Who was the original choreographer of the Tchaikovsky ballet later re-staged by Gil Boggs for the Colorado Ballet?
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Gil Boggs Gil Boggs is the Artistic Director of Colorado Ballet in Denver, Colorado. Boggs accepted the position of Artistic Director with Colorado Ballet in the Spring of 2006. In August 2014, Boggs re-signed a five-year contract to remain as Colorado Ballet's Artistic Director. During Boggs’ tenure with Colorado Ballet, he has re-staged full-length productions of Swan Lake, The Sleeping Beauty, Giselle, Don Quixote and Coppélia along with adding new full-length productions of Romeo & Juliet, Cinderella, Le Corsaire, Beauty and the Beast and Peter Pan. Boggs has also presented 15 world premieres and 12 Colorado Ballet premieres by choreographers Twyla Tharp, Lar Lubovitch, Antony Tudor, Val Caniparoli, Dwight Rhoden and Lynne Taylor-Corbett.
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The Sleeping Beauty (ballet) The Sleeping Beauty (Russian: Спящая красавица / "Spyashchaya krasavitsa") is a ballet in a prologue and three acts, first performed in 1890. The music was composed by Pyotr Ilyich Tchaikovsky (his opus 66). The score was completed in 1889, and is the second of his three ballets. The original scenario was conceived by Ivan Vsevolozhsky, and is based on Charles Perrault's "La Belle au bois dormant". The choreographer of the original production was Marius Petipa.
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Enrico Cecchetti Enrico Cecchetti (] ; 21 June 1850 in Rome – 13 November 1928 in Milan) was an Italian ballet dancer, mime, and founder of the Cecchetti method. The son of two dancers from Civitanova Marche, he was born in the costuming room of the "Teatro Tordinona" in Rome. After an illustrious career as a dancer in Europe, he went to dance for the Imperial Ballet in St. Petersburg, Russia, where he further honed his skills. Cecchetti was praised for his agility and strength in his performances, as well as his technical abilities in dance. By 1888, he was widely accepted as the greatest ballet virtuoso in the world.
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Le chant du rossignol The opera, the first act written in 1908 and the later two in 1913-14, was the first ever to be written by Stravinsky. The delay between writing the first and the latter acts was caused by his commissions to write "The Firebird", "Petrushka", and "The Rite of Spring" for impresario Sergei Diaghilev's Ballets Russes. After this lapse of time, during which Stravinsky established himself as a ballet composer, he was unsure of returning to "Le rossignol", and although he did finish it, he chose to also create a purely symphonic version, "Le chant du rossignol".
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Robert Weiss (choreographer) Robert Weiss is an American ballet dancer, choreographer, and Artistic Director of Carolina Ballet. He began his professional career at age 17 joining the New York City Ballet under George Balanchine, eventually becoming a Principal Dancer. Balanchine created several roles for him, including Ballo della Regina. Weiss remained with the New York City Ballet for 16 years. He later served as Artistic Director of the Pennsylvania Ballet from 1982 to 1990. Weiss then became the founding Artistic Director of Carolina Ballet in 1997 where he has remained to this day.
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Elaine Kudo Elaine Kudo is a ballet dancer and choreographer. She is the ballet master at the Washington Ballet and was formerly a ballet mistress at the American Repertory Ballet. She danced formerly with the American Ballet Theatre as a soloist, "excelling" in Twyla Tharp's choreography.
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John D'Auban Frederick John D'Auban (1842 – 15 April 1922) was an English dancer, choreographer and actor of the Victorian and Edwardian eras. Famous during his lifetime as the ballet-master at the Theatre Royal, Drury Lane, he is best remembered as the choreographer of many of the Gilbert and Sullivan operas.
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Vasili Vainonen Vasili Ivanovich Vainonen, also spelled Vasily (Russian: Васи́лий Ива́нович Вайно́нен ) (1901-1964), was a renowned Soviet choreographer, mainly for the Kirov Ballet, now known as the Mariinsky Ballet, with which he worked from 1930 to 1938.
