What instrument played by Raghunath Manet has many regional designs?
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Raghunath Manet Raghunath Manet is an Indian classical musician and dancer born in the union territory of Puducherry. He is trained in Bharathanatyam and plays the Veena, a Carnatic instrument. He has collaborated with French performers such as Antoine Bourseiller, Didier Lockwood and Michel Portal and is a recipient of the Chevalier award.
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Veena The veena (Sanskrit: वीणा , IAST: vīṇā), also spelled as vina or beena or bina, is a multistringed chordophone of the Indian subcontinent. It is an ancient musical instrument that evolved into many variations, such as lutes, zithers and arched harps. The many regional designs have different names such as the Rudra veena, the Saraswati veena, the Mohan veena and others.
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Chitrali sitar The chitrali sitar (Urdu: چترالی ستھار‎ )is a long-necked lute played in northern area, Chitral of Pakistan. It is not related to the Indian sitar and its name is probably a corruption of setar a Central Asian and Iranian long-necked lute.
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Krishna Bhatt Krishna Mohan Bhatt (born 1949) is a sitar player, teacher and scholar from Jaipur, India.
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Bagpipes Bagpipes are a wind instrument using enclosed reeds fed from a constant reservoir of air in the form of a bag. Though the Scottish Great Highland bagpipes are the best known in the Anglophone world, bagpipes have been played for a millennium or more throughout large parts of Europe, northern Africa, and western Asia, including Turkey, the Caucasus, and around the Persian Gulf. The term "bagpipe" is equally correct in the singular or plural, though pipers usually refer to the bagpipes as "the pipes", "a set of pipes" or "a stand of pipes".
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Baghèt The baghèt is a bagpipe historically played in Bergamo and Brescia, corresponding to the region of Lombardy in modern Italy. It is a small double-reeded bagpipe with two drones, associated with rural musicians. The instrument became defunct in the mid-20th century, but is now played by some revivalists.
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Moinuddin Khan Moinuddin Khan is a veteran Indian classical instrumentalist and vocalist, who plays sarangi. Based in Jaipur, he belongs to the "Jaipur gharana" of Hindustani classical music. Renowned for dignified method of presenting ASTHAI-ALAAP-ANTRA in Vilambit and DRUT with LAYAKARI has an extereme control over TAN - GAMAKplaying.
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Sambuca (instrument) The sambuca (also "sambute", "sambiut", "sambue", "sambuque", or "sambuke") was an ancient stringed instrument of Asiatic origin. However, many other instruments have also been called a "sambuca".
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Yakshagana raga Yakshagana rāga (Kannada:ಯಕ್ಷಗಾನ ರಾಗ, pronounced as "yaksha-gaana raaga") refers to melodic modes used in yakshagana. It is based on pre-classical melodic forms that consist of a series of five or more musical notes upon which a melody is founded. Yakshagana rāgas have indigenous rāgas and others derived from other forms of music. Rāgas in yakshagana are closely associated with a set of melodic forms called "mattu". Yakshagana rāgas have their own "gamaka". Although yakshagana rāgas share names with rāgas in other Indian music systems, they are compositionally different, with a few exceptions. More than 80 rāgas have been identified to have survived the onslaught of popular and elite musical systems. In Yakshagana tradition, rāgas are associated with different times of the night throughout which Yakshagana is performed.
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Ranat Ranat (Thai: ระนาด ,  ] , also spelled "ranad" or "ranaat") is the generic name for keyboard percussion instruments used in the music of Thailand. The bars of the various types of "ranat" may be made from hardwood or bamboo ("ranat ek" ระนาดเอก and "ranat thum" ระนาดทุ้ม ), metal ("ranat ek lek" ระนาดเอกเหล็ก and "ranat thum lek" ระนาดทุ้มเหล็ก ), or, much more rarely, glass ("ranat kaeo" ระนาดแก้ว ).
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Mohanam Mohanam is a rāga in Carnatic music (musical scale of South Indian classical music). It is an "audava" rāga (or "owdava" rāga, meaning pentatonic scale). It is a "janya" rāga of Harikambojhi(28th Melakartha Raga). However there are disputes about Mohanam being the janya of Sankharbharanam also because all the swaras present in the Arohana and Avarohana of Mohanam satisfy both the melakartha ragas listed above.
