The David Bowie bootleg "Zion" was recorded during Bowie's this album sessions that Bowie wrote after his breakthrough The Rise and Fall of Ziggy Stardust and the Spiders from what?
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Zion (song) "Zion" is a David Bowie bootleg. It is most commonly said to have been recorded at Trident Studios in January 1973, during Bowie's "Aladdin Sane" sessions.
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Aladdin Sane Aladdin Sane is the sixth studio album by English musician David Bowie, released by RCA Records on 13 April 1973. The follow-up to his breakthrough "The Rise and Fall of Ziggy Stardust and the Spiders from Mars", it was the first album he wrote and released from a position of stardom.
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The Width of a Circle "The Width of a Circle" is a song written by David Bowie in 1970 for the album "The Man Who Sold the World", released later that year in the United States and in April 1971 in the UK. It is the opening track to the album, a hard rocker with heavy metal overtones. Bowie had performed a shorter version of the song in concerts for several months before recording it.
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Zion (Phil Keaggy album) Zion is a concept album written and performed by the guitarist Phil Keaggy as a tribute to the master guitarmaker Ken Hoover at Zion guitars. Though Ken is being racked by a progressively destructive disease, unable to handcraft guitars himself, he still works at the Zion guitars workshop.
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Lazarus (soundtrack) Lazarus (Original Cast Recording) is a soundtrack album by the New York cast of the musical "Lazarus", which was written and composed by David Bowie and Enda Walsh. The soundtrack was released on 21 October 2016. The album includes three previously unreleased songs by Bowie, "No Plan", "Killing a Little Time" and "When I Met You". The album was scheduled and recorded on 11 January 2016, which turned out to be the day after Bowie's death. The musicians and cast were notified upon arriving at the studio; their emotional performances are captured on the recording.
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Starman (song) "Starman" is a song by David Bowie, recorded on 4 February 1972 and released as a single that April. The song was a late addition to "The Rise and Fall of Ziggy Stardust and the Spiders from Mars", included at the insistence of RCA’s Dennis Katz, who heard a demo and loved the track, believing it would make a great single. It replaced the Chuck Berry cover "Round and Round" on the album.
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Love You till Tuesday (album) Love You till Tuesday was a compilation of material by David Bowie, issued as a companion to the belated video release of Bowie's 1969 promotional film "Love You till Tuesday".
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Lodger (album) Lodger is the thirteenth studio album by English singer-songwriter David Bowie. It was originally released in May, 1979 by RCA Records. The last of the Berlin Trilogy, it was recorded in Switzerland and New York City with collaborator Brian Eno and producer Tony Visconti. Unlike Bowie's previous two albums, "Lodger" contained no instrumentals and a somewhat more pop-oriented style while experimenting with elements of world music and recording techniques inspired by Eno's Oblique Strategies cards.
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Ashes to Ashes (David Bowie song) "Ashes to Ashes" is a song written and recorded by David Bowie. It was the lead single from the 1980 album "Scary Monsters (And Super Creeps)" and became Bowie's second UK No. 1 single. It is also known for its innovative video, directed by Bowie and David Mallet, which at the time was the most expensive music video ever made.
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Crystal Japan "Crystal Japan" is an instrumental piece written by David Bowie and released as a single in Japan in 1980. It was recorded in 1979 and used in a Japanese commercial for the sake Crystal Jun Rock, which also featured an appearance by Bowie, although he said at the time that the track was not specifically written for this purpose. Originally titled "Fuji Moto San", it was going to close the "Scary Monsters" album until replaced by "It's No Game (No. 2)".
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Daisyhead and the Mooncrickets (album) Daisyhead & The Mooncrickets is the self-titled 14-track second recording by Daisyhead & The Mooncrickets from 1997, where most of the songs are cut off before they end. A few covers are included, David Bowie's "Ziggy Stardust" being among them. Half (or more) of the song titles are unknown. It's also perhaps the earliest recording of the "Deadboy & the Elephantmen Theme Song," which Riggs would eventually play when he formed a band by that name in late 2000.