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Les Sylphides Les Sylphides (] ) is a short, non-narrative "ballet blanc". Its original choreography was by Michel Fokine, with music by Frédéric Chopin orchestrated by Alexander Glazunov. Glazunov had already set some of the music in 1892 as a purely orchestral suite, under the title Chopiniana, Op. 46. In that form it was introduced to the public in December 1893, conducted by Nikolai Rimsky-Korsakov.
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Kasyan Goleizovsky Kasyan Goleizovsky (5 March 1892 – 4 May 1970) was a Russian choreographer and dancer. He was a pioneer in the Moscow avant-garde ballet scene in the 1920s. His innovative and acrobatic routines heavily influenced artists like George Balanchine.
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Jules Perrot Jules-Joseph Perrot (18 August 1810 – 29 August 1892) was a dancer and choreographer who later became Balletmaster of the Imperial Ballet in St. Petersburg, Russia. He created some of the most famous ballets of the 19th century including "Pas de Quatre", "La Esmeralda", "Ondine", and "Giselle" with Jean Coralli.
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Swan Lake (1895) The 1917 Petipa/Ivanov/Drigo revival of Swan Lake is a famous version of the ballet "Swan Lake", (ru. "Лебединое Озеро"), (fr. "Le Lac des Cygnes"). This is a ballet by Pyotr Ilyich Tchaikovsky based on an ancient German legend, presented in either four acts, four scenes (primarily outside Russia and Eastern Europe), three acts, four scenes (primarily in Russia and Eastern Europe) or, more rarely, in two acts, four scenes. Originally choreographed by Julius Reisinger to the music of Pyotr Ilyich Tchaikovsky (opus 20), it was first presented as "The Lake of the Swans" by the Ballet of the Moscow Imperial Bolshoi Theatre on 20 February/4 March 1877 (Julian/Gregorian calendar dates) in Moscow, Russia. Although the ballet is presented in many different versions, most ballet companies today base their stagings both choreographically and musically on this revival by Marius Petipa and Lev Ivanov, staged for the Imperial Ballet, first presented on 15 January/27 January 1895, at the Imperial Mariinsky Theatre in St. Petersburg, Russia instead of the original version.
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Agon (ballet) Agon (1957) is a ballet for twelve dancers, with music by Igor Stravinsky and choreography by George Balanchine. Composition began in December 1953 but was interrupted the next year; work was resumed in 1956 and concluded on April 27, 1957; the music was first performed on June 17, 1957, in Los Angeles conducted by Robert Craft, while the first stage performance was given by the New York City Ballet on December 1, 1957, at the City Center of Music and Drama, New York . The composition's long gestation period covers an interesting juncture in Stravinsky's composing career, in which he moved from a diatonic musical language to one based on twelve-tone technique; the music of the ballet thus demonstrates a unique symbiosis of musical idioms. The ballet has no story, but consists of a series of dance movements in which various groups of dancers interact in pairs, trios, quartets, etc. A number of the movements are based on 17th-century French court dances – saraband, galliard and bransle. It was danced as part of City Ballet's 1982 Stravinsky Centennial Celebration.
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Andria Balanchivadze Andria Balanchivadze (Georgian: ანდრია მელიტონის ძე ბალანჩივაძე , "Andria Melit'onis dze Balanchivadze", Russian: Андре́й Мелито́нович Баланчива́дзе , Andrei Melitonovich Balanchivadze) (1 June 1906 [O.S. 19 May] – 28 April 1992) was a Georgian composer. He was the son of Meliton Balanchivadze, the composer, and brother of George Balanchine, the famous Georgian-American ballet choreographer.
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Circus Polka Igor Stravinsky and George Balanchine first met in 1925, as Balanchine, who just had started working for Sergei Diaghilev's "Ballets Russes", choreographed the ballet version of Stravinsky's "Le chant du rossignol". This was the start of a long friendship and many years of collaboration, which continued after both emigrated to the United States in the 1930s.
