as Duke of Jülich and Berg from 1742 and also as prince-elector and Duke of Bavaria from 1777 to his death. He was a member of the House of Palatinate-Sulzbach, a branch of the House of Wittelsbach.
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The Prince of Homburg (play) The Prince of Homburg (German: "Der Prinz von Homburg" , "Prinz Friedrich von Homburg", or in full "Prinz Friedrich von Homburg oder die Schlacht bei Fehrbellin") is a play by Heinrich von Kleist written in 1809–10, but not performed until 1821, after the author's death.