The Passacaglia for orchestra, Opus 1, is the first published composition of twentieth century Austrian composer Anton Webern, who was mentored by who?
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Passacaglia for orchestra (Webern) The Passacaglia for orchestra, Opus 1, is the first published composition of twentieth century Austrian composer Anton Webern. It is based on the 17th century musical form, the passacaglia.
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Anton Webern Anton Friedrich Wilhelm (von) Webern (] ; 3 December 188315 September 1945) was an Austrian composer and conductor. Along with his mentor Arnold Schoenberg and his colleague Alban Berg, Webern was at the core among those within and more peripheral to the circle of the Second Viennese School, including Ernst Krenek and Theodor W. Adorno. As an exponent of atonality and twelve-tone technique, Webern exerted influence on contemporaries Luigi Dallapiccola, Křenek, and even Schoenberg himself. As a tutor, Webern guided and variously influenced Arnold Elston, Frederick Dorian (Friederich Deutsch), Matty Niël, Fré Focke, Karl Amadeus Hartmann, Philipp Herschkowitz, René Leibowitz, Humphrey Searle, Leopold Spinner, and Stefan Wolpe.
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Giovanni Battista Sammartini Giovanni Battista Sammartini (c. 1700 – 15 January 1775) was an Italian composer, oboist, organist, choirmaster and teacher. He counted Gluck among his students, and was highly regarded by younger composers including Johann Christian Bach. It has also been noted that many stylizations in Joseph Haydn's compositions are similar to those of Sammartini, although Haydn denied any such influence. Sammartini is especially associated with the formation of the concert symphony through both the shift from a brief opera-overture style and the introduction of a new seriousness and use of thematic development that prefigure Haydn and Mozart. Some of his works are described as "galant", a style associated with Enlightenment ideals, while "the prevailing impression left by Sammartini's work... [is that] he contributed greatly to the development of a Classical style that achieved its moment of greatest clarity precisely when his long, active life was approaching its end".
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Symphony No. 1 (Dohnányi) The Symphony No. 1 in D minor, Op. 9, was completed by Ernő Dohnányi in 1901, when the composer was 24. Premiered in 1902, it is an early work by Dohnányi, and is his first full venture into orchestral writing (the 1896 Symphony in F was neither completed nor published). Although audibly influenced by the prevailing voices of the time, including Bruckner, Strauss, Tchaikovsky, Wagner, Mahler and Brahms, the work nonetheless demonstrates a formidable handling of complex compositional techniques and is a notable precursor to what would become Dohnányi's distinctive neoromantic style. As with most of his public work, Dohnányi published the composition under the Germanized version of his name, Ernst von Dohnányi. The symphony is 50–55 minutes in duration.
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Zueignung "Zueignung " (translated as "Dedication" or "Devotion"), is a "Lied " composed by Richard Strauss in 1885 (completed 13 August), setting a poem by the Austrian poet Hermann von Gilm. It was included in the first collection of songs Strauss ever published, as Op. 10 in 1885. Originally scored for voice and piano, the song was orchestrated in 1932 by the German conductor Robert Heger and in 1940 by Strauss himself. It has been one the composer's best-known songs.
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Kitzler Study Book The Kitzler Study Book (Kitzler-Studienbuch ) is an autograph workbook of Anton Bruckner which he wrote taking tuition with the conductor and cellist Otto Kitzler in Linz. Bruckner tried to complete his knowledge in musical form and instrumentation with Kitzler after the end of his studies with Simon Sechter.
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Karl Michael Ziehrer Karl Michael Ziehrer (also spelled as Carl Michael Ziehrer) (2 May 1843 – 14 November 1922) was an Austrian composer. In his lifetime, he was one of the fiercest rivals of the Strauss family; most notably Johann Strauss II and Eduard Strauss.
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Othmar Spann Othmar Spann (October 1, 1878 – July 8, 1950) was a conservative Austrian philosopher, sociologist and economist whose radical anti-liberal and anti-Socialist views, based on early 19th century Romantic ideas expressed by Adam Müller et al. and popularized in his books and lecture courses, helped antagonise political factions in Austria during the interwar years.
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Karl Amadeus Hartmann Karl Amadeus Hartmann (2 August 1905 – 5 December 1963) was a German composer. Some have lauded him as the greatest German symphonist of the 20th century, although he is now largely overlooked, particularly in English-speaking countries.