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Love You till Tuesday (song) "Love You till Tuesday" is a song written and performed by David Bowie. The first version of the song, recorded in February 1967, was included on Bowie's debut album. A second version, released as a single, was recorded on 3 June 1967 and released on 14 July 1967. The single garnered good notices from the music press but, like his earlier singles, failed to break into the British charts. It was his final new release for Deram Records. Bowie's 1969 showpiece film "Love You till Tuesday" took its name from the song, which also featured over the opening credits.
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Sound+Vision Tour David Bowie's 1990 Sound+Vision Tour was billed as a greatest hits tour in which Bowie would retire his back catalogue of hit songs from live performance. The tour opened at the Colisée de Québec in Quebec City, Canada on 4 March 1990 before reaching its conclusion at the River Plate Stadium in Buenos Aires, Argentina on 29 September 1990, spanning five continents in seven months. The concert tour surpassed Bowie's previous Serious Moonlight (1983) and Glass Spider (1987) tours' statistics by visiting 27 countries with 108 performances.
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And We Danced (Macklemore song) "And We Danced" is a song by Macklemore, under the alter-ego Raven Bowie, and features singer Ziggy Stardust. It was released as a single on October 31, 2011 by Macklemore LLC.
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Liza Jane (David Bowie song) "Liza Jane" was the first recording to be released as a single by David Bowie, and credited to Davie Jones with the King-Bees. This event took place in 1964 when Bowie was 17 years old. The B-side of the single was the Paul Revere and the Raiders song "Louie, Louie Go Home". Both songs on the single were recorded in a seven-hour session at Decca Studios in Broadhurst Gardens, West Hampstead.
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Future Legend "Future Legend" is the opening track of David Bowie's 1974 album "Diamond Dogs". Its spoken narrative introduces the album's setting in a "glitter apocalypse".
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Never Let Me Down Never Let Me Down is the seventeenth studio album by David Bowie, released on 20 April 1987 on the label EMI America. Bowie conceived the album as the foundation for a theatrical world tour, writing and recording most of the songs in Switzerland. He considered the record a return to rock and roll music. Three singles were released from the album, "Day-In Day-Out", "Time Will Crawl" and "Never Let Me Down", which all reached the UK Top 40.
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Needles and Pins (song) "Needles and Pins" is a song written by Jack Nitzsche and Sonny Bono. In his autobiography, Bono states that he sang along with Nitzsche's guitar-playing, thus creating both the tune and the lyrics, being guided by the chord progressions. Jackie DeShannon tells the story differently, that the song was written at the piano, and that she was a full participant in the song's creation, along with Nitzsche and Bono, although she didn't get formal credit.
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Panic in Detroit "Panic in Detroit" is a song written by English singer David Bowie for the album "Aladdin Sane" in 1973. Bowie based it on friend Iggy Pop's descriptions of revolutionaries he had known in Michigan and Pop's experiences during the 1967 Detroit riots. "Rolling Stone" magazine called the track "a paranoid descendant of the Motor City's earlier masterpiece, Martha and the Vandellas' "Nowhere to Run"".
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All We Grow All We Grow is the debut album of S. Carey. The album was recorded over a period of two years at Carey's home and at Justin Vernon's studio during breaks from touring with Bon Iver. Carey has cited Justin Vernon, Megafaun, Bowerbirds, A.A. Bondy, Collections of Colonies of Bees, Feist, and Sigur Rós as some of his major inspirations for "All We Grow".
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Golden Years (song) "Golden Years" is a song written and recorded by David Bowie in 1975. It was originally released in a shortened form as a single in November 1975, and in its full-length version in January the following year on the "Station to Station" album. It was the first track completed during the "Station to Station" sessions, a period when Bowie's cocaine addiction was at its peak. At one stage it was slated to be the album's title track.
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Lady Stardust "Lady Stardust" is a song written by David Bowie that appeared on the album "The Rise and Fall of Ziggy Stardust and the Spiders from Mars" (1972). The song is generally interpreted as alluding to fellow glam rock icon Marc Bolan. The original demo version was entitled "He Was Alright (A Song for Marc)." The song was released as a single in 2017 to coincide with the "David Bowie Is" exhibition in Japan.