what are features of a recitative from an oratorio?
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- In the opera and oratorio, the recitative is a short intro to the aria which is meant for the star of the performance to let loose with their singing abilities during an important part of the story that may be the climax or a pivotal moment.owever, I think the more entertaining of the two would be the opera. The opera is meant to entertain the audience while oratorio may or may not entertain the audience, but sometimes used for worship. Both of them however share a common key feature and that is the recitative and the aria.
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- Cages Sonatas and Interludes evokes the sounds of:a. the bagpipe of eastern Europe.b. the Japanese koto.c. the Javanese gamelan.d. the sitar of India.____ 9. Sonatas and Interludes by John Cage is a work for:a. chamber ensemble.b. prepared piano.c. violin and piano.d. synthesizer.____ 10.All of the following are characteristics of John Cages Sonatas and Interludes EXCEPT:a. percussive effects.b. a sense of irregular meter.c. gamelan-like timbre.d.ages Sonatas and Interludes evokes the sounds of:a. the bagpipe of eastern Europe.b. the Japanese koto.c. the Javanese gamelan.d. the sitar of India.____ 9. Sonatas and Interludes by John Cage is a work for:a. chamber ensemble.b. prepared piano.c. violin and piano.d. synthesizer.____ 10.
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- The thematic and stylistic function and effect of repetition in narrative, story and song; function of body language especially facial expressions; interjections of pause, rhythm and chorus further enhance the aesthetic and thematic value of the song (Finnegan 1970), with varying stresses, tones and ululation.
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- Form: Rondo, Sonata-Allegro and Theme and Variations (cont.) Overview. In this lecture, Professor Wright prepares the students for the upcoming concert they will attend, which will include pieces by Mozart, Brahms, and Beethoven. He discusses each of the pieces that will be on the program, paying special attention to form. Additional classical pieces are used to supplement the discussion of theme and variations and rondo form in the concert pieces.
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Cadenza Cadenza indication from Beethoven's Piano Concerto in C minor: fermata over rest indicates beginning, fermata over the trill indicates close. Play. Cadenza indication from the first movement of Mozart's Piano Concerto in B♭ major, K. 595. Play The I6. 4–V–I progression at the cadenza is typical of the Classical concerto.
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- Recitative is used in vocal works, particularly opera and oratorio, usually for a solo voice, in relatively free rhythm. In this respect recitative is distinct from the formal aria. Recitative might be accompanied by basso continuo, harpsichord or other chordal instruments and a bass instrument (recitativo secco or dry recitative), or accompanied by a larger number of instruments (recitativo accompagnato, accompanied recitative).
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- But the most remarkable feature of internal reflection here occurs in the figure of chiasm, that rhetorical pattern of ABBA elements, in this case in the penultimate line, These flowery waters and these watery flowers.
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- In these ever-changing times, Mark Bangert has provided both the cantus firmus and the grace notes to the church's song and meal--and still provides them. Some of Scheidemann's finest works are his chorale arrangements and Magnificat settings, which use the cantus firmus technique or imitation.
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Music Appreciation Pt 5 Ch 13-18 Puccini's operas have lasting appeal because. he had a marvelous sense of theater, his melodies have short, memorable phrases & are intensely emotional, & he minimized the difference between aria and recitative, thus creating a continuous flow of music.
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Anatomy, week 6-Phonatory Physiology 1) Coughing-When we cough, taking a deep inhalation and quickly shutting tight and forcefully expelling irritant with forceful exhalation. Is a reflex. Larynx is elevated. Tightly adducted and bursts open when force great enough to propel the irritant. If you can get cough, can often later get person to use speech (vocal fold adductors will work.) 2) Throat clearing-Not different from coughing except is involuntary, not reflexive. Is a stressful use of vocal fold adduction.
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recitative RV. [Italian, ]. In an opera, oratorio, cantata, or other multi-movement vocal compositions, a recitative is a narrative song that describes some action, thought, or emotion. The recitative follows the natural flow of the language, and is more a speaking composition than a singing composition. The two styles of recitative are the dry (secco) style and the accompanied (accompagnato) or measured recitative (recitative misurato or stromentato) style.