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Society for Private Musical Performances The Society for Private Musical Performances (in German, the Verein für musikalische Privataufführungen) was an organization founded in Vienna in the Autumn of 1918 by Arnold Schoenberg with the intention of making carefully rehearsed and comprehensible performances of newly composed music available to genuinely interested members of the musical public. In the three years between February 1919 and 5 December 1921 (when the "Verein" had to cease its activities due to Austrian hyperinflation), the organisation gave 353 performances of 154 works in 117 concerts that involved a total of 79 individuals and pre-existing ensembles.
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Salomon Jadassohn Salomon Jadassohn (13 August 1831 – 1 February 1902) was a German pianist, composer and a renowned teacher of piano and composition at the Leipzig Conservatory.
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Richard Wagner Wilhelm Richard Wagner ( ; ] ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is primarily known for his operas (or, as some of his later works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Weber and Meyerbeer, Wagner revolutionised opera through his concept of the "Gesamtkunstwerk" ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle "Der Ring des Nibelungen" ("The Ring of the Nibelung").
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Franz Amon Franz Amon was the lead violinist and concertmaster of the dance orchestra of Johann Strauss I.
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Günther Ramin Günther Werner Hans Ramin (15 October 1898 – 27 February 1956) was an influential German organist, conductor, composer and pedagogue in the first half of the 20th century.
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Josef Pasternack Josef Alexander Pasternack (7 July 1881 – 29 April 1940) was a conductor and composer in the first half of the 20th century.
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Karl Böhm Karl August Leopold Böhm (28 August 1894 in Graz – 14 August 1981 in Salzburg) was an Austrian conductor. Considered particularly gifted in his interpretations of Wagner and Mozart, he has been described by one critic as one of the greatest conductors of the 20th century.
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Gustav Mahler Gustav Mahler (] ; 7 July 1860, Kaliště, Bohemia, now Czech Republic – 18 May 1911, Vienna, Austria-Hungary) was an Austrian late-Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.
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Versuch einer gründlichen Violinschule Versuch einer gründlichen Violinschule ("A Treatise on the Fundamental Principles of Violin Playing") is a textbook for instruction in the violin, published by Leopold Mozart in 1756. The work was influential in its day, and continues to serve as a scholarly source concerning 18th century performance practice.
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Luise Adolpha Le Beau Luise Adolpha Le Beau (April 25, 1850 in Rastatt, Grand Duchy of Baden – July 17, 1927 in Baden-Baden) was a German composer of classical music. She studied with noted musicians Clara Schumann and Franz Lachner, but her primary instructor was Josef Gabriel Rheinberger. Like many other 19th century female composers, Le Beau began her career in music as a pianist, and later earned her living teaching, critiquing, and performing music.
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Othmar Steinbauer Othmar Steinbauer (6 November 1895 - 5 September 1962) was an Austrian composer and music theorist. He progressed developments in twelve-tone composition (""Klangreihenmusik""). His own teachers included Joseph Marx, Anton von Webern, Arnold Schönberg and Josef Matthias Hauer.
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Invitation to the Dance (Weber) Invitation to the Dance ("Aufforderung zum Tanz"), Op. 65, J. 260, is a piano piece in rondo form written by Carl Maria von Weber in 1819. It is also well known in the 1841 orchestration by Hector Berlioz. It is sometimes called "Invitation to the Waltz", but this is a mistranslation of the original.
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Alexander Kantorov Alexander Kantorov (born 1947) is a Russian conductor who was born in Leningrad (now Saint Petersburg) and was a graduate of both Moscow and Saint Petersburg Conservatories. He used to take violin lessons under guidance from Mikhail Vaiman and then completed postgraduate education under guidance from Yuri Temirkanov. He began his conducting career at the Sverdlovsk Philharmonic Symphony Orchestra and then became both a fonder and head conductor of both Sverdlovsk and Saint Petersburg Symphony Orchestras. Currently he conducts numerous works by such famous Russian composers as Nikolai Rimsky-Korsakov, Sergei Prokofiev, Sergei Rachmaninoff, Dmitri Shostakovich, Alexander Taneyev, Pyotr Ilyich Tchaikovsky, as well as German composers such as Ludwig van Beethoven, Johannes Brahms, Wolfgang Amadeus Mozart, Julian Cochran from Australia and Gustav Mahler with Anton Bruckner from Austria. Besides those, he also conducted works of Hector Berlioz and Antonín Dvořák.