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Swan Lake (Martins) Swan Lake is a two-act ballet made by New York City Ballet (NYCB) ballet master in chief Peter Martins (after Marius Petipa, Lev Ivanov, and George Balanchine) to Tschaikovsky's eponymous music (1875–56). The premiere took place 27 October 1996, with the Royal Danish Ballet at the Royal Theatre, Copenhagen; the NYCB premiere was 29 April 1999 at the New York State Theater, Lincoln Center. Peter Martins' wife, NYCB principal dancer Darci Kistler, chose to include the final act of "Swan Lake" in her farewell performance, Sunday, 27 June.
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Carmen Suite (ballet) Carmen Suite is a one-act ballet created in 1967 by Cuban choreographer Alberto Alonso to music by Russian composer Rodion Shchedrin for his wife, prima ballerina assoluta Maya Plisetskaya. The premiere took place on 20 April 1967 at the Bolshoi Theatre, Moscow. The music, taken from the opera "Carmen" by Georges Bizet and arranged for strings and percussion, is not a 19th-century pastiche but rather "a creative meeting of the minds," as Shchedrin put it, with Bizet's melodies reclothed in a variety of fresh instrumental colors (including the frequent use of percussion), set to new rhythms and often phrased with a great deal of sly wit. Initially banned by the Soviet hierarchy as "disrespectful" to the opera for precisely these qualities, the ballet has since become Shchedrin's best-known work and has remained popular in the West for what reviewer James Sanderson calls "an iconoclastic but highly entertaining retelling of Bizet's opera."
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Ballet West Ballet West is an American ballet company based in Salt Lake City, Utah. It was founded in 1963 as the Utah Civic Ballet by Willam F. Christensen, the company's first artistic director, and Glenn Walker Wallace, who served as its first president. Christensen had previously established the first ballet department in an American university at the University of Utah in 1951.
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Prince Igor Prince Igor (Russian: Князь Игорь , "Knyaz' Igor'") is an opera in four acts with a prologue, written and composed by Alexander Borodin. The composer adapted the libretto from the Ancient Russian epic "The Lay of Igor's Host", which recounts the campaign of Rus' prince Igor Svyatoslavich against the invading Cuman ("Polovtsian") tribes in 1185. He also incorporated material drawn from two medieval Kievan chronicles. The opera was left unfinished upon the composer's death in 1887 and was edited and completed by Nikolai Rimsky-Korsakov and Alexander Glazunov. It was first performed in St. Petersburg, Russia, in 1890.
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Paul Boos (répétiteur) Paul Boos (born June 2, 1958 in Sioux Falls, South Dakota) is an American dancer, balletmaster, archivist, and répétiteur. He danced with New York City Ballet from 1977 until 1990 before becoming a guest teacher for Royal Danish Ballet. In addition to teaching internationally, he is part of a select group of répétiteurs sanctioned by The Balanchine Trust to set the ballets of George Balanchine and the Project Associate to The George Balanchine Foundation's Interpreters Archive.
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Gelsey Kirkland Gelsey Kirkland (born December 29, 1952) is an American ballerina. Kirkland joined the New York City Ballet in 1968 at age fifteen, at the invitation of George Balanchine. She was promoted to soloist in 1969 and principal in 1972. She went on to create leading roles in many of the great twentieth century ballets by Balanchine, Jerome Robbins, and Antony Tudor including Balanchine's revival of "The Firebird", Robbins' "Goldberg Variations", and Tudor's "The Leaves are Fading". Balanchine re-choreographed his version of Stravinsky's "The Firebird" specifically for her. She left the New York City Ballet to join the American Ballet Theatre in 1974.
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List of productions of The Nutcracker Although the original 1892 Marius Petipa production was not a success, Pyotr Ilyich Tchaikovsky's ballet "The Nutcracker" began to slowly enjoy worldwide popularity after Balanchine first staged his production of it in 1954. It may now be the most popular ballet in the world.