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Sonata form An example of the more extended type is the coda to the first movement of Beethoven 's Eroica Symphony. Explanations for why an extended coda is present vary. One reason may be to omit the repeat of the development and recapitulation sections found in earlier sonata forms of the eighteenth century.
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Chemical formula for salt Chemical formula for salt. Salt is an ionic compound formed by the action of an acid on a substance. There are many different types of salts. The most common salt is sodium chloride, NaCl or table salt, and is made up of the elements sodium and chlorine.hemical formula for salt. Salt is an ionic compound formed by the action of an acid on a substance. There are many different types of salts. The most common salt is sodium chloride, NaCl or table salt, and is made up of the elements sodium and chlorine.
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The Value-Added Tax Is Wrong for the United States At 15 percent, a VAT would collect about 6 percent of gross domestic product (GDP). In 2019, this would mean more than $1.2 trillion in higher taxes. If the rate was 20 percent, the VAT would raise 8 percent of GDP, just under $1.7 trillion in higher taxes in 2019.[13] A tax increase of this magnitude would raise the federal tax burden between 33 percent and 44 percent above its historical average.Once a VAT is in place, Congress could easily increase the VAT any time it wants more taxpayer money to pay for new programs.t 15 percent, a VAT would collect about 6 percent of gross domestic product (GDP). In 2019, this would mean more than $1.2 trillion in higher taxes. If the rate was 20 percent, the VAT would raise 8 percent of GDP, just under $1.7 trillion in higher taxes in 2019.
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We Love Opera! What is a recitative in an opera? It's a little break from the more complicated singing. Want to go to the opera, but you're not sure you'll understand what's going on?
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- Describe the important characteristics of the melody during the Classical period. 1  themes are present and tuneful. 2  short phrases of two and four measures in length. 3  statement - answer.  balance and symmetrical.
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Motet Beginning in the 15th century, novel methods of composition were used for motets. The two characteristics of the medieval motet, polytextuality and a cantus firmus tenor, were abandoned in favor of free composition with the same text in all the parts. In the works of Dunstable and Dufay, free motets appear side by side with the last representatives of the isorhythmic type.
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- In traditional opera, singers do two types of singing: recitative, a speech-inflected style and arias, a more melodic style.
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- A standing wave is a distributionof RF voltage that rises and falls along the line. This canstress the line because the voltage peaks for a given power arehigher than the voltage on a matched line and the line couldarc over at these voltage maxima.A standing wave of currentalso exists along the line.n a radio station, power is generated bya transmitter, usually housed comfortably in a shack, and theRF power is led to the (usually) remote antenna by a cable, ortransmission line, which in short wave stations can be severalwavelengths long.
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cantus To cantus firmus a write second species in one part and fourth in the other. In other cantatas it is noted that the cantus firmus (the chorale-melody) is in the soprano, or other voice. To cantus firmus b write third species in one part and fifth in the other. To cantus firmus b write two above and two below in the second species.
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- Respiration, phonation and resonation are the. interlocked parts of the singing instrument. Appoggio, although it begins with skilled breathing, is not a technique that operates outside of the phonatory and resonatory functions of the. instrument, as we shall see.
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- CHAPTER 1: The Elements of Music 6 Imitative texture: Imitation is a special type of polyphonic texture produced whenever a musical idea is ECHOED from voice to voice. Although imitation can be used in monophonic styles, it is more prevalent in polyphonic art-music— especially from the Renaissance and Baroque periods.
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Solita forma Solita forma. In 19th-century Italian opera, la solita forma (literally conventional form or multipartite form or double aria) is the formal design of scenes found during the bel canto era of Rossini, Bellini, Donizetti up to the late operas of Verdi.
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Romantic Brahms's works, though very personal in style, are rooted in the music of. Haydn, Mozart, & Beethoven. Verdi's later operas differ from his earlier ones in that they have. less difference between aria and recitative, greater musical continuity, & more imaginative orchestrations.
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Oratorio An oratorio (. [oraˈtɔːrjo]) is a large musical composition for orchestra, choir, and soloists. Like an opera, an oratorio includes the use of a choir, soloists, an ensemble, various distinguishable characters, and arias.However, opera is musical theatre, while oratorio is strictly a concert piece—though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church.
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Oratorio A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church.