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Kedar (raga) Kedar, also known as "Kedara", is a Hindustani classical raga. Named after Lord Shiva, the raga is placed on a high pedestal in the realms of Indian classical music. It is characterised by a lot of complex turns, which are brilliantly melodious but difficult to express in words.
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Sarod The sarod (or sarode) (सरोद) is a stringed instrument of India, used mainly in Indian classical music. Along with the sitar, it is among the most popular and prominent instruments in Hindustani classical music. The sarod is known for a deep, weighty, introspective sound, in contrast with the sweet, overtone-rich texture of the sitar, with sympathetic strings that give it a resonant, reverberant quality. It is a fretless instrument able to produce the continuous slides between notes known as meend (glissandi), which are important in Indian music.
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Aravana Aravana muttu or arabana muttu is an art form prevalent among Muslims in Kerala state of south India, named after the aravana, a hand-held, one-sided flat tambourine or drumlike musical instrument, derived from Arabia. It is made of wood and animal skin, similar to the duff but a little thinner and bigger. In the opinion of Becker Edakkazhiyur, a noted arabana musician, "the ritualistic performance of `Arabana Reefa Ee Raathib Muttu' has been mistaken for `Arabana Kali Muttu,' which is purely for entertainment. While the former is almost extinct, the latter, known for its aesthetic appeal, is the one presented nowadays."
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Rishabhapriya Rishabhapriya is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 62nd "melakarta" rāgam (parent scale) in the 72 "melakarta" rāgam system of Carnatic music. It is the "prati madhyamam" equivalent of "Charukesi", which is the 26th "melakarta". It is called Ratipriya in Muthuswami Dikshitar school of Carnatic music.
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Sympitar A Sympitar is a modern form of guitar combining functional aspects of the guitar and the Indian sitar. This instrument has a unique feature: there is a graphite channel which guides a series of "sympathetic" resonating strings through the neck from the bridge up to the headstock. These strings vibrate or resonate against a "jiwari" bridge, which produces the sustaining drone typically associated with Indian music. The instrument(s) also have at least 6 standard guitar strings which traverse the length of the neck just as they do for a standard steel-string acoustic guitar. Depending on the notes played and on how the sympathetic strings are tuned, the sympitar's sympathetic strings will produce long waves of resonating notes, either in harmonic or enharmonic response.
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Tanam Tanam or Taanam (pronounced tānam) is one of the methods of raga improvisation ("manodharma") in Carnatic Classical Music tradition, suited mainly for vocal music, Violin and Veena.
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Rag Lalit Rāg Lalit is a studio album by Indian classical musician Ram Narayan, released in 1989. Recorded December 3, 1987, in Wyastone Leys near Monmouth, Wales, the album features a performance of the serene dawn raga Lalit on sarangi. Narayan performs a long non-metrical introduction to unfold the raga, during which he adds a pulse, until he is joined by tabla to perform a composition.
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Marfa (music) The "Marfa" (Urdu: مرفع‎ ) is a form of celebratory rhythmic music and dance in Hyderabad, India, among the Hyderabadi Muslims, adapted from Afro-Arab music of Hadhramawt in Yemen. played with high tempo using Marfa (instrument) "daff", "Dhol", "sticks", "steel pots" and "wooden strips" called "thapi". The Chorus effects and vocal meter are set according to beats.
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Sarinda A sarinda is a stringed Indian and Nepali folk musical instrument similar to lutes or fiddles. It is played with a bow and has between three and thirty strings depending on the region. The bottom part of the front of its hollow wooden soundbox is covered with animal skin. It is played while sitting on the ground in a vertical orientation.
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Laggutu The Laggutu is a folk percussion instrument performed in southern regions of Azerbaijan: Astara, Lankaran, Masalli and Jalilabad.
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Mararanjani Mararanjani (pronounced māraranjani) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 25th "Melakarta" rāgam in the 72 "melakarta" rāgam system of Carnatic music. It is called Sharāvati in Muthuswami Dikshitar school of Carnatic music.